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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
A_Garden_of_Pomegranates_-_An_Outline_of_the_Qabalah
Big_Mind,_Big_Heart
Blazing_the_Trail_from_Infancy_to_Enlightenment
books_(quotes)
City_of_God
Collected_Fictions
Crisis_of_European_Sciences_and_Transcendental_Phenomenology
DND_DM_Guide_5E
Enchiridion_text
Epigrams_from_Savitri
Essays_of_Schopenhauer
Essential_Integral
Evolution_II
Faust
Full_Circle
General_Principles_of_Kabbalah
Heart_of_Matter
Hymn_of_the_Universe
Infinite_Library
Integral_Life_Practice_(book)
Journey_to_the_Lord_of_Power_-_A_Sufi_Manual_on_Retreat
Let_Me_Explain
Letters_On_Poetry_And_Art
Letters_On_Yoga
Letters_On_Yoga_I
Letters_On_Yoga_II
Letters_On_Yoga_III
Letters_On_Yoga_IV
Liber_157_-_The_Tao_Teh_King
Liber_Null
Life_without_Death
Magick_Without_Tears
Mantras_Of_The_Mother
Manual_of_Zen_Buddhism
Meditation__The_First_and_Last_Freedom
Modern_Man_in_Search_of_a_Soul
My_Burning_Heart
On_Interpretation
On_Thoughts_And_Aphorisms
Opening_the_Hand_of_Thought__Foundations_of_Zen_Buddhist_Practice
Plotinus_-_Complete_Works_Vol_01
Preparing_for_the_Miraculous
Process_and_Reality
Questions_And_Answers_1929-1931
Questions_And_Answers_1950-1951
Questions_And_Answers_1953
Questions_And_Answers_1954
Questions_And_Answers_1955
Savitri
Spiral_Dynamics
Starship_Troopers
Synergetics_-_Explorations_in_the_Geometry_of_Thinking
The_7_Habits_of_Highly_Effective_People
The_Act_of_Creation
The_Archetypes_and_the_Collective_Unconscious
The_Art_of_Literature
the_Book_of_God
The_Book_of_Secrets__Keys_to_Love_and_Meditation
The_Categories
The_Divine_Comedy
The_Divine_Companion
The_Divine_Milieu
The_Divinization_of_Matter__Lurianic_Kabbalah,_Physics,_and_the_Supramental_Transformation
The_Epic_of_Gilgamesh
The_Essential_Songs_of_Milarepa
The_Ever-Present_Origin
The_Future_of_Man
The_Golden_Bough
The_Heros_Journey
The_Human_Cycle
The_Imitation_of_Christ
The_Integral_Yoga
The_Lotus_Sutra
The_Mother_With_Letters_On_The_Mother
The_Odyssey
The_Practice_of_Magical_Evocation
The_Red_Book_-_Liber_Novus
The_Republic
The_Seals_of_Wisdom
The_Secret_Doctrine
The_Self-Organizing_Universe
The_Study_and_Practice_of_Yoga
The_Synthesis_Of_Yoga
The_Tarot_of_Paul_Christian
The_Use_and_Abuse_of_History
The_Way_of_Perfection
The_Wit_and_Wisdom_of_Alfred_North_Whitehead
The_World_as_Will_and_Idea
The_Yoga_Sutras
Thought_Power
Three_Books_on_Occult_Philosophy
Toward_the_Future
Twilight_of_the_Idols
Vedic_and_Philological_Studies
Vishnu_Purana
Words_Of_The_Mother_I
Writings_In_Bengali_and_Sanskrit

IN CHAPTERS TITLE
03.04_-_The_Other_Aspect_of_European_Culture
07.44_-_Music_Indian_and_European
08.33_-_Opening_to_the_Divine
1.02_-_The_Three_European_Worlds
1.03_-_The_Gate_of_Hell._The_Inefficient_or_Indifferent._Pope_Celestine_V._The_Shores_of_Acheron._Charon._The
1.06_-_Being_Human_and_the_Copernican_Principle
11.01_-_The_Opening_Scene_of_Savitri
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.1.1.07_-_Aspiration,_Opening,_Recognition
1.11_-_The_Broken_Rocks._Pope_Anastasius._General_Description_of_the_Inferno_and_its_Divisions.
1.19_-_The_Third_Bolgia__Simoniacs._Pope_Nicholas_III._Dante's_Reproof_of_corrupt_Prelates.
1.20_-_HOW_MAY_WE_CONCEIVE_AND_HOPE_THAT_HUMAN_UNANIMIZATION_WILL_BE_REALIZED_ON_EARTH?
1.2.10_-_Opening
1.27_-_Guido_da_Montefeltro._His_deception_by_Pope_Boniface_VIII.
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.56_-_Marriage_-_Property_-_War_-_Politics
1.62_-_The_Fire-Festivals_of_Europe
1929-06-16_-_Illness_and_Yoga_-_Subtle_body_(nervous_envelope)_-_Fear_and_illness
1951-01-20_-_Developing_the_mind._Misfortunes,_suffering;_developed_reason._Knowledge_and_pure_ideas.
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1951-04-12_-_Japan,_its_art,_landscapes,_life,_etc_-_Fairy-lore_of_Japan_-_Culture-_its_spiral_movement_-_Indian_and_European-_the_spiritual_life_-_Art_and_Truth
1951-04-17_-_Unity,_diversity_-_Protective_envelope_-_desires_-_consciousness,_true_defence_-_Perfection_of_physical_-_cinema_-_Choice,_constant_and_conscious_-_law_of_ones_being_-_the_One,_the_Multiplicity_-_Civilization-_preparing_an_instrument
1954-07-07_-_The_inner_warrior_-_Grace_and_the_Falsehood_-_Opening_from_below_-_Surrender_and_inertia_-_Exclusive_receptivity_-_Grace_and_receptivity
1954-11-03_-_Body_opening_to_the_Divine_-_Concentration_in_the_heart_-_The_army_of_the_Divine_-_The_knot_of_the_ego_-Streng_thening_ones_will
1954-11-10_-_Inner_experience,_the_basis_of_action_-_Keeping_open_to_the_Force_-_Faith_through_aspiration_-_The_Mothers_symbol_-_The_mind_and_vital_seize_experience_-_Degrees_of_sincerity_-Becoming_conscious_of_the_Divine_Force
1955-03-02_-_Right_spirit,_aspiration_and_desire_-_Sleep_and_yogic_repose,_how_to_sleep_-_Remembering_dreams_-_Concentration_and_outer_activity_-_Mother_opens_the_door_inside_everyone_-_Sleep,_a_school_for_inner_knowledge_-_Source_of_energy
1955-08-17_-_Vertical_ascent_and_horizontal_opening_-_Liberation_of_the_psychic_being_-_Images_for_discovery_of_the_psychic_being_-_Sadhana_to_contact_the_psychic_being
1956-03-07_-_Sacrifice,_Animals,_hostile_forces,_receive_in_proportion_to_consciousness_-_To_be_luminously_open_-_Integral_transformation_-_Pain_of_rejection,_delight_of_progress_-_Spirit_behind_intention_-_Spirit,_matter,_over-simplified
1956-09-26_-_Soul_of_desire_-_Openness,_harmony_with_Nature_-_Communion_with_divine_Presence_-_Individuality,_difficulties,_soul_of_desire_-_personal_contact_with_the_Mother_-_Inner_receptivity_-_Bad_thoughts_before_the_Mother
1958-02-26_-_The_moon_and_the_stars_-_Horoscopes_and_yoga
1.fs_-_Hope
1.hs_-_The_Day_Of_Hope
1.jk_-_Extracts_From_An_Opera
1.jk_-_To_Hope
1.jr_-_If_continually_you_keep_your_hope
1.kbr_-_Hope_For_Him
1.kbr_-_Many_Hoped
1.kbr_-_Many_hoped
1.mbn_-_Prayers_for_the_Protection_and_Opening_of_the_Heart
1.mdl_-_The_Gates_(from_Openings)
1.okym_-_14_-_The_Worldly_Hope_men_set_their_Hearts_upon
1.pbs_-_Fragment_-_Such_Hope,_As_Is_The_Sick_Despair_Of_Good
1.pbs_-_Love-_Hope,_Desire,_And_Fear
1.pbs_-_Song._Hope
1.pbs_-_To_Harriet_--_It_Is_Not_Blasphemy_To_Hope_That_Heaven
1.rb_-_Evelyn_Hope
1.sig_-_Rise_and_open_the_door_that_is_shut
1.sjc_-_Full_of_Hope_I_Climbed_the_Day
1.tr_-_Slopes_Of_Mount_Kugami
1.wby_-_A_Thought_From_Propertius
1.whitman_-_Europe,_The_72d_And_73d_Years_Of_These_States
1.whitman_-_Song_Of_The_Open_Road
1.whitman_-_To_A_Foild_European_Revolutionaire
1.ww_-_9_-_The_big_doors_of_the_country_barn_stand_open_and_ready
2.3.02_-_Opening,_Sincerity_and_the_Mother's_Grace
2.3.1.06_-_Opening_to_the_Force
4.2.2.01_-_The_Meaning_of_Psychic_Opening
4.2.2.02_-_Conditions_for_the_Psychic_Opening
4.2.2.03_-_An_Experience_of_Psychic_Opening
4.2.2.04_-_The_Psychic_Opening_and_the_Inner_Centres
4.2.2.05_-_Opening_and_Coming_in_Front

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
0_0.01_-_Introduction
00.01_-_The_Approach_to_Mysticism
00.01_-_The_Mother_on_Savitri
00.02_-_Mystic_Symbolism
0_0.02_-_Topographical_Note
00.03_-_Upanishadic_Symbolism
00.04_-_The_Beautiful_in_the_Upanishads
00.05_-_A_Vedic_Conception_of_the_Poet
0.00a_-_Introduction
000_-_Humans_in_Universe
0.00_-_INTRODUCTION
0.00_-_The_Book_of_Lies_Text
0.00_-_THE_GOSPEL_PREFACE
0.00_-_The_Wellspring_of_Reality
0.01f_-_FOREWARD
0.01_-_I_-_Sri_Aurobindos_personality,_his_outer_retirement_-_outside_contacts_after_1910_-_spiritual_personalities-_Vibhutis_and_Avatars_-__transformtion_of_human_personality
0.01_-_Letters_from_the_Mother_to_Her_Son
0.01_-_Life_and_Yoga
0.02_-_II_-_The_Home_of_the_Guru
0.02_-_Letters_to_a_Sadhak
0.02_-_The_Three_Steps_of_Nature
0.03_-_III_-_The_Evening_Sittings
0.03_-_Letters_to_My_little_smile
0.03_-_The_Threefold_Life
0.04_-_Letters_to_a_Sadhak
0.04_-_The_Systems_of_Yoga
0.05_-_Letters_to_a_Child
0.05_-_The_Synthesis_of_the_Systems
0.06_-_INTRODUCTION
0.06_-_Letters_to_a_Young_Sadhak
0.07_-_DARK_NIGHT_OF_THE_SOUL
0.07_-_Letters_to_a_Sadhak
0.08_-_Letters_to_a_Young_Captain
0.09_-_Letters_to_a_Young_Teacher
01.01_-_A_Yoga_of_the_Art_of_Life
01.01_-_Sri_Aurobindo_-_The_Age_of_Sri_Aurobindo
01.01_-_The_New_Humanity
01.01_-_The_One_Thing_Needful
01.01_-_The_Symbol_Dawn
01.02_-_Natures_Own_Yoga
01.02_-_Sri_Aurobindo_-_Ahana_and_Other_Poems
01.02_-_The_Issue
01.03_-_Mystic_Poetry
01.03_-_Rationalism
01.03_-_Sri_Aurobindo_and_his_School
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.03_-_Yoga_and_the_Ordinary_Life
01.04_-_Motives_for_Seeking_the_Divine
01.04_-_Sri_Aurobindos_Gita
01.04_-_The_Intuition_of_the_Age
01.04_-_The_Poetry_in_the_Making
01.04_-_The_Secret_Knowledge
01.05_-_The_Nietzschean_Antichrist
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
01.06_-_On_Communism
01.06_-_Vivekananda
01.07_-_Blaise_Pascal_(1623-1662)
01.07_-_The_Bases_of_Social_Reconstruction
01.08_-_A_Theory_of_Yoga
01.08_-_Walter_Hilton:_The_Scale_of_Perfection
01.09_-_The_Parting_of_the_Way
0.10_-_Letters_to_a_Young_Captain
01.10_-_Principle_and_Personality
01.11_-_Aldous_Huxley:_The_Perennial_Philosophy
01.11_-_The_Basis_of_Unity
01.12_-_Three_Degrees_of_Social_Organisation
01.13_-_T._S._Eliot:_Four_Quartets
0.11_-_Letters_to_a_Sadhak
0.12_-_Letters_to_a_Student
0.13_-_Letters_to_a_Student
0.14_-_Letters_to_a_Sadhak
0_1954-08-25_-_what_is_this_personality?_and_when_will_she_come?
0_1955-04-04
0_1955-09-03
0_1955-09-15
0_1955-10-19
0_1956-05-02
0_1956-09-14
0_1956-10-28
0_1956-12-12
0_1957-04-09
0_1957-07-03
0_1957-10-17
0_1957-11-12
0_1957-12-13
0_1957-12-21
0_1958-02-03b_-_The_Supramental_Ship
0_1958-03-07
0_1958-05-10
0_1958-07-02
0_1958-07-06
0_1958-08-30
0_1958-09-16_-_OM_NAMO_BHAGAVATEH
0_1958-10-04
0_1958-10-10
0_1958-10-17
0_1958-11-04_-_Myths_are_True_and_Gods_exist_-_mental_formation_and_occult_faculties_-_exteriorization_-_work_in_dreams
0_1958-11-11
0_1958-11-15
0_1958-11-20
0_1958-11-22
0_1958-11-26
0_1958-11-27_-_Intermediaries_and_Immediacy
0_1958-12-24
0_1958-12-28
0_1959-01-06
0_1959-01-14
0_1959-01-31
0_1959-03-26_-_Lord_of_Death,_Lord_of_Falsehood
0_1959-04-07
0_1959-04-13
0_1959-04-23
0_1959-05-19_-_Ascending_and_Descending_paths
0_1959-05-25
0_1959-05-28
0_1959-06-03
0_1959-06-07
0_1959-06-08
0_1959-06-25
0_1959-07-14
0_1959-08-11
0_1959-10-06_-_Sri_Aurobindos_abode
0_1959-10-15
0_1960-01-31
0_1960-03-03
0_1960-04-13
0_1960-04-14
0_1960-05-06
0_1960-05-16
0_1960-05-24_-_supramental_flood
0_1960-05-28_-_death_of_K_-_the_death_process-_the_subtle_physical
0_1960-06-04
0_1960-06-07
0_1960-07-12_-_Mothers_Vision_-_the_Voice,_the_ashram_a_tiny_part_of_myself,_the_Mothers_Force,_sparkling_white_light_compressed_-_enormous_formation_of_negative_vibrations_-_light_in_evil
0_1960-07-23_-_The_Flood_and_the_race_-_turning_back_to_guide_and_save_amongst_the_torrents_-_sadhana_vs_tamas_and_destruction_-_power_of_giving_and_offering_-_Japa,_7_lakhs,_140000_per_day,_1_crore_takes_20_years
0_1960-08-16
0_1960-08-20
0_1960-09-20
0_1960-10-11
0_1960-10-22
0_1960-10-25
0_1960-10-30
0_1960-11-08
0_1960-11-12
0_1960-11-15
0_1960-11-26
0_1960-12-02
0_1960-12-17
0_1960-12-31
0_1961-01-10
0_1961-01-22
0_1961-01-24
0_1961-01-27
0_1961-01-31
0_1961-02-04
0_1961-02-07
0_1961-02-11
0_1961-02-18
0_1961-02-28
0_1961-03-04
0_1961-03-07
0_1961-03-11
0_1961-03-14
0_1961-03-17
0_1961-03-21
0_1961-03-25
0_1961-03-27
0_1961-04-07
0_1961-04-12
0_1961-04-15
0_1961-04-18
0_1961-04-25
0_1961-04-29
0_1961-05-19
0_1961-06-02
0_1961-06-17
0_1961-06-20
0_1961-06-24
0_1961-06-27
0_1961-07-12
0_1961-07-15
0_1961-07-18
0_1961-07-28
0_1961-08-02
0_1961-08-05
0_1961-08-08
0_1961-08-11
0_1961-08-25
0_1961-09-03
0_1961-09-10
0_1961-09-16
0_1961-09-23
0_1961-09-28
0_1961-10-02
0_1961-10-15
0_1961-10-30
0_1961-11-05
0_1961-11-06
0_1961-11-07
0_1961-11-16a
0_1961-12-16
0_1961-12-20
0_1961-12-23
0_1962-01-09
0_1962-01-12_-_supramental_ship
0_1962-01-21
0_1962-01-24
0_1962-01-27
0_1962-02-06
0_1962-02-09
0_1962-02-17
0_1962-02-24
0_1962-02-27
0_1962-03-03
0_1962-03-06
0_1962-03-11
0_1962-03-13
0_1962-04-03
0_1962-05-15
0_1962-05-18
0_1962-05-22
0_1962-05-24
0_1962-05-27
0_1962-05-29
0_1962-06-02
0_1962-06-06
0_1962-06-09
0_1962-06-12
0_1962-06-16
0_1962-06-23
0_1962-06-27
0_1962-06-30
0_1962-07-04
0_1962-07-11
0_1962-07-14
0_1962-07-18
0_1962-07-21
0_1962-07-25
0_1962-07-31
0_1962-08-04
0_1962-08-08
0_1962-08-14
0_1962-08-31
0_1962-09-05
0_1962-09-08
0_1962-09-18
0_1962-09-22
0_1962-09-26
0_1962-10-06
0_1962-10-12
0_1962-10-20
0_1962-10-27
0_1962-10-30
0_1962-11-03
0_1962-11-10
0_1962-11-17
0_1962-11-20
0_1962-11-27
0_1962-11-30
0_1962-12-04
0_1962-12-08
0_1962-12-15
0_1962-12-19
0_1963-01-12
0_1963-01-14
0_1963-01-18
0_1963-02-15
0_1963-02-19
0_1963-02-21
0_1963-02-23
0_1963-03-06
0_1963-03-09
0_1963-03-13
0_1963-03-19
0_1963-03-23
0_1963-04-06
0_1963-04-20
0_1963-04-22
0_1963-04-29
0_1963-05-03
0_1963-05-11
0_1963-05-18
0_1963-05-22
0_1963-05-25
0_1963-06-03
0_1963-06-15
0_1963-06-19
0_1963-06-22
0_1963-06-26b
0_1963-06-29
0_1963-07-03
0_1963-07-06
0_1963-07-10
0_1963-07-13
0_1963-07-20
0_1963-07-24
0_1963-07-27
0_1963-07-31
0_1963-08-03
0_1963-08-07
0_1963-08-10
0_1963-08-21
0_1963-08-24
0_1963-08-28
0_1963-09-04
0_1963-09-07
0_1963-09-18
0_1963-09-25
0_1963-10-05
0_1963-10-16
0_1963-10-19
0_1963-10-26
0_1963-11-04
0_1963-11-20
0_1963-11-23
0_1963-11-27
0_1963-12-07_-_supramental_ship
0_1963-12-11
0_1963-12-14
0_1963-12-31
0_1964-01-04
0_1964-01-08
0_1964-01-15
0_1964-01-18
0_1964-01-25
0_1964-01-29
0_1964-01-31
0_1964-02-05
0_1964-02-26
0_1964-03-04
0_1964-03-07
0_1964-03-11
0_1964-03-14
0_1964-03-18
0_1964-03-21
0_1964-03-25
0_1964-03-28
0_1964-04-23
0_1964-05-14
0_1964-05-17
0_1964-05-28
0_1964-06-04
0_1964-06-27
0_1964-06-28
0_1964-07-13
0_1964-07-18
0_1964-07-22
0_1964-07-28
0_1964-07-31
0_1964-08-11
0_1964-08-14
0_1964-08-15
0_1964-08-22
0_1964-08-26
0_1964-08-29
0_1964-09-16
0_1964-09-18
0_1964-09-26
0_1964-09-30
0_1964-10-07
0_1964-10-10
0_1964-10-14
0_1964-10-24a
0_1964-10-30
0_1964-11-12
0_1964-11-14
0_1964-11-21
0_1964-11-28
0_1964-12-02
0_1964-12-07
0_1965-01-06
0_1965-01-12
0_1965-02-19
0_1965-02-24
0_1965-02-27
0_1965-03-06
0_1965-03-10
0_1965-03-20
0_1965-03-24
0_1965-03-27
0_1965-04-17
0_1965-04-21
0_1965-05-05
0_1965-05-08
0_1965-05-19
0_1965-05-29
0_1965-06-02
0_1965-06-05
0_1965-06-12
0_1965-06-18_-_supramental_ship
0_1965-06-23
0_1965-06-26
0_1965-06-30
0_1965-07-07
0_1965-07-10
0_1965-07-14
0_1965-07-21
0_1965-07-24
0_1965-07-31
0_1965-08-07
0_1965-08-31
0_1965-09-04
0_1965-09-11
0_1965-09-15a
0_1965-09-18
0_1965-09-25
0_1965-09-29
0_1965-10-20
0_1965-11-03
0_1965-11-06
0_1965-11-23
0_1965-11-27
0_1965-12-10
0_1965-12-15
0_1965-12-31
0_1966-01-14
0_1966-01-22
0_1966-01-26
0_1966-01-31
0_1966-02-11
0_1966-02-26
0_1966-03-02
0_1966-03-04
0_1966-03-19
0_1966-03-26
0_1966-04-09
0_1966-04-16
0_1966-04-23
0_1966-05-14
0_1966-05-22
0_1966-05-25
0_1966-05-28
0_1966-06-08
0_1966-06-15
0_1966-06-25
0_1966-07-27
0_1966-08-03
0_1966-08-06
0_1966-08-27
0_1966-09-07
0_1966-09-14
0_1966-09-17
0_1966-09-21
0_1966-09-28
0_1966-09-30
0_1966-10-08
0_1966-10-22
0_1966-10-26
0_1966-10-29
0_1966-11-03
0_1966-11-09
0_1966-11-23
0_1966-11-30
0_1966-12-07
0_1966-12-17
0_1966-12-21
0_1966-12-31
0_1967-01-04
0_1967-01-18
0_1967-01-21
0_1967-01-28
0_1967-02-08
0_1967-02-15
0_1967-02-18
0_1967-02-21
0_1967-02-25
0_1967-03-02
0_1967-03-04
0_1967-03-11
0_1967-03-15
0_1967-03-22
0_1967-03-29
0_1967-04-03
0_1967-04-05
0_1967-04-12
0_1967-04-15
0_1967-04-19
0_1967-04-24
0_1967-04-29
0_1967-05-03
0_1967-05-06
0_1967-05-10
0_1967-05-13
0_1967-05-24
0_1967-05-27
0_1967-06-03
0_1967-06-07
0_1967-06-14
0_1967-06-17
0_1967-06-21
0_1967-06-24
0_1967-06-30
0_1967-07-05
0_1967-07-08
0_1967-07-12
0_1967-07-15
0_1967-07-22
0_1967-07-26
0_1967-08-02
0_1967-08-05
0_1967-08-12
0_1967-08-15
0_1967-08-19
0_1967-08-26
0_1967-08-30
0_1967-09-03
0_1967-09-13
0_1967-09-16
0_1967-09-20
0_1967-09-23
0_1967-09-30
0_1967-10-04
0_1967-10-07
0_1967-10-11
0_1967-10-14
0_1967-10-19
0_1967-10-21
0_1967-10-25
0_1967-10-30
0_1967-11-04
0_1967-11-08
0_1967-11-22
0_1967-12-06
0_1967-12-08
0_1967-12-16
0_1967-12-20
0_1967-12-27
0_1967-12-30
0_1968-01-06
0_1968-01-10
0_1968-01-12
0_1968-02-03
0_1968-02-07
0_1968-02-14
0_1968-02-17
0_1968-02-28
0_1968-03-02
0_1968-03-09
0_1968-03-20
0_1968-03-23
0_1968-03-27
0_1968-04-03
0_1968-04-06
0_1968-04-10
0_1968-04-27
0_1968-05-04
0_1968-05-08
0_1968-05-18
0_1968-05-22
0_1968-06-03
0_1968-06-12
0_1968-06-15
0_1968-06-18
0_1968-06-22
0_1968-06-29
0_1968-07-06
0_1968-07-13
0_1968-07-17
0_1968-07-24
0_1968-07-27
0_1968-07-31
0_1968-08-28
0_1968-09-04
0_1968-09-07
0_1968-09-21
0_1968-09-25
0_1968-10-05
0_1968-10-09
0_1968-10-26
0_1968-11-02
0_1968-11-06
0_1968-11-09
0_1968-11-13
0_1968-11-20
0_1968-12-04
0_1968-12-14
0_1968-12-25
0_1969-01-01
0_1969-01-15
0_1969-01-18
0_1969-01-22
0_1969-01-29
0_1969-02-08
0_1969-02-15
0_1969-02-19
0_1969-02-22
0_1969-03-08
0_1969-03-12
0_1969-03-15
0_1969-03-19
0_1969-03-26
0_1969-03-29
0_1969-04-02
0_1969-04-05
0_1969-04-09
0_1969-04-12
0_1969-04-16
0_1969-04-19
0_1969-04-23
0_1969-04-26
0_1969-04-30
0_1969-05-03
0_1969-05-10
0_1969-05-17
0_1969-05-21
0_1969-05-24
0_1969-05-28
0_1969-05-31
0_1969-06-04
0_1969-06-11
0_1969-06-28
0_1969-07-05
0_1969-07-12
0_1969-07-19
0_1969-07-23
0_1969-07-26
0_1969-07-30
0_1969-08-02
0_1969-08-09
0_1969-08-16
0_1969-08-20
0_1969-08-23
0_1969-08-30
0_1969-09-03
0_1969-09-13
0_1969-09-17
0_1969-09-20
0_1969-09-24
0_1969-09-27
0_1969-10-01
0_1969-10-08
0_1969-10-12
0_1969-10-15
0_1969-10-18
0_1969-10-25
0_1969-10-29
0_1969-11-01
0_1969-11-05
0_1969-11-08
0_1969-11-12
0_1969-11-15
0_1969-11-19
0_1969-11-22
0_1969-11-29
0_1969-12-06
0_1969-12-13
0_1969-12-20
0_1969-12-27
0_1969-12-31
0_1970-01-03
0_1970-01-10
0_1970-01-17
0_1970-01-28
0_1970-01-31
0_1970-02-07
0_1970-02-11
0_1970-02-18
0_1970-02-21
0_1970-02-28
0_1970-03-04
0_1970-03-07
0_1970-03-14
0_1970-03-21
0_1970-03-25
0_1970-03-28
0_1970-04-01
0_1970-04-04
0_1970-04-15
0_1970-04-18
0_1970-04-22
0_1970-04-29
0_1970-05-13
0_1970-05-20
0_1970-05-23
0_1970-06-13
0_1970-06-20
0_1970-07-01
0_1970-07-04
0_1970-07-11
0_1970-07-22
0_1970-07-29
0_1970-08-01
0_1970-08-05
0_1970-08-22
0_1970-09-02
0_1970-09-09
0_1970-09-12
0_1970-09-16
0_1970-09-26
0_1970-09-30
0_1970-10-03
0_1970-10-07
0_1970-10-17
0_1970-10-31
0_1970-11-07
0_1970-11-18
0_1970-11-21
0_1970-11-25
0_1971-01-16
0_1971-01-23
0_1971-01-27
0_1971-02-03
0_1971-02-20
0_1971-02-27
0_1971-03-03
0_1971-03-06
0_1971-03-10
0_1971-03-27
0_1971-04-01
0_1971-04-03
0_1971-04-07
0_1971-04-17
0_1971-05-05
0_1971-05-08
0_1971-05-12
0_1971-05-15
0_1971-05-19
0_1971-05-22
0_1971-05-26
0_1971-06-02
0_1971-06-12
0_1971-06-26
0_1971-07-03
0_1971-07-14
0_1971-07-17
0_1971-07-21
0_1971-07-28
0_1971-07-31
0_1971-08-18
0_1971-08-28
0_1971-09-08
0_1971-09-15
0_1971-10-06
0_1971-10-16
0_1971-10-20
0_1971-10-27
0_1971-10-30
0_1971-11-13
0_1971-11-20
0_1971-11-24
0_1971-11-27
0_1971-12-01
0_1971-12-04
0_1971-12-08
0_1971-12-11
0_1971-12-18
0_1971-12-22
0_1971-12-25
0_1971-12-29b
0_1972-01-02
0_1972-01-08
0_1972-01-15
0_1972-01-22
0_1972-01-29
0_1972-02-02
0_1972-02-08
0_1972-02-16
0_1972-02-26
0_1972-03-08
0_1972-03-10
0_1972-03-11
0_1972-03-18
0_1972-03-25
0_1972-03-29a
0_1972-03-29b
0_1972-04-04
0_1972-04-05
0_1972-04-12
0_1972-04-13
0_1972-04-15
0_1972-04-19
0_1972-04-26
0_1972-05-06
0_1972-05-13
0_1972-05-17
0_1972-05-24
0_1972-05-27
0_1972-05-31
0_1972-06-03
0_1972-06-07
0_1972-06-10
0_1972-06-17
0_1972-06-24
0_1972-07-05
0_1972-07-08
0_1972-07-15
0_1972-07-19
0_1972-07-22
0_1972-07-29
0_1972-08-05
0_1972-08-16
0_1972-08-19
0_1972-08-30
0_1972-09-06
0_1972-09-13
0_1972-09-16
0_1972-09-30
0_1972-10-07
0_1972-10-11
0_1972-10-18
0_1972-10-21
0_1972-10-25
0_1972-10-28
0_1972-11-22
0_1972-11-25
0_1972-11-26
0_1972-12-16
0_1972-12-23
0_1972-12-30
0_1973-01-03
0_1973-01-10
0_1973-01-20
0_1973-01-24
0_1973-02-03
0_1973-02-08
0_1973-02-14
0_1973-02-17
0_1973-02-18
0_1973-02-28
0_1973-03-10
0_1973-03-17
0_1973-03-30
02.01_-_Metaphysical_Thought_and_the_Supreme_Truth
02.01_-_Our_Ideal
02.01_-_The_World-Stair
02.01_-_The_World_War
02.02_-_Lines_of_the_Descent_of_Consciousness
02.02_-_Rishi_Dirghatama
02.02_-_The_Kingdom_of_Subtle_Matter
02.02_-_The_Message_of_the_Atomic_Bomb
02.03_-_An_Aspect_of_Emergent_Evolution
02.03_-_National_and_International
02.03_-_The_Glory_and_the_Fall_of_Life
02.03_-_The_Shakespearean_Word
02.04_-_The_Kingdoms_of_the_Little_Life
02.04_-_The_Right_of_Absolute_Freedom
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_The_Integral_Yoga_and_Other_Yogas
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.06_-_Vansittartism
02.07_-_George_Seftris
02.07_-_The_Descent_into_Night
02.08_-_Jules_Supervielle
02.08_-_The_Basic_Unity
02.08_-_The_World_of_Falsehood,_the_Mother_of_Evil_and_the_Sons_of_Darkness
02.09_-_The_Paradise_of_the_Life-Gods
02.09_-_The_Way_to_Unity
02.09_-_Two_Mystic_Poems_in_Modern_French
02.10_-_Independence_and_its_Sanction
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.11_-_Hymn_to_Darkness
02.11_-_New_World-Conditions
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.12_-_Mysticism_in_Bengali_Poetry
02.12_-_The_Heavens_of_the_Ideal
02.12_-_The_Ideals_of_Human_Unity
02.13_-_In_the_Self_of_Mind
02.13_-_On_Social_Reconstruction
02.13_-_Rabindranath_and_Sri_Aurobindo
02.14_-_Appendix
02.14_-_Panacea_of_Isms
02.14_-_The_World-Soul
03.01_-_Humanism_and_Humanism
03.01_-_The_Evolution_of_Consciousness
03.01_-_The_Malady_of_the_Century
03.01_-_The_New_Year_Initiation
03.01_-_The_Pursuit_of_the_Unknowable
03.02_-_Aspects_of_Modernism
03.02_-_The_Adoration_of_the_Divine_Mother
03.02_-_The_Gradations_of_Consciousness__The_Gradation_of_Planes
03.02_-_The_Philosopher_as_an_Artist_and_Philosophy_as_an_Art
03.02_-_Yogic_Initiation_and_Aptitude
03.03_-_A_Stainless_Steel_Frame
03.03_-_Modernism_-_An_Oriental_Interpretation
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.03_-_The_Inner_Being_and_the_Outer_Being
03.04_-_The_Body_Human
03.04_-_The_Other_Aspect_of_European_Culture
03.04_-_The_Vision_and_the_Boon
03.04_-_Towardsa_New_Ideology
03.05_-_Some_Conceptions_and_Misconceptions
03.05_-_The_Spiritual_Genius_of_India
03.05_-_The_World_is_One
03.06_-_Divine_Humanism
03.06_-_Here_or_Otherwhere
03.07_-_Brahmacharya
03.07_-_Some_Thoughts_on_the_Unthinkable
03.08_-_The_Democracy_of_Tomorrow
03.08_-_The_Standpoint_of_Indian_Art
03.09_-_Art_and_Katharsis
03.09_-_Buddhism_and_Hinduism
03.10_-_The_Mission_of_Buddhism
03.11_-_Modernist_Poetry
03.11_-_The_Language_Problem_and_India
03.11_-_True_Humility
03.12_-_Communism:_What_does_it_Mean?
03.12_-_TagorePoet_and_Seer
03.13_-_Dynamic_Fatalism
03.13_-_Human_Destiny
03.14_-_From_the_Known_to_the_Unknown?
03.16_-_The_Tragic_Spirit_in_Nature
03.17_-_The_Souls_Odyssey
04.01_-_The_Birth_and_Childhood_of_the_Flame
04.01_-_The_Divine_Man
04.01_-_The_March_of_Civilisation
04.01_-_To_the_Heights_I
04.02_-_A_Chapter_of_Human_Evolution
04.02_-_Human_Progress
04.02_-_The_Growth_of_the_Flame
04.03_-_Consciousness_as_Energy
04.03_-_The_Call_to_the_Quest
04.03_-_The_Eternal_East_and_West
04.04_-_A_Global_Humanity
04.04_-_The_Quest
04.05_-_The_Freedom_and_the_Force_of_the_Spirit
04.05_-_The_Immortal_Nation
04.07_-_Matter_Aspires
04.07_-_Readings_in_Savitri
04.07_-_To_the_Heights_VII_(Mahakali)
04.08_-_An_Evolutionary_Problem
04.09_-_Values_Higher_and_Lower
04.26_-_To_the_Heights-XXVI
04.34_-_To_the_Heights-XXXIV
04.39_-_To_the_Heights-XXXIX
04.40_-_To_the_Heights-XL
04.47_-_To_the_Heights-XLVII
05.01_-_Man_and_the_Gods
05.01_-_Of_Love_and_Aspiration
05.02_-_Gods_Labour
05.02_-_Physician,_Heal_Thyself
05.02_-_Satyavan
05.03_-_Bypaths_of_Souls_Journey
05.03_-_Of_Desire_and_Atonement
05.03_-_Satyavan_and_Savitri
05.04_-_The_Immortal_Person
05.04_-_The_Measure_of_Time
05.05_-_In_Quest_of_Reality
05.05_-_Man_the_Prototype
05.05_-_Of_Some_Supreme_Mysteries
05.06_-_Physics_or_philosophy
05.06_-_The_Role_of_Evil
05.07_-_Man_and_Superman
05.07_-_The_Observer_and_the_Observed
05.08_-_True_Charity
05.09_-_The_Changed_Scientific_Outlook
05.10_-_Knowledge_by_Identity
05.11_-_The_Place_of_Reason
05.11_-_The_Soul_of_a_Nation
05.12_-_The_Revealer_and_the_Revelation
05.12_-_The_Soul_and_its_Journey
05.13_-_Darshana_and_Philosophy
05.17_-_Evolution_or_Special_Creation
05.18_-_Man_to_be_Surpassed
05.20_-_The_Urge_for_Progression
05.22_-_Success_and_its_Conditions
05.23_-_The_Base_of_Sincerity
05.25_-_Sweet_Adversity
05.26_-_The_Soul_in_Anguish
05.28_-_God_Protects
05.31_-_Divine_Intervention
05.32_-_Yoga_as_Pragmatic_Power
05.33_-_Caesar_versus_the_Divine
05.34_-_Light,_more_Light
06.01_-_The_End_of_a_Civilisation
06.01_-_The_Word_of_Fate
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
06.03_-_Types_of_Meditation
06.05_-_The_Story_of_Creation
06.08_-_The_Individual_and_the_Collective
06.10_-_Fatigue_and_Work
06.11_-_The_Steps_of_the_Soul
06.15_-_Ever_Green
06.16_-_A_Page_of_Occult_History
06.18_-_Value_of_Gymnastics,_Mental_or_Other
06.19_-_Mental_Silence
06.23_-_Here_or_Elsewhere
06.25_-_Individual_and_Collective_Soul
06.27_-_To_Learn_and_to_Understand
06.29_-_Towards_Redemption
06.30_-_Sweet_Holy_Tears
06.35_-_Second_Sight
07.01_-_Realisation,_Past_and_Future
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.02_-_The_Spiral_Universe
07.03_-_The_Entry_into_the_Inner_Countries
07.04_-_The_Triple_Soul-Forces
07.05_-_The_Finding_of_the_Soul
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
07.06_-_Record_of_World-History
07.07_-_Freedom_and_Destiny
07.08_-_The_Divine_Truth_Its_Name_and_Form
07.10_-_Diseases_and_Accidents
07.11_-_The_Problem_of_Evil
07.12_-_This_Ugliness_in_the_World
07.14_-_The_Divine_Suffering
07.22_-_Mysticism_and_Occultism
07.24_-_Meditation_and_Meditation
07.25_-_Prayer_and_Aspiration
07.27_-_Equality_of_the_Body,_Equality_of_the_Soul
07.29_-_How_to_Feel_that_we_Belong_to_the_Divine
07.30_-_Sincerity_is_Victory
07.32_-_The_Yogic_Centres
07.33_-_The_Inner_and_the_Outer
07.36_-_The_Body_and_the_Psychic
07.37_-_The_Psychic_Being,_Some_Mysteries
07.38_-_Past_Lives_and_the_Psychic_Being
07.40_-_Service_Human_and_Divine
07.42_-_The_Nature_and_Destiny_of_Art
07.43_-_Music_Its_Origin_and_Nature
07.44_-_Music_Indian_and_European
07.45_-_Specialisation
08.01_-_Choosing_To_Do_Yoga
08.02_-_Order_and_Discipline
08.04_-_Doing_for_Her_Sake
08.05_-_Will_and_Desire
08.07_-_Sleep_and_Pain
08.08_-_The_Mind_s_Bazaar
08.09_-_Spirits_in_Trees
08.10_-_Are_Not_Dogs_More_Faithful_Than_Men?
08.11_-_The_Work_Here
08.13_-_Thought_and_Imagination
08.14_-_Poetry_and_Poetic_Inspiration
08.15_-_Divine_Living
08.16_-_Perfection_and_Progress
08.17_-_Psychological_Perfection
08.21_-_Human_Birth
08.22_-_Regarding_the_Body
08.23_-_Sadhana_Must_be_Done_in_the_Body
08.26_-_Faith_and_Progress
08.28_-_Prayer_and_Aspiration
08.30_-_Dealing_with_a_Wrong_Movement
08.32_-_The_Surrender_of_an_Inner_Warrior
08.33_-_Opening_to_the_Divine
08.34_-_To_Melt_into_the_Divine
08.35_-_Love_Divine
08.36_-_Buddha_and_Shankara
08.37_-_The_Significance_of_Dates
08.38_-_The_Value_of_Money
09.01_-_Prayer_and_Aspiration
09.01_-_Towards_the_Black_Void
09.02_-_Meditation
09.02_-_The_Journey_in_Eternal_Night_and_the_Voice_of_the_Darkness
09.03_-_The_Psychic_Being
09.04_-_The_Divine_Grace
09.05_-_The_Story_of_Love
09.08_-_The_Modern_Taste
09.09_-_The_Origin
09.10_-_The_Supramental_Vision
09.11_-_The_Supramental_Manifestation_and_World_Change
09.13_-_On_Teachers_and_Teaching
09.15_-_How_to_Listen
09.18_-_The_Mother_on_Herself
100.00_-_Synergy
10.01_-_A_Dream
10.01_-_Cycles_of_Creation
1.001_-_The_Aim_of_Yoga
10.01_-_The_Dream_Twilight_of_the_Ideal
10.02_-_The_Gospel_of_Death_and_Vanity_of_the_Ideal
10.03_-_The_Debate_of_Love_and_Death
10.04_-_Lord_of_Time
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
10.04_-_Transfiguration
10.05_-_Mind_and_the_Mental_World
1.007_-_Initial_Steps_in_Yoga_Practice
10.07_-_The_Demon
10.08_-_Consciousness_as_Freedom
1.008_-_The_Principle_of_Self-Affirmation
10.09_-_Education_as_the_Growth_of_Consciousness
1.009_-_Perception_and_Reality
1.00a_-_DIVISION_A_-_THE_INTERNAL_FIRES_OF_THE_SHEATHS.
1.00a_-_Introduction
1.00b_-_DIVISION_B_-_THE_PERSONALITY_RAY_AND_FIRE_BY_FRICTION
1.00b_-_INTRODUCTION
1.00c_-_DIVISION_C_-_THE_ETHERIC_BODY_AND_PRANA
1.00c_-_INTRODUCTION
1.00d_-_Introduction
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00g_-_Foreword
1.00_-_INTRODUCTION
1.00_-_INTRODUCTORY_REMARKS
1.00_-_Main
1.00_-_PREFACE
1.00_-_Preface
1.00_-_PREFACE_-_DESCENSUS_AD_INFERNOS
1.00_-_Preliminary_Remarks
1.00_-_PRELUDE_AT_THE_THEATRE
1.00_-_The_Constitution_of_the_Human_Being
1.00_-_The_way_of_what_is_to_come
10.10_-_Education_is_Organisation
1.010_-_Self-Control_-_The_Alpha_and_Omega_of_Yoga
10.11_-_Savitri
10.12_-_Awake_Mother
1.012_-_Sublimation_-_A_Way_to_Reshuffle_Thought
1.013_-_Defence_Mechanisms_of_the_Mind
10.13_-_Go_Through
10.15_-_The_Evolution_of_Language
10.17_-_Miracles:_Their_True_Significance
1.01_-_About_the_Elements
1.01_-_Adam_Kadmon_and_the_Evolution
1.01_-_An_Accomplished_Westerner
1.01_-_A_NOTE_ON_PROGRESS
1.01_-_Appearance_and_Reality
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_Asana
1.01_-_BOOK_THE_FIRST
1.01_-_Description_of_the_Castle
1.01_-_DOWN_THE_RABBIT-HOLE
1.01_-_Economy
1.01_-_Foreward
1.01_-_Fundamental_Considerations
1.01_-_Historical_Survey
1.01_-_How_is_Knowledge_Of_The_Higher_Worlds_Attained?
1.01_-_Introduction
1.01_-_Isha_Upanishad
1.01_-_Maitreya_inquires_of_his_teacher_(Parashara)
1.01_-_MAPS_OF_EXPERIENCE_-_OBJECT_AND_MEANING
1.01_-_MASTER_AND_DISCIPLE
1.01_-_MAXIMS_AND_MISSILES
1.01_-_Meeting_the_Master_-_Authors_first_meeting,_December_1918
1.01_-_Necessity_for_knowledge_of_the_whole_human_being_for_a_genuine_education.
1.01_-_Newtonian_and_Bergsonian_Time
1.01_-_NIGHT
1.01_-_On_knowledge_of_the_soul,_and_how_knowledge_of_the_soul_is_the_key_to_the_knowledge_of_God.
1.01_-_On_renunciation_of_the_world
1.01_-_ON_THE_THREE_METAMORPHOSES
1.01_-_Our_Demand_and_Need_from_the_Gita
1.01_-_Prayer
1.01_-_Principles_of_Practical_Psycho_therapy
1.01_-_Proem
1.01_-_SAMADHI_PADA
1.01_-_Seeing
1.01_-_Soul_and_God
1.01_-_Sri_Aurobindo
1.01_-_Tara_the_Divine
1.01_-_THAT_ARE_THOU
1.01_-_the_Call_to_Adventure
1.01_-_The_Castle
1.01_-_The_Corporeal_Being_of_Man
1.01_-_The_Cycle_of_Society
1.01_-_The_Dark_Forest._The_Hill_of_Difficulty._The_Panther,_the_Lion,_and_the_Wolf._Virgil.
1.01_-_The_Ego
1.01_-_The_First_Steps
1.01_-_The_Four_Aids
1.01_-_The_Highest_Meaning_of_the_Holy_Truths
1.01_-_The_Human_Aspiration
1.01_-_The_Ideal_of_the_Karmayogin
1.01_-_The_King_of_the_Wood
1.01_-_The_Mental_Fortress
1.01_-_The_Offering
1.01_-_THE_OPPOSITES
1.01_-_The_Path_of_Later_On
1.01_-_The_Rape_of_the_Lock
1.01_-_The_Science_of_Living
1.01_-_THE_STUFF_OF_THE_UNIVERSE
1.01_-_The_Unexpected
1.01_-_To_Watanabe_Sukefusa
1.01_-_Two_Powers_Alone
1.01_-_What_is_Magick?
1.01_-_Who_is_Tara
1.020_-_The_World_and_Our_World
1.02.1_-_The_Inhabiting_Godhead__Life_and_Action
1.02.2.1_-_Brahman__Oneness_of_God_and_the_World
1.02.2.2_-_Self-Realisation
1.02.3.1_-_The_Lord
10.23_-_Prayers_and_Meditations_of_the_Mother
1.02.4.1_-_The_Worlds_-_Surya
1.024_-_Affiliation_With_Larger_Wholes
10.24_-_Savitri
1.025_-_Sadhana_-_Intensifying_a_Lighted_Flame
10.27_-_Consciousness
1.028_-_Bringing_About_Whole-Souled_Dedication
10.28_-_Love_and_Love
1.02.9_-_Conclusion_and_Summary
1.02_-_BEFORE_THE_CITY-GATE
1.02_-_BOOK_THE_SECOND
1.02_-_Education
1.02_-_Groups_and_Statistical_Mechanics
1.02_-_IN_THE_COMPANY_OF_DEVOTEES
1.02_-_Karmayoga
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_Meditating_on_Tara
1.02_-_Meeting_the_Master_-_Authors_second_meeting,_March_1921
1.02_-_On_detachment
1.02_-_On_the_Knowledge_of_God.
1.02_-_On_the_Service_of_the_Soul
1.02_-_ON_THE_TEACHERS_OF_VIRTUE
1.02_-_Outline_of_Practice
1.02_-_Prana
1.02_-_Pranayama,_Mantrayoga
1.02_-_Prayer_of_Parashara_to_Vishnu
1.02_-_Priestly_Kings
1.02_-_SADHANA_PADA
1.02_-_Self-Consecration
1.02_-_Shakti_and_Personal_Effort
1.02_-_Skillful_Means
1.02_-_SOCIAL_HEREDITY_AND_PROGRESS
1.02_-_Substance_Is_Eternal
1.02_-_Taras_Tantra
1.02_-_The_7_Habits__An_Overview
1.02_-_The_Age_of_Individualism_and_Reason
1.02_-_The_Child_as_growing_being_and_the_childs_experience_of_encountering_the_teacher.
1.02_-_The_Concept_of_the_Collective_Unconscious
1.02_-_The_Descent._Dante's_Protest_and_Virgil's_Appeal._The_Intercession_of_the_Three_Ladies_Benedight.
1.02_-_The_Development_of_Sri_Aurobindos_Thought
1.02_-_The_Divine_Is_with_You
1.02_-_The_Divine_Teacher
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Eternal_Law
1.02_-_The_Great_Process
1.02_-_The_Magic_Circle
1.02_-_THE_NATURE_OF_THE_GROUND
1.02_-_The_Necessity_of_Magick_for_All
1.02_-_The_Objects_of_Imitation.
1.02_-_The_Philosophy_of_Ishvara
1.02_-_The_Pit
1.02_-_THE_POOL_OF_TEARS
1.02_-_The_Recovery
1.02_-_The_Refusal_of_the_Call
1.02_-_The_Shadow
1.02_-_The_Stages_of_Initiation
1.02_-_The_Three_European_Worlds
1.02_-_The_Two_Negations_1_-_The_Materialist_Denial
1.02_-_The_Ultimate_Path_is_Without_Difficulty
1.02_-_The_Vision_of_the_Past
1.02_-_THE_WITHIN_OF_THINGS
1.02_-_To_Zen_Monks_Kin_and_Koku
1.02_-_What_is_Psycho_therapy?
1.02_-_Where_I_Lived,_and_What_I_Lived_For
1.031_-_Intense_Aspiration
10.31_-_The_Mystery_of_The_Five_Senses
1.032_-_Our_Concept_of_God
10.32_-_The_Mystery_of_the_Five_Elements
10.34_-_Effort_and_Grace
10.35_-_The_Moral_and_the_Spiritual
1.035_-_The_Recitation_of_Mantra
10.36_-_Cling_to_Truth
1.036_-_The_Rise_of_Obstacles_in_Yoga_Practice
1.037_-_Preventing_the_Fall_in_Yoga
10.37_-_The_Golden_Bridge
1.038_-_Impediments_in_Concentration_and_Meditation
1.03_-_A_CAUCUS-RACE_AND_A_LONG_TALE
1.03_-_A_Parable
1.03_-_APPRENTICESHIP_AND_ENCULTURATION_-_ADOPTION_OF_A_SHARED_MAP
1.03_-_A_Sapphire_Tale
1.03_-_Bloodstream_Sermon
1.03_-_BOOK_THE_THIRD
1.03_-_Concerning_the_Archetypes,_with_Special_Reference_to_the_Anima_Concept
1.03_-_Fire_in_the_Earth
1.03_-_Hieroglypics__Life_and_Language_Necessarily_Symbolic
1.03_-_Hymns_of_Gritsamada
1.03_-_Invocation_of_Tara
1.03_-_Japa_Yoga
1.03_-_Man_-_Slave_or_Free?
1.03_-_Master_Ma_is_Unwell
1.03_-_Measure_of_time,_Moments_of_Kashthas,_etc.
1.03_-_Meeting_the_Master_-_Meeting_with_others
1.03_-_On_exile_or_pilgrimage
1.03_-_On_Knowledge_of_the_World.
1.03_-_PERSONALITY,_SANCTITY,_DIVINE_INCARNATION
1.03_-_Preparing_for_the_Miraculous
1.03_-_Questions_and_Answers
1.03_-_Reading
1.03_-_.REASON._IN_PHILOSOPHY
1.03_-_Self-Surrender_in_Works_-_The_Way_of_The_Gita
1.03_-_Some_Aspects_of_Modern_Psycho_therapy
1.03_-_Some_Practical_Aspects
1.03_-_Spiritual_Realisation,_The_aim_of_Bhakti-Yoga
1.03_-_Supernatural_Aid
1.03_-_Sympathetic_Magic
1.03_-_Tara,_Liberator_from_the_Eight_Dangers
1.03_-_The_Coming_of_the_Subjective_Age
1.03_-_The_Desert
1.03_-_THE_EARTH_IN_ITS_EARLY_STAGES
1.03_-_The_End_of_the_Intellect
1.03_-_The_Gate_of_Hell._The_Inefficient_or_Indifferent._Pope_Celestine_V._The_Shores_of_Acheron._Charon._The
1.03_-_The_Gods,_Superior_Beings_and_Adverse_Forces
1.03_-_THE_GRAND_OPTION
1.03_-_The_House_Of_The_Lord
1.03_-_The_Human_Disciple
1.03_-_The_Manner_of_Imitation.
1.03_-_The_Phenomenon_of_Man
1.03_-_The_Principle_of_Water
1.03_-_The_Psychic_Prana
1.03_-_The_Sephiros
1.03_-_THE_STUDY_(The_Exorcism)
1.03_-_The_Sunlit_Path
1.03_-_The_Syzygy_-_Anima_and_Animus
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.03_-_The_Two_Negations_2_-_The_Refusal_of_the_Ascetic
1.03_-_The_Uncreated
1.03_-_The_Void
1.03_-_Time_Series,_Information,_and_Communication
1.03_-_To_Layman_Ishii
1.03_-_VISIT_TO_VIDYASAGAR
1.03_-_Yama_and_Niyama
1.03_-_YIBHOOTI_PADA
1.040_-_Re-Educating_the_Mind
1.045_-_Piercing_the_Structure_of_the_Object
1.04_-_ADVICE_TO_HOUSEHOLDERS
1.04_-_ALCHEMY_AND_MANICHAEISM
1.04_-_A_Leader
1.04_-_Body,_Soul_and_Spirit
1.04_-_BOOK_THE_FOURTH
1.04_-_Descent_into_Future_Hell
1.04_-_Feedback_and_Oscillation
1.04_-_GOD_IN_THE_WORLD
1.04_-_KAI_VALYA_PADA
1.04_-_Magic_and_Religion
1.04_-_Narayana_appearance,_in_the_beginning_of_the_Kalpa,_as_the_Varaha_(boar)
1.04_-_Nothing_Exists_Per_Se_Except_Atoms_And_The_Void
1.04_-_Of_other_imperfections_which_these_beginners_are_apt_to_have_with_respect_to_the_third_sin,_which_is_luxury.
1.04_-_On_blessed_and_ever-memorable_obedience
1.04_-_On_Knowledge_of_the_Future_World.
1.04_-_Pratyahara
1.04_-_Relationship_with_the_Divine
1.04_-_Religion_and_Occultism
1.04_-_SOME_REFLECTIONS_ON_PROGRESS
1.04_-_Sounds
1.04_-_Te_Shan_Carrying_His_Bundle
1.04_-_The_33_seven_double_letters
1.04_-_The_Aims_of_Psycho_therapy
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Conditions_of_Esoteric_Training
1.04_-_The_Control_of_Psychic_Prana
1.04_-_The_Core_of_the_Teaching
1.04_-_The_Crossing_of_the_First_Threshold
1.04_-_The_Discovery_of_the_Nation-Soul
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_First_Circle,_Limbo__Virtuous_Pagans_and_the_Unbaptized._The_Four_Poets,_Homer,_Horace,_Ovid,_and_Lucan._The_Noble_Castle_of_Philosophy.
1.04_-_The_Future_of_Man
1.04_-_The_Gods_of_the_Veda
1.04_-_The_Need_of_Guru
1.04_-_The_Origin_and_Development_of_Poetry.
1.04_-_The_Paths
1.04_-_The_Praise
1.04_-_The_Qabalah__The_Best_Training_for_Memory
1.04_-_THE_RABBIT_SENDS_IN_A_LITTLE_BILL
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_The_Self
1.04_-_The_Silent_Mind
1.04_-_THE_STUDY_(The_Compact)
1.04_-_Vital_Education
1.04_-_Wake-Up_Sermon
1.04_-_What_Arjuna_Saw_-_the_Dark_Side_of_the_Force
1.04_-_Wherefore_of_World?
1.04_-_Yoga_and_Human_Evolution
1.05_-_2010_and_1956_-_Doomsday?
1.052_-_Yoga_Practice_-_A_Series_of_Positive_Steps
1.053_-_A_Very_Important_Sadhana
1.056_-_Lack_of_Knowledge_is_the_Cause_of_Suffering
1.057_-_The_Four_Manifestations_of_Ignorance
1.05_-_Adam_Kadmon
1.05_-_ADVICE_FROM_A_CATERPILLAR
1.05_-_AUERBACHS_CELLAR
1.05_-_BOOK_THE_FIFTH
1.05_-_Buddhism_and_Women
1.05_-_Character_Of_The_Atoms
1.05_-_CHARITY
1.05_-_Christ,_A_Symbol_of_the_Self
1.05_-_Computing_Machines_and_the_Nervous_System
1.05_-_Consciousness
1.05_-_Dharana
1.05_-_Hsueh_Feng's_Grain_of_Rice
1.05_-_Hymns_of_Bharadwaja
1.05_-_Knowledge_by_Aquaintance_and_Knowledge_by_Description
1.05_-_Mental_Education
1.05_-_Morality_and_War
1.05_-_MORALITY_AS_THE_ENEMY_OF_NATURE
1.05_-_On_painstaking_and_true_repentance_which_constitute_the_life_of_the_holy_convicts;_and_about_the_prison.
1.05_-_On_the_Love_of_God.
1.05_-_Pratyahara_and_Dharana
1.05_-_Prayer
1.05_-_Problems_of_Modern_Psycho_therapy
1.05_-_Qualifications_of_the_Aspirant_and_the_Teacher
1.05_-_Ritam
1.05_-_Solitude
1.05_-_Some_Results_of_Initiation
1.05_-_Splitting_of_the_Spirit
1.05_-_The_Activation_of_Human_Energy
1.05_-_The_Ascent_of_the_Sacrifice_-_The_Psychic_Being
1.05_-_The_Belly_of_the_Whale
1.05_-_The_Creative_Principle
1.05_-_The_Destiny_of_the_Individual
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_THE_MASTER_AND_KESHAB
1.05_-_The_New_Consciousness
1.05_-_THE_NEW_SPIRIT
1.05_-_The_Principle_of_Earth
1.05_-_The_Second_Circle__The_Wanton._Minos._The_Infernal_Hurricane._Francesca_da_Rimini.
1.05_-_The_Universe__The_0_=_2_Equation
1.05_-_To_Know_How_To_Suffer
1.05_-_True_and_False_Subjectivism
1.05_-_Vishnu_as_Brahma_creates_the_world
1.05_-_War_And_Politics
1.05_-_Yoga_and_Hypnotism
1.060_-_Tracing_the_Ultimate_Cause_of_Any_Experience
1.06_-_Agni_and_the_Truth
1.06_-_A_Summary_of_my_Phenomenological_View_of_the_World
1.06_-_Being_Human_and_the_Copernican_Principle
1.06_-_BOOK_THE_SIXTH
1.06_-_Confutation_Of_Other_Philosophers
1.06_-_Definition_of_Tragedy.
1.06_-_Dhyana
1.06_-_Dhyana_and_Samadhi
1.06_-_Five_Dreams
1.06_-_Gestalt_and_Universals
1.06_-_Hymns_of_Parashara
1.06_-_Iconography
1.06_-_LIFE_AND_THE_PLANETS
1.06_-_Magicians_as_Kings
1.06_-_Man_in_the_Universe
1.06_-_MORTIFICATION,_NON-ATTACHMENT,_RIGHT_LIVELIHOOD
1.06_-_On_Induction
1.06_-_On_remembrance_of_death.
1.06_-_On_Thought
1.06_-_Origin_of_the_four_castes
1.06_-_PIG_AND_PEPPER
1.06_-_Psycho_therapy_and_a_Philosophy_of_Life
1.06_-_Quieting_the_Vital
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_The_Breaking_of_the_Limits
1.06_-_THE_FOUR_GREAT_ERRORS
1.06_-_The_Four_Powers_of_the_Mother
1.06_-_The_Greatness_of_the_Individual
1.06_-_The_Literal_Qabalah
1.06_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES
1.06_-_The_Objective_and_Subjective_Views_of_Life
1.06_-_The_Sign_of_the_Fishes
1.06_-_The_Third_Circle__The_Gluttonous._Cerberus._The_Eternal_Rain._Ciacco._Florence.
1.06_-_The_Three_Mothers_or_the_First_Elements
1.06_-_The_Three_Schools_of_Magick_1
1.06_-_The_Transformation_of_Dream_Life
1.06_-_Wealth_and_Government
1.06_-_WITCHES_KITCHEN
1.06_-_Yun_Men's_Every_Day_is_a_Good_Day
1.070_-_The_Seven_Stages_of_Perfection
1.075_-_Self-Control,_Study_and_Devotion_to_God
1.07_-_A_MAD_TEA-PARTY
1.07_-_A_Song_of_Longing_for_Tara,_the_Infallible
1.07_-_A_STREET
1.07_-_BOOK_THE_SEVENTH
1.07_-_Bridge_across_the_Afterlife
1.07_-_Cybernetics_and_Psychopathology
1.07_-_Hui_Ch'ao_Asks_about_Buddha
1.07_-_Incarnate_Human_Gods
1.07_-_Jnana_Yoga
1.07_-_Medicine_and_Psycho_therapy
1.07_-_Note_on_the_word_Go
1.07_-_On_Dreams
1.07_-_On_mourning_which_causes_joy.
1.07_-_On_Our_Knowledge_of_General_Principles
1.07_-_Past,_Present_and_Future
1.07_-_Production_of_the_mind-born_sons_of_Brahma
1.07_-_Samadhi
1.07_-_Savitri
1.07_-_Sri_Aurobindo_and_The_Mother
1.07_-_Standards_of_Conduct_and_Spiritual_Freedom
1.07_-_The_Continuity_of_Consciousness
1.07_-_The_Ego_and_the_Dualities
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_The_Fire_of_the_New_World
1.07_-_The_Fourth_Circle__The_Avaricious_and_the_Prodigal._Plutus._Fortune_and_her_Wheel._The_Fifth_Circle__The_Irascible_and_the_Sullen._Styx.
1.07_-_THE_GREAT_EVENT_FORESHADOWED_-_THE_PLANETIZATION_OF_MANKIND
1.07_-_The_Ideal_Law_of_Social_Development
1.07_-_The_Infinity_Of_The_Universe
1.07_-_The_Literal_Qabalah_(continued)
1.07_-_The_Magic_Wand
1.07_-_The_Mantra_-_OM_-_Word_and_Wisdom
1.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
1.07_-_The_Plot_must_be_a_Whole.
1.07_-_The_Primary_Data_of_Being
1.07_-_The_Process_of_Evolution
1.07_-_The_Prophecies_of_Nostradamus
1.07_-_The_Psychic_Center
1.07_-_The_Three_Schools_of_Magick_2
1.07_-_TRUTH
1.080_-_Pratyahara_-_The_Return_of_Energy
1.081_-_The_Application_of_Pratyahara
1.083_-_Choosing_an_Object_for_Concentration
1.089_-_The_Levels_of_Concentration
1.08a_-_The_Ladder
1.08_-_Attendants
1.08_-_BOOK_THE_EIGHTH
1.08_-_Civilisation_and_Barbarism
1.08_-_Departmental_Kings_of_Nature
1.08_-_EVENING_A_SMALL,_NEATLY_KEPT_CHAMBER
1.08_-_Independence_from_the_Physical
1.08_-_Information,_Language,_and_Society
1.08_-_Introduction_to_Patanjalis_Yoga_Aphorisms
1.08_-_ON_THE_TREE_ON_THE_MOUNTAINSIDE
1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras
1.08_-_Phlegyas._Philippo_Argenti._The_Gate_of_the_City_of_Dis.
1.08_-_Psycho_therapy_Today
1.08_-_RELIGION_AND_TEMPERAMENT
1.08_-_SOME_REFLECTIONS_ON_THE_SPIRITUAL_REPERCUSSIONS_OF_THE_ATOM_BOMB
1.08_-_Sri_Aurobindos_Descent_into_Death
1.08_-_Stead_and_the_Spirits
1.08_-_The_Change_of_Vision
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Four_Austerities_and_the_Four_Liberations
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.08_-_The_Historical_Significance_of_the_Fish
1.08_-_The_Magic_Sword,_Dagger_and_Trident
1.08_-_THE_MASTERS_BIRTHDAY_CELEBRATION_AT_DAKSHINESWAR
1.08_-_The_Methods_of_Vedantic_Knowledge
1.08_-_The_Splitting_of_the_Human_Personality_during_Spiritual_Training
1.08_-_The_Supreme_Discovery
1.08_-_The_Supreme_Will
1.08_-_The_Synthesis_of_Movement
1.08_-_The_Three_Schools_of_Magick_3
1.08_-_THINGS_THE_GERMANS_LACK
1.094_-_Understanding_the_Structure_of_Things
1.096_-_Powers_that_Accrue_in_the_Practice
1.098_-_The_Transformation_from_Human_to_Divine
1.099_-_The_Entry_of_the_Eternal_into_the_Individual
1.09_-_ADVICE_TO_THE_BRAHMOS
1.09_-_A_System_of_Vedic_Psychology
1.09_-_BOOK_THE_NINTH
1.09_-_Civilisation_and_Culture
1.09_-_Concentration_-_Its_Spiritual_Uses
1.09_-_Equality_and_the_Annihilation_of_Ego
1.09_-_FAITH_IN_PEACE
1.09_-_Fundamental_Questions_of_Psycho_therapy
1.09_-_Kundalini_Yoga
1.09_-_Legend_of_Lakshmi
1.09_-_Man_-_About_the_Body
1.09_-_PROMENADE
1.09_-_Saraswati_and_Her_Consorts
1.09_-_SKIRMISHES_IN_A_WAY_WITH_THE_AGE
1.09_-_Sleep_and_Death
1.09_-_Sri_Aurobindo_and_the_Big_Bang
1.09_-_Talks
1.09_-_Taras_Ultimate_Nature
1.09_-_The_Absolute_Manifestation
1.09_-_The_Chosen_Ideal
1.09_-_The_Crown,_Cap,_Magus-Band
1.09_-_The_Furies_and_Medusa._The_Angel._The_City_of_Dis._The_Sixth_Circle__Heresiarchs.
1.09_-_The_Greater_Self
1.09_-_The_Guardian_of_the_Threshold
1.09_-_The_Pure_Existent
1.09_-_The_Secret_Chiefs
1.09_-_The_Worship_of_Trees
1.09_-_To_the_Students,_Young_and_Old
1.1.01_-_Certitudes
1.1.01_-_Seeking_the_Divine
1.1.01_-_The_Divine_and_Its_Aspects
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
11.01_-_The_Opening_Scene_of_Savitri
1.1.02_-_Sachchidananda
1.1.02_-_The_Aim_of_the_Integral_Yoga
11.02_-_The_Golden_Life-line
11.03_-_Cosmonautics
1.1.04_-_Philosophy
1.1.04_-_The_Self_or_Atman
11.04_-_The_Triple_Cord
11.05_-_The_Ladder_of_Unconsciousness
1.1.05_-_The_Siddhis
11.06_-_The_Mounting_Fire
1.107_-_The_Bestowal_of_a_Divine_Gift
11.07_-_The_Labours_of_the_Gods:_The_five_Purifications
11.08_-_Body-Energy
1.10_-_Aesthetic_and_Ethical_Culture
1.10_-_ALICE'S_EVIDENCE
1.10_-_BOOK_THE_TENTH
1.10_-_Concentration_-_Its_Practice
1.10_-_Conscious_Force
1.10_-_Farinata_and_Cavalcante_de'_Cavalcanti._Discourse_on_the_Knowledge_of_the_Damned.
1.10_-_Fate_and_Free-Will
1.10_-_Foresight
1.10_-_GRACE_AND_FREE_WILL
1.10_-_Harmony
1.10_-_Laughter_Of_The_Gods
1.10_-_Life_and_Death._The_Greater_Guardian_of_the_Threshold
1.10_-_On_our_Knowledge_of_Universals
1.10_-_On_slander_or_calumny.
1.10_-_ON_WAR_AND_WARRIORS
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_THE_FORMATION_OF_THE_NOOSPHERE
1.10_-_The_Image_of_the_Oceans_and_the_Rivers
1.10_-_The_Magical_Garment
1.10_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES_(II)
1.10_-_The_Methods_and_the_Means
1.10_-_THE_NEIGHBORS_HOUSE
1.10_-_Theodicy_-_Nature_Makes_No_Mistakes
1.10_-_The_Revolutionary_Yogi
1.10_-_The_Roughly_Material_Plane_or_the_Material_World
1.10_-_The_Secret_of_the_Veda
1.10_-_The_Three_Modes_of_Nature
1.10_-_The_Yoga_of_the_Intelligent_Will
1.10_-_THINGS_I_OWE_TO_THE_ANCIENTS
1.1.1.03_-_Creative_Power_and_the_Human_Instrument
1.1.1.07_-_Aspiration,_Opening,_Recognition
1.1.1.08_-_Self-criticism
11.10_-_The_Test_of_Truth
11.11_-_The_Ideal_Centre
11.14_-_Our_Finest_Hour
11.15_-_Sri_Aurobindo
1.11_-_BOOK_THE_ELEVENTH
1.11_-_Correspondence_and_Interviews
1.11_-_Delight_of_Existence_-_The_Problem
1.11_-_FAITH_IN_MAN
1.11_-_GOOD_AND_EVIL
1.11_-_Higher_Laws
1.11_-_Legend_of_Dhruva,_the_son_of_Uttanapada
1.11_-_Oneness
1.11_-_On_Intuitive_Knowledge
1.11_-_On_talkativeness_and_silence.
1.11_-_ON_THE_NEW_IDOL
1.1.1_-_Text
1.11_-_The_Broken_Rocks._Pope_Anastasius._General_Description_of_the_Inferno_and_its_Divisions.
1.11_-_The_Change_of_Power
1.11_-_The_Influence_of_the_Sexes_on_Vegetation
1.11_-_The_Kalki_Avatar
1.11_-_The_Master_of_the_Work
1.1.1_-_The_Mind_and_Other_Levels_of_Being
1.11_-_The_Reason_as_Governor_of_Life
1.11_-_The_Second_Genesis
1.11_-_The_Seven_Rivers
1.11_-_The_Soul_or_the_Astral_Body
1.11_-_The_Three_Purushas
1.11_-_Transformation
1.11_-_WITH_THE_DEVOTEES_AT_DAKSHINEWAR
1.11_-_Woolly_Pomposities_of_the_Pious_Teacher
1.11_-_Works_and_Sacrifice
1.12_-_BOOK_THE_TWELFTH
1.12_-_Brute_Neighbors
1.1.2_-_Commentary
1.12_-_Dhruva_commences_a_course_of_religious_austerities
1.12_-_Further_Magical_Aids
1.12_-_GARDEN
1.12_-_God_Departs
1.12_-_Independence
1.1.2_-_Intellect_and_the_Intellectual
1.12_-_Love_The_Creator
1.12_-_Sleep_and_Dreams
1.12_-_SOME_REFLECTIONS_ON_THE_RIGHTS_OF_MAN
1.12_-_The_Astral_Plane
1.12_-_The_Divine_Work
1.12_-_THE_FESTIVAL_AT_PNIHTI
1.12_-_The_Herds_of_the_Dawn
1.12_-_The_Left-Hand_Path_-_The_Black_Brothers
1.12_-_The_Office_and_Limitations_of_the_Reason
1.12_-_The_Sacred_Marriage
1.12_-_The_Significance_of_Sacrifice
1.12_-_The_Sociology_of_Superman
1.12_-_The_Superconscient
1.12_-_TIME_AND_ETERNITY
1.12_-_Truth_and_Knowledge
1.13_-_A_Dream
1.13_-_And_Then?
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_Conclusion_-_He_is_here
1.13_-_Dawn_and_the_Truth
1.13_-_Gnostic_Symbols_of_the_Self
1.13_-_Knowledge,_Error,_and_Probably_Opinion
1.1.3_-_Mental_Difficulties_and_the_Need_of_Quietude
1.13_-_On_despondency.
1.13_-_(Plot_continued.)_What_constitutes_Tragic_Action.
1.13_-_Posterity_of_Dhruva
1.13_-_Reason_and_Religion
1.13_-_SALVATION,_DELIVERANCE,_ENLIGHTENMENT
1.13_-_System_of_the_O.T.O.
1.13_-_The_Divine_Maya
1.13_-_THE_HUMAN_REBOUND_OF_EVOLUTION_AND_ITS_CONSEQUENCES
1.13_-_The_Kings_of_Rome_and_Alba
1.13_-_The_Lord_of_the_Sacrifice
1.13_-_THE_MASTER_AND_M.
1.13_-_The_Pentacle,_Lamen_or_Seal
1.13_-_The_Spirit
1.13_-_The_Supermind_and_the_Yoga_of_Works
1.13_-_Under_the_Auspices_of_the_Gods
1.14_-_Bibliography
1.14_-_Descendants_of_Prithu
1.14_-_FOREST_AND_CAVERN
1.14_-_INSTRUCTION_TO_VAISHNAVS_AND_BRHMOS
1.14_-_Noise
1.14_-_On_the_clamorous,_yet_wicked_master-the_stomach.
1.14_-_ON_THE_FRIEND
1.14_-_(Plot_continued.)_The_tragic_emotions_of_pity_and_fear_should_spring_out_of_the_Plot_itself.
1.14_-_Postscript
1.14_-_The_Book_of_Magic_Formulae
1.14_-_The_Limits_of_Philosophical_Knowledge
1.14_-_The_Mental_Plane
1.1.4_-_The_Physical_Mind_and_Sadhana
1.14_-_The_Principle_of_Divine_Works
1.14_-_The_Secret
1.14_-_The_Stress_of_the_Hidden_Spirit
1.14_-_The_Structure_and_Dynamics_of_the_Self
1.14_-_The_Succesion_to_the_Kingdom_in_Ancient_Latium
1.14_-_The_Supermind_as_Creator
1.14_-_The_Suprarational_Beauty
1.14_-_The_Victory_Over_Death
1.14_-_TURMOIL_OR_GENESIS?
1.15_-_Conclusion
1.15_-_Index
1.15_-_In_the_Domain_of_the_Spirit_Beings
1.15_-_LAST_VISIT_TO_KESHAB
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_ON_THE_THOUSAND_AND_ONE_GOALS
1.15_-_Prayers
1.15_-_Sex_Morality
1.15_-_THE_DIRECTIONS_AND_CONDITIONS_OF_THE_FUTURE
1.15_-_The_element_of_Character_in_Tragedy.
1.15_-_The_Possibility_and_Purpose_of_Avatarhood
1.15_-_The_Supramental_Consciousness
1.15_-_The_Suprarational_Good
1.15_-_The_Supreme_Truth-Consciousness
1.15_-_The_Transformed_Being
1.15_-_The_Value_of_Philosophy
1.15_-_The_world_overrun_with_trees;_they_are_destroyed_by_the_Pracetasas
1.15_-_The_Worship_of_the_Oak
1.1.5_-_Thought_and_Knowledge
1.15_-_Truth
1.16_-_Advantages_and_Disadvantages_of_Evocational_Magic
1.16_-_Dianus_and_Diana
1.16_-_Guidoguerra,_Aldobrandi,_and_Rusticucci._Cataract_of_the_River_of_Blood.
1.16_-_Man,_A_Transitional_Being
1.16_-_MARTHAS_GARDEN
1.16_-_On_Concentration
1.16_-_PRAYER
1.16_-_Religion
1.16_-_THE_ESSENCE_OF_THE_DEMOCRATIC_IDEA
1.16_-_The_Process_of_Avatarhood
1.16_-_The_Season_of_Truth
1.16_-_The_Suprarational_Ultimate_of_Life
1.16_-_The_Triple_Status_of_Supermind
1.16_-_WITH_THE_DEVOTEES_AT_DAKSHINESWAR
1.17_-_Astral_Journey__Example,_How_to_do_it,_How_to_Verify_your_Experience
1.17_-_DOES_MANKIND_MOVE_BIOLOGICALLY_UPON_ITSELF?
1.17_-_Geryon._The_Violent_against_Art._Usurers._Descent_into_the_Abyss_of_Malebolge.
1.17_-_Legend_of_Prahlada
1.17_-_M._AT_DAKSHINEWAR
1.17_-_ON_THE_WAY_OF_THE_CREATOR
1.17_-_Practical_rules_for_the_Tragic_Poet.
1.17_-_Religion_as_the_Law_of_Life
1.17_-_SUFFERING
1.17_-_The_Burden_of_Royalty
1.17_-_The_Divine_Birth_and_Divine_Works
1.17_-_The_Divine_Soul
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.17_-_The_Spiritus_Familiaris_or_Serving_Spirits
1.17_-_The_Transformation
1.18_-_Asceticism
1.18_-_Evocation
1.18_-_Further_rules_for_the_Tragic_Poet.
1.18_-_M._AT_DAKSHINESWAR
1.18_-_Mind_and_Supermind
1.18_-_ON_LITTLE_OLD_AND_YOUNG_WOMEN
1.18_-_The_Divine_Worker
1.18_-_THE_HEART_OF_THE_PROBLEM
1.18_-_The_Human_Fathers
1.18_-_The_Importance_of_our_Conventional_Greetings,_etc.
1.18_-_The_Infrarational_Age_of_the_Cycle
1.18_-_The_Perils_of_the_Soul
1.19_-_Dialogue_between_Prahlada_and_his_father
1.19_-_Equality
1.19_-_GOD_IS_NOT_MOCKED
1.19_-_Life
1.19_-_On_sleep,_prayer,_and_psalm-singing_in_chapel.
1.19_-_ON_THE_ADDERS_BITE
1.19_-_ON_THE_PROBABLE_EXISTENCE_AHEAD_OF_US_OF_AN_ULTRA-HUMAN
1.19_-_Tabooed_Acts
1.19_-_The_Act_of_Truth
1.19_-_The_Curve_of_the_Rational_Age
1.19_-_THE_MASTER_AND_HIS_INJURED_ARM
1.19_-_The_Practice_of_Magical_Evocation
1.19_-_The_Third_Bolgia__Simoniacs._Pope_Nicholas_III._Dante's_Reproof_of_corrupt_Prelates.
1.19_-_The_Victory_of_the_Fathers
1.200-1.224_Talks
1.201_-_Socrates
1.2.01_-_The_Call_and_the_Capacity
12.01_-_The_Return_to_Earth
12.01_-_This_Great_Earth_Our_Mother
1.2.02_-_Qualities_Needed_for_Sadhana
1.2.03_-_Purity
1.2.03_-_The_Interpretation_of_Scripture
12.03_-_The_Sorrows_of_God
12.04_-_Love_and_Death
1.2.04_-_Sincerity
1.2.05_-_Aspiration
1.2.07_-_Surrender
12.07_-_The_Double_Trinity
1.2.08_-_Faith
1.2.09_-_Consecration_and_Offering
12.09_-_The_Story_of_Dr._Faustus_Retold
1.20_-_Death,_Desire_and_Incapacity
1.20_-_HOW_MAY_WE_CONCEIVE_AND_HOPE_THAT_HUMAN_UNANIMIZATION_WILL_BE_REALIZED_ON_EARTH?
1.20_-_On_bodily_vigil_and_how_to_use_it_to_attain_spiritual_vigil_and_how_to_practise_it.
1.20_-_ON_CHILD_AND_MARRIAGE
1.20_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
1.20_-_Tabooed_Persons
1.20_-_Talismans_-_The_Lamen_-_The_Pantacle
1.20_-_TANTUM_RELIGIO_POTUIT_SUADERE_MALORUM
1.20_-_The_End_of_the_Curve_of_Reason
1.20_-_The_Fourth_Bolgia__Soothsayers._Amphiaraus,_Tiresias,_Aruns,_Manto,_Eryphylus,_Michael_Scott,_Guido_Bonatti,_and_Asdente._Virgil_reproaches_Dante's_Pity.
1.20_-_The_Hound_of_Heaven
1.20_-_Visnu_appears_to_Prahlada
1.2.1.06_-_Symbolism_and_Allegory
1.2.10_-_Opening
12.10_-_The_Sunlit_Path
1.2.11_-_Patience_and_Perseverance
1.2.12_-_Vigilance
1.21_-_A_DAY_AT_DAKSHINESWAR
1.21_-_Chih_Men's_Lotus_Flower,_Lotus_Leaves
1.21_-_FROM_THE_PRE-HUMAN_TO_THE_ULTRA-HUMAN,_THE_PHASES_OF_A_LIVING_PLANET
1.21_-_IDOLATRY
1.2.1_-_Mental_Development_and_Sadhana
1.21_-_My_Theory_of_Astrology
1.21_-_ON_FREE_DEATH
1.21__-_Poetic_Diction.
1.21_-_Tabooed_Things
1.21_-_The_Ascent_of_Life
1.21_-_The_Fifth_Bolgia__Peculators._The_Elder_of_Santa_Zita._Malacoda_and_other_Devils.
1.21_-_The_Spiritual_Aim_and_Life
1.21_-_WALPURGIS-NIGHT
1.2.2.01_-_The_Poet,_the_Yogi_and_the_Rishi
1.2.2.06_-_Genius
1.22_-_ADVICE_TO_AN_ACTOR
1.22__-_Dominion_over_different_provinces_of_creation_assigned_to_different_beings
1.22_-_EMOTIONALISM
1.22_-_How_to_Learn_the_Practice_of_Astrology
1.22_-_OBERON_AND_TITANIA's_GOLDEN_WEDDING
1.22_-_ON_THE_GIFT-GIVING_VIRTUE
1.22_-_On_the_many_forms_of_vainglory.
1.22_-_(Poetic_Diction_continued.)_How_Poetry_combines_elevation_of_language_with_perspicuity.
1.22_-_Tabooed_Words
1.22_-_THE_END_OF_THE_SPECIES
1.22_-_The_Necessity_of_the_Spiritual_Transformation
1.2.2_-_The_Place_of_Study_in_Sadhana
1.22_-_The_Problem_of_Life
1.23_-_Conditions_for_the_Coming_of_a_Spiritual_Age
1.23_-_DREARY_DAY
1.23_-_Epic_Poetry.
1.23_-_Escape_from_the_Malabranche._The_Sixth_Bolgia__Hypocrites._Catalano_and_Loderingo._Caiaphas.
1.23_-_FESTIVAL_AT_SURENDRAS_HOUSE
1.23_-_Improvising_a_Temple
1.23_-_On_mad_price,_and,_in_the_same_Step,_on_unclean_and_blasphemous_thoughts.
1.23_-_The_Double_Soul_in_Man
1.2.3_-_The_Power_of_Expression_and_Yoga
1.240_-_1.300_Talks
1.240_-_Talks_2
1.24_-_(Epic_Poetry_continued.)_Further_points_of_agreement_with_Tragedy.
1.24_-_Matter
1.24_-_Necromancy_and_Spiritism
1.24_-_NIGHT
1.24_-_On_meekness,_simplicity,_guilelessness_which_come_not_from_nature_but_from_habit,_and_about_malice.
1.24_-_PUNDIT_SHASHADHAR
1.24_-_RITUAL,_SYMBOL,_SACRAMENT
1.2.4_-_Speech_and_Yoga
1.24_-_The_Advent_and_Progress_of_the_Spiritual_Age
1.24_-_The_Killing_of_the_Divine_King
1.24_-_The_Seventh_Bolgia_-_Thieves._Vanni_Fucci._Serpents.
1.25_-_ADVICE_TO_PUNDIT_SHASHADHAR
1.25_-_DUNGEON
1.25_-_Fascinations,_Invisibility,_Levitation,_Transmutations,_Kinks_in_Time
1.25_-_On_Religion
1.25_-_On_the_destroyer_of_the_passions,_most_sublime_humility,_which_is_rooted_in_spiritual_feeling.
1.25_-_SPIRITUAL_EXERCISES
1.25_-_Temporary_Kings
1.25_-_The_Knot_of_Matter
1.25_-_Vanni_Fucci's_Punishment._Agnello_Brunelleschi,_Buoso_degli_Abati,_Puccio_Sciancato,_Cianfa_de'_Donati,_and_Guercio_Cavalcanti.
1.26_-_FESTIVAL_AT_ADHARS_HOUSE
1.26_-_Mental_Processes_-_Two_Only_are_Possible
1.26_-_On_discernment_of_thoughts,_passions_and_virtues
1.26_-_Sacrifice_of_the_Kings_Son
1.26_-_The_Ascending_Series_of_Substance
1.26_-_The_Eighth_Bolgia__Evil_Counsellors._Ulysses_and_Diomed._Ulysses'_Last_Voyage.
1.27_-_AT_DAKSHINESWAR
1.27_-_CONTEMPLATION,_ACTION_AND_SOCIAL_UTILITY
1.27_-_Describes_the_great_love_shown_us_by_the_Lord_in_the_first_words_of_the_Paternoster_and_the_great_importance_of_our_making_no_account_of_good_birth_if_we_truly_desire_to_be_the_daughters_of_God.
1.27_-_Guido_da_Montefeltro._His_deception_by_Pope_Boniface_VIII.
1.27_-_On_holy_solitude_of_body_and_soul.
1.27_-_Structure_of_Mind_Based_on_that_of_Body
1.27_-_Succession_to_the_Soul
1.27_-_The_Sevenfold_Chord_of_Being
1.28_-_Describes_the_nature_of_the_Prayer_of_Recollection_and_sets_down_some_of_the_means_by_which_we_can_make_it_a_habit.
1.28_-_Need_to_Define_God,_Self,_etc.
1.28_-_On_holy_and_blessed_prayer,_mother_of_virtues,_and_on_the_attitude_of_mind_and_body_in_prayer.
1.28_-_Supermind,_Mind_and_the_Overmind_Maya
1.28_-_The_Killing_of_the_Tree-Spirit
1.28_-_The_Ninth_Bolgia__Schismatics._Mahomet_and_Ali._Pier_da_Medicina,_Curio,_Mosca,_and_Bertr_and_de_Born.
1.29_-_Concerning_heaven_on_earth,_or_godlike_dispassion_and_perfection,_and_the_resurrection_of_the_soul_before_the_general_resurrection.
1.29_-_The_Myth_of_Adonis
1.29_-_What_is_Certainty?
1.2_-_Katha_Upanishads
1.300_-_1.400_Talks
1.3.01_-_Peace__The_Basis_of_the_Sadhana
13.02_-_A_Review_of_Sri_Aurobindos_Life
1.3.02_-_Equality__The_Chief_Support
13.03_-_A_Programme_for_the_Second_Century_of_the_Divine_Manifestation
1.3.03_-_Quiet_and_Calm
13.04_-_A_Note_on_Supermind
13.05_-_A_Dream_Of_Surreal_Science
1.3.05_-_Silence
1.30_-_Adonis_in_Syria
1.30_-_Concerning_the_linking_together_of_the_supreme_trinity_among_the_virtues.
1.30_-_Describes_the_importance_of_understanding_what_we_ask_for_in_prayer._Treats_of_these_words_in_the_Paternoster:_Sanctificetur_nomen_tuum,_adveniat_regnum_tuum._Applies_them_to_the_Prayer_of_Quiet,_and_begins_the_explanation_of_them.
1.31_-_Adonis_in_Cyprus
1.31_-_Is_Thelema_a_New_Religion?
1.32_-_How_can_a_Yogi_ever_be_Worried?
1.32_-_The_Ninth_Circle__Traitors._The_Frozen_Lake_of_Cocytus._First_Division,_Caina__Traitors_to_their_Kindred._Camicion_de'_Pazzi._Second_Division,_Antenora__Traitors_to_their_Country._Dante_questions_Bocca_degli
1.32_-_The_Ritual_of_Adonis
1.33_-_Count_Ugolino_and_the_Archbishop_Ruggieri._The_Death_of_Count_Ugolino's_Sons.
1.33_-_The_Gardens_of_Adonis
1.33_-_The_Golden_Mean
1.3.4.01_-_The_Beginning_and_the_End
1.34_-_Continues_the_same_subject._This_is_very_suitable_for_reading_after_the_reception_of_the_Most_Holy_Sacrament.
1.34_-_Fourth_Division_of_the_Ninth_Circle,_the_Judecca__Traitors_to_their_Lords_and_Benefactors._Lucifer,_Judas_Iscariot,_Brutus,_and_Cassius._The_Chasm_of_Lethe._The_Ascent.
1.34_-_The_Myth_and_Ritual_of_Attis
1.34_-_The_Tao_1
1.3.5.01_-_The_Law_of_the_Way
1.3.5.02_-_Man_and_the_Supermind
1.3.5.04_-_The_Evolution_of_Consciousness
1.3.5.05_-_The_Path
1.35_-_Attis_as_a_God_of_Vegetation
1.35_-_Describes_the_recollection_which_should_be_practised_after_Communion._Concludes_this_subject_with_an_exclamatory_prayer_to_the_Eternal_Father.
1.35_-_The_Tao_2
1.36_-_Quo_Stet_Olympus_-_Where_the_Gods,_Angels,_etc._Live
1.36_-_Treats_of_these_words_in_the_Paternoster__Dimitte_nobis_debita_nostra.
1.37_-_Death_-_Fear_-_Magical_Memory
1.37_-_Describes_the_excellence_of_this_prayer_called_the_Paternoster,_and_the_many_ways_in_which_we_shall_find_consolation_in_it.
1.37_-_Oriential_Religions_in_the_West
1.38_-_The_Myth_of_Osiris
1.38_-_Treats_of_the_great_need_which_we_have_to_beseech_the_Eternal_Father_to_grant_us_what_we_ask_in_these_words:_Et_ne_nos_inducas_in_tentationem,_sed_libera_nos_a_malo._Explains_certain_temptations._This_chapter_is_noteworthy.
1.38_-_Woman_-_Her_Magical_Formula
1.39_-_Continues_the_same_subject_and_gives_counsels_concerning_different_kinds_of_temptation._Suggests_two_remedies_by_which_we_may_be_freed_from_temptations.135
1.39_-_Prophecy
1.39_-_The_Ritual_of_Osiris
1.3_-_Mundaka_Upanishads
1.400_-_1.450_Talks
1.4.01_-_The_Divine_Grace_and_Guidance
14.01_-_To_Read_Sri_Aurobindo
14.02_-_Occult_Experiences
1.4.02_-_The_Divine_Force
14.03_-_Janaka_and_Yajnavalkya
1.4.03_-_The_Guru
14.04_-_More_of_Yajnavalkya
14.06_-_Liberty,_Self-Control_and_Friendship
14.07_-_A_Review_of_Our_Ashram_Life
14.08_-_A_Parable_of_Sea-Gulls
1.40_-_Coincidence
1.40_-_Describes_how,_by_striving_always_to_walk_in_the_love_and_fear_of_God,_we_shall_travel_safely_amid_all_these_temptations.
1.40_-_The_Nature_of_Osiris
1.41_-_Are_we_Reincarnations_of_the_Ancient_Egyptians?
1.41_-_Isis
1.41_-_Speaks_of_the_fear_of_God_and_of_how_we_must_keep_ourselves_from_venial_sins.
1.42_-_Osiris_and_the_Sun
1.42_-_This_Self_Introversion
1.439
1.43_-_Dionysus
1.43_-_The_Holy_Guardian_Angel_is_not_the_Higher_Self_but_an_Objective_Individual
1.44_-_Demeter_and_Persephone
1.44_-_Serious_Style_of_A.C.,_or_the_Apparent_Frivolity_of_Some_of_my_Remarks
1.450_-_1.500_Talks
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.45_-_Unserious_Conduct_of_a_Pupil
1.46_-_Selfishness
1.46_-_The_Corn-Mother_in_Many_Lands
1.47_-_Lityerses
1.48_-_Morals_of_AL_-_Hard_to_Accept,_and_Why_nevertheless_we_Must_Concur
1.48_-_The_Corn-Spirit_as_an_Animal
1.49_-_Ancient_Deities_of_Vegetation_as_Animals
1.49_-_Thelemic_Morality
1.4_-_Readings_in_the_Taittiriya_Upanishad
15.01_-_The_Mother,_Human_and_Divine
15.03_-_A_Canadian_Question
15.04_-_The_Mother_Abides
15.07_-_Souls_Freedom
15.09_-_One_Day_More
1.50_-_A.C._and_the_Masters;_Why_they_Chose_him,_etc.
1.50_-_Eating_the_God
1.51_-_Homeopathic_Magic_of_a_Flesh_Diet
1.51_-_How_to_Recognise_Masters,_Angels,_etc.,_and_how_they_Work
1.52_-_Family_-_Public_Enemy_No._1
1.52_-_Killing_the_Divine_Animal
1.53_-_Mother-Love
1.53_-_The_Propitation_of_Wild_Animals_By_Hunters
1.54_-_On_Meanness
1.54_-_Types_of_Animal_Sacrament
1.550_-_1.600_Talks
1.55_-_Money
1.55_-_The_Transference_of_Evil
1.56_-_Marriage_-_Property_-_War_-_Politics
1.56_-_The_Public_Expulsion_of_Evils
1.57_-_Beings_I_have_Seen_with_my_Physical_Eye
1.57_-_Public_Scapegoats
1.58_-_Do_Angels_Ever_Cut_Themselves_Shaving?
1.58_-_Human_Scapegoats_in_Classical_Antiquity
1.59_-_Geomancy
1.59_-_Killing_the_God_in_Mexico
1.60_-_Between_Heaven_and_Earth
1.60_-_Knack
1.61_-_Power_and_Authority
1.61_-_The_Myth_of_Balder
1.62_-_The_Elastic_Mind
1.62_-_The_Fire-Festivals_of_Europe
1.63_-_Fear,_a_Bad_Astral_Vision
1.63_-_The_Interpretation_of_the_Fire-Festivals
1.64_-_Magical_Power
1.64_-_The_Burning_of_Human_Beings_in_the_Fires
1.65_-_Balder_and_the_Mistletoe
1.65_-_Man
1.66_-_The_External_Soul_in_Folk-Tales
1.66_-_Vampires
1.67_-_Faith
1.67_-_The_External_Soul_in_Folk-Custom
1.68_-_The_God-Letters
1.68_-_The_Golden_Bough
1.69_-_Farewell_to_Nemi
1.69_-_Original_Sin
17.01_-_Hymn_to_Dawn
17.09_-_Victory_to_the_World_Master
1.70_-_Morality_1
17.11_-_A_Prayer
1.71_-_Morality_2
1.72_-_Education
1.74_-_Obstacles_on_the_Path
1.75_-_The_AA_and_the_Planet
1.76_-_The_Gods_-_How_and_Why_they_Overlap
1.77_-_Work_Worthwhile_-_Why?
1.78_-_Sore_Spots
1.79_-_Progress
18.01_-_Padavali
18.02_-_Ramprasad
18.03_-_Tagore
18.04_-_Modern_Poems
18.05_-_Ashram_Poets
1.80_-_Life_a_Gamble
1.81_-_Method_of_Training
1.82_-_Epistola_Penultima_-_The_Two_Ways_to_Reality
1.83_-_Epistola_Ultima
19.11_-_Old_Age
1913_02_05p
1913_02_08p
1913_02_12p
1913_10_07p
1913_11_29p
1913_12_13p
1913_12_16p
1913_12_29p
1914_01_01p
1914_01_05p
1914_01_07p
1914_01_08p
1914_01_13p
1914_01_29p
1914_02_05p
1914_02_12p
1914_03_06p
1914_03_08p
1914_03_12p
1914_03_24p
1914_03_25p
1914_03_30p
1914_04_02p
1914_04_03p
1914_04_07p
1914_04_20p
1914_04_23p
1914_05_09p
1914_06_09p
1914_06_25p
1914_07_07p
1914_07_19p
1914_07_21p
1914_07_22p
1914_07_31p
1914_08_03p
1914_08_08p
1914_08_13p
1914_08_24p
1914_10_10p
1914_10_16p
1914_11_03p
1914_11_15p
1914_12_12p
1915_01_24p
1915_03_04p
1915_05_24p
1915_07_31p
1915_11_02p
1916_06_07p
1916_11_28p
1916_12_07p
1916_12_08p
1916_12_24p
1916_12_27p
1916_12_30p
1917_03_27p
1917_03_31p
19.17_-_On_Anger
1918_07_12p
19.24_-_The_Canto_of_Desire
1929-04-07_-_Yoga,_for_the_sake_of_the_Divine_-_Concentration_-_Preparations_for_Yoga,_to_be_conscious_-_Yoga_and_humanity_-_We_have_all_met_in_previous_lives
1929-04-14_-_Dangers_of_Yoga_-_Two_paths,_tapasya_and_surrender_-_Impulses,_desires_and_Yoga_-_Difficulties_-_Unification_around_the_psychic_being_-_Ambition,_undoing_of_many_Yogis_-_Powers,_misuse_and_right_use_of_-_How_to_recognise_the_Divine_Will_-_Accept_things_that_come_from_Divine_-_Vital_devotion_-_Need_of_strong_body_and_nerves_-_Inner_being,_invariable
1929-04-21_-_Visions,_seeing_and_interpretation_-_Dreams_and_dreaml_and_-_Dreamless_sleep_-_Visions_and_formulation_-_Surrender,_passive_and_of_the_will_-_Meditation_and_progress_-_Entering_the_spiritual_life,_a_plunge_into_the_Divine
1929-04-28_-_Offering,_general_and_detailed_-_Integral_Yoga_-_Remembrance_of_the_Divine_-_Reading_and_Yoga_-_Necessity,_predetermination_-_Freedom_-_Miracles_-_Aim_of_creation
1929-05-05_-_Intellect,_true_and_wrong_movement_-_Attacks_from_adverse_forces_-_Faith,_integral_and_absolute_-_Death,_not_a_necessity_-_Descent_of_Divine_Consciousness_-_Inner_progress_-_Memory_of_former_lives
1929-05-12_-_Beings_of_vital_world_(vampires)_-_Money_power_and_vital_beings_-_Capacity_for_manifestation_of_will_-_Entry_into_vital_world_-_Body,_a_protection_-_Individuality_and_the_vital_world
1929-05-19_-_Mind_and_its_workings,_thought-forms_-_Adverse_conditions_and_Yoga_-_Mental_constructions_-_Illness_and_Yoga
1929-05-26_-_Individual,_illusion_of_separateness_-_Hostile_forces_and_the_mental_plane_-_Psychic_world,_psychic_being_-_Spiritual_and_psychic_-_Words,_understanding_speech_and_reading_-_Hostile_forces,_their_utility_-_Illusion_of_action,_true_action
1929-06-02_-__Divine_love_and_its_manifestation_-_Part_of_the_vital_being_in_Divine_love
1929-06-09_-_Nature_of_religion_-_Religion_and_the_spiritual_life_-_Descent_of_Divine_Truth_and_Force_-_To_be_sure_of_your_religion,_country,_family-choose_your_own_-_Religion_and_numbers
1929-06-16_-_Illness_and_Yoga_-_Subtle_body_(nervous_envelope)_-_Fear_and_illness
1929-06-23_-_Knowledge_of_the_Yogi_-_Knowledge_and_the_Supermind_-_Methods_of_changing_the_condition_of_the_body_-_Meditation,_aspiration,_sincerity
1929-06-30_-_Repulsion_felt_towards_certain_animals,_etc_-_Source_of_evil,_Formateurs_-_Material_world
1929-07-28_-_Art_and_Yoga_-_Art_and_life_-_Music,_dance_-_World_of_Harmony
1929-08-04_-_Surrender_and_sacrifice_-_Personality_and_surrender_-_Desire_and_passion_-_Spirituality_and_morality
1931_11_24p
1933_12_23p
1950-12-21_-_The_Mother_of_Dreams
1950-12-23_-_Concentration_and_energy
1950-12-25_-_Christmas_-_festival_of_Light_-_Energy_and_mental_growth_-_Meditation_and_concentration_-_The_Mother_of_Dreams_-_Playing_a_game_well,_and_energy
1951-01-04_-_Transformation_and_reversal_of_consciousness.
1951-01-08_-_True_vision_and_understanding_of_the_world._Progress,_equilibrium._Inner_reality_-_the_psychic._Animals_and_the_psychic.
1951-01-13_-_Aim_of_life_-_effort_and_joy._Science_of_living,_becoming_conscious._Forces_and_influences.
1951-01-15_-_Sincerity_-_inner_discernment_-_inner_light._Evil_and_imbalance._Consciousness_and_instruments.
1951-01-20_-_Developing_the_mind._Misfortunes,_suffering;_developed_reason._Knowledge_and_pure_ideas.
1951-01-27_-_Sleep_-_desires_-_repression_-_the_subconscient._Dreams_-_the_super-conscient_-_solving_problems._Ladder_of_being_-_samadhi._Phases_of_sleep_-_silence,_true_rest._Vital_body_and_illness.
1951-02-08_-_Unifying_the_being_-_ideas_of_good_and_bad_-_Miracles_-_determinism_-_Supreme_Will_-_Distinguishing_the_voice_of_the_Divine
1951-02-12_-_Divine_force_-_Signs_indicating_readiness_-_Weakness_in_mind,_vital_-_concentration_-_Divine_perception,_human_notion_of_good,_bad_-_Conversion,_consecration_-_progress_-_Signs_of_entering_the_path_-_kinds_of_meditation_-_aspiration
1951-02-15_-_Dreams,_symbolic_-_true_repose_-_False_visions_-_Earth-memory_and_history
1951-02-17_-_False_visions_-_Offering_ones_will_-_Equilibrium_-_progress_-_maturity_-_Ardent_self-giving-_perfecting_the_instrument_-_Difficulties,_a_help_in_total_realisation_-_paradoxes_-_Sincerity_-_spontaneous_meditation
1951-02-19_-_Exteriorisation-_clairvoyance,_fainting,_etc_-_Somnambulism_-_Tartini_-_childrens_dreams_-_Nightmares_-_gurus_protection_-_Mind_and_vital_roam_during_sleep
1951-02-22_-_Surrender,_offering,_consecration_-_Experiences_and_sincerity_-_Aspiration_and_desire_-_Vedic_hymns_-_Concentration_and_time
1951-02-24_-_Psychic_being_and_entity_-_dimensions_-_in_the_atom_-_Death_-_exteriorisation_-_unconsciousness_-_Past_lives_-_progress_upon_earth_-_choice_of_birth_-_Consecration_to_divine_Work_-_psychic_memories_-_Individualisation_-_progress
1951-02-26_-_On_reading_books_-_gossip_-_Discipline_and_realisation_-_Imaginary_stories-_value_of_-_Private_lives_of_big_men_-_relaxation_-_Understanding_others_-_gnostic_consciousness
1951-03-01_-_Universe_and_the_Divine_-_Freedom_and_determinism_-_Grace_-_Time_and_Creation-_in_the_Supermind_-_Work_and_its_results_-_The_psychic_being_-_beauty_and_love_-_Flowers-_beauty_and_significance_-_Choice_of_reincarnating_psychic_being
1951-03-03_-_Hostile_forces_-_difficulties_-_Individuality_and_form_-_creation
1951-03-05_-_Disasters-_the_forces_of_Nature_-_Story_of_the_charity_Bazar_-_Liberation_and_law_-_Dealing_with_the_mind_and_vital-_methods
1951-03-08_-_Silencing_the_mind_-_changing_the_nature_-_Reincarnation-_choice_-_Psychic,_higher_beings_gods_incarnating_-_Incarnation_of_vital_beings_-_the_Lord_of_Falsehood_-_Hitler_-_Possession_and_madness
1951-03-10_-_Fairy_Tales-_serpent_guarding_treasure_-_Vital_beings-_their_incarnations_-_The_vital_being_after_death_-_Nightmares-_vital_and_mental_-_Mind_and_vital_after_death_-_The_spirit_of_the_form-_Egyptian_mummies
1951-03-12_-_Mental_forms_-_learning_difficult_subjects_-_Mental_fortress_-_thought_-_Training_the_mind_-_Helping_the_vital_being_after_death_-_ceremonies_-_Human_stupidities
1951-03-14_-_Plasticity_-_Conditions_for_knowing_the_Divine_Will_-_Illness_-_microbes_-_Fear_-_body-reflexes_-_The_best_possible_happens_-_Theories_of_Creation_-_True_knowledge_-_a_work_to_do_-_the_Ashram
1951-03-17_-_The_universe-_eternally_new,_same_-_Pralaya_Traditions_-_Light_and_thought_-_new_consciousness,_forces_-_The_expanding_universe_-_inexpressible_experiences_-_Ashram_surcharged_with_Light_-_new_force_-_vibrating_atmospheres
1951-03-19_-_Mental_worlds_and_their_beings_-_Understanding_in_silence_-_Psychic_world-_its_characteristics_-_True_experiences_and_mental_formations_-_twelve_senses
1951-03-22_-_Relativity-_time_-_Consciousness_-_psychic_Witness_-_The_twelve_senses_-_water-divining_-_Instinct_in_animals_-_story_of_Mothers_cat
1951-03-29_-_The_Great_Vehicle_and_The_Little_Vehicle_-_Choosing_ones_family,_country_-_The_vital_being_distorted_-_atavism_-_Sincerity_-_changing_ones_character
1951-03-31_-_Physical_ailment_and_mental_disorder_-_Curing_an_illness_spiritually_-_Receptivity_of_the_body_-_The_subtle-physical-_illness_accidents_-_Curing_sunstroke_and_other_disorders
1951-04-02_-_Causes_of_accidents_-_Little_entities,_helpful_or_mischievous-_incidents
1951-04-05_-_Illusion_and_interest_in_action_-_The_action_of_the_divine_Grace_and_the_ego_-_Concentration,_aspiration,_will,_inner_silence_-_Value_of_a_story_or_a_language_-_Truth_-_diversity_in_the_world
1951-04-07_-_Origin_of_Evil_-_Misery-_its_cause
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1951-04-12_-_Japan,_its_art,_landscapes,_life,_etc_-_Fairy-lore_of_Japan_-_Culture-_its_spiral_movement_-_Indian_and_European-_the_spiritual_life_-_Art_and_Truth
1951-04-14_-_Surrender_and_sacrifice_-_Idea_of_sacrifice_-_Bahaism_-_martyrdom_-_Sleep-_forgetfulness,_exteriorisation,_etc_-_Dreams_and_visions-_explanations_-_Exteriorisation-_incidents_about_cats
1951-04-17_-_Unity,_diversity_-_Protective_envelope_-_desires_-_consciousness,_true_defence_-_Perfection_of_physical_-_cinema_-_Choice,_constant_and_conscious_-_law_of_ones_being_-_the_One,_the_Multiplicity_-_Civilization-_preparing_an_instrument
1951-04-19_-_Demands_and_needs_-_human_nature_-_Abolishing_the_ego_-_Food-_tamas,_consecration_-_Changing_the_nature-_the_vital_and_the_mind_-_The_yoga_of_the_body__-_cellular_consciousness
1951-04-21_-_Sri_Aurobindos_letter_on_conditions_for_doing_yoga_-_Aspiration,_tapasya,_surrender_-_The_lower_vital_-_old_habits_-_obsession_-_Sri_Aurobindo_on_choice_and_the_double_life_-_The_old_fiasco_-_inner_realisation_and_outer_change
1951-04-23_-_The_goal_and_the_way_-_Learning_how_to_sleep_-_relaxation_-_Adverse_forces-_test_of_sincerity_-_Attitude_to_suffering_and_death
1951-04-26_-_Irrevocable_transformation_-_The_divine_Shakti_-_glad_submission_-_Rejection,_integral_-_Consecration_-_total_self-forgetfulness_-_work
1951-04-28_-_Personal_effort_-_tamas,_laziness_-_Static_and_dynamic_power_-_Stupidity_-_psychic_and_intelligence_-_Philosophies-_different_languages_-_Theories_of_Creation_-_Surrender_of_ones_being_and_ones_work
1951-05-03_-_Money_and_its_use_for_the_divine_work_-_problems_-_Mastery_over_desire-_individual_and_collective_change
1951-05-05_-_Needs_and_desires_-_Discernment_-_sincerity_and_true_perception_-_Mantra_and_its_effects_-_Object_in_action-_to_serve_-_relying_only_on_the_Divine
1951-05-14_-_Chance_-_the_play_of_forces_-_Peace,_given_and_lost_-_Abolishing_the_ego
1953-03-18
1953-03-25
1953-04-01
1953-04-08
1953-04-29
1953-05-06
1953-05-13
1953-05-20
1953-05-27
1953-06-03
1953-06-10
1953-06-17
1953-07-01
1953-07-08
1953-07-15
1953-07-22
1953-07-29
1953-08-05
1953-08-12
1953-08-19
1953-08-26
1953-09-09
1953-09-16
1953-09-23
1953-09-30
1953-10-07
1953-10-14
1953-10-21
1953-10-28
1953-11-04
1953-11-11
1953-11-18
1953-12-16
1953-12-23
1953-12-30
1954-02-03_-_The_senses_and_super-sense_-_Children_can_be_moulded_-_Keeping_things_in_order_-_The_shadow
1954-02-10_-_Study_a_variety_of_subjects_-_Memory_-Memory_of_past_lives_-_Getting_rid_of_unpleasant_thoughts
1954-02-17_-_Experience_expressed_in_different_ways_-_Origin_of_the_psychic_being_-_Progress_in_sports_-Everything_is_not_for_the_best
1954-03-03_-_Occultism_-_A_French_scientists_experiment
1954-03-24_-_Dreams_and_the_condition_of_the_stomach_-_Tobacco_and_alcohol_-_Nervousness_-_The_centres_and_the_Kundalini_-_Control_of_the_senses
1954-04-07_-_Communication_without_words_-_Uneven_progress_-_Words_and_the_Word
1954-04-14_-_Love_-_Can_a_person_love_another_truly?_-_Parental_love
1954-04-28_-_Aspiration_and_receptivity_-_Resistance_-_Purusha_and_Prakriti,_not_masculine_and_feminine
1954-05-05_-_Faith,_trust,_confidence_-_Insincerity_and_unconsciousness
1954-05-12_-_The_Purusha_-_Surrender_-_Distinguishing_between_influences_-_Perfect_sincerity
1954-05-19_-_Affection_and_love_-_Psychic_vision_Divine_-_Love_and_receptivity_-_Get_out_of_the_ego
1954-05-26_-_Symbolic_dreams_-_Psychic_sorrow_-_Dreams,_one_is_rarely_conscious
1954-06-02_-_Learning_how_to_live_-_Work,_studies_and_sadhana_-_Waste_of_the_Energy_and_Consciousness
1954-06-16_-_Influences,_Divine_and_other_-_Adverse_forces_-_The_four_great_Asuras_-_Aspiration_arranges_circumstances_-_Wanting_only_the_Divine
1954-06-23_-_Meat-eating_-_Story_of_Mothers_vegetable_garden_-_Faithfulness_-_Conscious_sleep
1954-06-30_-_Occultism_-_Religion_and_vital_beings_-_Mothers_knowledge_of_what_happens_in_the_Ashram_-_Asking_questions_to_Mother_-_Drawing_on_Mother
1954-07-07_-_The_inner_warrior_-_Grace_and_the_Falsehood_-_Opening_from_below_-_Surrender_and_inertia_-_Exclusive_receptivity_-_Grace_and_receptivity
1954-07-14_-_The_Divine_and_the_Shakti_-_Personal_effort_-_Speaking_and_thinking_-_Doubt_-_Self-giving,_consecration_and_surrender_-_Mothers_use_of_flowers_-_Ornaments_and_protection
1954-07-21_-_Mistakes_-_Success_-_Asuras_-_Mental_arrogance_-_Difficulty_turned_into_opportunity_-_Mothers_use_of_flowers_-_Conversion_of_men_governed_by_adverse_forces
1954-07-28_-_Money_-_Ego_and_individuality_-_The_shadow
1954-08-04_-_Servant_and_worker_-_Justification_of_weakness_-_Play_of_the_Divine_-_Why_are_you_here_in_the_Ashram?
1954-08-11_-_Division_and_creation_-_The_gods_and_human_formations_-_People_carry_their_desires_around_them
1954-08-18_-_Mahalakshmi_-_Maheshwari_-_Mahasaraswati_-_Determinism_and_freedom_-_Suffering_and_knowledge_-_Aspects_of_the_Mother
1954-08-25_-_Ananda_aspect_of_the_Mother_-_Changing_conditions_in_the_Ashram_-_Ascetic_discipline_-_Mothers_body
1954-09-08_-_Hostile_forces_-_Substance_-_Concentration_-_Changing_the_centre_of_thought_-_Peace
1954-09-15_-_Parts_of_the_being_-_Thoughts_and_impulses_-_The_subconscient_-_Precise_vocabulary_-_The_Grace_and_difficulties
1954-09-22_-_The_supramental_creation_-_Rajasic_eagerness_-_Silence_from_above_-_Aspiration_and_rejection_-_Effort,_individuality_and_ego_-_Aspiration_and_desire
1954-09-29_-_The_right_spirit_-_The_Divine_comes_first_-_Finding_the_Divine_-_Mistakes_-_Rejecting_impulses_-_Making_the_consciousness_vast_-_Firm_resolution
1954-10-06_-_What_happens_is_for_the_best_-_Blaming_oneself_-Experiences_-_The_vital_desire-soul_-Creating_a_spiritual_atmosphere_-Thought_and_Truth
1954-10-20_-_Stand_back_-_Asking_questions_to_Mother_-_Seeing_images_in_meditation_-_Berlioz_-Music_-_Mothers_organ_music_-_Destiny
1954-11-03_-_Body_opening_to_the_Divine_-_Concentration_in_the_heart_-_The_army_of_the_Divine_-_The_knot_of_the_ego_-Streng_thening_ones_will
1954-11-10_-_Inner_experience,_the_basis_of_action_-_Keeping_open_to_the_Force_-_Faith_through_aspiration_-_The_Mothers_symbol_-_The_mind_and_vital_seize_experience_-_Degrees_of_sincerity_-Becoming_conscious_of_the_Divine_Force
1954-11-24_-_Aspiration_mixed_with_desire_-_Willing_and_desiring_-_Children_and_desires_-_Supermind_and_the_higher_ranges_of_mind_-_Stages_in_the_supramental_manifestation
1954-12-08_-_Cosmic_consciousness_-_Clutching_-_The_central_will_of_the_being_-_Knowledge_by_identity
1954-12-15_-_Many_witnesses_inside_oneself_-_Children_in_the_Ashram_-_Trance_and_the_waking_consciousness_-_Ascetic_methods_-_Education,_spontaneous_effort_-_Spiritual_experience
1954-12-22_-_Possession_by_hostile_forces_-_Purity_and_morality_-_Faith_in_the_final_success_-Drawing_back_from_the_path
1954-12-29_-_Difficulties_and_the_world_-_The_experience_the_psychic_being_wants_-_After_death_-Ignorance
1955-02-09_-_Desire_is_contagious_-_Primitive_form_of_love_-_the_artists_delight_-_Psychic_need,_mind_as_an_instrument_-_How_the_psychic_being_expresses_itself_-_Distinguishing_the_parts_of_ones_being_-_The_psychic_guides_-_Illness_-_Mothers_vision
1955-02-16_-_Losing_something_given_by_Mother_-_Using_things_well_-_Sadhak_collecting_soap-pieces_-_What_things_are_truly_indispensable_-_Natures_harmonious_arrangement_-_Riches_a_curse,_philanthropy_-_Misuse_of_things_creates_misery
1955-03-02_-_Right_spirit,_aspiration_and_desire_-_Sleep_and_yogic_repose,_how_to_sleep_-_Remembering_dreams_-_Concentration_and_outer_activity_-_Mother_opens_the_door_inside_everyone_-_Sleep,_a_school_for_inner_knowledge_-_Source_of_energy
1955-03-09_-_Psychic_directly_contacted_through_the_physical_-_Transforming_egoistic_movements_-_Work_of_the_psychic_being_-_Contacting_the_psychic_and_the_Divine_-_Experiences_of_different_kinds_-_Attacks_of_adverse_forces
1955-03-23_-_Procedure_for_rejection_and_transformation_-_Learning_by_heart,_true_understanding_-_Vibrations,_movements_of_the_species_-_A_cat_and_a_Russian_peasant_woman_-_A_cat_doing_yoga
1955-03-30_-_Yoga-shakti_-_Energies_of_the_earth,_higher_and_lower_-_Illness,_curing_by_yogic_means_-_The_true_self_and_the_psychic_-_Solving_difficulties_by_different_methods
1955-04-06_-_Freuds_psychoanalysis,_the_subliminal_being_-_The_psychic_and_the_subliminal_-_True_psychology_-_Changing_the_lower_nature_-_Faith_in_different_parts_of_the_being_-_Psychic_contact_established_in_all_in_the_Ashram
1955-04-13_-_Psychoanalysts_-_The_underground_super-ego,_dreams,_sleep,_control_-_Archetypes,_Overmind_and_higher_-_Dream_of_someone_dying_-_Integral_repose,_entering_Sachchidananda_-_Organising_ones_life,_concentration,_repose
1955-04-27_-_Symbolic_dreams_and_visions_-_Curing_pain_by_various_methods_-_Different_states_of_consciousness_-_Seeing_oneself_dead_in_a_dream_-_Exteriorisation
1955-05-04_-_Drawing_on_the_universal_vital_forces_-_The_inner_physical_-_Receptivity_to_different_kinds_of_forces_-_Progress_and_receptivity
1955-05-18_-_The_Problem_of_Woman_-_Men_and_women_-_The_Supreme_Mother,_the_new_creation_-_Gods_and_goddesses_-_A_story_of_Creation,_earth_-_Psychic_being_only_on_earth,_beings_everywhere_-_Going_to_other_worlds_by_occult_means
1955-05-25_-_Religion_and_reason_-_true_role_and_field_-_an_obstacle_to_or_minister_of_the_Spirit_-_developing_and_meaning_-_Learning_how_to_live,_the_elite_-_Reason_controls_and_organises_life_-_Nature_is_infrarational
1955-06-08_-_Working_for_the_Divine_-_ideal_attitude_-_Divine_manifesting_-_reversal_of_consciousness,_knowing_oneself_-_Integral_progress,_outer,_inner,_facing_difficulties_-_People_in_Ashram_-_doing_Yoga_-_Children_given_freedom,_choosing_yoga
1955-06-15_-_Dynamic_realisation,_transformation_-_The_negative_and_positive_side_of_experience_-_The_image_of_the_dry_coconut_fruit_-_Purusha,_Prakriti,_the_Divine_Mother_-_The_Truth-Creation_-_Pralaya_-_We_are_in_a_transitional_period
1955-06-22_-_Awakening_the_Yoga-shakti_-_The_thousand-petalled_lotus-_Reading,_how_far_a_help_for_yoga_-_Simple_and_complicated_combinations_in_men
1955-07-06_-_The_psychic_and_the_central_being_or_jivatman_-_Unity_and_multiplicity_in_the_Divine_-_Having_experiences_and_the_ego_-_Mental,_vital_and_physical_exteriorisation_-_Imagination_has_a_formative_power_-_The_function_of_the_imagination
1955-07-13_-_Cosmic_spirit_and_cosmic_consciousness_-_The_wall_of_ignorance,_unity_and_separation_-_Aspiration_to_understand,_to_know,_to_be_-_The_Divine_is_in_the_essence_of_ones_being_-_Realising_desires_through_the_imaginaton
1955-07-20_-_The_Impersonal_Divine_-_Surrender_to_the_Divine_brings_perfect_freedom_-_The_Divine_gives_Himself_-_The_principle_of_the_inner_dimensions_-_The_paths_of_aspiration_and_surrender_-_Linear_and_spherical_paths_and_realisations
1955-08-03_-_Nothing_is_impossible_in_principle_-_Psychic_contact_and_psychic_influence_-_Occult_powers,_adverse_influences;_magic_-_Magic,_occultism_and_Yogic_powers_-Hypnotism_and_its_effects
1955-08-17_-_Vertical_ascent_and_horizontal_opening_-_Liberation_of_the_psychic_being_-_Images_for_discovery_of_the_psychic_being_-_Sadhana_to_contact_the_psychic_being
1955-09-21_-_Literature_and_the_taste_for_forms_-_The_characters_of_The_Great_Secret_-_How_literature_helps_us_to_progress_-_Reading_to_learn_-_The_commercial_mentality_-_How_to_choose_ones_books_-_Learning_to_enrich_ones_possibilities_...
1955-10-05_-_Science_and_Ignorance_-_Knowledge,_science_and_the_Buddha_-_Knowing_by_identification_-_Discipline_in_science_and_in_Buddhism_-_Progress_in_the_mental_field_and_beyond_it
1955-10-12_-_The_problem_of_transformation_-_Evolution,_man_and_superman_-_Awakening_need_of_a_higher_good_-_Sri_Aurobindo_and_earths_history_-_Setting_foot_on_the_new_path_-_The_true_reality_of_the_universe_-_the_new_race_-_...
1955-10-19_-_The_rhythms_of_time_-_The_lotus_of_knowledge_and_perfection_-_Potential_knowledge_-_The_teguments_of_the_soul_-_Shastra_and_the_Gurus_direct_teaching_-_He_who_chooses_the_Infinite...
1955-10-26_-_The_Divine_and_the_universal_Teacher_-_The_power_of_the_Word_-_The_Creative_Word,_the_mantra_-_Sound,_music_in_other_worlds_-_The_domains_of_pure_form,_colour_and_ideas
1955-11-02_-_The_first_movement_in_Yoga_-_Interiorisation,_finding_ones_soul_-_The_Vedic_Age_-_An_incident_about_Vivekananda_-_The_imaged_language_of_the_Vedas_-_The_Vedic_Rishis,_involutionary_beings_-_Involution_and_evolution
1955-11-09_-_Personal_effort,_egoistic_mind_-_Man_is_like_a_public_square_-_Natures_work_-_Ego_needed_for_formation_of_individual_-_Adverse_forces_needed_to_make_man_sincere_-_Determinisms_of_different_planes,_miracles
1955-11-16_-_The_significance_of_numbers_-_Numbers,_astrology,_true_knowledge_-_Divines_Love_flowers_for_Kali_puja_-_Desire,_aspiration_and_progress_-_Determining_ones_approach_to_the_Divine_-_Liberation_is_obtained_through_austerities_-_...
1955-11-23_-_One_reality,_multiple_manifestations_-_Integral_Yoga,_approach_by_all_paths_-_The_supreme_man_and_the_divine_man_-_Miracles_and_the_logic_of_events
1955-12-07_-_Emotional_impulse_of_self-giving_-_A_young_dancer_in_France_-_The_heart_has_wings,_not_the_head_-_Only_joy_can_conquer_the_Adversary
1955-12-14_-_Rejection_of_life_as_illusion_in_the_old_Yogas_-_Fighting_the_adverse_forces_-_Universal_and_individual_being_-_Three_stages_in_Integral_Yoga_-_How_to_feel_the_Divine_Presence_constantly
1955-12-28_-_Aspiration_in_different_parts_of_the_being_-_Enthusiasm_and_gratitude_-_Aspiration_is_in_all_beings_-_Unlimited_power_of_good,_evil_has_a_limit_-_Progress_in_the_parts_of_the_being_-_Significance_of_a_dream
1956-01-04_-_Integral_idea_of_the_Divine_-_All_things_attracted_by_the_Divine_-_Bad_things_not_in_place_-_Integral_yoga_-_Moving_idea-force,_ideas_-_Consequences_of_manifestation_-_Work_of_Spirit_via_Nature_-_Change_consciousness,_change_world
1956-01-11_-_Desire_and_self-deception_-_Giving_all_one_is_and_has_-_Sincerity,_more_powerful_than_will_-_Joy_of_progress_Definition_of_youth
1956-01-18_-_Two_sides_of_individual_work_-_Cheerfulness_-_chosen_vessel_of_the_Divine_-_Aspiration,_consciousness,_of_plants,_of_children_-_Being_chosen_by_the_Divine_-_True_hierarchy_-_Perfect_relation_with_the_Divine_-_India_free_in_1915
1956-01-25_-_The_divine_way_of_life_-_Divine,_Overmind,_Supermind_-_Material_body__for_discovery_of_the_Divine_-_Five_psychological_perfections
1956-02-01_-_Path_of_knowledge_-_Finding_the_Divine_in_life_-_Capacity_for_contact_with_the_Divine_-_Partial_and_total_identification_with_the_Divine_-_Manifestation_and_hierarchy
1956-02-08_-_Forces_of_Nature_expressing_a_higher_Will_-_Illusion_of_separate_personality_-_One_dynamic_force_which_moves_all_things_-_Linear_and_spherical_thinking_-_Common_ideal_of_life,_microscopic
1956-02-15_-_Nature_and_the_Master_of_Nature_-_Conscious_intelligence_-_Theory_of_the_Gita,_not_the_whole_truth_-_Surrender_to_the_Lord_-_Change_of_nature
1956-02-22_-_Strong_immobility_of_an_immortal_spirit_-_Equality_of_soul_-_Is_all_an_expression_of_the_divine_Will?_-_Loosening_the_knot_of_action_-_Using_experience_as_a_cloak_to_cover_excesses_-_Sincerity,_a_rare_virtue
1956-03-07_-_Sacrifice,_Animals,_hostile_forces,_receive_in_proportion_to_consciousness_-_To_be_luminously_open_-_Integral_transformation_-_Pain_of_rejection,_delight_of_progress_-_Spirit_behind_intention_-_Spirit,_matter,_over-simplified
1956-03-14_-_Dynamic_meditation_-_Do_all_as_an_offering_to_the_Divine_-_Significance_of_23.4.56._-_If_twelve_men_of_goodwill_call_the_Divine
1956-04-04_-_The_witness_soul_-_A_Gita_enthusiast_-_Propagandist_spirit,_Tolstoys_son
1956-04-11_-_Self-creator_-_Manifestation_of_Time_and_Space_-_Brahman-Maya_and_Ishwara-Shakti_-_Personal_and_Impersonal
1956-04-18_-_Ishwara_and_Shakti,_seeing_both_aspects_-_The_Impersonal_and_the_divine_Person_-_Soul,_the_presence_of_the_divine_Person_-_Going_to_other_worlds,_exteriorisation,_dreams_-_Telling_stories_to_oneself
1956-04-25_-_God,_human_conception_and_the_true_Divine_-_Earthly_existence,_to_realise_the_Divine_-_Ananda,_divine_pleasure_-_Relations_with_the_divine_Presence_-_Asking_the_Divine_for_what_one_needs_-_Allowing_the_Divine_to_lead_one
1956-05-02_-_Threefold_union_-_Manifestation_of_the_Supramental_-_Profiting_from_the_Divine_-_Recognition_of_the_Supramental_Force_-_Ascent,_descent,_manifestation
1956-05-09_-_Beginning_of_the_true_spiritual_life_-_Spirit_gives_value_to_all_things_-_To_be_helped_by_the_supramental_Force
1956-05-16_-_Needs_of_the_body,_not_true_in_themselves_-_Spiritual_and_supramental_law_-_Aestheticised_Paganism_-_Morality,_checks_true_spiritual_effort_-_Effect_of_supramental_descent_-_Half-lights_and_false_lights
1956-06-06_-_Sign_or_indication_from_books_of_revelation_-_Spiritualised_mind_-_Stages_of_sadhana_-_Reversal_of_consciousness_-_Organisation_around_central_Presence_-_Boredom,_most_common_human_malady
1956-06-13_-_Effects_of_the_Supramental_action_-_Education_and_the_Supermind_-_Right_to_remain_ignorant_-_Concentration_of_mind_-_Reason,_not_supreme_capacity_-_Physical_education_and_studies_-_inner_discipline_-_True_usefulness_of_teachers
1956-06-20_-_Hearts_mystic_light,_intuition_-_Psychic_being,_contact_-_Secular_ethics_-_True_role_of_mind_-_Realise_the_Divine_by_love_-_Depression,_pleasure,_joy_-_Heart_mixture_-_To_follow_the_soul_-_Physical_process_-_remember_the_Mother
1956-06-27_-_Birth,_entry_of_soul_into_body_-_Formation_of_the_supramental_world_-_Aspiration_for_progress_-_Bad_thoughts_-_Cerebral_filter_-_Progress_and_resistance
1956-07-04_-_Aspiration_when_one_sees_a_shooting_star_-_Preparing_the_bodyn_making_it_understand_-_Getting_rid_of_pain_and_suffering_-_Psychic_light
1956-07-11_-_Beauty_restored_to_its_priesthood_-_Occult_worlds,_occult_beings_-_Difficulties_and_the_supramental_force
1956-07-18_-_Unlived_dreams_-_Radha-consciousness_-_Separation_and_identification_-_Ananda_of_identity_and_Ananda_of_union_-_Sincerity,_meditation_and_prayer_-_Enemies_of_the_Divine_-_The_universe_is_progressive
1956-07-25_-_A_complete_act_of_divine_love_-_How_to_listen_-_Sports_programme_same_for_boys_and_girls_-_How_to_profit_by_stay_at_Ashram_-_To_Women_about_Their_Body
1956-08-01_-_Value_of_worship_-_Spiritual_realisation_and_the_integral_yoga_-_Symbols,_translation_of_experience_into_form_-_Sincerity,_fundamental_virtue_-_Intensity_of_aspiration,_with_anguish_or_joy_-_The_divine_Grace
1956-08-08_-_How_to_light_the_psychic_fire,_will_for_progress_-_Helping_from_a_distance,_mental_formations_-_Prayer_and_the_divine_-_Grace_Grace_at_work_everywhere
1956-08-15_-_Protection,_purification,_fear_-_Atmosphere_at_the_Ashram_on_Darshan_days_-_Darshan_messages_-_Significance_of_15-08_-_State_of_surrender_-_Divine_Grace_always_all-powerful_-_Assumption_of_Virgin_Mary_-_SA_message_of_1947-08-15
1956-08-29_-_To_live_spontaneously_-_Mental_formations_Absolute_sincerity_-_Balance_is_indispensable,_the_middle_path_-_When_in_difficulty,_widen_the_consciousness_-_Easiest_way_of_forgetting_oneself
1956-09-05_-_Material_life,_seeing_in_the_right_way_-_Effect_of_the_Supermind_on_the_earth_-_Emergence_of_the_Supermind_-_Falling_back_into_the_same_mistaken_ways
1956-09-19_-_Power,_predominant_quality_of_vital_being_-_The_Divine,_the_psychic_being,_the_Supermind_-_How_to_come_out_of_the_physical_consciousness_-_Look_life_in_the_face_-_Ordinary_love_and_Divine_love
1956-09-26_-_Soul_of_desire_-_Openness,_harmony_with_Nature_-_Communion_with_divine_Presence_-_Individuality,_difficulties,_soul_of_desire_-_personal_contact_with_the_Mother_-_Inner_receptivity_-_Bad_thoughts_before_the_Mother
1956-10-03_-_The_Mothers_different_ways_of_speaking_-_new_manifestation_-_new_element,_possibilities_-_child_prodigies_-_Laws_of_Nature,_supramental_-_Logic_of_the_unforeseen_-_Creative_writers,_hands_of_musicians_-_Prodigious_children,_men
1956-10-10_-_The_supramental_race__in_a_few_centuries_-_Condition_for_new_realisation_-_Everyone_must_follow_his_own_path_-_Progress,_no_two_paths_alike
1956-10-17_-_Delight,_the_highest_state_-_Delight_and_detachment_-_To_be_calm_-_Quietude,_mental_and_vital_-_Calm_and_strength_-_Experience_and_expression_of_experience
1956-10-24_-_Taking_a_new_body_-_Different_cases_of_incarnation_-_Departure_of_soul_from_body
1956-10-31_-_Manifestation_of_divine_love_-_Deformation_of_Love_by_human_consciousness_-_Experience_and_expression_of_experience
1956-11-07_-_Thoughts_created_by_forces_of_universal_-_Mind_Our_own_thought_hardly_exists_-_Idea,_origin_higher_than_mind_-_The_Synthesis_of_Yoga,_effect_of_reading
1956-11-14_-_Conquering_the_desire_to_appear_good_-_Self-control_and_control_of_the_life_around_-_Power_of_mastery_-_Be_a_great_yogi_to_be_a_good_teacher_-_Organisation_of_the_Ashram_school_-_Elementary_discipline_of_regularity
1956-11-21_-_Knowings_and_Knowledge_-_Reason,_summit_of_mans_mental_activities_-_Willings_and_the_true_will_-_Personal_effort_-_First_step_to_have_knowledge_-_Relativity_of_medical_knowledge_-_Mental_gymnastics_make_the_mind_supple
1956-11-28_-_Desire,_ego,_animal_nature_-_Consciousness,_a_progressive_state_-_Ananda,_desireless_state_beyond_enjoyings_-_Personal_effort_that_is_mental_-_Reason,_when_to_disregard_it_-_Reason_and_reasons
1956-12-12_-_paradoxes_-_Nothing_impossible_-_unfolding_universe,_the_Eternal_-_Attention,_concentration,_effort_-_growth_capacity_almost_unlimited_-_Why_things_are_not_the_same_-_will_and_willings_-_Suggestions,_formations_-_vital_world
1956-12-26_-_Defeated_victories_-_Change_of_consciousness_-_Experiences_that_indicate_the_road_to_take_-_Choice_and_preference_-_Diversity_of_the_manifestation
1957-01-02_-_Can_one_go_out_of_time_and_space?_-_Not_a_crucified_but_a_glorified_body_-_Individual_effort_and_the_new_force
1957-01-09_-_God_is_essentially_Delight_-_God_and_Nature_play_at_hide-and-seek_-__Why,_and_when,_are_you_grave?
1957-01-16_-_Seeking_something_without_knowing_it_-_Why_are_we_here?
1957-01-23_-_How_should_we_understand_pure_delight?_-_The_drop_of_honey_-_Action_of_the_Divine_Will_in_the_world
1957-02-07_-_Individual_and_collective_meditation
1957-03-08_-_A_Buddhist_story
1957-03-13_-_Our_best_friend
1957-03-15_-_Reminiscences_of_Tlemcen
1957-03-22_-_A_story_of_initiation,_knowledge_and_practice
1957-03-27_-_If_only_humanity_consented_to_be_spiritualised
1957-04-03_-_Different_religions_and_spirituality
1957-04-10_-_Sports_and_yoga_-_Organising_ones_life
1957-04-24_-_Perfection,_lower_and_higher
1957-05-01_-_Sports_competitions,_their_value
1957-05-08_-_Vital_excitement,_reason,_instinct
1957-05-15_-_Differentiation_of_the_sexes_-_Transformation_from_above_downwards
1957-05-29_-_Progressive_transformation
1957-06-05_-_Questions_and_silence_-_Methods_of_meditation
1957-06-12_-_Fasting_and_spiritual_progress
1957-06-19_-_Causes_of_illness_Fear_and_illness_-_Minds_working,_faith_and_illness
1957-06-26_-_Birth_through_direct_transmutation_-_Man_and_woman_-_Judging_others_-_divine_Presence_in_all_-_New_birth
1957-07-10_-_A_new_world_is_born_-_Overmind_creation_dissolved
1957-07-17_-_Power_of_conscious_will_over_matter
1957-07-24_-_The_involved_supermind_-_The_new_world_and_the_old_-_Will_for_progress_indispensable
1957-07-31_-_Awakening_aspiration_in_the_body
1957-08-07_-_The_resistances,_politics_and_money_-_Aspiration_to_realise_the_supramental_life
1957-09-04_-_Sri_Aurobindo,_an_eternal_birth
1957-09-11_-_Vital_chemistry,_attraction_and_repulsion
1957-09-18_-_Occultism_and_supramental_life
1957-09-25_-_Preparation_of_the_intermediate_being
1957-10-09_-_As_many_universes_as_individuals_-_Passage_to_the_higher_hemisphere
1957-10-23_-_The_central_motive_of_terrestrial_existence_-_Evolution
1957-11-13_-_Superiority_of_man_over_animal_-_Consciousness_precedes_form
1957-11-27_-_Sri_Aurobindos_method_in_The_Life_Divine_-_Individual_and_cosmic_evolution
1957-12-04_-_The_method_of_The_Life_Divine_-_Problem_of_emergence_of_a_new_species
1957-12-11_-_Appearance_of_the_first_men
1957-12-18_-_Modern_science_and_illusion_-_Value_of_experience,_its_transforming_power_-_Supramental_power,_first_aspect_to_manifest
1958-01-08_-_Sri_Aurobindos_method_of_exposition_-_The_mind_as_a_public_place_-_Mental_control_-_Sri_Aurobindos_subtle_hand
1958-01-22_-_Intellectual_theories_-_Expressing_a_living_and_real_Truth
1958-01-29_-_The_plan_of_the_universe_-_Self-awareness
1958-02-05_-_The_great_voyage_of_the_Supreme_-_Freedom_and_determinism
1958-02-12_-_Psychic_progress_from_life_to_life_-_The_earth,_the_place_of_progress
1958-02-19_-_Experience_of_the_supramental_boat_-_The_Censors_-_Absurdity_of_artificial_means
1958-02-26_-_The_moon_and_the_stars_-_Horoscopes_and_yoga
1958-03-05_-_Vibrations_and_words_-_Power_of_thought,_the_gift_of_tongues
1958-03-12_-_The_key_of_past_transformations
1958-03-19_-_General_tension_in_humanity_-_Peace_and_progress_-_Perversion_and_vision_of_transformation
1958-03-26_-_Mental_anxiety_and_trust_in_spiritual_power
1958-04-02_-_Correcting_a_mistake
1958-04-09_-_The_eyes_of_the_soul_-_Perceiving_the_soul
1958-04-16_-_The_superman_-_New_realisation
1958-04-30_-_Mental_constructions_and_experience
1958-05-07_-_The_secret_of_Nature
1958-05-14_-_Intellectual_activity_and_subtle_knowing_-_Understanding_with_the_body
1958-05-21_-_Mental_honesty
1958-05-28_-_The_Avatar
1958-06-18_-_Philosophy,_religion,_occultism,_spirituality
1958-06-25_-_Sadhana_in_the_body
1958-07-09_-_Faith_and_personal_effort
1958-07-16_-_Is_religion_a_necessity?
1958-07-23_-_How_to_develop_intuition_-_Concentration
1958-07-30_-_The_planchette_-_automatic_writing_-_Proofs_and_knowledge
1958-08-13_-_Profit_by_staying_in_the_Ashram_-_What_Sri_Aurobindo_has_come_to_tell_us_-_Finding_the_Divine
1958-08-27_-_Meditation_and_imagination_-_From_thought_to_idea,_from_idea_to_principle
1958-09-03_-_How_to_discipline_the_imagination_-_Mental_formations
1958-09-10_-_Magic,_occultism,_physical_science
1958-09-17_-_Power_of_formulating_experience_-_Usefulness_of_mental_development
1958_09_19
1958-09-24_-_Living_the_truth_-_Words_and_experience
1958-10-01_-_The_ideal_of_moral_perfection
1958_10_10
1958_10_17
1958-10-22_-_Spiritual_life_-_reversal_of_consciousness_-_Helping_others
1958-10-29_-_Mental_self-sufficiency_-_Grace
1958-11-05_-_Knowing_how_to_be_silent
1958-11-12_-_The_aim_of_the_Supreme_-_Trust_in_the_Grace
1958-11-26_-_The_role_of_the_Spirit_-_New_birth
1958_11_28
1958_12_05
1960_01_05
1960_01_20
1960_02_24
1960_03_02
1960_04_07?_-_28
1960_04_20
1960_05_25
1960_06_08
1960_06_16
1960_06_22
1960_06_29
1960_07_13
1960_08_24
1960_11_12?_-_49
1961_03_11_-_58
1961_03_17_-_57
1961_04_26_-_59
1961_05_20
1961_05_22?
1962_02_27
1962_05_24
1962_10_06
1962_10_12
1963_03_06
1963_08_10
1964_03_25
1964_09_16
1965_05_29
1965_12_26?
1966_09_14
1969_08_03
1969_08_19
1969_09_14
1969_09_17
1969_09_27
1969_12_22
1969_12_29?
1970_01_04
1970_01_13?
1970_01_20
1970_01_22
1970_01_29
1970_02_07
1970_02_08
1970_02_10
1970_02_18
1970_02_23
1970_03_09
1970_03_12
1970_03_15
1970_03_18
1970_04_04
1970_04_11
1970_04_28
1970_05_02
1971_12_11
1.A_-_ANTHROPOLOGY,_THE_SOUL
1.ac_-_A_Birthday
1.ac_-_On_-_On_-_Poet
1.ac_-_The_Buddhist
1.ac_-_The_Garden_of_Janus
1.ac_-_The_Hermit
1.ac_-_The_Neophyte
1.ac_-_The_Priestess_of_Panormita
1.ac_-_The_Wizard_Way
1.ala_-_I_had_supposed_that,_having_passed_away
1.ami_-_Selfhood_can_demolish_the_magic_of_this_world_(from_Baal-i-Jibreel)
1.ami_-_To_the_Saqi_(from_Baal-i-Jibreel)
1.anon_-_But_little_better
1.anon_-_Enuma_Elish_(When_on_high)
1.anon_-_If_this_were_a_world
1.anon_-_Less_profitable
1.anon_-_Others_have_told_me
1.anon_-_The_Epic_of_Gilgamesh_Tablet_II
1.anon_-_The_Epic_of_Gilgamesh_Tablet_IV
1.anon_-_The_Epic_of_Gilgamesh_TabletIX
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VIII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_X
1.anon_-_The_Epic_of_Gilgamesh_Tablet_XI_The_Story_of_the_Flood
1.anon_-_The_Poem_of_Antar
1.anon_-_The_Poem_of_Imru-Ul-Quais
1.anon_-_The_Seven_Evil_Spirits
1.ap_-_The_Universal_Prayer
1.asak_-_Rise_early_at_dawn,_when_our_storytelling_begins
1.at_-_And_Galahad_fled_along_them_bridge_by_bridge_(from_The_Holy_Grail)
1.at_-_Crossing_the_Bar
1.at_-_St._Agnes_Eve
1.cllg_-_A_Dance_of_Unwavering_Devotion
1.da_-_All_Being_within_this_order,_by_the_laws_(from_The_Paradiso,_Canto_I)
1.da_-_And_as_a_ray_descending_from_the_sky_(from_The_Paradiso,_Canto_I)
1.da_-_The_glory_of_Him_who_moves_all_things_rays_forth_(from_The_Paradiso,_Canto_I)
1.da_-_The_love_of_God,_unutterable_and_perfect
1.fcn_-_From_the_mind
1f.lovecraft_-_A_Reminiscence_of_Dr._Samuel_Johnson
1f.lovecraft_-_Ashes
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Azathoth
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1f.lovecraft_-_Celephais
1f.lovecraft_-_Collapsing_Cosmoses
1f.lovecraft_-_Cool_Air
1f.lovecraft_-_Dagon
1f.lovecraft_-_Deaf,_Dumb,_and_Blind
1f.lovecraft_-_Discarded_Draft_of
1f.lovecraft_-_Ex_Oblivione
1f.lovecraft_-_Facts_concerning_the_Late
1f.lovecraft_-_From_Beyond
1f.lovecraft_-_He
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_Hypnos
1f.lovecraft_-_Ibid
1f.lovecraft_-_In_the_Vault
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Memory
1f.lovecraft_-_Nyarlathotep
1f.lovecraft_-_Old_Bugs
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_Polaris
1f.lovecraft_-_Sweet_Ermengarde
1f.lovecraft_-_The_Alchemist
1f.lovecraft_-_The_Beast_in_the_Cave
1f.lovecraft_-_The_Book
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Colour_out_of_Space
1f.lovecraft_-_The_Crawling_Chaos
1f.lovecraft_-_The_Curse_of_Yig
1f.lovecraft_-_The_Descendant
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Disinterment
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Electric_Executioner
1f.lovecraft_-_The_Evil_Clergyman
1f.lovecraft_-_The_Festival
1f.lovecraft_-_The_Ghost-Eater
1f.lovecraft_-_The_Green_Meadow
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_History_of_the_Necronomicon
1f.lovecraft_-_The_Hoard_of_the_Wizard-Beast
1f.lovecraft_-_The_Horror_at_Martins_Beach
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Horror_in_the_Burying-Ground
1f.lovecraft_-_The_Horror_in_the_Museum
1f.lovecraft_-_The_Hound
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Little_Glass_Bottle
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Man_of_Stone
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Music_of_Erich_Zann
1f.lovecraft_-_The_Mysterious_Ship
1f.lovecraft_-_The_Mystery_of_the_Grave-Yard
1f.lovecraft_-_The_Nameless_City
1f.lovecraft_-_The_Night_Ocean
1f.lovecraft_-_The_Other_Gods
1f.lovecraft_-_The_Picture_in_the_House
1f.lovecraft_-_The_Quest_of_Iranon
1f.lovecraft_-_The_Rats_in_the_Walls
1f.lovecraft_-_The_Secret_Cave
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Shunned_House
1f.lovecraft_-_The_Silver_Key
1f.lovecraft_-_The_Statement_of_Randolph_Carter
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_Street
1f.lovecraft_-_The_Temple
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_The_Tomb
1f.lovecraft_-_The_Transition_of_Juan_Romero
1f.lovecraft_-_The_Trap
1f.lovecraft_-_The_Tree
1f.lovecraft_-_The_Tree_on_the_Hill
1f.lovecraft_-_The_Unnamable
1f.lovecraft_-_The_Very_Old_Folk
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Till_A_the_Seas
1f.lovecraft_-_Two_Black_Bottles
1f.lovecraft_-_Under_the_Pyramids
1f.lovecraft_-_Winged_Death
1.fs_-_A_Funeral_Fantasie
1.fs_-_Amalia
1.fs_-_Columbus
1.fs_-_Elegy_On_The_Death_Of_A_Young_Man
1.fs_-_Fantasie_--_To_Laura
1.fs_-_Fridolin_(The_Walk_To_The_Iron_Factory)
1.fs_-_Hero_And_Leander
1.fs_-_Honor_To_Woman
1.fs_-_Hope
1.fs_-_Hymn_To_Joy
1.fs_-_Melancholy_--_To_Laura
1.fs_-_Ode_To_Joy
1.fs_-_Ode_To_Joy_-_With_Translation
1.fs_-_Pompeii_And_Herculaneum
1.fs_-_Punch_Song_(To_be_sung_in_the_Northern_Countries)
1.fs_-_Resignation
1.fs_-_The_Artists
1.fs_-_The_Assignation
1.fs_-_The_Celebrated_Woman_-_An_Epistle_By_A_Married_Man
1.fs_-_The_Complaint_Of_Ceres
1.fs_-_The_Count_Of_Hapsburg
1.fs_-_The_Cranes_Of_Ibycus
1.fs_-_The_Dance
1.fs_-_The_Division_Of_The_Earth
1.fs_-_The_Driver
1.fs_-_The_Eleusinian_Festival
1.fs_-_The_Fight_With_The_Dragon
1.fs_-_The_Four_Ages_Of_The_World
1.fs_-_The_Glove_-_A_Tale
1.fs_-_The_Gods_Of_Greece
1.fs_-_The_Greatness_Of_The_World
1.fs_-_The_Hostage
1.fs_-_The_Ideals
1.fs_-_The_Infanticide
1.fs_-_The_Knight_Of_Toggenburg
1.fs_-_The_Lay_Of_The_Bell
1.fs_-_The_Maiden's_Lament
1.fs_-_The_Pilgrim
1.fs_-_The_Poetry_Of_Life
1.fs_-_The_Power_Of_Song
1.fs_-_The_Ring_Of_Polycrates_-_A_Ballad
1.fs_-_The_Two_Paths_Of_Virtue
1.fs_-_The_Veiled_Statue_At_Sais
1.fs_-_The_Walk
1.fs_-_The_Youth_By_The_Brook
1.fs_-_To_Emma
1.fs_-_Worth_And_The_Worthy
1.fua_-_God_Speaks_to_David
1.fua_-_The_Hawk
1.fua_-_The_peacocks_excuse
1.fua_-_The_Simurgh
1.fua_-_The_Valley_of_the_Quest
1.hcyc_-_40_-_It_speaks_in_silence_(from_The_Shodoka)
1.hcyc_-_9_-_People_do_not_recognize_the_Mani-jewel_(from_The_Shodoka)
1.he_-_Hakuins_Song_of_Zazen
1.hs_-_A_New_World
1.hs_-_Naked_in_the_Bee-House
1.hs_-_Not_Worth_The_Toil!
1.hs_-_O_Saghi,_pass_around_that_cup_of_wine,_then_bring_it_to_me
1.hs_-_Someone_Should_Start_Laughing
1.hs_-_Spring_and_all_its_flowers
1.hs_-_Take_everything_away
1.hs_-_The_Day_Of_Hope
1.hs_-_The_Good_Darkness
1.hs_-_The_Margin_Of_A_Stream
1.hs_-_The_Pearl_on_the_Ocean_Floor
1.hs_-_The_Rose_Is_Not_Fair
1.hs_-_The_Way_of_the_Holy_Ones
1.hs_-_Your_intellect_is_just_a_hotch-potch
1.ia_-_I_Laid_My_Little_Daughter_To_Rest
1.ia_-_Modification_Of_The_R_Poem
1.ia_-_My_heart_wears_all_forms
1.ia_-_Wild_Is_She,_None_Can_Make_Her_His_Friend
1.ia_-_With_My_Very_Own_Hands
1.jc_-_On_this_summer_night
1.jda_-_My_heart_values_his_vulgar_ways_(from_The_Gitagovinda)
1.jda_-_Raga_Gujri
1.jda_-_When_spring_came,_tender-limbed_Radha_wandered_(from_The_Gitagovinda)
1.jda_-_You_rest_on_the_circle_of_Sris_breast_(from_The_Gitagovinda)
1.jk_-_An_Extempore
1.jk_-_A_Thing_Of_Beauty_(Endymion)
1.jk_-_Calidore_-_A_Fragment
1.jk_-_Endymion_-_Book_I
1.jk_-_Endymion_-_Book_II
1.jk_-_Endymion_-_Book_III
1.jk_-_Endymion_-_Book_IV
1.jk_-_Epistle_To_John_Hamilton_Reynolds
1.jk_-_Epistle_To_My_Brother_George
1.jk_-_Extracts_From_An_Opera
1.jk_-_Fancy
1.jkhu_-_Gathering_Tea
1.jk_-_Hymn_To_Apollo
1.jk_-_Hyperion,_A_Vision_-_Attempted_Reconstruction_Of_The_Poem
1.jk_-_Hyperion._Book_I
1.jk_-_Hyperion._Book_II
1.jk_-_Isabella;_Or,_The_Pot_Of_Basil_-_A_Story_From_Boccaccio
1.jk_-_I_Stood_Tip-Toe_Upon_A_Little_Hill
1.jk_-_King_Stephen
1.jk_-_Lamia._Part_I
1.jk_-_Lamia._Part_II
1.jk_-_Ode_On_Indolence
1.jk_-_Ode_On_Melancholy
1.jk_-_Ode_To_A_Nightingale
1.jk_-_Ode_To_Fanny
1.jk_-_Ode_To_Psyche
1.jk_-_On_Receiving_A_Curious_Shell
1.jk_-_On_Seeing_The_Elgin_Marbles_For_The_First_Time
1.jk_-_On_Visiting_The_Tomb_Of_Burns
1.jk_-_Otho_The_Great_-_Act_I
1.jk_-_Otho_The_Great_-_Act_II
1.jk_-_Otho_The_Great_-_Act_III
1.jk_-_Otho_The_Great_-_Act_IV
1.jk_-_Otho_The_Great_-_Act_V
1.jk_-_Sharing_Eves_Apple
1.jk_-_Sleep_And_Poetry
1.jk_-_Song_Of_Four_Faries
1.jk_-_Sonnet_III._Written_On_The_Day_That_Mr._Leigh_Hunt_Left_Prison
1.jk_-_Sonnet_I._To_My_Brother_George
1.jk_-_Sonnet._On_Peace
1.jk_-_Sonnet_VII._To_Solitude
1.jk_-_Sonnet._Written_Upon_The_Top_Of_Ben_Nevis
1.jk_-_Sonnet_X._To_One_Who_Has_Been_Long_In_City_Pent
1.jk_-_Specimen_Of_An_Induction_To_A_Poem
1.jk_-_Stanzas_To_Miss_Wylie
1.jk_-_Teignmouth_-_Some_Doggerel,_Sent_In_A_Letter_To_B._R._Haydon
1.jk_-_The_Cap_And_Bells;_Or,_The_Jealousies_-_A_Faery_Tale_.._Unfinished
1.jk_-_The_Eve_Of_St._Agnes
1.jk_-_The_Gadfly
1.jk_-_To_.......
1.jk_-_To_Charles_Cowden_Clarke
1.jk_-_To_Hope
1.jk_-_Two_Sonnets._To_Haydon,_With_A_Sonnet_Written_On_Seeing_The_Elgin_Marbles
1.jk_-_What_The_Thrush_Said._Lines_From_A_Letter_To_John_Hamilton_Reynolds
1.jk_-_Woman!_When_I_Behold_Thee_Flippant,_Vain
1.jk_-_Written_In_The_Cottage_Where_Burns_Was_Born
1.jlb_-_Daybreak
1.jlb_-_Elegy
1.jlb_-_Inscription_on_any_Tomb
1.jlb_-_Limits
1.jlb_-_Patio
1.jlb_-_Plainness
1.jlb_-_Remorse_for_any_Death
1.jlb_-_Shinto
1.jlb_-_Simplicity
1.jlb_-_That_One
1.jlb_-_The_Other_Tiger
1.jlb_-_Unknown_Street
1.jlb_-_When_sorrow_lays_us_low
1.jm_-_I_Have_forgotten
1.jm_-_Response_to_a_Logician
1.jm_-_The_Profound_Definitive_Meaning
1.jm_-_The_Song_of_Perfect_Assurance_(to_the_Demons)
1.jr_-_Any_Soul_That_Drank_The_Nectar
1.jr_-_At_night_we_fall_into_each_other_with_such_grace
1.jr_-_Because_I_Cannot_Sleep
1.jr_-_Bring_Wine
1.jr_-_During_the_day_I_was_singing_with_you
1.jr_-_Every_day_I_Bear_A_Burden
1.jr_-_I_Closed_My_Eyes_To_Creation
1.jr_-_I_drink_streamwater_and_the_air
1.jr_-_If_continually_you_keep_your_hope
1.jr_-_I_Have_Fallen_Into_Unconsciousness
1.jr_-_Keep_on_knocking
1.jr_-_Last_Night_My_Soul_Cried_O_Exalted_Sphere_Of_Heaven
1.jr_-_Lord,_What_A_Beloved_Is_Mine!
1.jr_-_Moving_Water
1.jr_-_No_end_to_the_journey
1.jr_-_Not_Here
1.jr_-_Seeking_the_Source
1.jr_-_Shadow_And_Light_Source_Both
1.jr_-_Suddenly,_in_the_sky_at_dawn,_a_moon_appeared
1.jr_-_The_Breeze_At_Dawn
1.jr_-_The_glow_of_the_light_of_daybreak_is_in_your_emerald_vault,_the_goblet_of_the_blood_of_twilight_is_your_blood-measuring_bowl
1.jr_-_The_minute_I_heard_my_first_love_story
1.jr_-_The_minute_Im_disappointed,_I_feel_encouraged
1.jr_-_The_Ravings_Which_My_Enemy_Uttered_I_Heard_Within_My_Heart
1.jr_-_There_Are_A_Hundred_Kinds_Of_Prayer
1.jr_-_There_Is_A_Way
1.jr_-_There_is_some_kiss_we_want
1.jr_-_The_Self_We_Share
1.jr_-_This_love_sacrifices_all_souls,_however_wise,_however_awakened
1.jr_-_Today_Im_out_wandering,_turning_my_skull
1.jr_-_Today,_like_every_other_day,_we_wake_up_empty
1.jr_-_We_are_the_mirror_as_well_as_the_face_in_it
1.jr_-_Weary_Not_Of_Us,_For_We_Are_Very_Beautiful
1.jr_-_What_I_want_is_to_see_your_face
1.jr_-_Who_Is_At_My_Door?
1.jr_-_With_Us
1.jwvg_-_A_Symbol
1.jwvg_-_Book_Of_Proverbs
1.jwvg_-_Mahomets_Song
1.jwvg_-_My_Goddess
1.jwvg_-_Playing_At_Priests
1.jwvg_-_Self-Deceit
1.jwvg_-_The_Exchange
1.jwvg_-_The_Faithless_Boy
1.jwvg_-_The_Godlike
1.jwvg_-_The_Sea-Voyage
1.jwvg_-_The_Visit
1.jwvg_-_The_Wanderer
1.jwvg_-_Welcome_And_Farewell
1.kbr_-_Dohas_II_(with_translation)
1.kbr_-_Hope_For_Him
1.kbr_-_I_Said_To_The_Wanting-Creature_Inside_Me
1.kbr_-_Knowing_Nothing_Shuts_The_Iron_Gates
1.kbr_-_Many_Hoped
1.kbr_-_Many_hoped
1.kbr_-_My_Swan,_Let_Us_Fly
1.kbr_-_O_Friend
1.kbr_-_Poem_14
1.kbr_-_Poem_15
1.kbr_-_Tentacles_of_Time
1.kbr_-_The_Bride-Soul
1.kbr_-_The_Guest_Is_Inside_You,_And_Also_Inside_Me
1.kbr_-_The_Guest_is_inside_you,_and_also_inside_me
1.kbr_-_The_Time_Before_Death
1.kbr_-_When_You_Were_Born_In_This_World_-_Dohas_Ii
1.khc_-_this_autumn_scenes_worth_words_paint
1.kt_-_A_Song_on_the_View_of_Voidness
1.lb_-_Alone_And_Drinking_Under_The_Moon
1.lb_-_Alone_and_Drinking_Under_the_Moon
1.lb_-_A_Vindication
1.lb_-_Bitter_Love_by_Li_Po
1.lb_-_Changgan_Memories
1.lb_-_Drinking_Alone_in_the_Moonlight
1.lb_-_Drinking_in_the_Mountains
1.lb_-_His_Dream_Of_Skyland
1.lb_-_Nefarious_War
1.lb_-_Sitting_Alone_On_Jingting_Mountain_by_Li_Po
1.lb_-_Song_Of_The_Jade_Cup
1.lb_-_Summer_in_the_Mountains
1.lb_-_The_River-Captains_Wife__A_Letter
1.lb_-_The_River_Song
1.lla_-_Forgetful_one,_get_up!
1.lovecraft_-_Arcadia
1.lovecraft_-_Astrophobos
1.lovecraft_-_Christmas_Snows
1.lovecraft_-_Ex_Oblivione
1.lovecraft_-_Fact_And_Fancy
1.lovecraft_-_Fungi_From_Yuggoth
1.lovecraft_-_Laeta-_A_Lament
1.lovecraft_-_Lines_On_General_Robert_Edward_Lee
1.lovecraft_-_Poemata_Minora-_Volume_II
1.lovecraft_-_Providence
1.lovecraft_-_Psychopompos-_A_Tale_in_Rhyme
1.lovecraft_-_Revelation
1.lovecraft_-_The_Garden
1.lovecraft_-_Theodore_Roosevelt
1.lovecraft_-_The_Poe-ets_Nightmare
1.lovecraft_-_Tosh_Bosh
1.lovecraft_-_Waste_Paper-_A_Poem_Of_Profound_Insignificance
1.mah_-_If_They_Only_Knew
1.mah_-_Stillness
1.mah_-_You_live_inside_my_heart-_in_there_are_secrets_about_You
1.mb_-_Friend,_without_that_Dark_raptor
1.mb_-_I_am_true_to_my_Lord
1.mbn_-_Prayers_for_the_Protection_and_Opening_of_the_Heart
1.mb_-_The_Heat_of_Midnight_Tears
1.mb_-_The_Music
1.mdl_-_The_Gates_(from_Openings)
1.ml_-_Realisation_of_Dreams_and_Mind
1.mm_-_Of_the_voices_of_the_Godhead
1.mm_-_Three_Golden_Apples_from_the_Hesperian_grove_(from_Atalanta_Fugiens)
1.ms_-_The_Gate_of_Universal_Light
1.nmdv_-_He_is_the_One_in_many
1.okym_-_14_-_The_Worldly_Hope_men_set_their_Hearts_upon
1.okym_-_3_-_And,_as_the_Cock_crew,_those_who_stood_before
1.pbs_-_A_Dialogue
1.pbs_-_Adonais_-_An_elegy_on_the_Death_of_John_Keats
1.pbs_-_Alas!_This_Is_Not_What_I_Thought_Life_Was
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_An_Ode,_Written_October,_1819,_Before_The_Spaniards_Had_Recovered_Their_Liberty
1.pbs_-_Arethusa
1.pbs_-_A_Summer_Evening_Churchyard_-_Lechlade,_Gloucestershire
1.pbs_-_A_Tale_Of_Society_As_It_Is_-_From_Facts,_1811
1.pbs_-_A_Vision_Of_The_Sea
1.pbs_-_Bereavement
1.pbs_-_Charles_The_First
1.pbs_-_Death
1.pbs_-_Death_Is_Here_And_Death_Is_There
1.pbs_-_Despair
1.pbs_-_English_translationItalian
1.pbs_-_Epigram_IV_-_Circumstance
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Epipsychidion_-_Passages_Of_The_Poem,_Or_Connected_Therewith
1.pbs_-_Fiordispina
1.pbs_-_Fragment_-_Home
1.pbs_-_Fragment_Of_A_Satire_On_Satire
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_Fragments_Supposed_To_Be_Parts_Of_Otho
1.pbs_-_Fragment_-_Such_Hope,_As_Is_The_Sick_Despair_Of_Good
1.pbs_-_Fragment_-_To_A_Friend_Released_From_Prison
1.pbs_-_From
1.pbs_-_Ghasta_Or,_The_Avenging_Demon!!!
1.pbs_-_Ginevra
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_Homers_Hymn_To_The_Sun
1.pbs_-_Hymn_of_Apollo
1.pbs_-_Hymn_to_Intellectual_Beauty
1.pbs_-_Hymn_To_Mercury
1.pbs_-_Julian_and_Maddalo_-_A_Conversation
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Lines_--_Far,_Far_Away,_O_Ye
1.pbs_-_Lines_-_That_time_is_dead_for_ever,_child!
1.pbs_-_Lines_Written_On_Hearing_The_News_Of_The_Death_Of_Napoleon
1.pbs_-_Love-_Hope,_Desire,_And_Fear
1.pbs_-_Loves_Rose
1.pbs_-_Marenghi
1.pbs_-_Mariannes_Dream
1.pbs_-_Matilda_Gathering_Flowers
1.pbs_-_Ode_To_Liberty
1.pbs_-_Ode_To_Naples
1.pbs_-_Oedipus_Tyrannus_or_Swellfoot_The_Tyrant
1.pbs_-_On_Death
1.pbs_-_On_Leaving_London_For_Wales
1.pbs_-_On_The_Dark_Height_of_Jura
1.pbs_-_Peter_Bell_The_Third
1.pbs_-_Prince_Athanase
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_I.
1.pbs_-_Queen_Mab_-_Part_II.
1.pbs_-_Queen_Mab_-_Part_IV.
1.pbs_-_Queen_Mab_-_Part_IX.
1.pbs_-_Queen_Mab_-_Part_V.
1.pbs_-_Queen_Mab_-_Part_VI.
1.pbs_-_Queen_Mab_-_Part_VII.
1.pbs_-_Queen_Mab_-_Part_VIII.
1.pbs_-_Remembrance
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.pbs_-_Saint_Edmonds_Eve
1.pbs_-_Scenes_From_The_Faust_Of_Goethe
1.pbs_-_Song_From_The_Wandering_Jew
1.pbs_-_Song._Hope
1.pbs_-_Song._Sorrow
1.pbs_-_Song._To_[Harriet]
1.pbs_-_Sonnet_-_Lift_Not_The_Painted_Veil_Which_Those_Who_Live
1.pbs_-_Sonnet_-_Political_Greatness
1.pbs_-_Sonnet_--_Ye_Hasten_To_The_Grave!
1.pbs_-_Stanzas_Written_in_Dejection,_Near_Naples
1.pbs_-_St._Irvynes_Tower
1.pbs_-_Summer_And_Winter
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Cyclops
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Drowned_Lover
1.pbs_-_The_False_Laurel_And_The_True
1.pbs_-_The_Mask_Of_Anarchy
1.pbs_-_The_Past
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Sensitive_Plant
1.pbs_-_The_Sunset
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_The_Woodman_And_The_Nightingale
1.pbs_-_Time_Long_Past
1.pbs_-_To_A_Skylark
1.pbs_-_To_Coleridge
1.pbs_-_To_Constantia-_Singing
1.pbs_-_To_Edward_Williams
1.pbs_-_To_Harriet_--_It_Is_Not_Blasphemy_To_Hope_That_Heaven
1.pbs_-_To_Italy
1.pbs_-_To_Jane_-_The_Invitation
1.pbs_-_To--_Oh!_there_are_spirits_of_the_air
1.pbs_-_To--_One_word_is_too_often_profaned
1.pbs_-_To_The_Lord_Chancellor
1.pbs_-_Ugolino
1.poe_-_A_Dream_Within_A_Dream
1.poe_-_Al_Aaraaf-_Part_2
1.poe_-_A_Paean
1.poe_-_Dreamland
1.poe_-_Dreams
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_Hymn
1.poe_-_Imitation
1.poe_-_Lenore
1.poe_-_Sancta_Maria
1.poe_-_Sonnet-_To_Zante
1.poe_-_Spirits_Of_The_Dead
1.poe_-_Tamerlane
1.poe_-_The_Bells_-_A_collaboration
1.poe_-_The_City_In_The_Sea
1.poe_-_The_City_Of_Sin
1.poe_-_The_Conqueror_Worm
1.poe_-_The_Conversation_Of_Eiros_And_Charmion
1.poe_-_The_Forest_Reverie
1.poe_-_The_Happiest_Day-The_Happiest_Hour
1.poe_-_The_Power_Of_Words_Oinos.
1.poe_-_The_Raven
1.poe_-_The_Sleeper
1.poe_-_The_Village_Street
1.poe_-_To_--_(3)
1.poe_-_To_Helen_-_1848
1.poe_-_To_Marie_Louise_(Shew)
1.poe_-_To_One_In_Paradise
1.poe_-_Ulalume
1.rajh_-_Intimate_Hymn
1.rb_-_Abt_Vogler
1.rb_-_A_Grammarian's_Funeral_Shortly_After_The_Revival_Of_Learning
1.rb_-_Aix_In_Provence
1.rb_-_Andrea_del_Sarto
1.rb_-_An_Epistle_Containing_the_Strange_Medical_Experience_of_Kar
1.rb_-_Any_Wife_To_Any_Husband
1.rb_-_A_Pretty_Woman
1.rb_-_A_Serenade_At_The_Villa
1.rb_-_Bishop_Blougram's_Apology
1.rb_-_Bishop_Orders_His_Tomb_at_Saint_Praxed's_Church,_Rome,_The
1.rb_-_By_The_Fire-Side
1.rb_-_Caliban_upon_Setebos_or,_Natural_Theology_in_the_Island
1.rb_-_Childe_Roland_To_The_Dark_Tower_Came
1.rb_-_Cleon
1.rb_-_Confessions
1.rb_-_De_Gustibus
1.rb_-_Evelyn_Hope
1.rb_-_Fra_Lippo_Lippi
1.rb_-_Garden_Francies
1.rb_-_Holy-Cross_Day
1.rb_-_How_They_Brought_The_Good_News_From_Ghent_To_Aix
1.rb_-_In_A_Gondola
1.rb_-_In_A_Year
1.rb_-_Introduction:_Pippa_Passes
1.rb_-_Life_In_A_Love
1.rb_-_Love_Among_The_Ruins
1.rb_-_Master_Hugues_Of_Saxe-Gotha
1.rb_-_My_Last_Duchess
1.rb_-_My_Star
1.rb_-_Now!
1.rb_-_Old_Pictures_In_Florence
1.rb_-_O_Lyric_Love
1.rb_-_Paracelsus_-_Part_III_-_Paracelsus
1.rb_-_Paracelsus_-_Part_II_-_Paracelsus_Attains
1.rb_-_Paracelsus_-_Part_I_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_IV_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_V_-_Paracelsus_Attains
1.rb_-_Pauline,_A_Fragment_of_a_Question
1.rb_-_Pippa_Passes_-_Part_III_-_Evening
1.rb_-_Pippa_Passes_-_Part_II_-_Noon
1.rb_-_Pippa_Passes_-_Part_I_-_Morning
1.rb_-_Pippa_Passes_-_Part_IV_-_Night
1.rb_-_Porphyrias_Lover
1.rb_-_Rabbi_Ben_Ezra
1.rb_-_Rhyme_for_a_Child_Viewing_a_Naked_Venus_in_a_Painting_of_'The_Judgement_of_Paris'
1.rb_-_Soliloquy_Of_The_Spanish_Cloister
1.rb_-_Sordello_-_Book_the_Fifth
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Fourth
1.rb_-_Sordello_-_Book_the_Second
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_The_Boy_And_the_Angel
1.rb_-_The_Englishman_In_Italy
1.rb_-_The_Flight_Of_The_Duchess
1.rb_-_The_Glove
1.rb_-_The_Guardian-Angel
1.rb_-_The_Italian_In_England
1.rb_-_The_Last_Ride_Together
1.rb_-_The_Lost_Mistress
1.rb_-_The_Patriot
1.rb_-_The_Pied_Piper_Of_Hamelin
1.rb_-_Two_In_The_Campagna
1.rb_-_Waring
1.rb_-_Why_I_Am_a_Liberal
1.rmpsd_-_In_the_worlds_busy_market-place,_O_Shyama
1.rmpsd_-_Kulakundalini,_Goddess_Full_of_Brahman,_Tara
1.rmr_-_Dedication
1.rmr_-_Dedication_To_M...
1.rmr_-_Elegy_I
1.rmr_-_Elegy_IV
1.rmr_-_Elegy_X
1.rmr_-_Fear_of_the_Inexplicable
1.rmr_-_Growing_Old
1.rmr_-_Moving_Forward
1.rmr_-_My_Life
1.rmr_-_Narcissus
1.rmr_-_On_Hearing_Of_A_Death
1.rmr_-_Sense_Of_Something_Coming
1.rmr_-_Sunset
1.rmr_-_The_Apple_Orchard
1.rmr_-_The_Grown-Up
1.rmr_-_The_Sonnets_To_Orpheus_-_X
1.rmr_-_The_Sonnets_To_Orpheus_-_XXV
1.rmr_-_The_Unicorn
1.rmr_-_The_Wait
1.rmr_-_To_Lou_Andreas-Salome
1.rmr_-_To_Say_Before_Going_to_Sleep
1.rmr_-_Water_Lily
1.rmr_-_What_Birds_Plunge_Through_Is_Not_The_Intimate_Space
1.rmr_-_You_Who_Never_Arrived
1.rt_-_A_Hundred_Years_Hence
1.rt_-_Akash_Bhara_Surya_Tara_Biswabhara_Pran_(Translation)
1.rt_-_And_In_Wonder_And_Amazement_I_Sing
1.rt_-_At_The_Last_Watch
1.rt_-_Beggarly_Heart
1.rt_-_Birth_Story
1.rt_-_Brahm,_Viu,_iva
1.rt_-_Brink_Of_Eternity
1.rt_-_Broken_Song
1.rt_-_Death
1.rt_-_Fireflies
1.rt_-_Friend
1.rt_-_Gitanjali
1.rt_-_Hard_Times
1.rt_-_Hes_there_among_the_scented_trees_(from_The_Lover_of_God)
1.rt_-_I_Am_Restless
1.rt_-_Kinu_Goalas_Alley
1.rt_-_Lamp_Of_Love
1.rt_-_Leave_This
1.rt_-_Light
1.rt_-_Lovers_Gifts_LXX_-_Take_Back_Your_Coins
1.rt_-_Lovers_Gifts_XL_-_A_Message_Came
1.rt_-_Lovers_Gifts_XLII_-_Are_You_A_Mere_Picture
1.rt_-_Lovers_Gifts_XLIII_-_Dying,_You_Have_Left_Behind
1.rt_-_Lovers_Gifts_XVIII_-_Your_Days
1.rt_-_Lovers_Gifts_XXII_-_I_Shall_Gladly_Suffer
1.rt_-_Maya
1.rt_-_My_Friend,_Come_In_These_Rains
1.rt_-_Paper_Boats
1.rt_-_She
1.rt_-_Shyama
1.rt_-_Song_Unsung
1.rt_-_Stray_Birds_61_-_70
1.rt_-_Stray_Birds_81_-_90
1.rt_-_Superior
1.rt_-_The_Beginning
1.rt_-_The_Champa_Flower
1.rt_-_The_Child-Angel
1.rt_-_The_End
1.rt_-_The_Gardener_LXXXIII_-_She_Dwelt_On_The_Hillside
1.rt_-_The_Gardener_XIII_-_I_Asked_Nothing
1.rt_-_The_Gardener_XIX_-_You_Walked
1.rt_-_The_Gardener_XLII_-_O_Mad,_Superbly_Drunk
1.rt_-_The_Gardener_XLVIII_-_Free_Me
1.rt_-_The_Gardener_XVI_-_Hands_Cling_To_Eyes
1.rt_-_The_Gift
1.rt_-_The_Homecoming
1.rt_-_The_Journey
1.rt_-_The_Little_Big_Man
1.rt_-_The_Wicked_Postman
1.rt_-_Threshold
1.rt_-_Unyielding
1.rt_-_Urvashi
1.rt_-_Vocation
1.rt_-_Waiting
1.rt_-_Waiting_For_The_Beloved
1.rt_-_We_Are_To_Play_The_Game_Of_Death
1.rvd_-_When_I_existed
1.rwe_-_Alphonso_Of_Castile
1.rwe_-_Bacchus
1.rwe_-_Boston
1.rwe_-_Boston_Hymn
1.rwe_-_Celestial_Love
1.rwe_-_Character
1.rwe_-_Dmonic_Love
1.rwe_-_From_the_Persian_of_Hafiz_I
1.rwe_-_Gnothi_Seauton
1.rwe_-_In_Memoriam
1.rwe_-_Life_Is_Great
1.rwe_-_Lover's_Petition
1.rwe_-_May-Day
1.rwe_-_Merlin_I
1.rwe_-_Monadnoc
1.rwe_-_Musketaquid
1.rwe_-_My_Garden
1.rwe_-_Quatrains
1.rwe_-_Saadi
1.rwe_-_Seashore
1.rwe_-_Solution
1.rwe_-_Suum_Cuique
1.rwe_-_Tact
1.rwe_-_Teach_Me_I_Am_Forgotten_By_The_Dead
1.rwe_-_The_Adirondacs
1.rwe_-_The_Cumberland
1.rwe_-_The_Enchanter
1.rwe_-_The_Past
1.rwe_-_The_Problem
1.rwe_-_The_Sphinx
1.rwe_-_The_Visit
1.rwe_-_The_World-Soul
1.rwe_-_Threnody
1.rwe_-_Woodnotes
1.sb_-_Gathering_the_Mind
1.sb_-_Precious_Treatise_on_Preservation_of_Unity_on_the_Great_Way
1.sb_-_Refining_the_Spirit
1.sb_-_The_beginning_of_the_sustenance_of_life
1.sfa_-_Let_us_desire_nothing_else
1.sfa_-_The_Praises_of_God
1.sfa_-_The_Prayer_Before_the_Crucifix
1.shvb_-_Columba_aspexit_-_Sequence_for_Saint_Maximin
1.shvb_-_O_ignis_Spiritus_Paracliti
1.sig_-_Before_I_was,_Thy_mercy_came_to_me
1.sig_-_I_Sought_Thee_Daily
1.sig_-_Rise_and_open_the_door_that_is_shut
1.sjc_-_Full_of_Hope_I_Climbed_the_Day
1.sjc_-_I_Live_Yet_Do_Not_Live_in_Me
1.sjc_-_Loves_Living_Flame
1.snk_-_In_Praise_of_the_Goddess
1.snk_-_The_Shattering_of_Illusion_(Moha_Mudgaram_from_The_Crest_Jewel_of_Discrimination)
1.snt_-_In_the_midst_of_that_night,_in_my_darkness
1.snt_-_The_fire_rises_in_me
1.snt_-_We_awaken_in_Christs_body
1.snt_-_You,_oh_Christ,_are_the_Kingdom_of_Heaven
1.srd_-_Krishna_Awakes
1.srh_-_The_Royal_Song_of_Saraha_(Dohakosa)
1.srmd_-_The_universe
1.srm_-_The_Marital_Garland_of_Letters
1.stl_-_The_Divine_Dew
1.sv_-_Song_of_the_Sanyasin
1.tm_-_A_Messenger_from_the_Horizon
1.tm_-_A_Psalm
1.tm_-_Night-Flowering_Cactus
1.tm_-_Stranger
1.tr_-_Slopes_Of_Mount_Kugami
1.tr_-_To_My_Teacher
1.tr_-_When_I_Was_A_Lad
1.wb_-_Trembling_I_sit_day_and_night
1.wby_-_A_Dramatic_Poem
1.wby_-_All_Souls_Night
1.wby_-_Anashuya_And_Vijaya
1.wby_-_A_Thought_From_Propertius
1.wby_-_Blood_And_The_Moon
1.wby_-_Brown_Penny
1.wby_-_Death
1.wby_-_Ego_Dominus_Tuus
1.wby_-_He_Bids_His_Beloved_Be_At_Peace
1.wby_-_He_Mourns_For_The_Change_That_Has_Come_Upon_Him_And_His_Beloved,_And_Longs_For_The_End_Of_The_World
1.wby_-_In_Memory_Of_Eva_Gore-Booth_And_Con_Markiewicz
1.wby_-_Into_The_Twilight
1.wby_-_Lapis_Lazuli
1.wby_-_Long-Legged_Fly
1.wby_-_Mad_As_The_Mist_And_Snow
1.wby_-_Meditations_In_Time_Of_Civil_War
1.wby_-_Meru
1.wby_-_News_For_The_Delphic_Oracle
1.wby_-_On_A_Picture_Of_A_Black_Centaur_By_Edmund_Dulac
1.wby_-_On_Woman
1.wby_-_September_1913
1.wby_-_Supernatural_Songs
1.wby_-_The_Apparitions
1.wby_-_The_Attack_On_the_Playboy_Of_The_Western_World,_1907
1.wby_-_The_Ballad_Of_Father_Gilligan
1.wby_-_The_Ballad_Of_Father_OHart
1.wby_-_The_Ballad_Of_Moll_Magee
1.wby_-_The_Cap_And_Bells
1.wby_-_The_Crazed_Moon
1.wby_-_The_Curse_Of_Cromwell
1.wby_-_The_Fisherman
1.wby_-_The_Hosting_Of_The_Sidhe
1.wby_-_The_Hour_Before_Dawn
1.wby_-_The_Indian_Upon_God
1.wby_-_The_Ladys_Second_Song
1.wby_-_The_Leaders_Of_The_Crowd
1.wby_-_The_Lover_Asks_Forgiveness_Because_Of_His_Many_Moods
1.wby_-_The_Old_Age_Of_Queen_Maeve
1.wby_-_The_Realists
1.wby_-_The_Rose_Of_Battle
1.wby_-_The_Shadowy_Waters_-_The_Shadowy_Waters
1.wby_-_The_Spirit_Medium
1.wby_-_The_Statues
1.wby_-_The_Three_Bushes
1.wby_-_The_Travail_Of_Passion
1.wby_-_The_Two_Kings
1.wby_-_The_Wanderings_Of_Oisin_-_Book_I
1.wby_-_The_Wanderings_Of_Oisin_-_Book_II
1.wby_-_The_Wanderings_Of_Oisin_-_Book_III
1.wby_-_The_Withering_Of_The_Boughs
1.wby_-_Three_Marching_Songs
1.wby_-_Three_Songs_To_The_Same_Tune
1.wby_-_To_A_Shade
1.wby_-_To_A_Wealthy_Man_Who_Promised_A_Second_Subscription_To_The_Dublin_Municipal_Gallery_If_It_Were_Prove
1.wby_-_To_Dorothy_Wellesley
1.wby_-_To_The_Rose_Upon_The_Rood_Of_Time
1.wby_-_Under_Ben_Bulben
1.wby_-_Under_Saturn
1.wby_-_Vacillation
1.wby_-_Who_Goes_With_Fergus?
1.whitman_-_A_Boston_Ballad
1.whitman_-_A_Broadway_Pageant
1.whitman_-_A_Carol_Of_Harvest_For_1867
1.whitman_-_A_child_said,_What_is_the_grass?
1.whitman_-_A_Farm-Picture
1.whitman_-_After_The_Sea-Ship
1.whitman_-_A_March_In_The_Ranks,_Hard-prest
1.whitman_-_American_Feuillage
1.whitman_-_Apostroph
1.whitman_-_A_Riddle_Song
1.whitman_-_As_A_Strong_Bird_On_Pinious_Free
1.whitman_-_As_I_Ebbd_With_the_Ocean_of_Life
1.whitman_-_As_I_Lay_With_My_Head_in_Your_Lap,_Camerado
1.whitman_-_As_I_Sat_Alone_By_Blue_Ontarios_Shores
1.whitman_-_A_Woman_Waits_For_Me
1.whitman_-_Broadway
1.whitman_-_Carol_Of_Occupations
1.whitman_-_Carol_Of_Words
1.whitman_-_Chanting_The_Square_Deific
1.whitman_-_Come_Up_From_The_Fields,_Father
1.whitman_-_Crossing_Brooklyn_Ferry
1.whitman_-_Drum-Taps
1.whitman_-_Eidolons
1.whitman_-_Elemental_Drifts
1.whitman_-_Europe,_The_72d_And_73d_Years_Of_These_States
1.whitman_-_From_Far_Dakotas_Canons
1.whitman_-_God
1.whitman_-_I_Hear_America_Singing
1.whitman_-_I_Heard_You,_Solemn-sweep_Pipes_Of_The_Organ
1.whitman_-_I_Sing_The_Body_Electric
1.whitman_-_Italian_Music_In_Dakota
1.whitman_-_Longings_For_Home
1.whitman_-_Manhattan_Streets_I_Saunterd,_Pondering
1.whitman_-_Mannahatta
1.whitman_-_Miracles
1.whitman_-_Not_Heat_Flames_Up_And_Consumes
1.whitman_-_Not_My_Enemies_Ever_Invade_Me
1.whitman_-_Now_List_To_My_Mornings_Romanza
1.whitman_-_Of_The_Terrible_Doubt_Of_Apperarances
1.whitman_-_Old_Ireland
1.whitman_-_O_Star_Of_France
1.whitman_-_Out_From_Behind_His_Mask
1.whitman_-_Passage_To_India
1.whitman_-_Poems_Of_Joys
1.whitman_-_Prayer_Of_Columbus
1.whitman_-_Proud_Music_Of_The_Storm
1.whitman_-_Respondez!
1.whitman_-_Roots_And_Leaves_Themselves_Alone
1.whitman_-_Salut_Au_Monde
1.whitman_-_Says
1.whitman_-_Sing_Of_The_Banner_At_Day-Break
1.whitman_-_Song_At_Sunset
1.whitman_-_Song_of_Myself
1.whitman_-_Song_Of_Myself-_IX
1.whitman_-_Song_Of_Myself-_X
1.whitman_-_Song_Of_Myself-_XL
1.whitman_-_Song_Of_Myself-_XLI
1.whitman_-_Song_Of_Myself-_XLIII
1.whitman_-_Song_Of_Myself-_XLV
1.whitman_-_Song_Of_Myself-_XLVI
1.whitman_-_Song_Of_Myself-_XLVII
1.whitman_-_Song_Of_Myself-_XV
1.whitman_-_Song_Of_Myself-_XXII
1.whitman_-_Song_Of_Myself-_XXIII
1.whitman_-_Song_Of_Myself-_XXVI
1.whitman_-_Song_Of_The_Broad-Axe
1.whitman_-_Song_Of_The_Exposition
1.whitman_-_Song_Of_The_Open_Road
1.whitman_-_Song_Of_The_Redwood-Tree
1.whitman_-_Spain_1873-74
1.whitman_-_Starting_From_Paumanok
1.whitman_-_That_Last_Invocation
1.whitman_-_The_Artillerymans_Vision
1.whitman_-_The_Centerarians_Story
1.whitman_-_The_Last_Invocation
1.whitman_-_The_Mystic_Trumpeter
1.whitman_-_The_Prairie-Grass_Dividing
1.whitman_-_The_Sleepers
1.whitman_-_The_World_Below_The_Brine
1.whitman_-_The_Wound_Dresser
1.whitman_-_To_A_Foild_European_Revolutionaire
1.whitman_-_To_One_Shortly_To_Die
1.whitman_-_To_The_Leavend_Soil_They_Trod
1.whitman_-_To_The_Man-of-War-Bird
1.whitman_-_To_The_Reader_At_Parting
1.whitman_-_To_Think_Of_Time
1.whitman_-_Two_Rivulets
1.whitman_-_Washingtons_Monument,_February,_1885
1.whitman_-_Weave_In,_Weave_In,_My_Hardy_Life
1.whitman_-_We_Two-How_Long_We_Were_Foold
1.whitman_-_What_Best_I_See_In_Thee
1.whitman_-_What_Think_You_I_Take_My_Pen_In_Hand?
1.whitman_-_Whoever_You_Are,_Holding_Me_Now_In_Hand
1.whitman_-_Years_Of_The_Modern
1.ww_-_0-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons_-_Dedication
1.ww_-_10_-_Alone_far_in_the_wilds_and_mountains_I_hunt
1.ww_-_1-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_2-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_3-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_4-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_5-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_6_-_A_child_said_What_is_the_grass?_fetching_it_to_me_with_full_hands
1.ww_-_6-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_7-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_9_-_The_big_doors_of_the_country_barn_stand_open_and_ready
1.ww_-_A_Complaint
1.ww_-_Address_To_My_Infant_Daughter
1.ww_-_A_Flower_Garden_At_Coleorton_Hall,_Leicestershire.
1.ww_-_After-Thought
1.ww_-_Ah!_Where_Is_Palafox?_Nor_Tongue_Nor_Pen
1.ww_-_Among_All_Lovely_Things_My_Love_Had_Been
1.ww_-_A_Morning_Exercise
1.ww_-_A_Narrow_Girdle_Of_Rough_Stones_And_Crags,
1.ww_-_An_Evening_Walk
1.ww_-_A_Prophecy._February_1807
1.ww_-_Argument_For_Suicide
1.ww_-_Artegal_And_Elidure
1.ww_-_At_Applewaite,_Near_Keswick_1804
1.ww_-_Avaunt_All_Specious_Pliancy_Of_Mind
1.ww_-_A_Whirl-Blast_From_Behind_The_Hill
1.ww_-_Book_Eighth-_Retrospect--Love_Of_Nature_Leading_To_Love_Of_Man
1.ww_-_Book_Eleventh-_France_[concluded]
1.ww_-_Book_Fifth-Books
1.ww_-_Book_First_[Introduction-Childhood_and_School_Time]
1.ww_-_Book_Fourteenth_[conclusion]
1.ww_-_Book_Fourth_[Summer_Vacation]
1.ww_-_Book_Ninth_[Residence_in_France]
1.ww_-_Book_Second_[School-Time_Continued]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
1.ww_-_Book_Tenth_{Residence_in_France_continued]
1.ww_-_Book_Third_[Residence_at_Cambridge]
1.ww_-_Book_Thirteenth_[Imagination_And_Taste,_How_Impaired_And_Restored_Concluded]
1.ww_-_Book_Twelfth_[Imagination_And_Taste,_How_Impaired_And_Restored_]
1.ww_-_British_Freedom
1.ww_-_By_The_Seaside
1.ww_-_Calais-_August_15,_1802
1.ww_-_Character_Of_The_Happy_Warrior
1.ww_-_Composed_By_The_Sea-Side,_Near_Calais,_August_1802
1.ww_-_Composed_By_The_Side_Of_Grasmere_Lake_1806
1.ww_-_Composed_In_The_Valley_Near_Dover,_On_The_Day_Of_Landing
1.ww_-_Composed_Upon_Westminster_Bridge,_September_3,_1802
1.ww_-_Composed_While_The_Author_Was_Engaged_In_Writing_A_Tract_Occasioned_By_The_Convention_Of_Cintra
1.ww_-_Dion_[See_Plutarch]
1.ww_-_Elegiac_Stanzas_In_Memory_Of_My_Brother,_John_Commander_Of_The_E._I._Companys_Ship_The_Earl_Of_Aber
1.ww_-_Elegiac_Stanzas_Suggested_By_A_Picture_Of_Peele_Castle
1.ww_-_Ellen_Irwin_Or_The_Braes_Of_Kirtle
1.ww_-_England!_The_Time_Is_Come_When_Thou_Shouldst_Wean
1.ww_-_Epitaphs_Translated_From_Chiabrera
1.ww_-_Extempore_Effusion_upon_the_Death_of_James_Hogg
1.ww_-_From_The_Cuckoo_And_The_Nightingale
1.ww_-_From_The_Italian_Of_Michael_Angelo
1.ww_-_Gipsies
1.ww_-_Guilt_And_Sorrow,_Or,_Incidents_Upon_Salisbury_Plain
1.ww_-_Hail-_Zaragoza!_If_With_Unwet_eye
1.ww_-_Hart-Leap_Well
1.ww_-_Here_Pause-_The_Poet_Claims_At_Least_This_Praise
1.ww_-_I_Grieved_For_Buonaparte
1.ww_-_Incident_Characteristic_Of_A_Favorite_Dog
1.ww_-_Inside_of_King's_College_Chapel,_Cambridge
1.ww_-_Invocation_To_The_Earth,_February_1816
1.ww_-_Is_There_A_Power_That_Can_Sustain_And_Cheer
1.ww_-_It_was_an_April_morning-_fresh_and_clear
1.ww_-_Lament_Of_Mary_Queen_Of_Scots
1.ww_-_Laodamia
1.ww_-_Lines_Composed_a_Few_Miles_above_Tintern_Abbey
1.ww_-_Lines_Left_Upon_The_Seat_Of_A_Yew-Tree,
1.ww_-_Lines_Written_As_A_School_Exercise_At_Hawkshead,_Anno_Aetatis_14
1.ww_-_Look_Now_On_That_Adventurer_Who_Hath_Paid
1.ww_-_Lucy_Gray_[or_Solitude]
1.ww_-_Maternal_Grief
1.ww_-_Memorials_Of_A_Tour_In_Scotland
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803_XII._Yarrow_Unvisited
1.ww_-_Michael-_A_Pastoral_Poem
1.ww_-_November_1813
1.ww_-_Nutting
1.ww_-_Occasioned_By_The_Battle_Of_Waterloo_February_1816
1.ww_-_October,_1803
1.ww_-_Ode
1.ww_-_Ode_Composed_On_A_May_Morning
1.ww_-_Ode_on_Intimations_of_Immortality
1.ww_-_Ode_to_Duty
1.ww_-_Ode_To_Lycoris._May_1817
1.ww_-_Oer_The_Wide_Earth,_On_Mountain_And_On_Plain
1.ww_-_On_the_Departure_of_Sir_Walter_Scott_from_Abbotsford
1.ww_-_On_the_Extinction_of_the_Venetian_Republic
1.ww_-_On_The_Final_Submission_Of_The_Tyrolese
1.ww_-_Personal_Talk
1.ww_-_Repentance
1.ww_-_Resolution_And_Independence
1.ww_-_Ruth
1.ww_-_Say,_What_Is_Honour?--Tis_The_Finest_Sense
1.ww_-_September_1,_1802
1.ww_-_Song_at_the_Feast_of_Brougham_Castle
1.ww_-_Sonnet-_It_is_not_to_be_thought_of
1.ww_-_Spanish_Guerillas
1.ww_-_Stanzas
1.ww_-_Star-Gazers
1.ww_-_Stray_Pleasures
1.ww_-_The_Affliction_Of_Margaret
1.ww_-_The_Birth_Of_Love
1.ww_-_The_Brothers
1.ww_-_The_Childless_Father
1.ww_-_The_Danish_Boy
1.ww_-_The_Emigrant_Mother
1.ww_-_The_Excursion-_I-_Dedication-_To_the_Right_Hon.William,_Earl_of_Lonsdalee,_K.G.
1.ww_-_The_Excursion-_II-_Book_First-_The_Wanderer
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_IX-_Book_Eighth-_The_Parsonage
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Excursion-_X-_Book_Ninth-_Discourse_of_the_Wanderer,_and_an_Evening_Visit_to_the_Lake
1.ww_-_The_Farmer_Of_Tilsbury_Vale
1.ww_-_The_Force_Of_Prayer,_Or,_The_Founding_Of_Bolton,_A_Tradition
1.ww_-_The_Forsaken
1.ww_-_The_Fountain
1.ww_-_The_French_And_the_Spanish_Guerillas
1.ww_-_The_French_Revolution_as_it_appeared_to_Enthusiasts
1.ww_-_The_Horn_Of_Egremont_Castle
1.ww_-_The_Idiot_Boy
1.ww_-_The_Kitten_And_Falling_Leaves
1.ww_-_The_Longest_Day
1.ww_-_The_Martial_Courage_Of_A_Day_Is_Vain
1.ww_-_The_Morning_Of_The_Day_Appointed_For_A_General_Thanksgiving._January_18,_1816
1.ww_-_The_Mother's_Return
1.ww_-_The_Oak_Of_Guernica_Supposed_Address_To_The_Same
1.ww_-_The_Old_Cumberland_Beggar
1.ww_-_The_Prelude,_Book_1-_Childhood_And_School-Time
1.ww_-_The_Primrose_of_the_Rock
1.ww_-_The_Recluse_-_Book_First
1.ww_-_The_Redbreast_Chasing_The_Butterfly
1.ww_-_There_Is_A_Bondage_Worse,_Far_Worse,_To_Bear
1.ww_-_There_Was_A_Boy
1.ww_-_The_Thorn
1.ww_-_The_Two_April_Mornings
1.ww_-_The_Vaudois
1.ww_-_The_Waggoner_-_Canto_First
1.ww_-_The_Waggoner_-_Canto_Fourth
1.ww_-_The_Waggoner_-_Canto_Third
1.ww_-_The_Wishing_Gate_Destroyed
1.ww_-_Those_Words_Were_Uttered_As_In_Pensive_Mood
1.ww_-_To_A_Sexton
1.ww_-_To_a_Sky-Lark
1.ww_-_To_Dora
1.ww_-_To_May
1.ww_-_To_My_Sister
1.ww_-_To_Sir_George_Howland_Beaumont,_Bart_From_the_South-West_Coast_Or_Cumberland_1811
1.ww_-_To_The_Cuckoo
1.ww_-_To_The_Daisy_(2)
1.ww_-_To_The_Daisy_(Fourth_Poem)
1.ww_-_To_The_Daisy_(Third_Poem)
1.ww_-_To_The_Memory_Of_Raisley_Calvert
1.ww_-_To_The_Same_Flower
1.ww_-_Translation_Of_Part_Of_The_First_Book_Of_The_Aeneid
1.ww_-_Troilus_And_Cresida
1.ww_-_Upon_Perusing_The_Forgoing_Epistle_Thirty_Years_After_Its_Composition
1.ww_-_Vaudracour_And_Julia
1.ww_-_Vernal_Ode
1.ww_-_Weak_Is_The_Will_Of_Man,_His_Judgement_Blind
1.ww_-_When_To_The_Attractions_Of_The_Busy_World
1.ww_-_Written_In_A_Blank_Leaf_Of_Macpherson's_Ossian
1.ww_-_Written_in_London._September,_1802
1.ww_-_Written_With_A_Pencil_Upon_A_Stone_In_The_Wall_Of_The_House,_On_The_Island_At_Grasmere
1.ww_-_Yarrow_Revisited
1.ww_-_Yarrow_Unvisited
1.ww_-_Yarrow_Visited
1.ww_-_Yew-Trees
1.ymi_-_Swallowing
1.yni_-_Hymn_from_the_Heavens
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
20.03_-_Act_I:The_Descent
20.05_-_Act_III:_The_Return
2.01_-_AT_THE_STAR_THEATRE
2.01_-_Habit_1__Be_Proactive
2.01_-_Indeterminates,_Cosmic_Determinations_and_the_Indeterminable
2.01_-_Mandala_One
2.01_-_On_Books
2.01_-_On_the_Concept_of_the_Archetype
2.01_-_THE_ADVENT_OF_LIFE
2.01_-_The_Attributes_of_Omega_Point_-_a_Transcendent_God
2.01_-_THE_CHILD_WITH_THE_MIRROR
2.01_-_The_Mother
2.01_-_The_Object_of_Knowledge
2.01_-_The_Ordinary_Life_and_the_True_Soul
2.01_-_The_Path
2.01_-_The_Picture
2.01_-_The_Road_of_Trials
2.01_-_The_Tavern
2.01_-_The_Temple
2.01_-_The_Therapeutic_value_of_Abreaction
2.01_-_The_Two_Natures
2.01_-_The_Yoga_and_Its_Objects
2.01_-_War.
2.02_-_Atomic_Motions
2.02_-_Brahman,_Purusha,_Ishwara_-_Maya,_Prakriti,_Shakti
2.02_-_Evolutionary_Creation_and_the_Expectation_of_a_Revelation
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_Indra,_Giver_of_Light
2.02_-_Meeting_With_the_Goddess
2.02_-_On_Letters
2.02_-_Surrender,_Self-Offering_and_Consecration
2.02_-_The_Bhakta.s_Renunciation_results_from_Love
2.02_-_The_Circle
2.02_-_THE_DURGA_PUJA_FESTIVAL
2.02_-_THE_EXPANSION_OF_LIFE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_The_Monstrance
2.02_-_THE_SCINTILLA
2.02_-_The_Status_of_Knowledge
2.02_-_The_Synthesis_of_Devotion_and_Knowledge
2.02_-_UPON_THE_BLESSED_ISLES
2.03_-_Atomic_Forms_And_Their_Combinations
2.03_-_DEMETER
2.03_-_Indra_and_the_Thought-Forces
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.03_-_On_Medicine
2.03_-_ON_THE_PITYING
2.03_-_Renunciation
2.03_-_The_Christian_Phenomenon_and_Faith_in_the_Incarnation
2.03_-_THE_ENIGMA_OF_BOLOGNA
2.03_-_The_Eternal_and_the_Individual
2.03_-_THE_MASTER_IN_VARIOUS_MOODS
2.03_-_The_Mother-Complex
2.03_-_The_Naturalness_of_Bhakti-Yoga_and_its_Central_Secret
2.03_-_The_Purified_Understanding
2.03_-_The_Pyx
2.03_-_The_Supreme_Divine
2.04_-_Absence_Of_Secondary_Qualities
2.04_-_ADVICE_TO_ISHAN
2.04_-_Agni,_the_Illumined_Will
2.04_-_Concentration
2.04_-_On_Art
2.04_-_Positive_Aspects_of_the_Mother-Complex
2.04_-_The_Divine_and_the_Undivine
2.04_-_The_Living_Church_and_Christ-Omega
2.04_-_The_Scourge,_the_Dagger_and_the_Chain
2.04_-_The_Secret_of_Secrets
2.05_-_Apotheosis
2.05_-_Aspects_of_Sadhana
2.05_-_Habit_3__Put_First_Things_First
2.05_-_Infinite_Worlds
2.05_-_On_Poetry
2.05_-_ON_THE_VIRTUOUS
2.05_-_Renunciation
2.05_-_The_Cosmic_Illusion;_Mind,_Dream_and_Hallucination
2.05_-_The_Divine_Truth_and_Way
2.05_-_The_Line_of_Light_and_The_Impression
2.05_-_The_Religion_of_Tomorrow
2.05_-_The_Tale_of_the_Vampires_Kingdom
2.05_-_VISIT_TO_THE_SINTHI_BRAMO_SAMAJ
2.06_-_On_Beauty
2.06_-_Reality_and_the_Cosmic_Illusion
2.06_-_The_Infinite_Light
2.06_-_The_Synthesis_of_the_Disciplines_of_Knowledge
2.06_-_The_Wand
2.06_-_Two_Tales_of_Seeking_and_Losing
2.06_-_Union_with_the_Divine_Consciousness_and_Will
2.06_-_WITH_VARIOUS_DEVOTEES
2.06_-_Works_Devotion_and_Knowledge
2.07_-_I_Also_Try_to_Tell_My_Tale
2.07_-_On_Congress_and_Politics
2.07_-_ON_THE_TARANTULAS
2.07_-_The_Cup
2.07_-_The_Knowledge_and_the_Ignorance
2.07_-_The_Mother__Relations_with_Others
2.07_-_The_Release_from_Subjection_to_the_Body
2.07_-_The_Supreme_Word_of_the_Gita
2.07_-_The_Triangle_of_Love
2.08_-_ALICE_IN_WONDERLAND
2.08_-_AT_THE_STAR_THEATRE_(II)
2.08_-_God_in_Power_of_Becoming
2.08_-_On_Non-Violence
2.08_-_The_Release_from_the_Heart_and_the_Mind
2.08_-_The_Sword
2.08_-_Three_Tales_of_Madness_and_Destruction
2.09_-_Human_representations_of_the_Divine_Ideal_of_Love
2.09_-_Memory,_Ego_and_Self-Experience
2.09_-_On_Sadhana
2.09_-_SEVEN_REASONS_WHY_A_SCIENTIST_BELIEVES_IN_GOD
2.09_-_THE_MASTERS_BIRTHDAY
2.09_-_The_Pantacle
2.09_-_The_Release_from_the_Ego
2.09_-_The_World_of_Points
2.0_-_Reincarnation_and_Karma
2.0_-_THE_ANTICHRIST
2.1.01_-_God_The_One_Reality
2.1.01_-_The_Central_Process_of_the_Sadhana
21.01_-_The_Mother_The_Nature_of_Her_Work
2.1.02_-_Classification_of_the_Parts_of_the_Being
2.1.02_-_Combining_Work,_Meditation_and_Bhakti
21.02_-_Gods_and_Men
2.1.02_-_Love_and_Death
2.1.02_-_Nature_The_World-Manifestation
2.1.03_-_Man_and_Superman
21.03_-_The_Double_Ladder
2.10_-_Knowledge_by_Identity_and_Separative_Knowledge
2.10_-_On_Vedic_Interpretation
2.10_-_THE_DANCING_SONG
2.10_-_THE_MASTER_AND_NARENDRA
2.10_-_The_Primordial_Kings__Their_Shattering
2.10_-_The_Realisation_of_the_Cosmic_Self
2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer
2.1.1.04_-_Reading,_Yogic_Force_and_the_Development_of_Style
2.11_-_On_Education
2.11_-_The_Boundaries_of_the_Ignorance
2.11_-_The_Guru
2.11_-_The_Modes_of_the_Self
2.1.1_-_The_Nature_of_the_Vital
2.11_-_The_Shattering_And_Fall_of_The_Primordial_Kings
2.11_-_THE_TOMB_SONG
2.11_-_The_Vision_of_the_World-Spirit_-_The_Double_Aspect
2.11_-_WITH_THE_DEVOTEES_IN_CALCUTTA
2.12_-_On_Miracles
2.12_-_ON_SELF-OVERCOMING
2.12_-_THE_MASTERS_REMINISCENCES
2.12_-_The_Origin_of_the_Ignorance
2.12_-_The_Robe
2.1.2_-_The_Vital_and_Other_Levels_of_Being
2.12_-_The_Way_and_the_Bhakta
2.1.3.1_-_Students
2.1.3.2_-_Study
2.1.3.3_-_Reading
2.1.3.4_-_Conduct
2.13_-_Exclusive_Concentration_of_Consciousness-Force_and_the_Ignorance
2.13_-_Kingdom-The_Seventh_Sefira
2.13_-_On_Psychology
2.13_-_Psychic_Presence_and_Psychic_Being_-_Real_Origin_of_Race_Superiority
2.13_-_The_Difficulties_of_the_Mental_Being
2.13_-_THE_MASTER_AT_THE_HOUSES_OF_BALARM_AND_GIRISH
2.1.3_-_Wrong_Movements_of_the_Vital
2.1.4.1_-_Teachers
2.1.4.2_-_Teaching
2.1.4.3_-_Discipline
2.1.4.5_-_Tests
2.14_-_AT_RAMS_HOUSE
2.14_-_On_Movements
2.14_-_ON_THE_LAND_OF_EDUCATION
2.1.4_-_The_Lower_Vital_Being
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.14_-_The_Passive_and_the_Active_Brahman
2.14_-_The_Unpacking_of_God
2.1.5.1_-_Study_of_Works_of_Sri_Aurobindo_and_the_Mother
2.1.5.5_-_Other_Subjects
2.15_-_CAR_FESTIVAL_AT_BALARMS_HOUSE
2.15_-_On_the_Gods_and_Asuras
2.15_-_Power_of_Right_Attitude
2.15_-_Reality_and_the_Integral_Knowledge
2.15_-_Selection_of_Sparks_Made_for_The_Purpose_of_The_Emendation
2.15_-_The_Cosmic_Consciousness
2.15_-_The_Lamen
2.16_-_Oneness
2.16_-_ON_SCHOLARS
2.16_-_Power_of_Imagination
2.16_-_The_15th_of_August
2.16_-_The_Integral_Knowledge_and_the_Aim_of_Life;_Four_Theories_of_Existence
2.16_-_The_Magick_Fire
2.16_-_VISIT_TO_NANDA_BOSES_HOUSE
2.1.7.05_-_On_the_Inspiration_and_Writing_of_the_Poem
2.1.7.06_-_On_the_Characters_of_the_Poem
2.1.7.07_-_On_the_Verse_and_Structure_of_the_Poem
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.17_-_December_1938
2.17_-_ON_POETS
2.17_-_THE_MASTER_ON_HIMSELF_AND_HIS_EXPERIENCES
2.17_-_The_Progress_to_Knowledge_-_God,_Man_and_Nature
2.17_-_The_Soul_and_Nature
2.18_-_January_1939
2.18_-_SRI_RAMAKRISHNA_AT_SYAMPUKUR
2.18_-_The_Evolutionary_Process_-_Ascent_and_Integration
2.18_-_The_Soul_and_Its_Liberation
2.19_-_Feb-May_1939
2.19_-_Out_of_the_Sevenfold_Ignorance_towards_the_Sevenfold_Knowledge
2.19_-_THE_MASTER_AND_DR._SARKAR
2.19_-_The_Planes_of_Our_Existence
2.19_-_THE_SOOTHSAYER
2.2.01_-_The_Outer_Being_and_the_Inner_Being
2.2.01_-_The_Problem_of_Consciousness
2.2.01_-_Work_and_Yoga
2.2.02_-_Becoming_Conscious_in_Work
2.2.02_-_Consciousness_and_the_Inconscient
2.2.02_-_The_True_Being_and_the_True_Consciousness
2.2.03_-_The_Divine_Force_in_Work
2.2.03_-_The_Psychic_Being
2.2.03_-_The_Science_of_Consciousness
22.04_-_On_The_Brink(I)
2.2.04_-_Practical_Concerns_in_Work
2.2.05_-_Creative_Activity
22.05_-_On_The_Brink(2)
2.20_-_Chance
2.20_-_Nov-Dec_1939
2.20_-_The_Infancy_and_Maturity_of_ZO,_Father_and_Mother,_Israel_The_Ancient_and_Understanding
2.20_-_The_Lower_Triple_Purusha
2.20_-_THE_MASTERS_TRAINING_OF_HIS_DISCIPLES
2.20_-_The_Philosophy_of_Rebirth
2.2.1.01_-_The_World's_Greatest_Poets
2.21_-_1940
2.2.1_-_Cheerfulness_and_Happiness
2.21_-_IN_THE_COMPANY_OF_DEVOTEES_AT_SYAMPUKUR
2.21_-_The_Ladder_of_Self-transcendence
2.21_-_The_Order_of_the_Worlds
2.21_-_The_Three_Heads,_The_Beard_and_The_Mazela
2.21_-_Towards_the_Supreme_Secret
2.22_-_1941-1943
2.22_-_Rebirth_and_Other_Worlds;_Karma,_the_Soul_and_Immortality
2.2.2_-_Sorrow_and_Suffering
2.22_-_THE_MASTER_AT_COSSIPORE
2.22_-_THE_STILLEST_HOUR
2.22_-_The_Supreme_Secret
2.22_-_Vijnana_or_Gnosis
2.2.3_-_Depression_and_Despondency
2.23_-_Life_Sketch_of_A._B._Purani
2.23_-_Man_and_the_Evolution
2.2.3_-_The_Aitereya_Upanishad
2.23_-_The_Conditions_of_Attainment_to_the_Gnosis
2.23_-_The_Core_of_the_Gita.s_Meaning
2.23_-_THE_MASTER_AND_BUDDHA
2.24_-_Gnosis_and_Ananda
2.2.4_-_Sentimentalism,_Sensitiveness,_Instability,_Laxity
2.24_-_The_Evolution_of_the_Spiritual_Man
2.24_-_THE_MASTERS_LOVE_FOR_HIS_DEVOTEES
2.24_-_The_Message_of_the_Gita
2.25_-_AFTER_THE_PASSING_AWAY
2.25_-_List_of_Topics_in_Each_Talk
2.25_-_The_Higher_and_the_Lower_Knowledge
2.25_-_The_Triple_Transformation
2.26_-_Samadhi
2.26_-_The_Ascent_towards_Supermind
2.26_-_The_Supramental_Descent
2.2.7.01_-_Some_General_Remarks
2.27_-_Hathayoga
2.27_-_The_Gnostic_Being
2.28_-_Rajayoga
2.28_-_The_Divine_Life
2.2.9.02_-_Plato
2.2.9.04_-_Plotinus
2.3.01_-_Aspiration_and_Surrender_to_the_Mother
2.3.01_-_Concentration_and_Meditation
2.3.01_-_The_Planes_or_Worlds_of_Consciousness
2.3.02_-_Mantra_and_Japa
2.3.02_-_Opening,_Sincerity_and_the_Mother's_Grace
2.3.02_-_The_Supermind_or_Supramental
2.3.03_-_Integral_Yoga
2.3.03_-_The_Mother's_Presence
2.3.03_-_The_Overmind
2.3.04_-_The_Higher_Planes_of_Mind
2.3.04_-_The_Mother's_Force
2.3.05_-_Sadhana_through_Work_for_the_Mother
2.3.06_-_The_Mind
2.3.06_-_The_Mother's_Lights
2.3.07_-_The_Mother_in_Visions,_Dreams_and_Experiences
2.3.07_-_The_Vital_Being_and_Vital_Consciousness
2.3.08_-_I_have_a_hundred_lives
2.3.08_-_The_Mother's_Help_in_Difficulties
2.3.08_-_The_Physical_Consciousness
23.09_-_Observations_I
2.3.1.06_-_Opening_to_the_Force
2.3.1.08_-_The_Necessity_and_Nature_of_Inspiration
23.10_-_Observations_II
2.3.10_-_The_Subconscient_and_the_Inconscient
2.3.1.10_-_Inspiration_and_Effort
2.3.1.13_-_Inspiration_during_Sleep
23.11_-_Observations_III
2.3.1.20_-_Aspiration
2.3.1_-_Ego_and_Its_Forms
2.3.1_-_Svetasvatara_Upanishad
2.3.2_-_Chhandogya_Upanishad
2.3.2_-_Desire
2.3.3_-_Anger_and_Violence
2.3.4_-_Fear
2.4.01_-_Divine_Love,_Psychic_Love_and_Human_Love
24.01_-_Narads_Visit_to_King_Aswapathy
2.4.02.08_-_Contact_with_the_Divine
2.4.02_-_Bhakti,_Devotion,_Worship
24.02_-_Notes_on_Savitri_I
24.05_-_Vision_of_Dante
2.4.1_-_Human_Relations_and_the_Spiritual_Life
2.4.2_-_Interactions_with_Others_and_the_Practice_of_Yoga
2.4.3_-_Problems_in_Human_Relations
25.01_-_An_Italian_Stanza
25.04_-_In_Love_with_Darkness
27.02_-_The_Human_Touch_Divine
27.04_-_A_Vision
29.03_-_In_Her_Company
29.04_-_Mothers_Playground
29.06_-_There_is_also_another,_similar_or_parallel_story_in_the_Veda_about_the_God_Agni,_about_the_disappearance_of_this
29.07_-_A_Small_Talk
2_-_Other_Hymns_to_Agni
3.00.1_-_Foreword
30.01_-_World-Literature
30.02_-_Greek_Drama
3.00.2_-_Introduction
30.03_-_Spirituality_in_Art
30.04_-_Intuition_and_Inspiration_in_Art
30.05_-_Rhythm_in_Poetry
30.08_-_Poetry_and_Mantra
30.09_-_Lines_of_Tantra_(Charyapada)
3.00_-_Hymn_To_Pan
3.00_-_Introduction
3.00_-_The_Magical_Theory_of_the_Universe
30.10_-_The_Greatness_of_Poetry
30.11_-_Modern_Poetry
30.12_-_The_Obscene_and_the_Ugly_-_Form_and_Essence
30.13_-_Rabindranath_the_Artist
30.14_-_Rabindranath_and_Modernism
30.15_-_The_Language_of_Rabindranath
30.16_-_Tagore_the_Unique
30.17_-_Rabindranath,_Traveller_of_the_Infinite
30.18_-_Boris_Pasternak
3.01_-_Fear_of_God
3.01_-_Hymn_to_Matter
3.01_-_INTRODUCTION
3.01_-_Love_and_the_Triple_Path
3.01_-_Natural_Morality
3.01_-_Proem
3.01_-_THE_BIRTH_OF_THOUGHT
3.01_-_The_Mercurial_Fountain
3.01_-_The_Principles_of_Ritual
3.01_-_The_Soul_World
3.01_-_Towards_the_Future
3.02_-_Aridity_in_Prayer
3.02_-_King_and_Queen
3.02_-_Mysticism
3.02_-_Nature_And_Composition_Of_The_Mind
3.02_-_ON_THE_VISION_AND_THE_RIDDLE
3.02_-_On_Thought_-_Introduction
3.02_-_SOL
3.02_-_THE_DEPLOYMENT_OF_THE_NOOSPHERE
3.02_-_The_Formulae_of_the_Elemental_Weapons
3.02_-_The_Great_Secret
3.02_-_The_Motives_of_Devotion
3.02_-_The_Practice_Use_of_Dream-Analysis
3.02_-_The_Psychology_of_Rebirth
3.02_-_The_Soul_in_the_Soul_World_after_Death
3.03_-_Faith_and_the_Divine_Grace
3.03_-_ON_INVOLUNTARY_BLISS
3.03_-_On_Thought_-_II
3.03_-_SULPHUR
3.03_-_The_Ascent_to_Truth
3.03_-_The_Consummation_of_Mysticism
3.03_-_The_Formula_of_Tetragrammaton
3.03_-_The_Four_Foundational_Practices
3.03_-_The_Godward_Emotions
3.03_-_THE_MODERN_EARTH
3.03_-_The_Naked_Truth
3.03_-_The_Soul_Is_Mortal
3.03_-_The_Spirit_Land
3.04_-_LUNA
3.04_-_On_Thought_-_III
3.04_-_The_Formula_of_ALHIM
3.04_-_The_Spirit_in_Spirit-Land_after_Death
3.04_-_The_Way_of_Devotion
3.05_-_ON_VIRTUE_THAT_MAKES_SMALL
3.05_-_SAL
3.05_-_The_Central_Thought
3.05_-_The_Conjunction
3.05_-_The_Divine_Personality
3.05_-_The_Fool
3.05_-_The_Formula_of_I.A.O.
3.05_-_The_Physical_World_and_its_Connection_with_the_Soul_and_Spirit-Lands
3.06_-_Charity
3.06_-_Death
3.06_-_The_Delight_of_the_Divine
3.06_-_The_Formula_of_The_Neophyte
3.06_-_Thought-Forms_and_the_Human_Aura
3.06_-_UPON_THE_MOUNT_OF_OLIVES
3.07.2_-_Finding_the_Real_Source
3.07_-_ON_PASSING_BY
3.07_-_The_Ananda_Brahman
3.07_-_The_Ascent_of_the_Soul
3.07_-_The_Divinity_Within
3.07_-_The_Formula_of_the_Holy_Grail
3.08_-_Of_Equilibrium
3.08_-_ON_APOSTATES
3.08_-_Purification
3.08_-_The_Mystery_of_Love
3.08_-_The_Thousands
3.09_-_Of_Silence_and_Secrecy
3.09_-_THE_RETURN_HOME
3.09_-_The_Return_of_the_Soul
3.0_-_THE_ETERNAL_RECURRENCE
3.1.01_-_Distinctive_Features_of_the_Integral_Yoga
31.01_-_The_Heart_of_Bengal
3.1.01_-_The_Problem_of_Suffering_and_Evil
3.1.02_-_Asceticism_and_the_Integral_Yoga
3.1.02_-_A_Theory_of_the_Human_Being
3.1.02_-_Spiritual_Evolution_and_the_Supramental
3.1.03_-_A_Realistic_Adwaita
31.03_-_The_Trinity_of_Bengal
3.1.04_-_Reminiscence
31.04_-_Sri_Ramakrishna
3.1.04_-_Transformation_in_the_Integral_Yoga
3.1.05_-_A_Vision_of_Science
31.05_-_Vivekananda
31.06_-_Jagadish_Chandra_Bose
31.08_-_The_Unity_of_India
31.09_-_The_Cause_of_Indias_Decline
3.10_-_Of_the_Gestures
3.10_-_ON_THE_THREE_EVILS
3.10_-_Punishment
3.10_-_The_New_Birth
31.10_-_East_and_West
3.1.14_-_Vedantin.s_Prayer
3.1.15_-_Rebirth
3.1.17_-_Life_and_Death
3.1.19_-_Parabrahman
3.11_-_Epilogue
3.11_-_Of_Our_Lady_Babalon
3.11_-_ON_THE_SPIRIT_OF_GRAVITY
3.11_-_Spells
3.1.1_-_The_Transformation_of_the_Physical
3.1.23_-_The_Rishi
3.1.24_-_In_the_Moonlight
3.1.2_-_Levels_of_the_Physical_Being
3.12_-_Of_the_Bloody_Sacrifice
3.12_-_ON_OLD_AND_NEW_TABLETS
3.1.3_-_Difficulties_of_the_Physical_Being
3.13_-_Of_the_Banishings
3.14_-_Of_the_Consecrations
3.15_-_Of_the_Invocation
3.16.1_-_Of_the_Oath
3.16.2_-_Of_the_Charge_of_the_Spirit
3.16_-_THE_SEVEN_SEALS_OR_THE_YES_AND_AMEN_SONG
3.17_-_Of_the_License_to_Depart
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
3.19_-_Of_Dramatic_Rituals
31_Hymns_to_the_Star_Goddess
3.2.01_-_On_Ideals
3.2.01_-_The_Newness_of_the_Integral_Yoga
32.01_-_Where_is_God?
32.02_-_Reason_and_Yoga
3.2.02_-_The_Veda_and_the_Upanishads
3.2.02_-_Vision
3.2.02_-_Yoga_and_Skill_in_Works
3.2.03_-_Conservation_and_Progress
32.03_-_In_This_Crisis
3.2.03_-_Jainism_and_Buddhism
3.2.03_-_To_the_Ganges
3.2.04_-_The_Conservative_Mind_and_Eastern_Progress
32.04_-_The_Human_Body
3.2.05_-_Our_Ideal
3.2.05_-_The_Yoga_of_the_Bhagavad_Gita
3.2.06_-_The_Adwaita_of_Shankaracharya
32.06_-_The_Novel_Alchemy
3.2.07_-_Tantra
32.07_-_The_God_of_the_Scientist
3.2.08_-_Bhakti_Yoga_and_Vaishnavism
32.08_-_Fit_and_Unfit_(A_Letter)
32.09_-_On_Karmayoga_(A_Letter)
3.2.09_-_The_Teachings_of_Some_Modern_Indian_Yogis
3.20_-_Of_the_Eucharist
32.10_-_A_Letter
3.2.10_-_Christianity_and_Theosophy
32.11_-_Life_and_Self-Control_(A_Letter)
3.2.1_-_Food
3.21_-_Of_Black_Magic
3.2.2_-_Sleep
3.2.3_-_Dreams
3.2.4_-_Sex
33.01_-_The_Initiation_of_Swadeshi
3.3.01_-_The_Superman
3.3.02_-_All-Will_and_Free-Will
33.03_-_Muraripukur_-_I
3.3.03_-_The_Delight_of_Works
33.04_-_Deoghar
33.05_-_Muraripukur_-_II
33.07_-_Alipore_Jail
33.09_-_Shyampukur
33.10_-_Pondicherry_I
33.11_-_Pondicherry_II
33.12_-_Pondicherry_Cyclone
33.13_-_My_Professors
33.14_-_I_Played_Football
33.15_-_My_Athletics
33.16_-_Soviet_Gymnasts
33.17_-_Two_Great_Wars
33.18_-_I_Bow_to_the_Mother
3.3.1_-_Agni,_the_Divine_Will-Force
3.3.1_-_Illness_and_Health
3.3.2_-_Doctors_and_Medicines
3.3.3_-_Specific_Illnesses,_Ailments_and_Other_Physical_Problems
3.4.01_-_Evolution
3.4.02_-_The_Inconscient
34.03_-_Hymn_To_Dawn
3.4.03_-_Materialism
34.07_-_The_Bride_of_Brahman
34.09_-_Hymn_to_the_Pillar
3.4.1.01_-_Poetry_and_Sadhana
3.4.1.11_-_Language-Study_and_Yoga
34.11_-_Hymn_to_Peace_and_Power
3.4.1_-_The_Subconscient_and_the_Integral_Yoga
3.4.2_-_Guru_Yoga
3.4.2_-_The_Inconscient_and_the_Integral_Yoga
3.5.01_-_Aphorisms
3.5.02_-_Thoughts_and_Glimpses
3.5.03_-_Reason_and_Society
3.5.04_-_Justice
3-5_Full_Circle
3.6.01_-_Heraclitus
36.07_-_An_Introduction_To_The_Vedas
36.08_-_A_Commentary_on_the_First_Six_Suktas_of_Rigveda
37.01_-_Yama_-_Nachiketa_(Katha_Upanishad)
37.03_-_Satyakama_And_Upakoshala
37.04_-_The_Story_Of_Rishi_Yajnavalkya
37.05_-_Narada_-_Sanatkumara_(Chhandogya_Upanishad)
37.07_-_Ushasti_Chakrayana_(Chhandogya_Upanishad)
3.7.1.01_-_Rebirth
3.7.1.02_-_The_Reincarnating_Soul
3.7.1.03_-_Rebirth,_Evolution,_Heredity
3.7.1.04_-_Rebirth_and_Soul_Evolution
3.7.1.05_-_The_Significance_of_Rebirth
3.7.1.06_-_The_Ascending_Unity
3.7.1.07_-_Involution_and_Evolution
3.7.1.08_-_Karma
3.7.1.09_-_Karma_and_Freedom
3.7.1.11_-_Rebirth_and_Karma
3.7.1.12_-_Karma_and_Justice
3.7.2.01_-_The_Foundation
3.7.2.02_-_The_Terrestial_Law
3.7.2.03_-_Mind_Nature_and_Law_of_Karma
3.7.2.04_-_The_Higher_Lines_of_Karma
3.7.2.05_-_Appendix_I_-_The_Tangle_of_Karma
38.01_-_Asceticism_and_Renunciation
38.02_-_Hymns_and_Prayers
38.03_-_Mute
38.05_-_Living_Matter
3.8.1.02_-_Arya_-_Its_Significance
3.8.1.04_-_Different_Methods_of_Writing
3.8.1.05_-_Occult_Knowledge_and_the_Hindu_Scriptures
39.09_-_Just_Be_There_Where_You_Are
39.10_-_O,_Wake_Up_from_Vain_Slumber
39.11_-_A_Prayer
3_-_Commentaries_and_Annotated_Translations
40.01_-_November_24,_1926
4.01_-_INTRODUCTION
4.01_-_Introduction
4.01_-_Prayers_and_Meditations
4.01_-_Sweetness_in_Prayer
4.01_-_THE_COLLECTIVE_ISSUE
4.01_-_THE_HONEY_SACRIFICE
4.01_-_The_Presence_of_God_in_the_World
4.01_-_The_Principle_of_the_Integral_Yoga
4.02_-_Autobiographical_Evidence
4.02_-_BEYOND_THE_COLLECTIVE_-_THE_HYPER-PERSONAL
4.02_-_Difficulties
4.02_-_Existence_And_Character_Of_The_Images
4.02_-_GOLD_AND_SPIRIT
4.02_-_Humanity_in_Progress
4.02_-_The_Integral_Perfection
4.02_-_The_Psychology_of_the_Child_Archetype
4.03_-_CONVERSATION_WITH_THE_KINGS
4.03_-_Mistakes
4.03_-_Prayer_of_Quiet
4.03_-_Prayer_to_the_Ever-greater_Christ
4.03_-_The_Meaning_of_Human_Endeavor
4.03_-_The_Psychology_of_Self-Perfection
4.03_-_The_Senses_And_Mental_Pictures
4.03_-_The_Special_Phenomenology_of_the_Child_Archetype
4.03_-_THE_TRANSFORMATION_OF_THE_KING
4.03_-_THE_ULTIMATE_EARTH
4.04_-_Conclusion
4.04_-_In_the_Total_Christ
4.04_-_Some_Vital_Functions
4.04_-_The_Perfection_of_the_Mental_Being
4.04_-_THE_REGENERATION_OF_THE_KING
4.04_-_Weaknesses
4.05_-_THE_DARK_SIDE_OF_THE_KING
4.05_-_The_Instruments_of_the_Spirit
4.05_-_The_Passion_Of_Love
4.06_-_Purification-the_Lower_Mentality
4.06_-_RETIRED
4.06_-_THE_KING_AS_ANTHROPOS
4.07_-_Purification-Intelligence_and_Will
4.07_-_THE_RELATION_OF_THE_KING-SYMBOL_TO_CONSCIOUSNESS
4.07_-_THE_UGLIEST_MAN
4.08_-_The_Liberation_of_the_Spirit
4.08_-_THE_RELIGIOUS_PROBLEM_OF_THE_KINGS_RENEWAL
4.09_-_REGINA
4.09_-_The_Liberation_of_the_Nature
4.0_-_NOTES_TO_ZARATHUSTRA
4.0_-_The_Path_of_Knowledge
4.1.01_-_The_Intellect_and_Yoga
4.10_-_AT_NOON
4.10_-_The_Elements_of_Perfection
4.1.1.02_-_Four_Bases_of_Realisation
4.1.1.04_-_Foundations_of_the_Sadhana
4.1.1.05_-_The_Central_Process_of_the_Yoga
4.1.1_-_The_Difficulties_of_Yoga
4.11_-_The_Perfection_of_Equality
4.11_-_THE_WELCOME
4.1.2.02_-_The_Three_Transformations
4.1.2.03_-_Preparation_for_the_Supramental_Change
4.1.2_-_The_Difficulties_of_Human_Nature
4.12_-_The_Way_of_Equality
4.1.3_-_Imperfections_and_Periods_of_Arrest
4.13_-_ON_THE_HIGHER_MAN
4.13_-_The_Action_of_Equality
4.1.4_-_Resistances,_Sufferings_and_Falls
4.14_-_The_Power_of_the_Instruments
4.14_-_THE_SONG_OF_MELANCHOLY
4.15_-_Soul-Force_and_the_Fourfold_Personality
4.16_-_AMONG_DAUGHTERS_OF_THE_WILDERNESS
4.16_-_The_Divine_Shakti
4.17_-_The_Action_of_the_Divine_Shakti
4.17_-_THE_AWAKENING
4.18_-_Faith_and_shakti
4.18_-_THE_ASS_FESTIVAL
4.19_-_THE_DRUNKEN_SONG
4.19_-_The_Nature_of_the_supermind
4.1_-_Jnana
4.2.01_-_The_Mother_of_Dreams
4.20_-_The_Intuitive_Mind
4.20_-_THE_SIGN
4.2.1.01_-_The_Importance_of_the_Psychic_Change
4.2.1.02_-_The_Role_of_the_Psychic_in_Sadhana
4.2.1.03_-_The_Psychic_Deep_Within
4.2.1.04_-_The_Psychic_and_the_Mental,_Vital_and_Physical_Nature
4.21_-_The_Gradations_of_the_supermind
4.2.1_-_The_Right_Attitude_towards_Difficulties
4.2.2.01_-_The_Meaning_of_Psychic_Opening
4.2.2.02_-_Conditions_for_the_Psychic_Opening
4.2.2.03_-_An_Experience_of_Psychic_Opening
4.2.2.04_-_The_Psychic_Opening_and_the_Inner_Centres
4.2.2.05_-_Opening_and_Coming_in_Front
4.2.2_-_Steps_towards_Overcoming_Difficulties
4.22_-_The_supramental_Thought_and_Knowledge
4.2.3.01_-_The_Meaning_of_Coming_to_the_Front
4.2.3.02_-_Signs_of_the_Psychic's_Coming_Forward
4.2.3.03_-_The_Psychic_and_the_Relation_with_the_Divine
4.2.3.04_-_Means_of_Bringing_Forward_the_Psychic
4.2.3.05_-_Obstacles_to_the_Psychic's_Emergence
4.23_-_The_supramental_Instruments_--_Thought-process
4.2.3_-_Vigilance,_Resolution,_Will_and_the_Divine_Help
4.2.4.03_-_The_Psychic_Fire
4.2.4.04_-_The_Psychic_Fire_and_Some_Inner_Visions
4.2.4.06_-_Agni_and_the_Psychic_Fire
4.2.4.08_-_Psychic_Sorrow
4.2.4.09_-_Psychic_Tears_or_Weeping
4.2.4.11_-_Psychic_Intensity
4.24_-_The_supramental_Sense
4.2.4_-_Time_and_CHange_of_the_Nature
4.2.5.02_-_The_Psychic_and_the_Higher_Consciousness
4.2.5.03_-_The_Psychic_and_Spiritual_Movements
4.2.5.04_-_The_Psychic_Consciousness_and_the_Descent_from_Above
4.2.5.05_-_The_Psychic_and_the_Supermind
4.2.5_-_Dealing_with_Depression_and_Despondency
4.25_-_Towards_the_supramental_Time_Vision
4.2_-_Karma
4.3.1.01_-_Peace,_Calm,_Silence_and_the_Self
4.3.1_-_The_Hostile_Forces_and_the_Difficulties_of_Yoga
4.3.2.03_-_Wideness_and_the_Higher_Consciousness
4.3.2.04_-_Degrees_in_the_Higher_Consciousness
4.3.2.05_-_The_Higher_Planes_and_the_Supermind
4.3.2.08_-_Overmind_Experiences
4.3.2.09_-_Overmind_Experiences_and_the_Supermind
4.3.2.11_-_Trance_and_the_Higher_Planes
4.3.2_-_Attacks_by_the_Hostile_Forces
4.3.3_-_Dealing_with_Hostile_Attacks
4.3.4_-_Accidents,_Possession,_Madness
4.3_-_Bhakti
4.4.1.01_-_The_Meaning_of_Spiritual_Transformation
4.4.1.02_-_A_Double_Movement_in_the_Sadhana
4.4.1.03_-_Both_Ascent_and_Descent_Necessary
4.4.1.05_-_Ascent_and_Descent_of_the_Kundalini_Shakti
4.4.1.06_-_Ascent_and_Descent_and_Problems_of_the_Lower_Nature
4.4.1.07_-_Experiences_of_Ascent_and_Descent
4.4.2.01_-_Contact_with_the_Above
4.4.2.02_-_Ascension_or_Rising_above_the_Head
4.4.2.03_-_Ascent_and_Return_to_the_Ordinary_Consciousness
4.4.2.05_-_Ascent_and_the_Psychic_Being
4.4.2.07_-_Ascent_and_Going_out_of_the_Body
4.4.2.08_-_Fixing_the_Consciousness_Above
4.42_-_Chapter_Two
4.4.3.02_-_Calling_in_the_Higher_Consciousness
4.4.3.03_-_Preparatory_Experiences_and_Descent
4.4.3.04_-_The_Order_of_Descent_into_the_Being
4.4.3.05_-_The_Effect_of_Descent_into_the_Lower_Planes
4.43_-_Chapter_Three
4.4.4.01_-_The_Descent_of_Peace,_Force,_Light,_Ananda
4.4.4.02_-_Peace,_Calm,_Quiet_as_a_Basis_for_the_Descent
4.4.4.03_-_The_Descent_of_Peace
4.4.4.05_-_The_Descent_of_Force_or_Power
4.4.4.07_-_The_Descent_of_Light
4.4.5.01_-_Descent_and_Experiences_of_the_Inner_Being
4.4.5.02_-_Descent_and_Psychic_Experiences
4.4.5.03_-_Descent_and_Other_Experiences
4.4.6.01_-_Sensations_in_the_Inner_Centres
5.01_-_ADAM_AS_THE_ARCANE_SUBSTANCE
5.01_-_EPILOGUE
5.01_-_Message
5.01_-_On_the_Mysteries_of_the_Ascent_towards_God
5.01_-_The_Dakini,_Salgye_Du_Dalma
5.02_-_Against_Teleological_Concept
5.02_-_Perfection_of_the_Body
5.02_-_THE_STATUE
5.03_-_ADAM_AS_THE_FIRST_ADEPT
5.03_-_The_Divine_Body
5.03_-_The_World_Is_Not_Eternal
5.04_-_Formation_Of_The_World
5.04_-_Supermind_and_the_Life_Divine
5.04_-_THE_POLARITY_OF_ADAM
5.04_-_Three_Dreams
5.05_-_Origins_Of_Vegetable_And_Animal_Life
5.05_-_Supermind_and_Humanity
5.06_-_Origins_And_Savage_Period_Of_Mankind
5.06_-_Supermind_in_the_Evolution
5.06_-_THE_TRANSFORMATION
5.07_-_Beginnings_Of_Civilization
5.07_-_Mind_of_Light
5.07_-_ROTUNDUM,_HEAD,_AND_BRAIN
5.08_-_ADAM_AS_TOTALITY
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.2_-_The_Book_of_the_Statesman
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.1.01.9_-_Book_IX
5.1.01_-_Terminology
5.1.02_-_Ahana
5.1.03_-_The_Hostile_Forces_and_Hostile_Beings
5.2.01_-_The_Descent_of_Ahana
5.2.01_-_Word-Formation
5.2.02_-_Aryan_Origins_-_The_Elementary_Roots_of_Language
5.2.02_-_The_Meditations_of_Mandavya
5.2.03_-_The_An_Family
5.4.01_-_Notes_on_Root-Sounds
5.4.01_-_Occult_Knowledge
5.4.02_-_Occult_Powers_or_Siddhis
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.01_-_Proem
6.01_-_THE_ALCHEMICAL_VIEW_OF_THE_UNION_OF_OPPOSITES
6.02_-_Great_Meteorological_Phenomena,_Etc
6.02_-_STAGES_OF_THE_CONJUNCTION
6.03_-_Extraordinary_And_Paradoxical_Telluric_Phenomena
6.04_-_THE_MEANING_OF_THE_ALCHEMICAL_PROCEDURE
6.04_-_The_Plague_Athens
6.05_-_THE_PSYCHOLOGICAL_INTERPRETATION_OF_THE_PROCEDURE
6.06_-_SELF-KNOWLEDGE
6.07_-_THE_MONOCOLUS
6.08_-_Intellectual_Visions
6.08_-_THE_CONTENT_AND_MEANING_OF_THE_FIRST_TWO_STAGES
6.09_-_Imaginary_Visions
6.09_-_THE_THIRD_STAGE_-_THE_UNUS_MUNDUS
6.0_-_Conscious,_Unconscious,_and_Individuation
6.10_-_THE_SELF_AND_THE_BOUNDS_OF_KNOWLEDGE
7.01_-_The_Soul_(the_Psychic)
7.02_-_Courage
7.02_-_The_Mind
7.03_-_Cheerfulness
7.03_-_The_Heart
7.04_-_Self-Reliance
7.04_-_The_Vital
7.05_-_Patience_and_Perseverance
7.07_-_Prudence
7.07_-_The_Subconscient
7.08_-_Sincerity
7.09_-_Right_Judgement
7.10_-_Order
7.13_-_The_Conquest_of_Knowledge
7.14_-_Modesty
7.15_-_The_Family
7.16_-_Sympathy
7.5.61_-_Because_Thou_Art
7.6.02_-_The_World_Game
7.6.13_-_The_End?
7_-_Yoga_of_Sri_Aurobindo
9.99_-_Glossary
Aeneid
A_God's_Labour
Apology
Appendix_4_-_Priest_Spells
APPENDIX_I_-_Curriculum_of_A._A.
A_Secret_Miracle
Avatars_of_the_Tortoise
Averroes_Search
Big_Mind_(non-dual)
Big_Mind_(ten_perfections)
Blazing_P1_-_Preconventional_consciousness
Blazing_P2_-_Map_the_Stages_of_Conventional_Consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
Book_1_-_The_Council_of_the_Gods
BOOK_I._-_Augustine_censures_the_pagans,_who_attri_buted_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_II._-_A_review_of_the_calamities_suffered_by_the_Romans_before_the_time_of_Christ,_showing_that_their_gods_had_plunged_them_into_corruption_and_vice
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
BOOK_IV._-_That_empire_was_given_to_Rome_not_by_the_gods,_but_by_the_One_True_God
BOOK_IX._-_Of_those_who_allege_a_distinction_among_demons,_some_being_good_and_others_evil
Book_of_Exodus
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
Book_of_Proverbs
Book_of_Psalms
BOOK_VIII._-_Some_account_of_the_Socratic_and_Platonic_philosophy,_and_a_refutation_of_the_doctrine_of_Apuleius_that_the_demons_should_be_worshipped_as_mediators_between_gods_and_men
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_VI._-_Of_Varros_threefold_division_of_theology,_and_of_the_inability_of_the_gods_to_contri_bute_anything_to_the_happiness_of_the_future_life
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_XIV._-_Of_the_punishment_and_results_of_mans_first_sin,_and_of_the_propagation_of_man_without_lust
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_X._-_Porphyrys_doctrine_of_redemption
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVII._-_The_history_of_the_city_of_God_from_the_times_of_the_prophets_to_Christ
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BOOK_XX._-_Of_the_last_judgment,_and_the_declarations_regarding_it_in_the_Old_and_New_Testaments
BS_1_-_Introduction_to_the_Idea_of_God
Chapter_III_-_WHEREIN_IS_RELATED_THE_DROLL_WAY_IN_WHICH_DON_QUIXOTE_HAD_HIMSELF_DUBBED_A_KNIGHT
Chapter_II_-_WHICH_TREATS_OF_THE_FIRST_SALLY_THE_INGENIOUS_DON_QUIXOTE_MADE_FROM_HOME
Chapter_I_-_WHICH_TREATS_OF_THE_CHARACTER_AND_PURSUITS_OF_THE_FAMOUS_GENTLEMAN_DON_QUIXOTE_OF_LA_MANCHA
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_I
COSA_-_BOOK_II
COSA_-_BOOK_III
COSA_-_BOOK_IV
COSA_-_BOOK_IX
COSA_-_BOOK_V
COSA_-_BOOK_VI
COSA_-_BOOK_VII
COSA_-_BOOK_VIII
COSA_-_BOOK_X
COSA_-_BOOK_XI
COSA_-_BOOK_XII
COSA_-_BOOK_XIII
Cratylus
Deutsches_Requiem
Diamond_Sutra_1
DM_2_-_How_to_Meditate
DS2
DS3
DS4
Emma_Zunz
ENNEAD_01.01_-_The_Organism_and_the_Self.
ENNEAD_01.02_-_Concerning_Virtue.
ENNEAD_01.02_-_Of_Virtues.
ENNEAD_01.03_-_Of_Dialectic,_or_the_Means_of_Raising_the_Soul_to_the_Intelligible_World.
ENNEAD_01.04_-_Whether_Animals_May_Be_Termed_Happy.
ENNEAD_01.05_-_Does_Happiness_Increase_With_Time?
ENNEAD_01.06_-_Of_Beauty.
ENNEAD_01.08_-_Of_the_Nature_and_Origin_of_Evils.
ENNEAD_02.01_-_Of_the_Heaven.
ENNEAD_02.02_-_About_the_Movement_of_the_Heavens.
ENNEAD_02.03_-_Whether_Astrology_is_of_any_Value.
ENNEAD_02.04a_-_Of_Matter.
ENNEAD_02.05_-_Of_the_Aristotelian_Distinction_Between_Actuality_and_Potentiality.
ENNEAD_02.06_-_Of_Essence_and_Being.
ENNEAD_02.07_-_About_Mixture_to_the_Point_of_Total_Penetration.
ENNEAD_02.08_-_Of_Sight,_or_of_Why_Distant_Objects_Seem_Small.
ENNEAD_02.09_-_Against_the_Gnostics;_or,_That_the_Creator_and_the_World_are_Not_Evil.
ENNEAD_03.01_-_Concerning_Fate.
ENNEAD_03.02_-_Of_Providence.
ENNEAD_03.03_-_Continuation_of_That_on_Providence.
ENNEAD_03.04_-_Of_Our_Individual_Guardian.
ENNEAD_03.05_-_Of_Love,_or_Eros.
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Entities_(Soul_and_and_Matter).
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Things.
ENNEAD_03.07_-_Of_Time_and_Eternity.
ENNEAD_03.08b_-_Of_Nature,_Contemplation_and_Unity.
ENNEAD_03.09_-_Fragments_About_the_Soul,_the_Intelligence,_and_the_Good.
ENNEAD_04.02_-_How_the_Soul_Mediates_Between_Indivisible_and_Divisible_Essence.
ENNEAD_04.03_-_Problems_About_the_Soul.
ENNEAD_04.03_-_Psychological_Questions.
ENNEAD_04.04_-_Questions_About_the_Soul.
ENNEAD_04.05_-_Psychological_Questions_III._-_About_the_Process_of_Vision_and_Hearing.
ENNEAD_04.06a_-_Of_Sensation_and_Memory.
ENNEAD_04.06b_-_Of_Sensation_and_Memory.
ENNEAD_04.07_-_Of_the_Immortality_of_the_Soul:_Polemic_Against_Materialism.
ENNEAD_04.08_-_Of_the_Descent_of_the_Soul_Into_the_Body.
ENNEAD_04.09_-_Whether_All_Souls_Form_a_Single_One?
ENNEAD_05.01_-_The_Three_Principal_Hypostases,_or_Forms_of_Existence.
ENNEAD_05.02_-_Of_Generation_and_of_the_Order_of_Things_that_Follow_the_First.
ENNEAD_05.02_-_Of_Generation,_and_of_the_Order_of_things_that_Rank_Next_After_the_First.
ENNEAD_05.03_-_Of_the_Hypostases_that_Mediate_Knowledge,_and_of_the_Superior_Principle.
ENNEAD_05.03_-_The_Self-Consciousnesses,_and_What_is_Above_Them.
ENNEAD_05.04_-_How_What_is_After_the_First_Proceeds_Therefrom;_of_the_One.
ENNEAD_05.05_-_That_Intelligible_Entities_Are_Not_External_to_the_Intelligence_of_the_Good.
ENNEAD_05.07_-_Do_Ideas_of_Individuals_Exist?
ENNEAD_05.08_-_Concerning_Intelligible_Beauty.
ENNEAD_05.09_-_Of_Intelligence,_Ideas_and_Essence.
ENNEAD_06.01_-_Of_the_Ten_Aristotelian_and_Four_Stoic_Categories.
ENNEAD_06.02_-_The_Categories_of_Plotinos.
ENNEAD_06.03_-_Plotinos_Own_Sense-Categories.
ENNEAD_06.04_-_The_One_and_Identical_Being_Is_Everywhere_Present_As_a_Whole.
ENNEAD_06.04_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
ENNEAD_06.05_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.06_-_Of_Numbers.
ENNEAD_06.07_-_How_Ideas_Multiplied,_and_the_Good.
ENNEAD_06.08_-_Of_the_Will_of_the_One.
ENNEAD_06.09_-_Of_the_Good_and_the_One.
Epistle_to_the_Romans
Euthyphro
Ex_Oblivione
First_Epistle_of_Paul_to_the_Thessalonians
For_a_Breath_I_Tarry
Gods_Script
Gorgias
Guru_Granth_Sahib_first_part
Ion
IS_-_Chapter_1
Isha_Upanishads
I._THE_ATTRACTIVE_POWER_OF_GOD
Kafka_and_His_Precursors
Liber
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
LUX.01_-_GNOSIS
LUX.02_-_EVOCATION
LUX.03_-_INVOCATION
LUX.05_-_AUGOEIDES
Medea_-_A_Vergillian_Cento
Meno
MMM.01_-_MIND_CONTROL
MMM.02_-_MAGIC
MMM.03_-_DREAMING
MoM_References
P.11_-_MAGICAL_WEAPONS
Partial_Magic_in_the_Quixote
Phaedo
Prayers_and_Meditations_by_Baha_u_llah_text
r1909_06_18
r1909_06_24
r1912_01_14
r1912_01_22
r1912_02_08
r1912_07_01
r1912_07_03
r1912_07_13
r1912_07_14
r1912_07_15
r1912_07_16
r1912_07_19
r1912_07_20
r1912_07_22
r1912_07_23
r1912_10_12
r1912_11_15
r1912_11_26b
r1912_11_30
r1912_12_01
r1912_12_03
r1912_12_03b
r1912_12_04
r1912_12_05
r1912_12_06
r1912_12_11
r1912_12_15
r1912_12_18
r1912_12_19
r1912_12_20
r1912_12_23
r1912_12_26
r1912_12_30
r1913_01_05
r1913_01_10
r1913_01_11
r1913_01_12
r1913_01_13
r1913_01_14
r1913_01_15
r1913_01_16
r1913_01_18
r1913_01_21
r1913_01_23
r1913_01_24
r1913_01_25
r1913_01_27
r1913_01_28
r1913_01_31
r1913_02_02
r1913_02_08
r1913_04_12
r1913_06_16
r1913_06_16b
r1913_07_05
r1913_07_06
r1913_07_08
r1913_09_05b
r1913_09_16
r1913_09_17
r1913_09_18
r1913_11_13
r1913_11_14
r1913_11_15
r1913_11_17
r1913_11_18
r1913_11_21
r1913_11_25
r1913_11_26
r1913_12_01b
r1913_12_02a
r1913_12_07
r1913_12_08
r1913_12_09
r1913_12_12b
r1913_12_22
r1913_12_23
r1913_12_25
r1913_12_26
r1913_12_27
r1913_12_28
r1913_12_29
r1913_12_31
r1914_01_03
r1914_01_10
r1914_01_15
r1914_03_14
r1914_03_19
r1914_03_22
r1914_03_23
r1914_03_25
r1914_03_26
r1914_03_27
r1914_03_28
r1914_03_29
r1914_03_30
r1914_03_31
r1914_04_01
r1914_04_02
r1914_04_03
r1914_04_04
r1914_04_05
r1914_04_08
r1914_04_09
r1914_04_11
r1914_04_20
r1914_04_24
r1914_04_25
r1914_05_02
r1914_05_04
r1914_05_08
r1914_05_21
r1914_05_22
r1914_05_29
r1914_05_31
r1914_06_19
r1914_06_20
r1914_06_24
r1914_06_25
r1914_06_26
r1914_06_27
r1914_06_29
r1914_07_01
r1914_07_06
r1914_07_07
r1914_07_08
r1914_07_10
r1914_07_11
r1914_07_15
r1914_07_16
r1914_07_17
r1914_07_19
r1914_07_20
r1914_07_21
r1914_07_23
r1914_07_24
r1914_07_28
r1914_07_30
r1914_07_31
r1914_08_13
r1914_08_16
r1914_08_22
r1914_08_26
r1914_09_04
r1914_09_06
r1914_10_01
r1914_10_03
r1914_10_05
r1914_10_09
r1914_10_11
r1914_10_13
r1914_10_16
r1914_10_31
r1914_11_03
r1914_11_04
r1914_11_18
r1914_11_19
r1914_11_21
r1914_11_23
r1914_11_30
r1914_12_02
r1914_12_08
r1914_12_09
r1914_12_10
r1914_12_11
r1914_12_13
r1914_12_14
r1914_12_16
r1914_12_17
r1914_12_18
r1914_12_19
r1914_12_22
r1914_12_30
r1914_12_31
r1915_01_01a
r1915_01_04a
r1915_01_07b
r1915_01_09
r1915_01_13
r1915_01_15
r1915_02_25
r1915_04_26
r1915_05_04
r1915_05_12
r1915_05_13
r1915_05_21
r1915_05_24
r1915_06_01
r1915_06_06
r1915_06_14
r1915_06_17
r1915_06_21
r1915_06_24
r1915_08_05
r1915_08_09
r1917_01_23a
r1917_01_23b
r1917_01_26
r1917_01_27
r1917_01_30
r1917_02_03
r1917_02_04
r1917_02_05
r1917_02_07
r1917_02_08
r1917_02_10
r1917_02_11
r1917_02_12
r1917_02_13
r1917_02_14
r1917_02_15
r1917_02_16
r1917_02_18
r1917_02_21
r1917_02_27
r1917_03_03
r1917_03_06
r1917_03_08
r1917_03_10
r1917_03_13
r1917_03_14
r1917_08_15
r1917_08_20
r1917_08_22
r1917_09_13
r1917_09_16
r1918_02_14
r1918_02_15
r1918_02_18
r1918_02_20
r1918_02_21
r1918_03_07
r1918_04_20
r1918_04_21
r1918_04_25
r1918_05_04
r1918_05_05
r1918_05_06
r1918_05_09
r1918_05_10
r1918_05_11
r1918_05_12
r1918_05_13
r1918_05_14
r1918_05_15
r1918_05_18
r1918_05_19
r1918_05_21
r1918_05_23
r1918_06_01
r1919_06_29
r1919_06_30
r1919_07_01
r1919_07_02
r1919_07_06
r1919_07_07
r1919_07_10
r1919_07_14
r1919_07_19
r1919_07_20
r1919_07_21
r1919_07_23
r1919_07_24
r1919_07_27
r1919_07_28
r1919_08_03
r1919_08_06
r1919_08_11
r1919_08_14
r1919_08_20
r1919_08_21
r1919_09_01
r1920_02_20
r1920_02_22
r1920_02_24
r1920_02_28
r1920_02_29
r1920_03_03
r1920_03_04
r1920_03_06
r1920_03_07
r1920_03_15
r1920_03_17
r1920_06_08
r1920_06_09
r1920_06_12
r1920_06_17
r1927_01_04
r1927_01_14
r1927_01_15
r1927_01_21
r1927_04_09b
r1927_04_14
r1927_04_15
r1927_07_30_-_Record_of_Drishti
r1927_10_25
Sayings_of_Sri_Ramakrishna_(text)
SB_1.1_-_Questions_by_the_Sages
Sophist
Story_of_the_Warrior_and_the_Captive
Symposium_translated_by_B_Jowett
Tablet_1_-
Tablets_of_Baha_u_llah_text
Talks_001-025
Talks_026-050
Talks_051-075
Talks_100-125
Talks_125-150
Talks_151-175
Talks_176-200
Talks_500-550
Talks_600-652
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
Theaetetus
The_Aleph
The_Anapanasati_Sutta__A_Practical_Guide_to_Mindfullness_of_Breathing_and_Tranquil_Wisdom_Meditation
The_Book_of_Certitude_-_P1
The_Book_of_Certitude_-_P2
The_Book_of_Job
The_Book_of_Joshua
The_Book_of_Sand
The_Book_of_the_Prophet_Isaiah
The_Book_of_Wisdom
The_Book_(short_story)
The_Circular_Ruins
The_Coming_Race_Contents
The_Dream_of_a_Ridiculous_Man
The_Dwellings_of_the_Philosophers
The_Epistle_of_James
The_Epistle_of_Paul_to_the_Ephesians
The_Epistle_of_Paul_to_the_Philippians
the_Eternal_Wisdom
The_Fearful_Sphere_of_Pascal
The_First_Epistle_of_Paul_to_the_Corinthians
The_First_Epistle_of_Paul_to_Timothy
The_First_Epistle_of_Peter
The_First_Letter_of_John
The_Five,_Ranks_of_The_Apparent_and_the_Real
The_Garden_of_Forking_Paths_1
The_Garden_of_Forking_Paths_2
The_Gold_Bug
The_Golden_Sentences_of_Democrates
The_Golden_Verses_of_Pythagoras
The_Gospel_According_to_John
The_Gospel_According_to_Luke
The_Gospel_According_to_Mark
The_Gospel_According_to_Matthew
The_Hidden_Words_text
The_Immortal
The_Last_Question
The_Letter_to_the_Hebrews
The_Library_of_Babel
The_Library_Of_Babel_2
The_Logomachy_of_Zos
The_Lottery_in_Babylon
The_Mirror_of_Enigmas
The_One_Who_Walks_Away
The_Pilgrims_Progress
The_Poems_of_Cold_Mountain
The_Pythagorean_Sentences_of_Demophilus
The_Revelation_of_Jesus_Christ_or_the_Apocalypse
The_Riddle_of_this_World
The_Second_Epistle_of_John
The_Second_Epistle_of_Peter
The_Shadow_Out_Of_Time
The_Theologians
The_Third_Letter_of_John
The_Waiting
The_Wall_and_the_BOoks
The_Zahir
Thus_Spoke_Zarathustra_text
Timaeus
Valery_as_Symbol
Verses_of_Vemana

PRIMARY CLASS

elements_in_the_yoga
power
SIMILAR TITLES
Alexander Pope
Arthur Schopenhauer
Crisis of European Sciences and Transcendental Phenomenology
encyclopedia
Essays of Schopenhauer
Hope
Occultopedia - links-list
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Opening the Hand of Thought Foundations of Zen Buddhist Practice
Openness
Property
Stanford Encyclopedia of Philosophy - links-list
Starship Troopers
tv tropes

DEFINITIONS

1. A covering. 2. Either of two folds of skin that can be moved to cover or open the eye; hence eyelids. Also fig. **lids.**

1. A fabulous tree alleged to have existed in Java, at some distance from Batavia, with properties so poisonous as to destroy all animal and vegetable life to a distance of fifteen or sixteen miles around it. 2. *Fig.* A baleful, destructive, or deadly power or influence.

1. Brings out of a folded state; spreads or opens out. 2. Discloses or lays open to the view; displays. Also fig.

1. Emitting rays of light; bright; shining. 2. Bright with joy, hope, etc. 3. Radiating or as if radiating light; brilliant; shining; filled with light.

1. Enclosed protectively; enveloped. embosoming.

1. Large and impressive in size, scope, or extent; magnificent. 2. Most important; chief. 3. Eminent; great in position; stately; majestic. 4. Impressive in size, appearance or general effect. 5. Magnificent or splendid. grander.

1. Not seen; not apprehended by sight; unperceived, invisible. 2. Not seen previously or hitherto; esp. unfamiliar, strange, unknown. (Sri Aurobindo also employs the word as a n. and a proper n.)

1. Opened or released by or as if by undoing a lock. 2. Laid open; disclosed.

1. That unfolds, discloses, or develops. 2. Spreading out or laying open to view; revealing; displaying. unfoldings. (Sri Aurobindo also employs the word as a n.)

1. The act, power or property of appealing, alluring, enticing or inviting. 2. A thing or feature which draws by appealing to desires, tastes, etc. 3. The action of a body or substance in drawing to itself, by some physical force, another to which it is not materially attached; the force thus exercised. attractions.

1. The apparent intersection of the earth and sky as seen by an observer. 2. The range or limit of scope, interest, knowledge, etc. horizon"s, horizons.

  "1. ‘The Golden Embryo" in Hindu cosmology; the name given to the golden-hued Egg which floated on the surface of the primeval waters. In time the egg divided into two parts, the golden top half of the shell becoming the heavens and the silver lower half the earth. 2. ‘God imaginative and therefore creative"; the ‘Spirit in the middle or Dream State"; Lord of Dream-Life who takes from the ocean of subconsciously intelligent spiritual being the conscious psychic forces which He materializes or encases in various forms of gross living matter. (Enc. Br.; A)” Glossary and Index of Proper Names in Sri Aurobindo"s Works.

1. To open or spread out from a rolled-up state; to uncoil. 2. To lay open; display; reveal. 3. To become open or spread out. Also fig. unrolls, unrolled.

3. In the Mahabharata and the Puranas, the second member of the Triad, the embodiment of sattva-guna, the preserving and restoring power. This power has manifested in the world as the various incarnations of Vishnu, generally accepted as being ten in number. Vishnu"s heaven is Vaikuntha, his consort Lakshmi and his vehicle Garuda. He is portrayed as reclining on the serpent-king Sesa and floating on the waters between periods of cosmic manifestation. The holy river Ganga is said to spring from his foot. (A; V. G.; Dow)” *Glossary and Index of Proper Names in Sri Aurobindo"s Works

aberrations ::: 1. Deviations or divergences from a direct, prescribed, or ordinary course or mode of action, esp. moral or proper.

abject ::: utterly hopeless, miserable, humiliating, or wretched.

Absolute ::: Sri Aurobindo: “We mean by the Absolute something greater than ourselves, greater than the cosmos which we live in, the supreme reality of that transcendent Being which we call God, something without which all that we see or are conscious of as existing, could not have been, could not for a moment remain in existence. Indian thought calls it Brahman, European thought the Absolute because it is a self-existent which is absolved of all bondage to relativities . . . The Absolute is for us the Ineffable.” The Life Divine

abusing ::: using improperly, misusing; perverting, or misemploying; taking a bad advantage of.

abysmal ::: 1. Of, pertaining to, or resembling an abyss; fathomless; deep-sunken. 2. Extremely or hopelessly bad or severe.

accord ::: agreement or harmonious correspondence of things or their properties, as of colours or tints. Of sounds: Agreement in pitch and tone; harmony.

acolyte ::: an attendant or junior assistant in any ceremony or operation; a novice; follower. acolytes.

adj. **1. Void or empty space. 2. Having a cavity, gap, or space within. 3. Fig. Without substance or character; devoid of truth or validity; specious. n. 3. A void space. 4. A cavity, opening, space, or burrow. hollows.**

"A fabulous tribe of wild, beastlike monsters, having the upper part of a human being and the lower part of a horse. They live in the woods or mountains of Elis, Arcadia, and Thessaly. They are representative of wild life, animal desires and barbarism. (M.I.) Glossary and Index of Proper Names in Sri Aurobindo"s Works.*

agape ::: with the mouth wide open.

aggrandise ::: to make (something) appear greater; to widen in scope ,magnify. aggrandising.

*[Agni]. Sri Aurobindo: "Agni is the leader of the sacrifice and protects it in the great journey against the powers of darkness. The knowledge and purpose of this divine Puissance can be entirely trusted; he is the friend and lover of the soul and will not betray it to evil gods. Even for the man sitting far off in the night, enveloped by the darkness of the human ignorance, this flame[Agni] is a light which, when it is perfectly kindled and in proportion as it mounts higher and higher, enlarges itself into the vast light of the Truth. Flaming upward to heaven to meet the divine Dawn, it rises through the vital or nervous mid-world and through our mental skies and enters at last the Paradise of Light, its own supreme home above where joyous for ever in the eternal Truth that is the foundation of the sempiternal Bliss the shining Immortals sit in their celestial sessions and drink the wine of the infinite beatitude.” *The Secret of the Veda

  "A Godhead is seated in the heart of every man and is the Lord of this mysterious action of Nature. And though this Spirit of the universe, this One who is all, seems to be turning us on the wheel of the world as if mounted on a machine by the force of Maya, shaping us in our ignorance as the potter shapes a pot, as the weaver a fabric, by some skilful mechanical principle, yet is this spirit our own greatest self and it is according to the real idea, the truth of ourselves, that which is growing in us and finding always new and more adequate forms in birth after birth, in our animal and human and divine life, in that which we were, that which we are, that which we shall be, — it is in accordance with this inner soul-truth that, as our opened eyes will discover, we are progressively shaped by this spirit within us in its all-wise omnipotence.” *Essays on the Gita

air ::: 1. The transparent, invisible, inodorous, and tasteless gaseous substance which envelopes the earth. 2. *Fig. With reference to its unsubstantial or impalpable nature. 3. Outward appearance, apparent character, manner, look, style: esp. in phrases like ‘an air of absurdity"; less commonly of a thing tangible, as ‘the air of a mansion". 4. Mien or gesture (expressive of a personal quality or emotion). *air"s.

ajar ::: neither entirely open nor entirely shut; partly open.

akin ::: allied by nature; having the same properties; near in nature or character.

alacananda ::: "One of the four head streams of the river Ganga in the Himalayas. According to the Vaishnavas it is the terrestrial Ganga which Shiva received upon his head as it fell from heaven. The famous shrine of Badrinath is situated on the banks of this stream. (Dow.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works

"All change must come from within with the felt or the secret support of the Divine Power; it is only by one"s own inner opening to that that one can receive help, not by mental, vital or physical contact with others.” Letters on Yoga

“All change must come from within with the felt or the secret support of the Divine Power; it is only by one’s own inner opening to that that one can receive help, not by mental, vital or physical contact with others.” Letters on Yoga

"All disease is a means towards some new joy of health, all evil & pain a tuning of Nature for some more intense bliss & good, all death an opening on widest immortality. Why and how this should be so, is God"s secret which only the soul purified of egoism can penetrate.” Essays Divine and Human

allied ::: related; connected by nature, properties, or similitude; kindred.

"All knowledge is ultimately the knowledge of God, through himself, through Nature, through her works. Mankind has first to seek this knowledge through the external life; for until its mentality is sufficiently developed, spiritual knowledge is not really possible, and in proportion as it is developed, the possibilities of spiritual knowledge become richer and fuller.” The Synthesis of Yoga

“All this action and struggle and ascension is supported by Heaven our Father and Earth our Mother, Parents of the Gods, who sustain respectively the purely mental and psychic and the physical consciousness. Their large and free scope is the condition of our achievement.

ambiguous ::: 1. Open to or having several possible meanings or interpretations; equivocal; questionable; indistinct, obscure, not clearly defined. 2. Of doubtful or uncertain nature; difficult to comprehend, distinguish, or classify; admitting more than one interpretation, or explanation; of double meaning. 3. Of oracles, people, using words of double meaning. ambiguously.

ambit ::: a sphere of operation or influence; range, scope.

"A mind of light will replace the present confusion and trouble of this earthly ignorance; it is likely that even those parts of humanity which cannot reach it will yet be aware of its possibility and consciously tend towards it; not only so, but the life of humanity will be enlightened, uplifted, governed, harmonised by this luminous principle and even the body become something much less powerless, obscure and animal in its propensities and capable instead of a new and harmonised perfection. It is this possibility that we have to look at and that would mean a new humanity uplifted into Light, capable of a spiritualised being and action, open to governance by some light of the Truth-consciousness, capable even on the mental level and in its own order of something that might be called the beginning of a divinised life.” Essays in Philosophy and Yoga

ananke ::: "In Greek mythology, personification of compelling necessity or ultimate fate to which even the gods must yield.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works

a native English form of the verb, to hope, now only in formal and poetic usage.

anchor ::: 1. Any of various devices dropped by a chain, cable, or rope to the bottom of a body of water for preventing or restricting the motion of a vessel or other floating object, typically having broad, hooklike arms that bury themselves in the bottom to provide a firm hold. 2. A person or thing that can be relied on for support, stability, or security; mainstay.

"A new humanity means for us the appearance, the development of a type or race of mental beings whose principle of mentality would be no longer a mind in the Ignorance seeking for knowledge but even in its knowledge bound to the Ignorance, a seeker after Light but not its natural possessor, open to the Light but not an inhabitant of the Light, not yet a perfected instrument, truth-conscious and delivered out of the Ignorance. Instead, it would be possessed already of what could be called a mind of Light, a mind capable of living in the truth, capable of being truth-conscious and manifesting in its life a direct in place of an indirect knowledge. Its mentality would be an instrument of the Light and no longer of the Ignorance. At its highest it would be capable of passing into the supermind and from the new race would be recruited the race of supramental beings who would appear as the leaders of the evolution in earth-nature. Even, the highest manifestations of a mind of Light would be an instrumentality of the supermind, a part of it or a projection from it, a stepping beyond humanity into the superhumanity of the supramental principle. Above all, its possession would enable the human being to rise beyond the normalities of his present thinking, feeling and being into those highest powers of the mind in its self-exceedings which intervene between our mentality and supermind and can be regarded as steps leading towards the greater and more luminous principle. This advance like others in the evolution might not be reached and would naturally not be reached at one bound, but from the very beginning it would be inevitable: the pressure of the supermind creating from above out of itself the mind of Light would compel this certainty of the eventual outcome.” Essays in Philosophy and Yoga

animal ::: Sri Aurobindo: "The animal is a living laboratory in which Nature has, it is said, worked out man. Man himself may well be a thinking and living laboratory in whom and with whose conscious co-operation she wills to work out the superman, the god. Or shall we not say, rather, to manifest God?” *The Life Divine

animal ::: “The animal is a living laboratory in which Nature has, it is said, worked out man. Man himself may well be a thinking and living laboratory in whom and with whose conscious co-operation she wills to work out the superman, the god. Or shall we not say, rather, to manifest God?” The Life Divine

anticipations ::: 1. Expectations or hopes. 2. Intuitions, foreknowledge, or prescience.

"A paradise of the Hindus; the heaven of Vishnu, sometimes described as on Mount Meru, at other times as in the ‘Northern Ocean" of Puranic cosmology.” Glossary and Index of Proper Names in Sri Aurobindo"s Works

a person who is practised in or who studies geometry, the branch of mathematics that deals with the deduction of the properties, measurement, and relationships of points, lines, angles, and figures in space from their defining conditions by means of certain assumed properties of space. World-Geometer"s.

apparent ::: readily seen; exposed to sight; open to view. 2. Capable of being easily perceived or understood; plain or clear; obvious; visible.

arch ::: 1. An upwardly curved construction, for spanning an opening, consisting of a number of wedgelike stones, bricks, or the like, set with the narrower side toward the opening in such a way that forces on the arch are transmitted as vertical or oblique stresses on either side of the opening, either capable of bearing weight or merely ornamental; 2. Something bowed or curved; any bowlike part: the arch of the foot. 3. An arched roof, door; gateway; vault; fig. the heavens. arches.

arch- ::: a combining form that represents the outcome of archi- in words borrowed through Latin from Greek in the Old English period; it subsequently became a productive form added to nouns of any origin, which thus denote individuals or institutions directing or having authority over others of their class (archbishop; archdiocese; archpriest): principal. More recently, arch-1 has developed the senses "principal” (archenemy; archrival) or "prototypical” and thus exemplary or extreme (archconservative); nouns so formed are almost always pejorative. Arch-intelligence.

". . . as Mind is only a final operation of Supermind, so Life is only a final operation of the Consciousness-Force of which Real-Idea is the determinative form and creative agent. Consciousness that is Force is the nature of Being and this conscious Being manifested as a creative Knowledge-Will is the Real-Idea or Supermind.” The Life Divine

asphodel ::: a genus of liliaceous plants with very attractive white, pink or yellow flowers, mostly natives of the south of Europe; by the poets made an immortal flower, and said to cover the Elysian (heavenly, paradisal) fields.

"As the eyes of the sage are opened to the light, so is his ear unsealed to receive the vibrations of the Infinite; from all the regions of the Truth there comes thrilling into him its Word which becomes the form of his thoughts.” Essays on the Gita

“As the Sun is image and godhead of the golden Light of the divine Truth, so Dawn is image and godhead of the opening out of the supreme illumination on the night of our human ignorance. Dawn daughter of Heaven and Night her sister are obverse and reverse sides of the same eternal Infinite.” The Secret of the Veda

"At first when one begins to see, it is quite usual for the more ill-defined and imprecise figures to last longer while those which are successful, complete, precise in detail and outline are apt to be quite momentary and disappear in an instant. It is only when the subtle vision is well developed that the precise and full seeing lasts for a long time.” Letters on Yoga*

"A third step is to find out that there is something in him other than his instrumental mind, life and body, not only an immortal ever-developing individual soul that supports his nature but an eternal immutable self and spirit, and to learn what are the categories of his spiritual being, until he discovers that all in him is an expression of the spirit and distinguishes the link between his lower and his higher existence; thus he sets out to remove his constitutional self-ignorance. Discovering self and spirit he discovers God; he finds out that there is a Self beyond the temporal: he comes to the vision of that Self in the cosmic consciousness as the divine Reality behind Nature and this world of beings; his mind opens to the thought or the sense of the Absolute of whom self and the individual and the cosmos are so many faces; the cosmic, the egoistic, the original ignorance begin to lose the rigidness of their hold upon him.” The Life Divine

“A third step is to find out that there is something in him other than his instrumental mind, life and body, not only an immortal ever-developing individual soul that supports his nature but an eternal immutable self and spirit, and to learn what are the categories of his spiritual being, until he discovers that all in him is an expression of the spirit and distinguishes the link between his lower and his higher existence; thus he sets out to remove his constitutional self-ignorance. Discovering self and spirit he discovers God; he finds out that there is a Self beyond the temporal: he comes to the vision of that Self in the cosmic consciousness as the divine Reality behind Nature and this world of beings; his mind opens to the thought or the sense of the Absolute of whom self and the individual and the cosmos are so many faces; the cosmic, the egoistic, the original ignorance begin to lose the rigidness of their hold upon him.” The Life Divine

athwart ::: 1. Across from side to side; crosswise or transversely; contrary to the proper or expected course; against; crosswise. 2. Of motion; from side to side.

atom ::: 1. A unit of matter, the smallest unit of an element, having all the characteristics of that element and consisting of a dense, central, positively charged nucleus surrounded by a system of electrons. 2. The smallest component of an element having the chemical properties of the element. 3. An extremely small part, quantity, or amount. The smallest conceivable unit of an element or of anything. atom"s, atoms, atomic.

:::   ". . . a true occultism means no more than a research into supraphysical realities and an unveiling of the hidden laws of being and Nature, of all that is not obvious on the surface. It attempts the discovery of the secret laws of mind and mental energy, the secret laws of life and life-energy, the secret laws of the subtle-physical and its energies, — all that Nature has not put into visible operation on the surface; it pursues also the application of these hidden truths and powers of Nature so as to extend the mastery of the human spirit beyond the ordinary operations of mind, the ordinary operations of life, the ordinary operations of our physical existence. In the spiritual domain which is occult to the surface mind in so far as it passes beyond normal and enters into supernormal experience, there is possible not only the discovery of the self and spirit, but the discovery of the uplifting, informing and guiding light of spiritual consciousness and the power of the spirit, the spiritual way of knowledge, the spiritual way of action. To know these things and to bring their truths and forces into the life of humanity is a necessary part of its evolution. Science itself is in its own way an occultism; for it brings to light the formulas which Nature has hidden and it uses its knowledge to set free operations of her energies which she has not included in her ordinary operations and to organise and place at the service of man her occult powers and processes, a vast system of physical magic, — for there is and can be no other magic than the utilisation of secret truths of being, secret powers and processes of Nature. It may even be found that a supraphysical knowledge is necessary for the completion of physical knowledge, because the processes of physical Nature have behind them a supraphysical factor, a power and action mental, vital or spiritual which is not tangible to any outer means of knowledge.” The Life Divine

babel ::: “The legend of the Tower of Babel speaks of the diversity of tongues as a curse laid on the race; but whatever its disadvantages, and they tend more and more to be minimised by the growth of civilisation and increasing intercourse, it has been rather a blessing than a curse, a gift to mankind rather than a disability laid upon it. The purposeless exaggeration of anything is always an evil, and an excessive pullulation of varying tongues that serve no purpose in the expression of a real diversity of spirit and culture is certainly a stumbling-block rather than a help: but this excess, though it existed in the past, is hardly a possibility of the future. The tendency is rather in the opposite direction. In former times diversity of language helped to create a barrier to knowledge and sympathy, was often made the pretext even of an actual antipathy and tended to a too rigid division. The lack of sufficient interpenetration kept up both a passive want of understanding and a fruitful crop of active misunderstandings. But this was an inevitable evil of a particular stage of growth, an exaggeration of the necessity that then existed for the vigorous development of strongly individualised group-souls in the human race. These disadvantages have not yet been abolished, but with closer intercourse and the growing desire of men and nations for the knowledge of each other’s thought and spirit and personality, they have diminished and tend to diminish more and more and there is no reason why in the end they should not become inoperative.” The Human Cycle

babel ::: "The reference is to the mythological story of the construction of the Tower of Babel, which appears to be an attempt to explain the diversity of human languages. According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and tower ‘with its top in the heavens". God disrupted the work by so confusing the language of the workers that they could no longer understand one another. The tower was never completed and the people were dispersed over the face of the earth.” (Encyclopaedia Britannica) Glossary and Index of Proper Names in Sri Aurobindo"s Works     Sri Aurobindo: "The legend of the Tower of Babel speaks of the diversity of tongues as a curse laid on the race; but whatever its disadvantages, and they tend more and more to be minimised by the growth of civilisation and increasing intercourse, it has been rather a blessing than a curse, a gift to mankind rather than a disability laid upon it. The purposeless exaggeration of anything is always an evil, and an excessive pullulation of varying tongues that serve no purpose in the expression of a real diversity of spirit and culture is certainly a stumbling-block rather than a help: but this excess, though it existed in the past, is hardly a possibility of the future. The tendency is rather in the opposite direction. In former times diversity of language helped to create a barrier to knowledge and sympathy, was often made the pretext even of an actual antipathy and tended to a too rigid division. The lack of sufficient interpenetration kept up both a passive want of understanding and a fruitful crop of active misunderstandings. But this was an inevitable evil of a particular stage of growth, an exaggeration of the necessity that then existed for the vigorous development of strongly individualised group-souls in the human race. These disadvantages have not yet been abolished, but with closer intercourse and the growing desire of men and nations for the knowledge of each other"s thought and spirit and personality, they have diminished and tend to diminish more and more and there is no reason why in the end they should not become inoperative.” The Human Cycle

balance ::: n. **1. A state of equilibrium or equipoise; mental, psychological or emotional. 2. A weighing device, especially one consisting of a rigid beam horizontally suspended by a low-friction support at its center, with identical weighing pans hung at either end, one of which holds an unknown weight while the effective weight in the other is increased by known amounts until the beam is level and motionless. 3. An undecided or uncertain state in which issues are unresolved. v. 4. To have an equality or equivalence in weight, parts, etc.; be in equilibrium. adj. 5. Being in harmonious or proper arrangement or adjustment, proportion. 6. Mental steadiness or emotional stability; habit of calm behaviour, judgement. balanced, balancing.**

bales ::: large bundles of hay or goods (often compressed) bound by ropes or wires for storage or transportation.

bank ::: 1. The slope of land adjoining a body of water, especially adjoining a river, lake, or channel. 2. A slope, as of a hill. 3. A long raised mass, esp. of earth. 4. A piled-up mass, as of snow or clouds. banks, cloud-bank.

bankruptcy ::: 1. A state of complete lack of some abstract property; "spiritual bankruptcy”; "moral bankruptcy”; "intellectual bankruptcy”. 2. Depleted of valuable qualities or characteristics.

barge ::: a large, open pleasure boat used for parties, pageants, or formal ceremonies.

bathe ::: 1. To become immersed in or as if in liquid, as a bath or in other substances or elements. 2. To wash or pour over; suffuse or envelope, like sunshine. bathed, bathing.

being ::: 1. The state or quality of having existence. 2. The totality of all things that exist. 3. One"s basic or essential nature; self. 4. All the qualities constituting one that exists; the essence. 5. A person; human being. 6. The Divine, the Supreme; God. Being, being"s, Being"s, beings, Beings, beings", earth-being"s, earth-beings, fragment-being, non-being, non-being"s, Non-Being, Non-Being"s, world-being"s.

Sri Aurobindo: "Pure Being is the affirmation by the Unknowable of Itself as the free base of all cosmic existence.” *The Life Divine :::

   "The Absolute manifests itself in two terms, a Being and a Becoming. The Being is the fundamental reality; the Becoming is an effectual reality: it is a dynamic power and result, a creative energy and working out of the Being, a constantly persistent yet mutable form, process, outcome of its immutable formless essence.” *The Life Divine

"What is original and eternal for ever in the Divine is the Being, what is developed in consciousness, conditions, forces, forms, etc., by the Divine Power is the Becoming. The eternal Divine is the Being; the universe in Time and all that is apparent in it is a Becoming.” Letters on Yoga

"Being and Becoming, One and Many are both true and are both the same thing: Being is one, Becomings are many; but this simply means that all Becomings are one Being who places Himself variously in the phenomenal movement of His consciousness.” The Upanishads :::

   "Our whole apparent life has only a symbolic value & is good & necessary as a becoming; but all becoming has being for its goal & fulfilment & God is the only being.” *Essays Divine and Human

"Our being is a roughly constituted chaos into which we have to introduce the principle of a divine order.” The Synthesis of Yoga*


belong ::: 1. To be a part of or adjunct. 2. To be the property, attribute, or possession of. belongs.

belt ::: 1. Any encircling or transverse band, strip, or stripe characteristically distinguished from the surface it crosses. 2. An elongated region having distinctive properties or characteristics and long in proportion to its breadth. 3. A zone or district.

bent ::: personal inclination, propensity, tendency or aptitude.

bequeathed ::: disposed of (property, etc.) by last will; fig. handed down, passed on.

bleak ::: 1. Exposed to the elements; unsheltered and barren; desolate; cold and cutting; raw, windswept. 2. Offering little or no hope or encouragement.

blind ::: adj. 1. Unable to see; lacking the sense of sight; sightless. Also fig. 2. Unwilling or unable to perceive or understand. 3. Lacking all consciousness or awareness. 4. Not having or based on reason or intelligence; absolute and unquestioning. 5. Not characterized or determined by reason or control. 6. Purposeless; fortuitous, random. 7. Undiscriminating; heedless; reckless. 8. Enveloped in darkness; dark, dim, obscure. 9. Dense enough to form a screen. 10. Covered or concealed from sight; hidden from immediate view. 11. Having no openings or passages for light; (a window or door) walled up. blindest, half-blind. v. 12. To deprive of sight permanently or temporarily. 13. To make sightless momentarily; dazzle. blinded.* n. 14. A blind person, esp. as pl., those who are blind. 15. Fig.* Any thing or action intended to conceal one"s real intention; a pretence, a pretext; subterfuge.

blind alley ::: 1. A road, alley, etc. that is open only at one end. 2. A position or situation offering no hope of progress or improvement. 3. A situation in which no further progress can be made.

blink ::: n. **1. A glance, often with half-shut eyes; a wink. v. 2. To close and open one or both of the eyes rapidly; shut the eyelids momentarily and involuntarily; to wink for an instant. 3. To shut the eyes to; to evade, shirk, pass by, ignore. blinks, blinked.**

open; frank; guileless.

opening ::: the Mother: "Opening is the release of the consciousness by which it begins to admit into itself the working of the Divine Light and Power.” *Words of the Mother, MCW Vol. 14.

breaking ::: 1. Smashing, splitting, or dividing into parts violently; reducing to pieces or fragments. 2. Dawning upon; coming upon. 3. An opening made by breaking out from. breakings.

bright ::: 1. Emitting or reflecting light readily or in large amounts; shining; radiant. 2. Magnificent; glorious. 3. Favourable or auspicious. 4. Fig. Characterized by happiness or gladness; full of promise and hope. 5. Distinct and clear to the mind, etc. 6. Intensely clear and vibrant in tone or quality. 7. Polished; glistening as with brilliant color. brighter, brightest, bright-hued, bright-pinioned, flame-bright, moon-bright, pearl-bright, sun-bright.

brink ::: 1. The upper edge of a steep or vertical slope, esp. the margin of land bordering a body of water. 2. Any extreme edge; verge. 3. A crucial or critical point, esp. of a situation or state beyond which success or catastrophe occurs.

broad ::: 1. Wide in extent from side to side; of great breadth. 2. Of vast extent; spacious. 3. Broad in scope; extensive. 4. Clear and open; full; (said of daylight, etc.). broad-based, broad-flung.

broadened ::: v. 1. Became broad or broader; widened. adj. 2. Extended; expanded; in scope or range.

bud ::: 1. A rudimentary inflorescence, i.e. flower bud. 2. *Fig. Something in an undeveloped or immature condition. *buds, honey-buds, lotus-bud.

"Buddhi . . . means, properly speaking, the mental power of understanding” Essays on the Gita

business ::: 1. One"s rightful or proper concern or interest. 2. A specific occupation or pursuit; an action in which one is engaged.

cabbala ::: 1 A body of mystical Jewish teachings based on an interpretation of hidden meanings in the Hebrew Scriptures. Among its central doctrines are, all creation is an emanation from the Deity and the soul exists from eternity. 2. Any secret or occult doctrine or science. 3. "Esoteric system of interpretation of the Hebrew scriptures based on the assumption that every word, letter, number, and accent in them has an occult meaning. The system, oral at first, claimed great antiquity, but was really the product of the Middle Ages, arising in the 7th century and lasting into the 18th. It was popular chiefly among Jews, but spread to Christians as well. (Col. Enc.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works

candid ::: 1. Characterized by openness and sincerity of expression; unreservedly straightforward. 2. Free from prejudice; impartial. 3. Clear or pure 4. Not posed or rehearsed.

capital ::: 1. A town or city that is the official seat of government in a political entity, such as a state or nation. 2. Wealth in the form of money or property.

casements ::: window sashes that open outward by means of hinges.

cave ::: 1. A hollow or natural passage under or into the earth, especially one with an opening to the surface. 2. A hollow in the side of a hill or cliff, or underground of any kind; a cavity. Cave, caves, death-cave, deep-caved, cave-heart.

cope ::: to contend or strive with difficulties and act to overcome them.

chain-work ::: handiwork in which parts are looped or woven together like the links of a chain.

chase ::: v. **1. To follow rapidly in order to catch or overtake; pursue. 2. To follow or devote one"s attention to with the hope of attracting, winning, gaining, etc. 3. To put to flight; drive out. ::: —chases, chased.* *n. 3. The act of pursuing in an effort to overtake or capture thunder-chase.**

chasm ::: 1. A deep, steep-sided opening in the earth"s surface; an abyss or gorge. 2. A void or gap. chasms.

cherish ::: 1. To hold great love for someone; feel love for one. 2. To care for, protect and love —(a person). 3. To cling fondly to (a hope, idea, etc.); nurse. cherished.

chinks ::: narrow openings, such as a cracks or fissures.

claim ::: n. 1. A demand for something as rightful or due. 2. Something claimed in a formal or legal manner as a right or title. claims. *v. *3. To demand, ask for, assert, or take as one"s own or one"s due. 4. To state to be true, especially when open to question; assert or maintain. claims, claimed, claiming, claimest, claimst, death-claimed, trance-claimed.

clear ::: 1. Not obscured or darkened; bright. 2. Free from darkness, obscurity, or cloudiness; transparent. 3. Serene; calm; untroubled. 4. Free from doubt or confusion; certain. 5. Easily perceptible to the eye or ear; distinct. 6. Easily understood; without ambiguity. 7. Free from impediment, obstruction, or hindrance; open. clearer, sun-clear, surface-clear.

cleft ::: 1. A crack, crevice, or split. 2. A long narrow opening. clefts.

cling ::: 1. To come or be in close contact with; stick or hold together and resist separation 2. To hold fast or adhere to as if by embracing. 3. To be emotionally or intellectually attached or remain close to. 4. To hold on tightly or tenaciously to. 5. To remain attached as to an idea, hope, memory, etc. clings, clung, clinging.

cloisters ::: 1. Covered walks with an open colonnade on one side, running along the walls of buildings that face a quadrangle. 2. Secluded, quiet places. cloister"s, cloisters.

coilas ::: (Most often spelled Kailas.) "One of the highest and most rugged mountains of the Himalayan range, located in the southwestern part of China. It is an important holy site both to the Hindus, who identify it with the paradise of Shiva and also regard it as the abode of Kubera, and to the Tibetan Buddhists, who identify it with Mount Sumeru, cosmic centre of the universe.” Glossary and Index of Proper Names in Sri Aurobindo"s Works

collaboration ::: co-operation; working together harmoniously, especially in a joint intellectual effort.

communality ::: a feeling or spirit of cooperation and belonging arising from common interests and goals.

confines ::: 1. The limits of a space or area; the borders. 2. A bounded scope. 3. Restraining elements.

control-room ::: a room housing control equipment where certain operations are conducted.

cord ::: 1. An influence, feeling, or force that binds or restrains; a bond or tie. 2. Fig. Like a thin rope made of several strands woven together to hold the parts of anything. cords, heart-cords.

cosmic force ::: Sri Aurobindo: ". . . universal force and universal consciousness are one, — cosmic force is the operation of cosmic consciousness.” *The Life Divine

cosmic mind ::: Sri Aurobindo: "Nevertheless, the fact of this intervention from above, the fact that behind all our original thinking or authentic perception of things there is a veiled, a half-veiled or a swift unveiled intuitive element is enough to establish a connection between mind and what is above it; it opens a passage of communication and of entry into the superior spirit-ranges. There is also the reaching out of mind to exceed the personal ego limitation, to see things in a certain impersonality and universality. Impersonality is the first character of cosmic self; universality, non-limitation by the single or limiting point of view, is the character of cosmic perception and knowledge: this tendency is therefore a widening, however rudimentary, of these restricted mind areas towards cosmicity, towards a quality which is the very character of the higher mental planes, — towards that superconscient cosmic Mind which, we have suggested, must in the nature of things be the original mind-action of which ours is only a derivative and inferior process.” *The Life Divine

"If we accept the Vedic image of the Sun of Truth, . . . we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; . . . At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies, — not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality.” The Life Divine

"There is one cosmic Mind, one cosmic Life, one cosmic Body. All the attempt of man to arrive at universal sympathy, universal love and the understanding and knowledge of the inner soul of other existences is an attempt to beat thin, breach and eventually break down by the power of the enlarging mind and heart the walls of the ego and arrive nearer to a cosmic oneness.” *The Synthesis of Yoga

"[The results of the opening to the cosmic Mind:] One is aware of the cosmic Mind and the mental forces that move there and how they work on one"s mind and that of others and one is able to deal with one"s own mind with a greater knowledge and effective power. There are many other results, but this is the fundamental one.” Letters on Yoga

"The cosmic consciousness has many levels — the cosmic physical, the cosmic vital, the cosmic Mind, and above the higher planes of cosmic Mind there is the Intuition and above that the overmind and still above that the supermind where the Transcendental begins. In order to live in the Intuition plane (not merely to receive intuitions), one has to live in the cosmic consciousness because there the cosmic and individual run into each other as it were, and the mental separation between them is already broken down, so nobody can reach there who is still in the separative ego.” Letters on Yoga*


court ::: 1. An extent of open ground partially or completely enclosed by walls or buildings; a courtyard. 2. The place of residence of a sovereign or dignitary; a royal mansion or palace. courts, courtyard, courtyard"s.

covert ::: 1. Secret or hidden from view or knowledge; not openly practiced or engaged in, shown or avowed. 2. Concealment; secrecy. 3. A covered place or shelter; hiding place.

crannies ::: 1. Small, narrow openings in a wall, rock, etc.,; chinks, crevices, fissures. 2. Small out-of-the-way places or obscure corners; nooks.

credulous ::: disposed to believe too readily, esp. without proper or adequate evidence; gullible.

crevices ::: narrow cracks or openings; fissures or clefts.

crude ::: 1. In a raw or unprepared state; unrefined or natural; unfinished, coarse. 2. Lacking in intellectual subtlety, perceptivity, etc.; rudimentary; undeveloped. 3. Rough or primitive. 4. Lacking culture, refinement, tact. crudely.

cup ::: 1. A small open container, usually with a flat bottom and a handle, used for drinking, or something resembling it. cup"s 2. *Fig.* Something that one must endure; one"s lot to be experienced or endured with pain or happiness, as these lines in Savitri:

cyclopean ::: pertaining to one of a race of giants having a single eye in the middle of the forehead or any of three one-eyed Titans who forged thunderbolts for Zeus.

dart ::: n. 1. A small, slender missile that is pointed at one end and usually feathered at the other and is propelled by hand, as in the game of darts, or by a blowgun when used as a weapon. 2. Something similar in function to such a missile, as the stinging member of an insect. *v. 2. To thrust or move suddenly or rapidly.* darts.

dawn ::: “Dawn always means an opening of some kind—the coming of something that is not yet fully there.” Letters on Yoga

"Death is there because the being in the body is not yet developed enough to go on growing in the same body without the need of change and the body itself is not sufficiently conscious. If the mind and vital and the body itself were more conscious and plastic, death would not be necessary.” Letters on Yoga

“Death is there because the being in the body is not yet developed enough to go on growing in the same body without the need of change and the body itself is not sufficiently conscious. If the mind and vital and the body itself were more conscious and plastic, death would not be necessary.” Letters on Yoga

delicate ::: 1. Distinguishing subtle differences. 2. Of instruments: precise, skilled, or sensitive in action or operation. 3. Marked by sensitivity of discrimination and skillful in expression, technique, etc. 4. Exquisitely or beautifully fine in texture, construction, or finish. 5. Exquisite, fine, or subtle in quality, character, construction, etc. 6. (of colour, tone, taste, etc.) Pleasantly subtle, soft, or faint.

demand ::: n. 1. A formal claim. 2. An urgent requirement or need. demands. v. 3. To ask urgently or peremptorily, to claim as just or due. 4. To require as useful, just, proper, or necessary; call for. demands, demanded, demanding.

descent ::: 1. The act or an instance of descending. 2. A downward incline or passage; a slope. Descent.

desolate ::: 1. Uninhabited, laid waste, deserted, without any sign of life, barren. 2. Devoid of inhabitants; deserted. 3. Bereft of friends or hope; sad and forlorn. 4. Wretched or forlorn. 5. Dreary, dismal, gloomy. desolately.

despair ::: the state in which all hope is lost or absent. despairs, despairing *adj.* Characterized by or resulting from despair; hopeless.

desperate ::: actuated by a feeling of hopelessness; that leaves little or no room for hope; such as to be despaired of; extremely dangerous or serious.

dimension ::: 1. A property of space; extension in a given direction; extension in time. 2. Measurement in length, width and thickness; scope, importance. dimensions.

dips ::: 1. Plunges briefly into water or another liquid and removes quickly. 2. Sinks or drops down, or below a particular level, as if dipping into water; goes down, sinks, sets. 3. Has a downward inclination; inclines or slopes downwards; is inclined to the horizon. dipped, dipping.

disclose ::: 1. To make known; reveal or uncover. 2. To cause to appear; allow to be seen; lay open to view. discloses, disclosed, disclosing , heart-disclosing.

discouraged ::: 1. Deprived of courage, hope, or confidence; disheartened; dispirited. 2. Obstructed by opposition or difficulty; hindered. discouraging.

displaced ::: 1. Removed or shifted (something) from its place; put out of the proper or usual place. 2. Took the place of; supplanted.

dragon of the dark foundation ::: Sri Aurobindo: "All this action and struggle and ascension is supported by Heaven our Father and Earth our Mother, Parents of the Gods, who sustain respectively the purely mental and psychic and the physical consciousness. Their large and free scope is the condition of our achievement. Vayu, Master of life, links them together by the mid-air, the region of vital force. And there are other deities, — Parjanya, giver of the rain of heaven; Dadhikravan, the divine war-horse, a power of Agni; the mystic Dragon of the Foundations; Trita Aptya who on the third plane of existence consummates our triple being; and more besides.” The Secret of the Veda

driver ::: that which pushes, propels, or presses onward forcibly; urges forward.

drive ::: v. 1. To impel; constrain; urge; compel. 2. To manoeuvre, guide or steer the progress of. 3. To impel (matter) by physical force; to cause (something) to move along by direct application of physical force; to propel, carry along. 4. To send, expel, or otherwise cause to move away or out by force or compulsion. 5. To strive vigorously and with determination toward a goal or objective. 6. To cause and guide the movement of (a vehicle, an animal, etc.). n. 7. A strong organized effort to accomplish a purpose, with energy, push or aggressiveness. 8. Impulse; impulsive force. adj. 9. Urged onward, impelled. 10. Pertaining to an inner urge that stimulates activity or inhibition. drives, drove, drov"st, driving, driven.

drooped ::: sagged in dejection or exhaustion.

duality ::: “The duality is a position taken up, a double status accepted for the operations of the self-manifestation of the being; but there is no eternal and fundamental separateness and dualism of Being and its Consciousness-Force, of the Soul and Nature.” The Life Divine

durga ::: "In Hindu religion, the goddess who is the Energy of Shiva and the conquering and protecting aspect of the Universal Mother. She is the slayer of many demons including Mahisasura. Durga is usually depicted in painting and sculpture riding a lion, having eight or ten arms, each holding the special weapon of one or another of the gods who gave them to her for her battles with demons. (A; Enc. Br.)” *Glossary and Index of Proper Names in Sri Aurobindo"s Works.

elements ::: Sri Aurobindo: "The first ripple or vibration in causal matter creates a new and exceedingly fine and pervasive condition of matter called Akasha or Ether; more complex motion evolves out of Ether a somewhat intenser condition which is called Vayu, Air; and so by ever more complex motion with increasing intensity of condition for result, yet three other matter-states are successively developed, Agni or Fire, Apah or Water and Prithvi or Earth.” *Supplement to the Sri Aurobindo Birth Centenary Library

elements ::: “The first ripple or vibration in causal matter creates a new and exceedingly fine and pervasive condition of matter called Akasha or Ether; more complex motion evolves out of Ether a somewhat intenser condition which is called Vayu, Air; and so by ever more complex motion with increasing intensity of condition for result, yet three other matter-states are successively developed, Agni or Fire, Apah or Water and Prithvi or Earth.” Supplement to the Sri Aurobindo Birth Centenary Library

embedded ::: surrounded tightly or firmly; enveloped or enclosed.

"Emptiness is not in itself a bad condition, only if it is a sad and restless emptiness of the dissatisfied vital. In sadhana emptiness is very usually a necessary transition from one state to another. When mind and vital fall quiet and their restless movements, thoughts and desires cease, then one feels empty. This is at first often a neutral emptiness with nothing in it, nothing in it either good or bad, happy or unhappy, no impulse or movement. This neutral state is often or even usually followed by the opening to inner experience. There is also an emptiness made of peace and silence, when the peace and silence come out from the psychic within or descend from the higher consciousness above. This is not neutral, for in it there is the sense of peace, often also of wideness and freedom. There is also a happy emptiness with the sense of something close or drawing near which is not yet there, e.g. the closeness of the Mother or some other preparing experience.” Letters on Yoga*

enlarge ::: 1. To increase the capacity or scope of; expand. 2. To make or grow larger in size, scope, etc.; increase or expand the range of. enlarged.

enticing ::: leading on by exciting hope or desire; alluring.

enveloped ::: 1. Wrapped up in or as in a covering. 2. Surrounded entirely. enveloping, envelopment.

envelope ::: something that covers or surrounds.

::: "Erinyes, in Greek mythology, the goddesses of vengeance, usually represented as three winged maidens, with snakes in their hair. They pursued criminals, drove them mad, and tormented them in Hades. They were spirits of punishment, avenging wrongs done especially to kindred. In Roman literature they were called Furies.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works*

errant ::: 1. Wandering in search of adventure. 2. Straying from the proper course or standards. 3. Moving in an aimless or lightly changing manner.

estate ::: 1. The situation or circumstances of one"s life. 2. Social position or rank, especially of high order. 3. A person"s total possessions (property, money etc.). 4. A landed property, usually, of considerable size. estates.

etna ::: an active volcano in eastern Sicily, the highest active volcano in Europe.

"Evolution is an inverse action of the involution: what is an ultimate and last derivation in the involution is the first to appear in the evolution; what was original and primal in the involution is in the evolution the last and supreme emergence.” The Life Divine ::: "Evolution, as we see it in this world, is a slow and difficult process and, indeed, needs usually ages to reach abiding results; but this is because it is in its nature an emergence from inconscient beginnings, a start from nescience and a working in the ignorance of natural beings by what seems to be an unconscious force. There can be, on the contrary, an evolution in the light and no longer in the darkness, in which the evolving being is a conscious participant and cooperator, and this is precisely what must take place here.” Essays in Philosophy and Yoga

"Evolution takes place on the earth and therefore the earth is the proper field for progression. The beings of the other worlds do not progress from one world to another. They remain fixed to their own type.” Letters on Yoga

“Evolution takes place on the earth and therefore the earth is the proper field for progression. The beings of the other worlds do not progress from one world to another. They remain fixed to their own type.” Letters on Yoga

exhaust ::: to use up completely; drain the resources or properties of; deplete. exhausted, exhaustless.

expand ::: 1. To increase in extent, size, volume, scope, etc. 2. To unfold, open out, widen. expands, expanding.

expanding ::: adj. 1. That opens up or out; unfolds. 2. That unfolds or develops; spreads out. 3. That increases in bulk, extent, volume, etc.

expanse ::: a wide and open extent, as of surface, land, or sky. expanses.

expansion ::: 1. The action of increasing (something) in size or volume or quantity or scope. 2. The degree, extent, or amount by which something expands.

experiment ::: n. **1. A test, trial, or tentative procedure; an act or operation for the purpose of discovering something unknown or of testing a principle, supposition, etc. v. 2.* To try something new, especially in order to gain experience. experiments. adj.* experimenting.

expose ::: 1. To lay open to something specified. 2. To lay open to the action or influence of. 3. To lay open to danger, attack, harm, etc. 4. To make visible or apparent. 5. To reveal or unmask (a crime, fraud, impostor, etc.). exposes, exposed.

extend ::: to enlarge the area, scope, or range of.

extinguished ::: 1. Put an end to (hopes, for example); destroyed. 2. Put out, quenched. 3. Obscured; eclipsed.

::: **"Fear and anxiety are perverse forms of will. What thou fearest & ponderest over, striking that note repeatedly in thy mind, thou helpest to bring about; for, if thy will above the surface of waking repels it, it is yet what thy mind underneath is all along willing, & the subconscious mind is mightier, wider, better equipped to fulfil than thy waking force & intellect. But the spirit is stronger than both together; from fear and hope take refuge in the grandiose calm and careless mastery of the spirit.” Essays Divine and Human

ferment ::: 1. A state of agitation or of turbulent change or development. 2. A process of nature involving the addition of yeasts, moulds and certain bacteria (to liquids or solids) causing an effervescence or internal commotion, with evolution of heat, in the substance operated on, and a resulting alteration of its properties.

fettered ::: bound with chains or ropes, etc. around the legs, as an animal, to restrict the movement of. Hence, fig. imposed restraint upon; confined, impeded, restrained.

feudal ::: of, pertaining to, or like the feudal system (the system of civil government which prevailed in Europe during the Middle Ages, and which was based on the relation of superior and vassal arising out of the holding of lands.)

field ::: 1. A wide unbroken expanse, as of ice. 2. An area or sphere of activity. 3. A broad, level, open expanse of land; a stretch of open land, esp. one used for pasture or tillage; a plain. 4. The surface on which something is portrayed or enacted. An area of human activity or interest. 5. A piece of ground devoted to sports or contests; playing field. 6. A region of space characterized by a physical property, such as gravitational or electromagnetic force or fluid pressure. fields, field-paths, star-field, time-field, play-fields, race-fields.

fissured ::: split open or apart; cleaved; separated, divided.

fitting ::: 1. Appropriate or proper; suitable. 2. Used with prefixed adverbs to denote an appropriate or inappropriate fit. 3. Of a manufactured article: Of the right measure or size; made to fit, accurate in fit, well or close-fitting. close-fitting, ill-fitting.

flute ::: n. 1. A high-pitched woodwind instrument; a slender tube closed at one end with finger holes on one end and an opening near the closed end across which the breath is blown. flutes. *v. 2. To play a flute. *fluted, fluting.

folded ::: 1. Enclosed, wrapped, enveloped. 2. Clasped as in prayer. 3. Brought (the arms, hands, etc.) together in an intertwined or crossed manner; clasped, crossed.

fold (s) ::: v. 1. To envelope or clasp; enfold. 2. To bring (the wings) close to the body, as a bird on alighting. folding. *n. 3. The doubling of any flexible substance, as cloth; one part turned or bent and laid on another. Also fig. *4. A coil of a serpent, string, etc.

force ::: n. 1. Strength; energy; power; intensity. 2. Fig. An agency, influence, or source of power likened to a physical force. Force, force"s, forces, Force-compelled, Conscious-Force, earth-force, God-Force, lion-forces, Mother-Force, Nature-force, Nature-Force, serpent-force, soul-force, Soul-Forces, world-force, World-Force, world-forces. *v. 3. To compel or cause (a person, group, etc.) to do something through effort, superior strength, etc.; coerce. 4. To propel or drive despite resistance. 5. To break open (a gate, door, etc.) *forces, forced, forcing.

"For if we examine carefully, we shall find that Intuition is our first teacher. Intuition always stands veiled behind our mental operations. Intuition brings to man those brilliant messages from the Unknown which are the beginning of his higher knowledge.” The Life Divine*

forward ::: adv. 1. Toward or tending to the front; facing frontward. 2. Fig. Directed or moving ahead. 3. Of continuous motion: Towards what is in front; (moving) onwards, on. forward-rippling, forward-striving. *adj. 4. At or near or directed towards a point ahead.* ::: to look forward. Expect or hope for something positive in the future.

"For we have seen that universal force and universal consciousness are one, — cosmic force is the operation of cosmic consciousness.” The Life Divine*

fountain ::: 1. The source or origin of anything. 2. A jet or stream of water made by artificial means to spout or rise from an opening or structure, as to afford water for use, to cool the air, or to serve for ornament. fountain"s, fountains.

frank ::: direct; ingenuous, open, sincere; undisguised; straightforward. frankness.

frequencies ::: the property or condition of occurring at frequent intervals.

fumble ::: to feel or grope about clumsily. fumbled, fumbling.

gabled ::: built with a gable (The generally triangular section of wall at the end of a pitched roof, occupying the space between the two slopes of the roof.).

gandhamadan ::: "In Hindu mythology, a mountain and forest in Ilavrta, the central region of the world which contains Mount Meru. Gandhamadan dorms the division between Ilavrta and Bhadrasva, to the east of Meru. The forest of Gandhamadan is renowned for its fragrance. (Dow.; Enc. Br.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works.

gap ::: 1. A break or opening; breach. 2. An unfilled space or interval; a blank or deficiency; a break in continuity. 3. A wide divergence; disparity. gaps.

gape ::: 1. A wide opening; breach. 2. To open wide. Gapes, gaped

gas ::: 1. A substance in the gaseous state. 2. Physics. A substance possessing perfect molecular mobility and the property of indefinite expansion, as opposed to a solid or liquid.

gasping ::: struggling for breath with open mouth; breathing convulsively, esp. at the point of death.

gauze ::: 1. A thin, transparent fabric with a loose open weave, used for curtains and clothing. *Also fig.*

glade ::: an open space in a forest. glades.

grace ::: n. **1. Elegance or beauty of form, manner, motion, or action. 2. Favour or goodwill. 3. A manifestation of favour, especially by a superior. 4. Theol. a. The freely given, unmerited favour and love of God. b. The influence or spirit of God operating in humans to regenerate or strengthen them. c. A virtue or excellence of divine origin. d. The condition of being in God"s favour or one of the elect. 5. Divine love and protection bestowed freely on people. v. 6. To lend or add grace to; adorn. graced, graceful, graceless.**

grandiose ::: characterized by greatness of scope or intent; grand.

grope ::: 1. To feel about with the hands; feel one"s way, as if blind. 2. To search blindly or uncertainly. gropes, groped.

growth ::: 1. The process of growing in all senses of the word. 2. Something that has grown or developed by or as if by a natural process. growths.

handle ::: n. 1. A part that is designed to be held or operated with the hand. v. 2. To deal with or have responsibility for; conduct.

having the seal removed from; opened.

hopeless

hope

hopest

headquarters ::: a centre of operations.

heavy ::: 1. Having relatively great weight. lit. and fig. 2. Weighed down; burdened. 3. Marked by or exhibiting weariness. 4. Without vivacity or interest; ponderous; dull. 5. Not easily borne; oppressive; burdensome; harsh. 6. Hard to cope with; trying; difficult. 7. Weighed down with sorrow or grief; sorrowful, sad, grieved, despondent. 8. Deep, profound, intense. 9. Of great import or seriousness; grave. 10. Sober, serious, sombre or tragic. 11. With great force, intensity, turbulence, etc. 12. Having considerable thickness or substance. 13. Lacking vitality; deficient in vivacity or grace. 14. Emotionally weighed down; despondent. heavier.

"Ideals are truths that have not yet effected themselves for man, the realities of a higher plane of existence which have yet to fulfil themselves on this lower plane of life and matter, our present field of operation.” Essays in Philosophy and Yoga

"Ideals are truths that have not yet effected themselves for man, the realities of a higher plane of existence which have yet to fulfil themselves on this lower plane of life and matter, our present field of operation. To the pragmatical intellect which takes its stand upon the ever-changing present, ideals are not truths, not realities, they are at most potentialities of future truth and only become real when they are visible in the external fact as work of force accomplished. But to the mind which is able to draw back from the flux of force in the material universe, to the consciousness which is not imprisoned in its own workings or carried along in their flood but is able to envelop, hold and comprehend them, to the soul that is not merely the subject and instrument of the world-force but can reflect something of that Master-Consciousness which controls and uses it, the ideal present to its inner vision is a greater reality than the changing fact obvious to its outer senses. The Supramental Manifestation*

"Ignorance, this matrix of sin, has in its substantial effect the appearance of a triple cord of limited mind, inefficient life, obscure physical animality, the three ropes with which the Rishi Shunahshepa in the parable was bound as a victim to the sacrificial post.” The Secret of the Veda

"I have said that the Avatar is one who comes to open the Way for humanity to a higher consciousness —. . . .” Letters on Yoga

“I have said that the Avatar is one who comes to open the Way for humanity to a higher consciousness—….” Letters on Yoga

"I have started writing about doubt, but even in doing so I am afflicted by the ‘doubt" whether any amount of writing or of anything else can ever persuade the eternal doubt in man which is the penalty of his native ignorance. In the first place, to write adequately would mean anything from 60 to 600 pages, but not even 6000 convincing pages would convince doubt. For doubt exists for its own sake; its very function is to doubt always and, even when convinced, to go on doubting still; it is only to persuade its entertainer to give it board and lodging that it pretends to be an honest truth-seeker. This is a lesson I have learnt from the experience both of my own mind and of the minds of others; the only way to get rid of doubt is to take discrimination as one"s detector of truth and falsehood and under its guard to open the door freely and courageously to experience.” Letters on Yoga

I have started writing about doubt, but even in doing so I am afflicted by the ‘doubt’ whether any amount of writing or of anything else can ever persuade the eternal doubt in man which is the penalty of his native ignorance. In the first place, to write adequately would mean anything from 60 to 600 pages, but not even 6000 convincing pages would convince doubt. For doubt exists for its own sake; its very function is to doubt always and, even when convinced, to go on doubting still; it is only to persuade its entertainer to give it board and lodging that it pretends to be an honest truth-seeker. This is a lesson I have learnt from the experience both of my own mind and of the minds of others; the only way to get rid of doubt is to take discrimination as one’s detector of truth and falsehood and under its guard to open the door freely and courageously to experience.” Letters on Yoga

"I may say that the opening upwards, the ascent into the Light and the subsequent descent into the ordinary consciousness and normal human life is very common as the first decisive experience in the practice of yoga and may very well happen even without the practice of yoga in those who are destined for the spiritual change, especially if there is a dissatisfaction somewhere with the ordinary life and a seeking for something more, greater or better.” Letters on Yoga*

“I may say that the opening upwards, the ascent into the Light and the subsequent descent into the ordinary consciousness and normal human life is very common as the first decisive experience in the practice of yoga and may very well happen even without the practice of yoga in those who are destined for the spiritual change, especially if there is a dissatisfaction somewhere with the ordinary life and a seeking for something more, greater or better.” Letters on Yoga

impel ::: to drive forward; propel.

". . . imperfection is not a thing to be at all deplored, but rather a privilege and a promise, for it opens out to us an immense vista of self-development and self-exceeding.” The Human Cycle etc.*

incapable ::: 1. Lacking the necessary ability, capacity, or power. 2. Not open to; not susceptible to or admitting.

incline ::: n. 1. A steep slope or rise. *v. 2. To bow, nod, or bend (the head, body, etc.). 3. To dispose (a person) in mind, habit, etc. (usually followed by to). 4. To listen, especially willingly or favourably. *inclined, inclining.

inconsequent ::: 1. Characterized by lack of proper sequence in thought, speech, or action. 2. Without worth or consequence; trivial. inconsequence, Inconsequence.

infallible ::: 1. Incapable of failure or error. 2. Not liable to failure; certain; sure. 3. Absolutely trustworthy or sure. 4. Unfailing in effectiveness or operation; certain. infallibly, infallibility.

"In Greek mythology, a giant with a hundred arms, a son of Uranus and Ge, who fought against the gods. He was hurled down by Athene and imprisoned beneath Mt. Aetna in Sicily. When he stirs, the mountain shakes; when he breathes, there is an eruption. (M.I.; Web.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works

inheritance ::: fig. Something that is or may be inherited; property passing at the owner"s death to the heir or those entitled to succeed.

" . . . insincerity is always an open door for the adversary. That means there is some secret sympathy with what is perverse. And that is what is serious.” Questions and Answers 1957-58, MCW Vol. 9.

“… insincerity is always an open door for the adversary. That means there is some secret sympathy with what is perverse. And that is what is serious.” Questions and Answers 1957-58, MCW Vol. 9*

inspirational; offering or providing hope, encouragement, salvation, etc.

"In Supermind being, consciousness of knowledge and consciousness of will are not divided as they seem to be in our mental operations; they are a trinity, one movement with three effective aspects. Each has its own effect. Being gives the effect of substance, consciousness the effect of knowledge, of the self-guiding and shaping idea, of comprehension and apprehension; will gives the effect of self-fulfilling force. But the idea is only the light of the reality illumining itself; it is not mental thought nor imagination, but effective self-awareness. It is Real-Idea.” The Life Divine

intermediate zone ::: Sri Aurobindo: "The intermediate zone means simply a confused condition or passage in which one is getting out of the personal consciousness and opening into the cosmic (cosmic Mind, cosmic vital, cosmic physical, something perhaps of the cosmic higher Mind) without having yet transcended the human mind levels. One is not in possession of or direct contact with the divine Truth on its own levels , but one can receive something from them, even from the overmind, indirectly. Only, as one is still immersed in the cosmic Ignorance, all that comes from above can be mixed, perverted, taken hold of for their purposes by lower, even by hostile Powers. ::: It is not necessary for everyone to struggle through the intermediate zone. If one has purified oneself, if there is no abnormal vanity, egoism, ambition or other strong misleading element, or if one is vigilant and on one"s guard, or if the psychic is in front, one can either pass rapidly and directly or with a minimum of trouble into the higher zones of consciousness where one is in direct contact with the Divine Truth.

"In the inner sense of the Veda Surya, the Sun-God, represents the divine Illumination of the Kavi which exceeds mind and forms the pure self-luminous Truth of things. His principal power is self-revelatory knowledge, termed in the Veda ``Sight"". His realm is described as the Truth, the Law, the Vast. He is the Fosterer or Increaser, for he enlarges and opens man"s dark and limited being into a luminous and infinite consciousness. He is the sole Seer, Seer of Oneness and Knower of the Self, and leads him to the highest Sight.” The Upanishads*

". . . in the Veda, Lord of the hosts of delight; in later mythology, the Gandharvas are musicians of heaven, ‘beautiful, brave and melodious beings, the artists, musicians, poets and shining warriors of heaven". . . .” Glossary and Index of Proper Names in Sri Aurobindo"s Works ::: *Gandharvas.

intuition ::: direct perception of truth, fact, etc., independent of any reasoning process. intuition"s, intuitions, half-intuition.

Sri Aurobindo: "Intuition is a power of consciousness nearer and more intimate to the original knowledge by identity; for it is always something that leaps out direct from a concealed identity. It is when the consciousness of the subject meets with the consciousness in the object, penetrates it and sees, feels or vibrates with the truth of what it contacts, that the intuition leaps out like a spark or lightning-flash from the shock of the meeting; or when the consciousness, even without any such meeting, looks into itself and feels directly and intimately the truth or the truths that are there or so contacts the hidden forces behind appearances, then also there is the outbreak of an intuitive light; or, again, when the consciousness meets the Supreme Reality or the spiritual reality of things and beings and has a contactual union with it, then the spark, the flash or the blaze of intimate truth-perception is lit in its depths. This close perception is more than sight, more than conception: it is the result of a penetrating and revealing touch which carries in it sight and conception as part of itself or as its natural consequence. A concealed or slumbering identity, not yet recovering itself, still remembers or conveys by the intuition its own contents and the intimacy of its self-feeling and self-vision of things, its light of truth, its overwhelming and automatic certitude.” *The Life Divine

   "Intuition is always an edge or ray or outleap of a superior light; it is in us a projecting blade, edge or point of a far-off supermind light entering into and modified by some intermediate truth-mind substance above us and, so modified, again entering into and very much blinded by our ordinary or ignorant mind-substance; but on that higher level to which it is native its light is unmixed and therefore entirely and purely veridical, and its rays are not separated but connected or massed together in a play of waves of what might almost be called in the Sanskrit poetic figure a sea or mass of ``stable lightnings"". When this original or native Intuition begins to descend into us in answer to an ascension of our consciousness to its level or as a result of our finding of a clear way of communication with it, it may continue to come as a play of lightning-flashes, isolated or in constant action; but at this stage the judgment of reason becomes quite inapplicable, it can only act as an observer or registrar understanding or recording the more luminous intimations, judgments and discriminations of the higher power. To complete or verify an isolated intuition or discriminate its nature, its application, its limitations, the receiving consciousness must rely on another completing intuition or be able to call down a massed intuition capable of putting all in place. For once the process of the change has begun, a complete transmutation of the stuff and activities of the mind into the substance, form and power of Intuition is imperative; until then, so long as the process of consciousness depends upon the lower intelligence serving or helping out or using the intuition, the result can only be a survival of the mixed Knowledge-Ignorance uplifted or relieved by a higher light and force acting in its parts of Knowledge.” *The Life Divine

  "I use the word ‘intuition" for want of a better. In truth, it is a makeshift and inadequate to the connotation demanded of it. The same has to be said of the word ‘consciousness" and many others which our poverty compels us to extend illegitimately in their significance.” *The Life Divine - Sri Aurobindo"s footnote.

"For intuition is an edge of light thrust out by the secret Supermind. . . .” The Life Divine

". . . intuition is born of a direct awareness while intellect is an indirect action of a knowledge which constructs itself with difficulty out of the unknown from signs and indications and gathered data.” The Life Divine

"Intuition is above illumined Mind which is simply higher Mind raised to a great luminosity and more open to modified forms of intuition and inspiration.” Letters on Yoga

"Intuition sees the truth of things by a direct inner contact, not like the ordinary mental intelligence by seeking and reaching out for indirect contacts through the senses etc. But the limitation of the Intuition as compared with the supermind is that it sees things by flashes, point by point, not as a whole. Also in coming into the mind it gets mixed with the mental movement and forms a kind of intuitive mind activity which is not the pure truth, but something in between the higher Truth and the mental seeking. It can lead the consciousness through a sort of transitional stage and that is practically its function.” Letters on Yoga


intuitive knowledge ::: Sri Aurobindo: " For the highest intuitive Knowledge sees things in the whole, in the large and details only as sides of the indivisible whole; its tendency is towards immediate synthesis and the unity of knowledge.” *The Life Divine

"The intuitive knowledge on the contrary, however limited it may be in its field or application, is within that scope sure with an immediate, a durable and especially a self-existent certitude.” The Synthesis of Yoga

"All intuitive knowledge comes more or less directly from the light of the self-aware spirit entering into the mind, the spirit concealed behind mind and conscious of all in itself and in all its selves, omniscient and capable of illumining the ignorant or the self-forgetful mind whether by rare or constant flashes or by a steady instreaming light, out of its omniscience.” The Synthesis of Yoga*


involved ::: enveloped, enfolded, enwrapped.

"It is because of our experience won at a tremendous price that we can urge upon you and others, ``Take the psychic attitude; follow the straight sunlit path, with the Divine openly or secretly upbearing you — if secretly, he will yet show himself in good time, — do not insist on the hard, hampered, roundabout and difficult journey."" Letters on Yoga

"It is true that metaphors, symbols, images are constant auxiliaries summoned by the mystic for the expression of his experiences: that is inevitable because he has to express, in a language made or at least developed and manipulated by the mind, the phenomena of a consciousness other than the mental and at once more complex and more subtly concrete.” Letters on Yoga*

  It is true that the subliminal in man is the largest part of his nature and has in it the secret of the unseen dynamisms which explain his surface activities. But the lower vital subconscious which is all that this psycho-analysis of Freud seems to know, — and even of that it knows only a few ill-lit corners, — is no more than a restricted and very inferior portion of the subliminal whole. The subliminal self stands behind and supports the whole superficial man; it has in it a larger and more efficient mind behind the surface mind, a larger and more powerful vital behind the surface vital, a subtler and freer physical consciousness behind the surface bodily existence. And above them it opens to higher superconscient as well as below them to lower subconscient ranges.” *Letters on Yoga

jaws ::: 1. In pl. The bones of the skull that frame the mouth and serve to open it; the bones that hold the teeth. 2. In pl. Anything resembling a pair of jaws or evoking the concept of grasping and holding, as the ‘jaws of death" etc.

just ::: 1. Guided by truth, reason, justice, and fairness. 2. Done or made according to principle; equitable; proper. 3. Based on right; rightful; lawful. 4. In keeping with truth or fact; true; correct. 5. Given or awarded rightly; deserved, as a sentence, punishment, or reward. 6. In accordance with standards or requirements; proper or right. 7. Only or merely.

keyed ::: adj. **1. Secured, fastened, or fitted with a key or something compared to a key, with its power of locking or unlocking; opening up or closing, the way to something. v. 2.** Regulated or adjusted (actions, thoughts, speech, etc.) to a particular state or activity; brought into conformity.

king ::: 1. Applied to God. 2. The formal title of a monarch, usually accompanied by or substituted for the proper name.

knot ::: 1. A fastening made by tying together lengths of material, such as rope, in a prescribed way. 2. A unifying bond, a tie, especially a marriage bond. 3. A compact intersection of interlaced material, such as cord, ribbon, or rope. 4. A unified mass or cluster. knots, Nature-knot.

lakshmi ::: ". . . in Hindu mythology, the goddess of wealth and good fortune, consort of Vishnu. According to a legend she sprang from the froth of the Ocean when it was churned, in full beauty, with a lotus in her hand. (Dow.)” *Glossary and Index of Proper Names in Sri Aurobindo"s Works

lapped ::: 1. Enveloped in something. 2. Wrapped or wound around (something); encircled.

lasso ::: a long rope or line of hide or other material with a running noose at one end, used for roping horses, cattle, etc. lassoes.

latent ::: hidden or undeveloped, but capable of being developed; not as yet manifested; concealed.

lattice ::: an open framework made of strips of metal, wood, or similar material overlapped or overlaid in a regular, usually crisscross pattern. lattices, lattice-window.

law. The legal claim of one person upon the property of another person to secure the payment of a debt of the satisfaction of an obligation.

lease ::: a contract granting use or occupation of property during a specified period in exchange for a specified compensation.

ledge ::: a narrow, more or less flat shelf of rock protruding from a cliff or slope.

". . . Life-Force emerging turns upon Matter, imposes a vital content on the operations of material Energy while it develops also its own new movements and operations; Life-Mind emerges in Life-Force and Matter and imposes its content of consciousness on their operations while it develops also its own action and faculties; . . . .” The Life Divine*

light, divine ::: Sri Aurobindo: ". . . there is a Divine Light that leans over the world and is not only a far-off incommunicable Lustre.” *Letters on Yoga

"The opening of the consciousness to the Divine Light and Truth and Presence is always the one important thing in the yoga.” *Letters on Yoga

"In the Veda the Cow is the Divine Light — . . . .” Letters on Yoga*


lintel ::: a horizontal structural member, such as a beam or stone, that spans an opening, as between the uprights of a door or window or between two columns or piers.

lotus (as chakra) ::: Sri Aurobindo: "This arrangement of the psychic body is reproduced in the physical with the spinal column as a rod and the ganglionic centres as the chakras which rise up from the bottom of the column, where the lowest is attached, to the brain and find their summit in the brahmarandhra at the top of the skull. These chakras or lotuses, however, are in physical man closed or only partly open, with the consequence that only such powers and only so much of them are active in him as are sufficient for his ordinary physical life, and so much mind and soul only is at play as will accord with its need. This is the real reason, looked at from the mechanical point of view, why the embodied soul seems so dependent on the bodily and nervous life, — though the dependence is neither so complete nor so real as it seems. The whole energy of the soul is not at play in the physical body and life, the secret powers of mind are not awake in it, the bodily and nervous energies predominate. But all the while the supreme energy is there, asleep; it is said to be coiled up and slumbering like a snake, — therefore it is called the kundalinî sakti, — in the lowest of the chakras, in the mûlâdhâra.” *The Synthesis of Yoga

madra ::: "Name of an ancient country and its people in northwestern India, mentioned in the Mahabaharata. The territory extended from the River Beas to the Chenab or perhaps as far as the Jhelum. Savitri"s father Asvapati was king of this country. (Dow.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works ::: **Madra"s.**

main ::: the open ocean.

mantle ::: 1. A loose, always sleeveless cloak or cape of varying length. 2. Something that covers, envelopes, or conceals.

massive ::: 1. Large or imposing, as in quantity, scope, degree, intensity, or scale. 2. Large in scale, amount or degree.

master of the worlds ::: Sri Aurobindo: " If we suppose a supreme consciousness, master of the world, which really conducts behind the veil all the operations the mental gods attribute to themselves, it will be obvious that that consciousness will be the entire Knower and Lord. *The Upanishads

mechanic ::: n. 1. A worker skilled in making, using, or repairing machines, vehicles, and tools. mechanic"s. adj. **2. Resembling the action of a machine. 3. Resembling (inanimate) machines or their operations; acting or performed without the exercise of thought or volition; lacking spontaneity or originality; machine-like; automatic. 4. Habitual; routine; automatic. 5. Pertaining to, or controlled or affected by, physical force. mechanical, mechanically.**

meditation ::: Sri Aurobindo: "There are two words used in English to express the Indian idea of dhyana , ‘meditation" and ‘contemplation". Meditation means properly the concentration of the mind on a single train of ideas which work out a single subject. Contemplation means regarding mentally a single object, image, idea so that the knowledge about the object, image or idea may arise naturally in the mind by force of the concentration. Both these things are forms of dhyana , for the principle of dhyana is mental concentration whether in thought, vision or knowledge. *Letters on Yoga

mesh ::: 1. Any of the open spaces in a net or network; an interstice. 2. The cords, threads, or wires surrounding these spaces. Often used in the plural. meshes, black-meshed.

mind, Ideal Mind ::: Sri Aurobindo: "The link between the spiritual and the lower planes of the being is that which is called in the old Vedantic phraseology the vijñâna and which we may describe in our modern turn of language as the Truth-plane or the ideal mind or supermind. There the One and the Many meet and our being is freely open to the revealing light of the divine Truth and the inspiration of the divine Will and Knowledge.” *The Synthesis of Yoga

mind, inner ::: Sri Aurobindo: "This mind of pure intelligence has behind it our inner or subliminal mind which senses directly all the things of the mind-plane, is open to the action of a world of mental forces, and can feel the ideative and other imponderable influences which act upon the material world and the life-plane but which at present we can only infer and cannot directly experience:” *The Life Divine

mind ::: Sri Aurobindo: "The ‘Mind" in the ordinary use of the word covers indiscriminately the whole consciousness, for man is a mental being and mentalises everything; but in the language of this yoga the words ‘mind" and ‘mental" are used to connote specially the part of the nature which has to do with cognition and intelligence, with ideas, with mental or thought perceptions, the reactions of thought to things, with the truly mental movements and formations, mental vision and will, etc., that are part of his intelligence.” *Letters on Yoga

"Mind in its essence is a consciousness which measures, limits, cuts out forms of things from the indivisible whole and contains them as if each were a separate integer.” The Life Divine

"Mind is an instrument of analysis and synthesis, but not of essential knowledge. Its function is to cut out something vaguely from the unknown Thing in itself and call this measurement or delimitation of it the whole, and again to analyse the whole into its parts which it regards as separate mental objects.” The Life Divine

"The mind proper is divided into three parts — thinking Mind, dynamic Mind, externalising Mind — the former concerned with ideas and knowledge in their own right, the second with the putting out of mental forces for realisation of the idea, the third with the expression of them in life (not only by speech, but by any form it can give).” Letters on Yoga

"The difference between the ordinary mind and the intuitive is that the former, seeking in the darkness or at most by its own unsteady torchlight, first, sees things only as they are presented in that light and, secondly, where it does not know, constructs by imagination, by uncertain inference, by others of its aids and makeshifts things which it readily takes for truth, shadow projections, cloud edifices, unreal prolongations, deceptive anticipations, possibilities and probabilities which do duty for certitudes. The intuitive mind constructs nothing in this artificial fashion, but makes itself a receiver of the light and allows the truth to manifest in it and organise its own constructions.” The Synthesis of Yoga

"He [man] has in him not a single mentality, but a double and a triple, the mind material and nervous, the pure intellectual mind which liberates itself from the illusions of the body and the senses, and a divine mind above intellect which in its turn liberates itself from the imperfect modes of the logically discriminative and imaginative reason.” The Synthesis of Yoga

"Our mind is an observer of actuals, an inventor or discoverer of possibilities, but not a seer of the occult imperatives that necessitate the movements and forms of a creation. . . .” *The Life Divine

"The human mind is an instrument not of truth but of ignorance and error.” Letters on Yoga

"For Mind as we know it is a power of the Ignorance seeking for Truth, groping with difficulty to find it, reaching only mental constructions and representations of it in word and idea, in mind formations, sense formations, — as if bright or shadowy photographs or films of a distant Reality were all that it could achieve.” The Life Divine

The Mother: "The true role of the mind is the formation and organization of action. The mind has a formative and organizing power, and it is that which puts the different elements of inspiration in order for action, for organizing action. And if it would only confine itself to that role, receiving inspirations — whether from above or from the mystic centre of the soul — and simply formulating the plan of action — in broad outline or in minute detail, for the smallest things of life or the great terrestrial organizations — it would amply fulfil its function. It is not an instrument of knowledge. But is can use knowledge for action, to organize action. It is an instrument of organization and formation, very powerful and very capable when it is well developed.” Questions and Answers 1956, MCW Vol. 8.*


misuse ::: n. Wrong or improper use; misapplication.

mock ::: v. **1. To attack or treat with ridicule, contempt, or derision; to jeer, scoff. 2. To ridicule or jeer by imitation of speech or action. 3. To frustrate the hopes of; disappoint; delude. mocks, mocked, mocking, mockst. adj. 4.** Feigned; not real; sham; counterfeit; imitation.

moor ::: a tract of open, peaty wasteland, often overgrown with heath, common in high latitudes and altitudes where drainage is poor; heath.

mother ::: Sri Aurobindo: "The One whom we adore as the Mother is the divine Conscious Force that dominates all existence, one and yet so many-sided that to follow her movement is impossible even for the quickest mind and for the freest and most vast intelligence. The Mother is the consciousness and force of the Supreme and far above all she creates.” The Mother ::: "The one original transcendent Shakti, the Mother stands above all the worlds and bears in her eternal consciousness the Supreme Divine.

"That which we call Nature or Prakriti is only her [the Mother"s] most outward executive aspect; she marshals and arranges the harmony of her forces and processes, impels the operations of Nature and moves among them secret or manifest in all that can be seen or experienced or put into motion of life.” *The Mother

:   "The Mother comes in order to bring down the Supramental and it is the descent which makes her full manifestation here possible.” *Letters on the Mother

  "When one does sadhana, the inner consciousness begins to open and one is able to go inside and have all kinds of experiences there. As the sadhana progresses, one begins to live more and more in this inner being and the outer becomes more and more superficial. At first the inner consciousness seems to be the dream and the outer the waking reality. Afterwards the inner consciousness becomes the reality and the outer is felt by many as a dream or delusion, or else as something superficial and external. The inner consciousness begins to be a place of deep peace, light, happiness, love, closeness to the Divine or the presence of the Divine, the Mother.” Letters on Yoga :::   **mighty Mother, World-Mother, World-Mother"s.**


n. 1. The feeling that what is wanted can be had or that events will turn out for the best. 2. Something that is hoped for or desired. 3. A person or thing that gives cause for hope. hopes, hoping. v. 4. To feel that something desired may happen; to have trust or confidence (in). hopes, hoped, hoping, hopest.

n. 1. The horizontal line or plane in which anything is situated, with regard to its elevation. 2. A plane or position in a graded scale; position in a hierarchy. 3. On the same plane, on an equality (with). levels. *adj. 4.** *Having a surface without slope, tilt in which no part is higher or lower than another. 5. Height, position, strength, rank, plane, etc. Also fig. v. 6. Fig. To bring persons or things to an equal level; equalize. levelled, all-levelling.**

narad ::: "A well-known Rishi and Vaishnava Bhakta who moves about in the various worlds playing on a lute and having a special role in bringing about events according to the Divine Will.” *Glossary and Index of Proper Names In Sri Aurobindo"s Works

natural ::: 1. Not acquired; inherent. 2. Having a particular character by nature. 3. Of, pertaining to, or proper to the nature or essential constitution. 4. Functioning or occurring in a normal way; lacking abnormalities or deficiencies. 5. Of or pertaining to nature or the universe.

Navel — higher vital (proper).

Navel—higher vital (proper).

net ::: 1. A bag or other contrivance of strong thread or cord worked into an open, meshed fabric, for catching fish, birds, or other animals. 2. Anything serving to catch or ensnare. cloud-net, drag-net.

“Nevertheless, the fact of this intervention from above, the fact that behind all our original thinking or authentic perception of things there is a veiled, a half-veiled or a swift unveiled intuitive element is enough to establish a connection between mind and what is above it; it opens a passage of communication and of entry into the superior spirit-ranges. There is also the reaching out of mind to exceed the personal ego limitation, to see things in a certain impersonality and universality. Impersonality is the first character of cosmic self; universality, non-limitation by the single or limiting point of view, is the character of cosmic perception and knowledge: this tendency is therefore a widening, however rudimentary, of these restricted mind areas towards cosmicity, towards a quality which is the very character of the higher mental planes,—towards that superconscient cosmic Mind which, we have suggested, must in the nature of things be the original mind-action of which ours is only a derivative and inferior process.” The Life Divine

noose ::: a loop formed in a rope by means of a slipknot so that it binds tighter as the rope is pulled.

not developed; not developed by evolution.

:::   (Note: (Other references are to opening as a n. or a form of the v.)

not fully grown or developed.

not seemly; not in keeping with established standards of taste or proper form; unbecoming or indecorous in appearance, speech, conduct, etc.

nurtured ::: 1. Nourished; fed. 2. Helped to grow or developed; cultivated.

odour ::: the property of a substance that gives it a characteristic scent or smell.

official ::: authorized by a proper authority; authoritative.

of or pertaining to geometry, the branch of mathematics that deals with the deduction of the properties, measurement, and relationships of points, lines, angles, and figures in space.

:::   "OM is the mantra, the expressive sound-symbol of the Brahman Consciousness in its four domains from the Turiya to the external or material plane. The function of a mantra is to create vibrations in the inner consciousness that will prepare it for the realisation of what the mantra symbolises and is supposed indeed to carry within itself. The mantra OM should therefore lead towards the opening of the consciousness to the sight and feeling of the One Consciousness in all material things, in the inner being and in the supraphysical worlds, in the causal plane above now superconscient to us and, finally, the supreme liberated transcendence above all cosmic existence.” *Letters on Yoga

OM ::: Sri Aurobindo: "OM is the one universal formulation of the energy of sound and speech, that which contains and sums up, synthesises and releases all the spiritual power and all the potentiality of Vak and Shabda and of which the other sounds, out of whose stuff words of speech are woven, are supposed to be the developed evolutions.” *Essays on the Gita

"One can speak of the chakras only in reference to yoga. In ordinary people the chakras are not open, it is only when they do sadhana that the chakras open. For the chakras are the centres of the inner consciousness and belong originally to the subtle body. So much as is active in ordinary people is very little — for in them it is the outer consciousness that is active.” Letters on Yoga

"One must go deep and find the soul, the self, the Divine Reality within us and only then can life become a true expression of what we can be instead of a blind and always repeated confused blur of the inadequate and imperfect thing we were. The choice is between remaining in the old jumble and groping about in the hope of stumbling on some discovery or standing back and seeking the Light within till we discover and can build the Godhead within and without us. "Letters on Yoga

“One must go deep and find the soul, the self, the Divine Reality within us and only then can life become a true expression of what we can be instead of a blind and always repeated confused blur of the inadequate and imperfect thing we were. The choice is between remaining in the old jumble and groping about in the hope of stumbling on some discovery or standing back and seeking the Light within till we discover and can build the Godhead within and without us.”Letters on Yoga

orchestra ::: a group of performers on various musical instruments, playing music as symphonies, operas, or other musical compositions. orchestral.

order ::: 1. A condition of methodical or prescribed arrangement among component parts such that proper functioning or appearance is achieved; methodical or harmonic arrangement. 2. A condition of logical or comprehensible arrangement among the separate elements of a group. 3. Conformity or obedience to law or established authority. 4. A sequence or arrangement of successive things. 5. An authoritative indication to be obeyed; a command or direction. order"s, orders.

organ ::: an instrument consisting of a number of pipes that sound tones when supplied with air and a keyboard that operates a mechanism controlling the flow of air to the pipes.

original ::: 1. Of or relating to an origin or beginning. 2. A first form from which other forms are made or developed.

overhead ::: over or above the level of the head; high or higher up; situated or operating above head height or some other reference level; on high.

overt ::: open and observable; not hidden, concealed, or secret.

papal ::: of, relating to, or issued by a pope.

passage ::: 1. A movement from one place to another, as by going by, through, over, or across; transit or migration. 2. Fig. The process of passing from one condition or stage to another; transition. 3. An opening or entrance into, through, or out of something. 4. A path, channel, or duct through, over, or along which something may pass. 5. A hall or corridor; passageway. passages, cavern-passages.

peasant ::: a member of a class of persons, as in Europe, Asia and Latin America, who are small farmers or farm labourers of low social rank.

permanence ::: the property of being able to exist for an indefinite duration. Permanence.

pervert ::: adj. Turned from the right way, from the proper use, from truth to error, etc.; wicked; distorted; misapplied. perverted, perverting.

pierce ::: 1. To cut or pass through with or as if with a sharp instrument; stab or penetrate. Also fig. 2. To make a hole or opening in; perforate. 3. To succeed in penetrating (something) with the eyes or the intellect. 4. To move or affect (a person"s emotions, bodily feelings, etc.) deeply or sharply. pierced, piercing.

pioneers ::: those who venture into the unknown to open up new areas of thought, research, or development, that others may follow: forerunners.

plunder ::: property stolen by fraud or force; booty.

possess ::: 1. To gain or seize for oneself. 2. To gain or exert influence or control over the emotions etc.; dominate. 3. To have as one"s property; own. possesses, possessed.

possession ::: 1. The act of possessing or state of being possessed. 2. Wealth or property. 3. Control over one"s self, one"s mind, etc. possessions.

powered ::: having or using or propelled by means of power or power of a specified kind.

"Practically, therefore, all form is only an operation of consciousness impressing itself with presentations of its own workings.” The Upanishads

property ::: something owned; a possession.

preface ::: a preliminary statement or essay introducing a book that explains its scope, intention, or background and is usually written by the author.

presence ::: 1. The state or fact of being present; current existence or occurrence. 2. A divine, spiritual, or supernatural spirit or influence felt or conceived as present. 3. The immediate proximity of someone or something.

Sri Aurobindo: "It is intended by the word Presence to indicate the sense and perception of the Divine as a Being, felt as present in one"s existence and consciousness or in relation with it, without the necessity of any further qualification or description. Thus, of the ‘ineffable Presence" it can only be said that it is there and nothing more can or need be said about it, although at the same time one knows that all is there, personality and impersonality, Power and Light and Ananda and everything else, and that all these flow from that indescribable Presence. The word may be used sometimes in a less absolute sense, but that is always the fundamental significance, — the essential perception of the essential Presence supporting everything else.” *Letters on Yoga

"Beyond mind on spiritual and supramental levels dwells the Presence, the Truth, the Power, the Bliss that can alone deliver us from these illusions, display the Light of which our ideals are tarnished disguises and impose the harmony that shall at once transfigure and reconcile all the parts of our nature.” Essays Divine and Human

"But if we learn to live within, we infallibly awaken to this presence within us which is our more real self, a presence profound, calm, joyous and puissant of which the world is not the master — a presence which, if it is not the Lord Himself, is the radiation of the Lord within.” *The Life Divine

"The true soul secret in us, — subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil, — this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” *The Life Divine

"If we need any personal and inner witness to this indivisible All-Consciousness behind the ignorance, — all Nature is its external proof, — we can get it with any completeness only in our deeper inner being or larger and higher spiritual state when we draw back behind the veil of our own surface ignorance and come into contact with the divine Idea and Will behind it. Then we see clearly enough that what we have done by ourselves in our ignorance was yet overseen and guided in its result by the invisible Omniscience; we discover a greater working behind our ignorant working and begin to glimpse its purpose in us: then only can we see and know what now we worship in faith, recognise wholly the pure and universal Presence, meet the Lord of all being and all Nature.” *The Life Divine

"The presence of the Spirit is there in every living being, on every level, in all things, and because it is there, the experience of Sachchidananda, of the pure spiritual existence and consciousness, of the delight of a divine presence, closeness, contact can be acquired through the mind or the heart or the life-sense or even through the physical consciousness; if the inner doors are flung sufficiently open, the light from the sanctuary can suffuse the nearest and the farthest chambers of the outer being.” *The Life Divine

"There is a secret divine Will, eternal and infinite, omniscient and omnipotent, that expresses itself in the universality and in each particular of all these apparently temporal and finite inconscient or half-conscient things. This is the Power or Presence meant by the Gita when it speaks of the Lord within the heart of all existences who turns all creatures as if mounted on a machine by the illusion of Nature.” *The Synthesis of Yoga

"For what Yoga searches after is not truth of thought alone or truth of mind alone, but the dynamic truth of a living and revealing spiritual experience. There must awake in us a constant indwelling and enveloping nearness, a vivid perception, a close feeling and communion, a concrete sense and contact of a true and infinite Presence always and everywhere. That Presence must remain with us as the living, pervading Reality in which we and all things exist and move and act, and we must feel it always and everywhere, concrete, visible, inhabiting all things; it must be patent to us as their true Self, tangible as their imperishable Essence, met by us closely as their inmost Spirit. To see, to feel, to sense, to contact in every way and not merely to conceive this Self and Spirit here in all existences and to feel with the same vividness all existences in this Self and Spirit, is the fundamental experience which must englobe all other knowledge.” *The Synthesis of Yoga

"One must have faith in the Master of our life and works, even if for a long time He conceals Himself, and then in His own right time He will reveal His Presence.” *Letters on Yoga

"They [the psychic being and the Divine Presence in the heart] are quite different things. The psychic being is one"s own individual soul-being. It is not the Divine, though it has come from the Divine and develops towards the Divine.” *Letters on Yoga

"For it is quietness and inwardness that enable one to feel the Presence.” *Letters on Yoga

"Beyond mind on spiritual and supramental levels dwells the Presence, the Truth, the Power, the Bliss that can alone deliver us from these illusions, display the Light of which our ideals are tarnished disguises and impose the harmony that shall at once transfigure and reconcile all the parts of our nature.” *Essays Divine and Human

The Mother: "For, in human beings, here is a presence, the most marvellous Presence on earth, and except in a few very rare cases which I need not mention here, this presence lies asleep in the heart — not in the physical heart but the psychic centre — of all beings. And when this Splendour is manifested with enough purity, it will awaken in all beings the echo of his Presence.” Words of the Mother, MCW, Vol. 15.


pride ::: 1. An excessively high opinion of oneself; conceit. 2. A sense of one"s own proper dignity or value; self-respect. 3. Display, pomp, or splendour. 4. A feeling of pleasure or satisfaction taken in an achievement, possession, or association. 5. Mettle or spirit in horses.

process ::: a continuous action, operation, or series of changes taking place in a definite manner. processes.

progress ::: n. 1. An advance towards a higher or better stage; steady improvement. v. 2. To grow or develop, as in complexity, scope, etc.; advance. progresses.

prop ::: n. 1. An object placed beneath or against a structure to keep it from falling or shaking; a support. 2. Fig. A person or thing giving support, as of a moral or spiritual nature. 3. Theat. Property, a usually moveable item, other than costumes or scenery, used on the set of a theatre production, motion picture, etc.; any object handled or used by an actor in a performance. v. 3. To sustain or support. props.

provisional ::: providing or serving for the time being only; existing only until permanently or properly replaced; temporary.

quarries ::: open excavations or pits from which stone is obtained by digging, cutting, or blasting.

questionable ::: open to doubt or challenge; problematic.

quietness ::: the property of making no sound; a state of peace and quiet .

radha ::: "In Hindu religion, the chief of the Gopis or milkmaids, the favourite of Krishna while he lived among the cowherds in Vrindavana.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works.

range ::: n. **1. The extent or scope of the operation or action of something, as in vision, perception. soul-range, swim-range. v. 2.** To wander freely; roam over a large area.

ransom ::: n. 1. The release of property or a person in return for payment of a demanded price. v. 2. To obtain the release of by paying a certain price. Also fig. **ransomed.**

rapine ::: forcible seizure of another"s property; plunder.

ray ::: 1. A thin line or narrow beam of light or other radiant energy. 2. Radiance; light. 3. Physics, Optics. Any of the lines or streams in which light appears to radiate from a luminous body. 4. A straight line extending from a point. 5. A slight indication, esp. of something anticipated or hoped for. **Ray, soul-ray.

reach ::: n. 1. Range of effective action, power, or capacity, area, sphere, scope. 2. The range of influence, power, jurisdiction, etc. reaches. v. 3. To stretch out or put forth (a body part); extend. 4. To arrive at or get to (a place, person, etc.) in the course of movement or action. 5. To arrive at; attain. 6. To make contact or communication with (someone). 7. To extend in influence or operation. reaches, reached, reaching.

"Religion in fact is not knowledge, but a faith and aspiration; it is justified indeed both by an imprecise intuitive knowledge of large spiritual truths and by the subjective experience of souls that have risen beyond the ordinary life, but in itself it only gives us the hope and faith by which we may be induced to aspire to the intimate possession of the hidden tracts and larger realities of the Spirit. That we turn always the few distinct truths and the symbols or the particular discipline of a religion into hard and fast dogmas, is a sign that as yet we are only infants in the spiritual knowledge and are yet far from the science of the Infinite.” The Synthesis of Yoga*

religion ::: Sri Aurobindo: "There is no word so plastic and uncertain in its meaning as the word religion. The word is European and, therefore, it is as well to know first what the Europeans mean by it. In this matter we find them, — when they can be got to think clearly on the matter at all, which is itself unusual, — divided in opinion. Sometimes they use it as equivalent to a set of beliefs, sometimes as equivalent to morality coupled with a belief in God, sometimes as equivalent to a set of pietistic actions and emotions. Faith, works and pious observances, these are the three recognised elements of European religion . . . . ::: Religion in India is a still more plastic term and may mean anything from the heights of Yoga to strangling your fellowman and relieving him of the worldly goods he may happen to be carrying with him. It would therefore take too long to enumerate everything that can be included in Indian religion. Briefly, however, it is Dharma or living religiously, the whole life being governed by religion.” *From an unpublished essay

result ::: the consequence of a particular action, operation, or course; an outcome. results.

reveal ::: 1. To make known (something concealed or secret) 2. To lay open to view; to uncover as if drawing away a veil. reveals, revealed, revealing, all-revealing, new-revealed, self-revealed, self-revealing.

rift ::: a gap or space made by cleaving or splitting; a fissure or cleft, as in an opening or break in a forest, clouds or mist. rifts.

right ::: n. 1. Something that is due to a person or governmental body by law, tradition, or nature. 2. That which is morally, legally, or ethically proper. 3. A moral, ethical, or legal principle considered as an underlying cause of truth, justice, morality, or ethics. 4. That which is in accord with fact, reason, propriety, the correct way of thinking, etc. 5. A just or legal claim or title. 6. The side that is normally opposite to that where the heart is; the direction towards that side. 7. in (one"s, it"s) own right. By reason of one"s own ability, ownership, etc.; in or of oneself, as independent of others. Right, right"s. *adj. *8. In accordance with what is good, proper, or just.

role ::: 1. The part played by a person in a particular life. 2. Proper or customary function. roles.

round ::: n. 1. A completed course of time, series of events or operations, etc., ending at a point corresponding to that at the beginning. 2. A going around from place to place as in a habitual or definite circuit. 3. A recurring period of time, succession of events, duties, etc. 4. Moving in or forming a circle. round"s, rounds. wonder-rounds. 5. A composition for two or more voices in which each voice enters at a different time with the same melody. rounds. v. 6. Brings to a highly developed, finished, or refined state.

royalty ::: 1. Character or quality proper to or befitting a sovereign; nobility. 2. Royal status, dignity, or power; sovereignty.

sagged ::: sank, drooped, settled or subsided from pressure or weight.

satyavan ::: "Son of King Dyumatsena; the tale of Satyavan and Savitri is told in the Mahabharata as a story of conjugal love conquering death.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works

savitri ::: "In the Mahabharata, the heroine of the tale of Satyavan and Savitri; . . . . She was the daughter of King Ashwapati, and lover of Satyavan, whom she married although she was warned by Narada that he had only one year to live. On the fatal day, when Yama carried off Satyavan"s spirit, she followed him with unswerving devotion. Ultimately Yama was constrained to restore her husband to life.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works

  Sri Aurobindo: "Savitri is the Divine Word, daughter of the Sun, goddess of the supreme Truth who comes down and is born to save; . . . .” (Author"s note at beginning of Savitri.)

  "Savitri is represented in the poem as an incarnation of the Divine Mother . . . .” Letters on Savitri

The Mother: "Savitri [the poem] is a mantra for the transformation of the world.” Spoken to Udar


scope ::: 1. A purpose or an aim. 2. Space for movement or activity; opportunity for operation. 3. Extent or range of view, outlook, application, operation, effectiveness, etc. 4. The range of one"s perceptions, thoughts, or actions.

scooped ::: hollowed out with or as with a scoop (a utensil, usually in the form of a ladle or a concave shovel with a straight handle) to form a concavity or depression in. Also with out.

scorn ::: open or unqualified contempt; disdain.

secretly ::: in secrecy; not openly.

"Self-knowledge is impossible unless we go behind our surface existence, which is a mere result of selective outer experiences, an imperfect sounding-board or a hasty, incompetent and fragmentary translation of a little out of the much that we are, — unless we go behind this and send down our plummet into the subconscient and open ourself to the superconscient so as to know their relation to our surface being.” The Life Divine

"Sense is in fact the mental contact of the embodied consciousness with its surroundings. This contact is always essentially a mental phenomenon; but in fact it depends chiefly upon the development of certain physical organs of contact with objects and with their properties to whose images it is able by habit to give their mental values. What we call the physical senses have a double element, the physical-nervous impression of the object and the mental-nervous value we give to it, and the two together make up our seeing, hearing, smell, taste, touch with all those varieties of sensation of which they, and the touch chiefly, are the starting-point or first transmitting agency.” The Synthesis of Yoga

seraphim ::: "Hybrid celestial beings [including Cherubim] with human, animal, or birdlike characteristics that are depicted in Jewish, Christian and Islamic literature. They act as throne bearers or throne guardians of the deity. In later theology Cherubim is an angel of the second order, and Seraphim of the first. They correspond, according to Sri Aurobindo, to the Gandharvas and Venas of India tradition. (Enc. Br.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works

shadowy ::: 1. Abounding in shadow; shady. 2. Full or dark with shadows; enveloped in shadow; obscured by shadows. 3. Unsubstantial, illusory; transitory, fleeting; unreal, imaginary. 4. Resembling a shadow in faintness; slightness; faintly perceptible, indistinct, vague. 5. Spectral, ghostly. Shadowy.

shalwa ::: "In the Mahabarata, name of a country in western India; also the name of its king or its people.” (Dow.) Glossary and Index of Proper Names in Sri Aurobindo"s Works

sheath ::: 1. A covering or case; an inclosing pocket, bag, or envelope, specifically one fitting closely. 2. Biol. A closely enveloping part or structure, as in an animal or plant. **sheaths.

shiva ::: "The ‘auspicious one"; a name of the third deity of the Hindu Trinity; . . . represented mostly as ‘the pure and white, the ascetic, the still, contemplative Yogin". The name Shiva is not found in the Vedas; however, the name Rudra occurs both in the singular and the plural. This Rudra of the Vedas developed in the course of time into Shiva, considered in the Puranic tradition mainly as the destroying or dissolving Power. He has a third eye in the middle of the forehead, a fiery glance from which once reduced Kamadeva to ashes. In his creative aspect he is represented as a Linga (phallus), symbolising the male procreative energy in nature. It is under the form of the Linga that Shiva is mostly worshipped. His abode is on Mt. Kailash, Parvati is his spouse and the Trisula (the trident) his weapon.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works

shoulder ::: n. 1. Of the human body: The upper joint of the arm and the portion of the trunk between this and the base of the neck. 2. As the part of the body on which burdens are carried; also, as the seat of muscular strength employed in carrying, pushing, etc. 3. A comparatively gentle slope on the side of a hill and near the top. shoulders. v. 4. To push with or as if with the shoulder, esp. roughly. shouldered.

shrouded ::: concealed, veiled or enveloped in something that covers or conceals like a garment. thought-shrouded.

shutter ::: to close, as with a shutter, a solid or louvered movable cover, slide, etc. for an opening such as a window.

sign ::: n. 1. An act or gesture used to convey an idea, a desire, information, or a command. 2. Any object, action, event, pattern, etc., that conveys a meaning. 3. A mark used to mean something; a symbol that sets something apart from others of its kind. 4. Something that indicates or acts as a token of a fact, condition, etc., that is not immediately or outwardly observable. 5. A signal. 6. A conventional figure or device that stands for a word, phrase, or operation; a symbol, as in mathematics or in musical notation. 7. A displayed structure such as a banner bearing lettering or symbols. 8. An act or significant event that is experienced as indication of divine intervention. 9. A portent of things to come. Sign, sign"s, signs, signless, sign-burdened, flame-signs. v. 10. To affix one"s signature to. 11. To indicate by or as if by a sign; betoken. signs, signed, signing.

sill ::: a ledge of wood, stone, etc. at the foot of an opening, such as a window or a door; the threshold.

sink ::: n. 1. A cesspool; a covered cistern into which waste water and sewage flow. Also fig. 2. An area of ground that slopes below the level of the surrounding land. v. 3. To descend to the bottom; submerge. 4. To fall, drop, or descend gradually to a lower level. 5. To decline or cause to decline in moral value, pass into a lower state or condition. etc. 6. To fall or drop to a lower level, especially to go down slowly or in stages; subside, as land. 7. To diminish or appear to move downward, as the sun or moon in setting. 8. To become lower in volume or pitch; gradually become fainter. sunk.

skill ::: 1. Proficiency, facility, special ability or dexterity that is acquired or developed through training or experience. 2. Competent excellence in performance; proficiency; dexterity.

slant ::: an inclined or oblique line or direction; as a slope of ground.

slave ::: 1. One bound in servitude as the property of a person or household, 2. One who is abjectly subservient to a specified person or influence. 3. Fig. One who is under the domination of some habit or influence. slaves, body-slave, slave-girl.

slope ::: 1. Upward or downward inclination or slant. 2. An inclined surface. 3. slopes. Hills, esp. foothills or bluffs.

sleep ::: Sri Aurobindo: "Sleep like trance opens the gate of the subliminal to us; for in sleep, as in trance, we retire behind the veil of the limited waking personality and it is behind this veil that the subliminal has its existence.” The Life Divine

‘soil" was an error for ‘soul". But ‘soil" is correct; for I am describing the revealing light falling upon the lower levels of the earth, not on the soul. No doubt, the whole thing is symbolic, but the symbol has to be kept in the front and the thing symbolised has to be concealed or only peep out from behind, it cannot come openly into the front and push aside the symbol.” Letters on Savitri — 1946

solid ::: 1. Characterized by solidity or compactness. 2. Having no opening or window; unbroken, blank. 3. Firm or compact in substance. 4. Reliable or sensible; upstanding.

solidity ::: the condition or property of being solid.

soul ::: Sri Aurobindo: "The word ‘soul", as also the word ‘psychic", is used very vaguely and in many different senses in the English language. More often than not, in ordinary parlance, no clear distinction is made between mind and soul and often there is an even more serious confusion, for the vital being of desire — the false soul or desire-soul — is intended by the words ‘soul" and ‘psychic" and not the true soul, the psychic being.” *Letters on Yoga

  "The word soul is very vaguely used in English — as it often refers to the whole non-physical consciousness including even the vital with all its desires and passions. That was why the word psychic being has to be used so as to distinguish this divine portion from the instrumental parts of the nature.” *Letters on Yoga

  "The word soul has various meanings according to the context; it may mean the Purusha supporting the formation of Prakriti, which we call a being, though the proper word would be rather a becoming; it may mean, on the other hand, specifically the psychic being in an evolutionary creature like man; it may mean the spark of the Divine which has been put into Matter by the descent of the Divine into the material world and which upholds all evolving formations here.” *Letters on Yoga

  "A distinction has to be made between the soul in its essence and the psychic being. Behind each and all there is the soul which is the spark of the Divine — none could exist without that. But it is quite possible to have a vital and physical being supported by such a soul essence but without a clearly evolved psychic being behind it.” *Letters on Yoga

  "The soul and the psychic being are practically the same, except that even in things which have not developed a psychic being, there is still a spark of the Divine which can be called the soul. The psychic being is called in Sanskrit the Purusha in the heart or the Chaitya Purusha. (The psychic being is the soul developing in the evolution.)” *Letters on Yoga

  "The soul or spark is there before the development of an organised vital and mind. The soul is something of the Divine that descends into the evolution as a divine Principle within it to support the evolution of the individual out of the Ignorance into the Light. It develops in the course of the evolution a psychic individual or soul individuality which grows from life to life, using the evolving mind, vital and body as its instruments. It is the soul that is immortal while the rest disintegrates; it passes from life to life carrying its experience in essence and the continuity of the evolution of the individual.” *Letters on Yoga

  ". . . for the soul is seated within and impervious to the shocks of external events. . . .” *Essays on the Gita

  ". . . the soul is at first but a spark and then a little flame of godhead burning in the midst of a great darkness; for the most part it is veiled in its inner sanctum and to reveal itself it has to call on the mind, the life-force and the physical consciousness and persuade them, as best they can, to express it; ordinarily, it succeeds at most in suffusing their outwardness with its inner light and modifying with its purifying fineness their dark obscurities or their coarser mixture. Even when there is a formed psychic being able to express itself with some directness in life, it is still in all but a few a smaller portion of the being — ‘no bigger in the mass of the body than the thumb of a man" was the image used by the ancient seers — and it is not always able to prevail against the obscurity or ignorant smallness of the physical consciousness, the mistaken surenesses of the mind or the arrogance and vehemence of the vital nature.” *The Synthesis of Yoga

". . . the soul is an eternal portion of the Supreme and not a fraction of Nature.” The Life Divine

"The true soul secret in us, — subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil, — this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” The Life Divine

*Soul, soul"s, Soul"s, souls, soulless, soul-bridals, soul-change, soul-force, Soul-Forces, soul-ground, soul-joy, soul-nature, soul-range, soul-ray, soul-scapes, soul-scene, soul-sense, soul-severance, soul-sight, soul-slaying, soul-space,, soul-spaces, soul-strength, soul-stuff, soul-truth, soul-vision, soul-wings, world-soul, World-Soul.



spacious ::: 1. Of a great extent or area; broad; large; great. 2. Broad in scope, range, inclusiveness, etc. 3. Great, ample, extensive, vast. 4. Containing much space, as a house, room, or vehicle; amply large.

sphere ::: 1. The sky considered as a vaulted roof; firmament. 2. The place or environment within which a person or thing exists; a field of activity or operation; orbit, province, realm, domain. 3. A celestial abode. 4. A field of something specified. 5. The orbit of a celestial body, such as that of a planet. Also fig. **spheres.**

spread ::: 1. To extend or cause to extend over a larger expanse of space or time. Also fig. 2. To become stretched out or extended; expand, as in growth. 3. To be distributed or dispersed (a substance or a number of things) over a certain or area; to be scattered. 4. To spread out or open from a closed or folded state, like sails. 5. To distribute and expand widely. spreads, far-spread.

Sri Aurobindo: "And though this Spirit of the universe, this One who is all, seems to be turning us on the wheel of the world as if mounted on a machine by the force of Maya, shaping us in our ignorance as the potter shapes a pot, as the weaver a fabric, by some skilful mechanical principle, yet is this spirit our own greatest self and it is according to the real idea, the truth of ourselves, that which is growing in us and finding always new and more adequate forms in birth after birth, in our animal and human and divine life, in that which we were, that which we are, that which we shall be, — it is in accordance with this inner soul-truth that, as our opened eyes will discover, we are progressively shaped by this spirit within us in its all-wise omnipotence.” *Essays on the Gita

Sri Aurobindo: "Avatarhood would have little meaning if it were not connected with the evolution. The Hindu procession of the ten Avatars is itself, as it were, a parable of evolution. First the Fish Avatar, then the amphibious animal between land and water, then the land animal, then the Man-Lion Avatar, bridging man and animal, then man as dwarf, small and undeveloped and physical but containing in himself the godhead and taking possession of existence, then the rajasic, sattwic, nirguna Avatars, leading the human development from the vital rajasic to the sattwic mental man and again the overmental superman. Krishna, Buddha and Kalki depict the last three stages, the stages of the spiritual development — Krishna opens the possibility of overmind, Buddha tries to shoot beyond to the supreme liberation but that liberation is still negative, not returning upon earth to complete positively the evolution; Kalki is to correct this by bringing the Kingdom of the Divine upon earth, destroying the opposing Asura forces. The progression is striking and unmistakable.” *Letters on Yoga

*Sri Aurobindo: "Dawn always means an opening of some kind — the coming of something that is not yet fully there.” Letters on Yoga ::: "As the Sun is image and godhead of the golden Light of the divine Truth, so Dawn is image and godhead of the opening out of the supreme illumination on the night of our human ignorance. Dawn daughter of Heaven and Night her sister are obverse and reverse sides of the same eternal Infinite.” The Secret of the Veda

Sri Aurobindo: "Further, vision is of value because it is often a first key to inner planes of one"s own being and one"s own consciousness as distinguished from worlds or planes of the cosmic consciousness. Yoga-experience often begins with some opening of the third eye in the forehead (the centre of vision in the brows) or with some kind of beginning and extension of subtle seeing which may seem unimportant at first but is the vestibule to deeper experience.” *Letters on Yoga

Sri Aurobindo: "History teaches us nothing; it is a confused torrent of events and personalities or a kaleidoscope of changing institutions. We do not seize the real sense of all this change and this continual streaming forward of human life in the channels of Time. What we do seize are current or recurrent phenomena, facile generalisations, partial ideas. We talk of democracy, aristocracy and autocracy, collectivism and individualism, imperialism and nationalism, the State and the commune, capitalism and labour; we advance hasty generalisations and make absolute systems which are positively announced today only to be abandoned perforce tomorrow; we espouse causes and ardent enthusiasms whose triumph turns to an early disillusionment and then forsake them for others, perhaps for those that we have taken so much trouble to destroy. For a whole century mankind thirsts and battles after liberty and earns it with a bitter expense of toil, tears and blood; the century that enjoys without having fought for it turns away as from a puerile illusion and is ready to renounce the depreciated gain as the price of some new good. And all this happens because our whole thought and action with regard to our collective life is shallow and empirical; it does not seek for, it does not base itself on a firm, profound and complete knowledge. The moral is not the vanity of human life, of its ardours and enthusiasms and of the ideals it pursues, but the necessity of a wiser, larger, more patient search after its true law and aim.” *The Human Cycle etc.

*Sri Aurobindo: "It [falsehood] is created by an Asuric (hostile) power which intervenes in this creation and is not only separated from the Truth and therefore limited in knowledge and open to error, but in revolt against the Truth or in the habit of seizing the Truth only to pervert it. This Power, the dark Asuric Shakti or Rakshasic Maya, puts forward its own perverted consciousness as true knowledge and its wilful distortions or reversals of the Truth as the verity of things. It is the powers and personalities of this perverted and perverting consciousness that we call hostile beings, hostile forces. Whenever these perversions created by them out of the stuff of the Ignorance are put forward as the Truth of things, that is the Falsehood, in the yogic sense, . . . .” Letters on Yoga

Sri Aurobindo: "On the other hand, Pranayama awakens the coiled-up serpent of the Pranic dynamism in the vital sheath and opens to the Yogin fields of consciousness, ranges of experience, abnormal faculties denied to the ordinary human life while it puissantly intensifies such normal powers and faculties as he already possesses. These advantages can be farther secured and emphasised by other subsidiary processes open to the Hathayogin.” *The Synthesis of Yoga

Sri Aurobindo: ". . . our mind has the faculty of imagination; it can create and take as true and real its own mental structures: . . . . Our mental imagination is an instrument of Ignorance; it is the resort or device or refuge of a limited capacity of knowledge, a limited capacity of effective action. Mind supplements these deficiencies by its power of imagination: it uses it to extract from things obvious and visible the things that are not obvious and visible; it undertakes to create its own figures of the possible and the impossible; it erects illusory actuals or draws figures of a conjectured or constructed truth of things that are not true to outer experience. That is at least the appearance of its operation; but, in reality, it is the mind"s way or one of its ways of summoning out of Being its infinite possibilities, even of discovering or capturing the unknown possibilities of the Infinite.” The Life Divine

*Sri Aurobindo: "Pain is the key that opens the gates of strength; it is the high-road that leads to the city of beatitude.” Essays Divine and Human

Sri Aurobindo: " Sin is the working of the lower nature for the crude satisfaction of its own ignorant, dull or violent rajasic and tamasic propensities in revolt against any high self-control and self-mastery of the nature by the spirit.” *Essays on the Gita

Sri Aurobindo: ". . . some things are suppressed in the ordinary life and remain lying in the nature, suppressed but not eliminated; they may rise up any day or they may express themselves in various nervous forms or other disorders of the mind or vital or body without it being evident what is their real cause. This has been recently discovered by European psychologists and much emphasised, even exaggerated in a new science called psycho-analysis.” *Letters on Yoga

Sri Aurobindo: "The ancient knowledge in all countries was full of the search after the hidden truths of our being and it created that large field of practice and inquiry which goes in Europe by the name of occultism, — we do not use any corresponding word in the East, because these things do not seem to us so remote, mysterious and abnormal as to the occidental mentality; they are nearer to us and the veil between our normal material life and this larger life is much thinner.” *The Synthesis of Yoga

Sri Aurobindo: "The duality is a position taken up, a double status accepted for the operations of the self-manifestation of the being; but there is no eternal and fundamental separateness and dualism of Being and its Consciousness-Force, of the Soul and Nature.” *The Life Divine

*Sri Aurobindo: "The Indian explanation of fate is Karma. We ourselves are our own fate through our actions, but the fate created by us binds us; for what we have sown, we must reap in this life or another. Still we are creating our fate for the future even while undergoing old fate from the past in the present. That gives a meaning to our will and action and does not, as European critics wrongly believe, constitute a rigid and sterilising fatalism. But again, our will and action can often annul or modify even the past Karma, it is only certain strong effects, called utkata karma, that are non-modifiable. Here too the achievement of the spiritual consciousness and life is supposed to annul or give the power to annul Karma. For we enter into union with the Will Divine, cosmic or transcendent, which can annul what it had sanctioned for certain conditions, new-create what it had created, the narrow fixed lines disappear, there is a more plastic freedom and wideness. Neither Karma nor Astrology therefore points to a rigid and for ever immutable fate.” Letters on Yoga

*Sri Aurobindo: "The Mask is mentioned not twice but four times in this opening passage and it is purposely done to keep up the central connection of the idea running through the whole. The ambassadors wear this grey Mask, so your criticism cannot stand since there is no separate mask coming as part of a new idea but a very pointed return to the principal note indicating the identity of the influence throughout. It is not a random recurrence but a purposeful touch carrying a psychological meaning.” — 1948 Letters on Savitri*

Sri Aurobindo: "The Mother not only governs all from above but she descends into this lesser triple universe. Impersonally, all things here, even the movements of the Ignorance, are herself in veiled power and her creations in diminished substance, her Nature-body and Nature-force, and they exist because, moved by the mysterious fiat of the Supreme to work out something that was there in the possibilities of the Infinite, she has consented to the great sacrifice and has put on like a mask the soul and forms of the Ignorance. But personally too she has stooped to descend here into the Darkness that she may lead it to the Light, into the Falsehood and Error that she may convert it to the Truth, into this Death that she may turn it to godlike Life, into this world-pain and its obstinate sorrow and suffering that she may end it in the transforming ecstasy of her sublime Ananda. In her deep and great love for her children she has consented to put on herself the cloak of this obscurity, condescended to bear the attacks and torturing influences of the powers of the Darkness and the Falsehood, borne to pass though the portals of the birth that is a death, taken upon herself the pangs and sorrows and sufferings of the creation, since it seemed that thus alone could it be lifted to the Light and Joy and Truth and eternal Life. This is the great sacrifice called sometimes the sacrifice of the Purusha, but much more deeply the holocaust of Prakriti, the sacrifice of the Divine Mother.” The Mother

Sri Aurobindo: "The ordinary mind in man is not truly the thinking mind proper, it is a life-mind, a vital mind as we may call it, which has learned to think and even to reason but for its own ends and on its own lines, not on those of a true mind of knowledge.” The Human Cycle (footnote).

Sri Aurobindo: "There is an inner vision that opens when one does sadhana and all sorts of images rise before it or pass. Their coming does not depend upon your thought or will; it is real and automatic. Just as your physical eyes see things in the physical world, so the inner eyes see things and images that belong to the other worlds and subtle images of things of this physical world also.” *Letters on Yoga

Sri Aurobindo: "The supramental Knowledge-Will is Consciousness-Force rendered operative for the creation of forms of united being in an ordered harmony to which we give the name of world or universe; . . .” *The Life Divine

Sri Aurobindo: "The Unknown is not the Unknowable; it need not remain the unknown for us, unless we choose ignorance or persist in our first limitations. For to all things that are not unknowable, all things in the universe, there correspond in that universe faculties which can take cognisance of them, and in man, the microcosm, these faculties are always existent and at a certain stage capable of development. We may choose not to develop them; where they are partially developed, we may discourage and impose on them a kind of atrophy. But, fundamentally, all possible knowledge is knowledge within the power of humanity.” *The Life Divine

Sri Aurobindo: "This material universe is itself only existence as we see it when the soul dwells on the plane of material movement and experience in which the spirit involves itself in form, and therefore all the framework of things in which it moves by the life and which it embraces by the consciousness is determined by the principle of infinite division and aggregation proper to Matter, to substance of form.” The Upanishads

Sri Aurobindo: "This mind of pure intelligence has behind it our inner or subliminal mind which senses directly all the things of the mind-plane, is open to the action of a world of mental forces, and can feel the ideative and other imponderable influences which act upon the material world and the life-plane but which at present we can only infer and cannot directly experience: . . . .” *The Life Divine

Sri Aurobindo: "Vitality means life-force — wherever there is life, in plant or animal or man, there is life-force — without the vital there can be no life in matter and no living action. The vital is a necessary force and nothing can be done or created in the bodily existence, if the vital is not there as an instrument.” *Letters on Yoga

  "The vital proper is the life-force acting in its own nature, impulses, emotions, feelings, desires, ambitions, etc., having as their highest centre what we may call the outer heart of emotion, while there is an inner heart where are the higher or psychic feelings and sensibilities, the emotions or intuitive yearnings and impulses of the soul. The vital part of us is, of course, necessary to our completeness, but it is a true instrument only when its feelings and tendencies have been purified by the psychic touch and taken up and governed by the spiritual light and power.” *Letters on Yoga

". . . the vital is the Life-nature made up of desires, sensations, feelings, passions, energies of action, will of desire, reactions of the desire-soul in man and of all that play of possessive and other related instincts, anger, fear, greed, lust, etc., that belong to this field of the nature. Letters on Yoga

The Mother: "The vital is the dynamism of action. It is the seat of the will, of impulses, desires, revolts, etc.” Words of the Mother, MCW Vol. 15*.


Sri Aurobindo: "We mean by the Absolute something greater than ourselves, greater than the cosmos which we live in, the supreme reality of that transcendent Being which we call God, something without which all that we see or are conscious of as existing, could not have been, could not for a moment remain in existence. Indian thought calls it Brahman, European thought the Absolute because it is a self-existent which is absolved of all bondage to relativities . . . The Absolute is for us the Ineffable.” *The Life Divine

Sri Aurobindo: "What the "void" feels as a clutch is felt by the Mother only as a reminding finger laid on her cheek. It is one advantage of the expression ‘as if" that it leaves the field open for such variation. It is intended to suggest without saying it that behind the sombre void is the face of a mother. The two other ‘as if"s have the same motive and I do not find them jarring upon me. The second is at a sufficient distance from the first and it is not obtrusive enough to prejudice the third which more nearly follows. . . .” Letters on Savitri

stare ::: n. **1. A fixed look with eyes open wide. v. 2. To look directly and fixedly, often with a wide-eyed gaze. 3. Fig. To be conspicuous; stand out. stares, stared, staring.**

steal ::: 1. To take (the property or any possession, of another) or steal without right or permission something dear to one. Also fig. 2. To move or convey stealthily or quietly or unobtrusively. 3. To come upon stealthily to attack or steal from. 4. To glide, or move gently and almost imperceptibly. steals, stole, stolen, stealing.

steel ::: 1. A generally hard, strong, durable, malleable alloy of iron and carbon, usually containing between 0.2 and 1.5 percent carbon, often with other constituents such as manganese, chromium, nickel, molybdenum, copper, tungsten, cobalt, or silicon, depending on the desired alloy properties, and widely used as a structural material. 2. Something, such as a sword, or a cutting instrument such as an axe that is made of steel. steel-bound.

steward ::: one who manages another"s property or financial affairs; one who administers anything as the agent of another or others.

stoop ::: 1. To bend the head and shoulders, or the body generally, forward and downward from an erect position. 2. To carry the head and shoulders habitually bowed forward. 3. To descend from a height or superior position. 4. To swoop down, like a hawk at prey. Also fig. **5. To submit; yield. 6. To lower or debase oneself. Stoops, stooped, stooping.**

straggled ::: wandered or strayed from the proper course or road; wandered about in a scattered fashion; rambled.

strands ::: lines or strings consisting of a complex of fibers or filaments that are twisted together to form a thread or a rope or a cable.

straying ::: 1. Deviating from the direct course; leaving the proper place, or going beyond the proper limits, esp. without a fixed course or purpose. 2. Wandering; roaming.

subconscient ::: Sri Aurobindo: "In our yoga we mean by the subconscient that quite submerged part of our being in which there is no wakingly conscious and coherent thought, will or feeling or organised reaction, but which yet receives obscurely the impressions of all things and stores them up in itself and from it too all sorts of stimuli, of persistent habitual movements, crudely repeated or disguised in strange forms can surge up into dream or into the waking nature. No, subliminal is a general term used for all parts of the being which are not on the waking surface. Subconscient is very often used in the same sense by European psychologists because they do not know the difference. But when I use the word, I mean always what is below the ordinary physical consciousness, not what is behind it. The inner mental, vital, physical, the psychic are not subconscious in this sense, but they can be spoken of as subliminal.” *The Synthesis of Yoga.

"The subconscient is a concealed and unexpressed inarticulate consciousness which works below all our conscious physical activities. Just as what we call the superconscient is really a higher consciousness above from which things descend into the being, so the subconscient is below the body-consciousness and things come up into the physical, the vital and the mind-nature from there.

Just as the higher consciousness is superconscient to us and supports all our spiritual possibilities and nature, so the subconscient is the basis of our material being and supports all that comes up in the physical nature.” Letters on Yoga

  "That part of us which we can strictly call subconscient because it is below the level of mind and conscious life, inferior and obscure, covers the purely physical and vital elements of our constitution of bodily being, unmentalised, unobserved by the mind, uncontrolled by it in their action. It can be held to include the dumb occult consciousness, dynamic but not sensed by us, which operates in the cells and nerves and all the corporeal stuff and adjusts their life process and automatic responses. It covers also those lowest functionings of submerged sense-mind which are more operative in the animal and in plant life.” *The Life Divine

"The subconscient is a thing of habits and memories and repeats persistently or whenever it can old suppressed reactions, reflexes, mental, vital or physical responses. It must be trained by a still more persistent insistence of the higher parts of the being to give up its old responses and take on the new and true ones.” Letters on Yoga

"About the subconscient — it is the sub-mental base of the being and is made up of impressions, instincts, habitual movements that are stored there. Whatever movement is impressed in it, it keeps. If one impresses the right movement in it, it will keep and send up that. That is why it has to be cleared of old movements before there can be a permanent and total change in the nature. When the higher consciousness is once established in the waking parts, it goes down into the subconscient and changes that also, makes a bedrock of itself there also.” Letters on Yoga

"The sub-conscious is the evolutionary basis in us, it is not the whole of our hidden nature, nor is it the whole origin of what we are. But things can rise from the subconscient and take shape in the conscious parts and much of our smaller vital and physical instincts, movements, habits, character-forms has this source.” Letters on Yoga

"The subconscient is the support of habitual action — it can support good habits as well as bad.” Letters on Yoga

"For the subconscient is the Inconscient in the process of becoming conscious; it is a support and even a root of our inferior parts of being and their movements.” The Life Divine *subconscient"s.


subconscious ::: not wholly conscious; partially or imperfectly conscious; existing or operating in the mind beneath or beyond consciousness.

Sri Aurobindo: "The subconscious in us is the extreme border of our secret inner existence where it meets the Inconscient, it is a degree of our being in which the Inconscient struggles into a half consciousness. . . .” The Life Divine


subliminal ::: existing or operating below the threshold of sensation or consciousness. subliminal"s.

"Subliminal is a general term used for all parts of the being which are not on the waking surface. Subconscient is very often used in the same sense by European psychologists because they do not know the difference. But when I use the word, I mean always what is below the ordinary physical consciousness, not what is behind it. The inner mental, vital, physical, the psychic are not subconscious in this sense, but they can be spoken of as subliminal.” Letters on Yoga

subterranean ::: fig. Existing or operating in concealment or secretly.

subtle ::: 1. So slight as to be difficult to detect or describe; elusive. 2. Fine or delicate in meaning or intent; difficult to perceive or understand. 3. Delicate or faint and mysterious. 4. Operating in a hidden, usually injurious way; insidious. 5. Characterized by skill or ingenuity; clever. 6. Insidious in operation. 7. Crafty or sly; devious; cunning. subtler, subtle-souled.

subtle images ::: Sri Aurobindo: "Subtle images can be images of all things in all worlds.” *Letters on Yoga

"These are not mental images. There is an inner vision that opens when one does sadhana and all sorts of images rise before it or pass. Their coming does not depend upon your thought or will; it is real and automatic. Just as your physical eyes see things in the physical world, so the inner eyes see things and images that belong to the other worlds and subtle images of things of this physical world also.” Letters on Yoga


subtle vision ("s) ::: Sri Aurobindo: " This power of vision is sometimes inborn and habitual even without any effort of development, sometimes it wakes up of itself and becomes abundant or needs only a little practice to develop; it is not necessarily a sign of spiritual attainment, but usually when by practice of yoga one begins to go inside or live within, the power of subtle vision awakes to a greater or less extent; . . . .”*Letters on Yoga

"It is not necessary to have the mind quiet in order to see the lights — that depends only on the opening of the subtle vision in the centre which is in the forehead between the eyebrows. Many people get that as soon as they start sadhana. It can even be developed by effort and concentration without sadhana by some who have it to a small extent as an inborn faculty.” Letters on Yoga

"When the centres begin to open, inner experiences such as the seeing of light or images through the subtle vision in the forehead centre or psychic experiences and perceptions in the heart, become frequent — gradually one becomes aware of one"s inner being as separate from the outer, and what can be called a yogic consciousness with all its deeper movements develops in the place of the ordinary superficial mental and vital movements.” Letters on Yoga


superlife ::: a word coined by Sri Aurobindo. super. A prefix occurring originally in loanwords from Latin with the basic meaning "above, beyond.” An individual, thing, or property that exceeds customary norms or levels.

swathed ::: fig. Enveloped or surrounded as with a wrapping; enwrapped, enfolded; encircled so as to confine or restrain.

swathes ::: formations such as those of clouds, or mists that appear to envelope something.

swing ::: n. 1. A seat suspended from above by means of a loop of rope or between ropes or rods, on which one may sit and swing to and fro for recreation. 2. The act, manner, or progression of swinging; movement in alternate directions or in a particular direction. 3. The act or an instance of swinging; movement back and forth or in one particular direction. v. 4. To move in alternate directions or in either direction around a point, an axis, or a line of support, as a gate on its hinges. 5. To move back and forth suspended or as if suspended from above. Swung.

tenancy ::: possession or occupancy of lands, buildings, or other property by title, under a lease, or on payment of rent. Also fig.** space-tenancy.**

tent ::: a portable shelter, as of canvas, stretched over a supporting framework of poles with ropes and pegs. Also fig. **tents, tent-posts.**

tether ::: n. 1. A rope, cord, chain or the like by which an animal is fastened to a fixed object so as to limit its range of movement. v. 2. To fasten or confine with or as with a tether. tethers.

theatre ::: a place of action; field of operations. theatres.

"The centre of vision is between the eyebrows in the centre of the forehead. When it opens one gets the inner vision, sees the inner forms and images of things and people and begins to understand things and people from within and not only from outside, develops a power of will which also acts in the inner (yogic) way on things and people etc. Its opening is often the beginning of the yogic as opposed to the ordinary mental consciousness.” Letters on Yoga

"The characteristic power of the reason in its fullness is a logical movement assuring itself first of all available materials and data by observation and arrangement, then acting upon them for a resultant knowledge gained, assured and enlarged by a first use of the reflective powers, and lastly assuring itself of the correctness of its results by a more careful and formal action, more vigilant, deliberate, severely logical which tests, rejects or confirms them according to certain secure standards and processes developed by reflection and experience.” The Synthesis of Yoga

"The colours of the lotuses and the numbers of petals are respectively, from bottom to top: — (1) the Muladhara or physical consciousness centre, four petals, red; (2) the abdominal centre, six petals, deep purple red; (3) the navel centre, ten petals, violet; (4) the heart centre, twelve petals, golden pink; (5) the throat centre, sixteen petals, grey; (6) the forehead centre between the eye-brows, two petals, white; (7) the thousand-petalled lotus above the head, blue with gold light around. The functions are, according to our yoga, — (1) commanding the physical consciousness and the subconscient; (2) commanding the small vital movements, the little greeds, lusts, desires, the small sense-movements; (3) commanding the larger life-forces and the passions and larger desire-movements; (4) commanding the higher emotional being with the psychic deep behind it; (5) commanding expression and all externalisation of the mind movements and mental forces; (6) commanding thought, will, vision; (7) commanding the higher thinking mind and the illumined mind and opening upwards to the intuition and overmind. The seventh is sometimes or by some identified with the brain, but that is an error — the brain is only a channel of communication situated between the thousand-petalled and the forehead centre. The former is sometimes called the void centre, sunya , either because it is not in the body, but in the apparent void above or because rising above the head one enters first into the silence of the self or spiritual being.” Letters on Yoga*

"The cosmic consciousness is that in which the limits of ego, personal mind and body disappear and one becomes aware of a cosmic vastness which is or filled by a cosmic spirit and aware also of the direct play of cosmic forces, universal mind forces, universal life forces, universal energies of Matter, universal overmind forces. But one does not become aware of all these together; the opening of the cosmic consciousness is usually progressive. It is not that the ego, the body, the personal mind disappear, but one feels them as only a small part of oneself. One begins to feel others too as part of oneself or varied repetitions of oneself, the same self modified by Nature in other bodies. Or, at the least, as living in the larger universal self which is henceforth one"s own greater reality. All things in fact begin to change their nature and appearance; one"s whole experience of the world is radically different from that of those who are shut up in their personal selves. One begins to know things by a different kind of experience, more direct, not depending on the external mind and the senses. It is not that the possibility of error disappears, for that cannot be so long as mind of any kind is one"s instrument for transcribing knowledge, but there is a new, vast and deep way of experiencing, seeing, knowing, contacting things; and the confines of knowledge can be rolled back to an almost unmeasurable degree. The thing one has to be on guard against in the cosmic consciousness is the play of a magnified ego, the vaster attacks of the hostile forces — for they too are part of the cosmic consciousness — and the attempt of the cosmic Illusion (Ignorance, Avidya) to prevent the growth of the soul into the cosmic Truth. These are things that one has to learn from experience; mental teaching or explanation is quite insufficient. To enter safely into the cosmic consciousness and to pass safely through it, it is necessary to have a strong central unegoistic sincerity and to have the psychic being, with its divination of truth and unfaltering orientation towards the Divine, already in front in ::: —the nature.” Letters on Yoga*

“The cosmic consciousness is that in which the limits of ego, personal mind and body disappear and one becomes aware of a cosmic vastness which is or filled by a cosmic spirit and aware also of the direct play of cosmic forces, universal mind forces, universal life forces, universal energies of Matter, universal overmind forces. But one does not become aware of all these together; the opening of the cosmic consciousness is usually progressive. It is not that the ego, the body, the personal mind disappear, but one feels them as only a small part of oneself. One begins to feel others too as part of oneself or varied repetitions of oneself, the same self modified by Nature in other bodies. Or, at the least, as living in the larger universal self which is henceforth one’s own greater reality. All things in fact begin to change their nature and appearance; one’s whole experience of the world is radically different from that of those who are shut up in their personal selves. One begins to know things by a different kind of experience, more direct, not depending on the external mind and the senses. It is not that the possibility of error disappears, for that cannot be so long as mind of any kind is one’s instrument for transcribing knowledge, but there is a new, vast and deep way of experiencing, seeing, knowing, contacting things; and the confines of knowledge can be rolled back to an almost unmeasurable degree. The thing one has to be on guard against in the cosmic consciousness is the play of a magnified ego, the vaster attacks of the hostile forces—for they too are part of the cosmic consciousness—and the attempt of the cosmic Illusion (Ignorance, Avidya) to prevent the growth of the soul into the cosmic Truth. These are things that one has to learn from experience; mental teaching or explanation is quite insufficient. To enter safely into the cosmic consciousness and to pass safely through it, it is necessary to have a strong central unegoistic sincerity and to have the psychic being, with its divination of truth and unfaltering orientation towards the Divine, already in front in—the nature.” Letters on Yoga

"The Cosmic Will is not, to our ordinary consciousness, something that acts as an independent power doing whatever it chooses; it works through all these beings, through the forces at play in the world and the law of these forces and their results — it is only when we open ourselves and get out of the ordinary consciousness that we can feel it intervening as an independent power and overriding the ordinary play of the forces." Letters on Yoga

“The Cosmic Will is not, to our ordinary consciousness, something that acts as an independent power doing whatever it chooses; it works through all these beings, through the forces at play in the world and the law of these forces and their results—it is only when we open ourselves and get out of the ordinary consciousness that we can feel it intervening as an independent power and overriding the ordinary play of the forces.” Letters on Yoga

"The elementary state of material Force is, in the view of the old Indian physicists, a condition of pure material extension in Space of which the peculiar property is vibration typified to us by the phenomenon of sound. But vibration in this state of ether is not sufficient to create forms. There must first be some obstruction in the flow of the Force ocean, some contraction and expansion, some interplay of vibrations, some impinging of force upon force so as to create a beginning of fixed relations and mutual effects. Material Force modifying its first ethereal status assumes a second, called in the old language the aerial, of which the special property is contact between force and force, contact that is the basis of all material relations. Still we have not as yet real forms but only varying forces. A sustaining principle is needed. This is provided by a third self-modification of the primitive Force of which the principle of light, electricity, fire and heat is for us the characteristic manifestation. Even then, we can have forms of force preserving their own character and peculiar action, but not stable forms of Matter. A fourth state characterised by diffusion and a first medium of permanent attractions and repulsions, termed picturesquely water or the liquid state, and a fifth of cohesion, termed earth or the solid state, complete the necessary elements.” The Life Divine*

“The elementary state of material Force is, in the view of the old Indian physicists, a condition of pure material extension in Space of which the peculiar property is vibration typified to us by the phenomenon of sound. But vibration in this state of ether is not sufficient to create forms. There must first be some obstruction in the flow of the Force ocean, some contraction and expansion, some interplay of vibrations, some impinging of force upon force so as to create a beginning of fixed relations and mutual effects. Material Force modifying its first ethereal status assumes a second, called in the old language the aerial, of which the special property is contact between force and force, contact that is the basis of all material relations. Still we have not as yet real forms but only varying forces. A sustaining principle is needed. This is provided by a third self-modification of the primitive Force of which the principle of light, electricity, fire and heat is for us the characteristic manifestation. Even then, we can have forms of force preserving their own character and peculiar action, but not stable forms of Matter. A fourth state characterised by diffusion and a first medium of permanent attractions and repulsions, termed picturesquely water or the liquid state, and a fifth of cohesion, termed earth or the solid state, complete the necessary elements.” The Life Divine

"The Gods, who in their highest secret entity are powers of this Supermind, born of it, seated in it as in their proper home, are in their knowledge truth-conscious'' and in their action possessed of theseer-will"".” The Life Divine

  "The gospel of the Gita reposes upon this fundamental Vedantic truth that all being is the one Brahman and all existence the wheel of Brahman, a divine movement opening out from God and returning to God. All is the expressive activity of Nature and Nature a power of the Divine which works out the consciousness and will of the divine Soul master of her works and inhabitant of her forms.” Essays on the Gita

:::   "The greater the destruction, the freer the chances of creation; but the destruction is often long, slow and oppressive, the creation tardy in its coming or interrupted in its triumph. The night returns again and again and the day lingers or seems even to have been a false dawning. Despair not therefore, but watch and work. Those who hope violently, despair swiftly: neither hope nor fear, but be sure of God"s purpose and thy will to accomplish.” *Essays in Philosophy and Yoga

“The greater the destruction, the freer the chances of creation; but the destruction is often long, slow and oppressive, the creation tardy in its coming or interrupted in its triumph. The night returns again and again and the day lingers or seems even to have been a false dawning. Despair not therefore, but watch and work. Those who hope violently, despair swiftly: neither hope nor fear, but be sure of God’s purpose and thy will to accomplish.” Essays in Philosophy and Yoga

"The greatest motion of poetry comes when the mind is still and the ideal principle works above and outside the brain, above even the hundred petalled lotus of the ideal mind, in its proper empire; for then it is Veda that is revealed, the perfect substance and expression of eternal truth.” Essays Divine and Human*

the higher ranges of spiritual mind have to open upon our being and consciousness and also that which is beyond even spiritual mind must appear in us if we are to fulfil the divine possibility of our birth into cosmic existence. …The Life Divine

"The inner vision is an open door on higher planes of consciousness beyond the physical mind which gives room for a wider truth and experience to enter and act upon the mind. It is not the only or the most important door, but it is one which comes readiest to very many if not most and can be a very powerful help.” Letters on Yoga

"The intuitive knowledge on the contrary, however limited it may be in its field or application, is within that scope sure with an immediate, a durable and especially a self-existent certitude.” The Synthesis of Yoga

"The lotus of the eternal knowledge and the eternal perfection is a bud closed and folded up within us. It opens swiftly or gradually, petal by petal, through successive realisations, once the mind of man begins to turn towards the Eternal, once his heart, no longer compressed and confined by attachment to finite appearances, becomes enamoured, in whatever degree, of the Infinite.” The Synthesis of Yoga

:::   The Mother: "With the Divine"s Love is the power of Transformation. It has this power because it is for the sake of Transformation that it has given itself to the world and manifested everywhere. Not only into man but into all the atoms of Matter it has infused itself in order to bring the world back to the original Truth. The moment you open to it, you also receive its power of Transformation.” Words of the Mother, MCW Vol. 15.

The Mother: “With the Divine’s Love is the power of Transformation. It has this power because it is for the sake of Transformation that it has given itself to the world and manifested everywhere. Not only into man but into all the atoms of Matter it has infused itself in order to bring the world back to the original Truth. The moment you open to it, you also receive its power of Transformation.” Words of the Mother, MCW Vol. 15.

". . . the nervous envelope, the aura.” Letters on Yoga*

“… the nervous envelope, the aura.” Letters on Yoga

". . . the proper function of the thought-mind is to observe, understand, judge with a dispassionate delight in knowledge and open itself to messages and illuminations playing upon all that it observes and upon all that is yet hidden from it but must progressively be revealed, messages and illuminations that secretly flash down to us from the divine Oracle concealed in light above our mentality whether they seem to descend through the intuitive mind or arise from the seeing heart.” The Synthesis of Yoga*

"There are different kinds of knowledge. One is inspiration, i.e. something that comes out of the knowledge planes like a flash and opens up the mind to the Truth in a moment. That is inspiration. It easily takes the form of words as when a poet writes or a speaker speaks, as people say, from inspiration.” Letters on Yoga

"There are, we might say, two beings in us, one on the surface, our ordinary exterior mind, life, body consciousness, another behind the veil, an inner mind, an inner life, an inner physical consciousness constituting another or inner self. This inner self once awake opens in its turn to our true real eternal self. It opens inwardly to the soul, called in the language of this yoga the psychic being which supports our successive births and at each birth assumes a new mind, life and body. It opens above to the Self or Spirit which is unborn and by conscious recovery of it we transcend the changing personality and achieve freedom and full mastery over our nature.” Letters on Yoga

“[The results of the opening to the cosmic Mind:] One is aware of the cosmic Mind and the mental forces that move there and how they work on one’s mind and that of others and one is able to deal with one’s own mind with a greater knowledge and effective power. There are many other results, but this is the fundamental one.” Letters on Yoga

"These lights and visions are not hallucinations. They indicate an opening of the inner vision whose centre is in the forehead between the eyebrows.” Letters on Yoga

"The serpent with the six hoods is the Kundalini Shakti, the divine power asleep in the lowest physical centre which, awakened in the yoga, ascends in light through the opening centres to meet the Divine in the highest centre and so connect the manifest and the unmanifested, joining spirit and Matter.” Letters on Yoga*

"The subliminal self stands behind and supports the whole superficial man; it has in it a larger and more efficient mind behind the surface mind, a larger and more powerful vital behind the surface vital, a subtler and freer physical consciousness behind the surface bodily existence. And above them it opens to higher superconscient as well as below them to lower subconscient ranges.” Letters on Yoga

the text of a dramatic musical work, such as an opera.

"The universe is certainly or has been up to now in appearance a rough and wasteful game with the dice of chance loaded in favour of the Powers of darkness, the Lords of obscurity, falsehood, death and suffering. But we have to take it as it is and find out — if we reject the way out of the old sages — the way to conquer. Spiritual experience shows that there is behind it all a wide terrain of equality, peace, calm, freedom, and it is only by getting into it that we can have the eye that sees and hope to gain the power that conquers.” Letters on Yoga

"The universe is not merely a mathematical formula for working out the relation of certain mental abstractions called numbers and principles to arrive in the end at a zero or a void unit, neither is it merely a physical operation embodying a certain equation of forces. It is the delight of a Self-lover, the play of a Child, the endless self-multiplication of a Poet intoxicated with the rapture of His own power of endless creation.” The Supramental Manifestation

  "The Vedas are the oldest holy books of India, perhaps the oldest of such works in the world. They are the foundation of the Hindu religion. The hymns they contain, written in an old form of Sanskrit, are said to have been ‘revealed" to the Rishis and subsequently were transmitted orally from generation to generation. They continued to be so handed down even after they had been collected and arranged by Krishna Dwaipayana (Veda Vyasa). It is not known when they were committed to writing. The Vedas are four in number: Rig, Yajur, Sama, and Atharva. In reality the Rig-Veda is the Veda; many of its hymns occur with a different arrangement in the other three Vedas. According to some scholars, each Veda is divided into four parts: Samhita, Brahmana, Aranyaka, and Upanisad. But generally the term ‘Veda" is reserved for the Samhita, the metrical hymns. (Dow)” *Glossary and Index of Proper Names in Sri Aurobindo"s Works

"The whole energy of the soul is not at play in the physical body and life, the secret powers of mind are not awake in it, the bodily and nervous energies predominate. But all the while the supreme energy is there, asleep; it is said to be coiled up and slumbering like a snake, — therefore it is called the kundalinî sakti, — in the lowest of the chakras, in the mûlâdhâra. When by Pranayama the division between the upper and lower prana currents in the body is dissolved, this Kundalini is struck and awakened, it uncoils itself and begins to rise upward like a fiery serpent breaking open each lotus as it ascends until the Shakti meets the Purusha in the brahmarandhra in a deep samadhi of union.” The Synthesis of Yoga

"The world knows three kinds of revolution. The material has strong results, the moral and intellectual are infinitely larger in their scope and richer in their fruits, but the spiritual are the great sowings.” Essays in Philosophy and Yoga*

"This inner vision is one form of psychological experience; but the inner experience is not confined to that seeing; vision only opens, it does not embrace.” The Synthesis of Yoga

"Though man is infinitely greater than the plant or the animal, he is not perfect in his own nature like the plant and the animal. This imperfection is not a thing to be at all deplored, but rather a privilege and a promise, for it opens out to us an immense vista of self-development and self-exceeding. Man at his highest is a half-god who has risen up out of the animal Nature and is splendidly abnormal in it, but the thing which he has started out to be, the whole god, is something so much greater than what he is that it seems to him as abnormal to himself as he is to the animal. This means a great and arduous labour of growth before him, but also a splendid crown of his race and his victory. A kingdom is offered to him beside which his present triumphs in the realms of mind or over external Nature will appear only as a rough hint and a poor beginning. The Human Cycle

thought-out ::: conceived and developed by careful thought; considered.

tilted ::: sloped, inclined.

titan ::: "In Greek mythology, one of a family of gigantic beings, the twelve primordial children of Uranus (Heaven) and Gaea (Earth); also certain of the offspring of these Titans. The names of the twelve Titans, the ancestors of the Olympian gods, were Oceanus, Coeus, Crius, Hyperion, Iapetos, Theia, Rhea, Themis, Mnemosyne, Phoebe, Tethys, and Cronos. Cronos, the youngest of them, ruled the world after overthrowing and castrating Uranus. He swallowed each of his own children at birth but Zeus escaped. Cronos was made to vomit up the others (including Hera, Demeter, Poseidon, and Hades) and, after a protracted struggle, he and the other Titans were vanquished, all of them but Atlas imprisoned in Tartarus, and the reign of Zeus was established. More broadly, the word Titan may be applied to any being of a colossal force or grandiose and lawless self-assertion, or even to whatever is huge or mighty.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works.

title-deeds ::: deeds or documents evidencing a person"s legal right or title to property, esp. real property.

to break or remove the seal of; open, as something sealed or firmly closed. Also fig.

tool ::: 1. An instrument for doing work, especially by hand. 2. Something used in the performance of an operation; an instrument. Also fig. 3. A person used to perform dishonourable or unpleasant tasks for another. tools.

trained ::: v. 1. Developed or formed the habits, thoughts, behaviour or powers of (a child or other person) by discipline and instruction. adj. 2. Shaped or conditioned or disciplined by training. 3. Taught, as an animal, to perform, obey, etc. ill-trained.

transformation ::: Sri Aurobindo: "Transformation means that the higher consciousness or nature is brought down into the mind, vital and body and takes the place of the lower. There is a higher consciousness of the true self, which is spiritual, but it is above; if one rises above into it, then one is free as long as one remains there, but if one comes down into or uses mind, vital or body — and if one keeps any connection with life, one has to do so, either to come down and act from the ordinary consciousness or else to be in the self but use mind, life and body, then the imperfections of these instruments have to be faced and mended — they can only be mended by transformation.” *Letters on Yoga

  "‘Transformation" is a word that I have brought in myself (like ‘supermind") to express certain spiritual concepts and spiritual facts of the integral yoga. People are now taking them up and using them in senses which have nothing to do with the significance which I put into them. Purification of the nature by the ‘influence" of the Spirit is not what I mean by transformation; purification is only part of a psychic change or a psycho-spiritual change — the word besides has many senses and is very often given a moral or ethical meaning which is foreign to my purpose.” *Letters on Yoga

"It is indeed as a result of our evolution that we arrive at the possibility of this transformation. As Nature has evolved beyond Matter and manifested Life, beyond Life and manifested Mind, so she must evolve beyond Mind and manifest a consciousness and power of our existence free from the imperfection and limitation of our mental existence, a supramental or truth-consciousness and able to develop the power and perfection of the spirit. Here a slow and tardy change need no longer be the law or manner of our evolution; it will be only so to a greater or less extent so long as a mental ignorance clings and hampers our ascent; but once we have grown into the truth-consciousness its power of spiritual truth of being will determine all. Into that truth we shall be freed and it will transform mind and life and body. Light and bliss and beauty and a perfection of the spontaneous right action of all the being are there as native powers of the supramental truth-consciousness and these will in their very nature transform mind and life and body even here upon earth into a manifestation of the truth-conscious spirit. The obscurations of earth will not prevail against the supramental truth-consciousness, for even into the earth it can bring enough of the omniscient light and omnipotent force of the spirit conquer. All may not open to the fullness of its light and power, but whatever does open must that extent undergo the change. That will be the principle of transformation.” The Supramental Manifestation

The Mother: "Transformation. The change by which all the elements and all the movements of the being become ready to manifest the supramental Truth.”

"One thing you must know and never forget: in the work of transformation all that is true and sincere will always be kept; only what is false and insincere will disappear.” Words of the Mother, MCW Vol. 15.


trooped ::: came, went or passed in great numbers; thronged.

true ::: 1. Faithful, as to a friend, vow, or cause; loyal. 2. Real, genuine, authentic. 3. Consistent with fact or reality; not false or erroneous. 4. Being or reflecting the essential or genuine character of something. 5. Proper. 6. Sincere; not deceitful. 7. Reliable; accurate: truer, truest, half-true.

trumpet ::: 1. A soprano brass wind instrument consisting of a long metal tube looped once and ending in a flared bell, the modern type being equipped with three valves for producing variations in pitch. 2. Something shaped or sounding like this instrument. Trumpets.

trustee ::: 1. A person (or institution) to whom legal title to property is entrusted to use for another"s benefit 2. One who is responsible for supervising funds, policies, etc. Also fig.

turn ::: v. **1. To cause to move around an axis or center; cause to rotate or revolve. 2. To direct or set one"s course toward, away from, or in a particular direction. 3. To change direction, as at a bend or curve. 4. To direct the face or gaze toward or away from someone or something. 5. To channel one"s attention, interest, or thought toward or away from something. 6. To direct one"s thought, attention, interest, desire, effort, etc. toward or away from someone or something. 7. To change the position (esp. the body) from side to side or back and forth. 8. To change or cause to change one"s attitude so as to become hostile or to retaliate. 9. To direct or bring to bear in the way of opposition; to proceed to use against. 10. To cause to go in a specific direction; direct. 11. To change or convert or be changed or converted to change or convert or be changed or converted; transform. 12. To apply to some use or purpose; to make use of, employ. 13. To twist, bend, or distort in shape. turns, turned, turning, fate-turned.* *n. 14. The act of turning or the condition of being turned; rotation or revolution. 15. An act or instance of changing or reversing the course or direction, or a place or point at which such a change occurs. 16. Course; direction. 17. Requirement, need, exigency; purpose, use, convenience. 18. A change in affairs, conditions, or circumstances; vicissitude; revolution; esp. a change for better or worse, or the like, at a crisis; hence, sometimes, the time at which such a change takes place. Often fig. 19. A propensity or adeptness. 20. The place, point, or time or occasion at which a deviation or change occurs. turns.

unbarred ::: removed the bar from (a door or gate, etc.); opened, unlocked, unbolted, unfastened.

unclosing ::: a bringing or coming out of a closed state; an opening.

unconceived ::: 1. Not conceived; unimagined; beyond thought. 2. Not brought into being; not properly formed or developed. Unconceived. (Sri Aurobindo also employs the word as a n.)

uncover ::: 1. To lay open or bare by the removal of some covering thing or matter. 2. Fig. To disclose, lay bare, make known, reveal. uncovers, uncovered, uncovering.

“… universal force and universal consciousness are one,—cosmic force is the operation of cosmic consciousness.” The Life Divine

"Vamana, the Dwarf, in Hindu mythology, one of the ten incarnations of Vishnu, born as a son of Kashyapa and Aditi. The titan King Bali had by his austerities acquired dominion of all the three worlds. To remedy this, Vishnu came to him in the form of a dwarf and begged of him as much land as he could step over in three paces. Bali complied. In two strides the dwarf covered heaven and earth, and with the third step, on Bali"s head, pushed him down to Patala, the infernal regions.” Glossary and Index of Proper Names in Sri Aurobindo"s Works

veldts ::: in South Africa, unenclosed country or open pasture-lands.

vesper ::: of, pertaining to, appearing in, or proper to the evening.

virat ::: "(Purusha) The universal or cosmic Soul; ‘God practical"; Lord of Waking-Life, who governs, preserves and maintains the sensible creation which Hiranyagarbha has shaped.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works

virtue ::: 1. The quality of doing what is right and avoiding what is wrong. 2. Moral excellence; goodness; righteousness. 3. A particular moral excellence; a good or admirable quality or property. An example or kind of moral excellence. virtues.

visionary ::: 1. Of, pertaining to, or proper to, a vision. 2. Given to or concerned with seeing visions; having the ability to see them.

vistas ::: 1. Distant views or prospects, especially those seen through openings, as between rows of buildings or trees. 2. Fig. Far-reaching mental views. 3. *Fig.* Awareness of ranges of time, events, or subjects; broad mental views.

vivid ::: 1. Full of life; lively; animated. 2. Strikingly bright or intense, as colour, light, etc. 3. Making a powerful impact on the emotions or senses. 4. Uttered, operating, or acting with vigour. 5. Strong, distinct, or clearly perceptible.

ward ::: an open space within or between the walls of a castle or fortified place.

wave-particles ::: the properties of photons and subatomic particles to exhibit properties of both waves and particles. Wave-particle duality is an important part of quantum mechanics postulate that all particles exhibit both waves and particles.

well ::: adv. 1. Indeed, certainly, assuredly; without doubt. 2. In a way appropriate to the facts or circumstances; fittingly, properly. 3. Skilfully or proficiently. 4. (usually used with auxiliaries) Suitably; fittingly. adj. 5. Satisfactory, pleasing, or good. 6. Proper; fitting.

"We might say then that there are three elements in the totality of our being: there is the submental and the subconscient which appears to us as if it were inconscient, comprising the material basis and a good part of our life and body; there is the subliminal, which comprises the inner being, taken in its entirety of inner mind, inner life, inner physical with the soul or psychic entity supporting them; there is this waking consciousness which the subliminal and the subconscient throw up on the surface, a wave of their secret surge. But even this is not an adequate account of what we are; for there is not only something deep within behind our normal self-awareness, but something also high above it: that too is ourselves, other than our surface mental personality, but not outside our true self; that too is a country of our spirit. For the subliminal proper is no more than the inner being on the level of the Knowledge-Ignorance luminous, powerful and extended indeed beyond the poor conception of our waking mind, but still not the supreme or the whole sense of our being, not its ultimate mystery.” The Life Divine

“What is original and eternal for ever in the Divine is the Being, what is developed in consciousness, conditions, forces, forms, etc., by the Divine Power is the Becoming. The eternal Divine is the Being; the universe in Time and all that is apparent in it is a Becoming.” Letters on Yoga

“What the ’void’ feels as a clutch is felt by the Mother only as a reminding finger laid on her cheek. It is one advantage of the expression ‘as if’ that it leaves the field open for such variation. It is intended to suggest without saying it that behind the sombre void is the face of a mother. The two other ‘as if’s have the same motive and I do not find them jarring upon me. The second is at a sufficient distance from the first and it is not obtrusive enough to prejudice the third which more nearly follows….” Letters on Savitri

wheel ::: n. 1. A solid disk or a rigid circular ring connected by spokes to a hub, designed to turn around an axle passed through the centre. 2. Something resembling such a disk or ring in appearance or movement or having a wheel as its principal part or characteristic. 3. Moving, propelling, or animating agencies. 4. Fig. Signifying the eternal recurrence of all things. Wheel, Wheel"s, wheels, the wheels of Circumstance, the wheels of Doom, the wheel of God, the wheels of life, the wheel of works. v. 5. To turn or cause to turn on or as if on an axis. wheels, wheeled.

"When the inner vision opens, there can come before it all that ever was or is now in the world, even it can open to things that will be hereafter — so there is nothing impossible in seeing thus the figures and the things of the past.” Letters on Yoga*

"When the Peace is established, this higher or Divine Force from above can descend and work in us. It descends usually first into the head and liberates the inner mind centres, then into the heart centre and liberates fully the psychic and emotional being, then into the navel and other vital centres and liberates the inner vital, then into the Muladhara and below and liberates the inner physical being. It works at the same time for perfection as well as liberation; it takes up the whole nature part by part and deals with it, rejecting what has to be rejected, sublimating what has to be sublimated, creating what has to be created. It integrates, harmonises, establishes a new rhythm in the nature. It can bring down too a higher and yet higher force and range of the higher nature until, if that be the aim of the sadhana, it becomes possible to bring down the supramental force and existence. All this is prepared, assisted, farthered by the work of the psychic being in the heart centre; the more it is open, in front, active, the quicker, safer, easier the working of the Force can be. The more love and bhakti and surrender grow in the heart, the more rapid and perfect becomes the evolution of the sadhana. For the descent and transformation imply at the same time an increasing contact and union with the Divine.” Letters on Yoga

“When the Peace is established, this higher or Divine Force from above can descend and work in us. It descends usually first into the head and liberates the inner mind centres, then into the heart centre and liberates fully the psychic and emotional being, then into the navel and other vital centres and liberates the inner vital, then into the Muladhara and below and liberates the inner physical being. It works at the same time for perfection as well as liberation; it takes up the whole nature part by part and deals with it, rejecting what has to be rejected, sublimating what has to be sublimated, creating what has to be created. It integrates, harmonises, establishes a new rhythm in the nature. It can bring down too a higher and yet higher force and range of the higher nature until, if that be the aim of the sadhana, it becomes possible to bring down the supramental force and existence. All this is prepared, assisted, farthered by the work of the psychic being in the heart centre; the more it is open, in front, active, the quicker, safer, easier the working of the Force can be. The more love and bhakti and surrender grow in the heart, the more rapid and perfect becomes the evolution of the sadhana. For the descent and transformation imply at the same time an increasing contact and union with the Divine.” Letters on Yoga

"When we see with the inner vision and sense and not with the physical eye a tree or other object, what we become aware of is an infinite one Reality constituting the tree or object, pervading its every atom and molecule, forming them out of itself, building the whole nature, process of becoming, operation of indwelling energy; all of these are itself, are this infinite, this Reality: we see it extending indivisibly and uniting all objects so that none is really separate from it or quite separate from other objects. ‘It stands," says the Gita, ‘undivided in beings and yet as if divided." Thus each object is that Infinite and one in essential being with all other objects that are also forms and names, — powers, numens, — of the Infinite.” The Life Divine

wideness ::: 1. The property of being wide; having great width. 2. Fig. Unusual largeness in size or extent or number. 3. A vast expanse. Also fig. Wideness, widenesses.

wide-winged ::: Sri Aurobindo: "The epithet ‘wide-winged" then does not belong to the wind and is not transferred from it, but is proper to the voice of the wind which takes the form of a conscious hymn of aspiration and rises ascending from the bosom of the great priest, as might a great-winged bird released into the sky and sinks and rises again, aspires and fails and aspires again on the ‘altar hills". Letters on Savitri

wildness ::: the property of being wild or turbulent; an intractably barbarous or uncultivated state of nature.

will-o"-the-wisp ::: a delusive or misleading hope. Also, the ignis fatuous, the light produced by combustion of marsh-gas, which can lead a traveller into danger; any delusive ideal or hope that may lead one astray.

windowed ::: having windows or openings.

windowing ::: opening out on or affording a view as a window.

wise ::: having the power of discerning and judging properly as to what is true or right; possessing discernment, judgement, or discretion. (Sri Aurobindo also employs the word as a n.) Wise, all-wise, All-Wise, ever-wise, wiser, wisest.

"Within us, there are two centres of the Purusha, the inner Soul through which he touches us to our awakening; there is the Purusha in the lotus of the heart which opens upward all our powers and the Purusha in the thousand-petalled lotus whence descend through the thought and will, opening the third eye in us, the lightnings of vision and the fire of the divine energy. The bliss existence may come to us through either one of these centres. When the lotus of the heart breaks open, we feel a divine joy, love and peace expanding in us like a flower of light which irradiates the whole being.” The Synthesis of Yoga

:::   "Within us, there are two centres of the Purusha, the inner Soul through which he touches us to our awakening; there is the Purusha in the lotus of the heart which opens upward all our powers and the Purusha in the thousand-petalled lotus whence descend through the thought and will, opening the third eye in us, the lightnings of vision and the fire of the divine energy.” *The Synthesis of Yoga

without hope because there seems to be no possibility of comfort or success.

working ::: 1. Operation; action. 2. The process of shaping a material. Also fig. 3. The process of fermenting, as of yeasts. 4. The operation or mode of operation of something. workings. (All other uses are as v. or adj.)

world-ignorance ::: Sri Aurobindo: "Our self-ignorance and our world-ignorance can only grow towards integral self-knowledge and integral world-knowledge in proportion as our limited ego and its half-blind consciousness open to a greater inner existence and consciousness and a true self-being and become aware too of the not-self outside it also as self, — on one side a Nature constituent of our own nature, on the other an Existence which is a boundless continuation of our own self-being. Our being has to break the walls of ego-consciousness which it has created, it has to extend itself beyond its body and inhabit the body of the universe.” The Life Divine

  " Yes. A third eye does open there [in the centre of the forehead] — it represents the occult vision and the occult power which goes with that vision — it is connected with the ajnacakra.” Letters on Yoga



QUOTES [1 / 1 - 114 / 114]


KEYS (10k)

   1 Walt Whitman

NEW FULL DB (2.4M)

   4 Anthony Trollope
   3 Penelope Douglas
   3 J K Rowling
   3 James Fenimore Cooper
   2 Sarah Palin
   2 Pope Francis
   2 Mitch Albom
   2 Chris Voss
   2 Cassandra Clare
   2 Carl Jung
   2 Betsy Beyer
   2 Aristotle
   2 Anonymous
   2 Alice Cooper
   2 Alexander Pope

1:The Last Invocation

At the last, tenderly,
From the walls of the powerful, fortress'd house,
From the clasp of the knitted locks-from the keep of the well-closed doors,
Let me be wafted.

Let me glide noiselessly forth;
With the key of softness unlock the locks-with a whisper,
Set ope the doors, O Soul!

Tenderly! be not impatient!
(Strong is your hold, O mortal flesh!
Strong is your hold, O love.) ~ Walt Whitman,

*** WISDOM TROVE ***

1:And there shall be for thee all soft delight That shadowy thought can win, A bright torch, and a casement ope at night, To let the warm Love in! ~ john-keats, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:Most sacrilegious murder hath broke ope ~ William Shakespeare,
2:I am sir Oracle, and when I ope my lips, let no dog bark. ~ William Shakespeare,
3:I am sir an Oracle,
And when I ope my lips, let no dogge barke. ~ William Shakespeare,
4:[H]ope takes you by the throat like a stranger, it makes your heart leap. ~ Hilary Mantel,
5:[H]ope takes you by the throat like a stranger, it makes your heart leap... ~ Hilary Mantel,
6:Em certas épocas de crise, todo anão míope é trocado por um clérigo leitor de Céline. ~ Pola Oloixarac,
7:But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery - go! ~ Mark Twain,
8:(H)ope was like a backstabbing friend. You could trust it sometimes, and then it would turn and drive its blade deep. ~ Jonathan Maberry,
9:A river is an appropriate frontier. Water is neutral and in its impartial winding makes the national boundary look like an act of God.—OPE ~ Paul Theroux,
10:[h]ope, like a desert aloe. Hope, stubborn and bitter to the taste. That hides water. That bears the drought. An ugly plant with the power to heal. ~ Sofia Samatar,
11:With purpose to be dressed in an opinion of wisdom gravity profound conceit as who should say 'I am Sir Oracle and when I ope my lips let no dog bark.' 1.1 ~ William Shakespeare,
12:Preguntó el señor Mifroid, mientras limpiaba meticulosamente los cristales de su binóculo, ya que el comisario era míope, como les suele ocurrir a los mejores ojos del mundo. ~ Gaston Leroux,
13:His steeds to water at those springs On chaliced flowers that lies; And winking Mary-buds begin To ope their golden eyes: With every thing that pretty is, My lady sweet, arise. ~ William Shakespeare,
14:The Sundaies of man's life, Thredded together on time's string, Make bracelets to adorn the wife Of the eternal, glorious King. On Sunday heaven's gates stand ope; Blessings are plentiful and rife. More plentiful than hope. ~ George Herbert,
15:Pójdźcie, wy, winożłope, dżynochłepte, gorzałochlejne istoty! Pójdźcie, wy, spsiałe, byczoszyje, lwiobrewe, świnoryje, orzeszkomózgie, łasicookie szulery, fałszywe alarmy i zbyteczne bagaże! Pójdź i ty, potrójny ekstrakcie hańby! ~ Anonymous,
16:Political controls in the sense that we think of bureaus or departments of government can never ope to produce collaboration between groups in the inner wheels of our industrial organization. It must come from inner compulsions and desires. ~ William O Douglas,
17:For some thoughts, which sure would be the most beautiful, vanish before we can rightly scan their features; as though a god, travelling by our green highways, should but ope the door, give one smiling look into the house, and go again for ever.  ~ Robert Louis Stevenson,
18:The whole east was flecked With flashing streaks and shafts of amethyst, While a light crimson mist Went up before the mounting luminary, And all the strips of cloud began to vary Their hues, and all the zenith seemed to ope As if to show a cope beyond the cope! ~ Epes Sargent,
19:O mother, mother!
What have you done? Behold, the heavens do ope,
The gods look down, and this unnatural scene
They laugh at. O my mother, mother! O!
You have won a happy victory to Rome;
But, for your son,--believe it, O, believe it,
Most dangerously you have with him prevail'd,
If not most mortal to him. ~ William Shakespeare,
20:O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers! Thou art the ruins of the noblest man That ever lived in the tide of times. Woe to the hand that shed this costly blood! Over they wounds now do I prophesy Which, like dumb mouths, do ope their ruby lips To beg the voice and utterance of my tongue--A curse shall light upon the limbs of men ~ Gaius Julius Caesar,
21:And now, unveil'd, the Toilet stands display'd,   Each silver Vase in mystic order laid.   First, rob'd in white, the Nymph intent adores,   With head uncover'd, the Cosmetic pow'rs.   A heav'nly image in the glass appears, 125   To that she bends, to that her eyes she rears;   Th' inferior Priestess, at her altar's side,   Trembling begins the sacred rites of Pride.   Unnumber'd treasures ope at once, and here ~ Alexander Pope,
22:Well, in that hit you miss. She'll not be hit With Cupid's arrow. She hath Dian's wit, And, in strong proff of chastity well armed, From Love's weak childish bow she lives uncharmed. She will not stay the siege of loving terms, Nor bide th' encounter of assailing eyes, Nor ope her lap to saint-seducing gold. O, she is rich in beauty; only poor That, when she dies, with dies her store. Act 1,Scene 1, lines 180-197 ~ William Shakespeare,
23:The Last Invocation

At the last, tenderly,
From the walls of the powerful, fortress’d house,
From the clasp of the knitted locks—from the keep of the well-closed doors,
Let me be wafted.

Let me glide noiselessly forth;
With the key of softness unlock the locks—with a whisper,
Set ope the doors, O Soul!

Tenderly! be not impatient!
(Strong is your hold, O mortal flesh!
Strong is your hold, O love.) ~ Walt Whitman,
24:The Last Invocation

At the last, tenderly,
From the walls of the powerful, fortress'd house,
From the clasp of the knitted locks-from the keep of the well-closed doors,
Let me be wafted.

Let me glide noiselessly forth;
With the key of softness unlock the locks-with a whisper,
Set ope the doors, O Soul!

Tenderly! be not impatient!
(Strong is your hold, O mortal flesh!
Strong is your hold, O love.) ~ Walt Whitman,
25:Well, in that hit you miss. She'll not be hit
With Cupid's arrow. She hath Dian's wit,
And, in strong proff of chastity well armed,
From Love's weak childish bow she lives uncharmed.
She will not stay the siege of loving terms,
Nor bide th' encounter of assailing eyes,
Nor ope her lap to saint-seducing gold.
O, she is rich in beauty; only poor
That, when she dies, with dies her store.
Act 1,Scene 1, lines 180-197 ~ William Shakespeare,
26:Se queres convencer alguém da tua verdade, não a expliques ou demonstres – afirma-a. E ela será tanto mais convincente quanto mais força puseres na afirmação. A afirmação é compacta, a demonstração é cheia de buracos. Uma pedra não tem intervalos para os ratos se intervalarem nela. Se queres ser chefe e dominador e senhor, berra o teu SIM ou o teu NÃO e deixa aos fracos o TALVEZ. E terás ocupado o baldio das almas humanas em que elas não sabem que semear. E serás histórico, se fores grande,mesmo no crime. Porque o homem é míope de sua natureza e só vê acima do tamanho do boi. ~ Verg lio Ferreira,
27:Love And Hate
Ope not thy lips, thou foolish one,
Nor turn to me thy face;
The blasts of heaven shall strike thee down
Ere I will give thee grace.
Take thou thy shadow from my path,
Nor turn to me and pray;
The wild wild winds thy dirge may sing
Ere I will bid thee stay.
Turn thou away thy false dark eyes,
Nor gaze upon my face;
Great love I bore thee: now great hate
Sits grimly in its place.
All changes pass me like a dream,
I neither sing nor pray;
And thou art like the poisonous tree
That stole my life away.
~ Elizabeth Eleanor Siddal,
28:The House Of The Trees
Open your doors and take me in,
Spirit of the wood;
Wash me clean of dust and din,
Clothe me in your mood.
Take me from the noisy light
To the sunless peace,
Where at midday standeth Night,
Signing Toil's release.
All your dusky twilight stores
To my senses give;
Take me in and lock the doors,
Show me how to live.
Lift your leafy roof for me,
Part your yielding walls,
Let me wander lingeringly
Through your scented halls.
Ope your doors and take me in,
Spirit of the wood;
Take me–make me next of kin
To your leafy brood.
~ Ethelwyn Wetherald,
29:Life And Art
Not while the fever of the blood is strong,
The heart throbs loud, the eyes are veiled, no less
With passion than with tears, the Muse shall bless
The poet-sould to help and soothe with song.
Not then she bids his trembling lips express
The aching gladness, the voluptuous pain.
Life is his poem then; flesh, sense, and brain
One full-stringed lyre attuned to happiness.
But when the dream is done, the pulses fail,
The day's illusion, with the day's sun set,
He, lonely in the twilight, sees the pale
Divine Consoler, featured like Regret,
Enter and clasp his hand and kiss his brow.
Then his lips ope to sing--as mine do now.
~ Emma Lazarus,
30:Sonnet Lxv: Known In Vain
As two whose love, first foolish, widening scope,
Knows suddenly, to music high and soft,
The Holy of holies; who because they scoff'd
Are now amazed with shame, nor dare to cope
With the whole truth aloud, lest heaven should ope;
Yet, at their meetings, laugh not as they laugh'd
In speech; nor speak, at length; but sitting oft
Together, within hopeless sight of hope
For hours are silent:—So it happeneth
When Work and Will awake too late, to gaze
After their life sailed by, and hold their breath.
Ah! who shall dare to search through what sad maze
Thenceforth their incommunicable ways
Follow the desultory feet of Death?
~ Dante Gabriel Rossetti,
31:The New Ezekiel
What, can these dead bones live, whose sap is dried
By twenty scorching centuries of wrong?
Is this the House of Israel, whose pride
Is as a tale that's told, an ancient song?
Are these ignoble relics all that live
Of psalmist, priest, and prophet? Can the breath
Of very heaven bid these bones revive,
Open the graves and clothe the ribs of death?
Yea, Prophesy, the Lord hath said. Again
Say to the wind, Come forth and breathe afresh,
Even that they may live upon these slain,
And bone to bone shall leap, and flesh to flesh.
The Spirit is not dead, proclaim the word,
Where lay dead bones, a host of armed men stand!
I ope your graves, my people, saith the Lord,
And I shall place you living in your land.
~ Emma Lazarus,
32:The Enchanter
In the deep heart of man a poet dwells
Who all the day of life his summer story tells;
Scatters on every eye dust of his spells,
Scent, form and color; to the flower and shells
Wins the believing child with wondrous tales;
Touches a cheek with colors of romance,
And crowds a history into a glance;
Gives beauty to the lake and fountain,
Spies oversea the fires of the mountain;
When thrushes ope their throat, 't is he
that sings,
And he that paints the oriole's fiery wings.
The little Shakspeare in the maiden's heart
Makes Romeo of a plough-boy on his cart;
Opens the eye to Virture's starlike meed
And gives persuasion to a gentle deed.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, The Enchanter
,
33:A Vote (Excerpt)
This only grant me: that my means may lie
Too low for envy, for contempt too high.
Some honour I would have,
Not from great deeds, but good alone;
Th' ignote are better than ill-known,
Rumour can ope the grave.
Acquaintance I would hug, but when 't depends
Not from the number, but the choice of friends.
Books should, not bus'ness, entertain the light,
And sleep, as undisturb'd as death, the night.
My house a cottage, more
Than palace, and should fitting be
For all my use, no luxury.
My garden painted o'er
With Nature's hand, not Art's, and pleasures yield
Horace might envy in his Sabine field.
Thus would I double my life's fading space,
For he that runs it well, twice runs his race.
And in this true delight,
These unbought sports and happy state
I would not fear, nor wish my fate,
But boldly say each night,
To-morrow let my sun his beams display,
Or in clouds hide them; I have liv'd to-day.
~ Abraham Cowley,
34:A Vote (Excerpt)
...
This only grant me: that my means may lie
Too low for envy, for contempt too high.
Some honour I would have,
Not from great deeds, but good alone;
Th' ignote are better than ill-known,
Rumour can ope the grave.
Acquaintance I would hug, but when 't depends
Not from the number, but the choice of friends.
Books should, not bus'ness, entertain the light,
And sleep, as undisturb'd as death, the night.
My house a cottage, more
Than palace, and should fitting be
For all my use, no luxury.
My garden painted o'er
With Nature's hand, not Art's, and pleasures yield
Horace might envy in his Sabine field.
Thus would I double my life's fading space,
For he that runs it well, twice runs his race.
And in this true delight,
These unbought sports and happy state
I would not fear, nor wish my fate,
But boldly say each night,
To-morrow let my sun his beams display,
Or in clouds hide them; I have liv'd to-day.
~ Abraham Cowley,
35:O wind, songs have ye in her name? Plucked her did ye from midnight blasted millyard winds and made her renown ring in stone and brick and ice? Hard implacable bridges of iron cross her milk of brows? God bent from his steel arc welded her a hammer of honey and of balm?

The rutted mud of hardrock Time . . . was it wetted, springified, greened, blossomied for me to grow in nameless bloodied lutey naming of her? Wood on cold trees would her coffin bare? Keys of stone rippled by icy streaks would ope my needy warm interiors and make her eat the soft sin of me? No iron bend or melt to make my rocky travail ease--I was all alone, my fate was banged behind an iron door, I'd come like butter looking for Hot Metals to love, I'd raise my feeble orgone bones and let them be rove and split the half and goop the big sad eyes to see it and say nothing. The laurel wreath is made of iron, and thorns of nails; acid spit, impossible mountains, and incomprehensible satires of blank humanity--congeal, cark, sink and seal my blood-- ~ Jack Kerouac,
36:The Vote (Excerpt)
. . . . . . . . .
This only grant me: that my means may lie
Too low for envy, for contempt too high.
Some honour I would have,
Not from great deeds, but good alone;
Th' ignote are better than ill-known,
Rumor can ope the grave.
Acquaintance I would hug, but when 't depends
Not from the number, but the choice of friends.
Books should, not business, entertain the light,
And sleep, as undisturbed as death, the night.
My house a cottage more
Than palace, and should fitting be
For all my use, no luxury.
My garden painted o'er
With nature's hand, not art's, and pleasures yield
Horace might envy in his Sabine field.
Thus would I double my life's fading space,
For he that runs it well twice runs his race.
And in this true delight,
These unbought sports and happy state
I would not fear, nor wish my fate,
But boldly say each night,
To-morrow let my sun his beams display,
Or in clouds hide them; I have lived to-day.
~ Abraham Cowley,
37:  Let me play the fool.
With mirth and laughter let old wrinkles come.
And let my liver rather heat with wine
Than my heart cool with mortifying groans.
Why should a man whose blood is warm within
Sit like his grandsire cut in alabaster,
Sleep when he wakes, and creep into the jaundice
By being peevish? I tell thee what, Antonio—
I love thee, and ’tis my love that speaks—
There are a sort of men whose visages
Do cream and mantle like a standing pond,
And do a willful stillness entertain
With purpose to be dressed in an opinion
Of wisdom, gravity, profound conceit,
As who should say, “I am Sir Oracle,
And when I ope my lips, let no dog bark!”
O my Antonio, I do know of these
That therefore only are reputed wise
For saying nothing, when I am very sure
If they should speak, would almost damn those ears
Which, hearing them, would call their brothers fools.
I’ll tell thee more of this another time.
But fish not with this melancholy bait
For this fool gudgeon, this opinion.— ~ William Shakespeare,
38:Love's Night Walk
Downward was the wheeling Bear
Driven by the Waggoner:
Men by powerful sleep opprest,
Gave their busy troubles rest;
Love, in this still depth of night,
Lately at my house did light;
Where, perceiving all fast lock'd,
At the door he boldly knock'd.
'Who's that,' said I, 'That does keep
Such a noise, and breaks my sleep?'
'Ope,' saith Love, 'for pity hear;
'Tis a child, thou need'st not fear,
Wet and weary, from his way
Led by this dark night astray.'
With compassion this I heard;
Light I struck, the door unbarr'd;
Where a little boy appears,
Who wings, bow, and quiver bears;
Near the fire I made him stand,
With my own I chaf'd his hand,
And with kindly busy care
Wrung the chill drops from his hair.
When well warm'd he was, and dry,
'Now,' saith he, ''tis time to try
If my bow no hurt did get,
For methinks the string is wet.'
With that, drawing it, a dart
He let fly that pierc'd my heart;
Leaping then, and laughing said,
'Come, my friend, with me be glad;
For my bow thou seest is sound,
Since thy heart hath got a wound.'
~ Anacreon,
39:The Nurse's Watch
From 'The Boy's Wonderhorn'
The moon it shines,
My darling whines;
The clock strikes twelve:--God cheer
The sick both far and near.
God knoweth all;
Mousy nibbles in the wall;
The clock strikes one:--like day,
Dreams o'er thy pillow play.
The matin-bell
Wakes the nun in convent cell;
The clock strikes two:--they go
To choir in a row.
The wind it blows,
The cock he crows;
The clock strikes three:--the wagoner
In his straw bed begins to stir.
The steed he paws the floor,
Creaks the stable door;
The clock strikes four:--'tis plain
The coachman sifts his grain.
The swallow's laugh the still air shakes,
The sun awakes;
The clock strikes five:--the traveler must be gone,
He puts his stockings on.
The hen is clacking,
The ducks are quacking;
The clock strikes six:--awake, arise,
Thou lazy hag; come, ope thy eyes.
Quick to the baker's run;
The rolls are done;
The clock strikes seven:-'Tis time the milk were in the oven.
Put in some butter, do,
And some fine sugar, too;
The clock strikes eight:-Now bring my baby's porridge straight.
13
~ Clemens Maria Brentano,
40:Evensong
There was a time we had the power
To build with Silent Thought
The perfect heaven-reaching tower,
As ancient seers have taught.
And periods have been when all
Felt subtle agencies
Envelop life with gloomy pall
Or glad sublimities:
When each felt safe in God's own care,
When eyes had farther sweep,
When angels' visits were not rare,
And Conscience dared not sleep:
'When Silent Lands, that no one heeds
But sentries of the van,
Displayed their good or evil deeds
Before the eyes of man:
'When all could read the Silent Script,
And ope the Temple's bars:
When every blade of grass was tipped
With signals from. the stars.
But now, for trust mayhap betrayed
Or pride too loosely checked,
The Silent Oracles evade
Our questions too direct.
Precisian pundits bid us think
The gods have never been:
The daylight pales the forms that link
The Silence -with the Seen:
Usurping Sun the sky-folk pens
Unwindowed in his blue;
The trumpet blare of common-sense
Our hearing deafens too:
23
But when we bid the band retire,
And the Sun unhorse his cars,
We hear an empyrean choir
And see-the Silent Stars.
~ Bernard O'Dowd,
41:Winter: My Secret
I tell my secret? No indeed, not I:
Perhaps some day, who knows?
But not today; it froze, and blows, and snows,
And you're too curious: fie!
You want to hear it? well:
Only, my secret's mine, and I won't tell.
Or, after all, perhaps there's none:
Suppose there is no secret after all,
But only just my fun.
Today's a nipping day, a biting day;
In which one wants a shawl,
A veil, a cloak, and other wraps:
I cannot ope to every one who taps,
And let the draughts come whistling thro' my hall;
Come bounding and surrounding me,
Come buffeting, astounding me,
Nipping and clipping thro' my wraps and all.
I wear my mask for warmth: who ever shows
His nose to Russian snows
To be pecked at by every wind that blows?
You would not peck? I thank you for good will,
Believe, but leave that truth untested still.
Spring's and expansive time: yet I don't trust
March with its peck of dust,
Nor April with its rainbow-crowned brief showers,
Nor even May, whose flowers
One frost may wither thro' the sunless hours.
Perhaps some languid summer day,
When drowsy birds sing less and less,
And golden fruit is ripening to excess,
If there's not too much sun nor too much cloud,
And the warm wind is neither still nor loud,
Perhaps my secret I may say,
Or you may guess.
~ Christina Georgina Rossetti,
42:The Banner Of The Jew
Wake, Israel, wake! Recall to-day
The glorious Maccabean rage,
The sire heroic, hoary-gray,
His five-fold lion-lineage:
The Wise, the Elect, the Help-of-God,
The Burst-of-Spring, the Avenging Rod.
From Mizpeh's mountain-ridge they saw
Jerusalem's empty streets, her shrine
Laid waste where Greeks profaned the Law,
With idol and with pagan sign.
Mourners in tattered black were there,
With ashes sprinkled on their hair.
Then from the stony peak there rang
A blast to ope the graves: down poured
The Maccabean clan, who sang
Their battle-anthem to the Lord.
Five heroes lead, and following, see,
Ten thousand rush to victory!
Oh for Jerusalem's trumpet now,
To blow a blast of shattering power,
To wake the sleepers high and low,
And rouse them to the urgent hour!
No hand for vengeance-but to save,
A million naked swords should wave.
Oh deem not dead that martial fire,
Say not the mystic flame is spent!
With Moses' law and David's lyre,
Your ancient strength remains unbent.
Let but an Ezra rise anew,
To lift the BANNER OF THE JEW!
A rag, a mock at first-erelong,
When men have bled and women wept,
To guard its precious folds from wrong,
Even they who shrunk, even they who slept,
237
Shall leap to bless it, and to save.
Strike! for the brave revere the brave!
~ Emma Lazarus,
43:Simple Sister Goes To Sydney
When Flo resolved to go to town from brothers three a yell went up,
Predicting ruin and distress. Bill in his horror dropped a cup.
“Gorstruth!” he said, “in Sydney there what is a simple girl to do?
They took me down. I lost me watch and seven quid. What ‘ope for you?”
Ben turned on her in pale dismay. “Look here, me girl, ain’t you bin told
How one iv them there spieler blokes done me for twenty pound in gold?
He was as nice a gentleman as any in the blessed shops:
He got away with all I had, and took a luner at the cops.”
“Me, too,” said Dave, “that time I went to Sydney town to see the Show
One trimmed me for me bran’ new suit. You stay where we can watch you, Flo.”
Flo packed. “If spieler comes at me his finish will be sharp,” she said;
And when the boys next heard of her she’d got a bloke, and then was wed.
She wrote: “He’s rather nice, I think, and I am putting him to work.
Next Chrissmiss we are comin’ up to see yous people back o’ Bourke.”
And when he came he brought for Bill a silver watch and seven quid,
For Dave a bran’ new suit of check, a ruby tie-pin and a lid.
To Ben he handed twenty pounds, in nice new minted sovereigns, too.
And still the brothers gaped at him, and still their great amazement grew.
He was a natty kind of chap, with gentle manners, small and slim.
And when they spoke ‘twas as one man. “So ‘elp me cat,” they said, “it’s ‘im!”
~ Edward George Dyson,
44:Cleburne
Another ray of light hath fled, another Southern brave
Hath fallen in his country's cause and found a laureled graveHath fallen, but his deathless name shall live when stars shall set,
For, noble Cleburne, thou art one this world will ne'er forget.
'Tis true, thy warm heart beats no more, that on thy noble head
Azrael placed his icy hand, and thou art with the dead;
The glancing of thine eyes are dim; no more will they be bright
Until they ope in Paradise, with clearer, heavenlier light.
No battle news disturbs thy rest upon the sun-bright shore,
No clarion voice awakens thee on earth to wrestle more,
No tramping steed, no wary foe bids thee awake, arise,
For thou art in the angel world, beyond the starry skies.
Brave Cleburne, dream in thy low bed, with pulseless deadened heart;
Calm, calm and sweet, O warrior rest! thou well hast borne thy part,
And now a glory wreath for thee the angels singing twine,
A glory wreath, not of the earth, but made by hands divine.
A long farewell-we give thee up, with all thy bright reknown,
A chieftain here on earth is lost, in heaven an angel found.
Above thy grave a wail is heard-a nation mourns her dead;
A nobler for the South ne'er died, a braver never bled.
A last farewell-how can we speak the bitter word farewell!
The anguish of our bleeding hearts vain words may never tell.
Sleep on, sleep on, to God we give our chieftain in his might;
And weeping, feel he lives on high, where comes no sorrow's night.
~ Anonymous Americas,
45:Octopus
By Algernon Charles Sin-Burn
Strange beauty, eight-limbed and eight-handed,
Whence camest to dazzle our eyes?
With thy bosom bespangled and banded
With the hues of the seas and the skies;
Is thy home European or Asian,
O mystical monster marine?
Part molluscous and partly crustacean,
Betwixt and between.
Wast thou born to the sound of sea trumpets?
Hast thou eaten and drunk to excess
Of the sponges -- thy muffins and crumpets,
Of the seaweed -- thy mustard and cress?
Wast thou nurtured in caverns of coral,
Remote from reproof or restraint?
Art thou innocent, art thou immoral,
Sinburnian or Saint?
Lithe limbs, curling free, as a creeper
That creeps in a desolate place,
To enroll and envelop the sleeper
In a silent and stealthy embrace,
Cruel beak craning forward to bite us,
Our juices to drain and to drink,
Or to whelm us in waves of Cocytus,
Indelible ink!
O breast, that 'twere rapture to writhe on!
O arms 'twere delicious to feel
Clinging close with the crush of the Python,
When she maketh her murderous meal!
In thy eight-fold embraces enfolden,
Let our empty existence escape,
Give us death that is glorious and golden,
Crushed all out of shape!
Ah! thy red lips, lascivious and luscious,
With death in their amorous kiss,
Cling round us, and clasp us, and crush us,
With bitings of agonised bliss;
We are sick with the poison of pleasure,
Dispense us the potion of pain;
Ope thy mouth to its uttermost measure
And bite us again!
~ Arthur Clement Hilton,
46:However, the Bleeding Hearts were kind hearts; and when they saw the little fellow cheerily limping about with a good-humoured face, doing no harm, drawing no knives, committing no outrageous immoralities, living chiefly on farinaceous and milk diet, and playing with Mrs Plornish's children of an evening, they began to think that although he could never hope to be an Englishman, still it would be hard to visit that affliction on his head. They began to accommodate themselves to his level, calling him 'Mr Baptist,' but treating him like a baby, and laughing immoderately at his lively gestures and his childish English—more, because he didn't mind it, and laughed too. They spoke to him in very loud voices as if he were stone deaf. They constructed sentences, by way of teaching him the language in its purity, such as were addressed by the savages to Captain Cook, or by Friday to Robinson Crusoe. Mrs Plornish was particularly ingenious in this art; and attained so much celebrity for saying 'Me ope you leg well soon,' that it was considered in the Yard but a very short remove indeed from speaking Italian. Even Mrs Plornish herself began to think that she had a natural call towards that language. As he became more popular, household objects were brought into requisition for his instruction in a copious vocabulary; and whenever he appeared in the Yard ladies would fly out at their doors crying 'Mr Baptist—tea-pot!' 'Mr Baptist—dust-pan!' 'Mr Baptist—flour-dredger!' 'Mr Baptist—coffee-biggin!' At the same time exhibiting those articles, and penetrating him with a sense of the appalling difficulties of the Anglo-Saxon tongue. ~ Charles Dickens,
47:Mas, logo ao outro dia, seus parceiros,
Todos nus e da cor da escura treva,
Decendo pelos ásperos outeiros,
As peças vem buscar que estoutro leva.
Domésticos já tanto e companheiros
Se nos mostram, que fazem que se atreva
Fernão Veloso a ir ver da terra o trato
E partir-se co eles pelo mato.

É Veloso no braço confiado
E, de arrogante, crê que vai seguro;
Mas, sendo um grande espaço já passado,
Em que algum bom sinal saber procuro,
Estando, a vista alçada, co cuidado
No aventureiro, eis pelo monte duro
Aparece e, segundo ao mar caminha,
Mais apressado do que fora, vinha.

O batel de Coelho foi depressa
Polo tomar; mas, antes que chegasse,
Um Etíope ousado se arremessa
A ele, por que não se lhe escapasse.
Outro e outro lhe saem; vê-se em presa
Veloso, sem que alguém lhe ali ajudasse,
Acudo eu logo, e, enquanto o remo aperto
Se mostra um bando negro descoberto.

Da espessa nuvem setas e pedradas
Chovem sobre nós outros, sem medida,
E não foram ao vento em vão deitadas,
Que esta perna trouxe eu dali ferida;
Mas nós, como pessoas magoadas,
A reposta lhe demos tão tecida,
Que em mais que nos barretes se suspeita
Que a cor vermelha levam desta feita.

E, sendo já Veloso em salvamento,
Logo nos recolhemos pera a armada,
Vendo a malícia feia e rudo intento
Da gente bestial, bruta e malvada,
De quem nenhum milhor conhecimento
Pudemos ter da Índia desejada
Que estarmos inda muito longe dela.
E assi tornei a dar ao vento a vela.

Disse então a Veloso um companheiro
(Começando-se todos a sorrir):
"Oula, Veloso amigo, aquele outeiro
É milhor de decer que de subir. ~ Lu s de Cam es,
48:Reality
These things alone endure;
'They are the solid facts,' that we may grasp,
Leading us on and upward if we clasp
And hold them firm and sure.
In a wise fable old,
A hero sought a god who could at will
Assume all figures, and the hero still
Loosed not his steadfast hold,
For
For
For
For
image foul or fair,
soft-eyed nymph, who wept with pain and shame,
threatening fiend or loathsome beast or flame,
menace or for prayer.
Until the god, outbraved,
Took his own shape divine; not wrathfully,
But wondering, to the hero gave reply,
The knowledge that he craved.
We seize the god in youth;
All forms conspire to make us loose our grasp,—
Ambition, folly, gain,— till we unclasp
From the embrace of truth.
We grow more wise, we say,
And work for worldly ends and mock our dream,
Alas! while all life's glory and its gleam,
With that have fled away.
If thereto we had clung
Through change and peril, fire and night and storm,
Till it assumed its proper, godlike form,
We might at last have wrung
An answer to our cries—
A brave response to our most valiant hope.
Unto the light of day this word might ope
A million mysteries.
175
O'er each man's brow I see
The bright star of his genius shining clear;
It seeks to guide him to a nobler sphere,
Above earth's vanity.
Up to pure height of snow,
Its beckoning ray still leads him on and on;
To those who follow, lo, itself comes down
And crowns at length their brow.
The nimbus still doth gleam
On these the heroes, sages of the earth,
The few who found, in life of any worth,
Only their loftiest dream.
~ Emma Lazarus,
49:Malcom
Boy! this world has ever been
A bright, glad world to me;
Through each dark and checkered scene
God's sun shone lovingly.
But Content I've never known;
Hoping, trusting that the years,
With their April smiles and tears,
Would yet bring me one like thee
That I could call my own.
With thy soft and heavenly eyes
In deep and pensive calm,
I seem looking at the skies,
And wonder where I am!
Something more than princely blood
Courses in thy tranquil face:
When she lent thee such a grace,
Nature lit life's earnest flame
In her most queenly mood.
Such a sweet intelligence
Is stamped on every line,
Banqueting our craving sense
With minist'rings divine.
If thy Boyhood be so great,
What will be the coming Man,
Could we overleap the span?
Are there treasures in the mine,
To pay us, if we wait?
Doth the voice of Music live
In that majestic brain,
Waiting for the Hand to give
Expression to the strain?
Are there wells of Truth-pure, deep,
Where the patient diver, Thought,
Finds the pearl that has been sought
Many a weary age in vain,
Entrusted to thy keep.
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Doth the fire of Genius burn
Within that ample brow?
Or some patient spirit yearn
For things that are not now?
Hidden in the over-soul
Of the Future, to be born
When the world has ceased its scorn,
When the sceptic's heart will bow
To the divine control.
Patiently we'll watch and hope,
And wait, alternately;
Trusting that, when time shall ope
The casket's mystery,
We will be made rich indeed
With the wonders it contains;
Rich beyond all previous gains;
Richer for thy thought and thee,
Beyond our greatest meed.
~ Charles Sangster,
50:The New Cry
Ere cherries ripe, and strawberries be gone;
Unto the cries of London I'll add one;
Ripe statesmen, ripe: they grow in ev'ry street;
At six-and-twenty, ripe. You shall 'em meet,
And have him yield no favour, but of state.
Ripe are their ruffs, their cuffs, their beards, their gate,
And grave as ripe, like mellow as their faces.
They know the states of Christendom, not the places:
Yet have they seen the maps, and bought 'em too,
And understand 'em, as most chapmen do.
The counsels, projects, practices they know,
And what each prince doth for intelligence owe,
And unto whom; they are the almanacks
For twelve years yet to come, what each state lacks.
They carry in their pockets Tacitus,
And the Gazetti, or Gallo-Belgicus:
And talk reserv'd, lock'd up, and full of fear;
Nay, ask you how the day goes, in your ear.
Keep a Star-chamber sentence close twelve days:
And whisper what a Proclamation says.
They meet in sixes, and at ev'ry mart,
Are sure to con the catalogue by heart;
Or ev'ry day, some one at Rimee's looks,
Or bills, and there he buys the name of books.
They all get Porta, for the sundry ways
To write in cypher, and the several keys,
To ope the character. They've found the slight
With juice of lemons, onions, piss, to write;
To break up seals and close 'em. And they know,
If the states make peace, how it will go
With England. All forbidden books they get,
And of the powder-plot, they will talk yet.
At naming the French king, their heads they shake,
And at the Pope, and Spain, slight faces make.
Or 'gainst the bishops, for the brethren rail
Much like those brethren; thinking to prevail
With ignorance on us, as they have done
On them: and therefore do not only shun
Others more modest, but contemn us too,
110
That know not so much state, wrong, as they do.
~ Ben Jonson,
51:The Soul
All my mind has sat in state,
Pond'ring on the deathless Soul:
What must be the Perfect Whole,
When the atom is so great!
God! I fall in spirit down,
Low as Persian to the sun;
All my senses, one by one,
In the stream of Thought must drown.
On the tide of mystery,
Like a waif, I'm seaward borne,
Ever looking for the morn
That will yet interpret Thee,
Opening my blinded eyes,
That have strove to look within,
'Whelmed in clouds of doubt and sin,
Sinking where I dared to rise:
Could I trace one Spirit's flight,
Track it to its final goal,
Know that 'Spirit' meant 'the Soul,'
I must perish in the light.
All in vain I search, and cry:
'What, O Soul, and whence art thou?'
Lower than the earth I bow,
Stricken with the grave reply:
'Wouldst thou ope what God has sealed Sealed in mercy here below?
What is best for man to know,
Shall most surely be revealed!'
Deep on deep of mystery!
Ask the sage, he knows no more
Of the soul's unspoken lore
Than the child upon his knee!
170
Cannot tell me whence the thought
That is passing through my mind!
Where the mystic soul is shrined,
Wherewith all my life is fraught?
Knows not how the brain conceives
Images almost divine;
Cannot work my mental mine,
Cannot bind my golden sheaves.
Is he wiser, then, than I,
Seeing he can read the stars?
I have rode in fancy's oars
Leagues beyond his farthest sky!
Some old Rabbi, dreaming o'er
The sweet legends of his race,
Ask him for some certain trace
Of the far, eternal shore.
No. The Talmud page is dark,
Though it burn with quenchless fire,
And the insight must pierce higher,
That would find the vital spark.
O, my Soul! be firm and wait,
Hoping with the zealous few,
Till the Shekinah of the True
Lead thee through the Golden Gate.
~ Charles Sangster,
52:Loretta snuggled deeply into silken furs, trying to escape the persistent hand that shook her shoulder and the voice that called to her. Not her name, anyway. Blue Eyes. What kind of name was that?
“Blue Eyes, you will be awake now. Home…you wish for home?”
Home. Amy and Aunt Rachel. The gray down quilt. Pork slab and eggs for breakfast. Coffee on the porch when the sun peeked over the horizon and streaked the sky with crimson. Home. To laughter and love and safety. Oh, yes, she wished for home.
“Be awake, little one. This Comanche will take you back. Loh-rhett-ah? Wake up, Hoos-cho Soh-nips, Bird Bones, you must eat and grow strong so you can go home. To your people and your wooden walls.”
Loretta opened her eyes. She rolled onto her back and blinked. A dark face swam above her. Funny, but blinking didn’t bring him into focus. She reached out, curious, then thought better of it.
“You will make the honey talk with me? We will make a treaty between us, one with no tiv-ope, writing. You will eat and grow strong, and I will take you to your people.”
Honey talk. All lies, according to Hunter. Loretta peered up. She ran her tongue across her lips and tried to swallow. “H-home?” she croaked.
Huh, yes, Blue Eyes. Home. But you must eat so you can live to go back. And drink. For three days. Until you are strong again.” His fingertips grazed her cheek and trailed lightly into her hair. “Then this Comanche will take you.”
“You will?” she rasped.
“It is a promise I make. You will eat and drink?”
Loretta closed her eyes. She had to be dreaming. But oh, what a lovely dream it was. To go home. To have Hunter volunteer to take her there. No need to worry that his wrath would rain upon her family. “No tricks. You swear it?”
“No tricks.”
His voice echoed and reechoed inside her head, loud, then like a whisper. She fought to open her eyes. The darkness was surrounding her again. “Then I will eat. ~ Catherine Anderson,
53:They Desire A Better Country
I would not if I could undo my past,
Tho' for its sake my future is a blank;
My past, for which I have myself to thank,
For all its faults and follies first and last.
I would not cast anew the lot once cast,
Or launch a second ship for one that sank,
Or drug with sweets the bitterness I drank,
Or break by feasting my perpetual fast.
I would not if I could: for much more dear
Is one remembrance than a hundred joys,
More than a thousand hopes in jubilee;
Dearer the music of one tearful voice
That unforgotten calls and calls to me,
'Follow me here, rise up, and follow here.'
II
What seekest thou far in the unknown land?
In hope I follow joy gone on before,
In hope and fear persistent more and more,
As the dry desert lengthens out its sand.
Whilst day and night I carry in my hand
The golden key to ope the golden door
Of golden home; yet mine eye weepeth sore
For the long journey that must make no stand.
And who is this that veiled doth walk with thee?
Lo, this is Love that walketh at my right;
One exile holds us both, and we are bound
To selfsame home-joys in the land of light.
Weeping thou walkest with him; weepeth he?—
Some sobbing weep, some weep and make no sound.
III
A dimness of a glory glimmers here
Thro' veils and distance from the space remote,
A faintest far vibration of a note
409
Reaches to us and seems to bring us near,
Causing our face to glow with braver cheer,
Making the serried mist to stand afloat,
Subduing langour with an antidote,
And strengthening love almost to cast out fear,
Till for one moment golden city walls
Rise looming on us, golden walls of home,
Light of our eyes until the darkness falls;
Then thro' the outer darkness burdensome
I hear again the tender voice that calls,
'Follow me hither, follow, rise, and come.'
~ Christina Georgina Rossetti,
54:Ce qui est tout à fait extraordinaire, c'est la rapidité avec laquelle la civilisation du moyen âge tomba dans le plus complet oubli ; les hommes du XVIIe siècle n'en avaient plus la moindre notion, et les monuments qui en subsistaient ne représentaient plus rien à leurs yeux, ni dans l'ordre intellectuel, ni même dans l'ordre esthétique ; on peut juger par là combien la mentalité avait été changée dans l'intervalle. Nous n'entreprendrons pas de rechercher ici les facteurs, certainement fort complexes, qui concoururent à ce changement, si radical qu'il semble difficile d'admettre qu'il ait pu s'opérer spontanément et sans l'intervention d'une volonté directrice dont la nature exacte demeure forcément assez énigmatique ; il y a, à cet égard, des circonstances bien étranges, comme la vulgarisation, à un moment déterminé, et en les présentant comme des découvertes nouvelles, de choses qui étaient connues en réalité depuis fort longtemps, mais dont la connaissance, en raison de certains inconvénients qui risquaient d'en dépasser les avantages, n'avait pas été répandue jusque là dans le domaine public (1). Il est bien invraisemblable aussi que la légende qui fit du moyen âge une époque de « ténèbres », d'ignorance et de barbarie, ait pris naissance et se soit accréditée d'elle-même, et que la véritable falsification de l'histoire à laquelle les modernes se sont livrés ait été entreprise sans aucune idée préconçue ; mais nous n'irons pas plus avant dans l'examen de cette question, car, de quelque façon que ce travail se soit accompli, c'est, pour le moment, la constatation du résultat qui, en somme, nous importe le plus.»

(1) Nous ne citerons que deux exemples, parmi les faits de ce genre qui devaient avoir les plus graves conséquences : la prétendue invention de l'imprimerie, que les Chinois connaissaient antérieurement à l’ère chrétienne et la découverte « officielle » de l'Amérique, avec laquelle des communications beaucoup plus suivies qu'on ne le pense avaient existé durant tout le moyen âge. ~ Ren Gu non,
55:The Spring
THOUGH you be absent here, I needs must say
The Trees as beauteous are, and flowers as gay,
As ever they were wont to be ;
Nay the Birds rural musick too
Is as melodious and free,
As if they sung to pleasure you:
I saw a Rose-Bud ope this morn ; I'll swear
The blushing Morning open'd not more fair.
How could it be so fair, and you away ?
How could the Trees be beauteous, Flowers so gay ?
Could they remember but last year,
How you did Them, They you delight,
The sprouting leaves which saw you here,
And call'd their Fellows to the sight,
Would, looking round for the same sight in vain,
Creep back into their silent Barks again.
Where e'er you walk'd trees were as reverend made,
As when of old Gods dwelt in every shade.
Is 't possible they should not know,
What loss of honor they sustain,
That thus they smile and flourish now,
And still their former pride retain ?
Dull Creatures! 'tis not without Cause that she,
Who fled the God of wit, was made a Tree.
In ancient times sure they much wiser were,
When they rejoyc'd the Thracian verse to hear ;
In vain did Nature bid them stay,
When Orpheus had his song begun,
They call'd their wondring roots away,
And bad them silent to him run.
How would those learned trees have followed you ?
You would have drawn Them, and their Poet too.
But who can blame them now ? for, since you're gone,
They're here the only Fair, and Shine alone.
You did their Natural Rights invade ;
70
Where ever you did walk or sit,
The thickest Boughs could make no shade,
Although the Sun had granted it :
The fairest Flowers could please no more, neer you,
Then Painted Flowers, set next to them, could do.
When e'er then you come hither, that shall be
The time, which this to others is, to Me.
The little joys which here are now,
The name of Punishments do bear ;
When by their sight they let us know
How we depriv'd of greater are.
'Tis you the best of Seasons with you bring ;
This is for Beasts, and that for Men the Spring
~ Abraham Cowley,
56:Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well, ~ Mark Twain,
57:On An Infant Dying As Soon As Born
I SAW where in the shroud did lurk
A curious frame of Nature's work;
A floweret crush'd in the bud,
A nameless piece of Babyhood,
Was in her cradle-coffin lying;
Extinct, with scarce the sense of dying:
So soon to exchange the imprisoning womb
For darker closets of the tomb!
She did but ope an eye, and put
A clear beam forth, then straight up shut
For the long dark: ne'er more to see
Through glasses of mortality.
Riddle of destiny, who can show
What thy short visit meant, or know
What thy errand here below?
Shall we say that Nature blind
Check'd her hand, and changed her mind,
Just when she had exactly wrought
A finish'd pattern without fault?
Could she flag, or could she tire,
Or lack'd she the Promethean fire
(With her nine moons' long workings sicken'd)
That should thy little limbs have quicken'd?
Limbs so firm, they seem'd to assure
Life of health, and days mature:
Woman's self in miniature!
Limbs so fair, they might supply
(Themselves now but cold imagery)
The sculptor to make Beauty by.
Or did the stern-eyed Fate descry
That babe or mother, one must die;
So in mercy left the stock
And cut the branch; to save the shock
Of young years widow'd, and the pain
When single state comes back again
To the lone man who, reft of wife,
Thenceforward drags a maimed life?
The economy of Heaven is dark,
And wisest clerks have miss'd the mark,
88
Why human buds, like this, should fall,
More brief than fly ephemeral
That has his day; while shrivell'd crones
Stiffen with age to stocks and stones;
And crabbed use the conscience sears
In sinners of an hundred years.
Mother's prattle, mother's kiss,
Baby fond, thou ne'er wilt miss:
Rites, which custom does impose,
Silver bells, and baby clothes;
Coral redder than those lips
Which pale death did late eclipse;
Music framed for infants' glee,
Whistle never tuned for thee;
Though thou want'st not, thou shalt have them,
Loving hearts were they which gave them.
Let not one be missing; nurse,
See them laid upon the hearse
Of infant slain by doom perverse.
Why should kings and nobles have
Pictured trophies to their grave,
And we, churls, to thee deny
Thy pretty toys with thee to lie-A more harmless vanity?
~ Charles Lamb,
58:Eyes And Tears
How wisely Nature did decree,
With the same Eyes to weep and see!
That, having view'd the object vain,
They might be ready to complain.
And since the Self-deluding Sight,
In a false Angle takes each hight;
These Tears which better measure all,
Like wat'ry Lines and Plummets fall.
Two Tears, which Sorrow long did weigh
Within the Scales of either Eye,
And then paid out in equal Poise,
Are the true price of all my Joyes.
What in the World most fair appears,
Yea even Laughter, turns to Tears:
And all the Jewels which we prize,
Melt in these Pendants of the Eyes.
I have through every Garden been,
Amongst the Red,the White, the Green;
And yet, from all the flow'rs I saw,
No Hony, but these Tears could draw.
So the all-seeing Sun each day
Distills the World with Chymick Ray;
But finds the Essence only Showers,
Which straight in pity back he powers.
Yet happy they whom Grief doth bless,
That weep the more, and see the less:
And, to preserve their Sight more true,
Bath still their Eyes in their own Dew.
So Magdalen, in Tears more wise
Dissolv'd those captivating Eyes,
Whose liquid Chains could flowing meet
To fetter her Redeemers feet.
55
Not full sailes hasting loaden home,
Nor the chast Ladies pregnant Womb,
Nor Cynthia Teeming show's so fair,
As two Eyes swoln with weeping are.
The sparkling Glance that shoots Desire,
Drench'd in these Waves, does lose it fire.
Yea oft the Thund'rer pitty takes
And here the hissing Lightning slakes.
The Incense was to Heaven dear,
Not as a Perfume, but a Tear.
And Stars shew lovely in the Night,
But as they seem the Tears of Light.
Ope then mine Eyes your double Sluice,
And practise so your noblest Use.
For others too can see, or sleep;
But only humane Eyes can weep.
Now like two Clouds dissolving, drop,
And at each Tear in distance stop:
Now like two Fountains trickle down:
Now like two floods o'return and drown.
Thus let your Streams o'reflow your Springs,
Till Eyes and Tears be the same things:
And each the other's difference bears;
These weeping Eyes, those seeing Tears.
Note:
Magdala, lascivos sic quum dimisit Amantes,
Fervidaque in castas lumina solvit aquas;
Haesit in irriguo lachrymarum compede Christus,
Et tenuit sacros uda Catena pedes.
~ Andrew Marvell,
59:Preparatory Meditations - First Series: 39
(I John 2:1. If any Man Sin, We Have an Advocate)
My sin! My sin, my God, these cursed dregs,
Green, yellow, blue-streaked poison hellish, rank,
Bubs hatched in nature's nest on serpents' eggs,
Yelp, chirp, and cry; they set my soul a-cramp.
I frown, chide, strike, and fight them, mourn and cry
To conquer them, but cannot them destroy.
I cannot kill or coop them up: my curb
'S less than a snaffle in their mouth: my reins
They as a twine thread snap: by hell they're spurred:
And load my soul with swagging loads of pains.
Black imps, young devils, snap, bite, drag to bring
And pick me headlong hell's dread whirlpool in.
Lord, hold Thy hand: for handle me Thou mayst
In wrath: but oh, a twinkling ray of hope
Methinks I spy Thou graciously display'st.
There is an advocate: a door is ope.
Sin's poison swell my heart would till it burst,
Did not a hope hence creep in 't thus and nurse 't.
Joy, joy, God's son's the sinner's advocate,
Doth plead the sinner guiltless, and a saint.
But yet attornies' pleas spring from the state,
The case is in: if bad, it's bad in plaint.
My papers do contain no pleas that do
Secure me from, but knock me down to, woe.
I have no plea mine advocate to give:
What now? He'll anvil arguments great store
Out of His flesh and blood to make thee live.
O dear-bought arguments: good pleas therefore.
Nails made of heavenly steel, more choice than gold
Drove home, well-clenched, eternally will hold.
Oh! Dear-bought plea, dear Lord, what buy 't so dear?
What with Thy blood purchase Thy plea for me?
22
Take argument out of Thy grave t' appear
And plead my case with, me from guilt to free.
These maul both sin and devils, and amaze
Both saints and angels; wreathe their mouths with praise.
What shall I do, my Lord? What do, that I
May have Thee plead my case? I fee Thee will
With faith, repentance, and obediently
Thy service gainst Satanic sins fulfill.
I'll fight Thy fields while live I do, although
I should be hacked in pieces by Thy foe.
Make me Thy friend, Lord, be my surety: I
Will be Thy client, be my advocate:
My sins make Thine, Thy pleas make mine hereby.
Thou wilt me save, I will Thee celebrate.
Thou'lt kill my sins that cut my heart within:
And my rough feet shall Thy smooth praises sing.
~ Edward Taylor,
60:The pressure is on. They've teased me all week, because I've avoided anything that requires ordering. I've made excuses (I'm allergic to beef," "Nothing tastes better than bread," Ravioli is overrated"), but I can't avoid it forever.Monsieur Boutin is working the counter again. I grab a tray and take a deep breath.
"Bonjour, uh...soup? Sopa? S'il vous plait?"
"Hello" and "please." I've learned the polite words first, in hopes that the French will forgive me for butchering the remainder of their beautiful language. I point to the vat of orangey-red soup. Butternut squash, I think. The smell is extraordinary, like sage and autumn. It's early September, and the weather is still warm. When does fall come to Paris?
"Ah! soupe.I mean,oui. Oui!" My cheeks burn. "And,um, the uh-chicken-salad-green-bean thingy?"
Monsieur Boutin laughs. It's a jolly, bowl-full-of-jelly, Santa Claus laugh. "Chicken and haricots verts, oui. You know,you may speek Ingleesh to me. I understand eet vairy well."
My blush deepends. Of course he'd speak English in an American school. And I've been living on stupid pears and baquettes for five days. He hands me a bowl of soup and a small plate of chicken salad, and my stomach rumbles at the sight of hot food.
"Merci," I say.
"De rien.You're welcome. And I 'ope you don't skeep meals to avoid me anymore!" He places his hand on his chest, as if brokenhearted. I smile and shake my head no. I can do this. I can do this. I can-
"NOW THAT WASN'T SO TERRIBLE, WAS IT, ANNA?" St. Clair hollers from the other side of the cafeteria.
I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time."
"My pleasure. Always happy to educate." He's wearing the same clothing as yesterday, jeans and a ratty T-shirt with Napolean's silhouette on it.When I asked him about it,he said Napolean was his hero. "Not because he was a decent bloke, mind you.He was an arse. But he was a short arse,like meself."
I wonder if he slept at Ellie's. That's probably why he hasn't changed his clothes. He rides the metro to her college every night, and they hang out there. Rashmi and Mer have been worked up, like maybe Ellie thinks she's too good for them now.
"You know,Anna," Rashmi says, "most Parisians understand English. You don't have to be so shy."
Yeah.Thanks for pointing that out now. ~ Stephanie Perkins,
61:I.

Gr-r-r-there go, my heart's abhorrence!
Water your damned flower-pots, do!
If hate killed men, Brother Lawrence,
God's blood, would not mine kill you!
What? your myrtle-bush wants trimming?
Oh, that rose has prior claims-
Needs its leaden vase filled brimming?
Hell dry you up with its flames!

II.

At the meal we sit together:
Salve tibi! I must hear
Wise talk of the kind of weather,
Sort of season, time of year:
Not a plenteous cork-crop: scarcely
Dare we hope oak-galls, I doubt:
What's the Latin name for ``parsley''?
What's the Greek name for Swine's Snout?

III.

Whew! We'll have our platter burnished,
Laid with care on our own shelf!
With a fire-new spoon we're furnished,
And a goblet for ourself,
Rinsed like something sacrificial
Ere 'tis fit to touch our chaps-
Marked with L. for our initial!
(He-he! There his lily snaps!)

IV.

Saint, forsooth! While brown Dolores
Squats outside the Convent bank
With Sanchicha, telling stories,
Steeping tresses in the tank,
Blue-black, lustrous, thick like horsehairs,
-Can't I see his dead eye glow,
Bright as 'twere a Barbary corsair's?
(That is, if he'd let it show!)

V.

When he finishes refection,
Knife and fork he never lays
Cross-wise, to my recollection,
As do I, in Jesu's praise.
I the Trinity illustrate,
Drinking watered orange-pulp-
In three sips the Arian frustrate;
While he drains his at one gulp.

VI.

Oh, those melons? If he's able
We're to have a feast! so nice!
One goes to the Abbot's table,
All of us get each a slice.
How go on your flowers? None double
Not one fruit-sort can you spy?
Strange!-And I, too, at such trouble,
Keep them close-nipped on the sly!

VII.

There's a great text in Galatians,
Once you trip on it, entails
Twenty-nine distinct damnations,
One sure, if another fails:
If I trip him just a-dying,
Sure of heaven as sure can be,
Spin him round and send him flying
Off to hell, a Manichee?

VIII.

Or, my scrofulous French novel
On grey paper with blunt type!
Simply glance at it, you grovel
Hand and foot in Belial's gripe:
If I double down its pages
At the woeful sixteenth print,
When he gathers his greengages,
Ope a sieve and slip it in't?

IX.

Or, there's Satan!-one might venture
Pledge one's soul to him, yet leave
Such a flaw in the indenture
As he'd miss till, past retrieve,
Blasted lay that rose-acacia
We're so proud of! Hy, Zy, Hine
'St, there's Vespers! Plena grati
Ave, Virgo! Gr-r-r-you swine!


~ Robert Browning, Soliloquy Of The Spanish Cloister
,
62:Hear I the creaking gate unclose?
The gleaming latch uplifted?
No'twas the wind that, whirring, rose,
Amidst the poplars drifted!
Adorn thyself, thou green leaf-bowering roof,
Destined the bright one's presence to receive,
For her, a shadowy palace-hall aloof
With holy night, thy boughs familiar weave.
And ye sweet flatteries of the delicate air,
Awake and sport her rosy cheek around,
When their light weight the tender feet shall bear,
When beauty comes to passion's trysting-ground.

Hush! what amidst the copses crept
So swiftly by me now?
No-'twas the startled bird that swept
The light leaves of the bough!
Day, quench thy torch! come, ghostlike, from on high,
With thy loved silence, come, thou haunting Eve,
Broaden below thy web of purple dye,
Which lulled boughs mysterious round us weave.
For love's delight, enduring listeners none,
The froward witness of the light will flee;
Hesper alone, the rosy silent one,
Down-glancing may our sweet familiar be!

What murmur in the distance spoke,
And like a whisper died?
No'twas the swan that gently broke
In rings the silver tide!
Soft to my ear there comes a music-flow;
In gleesome murmur glides the waterfall;
To zephyr's kiss the flowers are bending low;
Through life goes joy, exchanging joy with all.
Tempt to the touch the grapesthe blushing fruit, [15]
Voluptuous swelling from the leaves that bide;
And, drinking fever from my cheek, the mute
Air sleeps all liquid in the odor-tide!

Hark! through the alley hear I now
A footfall? Comes the maiden?
No,'twas the fruit slid from the bough,
With its own richness laden!

Day's lustrous eyes grow heavy in sweet death,
And pale and paler wane his jocund hues,
The flowers too gentle for his glowing breath,
Ope their frank beauty to the twilight dews.
The bright face of the moon is still and lone,
Melts in vast masses the world silently;
Slides from each charm the slowly-loosening zone;
And round all beauty, veilless, roves the eye.

What yonder seems to glimmer?
Her white robe's glancing hues?
No,'twas the column's shimmer
Athwart the darksome yews!

O, longing heart, no more delight-upbuoyed
Let the sweet airy image thee befool!
The arms that would embrace her clasp the void
This feverish breast no phantom-bliss can cool,
O, waft her here, the true, the living one!
Let but my hand her hand, the tender, feel
The very shadow of her robe alone!
So into life the idle dream shall steal!

As glide from heaven, when least we ween,
The rosy hours of bliss,
All gently came the maid, unseen:
He waked beneath her kiss!
~ Friedrich Schiller, The Assignation
,
63:This mortal body of a thousand days
Now fills, O Burns, a space in thine own room,
Where thou didst dream alone on budded bays,
Happy and thoughtless of thy day of doom!
My pulse is warm with thine old barley-bree,
My head is light with pledging a great soul,
My eyes are wandering, and I cannot see,
Fancy is dead and drunken at its goal;
Yet can I stamp my foot upon thy floor,
Yet can I ope thy window-sash to find
The meadow thou hast tramped o'er and o'er,--
Yet can I think of thee till thought is blind,--
Yet can I gulp a bumper to thy name,--
O smile among the shades, for this is fame!
'In giving this sonnet in the Life, Letters &c. next to that on Visiting the Tomb of Burns, Lord Houghton recorded that it was written "in the whisky-shop into which the cottage where Burns was born was converted." The date however is not the same as that of the other, as the travellers made the detour to the coast and across to Ireland, before coming to Burns' birthplace. The following extract from a letter of Keats's accompanies the sonnet in the Life: --

"The 'bonnie Doon' is the sweetest river I ever saw -- overhung with fine trees as far as we could see. We stood some time on the 'brig' o'er which Tam o' Shanter fled -- we took a pinch of snuff on the key stone -- then we proceeed to the auld Kirk of Alloway. Then we went to the cottage in which Burns was born; there was a board to that effect by the door's side; it had the same effect as the same sort of memorial at Stratford-upon-Avon. We drank some toddy to Burns's memory with an old man who knew him. There was something good in his description of Burns's melancholy the last time he saw him. I was determined to write a sonnet in the cottage: I did, but it was so bad I cannot venture it here."

Lord Houghton gave this as from a letter to Haydon; it is really an edited extract from a letter to Tom Keats which happens to have been pasted into Haydon's journal. On the 11th of July, at Maybole, Keats began a letter to Reynolds, the whole of which is very interesting; but the following passage is, in this connexion, peculiarly so: --

"I begin a letter to you because I am approaching Burns's cottage very fast. We have made continual enquiries from the time we left his tomb at Dumfries. His name, of course, is known all about: his great reputation among the plodding people is, 'that he wrote a good mony sensible things.' One of the pleasantest ways of annulling self is approaching such a shrine as the Cottage of Burns: we need not think of his misery -- that is all gone, bad luck to it! I shall look upon it hereafter with unmixed pleasure, as I do on my Stratford-upon-Avon day with Bailey. I shall fill this sheet for you in the Bardie's country, going no further than this, till I get to the town of Ayr, which will be a nine miles walk to tea."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes

~ John Keats, Written In The Cottage Where Burns Was Born
,
64: Ahora pienso que podrás entender mejor lo que últimamente preguntaba al informarme de si era opera­ción propia de cada cosa aquello que realiza ella sola o ella mejor que las demás.  Lo entiendo  dijo , y me parece que ésa es, efec­tivamente, la operación propia de cada una.  Bien  dije ; ¿te parece que hay también una virtud en cada una de las cosas a que se atribuye una operación? Volvamos a los mismos ejemplos: ¿hay una operación propia de los ojos?  La hay.  Y así, ¿hay también una virtud en ellos?  También una virtud.  ¿Y qué? ¿No había también una operación propia de los oídos?  Sí.  ¿Y, por tanto, también una virtud?  También.  ¿Y no ocurrirá lo mismo con todas las otras cosas?  Lo mismo.  Bien está: ¿acaso los ojos podrán realizar bien su operación sin su propia virtud, con vicio en lugar de ella?  ¿Qué quieres decir?  preguntó . Acaso hablas de la ceguera en vez de la visión.  De la virtud de ellos, sea cual sea  dije yo ; porque todavía no pregunto esto, sino si se realizará bien su ope­ración con su propia virtud y mal con el vicio contrario.  Dices bien  respondió.  ¿Y del mismo modo los oídos privados de su virtud realizarán mal su propia operación?  Bien de cierto.  ¿Ponemos, en fin, todas las demás cosas en la misma cuenta?  Eso creo.  Vamos, pues, adelante y atiende a esto otro: ¿hay una operación propia del alma que no puedes realizar sino por ella? Pongo por caso: el dirigir, el gobernar, el delibe­rar y todas las cosas de esta índole, podríamos atribuírse­las a algo que no sea el alma misma o diríamos que son propias de ésta?  De ella sólo.  ¿Y respecto de la vida? ¿No diremos que es operación del alma?  Sin duda  dijo.  ¿No diremos, pues, que existe una virtud propia del alma?  Lo diremos.  ¿Y acaso, oh Trasímaco, el alma realizará bien sus ope­raciones privada de su propia virtud o será ello imposible?  Imposible.  Fuerza será, por tanto, que el alma mala dirija y go­bierne mal y que la buena haga bien todas estas cosas.  Fuerza será.  ¿Y no convinimos en que la justicia era virtud del alma y la injusticia vicio?  En eso convinimos, en efecto.  Por tanto, el alma justa y el hombre justo vivirá bien; y el injusto mal.  Así aparece conforme a lo argumento  dijo.  Y, por otra parte, el que vive bien es feliz y dichoso, y el que vive mal, lo contrario.  ¿Cómo no?  Y así, el justo es dichoso; y el injusto, desgraciado.  Sea  dijo.  Por otro lado, no conviene ser desgraciado, sino di­choso.  ¿Qué duda tiene?  Por tanto, bendito Trasímaco, jamás es la injusticia más provechosa que la justicia.  Banquetéate con todo eso, ¡oh, Sócrates!, en las fies­tas Bendidias di dijo.  Banquete que tú me has preparado, ¡oh, Trasímaco!  observé yo , pues lo aplacaste conmigo y cesaste en lo enfado. Mezquino va a ser, sin embargo, no por lo culpa, sino por la mía; y es que, así como los golosos gustan siempre con arrebato del manjar que en cada momento se les sirve sin haber gozado debidamente del anterior, así me parece que yo, sin averiguar lo que primeramente considerábamos, qué cosa sea lo justo, me desprendí del asunto y me lancé a investigar acerca de ello, si era vicio e ignorancia o discreción y virtud; y presentándose luego un nuevo aserto, que la injusticia es más provechosa que la justicia, no me retraje de pasar a él, dejando el otro, de modo que ahora me acontece no saber nada como resul­tado de la discusión. Porque no sabiendo lo que es lo justo, difícil es que sepa si es virtud o no y si el que la po­see es desgraciado o dichoso. ~ Plato,
65:In Hospital
It is thirty moons since I slung me hook
From the job at the hay and corn,
Took me solemn oath, 'n' I straight forsook
All the ways of life, dinkum ways 'n' crook,
'N' the things on which it was good to look
Since the day when a bloke was born.
I was give a gun, 'n' a bay'net bright,
'N' a 'ell of a swag iv work,
N' I dipped my lid to the big pub light,
To the ole push cobbers I give “Good-night!”
Slipped a kiss to 'er, 'n' I wings me flight
For a date with the demon Turk.
Ez we pricked our heel to the skitin' drum.
Square 'n' all, I was gone a mile.
With a perky air, 'n' a 'eart ez glum
Ez a long-dead cod, I was blind 'n' dumb,
Holdin' do the tear that was bound to come
At a word or a friendly smile.
Now I've seen it all, I may come out dead,
But I 'ope never more a fool.
I have scorched, 'n' thirsted, 'n' froze, 'n'
bled,
'N' bin taught the use of the human head,
For when all is done 'n' when all is said,
War's a wonderful sort of school.
I've bin taught to get 'em 'n' never fret,
'N' to sleep without dreamin' when
We have swarmed a slope with the red rain wet;
I 'ave learned a pile, 'n' I'm learnin' yet;
But the thing I've learned that I won't forget
Is a way of not judgin' men.
We was shot down there in a dirty place—
From the mansions 'n' huts we'd come—
'N' of all the welter the 'ardest case
51
Was a little swine with a dimpled face,
Who a year ago was dispensin' lace
In a Carlton em-por-ee-um.
In the moochin' days of me giddy youth,
When I kidded meself a treat,
I'd have pass him one ez a gooey. 'Strewth
On the track iv Huns, he's a eight-day sleuth,
'N' at tearin' into 'em nail 'n' tooth
He's got Julius Caesar beat!
I ain't proud with him ; 'n' I'm modest, too,
When dividin' a can of swill
With a Algy boy from the wilds iv Kew.
Cos I do not know what the cow will do
When a Fritzy offers to sock me through;
'N' it's good to be livin' still.
There you are, you see! Oh! it makes you sore,
When a bloke you despised at 'ome
In them pifflin' days of the years before
Takes a odds-on chance with the God of War,
'N' he tows you out with his left lung tore,
'N' a crack in his bleedin' dome!
'Twas a lad called Hugh done ez much for me.
(He has curls 'n' he's fair 'n' slim).
Well, I mind the days in the Port when we
Puts it over Hugh coz we don't agree
With his tone 'n' style, 'n' my foot was free
When the push made a hack of him.
Now he's paid me back. I had struck a snag,
And must creep through the battle spume
All a flamin' age, with a grinnin' jag
In me thigh, for water, or jest a fag.
Like a crippled snake I was forced to drag
Shattered flesh till the crack of doom.
When they saw me he was the one who came.
'N' he give me a raffish grin
'N' a swig. I wasn't so bad that shame
52
Didn't get me then, for the lad was lame.
They had passed him his, but his 'art was game.
'N' he coughed ez he brought me in.
I have tackled God on me bended knees,
So He'll save him alive 'n' whole,
For the sake of one who he thinks he sees
When the Nurse's hands bring a kind of ease;
And I thank God, too, for the things like these
That have give me a sort of soul.
There are Percies, Algies, 'n' Claudes I've met
Who could take it 'n' come agen,
While the bullets flew in a screamin' jet.
What in pain, 'n' death, and in mire 'n' sweat
I 'ave learned from them that I won't forget
Is a way of not judgin' men.
~ Edward George Dyson,
66:L’allegro
Felicity!
Who ope'st to none that knocks, yet, laughing weak,
Yield'st all to Love that will not seek,
And who, though won, wilt droop and die,
Unless wide doors bespeak thee free,
How safe's the bond of thee and me,
Since thee I cherish and defy!
Is't Love or Friendship, Dearest, we obey?
Ah, thou art young, and I am gray;
But happy man is he who knows
How well time goes,
With no unkind intruder by,
Between such friends as thou and I!
'Twould wrong thy favour, Sweet, were I to say,
'Tis best by far,
When best things are not possible,
To make the best of those that are;
For, though it be not May,
Sure, few delights of Spring excel
The beauty of this mild September day!
So with me walk,
And view the dreaming field and bossy Autumn wood,
And how in humble russet goes
The Spouse of Honour, fair Repose,
Far from a world whence love is fled
And truth is dying because joy is dead;
And, if we hear the roaring wheel
Of God's remoter service, public zeal,
Let us to stiller place retire
And glad admire
How, near Him, sounds of working cease
In little fervour and much peace;
And let us talk
Of holy things in happy mood,
Learnt of thy blest twin-sister, Certitude;
Or let's about our neighbours chat,
Well praising this, less praising that,
And judging outer strangers by
Those gentle and unsanction'd lines
29
To which remorse of equity
Of old hath moved the School divines.
Or linger where this willow bends,
And let us, till the melody be caught,
Harken that sudden, singing thought,
On which unguess'd increase to life perchance depends.
He ne'er hears twice the same who hears
The songs of heaven's unanimous spheres,
And this may be the song to make, at last, amends
For many sighs and boons in vain long sought!
Now, careless, let us stray, or stop
To see the partridge from the covey drop,
Or, while the evening air's like yellow wine,
From the pure stream take out
The playful trout,
That jerks with rasping check the struggled line;
Or to the Farm, where, high on trampled stacks,
The labourers stir themselves amain
To feed with hasty sheaves of grain
The deaf'ning engine's boisterous maw,
And snatch again,
From to-and-fro tormenting racks,
The toss'd and hustled straw;
Whilst others tend the shedded wheat
That fills yon row of shuddering sacks,
Or shift them quick, and bind them neat,
And dogs and boys with sticks
Wait, murderous, for the rats that leave the ruin'd ricks;
And, all the bags being fill'd and rank'd fivefold, they pour
The treasure on the barn's clean floor,
And take them back for more,
Until the whole bared harvest beauteous lies
Under our pleased and prosperous eyes.
Then let us give our idlest hour
To the world's wisdom and its power;
Hear famous Golden-Tongue refuse
To gander sauce that's good for goose,
Or the great Clever Party con
How many grains of sifted sand,
Heap'd, make a likely house to stand,
How many fools one Solomon.
Science, beyond all other lust
30
Endow'd with appetite for dust,
We glance at where it grunts, well-sty'd,
And pass upon the other side.
Pass also by, in pensive mood,
Taught by thy kind twin-sister, Certitude,
Yon puzzled crowd, whose tired intent
Hunts like a pack without a scent.
And now come home,
Where none of our mild days
Can fail, though simple, to confess
The magic of mysteriousness;
For there 'bide charming Wonders three,
Besides, Sweet, thee,
To comprehend whose commonest ways,
Ev'n could that be,
Were coward's 'vantage and no true man's praise.
~ Coventry Patmore,
67:Marlburyes Fate
When Londons fatal bills were blown abroad
And few but Specters travel'd on the road,
Not towns but men in the black bill enrol'd
Were in Gazetts by Typographers sold:
But our Gazetts without Errataes must
Report the plague of towns reduct to dust:
And feavers formerly to tenants sent
Arrest the timbers of the tenement.
Ere the late ruines of old Groton's cold,
Of Marlbury's peracute disease we're told.
The feet of such who neighbouring dwellings urnd
Unto her ashes, not her doors return'd
And what remaind of tears as yet unspent
Are to its final gasps a tribute lent.
If painter overtrack my pen let him
An olive colour mix these elves to trim:
Of such an hue let many thousand thieves
Be drawn like Scare-crows clad with oaken leaves,
Exhausted of their verdant life and blown
From place to place without an home to own.
Draw Devils like themselves, upon their cheeks
The banks for grease and mud, a place for leeks.
Whose locks Medusaes snakes, do ropes resemble,
And ghostly looks would make Achilles tremble.
Limm them besmear'd with Christian Bloud and oild
With fat out of white humane bodyes boil'd.
Draw them with clubs like maules and full of stains,
Like Vulcans anvilling New-Englands brains.
Let round be gloomy forrests with crag'd rocks
Where like to castles they may hide their flocks,
Till oppertunity their cautious friend
Shall jogge them fiery worship to attend.
Shew them like serpents in an avious path
Seeking to sow the fire-brands of their wrath.
Most like AEneas in his cloak of mist,
Who undiscover'd move where ere they list
Cupid they tell us hath too sorts of darts.
One sharp and one obtuse, one causing wounds,
One piercing deep the other dull rebounds,
But we feel none but such as drill our hearts.
From Indian sheaves which to their shoulders cling,
Upon the word they quickly feel the string.
Let earth be made a screen to hide our woe
From Heavens Monarch and his Ladyes too;
And least our Jealousie think they partake,
For the red stage with clouds a curtain make.
Let dogs be gag'd and every quickning sound
Be charm'd to silence, here and there all round
The town to suffer, from a thousand holes
Let crawle these fiends with brands and fired poles,
Paint here the house and there the barn on fire,
With holocausts ascending in a spire.
Here granaries, yonder the Churches smoak
Which vengeance on the actors doth invoke.
Let Morpheus with his leaden keyes have bound
In feather-beds some, some upon the ground,
That none may burst his drowsie shackles till
The bruitish pagans have obtain'd their will,
And Vulcan files them off then Zeuxis paint
The phrenzy glances of the sinking saint.
Draw there the Pastor for his bible crying,
The souldier for his sword, The Glutton frying
With streams of glory-fat, the thin-jaw'd Miser
Oh had I given this I had been wiser.
Let here the Mother seem a statue turn'd
At the sad object of her bowels burn'd.
Let the unstable weakling in belief
Be mounting Ashurs horses for relief.
Let the half Convert seem suspended twixt
The dens of darkness, and the Planets fixt,
Ready to quit his hold, and yet hold fast
By the great Atlas of the Heavens vast.
Paint Papists mutterring ore their apish beads
Whome the blind follow while the blind man leads.
Let Ataxy be mounted on a throne
Imposing her Commands on every one,
A many-headed monster without eyes
To see the wayes which wont to make men wise.
Give her a thousand tongues with wings and hands
To be ubiquitary in Commands,
But let the concave of her skull appear
Clean washt and empty quite of all but fear,
One she bids flee, another stay, a third
She bids betake him to his rusty sword,
This to his treasure, th'other to his knees,
Some counsels she to fry and some to freeze,
These to the garison, those to the road,
Some to run empty, some to take their load:
Thus while confusion most mens hearts divide
Fire doth their small exchecquer soon decide.
Thus all things seeming ope or secret foes,
An Infant may grow old before a close,
But yet my hopes abide in perfect strength.
New England will be prosperous once at length.
~ Benjamin Tompson,
68:Bricks
Dear Ned, I now take up my pen to write
you these few lines,
And hopin' how they find you fit. Gorbli',
it seems an age
Since Jumbo ducked the Port, 'n' drilled 'n'
polished to the nines,
He walked his pork on Collins like a hero off
the stage,
Then hiked a rifle 'cross the sea this bleedin'
war to wage.
The things what's 'appened lately calls to
Jumbo's mind that day
Our push took on the Peewee pack, 'n'
belted out their lard,
With twenty cops to top it off. But now I'm
stowed away,
A bullet in me gizzard where I took it good
and hard,
A-dealin'-stoush 'n' mullock to the Prussian
flamin' Guard.
At Bullcoor mortal charnce had dumped a
mutton-truck of us
From good ole Port ker-flummox where we
didn't orter be,
All in a 'elpless hole-the Pug, Bill Carkeek,
Son, 'n' Gus,
Don, Steve, 'n' Jack, 'n' seven more, 'n', as
it 'appens, me,
With nothin' in since breakfast, 'n' a week
to go for tea.
Worked loose from Caddy's bunch, we went
it gay until we found
We'd took to 'arf the ragin' German Hempire
on our own.
Then down we went so 'umble, with our noses
in the ground,
32
Takin' cover in the rubble. If a German head
was shown
It was fare-the-well to Herman with a bullet
through the bone.
We slogged the cows remorseless, 'n' they
laid for us a treat.
We held that stinkin' cellar, though, 'n' when
the day was done
Son pussied on his bingie where a Maxie trim
'n' neat
Had spit out loaded lightnin', and he slugged
a tubby Hun,
Then choked a Fritzie with his dukes, 'n'
pinched the sooner's gun!
We rigged her on her knuckle-bones. Cri',
how she lapped 'em up!
We hosed 'em out with livin' lead. That was
the second day.
Me left eye I'd 'ave give for jest a bubble in a
cup,
Three fingers I'd 'ave parted for a bone I've
flung away;
But the butcher wasn't callin', 'n' the fountain
didn't play.
T'was rotten mozzle, Neddo. We had blown
out ever clip,
'N' 'blooed the hammunition for the little box
of tricks.
Each took a batten in his fist. Sez Billy
“Let 'er rip!”
But Son he claws his stubble. Sez—he:
“Hold a brace of ticks.”
Then “Yow!” he pipes 'n' “Strewth!” he
sez, “it's bricks, you blighters,
bricks!”
There's more than 'arf a million spilt where
somethin' hit a pub;
We creeps among 'n' sorts 'em, stack afore,
33
'n' stack behind;
The Hun is comin' at us with his napper like
a tub—
You couldn't 'ope to miss it, pickled, paralysed, 'n' blind.
Sez Sonny: “Lay 'em open! Give 'em
blotches on the rind!”
Then bricks was flyin' in the wind. Mine
dinted Otto's chin;
Ole Nosey got his brother, which he never
more will roam.
When Ulrich stopped a Port bookay he rolled
his alley in.
Their fire was somethin' fierce. Poor Son
was blowin' blood 'n' foam,
“Fill up,” he coughs, “'n' plug 'em! S'elp
me Gord, we're goin' 'ome!”
With bricks we drove right at 'em 'n' we
wanged 'em best we could.
'Twas either bed 'n' breakfast or a scribble
and a wreath.
Haynes bust a Prussian's almond, took the
bay'net where he stood,
Then heaved his last 'arf-Brunswick, split
the demon's grinnin' teeth,
And Son went down in glory, with a German
underneath!
We'd started out with gibbers in our clobber
and our 'ats.
They gave us floatin' lead enough to stop an
army cor.
We yelled like fiends, 'n' countered with a
lovely flight of bats,
Then rushed in close formation, heavin' cottages, n' tore
Through blinded, bleedin' Bosches, 'n' lor
love yeh, it was war!
We came peltin', headfirst, 'elpless, in a drain
34
among a lot
Of dirty, damned old Tommies (Gord! The
best that ever blew!)
Eight left of us, all punctured, each man
holdin' what he'd got.
Me wild, a rat hole in me lung, but in me
mauley, too,
A bull-nosed brick with whiskers where no
whiskers ever grew.
There's nothin' doin' now. I wear me blankets like a toff.
The way this fat nurse pets me, strewth, it's
well to be so sick,
A-dreamin' of our contract 'n' the way we
pulled it off.
I reckon Haig is phonin' Hughes: “Hullo,
there, Billy. Quick—
A dozen of the pushes and a thousan' tons
of brick!”
~ Edward George Dyson,
69:Benedetta Minelli
I.
THE NOVICE.
IT is near morning. Ere the next night fall
I shall be made the bride of heaven. Then home
To my still marriage chamber I shall come,
And spouseless, childless, watch the slow years crawl.
These lips will never meet a softer touch
Than the stone crucifix I kiss; no child
Will clasp this neck. Ah, virgin-mother mild,
Thy painted bliss will mock me overmuch.
This is the last time I shall twist the hair
My mother's hand wreathed, till in dust she lay:
The name, her name, given on my baptism-day,
This is the last time I shall ever bear.
O weary world, O heavy life, farewell!
Like a tired child that creeps into the dark
To sob itself asleep, where none will mark,-So creep I to my silent convent cell.
Friends, lovers whom I loved not, kindly hearts
Who grieve that I should enter this still door,
Grieve not. Closing behind me evermore,
Me from all anguish, as all joy, it parts.
Love, whom alone I loved; who stand'st far off,
Lifting compassionate eyes that could not save,
Remember, this my spirit's quiet grave
Hides me from worldly pity, worldly scoff.
'T was less thy hand than Heaven's which came between,
And dashed my cup down. See, I shed no tears:
And if I think at all of vanished years,
'T is but to bless thee, dear, for what has been.
60
My soul continually does cry to thee;
In the night-watches ghost-like stealing out
From its flesh tomb, and hovering thee about;
So live that I in heaven thy face may see!
Live, noble heart, of whom this heart of mine
Was half unworthy. Build up actions great,
That I down looking from the crystal gate
Smile o'er our dead hopes urned in such a shrine.
Live, keeping aye they spirit undefiled,
That, when we stand before our Master's feet,
I with an angel's love may crown complete
The woman's faith, the worship of the child.
Dawn, solemn bridal morn; ope, bridal door;
I enter. My vowed soul may Heaven take;
My heart its virgin spousal for thy sake;
O love, keeps sacred thus forevermore.
II.
THE SISTER OF MERCY.
IS it then so?--Good friends, who sit and sigh
While I lie smiling, are my life's sands run?
Will my next matins, hymned beyond the sun,
Mingle with those of saints and martyrs high?
Shall I with these my gray hairs turned to gold,
My aged limbs new clad in garments white,
Stand all transfigured in the angels' sight,
Singing triumphantly that moan of old,-Thy will be done? It was done. O my God,
Thou know'st, when over grief's tempestuous sea
My broken-wingèd soul fled home to Thee,
I writhed, but never murmured at Thy rod.
It fell upon me, stern at first, then soft
As parent's kisses, till the wound was healed;
61
And I went forth a laborer in Thy field:-They best can bind who have been bruisèd oft.
And Thou wert pitiful. I came heart-sore,
And drank Thy cup because earth's cups ran dry:
Thou slew'st me not for that impiety,
But madest the draught so sweet, I thirst no more.
I came for silence, heavy rest, or death:
Thou gavest instead life, peace, and holy toil:
My sighing lips from sorrow didst assoil,
And fill with righteous thankfulness each breath.
Therefore I praise Thee that Thou shuttest Thine ears
Unto my misery: didst Thy will, not mine:
That to this length of days Thy hand divine,
My feet from falling kept, mine eyes from tears.
Sisters, draw near. Hear my last words serene:
When I was young I walked in mine own ways,
Worshipped--not God: sought not alone His praise;
So he cut down my gourd while it was green.
And then He o'er me threw His holy shade,
That though no other mortal plants might grow,
Mocking the beauty that was long laid low,
I dwelt in peace, and His commands obeyed.
I thank Him for all joy and for all pain:
For healèd pangs, for years of calm content:
For blessedness of spending and being spent
In His high service where all loss is gain.
I bless Him for my life and for my death;
But most, that in my death my life is crowned,
Since I see there, with angels gathering round,
My angel. Ay, love, thou hast kept thy faith,
I mine. The golden portals will not close
Like those of earth, between us. Reach thy hand!
No miserere, sisters. Chant out grand
Te Deum laudamus. Now,--'t is all repose.
62
~ Dinah Maria Mulock Craik,
70:O Goddess! hear these tuneless numbers, wrung
  By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung
  Even into thine own soft-conched ear:
Surely I dreamt to-day, or did I see
  The winged Psyche with awaken'd eyes?
I wander'd in a forest thoughtlessly,
  And, on the sudden, fainting with surprise,
Saw two fair creatures, couched side by side
  In deepest grass, beneath the whisp'ring roof
  Of leaves and trembled blossoms, where there ran
    A brooklet, scarce espied:

Mid hush'd, cool-rooted flowers, fragrant-eyed,
   Blue, silver-white, and budded Tyrian,
They lay calm-breathing, on the bedded grass;
   Their arms embraced, and their pinions too;
   Their lips touch'd not, but had not bade adieu,
As if disjoined by soft-handed slumber,
And ready still past kisses to outnumber
   At tender eye-dawn of aurorean love:
     The winged boy I knew;
But who wast thou, O happy, happy dove?
     His Psyche true!

O latest born and loveliest vision far
   Of all Olympus' faded hierarchy!
Fairer than Ph{oe}be's sapphire-region'd star,
   Or Vesper, amorous glow-worm of the sky;
Fairer than these, though temple thou hast none,
     Nor altar heap'd with flowers;
Nor virgin-choir to make delicious moan
     Upon the midnight hours;
No voice, no lute, no pipe, no incense sweet
   From chain-swung censer teeming;
No shrine, no grove, no oracle, no heat
   Of pale-mouth'd prophet dreaming.

O brightest! though too late for antique vows,
   Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
   Holy the air, the water, and the fire;
Yet even in these days so far retir'd
   From happy pieties, thy lucent fans,
   Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspir'd.
So let me be thy choir, and make a moan
     Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
   From swinged censer teeming;
Thy shrine, thy grove, thy oracle, thy heat
   Of pale-mouth'd prophet dreaming.

Yes, I will be thy priest, and build a fane
   In some untrodden region of my mind,
Where branched thoughts, new grown with pleasant pain,
   Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster'd trees
   Fledge the wild-ridged mountains steep by steep;
And there by zephyrs, streams, and birds, and bees,
   The moss-lain Dryads shall be lull'd to sleep;
And in the midst of this wide quietness
A rosy sanctuary will I dress
  With the wreath'd trellis of a working brain,
   With buds, and bells, and stars without a name,
With all the gardener Fancy e'er could feign,
   Who breeding flowers, will never breed the same:
And there shall be for thee all soft delight
   That shadowy thought can win,
A bright torch, and a casement ope at night,
   To let the warm Love in!
'Under the date 15th of April [1819] Keats writes to his brother George and his wife, of this Ode, "The following poem, the last I have written, is the first and only one with which I have taken even moderate pains; I have, for the most part, dashed off my lines in a hurry; this one I have done leisurely; I think it reads the more richly for it, and it will I hope encourage me to write other things in even a more peaceable and healthy spirit. You must recollect that Psyche was not embodied as a goddess before the time of Apuleius the Platonist, who lived after the Augustan age, and consequently the goddess was never worshipped or sacrificed to with any of the ancient fervour, and perhaps never thought of in the old religion: I am more orthodox than to let a heathen goddess be so neglected."
This is an instance in which Keats seems to have gone beyond Lempriere's Classical Dictionary for his information; but I presume we may not unsafely take the portraiture of Cupid and Psyche in the first stanza as an adapted reminiscence of his other favourite text book, Spence's Polymetis, in Plate VI of which the well known kissing Cupid and Psyche are admirably engraved from the statue at Florence.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To Psyche
,
71:The Givers Of Life
I.
WHO called us forth out of darkness and gave us the gift of life,
Who set our hands to the toiling, our feet in the field of strife?
Darkly they mused, predestined to knowledge of viewless things,
Sowing the seed of wisdom, guarding the living springs.
Little they reckoned privation, hunger or hardship or cold,
If only the life might prosper, and the joy that grows not old.
With sorceries subtler than music, with knowledge older than speech,
Gentle as wind in the wheat-field, strong as the tide on the beach,
Out of their beauty and longing, out of their raptures and tears,
In patience and pride they bore us, to war with the warring years.
2.
Who looked on the world before them, and summoned and chose our sires,
Subduing the wayward impulse to the will of their deep desires?
Sovereigns of ultimate issues under the greater laws,
Theirs was the mystic mission of the eternal cause;
Confident, tender, courageous, leaving the low for the higher,
Lifting the feet of the nations out of the dust and the mire;
Luring civilization on to the fair and new,
Given God's bidding to follow, having God's business to do.
3.
Who strengthened our souls with courage, and taught us the ways of Earth?
Who gave us our patterns of beauty, our standards of flawless worth?
Mothers, unmilitant, lovely, moulding our manhood then,
Walked in their woman's glory, swaying the might of men.
They schooled us to service and honor, modest and clean and fair, —
The code of their worth of living, taught with the sanction of prayer.
They were our sharers of sorrow, they were our makers of joy,
Lighting the lamp of manhood in the heart of the lonely boy.
Haloed with love and with wonder, in sheltered ways they trod,
Seers of sublime divination, keeping the truce of God.
4.
Who called us from youth and dreaming, and set ambition alight,
And made us fit for the contest, —men, by their tender rite?
Sweethearts above our merit, charming our strength and skill
To be the pride of their loving, to be the means of their will.
If we be the builders of beauty, if we be the masters of art,
Theirs were the gleaming ideals, theirs the uplift of the heart.
Truly they measure the lightness of trappings and ease and fame,
165
For the teeming desire of their yearning is ever and ever the same:
To crown their lovers with gladness, to clothe their sons with delight,
And see the men of their making lords in the best man's right.
Lavish of joy and labor, broken only by wrong,
These are the guardians of being, spirited, sentient and strong.
Theirs is the starry vision, theirs the inspiriting hope,
Since Night, the brooding enchantress, promised that day should ope.
5.
Lo, we have built and invented, reasoned, discovered and planned,
To rear us a palace of splendor, and make us a heaven by hand.
We are shaken with dark misgiving, as kingdoms rise and fall;
But the women who went to found them are never counted at all.
Versed in the soul's traditions, skilled in humanity's lore,
They wait for their crown of rapture, and weep for the sins of war.
And behold they turn from our triumphs, as it was in the first of days,
For a little heaven of ardor and a little heartening of praise.
These are the rulers of kingdoms beyond the domains of state,
Martyrs of all men's folly, over-rulers of fate.
These we will love and honor, these we will serve and defend,
Fulfilling the pride of nature, till nature shall have an end.
6.
This is the code unwritten, this is the creed we hold,
Guarding the little and lonely, gladdening the helpless and old,—
Apart from the brunt of the battle our wondrous women shall bide,
For the sake of a tranquil wisdom and the need of a spirit's guide.
Come they into assembly, or keep they another door,
Our makers of life shall lighten the days as the years of yore.
The lure of their laughter shall lead us, the lilt of their words shall sway.
Though life and death should defeat us, their solace shall be our stay.
Veiled in mysterious beauty, vested in magical grace,
They have walked with angels at twilight and looked upon glory's face.
Life we will give for their safety, care for their fruitful ease,
Though we break at the toiling benches or go down in the smoky seas.
This is the gospel appointed to govern a world of men,
Till love has died, and the echoes have whispered the last Amen.
~ Bliss William Carman,
72:Laura! a sunrise seems to break
Where'er thy happy looks may glow.
Joy sheds its roses o'er thy cheek,
Thy tears themselves do but bespeak
The rapture whence they flow;
Blest youth to whom those tears are given
The tears that change his earth to heaven;
His best reward those melting eyes
For him new suns are in the skies!

Thy soula crystal river passing,
Silver-clear, and sunbeam-glassing,
Mays into bloom sad Autumn by thee;
Night and desert, if they spy thee,
To gardens laughwith daylight shine,
Lit by those happy smiles of thine!
Dark with cloud the future far
Goldens itself beneath thy star.
Smilest thou to see the harmony
Of charm the laws of Nature keep?
Alas! to me the harmony
Brings only cause to weep!

Holds not Hades its domain
Underneath this earth of ours?
Under palace, under fame,
Underneath the cloud-capped towers?
Stately cities soar and spread
O'er your mouldering bones, ye dead!
From corruption, from decay,
Springs yon clove-pink's fragrant bloom;
Yon gay waters wind their way
From the hollows of a tomb.

From the planets thou mayest know
All the change that shifts below,
Fledbeneath that zone of rays,
Fled to night a thousand Mays;
Thrones a thousandrisingsinking,
Earth from thousand slaughters drinking
Blood profusely poured as water;
Of the sceptreof the slaughter
Wouldst thou know what trace remaineth?
Seek them where the dark king reigneth!

Scarce thine eye can ope and close
Ere life's dying sunset glows;
Sinking sudden from its pride
Into deaththe Lethe tide.
Ask'st thou whence thy beauties rise?
Boastest thou those radiant eyes?
Or that cheek in roses dyed?
All their beauty (thought of sorrow!)
From the brittle mould they borrow.
Heavy interest in the tomb
For the brief loan of the bloom,
For the beauty of the day,
Death the usurer, thou must pay,
In the long to-morrow!

Maiden!Death's too strong for scorn;
In the cheek the fairest, He
But the fairest throne doth see
Though the roses of the morn
Weave the veil by beauty worn
Aye, beneath that broidered curtain,
Stands the Archer stern and certain!
Maidthy Visionary hear
Trust the wild one as the sear,
When he tells thee that thine eye,
While it beckons to the wooer,
Only lureth yet more nigh
Death, the dark undoer!

Every ray shed from thy beauty
Wastes the life-lamp while it beams,
And the pulse's playful duty,
And the blue veins' merry streams,
Sport and run into the pall
Creatures of the Tyrant, all!
As the wind the rainbow shatters,
Death thy bright smiles rends and scatters,
Smile and rainbow leave no traces;
From the spring-time's laughing graces,
From all life, as from its germ,
Grows the revel of the worm!

Woe, I see the wild wind wreak
Its wrath upon thy rosy bloom,
Winter plough thy rounded cheek,
Cloud and darkness close in gloom;
Blackening over, and forever,
Youth's serene and silver river!
Love alike and beauty o'er,
Lovely and beloved no more!

Maiden, an oak that soars on high,
And scorns the whirlwind's breath
Behold thy Poet's youth defy
The blunted dart of Death!
His gaze as ardent as the light
That shoots athwart the heaven,
His soul yet fiercer than the light
In the eternal heaven,
Of Him, in whom as in an ocean-surge
Creation ebbs and flowsand worlds arise and merge!
Through Nature steers the poet's thought to find
No fear but thisone barrier to the mind?

And dost thou glory so to think?
And heaves thy bosom?Woe!
This cup, which lures him to the brink,
As if divinity to drink
Has poison in its flow!
Wretched, oh, wretched, they who trust
To strike the God-spark from the dust!
The mightiest tone the music knows,
But breaks the harp-string with the sound;
And genius, still the more it glows,
But wastes the lamp whose life bestows
The light it sheds around.
Soon from existence dragged away,
The watchful jailer grasps his prey:
Vowed on the altar of the abused fire,
The spirits I raised against myself conspire!
Letyes, I feel it two short springs away
Pass on their rapid flight;
And life's faint spark shall, fleeting from the clay,
Merge in the Fount of Light!

And weep'st thou, Laura?be thy tears forbid;
Would'st thou my lot, life's dreariest years amid,
Protract and doom?No: sinner, dry thy tears:
Would'st thou, whose eyes beheld the eagle wing
Of my bold youth through air's dominion spring,
Mark my sad age (life's tale of glory done)
Crawl on the sod and tremble in the sun?
Hear the dull frozen heart condemn the flame
That as from heaven to youth's blithe bosom came;
And see the blind eyes loathing turn from all
The lovely sins age curses to recall?
Let me die young!sweet sinner, dry thy tears!
Yes, let the flower be gathered in its bloom!
And thou, young genius, with the brows of gloom,
Quench thou life's torch, while yet the flame is strong!
Even as the curtain falls; while still the scene
Most thrills the hearts which have its audience been;
As fleet the shadows from the stageand long
When all is o'er, lingers the breathless throng!

~ Friedrich Schiller, Melancholy -- To Laura
,
73:The Romane Monarchy, Being The Fourth And Last,
Beginninganno Mundi , 3213.
prologue
After some dayes of rest, my restless heart
To finish what's begun, new thoughts impart,
And maugre all resolves, my fancy wrought
This fourth to th'other three, now might be brought:
Shortness of time and inability,
Will force me to a confus'd brevity.
Yet in this Chaos, one shall easily spy
The vast Limbs of a mighty Monarchy,
What e're is found amiss take in good part,
As faults proceeding from my head, not heart.
Stout Romulus, Romes founder, and first King,
Whom vestal Rhea to the world did bring;
His Father was not Mars as some devis'd,
But Æmulus in Armour all disguiz'd:
Thus he deceiv'd his Neece, she might not know
The double injury he then did do.
Where sheperds once had Coats & sheep their folds
Where Swains & rustick Peasants kept their holds,
A City fair did Romulus erect,
The Mistress of the World, in each respect,
His brother Rhemus there by him was slain,
For leaping o're the wall with some disdain.
The stones at first was cemented with blood,
And bloody hath it prov'd, since first it stood.
This City built and Sacrifices done,
A Form of Government, he next begun;
A hundred Senators he likewise chose,
And with the style of Patres, honoured those,
His City to replenish, men he wants,
Great priviledges then to all he grants;
That will within those strong built walls reside,
And this new gentle Government abide.
Of wives there was so great a scarcity,
They to their neighbours sue for a supply;
But all disdain Alliance, then to make,
So Romulus was forc'd this course to take:
125
Great shews he makes at Tilt and Turnament,
To see these sports, the Sabins all are bent.
Their daughters by the Romans then were caught,
Then to recover them a Field was fought;
But in the end, to final peace they come,
And Sabins as one people dwelt in Rome.
The Romans now more potent 'gin to grow,
And Fedinates they wholly overthrow.
But Romulus then comes unto his end.
Some feigning to the Gods he did ascend:
Others the seven and thirtyeth of his reign,
Affirm, that by the Senate he was slain.
Numa Pompilius.
Numa Pompilius next chose they King,
Held for his piety some sacred thing,
To Janus he that famous Temple built:
Kept shut in peace, set ope when blood was spilt;
Religious Rites and Customes instituted,
And Priests and Flamines likewise he deputed,
Their Augurs strange, their gestures and attire,
And vestal maids to keep the holy fire.
The Nymph Ægeria this to him told,
So to delude the people he was bold:
Forty three years he rul'd with general praise,
Accounted for a God in after dayes.
Tullius Hostilius.
Tullius Hostilius was third Roman King,
Who Martial discipline in use did bring;
War with the antient Albans he did wage,
This strife to end six brothers did ingage.
Three call'd Horatii on the Romans side,
And Curiatii three Albans provide:
The Romans conquer, th'other yield the day,
Yet in their Compact, after false they play.
The Romans sore incens'd, their General slay,
And from old Alba fetch the wealth away;
Of Latin Kings this was long since the Seat,
But now demolished, to make Rome great.
Thirty two years did Tullus reign, then dye,
Left Rome in wealth, and power still growing high.
Ancus Martius.
Next Ancus Martius sits upon the Throne,
126
Nephew unto Pompilius dead and gone;
Rome he inlarg'd, new built again the wall,
Much stronger, and more beautiful withal;
A stately Bridge he over Tyber made,
Of Boats and Oars no more they need the aid.
Fair Ostia he built this Town, it stood
Close by the mouth of famous Tyber floud,
Twenty four years time of his Royal race,
Then unto death unwillingly gives place.
Tarquinius Priscus
Tarquin a Greek at Corinth born and bred,
Who from his Country for Sedition fled.
Is entertain'd at Rome, and in short time,
By wealth and favour doth to honour climbe;
He after Martius death the Kingdome had,
A hundred Senators he more did add.
Wars with the Latins he again renews,
And Nations twelve of Tuscany subdues,
To such rude triumphs as young Rome then had,
Some State and splendor did this Priscus add:
Thirty eight years (this stronger born) did reign,
And after all, by Ancus Sons was slain.
Servius Tullius.
Next Servius Tullius gets into the Throne,
Ascends not up By merits of his own,
But by the favour and the special grace
Of Tanquil late Queen, obtains the place.
He ranks the people into each degree,
As wealth had made them of ability;
A general Muster takes, which by account,
To eighty thousand Souls then did amount.
Forty four years did Servius Tullius reign,
And then by Tarquin Priscus Son was slain.
Tarquinius Superbus the last King of the Romans
Tarquin the proud, from manners called so,
Sat on the Throne, when he had slain his Foe.
Sextus his Son did most unworthily,
Lucretia force, mirrour of Chastity:
She loathed so the fact, she loath'd her life,
And shed her guiltless blood with guilty knife
Her Husband sore incens'd to quit this wrong,
With Junius Brutus rose, and being strong,
127
The Tarquins they from Rome by force expel,
In banishment perpetual to dwell;
The Government they change, a new one bring,
And people swear ne'r to accept of King.
~ Anne Bradstreet,
74:The Cock And The Bull
You see this pebble-stone? It’s a thing I bought
Of a bit of a chit of a boy i’ the mid o’ the day —
I like to dock the smaller parts-o’-speech,
As we curtail the already cur-tail’d cur
(You catch the paronomasia, play ’po’ words?),
Did, rather, i’ the pre-Landseerian days.
Well, to my muttons. I purchased the concern,
And clapt it i’ my poke, having given for same
By way o’ chop, swop, barter or exchange —
‘Chop’ was my snickering dandiprat’s own term —
One shilling and fourpence, current coin o’ the realm.
O-n-e one and f-o-u-r four
Pence, one and fourpence — you are with me, sir? —
What hour it skills not: ten or eleven o’ the clock,
One day (and what a roaring day it was
Go shop or sight-see — bar a spit o’ rain!)
In February, eighteen sixty nine,
Alexandrina Victoria, Fidei
Hm — hm — how runs the jargon? being on throne.
Such, sir, are all the facts, succinctly put,
The basis or substratum — what you will —
Of the impending eighty thousand lines.
‘Not much in ’em either,’ quoth perhaps simple Hodge.
But there’s a superstructure. Wait a bit.
Mark first the rationale of the thing:
Hear logic rivel and levigate the deed.
That shilling — and for matter o’ that, the pence —
I had o’ course upo’ me — wi’ me say —
(Mecum’s the Latin, make a note o’ that)
When I popp’d pen i’ stand, scratch’d ear, wip’d snout,
(Let everybody wipe his own himself)
Sniff’d — tch! — at snuffbox; tumbled up, he-heed,
Haw-haw’d (not hee-haw’d, that’s another guess thing
Then fumbled at, and stumbled out of, door,
I shoved the timber ope wi’ my omoplat;
And in vestibulo, i’ the lobby to-wit,
(Iacobi Facciolati’s rendering, sir,)
Donn’d galligaskins, antigropeloes,
57
And so forth; and, complete with hat and gloves,
One on and one a-dangle i’ my hand,
And ombrifuge (Lord love you!), case o’ rain,
I flopp’d forth, ’sbuddikins! on my own ten toes,
(I do assure you there be ten of them,)
And went clump-clumping up hill and down dale
To find myself o’ the sudden i’ front o’ the boy.
Put case I hadn’t ’em on me, could I ha’ bought
This sort-o’-kind-o’-what-you-might-call toy,
This pebble-thing, o’ the boy-thing? Q.E.D.
That’s proven without aid from mumping Pope,
Sleek porporate or bloated Cardinal.
(Isn’t it, old Fatchaps? You’re in Euclid now.)
So, having the shilling — having i’ fact a lot —
And pence and halfpence, ever so many o’ them,
I purchased, as I think I said before,
The pebble (lapis, lapidis, -di, -dem, -de —
What nouns ’crease short i’ the genitive, Fatchaps, eh?)
O’ the boy, a bare-legg’d beggarly son of a gun,
For one-and-fourpence. Here we are again.
Now Law steps in, bigwigg’d, voluminous-jaw’d;
Investigates and re-investigates.
Was the transaction illegal? Law shakes head.
Perpend, sir, all the bearings of the case.
At first the coin was mine, the chattel his.
But now (by virtue of the said exchange
And barter) vice versa all the coin,
Per juris operationem, vests
I’ the boy and his assigns till ding o’ doom;
(In sæcula sæculo-o-o-orum;
I think I hear the Abate mouth out that.)
To have and hold the same to him and them… .
Confer some idiot on Conveyancing.
Whereas the pebble and every part thereof,
And all that appertaineth thereunto,
Quodcunque pertinet ad eam rem,
(I fancy, sir, my Latin’s rather pat)
Or shall, will, may, might, can, could, would or should,
(Subaudi cætera — clap we to the close —
For what’s the good of law in a case o’ the kind)
58
Is mine to all intents and purposes.
This settled, I resume the thread o’ the tale.
Now for a touch o’ the vendor’s quality.
He says a gen’lman bought a pebble of him,
(This pebble i’ sooth, sir, which I hold i’ my hand) —
And paid for ’t, like a gen’lman, on the nail.
‘Did I o’ercharge him a ha’penny? Devil a bit.
Fiddlepin’s end! Get out, you blazing ass!
Gabble o’ the goose. Don’t bugaboo-baby me!
Go double or quits? Yah! tittup! what’s the odds?’
— There’s the transaction view’d i’ the vendor’s light.
Next ask that dumpled hag, stood snuffling by,
With her three frowsy blowsy brats o’ babes,
The scum o’ the kennel, cream o’ the filth-heap — Faugh!
Aie, aie, aie, aie! ?t?t?t?t?t??,
(’Stead which we blurt out Hoighty toighty now) —
And the baker and candlestickmaker, and Jack and Gill,
Blear’d Goody this and queasy Gaffer that.
Ask the schoolmaster. Take schoolmaster first.
He saw a gentleman purchase of a lad
A stone, and pay for it rite, on the square,
And carry it off per saltum, jauntily,
Propria quæ maribus, gentleman’s property now
(Agreeably to the law explain’d above),
In proprium usum, for his private ends.
The boy he chuck’d a brown i’ the air, and bit
I’ the face the shilling: heaved a thumping stone
At a lean hen that ran cluck clucking by,
(And hit her, dead as nail i’ post o’ door,)
Then abiit — what’s the Ciceronian phrase? —
Excessit, evasit, erupit — off slogs boy;
Off like bird, avi similis — (you observed
The dative? Pretty i’ the Mantuan!) — Anglice,
Off in three flea skips. Hactenus, so far,
So good, tam bene. Bene, satis, male — ,
Where was I with my trope ’bout one in a quag?
I did once hitch the syntax into verse:
Verbum personale, a verb personal,
Concordat — ay, ‘agrees,’ old Fatchaps — cum
59
Nominativo, with its nominative,
Genere, i’ point o’ gender, numero,
O’ number, et persona, and person. Ut,
Instance: Sol ruit, down flops sun, et and,
Montes umbrantur, out flounce mountains. Pah!
Excuse me, sir, I think I’m going mad.
You see the trick on ’t though, and can yourself
Continue the discourse ad libitum.
It takes up about eighty thousand lines,
A thing imagination boggles at;
And might, odds-bobs, sir! in judicious hands,
Extend from here to Mesopotamy.
~ Charles Stuart Calverley,
75:On Hearing That Constantinople Was Swallowed Up
By An Earthquake
[A Report, though false, at that time generally believed.]
Fallen are thy towers, Byzantium! towers that stood
Before the Turk's dread fury, when he came,
The crescent sparkling amidst Christian blood,
And to the reeking den of Moloch turned
Sophia's holy fane! Where, where are now,
Imperial city, the late proud remains
Of thy brave founder's greatness, when he clothed
In worldly grandeur pure Religion's form;
Then placed beside him, placed upon a throne,
The lowly Nazarene's meek simple child!....
He, wandering then upon a Christian land,
Stranger at home had been, nor known again
His artless rites, his followers, in the domes
Filled with the sparkling shrine, the rich-robed priests,
And pomp of earthly greatness........But not long
Lived there his name....Science and art, farewell!
The foe of light and love, Mohammed, comes,
And Constantine's proud race exists no more.
But, sons of Mahomet, the towers he built,
Though by your anger spared, have fallen now,
And crushed your bloody race! A mightier arm
Than his who raised, or spared, yon domes came forth;
From the hot sable rolling cloud it came,
And crumbled them to dust!....The wind, the air,
Seem in strict silence bound, but smiling still
Appears the face of day; assassin-like,
Smiling, though conscious of intended death.
But Nature trembles at her own repose;
The brute creation dread forebodings shake;
While man alone is bold.....But see where now
The labouring ocean, in fantastic shapes
And sudden swells, her heaving bosom rears;
Like the mad Pythia, when the Delphian god
31
Spoke by her fraudful lips....But here, alas!
A real God that world of waters moves
To do his dreadful bidding!....
Hark! he comes!
The thunder's roar, the rush of winds proclaim
The Mighty One is near....But oh! when past
His power, and those he spared raised up their heads,
Where was the eye could bear upon the waste
To gaze, and mark the ruin stretching wide!
Oh! ye were blest, ye victims, ye who fell
Deep in the yawning chasm!...."Where are now,"
The sad survivor cries, "my peaceful home,
The sacred mosque I loved, the child, the wife
I clasped but now; the city towering high,
Proud in its strength?....Disperse, thou gloomy cloud,
And let me gaze on them!" The cloud's dispersed;
But he beholds no city, he can trace
No vestige of his home: a putrid lake
Or barren ground replace them, and proclaim,
Devouring earthquake, thy resistless power.
England! blest country, from such woes as these
Thy temperate clime preserves thee; lightly felt,
If ever, by thy comfort-breathing shores,
The earthquake desolating distant lands:
And....thou hast cause to lift thy voice most high,
In the great choir of nations hymning praise.
But ye, who wander from your native shores,
While haply such calamity draws near
As sunk Byzantium; ye, whose eager hearts
Anticipate a glad return to scenes
Ye shall behold no more, for ever swept
From off the earth, unconscious heirs of woe;
For you I mourn!....Methinks I see the cheek
Flushed with delight, chastized perhaps by fear,
When your own land approaches....See the eye
Misty with tears ope wide its eager lid
To catch the well-known objects! Horrid change!
Fear pales that glowing cheek, and dries that eye,
"It is our native shore,....but where are gone
The fanes, the spires, erewhile our city's pride?"
I hear you cry. "The pilot is deceived,
32
And hope deceived us too....'Tis not our land!"
But soon the mournful certainty ye guess,
And leap to shore; and there ye call in vain
On all ye loved....Throughout the silent streets
That yet remain, perhaps some meagre form
May trembling steal along, and tell the tale;
While on the ruins some lone maniac sits,
And, as he points to where the chasm yawned,
Boasts of the treasures earth preserves for him;
Or, while a sudden beam of reason darts,
Screams his discordant anguish, and commands
Earth to give back his children!....
Angel of woe, that from the eternal hand
Receivest thy dread commission, going forth
To flap thy sable pinions o'er the world,
And shed unnumbered evils, which appear
To piety's uplifted eye as good
Concealed in evil's garb;....angel of woe,
Upon thy awful power I've pondered oft,
In all its dark varieties, I've sought
The horrid path where Madness stalks along
In fancied majesty, or from his cell
Sends the loud shriek, or more afflicting laugh;
And, as I hurried from the o'erwhelming scene,
Have shuddering owned thy awful presence there ,....
I've seen thee by the death-bed sit, and bid
The silent corse to speak again, and urge
The eyes for ever closed to ope once more
And beam as they were wont:....and I have walked
In slow procession to the opening grave,
And seen thee triumph when the earth received
The form beloved, and the deep bursting groan
Bespoke affliction's forced composure o'er,
And agony victorious! I have gazed
Upon the guilty wretch, when, doomed to die,
Terror has vanquished him, and his pale cheek
Has proved the falsehood of his vaunting tongue,
While, to his startled fancy, in the rear
Of Death came judgement, and the world to come
Unfolded all its horrors! There, O there,
Thee I beheld, and fled from!....and I've heard
33
How on the sultry suffocating breath
Of livid pestilence, thou, floating wide,
Hast done thy master's bidding! Vain were then
The ties of nature! from the parent's grasp
The child has forced its once sustaining hand,
And, horror-struck, has from contagion fled!
While the fond parent, from his dying child
Vainly his aid imploring, terror-winged,
Has urged his selfish flight* ! And there thou wert....
But when the earthquake's varied horrors come,
All, all thy ministers are waiting round,
Fear, Madness, Pestilence, Pain, Famine, Death,
And all the AGONIES COMBINED are there!
~ Amelia Opie,
76:
Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.84)

What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I singThis verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise,
If she inspire, and he approve my lays.

   Say what strange motive, Goddess! could compel
A well-bred lord t' assault a gentle belle?
O say what stranger cause, yet unexplor'd,
Could make a gentle belle reject a lord?
In tasks so bold, can little men engage,
And in soft bosoms dwells such mighty rage?

   Sol thro' white curtains shot a tim'rous ray,
And op'd those eyes that must eclipse the day;
Now lap-dogs give themselves the rousing shake,
And sleepless lovers, just at twelve, awake:
Thrice rung the bell, the slipper knock'd the ground,
And the press'd watch return'd a silver sound.
Belinda still her downy pillow press'd,
Her guardian sylph prolong'd the balmy rest:
'Twas he had summon'd to her silent bed
The morning dream that hover'd o'er her head;
A youth more glitt'ring than a birthnight beau,
(That ev'n in slumber caus'd her cheek to glow)
Seem'd to her ear his winning lips to lay,
And thus in whispers said, or seem'd to say.

   "Fairest of mortals, thou distinguish'd care
Of thousand bright inhabitants of air!
If e'er one vision touch'd thy infant thought,
Of all the nurse and all the priest have taught,
Of airy elves by moonlight shadows seen,
The silver token, and the circled green,
Or virgins visited by angel pow'rs,
With golden crowns and wreaths of heav'nly flow'rs,
Hear and believe! thy own importance know,
Nor bound thy narrow views to things below.
Some secret truths from learned pride conceal'd,
To maids alone and children are reveal'd:
What tho' no credit doubting wits may give?
The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly,
The light militia of the lower sky;
These, though unseen, are ever on the wing,
Hang o'er the box, and hover round the Ring.
Think what an equipage thou hast in air,
And view with scorn two pages and a chair.
As now your own, our beings were of old,
And once inclos'd in woman's beauteous mould;
Thence, by a soft transition, we repair
From earthly vehicles to these of air.
Think not, when woman's transient breath is fled,
That all her vanities at once are dead;
Succeeding vanities she still regards,
And tho' she plays no more, o'erlooks the cards.
Her joy in gilded chariots, when alive,
And love of ombre, after death survive.
For when the fair in all their pride expire,
To their first elements their souls retire:
The sprites of fiery termagants in flame
Mount up, and take a Salamander's name.
Soft yielding minds to water glide away,
And sip with Nymphs, their elemental tea.
The graver prude sinks downward to a Gnome,
In search of mischief still on earth to roam.
The light coquettes in Sylphs aloft repair,
And sport and flutter in the fields of air.

   Know further yet; whoever fair and chaste
Rejects mankind, is by some sylph embrac'd:
For spirits, freed from mortal laws, with ease
Assume what sexes and what shapes they please.
What guards the purity of melting maids,
In courtly balls, and midnight masquerades,
Safe from the treach'rous friend, the daring spark,
The glance by day, the whisper in the dark,
When kind occasion prompts their warm desires,
When music softens, and when dancing fires?
'Tis but their sylph, the wise celestials know,
Though honour is the word with men below.

   Some nymphs there are, too conscious of their face,
For life predestin'd to the gnomes' embrace.
These swell their prospects and exalt their pride,
When offers are disdain'd, and love denied:
Then gay ideas crowd the vacant brain,
While peers, and dukes, and all their sweeping train,
And garters, stars, and coronets appear,
And in soft sounds 'Your Grace' salutes their ear.
'Tis these that early taint the female soul,
Instruct the eyes of young coquettes to roll,
Teach infant cheeks a bidden blush to know,
And little hearts to flutter at a beau.

   Oft, when the world imagine women stray,
The Sylphs through mystic mazes guide their way,
Thro' all the giddy circle they pursue,
And old impertinence expel by new.
What tender maid but must a victim fall
To one man's treat, but for another's ball?
When Florio speaks, what virgin could withstand,
If gentle Damon did not squeeze her hand?
With varying vanities, from ev'ry part,
They shift the moving toyshop of their heart;
Where wigs with wigs, with sword-knots sword-knots strive,
Beaux banish beaux, and coaches coaches drive.
This erring mortals levity may call,
Oh blind to truth! the Sylphs contrive it all.

   Of these am I, who thy protection claim,
A watchful sprite, and Ariel is my name.
Late, as I rang'd the crystal wilds of air,
In the clear mirror of thy ruling star
I saw, alas! some dread event impend,
Ere to the main this morning sun descend,
But Heav'n reveals not what, or how, or where:
Warn'd by the Sylph, oh pious maid, beware!
This to disclose is all thy guardian can.
Beware of all, but most beware of man!"

   He said; when Shock, who thought she slept too long,
Leap'd up, and wak'd his mistress with his tongue.
'Twas then, Belinda, if report say true,
Thy eyes first open'd on a billet-doux;
Wounds, charms, and ardors were no sooner read,
But all the vision vanish'd from thy head.

   And now, unveil'd, the toilet stands display'd,
Each silver vase in mystic order laid.
First, rob'd in white, the nymph intent adores
With head uncover'd, the cosmetic pow'rs.
A heav'nly image in the glass appears,
To that she bends, to that her eyes she rears;
Th' inferior priestess, at her altar's side,
Trembling, begins the sacred rites of pride.
Unnumber'd treasures ope at once, and here
The various off'rings of the world appear;
From each she nicely culls with curious toil,
And decks the goddess with the glitt'ring spoil.
This casket India's glowing gems unlocks,
And all Arabia breathes from yonder box.
The tortoise here and elephant unite,
Transform'd to combs, the speckled and the white.
Here files of pins extend their shining rows,
Puffs, powders, patches, bibles, billet-doux.
Now awful beauty puts on all its arms;
The fair each moment rises in her charms,
Repairs her smiles, awakens ev'ry grace,
And calls forth all the wonders of her face;
Sees by degrees a purer blush arise,
And keener lightnings quicken in her eyes.
The busy Sylphs surround their darling care;
These set the head, and those divide the hair,
Some fold the sleeve, whilst others plait the gown;
And Betty's prais'd for labours not her own.
~ Alexander Pope, The Rape of the Lock
,
77:The Rape Of The Lock: Canto 1
Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.84)
What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing--This verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise,
If she inspire, and he approve my lays.
Say what strange motive, Goddess! could compel
A well-bred lord t' assault a gentle belle?
O say what stranger cause, yet unexplor'd,
Could make a gentle belle reject a lord?
In tasks so bold, can little men engage,
And in soft bosoms dwells such mighty rage?
Sol thro' white curtains shot a tim'rous ray,
And op'd those eyes that must eclipse the day;
Now lap-dogs give themselves the rousing shake,
And sleepless lovers, just at twelve, awake:
Thrice rung the bell, the slipper knock'd the ground,
And the press'd watch return'd a silver sound.
Belinda still her downy pillow press'd,
Her guardian sylph prolong'd the balmy rest:
'Twas he had summon'd to her silent bed
The morning dream that hover'd o'er her head;
A youth more glitt'ring than a birthnight beau,
(That ev'n in slumber caus'd her cheek to glow)
Seem'd to her ear his winning lips to lay,
And thus in whispers said, or seem'd to say.
"Fairest of mortals, thou distinguish'd care
Of thousand bright inhabitants of air!
If e'er one vision touch'd thy infant thought,
Of all the nurse and all the priest have taught,
Of airy elves by moonlight shadows seen,
The silver token, and the circled green,
Or virgins visited by angel pow'rs,
With golden crowns and wreaths of heav'nly flow'rs,
221
Hear and believe! thy own importance know,
Nor bound thy narrow views to things below.
Some secret truths from learned pride conceal'd,
To maids alone and children are reveal'd:
What tho' no credit doubting wits may give?
The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly,
The light militia of the lower sky;
These, though unseen, are ever on theg,
Hang o'er the box, and hover round the Ring.
Think what an equipage thou hast in air,
And view with scorn two pages and a chair.
As now your own, our beings were of old,
And once inclos'd in woman's beauteous mould;
Thence, by a soft transition, we repair
From earthly vehicles to these of air.
Think not, when woman's transient breath is fled,
That all her vanities at once are dead;
Succeeding vanities she still regards,
And tho' she plays no more, o'erlooks the cards.
Her joy in gilded chariots, when alive,
And love of ombre, after death survive.
For when the fair in all their pride expire,
To their first elements their souls retire:
The sprites of fiery termagants in flame
Mount up, and take a Salamander's name.
Soft yielding minds to water glide away,
And sip with Nymphs, their elemental tea.
The graver prude sinks downward to a Gnome,
In search of mischief still on earth to roam.
The light coquettes in Sylphs aloft repair,
And sport and flutter in the fields of air.
Know further yet; whoever fair and chaste
Rejects mankind, is by some sylph embrac'd:
For spirits, freed from mortal laws, with ease
Assume what sexes and what shapes they please.
What guards the purity of melting maids,
In courtly balls, and midnight masquerades,
Safe from the treach'rous friend, the daring spark,
The glance by day, the whisper in the dark,
When kind occasion prompts their warm desires,
222
When music softens, and when dancing fires?
'Tis but their sylph, the wise celestials know,
Though honour is the word with men below.
Some nymphs there are, too conscious of their face,
For life predestin'd to the gnomes' embrace.
These swell their prospects and exalt their pride,
When offers are disdain'd, and love denied:
Then gay ideas crowd the vacant brain,
While peers, and dukes, and all their sweeping train,
And garters, stars, and coronets appear,
And in soft sounds 'Your Grace' salutes their ear.
'Tis these that early taint the female soul,
Instruct the eyes of young coquettes to roll,
Teach infant cheeks a bidden blush to know,
And little hearts to flutter at a beau.
Oft, when the world imagine women stray,
The Sylphs through mystic mazes guide their way,
Thro' all the giddy circle they pursue,
And old impertinence expel by new.
What tender maid but must a victim fall
To one man's treat, but for another's ball?
When Florio speaks, what virgin could withstand,
If gentle Damon did not squeeze her hand?
With varying vanities, from ev'ry part,
They shift the moving toyshop of their heart;
Where wigs with wigs, with sword-knots sword-knots strive,
Beaux banish beaux, and coaches coaches drive.
This erring mortals levity may call,
Oh blind to truth! the Sylphs contrive it all.
Of these am I, who thy protection claim,
A watchful sprite, and Ariel is my name.
Late, as I rang'd the crystal wilds of air,
In the clear mirror of thy ruling star
I saw, alas! some dread event impend,
Ere to the main this morning sun descend,
But Heav'n reveals not what, or how, or where:
Warn'd by the Sylph, oh pious maid, beware!
This to disclose is all thy guardian can.
223
Beware of all, but most beware of man!"
He said; when Shock, who thought she slept too long,
Leap'd up, and wak'd his mistress with his tongue.
'Twas then, Belinda, if report say true,
Thy eyes first open'd on a billet-doux;
Wounds, charms, and ardors were no sooner read,
But all the vision vanish'd from thy head.
And now, unveil'd, the toilet stands display'd,
Each silver vase in mystic order laid.
First, rob'd in white, the nymph intent adores
With head uncover'd, the cosmetic pow'rs.
A heav'nly image in the glass appears,
To that she bends, to that her eyes she rears;
Th' inferior priestess, at her altar's side,
Trembling, begins the sacred rites of pride.
Unnumber'd treasures ope at once, and here
The various off'rings of the world appear;
From each she nicely culls with curious toil,
And decks the goddess with the glitt'ring spoil.
This casket India's glowing gems unlocks,
And all Arabia breathes from yonder box.
The tortoise here and elephant unite,
Transform'd to combs, the speckled and the white.
Here files of pins extend their shining rows,
Puffs, powders, patches, bibles, billet-doux.
Now awful beauty puts on all its arms;
The fair each moment rises in her charms,
Repairs her smiles, awakens ev'ry grace,
And calls forth all the wonders of her face;
Sees by degrees a purer blush arise,
And keener lightnings quicken in her eyes.
The busy Sylphs surround their darling care;
These set the head, and those divide the hair,
Some fold the sleeve, whilst others plait the gown;
And Betty's prais'd for labours not her own.
~ Alexander Pope,
78:Young Calidore is paddling o'er the lake;
His healthful spirit eager and awake
To feel the beauty of a silent eve,
Which seem'd full loath this happy world to leave;
The light dwelt o'er the scene so lingeringly.
He bares his forehead to the cool blue sky,
And smiles at the far clearness all around,
Until his heart is well nigh over wound,
And turns for calmness to the pleasant green
Of easy slopes, and shadowy trees that lean
So elegantly o'er the waters' brim
And show their blossoms trim.
Scarce can his clear and nimble eye-sight follow
The freaks, and dartings of the black-wing'd swallow,
Delighting much, to see it half at rest,
Dip so refreshingly its wings, and breast
'Gainst the smooth surface, and to mark anon,
The widening circles into nothing gone.

And now the sharp keel of his little boat
Comes up with ripple, and with easy float,
And glides into a bed of water lillies:
Broad leav'd are they and their white canopies
Are upward turn'd to catch the heavens' dew.
Near to a little island's point they grew;
Whence Calidore might have the goodliest view
Of this sweet spot of earth. The bowery shore
Went off in gentle windings to the hoar
And light blue mountains: but no breathing man
With a warm heart, and eye prepared to scan
Nature's clear beauty, could pass lightly by
Objects that look'd out so invitingly
On either side. These, gentle Calidore
Greeted, as he had known them long before.

The sidelong view of swelling leafiness,
Which the glad setting sun, in gold doth dress;
Whence ever, and anon the jay outsprings,
And scales upon the beauty of its wings.

The lonely turret, shatter'd, and outworn,
Stands venerably proud; too proud to mourn
Its long lost grandeur: fir trees grow around,
Aye dropping their hard fruit upon the ground.

The little chapel with the cross above
Upholding wreaths of ivy; the white dove,
That on the windows spreads his feathers light,
And seems from purple clouds to wing its flight.

Green tufted islands casting their soft shades
Across the lake; sequesterd leafy glades,
That through the dimness of their twilight show
Large dock leaves, spiral foxgloves, or the glow
Of the wild cats eyes, or the silvery stems
Of delicate birch trees, or long grass which hems
A little brook. The youth had long been viewing
These pleasant things, and heaven was bedewing
The mountain flowers, when his glad senses caught
A trumpet's silver voice. Ah! it was fraught
With many joys for him: the warder's ken
Had found white coursers prancing in the glen:
Friends very dear to him he soon will see;
So pushes off his boat most eagerly,
And soon upon the lake he skims along,
Deaf to the nightingales first under-song;
Nor minds he the white swans that dream so sweetly:
His spirit flies before him so completely.

And now he turns a jutting point of land,
Whence may be seen the castle gloomy, and grand:
Nor will a bee buzz round two swelling peaches,
Before the point of his light shallop reaches
Those marble steps that through the water dip:
Now over them he goes with hasty trip,
And scarcely stays to ope the folding doors:
Anon he leaps along the oaken floors
Of halls and corridors.

Delicious sounds! those little bright-eyed things
That float about the air on azure wings,
Had been less heartfelt by him than the clang
Of clattering hoofs; into the court he sprang,
Just as two noble steeds, and palfreys twain,
Were slanting out their necks with loosened rein;
While from beneath the threat'ning portcullis
They brought their happy burthens. What a kiss,
What gentle squeeze he gave each lady's hand!
How tremblingly their delicate ancles spannd!
Into how sweet a trance his soul was gone,
While whisperings of affection
Made him delay to let their tender feet
Come to the earth; with an incline so sweet
From their low palfreys o'er his neck they bent:
And whether there were tears of languishment,
Or that the evening dew had pearl'd their tresses,
He feels a moisture on his cheek, and blesses
With lips that tremble, and with glistening eye
All the soft luxury
That nestled in his arms. A dimpled hand,
Fair as some wonder out of fairy land,
Hung from his shoulder like the drooping flowers
Of whitest Cassia, fresh from summer showers:
And this he fondled with his happy cheek
As if for joy he would no further seek;
When the kind voice of good Sir Clerimond
Came to his ear, like something from beyond
His present being: so he gently drew
His warm arms, thrilling now with pulses new,
From their sweet thrall, and forward gently bending,
Thank'd heaven that his joy was never ending;
While 'gainst his forehead he devoutly press'd
A hand heaven made to succour the distress'd;
A hand that from the world's bleak promontory
Had lifted Calidore for deeds of glory.
Amid the pages, and the torches' glare,
There stood a knight, patting the flowing hair
Of his proud horse's mane: he was withal
A man of elegance, and stature tall:
So that the waving of his plumes would be
High as the berries of a wild ash tree,
Or as the winged cap of Mercury.
His armour was so dexterously wrought
In shape, that sure no living man had thought
It hard, and heavy steel: but that indeed
It was some glorious form, some splendid weed,
In which a spirit new come from the skies
Might live, and show itself to human eyes.
'Tis the far-fam'd, the brave Sir Gondibert,
Said the good man to Calidore alert;
While the young warrior with a step of grace
Came up,--a courtly smile upon his face,
And mailed hand held out, ready to greet
The large-eyed wonder, and ambitious heat
Of the aspiring boy; who as he led
Those smiling ladies, often turned his head
To admire the visor arched so gracefully
Over a knightly brow; while they went by
The lamps that from the high-roof'd hall were pendent,
And gave the steel a shining quite transcendent.

Soon in a pleasant chamber they are seated;
The sweet-lipp'd ladies have already greeted
All the green leaves that round the window clamber,
To show their purple stars, and bells of amber.
Sir Gondibert has doff'd his shining steel,
Gladdening in the free, and airy feel
Of a light mantle; and while Clerimond
Is looking round about him with a fond,
And placid eye, young Calidore is burning
To hear of knightly deeds, and gallant spurning
Of all unworthiness; and how the strong of arm
Kept off dismay, and terror, and alarm
From lovely woman: while brimful of this,
He gave each damsel's hand so warm a kiss,
And had such manly ardour in his eye,
That each at other look'd half staringly;
And then their features started into smiles
Sweet as blue heavens o'er enchanted isles.

Softly the breezes from the forest came,
Softly they blew aside the taper's flame;
Clear was the song from Philomel's far bower;
Grateful the incense from the lime-tree flower;
Mysterious, wild, the far-heard trumpet's tone;
Lovely the moon in ether, all alone:
Sweet too the converse of these happy mortals,
As that of busy spirits when the portals
Are closing in the west; or that soft humming
We hear around when Hesperus is coming.
Sweet be their sleep. * * * * * * * * *
by owner. provided at no charge for educational purposes

~ John Keats, Calidore - A Fragment
,
79:Eden Bower
It was Lilith the wife of Adam:
(Sing Eden Bower!)
Not a drop of her blood was human,
But she was made like a soft sweet woman.
Lilith stood on the skirts of Eden;
(Alas the hour!)
She was the first that thence was driven;
With her was hell and with Eve was heaven.
In the ear of the Snake said Lilith:—
(Sing Eden Bower!)
“To thee I come when the rest is over;
A snake was I when thou wast my lover.
“I was the fairest snake in Eden:
(Alas the hour!)
By the earth's will, new form and feature
Made me a wife for the earth's new creature.
“Take me thou as I come from Adam:
(Sing Eden Bower!)
Once again shall my love subdue thee;
The past is past and I am come to thee.
“O but Adam was thrall to Lilith!
(Alas the hour!)
All the threads of my hair are golden,
And there in a net his heart was holden.
“O and Lilith was queen of Adam!
(Sing Eden Bower!)
All the day and the night together
My breath could shake his soul like a feather.
“What great joys had Adam and Lilith!—
(Alas the hour!)
Sweet close rings of the serpent's twining,
As heart in heart lay sighing and pining.
“What bright babes had Lilith and Adam!
(Sing Eden Bower!)
Shapes that coiled in the woods and waters,
Glittering sons and radiant daughters.
“O thou God, the Lord God of Eden!
(Alas the hour!)
Say, was this fair body for no man,
95
That of Adam's flesh thou mak'st him a woman?
“O thou Snake, the King-snake of Eden!
(Sing Eden Bower!)
God's strong will our necks are under,
But thou and I may cleave it in sunder.
“Help, sweet Snake, sweet lover of Lilith!
(Alas the hour!)
And let God learn how I loved and hated
Man in the image of God created.
“Help me once against Eve and Adam!
(Sing Eden Bower!)
Help me once for this one endeavour,
And then my love shall be thine for ever!
“Strong is God, the fell foe of Lilith:
(Alas the hour!)
Nought in heaven or earth may affright Him;
But join thou with me and we will smite Him.
“Strong is God, the great God of Eden:
(Sing Eden Bower!)
Over all He made He hath power;
But lend me thou thy shape for an hour!
“Lend thy shape for the love of Lilith!
(Alas the hour!)
Look, my mouth and my cheek are ruddy,
And thou art cold, and fire is my body.
“Lend thy shape for the hate of Adam!
(Sing Eden Bower!)
That he may wail my joy that forsook him,
And curse the day when the bride-sleep took him.
“Lend thy shape for the shame of Eden!
(Alas the hour!)
Is not the foe-God weak as the foeman
When love grows hate in the heart of a woman?
“Wouldst thou know the heart's hope of Lilith?
(Sing Eden Bower!)
Then bring thou close thine head till it glisten
Along my breast, and lip me and listen.
“Am I sweet, O sweet Snake of Eden?
(Alas the hour!)
Then ope thine ear to my warm mouth's cooing
And learn what deed remains for our doing.
“Thou didst hear when God said to Adam:—
96
(Sing Eden Bower!)
‘Of all this wealth I have made thee warden;
Thou'rt free to eat of the trees of the garden:
“‘Only of one tree eat not in Eden:
(Alas the hour!)
All save one I give to thy freewill,—
The Tree of the Knowledge of Good and Evil.’
“O my love, come nearer to Lilith!
(Sing Eden Bower!)
In thy sweet folds bind me and bend me,
And let me feel the shape thou shalt lend me.
“In thy shape I'll go back to Eden;
(Alas the hour!)
In these coils that Tree will I grapple,
And stretch this crowned head forth by the apple.
“Lo, Eve bends to the breath of Lilith!
(Sing Eden Bower!)
O how then shall my heart desire
All her blood as food to its fire!
“Lo, Eve bends to the words of Lilith!—
(Alas the hour!)
‘Nay, this Tree's fruit,—why should ye hate it,
Or Death be born the day that ye ate it?
“‘Nay, but on that great day in Eden,
(Sing Eden Bower!)
By the help that in this wise Tree is,
God knows well ye shall be as He is.’
“Then Eve shall eat and give unto Adam;
(Alas the hour!)
And then they both shall know they are naked,
And their hearts ache as my heart hath achèd.
“Ay, let them hide `mid the trees of Eden,
(Sing Eden Bower!)
As in the cool of the day in the garden
God shall walk without pity or pardon.
“Hear, thou Eve, the man's heart in Adam!
(Alas the hour!)
Of his brave words hark to the bravest:—
‘This the woman gave that thou gavest.’
“Hear Eve speak, yea list to her, Lilith!
(Sing Eden Bower!)
Feast thine heart with words that shall sate it—
97
‘This the serpent gave and I ate it.’
“O proud Eve, cling close to thine Adam,
(Alas the hour!)
Driven forth as the beasts of his naming
By the sword that for ever is flaming.
“Know, thy path is known unto Lilith!
(Sing Eden Bower!)
While the blithe birds sang at thy wedding,
There her tears grew thorns for thy treading.
“O my love, thou Love-snake of Eden!
(Alas the hour!)
O to-day and the day to come after!
Loose me, love,—give breath to my laughter.
“O bright Snake, the Death-worm of Adam!
(Sing Eden Bower!)
Wreathe thy neck with my hair's bright tether,
And wear my gold and thy gold together!
“On that day on the skirts of Eden,
(Alas the hour!)
In thy shape shall I glide back to thee,
And in my shape for an instant view thee.
“But when thou'rt thou and Lilith is Lilith,
(Sing Eden Bower!)
In what bliss past hearing or seeing
Shall each one drink of the other's being!
“With cries of ‘Eve!’ and ‘Eden!’ and ‘Adam!’
(Alas the hour!)
How shall we mingle our love's caresses,
I in thy coils, and thou in my tresses!
“With those names, ye echoes of Eden,
(Sing Eden Bower!)
Fire shall cry from my heart that burneth,—
‘Dust he is and to dust returneth!’
“Yet to-day, thou master of Lilith,—
(Alas the hour!)
Wrap me round in the form I'll borrow
And let me tell thee of sweet to-morrow.
“In the planted garden eastward in Eden,
(Sing Eden Bower!)
Where the river goes forth to water the garden,
The springs shall dry and the soil shall harden.
“Yea, where the bride-sleep fell upon Adam,
98
(Alas the hour!)
None shall hear when the storm-wind whistles
Through roses choked among thorns and thistles.
“Yea, beside the east-gate of Eden,
(Sing Eden Bower!)
Where God joined them and none might sever,
The sword turns this way and that for ever.
“What of Adam cast out of Eden?
(Alas the hour!)
Lo! with care like a shadow shaken,
He tills the hard earth whence he was taken.
“What of Eve too, cast out of Eden?
(Sing Eden Bower!)
Nay, but she, the bride of God's giving,
Must yet be mother of all men living.
“Lo, God's grace, by the grace of Lilith!
(Alas the hour!)
To Eve's womb, from our sweet to-morrow,
God shall greatly multiply sorrow.
“Fold me fast, O God-snake of Eden!
(Sing Eden Bower!)
What more prize than love to impel thee?
Grip and lip my limbs as I tell thee!
“Lo! two babes for Eve and for Adam!
(Alas the hour!)
Lo! sweet Snake, the travail and treasure,—
Two men-children born for their pleasure!
“The first is Cain and the second Abel:
(Sing Eden Bower!)
The soul of one shall be made thy brother,
And thy tongue shall lap the blood of the other.”
(Alas the hour!)
~ Dante Gabriel Rossetti,
80:A gentle was Fridolin,
And he his mistress dear,
Savern's fair Countess, honored in
All truth and godly fear.
She was so meek, and, ah! so good!
Yet each wish of her wayward mood,
He would have studied to fulfil,
To please his God, with earnest will.

From the first hour when daylight shone
Till rang the vesper-chime,
He lived but for her will alone,
And deemed e'en that scarce time.
And if she said, "Less anxious be!"
His eye then glistened tearfully.
Thinking that he in duty failed,
And so before no toil he quailed.

And so, before her serving train,
The Countess loved to raise him;
While her fair mouth, in endless strain,
Was ever wont to praise him.
She never held him as her slave,
Her heart a child's rights to him gave;
Her clear eye hung in fond delight
Upon his well-formed features bright.

Soon in the huntsman Robert's breast
Was poisonous anger fired;
His black soul, long by lust possessed,
With malice was inspired;
He sought the Count, whom, quick in deed,
A traitor might with ease mislead,
As once from hunting home they rode,
And in his heart suspicion sowed.

"Happy art thou, great Count, in truth,"
Thus cunningly he spoke;
"For ne'er mistrust's envenomed tooth
Thy golden slumbers broke;
A noble wife thy love rewards,
And modesty her person guards.
The tempter will be able ne'er
Her true fidelity to snare."

A gloomy scowl the Count's eye filled:
"What's this thou say'st to me?
Shall I on woman's virtue build,
Inconstant as the sea?
The flatterer's mouth with ease may lure;
My trust is placed on ground more sure.
No one, methinks, dare ever burn
To tempt the wife of Count Savern."

The other spoke: "Thou sayest it well,
The fool deserves thy scorn
Who ventures on such thoughts to dwell,
A mere retainer born,
Who to the lady he obeys
Fears not his wishes' lust to raise."
"What!" tremblingly the Count began,
"Dost speak, then, of a living man?"

"Is, then, the thing, to all revealed,
Hid from my master's view?
Yet, since with care from thee concealed,
I'd fain conceal it too"
"Speak quickly, villain! speak or die!"
Exclaimed the other fearfully.
"Who dares to look on Cunigond?"
"'Tis the fair page that is so fond."

"He's not ill-shaped in form, I wot,"
He craftily went on;
The Count meanwhile felt cold and hot,
By turns in every bone.
"Is't possible thou seest not, sir,
How he has eyes for none but her?
At table ne'er attends to thee,
But sighs behind her ceaselessly?"

"Behold the rhymes that from him came
His passion to confess"
"Confess!""And for an answering flame,
The impious knave!to press.
My gracious lady, soft and meek,
Through pity, doubtless, feared to speak;
That it has 'scaped me, sore I rue;
What, lord, canst thou to help it do?"

Into the neighboring wood then rode
The Count, inflamed with wrath,
Where, in his iron foundry, glowed
The ore, and bubbled forth.
The workmen here, with busy hand,
The fire both late and early fanned.
The sparks fly out, the bellows ply,
As if the rock to liquefy.

The fire and water's might twofold
Are here united found;
The mill-wheel, by the flood seized hold,
Is whirling round and round;
The works are clattering night and day,
With measured stroke the hammers play,
And, yielding to the mighty blows,
The very iron plastic grows.

Then to two workmen beckons he,
And speaks thus in his ire;
"The first who's hither sent by me
Thus of ye to inquire
'Have ye obeyed my lord's word well?'
Him cast ye into yonder hell,
That into ashes he may fly,
And ne'er again torment mine eye!"

The inhuman pair were overjoyed,
With devilish glee possessed
For as the iron, feeling void,
Their heart was in their breast,
And brisker with the bellows' blast,
The foundry's womb now heat they fast,
And with a murderous mind prepare
To offer up the victim there.

Then Robert to his comrade spake,
With false hypocrisy:
"Up, comrade, up! no tarrying make!
Our lord has need of thee."
The lord to Fridolin then said:
"The pathway toward the foundry tread,
And of the workmen there inquire,
If they have done their lord's desire."

The other answered, "Be it so!"
But o'er him came this thought,
When he was all-prepared to go,
"Will she command me aught?"
So to the Countess straight he went:
"I'm to the iron-foundry sent;
Then say, can I do aught for thee?
For thou 'tis who commandest me."

To this the Lady of Savern
Replied in gentle tone:
"To hear the holy mass I yearn,
For sick now lies my son;
So go, my child, and when thou'rt there,
Utter for me a humble prayer,
And of thy sins think ruefully,
That grace may also fall on me."

And in this welcome duty glad,
He quickly left the place;
But ere the village bounds he had
Attained with rapid pace,
The sound of bells struck on his ear,
From the high belfry ringing clear,
And every sinner, mercy-sent,
Inviting to the sacrament.

"Never from praising God refrain
Where'er by thee He's found!"
He spoke, and stepped into the fane,
But there he heard no sound;
For 'twas the harvest time, and now
Glowed in the fields the reaper's brow;
No choristers were gathered there,
The duties of the mass to share.

The matter paused he not to weigh,
But took the sexton's part;
"That thing," he said, "makes no delay
Which heavenward guides the heart."
Upon the priest, with helping hand,
He placed the stole and sacred band,
The vessels he prepared beside,
That for the mass were sanctified.

And when his duties here were o'er,
Holding the mass-book, he,
Ministering to the priest, before
The altar bowed his knee,
And knelt him left, and knelt him right,
While not a look escaped his sight,
And when the holy Sanctus came,
The bell thrice rang he at the name.

And when the priest, bowed humbly too,
In hand uplifted high,
Facing the altar, showed to view
The present Deity,
The sacristan proclaimed it well,
Sounding the clearly-tinkling bell,
While all knelt down, and beat the breast,
And with a cross the Host confessed.

The rites thus served he, leaving none,
With quick and ready wit;
Each thing that in God's house is done,
He also practised it.
Unweariedly he labored thus,
Till the Vobiscum Dominus,
When toward the people turned the priest,
Blessed them,and so the service ceased.

Then he disposed each thing again,
In fair and due array;
First purified the holy fane,
And then he went his way,
And gladly, with a mind at rest,
On to the iron-foundry pressed,
Saying the while, complete to be,
Twelve paternosters silently.

And when he saw the furnace smoke,
And saw the workmen stand,
"Have ye, ye fellows," thus he spoke,
"Obeyed the Count's command?"
Grinning they ope the orifice,
And point into the fell abyss:
"He's cared forall is at an end!
The Count his servants will commend."

The answer to his lord he brought,
Returning hastily,
Who, when his form his notice caught,
Could scarcely trust his eye:
"Unhappy one! whence comest thou?"
"Back from the foundry""Strange, I vow!
Hast in thy journey, then, delayed?"
"'Twas only, lord, till I had prayed."

"For when I from thy presence went
(Oh pardon me!) to-day,
As duty bid, my steps I bent
To her whom I obey.
She told me, lord, the mass to hear,
I gladly to her wish gave ear,
And told four rosaries at the shrine,
For her salvation and for thine."

In wonder deep the Count now fell,
And, shuddering, thus spake he:
"And, at the foundry, quickly tell,
What answer gave they thee?"
"Obscure the words they answered in,
Showing the furnace with a grin:
'He's cared forall is at an end!
The Count his servants will commend.'"

"And Robert?" interrupted he,
While deadly pale he stood,
"Did he not, then, fall in with thee?
I sent him to the wood."
"Lord, neither in the wood nor field
Was trace of Robert's foot revealed."
"Then," cried the Count, with awe-struck mien,
"Great God in heaven his judge hath been!"

With kindness he before ne'er proved,
He led him by the hand
Up to the Countess,deeply moved,
Who naught could understand.
"This child, let him be dear to thee,
No angel is so pure as he!
Though we may have been counselled ill,
God and His hosts watch o'er him still."
~ Friedrich Schiller, Fridolin (The Walk To The Iron Factory)
,
81:Steinli Von Slang
I.
DER watchman look out from his tower
Ash de Abendgold glimmer grew dim,
Und saw on de road troo de Gauer
Ten shpearmen coom ridin to him:
Und he schvear: 'May I lose my next bitter,
Und denn mit der Teufel go hang!
If id isn't dat pully young Ritter,
De hell-drivin Steinli von Slang.
'De vorldt nefer had any such man,
He vights like a sturm in its wrath:
You may call me a recular Dutchman,
If he arn't like Goliath of Gath.
He ish big ash de shiant O'Brady,
More ash sefen feet high on a string,
Boot he can't vin de hearts of my lady,
De lofely Plectruda von Sling.'
De lady make welcome her gast in,
Ash he shtep to de dop of de shtair,
She look like an angel got lost in
A forest of audumn-prown hair.
Und a bower-maiden said ash she tarried:
'I wish I may bust mit a bang!
If id isn't a shame she ain't married
To der her-re-liche Steinli von Slang!'
He pows to de cround fore de lady,
Vhile his vace ish ash pale ash de tead;
Und she vhispers oonto him a rede
Ash mit arrow point accents, she said:
'You hafe long dimes peen dryin to win me,
You hafe vight, and mine braises you sing,
Boot I'm 'fraid dat de notion aint in me,
De Lady Plectruda von Sling.
'Boot brafehood teserves a reward, sir;
153
Dough you've hardly a chost of a shanse.
Sankt Werolf! medinks id ish hard, sir,
I should allaweil lead you dis dance.'
Like a bees vhen it it booz troo de clofer,
Dese murmurin accents she flang,
Vhile singin, a stingin her lofer,
Der woe-moody Ritter von Slang.
'Boot if von ding you do, I'll knock under,
Our droples moost endin damit
Und if you pull troo it,- by donder!
I'll own myself euchred, und bit.
I schvear py de holy Sanct Chlody!
Py mine honor-und avery ding!
You may hafe me-soul, puttons und pody,
Mit de whole of Plectruda von Sling.'
'Und dish ish de test of your power:Vhile ve shtand ourselfs round in a row,
You moost roll from de dop of dis tower,
Down shdairs to de valley pelow.
Id ish rough and shteep ash my virtue:'
(Mit schwanenshweet accents she sang
'Tont try if you dinks id vill hurt you,
Mine goot liddle Ritter von Slang.'
An Moormoor arosed mong de beoples;
In fain tid she doorn in her shkorn,
Der vatchman on dop of de shdeeples
Plowed a sorryfool doon on his horn.
Ash dey look down de dousand-foot treppe,
Dey schveared dey vouldt pass on de ding,
Und not roll down de firstest tam steppe
For a hoondred like Fraulein von Sling.
II.
'Twas audumn. De dry leafs vere bustlin
Und visperin deir elfin wild talk,
Vhen shlow, mit his veet in dem rustlin,
Herr Steinli coomed out for a walk.
Wild dooks vly afar in de gloamin,
154
He hear a vaint gry vrom de gang;
Und vished he vere off mit dem roamin:
De heart-wounded Ritter Von Slang.
Und ash he vent musin und shbeakin,
He se, shoost ahead in his vay,
In sinkular manner a streakin,
A strange liddle bein, in cray,
Who toorned on him quick mit a holler,
Und cuttin a dwo bigeon ving,
Cried, 'Say, can you change me a thaler,
Oh, guest of de Lady von Sling?'
De knight vas a goot-nadured veller,
(De peggars all knowed him at sight,)
So he forked out each groschen und heller,
Dill he fix de finances aright.
Boot shoost ash de liddle man vent, he,
(Der Ritter,) ashtonished cried 'Dang!'
For id vasn't von thaler boot tventy,
He'd passed on der Ritter von Slang.
O reater! Soopose soosh a vlight in
De vingers of me, or of you,
How we'd toorned on our heels, und gon kitin
Dill no von vos left to pursue!
Good Lort! how we'd froze to de ready!
Boot mit him 'dvas a different ding;
For he vent on de high, moral steady,
Dis lofer of Fraulein von Sling.
Und dough no von vill gife any gredit
To dis part of mine dale, shdill id's drue,
He drafelled ash if he vould dead it,
Dis liddle oldt man to pursue.
Und loudly he after him hollers,
Till de vales mit de cliffers loud rang:
'You hafe gifed me nine-ten too moosh dollars,
Hold Hard!' cried der Ritter von Slang.
De oldt man ope his eyes like a casement,
Und laid a cold hand on his prow,
155
Denn mutter in ootmosdt amazement,
'Vot manner of mordal art dou?
I hafe lifed in dis world a yar tausend,
Und nefer yed met soosh a ding!
Yet you find it hart vork to pe spouse, and
Peloved by de Lady von Sling!
'Und she vant you to roll from de tower
Down shteps to yon rifulet spot.'
(Here de knight, whom amazement o'erbower,
Cried, 'Himmels potz pumpen Herr Gott!')
Boot de oldt veller saidt: 'I'll arrange it,
Let your droples und sorrows co hang!
Und nodings vill coom to derange itPet high on it, Ritter von Slang.
'So get oop dis small oonderstandin,
Dat to-morrow by ten, do you hear?
You'll pe mit your trunk at de landin;
I'll also be dere-nefer fear!
Und I dinks we shall make your young voman
A new kind of meloty sing;
Dat vain, wicked, cruel, unhuman,
Gott-tamnaple Fraulein von Sling.'
De fiolet shdars vere apofe him,
Vhite moths und vhite dofes shimmered round,
All nature seemed seekin to lofe him,
Mit perfume und vision und sound.
De liddle oldt veller hat fanished,
In a harp-like, melotious twang;
Und mit him all sorrow vas panished
Afay from der Steinli von Slang.
III.
Id vas morn, und de vorldt hat assempled
Mid panners und lances und dust,
Boot de heart of de Paroness trempled,
Und ofden her folly she cussed.
For she found dat der Ritter vould do it,
Und 'die or get into de Ring,'
156
Und denn she'd pe cerdain to rue it,
Aldough she vas Lady von Sling.
For no man in Deutschland stood higher
Dan he mit de Minnesing crew,
He vas friendet to Heini von Steier,
Und Wolfram von Eschenbach too.
Und she dinked ash she look from de vinders,
How herzlich his braises dey sang;
'Now dey'll knock my goot name indo flinders,
For killin der Ritter von Slang.'
Boot oh! der goot knight had a Schauer,
Und felt most ongommonly queer,
Vhen he find on de top of de dower
De goblum, pesite him, abbear.
Denn he find he no more could go valkin,
Und shtood, shoost and potrified ding,
Vhile de goblum vent round about talkin,
Und chaffin Plectruda von Sling.
Denn at vonce he see indo de problum,
Und vas stoggered like rats at ids vim:
His soul had gone indo de goblum,
Und de goblum's hat gone indo him.
Und de eyes of de volk vas enchanted,
Dere vas 'glamour' oopon de whole gang;
For dey dinked dat dis veller who ranted
So loose, vas der Ritter von Slang.
Und, Lordt! how he dalked! Oonder heafens
Dere vas nefer soosh derriple witz,
Knockin all dings to sechses and sefens,
Und gifin Plectruda, Dutch fits.
Mein Gott! how he poonished und chaffed her
Like a hell-stingin, devil-born ding;
Vhile de volk lay a-rollin mit laughter
At Fraulein Plectruda von Sling.
De lady grew angry und paler,
De lady grew ratful und red,
She felt some Satanical jailer
157
Hafe brisoned de tongue in her head.
She moost laugh vhen she vant to pe cryin,
Und vas crushed mit de teufelisch clang,
Till she knelt herself, pooty near dyin,
To dis derriple image of Slang.
Denn der goblum shoomp oop to der ceiling
Und trow sommerseds round on de vloor,
Right ofer Plectruda a-kneelin,
Dill she look more a vool dan pefore.
Denn he roll down de shteps light und breezy,
His laughs made it all apout ring;
Ash he shveared dere vas noding more easy
Dan to win a Plectruda von Sling.
Und vhen he cot down to de pottom,
He laugh so to freezen your plood;
Und schwear dat de boomps ash he cot em
Hafe make him feel petter ash good.
Boot, oh! how dey shook at his power,
Vhen he toorned himself roundt mit a bang,
Und roll oop to de dop of de tower,
To change forms mit de oder Von Slang!
Denn all in an insdand vas altered,
Der Steinli vas coom to himself;
Und de sprite, vitch in double sense paltered,
From dat moment acain vas an elf.
Dey shdill dinked dat he vas de person
Who had bobbed oop and down on de ving,
Und knew not who 'tvas lay de curse on
De peaudiful Lady von Sling.
Nun-endlich- Plectruda repented,
Und gazed on der Ritter mit shoy;
In dime to pe married consented,
Und vas plessed mit a peautifool poy.
A dwenty gold biece on his bosom
Vhen geporn vas tiscofered to hang
Mit de inscript-'Dis dime dont refuse em'So endet de tale of Von Slang.
158
~ Charles Godfrey Leland,
82:He sings.

I send my heart up to thee, all my heart
In this my singing.
For the stars help me, and the sea bears part;
The very night is clinging
Closer to Venice' streets to leave one space
Above me, whence thy face
May light my joyous heart to thee its dwelling-place.

She speaks.

Say after me, and try to say
My very words, as if each word
Came from you of your own accord,
In your own voice, in your own way:
``This woman's heart and soul and brain
``Are mine as much as this gold chain
``She bids me wear; which'' (say again)
``I choose to make by cherishing
``A precious thing, or choose to fling
``Over the boat-side, ring by ring.''
And yet once more say no word more!
Since words are only words. Give o'er!

Unless you call me, all the same,
Familiarly by my pet name,
Which if the Three should hear you call,
And me reply to, would proclaim
At once our secret to them all.
Ask of me, too, command me, blame-
Do, break down the partition-wall
'Twixt us, the daylight world beholds
Curtained in dusk and splendid folds!
What's left but-all of me to take?
I am the Three's: prevent them, slake
Your thirst! 'Tis said, the Arab sage,
In practising with gems, can loose
Their subtle spirit in his cruce
And leave but ashes: so, sweet mage,
Leave them my ashes when thy use
Sucks out my soul, thy heritage!

He sings.

I.

Past we glide, and past, and past!
What's that poor Agnese doing
Where they make the shutters fast?
Grey Zanobi's just a-wooing
To his couch the purchased bride:
Past we glide!

II.

Past we glide, and past, and past!
Why's the Pucci Palace flaring
Like a beacon to the blast?
Guests by hundreds, not one caring
If the dear host's neck were wried:
Past we glide!

She sings.

I.

The moth's kiss, first!
Kiss me as if you made believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide ope I burst.

II.

The bee's kiss, now!
Kiss me as if you entered gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is rendered up,
And passively its shattered cup
Over your head to sleep I bow.

He sings.

I.

What are we two?
I am a Jew,
And carry thee, farther than friends can pursue,
To a feast of our tribe;
Where they need thee to bribe
The devil that blasts them unless he imbibe
Thy Scatter the vision for ever! And now,
As of old, I am I, thou art thou!

II.

Say again, what we are?
The sprite of a star,
I lure thee above where the destinies bar
My plumes their full play
Till a ruddier ray
Than my pale one announce there is withering away
Some Scatter the vision for ever! And now,
As of old, I am I, thou art thou!

He muses.

Oh, which were best, to roam or rest?
The land's lap or the water's breast?
To sleep on yellow millet-sheaves,
Or swim in lucid shallows just
Eluding water-lily leaves,
An inch from Death's black fingers, thrust
To lock you, whom release he must;
Which life were best on Summer eves?

He speaks, musing.

Lie back; could thought of mine improve you?
From this shoulder let there spring
A wing; from this, another wing;
Wings, not legs and feet, shall move you!
Snow-white must they spring, to blend
With your flesh, but I intend
They shall deepen to the end,
Broader, into burning gold,
Till both wings crescent-wise enfold
Your perfect self, from 'neath your feet
To o'er your head, where, lo, they meet
As if a million sword-blades hurled
Defiance from you to the world!

Rescue me thou, the only real!
And scare away this mad ideal
That came, nor motions to depart!
Thanks! Now, stay ever as thou art!

Still he muses.

I.

What if the Three should catch at last
Thy serenader? While there's cast
Paul's cloak about my head, and fast
Gian pinions me, himself has past
His stylet thro' my back; I reel;
And is it thou I feel?

II.

They trail me, these three godless knaves,
Past every church that saints and saves,
Nor stop till, where the cold sea raves
By Lido's wet accursed graves,
They scoop mine, roll me to its brink,
And on thy breast I sink

She replies, musing.

Dip your arm o'er the boat-side, elbow-deep,
As I do: thus: were death so unlike sleep,
Caught this way? Death's to fear from flame or steel,
Or poison doubtless; but from water-feel!

Go find the bottom! Would you stay me? There!
Now pluck a great blade of that ribbon-grass
To plait in where the foolish jewel was,
I flung away: since you have praised my hair,
'Tis proper to be choice in what I wear.

He speaks.

Row home? must we row home? Too surely
Know I where its front's demurely
Over the Giudecca piled;
Window just with window mating,
Door on door exactly waiting,
All's the set face of a child:
But behind it, where's a trace
Of the staidness and reserve,
And formal lines without a curve,
In the same child's playing-face?
No two windows look one way
O'er the small sea-water thread
Below them. Ah, the autumn day
I, passing, saw you overhead!
First, out a cloud of curtain blew,
Then a sweet cry, and last came you-
To catch your lory that must needs
Escape just then, of all times then,
To peck a tall plant's fleecy seeds,
And make me happiest of men.
I scarce could breathe to see you reach
So far back o'er the balcony
To catch him ere he climbed too high
Above you in the Smyrna peach
That quick the round smooth cord of gold,
This coiled hair on your head, unrolled,
Fell down you like a gorgeous snake
The Roman girls were wont, of old,
When Rome there was, for coolness' sake
To let lie curling o'er their bosoms.
Dear lory,*
may his beak retain
Ever its delicate rose stain
As if the wounded lotus-blossoms
Had marked their thief to know again!

Stay longer yet, for others' sake
Than mine! What should your chamber do?
-With all its rarities that ache
In silence while day lasts, but wake
At night-time and their life renew,
Suspended just to pleasure you
Who brought against their will together
These objects, and, while day lasts, weave
Around them such a magic tether
That dumb they look: your harp, believe,
With all the sensitive tight strings
Which dare not speak, now to itself
Breathes slumberously, as if some elf
Went in and out the chords, his wings
Make murmur wheresoe'er they graze,
As an angel may, between the maze
Of midnight palace-pillars, on
And on, to sow God's plagues, have gone
Through guilty glorious Babylon.
And while such murmurs flow, the nymph
Bends o'er the harp-top from her shell
As the dry limpet for the lymph
Come with a tune be knows so well.
And how your statues' hearts must swell!
And how your pictures must descend
To see each other, friend with friend!
Oh, could you take them by surprise,
You'd find Schidone's eager Duke
Doing the quaintest courtesies
To that prim saint by Haste-thee-Luke!
And, deeper into her rock den,
Bold Castelfranco's Magdalen
You'd find retreated from the ken
Of that robed counsel-keeping Ser-
As if the Tizian thinks of her,
And is not, rather, gravely bent
On seeing for himself what toys
Are these, his progeny invent,
What litter now the board employs
Whereon he signed a document
That got him murdered! Each enjoys
Its night so well, you cannot break
The sport up, so, indeed must make
More stay with me, for others' sake.

She speaks.

I.

To-morrow, if a harp-string, say,
Is used to tie the jasmine back
That overfloods my room with sweets,
Contrive your Zorzi somehow meets
My Zanze! If the ribbon's black,
The Three are watching: keep away!

II.

Your gondola-let Zorzi wreathe
A mesh of water-weeds about
its prow, as if he unaware
Had struck some quay or bridge-foot stair!
That I may throw a paper out
As you and he go underneath.

There's Zanze's vigilant taper; safe are we.
Only one minute more to-night with me?
Resume your past self of a month ago!
Be you the bashful gallant, I will be
The lady with the colder breast than snow.
Now bow you, as becomes, nor touch my hand
More than I touch yours when I step to land,
And say, ``All thanks, Siora!''-
Heart to heart
And lips to lips! Yet once more, ere we part,
Clasp me and make me thine, as mine thou art!
[He is surprised, and stabbed.
It was ordained to be so, sweet!-and best
Comes now, beneath thine eyes, upon thy breast.
Still kiss me! Care not for the cowards! Care
Only to put aside thy beauteous hair
My blood will hurt! The Three, I do not scorn
To death, because they never lived: but I
Have lived indeed, and so-(yet one more kiss)-can die!


~ Robert Browning, In A Gondola
,
83:The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.

I see my empty house,
I see my trees repair their boughs,
And he, the wondrous child,
Whose silver warble wild
Outvalued every pulsing sound
Within the air's cerulean round,
The hyacinthine boy, for whom
Morn well might break, and April bloom,
The gracious boy, who did adorn
The world whereinto he was born,
And by his countenance repay
The favor of the loving Day,
Has disappeared from the Day's eye;
Far and wide she cannot find him,
My hopes pursue, they cannot bind him.
Returned this day the south-wind searches
And finds young pines and budding birches,
But finds not the budding man;
Nature who lost him, cannot remake him;
Fate let him fall, Fate can't retake him;
Nature, Fate, men, him seek in vain.

And whither now, my truant wise and sweet,
Oh, whither tend thy feet?
I had the right, few days ago,
Thy steps to watch, thy place to know;
How have I forfeited the right?
Hast thou forgot me in a new delight?
I hearken for thy household cheer,
O eloquent child!
Whose voice, an equal messenger,
Conveyed thy meaning mild.
What though the pains and joys
Whereof it spoke were toys
Fitting his age and ken;
Yet fairest dames and bearded men,
Who heard the sweet request
So gentle, wise, and grave,
Bended with joy to his behest,
And let the world's affairs go by,
Awhile to share his cordial game,
Or mend his wicker wagon frame,
Still plotting how their hungry ear
That winsome voice again might hear,
For his lips could well pronounce
Words that were persuasions.

Gentlest guardians marked serene
His early hope, his liberal mien,
Took counsel from his guiding eyes
To make this wisdom earthly wise.
Ah! vainly do these eyes recall
The school-march, each day's festival,
When every morn my bosom glowed
To watch the convoy on the road;
The babe in willow wagon closed,
With rolling eyes and face composed,
With children forward and behind,
Like Cupids studiously inclined,
And he, the Chieftain, paced beside,
The centre of the troop allied,
With sunny face of sweet repose,
To guard the babe from fancied foes,
The little Captain innocent
Took the eye with him as he went,
Each village senior paused to scan
And speak the lovely caravan.

From the window I look out
To mark thy beautiful parade
Stately marching in cap and coat
To some tune by fairies played;
A music heard by thee alone
To works as noble led thee on.
Now love and pride, alas, in vain,
Up and down their glances strain.
The painted sled stands where it stood,
The kennel by the corded wood,
The gathered sticks to stanch the wall
Of the snow-tower, when snow should fall,
The ominous hole he dug in the sand,
And childhood's castles built or planned.
His daily haunts I well discern,
The poultry yard, the shed, the barn,
And every inch of garden ground
Paced by the blessed feet around,
From the road-side to the brook;
Whereinto he loved to look.
Step the meek birds where erst they ranged,
The wintry garden lies unchanged,
The brook into the stream runs on,
But the deep-eyed Boy is gone.

On that shaded day,
Dark with more clouds than tempests are,
When thou didst yield thy innocent breath
In bird-like heavings unto death,
Night came, and Nature had not thee,
I said, we are mates in misery.
The morrow dawned with needless glow,
Each snow-bird chirped, each fowl must crow,
Each tramper started, but the feet
Of the most beautiful and sweet
Of human youth had left the hill
And garden,they were bound and still,
There's not a sparrow or a wren,
There's not a blade of autumn grain,
Which the four seasons do not tend,
And tides of life and increase lend,
And every chick of every bird,
And weed and rock-moss is preferred.
O ostriches' forgetfulness!
O loss of larger in the less!
Was there no star that could be sent,
No watcher in the firmament,
No angel from the countless host,
That loiters round the crystal coast,
Could stoop to heal that only child,
Nature's sweet marvel undefiled,
And keep the blossom of the earth,
Which all her harvests were not worth?
Not mine, I never called thee mine,
But nature's heir, if I repine,
And, seeing rashly torn and moved,
Not what I made, but what I loved.
Grow early old with grief that then
Must to the wastes of nature go,
'Tis because a general hope
Was quenched, and all must doubt and grope
For flattering planets seemed to say,
This child should ills of ages stay,
By wondrous tongue and guided pen
Bring the flown muses back to men.
Perchance, not he, but nature ailed,
The world, and not the infant failed,
It was not ripe yet, to sustain
A genius of so fine a strain,
Who gazed upon the sun and moon
As if he came unto his own,
And pregnant with his grander thought,
Brought the old order into doubt.
Awhile his beauty their beauty tried,
They could not feed him, and he died,
And wandered backward as in scorn
To wait an on to be born.
Ill day which made this beauty waste;
Plight broken, this high face defaced!
Some went and came about the dead,
And some in books of solace read,
Some to their friends the tidings say,
Some went to write, some went to pray,
One tarried here, there hurried one,
But their heart abode with none.
Covetous death bereaved us all
To aggrandize one funeral.
The eager Fate which carried thee
Took the largest part of me.
For this losing is true dying,
This is lordly man's down-lying,
This is slow but sure reclining,
Star by star his world resigning.

O child of Paradise!
Boy who made dear his father's home
In whose deep eyes
Men read the welfare of the times to come;
I am too much bereft;
The world dishonored thou hast left;
O truths and natures costly lie;
O trusted, broken prophecy!
O richest fortune sourly crossed;
Born for the future, to the future lost!

The deep Heart answered, Weepest thou?
Worthier cause for passion wild,
If I had not taken the child.
And deemest thou as those who pore
With aged eyes short way before?
Think'st Beauty vanished from the coast
Of matter, and thy darling lost?
Taught he not thee, the man of eld,
Whose eyes within his eyes beheld
Heaven's numerous hierarchy span
The mystic gulf from God to man?
To be alone wilt thou begin,
When worlds of lovers hem thee in?
To-morrow, when the masks shall fall
That dizen nature's carnival,
The pure shall see, by their own will,
Which overflowing love shall fill,
'Tis not within the force of Fate
The fate-conjoined to separate.
But thou, my votary, weepest thou?
I gave thee sight, where is it now?
I taught thy heart beyond the reach
Of ritual, Bible, or of speech;
Wrote in thy mind's transparent table
As far as the incommunicable;
Taught thee each private sign to raise
Lit by the supersolar blaze.
Past utterance and past belief,
And past the blasphemy of grief,
The mysteries of nature's heart,
And though no muse can these impart,
Throb thine with nature's throbbing breast,
And all is clear from east to west.

I came to thee as to a friend,
Dearest, to thee I did not send
Tutors, but a joyful eye,
Innocence that matched the sky,
Lovely locks a form of wonder,
Laughter rich as woodland thunder;
That thou might'st entertain apart
The richest flowering of all art;
And, as the great all-loving Day
Through smallest chambers takes its way,
That thou might'st break thy daily bread
With Prophet, Saviour, and head;
That thou might'st cherish for thine own
The riches of sweet Mary's Son,
Boy-Rabbi, Israel's Paragon:
And thoughtest thou such guest
Would in thy hall take up his rest?
Would rushing life forget its laws,
Fate's glowing revolution pause?
High omens ask diviner guess,
Not to be conned to tediousness.
And know, my higher gifts unbind
The zone that girds the incarnate mind,
When the scanty shores are full
With Thought's perilous whirling pool,
When frail Nature can no more,
Then the spirit strikes the hour,
My servant Death with solving rite
Pours finite into infinite.
Wilt thou freeze love's tidal flow,
Whose streams through nature circling go?
Nail the star struggling to its track
On the half-climbed Zodiack?
Light is light which radiates,
Blood is blood which circulates,
Life is life which generates,
And many-seeming life is one,
Wilt thou transfix and make it none,
Its onward stream too starkly pent
In figure, bone, and lineament?

Wilt thou uncalled interrogate
Talker! the unreplying fate?
Nor see the Genius of the whole
Ascendant in the private soul,
Beckon it when to go and come,
Self-announced its hour of doom.
Fair the soul's recess and shrine,
Magic-built, to last a season,
Masterpiece of love benign!
Fairer than expansive reason
Whose omen 'tis, and sign.
Wilt thou not ope this heart to know
What rainbows teach and sunsets show,
Verdict which accumulates
From lengthened scroll of human fates,
Voice of earth to earth returned,
Prayers of heart that inly burned;
Saying, what is excellent,
As God lives, is permanent
Hearts are dust, hearts' loves remain,
Heart's love will meet thee again.
Revere the Maker; fetch thine eye
Up to His style, and manners of the sky.
Not of adamant and gold
Built He heaven stark and cold,
No, but a nest of bending reeds,
Flowering grass and scented weeds,
Or like a traveller's fleeting tent,
Or bow above the tempest pent,
Built of tears and sacred flames,
And virtue reaching to its aims;
Built of furtherance and pursuing,
Not of spent deeds, but of doing.
Silent rushes the swift Lord
Through ruined systems still restored,
Broad-sowing, bleak and void to bless,
Plants with worlds the wilderness,
Waters with tears of ancient sorrow
Apples of Eden ripe to-morrow;
House and tenant go to ground,
Lost in God, in Godhead found.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Threnody
,
84:The Four Seasons Of The Year.
Spring.
Another four I've left yet to bring on,
Of four times four the last Quaternion,
The Winter, Summer, Autumn & the Spring,
In season all these Seasons I shall bring:
Sweet Spring like man in his Minority,
At present claim'd, and had priority.
With smiling face and garments somewhat green,
She trim'd her locks, which late had frosted been,
Nor hot nor cold, she spake, but with a breath,
Fit to revive, the nummed earth from death.
Three months (quoth she) are 'lotted to my share
March, April, May of all the rest most fair.
Tenth of the first, Sol into Aries enters,
And bids defiance to all tedious winters,
Crosseth the Line, and equals night and day,
(Stil adds to th'last til after pleasant May)
And now makes glad the darkned northern wights
Who for some months have seen but starry lights.
Now goes the Plow-man to his merry toyle,
He might unloose his winter locked soyl:
The Seeds-man too, doth lavish out his grain,
In hope the more he casts, the more to gain:
The Gardner now superfluous branches lops,
And poles erects for his young clambring hops.
Now digs then sowes his herbs, his flowers & roots
And carefully manures his trees of fruits.
The Pleiades their influence now give,
And all that seem'd as dead afresh doth live.
The croaking frogs, whom nipping winter kil'd
Like birds now chirp, and hop about the field,
The Nightingale, the black-bird and the Thrush
Now tune their layes, on sprayes of every bush.
The wanton frisking Kid, and soft-fleec'd Lambs
Do jump and play before their feeding Dams,
The tender tops of budding grass they crop,
They joy in what they have, but more in hope:
For though the frost hath lost his binding power,
Yet many a fleece of snow and stormy shower
116
Doth darken Sol's bright eye, makes us remember
The pinching North-west wind of cold December.
My second moneth is April, green and fair,
Of longer dayes, and a more temperate Air:
The Sun in Taurus keeps his residence,
And with his warmer beams glanceth from thence
This is the month whose fruitful showrs produces
All set and sown for all delights and uses:
The Pear, the Plum, and Apple-tree now flourish
The grass grows long the hungry beast to nourish.
The Primrose pale, and azure violet
Among the virduous grass hath nature set,
That when the Sun on's Love (the earth) doth shine
These might as lace set out her garment fine.
The fearfull bird his little house now builds
In trees and walls, in Cities and in fields.
The outside strong, the inside warm and neat;
A natural Artificer compleat.
The clocking hen her chirping chickins leads
With wings & beak defends them from the gleads
My next and last is fruitfull pleasant May,
Wherein the earth is clad in rich aray,
The Sun now enters loving Gemini,
And heats us with the glances of his eye,
Our thicker rayment makes us lay aside
Lest by his fervor we be torrifi'd.
All flowers the Sun now with his beams discloses,
Except the double pinks and matchless Roses.
Now swarms the busy, witty, honey-Bee,
VVhose praise deserves a page from more then me
The cleanly Huswifes Dary's now in th'prime,
Her shelves and firkins fill'd for winter time.
The meads with Cowslips, Honey-suckles dight,
One hangs his head, the other stands upright:
But both rejoyce at th'heavens clear smiling face,
More at her showers, which water them a space.
For fruits my Season yields the early Cherry,
The hasty Peas, and wholsome cool Strawberry.
More solid fruits require a longer time,
Each Season hath his fruit, so hath each Clime:
Each man his own peculiar excellence,
But none in all that hath preheminence.
117
Sweet fragrant Spring, with thy short pittance fly
Let some describe thee better then can I.
Yet above all this priviledg is thine,
Thy dayes still lengthen without least decline:
Summer.
When Spring had done, the Summer did begin,
With melted tauny face, and garments thin,
Resembling Fire, Choler, and Middle age,
As Spring did Air, Blood, Youth in's equipage.
Wiping the sweat from of her face that ran,
With hair all wet she puffing thus began;
Bright June, July and August hot are mine,
In'th first Sol doth in crabbed Cancer shine.
His progress to the North now's fully done,
Then retrograde must be my burning Sun,
Who to his southward Tropick still is bent,
Yet doth his parching heat but more augment
Though he decline, because his flames so fair,
Have throughly dry'd the earth, and heat the air.
Like as an Oven that long time hath been heat,
Whose vehemency at length doth grow so great,
That if you do withdraw her burning store,
Tis for a time as fervent as before.
Now go those frolick Swains, the Shepherd Lads
To wash the thick cloth'd flocks with pipes full glad
In the cool streams they labour with delight
Rubbing their dirty coats till they look white:
Whose fleece when finely spun and deeply dy'd
With Robes thereof Kings have been dignifi'd.
Blest rustick Swains, your pleasant quiet life,
Hath envy bred in Kings that were at strife,
Careless of worldly wealth you sing and pipe,
Whilst they'r imbroyl'd in wars & troubles rise:
VVhich made great Bajazet cry out in's woes,
Oh happy shepherd which hath not to lose.
Orthobulus, nor yet Sebastia great,
But whist'leth to thy flock in cold and heat.
Viewing the Sun by day, the Moon by night
Endimions, Dianaes dear delight,
Upon the grass resting your healthy limbs,
By purling Brooks looking how fishes swims.
If pride within your lowly Cells ere haunt,
118
Of him that was Shepherd then King go vaunt.
This moneth the Roses are distil'd in glasses,
VVhose fragrant smel all made perfumes surpasses
The Cherry, Gooseberry are now in th'prime,
And for all sorts of Pease, this is the time.
July my next, the hott'st in all the year,
The sun through Leo now takes his Career,
VVhose flaming breath doth melt us from afar,
Increased by the star Canicular.
This Month from Julius Cæsar took its name,
By Romans celebrated to his fame.
Now go the Mowers to their slashing toyle,
The Meadowes of their riches to dispoyle,
VVith weary strokes, they take all in their way,
Bearing the burning heat of the long day.
The forks and Rakes do follow them amain,
VVhich makes the aged fields look young again.
The groaning Carts do bear away this prize.
To Stacks and Barns where it for Fodder lyes.
My next and last is August fiery hot
(For much, the Southward Sun abateth not)
This Moneth he keeps with Virgo for a space,
The dryed Earth is parched with his face.
August of great Augustus took its name,
Romes second Emperour of lasting fame,
With sickles now the bending Reapers goe
The russling tress of terra down to mowe;
And bundles up in sheaves, the weighty wheat,
Which after Manchet makes for Kings to eat:
The Barly, Rye and Pease should first had place,
Although their bread have not so white a face.
The Carter leads all home with whistling voyce,
He plow'd with pain, but reaping doth rejoyce;
His sweat, his toyle, his careful wakeful nights,
His fruitful Crop abundantly requites.
Now's ripe the Pear, Pear-plumb, and Apricock,
The prince of plumbs, whose stone's as hard as Rock
The Summer seems but short, the Autumn hasts
To shake his fruits, of most delicious tasts
Like good old Age, whose younger juicy Roots
Hath still ascended, to bear goodly fruits.
Until his head be gray, and strength be gone.
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Yet then appears the worthy deeds he'th done:
To feed his boughs exhausted hath his sap,
Then drops his fruits into the eaters lap.
Autumn.
Of Autumn moneths September is the prime,
Now day and night are equal in each Clime,
The twelfth of this Sol riseth in the Line,
And doth in poizing Libra this month shine.
The vintage now is ripe, the grapes are prest,
Whose lively liquor oft is curs'd and blest:
For nought so good, but it may be abused,
But its a precious juice when well its used.
The raisins now in clusters dryed be,
The Orange, Lemon dangle on the tree:
The Pomegranate, the Fig are ripe also,
And Apples now their yellow sides do show.
Of Almonds, Quinces, Wardens, and of Peach,
The season's now at hand of all and each.
Sure at this time, time first of all began,
And in this moneth was made apostate Man:
For then in Eden was not only seen,
Boughs full of leaves, or fruits unripe or green,
Or withered stocks, which were all dry and dead,
But trees with goodly fruits replenished;
Which shews nor Summer, Winter nor the Spring
Our Grand-Sire was of Paradice made King:
Nor could that temp'rate Clime such difference make,
If scited as the most Judicious take.
October is my next, we hear in this
The Northern winter-blasts begin to hiss.
In Scorpio resideth now the Sun,
And his declining heat is almost done.
The fruitless Trees all withered now do stand,
Whose sapless yellow leavs, by winds are fan'd,
Which notes when youth and strength have past their prime
Decrepit age must also have its time.
The Sap doth slily creep towards the Earth
There rests, until the Sun give it a birth.
So doth old Age still tend unto his grave,
Where also he his winter time must have;
But when the Sun of righteousness draws nigh,
His dead old stock, shall mount again on high.
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November is my last, for Time doth haste,
We now of winters sharpness 'gins to tast.
This moneth the Sun's in Sagitarius,
So farre remote, his glances warm not us.
Almost at shortest is the shorten'd day,
The Northern pole beholdeth not one ray.
Now Greenland, Groanland, Finland, Lapland, see
No Sun, to lighten their obscurity:
Poor wretches that in total darkness lye,
With minds more dark then is the dark'ned Sky.
Beaf, Brawn, and Pork are now in great request,
And solid meats our stomacks can digest.
This time warm cloaths, full diet, and good fires,
Our pinched flesh, and hungry mawes requires:
Old, cold, dry Age and Earth Autumn resembles,
And Melancholy which most of all dissembles.
I must be short, and shorts, the short'ned day,
What winter hath to tell, now let him say.
Winter.
Cold, moist, young flegmy winter now doth lye
In swadling Clouts, like new born Infancy
Bound up with frosts, and furr'd with hail & snows,
And like an Infant, still it taller grows;
December is my first, and now the Sun
To th'Southward Tropick, his swift race doth run:
This moneth he's hous'd in horned Capricorn,
From thence he 'gins to length the shortned morn,
Through Christendome with great Feastivity,
Now's held, (but ghest) for blest Nativity.
Cold frozen January next comes in,
Chilling the blood and shrinking up the skin;
In Aquarius now keeps the long wisht Sun,
And Northward his unwearied Course doth run:
The day much longer then it was before,
The cold not lessened, but augmented more.
Now Toes and Ears, and Fingers often freeze,
And Travellers their noses sometimes leese.
Moist snowie February is my last,
I care not how the winter time doth haste.
In Pisces now the golden Sun doth shine,
And Northward still approaches to the Line,
The Rivers 'gin to ope, the snows to melt,
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And some warm glances from his face are felt;
Which is increased by the lengthen'd day,
Until by's heat, he drive all cold away,
And thus the year in Circle runneth round:
Where first it did begin, in th'end its found.
My Subjects bare, my Brain is bad,
Or better Lines you should have had:
The first fell in so nat'rally,
I knew not how to pass it by;
The last, though bad I could not mend,
Accept therefore of what is pen'd,
And all the faults that you shall spy
Shall at your feet for pardon cry.
~ Anne Bradstreet,
85:The Miseries Of Man
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In that so temperate Soil Arcadia nam'd,
For fertile Pasturage by Poets fam'd;
Stands a steep Hill, whose lofty jetting Crown,
Casts o'er the neighbouring Plains, a seeming Frown;
Close at its mossie Foot an aged Wood,
Compos'd of various Trees, there long has stood,
Whose thick united Tops scorn the Sun's Ray,
And hardly will admit the Eye of Day.
By oblique windings through this gloomy Shade,
Has a clear purling Stream its Passage made,
The Nimph, as discontented seem'd t'ave chose
This sad Recess to murmur forth her Woes.
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To this Retreat, urg'd by tormenting Care,
The melancholly Cloris did repair,
As a fit Place to take the sad Relief
Of Sighs and Tears, to ease oppressing Grief.
Near to the Mourning Nimph she chose a Seat,
And these Complaints did to the Shades repeat.
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Ah wretched, trully wretched Humane Race!
Your Woes from what Beginning shall I trace,
Where End, from your first feeble New-born Cryes,
To the last Tears that wet your dying Eyes?
Man, Common Foe, assail'd on ev'ry hand,
Finds that no Ill does Neuter by him stand,
Inexorable Death, Lean Poverty,
Pale Sickness, ever sad Captivity.
Can I, alas, the sev'ral Parties name,
Which, muster'd up, the Dreadful Army frame?
And sometimes in One Body all Unite,
Sometimes again do separately fight:
While sure Success on either Way does waite,
Either a Swift, or else a Ling'ring Fate.
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But why 'gainst thee, O Death! should I inveigh,
33 That to our Quiet art the only way?
34 And yet I would (could I thy Dart command)
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Crie, Here O strike! and there O hold thy Hand!
The Lov'd, the Happy, and the Youthful spare,
And end the Sad, the Sick, the Poor Mans Care.
But whether thou or Blind, or Cruel art,
Whether 'tis Chance, or Malice, guides thy Dart,
Thou from the Parents Arms dost pull away
The hopeful Child, their Ages only stay:
The Two, whom Friendship in dear Bands hs ty'd,
Thou dost with a remorseless hand devide;
Friendship, the Cement, that does faster twine
Two Souls, than that which Soul and Body joyn:
Thousands have been, who their own Blood did spill,
But never any yet his Friend did kill.
Then 'gainst thy Dart what Armour can be found,
Who, where thou do'st not strike, do'st deepest wound?
Thy Pitty, than thy Wrath's more bitter far,
Most cruel, where 'twould seem the most to spare:
Yet thou of many Evils art but One,
Though thou by much too many art alone.
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What shall I say of Poverty, whence flows?
To miserable Man so many Woes?
Rediculous Evil which too oft we prove,
Does Laughter cause, where it should Pitty move;
Solitary Ill, into which no Eye,
Though ne're so Curious, ever cares to pry,
And were there, 'mong such plenty, onely One
Poor Man, he certainly would live alone.
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Yet Poverty does leave the Man entire,
But Sickness nearer Mischiefs does conspire;
Invades the Body with a loath'd Embrace,
Prides both its Strength, and Beauty to deface;
Nor does it Malice in these bounds restrain,
But shakes the Throne of Sacred Wit, the Brain,
And with a ne're enough detested Force
Reason disturbs, and turns out of its Course.
Again, when Nature some Rare Piece has made,
On which her Utmost Skill she seems t'ave laid,
Polish't, adorn'd the Work with moving Grace,
And in the Beauteous Frame a Soul doth place,
So perfectly compos'd, it makes Divine
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Each Motion, Word, and Look from thence does shine;
This Goodly Composition, the Delight
Of ev'ry Heart, and Joy of ev'ry sight,
Its peevish Malice has the Power to spoyle,
And with a Sully'd Hand its Lusture soyle.
The Grief were Endless, that should all bewaile,
Against whose sweet Repose thou dost prevail:
Some freeze with Agues, some with Feavers burn,
Whose Lives thou half out of their Holds dost turn;
And of whose Sufferings it may be said,
They living feel the very State o' th' Dead.
Thou in a thousand sev'ral Forms are drest,
And in them all dost Wretched Man infest.
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And yet as if these Evils were too few,
Men their own Kind with hostile Arms pursue;
Not Heavens fierce Wrath, nor yet the Hate of Hell,
Not any Plague that e're the World befel,
Not Inundations, Famines, Fires blind rage,
Did ever Mortals equally engage,
As Man does Man, more skilful to annoy,
Both Mischievous and Witty to destroy.
The bloody Wolf, the Wolf doe not pursue;
The Boar, though fierce, his Tusk will not embrue
In his own Kind, Bares, not on Bares do prey:
Then art thou, Man, more savage far than they.
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And now, methinks, I present do behold
The Bloudy Fields that are in Fame enroll'd,
I see, I see thousands in Battle slain,
The Dead and Dying cover all the Plain,
Confused Noises hear, each way sent out,
The Vanquishts Cries joyn'd with the Victors shout;
Their Sighs and Groans whho draw a painful Breath,
And feel the Pangs of slow approaching Death:
Yet happier these, far happier are the Dead,
Than who into Captivity are led:
What by their Chains, and by the Victors Pride,
We pity these, and envy those that dy'd.
And who can say, when Thousands are betray'd,
To Widdowhood, Orphants or Childless made.
Whither the Day does draw more Tears or Blood
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A greater Chrystal, or a Crimson Floud.
The faithful Wife, who late her Lord did Arm,
And hop'd to shield, by holy Vows, from Harm,
Follow'd his parting-steps with Love and Care,
Sent after weeping Eyes, while he afar
Rod heated on, born by a brave Disdain,
May now go seek him, lying 'mong the Slain:
Low on the Earth she'l find his lofty Crest,
And those refulgent Arms which late his Breast
Did guard, by rough Encounters broke and tore,
His Face and Hair, with Brains all clotted ore.
And Warlike Weeds besmeer'd with Dust and Gore.
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And will the Suffering World never bestow
Upon th'Accursed Causers of such Woe,
A vengeance that may parallel their Loss,
Fix Publick Thieves and Robbers on the Cross?
Such as call Ruine, Conquest, in their Pride,
And having plagu'd Mankind, in Triumph ride.
Like that renounced Murder who staines
In these our days Alsatias fertile Plains,
Only to fill the future Tomp of Fame,
Though greater Crimes, than Glory it proclame.
Alcides, Scourge of Thieves, return to Earth,
Which uncontrolled gives such Monsters birth;
On Scepter'd-Cacus let thy Power be shown,
Pull him not from his Den, but from his Throne.
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Clouds of black Thoughts her further Speech here broke,
Her swelling Grief too great was to be spoke,
Which strugl'd long in her tormented Mind,
Till it some Vent by Sighs and Tears did find.
And when her Sorrow something was subdu'd,
She thus again her sad Complaint renewed.
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Most Wretched Man, were th'Ills I nam'd before
All which I could in thy sad State deplore,
Did Things without alone 'gainst thee prevail,
My Tongue I'de chide, that them I did bewaile:
But, Shame to Reason, thou are seen to be
Unto thy self the fatall'st Enemy,
Within thy Breast the Greatest Plagues to bear,
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First them to breed, and then to cherish there;
Unmanag'd Passions which the Reins have broke
Of Reason, and refuse to bear its Yoke.
But hurry thee, uncurb'd, from place to place,
A wild, unruly, and an Uncouth Chace.
Now cursed Gold does lead the Man astray,
False flatt'ring Honours do anon betray,
Then Beauty does as dang'rously delude,
Beauty, that vanishes, while 'tis pursu'd,
That, while we do behold it, fades away,
And even a Long Encomium will not stay.
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Each one of these can the Whole Man employ,
Nor knows he anger, sorrow, fear, or joy,
But what to these relate; no Thought does start
Aside, but tends to its appointed Part,
No Respite to himself from Cares he gives,
But on the Rack of Expectation lives.
If crost, the Torment cannot be exprest,
Which boyles within his agitated Breast.
Musick is harsh, all Mirth is an offence,
The Choicest Meats cannot delight his Sense,
Hard as the Earth he feels his Downy Bed,
His Pillow stufft with Thornes, that bears his Head,
He rolls from side to side, in vain seeks Rest;
For if sleep come at last to the Distrest,
His Troubles then cease not to vex him too,
But Dreams present, what does waking do.
On th'other side, if he obtains the Prey,
And Fate to his impetuous Sute gives way,
Be he or Rich, or Amorous, or Great,
He'll find this Riddle still of a Defeat,
That only Care, for Bliss, he home has brought,
Or else Contempt of what he so much sought.
So that on each Event if we reflect,
The Joys and Sufferings of both sides collect,
We cannot say where lies the greatest Pain,
In the fond Pursuit, Loss, or Empty Gain.
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And can it be, Lord of the Sea and Earth,
191 Off-spring of Heaven, that to thy State and Birth
192 Things so incompatible should be joyn'd,
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Passions should thee confound, to Heaven assign'd?
Passions that do the Soul unguarded lay,
And to the strokes of Fortune ope' a way.
Were't not that these thy Force did from thee take,
How bold, how brave Resistance would'st thou make?
Defie the Strength and Malice of thy Foes,
Unmoved stand the Worlds United Blows?
For what is't, Man, unto thy Better Part,
That thou or Sick, or Poor, or Captive art?
Since no Material Stroke the Soul can feel,
The smart of Fire, or yet the Edge of Steel.
As little can it Worldly Joys partake,
Though it the Body does its Agent make,
And joyntly with it Servile Labour bear,
For Things, alas, in which it cannot share.
Surveigh the Land and Sea by Heavens embrac't,
Thou'lt find no sweet th'Immortal Soul can tast:
Why dost thou then, O Man! thy self torment
Good here to gain, or Evils to prevent?
Who only Miserable or Happy art,
As thou neglects, or wisely act'st thy Part.
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For shame then rouse thy self as from a Sleep,
The long neglected Reins let Reason keep,
The Charret mount, and use both Lash and Bit,
Nobly resolve, and thou wilt firmly sit:
Fierce Anger, boggling Fear, Pride prauncing still,
Bound-hating Hope, Desire which nought can fill,
Are stubborn all, but thou may'st give them Law;
Th'are hard-Mouth'd Horses, but they well can draw.
Lash on, and the well govern'd Charret drive,
Till thou a Victor at the Goal arrrive,
Where the free Soul does all her burden leave,
And Joys commensurate to her self receive.
~ Anne Killigrew,
86:New-Englands Crisis
IN seventy five the Critick of our years
Commenc'd our war with Phillip and his peers.
Whither the sun in Leo had inspir'd
A feav'rish heat, and Pagan spirits fir'd?
Whither some Romish Agent hatcht the plot?
Or whither they themselves? appeareth not.
Whither our infant thrivings did invite?
Or whither to our lands pretended right?
Is hard to say; but Indian spirits need
No grounds but lust to make a Christian bleed.
And here methinks I see this greazy Lout
With all his pagan slaves coil'd round about,
Assuming all the majesty his throne
Of rotten stump, or of the rugged stone
Could yield; casting some bacon-rine-like looks,
Enough to fright a Student from his books,
Thus treat his peers, and next to them his Commons,
Kennel'd together all without a summons.
"My friends, our Fathers were not half so wise
As we our selves who see with younger eyes.
They sel our land to english man who teach
Our nation all so fast to pray and preach:
Of all our countrey they enjoy the best,
And quickly they intend to have the rest.
This no wunnegin, so big matchit law,
Which our old fathers fathers never saw.
These english make and we must keep them too,
Which is too hard for them or us to doe,
We drink we so big whipt, but english they
Go sneep, no more, or else a little pay.
Me meddle Squaw me hang'd, our fathers kept
What Squaws they would whither they wakt or slept.
Now if you'le fight Ile get you english coats,
And wine to drink out of their Captains throats.
The richest merchants houses shall be ours,
Wee'l ly no more on matts or dwell in bowers
Wee'l have their silken wives take they our Squaws,
They shall be whipt by virtue of our laws.
If ere we strike tis now before they swell
To greater swarmes then we know how to quell.
This my resolve, let neighbouring Sachems know,
And every one that hath club, gun or bow."
This was assented to, and for a close
He strokt his smutty beard and curst his foes.
This counsel lightning like their tribes invade,
And something like a muster's quickly made,
A ragged regiment, a naked swarm,
Whome hopes of booty doth with courage arm,
Set forthwith bloody hearts, the first they meet
Of men or beasts they butcher at their feet.
They round our skirts, they pare, they fleece they kil,
And to our bordering towns do what they will.
Poor Hovills (better far then Caesars court
In the experience of the meaner sort)
Receive from them their doom next execution,
By flames reduc'd to horror and confusion:
Here might be seen the smoking funeral piles
Of wildred towns pitcht distant many miles.
Here might be seen the infant from the breast
Snatcht by a pagan hand to lasting rest:
The mother Rachel-like shrieks out my child
She wrings her hands and raves as she were wild.
The bruitish wolves suppress her anxious moan
By crueltyes more deadly of her own.
Will she or nill the chastest turtle must
Tast of the pangs of their unbridled lust.
From farmes to farmes, from towns to towns they post,
They strip, they bind, they ravish, flea and roast.
The beasts which wont their masters crib to know,
Over the ashes of their shelters low.
What the inexorable flames doe spare
More cruel Heathen lug away for fare.
These tidings ebbing from the outward parts
Makes trades-men cast aside their wonted Arts
And study armes: the craving merchants plot
Not to augment but keep what they have got.
And every soul which hath but common sence
Thinks it the time to make a just defence.
Alarums every where resound in streets,
From West sad tidings with the Eastern meets.
Our common fathers in their Councels close
A martial treaty with the pagan foes,
All answers center here that fire and sword
Must make their Sachem universal Lord.
This armes the english with a resolution
To give the vaporing Scab a retribution.
Heav'ns they consult by prayer, the best design
A furious foe to quel or undermine.
RESOLV'D that from the Massachusets bands
Be prest on service some Herculean hands
And certainly he wel deserv'd a jerke
That slipt the Collar from so good a work.
Some Volunteers, some by compulsion goe
To range the hideous forrest for a foe.
The tender Mother now's all bowels grown,
Clings to her son as if they'd melt in one.
Wives claspe about their husbands as the vine
Huggs the fair elm, while tears burst out like wine.
The new-sprung love in many a virgin heart
Swels to a mountain when the lovers part.
Nephews and kindred turn all springs of tears,
Their hearts are so surpriz'd with panick fears.
But dolefull shrieks of captives summon forth
Our walking castles, men of noted worth,
Made all of life, each Captain was a Mars,
His name too strong to stand on waterish verse:
Due praise I leave to some poetick hand
Whose pen and witts are better at command.
Methinks I see the Trojan-horse burst ope,
And such rush forth as might with giants cope:
These first the natives treachery felt, too fierce
For any but eye-witness to rehearse.
Yet sundry times in places where they came
Upon the Indian skins they carv'd their name.
The trees stood Centinels and bullets flew
From every bush (a shelter for their crew)
Hence came our wounds and deaths from every side
While skulking enemies squat undiscri'd,
That every stump shot like a musketeer,
And bowes with arrows every tree did bear
The swamps were Courts of Guard, thither retir'd
The stragling blew-coats when their guns were fir'd,
In dark Meanders, and these winding groves,
Where Beares and panthers with their Monarch moves
These far more cruel slily hidden lay,
Expecting english men to move that way.
One party lets them slip, the other greets
Them with the next thing to their winding-sheets;
Most fall, the rest thus startled back return,
And from their by past foes receive an urn.
Here fel a Captain, to be nam'd with tears,
Who for his Courage left not many peers,
With many more who scarce a number left
To tell how treacherously they were bereft.
This flusht the pagan courage, now they think
The victory theirs, not lacking meat or drink.
The ranging wolves find here and there a prey,
And having fil'd their paunch they run away
By their Hosts light, the thanks which they return
Is to lead Captives and their taverns burn.
Many whose thrift had stor'd for after use
Sustain their wicked plunder and abuse.
Poor people spying an unwonted light,
Fearing a Martyrdom, in sudden fright
Leap to the door to fly, but all in vain,
They are surrounded with a pagan train;
Their first salute is death, which if they shun
Some are condemn'd the Gauntelet to run;
Death would a mercy prove to such as those
Who feel the rigour of such hellish foes.
Posts daily on their Pegasean Steeds
Bring sad reports of worse then Nero's deeds,
Such bruitish Murthers as would paper stain
Not to be heard in a Domitians Reign.
The field which nature hid is common laid,
And Mothers bodies ript for lack of aid.
The secret Cabinets which nature meant
To hide her master piece is open rent,
The half formd Infant there receives a death
Before it sees the light or draws its breath,
Many hot welcomes from the natives arms
Hid in their sculking holes many alarms
Our brethren had, and weary weary trants,
Sometimes in melting heats and pinching wants:
Sometimes the clouds with sympathizing tears
Ready to burst discharg'd about their ears:
Sometimes on craggy hills, anon in bogs
And miery swamps better befitting hogs,
And after tedious Marches little boast
Is to be heard of stewd or bakt or roast,
Their beds are hurdles, open house they keep
Through shady boughs the stars upon them peep,
Their chrystal drink drawn from the mothers breast
Disposes not to mirth but sleep and rest.
Thus many dayes and weeks, some months run out
To find and quell the vagabonding rout,
Who like inchanted Castles fair appear,
But all is vanisht if you come but near,
Just so we might the Pagan Archers track
With towns and merchandize upon their back;
And thousands in the South who settled down
To all the points and winds are quickly blown.
At many meetings of their fleeting crew,
From whom like haile arrows and bullets flew:
The English courage with whole swarms dispute,
Hundreds they hack in pieces in pursuit.
Sed haud impunè, English sides do feel
As well as tawny skins the lead and steel
And some such gallant Sparks by bullets fell,
As might have curst the powder back to Hell:
Had only Swords these skirmishes decided
All Pagan Sculls had been long since divided.
The lingring war out-lives the Summer sun,
Who hence departs hoping it might be done,
Ere his return at Spring but ah hee'l find
The Sword still drawn, men of unchanged mind.
Cold winter now nibbles at hands and toes
And shrewdly pinches both our friends and foes.
Fierce Boreas whips the Pagan tribe together
Advising them to fit for foes and weather:
The axe which late had tasted Christian bloud
Now sets its steely teeth to feast on wood.
The forests suffer now, by waight constrein'd
To kiss the earth with souldiers lately brain'd.
The lofty oakes and ash doe wagge the head
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To see so many of their neighbours dead;
Their fallen carcasses are caried thence
To stand our enemies in their defence.
Their Myrmidons inclos'd with clefts of trees
Are busie like the ants or nimble bees:
And first they limber poles fix in the ground,
In figure of the heavens convex: all round
They draw their arras-matts and skins of beasts,
And under these the Elves do make their nests.
Rome took more time to grow then twice six hours,
But half that time will serve for indian bowers.
A Citty shall be rear'd in one dayes space
As shall an hundred english men out-face.
Canonicus precincts there swarmes unite,
Rather to keep a winter guard then fight.
A dern and dismal swamp some Scout had found
Whose bosome was a spot of rising ground
Hedg'd up with mighty oakes, maples and ashes,
Nurst up with springs, quick boggs and miery plashes,
A place which nature coyn'd on very nonce
For tygers not for men to be a sconce.
Twas here these Monsters shapt and fac'd like men
Took up there Rendezvouz and brumal den,
Deeming the depth of snow, hail, frost and ice
Would make our Infantry more tame and wise
Then by forsaking beds and loving wives,
Meerly for indian skins to hazzard lives:
These hopes had something calm'd the boiling passion
Of this incorrigible warlike nation.
During this short Parenthesis of peace
Our forces found, but left him not at ease.
Here english valour most illustrious shone,
Finding their numbers ten times ten to one.
A shower of leaden hail our captains feel
Which made the bravest blades among us reel.
Like to some ant-hill newly spurn'd abroad,
Where each takes heels and bears away his load:
Instead of plate and jewels, indian trayes
With baskets up they snatch and run their wayes.
Sundry the flames arrest and some the blade,
By bullets heaps on heaps of Indians laid.
The Flames like lightening in their narrow streets
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Dart in the face of every one it meets.
Here might be heard an hideous indian cry,
Of wounded ones who in the Wigwams fry.
Had we been Canibals here might we feast
On brave Westphalia gammons ready drest.
The tauny hue is Ethiopick made
Of such on whome Vulcan his clutches laid.
There fate was sudden, our advantage great
To give them once for all a grand defeat;
But tedious travell had so crampt our toes
It was too hard a task to chase the foes.
Distinctness in the numbers of the slain,
Or the account of Pagans which remain
Are both uncertain, losses of our own
Are too too sadly felt, too sadly known.
War digs a common grave for friends and foes,
Captains in with the common souldier throws.
Six of our Leaders in the first assault
Crave readmission to their Mothers Vault
Who had they fell in antient Homers dayes
Had been enrol'd with Hecatombs of praise.
As clouds disperst, the natives troops divide,
And like the streames along the thickets glide.
Some breathing time we had, and short God knowes
But new alarums from recruited foes
Bounce at our eares, the mounting clouds of smoak
From martyr'd townes the heav'ns for aid invoke:
Churches, barns, houses with most ponderous things
Made volatile fly ore the land with wings.
Hundreds of cattle now they sacrifice
For aiery spirits up to gormandize;
And to the Molech of their hellish guts,
Which craves the flesh in gross, their ale in butts.
Lancaster, Medfield, Mendon wildred Groton,
With many Villages by me not thought on
Dy in their youth by fire that usefull foe,
Which this grand cheat the world will overflow.
The wandring Priest to every one he meets
Preaches his Churches funeral in the streets.
Sheep from their fold are frighted, Keepers too
Put to their trumps not knowing what to doe.
This monster Warre hath hatcht a beauteous dove
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In dogged hearts, of most unfeigned love,
Fraternal love the livery of a Saint
Being come in fashion though by sad constraint,
Which if it thrive and prosper with us long
Will make New-England forty thousand strong.
But off the Table hand, let this suffice
As the abridgment of our miseryes.
If Mildew, Famine, Sword, and fired Townes,
If Slaughter, Captivating, Deaths and wounds,
If daily whippings once reform our wayes,
These all will issue in our Fathers Praise;
If otherwise, the sword must never rest
Till all New-Englands Glory it divest.
~ Benjamin Tompson,
87:Epochs
'The epochs of our life are not in the facts, but in the
silent thought by the wayside as we walk.'-Emerson
I. Youth.
Sweet empty sky of June without a stain,
Faint, gray-blue dewy mists on far-off hills,
Warm, yellow sunlight flooding mead and plain,
That each dark copse and hollow overfills;
The rippling laugh of unseen, rain-fed rills,
Weeds delicate-flowered, white and pink and gold,
A murmur and a singing manifold.
The gray, austere old earth renews her youth
With dew-lines, sunshine, gossamer, and haze.
How still she lies and dreams, and veils the truth,
While all is fresh as in the early days!
What simple things be these the soul to raise
To bounding joy, and make young pulses beat,
With nameless pleasure finding life so sweet.
On such a golden morning forth there floats,
Between the soft earth and the softer sky,
In the warm air adust with glistening motes,
The mystic winged and flickering butterfly,
A human soul, that hovers giddily
Among the gardens of earth's paradise,
Nor dreams of fairer fields or loftier skies.
II. Regret.
Thin summer rain on grass and bush and hedge,
Reddening the road and deepening the green
On wide, blurred lawn, and in close-tangled sedge;
Veiling in gray the landscape stretched between
These low broad meadows and the pale hills seen
But dimly on the far horizon's edge.
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In these transparent-clouded, gentle skies,
Wherethrough the moist beams of the soft June sun
Might any moment break, no sorrow lies,
No note of grief in swollen brooks that run,
No hint of woe in this subdued, calm tone
Of all the prospect unto dreamy eyes.
Only a tender, unnamed half-regret
For the lost beauty of the gracious morn;
A yearning aspiration, fainter yet,
For brighter suns in joyous days unborn,
Now while brief showers ruffle grass and corn,
And all the earth lies shadowed, grave, and wet;
Space for the happy soul to pause again
From pure content of all unbroken bliss,
To dream the future void of grief and pain,
And muse upon the past, in reveries
More sweet for knowledge that the present is
Not all complete, with mist and clouds and rain.
III. Longing.
Look westward o'er the steaming rain-washed slopes,
Now satisfied with sunshine, and behold
Those lustrous clouds, as glorious as our hopes,
Softened with feathery fleece of downy gold,
In all fantastic, huddled shapes uprolled,
Floating like dreams, and melting silently,
In the blue upper regions of pure sky.
The eye is filled with beauty, and the heart
Rejoiced with sense of life and peace renewed;
And yet at such an hour as this, upstart
Vague myriad longing, restless, unsubdued,
And causeless tears from melancholy mood,
Strange discontent with earth's and nature's best,
Desires and yearnings that may find no rest.
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IV. Storm.
Serene was morning with clear, winnowed air,
But threatening soon the low, blue mass of cloud
Rose in the west, with mutterings faint and rare
At first, but waxing frequent and more loud.
Thick sultry mists the distant hill-tops shroud;
The sunshine dies; athwart black skies of lead
Flash noiselessly thin threads of lightning red.
Breathless the earth seems waiting some wild blow,
Dreaded, but far too close to ward or shun.
Scared birds aloft fly aimless, and below
Naught stirs in fields whence light and life are gone,
Save floating leaves, with wisps of straw and down,
Upon the heavy air; 'neath blue-black skies,
Livid and yellow the green landscape lies.
And all the while the dreadful thunder breaks,
Within the hollow circle of the hills,
With gathering might, that angry echoes wakes,
And earth and heaven with unused clamor fills.
O'erhead still flame those strange electric thrills.
A moment more,-behold! yon bolt struck home,
And over ruined fields the storm hath come!
V. Surprise.
When the stunned soul can first lift tired eyes
On her changed world of ruin, waste and wrack,
Ah, what a pang of aching sharp surprise
Brings all sweet memories of the lost past back,
With wild self-pitying grief of one betrayed,
Duped in a land of dreams where Truth is dead!
Are these the heavens that she deemed were kind?
Is this the world that yesterday was fair?
What painted images of folk half-blind
Be these who pass her by, as vague as air?
What go they seeking? there is naught to find.
Let them come nigh and hearken her despair.
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A mocking lie is all she once believed,
And where her heart throbbed, is a cold dead stone.
This is a doom we never preconceived,
Yet now she cannot fancy it undone.
Part of herself, part of the whole hard scheme,
All else is but the shadow of a dream.
VI. Grief.
There is a hungry longing in the soul,
A craving sense of emptiness and pain,
She may not satisfy nor yet control,
For all the teeming world looks void and vain.
No compensation in eternal spheres,
She knows the loneliness of all her years.
There is no comfort looking forth nor back,
The present gives the lie to all her past.
Will cruel time restore what she doth lack?
Why was no shadow of this doom forecast?
Ah! she hath played with many a keen-edged thing;
Naught is too small and soft to turn and sting.
In the unnatural glory of the hour,
Exalted over time, and death, and fate,
No earthly task appears beyond her power,
No possible endurance seemeth great.
She knows her misery and her majesty,
And recks not if she be to live or die.
VII. Acceptance.
Yea, she hath looked Truth grimly face to face,
And drained unto the lees the proffered cup.
This silence is not patience, nor the grace
Of recognition, meekly offered up,
But mere acceptance fraught with keenest pain,
Seeing that all her struggles must be vain.
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Her future clear and terrible outlies,This burden to be borne through all her days,
This crown of thorns pressed down above her eyes,
This weight of trouble she may never raise.
No reconcilement doth she ask nor wait;
Knowing such things are, she endures her fate.
No brave endeavor of the broken will
To cling to such poor stays as will abide
(Although the waves be wild and angry still)
After the lapsing of the swollen tide.
No fear of further loss, no hope of gain,
Naught but the apathy of weary pain.
VIII. Loneliness.
All stupor of surprise hath passed away;
She sees, with clearer vision than before,
A world far off of light and laughter gay,
Herself alone and lonely evermore.
Folk come and go, and reach her in no wise,
Mere flitting phantoms to her heavy eyes.
All outward things, that once seemed part of her,
Fall from her, like the leaves in autumn shed.
She feels as one embalmed in spice and myrrh,
With the heart eaten out, a long time dead;
Unchanged without, the features and the form;
Within, devoured by the thin red worm.
By her own prowess she must stand or fall,
This grief is to be conquered day by day.
Who could befriend her? who could make this small,
Or her strength great? she meets it as she may.
A weary struggle and a constant pain,
She dreams not they may ever cease nor wane.
IX. Sympathy.
It comes not in such wise as she had deemed,
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Else might she still have clung to her despair.
More tender, grateful than she could have dreamed,
Fond hands passed pitying over brows and hair,
And gentle words borne softly through the air,
Calming her weary sense and wildered mind,
By welcome, dear communion with her kind.
Ah! she forswore all words as empty lies;
What speech could help, encourage, or repair?
Yet when she meets these grave, indulgent eyes,
Fulfilled with pity, simplest words are fair,
Caressing, meaningless, that do not dare
To compensate or mend, but merely soothe
With hopeful visions after bitter Truth.
One who through conquered trouble had grown wise,
To read the grief unspoken, unexpressed,
The misery of the blank and heavy eyes,Or through youth's infinite compassion guessed
The heavy burden,-such a one brought rest,
And bade her lay aside her doubts and fears,
While the hard pain dissolved in blessed tears.
X. Patience.
The passion of despair is quelled at last;
The cruel sense of undeserved wrong,
The wild self-pity, these are also past;
She knows not what may come, but she is strong;
She feels she hath not aught to lose nor gain,
Her patience is the essence of all pain.
As one who sits beside a lapsing stream,
She sees the flow of changeless day by day,
Too sick and tired to think, too sad to dream,
Nor cares how soon the waters slip away,
Nor where they lead; at the wise God's decree,
She will depart or bide indifferently.
There is deeper pathos in the mild
And settled sorrow of the quiet eyes,
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Than in the tumults of the anguish wild,
That made her curse all things beneath the skies;
No question, no reproaches, no complaint,
Hers is the holy calm of some meek saint.
XI. Hope.
Her languid pulses thrill with sudden hope,
That will not be forgot nor cast aside,
And life in statelier vistas seems to ope,
Illimitably lofty, long, and wide.
What doth she know? She is subdued and mild,
Quiet and docile 'as a weaned child.'
If grief came in such unimagined wise,
How may joy dawn? In what undreamed-of hour,
May the light break with splendor of surprise,
Disclosing all the mercy and the power?
A baseless hope, yet vivid, keen, and bright,
As the wild lightning in the starless night.
She knows not whence it came, nor where it passed,
But it revealed, in one brief flash of flame,
A heaven so high, a world so rich and vast,
That, full of meek contrition and mute shame,
In patient silence hopefully withdrawn,
She bows her head, and bides the certain dawn.
XII. Compensation.
'T is not alone that black and yawning void
That makes her heart ache with this hungry pain,
But the glad sense of life hath been destroyed,
The lost delight may never come again.
Yet myriad serious blessings with grave grace
Arise on every side to fill their place.
For much abides in her so lonely life,The dear companionship of her own kind,
Love where least looked for, quiet after strife,
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Whispers of promise upon every wind,
A quickened insight, in awakened eyes,
For the new meaning of the earth and skies.
The nameless charm about all things hath died,
Subtle as aureole round a shadow's head,
Cast on the dewy grass at morning-tide;
Yet though the glory and the joy be fled,
'T is much her own endurance to have weighed,
And wrestled with God's angels, unafraid.
XIII. Faith.
She feels outwearied, as though o'er her head
A storm of mighty billows broke and passed.
Whose hand upheld her? Who her footsteps led
To this green haven of sweet rest at last?
What strength was hers, unreckoned and unknown?
What love sustained when she was most alone?
Unutterably pathetic her desire,
To reach, with groping arms outstretched in prayer,
Something to cling to, to uplift her higher
From this low world of coward fear and care,
Above disaster, that her will may be
At one with God's, accepting his decree.
Though by no reasons she be justified,
Yet strangely brave in Evil's very face,
She deems this want must needs be satisfied,
Though here all slips from out her weak embrace.
And in blind ecstasy of perfect faith,
With her own dream her prayer she answereth.
XIV. Work.
Yet life is not a vision nor a prayer,
But stubborn work; she may not shun her task.
After the first compassion, none will spare
Her portion and her work achieved, to ask.
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She pleads for respite,-she will come ere long
When, resting by the roadside, she is strong.
Nay, for the hurrying throng of passers-by
Will crush her with their onward-rolling stream.
Much must be done before the brief light die;
She may not loiter, rapt in the vain dream.
With unused trembling hands, and faltering feet,
She staggers forth, her lot assigned to meet.
But when she fills her days with duties done,
Strange vigor comes, she is restored to health.
New aims, new interests rise with each new sun,
And life still holds for her unbounded wealth.
All that seemed hard and toilsome now proves small,
And naught may daunt her,-she hath strength for all.
XV. Victory.
How strange, in some brief interval of rest,
Backward to look on her far-stretching past.
To see how much is conquered and repressed,
How much is gained in victory at last!
The shadow is not lifted,-but her faith,
Strong from life's miracles, now turns toward death.
Though much be dark where once rare splendor shone,
Yet the new light has touched high peaks unguessed
In her gold, mist-bathed dawn, and one by one
New outlooks loom from many a mountain crest.
She breathes a loftier, purer atmosphere,
And life's entangled paths grow straight and clear.
Nor will Death prove an all-unwelcome guest;
The struggle has been toilsome to this end,
Sleep will be sweet, and after labor rest,
And all will be atoned with him to friend.
Much must be reconciled, much justified,
And yet she feels she will be satisfied.
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XVI. Peace.
The calm outgoing of a long, rich day,
Checkered with storm and sunshine, gloom and light,
Now passing in pure, cloudless skies away,
Withdrawing into silence of blank night.
Thick shadows settle on the landscape bright,
Like the weird cloud of death that falls apace
On the still features of the passive face.
Soothing and gentle as a mother's kiss,
The touch that stopped the beating of the heart.
A look so blissfully serene as this,
Not all the joy of living could impart.
With dauntless faith and courage therewithal,
The Master found her ready at his call.
On such a golden evening forth there floats,
Between the grave earth and the glowing sky
In the clear air, unvexed with hazy motes,
The mystic-winged and flickering butterfly,
A human soul, that drifts at liberty,
Ah! who can tell to what strange paradise,
To what undreamed-of fields and lofty skies.!
~ Emma Lazarus,
88:Into The Silent Land
I.
'Oh for a pen of light, a tongue of fire,
That every word might burn in living flame
Upon the age's brow, and leave one name
Engraven on the future! One desire
Fills every nook and cranny of my heart;
One hope-one sorrow-one beloved aim!
She whose pure life was of my life a part,
As light is of the day, could she inspire
My unmelodious muse, or tune the lyre
To diapasons worthy of the theme,
How would her joy put on its robes of light,
And nestle in my bosom once again,
As when life, like an Oriental dream,
Fanned by Arabian airs, glode down the stream
To music whose remembrance is a pain.
The foot of time might trample on my strain,
But could not quench its essence. There was might,
And majesty, and greatness in the love
She blest me with-a blessing without stain,
And that was earthly; since her spirit-sight
Looked through the veil, and learned love's true delight,
Which sainted ministrants alone can prove
Who taste the waters of eternal love:
I pause to think how wonderful has grown
The love that was to me so wondrous here!
Chained as I am to this terrestrial sphere,
Groping my way through darkness, and alone,
Like a blind eaglet soaring towards the sun,
How would her full experience lift and cheer
The heart that never feels its duty done,
And with a girdle of pure light enzone
My flowery world of thought, and make it all her own.'
Thus mused the Minstrel, for his heart was sad.
Death had bereaved him of his bride, while youth,
And looming years of future trust and truth,
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Knit them together, till their souls were clad
With joy ineffable. Love's great High Priest
Sacrificed in their hearts to Him that doeth
All things well; and such rare, perpetual feast
Of love and truth no mortals ever had,
To keep their memories green, their lives serene and glad,
He sat again within the quiet room,
Where Death had snapped one golden thread of life,
And the pale hand of Sickness, sorrow-rife,
Robbed the plump cheek of childhood of its bloom;
Where she, another Philomena, moved
Like a fond Charity-the coming wife
Ordained to crown his being: And he loved.
The future rose before him, joy and gloom;
For where the sunlight shone, there waved the sable plume.
And yet he failed not, for the coming pain;
The coming bliss would counterbalance all.
The sight prophetic that perceived the pall,
Looked far beyond for the celestial gain.
They do not truly love who cannot yield
The mortal up at the Immortal's call,
Or fail to triumph for the soul that's sealed.
His mind was strung to one harmonious strain:
To give when God should ask, and not resign in vain.
Love was to him life's chiefest victory;
He knew no greater, and he sought no less.
Like a green isle surrounded by the sea
That gives it health and vigour, so was he
The centre of love's sphere of perfectness;
He breathed its heavenly atmosphere; the key
That opened every chamber in love's court
Was in his hand; love's mystery was his sport,
He knelt within love's fane and worshipped thereBut not alone, for one was by his side
Whose love refined his being, filled the air
Of life's irradiated sky with light,
As the sun floods the heavens with a tide
Of renovating freshness, as the night
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Is mellowed by the ample moon.
And hoping for the recompense
That would be theirs in life's approaching noon,
They built on hope's high eminence
Their airy palaces, whose magnificence
Surpassed the dreams that fancy drew,
So fair the promised land that lay within their view.
And here they lived; just within reach of heaven.
They could put forth their hands and touch the skies
That brooded o'er the walls of chrysolite,
The airy minarets, and golden domes
Of their new home, by Love, the Maker, given,
Steeped in his brightest dyes.
All nature opened up her ponderous tomes,
Whereby they had new knowledge and new sight,
Learned greater truths, and saw the paths of light,
Mosaic-paven, which to Duty led.
And there were secrets written overhead,
In burning hieroglyphs of thought,
From which they gleaned such lessons as are taught
Only to those whom heaven, in graciousness,
Lifts in her arms with a divine caress.
Earth, like a joyous maiden whose pure soul
Is filled with sudden ecstacy, became
A fruitful Eden; and the golden bowl
That held their elixir of life was filled
To overflowing with the rarest draught
Ever by gods or men in rapture quaffed;
Till from the altar of their hearts love's flame
Passed through the veins of the world, and thrilled
The soul of the rejoicing universe,
Which became theirs, and like true neophytes
They drained the sweet nepenthe, and love's rites
Wiped from their hearts all trace of the primeval curse.
The happy months rolled on; each wedded day
A bridal; and each calm and holy eve
Strewed with rare blessings all the sunny way
Through which they passed, with so divine a joy
That in his brain would meditation weave
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Love's roses into garlands of sweet song,
To deck the brow of his devoted wife.
In this their El Dorado, no alloy
Mixed with the coinage of their wedded life;
The workmen in the mint an honest throng.
No wonder, then, that with go fine a bliss
Informing every fibre of his brain,
His thoughts begat impressions such as this;
Linking their lives together with a chain
Of melody as rare as some divine refrain:
Like dew to the thirsty flower,
Like sweets to the hungry bee,
Is love's divinest dower,
Its tenderness and power,
To thee, dear Wife! to thee.
Like light to the darkened spirit,
Like oil to the turbid sea,
Like truthful words to merit,
Are the blessings I inherit
With thee, dear Wife! with thee.
Afar in the distant ages,
Soul-ransomed, and spirit-free,
I'll read all being's pages,
Unread by mortal sages,
With thee, dear Wife! with thee.
None but the happy heart could carol thus;
A feather stolen from Devotion's wing,
To keep as a memento of the time
When earth met heaven, in life's duteous
And prayerful journey towards the shadowy clime;
Ere they descended from their height sublime,
Where at Love's well-filled table, banqueting,
They sat, and watched the first glad year,
Earthlike, revolving round the sun
Of their true life. Within that sphere
Was the new Eden. One by one
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The precious moments dropped like golden sands,
And formed the solid hours. No perilous strands
Delayed life's blissful current, as it sped
Through flowery realms with blue skies overhead,
To songs and laughter musically sweet,
As if all sorrow had forever fled;
And idylls, sung with cheerful tone,
Haunted the calm, enchanted zone
That hemmed them in,
Where, like a stately queen,
Sate Peace, beatified, serene,
The guardian, heaven-sent, of this their fair demesne:
--LOVE'S ANNIVERSARY.
Like a bold, adventurous swain,
Just a year ago to-day,
I launched my bark on a radiant main,
And Hymen led the way:
'Breakers ahead!' he cried,
As he sought to overwhelm
My daring craft in the shrieking tide,
But Love, like a pilot bold and tried,
Sat, watchful, at the helm.
And we passed the treacherous shoals,
Where many a hope lay dead,
And splendid wrecks were piled, like the ghouls
Of joys forever fled.
Once safely over these,
We sped by a fairy realm,
Across the bluest and calmest seas
That were ever kissed by a truant breeze,
With Love still at the helm.
We sailed by sweet, odorous isles,
Where the flowers and trees were one;
Through lakes that vied with the golden smiles
Of heaven's unclouded sun:
Still speeds our merry bark,
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Threading life's peaceful realm,
And 'tis ever morn with our marriage-lark,
For the Pilot-Love of our safety-ark
Stands, watchful, at the helm.
II.
A beautiful land is the Land of Dreams,
Green hills and valleys, and deep lagoons,
Swift-rushing torrents and gentle streams,
Glassing a myriad silver moons;
Mirror-like lakelets with lovely isles,
And verdurous headlands looking down
On the Neread shapes, whose smiles
Were worth the price of a peaceful crown.
We clutch at the silvery bars
Flung from the motionless stars,
And climb far into space,
Defying the race
Who ride in aerial cars.
We take up the harp of the mind,
And finger its delicate strings;
The notes, soft and light
As a moonbeam's flight,
Departing on viewless wings.
Afar in some fanciful bower,
Some region of exquisite calm,
Where the starlight falls in a gleaming shower,
We sink to repose
On our couch of rose,
Inhaling no mortal balm.
The worlds are no longer unknown,
We pass through the uttermost sky,
Our eyelids are kissed
By a gentle mist,
And we feel the tone
Of a calmer zone,
As if heaven were wondrous nigh.
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A fanciful land is the Land of Dreams,
Where earth and heaven are clasping hands;
No heaven-no earth,
But one wide, new birth,
Where Beauty and Goodness, and human worth,
Make earth of heaven and heaven of earth;
And angels are walking on golden strands.
And the pearly gates of the universe
Of mind and fancy, opening
To the touch of the dainty finger-tips
Of elegant Peris with rose-bud lips,
Delicate, weird-like sounds are born
From the amber depths of odorous morn,
And spirits of beauty and light rehearse
Such strains as the young immortals sing,
When the souls of the blest
Are borne to their rest,
On luminous pinions of light serene
To the fragrant bowers of evergreen;
O'er the rosy plains, where the dying hours
Are changed by a spell to celestial flowers,
Where the skies have a hue no name can express,
For the tone of their passionate loveliness
Surpasseth all human imagining.
Such was their beautiful Dream of Life;
Each stern reality softened down;
Earth seemed to have ended her age of Strife,
And Harmony reigned, her olive crown
Besting on the Parian brow
Of the fair victor, like the gleam
Of the silvery moon on waves that flow
Thoughtfully down the summer stream.
Such was their earnest Dream of Life!
Was it some angel, with jealous eye,
Seeing such love beneath the sky
As never yet in world or star,
Or spheral height, that reached so far
'Twas never beheld by mortal sight,
Or elsewhere, save in highest heaven,
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Was duly earned, or truly given,
That leagued with the usurper, Death,
To quench the light that shone so bright
That in all the earth there was not a breath
So foul as to change their day to night?
Alone! alone! Oh, word of fearful tone!
Well might the moon withhold her light,
The stars withdraw from human sight,
When Love was overthrown.
The Minstrel's heart how changed!
Love's principalities,
O'er which he reigned supreme,
Usurped by earth's realities;
The realm through which he ranged
Become a vanished dream!
And yet he sung, as sings
The dying swan that droops its wings
And drifts along the stream:
--THE LIGHT IN THE WINDOW PANE.
A joy from my soul's departed,
A bliss from my heart is flown,
As weary, weary-hearted,
I wander alone-alone!
The night wind sadly sigheth
A withering, wild refrain,
And my heart within me dieth
For the light in the window pane.
The stars overhead are shining,
As brightly as e'er they shone,
As heartless-sad-repining,
I wander alone-alone!
A sudden flash comes streaming,
And flickers adown the lane,
But no more for me is gleaming
The light in the window pane.
67
The voices that pass are cheerful,
Men laugh as the night winds moan;
They cannot tell how fearful
'Tis to wander alone-alone!
For them, with each night's returning,
Life singeth its tenderest strain,
Where the beacon of love is burningThe light in the window pane.
Oh, sorrow beyond all sorrows
To which human life is prone:
Without thee, through all the morrows,
To wander alone-alone!
Oh, dark, deserted dwelling!
Where Hope like a lamb was slain,
No voice from thy lone walls welling,
No light in thy window pane.
But memory, sainted angel!
Rolls back the sepulchral stone,
And sings like a sweet evangel:
'No-never, never alone!
True grief has its royal palace,
Each loss is a greater gain;
And Sorrow ne'er filled a chalice
That Joy did not wait to drain!
--'Man must be perfected
By suffering,' he said;
'And Death is but the stepping-stone, whereby
We mount towards the gate
Of heaven, soon or late.
Death is the penalty of life; we die,
Because we live; and life
Is but a constant strife
With the immortal Impulse that within
Our bodies seeks controlThe time-abiding Soul,
68
That wrestles with us-yet we fain would win.
And what? the victory
Would make us slaves; and we,
Who in our blindness struggle for the prize
Of this illusive state
Called Life, do but frustrate
The higher law-refusing to be wise.'
Rightly he knew, indeed,
Earth's brightest paths but lead
To the true wisdom of that perfect state,
Where Knowledge, heaven-born,
And Love's eternal morn,
Awaiteth those who would be truly great.
With what abiding trust
He rose from out the dust,
As Death's swift chariot passed him by the way;
No visionary dream
Was his-no trifling themeThe Soul's great Mystery before him lay:
--THE SOUL.
All my mind has sat in state,
Pond'ring on the deathless Soul:
What must be the Perfect Whole,
When the atom is so great!
God! I fall in spirit down,
Low as Persian to the sun;
All my senses, one by one,
In the stream of Thought must drown.
On the tide of mystery,
Like a waif, I'm seaward borne,
Ever looking for the morn
That will yet interpret Thee,
69
Opening my blinded eyes,
That have strove to look within,
'Whelmed in clouds of doubt and sin,
Sinking where I dared to rise:
Could I trace one Spirit's flight,
Track it to its final goal,
Know that 'Spirit' meant 'the Soul,'
I must perish in the light.
All in vain I search, and cry:
'What, O Soul, and whence art thou?'
Lower than the earth I bow,
Stricken with the grave reply:
'Wouldst thou ope what God has sealedSealed in mercy here below?
What is best for man to know,
Shall most surely be revealed!'
Deep on deep of mystery!
Ask the sage, he knows no more
Of the soul's unspoken lore
Than the child upon his knee!
Cannot tell me whence the thought
That is passing through my mind!
Where the mystic soul is shrined,
Wherewith all my life is fraught?
Knows not how the brain conceives
Images almost divine;
Cannot work my mental mine,
Cannot bind my golden sheaves.
Is he wiser, then, than I,
Seeing he can read the stars?
I have rode in fancy's oars
Leagues beyond his farthest sky!
Some old Rabbi, dreaming o'er
The sweet legends of his race,
70
Ask him for some certain trace
Of the far, eternal shore.
No. The Talmud page is dark,
Though it burn with quenchless fire,
And the insight must pierce higher,
That would find the vital spark.
O, my Soul! be firm and wait,
Hoping with the zealous few,
Till the Shekinah of the True
Lead thee through the Golden Gate.
~ Charles Sangster,
89:Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung about his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

  Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since. Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

  It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep organ tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!-though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:-O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

  As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.-I am gone
Away from my own bosom: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.-
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must-it must
Be of ripe progress-Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he snatch'd
Utterance thus.-"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"-That word
Found way unto Olympus, and made quake
The rebel three.-Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

  "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

  Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;-
Blazing Hyperion on his orbed fire
Still sat, still snuff'd the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he-
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache. His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,-
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came slope upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

  He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire? It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.-
Fall!-No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."-
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might. Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,-hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.-Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:-No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire. I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.-This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:-I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:-
But thou canst.-Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.-To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."-
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.
'Lord Houghton records, on the authority of Brown, that "Hyperion" was begun after the death of Tom Keats, when the poet took up his residence at Wentworth Place.

(line 14): It seems to me that the power of realization shown in the first decade, and indeed throughout the fragment, answers all objections to the subject, and is the most absolute security for the nobility of the result which Keats would have achieved had he finished the poem. It is impossible to over-estimate the value of such a landscape, so touched in with a few strokes of titanic meaning and completeness; and the whole sentiment of gigantic despair reflected around the fallen god of the Titan dynasty, and permeating the landscape, is resumed in the most perfect manner in the incident of the motionless fallen leaf, a line almost as intense and full of the essence of poetry as any line in our language. It were ungracious to take exception to the poor Naiad; but she has not the convincing appropriateness of the rest of this sublime opening.'

(line 51): Leigh Hunt's remarks upon Keats's failure to finish the poem are specially appropriate to this passage, "If any living poet could finish this fragment, we believe it is the author himself. But perhaps he feels that he ought not. A story which involves passion, almost of necessity involves speech; and though we may well enough describe beings greater than ourselves by comparison, unfortunately we cannot make them speak by comparison." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.

by owner. provided at no charge for educational purposes

~ John Keats, Hyperion. Book I
,
90: The Rishi
King Manu in the former ages of the world, when the
Arctic continent still subsisted, seeks knowledge from the Rishi of the Pole, who after long baffling him with conflicting side-lights of the knowledge, reveals to him what it chiefly concerns man to know.

MANU
Rishi who trance-held on the mountains old
Art slumbering, void
Of sense or motion, for in the spirit's hold
Of unalloyed
Immortal bliss thou dreamst protected! Deep
Let my voice glide
Into thy dumb retreat and break thy sleep
Abysmal. Hear!
The frozen snows that heap thy giant bed
Ice-cold and clear,
The chill and desert heavens above thee spread
Vast, austere,
Are not so sharp but that thy warm limbs brook
Their bitter breath,
Are not so wide as thy immense outlook
On life and death:
Their vacancy thy silent mind and bright
Outmeasureth.

But ours are blindly active and thy light
We have forgone.

RISHI
Who art thou, warrior armed gloriously
Like the sun?
Thy gait is as an empire and thine eye
Dominion.
Poems from Ahana and Other Poems
MANU
King Manu, of the Aryan peoples lord,
Greets thee, Sage.

RISHI
I know thee, King, earth to whose sleepless sword
Was heritage.

The high Sun's distant glories gave thee forth
On being's edge:
Where the slow skies of the auroral North
Lead in the morn
And flaming dawns for ever on heaven's verge
Wheel and turn,
Thundering remote the clamorous Arctic surge
Saw thee born.

There 'twas thy lot these later Fates to build,
This race of man
New-fashion. O watcher with the mountains wild,
The icy plain,
Thee I too, asleep, have watched, both when the Pole
Was brightening wan
And when like a wild beast the darkness stole
Prowling and slow
Alarming with its silent march the soul.

O King, I know
Thy purpose; for the vacant ages roll
Since man below
Conversed with God in friendship. Thou, reborn
For men perplexed,
Seekest in this dim aeon and forlorn
With evils vexed
The vanished light. For like this Arctic land
Death has annexed
To sleep, our being's summits cold and grand
Where God abides,
Repel the tread of thought. I too, O King,

221

222

Baroda and Bengal, c. 1900 - 1909
In winds and tides
Have sought Him, and in armies thundering,
And where Death strides
Over whole nations. Action, thought and peace
Were questioned, sleep,
And waking, but I had no joy of these,
Nor ponderings deep,
And pity was not sweet enough, nor good
My will could keep.

Often I found Him for a moment, stood
Astonished, then
It fell from me. I could not hold the bliss,
The force for men,
My brothers. Beauty ceased my heart to please,
Brightness in vain
Recalled the vision of the light that glows
Suns behind:
I hated the rich fragrance of the rose;
Weary and blind,
I tired of the suns and stars; then came
With broken mind
To heal me of the rash devouring flame,
The dull disease,
And sojourned with this mountain's summits bleak,
These frozen seas.

King, the blind dazzling snows have made me meek,
Cooled my unease.

Pride could not follow, nor the restless will
Come and go;
My mind within grew holy, calm and still
Like the snow.

MANU
O thou who wast with chariots formidable
And with the bow!
Voiceless and white the cold unchanging hill,

Poems from Ahana and Other Poems
Has it then
A mightier presence, deeper mysteries
Than human men?
The warm low hum of crowds, towns, villages,
The sun and rain,
The village maidens to the water bound,
The happy herds,
The fluting of the shepherd lads, the sound
Myriad of birds,
Speak these not clearer to the heart, convey
More subtle words?
Here is but great dumb night, an awful day
Inert and dead.

RISHI
The many's voices fill the listening ear,
Distract the head:
The One is silence; on the snows we hear
Silence tread.

MANU
What hast thou garnered from the crags that lour,
The icy field?
RISHI
O King, I spurned this body's death; a Power
There was, concealed,
That raised me. Rescued from the pleasant bars
Our longings build,
My winged soul went up above the stars
Questing for God.
223

224

Baroda and Bengal, c. 1900 - 1909
MANU
Oh, didst thou meet Him then? in what bright field
Upon thy road?
RISHI
I asked the heavenly wanderers as they wheeled
For His abode.

MANU
Could glorious Saturn and his rings of hue
Direct thy flight?
RISHI
Sun could not tell, nor any planet knew
Its source of light,
Nor could I glean that knowledge though I paced
The world's beyond
And into outer nothingness have gazed.

Time's narrow sound
I crossed, the termless flood where on the Snake
One slumbers throned,
Attempted. But the ages from Him break
Blindly and Space
Forgets its origin. Then I returned
Where luminous blaze
Deathless and ageless in their ease unearned
The ethereal race.

MANU
Did the gods tell thee? Has Varuna seen
The high God's face?

Poems from Ahana and Other Poems
RISHI
How shall they tell of Him who marvel at sin
And smile at grief?
MANU
Did He not send His blissful Angels down
For thy relief?
RISHI
The Angels know Him not, who fear His frown,
Have fixed belief.

MANU
Is there no heaven of eternal light
Where He is found?
RISHI
The heavens of the Three have beings bright
Their portals round,
And I have journeyed to those regions blest,
Those hills renowned.

In Vishnu's house where wide Love builds his nest,
My feet have stood.

MANU
Is he not That, the blue-winged Dove of peace,
Father of Good?
RISHI
Nor Brahma, though the suns and hills and seas
Are called his brood.
225

226

Baroda and Bengal, c. 1900 - 1909
MANU
Is God a dream then? are the heavenly coasts
Visions vain?
RISHI
I came to Shiva's roof; the flitting ghosts
Compelled me in.

MANU ls He then God whom the forsaken seek,
Things of sin?
RISHI
He sat on being's summit grand, a peak
Immense of fire.

MANU
Knows He the secret of release from tears
And from desire?
RISHI
His voice is the last murmur silence hears,
Tranquil and dire.

MANU
The silence calls us then and shall enclose?
RISHI
Our true abode
Is here and in the pleasant house He chose
To harbour God.
Poems from Ahana and Other Poems
MANU
In vain thou hast travelled the unwonted stars
And the void hast trod!
RISHI
King, not in vain. I knew the tedious bars
That I had fled,
To be His arms whom I have sought; I saw
How earth was made
Out of His being; I perceived the Law,
The Truth, the Vast,
From which we came and which we are; I heard
The ages past
Whisper their history, and I knew the Word
That forth was cast
Into the unformed potency of things
To build the suns.

Through endless Space and on Time's iron wings
A rhythm runs
Our lives pursue, and till the strain's complete
That now so moans
And falters, we upon this greenness meet,
That measure tread.

MANU
Is earth His seat? this body His poor hold
Infirmly made?
RISHI
I flung off matter like a robe grown old;
Matter was dead.
227

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Baroda and Bengal, c. 1900 - 1909
MANU
Sages have told of vital force behind:
It is God then?
RISHI
The vital spirits move but as a wind
Within men.

MANU
Mind then is lord that like a sovereign sways
Delight and pain?
RISHI
Mind is His wax to write and, written, rase
Form and name.

MANU
Is Thought not He who has immortal eyes
Time cannot dim?
RISHI
Higher, O King, the still voice bade me rise
Than thought's clear dream.

Deep in the luminous secrecy, the mute
Profound of things,
Where murmurs never sound of harp or lute
And no voice sings,
Light is not, nor our darkness, nor these bright
Thunderings,
In the deep steady voiceless core of white
And burning bliss,
The sweet vast centre and the cave divine
Called Paradise,

Poems from Ahana and Other Poems
He dwells within us all who dwells not in
Aught that is.

MANU
Rishi, thy thoughts are like the blazing sun
Eye cannot face.

How shall our souls on that bright awful One
Hope even to gaze
Who lights the world from His eternity
With a few rays?
RISHI
Dare on thyself to look, thyself art He,
O Aryan, then.

There is no thou nor I, beasts of the field,
Nor birds, nor men,
But flickerings on a many-sided shield
Pass, or remain,
And this is winged and that with poisonous tongue
Hissing coils.

We love ourselves and hate ourselves, are wrung
With woes and toils
To slay ourselves or from ourselves to win
Shadowy spoils.

And through it all, the rumour and the din,
Voices roam,
Voices of harps, voices of rolling seas,
That rarely come
And to our inborn old affinities
Call us home.

Shadows upon the many-sided Mind
Arrive and go,
Shadows that shadows see; the vain pomps wind
Above, below,
While in their hearts the single mighty God
Whom none can know,

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Guiding the mimic squadrons with His nod
Watches it all -
Like transient shapes that sweep with half-guessed truth
A luminous wall.

MANU
Alas! is life then vain? Our gorgeous youth
Li the and tall,
Our sweet fair women with their tender eyes
Outshining stars,
The mighty meditations of the wise,
The grandiose wars,
The blood, the fiery strife, the clenched dead hands,
The circle sparse,
The various labour in a hundred lands,
Are all these shows
To please some audience cold? as in a vase
Lily and rose,
Mixed snow and crimson, for a moment blaze
Till someone throws
The withered petals in some outer dust,
Heeding not, -
The virtuous man made one with the unjust,
Is this our lot?
RISHI
O King, sight is not vain, nor any sound.

Weeds that float
Upon a puddle and the majestic round
Of the suns
Are thoughts eternal, - what man loves to laud
And what he shuns;
Through glorious things and base the wheel of God
For ever runs.

O King, no thought is vain; our very dreams
Substantial are;

Poems from Ahana and Other Poems
The light we see in fancy, yonder gleams
In the star.

MANU
Rishi, are we both dreams and real? the near
Even as the far?
RISHI
Dreams are we not, O King, but see dreams, fear
Therefore and strive.

Like poets in a wondrous world of thought
Always we live,
Whose shapes from out ourselves to being brought
Abide and thrive.

The poet from his vast and labouring mind
Brings brilliant out
A living world; forth into space they wind,
The shining rout,
And hate and love, and laugh and weep, enjoy,
Fight and shout,
King, lord and beggar, tender girl and boy,
Foemen, friends;
So to His creatures God's poetic mind
A substance lends.

The Poet with dazzling inspiration blind,
Until it ends,
Forgets Himself and lives in what He forms;
For ever His soul
Through chaos like a wind creating storms,
Till the stars roll
Through ordered space and the green lands arise,
The snowy Pole,
Ocean and this great heaven full of eyes,
And sweet sounds heard,
Man with his wondrous soul of hate and love,
And beast and bird, -

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Baroda and Bengal, c. 1900 - 1909
Yes, He creates the worlds and heaven above
With a single word;
And these things being Himself are real, yet
Are they like dreams,
For He awakes to self He could forget
In what He seems.

Yet, King, deem nothing vain: through many veils
This Spirit gleams.

The dreams of God are truths and He prevails.

Then all His time
Cherish thyself, O King, and cherish men,
Anchored in Him.

MANU
Upon the silence of the sapphire main
Waves that sublime
Rise at His word and when that fiat's stilled
Are hushed again,
So is it, Rishi, with the Spirit concealed,
Things and men?
RISHI
Hear then the truth. Behind this visible world
The eyes see plain,
Another stands, and in its folds are curled
Our waking dreams.

Dream is more real, which, while here we wake,
Unreal seems.

From that our mortal life and thoughts we take.

Its fugitive gleams
Are here made firm and solid; there they float
In a magic haze,
Melody swelling note on absolute note,
A lyric maze,
Beauty on beauty heaped pell-mell to chain
The enchanted gaze,

Poems from Ahana and Other Poems
Thought upon mighty thought with grandiose strain
Weaving the stars.

This is that world of dream from which our race
Came; by these bars
Of body now enchained, with laggard pace,
Borne down with cares,
A little of that rapture to express
We labour hard,
A little of that beauty, music, thought
With toil prepared;
And if a single strain is clearly caught,
Then our reward
Is great on earth, and in the world that floats
Lingering awhile
We hear the fullness and the jarring notes
Reconcile, -
Then travel forwards. So we slowly rise,
And every mile
Of our long journey mark with eager eyes;
So we progress
With gurge of revolution and recoil,
Slaughter and stress
Of anguish because without fruit we toil,
Without success;
Even as a ship upon the stormy flood
With fluttering sails
Labours towards the shore; the angry mood
Of Ocean swells,
Calms come and favouring winds, but yet afar
The harbour pales
In evening mists and Ocean threatens war:
Such is our life.

Of this be sure, the mighty game goes on,
The glorious strife,
Until the goal predestined has been won.

Not on the cliff
To be shattered has our ship set forth of old,

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Nor in the surge
To founder. Therefore, King, be royal, bold,
And through the urge
Of winds, the reboant thunders and the close
Tempestuous gurge
Press on for ever laughing at the blows
Of wind and wave.

The haven must be reached; we rise from pyre,
We rise from grave,
We mould our future by our past desire,
We break, we save,
We find the music that we could not find,
The thought think out
We could not then perfect, and from the mind
That brilliant rout
Of wonders marshal into living forms.

End then thy doubt;
Grieve not for wounds, nor fear the violent storms,
For grief and pain
Are errors of the clouded soul; behind
They do not stain
The living spirit who to these is blind.

Torture, disdain,
Defeat and sorrow give him strength and joy:
'Twas for delight
He sought existence, and if pains alloy,
'Tis here in night
Which we call day. The Yogin knows, O King,
Who in his might
Travels beyond the mind's imagining,
The worlds of dream.

For even they are shadows, even they
Are not, - they seem.

Behind them is a mighty blissful day
From which they stream.

The heavens of a million creeds are these:
Peopled they teem

Poems from Ahana and Other Poems
By creatures full of joy and radiant ease.

There is the mint
From which we are the final issue, types
Which here we print
In dual letters. There no torture grips,
Joy cannot stint
Her streams, - beneath a more than mortal sun
Through golden air
The spirits of the deathless regions run.

But we must dare
To still the mind into a perfect sleep
And leave this lair
Of gross material flesh which we would keep
Always, before
The guardians of felicity will ope
The golden door.

That is our home and that the secret hope
Our hearts explore.

To bring those heavens down upon the earth
We all descend,
And fragments of it in the human birth
We can command.

Perfect millenniums are sometimes, until
In the sweet end
All secret heaven upon earth we spill,
Then rise above
Taking mankind with us to the abode
Of rapturous Love,
The bright epiphany whom we name God,
Towards whom we drove
In spite of weakness, evil, grief and pain.

He stands behind
The worlds of Sleep; He is and shall remain
When they grow blind
To individual joys; for even these
Are shadows, King,
And gloriously into that lustre cease

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From which they spring.

We are but sparks of that most perfect fire,
Waves of that sea:
From Him we come, to Him we go, desire
Eternally,
And so long as He wills, our separate birth
Is and shall be.

Shrink not from life, O Aryan, but with mirth
And joy receive
His good and evil, sin and virtue, till
He bids thee leave.

But while thou livest, perfectly fulfil
Thy part, conceive
Earth as thy stage, thyself the actor strong,
The drama His.

Work, but the fruits to God alone belong,
Who only is.

Work, love and know, - so shall thy spirit win
Immortal bliss.

Love men, love God. Fear not to love, O King,
Fear not to enjoy;
For Death's a passage, grief a fancied thing
Fools to annoy.

From self escape and find in love alone
A higher joy.

MANU
O Rishi, I have wide dominion,
The earth obeys
And heaven opens far beyond the sun
Her golden gaze.

But Him I seek, the still and perfect One, -
The Sun, not rays.
Poems from Ahana and Other Poems
RISHI
Seek Him upon the earth. For thee He set
In the huge press
Of many worlds to build a mighty state
For man's success,
Who seeks his goal. Perfect thy human might,
Perfect the race.

For thou art He, O King. Only the night
Is on thy soul
By thy own will. Remove it and recover
The serene whole
Thou art indeed, then raise up man the lover
To God the goal.
~ Sri Aurobindo, - The Rishi
,
91:SCENE I. A part of the Forest.
Enter CONRAD and AURANTHE.
Auranthe. Go no further; not a step more; thou art
A master-plague in the midst of miseries.
Go I fear thee. I tremble every limb,
Who never shook before. There's moody death
In thy resolved looks Yes, I could kneel
To pray thee far away. Conrad, go, go
There! yonder underneath the boughs I see
Our horses!
Conrad. Aye, and the man.
Auranthe. Yes, he is there.
Go, go, no blood, no blood; go, gentle Conrad!
Conrad. Farewell!
Auranthe. Farewell, for this Heaven pardon you.
[Exit AURANTHE,
Conrad. If he survive one hour, then may I die
In unimagined tortures or breathe through
A long life in the foulest sink of the world!
He dies 'tis well she do not advertise
The caitiff of the cold steel at his back.
[Exit CONRAD.
Enter LUDOLPH and PAGE.
Ludolph. Miss'd the way, boy, say not that on your peril!
Page. Indeed, indeed I cannot trace them further.
Ludolph. Must I stop here? Here solitary die?
Stifled beneath the thick oppressive shade
Of these dull boughs, this oven of dark thickets,
Silent, without revenge? pshaw! bitter end,
A bitter death, a suffocating death,
A gnawing silent deadly, quiet death!
Escaped? fled? vanish'd? melted into air?
She's gone! I cannot clutch her! no revenge!
A muffled death, ensnar'd in horrid silence!
Suck'd to my grave amid a dreamy calm!
O, where is that illustrious noise of war,
To smother up this sound of labouring breath,
This rustle of the trees!
[AURANTHE shrieks at a distance.
Page. My Lord, a noise!
This way hark!
Ludolph. Yes, yes! A hope! A music!
A glorious clamour! How I live again! [Exeunt.

SCENE II. Another part of the Forest,
Enter ALBERT (wounded).
Albert. O for enough life to support me on
To Otho's feet
Enter LUDOLPH.
Ludolph. Thrice villainous, stay there
Tell me where that detested woman is
Or this is through thee!
Albert. My good Prince, with me
The sword has done its worst; not without worst
Done to another Conrad has it home
I see you know it all
Ludolph. Where is his sister?
AURANTHE rushes in.
Auranthe. Albert!
Ludolph. Ha! There! there! He is the paramour I
There hug him dying! O, thou innocence,
Shrine him and comfort him at his last gasp,
Kiss down his eyelids! Was he not thy love?
Wilt thou forsake him at his latest hour?
Keep fearful and aloof from his last gaze,
His most uneasy moments, when cold death
Stands with the door ajar to let him in?
Albert. O that that door with hollow slam would close
Upon me sudden, for I cannot meet,
In all the unknown chambers of the dead,
Such horrors
Ludolph. Auranthe! what can he mean?
What horrors? Is it not a joyous time?
Am I not married to a paragon
"Of personal beauty and untainted soul"?
A blushing fair-eyed Purity! A Sylph,
Whose snowy timid hand has never sin'd
Beyond a flower pluck'd, white as itself?
Albert, you do insult my Bride your Mistress
To talk of horrors on our wedding night.
Albert. Alas! poor Prince, I would you knew my heart.
'Tis not so guilty
Ludolph. Hear you he pleads not guilty
You are not? or if so what matters it?
You have escap'd me, free as the dusk air
Hid in the forest safe from my revenge;
I cannot catch you--You should laugh at me,
Poor cheated Ludolph, make the forest hiss
With jeers at me You tremble; faint at once,
You will come to again. O Cockatrice,
I have you. Whither wander those fair eyes
To entice the Devil to your help, that he
May change you to a Spider, so to crawl
Into some cranny to escape my wrath?
Albert. Sometimes the counsel of a dying man
Doth operate quietly when his breath is gone
Disjoin those hands part--part, do not destroy
Each other forget her our miseries
Are equal shar'd, and mercy is
Ludolph. A boon
When one can compass it. Auranthe, try
Your oratory your breath is not so hitch'd
Aye, stare for help
[ALBERT groans and dies.
There goes a spotted soul
Howling in vain along the hollow night
Hear him he calls you Sweet Auranthe, come!
Auranthe. Kill me.
Ludolph. No! What? upon our Marriage-night!
The earth would shudder at so foul a deed
A fair Bride, a sweet Bride, an innocent Bride!
No, we must revel it, as 'tis in use
In times of delicate brilliant ceremony:
Come, let me lead you to our halls again
Nay, linger not make no resistance sweet
Will you Ah wretch, thou canst not, for I have
The strength of twenty lions 'gainst a lamb
Now one adieu for Albert come away.
[Exeunt.
SCENE III. An inner Court of the Castle.
Enter SIGIFRED, GONFRED, and THEODORE meeting.
Theodore. Was ever such a night?
Sigifred. What horrors more?
Things unbeliev'd one hour, so strange they are,
The next hour stamps with credit.
Theodore. Your last news ?
Gonfred. After the Page's story of the death
Of Albert and Duke Conrad?
Sigifred. And the return
Of Ludolph with the Princess.
Gonfred. No more save
Prince Gersa's freeing Abbot Ethelbert,
And the sweet lady, fair Erminia,
From prison.
Theodore. Where are they now? hast yet heard?
Gonfred. With the sad Emperor they are closeted ;
I saw the three pass slowly up the stairs,
The lady weeping, the old Abbot cowl'd.
Sigifred. What next?
Thedore. I ache to think on't.
Gonfred. Tis with fate.
Theodore. One while these proud towers are hush'd as death.
Gonfred. The next our poor Prince fills the arched rooms
With ghastly ravings.
Sigifred. I do fear his brain.
Gonfred. I will see more. Bear you so stout a heart?
[Exeunt into the Castle.

SCENE IV. A Cabinet, opening towards a Terrace.
OTHO, ERMINIA, ETHELBERT, and a Physician, discovered.
Otho. O, my poor Boy! my Son! my Son! My Ludolph!
Have ye no comfort for me, ye Physicians
Of the weak Body and Soul?
Ethelbert. Tis not the Medicine
Either of heaven or earth can cure unless
Fit time be chosen to administer
Otho. A kind forbearance, holy Abbot come
Erminia, here sit by me, gentle Girl;
Give me thy hand hast thou forgiven me?
Erminia. Would I were with the saints to pray for you!
Otho. Why will ye keep me from my darling child?
Physician. Forgive me, but he must not see thy face
Otho. Is then a father's countenance a Gorgon?
Hath it not comfort in it? Would it not
Console my poor Boy, cheer him, heal his spirits?
Let me embrace him, let me speak to him
I will who hinders me? Who's Emperor?
Physician. You may not, Sire 'twould overwhelm him quite,
He is so full of grief and passionate wrath,
Too heavy a sigh would kill him or do worse.
He must be sav'd by fine contrivances
And most especially we must keep clear
Out of his sight a Father whom he loves
His heart is full, it can contain no more,
And do its ruddy office.
Ethelbert. Sage advice;
We must endeavour how to ease and slacken
The tight-wound energies of his despair,
Not make them tenser
Otho. Enough! I hear, I hear.
Yet you were about to advise more I listen.
Ethelbert. This learned doctor will agree with me,
That not in the smallest point should he be thwarted
Or gainsaid by one word his very motions,
Nods, becks and hints, should be obey'd with care,
Even on the moment: so his troubled mind
May cure itself
Physician. There is no other means.
Otho. Open the door: let's hear if all is quiet
Physician. Beseech you, Sire, forbear.
Erminia. Do, do.
Otho. I command!
Open it straight hush! quiet my lost Boy!
My miserable Child!
Ludolph (indistinctly without). Fill, fill my goblet,
Here's a health!
Erminia. O, close the door!
Otho. Let, let me hear his voice; this cannot last
And fain would I catch up his dying words
Though my own knell they be this cannot last
O let me catch his voice for lo! I hear
This silence whisper me that he is dead!
It is so. Gersa?
Enter GERSA.
Physician. Say, how fares the prince?
Gersa. More calm his features are less wild and flushed
Once he complain'd of weariness
Physician. Indeed!
'Tis good 'tis good let him but fall asleep,
That saves him.
Otho. Gersa, watch him like a child
Ward him from harm and bring me better news
Physician. Humour him to the height. I fear to go;
For should he catch a glimpse of my dull garb,
It might affright him fill him with suspicion
That we believe him sick, which must not be
Gersa. I will invent what soothing means I can.
[Exit GERSA.
Physician. This should cheer up your Highness weariness
Is a good symptom, and most favourable
It gives me pleasant hopes. Please you walk forth
Onto the Terrace; the refreshing air
Will blow one half of your sad doubts away.
[Exeunt.

SCENE V. A Banqueting Hall, brilliantly illuminated, and set forth
with all costly magnificence, with Supper-tables, laden with services
of Gold and Silver. A door in the back scene, guarded by two Soldiers.
Lords, Ladies, Knights, Gentlemen, &c., whispering sadly,
and ranging themselves; part entering and part discovered.
First Knight. Grievously are we tantaliz'd, one and all
Sway'd here and there, commanded to and fro
As though we were the shadows of a dream
And link'd to a sleeping fancy. What do we here?
Gonfred. I am no Seer you know we must obey
The prince from A to Z though it should be
To set the place in flames. I pray hast heard
Where the most wicked Princess is?
First Knight. There, Sir,
In the next room have you remark'd those two
Stout soldiers posted at the door?
Gonfred. For what?
[They whisper.
First Lady. How ghast a train!
Second Lady. Sure this should be some splendid burial.
First Lady. What fearful whispering! See, see, Gersa there.
Enter GERSA.
Gersa. Put on your brightest looks; smile if you can;
Behave as all were happy; keep your eyes
From the least watch upon him ;
if he speaks
To any one, answer collectedly,
Without surprise, his questions, howe'er strange.
Do this to the utmost, though, alas! with me
The remedy grows hopeless! Here he comes,
Observe what I have said, show no surprise.
Enter LUDOLPH, followed by SIGIFRED and Page.
Ludolph. A splendid company! rare beauties here!
I should have Orphean lips, and Plato's fancy,
Amphion's utterance, toned with his lyre,
Or the deep key of Jove's sonorous mouth,
To give fit salutation. Methought I heard,
As I came in, some whispers, what of that?
'Tis natural men should whisper; at the kiss
Of Psyche given by Love, there was a buzz
Among the gods! and silence is as natural.
These draperies are fine, and, being a mortal,
I should desire no better; yet, in truth,
There must be some superiour costliness,
Some wider-domed high magnificence!
I would have, as a mortal I may not,
Hanging of heaven's clouds, purple and gold,
Slung from the spheres; gauzes of silver mist,
Loop'd up with cords of twisted wreathed light,
And tassell'd round with weeping meteors!
These pendent lamps and chandeliers are bright
As earthly fires from dull dross can be cleansed;
Yet could my eyes drink up intenser beams
Undazzled, this is darkness, when I close
These lids, I see far fiercer brilliances,
Skies full of splendid moons, and shooting stars,
And spouting exhalations, diamond fires,
And panting fountains quivering with deep glows!
Yes this is dark is it not dark?
Sigifred. My Lord,
'Tis late; the lights of festival are ever
Quench'd in the morn.
Ludolph. 'Tis not to-morrow then?
Sigifred. Tis early dawn.
Gersa. Indeed full time we slept;
Say you so, Prince?
Ludolph. I say I quarreled with you ; We did not tilt each other, that's a blessing,
Good gods! no innocent blood upon my head!
Sigifred. Retire, Gersa!
Ludolph. There should be three more here:
For two of them, they stay away perhaps,
Being gloomy-minded, haters of fair revels,
They know their own thoughts best.
As for the third,
Deep blue eyes semi-shaded in white lids,
Finished with lashes fine for more soft shade,
Completed by her twin-arch'd ebon brows
White temples of exactest elegance,
Of even mould felicitous and smooth
Cheeks fashioned tenderly on either side,
So perfect, so divine that our poor eyes
Are dazzled with the sweet proportioning,
And wonder that 'tis so, the magic chance!
Her nostrils, small, fragrant, faery-delicate;
Her lips -I swear no human bones e'er wore
So taking a disguise you shall behold her!
We'll have her presently; aye, you shall see her,
And wonder at her, friends, she is so fair
She is the world's chief Jewel, and by heaven
She's mine by right of marriage she is mine!
Patience, good people, in fit time I send
A Summoner she will obey my call,
Being a wife most mild and dutiful.
First I would hear what music is prepared
To herald and receive her let me hear!
Sigifred. Bid the musicians soothe him tenderly.
[A soft strain of Music.
Ludolph. Ye have none better no I am content;
'Tis a rich sobbing melody, with reliefs
Full and majestic; it is well enough,
And will be sweeter, when ye see her pace
Sweeping into this presence, glisten'd o'er
With emptied caskets, and her train upheld
By ladies, habited in robes of lawn,
Sprinkled with golden crescents; (others bright
In silks, with spangles shower'd,) and bow'd to
By Duchesses and pearled Margravines
Sad, that the fairest creature of the earth
I pray you mind me not 'tis sad, I say,
That the extremest beauty of the world
Should so entrench herself away from me,
Behind a barrier of engender 'd guilt!
Second Lady. Ah! what a moan!
First Knight. Most piteous indeed!
Ludolph. She shall be brought before this company,
And then then
First Lady. He muses.
Gersa. O, Fortune, where will this end?
Sigifred. I guess his purpose! Indeed he must not have
That pestilence brought in, that cannot be,
There we must stop him.
Gersa. I am lost! Hush, hushl
He is about to rave again.
Ludolph. A barrier of guilt! I was the fool.
She was the cheater! Who's the cheater now,
And who the fool? The entrapp'd, the caged fool,
The bird-limy raven? She shall croak to death
Secure! Methinks I have her in my fist,
To crush her with my heel! Wait, wait! I marvel
My father keeps away: good friend, ah! Sigifred!
Do bring him to me and Erminia
I fain would see before I sleep and Ethelbert,
That he may bless me, as I know he will
Though I have curs'd him.
Sigifred. Rather suffer me
To lead you to them
Ludolph. No, excuse me, no
The day is not quite done go bring them hither.
[Exit SIGIFRED.
Certes, a father's smile should, like sunlight,,
Slant on my sheafed harvest of ripe bliss
Besides, I thirst to pledge my lovely Bride
In a deep goblet: let me see what wine?
The strong Iberian juice, or mellow Greek?
Or pale Calabrian? Or the Tuscan grape?
Or of old tna's pulpy wine presses,
Black stain'd with the fat vintage, as it were
The purple slaughter-house, where Bacchus' self
Prick'd his own swollen veins? Where is my Page?
Page. Here, here!
Ludolph. Be ready to obey me; anon thou shalt
Bear a soft message for me for the hour
Draws near when I must make a winding up
Of bridal Mysteries a fine-spun vengeance!
Carve it on my Tomb, that when I rest beneath
Men shall confess This Prince was gulled and cheated,
But from the ashes of disgrace he rose
More than a fiery Phoenix and did burn
His ignominy up in purging fires
Did I not send, Sir, but a moment past,
For my Father?
Gersa. You did.
Ludolph. Perhaps 'twould be
Much better he came not.
Gersa. He enters now!
Enter OTHO, ERMINIA, ETHELBERT, SIGIFRED, and Physician.
Ludolph. O thou good Man, against whose sacred head
I was a mad conspirator, chiefly too
For the sake of my fair newly wedded wife,
Now to be punish'd, do not look so sad!
Those charitable eyes will thaw my heart,
Those tears will wash away a just resolve,
A verdict ten times sworn! Awake awake
Put on a judge's brow, and use a tongue
Made iron-stern by habit! Thou shalt see
A deed to be applauded, 'scribed in gold!
Join a loud voice to mine, and so denounce
What I alone will execute!
Otho. Dear son,
What is it? By your father's love, I sue
That it be nothing merciless!
Ludolph. To that demon?
Not so! No! She is in temple-stall
Being garnish'd for the sacrifice, and I,
The Priest of Justice, will immolate her
Upon the altar of wrath! She stings me through!-
Even as the worm doth feed upon the nut,
So she, a scorpion, preys upon my brain!
I feel her gnawing here! Let her but vanish,
Then, father, I will lead your legions forth,
Compact in steeled squares, and speared files,
And bid our trumpets speak a fell rebuke
To nations drows'd in peace!
Otho. To-morrow, Son,
Be your word law forget to-day
Ludolph. I will
When I have finish 'd it now! now! I'm pight,
Tight-footed for the deed!
Erminia. Alas! Alas!
Ludolph. What Angels voice is that? Erminia!
Ah! gentlest creature, whose sweet innocence
Was almost murder'd; I am penitent,
Wilt thou forgive me? And thou, holy Man,
Good Ethelbert, shall I die in peace with you?
Erminia. Die, my lord!
Ludolph. I feel it possible.
Otho. Physician?
Physician. I fear me he is past my skill.
Otho. Not so!
Ludolph. I see it, I see it I have been wandering
Half-mad not right here I forget my purpose.
Bestir, bestir, Auranthe! ha! ha! ha!
Youngster! Page! go bid them drag her to me!
Obey! This shall finish it! [Draws a dagger.
Otho. O my Son! my Son!
Sigifred. This must not be stop there!
Ludolph. Am I obey'd?
A little talk with her no harm haste ! haste !
[Exit Page.
Set her before me never fear I can strike.
Several Voices. My Lord! My Lord!
Gersa. Good Prince!
Ludolph. Why do ye trouble me? out-out-out away!
There she is! take that! and that! no, no-
That's not well done Where is she?
The doors open. Enter Page. Several women are seen grouped
about AURANTHE in the inner room.
Page. Alas! My Lord, my Lord! they cannot move her!
Her arms are stiff, her fingers clench'd and cold
Ludolph. She's dead!
[Staggers and jails into their arms.
Ethelbert. Take away the dagger.
Gersa. Softly; so!
Otho. Thank God for that!
Sigifred. I fear it could not harm him.
Gersa. No! brief be his anguish!
Ludolph. She's gone I am content Nobles, good night!
We are all weary faint set ope the doors
I will to bed! To-morrow [Dies.
THE CURTAIN FALLS.
by owner. provided at no charge for educational purposes

~ John Keats, Otho The Great - Act V
,
92:The Author
Accursed the man, whom Fate ordains, in spite,
And cruel parents teach, to read and write!
What need of letters? wherefore should we spell?
Why write our names? A mark will do as well.
Much are the precious hours of youth misspent,
In climbing Learning's rugged, steep ascent;
When to the top the bold adventurer's got,
He reigns, vain monarch, o'er a barren spot;
Whilst in the vale of Ignorance below,
Folly and Vice to rank luxuriance grow;
Honours and wealth pour in on every side,
And proud Preferment rolls her golden tide.
O'er crabbed authors life's gay prime to waste,
To cramp wild genius in the chains of taste,
To bear the slavish drudgery of schools,
And tamely stoop to every pedant's rules;
For seven long years debarr'd of liberal ease,
To plod in college trammels to degrees;
Beneath the weight of solemn toys to groan,
Sleep over books, and leave mankind unknown;
To praise each senior blockhead's threadbare tale,
And laugh till reason blush, and spirits fail;
Manhood with vile submission to disgrace,
And cap the fool, whose merit is his place,
Vice-Chancellors, whose knowledge is but small,
And Chancellors, who nothing know at all:
Ill-brook'd the generous spirit in those days
When learning was the certain road to praise,
When nobles, with a love of science bless'd,
Approved in others what themselves possess'd.
But now, when Dulness rears aloft her throne,
When lordly vassals her wide empire own;
When Wit, seduced by Envy, starts aside,
And basely leagues with Ignorance and Pride;
What, now, should tempt us, by false hopes misled,
Learning's unfashionable paths to tread;
To bear those labours which our fathers bore,
That crown withheld, which they in triumph wore?
When with much pains this boasted learning's got,
98
'Tis an affront to those who have it not:
In some it causes hate, in others fear,
Instructs our foes to rail, our friends to sneer.
With prudent haste the worldly-minded fool
Forgets the little which he learn'd at school:
The elder brother, to vast fortunes born,
Looks on all science with an eye of scorn;
Dependent brethren the same features wear,
And younger sons are stupid as the heir.
In senates, at the bar, in church and state,
Genius is vile, and learning out of date.
Is this--oh, death to think!--is this the land
Where Merit and Reward went hand in hand?
Where heroes, parent-like, the poet view'd,
By whom they saw their glorious deeds renew'd?
Where poets, true to honour, tuned their lays,
And by their patrons sanctified their praise?
Is this the land, where, on our Spenser's tongue,
Enamour'd of his voice, Description hung?
Where Jonson rigid Gravity beguiled,
Whilst Reason through her critic fences smiled?
Where Nature listening stood whilst Shakspeare play'd,
And wonder'd at the work herself had made?
Is this the land, where, mindful of her charge
And office high, fair Freedom walk'd at large?
Where, finding in our laws a sure defence,
She mock'd at all restraints, but those of sense?
Where, Health and Honour trooping by her side,
She spread her sacred empire far and wide;
Pointed the way, Affliction to beguile,
And bade the face of Sorrow wear a smile;
Bade those, who dare obey the generous call,
Enjoy her blessings, which God meant for all?
Is this the land, where, in some tyrant's reign,
When a weak, wicked, ministerial train,
The tools of power, the slaves of interest, plann'd
Their country's ruin, and with bribes unmann'd
Those wretches, who, ordain'd in Freedom's cause,
Gave up our liberties, and sold our laws;
When Power was taught by Meanness where to go,
Nor dared to love the virtue of a foe;
When, like a leprous plague, from the foul head
99
To the foul heart her sores Corruption spread;
Her iron arm when stern Oppression rear'd;
And Virtue, from her broad base shaken, fear'd
The scourge of Vice; when, impotent and vain,
Poor Freedom bow'd the neck to Slavery's chain?
Is this the land, where, in those worst of times,
The hardy poet raised his honest rhymes
To dread rebuke, and bade Controlment speak
In guilty blushes on the villain's cheek;
Bade Power turn pale, kept mighty rogues in awe,
And made them fear the Muse, who fear'd not law?
How do I laugh, when men of narrow souls,
Whom Folly guides, and Prejudice controls;
Who, one dull drowsy track of business trod,
Worship their Mammon, and neglect their God;
Who, breathing by one musty set of rules,
Dote from their birth, and are by system fools;
Who, form'd to dulness from their very youth,
Lies of the day prefer to gospel truth;
Pick up their little knowledge from Reviews,
And lay out all their stock of faith in news;
How do I laugh, when creatures, form'd like these,
Whom Reason scorns, and I should blush to please,
Rail at all liberal arts, deem verse a crime,
And hold not truth, as truth, if told in rhyme!
How do I laugh, when Publius, hoary grown
In zeal for Scotland's welfare, and his own,
By slow degrees, and course of office, drawn
In mood and figure at the helm to yawn,
Too mean (the worst of curses Heaven can send)
To have a foe, too proud to have a friend;
Erring by form, which blockheads sacred hold,
Ne'er making new faults, and ne'er mending old,
Rebukes my spirit, bids the daring Muse
Subjects more equal to her weakness choose;
Bids her frequent the haunts of humble swains,
Nor dare to traffic in ambitious strains;
Bids her, indulging the poetic whim
In quaint-wrought ode, or sonnet pertly trim,
Along the church-way path complain with Gray,
Or dance with Mason on the first of May!
'All sacred is the name and power of kings;
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All states and statesmen are those mighty things
Which, howsoe'er they out of course may roll,
Were never made for poets to control.'
Peace, peace, thou dotard! nor thus vilely deem
Of sacred numbers, and their power blaspheme.
I tell thee, wretch, search all creation round,
In earth, in heaven, no subject can be found:
(Our God alone except) above whose height
The poet cannot rise, and hold his state.
The blessed saints above in numbers speak
The praise of God, though there all praise is weak;
In numbers here below the bard shall teach
Virtue to soar beyond the villain's reach;
Shall tear his labouring lungs, strain his hoarse throat,
And raise his voice beyond the trumpet's note,
Should an afflicted country, awed by men
Of slavish principles, demand his pen.
This is a great, a glorious point of view,
Fit for an English poet to pursue;
Undaunted to pursue, though, in return,
His writings by the common hangman burn
How do I laugh, when men, by fortune placed
Above their betters, and by rank disgraced,
Who found their pride on titles which they stain,
And, mean themselves, are of their fathers vain;
Who would a bill of privilege prefer,
And treat a poet like a creditor;
The generous ardour of the Muse condemn,
And curse the storm they know must break on them!
'What! shall a reptile bard, a wretch unknown,
Without one badge of merit but his own,
Great nobles lash, and lords, like common men,
Smart from the vengeance of a scribbler's pen?'
What's in this name of lord, that I should fear
To bring their vices to the public ear?
Flows not the honest blood of humble swains
Quick as the tide which swells a monarch's veins?
Monarchs, who wealth and titles can bestow,
Cannot make virtues in succession flow.
Wouldst thou, proud man! be safely placed above
The censure of the Muse? Deserve her love:
Act as thy birth demands, as nobles ought;
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Look back, and, by thy worthy father taught,
Who earn'd those honours thou wert born to wear,
Follow his steps, and be his virtue's heir.
But if, regardless of the road to fame,
You start aside, and tread the paths of shame;
If such thy life, that should thy sire arise,
The sight of such a son would blast his eyes,
Would make him curse the hour which gave thee birth,
Would drive him shuddering from the face of earth,
Once more, with shame and sorrow, 'mongst the dead
In endless night to hide his reverend head;
If such thy life, though kings had made thee more
Than ever king a scoundrel made before;
Nay, to allow thy pride a deeper spring,
Though God in vengeance had made thee a king,
Taking on Virtue's wing her daring flight,
The Muse should drag thee, trembling, to the light,
Probe thy foul wounds, and lay thy bosom bare
To the keen question of the searching air.
Gods! with what pride I see the titled slave,
Who smarts beneath the stroke which Satire gave,
Aiming at ease, and with dishonest art
Striving to hide the feelings of his heart!
How do I laugh, when, with affected air,
(Scarce able through despite to keep his chair,
Whilst on his trembling lip pale Anger speaks,
And the chafed blood flies mounting to his cheeks)
He talks of Conscience, which good men secures
From all those evil moments Guilt endures,
And seems to laugh at those who pay regard
To the wild ravings of a frantic bard.
'Satire, whilst envy and ill-humour sway
The mind of man, must always make her way;
Nor to a bosom, with discretion fraught,
Is all her malice worth a single thought.
The wise have not the will, nor fools the power,
To stop her headstrong course; within the hour,
Left to herself, she dies; opposing strife
Gives her fresh vigour, and prolongs her life.
All things her prey, and every man her aim,
I can no patent for exemption claim,
Nor would I wish to stop that harmless dart
102
Which plays around, but cannot wound my heart;
Though pointed at myself, be Satire free;
To her 'tis pleasure, and no pain to me.'
Dissembling wretch! hence to the Stoic school,
And there amongst thy brethren play the fool;
There, unrebuked, these wild, vain doctrines preach.
Lives there a man whom Satire cannot reach?
Lives there a man who calmly can stand by,
And see his conscience ripp'd with steady eye?
When Satire flies abroad on Falsehood's wing,
Short is her life, and impotent her sting;
But when to Truth allied, the wound she gives
Sinks deep, and to remotest ages lives.
When in the tomb thy pamper'd flesh shall rot,
And e'en by friends thy memory be forgot,
Still shalt thou live, recorded for thy crimes,
Live in her page, and stink to after-times.
Hast thou no feeling yet? Come, throw off pride,
And own those passions which thou shalt not hide.
Sandwich, who, from the moment of his birth,
Made human nature a reproach on earth,
Who never dared, nor wish'd, behind to stay,
When Folly, Vice, and Meanness led the way,
Would blush, should he be told, by Truth and Wit,
Those actions which he blush'd not to commit.
Men the most infamous are fond of fame,
And those who fear not guilt, yet start at shame.
But whither runs my zeal, whose rapid force,
Turning the brain, bears Reason from her course;
Carries me back to times, when poets, bless'd
With courage, graced the science they profess'd;
When they, in honour rooted, firmly stood,
The bad to punish, and reward the good;
When, to a flame by public virtue wrought,
The foes of freedom they to justice brought,
And dared expose those slaves who dared support
A tyrant plan, and call'd themselves a Court?
Ah! what are poets now? As slavish those
Who deal in verse, as those who deal in prose.
Is there an Author, search the kingdom round,
In whom true worth and real spirit's found?
The slaves of booksellers, or (doom'd by Fate
103
To baser chains) vile pensioners of state;
Some, dead to shame, and of those shackles proud
Which Honour scorns, for slavery roar aloud;
Others, half-palsied only, mutes become,
And what makes Smollett write, makes Johnson dumb.
Why turns yon villain pale? Why bends his eye
Inward, abash'd, when Murphy passes by?
Dost thou sage Murphy for a blockhead take,
Who wages war with Vice for Virtue's sake?
No, no, like other worldlings, you will find
He shifts his sails and catches every wind.
His soul the shock of Interest can't endure:
Give him a pension then, and sin secure.
With laurell'd wreaths the flatterer's brows adorn:
Bid Virtue crouch, bid Vice exalt her horn;
Bid cowards thrive, put Honesty to flight,
Murphy shall prove, or try to prove it right.
Try, thou state-juggler, every paltry art;
Ransack the inmost closet of my heart;
Swear thou'rt my friend; by that base oath make way
Into my breast, and flatter to betray.
Or, if those tricks are vain; if wholesome doubt
Detects the fraud, and points the villain out;
Bribe those who daily at my board are fed,
And make them take my life who eat my bread.
On Authors for defence, for praise depend;
Pay him but well, and Murphy is thy friend:
He, he shall ready stand with venal rhymes,
To varnish guilt, and consecrate thy crimes;
To make Corruption in false colours shine,
And damn his own good name, to rescue thine.
But, if thy niggard hands their gifts withhold,
And Vice no longer rains down showers of gold,
Expect no mercy; facts, well-grounded, teach,
Murphy, if not rewarded, will impeach.
What though each man of nice and juster thought,
Shunning his steps, decrees, by Honour taught,
He ne'er can be a friend, who stoops so low
To be the base betrayer of a foe?
What though, with thine together link'd, his name
Must be with thine transmitted down to shame?
To every manly feeling callous grown,
104
Rather than not blast thine, he 'll blast his own.
To ope the fountain whence sedition springs,
To slander government, and libel kings;
With Freedom's name to serve a present hour,
Though born and bred to arbitrary power;
To talk of William with insidious art,
Whilst a vile Stuart's lurking in his heart;
And, whilst mean Envy rears her loathsome head,
Flattering the living, to abuse the dead,
Where is Shebbeare? Oh, let not foul reproach,
Travelling thither in a city-coach,
The pillory dare to name: the whole intent
Of that parade was fame, not punishment;
And that old staunch Whig, Beardmore, standing by,
Can in full court give that report the lie.
With rude unnatural jargon to support,
Half-Scotch, half-English, a declining court;
To make most glaring contraries unite,
And prove beyond dispute that black is white;
To make firm Honour tamely league with Shame,
Make Vice and Virtue differ but in name;
To prove that chains and freedom are but one,
That to be saved must mean to be undone,
Is there not Guthrie? Who, like him, can call
All opposites to proof, and conquer all?
He calls forth living waters from the rock;
He calls forth children from the barren stock;
He, far beyond the springs of Nature led,
Makes women bring forth after they are dead;
He, on a curious, new, and happy plan,
In wedlock's sacred bands joins man to man;
And to complete the whole, most strange, but true,
By some rare magic, makes them fruitful too;
Whilst from their loins, in the due course of years,
Flows the rich blood of Guthrie's 'English Peers.'
Dost thou contrive some blacker deed of shame,
Something which Nature shudders but to name,
Something which makes the soul of man retreat,
And the life-blood run backward to her seat?
Dost thou contrive, for some base private end,
Some selfish view, to hang a trusting friend;
To lure him on, e'en to his parting breath,
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And promise life, to work him surer death?
Grown old in villany, and dead to grace,
Hell in his heart, and Tyburn in his face,
Behold, a parson at thy elbow stands,
Lowering damnation, and with open hands,
Ripe to betray his Saviour for reward,
The Atheist chaplain of an Atheist lord!
Bred to the church, and for the gown decreed,
Ere it was known that I should learn to read;
Though that was nothing, for my friends, who knew
What mighty Dulness of itself could do,
Never design'd me for a working priest,
But hoped I should have been a Dean at least:
Condemn'd, (like many more, and worthier men,
To whom I pledge the service of my pen)
Condemn'd (whilst proud and pamper'd sons of lawn,
Cramm'd to the throat, in lazy plenty yawn)
In pomp of reverend beggary to appear,
To pray, and starve on forty pounds a-year:
My friends, who never felt the galling load,
Lament that I forsook the packhorse road,
Whilst Virtue to my conduct witness bears,
In throwing off that gown which Francis wears.
What creature's that, so very pert and prim,
So very full of foppery, and whim,
So gentle, yet so brisk; so wondrous sweet,
So fit to prattle at a lady's feet;
Who looks as he the Lord's rich vineyard trod,
And by his garb appears a man of God?
Trust not to looks, nor credit outward show;
The villain lurks beneath the cassock'd beau;
That's an informer; what avails the name?
Suffice it that the wretch from Sodom came.
His tongue is deadly--from his presence run,
Unless thy rage would wish to be undone.
No ties can hold him, no affection bind,
And fear alone restrains his coward mind;
Free him from that, no monster is so fell,
Nor is so sure a blood-hound found in Hell.
His silken smiles, his hypocritic air,
His meek demeanour, plausible and fair,
Are only worn to pave Fraud's easier way,
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And make gull'd Virtue fall a surer prey.
Attend his church--his plan of doctrine view-The preacher is a Christian, dull, but true;
But when the hallow'd hour of preaching's o'er,
That plan of doctrine's never thought of more;
Christ is laid by neglected on the shelf,
And the vile priest is gospel to himself.
By Cleland tutor'd, and with Blacow bred,
(Blacow, whom, by a brave resentment led,
Oxford, if Oxford had not sunk in fame,
Ere this, had damn'd to everlasting shame)
Their steps he follows, and their crimes partakes;
To virtue lost, to vice alone he wakes,
Most lusciously declaims 'gainst luscious themes,
And whilst he rails at blasphemy, blasphemes.
Are these the arts which policy supplies?
Are these the steps by which grave churchmen rise?
Forbid it, Heaven; or, should it turn out so,
Let me and mine continue mean and low.
Such be their arts whom interest controls;
Kidgell and I have free and modest souls:
We scorn preferment which is gain'd by sin,
And will, though poor without, have peace within.
~ Charles Churchill,
93:Dante At Verona
Behold, even I, even I am Beatrice.
(Div. Com. Purg. xxx.)
OF Florence and of Beatrice
Servant and singer from of old,
O'er Dante's heart in youth had toll'd
The knell that gave his Lady peace;
And now in manhood flew the dart
Wherewith his City pierced his heart.
Yet if his Lady's home above
Was Heaven, on earth she filled his soul;
And if his City held control
To cast the body forth to rove,
The soul could soar from earth's vain throng,
And Heaven and Hell fulfil the song.
Follow his feet's appointed way;—
But little light we find that clears
The darkness of the exiled years.
Follow his spirit's journey:—nay,
What fires are blent, what winds are blown
On paths his feet may tread alone?
Yet of the twofold life he led
In chainless thought and fettered will
Some glimpses reach us,—somewhat still
Of the steep stairs and bitter bread,—
Of the soul's quest whose stern avow
For years had made him haggard now.
Alas! the Sacred Song whereto
Both heaven and earth had set their hand
Not only at Fame's gate did stand
Knocking to claim the passage through,
But toiled to ope that heavier door
Which Florence shut for evermore.
Shall not his birth's baptismal Town
One last high presage yet fulfil,
And at that font in Florence still
His forehead take the laurel-crown?
O God! or shall dead souls deny
The undying soul its prophecy?
Aye, 'tis their hour. Not yet forgot
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The bitter words he spoke that day
When for some great charge far away
Her rulers his acceptance sought.
“And if I go, who stays?”—so rose
His scorn:—“and if I stay, who goes?”
“Lo! thou art gone now, and we stay”
(The curled lips mutter): “and no star
Is from thy mortal path so far
As streets where childhood knew the way.
To Heaven and Hell thy feet may win,
But thine own house they come not in.”
Therefore, the loftier rose the song
To touch the secret things of God,
The deeper pierced the hate that trod
On base men's track who wrought the wrong;
Till the soul's effluence came to be
Its own exceeding agony.
Arriving only to depart,
From court to court, from land to land,
Like flame within the naked hand
His body bore his burning heart
That still on Florence strove to bring
God's fire for a burnt offering.
Even such was Dante's mood, when now,
Mocked for long years with Fortune's sport,
He dwelt at yet another court,
There where Verona's knee did bow
And her voice hailed with all acclaim
Can Grande della Scala's name.
As that lord's kingly guest awhile
His life we follow; through the days
Which walked in exile's barren ways,—
The nights which still beneath one smile
Heard through all spheres one song increase,—
“Even I, even I am Beatrice.”
At Can La Scala's court, no doubt,
Due reverence did his steps attend;
The ushers on his path would bend
At ingoing as at going out;
The penmen waited on his call
At council-board, the grooms in hall.
And pages hushed their laughter down,
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And gay squires stilled the merry stir,
When he passed up the dais-chamber
With set brows lordlier than a frown;
And tire-maids hidden among these
Drew close their loosened bodices.
Perhaps the priests, (exact to span
All God's circumference,) if at whiles
They found him wandering in their aisles,
Grudged ghostly greeting to the man
By whom, though not of ghostly guild,
With Heaven and Hell men's hearts were fill'd.
And the court-poets (he, forsooth,
A whole world's poet strayed to court!)
Had for his scorn their hate's retort.
He'd meet them flushed with easy youth,
Hot on their errands. Like noon-flies
They vexed him in the ears and eyes.
But at this court, peace still must wrench
Her chaplet from the teeth of war:
By day they held high watch afar,
At night they cried across the trench;
And still, in Dante's path, the fierce
Gaunt soldiers wrangled o'er their spears.
But vain seemed all the strength to him,
As golden convoys sunk at sea
Whose wealth might root out penury:
Because it was not, limb with limb,
Knit like his heart-strings round the wall
Of Florence, that ill pride might fall.
Yet in the tiltyard, when the dust
Cleared from the sundered press of knights
Ere yet again it swoops and smites,
He almost deemed his longing must
Find force to yield that multitude
And hurl that strength the way he would.
How should he move them,—fame and gain
On all hands calling them at strife?
He still might find but his one life
To give, by Florence counted vain;
One heart the false hearts made her doubt,
One voice she heard once and cast out.
Oh! if his Florence could but come,
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A lily-sceptred damsel fair,
As her own Giotto painted her
On many shields and gates at home,—
A lady crowned, at a soft pace
Riding the lists round to the dais:
Till where Can Grande rules the lists,
As young as Truth, as calm as Force,
She draws her rein now, while her horse
Bows at the turn of the white wrists;
And when each knight within his stall
Gives ear, she speaks and tells them all:
All the foul tale,—truth sworn untrue
And falsehood's triumph. All the tale?
Great God! and must she not prevail
To fire them ere they heard it through,—
And hand achieve ere heart could rest
That high adventure of her quest?
How would his Florence lead them forth,
Her bridle ringing as she went;
And at the last within her tent,
'Neath golden lilies worship-worth,
How queenly would she bend the while
And thank the victors with her smile!
Also her lips should turn his way
And murmur: “O thou tried and true,
With whom I wept the long years through!
What shall it profit if I say,
Thee I remember? Nay, through thee
All ages shall remember me.”
Peace, Dante, peace! The task is long,
The time wears short to compass it.
Within thine heart such hopes may flit
And find a voice in deathless song:
But lo! as children of man's earth,
Those hopes are dead before their birth.
Fame tells us that Verona's court
Was a fair place. The feet might still
Wander for ever at their will
In many ways of sweet resort;
And still in many a heart around
The Poet's name due honour found.
Watch we his steps. He comes upon
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The women at their palm-playing.
The conduits round the gardens sing
And meet in scoops of milk-white stone,
Where wearied damsels rest and hold
Their hands in the wet spurt of gold.
One of whom, knowing well that he,
By some found stern, was mild with them,
Would run and pluck his garment's hem,
Saying, “Messer Dante, pardon me,”—
Praying that they might hear the song
Which first of all he made, when young.
“Donne che avete” . . . Thereunto
Thus would he murmur, having first
Drawn near the fountain, while she nurs'd
His hand against her side: a few
Sweet words, and scarcely those, half said:
Then turned, and changed, and bowed his head.
For then the voice said in his heart,
“Even I, even I am Beatrice”;
And his whole life would yearn to cease:
Till having reached his room, apart
Beyond vast lengths of palace-floor,
He drew the arras round his door.
At such times, Dante, thou hast set
Thy forehead to the painted pane
Full oft, I know; and if the rain
Smote it outside, her fingers met
Thy brow; and if the sun fell there,
Her breath was on thy face and hair.
Then, weeping, I think certainly
Thou hast beheld, past sight of eyne,—
Within another room of thine
Where now thy body may not be
But where in thought thou still remain'st,—
A window often wept against:
The window thou, a youth, hast sought,
Flushed in the limpid eventime,
Ending with daylight the day's rhyme
Of her; where oftenwhiles her thought
Held thee—the lamp untrimmed to write—
In joy through the blue lapse of night.
At Can La Scala's court, no doubt,
73
Guests seldom wept. It was brave sport,
No doubt, at Can La Scala's court,
Within the palace and without;
Where music, set to madrigals,
Loitered all day through groves and halls.
Because Can Grande of his life
Had not had six-and-twenty years
As yet. And when the chroniclers
Tell you of that Vicenza strife
And of strifes elsewhere,—you must not
Conceive for church-sooth he had got
Just nothing in his wits but war:
Though doubtless 'twas the young man's joy
(Grown with his growth from a mere boy,)
To mark his “Viva Cane!” scare
The foe's shut front, till it would reel
All blind with shaken points of steel.
But there were places—held too sweet
For eyes that had not the due veil
Of lashes and clear lids—as well
In favour as his saddle-seat:
Breath of low speech he scorned not there
Nor light cool fingers in his hair.
Yet if the child whom the sire's plan
Made free of a deep treasure-chest
Scoffed it with ill-conditioned jest,—
We may be sure too that the man
Was not mere thews, nor all content
With lewdness swathed in sentiment.
So you may read and marvel not
That such a man as Dante—one
Who, while Can Grande's deeds were done,
Had drawn his robe round him and thought—
Now at the same guest-table far'd
Where keen Uguccio wiped his beard.
Through leaves and trellis-work the sun
Left the wine cool within the glass,—
They feasting where no sun could pass:
And when the women, all as one,
Rose up with brightened cheeks to go,
It was a comely thing, we know.
But Dante recked not of the wine;
74
Whether the women stayed or went,
His visage held one stern intent:
And when the music had its sign
To breathe upon them for more ease,
Sometimes he turned and bade it cease.
And as he spared not to rebuke
The mirth, so oft in council he
To bitter truth bore testimony:
And when the crafty balance shook
Well poised to make the wrong prevail,
Then Dante's hand would turn the scale.
And if some envoy from afar
Sailed to Verona's sovereign port
For aid or peace, and all the court
Fawned on its lord, “the Mars of war,
Sole arbiter of life and death,”—
Be sure that Dante saved his breath.
And Can La Scala marked askance
These things, accepting them for shame
And scorn, till Dante's guestship came
To be a peevish sufferance:
His host sought ways to make his days
Hateful; and such have many ways.
There was a Jester, a foul lout
Whom the court loved for graceless arts;
Sworn scholiast of the bestial parts
Of speech; a ribald mouth to shout
In Folly's horny tympanum
Such things as make the wise man dumb.
Much loved, him Dante loathed. And so,
One day when Dante felt perplexed
If any day that could come next
Were worth the waiting for or no,
And mute he sat amid their din,—
Can Grande called the Jester in.
Rank words, with such, are wit's best wealth.
Lords mouthed approval; ladies kept
Twittering with clustered heads, except
Some few that took their trains by stealth
And went. Can Grande shook his hair
And smote his thighs and laughed i' the air.
Then, facing on his guest, he cried,—
75
“Say, Messer Dante, how it is
I get out of a clown like this
More than your wisdom can provide.”
And Dante: “'Tis man's ancient whim
That still his like seems good to him.”
Also a tale is told, how once,
At clearing tables after meat,
Piled for a jest at Dante's feet
Were found the dinner's well-picked bones;
So laid, to please the banquet's lord,
By one who crouched beneath the board.
Then smiled Can Grande to the rest:—
“Our Dante's tuneful mouth indeed
Lacks not the gift on flesh to feed!”
“Fair host of mine,” replied the guest,
“So many bones you'd not descry
If so it chanced the dog were I.”
But wherefore should we turn the grout
In a drained cup, or be at strife
From the worn garment of a life
To rip the twisted ravel out?
Good needs expounding; but of ill
Each hath enough to guess his fill.
They named him Justicer-at-Law:
Each month to bear the tale in mind
Of hues a wench might wear unfin'd
And of the load an ox might draw;
To cavil in the weight of bread
And to see purse-thieves gibbeted.
And when his spirit wove the spell
(From under even to over-noon
In converse with itself alone,)
As high as Heaven, as low as Hell,—
He would be summoned and must go:
For had not Gian stabbed Giacomo?
Therefore the bread he had to eat
Seemed brackish, less like corn than tares;
And the rush-strown accustomed stairs
Each day were steeper to his feet;
And when the night-vigil was done,
His brows would ache to feel the sun.
Nevertheless, when from his kin
76
There came the tidings how at last
In Florence a decree was pass'd
Whereby all banished folk might win
Free pardon, so a fine were paid
And act of public penance made,—
This Dante writ in answer thus,
Words such as these: “That clearly they
In Florence must not have to say,—
The man abode aloof from us
Nigh fifteen years, yet lastly skulk'd
Hither to candleshrift and mulct.
“That he was one the Heavens forbid
To traffic in God's justice sold
By market-weight of earthly gold,
Or to bow down over the lid
Of steaming censers, and so be
Made clean of manhood's obloquy.
“That since no gate led, by God's will,
To Florence, but the one whereat
The priests and money-changers sat,
He still would wander; for that still,
Even through the body's prison-bars,
His soul possessed the sun and stars.”
Such were his words. It is indeed
For ever well our singers should
Utter good words and know them good
Not through song only; with close heed
Lest, having spent for the work's sake
Six days, the man be left to make.
Months o'er Verona, till the feast
Was come for Florence the Free Town:
And at the shrine of Baptist John
The exiles, girt with many a priest
And carrying candles as they went,
Were held to mercy of the saint.
On the high seats in sober state,—
Gold neck-chains range o'er range below
Gold screen-work where the lilies grow,—
The Heads of the Republic sate,
Marking the humbled face go by
Each one of his house-enemy.
And as each proscript rose and stood
77
From kneeling in the ashen dust
On the shrine-steps, some magnate thrust
A beard into the velvet hood
Of his front colleague's gown, to see
The cinders stuck in the bare knee.
Tosinghi passed, Manelli passed,
Rinucci passed, each in his place;
But not an Alighieri's face
Went by that day from first to last
In the Republic's triumph; nor
A foot came home to Dante's door.
(RESPUBLICA—a public thing:
A shameful shameless prostitute,
Whose lust with one lord may not suit,
So takes by turn its revelling
A night with each, till each at morn
Is stripped and beaten forth forlorn,
And leaves her, cursing her. If she,
Indeed, have not some spice-draught, hid
In scent under a silver lid,
To drench his open throat with—he
Once hard asleep; and thrust him not
At dawn beneath the stairs to rot.
Such this Republic!—not the Maid
He yearned for; she who yet should stand
With Heaven's accepted hand in hand,
Invulnerable and unbetray'd:
To whom, even as to God, should be
Obeisance one with Liberty.)
Years filled out their twelve moons, and ceased
One in another; and alway
There were the whole twelve hours each day
And each night as the years increased;
And rising moon and setting sun
Beheld that Dante's work was done.
What of his work for Florence? Well
It was, he knew, and well must be.
Yet evermore her hate's decree
Dwelt in his thought intolerable:—
His body to be burned,*—his soul
To beat its wings at hope's vain goal.
What of his work for Beatrice?
78
Now well-nigh was the third song writ,—
The stars a third time sealing it
With sudden music of pure peace:
For echoing thrice the threefold song,
The unnumbered stars the tone prolong.†
Each hour, as then the Vision pass'd,
He heard the utter harmony
Of the nine trembling spheres, till she
Bowed her eyes towards him in the last,
So that all ended with her eyes,
Hell, Purgatory, Paradise.
“It is my trust, as the years fall,
To write more worthily of her
Who now, being made God's minister,
Looks on His visage and knows all.”
Such was the hope that love dar'd blend
With grief's slow fires, to make an end
Of the “New Life,” his youth's dear book:
Adding thereunto: “In such trust
I labour, and believe I must
Accomplish this which my soul took
In charge, if God, my Lord and hers,
Leave my life with me a few years.”
The trust which he had borne in youth
Was all at length accomplished. He
At length had written worthily—
Yea even of her; no rhymes uncouth
'Twixt tongue and tongue; but by God's aid
The first words Italy had said.
Ah! haply now the heavenly guide
Was not the last form seen by him:
But there that Beatrice stood slim
And bowed in passing at his side,
For whom in youth his heart made moan
Then when the city sat alone Quomodo sedet sola civitas!
—The words quoted by Dante in the Vita Nuova when
he speaks of the death of Beatrice.
Clearly herself: the same whom he
Met, not past girlhood, in the street,
Low-bosomed and with hidden feet;
And then as woman perfectly,
In years that followed, many an once,—
79
And now at last among the suns
In that high vision. But indeed
It may be memory might recall
Last to him then the first of all,—
The child his boyhood bore in heed
Nine years. At length the voice brought peace,—
“Even I, even I am Beatrice.”
All this, being there, we had not seen.
Seen only was the shadow wrought
On the strong features bound in thought;
The vagueness gaining gait and mien;
The white streaks gathering clear to view
In the burnt beard the women knew.
For a tale tells that on his track,
As through Verona's streets he went,
This saying certain women sent:—
“Lo, he that strolls to Hell and back
At will! Behold him, how Hell's reek
Has crisped his beard and singed his cheek.”
“Whereat” (Boccaccio's words) “he smiled
For pride in fame.” It might be so:
Nevertheless we cannot know
If haply he were not beguiled
To bitterer mirth, who scarce could tell
If he indeed were back from Hell.
So the day came, after a space,
When Dante felt assured that there
The sunshine must lie sicklier
Even than in any other place,
Save only Florence. When that day
Had come, he rose and went his way.
He went and turned not. From his shoes
It may be that he shook the dust,
As every righteous dealer must
Once and again ere life can close:
And unaccomplished destiny
Struck cold his forehead, it may be.
No book keeps record how the Prince
Sunned himself out of Dante's reach,
Nor how the Jester stank in speech:
While courtiers, used to cringe and wince,
Poets and harlots, all the throng,
80
Let loose their scandal and their song.
No book keeps record if the seat
Which Dante held at his host's board
Were sat in next by clerk or lord,—
If leman lolled with dainty feet
At ease, or hostage brooded there,
Or priest lacked silence for his prayer.
Eat and wash hands, Can Grande;—scarce
We know their deeds now: hands which fed
Our Dante with that bitter bread;
And thou the watch-dog of those stairs
Which, of all paths his feet knew well,
Were steeper found than Heaven or Hell.
~ Dante Gabriel Rossetti,
94:CANTO I.
Fanatics have their dreams, wherewith they weave
A paradise for a sect; the savage, too,
From forth the loftiest fashion of his sleep
Guesses at heaven; pity these have not
Trac'd upon vellum or wild Indian leaf
The shadows of melodious utterance,
But bare of laurel they live, dream, and die;
For Poesy alone can tell her dreams,--
With the fine spell of words alone can save
Imagination from the sable chain
And dumb enchantment. Who alive can say,
"Thou art no Poet -- may'st not tell thy dreams?"
Since every man whose soul is not a clod
Hath visions and would speak, if he had loved,
And been well nurtured in his mother tongue.
Whether the dream now purpos'd to rehearse
Be poet's or fanatic's will be known
When this warm scribe, my hand, is in the grave.

Methought I stood where trees of every clime,
Palm, myrtle, oak, and sycamore, and beech,
With plantane and spice-blossoms, made a screen,
In neighbourhood of fountains (by the noise
Soft-showering in mine ears), and (by the touch
Of scent) not far from roses. Twining round
I saw an arbour with a drooping roof
Of trellis vines, and bells, and larger blooms,
Like floral censers, swinging light in air;
Before its wreathed doorway, on a mound
Of moss, was spread a feast of summer fruits,
Which, nearer seen, seem'd refuse of a meal
By angel tasted or our Mother Eve;
For empty shells were scatter'd on the grass,
And grapestalks but half-bare, and remnants more
Sweet-smelling, whose pure kinds I could not know.
Still was more plenty than the fabled horn
Thrice emptied could pour forth at banqueting,
For Prosperine return'd to her own fields,
Where the white heifers low. And appetite,
More yearning than on earth I ever felt,
Growing within, I ate deliciously,--
And, after not long, thirsted; for thereby
Stood a cool vessel of transparent juice
Sipp'd by the wander'd bee, the which I took,
And pledging all the mortals of the world,
And all the dead whose names are in our lips,
Drank. That full draught is parent of my theme.
No Asian poppy nor elixir fine
Of the soon-fading, jealous, Caliphat,
No poison gender'd in close monkish cell,
To thin the scarlet conclave of old men,
Could so have rapt unwilling life away.
Among the fragment husks and berries crush'd
Upon the grass, I struggled hard against
The domineering potion, but in vain.
The cloudy swoon came on, and down I sank,
Like a Silenus on an antique vase.
How long I slumber'd 'tis a chance to guess.
When sense of life return'd, I started up
As if with wings, but the fair trees were gone,
The mossy mound and arbour were no more;
I look'd around upon the curved sides
Of an old sanctuary, with roof august,
Builded so high, it seem'd that filmed clouds
Might spread beneath as o'er the stars of heaven.
So old the place was, I remember'd none
The like upon the earth: what I had seen
Of grey cathedrals, buttress'd walls, rent towers,
The superannuations of sunk realms,
Or Nature's rocks toil'd hard in waves and winds,
Seem'd but the faulture of decrepit things
To that eternal domed monument.
Upon the marble at my feet there lay
Store of strange vessels and large draperies,
Which needs have been of dyed asbestos wove,
Or in that place the moth could not corrupt,
So white the linen, so, in some, distinct
Ran imageries from a sombre loom.
All in a mingled heap confus'd there lay
Robes, golden tongs, censer and chafing-dish,
Girdles, and chains, and holy jewelries.

Turning from these with awe, once more I raised
My eyes to fathom the space every way:
The embossed roof, the silent massy range
Of columns north and south, ending in mist
Of nothing; then to eastward, where black gates
Were shut against the sunrise evermore;
Then to the west I look'd, and saw far off
An image, huge of feature as a cloud,
At level of whose feet an altar slept,
To be approach'd on either side by steps
And marble balustrade, and patient travail
To count with toil the innumerable degrees.
Towards the altar sober-pac'd I went,
Repressing haste as too unholy there;
And, coming nearer, saw beside the shrine
One ministering; and there arose a flame
When in mid-day the sickening east-wind
Shifts sudden to the south, the small warm rain
Melts out of the frozen incense from all flowers,
And fills the air with so much pleasant health
That even the dying man forgets his shroud;--
Even so that lofty sacrificial fire,
Sending forth Maian incense, spread around
Forgetfulness of everything but bliss,
And clouded all the altar with soft smoke;
From whose white fragrant curtains thus I heard
Language pronounc'd: "If thou canst not ascend
These steps, die on that marble where thou art.
Thy flesh, near cousin to the common dust,
Will parch for lack of nutriment; thy bones
Will wither in few years, and vanish so
That not the quickest eye could find a grain
Of what thou now art on that pavement cold.
The sands of thy short life are spent this hour,
And no hand in the universe can turn
Thy hourglass, if these gummed leaves be burnt
Ere thou canst mount up these immortal steps."
I heard, I look'd: two senses both at once,
So fine, so subtle, felt the tyranny
Of that fierce threat and the hard task proposed.
Prodigious seem'd the toil; the leaves were yet
Burning, when suddenly a palsied chill
Struck from the paved level up my limbs.
And was ascending quick to put cold grasp
Upon those streams that pulse beside the throat.
I shriek'd, and the sharp anguish of my shriek
Stung my own ears; I strove hard to escape
The numbness, strove to gain the lowest step.
Slow, heavy, deadly was my pace: the cold
Grew stifling, suffocating at the heart;
And when I clasp'd my hands I felt them not.
One minute before death my ic'd foot touch'd
The lowest stair; and, as it touch'd, life seem'd
To pour in at the toes; I mounted up
As once fair angels on a ladder flew
From the green turf to heaven. "Holy Power,"
Cry'd I, approaching near the horned shrine,
"What am I that another death come not
To choke my utterance, sacrilegious, here?"
Then said the veiled shadow: "Thou hast felt
What 'tis to die and live again before
Thy fated hour; that thou hadst power to do so
Is thine own safety; thou hast dated on
Thy doom." "High Prophetess," said I, "purge off,
Benign, if so it please thee, my mind's film."
"None can usurp this height," return'd that shade,
"But those to whom the miseries of the world
Are misery, and will not let them rest.
All else who find a haven in the world,
Where they may thoughtless sleep away their days,
If by a chance into this fane they come,
Rot on the pavement where thou rottedst half."
"Are there not thousands in the world," said I,
Encourag'd by the sooth voice of the shade,
"Who love their fellows even to the death,
Who feel the giant agony of the world,
And more, like slaves to poor humanity,
Labour for mortal good? I sure should see
Other men here, but I am here alone."
"Those whom thou spakest of are no visionaries,"
Rejoin'd that voice; "they are no dreamers weak;
They seek no wonder but the human face,
No music but a happy-noted voice:
They come not here, they have no thought to come;
And thou art here, for thou art less than they.
What benefit canst thou do, or all thy tribe,
To the great world? Thou art a dreaming thing,
A fever of thyself: think of the earth;
What bliss, even in hope, is there for thee?
What haven? every creature hath its home,
Every sole man hath days of joy and pain,
Whether his labours be sublime or low --
The pain alone, the joy alone, distinct:
Only the dreamer venoms all his days,
Bearing more woe than all his sins deserve.
Therefore, that happiness be somewhat shared,
Such things as thou art are admitted oft
Into like gardens thou didst pass erewhile,
And suffer'd in these temples: for that cause
Thou standest safe beneath this statue's knees."
"That I am favour'd for unworthiness,
But such propitious parley medicined
In sickness not ignoble, I rejoice,
Aye, and could weep for love of such award."
So answer'd I, continuing, "If it please,
Majestic shadow, tell me where I am,
Whose altar this, for whom this incense curls;
What image this whose face I cannot see
For the broad marble knees; and who thou art,
Of accent feminine so courteous?"

Then the tall shade, in drooping linen veil'd,
Spoke out, so much more earnest, that her breath
Stirr'd the thin folds of gauze that drooping hung
About a golden censer from her hand
Pendent; and by her voice I knew she shed
Long-treasured tears. "This temple, sad and lone,
Is all spar'd from the thunder of a war
Foughten long since by giant hierarchy
Against rebellion: this old image here,
Whose carved features wrinkled as he fell,
Is Saturn's; I, Moneta, left supreme,
Sole goddess of this desolation."
I had no words to answer, for my tongue,
Useless, could find about its roofed home
No syllable of a fit majesty
To make rejoinder of Moneta's mourn:
There was a silence, while the altar's blaze
Was fainting for sweet food. I look'd thereon,
And on the paved floor, where nigh were piled
****s of cinnamon, and many heaps
Of other crisped spicewood: then again
I look'd upon the altar, and its horns
Whiten'd with ashes, and its languorous flame,
And then upon the offerings again;
And so, by turns, till sad Moneta cry'd:
"The sacrifice is done, but not the less
Will I be kind to thee for thy good will.
My power, which to me is still a curse,
Shall be to thee a wonder; for the scenes
Still swooning vivid through my globbed brain,
With an electral changing misery,
Thou shalt with these dull mortal eyes behold
Free from all pain, if wonder pain thee not."
As near as an immortal's sphered words
Could to a mother's soften were these last:
And yet I had a terror of her robes,
And chiefly of the veils that from her brow
Hung pale, and curtain'd her in mysteries,
That made my heart too small to hold its blood.
This saw that Goddess, and with sacred hand
Parted the veils. Then saw I a wan face,
Not pin'd by human sorrows, but bright-blanch'd
By an immortal sickness which kills not;
It works a constant change, which happy death
Can put no end to; deathwards progressing
To no death was that visage; it had past
The lilly and the snow; and beyond these
I must not think now, though I saw that face.
But for her eyes I should have fled away;
They held me back with a benignant light,
Soft, mitigated by divinest lids
Half-clos'd, and visionless entire they seem'd
Of all external things; they saw me not,
But in blank splendour beam'd, like the mild moon,
Who comforts those she sees not, who knows not
What eyes are upward cast. As I had found
A grain of gold upon a mountain's side,
And, twing'd with avarice, strain'd out my eyes
To search its sullen entrails rich with ore,
So, at the sad view of Moneta's brow,
I ask'd to see what things the hollow brow
Behind environ'd: what high tragedy
In the dark secret chambers of her skull
Was acting, that could give so dread a stress
To her cold lips, and fill with such a light
Her planetary eyes, and touch her voice
With such a sorrow? "Shade of Memory!"
Cried I, with act adorant at her feet,
"By all the gloom hung round thy fallen house,
By this last temple, by the golden age,
By Great Apollo, thy dear Foster-child,
And by thyself, forlorn divinity,
The pale Omega of a wither'd race,
Let me behold, according as thou saidst,
What in thy brain so ferments to and fro!"
No sooner had this conjuration past
My devout lips, than side by side we stood
(Like a stunt bramble by a solemn pine)
Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon and eve's one star.
Onward I look'd beneath the gloomy boughs,
And saw what first I thought an image huge,
Like to the image pedestall'd so high
In Saturn's temple; then Moneta's voice
Came brief upon mine ear. "So Saturn sat
When he had lost his realms;" whereon there grew
A power within me of enormous ken
To see as a god sees, and take the depth
Of things as nimbly as the outward eye
Can size and shape pervade. The lofty theme
Of those few words hung vast before my mind
With half-unravell'd web. I sat myself
Upon an eagle's watch, that I might see,
And seeing ne'er forget. No stir of life
Was in this shrouded vale, -- not so much air
As in the zoning of a summer's day
Robs not one light seed from the feather'd grass;
But where the dead leaf fell there did it rest.
A stream went noiseless by, still deaden'd more
By reason of the fallen divinity
Spreading more shade; the Naiad 'mid her reeds
Prest her cold finger closer to her lips.

Along the margin-sand large foot-marks went
No further than to where old Saturn's feet
Had rested, and there slept how long a sleep!
Degraded, cold, upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred, and his realmless eyes were closed;
While his bow'd head seem'd listening to the Earth,
His ancient mother, for some comfort yet.

It seem'd no force could wake him from his place;
But there came one who, with a kindred hand,
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
Then came the griev'd voice of Mnemosyne,
And griev'd I hearken'd. "That divinity
Whom thou saw'st step from yon forlornest wood,
And with slow pace approach our fallen king,
Is Thea, softest-natured of our brood."
I mark'd the Goddess, in fair statuary
Surpassing wan Moneta by the head,
And in her sorrow nearer woman's tears.
There was a list'ning fear in her regard,
As if calamity had but begun;
As if the venom'd clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up,
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain;
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning, with parted lips some words she spoke
In solemn tenour and deep organ-tone;
Some mourning words, which in our feeble tongue
Would come in this like accenting; how frail
To that large utterance of the early gods!

"Saturn, look up! and for what, poor lost king?
I have no comfort for thee; no, not one;
I cannot say, wherefore thus sleepest thou?
For Heaven is parted from thee, and the Earth
Knows thee not, so afflicted, for a god.
The Ocean, too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thy hoary majesty.
Thy thunder, captious at the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning, in unpractis'd hands,
Scourges and burns our once serene domain.

"With such remorseless speed still come new woes,
That unbelief has not a space to breathe.
Saturn! sleep on: me thoughtless, why should I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn! sleep on, while at thy feet I weep."

As when upon a tranced summer-night
Forests, branch-charmed by the earnest stars,
Dream, and so dream all night without a noise,
Save from one gradual solitary gust
Swelling upon the silence, dying off,
As if the ebbing air had but one wave,
So came these words and went; the while in tears
She prest her fair large forehead to the earth,
Just where her fallen hair might spread in curls,
A soft and silken net for Saturn's feet.
Long, long these two were postured motionless,
Like sculpture builded-up upon the grave
Or their own power. A long awful time
I look'd upon them: still they were the same;
The frozen God still bending to the earth,
And the sad Goddess weeping at his feet;
Moneta silent. Without stay or prop
But my own weak mortality, I bore
The load of this eternal quietude,
The unchanging gloom and the three fixed shapes
Ponderous upon my senses, a whole moon;
For by my burning brain I measured sure
Her silver seasons shedded on the night.
And every day by day methought I grew
More gaunt and ghostly. Oftentimes I pray'd
Intense, that death would take me from the vale
And all its burthens; gasping with despair
Of change, hour after hour I curs'd myself,
Until old Saturn rais'd his faded eyes,
And look'd around and saw his kingdom gone,
And all the gloom and sorrow of the place,
And that fair kneeling Goddess at his feet.

As the moist scent of flowers, and grass, and leaves,
Fills forest-dells with a pervading air,
Known to the woodland nostril, so the words
Of Saturn fill'd the mossy glooms around,
Even to the hollows of time-eaten oaks,
And to the windings of the foxes' hole,
With sad, low tones, while thus he spoke, and sent
Strange moanings to the solitary Pan.
"Moan, brethren, moan, for we are swallow'd up
And buried from all godlike exercise
Of influence benign on planets pale,
And peaceful sway upon man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in. Moan and wail;
Moan, brethren, moan; for lo, the rebel spheres
Spin round; the stars their ancient courses keep;
Clouds still with shadowy moisture haunt the earth,
Still suck their fill of light from sun and moon;
Still buds the tree, and still the seashores murmur;
There is no death in all the universe,
No smell of death. -- There shall be death. Moan, moan,
Moan, Cybele, moan; for thy pernicious babes
Weak as the reed, weak, feeble as my voice.
Oh! Oh! the pain, the pain of feebleness;
Moan, moan, for still I thaw; or give me help;
Throw down those imps, and give me victory.
Let me hear other groans, and trumpets blown
Of triumph calm, and hymns of festival,
From the gold peaks of heaven's high-piled clouds;
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children." So he feebly ceased,
With such a poor and sickly-sounding pause,
Methought I heard some old man of the earth
Bewailing earthly loss; nor could my eyes
And ears act with that unison of sense
Which marries sweet sound with the grace of form,
And dolorous accent from a tragic harp
With large-limb'd visions. More I scrutinized.
Still fixt he sat beneath the sable trees,
Whose arms spread straggling in wild serpent forms
With leaves all hush'd; his awful presence there
(Now all was silent) gave a deadly lie
To what I erewhile heard: only his lips
Trembled amid the white curls of his beard;
They told the truth, though round the snowy locks
Hung nobly, as upon the face of heaven
A mid-day fleece of clouds. Thea arose,
And stretcht her white arm through the hollow dark,
Pointing some whither: whereat he too rose,
Like a vast giant, seen by men at sea
To grow pale from the waves at dull midnight.
They melted from my sight into the woods;
Ere I could turn, Moneta cry'd, "These twain
Are speeding to the families of grief,
Where, rooft in by black rocks, they waste in pain
And darkness, for no hope." And she spake on,
As ye may read who can unwearied pass
Onward from the antechamber of this dream,
Where, even at the open doors, awhile
I must delay, and glean my memory
Of her high phrase -- perhaps no further dare.

CANTO II.

"Mortal, that thou may'st understand aright,
I humanize my sayings to thine ear,
Making comparisons of earthly things;
Or thou might'st better listen to the wind,
Whose language is to thee a barren noise,
Though it blows legend-laden thro' the trees.
In melancholy realms big tears are shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe.
The Titans fierce, self-hid or prison-bound,
Groan for the old allegiance once more,
Listening in their doom for Saturn's voice.
But one of the whole eagle-brood still keeps
His sovereignty, and rule, and majesty:
Blazing Hyperion on his orbed fire
Still sits, still snuffs the incense teeming up
From Man to the Sun's God -- yet insecure.
For as upon the earth dire prodigies
Fright and perplex, so also shudders he;
Not at dog's howl or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing bell,
Or prophesyings of the midnight lamp;
But horrors, portioned to a giant nerve,
Make great Hyperion ache. His palace bright,
Bastion'd with pyramids of shining gold,
And touch'd with shade of bronzed obelisks,
Glares a blood-red thro' all the thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flash angerly; when he would taste the wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate takes
Savour of poisonous brass and metals sick;
Wherefore when harbour'd in the sleepy West,
After the full completion of fair day,
For rest divine upon exalted couch,
And slumber in the arms of melody,
He paces through the pleasant hours of ease,
With strides colossal, on from hall to hall,
While far within each aisle and deep recess
His winged minions in close clusters stand
Amaz'd, and full of fear; like anxious men,
Who on a wide plain gather in sad troops,
When earthquakes jar their battlements and towers.
Even now where Saturn, rous'd from icy trance,
Goes step for step with Thea from yon woods,
Hyperion, leaving twilight in the rear,
Is sloping to the threshold of the West.
Thither we tend." Now in the clear light I stood,
Reliev'd from the dusk vale. Mnemosyne
Was sitting on a square-edg'd polish'd stone,
That in its lucid depth reflected pure
Her priestess' garments. My quick eyes ran on
From stately nave to nave, from vault to vault,
Through bow'rs of fragrant and enwreathed light,
And diamond-paved lustrous long arcades.
Anon rush'd by the bright Hyperion;
His flaming robes stream'd out beyond his heels,
And gave a roar as if of earthy fire,
That scar'd away the meek ethereal hours,
And made their dove-wings tremble. On he flared.
* * * * * * * * * * * * * * * * * *
by owner. provided at no charge for educational purposes

~ John Keats, Hyperion, A Vision - Attempted Reconstruction Of The Poem
,
95:He gazed and gazed and gazed and gazed,
Amazed, amazed, amazed, amazed.

Like (7) 2
Saul
I.

Said Abner, ``At last thou art come! Ere I tell, ere thou speak,
``Kiss my cheek, wish me well!'' Then I wished it, and did kiss his cheek.
And he, ``Since the King, O my friend, for thy countenance sent,
``Neither drunken nor eaten have we; nor until from his tent
``Thou return with the joyful assurance the King liveth yet,
``Shall our lip with the honey be bright, with the water be wet.
``For out of the black mid-tent's silence, a space of three days,
``Not a sound hath escaped to thy servants, of prayer nor of praise,
``To betoken that Saul and the Spirit have ended their strife,
``And that, faint in his triumph, the monarch sinks back upon life.

II.

``Yet now my heart leaps, O beloved! God's child with his dew
``On thy gracious gold hair, and those lilies still living and blue
``Just broken to twine round thy harp-strings, as if no wild beat
``Were now raging to torture the desert!''

III.

                     Then I, as was meet,
Knelt down to the God of my fathers, and rose on my feet,
And ran o'er the sand burnt to powder. The tent was unlooped;
I pulled up the spear that obstructed, and under I stooped
Hands and knees on the slippery grass-patch, all withered and gone,
That extends to the second enclosure, I groped my way on
Till I felt where the foldskirts fly open. Then once more I prayed,
And opened the foldskirts and entered, and was not afraid
But spoke, ``Here is David, thy servant!'' And no voice replied.
At the first I saw nought but the blackness but soon I descried
A something more black than the blackness-the vast, the upright
Main prop which sustains the pavilion: and slow into sight
Grew a figure against it, gigantic and blackest of all.
Then a sunbeam, that burst thro' the tent-roof, showed Saul.

IV.

He stood as erect as that tent-prop, both arms stretched out wide
On the great cross-support in the centre, that goes to each side;
He relaxed not a muscle, but hung there as, caught in his pangs
And waiting his change, the king-serpent all heavily hangs,
Far away from his kind, in the pine, till deliverance come
With the spring-time,-so agonized Saul, drear and stark, blind and dumb.

V.

Then I tuned my harp,-took off the lilies we twine round its chords
Lest they snap 'neath the stress of the noon-tide-those sunbeams like swords!
And I first played the tune all our sheep know, as, one after one,
So docile they come to the pen-door till folding be done.
They are white and untorn by the bushes, for lo, they have fed
Where the long grasses stifle the water within the stream's bed;
And now one after one seeks its lodging, as star follows star
Into eve and the blue far above us,-so blue and so far!

VI.

-Then the tune, for which quails on the cornland will each leave his mate
To fly after the player; then, what makes the crickets elate
Till for boldness they fight one another: and then, what has weight
To set the quick jerboa amusing outside his sand house-
There are none such as he for a wonder, half bird and half mouse!
God made all the creatures and gave them our love and our fear,
To give sign, we and they are his children, one family here.
VII.

Then I played the help-tune of our reapers, their wine-song, when hand
Grasps at hand, eye lights eye in good friendship, and great hearts expand
And grow one in the sense of this world's life.-And then, the last song
When the dead man is praised on his journey-``Bear, bear him along
``With his few faults shut up like dead flowerets! Are balm-seeds not here
``To console us? The land has none left such as he on the bier.
``Oh, would we might keep thee, my brother!''-And then, the glad chaunt
Of the marriage,-first go the young maidens, next, she whom we vaunt
As the beauty, the pride of our dwelling.-And then, the great march
Wherein man runs to man to assist him and buttress an arch
Nought can break; who shall harm them, our friends?-Then, the chorus intoned
As the Levites go up to the altar in glory enthroned.
But I stopped here: for here in the darkness Saul groaned.

VIII.

And I paused, held my breath in such silence, and listened apart;
And the tent shook, for mighty Saul shuddered: and sparkles 'gan dart
From the jewels that woke in his turban, at once with a start,
All its lordly male-sapphires, and rubies courageous at heart.
So the head: but the body still moved not, still hung there erect.
And I bent once again to my playing, pursued it unchecked,
As I sang,-

IX.

     ``Oh, our manhood's prime vigour! No spirit feels waste,
``Not a muscle is stopped in its playing nor sinew unbraced.
``Oh, the wild joys of living! the leaping from rock up to rock,
``The strong rending of boughs from the fir-tree, the cool silver shock
``Of the plunge in a pool's living water, the hunt of the bear,
``And the sultriness showing the lion is couched in his lair.
``And the meal, the rich dates yellowed over with gold dust divine,
``And the locust-flesh steeped in the pitcher, the full draught of wine,
``And the sleep in the dried river-channel where bulrushes tell
``That the water was wont to go warbling so softly and well.
``How good is man's life, the mere living! how fit to employ
``All the heart and the soul and the senses for ever in joy!
``Hast thou loved the white locks of thy father, whose sword thou didst guard
``When he trusted thee forth with the armies, for glorious reward?
``Didst thou see the thin hands of thy mother, held up as men sung
``The low song of the nearly-departed, and bear her faint tongue
``Joining in while it could to the witness, `Let one more attest,
`` `I have lived, seen God's hand thro'a lifetime, and all was for best'?
``Then they sung thro' their tears in strong triumph, not much, but the rest.
``And thy brothers, the help and the contest, the working whence grew
``Such result as, from seething grape-bundles, the spirit strained true:
``And the friends of thy boyhood-that boyhood of wonder and hope,
``Present promise and wealth of the future beyond the eye's scope,-
``Till lo, thou art grown to a monarch; a people is thine;
``And all gifts, which the world offers singly, on one head combine!
``On one head, all the beauty and strength, love and rage (like the throe
``That, a-work in the rock, helps its labour and lets the gold go)
``High ambition and deeds which surpass it, fame crowning them,-all
``Brought to blaze on the head of one creature-King Saul!''

X.

And lo, with that leap of my spirit,-heart, hand, harp and voice,
Each lifting Saul's name out of sorrow, each bidding rejoice
Saul's fame in the light it was made for-as when, dare I say,
The Lord's army, in rapture of service, strains through its array,
And up soareth the cherubim-chariot-``Saul!'' cried I, and stopped,
And waited the thing that should follow. Then Saul, who hung propped
By the tent's cross-support in the centre, was struck by his name.
Have ye seen when Spring's arrowy summons goes right to the aim,
And some mountain, the last to withstand her, that held (he alone,
While the vale laughed in freedom and flowers) on a broad bust of stone
A year's snow bound about for a breastplate,-leaves grasp of the sheet?
Fold on fold all at once it crowds thunderously down to his feet,
And there fronts you, stark, black, but alive yet, your mountain of old,
With his rents, the successive bequeathings of ages untold-
Yea, each harm got in fighting your battles, each furrow and scar
Of his head thrust 'twixt you and the tempest-all hail, there they are!
-Now again to be softened with verdure, again hold the nest
Of the dove, tempt the goat and its young to the green on his crest
For their food in the ardours of summer. One long shudder thrilled
All the tent till the very air tingled, then sank and was stilled
At the King's self left standing before me, released and aware.
What was gone, what remained? All to traverse, 'twixt hope and despair;
Death was past, life not come: so he waited. Awhile his right hand
Held the brow, helped the eyes left too vacant forthwith to remand
To their place what new objects should enter: 'twas Saul as before.
I looked up and dared gaze at those eyes, nor was hurt any more
Than by slow pallid sunsets in autumn, ye watch from the shore,
At their sad level gaze o'er the ocean-a sun's slow decline
Over hills which, resolved in stern silence, o'erlap and entwine
Base with base to knit strength more intensely: so, arm folded arm
O'er the chest whose slow heavings subsided.

XI.

                     What spell or what charm,
(For, awhile there was trouble within me) what next should I urge
To sustain him where song had restored him?-Song filled to the verge
His cup with the wine of this life, pressing all that it yields
Of mere fruitage, the strength and the beauty: beyond, on what fields,
Glean a vintage more potent and perfect to brighten the eye
And bring blood to the lip, and commend them the cup they put by?
He saith, ``It is good;'' still he drinks not: he lets me praise life,
Gives assent, yet would die for his own part.

XII.

                      Then fancies grew rife
Which had come long ago on the pasture, when round me the sheep
Fed in silence-above, the one eagle wheeled slow as in sleep;
And I lay in my hollow and mused on the world that might lie
'Neath his ken, though I saw but the strip 'twixt the hill and the sky:
And I laughed-``Since my days are ordained to be passed with my flocks,
``Let me people at least, with my fancies, the plains and the rocks,
``Dream the life I am never to mix with, and image the show
``Of mankind as they live in those fashions I hardly shall know!
``Schemes of life, its best rules and right uses, the courage that gains,
``And the prudence that keeps what men strive for.'' And now these old trains
Of vague thought came again; I grew surer; so, once more the string
Of my harp made response to my spirit, as thus-

XIII.

                        ``Yea, my King,''
I began-``thou dost well in rejecting mere comforts that spring
``From the mere mortal life held in common by man and by brute:
``In our flesh grows the branch of this life, in our soul it bears fruit.
``Thou hast marked the slow rise of the tree,-how its stem trembled first
``Till it passed the kid's lip, the stag's antler then safely outburst
``The fan-branches all round; and thou mindest when these too, in turn
``Broke a-bloom and the palm-tree seemed perfect: yet more was to learn,
``E'en the good that comes in with the palm-fruit. Our dates shall we slight,
``When their juice brings a cure for all sorrow? or care for the plight
``Of the palm's self whose slow growth produced them? Not so! stem and branch
``Shall decay, nor be known in their place, while the palm-wine shall staunch
``Every wound of man's spirit in winter. I pour thee such wine.
``Leave the flesh to the fate it was fit for! the spirit be thine!
``By the spirit, when age shall o'ercome thee, thou still shalt enjoy
``More indeed, than at first when inconscious, the life of a boy.
``Crush that life, and behold its wine running! Each deed thou hast done
``Dies, revives, goes to work in the world; until e'en as the sun
``Looking down on the earth, though clouds spoil him, though tempests efface,
``Can find nothing his own deed produced not, must everywhere trace
``The results of his past summer-prime'-so, each ray of thy will,
``Every flash of thy passion and prowess, long over, shall thrill
``Thy whole people, the countless, with ardour, till they too give forth
``A like cheer to their sons, who in turn, fill the South and the North
``With the radiance thy deed was the germ of. Carouse in the past!
``But the license of age has its limit; thou diest at last:
``As the lion when age dims his eyeball, the rose at her height
``So with man-so his power and his beauty for ever take flight.
``No! Again a long draught of my soul-wine! Look forth o'er the years!
``Thou hast done now with eyes for the actual; begin with the seer's!
``Is Saul dead? In the depth of the vale make his tomb-bid arise
``A grey mountain of marble heaped four-square, till, built to the skies,
``Let it mark where the great First King slumbers: whose fame would ye know?
``Up above see the rock's naked face, where the record shall go
``In great characters cut by the scribe,-Such was Saul, so he did;
``With the sages directing the work, by the populace chid,-
``For not half, they'll affirm, is comprised there! Which fault to amend,
``In the grove with his kind grows the cedar, whereon they shall spend
``(See, in tablets 'tis level before them) their praise, and record
``With the gold of the graver, Saul's story,-the statesman's great word
``Side by side with the poet's sweet comment. The river's a-wave
``With smooth paper-reeds grazing each other when prophet-winds rave:
``So the pen gives unborn generations their due and their part
``In thy being! Then, first of the mighty, thank God that thou art!''

XIV.

And behold while I sang but O Thou who didst grant me that day,
And before it not seldom hast granted thy help to essay,
Carry on and complete an adventure,-my shield and my sword
In that act where my soul was thy servant, thy word was my word,-
Still be with me, who then at the summit of human endeavour
And scaling the highest, man's thought could, gazed hopeless as ever
On the new stretch of heaven above me-till, mighty to save,
Just one lift of thy hand cleared that distance-God's throne from man's grave!
Let me tell out my tale to its ending-my voice to my heart
Which can scarce dare believe in what marvels last night I took part,
As this morning I gather the fragments, alone with my sheep,
And still fear lest the terrible glory evanish like sleep!
For I wake in the grey dewy covert, while Hebron upheaves
The dawn struggling with night on his shoulder, and Kidron retrieves
Slow the damage of yesterday's sunshine.

XV.

                   I say then,-my song
While I sang thus, assuring the monarch, and ever more strong
Made a proffer of good to console him-he slowly resumed
His old motions and habitudes kingly. The right-hand replumed
His black locks to their wonted composure, adjusted the swathes
Of his turban, and see-the huge sweat that his countenance bathes,
He wipes off with the robe; and he girds now his loins as of yore,
And feels slow for the armlets of price, with the clasp set before.
He is Saul, ye remember in glory,-ere error had bent
The broad brow from the daily communion; and still, though much spent
Be the life and the bearing that front you, the same, God did choose,
To receive what a man may waste, desecrate, never quite lose.
So sank he along by the tent-prop till, stayed by the pile
Of his armour and war-cloak and garments, he leaned there awhile,
And sat out my singing,-one arm round the tent-prop, to raise
His bent head, and the other hung slack-till I touched on the praise
I foresaw from all men in all time, to the man patient there;
And thus ended, the harp falling forward. Then first I was 'ware
That he sat, as I say, with my head just above his vast knees
Which were thrust out on each side around me, like oak-roots which please
To encircle a lamb when it slumbers. I looked up to know
If the best I could do had brought solace: he spoke not, but slow
Lifted up the hand slack at his side, till he laid it with care
Soft and grave, but in mild settled will, on my brow: thro' my hair
The large fingers were pushed, and he bent back my bead, with kind power-
All my face back, intent to peruse it, as men do a flower.
Thus held he me there with his great eyes that scrutinized mine-
And oh, all my heart how it loved him! but where was the sign?
I yearned-``Could I help thee, my father, inventing a bliss,
``I would add, to that life of the past, both the future and this;
``I would give thee new life altogether, as good, ages hence,
``As this moment,-had love but the warrant, love's heart to dispense!''

XVI.

Then the truth came upon me. No harp more-no song more! outbroke-

XVII.

``I have gone the whole round of creation: I saw and I spoke:
``I, a work of God's hand for that purpose, received in my brain
``And pronounced on the rest of his hand-work-returned him again
``His creation's approval or censure: I spoke as I saw:
``I report, as a man may of God's work-all's love, yet all's law.
``Now I lay down the judgeship he lent me. Each faculty tasked
``To perceive him, has gained an abyss, where a dewdrop was asked.
``Have I knowledge? confounded it shrivels at Wisdom laid bare.
``Have I forethought? how purblind, how blank, to the Infinite Care!
``Do I task any faculty highest, to image success?
``I but open my eyes,-and perfection, no more and no less,
``In the kind I imagined, full-fronts me, and God is seen God
``In the star, in the stone, in the flesh, in the soul and the clod.
``And thus looking within and around me, I ever renew
``(With that stoop of the soul which in bending upraises it too)
``The submission of man's nothing-perfect to God's all-complete,
``As by each new obeisance in spirit, I climb to his feet.
``Yet with all this abounding experience, this deity known,
``I shall dare to discover some province, some gift of my own.
``There's a faculty pleasant to exercise, hard to hoodwink,
``I am fain to keep still in abeyance, (I laugh as I think)
``Lest, insisting to claim and parade in it, wot ye, I worst
``E'en the Giver in one gift.-Behold, I could love if I durst!
``But I sink the pretension as fearing a man may o'ertake
``God's own speed in the one way of love: I abstain for love's sake.
``-What, my soul? see thus far and no farther? when doors great and small,
``Nine-and-ninety flew ope at our touch, should the hundredth appal?
``In the least things have faith, yet distrust in the greatest of all?
``Do I find love so full in my nature, God's ultimate gift,
``That I doubt his own love can compete with it? Here, the parts shift?
``Here, the creature surpass the Creator,-the end, what Began?
``Would I fain in my impotent yearning do all for this man,
``And dare doubt he alone shall not help him, who yet alone can?
``Would it ever have entered my mind, the bare will, much less power,
``To bestow on this Saul what I sang of, the marvellous dower
``Of the life he was gifted and filled with? to make such a soul,
``Such a body, and then such an earth for insphering the whole?
``And doth it not enter my mind (as my warm tears attest)
``These good things being given, to go on, and give one more, the best?
``Ay, to save and redeem and restore him, maintain at the height
``This perfection,-succeed with life's day-spring, death's minute of night?
``Interpose at the difficult minute, snatch Saul the mistake,
``Saul the failure, the ruin he seems now,-and bid him awake
``From the dream, the probation, the prelude, to find himself set
``Clear and safe in new light and new life,-a new harmony yet
``To be run, and continued, and ended-who knows?-or endure!
``The man taught enough, by life's dream, of the rest to make sure;
``By the pain-throb, triumphantly winning intensified bliss,
``And the next world's reward and repose, by the struggles in this.

XVIII.

``I believe it! 'Tis thou, God, that givest, 'tis I who receive:
``In the first is the last, in thy will is my power to believe.
``All's one gift: thou canst grant it moreover, as prompt to my prayer
``As I breathe out this breath, as I open these arms to the air.
``From thy will, stream the worlds, life and nature, thy dread Sabaoth:
``I will?-the mere atoms despise me! Why am I not loth
``To look that, even that in the face too? Why is it I dare
``Think but lightly of such impuissance? What stops my despair?
``This;-'tis not what man Does which exalts him, but what man Would do!
``See the King-I would help him but cannot, the wishes fall through.
``Could I wrestle to raise him from sorrow, grow poor to enrich,
``To fill up his life, starve my own out, I would-knowing which,
``I know that my service is perfect. Oh, speak through me now!
``Would I suffer for him that I love? So wouldst thou-so wilt thou!
``So shall crown thee the topmost, ineffablest, uttermost crown-
``And thy love fill infinitude wholly, nor leave up nor down
``One spot for the creature to stand in! It is by no breath,
``Turn of eye, wave of hand, that salvation joins issue with death!
``As thy Love is discovered almighty, almighty be proved
``Thy power, that exists with and for it, of being Beloved!
``He who did most, shall bear most; the strongest shall stand the most weak.
``'Tis the weakness in strength, that I cry for! my flesh, that I seek
``In the Godhead! I seek and I find it. O Saul, it shall be
``A Face like my face that receives thee; a Man like to me,
``Thou shalt love and be loved by, for ever: a Hand like this hand
``Shall throw open the gates of new life to thee! See the Christ stand!''

XIX.

I know not too well how I found my way home in the night.
There were witnesses, cohorts about me, to left and to right,
Angels, powers, the unuttered, unseen, the alive, the aware:
I repressed, I got through them as hardly, as strugglingly there,
As a runner beset by the populace famished for news-
Life or death. The whole earth was awakened, hell loosed with her crews;
And the stars of night beat with emotion, and tingled and shot
Out in fire the strong pain of pent knowledge: but I fainted not,
For the Hand still impelled me at once and supported, suppressed
All the tumult, and quenched it with quiet, and holy behest,
Till the rapture was shut in itself, and the earth sank to rest.
Anon at the dawn, all that trouble had withered from earth-
Not so much, but I saw it die out in the day's tender birth;
In the gathered intensity brought to the grey of the hills;
In the shuddering forests' held breath; in the sudden wind-thrills;
In the startled wild beasts that bore off, each with eye sidling still
Though averted with wonder and dread; in the birds stiff and chill
That rose heavily, as I approached them, made stupid with awe:
E'en the serpent that slid away silent,-he felt the new law.
The same stared in the white humid faces upturned by the flowers;
The same worked in the heart of the cedar and moved the vine-bowers:
And the little brooks witnessing murmured, persistent and low,
With their obstinate, all but hushed voices-``E'en so, it is so!''
The jumping hare.

One of the three cities of Refuge.
*
A brook in Jerusalem.


~ Robert Browning, Rhyme for a Child Viewing a Naked Venus in a Painting of 'The Judgement of Paris'
,
96:The Botanic Garden (Part Vi)
THE LOVES OF THE PLANTS.
CANTO II.
Again the Goddess strikes the golden lyre,
And tunes to wilder notes the warbling wire;
With soft suspended step Attention moves,
And Silence hovers o'er the listening groves;
Orb within orb the charmed audience throng,
And the green vault reverberates the song.
'Breathe soft, ye Gales!' the fair CARLINA cries,
Bear on broad wings your Votress to the skies.
How sweetly mutable yon orient hues,
As Morn's fair hand her opening roses strews;
How bright, when Iris blending many a ray
Binds in embroider'd wreath the brow of Day;
Soft, when the pendant Moon with lustres pale
O'er heaven's blue arch unfurls her milky veil;
While from the north long threads of silver light
Dart on swift shuttles o'er the tissued night!
'Breathe soft, ye Zephyrs! hear my fervent sighs,
Bear on broad wings your Votress to the skies!'-Plume over plume in long divergent lines
On whale-bone ribs the fair Mechanic joins;
Inlays with eider down the silken strings,
And weaves in wide expanse Dædalian wings;
Round her bold sons the waving pennons binds,
And walks with angel-step upon the winds.
So on the shoreless air the intrepid Gaul
Launch'd the vast concave of his buoyant ball.Journeying on high, the silken castle glides
Bright as a meteor through the azure tides;
O'er towns and towers and temples wins its way,
Or mounts sublime, and gilds the vault of day.
Silent with upturn'd eyes unbreathing crowds
Pursue the floating wonder to the clouds;
And, flush'd with transport or benumb'd with fear,
Watch, as it rises, the diminish'd sphere.
-Now less and less!-and now a speck is seen!-
41
And now the fleeting rack obtrudes between!With bended knees, raised arms, and suppliant brow
To every shrine with mingled cries they vow.'Save Him, ye Saints! who o'er the good preside;
'Bear Him, ye Winds! ye Stars benignant! guide.'
-The calm Philosopher in ether fails,
Views broader stars, and breathes in purer gales;
Sees, like a map, in many a waving line
Round Earth's blue plains her lucid waters mine;
Sees at his feet the forky lightnings glow,
And hears innocuous thunders roar below.
--Rife, great MONGOLFIER! urge thy venturous flight
High o'er the Moon's pale ice-reflected light;
High o'er the pearly Star, whose beamy horn.
Hangs in the east, gay harbinger of morn;
Leave the red eye of Mars on rapid wing;
Jove's silver guards, and Saturn's dusky ring;
Leave the fair beams, which, issuing from afar;
Play with new lustres round the Georgian star;
Shun with strong oars the Sun's attractive throne,
The sparkling zodiack, and the milky zone;
Where headlong Comets with increasing force
Through other systems bend their blazing course.For thee Cassiope her chair withdraws,
For thee the Bear retracts his shaggy paws;
High o'er the North thy golden orb shall roll,
And blaze eternal round the wondering pole.
So Argo, rising from the southern main,
Lights with new stars the blue etherial plain;
With favoring beams the mariner protects,
And the bold course, which first it steer'd, directs.
Inventress of the Woof, fair LINA flings
The flying shuttle through the dancing strings;
Inlays the broider'd weft with flowery dyes,
Quick beat the reeds, the pedals fall and rise;
Slow from the beam the lengths of warp unwind,
And dance and nod the massy weights behind.Taught by her labours, from the fertile soil
Immortal Isis clothed the banks of Nile;
And fair ARACHNE with her rival loom
Found undeserved a melancholy doom.-
42
Five
Sister-nymphs with dewy fingers twine
The beamy flax, and stretch the fibre-line;
Quick eddying threads from rapid spindles reel,
Or whirl with beaten foot the dizzy wheel.
-Charm'd round the busy Fair
five
shepherds press,
Praise the nice texture of their snowy dress,
Admire the Artists, and the art approve,
And tell with honey'd words the tale of love.
So now, where Derwent rolls his dusky floods
Through vaulted mountains, and a night of woods,
The Nymph, GOSSYPIA, treads the velvet sod,
And warms with rosy smiles the watery God;
His ponderous oars to slender spindles turns,
And pours o'er massy wheels his foamy urns;
With playful charms her hoary lover wins,
And wields his trident,-while the Monarch spins.
-First with nice eye emerging Naiads cull
From leathery pods the vegetable wool;
With wiry teeth
revolving cards
release
The tanged knots, and smooth the ravell'd fleece;
Next moves the
iron-band
with fingers fine,
Combs the wide card, and forms the eternal line;
Slow, with soft lips, the
whirling Can
acquires
The tender skeins, and wraps in rising spires;
With quicken'd pace
successive rollers
move,
And these retain, and those extend the
rove
Then fly the spoles, the rapid axles glow;And slowly circumvolves the labouring wheel below.
PAPYRA, throned upon the banks of Nile,
43
Spread her smooth leaf, and waved her silver style.
-The storied pyramid, the laurel'd bust,
The trophy'd arch had crumbled into dust;
The sacred symbol, and the epic song,
(Unknown the character, forgot the tongue,)
With each unconquer'd chief, or fainted maid,
Sunk undistinguish'd in Oblivion's shade.
Sad o'er the scatter'd ruins Genius sigh'd,
And infant Arts but learn'd to lisp and died.
Till to astonish'd realms PAPYRA taught
To paint in mystic colours Sound and Thought.
With Wisdom's voice to print the page sublime,
And mark in adamant the steps of Time.
-Three favour'd youths her soft attention share,
The fond disciples of the studious Fair,
Hear her sweet voice, the golden process prove;
Gaze, as they learn; and, as they listen, love.
The first
from Alpha to Omega joins
The letter'd tribes along the level lines;
Weighs with nice ear the vowel, liquid, surd,
And breaks in syllables the volant word.
Then forms
the next
upon the marshal'd plain
In deepening ranks his dexterous cypher-train;
And counts, as wheel the decimating bands,
The dews of Ægypt, or Arabia's sands,
And then
the third
on four concordant lines
Prints the lone crotchet, and the quaver joins;
Marks the gay trill, the solemn pause inscribes,
And parts with bars the undulating tribes.
Pleased round her cane-wove throne, the applauding crowd
Clap'd their rude hands, their swarthy foreheads bow'd;
With loud acclaim 'a present God!' they cry'd,
'A present God!' rebellowing shores reply'dThen peal'd at intervals with mingled swell
The echoing harp, shrill clarion, horn, and shell;
While Bards ecstatic, bending o'er the lyre,
44
Struck deeper chords, and wing'd the song with fire.
Then mark'd Astronomers with keener eyes
The Moon's refulgent journey through the skies;
Watch'd the swift Comets urge their blazing cars,
And weigh'd the Sun with his revolving Stars.
High raised the Chemists their Hermetic wands,
(And changing forms obey'd their waving hands,)
Her treasur'd gold from Earth's deep chambers tore,
Or fused and harden'd her chalybeate ore.
All with bent knee from fair PAPYRA claim
Wove by her hands the wreath of deathless fame.
-Exulting Genius crown'd his darling child,
The young Arts clasp'd her knees, and Virtue smiled.
So now DELANY forms her mimic bowers,
Her paper foliage, and her silken flowers;
Her virgin train the tender scissars ply,
Vein the green leaf, the purple petal dye:
Round wiry stems the flaxen tendril bends,
Moss creeps below, and waxen fruit impends.
Cold Winter views amid his realms of snow
DELANY'S vegetable statues blow;
Smooths his stern brow, delays his hoary wing,
And eyes with wonder all the blooms of spring.
The gentle LAPSANA, NYMPHÆA fair,
And bright CALENDULA with golden hair,
Watch with nice eye the Earth's diurnal way,
Marking her solar and sidereal day,
Her slow nutation, and her varying clime,
And trace with mimic art the march of Time;
Round his light foot a magic chain they fling,
And count the quick vibrations of his wing.First in its brazen cell reluctant roll'd
Bends the dark spring in many a steely fold;
On spiral brass is stretch'd the wiry thong,
Tooth urges tooth, and wheel drives wheel along;
In diamond-eyes the polish'd axles flow,
Smooth slides the hand, the ballance pants below.
Round the white circlet in relievo bold
A Serpent twines his scaly length in gold;
And brightly pencil'd on the enamel'd sphere
Live the fair trophies of the passing year.
-Here
45
Time's
huge fingers grasp his giant-mace,
And dash proud Superstition from her base,
Rend her strong towers and gorgeous fanes, and shed
The crumbling fragments round her guilty head.
There the gay
Hours
, whom wreaths of roses deck,
Lead their young trains amid the cumberous wreck;
And, slowly purpling o'er the mighty waste,
Plant the fair growths of Science and of Taste.
While each light
Moment
, as it dances by
With feathery foot and pleasure-twinkling eye,
Feeds from its baby-hand, with many a kiss,
The callow nestlings of domestic Bliss.
As yon gay clouds, which canopy the skies,
Change their thin forms, and lose their lucid dyes;
So the soft bloom of Beauty's vernal charms
Fades in our eyes, and withers in our arms.
-Bright as the silvery plume, or pearly shell,
The snow-white rose, or lily's virgin bell,
The fair HELLEBORAS attractive shone,
Warm'd every Sage, and every Shepherd won.Round the gay sisters press the
enamour'd bands
And seek with soft solicitude their hands.
-Ere while how chang'd!-in dim suffusion lies
The glance divine, that lighten'd in their eyes;
Cold are those lips, where smiles seductive hung,
And the weak accents linger on their tongue;
Each roseat feature fades to livid green,-Disgust with face averted shuts the scene.
So from his gorgeous throne, which awed the world,
The mighty Monarch of the east was hurl'd,
To dwell with brutes beneath the midnight storm,
By Heaven's just vengeance changed in mind and form.
-Prone to the earth He bends his brow superb,
Crops the young floret and the bladed herb;
Lolls his red tongue, and from the reedy side
46
Of slow Euphrates laps the muddy tide.
Long eagle-plumes his arching neck invest,
Steal round his arms, and clasp his sharpen'd breast;
Dark brinded hairs in bristling ranks, behind,
Rise o'er his back, and rustle in the wind,
Clothe his lank sides, his shrivel'd limbs surround,
And human hands with talons print the ground.
Silent in shining troops the Courtier-throng
Pursue their monarch as he crawls along;
E'en Beauty pleads in vain with smiles and tears,
Nor Flattery's self can pierce his pendant ears.
Two
Sister-Nymphs to Ganges' flowery brink
Bend their light steps, the lucid water drink,
Wind through the dewy rice, and nodding canes,
(As
eight
black Eunuchs guard the sacred plains),
With playful malice watch the scaly brood,
And shower the inebriate berries on the flood.Stay in your crystal chambers, silver tribes!
Turn your bright eyes, and shun the dangerous bribes;
The tramel'd net with less destruction sweeps
Your curling shallows, and your azure deeps;
With less deceit, the gilded fly beneath,
Lurks the fell hook unseen,-to taste is death!-Dim your slow eyes, and dull your pearly coat,
Drunk on the waves your languid forms shall float,
On useless fins in giddy circles play,
And Herons and Otters seize you for their prey.So, when the Saint from Padua's graceless land
In silent anguish sought the barren strand,
High on the shatter'd beech sublime He stood,
Still'd with his waving arm the babbling flood;
'To Man's dull ear,' He cry'd, 'I call in vain,
'Hear me, ye scaly tenants of the main!'Misshapen Seals approach in circling flocks,
In dusky mail the Tortoise climbs the rocks,
Torpedoes, Sharks, Rays, Porpus, Dolphins, pour
Their twinkling squadrons round the glittering shore;
47
With tangled fins, behind, huge Phocæ glide,
And Whales and Grampi swell the distant tide.
Then kneel'd the hoary Seer, to heaven address'd
His fiery eyes, and smote his sounding breast;
'Bless ye the Lord!' with thundering voice he cry'd,
'Bless ye the Lord!' the bending shores reply'd;
The winds and waters caught the sacred word,
And mingling echoes shouted 'Bless the Lord!'
The listening shoals the quick contagion feel,
Pant on the floods, inebriate with their zeal,
Ope their wide jaws, and bow their slimy heads,
And dash with frantic fins their foamy beds.
Sopha'd on silk, amid her charm-built towers,
Her meads of asphodel, and amaranth bowers,
Where Sleep and Silence guard the soft abodes,
In sullen apathy PAPAVER nods.
Faint o'er her couch in scintillating streams
Pass the thin forms of Fancy and of Dreams;
Froze by inchantment on the velvet ground
Fair youths and beauteous ladies glitter round;
On crystal pedestals they seem to sigh,
Bend the meek knee, and lift the imploring eye.
-And now the Sorceress bares her shrivel'd hand,
And circles thrice in air her ebon wand;
Flush'd with new life descending statues talk,
The pliant marble softening as they walk;
With deeper sobs reviving lovers breathe,
Fair bosoms rise, and soft hearts pant beneath;
With warmer lips relenting damsels speak,
And kindling blushes tinge the Parian cheek;
To viewless lutes aërial voices sing,
And hovering Loves are heard on rustling wing.
-She waves her wand again!-fresh horrors seize
Their stiffening limbs, their vital currents freeze;
By each cold nymph her marble lover lies,
And iron slumbers seal their glassy eyes.
So with his dread Caduceus HERMES led
From the dark regions of the imprison'd dead,
Or drove in silent shoals the lingering train
To Night's dull shore, and PLUTO'S dreary reign
So with her waving pencil CREWE commands
The realms of Taste, and Fancy's fairy lands;
48
Calls up with magic voice the shapes, that sleep
In earth's dark bosom, or unfathom'd deep;
That shrined in air on viewless wings aspire,
Or blazing bathe in elemental fire.
As with nice touch her plaistic hand she moves,
Rise the fine forms of Beauties, Graces, Loves;
Kneel to the fair Inchantress, smile or sigh,
And fade or flourish, as she turns her eye.
Fair CISTA, rival of the rosy dawn,
Call'd her light choir, and trod the dewy lawn;
Hail'd with rude melody the new-born May,
As cradled yet in April's lap she lay.
I.
'Born in yon blaze of orient sky,
'Sweet MAY! thy radiant form unfold;
'Unclose thy blue voluptuous eye,
'And wave thy shadowy locks of gold.
II.
'For Thee the fragrant zephyrs blow,
'For Thee descends the sunny shower;
'The rills in softer murmurs slow,
'And brighter blossoms gem the bower.
III.
'Light Graces dress'd in flowery wreaths
'And tiptoe Joys their hands combine;
'And Love his sweet contagion breathes,
'And laughing dances round thy shrine.
IV.
'Warm with new life the glittering throngs
'On quivering fin and rustling wing
'Delighted join their votive songs,
'And hail thee, GODDESS OF THE SPRING.'
O'er the green brinks of Severn's oozy bed,
49
In changeful rings, her sprightly troop She led;
PAN tripp'd before, where Eudness shades the mead,
And blew with glowing lip his sevenfold reed;
Emerging Naiads swell'd the jocund strain,
And aped with mimic step the dancing train.'I faint, I fall!'at noon
the Beauty cried,
'Weep o'er my tomb, ye Nymphs!'-and sunk and died.
-Thus, when white Winter o'er the shivering clime
Drives the still snow, or showers the silver rime;
As the lone shepherd o'er the dazzling rocks
Prints his steep step, and guides his vagrant flocks;
Views the green holly veil'd in network nice,
Her vermil clusters twinkling in the ice;
Admires the lucid vales, and slumbering floods,
Fantastic cataracts, and crystal woods,
Transparent towns, with seas of milk between,
And eyes with transport the refulgent scene:If breaks the sunshine o'er the spangled trees,
Or flits on tepid wing the western breeze,
In liquid dews descends the transient glare,
And all the glittering pageant melts in air.
Where Andes hides his cloud-wreath'd crest in snow,
And roots his base on burning sands below;
Cinchona, fairest of Peruvian maids
To Health's bright Goddess in the breezy glades
On Quito's temperate plain an altar rear'd,
Trill'd the loud hymn, the solemn prayer preferr'd:
Each balmy bud she cull'd, and honey'd flower,
And hung with fragrant wreaths the sacred bower;
Each pearly sea she search'd, and sparkling mine,
And piled their treasures on the gorgeous shrine;
Her suppliant voice for sickening Loxa raised,
Sweet breath'd the gale, and bright the censor blazed.
-'Divine HYGEIA! on thy votaries bend
Thy angel-looks, oh, hear us, and defend!
While streaming o'er the night with baleful glare
The star of Autumn rays his misty hair;
Fierce from his fens the Giant AGUE springs,
And wrapp'd in fogs descends on vampire wings;
'Before, with shuddering limbs cold Tremor reels,
50
And Fever's burning nostril dogs his heels;
Loud claps the grinning Fiend his iron hands,
Stamps with his marble feet, and shouts along the lands;
Withers the damask cheek, unnerves the strong,
And drives with scorpion-lash the shrieking throng.
Oh, Goddess! on thy kneeling votaries bend
Thy angel-looks, oh, hear us, and defend!'
-HYGEIA, leaning from the blest abodes,
The crystal mansions of the immortal gods,
Saw the sad Nymph uplift her dewy eyes,
Spread her white arms, and breathe her fervid sighs;
Call'd to her fair associates, Youth, and Joy,
And shot all-radiant through the glittering sky;
Loose waved behind her golden train of hair,
Her sapphire mantle swam diffus'd in air.O'er the grey matted moss, and pansied sod,
With step sublime the glowing Goddess trod,
Gilt with her beamy eye the conscious shade,
And with her smile celestial bless'd the maid.
'Come to my arms,' with seraph voice she cries,
'Thy vows are heard, benignant Nymph! arise;
Where yon aspiring trunks fantastic wreath
Their mingled roots, and drink the rill beneath,
Yield to the biting axe thy sacred wood,
And strew the bitter foliage on the flood.'
In silent homage bow'd the blushing maid,Five
youths athletic hasten to her aid,
O'er the scar'd hills re-echoing strokes resound,
And headlong forests thunder on the ground.
Round the dark roots, rent bark, and shatter'd boughs,
From ocherous beds the swelling fountain flows;
With streams austere its winding margin laves,
And pours from vale to vale its dusky waves.
-As the pale squadrons, bending o'er the brink,
View with a sigh their alter'd forms, and drink;
Slow-ebbing life with refluent crimson breaks
O'er their wan lips, and paints their haggard cheeks;
Through each fine nerve rekindling transports dart,
Light the quick eye, and swell the exulting heart.
-Thus ISRAEL's heaven-taught chief o'er trackless lands
51
Led to the sultry rock his murmuring bands.
Bright o'er his brows the forky radiance blazed,
And high in air the rod divine He raised.Wide yawns the cliff!-amid the thirsty throng
Rush the redundant waves, and shine along;
With gourds and shells and helmets press the bands,
Ope their parch'd lips, and spread their eager hands,
Snatch their pale infants to the exuberant shower,
Kneel on the shatter'd rock, and bless the Almighty Power.
Bolster'd with down, amid a thousand wants,
Pale Dropsy rears his bloated form, and pants;
'Quench me, ye cool pellucid rills!' he cries,
Wets his parch'd tongue, and rolls his hollow eyes.
So bends tormented TANTALUS to drink,
While from his lips the refluent waters shrink;
Again the rising stream his bosom laves,
And Thirst consumes him 'mid circumfluent waves.
-Divine HYGEIA, from the bending sky
Descending, listens to his piercing cry;
Assumes bright DIGITALIS' dress and air,
Her ruby cheek, white neck, and raven hair;
Four
youths protect her from the circling throng,
And like the Nymph the Goddess steps along.-O'er Him She waves her serpent-wreathed wand,
Cheers with her voice, and raises with her hand,
Warms with rekindling bloom his visage wan,
And charms the shapeless monster into man.
So when Contagion with mephitic breath
And withered Famine urged the work of death;
Marseilles' good Bishop, London's generous Mayor,
With food and faith, with medicine and with prayer,
Raised the weak head and stayed the parting sigh,
Or with new life relumed the swimming eye.-And now, PHILANTHROPY! thy rays divine
Dart round the globe from Zembla to the Line;
O'er each dark prison plays the cheering light,
Like northern lustres o'er the vault of night.From realm to realm, with cross or crescent crown'd,
Where'er Mankind and Misery are found,
O'er burning sands, deep waves, or wilds of snow,
52
Thy HOWARD journeying seeks the house of woe.
Down many a winding step to dungeons dank,
Where anguish wails aloud, and fetters clank;
To caves bestrew'd with many a mouldering bone,
And cells, whose echoes only learn to groan;
Where no kind bars a whispering friend disclose,
No sunbeam enters, and no zephyr blows,
HE treads, inemulous of fame or wealth,
Profuse of toil, and prodigal of health;
With soft assuasive eloquence expands
Power's rigid heart, and opes his clenching hands;
Leads stern-ey'd Justice to the dark domains,
If not to fever, to relax the chains;
Or guides awaken'd Mercy through the gloom,
And shews the prison, sister to the tomb!Gives to her babes the self-devoted wife,
To her fond husband liberty and life!-The Spirits of the Good, who bend from high
Wide o'er these earthly scenes their partial eye,
When first, array'd in VIRTUE'S purest robe,
They saw her HOWARD traversing the globe;
Saw round his brows her sun-like Glory blaze
In arrowy circles of unwearied rays;
Mistook a Mortal for an Angel-Guest,
And ask'd what Seraph-foot the earth imprest.
-Onward he moves!-Disease and Death retire,
And murmuring Demons hate him, and admire.'
Here paused the Goddess,-on HYGEIA'S shrine
Obsequious Gnomes repose the lyre divine;
Descending Sylphs relax the trembling strings,
And catch the rain-drops on their shadowy wings.
-And now her vase a modest Naiad fills
With liquid crystal from her pebbly rills;
Piles the dry cedar round her silver urn,
(Bright climbs the blaze, the crackling faggots burn),
Culls the green herb of China's envy'd bowers,
In gaudy cups the steamy treasure pours;
And, sweetly-smiling, on her bended knee
Presents the fragrant quintessence of Tea.
~ Erasmus Darwin,
97:Scene.Up the Hill-side, inside the Shrub-house. Luca's wife, Ottima, and her paramour, the German Sebald.
Sebald
[sings]

Let the watching lids wink!
Day's a-blaze with eyes, think!
Deep into the night, drink!

Ottima
Night? Such may be your Rhine-land nights perhaps;
But this blood-red beam through the shutter's chink
We call such light, the morning: let us see!
Mind how you grope your way, though! How these tall
Naked geraniums straggle! Push the lattice
Behind that frame!Nay, do I bid you?Sebald,
It shakes the dust down on me! Why, of course
The slide-bolt catches. Well, are you content,
Or must I find you something else to spoil?
Kiss and be friends, my Sebald! Is 't full morning?
Oh, don't speak then!
Sebald.
           Ay, thus it used to be.
Ever your house was, I remember, shut
Till mid-day; I observed that, as I strolled
On mornings through the vale here; country girls
Were noisy, washing garments in the brook,
Hinds drove the slow white oxen up the hills:
But no, your house was mute, would ope no eye.
And wisely: you were plotting one thing there,
Nature, another outside. I looked up
Rough white wood shutters, rusty iron bars,
Silent as death, blind in a flood of light.
Oh, I remember!and the peasants laughed
And said, "The old man sleeps with the young wife."
This house was his, this chair, this windowhis.
Ottima
Ah, the clear morning! I can see St. Mark's;
That black streak is the belfry. Stop: Vicenza
Should lie . . . there's Padua, plain enough, that blue!
Look o'er my shoulder, follow my finger!
Sebald
                     Morning?
It seems to me a night with a sun added.
Where's dew, where's freshness? That bruised plant, I bruised
In getting through the lattice yestereve,
Droops as it did. See, here's my elbow's mark
I' the dust o' the sill.
Ottima
             Oh, shut the lattice, pray!
             Sebald
Let me lean out. I cannot scent blood here,
Foul as the morn may be.
             There, shut the world out!
How do you feel now, Ottima? There, curse
The world and all outside! Let us throw off
This mask: how do you bear yourself? Let's out
With all of it.
Ottima
        Best never speak of it.
        Sebald
Best speak again and yet again of it,
Till words cease to be more than words. "His blood,"
For instancelet those two words mean "His blood"
And nothing more. Notice, I'll say them now,
"His blood."
Ottima
      Assuredly if I repented
The deed
Sebald
     Repent? Who should repent, or why?
What puts that in your head? Did I once say
That I repented?
Ottima
         No, I said the deed . . .
         Sebald
"The deed" and "the event"just now it was
"Our passion's fruit"the devil take such cant!
Say, once and always, Luca was a wittol,
I am his cut-throat, you are . . .
Ottima
                  Here's the wine;
I brought it when we left the house above,
And glasses toowine of both sorts. Black? White then?
Sebald
But am not I his cut-throat? What are you?
Ottima
There trudges on his business from the Duomo
Benet the Capuchin, with his brown hood
And bare feet; always in one place at church,
Close under the stone wall by the south entry.
I used to take him for a brown cold piece
Of the wall's self, as out of it he rose
To let me passat first, I say, I used:
Now, so has that dumb figure fastened on me,
I rather should account the plastered wall
A piece of him, so chilly does it strike.
This, Sebald?
Sebald
       No, the white winethe white wine!
Well, Ottima, I promised no new year
Should rise on us the ancient shameful way;
Nor does it rise. Pour on! To your black eyes!
Do you remember last damned New Year's day?
Ottima
You brought those foreign prints. We looked at them
Over the wine and fruit. I had to scheme
To get him from the fire. Nothing but saying
His own set wants the proof-mark, roused him up
To hunt them out.
Sebald
         'Faith, he is not alive
To fondle you before my face.
Ottima
               Do you
Fondle me then! Who means to take your life
For that, my Sebald?
Sebald
           Hark you, Ottima!
One thing to guard against. We'll not make much
One of the otherthat is, not make more
Parade of warmth, childish officious coil,
Than yesterday: as if, sweet, I supposed
Proof upon proof were needed now, now first,
To show I love youyes, still love youlove you
In spite of Luca and what's come to him
Sure sign we had him ever in our thoughts,
White sneering old reproachful face and all!
We'll even quarrel, love, at times, as if
We still could lose each other, were not tied
By this: conceive you?
Ottima
           Love!
           Sebald
               Not tied so sure.
Because though I was wrought upon, have struck
His insolence back into himam I
So surely yours?therefore forever yours?
Ottima
Love, to be wise, (one counsel pays another)
Should we havemonths ago, when first we loved,
For instance that May morning we two stole
Under the green ascent of sycamores
If we had come upon a thing like that
Suddenly . . .
Sebald
       "A thing"there again"a thing!"
       Ottima
Then, Venus' body, had we come upon
My husband Luca Gaddi's murdered corpse
Within there, at his couch-foot, covered close
Would you have pored upon it? Why persist
In poring now upon it? For't is here
As much as there in the deserted house:
You cannot rid your eyes of it. For me,
Now he is dead I hate him worse: I hate . . .
Dare you stay here? I would go back and hold
His two dead hands, and say, "I hate you worse,
"Luca, than . . ."
Sebald
         Off, offtake your hands off mine,
'T is the hot eveningoff! oh, morning is it?
Ottima
There's one thing must be done; you know what thing.
Come in and help to carry. We may sleep
Anywhere in the whole wide house to-night.
Sebald
What would come, think you, if we let him lie
Just as he is? Let him lie there until
The angels take him! He is turned by this
Off from his face beside, as you will see.
Ottima
This dusty pane might serve for looking glass.
Three, fourfour grey hairs! Is it so you said
A plait of hair should wave across my neck?
Nothis way.
Sebald
       Ottima, I would give your neck,
Each splendid shoulder, both those breasts of yours,
That this were undone! Killing! Kill the world,
So Luca lives again!ay, lives to sputter
His fulsome dotage on youyes, and feign
Surprise that I return at eve to sup,
When all the morning I was loitering here
Bid me despatch my business and begone.
I would . . .
Ottima
       See!
       Sebald
         No, I'll finish. Do you think
I fear to speak the bare truth once for all?
All we have talked of, is, at bottom, fine
To suffer; there's a recompense in guilt;
One must be venturous and fortunate:
What is one young for, else? In age we'll sigh
O'er the wild reckless wicked days flown over;
Still, we have lived: the vice was in its place.
But to have eaten Luca's bread, have worn
His clothes, have felt his money swell my purse
Do lovers in romances sin that way?
Why, I was starving when I used to call
And teach you music, starving while you plucked me
These flowers to smell!
Ottima
            My poor lost friend!
            Sebald
                       He gave me
Life, nothing less: what if he did reproach
My perfidy, and threaten, and do more
Had he no right? What was to wonder at?
He sat by us at table quietly:
Why must you lean across till our cheeks touched?
Could he do less than make pretence to strike?
'T is not the crime's sakeI'd commit ten crimes
Greater, to have this crime wiped out, undone!
And youO how feel you? Feel you for me?
Ottima
Well then, I love you better now than ever,
And best (look at me while I speak to you)
Best for the crime; nor do I grieve, in truth,
This mask, this simulated ignorance,
This affectation of simplicity,
Falls off our crime; this naked crime of ours
May not now be looked over: look it down!
Great? let it be great; but the joys it brought,
Pay they or no its price? Come: they or it!
Speak not! The past, would you give up the past
Such as it is, pleasure and crime together?
Give up that noon I owned my love for you?
The garden's silence: even the single bee
Persisting in his toil, suddenly stopped,
And where he hid you only could surmise
By some campanula chalice set a-swing.
Who stammered"Yes, I love you?"
Sebald
                 And I drew
Back; put far back your face with both my hands
Lest you should grow too full of meyour face
So seemed athirst for my whole soul and body!
Ottima
And when I ventured to receive you here,
Made you steal hither in the mornings
Sebald
                     When
I used to look up 'neath the shrub-house here,
Till the red fire on its glazed windows spread
To a yellow haze?
Ottima
         Ahmy sign was, the sun
Inflamed the sere side of yon chestnut-tree
Nipped by the first frost.
Sebald
              You would always laugh
At my wet boots: I had to stride thro' grass
Over my ankles.
Ottima
        Then our crowning night!
        Sebald
The July night?
Ottima
        The day of it too, Sebald!
When heaven's pillars seemed o'erbowed with heat,
Its black-blue canopy suffered descend
Close on us both, to weigh down each to each,
And smother up all life except our life.
So lay we till the storm came.
Sebald
                How it came!
                Ottima
Buried in woods we lay, you recollect;
Swift ran the searching tempest overhead;
And ever and anon some bright white shaft
Burned thro' the pine-tree roof, here burned and there,
As if God's messenger thro' the close wood screen
Plunged and replunged his weapon at a venture,
Feeling for guilty thee and me: then broke
The thunder like a whole sea overhead
Sebald
Yes!
Ottima
While I stretched myself upon you, hands
To hands, my mouth to your hot mouth, and shook
All my locks loose, and covered you with them
You, Sebald, the same you!
Sebald
              Slower, Ottima!
              Ottima
And as we lay
Sebald
        Less vehemently! Love me!
Forgive me! Take not words, mere words, to heart!
Your breath is worse than wine! Breathe slow, speak slow!
Do not lean on me!
Ottima
         Sebald, as we lay,
Rising and falling only with our pants,
Who said, "Let death come now! 'T is right to die!
"Right to be punished! Nought completes such bliss
"But woe!" Who said that?
Sebald
             How did we ever rise?
Was't that we slept? Why did it end?
Ottima
                   I felt you
Taper into a point the ruffled ends
Of my loose locks 'twixt both your humid lips.
My hair is fallen now: knot it again!
Sebald
I kiss you now, dear Ottima, now and now!
This way? Will you forgive mebe once more
My great queen?
Ottima
        Bind it thrice about my brow;
Crown me your queen, your spirit's arbitress,
Magnificent in sin. Say that!
Sebald
               I crown you
My great white queen, my spirit's arbitress,
Magnificent . . .
[From without is heard the voice of Pippa, singing
The year's at the spring
And day's at the morn;
Morning's at seven;
The hill-side's dew-pearled;
The lark's on the wing;
The snail's on the thorn:
God's in his heaven
All's right with the world!
[Pippa passes]

Sebald
God's in his heaven! Do you hear that? Who spoke?
You, you spoke!
Ottima
        Ohthat little ragged girl!
She must have rested on the step: we give them
But this one holiday the whole year round.
Did you ever see our silk-millstheir inside?
There are ten silk-mills now belong to you.
She stoops to pick my double heartsease . . . Sh!
She does not hear: call you out louder!
Sebald
                     Leave me!
Go, get your clothes ondress those shoulders!
Ottima
                         Sebald?
                         Sebald
Wipe off that paint! I hate you.
Ottima
                 Miserable!
                 Sebald
My God, and she is emptied of it now!
Outright now!how miraculously gone
All of the gracehad she not strange grace once?
Why, the blank cheek hangs listless as it likes,
No purpose holds the features up together,
Only the cloven brow and puckered chin
Stay in their places: and the very hair,
That seemed to have a sort of life in it,
Drops, a dead web!
Ottima
         Speak to menot of me!
         Sebald
That round great full-orbed face, where not an angle
Broke the delicious indolenceall broken!
Ottima
To menot of me! Ungrateful, perjured cheat!
A coward too: but ingrate's worse than all.
Beggarmy slavea fawning, cringing lie!
Leave me! Betray me! I can see your drift!
A lie that walks and eats and drinks!
Sebald
                    My God!
Those morbid olive faultless shoulder-blades
I should have known there was no blood beneath!
Ottima
You hate me then? You hate me then?
Sebald
                   To think
She would succeed in her absurd attempt,
And fascinate by sinning, show herself
Superiorguilt from its excess superior
To innocence! That little peasant's voice
Has righted all again. Though I be lost,
I know which is the better, never fear,
Of vice or virtue, purity or lust,
Nature or trick! I see what I have done,
Entirely now! Oh I am proud to feel
Such tormentslet the world take credit thence
I, having done my deed, pay too its price!
I hate, hatecurse you! God's in his heaven!
Ottima
                         Me!
Me! no, no, Sebald, not yourselfkill me
Mine is the whole crime. Do but kill methen
Yourselfthenpresentlyfirst hear me speak!
I always meant to kill myselfwait, you!
Lean on my breastnot as a breast; don't love me
The more because you lean on me, my own
Heart's Sebald! There, there, both deaths presently!
Sebald
My brain is drowned nowquite drowned: all I feel
Is . . . is, at swift-recurring intervals,
A hurry-down within me, as of waters
Loosened to smother up some ghastly pit:
There they gowhirls from a black fiery sea!
Ottima
Not meto him, O God, be merciful!
Talk by the way, while Pippa is passing from the hill-side to Orcana. Foreign Students of painting and sculpture, from Venice, assembled opposite the house of Jules, a young French statuary, at Possagno.
1st Student
Attention! My own post is beneath this window, but the pomegranate clump yonder will hide three or four of you with a little squeezing, and Schramm and his pipe must lie flat in the balcony. Four, five who's a defaulter? We want everybody, for Jules must not be suffered to hurt his bride when the jest's found out.

2nd Student
All here! Only our poet's awaynever having much meant to be present, moonstrike him! The airs of that fellow, that Giovacchino! He was in violent love with himself, and had a fair prospect of thriving in his suit, so unmolested was it,when suddenly a woman falls in love with him, too; and out of pure jealousy he takes himself off to Trieste, immortal poem and all: whereto is this prophetical epitaph appended already, as Bluphocks assures me,"Here a mammoth-poem lies, Fouled to death by butterflies." His own fault, the simpleton! Instead of cramp couplets, each like a knife in your entrails, he should write, says Bluphocks, both classically and intelligibly. sculapius, an Epic. Catalogue of the drugs: Hebe's plaisterOne strip Cools your lip. Phoebus' emulsion One bottle Clears your throttle. Mercury's bolusOne box Cures . . .

3rd Student
Subside, my fine fellow! If the marriage was over by ten o'clock, Jules will certainly be here in a minute with his bride.

2nd Student
Good!only, so should the poet's muse have been universally acceptable, says Bluphocks, et canibus nostris . . . and Delia not better known to our literary dogs than the boy Giovacchino!

1st Student
To the point, now. Where's Gottlieb, the new-comer? Oh,listen, Gottlieb, to what has called down this piece of friendly vengeance on Jules, of which we now assemble to witness the winding-up. We are all agreed, all in a tale, observe, when Jules shall burst out on us in a fury by and by: I am spokesmanthe verses that are to undeceive Jules bear my name of Lutwyche but each professes himself alike insulted by this strutting stone-squarer, who came alone from Paris to Munich, and thence with a crowd of us to Venice and Possagno here, but proceeds in a day or two alone againoh, alone indubitably!to Rome and Florence. He, forsooth, take up his portion with these dissolute, brutalized, heartless bunglers!so he was heard to call us all: now, is Schramm brutalized, I should like to know? Am I heartless?

Gottlieb
Why, somewhat heartless; for, suppose Jules a coxcomb as much as you choose, still, for this mere coxcombry, you will have brushed offwhat do folks style it?the bloom of his life. Is it too late to alter? These love-letters now, you call hisI can't laugh at them.

4th Student
Because you never read the sham letters of our inditing which drew forth these.

Gottlieb
His discovery of the truth will be frightful.

4th Student
That's the joke. But you should have joined us at the beginning: there's no doubt he loves the girlloves a model he might hire by the hour!

Gottlieb
See here! "He has been accustomed," he writes, "to have Canova's women about him, in stone, "and the world's women beside him, in flesh; these "being as much below, as those above, his soul's aspi- "ration: but now he is to have the reality." There you laugh again! I say, you wipe off the very dew of his youth.

1st Student
Schramm! (Take the pipe out of his mouth, somebody!) Will Jules lose the bloom of his youth?

Schramm
Nothing worth keeping is ever lost in this world: look at a blossomit drops presently, having done its service and lasted its time; but fruits succeed, and where would be the blossom's place could it continue? As well affirm that your eye is no longer in your body, because its earliest favourite, whatever it may have first loved to look on, is dead and done with as that any affection is lost to the soul when its first object, whatever happened first to satisfy it, is superseded in due course. Keep but ever looking, whether with the body's eye or the mind's, and you will soon find something to look on! Has a man done wondering at women?there follow men, dead and alive, to wonder at. Has he done wondering at men?there's God to wonder at: and the faculty of wonder may be, at the same time, old and tired enough with respect to its first object, and yet young and fresh sufficiently, so far as concerns its novel one. Thus . . .

1st Student
Put Schramm's pipe into his mouth again! There, you see! Well, this Jules . . . a wretched fribble oh, I watched his disportings at Possagno, the other day! Canova's galleryyou know: there he marches first resolvedly past great works by the dozen without vouchsafing an eye: all at once he stops full at thePsiche-fanciulla cannot pass that old acquaintance without a nod of encouragement"In your new place, beauty? Then behave yourself as well here as at Munich I see you!" Next he posts himself deliberately before the unfinished Piet for half an hour without moving, till up he starts of a sudden, and thrusts his very nose intoI say, intothe group; by which gesture you are informed that precisely the sole point he had not fully mastered in Canova's practice was a certain method of using the drill in the articulation of the knee-jointand that, likewise, has he mastered at length! Good-bye, therefore, to poor Canovawhose gallery no longer needs detain his successor Jules, the predestinated novel thinker in marble!

5th Student
Tell him about the women: go on to the women!

1st Student
Why, on that matter he could never be supercilious enough. How should we be other (he said) than the poor devils you see, with those debasing habits we cherish? He was not to wallow in that mire, at least: he would wait, and love only at the proper time, and meanwhile put up with the Psiche-fanciulla. Now, I happened to hear of a young Greekreal Greek girl at Malamocco; a true Islander, do you see, with Alciphron's "hair like sea-moss"Schramm knows!white and quiet as an apparition, and fourteen years old at farthest, a daughter of Natalia, so she swearsthat hag Natalia, who helps us to models at three lire an hour. We selected this girl for the heroine of our jest. So first, Jules received a scented lettersomebody had seen his Tydeus at the Academy, and my picture was nothing to it: a profound admirer bade him perseverewould make herself known to him ere long. (Paolina, my little friend of the Fenice, transcribes divinely.) And in due time, the mysterious correspondent gave certain hints of her peculiar charmsthe pale cheeks, the black hairwhatever, in short, had struck us in our Malamocco model: we retained her name, tooPhene, which is, by interpretation, sea-eagle. Now, think of Jules finding himself distinguished from the herd of us by such a creature! In his very first answer he proposed marrying his monitress: and fancy us over these letters, two, three times a day, to receive and despatch! I concocted the main of it: relations were in the waysecrecy must be observedin fine, would he wed her on trust, and only speak to her when they were indissolubly united? St stHere they come!

6th Student
Both of them! Heaven's love, speak softly, speak within yourselves!

5th Student
Look at the bridegroom! Half his hair in storm and half in calm,patted down over the left temple,like a frothy cup one blows on to cool it: and the same old blouse that he murders the marble in.

2nd Student
Not a rich vest like yours, Hannibal Scratchy!rich, that your face may the better set it off.

6th Student
And the bride! Yes, sure enough, our Phene! Should you have known her in her clothes? How magnificently pale!

Gottlieb
She does not also take it for earnest, I hope?

1st Student
Oh, Natalia's concern, that is! We settle with Natalia.

6th Student
She does not speakhas evidently let out no word. The only thing is, will she equally remember the rest of her lesson, and repeat correctly all those verses which are to break the secret to Jules?

Gottlieb
How he gazes on her! Pitypity!

1st Student
They go in: now, silence! You three, not nearer the window, mind, than that pomegranate: just where the little girl, who a few minutes ago passed us singing, is seated!



~ Robert Browning, Pippa Passes - Part I - Morning
,
98:The Botanic Garden (Part Viii)
THE LOVES OF THE PLANTS
CANTO IV.
Now the broad Sun his golden orb unshrouds,
Flames in the west, and paints the parted clouds;
O'er heaven's wide arch refracted lustres flow,
And bend in air the many-colour'd bow.-The tuneful Goddess on the glowing sky
Fix'd in mute extacy her glistening eye;
And then her lute to sweeter tones she strung,
And swell'd with softer chords the Paphian song.
Long ailes of Oaks return'd the silver sound,
And amorous Echoes talk'd along the ground;
Pleas'd Lichfield listen'd from her sacred bowers,
Bow'd her tall groves, and shook her stately towers.
'Nymph! not for thee the radiant day returns,
Nymph! not for thee the golden solstice burns,
Refulgent CEREA!-at the dusky hour
She seeks with pensive step the mountain-bower,
Bright as the blush of rising morn, and warms
The dull cold eye of Midnight with her charms.
There to the skies she lifts her pencill'd brows,
Opes her fair lips, and breathes her virgin vows;
Eyes the white zenyth; counts the suns, that roll
Their distant fires, and blaze around the Pole;
Or marks where Jove directs his glittering car
O'er Heaven's blue vault,-Herself a brighter star.
-There as soft Zephyrs sweep with pausing airs
Thy snowy neck, and part thy shadowy hairs,
Sweet Maid of Night! to Cynthia's sober beams
Glows thy warm cheek, thy polish'd bosom gleams.
In crowds
around thee gaze the admiring swains,
And guard in silence the enchanted plains;
Drop the still tear, or breathe the impassion'd sigh,
And drink inebriate rapture from thine eye.
Thus, when old Needwood's hoary scenes the Night
66
Paints with blue shadow, and with milky light;
Where MUNDY pour'd, the listening nymphs among,
Loud to the echoing vales his parting song;
With measured step the Fairy Sovereign treads,
Shakes her high plume, and glitters o'er the meads;
Round each green holly leads her sportive train,
And little footsteps mark the circled plain;
Each haunted rill with silver voices rings,
And Night's sweet bird in livelier accents sings.
Ere the bright star, which leads the morning sky,
Hangs o'er the blushing east his diamond eye,
The chaste TROPAEO leaves her secret bed;
A saint-like glory trembles round her head;
Eight
watchful swains along the lawns of night
With amorous steps pursue the virgin light;
O'er her fair form the electric lustre plays,
And cold she moves amid the lambent blaze.
So shines the glow-fly, when the sun retires,
And gems the night-air with phosphoric fires;
Thus o'er the marsh aërial lights betray,
And charm the unwary wanderer from his way.
So when thy King, Assyria, fierce and proud,
Three human victims to his idol vow'd;
Rear'd a vast pyre before the golden shrine
Of sulphurous coal, and pitch-exsuding pine;-Loud roar the flames, the iron nostrils breathe,
And the huge bellows pant and heave beneath;
Bright and more bright the blazing deluge flows,
And white with seven-fold heat the furnace glows.
And now the Monarch fix'd with dread surprize
Deep in the burning vault his dazzled eyes.
'Lo! Three unbound amid the frightful glare,
Unscorch'd their sandals, and unsing'd their hair!
And now a fourth with seraph-beauty bright
Descends, accosts them, and outshines the light!
Fierce flames innocuous, as they step, retire!
And slow they move amid a world of fire!'
He spoke,-to Heaven his arms repentant spread,
And kneeling bow'd his gem-incircled head.
67
Two
Sister-Nymphs, the fair AVENAS, lead
Their fleecy squadrons on the lawns of Tweed;
Pass with light step his wave-worn banks along,
And wake his Echoes with their silver tongue;
Or touch the reed, as gentle Love inspires,
In notes accordant to their chaste desires.
I.
'Sweet ECHO! sleeps thy vocal shell,
'Where this high arch o'erhangs the dell;
'While Tweed with sun-reflecting streams
'Chequers thy rocks with dancing beams?-
II.
'Here may no clamours harsh intrude,
No brawling hound or clarion rude;
Here no fell beast of midnight prowl,
And teach thy tortured cliffs to howl!
III.
'Be thine to pour these vales along
Some artless Shepherd's evening song;
While Night's sweet bird, from yon high spray
Responsive, listens to his lay.
IV.
'And if, like me, some love-lorn maid
'Should sing her sorrows to thy shade,
'Oh, sooth her breast, ye rocks around!
'With softest sympathy of sound.'
From ozier bowers the brooding Halcyons peep,
The Swans pursuing cleave the glassy deep,
On hovering wings the wondering Reed-larks play,
And silent Bitterns listen to the lay.-
68
Three
shepherd-swains beneath the beechen shades
Twine rival garlands for the tuneful maids;
On each smooth bark the mystic love-knot frame,
Or on white sands inscribe the favour'd name.
From Time's remotest dawn where China brings
In proud succession all her Patriot-Kings;
O'er desert-sands, deep gulfs, and hills sublime,
Extends her massy wall from clime to clime;
With bells and dragons crests her Pagod-bowers,
Her silken palaces, and porcelain towers;
With long canals a thousand nations laves;
Plants all her wilds, and peoples all her waves;
Slow treads fair CANNABIS the breezy strand,
The distaff streams dishevell'd in her hand;
Now to the left her ivory neck inclines,
And leads in Paphian curves its azure lines;
Dark waves the fringed lid, the warm cheek glows,
And the fair ear the parting locks disclose;
Now to the right with airy sweep she bends,
Quick join the threads, the dancing spole depends.
Five
Swains attracted guard the Nymph, by turns
Her grace inchants them, and her beauty burns;
To each She bows with sweet assuasive smile,
Hears his soft vows, and turns her spole the while.
So when with light and shade, concordant strife!
Stern CLOTHO weaves the chequer'd thread of life;
Hour after hour the growing line extends,
The cradle and the coffin bound its ends;
Soft cords of silk the whirling spoles reveal,
If smiling Fortune turn the giddy wheel;
But if sweet Love with baby-fingers twines,
And wets with dewy lips the lengthening lines,
Skein after skein celestial tints unfold,
And all the silken tissue shines with gold.
Warm with sweet blushes bright GALANTHA glows,
And prints with frolic step the melting snows;
O'er silent floods, white hills, and glittering meads
Six
69
rival swains the playful beauty leads,
Chides with her dulcet voice the tardy Spring,
Bids slumbering Zephyr stretch his folded wing,
Wakes the hoarse Cuckoo in his gloomy cave,
And calls the wondering Dormouse from his grave,
Bids the mute Redbreast cheer the budding grove,
And plaintive Ringdove tune her notes to love.
Spring! with thy own sweet smile, and tuneful tongue,
Delighted BELLIS calls her infant throng.
Each on his reed astride, the Cherub-train
Watch her kind looks, and circle o'er the plain;
Now with young wonder touch the siding snail,
Admire his eye-tipp'd horns, and painted mail;
Chase with quick step, and eager arms outspread,
The pausing Butterfly from mead to mead;
Or twine green oziers with the fragrant gale,
The azure harebel, and the primrose pale,
Join hand in hand, and in procession gay
Adorn with votive wreaths the shrine of May.
-So moves the Goddess to the Idalian groves,
And leads her gold-hair'd family of Loves.
These, from the flaming furnace, strong and bold
Pour the red steel into the sandy mould;
On tinkling anvils (with Vulcanian art),
Turn with hot tongs, and forge the dreadful dart;
The barbed head on whirling jaspers grind,
And dip the point in poison for the mind;
Each polish'd shaft with snow-white plumage wing,
Or strain the bow reluctant to its string.
Those on light pinion twine with busy hands,
Or stretch from bough to bough the flowery bands;
Scare the dark beetle, as he wheels on high,
Or catch in silken nets the gilded fly;
Call the young Zephyrs to their fragrant bowers,
And stay with kisses sweet the Vernal Hours.
Where, as proud Maffon rises rude and bleak,
And with mishapen turrets crests the Peak,
Old Matlock gapes with marble jaws, beneath,
And o'er fear'd Derwent bends his flinty teeth;
Deep in wide caves below the dangerous soil
Blue sulphurs flame, imprison'd waters boil.
Impetuous steams in spiral colums rise
70
Through rifted rocks, impatient for the skies;
Or o'er bright seas of bubbling lavas blow,
As heave and toss the billowy fires below;
Condensed on high, in wandering rills they glide
From Maffon's dome, and burst his sparry side;
Round his grey towers, and down his fringed walls,
From cliff to cliff, the liquid treasure falls;
In beds of stalactite, bright ores among,
O'er corals, shells, and crystals, winds along;
Crusts the green mosses, and the tangled wood,
And sparkling plunges to its parent flood.
-O'er the warm wave a smiling youth presides,
Attunes its murmurs, its meanders guides,
(The blooming FUCUS), in her sparry coves
To amorous Echo sings his
secret
loves,
Bathes his fair forehead in the misty stream,
And with sweet breath perfumes the rising steam.
-So, erst, an Angel o'er Bethesda's springs,
Each morn descending, shook his dewy wings;
And as his bright translucent form He laves,
Salubrious powers enrich the troubled waves.
Amphibious Nymph, from Nile's prolific bed
Emerging TRAPA lifts her pearly head;
Fair glows her virgin cheek and modest breast,
A panoply of scales deforms the rest;
Her quivering fins and panting gills she hides
But spreads her silver arms upon the tides;
Slow as she sails, her ivory neck she laves,
And shakes her golden tresses o'er the waves.
Charm'd round the Nymph, in circling gambols glide
Four
Nereid-forms, or shoot along the tide;
Now all as one they rise with frolic spring,
And beat the wondering air on humid wing;
Now all descending plunge beneath the main,
And lash the foam with undulating train;
Above, below, they wheel, retreat, advance,
In air and ocean weave the mazy dance;
Bow their quick heads, and point their diamond eyes,
71
And twinkle to the sun with ever-changing dyes.
Where Andes, crested with volcanic beams,
Sheds a long line of light on Plata's streams;
Opes all his springs, unlocks his golden caves,
And feeds and freights the immeasurable waves;
Delighted OCYMA at twilight hours
Calls her light car, and leaves the sultry bowers;Love's rising ray, and Youth's seductive dye,
Bloom'd on her cheek, and brighten'd in her eye;
Chaste, pure, and white, a zone of silver graced
Her tender breast, as white, as pure, as chaste;-By
four
fond swains in playful circles drawn,
On glowing wheels she tracks the moon-bright lawn,
Mounts the rude cliff, unveils her blushing charms,
And calls the panting zephyrs to her arms.
Emerged from ocean springs the vaporous air,
Bathes her light limbs, uncurls her amber hair,
Incrusts her beamy form with films saline,
And Beauty blazes through the crystal shrine.So with pellucid studs the ice-flower gems
Her rimy foliage, and her candied stems.
So from his glassy horns, and pearly eyes,
The diamond-beetle darts a thousand dyes;
Mounts with enamel'd wings the vesper gale,
And wheeling shines in adamantine mail.
Thus when loud thunders o'er Gomorrah burst,
And heaving earthquakes shook his realms accurst,
An Angel-guest led forth the trembling Fair
With shadowy hand, and warn'd the guiltless pair;
'Haste from these lands of sin, ye Righteous! fly,
Speed the quick step, nor turn the lingering eye!'-Such the command, as fabling Bards indite,
When Orpheus charm'd the grisly King of Night;
Sooth'd the pale phantoms with his plaintive lay,
And led the fair Assurgent into day.Wide yawn'd the earth, the fiery tempest flash'd,
And towns and towers in one vast ruin crash'd;Onward they move,--loud horror roars behind,
And shrieks of Anguish bellow in the wind.
With many a sob, amid a thousand fears,
72
The beauteous wanderer pours her gushing tears;
Each soft connection rends her troubled breast,
-She turns, unconscious of the stern behest!'I faint!-I fall!-ah, me!-sensations chill
Shoot through my bones, my shuddering bosom thrill!
I freeze! I freeze! just Heaven regards my fault,
Numbs my cold limbs, and hardens into salt!Not yet, not yet, your dying Love resign!This last, last kiss receive!-no longer thine!'She said, and ceased,-her stiffen'd form He press'd,
And strain'd the briny column to his breast;
Printed with quivering lips the lifeless snow,
And wept, and gazed the monument of woe.So when Aeneas through the flames of Troy
Bore his pale fire, and led his lovely boy;
With loitering step the fair Creusa stay'd,
And Death involved her in eternal shade.Oft the lone Pilgrim that his road forsakes,
Marks the wide ruins, and the sulphur'd lakes;
On mouldering piles amid asphaltic mud
Hears the hoarse bittern, where Gomorrah stood;
Recalls the unhappy Pair with lifted eye,
Leans on the crystal tomb, and breathes the silent sigh..
With net-wove sash and glittering gorget dress'd,
And scarlet robe lapell'd upon her breast,
Stern ARA frowns, the measured march assumes,
Trails her long lance, and nods her shadowy plumes;
While Love's soft beams illume her treacherous eyes,
And Beauty lightens through the thin disguise.
So erst, when HERCULES, untamed by toil,
Own'd the soft power of DEJANIRA'S smile;His lion-spoils the laughing Fair demands,
And gives the distaff to his awkward hands;
O'er her white neck the bristly mane she throws,
And binds the gaping whiskers on her brows;
Plaits round her slender waist the shaggy vest,
And clasps the velvet paws across her breast.
Next with soft hands the knotted club she rears,
Heaves up from earth, and on her shoulder bears.
Onward with loftier step the Beauty treads,
And trails the brinded ermine o'er the meads;
Wolves, bears, and bards, forsake the affrighted groves,
73
And grinning Satyrs tremble, as she moves.
CARYO'S sweet smile DIANTHUS proud admires,
And gazing burns with unallow'd desires;
With sighs and sorrows her compassion moves,
And wins the damsel to illicit loves.
The Monster-offspring heirs the father's pride,
Mask'd in the damask beauties of the bride.
So, when the Nightingale in eastern bowers
On quivering pinion woos the Queen of flowers;
Inhales her fragrance, as he hangs in air,
And melts with melody the blushing fair;
Half-rose, half-bird, a beauteous Monster springs,
Waves his thin leaves, and claps his glossy wings;
Long horrent thorns his mossy legs surround,
And tendril-talons root him to the ground;
Green films of rind his wrinkled neck o'espread,
And crimson petals crest his curled head;
Soft-warbling beaks in each bright blossom move,
And vocal Rosebuds thrill the enchanted grove!Admiring Evening stays her beamy star,
And still Night listens from his ebon ear;
While on white wings descending Houries throng,
And drink the floods of odour and of song.
When from his golden urn the Solstice pours
O'er Afric's sable sons the sultry hours;
When not a gale flits o'er her tawny hills,
Save where the dry Harmattan breathes and kills;
-Fair CHUNDA smiles amid the burning waste,
Her brow unturban'd, and her zone unbrac'd;
Ten
brother-youths with light umbrella's shade,
Or fan with busy hands the panting maid;
Loose wave her locks, disclosing, as they break,
The rising bosom and averted cheek;
Clasp'd round her ivory neck with studs of gold
Flows her thin vest in many a gauzy fold;
O'er her light limbs the dim transparence plays,
And the fair form, it seems to hide, betrays.
Where leads the northern Star his lucid train
High o'er the snow-clad earth, and icy main,
With milky light the white horizon streams,
74
And to the moon each sparkling mountain gleams.Slow o'er the printed snows with silent walk
Huge shaggy forms across the twilight stalk;
And ever and anon with hideous sound
Burst the thick ribs of ice, and thunder round.There, as old Winter slaps his hoary wing,
And lingering leaves his empire to the Spring,
Pierced with quick shafts of silver-shooting light
Fly in dark troops the dazzled imps of night'Awake, my Love!' enamour'd MUSCHUS cries,
'Stretch thy fair limbs, resulgent Maid! arise;
Ope thy sweet eye-lids to the rising ray,
And hail with ruby lips returning day.
Down the white hills dissolving torrents pour,
Green springs the turf, and purple blows the flower;
His torpid wing the Rail exulting tries,
Mounts the soft gale, and wantons in the skies;
Rise, let us mark how bloom the awaken'd groves,
And 'mid the banks of roses
hide
our loves.'
Night's tinsel beams on smooth Lock-lomond dance,
Impatient ÆGA views the bright expanse;In vain her eyes the parting floods explore,
Wave after wave rolls freightless to the shore.
-Now dim amid the distant foam she spies
A rising speck,-''tis he! 'tis he!' She cries;
As with firm arms he beats the streams aside,
And cleaves with rising chest the tossing tide,
With bended knee she prints the humid sands,
Up-turns her glistening eyes, and spreads her hands;
-''Tis he, 'tis he!-My Lord, my life, my love!Slumber, ye winds; ye billows, cease to move!
beneath his arms your buoyant plumage spread,
Ye Swans! ye Halcyons! hover round his head!'-With eager step the boiling surf she braves,
And meets her refluent lover in the waves;
Loose o'er the flood her azure mantle swims,
And the clear stream betrays her snowy limbs.
So on her sea-girt tower fair HERO stood
At parting day, and mark'd the dashing flood;
While high in air, the glimmering rocks above,
75
Shone the bright lamp, the pilot-star of Love.
-With robe outspread the wavering flame behind
She kneels, and guards it from the shifting wind;
Breathes to her Goddess all her vows, and guides
Her bold LEANDER o'er the dusky tides;
Wrings his wet hair, his briny bosom warms,
And clasps her panting lover in her arms.
Deep, in wide caverns and their shadowy ailes,
Daughter of Earth, the chaste TRUFFELIA smiles;
On silvery beds, of soft asbestus wove,
Meets her Gnome-husband, and avows her love.
High
o'er her couch impending diamonds blaze,
And branching gold the crystal roof inlays;
With verdant light the modest emeralds glow,
Blue sapphires glare, and rubies blush,
below
Light piers of lazuli the dome surround,
And pictured mochoes tesselate the ground;
In glittering threads along reflective walls
The warm rill murmuring twinkles, as it falls;
Now sink the Eolian strings, and now they swell,
And Echoes woo in every vaulted cell;
While on white wings delighted Cupids play,
Shake their bright lamps, and shed celestial day.
Closed in an azure fig by fairy spells,
Bosom'd in down, fair CAPRI-FICA dwells;So sleeps in silence the Curculio, shut
In the dark chambers of the cavern'd nut,
Erodes with ivory beak the vaulted shell,
And quits on filmy wings its narrow cell.
So the pleased Linnet in the moss-wove nest,
Waked into life beneath its parent's breast,
Chirps in the gaping shell, bursts forth erelong,
Shakes its new plumes, and tries its tender song.-And now the talisman she strikes, that charms
Her husband-Sylph,-and calls him to her arms.Quick, the light Gnat her airy Lord bestrides,
With cobweb reins the flying courser guides,
From crystal steeps of viewless ether springs,
76
Cleaves the soft air on still expanded wings;
Darts like a sunbeam o'er the boundless wave,
And seeks the beauty in her
secret
cave.
So with quick impulse through all nature's frame
Shoots the electric air its subtle flame.
So turns the impatient needle to the pole,
Tho' mountains rise between, and oceans roll.
Where round the Orcades white torrents roar,
Scooping with ceaseless rage the incumbent shore,
Wide o'er the deep a dusky cavern bends
Its marble arms, and high in air impends;
Basaltic piers the ponderous roof sustain,
And steep their massy sandals in the main;
Round the dim walls, and through the whispering ailes
Hoarse breathes the wind, the glittering water boils.
Here the charm'd BYSSUS with his blooming bride
Spreads his green sails, and braves the foaming tide;
The star of Venus gilds the twilight wave,
And lights her votaries to the
secret
cave;
Light Cupids flutter round the nuptial bed,
And each coy sea-maid hides her blushing head.
Where cool'd by rills, and curtain'd round by woods,
Slopes the green dell to meet the briny floods,
The sparkling noon-beams trembling on the tide,
The PROTEUS-LOVER woos his playful bride,
To win the fair he tries a thousand forms,
Basks on the sands, or gambols in the storms.
A Dolphin now, his scaly sides he laves,
And bears the sportive damsel on the waves;
She strikes the cymbal as he moves along,
And wondering Ocean listens to the song.
-And now a spotted Pard the lover stalks,
Plays round her steps, and guards her favour'd walks;
As with white teeth he prints her hand, caress'd,
And lays his velvet paw upon her breast,
O'er his round face her snowy fingers strain
The silken knots, and fit the ribbon-rein.
-And now a Swan, he spreads his plumy sails,
77
And proudly glides before the fanning gales;
Pleas'd on the flowery brink with graceful hand
She waves her floating lover to the land;
Bright shines his sinuous neck, with crimson beak
He prints fond kisses on her glowing cheek,
Spreads his broad wings, elates his ebon crest,
And clasps the beauty to his downy breast.
hundred
virgins join a
hundred
swains,
And fond ADONIS leads the sprightly trains;
Pair after pair, along his sacred groves
To Hymen's fane the bright procession moves;
Each smiling youth a myrtle garland shades,
And wreaths of roses veil the blushing maids;
Light joys on twinkling feet attend the throng,
Weave the gay dance, or raise the frolic song;
-Thick, as they pass, exulting Cupids fling
Promiscuous arrows from the sounding string;
On wings of gossamer soft Whispers fly,
And the sly Glance steals side-long from the eye.
-As round his shrine the gaudy circles bow,
And seal with muttering lips the faithless vow,
Licentious Hymen joins their mingled hands,
And loosely twines the meretricious bands.Thus where pleased VENUS, in the southern main,
Sheds all her smiles on Otaheite's plain,
Wide o'er the isle her silken net she draws,
And the Loves laugh at all, but Nature's laws.'
Here ceased the Goddess,-o'er the silent strings
Applauding Zephyrs swept their fluttering wings;
Enraptur'd Sylphs arose in murmuring crowds
To air-wove canopies and pillowy clouds;
Each Gnome reluctant sought his earthy cell,
And each bright Floret clos'd her velvet bell.
Then, on soft tiptoe, NIGHT approaching near
Hung o'er the tuneless lyre his sable ear;
Gem'd with bright stars the still etherial plain,
And bad his Nightingales repeat the strain.
78
~ Erasmus Darwin,
99:Ballad Of Jesus Of Nazareth
I.
It matters not what place he drew
At first life's mortal breath,
Some say it was in Bethlehem,
And some in Nazareth.
But shame and sorrow were his lot
And shameful was his death.
The angels sang, and o'er the barn
Wherein the infant lay,
They hung a star, for they foresaw
The sad world's better day,
But well God knew what thyme and rue
Were planted by his way.
The children of the Pharisees
In hymn and orison
Worshipped the prophets, whom their sires
To cruel death had done,
And said, 'had we been there their death
We had not looked upon.'
While the star shone the angels saw
The tombs these children built
For those the world had driven out,
And smitten to the hilt,
God knew these wretched sons would bear
The self-same bloody guilt.
Always had he who strives for men
But done some other thing,
If he had not led a hermit life,
Or had not had his fling,
We would have followed him, they say,
And made him lord and King.
For John was clothed in camel's hair
And lived among the brutes;
26
But Jesus fared where the feast was spread
To the sound of shawms and lutes,
Where gathered knaves and publicans
And hapless prostitutes.
Like children in the market place
Who sullen sat and heard,
With John they would not mourn, nor yet
Rejoice at Jesus' word;
Had Jesus mourned, or John rejoiced,
He had been King and lord.
II.
From Bethlehem until the day
He came up to the feast
We hear no word, we only know
In wisdom he increased,
We know the marvelous boy did awe
The Pharisee and priest.
For wearied men wake to admire
A genius in the bud;
Before the passion of the world
Flows through him like a flood;
Ere he becomes a scourge to those
Who drink of mankind's blood.
Perhaps in him they saw an arm
To keep the people still;
And fool the meek and slay the weak
And give the King his will;
And put a wall for armZd men
'Round every pleasant hill.
And this is why in after years
The Galilean wept;
The cup of youth was sweet with truth
But a green worm in it crept;
And that was dullness clothed in power,
And hate which never slept.
27
Through twenty years he drove the plane,
And shaped with ax and saw;
And dreamed upon the Hebrew writ
Unto a day of awe,
When he felt the world fit to his grasp
As by a mighty law.
He looked upon the sunny sky,
And 'round the flowering earth;
He heard the poor man's groan of woe,
And the prince's song of mirth;
Then Jesus vowed the life of man
Should have another birth.
And this is why the Son of Man
Wept when he knew the loss,
The toil and sacrifice to cleanse
A little earthly dross;
And that a god to save twelve men
Must die upon the cross.
III.
'Twas on a pleasant day in June
Beneath an azure sky
That 'round him stood the multitude
And saw within his eye
The light that from nor sun nor star
Ever was known to fly.
And some came out to scoff and laugh,
And some to lay a snare;
The rhetorician gaped to see:
The learnZd carpenter.
The money changer, judge and priest,
And statesman all were there.
Some thought the Galilean mad;
Some asked, is he sincere?
Some said he played the demagogue
To gain the people's ear,
And raise a foe against the law
28
That lawful men should fear.
But all the while did C¾sar's might
Grow big with blood and lust;
And no one brooked his tyrant arm,
For the statesman said the crust
That paupers gnaw is by the law,
And that the law is just.
From hunger's hovel, from the streets;
From horror's blackened niche
Earth's mourners came and hands were stretched
To touch him from the ditch.
Then rose a Scribe and said he turned
The poor against the rich.
And those who hated C¾sar's rule,
Albeit sowed the lie
That Jesus stirred sedition up
That he might profit by
A revolution, which should clothe
Himself in monarchy.
Through twice a thousand years the world
Has missed the words he taught;
To forms and creeds and empty show
Christ never gave a thought,
But wrongs that men do unto men
They were the wrongs he fought.
He did not eat with washen hands,
Nor keep the Sabbath day;
He did not to the Synagogue
Repair to sing and pray.
Nor for to-morrow take a thought,
To mar life's pleasant way.
He saw that all of human woe
Takes root in hate and greed;
He saw until men love their kind
The human heart must bleed.
And that nor hymn nor sacrifice
29
Meets any human need.
And this is why he scourged the rich
And lashed the Pharisee,
And stripped from every pious face
The mask hypocrisy;
And so laced Mary Magdalene,
Caught in adultery.
And this is why with grievous fire
He smote the lawyer's lore.
And every wile of cunning guile
Which made the burden more
Upon the backs of wretched men,
Who heavy burdens bore.
Therefore when that the hour was come
For him to die, they blent
Of many things a lying charge,
But at last the argument
They killed him with was that he stirred
The people's discontent.
From thence the world has gone its way
Of this truth, deaf and blind,
And every man who struck the law
Has felt the halter bind,
Until his words were choked in death
Uttered for human kind.
Now did the dreams of Galilee
Awake as from a sleep,
Fly up from earth, and Life unmasked
Life's promise did not keep,
And Jesus saw the face of Life,
And all who see it weep.
God's spirit fled the damnZd earth
And left the earth forlorn.
No more did Jesus walk the fields,
And pluck the ripened corn;
Nor muse beside the silent sea,
30
Upon a summer's morn.
Before the heart of Christ was pierced
With agony divine,
He sat him down in a merry mood
With loving friends to dine.
And once in Cana he did turn
The water into wine.
Now put from shore, swept far to sea
His shallop caught the tide,
Arched o'er him was eternity
'Twixt starless wastes and wide.
God's spirit seemed withdrawn that once
Walked hourly at his side.
IV.
Gladly the common people heard
And called upon his name.
But yet he knew what they would do,
Christ Jesus knew their frame,
And that he should be left alone
Upon a day of shame.
Sharper than thorns upon the brow,
Or nails spiked through the hand
Is when the people fly for fear
And cannot understand;
And let their saviors die the death
As creatures contraband.
For wrongs that flourish by a lie
Are hard enough to bear;
But wrongs that take their root in truth
Shade every brow with care;
And this is why Gethsemane
Was shadowed with despair.
In dark and drear Gethsemane
Hell's devils laughed and raved,
When Jesus torn by fear and doubt
31
Reprieve from sorrow craved;
For who would lose his life, unless
Another's life he saved?
V.
In youth when all the world appeared
As fresh as any flower,
Satan besought the Son of Man,
New-clothed in godly power,
And took him to behold the world
Upon a lofty tower.
To every man of god-like might
Comes Satan once to give
The crown, the crosier and the sword
And bid him laugh and live,
While Hope hides in the wilderness,
A hunted fugitive.
But neither gold nor kingly crown
Tempted the Son of Man
He hoped as many souls have hoped,
Ever since time began,
That love itself can overcome,
Hate's foul leviathan
Some fix their faith to heaven's grace,
And some to saintly bones;
Some think that water doth contain
A virtue which atones;
And some believe that men are saved
By penitential groans.
But of all faith that ever fired
A spirit with its glow
That is supreme which thinks that truth
No power can overthrow;
And he believes who takes and cleaves
To the thorny way of woe!
For life is sweet, and sweet it is
32
With jeweled sandals shod
To trip where happy blossoms shoot
Up from the fragrant sod;
And what sustains the souls that pass
Alway beneath the rod?
The book of worldly lore he closed
And bound it with a hasp;
And in the hour of danger came
No king with friendly clasp.
It was the hand of love against
The anger of the asp.
Since Jesus died the lust of kings
Has linked the cross and crown;
And slaughtered millions whom to save
From heaven he came down;
And all to tame the mind of man
To his divine renown.
But whether he were man or god
This thing at least is true;
He hated with a lordly hate
The Gentile and the Jew,
Who robbed the poor and wronged the weak,
And kept the widow's due.
And those all clothed in raiment soft,
Who in kings' houses dwell;
And those who compass sea and land
Their proselytes to swell;
And when they make one he is made
Two-fold the child of hell.
And those who tithe of anise give,
But sharpen beak and claw;
And those who plait the web of hate
The heart of man to flaw;
And hungry lawyers who pile up
The burdens of the law.
I wonder not they slew the Christ
33
And put upon his brow
The cruel crown of thorns, I know
The world would do it now;
And none shall live who on himself
Shall take the self-same vow.
And none shall live who tries to balk
The heavy hand of greed;
And he who hopes for human help
Against his hour of need
Will find the souls he tried to save
Ready to make him bleed.
For he who flays the hypocrite,
And scourges with a thong
The money changer, soon will find
The money changer strong;
And even the people will incline
To think his mission wrong.
And pious souls will say he is
At best a castaway;
Some will remember he blasphemed
And broke the Sabbath day.
And the coward friend will fool his heart
And then he will betray.
At last the Scribe and Pharisee
No longer could abide
The tumult which his words stirred up
In every country side;
And so they made a sign, which meant
He must be crucified.
For him no sword was raised, no king
Came forward for his sake;
And every son of mammon laughed
To see death overtake
The fool who fastened to the truth
And made his life the stake.
VI.
34
Upon a day when Jesus' soul
Like an angel's voice did quire,
The heart of all the people burned
With a white and holy fire;
And they did sweep to make him king
Over the world's empire.
His kingdom was not of this world,
But this they would not own;
And he to save themselves did go
To a mountain place alone,
And there did pray that holy Truth
Might find somewhere a throne.
When Henry was by Francis sought
To make him emperor,
They walked upon a cloth of gold,
As sovereign lords of war.
And trumpets blew and banners flew
About the royal car.
When Caesar back to Rome returned
With all the world subdued,
The soldiers and the priests did shout,
And cried the multitude;
For he had slain his country's foes,
And drenched their land with blood.
But all the triumph of the Christ
That ever came to pass
Was when he rode amidst a mob
Upon a borrowed ass;
And this is all the worldly pomp
A genius ever has.
His cloth of gold were branches cut
And strewn upon the ground;
And every money-changer laughed,
And the judges looked and frowned;
But no one saw a flag unfurled,
Or heard a bugle sound.
35
To-day whene'er a coxcomb king
Visits a foreign shore,
The simple people deck themselves
And all the cannon roar.
But it would not do such grace to show
To a soul of lordly lore.
VII.
Of all sad suppers ever spread
For broken hearts to eat,
That was the saddest where the Christ
Did serve the bread and meat;
And, ere he served them, washed with care
Each worn disciple's feet.
And who would hold in memory
That supper, let him call
His loved friends about his board
And serve them one and all;
And with a loving spirit crown
The simple festival.
For this I hold to be the truth,
And Jesus said the same;
That men who meet as brothers, they
Are gathered in his name;
And only for its evil deeds
A soul he will disclaim.
Through climes of sun and climes of snow
Full many a wretched knight,
The holy grail, without avail
Did make his life's delight,
And lo! the thing it symbolized
Was ever in their sight.
The cup whereof Christ Jesus drank
Was wholly without grace;
And whether made of stone or wood
Was lost or broke apace.
36
And no one thought to keep a cup
While looking in his face.
They kept no cup, their only thought
Was for the morrow morn.
And as he passed the wine and bread
With pallid hands and worn,
Peter did swear he would not leave
His stricken lord forlorn.
John, the beloved, on his breast,
Wept while the hour did pass.
Judas did groan when Jesus struck
Behind his soul's arras.
All trembled for the bitter hate,
And power of Caiaphas.
But for that simple, farewell feast
In Holland, France and Spain,
Ten million men as true as John
Were racked and burnt and slain,
As if they held remembrance of
The farewell feast of Cain.
Had Jesus known what fratricide
Over his words would fall
I think he would have gone straightway
Up to the judgment hall,
And never broken bread or drunk
The cup his friends withal.
Though a good tree brings forth good fruit,
What good bears naught but good?
What sum of saintly life contains
No grain of devil's food?
What purest truth when past its youth
Is not its own falsehood?
And every rod wherewith the wise
Have cleft each barrier sea,
That men might walk across and reach
The land of liberty,
37
In hands of kings were snakes whose stings
Were worse than slavery.
VIII.
The rulers thought it best to wait
Till Jesus were alone;
They had forgot the coward crowd
Never protects its own,
But leaves its leaders to the whim
Of wrong upon a throne.
Had malcontents for Pilate sought
To do a treasonous thing,
Ten thousand loyal fishermen
Had made the traitors swing;
For they are taught they cannot live
Unless they have a king.
But soldiers came with swords and staves
To sieze one helpless man.
And only Peter had a sword
To smite the craven clan
And only Peter stood his ground,
And all the people ran.
I wish, since Jesus by the world
Is held to be divine,
That he had lived to give to men
A perfect anodyne,
And raise to human liberty
A world compelling shrine.
A shrine 'round which should lie to-day
The world's discarded crowns,
And swords and guns and gilded gawds
And monkish beads and gowns;
But, as it is, upon these things,
They say, he never frowns.
And only by an argument
Can any being show
38
That Jesus would chop out and burn
These monstrous roots of woe.
And so these roots are living yet,
And still the roots do grow.
Unto this day in divers lands
Pilate is singled out
For curses that he did not save
Christ from the rabble's shout;
But they forget he was a judge,
And had a judge's doubt.
The sickly fear of the rulers' sneer
Clutches the judge's heart.
And to hide behind a hoary lie
Is the judge's highest art;
And the judgment hall has a door that leads
To the room of the money mart.
The laws wherewith men murder men
Are dark with skeptic slime;
They are not stars that point the way
To truth in every clime.
Wherefore was Jesus crucified,
For what was not a crime.
When Pilate questioned what is truth
He did not mean to jest;
He meant to show when life's at stake
How difficult the quest
Through hollow rules and empty forms
To truth's ingenuous test.
And Pilate might have pardoned him
Had not the lawyers said,
The Galilean strove to put
A crown upon his head.
And how could Jesus be a king,
Who blood had never shed?
The trial of Jesus long ago
Was cursed in solemn rhyme;
39
For the judgment hall was but farcical
And the trial a pantomime.
Save that it led to a felon's death
For what was not a crime.
The common people on that day
Had enough black-bread to eat.
And what to them was another's woe
Before the judgment seat?
They were content that day to keep
From pit-falls their own feet.
Had Herod stood, whate'er the charge,
Before the people's bar
The sophists would have cut it down
With reason's scimitar,
And called the peasants to enforce
The judgment near and far.
And had they failed to save their king
From every foul mischance
The banded Anarchs of the world
Had held them in durance,
As afterward the crownZd heads
Did punish recreant France.
IX.
So it fell out amid the rout
Of captain, lord and priest,
They bound his hands with felon bands
And they flogged him like a beast.
And Pilate washed his hands, and then
For them a thief released.
And only women solaced him,
And one mad courtesan,
'Save thou thyself,' the elders cried,
'Who came to rescue man.'
Where were the common people then?
The common people ran.
40
Between two thieves upon a hill
The terror to proclaim
They racked his body on a cross
Till his thirst was like a flame;
And they mocked his woe and they wagged their heads,
And they spat upon his name.
God thought a picture like to this,
Fire-limned against the sky,
Once seen, would never fade away
From the world's careless eye;
And that the lesson that it taught
No soul could wander by.
God thought the shadow of this cross,
Athwart the mad world's ken,
Would stay with shame the hands that kill
The men who die for men,
And that no soul for love of truth
Need ever die again.
Many a man the valley of death
With fearless step hath trod;
The prophet is a phoenix soul,
And the wretch is a sullen clod.
But Jesus in his death became
Liker unto a god
Liker unto a god he grew
Who walked through heaven and hell;
He died as he forgave the mob
That 'round the cross did yell.
They knew not what they did, and this
Jesus, the god, knew well.
For hate is spawned of ignorance
And ignorance of hate.
And all the fangZd shapes that creep
From their incestuous state
Enter the gardens of the world,
And cursZd keep their fate.
41
Near Gadara did Jesus drive
By an occult power and sign
The unclean devils from a loon
Into a herd of swine.
But the swinish devils entered the Scribes,
And slew a soul divine.
Christ healed the blind, but could not ope
The eyes of ignorance,
Nor turn to wands of peace and love
Hate's bloody sword and lance;
But the swinish fiends who took his life
Received a pardoning glance.
And Jesus raised the dead to life,
And he cured the lame and halt
But he could not heal a hateful soul,
And keep it free from fault;
Nor bring the savour back again
To the world's trampled salt.
X.
After his death the rulers slept,
And the judges were at ease;
For they had killed a rebel soul
And strewed his devotees;
But the imp of time is a thing perverse,
And laughs at men's decrees.
For it is vain to kill a man,
His life to stigmatize;
Herein the wisdom of the world
Is folly to the wise;
For those the world doth kill, the world
Will surely canonize.
To look upon a lovZd face
By the Gorgon Death made stone,
Will make the heart leap up with fear
And the soul with sorrow groan;
42
Alas! who knows what thing he knew
Ere the light of life was flown?
Who knows what tears did start to well,
But were frozen at their source?
Who knows his ashen grief who felt
That iron hand of force?
Or what black thing he saw before
He grew a lifeless corse?
And, much of hope, but more of woe
Falls with the chastening rod,
As the living think of an orphan soul
That the spectral ways may trod,
And how that orphan soul must cry
In its new world after God.
So the fisherman did sigh at night,
For a dream-face haunted them.
By day they hid as branded men
Within Jerusalem.
And the common people, safe at home,
Did breathe a requiem.
But where he lay, one fearless soul,
Mad Magdalene, from whom
Christ cast the seven devils out,
Came in the morning's gloom,
And thence arose the burning faith
That Christ rose from the tomb
But all do know the mind of man
Mixes the false and true,
And deifies each Son of God
That ever hatred slew;
And weaves him magic tales to tell
Of what the man could do.
The legends grow, as grow they must
The wonder to equip.
And ere they write the legends out,
They pass from lip to lip,
43
Till a simple life becomes a theme
For studied scholarship.
But this I know that after Christ
Did die on Calvary,
He never more did preach to men,
Nor scourge the Pharisee;
Else it was vain to still his voice
And nail him to a tree.
Nor scribe nor priest were ever more
By him disquieted.
And little did it mean to them
That he rose from the dead.
For greed can sleep when it has killed
The thing that it did dread.
And never a king or satrap knew
That Christ the tomb had rent;
He might have lived a second life,
With every lord's consent,
If never more he sought to stir
The people's discontent.
He might have risen from the dead
And gone to Galilee;
And there paced out a hundred years
In a sorrowed revery,
If he but never preached again
The creed humanity.
XI.
To distant lands did Jesus' words,
Like sparks that burst in flame,
Fly forth to light the ways of dole,
And blind the eyes of shame,
Till subtle kings, to staunch their wounds,
Did conjure with his name.
When kings did pilfer Jesus' might,
His words of love were turned
44
To swords and goads and heavy loads,
And rods and brands that burned;
And never had the world before
So piteously mourned.
Of peasant Mary they did make
A statue all of gold;
And placed a crown upon her head
With jewels manifold.
And Jesus' words were strained and drawn
This horror to uphold.
They robed a rebel royally,
And placed within his hand
A scepter, that himself should be
One of their murderous band.
And it is tragical that men
Can never understand.
For Herod crowned the carpenter
With woven thorns of hate.
And put a reed within his hand
A king to imitate.
Now kings have made a rebel soul
The patron of the state.
And kingcraft never hatched a lie,
This falsehood to surpass.
For Jesus' only hour of pomp
Was what a genius has;
He rode amidst a howling mob
Upon a borrowed ass.
Though his cloth of gold were branches cut
And strewed upon the ground;
And though the money-changers laughed,
While the judges looked and frowned;
To-day for him the flag is flown,
And all the bugles sound.
To-day where'er the treacherous sword
Takes lord-ship in the world,
45
The bloody rag they call the flag,
In his name is unfurled.
And round the standard of the cross
Is greed, the python, curled.
For wrongs that have the show of truth
Are hard enough to bear,
But wrongs that flourish by a lie,
Shade wisdom's brow with care.
And still in dark Gethsemane
There lurks the fiend Despair.
And still in drear Gethsemane,
Hell's devils laugh and rave,
Because the Prince of Peace hath failed
The wayward world to save.
For every word he spoke is made
A shackle to enslave.
Man's wingd hopes are white at dawn,
But the hand of malice smuts.
O, angel voices drowned and lost
Amid the growl of guts!
O spirit hands that strain to draw
A dead world from the ruts!
God made a stage of Palestine,
And the drama played was Life;
And the Eye of Heaven sat and watched
The true and false at strife;
While a masque o' the World did play the pimp,
And take a whore to wife.
I wonder not they slew the Christ,
And put upon his brow
A mocking crown of thorns, I know
The world would do it now;
And none shall live who on himself
Shall take the self-same vow.
And none shall live who tries to balk
The heavy hand of greed.
46
And who betakes him to the task,
That heart will surely bleed.
But a little truth, somehow is saved
Out of each dead man's creed.
Out of the life of him who scourged
The Scribe and Pharisee,
A willing world can take to heart
The creed humanity;
And all the wonder tales of Christ
Are naught to you and me.
And it matters not what place he drew,
At first life's mortal breath,
Nor how it was his spirit rose
And triumphed over death,
But good it is to hear and do
The word that Jesus saith.
Until the perfect truth shall lie
Treasured and set apart;
One whole, harmonious truth to set
A seal upon each heart;
And none may ever from that truth
In any wise depart.
~ Edgar Lee Masters,
100:Admetus: To My Friend, Ralph Waldo Emerson
He who could beard the lion in his lair,
To bind him for a girl, and tame the boar,
And drive these beasts before his chariot,
Might wed Alcestis. For her low brows' sake,
Her hairs' soft undulations of warm gold,
Her eyes' clear color and pure virgin mouth,
Though many would draw bow or shiver spear,
Yet none dared meet the intolerable eye,
Or lipless tusk, of lion or of boar.
This heard Admetus, King of Thessaly,
Whose broad, fat pastures spread their ample fields
Down to the sheer edge of Amphrysus' stream,
Who laughed, disdainful, at the father's pride,
That set such value on one milk-faced child.
One morning, as he rode alone and passed
Through the green twilight of Thessalian woods,
Between two pendulous branches interlocked,
As through an open casement, he descried
A goddess, as he deemed, — in truth a maid.
On a low bank she fondled tenderly
A favorite hound, her floral face inclined
Above the glossy, graceful animal,
That pressed his snout against her cheek and gazed
Wistfully, with his keen, sagacious eyes.
One arm with lax embrace the neck enwreathed,
With polished roundness near the sleek, gray skin.
Admetus, fixed with wonder, dared not pass,
Intrusive on her holy innocence
And sacred girlhood, but his fretful steed
Snuffed the large air, and champed and pawed the ground;
And hearing this, the maiden raised her head.
No let or hindrance then might stop the king,
Once having looked upon those supreme eyes.
The drooping boughs disparting, forth he sped,
And then drew in his steed, to ask the path,
Like a lost traveller in an alien land.
Although each river-cloven vale, with streams
Arrowy glancing to the blue Ægean,
Each hallowed mountain, the abode of gods,
Pelion and Ossa fringed with haunted groves,
The height, spring-crowned, of dedicate Olympus,
And pleasant sun-fed vineyards, were to him
Familiar as his own face in the stream,
Nathless he paused and asked the maid what path
Might lead him from the forest. She replied,
But still he tarried, and with sportsman's praise
Admired the hound and stooped to stroke its head,
And asked her if she hunted. Nay, not she:
Her father Pelias hunted in these woods,
Where there was royal game. He knew her now, —
Alcestis, — and her left her with due thanks:
No goddess, but a mortal, to be won
By such a simple feat as driving boars
And lions to his chariot. What was that
To him who saw the boar of Calydon,
The sacred boar of Artemis, at bay
In the broad stagnant marsh, and sent his darts
In its tough, quivering flank, and saw its death,
Stung by sure arrows of Arcadian nymph?
To river-pastures of his flocks and herds
Admetus rode, where sweet-breathed cattle grazed,
Heifers and goats and kids, and foolish sheep
Dotted cool, spacious meadows with bent heads,
And necks' soft wool broken in yellow flakes,
Nibbling sharp-toothed the rich, thick-growing blades.
One herdsmen kept the innumerable droves —
A boy yet, young as immortality —
In listless posture on a vine-grown rock.
Around him huddled kids and sheep that left
The mother's udder for his nighest grass,
Which sprouted with fresh verdure where he sat.
And yet dull neighboring rustics never guessed
A god had been among them till he went,
Although with him they acted as he willed,
Renouncing shepherds' silly pranks and quips,
10
Because his very presence made them grave.
Amphryssius, after their translucent stream,
They called him, but Admetus knew his name, —
Hyperion, god of sun and song and silver speech,
Condemned to serve a mortal for his sin
To Zeus in sending violent darts of death,
And raising hand irreverent, against
The one-eyed forgers of the thunderbolt.
For shepherd's crook he held the living rod
Of twisted serpents, later Hermes' wand.
Him sought the king, discovering soon hard by,
Idle, as one in nowise bound to time,
Watching the restless grasses blow and wave,
The sparkle of the sun upon the stream,
Regretting nothing, living with the hour:
For him, who had his light and song within,
Was naught that did not shine, and all things sang.
Admetus prayed for his celestial aid
To win Alcestis, which the god vouchsafed,
Granting with smiles, as grant all gods, who smite
With stern hand, sparing not for piteousness,
But give their gifts in gladness.
Thus the king
Led with loose rein the beasts as tame as kine,
And townsfolk thronged within the city streets,
As round a god; and mothers showed their babes,
And maidens loved the crowned intrepid youth,
And men would worship, though the very god
Who wrought the wonder dwelled unnoted nigh,
Divinely scornful of neglect or praise.
Then Pelias, seeing this would be his son,
As he had vowed, called for his wife and child.
With Anaxibia, Alcestis came,
A warm flush spreading o'er her eager face
In looking on the rider of the woods,
And knowing him her suitor and the king.
Admetus won Alcestis thus to wife,
And these with mated hearts and mutual love
11
Lived a life blameless, beautiful: the king
Ordaining justice in the gates; the queen,
With grateful offerings to the household gods,
Wise with the wisdom of the pure in heart.
One child she bore, — Eumelus, — and he throve.
Yet none the less because they sacrificed
The firstlings of their flocks and fruits and flowers,
Did trouble come; for sickness seized the king.
Alcestis watched with many-handed love,
But unavailing service, for he lay
With languid limbs, despite his ancient strength
Of sinew, and his skill with spear and sword.
His mother came, Clymene, and with her
His father, Pheres: his unconscious child
They brought him, while forlorn Alcestis sat
Discouraged, with the face of desolation.
The jealous gods would bind his mouth from speech,
And smite his vigorous frame with impotence;
And ruin with bitter ashes, worms, and dust,
The beauty of his crowned, exalted head.
He knew her presence, — soon he would not know,
Nor feel her hand in his lie warm and close,
Nor care if she were near him any more.
Exhausted with long vigils, thus the queen
Held hard and grievous thoughts, till heavy sleep
Possessed her weary senses, and she dreamed.
And even in her dream her trouble lived,
For she was praying in a barren field
To all the gods for help, when came across
The waste of air and land, from distant skies,
A spiritual voice divinely clear,
Whose unimaginable sweetness thrilled
Her aching heart with tremor of strange joy:
'Arise, Alcestis, cast away white fear.
A god dwells with you: seek, and you shall find.'
Then quiet satisfaction filled her soul
Almost akin to gladness, and she woke.
Weak as the dead, Admetus lay there still;
But she, superb with confidence, arose,
And passed beyond the mourners' curious eyes,
Seeking Amphryssius in the meadow-lands.
She found him with the godlike mien of one
12
Who, roused, awakens unto deeds divine:
'I come, Hyperion, with incessant tears,
To crave the life of my dear lord the king.
Pity me, for I see the future years
Widowed and laden with disastrous days.
And ye, the gods, will miss him when the fires
Upon your shrines, unfed, neglected die.
Who will pour large libations in your names,
And sacrifice with generous piety?
Silence and apathy will greet you there
Where once a splendid spirit offered praise.
Grant me this boon divine, and I will beat
With prayer at morning's gates, before they ope
Unto thy silver-hoofed and flame-eyed steeds.
Answer ere yet the irremeable stream
Be crossed: answer, O god, and save!'
She ceased,
With full throat salt with tears, and looked on him,
And with a sudden cry of awe fell prone,
For, lo! he was transmuted to a god;
The supreme aureole radiant round his brow,
Divine refulgence on his face, — his eyes
Awful with splendor, and his august head
With blinding brilliance crowned by vivid flame.
Then in a voice that charmed the listening air:
'Woman, arise! I have no influence
On Death, who is the servant of the Fates.
Howbeit for thy passion and thy prayer,
The grace of thy fair womanhood and youth,
Thus godlike will I intercede for thee,
And sue the insatiate sisters for this life.
Yet hope not blindly: loth are these to change
Their purpose; neither will they freely give,
But haggling lend or sell: perchance the price
Will countervail the boon. Consider this.
Now rise and look upon me.' And she rose,
But by her stood no godhead bathed in light,
But young Amphryssius, herdsman to the king,
Benignly smiling.
Fleet as thought, the god
Fled from the glittering earth to blackest depths
Of Tartarus; and none might say he sped
13
On wings ambrosial, or with feet as swift
As scouring hail, or airy chariot
Borne by flame-breathing steeds ethereal;
But with a motion inconceivable
Departed and was there. Before the throne
Of Ades, first he hailed the long-sought queen,
Stolen with violent hands from grassy fields
And delicate airs of sunlit Sicily,
Pensive, gold-haired, but innocent-eyed no more
As when she laughing plucked the daffodils,
But grave as one fulfilling a strange doom.
And low at Ades' feet, wrapped in grim murk
And darkness thick, the three gray women sat,
Loose-robed and chapleted with wool and flowers,
Purple narcissi round their horrid hair.
Intent upon her task, the first one held
The slender thread that at a touch would snap;
The second weaving it with warp and woof
Into strange textures, some stained dark and foul,
Some sanguine-colored, and some black as night,
And rare ones white, or with a golden thread
Running throughout the web: the farthest hag
With glistening scissors cut her sisters' work.
To these Hyperion, but they never ceased,
Nor raised their eyes, till with soft, moderate tones,
But by their powerful persuasiveness
Commanding all to listen and obey,
He spoke, and all hell heard, and these three looked
And waited his request:
'I come, a god,
At a pure mortal queen's request, who sues
For life renewed unto her dying lord,
Admetus; and I also pray this prayer.'
'Then cease, for when hath Fate been moved by prayer?'
'But strength and upright heart should serve with you.'
'Nay, these may serve with all but Destiny.'
'I ask ye not forever to forbear,
But spare a while, — a moment unto us,
A lifetime unto men.' 'The Fates swerve not
For supplications, like the pliant gods.
Have they not willed a life's thread should be cut?
With them the will is changeless as the deed.
14
O men! ye have not learned in all the past,
Desires are barren and tears yield no fruit.
How long will ye besiege the thrones of gods
With lamentations? When lagged Death for all
Your timorous shirking? We work not like you,
Delaying and relenting, purposeless,
With unenduring issues; but our deeds,
Forever interchained and interlocked,
Complete each other and explain themselves.'
'Ye will a life: then why not any life?'
'What care we for the king? He is not worth
These many words; indeed, we love not speech.
We care not if he live, or lose such life
As men are greedy for, — filled full with hate,
Sins beneath scorn, and only lit by dreams,
Or one sane moment, or a useless hope, —
Lasting how long? — the space between the green
And fading yellow of the grass they tread.'
But he withdrawing not: 'Will any life
Suffice ye for Admetus?' 'Yea,' the crones
Three times repeated. 'We know no such names
As king or queen or slave: we want but life.
Begone, and vex us in our work no more.'
With broken blessings, inarticulate joy
And tears, Alcestis thanked Hyperion,
And worshipped. Then he gently: 'Who will die,
So that the king may live?' And she: 'You ask?
Nay, who will live when life clasps hands with shame,
And death with honor? Lo, you are a god;
You cannot know the highest joy of life, —
To leave it when 't is worthier to die.
His parents, kinsmen, courtiers, subjects, slaves, —
For love of him myself would die, were none
Found ready; but what Greek would stand to see
A woman glorified, and falter? Once,
And only once, the gods will do this thing
In all the ages: such a man themselves
Delight to honor, — holy, temperate, chaste,
15
With reverence for his dæmon and his god.'
Thus she triumphant to the very door
Of King Admetus' chamber. All there saw
Her ill-timed gladness with much wonderment.
But she: 'No longer mourn! The king is saved:
The Fates will spare him. Lift your voice in praise;
Sing pæans to Apollo; crown your brows
With laurel; offer thankful sacrifice!'
'O Queen, what mean these foolish words misplaced?
And what an hour is this to thank the Fates?'
'Thrice blessed be the gods! — for God himself
Has sued for me, — they are not stern and deaf.
Cry, and they answer: commune with your soul,
And they send counsel: weep with rainy grief,
And these will sweeten you your bitterest tears.
On one condition King Admetus lives,
And ye, on hearing, will lament no more,
Each emulous to save.' Then — for she spake
Assured, as having heard an oracle —
They asked: 'What deed of ours may serve the king?'
'The Fates accept another life for his,
And one of you may die.' Smiling, she ceased.
But silence answered her. 'What! do ye thrust
Your arrows in your hearts beneath your cloaks,
Dying like Greeks, too proud to own the pang?
This ask I not. In all the populous land
But one need suffer for immortal praise.
The generous Fates have sent no pestilence,
Famine, nor war: it is as though they gave
Freely, and only make the boon more rich
By such slight payment. Now a people mourns,
And ye may change the grief to jubilee,
Filling the cities with a pleasant sound.
But as for me, what faltering words can tell
My joy, in extreme sharpness kin to pain?
A monument you have within my heart,
Wreathed with kind love and dear remembrances;
And I will pray for you before I crave
Pardon and pity for myself from God.
Your name will he the highest in the land,
16
Oftenest, fondest on my grateful lips,
After the name of him you die to save.
What! silent still? Since when has virtue grown
Less beautiful than indolence and ease?
Is death more terrible, more hateworthy,
More bitter than dishonor? Will ye live
On shame? Chew and find sweet its poisoned fruits?
What sons will ye bring forth — mean-souled like you,
Or, like your parents, brave — to blush like girls,
And say, 'Our fathers were afraid to die!'
Ye will not dare to raise heroic eyes
Unto the eyes of aliens. In the streets
Will women and young children point at you
Scornfully, and the sun will find you shamed,
And night refuse to shield you. What a life
Is this ye spin and fashion for yourselves!
And what new tortures of suspense and doubt
Will death invent for such as are afraid!
Acastus, thou my brother, in the field
Foremost, who greeted me with sanguine hands
From ruddy battle with a conqueror's face, —
These honors wilt thou blot with infamy?
Nay, thou hast won no honors: a mere girl
Would do as much as thou at such a time,
In clamorous battle, 'midst tumultuous sounds,
Neighing of war-steeds, shouts of sharp command,
Snapping of shivered spears; for all are brave
When all men look to them expectantly;
But he is truly brave who faces death
Within his chamber, at a sudden call,
At night, when no man sees, — content to die
When life can serve no longer those he loves.'
Then thus Acastus: 'Sister, I fear not
Death, nor the empty darkness of the grave,
And hold my life but as a little thing,
Subject unto my people's call, and Fate.
But if 't is little, no greater is the king's;
And though my heart bleeds sorely, I recall
Astydamia, who thus would mourn for me.
We are not cowards, we youth of Thessaly,
And Thessaly — yea, all Greece — knoweth it;
Nor will we brook the name from even you,
17
Albeit a queen, and uttering these wild words
Through your unwonted sorrow.' Then she knew
That he stood firm, and turning from him, cried
To the king's parents: 'Are ye deaf with grief,
Pheres, Clymene? Ye can save your son,
Yet rather stand and weep with barren tears.
O, shame! to think that such gray, reverend hairs
Should cover such unvenerable heads!
What would ye lose?— a remnant of mere life,
A few slight raveled threads, and give him years
To fill with glory. Who, when he is gone,
Will call you gentlest names this side of heaven, —
Father and mother? Knew ye not this man
Ere he was royal, — a poor, helpless child,
Crownless and kingdomless? One birth alone
Sufficeth not, Clymene: once again
You must give life with travail and strong pain.
Has he not lived to outstrip your swift hopes?
What mother can refuse a second birth
To such a son? But ye denying him,
What after-offering may appease the gods?
What joy outweigh the grief of this one day?
What clamor drown the hours' myriad tongues,
Crying, 'Your son, your son? where is your son,
Unnatural mother, timid, foolish man?'
Then Pheres gravely: 'These are graceless words
From you our daughter. Life is always life,
And death comes soon enough to such as we.
We twain are old and weak, have served our time,
And made our sacrifices. Let the young
Arise now in their turn and save the king.'
'O gods! look on your creatures! do ye see?
And seeing, have ye patience? Smite them all,
Unsparing, with dishonorable death.
Vile slaves! a woman teaches you to die.
Intrepid, with exalted steadfast soul,
Scorn in my heart, and love unutterable,
I yield the Fates my life, and like a god
Command them to revere that sacred head.
Thus kiss I thrice the dear, blind, holy eyes,
And bid them see; and thrice I kiss this brow,
And thus unfasten I the pale, proud lips
18
With fruitful kissings, bringing love and life,
And without fear or any pang, I breathe
My soul in him.'
'Alcestis, I awake.
I hear, I hear — unspeak thy reckless words!
For, lo! thy life-blood tingles in my veins,
And streameth through my body like new wine.
Behold! thy spirit dedicate revives
My pulse, and through thy sacrifice I breathe.
Thy lips are bloodless: kiss me not again.
Ashen thy cheeks, faded thy flowerlike hands.
O woman! perfect in thy womanhood
And in thy wifehood, I adjure thee now
As mother, by the love thou bearest our child,
In this thy hour of passion and of love,
Of sacrifice and sorrow, to unsay
Thy words sublime!' 'I die that thou mayest live.'
'And deemest thou that I accept the boon,
Craven, like these my subjects? Lo, my queen,
Is life itself a lovely thing, — bare life?
And empty breath a thing desirable?
Or is it rather happiness and love
That make it precious to its inmost core?
When these are lost, are there not swords in Greece,
And flame and poison, deadly waves and plagues?
No man has ever lacked these things and gone
Unsatisfied. It is not these the gods refuse
(Nay, never clutch my sleeve and raise thy lip), —
Not these I seek; but I will stab myself,
Poison my life and burn my flesh, with words,
And save or follow thee. Lo! hearken now:
I bid the gods take back their loathsome gifts:
I spurn them, and I scorn them, and I hate.
Will they prove deaf to this as to my prayers?
With tongue reviling, blasphemous, I curse,
With mouth polluted from deliberate heart.
Dishonored be their names, scorned be their priests,
Ruined their altars, mocked their oracles!
It is Admetus, King of Thessaly,
Defaming thus: annihilate him, gods!
So that his queen, who worships you, may live.'
He paused as one expectant; but no bolt
19
From the insulted heavens answered him,
But awful silence followed. Then a hand,
A boyish hand, upon his shoulder fell,
And turning, he beheld his shepherd boy,
Not wrathful, but divinely pitiful,
Who spake in tender, thrilling tones: 'The gods
Cannot recall their gifts. Blaspheme them not:
Bow down and worship rather. Shall he curse
Who sees not, and who hears not, — neither knows
Nor understands? Nay, thou shalt bless and pray, —
Pray, for the pure heart, purged by prayer, divines
And seeth when the bolder eyes are blind.
Worship and wonder, — these befit a man
At every hour; and mayhap will the gods
Yet work a miracle for knees that bend
And hands that supplicate.'
Then all they knew
A sudden sense of awe, and bowed their heads
Beneath the stripling's gaze: Admetus fell,
Crushed by that gentle touch, and cried aloud:
'Pardon and pity! I am hard beset.'
There waited at the doorway of the king
One grim and ghastly, shadowy, horrible,
Bearing the likeness of a king himself,
Erect as one who serveth not, — upon
His head a crown, within his fleshless hands
A sceptre, — monstrous, winged, intolerable.
To him a stranger coming 'neath the trees,
Which slid down flakes of light, now on his hair,
Close-curled, now on his bared and brawny chest,
Now on his flexile, vine-like veinéd limbs,
With iron network of strong muscle thewed,
And godlike brows and proud mouth unrelaxed.
Firm was his step; no superfluity
Of indolent flesh impeded this man's strength.
Slender and supple every perfect limb,
Beautiful with the glory of a man.
No weapons bare he, neither shield: his hands
Folded upon his breast, his movements free
Of all incumbrance. When his mighty strides
20
Had brought him nigh the waiting one, he paused:
'Whose palace this? and who art thou, grim shade?'
'The palace of the King of Thessaly,
And my name is not strange unto thine ears;
For who hath told men that I wait for them,
The one sure thing on earth? Yet all they know,
Unasking and yet answered. I am Death,
The only secret that the gods reveal.
But who art thou who darest question me?'
'Alcides; and that thing I dare not do
Hath found no name. Whom here awaitest thou?'
'Alcestis, Queen of Thessaly, — a queen
Who wooed me as the bridegroom woos the bride,
For her life sacrificed will save her lord
Admetus, as the Fates decreed. I wait
Impatient, eager; and I enter soon,
With darkening wing, invisible, a god,
And kiss her lips, and kiss her throbbing heart,
And then the tenderest hands can do no more
Than close her eyes and wipe her cold, white brow,
Inurn her ashes and strew flowers above.'
'This woman is a god, a hero, Death.
In this her sacrifice I see a soul
Luminous, starry: earth can spare her not:
It is not rich enough in purity
To lose this paragon. Save her, O Death!
Thou surely art more gentle than the Fates,
Yet these have spared her lord, and never meant
That she should suffer, and that this their grace,
Beautiful, royal on one side, should turn
Sudden and show a fearful, fatal face.'
'Nay, have they not? O fond and foolish man,
Naught comes unlooked for, unforeseen by them.
Doubt when they favor thee, though thou mayest laugh
When they have scourged thee with an iron scourge.
Behold, their smile is deadlier than their sting,
And every boon of theirs is double-faced.
Yea, I am gentler unto ye than these:
I slay relentless, but when have I mocked
With poisoned gifts, and generous hands that smite
Under the flowers? for my name is Truth.
Were this fair queen more fair, more pure, more chaste,
21
I would not spare her for your wildest prayer
Nor her best virtue. Is the earth's mouth full?
Is the grave satisfied? Discrown me then,
For life is lord, and men may mock the gods
With immortality.' 'I sue no more,
But I command thee spare this woman's life,
Or wrestle with Alcides.' 'Wrestle with thee,
Thou puny boy!' And Death laughed loud, and swelled
To monstrous bulk, fierce-eyed, with outstretched wings,
And lightnings round his brow; but grave and firm,
Strong as a tower, Alcides waited him,
And these began to wrestle, and a cloud
Impenetrable fell, and all was dark.
'Farewell, Admetus and my little son,
Eumelus, — O these clinging baby hands!
Thy loss is bitter, for no chance, no fame,
No wealth of love, can ever compensate
For a dead mother. Thou, O king, fulfill
The double duty: love him with my love,
And make him bold to wrestle, shiver spears,
Noble and manly, Grecian to the bone;
And tell him that his mother spake with gods.
Farewell, farewell! Mine eyes are growing blind:
The darkness gathers. O my heart, my heart!'
No sound made answer save the cries of grief
From all the mourners, and the suppliance
Of strick'n Admetus: ' O have mercy, gods!
O gods, have mercy, mercy upon us!'
Then from the dying woman's couch again
Her voice was heard, but with strange sudden tones:
'Lo, I awake, — the light comes back to me.
What miracle is this?' And thunders shook
The air, and clouds of mighty darkness fell,
And the earth trembled, and weird, horrid sounds
Were heard of rushing wings and fleeing feet,
And groans; and all were silent, dumb with awe,
Saving the king, who paused not in his prayer:
'Have mercy, gods!' and then again, 'O gods,
Have mercy!'
22
Through the open casement poured
Bright floods of sunny light; the air was soft,
Clear, delicate as though a summer storm
Had passed away; and those there standing saw,
Afar upon the plain, Death fleeing thence,
And at the doorway, weary, well-nigh spent,
Alcides, flushed with victory.
~ Emma Lazarus,
101:Upon Appleton House, To My Lord Fairfax
Within this sober Frame expect
Work of no Forrain Architect;
That unto Caves the Quarries drew,
And Forrests did to Pastures hew;
Who of his great Design in pain
Did for a Model vault his Brain,
Whose Columnes should so high be rais'd
To arch the Brows that on them gaz'd.
Why should of all things Man unrul'd
Such unproportion'd dwellings build?
The Beasts are by their Denns exprest:
And Birds contrive an equal Nest;
The low roof'd Tortoises do dwell
In cases fit of Tortoise-shell:
No Creature loves an empty space;
Their Bodies measure out their Place.
But He, superfluously spread,
Demands more room alive then dead.
And in his hollow Palace goes
Where Winds as he themselves may lose.
What need of all this Marble Crust
T'impark the wanton Mose of Dust,
That thinks by Breadth the World t'unite
Though the first Builders fail'd in Height?
But all things are composed here
Like Nature, orderly and near:
In which we the Dimensions find
Of that more sober Age and Mind,
When larger sized Men did stoop
To enter at a narrow loop;
As practising, in doors so strait,
To strain themselves through Heavens Gate.
And surely when the after Age
Shall hither come in Pilgrimage,
These sacred Places to adore,
188
By Vere and Fairfax trod before,
Men will dispute how their Extent
Within such dwarfish Confines went:
And some will smile at this, as well
As Romulus his Bee-like Cell.
Humility alone designs
Those short but admirable Lines,
By which, ungirt and unconstrain'd,
Things greater are in less contain'd.
Let others vainly strive t'immure
The Circle in the Quadrature!
These holy Mathematics can
In ev'ry Figure equal Man.
Yet thus the laden House does sweat,
And scarce indures the Master great:
But where he comes the swelling Hall
Stirs, and the Square grows Spherical;
More by his Magnitude distrest,
Then he is by its straitness prest:
And too officiously it slights
That in it self which him delights.
So Honour better Lowness bears,
Then That unwonted Greatness wears
Height with a certain Grace does bend,
But low Things clownishly ascend.
And yet what needs there here Excuse,
Where ev'ry Thing does answer Use?
Where neatness nothing can condemn,
Nor Pride invent what to contemn?
A Stately Frontispice Of Poor
Adorns without the open Door:
Nor less the Rooms within commends
Daily new Furniture Of Friends.
The House was built upon the Place
Only as for a Mark Of Grace;
And for an Inn to entertain
Its Lord a while, but not remain.
189
Him Bishops-Hill, or Denton may,
Or Bilbrough, better hold then they:
But Nature here hath been so free
As if she said leave this to me.
Art would more neatly have defac'd
What she had laid so sweetly wast;
In fragrant Gardens, shaddy Woods,
Deep Meadows, and transparent Floods.
While with slow Eyes we these survey,
And on each pleasant footstep stay,
We opportunly may relate
The progress of this Houses Fate.
A Nunnery first gave it birth.
For Virgin Buildings oft brought forth.
And all that Neighbour-Ruine shows
The Quarries whence this dwelling rose.
Near to this gloomy Cloysters Gates
There dwelt the blooming Virgin Thwates,
Fair beyond Measure, and an Heir
Which might Deformity make fair.
And oft She spent the Summer Suns
Discoursing with the Suttle Nuns.
Whence in these Words one to her weav'd,
(As 'twere by Chance) Thoughts long conceiv'd.
"Within this holy leisure we
"Live innocently as you see.
"these Walls restrain the World without,
"But hedge our Liberty about.
"These Bars inclose the wider Den
"Of those wild Creatures, called Men.
"The Cloyster outward shuts its Gates,
"And, from us, locks on them the Grates.
"Here we, in shining Armour white,
"Like Virgin Amazons do fight.
"And our chast Lamps we hourly trim,
"Lest the great Bridegroom find them dim.
"Our Orient Breaths perfumed are
"With insense of incessant Pray'r.
190
"And Holy-water of our Tears
"Most strangly our complexion clears.
"Not Tears of Grief; but such as those
"With which calm Pleasure overflows;
"Or Pity, when we look on you
"That live without this happy Vow.
"How should we grieve that must be seen
"Each one a Spouse, and each a Queen;
"And can in Heaven hence behold
"Our brighter Robes and Crowns of Gold?
"When we have prayed all our Beads,
"Some One the holy Legend reads;
"While all the rest with Needles paint
"The Face and Graces of the Saint.
"But what the Linnen can't receive
"They in their Lives do interweave
"This work the Saints best represents;
"That serves for Altar's Ornaments.
"But much it to our work would add
"If here your hand, your Face we had:
"By it we would our Lady touch;
"Yet thus She you resembles much.
"Some of your Features, as we sow'd,
"Through ev'ry Shrine should be bestow'd.
"And in one Beauty we would take
"Enough a thousand Saints to make.
"And (for I dare not quench the Fire
"That me does for your good inspire)
"'Twere Sacriledge a Mant t'admit
"To holy things, for Heaven fit.
"I see the Angels in a Crown
"On you the Lillies show'ring down:
"And round about you Glory breaks,
"That something more then humane speaks.
"All Beauty, when at such a height,
"Is so already consecrate.
"Fairfax I know; and long ere this
191
"Have mark'd the Youth, and what he is.
"But can he such a Rival seem
"For whom you Heav'n should disesteem?
"Ah, no! and 'twould more Honour prove
"He your Devoto were, then Love.
Here live beloved, and obey'd:
Each one your Sister, each your Maid.
"And, if our Rule seem strictly pend,
"The Rule it self to you shall bend.
"Our Abbess too, now far in Age,
"Doth your succession near presage.
"How soft the yoke on us would lye,
"Might such fair Hands as yours it tye!
"Your voice, the sweetest of the Quire,
"Shall draw Heav'n nearer, raise us higher.
"And your Example, if our Head,
"Will soon us to perfection lead.
"Those Virtues to us all so dear,
"Will straight grow Sanctity when here:
"And that, once sprung, increase so fast
"Till Miracles it work at last.
"Nor is our Order yet so nice,
"Delight to banish as a Vice.
"Here Pleasure Piety doth meet;
"One perfecting the other Sweet.
"So through the mortal fruit we boyl
"The Sugars uncorrupting Oyl:
"And that which perisht while we pull,
"Is thus preserved clear and full.
"For such indeed are all our Arts;
"Still handling Natures finest Parts.
"Flow'rs dress the Altars; for the Clothes,
"The Sea-born Amber we compose;
"Balms for the griv'd we draw; and pasts
"We mold, as Baits for curious tasts.
"What need is here of Man? unless
"These as sweet Sins we should confess.
192
"Each Night among us to your side
"Appoint a fresh and Virgin Bride;
"Whom if Our Lord at midnight find,
"Yet Neither should be left behind.
"Where you may lye as chast in Bed,
"As Pearls together billeted.
"All Night embracing Arm in Arm,
"Like Chrystal pure with Cotton warm.
"But what is this to all the store
"Of Joys you see, and may make more!
"Try but a while, if you be wise:
"The Tryal neither Costs, nor Tyes.
Now Fairfax seek her promis'd faith:
Religion that dispensed hath;
Which She hence forward does begin;
The Nuns smooth Tongue has suckt her in.
Oft, though he knew it was in vain,
Yet would he valiantly complain.
"Is this that Sanctity so great,
"An Art by which you finly'r cheat
"Hypocrite Witches, hence Avant,
"Who though in prison yet inchant!
"Death only can such Theeves make fast,
"As rob though in the Dungeon cast.
"Were there but, when this House was made,
"One Stone that a just Hand had laid,
"It must have fall'n upon her Head
"Who first Thee from thy Faith misled.
"And yet, how well soever ment,
"With them 'twould soon grow fraudulent
"For like themselves they alter all,
"And vice infects the very Wall.
"But sure those Buildings last not long,
"Founded by Folly, kept by Wrong.
"I know what Fruit their Gardens yield,
"When they it think by Night conceal'd.
"Fly from their Vices. 'Tis thy state,
"Not Thee, that they would consecrate.
193
"Fly from their Ruine. How I fear
"Though guiltless lest thou perish there.
What should he do? He would respect
Religion, but not Right neglect:
For first Religion taught him Right,
And dazled not but clear'd his sight.
Sometimes resolv'd his Sword he draws,
But reverenceth then the Laws:
"For Justice still that Courage led;
First from a Judge, then Souldier bred.
Small Honour would be in the Storm.
The Court him grants the lawful Form;
Which licens'd either Peace or Force,
To hinder the unjust Divorce.
Yet still the Nuns his Right debar'd,
Standing upon their holy Guard.
Ill-counsell'd Women, do you know
Whom you resist, or what you do?
Is not this he whose Offspring fierce
Shall fight through all the Universe;
And with successive Valour try
France, Poland, either Germany;
Till one, as long since prophecy'd,
His Horse through conquer'd Britain ride?
Yet, against Fate, his Spouse they kept;
And the great Race would intercept.
Some to the Breach against their Foes
Their Wooden Saints in vain oppose
Another bolder stands at push
With their old Holy-Water Brush.
While the disjointed Abbess threads
The gingling Chain-shot of her Beads.
But their lowd'st Cannon were their Lungs;
And sharpest Weapons were their Tongues.
But, waving these aside like Flyes,
Young Fairfax through the Wall does rise.
Then th' unfrequented Vault appear'd,
194
And superstitions vainly fear'd.
The Relicks False were set to view;
Only the Jewels there were true.
But truly bright and holy Thwaites
That weeping at the Altar waites.
But the glad Youth away her bears,
And to the Nuns bequeaths her Tears:
Who guiltily their Prize bemoan,
Like Gipsies that a Child hath stoln.
Thenceforth (as when th' Inchantment ends
The Castle vanishes or rends)
The wasting Cloister with the rest
Was in one instant dispossest.
At the demolishing, this Seat
To Fairfax fell as by Escheat.
And what both Nuns and Founders will'd
'Tis likely better thus fulfill'd,
For if the Virgin prov'd not theirs,
The Cloyster yet remained hers.
Though many a Nun there made her vow,
'Twas no Religious-House till now.
From that blest Bed the Heroe came,
Whom France and Poland yet does fame:
Who, when retired here to Peace,
His warlike Studies could not cease;
But laid these Gardens out in sport
In the just Figure of a Fort;
And with five Bastions it did fence,
As aiming one for ev'ry Sense.
When in the East the Morning Ray
Hangs out the Colours of the Day,
The Bee through these known Allies hums,
Beating the Dian with its Drumms.
Then Flow'rs their drowsie Eylids raise,
Their Silken Ensigns each displayes,
And dries its Pan yet dank with Dew,
And fills its Flask with Odours new.
195
These, as their Governour goes by,
In fragrant Vollyes they let fly;
And to salute their Governess
Again as great a charge they press:
None for the Virgin Nymph; for She
Seems with the Flow'rs a Flow'r to be.
And think so still! though not compare
With Breath so sweet, or Cheek so faire.
Well shot ye Fireman! Oh how sweet,
And round your equal Fires do meet;
Whose shrill report no Ear can tell,
But Ecchoes to the Eye and smell.
See how the Flow'rs, as at Parade,
Under their Colours stand displaid:
Each Regiment in order grows,
That of the Tulip Pinke and Rose.
But when the vigilant Patroul
Of Stars walks round about the Pole,
Their Leaves, that to the stalks are curl'd,
Seem to their Staves the Ensigns furl'd.
Then in some Flow'rs beloved Hut
Each Bee as Sentinel is shut;
And sleeps so too: but, if once stir'd,
She runs you through, or askes The Word.
Oh Thou, that dear and happy Isle
The Garden of the World ere while,
Thou Paradise of four Seas,
Which Heaven planted us to please,
But, to exclude the World, did guard
With watry if not flaming Sword;
What luckless Apple did we tast,
To make us Mortal, and The Wast.
Unhappy! shall we never more
That sweet Milltia restore,
When Gardens only had their Towrs,
And all the Garrisons were Flow'rs,
When Roses only Arms might bear,
And Men did rosie Garlands wear?
196
Tulips, in several Colours barr'd,
Were then the Switzers of our Guard.
The Gardiner had the Souldiers place,
And his more gentle Forts did trace.
The Nursery of all things green
Was then the only Magazeen.
The Winter Quarters were the Stoves,
Where he the tender Plants removes.
But War all this doth overgrow:
We Ord'nance Plant and Powder sow.
And yet their walks one on the Sod
Who, had it pleased him and God,
Might once have made our Gardens spring
Fresh as his own and flourishing.
But he preferr'd to the Cinque Ports
These five imaginary Forts:
And, in those half-dry Trenches, spann'd
Pow'r which the Ocean might command.
For he did, with his utmost Skill,
Ambition weed, but Conscience till.
Conscience, that Heaven-nursed Plant,
Which most our Earthly Gardens want.
A prickling leaf it bears, and such
As that which shrinks at ev'ry touch;
But Flow'rs eternal, and divine,
That in the Crowns of Saints do shine.
The sight does from these Bastions ply,
Th' invisible Artilery;
And at proud Cawood Castle seems
To point the Battery of its Beams.
As if it quarrell'd in the Seat
Th' Ambition of its Prelate great.
But ore the Meads below it plays,
Or innocently seems to gaze.
And now to the Abbyss I pass
Of that unfathomable Grass,
Where Men like Grashoppers appear,
197
But Grashoppers are Gyants there:
They, in there squeking Laugh, contemn
Us as we walk more low then them:
And, from the Precipices tall
Of the green spir's, to us do call.
To see Men through this Meadow Dive,
We wonder how they rise alive.
As, under Water, none does know
Whether he fall through it or go.
But, as the Marriners that sound,
And show upon their Lead the Ground,
They bring up Flow'rs so to be seen,
And prove they've at the Bottom been.
No Scene that turns with Engines strange
Does oftner then these Meadows change,
For when the Sun the Grass hath vext,
The tawny Mowers enter next;
Who seem like Israaliies to be,
Walking on foot through a green Sea.
To them the Grassy Deeps divide,
And crowd a Lane to either Side.
With whistling Sithe, and Elbow strong,
These Massacre the Grass along:
While one, unknowing, carves the Rail,
Whose yet unfeather'd Quils her fail.
The Edge all bloody from its Breast
He draws, and does his stroke detest;
Fearing the Flesh untimely mow'd
To him a Fate as black forebode.
But bloody Thestylis, that waites
To bring the mowing Camp their Cates,
Greedy as Kites has trust it up,
And forthwith means on it to sup:
When on another quick She lights,
And cryes, he call'd us Israelites;
But now, to make his saying true,
Rails rain for Quails, for Manna Dew.
198
Unhappy Birds! what does it boot
To build below the Grasses Root;
When Lowness is unsafe as Hight,
And Chance o'retakes what scapeth spight?
And now your Orphan Parents Call
Sounds your untimely Funeral.
Death-Trumpets creak in such a Note,
And 'tis the Sourdine in their Throat.
Or sooner hatch or higher build:
The Mower now commands the Field;
In whose new Traverse seemeth wrought
A Camp of Battail newly fought:
Where, as the Meads with Hay, the Plain
Lyes quilted ore with Bodies slain:
The Women that with forks it filing,
Do represent the Pillaging.
And now the careless Victors play,
Dancing the Triumphs of the Hay;
Where every Mowers wholesome Heat
Smells like an Alexanders Sweat.
Their Females fragrant as the Mead
Which they in Fairy Circles tread:
When at their Dances End they kiss,
Their new-made Hay not sweeter is.
When after this 'tis pil'd in Cocks,
Like a calm Sea it shews the Rocks:
We wondring in the River near
How Boats among them safely steer.
Or, like the Desert Memphis Sand,
Short Pyramids of Hay do stand.
And such the Roman Camps do rise
In Hills for Soldiers Obsequies.
This Scene again withdrawing brings
A new and empty Face of things;
A levell'd space, as smooth and plain,
As Clothes for Lilly strecht to stain.
The World when first created sure
Was such a Table rase and pure.
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Or rather such is the Toril
Ere the Bulls enter at Madril.
For to this naked equal Flat,
Which Levellers take Pattern at,
The Villagers in common chase
Their Cattle, which it closer rase;
And what below the Sith increast
Is pincht yet nearer by the Breast.
Such, in the painted World, appear'd
Davenant with th'Universal Heard.
They seem within the polisht Grass
A landskip drawen in Looking-Glass.
And shrunk in the huge Pasture show
As spots, so shap'd, on Faces do.
Such Fleas, ere they approach the Eye,
In Multiplyiug Glasses lye.
They feed so wide, so slowly move,
As Constellatious do above.
Then, to conclude these pleasant Acts,
Denton sets ope its Cataracts;
And makes the Meadow truly be
(What it but seem'd before) a Sea.
For, jealous of its Lords long stay,
It try's t'invite him thus away.
The River in it self is drown'd,
And Isl's th' astonish Cattle round.
Let others tell the Paradox,
How Eels now bellow in the Ox;
How Horses at their Tails do kick,
Turn'd as they hang to Leeches quick;
How Boats can over Bridges sail;
And Fishes do the Stables scale.
How Salmons trespassing are found;
And Pikes are taken in the Pound.
But I, retiring from the Flood,
Take Sanctuary in the Wood;
And, while it lasts, my self imbark
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In this yet green, yet growing Ark;
Where the first Carpenter might best
Fit Timber for his Keel have Prest.
And where all Creatures might have shares,
Although in Armies, not in Paires.
The double Wood of ancient Stocks
Link'd in so thick, an Union locks,
It like two Pedigrees appears,
On one hand Fairfax, th' other Veres:
Of whom though many fell in War,
Yet more to Heaven shooting are:
And, as they Natures Cradle deckt,
Will in green Age her Hearse expect.
When first the Eye this Forrest sees
It seems indeed as Wood not Trees:
As if their Neighbourhood so old
To one great Trunk them all did mold.
There the huge Bulk takes place, as ment
To thrust up a Fifth Element;
And stretches still so closely wedg'd
As if the Night within were hedg'd.
Dark all without it knits; within
It opens passable and thin;
And in as loose an order grows,
As the Corinthean Porticoes.
The Arching Boughs unite between
The Columnes of the Temple green;
And underneath the winged Quires
Echo about their tuned Fires.
The Nightingale does here make choice
To sing the Tryals of her Voice.
Low Shrubs she sits in, and adorns
With Musick high the squatted Thorns.
But highest Oakes stoop down to hear,
And listning Elders prick the Ear.
The Thorn, lest it should hurt her, draws
Within the Skin its shrunken claws.
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But I have for my Musick found
A Sadder, yet more pleasing Sound:
The Stock-doves whose fair necks are grac'd
With Nuptial Rings their Ensigns chast;
Yet always, for some Cause unknown,
Sad pair unto the Elms they moan.
O why should such a Couple mourn,
That in so equal Flames do burn!
Then as I carless on the Bed
Of gelid Straw-berryes do tread,
And through the Hazles thick espy
The hatching Thrastles shining Eye,
The Heron from the Ashes top,
The eldest of its young lets drop,
As if it Stork-like did pretend
That Tribute to its Lord to send.
But most the Hewel's wonders are,
Who here has the Holt-felsters care.
He walks still upright from the Root,
Meas'ring the Timber with his Foot;
And all the way, to keep it clean,
Doth from the Bark the Wood-moths glean.
He, with his Beak, examines well
Which fit to stand and which to fell.
The good he numbers up, and hacks;
As if he mark'd them with the Ax.
But where he, tinkling with his Beak,
Does find the hollow Oak to speak,
That for his building he designs,
And through the tainted Side he mines.
Who could have thought the tallest Oak
Should fall by such a feeble Strok'!
Nor would it, had the Tree not fed
A Traitor-worm, within it bred.
(As first our Flesh corrupt within
Tempts impotent and bashful Sin.
And yet that Worm triumphs not long,
But serves to feed the Hewels young.
202
While the Oake seems to fall content,
Viewing the Treason's Punishment.
Thus I, easie Philosopher,
Among the Birds and Trees confer:
And little now to make me, wants
Or of the Fowles, or of the Plants.
Give me but Wings as they, and I
Streight floting on the Air shall fly:
Or turn me but, and you shall see
I was but an inverted Tree.
Already I begin to call
In their most-learned Original:
And where I Language want,my Signs
The Bird upon the Bough divines;
And more attentive there doth sit
Then if She were with Lime-twigs knit.
No Leaf does tremble in the Wind
Which I returning cannot find.
Out of these scatter'd Sibyls Leaves
Strange Prophecies my Phancy weaves:
And in one History consumes,
Like Mexique Paintings, all the Plumes.
What Rome, Greece, Palestine, ere said
I in this light Mosaick read.
Thrice happy he who, not mistook,
Hath read in Natures mystick Book.
And see how Chance's better Wit
Could with a Mask my studies hit!
The Oak-Leaves me embroyder all,
Between which Caterpillars crawl:
And Ivy, with familiar trails,
Me licks, and clasps, and curles, and hales.
Under this antick Cope I move
Like some great Prelate of the Grove,
Then, languishing with ease, I toss
On Pallets swoln of Velvet Moss;
While the Wind, cooling through the Boughs,
203
Flatters with Air my panting Brows.
Thanks for my Rest ye Mossy Banks,
And unto you cool Zephyr's Thanks,
Who, as my Hair, my Thoughts too shed,
And winnow from the Chaff my Head.
How safe, methinks, and strong, behind
These Trees have I incamp'd my Mind;
Where Beauty, aiming at the Heart,
Bends in some Tree its useless Dart;
And where the World no certain Shot
Can make, or me it toucheth not.
But I on it securely play,
And gaul its Horsemen all the Day.
Bind me ye Woodbines in your 'twines,
Curle me about ye gadding Vines,
And Oh so close your Circles lace,
That I may never leave this Place:
But, lest your Fetters prove too weak,
Ere I your Silken Bondage break,
Do you, O Brambles, chain me too,
And courteous Briars nail me though.
Here in the Morning tye my Chain,
Where the two Woods have made a Lane;
While, like a Guard on either side,
The Trees before their Lord divide;
This, like a long and equal Thread,
Betwixt two Labyrinths does lead.
But, where the Floods did lately drown,
There at the Ev'ning stake me down.
For now the Waves are fal'n and dry'd,
And now the Meadows fresher dy'd;
Whose Grass, with moister colour dasht,
Seems as green Silks but newly washt.
No Serpent new nor Crocodile
Remains behind our little Nile;
Unless it self you will mistake,
Among these Meads the only Snake.
204
See in what wanton harmless folds
It ev'ry where the Meadow holds;
And its yet muddy back doth lick,
Till as a Chrystal Mirrour slick;
Where all things gaze themselves, and doubt
If they be in it or without.
And for his shade which therein shines,
Narcissus like, the Sun too pines.
Oh what a Pleasure 'tis to hedge
My Temples here with heavy sedge;
Abandoning my lazy Side,
Stretcht as a Bank unto the Tide;
Or to suspend my sliding Foot
On the Osiers undermined Root,
And in its Branches tough to hang,
While at my Lines the Fishes twang!
But now away my Hooks, my Quills,
And Angles, idle Utensils.
The Young Maria walks to night:
Hide trifling Youth thy Pleasures slight.
'Twere shame that such judicious Eyes
Should with such Toyes a Man surprize;
She that already is the Law
Of all her Sex, her Ages Aw.
See how loose Nature, in respect
To her, it self doth recollect;
And every thing so whisht and fine,
Starts forth with to its Bonne Mine.
The Sun himself, of Her aware,
Seems to descend with greater Care,
And lest She see him go to Bed,
In blushing Clouds conceales his Head.
So when the Shadows laid asleep
From underneath these Banks do creep,
And on the River as it flows
With Eben Shuts begin to close;
The modest Halcyon comes in sight,
Flying betwixt the Day and Night;
205
And such an horror calm and dumb,
Admiring Nature does benum.
The viscous Air, wheres'ere She fly,
Follows and sucks her Azure dy;
The gellying Stream compacts below,
If it might fix her shadow so;
The Stupid Fishes hang, as plain
As Flies in Chrystal overt'ane,
And Men the silent Scene assist,
Charm'd with the saphir-winged Mist.
Maria such, and so doth hush
The World, and through the Ev'ning rush.
No new-born Comet such a Train
Draws through the Skie, nor Star new-slain.
For streight those giddy Rockets fail,
Which from the putrid Earth exhale,
But by her Flames, in Heaven try'd,
Nature is wholly Vitrifi'd.
'Tis She that to these Gardens gave
That wondrous Beauty which they have;
She streightness on the Woods bestows;
To Her the Meadow sweetness owes;
Nothing could make the River be
So Chrystal-pure but only She;
She yet more Pure, Sweet, Streight, and Fair,
Then Gardens, Woods, Meads, Rivers are.
Therefore what first She on them spent,
They gratefully again present.
The Meadow Carpets where to tread;
The Garden Flow'rs to Crown Her Head;
And for a Glass the limpid Brook,
Where She may all her Beautyes look;
But, since She would not have them seen,
The Wood about her draws a Skreen.
For She, to higher Beauties rais'd,
Disdains to be for lesser prais'd.
She counts her Beauty to converse
206
In all the Languages as hers;
Not yet in those her self imployes
But for the Wisdome, not the Noyse;
Nor yet that Wisdome would affect,
But as 'tis Heavens Dialect.
Blest Nymph! that couldst so soon prevent
Those Trains by Youth against thee meant;
Tears (watry Shot that pierce the Mind;)
And Sighs (Loves Cannon charg'd with Wind;)
True Praise (That breaks through all defence;)
And feign'd complying Innocence;
But knowing where this Ambush lay,
She scap'd the safe, but roughest Way.
This 'tis to have been from the first
In a Domestick Heaven nurst,
Under the Discipline severe
Of Fairfax, and the starry Vere;
Where not one object can come nigh
But pure, and spotless as the Eye;
And Goodness doth it self intail
On Females, if there want a Male.
Go now fond Sex that on your Face
Do all your useless Study place,
Nor once at Vice your Brows dare knit
Lest the smooth Forehead wrinkled sit
Yet your own Face shall at you grin,
Thorough the Black-bag of your Skin;
When knowledge only could have fill'd
And Virtue all those Furows till'd.
Hence She with Graces more divine
Supplies beyond her Sex the Line;
And, like a sprig of Misleto,
On the Fairfacian Oak does grow;
Whence, for some universal good,
The Priest shall cut the sacred Bud;
While her glad Parents most rejoice,
And make their Destiny their Choice.
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Mean time ye Fields, Springs, Bushes, Flow'rs,
Where yet She leads her studious Hours,
(Till Fate her worthily translates,
And find a Fairfax for our Thwaites)
Employ the means you have by Her,
And in your kind your selves preferr;
That, as all Virgins She preceds,
So you all Woods, Streams, Gardens, Meads.
For you Thessalian Tempe's Seat
Shall now be scorn'd as obsolete;
Aranjeuz, as less, disdain'd;
The Bel-Retiro as constrain'd;
But name not the Idalian Grove,
For 'twas the Seat of wanton Love;
Much less the Dead's Elysian Fields,
Yet nor to them your Beauty yields.
'Tis not, what once it was, the World;
But a rude heap together hurl'd;
All negligently overthrown,
Gulfes, Deserts, Precipices, Stone.
Your lesser World contains the same.
But in more decent Order tame;
You Heaven's Center, Nature's Lap.
And Paradice's only Map.
But now the Salmon-Fishers moist
Their Leathern Boats begin to hoist;
And, like Antipodes in Shoes,
Have shod their Heads in their Canoos.
How Tortoise like, but not so slow,
These rational Amphibii go?
Let's in: for the dark Hemisphere
Does now like one of them appear.
~ Andrew Marvell,
102:The Bush
I wonder if the spell, the mystery,
That like a haze about your silence clings,
Moulding your void until we seem to see
Tangible Presences of Deathless Things,
Patterned but little to our spirits' woof,
Yet from our love or hate not all aloof,
Can. be the matrix where are forming slowly
Troy tales of Old Australia, to refine
Eras to come of ordered melancholy
'Neath lily-pale Perfection's anodyne.
For Troy hath ever been, and Homer sang
Its younger story for a lodging's fee,
While o'er Scamander settlers' axes rang
Amid the Bush where Ilium was to be.
For Cretan Art, dim centuries before,
Minoan Dream-times some Briseis bore.
Sumerian Phoebus by a willowed water
Song-built a Troy for far Chaldea, where
The sons of God, beholding Leda's daughter,
Bartered eternal thrones for love of her.
Across each terraced aeon Time hath sowed
With green tautology of vanished years,
Gaping aghast or webbed with shining lode,
Achilles' anger's earthquake-rift appears.
The towers that Phoebus builds can never fall:
Desire that Helen lights can never pall:
Yea, wounded Love hath still but gods to fly to,
When lust of war inflames Diomedes:
Must some Australian Hector vainly die, too?
Captives in ships? (0 change that omen, Trees!)
Yea, Mother Bush, in your deep dreams abide
Cupids alert for man and maid unborn,
Apprentice Pucks amid your saplings hide,
And wistful gorges wait a Roland horn:
Wallet of Sigurd shall this swag replace,
And centaurs curvet where those brumbies race.
39
That drover's tale of love shall greaten duly
Through magic prisms of a myriad years,
Till bums Isolde to Tristram's fervour newly,
Or Launcelot to golden Guinevere's.
The miner cradling washdirt by the creek,
Or pulled through darkness dripping to the plat:
The navvy boring tunnels through the peak:
The farmer grubbing box-trees on the flat:
The hawker camping by the roadside spring:
The hodman on the giddy scaffolding:
Moths that around the fashion windows flutter:
The racecourse spider and the betting fly:
The children romping by the city gutter,
While baby crows to every passer-byFrom these rough blocks strewn o'er our ancient stream
Sculptors shall chisel brownie, fairy, faun,
Any myrmidons of some Homeric dream
From Melbourne mob and Sydney push be drawn.
The humdrum lives that now we tire of, then
Romance shall be, and 'we heroic men
Treading the vestibule of Golden Ages,
The Isthmus of the Land of Heart's Desire:
For lo! the Sybil's final volume's pages
Ope with our Advent, close when we expire.
Forgetful Change in one 'antiquity'
Boreal gleams shall drown, and southern glows;
Out of some singing woman's heart-break plea
Australia's dawn shall flush with Sappho's rose:
Strong Shirlow's hand shall trace Mantegna's line,
And Soma foam from Victor Daley's wine:
Scholars to be our prehistoric drama
From Esson's 'Woman Tamer' shall restore,
Or find in Gilbert's 'Lotus Stream and Lama'
An Austral Nile and Buddhas we adore.
The sunlit Satyrs follow Hugh McCrae,
Quinn spans the ocean with a Celtic ford,
And Williamson the Pan-pipe learns to play
From magpie-songs our schoolboy ears ignored:
40
A sweeter woe no keen of Erin gave
Than Kendall sings o'er Araluen's grave:
Tasmanian Wordsworth to his chapel riding
The Burning Bush and Ardath mead shall pass,
Or, from the sea-coast of Bohemia gliding
On craft of dream, behold a shepherd lass.
Jessie Mackay on Southern Highlands sees
The elves deploy in kem and gallowglass:
Our Gilbert Murray writes 'Euripides':
Pirani merges in Pythagoras:
Marsyas plunges into Lethe, flayed,
From Rhadamanthine Stephens' steady blade:
While Benvenuto Morton, drunk with singing,
Sees salamanders in a bush-fire's bed,
And Spencer sails from Alcheringa bringing
Intaglios, totems and Books of the Dead.
On Southern fiords shall Brady's Long Snakes hiss,
Heavy with brides he wins to Viking troth:
O'Reilly's Sydney shall be Sybaris,
While Melbourne's Muses sup their Spartan broth:
Murdoch, Zenobia's counsellor, in time,
Redacts from Burke his book on The Sublime:
By Way was Homer into Greek translated:
And Shakespeare's self is Sophocles so plain
They know the kerb whereon the Furies waited
Outside the Mermaid Inn in Brogan's Lane.
Vane shall divide with Vern Eureka's fame;
Tillett and Mann are Tyler then and Cade:
Dowie's entwines with Cagliostro's name,
And in Tarpeia's, lo, those fair forms fade
Who drug the poor, for social bread and wine,
And lift the furtive latch to Catiline:
There, where the Longmore-featured Gracchi hurry,
And Greek-browed Higinbotham walks, anon,
The 'wealthy lower orders' leap the Murray
Before the stockwhip cracks of Jardine Don.
Cleons in 'Windsor dress at Syracuse
Their thin plebeians' promised meal delay;
41
And Archibald begets Australia's Muse
Upon an undine red of Chowder Bay:
Paterson's swan draws Amphitrite's car,
And Sidon learns from Young what purples are:
Rose Scott refutes dogmatic Cyril gaily,
Hypatia turns the anti-suffrage flank,
And Herod's daughter sools her 'morning daily'
On John the Baptist by the Yarra Bank.
Yon regal bustard, fading hence ere long,
Shall seem the guide we followed to the Grail;
This lyre-bird on his dancing-mound of song
Our mystagogue of some Bacchantic vale,
Where feathered Pan guffaws 'Evoe!' above,
And Maenad curlews shriek their midnight love:
That trailing flight of distant swans is bearing
Sarpedon's soul to its eternal joy:
This ibis, from the very Nile, despairing,
Memnon our own would warn from fatal Troy.
Primeval gnomes distilled the golden bribes
That have impregnated your musing waste with men;
But shall the spell of your pathetic tribes
Curl round, in time, our fairer limbs again?
Through that long tunnel of your gloom, I see
Gardens of a metropolis to be!
Out of the depths the mountain ash is soaring
To embryon gods of what unsounded space?
Out of the heights what influence is pouring
Thin desolation on your haunted face?
Many there are who see no higher lot
For all your writhing centuries of toil
Than that the avaricious plough should blot
Their wilding burgeon, and the red brand spoil
Your cyclopean garniture, to sow
The cheap parterres of Europe on your woe.
They weave all sorceries but yours, and borrow
The tinkling spells of alien winds and seas
To drown the chord of purifying sorrow,
Bom ere the world, that pulses through your trees.
42
For, save when we, in not o'er-subtle mood,
Hear magpies warbling soft November in,
Or, hand in hand with Love, a dreaming wood
Or bouldered crest of crisper April win,
Your harps, unblurred by glozing strings, intone
The dirges that behind Creation moan'Where, riding reinless billows, new lives dash on
The souring beach of yesterday's decay,
Where Love's chord leaps from mandrake shrieks of passion,
And groping gods mould man from quivering clay.
(Is Nature deaf and blind and dumb? A cruse
Unfilled of wine? Clay for an unbreathed soul?
Alien to man, till his desires transfuse
Their flames through wind and water, leaf and bole,
And each crude fane elaborately fit
With oracles that echo all his wit?
The living wilds of Greece saw death returning
When Pan that men had made fell from his throne:
Till through her sap our very blood is churning
The Bush her lonely alien woe shall moan!
Or is she reticent but to be kind?
Whispers she not beneath her mask of clods'Who asks he shall receive, who seeks shall find,
Who knocks shall open every door of God's?'
Dumb Faith's, blind Hope's eternal consort she,
Gravid with all that is on earth to be;
Corn, wine and oil in hungry granite hiding,
All Beauty under sober wings of clay,
All life beneath her dead heart long abiding,
Yea, all the gods her sons and she obey!)
What sin's wan expiation strewed your Vast
With mounded pillage of what conquering fire?
Slumbering throes of what prodigious Past
Exhale these lingering ghosts of its desire?
Sunshine that bleached corruption out, that glare?
Desolate blue of Purgatory, there?
Flagellant winds through guilty Eden scouring?
Sahara drowning Prester John's domain?
Satumian dam her progeny devouring?
Hath dawn-time Hun these footprints left? Hath Cain?
43
Even the human wave, that shall at length
To man's endurance key your strident surge,
Sings in your poignant tones and sombre strength,
And makes, as yet, its own your primal dirge:
A gun-shot startles dawn back from the sky,
And mourning tea-trees echo Gordon's sigh:
Nardoo with Burke's faint sweat is dank for ever:
Spectral a tribe round poisoned rations shrieks:
Till doomday Leichhardt walks die Never Never:
Pensive, of Boake, the circling stock-whip speaks.
The wraiths unseen of roadside crimes unnamed
About that old-time shanty's ruins roam:
This squatter's fenceless acres hide ashamed
The hearth and battered zinc of Naboth's home:
Deserted 'yam-holes' pit your harmonies
With sloughing pock-marks of the gold-disease:
The sludgy creek 'mid hungry rushes rambles,
Where teal once dived and lowan raised her mound:
That tree, with crows, o'erlooks the township shambles:
These paddocks, ordure-smeared, the city bound.
0 yield not all to factory and farm!
For we, who drew a milk no stranger knows
From her scant paps, yearn for the acrid charm
That gossamers the Bush Where No Tree Grows.
And we have ritual moments when we crave
For worship in some messmate-pillared nave,
Where contrite 'bears' for woodland sins are kneeling,
And, 'mid the censers of the mountain musk,
Acolyte bell-birds the Angelus are pealing,
And boobooks moan lone vespers in the dusk,
And you have Children of the Dreaming Star,
Who care but little for the crowded ways
Where meagre spirits' vapid prizes are,
Or for the paddocked ease of dreamless days
And hedges clipped of every sunny growth
That plights the soul to God in daily troth:
Their wayward love prefers your desolation,
Or (where the human trail hath seared its charm)
44
The briar-rose on some abandoned 'station',
To all the tilled obedience of the farm.
Vineyards that purblind thrift shall never glean
The weedy waste and thistly gully hold:
No mint shall melt to currency unclean
Yon river-rounded hillock's Cape-broom gold:
The onion-grass upon that dark green slope
Returns our gaze from eyes of heliotrope:
But more we seek your underflowered expanses
Of scrub monotonous, or, where, O Bush,
The craters of your fiery noon's romances,
Like great firm bosoms, through the bare plains push.
As many. Mother, are your moods and forms
As all the sons who love you. Here, you mow
Careering grounds for every brood of storms
The wild sea-mares to desert stallions throw;
Anon, up through a sea of sand you glance
With green ephemeral exuberance,
And then quick seeds dive deep to years of slumber
From hot-hoofed drought's precipitate return:
There, league on league, the snow's cold fingers number
The shrinking nerves of supple-jack and fern.
To other eyes and ears you are a great
Pillared cathedral tremulously green,
An odorous and hospitable gate
To genial mystery, the happy screen
Of truants or of lovers rambling there
'Neath sun-shot boughs o'er miles of maidenhair.
Wee rubies dot the leaflets of the cherries,
The wooing wagtails hop from log to bough,
The bronzewing comes from Queensland for the berries,
The bell-bird by the creek is calling now.
And you can ride, an Eastern queen, they say,
By living creatures sumptuously borne,
With all barbaric equipages gay,
Beneath the torrid blue of Capricorn.
That native lotus is the very womb
That was the Hindoo goddess' earthly tomb.
45
The gang-gang screams o'er cactus wildernesses,
Palm trees are there, and swampy widths of rice,
Unguents and odours ooze from green recesses,
The jungles blaze with birds of Paradise.
But I, in city exile, hear you sing
Of saplinged hill and box-tree dotted plain,
Or silver-grass that prays the North Wind's wing
Convey its sigh to the loitering rain:
And Spring is half distraught with wintry gusts,
Summer the daily spoil of tropic lusts
The sun and she too fiercely shared together
Lingering thro' voluptuous Hindoo woods,
But o'er my windless, soft autumnal weather
The peace that passes understanding broods.
When, now, they say 'The Bush!', I see the top
Delicate amber leanings of the gum
Flutter, or flocks of screaming green leeks drop
Silent, where in the shining morning hum
The gleaning bees for honey-scented hours
'Mid labyrinthine leaves and white gum flowers.
Cantering midnight hoofs are nearing, nearing,
The straining bullocks flick the harpy flies,
The 'hatter' weeds his melancholy clearing,
The distant cow-bell tinkles o'er the rise.
You are the brooding comrade of our way,
Whispering rumour of a new Unknown,
Moulding us white ideals to obey,
Steeping whate'er we learn in lore your own,
And freshening with unpolluted light
The squalid city's day and pallid night,
Till we become ourselves distinct, Australian,
(Your native lightning charging blood and nerve),
Stripped to the soul of borrowed garments, alien
To that approaching Shape of God you serve.
Brooding, brooding, your whispers murmur plain
That searching for the clue to mystery
In grottos of decrepitude is vain,
That never shall the eye of prophet see
46
In crooked Trade's tumultuous streets the plan
Of templed cities adequate to man.
Brooding, brooding, you make us Brahmins waiting
(While uninspired pass on the hurtling years),
Faithful to dreams your spirit is creating,
Till Great Australia, born of you, appears.
For Great Australia is not yet: She waits
(Where o'er the Bush prophetic auras play)
The passing of these temporary States,
Flaunting their tawdry flags of far decay.
Her aureole above the alien mists
Beacons our filial eyes to mountain trysts:
'Mid homely trees with all ideals fruited,
She shelters us till Trade's Simoom goes by,
And slakes our thirst from cisterns unpolluted .
For ages cold in brooding deeps of sky.
We love our brothers, and to heal their woe
Pluck simples from the known old gardens still:
We love our kindred over seas, and grow
Their symbols tenderly o'er plain and hill;
We feel their blood rebounding in our hearts,
And speak as they would speak our daily parts:
But under all we know, we know that only
A virgin womb unsoiled by ancient fear
Can Saviours bear. So, we, your Brahmins, lonely,
Deaf to the barren tumult, wait your Year.
The Great Year's quivering dawn pencils the Night
To be the morning of our children's prime,
And weave from rays of yet ungathered Light
A richer noon than e'er apparelled Time.
If it must be, as Tuscan wisdom knew,
Babylon's seer, and wistful Egypt too,
That mellow afternoon shall pensive guide us
Down somnolent Decay's ravine to rest,
Then you, reborn, 0 Mother Bush, shall hide us
All the long night at your dream-laden breast.
Australian eyes that heed your lessons know
Another world than older pilgrims may:
47
Prometheus chained in Kosciusko's snow
Sees later gods than Zeus in turn decay:
Boundless plateaux expand the spirit's sight,
Resilient gales uphold her steeper flight:
And your close beating heart, 0 savage Mother,
Throbs secret words of joy and starker pain
Than reach the ears all old deceptions smother
In Lebanon, or e'en in Westermain.
We marvel not, who hear your undersong,
And catch a glimpse in rare exalted hours
Of something like a Being gleam along
Festooned arcades of flossie creeper flowers,
Or, toward the mirk, seem privileged to share
The silent rapture of the trees at prayerWe marvel not that seers in other ages,
With eyes unstrained by peering logic, saw
The desolation glow with Koran pages,
Or Sinai stones with Tables of the Law.
Homers are waiting in the gum trees now,
Far driven from the tarnished Cyclades:
More Druids to your green enchantment bow
Than 'neath unfaithful Mona's vanished trees:
A wind hath spirited from ageing France
To our fresh hills the carpet of Romance:
Heroes and maids of old with young blood tingling
In ampler gardens grow their roses new:
And races long apart their manas mingling
Prepare the cradle of an Advent due.
And those who dig the mounded eld for runes
To read Religion's tangled cipher, here,
Where all Illusion haunts the fainting noons
Of days hysteric with the tireless leer
Of ravenous enamoured suns, shall find
How May a flings her mantle o'er the mind,
Till sober sand to shining water changes,
Dodona whispers from the she-oak groves,
Afreets upon the tempest cross the ranges,
And Fafnir through the bunyip marshes roves.
48
Once, when Uranian Love appeared to glow
Through that abysmal Night that bounds our reignLove that a man may scarcely feel and know i
Quite the same world as other men againWith earthward-streaming frontier wraiths distraught,
Your oracles, 0 Mother Bush, I sought:
But found, dismayed, that eerie light revealing
Those wraiths already in your depths on sleuth,
Termagant Scorns along your hillsides stealing,
Remorse unbaring slow her barbed tooth.
My own thoughts first from far dispersion flew
Back to their sad creator, with the crops
Of woes in flower and all the harvests due
Till tiring Time the fearful seeding stops:
In pigmy forms of friends and foes, anon
In my own image, they came, stung, were gone:
And then I heard the voice of Him Who Questions,
Knowing the faltered answer ere it came,
Chilling the soul by hovering suggestions
Of wan damnation at a wince of blame.
And all your leaves in symbols were arranged,
Despairs long dead would leap from bough to bough,
A gum-tree buttress to a goblin changed
Grinning the warmth of some old broken vow:
Furtive desires for scarce-remembered maids
Glanced in a fearful bo-peep from your shades:
Till you became a purgatory cleansing
With rosy flakes in form of manikins,
To fiercer shame within my soul condensing,
The dim pollution of forgotten sins.
And She, the human symbol of that Love,
Would, as my cleansed eyes forgot their fear,
Comrade beside me. Comforter above,
With sunny smile ubiquitous appear:
Run on before me to the nooks we knew,
Walk hand in hand as glad young lovers do,
Gravely reprove me toying with temptation,
Show me the eyes and ears in roots and clods,
Bend with me o'er some blossom's revelation,
49
Or read from clouds the judgments of the gods.
My old ideals She would tune until
The grating note of self no longer rang:
She drove the birds of gloom and evil will
Out of the cote wherein my poems sang.
Time at Her wand annulled his calendar,
And Space his fallacy of Near and Far,
For through my Bush along with me She glided,
And crowded days of Beauty made more fair,
Though lagging weeks and ocean widths divided
Her mortal casing from Her Presence there.
Her wetted finger oped my shuttered eyes
To boyhood's scership of the Real again:
Upon the Bush descended from the skies
The rapt-up Eden of primordial men:
August Dominions through the vistas strode:
On white-maned clouds the smiling cherubs rode:
Maltreated Faith restored my jangled hearing
Till little seraphs sang from chip and clod:
And prayers were radiant children that, unfearing,
Floated as kisses to the lips of God.
It matters not that for some purpose wise
Myopic Reason censored long ago
The revelations of that Paradise,
When, back of all I feel or will or know,
Its silent angels beacon through the Dark
And point to harbours new my drifted ark.
Nor need we dread the fogs that round us thicken
Questing the Bush for Grails decreed for man,
When Powers our fathers saw unseen still quicken
Eyes that were ours before the world began.
'Twas then I saw the Vision of the Ways,
And 'mid their gloom and glory seemed to live,
Threaded the coverts of the Dark Road's maze,
Toiled up, with tears, the Track Retributive,
And, on the Path of Grace, beheld aglow
The love-lit Nave of all that wheeled below.
And She who flowered, my Mystic Rose, in Heaven,
50
And lit the Purging Mount, my Guiding Star,
Trudged o'er the marl, my mate, through Hell's wan levin,
Nor shrank, like lonely Dante's love, afar.
High towered a cloud over one leafy wild,
And to a bridged volcano grew. Above,
A great Greek group of father, mother, child,
Illumed a narrow round with radiant love.
Below, a smoke-pool thick with faces swirled,
The mutinous omen. of an Under-world,
Defeated, plundered, blackened, but preparing,
E'en though that calm, white dominance fell down,
To overflow the rim, and, sunward faring,
Shape myriad perfect groups from slave and clown.
Or thus I read the symbol, though 'twas sent
To hound compunction on my wincing pride,
That dreamed of raceless brotherhood, content
Though all old Charm dissolved and Glory died.
For often signs will yield their deeper signs,
Virginal Bush, in your untrodden shrines,
Than where the craven ages' human clamour
Distorts the boldest oracle with fear,
Or where dissolving wizards dew with glamour
Arden, Broceliande, or Windermere.
Once while my mother by a spreading tree
Our church's sober rubric bade me con,
My vagrant eyes among the boughs would see
Forbidden wings and •wizard aprons on
Father's 'wee people' from their Irish glades
Brighten and darken with your lights and shades.
And I would only read again those stern leaves
For whispered bribe that, when their tale I told,
We would go and look for fairies in the fern-leaves
And red-capped leprechauns with crocks of gold.
Anon, my boyhood saw how Sunbursts flamed
Or filmy hinds lured on a pale Oisin,
Where lithe indignant saplings crowding claimed
The digger's ravage for their plundered queen:
And heard within yon lichened 'mullock-heap'
51
Lord Edward's waiting horsemen moan in sleep:
Or flew the fragrant path of swans consoling
Lir's exiled daughter wandering with me,
And traced below the Wattle River rolling
Exuberant and golden toward the sea.
Here, would the •wavering wings of heat uplift
Some promontory till the tree-crowned pile
Above a phantom sea would swooning drift,
St. Brendan's vision of the Winged Isle:
Anon, the isle divides again, again,
Till archipelagos poise o'er the main.
There, lazy fingers of a breeze have scattered
The distant blur of factory chimney smoke
hi poignant groups of all the young lives shattered
To feed the ravin of a piston-stroke!
Or when I read the tale of what you were
Beyond these hungry eyes' home-keeping view,
I peopled petrel rocks with Sirens fair,
In Maid Mirage the Fairy Morgan knew,
Steered Quetzalcoatl's skiff to coral coasts,
On Chambers' Pillar throned the Olympian hosts,
Heard in white sulphur-crested parrots' screeches
Remorseful Peris vent their hopeless rage,
Atlantis' borders traced on sunken beaches,
m Alcheringa found the Golden Age.
Sibyl and Siren, with alternate breaths
You read our foetal nation's boon and bane,
And lure to trysts of orgiastic Deaths
Adventurous love that listens to your strain:
Pelsarts and Vanderdeckens of the world
Circle your charms or at your feet are hurled:
And, Southern witch, whose glamour drew De Quiros
O'er half the earth for one unyielded kiss,
Were yours the arms that healed the scalded Eros
When Psyche's curious lamp darkened their bliss?
Ye, who would challenge when we claim to see
The bush alive with Northern wealth of wings,
Forget that at a common mother's knee
52
We learned, with you, the lore of Silent Things.
There is no New that is not older far
Than swirling cradle of the first-born star:
Our youngest hearts prolong the far pulsation
And churn the brine of the primordial sea:
The foetus writes the précis of Creation:
Australia is the whole world's legatee.
Imagination built her throne in us
Before your present bodies saw the sky:
Your myths were counters of our abacus,
And in your brain developed long our eye:
We from the misty folk have also sprung
Who saw the gnomes and heard the Ever Young:
Do Southern skies the fancy disinherit
Of moly flower and Deva-laden breeze?
Do nerves attuned by old defect and merit
Their timbre lose by crossing tropic seas?
All mysteries ye claim as yours alone
Have wafted secrets over oceans here:
Our living soil Antiquity hath sown
With just the corn and tares ye love and fear:
Romance and song enthral us just as you,
Nor change of zenith changes spirit too:
Our necks as yours are sore with feudal halters:
To the Pole ye know our compasses are set;
And shivering years that huddled round your altars
Beneath our stars auspicious tremble yet.
Who fenced the nymphs in European vales?
Or Pan tabooed from all but Oxford dreams?
Warned Shakespeare off from foreign Plutarch's tales?
Or tethered Virgil to Italian themes?
And when the body sailed from your control
Think ye we left behind in bond the soul?
Whate'er was yours is ours in equal measure,
The Temple was not built for you alone,
Altho' 'tis ours to grace the common treasure
With Lares and Penates of our own!
Ye stole yourselves from gardens fragrant long
53
The sprouting seed-pods of your choicest blooms,
And wove the splendid garments of your song
From Viking foam on grave Hebraic looms:
'Twas Roman nerve and rich Hellenic lymph
Changed your pale pixie to a nubile nymph:
Yea, breathed at dawn around Atlantis' islands,
Wind-home o'er some Hesperidean road,
The morning clouds on dim Accadian highlands
Spring-fed the Nile that over Hellas flowed!
As large-eyed Greek amid Sicilian dews
Saw Dis, as ne'er before, pursue the Maid,
Or, safe 'neath screening billows, Arethuse
Alpheus' rugged sleuth unsoiled evade:
We shall complete the tale ye left half-told,
Under the ocean lead your fountains old,
To slake our sceptic thirst with haunted water,
And tame our torrents with a wedding kiss,
Shall loose, mayhap, the spell on Ceres' daughter,
And show, unclouded, God in very Dis.
(Yet, there are moods and mornings when I hear,
Above the music of the Bush's breath,
The rush of alien breezes far and near
Drowning her oracles to very death:
Exotic battle-cries the silence mar,
Seductive perfumes drive the gum-scent far;
And organ-tones august a moment show me
Miltonic billows and Homeric gales
Until I feel the older worlds below me,
And all her wonder trembles, thins and fails.)
Yea, you are all that we may be, and yet
In us is all you are to be for aye!
The Giver of the gifts that we shall get?
An empty womb that waits the wedding day?
Thus drifting sense by age-long habit buoyed
Plays round the thought that knows all nature void!
And so, my song alternate would believe her
Idiot Bush and Daughter of the Sun,
A worthless gift apart from the receiver,
An empty womb, but in a Deathless One.
54
To shapes we would of Freedom, Truth and Joy
Shall we your willing plasm mould for man:
Afresh rebuild the world, and thus destroy
What only Ragnarok in Europe can:
There is no Light but in your dark blendes sleeps,
Drops from your stars or through your ether leaps:
Yea, you are Nature, Chaos since Creation,
Waiting what human Word to chord in song?
Matrix inert of what auspicious nation?
For what far bees your nectar hiving long?
Exhausted manas of the conquering North
Shall rise refreshed to vivid life again
At your approach, and in your lap pour forth
Grateful the gleanings of his mighty reign:
As, when a tropic heat-king southward crawls,
Blistering the ranges, till he hears the calls
Of some cold high-browed bride, her streaming tresses,
Sprinkled with rose-buds, make his wild eyes thrill
To such desire for her superb caresses
He yields his fiery treasures to her will.
'Where is Australia, singer, do you know?
These sordid farms and joyless factories,
Mephitic mines and lanes of pallid woe?
Those ugly towns and cities such as these
With incense sick to all unworthy power,
And all old sin in full malignant flower?
No! to her bourn her children still are faring:
She is a Temple that we are to build:
For her the ages have been long preparing:
She is a prophecy to be fulfilled!
All that we love in olden lands and lore
Was signal of her coming long ago!
Bacon foresaw her, Campanella, More
And Plato's eyes were with her star aglow!
Who toiled for Truth, whate'er their countries were,
Who fought for Liberty, they yearned for her!
No corsair's gathering ground, or tryst for schemers,
55
No chapman Carthage to a huckster Tyre,
She is the Eldorado of old dreamers,
The Sleeping Beauty of the world's desire!
She is the scroll on which we are to write
Mythologies our own and epics new:
She is the port of our propitious flight
From Ur idolatrous and Pharaoh's crew.
She is our own, unstained, if worthy we,
By dream, or god, or star we would not see:
Her crystal beams all but the eagle dazzle;
Her wind-wide ways none but the strong-winged sail:
She is Eutopia, she is Hy-Brasil,
The watchers on the tower of morning hail I
Yet she shall be as we, the Potter, mould:
Altar or tomb, as we aspire, despair:
What wine we bring shall she, the chalice, hold:
What word we write shall she, the script, declare:
Bandage our eyes, she shall be Memphis, Spain:
Barter our souls, she shall be Tyre again:
And if we pour on her the red oblation
All o'er the world shall Asshur's buzzards throng:
Love-lit, her Chaos shall become Creation:
And dewed with dream, her silence flower in song.
~ Bernard O'Dowd,
103:The thought of Eglamor's least like a thought,
And yet a false one, was, "Man shrinks to nought
"If matched with symbols of immensity;
"Must quail, forsooth, before a quiet sky
"Or sea, too little for their quietude:"
And, truly, somewhat in Sordello's mood
Confirmed its speciousness, while eve slow sank
Down the near terrace to the farther bank,
And only one spot left from out the night
Glimmered upon the river opposite
A breadth of watery heaven like a bay,
A sky-like space of water, ray for ray,
And star for star, one richness where they mixed
As this and that wing of an angel, fixed,
Tumultuary splendours folded in
To die. Nor turned he till Ferrara's din
(Say, the monotonous speech from a man's lip
Who lets some first and eager purpose slip
In a new fancy's birththe speech keeps on
Though elsewhere its informing soul be gone)
Aroused him, surely offered succour. Fate
Paused with this eve; ere she precipitate
Herself,best put off new strange thoughts awhile,
That voice, those large hands, that portentous smile,
What help to pierce the future as the past
Lay in the plaining city?
             And at last
The main discovery and prime concern,
All that just now imported him to learn,
Truth's self, like yonder slow moon to complete
Heaven, rose again, and, naked at his feet,
Lighted his old life's every shift and change,
Effort with counter-effort; nor the range
Of each looked wrong except wherein it checked,
Some otherwhich of these could he suspect,
Prying into them by the sudden blaze?
The real way seemed made up of all the ways
Mood after mood of the one mind in him;
Tokens of the existence, bright or dim,
Of a transcendent all-embracing sense
Demanding only outward influence,
A soul, in Palma's phrase, above his soul,
Power to uplift his power,such moon's control
Over such sea-depths,and their mass had swept
Onward from the beginning and still kept
Its course: but years and years the sky above
Held none, and so, untasked of any love,
His sensitiveness idled, now amort,
Alive now, and, to sullenness or sport
Given wholly up, disposed itself anew
At every passing instigation, grew
And dwindled at caprice, in foam-showers spilt,
Wedge-like insisting, quivered now a gilt
Shield in the sunshine, now a blinding race
Of whitest ripples o'er the reeffound place
For much display; not gathered up and, hurled
Right from its heart, encompassing the world.
So had Sordello been, by consequence,
Without a function: others made pretence
To strength not half his own, yet had some core
Within, submitted to some moon, before
Them still, superior still whate'er their force,
Were able therefore to fulfil a course,
Nor missed life's crown, authentic attribute.
To each who lives must be a certain fruit
Of having lived in his degree,a stage,
Earlier or later in men's pilgrimage,
To stop at; and to this the spirits tend
Who, still discovering beauty without end,
Amass the scintillations, make one star
Something unlike them, self-sustained, afar,
And meanwhile nurse the dream of being blest
By winning it to notice and invest
Their souls with alien glory, some one day
Whene'er the nucleus, gathering shape alway,
Round to the perfect circlesoon or late,
According as themselves are formed to wait;
Whether mere human beauty will suffice
The yellow hair and the luxurious eyes,
Or human intellect seem best, or each
Combine in some ideal form past reach
On earth, or else some shade of these, some aim,
Some love, hate even, take their place, the same,
So to be servedall this they do not lose,
Waiting for death to live, nor idly choose
What must be Hella progress thus pursued
Through all existence, still above the food
That 's offered them, still fain to reach beyond
The widened range, in virtue of their bond
Of sovereignty. Not that a Palma's Love,
A Salinguerra's Hate, would equal prove
To swaying all Sordello: but why doubt
Some love meet for such strength, some moon without
Would match his sea?or fear, Good manifest,
Only the Best breaks faith?Ah but the Best
Somehow eludes us ever, still might be
And is not! Crave we gems? No penury
Of their material round us! Pliant earth
And plastic flamewhat balks the mage his birth
Jacinth in balls or lodestone by the block?
Flinders enrich the strand, veins swell the rock;
Nought more! Seek creatures? Life 's i' the tempest, thought
Clothes the keen hill-top, mid-day woods are fraught
With fervours: human forms are well enough!
But we had hoped, encouraged by the stuff
Profuse at nature's pleasure, men beyond
These actual men!and thus are over-fond
In arguing, from Goodthe Best, from force
Dividedforce combined, an ocean's course
From this our sea whose mere intestine pants
Might seem at times sufficient to our wants.
External power! If none be adequate,
And he stand forth ordained (a prouder fate)
Himself a law to his own sphere? "Remove
"All incompleteness!" for that law, that love?
Nay, if all other laws be feints,truth veiled
Helpfully to weak vision that had failed
To grasp aught but its special want,for lure,
Embodied? Stronger vision could endure
The unbodied want: no partthe whole of truth!
The People were himself; nor, by the ruth
At their condition, was he less impelled
To alter the discrepancy beheld,
Than if, from the sound whole, a sickly part
Subtracted were transformed, decked out with art,
Then palmed on him as alien woethe Guelf
To succour, proud that he forsook himself.
All is himself; all service, therefore, rates
Alike, nor serving one part, immolates
The rest: but all in time! "That lance of yours
"Makes havoc soon with Malek and his Moors,
"That buckler 's lined with many a giant's beard
"Ere long, our champion, be the lance upreared,
"The buckler wielded handsomely as now!
"But view your escort, bear in mind your vow,
"Count the pale tracts of sand to pass ere that,
"And, if you hope we struggle through the flat,
"Put lance and buckler by! Next half-month lacks
"Mere sturdy exercise of mace and axe
"To cleave this dismal brake of prickly-pear
"Which bristling holds Cydippe by the hair,
"Lames barefoot Agathon: this felled, we 'll try
"The picturesque achievements by and by
"Next life!"
      Ay, rally, mock, O People, urge
Your claims!for thus he ventured, to the verge,
Push a vain mummery which perchance distrust
Of his fast-slipping resolution thrust
Likewise: accordingly the Crowd(as yet
He had unconsciously contrived forget
I' the whole, to dwell o' the points . . . one might assuage
The signal horrors easier than engage
With a dim vulgar vast unobvious grief
Not to be fancied off, nor gained relief
In brilliant fits, cured by a happy quirk,
But by dim vulgar vast unobvious work
To correspond . . .) this Crowd then, forth they stood.
"And now content thy stronger vision, brood
"On thy bare want; uncovered, turf by turf,
"Study the corpse-face thro' the taint-worms' scurf!"
Down sank the People's Then; uprose their Now.
These sad ones render service to! And how
Piteously little must that service prove
Had surely proved in any case! for, move
Each other obstacle away, let youth
Become aware it had surprised a truth
'T were service to impartcan truth be seized,
Settled forthwith, and, of the captive eased,
Its captor find fresh prey, since this alit
So happily, no gesture luring it,
The earnest of a flock to follow? Vain,
Most vain! a life to spend ere this he chain
To the poor crowd's complacence: ere the crowd
Pronounce it captured, he descries a cloud
Its kin of twice the plume; which he, in turn,
If he shall live as many lives, may learn
How to secure: not else. Then Mantua called
Back to his mind how certain bards were thralled
Buds blasted, but of breath more like perfume
Than Naddo's staring nosegay's carrion bloom;
Some insane rose that burnt heart out in sweets,
A spendthrift in the spring, no summer greets;
Some Dularete, drunk with truths and wine,
Grown bestial, dreaming how become divine.
Yet to surmount this obstacle, commence
With the commencement, merits crowning! Hence
Must truth be casual truth, elicited
In sparks so mean, at intervals dispread
So rarely, that 't is like at no one time
Of the world's story has not truth, the prime
Of truth, the very truth which, loosed, had hurled
The world's course right, been really in the world
Content the while with some mean spark by dint
Of some chance-blow, the solitary hint
Of buried fire, which, rip earth's breast, would stream
Sky-ward!
     Sordello's miserable gleam
Was looked for at the moment: he would dash
This badge. and all it brought, to earth,abash
Taurello thus, perhaps persuade him wrest
The Kaiser from his purpose,would attest
His own belief, in any case. Before
He dashes it however, think once more!
For, were that little, truly service? "Ay,
"I' the end, no doubt; but meantime? Plain you spy
"Its ultimate effect, but many flaws
"Of vision blur each intervening cause.
"Were the day's fraction clear as the life's sum
"Of service, Now as filled as teems To-come
"With evidence of goodnor too minute
"A share to vie with evil! No dispute,
"'T were fitliest maintain the Guelfs in rule:
"That makes your life's work: but you have to school
"Your day's work on these natures circumstanced
"Thus variously, which yet, as each advanced
"Or might impede the Guelf rule, must be moved
"Now, for the Then's sake,hating what you loved,
"Loving old hatreds! Nor if one man bore
"Brand upon temples while his fellow wore
"The aureole, would it task you to decide:
"But, portioned duly out, the future vied
"Never with the unparcelled present! Smite
"Or spare so much on warrant all so slight?
"The present's complete sympathies to break,
"Aversions bear with, for a future's sake
"So feeble? Tito ruined through one speck,
"The Legate saved by his sole lightish fleck?
"This were work, true, but work performed at cost
"Of other work; aught gained here, elsewhere lost.
"For a new segment spoil an orb half-done?
"Rise with the People one step, and sinkone?
"Were it but one step, less than the whole face
"Of things, your novel duty bids erase!
"Harms to abolish! What, the prophet saith,
"The minstrel singeth vainly then? Old faith,
"Old courage, only born because of harms,
"Were not, from highest to the lowest, charms?
"Flame may persist; but is not glare as staunch?
"Where the salt marshes stagnate, crystals branch;
"Blood dries to crimson; Evil 's beautified
"In every shape. Thrust Beauty then aside
"And banish Evil! Wherefore? After all,
"Is Evil a result less natural
"Than Good? For overlook the seasons' strife
"With tree and flower,the hideous animal life,
"(Of which who seeks shall find a grinning taunt
"For his solution, and endure the vaunt
"Of nature's angel, as a child that knows
"Himself befooled, unable to propose
"Aught better than the fooling)and but care
"For men, for the mere People then and there,
"In these, could you but see that Good and Ill
"Claimed you alike! Whence rose their claim but still
"From Ill, as fruit of Ill? What else could knit
"You theirs but Sorrow? Any free from it
"Were also free from you! Whose happiness
"Could be distinguished in this morning's press
"Of miseries?the fool's who passed a gibe
"'On thee,' jeered he, `so wedded to thy tribe,
"`Thou carriest green and yellow tokens in
"'Thy very face that thou art Ghibellin!'
"Much hold on you that fool obtained! Nay mount
"Yet higherand upon men's own account
"Must Evil stay: for, what is joy?to heave
"Up one obstruction more, and common leave
"What was peculiar, by such act destroy
"Itself; a partial death is every joy;
"The sensible escape, enfranchisement
"Of a sphere's essence: once the vexedcontent,
"The crampedat large, the growing circleround,
"All 's to begin againsome novel bound
"To break, some new enlargement to entreat;
"The sphere though larger is not more complete.
"Now for Mankind's experience: who alone
"Might style the unobstructed world his own?
"Whom palled Goito with its perfect things?
"Sordello's self: whereas for Mankind springs
"Salvation by each hindrance interposed.
"They climb; life's view is not at once disclosed
"To creatures caught up, on the summit left,
"Heaven plain above them, yet of wings bereft:
"But lower laid, as at the mountain's foot.
"So, range on range, the girdling forests shoot
"'Twixt your plain prospect and the throngs who scale
"Height after height, and pierce mists, veil by veil,
"Heartened with each discovery; in their soul,
"The Whole they seek by Partsbut, found that Whole,
"Could they revert, enjoy past gains? The space
"Of time you judge so meagre to embrace
"The Parts were more than plenty, once attained
"The Whole, to quite exhaust it: nought were gained
"But leave to looknot leave to do: Beneath
"Soon sates the lookerlook Above, and Death
"Tempts ere a tithe of Life be tasted. Live
"First, and die soon enough, Sordello! Give
"Body and spirit the first right they claim,
"And pasture soul on a voluptuous shame
"That you, a pageant-city's denizen,
"Are neither vilely lodged midst Lombard men
"Can force joy out of sorrow, seem to truck
"Bright attributes away for sordid muck,
"Yet manage from that very muck educe
"Gold; then subject nor scruple, to your cruce
"The world's discardings! Though real ingots pay
"Your pains, the clods that yielded them are clay
"To all beside,would clay remain, though quenched
"Your purging-fire; who 's robbed then? Had you wrenched
"An ampler treasure forth!As 't is, they crave
"A share that ruins you and will not save
"Them. Why should sympathy command you quit
"The course that makes your joy, nor will remit
"Their woe? Would all arrive at joy? Reverse
"The order (time instructs you) nor coerce
"Each unit till, some predetermined mode,
"The total be emancipate; men's road
"Is one, men's times of travel many; thwart
"No enterprising soul's precocious start
"Before the general march! If slow or fast
"All straggle up to the same point at last,
"Why grudge your having gained, a month ago,
"The brakes at balm-shed, asphodels in blow,
"While they were landlocked? Speed their Then, but how
"This badge would suffer you improve your Now!"
His time of action for, against, or with
Our world (I labour to extract the pith
Of this his problem) grew, that even-tide,
Gigantic with its power of joy, beside
The world's eternity of impotence
To profit though at his whole joy's expense.
"Make nothing of my day because so brief?
"Rather make more: instead of joy, use grief
"Before its novelty have time subside!
"Wait not for the late savour, leave untried
"Virtue, the creaming honey-wine, quick squeeze
"Vice like a biting spirit from the lees
"Of life! Together let wrath, hatred, lust,
"All tyrannies in every shape, be thrust
"Upon this Now, which time may reason out
"As mischiefs, far from benefits, no doubt;
"But long ere then Sordello will have slipt
"Away; you teach him at Goito's crypt,
"There 's a blank issue to that fiery thrill.
"Stirring, the few cope with the many, still:
"So much of sand as, quiet, makes a mass
"Unable to produce three tufts of grass,
"Shall, troubled by the whirlwind, render void
"The whole calm glebe's endeavour: be employed!
"And e'en though somewhat smart the Crowd for this,
"Contribute each his pang to make your bliss,
"'T is but one pangone blood-drop to the bowl
"Which brimful tempts the sluggish asp uncowl
"At last, stains ruddily the dull red cape,
"And, kindling orbs grey as the unripe grape
"Before, avails forthwith to disentrance
"The portent, soon to lead a mystic dance
"Among you! For, who sits alone in Rome?
"Have those great hands indeed hewn out a home,
"And set me there to live? Oh life, life-breath,
"Life-blood,ere sleep, come travail, life ere death!
"This life stream on my soul, direct, oblique,
"But always streaming! Hindrances? They pique:
"Helps? such . . . but why repeat, my soul o'ertops
"Each height, then every depth profoundlier drops?
"Enough that I can live, and would live! Wait
"For some transcendent life reserved by Fate
"To follow this? Oh, never! Fate, I trust
"The same, my soul to; for, as who flings dust,
"Perchance (so facile was the deed) she chequed
"The void with these materials to affect
"My soul diversely: these consigned anew
"To nought by death, what marvel if she threw
"A second and superber spectacle
"Before me? What may serve for sun, what still
"Wander a moon above me? What else wind
"About me like the pleasures left behind,
"And how shall some new flesh that is not flesh
"Cling to me? What 's new laughter? Soothes the fresh
"Sleep like sleep? Fate 's exhaustless for my sake
"In brave resource: but whether bids she slake
"My thirst at this first rivulet, or count
"No draught worth lip save from some rocky fount
"Above i' the clouds, while here she 's provident
"Of pure loquacious pearl, the soft tree-tent
"Guards, with its face of reate and sedge, nor fail
"The silver globules and gold-sparkling grail
"At bottom? Oh, 't were too absurd to slight
"For the hereafter the to-day's delight!
"Quench thirst at this, then seek next well-spring: wear
"Home-lilies ere strange lotus in my hair!
"Here is the Crowd, whom I with freest heart
"Offer to serve, contented for my part
"To give life up in service,only grant
"That I do serve; if otherwise, why want
"Aught further of me? If men cannot choose
"But set aside life, why should I refuse
"The gift? I take itI, for one, engage
"Never to falter through my pilgrimage
"Nor end it howling that the stock or stone
"Were enviable, truly: I, for one,
"Will praise the world, you style mere anteroom
"To palacebe it so! shall I assume
"My foot the courtly gait, my tongue the trope,
"My mouth the smirk, before the doors fly ope
"One moment? What? with guarders row on row,
"Gay swarms of varletry that come and go,
"Pages to dice with, waiting-girls unlace
"The plackets of, pert claimants help displace,
"Heart-heavy suitors get a rank for,laugh
"At yon sleek parasite, break his own staff
"'Cross Beetle-brows the Usher's shoulder,why
"Admitted to the presence by and by,
"Should thought of having lost these make me grieve
"Among new joys I reach, for joys I leave?
"Cool citrine-crystals, fierce pyropus-stone,
"Are floor-work there! But do I let alone
"That black-eyed peasant in the vestibule
"Once and for ever?Floor-work? No such fool!
"Rather, were heaven to forestall earth, I 'd say
"I, is it, must be blest? Then, my own way
"Bless me! Giver firmer arm and fleeter foot,
"I 'll thank you: but to no mad wings transmute
"These limbs of mineour greensward was so soft!
"Nor camp I on the thunder-cloud aloft:
"We feel the bliss distinctlier, having thus
"Engines subservient, not mixed up with us.
"Better move palpably through heaven: nor, freed
"Of flesh, forsooth, from space to space proceed
"'Mid flying synods of worlds! No: in heaven's marge
"Show Titan still, recumbent o'er his targe
"Solid with starsthe Centaur at his game,
"Made tremulously out in hoary flame!
"Life! Yet the very cup whose extreme dull
"Dregs, even, I would quaff, was dashed, at full,
"Aside so oft; the death I fly, revealed
"So oft a better life this life concealed,
"And which sage, champion, martyr, through each path
"Have hunted fearlesslythe horrid bath,
"The crippling-irons and the fiery chair.
"'T was well for them; let me become aware
"As they, and I relinquish life, too! Let
"What masters life disclose itself! Forget
"Vain ordinances, I have one appeal
"I feel, am what I feel, know what I feel;
"So much is truth to me. What Is, then? Since
"One object, viewed diversely, may evince
"Beauty and uglinessthis way attract,
"That way repel,why gloze upon the fact?
"Why must a single of the sides be right?
"What bids choose this and leave the opposite?
"Where 's abstract Right for me?in youth endued
"With Right still present, still to be pursued,
"Thro' all the interchange of circles, rife
"Each with its proper law and mode of life,
"Each to be dwelt at ease in: where, to sway
"Absolute with the Kaiser, or obey
"Implicit with his serf of fluttering heart,
"Or, like a sudden thought of God's, to start
"Up, Brutus in the presence, then go shout
"That some should pick the unstrung jewels out
"Each, well!"
       And, as in moments when the past
Gave partially enfranchisement, he cast
Himself quite through mere secondary states
Of his soul's essence, little loves and hates,
Into the mid deep yearnings overlaid
By these; as who should pierce hill, plain, grove, glade,
And on into the very nucleus probe
That first determined there exist a globe.
As that were easiest, half the globe dissolved,
So seemed Sordello's closing-truth evolved
By his flesh-half's break-up; the sudden swell
Of his expanding soul showed Ill and Well,
Sorrow and Joy, Beauty and Ugliness,
Virtue and Vice, the Larger and the Less,
All qualities, in fine, recorded here,
Might be but modes of Time and this one sphere,
Urgent on these, but not of force to bind
Eternity, as Timeas MatterMind,
If Mind, Eternity, should choose assert
Their attributes within a Life: thus girt
With circumstance, next change beholds them cinct
Quite otherwisewith Good and Ill distinct,
Joys, sorrows, tending to a like result
Contrived to render easy, difficult,
This or the other course of . . . what new bond
In place of flesh may stop their flight beyond
Its new sphere, as that course does harm or good
To its arrangements. Once this understood,
As suddenly he felt himself alone,
Quite out of Time and this world: all was known.
What made the secret of his past despair?
Most imminent when he seemed most aware
Of his own self-sufficiency: made mad
By craving to expand the power he had,
And not new power to be expanded?just
This made it; Soul on Matter being thrust,
Joy comes when so much Soul is wreaked in Time
On Matter: let the Soul's attempt sublime
Matter beyond the scheme and so prevent
By more or less that deed's accomplishment,
And Sorrow follows: Sorrow how avoid?
Let the employer match the thing employed,
Fit to the finite his infinity,
And thus proceed for ever, in degree
Changed but in kind the same, still limited
To the appointed circumstance and dead
To all beyond. A sphere is but a sphere;
Small, Great, are merely terms we bandy here;
Since to the spirit's absoluteness all
Are like. Now, of the present sphere we call
Life, are conditions; take but this among
Many; the body was to be so long
Youthful, no longer: but, since no control
Tied to that body's purposes his soul,
She chose to understand the body's trade
More than the body's selfhad fain conveyed
Her boundless to the body's bounded lot.
Hence, the soul permanent, the body not,
Scarcely its minute for enjoying here,
The soul must needs instruct her weak compeer,
Run o'er its capabilities and wring
A joy thence, she held worth experiencing:
Which, far from half discovered even,lo,
The minute gone, the body's power let go
Apportioned to that joy's acquirement! Broke
Morning o'er earth, he yearned for all it woke
From the volcano's vapour-flag, winds hoist
Black o'er the spread of sea,down to the moist
Dale's silken barley-spikes sullied with rain,
Swayed earthwards, heavily to rise again
The Small, a sphere as perfect as the Great
To the soul's absoluteness. Meditate
Too long on such a morning's cluster-chord
And the whole music it was framed afford,
The chord's might half discovered, what should pluck
One string, his finger, was found palsy-struck.
And then no marvel if the spirit, shown
A saddest sightthe body lost alone
Through her officious proffered help, deprived
Of this and that enjoyment Fate contrived,
Virtue, Good, Beauty, each allowed slip hence,
Vain-gloriously were fain, for recompense,
To stem the ruin even yet, protract
The body's term, supply the power it lacked
From her infinity, compel it learn
These qualities were only Time's concern,
And body may, with spirit helping, barred
Advance the same, vanquishedobtain reward,
Reap joy where sorrow was intended grow,
Of Wrong make Right, and turn Ill Good below.
And the result is, the poor body soon
Sinks under what was meant a wondrous boon,
Leaving its bright accomplice all aghast.
So much was plain then, proper in the past;
To be complete for, satisfy the whole
Series of spheresEternity, his soul
Needs must exceed, prove incomplete for, each
Single sphereTime. But does our knowledge reach
No farther? Is the cloud of hindrance broke
But by the failing of the fleshly yoke,
Its loves and hates, as now when death lets soar
Sordello, self-sufficient as before,
Though during the mere space that shall elapse
'Twixt his enthralment in new bonds perhaps?
Must life be ever just escaped, which should
Have been enjoyed?nay, might have been and would,
Each purpose ordered rightthe soul 's no whit
Beyond the body's purpose under it.
Like yonder breadth of watery heaven, a bay,
And that sky-space of water, ray for ray
And star for star, one richness where they mixed
As this and that wing of an angel, fixed,
Tumultuary splendours folded in
To diewould soul, proportioned thus, begin
Exciting discontent, or surelier quell
The body if, aspiring, it rebel?
But how so order life? Still brutalize
The soul, the sad world's way, with muffled eyes
To all that was before, all that shall be
After this sphereall and each quality
Save some sole and immutable Great, Good
And Beauteous whither fate has loosed its hood
To follow? Never may some soul see All
The Great Before and After, and the Small
Now, yet be saved by this the simplest lore,
And take the single course prescribed before,
As the king-bird with ages on his plumes
Travels to die in his ancestral glooms?
But where descry the Love that shall select
That course? Here is a soul whom, to affect,
Nature has plied with all her means, from trees
And flowers e'en to the Multitude!and these,
Decides he save or no? One word to end!
Ah my Sordello, I this once befriend
And speak for you. Of a Power above you still
Which, utterly incomprehensible,
Is out of rivalry, which thus you can
Love, tho' unloving all conceived by man
What need! And ofnone the minutest duct
To that out-nature, nought that would instruct
And so let rivalry begin to live
But of a Power its representative
Who, being for authority the same,
Communication different, should claim
A course, the first chose but this last revealed
This Human clear, as that Divine concealed
What utter need!
         What has Sordello found?
Or can his spirit go the mighty round,
End where poor Eglamor begun? So, says
Old fable, the two eagles went two ways
About the world: where, in the midst, they met,
Though on a shifting waste of sand, men set
Jove's temple. Quick, what has Sordello found?
For they approachapproachthat foot's rebound
Palma? No, Salinguerra though in mail;
They mount, have reached the threshold, dash the veil
Asideand you divine who sat there dead,
Under his foot the badge: still, Palma said,
A triumph lingering in the wide eyes,
Wider than some spent swimmer's if he spies
Help from above in his extreme despair,
And, head far back on shoulder thrust, turns there
With short quick passionate cry: as Palma pressed
In one great kiss, her lips upon his breast,
It beat.
    By this, the hermit-bee has stopped
His day's toil at Goito: the new-cropped
Dead vine-leaf answers, now 't is eve, he bit,
Twirled so, and filed all day: the mansion 's fit,
God counselled for. As easy guess the word
That passed betwixt them, and become the third
To the soft small unfrighted bee, as tax
Him with one faultso, no remembrance racks
Of the stone maidens and the font of stone
He, creeping through the crevice, leaves alone.
Alas, my friend, alas Sordello, whom
Anon they laid within that old font-tomb,
And, yet again, alas!
           And now is 't worth
Our while bring back to mind, much less set forth
How Salinguerra extricates himself
Without Sordello? Ghibellin and Guelf
May fight their fiercest out? If Richard sulked
In durance or the Marquis paid his mulct,
Who cares, Sordello gone? The upshot, sure,
Was peace; our chief made some frank overture
That prospered; compliment fell thick and fast
On its disposer, and Taurello passed
With foe and friend for an outstripping soul,
Nine days at least. Then,fairly reached the goal,
He, by one effort, blotted the great hope
Out of his mind, nor further tried to cope
With Este, that mad evening's style, but sent
Away the Legate and the League, content
No blame at least the brothers had incurred,
Dispatched a message to the Monk, he heard
Patiently first to last, scarce shivered at,
Then curled his limbs up on his wolfskin mat
And ne'er spoke more,informed the Ferrarese
He but retained their rule so long as these
Lingered in pupilage,and last, no mode
Apparent else of keeping safe the road
From Germany direct to Lombardy
For Friedrich,none, that is, to guarantee
The faith and promptitude of who should next
Obtain Sofia's dowry,sore perplexed
(Sofia being youngest of the tribe
Of daughters, Ecelin was wont to bribe
The envious magnates withnor, since he sent
Henry of Egna this fair child, had Trent
Once failed the Kaiser's purposes"we lost
"Egna last year, and who takes Egna's post
"Opens the Lombard gate if Friedrich knock?")
Himself espoused the Lady of the Rock
In pure necessity, and, so destroyed
His slender last of chances, quite made void
Old prophecy, and spite of all the schemes
Overt and covert, youth's deeds, age's dreams,
Was sucked into Romano. And so hushed
He up this evening's work that, when 't was brushed
Somehow against by a blind chronicle
Which, chronicling whatever woe befell
Ferrara, noted this the obscure woe
Of "Salinguerra's sole son Giacomo
"Deceased, fatuous and doting, ere his sire,"
The townsfolk rubbed their eyes, could but admire
Which of Sofia's five was meant.
                 The chaps
Of earth's dead hope were tardy to collapse,
Obliterated not the beautiful
Distinctive features at a crash: but dull
And duller these, next year, as Guelfs withdrew
Each to his stronghold. Then (securely too
Ecelin at Campese slept; close by,
Who likes may see him in Solagna lie,
With cushioned head and gloved hand to denote
The cavalier he was)then his heart smote
Young Ecelin at last; long since adult.
And, save Vicenza's business, what result
In blood and blaze? (So hard to intercept
Sordello till his plain withdrawal!) Stepped
Then its new lord on Lombardy. I' the nick
Of time when Ecelin and Alberic
Closed with Taurello, come precisely news
That in Verona half the souls refuse
Allegiance to the Marquis and the Count
Have cast them from a throne they bid him mount,
Their Podest, thro' his ancestral worth.
Ecelin flew there, and the town henceforth
Was wholly hisTaurello sinking back
From temporary station to a track
That suited. News received of this acquist,
Friedrich did come to Lombardy: who missed
Taurello then? Another year: they took
Vicenza, left the Marquis scarce a nook
For refuge, and, when hundreds two or three
Of Guelfs conspired to call themselves "The Free,"
Opposing Alberic,vile Bassanese,
(Without Sordello!)Ecelin at ease
Slaughtered them so observably, that oft
A little Salinguerra looked with soft
Blue eyes up, asked his sire the proper age
To get appointed his proud uncle's page.
More years passed, and that sire had dwindled down
To a mere showy turbulent soldier, grown
Better through age, his parts still in repute,
Subtlehow else?but hardly so astute
As his contemporaneous friends professed;
Undoubtedly a brawler: for the rest,
Known by each neighbour, and allowed for, let
Keep his incorrigible ways, nor fret
Men who would miss their boyhood's bugbear: "trap
"The ostrich, suffer our bald osprey flap
"A battered pinion!"was the word. In fine,
One flap too much and Venice's marine
Was meddled with; no overlooking that!
She captured him in his Ferrara, fat
And florid at a banquet, more by fraud
Than force, to speak the truth; there 's slender laud
Ascribed you for assisting eighty years
To pull his death on such a man; fate shears
The life-cord prompt enough whose last fine threads
You fritter: so, presiding his board-head,
The old smile, your assurance all went well
With Friedrich (as if he were like to tell!)
In rushed (a plan contrived before) our friends,
Made some pretence at fighting, some amends
For the shame done his eighty years(apart
The principle, none found it in his heart
To be much angry with Taurello)gained
Their galleys with the prize, and what remained
But carry him to Venice for a show?
Set him, as 't were, down gentlyfree to go
His gait, inspect our square, pretend observe
The swallows soaring their eternal curve
'Twixt Theodore and Mark, if citizens
Gathered importunately, fives and tens,
To point their children the Magnifico,
All but a monarch once in firm-land, go
His gait among them now"it took, indeed,
"Fully this Ecelin to supersede
"That man," remarked the seniors. Singular!
Sordello's inability to bar
Rivals the stage, that evening, mainly brought
About by his strange disbelief that aught
Was ever to be done,this thrust the Twain
Under Taurello's tutelage,whom, brain
And heart and hand, he forthwith in one rod
Indissolubly bound to baffle God
Who loves the worldand thus allowed the thin
Grey wizened dwarfish devil Ecelin,
And massy-muscled big-boned Alberic
(Mere man, alas!) to put his problem quick
To demonstrationprove wherever's will
To do, there's plenty to be done, or ill
Or good. Anointed, then, to rend and rip
Kings of the gag and flesh-hook, screw and whip,
They plagued the world: a touch of Hildebrand
(So far from obsolete!) made Lombards band
Together, cross their coats as for Christ's cause,
And saving Milan win the world's applause.
Ecelin perished: and I think grass grew
Never so pleasant as in Valley R
By San Zenon where Alberic in turn
Saw his exasperated captors burn
Seven children and their mother; then, regaled
So far, tied on to a wild horse, was trailed
To death through raunce and bramble-bush. I take
God's part and testify that 'mid the brake
Wild o'er his castle on the pleasant knoll,
You hear its one tower left, a belfry, toll
The earthquake spared it last year, laying flat
The modern church beneath,no harm in that!
Chirrups the contumacious grasshopper,
Rustles the lizard and the cushats chirre
Above the ravage: there, at deep of day
A week since, heard I the old Canon say
He saw with his own eyes a barrow burst
And Alberic's huge skeleton unhearsed
Only five years ago. He added, "June 's
"The month for carding off our first cocoons
"The silkworms fabricate"a double news,
Nor he nor I could tell the worthier. Choose!
And Naddo gone, all's gone; not Eglamor!
Believe, I knew the face I waited for,
A guest my spirit of the golden courts!
Oh strange to see how, despite ill-reports,
Disuse, some wear of years, that face retained
Its joyous look of love! Suns waxed and waned,
And still my spirit held an upward flight,
Spiral on spiral, gyres of life and light
More and more gorgeousever that face there
The last admitted! crossed, too, with some care
As perfect triumph were not sure for all,
But, on a few, enduring damp must fall,
A transient struggle, haply a painful sense
Of the inferior nature's clingingwhence
Slight starting tears easily wiped away,
Fine jealousies soon stifled in the play
Of irrepressible admirationnot
Aspiring, all considered, to their lot
Who ever, just as they prepare ascend
Spiral on spiral, wish thee well, impend
Thy frank delight at their exclusive track,
That upturned fervid face and hair put back!
Is there no more to say? He of the rhymes
Many a tale, of this retreat betimes,
Was born: Sordello die at once for men?
The Chroniclers of Mantua tired their pen
Telling how Sordello Prince Visconti saved
Mantua, and elsewhere notably behaved
Who thus, by fortune ordering events,
Passed with posterity, to all intents,
For just the god he never could become.
As Knight, Bard, Gallant, men were never dumb
In praise of him: while what he should have been,
Could be, and was notthe one step too mean
For him to take,we suffer at this day
Because of: Ecelin had pushed away
Its chance ere Dante could arrive and take
That step Sordello spurned, for the world's sake:
He did muchbut Sordello's chance was gone.
Thus, had Sordello dared that step alone,
Apollo had been compassed: 't was a fit
He wished should go to him, not he to it
As one content to merely be supposed
Singing or fighting elsewhere, while he dozed
Really at homeone who was chiefly glad
To have achieved the few real deeds he had,
Because that way assured they were not worth
Doing, so spared from doing them henceforth
A tree that covets fruitage and yet tastes
Never itself, itself. Had he embraced
Their cause then, men had plucked Hesperian fruit
And, praising that, just thrown him in to boot
All he was anxious to appear, but scarce
Solicitous to be. A sorry farce
Such life is, after all! Cannot I say
He lived for some one better thing? this way.
Lo, on a heathy brown and nameless hill
By sparkling Asolo, in mist and chill,
Morning just up, higher and higher runs
A child barefoot and rosy. See! the sun's
On the square castle's inner-court's low wall
Like the chine of some extinct animal
Half turned to earth and flowers; and through the haze
(Save where some slender patches of grey maize
Are to be overleaped) that boy has crossed
The whole hill-side of dew and powder-frost
Matting the balm and mountain camomile.
Up and up goes he, singing all the while
Some unintelligible words to beat
The lark, God's poet, swooning at his feet,
So worsted is he at "the few fine locks
"Stained like pale honey oozed from topmost rocks
"Sun-blanched the livelong summer,"all that's left
Of the Goito lay! And thus bereft,
Sleep and forget, Sordello! In effect
He sleeps, the feverish poetI suspect
Not utterly companionless; but, friends,
Wake up! The ghost's gone, and the story ends
I'd fain hope, sweetly; seeing, peri or ghoul,
That spirits are conjectured fair or foul,
Evil or good, judicious authors think,
According as they vanish in a stink
Or in a perfume. Friends, be frank! ye snuff
Civet, I warrant. Really? Like enough!
Merely the savour's rareness; any nose
May ravage with impunity a rose:
Rifle a musk-pod and 't will ache like yours!
I'd tell you that same pungency ensures
An after-gust, but that were overbold.
Who would has heard Sordello's story told.


~ Robert Browning, Sordello - Book the Sixth
,
104:I.

You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!

II.

Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,-
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
-And the whole is our Duke's country.

III.

I was born the day this present Duke was-
(And O, says the song, ere I was old!)
In the castle where the other Duke was-
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive
To get the killing-place transfixed,
And pin him true, both eyes betwixt?
And that's why the old Duke would rather
He lost a salt-pit than my father,
And loved to have him ever in call;
That's why my father stood in the hall
When the old Duke brought his infant out
To show the people, and while they passed
The wondrous bantling round about,
Was first to start at the outside blast
As the Kaiser's courier blew his horn
Just a month after the babe was born.
``And,'' quoth the Kaiser's courier, ``since
``The Duke has got an heir, our Prince
``Needs the Duke's self at his side: ''
The Duke looked down and seemed to wince,
But he thought of wars o'er the world wide,
Castles a-fire, men on their march,
The toppling tower, the crashing arch;
And up he looked, and awhile he eyed
The row of crests and shields and banners
Of all achievements after all manners,
And ``ay,'' said the Duke with a surly pride.
The more was his comfort when he died
At next year's end, in a velvet suit,
With a gilt glove on his hand, his foot
In a silken shoe for a leather boot,
Petticoated like a herald,
In a chamher next to an ante-room,
Where he breathed the breath of page and groom,
What he called stink, and they, perfume:
-They should have set him on red Berold
Mad with pride, like fire to manage!
They should have got his cheek fresh tannage
Such a day as to-day in the merry sunshine!
Had they stuck on his fist a rough-foot merlin!
(Hark, the wind's on the heath at its game!
Oh for a noble falcon-lanner
To flap each broad wing like a banner,
And turn in the wind, and dance like flame!)
Had they broached a white-beer cask from Berlin
-Or if you incline to prescribe mere wine
Put to his lips, when they saw him pine,
A cup of our own Moldavia fine,
Cotnar for instance, green as May sorrel
And ropy with sweet,-we shall not quarrel.

IV.

So, at home, the sick tall yellow Duchess
Was left with the infant in her clutches,
She being the daughter of God knows who:
And now was the time to revisit her tribe.
Abroad and afar they went, the two,
And let our people rail and gibe
At the empty hall and extinguished fire,
As loud as we liked, but ever in vain,
Till after long years we had our desire,
And back came the Duke and his mother again.

V.

And he came back the pertest little ape
That ever affronted human shape;
Full of his travel, struck at himself.
You'd say, he despised our bluff old ways?
-Not he! For in Paris they told the elf
Our rough North land was the Land of Lays,
The one good thing left in evil days;
Since the Mid-Age was the Heroic Time,
And only in wild nooks like ours
Could you taste of it yet as in its prime,
And see true castles, with proper towers,
Young-hearted women, old-minded men,
And manners now as manners were then.
So, all that the old Dukes had been, without knowing it,
This Duke would fain know he was, without being it;
'Twas not for the joy's self, but the joy of his showing it,
Nor for the pride's self, but the pride of our seeing it,
He revived all usages thoroughly worn-out,
The souls of them fumed-forth, the hearts of them torn-out:
And chief in the chase his neck he perilled
On a lathy horse, all legs and length,
With blood for bone, all speed, no strength;
-They should have set him on red Berold
With the red eye slow consuming in fire,
And the thin stiff ear like an abbey-spire!

VI.

Well, such as he was, he must marry, we heard:
And out of a convent, at the word,
Came the lady, in time of spring.
-Oh, old thoughts they cling, they cling!
That day, I know, with a dozen oaths
I clad myself in thick hunting-clothes
Fit for the chase of urochs or buffle
In winter-time when you need to muffle.
But the Duke had a mind we should cut a figure,
And so we saw the lady arrive:
My friend, I have seen a white crane bigger!
She was the smallest lady alive,
Made in a piece of nature's madness,
Too small, almost, for the life and gladness
That over-filled her, as some hive
Out of the bears' reach on the high trees
Is crowded with its safe merry bees:
In truth, she was not hard to please!
Up she looked, down she looked, round at the mead,
Straight at the castle, that's best indeed
To look at from outside the walls:
As for us, styled the ``serfs and thralls,''
She as much thanked me as if she had said it,
(With her eyes, do you understand?)
Because I patted her horse while I led it;
And Max, who rode on her other hand,
Said, no bird flew past but she inquired
What its true name was, nor ever seemed tired-
If that was an eagle she saw hover,
And the green and grey bird on the field was the plover.
When suddenly appeared the Duke:
And as down she sprung, the small foot pointed
On to my hand,-as with a rebuke,
And as if his backbone were not jointed,
The Duke stepped rather aside than forward,
And welcomed her with his grandest smile;
And, mind you, his mother all the while
Chilled in the rear, like a wind to Nor'ward;
And up, like a weary yawn, with its pullies
Went, in a shriek, the rusty portcullis;
And, like a glad sky the north-wind sullies,
The lady's face stopped its play,
As if her first hair had grown grey;
For such things must begin some one day.

VII.

In a day or two she was well again;
As who should say, ``You labour in vain!
``This is all a jest against God, who meant
``I should ever be, as I am, content
`` And glad in his sight; therefore, glad I will be.''
So, smiling as at first went she.

VIII.

She was active, stirring, all fire-
Could not rest, could not tire-
To a stone she might have given life!
(I myself loved once, in my day)
-For a shepherd's, miner's, huntsman's wife,
(I had a wife, I know what I say)
Never in all the world such an one!
And here was plenty to be done,
And she that could do it, great or small,
She was to do nothing at all.
There was already this man in his post,
This in his station, and that in his office,
And the Duke's plan admitted a wife, at most,
To meet his eye, with the other trophies,
Now outside the hall, now in it,
To sit thus, stand thus, see and be seen,
At the proper place in the proper minute,
And die away the life between.
And it was amusing enough, each infraction
Of rule-(but for after-sadness that came)
To hear the consummate self-satisfaction
With which the young Duke and the old dame
Would let her advise, and criticise,
And, being a fool, instruct the wise,
And, child-like, parcel out praise or blame:
They bore it all in complacent guise,
As though an artificer, after contriving
A wheel-work image as if it were living,
Should find with delight it could motion to strike him!
So found the Duke, and his mother like him:
The lady hardly got a rebuff-
That had not been contemptuous enough,
With his cursed smirk, as he nodded applause,
And kept off the old mother-cat's claws.

IX.

So, the little lady grew silent and thin,
Paling and ever paling,
As the way is with a hid chagrin;
And the Duke perceived that she was ailing,
And said in his heart, ``'Tis done to spite me,
``But I shall find in my power to right me!''
Don't swear, friend! The old one, many a year,
Is in hell, and the Duke's self . . . you shall hear.

X.

Well, early in autumn, at first winter-warning,
When the stag had to break with his foot, of a morning,
A drinking-hole out of the fresh tender ice
That covered the pond till the sun, in a trice,
Loosening it, let out a ripple of gold,
And another and another, and faster and faster,
Till, dimpling to blindness, the wide water rolled:
Then it so chanced that the Duke our master
Asked himself what were the pleasures in season,
And found, since the calendar bade him be hearty,
He should do the Middle Age no treason
In resolving on a hunting-party.
Always provided, old books showed the way of it!
What meant old poets by their strictures?
And when old poets had said their say of it,
How taught old painters in their pictures?
We must revert to the proper channels,
Workings in tapestry, paintings on panels,
And gather up woodcraft's authentic traditions:
Here was food for our various ambitions,
As on each case, exactly stated-
To encourage your dog, now, the properest chirrup,
Or best prayer to Saint Hubert on mounting your stirrup-
We of the house hold took thought and debated.
Blessed was he whose back ached with the jerkin
His sire was wont to do forest-work in;
Blesseder he who nobly sunk ``ohs''
And ``ahs'' while he tugged on his grand-sire's trunk-hose;
What signified hats if they had no rims on,
Each slouching before and behind like the scallop,
And able to serve at sea for a shallop,
Loaded with lacquer and looped with crimson?
So that the deer now, to make a short rhyme on't,
What with our Venerers, Prickers and Yerderers,
Might hope for real hunters at length and not murderers,
And oh the Duke's tailor, he had a hot time on't!

XI.

Now you must know that when the first dizziness
Of flap-hats and buff-coats and jack-boots subsided,
The Duke put this question, ``The Duke's part provided,
``Had not the Duchess some share in the business?''
For out of the mouth of two or three witnesses
Did he establish all fit-or-unfitnesses:
And, after much laying of heads together,
Somebody's cap got a notable feather
By the announcement with proper unction
That he had discovered the lady's function;
Since ancient authors gave this tenet,
``When horns wind a mort and the deer is at siege,
``Let the dame of the castle prick forth on her jennet,
``And, with water to wash the hands of her liege
``In a clean ewer with a fair toweling,
`` Let her preside at the disemboweling.''
Now, my friend, if you had so little religion
As to catch a hawk, some falcon-lanner,
And thrust her broad wings like a banner
Into a coop for a vulgar pigeon;
And if day by day and week by week
You cut her claws, and sealed her eyes,
And clipped her wings, and tied her beak,
Would it cause you any great surprise
If, when you decided to give her an airing,
You found she needed a little preparing?
-I say, should you be such a curmudgeon,
If she clung to the perch, as to take it in dudgeon?
Yet when the Duke to his lady signified,
Just a day before, as he judged most dignified,
In what a pleasure she was to participate,-
And, instead of leaping wide in flashes,
Her eyes just lifted their long lashes,
As if pressed by fatigue even he could not dissipate,
And duly acknowledged the Duke's forethought,
But spoke of her health, if her health were worth aught,
Of the weight by day and the watch by night,
And much wrong now that used to be right,
So, thanking him, declined the hunting,-
Was conduct ever more affronting?
With all the ceremony settled-
With the towel ready, and the sewer
Polishing up his oldest ewer,
And the jennet pitched upon, a piebald,
Black-barred, cream-coated and pink eye-balled,-
No wonder if the Duke was nettled
And when she persisted nevertheless,-
Well, I suppose here's the time to confess
That there ran half round our lady's chamber
A balcony none of the hardest to clamber;
And that Jacynth the tire-woman, ready in waiting,
Stayed in call outside, what need of relating?
And since Jacynth was like a June rose, why, a fervent
Adorer of Jacynth of course was your servant;
And if she had the habit to peep through the casement,
How could I keep at any vast distance?
And so, as I say, on the lady's persistence,
The Duke, dumb-stricken with amazement,
Stood for a while in a sultry smother,
And then, with a smile that partook of the awful,
Turned her over to his yellow mother
To learn what was held decorous and lawful;
And the mother smelt blood with a cat-like instinct,
As her cheek quick whitened thro' all its quince-tinct.
Oh, but the lady heard the whole truth at once!
What meant she?Who was she?-Her duty and station,
The wisdom of age and the folly of youth, at once,
Its decent regard and its fitting relation-
In brief, my friend, set all the devils in hell free
And turn them out to carouse in a belfry
And treat the priests to a fifty-part canon,
And then you may guess how that tongue of hers ran on!
Well, somehow or other it ended at last
And, licking her whiskers, out she passed;
And after her,-making (he hoped) a face
Like Emperor Nero or Sultan Saladin,
Stalked the Duke's self with the austere grace
Of ancient hero or modern paladin,
From door to staircase-oh such a solemn
Unbending of the vertebral column!

XII.

However, at sunrise our company mustered;
And here was the huntsman bidding unkennel,
And there 'neath his bonnet the pricker blustered,
With feather dank as a bough of wet fennel;
For the court-yard walls were filled with fog
You might have cut as an axe chops a log-
Like so much wool for colour and bulkiness;
And out rode the Duke in a perfect sulkiness,
Since, before breakfast, a man feels but queasily,
And a sinking at the lower abdomen
Begins the day with indifferent omen.
And lo, as he looked around uneasily,
The sun ploughed the fog up and drove it asunder
This way and that from the valley under;
And, looking through the court-yard arch,
Down in the valley, what should meet him
But a troop of Gipsies on their march?
No doubt with the annual gifts to greet him.

XIII.

Now, in your land, Gipsies reach you, only
After reaching all lands beside;
North they go, South they go, trooping or lonely,
And still, as they travel far and wide,
Catch they and keep now a trace here, trace there,
That puts you in mind of a place here, a place there.
But with us, I believe they rise out of the ground,
And nowhere else, I take it, are found
With the earth-tint yet so freshly embrowned:
Born, no doubt, like insects which breed on
The very fruit they are meant to feed on.
For the earth-not a use to which they don't turn it,
The ore that grows in the mountain's womb,
Or the sand in the pits like a honeycomb,
They sift and soften it, bake it and burn it-
Whether they weld you, for instance, a snaffle
With side-bars never a brute can baffle;
Or a lock that's a puzzle of wards within wards;
Or, if your colt's fore-foot inclines to curve inwards,
Horseshoes they hammer which turn on a swivel
And won't allow the hoof to shrivel.
Then they cast bells like the shell of the winkle
That keep a stout heart in the ram with their tinkle;
But the sand-they pinch and pound it like otters;
Commend me to Gipsy glass-makers and potters!
Glasses they'll blow you, crystal-clear,
Where just a faint cloud of rose shall appear,
As if in pure water you dropped and let die
A bruised black-blooded mulberry;
And that other sort, their crowning pride,
With long white threads distinct inside,
Like the lake-flower's fibrous roots which dangle
Loose such a length and never tangle,
Where the bold sword-lily cuts the clear waters,
And the cup-lily couches with all the white daughters:
Such are the works they put their hand to,
The uses they turn and twist iron and sand to.
And these made the troop, which our Duke saw sally
Toward his castle from out of the valley,
Men and women, like new-hatched spiders,
Come out with the morning to greet our riders.
And up they wound till they reached the ditch,
Whereat all stopped save one, a witch
That I knew, as she hobbled from the group,
By her gait directly and her stoop,
I, whom Jacynth was used to importune
To let that same witch tell us our fortune.
The oldest Gipsy then above ground;
And, sure as the autumn season came round,
She paid us a visit for profit or pastime,
And every time, as she swore, for the last time.
And presently she was seen to sidle
Up to the Duke till she touched his bridle,
So that the horse of a sudden reared up
As under its nose the old witch peered up
With her worn-out eyes, or rather eye-holes
Of no use now but to gather brine,
And began a kind of level whine
Such as they used to sing to their viols
When their ditties they go grinding
Up and down with nobody minding:
And then, as of old, at the end of the humming
Her usual presents were forthcoming
-A dog-whistle blowing the fiercest of trebles,
(Just a sea-shore stone holding a dozen fine pebbles,)
Or a porcelain mouth-piece to screw on a pipe-end,-
And so she awaited her annual stipend.
But this time, the Duke would scarcely vouchsafe
A word in reply; and in vain she felt
With twitching fingers at her belt
For the purse of sleek pine-martin pelt,
Ready to ptlt what he gave in her pouch safe,-
Till, either to quicken his apprehension,
Or possibly with an after-intention,
She was come, she said, to pay her duty
To the new Duchess, the youthful beauty.
No sooner had she named his lady,
Than a shine lit up the face so shady,
And its smirk returned with a novel meaning-
For it struck him, the babe just wanted weaning;
If one gave her a taste of what life was and sorrow,
She, foolish to-day, would be wiser tomorrow;
And who so fit a teacher of trouble
As this sordid crone bent well-nigh double?
So, glancing at her wolf-skin vesture,
(If such it was, for they grow so hirsute
That their own fleece serves for natural fur-suit)
He was contrasting, 'twas plain from his gesture,
The life of the lady so flower-like and delicate
With the loathsome squalor of this helicat.
I, in brief, was the man the Duke beckoned
From out of the throng, and while I drew near
He told the crone-as I since have reckoned
By the way he bent and spoke into her ear
With circumspection and mystery-
The main of the lady's history,
Her frowardness and ingratitude:
And for all the crone's submissive attitude
I could see round her mouth the loose plaits tightening,
And her brow with assenting intelligence brightening,
As though she engaged with hearty good-will
Whatever he now might enjoin to fulfil,
And promised the lady a thorough frightening.
And so, just giving her a glimpse
Of a purse, with the air of a man who imps
The wing of the hawk that shall fetch the hernshaw,
He bade me take the Gipsy mother
And set her telling some story or other
Of hill or dale, oak-wood or fernshaw,
To wile away a weary hour
For the lady left alone in her bower,
Whose mind and body craved exertion
And yet shrank from all better diversion.

XIV.

Then clapping heel to his horse, the mere curveter,
Out rode the Duke, and after his hollo
Horses and hounds swept, huntsman and servitor,
And back I turned and bade the crone follow.
And what makes me confident what's to be told you
Had all along been of this crone's devising,
Is, that, on looking round sharply, behold you,
There was a novelty quick as surprising:
For first, she had shot up a full head in stature,
And her step kept pace with mine nor faltered,
As if age had foregone its usurpature,
And the ignoble mien was wholly altered,
And the face looked quite of another nature,
And the change reached too, whatever the change meant,
Her shaggy wolf-skin cloak's arrangement:
For where its tatters hung loose like sedges,
Gold coins were glittering on the edges,
Like the band-roll strung with tomans
Which proves the veil a Persian woman's.
And under her brow, like a snail's horns newly
Come out as after the rain he paces,
Two unmistakeable eye-points duly
Live and aware looked out of their places.
So, we went and found Jacynth at the entry
Of the lady's chamber standing sentry;
I told the command and produced my companion,
And Jacynth rejoiced to admit any one,
For since last night, by the same token,
Not a single word had the lady spoken:
They went in both to the presence together,
While I in the balcony watched the weather.

XV.

And now, what took place at the very first of all,
I cannot tell, as I never could learn it:
Jacynth constantly wished a curse to fall
On that little head of hers and burn it
If she knew how she came to drop so soundly
Asleep of a sudden and there continue
The whole time sleeping as profoundly
As one of the boars my father would pin you
'Twixt the eyes where life holds garrison,
-Jacynth forgive me the comparison!
But where I begin asy own narration
Is a little after I took my station
To breathe the fresh air from the balcony,
And, having in those days a falcon eye,
To follow the hunt thro' the open country,
From where the bushes thinlier crested
The hillocks, to a plain where's not one tree.
When, in a moment, my ear was arrested
By-was it singing, or was it saying,
Or a strange musical instrument playing
In the chamber?-and to be certain
I pushed the lattice, pulled the curtain,
And there lay Jacynth asleep,
Yet as if a watch she tried to keep,
In a rosy sleep along the floor
With her head against the door;
While in the midst, on the seat of state,
Was a queen-the Gipsy woman late,
With head and face downbent
On the lady's head and face intent:
For, coiled at her feet like a child at ease,
The lady sat between her knees
And o'er them the lady's clasped hands met,
And on those hands her chin was set,
And her upturned face met the face of the crone
Wherein the eyes had grown and grown
As if she could double and quadruple
At pleasure the play of either pupil
-Very like, by her hands' slow fanning,
As up and down like a gor-crow's flappers
They moved to measure, or bell-clappers.
I said ``Is it blessing, is it banning,
``Do they applaud you or burlesque you-
``Those hands and fingers with no flesh on?''
But, just as I thought to spring in to the rescue,
At once I was stopped by the lady's expression:
For it was life her eyes were drinking
From the crone's wide pair above unwinking,
-Life's pure fire received without shrinking,
Into the heart and breast whose heaving
Told you no single drop they were leaving,
-Life, that filling her, passed redundant
Into her very hair, back swerving
Over each shoulder, loose and abundant,
As her head thrown back showed the white throat curving;
And the very tresses shared in the pleasure,
Moving to the mystic measure,
Bounding as the bosom bounded.
I stopped short, more and more confounded,
As still her cheeks burned and eyes glistened,
As she listened and she listened:
When all at once a hand detained me,
The selfsame contagion gained me,
And I kept time to the wondrous chime,
Making out words and prose and rhyme,
Till it seemed that the music furled
Its wings like a task fulfilled, and dropped
From under the words it first had propped,
And left them midway in the world:
Word took word as hand takes hand,
I could hear at last, and understand,
And when I held the unbroken thread,
The Gipsy said:-

``And so at last we find my tribe.
``And so I set thee in the midst,
``And to one and all of them describe
``What thou saidst and what thou didst,
``Our long and terrible journey through,
``And all thou art ready to say and do
``In the trials that remain:
``I trace them the vein and the other vein
``That meet on thy brow and part again,
``Making our rapid mystic mark;
``And I bid my people prove and probe
``Each eye's profound and glorious globe
``Till they detect the kindred spark
``In those depths so dear and dark,
``Like the spots that snap and burst and flee,
``Circling over the midnight sea.
``And on that round young cheek of thine
``I make them recognize the tinge,
``As when of the costly scarlet wine
``They drip so much as will impinge
``And spread in a thinnest scale afloat
``One thick gold drop from the olive's coat
``Over a silver plate whose sheen
``Still thro' the mixture shall be seen.
``For so I prove thee, to one and all,
``Fit, when my people ope their breast,
``To see the sign, and hear the call,
``And take the vow, and stand the test
``Which adds one more child to the rest-
``When the breast is bare and the arms are wide,
``And the world is left outside.
``For there is probation to decree,
``And many and long must the trials be
``Thou shalt victoriously endure,
``If that brow is true and those eyes are sure;
``Like a jewel-finder's fierce assay
``Of the prize he dug from its mountain-tomb-
``Let once the vindicating ray
``Leap out amid the anxious gloom,
``And steel and fire have done their part
``And the prize falls on its finder's heart;
`'So, trial after trial past,
``Wilt thou fall at the very last
``Breathless, half in trance
``With the thrill of the great deliverance,
``Into our arms for evermore;
``And thou shalt know, those arms once curled
``About thee, what we knew before,
``How love is the only good in the world.
``Henceforth be loved as heart can love,
``Or brain devise, or hand approve!
``Stand up, look below,
``It is our life at thy feet we throw
``To step with into light and joy;
``Not a power of life but we employ
``To satisfy thy nature's want;
``Art thou the tree that props the plant,
``Or the climbing plant that seeks the tree-
``Canst thou help us, must we help thee?
``If any two creatures grew into one,
``They would do more than the world has done.
``Though each apart were never so weak,
``Ye vainly through the world should seek
``For the knowledge and the might
``Which in such union grew their right:
``So, to approach at least that end,
``And blend,-as much as may be, blend
``Thee with us or us with thee,-
``As climbing plant or propping tree,
``Shall some one deck thee, over and down,
``Up and about, with blossoms and leaves?
``Fix his heart's fruit for thy garland crown,
``Cling with his soul as the gourd-vine cleaves,
``Die on thy boughs and disappear
``While not a leaf of thine is sere?
``Or is the other fate in store,
``And art thou fitted to adore,
``To give thy wondrous self away,
``And take a stronger nature's sway?
``I foresee and could foretell
``Thy future portion, sure and well:
``But those passionate eyes speak true, speak true,
``Let them say what thou shalt do!
``Only be sure thy daily life,
``In its peace or in its strife,
``Never shall be unobserved:
``We pursue thy whole career,
``And hope for it, or doubt, or fear,-
``Lo, hast thou kept thy path or swerved,
``We are beside thee in all thy ways,
``With our blame, with our praise,
``Our shame to feel, our pride to show,
``Glad, angry-but indifferent, no!
``Whether it be thy lot to go,
``For the good of us all, where the haters meet
``In the crowded city's horrible street;
``Or thou step alone through the morass
``Where never sound yet was
``Save the dry quick clap of the stork's bill,
``For the air is still, and the water still,
``When the blue breast of the dipping coot
``Dives under, and all is mute.
``So, at the last shall come old age,
``Decrepit as befits that stage;
``How else wouldst thou retire apart
``With the hoarded memories of thy heart,
``And gather all to the very least
``Of the fragments of life's earlier feast,
``Let fall through eagerness to find
``The crowning dainties yet behind?
``Ponder on the entire past
``Laid together thus at last,
``When the twilight helps to fuse
``The first fresh with the faded hues,
``And the outline of the whole,
``As round eve's shades their framework roll,
``Grandly fronts for once thy soul.
``And then as, 'mid the dark, a glean
``Of yet another morning breaks,
``And like the hand which ends a dream,
``Death, with the might of his sunbeam,
``Touches the flesh and the soul awakes,
``Then''
Ay, then indeed something would happen!
But what? For here her voice changed like a bird's;
There grew more of the music and less of the words;
Had Jacynth only been by me to clap pen
To paper and put you down every syllable
With those clever clerkly fingers,
All I've forgotten as well as what lingers
In this old brain of mine that's but ill able
To give you even this poor version
Of the speech I spoil, as it were, with stammering
-More fault of those who had the hammering
Of prosody into me and syntax,
And did it, not with hobnails but tintacks!
But to return from this excursion,-
Just, do you mark, when the song was sweetest,
The peace most deep and the charm completest,
There came, shall I say, a snap-
And the charm vanished!
And my sense returned, so strangely banished,
And, starting as from a nap,
I knew the crone was bewitching my lady,
With Jacynth asleep; and but one spring made I
Down from the casement, round to the portal,
Another minute and I had entered,-
When the door opened, and more than mortal
Stood, with a face where to my mind centred
All beauties I ever saw or shall see,
The Duchess: I stopped as if struck by palsy.
She was so different, happy and beautiful,
I felt at once that all was best,
And that I had nothing to do, for the rest,
But wait her commands, obey and be dutiful.
Not that, in fact, there was any commanding;
I saw the glory of her eye,
And the brow's height and the breast's expanding,
And I was hers to live or to die.
As for finding what she wanted,
You know God Almighty granted
Such little signs should serve wild creatures
To tell one another all their desires,
So that each knows what his friend requires,
And does its bidding without teachers.
I preceded her; the crone
Followed silent and alone;
I spoke to her, but she merely jabbered
In the old style; both her eyes had slunk
Back to their pits; her stature shrunk;
In short, the soul in its body sunk
Like a blade sent home to its scabbard.
We descended, I preceding;
Crossed the court with nobody heeding,
All the world was at the chase,
The courtyard like a desert-place,
The stable emptied of its small fry;
I saddled myself the very palfrey
I remember patting while it carried her,
The day she arrived and the Duke married her.
And, do you know, though it's easy deceiving
Oneself in such matters, I can't help believing
The lady had not forgotten it either,
And knew the poor devil so much beneath her
Would have been only too glad for her service
To dance on hot ploughshares like a Turk dervise,
But, unable to pay proper duty where owing it,
Was reduced to that pitiful method of showing it:
For though the moment I began setting
His saddle on my own nag of Berold's begetting,
(Not that I meant to be obtrusive)
She stopped me, while his rug was shifting,
By a single rapid finger's lifting,
And, with a gesture kind but conclusive,
And a little shake of the head, refused me,-
I say, although she never used me,
Yet when she was mounted, the Gipsy behind her,
And I ventured to remind her,
I suppose with a voice of less steadiness
Than usual, for my feeling exceeded me,
-Something to the effect that I was in readiness
Whenever God should please she needed me,-
Then, do you know, her face looked down on me
With a look that placed a crown on me,
And she felt in her bosom,-mark, her bosom-
And, as a flower-tree drops its blossom,
Dropped me . . . ah, had it been a purse
Of silver, my friend, or gold that's worse,
Why, you see, as soon as I found myself
So understood,-that a true heart so may gain
Such a reward,-I should have gone home again,
Kissed Jacynth, and soberly drowned myself!
It was a little plait of hair
Such as friends in a convent make
To wear, each for the other's sake,-
This, see, which at my breast I wear,
Ever did (rather to Jacynth's grudgment),
And ever shall, till the Day of Judgment.
And then,-and then,-to cut short,-this is idle,
These are feelings it is not good to foster,-
I pushed the gate wide, she shook the bridle,
And the palfrey bounded,-and so we lost her.

XVI.

When the liquor's out why clink the cannikin?
I did think to describe you the panic in
The redoubtable breast of our master the mannikin,
And what was the pitch of his mother's yellowness,
How she turned as a shark to snap the spare-rib
Clean off, sailors say, from a pearl-diving Carib,
When she heard, what she called the flight of the feloness
-But it seems such child's play,
What they said and did with the lady away!
And to dance on, when we've lost the music,
Always made me-and no doubt makes you-sick.
Nay, to my mind, the world's face looked so stern
As that sweet form disappeared through the postern,
She that kept it in constant good humour,
It ought to have stopped; there seemed nothing to do more.
But the world thought otherwise and went on,
And my head's one that its spite was spent on:
Thirty years are fled since that morning,
And with them all my head's adorning.
Nor did the old Duchess die outright,
As you expect, of suppressed spite,
The natural end of every adder
Not suffered to empty its poison-bladder:
But she and her son agreed, I take it,
That no one should touch on the story to wake it,
For the wound in the Duke's pride rankled fiery,
So, they made no search and small inquiry-
And when fresh Gipsies have paid us a visit, I've
Noticed the couple were never inquisitive,
But told them they're folks the Duke don't want here,
And bade them make haste and cross the frontier.
Brief, the Duchess was gone and the Duke was glad of it,
And the old one was in the young one's stead,
And took, in her place, the household's head,
And a blessed time the household had of it!
And were I not, as a man may say, cautious
How I trench, more than needs, on the nauseous,
I could favour you with sundry touches
Of the paint-smutches with which the Duchess
Heightened the mellowness of her cheek's yellowness
(To get on faster) until at last her
Cheek grew to be one master-plaster
Of mucus and focus from mere use of ceruse:
In short, she grew from scalp to udder
Just the object to make you shudder.

XVII.

You're my friend-
What a thing friendship is, world without end!
How it gives the heart and soul a stir-up
As if somebody broached you a glorious runlet,
And poured out, all lovelily, sparklingly, sunlit,
Our green Moldavia, the streaky syrup,
Cotnar as old as the time of the Druids-
Friendship may match with that monarch of fluids;
Each supples a dry brain, fills you its ins-and-outs,
Gives your life's hour-glass a shake when the thin sand doubts
Whether to run on or stop short, and guarantees
Age is not all made of stark sloth and arrant ease.
I have seen my little lady once more,
Jacynth, the Gipsy, Berold, and the rest of it,
For to me spoke the Duke, as I told you before;
I always wanted to make a clean breast of it:
And now it is made-why, my heart's blood, that went trickle,
Trickle, but anon, in such muddy driblets,
Is pumped up brisk now, through the main ventricle,
And genially floats me about the giblets.
I'll tell you what I intend to do:
I must see this fellow his sad life through-
He is our Duke, after all,
And I, as he says, but a serf and thrall.
My father was born here, and I inherit
His fame, a chain he bound his son with;
Could I pay in a lump I should prefer it,
But there's no mine to blow up and get done with:
So, I must stay till the end of the chapter.
For, as to our middle-age-manners-adapter,
Be it a thing to be glad on or sorry on,
Some day or other, his head in a morion
And breast in a hauberk, his heels he'll kick up,
Slain by an onslaught fierce of hiccup.
And then, when red doth the sword of our Duke rust,
And its leathern sheath lie o'ergrown with a blue crust,
Then I shall scrape together my earnings;
For, you see, in the churchyard Jacynth reposes,
And our children all went the way of the roses:
It's a long lane that knows no turnings.
One needs but little tackle to travel in;
So, just one stout cloak shall I indue:
And for a stall, what beats the javelin
With which his boars my father pinned you?
And then, for a purpose you shall hear presently,
Taking some Cotnar, a tight plump skinful,
I shall go journeying, who but I, pleasantly!
Sorrow is vain and despondency sinful.
What's a man's age? He must hurry more, that's all;
Cram in a day, what his youth took a year to hold.
When we mind labour, then only, we're too old-
What age had Methusalem when he begat Saul?
And at last, as its haven some buffeted ship sees,
(Come all the way from the north-parts with sperm oil)
I hope to get safely out of the turmoil
And arrive one day at the land of the Gipsies,
And find my lady, or hear the last news of her
From some old thief and son of Lucifer,
His forehead chapleted green with wreathy hop,
Sunburned all over like an thiop.
And when my Cotnar begins to operate
And the tongue of the rogue to run at a proper rate,
And our wine-skin, tight once, shows each flaccid dent,
I shall drop in with-as if by accident-
``You never knew, then, how it all ended,
``What fortune good or bad attended
``The little lady your Queen befriended?''
-And when that's told me, what's remaining?
This world's too hard for my explaining.
The same wise judge of matters equine
Who still preferred some slim four-year-old
To the big-boned stock of mighty Berold,
And, fur strong Cotnar, drank French weak wine,
He also umst be such a lady's scorner!
Smooth Jacob still rubs homely Esau:
Now up, now down, the world's one see-saw.
-So, I shall find out some snug corner
Under a hedge, like Orson the wood-knight,
Turn myself round and bid the world good night;
And sleep a sound sleep till the trumpet's blowing
Wakes me (unless priests cheat us laymen)
To a world where will be no furtiner throwing
Pearls befare swine that Can't value them. Amen!


~ Robert Browning, The Flight Of The Duchess
,
105:I.
In midmost Ind, beside Hydaspes cool,
There stood, or hover'd, tremulous in the air,
A faery city 'neath the potent rule
Of Emperor Elfinan; fam'd ev'rywhere
For love of mortal women, maidens fair,
Whose lips were solid, whose soft hands were made
Of a fit mould and beauty, ripe and rare,
To tamper his slight wooing, warm yet staid:
He lov'd girls smooth as shades, but hated a mere shade.

II.
This was a crime forbidden by the law;
And all the priesthood of his city wept,
For ruin and dismay they well foresaw,
If impious prince no bound or limit kept,
And faery Zendervester overstept;
They wept, he sin'd, and still he would sin on,
They dreamt of sin, and he sin'd while they slept;
In vain the pulpit thunder'd at the throne,
Caricature was vain, and vain the tart lampoon.

III.
Which seeing, his high court of parliament
Laid a remonstrance at his Highness' feet,
Praying his royal senses to content
Themselves with what in faery land was sweet,
Befitting best that shade with shade should meet:
Whereat, to calm their fears, he promis'd soon
From mortal tempters all to make retreat,--
Aye, even on the first of the new moon,
An immaterial wife to espouse as heaven's boon.

IV.
Meantime he sent a fluttering embassy
To Pigmio, of Imaus sovereign,
To half beg, and half demand, respectfully,
The hand of his fair daughter Bellanaine;
An audience had, and speeching done, they gain
Their point, and bring the weeping bride away;
Whom, with but one attendant, safely lain
Upon their wings, they bore in bright array,
While little harps were touch'd by many a lyric fay.

V.
As in old pictures tender cherubim
A child's soul thro' the sapphir'd canvas bear,
So, thro' a real heaven, on they swim
With the sweet princess on her plumag'd lair,
Speed giving to the winds her lustrous hair;
And so she journey'd, sleeping or awake,
Save when, for healthful exercise and air,
She chose to "promener l'aile," or take
A pigeon's somerset, for sport or change's sake.

VI.
"Dear Princess, do not whisper me so loud,"
Quoth Corallina, nurse and confidant,
"Do not you see there, lurking in a cloud,
Close at your back, that sly old Crafticant?
He hears a whisper plainer than a rant:
Dry up your tears, and do not look so blue;
He's Elfinan's great state-spy militant,
His running, lying, flying foot-man too,--
Dear mistress, let him have no handle against you!

VII.
"Show him a mouse's tail, and he will guess,
With metaphysic swiftness, at the mouse;
Show him a garden, and with speed no less,
He'll surmise sagely of a dwelling house,
And plot, in the same minute, how to chouse
The owner out of it; show him a" --- "Peace!
Peace! nor contrive thy mistress' ire to rouse!"
Return'd the Princess, "my tongue shall not cease
Till from this hated match I get a free release.

VIII.
"Ah, beauteous mortal!" "Hush!" quoth Coralline,
"Really you must not talk of him, indeed."
"You hush!" reply'd the mistress, with a shinee
Of anger in her eyes, enough to breed
In stouter hearts than nurse's fear and dread:
'Twas not the glance itself made nursey flinch,
But of its threat she took the utmost heed;
Not liking in her heart an hour-long pinch,
Or a sharp needle run into her back an inch.

IX.
So she was silenc'd, and fair Bellanaine,
Writhing her little body with ennui,
Continued to lament and to complain,
That Fate, cross-purposing, should let her be
Ravish'd away far from her dear countree;
That all her feelings should be set at nought,
In trumping up this match so hastily,
With lowland blood; and lowland blood she thought
Poison, as every staunch true-born Imaian ought.

X.
Sorely she griev'd, and wetted three or four
White Provence rose-leaves with her faery tears,
But not for this cause; -- alas! she had more
Bad reasons for her sorrow, as appears
In the fam'd memoirs of a thousand years,
Written by Crafticant, and published
By Parpaglion and Co., (those sly compeers
Who rak'd up ev'ry fact against the dead,)
In Scarab Street, Panthea, at the Jubal's Head.

XI.
Where, after a long hypercritic howl
Against the vicious manners of the age,
He goes on to expose, with heart and soul,
What vice in this or that year was the rage,
Backbiting all the world in every page;
With special strictures on the horrid crime,
(Section'd and subsection'd with learning sage,)
Of faeries stooping on their wings sublime
To kiss a mortal's lips, when such were in their prime.

XII.
Turn to the copious index, you will find
Somewhere in the column, headed letter B,
The name of Bellanaine, if you're not blind;
Then pray refer to the text, and you will see
An article made up of calumny
Against this highland princess, rating her
For giving way, so over fashionably,
To this new-fangled vice, which seems a burr
Stuck in his moral throat, no coughing e'er could stir.

XIII.
There he says plainly that she lov'd a man!
That she around him flutter'd, flirted, toy'd,
Before her marriage with great Elfinan;
That after marriage too, she never joy'd
In husband's company, but still employ'd
Her wits to 'scape away to Angle-land;
Where liv'd the youth, who worried and annoy'd
Her tender heart, and its warm ardours fann'd
To such a dreadful blaze, her side would scorch her hand.

XIV.
But let us leave this idle tittle-tattle
To waiting-maids, and bed-room coteries,
Nor till fit time against her fame wage battle.
Poor Elfinan is very ill at ease,
Let us resume his subject if you please:
For it may comfort and console him much,
To rhyme and syllable his miseries;
Poor Elfinan! whose cruel fate was such,
He sat and curs'd a bride he knew he could not touch.

XV.
Soon as (according to his promises)
The bridal embassy had taken wing,
And vanish'd, bird-like, o'er the suburb trees,
The Emperor, empierc'd with the sharp sting
Of love, retired, vex'd and murmuring
Like any drone shut from the fair bee-queen,
Into his cabinet, and there did fling
His limbs upon a sofa, full of spleen,
And damn'd his House of Commons, in complete chagrin.

XVI.
"I'll trounce some of the members," cry'd the Prince,
"I'll put a mark against some rebel names,
I'll make the Opposition-benches wince,
I'll show them very soon, to all their shames,
What 'tis to smother up a Prince's flames;
That ministers should join in it, I own,
Surprises me! -- they too at these high games!
Am I an Emperor? Do I wear a crown?
Imperial Elfinan, go hang thyself or drown!

XVII.
"I'll trounce 'em! -- there's the square-cut chancellor,
His son shall never touch that bishopric;
And for the nephew of old Palfior,
I'll show him that his speeches made me sick,
And give the colonelcy to Phalaric;
The tiptoe marquis, mortal and gallant,
Shall lodge in shabby taverns upon tick;
And for the Speaker's second cousin's aunt,
She sha'n't be maid of honour,-- by heaven that she sha'n't!

XVIII.
"I'll shirk the Duke of A.; I'll cut his brother;
I'll give no garter to his eldest son;
I won't speak to his sister or his mother!
The Viscount B. shall live at cut-and-run;
But how in the world can I contrive to stun
That fellow's voice, which plagues me worse than any,
That stubborn fool, that impudent state-dun,
Who sets down ev'ry sovereign as a zany,--
That vulgar commoner, Esquire Biancopany?

XIX.
"Monstrous affair! Pshaw! pah! what ugly minx
Will they fetch from Imaus for my bride?
Alas! my wearied heart within me sinks,
To think that I must be so near ally'd
To a cold dullard fay,--ah, woe betide!
Ah, fairest of all human loveliness!
Sweet Bertha! what crime can it be to glide
About the fragrant plaintings of thy dress,
Or kiss thine eyes, or count thy locks, tress after tress?"

XX.
So said, one minute's while his eyes remaind'
Half lidded, piteous, languid, innocent;
But, in a wink, their splendour they regain'd,
Sparkling revenge with amorous fury blent.
Love thwarted in bad temper oft has vent:
He rose, he stampt his foot, he rang the bell,
And order'd some death-warrants to be sent
For signature: -- somewhere the tempest fell,
As many a poor fellow does not live to tell.

XXI.
"At the same time, Eban," -- (this was his page,
A fay of colour, slave from top to toe,
Sent as a present, while yet under age,
From the Viceroy of Zanguebar, -- wise, slow,
His speech, his only words were "yes" and "no,"
But swift of look, and foot, and wing was he,--)
"At the same time, Eban, this instant go
To Hum the soothsayer, whose name I see
Among the fresh arrivals in our empery.

XXII.
"Bring Hum to me! But stay -- here, take my ring,
The pledge of favour, that he not suspect
Any foul play, or awkward murdering,
Tho' I have bowstrung many of his sect;
Throw in a hint, that if he should neglect
One hour, the next shall see him in my grasp,
And the next after that shall see him neck'd,
Or swallow'd by my hunger-starved asp,--
And mention ('tis as well) the torture of the wasp."

XXIII.
These orders given, the Prince, in half a pet,
Let o'er the silk his propping elbow slide,
Caught up his little legs, and, in a fret,
Fell on the sofa on his royal side.
The slave retreated backwards, humble-ey'd,
And with a slave-like silence clos'd the door,
And to old Hun thro' street and alley hied;
He "knew the city," as we say, of yore,
And for short cuts and turns, was nobody knew more.

XXIV.
It was the time when wholesale dealers close
Their shutters with a moody sense of wealth,
But retail dealers, diligent, let loose
The gas (objected to on score of health),
Convey'd in little solder'd pipes by stealth,
And make it flare in many a brilliant form,
That all the powers of darkness it repell'th,
Which to the oil-trade doth great scaith and harm,
And superseded quite the use of the glow-worm.

XXV.
Eban, untempted by the pastry-cooks,
(Of pastry he got store within the palace,)
With hasty steps, wrapp'd cloak, and solemn looks,
Incognito upon his errand sallies,
His smelling-bottle ready for the allies;
He pass'd the Hurdy-gurdies with disdain,
Vowing he'd have them sent on board the gallies;
Just as he made his vow; it 'gan to rain,
Therefore he call'd a coach, and bade it drive amain.

XXVI.
"I'll pull the string," said he, and further said,
"Polluted Jarvey! Ah, thou filthy hack!
Whose springs of life are all dry'd up and dead,
Whose linsey-woolsey lining hangs all slack,
Whose rug is straw, whose wholeness is a crack;
And evermore thy steps go clatter-clitter;
Whose glass once up can never be got back,
Who prov'st, with jolting arguments and bitter,
That 'tis of modern use to travel in a litter.

XXVII.
"Thou inconvenience! thou hungry crop
For all corn! thou snail-creeper to and fro,
Who while thou goest ever seem'st to stop,
And fiddle-faddle standest while you go;
I' the morning, freighted with a weight of woe,
Unto some lazar-house thou journeyest,
And in the evening tak'st a double row
Of dowdies, for some dance or party drest,
Besides the goods meanwhile thou movest east and west.

XXVIII.
"By thy ungallant bearing and sad mien,
An inch appears the utmost thou couldst budge;
Yet at the slightest nod, or hint, or sign,
Round to the curb-stone patient dost thou trudge,
School'd in a beckon, learned in a nudge,
A dull-ey'd Argus watching for a fare;
Quiet and plodding, thou dost bear no grudge
To whisking Tilburies, or Phaetons rare,
Curricles, or Mail-coaches, swift beyond compare."

XXIX.
Philosophizing thus, he pull'd the check,
And bade the Coachman wheel to such a street,
Who, turning much his body, more his neck,
Louted full low, and hoarsely did him greet:
"Certes, Monsieur were best take to his feet,
Seeing his servant can no further drive
For press of coaches, that to-night here meet,
Many as bees about a straw-capp'd hive,
When first for April honey into faint flowers they dive."

XXX.
Eban then paid his fare, and tiptoe went
To Hum's hotel; and, as he on did pass
With head inclin'd, each dusky lineament
Show'd in the pearl-pav'd street, as in a glass;
His purple vest, that ever peeping was
Rich from the fluttering crimson of his cloak,
His silvery trowsers, and his silken sash
Tied in a burnish'd knot, their semblance took
Upon the mirror'd walls, wherever he might look.

XXXI.
He smil'd at self, and, smiling, show'd his teeth,
And seeing his white teeth, he smil'd the more;
Lifted his eye-brows, spurn'd the path beneath,
Show'd teeth again, and smil'd as heretofore,
Until he knock'd at the magician's door;
Where, till the porter answer'd, might be seen,
In the clear panel more he could adore,--
His turban wreath'd of gold, and white, and green,
Mustachios, ear-ring, nose-ring, and his sabre keen.

XXXII.
"Does not your master give a rout to-night?"
Quoth the dark page. "Oh, no!" return'd the Swiss,
"Next door but one to us, upon the right,
The Magazin des Modes now open is
Against the Emperor's wedding;--and, sir, this
My master finds a monstrous horrid bore;
As he retir'd, an hour ago I wis,
With his best beard and brimstone, to explore
And cast a quiet figure in his second floor.

XXXIII.
"Gad! he's oblig'd to stick to business!
For chalk, I hear, stands at a pretty price;
And as for aqua vitae -- there's a mess!
The dentes sapientiae of mice,
Our barber tells me too, are on the rise,--
Tinder's a lighter article, -- nitre pure
Goes off like lightning, -- grains of Paradise
At an enormous figure! -- stars not sure! --
Zodiac will not move without a slight douceur!

XXXIV.
"Venus won't stir a peg without a fee,
And master is too partial, entre nous,
To" -- "Hush -- hush!" cried Eban, "sure that is he
Coming down stairs, -- by St. Bartholomew!
As backwards as he can, -- is't something new?
Or is't his custom, in the name of fun?"
"He always comes down backward, with one shoe"--
Return'd the porter -- "off, and one shoe on,
Like, saving shoe for sock or stocking, my man John!"

XXXV.
It was indeed the great Magician,
Feeling, with careful toe, for every stair,
And retrograding careful as he can,
Backwards and downwards from his own two pair:
"Salpietro!" exclaim'd Hum, "is the dog there?
He's always in my way upon the mat!"
"He's in the kitchen, or the Lord knows where,"--
Reply'd the Swiss, -- "the nasty, yelping brat!"
"Don't beat him!" return'd Hum, and on the floor came pat.

XXXVI.
Then facing right about, he saw the Page,
And said: "Don't tell me what you want, Eban;
The Emperor is now in a huge rage,--
'Tis nine to one he'll give you the rattan!
Let us away!" Away together ran
The plain-dress'd sage and spangled blackamoor,
Nor rested till they stood to cool, and fan,
And breathe themselves at th' Emperor's chamber door,
When Eban thought he heard a soft imperial snore.

XXXVII.
"I thought you guess'd, foretold, or prophesy'd,
That's Majesty was in a raving fit?"
"He dreams," said Hum, "or I have ever lied,
That he is tearing you, sir, bit by bit."
"He's not asleep, and you have little wit,"
Reply'd the page; "that little buzzing noise,
Whate'er your palmistry may make of it,
Comes from a play-thing of the Emperor's choice,
From a Man-Tiger-Organ, prettiest of his toys."

XXXVIII.
Eban then usher'd in the learned Seer:
Elfinan's back was turn'd, but, ne'ertheless,
Both, prostrate on the carpet, ear by ear,
Crept silently, and waited in distress,
Knowing the Emperor's moody bitterness;
Eban especially, who on the floor 'gan
Tremble and quake to death,-- he feared less
A dose of senna-tea or nightmare Gorgon
Than the Emperor when he play'd on his Man-Tiger-Organ.

XXXIX.
They kiss'd nine times the carpet's velvet face
Of glossy silk, soft, smooth, and meadow-green,
Where the close eye in deep rich fur might trace
A silver tissue, scantly to be seen,
As daisies lurk'd in June-grass, buds in green;
Sudden the music ceased, sudden the hand
Of majesty, by dint of passion keen,
Doubled into a common fist, went grand,
And knock'd down three cut glasses, and his best ink-stand.

XL.
Then turning round, he saw those trembling two:
"Eban," said he, "as slaves should taste the fruits
Of diligence, I shall remember you
To-morrow, or next day, as time suits,
In a finger conversation with my mutes,--
Begone! -- for you, Chaldean! here remain!
Fear not, quake not, and as good wine recruits
A conjurer's spirits, what cup will you drain?
Sherry in silver, hock in gold, or glass'd champagne?"

XLI.
"Commander of the faithful!" answer'd Hum,
"In preference to these, I'll merely taste
A thimble-full of old Jamaica rum."
"A simple boon!" said Elfinan; "thou may'st
Have Nantz, with which my morning-coffee's lac'd."
"I'll have a glass of Nantz, then," -- said the Seer,--
"Made racy -- (sure my boldness is misplac'd!)--
With the third part -- (yet that is drinking dear!)--
Of the least drop of crme de citron, crystal clear."

XLII.
"I pledge you, Hum! and pledge my dearest love,
My Bertha!" "Bertha! Bertha!" cry'd the sage,
"I know a many Berthas!" "Mine's above
All Berthas!" sighed the Emperor. "I engage,"
Said Hum, "in duty, and in vassalage,
To mention all the Berthas in the earth;--
There's Bertha Watson, -- and Miss Bertha Page,--
This fam'd for languid eyes, and that for mirth,--
There's Bertha Blount of York, -- and Bertha Knox of Perth."

XLIII.
"You seem to know" -- "I do know," answer'd Hum,
"Your Majesty's in love with some fine girl
Named Bertha; but her surname will not come,
Without a little conjuring." "'Tis Pearl,
'Tis Bertha Pearl! What makes my brain so whirl?
And she is softer, fairer than her name!"
"Where does she live?" ask'd Hum. "Her fair locks curl
So brightly, they put all our fays to shame!--
Live? -- O! at Canterbury, with her old grand-dame."

XLIV.
"Good! good!" cried Hum, "I've known her from a child!
She is a changeling of my management;
She was born at midnight in an Indian wild;
Her mother's screams with the striped tiger's blent,
While the torch-bearing slaves a halloo sent
Into the jungles; and her palanquin,
Rested amid the desert's dreariment,
Shook with her agony, till fair were seen
The little Bertha's eyes ope on the stars serene."

XLV.
"I can't say," said the monarch; "that may be
Just as it happen'd, true or else a bam!
Drink up your brandy, and sit down by me,
Feel, feel my pulse, how much in love I am;
And if your science is not all a sham.
Tell me some means to get the lady here."
"Upon my honour!" said the son of Cham,
"She is my dainty changeling, near and dear,
Although her story sounds at first a little queer."

XLVI.
"Convey her to me, Hum, or by my crown,
My sceptre, and my cross-surmounted globe,
I'll knock you" -- "Does your majesty mean -- down?
No, no, you never could my feelings probe
To such a depth!" The Emperor took his robe,
And wept upon its purple palatine,
While Hum continued, shamming half a sob,--
"In Canterbury doth your lady shine?
But let me cool your brandy with a little wine."

XLVII.
Whereat a narrow Flemish glass he took,
That since belong'd to Admiral De Witt,
Admir'd it with a connoisseuring look,
And with the ripest claret crowned it,
And, ere the lively bead could burst and flit,
He turn'd it quickly, nimbly upside down,
His mouth being held conveniently fit
To catch the treasure: "Best in all the town!"
He said, smack'd his moist lips, and gave a pleasant frown.

XLVIII.
"Ah! good my Prince, weep not!" And then again
He filled a bumper. "Great Sire, do not weep!
Your pulse is shocking, but I'll ease your pain."
"Fetch me that Ottoman, and prithee keep
Your voice low," said the Emperor; "and steep
Some lady's-fingers nice in Candy wine;
And prithee, Hum, behind the screen do peep
For the rose-water vase, magician mine!
And sponge my forehead, -- so my love doth make me pine.

XLIX.
"Ah, cursed Bellanaine!" "Don't think of her,"
Rejoin'd the Mago, "but on Bertha muse;
For, by my choicest best barometer,
You shall not throttled be in marriage noose;
I've said it, Sire; you only have to choose
Bertha or Bellanaine." So saying, he drew
From the left pocket of his threadbare hose,
A sampler hoarded slyly, good as new,
Holding it by his thumb and finger full in view.

L.
"Sire, this is Bertha Pearl's neat handy-work,
Her name, see here, Midsummer, ninety-one."
Elfinan snatch'd it with a sudden jerk,
And wept as if he never would have done,
Honouring with royal tears the poor homespun;
Whereon were broider'd tigers with black eyes,
And long-tail'd pheasants, and a rising sun,
Plenty of posies, great stags, butterflies
Bigger than stags,-- a moon,-- with other mysteries.

LI.
The monarch handled o'er and o'er again
Those day-school hieroglyphics with a sigh;
Somewhat in sadness, but pleas'd in the main,
Till this oracular couplet met his eye
Astounded -- Cupid, I do thee defy!
It was too much. He shrunk back in his chair,
Grew pale as death, and fainted -- very nigh!
"Pho! nonsense!" exclaim'd Hum, "now don't despair;
She does not mean it really. Cheer up, hearty -- there!

LII.
"And listen to my words. You say you won't,
On any terms, marry Miss Bellanaine;
It goes against your conscience -- good! Well, don't.
You say you love a mortal. I would fain
Persuade your honour's highness to refrain
From peccadilloes. But, Sire, as I say,
What good would that do? And, to be more plain,
You would do me a mischief some odd day,
Cut off my ears and limbs, or head too, by my fay!

LIII.
"Besides, manners forbid that I should pass any
Vile strictures on the conduct of a prince
Who should indulge his genius, if he has any,
Not, like a subject, foolish matters mince.
Now I think on't, perhaps I could convince
Your Majesty there is no crime at all
In loving pretty little Bertha, since
She's very delicate,-- not over tall, --
A fairy's hand, and in the waist why -- very small."

LIV.
"Ring the repeater, gentle Hum!" "'Tis five,"
Said the gentle Hum; "the nights draw in apace;
The little birds I hear are all alive;
I see the dawning touch'd upon your face;
Shall I put out the candles, please your Grace?"
"Do put them out, and, without more ado,
Tell me how I may that sweet girl embrace,--
How you can bring her to me." "That's for you,
Great Emperor! to adventure, like a lover true."

LV.
"I fetch her!" -- "Yes, an't like your Majesty;
And as she would be frighten'd wide awake
To travel such a distance through the sky,
Use of some soft manoeuvre you must make,
For your convenience, and her dear nerves' sake;
Nice way would be to bring her in a swoon,
Anon, I'll tell what course were best to take;
You must away this morning." "Hum! so soon?"
"Sire, you must be in Kent by twelve o'clock at noon."

LVI.
At this great Caesar started on his feet,
Lifted his wings, and stood attentive-wise.
"Those wings to Canterbury you must beat,
If you hold Bertha as a worthy prize.
Look in the Almanack -- Moore never lies --
April the twenty- fourth, -- this coming day,
Now breathing its new bloom upon the skies,
Will end in St. Mark's Eve; -- you must away,
For on that eve alone can you the maid convey."

LVII.
Then the magician solemnly 'gan to frown,
So that his frost-white eyebrows, beetling low,
Shaded his deep green eyes, and wrinkles brown
Plaited upon his furnace-scorched brow:
Forth from his hood that hung his neck below,
He lifted a bright casket of pure gold,
Touch'd a spring-lock, and there in wool or snow,
Charm'd into ever freezing, lay an old
And legend-leaved book, mysterious to behold.

LVIII.
"Take this same book,-- it will not bite you, Sire;
There, put it underneath your royal arm;
Though it's a pretty weight it will not tire,
But rather on your journey keep you warm:
This is the magic, this the potent charm,
That shall drive Bertha to a fainting fit!
When the time comes, don't feel the least alarm,
But lift her from the ground, and swiftly flit
Back to your palace. * * * * * * * * * *

LIX.
"What shall I do with that same book?" "Why merely
Lay it on Bertha's table, close beside
Her work-box, and 'twill help your purpose dearly;
I say no more." "Or good or ill betide,
Through the wide air to Kent this morn I glide!"
Exclaim'd the Emperor. "When I return,
Ask what you will, -- I'll give you my new bride!
And take some more wine, Hum; -- O Heavens! I burn
To be upon the wing! Now, now, that minx I spurn!"

LX.
"Leave her to me," rejoin'd the magian:
"But how shall I account, illustrious fay!
For thine imperial absence? Pho! I can
Say you are very sick, and bar the way
To your so loving courtiers for one day;
If either of their two archbishops' graces
Should talk of extreme unction, I shall say
You do not like cold pig with Latin phrases,
Which never should be used but in alarming cases."

LXI.
"Open the window, Hum; I'm ready now!"
Zooks!" exclaim'd Hum, as up the sash he drew.
"Behold, your Majesty, upon the brow
Of yonder hill, what crowds of people!" "Whew!
The monster's always after something new,"
Return'd his Highness, "they are piping hot
To see my pigsney Bellanaine. Hum! do
Tighten my belt a little, -- so, so, -- not
Too tight, -- the book! -- my wand! -- so, nothing is forgot."

LXII.
"Wounds! how they shout!" said Hum, "and there, -- see, see!
Th' ambassador's return'd from Pigmio!
The morning's very fine, -- uncommonly!
See, past the skirts of yon white cloud they go,
Tinging it with soft crimsons! Now below
The sable-pointed heads of firs and pines
They dip, move on, and with them moves a glow
Along the forest side! Now amber lines
Reach the hill top, and now throughout the valley shines."

LXIII.
"Why, Hum, you're getting quite poetical!
Those 'nows' you managed in a special style."
"If ever you have leisure, Sire, you shall
See scraps of mine will make it worth your while,
Tid-bits for Phoebus! -- yes, you well may smile.
Hark! hark! the bells!" "A little further yet,
Good Hum, and let me view this mighty coil."
Then the great Emperor full graceful set
His elbow for a prop, and snuff'd his mignonnette.

LXIV.
The morn is full of holiday; loud bells
With rival clamours ring from every spire;
Cunningly-station'd music dies and swells
In echoing places; when the winds respire,
Light flags stream out like gauzy tongues of fire;
A metropolitan murmur, lifeful, warm,
Comes from the northern suburbs; rich attire
Freckles with red and gold the moving swarm;
While here and there clear trumpets blow a keen alarm.

LXV.
And now the fairy escort was seen clear,
Like the old pageant of Aurora's train,
Above a pearl-built minister, hovering near;
First wily Crafticant, the chamberlain,
Balanc'd upon his grey-grown pinions twain,
His slender wand officially reveal'd;
Then black gnomes scattering sixpences like rain;
Then pages three and three; and next, slave-held,
The Imaian 'scutcheon bright, -- one mouse in argent field.

LXVI.
Gentlemen pensioners next; and after them,
A troop of winged Janizaries flew;
Then slaves, as presents bearing many a gem;
Then twelve physicians fluttering two and two;
And next a chaplain in a cassock new;
Then Lords in waiting; then (what head not reels
For pleasure?) -- the fair Princess in full view,
Borne upon wings, -- and very pleas'd she feels
To have such splendour dance attendance at her heels.

LXVII.
For there was more magnificence behind:
She wav'd her handkerchief. "Ah, very grand!"
Cry'd Elfinan, and clos'd the window-blind;
"And, Hum, we must not shilly-shally stand,--
Adieu! adieu! I'm off for Angle-land!
I say, old Hocus, have you such a thing
About you, -- feel your pockets, I command,--
I want, this instant, an invisible ring,--
Thank you, old mummy! -- now securely I take wing."

LXVIII.
Then Elfinan swift vaulted from the floor,
And lighted graceful on the window-sill;
Under one arm the magic book he bore,
The other he could wave about at will;
Pale was his face, he still look'd very ill;
He bow'd at Bellanaine, and said -- "Poor Bell!
Farewell! farewell! and if for ever! still
For ever fare thee well!" -- and then he fell
A laughing! -- snapp'd his fingers! -- shame it is to tell!

LXIX.
"By'r Lady! he is gone!" cries Hum, "and I --
(I own it) -- have made too free with his wine;
Old Crafticant will smoke me. By-the-bye!
This room is full of jewels as a mine,--
Dear valuable creatures, how ye shine!
Sometime to-day I must contrive a minute,
If Mercury propitiously incline,
To examine his scutoire, and see what's in i,
For of superfluous diamonds I as well may thin it.

LXX.
"The Emperor's horrid bad; yes, that's my cue!"
Some histories say that this was Hum's last speech;
That, being fuddled, he went reeling through
The corridor, and scarce upright could reach
The stair-head; that being glutted as a leech,
And us'd, as we ourselves have just now said,
To manage stairs reversely, like a peach
Too ripe, he fell, being puzzled in his head
With liquor and the staircase: verdict -- found stone dead.

LXXI.
This as a falsehood Crafticanto treats;
And as his style is of strange elegance,
Gentle and tender, full of soft conceits,
(Much like our Boswell's,) we will take a glance
At his sweet prose, and, if we can, make dance
His woven periods into careless rhyme;
O, little faery Pegasus! rear -- prance --
Trot round the quarto -- ordinary time!
March, little Pegasus, with pawing hoof sublime!

LXXII.
Well, let us see, -- tenth book and chapter nine,--
Thus Crafticant pursues his diary:--
"'Twas twelve o'clock at night, the weather fine,
Latitude thirty-six; our scouts descry
A flight of starlings making rapidly
Towards Thibet. Mem.: -- birds fly in the night;
From twelve to half-past -- wings not fit to fly
For a thick fog -- the Princess sulky quite;
Call'd for an extra shawl, and gave her nurse a bite.

LXXIII.
"Five minutes before one -- brought down a moth
With my new double-barrel -- stew'd the thighs
And made a very tolerable broth --
Princess turn'd dainty, to our great surprise,
Alter'd her mind, and thought it very nice;
Seeing her pleasant, try'd her with a pun,
She frown'd; a monstrous owl across us flies
About this time, -- a sad old figure of fun;
Bad omen -- this new match can't be a happy one.

LXXIV.
"From two to half-past, dusky way we made,
Above the plains of Gobi, -- desert, bleak;
Beheld afar off, in the hooded shade
Of darkness, a great mountain (strange to speak),
Spitting, from forth its sulphur-baken peak,
A fan-shap'd burst of blood-red, arrowy fire,
Turban'd with smoke, which still away did reek,
Solid and black from that eternal pyre,
Upon the laden winds that scantly could respire.

LXXV.
"Just upon three o'clock a falling star
Created an alarm among our troop,
Kill'd a man-cook, a page, and broke a jar,
A tureen, and three dishes, at one swoop,
Then passing by the princess, singed her hoop:
Could not conceive what Coralline was at,
She clapp'd her hands three times and cry'd out 'Whoop!'
Some strange Imaian custom. A large bat
Came sudden 'fore my face, and brush'd against my hat.

LXXVI.
"Five minutes thirteen seconds after three,
Far in the west a mighty fire broke out,
Conjectur'd, on the instant, it might be,
The city of Balk -- 'twas Balk beyond all doubt:
A griffin, wheeling here and there about,
Kept reconnoitring us -- doubled our guard --
Lighted our torches, and kept up a shout,
Till he sheer'd off -- the Princess very scar'd --
And many on their marrow-bones for death prepar'd.

LXXVII.
"At half-past three arose the cheerful moon--
Bivouack'd for four minutes on a cloud --
Where from the earth we heard a lively tune
Of tambourines and pipes, serene and loud,
While on a flowery lawn a brilliant crowd
Cinque-parted danc'd, some half asleep reposed
Beneath the green-fan'd cedars, some did shroud
In silken tents, and 'mid light fragrance dozed,
Or on the opera turf their soothed eyelids closed.

LXXVIII.
"Dropp'd my gold watch, and kill'd a kettledrum--
It went for apoplexy -- foolish folks! --
Left it to pay the piper -- a good sum --
(I've got a conscience, maugre people's jokes,)
To scrape a little favour; 'gan to coax
Her Highness' pug-dog -- got a sharp rebuff --
She wish'd a game at whist -- made three revokes --
Turn'd from myself, her partner, in a huff;
His majesty will know her temper time enough.

LXXIX.
"She cry'd for chess -- I play'd a game with her --
Castled her king with such a vixen look,
It bodes ill to his Majesty -- (refer
To the second chapter of my fortieth book,
And see what hoity-toity airs she took).
At half-past four the morn essay'd to beam --
Saluted, as we pass'd, an early rook --
The Princess fell asleep, and, in her dream,
Talk'd of one Master Hubert, deep in her esteem.

LXXX.
"About this time, -- making delightful way,--
Shed a quill-feather from my larboard wing --
Wish'd, trusted, hop'd 'twas no sign of decay --
Thank heaven, I'm hearty yet! -- 'twas no such thing:--
At five the golden light began to spring,
With fiery shudder through the bloomed east;
At six we heard Panthea's churches ring --
The city wall his unhiv'd swarms had cast,
To watch our grand approach, and hail us as we pass'd.

LXXXI.
"As flowers turn their faces to the sun,
So on our flight with hungry eyes they gaze,
And, as we shap'd our course, this, that way run,
With mad-cap pleasure, or hand-clasp'd amaze;
Sweet in the air a mild-ton'd music plays,
And progresses through its own labyrinth;
Buds gather'd from the green spring's middle-days,
They scatter'd, -- daisy, primrose, hyacinth,--
Or round white columns wreath'd from capital to plinth.

LXXXII.
"Onward we floated o'er the panting streets,
That seem'd throughout with upheld faces paved;
Look where we will, our bird's-eye vision meets
Legions of holiday; bright standards waved,
And fluttering ensigns emulously craved
Our minute's glance; a busy thunderous roar,
From square to square, among the buildings raved,
As when the sea, at flow, gluts up once more
The craggy hollowness of a wild reefed shore.

LXXXIII.
"And 'Bellanaine for ever!' shouted they,
While that fair Princess, from her winged chair,
Bow'd low with high demeanour, and, to pay
Their new-blown loyalty with guerdon fair,
Still emptied at meet distance, here and there,
A plenty horn of jewels. And here I
(Who wish to give the devil her due) declare
Against that ugly piece of calumny,
Which calls them Highland pebble-stones not worth a fly.

LXXXIV.
"Still 'Bellanaine!' they shouted, while we glide
'Slant to a light Ionic portico,
The city's delicacy, and the pride
Of our Imperial Basilic; a row
Of lords and ladies, on each hand, make show
Submissive of knee-bent obeisance,
All down the steps; and, as we enter'd, lo!
The strangest sight -- the most unlook'd for chance --
All things turn'd topsy-turvy in a devil's dance.

LXXXV.
"'Stead of his anxious Majesty and court
At the open doors, with wide saluting eyes,
Conges and scrape-graces of every sort,
And all the smooth routine of gallantries,
Was seen, to our immoderate surprise,
A motley crowd thick gather'd in the hall,
Lords, scullions, deputy-scullions, with wild cries
Stunning the vestibule from wall to wall,
Where the Chief Justice on his knees and hands doth crawl.

LXXXVI.
"Counts of the palace, and the state purveyor
Of moth's-down, to make soft the royal beds,
The Common Council and my fool Lord Mayor
Marching a-row, each other slipshod treads;
Powder'd bag-wigs and ruffy-tuffy heads
Of cinder wenches meet and soil each other;
Toe crush'd with heel ill-natur'd fighting breeds,
Frill-rumpling elbows brew up many a bother,
And fists in the short ribs keep up the yell and pother.

LXXXVII.
"A Poet, mounted on the Court-Clown's back,
Rode to the Princess swift with spurring heels,
And close into her face, with rhyming clack,
Began a Prothalamion; -- she reels,
She falls, she faints! while laughter peels
Over her woman's weakness. 'Where!' cry'd I,
'Where is his Majesty?' No person feels
Inclin'd to answer; wherefore instantly
I plung'd into the crowd to find him or die.

LXXXVIII.
"Jostling my way I gain'd the stairs, and ran
To the first landing, where, incredible!
I met, far gone in liquor, that old man,
That vile impostor Hum. ----"
So far so well,--
For we have prov'd the Mago never fell
Down stairs on Crafticanto's evidence;
And therefore duly shall proceed to tell,
Plain in our own original mood and tense,
The sequel of this day, though labour 'tis immense!
* * * * * * * * * * * * * * * * * * * * * *
'Lord Houghton first gave this composition in the Life, Letters &c. (1848), and in Volume II, page 51, refers to it as "the last of Keats's literary labours." The poet says in a letter to Brown, written after the first attack of blood-spitting,
"I shall soon begin upon 'Lucy Vaughan Lloyd.' I do not begin composition yet, being willing, in case of a relapse, to have nothing to reproach myself with."
I presume, therefore, that the composition may be assigned to the Spring or Summer of 1820. In August of that year, Leigh Hunt seems to have had the manuscript in his hands, for, in the first part of his article on Coaches, which fills The Indicator for the 23rd of August 1820, he quotes four stanzas and four lines from the poem, as by "a very good poetess, of the name of Lucy V---- L----, who has favoured us with a sight of a manuscript poem," &c. The stanzas quoted are XXV to XXIX. Lord Houghton gives, in the Aldine Edition of 1876, the following note by Brown: --
"This Poem was written subject to future amendments and omissions: it was begun without a plan, and without any prescribed laws for the supernatural machinery."

His Lordship adds an interesting passage from a letter written to him by Lord Jeffrey: --
"There are beautiful passages and lines of ineffable sweetness in these minor pieces, and strange outbursts of individual fancy and felicitous expressions in the 'Cap and Bells,' though the general extravagance of the poetry is more suited to an Italian than to an English taste."
The late Dante Gabriel Rossetti wrote to me of this poem as "the only unworthy stuff Keats ever wrote except an early trifle or two," and again as "the to me hateful Cap and Bells." I confess that it seems to me entirely unworthy of Keats, though certainly a proof, if proof were needed, of his versatility. It has the character of a mere intellectual and mechanical exercise, performed at a time when those higher forces constituting the mainspring of poetry were exhausted; but even so I find it difficult to figure Keats as doing anything so aimless as this appears when regarded solely as an effort of the fancy. He probably had a satirical under-current of meaning; and it needs no great stretch of the imagination to see the illicit passion of Emperor Elfinan, and his detestation for his authorized bride-elect, an oblique glance at the martial relations of George IV.
It is not difficult to suggest prototypes for many of the faery-land statesmen against whom Elfinan vows vengeance; and there are many particulars in which earthly incidents are too thickly strewn to leave one in the settled belief that the poet's programme was wholly unearthly.--- H. B. F.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished
,
106:Is it the same Sordello in the dusk
As at the dawn?merely a perished husk
Now, that arose a power fit to build
Up Rome again? The proud conception chilled
So soon? Ay, watch that latest dream of thine
A Rome indebted to no Palatine
Drop arch by arch, Sordello! Art possessed
Of thy wish now, rewarded for thy quest
To-day among Ferrara's squalid sons?
Are this and this and this the shining ones
Meet for the Shining City? Sooth to say,
Your favoured tenantry pursue their way
After a fashion! This companion slips
On the smooth causey, t' other blinkard trips
At his mooned sandal. "Leave to lead the brawls
"Here i' the atria?" No, friend! He that sprawls
On aught but a stibadium . . . what his dues
Who puts the lustral vase to such an use?
Oh, huddle up the day's disasters! March,
Ye runagates, and drop thou, arch by arch,
Rome!
   Yet before they quite disbanda whim
Study mere shelter, now, for him, and him,
Nay, even the worst,just house them! Any cave
Suffices: throw out earth! A loophole? Brave!
They ask to feel the sun shine, see the grass
Grow, hear the larks sing? Dead art thou, alas,
And I am dead! But here's our son excels
At hurdle-weaving any Scythian, fells
Oak and devises rafters, dreams and shapes
His dream into a door-post, just escapes
The mystery of hinges. Lie we both
Perdue another age. The goodly growth
Of brick and stone! Our building-pelt was rough,
But that descendant's garb suits well enough
A portico-contriver. Speed the years
What 's time to us? At last, a city rears
Itself! nay, enterwhat's the grave to us?
Lo, our forlorn acquaintance carry thus
The head! Successively sewer, forum, cirque
Last age, an aqueduct was counted work,
But now they tire the artificer upon
Blank alabaster, black obsidion,
Careful, Jove's face be duly fulgurant,
And mother Venus' kiss-creased nipples pant
Back into pristine pulpiness, ere fixed
Above the baths. What difference betwixt
This Rome and oursresemblance what, between
That scurvy dumb-show and this pageant sheen
These Romans and our rabble? Use thy wit!
The work marched: step by step,a workman fit
Took each, nor too fit,to one task, one time,
No leaping o'er the petty to the prime,
When just the substituting osier lithe
For brittle bulrush, sound wood for soft withe,
To further loam-and-roughcast-work a stage,
Exacts an architect, exacts an age:
No tables of the Mauritanian tree
For men whose maple log 's their luxury!
That way was Rome built. "Better" (say you) "merge
"At once all workmen in the demiurge,
"All epochs in a lifetime, every task
"In one!" So should the sudden city bask
I' the daywhile those we 'd feast there, want the knack
Of keeping fresh-chalked gowns from speck and brack,
Distinguish not rare peacock from vile swan,
Nor Mareotic juice from Ccuban.
"Enough of Rome! 'T was happy to conceive
"Rome on a sudden, nor shall fate bereave
"Me of that credit: for the rest, her spite
"Is an old storyserves my folly right
"By adding yet another to the dull
"List of abortionsthings proved beautiful
"Could they be done, Sordello cannot do."
He sat upon the terrace, plucked and threw
The powdery aloe-cusps away, saw shift
Rome's walls, and drop arch after arch, and drift
Mist-like afar those pillars of all stripe,
Mounds of all majesty. "Thou archetype,
"Last of my dreams and loveliest, depart!"
And then a low voice wound into his heart:
"Sordello!" (low as some old Pythoness
Conceding to a Lydian King's distress
The cause of his long errorone mistake
Of her past oracle) "Sordello, wake!
"God has conceded two sights to a man
"One, of men's whole work, time's completed plan,
"The other, of the minute's work, man's first
"Step to the plan's completeness: what's dispersed
"Save hope of that supreme step which, descried
"Earliest, was meant still to remain untried
"Only to give you heart to take your own
"Step, and there stay, leaving the rest alone?
"Where is the vanity? Why count as one
"The first step, with the last step? What is gone
"Except Rome's ary magnificence,
"That last step you 'd take first?an evidence
"You were God: be man now! Let those glances fall!
"The basis, the beginning step of all,
"Which proves you just a manis that gone too?
"Pity to disconcert one versed as you
"In fate's ill-nature! but its full extent
"Eludes Sordello, even: the veil rent,
"Read the black writingthat collective man
"Outstrips the individual. Who began
"The acknowledged greatnesses? Ay, your own art
"Shall serve us: put the poet's mimes apart
"Close with the poet's self, and lo, a dim
"Yet too plain form divides itself from him!
"Alcamo's song enmeshes the lulled Isle,
"Woven into the echoes left erewhile
"By Nina, one soft web of song: no more
"Turning his name, then, flower-like o'er and o'er!
"An elder poet in the younger's place;
"Nina's the strength, but Alcamo's the grace:
"Each neutralizes each then! Search your fill;
"You get no whole and perfect Poetstill
"New Ninas, Alcamos, till time's mid-night
"Shrouds allor better say, the shutting light
"Of a forgotten yesterday. Dissect
"Every ideal workman(to reject
"In favour of your fearful ignorance
"The thousand phantasms eager to advance,
"And point you but to those within your reach)
"Were you the first who brought(in modern speech)
"The Multitude to be materialized?
"That loose eternal unrestwho devised
"An apparition i' the midst? The rout
"Was checked, a breathless ring was formed about
"That sudden flower: get round at any risk
"The gold-rough pointel, silver-blazing disk
"O' the lily! Swords across it! Reign thy reign
"And serve thy frolic service, Charlemagne!
"The very child of over-joyousness,
"Unfeeling thence, strong therefore: Strength by stress
"Of Strength comes of that forehead confident,
"Those widened eyes expecting heart's content,
"A calm as out of just-quelled noise; nor swerves
"For doubt, the ample cheek in gracious curves
"Abutting on the upthrust nether lip:
"He wills, how should he doubt then? Ages slip:
"Was it Sordello pried into the work
"So far accomplished, and discovered lurk
"A company amid the other clans,
"Only distinct in priests for castellans
"And popes for suzerains (their rule confessed
"Its rule, their interest its interest,
"Living for sake of livingthere an end,
"Wrapt in itself, no energy to spend
"In making adversaries or allies)
"Dived you into its capabilities
"And dared create, out of that sect, a soul
"Should turn a multitude, already whole,
"Into its body? Speak plainer! Is 't so sure
"God's church lives by a King's investiture?
"Look to last step! A staggeringa shock
"What 's mere sand is demolished, while the rock
"Endures: a column of black fiery dust
"Blots heaventhat help was prematurely thrust
"Aside, perchance!but air clears, nought 's erased
"Of the true outline. Thus much being firm based,
"The other was a scaffold. See him stand
"Buttressed upon his mattock, Hildebrand
"Of the huge brain-mask welded ply o'er ply
"As in a forge; it buries either eye
"White and extinct, that stupid brow; teeth clenched,
"The neck tight-corded, too, the chin deep-trenched,
"As if a cloud enveloped him while fought
"Under its shade, grim prizers, thought with thought
"At dead-lock, agonizing he, until
"The victor thought leap radiant up, and Will,
"The slave with folded arms and drooping lids
"They fought for, lean forth flame-like as it bids.
"Call him no flowera mandrake of the earth,
"Thwarted and dwarfed and blasted in its birth,
"Rather,a fruit of suffering's excess,
"Thence feeling, therefore stronger: still by stress
"Of Strength, work Knowledge! Full three hundred years
"Have men to wear away in smiles and tears
"Between the two that nearly seemed to touch,
"Observe you! quit one workman and you clutch
"Another, letting both their trains go by
"The actors-out of either's policy,
"Heinrich, on this hand, Otho, Barbaross,
"Carry the three Imperial crowns across,
"Aix' Iron, Milan's Silver, and Rome's Gold
"While Alexander, Innocent uphold
"On that, each Papal keybut, link on link,
"Why is it neither chain betrays a chink?
"How coalesce the small and great? Alack,
"For one thrust forward, fifty such fall back!
"Do the popes coupled there help Gregory
"Alone? Harkfrom the hermit Peter's cry
"At Claremont, down to the first serf that says
"Friedrich 's no liege of his while he delays
"Getting the Pope's curse off him! The Crusade
"Or trick of breeding Strength by other aid
"Than Strength, is safe. Harkfrom the wild harangue
"Of Vimmercato, to the carroch's clang
"Yonder! The Leagueor trick of turning Strength
"Against Pernicious Strength, is safe at length.
"Yet harkfrom Mantuan Albert making cease
"The fierce ones, to Saint Francis preaching peace
"Yonder! God's Truceor trick to supersede
"The very Use of Strength, is safe. Indeed
"We trench upon the future. Who is found
"To take next step, next agetrail o'er the ground
"Shall I say, gourd-like?not the flower's display
"Nor the root's prowess, but the plenteous way
"O' the plantproduced by joy and sorrow, whence
"Unfeeling and yet feeling, strongest thence?
"Knowledge by stress of merely Knowledge? No
"E'en were Sordello ready to forego
"His life for this, 't were overleaping work
"Some one has first to do, howe'er it irk,
"Nor stray a foot's breadth from the beaten road.
"Who means to help must still support the load
"Hildebrand lifted'why hast Thou,' he groaned,
"`Imposed on me a burthen, Paul had moaned,
"'And Moses dropped beneath?' Much doneand yet
"Doubtless that grandest task God ever set
"On man, left much to do: at his arm's wrench,
"Charlemagne's scaffold fell; but pillars blench
"Merely, start back againperchance have been
"Taken for buttresses: crash every screen,
"Hammer the tenons better, and engage
"A gang about your work, for the next age
"Or two, of Knowledge, part by Strength and part
"By Knowledge! Then, indeed, perchance may start
"Sordello on his racewould time divulge
"Such secrets! If one step's awry, one bulge
"Calls for correction by a step we thought
"Got over long since, why, till that is wrought,
"No progress! And the scaffold in its turn
"Becomes, its service o'er, a thing to spurn.
"Meanwhile, if your half-dozen years of life
"In store dispose you to forego the strife,
"Who takes exception? Only bear in mind
"Ferrara 's reached, Goito 's left behind:
"As you then were, as half yourself, desist!
"The warrior-part of you may, an it list,
"Finding real faulchions difficult to poise,
"Fling them afar and taste the cream of joys
"By wielding such in fancy,what is bard
"Of you may spurn the vehicle that marred
"Elys so much, and in free fancy glut
"His sense, yet write no versesyou have but
"To please yourself for law, and once could please
"What once appeared yourself, by dreaming these
"Rather than doing these, in days gone by.
"But all is changed the moment you descry
"Mankind as half yourself,then, fancy's trade
"Ends once and always: how may half evade
"The other half? men are found half of you.
"Out of a thousand helps, just one or two
"Can be accomplished presently: but flinch
"From these (as from the faulchion, raised an inch,
"Elys, described a couplet) and make proof
"Of fancy,then, while one half lolls aloof
"I' the vines, completing Rome to the tip-top
"See if, for that, your other half will stop
"A tear, begin a smile! The rabble's woes,
"Ludicrous in their patience as they chose
"To sit about their town and quietly
"Be slaughtered,the poor reckless soldiery,
"With their ignoble rhymes on Richard, how
"'Polt-foot,' sang they, 'was in a pitfall now,'
"Cheering each other from the engine-mounts,
"That crippled spawling idiot who recounts
"How, lopped of limbs, he lay, stupid as stone,
"Till the pains crept from out him one by one,
"And wriggles round the archers on his head
"To earn a morsel of their chestnut bread,
"And Cino, always in the self-same place
"Weeping; beside that other wretch's case,
"Eyepits to ear, one gangrene since he plied
"The engine in his coat of raw sheep's hide
"A double watch in the noon sun; and see
"Lucchino, beauty, with the favours free,
"Trim hacqueton, spruce beard and scented hair,
"Campaigning it for the first timecut there
"In two already, boy enough to crawl
"For latter orpine round the southern wall,
"Tom, where Richard 's kept, because that ****
"Marfisa, the fool never saw before,
"Sickened for flowers this wearisomest siege:
"And Tiso's wifemen liked their pretty liege,
"Cared for her least of whims once,Berta, wed
"A twelvemonth gone, and, now poor Tiso's dead,
"Delivering herself of his first child
"On that chance heap of wet filth, reconciled
"To fifty gazers!"(Here a wind below
Made moody music augural of woe
From the pine barrier)"What if, now the scene
"Draws to a close, yourself have really been
"You, plucking purples in Goito's moss
"Like edges of a trabea (not to cross
"Your consul-humour) or dry aloe-shafts
"For fasces, at Ferrarahe, fate wafts,
"This very age, her whole inheritance
`Of opportunities? Yet you advance
"Upon the last! Since talking is your trade,
"There 's Salinguerra left you to persuade:
"Fail! then"
       "Nonowhich latest chance secure!"
Leaped up and cried Sordello: "this made sure,
"The past were yet redeemable; its work
"Washelp the Guelfs, whom I, howe'er it irk,
"Thus help!" He shook the foolish aloe-haulm
Out of his doublet, paused, proceeded calm
To the appointed presence. The large head
Turned on its socket; "And your spokesman," said
The large voice, "is Elcorte's happy sprout?
"Few such"(so finishing a speech no doubt
Addressed to Palma, silent at his side)
"My sober councils have diversified.
"Elcorte's son! good: forward as you may,
"Our lady's minstrel with so much to say!"
The hesitating sunset floated back,
Rosily traversed in the wonted track
The chamber, from the lattice o'er the girth
Of pines, to the huge eagle blacked in earth
Opposite,outlined sudden, spur to crest,
That solid Salinguerra, and caressed
Palma's contour; 't was day looped back night's pall;
Sordello had a chance left spite of all.
And much he made of the convincing speech
Meant to compensate for the past and reach
Through his youth's daybreak of unprofit, quite
To his noon's labour, so proceed till night
Leisurely! The great argument to bind
Taurello with the Guelf Cause, body and mind,
Came the consummate rhetoric to that?
Yet most Sordello's argument dropped flat
Through his accustomed fault of breaking yoke,
Disjoining him who felt from him who spoke.
Was 't not a touching incidentso prompt
A rendering the world its just accompt,
Once proved its debtor? Who 'd suppose, before
This proof, that he, Goito's god of yore,
At duty's instance could demean himself
So memorably, dwindle to a Guelf?
Be sure, in such delicious flattery steeped,
His inmost self at the out-portion peeped,
Thus occupied; then stole a glance at those
Appealed to, curious if her colour rose
Or his lip moved, while he discreetly urged
The need of Lombardy becoming purged
At soonest of her barons; the poor part
Abandoned thus, missing the blood at heart
And spirit in brain, unseasonably off
Elsewhere! But, though his speech was worthy scoff,
Good-humoured Salinguerra, famed for tact
And tongue, who, careless of his phrase, ne'er lacked
The right phrase, and harangued Honorius dumb
At his accession,looked as all fell plumb
To purpose and himself found interest
In every point his new instructor pressed
Left playing with the rescript's white wax seal
To scrutinize Sordello head and heel.
He means to yield assent sure? No, alas!
All he replied was, "What, it comes to pass
"That poesy, sooner than politics,
"Makes fade young hair?" To think such speech could fix
Taurello!
     Then a flash of bitter truth:
So fantasies could break and fritter youth
That he had long ago lost earnestness,
Lost will to work, lost power to even express
The need of working! Earth was turned a grave:
No more occasions now, though he should crave
Just one, in right of superhuman toil,
To do what was undone, repair such spoil,
Alter the pastnothing would give the chance!
Not that he was to die; he saw askance
Protract the ignominious years beyond
To dream intime to hope and time despond,
Remember and forget, be sad, rejoice
As saved a trouble; he might, at his choice,
One way or other, idle life out, drop
No few smooth verses by the wayfor prop,
A thyrsus, these sad people, all the same,
Should pick up, and set store by,far from blame,
Plant o'er his hearse, convinced his better part
Survived him. "Rather tear men out the heart
"O' the truth!"Sordello muttered, and renewed
His propositions for the Multitude.
But Salinguerra, who at this attack
Had thrown great breast and ruffling corslet back
To hear the better, smilingly resumed
His task; beneath, the carroch's warning boomed;
He must decide with Tito; courteously
He turned then, even seeming to agree
With his admonisher"Assist the Pope,
"Extend Guelf domination, fill the scope
"O' the Church, thus based on All, by All, for All
"Change Secular to Evangelical"
Echoing his very sentence: all seemed lost,
When suddenly he looked up, laughingly almost,
To Palma: "This opinion of your friend's
"For instance, would it answer Palma's ends?
"Best, were it not, turn Guelf, submit our Strength"
(Here he drew out his baldric to its length)
"To the Pope's Knowledgelet our captive slip,
"Wide to the walls throw ope our gates, equip
"Azzo with . . . what I hold here! Who 'll subscribe
"To a trite censure of the minstrel tribe
"Henceforward? or pronounce, as Heinrich used,
"'Spear-heads for battle, burr-heads for the joust!'
"When Constance, for his couplets, would promote
"Alcamo, from a parti-coloured coat,
"To holding her lord's stirrup in the wars.
"Not that I see where couplet-making jars
"With common sense: at Mantua I had borne
"This chanted, better than their most forlorn
"Of bull-baits,that 's indisputable!"
                     Brave!
Whom vanity nigh slew, contempt shall save!
All 's at an end: a Troubadour suppose
Mankind will class him with their friends or foes?
A puny uncouth ailing vassal think
The world and him bound in some special link?
Abrupt the visionary tether burst.
What were rewarded here, or what amerced
If a poor drudge, solicitous to dream
Deservingly, got tangled by his theme
So far as to conceit the knack or gift
Or whatsoe'er it be, of verse, might lift
The globe, a lever like the hand and head
Of"Men of Action," as the Jongleurs said,
"The Great Men," in the people's dialect?
And not a moment did this scorn affect
Sordello: scorn the poet? They, for once,
Asking "what was," obtained a full response.
Bid Naddo think at Mantuahe had but
To look into his promptuary, put
Finger on a set thought in a set speech:
But was Sordello fitted thus for each
Conjecture? Nowise; since within his soul,
Perception brooded unexpressed and whole.
A healthy spirit like a healthy frame
Craves aliment in plentyall the same,
Changes, assimilates its aliment.
Perceived Sordello, on a truth intent?
Next day no formularies more you saw
Than figs or olives in a sated maw.
'T is Knowledge, whither such perceptions tend;
They lose themselves in that, means to an end,
The many old producing some one new,
A last unlike the first. If lies are true,
The Caliph's wheel-work man of brass receives
A meal, munched millet grains and lettuce leaves
Together in his stomach rattle loose;
You find them perfect next day to produce:
But ne'er expect the man, on strength of that,
Can roll an iron camel-collar flat
Like Haroun's self! I tell you, what was stored
Bit by bit through Sordello's life, outpoured
That eve, was, for that age, a novel thing:
And round those three the People formed a ring,
Of visionary judges whose award
He recognised in fullfaces that barred
Henceforth return to the old careless life,
In whose great presence, therefore, his first strife
For their sake must not be ignobly fought;
All these, for once, approved of him, he thought,
Suspended their own vengeance, chose await
The issue of this strife to reinstate
Them in the right of taking itin fact
He must be proved king ere they could exact
Vengeance for such king's defalcation. Last,
A reason why the phrases flowed so fast
Was in his quite forgetting for a time
Himself in his amazement that the rhyme
Disguised the royalty so much: he there
And Salinguerra yet all-unaware
Who was the lord, who liegeman!
                 "Thus I lay
"On thine my spirit and compel obey
"His lord,my liegeman,impotent to build
"Another Rome, but hardly so unskilled
"In what such builder should have been, as brook
"One shame beyond the charge that I forsook
"His function! Free me from that shame, I bend
"A brow before, suppose new years to spend,
"Allow each chance, nor fruitlessly, recur
"Measure thee with the Minstrel, then, demur
"At any crowd he claims! That I must cede
"Shamed now, my right to my especial meed
"Confess thee fitter help the world than I
"Ordained its champion from eternity,
"Is much: but to behold thee scorn the post
"I quit in thy behalfto hear thee boast
"What makes my own despair!" And while he rung
The changes on this theme, the roof up-sprung,
The sad walls of the presence-chamber died
Into the distance, or embowering vied
With far-away Goito's vine-frontier;
And crowds of faces(only keeping clear
The rose-light in the midst, his vantage-ground
To fight their battle from)deep clustered round
Sordello, with good wishes no mere breath,
Kind prayers for him no vapour, since, come death
Come life, he was fresh-sinewed every joint,
Each bone new-marrowed as whom gods anoint
Though mortal to their rescue. Now let sprawl
The snaky volumes hither! Is Typhon all
For Hercules to tramplegood report
From Salinguerra only to extort?
"So was I" (closed he his inculcating
A poet must be earth's essential king)
"So was I, royal so, and if I fail,
"'T is not the royalty, ye witness quail,
"But one deposed who, caring not exert
"Its proper essence, trifled malapert
"With accidents insteadgood things assigned
"As heralds of a better thing behind
"And, worthy through display of these, put forth
"Never the inmost all-surpassing worth
"That constitutes him king precisely since
"As yet no other spirit may evince
"Its like: the power he took most pride to test,
"Whereby all forms of life had been professed
"At pleasure, forms already on the earth,
"Was but a means to power beyond, whose birth
"Should, in its novelty, be kingship's proof.
"Now, whether he came near or kept aloof
"The several forms he longed to imitate,
"Not there the kingship lay, he sees too late.
"Those forms, unalterable first as last,
"Proved him her copier, not the protoplast
"Of nature: what would come of being free,
"By action to exhibit tree for tree,
"Bird, beast, for beast and bird, or prove earth bore
"One veritable man or woman more?
"Means to an end, such proofs are: what the end?
"Let essence, whatsoe'er it be, extend
"Never contract. Already you include
"The multitude; then let the multitude
"Include yourself; and the result were new:
"Themselves before, the multitude turn you.
"This were to live and move and have, in them,
"Your being, and secure a diadem
"You should transmit (because no cycle yearns
"Beyond itself, but on itself returns)
"When, the full sphere in wane, the world o'erlaid
"Long since with you, shall have in turn obeyed
"Some orb still prouder, some displayer, still
"More potent than the last, of human will,
"And some new king depose the old. Of such
"Am Iwhom pride of this elates too much?
"Safe, rather say, 'mid troops of peers again;
"I, with my words, hailed brother of the train
"Deeds once sufficed: for, let the world roll back,
"Who fails, through deeds howe'er diverse, retrack
"My purpose still, my task? A teeming crust
"Air, flame, earth, wave at conflict! Then, needs must
"Emerge some Calm embodied, these refer
"The brawl toyellow-bearded Jupiter?
"No! Saturn; some existence like a pact
"And protest against Chaos, some first fact
"I' the faint of time. My deep of life, I know
"Is unavailing e'en to poorly show" . . .
(For here the Chief immeasurably yawned)
. . . "Deeds in their due gradation till Song dawned
"The fullest effluence of the finest mind,
"All in degree, no way diverse in kind
"From minds about it, minds which, more or less,
"Lofty or low, move seeking to impress
"Themselves on somewhat; but one mind has climbed
"Step after step, by just ascent sublimed.
"Thought is the soul of act, and, stage by stage,
"Soul is from body still to disengage
"As tending to a freedom which rejects
"Such help and incorporeally affects
"The world, producing deeds but not by deeds,
"Swaying, in others, frames itself exceeds,
"Assigning them the simpler tasks it used
"To patiently perform till Song produced
"Acts, by thoughts only, for the mind: divest
"Mind of e'en Thought, and, lo, God's unexpressed
"Will draws above us! All then is to win
"Save that. How much for me, then? where begin
"My work? About me, faces! and they flock,
"The earnest faces. What shall I unlock
"By song? behold me prompt, whate'er it be,
"To minister: how much can mortals see
"Of Life? No more than so? I take the task
"And marshal you Life's elemental masque,
"Show Men, on evil or on good lay stress,
"This light, this shade make prominent, suppress
"All ordinary hues that softening blend
"Such natures with the level. Apprehend
"Which sinner is, which saint, if I allot
"Hell, Purgatory, Heaven, a blaze or blot,
"To those you doubt concerning! I enwomb
"Some wretched Friedrich with his red-hot tomb;
"Some dubious spirit, Lombard Agilulph
"With the black chastening river I engulph!
"Some unapproached Matilda I enshrine
"With languors of the planet of decline
"These, fail to recognize, to arbitrate
"Between henceforth, to rightly estimate
"Thus marshalled in the masque! Myself, the while,
"As one of you, am witness, shrink or smile
"At my own showing! Next agewhat 's to do?
"The men and women stationed hitherto
"Will I unstation, good and bad, conduct
"Each nature to its farthest, or obstruct
"At soonest, in the world: light, thwarted, breaks
"A limpid purity to rainbow flakes,
"Or shadow, massed, freezes to gloom: behold
"How such, with fit assistance to unfold,
"Or obstacles to crush them, disengage
"Their forms, love, hate, hope, fear, peace make, war wage,
"In presence of you all! Myself, implied
"Superior now, as, by the platform's side,
"I bade them do and suffer,would last content
"The world . . . nothat 's too far! I circumvent
"A few, my masque contented, and to these
"Offer unveil the last of mysteries
"Man's inmost life shall have yet freer play:
"Once more I cast external things away,
"And natures composite, so decompose
"That" . . . Why, he writes Sordello!
                    "How I rose,
"And how have you advanced! since evermore
"Yourselves effect what I was fain before
"Effect, what I supplied yourselves suggest,
"What I leave bare yourselves can now invest.
"How we attain to talk as brothers talk,
"In half-words, call things by half-names, no balk
"From discontinuing old aids. To-day
"Takes in account the work of Yesterday:
"Has not the world a Past now, its adept
"Consults ere he dispense with or accept
"New aids? a single touch more may enhance,
"A touch less turn to insignificance
"Those structures' symmetry the past has strewed
"The world with, once so bare. Leave the mere rude
"Explicit details! 't is but brother's speech
"We need, speech where an accent's change gives each
"The other's soulno speech to understand
"By former audience: need was then to expand,
"Expatiatehardly were we brothers! true
"Nor I lament my small remove from you,
"Nor reconstruct what stands already. Ends
"Accomplished turn to means: my art intends
"New structure from the ancient: as they changed
"The spoils of every clime at Venice, ranged
"The horned and snouted Libyan god, upright
"As in his desert, by some simple bright
"Clay cinerary pitcherThebes as Rome,
"Athens as Byzant rifled, till their Dome
"From earth's reputed consummations razed
"A seal, the all-transmuting Triad blazed
"Above. Ah, whose that fortune? Ne'ertheless
"E'en he must stoop contented to express
"No tithe of what 's to saythe vehicle
"Never sufficient: but his work is still
"For faces like the faces that select
"The single service I am bound effect,
"That bid me cast aside such fancies, bow
"Taurello to the Guelf cause, disallow
"The Kaiser's comingwhich with heart, soul, strength,
"I labour for, this eve, who feel at length
"My past career's outrageous vanity,
"And would, as its amends, die, even die
"Now I first estimate the boon of life,
"If death might win compliancesure, this strife
"Is right for oncethe People my support."
My poor Sordello! what may we extort
By this, I wonder? Palma's lighted eyes
Turned to Taurello who, long past surprise,
Began, "You love himwhat you 'd say at large
"Let me say briefly. First, your father's charge
"To me, his friend, peruse: I guessed indeed
"You were no stranger to the course decreed.
"He bids me leave his children to the saints:
"As for a certain project, he acquaints
"The Pope with that, and offers him the best
"Of your possessions to permit the rest
"Go peaceablyto Ecelin, a stripe
"Of soil the cursed Vicentines will gripe,
"To Alberic, a patch the Trevisan
"Clutches already; extricate, who can,
"Treville, Villarazzi, Puissolo,
"Loria and Cartiglione!all must go,
"And with them go my hopes. 'T is lost, then! Lost
"This eve, our crisis, and some pains it cost
"Procuring; thirty yearsas good I'd spent
"Like our admonisher! But each his bent
"Pursues: no question, one might live absurd
"Oneself this while, by deed as he by word
"Persisting to obtrude an influence where
"'T is made account of, much as . . . nay, you fare
"With twice the fortune, youngster!I submit,
"Happy to parallel my waste of wit
"With the renowned Sordello's: you decide
"A course for me. Romano may abide
"Romano,Bacchus! After all, what dearth
"Of Ecelins and Alberics on earth?
"Say there 's a prize in prospect, must disgrace
"Betide competitors, unless they style
"Themselves Romano? Were it worth my while
"To try my own luck! But an obscure place
"Suits methere wants a youth to bustle, stalk
"And attitudinizesome fight, more talk,
"Most flaunting badgeshow, I might make clear
"Since Friedrich's very purposes lie here
"Here, pity they are like to lie! For me,
"With station fixed unceremoniously
"Long since, small use contesting; I am but
"The liegemanyou are born the lieges: shut
"That gentle mouth now! or resume your kin
"In your sweet self; were Palma Ecelin
"For me to work with! Could that neck endure
"This bauble for a cumbrous garniture,
"She should . . . or might one bear it for her? Stay
"I have not been so flattered many a day
"As by your pale friendBacchus! The least help
"Would lick the hind's fawn to a lion's whelp:
"His neck is broad enougha ready tongue
"Beside: too writhledbut, the main thing, young
"I could . . . why, look ye!"
               And the badge was thrown
Across Sordello's neck: "This badge alone
"Makes you Romano's Headbecomes superb
"On your bare neck, which would, on mine, disturb
"The pauldron," said Taurello. A mad act,
Nor even dreamed about beforein fact,
Not when his sportive arm rose for the nonce
But he had dallied overmuch, this once,
With power: the thing was done, and he, aware
The thing was done, proceeded to declare
(So like a nature made to serve, excel
In serving, only feel by service well!)
That he would make Sordello that and more.
"As good a scheme as any. What 's to pore
"At in my face?" he asked"ponder instead
"This piece of news; you are Romano's Head!
"One cannot slacken pace so near the goal,
"Suffer my Azzo to escape heart-whole
"This time! For you there 's Palma to espouse
"For me, one crowning trouble ere I house
"Like my compeer."
         On which ensued a strange
And solemn visitation; there came change
O'er every one of them; each looked on each:
Up in the midst a truth grew, without speech.
And when the giddiness sank and the haze
Subsided, they were sitting, no amaze,
Sordello with the baldric on, his sire
Silent, though his proportions seemed aspire
Momently; and, interpreting the thrill,
Night at its ebb,Palma was found there still
Relating somewhat Adelaide confessed
A year ago, while dying on her breast,
Of a contrivance, that Vicenza night
When Ecelin had birth. "Their convoy's flight,
"Cut off a moment, coiled inside the flame
"That wallowed like a dragon at his game
"The toppling city throughSan Biagio rocks!
"And wounded lies in her delicious locks
"Retrude, the frail mother, on her face,
"None of her wasted, just in one embrace
"Covering her child: when, as they lifted her,
"Cleaving the tumult, mighty, mightier
"And mightiest Taurello's cry outbroke,
"Leapt like a tongue of fire that cleaves the smoke,
"Midmost to cheer his Mantuans onwarddrown
"His colleague Ecelin's clamour, up and down
"The disarray: failed Adelaide see then
"Who was the natural chief, the man of men?
"Outstripping time, her infant there burst swathe,
"Stood up with eyes haggard beyond the scathe
"From wandering after his heritage
"Lost once and lost for aye: and why that rage,
"That deprecating glance? A new shape leant
"On a familiar shapegloatingly bent
"O'er his discomfiture; 'mid wreaths it wore,
"Still one outflamed the resther child's before
"'T was Salinguerra's for his child: scorn, hate,
"Rage now might startle her when all too late!
"Then was the moment!rival's foot had spurned
"Never that House to earth else! Sense returned
"The act conceived, adventured and complete,
"They bore away to an obscure retreat
"Mother and childRetrude's self not slain"
(Nor even here Taurello moved) "though pain
"Was fled; and what assured them most 't was fled,
"All pain, was, if they raised the pale hushed head
"'T would turn this way and that, waver awhile,
"And only settle into its old smile
"(Graceful as the disquieted water-flag
"Steadying itself, remarked they, in the quag
"On either side their path)when suffered look
"Down on her child. They marched: no sign once shook
"The company's close litter of crossed spears
"Till, as they reached Goito, a few tears
"Slipped in the sunset from her long black lash,
"And she was gone. So far the action rash;
"No crime. They laid Retrude in the font,
"Taurello's very gift, her child was wont
"To sit beneathconstant as eve he came
"To sit by its attendant girls the same
"As one of them. For Palma, she would blend
"With this magnific spirit to the end,
"That ruled her first; but scarcely had she dared
"To disobey the Adelaide who scared
"Her into vowing never to disclose
"A secret to her husband, which so froze
"His blood at half-recital, she contrived
"To hide from him Taurello's infant lived,
"Lest, by revealing that, himself should mar
"Romano's fortunes. And, a crime so far,
"Palma received that action: she was told
"Of Salinguerra's nature, of his cold
"Calm acquiescence in his lot! But free
"To impart the secret to Romano, she
"Engaged to repossess Sordello of
"His heritage, and hers, and that way doff
"The mask, but after years, long years: while now,
"Was not Romano's sign-mark on that brow?"
Across Taurello's heart his arms were locked:
And when he did speak 't was as if he mocked
The minstrel, "who had not to move," he said,
"Nor stirshould fate defraud him of a shred
"Of his son's infancy? much less his youth!"
(Laughingly all this)"which to aid, in truth,
"Himself, reserved on purpose, had not grown
"Old, not too old't was best they kept alone
"Till now, and never idly met till now;"
Then, in the same breath, told Sordello how
All intimations of this eve's event
Were lies, for Friedrich must advance to Trent,
Thence to Verona, then to Rome, there stop,
Tumble the Church down, institute a-top
The Alps a Prefecture of Lombardy:
"That 's now!no prophesying what may be
"Anon, with a new monarch of the clime,
"Native of Gesi, passing his youth's prime
"At Naples. Tito bids my choice decide
"On whom . . ."
        "Embrace him, madman!" Palma cried,
Who through the laugh saw sweat-drops burst apace,
And his lips blanching: he did not embrace
Sordello, but he laid Sordello's hand
On his own eyes, mouth, forehead.
                 Understand,
This while Sordello was becoming flushed
Out of his whiteness; thoughts rushed, fancies rushed;
He pressed his hand upon his head and signed
Both should forbear him. "Nay, the best 's behind!"
Taurello laughednot quite with the same laugh:
"The truth is, thus we scatter, ay, like chaff
"These Guelfs, a despicable monk recoils
"From: nor expect a fickle Kaiser spoils
"Our triumph!Friedrich? Think you, I intend
"Friedrich shall reap the fruits of blood I spend
"And brain I waste? Think you, the people clap
"Their hands at my out-hewing this wild gap
"For any Friedrich to fill up? 'T is mine
"That 's yours: I tell you, towards some such design
"Have I worked blindly, yes, and idly, yes,
"And for another, yesbut worked no less
"With instinct at my heart; I else had swerved,
"While nowlook round! My cunning has preserved
"Samminiatothat 's a central place
"Secures us Florence, boy,in Pisa's case.
"By land as she by sea; with Pisa ours,
"And Florence, and Pistoia, one devours
"The land at leisure! Gloriously dispersed
"Brescia, observe, Milan, Piacenza first
"That flanked us (ah, you know not!) in the March;
"On these we pile, as keystone of our arch,
"Romagna and Bologna, whose first span
"Covered the Trentine and the Valsugan;
"Sofia's Egna by Bolgiano 's sure!" . . .
So he proceeded: half of all this, pure
Delusion, doubtless, nor the rest too true,
But what was undone he felt sure to do,
As ring by ring he wrung off, flung away
The pauldron-rings to give his sword-arm play
Need of the sword now! That would soon adjust
Aught wrong at present; to the sword intrust
Sordello's whiteness, undersize: 't was plain
He hardly rendered right to his own brain
Like a brave hound, men educate to pride
Himself on speed or scent nor aught beside,
As though he could not, gift by gift, match men!
Palma had listened patiently: but when
'T was time expostulate, attempt withdraw
Taurello from his child, she, without awe
Took off his iron arms from, one by one,
Sordello's shrinking shoulders, and, that done,
Made him avert his visage and relieve
Sordello (you might see his corslet heave
The while) who, loose, rosetried to speak, then sank:
They left him in the chamber. All was blank.
And even reeling down the narrow stair
Taurello kept up, as though unaware
Palma was by to guide him, the old device
Something of Milan"how we muster thrice
"The Torriani's strength there; all along
"Our own Visconti cowed them"thus the song
Continued even while she bade him stoop,
Thrid somehow, by some glimpse of arrow-loop,
The turnings to the gallery below,
Where he stopped short as Palma let him go.
When he had sat in silence long enough
Splintering the stone bench, braving a rebuff
She stopped the truncheon; only to commence
One of Sordello's poems, a pretence
For speaking, some poor rhyme of "Elys' hair
"And head that 's sharp and perfect like a pear,
"So smooth and close are laid the few fine locks
"Stained like pale honey oozed from topmost rocks
"Sun-blanched the livelong summer"from his worst
Performance, the Goito, as his first:
And that at end, conceiving from the brow
And open mouth no silence would serve now,
Went on to say the whole world loved that man
And, for that matter, thought his face, tho' wan,
Eclipsed the Count'she sucking in each phrase
As if an angel spoke. The foolish praise
Ended, he drew her on his mailed knees, made
Her face a framework with his hands, a shade,
A crown, an aureole: there must she remain
(Her little mouth compressed with smiling pain
As in his gloves she felt her tresses twitch)
To get the best look at, in fittest niche
Dispose his saint. That done, he kissed her brow,
"Lauded her father for his treason now,"
He told her, "only, how could one suspect
"The wit in him?whose clansman, recollect,
`Was ever Salinguerrashe, the same,
"Romano and his ladyso, might claim
"To know all, as she should"and thus begun
Schemes with a vengeance, schemes on schemes, "not one
"Fit to be told that foolish boy," he said,
"But only let Sordello Palma wed,
"Then!"
     'T was a dim long narrow place at best:
Midway a sole grate showed the fiery West,
As shows its corpse the world's end some split tomb
A gloom, a rift of fire, another gloom,
Faced Palmabut at length Taurello set
Her free; the grating held one ragged jet
Of fierce gold fire: he lifted her within
The hollow underneathhow else begin
Fate's second marvellous cycle, else renew
The ages than with Palma plain in view?
Then paced the passage, hands clenched, head erect,
Pursuing his discourse; a grand unchecked
Monotony made out from his quick talk
And the recurring noises of his walk;
Somewhat too much like the o'ercharged assent
Of two resolved friends in one danger blent,
Who hearten each the other against heart;
Boasting there 's nought to care for, when, apart
The boaster, all 's to care for. He, beside
Some shape not visible, in power and pride
Approached, out of the dark, ginglingly near,
Nearer, passed close in the broad light, his ear
Crimson, eyeballs suffused, temples full-fraught,
Just a snatch of the rapid speech you caught,
And on he strode into the opposite dark,
Till presently the harsh heel's turn, a spark
I' the stone, and whirl of some loose embossed throng
That crashed against the angle aye so long
After the last, punctual to an amount
Of mailed great paces you could not but count,
Prepared you for the pacing back again.
And by the snatches you might ascertain
That, Friedrich's Prefecture surmounted, left
By this alone in Italy, they cleft
Asunder, crushed together, at command
Of none, were free to break up Hildebrand,
Rebuild, he and Sordello, Charlemagne
But garnished, Strength with Knowledge, "if we deign
"Accept that compromise and stoop to give
"Rome law, the Csar's Representative."
Enough, that the illimitable flood
Of triumphs after triumphs, understood
In its faint reflux (you shall hear) sufficed
Young Ecelin for appanage, enticed
Him on till, these long quiet in their graves,
He found 't was looked for that a whole life's braves
Should somehow be made good; so, weak and worn,
Must stagger up at Milan, one grey morn
Of the to-come, and fight his latest fight.
But, Salinguerra's prophecy at height
He voluble with a raised arm and stiff,
A blaring voice, a blazing eye, as if
He had our very Italy to keep
Or cast away, or gather in a heap
To garrison the betteray, his word
Was, "run the cucumber into a gourd,
"Drive Trent upon Apulia"at their pitch
Who spied the continents and islands which
Grew mulberry leaves and sickles, in the map
(Strange that three such confessions so should hap
To Palma, Dante spoke with in the clear
Amorous silence of the Swooning-sphere,
Cunizza, as he called her! Never ask
Of Palma more! She sat, knowing her task
Was done, the labour of it,for, success
Concerned not Palma, passion's votaress.)
Triumph at neight, and thus Sordello crowned
Above the passage suddenly a sound
Stops speech, stops walk: back shrinks Taurello, bids
With large involuntary asking lids,
Palma interpret. "'T is his own foot-stamp
"Your hand! His summons! Nay, this idle damp
"Befits not!" Out they two reeled dizzily.
"Visconti 's strong at Milan," resumed he,
In the old, somewhat insignificant way
(Was Palma wont, years afterward, to say)
As though the spirit's flight, sustained thus far,
Dropped at that very instant.
               Gone they are
Palma, Taurello; Eglamor anon,
Ecelin,only Naddo 's never gone!
Labours, this moonrise, what the Master meant:
"Is Squarcialupo speckled?purulent,
"I 'd say, but when was Providence put out?
"He carries somehow handily about
"His spite nor fouls himself!" Goito's vines
Stand like a cheat detectedstark rough lines,
The moon breaks through, a grey mean scale against
The vault where, this eve's Maiden, thou remain'st
Like some fresh martyr, eyes fixedwho can tell?
As Heaven, now all 's at end, did not so well,
Spite of the faith and victory, to leave
Its virgin quite to death in the lone eve.
While the persisting hermit-bee . . . ha! wait
No longer: these in compass, forward fate!


~ Robert Browning, Sordello - Book the Fifth
,
107:And the font took them: let our laurels lie!
Braid moonfern now with mystic trifoly
Because once more Goito gets, once more,
Sordello to itself! A dream is o'er,
And the suspended life begins anew;
Quiet those throbbing temples, then, subdue
That cheek's distortion! Nature's strict embrace,
Putting aside the past, shall soon efface
Its print as wellfactitious humours grown
Over the trueloves, hatreds not his own
And turn him pure as some forgotten vest
Woven of painted byssus, silkiest
Tufting the Tyrrhene whelk's pearl-sheeted lip,
Left welter where a trireme let it slip
I' the sea, and vexed a satrap; so the stain
O' the world forsakes Sordello, with its pain,
Its pleasure: how the tinct loosening escapes,
Cloud after cloud! Mantua's familiar shapes
Die, fair and foul die, fading as they flit,
Men, women, and the pathos and the wit,
Wise speech and foolish, deeds to smile or sigh
For, good, bad, seemly or ignoble, die.
The last face glances through the eglantines,
The last voice murmurs, 'twixt the blossomed vines,
Of Men, of that machine supplied by thought
To compass self-perception with, he sought
By forcing half himselfan insane pulse
Of a god's blood, on clay it could convulse,
Never transmuteon human sights and sounds,
To watch the other half with; irksome bounds
It ebbs from to its source, a fountain sealed
Forever. Better sure be unrevealed
Than part revealed: Sordello well or ill
Is finished: then what further use of Will,
Point in the prime idea not realized,
An oversight? inordinately prized,
No less, and pampered with enough of each
Delight to prove the whole above its reach.
"To need become all natures, yet retain
"The law of my own natureto remain
"Myself, yet yearn . . . as if that chestnut, think,
"Should yearn for this first larch-bloom crisp and pink,
"Or those pale fragrant tears where zephyrs stanch
"March wounds along the fretted pine-tree branch!
"Will and the means to show will, great and small,
"Material, spiritual,abjure them all
"Save any so distinct, they may be left
"To amuse, not tempt become! and, thus bereft,
"Just as I first was fashioned would I be!
"Nor, moon, is it Apollo now, but me
"Thou visitest to comfort and befriend!
"Swim thou into my heart, and there an end,
"Since I possess thee!nay, thus shut mine eyes
"And know, quite know, by this heart's fall and rise,
"When thou dost bury thee in clouds, and when
"Out-standest: wherefore practise upon men
"To make that plainer to myself?"
                 Slide here
Over a sweet and solitary year
Wasted; or simply notice change in him
How eyes, once with exploring bright, grew dim
And satiate with receiving. Some distress
Was caused, too, by a sort of consciousness
Under the imbecility,nought kept
That down; he slept, but was aware he slept,
So, frustrated: as who brainsick made pact
Erst with the overhanging cataract
To deafen him, yet still distinguished plain
His own blood's measured clicking at his brain.
To finish. One declining Autumn day
Few birds about the heaven chill and grey,
No wind that cared trouble the tacit woods
He sauntered home complacently, their moods
According, his and nature's. Every spark
Of Mantua life was trodden out; so dark
The embers, that the Troubadour, who sung
Hundreds of songs, forgot, its trick his tongue,
Its craft his brain, how either brought to pass
Singing at all; that faculty might class
With any of Apollo's now. The year
Began to find its early promise sere
As well. Thus beauty vanishes; thus stone
Outlingers flesh: nature's and his youth gone,
They left the world to you, and wished you joy.
When, stopping his benevolent employ,
A presage shuddered through the welkin; harsh
The earth's remonstrance followed. 'T was the marsh
Gone of a sudden. Mincio, in its place,
Laughed, a broad water, in next morning's face,
And, where the mists broke up immense and white
I' the steady wind, burned like a spilth of light
Out of the crashing of a myriad stars.
And here was nature, bound by the same bars
Of fate with him!
         "No! youth once gone is gone:
"Deeds, let escape, are never to be done.
"Leaf-fall and grass-spring for the year; for us
"Oh forfeit I unalterably thus
"My chance? nor two lives wait me, this to spend,
"Learning save that? Nature has time, may mend
"Mistake, she knows occasion will recur;
"Landslip or seabreach, how affects it her
"With her magnificent resources?I
"Must perish once and perish utterly.
"Not any strollings now at even-close
"Down the field-path, Sordello! by thorn-rows
"Alive with lamp-flies, swimming spots of fire
"And dew, outlining the black cypress' spire
"She waits you at, Elys, who heard you first
"Woo her, the snow-month through, but ere she durst
"Answer 't was April. Linden-flower-time-long
"Her eyes were on the ground; 't is July, strong
"Now; and because white dust-clouds overwhelm
"The woodside, here or by the village elm
"That holds the moon, she meets you, somewhat pale,
"But letting you lift up her coarse flax veil
"And whisper (the damp little hand in yours)
"Of love, heart's love, your heart's love that endures
"Till death. Tush! No mad mixing with the rout
"Of haggard ribalds wandering about
"The hot torchlit wine-scented island-house
"Where Friedrich holds his wickedest carouse,
"Parading,to the gay Palermitans,
"Soft Messinese, dusk Saracenic clans
"Nuocera holds,those tall grave dazzling Norse,
"High-cheeked, lank-haired, toothed whiter than the morse,
"Queens of the caves of jet stalactites,
"He sent his barks to fetch through icy seas,
"The blind night seas without a saving star,
"And here in snowy birdskin robes they are,
"Sordello!here, mollitious alcoves gilt
"Superb as Byzant domes that devils built!
"Ah, Byzant, there again! no chance to go
"Ever like august cheery Dandolo,
"Worshipping hearts about him for a wall,
"Conducted, blind eyes, hundred years and all,
"Through vanquished Byzant where friends note for him
"What pillar, marble massive, sardius slim,
"'T were fittest he transport to Venice' Square
"Flattered and promised life to touch them there
"Soon, by those fervid sons of senators!
"No more lifes, deaths, loves, hatreds, peaces, wars!
"Ah, fragments of a whole ordained to be,
"Points in the life I waited! what are ye
"But roundels of a ladder which appeared
"Awhile the very platform it was reared
"To lift me on?that happiness I find
"Proofs of my faith in, even in the blind
"Instinct which bade forego you all unless
"Ye led me past yourselves. Ay, happiness
"Awaited me; the way life should be used
"Was to acquire, and deeds like you conduced
"To teach it by a self-revealment, deemed
"Life's very use, so long! Whatever seemed
"Progress to that, was pleasure; aught that stayed
"My reaching itno pleasure. I have laid
"The ladder down; I climb not; still, aloft
"The platform stretches! Blisses strong and soft,
"I dared not entertain, elude me; yet
"Never of what they promised could I get
"A glimpse till now! The common sort, the crowd,
"Exist, perceive; with Being are endowed,
"However slight, distinct from what they See,
"However bounded; Happiness must be,
"To feed the first by gleanings from the last,
"Attain its qualities, and slow or fast
"Become what they behold; such peace-in-strife,
"By transmutation, is the Use of Life,
"The Alien turning Native to the soul
"Or bodywhich instructs me; I am whole
"There and demand a Palma; had the world
"Been from my soul to a like distance hurled,
"'T were Happiness to make it one with me:
"Whereas I must, ere I begin to Be,
"Include a world, in flesh, I comprehend
"In spirit now; and this done, what 's to blend
"With? Nought is Alien in the worldmy Will
"Owns all already; yet can turn itstill
"LessNative, since my Means to correspond
"With Will are so unworthy, 't was my bond
"To tread the very joys that tantalize
"Most now, into a grave, never to rise.
"I die then! Will the rest agree to die?
"Next Age or no? Shall its Sordello try
"Clue after clue, and catch at last the clue
"I miss?that 's underneath my finger too,
"Twice, thrice a day, perhaps,some yearning traced
"Deeper, some petty consequence embraced
"Closer! Why fled I Mantua, then?complained
"So much my Will was fettered, yet remained
"Content within a tether half the range
"I could assign it?able to exchange
"My ignorance (I felt) for knowledge, and
"Idle because I could thus understand
"Could e'en have penetrated to its core
"Our mortal mystery, yetfoolforbore,
"Preferred elaborating in the dark
"My casual stuff, by any wretched spark
"Born of my predecessors, though one stroke
"Of mine had brought the flame forth! Mantua's yoke,
"My minstrel's-trade, was to behold mankind,
"My own concern was just to bring my mind
"Behold, just extricate, for my acquist,
"Each object suffered stifle in the mist
"Which hazard, custom, blindness interpose
"Betwixt things and myself."
               Whereat he rose.
The level wind carried above the firs
Clouds, the irrevocable travellers,
Onward.
   "Pushed thus into a drowsy copse,
"Arms twine about my neck, each eyelid drops
"Under a humid finger; while there fleets,
"Outside the screen, a pageant time repeats
"Never again! To be deposed, immured
"Clandestinelystill petted, still assured
"To govern were fatiguing workthe Sight
"Fleeting meanwhile! 'T is noontide: wreak ere night
"Somehow my will upon it, rather! Slake
"This thirst somehow, the poorest impress take
"That serves! A blasted bud displays you, torn,
"Faint rudiments of the full flower unborn;
"But who divines what glory coats o'erclasp
"Of the bulb dormant in the mummy's grasp
"Taurello sent?" . . .
           "Taurello? Palma sent
"Your Trouvere," (Naddo interposing leant
Over the lost bard's shoulder)"and, believe,
"You cannot more reluctantly receive
"Than I pronounce her message: we depart
"Together. What avail a poet's heart
"Verona's pomps and gauds? five blades of grass
"Suffice him. News? Why, where your marish was,
"On its mud-banks smoke rises after smoke
"I' the valley, like a spout of hell new-broke.
"Oh, the world's tidings! small your thanks, I guess,
"For them. The father of our Patroness,
"Has played Taurello an astounding trick,
"Parts between Ecelin and Alberic
"His wealth and goes into a convent: both
"Wed Guelfs: the Count and Palma plighted troth
"A week since at Verona: and they want
"You doubtless to contrive the marriage-chant
"Ere Richard storms Ferrara." Then was told
The tale from the beginninghow, made bold
By Salinguerra's absence, Guelfs had burned
And pillaged till he unawares returned
To take revenge: how Azzo and his friend
Were doing their endeavour, how the end
O' the siege was nigh, and how the Count, released
From further care, would with his marriage-feast
Inaugurate a new and better rule,
Absorbing thus Romano.
           "Shall I school
"My master," added Naddo, "and suggest
"How you may clothe in a poetic vest
"These doings, at Verona? Your response
"To Palma! Wherefore jest? 'Depart at once?
"A good resolve! In truth, I hardly hoped
"So prompt an acquiescence. Have you groped
"Out wisdom in the wilds here?thoughts may be
"Over-poetical for poetry.
"Pearl-white, you poets liken Palma's neck;
"And yet what spoils an orient like some speck
"Of genuine white, turning its own white grey?
"You take me? Curse the cicala!"
                 One more day,
One eveappears Verona! Many a group,
(You mind) instructed of the osprey's swoop
On lynx and ounce, was gatheringChristendom
Sure to receive, whate'er the end was, from
The evening's purpose cheer or detriment,
Since Friedrich only waited some event
Like this, of Ghibellins establishing
Themselves within Ferrara, ere, as King
Of Lombardy, he 'd glad descend there, wage
Old warfare with the Pontiff, disengage
His barons from the burghers, and restore
The rule of Charlemagne, broken of yore
By Hildebrand.
       I' the palace, each by each,
Sordello sat and Palma: little speech
At first in that dim closet, face with face
(Despite the tumult in the market-place)
Exchanging quick low laughters: now would rush
Word upon word to meet a sudden flush,
A look left off, a shifting lips' surmise
But for the most part their two histories
Ran best thro' the locked fingers and linked arms.
And so the night flew on with its alarms
Till in burst one of Palma's retinue;
"Now, Lady!" gasped he. Then arose the two
And leaned into Verona's air, dead-still.
A balcony lay black beneath until
Out, 'mid a gush of torchfire, grey-haired men
Came on it and harangued the people: then
Sea-like that people surging to and fro
Shouted, "Hale forth the carrochtrumpets, ho,
"A flourish! Run it in the ancient grooves!
"Back from the bell! Hammerthat whom behoves
"May hear the League is up! Peallearn who list,
"Verona means not first of towns break tryst
"To-morrow with the League!"
               Enough. Now turn
Over the eastern cypresses: discern!
Is any beacon set a-glimmer?
               Rang
The air with shouts that overpowered the clang
Of the incessant carroch, even: "Haste
"The candle 's at the gateway! ere it waste,
"Each soldier stand beside it, armed to march
"With Tiso Sampier through the eastern arch!"
Ferrara's succoured, Palma!
               Once again
They sat together; some strange thing in train
To say, so difficult was Palma's place
In taking, with a coy fastidious grace
Like the bird's flutter ere it fix and feed.
But when she felt she held her friend indeed
Safe, she threw back her curls, began implant
Her lessons; telling of another want
Goito's quiet nourished than his own;
Palmato serve himto be served, alone
Importing; Agnes' milk so neutralized
The blood of Ecelin. Nor be surprised
If, while Sordello fain had captive led
Nature, in dream was Palma subjected
To some out-soul, which dawned not though she pined
Delaying, till its advent, heart and mind
Their life. "How dared I let expand the force
"Within me, till some out-soul, whose resource
"It grew for, should direct it? Every law
"Of life, its every fitness, every flaw,
"Must One determine whose corporeal shape
"Would be no other than the prime escape
"And revelation to me of a Will
"Orb-like o'ershrouded and inscrutable
"Above, save at the point which, I should know,
"Shone that myself, my powers, might overflow
"So far, so much; as now it signified
"Which earthly shape it henceforth chose my guide,
"Whose mortal lip selected to declare
"Its oracles, what fleshly garb would wear
"The first of intimations, whom to love;
"The next, how love him. Seemed that orb, above
"The castle-covert and the mountain-close,
"Slow in appearing?if beneath it rose
"Cravings, aversions,did our green precinct
"Take pride in me, at unawares distinct
"With this or that endowment,how, repressed
"At once, such jetting power shrank to the rest!
"Was I to have a chance touch spoil me, leave
"My spirit thence unfitted to receive
"The consummating spell?that spell so near
"Moreover! 'Waits he not the waking year?
"'His almond-blossoms must be honey-ripe
"'By this; to welcome him, fresh runnels stripe
"'The thawed ravines; because of him, the wind
"'Walks like a herald. I shall surely find
"'Him now!'
     "And chief, that earnest April morn
"Of Richard's Love-court, was it time, so worn
"And white my cheek, so idly my blood beat,
"Sitting that morn beside the Lady's feet
"And saying as she prompted; till outburst
"One face from all the faces. Not then first
"I knew it; where in maple chamber glooms,
"Crowned with what sanguine-heart pomegranate blooms,
"Advanced it ever? Men's acknowledgment
"Sanctioned my own: 't was taken, Palma's bent,
"Sordello,recognized, accepted.
                 "Dumb
"Sat she still scheming. Ecelin would come
"Gaunt, scared, 'Cesano baffles me,' he 'd say:
"'Better I fought it out, my father's way!
"'Strangle Ferrara in its drowning flats,
"'And you and your Taurello yonder!what's
"'Romano's business there?' An hour's concern
"To cure the froward Chief!induce return
"As heartened from those overmeaning eyes,
"Wound up to persevere,his enterprise
"Marked out anew, its exigent of wit
"Apportioned,she at liberty to sit
"And scheme against the next emergence, I
"To covet her Taurello-sprite, made fly
"Or fold the wingto con your horoscope
"For leave command those steely shafts shoot ope,
"Or straight assuage their blinding eagerness
"In blank smooth snow What semblance of success
"To any of my plans for making you
"Mine and Romano's? Break the first wall through,
"Tread o'er the ruins of the Chief, supplant
"His sons beside, still, vainest were the vaunt:
"There, Salinguerra would obstruct me sheer,
"And the insuperable Tuscan, here,
"Stay me! But one wild eve that Lady died
"In her lone chamber: only I beside:
"Taurello far at Naples, and my sire
"At Padua, Ecelin away in ire
"With Alberic. She held me thusa clutch
"To make our spirits as our bodies touch
"And so began flinging the past up heaps
"Of uncouth treasure from their sunless sleeps
"Within her soul; deeds rose along with dreams,
"Fragments of many miserable schemes,
"Secrets, more secrets, thenno, not the last
"'Mongst others, like a casual trick o' the past,
"How . . . ay, she told me, gathering up her face,
"All left of it, into one arch-grimace
"To die with . . .
         "Friend, 't is gone! but not the fear
"Of that fell laughing, heard as now I hear.
"Nor faltered voice, nor seemed her heart grow weak
"When i' the midst abrupt she ceased to speak
"Dead, as to serve a purpose, mark!for in
"Rushed o' the very instant Ecelin
"(How summoned, who divines?)looking as if
"He understood why Adelaide lay stiff
"Already in my arms; for 'Girl, how must
"'I manage Este in the matter thrust
"'Upon me, how unravel your bad coil?
"'Since' (he declared) ''t is on your browa soil
"'Like hers there!' then in the same breath, 'he lacked
"'No counsel after all, had signed no pact
"'With devils, nor was treason here or there,
"'Goito or Vicenza, his affair:
"'He buried it in Adelaide's deep grave,
"'Would begin life afresh, now,would not slave
"'For any Friedrich's nor Taurello's sake!
"'What booted him to meddle or to make
"'In Lombardy?' And afterward I knew
"The meaning of his promise to undo
"All she had donewhy marriages were made,
"New friendships entered on, old followers paid
"With curses for their pains,new friends' amaze
"At height, when, passing out by Gate St. Blaise,
"He stopped short in Vicenza, bent his head
"Over a friar's neck,'had vowed,' he said,
"'Long since, nigh thirty years, because his wife
"'And child were saved there, to bestow his life
"'On God, his gettings on the Church.'
                     "Exiled
"Within Goito, still one dream beguiled
"My days and nights; 't was found, the orb I sought
"To serve, those glimpses came of Fomalhaut,
"No other: but how serve it?authorize
"You and Romano mingle destinies?
"And straight Romano's angel stood beside
"Me who had else been Boniface's bride,
"For Salinguerra 't was, with neck low bent,
"And voice lightened to music, (as he meant
"To learn, not teach me,) who withdrew the pall
"From the dead past and straight revived it all,
"Making me see how first Romano waxed,
"Wherefore he waned now, why, if I relaxed
"My grasp (even I!) would drop a thing effete,
"Frayed by itself, unequal to complete
"Its course, and counting every step astray
"A gain so much. Romano, every way
"Stable, a Lombard House nowwhy start back
"Into the very outset of its track?
"This patching principle which late allied
"Our House with other Houseswhat beside
"Concerned the apparition, the first Knight
"Who followed Conrad hither in such plight
"His utmost wealth was summed in his one steed?
"For Ecelo, that prowler, was decreed
"A task, in the beginning hazardous
"To him as ever task can be to us;
"But did the weather-beaten thief despair
"When first our crystal cincture of warm air
"That binds the Trevisan,as its spice-belt
"(Crusaders say) the tract where Jesus dwelt,
"Furtive he pierced, and Este was to face
"Despaired Saponian strength of Lombard grace?
"Tried he at making surer aught made sure,
"Maturing what already was mature?
"No; his heart prompted Ecelo, 'Confront
"'Este, inspect yourself. What 's nature? Wont.
"'Discard three-parts your nature, and adopt
"'The rest as an advantage!' Old strength propped
"The man who first grew Podest among
"The Vicentines, no less than, while there sprung
"His palace up in Padua like a threat,
"Their noblest spied a grace, unnoticed yet
"In Conrad's crew. Thus far the object gained,
"Romano was establishedhas remained
"'For are you not Italian, truly peers
"'With Este? Azzo better soothes our ears
"'Than Alberic? or is this lion's-crine
"'From over-mounts' (this yellow hair of mine)
"'So weak a graft on Agnes Este's stock?'
"(Thus went he on with something of a mock)
"'Wherefore recoil, then, from the very fate
"'Conceded you, refuse to imitate
"'Your model farther? Este long since left
"'Being mere Este: as a blade its heft,
"'Este required the Pope to further him:
"'And you, the Kaiserwhom your father's whim
"'Foregoes or, better, never shall forego
"'If Palma dare pursue what Ecelo
"'Commenced, but Ecelin desists from: just
"'As Adelaide of Susa could intrust
"'Her donative,her Piedmont given the Pope,
"'Her Alpine-pass for him to shut or ope
"''Twixt France and Italy,to the superb
"'Matilda's perfecting,so, lest aught curb
"'Our Adelaide's great counter-project for
"'Giving her Trentine to the Emperor
"'With passage here from Germany,shall you
"'Take it,my slender plodding talent, too!'
"Urged me Taurello with his half-smile
                     "He
"As Patron of the scattered family
"Conveyed me to his Mantua, kept in bruit
"Azzo's alliances and Richard's suit
"Until, the Kaiser excommunicate,
"'Nothing remains,' Taurello said, 'but wait
"'Some rash procedure: Palma was the link,
"'As Agnes' child, between us, and they shrink
"'From losing Palma: judge if we advance,
"'Your father's method, your inheritance!'
"The day I was betrothed to Boniface
"At Padua by Taurello's self, took place
"The outrage of the Ferrarese: again,
"The day I sought Verona with the train
"Agreed for,by Taurello's policy
"Convicting Richard of the fault, since we
"Were present to annul or to confirm,
"Richard, whose patience had outstayed its term,
"Quitted Verona for the siege.
                "And now
"What glory may engird Sordello's brow
"Through this? A month since at Oliero slunk
"All that was Ecelin into a monk;
"But how could Salinguerra so forget
"His liege of thirty years as grudge even yet
"One effort to recover him? He sent
"Forthwith the tidings of this last event
"To Ecelindeclared that he, despite
"The recent folly, recognized his right
"To order Salinguerra: 'Should he wring
"'Its uttermost advantage out, or fling
"'This chance away? Or were his sons now Head
"'O' the House?' Through me Taurello's missive sped;
"My father's answer will by me return.
"Behold! 'For him,' he writes, 'no more concern
"'With strife than, for his children, with fresh plots
"'Of Friedrich. Old engagements out he blots
"'For aye: Taurello shall no more subserve,
"'Nor Ecelin impose.' Lest this unnerve
"Taurello at this juncture, slack his grip
"Of Richard, suffer the occasion slip,
"I, in his sons' default (who, mating with
"Este, forsake Romano as the frith
"Its mainsea for that firmland, sea makes head
"Against) I stand, Romano,in their stead
"Assume the station they desert, and give
"Still, as the Kaiser's representative,
"Taurello licence he demands. Midnight
"Morningby noon to-morrow, making light
"Of the League's issue, we, in some gay weed
"Like yours, disguised together, may precede
"The arbitrators to Ferrara: reach
"Him, let Taurello's noble accents teach
"The rest! Then say if I have misconceived
"Your destiny, too readily believed
"The Kaiser's cause your own!"
                And Palma's fled.
Though no affirmative disturbs the head,
A dying lamp-flame sinks and rises o'er,
Like the alighted planet Pollux wore,
Until, morn breaking, he resolves to be
Gate-vein of this heart's blood of Lombardy,
Soul of this bodyto wield this aggregate
Of souls and bodies, and so conquer fate
Though he should livea centre of disgust
Evenapart, core of the outward crust
He vivifies, assimilates. For thus
I bring Sordello to the rapturous
Exclaim at the crowd's cry, because one round
Of life was quite accomplished; and he found
Not only that a soul, whate'er its might,
Is insufficient to its own delight,
Both in corporeal organs and in skill
By means of such to body forth its Will
And, after, insufficient to apprise
Men of that Will, oblige them recognize
The Hid by the Revealedbut that,the last
Nor lightest of the struggles overpast,
Will, he bade abdicate, which would not void
The throne, might sit there, suffer he enjoyed
Mankind, a varied and divine array
Incapable of homage, the first way,
Nor fit to render incidentally
Tribute connived at, taken by the by,
In joys. If thus with warrant to rescind
The ignominious exile of mankind
Whose proper service, ascertained intact
As yet, (to be by him themselves made act,
Not watch Sordello acting each of them)
Was to secureif the true diadem
Seemed imminent while our Sordello drank
The wisdom of that golden Palma,thank
Verona's Lady in her citadel
Founded by Gaulish Brennus, legends tell:
And truly when she left him, the sun reared
A head like the first clamberer's who peered
A-top the Capitol, his face on flame
With triumph, triumphing till Manlius came.
Nor slight too much my rhymesthat spring, dispread,
Dispart, disperse, lingering over head
Like an escape of angels! Rather say,
My transcendental platan! mounting gay
(An archimage so courts a novice-queen)
With tremulous silvered trunk, whence branches sheen
Laugh out, thick-foliaged next, a-shiver soon
With coloured buds, then glowing like the moon
One mild flame,last a pause, a burst, and all
Her ivory limbs are smothered by a fall,
Bloom-flinders and fruit-sparkles and leaf-dust,
Ending the weird work prosecuted just
For her amusement; he decrepit, stark,
Dozes; her uncontrolled delight may mark
Apart
   Yet not so, surely never so
Only, as good my soul were suffered go
O'er the lagune: forth fare thee, put aside
Entrance thy synod, as a god may glide
Out of the world he fills, and leave it mute
For myriad ages as we men compute,
Returning into it without a break
O' the consciousness! They sleep, and I awake
O'er the lagune, being at Venice.
                 Note,
In just such songs as Eglamor (say) wrote
With heart and soul and strength, for he believed
Himself achieving all to be achieved
By singerin such songs you find alone
Completeness, judge the song and singer one,
And either purpose answered, his in it
Or its in him: while from true works (to wit
Sordello's dream-performances that will
Never be more than dreamed) escapes there still
Some proof, the singer's proper life was 'neath
The life his song exhibits, this a sheath
To that; a passion and a knowledge far
Transcending these, majestic as they are,
Smouldered; his lay was but an episode
In the bard's life: which evidence you owed
To some slight weariness, some looking-off
Or start-away. The childish skit or scoff
In "Charlemagne," (his poem, dreamed divine
In every point except one silly line
About the restiff daughters)what may lurk
In that? "My life commenced before this work,"
(So I interpret the significance
Of the bard's start aside and look askance)
"My life continues after: on I fare
"With no more stopping, possibly, no care
"To note the undercurrent, the why and how,
"Where, when, o' the deeper life, as thus just now.
"But, silent, shall I cease to live? Alas
"For you! who sigh, 'When shall it come to pass
"'We read that story? How will he compress
"'The future gains, his life's true business,
"'Into the better lay whichthat one flout,
"'Howe'er inopportune it be, lets out
"'Engrosses him already, though professed
"'To meditate with us eternal rest,
"'And partnership in all his life has found?'"
'T is but a sailor's promise, weather-bound:
"Strike sail, slip cable, here the bark be moored
"For once, the awning stretched, the poles assured!
"Noontide above; except the wave's crisp dash,
"Or buzz of colibri, or tortoise' splash,
"The margin 's silent: out with every spoil
"Made in our tracking, coil by mighty coil,
"This serpent of a river to his head
"I' the midst! Admire each treasure, as we spread
"The bank, to help us tell our history
"Aright: give ear, endeavour to descry
"The groves of giant rushes, how they grew
"Like demons' endlong tresses we sailed through,
"What mountains yawned, forests to give us vent
"Opened, each doleful side, yet on we went
"Till . . . may that beetle (shake your cap) attest
"The springing of a land-wind from the West!"
Wherefore? Ah yes, you frolic it to-day!
To-morrow, and, the pageant moved away
Down to the poorest tent-pole, we and you
Part company: no other may pursue
Eastward your voyage, be informed what fate
Intends, if triumph or decline await
The tempter of the everlasting steppe.
I muse this on a ruined palace-step
At Venice: why should I break off, nor sit
Longer upon my step, exhaust the fit
England gave birth to? Who 's adorable
Enough reclaim a - no Sordello's Will
Alack!be queen to me? That Bassanese
Busied among her smoking fruit-boats? These
Perhaps from our delicious Asolo
Who twinkle, pigeons o'er the portico
Not prettier, bind June lilies into sheaves
To deck the bridge-side chapel, dropping leaves
Soiled by their own loose gold-meal? Ah, beneath
The cool arch stoops she, brownest cheek! Her wreath
Endures a montha half-monthif I make
A queen of her, continue for her sake
Sordello's story? Nay, that Paduan girl
Splashes with barer legs where a live whirl
In the dead black Giudecca proves sea-weed
Drifting has sucked down three, four, all indeed
Save one pale-red striped, pale-blue turbaned post
For gondolas.
       You sad dishevelled ghost
That pluck at me and point, are you advised
I breathe? Let stay those girls (e'en her disguised
Jewels i' the locks that love no crownet like
Their native field-buds and the green wheat-spike,
So fair!who left this end of June's turmoil,
Shook off, as might a lily its gold soil,
Pomp, save a foolish gem or two, and free
In dream, came join the peasants o'er the sea.)
Look they too happy, too tricked out? Confess
There is such ****rd stock of happiness
To share, that, do one's uttermost, dear wretch,
One labours ineffectually to stretch
It o'er you so that mother and children, both
May equitably flaunt the sumpter-cloth!
Divide the robe yet farther: be content
With seeing just a score pre-eminent
Through shreds of it, acknowledged happy wights,
Engrossing what should furnish all, by rights!
For, these in evidence, you clearlier claim
A like garb for the rest,grace all, the same
As these my peasants. I ask youth and strength
And health for each of you, not moreat length
Grown wise, who asked at home that the whole race
Might add the spirit's to the body's grace,
And all be dizened out as chiefs and bards.
But in this magic weather one discards
Much old requirement. Venice seems a type
Of Life'twixt blue and blue extends, a stripe,
As Life, the somewhat, hangs 'twixt nought and nought:
'T is Venice, and 't is Lifeas good you sought
To spare me the Piazza's slippery stone
Or keep me to the unchoked canals alone,
As hinder Life the evil with the good
Which make up Living, rightly understood.
Only, do finish something! Peasants, queens,
Take them, made happy by whatever means,
Parade them for the common credit, vouch
That a luckless residue, we send to crouch
In corners out of sight, was just as framed
For happiness, its portion might have claimed
As well, and so, obtaining joy, had stalked
Fastuous as any!such my project, baulked
Already; I hardly venture to adjust
The first rags, when you find me. To mistrust
Me!nor unreasonably. You, no doubt,
Have the true knack of tiring suitors out
With those thin lips on tremble, lashless eyes
Inveterately tear-shot: there, be wise,
Mistress of mine, there, there, as if I meant
You insult!shall your friend (not slave) be shent
For speaking home? Beside, care-bit erased
Broken-up beauties ever took my taste
Supremely; and I love you more, far more
Than her I looked should foot Life's temple-floor.
Years ago, leagues at distance, when and where
A whisper came, "Let others seek!thy care
"Is found, thy life's provision; if thy race
"Should be thy mistress, and into one face
"The many faces crowd?" Ah, had I, judge,
Or no, your secret? Rough apparelgrudge
All ornaments save tag or tassel worn
To hint we are not thoroughly forlorn
Slouch bonnet, unloop mantle, careless go
Alone (that's saddest, but it must be so)
Through Venice, sing now and now glance aside,
Aught desultory or undignified,
Then, ravishingest lady, will you pass
Or not each formidable group, the mass
Before the Basilic (that feast gone by,
God's great day of the Corpus Domini)
And, wistfully foregoing proper men,
Come timid up to me for alms? And then
The luxury to hesitate, feign do
Some unexampled grace!when, whom but you
Dare I bestow your own upon? And hear
Further before you say, it is to sneer
I call you ravishing; for I regret
Little that she, whose early foot was set
Forth as she 'd plant it on a pedestal,
Now, i' the silent city, seems to fall
Toward meno wreath, only a lip's unrest
To quiet, surcharged eyelids to be pressed
Dry of their tears upon my bosom. Strange
Such sad chance should produce in thee such change,
My love! Warped souls and bodies! yet God spoke
Of right-hand, foot and eyeselects our yoke,
Sordello, as your poetship may find!
So, sleep upon my shoulder, child, nor mind
Their foolish talk; we 'll manage reinstate
Your old worth; ask moreover, when they prate
Of evil men past hope, "Don't each contrive,
"Despite the evil you abuse, to live?
"Keeping, each losel, through a maze of lies,
"His own conceit of truth? to which he hies
"By obscure windings, tortuous, if you will,
"But to himself not inaccessible;
"He sees truth, and his lies are for the crowd
"Who cannot see; some fancied right allowed
"His vilest wrong, empowered the losel clutch
"One pleasure from a multitude of such
"Denied him." Then assert, "All men appear
"To think all better than themselves, by here
"Trusting a crowd they wrong; but really," say,
"All men think all men stupider than they,
"Since, save themselves, no other comprehends
"The complicated scheme to make amends
"Evil, the scheme by which, thro' Ignorance,
"Good labours to exist." A slight advance,
Merely to find the sickness you die through,
And nought beside! but if one can't eschew
One's portion in the common lot, at least
One can avoid an ignorance increased
Tenfold by dealing out hint after hint
How nought were like dispensing without stint
The water of lifeso easy to dispense
Beside, when one has probed the centre whence
Commotion 's borncould tell you of it all!
"Meantime, just meditate my madrigal
"O' the mugwort that conceals a dewdrop safe!"
What, dullard? we and you in smothery chafe,
Babes, baldheads, stumbled thus far into Zin
The Horrid, getting neither out nor in,
A hungry sun above us, sands that bung
Our throats,each dromedary lolls a tongue,
Each camel churns a sick and frothy chap,
And you, 'twixt tales of Potiphar's mishap,
And sonnets on the earliest **** that spoke,
Remark, you wonder any one needs choke
With founts about! Potsherd him, Gibeonites!
While awkwardly enough your Moses smites
The rock, though he forego his Promised Land
Thereby, have Satan claim his carcass, and
Figure as Metaphysic Poet . . . ah,
Mark ye the dim first oozings? Meribah!
Then, quaffing at the fount my courage gained,
Recallnot that I prompt yewho explained . . .
"Presumptuous!" interrupts one. You, not I
'T is brother, marvel at and magnify
Such office: "office," quotha? can we get
To the beginning of the office yet?
What do we here? simply experiment
Each on the other's power and its intent
When elsewhere tasked,if this of mine were trucked
For yours to either's good,we watch construct,
In short, an engine: with a finished one,
What it can do, is all,nought, how 't is done.
But this of ours yet in probation, dusk
A kernel of strange wheelwork through its husk
Grows into shape by quarters and by halves;
Remark this tooth's spring, wonder what that valve's
Fall bodes, presume each faculty's device,
Make out each other more or less precise
The scope of the whole engine 's to be proved;
We die: which means to say, the whole 's removed,
Dismounted wheel by wheel, this complex gin,
To be set up anew elsewhere, begin
A task indeed, but with a clearer clime
Than the murk lodgment of our building-time.
And then, I grant you, it behoves forget
How 't is doneall that must amuse us yet
So long: and, while you turn upon your heel,
Pray that I be not busy slitting steel
Or shredding brass, camped on some virgin shore
Under a cluster of fresh stars, before
I name a tithe o' the wheels I trust to do!
So occupied, then, are we: hitherto,
At present, and a weary while to come,
The office of ourselves,nor blind nor dumb,
And seeing somewhat of man's state,has been,
For the worst of us, to say they so have seen;
For the better, what it was they saw; the best
Impart the gift of seeing to the rest:
"So that I glance," says such an one, "around,
"And there 's no face but I can read profound
"Disclosures in; this stands for hope, thatfear,
"And for a speech, a deed in proof, look here!
"'Stoop, else the strings of blossom, where the nuts
"'O'erarch, will blind thee! Said I not? She shuts
"'Both eyes this time, so close the hazels meet!
"'Thus, prisoned in the Piombi, I repeat
"'Events one rove occasioned, o'er and o'er,
"'Putting 'twixt me and madness evermore
"'Thy sweet shape, Zanze! Therefore stoop!'
                       "'That's truth!'
"(Adjudge you) 'the incarcerated youth
"'Would say that!'
         "Youth? Plara the bard? Set down
"That Plara spent his youth in a grim town
"Whose cramped ill-featured streets huddled about
"The minster for protection, never out
"Of its black belfry's shade and its bells' roar.
"The brighter shone the suburb,all the more
"Ugly and absolute that shade's reproof
"Of any chance escape of joy,some roof,
"Taller than they, allowed the rest detect,
"Before the sole permitted laugh (suspect
"Who could, 't was meant for laughter, that ploughed cheek's
"Repulsive gleam!) when the sun stopped both peaks
"Of the cleft belfry like a fiery wedge,
"Then sank, a huge flame on its socket edge,
"With leavings on the grey glass oriel-pane
"Ghastly some minutes more. No fear of rain
"The minster minded that! in heaps the dust
"Lay everywhere. This town, the minster's trust,
"Held Plara; who, its denizen, bade hail
"In twice twelve sonnets, Tempe's dewy vale."
"'Exact the town, the minster and the street!'"
"As all mirth triumphs, sadness means defeat:
"Lust triumphs and is gay, Love 's triumphed o'er
"And sad: but Lucio 's sad. I said before,
"Love's sad, not Lucio; one who loves may be
"As gay his love has leave to hope, as he
"Downcast that lusts' desire escapes the springe:
"'T is of the mood itself I speak, what tinge
"Determines it, else colourless,or mirth,
"Or melancholy, as from heaven or earth."
"'Ay, that 's the variation's gist!'
                   "Indeed?
"Thus far advanced in safety then, proceed!
"And having seen too what I saw, be bold
"And next encounter what I do behold
"(That's sure) but bid you take on trust!"
                       Attack
The use and purpose of such sights! Alack,
Not so unwisely does the crowd dispense
On Salinguerras praise in preference
To the Sordellos: men of action, these!
Who, seeing just as little as you please,
Yet turn that little to account,engage
With, do not gaze at,carry on, a stage,
The work o' the world, not merely make report
The work existed ere their day! In short,
When at some future no-time a brave band
Sees, using what it sees, then shake my hand
In heaven, my brother! Meanwhile where's the hurt
Of keeping the Makers-see on the alert,
At whose defection mortals stare aghast
As though heaven's bounteous windows were slammed fast
Incontinent? Whereas all you, beneath,
Should scowl at, bruise their lips and break their teeth
Who ply the pullies, for neglecting you:
And therefore have I moulded, made anew
A Man, and give him to be turned and tried,
Be angry with or pleased at. On your side,
Have ye times, places, actors of your own?
Try them upon Sordello when full-grown,
And thenah then! If Hercules first parched
His foot in Egypt only to be marched
A sacrifice for Jove with pomp to suit,
What chance have I? The demigod was mute
Till, at the altar, where time out of mind
Such guests became oblations, chaplets twined
His forehead long enough, and he began
Slaying the slayers, nor escaped a man.
Take not affront, my gentle audience! whom
No Hercules shall make his hecatomb,
Believe, nor from his brows your chaplet rend
That's your kind suffrage, yours, my patron-friend,
Whose great verse blares unintermittent on
Like your own trumpeter at Marathon,
You who, Plata and Salamis being scant,
Put up with tna for a stimulant
And did well, I acknowledged, as he loomed
Over the midland sea last month, presumed
Long, lay demolished in the blazing West
At eve, while towards him tilting cloudlets pressed
Like Persian ships at Salamis. Friend, wear
A crest proud as desert while I declare
Had I a flawless ruby fit to wring
Tears of its colour from that painted king
Who lost it, I would, for that smile which went
To my heart, fling it in the sea, content,
Wearing your verse in place, an amulet
Sovereign against all passion, wear and fret!
My English Eyebright, if you are not glad
That, as I stopped my task awhile, the sad
Dishevelled form, wherein I put mankind
To come at times and keep my pact in mind,
Renewed me,hear no crickets in the hedge,
Nor let a glowworm spot the river's edge
At home, and may the summer showers gush
Without a warning from the missel thrush!
So, to our business, nowthe fate of such
As find our common natureovermuch
Despised because restricted and unfit
To bear the burthen they impose on it
Cling when they would discard it; craving strength
To leap from the allotted world, at length
They do leap,flounder on without a term,
Each a god's germ, doomed to remain a germ
In unexpanded infancy, unless . . .
But that 's the storydull enough, confess!
There might be fitter subjects to allure;
Still, neither misconceive my portraiture
Nor undervalue its adornments quaint:
What seems a fiend perchance may prove a saint.
Ponder a story ancient pens transmit,
Then say if you condemn me or acquit.
John the Beloved, banished Antioch
For Patmos, bade collectively his flock
Farewell, but set apart the closing eve
To comfort those his exile most would grieve,
He knew: a touching spectacle, that house
In motion to receive him! Xanthus' spouse
You missed, made panther's meat a month since; but
Xanthus himself (his nephew 't was, they shut
'Twixt boards and sawed asunder) Polycarp,
Soft Charicle, next year no wheel could warp
To swear by Csar's fortune, with the rest
Were ranged; thro' whom the grey disciple pressed,
Busily blessing right and left, just stopped
To pat one infant's curls, the hangman cropped
Soon after, reached the portal. On its hinge
The door turns and he enters: what quick twinge
Ruins the smiling mouth, those wide eyes fix
Whereon, why like some spectral candlestick's
Branch the disciple's arms? Dead swooned he, woke
Anon, heaved sigh, made shift to gasp, heart-broke,
"Get thee behind me, Satan! Have I toiled
"To no more purpose? Is the gospel foiled
"Here too, and o'er my son's, my Xanthus' hearth,
"Portrayed with sooty garb and features swarth
"Ah Xanthus, am I to thy roof beguiled
"To see thethethe Devil domiciled?"
Whereto sobbed Xanthus, "Father, 't is yourself
"Installed, a limning which our utmost pelf
"Went to procure against to-morrow's loss;
"And that's no twy-prong, but a pastoral cross,
"You 're painted with!"
            His puckered brows unfold
And you shall hear Sordello's story told.


~ Robert Browning, Sordello - Book the Third
,
108:Meantime Ferrara lay in rueful case;
The lady-city, for whose sole embrace
Her pair of suitors struggled, felt their arms
A brawny mischief to the fragile charms
They tugged forone discovering that to twist
Her tresses twice or thrice about his wrist
Secured a point of vantageone, how best
He 'd parry that by planting in her breast
His elbow spikeeach party too intent
For noticing, howe'er the battle went,
The conqueror would but have a corpse to kiss.
"May Boniface be duly damned for this!"
Howled some old Ghibellin, as up he turned,
From the wet heap of rubbish where they burned
His house, a little skull with dazzling teeth:
"A boon, sweet Christlet Salinguerra seethe
"In hell for ever, Christ, and let myself
"Be there to laugh at him!"moaned some young Guelf
Stumbling upon a shrivelled hand nailed fast
To the charred lintel of the doorway, last
His father stood within to bid him speed.
The thoroughfares were overrun with weed
Docks, quitchgrass, loathy mallows no man plants.
The stranger, none of its inhabitants
Crept out of doors to taste fresh air again,
And ask the purpose of a splendid train
Admitted on a morning; every town
Of the East League was come by envoy down
To treat for Richard's ransom: here you saw
The Vicentine, here snowy oxen draw
The Paduan carroch, its vermilion cross
On its white field. A-tiptoe o'er the fosse
Looked Legate Montelungo wistfully
After the flock of steeples he might spy
In Este's time, gone (doubts he) long ago
To mend the ramparts: sure the laggards know
The Pope's as good as here! They paced the streets
More soberly. At last, "Taurello greets
"The League," announced a pursuivant,"will match
"Its courtesy, and labours to dispatch
"At earliest Tito, Friedrich's Pretor, sent
"On pressing matters from his post at Trent,
"With Mainard Count of Tyrol,simply waits
"Their going to receive the delegates."
"Tito!" Our delegates exchanged a glance,
And, keeping the main way, admired askance
The lazy engines of outlandish birth,
Couched like a king each on its bank of earth
Arbalist, manganel and catapult;
While stationed by, as waiting a result,
Lean silent gangs of mercenaries ceased
Working to watch the strangers. "This, at least,
"Were better spared; he scarce presumes gainsay
"The League's decision! Get our friend away
"And profit for the future: how else teach
"Fools 't is not safe to stray within claw's reach
"Ere Salinguerra's final gasp be blown?
"Those mere convulsive scratches find the bone.
"Who bade him bloody the spent osprey's nare?"
The carrochs halted in the public square.
Pennons of every blazon once a-flaunt,
Men prattled, freelier than the crested gaunt
White ostrich with a horse-shoe in her beak
Was missing, and whoever chose might speak
"Ecelin" boldly out: so,"Ecelin
"Needed his wife to swallow half the sin
"And sickens by himself: the devil's whelp,
"He styles his son, dwindles away, no help
"From conserves, your fine triple-curded froth
"Of virgin's blood, your Venice viper-broth
"Eh? Jubilate!""Peace! no little word
"You utter here that 's not distinctly heard
"Up at Oliero: he was absent sick
"When we besieged Bassanowho, i' the thick
"O' the work, perceived the progress Azzo made,
"Like Ecelin, through his witch Adelaide?
"She managed it so well that, night by night
"At their bed-foot stood up a soldier-sprite,
"First fresh, pale by-and-by without a wound,
"And, when it came with eyes filmed as in swound,
"They knew the place was taken.""Ominous
"That Ghibellins should get what cautelous
"Old Redbeard sought from Azzo's sire to wrench
"Vainly; Saint George contrived his town a trench
"O' the marshes, an impermeable bar."
"Young Ecelin is meant the tutelar
"Of Padua, rather; veins embrace upon
"His hand like Brenta and Bacchiglion."
What now?"The founts! God's bread, touch not a plank!
"A crawling hell of carrionevery tank
"Choke-full!found out just now to Cino's cost
"The same who gave Taurello up for lost,
"And, making no account of fortune's freaks,
"Refused to budge from Padua then, but sneaks
"Back now with Concorezzi: 'faith! they drag
"Their carroch to San Vitale, plant the flag
"On his own palace, so adroitly razed
"He knew it not; a sort of Guelf folk gazed
"And laughed apart; Cino disliked their air
"Must pluck up spirit, show he does not care
"Seats himself on the tank's edgewill begin
"To hum, za, za, Cavaler Ecelin
"A silence; he gets warmer, clinks to chime,
"Now both feet plough the ground, deeper each time,
"At last, za, za and up with a fierce kick
"Comes his own mother's face caught by the thick
"Grey hair about his spur!"
               Which means, they lift
The covering, Salinguerra made a shift
To stretch upon the truth; as well avoid
Further disclosures; leave them thus employed.
Our dropping Autumn morning clears apace,
And poor Ferrara puts a softened face
On her misfortunes. Let us scale this tall
Huge foursquare line of red brick garden-wall
Bastioned within by trees of every sort
On three sides, slender, spreading, long and short;
Each grew as it contrived, the poplar ramped,
The fig-tree reared itself,but stark and cramped,
Made fools of, like tamed lions: whence, on the edge,
Running 'twixt trunk and trunk to smooth one ledge
Of shade, were shrubs inserted, warp and woof,
Which smothered up that variance. Scale the roof
Of solid tops, and o'er the slope you slide
Down to a grassy space level and wide,
Here and there dotted with a tree, but trees
Of rarer leaf, each foreigner at ease,
Set by itself: and in the centre spreads,
Borne upon three uneasy leopards' heads,
A laver, broad and shallow, one bright spirt
Of water bubbles in. The walls begirt
With trees leave off on either hand; pursue
Your path along a wondrous avenue
Those walls abut on, heaped of gleamy stone,
With aloes leering everywhere, grey-grown
From many a Moorish summer: how they wind
Out of the fissures! likelier to bind
The building than those rusted cramps which drop
Already in the eating sunshine. Stop,
You fleeting shapes above there! Ah, the pride
Or else despair of the whole country-side!
A range of statues, swarming o'er with wasps,
God, goddess, woman, man, the Greek rough-rasps
In crumbling Naples marblemeant to look
Like those Messina marbles Constance took
Delight in, or Taurello's self conveyed
To Mantua for his mistress, Adelaide,
A certain font with caryatides
Since cloistered at Goito; only, these
Are up and doing, not abashed, a troop
Able to right themselveswho see you, stoop
Their arms o' the instant after you! Unplucked
By this or that, you pass; for they conduct
To terrace raised on terrace, and, between,
Creatures of brighter mould and braver mien
Than any yet, the choicest of the Isle
No doubt. Here, left a sullen breathing-while,
Up-gathered on himself the Fighter stood
For his last fight, and, wiping treacherous blood
Out of the eyelids just held ope beneath
Those shading fingers in their iron sheath,
Steadied his strengths amid the buzz and stir
Of the dusk hideous amphitheatre
At the announcement of his over-match
To wind the day's diversion up, dispatch
The pertinactious Gaul: while, limbs one heap,
The Slave, no breath in her round mouth, watched leap
Dart after dart forth, as her hero's car
Clove dizzily the solid of the war
Let coil about his knees for pride in him.
We reach the farthest terrace, and the grim
San Pietro Palace stops us.
               Such the state
Of Salinguerra's plan to emulate
Sicilian marvels, that his girlish wife
Retrude still might lead her ancient life
In her new home: whereat enlarged so much
Neighbours upon the novel princely touch
He took,who here imprisons Boniface.
Here must the Envoys come to sue for grace;
And here, emerging from the labyrinth
Below, Sordello paused beside the plinth
Of the door-pillar.
          He had really left
Verona for the cornfields (a poor theft
From the morass) where Este's camp was made;
The Envoys' march, the Legate's cavalcade
All had been seen by him, but scarce as when,
Eager for cause to stand aloof from men
At every point save the fantastic tie
Acknowledged in his boyish sophistry,
He made account of such. A crowd,he meant
To task the whole of it; each part's intent
Concerned him therefore: and, the more he pried,
The less became Sordello satisfied
With his own figure at the moment. Sought
He respite from his task? Descried he aught
Novel in the anticipated sight
Of all these livers upon all delight?
This phalanx, as of myriad points combined,
Whereby he still had imaged the mankind
His youth was passed in dreams of rivalling,
His agein plans to prove at least such thing
Had been so dreamed,which now he must impress
With his own will, effect a happiness
By theirs,supply a body to his soul
Thence, and become eventually whole
With them as he had hoped to be without
Made these the mankind he once raved about?
Because a few of them were notable,
Should all be figured worthy note? As well
Expect to find Taurello's triple line
Of trees a single and prodigious pine.
Real pines rose here and there; but, close among,
Thrust into and mixed up with pines, a throng
Of shrubs, he saw,a nameless common sort
O'erpast in dreams, left out of the report
And hurried into corners, or at best
Admitted to be fancied like the rest.
Reckon that morning's proper chiefshow few!
And yet the people grew, the people grew,
Grew ever, as if the many there indeed,
More left behind and most who should succeed,
Simply in virtue of their mouths and eyes,
Petty enjoyments and huge miseries,
Mingled with, and made veritably great
Those chiefs: he overlooked not Mainard's state
Nor Concorezzi's station, but instead
Of stopping there, each dwindled to be head
Of infinite and absent Tyrolese
Or Paduans; startling all the more, that these
Seemed passive and disposed of, uncared for,
Yet doubtless on the whole (like Eglamor)
Smiling; for if a wealthy man decays
And out of store of robes must wear, all days,
One tattered suit, alike in sun and shade,
'T is commonly some tarnished gay brocade
Fit for a feast-night's flourish and no more:
Nor otherwise poor Misery from her store
Of looks is fain upgather, keep unfurled
For common wear as she goes through the world,
The faint remainder of some worn-out smile
Meant for a feast-night's service merely. While
Crowd upon crowd rose on Sordello thus,
(Crowds no way interfering to discuss,
Much less dispute, life's joys with one employed
In envying them,or, if they aught enjoyed,
Where lingered something indefinable
In every look and tone, the mirth as well
As woe, that fixed at once his estimate
Of the result, their good or bad estate)
Old memories returned with new effect:
And the new body, ere he could suspect,
Cohered, mankind and he were really fused,
The new self seemed impatient to be used
By him, but utterly another way
Than that anticipated: strange to say,
They were too much below him, more in thrall
Than he, the adjunct than the principal.
What booted scattered units?here a mind
And there, which might repay his own to find,
And stamp, and use?a few, howe'er august,
If all the rest were grovelling in the dust?
No: first a mighty equilibrium, sure,
Should he establish, privilege procure
For all, the few had long possessed! He felt
An error, an exceeding error melt:
While he was occupied with Mantuan chants,
Behoved him think of men, and take their wants,
Such as he now distinguished every side,
As his own want which might be satisfied,
And, after that, think of rare qualities
Of his own soul demanding exercise.
It followed naturally, through no claim
On their part, which made virtue of the aim
At serving them, on his,that, past retrieve,
He felt now in their toils, theirsnor could leave
Wonder how, in the eagerness to rule,
Impress his will on mankind, he (the fool!)
Had never even entertained the thought
That this his last arrangement might be fraught
with incidental good to them as well,
And that mankind's delight would help to swell
His own. So, if he sighed, as formerly
Because the merry time of life must fleet,
'T was deeplier now,for could the crowds repeat
Their poor experiences? His hand that shook
Was twice to be deplored. "The Legate, look!
"With eyes, like fresh-blown thrush-eggs on a thread,
"Faint-blue and loosely floating in his head,
"Large tongue, moist open mouth; and this long while
"That owner of the idiotic smile
"Serves them!"
       He fortunately saw in time
His fault however, and since the office prime
Includes the secondarybest accept
Both offices; Taurello, its adept,
Could teach him the preparatory one,
And how to do what he had fancied done
Long previously, ere take the greater task.
How render first these people happy? Ask
The people's friends: for there must be one good
One way to itthe Cause! He understood
The meaning now of Palma; why the jar
Else, the ado, the trouble wide and far
Of Guelfs and Ghibellins, the Lombard hope
And Rome's despair?'twixt Emperor and Pope
The confused shifting sort of Eden tale
Hardihood still recurring, still to fail
That foreign interloping fiend, this free
And native overbrooding deity:
Yet a dire fascination o'er the palms
The Kaiser ruined, troubling even the calms
Of paradise; or, on the other hand,
The Pontiff, as the Kaisers understand,
One snake-like cursed of God to love the ground,
Whose heavy length breaks in the noon profound
Some saving treewhich needs the Kaiser, dressed
As the dislodging angel of that pest:
Yet flames that pest bedropped, flat head, full fold,
With coruscating dower of dyes. "Behold
"The secret, so to speak, and master-spring
"O' the contest!which of the two Powers shall bring
"Men good, perchance the most good: ay, it may
"Be that!the question, which best knows the way."
And hereupon Count Mainard strutted past
Out of San Pietro; never seemed the last
Of archers, slingers: and our friend began
To recollect strange modes of serving man
Arbalist, catapult, brake, manganel,
And more. "This way of theirs may,who can tell?
"Need perfecting," said he: "let all be solved
"At once! Taurello 't is, the task devolved
"On late: confront Taurello!"
               And at last
He did confront him. Scarce an hour had past
When forth Sordello came, older by years
Than at his entry. Unexampled fears
Oppressed him, and he staggered off, blind, mute
And deaf, like some fresh-mutilated brute,
Into Ferraranot the empty town
That morning witnessed: he went up and down
Streets whence the veil had been stript shred by shred,
So that, in place of huddling with their dead
Indoors, to answer Salinguerra's ends,
Townsfolk make shift to crawl forth, sit like friends
With any one. A woman gave him choice
Of her two daughters, the infantile voice
Or the dimpled knee, for half a chain, his throat
Was clasped with; but an archer knew the coat
Its blue cross and eight lilies,bade beware
One dogging him in concert with the pair
Though thrumming on the sleeve that hid his knife.
Night set in early, autumn dews were rife,
They kindled great fires while the Leaguers' mass
Began at every carroch: he must pass
Between the kneeling people. Presently
The carroch of Verona caught his eye
With purple trappings; silently he bent
Over its fire, when voices violent
Began, "Affirm not whom the youth was like
"That struck me from the porch: I did not strike
"Again: I too have chestnut hair; my kin
"Hate Azzo and stand up for Ecelin.
"Here, minstrel, drive bad thoughts away! Sing! Take
"My glove for guerdon!" And for that man's sake
He turned: "A song of Eglamor's!"scarce named,
When, "Our Sordello's rather!"all exclaimed;
"Is not Sordello famousest for rhyme?"
He had been happy to deny, this time,
Profess as heretofore the aching head
And failing heart,suspect that in his stead
Some true Apollo had the charge of them,
Was champion to reward or to condemn,
So his intolerable risk might shift
Or share itself; but Naddo's precious gift
Of gifts, he owned, be certain! At the close
"I made that," said he to a youth who rose
As if to hear: 't was Palma through the band
Conducted him in silence by her hand.
Back now for Salinguerra. Tito of Trent
Gave place to Palma and her friend, who went
In turn at Montelungo's visit: one
After the other were they come and gone,
These spokesmen for the Kaiser and the Pope,
This incarnation of the People's hope,
Sordello,all the say of each was said;
And Salinguerra sat,himself instead
Of these to talk with, lingered musing yet.
'T was a drear vast presence-chamber roughly set
In order for the morning's use; full face,
The Kaiser's ominous sign-mark had first place,
The crowned grim twy-necked eagle, coarsely-blacked
With ochre on the naked wall; nor lacked
Romano's green and yellow either side;
But the new token Tito brought had tried
The Legate's patiencenay, if Palma knew
What Salinguerra almost meant to do
Until the sight of her restored his lip
A certain half-smile, three months' chieftainship
Had banished! Afterward, the Legate found
No change in him, nor asked what badge he wound
And unwound carelessly. Now sat the Chief
Silent as when our couple left, whose brief
Encounter wrought so opportune effect
In thoughts he summoned not, nor would reject,
Though time 't was now if ever, to pausefix
On any sort of ending: wiles and tricks
Exhausted, judge! his charge, the crazy town,
Just managed to be hindered crashing down
His last sound troops rangedcare observed to post
His best of the maimed soldiers innermost
So much was plain enough, but somehow struck
Him not before. And now with this strange luck
Of Tito's news, rewarding his address
So well, what thought he of?how the success
With Friedrich's rescript there, would either hush
Old Ecelin's scruples, bring the manly flush
To his young son's white cheek, or, last, exempt
Himself from telling what there was to tempt?
No: that this minstrel was Romano's last
Servanthimself the first! Could he contrast
The whole!that minstrel's thirty years just spent
In doing nought, their notablest event
This morning's journey hither, as I told
Who yet was lean, outworn and really old,
A stammering awkward man that scarce dared raise
His eye before the magisterial gaze
And Salinguerra with his fears and hopes
Of sixty years, his Emperors and Popes,
Cares and contrivances, yet, you would say,
'T was a youth nonchalantly looked away
Through the embrasure northward o'er the sick
Expostulating treesso agile, quick
And graceful turned the head on the broad chest
Encased in pliant steel, his constant vest,
Whence split the sun off in a spray of fire
Across the room; and, loosened of its tire
Of steel, that head let breathe the comely brown
Large massive locks discoloured as if a crown
Encircled them, so frayed the basnet where
A sharp white line divided clean the hair;
Glossy above, glossy below, it swept
Curling and fine about a brow thus kept
Calm, laid coat upon coat, marble and sound:
This was the mystic mark the Tuscan found,
Mused of, turned over books about. Square-faced,
No lion more; two vivid eyes, enchased
In hollows filled with many a shade and streak
Settling from the bold nose and bearded cheek.
Nor might the half-smile reach them that deformed
A lip supremely perfect elseunwarmed,
Unwidened, less or more; indifferent
Whether on trees or men his thoughts were bent,
Thoughts rarely, after all, in trim and train
As now a period was fulfilled again:
Of such, a series made his life, compressed
In each, one story serving for the rest
How his life-streams rolling arrived at last
At the barrier, whence, were it once overpast,
They would emerge, a river to the end,
Gathered themselves up, paused, bade fate befriend,
Took the leap, hung a minute at the height,
Then fell back to oblivion infinite:
Therefore he smiled. Beyond stretched garden-grounds
Where late the adversary, breaking bounds,
Had gained him an occasion, That above,
That eagle, testified he could improve
Effectually. The Kaiser's symbol lay
Beside his rescript, a new badge by way
Of baldric; while,another thing that marred
Alike emprise, achievement and reward,
Ecelin's missive was conspicuous too.
What past life did those flying thoughts pursue?
As his, few names in Mantua half so old;
But at Ferrara, where his sires enrolled
It latterly, the Adelardi spared
No pains to rival them: both factions shared
Ferrara, so that, counted out, 't would yield
A product very like the city's shield,
Half black and white, or Ghibellin and Guelf
As after Salinguerra styled himself
And Este who, till Marchesalla died,
(Last of the Adelardi)never tried
His fortune there: with Marchesalla's child
Would pass,could Blacks and Whites be reconciled
And young Taurello wed Linguetta,wealth
And sway to a sole grasp. Each treats by stealth
Already: when the Guelfs, the Ravennese
Arrive, assault the Pietro quarter, seize
Linguetta, and are gone! Men's first dismay
Abated somewhat, hurries down, to lay
The after indignation, Boniface,
This Richard's father. "Learn the full disgrace
"Averted, ere you blame us Guelfs, who rate
"Your Salinguerra, your sole potentate
"That might have been, 'mongst Este's valvassors
"Ay, Azzo'swho, not privy to, abhors
"Our step; but we were zealous." Azzo then
To do with! Straight a meeting of old men:
"Old Salinguerra dead, his heir a boy,
"What if we change our ruler and decoy
"The Lombard Eagle of the azure sphere
"With Italy to build in, fix him here,
"Settle the city's troubles in a trice?
"For private wrong, let public good suffice!"
In fine, young Salinguerra's staunchest friends
Talked of the townsmen making him amends,
Gave him a goshawk, and affirmed there was
Rare sport, one morning, over the green grass
A mile or so. He sauntered through the plain,
Was restless, fell to thinking, turned again
In time for Azzo's entry with the bride;
Count Boniface rode smirking at their side;
"She brings him half Ferrara," whispers flew,
"And all Ancona! If the stripling knew!"
Anon the stripling was in Sicily
Where Heinrich ruled in right of Constance; he
Was gracious nor his guest incapable;
Each understood the other. So it fell,
One Spring, when Azzo, thoroughly at ease,
Had near forgotten by what precise degrees
He crept at first to such a downy seat,
The Count trudged over in a special heat
To bid him of God's love dislodge from each
Of Salinguerra's palaces,a breach
Might yawn else, not so readily to shut,
For who was just arrived at Mantua but
The youngster, sword on thigh and tuft on chin,
With tokens for Celano, Ecelin,
Pistore, and the like! Next news,no whit
Do any of Ferrara's domes befit
His wife of Heinrich's very blood: a band
Of foreigners assemble, understand
Garden-constructing, level and surround,
Build up and bury in. A last news crowned
The consternation: since his infant's birth,
He only waits they end his wondrous girth
Of trees that link San Pietro with Tom,
To visit Mantua. When the Podest
Ecelin, at Vicenza, called his friend
Taurello thither, what could be their end
But to restore the Ghibellins' late Head,
The Kaiser helping? He with most to dread
From vengeance and reprisal, Azzo, there
With Boniface beforehand, as aware
Of plots in progress, gave alarm, expelled
Both plotters: but the Guelfs in triumph yelled
Too hastily. The burning and the flight,
And how Taurello, occupied that night
With Ecelin, lost wife and son, I told:
Not how he bore the blow, retained his hold,
Got friends safe through, left enemies the worst
O' the fray, and hardly seemed to care at first:
But afterward men heard not constantly
Of Salinguerra's House so sure to be!
Though Azzo simply gained by the event
A shifting of his plaguesthe first, content
To fall behind the second and estrange
So far his nature, suffer such a change
That in Romano sought he wife and child,
And for Romano's sake seemed reconciled
To losing individual life, which shrunk
As the other prosperedmortised in his trunk;
Like a dwarf palm which wanton Arabs foil
Of bearing its own proper wine and oil,
By grafting into it the stranger-vine,
Which sucks its heart out, sly and serpentine,
Till forth one vine-palm feathers to the root,
And red drops moisten the insipid fruit.
Once Adelaide set on,the subtle mate
Of the weak soldier, urged to emulate
The Church's valiant women deed for deed,
And paragon her namesake, win the meed
O' the great Matilda,soon they overbore
The rest of Lombardy,not as before
By an instinctive truculence, but patched
The Kaiser's strategy until it matched
The Pontiff's, sought old ends by novel means.
"Only, why is it Salinguerra screens
"Himself behind Romano?him we bade
"Enjoy our shine i' the front, not seek the shade!"
Asked Heinrich, somewhat of the tardiest
To comprehend. Nor Philip acquiesced
At once in the arrangement; reasoned, plied
His friend with offers of another bride,
A statelier functionfruitlessly: 't was plain
Taurello through some weakness must remain
Obscure. And Otho, free to judge of both
Ecelin the unready, harsh and loth,
And this more plausible and facile wight
With every point a-sparklechose the right,
Admiring how his predecessors harped
On the wrong man: "thus," quoth he, "wits are warped
"By outsides!" Carelessly, meanwhile, his life
Suffered its many turns of peace and strife
In many landsyou hardly could surprise
The man; who shamed Sordello (recognize!)
In this as much beside, that, unconcerned
What qualities were natural or earned,
With no ideal of graces, as they came
He took them, singularly well the same
Speaking the Greek's own language, just because
Your Greek eludes you, leave the least of flaws
In contracts with him; while, since Arab lore
Holds the stars' secrettake one trouble more
And master it! 'T is done, and now deter
Who may the Tuscan, once Jove trined for her,
From Friedrich's path!Friedrich, whose pilgrimage
The same man puts aside, whom he 'll engage
To leave next year John Brienne in the lurch,
Come to Bassano, see Saint Francis' church
And judge of Guido the Bolognian's piece
Which,lend Taurello credit,rivals Greece
Angels, with aureoles like golden quoits
Pitched home, applauding Ecelin's exploits.
For elegance, he strung the angelot,
Made rhymes thereto; for prowess, clove he not
Tiso, last siege, from crest to crupper? Why
Detail you thus a varied mastery
But to show how Taurello, on the watch
For men, to read their hearts and thereby catch
Their capabilities and purposes,
Displayed himself so far as displayed these:
While our Sordello only cared to know
About men as a means whereby he 'd show
Himself, and men had much or little worth
According as they kept in or drew forth
That self; the other's choicest instruments
Surmised him shallow.
           Meantime, malcontents
Dropped off, town after town grew wiser. "How
"Change the world's face?" asked people; "as 't is now
"It has been, will be ever: very fine
"Subjecting things profane to things divine,
"In talk! This contumacy will fatigue
"The vigilance of Este and the League!
"The Ghibellins gain on us!"as it happed.
Old Azzo and old Boniface, entrapped
By Ponte Alto, both in one month's space
Slept at Verona: either left a brace
Of sonsbut, three years after, either's pair
Lost Guglielm and Aldobrand its heir:
Azzo remained and Richardall the stay
Of Este and Saint Boniface, at bay
As 't were. Then, either Ecelin grew old
Or his brain alterednot o' the proper mould
For new applianceshis old palm-stock
Endured no influx of strange strengths. He 'd rock
As in a drunkenness, or chuckle low
As proud of the completeness of his woe,
Then weep real tears;now make some mad onslaught
On Este, heedless of the lesson taught
So painfully,now cringe for peace, sue peace
At price of past gain, bar of fresh increase
To the fortunes of Romano. Up at last
Rose Este, down Romano sank as fast.
And men remarked these freaks of peace and war
Happened while Salinguerra was afar:
Whence every friend besought him, all in vain,
To use his old adherent's wits again.
Not he!"who had advisers in his sons,
"Could plot himself, nor needed any one's
"Advice." 'T was Adelaide's remaining staunch
Prevented his destruction root and branch
Forthwith; but when she died, doom fell, for gay
He made alliances, gave lands away
To whom it pleased accept them, and withdrew
For ever from the world. Taurello, who
Was summoned to the convent, then refused
A word at the wicket, patience thus abused,
Promptly threw off alike his imbecile
Ally's yoke, and his own frank, foolish smile.
Soon a few movements of the happier sort
Changed matters, put himself in men's report
As heretofore; he had to fight, beside,
And that became him ever. So, in pride
And flushing of this kind of second youth,
He dealt a good-will blow. Este in truth
Lay proneand men remembered, somewhat late,
A laughing old outrageous stifled hate
He bore to Estehow it would outbreak
At times spite of disguise, like an earthquake
In sunny weatheras that noted day
When with his hundred friends he tried to slay
Azzo before the Kaiser's face: and how,
On Azzo's calm refusal to allow
A liegeman's challenge, straight he too was calmed:
As if his hate could bear to lie embalmed,
Bricked up, the moody Pharaoh, and survive
All intermediate crumblings, to arrive
At earth's catastrophe't was Este's crash
Not Azzo's he demanded, so, no rash
Procedure! Este's true antagonist
Rose out of Ecelin: all voices whist,
All eyes were sharpened, wits predicted. He
'T was, leaned in the embrasure absently,
Amused with his own efforts, now, to trace
With his steel-sheathed forefinger Friedrich's face
I' the dust: but as the trees waved sere, his smile
Deepened, and words expressed its thought erewhile.
"Ay, fairly housed at last, my old compeer?
"That we should stick together, all the year
"I kept Vicenza!How old Boniface,
"Old Azzo caught us in its market-place,
"He by that pillar, I at this,caught each
"In mid swing, more than fury of his speech,
"Egging the rabble on to disavow
"Allegiance to their MarquisBacchus, how
"They boasted! Ecelin must turn their drudge,
"Nor, if released, will Salinguerra grudge
"Paying arrears of tribute due long since
"Bacchus! My man could promise then, nor wince
"The bones-and-muscles! Sound of wind and limb,
"Spoke he the set excuse I framed for him:
"And now he sits me, slavering and mute,
"Intent on chafing each starved purple foot
"Benumbed past aching with the altar slab:
"Will no vein throb there when some monk shall blab
"Spitefully to the circle of bald scalps,
"'Friedrich 's affirmed to be our side the Alps'
"Eh, brother Lactance, brother Anaclet?
"Sworn to abjure the world, its fume and fret,
"God's own now? Drop the dormitory bar,
"Enfold the scanty grey serge scapular
"Twice o'er the cowl to muffle memories out!
"So! But the midnight whisper turns a shout,
"Eyes wink, mouths open, pulses circulate
"In the stone walls: the past, the world you hate
"Is with you, ambush, open fieldor see
"The surging flamewe fire Vicenzaglee!
"Follow, let Pilio and Bernardo chafe!
"Bring up the Mantuansthrough San Biagiosafe!
"Ah, the mad people waken? Ah, they writhe
"And reach us? If they block the gate? No tithe
"Can passkeep back, you Bassanese! The edge,
"Use the edgeshear, thrust, hew, melt down the wedge,
"Let out the black of those black upturned eyes!
"Hellare they sprinkling fire too? The blood fries
"And hisses on your brass gloves as they tear
"Those upturned faces choking with despair.
"Brave! Slidder through the reeking gate! `How now?
"'You six had charge of her?' And then the vow
"Comes, and the foam spirts, hair's plucked, till one shriek
"(I hear it) and you flingyou cannot speak
"Your gold-flowered basnet to a man who haled
"The Adelaide he dared scarce view unveiled
"This morn, naked across the fire: how crown
"The archer that exhausted lays you down
"Your infant, smiling at the flame, and dies?
"While one, while mine . . .
               "Bacchus! I think there lies
"More than one corpse there" (and he paced the room)
"Another cinder somewhere: 't was my doom
"Beside, my doom! If Adelaide is dead,
"I live the same, this Azzo lives instead
"Of that to me, and we pull, any how,
"Este into a heap: the matter 's now
"At the true juncture slipping us so oft.
"Ay, Heinrich died and Otho, please you, doffed
"His crown at such a juncture! Still, if hold
"Our Friedrich's purpose, if this chain enfold
"The neck of . . . who but this same Ecelin
"That must recoil when the best days begin!
"Recoil? that 's nought; if the recoiler leaves
"His name for me to fight with, no one grieves:
"But he must interfere, forsooth, unlock
"His cloister to become my stumbling-block
"Just as of old! Ay, ay, there 't is again
"The land's inevitable Headexplain
"The reverences that subject us! Count
"These Ecelins now! Not to say as fount,
"Originating power of thought,from twelve
"That drop i' the trenches they joined hands to delve,
"Six shall surpass him, but . . . why men must twine
"Somehow with something! Ecelin 's a fine
"Clear name! 'Twere simpler, doubtless, twine with me
"At once: our cloistered friend's capacity
"Was of a sort! I had to share myself
"In fifty portions, like an o'ertasked elf
"That 's forced illume in fifty points the vast
"Rare vapour he 's environed by. At last
"My strengths, though sorely frittered, e'en converge
"And crown . . . no, Bacchus, they have yet to urge
"The man be crowned!
           "That aloe, an he durst,
"Would climb! Just such a bloated sprawler first
"I noted in Messina's castle-court
"The day I came, when Heinrich asked in sport
"If I would pledge my faith to win him back
"His right in Lombardy: 'for, once bid pack
"Marauders,' he continued, `in my stead
"'You rule, Taurello!' and upon this head
`Laid the silk glove of ConstanceI see her
"Too, mantled head to foot in miniver,
"Retrude following!
          "I am absolved
"From further toil: the empery devolved
"On me, 't was Tito's word: I have to lay
"For once my plan, pursue my plan my way,
"Prompt nobody, and render an account
"Taurello to Taurello! Nay, I mount
"To Friedrich: he conceives the post I kept,
"Who did true service, able or inept,
"Who 's worthy guerdon, Ecelin or I.
"Me guerdoned, counsel follows: would he vie
"With the Pope really? Azzo, Boniface
"Compose a right-arm Hohenstauffen's race
"Must break ere govern Lombardy. I point
"How easy 't were to twist, once out of joint,
"The socket from the bone: my Azzo's stare
"Meanwhile! for I, this idle strap to wear,
"Shallfret myself abundantly, what end
"To serve? There 's left me twenty years to spend
"How better than my old way? Had I one
"Who laboured overthrow my worka son
"Hatching with Azzo superb treachery,
"To root my pines up and then poison me,
"Suppose't were worth while frustrate that! Beside,
"Another life's ordained me: the world's tide
"Rolls, and what hope of parting from the press
"Of waves, a single wave though weariness
"Gently lifted aside, laid upon shore?
"My life must be lived out in foam and roar,
"No question. Fifty years the province held
"Taurello; troubles raised, and troubles quelled,
"He in the midstwho leaves this quaint stone place,
"These trees a year or two, then not a trace
"Of him! How obtain hold, fetter men's tongues
"Like this poor minstrel with the foolish songs
"To which, despite our bustle, he is linked?
"Flowers one may teaze, that never grow extinct.
"Ay, that patch, surely, green as ever, where
"I set Her Moorish lentisk, by the stair,
"To overawe the aloes; and we trod
"Those flowers, how call you such?into the sod;
"A stately foreignera world of pain
"To make it thrive, arrest rough windsall vain!
"It would decline; these would not be destroyed:
"And now, where is it? where can you avoid
"The flowers? I frighten children twenty years
"Longer!which way, too, Ecelin appears
"To thwart me, for his son's besotted youth
"Gives promise of the proper tigertooth:
"They feel it at Vicenza! Fate, fate, fate,
"My fine Taurello! Go you, promulgate
"Friedrich's decree, and here 's shall aggrandise
"Young Ecelinyour Prefect's badge! a prize
"Too precious, certainly.
             "How now? Compete
"With my old comrade? shuffle from their seat
"His children? Paltry dealing! Do n't I know
"Ecelin? now, I think, and years ago!
"What 's changedthe weakness? did not I compound
"For that, and undertake to keep him sound
"Despite it? Here 's Taurello hankering
"After a boy's prefermentthis plaything
"To carry, Bacchus!" And he laughed.
                   Remark
Why schemes wherein cold-blooded men embark
Prosper, when your enthusiastic sort
Fail: while these last are ever stopping short
(So much they shouldso little they can do!)
The careless tribe see nothing to pursue
If they desist; meantime their scheme succeeds.
Thoughts were caprices in the course of deeds
Methodic with Taurello; so, he turned,
Enough amused by fancies fairly earned
Of Este's horror-struck submitted neck,
And Richard, the cowed braggart, at his beck,
To his own petty but immediate doubt
If he could pacify the League without
Conceding Richard; just to this was brought
That interval of vain discursive thought!
As, shall I say, some Ethiop, past pursuit
Of all enslavers, dips a shackled foot
Burnt to the blood, into the drowsy black
Enormous watercourse which guides him back
To his own tribe again, where he is king;
And laughs because he guesses, numbering
The yellower poison-wattles on the pouch
Of the first lizard wrested from its couch
Under the slime (whose skin, the while, he strips
To cure his nostril with, and festered lips,
And eyeballs bloodshot through the desert-blast)
That he has reached its boundary, at last
May breathe;thinks o'er enchantments of the South
Sovereign to plague his enemies, their mouth,
Eyes, nails, and hair; but, these enchantments tried
In fancy, puts them soberly aside
For truth, projects a cool return with friends,
The likelihood of winning mere amends
Ere long; thinks that, takes comfort silently,
Then, from the river's brink, his wrongs and he,
Hugging revenge close to their hearts, are soon
Off-striding for the Mountains of the Moon.
Midnight: the watcher nodded on his spear,
Since clouds dispersing left a passage clear
For any meagre and discoloured moon
To venture forth; and such was peering soon
Above the harassed cityher close lanes
Closer, not half so tapering her fanes,
As though she shrunk into herself to keep
What little life was saved, more safely. Heap
By heap the watch-fires mouldered, and beside
The blackest spoke Sordello and replied
Palma with none to listen. "'T is your cause:
"What makes a Ghibellin? There should be laws
"(Remember how my youth escaped! I trust
"To you for manhood, Palma! tell me just
"As any child)there must be laws at work
"Explaining this. Assure me, good may lurk
"Under the bad,my multitude has part
"In your designs, their welfare is at heart
"With Salinguerra, to their interest
"Refer the deeds he dwelt on,so divest
"Our conference of much that scared me. Why
"Affect that heartless tone to Tito? I
"Esteemed myself, yes, in my inmost mind
"This morn, a recreant to my racemankind
"O'erlooked till now: why boast my spirit's force,
"Such force denied its object? why divorce
"These, then admire my spirit's flight the same
"As though it bore up, helped some half-orbed flame
"Else quenched in the dead void, to living space?
"That orb cast off to chaos and disgrace,
"Why vaunt so much my unencumbered dance,
"Making a feat's facilities enhance
"Its marvel? But I front Taurello, one
"Of happier fate, and all I should have done,
"He does; the people's good being paramount
"With him, their progress may perhaps account
"For his abiding still; whereas you heard
"The talk with Titothe excuse preferred
"For burning those five hostages,and broached
"By way of blind, as you and I approached,
"I do believe."
        She spoke: then he, "My thought
"Plainlier expressed! All to your profitnought
"Meantime of these, of conquests to achieve
"For them, of wretchedness he might relieve
"While profiting your party. Azzo, too,
"Supports a cause: what cause? Do Guelfs pursue
"Their ends by means like yours, or better?"
                       When
The Guelfs were proved alike, men weighed with men,
And deed with deed, blaze, blood, with blood and blaze,
Morn broke: "Once more, Sordello, meet its gaze
"Proudlythe people's charge against thee fails
"In every point, while either party quails!
"These are the busy ones: be silent thou!
"Two parties take the world up, and allow
"No third, yet have one principle, subsist
"By the same injustice; whoso shall enlist
"With either, ranks with man's inveterate foes.
"So there is one less quarrel to compose:
"The Guelf, the Ghibellin may be to curse
"I have done nothing, but both sides do worse
"Than nothing. Nay, to me, forgotten, reft
"Of insight, lapped by trees and flowers, was left
"The notion of a serviceha? What lured
"Me here, what mighty aim was I assured
"Must move Taurello? What if there remained
"A cause, intact, distinct from these, ordained
"For me, its true discoverer?"
                Some one pressed
Before them here, a watcher, to suggest
The subject for a ballad: "They must know
"The tale of the dead worthy, long ago
"Consul of Romethat 's long ago for us,
"Minstrels and bowmen, idly squabbling thus
`In the world's cornerbut too late no doubt,
"For the brave time he sought to bring about.
"Not know Crescentius Nomentanus?" Then
He cast about for terms to tell him, when
Sordello disavowed it, how they used
Whenever their Superior introduced
A novice to the Brotherhood("for I
"Was just a brown-sleeve brother, merrily
"Appointed too," quoth he, "till Innocent
"Bade me relinquish, to my small content,
"My wife or my brown sleeves")some brother spoke
Ere nocturns of Crescentius, to revoke
The edict issued, after his demise,
Which blotted fame alike and effigies,
All out except a floating power, a name
Including, tending to produce the same
Great act. Rome, dead, forgotten, lived at least
Within that brain, though to a vulgar priest
And a vile stranger,two not worth a slave
Of Rome's, Pope John, King Otho,fortune gave
The rule there: so, Crescentius, haply dressed
In white, called Roman Consul for a jest,
Taking the people at their word, forth stepped
As upon Brutus' heel, nor ever kept
Rome waiting,stood erect, and from his brain
Gave Rome out on its ancient place again,
Ay, bade proceed with Brutus' Rome, Kings styled
Themselves mere citizens of, and, beguiled
Into great thoughts thereby, would choose the gem
Out of a lapfull, spoil their diadem
The Senate's cypher was so hard to scratch
He flashes like a phanal, all men catch
The flame, Rome 's just accomplished! when returned
Otho, with John, the Consul's step had spurned,
And Hugo Lord of Este, to redress
The wrongs of each. Crescentius in the stress
Of adverse fortune bent. "They crucified
"Their Consul in the Forum; and abide
"E'er since such slaves at Rome, that I(for I
"Was once a brown-sleeve brother, merrily
"Appointed)I had option to keep wife
"Or keep brown sleeves, and managed in the strife
"Lose both. A song of Rome!"
               And Rome, indeed,
Robed at Goito in fantastic weed,
The Mother-City of his Mantuan days,
Looked an established point of light whence rays
Traversed the world; for, all the clustered homes
Beside of men, seemed bent on being Romes
In their degree; the question was, how each
Should most resemble Rome, clean out of reach.
Nor, of the Two, did either principle
Struggle to change, but to possess Rome,still
Guelf Rome or Ghibellin Rome.
               Let Rome advance!
Rome, as she struck Sordello's ignorance
How could he doubt one moment? Rome 's the Cause!
Rome of the Pandects, all the world's new laws
Of the Capitol, of Castle Angelo;
New structures, that inordinately glow,
Subdued, brought back to harmony, made ripe
By many a relic of the archetype
Extant for wonder; every upstart church
That hoped to leave old temples in the lurch,
Corrected by the Theatre forlorn
That,as a mundane shell, its world late born,
Lay and o'ershadowed it. These hints combined,
Rome typifies the scheme to put mankind
Once more in full possession of their rights.
"Let us have Rome again! On me it lights
"To build up Romeon me, the first and last:
"For such a future was endured the past!"
And thus, in the grey twilight, forth he sprung
To give his thought consistency among
The very Peoplelet their facts avail
Finish the dream grown from the archer's tale.


~ Robert Browning, Sordello - Book the Fourth
,
109:class:Classics

BOOK THE NINTH

The Story of Achelous and Hercules

Theseus requests the God to tell his woes,
Whence his maim'd brow, and whence his groans arose
Whence thus the Calydonian stream reply'd,
With twining reeds his careless tresses ty'd:
Ungrateful is the tale; for who can bear,
When conquer'd, to rehearse the shameful war?
Yet I'll the melancholy story trace;
So great a conqu'ror softens the disgrace:
Nor was it still so mean the prize to yield,
As great, and glorious to dispute the field.
Perhaps you've heard of Deianira's name,
For all the country spoke her beauty's fame.
Long was the nymph by num'rous suitors woo'd,
Each with address his envy'd hopes pursu'd:
I joyn'd the loving band; to gain the fair,
Reveal'd my passion to her father's ear.
Their vain pretensions all the rest resign,
Alcides only strove to equal mine;
He boasts his birth from Jove, recounts his spoils,
His step-dame's hate subdu'd, and finish'd toils.

Can mortals then (said I), with Gods compare?
Behold a God; mine is the watry care:
Through your wide realms I take my mazy way,
Branch into streams, and o'er the region stray:
No foreign guest your daughter's charms adores,
But one who rises in your native shores.
Let not his punishment your pity move;
Is Juno's hate an argument for love?
Though you your life from fair Alcmena drew,
Jove's a feign'd father, or by fraud a true.
Chuse then; confess thy mother's honour lost,
Or thy descent from Jove no longer boast.

While thus I spoke, he look'd with stern disdain,
Nor could the sallies of his wrath restrain,
Which thus break forth. This arm decides our right;
Vanquish in words, be mine the prize in fight.

Bold he rush'd on. My honour to maintain,
I fling my verdant garments on the plain,
My arms stretch forth, my pliant limbs prepare,
And with bent hands expect the furious war.
O'er my sleek skin now gather'd dust he throws,
And yellow sand his mighty muscles strows.
Oft he my neck, and nimble legs assails,
He seems to grasp me, but as often fails.
Each part he now invades with eager hand;
Safe in my bulk, immoveable I stand.
So when loud storms break high, and foam and roar
Against some mole that stretches from the shore;
The firm foundation lasting tempests braves,
Defies the warring winds, and driving waves.

A-while we breathe, then forward rush amain,
Renew the combat, and our ground maintain;
Foot strove with foot, I prone extend my breast,
Hands war with hands, and forehead forehead prest.
Thus have I seen two furious bulls engage,
Inflam'd with equal love, and equal rage;
Each claims the fairest heifer of the grove,
And conquest only can decide their love:
The trembling herds survey the fight from far,
'Till victory decides th' important war.
Three times in vain he strove my joints to wrest,
To force my hold, and throw me from his breast;
The fourth he broke my gripe, that clasp'd him round,
Then with new force he stretch'd me on the ground;
Close to my back the mighty bur then clung,
As if a mountain o'er my limbs were flung.
Believe my tale; nor do I, boastful, aim
By feign'd narration to extol my fame.
No sooner from his grasp I freedom get,
Unlock my arms, that flow'd with trickling sweat,
But quick he seized me, and renew'd the strife,
As my exhausted bosom pants for life:
My neck he gripes, my knee to earth he strains;
I fall, and bite the sand with shame, and pains.

O'er-match'd in strength, to wiles, and arts I take,
And slip his hold, in form of speckled snake;
Who, when I wreath'd in spires my body round,
Or show'd my forky tongue with hissing sound,
Smiles at my threats: Such foes my cradle knew,
He cries, dire snakes my infant hand o'erthrew;
A dragon's form might other conquests gain,
To war with me you take that shape in vain.
Art thou proportion'd to the Hydra's length,
Who by his wounds receiv'd augmented strength?
He rais'd a hundred hissing heads in air;
When one I lopt, up-sprung a dreadful pair.
By his wounds fertile, and with slaughter strong,
Singly I quell'd him, and stretch'd dead along.
What canst thou do, a form precarious, prone,
To rouse my rage with terrors not thy own?
He said; and round my neck his hands he cast,
And with his straining fingers wrung me fast;
My throat he tortur'd, close as pincers clasp,
In vain I strove to loose the forceful grasp.

Thus vanquish'd too, a third form still remains,
Chang'd to a bull, my lowing fills the plains.
Strait on the left his nervous arms were thrown
Upon my brindled neck, and tugg'd it down;
Then deep he struck my horn into the sand,
And fell'd my bulk among the dusty land.
Nor yet his fury cool'd; 'twixt rage and scorn,
From my maim'd front he tore the stubborn horn:
This, heap'd with flow'rs, and fruits, the Naiads bear,
Sacred to plenty, and the bounteous year.

He spoke; when lo, a beauteous nymph appears,
Girt like Diana's train, with flowing hairs;
The horn she brings in which all Autumn's stor'd,
And ruddy apples for the second board.

Now morn begins to dawn, the sun's bright fire
Gilds the high mountains, and the youths retire;
Nor stay'd they, 'till the troubled stream subsides,
And in its bounds with peaceful current glides.
But Achelous in his oozy bed
Deep hides his brow deform'd, and rustick head:
No real wound the victor's triumph show'd,
But his lost honours griev'd the watry God;
Yet ev'n that loss the willow's leaves o'erspread,
And verdant reeds, in garlands, bind his head.

The Death of Nessus the Centaur

This virgin too, thy love, O Nessus, found,
To her alone you owe the fatal wound.
As the strong son of Jove his bride conveys,
Where his paternal lands their bulwarks raise;
Where from her slopy urn, Evenus pours
Her rapid current, swell'd by wintry show'rs,
He came. The frequent eddies whirl'd the tide,
And the deep rolling waves all pass deny'd.
As for himself, he stood unmov'd by fears,
For now his bridal charge employ'd his cares,
The strong-limb'd Nessus thus officious cry'd
(For he the shallows of the stream had try'd),
Swim thou, Alcides, all thy strength prepare,
On yonder bank I'll lodge thy nuptial care.

Th' Aonian chief to Nessus trusts his wife,
All pale, and trembling for her heroe's life:
Cloath'd as he stood in the fierce lion's hide,
The laden quiver o'er his shoulder ty'd
(For cross the stream his bow and club were cast),
Swift he plung'd in: These billows shall be past,
He said, nor sought where smoother waters glide,
But stem'd the rapid dangers of the tide.
The bank he reach'd; again the bow he bears;
When, hark! his bride's known voice alarms his ears.
Nessus, to thee I call (aloud he cries)
Vain is thy trust in flight, be timely wise:
Thou monster double-shap'd, my right set free;
If thou no rev'rence owe my fame and me,
Yet kindred should thy lawless lust deny;
Think not, perfidious wretch, from me to fly,
Tho' wing'd with horse's speed; wounds shall pursue;
Swift as his words the fatal arrow flew:
The centaur's back admits the feather'd wood,
And thro' his breast the barbed weapon stood;
Which when, in anguish, thro' the flesh he tore,
From both the wounds gush'd forth the spumy gore
Mix'd with Lernaean venom; this he took,
Nor dire revenge his dying breast forsook.
His garment, in the reeking purple dy'd,
To rouse love's passion, he presents the bride.

The Death of Hercules

Now a long interval of time succeeds,
When the great son of Jove's immortal deeds,
And step-dame's hate, had fill'd Earth's utmost round;
He from Oechalia, with new lawrels crown'd,
In triumph was return'd. He rites prepares,
And to the King of Gods directs his pray'rs;
When Fame (who falshood cloaths in truth's disguise,
And swells her little bulk with growing lies)
Thy tender ear, o Deianira, mov'd,
That Hercules the fair Iole lov'd.
Her love believes the tale; the truth she fears
Of his new passion, and gives way to tears.
The flowing tears diffus'd her wretched grief,
Why seek I thus, from streaming eyes, relief?
She cries; indulge not thus these fruitless cares,
The harlot will but triumph in thy tears:
Let something be resolv'd, while yet there's time;
My bed not conscious of a rival's crime.
In silence shall I mourn, or loud complain?
Shall I seek Calydon, or here remain?
What tho', ally'd to Meleager's fame,
I boast the honours of a sister's name?
My wrongs, perhaps, now urge me to pursue
Some desp'rate deed, by which the world shall view
How far revenge, and woman's rage can rise,
When weltring in her blood the harlot dies.

Thus various passions rul'd by turns her breast,
She now resolves to send the fatal vest,
Dy'd with Lernaean gore, whose pow'r might move
His soul anew, and rouse declining love.
Nor knew she what her sudden rage bestows,
When she to Lychas trusts her future woes;
With soft endearments she the boy commands,
To bear the garment to her husband's hands.

Th' unwitting hero takes the gift in haste,
And o'er his shoulders Lerna's poison cast,
As first the fire with frankincense he strows,
And utters to the Gods his holy vows;
And on the marble altar's polish'd frame
Pours forth the grapy stream; the rising flame
Sudden dissolves the subtle pois'nous juice,
Which taints his blood, and all his nerves bedews.
With wonted fortitude he bore the smart,
And not a groan confess'd his burning heart.
At length his patience was subdu'd by pain,
He rends the sacred altar from the plain;
Oete's wide forests echo with his cries:
Now to rip off the deathful robe he tries.
Where-e'er he plucks the vest, the skin he tears,
The mangled muscles, and huge bones he bares
(A ghastful sight!), or raging with his pain,
To rend the sticking plague he tugs in vain.

As the red iron hisses in the flood,
So boils the venom in his curdling blood.
Now with the greedy flame his entrails glow,
And livid sweats down all his body flow;
The cracking nerves burnt up are burst in twain,
The lurking venom melts his swimming brain.

Then, lifting both his hands aloft, he cries,
Glut thy revenge, dread Empress of the skies;
Sate with my death the rancour of thy heart,
Look down with pleasure, and enjoy my smart.
Or, if e'er pity mov'd a hostile breast
(For here I stand thy enemy profest),
Take hence this hateful life, with tortures torn,
Inur'd to trouble, and to labours born.
Death is the gift most welcome to my woe,
And such a gift a stepdame may bestow.
Was it for this Busiris was subdu'd,
Whose barb'rous temples reek'd with strangers' blood?
Press'd in these arms his fate Antaeus found,
Nor gain'd recruited vigour from the ground.
Did I not triple-form'd Geryon fell?
Or did I fear the triple dog of Hell?
Did not these hands the bull's arm'd forehead hold?
Are not our mighty toils in Elis told?
Do not Stymphalian lakes proclaim thy fame?
And fair Par thenian woods resound thy name?
Who seiz'd the golden belt of Thermodon?
And who the dragon-guarded apples won?
Could the fierce centaur's strength my force withstand,
Or the fell boar that spoil'd th' Arcadian land?
Did not these arms the Hydra's rage subdue,
Who from his wounds to double fury grew?
What if the Thracian horses, fat with gore,
Who human bodies in their mangers tore,
I saw, and with their barb'rous lord o'erthrew?
What if these hands Nemaea's lion slew?
Did not this neck the heav'nly globe sustain?
The female partner of the Thunderer's reign
Fatigu'd, at length suspends her harsh commands,
Yet no fatigue hath slack'd these valiant hands.
But now new plagues pursue me, neither force,
Nor arms, nor darts can stop their raging course.
Devouring flame thro' my rack'd entrails strays,
And on my lungs and shrivel'd muscles preys.
Yet still Eurystheus breathes the vital air.
What mortal now shall seek the Gods with pray'r?

The Transformation of Lychas into a Rock

The hero said; and with the torture stung,
Furious o'er Oete's lofty hills he sprung.
Stuck with the shaft, thus scours the tyger round,
And seeks the flying author of his wound.
Now might you see him trembling, now he vents
His anguish'd soul in groans, and loud laments;
He strives to tear the clinging vest in vain,
And with up-rooted forests strows the plain;
Now kindling into rage, his hands he rears,
And to his kindred Gods directs his pray'rs.
When Lychas, lo, he spies; who trembling flew,
And in a hollow rock conceal'd from view,
Had shun'd his wrath. Now grief renew'd his pain,
His madness chaf'd, and thus he raves again.

Lychas, to thee alone my fate I owe,
Who bore the gift, the cause of all my woe.
The youth all pale, with shiv'ring fear was stung,
And vain excuses falter'd on his tongue.
Alcides snatch'd him, as with suppliant face
He strove to clasp his knees, and beg for grace:
He toss'd him o'er his head with airy course,
And hurl'd with more than with an engine's force;
Far o'er th' Eubaean main aloof he flies,
And hardens by degrees amid the skies.
So showry drops, when chilly tempests blow,
Thicken at first, then whiten into snow,
In balls congeal'd the rolling fleeces bound,
In solid hail result upon the ground.
Thus, whirl'd with nervous force thro' distant air,
The purple tide forsook his veins, with fear;
All moisture left his limbs. Transform'd to stone,
In ancient days the craggy flint was known;
Still in the Eubaean waves his front he rears,
Still the small rock in human form appears,
And still the name of hapless Lychas bears.

The Apotheosis of Hercules

But now the hero of immortal birth
Fells Oete's forests on the groaning Earth;
A pile he builds; to Philoctetes' care
He leaves his deathful instruments of war;
To him commits those arrows, which again
Shall see the bulwarks of the Trojan reign.
The son of Paean lights the lofty pyre,
High round the structure climbs the greedy fire;
Plac'd on the top, thy nervous shoulders spread
With the Nemaean spoils, thy careless head
Rais'd on a knotty club, with look divine,
Here thou, dread hero, of celestial line,
Wert stretch'd at ease; as when a chearful guest,
Wine crown'd thy bowls, and flow'rs thy temples drest.

Now on all sides the potent flames aspire,
And crackle round those limbs that mock the fire
A sudden terror seiz'd th' immortal host,
Who thought the world's profess'd defender lost.
This when the Thund'rer saw, with smiles he cries,
'Tis from your fears, ye Gods, my pleasures rise;
Joy swells my breast, that my all-ruling hand
O'er such a grateful people boasts command,
That you my suff'ring progeny would aid;
Tho' to his deeds this just respect be paid,
Me you've oblig'd. Be all your fears forborn,
Th' Oetean fires do thou, great hero, scorn.
Who vanquish'd all things, shall subdue the flame.
That part alone of gross maternal frame
Fire shall devour; while what from me he drew
Shall live immortal, and its force subdue;
That, when he's dead, I'll raise to realms above;
May all the Pow'rs the righteous act approve.
If any God dissent, and judge too great
The sacred honours of the heav'nly seat,
Ev'n he shall own his deeds deserve the sky,
Ev'n he reluctant, shall at length comply.
Th' assembled Pow'rs assent. No frown 'till now
Had mark'd with passion vengeful Juno's brow,
Mean-while whate'er was in the pow'r of flame
Was all consum'd; his body's nervous frame
No more was known, of human form bereft,
Th' eternal part of Jove alone was left.
As an old serpent casts his scaly vest,
Wreathes in the sun, in youthful glory drest;
So when Alcides mortal mold resign'd,
His better part enlarg'd, and grew refin'd;
August his visage shone; almighty Jove
In his swift carr his honour'd offspring drove;
High o'er the hollow clouds the coursers fly,
And lodge the hero in the starry sky.

The Transformation of Galanthis

Atlas perceiv'd the load of Heav'n's new guest.
Revenge still rancour'd in Eurystheus' breast
Against Alcides' race. Alcmena goes
To Iole, to vent maternal woes;
Here she pours forth her grief, recounts the spoils
Her son had bravely reap'd in glorious toils.
This Iole, by Hercules' commands,
Hyllus had lov'd, and joyn'd in nuptial bands.
Her swelling womb the teeming birth confess'd,
To whom Alcmena thus her speech address'd.

O, may the Gods protect thee, in that hour,
When, 'midst thy throws, thou call'st th' Ilithyan Pow'r!

May no delays prolong thy racking pain,
As when I su'd for Juno's aid in vain.

When now Alcides' mighty birth drew nigh,
And the tenth sign roll'd forward on the sky,
My womb extends with such a mighty load,
As Jove the parent of the bur then show'd.
I could no more th' encreasing smart sustain,
My horror kindles to recount the pain;
Cold chills my limbs while I the tale pursue,
And now methinks I feel my pangs anew.
Seven days and nights amidst incessant throws,
Fatigu'd with ills I lay, nor knew repose;
When lifting high my hands, in shrieks I pray'd,
Implor'd the Gods, and call'd Lucina's aid.
She came, but prejudic'd, to give my Fate
A sacrifice to vengeful Juno's hate.
She hears the groaning anguish of my fits,
And on the altar at my door she sits.
O'er her left knee her crossing leg she cast,
Then knits her fingers close, and wrings them fast:
This stay'd the birth; in mutt'ring verse she pray'd,
The mutt'ring verse th' unfinish'd birth delay'd.
Now with fierce struggles, raging with my pain,
At Jove's ingratitude I rave in vain.
How did I wish for death! such groans I sent,
As might have made the flinty heart relent.

Now the Cadmeian matrons round me press,
Offer their vows, and seek to bring redress;
Among the Theban dames Galanthis stands,
Strong limb'd, red hair'd, and just to my commands:
She first perceiv'd that all these racking woes
From the persisting hate of Juno rose.
As here and there she pass'd, by chance she sees
The seated Goddess; on her close-press'd knees
Her fast-knit hands she leans; with chearful voice
Galanthis cries, Whoe'er thou art, rejoyce,
Congratulate the dame, she lies at rest,
At length the Gods Alcmena's womb have blest.
Swift from her seat the startled Goddess springs,
No more conceal'd, her hands abroad she flings;
The charm unloos'd, the birth my pangs reliev'd;
Galanthis' laughter vex'd the Pow'r deceiv'd.
Fame says, the Goddess dragg'd the laughing maid
Fast by the hair; in vain her force essay'd
Her grov'ling body from the ground to rear;
Chang'd to fore-feet her shrinking arms appear:
Her hairy back her former hue retains,
The form alone is lost; her strength remains;
Who, since the lye did from her mouth proceed,
Shall from her pregnant mouth bring forth her breed;
Nor shall she quit her long-frequented home,
But haunt those houses where she lov'd to roam.

The Fable of Dryope

She said, and for her lost Galanthis sighs;
When the fair consort of her son replies;
Since you a servant's ravish'd form bemoan,
And kindly sigh for sorrows not your own,
Let me (if tears and grief permit) relate
A nearer woe, a sister's stranger fate.

No nymph of all Oechaloa could compare
For beauteous form with Dryope the fair;
Her tender mother's only hope and pride
(My self the offspring of a second bride),
This nymph, compress'd by him who rules the day,
Whom Delphi, and the Delian isle obey,
Andraemon lov'd; and blest in all those charms
That pleas'd a God, succeeded to her arms.

A lake there was, with shelving banks around,
Whose verdant summit fragrant myrtles crown'd.
Those shades, unknowing of the fates, she sought;
And to the Naiads flow'ry garlands brought;
Her smiling babe (a pleasing charge) she prest
Between her arms, and nourish'd at her breast.
Not distant far a watry lotos grows;
The Spring was new, and all the verdant boughs,
Acorn'd with blossoms, promis'd fruits that vye
In glowing colours with the Tyrian dye.
Of these she cropt, to please her infant son,
And I my self the same rash act had done,
But, lo! I saw (as near her side I stood)
The violated blossoms drop with blood;
Upon the tree I cast a frightful look,
The trembling tree with sudden horror shook.
Lotis the nymph (if rural tales be true)
As from Priapus' lawless lust she flew,
Forsook her form; and fixing here became
A flow'ry plant, which still preserves her name.

This change unknown, astonish'd at the sight,
My trembling sister strove to urge her flight;
Yet first the pardon of the Nymphs implor'd,
And those offended Sylvan pow'rs ador'd:
But when she backward would have fled, she found
Her stiff'ning feet were rooted to the ground:
In vain to free her fasten'd feet she strove,
And as she struggles only moves above;
She feels th' incroaching bark around her grow,
By slow degrees, and cover all below:
Surpriz'd at this, her trembling hand she heaves
To rend her hair; her hand is fill'd with leaves;
Where late was hair, the shooting leaves are seen
To rise, and shade her with a sudden green.
The Child Amphisus, to her bosom prest,
Perceiv'd a colder and a harder breast,
And found the springs, that n'er 'till then deny'd
Their milky moisture, on a sudden dry'd.
I saw, unhappy, what I now relate,
And stood the helpless witness of thy fate;
Embrac'd thy boughs, the rising bark delay'd,
There wish'd to grow, and mingle shade with shade.

Behold Andraemon, and th' unhappy sire
Appear, and for their Dryope enquire;
A springing tree for Dryope they find,
And print warm kisses on the panting rind;
Prostrate, with tears their kindred plant bedew,
And close embrac'd, as to the roots they grew;
The face was all that now remain'd of thee;
No more a woman, nor yet quite a tree:
Thy branches hung with humid pearls appear,
From ev'ry leaf distills a trickling tear;
And strait a voice, while yet a voice remains,
Thus thro' the trembling boughs in sighs complains.

If to the wretched any faith be giv'n,
I swear by all th' unpitying Pow'rs of Heav'n,
No wilful crime this heavy vengeance bred,
In mutual innocence our lives we led.
If this be false, let these new greens decay,
Let sounding axes lop my limbs away,
And crackling flames on all my honours prey.
Now from my branching arms this infant bear,
Let some kind nurse supply a mother's care;
Yet to his mother let him oft be led,
Sport in her shades, and in her shades be fed;
Teach him, when first his infant voice shall frame
Imperfect words, and lisp his mother's name,
To hail this tree, and say with weeping eyes,
Within this plant my hapless parent lies;
And when in youth he seeks the shady woods,
Oh, let him fly the chrystal lakes and floods,
Nor touch the fatal flow'rs; but warn'd by me,
Believe a Goddess shrin'd in ev'ry tree.
My sire, my sister, and my spouse farewel!
If in your breasts or love, or pity, dwell,
Protect your plant, nor let my branches feel
The browzing cattle, or the piercing steel.
Farewel! and since I cannot bend to join
My lips to yours, advance at least to mine.
My son, thy mother's parting kiss receive,
While yet thy mother has a kiss to give.
I can no more; the creeping rind invades
My closing lips, and hides my head in shades:
Remove your hands; the bark shall soon suffice,
Without their aid, to seal these dying eyes.
She ceas'd at once to speak, and ceas'd to be;
And all the nymph was lost within the tree:
Yet latent life thro' her new branches reign'd,
And long the plant a human heat retain'd.

Iolaus restor'd to Youth

While Iole the fatal change declares,
Alcmena's pitying hand oft wip'd her tears.
Grief too stream'd down her cheeks; soon sorrow flies,
And rising joy the trickling moisture dries,
Lo Iolaus stands before their eyes.
A youth he stood; and the soft down began
O'er his smooth chin to spread, and promise man.
Hebe submitted to her husband's pray'rs,
Instill'd new vigour, and restor'd his years.

The Prophecy of Themis

Now from her lips a solemn oath had past,
That Iolaus this gift alone shou'd taste,
Had not just Themis thus maturely said
(Which check'd her vow, and aw'd the blooming maid).

Thebes is embroil'd in war. Capaneus stands
Invincible, but by the Thund'rer's hands.
Ambition shall the guilty brothers fire,
Both rush to mutual wounds, and both expire.
The reeling Earth shall ope her gloomy womb,
Where the yet breathing bard shall find his tomb.
The son shall bath his hands in parents' blood,
And in one act be both unjust, and good.
Of home, and sense depriv'd, where-e'er he flies,
The Furies, and his mother's ghost he spies.
His wife the fatal bracelet shall implore,
And Phegeus stain his sword in kindred gore.
Callirhoe shall then with suppliant pray'r
Prevail on Jupiter's relenting ear.
Jove shall with youth her infant sons inspire,
And bid their bosoms glow with manly fire.

The Debate of the Gods

When Themis thus with prescient voice had spoke,
Among the Gods a various murmur broke;
Dissention rose in each immortal breast,
That one should grant, what was deny'd the rest.
Aurora for her aged spouse complains,
And Ceres grieves for Jason's freezing veins;
Vulcan would Erichthonius' years renew,
Her future race the care of Venus drew,
She would Anchises' blooming age restore;
A diff'rent care employ'd each heav'nly Pow'r:
Thus various int'rests did their jars encrease,
'Till Jove arose; he spoke, their tumults cease.

Is any rev'rence to our presence giv'n,
Then why this discord 'mong the Pow'rs of Heav'n?
Who can the settled will of Fate subdue?
'Twas by the Fates that Iolaus knew
A second youth. The Fates' determin'd doom
Shall give Callirhoe's race a youthful bloom.
Arms, nor ambition can this pow'r obtain;
Quell your desires; ev'n me the Fates restrain.
Could I their will controul, no rolling years
Had Aeacus bent down with silver hairs;
Then Rhadamanthus still had youth possess'd,
And Minos with eternal bloom been bless'd.
Jove's words the synod mov'd; the Pow'rs give o'er,
And urge in vain unjust complaint no more.
Since Rhadamanthus' veins now slowly flow'd,
And Aeacus, and Minos bore the load;
Minos, who in the flow'r of youth, and fame,
Made mighty nations tremble at his name,
Infirm with age, the proud Miletus fears,
Vain of his birth, and in the strength of years,
And now regarding all his realms as lost,
He durst not force him from his native coast.
But you by choice, Miletus, fled his reign,
And thy swift vessel plow'd th' Aegean main;
On Asiatick shores a town you frame,
Which still is honour'd with the founder's name.
Here you Cyanee knew, the beauteous maid,
As on her father's winding banks she stray'd:
Caunus and Byblis hence their lineage trace,
The double offspring of your warm embrace.

The Passion of of Byblis

Let the sad fate of wretched Byblis prove
A dismal warning to unlawful love;
One birth gave being to the hapless pair,
But more was Caunus than a sister's care;
Unknown she lov'd, for yet the gentle fire
Rose not in flames, nor kindled to desire,
'Twas thought no sin to wonder at his charms,
Hang on his neck, and languish in his arms;
Thus wing'd with joy, fled the soft hours away,
And all the fatal guilt on harmless Nature lay.

But love (too soon from piety declin'd)
Insensibly deprav'd her yielding mind.
Dress'd she appears, with nicest art adorn'd,
And ev'ry youth, but her lov'd brother, scorn'd;
For him alone she labour'd to be fair,
And curst all charms that might with hers compare.
'Twas she, and only she, must Caunus please,
Sick at her heart, yet knew not her disease:
She call'd him lord, for brother was a name
Too cold, and dull for her aspiring flame;
And when he spoke, if sister he reply'd,
For Byblis change that frozen word, she cry'd.
Yet waking still she watch'd her strugling breast,
And love's approaches were in vain address'd,
'Till gentle sleep an easy conquest made,
And in her soft embrace the conqueror was laid.
But oh too soon the pleasing vision fled,
And left her blushing on the conscious bed:
Ah me! (she cry'd) how monstrous do I seem?
Why these wild thoughts? and this incestuous dream?
Envy herself ('tis true) must own his charms,
But what is beauty in a sister's arms?
Oh were I not that despicable she,
How bless'd, how pleas'd, how happy shou'd I be!
But unregarded now must bear my pain,
And but in dreams, my wishes can obtain.

O sea-born Goddess! with thy wanton boy!
Was ever such a charming scene of joy?
Such perfect bliss! such ravishing delight!
Ne'er hid before in the kind shades of night.
How pleas'd my heart! in what sweet raptures tost!
Ev'n life it self in the soft combat lost,
While breathless he on my heav'd bosom lay,
And snatch'd the treasures of my soul away.

If the bare fancy so affects my mind,
How shou'd I rave if to the substance join'd?
Oh, gentle Caunus! quit thy hated line,
Or let thy parents be no longer mine!
Oh that in common all things were enjoy'd,
But those alone who have our hopes destroy'd.
Were I a princess, thou an humble swain,
The proudest kings shou'd rival thee in vain.
It cannot be, alas! the dreadful ill
Is fix'd by Fate, and he's my brother still.
Hear me, ye Gods! I must have friends in Heav'n,
For Jove himself was to a sister giv'n:
But what are their prerogatives above,
To the short liberties of human love?
Fantastick thoughts! down, down, forbidden fires,
Or instant death extinguish my desires.
Strict virtue, then, with thy malicious leave,
Without a crime I may a kiss receive:
But say shou'd I in spight of laws comply,
Yet cruel Caunus might himself deny,
No pity take of an afflicted maid
(For love's sweet game must be by couples play'd).
Yet why shou'd youth, and charms like mine, despair?
Such fears ne'er startled the Aeolian pair;
No ties of blood could their full hopes destroy,
They broke thro' all, for the prevailing joy;
And who can tell but Caunus too may be
Rack'd and tormented in his breast for me?
Like me, to the extreamest anguish drove,
Like me, just waking from a dream of love?
But stay! Oh whither wou'd my fury run!
What arguments I urge to be undone!
Away fond Byblis, quench these guilty flames;
Caunus thy love but as brother claims;
Yet had he first been touch'd with love of me,
The charming youth cou'd I despairing see?
Oppress'd with grief, and dying by disdain?
Ah no! too sure I shou'd have eas'd his pain!
Since then, if Caunus ask'd me, it were done;
Asking my self, what dangers can I run?
But canst thou ask? and see that right betray'd,
From Pyrrha down to thy whole sex convey'd?
That self-denying gift we all enjoy,
Of wishing to be won, yet seeming to be coy.
Well then, for once, let a fond mistress woo;
The force of love no custom can subdue;
This frantick passion he by words shall know,
Soft as the melting heart from whence they flow.
The pencil then in her fair hand she held,
By fear discourag'd, but by love compell'd
She writes, then blots, writes on, and blots again,
Likes it as fit, then razes it as vain:
Shame, and assurance in her face appear,
And a faint hope just yielding to despair;
Sister was wrote, and blotted as a word
Which she, and Caunus too (she hop'd) abhorr'd;
But now resolv'd to be no more controul'd
By scrup'lous virtue, thus her grief she told.

Thy lover (gentle Caunus) wishes thee
That health, which thou alone canst give to me.
O charming youth! the gift I ask bestow,
Ere thou the name of the fond writer know;
To thee without a name I would be known,
Since knowing that, my frailty I must own.
Yet why shou'd I my wretched name conceal?
When thousand instances my flames reveal:
Wan looks, and weeping eyes have spoke my pain,
And sighs discharg'd from my heav'd heart in vain;
Had I not wish'd my passion might be seen,
What cou'd such fondness and embraces mean?
Such kisses too! (Oh heedless lovely boy)
Without a crime no sister cou'd enjoy:
Yet (tho' extreamest rage has rack'd my soul,
And raging fires in my parch'd bosom roul)
Be witness, Gods! how piously I strove,
To rid my thoughts of this enchanting love.
But who cou'd scape so fierce, and sure a dart,
Aim'd at a tender, and defenceless heart?
Alas! what maid cou'd suffer, I have born,
Ere the dire secret from my breast was torn;
To thee a helpless vanquish'd wretch I come,
'Tis you alone can save, or give my doom;
My life, or death this moment you may chuse.
Yet think, oh think, no hated stranger sues,
No foe; but one, alas! too near ally'd,
And wishing still much nearer to be ty'd.
The forms of decency let age debate,
And virtue's rules by their cold morals state;
Their ebbing joys give leisure to enquire,
And blame those noble flights our youth inspire:
Where Nature kindly summons let us go,
Our sprightly years no bounds in love shou'd know,
Shou'd feel no check of guilt, and fear no ill;
Lovers, and Gods act all things at their will:
We gain one blessing from our hated kin,
Since our paternal freedom hides the sin;
Uncensur'd in each other's arms we lye,
Think then how easie to compleat our joy.
Oh, pardon and oblige a blushing maid,
Whose rage the pride of her vain sex betray'd;
Nor let my tomb thus mournfully complain,
Here Byblis lies, by her lov'd Caunus slain.

Forc'd here to end, she with a falling tear
Temper'd the pliant wax, which did the signet bear:
The curious cypher was impress'd by art,
But love had stamp'd one deeper in her heart;
Her page, a youth of confidence, and skill,
(Secret as night) stood waiting on her will;
Sighing (she cry'd): Bear this, thou faithful boy,
To my sweet partner in eternal joy:
Here a long pause her secret guilt confess'd,
And when at length she would have spoke the rest,
Half the dear name lay bury'd in her breast.

Thus as he listned to her vain command,
Down fell the letter from her trembling hand.
The omen shock'd her soul. Yet go, she cry'd;
Can a request from Byblis be deny'd?

To the Maeandrian youth this message's born,
The half-read lines by his fierce rage were torn;
Hence, hence, he cry'd, thou pandar to her lust,
Bear hence the triumph of thy impious trust:
Thy instant death will but divulge her shame,
Or thy life's blood shou'd quench the guilty flame.
Frighted, from threatning Caunus he withdrew,
And with the dreadful news to his lost mistress flew.
The sad repulse so struck the wounded fair,
Her sense was bury'd in her wild despair;
Pale was her visage, as the ghastly dead;
And her scar'd soul from the sweet mansion fled;
Yet with her life renew'd, her love returns,
And faintly thus her cruel fate she mourns:
'Tis just, ye Gods! was my false reason blind?
To write a secret of this tender kind?
With female craft I shou'd at first have strove,
By dubious hints to sound his distant love;
And try'd those useful, tho' dissembled, arts,
Which women practise on disdainful hearts:
I shou'd have watch'd whence the black storm might rise;

Ere I had trusted the unfaithful skies.
Now on the rouling billows I am tost,
And with extended sails, on the blind shelves am lost.
Did not indulgent Heav'n my doom foretell,
When from my hand the fatal letter fell?
What madness seiz'd my soul? and urg'd me on
To take the only course to be undone?
I cou'd my self have told the moving tale
With such alluring grace as must prevail;
Then had his eyes beheld my blushing fears,
My rising sighs, and my descending tears;
Round his dear neck these arms I then had spread,
And, if rejected, at his feet been dead:
If singly these had not his thoughts inclin'd,
Yet all united would have shock'd his mind.
Perhaps, my careless page might be in fault,
And in a luckless hour the fatal message brought;
Business, and worldly thoughts might fill his breast,
Sometimes ev'n love itself may be an irksome guest:
He cou'd not else have treated me with scorn,
For Caunus was not of a tygress born;
Nor steel, nor adamant has fenc'd his heart;
Like mine, 'tis naked to the burning dart.

Away false fears! he must, he shall be mine;
In death alone I will my claim resign;
'Tis vain to wish my written crime unknown,
And for my guilt much vainer to atone.
Repuls'd and baffled, fiercer still she burns,
And Caunus with disdain her impious love returns.
He saw no end of her injurious flame,
And fled his country to avoid the shame.
Forsaken Byblis, who had hopes no more;
Burst out in rage, and her loose robes she tore;
With her fair hands she smote her tender breast,
And to the wond'ring world her love confess'd;
O'er hills and dales, o'er rocks and streams she flew,
But still in vain did her wild lust pursue:
Wearied at length, on the cold earth she fell,
And now in tears alone could her sad story tell.
Relenting Gods in pity fix'd her there,
And to a fountain turn'd the weeping fair.

The Fable of Iphis and Ian the

The fame of this, perhaps, thro' Crete had flown:
But Crete had newer wonders of her own,
In Iphis chang'd; for, near the Gnossian bounds
(As loud report the miracle resounds),
At Phaestus dwelt a man of honest blood,
But meanly born, and not so rich as good;
Esteem'd, and lov'd by all the neighbourhood;
Who to his wife, before the time assign'd
For child-birth came, thus bluntly spoke his mind.
If Heav'n, said Lygdus, will vouchsafe to hear,
I have but two petitions to prefer;
Short pains for thee, for me a son and heir.
Girls cost as many throes in bringing forth;
Beside, when born, the titts are little worth;
Weak puling things, unable to sustain
Their share of labour, and their bread to gain.
If, therefore, thou a creature shalt produce,
Of so great charges, and so little use
(Bear witness, Heav'n, with what reluctancy),
Her hapless innocence I doom to die.
He said, and common tears the common grief display,
Of him who bad, and her who must obey.

Yet Telethusa still persists, to find
Fit arguments to move a father's mind;
T' extend his wishes to a larger scope,
And in one vessel not confine his hope.
Lygdus continues hard: her time drew near,
And she her heavy load could scarcely bear;
When slumbring, in the latter shades of night,
Before th' approaches of returning light,
She saw, or thought she saw, before her bed,
A glorious train, and Isis at their head:
Her moony horns were on her forehead plac'd,
And yellow shelves her shining temples grac'd:
A mitre, for a crown, she wore on high;
The dog, and dappl'd bull were waiting by;
Osyris, sought along the banks of Nile;
The silent God: the sacred crocodile;
And, last, a long procession moving on,
With timbrels, that assist the lab'ring moon.
Her slumbers seem'd dispell'd, and, broad awake,
She heard a voice, that thus distinctly spake.
My votary, thy babe from death defend,
Nor fear to save whate'er the Gods will send.
Delude with art thy husband's dire decree:
When danger calls, repose thy trust on me:
And know thou hast not serv'd a thankless deity.
This promise made, with night the Goddess fled;
With joy the woman wakes, and leaves her bed;
Devoutly lifts her spotless hands on high,
And prays the Pow'rs their gift to ratifie.

Now grinding pains proceed to bearing throes,
'Till its own weight the burden did disclose.
'Twas of the beauteous kind, and brought to light
With secrecy, to shun the father's sight.
Th' indulgent mother did her care employ,
And past it on her husb and for a boy.
The nurse was conscious of the fact alone;
The father paid his vows as for a son;
And call'd him Iphis, by a common name,
Which either sex with equal right may claim.
Iphis his grandsire was; the wife was pleas'd,
Of half the fraud by Fortune's favour eas'd:
The doubtful name was us'd without deceit,
And truth was cover'd with a pious cheat.
The habit show'd a boy, the beauteous face
With manly fierceness mingled female grace.

Now thirteen years of age were swiftly run,
When the fond father thought the time drew on
Of settling in the world his only son.
Ian the was his choice; so wondrous fair,
Her form alone with Iphis cou'd compare;
A neighbour's daughter of his own degree,
And not more bless'd with Fortune's goods than he.

They soon espous'd; for they with ease were join'd,
Who were before contracted in the mind.
Their age the same, their inclinations too;
And bred together, in one school they grew.
Thus, fatally dispos'd to mutual fires,
They felt, before they knew, the same desires.
Equal their flame, unequal was their care;
One lov'd with hope, one languish'd in despair.
The maid accus'd the lingring day alone:
For whom she thought a man, she thought her own.
But Iphis bends beneath a greater grief;
As fiercely burns, but hopes for no relief.
Ev'n her despair adds fuel to her fire;
A maid with madness does a maid desire.
And, scarce refraining tears, Alas, said she,
What issue of my love remains for me!
How wild a passion works within my breast,
With what prodigious flames am I possest!
Could I the care of Providence deserve,
Heav'n must destroy me, if it would preserve.
And that's my fate, or sure it would have sent
Some usual evil for my punishment:
Not this unkindly curse; to rage, and burn,
Where Nature shews no prospect of return.
Nor cows for cows consume with fruitless fire;
Nor mares, when hot, their fellow-mares desire:
The father of the fold supplies his ewes;
The stag through secret woods his hind pursues;
And birds for mates the males of their own species chuse.

Her females Nature guards from female flame,
And joins two sexes to preserve the game:
Wou'd I were nothing, or not what I am!
Crete, fam'd for monsters, wanted of her store,
'Till my new love produc'd one monster more.
The daughter of the sun a bull desir'd,
And yet ev'n then a male a female fir'd:
Her passion was extravagantly new,
But mine is much the madder of the two.
To things impossible she was not bent,
But found the means to compass her intent.
To cheat his eyes she took a different shape;
Yet still she gain'd a lover, and a leap.
Shou'd all the wit of all the world conspire,
Shou'd Daedalus assist my wild desire,
What art can make me able to enjoy,
Or what can change Ian the to a boy?
Extinguish then thy passion, hopeless maid,
And recollect thy reason for thy aid.
Know what thou art, and love as maidens ought,
And drive these golden wishes from thy thought.
Thou canst not hope thy fond desires to gain;
Where hope is wanting, wishes are in vain.

And yet no guards against our joys conspire;
No jealous husb and hinders our desire;
My parents are propitious to my wish,
And she herself consenting to the bliss.
All things concur to prosper our design;
All things to prosper any love but mine.
And yet I never can enjoy the fair;
'Tis past the pow'r of Heav'n to grant my pray'r.
Heav'n has been kind, as far as Heav'n can be;
Our parents with our own desires agree;
But Nature, stronger than the Gods above,
Refuses her assistance to my love;
She sets the bar that causes all my pain;
One gift refus'd, makes all their bounty vain.
And now the happy day is just at hand,
To bind our hearts in Hymen's holy band:
Our hearts, but not our bodies: thus accurs'd,
In midst of water I complain of thirst.
Why com'st thou, Juno, to these barren rites,
To bless a bed defrauded of delights?
But why shou'd Hymen lift his torch on high,
To see two brides in cold embraces lye?

Thus love-sick Iphis her vain passion mourns;
With equal ardour fair Ian the burns,
Invoking Hymen's name, and Juno's pow'r,
To speed the work, and haste the happy hour.

She hopes, while Telethusa fears the day,
And strives to interpose some new delay:
Now feigns a sickness, now is in a fright
For this bad omen, or that boding sight.
But having done whate'er she could devise,
And empty'd all her magazine of lies,
The time approach'd; the next ensuing day
The fatal secret must to light betray.
Then Telethusa had recourse to pray'r,
She, and her daughter with dishevel'd hair;
Trembling with fear, great Isis they ador'd,
Embrac'd her altar, and her aid implor'd.

Fair queen, who dost on fruitful Egypt smile,
Who sway'st the sceptre of the Pharian isle,
And sev'n-fold falls of disemboguing Nile,
Relieve, in this our last distress, she said,
A suppliant mother, and a mournful maid.
Thou, Goddess, thou wert present to my sight;
Reveal'd I saw thee by thy own fair light:
I saw thee in my dream, as now I see,
With all thy marks of awful majesty:
The glorious train that compass'd thee around;
And heard the hollow timbrels holy sound.
Thy words I noted, which I still retain;
Let not thy sacred oracles be vain.
That Iphis lives, that I myself am free
From shame, and punishment, I owe to thee.
On thy protection all our hopes depend.
Thy counsel sav'd us, let thy pow'r defend.

Her tears pursu'd her words; and while she spoke,
The Goddess nodded, and her altar shook:
The temple doors, as with a blast of wind,
Were heard to clap; the lunar horns that bind
The brows of Isis cast a blaze around;
The trembling timbrel made a murm'ring sound.

Some hopes these happy omens did impart;
Forth went the mother with a beating heart:
Not much in fear, nor fully satisfy'd;
But Iphis follow'd with a larger stride:
The whiteness of her skin forsook her face;
Her looks embolden'd with an awful grace;
Her features, and her strength together grew,
And her long hair to curling locks withdrew.
Her sparkling eyes with manly vigour shone,
Big was her voice, audacious was her tone.
The latent parts, at length reveal'd, began
To shoot, and spread, and burnish into man.
The maid becomes a youth; no more delay
Your vows, but look, and confidently pay.
Their gifts the parents to the temple bear:
The votive tables this inscription wear;
Iphis the man, has to the Goddess paid
The vows, that Iphis offer'd when a maid.

Now when the star of day had shewn his face,
Venus and Juno with their presence grace
The nuptial rites, and Hymen from above
Descending to compleat their happy love;
The Gods of marriage lend their mutual aid;
And the warm youth enjoys the lovely maid.

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~ Ovid, BOOK THE NINTH

,
110:Scene. Basil; a chamber in the house of Paracelsus. 1526.
Paracelsus, Festus.
Paracelsus.
Heap logs and let the blaze laugh out!
Festus.
                     True, true!
'T is very fit all, time and chance and change
Have wrought since last we sat thus, face to face
And soul to soulall cares, far-looking fears,
Vague apprehensions, all vain fancies bred
By your long absence, should be cast away,
Forgotten in this glad unhoped renewal
Of our affections.
Paracelsus.
         Oh, omit not aught
Which witnesses your own and Michal's own
Affection: spare not that! Only forget
The honours and the glories and what not,
It pleases you to tell profusely out.
Festus.
Nay, even your honours, in a sense, I waive:
The wondrous Paracelsus, life's dispenser,
Fate's commissary, idol of the schools
And courts, shall be no more than Aureole still,
Still Aureole and my friend as when we parted
Some twenty years ago, and I restrained
As best I could the promptings of my spirit
Which secretly advanced you, from the first,
To the pre-eminent rank which, since, your own
Adventurous ardour, nobly triumphing,
Has won for you.
Paracelsus.
         Yes, yes. And Michal's face
Still wears that quiet and peculiar light
Like the dim circlet floating round a pearl?
Festus.
Just so.
Paracelsus.
    And yet her calm sweet countenance,
Though saintly, was not sad; for she would sing
Alone. Does she still sing alone, bird-like,
Not dreaming you are near? Her carols dropt
In flakes through that old leafy bower built under
The sunny wall at Wrzburg, from her lattice
Among the trees above, while I, unseen,
Sat conning some rare scroll from Tritheim's shelves
Much wondering notes so simple could divert
My mind from study. Those were happy days.
Respect all such as sing when all alone!
Festus.
Scarcely alone: her children, you may guess,
Are wild beside her.
Paracelsus.
           Ah, those children quite
Unsettle the pure picture in my mind:
A girl, she was so perfect, so distinct:
No change, no change! Not but this added grace
May blend and harmonize with its compeers,
And Michal may become her motherhood;
But't is a change, and I detest all change,
And most a change in aught I loved long since.
So, Michalyou have said she thinks of me?
Festus.
O very proud will Michal be of you!
Imagine how we sat, long winter-nights,
Scheming and wondering, shaping your presumed
Adventure, or devising its reward;
Shutting out fear with all the strength of hope.
For it was strange how, even when most secure
In our domestic peace, a certain dim
And flitting shade could sadden all; it seemed
A restlessness of heart, a silent yearning,
A sense of something wanting, incomplete
Not to be put in words, perhaps avoided
By mute consentbut, said or unsaid, felt
To point to one so loved and so long lost.
And then the hopes rose and shut out the fears
How you would laugh should I recount them now
I still predicted your return at last
With gifts beyond the greatest of them all,
All Tritheim's wondrous troop; did one of which
Attain renown by any chance, I smiled,
As well aware of who would prove his peer
Michal was sure some woman, long ere this,
As beautiful as you were sage, had loved . . .
Paracelsus.
Far-seeing, truly, to discern so much
In the fantastic projects and day-dreams
Of a raw restless boy!
Festus.
           Oh, no: the sunrise
Well warranted our faith in this full noon!
Can I forget the anxious voice which said
"Festus, have thoughts like these ere shaped themselves
"In other brains than mine? have their possessors
"Existed in like circumstance? were they weak
"As I, or ever constant from the first,
"Despising youth's allurements and rejecting
"As spider-films the shackles I endure?
"Is there hope for me?"and I answered gravely
As an acknowledged elder, calmer, wiser,
More gifted mortal. O you must remember,
For all your glorious . . .
Paracelsus.
               Glorious? ay, this hair,
These handsnay, touch them, they are mine! Recall
With all the said recallings, times when thus
To lay them by your own ne'er turned you pale
As now. Most glorious, are they not?
Festus.
                   Whywhy
Something must be subtracted from success
So wide, no doubt. He would be scrupulous, truly,
Who should object such drawbacks. Still, still, Aureole,
You are changed, very changed! 'T were losing nothing
To look well to it: you must not be stolen
From the enjoyment of your well-won meed.
Paracelsus.
My friend! you seek my pleasure, past a doubt:
You will best gain your point, by talking, not
Of me, but of yourself.
Festus.
            Have I not said
All touching Michal and my children? Sure
You know, by this, full well how Aennchen looks
Gravely, while one disparts her thick brown hair;
And Aureole's glee when some stray gannet builds
Amid the birch-trees by the lake. Small hope
Have I that he will honour (the wild imp)
His namesake. Sigh not! 't is too much to ask
That all we love should reach the same proud fate.
But you are very kind to humour me
By showing interest in my quiet life;
You, who of old could never tame yourself
To tranquil pleasures, must at heart despise . . .
Paracelsus.
Festus, strange secrets are let out by death
Who blabs so oft the follies of this world:
And I am death's familiar, as you know.
I helped a man to die, some few weeks since,
Warped even from his go-cart to one end
The living on princes' smiles, reflected from
A mighty herd of favourites. No mean trick
He left untried, and truly well-nigh wormed
All traces of God's finger out of him:
Then died, grown old. And just an hour before,
Having lain long with blank and soulless eyes,
He sat up suddenly, and with natural voice
Said that in spite of thick air and closed doors
God told him it was June; and he knew well,
Without such telling, harebells grew in June;
And all that kings could ever give or take
Would not be precious as those blooms to him.
Just so, allowing I am passing sage,
It seems to me much worthier argument
Why pansies,[1] eyes that laugh, bear beauty's prize
From violets, eyes that dream(your Michal's choice)
Than all fools find to wonder at in me
Or in my fortunes. And be very sure
I say this from no prurient restlessness,
No self-complacency, itching to turn,
Vary and view its pleasure from all points,
And, in this instance, willing other men
May be at pains, demonstrate to itself
The realness of the very joy it tastes.
What should delight me like the news of friends
Whose memories were a solace to me oft,
As mountain-baths to wild fowls in their flight?
Ofter than you had wasted thought on me
Had you been wise, and rightly valued bliss.
But there's no taming nor repressing hearts:
God knows I need such!So, you heard me speak?
Festus.
Speak? when?
Paracelsus.
      When but this morning at my class?
There was noise and crowd enough. I saw you not.
Surely you know I am engaged to fill
The chair here?that't is part of my proud fate
To lecture to as many thick-skulled youths
As please, each day, to throng the theatre,
To my great reputation, and no small
Danger of Basil's benches long unused
To crack beneath such honour?
Festus.
               I was there;
I mingled with the throng: shall I avow
Small care was mine to listen?too intent
On gathering from the murmurs of the crowd
A full corroboration of my hopes!
What can I learn about your powers? but they
Know, care for nought beyond your actual state,
Your actual value; yet they worship you,
Those various natures whom you sway as one!
But ere I go, be sure I shall attend . . .
Paracelsus.
Stop, o' God's name: the thing's by no means yet
Past remedy! Shall I read this morning's labour
At least in substance? Nought so worth the gaining
As an apt scholar! Thus then, with all due
Precision and emphasisyou, beside, are clearly
Guiltless of understanding more, a whit,
The subject than your stoolallowed to be
A notable advantage.
Festus.
           Surely, Aureole,
You laugh at me!
Paracelsus.
         I laugh? Ha, ha! thank heaven,
I charge you, if't be so! for I forget
Much, and what laughter should be like. No less,
However, I forego that luxury
Since it alarms the friend who brings it back.
True, laughter like my own must echo strangely
To thinking men; a smile were better far;
So, make me smile! If the exulting look
You wore but now be smiling, 't is so long
Since I have smiled! Alas, such smiles are born
Alone of hearts like yours, or herdsmen's souls
Of ancient time, whose eyes, calm as their flocks,
Saw in the stars mere garnishry of heaven,
And in the earth a stage for altars only.
Never change, Festus: I say, never change!
Festus.
My God, if he be wretched after all
Paracelsus.
When last we parted, Festus, you declared,
Or Michal, yes, her soft lips whispered words
I have preserved. She told me she believed
I should succeed (meaning, that in the search
I then engaged in, I should meet success)
And yet be wretched: now, she augured false.
Festus.
Thank heaven! but you spoke strangely: could I venture
To think bare apprehension lest your friend,
Dazzled by your resplendent course, might find
Henceforth less sweetness in his own, could move
Such earnest mood in you? Fear not, dear friend,
That I shall leave you, inwardly repining
Your lot was not my own!
Paracelsus.
             And this for ever!
For ever! gull who may, they will be gulled!
They will not look nor think;'t is nothing new
In them: but surely he is not of them!
My Festus, do you know, I reckoned, you
Though all beside were sand-blindyou, my friend,
Would look at me, once close, with piercing eye
Untroubled by the false glare that confounds
A weaker vision: would remain serene,
Though singular amid a gaping throng.
I feared you, or I had come, sure, long ere this,
To Einsiedeln. Well, error has no end,
And Rhasis is a sage, and Basil boasts
A tribe of wits, and I am wise and blest
Past all dispute! 'T is vain to fret at it.
I have vowed long ago my worshippers
Shall owe to their own deep sagacity
All further information, good or bad.
Small risk indeed my reputation runs,
Unless perchance the glance now searching me
Be fixed much longer; for it seems to spell
Dimly the characters a simpler man
Might read distinct enough. Old Eastern books
Say, the fallen prince of morning some short space
Remained unchanged in semblance; nay, his brow
Was hued with triumph: every spirit then
Praising, his heart on flame the while:a tale!
Well, Festus, what discover you, I pray?
Festus.
Some foul deed sullies then a life which else
Were raised supreme?
Paracelsus.
           Good: I do well, most well
Why strive to make men hear, feel, fret themselves
With what is past their power to comprehend?
I should not strive now: only, having nursed
The faint surmise that one yet walked the earth,
One, at least, not the utter fool of show,
Not absolutely formed to be the dupe
Of shallow plausibilities alone:
One who, in youth, found wise enough to choose
The happiness his riper years approve,
Was yet so anxious for another's sake,
That, ere his friend could rush upon a mad
And ruinous course, the converse of his own,
His gentle spirit essayed, prejudged for him
The perilous path, foresaw its destiny,
And warned the weak one in such tender words,
Such accentshis whole heart in every tone
That oft their memory comforted that friend
When it by right should have increased despair:
Having believed, I say, that this one man
Could never lose the light thus from the first
His portionhow should I refuse to grieve
At even my gain if it disturb our old
Relation, if it make me out more wise?
Therefore, once more reminding him how well
He prophesied, I note the single flaw
That spoils his prophet's title. In plain words,
You were deceived, and thus were you deceived
I have not been successful, and yet am
Most miserable; 't is said at last; nor you
Give credit, lest you force me to concede
That common sense yet lives upon the world!
Festus.
You surely do not mean to banter me?
Paracelsus.
You know, orif you have been wise enough
To cleanse your memory of such mattersknew,
As far as words of mine could make it clear,
That't was my purpose to find joy or grief
Solely in the fulfilment of my plan
Or plot or whatsoe'er it was; rejoicing
Alone as it proceeded prosperously,
Sorrowing then only when mischance retarded
Its progress. That was in those Wrzburg days!
Not to prolong a theme I thoroughly hate,
I have pursued this plan with all my strength;
And having failed therein most signally,
Cannot object to ruin utter and drear
As all-excelling would have been the prize
Had fortune favoured me. I scarce have right
To vex your frank good spirit late so glad
In my supposed prosperity, I know,
And, were I lucky in a glut of friends,
Would well agree to let your error live,
Nay, strengthen it with fables of success.
But mine is no condition to refuse
The transient solace of so rare a godsend,
My solitary luxury, my one friend:
Accordingly I venture to put off
The wearisome vest of falsehood galling me,
Secure when he is by. I lay me bare
Prone at his mercybut he is my friend!
Not that he needs retain his aspect grave;
That answers not my purpose; for't is like,
Some sunny morningBasil being drained
Of its wise population, every corner
Of the amphitheatre crammed with learned clerks,
Here OEcolampadius, looking worlds of wit,
Here Castellanus, as profound as he,
Munsterus here, Frobenius there, all squeezed
And staring,that the zany of the show,
Even Paracelsus, shall put off before them
His trappings with a grace but seldom judged
Expedient in such cases:the grim smile
That will go round! Is it not therefore best
To venture a rehearsal like the present
In a small way? Where are the signs I seek,
The first-fruits and fair sample of the scorn
Due to all quacks? Why, this will never do!
Festus.
These are foul vapours, Aureole; nought beside!
The effect of watching, study, weariness.
Were there a spark of truth in the confusion
Of these wild words, you would not outrage thus
Your youth's companion. I shall ne'er regard
These wanderings, bred of faintness and much study.
'T is not thus you would trust a trouble to me,
To Michal's friend.
Paracelsus.
          I have said it, dearest Festus!
For the manner, 't is ungracious probably;
You may have it told in broken sobs, one day,
And scalding tears, ere long: but I thought best
To keep that off as long as possible.
Do you wonder still?
Festus.
           No; it must oft fall out
That one whose labour perfects any work,
Shall rise from it with eye so worn that he
Of all men least can measure the extent
Of what he has accomplished. He alone
Who, nothing tasked, is nothing weary too,
May clearly scan the little he effects:
But we, the bystanders, untouched by toil,
Estimate each aright.
Paracelsus.
           This worthy Festus
Is one of them, at last! 'T is so with all!
First, they set down all progress as a dream;
And next, when he whose quick discomfiture
Was counted on, accomplishes some few
And doubtful steps in his career,behold,
They look for every inch of ground to vanish
Beneath his tread, so sure they spy success!
Festus.
Few doubtful steps? when death retires before
Your presencewhen the noblest of mankind,
Broken in body or subdued in soul,
May through your skill renew their vigour, raise
The shattered frame to pristine stateliness?
When men in racking pain may purchase dreams
Of what delights them most, swooning at once
Into a sea of bliss or rapt along
As in a flying sphere of turbulent light?
When we may look to you as one ordained
To free the flesh from fell disease, as frees
Our Luther's burning tongue the fettered soul?
When . . .
Paracelsus.
     When and where, the devil, did you get
This notable news?
Festus.
         Even from the common voice;
From those whose envy, daring not dispute
The wonders it decries, attributes them
To magic and such folly.
Paracelsus.
             Folly? Why not
To magic, pray? You find a comfort doubtless
In holding, God ne'er troubles him about
Us or our doings: once we were judged worth
The devil's tempting . . . I offend: forgive me,
And rest content. Your prophecy on the whole
Was fair enough as prophesyings go;
At fault a little in detail, but quite
Precise enough in the main; and hereupon
I pay due homage: you guessed long ago
(The prophet!) I should failand I have failed.
Festus.
You mean to tell me, then, the hopes which fed
Your youth have not been realized as yet?
Some obstacle has barred them hitherto?
Or that their innate . . .
Paracelsus.
              As I said but now,
You have a very decent prophet's fame,
So you but shun details here. Little matter
Whether those hopes were mad,the aims they sought,
Safe and secure from all ambitious fools;
Or whether my weak wits are overcome
By what a better spirit would scorn: I fail.
And now methinks't were best to change a theme
I am a sad fool to have stumbled on.
I say confusedly what comes uppermost;
But there are times when patience proves at fault,
As now: this morning's strange encounteryou
Beside me once again! you, whom I guessed
Alive, since hitherto (with Luther's leave)
No friend have I among the saints at peace,
To judge by any good their prayers effect.
I knew you would have helped mewhy not he,
My strange competitor in enterprise,
Bound for the same end by another path,
Arrived, or ill or well, before the time,
At our disastrous journey's doubtful close?
How goes it with Aprile? Ah, they miss
Your lone sad sunny idleness of heaven,
Our martyrs for the world's sake; heaven shuts fast:
The poor mad poet is howling by this time!
Since you are my sole friend then, here or there,
I could not quite repress the varied feelings
This meeting wakens; they have had their vent,
And now forget them. Do the rear-mice still
Hang like a fretwork on the gate (or what
In my time was a gate) fronting the road
From Einsiedeln to Lachen?
Festus.
              Trifle not:
Answer me, for my sake alone! You smiled
Just now, when I supposed some deed, unworthy
Yourself, might blot the else so bright result;
Yet if your motives have continued pure,
Your will unfaltering, and in spite of this,
You have experienced a defeat, why then
I say not you would cheerfully withdraw
From contestmortal hearts are not so fashioned
But surely you would ne'ertheless withdraw.
You sought not fame nor gain nor even love,
No end distinct from knowledge,I repeat
Your very words: once satisfied that knowledge
Is a mere dream, you would announce as much,
Yourself the first. But how is the event?
You are defeatedand I find you here!
Paracelsus.
As though "here" did not signify defeat!
I spoke not of my little labours here,
But of the break-down of my general aims:
For you, aware of their extent and scope,
To look on these sage lecturings, approved
By beardless boys, and bearded dotards worse,
As a fit consummation of such aims,
Is worthy notice. A professorship
At Basil! Since you see so much in it,
And think my life was reasonably drained
Of life's delights to render me a match
For duties arduous as such post demands,
Be it far from me to deny my power
To fill the petty circle lotted out
Of infinite space, or justify the host
Of honours thence accruing. So, take notice,
This jewel dangling from my neck preserves
The features of a prince, my skill restored
To plague his people some few years to come:
And all through a pure whim. He had eased the earth
For me, but that the droll despair which seized
The vermin of his household, tickled me.
I came to see. Here, drivelled the physician,
Whose most infallible nostrum was at fault;
There quaked the astrologer, whose horoscope
Had promised him interminable years;
Here a monk fumbled at the sick man's mouth
With some undoubted relica sudary
Of the Virgin; while another piebald knave
Of the same brotherhood (he loved them ever)
Was actively preparing 'neath his nose
Such a suffumigation as, once fired,
Had stunk the patient dead ere he could groan.
I cursed the doctor and upset the brother,
Brushed past the conjurer, vowed that the first gust
Of stench from the ingredients just alight
Would raise a cross-grained devil in my sword,
Not easily laid: and ere an hour the prince
Slept as he never slept since prince he was.
A dayand I was posting for my life,
Placarded through the town as one whose spite
Had near availed to stop the blessed effects
Of the doctor's nostrum which, well seconded
By the sudary, and most by the costly smoke
Not leaving out the strenuous prayers sent up
Hard by in the abbeyraised the prince to life:
To the great reputation of the seer
Who, confident, expected all along
The glad eventthe doctor's recompense
Much largess from his highness to the monks
And the vast solace of his loving people,
Whose general satisfaction to increase,
The prince was pleased no longer to defer
The burning of some dozen heretics
Remanded till God's mercy should be shown
Touching his sickness: last of all were joined
Ample directions to all loyal folk
To swell the complement by seizing me
Whodoubtless some rank sorcererendeavoured
To thwart these pious offices, obstruct
The prince's cure, and frustrate heaven by help
Of certain devils dwelling in his sword.
By luck, the prince in his first fit of thanks
Had forced this bauble on me as an earnest
Of further favours. This one case may serve
To give sufficient taste of many such,
So, let them pass. Those shelves support a pile
Of patents, licences, diplomas, titles
From Germany, France, Spain, and Italy;
They authorize some honour; ne'ertheless,
I set more store by this Erasmus sent;
He trusts me; our Frobenius is his friend,
And him "I raised" (nay, read it) "from the dead."
I weary you, I see. I merely sought
To show, there's no great wonder after all
That, while I fill the class-room and attract
A crowd to Basil, I get leave to stay,
And therefore need not scruple to accept
The utmost they can offer, if I please:
For't is but right the world should be prepared
To treat with favour e'en fantastic wants
Of one like me, used up in serving her.
Just as the mortal, whom the gods in part
Devoured, received in place of his lost limb
Some virtue or othercured disease, I think;
You mind the fables we have read together.
Festus.
You do not think I comprehend a word.
The time was, Aureole, you were apt enough
To clothe the airiest thoughts in specious breath;
But surely you must feel how vague and strange
These speeches sound.
Paracelsus.
           Well, then: you know my hopes;
I am assured, at length, those hopes were vain;
That truth is just as far from me as ever;
That I have thrown my life away; that sorrow
On that account is idle, and further effort
To mend and patch what's marred beyond repairing,
As useless: and all this was taught your friend
By the convincing good old-fashioned method
Of forceby sheer compulsion. Is that plain?
Festus.
Dear Aureole, can it be my fears were just?
God wills not . . .
Paracelsus.
          Now, 't is this I most admire
The constant talk men of your stamp keep up
Of God's will, as they style it; one would swear
Man had but merely to uplift his eye,
And see the will in question charactered
On the heaven's vault. 'T is hardly wise to moot
Such topics: doubts are many and faith is weak.
I know as much of any will of God
As knows some dumb and tortured brute what Man,
His stern lord, wills from the perplexing blows
That plague him every way; but there, of course,
Where least he suffers, longest he remains
My case; and for such reasons I plod on,
Subdued but not convinced. I know as little
Why I deserve to fail, as why I hoped
Better things in my youth. I simply know
I am no master here, but trained and beaten
Into the path I tread; and here I stay,
Until some further intimation reach me,
Like an obedient drudge. Though I prefer
To view the whole thing as a task imposed
Which, whether dull or pleasant, must be done
Yet, I deny not, there is made provision
Of joys which tastes less jaded might affect;
Nay, some which please me too, for all my pride
Pleasures that once were pains: the iron ring
Festering about a slave's neck grows at length
Into the flesh it eats. I hate no longer
A host of petty vile delights, undreamed of
Or spurned before; such now supply the place
Of my dead aims: as in the autumn woods
Where tall trees used to flourish, from their roots
Springs up a fungous brood sickly and pale,
Chill mushrooms coloured like a corpse's cheek.
Festus.
If I interpret well your words, I own
It troubles me but little that your aims,
Vast in their dawning and most likely grown
Extravagantly since, have baffled you.
Perchance I am glad; you merit greater praise;
Because they are too glorious to be gained,
You do not blindly cling to them and die;
You fell, but have not sullenly refused
To rise, because an angel worsted you
In wrestling, though the world holds not your peer;
And though too harsh and sudden is the change
To yield content as yet, still you pursue
The ungracious path as though't were rosv-strewn.
'T is well: and your reward, or soon or late,
Will come from him whom no man serves in vain.
Paracelsus.
Ah, very fine! For my part, I conceive
The very pausing from all further toil,
Which you find heinous, would become a seal
To the sincerity of all my deeds.
To be consistent I should die at once;
I calculated on no after-life;
Yet (how crept in, how fostered, I know not)
Here am I with as passionate regret
For youth and health and love so vainly lavished,
As if their preservation had been first
And foremost in my thoughts; and this strange fact
Humbled me wondrously, and had due force
In rendering me the less averse to follow
A certain counsel, a mysterious warning
You will not understandbut't was a man
With aims not mine and yet pursued like mine,
With the same fervour and no more success,
Perishing in my sight; who summoned me
As I would shun the ghastly fate I saw,
To serve my race at once; to wait no longer
That God should interfere in my behalf,
But to distrust myself, put pride away,
And give my gains, imperfect as they were,
To men. I have not leisure to explain
How, since, a singular series of events
Has raised me to the station you behold,
Wherein I seem to turn to most account
The mere wreck of the past,perhaps receive
Some feeble glimmering token that God views
And may approve my penance: therefore here
You find me, doing most good or least harm.
And if folks wonder much and profit little
'T is not my fault; only, I shall rejoice
When my part in the farce is shuffled through,
And the curtain falls: I must hold out till then.
Festus.
Till when, dear Aureole?
Paracelsus.
             Till I'm fairly thrust
From my proud eminence. Fortune is fickle
And even professors fall: should that arrive,
I see no sin in ceding to my bent.
You little fancy what rude shocks apprise us
We sin; God's intimations rather fail
In clearness than in energy: 't were well
Did they but indicate the course to take
Like that to be forsaken. I would fain
Be spared a further sample. Here I stand,
And here I stay, be sure, till forced to flit.
Festus.
Be you but firm on that head! long ere then
All I expect will come to pass, I trust:
The cloud that wraps you will have disappeared.
Meantime, I see small chance of such event:
They praise you here as one whose lore, already
Divulged, eclipses all the past can show,
But whose achievements, marvellous as they be,
Are faint anticipations of a glory
About to be revealed. When Basil's crowds
Dismiss their teacher, I shall be content
That he depart.
Paracelsus.
        This favour at their hands
I look for earlier than your view of things
Would warrant. Of the crowd you saw to-day,
Remove the full half sheer amazement draws,
Mere novelty, nought else; and next, the tribe
Whose innate blockish dulness just perceives
That unless miracles (as seem my works)
Be wrought in their behalf, their chance is slight
To puzzle the devil; next, the numerous set
Who bitterly hate established schools, and help
The teacher that oppugns them, till he once
Have planted his own doctrine, when the teacher
May reckon on their rancour in his turn;
Take, too, the sprinkling of sagacious knaves
Whose cunning runs not counter to the vogue
But seeks, by flattery and crafty nursing,
To force my system to a premature
Short-lived development. Why swell the list?
Each has his end to serve, and his best way
Of serving it: remove all these, remains
A scantling, a poor dozen at the best,
Worthy to look for sympathy and service,
And likely to draw profit from my pains.
Festus.
'T is no encouraging picture: still these few
Redeem their fellows. Once the germ implanted,
Its growth, if slow, is sure.
Paracelsus.
               God grant it so!
I would make some amends: but if I fail,
The luckless rogues have this excuse to urge,
That much is in my method and my manner,
My uncouth habits, my impatient spirit,
Which hinders of reception and result
My doctrine: much to say, small skill to speak!
These old aims suffered not a looking-off
Though for an instant; therefore, only when
I thus renounced them and resolved to reap
Some present fruitto teach mankind some truth
So dearly purchasedonly then I found
Such teaching was an art requiring cares
And qualities peculiar to itself:
That to possess was one thingto display
Another. With renown first in my thoughts,
Or popular praise, I had soon discovered it:
One grows but little apt to learn these things.
Festus.
If it be so, which nowise I believe,
There needs no waiting fuller dispensation
To leave a labour of so little use.
Why not throw up the irksome charge at once?
Paracelsus.
A task, a task!
        But wherefore hide the whole
Extent of degradation, once engaged
In the confessing vein? Despite of all
My fine talk of obedience and repugnance,
Docility and what not, 't is yet to learn
If when the task shall really be performed,
My inclination free to choose once more,
I shall do aught but slightly modify
The nature of the hated task I quit.
In plain words, I am spoiled; my life still tends
As first it tended; I am broken and trained
To my old habits: they are part of me.
I know, and none so well, my darling ends
Are proved impossible: no less, no less,
Even now what humours me, fond fool, as when
Their faint ghosts sit with me and flatter me
And send me back content to my dull round?
How can I change this soul?this apparatus
Constructed solely for their purposes,
So well adapted to their every want,
To search out and discover, prove and perfect;
This intricate machine whose most minute
And meanest motions have their charm to me
Though to none elsean aptitude I seize,
An object I perceive, a use, a meaning,
A property, a fitness, I explain
And I alone:how can I change my soul?
And this wronged body, worthless save when tasked
Under that soul's dominionused to care
For its bright master's cares and quite subdue
Its proper cravingsnot to ail nor pine
So he but prosperwhither drag this poor
Tried patient body? God! how I essayed
To live like that mad poet, for a while,
To love alone; and how I felt too warped
And twisted and deformed! What should I do,
Even tho'released from drudgery, but return
Faint, as you see, and halting, blind and sore,
To my old life and die as I began?
I cannot feed on beauty for the sake
Of beauty only, nor can drink in balm
From lovely objects for their loveliness;
My nature cannot lose her first imprint;
I still must hoard and heap and class all truths
With one ulterior purpose: I must know!
Would God translate me to his throne, believe
That I should only listen to his word
To further my own aim! For other men,
Beauty is prodigally strewn around,
And I were happy could I quench as they
This mad and thriveless longing, and content me
With beauty for itself alone: alas,
I have addressed a frock of heavy mail
Yet may not join the troop of sacred knights;
And now the forest-creatures fly from me,
The grass-banks cool, the sunbeams warm no more.
Best follow, dreaming that ere night arrive,
I shall o'ertake the company and ride
Glittering as they!
Festus.
          I think I apprehend
What you would say: if you, in truth, design
To enter once more on the life thus left,
Seek not to hide that all this consciousness
Of failure is assumed!
Paracelsus.
           My friend, my friend,
I toil, you listen; I explain, perhaps
You understand: there our communion ends.
Have you learnt nothing from to-day's discourse?
When we would thoroughly know the sick man's state
We feel awhile the fluttering pulse, press soft
The hot brow, look upon the languid eye,
And thence divine the rest. Must I lay bare
My heart, hideous and beating, or tear up
My vitals for your gaze, ere you will deem
Enough made known? You! who are you, forsooth?
That is the crowning operation claimed
By the arch-demonstratorheaven the hall,
And earth the audience. Let Aprile and you
Secure good places: 't will be worth the while.
Festus.
Are you mad, Aureole? What can I have said
To call for this? I judged from your own words.
Paracelsus.
Oh, doubtless! A sick wretch describes the ape
That mocks him from the bed-foot, and all gravely
You thither turn at once: or he recounts
The perilous journey he has late performed,
And you are puzzled much how that could be!
You find me here, half stupid and half mad;
It makes no part of my delight to search
Into these matters, much less undergo
Another's scrutiny; but so it chances
That I am led to trust my state to you:
And the event is, you combine, contrast
And ponder on my foolish words as though
They thoroughly conveyed all hidden here
Here, loathsome with despair and hate and rage!
Is there no fear, no shrinking and no shame?
Will you guess nothing? will you spare me nothing?
Must I go deeper? Ay or no?
Festus.
               Dear friend . . .
               Paracelsus.
True: I am brutal't is a part of it;
The plague's signyou are not a lazar-haunter,
How should you know? Well then, you think it strange
I should profess to have failed utterly,
And yet propose an ultimate return
To courses void of hope: and this, because
You know not what temptation is, nor how
'T is like to ply men in the sickliest part.
You are to understand that we who make
Sport for the gods, are hunted to the end:
There is not one sharp volley shot at us,
Which 'scaped with life, though hurt, we slacken pace
And gather by the wayside herbs and roots
To staunch our wounds, secure from further harm:
We are assailed to life's extremest verge.
It will be well indeed if I return,
A harmless busy fool, to my old ways!
I would forget hints of another fate,
Significant enough, which silent hours
Have lately scared me with.
Festus.
               Another! and what?
               Paracelsus.
After all, Festus, you say well: I am
A man yet: I need never humble me.
I would have beensomething, I know not what;
But though I cannot soar, I do not crawl.
There are worse portions than this one of mine.
You say well!
Festus.
       Ah!
       Paracelsus.
         And deeper degradation!
If the mean stimulants of vulgar praise,
If vanity should become the chosen food
Of a sunk mind, should stifle even the wish
To find its early aspirations true,
Should teach it to breathe falsehood like life-breath
An atmosphere of craft and trick and lies;
Should make it proud to emulate, surpass
Base natures in the practices which woke
Its most indignant loathing once . . . No, no!
Utter damnation is reserved for hell!
I had immortal feelings; such shall never
Be wholly quenched: no, no!
               My friend, you wear
A melancholy face, and certain't is
There's little cheer in all this dismal work.
But was it my desire to set abroach
Such memories and forebodings? I foresaw
Where they would drive. 'T were better we discuss
News from Lucerne or Zurich; ask and tell
Of Egypt's flaring sky or Spain's cork-groves.
Festus.
I have thought: trust me, this mood will pass away!
I know you and the lofty spirit you bear,
And easily ravel out a clue to all.
These are the trials meet for such as you,
Nor must you hope exemption: to be mortal
Is to be plied with trials manifold.
Look round! The obstacles which kept the rest
From your ambition, have been spurned by you;
Their fears, their doubts, the chains that bind themall,
Were flax before your resolute soul, which nought
Avails to awe save these delusions bred
From its own strength, its selfsame strength disguised,
Mocking itself. Be brave, dear Aureole! Since
The rabbit has his shade to frighten him,
The fawn a rustling bough, mortals their cares,
And higher natures yet would slight and laugh
At these entangling fantasies, as you
At trammels of a weaker intellect,
Measure your mind's height by the shade it casts!
I know you.
Paracelsus.
     And I know you, dearest Festus!
And how you love unworthily; and how
All admiration renders blind.
Festus.
               You hold
That admiration blinds?
Paracelsus.
            Ay and alas!
            Festus.
Nought blinds you less than admiration, friend!
Whether it be that all love renders wise
In its degree; from love which blends with love
Heart answering heartto love which spends itself
In silent mad idolatry of some
Pre-eminent mortal, some great soul of souls,
Which ne'er will know how well it is adored.
I say, such love is never blind; but rather
Alive to every the minutest spot
Which mars its object, and which hate (supposed
So vigilant and searching) dreams not of.
Love broods on such: what then? When first perceived
Is there no sweet strife to forget, to change,
To overflush those blemishes with all
The glow of general goodness they disturb?
To make those very defects an endless source
Of new affection grown from hopes and fears?
And, when all fails, is there no gallant stand
Made even for much proved weak? no shrinking-back
Lest, since all love assimilates the soul
To what it loves, it should at length become
Almost a rival of its idol? Trust me,
If there be fiends who seek to work our hurt,
To ruin and drag down earth's mightiest spirits
Even at God's foot, 't will be from such as love,
Their zeal will gather most to serve their cause;
And least from those who hate, who most essay
By contumely and scorn to blot the light
Which forces entrance even to their hearts:
For thence will our defender tear the veil
And show within each heart, as in a shrine,
The giant image of perfection, grown
In hate's despite, whose calumnies were spawned
In the untroubled presence of its eyes.
True admiration blinds not; nor am I
So blind. I call your sin exceptional;
It springs from one whose life has passed the bounds
Prescribed to life. Compound that fault with God!
I speak of men; to common men like me
The weakness you reveal endears you more,
Like the far traces of decay in suns.
I bid you have good cheer!
Paracelsus.
              Proeclare! Optime!
Think of a quiet mountain-cloistered priest
Instructing Paracelsus! yet't is so.
Come, I will show you where my merit lies.
'T is in the advance of individual minds
That the slow crowd should ground their expectation
Eventually to follow; as the sea
Waits ages in its bed till some one wave
Out of the multitudinous mass, extends
The empire of the whole, some feet perhaps,
Over the strip of sand which could confine
Its fellows so long time: thenceforth the rest,
Even to the meanest, hurry in at once,
And so much is clear gained. I shall be glad
If all my labours, failing of aught else,
Suffice to make such inroad and procure
A wider range for thought: nay, they do this;
For, whatsoe'er my notions of true knowledge
And a legitimate success, may be,
I am not blind to my undoubted rank
When classed with others: I precede my age:
And whoso wills is very free to mount
These labours as a platform whence his own
May have a prosperous outset. But, alas!
My followersthey are noisy as you heard;
But, for intelligence, the best of them
So clumsily wield the weapons I supply
And they extol, that I begin to doubt
Whether their own rude clubs and pebble-stones
Would not do better service than my arms
Thus vilely swayedif error will not fall
Sooner before the old awkward batterings
Than my more subtle warfare, not half learned.
Festus.
I would supply that art, then, or withhold
New arms until you teach their mystery.
Paracelsus.
Content you, 't is my wish; I have recourse
To the simplest training. Day by day I seek
To wake the mood, the spirit which alone
Can make those arms of any use to men.
Of course they are for swaggering forth at once
Graced with Ulysses' bow, Achilles' shield
Flash on us, all in armour, thou Achilles!
Make our hearts dance to thy resounding step!
A proper sight to scare the crows away!
Festus.
Pity you choose not then some other method
Of coming at your point. The marvellous art
At length established in the world bids fair
To remedy all hindrances like these:
Trust to Frobenius' press the precious lore
Obscured by uncouth manner, or unfit
For raw beginners; let his types secure
A deathless monument to after-time;
Meanwhile wait confidently and enjoy
The ultimate effect: sooner or later
You shall be all-revealed.
Paracelsus.
              The old dull question
In a new form; no more. Thus: I possess
Two sorts of knowledge; one,vast, shadowy,
Hints of the unbounded aim I once pursued:
The other consists of many secrets, caught
While bent on nobler prize,perhaps a few
Prime principles which may conduct to much:
These last I offer to my followers here.
Now, bid me chronicle the first of these,
My ancient study, and in effect you bid
Revert to the wild courses just abjured:
I must go find them scattered through the world.
Then, for the principles, they are so simple
(Being chiefly of the overturning sort),
That one time is as proper to propound them
As any otherto-morrow at my class,
Or half a century hence embalmed in print.
For if mankind intend to learn at all,
They must begin by giving faith to them
And acting on them: and I do not see
But that my lectures serve indifferent well:
No doubt these dogmas fall not to the earth,
For all their novelty and rugged setting.
I think my class will not forget the day
I let them know the gods of Israel,
Atius, Oribasius, Galen, Rhasis,
Serapion, Avicenna, Averres,
Were blocks!
Festus.
      And that reminds me, I heard something
About your waywardness: you burned their books,
It seems, instead of answering those sages.
Paracelsus.
And who said that?
Festus.
         Some I met yesternight
With OEcolampadius. As you know, the purpose
Of this short stay at Basil was to learn
His pleasure touching certain missives sent
For our Zuinglius and himself. 'T was he
Apprised me that the famous teacher here
Was my old friend.
Paracelsus.
         Ah, I forgot: you went . . .
         Festus.
From Zurich with advices for the ear
Of Luther, now at Wittenberg(you know,
I make no doubt, the differences of late
With Carolostadius)and returning sought
Basil and . . .
Paracelsus.
        I remember. Here's a case, now,
Will teach you why I answer not, but burn
The books you mention. Pray, does Luther dream
His arguments convince by their own force
The crowds that own his doctrine? No, indeed!
His plain denial of established points
Ages had sanctified and men supposed
Could never be oppugned while earth was under
And heaven above thempoints which chance or time
Affected notdid more than the array
Of argument which followed. Boldly deny!
There is much breath-stopping, hair-stiffening
Awhile; then, amazed glances, mute awaiting
The thunderbolt which does not come: and next,
Reproachful wonder and inquiry: those
Who else had never stirred, are able now
To find the rest out for themselves, perhaps
To outstrip him who set the whole at work,
As never will my wise class its instructor.
And you saw Luther?
Festus.
          'T is a wondrous soul!
          Paracelsus.
True: the so-heavy chain which galled mankind
Is shattered, and the noblest of us all
Must bow to the deliverernay, the worker
Of our own projectwe who long before
Had burst our trammels, but forgot the crowd,
We should have taught, still groaned beneath the load:
This he has done and nobly. Speed that may!
Whatever be my chance or my mischance,
What benefits mankind must glad me too;
And men seem made, though not as I believed,
For something better than the times produce.
Witness these gangs of peasants your new lights
From Suabia have possessed, whom Mnzer leads,
And whom the duke, the landgrave and the elector
Will calm in blood! Well, well; 't is not my world!
Festus.
Hark!
Paracelsus.
   'T is the melancholy wind astir
Within the trees; the embers too are grey:
Morn must be near.
Festus.
         Best ope the casement: see,
The night, late strewn with clouds and flying stars,
Is blank and motionless: how peaceful sleep
The tree-tops altogether! Like an asp,
The wind slips whispering from bough to bough.
Paracelsus.
Ay; you would gaze on a wind-shaken tree
By the hour, nor count time lost.
Festus.
                 So you shall gaze:
Those happy times will come again.
Paracelsus.
                  Gone, gone,
Those pleasant times! Does not the moaning wind
Seem to bewail that we have gained such gains
And bartered sleep for them?
Festus.
               It is our trust
That there is yet another world to mend
All error and mischance.
Paracelsus.
             Another world!
And why this world, this common world, to be
A make-shift, a mere foil, how fair soever,
To some fine life to come? Man must be fed
With angels' food, forsooth; and some few traces
Of a diviner nature which look out
Through his corporeal baseness, warrant him
In a supreme contempt of all provision
For his inferior tastessome straggling marks
Which constitute his essence, just as truly
As here and there a gem would constitute
The rock, their barren bed, one diamond.
But were it sowere man all mindhe gains
A station little enviable. From God
Down to the lowest spirit ministrant,
Intelligence exists which casts our mind
Into immeasurable shade. No, no:
Love, hope, fear, faiththese make humanity;
These are its sign and note and character,
And these I have lost!gone, shut from me for ever,
Like a dead friend safe from unkindness more!
See, morn at length. The heavy darkness seems
Diluted, grey and clear without the stars;
The shrubs bestir and rouse themselves as if
Some snake, that weighed them down all night, let go
His hold; and from the East, fuller and fuller
Day, like a mighty river, flowing in;
But clouded, wintry, desolate and cold.
Yet see how that broad prickly star-shaped plant,
Half-down in the crevice, spreads its woolly leaves
All thick and glistering with diamond dew.
And you depart for Einsiedeln this day,
And we have spent all night in talk like this!
If you would have me better for your love,
Revert no more to these sad themes.
Festus.
                   One favour,
And I have done. I leave you, deeply moved;
Unwilling to have fared so well, the while
My friend has changed so sorely. If this mood
Shall pass away, if light once more arise
Where all is darkness now, if you see fit
To hope and trust again, and strive again,
You will remembernot our love alone
But that my faith in God's desire that man
Should trust on his support, (as I must think
You trusted) is obscured and dim through you:
For you are thus, and this is no reward.
Will you not call me to your side, dear Aureole?


~ Robert Browning, Paracelsus - Part III - Paracelsus
,
111:BOOK THE TENTH

The Story of Orpheus and Eurydice

Thence, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
With dread these inauspicious signs were view'd,
And soon a more disastrous end ensu'd;
For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.

When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.

Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.
Now, by the horrors which these realms surround;
By the vast chaos of these depths profound;
By the sad silence which eternal reigns
O'er all the waste of these wide-stretching plains;
Let me again Eurydice receive,
Let Fate her quick-spun thread of life re-weave.
All our possessions are but loans from you,
And soon, or late, you must be paid your due;
Hither we haste to human-kind's last seat,
Your endless empire, and our sure retreat.
She too, when ripen'd years she shall attain,
Must, of avoidless right, be yours again:
I but the transient use of that require,
Which soon, too soon, I must resign entire.
But if the destinies refuse my vow,
And no remission of her doom allow;
Know, I'm determin'd to return no more;
So both retain, or both to life restore.

Thus, while the bard melodiously complains,
And to his lyre accords his vocal strains,
The very bloodless shades attention keep,
And silent, seem compassionate to weep;
Ev'n Tantalus his flood unthirsty views,
Nor flies the stream, nor he the stream pursues;
Ixion's wond'ring wheel its whirl suspends,
And the voracious vulture, charm'd, attends;
No more the Belides their toil bemoan,
And Sisiphus reclin'd, sits list'ning on his stone.

Then first ('tis said) by sacred verse subdu'd,
The Furies felt their cheeks with tears bedew'd:
Nor could the rigid king, or queen of Hell,
Th' impulse of pity in their hearts repell.

Now, from a troop of shades that last arriv'd,
Eurydice was call'd, and stood reviv'd:
Slow she advanc'd, and halting seem to feel
The fatal wound, yet painful in her heel.
Thus he obtains the suit so much desir'd,
On strict observance of the terms requir'd:
For if, before he reach the realms of air,
He backward cast his eyes to view the fair,
The forfeit grant, that instant, void is made,
And she for ever left a lifeless shade.

Now thro' the noiseless throng their way they bend,
And both with pain the rugged road ascend;
Dark was the path, and difficult, and steep,
And thick with vapours from the smoaky deep.
They well-nigh now had pass'd the bounds of night,
And just approach'd the margin of the light,
When he, mistrusting lest her steps might stray,
And gladsome of the glympse of dawning day,
His longing eyes, impatient, backward cast
To catch a lover's look, but look'd his last;
For, instant dying, she again descends,
While he to empty air his arms extends.
Again she dy'd, nor yet her lord reprov'd;
What could she say, but that too well he lov'd?
One last farewell she spoke, which scarce he heard;
So soon she drop'd, so sudden disappear'd.

All stunn'd he stood, when thus his wife he view'd
By second Fate, and double death subdu'd:
Not more amazement by that wretch was shown,
Whom Cerberus beholding, turn'd to stone;
Nor Olenus cou'd more astonish'd look,
When on himself Lethaea's fault he took,
His beauteous wife, who too secure had dar'd
Her face to vye with Goddesses compar'd:
Once join'd by love, they stand united still,
Turn'd to contiguous rocks on Ida's hill.

Now to repass the Styx in vain he tries,
Charon averse, his pressing suit denies.
Sev'n days entire, along th' infernal shores,
Disconsolate, the bard Eurydice deplores;
Defil'd with filth his robe, with tears his cheeks,
No sustenance but grief, and cares, he seeks:
Of rigid Fate incessant he complains,
And Hell's inexorable Gods arraigns.
This ended, to high Rhodope he hastes,
And Haemus' mountain, bleak with northern blasts.

And now his yearly race the circling sun
Had thrice compleat thro' wat'ry Pisces run,
Since Orpheus fled the face of womankind,
And all soft union with the sex declin'd.
Whether his ill success this change had bred,
Or binding vows made to his former bed;
Whate'er the cause, in vain the nymphs contest,
With rival eyes to warm his frozen breast:
For ev'ry nymph with love his lays inspir'd,
But ev'ry nymph repuls'd, with grief retir'd.

A hill there was, and on that hill a mead,
With verdure thick, but destitute of shade.
Where, now, the Muse's son no sooner sings,
No sooner strikes his sweet resounding strings.
But distant groves the flying sounds receive,
And list'ning trees their rooted stations leave;
Themselves transplanting, all around they grow,
And various shades their various kinds bestow.
Here, tall Chaonian oaks their branches spread,
While weeping poplars there erect their head.
The foodful Esculus here shoots his leaves,
That turf soft lime-tree, this, fat beach receives;
Here, brittle hazels, lawrels here advance,
And there tough ash to form the heroe's lance;
Here silver firs with knotless trunks ascend,
There, scarlet oaks beneath their acorns bend.
That spot admits the hospitable plane,
On this, the maple grows with clouded grain;
Here, watry willows are with Lotus seen;
There, tamarisk, and box for ever green.
With double hue here mirtles grace the ground,
And laurestines, with purple berries crown'd.
With pliant feet, now, ivies this way wind,
Vines yonder rise, and elms with vines entwin'd.
Wild Ornus now, the pitch-tree next takes root,
And Ar butus adorn'd with blushing fruit.
Then easy-bending palms, the victor's prize,
And pines erect with bristly tops arise.
For Rhea grateful still the pine remains,
For Atys still some favour she retains;
He once in human shape her breast had warm'd,
And now is cherish'd, to a tree transform'd.

The Fable of Cyparissus

Amid the throng of this promiscuous wood,
With pointed top, the taper cypress stood;
A tree, which once a youth, and heav'nly fair,
Was of that deity the darling care,
Whose hand adapts, with equal skill, the strings
To bows with which he kills, and harps to which he sings.

For heretofore, a mighty stag was bred,
Which on the fertile fields of Caea fed;
In shape and size he all his kind excell'd,
And to Carthaean nymphs was sacred held.
His beamy head, with branches high display'd,
Afforded to itself an ample shade;
His horns were gilt, and his smooth neck was grac'd
With silver collars thick with gems enchas'd:
A silver boss upon his forehead hung,
And brazen pendants in his ear-rings rung.
Frequenting houses, he familiar grew,
And learnt by custom, Nature to subdue;
'Till by degrees, of fear, and wildness, broke,
Ev'n stranger hands his proffer'd neck might stroak.

Much was the beast by Caea's youth caress'd,
But thou, sweet Cyparissus, lov'dst him best:
By thee, to pastures fresh, he oft was led,
By thee oft water'd at the fountain's head:
His horns with garlands, now, by thee were ty'd,
And, now, thou on his back wou'dst wanton ride;
Now here, now there wou'dst bound along the plains,
Ruling his tender mouth with purple reins.

'Twas when the summer sun, at noon of day,
Thro' glowing Cancer shot his burning ray,
'Twas then, the fav'rite stag, in cool retreat,
Had sought a shelter from the scorching heat;
Along the grass his weary limbs he laid,
Inhaling freshness from the breezy shade:
When Cyparissus with his pointed dart,
Unknowing, pierc'd him to the panting heart.
But when the youth, surpriz'd, his error found,
And saw him dying of the cruel wound,
Himself he would have slain thro' desp'rate grief:
What said not Phoebus, that might yield relief!
To cease his mourning, he the boy desir'd,
Or mourn no more than such a loss requir'd.
But he, incessant griev'd: at length address'd
To the superior Pow'rs a last request;
Praying, in expiation of his crime,
Thenceforth to mourn to all succeeding time.

And now, of blood exhausted he appears,
Drain'd by a torrent of continual tears;
The fleshy colour in his body fades,
And a green tincture all his limbs invades;
From his fair head, where curling locks late hung,
A horrid bush with bristled branches sprung,
Which stiffning by degrees, its stem extends,
'Till to the starry skies the spire ascends.

Apollo sad look'd on, and sighing, cry'd,
Then, be for ever, what thy pray'r imply'd:
Bemoan'd by me, in others grief excite;
And still preside at ev'ry fun'ral rite.

Thus the sweet artist in a wondrous shade
Of verdant trees, which harmony had made,
Encircled sate, with his own triumphs crown'd,
Of listning birds, and savages around.
Again the trembling strings he dext'rous tries,
Again from discord makes soft musick rise.
Then tunes his voice: O Muse, from whom I sprung,
Jove be my theme, and thou inspire my song.
To Jove my grateful voice I oft have rais'd,
Oft his almighty pow'r with pleasure prais'd.
I sung the giants in a solemn strain,
Blasted, and thunder-struck on Phlegra's plain.
Now be my lyre in softer accents mov'd,
To sing of blooming boys by Gods belov'd;
And to relate what virgins, void of shame,
Have suffer'd vengeance for a lawless flame.

The King of Gods once felt the burning joy,
And sigh'd for lovely Ganimede of Troy:
Long was he puzzled to assume a shape
Most fit, and expeditious for the rape;
A bird's was proper, yet he scorns to wear
Any but that which might his thunder bear.
Down with his masquerading wings he flies,
And bears the little Trojan to the skies;
Where now, in robes of heav'nly purple drest,
He serves the nectar at th' Almighty's feast,
To slighted Juno an unwelcome guest.

Hyacinthus transform'd into a Flower

Phoebus for thee too, Hyacinth, design'd
A place among the Gods, had Fate been kind:
Yet this he gave; as oft as wintry rains
Are past, and vernal breezes sooth the plains,
From the green turf a purple flow'r you rise,
And with your fragrant breath perfume the skies.

You when alive were Phoebus' darling boy;
In you he plac'd his Heav'n, and fix'd his joy:
Their God the Delphic priests consult in vain;
Eurotas now he loves, and Sparta's plain:
His hands the use of bow and harp forget,
And hold the dogs, or bear the corded net;
O'er hanging cliffs swift he pursues the game;
Each hour his pleasure, each augments his flame.

The mid-day sun now shone with equal light
Between the past, and the succeeding night;
They strip, then, smooth'd with suppling oyl, essay
To pitch the rounded quoit, their wonted play:
A well-pois'd disk first hasty Phoebus threw,
It cleft the air, and whistled as it flew;
It reach'd the mark, a most surprizing length;
Which spoke an equal share of art, and strength.
Scarce was it fall'n, when with too eager hand
Young Hyacinth ran to snatch it from the sand;
But the curst orb, which met a stony soil,
Flew in his face with violent recoil.
Both faint, both pale, and breathless now appear,
The boy with pain, the am'rous God with fear.
He ran, and rais'd him bleeding from the ground,
Chafes his cold limbs, and wipes the fatal wound:
Then herbs of noblest juice in vain applies;
The wound is mortal, and his skill defies.

As in a water'd garden's blooming walk,
When some rude hand has bruis'd its tender stalk,
A fading lilly droops its languid head,
And bends to earth, its life, and beauty fled:
So Hyacinth, with head reclin'd, decays,
And, sickning, now no more his charms displays.

O thou art gone, my boy, Apollo cry'd,
Defrauded of thy youth in all its pride!
Thou, once my joy, art all my sorrow now;
And to my guilty hand my grief I owe.
Yet from my self I might the fault remove,
Unless to sport, and play, a fault should prove,
Unless it too were call'd a fault to love.
Oh cou'd I for thee, or but with thee, dye!
But cruel Fates to me that pow'r deny.
Yet on my tongue thou shalt for ever dwell;
Thy name my lyre shall sound, my verse shall tell;
And to a flow'r transform'd, unheard-of yet,
Stamp'd on thy leaves my cries thou shalt repeat.
The time shall come, prophetick I foreknow,
When, joyn'd to thee, a mighty chief shall grow,
And with my plaints his name thy leaf shall show.

While Phoebus thus the laws of Fate reveal'd,
Behold, the blood which stain'd the verdant field,
Is blood no longer; but a flow'r full blown,
Far brighter than the Tyrian scarlet shone.
A lilly's form it took; its purple hue
Was all that made a diff'rence to the view,
Nor stop'd he here; the God upon its leaves
The sad expression of his sorrow weaves;
And to this hour the mournful purple wears
Ai, Ai, inscrib'd in funeral characters.
Nor are the Spartans, who so much are fam'd
For virtue, of their Hyacinth asham'd;
But still with pompous woe, and solemn state,
The Hyacinthian feasts they yearly celebrate

The Transformations of the Cerastae and Propoetides

Enquire of Amathus, whose wealthy ground
With veins of every metal does abound,
If she to her Propoetides wou'd show,
The honour Sparta does to him allow?
Nor more, she'd say, such wretches wou'd we grace,
Than those whose crooked horns deform'd their face,
From thence Cerastae call'd, an impious race:
Before whose gates a rev'rend altar stood,
To Jove inscrib'd, the hospitable God:
This had some stranger seen with gore besmear'd,
The blood of lambs, and bulls it had appear'd:
Their slaughter'd guests it was; nor flock nor herd.

Venus these barb'rous sacrifices view'd
With just abhorrence, and with wrath pursu'd:
At first, to punish such nefarious crimes,
Their towns she meant to leave, her once-lov'd climes:
But why, said she, for their offence shou'd I
My dear delightful plains, and cities fly?
No, let the impious people, who have sinn'd,
A punishment in death, or exile, find:
If death, or exile too severe be thought,
Let them in some vile shape bemoan their fault.
While next her mind a proper form employs,
Admonish'd by their horns, she fix'd her choice.
Their former crest remains upon their heads,
And their strong limbs an ox's shape invades.

The blasphemous Propoetides deny'd
Worship of Venus, and her pow'r defy'd:
But soon that pow'r they felt, the first that sold
Their lewd embraces to the world for gold.
Unknowing how to blush, and shameless grown,
A small transition changes them to stone.

The Story of Pygmalion and the Statue

Pygmalion loathing their lascivious life,
Abhorr'd all womankind, but most a wife:
So single chose to live, and shunn'd to wed,
Well pleas'd to want a consort of his bed.
Yet fearing idleness, the nurse of ill,
In sculpture exercis'd his happy skill;
And carv'd in iv'ry such a maid, so fair,
As Nature could not with his art compare,
Were she to work; but in her own defence
Must take her pattern here, and copy hence.
Pleas'd with his idol, he commends, admires,
Adores; and last, the thing ador'd, desires.
A very virgin in her face was seen,
And had she mov'd, a living maid had been:
One wou'd have thought she cou'd have stirr'd, but strove

With modesty, and was asham'd to move.
Art hid with art, so well perform'd the cheat,
It caught the carver with his own deceit:
He knows 'tis madness, yet he must adore,
And still the more he knows it, loves the more:
The flesh, or what so seems, he touches oft,
Which feels so smooth, that he believes it soft.
Fir'd with this thought, at once he strain'd the breast,

And on the lips a burning kiss impress'd.
'Tis true, the harden'd breast resists the gripe,
And the cold lips return a kiss unripe:
But when, retiring back, he look'd again,
To think it iv'ry, was a thought too mean:
So wou'd believe she kiss'd, and courting more,
Again embrac'd her naked body o'er;
And straining hard the statue, was afraid
His hands had made a dint, and hurt his maid:
Explor'd her limb by limb, and fear'd to find
So rude a gripe had left a livid mark behind:
With flatt'ry now he seeks her mind to move,
And now with gifts (the pow'rful bribes of love),
He furnishes her closet first; and fills
The crowded shelves with rarities of shells;
Adds orient pearls, which from the conchs he drew,
And all the sparkling stones of various hue:
And parrots, imitating human tongue,
And singing-birds in silver cages hung:
And ev'ry fragrant flow'r, and od'rous green,
Were sorted well, with lumps of amber laid between:
Rich fashionable robes her person deck,
Pendants her ears, and pearls adorn her neck:
Her taper'd fingers too with rings are grac'd,
And an embroider'd zone surrounds her slender waste.
Thus like a queen array'd, so richly dress'd,
Beauteous she shew'd, but naked shew'd the best.
Then, from the floor, he rais'd a royal bed,
With cov'rings of Sydonian purple spread:
The solemn rites perform'd, he calls her bride,
With blandishments invites her to his side;
And as she were with vital sense possess'd,
Her head did on a plumy pillow rest.

The feast of Venus came, a solemn day,
To which the Cypriots due devotion pay;
With gilded horns the milk-white heifers led,
Slaughter'd before the sacred altars, bled.

Pygmalion off'ring, first approach'd the shrine,
And then with pray'rs implor'd the Pow'rs divine:
Almighty Gods, if all we mortals want,
If all we can require, be yours to grant;
Make this fair statue mine, he wou'd have said,
But chang'd his words for shame; and only pray'd,
Give me the likeness of my iv'ry maid.

The golden Goddess, present at the pray'r,
Well knew he meant th' inanimated fair,
And gave the sign of granting his desire;
For thrice in chearful flames ascends the fire.
The youth, returning to his mistress, hies,
And impudent in hope, with ardent eyes,
And beating breast, by the dear statue lies.
He kisses her white lips, renews the bliss,
And looks, and thinks they redden at the kiss;
He thought them warm before: nor longer stays,
But next his hand on her hard bosom lays:
Hard as it was, beginning to relent,
It seem'd, the breast beneath his fingers bent;
He felt again, his fingers made a print;
'Twas flesh, but flesh so firm, it rose against the dint:

The pleasing task he fails not to renew;
Soft, and more soft at ev'ry touch it grew;
Like pliant wax, when chasing hands reduce
The former mass to form, and frame for use.
He would believe, but yet is still in pain,
And tries his argument of sense again,
Presses the pulse, and feels the leaping vein.
Convinc'd, o'erjoy'd, his studied thanks, and praise,
To her, who made the miracle, he pays:
Then lips to lips he join'd; now freed from fear,
He found the savour of the kiss sincere:
At this the waken'd image op'd her eyes,
And view'd at once the light, and lover with surprize.
The Goddess, present at the match she made,
So bless'd the bed, such fruitfulness convey'd,
That ere ten months had sharpen'd either horn,
To crown their bliss, a lovely boy was born;
Paphos his name, who grown to manhood, wall'd
The city Paphos, from the founder call'd.

The Story of of Cinyras and Myrrha

Nor him alone produc'd the fruitful queen;
But Cinyras, who like his sire had been
A happy prince, had he not been a sire.
Daughters, and fathers, from my song retire;
I sing of horror; and could I prevail,
You shou'd not hear, or not believe my tale.
Yet if the pleasure of my song be such,
That you will hear, and credit me too much,
Attentive listen to the last event,
And, with the sin, believe the punishment:
Since Nature cou'd behold so dire a crime,
I gratulate at least my native clime,
That such a land, which such a monster bore,
So far is distant from our Thracian shore.
Let Araby extol her happy coast,
Her cinamon, and sweet Amomum boast,
Her fragrant flow'rs, her trees with precious tears,
Her second harvests, and her double years;
How can the land be call'd so bless'd, that Myrrha bears?

Nor all her od'rous tears can cleanse her crime;
Her Plant alone deforms the happy clime:
Cupid denies to have inflam'd thy heart,
Disowns thy love, and vindicates his dart:
Some Fury gave thee those infernal pains,
And shot her venom'd vipers in thy veins.
To hate thy sire, had merited a curse;
But such an impious love deserv'd a worse.
The neighb'ring monarchs, by thy beauty led,
Contend in crowds, ambitious of thy bed:
The world is at thy choice; except but one,
Except but him, thou canst not chuse, alone.
She knew it too, the miserable maid,
Ere impious love her better thoughts betray'd,
And thus within her secret soul she said:
Ah Myrrha! whither wou'd thy wishes tend?
Ye Gods, ye sacred laws, my soul defend
From such a crime as all mankind detest,
And never lodg'd before in human breast!
But is it sin? Or makes my mind alone
Th' imagin'd sin? For Nature makes it none.
What tyrant then these envious laws began,
Made not for any other beast, but Man!
The father-bull his daughter may bestride,
The horse may make his mother-mare a bride;
What piety forbids the lusty ram,
Or more salacious goat, to rut their dam?
The hen is free to wed the chick she bore,
And make a husband, whom she hatch'd before.
All creatures else are of a happier kind,
Whom nor ill-natur'd laws from pleasure bind,
Nor thoughts of sin disturb their peace of mind.
But Man a slave of his own making lives;
The fool denies himself what Nature gives:
Too-busie senates, with an over-care,
To make us better than our kind can bear,
Have dash'd a spice of envy in the laws,
And straining up too high, have spoil'd the cause.
Yet some wise nations break their cruel chains,
And own no laws, but those which love ordains;
Where happy daughters with their sires are join'd,
And piety is doubly paid in kind.
O that I had been born in such a clime,
Not here, where 'tis the country makes the crime!
But whither wou'd my impious fancy stray?
Hence hopes, and ye forbidden thoughts away!
His worth deserves to kindle my desires,
But with the love, that daughters bear to sires.
Then had not Cinyras my father been,
What hinder'd Myrrha's hopes to be his queen?
But the perverseness of my fate is such,
That he's not mine, because he's mine too much:
Our kindred-blood debars a better tie;
He might be nearer, were he not so nigh.
Eyes, and their objects, never must unite;
Some distance is requir'd to help the sight:
Fain wou'd I travel to some foreign shore,
Never to see my native country more,
So might I to my self my self restore;
So might my mind these impious thoughts remove,
And ceasing to behold, might cease to love.
But stay I must, to feed my famish'd sight,
To talk, to kiss, and more, if more I might:
More, impious maid! What more canst thou design?
To make a monstrous mixture in thy line,
And break all statutes human and divine!
Can'st thou be call'd (to save thy wretched life)
Thy mother's rival, and thy father's wife?
Confound so many sacred names in one,
Thy brother's mother! Sister to thy son!
And fear'st thou not to see th' infernal bands,
Their heads with snakes; with torches arm'd their hands
Full at thy face th' avenging brands to bear,
And shake the serpents from their hissing hair;
But thou in time th' increasing ill controul,
Nor first debauch the body by the soul;
Secure the sacred quiet of thy mind,
And keep the sanctions Nature has design'd.
Suppose I shou'd attempt, th' attempt were vain,
No thoughts like mine, his sinless soul profane;
Observant of the right: and o that he
Cou'd cure my madness, or be mad like me!
Thus she: but Cinyras, who daily sees
A crowd of noble suitors at his knees,
Among so many, knew not whom to chuse,
Irresolute to grant, or to refuse.
But having told their names, enquir'd of her
Who pleas'd her best, and whom she would prefer.
The blushing maid stood silent with surprize,
And on her father fix'd her ardent eyes,
And looking sigh'd, and as she sigh'd, began
Round tears to shed, that scalded as they ran.
The tender sire, who saw her blush, and cry,
Ascrib'd it all to maiden modesty,
And dry'd the falling drops, and yet more kind,
He stroak'd her cheeks, and holy kisses join'd.
She felt a secret venom fire her blood,
And found more pleasure, than a daughter shou'd;
And, ask'd again what lover of the crew
She lik'd the best, she answer'd, One like you.
Mistaking what she meant, her pious will
He prais'd, and bid her so continue still:
The word of pious heard, she blush'd with shame
Of secret guilt, and cou'd not bear the name.

'Twas now the mid of night, when slumbers close
Our eyes, and sooth our cares with soft repose;
But no repose cou'd wretched Myrrha find,
Her body rouling, as she roul'd her mind:
Mad with desire, she ruminates her sin,
And wishes all her wishes o'er again:
Now she despairs, and now resolves to try;
Wou'd not, and wou'd again, she knows not why;
Stops, and returns; makes, and retracts the vow;
Fain wou'd begin, but understands not how.
As when a pine is hew'd upon the plains,
And the last mortal stroke alone remains,
Lab'ring in pangs of death, and threatning all,
This way, and that she nods, consid'ring where to fall:
So Myrrha's mind, impell'd on either side,
Takes ev'ry bent, but cannot long abide;
Irresolute on which she shou'd relie,
At last, unfix'd in all, is only fix'd to die.
On that sad thought she rests, resolv'd on death,
She rises, and prepares to choak her breath:
Then while about the beam her zone she ties,
Dear Cinyras farewell, she softly cries;
For thee I die, and only wish to be
Not hated, when thou know'st die I for thee:
Pardon the crime, in pity to the cause:
This said, about her neck the noose she draws.
The nurse, who lay without, her faithful guard,
Though not the words, the murmurs over-heard;
And sighs, and hollow sounds: surpriz'd with fright,
She starts, and leaves her bed, and springs a light;
Unlocks the door, and entring out of breath,
The dying saw, and instruments of death;
She shrieks, she cuts the zone with trembling haste,
And in her arms her fainting charge embrac'd:
Next (for she now had leisure for her tears),
She weeping ask'd, in these her blooming years,
What unforeseen misfortune caus'd her care,
To loath her life, and languish in despair!
The maid, with down-cast eyes, and mute with grief
For death unfinish'd, and ill-tim'd relief,
Stood sullen to her suit: the beldame press'd
The more to know, and bar'd her wither'd breast,
Adjur'd her by the kindly food she drew
From those dry founts, her secret ill to shew.
Sad Myrrha sigh'd, and turn'd her eyes aside:
The nurse still urg'd, and wou'd not be deny'd:
Nor only promis'd secresie, but pray'd
She might have leave to give her offer'd aid.
Good-will, she said, my want of strength supplies,
And diligence shall give what age denies:
If strong desires thy mind to fury move,
With charms and med'cines I can cure thy love:
If envious eyes their hurtuful rays have cast,
More pow'rful verse shall free thee from the blast:
If Heav'n offended sends thee this disease,
Offended Heav'n with pray'rs we can appease.
What then remains, that can these cares procure?
Thy house is flourishing, thy fortune sure:
Thy careful mother yet in health survives,
And, to thy comfort, thy kind father lives.
The virgin started at her father's name,
And sigh'd profoundly, conscious of the shame
Nor yet the nurse her impious love divin'd,
But yet surmis'd that love disturb'd her mind:
Thus thinking, she pursu'd her point, and laid,
And lull'd within her lap the mourning maid;
Then softly sooth'd her thus; I guess your grief:
You love, my child; your love shall find relief.
My long-experienc'd age shall be your guide;
Rely on that, and lay distrust aside.
No breath of air shall on the secret blow,
Nor shall (what most you fear) your father know.
Struck once again, as with a thunder-clap,
The guilty virgin bounded from her lap,
And threw her body prostrate on the bed.
And, to conceal her blushes, hid her head;
There silent lay, and warn'd her with her hand
To go: but she receiv'd not the command;
Remaining still importunate to know:
Then Myrrha thus: Or ask no more, or go;
I pr'ythee go, or staying spare my shame;
What thou would'st hear, is impious ev'n to name.
At this, on high the beldame holds her hands,
And trembling both with age, and terror stands;
Adjures, and falling at her feet intreats,
Sooths her with blandishments, and frights with threats,

To tell the crime intended, or disclose
What part of it she knew, if she no farther knows.
And last, if conscious to her counsel made,
Confirms anew the promise of her aid.
Now Myrrha rais'd her head; but soon oppress'd
With shame, reclin'd it on her nurse's breast;
Bath'd it with tears, and strove to have confess'd:
Twice she began, and stopp'd; again she try'd;
The falt'ring tongue its office still deny'd.
At last her veil before her face she spread,
And drew a long preluding sigh, and said,
O happy mother, in thy marriage-bed!
Then groan'd, and ceas'd. The good old woman shook,
Stiff were her eyes, and ghastly was her look:
Her hoary hair upright with horror stood,
Made (to her grief) more knowing than she wou'd.
Much she reproach'd, and many things she said,
To cure the madness of th' unhappy maid,
In vain: for Myrrha stood convict of ill;
Her reason vanquish'd, but unchang'd her will:
Perverse of mind, unable to reply;
She stood resolv'd, or to possess, or die.
At length the fondness of a nurse prevail'd
Against her better sense, and virtue fail'd:
Enjoy, my child, since such is thy desire,
Thy love, she said; she durst not say, thy sire:
Live, though unhappy, live on any terms;
Then with a second oath her faith confirms.

The solemn feast of Ceres now was near,
When long white linnen stoles the matrons wear;
Rank'd in procession walk the pious train,
Off'ring first-fruits, and spikes of yellow grain:
For nine long nights the nuptial-bed they shun,
And sanctifying harvest, lie alone.

Mix'd with the crowd, the queen forsook her lord,
And Ceres' pow'r with secret rites ador'd:
The royal couch, now vacant for a time,
The crafty crone, officious in her crime,
The first occasion took: the king she found
Easie with wine, and deep in pleasures drown'd,
Prepar'd for love: the beldame blew the flame,
Confess'd the passion, but conceal'd the name.
Her form she prais'd; the monarch ask'd her years;
And she reply'd, The same thy Myrrha bears.
Wine, and commended beauty fir'd his thought;
Impatient, he commands her to be brought.
Pleas'd with her charge perform'd, she hies her home,
And gratulates the nymph, the task was overcome.
Myrrha was joy'd the welcome news to hear;
But clog'd with guilt, the joy was unsincere:
So various, so discordant is the mind,
That in our will a diff'rent will we find.
Ill she presag'd, and yet pursu'd her lust;
For guilty pleasures give a double gust.

'Twas depth of night: Arctophylax had driv'n
His lazy wain half round the northern Heav'n,
When Myrrha hasten'd to the crime desir'd:
The moon beheld her first, and first retir'd:
The stars amaz'd, ran backward from the sight,
And (shrunk within their sockets) lost their light.
Icarius first withdraws his holy flame:
The virgin sign, in Heav'n the second name,
Slides down the belt, and from her station flies,
And night with sable clouds involves the skies.
Bold Myrrha still pursues her black intent;
She stumbled thrice (an omen of th' event);
Thrice shriek'd the fun'ral owl, yet on she went,
Secure of shame, because secure of sight;
Ev'n bashful sins are impudent by night.
Link'd hand in hand, th' accomplice, and the dame,
Their way exploring, to the chamber came:
The door was ope; they blindly grope their way,
Where dark in bed th' expecting monarch lay.
Thus far her courage held, but here forsakes;
Her faint knees knock at ev'ry step she makes.
The nearer to her crime, the more within
She feels remorse, and horror of her sin;
Repents too late her criminal desire,
And wishes, that unknown she could retire.
Her lingring thus, the nurse (who fear'd delay
The fatal secret might at length betray)
Pull'd forward, to compleat the work begun,
And said to Cinyras, Receive thy own.
Thus saying, she deliver'd kind to kind,
Accurs'd, and their devoted bodies join'd.
The sire, unknowing of the crime, admits
His bowels, and prophanes the hallow'd sheets;
He found she trembled, but believ'd she strove
With maiden modesty against her love,
And sought with flatt'ring words vain fancies to remove.

Perhaps he said, My daughter, cease thy fears
(Because the title suited with her years);
And, Father, she might whisper him again,
That names might not be wanting to the sin.

Full of her sire, she left th' incestuous bed,
And carry'd in her womb the crime she bred.
Another, and another night she came;
For frequent sin had left no sense of shame:
'Till Cinyras desir'd to see her face,
Whose body he had held in close embrace,
And brought a taper; the revealer, light,
Expos'd both crime, and criminal to sight.
Grief, rage, amazement, could no speech afford,
But from the sheath he drew th' avenging sword:
The guilty fled: the benefit of night,
That favour'd first the sin, secur'd the flight.
Long wand'ring thro' the spacious fields, she bent
Her voyage to th' Arabian continent;
Then pass'd the region which Panchaea join'd,
And flying, left the palmy plains behind.
Nine times the moon had mew'd her horns; at length
With travel weary, unsupply'd with strength,
And with the burden of her womb oppress'd,
Sabaean fields afford her needful rest:
There, loathing life, and yet of death afraid,
In anguish of her spirit, thus she pray'd:
Ye Pow'rs, if any so propitious are
T' accept my penitence, and hear my pray'r;
Your judgments, I confess, are justly sent;
Great sins deserve as great a punishment:
Yet since my life the living will profane,
And since my death the happy dead will stain,
A middle state your mercy may bestow,
Betwixt the realms above, and those below:
Some other form to wretched Myrrha give,
Nor let her wholly die, nor wholly live.

The pray'rs of penitents are never vain;
At least she did her last request obtain:
For while she spoke, the ground began to rise,
And gather'd round her feet, her legs, and thighs;
Her toes in roots descend, and spreading wide,
A firm foundation for the trunk provide:
Her solid bones convert to solid wood,
To pith her marrow, and to sap her blood:
Her arms are boughs, her fingers change their kind,
Her tender skin is harden'd into rind.
And now the rising tree her womb invests,
Now shooting upwards still, invades her breasts,
And shades the neck; when weary with delay,
She sunk her head within, and met it half the way.
And tho' with outward shape she lost her sense,
With bitter tears she wept her last offence;
And still she weeps, nor sheds her tears in vain;
For still the precious drops her name retain.
Mean-time the mis-begotten infant grows,
And ripe for birth, distends with deadly throes
The swelling rind, with unavailing strife,
To leave the wooden womb, and pushes into life.
The mother-tree, as if oppress'd with pain,
Writhes here, and there, to break the bark, in vain;
And, like a lab'ring woman, wou'd have pray'd,
But wants a voice to call Lucina's aid:
The bending bole sends out a hollow sound,
And trickling tears fall thicker on the ground.
The mild Lucina came uncall'd, and stood
Beside the struggling boughs, and heard the groaning wood;

Then reach'd her midwife-hand to speed the throes,
And spoke the pow'rful spells, that babes to birth disclose.

The bark divides, the living load to free,
And safe delivers the convulsive tree.
The ready nymphs receive the crying child,
And wash him in the tears the parent plant distill'd.
They swath'd him with their scarfs; beneath him spread
The ground with herbs; with roses rais'd his head.
The lovely babe was born with ev'ry grace,
Ev'n envy must have prais'd so fair a face:
Such was his form, as painters when they show
Their utmost art, on naked loves bestow:
And that their arms no diff'rence might betray,
Give him a bow, or his from Cupid take away.
Time glides along with undiscover'd haste,
The future but a length behind the past;
So swift are years. The babe, whom just before
His grandsire got, and whom his sister bore;
The drop, the thing, which late the tree inclos'd,
And late the yawning bark to life expos'd;
A babe, a boy, a beauteous youth appears,
And lovelier than himself at riper years.
Now to the queen of love he gave desires,
And, with her pains, reveng'd his mother's fires.

The Story of Venus and Adonis

For Cytherea's lips while Cupid prest,
He with a heedless arrow raz'd her breast,
The Goddess felt it, and with fury stung,
The wanton mischief from her bosom flung:
Yet thought at first the danger slight, but found
The dart too faithful, and too deep the wound.
Fir'd with a mortal beauty, she disdains
To haunt th' Idalian mount, or Phrygian plains.
She seeks not Cnidos, nor her Paphian shrines,
Nor Amathus, that teems with brazen mines:
Ev'n Heav'n itself with all its sweets unsought,
Adonis far a sweeter Heav'n is thought.
On him she hangs, and fonds with ev'ry art,
And never, never knows from him to part.
She, whose soft limbs had only been display'd
On rosie beds beneath the myrtle shade,
Whose pleasing care was to improve each grace,
And add more charms to an unrival'd face,
Now buskin'd, like the virgin huntress, goes
Thro' woods, and pathless wilds, and mountain-snows
With her own tuneful voice she joys to cheer
The panting hounds, that chace the flying deer.
She runs the labyrinth of fearful hares,
But fearless beasts, and dang'rous prey forbears,
Hunts not the grinning wolf, or foamy boar,
And trembles at the lion's hungry roar.
Thee too, Adonis, with a lover's care
She warns, if warn'd thou wou'dst avoid the snare,
To furious animals advance not nigh,
Fly those that follow, follow those that fly;
'Tis chance alone must the survivors save,
Whene'er brave spirits will attempt the brave.
O! lovely youth! in harmless sports delight;
Provoke not beasts, which, arm'd by Nature, fight.
For me, if not thy self, vouchsafe to fear;
Let not thy thirst of glory cost me dear.
Boars know not bow to spare a blooming age;
No sparkling eyes can sooth the lion's rage.
Not all thy charms a savage breast can move,
Which have so deeply touch'd the queen of love.
When bristled boars from beaten thickets spring,
In grinded tusks a thunderbolt they bring.
The daring hunters lions rouz'd devour,
Vast is their fury, and as vast their pow'r:
Curst be their tawny race! If thou would'st hear
What kindled thus my hate, then lend an ear:
The wond'rous tale I will to thee unfold,
How the fell monsters rose from crimes of old.
But by long toils I faint: see! wide-display'd,
A grateful poplar courts us with a shade.
The grassy turf, beneath, so verdant shows,
We may secure delightfully repose.
With her Adonis here be Venus blest;
And swift at once the grass and him she prest.
Then sweetly smiling, with a raptur'd mind,
On his lov'd bosom she her head reclin'd,
And thus began; but mindful still of bliss,
Seal'd the soft accents with a softer kiss.

Perhaps thou may'st have heard a virgin's name,
Who still in swiftness swiftest youths o'ercame.
Wondrous! that female weakness should outdo
A manly strength; the wonder yet is true.
'Twas doubtful, if her triumphs in the field
Did to her form's triumphant glories yield;
Whether her face could with more ease decoy
A crowd of lovers, or her feet destroy.
For once Apollo she implor'd to show
If courteous Fates a consort would allow:
A consort brings thy ruin, he reply'd;
O! learn to want the pleasures of a bride!
Nor shalt thou want them to thy wretched cost,
And Atalanta living shall be lost.
With such a rueful Fate th' affrighted maid
Sought green recesses in the wood-land glade.
Nor sighing suiters her resolves could move,
She bad them show their speed, to show their love.
He only, who could conquer in the race,
Might hope the conquer'd virgin to embrace;
While he, whose tardy feet had lagg'd behind,
Was doom'd the sad reward of death to find.
Tho' great the prize, yet rigid the decree,
But blind with beauty, who can rigour see?
Ev'n on these laws the fair they rashly sought,
And danger in excess of love forgot.

There sat Hippomenes, prepar'd to blame
In lovers such extravagance of flame.
And must, he said, the blessing of a wife
Be dearly purchas'd by a risk of life?
But when he saw the wonders of her face,
And her limbs naked, springing to the race,
Her limbs, as exquisitely turn'd, as mine,
Or if a woman thou, might vie with thine,
With lifted hands, he cry'd, forgive the tongue
Which durst, ye youths, your well-tim'd courage wrong.
I knew not that the nymph, for whom you strove,
Deserv'd th' unbounded transports of your love.
He saw, admir'd, and thus her spotless frame
He prais'd, and praising, kindled his own flame.
A rival now to all the youths who run,
Envious, he fears they should not be undone.
But why (reflects he) idly thus is shown
The fate of others, yet untry'd my own?
The coward must not on love's aid depend;
The God was ever to the bold a friend.
Mean-time the virgin flies, or seems to fly,
Swift as a Scythian arrow cleaves the sky:
Still more and more the youth her charms admires.
The race itself t' exalt her charms conspires.
The golden pinions, which her feet adorn,
In wanton flutt'rings by the winds are born.
Down from her head, the long, fair tresses flow,
And sport with lovely negligence below.
The waving ribbands, which her buskins tie,
Her snowy skin with waving purple die;
As crimson veils in palaces display'd,
To the white marble lend a blushing shade.
Nor long he gaz'd, yet while he gaz'd, she gain'd
The goal, and the victorious wreath obtain'd.
The vanquish'd sigh, and, as the law decreed,
Pay the dire forfeit, and prepare to bleed.

Then rose Hippomenes, not yet afraid,
And fix'd his eyes full on the beauteous maid.
Where is (he cry'd) the mighty conquest won,
To distance those, who want the nerves to run?
Here prove superior strength, nor shall it be
Thy loss of glory, if excell'd by me.
High my descent, near Neptune I aspire,
For Neptune was grand-parent to my sire.
From that great God the fourth my self I trace,
Nor sink my virtues yet beneath my race.
Thou from Hippomenes, o'ercome, may'st claim
An envy'd triumph, and a deathless fame.

While thus the youth the virgin pow'r defies,
Silent she views him still with softer eyes.
Thoughts in her breast a doubtful strife begin,
If 'tis not happier now to lose, than win.
What God, a foe to beauty, would destroy
The promis'd ripeness of this blooming boy?
With his life's danger does he seek my bed?
Scarce am I half so greatly worth, she said.
Nor has his beauty mov'd my breast to love,
And yet, I own, such beauty well might move:
'Tis not his charms, 'tis pity would engage
My soul to spare the greenness of his age.
What, that heroick conrage fires his breast,
And shines thro' brave disdain of Fate confest?
What, that his patronage by close degrees
Springs from th' imperial ruler of the seas?
Then add the love, which bids him undertake
The race, and dare to perish for my sake.
Of bloody nuptials, heedless youth, beware!
Fly, timely fly from a too barb'rous fair.
At pleasure chuse; thy love will be repaid
By a less foolish, and more beauteous maid.
But why this tenderness, before unknown?
Why beats, and pants my breast for him alone?
His eyes have seen his num'rous rivals yield;
Let him too share the rigour of the field,
Since, by their fates untaught, his own he courts,
And thus with ruin insolently sports.
Yet for what crime shall he his death receive?
Is it a crime with me to wish to live?
Shall his kind passion his destruction prove?
Is this the fatal recompence of love?
So fair a youth, destroy'd, would conquest shame,
Aud nymphs eternally detest my fame.
Still why should nymphs my guiltless fame upbraid?
Did I the fond adventurer persuade?
Alas! I wish thou would'st the course decline,
Or that my swiftness was excell'd by thine.
See! what a virgin's bloom adorns the boy!
Why wilt thou run, and why thy self destroy?
Hippomenes! O that I ne'er had been
By those bright eyes unfortunately seen!
Ah! tempt not thus a swift, untimely Fate;
Thy life is worthy of the longest date.
Were I less wretched, did the galling chain
Of rigid Gods not my free choice restrain,
By thee alone I could with joy be led
To taste the raptures of a nuptial bed.

Thus she disclos'd the woman's secret heart,
Young, innocent, and new to Cupid's dart.
Her thoughts, her words, her actions wildly rove,
With love she burns, yet knows not that 'tis love.

Her royal sire now with the murm'ring crowd
Demands the race impatiently aloud.
Hippomenes then with true fervour pray'd,
My bold attempt let Venus kindly aid.
By her sweet pow'r I felt this am'rous fire,
Still may she succour, whom she did inspire.
A soft, unenvious wind, with speedy care,
Wafted to Heav'n the lover's tender pray'r.
Pity, I own, soon gain'd the wish'd consent,
And all th' assistance he implor'd I lent.
The Cyprian lands, tho' rich, in richness yield
To that, surnam'd the Tamasenian field.
That field of old was added to my shrine,
And its choice products consecrated mine.
A tree there stands, full glorious to behold,
Gold are the leafs, the crackling branches gold.
It chanc'd, three apples in my hand I bore,
Which newly from the tree I sportive tore;
Seen by the youth alone, to him I brought
The fruit, and when, and how to use it, taught.
The signal sounding by the king's command,
Both start at once, and sweep th' imprinted sand.
So swiftly mov'd their feet, they might with ease,
Scarce moisten'd, skim along the glassy seas;
Or with a wondrous levity be born
O'er yellow harvests of unbending corn.
Now fav'ring peals resound from ev'ry part,
Spirit the youth, and fire his fainting heart.
Hippomenes! (they cry'd) thy life preserve,
Intensely labour, and stretch ev'ry nerve.
Base fear alone can baffle thy design,
Shoot boldly onward, and the goal is thine.
'Tis doubtful whether shouts, like these, convey'd
More pleasures to the youth, or to the maid.
When a long distance oft she could have gain'd,
She check'd her swiftness, and her feet restrain'd:
She sigh'd, and dwelt, and languish'd on his face,
Then with unwilling speed pursu'd the race.
O'er-spent with heat, his breath he faintly drew,
Parch'd was his mouth, nor yet the goal in view,
And the first apple on the plain he threw.
The nymph stop'd sudden at th' unusual sight,
Struck with the fruit so beautifully bright.
Aside she starts, the wonder to behold,
And eager stoops to catch the rouling gold.
Th' observant youth past by, and scour'd along,
While peals of joy rung from th' applauding throng.
Unkindly she corrects the short delay,
And to redeem the time fleets swift away,
Swift, as the lightning, or the northern wind,
And far she leaves the panting youth behind.
Again he strives the flying nymph to hold
With the temptation of the second gold:
The bright temptation fruitlessly was tost,
So soon, alas! she won the distance lost.
Now but a little interval of space
Remain'd for the decision of the race.
Fair author of the precious gift, he said,
Be thou, O Goddess, author of my aid!
Then of the shining fruit the last he drew,
And with his full-collected vigour threw:
The virgin still the longer to detain,
Threw not directly, but a-cross the plain.
She seem'd a-while perplex'd in dubious thought,
If the far-distant apple should be sought:
I lur'd her backward mind to seize the bait,
And to the massie gold gave double weight.
My favour to my votary was show'd,
Her speed I lessen'd, and encreas'd her load.
But lest, tho' long, the rapid race be run,
Before my longer, tedious tale is done,
The youth the goal, and so the virgin won.

Might I, Adonis, now not hope to see
His grateful thanks pour'd out for victory?
His pious incense on my altars laid?
But he nor grateful thanks, nor incense paid.
Enrag'd I vow'd, that with the youth the fair,
For his contempt, should my keen vengeance share;
That future lovers might my pow'r revere,
And, from their sad examples, learn to fear.
The silent fanes, the sanctify'd abodes,
Of Cybele, great mother of the Gods,
Rais'd by Echion in a lonely wood,
And full of brown, religious horror stood.
By a long painful journey faint, they chose!
Their weary limbs here secret to repose.
But soon my pow'r inflam'd the lustful boy,
Careless of rest he sought untimely joy.
A hallow'd gloomy cave, with moss o'er-grown,
The temple join'd, of native pumice-stone,
Where antique images by priests were kept.
And wooden deities securely slept.
Thither the rash Hippomenes retires,
And gives a loose to all his wild desires,
And the chaste cell pollutes with wanton fires.
The sacred statues trembled with surprize,
The tow'ry Goddess, blushing, veil'd her eyes;
And the lewd pair to Stygian sounds had sent,
But unrevengeful seem'd that punishment,
A heavier doom such black prophaneness draws,
Their taper figures turn to crooked paws.
No more their necks the smoothness can retain,
Now cover'd sudden with a yellow mane.
Arms change to legs: each finds the hard'ning breast
Of rage unknown, and wond'rous strength possest.
Their alter'd looks with fury grim appear,
And on the ground their brushing tails they hear.
They haunt the woods: their voices, which before
Were musically sweet, now hoarsly roar.
Hence lions, dreadful to the lab'ring swains,
Are tam'd by Cybele, and curb'd with reins,
And humbly draw her car along the plains.
But thou, Adonis, my delightful care,
Of these, and beasts, as fierce as these, beware!
The savage, which not shuns thee, timely shun,
For by rash prowess should'st thou be undone,
A double ruin is contain'd in one.
Thus cautious Venus school'd her fav'rite boy;
But youthful heat all cautions will destroy.
His sprightly soul beyond grave counsels flies,
While with yok'd swans the Goddess cuts the skies.
His faithful hounds, led by the tainted wind,
Lodg'd in thick coverts chanc'd a boar to find.
The callow hero show'd a manly heart,
And pierc'd the savage with a side-long dart.
The flying savage, wounded, turn'd again,
Wrench'd out the gory dart, and foam'd with pain.
The trembling boy by flight his safety sought,
And now recall'd the lore, which Venus taught;
But now too late to fly the boar he strove,
Who in the groin his tusks impetuous drove,
On the discolour'd grass Adonis lay,
The monster trampling o'er his beauteous prey.

Fair Cytherea, Cyprus scarce in view,
Heard from afar his groans, and own'd them true,
And turn'd her snowy swans, and backward flew.
But as she saw him gasp his latest breath,
And quiv'ring agonize in pangs of death,
Down with swift flight she plung'd, nor rage forbore,
At once her garments, and her hair she tore.
With cruel blows she beat her guiltless breast,
The Fates upbraided, and her love confest.
Nor shall they yet (she cry'd) the whole devour
With uncontroul'd, inexorable pow'r:
For thee, lost youth, my tears, and restless pain
Shall in immortal monuments remain,
With solemn pomp in annual rites return'd,
Be thou for ever, my Adonis, mourn'd,
Could Pluto's queen with jealous fury storm,
And Men the to a fragrant herb transform?
Yet dares not Venus with a change surprise,
And in a flow'r bid her fall'n heroe rise?
Then on the blood sweet nectar she bestows,
The scented blood in little bubbles rose:
Little as rainy drops, which flutt'ring fly,
Born by the winds, along a low'ring sky.
Short time ensu'd, 'till where the blood was shed,
A flow'r began to rear its purple head:
Such, as on Punick apples is reveal'd,
Or in the filmy rind but half conceal'd.
Still here the Fate of lovely forms we see,
So sudden fades the sweet Anemonie.
The feeble stems, to stormy blasts a prey,
Their sickly beauties droop, and pine away.
The winds forbid the flow'rs to flourish long,
Which owe to winds their names in Grecian song.

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~ Ovid, BOOK THE TENTH

,
112:The Golden Age
Long ere the Muse the strenuous chords had swept,
And the first lay as yet in silence slept,
A Time there was which since has stirred the lyre
To notes of wail and accents warm with fire;
Moved the soft Mantuan to his silvery strain,
And him who sobbed in pentametric pain;
To which the World, waxed desolate and old,
Fondly reverts, and calls the Age of Gold.
Then, without toil, by vale and mountain side,
Men found their few and simple wants supplied;
Plenty, like dew, dropped subtle from the air,
And Earth's fair gifts rose prodigal as prayer.
Love, with no charms except its own to lure,
Was swiftly answered by a love as pure.
No need for wealth; each glittering fruit and flower,
Each star, each streamlet, made the maiden's dower.
Far in the future lurked maternal throes,
And children blossomed painless as the rose.
No harrowing question `why,' no torturing `how,'
Bent the lithe frame or knit the youthful brow.
The growing mind had naught to seek or shun;
Like the plump fig it ripened in the sun.
From dawn to dark Man's life was steeped in joy,
And the gray sire was happy as the boy.
Nature with Man yet waged no troublous strife,
And Death was almost easier than Life.
Safe on its native mountains throve the oak,
Nor ever groaned 'neath greed's relentless stroke.
No fear of loss, no restlessness for more,
Drove the poor mariner from shore to shore.
No distant mines, by penury divined,
Made him the sport of fickle wave or wind.
Rich for secure, he checked each wish to roam,
And hugged the safe felicity of home.
Those days are long gone by; but who shall say
Why, like a dream, passed Saturn's Reign away?
Over its rise, its ruin, hangs a veil,
486
And naught remains except a Golden Tale.
Whether 'twas sin or hazard that dissolved
That happy scheme by kindly Gods evolved;
Whether Man fell by lucklessness or pride,Let jarring sects, and not the Muse, decide.
But when that cruel Fiat smote the earth,
Primeval Joy was poisoned at its birth.
In sorrow stole the infant from the womb,
The agëd crept in sorrow to the tomb.
The ground, so bounteous once, refused to bear
More than was wrung by sower, seed, and share.
Ofttimes would ruthless winds or torrents raze
The ripening fruit of toilsome nights and days.
Each one in turn grew jealous of his own,
And fenced his patch with ditch and churlish stone.
As greed uprose, and greed engendered strife,
Contention raged coincident with life.
Man against man, maid against maiden turned,
And the soft breast with envious passions burned.
The loss of one was hailed as others' gain,
And pleasure took unnatural birth from pain.
Goaded by woe, and through tradition's lore
Mindful of all the blissfulness of yore,
The Human Race, its sorrows to assuage,
Dreamed afar off a second Golden Age;
Not in the dim irrevocable Past,
But in a Future just as vague and vast.
The prophet's lips, the poet's flattering pen,
Revelled in forecasts of that golden Then.
The days should come when grief would be no more,
And Peace and Plenty rule from shore to shore;
All men alike enjoy what none did earn,
And even more than Saturn's Reign return.
As years rolled on, as centuries went by,
And still that Promised Time seemed no more nigh,
Mankind at length, outwearied with delays,
Gave up all hope of those seductive days.
Then other prophets, other scribes arose,
A nearer, surer Eden to disclose.
`O, long-befooled!' they said, `awake, and deem
The Past a tale, the Future but a dream.
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Here, in the living Present, act your part,
Straining its vulgar blessings to your heart.
Let hand with hand and brain with brain contend,
And each one labour to some selfish end.
In wealth and riot, luxury and power,
Baffle the mockery of the transient hour.
If thousands fall, if tens of thousands bleed,
Will not a hundred, or a score, succeed?
Let those who cannot yield to those who canFate has its piles of victims; why not Man?
Better a furious fight where some one wins,
Than sluggish life which ends as it begins.
Vain was the bard who, whilst the World was new,
'Twixt men and beasts the fond distinction drew,
That these confine their downward gaze to earth,
Whilst man looks up, enamoured of his birth.
Not in the skies, but deep beneath the soil,
There will you find your happiness and spoil.
Enough for brutes its simple face to know,
But godlike man must pierce and delve below.
Deep in its bowels seek the shining ore,
And at its touch shall Saturn reign once more.
For him whose thews are sound, whose vision clear,
Whose purpose firm, the Golden Age is here.'
Never from cave or tripod, mount or glade,
Issued a voice so welcomed, so obeyed.
From zone to zone the Golden Gospel flew,
And in its train mankind obedient drew.
See from their seats the ancient Gods dethroned,
Altars upset, and oracles disown'd.
The Muses, scared, conceal the smothered lyre;
No longer prized, the Graces swift retire;
Virtue, a butt for ribalds, seeks her shroud,
And even Venus veils herself in cloud.
Religion, Ethics, all men erst adored,
Hymned on the harp, or fought for with the sword,
All lofty scopes, all ends esteemed of old,
Dissolve like mist before the rage for gold.
The priest for gold makes traffic of his robe;
For gold the soldier desolates the globe;
The poet shapes for gold his venal lays;
488
Through gold Vice stalks caparisoned with praise.
Tempted by gold, the virgin sells her charms,
Though no Immortal slips into her arms.
Saddled with gold, the adventurer can buy
Titles, precedence, place, and dignity.
High, middle, low, the young, the ripe, the old,
Man, woman, child, live, die, are damned for Gold.
Soon as the youthful mind begins to ope,
It searches Life's significance and scope;
And, fed by generous impulse year by year,
Dreams for itself some glorious career.
Its shall it be, instructed by the Muse,
Truth to abet, and beauty to diffuse;
With full-blown sail, and genius at the helm,
To steer men's thoughts to a serener realm.
Perhaps the ingenuous boy would fain recall
Tintoret's canvas, Memmi's fresco'd wall;
With godlike pencil purify the mart,
And life ennoble with the breath of Art.
Maybe he burns, by Plato's failure fired,
To scale the heights which every wing have tired,
Seize first each part, then comprehend the whole,
And solve the eternal problem of the Soul.
Be these his aims, or, nobler still, to train
His kind to mutiny till Virtue reign,
Soon doth he learn to count his lovely schemes
A host of bubbles in a world of dreams.
Experience whispers early, Have a care!
Who with the Muse would live must live on air.
The tempting maid is but a poet's lie,
`Who gave to song what gold could never buy.'
Confront the world, take counsel with the throng;
Their verdict what? `The thing's not worth a song.'
Are you content you now have learnt your price?
Come, sink the Muse, and don't be quite so nice.
Start a new Company, and float the shares,
Then lunch with Ministers and dine with Mayors.
Pimp for a Party, praise a Premier's heart,
Head a subscription, and then shine-a Bart.
Return your income fifty thousand clearThe devil's in it, or you'll die a peer.
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Success so great is never done by halves'Tis only virtue, when 'tis greatest, starves.
Perhaps his breast, untutored yet to serve,
Spurns the base counsel with a proud reserve;
For Youth is stubborn, and when Nature draws,
In vain a parent's warning, wisdom's saws.
Let cravens straight their impotence confess,
And sell their birthright for a filthy mess;
In flowers see, bee-like, nought but stuff for hives,
And for foul lucre prostitute their lives;
They have not failed who never once have tried,
Or, if they failed, they failed for want of pride.
He, he at least his soul will ne'er demean,
But 'mong the foul will keep his honour clean.
O touching sight, to witness day by day
His splendid generous day-dreams fade away!
His sire reproaches, and his brothers scoff,
His mother doubts, his sisters e'en fall off.
The neighbours pity, strangers deem him mad;
Girls, smiling, whisper, What a foolish lad!
Meanwhile his compeers, started in the race,
Are swiftly marching on to power and place.
One makes a coup, and weds a wife of rank;
Another's junior partner in a bank.
A third in sugar with unscriptural hand,
Traffics, and builds a lasting house on sand.
A fourth, for beer and piety renowned,
Owns all the publics in the country round;
Its drink adulterates with face demure,
But burns with zeal to keep opinion pure;
Cares not one jot for bodies drunk or sick,
But scans your soul like a new Dominick.
The fifth, the patron of a new balloon,
Projects a Company to reach the moon;
Baits his prospectus with a batch of peers,
And vows nought pays like money in the Spheres.
Shares in the moon advanced-advancing still.
Then comes a crash-stock guaranteed at nil.
But sure, the man is ruined? Not at all;
He scarce can tumble who has sense to crawl.
490
Your modern Icarus is much too wise
On his own pinions to attempt the skiesOn others' soaring follies doth he rise.
Long ere the bubble burst his shares were sold;
Just at that moment he had need of gold.
Singed wings, you know, are but for simple folk;
He, with his peers, 'scapes safe from flame and smoke,
And buys a borough with the happy stroke.
Few are the souls who die for Cato's creed:
To fail seems base, when all around succeed.
Foiled in his purpose, both by foe and friend,
Through noble means to reach a noble end,
The baffled boy forswears his cherished dream,
And learns to swim, like others, with the stream.
Keen to recover precious moments lost,
And taught by bitter tasks what Virtue cost,
He midst the rush, whilst others rise and fall,
Swims on, the most unscrupulous of all.
Let others chouse with care, he cheats with pluck,
And millions stake their all upon his luck.
His daring overawes the small, the great,
And whilst he plunders they but peculate.
He lures the easy, makes the fat his spoil,
Pares the lean wage of proletarian toil;
Swindles the widow of her hoarded mite,
Drags the poor pensioner once more to fight;
Robs age of rest, and youth of prospects fair,
Plunges the sanguine bridegroom in despair;
Severs the ties made sacred long by home,
And sends the son from sire across the foam;
Dashes the faith of plighted swain and maid,
And helps alone the cynic sexton's spade:
Does all that well beseems a Fallen StarIt needs a Lucifer to fall so far!
Sometimes will Fortune on the traitor scowl,
And e'en with gold not pay a deed so foul.
He who was born a glittering child of light,
Trenchant as Raphael, as Ithuriel bright,
Yet sells his soul a vulgar prize to reap,
And for brute guerdons holds his honour cheap,
491
Too often finds that he who, grovelling, flies
From unrewarded reverie in the skies,
And seeks in venal efforts to employ
The gifts God formed for beauty and for joy,
Makes but a barren barter of his birth,
And Heaven foregoes, without securing earth.
See how he sinks! The more he strains to clutch
Terrestrial spoil, unworthy of his touch,
It seems, for him, to take elusive shapes,
And like a shadow from his grasp escapes.
As baser wax his aims, more mean his scope,
More and still more he sprawls-the sport of Hope.
Still as he tries to suffocate his soul,
Farther beyond him seems the carnal goal.
In vain he turns to catch the favouring gale;
Becalmed he lies-he labours but to fail.
Poor and despised, he now would fain retrace
His erring steps to his first dwelling-place,
But finds, alas! baseness hath borne its fruit;
Wings long unused have withered at the root.
He who in vain has crawled in vain would fly,
And rots abandoned both by earth and sky.
Meaner his end than that poor tradesman's doom,
Who, asked what words of honour on his tomb
His friends should place, with cynic touch replied,
`Here lies who, born a man, a grocer died!'
Whom doth this foe of human virtue spare?
Look round! More sweet its victims, the more fair.
Its natural slaves, who, spawned from wealth, are born
To Traffic's tricks they lack the soul to scorn,
Whose lust for lucre is their proper lot,
It just as oft impoverishes as not.
'Tis those in whom the Unseen God inspires
The restless leaven of divine desires;
Who, from the moment that they lisp, betray
An alien spirit housed within their clay;
Whose fretful youth life's narrow limits chafe,
And yearns for worlds more spacious, if less safe;
Striving to reach, despite its fleshly thrall,
That larger Something which surrounds us all;These, these the souls-and not that baser band-
492
To whom Gold loves to stretch a helping hand;
With early smiles their generous aims to bless,
And lead them, blind, to ruinous success.
When Lelius chanted first his fragrant lays,
Men praised, and he was amply paid with praise.
Not salons' sycophant, nor Fashion's bard,
No glittering heaps did his sweet notes reward.
He was content with audience fit, though few,
When to his side the cunning demon drew.
`Your pen's worth gold; you need but blunt its point;
Come, cut the Muse; the times are out of joint.
Fame's well enough, but comfort has its laws;
You'll make a damned poor supper off applause.
Sing, be select, and starve. Prose is the thingThe thing that pays. The Million now is King.
Write gossip, scandal, slander-what you will;
A well-filled purse awaits a ready quill.'
The curst insidious demon has his way,
And Grub-street swallows Lelius for aye.
Turn from the pen, and for a while survey
The wide domains which brush and canvas sway.
Enter those realms, and what do we behold?
Art, heavenly Art, the slave and pimp of gold!
Time was when its poor votaries were too proud
To sate the itch of a vain-glorious crowd,
Serve the mean aims of narrow personal pelf,
And swell the ignoble retinue of Self.
Only the State, which merges private ends,
Or sacred Church, which lifts them and extends,
Might then presume the artist's craft to claim,
And paid him, happy, with immortal Fame.
Here, Friendship's guest, where fairest Florence lies,
A dream in stone, stretched out before mine eyes,
I think of all the treasures there enshrined,
And what small dole nurtured each master mind;
Or led by memory o'er the classic chain
Which Umbrian slope divides from Tuscan plain,
I all the priceless unbought gems recall
That link with heaven Assisi's frescoed wall;
Then, borne on wings of weakness, I repair
To mine own land, and groan to think that there,
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Debased by Fashion to a venal trade,
Art counts its triumphs by its fortunes made;
Spurned by the State, and by the Church unsought,
Works but for wealth, and by the base is bought;
Stranger to altars, palaces, or domes,
Pampers the pomp of ostentatious homes.
How changed the days since Duccio's hand of old
On Saints and Virgins lavished costly gold;
But for himself asked but a few poor crowns,
Less than we give to harlequins and clowns.
Now do our mercenary tricksters grudge
Almost the very canvas that they smudge;
Yet scan with greedy eyes the glittering heap
That opulent folly holds, for once, so cheap.
See, too, how Genius, when its touch was true,
On humble walls its lasting fancies drew;
Whose modern apes, ridiculously bold,
Hang their ephemeral daubs in frames of gold.
In vain doth Heaven, while Gold thus rules the earth,
With generous instincts sow the soul at birth.
Swift in the genial soil the seed takes root,
Then seeks the sun with many a venturous shoot.
But, ah, how soon the cruel outer air
Checks the brave growth and nips its promise fair!
Warmed by the glow of Tasso's splendid lay,
Or borne by Dante to the gates of Day;
Softly seduced by Scott's romantic strain
To deem all ends, excepting honour, vain;
Or nobly trained by Shelley's burning song
To cherish an eternal feud with wrong,The simple girl constructs a future fair,
Rears a whole world of castles in the air,
And nowhere warned, or deaf to warning, deems
That life will clothe and justify her dreams.
As year by year the maiden grows apace,
And half the woman mantles in her face,
With sickening sense, sad eye, and sinking heart,
She sees her forecasts one by one depart.
Slowly, but, ah, too surely doth she find
That poets' tales no longer rule mankind;
That Peace is homeless as the hunted hare,
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And Love far less a shelter than a snare;
That godlike Valour meets a demon's doom,
Whilst Prudence prospers even from the tomb;
That Youth, save schooled in Mammon's miry ways,
Groans o'er the lapse of unrequited days;
That Beauty, Genius, all are vain and cold,
Till foully touched and fertilised by Gold.
Soon as the time so dear to mother's vows
Draws nigh, to find the maid some fitting spouse,
Then most of all she learns what leading part
Is played by Gold in dramas of the heart.
Chance to young Hylas, beautiful as Dawn,
And sweet as fair, she feels her fancy drawn.
Are you a nymph? one whispers. Let him pass.
He doth but gather daisies in the grass.
Where your cool wave, hidden from human eyes,
In which to lure and love him till he dies?
Bid him rejoin his Hercules, and seize
The golden apples of the Hesperides;
And then perchance, should none more rich than he
Engage your love, you may his Hera be.
Alas, poor Hylas! worse than Mysian fate
Doth his meandering flowery feet await.
If that a Solon, versed in every art
Of song and science, touch the maiden's heart,
The neighbours softly whisper, Have a care;
Can Erudition keep a chaise and pair?
Pundits, alas, like fools, must pay their bills,
And Knowledge figures sorrily in wills.
For single life learning is well enough,
But marriage should be made of sterner stuff.
Should Cato's fame her pious soul attract,
The whole world cries, The woman must be cracked.
What! wed with Virtue! Is the girl awake?
Sure, she confounds the altar with the stake.
Send for the doctor. Try a change of air.
Swear Cato drinks. In war and love all's fair.
Bring Croesus to the front. At four he's freeThere's no one left to swindle after three.
In one brief hour behold him curled and drest,
And borne on wings of fashion to the West!
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What though to regions fondly deemed refined,
He brings his City manners, City mind,
And cynics titter?-he laughs best who wins,A Greenwhich dinner covers many sins.
What! dine with Croesus? Surely. Is a feast
One jot the worse because the host's a beast?
He's worse than that-a snob-a cad. Agreed;
But then his goblets smack of Ganymede?
Do some strange freaks his conversation mar?
He stops your censure with a prime cigar.
A Norway stream, a shooting-lodge in Perth,
In practice look uncommonly like worth.
The Town to hear some new soprano flocks.
You long to go? Well, Croesus has a box.
How at this hour are tickets to be got
For the Regatta? Croesus has a yacht.
Goodwood is here. Your hopes begin to flag.
One chance awaits you: Croesus has a drag.
You doat on Flower-shows: Croesus has a bone.
Be friends with Croesus, and the World's your own.
Who could resist seductions such as these?
Or what could charm, if Croesus failed to please?
Blinded and bribed, the critical are cured,
And loud extol whom late they scarce endured.
Caressed and courted, Croesus grows the rage,
The type and glory of our Golden Age;
And Cato, Hylas, Solon, shoved aside,
Our heavenly maid is hailed as Croesus' bride.
Shade of Lucretius! if thy lyre waxed wild
With sacred rage for Clytemnestra's child,
And nought could hold thee as thy soul surveyed
The cursëd ills Religion can persuade,
How would thy verse impetuously shower
Sonorous scorn on Gold's atrocious power;
Embalm its victims with a touch divine,
And damn the monster in one sounding line!
Can honeyed forms or stereotyped applause
Alter the scope of Heaven's eternal laws?
What though with gifts should massive sideboards groan,
And every heart be glad except her own,
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And troops of blooming girls behold with pride,
Perchance with envy, this resplendent bride;
Though vieing voices hail her Fashion's queen,
And even a Bishop's blessing crown the scene,
No rites, no rings, no altars, can avail
To make a sacred contract of a sale,
Stir the far depths of the reluctant mind,
Or join the hearts which love hath failed to bind.
If soul stands passive whilst the flesh is sold,
Is there no foul aroma in the gold?
Is the base barter covered by the price,
And do huge figures make the nasty nice?
The nameless outcast, prowling for her prey,
Renews her filthy bargain day by day;
Let Croesus give her what he gave his wife,
She's virtuous too-at least, she's his for life.
Croesus-but hold! Let Charity presume
That Croesus' wife but dimly knew her doom.
The luckless maid, since knowledge comes too late,
In splendour seeks oblivion of her fate;
Of every tender pious aim bereft,
Hugs in despair the only idol left;
In alien worship seeks to be consoled,
And builds her hopes of happiness on Gold.
Gold rules her steps, determines her desiresMere puppet she, whilst Mammon jerks the wires.
Futile to ask if London suits her healthWould you consult her doctor, not her wealth?
You soon are answered: Whether ill or well,
A house in Town is indispensable.
Where shall it be? On gravel or on clay?
Wherever tenants have the most to pay.
Price is the thing, not soil. If Fashion's camp
Be pitched just here, what matter dry or damp?
But, health apart, 'tis known that Croesus' wife,
If left to choose, prefers a country life.
Well, she shall have it when the Parks are brown,
And Fashion, wearied, hath dispersed the Town.
But whilst the woods are leafy, and the lanes
With lush wild-flowers rob life of half its pains;
While sweetest scents and softest sounds combine
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To make existence, did they last, divine;
Not for the world must Croesus' wife be missed
From fetid streets, foul rooms, and Fashion's list;
And only thence to rural refuge flies
As, self-exhausted, pleasant Summer dies.
Say, shall we marvel, amid scenes like these,
With all to dazzle, but with nought to please,
If links of simple gold should fail to cleave,
And tempters prompt their webs not vainly weave?
See, Plutus, first in each ignoble strife,
Battered and bored, bethinks him of a wife.
The happy tidings, spreading through the West,
Fires each maternal mercenary breast.
The soaring dames parade their daughters' charms,
To lure the hug of Plutus' palsied arms;
And as brave Eld for one fair woman fought,
For one foul man our world to rage is wrought.
At last, opining he might chance do worse,
Plutus to proud Olympia flings his purse.
Olympia lifts it with triumphant smile,
Whilst round her crowds congratulating guile,
Escorts her to the altar, decks her brows
With orange-buds, then leaves her with her spouse,
Who, though his suit by golden showers throve,
Can grasp his Danaë with no thews of Jove.
O, who shall tell Olympia's tale aright,
Each splendid day, each miserable night;
Her thirst divine by human draughts but slaked,
Her smiling face whilst the heart sorely ached,
Or note the edge whence one we loved so well
To sweet, seductive, base perdition fell?
I cast no stone, but half by rage consoled,
I snatch the lyre and curse this fiendish Gold.
Though Beauty's fame oft spreads through all the land,
Splendour is far more curiously scanned;
And they who once upon Olympia threw
A passing glance, since she was fair to view,
Now gilded pomp and Ostentation's choir
Attend her path, of gazing never tire;
Suck up her speech, translate her silent eyes,
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Each movement, look, and posture scrutinise,
Stalk all her steps, as matron, friend, and wife,
And feed in greedy gossip on her life.
Not mine to follow to the noisome den
Where woman's frailty stands the gaze of men,
And well-coached menials, limed with gold, detail
The piteous scenes that pass behind the veil.
Enough to know that, thanks to wealth, once more
Plutus can woo, e'en richer than before.
The tottering cuckold leaves the court consoled;
Considerate juries tip his horns with Gold!
Sure some malicious demon in the brain
It needs must be, drives men reputed sane
To spurn the joys adjacent to their feet,
In the fond chase of this receding cheat?
Say, when the Stoic on his tranquil height,
And swinish crowd, sweating in miry fight,
In every age a like conclusion reach,
And sage and simple one same sermon preachThat whether Heaven hath made one serf or king,
Reason alone true happiness can bringCan we but stand astounded as we scan
This race untaught, unteachable, called Man?
Would you be truly rich, how small the heap
Your aims require, the price how passing cheap!
A modest house, from urban jars removed,
By thrist selected, yet by taste approved;
Whose walls are gay with every sweet that blows,
Whose windows scented by the blushing rose;
Whose chambers few to no fine airs pretend,
Yet never are too full to greet a friend;
A garden plot, whither unbidden come
Bird's idle pipe and bee's laborious hum;
Smooth-shaven lawn, whereon in pastime's hours
The mallet rings within a belt of flowers;
A leafy nook where to enjoy at will
Gibbon's rich prose or Shakespeare's wizard quill;
A neighbouring copse wherein the stock-doves coo,
And a wild stream unchecked sings all day through;
Two clean bright stalls, where midday, night, and morn,
Two good stout roadsters champ their well-earned corn;
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A few learned shelves from modern rubbish free,
Yet always, Mill, with just a place for Thee;
Head ne'er at dawn by clownish bouts obscured,
And limbs by temperate exercise inured;
A few firm friendships made in early life,
Yet doubly fastened by a pleasant wife;
A wholesome board, a draught of honest wine;This is true wealth; and this, thank Heaven, is mine!
And though you ransacked worlds from shore to shore,
From sea to sky, you could not give me more.
And if, all these beyond, I still should crave
Something impossible this side the grave,
Let humbler souls my soaring hopes forgiveAfter my life still in my verse to live.
Well would it be if Mammon's feverish rage
Did but the vulgar and the base engage;
If those alone whose undistinguished name,
Haply if fouled, would shed no slur on Fame,
Sought in this sordid, despicable strife,
To find the good and snatch the crown of life.
But in the mire of venal fight embroiled,
Have we not seen the noblest scutcheons soiled?
Not the proud thought that many a splendid fray,
When crowns obeyed the fortunes of the day,
To stalwart arms its pregnant issue owed,
Whose glorious blood in their own body flowed;
Not the remembrance that their sires did share
The toils that made this England great and fair;
Not their resplendent pedigree, nor all
The line of haught fierce faces on the wall,
That tells the tale of their ancestral hall,
Have yet availed, in days like these, to hold
Men, thus seduced, from the coarse race for Gold.
Have we not seen the generous beast, whose sires
Once bore their fathers into battle's fires,
By titled gamblers' mercenary taste
His once stout loins to nimble flanks debased,
Made for curst gold to sweat through all his pores,
The panting pet of blacklegs, lords, and whores?
On such a course what dismal woes await,
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Let the world learn by young Lucullus' fate.
Whilst yet the bloom of boyhood matched his cheek,
And all his duty was to master Greek.
Make a long score, bound o'er the running brook,
Cleave the clear wave, Lucullus had a book.
No glorious volume was't, whose subtle page
The wisdom breathed of many a studious age.
No wealth of wit, no Learning's garnered sheaves
Lay, like a treasure, lurking in its leaves.
But, in their place, crabbed Calculation scrawled
Symbols which shocked and figures that appalled.
Not for sweet Fancy, nor the simple stake
Of generous sports, did he his tasks forsake.
Ere sentiment could move, or sense control,
Adventurous Greed had swallowed up his soul.
If Gold Acrisius' Tower of Brass could flout,
How will the playground shut the monster out?
Thus by his own base instincts first betrayed,
The race of harpies lend their shameful aid,
With evil eye his smiling lands behold,
And smooth his path to infamy with gold.
At length behold him grown to man's estate,
Rich, noble, noted, lord of his own fate.
Here Duty beckons, Honour there incites,
And Love entices to its saving rites.
He heeds them not; he joins the madding crowd,
King of the base, the vulgar, and the loud;
Builds his most precious friendships on a bet,
And through the gutter trails his coronet.
Vain fool! inflamed by flattery and conceit,
He marks no pitfalls yawning at his feet;
But, winning, deems the cunning snare his luck,
And losing, pays, to plume him on his pluck;
Accepts each challenge, doubles every stake,
While tipsy plaudits follow in his wake.
But what avails, if Fortune quits his side?
Curse on the jade, he cries, she always lied!
Well, now's an end! . . . A comrade plucks his gown:
An end as yet, man! cut the timber down.
The luck will turn; you lost for want of skill;
Come, play again-you'll win. . . . By G-, I will!
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Done soon as said. The swift sure axe resounds
Through the green stretch of his ancestral grounds.
The soaring elm, whose topmost boughs defied
The scaling valour of his boyish pride;
The umbrageous beech, beneath whose courtly shade
The loves that issued in his life were made;
The lordly oak, young when his line was young,
To which with pride inherited had clung
His sires and they from whom his sires were sprung;
Behold them now, around the naked hall,
One after one in fell succession fall.
Lo, the wide woods which centuries had seen
By frosts unmoved, mid thunder-fugues serene,
By thousand suns, by tens of thousand showers,
Fostered and fed, one greedy day devours.
And all in vain! Lured by the severed spoil,
The foul fierce harpies fasten on the soil.
`My lands on luck.' We take you. Clear the course;
Twenty to one upon Lucullus' horse!
One minute more, and poor Lucullus flies,
The beggared heir of all the centuries.
Then scoffed, and scourged, and stripped of all his wealth,
His last friends leave him-energy and health.
Anxiety and fierce Excitement's flame
Have scorched his blood and shrivelled up his frame.
`Plum to a pony!' hear the cripple call;
`Ere six months pass, the grave will end it all.'
Lucky at last, he wins his bootless bet,
And dies of drink, debauchery, and debt.
Gone are the times indeed when savage Might
Usurped the throne and claimed the wage of Right.
No longer now the tiller of the soil
Sees his fair fields the lusty robber's spoil;
No timid burgher now grows rich by stealth,
Lest some rude noble swoop upon his wealth;
The quiet citizen no longer fears
A raid upon his money or his ears,
That local turmoil or imperial strife
Will wreck his home or leave him bare for life.
But say, is Force the only fearful foe,
502
Or the keen Sword worst source of human woe?
Wielding base weapons Violence disdained,
Cunning prevails where once Compulsion reigned.
The tyrant's lance, Oppression's piercing shaft,
Torment no more, but abdicate to Craft.
Could feudal despot swooping on his prey,
Could bandit burning for the unequal fray,
Could fire, sword, famine, spread more wreck abroad,
Than marks the path of Greed allied with Fraud;
Or waits on life, where no rude signs portend
When the dread bolt of Ruin will descend?
See the poor father, who for years has toiled,
At one fell stroke of all his store despoiled.
His was the pious wish, by daily care
And safe degrees to make his hearth more fair;
His the ambition-far too meek to roamTo swell the simple luxuries of home;
By loving thrift to deck his comely spouse
With some poor gem, the summit of her vows;
To instruct his boys in every generous art
Which trains the man to act a shining part;
By culture's aid to see his daughters armed
With each fair grace that in their mother charmed;
Year after year, as strength and vigour waned,
To find his fondest forecasts all attained;
And then, since faithful to the final stage,
Doff the hard harness from the back of age.
But watchful Greed with jealous eye beheld
Day after day his little earnings swelled;
Studied the tender workings of his mind,
Marked the fond aims to which his heart inclined;
With specious lips his trusting senses stole,
And with false visions fired his prudent soul.
Poor wretch! but yesterday in modest state
He lived, secure from every bolt of Fate.
To-day, he wanders feverish and depressed,
As though whole Andes weighed upon his breast.
To-morrow, back unto his home he crawls,
A beggared man, and at the threshold falls.
Now will no more his trustful wife behold
The gladsome face returning as of old,
503
And read in sparkling eye and smiling cheek
The day's good tidings e'en before he speak;
Never again in hastening footsteps guess
Some pretty love-gift, token of success.
Their blooming boys, for whom parental hope
So oft had cast the fairest horoscope,
And seen with fond anticipating eyes
Each proud successive civic honour rise,
Torn from their noble studies, have to crave
From base pursuits the pittance of a slave,
Pour the soul's wine into the body's sieve,
And grand life lose in mean attempts to live.
Perchance, at home their humble wants denied,
Gaunt Hunger drives them from their mother's side;
Leaves her to weep alone o'er what hath been,
And places ocean, pitiless, between.
The tender girls, their father's pride and joy,
Whose dreams a fiend had scrupled to destroy;
From childhood's earliest days whose only care
Was to be gracious, virtuous, and fair,
And who from Heaven could nothing else implore
Save to be all their mother was before;
Who pictured as their perfect scheme of life
A clinging daughter and a helpful wife,At one rude flash behold the world enlarge,
And stand, pale victims, trembling on the marge.
Little, alas, now boots it where they roam,
Since they must leave the tranquil shores of home.
Whether, poor slaves, they crawl with aching feet
Hour after hour from dreary street to street,
Or, as in mockery of home, alas!
Beneath the stranger's icy portal pass,
And thankless task and miserable wage
Their exiled cheerless energies engage,
Their youth, their life, is blasted at the core,
And Hope's sweet sap will mount their veins no more.
Should every door their humble prayers repel,
Scorning to buy what Hunger kneels to sell,
And they, half thankful that the strangers spurn,
To their own roof be driven to return,
How strange the scene that meets their wearied gaze!
How changed the hearth, the home, of other days!
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Contracting Care usurps the mother's face,
Whose smiles of old spread sunshine through the place.
Alone she weeps; but should she chance to hear
Her husband's steps, she hides the furtive tear;
Follows his movements with an anxious dread,
Studies his brow, and scans his restless tread;
Assails his woe with every female wile,
Prattles of hope, and simulates a smile.
He, broken man, wrapt in perpetual gloom,
Wanders anon from vacant room to room;
Then, creeping back, the image of despair,
With a deep sigh he sinks into his chair.
He seldom speaks; and when his voice is heard,
Peevish its tone, and querulous his word;
And vain laments and childish tears attest
The lamp of life is dying in his breast.
Perhaps his death some timely pittance frees,
Secured by prudence in their days of ease;
And, O the pity! posthumous relief
Stanches love's wounds, and blunts the edge of grief.
Unless, indeed-for this too hath been knownAll-grasping Greed hath made that mite its own,
Filched from the widow her last hopes of bread,
And whom it ruined living, plunders dead!
These are thy triumphs, Gold! thy trophies these,
To nurture fraud, and rob the world of ease,
Faith to befool, young genius to seduce,
And blight at once its beauty and its use.
Thine is the bait, as loveless hearths avouch,
Which drags fresh victims to the venal couch;
Thine the foul traps wherewith our ways are rife,
That lure them first, then close upon their life;
Thine, thine the springes, set in regions fair,
Whose unseen nooses strangle whom they snare;
The cynic glory thine to lie in wait
To make men little who had else been great,
Frustrate our plenty, aggravate our dearth,
And keep eternal feud 'twixt Heaven and Earth!
Lo, where huge London, huger day by day,
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O'er six fair counties spreads its hideous sway,
A tract there lies by Fortune's favours blest,
And at Fame's font yclept the happy West.
There, as by wizard touch, for miles on miles,
Rise squares, streets, crescents of palatial piles.
In the brave days when England's trusty voice
Made grappling rivals tremble or rejoice;
When, foremost shield of Weakness or of Right,
She scorned to warn unless resolved to smite;
When, few but firm, her stalwart children bore
The terror of her Flag from shore to shore,
Purged Christ's dear tomb from sacrilege and shame,
And made the Moslem quake at Richard's name;
Taught the vain Gaul, though gallant, still to kneel,
And Spain's proud sons the weight of northern steel;Then were her best in no such splendour nursed
As now awaits her basest and her worst.
No kingly Harry glittering with renown,
No Edward radiant in a peaceful crown,
Was housed as now, at turn of Fortune's wrist,
Some lucky navvy turned capitalist,
Some convict's bastard who a-sudden shines
In the bright splendour of Australian mines,
Or subtle Greek, who, skilled in Eastern ways,
Exposes all Golconda to our gaze.
These, as to Pomp's pretentious peaks they rush,
Heed not the crowds their sordid conquests crush:
Secure in glaring opulence, they scan
With placid eyes the miseries of man;
Fat units, watch the leanness of the whole,
And gag remonstrance with a paltry dole:
Mid harrowing want, with conscience unafraid,
Die on the golden dirt-heaps they have made.
Here Plenty gorges gifts from every zone,
There thankful Hunger gnaws its meagre bone;
Profusion here melts more than pearls in wine,
There craves gaunt Penury some shucks from swine;
And whilst rich rogues quaff deep round roaring fires,
At Dives' portal Lazarus expires!
Betwixt these fierce extremes of wealth and woe,
A crowd of strugglers hustles to and fro,
506
Whose one sole aim and only hope in life
Are just to wrench subsistence from the strife.
To what base shifts these hideous straits compel
The straining wretches, let our records tell.
Victims of greedy Competition's craft,
We drain cheap poison in each sparkling draught,
Purchase a lie in every vaunted ware,
And swallow filth in the most frugal fare.
Building a refuge for our age, we find
The crumbling mortar lets in wet and wind;
Face the rude waves, by science freed from awe,
To sink, poor dupes, on life-belts made of straw!
Nor this the worst! When ripened Shame would hide
Fruits of that hour when Passion conquered Pride,
There are not wanting in this Christian land
The breast remorseless and the Thuggish hand,
To advertise the dens where Death is sold,
And quench the breath of baby-life for gold!
Nor man alone, case-hardened man, surveys
These shocking contrasts with a careless gaze.
Fair melting woman of the tender breast
Here finds no room for pity as her guest.
Unsexed, she strains to Ostentation's goal,
While Splendour's dreams demoralise her soul;
Drains, like a goddess, hecatombs of lives,
Nor heeds who lags, provided she arrives.
See Claribel, by every gift designed
Mid anguish keen to be an angel kind,
Once plunged in rival factions' golden fight,
Turned to a demon in her own despite.
Behold, to-morrow in the Royal smile
Will bask the birth and wealth of all the Isle.
She, long abroad, received the summons late.
What's to be done? Nor time nor tide will wait.
She turns her wardrobe over, racks her brain;
Nothing will do. She wants a dress and train.
Drive to the modiste's. Not a finger free.
There's only Clara. Clara let it be.
But Clara's sick and sorry. Give her gold;
Her aches will cease, her sorrows be consoled.
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It must be done. Sure Lilian there will glow
In gorgeous newness decked from top to toe;
Shall it be said that Claribel did less?
To-morrow, then, in time the train and dress.
So Clara drags her weary limbs from bed,
O'er the brave finery hangs her throbbing head;
Still as her senses swim sews on and on,
Till day dies out and twilight pale is gone.
Then, by the taper's soft and silent light,
Like a pale flower that opens most by night,
Her pace she quickens, and the needle moves
Subtler and swifter through the gauzy grooves;
But as the dawn on guttering sockets gains,
Her tired lids drop, and sleep arrests her pains.
But sleep how short! She feels her shoulder clutched:
`Clara, awake! the train's not even touched!
Day strides apace. See, there's the morning sun,
And ere again he sinks, 't must all be done.'
Again, again, the shooting thread she plies,
In silent agony of smothered sighs.
She seems to breathe her breath into the gown,
To give it life the while she lays hers down.
Fast as the task advances set by pride,
So fast within her ebbs the vital tide.
The daylight goes, and softly comes the moon's,
And then poor Clara over the last stitch swoons.
Meanwhile, the panting Claribel awaits
The precious gown within her golden gates.
It comes-it comes. Now who shall shine her down?
Not Lilian, surely? No, not the entire Town.
She not for worlds had lost this courtly chance;
And Clara dies that Claribel may dance!
If private worth, thus languishing, expires,
Will public Virtue keep alive her fires?
The slaves of wealth, in Britain as in Rome,
Bring to the Forum vices formed at home.
First the community, and then the State,
Falls to their fangs, which naught can satiate.
Not born nor bred to rule, of culture void,
508
And by no wave of young ambition buoyed,
Anxious on heights conspicuous to flaunt
Nought but the tawdry trophies they can vaunt,
They woo the grasping crowd with golden guile,
And spread Corruption's canker through the Isle.
You want a seat? Then boldly sate your itch.
Be very radical, and very rich.
Sell your opinions first to please the pure,
Then buy the sordid, and your triumph's sure.
Do all, in brief, that honest men abhor,
And England hails another Senator.
See the vain Tribune who, in lust of power,
Bows to the base exactions of the hour,
And, fooled by sycophants, stands forth at last
A devotee turned sworn iconoclast!
Behind him sit dense rows of golden mutes,
Deaf to whate'er demonstrates or refutes,
Ready to vote, rescind, obey in all
The whip demands, as hounds the huntsman's call.
They neither know nor reck what helpful deeds
In this grave hour their perilled Country needs.
They want to see their daughters nobly wed,
Their wives at Court, their own names trumpeted,
Their private Bills advanced another stage,
Their schemes of plunder foisted on the age.
Leave them but these, the gamblers come to call,
Nor heed an Empire nodding to its fall!
When Power is built on props like these, how vain
The hope that Law the giddy will restrain!
Spoilt by twin sops, servility and gold,
The headstrong crowd is then but ill controlled.
In vain they now would sway who lately served,
And Riot cows Authority unnerved.
Better that such base compromise should end,
And the dread bolt of Anarchy descend!
Goths of the gutter, Vandals of the slum,
Thieves and Reformers, come! Barbarians, come!
Before your might let rails and rules be hurled,
And sweep Civilisation from the world!
509
Nor now, alas, do Commoners alone
To private ends the public weal postpone.
Those too, whom worth ancestral plants on seats
High above where all vulgar Clamour beats,
With paltry fear to their clipped ermine cling,
And shrink from right, lest right should ruin bring.
The Peers stand firm; the Commons disagree.
The Peers be-well, it now is close on three.
By five, a world of reasons will be found.
Throw Jonas over, or the ship's aground.
You know the fury of the hand that steers;
And what were Britain with no House of Peers?
Would Primogeniture its fall survive,
Or even Property be kept alive?
Let Herbert fume, or frantic Cecil chafe,
Better a deal to choose the side that's safe;
Bow to the will of Finlen and his hordes,
And still thank Heavën for a House of Lords!
Thus may the British breast exult to think.
That noble names can sell ignoble ink;
That ill-got gains, if deftly spent, unlock
Birth's choicest circles to the ambitious smock;
That Dives foul mounts fine Aristo's stairs,
If but Aristo Dives' plunder shares;
And half Debrett urbanely flocks to White's,
To back the boor who saves them from the kites.
His son succeeds him. `Make the son a Peer.
Why not? His income's eighty thousand clear.
New blood is wanted. Here's the very stuff.
Besides, he wields the county vote.' Enough.
But hold! there's Cato. `Cato! are you sane?
Why, Cato's means but one small hearth sustain.
Ennoble Cato, you'll have Peers for life,
Or else forbid the man to take a wife.
He can't maintain the necessary state,
And would you have a poor name legislate?
No, Dives' son's the very man we need.
What says the Crown?' The Crown! Of course, Agreed.
And the young fool, enriched by parent knaves,
From Ruin's jaws our Constitution saves!
Is there no path of honour for the great,
510
No sound and clean salvation for the State?
Must we for ever fly to shifts like this,
And trust to Gold to save us from the abyss?
Must honours old by new-got wealth be vamped,
And Valour's stock by plutocrats be swamped?
Back to your lands, base sons of splendid sires!
From spendthrift squares back to your native shires!
Back, back from Baden, and leave Homburg's shades
To dazzling Jews and mercenary jades.
Leave London's round of vulgar joys to those
Who seek in such from base pursuits repose.
Cease to contend with upstart Wealth's parade,
To wring your lands to vie with tricks of trade;
And, proudly spurning Glitter's transient lies,
At least be honest, if you can't be wise!
Worship your household gods, and spend at home
The solid earnings of the generous loam.
Delve, fence, and drain; the dripping waste reclaim;
With spreading woodlands multiply your fame.
Yours let it be to screen the reverent hind,
Who loves your presence, 'gainst the frost and wind;
Scorning to count the profit, raise his lot;
Lure the shy Graces to his lowly cot;
Be, one and all, acknowledged, far and wide,
Patriarchs and patterns of the country side.
And whether demagogues shall rise or fall,
A Cleon mount, or Boänerges bawl,
True to yourselves and native duty, thus
Save this poor England by being virtuous!
And you, Sir, hope of this once famous isle,
Round whom its halo plays, its favours smile,
Hark to the Muse, which, poised on Candour's wings,
Flouts the base crowd, but scorns to flatter kings.
Hark, while she tells you, nor her counsel spurn,
From giddy Pleasure's gilded toys to turn;
That not from minions opulent or coarse
Do Princes gain their lustre and their force;
That Reverence anchors not in deep carouse,
And that a Crown fits only kingly brows!
Fired by each bright example, shun the shade,
Where Scandal best can ply her noxious trade.
511
Learn from your pious Father how to share
With hands, too lonely now, a Kingdom's care.
Be by your fair loved Consort's pattern moved,
And like your virtuous Mother, stand approved;
Do for this England all the Sceptre can,
And be at least a stainless gentleman.
Be this too much, you well may live to find
That firmest Thrones can fail the weak and blind,
And, though no Samson, sharing half his fate,
Pull down the pillars of a mighty State!
Whilst our domestic fortunes thus obey
All-searching Gold's demoralising sway,
We hug the limits of our puny shore,
And Glory knows our once great name no more.
First are we still in every bloodless fray,
Where piles of gold adventurous prows repay;
But when flushed Honour sets the world on fire,
We furl our sails and to our coasts retire;
And, basely calm whilst outraged nations bleed,
Invent new doctrines to excuse our greed.
When gallant Denmark, now the spoiler's prey,
Flashed her bright blade, and faced the unequal fray,
And, all abandoned both by men and gods,
Fell, faint with wounds, before accursèd odds,Where, where was England's vindicating sword,
Her promised arm, to stay the invading horde;
Bid the rude German drop his half-clutched spoil,
And scare the robber from ancestral soil?
The fair young Dane, beloved by every Grace,
And all the Virtues shining in her face,
Who, more an angel than a princess deemed,
Withal was even sweeter than she seemed,
With noisy throats we summoned o'er the foam,
And with cheap cheers escorted to her home.
But when with streaming eye and throbbing breast
She, pious child, her loving fears confessed,
And, leagued with Honour's voice and Valour's ire,
Prayed us to save her country and her sire,
We turned away, and opulently cold,
Put back our swords of steel in sheaths of gold!
512
And yet what sandy base doth Gold afford,
Though crowned by Law, and fenced round by the Sword,
Learn from that Empire which, a scorn for aye,
Grew in a night and perished in a day!
Helped by a magic name and doubtful hour,
See the Adventurer scale the steeps of Power.
Upon him groups of desperate gamesters wait,
To snatch their profit from a sinking State.
Folly, and Fate which Folly still attends,
Conspire to shape and expedite their ends.
The Hour, the Man are here! No pulse? No breath?
Wake, Freedom, wake! In vain! She sleeps like Death.
The impious hands, emboldened by her swoon,
Choke in the night, and slay her in the noon!
Then, when vain crowds with dilatory glaive
Rush to avenge the life they would not save,
The prompt conspirators with lavish hand
Fling their last pieces to a pampered band,
Bribe cut-throat blades Vengeance' choked ways to hold,
And bar the avenues of rage with gold!
Then mark how soon, amid triumphant hymns,
The Imperial purple girds the blood-stained limbs.
The perjured hands a golden sceptre gain,
A crown of gold screens the seared brow of Cain,
And golden eagles, erst of simpler ore,
Assert the Caesar, and his rod restore.
See round his throne Pomp's servile tributes swell,
Not Nero knew, e'er Rome to ruin fell,
Far from his feet the lust of glitter spread,
And the vain herd on Splendour's follies fed!
Nor they alone, the shallow, base, and gay,
Bend to this Idol with the feet of clay:
Statesmen and soldiers kneel with flattering suit,
Kings are his guests, e'en queens his cheeks salute;
Senates extol him, supple priests caress,
And even thou, O Pius, stoop'st to bless!
And the World's verdict, ever blind as base,
Welcomes the `Second Saviour' of the race!
And yet how weak this Empire girt with gold
Did prove to save when Battle's torrents rolled,
513
Have we not seen in ruin, rout, and shame,
Burnt deep in Gaul's for ever broken fame?
What then availed her courts of pomp and pride,
What her bright camps with glittering shows allied?
What, in that hour, the luxury which passed
To soldiers' lips the sybarite repast?
Did all her gold suffice, when steel withstood
Her stride, to make her rash, vain challenge good?
Behold her Chief, in comfort longwhile slung,
By War's rough couch and random fare unstrung
His vaunted Leaders, who to Power had mown
Their path with swords that propped a venal Throne,
Brandishing rival blades, his brain confound,
While still, but sure, the solid foe press round.
See her soft sons, whom arms enervate lead,
Spurn the long marches which to victory speed,
And, fondly deeming Science served by Wealth
Will snatch the fight at distance and by stealth,
Smitten with fear at Valour's downright face,
And taught swift limbs in Flight's ignoble chase!
See one, see all, before the Victor fleet,
Then lay their swords, submissive, at his feet!
O hapless France! e'en then insurgent ire
Had your soiled scutcheon lifted from the mire,
Placed the bright helm on Honour's front once more,
And laurels reaped more lasting than of yore,
Had not rich ease your manhood's marrow stole,
And gold emollient softened all your soul.
O, what a sight-a sight these eyes beheldHer fair green woods by the invader felled;
Her fields and vineyards by the Teuton trod,
Those she once smote encamped upon her sod;
Her homes, in dread, abandoned to the foe,
Or saved from rapine by obsequience low;
Her cities ransomed, provinces o'erawed,
Her iron strongholds wrenched by force or fraud;
Her once proud Paris grovelling in the dust,
And-crowning irony, if lesson justThe grasping victor, loth to quit his hold,
Coaxed slowly homewards o'er a bridge of gold!
514
Is there no warning, England, here, for thee?
Or are Heaven's laws balked by a strip of sea?
Are thy foundations, Albion, so approved,
Thou canst behold such downfall all unmoved?
Have we not marked how this Briarean Gold
Doth all our life and energies enfold?
And as our practice, so our doctrines tooWe shape new ethics for our vices new;
Our sires forswear, our splendid Past defame,
And in high places glory in our shame!
Hear our loud-tinkling Tribunes all declare
Once lavish England hath no blood to spare,
No gold to spend; within her watery wall
She needs to roll and wallow in it all.
Doth towering Might some poor faint Cause oppress,
They bid her turn, impartial, from distress;
Indulge her tears, but hide her ire from sight,
Lest a like doom her angry front invite.
And when this craven caution fails to save
Her peaceful fortunes from the braggart glaive,
They bid her still be moral and be meek,
Hug tight her gold, and turn the other cheek.
Her very sons, sprung from her mighty loins,
We aliens make, to save some paltry coins;
With our own hands destroy our Empire old,
And stutter, `All is lost, except our gold!'
With languid limbs, by comfortable fire,
We see our glories, one by one, expire;
A Nelson's flag, a Churchill's flashing blade,
Debased to menials of rapacious Trade;
Lost by a Cardwell what a Wellesley won,
And by a Gladstone Chatham's world undone!
Pale, gibbering spectres fumbling at the helm,
Whilst dark winds howl, and billowy seas o'erwhelm.
Yet deem you, England, that you thus will save,
Even your wealth from rapine or the grave?
Will your one chain of safety always hold,
Or `silver streak' for ever guard your gold?
If through long slumbrous years the ignoble rust
Of selfish ease your erst bright steel encrust,
When Storm impends, you vainly will implore
The Gods of Ocean to protect your shore.
515
Bribed by the foe, behold Britannia stand
At Freedom's portals with a traitress hand,
Help the Barbarian to its sacred hold,
Then, like Tarpeia, sink oppressed with Gold!
Perish the thought! O, rather let me see
Conspiring myriads bristling on the sea,
Our tranquil coasts bewildered by alarms,
And Britain, singly, face a World in arms!
What if a treacherous Heaven befriend our foes?
Let us go down in glory, as we rose!
And if that doom-the best that could betideBe to our Fame by envious Fate denied,
Then come, primeval clouds and seasons frore,
And wrap in gloom our luckless land once more!
Come, every wind of Heaven that rudely blows,
Plunge back our Isle in never-ending snows!
Rage, Eurus, rage! fierce Boreas, descend!
With glacial mists lost Albion befriend!
E'en of its name be every trace destroyed,
And Dark sit brooding o'er the formless Void!
~ Alfred Austin,
113:The Court Of Love
With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.
The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right
No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.
Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,
That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
748
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.
But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:
To her be all the plesure of this boke,
That, whan her like, she may it rede and loke.
When I was yong, at eighteen yere of age,
Lusty and light, desirous of pleasaunce,
Approching on full sadde and ripe corage,
Love arted me to do myn observaunce
To his astate, and doon him obeysaunce,
Commaunding me the Court of Love to see,
A lite beside the mount of Citharee,
There Citherea goddesse was and quene
Honoured highly for her majestee;
And eke her sone, the mighty god, I wene,
Cupid the blind, that for his dignitee
A thousand lovers worship on their knee;
There was I bid, on pain of death, t'apere,
By Mercury, the winged messengere.
So than I went by straunge and fer contrees,
Enquiring ay what costes to it drew,
The Court of Love: and thiderward, as bees,
At last I sey the peple gan pursue:
Anon, me thought, som wight was there that knew
Where that the court was holden, ferre or ny,
And after thaim ful fast I gan me hy.
749
Anone as I theim overtook, I said,
'Hail, frendes! whider purpose ye to wend?'
'Forsooth,' quod oon that answered lich a maid,
'To Loves Court now go we, gentill frend.'
'Where is that place,' quod I, 'my felowe hend?'
'At Citheron, sir,' seid he, 'without dowte,
The King of Love, and all his noble rowte,
Dwelling within a castell ryally.'
So than apace I jorned forth among,
And as he seid, so fond I there truly.
For I beheld the towres high and strong,
And high pinácles, large of hight and long,
With plate of gold bespred on every side,
And presious stones, the stone-werk for to hide.
No saphir ind, no rubè riche of price,
There lakked than, nor emeraud so grene,
Baleis Turkeis, ne thing to my devise,
That may the castell maken for to shene:
All was as bright as sterres in winter been;
And Phebus shoon, to make his pees agayn,
For trespas doon to high estates tweyn,
Venus and Mars, the god and goddesse clere,
Whan he theim found in armes cheined fast:
Venus was then full sad of herte and chere.
But Phebus bemes, streight as is the mast,
Upon the castell ginneth he to cast,
To plese the lady, princesse of that place,
In signe he loketh aftir Loves grace.
For there nis god in heven or helle, y-wis,
But he hath ben right soget unto Love:
Jove, Pluto, or what-so-ever he is,
Ne creature in erth, or yet above;
Of thise the révers may no wight approve.
But furthermore, the castell to descry,
750
Yet saw I never non so large and high.
For unto heven it streccheth, I suppose,
Within and out depeynted wonderly,
With many a thousand daisy, rede as rose,
And white also, this saw I verily:
But what tho daises might do signify,
Can I not tell, sauf that the quenes flour
Alceste it was that kept there her sojour;
Which under Venus lady was and quene,
And Admete king and soverain of that place,
To whom obeyed the ladies gode ninetene,
With many a thowsand other, bright of face.
And yong men fele came forth with lusty pace,
And aged eke, their homage to dispose;
But what thay were, I could not well disclose.
Yet ner and ner furth in I gan me dresse
Into an halle of noble apparaile,
With arras spred and cloth of gold, I gesse,
And other silk of esier availe:
Under the cloth of their estate, saunz faile,
The king and quene ther sat, as I beheld:
It passed joye of Helisee the feld.
There saintes have their comming and resort,
To seen the king so ryally beseyn,
In purple clad, and eke the quene in sort:
And on their hedes saw I crownes tweyn,
With stones fret, so that it was no payn,
Withouten mete and drink, to stand and see
The kinges honour and the ryaltee.
And for to trete of states with the king,
That been of councell chief, and with the quene,
The king had Daunger ner to him standing,
751
The Quene of Love, Disdain, and that was seen:
For by the feith I shall to god, I wene,
Was never straunger [non] in her degree
Than was the quene in casting of her ee.
And as I stood perceiving her apart,
And eke the bemes shyning of her yen,
Me thought thay were shapen lich a dart,
Sherp and persing, smale, and streight as lyne.
And all her here, it shoon as gold so fyne,
Dishevel, crisp, down hinging at her bak
A yarde in length: and soothly than I spak:—
'O bright Regina, who made thee so fair?
Who made thy colour vermelet and white?
Where woneth that god? how fer above the eyr?
Greet was his craft, and greet was his delyt.
Now marvel I nothing that ye do hight
The Quene of Love, and occupy the place
Of Citharee: now, sweet lady, thy grace.'
In mewet spak I, so that nought astert,
By no condicion, word that might be herd;
B[ut] in myn inward thought I gan advert,
And oft I seid, 'My wit is dulle and hard:'
For with her bewtee, thus, god wot, I ferd
As doth the man y-ravisshed with sight,
When I beheld her cristall yen so bright,
No respect having what was best to doon;
Till right anon, beholding here and there,
I spied a frend of myne, and that full soon,
A gentilwoman, was the chamberer
Unto the quene, that hote, as ye shall here,
Philobone, that lovëd all her life:
Whan she me sey, she led me furth as blyfe;
752
And me demaunded how and in what wise
I thider com, and what myne erand was?
'To seen the court,' quod I, 'and all the guyse;
And eke to sue for pardon and for grace,
And mercy ask for all my greet trespace,
That I non erst com to the Court of Love:
Foryeve me this, ye goddes all above!'
'That is well seid,' quod Philobone, 'in-dede:
But were ye not assomoned to apere
By Mercury? For that is all my drede.'
'Yes, gentil fair,' quod I, 'now am I here;
Ye, yit what tho, though that be true, my dere?'
'Of your free will ye shuld have come unsent:
For ye did not, I deme ye will be shent.
For ye that reign in youth and lustinesse,
Pampired with ese, and jolif in your age,
Your dewtee is, as fer as I can gesse,
To Loves Court to dressen your viage,
As sone as Nature maketh you so sage,
That ye may know a woman from a swan,
Or whan your foot is growen half a span.
But sith that ye, by wilful necligence,
This eighteen yere have kept yourself at large,
The gretter is your trespace and offence,
And in your nek ye moot bere all the charge:
For better were ye ben withouten barge,
Amiddë see, in tempest and in rain,
Than byden here, receiving woo and pain,
That ordeined is for such as thaim absent
Fro Loves Court by yeres long and fele.
I ley my lyf ye shall full soon repent;
For Love will reyve your colour, lust, and hele:
Eke ye must bait on many an hevy mele:
No force, y-wis, I stired you long agoon
753
To draw to court,' quod litell Philobon.
'Ye shall well see how rough and angry face
The King of Love will shew, when ye him see;
By myn advyse kneel down and ask him grace,
Eschewing perell and adversitee;
For well I wot it wol non other be,
Comfort is non, ne counsel to your ese;
Why will ye than the King of Love displese?'
'O mercy, god,' quod ich, 'I me repent,
Caitif and wrecche in hert, in wille, and thought!
And aftir this shall be myne hole entent
To serve and plese, how dere that love be bought:
Yit, sith I have myn own penaunce y-sought,
With humble spirit shall I it receive,
Though that the King of Love my life bereyve.
And though that fervent loves qualitè
In me did never worch truly, yit I
With all obeisaunce and humilitè,
And benign hert, shall serve him til I dye:
And he that Lord of might is, grete and highe,
Right as him list me chastice and correct,
And punish me, with trespace thus enfect.'
Thise wordes seid, she caught me by the lap,
And led me furth intill a temple round,
Large and wyde: and, as my blessed hap
And good avénture was, right sone I found
A tabernacle reised from the ground,
Where Venus sat, and Cupid by her syde;
Yet half for drede I gan my visage hyde.
And eft again I loked and beheld,
Seeing full sundry peple in the place,
And mister folk, and som that might not weld
754
Their limmes well, me thought a wonder cas;
The temple shoon with windows all of glas,
Bright as the day, with many a fair image;
And there I sey the fresh quene of Cartage,
Dido, that brent her bewtee for the love
Of fals Eneas; and the weymenting
Of hir, Anelida, true as turtill-dove,
To Arcite fals: and there was in peinting
Of many a prince, and many a doughty king,
Whose marterdom was shewed about the walles;
And how that fele for love had suffered falles.
But sore I was abasshed and astonied
Of all tho folk that there were in that tyde;
And than I asked where thay had [y-]woned:
'In dyvers courtes,' quod she, 'here besyde.'
In sondry clothing, mantil-wyse full wyde,
They were arrayed, and did their sacrifice
Unto the god and goddesse in their guyse.
'Lo! yonder folk,' quod she, 'that knele in blew,
They were the colour ay, and ever shall,
In sign they were, and ever will be trew
Withouten chaunge: and sothly, yonder all
That ben in blak, with morning cry and call
Unto the goddes, for their loves been
Som fer, som dede, som all to sherpe and kene.'
'Ye, than,' quod I, 'what doon thise prestes here,
Nonnes and hermits, freres, and all thoo
That sit in white, in russet, and in grene?'
'For-soth,' quod she, 'they wailen of their wo.'
'O mercy, lord! may thay so come and go
Freely to court, and have such libertee?'
'Ye, men of ech condicion and degree,
755
And women eke: for truly, there is non
Excepcion mad, ne never was ne may:
This court is ope and free for everichon,
The King of Love he will nat say thaim nay:
He taketh all, in poore or riche array,
That meekly sewe unto his excellence
With all their herte and all their reverence.'
And, walking thus about with Philobone,
I sey where cam a messenger in hy
Streight from the king, which let commaund anon,
Through-out the court to make an ho and cry:
'A! new-come folk, abyde! and wot ye why?
The kinges lust is for to seen you soon:
Com ner, let see! his will mot need be doon.'
Than gan I me present to-fore the king,
Trembling for fere, with visage pale of hew,
And many a lover with me was kneling,
Abasshed sore, till unto tyme thay knew
The sentence yeve of his entent full trew:
And at the last the king hath me behold
With stern visage, and seid, 'What doth this old,
Thus fer y-stope in yeres, come so late
Unto the court?' 'For-soth, my liege,' quod I,
'An hundred tyme I have ben at the gate
Afore this tyme, yit coud I never espy
Of myn acqueyntaunce any with mine y;
And shamefastnes away me gan to chace;
But now I me submit unto your grace.'
'Well! all is perdoned, with condicion
That thou be trew from hensforth to thy might,
And serven Love in thyn entencion:
Swere this, and than, as fer as it is right,
Thou shalt have grace here in my quenes sight.'
'Yis, by the feith I ow your crown, I swere,
756
Though Deth therfore me thirlith with his spere!'
And whan the king had seen us everichoon,
He let commaunde an officer in hy
To take our feith, and shew us, oon by oon,
The statuts of the court full besily.
Anon the book was leid before their y,
To rede and see what thing we must observe
In Loves Court, till that we dye and sterve.
And, for that I was lettred, there I red
The statuts hole of Loves Court and hall:
The first statut that on the boke was spred,
Was, To be true in thought and dedes all
Unto the King of Love, the Lord ryall;
And to the Quene, as feithful and as kind,
As I coud think with herte, and will and mind.
The secund statut, Secretly to kepe
Councell of love, nat blowing every-where
All that I know, and let it sink or flete;
It may not sown in every wightes ere:
Exyling slaunder ay for dred and fere,
And to my lady, which I love and serve,
Be true and kind, her grace for to deserve.
The thrid statut was clerely write also,
Withouten chaunge to live and dye the same,
Non other love to take, for wele ne wo,
For brind delyt, for ernest nor for game:
Without repent, for laughing or for grame,
To byden still in full perseveraunce:
Al this was hole the kinges ordinaunce.
The fourth statut, To purchace ever to here,
And stiren folk to love, and beten fyr
On Venus awter, here about and there,
757
And preche to thaim of love and hot desyr,
And tell how love will quyten well their hire:
This must be kept; and loth me to displese:
If love be wroth, passe forby is an ese.
The fifth statut, Not to be daungerous,
If that a thought wold reyve me of my slepe:
Nor of a sight to be over squeymous;
And so, verily, this statut was to kepe,
To turne and walowe in my bed and wepe,
When that my lady, of her crueltè,
Wold from her herte exylen all pitè.
The sixt statut, it was for me to use,
Alone to wander, voide of company,
And on my ladys bewtee for to muse,
And to think [it] no force to live or dye;
And eft again to think the remedy,
How to her grace I might anon attain,
And tell my wo unto my souverain.
The seventh statut was, To be pacient,
Whether my lady joyfull were or wroth;
For wordes glad or hevy, diligent,
Wheder that she me helden lefe or loth:
And hereupon I put was to myn oth,
Her for to serve, and lowly to obey,
Shewing my chere, ye, twenty sith a-day.
The eighth statut, to my rememb[e]raunce,
Was, To speke, and pray my lady dere,
With hourly labour and gret attendaunce,
Me for to love with all her herte entere,
And me desyre, and make me joyfull chere,
Right as she is, surmounting every faire,
Of bewtie well, and gentill debonaire.
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The ninth statut, with lettres writ of gold,
This was the sentence, How that I and all
Shuld ever dred to be to over-bold
Her to displese; and truly, so I shall;
But ben content for thing[es] that may falle,
And meekly take her chastisement and yerd,
And to offende her ever ben aferd.
The tenth statut was, Egally discern
By-twene thy lady and thyn abilitee,
And think, thy-self art never like to yern,
By right, her mercy, nor of equitee,
But of her grace and womanly pitee:
For though thy-self be noble in thy strene,
A thowsand-fold more nobill is thy quene,
Thy lyves lady, and thy souverayn,
That hath thyn herte all hole in governaunce.
Thou mayst no wyse hit taken to disdayn,
To put thee humbly at her ordinaunce,
And give her free the rein of her plesaunce;
For libertee is thing that women loke,
And truly, els the mater is a-croke.
The eleventh statut, Thy signes for to con
With y and finger, and with smyles soft,
And low to cough, and alway for to shon,
For dred of spyes, for to winken oft:
But secretly to bring a sigh a-loft,
And eke beware of over-moch resort;
For that, paraventure, spilleth al thy sport.
The twelfth statut remember to observe:
For al the pain thow hast for love and wo,
All is to lite her mercy to deserve,
Thow must then think, where-ever thou ryde or go;
And mortall woundes suffer thow also,
All for her sake, and thinke it well beset
759
Upon thy love, for it may be no bet.
The thirteenth statut, Whylom is to thinke,
What thing may best thy lady lyke and plese,
And in thyn hertes botom let it sinke:
Som thing devise, and take [it] for thyn ese,
And send it her, that may her herte apese:
Some hert, or ring, or lettre, or device,
Or precious stone; but spare not for no price.
The fourteenth statut eke thou shalt assay
Fermly to kepe the most part of thy lyfe:
Wish that thy lady in thyne armes lay,
And nightly dreme, thow hast thy hertes wyfe
Swetely in armes, straining her as blyfe:
And whan thou seest it is but fantasy,
See that thow sing not over merily,
For to moche joye hath oft a wofull end.
It longith eke, this statut for to hold,
To deme thy lady evermore thy frend,
And think thyself in no wyse a cocold.
In every thing she doth but as she shold:
Construe the best, beleve no tales newe,
For many a lie is told, that semeth full trewe.
But think that she, so bounteous and fair,
Coud not be fals: imagine this algate;
And think that tonges wikke wold her appair,
Slaundering her name and worshipfull estat,
And lovers true to setten at debat:
And though thow seest a faut right at thyne y,
Excuse it blyve, and glose it pretily.
The fifteenth statut, Use to swere and stare,
And counterfet a lesing hardely,
To save thy ladys honour every-where,
760
And put thyself to fight [for her] boldly:
Sey she is good, virtuous, and gostly,
Clere of entent, and herte, and thought and wille;
And argue not, for reson ne for skille,
Agayn thy ladys plesir ne entent,
For love wil not be countrepleted, indede:
Sey as she seith, than shalt thou not be shent,
The crow is whyte; ye, truly, so I rede:
And ay what thing that she thee will forbede,
Eschew all that, and give her sovereintee,
Her appetyt folow in all degree.
The sixteenth statut, kepe it if thow may:—
Seven sith at night thy lady for to plese,
And seven at midnight, seven at morow-day;
And drink a cawdell erly for thyn ese.
Do this, and kepe thyn hede from all disese,
And win the garland here of lovers all,
That ever come in court, or ever shall.
Ful few, think I, this statut hold and kepe;
But truly, this my reson giveth me fele,
That som lovers shuld rather fall aslepe,
Than take on hand to plese so oft and wele.
There lay non oth to this statut a-dele,
But kepe who might, as gave him his corage:
Now get this garland, lusty folk of age.
Now win who may, ye lusty folk of youth,
This garland fresh, of floures rede and whyte,
Purpill and blewe, and colours ful uncouth,
And I shal croune him king of all delyt!
In al the court there was not, to my sight,
A lover trew, that he ne was adred,
When he expresse hath herd the statut red.
761
The seventeenth statut, Whan age approchith on,
And lust is leid, and all the fire is queint,
As freshly than thou shalt begin to fon,
And dote in love, and all her image paint
In rémembraunce, til thou begin to faint,
As in the first seson thyn hert began:
And her desire, though thou ne may ne can
Perform thy living actuell, and lust;
Regester this in thy rememb[e]raunce:
Eke when thou mayst not kepe thy thing from rust,
Yit speke and talk of plesaunt daliaunce;
For that shall make thyn hert rejoise and daunce.
And when thou mayst no more the game assay,
The statut bit thee pray for hem that may.
The eighteenth statut, hoolly to commend,
To plese thy lady, is, That thou eschewe
With sluttishness thy-self for to offend;
Be jolif, fresh, and fete, with thinges newe,
Courtly with maner, this is all thy due,
Gentill of port, and loving clenlinesse;
This is the thing that lyketh thy maistresse.
And not to wander lich a dulled ass,
Ragged and torn, disgysed in array,
Ribaud in speche, or out of mesure pass,
Thy bound exceding; think on this alway:
For women been of tender hertes ay,
And lightly set their plesire in a place;
Whan they misthink, they lightly let it passe.
The nineteenth statut, Mete and drink forgete:
Ech other day, see that thou fast for love,
For in the court they live withouten mete,
Sauf such as cometh from Venus all above;
They take non heed, in pain of greet reprove,
Of mete and drink, for that is all in vain;
762
Only they live by sight of their soverain.
The twentieth statut, last of everichoon,
Enroll it in thyn hertes privitee;
To wring and wail, to turn, and sigh and grone,
When that thy lady absent is from thee;
And eke renew the wordes [all] that she
Bitween you twain hath seid, and all the chere
That thee hath mad thy lyves lady dere.
And see thyn herte in quiet ne in rest
Sojorn, to tyme thou seen thy lady eft;
But wher she won by south, or est, or west,
With all thy force, now see it be not left:
Be diligent, till tyme thy lyfe be reft,
In that thou mayst, thy lady for to see;
This statut was of old antiquitee.
An officer of high auctoritee,
Cleped Rigour, made us swere anon:
He nas corrupt with parcialitee,
Favour, prayer, ne gold that cherely shoon;
'Ye shall,' quod he, 'now sweren here echoon,
Yong and old, to kepe, in that ye may,
The statuts truly, all, aftir this day.'
O god, thought I, hard is to make this oth!
But to my pouer shall I thaim observe;
In all this world nas mater half so loth,
To swere for all; for though my body sterve,
I have no might the hole for to reserve.
But herkin now the cace how it befell:
After my oth was mad, the trouth to tell,
I turned leves, loking on this boke,
Where other statuts were of women shene;
And right furthwith Rigour on me gan loke
763
Full angrily, and seid unto the quene
I traitour was, and charged me let been:
'There may no man,' quod he, 'the statut[s] know,
That long to woman, hy degree ne low.
In secret wyse thay kepten been full close,
They sowne echon to libertie, my frend;
Plesaunt thay be, and to their own purpose;
There wot no wight of thaim, but god and fend,
Ne naught shall wit, unto the worldes end.
The quene hath yeve me charge, in pain to dye,
Never to rede ne seen thaim with myn ye.
For men shall not so nere of councell ben,
With womanhode, ne knowen of her gyse,
Ne what they think, ne of their wit th'engyn;
I me report to Salamon the wyse,
And mighty Sampson, which begyled thryes
With Dalida was: he wot that, in a throw,
There may no man statut of women knowe.
For it paravénture may right so befall,
That they be bound by nature to disceive,
And spinne, and wepe, and sugre strewe on gall,
The hert of man to ravissh and to reyve,
And whet their tong as sharp as swerd or gleyve:
It may betyde, this is their ordinaunce;
So must they lowly doon the observaunce,
And kepe the statut yeven thaim of kind,
Or such as love hath yeve hem in their lyfe.
Men may not wete why turneth every wind,
Nor waxen wyse, nor ben inquisityf
To know secret of maid, widow, or wyfe;
For they their statutes have to thaim reserved,
And never man to know thaim hath deserved.
764
Now dress you furth, the god of Love you gyde!'
Quod Rigour than, 'and seek the temple bright
Of Cither[e]a, goddess here besyde;
Beseche her, by [the] influence and might
Of al her vertue, you to teche a-right,
How for to serve your ladies, and to plese,
Ye that ben sped, and set your hert in ese.
And ye that ben unpurveyed, pray her eke
Comfort you soon with grace and destinee,
That ye may set your hert there ye may lyke,
In suche a place, that it to love may be
Honour and worship, and felicitee
To you for ay. Now goth, by one assent.'
'Graunt mercy, sir!' quod we, and furth we went
Devoutly, soft and esy pace, to see
Venus the goddes image, all of gold:
And there we founde a thousand on their knee,
Sum freshe and feire, som dedely to behold,
In sondry mantils new, and som were old,
Som painted were with flames rede as fire,
Outward to shew their inward hoot desire:
With dolefull chere, full fele in their complaint
Cried 'Lady Venus, rewe upon our sore!
Receive our billes, with teres all bedreint;
We may not wepe, there is no more in store;
But wo and pain us frettith more and more:
Thou blisful planet, lovers sterre so shene,
Have rowth on us, that sigh and carefull been;
And ponish, Lady, grevously, we pray,
The false untrew with counterfet plesaunce,
That made their oth, be trew to live or dey,
With chere assured, and with countenaunce;
And falsly now thay foten loves daunce,
Barein of rewth, untrue of that they seid,
765
Now that their lust and plesire is alleyd.'
Yet eft again, a thousand milion,
Rejoysing, love, leding their life in blis:
They seid:—'Venus, redresse of all division,
Goddes eterne, thy name y-heried is!
By loves bond is knit all thing, y-wis,
Best unto best, the erth to water wan,
Bird unto bird, and woman unto man;
This is the lyfe of joye that we ben in,
Resembling lyfe of hevenly paradyse;
Love is exyler ay of vice and sin;
Love maketh hertes lusty to devyse;
Honour and grace have thay, in every wyse,
That been to loves law obedient;
Love makith folk benigne and diligent;
Ay stering theim to drede[n] vice and shame:
In their degree it maketh thaim honorable;
And swete it is of love [to] bere the name,
So that his love be feithfull, true, and stable:
Love prunith him, to semen amiable;
Love hath no faut, there it is exercysed,
But sole with theim that have all love dispised.
Honour to thee, celestiall and clere
Goddes of love, and to thy celsitude,
That yevest us light so fer down from thy spere,
Persing our hertes with thy pulcritude!
Comparison non of similitude
May to thy grace be mad in no degree,
That hast us set with love in unitee.
Gret cause have we to praise thy name and thee,
For [that] through thee we live in joye and blisse.
Blessed be thou, most souverain to see!
766
Thy holy court of gladness may not misse:
A thousand sith we may rejoise in this,
That we ben thyn with harte and all y-fere,
Enflamed with thy grace, and hevinly fere.'
Musing of tho that spakin in this wyse,
I me bethought in my rememb[e]raunce
Myne orison right goodly to devyse,
And plesauntly, with hartes obeisaunce,
Beseech the goddes voiden my grevaunce;
For I loved eke, sauf that I wist nat where;
Yet down I set, and seid as ye shall here.
'Fairest of all that ever were or be!
Lucerne and light to pensif crëature!
Myn hole affiaunce, and my lady free,
My goddes bright, my fortune and my ure,
I yeve and yeld my hart to thee full sure,
Humbly beseching, lady, of thy grace
Me to bestowe into som blessed place.
And here I vow me feithfull, true, and kind,
Without offence of mutabilitee,
Humbly to serve, whyl I have wit and mind,
Myn hole affiaunce, and my lady free!
In thilkë place, there ye me sign to be:
And, sith this thing of newe is yeve me, ay
To love and serve, needly must I obey.
Be merciable with thy fire of grace,
And fix myne hert there bewtie is and routh,
For hote I love, determine in no place,
Sauf only this, by god and by my trouth,
Trowbled I was with slomber, slepe, and slouth
This other night, and in a visioun
I sey a woman romen up and down,
767
Of mene stature, and seemly to behold,
Lusty and fresh, demure of countynaunce,
Yong and wel shap, with here [that] shoon as gold,
With yen as cristall, farced with plesaunce;
And she gan stir myne harte a lite to daunce;
But sodenly she vanissh gan right there:
Thus I may sey, I love and wot not where.
For what she is, ne her dwelling I not,
And yet I fele that love distraineth me:
Might ich her know, that wold I fain, god wot,
Serve and obey with all benignitee.
And if that other be my destinee,
So that no wyse I shall her never see,
Than graunt me her that best may lyken me,
With glad rejoyse to live in parfit hele,
Devoide of wrath, repent, or variaunce;
And able me to do that may be wele
Unto my lady, with hertes hy plesaunce:
And, mighty goddes! through thy purviaunce
My wit, my thought, my lust and love so gyde,
That to thyne honour I may me provyde
To set myne herte in place there I may lyke,
And gladly serve with all affeccioun.
Gret is the pain which at myn hert doth stik,
Till I be sped by thyn eleccioun:
Help, lady goddes! that possessioun
I might of her have, that in all my lyfe
I clepen shall my quene and hertes wife.
And in the Court of Love to dwell for ay
My wille it is, and don thee sacrifice:
Daily with Diane eke to fight and fray,
And holden werre, as might well me suffice:
That goddes chaste I kepen in no wyse
To serve; a fig for all her chastitee!
768
Her lawe is for religiositee.'
And thus gan finish preyer, lawde, and preise,
Which that I yove to Venus on my knee,
And in myne hert to ponder and to peise,
I gave anon hir image fressh bewtie;
'Heil to that figure sweet! and heil to thee,
Cupide,' quod I, and rose and yede my way;
And in the temple as I yede I sey
A shryne sormownting all in stones riche,
Of which the force was plesaunce to myn y,
With diamant or saphire; never liche
I have non seyn, ne wrought so wonderly.
So whan I met with Philobone, in hy
I gan demaund, 'Who[s] is this sepulture?'
'Forsoth,' quod she, 'a tender creature
Is shryned there, and Pitè is her name.
She saw an egle wreke him on a fly,
And pluk his wing, and eke him, in his game,
And tender herte of that hath made her dy:
Eke she wold wepe, and morn right pitously
To seen a lover suffre gret destresse.
In all the court nas non that, as I gesse,
That coude a lover half so well availe,
Ne of his wo the torment or the rage
Aslaken, for he was sure, withouten faile,
That of his grief she coud the hete aswage.
In sted of Pitè, spedeth hot corage
The maters all of court, now she is dede;
I me report in this to womanhede.
For weile and wepe, and crye, and speke, and pray,—
Women wold not have pitè on thy plaint;
Ne by that mene to ese thyn hart convey,
769
But thee receiven for their own talent:
And sey, that Pitè causith thee, in consent
Of rewth, to take thy service and thy pain
In that thow mayst, to plese thy souverain.
But this is councell, keep it secretly;'
Quod she, 'I nold, for all the world abowt,
The Quene of Love it wist; and wit ye why?
For if by me this matter springen out,
In court no lenger shuld I, owt of dowt,
Dwellen, but shame in all my life endry:
Now kepe it close,' quod she, 'this hardely.
Well, all is well! Now shall ye seen,' she seid,
'The feirest lady under son that is:
Come on with me, demene you liche a maid,
With shamefast dred, for ye shall spede, y-wis,
With her that is the mir[th] and joy and blis:
But sumwhat straunge and sad of her demene
She is, be ware your countenaunce be sene,
Nor over light, ne recheless, ne to bold,
Ne malapert, ne rinning with your tong;
For she will you abeisen and behold,
And you demaund, why ye were hens so long
Out of this court, without resort among:
And Rosiall her name is hote aright,
Whose harte as yet [is] yeven to no wight.
And ye also ben, as I understond,
With love but light avaunced, by your word;
Might ye, by hap, your fredom maken bond,
And fall in grace with her, and wele accord,
Well might ye thank the god of Love and lord;
For she that ye sawe in your dreme appere,
To love suche one, what are ye than the nere?
770
Yit wot ye what? as my rememb[e]raunce
Me yevith now, ye fayn, where that ye sey
That ye with love had never acqueintaunce,
Sauf in your dreme right late this other day:
Why, yis, parde! my life, that durst I lay,
That ye were caught upon an heth, when I
Saw you complain, and sigh full pitously;
Within an erber, and a garden fair
With floures growe, and herbes vertuous,
Of which the savour swete was and the eyr,
There were your-self full hoot and amorous:
Y-wis, ye ben to nice and daungerous;
A! wold ye now repent, and love som new?'—
'Nay, by my trouth,' I seid, 'I never knew
The goodly wight, whos I shall be for ay:
Guyde me the lord that love hath made and me.'
But furth we went in-till a chambre gay,
There was Rosiall, womanly to see,
Whose stremes sotell-persing of her ee
Myn hart gan thrill for bewtie in the stound:
'Alas,' quod I, 'who hath me yeve this wound?'
And than I dred to speke, till at the last
I gret the lady reverently and wele,
Whan that my sigh was gon and over-past;
And down on knees full humbly gan I knele,
Beseching her my fervent wo to kele,
For there I took full purpose in my mind,
Unto her grace my painfull hart to bind.
For if I shall all fully her discryve,
Her hede was round, by compace of nature,
Her here as gold,—she passed all on-lyve,—
And lily forhede had this crëature,
With lovelich browes, flawe, of colour pure,
Bytwene the which was mene disseveraunce
771
From every brow, to shewe[n] a distaunce.
Her nose directed streight, and even as lyne,
With fourm and shap therto convenient,
In which the goddes milk-whyt path doth shine;
And eke her yen ben bright and orient
As is the smaragde, unto my juggement,
Or yet thise sterres hevenly, smale and bright;
Her visage is of lovely rede and whyte.
Her mouth is short, and shit in litell space,
Flaming somdele, not over-rede, I mene,
With pregnant lippes, and thik to kiss, percas;
(For lippes thin, not fat, but ever lene,
They serve of naught, they be not worth a bene;
For if the basse ben full, there is delyt,
Maximian truly thus doth he wryte.)
But to my purpose:—I sey, whyte as snow
Ben all her teeth, and in order thay stond
Of oon stature; and eke hir breth, I trow,
Surmounteth alle odours that ever I fond
In sweetnes; and her body, face, and hond
Ben sharply slender, so that from the hede
Unto the fote, all is but womanhede.
I hold my pees of other thinges hid:—
Here shall my soul, and not my tong, bewray:—
But how she was arrayed, if ye me bid,
That shall I well discover you and say:
A bend of gold and silk, full fressh and gay;
With here in tresse[s], browdered full well,
Right smothly kept, and shyning every-del.
About her nek a flour of fressh devyse
With rubies set, that lusty were to sene;
And she in gown was, light and somer-wyse,
772
Shapen full wele, the colour was of grene,
With aureat seint about her sydes clene,
With dyvers stones, precious and riche:—
Thus was she rayed, yet saugh I never her liche.
For if that Jove had [but] this lady seyn,
Tho Calixto ne [yet] Alcmenia,
Thay never hadden in his armes leyn;
Ne he had loved the faire Europa;
Ye, ne yet Dane ne Antiopa!
For al their bewtie stood in Rosiall;
She semed lich a thing celestiall
In bowntè, favor, port, and semliness,
Plesaunt of figure, mirrour of delyt,
Gracious to sene, and rote of gentilness,
With angel visage, lusty rede and white:
There was not lak, sauf daunger had a lite
This goodly fressh in rule and governaunce;
And somdel straunge she was, for her plesaunce.
And truly sone I took my leve and went,
Whan she had me enquyred what I was;
For more and more impressen gan the dent
Of Loves dart, whyl I beheld her face;
And eft again I com to seken grace,
And up I put my bill, with sentence clere
That folwith aftir; rede and ye shall here.
'O ye [the] fressh, of [all] bewtie the rote,
That nature hath fourmed so wele and made
Princesse and Quene! and ye that may do bote
Of all my langour with your wordes glad!
Ye wounded me, ye made me wo-bestad;
Of grace redress my mortall grief, as ye
Of all myne harm the verrey causer be.
773
Now am I caught, and unwar sodenly,
With persant stremes of your yën clere,
Subject to ben, and serven you meekly,
And all your man, y-wis, my lady dere,
Abiding grace, of which I you requere,
That merciles ye cause me not to sterve;
But guerdon me, liche as I may deserve.
For, by my troth, the dayes of my breth
I am and will be youre in wille and hert,
Pacient and meek, for you to suffre deth
If it require; now rewe upon my smert;
And this I swere, I never shall out-stert
From Loves Court for none adversitee,
So ye wold rewe on my distresse and me.
My destinee, my fate, and ure I bliss,
That have me set to ben obedient
Only to you, the flour of all, y-wis:
I trust to Venus never to repent;
For ever redy, glad, and diligent
Ye shall me finde in service to your grace,
Till deth my lyfe out of my body race.
Humble unto your excellence so digne,
Enforcing ay my wittes and delyt
To serve and plese with glad herte and benigne,
And ben as Troilus, [old] Troyes knight,
Or Antony for Cleopatre bright,
And never you me thinkes to reney:
This shall I kepe unto myne ending-day.
Enprent my speche in your memorial
Sadly, my princess, salve of all my sore!
And think that, for I wold becomen thrall,
And ben your own, as I have seyd before,
Ye must of pity cherissh more and more
Your man, and tender aftir his desert,
774
And yive him corage for to ben expert.
For where that oon hath set his herte on fire,
And findeth nether refut ne plesaunce,
Ne word of comfort, deth will quyte his hire.
Allas! that there is none allegeaunce
Of all their wo! allas, the gret grevaunce
To love unloved! But ye, my Lady dere,
In other wyse may govern this matere.'
'Truly, gramercy, frend, of your good will,
And of your profer in your humble wyse!
But for your service, take and kepe it still.
And where ye say, I ought you well cheryse,
And of your gref the remedy devyse,
I know not why: I nam acqueinted well
With you, ne wot not sothly where ye dwell.'
'In art of love I wryte, and songes make,
That may be song in honour of the King
And Quene of Love; and than I undertake,
He that is sad shall than full mery sing.
And daunger[o]us not ben in every thing
Beseche I you, but seen my will and rede,
And let your aunswer put me out of drede.'
'What is your name? reherse it here, I pray,
Of whens and where, of what condicion
That ye ben of? Let see, com of and say!
Fain wold I know your disposicion:—
Ye have put on your old entencion;
But what ye mene to servë me I noot,
Sauf that ye say ye love me wonder hoot.'
'My name? alas, my hert, why [make it straunge?]
Philogenet I cald am fer and nere,
Of Cambrige clerk, that never think to chaunge
775
Fro you that with your hevenly stremes clere
Ravissh myne herte and gost and all in-fere:
This is the first, I write my bill for grace,
Me think, I see som mercy in your face.
And what I mene, by god that al hath wrought,
My bill, that maketh finall mencion,
That ye ben, lady, in myne inward thought
Of all myne hert without offencion,
That I best love, and have, sith I begon
To draw to court. Lo, than! what might I say?
I yeld me here, [lo!] unto your nobley.
And if that I offend, or wilfully
By pompe of hart your precept disobey,
Or doon again your will unskillfully,
Or greven you, for ernest or for play,
Correct ye me right sharply than, I pray,
As it is sene unto your womanhede,
And rewe on me, or ellis I nam but dede.'
'Nay, god forbede to feffe you so with grace,
And for a worde of sugred eloquence,
To have compassion in so litell space!
Than were it tyme that som of us were hens!
Ye shall not find in me suche insolence.
Ay? what is this? may ye not suffer sight?
How may ye loke upon the candill-light,
That clere[r] is and hotter than myn y?
And yet ye seid, the bemes perse and frete:—
How shall ye than the candel-[l]ight endry?
For wel wot ye, that hath the sharper hete.
And there ye bid me you correct and bete,
If ye offend,—nay, that may not be doon:
There come but few that speden here so soon.
776
Withdraw your y, withdraw from presens eke:
Hurt not yourself, through foly, with a loke;
I wold be sory so to make you seke:
A woman shuld be ware eke whom she toke:
Ye beth a clark:—go serchen [in] my boke,
If any women ben so light to win:
Nay, byde a whyl, though ye were all my kin.
So soon ye may not win myne harte, in trouth
The gyse of court will seen your stedfastness,
And as ye don, to have upon you rewth.
Your own desert, and lowly gentilness,
That will reward you joy for heviness;
And though ye waxen pale, and grene and dede,
Ye must it use a while, withouten drede,
And it accept, and grucchen in no wyse;
But where as ye me hastily desyre
To been to love, me think, ye be not wyse.
Cese of your language! cese, I you requyre!
For he that hath this twenty yere ben here
May not obtayn; than marveile I that ye
Be now so bold, of love to trete with me.'
'Ah! mercy, hart, my lady and my love,
My rightwyse princesse and my lyves guyde!
Now may I playn to Venus all above,
That rewthles ye me give these woundes wyde!
What have I don? why may it not betyde,
That for my trouth I may received be?
Alas! your daunger and your crueltè!
In wofull hour I got was, welaway!
In wofull hour [y-]fostred and y-fed,
In wofull hour y-born, that I ne may
My supplicacion swetely have y-sped!
The frosty grave and cold must be my bedde,
Without ye list your grace and mercy shewe,
777
Deth with his axe so faste on me doth hewe.
So greet disese and in so litell whyle,
So litell joy, that felte I never yet;
And at my wo Fortune ginneth to smyle,
That never erst I felt so harde a fit:
Confounded ben my spirits and my wit,
Till that my lady take me to her cure,
Which I love best of erthely crëature.
But that I lyke, that may I not com by;
Of that I playn, that have I habondaunce;
Sorrow and thought, thay sit me wounder ny;
Me is withhold that might be my plesaunce:
Yet turne again, my worldly suffisaunce!
O lady bright! and save your feithfull true,
And, er I die, yet on[e]s upon me rewe.'
With that I fell in sounde, and dede as stone,
With colour slain, and wan as assh[es] pale;
And by the hand she caught me up anon,
'Aryse,' quod she, 'what? have ye dronken dwale?
Why slepen ye? it is no nightertale.'
'Now mercy, swete,' quod I, y-wis affrayed:
'What thing,' quod she, 'hath mad you so dismayed?
Now wot I well that ye a lover be,
Your hewe is witnesse in this thing,' she seid:
'If ye were secret, [ye] might know,' quod she,
'Curteise and kind, all this shuld be allayed:
And now, myn herte! all that I have misseid,
I shall amend, and set your harte in ese.'
'That word it is,' quod I, 'that doth me plese.'
'But this I charge, that ye the statuts kepe,
And breke thaim not for sloth nor ignoraunce.'
With that she gan to smyle and laughen depe.
778
'Y-wis,' quod I, 'I will do your plesaunce;
The sixteenth statut doth me grete grevaunce,
But ye must that relesse or modifie.'
'I graunt,' quod she, 'and so I will truly.'
And softly than her colour gan appeare,
As rose so rede, through-out her visage all,
Wherefore me think it is according here,
That she of right be cleped Rosiall.
Thus have I won, with wordes grete and small,
Some goodly word of hir that I love best,
And trust she shall yit set myne harte in rest.
'Goth on,' she seid to Philobone, 'and take
This man with you, and lede him all abowt
Within the court, and shew him, for my sake,
What lovers dwell withinne, and all the rowte
Of officers; for he is, out of dowte,
A straunger yit:'—'Come on,' quod Philobone,
'Philogenet, with me now must ye gon.'
And stalking soft with esy pace, I saw
About the king [ther] stonden environ,
Attendaunce, Diligence, and their felaw
Fortherer, Esperaunce, and many oon;
Dred-to-offend there stood, and not aloon;
For there was eke the cruell adversair,
The lovers fo, that cleped is Dispair,
Which unto me spak angrely and fell,
And said, my lady me deceiven shall:
'Trowest thow,' quod she, 'that all that she did tell,
Is true? Nay, nay, but under hony gall!
Thy birth and hers, [they] be nothing egall:
Cast of thyn hart, for all her wordes whyte,
For in good faith she lovith thee but a lyte.
779
And eek remember, thyn habilite
May not compare with hir, this well thow wot.'
Ye, than cam Hope and said, 'My frend, let be!
Beleve him not: Dispair, he ginneth dote.'
'Alas,' quod I, 'here is both cold and hot:
The tone me biddeth love, the toder nay;
Thus wot I not what me is best to say.
But well wot I, my lady graunted me,
Truly to be my woundes remedy;
Her gentilness may not infected be
With dobleness, thus trust I till I dy.'
So cast I void Dispaires company,
And taken Hope to councell and to frend.
'Ye, kepe that wele,' quod Philobone, 'in mind.'
And there besyde, within a bay-window,
Stood oon in grene, full large of brede and length,
His berd as blak as fethers of the crow;
His name was Lust, of wounder might and strength;
And with Delyt to argue there he thenkth,
For this was all his [hool] opinion,
That love was sin! and so he hath begon
To reson fast, and legge auctoritè:
'Nay,' quod Delyt, 'love is a vertue clere,
And from the soule his progress holdeth he:
Blind appetyt of lust doth often stere,
And that is sin: for reson lakketh there,
For thow [dost] think thy neigbours wyfe to win:
Yit think it well that love may not be sin;
For god and seint, they love right verely,
Void of all sin and vice: this knowe I wele,
Affeccion of flessh is sin, truly;
But verray love is vertue, as I fele,
For love may not thy freil desire akele:
For [verray] love is love withouten sin.'
780
'Now stint,' quoth Lust, 'thow spekest not worth a pin.'
And there I left thaim in their arguing,
Roming ferther in the castell wyde,
And in a corner Lier stood talking
Of lesings fast, with Flatery there besyde;
He seid that women were attire of pryde,
And men were founde of nature variaunt,
And coud be false, and shewen beau semblaunt.
Than Flatery bespake and seid, y-wis:
'See, so she goth on patens faire and fete,
Hit doth right wele: what prety man is this
That rometh here? Now truly, drink ne mete
Nede I not have; myne hart for joye doth bete
Him to behold, so is he goodly fressh:
It semeth for love his harte is tender nessh.'
This is the court of lusty folk and glad,
And wel becometh their habit and array:
O why be som so sorry and so sad,
Complaining thus in blak and whyte and gray?
Freres they ben, and monkes, in good fay:
Alas, for rewth! greet dole it is to seen,
To see thaim thus bewaile and sory been.
See how they cry and wring their handes whyte,
For they so sone went to religion!
And eke the nonnes, with vaile and wimple plight,
There thought that they ben in confusion:
'Alas,' thay sayn, 'we fayn perfeccion,
In clothes wide, and lak our libertè;
But all the sin mote on our frendes be.
For, Venus wot, we wold as fayn as ye,
That ben attired here and wel besene,
Desiren man, and love in our degree,
781
Ferme and feithfull, right as wold the quene:
Our frendes wikke, in tender youth and grene,
Ayenst our will made us religious;
That is the cause we morne and wailen thus.'
Than seid the monks and freres in the tyde,
'Wel may we curse our abbeys and our place,
Our statuts sharp, to sing in copes wyde,
Chastly to kepe us out of loves grace,
And never to fele comfort ne solace;
Yet suffre we the hete of loves fire,
And after than other haply we desire.
O Fortune cursed, why now and wherefore
Hast thow,' they seid, 'beraft us libertè,
Sith nature yave us instrument in store,
And appetyt to love and lovers be?
Why mot we suffer suche adversitè,
Diane to serve, and Venus to refuse?
Ful often sith this matier doth us muse.
We serve and honour, sore ayenst our will,
Of chastitè the goddes and the quene;
Us leffer were with Venus byden still,
And have reward for love, and soget been
Unto thise women courtly, fressh, and shene.
Fortune, we curse thy whele of variaunce!
There we were wele, thou revest our plesaunce.'
Thus leve I thaim, with voice of pleint and care,
In raging wo crying ful pitously;
And as I yede, full naked and full bare
Some I behold, looking dispitously,
On povertè that dedely cast their y;
And 'Welaway!' they cried, and were not fain,
For they ne might their glad desire attain.
782
For lak of richesse worldely and of gode,
They banne and curse, and wepe, and sein, 'Alas,
That poverte hath us hent that whylom stode
At hartis ese, and free and in good case!
But now we dar not shew our-self in place,
Ne us embolde to duelle in company,
There-as our hart wold love right faithfully.'
And yet againward shryked every nonne,
The prang of love so straineth thaim to cry:
'Now wo the tyme,' quod thay, 'that we be boun!
This hateful ordre nyse will don us dy!
We sigh and sobbe, and bleden inwardly,
Freting our-self with thought and hard complaint,
That ney for love we waxen wode and faint.'
And as I stood beholding here and there,
I was war of a sort full languisshing,
Savage and wild of loking and of chere,
Their mantels and their clothës ay tering;
And oft thay were of nature complaining,
For they their members lakked, fote and hand,
With visage wry and blind, I understand.
They lakked shap, and beautie to preferre
Theim-self in love: and seid, that god and kind
Hath forged thaim to worshippen the sterre,
Venus the bright, and leften all behind
His other werkes clene and out of mind:
'For other have their full shape and bewtee,
And we,' quod they, 'ben in deformitè.'
And nye to thaim there was a company,
That have the susters waried and misseid;
I mene, the three of fatall destinè,
That be our werdes; and sone, in a brayd,
Out gan they cry as they had been affrayd,
'We curse,' quod thay, 'that ever hath nature
783
Y-formed us, this wofull lyfe t'endure!'
And there he was contrite, and gan repent,
Confessing hole the wound that Citherè
Hath with the dart of hot desire him sent,
And how that he to love must subjet be:
Than held he all his skornes vanitè,
And seid, that lovers lede a blisful lyfe,
Yong men and old, and widow, maid and wyfe.
'Bereve me, goddesse,' quod he, '[of] thy might,
My skornes all and skoffes, that I have
No power forth, to mokken any wight,
That in thy service dwell: for I did rave:
This know I well right now, so god me save,
And I shal be the chief post of thy feith,
And love uphold, the révers who-so seith.'
Dissemble stood not fer from him in trouth,
With party mantill, party hood and hose;
And said, he had upon his lady rowth,
And thus he wound him in, and gan to glose
Of his entent full doble, I suppose:
And al the world, he seid, he loved it wele;
But ay, me thoughte, he loved her nere a dele.
Eek Shamefastness was there, as I took hede,
That blusshed rede, and durst nat ben a-knowe
She lover was, for thereof had she drede;
She stood and hing her visage down alowe;
But suche a sight it was to sene, I trow,
As of these roses rody on their stalk:
There cowd no wight her spy to speke or talk
In loves art, so gan she to abasshe,
Ne durst not utter all her privitè:
Many a stripe and many a grevous lasshe
784
She gave to thaim that wolden loveres be,
And hindered sore the simpill comonaltè,
That in no wyse durst grace and mercy crave;
For were not she, they need but ask and have;
Where if they now approchin for to speke,
Than Shamefastness returnith thaim again:
Thay think, if we our secret councell breke,
Our ladies will have scorn on us, certain,
And [per]aventure thinken greet disdain:
Thus Shamefastness may bringin in Dispeir,
Whan she is dede, the toder will be heir.
Com forth, Avaunter! now I ring thy bell!
I spyed him sone; to god I make a-vowe,
He loked blak as fendes doth in hell:—
'The first,' quod he, 'that ever [I] did wowe,
Within a word she com, I wot not how,
So that in armes was my lady free;
And so hath ben a thousand mo than she.
In Englond, Bretain, Spain, and Pycardie,
Arteys, and Fraunce, and up in hy Holand,
In Burgoyne, Naples, and [in] Italy,
Naverne, and Grece, and up in hethen land,
Was never woman yit that wold withstand
To ben at myn commaundement, whan I wold:
I lakked neither silver, coin, ne gold.
And there I met with this estate and that;
And here I broched her, and here, I trow:
Lo! there goth oon of myne; and wot ye what?
Yon fressh attired have I leyd full low;
And such oon yonder eke right well I know:
I kept the statut whan we lay y-fere;
And yet yon same hath made me right good chere.'
785
Thus hath Avaunter blowen every-where
Al that he knowith, and more, a thousand-fold;
His auncetrye of kin was to Lière,
For firste he makith promise for to hold
His ladies councell, and it not unfold;
Wherfore, the secret when he doth unshit,
Than lyeth he, that all the world may wit.
For falsing so his promise and behest,
I wounder sore he hath such fantasie;
He lakketh wit, I trowe, or is a best,
That can no bet him-self with reson gy.
By myn advice, Love shal be contrarie
To his availe, and him eke dishonoure,
So that in court he shall no more sojoure.
'Take hede,' quod she, this litell Philobone,
'Where Envy rokketh in the corner yond,
And sitteth dirk; and ye shall see anone
His lenë bodie, fading face and hond;
Him-self he fretteth, as I understond;
Witnesse of Ovid Methamorphosose;
The lovers fo he is, I wil not glose.
For where a lover thinketh him promote,
Envy will grucch, repyning at his wele;
Hit swelleth sore about his hartes rote,
That in no wyse he can not live in hele;
And if the feithfull to his lady stele,
Envy will noise and ring it round aboute,
And sey moche worse than don is, out of dowte.'
And Prevy Thought, rejoysing of him-self,
Stood not fer thens in habit mervelous;
'Yon is,' thought [I], 'som spirit or some elf,
His sotill image is so curious:
How is,' quod I, 'that he is shaded thus
With yonder cloth, I not of what colour?'
786
And nere I went, and gan to lere and pore,
And frayned him [a] question full hard.
'What is,' quod I, 'the thing thou lovest best?
Or what is boot unto thy paines hard?
Me think, thow livest here in grete unrest;
Thow wandrest ay from south to est and west,
And est to north; as fer as I can see,
There is no place in court may holden thee.
Whom folowest thow? where is thy harte y-set?
But my demaunde asoile, I thee require.'
'Me thought,' quod he, 'no crëature may let
Me to ben here, and where-as I desire:
For where-as absence hath don out the fire,
My mery thought it kindleth yet again,
That bodily, me think, with my souverain
I stand and speke, and laugh, and kisse, and halse,
So that my thought comforteth me full oft:
I think, god wot, though all the world be false,
I will be trewe; I think also how soft
My lady is in speche, and this on-loft
Bringeth myn hart to joye and [greet] gladnesse;
This prevey thought alayeth myne hevinesse.
And what I thinke, or where to be, no man
In all this erth can tell, y-wis, but I:
And eke there nis no swallow swift, ne swan
So wight of wing, ne half [so] yern can fly;
For I can been, and that right sodenly,
In heven, in helle, in paradise, and here,
And with my lady, whan I will desire.
I am of councell ferre and wyde, I wot,
With lord and lady, and their previtè
I wot it all; but be it cold or hot,
787
They shall not speke without licence of me,
I mene, in suche as sesonable be;
For first the thing is thought within the hert,
Ere any word out from the mouth astert.'
And with that word Thought bad farewell and yede:
Eke furth went I to seen the courtes gyse:
And at the dore cam in, so god me spede,
Twey courteours of age and of assyse
Liche high, and brode, and, as I me advyse,
The Golden Love, and Leden Love thay hight:
The ton was sad, the toder glad and light.
...
'Yis! draw your hart, with all your force and might,
To lustiness, and been as ye have seid;
And think that I no drop of favour hight,
Ne never had to your desire obeyd,
Till sodenly, me thought, me was affrayed,
To seen you wax so dede of countenaunce;
And Pitè bad me don you some plasaunce.
Out of her shryne she roos from deth to lyve,
And in myne ere full prevely she spak,
'Doth not your servaunt hens away to dryve,
Rosiall,' quod she; and than myn harte [it] brak,
For tender reuth: and where I found moch lak
In your persoune, than I my-self bethought;
And seid, 'This is the man myne harte hath sought.''
'Gramercy, Pitè! might I but suffice
To yeve the lawde unto thy shryne of gold,
God wot, I wold; for sith that thou did rise
From deth to lyve for me, I am behold
To thanken you a thousand tymes told,
And eke my lady Rosiall the shene,
Which hath in comfort set myn harte, I wene.
788
And here I make myn protestacion,
And depely swere, as [to] myn power, to been
Feithfull, devoid of variacion,
And her forbere in anger or in tene,
And serviceable to my worldes quene,
With al my reson and intelligence,
To don her honour high and reverence.'
I had not spoke so sone the word, but she,
My souverain, did thank me hartily,
And seid, 'Abyde, ye shall dwell still with me
Till seson come of May; for than, truly,
The King of Love and all his company
Shall hold his fest full ryally and well:'
And there I bode till that the seson fell.
On May-day, whan the lark began to ryse,
To matens went the lusty nightingale
Within a temple shapen hawthorn-wise;
He might not slepe in all the nightertale,
But 'Domine labia,' gan he crye and gale,
'My lippes open, Lord of Love, I crye,
And let my mouth thy preising now bewrye.'
The eagle sang 'Venite, bodies all,
And let us joye to love that is our helth.'
And to the deske anon they gan to fall,
And who come late, he pressed in by stelth:
Than seid the fawcon, our own hartis welth,
'Domine, Dominus noster, I wot,
Ye be the god that don us bren thus hot.'
'Celi enarrant,' said the popingay,
'Your might is told in heven and firmament.'
And than came in the goldfinch fresh and gay,
And said this psalm with hertly glad intent,
789
'Domini est terra; this Laten intent,
The god of Love hath erth in governaunce:'
And than the wren gan skippen and to daunce.
'Jube, Domine, Lord of Love, I pray
Commaund me well this lesson for to rede;
This legend is of all that wolden dey
Marters for love; god yive the sowles spede!
And to thee, Venus, sing we, out of drede,
By influence of all thy vertue grete,
Beseching thee to kepe us in our hete.'
The second lesson robin redebrest sang,
'Hail to the god and goddess of our lay!'
And to the lectorn amorously he sprang:—
'Hail,' quod [he] eke, 'O fresh seson of May,
Our moneth glad that singen on the spray!
Hail to the floures, rede, and whyte, and blewe,
Which by their vertue make our lustes newe!'
The thrid lesson the turtill-dove took up,
And therat lough the mavis [as] in scorn:
He said, 'O god, as mot I dyne or sup,
This folissh dove will give us all an horn!
There been right here a thousand better born,
To rede this lesson, which, as well as he,
And eke as hot, can love in all degree.'
The turtill-dove said, 'Welcom, welcom, May,
Gladsom and light to loveres that ben trewe!
I thank thee, Lord of Love, that doth purvey
For me to rede this lesson all of dewe;
For, in gode sooth, of corage I pursue
To serve my make till deth us must depart:'
And than 'Tu autem' sang he all apart.
'Te deum amoris,' sang the thrustell-cok:
790
Tuball him-self, the first musician,
With key of armony coude not unlok
So swete [a] tewne as that the thrustill can:
'The Lord of Love we praisen,' quod he than,
'And so don all the fowles, grete and lyte;
Honour we May, in fals lovers dispyte.'
'Dominus regnavit,' seid the pecok there,
'The Lord of Love, that mighty prince, y-wis,
He hath received her[e] and every-where:
Now Jubilate sing:'—'What meneth this?'
Seid than the linet; 'welcom, Lord of blisse!'
Out-stert the owl with 'Benedicite,'
What meneth al this mery fare?' quod he.
'Laudate,' sang the lark with voice full shrill;
And eke the kite, 'O admirabile;
This quere will throgh myne eris pers and thrill;
But what? welcom this May seson,' quod he;
'And honour to the Lord of Love mot be,
That hath this feest so solemn and so high:'
'Amen,' seid all; and so seid eke the pye.
And furth the cokkow gan procede anon,
With 'Benedictus' thanking god in hast,
That in this May wold visite thaim echon,
And gladden thaim all whyl the fest shall last:
And therewithall a-loughter out he brast,
'I thank it god that I shuld end the song,
And all the service which hath been so long.'
Thus sang thay all the service of the fest,
And that was don right erly, to my dome;
And furth goth all the Court, both most and lest,
To feche the floures fressh, and braunche and blome;
And namly, hawthorn brought both page and grome.
With fressh garlandës, partie blewe and whyte,
And thaim rejoysen in their greet delyt.
791
Eke eche at other threw the floures bright,
The prymerose, the violet, the gold;
So than, as I beheld the ryall sight,
My lady gan me sodenly behold,
And with a trew-love, plited many-fold,
She smoot me through the [very] hert as blyve;
And Venus yet I thanke I am alyve.
~ Anonymous Olde English,
114:The Ghost - Book Iv
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
190
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
Who prove, with all becoming state,
Their voice to be the voice of Fate;
Prepared with essence, drop, and pill,
To be another Ward or Hill,
Before they can obtain their ends,
To sign death-warrants for their friends,
And talents vast as theirs employ,
_Secundum artem_ to destroy,
Must pass (or laws their rage restrain)
Before the chiefs of Warwick Lane:
Thrice happy Lane! where, uncontroll'd,
In power and lethargy grown old,
Most fit to take, in this bless'd land,
The reins--which fell from Wyndham's hand,
Her lawful throne great Dulness rears,
Still more herself, as more in years;
Where she, (and who shall dare deny
Her right, when Reeves and Chauncy's by?)
Calling to mind, in ancient time,
One Garth, who err'd in wit and rhyme,
Ordains, from henceforth, to admit
None of the rebel sons of Wit,
And makes it her peculiar care
That Schomberg never shall be there.
Not such as those, whom Polly trains
To letters, though unbless'd with brains,
Who, destitute of power and will
To learn, are kept to learning still;
Whose heads, when other methods fail,
Receive instruction from the tail,
Because their sires,--a common case
191
Which brings the children to disgrace,-Imagine it a certain rule
They never could beget a fool,
Must pass, or must compound for, ere
The chaplain, full of beef and prayer,
Will give his reverend permit,
Announcing them for orders fit;
So that the prelate (what's a name?
All prelates now are much the same)
May, with a conscience safe and quiet,
With holy hands lay on that fiat
Which doth all faculties dispense,
All sanctity, all faith, all sense;
Makes Madan quite a saint appear,
And makes an oracle of Cheere.
Not such as in that solemn seat,
Where the Nine Ladies hold retreat,-The Ladies Nine, who, as we're told,
Scorning those haunts they loved of old,
The banks of Isis now prefer,
Nor will one hour from Oxford stir,-Are held for form, which Balaam's ass
As well as Balaam's self might pass,
And with his master take degrees,
Could he contrive to pay the fees.
Men of sound parts, who, deeply read,
O'erload the storehouse of the head
With furniture they ne'er can use,
Cannot forgive our rambling Muse
This wild excursion; cannot see
Why Physic and Divinity,
To the surprise of all beholders,
Are lugg'd in by the head and shoulders;
Or how, in any point of view,
Oxford hath any thing to do.
But men of nice and subtle learning,
Remarkable for quick discerning,
Through spectacles of critic mould,
Without instruction, will behold
That we a method here have got
To show what is, by what is not;
And that our drift (parenthesis
192
For once apart) is briefly this:
Within the brain's most secret cells
A certain Lord Chief-Justice dwells,
Of sovereign power, whom, one and all,
With common voice, we Reason call;
Though, for the purposes of satire,
A name, in truth, is no great matter;
Jefferies or Mansfield, which you will-It means a Lord Chief-Justice still.
Here, so our great projectors say,
The Senses all must homage pay;
Hither they all must tribute bring,
And prostrate fall before their king;
Whatever unto them is brought,
Is carried on the wings of Thought
Before his throne, where, in full state,
He on their merits holds debate,
Examines, cross-examines, weighs
Their right to censure or to praise:
Nor doth his equal voice depend
On narrow views of foe and friend,
Nor can, or flattery, or force
Divert him from his steady course;
The channel of Inquiry's clear,
No sham examination's here.
He, upright justicer, no doubt,
_Ad libitum_ puts in and out,
Adjusts and settles in a trice
What virtue is, and what is vice;
What is perfection, what defect;
What we must choose, and what reject;
He takes upon him to explain
What pleasure is, and what is pain;
Whilst we, obedient to the whim,
And resting all our faith on him,
True members of the Stoic Weal,
Must learn to think, and cease to feel.
This glorious system, form'd for man
To practise when and how he can,
If the five Senses, in alliance,
To Reason hurl a proud defiance,
And, though oft conquer'd, yet unbroke,
193
Endeavour to throw off that yoke,
Which they a greater slavery hold
Than Jewish bondage was of old;
Or if they, something touch'd with shame,
Allow him to retain the name
Of Royalty, and, as in sport,
To hold a mimic formal court;
Permitted--no uncommon thing-To be a kind of puppet king,
And suffer'd, by the way of toy,
To hold a globe, but not employ;
Our system-mongers, struck with fear,
Prognosticate destruction near;
All things to anarchy must run;
The little world of man's undone.
Nay, should the Eye, that nicest sense,
Neglect to send intelligence
Unto the Brain, distinct and clear,
Of all that passes in her sphere;
Should she, presumptuous, joy receive
Without the Understanding's leave,
They deem it rank and daring treason
Against the monarchy of Reason,
Not thinking, though they're wondrous wise,
That few have reason, most have eyes;
So that the pleasures of the mind
To a small circle are confined,
Whilst those which to the senses fall
Become the property of all.
Besides, (and this is sure a case
Not much at present out of place)
Where Nature reason doth deny,
No art can that defect supply;
But if (for it is our intent
Fairly to state the argument)
A man should want an eye or two,
The remedy is sure, though new:
The cure's at hand--no need of fear-For proof--behold the Chevalier!-As well prepared, beyond all doubt,
To put eyes in, as put them out.
But, argument apart, which tends
194
To embitter foes and separate friends,
(Nor, turn'd apostate from the Nine,
Would I, though bred up a divine,
And foe, of course, to Reason's Weal,
Widen that breach I cannot heal)
By his own sense and feelings taught,
In speech as liberal as in thought,
Let every man enjoy his whim;
What's he to me, or I to him?
Might I, though never robed in ermine,
A matter of this weight determine,
No penalties should settled be
To force men to hypocrisy,
To make them ape an awkward zeal,
And, feeling not, pretend to feel.
I would not have, might sentence rest
Finally fix'd within my breast,
E'en Annet censured and confined,
Because we're of a different mind.
Nature, who, in her act most free,
Herself delights in liberty,
Profuse in love, and without bound,
Pours joy on every creature round;
Whom yet, was every bounty shed
In double portions on our head,
We could not truly bounteous call,
If Freedom did not crown them all.
By Providence forbid to stray,
Brutes never can mistake their way;
Determined still, they plod along
By instinct, neither right nor wrong;
But man, had he the heart to use
His freedom, hath a right to choose;
Whether he acts, or well, or ill,
Depends entirely on his will.
To her last work, her favourite Man,
Is given, on Nature's better plan,
A privilege in power to err.
Nor let this phrase resentment stir
Amongst the grave ones, since indeed
The little merit man can plead
In doing well, dependeth still
195
Upon his power of doing ill.
Opinions should be free as air;
No man, whate'er his rank, whate'er
His qualities, a claim can found
That my opinion must be bound,
And square with his; such slavish chains
From foes the liberal soul disdains;
Nor can, though true to friendship, bend
To wear them even from a friend.
Let those, who rigid judgment own,
Submissive bow at Judgment's throne,
And if they of no value hold
Pleasure, till pleasure is grown cold,
Pall'd and insipid, forced to wait
For Judgment's regular debate
To give it warrant, let them find
Dull subjects suited to their mind.
Theirs be slow wisdom; be my plan,
To live as merry as I can,
Regardless, as the fashions go,
Whether there's reason for't or no:
Be my employment here on earth
To give a liberal scope to mirth,
Life's barren vale with flowers to adorn,
And pluck a rose from every thorn.
But if, by Error led astray,
I chance to wander from my way,
Let no blind guide observe, in spite,
I'm wrong, who cannot set me right.
That doctor could I ne'er endure
Who found disease, and not a cure;
Nor can I hold that man a friend
Whose zeal a helping hand shall lend
To open happy Folly's eyes,
And, making wretched, make me wise:
For next (a truth which can't admit
Reproof from Wisdom or from Wit)
To being happy here below,
Is to believe that we are so.
Some few in knowledge find relief;
I place my comfort in belief.
Some for reality may call;
196
Fancy to me is all in all.
Imagination, through the trick
Of doctors, often makes us sick;
And why, let any sophist tell,
May it not likewise make us well?
This I am sure, whate'er our view,
Whatever shadows we pursue,
For our pursuits, be what they will,
Are little more than shadows still;
Too swift they fly, too swift and strong,
For man to catch or hold them long;
But joys which in the fancy live,
Each moment to each man may give:
True to himself, and true to ease,
He softens Fate's severe decrees,
And (can a mortal wish for more?)
Creates, and makes himself new o'er,
Mocks boasted vain reality,
And is, whate'er he wants to be.
Hail, Fancy!--to thy power I owe
Deliverance from the gripe of Woe;
To thee I owe a mighty debt,
Which Gratitude shall ne'er forget,
Whilst Memory can her force employ,
A large increase of every joy.
When at my doors, too strongly barr'd,
Authority had placed a guard,
A knavish guard, ordain'd by law
To keep poor Honesty in awe;
Authority, severe and stern,
To intercept my wish'd return;
When foes grew proud, and friends grew cool,
And laughter seized each sober fool;
When Candour started in amaze,
And, meaning censure, hinted praise;
When Prudence, lifting up her eyes
And hands, thank'd Heaven that she was wise;
When all around me, with an air
Of hopeless sorrow, look'd despair;
When they, or said, or seem'd to say,
There is but one, one only way
Better, and be advised by us,
197
Not be at all, than to be thus;
When Virtue shunn'd the shock, and Pride,
Disabled, lay by Virtue's side,
Too weak my ruffled soul to cheer,
Which could not hope, yet would not fear;
Health in her motion, the wild grace
Of pleasure speaking in her face,
Dull regularity thrown by,
And comfort beaming from her eye,
Fancy, in richest robes array'd,
Came smiling forth, and brought me aid;
Came smiling o'er that dreadful time,
And, more to bless me, came in rhyme.
Nor is her power to me confined;
It spreads, it comprehends mankind.
When (to the spirit-stirring sound
Of trumpets breathing courage round,
And fifes well-mingled, to restrain
And bring that courage down again;
Or to the melancholy knell
Of the dull, deep, and doleful bell,
Such as of late the good Saint Bride
Muffled, to mortify the pride
Of those who, England quite forgot,
Paid their vile homage to the Scot;
Where Asgill held the foremost place,
Whilst my lord figured at a race)
Processions ('tis not worth debate
Whether they are of stage or state)
Move on, so very, very slow,
Tis doubtful if they move, or no;
When the performers all the while
Mechanically frown or smile,
Or, with a dull and stupid stare,
A vacancy of sense declare,
Or, with down-bending eye, seem wrought
Into a labyrinth of thought,
Where Reason wanders still in doubt,
And, once got in, cannot get out;
What cause sufficient can we find,
To satisfy a thinking mind,
Why, duped by such vain farces, man
198
Descends to act on such a plan?
Why they, who hold themselves divine,
Can in such wretched follies join,
Strutting like peacocks, or like crows,
Themselves and Nature to expose?
What cause, but that (you'll understand
We have our remedy at hand,
That if perchance we start a doubt,
Ere it is fix'd, we wipe it out;
As surgeons, when they lop a limb,
Whether for profit, fame, or whim,
Or mere experiment to try,
Must always have a styptic by)
Fancy steps in, and stamps that real,
Which, _ipso facto_, is ideal.
Can none remember?--yes, I know,
All must remember that rare show
When to the country Sense went down,
And fools came flocking up to town;
When knights (a work which all admit
To be for knighthood much unfit)
Built booths for hire; when parsons play'd,
In robes canonical array'd,
And, fiddling, join'd the Smithfield dance,
The price of tickets to advance:
Or, unto tapsters turn'd, dealt out,
Running from booth to booth about,
To every scoundrel, by retail,
True pennyworths of beef and ale,
Then first prepared, by bringing beer in,
For present grand electioneering;
When heralds, running all about
To bring in Order, turn'd it out;
When, by the prudent Marshal's care,
Lest the rude populace should stare,
And with unhallow'd eyes profane
Gay puppets of Patrician strain,
The whole procession, as in spite,
Unheard, unseen, stole off by night;
When our loved monarch, nothing both,
Solemnly took that sacred oath,
Whence mutual firm agreements spring
199
Betwixt the subject and the king,
By which, in usual manner crown'd,
His head, his heart, his hands, he bound,
Against himself, should passion stir
The least propensity to err,
Against all slaves, who might prepare,
Or open force, or hidden snare,
That glorious Charter to maintain,
By which we serve, and he must reign;
Then Fancy, with unbounded sway,
Revell'd sole mistress of the day,
And wrought such wonders, as might make
Egyptian sorcerers forsake
Their baffled mockeries, and own
The palm of magic hers alone.
A knight, (who, in the silken lap
Of lazy Peace, had lived on pap;
Who never yet had dared to roam
'Bove ten or twenty miles from home,
Nor even that, unless a guide
Was placed to amble by his side,
And troops of slaves were spread around
To keep his Honour safe and sound;
Who could not suffer, for his life,
A point to sword, or edge to knife;
And always fainted at the sight
Of blood, though 'twas not shed in fight;
Who disinherited one son
For firing off an alder gun,
And whipt another, six years old,
Because the boy, presumptuous, bold
To madness, likely to become
A very Swiss, had beat a drum,
Though it appear'd an instrument
Most peaceable and innocent,
Having, from first, been in the hands
And service of the City bands)
Graced with those ensigns, which were meant
To further Honour's dread intent,
The minds of warriors to inflame,
And spur them on to deeds of fame;
With little sword, large spurs, high feather,
200
Fearless of every thing but weather,
(And all must own, who pay regard
To charity, it had been hard
That in his very first campaign
His honours should be soil'd with rain)
A hero all at once became,
And (seeing others much the same
In point of valour as himself,
Who leave their courage on a shelf
From year to year, till some such rout
In proper season calls it out)
Strutted, look'd big, and swagger'd more
Than ever hero did before;
Look'd up, look'd down, look'd all around,
Like Mavors, grimly smiled and frown'd;
Seem'd Heaven, and Earth, and Hell to call
To fight, that he might rout them all,
And personated Valour's style
So long, spectators to beguile,
That, passing strange, and wondrous true,
Himself at last believed it too;
Nor for a time could he discern,
Till Truth and Darkness took their turn,
So well did Fancy play her part,
That coward still was at the heart.
Whiffle (who knows not Whiffle's name,
By the impartial voice of Fame
Recorded first through all this land
In Vanity's illustrious band?)
Who, by all-bounteous Nature meant
For offices of hardiment,
A modern Hercules at least,
To rid the world of each wild beast,
Of each wild beast which came in view,
Whether on four legs or on two,
Degenerate, delights to prove
His force on the parade of Love,
Disclaims the joys which camps afford,
And for the distaff quits the sword;
Who fond of women would appear
To public eye and public ear,
But, when in private, lets them know
201
How little they can trust to show;
Who sports a woman, as of course,
Just as a jockey shows a horse,
And then returns her to the stable,
Or vainly plants her at his table,
Where he would rather Venus find
(So pall'd, and so depraved his mind)
Than, by some great occasion led,
To seize her panting in her bed,
Burning with more than mortal fires,
And melting in her own desires;
Who, ripe in years, is yet a child,
Through fashion, not through feeling, wild;
Whate'er in others, who proceed
As Sense and Nature have decreed,
From real passion flows, in him
Is mere effect of mode and whim;
Who laughs, a very common way,
Because he nothing has to say,
As your choice spirits oaths dispense
To fill up vacancies of sense;
Who, having some small sense, defies it,
Or, using, always misapplies it;
Who now and then brings something forth
Which seems indeed of sterling worth;
Something, by sudden start and fit,
Which at a distance looks like wit,
But, on examination near,
To his confusion will appear,
By Truth's fair glass, to be at best
A threadbare jester's threadbare jest;
Who frisks and dances through the street,
Sings without voice, rides without seat,
Plays o'er his tricks, like Aesop's ass,
A gratis fool to all who pass;
Who riots, though he loves not waste,
Whores without lust, drinks without taste,
Acts without sense, talks without thought,
Does every thing but what he ought;
Who, led by forms, without the power
Of vice, is vicious; who one hour,
Proud without pride, the next will be
202
Humble without humility:
Whose vanity we all discern,
The spring on which his actions turn;
Whose aim in erring, is to err,
So that he may be singular,
And all his utmost wishes mean
Is, though he's laugh'd at, to be seen:
Such, (for when Flattery's soothing strain
Had robb'd the Muse of her disdain,
And found a method to persuade
Her art to soften every shade,
Justice, enraged, the pencil snatch'd
From her degenerate hand, and scratch'd
Out every trace; then, quick as thought,
From life this striking likeness caught)
In mind, in manners, and in mien,
Such Whiffle came, and such was seen
In the world's eye; but (strange to tell!)
Misled by Fancy's magic spell,
Deceived, not dreaming of deceit,
Cheated, but happy in the cheat,
Was more than human in his own.
Oh, bow, bow all at Fancy's throne,
Whose power could make so vile an elf
With patience bear that thing, himself.
But, mistress of each art to please,
Creative Fancy, what are these,
These pageants of a trifler's pen,
To what thy power effected then?
Familiar with the human mind,
And swift and subtle as the wind,
Which we all feel, yet no one knows,
Or whence it comes, or where it goes,
Fancy at once in every part
Possess'd the eye, the head, the heart,
And in a thousand forms array'd,
A thousand various gambols play'd.
Here, in a face which well might ask
The privilege to wear a mask
In spite of law, and Justice teach
For public good to excuse the breach,
Within the furrow of a wrinkle
203
'Twixt eyes, which could not shine but twinkle,
Like sentinels i' th' starry way,
Who wait for the return of day,
Almost burnt out, and seem to keep
Their watch, like soldiers, in their sleep;
Or like those lamps, which, by the power
Of law, must burn from hour to hour,
(Else they, without redemption, fall
Under the terrors of that Hall,
Which, once notorious for a hop,
Is now become a justice shop)
Which are so managed, to go out
Just when the time comes round about,
Which yet, through emulation, strive
To keep their dying light alive,
And (not uncommon, as we find,
Amongst the children of mankind)
As they grow weaker, would seem stronger,
And burn a little, little longer:
Fancy, betwixt such eyes enshrined,
No brush to daub, no mill to grind,
Thrice waved her wand around, whose force
Changed in an instant Nature's course,
And, hardly credible in rhyme,
Not only stopp'd, but call'd back Time;
The face of every wrinkle clear'd,
Smooth as the floating stream appear'd,
Down the neck ringlets spread their flame,
The neck admiring whence they came;
On the arch'd brow the Graces play'd;
On the full bosom Cupid laid;
Suns, from their proper orbits sent,
Became for eyes a supplement;
Teeth, white as ever teeth were seen,
Deliver'd from the hand of Green,
Started, in regular array,
Like train-bands on a grand field day,
Into the gums, which would have fled,
But, wondering, turn'd from white to red;
Quite alter'd was the whole machine,
And Lady ---- ---- was fifteen.
Here she made lordly temples rise

204
Before the pious Dashwood's eyes,
Temples which, built aloft in air,
May serve for show, if not for prayer;
In solemn form herself, before,
Array'd like Faith, the Bible bore.
There over Melcombe's feather'd head-Who, quite a man of gingerbread,
Savour'd in talk, in dress, and phiz,
More of another world than this,
To a dwarf Muse a giant page,
The last grave fop of the last age-In a superb and feather'd hearse,
Bescutcheon'd and betagg'd with verse,
Which, to beholders from afar,
Appear'd like a triumphal car,
She rode, in a cast rainbow clad;
There, throwing off the hallow'd plaid,
Naked, as when (in those drear cells
Where, self-bless'd, self-cursed, Madness dwells)
Pleasure, on whom, in Laughter's shape,
Frenzy had perfected a rape,
First brought her forth, before her time,
Wild witness of her shame and crime,
Driving before an idol band
Of drivelling Stuarts, hand in hand;
Some who, to curse mankind, had wore
A crown they ne'er must think of more;
Others, whose baby brows were graced
With paper crowns, and toys of paste,
She jigg'd, and, playing on the flute,
Spread raptures o'er the soul of Bute.
Big with vast hopes, some mighty plan,
Which wrought the busy soul of man
To her full bent; the Civil Law,
Fit code to keep a world in awe,
Bound o'er his brows, fair to behold,
As Jewish frontlets were of old;
The famous Charter of our land
Defaced, and mangled in his hand;
As one whom deepest thoughts employ,
But deepest thoughts of truest joy,
Serious and slow he strode, he stalk'd;
205
Before him troops of heroes walk'd,
Whom best he loved, of heroes crown'd,
By Tories guarded all around;
Dull solemn pleasure in his face,
He saw the honours of his race,
He saw their lineal glories rise,
And touch'd, or seem'd to touch, the skies:
Not the most distant mark of fear,
No sign of axe or scaffold near,
Not one cursed thought to cross his will
Of such a place as Tower Hill.
Curse on this Muse, a flippant jade,
A shrew, like every other maid
Who turns the corner of nineteen,
Devour'd with peevishness and spleen;
Her tongue (for as, when bound for life,
The husband suffers for the wife,
So if in any works of rhyme
Perchance there blunders out a crime,
Poor culprit bards must always rue it,
Although 'tis plain the Muses do it)
Sooner or later cannot fail
To send me headlong to a jail.
Whate'er my theme, (our themes we choose,
In modern days, without a Muse;
Just as a father will provide
To join a bridegroom and a bride,
As if, though they must be the players,
The game was wholly his, not theirs)
Whate'er my theme, the Muse, who still
Owns no direction but her will,
Plies off, and ere I could expect,
By ways oblique and indirect,
At once quite over head and ears
In fatal politics appears.
Time was, and, if I aught discern
Of fate, that time shall soon return,
When, decent and demure at least,
As grave and dull as any priest,
I could see Vice in robes array'd,
Could see the game of Folly play'd
Successfully in Fortune's school,
206
Without exclaiming rogue or fool.
Time was, when, nothing both or proud,
I lackey'd with the fawning crowd,
Scoundrels in office, and would bow
To cyphers great in place; but now
Upright I stand, as if wise Fate,
To compliment a shatter'd state,
Had me, like Atlas, hither sent
To shoulder up the firmament,
And if I stoop'd, with general crack,
The heavens would tumble from my back.
Time was, when rank and situation
Secured the great ones of the nation
From all control; satire and law
Kept only little knaves in awe;
But now, Decorum lost, I stand
Bemused, a pencil in my hand,
And, dead to every sense of shame,
Careless of safety and of fame,
The names of scoundrels minute down,
And libel more than half the town.
How can a statesman be secure
In all his villanies, if poor
And dirty authors thus shall dare
To lay his rotten bosom bare?
Muses should pass away their time
In dressing out the poet's rhyme
With bills, and ribands, and array
Each line in harmless taste, though gay;
When the hot burning fit is on,
They should regale their restless son
With something to allay his rage,
Some cool Castalian beverage,
Or some such draught (though they, 'tis plain,
Taking the Muse's name in vain,
Know nothing of their real court,
And only fable from report)
As makes a Whitehead's Ode go down,
Or slakes the Feverette of Brown:
But who would in his senses think,
Of Muses giving gall to drink,
Or that their folly should afford
207
To raving poets gun or sword?
Poets were ne'er designed by Fate
To meddle with affairs of state,
Nor should (if we may speak our thought
Truly as men of honour ought)
Sound policy their rage admit,
To launch the thunderbolts of Wit
About those heads, which, when they're shot,
Can't tell if 'twas by Wit or not.
These things well known, what devil, in spite,
Can have seduced me thus to write
Out of that road, which must have led
To riches, without heart or head,
Into that road, which, had I more
Than ever poet had before
Of wit and virtue, in disgrace
Would keep me still, and out of place;
Which, if some judge (you'll understand
One famous, famous through the land
For making law) should stand my friend,
At last may in a pillory end;
And all this, I myself admit,
Without one cause to lead to it?
For instance, now--this book--the Ghost-Methinks I hear some critic Post
Remark most gravely--'The first word
Which we about the Ghost have heard.'
Peace, my good sir!--not quite so fast-What is the first, may be the last,
Which is a point, all must agree,
Cannot depend on you or me.
Fanny, no ghost of common mould,
Is not by forms to be controll'd;
To keep her state, and show her skill,
She never comes but when she will.
I wrote and wrote, (perhaps you doubt,
And shrewdly, what I wrote about;
Believe me, much to my disgrace,
I, too, am in the self-same case
But still I wrote, till Fanny came
Impatient, nor could any shame
On me with equal justice fall
208
If she had never come at all.
An underling, I could not stir
Without the cue thrown out by her,
Nor from the subject aid receive
Until she came and gave me leave.
So that, (ye sons of Erudition
Mark, this is but a supposition,
Nor would I to so wise a nation
Suggest it as a revelation)
If henceforth, dully turning o'er
Page after page, ye read no more
Of Fanny, who, in sea or air,
May be departed God knows where,
Rail at jilt Fortune; but agree
No censure can be laid on me;
For sure (the cause let Mansfield try)
Fanny is in the fault, not I.
But, to return--and this I hold
A secret worth its weight in gold
To those who write, as I write now,
Not to mind where they go, or how,
Through ditch, through bog, o'er hedge and stile,
Make it but worth the reader's while,
And keep a passage fair and plain
Always to bring him back again.
Through dirt, who scruples to approach,
At Pleasure's call, to take a coach?
But we should think the man a clown,
Who in the dirt should set us down.
But to return--if Wit, who ne'er
The shackles of restraint could bear,
In wayward humour should refuse
Her timely succour to the Muse,
And, to no rules and orders tied,
Roughly deny to be her guide,
She must renounce Decorum's plan,
And get back when, and how she can;
As parsons, who, without pretext,
As soon as mention'd, quit their text,
And, to promote sleep's genial power,
Grope in the dark for half an hour,
Give no more reason (for we know
209
Reason is vulgar, mean, and low)
Why they come back (should it befall
That ever they come back at all)
Into the road, to end their rout,
Than they can give why they went out.
But to return--this book--the Ghost-A mere amusement at the most;
A trifle, fit to wear away
The horrors of a rainy day;
A slight shot-silk, for summer wear,
Just as our modern statesmen are,
If rigid honesty permit
That I for once purloin the wit
Of him, who, were we all to steal,
Is much too rich the theft to feel:
Yet in this book, where Base should join
With Mirth to sugar every line;
Where it should all be mere chit-chat,
Lively, good-humour'd, and all that;
Where honest Satire, in disgrace,
Should not so much as show her face,
The shrew, o'erleaping all due bounds,
Breaks into Laughter's sacred grounds,
And, in contempt, plays o'er her tricks
In science, trade, and politics.
By why should the distemper'd scold
Attempt to blacken men enroll'd
In Power's dread book, whose mighty skill
Can twist an empire to their will;
Whose voice is fate, and on their tongue
Law, liberty, and life are hung;
Whom, on inquiry, Truth shall find
With Stuarts link'd, time out of mind,
Superior to their country's laws,
Defenders of a tyrant's cause;
Men, who the same damn'd maxims hold
Darkly, which they avow'd of old;
Who, though by different means, pursue
The end which they had first in view,
And, force found vain, now play their part
With much less honour, much more art?
Why, at the corners of the streets,
210
To every patriot drudge she meets,
Known or unknown, with furious cry
Should she wild clamours vent? or why,
The minds of groundlings to inflame,
A Dashwood, Bute, and Wyndham name?
Why, having not, to our surprise,
The fear of death before her eyes,
Bearing, and that but now and then,
No other weapon but her pen,
Should she an argument afford
For blood to men who wear a sword?
Men, who can nicely trim and pare
A point of honour to a hair-(Honour!--a word of nice import,
A pretty trinket in a court,
Which my lord, quite in rapture, feels
Dangling and rattling with his seals-Honour!--a word which all the Nine
Would be much puzzled to define-Honour!--a word which torture mocks,
And might confound a thousand Lockes-Which--for I leave to wiser heads,
Who fields of death prefer to beds
Of down, to find out, if they can,
What honour is, on their wild plan-Is not, to take it in their way,
And this we sure may dare to say
Without incurring an offence,
Courage, law, honesty, or sense):
Men, who, all spirit, life, and soul
Neat butchers of a button-hole,
Having more skill, believe it true
That they must have more courage too:
Men who, without a place or name,
Their fortunes speechless as their fame,
Would by the sword new fortunes carve,
And rather die in fight than starve
At coronations, a vast field,
Which food of every kind might yield;
Of good sound food, at once most fit
For purposes of health and wit,
Could not ambitious Satire rest,
211
Content with what she might digest?
Could she not feast on things of course,
A champion, or a champion's horse?
A champion's horse--no, better say,
Though better figured on that day,
A horse, which might appear to us,
Who deal in rhyme, a Pegasus;
A rider, who, when once got on,
Might pass for a Bellerophon,
Dropt on a sudden from the skies,
To catch and fix our wondering eyes,
To witch, with wand instead of whip,
The world with noble horsemanship,
To twist and twine, both horse and man,
On such a well-concerted plan,
That, Centaur-like, when all was done,
We scarce could think they were not one?
Could she not to our itching ears
Bring the new names of new-coin'd peers,
Who walk'd, nobility forgot,
With shoulders fitter for a knot
Than robes of honour; for whose sake
Heralds in form were forced to make,
To make, because they could not find,
Great predecessors to their mind?
Could she not (though 'tis doubtful since
Whether he plumber is, or prince)
Tell of a simple knight's advance
To be a doughty peer of France?
Tell how he did a dukedom gain,
And Robinson was Aquitain?
Tell how her city chiefs, disgraced,
Were at an empty table placed,-A gross neglect, which, whilst they live,
They can't forget, and won't forgive;
A gross neglect of all those rights
Which march with city appetites,
Of all those canons, which we find
By Gluttony, time out of mind,
Established, which they ever hold
Dearer than any thing but gold?
Thanks to my stars--I now see shore--
212
Of courtiers, and of courts no more-Thus stumbling on my city friends,
Blind Chance my guide, my purpose bends
In line direct, and shall pursue
The point which I had first in view,
Nor more shall with the reader sport
Till I have seen him safe in port.
Hush'd be each fear--no more I bear
Through the wide regions of the air
The reader terrified, no more
Wild ocean's horrid paths explore.
Be the plain track from henceforth mine-Cross roads to Allen I resign;
Allen, the honor of this nation;
Allen, himself a corporation;
Allen, of late notorious grown
For writings, none, or all, his own;
Allen, the first of letter'd men,
Since the good Bishop holds his pen,
And at his elbow takes his stand,
To mend his head, and guide his hand.
But hold--once more, Digression hence-Let us return to Common Sense;
The car of Phoebus I discharge,
My carriage now a Lord Mayor's barge.
Suppose we now--we may suppose
In verse, what would be sin in prose-The sky with darkness overspread,
And every star retired to bed;
The gewgaw robes of Pomp and Pride
In some dark corner thrown aside;
Great lords and ladies giving way
To what they seem to scorn by day,
The real feelings of the heart,
And Nature taking place of Art;
Desire triumphant through the night,
And Beauty panting with delight;
Chastity, woman's fairest crown,
Till the return of morn laid down.
Then to be worn again as bright
As if not sullied in the night;
Dull Ceremony, business o'er,
213
Dreaming in form at Cottrell's door;
Precaution trudging all about
To see the candles safely out,
Bearing a mighty master-key,
Habited like Economy,
Stamping each lock with triple seals;
Mean Avarice creeping at her heels.
Suppose we too, like sheep in pen,
The Mayor and Court of Aldermen
Within their barge, which through the deep,
The rowers more than half asleep,
Moved slow, as overcharged with state;
Thames groan'd beneath the mighty weight,
And felt that bauble heavier far
Than a whole fleet of men of war.
Sleep o'er each well-known faithful head
With liberal hand his poppies shed;
Each head, by Dulness render'd fit
Sleep and his empire to admit.
Through the whole passage not a word,
Not one faint, weak half-sound was heard;
Sleep had prevail'd to overwhelm
The steersman nodding o'er the helm;
The rowers, without force or skill,
Left the dull barge to drive at will;
The sluggish oars suspended hung,
And even Beardmore held his tongue.
Commerce, regardful of a freight
On which depended half her state,
Stepp'd to the helm; with ready hand
She safely clear'd that bank of sand,
Where, stranded, our west-country fleet
Delay and danger often meet,
Till Neptune, anxious for the trade,
Comes in full tides, and brings them aid.
Next (for the Muses can survey
Objects by night as well as day;
Nothing prevents their taking aim,
Darkness and light to them the same)
They pass'd that building which of old
Queen-mothers was design'd to hold;
At present a mere lodging-pen,
214
A palace turn'd into a den;
To barracks turn'd, and soldiers tread
Where dowagers have laid their head.
Why should we mention Surrey Street,
Where every week grave judges meet
All fitted out with hum and ha,
In proper form to drawl out law,
To see all causes duly tried
'Twixt knaves who drive, and fools who ride?
Why at the Temple should we stay?
What of the Temple dare we say?
A dangerous ground we tread on there,
And words perhaps may actions bear;
Where, as the brethren of the seas
For fares, the lawyers ply for fees.
What of that Bridge, most wisely made
To serve the purposes of trade,
In the great mart of all this nation,
By stopping up the navigation,
And to that sand bank adding weight,
Which is already much too great?
What of that Bridge, which, void of sense
But well supplied with impudence,
Englishmen, knowing not the Guild,
Thought they might have a claim to build,
Till Paterson, as white as milk,
As smooth as oil, as soft as silk,
In solemn manner had decreed
That on the other side the Tweed
Art, born and bred, and fully grown,
Was with one Mylne, a man unknown,
But grace, preferment, and renown
Deserving, just arrived in town:
One Mylne, an artist perfect quite
Both in his own and country's right,
As fit to make a bridge as he,
With glorious Patavinity,
To build inscriptions worthy found
To lie for ever under ground.
Much more worth observation too,
Was this a season to pursue
The theme, our Muse might tell in rhyme:
215
The will she hath, but not the time;
For, swift as shaft from Indian bow,
(And when a goddess comes, we know,
Surpassing Nature acts prevail.
And boats want neither oar nor sail)
The vessel pass'd, and reach'd the shore
So quick, that Thought was scarce before.
Suppose we now our City court
Safely delivered at the port.
And, of their state regardless quite,
Landed, like smuggled goods, by night,
The solemn magistrate laid down,
The dignity of robe and gown,
With every other ensign gone,
Suppose the woollen nightcap on;
The flesh-brush used, with decent state,
To make the spirits circulate,
(A form which, to the senses true,
The lickerish chaplain uses too,
Though, something to improve the plan,
He takes the maid instead of man)
Swathed, and with flannel cover'd o'er,
To show the vigour of threescore,
The vigour of threescore and ten,
Above the proof of younger men,
Suppose, the mighty Dulman led
Betwixt two slaves, and put to bed;
Suppose, the moment he lies down,
No miracle in this great town,
The drone as fast asleep as he
Must in the course of nature be,
Who, truth for our foundation take,
When up, is never half awake.
There let him sleep, whilst we survey
The preparations for the day;
That day on which was to be shown
Court pride by City pride outdone.
The jealous mother sends away,
As only fit for childish play,
That daughter who, to gall her pride,
Shoots up too forward by her side.
The wretch, of God and man accursed,
216
Of all Hell's instruments the worst,
Draws forth his pawns, and for the day
Struts in some spendthrift's vain array;
Around his awkward doxy shine
The treasures of Golconda's mine;
Each neighbour, with a jealous glare,
Beholds her folly publish'd there.
Garments well saved, (an anecdote
Which we can prove, or would not quote)
Garments well saved, which first were made
When tailors, to promote their trade,
Against the Picts in arms arose,
And drove them out, or made them clothes;
Garments immortal, without end,
Like names and titles, which descend
Successively from sire to son;
Garments, unless some work is done
Of note, not suffer'd to appear
'Bove once at most in every year,
Were now, in solemn form, laid bare,
To take the benefit of air,
And, ere they came to be employ'd
On this solemnity, to void
That scent which Russia's leather gave,
From vile and impious moth to save.
Each head was busy, and each heart
In preparation bore a part;
Running together all about
The servants put each other out,
Till the grave master had decreed,
The more haste ever the worse speed.
Miss, with her little eyes half-closed,
Over a smuggled toilette dosed;
The waiting-maid, whom story notes
A very Scrub in petticoats,
Hired for one work, but doing all,
In slumbers lean'd against the wall.
Milliners, summon'd from afar,
Arrived in shoals at Temple Bar,
Strictly commanded to import
Cart loads of foppery from Court;
With labour'd visible design,
217
Art strove to be superbly fine;
Nature, more pleasing, though more wild,
Taught otherwise her darling child,
And cried, with spirited disdain,
Be Hunter elegant and plain!
Lo! from the chambers of the East,
A welcome prelude to the feast,
In saffron-colour'd robe array'd,
High in a car, by Vulcan made,
Who work'd for Jove himself, each steed,
High-mettled, of celestial breed,
Pawing and pacing all the way,
Aurora brought the wish'd-for day,
And held her empire, till out-run
By that brave jolly groom, the Sun.
The trumpet--hark! it speaks--it swells
The loud full harmony; it tells
The time at hand when Dulman, led
By Form, his citizens must head,
And march those troops, which at his call
Were now assembled, to Guildhall,
On matters of importance great,
To court and city, church and state.
From end to end the sound makes way,
All hear the signal and obey;
But Dulman, who, his charge forgot,
By Morpheus fetter'd, heard it not;
Nor could, so sound he slept and fast,
Hear any trumpet, but the last.
Crape, ever true and trusty known,
Stole from the maid's bed to his own,
Then in the spirituals of pride,
Planted himself at Dulman's side.
Thrice did the ever-faithful slave,
With voice which might have reach'd the grave,
And broke Death's adamantine chain,
On Dulman call, but call'd in vain.
Thrice with an arm, which might have made
The Theban boxer curse his trade,
The drone he shook, who rear'd the head,
And thrice fell backward on his bed.
What could be done? Where force hath fail'd,
218
Policy often hath prevail'd;
And what--an inference most plain-Had been, Crape thought might be again.
Under his pillow (still in mind
The proverb kept, 'fast bind, fast find')
Each blessed night the keys were laid,
Which Crape to draw away assay'd.
What not the power of voice or arm
Could do, this did, and broke the charm;
Quick started he with stupid stare,
For all his little soul was there.
Behold him, taken up, rubb'd down,
In elbow-chair, and morning-gown;
Behold him, in his latter bloom,
Stripp'd, wash'd, and sprinkled with perfume;
Behold him bending with the weight
Of robes, and trumpery of state;
Behold him (for the maxim's true,
Whate'er we by another do,
We do ourselves; and chaplain paid,
Like slaves in every other trade,
Had mutter'd over God knows what,
Something which he by heart had got)
Having, as usual, said his prayers,
Go titter, totter to the stairs:
Behold him for descent prepare,
With one foot trembling in the air;
He starts, he pauses on the brink,
And, hard to credit, seems to think;
Through his whole train (the chaplain gave
The proper cue to every slave)
At once, as with infection caught,
Each started, paused, and aim'd at thought;
He turns, and they turn; big with care,
He waddles to his elbow-chair,
Squats down, and, silent for a season,
At last with Crape begins to reason:
But first of all he made a sign,
That every soul, but the divine,
Should quit the room; in him, he knows,
He may all confidence repose.
'Crape--though I'm yet not quite awake--
219
Before this awful step I take,
On which my future all depends,
I ought to know my foes and friends.
My foes and friends--observe me still-I mean not those who well or ill
Perhaps may wish me, but those who
Have't in their power to do it too.
Now if, attentive to the state,
In too much hurry to be great,
Or through much zeal,--a motive, Crape,
Deserving praise,--into a scrape
I, like a fool, am got, no doubt
I, like a wise man, should get out:
Note that remark without replies;
I say that to get out is wise,
Or, by the very self-same rule,
That to get in was like a fool.
The marrow of this argument
Must wholly rest on the event,
And therefore, which is really hard,
Against events too I must guard.
Should things continue as they stand,
And Bute prevail through all the land
Without a rival, by his aid
My fortunes in a trice are made;
Nay, honours on my zeal may smile,
And stamp me Earl of some great Isle:
But if, a matter of much doubt,
The present minister goes out,
Fain would I know on what pretext
I can stand fairly with the next?
For as my aim, at every hour,
Is to be well with those in power,
And my material point of view,
Whoever's in, to be in too,
I should not, like a blockhead, choose
To gain these, so as those to lose:
'Tis good in every case, you know,
To have two strings unto our bow.'
As one in wonder lost, Crape view'd
His lord, who thus his speech pursued:
'This, my good Crape, is my grand point;
220
And as the times are out of joint,
The greater caution is required
To bring about the point desired.
What I would wish to bring about
Cannot admit a moment's doubt;
The matter in dispute, you know,
Is what we call the _Quomodo_.
That be thy task.'--The reverend slave,
Becoming in a moment grave,
Fix'd to the ground and rooted stood,
Just like a man cut out out of wood,
Such as we see (without the least
Reflection glancing on the priest)
One or more, planted up and down,
Almost in every church in town;
He stood some minutes, then, like one
Who wish'd the matter might be done,
But could not do it, shook his head,
And thus the man of sorrow said:
'Hard is this task, too hard I swear,
By much too hard for me to bear;
Beyond expression hard my part,
Could mighty Dulman see my heart,
When he, alas! makes known a will
Which Crape's not able to fulfil.
Was ever my obedience barr'd
By any trifling nice regard
To sense and honour? Could I reach
Thy meaning without help of speech,
At the first motion of thy eye
Did not thy faithful creature fly?
Have I not said, not what I ought,
But what my earthly master taught?
Did I e'er weigh, through duty strong,
In thy great biddings, right and wrong?
Did ever Interest, to whom thou
Canst not with more devotion bow,
Warp my sound faith, or will of mine
In contradiction run to thine?
Have I not, at thy table placed,
When business call'd aloud for haste,
Torn myself thence, yet never heard
221
To utter one complaining word,
And had, till thy great work was done,
All appetites, as having none?
Hard is it, this great plan pursued
Of voluntary servitude;
Pursued without or shame, or fear,
Through the great circle of the year,
Now to receive, in this grand hour,
Commands which lie beyond my power,
Commands which baffle all my skill,
And leave me nothing but my will:
Be that accepted; let my lord
Indulgence to his slave afford:
This task, for my poor strength unfit,
Will yield to none but Dulman's wit.'
With such gross incense gratified,
And turning up the lip of pride,
'Poor Crape'--and shook his empty head-'Poor puzzled Crape!' wise Dulman said,
'Of judgment weak, of sense confined,
For things of lower note design'd;
For things within the vulgar reach,
To run of errands, and to preach;
Well hast thou judged, that heads like mine
Cannot want help from heads like thine;
Well hast thou judged thyself unmeet
Of such high argument to treat;
Twas but to try thee that I spoke,
And all I said was but a joke.
Nor think a joke, Crape, a disgrace,
Or to my person, or my place;
The wisest of the sons of men
Have deign'd to use them now and then.
The only caution, do you see,
Demanded by our dignity,
From common use and men exempt,
Is that they may not breed contempt.
Great use they have, when in the hands
Of one like me, who understands,
Who understands the time and place,
The person, manner, and the grace,
Which fools neglect; so that we find,
222
If all the requisites are join'd,
From whence a perfect joke must spring,
A joke's a very serious thing.
But to our business--my design,
Which gave so rough a shock to thine,
To my capacity is made
As ready as a fraud in trade;
Which, like broad-cloth, I can, with ease,
Cut out in any shape I please.
Some, in my circumstance, some few,
Aye, and those men of genius too,
Good men, who, without love or hate,
Whether they early rise or late,
With names uncrack'd, and credit sound,
Rise worth a hundred thousand pound,
By threadbare ways and means would try
To bear their point--so will not I.
New methods shall my wisdom find
To suit these matters to my mind;
So that the infidels at court,
Who make our city wits their sport,
Shall hail the honours of my reign,
And own that Dulman bears a brain.
Some, in my place, to gain their ends,
Would give relations up, and friends;
Would lend a wife, who, they might swear
Safely, was none the worse for wear;
Would see a daughter, yet a maid,
Into a statesman's arms betray'd;
Nay, should the girl prove coy, nor know
What daughters to a father owe,
Sooner than schemes so nobly plann'd
Should fail, themselves would lend a hand;
Would vote on one side, whilst a brother,
Properly taught, would vote on t'other;
Would every petty band forget;
To public eye be with one set,
In private with a second herd,
And be by proxy with a third;
Would, (like a queen, of whom I read,
The other day--her name is fled-In a book,--where, together bound,
223
'Whittington and his Cat' I found-A tale most true, and free from art,
Which all Lord Mayors should have by heart;
A queen oh!--might those days begin
Afresh, when queens would learn to spin-Who wrought, and wrought, but for some plot,
The cause of which I've now forgot,
During the absence of the sun
Undid what she by day had done)
Whilst they a double visage wear,
What's sworn by day, by night unswear.
Such be their arts, and such, perchance,
May happily their ends advance;
Prom a new system mine shall spring,
A _locum tenens_ is the thing.
That's your true plan. To obligate
The present ministers of state,
My shadow shall our court approach,
And bear my power, and have my coach;
My fine state-coach, superb to view,
A fine state-coach, and paid for too.
To curry favour, and the grace
Obtain of those who're out of place;
In the mean time I--that's to say,
I proper, I myself--here stay.
But hold--perhaps unto the nation,
Who hate the Scot's administration,
To lend my coach may seem to be
Declaring for the ministry,
For where the city-coach is, there
Is the true essence of the Mayor:
Therefore (for wise men are intent
Evils at distance to prevent,
Whilst fools the evils first endure,
And then are plagued to seek a cure)
No coach--a horse--and free from fear,
To make our Deputy appear,
Fast on his back shall he be tied,
With two grooms marching by his side;
Then for a horse--through all the land,
To head our solemn city-band,
Can any one so fit be found
224
As he who in Artillery-ground,
Without a rider, (noble sight!)
Led on our bravest troops to fight?
But first, Crape, for my honour's sake-A tender point--inquiry make
About that horse, if the dispute
Is ended, or is still in suit:
For whilst a cause, (observe this plan
Of justice) whether horse or man
The parties be, remains in doubt,
Till 'tis determined out and out,
That power must tyranny appear
Which should, prejudging, interfere,
And weak, faint judges overawe,
To bias the free course of law.
You have my will--now quickly run,
And take care that my will be done.
In public, Crape, you must appear,
Whilst I in privacy sit here;
Here shall great Dulman sit alone,
Making this elbow-chair my throne,
And you, performing what I bid,
Do all, as if I nothing did.'
Crape heard, and speeded on his way;
With him to hear was to obey;
Not without trouble, be assured,
A proper proxy was procured
To serve such infamous intent,
And such a lord to represent;
Nor could one have been found at all
On t'other side of London Wall.
The trumpet sounds--solemn and slow
Behold the grand procession go,
All moving on, cat after kind,
As if for motion ne'er design'd.
Constables, whom the laws admit
To keep the peace by breaking it;
Beadles, who hold the second place
By virtue of a silver mace,
Which every Saturday is drawn,
For use of Sunday, out of pawn;
Treasurers, who with empty key
225
Secure an empty treasury;
Churchwardens, who their course pursue
In the same state, as to their pew
Churchwardens of St Margaret's go,
Since Peirson taught them pride and show,
Who in short transient pomp appear,
Like almanacs changed every year;
Behind whom, with unbroken locks,
Charity carries the poor's box,
Not knowing that with private keys
They ope and shut it when they please:
Overseers, who by frauds ensure
The heavy curses of the poor;
Unclean came flocking, bulls and bears,
Like beasts into the ark, by pairs.
Portentous, flaming in the van,
Stalk'd the professor, Sheridan,
A man of wire, a mere pantine,
A downright animal machine;
He knows alone, in proper mode,
How to take vengeance on an ode,
And how to butcher Ammon's son
And poor Jack Dryden both in one:
On all occasions next the chair
He stands, for service of the Mayor,
And to instruct him how to use
His A's and B's, and P's and Q's:
O'er letters, into tatters worn,
O'er syllables, defaced and torn,
O'er words disjointed, and o'er sense,
Left destitute of all defence,
He strides, and all the way he goes
Wades, deep in blood, o'er Criss-cross-rows:
Before him every consonant
In agonies is seen to pant;
Behind, in forms not to be known,
The ghosts of tortured vowels groan.
Next Hart and Duke, well worthy grace
And city favour, came in place;
No children can their toils engage,
Their toils are turn'd to reverend age;
When a court dame, to grace his brows
226
Resolved, is wed to city-spouse,
Their aid with madam's aid must join,
The awkward dotard to refine,
And teach, whence truest glory flows,
Grave sixty to turn out his toes.
Each bore in hand a kit; and each
To show how fit he was to teach
A cit, an alderman, a mayor,
Led in a string a dancing bear.
Since the revival of Fingal,
Custom, and custom's all in all,
Commands that we should have regard,
On all high seasons, to the bard.
Great acts like these, by vulgar tongue
Profaned, should not be said, but sung.
This place to fill, renown'd in fame,
The high and mighty Lockman came,
And, ne'er forgot in Dulman's reign,
With proper order to maintain
The uniformity of pride,
Brought Brother Whitehead by his side.
On horse, who proudly paw'd the ground,
And cast his fiery eyeballs round,
Snorting, and champing the rude bit,
As if, for warlike purpose fit,
His high and generous blood disdain'd,
To be for sports and pastimes rein'd,
Great Dymock, in his glorious station,
Paraded at the coronation.
Not so our city Dymock came,
Heavy, dispirited, and tame;
No mark of sense, his eyes half-closed,
He on a mighty dray-horse dozed:
Fate never could a horse provide
So fit for such a man to ride,
Nor find a man with strictest care,
So fit for such a horse to bear.
Hung round with instruments of death,
The sight of him would stop the breath
Of braggart Cowardice, and make
The very court Drawcansir quake;
With dirks, which, in the hands of Spite,
227
Do their damn'd business in the night,
From Scotland sent, but here display'd
Only to fill up the parade;
With swords, unflesh'd, of maiden hue,
Which rage or valour never drew;
With blunderbusses, taught to ride
Like pocket-pistols, by his side,
In girdle stuck, he seem'd to be
A little moving armoury.
One thing much wanting to complete
The sight, and make a perfect treat,
Was, that the horse, (a courtesy
In horses found of high degree)
Instead of going forward on,
All the way backward should have gone.
Horses, unless they breeding lack,
Some scruple make to turn their back,
Though riders, which plain truth declares,
No scruple make of turning theirs.
Far, far apart from all the rest,
Fit only for a standing jest,
The independent, (can you get
A better suited epithet?)
The independent Amyand came,
All burning with the sacred flame
Of Liberty, which well he knows
On the great stock of Slavery grows;
Like sparrow, who, deprived of mate,
Snatch'd by the cruel hand of Fate,
From spray to spray no more will hop,
But sits alone on the house-top;
Or like himself, when all alone
At Croydon he was heard to groan,
Lifting both hands in the defence
Of interest, and common sense;
Both hands, for as no other man
Adopted and pursued his plan,
The left hand had been lonesome quite,
If he had not held up the right;
Apart he came, and fix'd his eyes
With rapture on a distant prize,
On which, in letters worthy note,
228
There 'twenty thousand pounds' was wrote.
False trap, for credit sapp'd is found
By getting twenty thousand pound:
Nay, look not thus on me, and stare,
Doubting the certainty--to swear
In such a case I should be loth-But Perry Cust may take his oath.
In plain and decent garb array'd,
With the prim Quaker, Fraud, came Trade;
Connivance, to improve the plan,
Habited like a juryman,
Judging as interest prevails,
Came next, with measures, weights, and scales;
Extortion next, of hellish race
A cub most damn'd, to show his face
Forbid by fear, but not by shame,
Turn'd to a Jew, like Gideon came;
Corruption, Midas-like, behold
Turning whate'er she touch'd to gold;
Impotence, led by Lust, and Pride,
Strutting with Ponton by her side;
Hypocrisy, demure and sad,
In garments of the priesthood clad,
So well disguised, that you might swear,
Deceived, a very priest was there;
Bankruptcy, full of ease and health,
And wallowing in well-saved wealth,
Came sneering through a ruin'd band,
And bringing B---- in her hand;
Victory, hanging down her head,
Was by a Highland stallion led;
Peace, clothed in sables, with a face
Which witness'd sense of huge disgrace,
Which spake a deep and rooted shame
Both of herself and of her name,
Mourning creeps on, and, blushing, feels
War, grim War, treading on her heels;
Pale Credit, shaken by the arts
Of men with bad heads and worse hearts,
Taking no notice of a band
Which near her were ordain'd to stand,
Well-nigh destroyed by sickly fit,
229
Look'd wistful all around for Pitt;
Freedom--at that most hallow'd name
My spirits mount into a flame,
Each pulse beats high, and each nerve strains,
Even to the cracking; through my veins
The tides of life more rapid run,
And tell me I am Freedom's son-Freedom came next, but scarce was seen,
When the sky, which appear'd serene
And gay before, was overcast;
Horror bestrode a foreign blast,
And from the prison of the North,
To Freedom deadly, storms burst forth.
A car like those, in which, we're told,
Our wild forefathers warr'd of old,
Loaded with death, six horses bear
Through the blank region of the air.
Too fierce for time or art to tame,
They pour'd forth mingled smoke and flame
From their wide nostrils; every steed
Was of that ancient savage breed
Which fell Geryon nursed; their food
The flesh of man, their drink his blood.
On the first horses, ill-match'd pair,
This fat and sleek, that lean and bare,
Came ill-match'd riders side by side,
And Poverty was yoked with Pride;
Union most strange it must appear,
Till other unions make it clear.
Next, in the gall of bitterness,
With rage which words can ill express,
With unforgiving rage, which springs
From a false zeal for holy things,
Wearing such robes as prophets wear,
False prophets placed in Peter's chair,
On which, in characters of fire,
Shapes antic, horrible, and dire
Inwoven flamed, where, to the view,
In groups appear'd a rabble crew
Of sainted devils; where, all round,
Vile relics of vile men were found,
Who, worse than devils, from the birth
230
Perform'd the work of hell on earth,
Jugglers, Inquisitors, and Popes,
Pointing at axes, wheels, and ropes,
And engines, framed on horrid plan,
Which none but the destroyer, Man,
Could, to promote his selfish views,
Have head to make or heart to use,
Bearing, to consecrate her tricks,
In her left hand a crucifix,
'Remembrance of our dying Lord,'
And in her right a two-edged sword,
Having her brows, in impious sport,
Adorn'd with words of high import,
'On earth peace, amongst men good will,
Love bearing and forbearing still,'
All wrote in the hearts' blood of those
Who rather death than falsehood chose:
On her breast, (where, in days of yore,
When God loved Jews, the High Priest wore
Those oracles which were decreed
To instruct and guide the chosen seed)
Having with glory clad and strength,
The Virgin pictured at full length,
Whilst at her feet, in small pourtray'd,
As scarce worth notice, Christ was laid,-Came Superstition, fierce and fell,
An imp detested, e'en in hell;
Her eye inflamed, her face all o'er
Foully besmear'd with human gore,
O'er heaps of mangled saints she rode;
Fast at her heels Death proudly strode,
And grimly smiled, well pleased to see
Such havoc of mortality;
Close by her side, on mischief bent,
And urging on each bad intent
To its full bearing, savage, wild,
The mother fit of such a child,
Striving the empire to advance
Of Sin and Death, came Ignorance.
With looks, where dread command was placed,
And sovereign power by pride disgraced,
Where, loudly witnessing a mind
231
Of savage, more than human kind,
Not choosing to be loved, but fear'd,
Mocking at right, Misrule appear'd.
With eyeballs glaring fiery red,
Enough to strike beholders dead,
Gnashing his teeth, and in a flood
Pouring corruption forth and blood
From his chafed jaws; without remorse
Whipping and spurring on his horse,
Whose sides, in their own blood embay'd,
E'en to the bone were open laid,
Came Tyranny, disdaining awe,
And trampling over Sense and Law;
One thing, and only one, he knew,
One object only would pursue;
Though less (so low doth passion bring)
Than man, he would be more than king.
With every argument and art
Which might corrupt the head and heart,
Soothing the frenzy of his mind,
Companion meet, was Flattery join'd;
Winning his carriage, every look
Employed, whilst it conceal'd a hook;
When simple most, most to be fear'd;
Most crafty, when no craft appear'd;
His tales, no man like him could tell;
His words, which melted as they fell,
Might even a hypocrite deceive,
And make an infidel believe,
Wantonly cheating o'er and o'er
Those who had cheated been before:-Such Flattery came, in evil hour,
Poisoning the royal ear of Power,
And, grown by prostitution great,
Would be first minister of state.
Within the chariot, all alone,
High seated on a kind of throne,
With pebbles graced, a figure came,
Whom Justice would, but dare not name.
Hard times when Justice, without fear,
Dare not bring forth to public ear
The names of those who dare offend
232
'Gainst Justice, and pervert her end!
But, if the Muse afford me grace,
Description shall supply the place.
In foreign garments he was clad;
Sage ermine o'er the glossy plaid
Cast reverend honour; on his heart,
Wrought by the curious hand of Art,
In silver wrought, and brighter far
Than heavenly or than earthly star,
Shone a White Rose, the emblem dear
Of him he ever must revere;
Of that dread lord, who, with his host
Of faithful native rebels lost,
Like those black spirits doom'd to hell,
At once from power and virtue fell:
Around his clouded brows was placed
A bonnet, most superbly graced
With mighty thistles, nor forgot
The sacred motto--'Touch me not.'
In the right hand a sword he bore
Harder than adamant, and more
Fatal than winds, which from the mouth
Of the rough North invade the South;
The reeking blade to view presents
The blood of helpless innocents,
And on the hilt, as meek become
As lamb before the shearers dumb,
With downcast eye, and solemn show
Of deep, unutterable woe,
Mourning the time when Freedom reign'd,
Fast to a rock was Justice chain'd.
In his left hand, in wax impress'd,
With bells and gewgaws idly dress'd,
An image, cast in baby mould,
He held, and seem'd o'erjoy'd to hold
On this he fix'd his eyes; to this,
Bowing, he gave the loyal kiss,
And, for rebellion fully ripe,
Seem'd to desire the antitype.
What if to that Pretender's foes
His greatness, nay, his life, he owes;
Shall common obligations bind,
233
And shake his constancy of mind?
Scorning such weak and petty chains,
Faithful to James he still remains,
Though he the friend of George appear:
Dissimulation's virtue here.
Jealous and mean, he with a frown
Would awe, and keep all merit down,
Nor would to Truth and Justice bend,
Unless out-bullied by his friend:
Brave with the coward, with the brave
He is himself a coward slave:
Awed by his fears, he has no heart
To take a great and open part:
Mines in a subtle train he springs,
And, secret, saps the ears of kings;
But not e'en there continues firm
'Gainst the resistance of a worm:
Born in a country, where the will
Of one is law to all, he still
Retain'd the infection, with full aim
To spread it wheresoe'er he came;
Freedom he hated, Law defied,
The prostitute of Power and Pride;
Law he with ease explains away,
And leads bewilder'd Sense astray;
Much to the credit of his brain,
Puzzles the cause he can't maintain;
Proceeds on most familiar grounds,
And where he can't convince, confounds;
Talents of rarest stamp and size,
To Nature false, he misapplies,
And turns to poison what was sent
For purposes of nourishment.
Paleness, not such as on his wings
The messenger of Sickness brings,
But such as takes its coward rise
From conscious baseness, conscious vice,
O'erspread his cheeks; Disdain and Pride,
To upstart fortunes ever tied,
Scowl'd on his brow; within his eye,
Insidious, lurking like a spy,
To Caution principled by Fear,
234
Not daring open to appear,
Lodged covert Mischief; Passion hung
On his lip quivering; on his tongue
Fraud dwelt at large; within his breast
All that makes villain found a nest;
All that, on Hell's completest plan,
E'er join'd to damn the heart of man.
Soon as the car reach'd land, he rose,
And, with a look which might have froze
The heart's best blood, which was enough
Had hearts been made of sterner stuff
In cities than elsewhere, to make
The very stoutest quail and quake,
He cast his baleful eyes around:
Fix'd without motion to the ground,
Fear waiting on Surprise, all stood,
And horror chill'd their curdled blood;
No more they thought of pomp, no more
(For they had seen his face before)
Of law they thought; the cause forgot,
Whether it was or ghost, or plot,
Which drew them there: they all stood more
Like statues than they were before.
What could be done? Could Art, could Force.
Or both, direct a proper course
To make this savage monster tame,
Or send him back the way he came?
What neither art, nor force, nor both,
Could do, a Lord of foreign growth,
A Lord to that base wretch allied
In country, not in vice and pride,
Effected; from the self-same land,
(Bad news for our blaspheming band
Of scribblers, but deserving note)
The poison came and antidote.
Abash'd, the monster hung his head,
And like an empty vision fled;
His train, like virgin snows, which run,
Kiss'd by the burning bawdy sun,
To love-sick streams, dissolved in air;
Joy, who from absence seem'd more fair,
Came smiling, freed from slavish Awe;
235
Loyalty, Liberty, and Law,
Impatient of the galling chain,
And yoke of Power, resumed their reign;
And, burning with the glorious flame
Of public virtue, Mansfield came.
~ Charles Churchill,

IN CHAPTERS [150/3075]



1323 Integral Yoga
  553 Poetry
  195 Occultism
  163 Philosophy
  143 Christianity
  124 Fiction
   95 Yoga
   60 Psychology
   60 Mysticism
   31 Science
   19 Mythology
   16 Hinduism
   14 Integral Theory
   13 Philsophy
   13 Education
   12 Theosophy
   8 Sufism
   8 Cybernetics
   6 Baha i Faith
   4 Kabbalah
   3 Buddhism
   1 Thelema
   1 Alchemy


  824 The Mother
  652 Sri Aurobindo
  550 Satprem
  220 Nolini Kanta Gupta
   93 H P Lovecraft
   82 Aleister Crowley
   72 William Wordsworth
   55 Carl Jung
   53 Walt Whitman
   50 Sri Ramakrishna
   50 Pierre Teilhard de Chardin
   49 James George Frazer
   44 Plotinus
   40 John Keats
   36 Rabindranath Tagore
   36 Percy Bysshe Shelley
   36 Friedrich Nietzsche
   34 Robert Browning
   31 Saint Augustine of Hippo
   27 Swami Krishnananda
   23 Jalaluddin Rumi
   23 A B Purani
   22 William Butler Yeats
   22 Jorge Luis Borges
   21 Anonymous
   20 Friedrich Schiller
   19 Rudolf Steiner
   18 Lucretius
   18 Franz Bardon
   17 Swami Vivekananda
   16 Saint John of Climacus
   14 Rainer Maria Rilke
   14 Johann Wolfgang von Goethe
   14 Aldous Huxley
   13 Ralph Waldo Emerson
   12 Ovid
   12 Edgar Allan Poe
   11 Nirodbaran
   11 George Van Vrekhem
   10 Plato
   8 Vyasa
   8 Saint Teresa of Avila
   8 Norbert Wiener
   7 Sri Ramana Maharshi
   7 Paul Richard
   7 Joseph Campbell
   6 Peter J Carroll
   6 Lewis Carroll
   6 Jordan Peterson
   6 Hafiz
   6 Baha u llah
   5 Thubten Chodron
   5 Henry David Thoreau
   5 Al-Ghazali
   4 Sun Buer
   4 Rabbi Moses Luzzatto
   4 Patanjali
   4 Li Bai
   4 Kabir
   4 Hakim Sanai
   4 Alice Bailey
   3 Thomas Merton
   3 Symeon the New Theologian
   3 R Buckminster Fuller
   3 Ken Wilber
   3 Jayadeva
   3 Farid ud-Din Attar
   3 Bokar Rinpoche
   2 Swami Sivananda Saraswati
   2 Solomon ibn Gabirol
   2 Saint John of the Cross
   2 Mirabai
   2 Mahendranath Gupta
   2 Jorge Luis Borges
   2 Jean Gebser
   2 Italo Calvino
   2 Hsuan Chueh of Yung Chia
   2 Genpo Roshi
   2 Dante Alighieri


  125 The Synthesis Of Yoga
   93 Lovecraft - Poems
   72 Wordsworth - Poems
   66 Record of Yoga
   54 Questions And Answers 1957-1958
   54 Agenda Vol 13
   53 Agenda Vol 01
   52 Letters On Yoga III
   51 Whitman - Poems
   50 Agenda Vol 10
   49 The Gospel of Sri Ramakrishna
   49 The Golden Bough
   47 The Life Divine
   47 Magick Without Tears
   47 Letters On Yoga IV
   46 Agenda Vol 08
   46 Agenda Vol 02
   44 Collected Works of Nolini Kanta Gupta - Vol 04
   41 Agenda Vol 04
   40 Keats - Poems
   40 Essays In Philosophy And Yoga
   37 Letters On Yoga II
   36 Shelley - Poems
   36 Agenda Vol 03
   35 Tagore - Poems
   35 Prayers And Meditations
   35 Liber ABA
   35 Collected Works of Nolini Kanta Gupta - Vol 03
   35 Agenda Vol 12
   34 Collected Works of Nolini Kanta Gupta - Vol 07
   34 Collected Works of Nolini Kanta Gupta - Vol 01
   34 Browning - Poems
   34 Agenda Vol 11
   33 Agenda Vol 06
   32 Agenda Vol 05
   31 Thus Spoke Zarathustra
   31 Questions And Answers 1950-1951
   31 Agenda Vol 09
   30 Savitri
   30 Collected Works of Nolini Kanta Gupta - Vol 02
   29 Questions And Answers 1956
   28 Questions And Answers 1953
   27 The Study and Practice of Yoga
   27 Questions And Answers 1954
   26 Questions And Answers 1955
   26 On Thoughts And Aphorisms
   26 Essays On The Gita
   25 Agenda Vol 07
   23 Mysterium Coniunctionis
   23 Evening Talks With Sri Aurobindo
   23 Collected Works of Nolini Kanta Gupta - Vol 05
   22 Yeats - Poems
   21 The Human Cycle
   21 The Future of Man
   21 Letters On Yoga I
   20 Schiller - Poems
   20 City of God
   18 The Bible
   18 Sri Aurobindo or the Adventure of Consciousness
   18 Questions And Answers 1929-1931
   18 Of The Nature Of Things
   17 Labyrinths
   16 Words Of Long Ago
   16 The Ladder of Divine Ascent
   16 The Divine Comedy
   16 On the Way to Supermanhood
   15 Plotinus - Complete Works Vol 04
   14 The Secret Of The Veda
   14 The Practice of Psycho therapy
   14 The Perennial Philosophy
   14 Rilke - Poems
   13 The Practice of Magical Evocation
   13 On Education
   13 Letters On Poetry And Art
   13 Emerson - Poems
   12 Words Of The Mother II
   12 The Phenomenon of Man
   12 The Confessions of Saint Augustine
   12 Metamorphoses
   12 Collected Works of Nolini Kanta Gupta - Vol 08
   11 Twelve Years With Sri Aurobindo
   11 The Mother With Letters On The Mother
   11 Some Answers From The Mother
   11 Preparing for the Miraculous
   11 Poe - Poems
   11 Plotinus - Complete Works Vol 01
   11 Essays Divine And Human
   11 Collected Poems
   11 Anonymous - Poems
   10 The Archetypes and the Collective Unconscious
   10 Let Me Explain
   9 Talks
   9 Plotinus - Complete Works Vol 03
   9 Plotinus - Complete Works Vol 02
   9 Knowledge of the Higher Worlds
   9 Faust
   8 Vishnu Purana
   8 Vedic and Philological Studies
   8 Theosophy
   8 Rumi - Poems
   8 Raja-Yoga
   8 Cybernetics
   8 Aion
   7 The Hero with a Thousand Faces
   7 The Blue Cliff Records
   7 Hymn of the Universe
   7 A Garden of Pomegranates - An Outline of the Qabalah
   6 The Secret Doctrine
   6 Maps of Meaning
   6 Liber Null
   6 Hymns to the Mystic Fire
   6 Collected Works of Nolini Kanta Gupta - Vol 06
   6 Alice in Wonderland
   5 Walden
   5 Twilight of the Idols
   5 The Way of Perfection
   5 The Red Book Liber Novus
   5 The Integral Yoga
   5 The Alchemy of Happiness
   5 Kena and Other Upanishads
   5 Isha Upanishad
   5 Initiation Into Hermetics
   5 How to Free Your Mind - Tara the Liberator
   5 Goethe - Poems
   5 Bhakti-Yoga
   4 Writings In Bengali and Sanskrit
   4 Words Of The Mother III
   4 Words Of The Mother I
   4 The Problems of Philosophy
   4 Patanjali Yoga Sutras
   4 Li Bai - Poems
   4 General Principles of Kabbalah
   4 Borges - Poems
   4 A Treatise on Cosmic Fire
   4 5.1.01 - Ilion
   3 The Interior Castle or The Mansions
   3 The Book of Certitude
   3 The 7 Habits of Highly Effective People
   3 Tara - The Feminine Divine
   3 Synergetics - Explorations in the Geometry of Thinking
   3 Songs of Kabir
   3 Sex Ecology Spirituality
   2 The Zen Teaching of Bodhidharma
   2 The Tibetan Yogas of Dream and Sleep
   2 The Lotus Sutra
   2 The Ever-Present Origin
   2 The Essentials of Education
   2 The Castle of Crossed Destinies
   2 Symposium
   2 Song of Myself
   2 Selected Fictions
   2 Hafiz - Poems
   2 Crowley - Poems
   2 Beating the Cloth Drum Letters of Zen Master Hakuin
   2 Agenda Vol 1
   2 Advanced Dungeons and Dragons 2E


0 0.01 - Introduction, #Agenda Vol 1, #The Mother, #Integral Yoga
  Would Matter and Spirit meet, then, in a third PHYSIOLOGICAL position that would perhaps be at last the position of Man rediscovered, the something that had for so long fought and suffered in quest of becoming its own species? She was the great Possible at the beginning of man. Mother is our fable come true. 'All is possible' was her first open sesame.
  Yes, She was in the midst of a spiritual 'horde,' for the pioneer of a new species must always fight against the best of the old: the best is the obstacle, the snare that traps us in its old golden mire.
  --
  'spiritual life': it was all so comfortable, for we had a supreme 'symbol' of it right there. She let us do as we pleased, She even opened up all kinds of little heavens in us, along with a few hells, since they go together. She even opened the door in us to a certain 'liberation,' which in the end was as soporific as eternity - but there was nowhere to get out: it WAS eternity. We were trapped on all sides. There was nothing left but these 4m2 of skin, the last refuge, that which we wanted to flee by way of above or below, by way of Guiana or the Himalayas. She was waiting for us just there, at the end of our spiritual or not so spiritual pirouettes. Matter was her concern. It took us seven years to understand that She was beginning there, 'where the other yogas leave off,' as Sri Aurobindo had already said twenty-five years earlier. It was necessary to have covered all the paths of the Spirit and all those of Matter, or in any case a large number geographically, before discovering, or even simply understanding, that 'something else' was really Something Else. It was not an improved
  Spirit nor even an improved Matter, but ... it could be called 'nothing,' so contrary was it to all we know. For the caterpillar, a butterfly is nothing, it is not even visible and has nothing in common with caterpillar heavens nor even caterpillar matter. So there we were, trapped in an impossible adventure. One does not return from there: one must cross the bridge to the other side. Then one day in that seventh year, while we still believed in liberations and the collected Upanishads, highlighted with a few glorious visions to relieve the commonplace (which remained appallingly commonplace), while we were still considering 'the Mother of the Ashram' rather like some spiritual super-director (endowed, albeit, with a disarming yet ever so provocative smile, as though
  --
  'Are you conscious of your ceils?' She asked us a short time after the little operation of spiritual demolition She had undergone. 'No? Well, become conscious of your cells, and you will see that it gives TERRESTRIAL results.' To become conscious of one's cells? ... It was a far more radical operation than crossing the Maroni with a machete in hand, for after all, trees and lianas can be cut, but what cannot be so easily uncovered are the grandfa ther and the grandmo ther and the whole atavistic pack, not to mention the animal and plant and mineral layers that form a teeming humus over this single pure little cell beneath its millennial genetic program. The grandfa thers and grandmo thers grow back again like crabgrass, along with all the old habits of being hungry, afraid, falling ill, fearing the worst, hoping for the best, which is still the best of an old mortal habit. All this is not uprooted nor entrapped as easily as celestial 'liberations,' which leave the teeming humus in peace and the body to its usual decomposition. She had come to hew a path through all that. She was the Ancient One of evolution who had come to make a new cleft in the old, tedious habit of being a man. She did not like tedious repetitions, She was the adventuress par excellence - the adventuress of the earth. She was wrenching out for man the great Possible that was already beating there, in his primeval clearing, which he believed he had momentarily trapped with a few machines.
  She was uprooting a new Matter, free, free from the habit of inexorably being a man who repeats himself ad infinitum with a few improvements in the way of organ transplants or monetary exchanges. In fact, She was there to discover what would happen after materialism and after spiritualism, these prodigal twin brothers. Because Materialism is dying in the West for the same reason that Spiritualism is dying in the East: it is the hour of the new species. Man needs to awaken, not only from his demons but also from his gods. A new Matter, yes, like a new Spirit, yes, because we still know neither one nor the other. It is the hour when Science, like Spirituality, at the end of their roads, must discover what Matter TRULY is, for it is really there that a Spirit as yet unknown to us is to be found. It is a time when all the 'isms' of the old species are dying: 'The age of
  --
  This fabulous discovery is the whole story of the AGENDA. What is the passage? How is the path to the new species hewed open? ... Then suddenly, there, on the other side of this old millennial habit - a habit, nothing more than a habit! - of being like a man endowed with time and space and disease: an entire geometry, perfectly implacable and 'scientific' and medical; on the other side ... none of that at all! An illusion, a fantastic medical and scientific and genetic illusion:
   death does not exist, time does not exist, disease does not exist, nor do 'scar' and 'far' - another way of being IN A BODY. For so many millions of years we have lived in a habit and put our own thoughts of the world and of Matter into equations. No more laws! Matter is FREE. It can create a little lizard, a chipmunk or a parrot - but it has created enough parrots. Now it is SOMETHING
  --
  Then we have caught the tail of the Great Possible, we are upon the wayless way, radically in the new, and we flow with the little lizard, the pelican, the big man, we flow everywhere in a world that has lost its old separating skin and its little baggage of habits. We begin seeing otherwise, feeling otherwise. We have opened the gate into an inconceivable clearing. Just a light little vibration that carries you away. Then we begin to understand how it CAN CHANGE, what the mechanism is - a light little mechanism and so miraculous that it looks like nothing. We begin feeling the wonder of a pure little cell, and that a sparkling of joy would be enough to turn the world inside out. We were living in a little thinking fishbowl, we were dying in an old, bottled habit. And then suddenly, all is different. The Earth is free! Who wants freedom?
  It begins in a cell.

00.01 - The Approach to Mysticism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   A scientist once thought that he had clinched the issue and cut the Gordian knot when he declared triumphantly with reference to spirit sances: "Very significant is the fact that spirits appear only in closed chambers, in half obscurity, to somnolent minds; they are nowhere in the open air, in broad daylight to the wide awake and vigilant intellect!" Well, if the fact is as it is stated, what does it prove? Night alone reveals the stars, during the day they vanish, but that is no proof that stars are not existent. Rather the true scientific spirit should seek to know why (or how) it is so, if it is so, and such a fact would exactly serve as a pointer, a significant starting ground. The attitude of the jesting Pilate is not helpful even to scientific inquiry. This matter of the Spirits we have taken only as an illustration and it must not be understood that this is a domain of high mysticism; rather the contrary. The spiritualists' approach to Mysticism is not the right one and is fraught with not only errors but dangers. For the spiritualists approach their subject with the entire scientific apparatus the only difference being that the scientist does not believe while the spiritualist believes.
   Mystic realities cannot be reached by the scientific consciousness, because they are far more subtle than the subtlest object that science can contemplate. The neutrons and positrons are for science today the finest and profoundest object-forces; they belong, it is said, almost to a borderl and where physics ends. Nor for that reason is a mystic reality something like a mathematical abstraction, -n for example. The mystic reality is subtler than the subtlest of physical things and yet, paradoxical to say, more concrete than the most concrete thing that the senses apprehend.
  --
   The mystic's knowledge is a part and a formation of his life. That is why it is a knowledge not abstract and remote but living and intimate and concrete. It is a knowledge that pulsates with delight: indeed it is the radiance that is shed by the purest and intensest joy. For this reason it may be that in approaching through the heart there is a chance of one's getting arrested there and not caring for the still higher, the solar lights; but this need not be so. In the heart there is a golden door leading to the deepest delights, but there is also a diamond door opening up into the skies of the brightest luminosities.
   For it must be understood that the heart, the mystic heart, is not the external thing which is the seat of emotion or passion; it is the secret heart that is behind, the inner heartantarhdaya of the Upanishadwhich is the centre of the individual consciousness, where all the divergent lines of that consciousness meet and from where they take their rise. That is what the Upanishad means when it says that the heart has a hundred channels which feed the human vehicle. That is the source, the fount and origin, the very substance of the true personality. Mystic knowledge the true mystic knowledge which saves and fulfilsbegins with the awakening or the entrance into this real being. This being is pure and luminous and blissful and sovereignly real, because it is a portion, a spark of the Divine Consciousness and Nature: a contact and communion with it brings automatically into play the light and the truth that are its substance. At the same time it is an uprising flame that reaches out naturally to higher domains of consciousness and manifests them through its translucid dynamism.

00.01 - The Mother on Savitri, #Sweet Mother - Harmonies of Light, #unset, #Integral Yoga
  But you must not read it as you read other books or newspapers. You must read with an empty head, a blank and vacant mind, without there being any other thought; you must concentrate much, remain empty, calm and open; then the words, rhythms, vibrations will penetrate directly to this white page, will put their stamp upon the brain, will explain themselves without your making any effort.
  Savitri alone is sufficient to make you climb to the highest peaks. If truly one knows how to meditate on Savitri, one will receive all the help one needs. For him who wishes to follow this path, it is a concrete help as though the Lord himself were taking you by the hand and leading you to the destined goal. And then, every question, however personal it may be, has its answer here, every difficulty finds its solution herein; indeed there is everything that is necessary for doing the Yoga.
  --
  My child, yes, everything is there: mysticism, occultism, philosophy, the history of evolution, the history of man, of the gods, of creation, of Nature. How the universe was created, why, for what purpose, what destiny - all is there. You can find all the answers to all your questions there. Everything is explained, even the future of man and of the evolution, all that nobody yet knows. He has described it all in beautiful and clear words so that spiritual adventurers who wish to solve the mysteries of the world may understand it more easily. But this mystery is well hidden behind the words and lines and one must rise to the required level of true consciousness to discover it. All prophesies, all that is going to come is presented with the precise and wonderful clarity. Sri Aurobindo gives you here the key to find the Truth, to discover the Consciousness, to solve the problem of what the universe is. He has also indicated how to open the door of the Inconscience so that the light may penetrate there and transform it. He has shown the path, the way to liberate oneself from the ignorance and climb up to the superconscience; each stage, each plane of consciousness, how they can be scaled, how one can cross even the barrier of death and attain immortality. You will find the whole journey in detail, and as you go forward you can discover things altogether unknown to man. That is Savitri and much more yet. It is a real experience - reading Savitri. All the secrets that man possessed, He has revealed, - as well as all that awaits him in the future; all this is found in the depth of Savitri. But one must have the knowledge to discover it all, the experience of the planes of consciousness, the experience of the Supermind, even the experience of the conquest of Death. He has noted all the stages, marked each step in order to advance integrally in the integral Yoga.
  All this is His own experience, and what is most surprising is that it is my own experience also. It is my sadhana which He has worked out. Each object, each event, each realisation, all the descriptions, even the colours are exactly what I saw and the words, phrases are also exactly what I heard. And all this before having read the book. I read Savitri many times afterwards, but earlier, when He was writing He used to read it to me. Every morning I used to hear Him read Savitri. During the night He would write and in the morning read it to me. And I observed something curious, that day after day the experiences He read out to me in the morning were those I had had the previous night, word by word. Yes, all the descriptions, the colours, the pictures I had seen, the words I had heard, all, all, I heard it all, put by Him into poetry, into miraculous poetry. Yes, they were exactly my experiences of the previous night which He read out to me the following morning. And it was not just one day by chance, but for days and days together. And every time I used to compare what He said with my previous experiences and they were always the same. I repeat, it was not that I had told Him my experiences and that He had noted them down afterwards, no, He knew already what I had seen. It is my experiences He has presented at length and they were His experiences also. It is, moreover, the picture of Our joint adventure into the unknown or rather into the Supermind.
  --
  My child, every day you are going to read Savitri; read pr operly, with the right attitude, concentrating a little before opening the pages and trying to keep the mind as empty as possible, absolutely without a thought. The direct road is through the heart. I tell you, if you try to really concentrate with this aspiration you can light the flame, the psychic flame, the flame of purification in a very short time, perhaps in a few days. What you cannot do normally, you can do with the help of Savitri. Try and you will see how very different it is, how new, if you read with this attitude, with this something at the back of your consciousness; as though it were an offering to Sri Aurobindo. You know it is charged, fully charged with consciousness; as if Savitri were a being, a real guide. I tell you, whoever, wanting to practice Yoga, tries sincerely and feels the necessity for it, will be able to climb with the help of Savitri to the highest rung of the ladder of Yoga, will be able to find the secret that Savitri represents. And this without the help of a Guru. And he will be able to practice it anywhere. For him Savitri alone will be the guide, for all that he needs he will find Savitri. If he remains very quiet when before a difficulty, or when he does not know where to turn to go forward and how to overcome obstacles, for all these hesitations and incertitudes which overwhelm us at every moment, he will have the necessary indications, and the necessary concrete help. If he remains very calm, open, if he aspires sincerely, always he will be as if lead by the hand. If he has faith, the will to give himself and essential sincerity he will reach the final goal.
  Indeed, Savitri is something concrete, living, it is all replete, packed with consciousness, it is the supreme knowledge above all human philosophies and religions. It is the spiritual path, it is Yoga, Tapasya, Sadhana, everything, in its single body. Savitri has an extraordinary power, it gives out vibrations for him who can receive them, the true vibrations of each stage of consciousness. It is incomparable, it is truth in its plenitude, the Truth Sri Aurobindo brought down on the earth. My child, one must try to find the secret that Savitri represents, the prophetic message Sri Aurobindo reveals there for us. This is the work before you, it is hard but it is worth the trouble. - 5 November 1967

0 0.02 - Topographical Note, #Agenda Vol 1, #The Mother, #Integral Yoga
  Algeria and in France or of her current experiences; and gradually, She opened the mind of the rebellious and materialistic Westerner that we were and made us understand the laws of the worlds, the play of forces, the working of past lives - especially this latter, which was an important factor in the difficulties with which we were struggling at that time and which periodically made us abscond.
  Mother would be seated in this rather medieval-looking chair with its high, carved back, her feet on a little tabouret, while we sat on the floor, on a slightly faded carpet, conquered and seduced, revolted and never satisfied - but nevertheless, very interested. Treasures, never noted down, were lost until, with the cunning of the Sioux, we succeeded in making Mother consent to the presence of a tape recorder. But even then, and for a long time thereafter, She carefully made us erase or delete in our notes all that concerned Her rather too personally - sometimes we disobeyed Her.

00.03 - Upanishadic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   My suggestion is that the dog is a symbol of the keen sight of Intuition, the unfailing perception of direct knowledge. With this clue the Upanishadic story becomes quite sensible and clear and not mere abracadabra. To the aspirant for Knowledge came first a purified power of direct understanding, an Intuition of fundamental value, and this brought others of the same species in its train. They were all linked together organically that is the significance of the circle, and formed a rhythmic utterance and expression of the supreme truth (Om). It is also to be noted that they came and met at dawn to chant, the Truth. Dawn is the opening and awakening of the consciousness to truths that come from above and beyond.
   It may be asked why the dog has been chosen as the symbol of Intuition. In the Vedas, the cow and the horse also play a large part; even the donkey and the frog have their own assigned roles. These objects are taken from the environment of ordinary life, and are those that are most familiar to the external consciousness, through which the inner experiences have to express themselves, if they are to be expressed at all. These material objects represent various kinds of forces and movements and subtle and occult and spiritual dynamisms. Strictly speaking, however, symbols are not chosen in a subtle or spiritual experience, that is to say, they are not arbitrarily selected and constructed by the conscious intelligence. They form part of a dramatization (to use a term of the Freudian psychology of dreams), a psychological alchemy, whose method and process and rationale are very obscure, which can be penetrated only by the vision of a third eye.
  --
   The Sun is the first and the most immediate source of light that man has and needs. He is the presiding deity of our waking consciousness and has his seat in the eyecakusa ditya, ditya caku bhtvakii prviat. The eye is the representative of the senses; it is the sense par excellence. In truth, sense-perception is the initial light with which we have to guide us, it is the light with which we start on the way. A devel oped stage comes when the Sun sets for us, that is to say, when we retire from the senses and rise into the mind, whose divinity is the Moon. It is the mental knowledge, the light of reason and intelligence, of reflection and imagination that govern our consciousness. We have to proceed farther and get beyond the mind, exceed the derivative light of the Moon. So when the Moon sets, the Fire is kindled. It is the light of the ardent and aspiring heart, the glow of an inner urge, the instincts and inspirations of our secret life-will. Here we come into touch with a source of knowledge and realization, a guidance more direct than the mind and much deeper than the sense-perception. Still this light partakes more of heat than of pure luminosity; it is, one may say, incandescent feeling, but not vision. We must probe deeper, mount higherreach heights and profundities that are serene and transparent. The Fire is to be quieted and silenced, says the Upanishad. Then we come nearer, to the immediate vicinity of the Truth: an inner hearing opens, the direct voice of Truth the Wordreaches us to lead and guide. Even so, however, we have not come to the end of our journey; the Word of revelation is not the ultimate Light. The Word too is clothing, though a luminous clothinghiramayam ptram When this last veil dissolves and disappears, when utter silence, absolute calm and quietude reign in the entire consciousness, when no other lights trouble or distract our attention, there appears the Atman in its own body; we stand face to face with the source of all lights, the self of the Light, the light of the Self. We are that Light and we become that Light.
   II. The Four Oblations
  --
   In doing so, in invoking the Truth and consecrating oneself to it, one begins to ascend to it step by step; and each step means a tearing of another veil and a further opening of the I passage. This graded mounting is vaakra.
   Hantakr is the appearance, the manifestation of the Divinity that which makes the worshipper cry in delight, "Hail!" It is the coming of the Dawnahanwhen the night has been traversed and the lid rent open, the appearance of the Divine to a human vision for the human consciousness to seize, almost in a human form.
   Finally, once the Truth is reached, it is to be held fast, firmly established, embodied and fixed in its inherent nature here in life and the waking consciousness. This is Svadh.
  --
   Indeed, it was to this godhead that Nachiketas turned and he wanted to know of it and find it, when faith seized on his pure heart and he aspired for the higher spiritual life. The very opening hymn of the Rig Veda, too, is addressed to Agni, who is invoked as the vicar seated in the front of the sacrifice, the giver of the supreme gifts.
   King Yama initiated Nachiketas into the mystery of Fire Worship and spoke of three fires that have to be kindled if one aspires to enter the heaven of immortality.
  --
   The secularisation of man's vital functions in modem ages has not been a success. It has made him more egocentric and blatantly hedonistic. From an occult point of view he has in this way subjected himself to the influences of dark and undesirable world-forces, has made an opening, to use an Indian symbolism, for Kali (the Spirit of the Iron Age) to enter into him. The sex-force is an extremely potent agent, but it is extremely fluid and elusive and uncontrollable. It was for this reason that the ancients always sought to give it a pr oper mould, a right continent, a fixed and definite channel; the moderns, on the other hand, allow it to run free and play with it recklessly. The result has been, in the life of those born under such circumstances, a growing lack of poise and balance and a corresponding incidence of neuras thenia, hysteria and all abnormal pathological conditions.
   Chhandyogya, II, III.

00.04 - The Beautiful in the Upanishads, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The white Mother comes reddening with the ruddy child; the dark Mother opens wide her chambers, the feeling and the expression of the beautiful raise no questioning; they are au thentic as well as evident. All will recognise at once t at we have here beautiful things said in a beautiful way. No less au thentic however is the sense of the beautiful that underlies these Upanishadic lines:
   na tatra sryo bhti na candratrakam

00.05 - A Vedic Conception of the Poet, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   'Kavi' is an invariable epithet of the gods. The Vedas mean by this attri bute to bring out a most fundamental character, an inalienable dharma of the heavenly host. All the gods are poets; and a human being can become a poet only in so far as he attains to the nature and status of a god. Who is then a kavi? The Poet is he who by his poetic power raises forms of beauty in heavenkavi kavitv divi rpam sajat.1Thus the essence of poetic power is to fashion divine Beauty, to reveal heavenly forms. What is this Heaven whose forms the Poet discovers and embodies? HeavenDyaushas a very definite connotation in the Veda. It means the luminous or divine Mind 2the mind purified of its obscurity and limitations, due to subjection to the external senses, thus opening to the higher Light, receiving and recording faithfully the deeper and vaster movements and vibrations of the Truth, giving them a form, a perfect body of the right thought and the right word. Indra is the lord of this world and he can be approached only with an enkindled intelligence, ddhay man,3a faultless understanding, sumedh. He is the supreme Artisan of the poetic power,Tash, the maker of perfect forms, surpa ktnum.4 All the gods turn towards Indra and become gods and poets, attain their Great Names of Supreme Beauty.5 Indra is also the master of the senses, indriyas, who are his hosts. It is through this mind and the senses that the poetic creation has to be manifested. The mind spreads out wide the Poet's weaving;6 the poet is the priest who calls down and works out the right thinking in the sacrificial labour of creation.7 But that creation is made in and through the inner mind and the inner senses that are alive to the subtle formation of a vaster knowledge.8 The poet envisages the golden forms fashioned out of the very profundity of the consciousness.9 For the substance, the material on which the Poet works, is Truth. The seat of the Truth the poets guard, they uphold the supreme secret Names.10 The poet has the expressive utterance, the creative word; the poet is a poet by his poetic creation-the shape faultlessly wrought out that unveils and holds the Truth.11The form of beauty is the body of the Truth.
   The poet is a trinity in himself. A triune consciousness forms his personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara. He has the direct vision, the luminous intelligence, the immediate perception.12 A subtle and profound and penetrating consciousness is his,nigam, pracetas; his is the eye of the Sun,srya caku.13 He secures an increased being through his effulgent understanding.14 In the second place, the Poet is not only Seer but Doer; he is knower as well as creator. He has a dynamic knowledge and his vision itself is power, ncak;15 he is the Seer-Will,kavikratu.16 He has the blazing radiance of the Sun and is supremely potent in his self-Iuminousness.17 The Sun is the light and the energy of the Truth. Even like the Sun the Poet gives birth to the Truth, srya satyasava, satyya satyaprasavya. But the Poet as Power is not only the revealer or creator,savit, he is also the builder or fashioner,ta, and he is the organiser,vedh is personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara, of the Truth.18 As Savita he manifests the Truth, as Tashta he gives a perfected body and form to the Truth, and as Vedha he maintains the Truth in its dynamic working. The effective marshalling and organisation of the Truth is what is called Ritam, the Right; it is also called Dharma,19 the Law or the Rhythm, the ordered movement and invincible execution of the Truth. The Poet pursues the Path of the Right;20 it is he who lays out the Path for the march of the Truth, the progress of the Sacrifice.21 He is like a fast steed well-yoked, pressing forward;22 he is the charger that moves straight and unswerving and carries us beyond 23into the world of felicity.

000 - Humans in Universe, #Synergetics - Explorations in the Geometry of Thinking, #R Buckminster Fuller, #Science
  000.103 When the archaeologists' artifact-proven history of mathematics opens
  4,000 years ago in Babylon and Mesopotamia, it is already a very sophisticated
  --
  capability in mathematical multiplication and division opened up a whole new field
  of safely anticipated structural engineering and navigation.
  --
  knowledge that the old open-edged, infinite world system had closed back on itself
  in all circumferential directions to become a finite system: a closed sphere. The
  --
  handsome campus are still in operation as of 1979. The British Empire became the
  first in history of which it could be said that the Sun never set.
  --
  gram/centimeter/second weight/area/time exponents. Nature does not operate in
  parallel. She operates in radiational divergence and gravitational convergence. She
  grows outwardly by omniintertriangulated structuring from nuclei.

0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  About his parents Sri Ramakrishna once said: "My mother was the personification of rectitude and gentleness. She did not know much about the ways of the world; innocent of the art of concealment, she would say what was in her mind. People loved her for her open-heartedness. My father, an orthodox brahmin, never accepted gifts from the sudras. He spent much of his time in worship and meditation, and in repeating God's name and chanting His glories. Whenever in his daily prayers he invoked the Goddess Gayatri, his chest flushed and tears rolled down his cheeks. He spent his leisure hours making garlands for the Family Deity, Raghuvir."
  Khudiram Chattopadhyaya and Chandra Devi, the parents of Sri Ramakrishna, were married in 1799. At that time Khudiram was living in his ancestral village of Dereypore, not far from Kamarpukur. Their first son, Ramkumar, was born in 1805, and their first daughter, Katyayani, in 1810. In 1814 Khudiram was ordered by his landlord to bear false witness in court against a neighbour. When he refused to do so, the landlord brought a false case against him and deprived him of his ancestral pr operty. Thus dispossessed, he arrived, at the invitation of another landlord, in the quiet village of Kamarpukur, where he was given a dwelling and about an acre of fertile land. The crops from this little pr operty were enough to meet his family's simple needs. Here he lived in simplicity, dignity, and contentment.
  --
   At the age of sixteen Gadadhar was summoned to Calcutta by his elder brother Ramkumar, who wished assistance in his priestly duties. Ramkumar had opened a Sanskrit academy to supplement his income, and it was his intention gradually to turn his younger brother's mind to education. Gadadhar applied himself heart and soul to his new duty as family priest to a number of Calcutta families. His worship was very different from that of the professional priests. He spent hours decorating the images and singing hymns and devotional songs; he performed with love the other duties of his office. People were impressed with his ardour. But to his studies he paid scant attention.
   Ramkumar did not at first oppose the ways of his temperamental brother. He wanted Gadadhar to become used to the conditions of city life. But one day he decided to warn the boy about his indifference to the world. After all, in the near future Gadadhar must, as a householder, earn his livelihood through the performance of his brahminical duties; and these required a thorough knowledge of Hindu law, astrology, and kindred subjects. He gently admonished Gadadhar and asked him to pay more attention to his studies. But the boy replied spiritedly: "Brother, what shall I do with a mere bread-winning education? I would rather acquire that wisdom which will illumine my heart and give me satisfaction for ever."
  --
   The first effect of the draught on the educated Hindus was a complete effacement from their minds of the time-honoured beliefs and traditions of Hindu society. They came to believe that there was no transcendental Truth; The world perceived by the senses was all that existed. God and religion were illusions of the untutored mind. True knowledge could be derived only from the analysis of nature. So atheism and agnosticism became the fashion of the day. The youth of India, taught in English schools, took malicious delight in openly breaking the customs and traditions of their society. They would do away with the caste-system and remove the discriminatory laws about food. Social reform, the spread of secular education, widow remarriage, abolition of early marriage — they considered these the panacea for the degenerate condition of Hindu society.
   The Christian missionaries gave the finishing touch to the process of transformation. They ridiculed as relics of a barbarous age the images and rituals of the Hindu religion. They tried to persuade India that the teachings of her saints and seers were the cause of her downfall, that her Vedas, Puranas, and other scriptures were filled with superstition. Christianity, they maintained, had given the white races position and power in this world and assurance of happiness in the next; therefore Christianity was the best of all religions. Many intelligent young Hindus became converted. The man in the street was confused. The majority of the educated grew materialistic in their mental outlook. Everyone living near Calcutta or the other strong-holds of Western culture, even those who attempted to cling to the orthodox traditions of Hindu society, became infected by the new uncertainties and the new beliefs.
  --
   Yet this was only a foretaste of the intense experiences to come. The first glimpse of the Divine Mother made him the more eager for Her uninterrupted vision. He wanted to see Her both in meditation and with eyes open. But the Mother began to play a teasing game of hide-and-seek with him, intensifying both his joy and his suffering. Weeping bitterly during the moments of separation from Her, he would pass into a trance and then find Her standing before him, smiling, talking, consoling, bidding him be of good cheer, and instructing him. During this period of spiritual practice he had many uncommon experiences. When he sat to meditate, he would hear strange clicking sounds in the joints of his legs, as if someone were locking them up, one after the other, to keep him motionless; and at the conclusion of his meditation he would again hear the same sounds, this time unlocking them and leaving him free to move about. He would see flashes like a swarm of fire-flies floating before his eyes, or a sea of deep mist around him, with luminous waves of molten silver. Again, from a sea of translucent mist he would behold the Mother rising, first Her feet, then Her waist, body, face, and head, finally Her whole person; he would feel Her breath and hear Her voice. Worshipping in the temple, sometimes he would become exalted, sometimes he would remain motionless as stone, sometimes he would almost collapse from excessive emotion. Many of his actions, contrary to all tradition, seemed sacrilegious to the people. He would take a flower and touch it to his own head, body, and feet, and then offer it to the Goddess. Or, like a drunkard, he would reel to the throne of the Mother, touch Her chin by way of showing his affection for Her, and sing, talk, joke, laugh, and dance. Or he would take a morsel of food from the plate and hold it to Her mouth, begging Her to eat it, and would not be satisfied till he was convinced that She had really eaten. After the Mother had been put to sleep at night, from his own room he would hear Her ascending to the upper storey of the temple with the light steps of a happy girl, Her anklets jingling. Then he would discover Her standing with flowing hair. Her black form silhouetted against the sky of the night, looking at the Ganges or at the distant lights of Calcutta.
   Naturally the temple officials took him for an insane person. His worldly well-wishers brought him to skilled physicians; but no-medicine could cure his malady. Many a time he doubted his sanity himself. For he had been sailing across an uncharted sea, with no earthly guide to direct him. His only haven of security was the Divine Mother Herself. To Her he would pray: "I do not know what these things are. I am ignorant of mantras and the scriptures. Teach me, Mother, how to realize Thee. Who else can help me? Art Thou not my only refuge and guide?" And the sustaining presence of the Mother never failed him in his distress or doubt. Even those who criticized his conduct were greatly impressed with his purity, guilelessness, truthfulness, integrity, and holiness. They felt an uplifting influence in his presence.
   It is said that samadhi, or trance, no more than opens the portal of the spiritual realm. Sri Ramakrishna felt an unquenchable desire to enjoy God in various ways. For his meditation he built a place in the northern wooded section of the temple garden. With Hriday's help he planted there five sacred trees. The spot, known as the Panchavati, became the scene of many of his visions.
   As his spiritual mood deepened he more and more felt himself to be a child of the Divine Mother. He learnt to surrender himself completely to Her will and let Her direct him.
  --
   Very soon a tender relationship sprang up between Sri Ramakrishna and the Brahmani, she looking upon him as the Baby Krishna, and he upon her as mother. Day after day she watched his ecstasy during the kirtan and meditation, his samadhi, his mad yearning; and she recognized in him a power to transmit spirituality to others. She came to the conclusion that such things were not possible for an ordinary devotee, not even for a highly devel oped soul. Only an Incarnation of God was capable of such spiritual manifestations. She proclaimed openly that Sri Ramakrishna, like Sri Chaitanya, was an Incarnation of God.
   When Sri Ramakrishna told Mathur what the Brahmani had said about him, Mathur shook his head in doubt. He was reluctant to accept him as an Incarnation of God, an Avatar comparable to Rama, Krishna, Buddha, and Chaitanya, though he admitted Sri Ramakrishna's extraordinary spirituality. Whereupon the Brahmani asked Mathur to arrange a conference of scholars who should discuss the matter with her. He agreed to the proposal and the meeting was arranged. It was to be held in the natmandir in front of the Kali temple.
  --
   Thus the insane priest was by verdict of the great scholars of the day proclaimed a Divine Incarnation. His visions were not the result of an over-heated brain; they had precedent in spiritual history. And how did the proclamation affect Sri Ramakrishna himself? He remained the simple child of the Mother that he had been since the first day of his life. Years later, when two of his householder disciples openly spoke of him as a Divine Incarnation and the matter was reported to him, he said with a touch of sarcasm: "Do they think they will enhance my glory that way? One of them is an actor on the stage and the other a physician. What do they know about Incarnations? Why, years ago pundits like Gauri and Vaishnavcharan declared me to be an Avatar. They were great scholars and knew what they said. But that did not make any change in my mind."
   Sri Ramakrishna was a learner all his life. He often used to quote a proverb to his disciples: "Friend, the more I live the more I learn." When the excitement created by the Brahmani's declaration was over, he set himself to the task of practising spiritual disciplines according to the traditional methods laid down in the Tantra and Vaishnava scriptures. Hitherto he had pursued his spiritual ideal according to the promptings of his own mind and heart. Now he accepted the Brahmani as his guru and set foot on the traditional highways.
  --
   On the appointed day, in the small hours of the morning, a fire was lighted in the Panchavati. Totapuri and Sri Ramakrishna sat before it. The flame played on their faces. "Ramakrishna was a small brown man with a short beard and beautiful eyes, long dark eyes, full of light, obliquely set and slightly veiled, never very wide open, but seeing half-closed a great distance both outwardly and inwardly. His mouth was open over his white teeth in a bewitching smile, at once affectionate and mischievous. Of medium height, he was thin to emaciation and extremely delicate. His temperament was high-strung, for he was supersensitive to all the winds of joy and sorrow, both moral and physical. He was indeed a living reflection of all that happened before the mirror of his eyes, a two-sided mirror, turned both out and in." (Romain Rolland, Prophets of the New India, pp. 38-9.) Facing him, the other rose like a rock. He was very tall and robust, a sturdy and tough oak. His constitution and mind were of iron. He was the strong leader of men.
   In the burning flame before him Sri Ramakrishna performed the rituals of destroying his attachment to relatives, friends, body, mind, sense-organs, ego, and the world. The leaping flame swallowed it all, making the initiate free and pure. The sacred thread and the tuft of hair were consigned to the fire, completing his severance from caste, sex, and society. Last of all he burnt in that fire, with all that is holy as his witness, his desire for enjoyment here and hereafter. He uttered the sacred mantras giving assurance of safety and fearlessness to all beings, who were only manifestations of his own Self. The rites completed, the disciple received from the guru the loin-cloth and ochre robe, the emblems of his new life.
  --
   Thus, after nirvikalpa samadhi, Sri Ramakrishna realized maya in an altogether new role. The binding aspect of Kali vanished from before his vision. She no longer obscured his understanding. The world became the glorious manifestation of the Divine Mother. Maya became Brahman. The Transcendental Itself broke through the Immanent. Sri Ramakrishna discovered that maya operates in the relative world in two ways, and he termed these "avidyamaya" and "vidyamaya". Avidyamaya represents the dark forces of creation: sensuous desires, evil passions, greed, lust, cruelty, and so on. It sustains the world system on the lower planes. It is responsible for the round of man's birth and death. It must be fought and vanquished. But vidyamaya is the higher force of creation: the spiritual virtues, the enlightening qualities, kindness, purity, love, devotion. Vidyamaya elevates man to the higher planes of consciousness. With the help of vidyamaya the devotee rids himself of avidyamaya; he then becomes mayatita, free of maya. The two aspects of maya are the two forces of creation, the two powers of Kali; and She stands beyond them both. She is like the effulgent sun, bringing into existence and shining through and standing behind the clouds of different colours and shapes, conjuring up wonderful forms in the blue autumn heaven.
   The Divine Mother asked Sri Ramakrishna not to be lost in the featureless Absolute but to remain, in bhavamukha, on the threshold of relative consciousness, the border line between the Absolute and the Relative. He was to keep himself at the "sixth centre" of Tantra, from which he could see not only the glory of the seventh, but also the divine manifestations of the Kundalini in the lower centres. He gently oscillated back and forth across the dividing line. Ecstatic devotion to the Divine Mother alternated with serene absorption in the Ocean of Absolute Unity. He thus bridged the gulf between the Personal and the Impersonal, the immanent and the transcendent aspects of Reality. This is a unique experience in the recorded spiritual history of the world.
  --
   Keshab was the leader of the Brahmo Samaj, one of the two great movements that, during the latter part of the nineteenth century, played an important part in shaping the course of the renascence of India. The founder of the Brahmo movement had been the great Raja Rammohan Roy (1774-1833). Though born in an orthodox brahmin family, Rammohan Roy had shown great sympathy for Islam and Christianity. He had gone to Tibet in search of the Buddhist mysteries. He had extracted from Christianity its ethical system, but had rejected the divinity of Christ as he had denied the Hindu Incarnations. The religion of Islam influenced him, to a great extent, in the formulation of his monotheistic doctrines. But he always went back to the Vedas for his spiritual inspiration. The Brahmo Samaj, which he founded in 1828, was dedicated to the "worship and adoration of the Eternal, the Unsearchable, the Immutable Being, who is the Author and Preserver of the Universe". The Samaj was open to all without distinction of colour, creed, caste, nation, or religion.
   The real organizer of the Samaj was Devendranath Tagore (1817-1905), the father of the poet Rabindranath. His physical and spiritual beauty, aristocratic aloofness, penetrating intellect, and poetic sensibility made him the foremost leader of the educated Bengalis. These addressed him by the respectful epithet of Maharshi, the "Great Seer". The Maharshi was a Sanskrit scholar and, unlike Raja Rammohan Roy, drew his inspiration entirely from the Upanishads. He was an implacable enemy of image worship ship and also fought to stop the infiltration of Christian ideas into the Samaj. He gave the movement its faith and ritual. Under his influence the Brahmo Samaj professed One Self-existent Supreme Being who had created the universe out of nothing, the God of Truth, Infinite Wisdom, Goodness, and Power, the Eternal and Omnipotent, the One without a Second. Man should love Him and do His will, believe in Him and worship Him, and thus merit salvation in the world to come.
  --
   This contact with the educated and progressive Bengalis opened Sri Ramakrishna's eyes to a new realm of thought. Born and brought up in a simple village, without any formal education, and taught by the orthodox holy men of India in religious life, he had had no opportunity to study the influence of modernism on the thoughts and lives of the Hindus. He could not pr operly estimate the result of the impact of Western education on Indian culture. He was a Hindu of the Hindus, renunciation being to him the only means to the realization of God in life. From the Brahmos he learnt that the new generation of India made a compromise between God and the world. Educated young men were influenced more by the Western philosophers than by their own prophets. But Sri Ramakrishna was not dismayed, for he saw in this, too, the hand of God. And though he expounded to the Brahmos all his ideas about God and austere religious disciplines, yet he bade them accept from his teachings only as much as suited their tastes and temperaments.
   ^The term "woman and gold", which has been used throughout in a collective sense, occurs again and again in the teachings of Sri Ramakrishna to designate the chief impediments to spiritual progress. This favourite expression of the Master, "kaminikanchan", has often been misconstrued. By it he meant only "lust and greed", the baneful influence of which retards the aspirant's spiritual growth. He used the word "kamini", or "woman", as a concrete term for the sex instinct when addressing his man devotees. He advised women, on the other hand, to shun "man". "Kanchan", or "gold", symbolizes greed, which is the other obstacle to spiritual life.
  --
   For the householders Sri Ramakrishna did not prescribe the hard path of total renunciation. He wanted them to discharge their obligations to their families. Their renunciation was to be mental. Spiritual life could not be acquired by flying away from responsibilities. A married couple should live like brother and sister after the birth of one or two children, devoting their time to spiritual talk and contemplation. He encouraged the householders, saying that their life was, in a way, easier than that of the monk, since it was more advantageous to fight the enemy from inside a fortress than in an open field. He insisted, however, on their repairing into solitude every now and then to strengthen their devotion and faith in God through prayer, japa, and meditation. He prescribed for them the companionship of sadhus. He asked them to perform their worldly duties with one hand, while holding to God with the other, and to pray to God to make their duties fewer and fewer so that in the end they might cling to Him with both hands. He would discourage in both the householders and the celibate youths any lukewarmness in their spiritual struggles. He would not ask them to follow indiscriminately the ideal of non-resistance, which ultimately makes a coward of the unwary.
   --- FUTURE MONKS
  --
  . But see that you don't become intoxicated; you must not reel and your thoughts must not wander. At first you will feel ordinary excitement, but soon you will experience spiritual exaltation." Gradually Surendra's entire life was changed. The Master designated him as one of those commissioned by the Divine Mother to defray a great part of his expenses. Surendra's purse was always open for the Master's comfort.
   --- KEDAR
  --
   The householder devotees generally visited Sri Ramakrishna on Sunday afternoons and other holidays. Thus a brotherhood was gradually formed, and the Master encouraged their fraternal feeling. Now and then he would accept an invitation to a devotee's home, where other devotees would also be invited. Kirtan would be arranged and they would spend hours in dance and devotional music. The Master would go into trances or open his heart in religious discourses and in the narration of his own spiritual experiences. Many people who could not go to Dakshineswar participated in these meetings and felt blessed. Such an occasion would be concluded with a sumptuous feast.
   But it was in the company of his younger devotees, pure souls yet unstained by the touch of worldliness, that Sri Ramakrishna took greatest joy. Among the young men who later embraced the householder's life were Narayan, Paitu, the younger Naren, Tejchandra, and Purna. These visited the Master sometimes against strong opposition from home.
  --
   A few more meetings completely removed from Narendra's mind the last traces of the notion that Sri Ramakrishna might be a monomaniac or wily hypnotist. His integrity, purity, renunciation, and unselfishness were beyond question. But Narendra could not accept a man, an imperfect mortal, as his guru. As a member of the Brahmo Samaj, he could not believe that a human intermediary was necessary between man and God. Moreover, he openly laughed at Sri Ramakrishna's visions as hallucinations. Yet in the secret chamber of his heart he bore a great love for the Master.
   Sri Ramakrishna was grateful to the Divine Mother for sending him one who doubted his own realizations. Often he asked Narendra to test him as the money-changers test their coins. He laughed at Narendra's biting criticism of his spiritual experiences and samadhi. When at times Narendra's sharp words distressed him, the Divine Mother Herself would console him, saying: "Why do you listen to him? In a few days he will believe your every word." He could hardly bear Narendra's absences. Often he would weep bitterly for the sight of him. Sometimes Narendra would find the Master's love embarrassing; and one day he sharply scolded him, warning him that such infatuation would soon draw him down to the level of its object. The Master was distressed and prayed to the Divine Mother. Then he said to Narendra: "You rogue, I won't listen to you any more. Mother says that I love you because I see God in you, and the day I no longer see God in you I shall not be able to bear even the sight of you."
   The Master wanted to train Narendra in the teachings of the non-dualistic Vedanta philosophy. But Narendra, because of his Brahmo upbringing, considered it wholly blasphemous to look on man as one with his Creator. One day at the temple garden he laughingly said to a friend: "How silly! This jug is God! This cup is God! Whatever we see is God! And we too are God! Nothing could be more absurd." Sri Ramakrishna came out of his room and gently touched him. Spellbound, he immediately perceived that everything in the world was indeed God. A new universe opened around him. Returning home in a dazed state, he found there too that the food, the plate, the eater himself, the people around him, were all God. When he walked in the street, he saw that the cabs, the horses, the streams of people, the buildings, were all Brahman. He could hardly go about his day's business. His parents became anxious about him and thought him ill. And when the intensity of the experience abated a little, he saw the world as a dream. Walking in the public square, he would strike his head against the iron railings to know whether they were real. It took him a number of days to recover his normal self. He had a foretaste of the great experiences yet to come and realized that the words of the Vedanta were true.
   At the beginning of 1884 Narendra's father suddenly died of heart-failure, leaving the family in a state of utmost poverty. There were six or seven mouths to feed at home. Creditors were knocking at the door. Relatives who had accepted his father's unstinted kindness now became enemies, some even bringing suit to deprive Narendra of his ancestral home. Actually starving and barefoot, Narendra searched for a job, but without success. He began to doubt whether anywhere in the world there was such a thing as unselfish sympathy. Two rich women made evil proposals to him and promised to put an end to his distress; but he refused them with contempt.
  --
   Narendra now realized that he had a spiritual mission to fulfil. He resolved to renounce the world, as his grandfather had renounced it, and he came to Sri Ramakrishna for his blessing. But even before he had opened his mouth, the Master knew what was in his mind and wept bitterly at the thought of separation. "I know you cannot lead a worldly life," he said, "but for my sake live in the world as long as I live."
   One day, soon after, Narendra requested Sri Ramakrishna to pray to the Divine Mother to remove his poverty. Sri Ramakrishna bade him pray to Her himself, for She would certainly listen to his prayer. Narendra entered the shrine of Kali. As he stood before the image of the Mother, he beheld Her as a living Goddess, ready to give wisdom and liberation. Unable to ask Her for petty worldly things, he prayed only for knowledge and renunciation, love and liberation. The Master rebuked him for his failure to ask the Divine Mother to remove his poverty and sent him back to the temple. But Narendra, standing in Her presence, again forgot the purpose of his coming. Thrice he went to the temple at the bidding of the Master, and thrice he returned, having forgotten in Her presence why he had come. He was wondering about it when it suddenly flashed in his mind that this was all the work of Sri Ramakrishna; so now he asked the Master himself to remove his poverty, and was assured that his family would not lack simple food and clothing.
  --
   It was noticed at this time that some of the devotees were making an unbridled display of their emotions. A number of them, particularly among the householders, began to cultivate, though at first unconsciously, the art of shedding tears, shaking the body, contorting the face, and going into trances, attempting thereby to imitate the Master. They began openly to declare Sri Ramakrishna a Divine Incarnation and to regard themselves as his chosen people, who could neglect religious disciplines with impunity. Narendra's penetrating eye soon sized up the situation. He found out that some of these external manifestations were being carefully practised at home, while some were the outcome of malnutrition, mental weakness, or nervous debility. He mercilessly exposed the devotees who were pretending to have visions, and asked all to develop a healthy religious spirit. Narendra sang inspiring songs for the younger devotees, read with them the Imitation of Christ and the Gita, and held before them the positive ideals of spirituality.
   --- LAST DAYS AT COSSIPORE

0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
     openly, He also at the same time wept secretly;
     and in Himself He neither laughed nor wept.
  --
    Thou Naughty Boy, thou openest THE EYE OF
     HORUS to the Blind Eye that weeps!(31) The Up-
  --
  himself the Mahalingam, which unites these symbolisms. The opening of the eye,
  the ejaculation of the lingam, the destruction of the universe, the accomplishm
  --
    and Aeons, which only open on the utterance of the
    pr oper word.

0.00 - THE GOSPEL PREFACE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  This epoch-making event of his life came about in a very strange way. M. belonged to a joint family with several collateral members. Some ten years after he began his career as an educationist, bitter quarrels broke out among the members of the family, driving the sensitive M. to despair and utter despondency. He lost all interest in life and left home one night to go into the wide world with the idea of ending his life. At dead of night he took rest in his sister's house at Baranagar, and in the morning, accompanied by a nephew Siddheswar, he wandered from one garden to another in Calcutta until Siddheswar brought him to the Temple Garden of Dakshineswar where Sri Ramakrishna was then living. After spending some time in the beautiful rose gardens there, he was directed to the room of the Paramahamsa, where the eventful meeting of the Master and the disciple took place on a blessed evening (the exact date is not on record) on a Sunday in March 1882. As regards what took place on the occasion, the reader is referred to the opening section of the first chapter of the Gospel.
  The Master, who divined the mood of desperation in M, his resolve to take leave of this 'play-field of deception', put new faith and h ope into him by his gracious words of assurance: "God forbid! Why should you take leave of this world? Do you not feel blessed by discovering your Guru? By His grace, what is beyond all imagination or dreams can be easily achieved!" At these words the clouds of despair moved away from the horizon of M.'s mind, and the sunshine of a new h ope revealed to him fresh vistas of meaning in life. Referring to this phase of his life, M. used to say, "Behold! where is the resolve to end life, and where, the discovery of God! That is, sorrow should be looked upon as a friend of man. God is all good." ( Ibid P.33.)
  --
  Sri Ramakrishna was a teacher for both the Orders of mankind, Sannysins and householders. His own life offered an ideal example for both, and he left behind disciples who followed the highest traditions he had set in respect of both these ways of life. M., along with Nag Mahashay, exemplified how a householder can rise to the highest level of sagehood. M. was married to Nikunja Devi, a distant relative of Keshab Chander Sen, even when he was reading at College, and he had four children, two sons and two daughters. The responsibility of the family, no doubt, made him dependent on his professional income, but the great devotee that he was, he never compromised with ideals and principles for this reason. Once when he was working as the headmaster in a school managed by the great Vidysgar, the results of the school at the public examination happened to be rather poor, and Vidysgar attri buted it to M's preoccupation with the Master and his consequent failure to attend adequately to the school work. M. at once resigned his post without any thought of the morrow. Within a fortnight the family was in poverty, and M. was one day pacing up and down the verandah of his house, musing how he would feed his children the next day. Just then a man came with a letter addressed to 'Mahendra Babu', and on opening it, M. found that it was a letter from his friend Sri Surendra Nath Banerjee, asking whether he would like to take up a professorship in the Ripon College. In this way three or four times he gave up the job that gave him the wherewithal to support the family, either for upholding principles or for practising spiritual Sadhanas in holy places, without any consideration of the possible dire worldly consequences; but he was always able to get over these difficulties somehow, and the interests of his family never suffered. In spite of his disregard for worldly goods, he was, towards the latter part of his life, in a fairly flourishing condition as the proprietor of the Morton School which he devel oped into a noted educational institution in the city. The Lord has said in the Bhagavad Git that in the case of those who think of nothing except Him, He Himself would take up all their material and spiritual responsibilities. M. was an example of the truth of the Lord's promise.
  Though his children received pr oper attention from him, his real family, both during the Master's lifetime and after, consisted of saints, devotees, Sannysins and spiritual aspirants. His life exemplifies the Master's teaching that an ideal householder must be like a good maidservant of a family, loving and caring pr operly for the children of the house, but knowing always that her real home and children are elsewhere. During the Master's lifetime he spent all his Sundays and other holidays with him and his devotees, and besides listening to the holy talks and devotional music, practised meditation both on the Personal and the Impersonal aspects of God under the direct guidance of the Master. In the pages of the Gospel the reader gets a picture of M.'s spiritual relationship with the Master how from a hazy belief in the Impersonal God of the Brahmos, he was step by step brought to accept both Personality and Impersonality as the two aspects of the same Non-dual Being, how he was convinced of the manifestation of that Being as Gods, Goddesses and as Incarnations, and how he was established in a life that was both of a Jnni and of a Bhakta. This Jnni-Bhakta outlook and way of living became so dominant a feature of his life that Swami Raghavananda, who was very closely associated with him during his last six years, remarks: "Among those who lived with M. in latter days, some felt that he always lived in this constant and conscious union with God even with open eyes (i.e., even in waking consciousness)." (Swami Raghavananda's article on M. in Prabuddha Bharata vol. XXXVII. P. 442.)
  Besides undergoing spiritual disciplines at the feet of the Master, M. used to go to holy places during the Master's lifetime itself and afterwards too as a part of his Sdhan.
  --
  M. spent his weekends and holidays with the monastic brethren who, after the Master's demise, had formed themselves into an Order with a Math at Baranagore, and participated in the intense life of devotion and meditation that they followed. At other times he would retire to Dakshineswar or some garden in the city and spend several days in spiritual practice taking simple self-cooked food. In order to feel that he was one with all mankind he often used to go out of his home at dead of night, and like a wandering Sannysin, sleep with the waifs on some open verandah or footpath on the road.
  After the Master's demise, M. went on pilgrimage several times. He visited Banras, Vrindvan, Ayodhy and other places. At Banras he visited the famous Trailinga Swmi and fed him with sweets, and he had long conversations with Swami Bhaskarananda, one of the noted saintly and scholarly Sannysins of the time. In 1912 he went with the Holy Mother to Banras, and spent about a year in the company of Sannysins at Banras, Vrindvan, Hardwar, Hrishikesh and Swargashram. But he returned to Calcutta, as that city offered him the unique opportunity of associating himself with the places hallowed by the Master in his lifetime. Afterwards he does not seem to have gone to any far-off place, but stayed on in his room in the Morton School carrying on his spiritual ministry, speaking on the Master and his teachings to the large number of people who flocked to him after having read his famous Kathmrita known to English readers as The Gospel of Sri Ramakrishna.

0.00 - The Wellspring of Reality, #Synergetics - Explorations in the Geometry of Thinking, #R Buckminster Fuller, #Science
  There is an inherently minimum set of essential concepts and current information, cognizance of which could lead to our operating our planet Earth to the lasting satisfaction and health of all humanity. With this objective, we set out on our review of the spectrum of significant experiences and seek therein for the greatest meanings as well as for the family of generalized principles governing the realization of their optimum significance to humanity aboard our Sun circling planet Earth.
  We must start with scientific fundamentals, and that means with the data of experiments and not with assumed axioms predicated only upon the misleading nature of that which only superficially seems to be obvious. It is the consensus of great scientists that science is the attempt to set in order the facts of experience.
  --
  As Korzybski, the founder of general semantics, pointed out, the consequence of its single-tagging is that the rose becomes reflexively considered by man only as a red, white, or pink device for paying tribute to a beautiful girl, a thoughtful hostess, or last night's deceased acquaintance. The tagging of the complex biological process under the single title rose tends to detour human curiosity from further differentiation of its integral organic operations as well as from consideration of its interecological functionings aboard our planet. We don't know what a rose is, nor what may be its essential and unique cosmic function. Thus for long have we inadvertently deferred potential discovery of the essential roles in Universe that are performed complementarily by many, if not most, of the phenomena we experience.
  But, goaded by youth, we older ones are now taking second looks at almost everything. And that promises many ultimately favorable surprises. The oldsters do have vast experience banks not available to the youth. Their memory banks, integrated and reviewed, may readily disclose generalized principles of eminent importance.
  --
  Anticipating, co operating with, and employing the forces of nature can be accomplished only by the mind. The wisdom manifest in the omni-interorderliness of the family of generalized principles operative in Universe can be employed only by the highest integrity of engagement of the mind's metaphysical intuiting and formulating capabilities.
  We are able to assert that this rationally coordinating system bridge has been established between science and the humanities because we have made adequate experimental testing of it in a computerized world-resource-use-exploration system, which by virtue of the pr oper inclusion of all the parameters-as guaranteed by the synergetic start with Universe and the progressive differentiation out of all the parts-has demonstrated a number of alternate ways in which it is eminently feasible not only to provide full life support for all humans but also to permit all humans' individual enjoyment of all the Earth without anyone profiting at the expense of another and without any individuals interfering with others.
  --
  The supposed location of the threshold between animate and inanimate was methodically narrowed down by experimental science until it was confined specifically within the domain of virology. Virologists have been too busy, for instance, with their DNA-RNA genetic code isolatings, to find time to see the synergetic significance to society of the fact that they have found that no physical threshold does in fact exist between animate and inanimate. The possibility of its existence vanished because the supposedly unique physical qualities of both animate and inanimate have persisted right across yesterday's supposed threshold in both directions to permeate one another's-previously perceived to be exclusive- domains. Subsequently, what was animate has become foggier and foggier, and what is inanimate clearer and clearer. All organisms consist physically and in entirety of inherently inanimate atoms. The inanimate alone is not only omnipresent but is alone experimentally demonstrable. Belated news of the elimination of this threshold must be interpreted to mean that whatever life may be, it has not been isolated and thereby identified as residual in the biological cell, as had been supposed by the false assumption that there was a separate physical phenomenoncalled animate within which life existed. No life per se has been isolated. The threshold between animate and inanimate has vanished. Those chemists who are preoccupied in synthesizing the particular atomically structured molecules identified as the prime constituents of humanly employed organisms will, even if they are chemically successful, be as remote from creating life as are automobile manufacturers from creating the human drivers of their automobiles. Only the physical connections and development complexes of distinctly "nonlife" atoms into molecules, into cells, into animals, has been and will be discovered. The genetic coding of the design controls of organic systems offers no more explanation of life than did the specifications of the designs of the telephone system's apparatus and operation explain the nature of the life that communicates weightlessly to life over the only physically ponderable telephone system. Whatever else life may be, we know it is weightless. At the moment of death, no weight is lost. All the chemicals, including the chemist's life ingredients, are present, but life has vanished. The physical is inherently entropic, giving off energy in ever more disorderly ways. The metaphysical is antientropic, methodically marshalling energy. Life is antientropic.
  It is spontaneously inquisitive. It sorts out and endeavors to understand.

0.01 - Letters from the Mother to Her Son, #Some Answers From The Mother, #The Mother, #Integral Yoga
  We have joined the houses together with openings in some
  of the outer walls and outbuildings, so that I may walk freely in

0.01 - Life and Yoga, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
   organising in her less exalted but more general operations.
  Yogic methods have something of the same relation to the customary psychological workings of man as has the scientific handling of the force of electricity or of steam to their normal operations in Nature. And they, too, like the operations of Science, are formed upon a knowledge devel oped and confirmed by regular experiment, practical analysis and constant result. All
  Rajayoga, for instance, depends on this perception and experience that our inner elements, combinations, functions, forces, can be separated or dissolved, can be new-combined and set to novel and formerly impossible workings or can be transformed and resolved into a new general synthesis by fixed internal processes. Hathayoga similarly depends on this perception and experience that the vital forces and functions to which our life is normally subjected and whose ordinary operations seem set and indispensable, can be mastered and the operations changed or suspended with results that would otherwise be impossible and that seem miraculous to those who have not seized the rationale of their process. And if in some other of its forms this character of Yoga is less apparent, because they are more intuitive and less mechanical, nearer, like the Yoga of Devotion, to a supernal ecstasy or, like the Yoga of Knowledge, to a supernal infinity of consciousness and being, yet they too start from the use of some principal faculty in us by ways and for ends not contemplated in its everyday spontaneous workings. All methods grouped under the common name of Yoga are special psychological processes founded on a fixed truth of Nature and developing, out of normal functions, powers and results which were always latent but which her ordinary movements do not easily or do not often manifest.
  But as in physical knowledge the multiplication of scientific processes has its disadvantages, as that tends, for instance, to develop a victorious artificiality which overwhelms our natural human life under a load of machinery and to purchase certain forms of freedom and mastery at the price of an increased servitude, so the preoccupation with Yogic processes and their exceptional results may have its disadvantages and losses. The

0.02 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  So long as you are capable of beating somebody, you open the
  door to the possibility of being beaten yourself.
  --
  I open myself to Thee and I would obey Thee with an absolute
  faithfulness.
  --
  you openly) if he likes.
  15 August 1932
  --
  when I am conscious, if I open my mouth I lose my selfcontrol. I get angrier and angrier from one sentence to
  the next.
  --
  turn your back than to open your mouth.
  3 November 1933
  --
  You have only to open your heart and your thirst will be
  quenched, for the waters of love never run dry.
  --
  The main door of your being is open, but certain other doors
  are still not open. You must open them all, for I am there and I
  am waiting.
  --
  that both of you open yourselves to a higher consciousness. This
  needs time and a continuous effort of sadhana from both of you.

0.03 - III - The Evening Sittings, #Evening Talks With Sri Aurobindo, #unset, #Integral Yoga
   He came dressed as usual in dhoti, part of which was used by him to cover the upper part of his body. Very rarely he came out with chaddar or shawl and then it was "in deference to the climate" as he sometimes put it. At times for minutes he would be gazing at the sky from a small opening at the top of the grass-curtains that covered the verandah upstairs in No. 9, Rue de la Marine. How much were these sittings dependent on him may be gathered from the fact that there were days when more than three-fourths of the time passed in complete silence without any outer suggestion from him, or there was only an abrupt "Yes" or "No" to all attempts at drawing him out in conversation. And even when he participated in the talk one always felt that his voice was that of one who does not let his whole being flow into his words; there was a reserve and what was left unsaid was perhaps more than what was spoken. What was spoken was what he felt necessary to speak.
   Very often some news-item in the daily newspaper, town-gossip, or some interesting letter received either by him or by a disciple, or a question from one of the gathering, occasionally some remark or query from himself would set the ball rolling for the talk. The whole thing was so informal that one could never predict the turn the conversation would take. The whole house therefore was in a mood to enjoy the freshness and the delight of meeting the unexpected. There were peals of laughter and light talk, jokes and criticism which might be called personal, there was seriousness and earnestness in abundance.
  --
   From 1918 to 1922, we gathered at No. 41, Rue Franois Martin, called the Guest House, upstairs, on a broad verandah into which four rooms opened and whose main piece of furniture was a small table 3' x 1' covered with a blue cotton cloth. That is where Sri Aurobindo used to sit in a hard wooden chair behind the table with a few chairs in front for the visitors or for the disciples.
   From 1922 to 1926, No. 9, Rue de la Marine, where he and the Mother had shifted, was the place where the sittings were held. There, also upstairs, was a less broad verandah than at the Guest House, a little bigger table in front of the central door out of three, and a broad Japanese chair, the table covered with a better cloth than the one in the Guest House, a small flower vase, an ash-tray, a block calendar indicating the date and an ordinary time-piece, and a number of chairs in front in a line. The evening sittings used to be after meditation at 4 or 4.30 p.m. After 24 November 1926, the sittings began to get later and later, till the limit of 1 o'clock at night was reached. Then the curtain fell. Sri Aurobindo retired completely after December 1926, and the evening sittings came to a close.
  --
   Then, on 23 November 1938, I got up at 2 o'clock to prepare hot water for the Mother's early bath because the 24th was Darshan day. Between 2.20 and 2.30 the Mother rang the bell. I ran up the staircase to be told about an accident that had happened to Sri Aurobindo's thigh and to be asked to fetch the doctor. This accident brought about a change in his complete retirement, and rendered him available to those who had to attend on him. This opened out a long period of 12 years during which his retirement was modified owing to circumstances, inner and outer, that made it possible for him to have direct physical contacts with the world outside.
   The long period of the Second World War with all its vicissitudes passed through these years. It was a priceless experience to see how he devoted his energies to the task of saving humanity from the threatened reign of Nazism. It was a practical lesson of solid work done for humanity without any thought of return or reward, without even letting humanity know what he was doing for it! Thus he lived the Divine and showed us how the Divine cares for the world, how He comes down and works for man. I shall never forget how he who was at one time in his own words "not merely a non-co- operator but an enemy of British Imperialism" bestowed such anxious care on the health of Churchill, listening carefully to the health-bulletins! It was the work of the Divine, it was the Divine's work for the world.

0.03 - Letters to My little smile, #Some Answers From The Mother, #The Mother, #Integral Yoga
  But this is not the only way to get rid of it. opening to the Light
  and Consciousness from above and allowing them to replace the
  --
  are able to receive. open yourself, increase your receptivity by
  giving yourself more, and you will see that all discontentment
  --
  you, as complete as it can be; it is up to you to open yourself
  and receive it. And it is certainly not by being rebellious and
  --
  Be careful, child, do not open the door to depression, discouragement and revolt - this leads far, far away from consciousness and makes you sink into the depths of obscurity
  where happiness can no longer enter. Your great strength was
  --
  You once said that to open myself to You is my work,
  because Your help is always with me. But I do not know
  when I will open myself to You. I am as hard as a stone.
  If I had known before that these things are so difficult, I
  --
  with regard to Your help: "It is up to you to open yourself
  and receive it. And it is certainly not by being rebellious
  --
  Now there is only one way open, the way of progress - since
  it is impossible to go backward, you must go forward and
  --
  heart and as soon as your eyes are opened you will see me there;
  turn your faculty of feeling inward instead of letting it project
  --
  know how to open my eyes; they are always open except
  when I sleep.
  --
  I felt a sort of fear. I opened my eyes, looked at the sky,
  and then closed my eyes again. I saw something like a
  cloud coming slowly and I opened my eyes...
  My dear little smile,
  --
  which isn't open to You and this is why, even when I
  want to feel Your love in my heart (which You say is
  --
  I want my heart to open to You and to feel Your love
  there always. But if it is really closed, how can I open
  it? What must I do to open it? For I really do want it to
   open to You and I want to feel happy for ever.
  --
  one opens; the more one opens, the more one receives; and in
  the intimacy of this self-giving one can become conscious of the

0.03 - The Threefold Life, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  Since this is the plan of the divine Energy in humanity, the whole method and aim of our existence must work by the interaction of these three elements in the being. As a result of their separate formulation in Nature, man has open to him a choice between three kinds of life, the ordinary material existence, a life of mental activity and progress and the unchanging spiritual beatitude. But he can, as he progresses, combine these three forms, resolve their discords into a harmonious rhythm and so create in himself the whole godhead, the perfect Man.
  In ordinary Nature they have each their own characteristic and governing impulse.
  --
  But by that very utility such men and the life they lead are condemned to be limited, irrationally conservative and earthbound. The customary routine, the customary institutions, the inherited or habitual forms of thought, - these things are the life-breath of their nostrils. They admit and jealously defend the changes compelled by the progressive mind in the past, but combat with equal zeal the changes that are being made by it in the present. For to the material man the living progressive thinker is an ideologue, dreamer or madman. The old Semites who stoned the living prophets and adored their memories when dead, were the very incarnation of this instinctive and unintelligent principle in Nature. In the ancient Indian distinction between the once born and the twice born, it is to this material man that the former description can be applied. He does Nature's inferior works; he assures the basis for her higher activities; but not to him easily are opened the glories of her second birth.
  Yet he admits so much of spirituality as has been enforced on his customary ideas by the great religious outbursts of the past and he makes in his scheme of society a place, venerable though not often effective, for the priest or the learned theologian who can be trusted to provide him with a safe and ordinary spiritual pabulum. But to the man who would assert for himself the liberty of spiritual experience and the spiritual life, he assigns, if he admits him at all, not the vestment of the priest but the robe of the Sannyasin. Outside society let him exercise his dangerous freedom. So he may even serve as a human lightning-rod receiving the electricity of the Spirit and turning it away from the social edifice.

0.04 - The Systems of Yoga, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  In one respect Yoga exceeds the normal operation of cosmic
  Nature and climbs beyond her. For the aim of the Universal
  --
  Nature the equilibrium is based upon the individualisation of a limited quantity and force of the Prana; more than that the individual is by personal and hereditary habit unable to bear, use or control. In Hathayoga, the equilibrium opens a door to the universalisation of the individual vitality by admitting into the body, containing, using and controlling a much less fixed and limited action of the universal energy.
  The chief processes of Hathayoga are asana and pran.ayama.
  --
  Nature and kept within the narrow bounds of her normal operations. In the ancient tradition of Hathayoga it has always been supposed that this conquest could be pushed so far even as to conquer to a great extent the force of gravitation. By various subsidiary but elaborate processes the Hathayogin next contrives to keep the body free from all impurities and the nervous system unclogged for those exercises of respiration which are his most important instruments. These are called pran.ayama, the control of the breath or vital power; for breathing is the chief physical functioning of the vital forces. Pranayama, for the Hathayogin, serves a double purpose. First, it completes the perfection of the body. The vitality is liberated from many of the ordinary necessities of physical Nature; robust health, prolonged youth, often an extraordinary longevity are attained.
  On the other hand, Pranayama awakens the coiled-up serpent of the Pranic dynamism in the vital sheath and opens to the Yogin fields of consciousness, ranges of experience, abnormal faculties denied to the ordinary human life while it puissantly intensifies such normal powers and faculties as he already possesses.
  The Systems of Yoga
  --
  These advantages can be farther secured and emphasised by other subsidiary processes open to the Hathayogin.
  The results of Hathayoga are thus striking to the eye and impose easily on the vulgar or physical mind. And yet at the end we may ask what we have gained at the end of all this stupendous labour. The object of physical Nature, the preservation of the mere physical life, its highest perfection, even in a certain sense the capacity of a greater enjoyment of physical living have been carried out on an abnormal scale. But the weakness of Hathayoga is that its laborious and difficult processes make so great a demand on the time and energy and impose so complete a severance from the ordinary life of men that the utilisation of its results for the life of the world becomes either impracticable or is extraordinarily restricted. If in return for this loss we gain another life in another world within, the mental, the dynamic, these results could have been acquired through other systems, through Rajayoga, through Tantra, by much less laborious methods and held on much less exacting terms. On the other hand the physical results, increased vitality, prolonged youth, health, longevity are of small avail if they must be held by us as misers of ourselves, apart from the common life, for their own sake, not utilised, not thrown into the common sum of the world's activities. Hathayoga attains large results, but at an exorbitant price and to very little purpose.
  --
  We perceive that as Hathayoga, dealing with the life and body, aims at the supernormal perfection of the physical life and its capacities and goes beyond it into the domain of the mental life, so Rajayoga, operating with the mind, aims at a supernormal perfection and enlargement of the capacities of the mental life and goes beyond it into the domain of the spiritual existence.
  But the weakness of the system lies in its excessive reliance on abnormal states of trance. This limitation leads first to a certain aloofness from the physical life which is our foundation and the sphere into which we have to bring our mental and spiritual gains. Especially is the spiritual life, in this system, too much associated with the state of Samadhi. Our object is to make the spiritual life and its experiences fully active and fully utilisable in the waking state and even in the normal use of the functions.
  --
  Rajayoga in that it does not occupy itself with the elaborate training of the whole mental system as the condition of perfection, but seizes on certain central principles, the intellect, the heart, the will, and seeks to convert their normal operations by turning them away from their ordinary and external preoccupations and activities and concentrating them on the Divine. It
  38

0.05 - Letters to a Child, #Some Answers From The Mother, #The Mother, #Integral Yoga
  Why does this difficulty come? Do I open myself to
  it or is it something else? Mother, after having come so
  --
  difficulty to you; because you spoke, you opened yourself and
  received it, perhaps without even being aware of it.
  --
  sea of energy. You have only to open and receive.
  Love from your mother.
  --
  Mother, let me open to you and to no one else,
  always, always. Give me patience.
  --
  sleep longer, take some exercise in the open air, etc.
  Affectionately.
  --
  So you must open yourself to the spiritual force and allow it
  to work in you; then you will more and more dwell in constant
  --
  you, around you; but you, on your side, must open to it and
  allow it to envelop you and help you.
  --
  cure is plenty of open-air exercise and abundant food.
  16 March 1935
  --
  They will be fruitless." You told me to open my heart
  and all will be well; but you know, mother, nothing stays
  --
  You are right to tell me, my dear child; it helps you to open
  yourself. I know that it is troublesome to feel this resistance
  --
  to open yourself and receive and you will see that the source is
  inexhaustible. It is the same thing for peace and for all the true
  --
  I don't know what to do. I want to open to you, but
  something prevents me from opening.
  My dear child,
  You find it difficult to open because you have not yet made
  the resolution to allow my will, and not your own, to govern
  --
  a way of opening yourself which allows the light to enter into
  the obscurity and illumine it.
  --
  The only remedy lies in opening to the higher forces in
  order to let them do in the vital their work of organisation and

0.05 - The Synthesis of the Systems, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  Y THE very nature of the principal Yogic schools, each covering in its operations a part of the complex human integer and attempting to bring out its highest possibilities, it will appear that a synthesis of all of them largely conceived and applied might well result in an integral Yoga. But they are so disparate in their tendencies, so highly specialised and elaborated in their forms, so long confirmed in the mutual opposition of their ideas and methods that we do not easily find how we can arrive at their right union.
  An undiscriminating combination in block would not be a synthesis, but a confusion. Nor would a successive practice of each of them in turn be easy in the short span of our human life and with our limited energies, to say nothing of the waste of labour implied in so cumbrous a process. Sometimes, indeed,
  --
  There are three outstanding features of this action of the higher when it works integrally on the lower nature. In the first place it does not act according to a fixed system and succession as in the specialised methods of Yoga, but with a sort of free, scattered and yet gradually intensive and purposeful working determined by the temperament of the individual in whom it operates, the helpful materials which his nature offers and the obstacles which it presents to purification and perfection. In a sense, therefore, each man in this path has his own method of
  Yoga. Yet are there certain broad lines of working common to all which enable us to construct not indeed a routine system, but
  --
  Thirdly, the divine Power in us uses all life as the means of this integral Yoga. Every experience and outer contact with our world-environment, however trifling or however disastrous, is used for the work, and every inner experience, even to the most repellent suffering or the most humiliating fall, becomes a step on the path to perfection. And we recognise in ourselves with opened eyes the method of God in the world, His purpose of light in the obscure, of might in the weak and fallen, of delight in what is grievous and miserable. We see the divine method to be the same in the lower and in the higher working; only in the one it is pursued tardily and obscurely through the subconscious in
  Nature, in the other it becomes swift and self-conscious and the instrument confesses the hand of the Master. All life is a Yoga of Nature seeking to manifest God within itself. Yoga marks the stage at which this effort becomes capable of self-awareness and therefore of right completion in the individual. It is a gathering up and concentration of the movements dispersed and loosely combined in the lower evolution.

0.06 - INTRODUCTION, #Dark Night of the Soul, #Saint John of the Cross, #Christianity
  mathematical, rather than of spiritual operations.
  In Chapter x, the Saint describes the discipline which the soul in this Dark

0.06 - Letters to a Young Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  Remain very quiet, open your mind and your heart to Sri Aurobindo's influence and mine, withdraw deep into an inner silence
  (which may be had in all circumstances), call me from the depths
  --
  My help is there completely; you have only to open yourself to
  it with confidence and you will receive it.
  --
  Nothing is better than a confession for opening the closed doors.
  Tell me what you fear most to tell me, and immediately you will
  --
  My most beloved Mother, the idea of separation opens
  between You and me like a frightening abyss. I am not
  --
  All my power is with you to help you; open yourself with a
  calm confidence, have faith in the Divine Grace, and you will
  --
  all and do all through the human instruments which are open to
  His influence.
  --
  Probably a disastrous result; that is, a passive opening to all
  sorts of influences, most of which are hardly commendable.

0.07 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  them. And may your Grace open up fully the lotus
  of my heart so that I may be blessed with a vision
  --
  Yet I feel you much closer to me and I see in you an opening
  that was never there before. It seems to me that soon you will
  --
  The way is opened, my dear child, and I am waiting for you
  with my arms wide to receive and enfold you affectionately -
  --
  response, my heart does seem to be made of stone; otherwise, why should it refuse to open itself to such a love?
  Series Seven - To a Sadhak
  --
  state of pure openness to divine knowledge. There is no opposition there between these two kindred things; it is the mind that
  makes them separate.
  --
  The Divine's Grace is there - open your door and welcome it.
  With my love and blessings.

0.08 - Letters to a Young Captain, #Some Answers From The Mother, #The Mother, #Integral Yoga
  it, open oneself to receive its influence, and take great care, each
  time that one receives an indication from it, to follow it very
  --
  and feel it, open oneself to receive its influence, and take
  great care... to follow it very scrupulously and sincerely".
  --
  with you and open to you.
  This too is a way which is certainly as good as the other.
  --
  with our senses. It is a sort of apparatus for recording and transmission which is open to all the contacts and shocks coming
  from outside and responds to them by reactions of pleasure and
  --
  he opens to the higher mind and overmind, and through those
  Series Eight - To a Young Captain

0.09 - Letters to a Young Teacher, #Some Answers From The Mother, #The Mother, #Integral Yoga
  the open air, into the full light.
  The Synthesis of Yoga, SABCL, Vol. 20, p. 47.
  --
  is what opens us to the divine influence and makes us capable
  of receiving what it brings us.

01.01 - A Yoga of the Art of Life, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Here is the very heart of the mystery, the master-key to the problem. The advent of the superhuman or divine race, however stupendous or miraculous the phenomenon may appear to be, can become a thing of practical actuality, precisely because it is no human agency that has undertaken it but the Divine himself in his supreme potency and wisdom and love. The descent of the Divine into the ordinary human nature in order to purify and transform it and be lodged there is the whole secret of the sadhana in Sri Aurobindo's Yoga. The sadhaka has only to be quiet and silent, calmly aspiring, open and acquiescent and receptive to the one Force; he need not and should not try to do things by his independent personal effort, but get them done or let them be done for him in the dedicated consciousness by the Divine Master and Guide. All other Yogas or spiritual disciplines in the past envisaged an ascent of the consciousness, its sublimation into the consciousness of the Spirit and its fusion and dissolution there in the end. The descent of the Divine Consciousness to prepare its definitive home in the dynamic and pragmatic human nature, if considered at all, was not the main theme of the past efforts and achievements. Furthermore, the descent spoken of here is the descent, not of a divine consciousness for there are many varieties of divine consciousness but of the Divine's own consciousness, of the Divine himself with his Shakti. For it is that that is directly working out this evolutionary transformation of the age.
   It is not my purpose here to enter into details as to the exact meaning of the descent, how it happens and what are its lines of activity and the results brought about. For it is indeed an actual descent that happens: the Divine Light leans down first into the mind and begins its purificatory work therealthough it is always the inner heart which first recognises the Divine Presence and gives its assent to the Divine action for the mind, the higher mind that is to say, is the summit of the ordinary human consciousness and receives more easily and readily the Radiances that descend. From the Mind the Light filters into the denser regions of the emotions and desires, of life activity and vital dynamism; finally, it gets into brute Matter itself, the hard and obscure rock of the physical body, for that too has to be illumined and made the very form and figure of the Light supernal. The Divine in his descending Grace is the Master-Architect who is building slowly and surely the many-chambered and many-storeyed edifice that is human nature and human life into the mould of the Divine Truth in its perfect play and supreme expression. But this is a matter which can be closely considered when one is already well within the mystery of the path and has acquired the elementary essentials of an initiate.

01.01 - The New Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   And the new society will be based not upon competition, nor even upon co- operation. It will not be an open conflict, neither will it be a convenient compromise of rival individual interests. It will be the organic expression of the collective soul of humanity, working and achieving through each and every individual soul its most wide-winging freedom, manifesting the godhead that is, pr oper to each and every one. It will be an organisation, most delicate and subtle and supple, the members of which will have no need to live upon one another but in and through one another. It will be, if you like, a henotheistic hierarchy in which everyone will be the greatest, since everyone is all and all everyone simultaneously.
   The New Humanity will be something in the mould that we give to the gods. It will supply the link that we see missing between gods and men; it will be the race of embodied gods. Man will attain that thing which has been his first desire and earliest dream, for which he coveted the gods Immortality, amritatwam. The mortalities that cut and divide, limit and bind man make him the sorrowful being he is. These are due to his ignorance and weakness and egoism. These are due to his soul itself. It is the soul that requires change, a new birth, as Christ demanded. Ours is a little soul that has severed itself from the larger and mightier self that it is. And therefore does it die every moment and even while living is afraid to live and so lives poorly and miserably. But the age is now upon us when the god-like soul anointed with its immortal royalties is ready to emerge and claim our salutation.

01.01 - The One Thing Needful, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
  Sadhana must be the main thing and sadhana means the purification of the nature, the consecration of the being, the opening of the psychic and the inner mind and vital, the contact and presence of the Divine, the realisation of the Divine in all things, surrender, devotion, the widening of the consciousness into the cosmic Consciousness, the Self one in all, the psychic and the spiritual transformation of the nature.
  ... the principle of this Yoga is not perfection of the human nature as it is but a psychic and spiritual transformation of all the parts of the being through the action of an inner consciousness and then of a higher consciousness which works on them, throws out the old movements or changes them into the image of its own and so transmutes lower into higher nature. It is not so much the perfection of the intellect as a transcendence of it, a transformation of the mind, the substitution of a larger greater principle of knowledge - and so with all the rest of the being.

01.01 - The Symbol Dawn, #Savitri, #Sri Aurobindo, #Integral Yoga
  Parted the eternal lids that open heaven;
  A Form from far beatitudes seemed to near.
  --
  Her spirit opened to the Spirit in all,
  Her nature felt all Nature as its own.
  --
  And memory's casements opened on the hours
  And the tired feet of thought approached her doors.

01.02 - Natures Own Yoga, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   This then is the supreme secret, not the renunciation and annulment, but the transformation of the ordinary human nature : first of all, its psychicisation, that is to say, making it move and live and be in communion and identification with the light of the psychic being, and, secondly, through the soul and the ensouled mind and life and body, to open out into the supramental consciousness and let it come down here below and work and achieve.
   The soul or the true being in man uplifted in the supramental consciousness and at the same time coming forward to possess a divinised mind and life and body as an instrument and channel of its self-expression and an embodiment of the Divine Will and Purposesuch is the goal that Nature is seeking to realise at present through her evolutionary lan. It is to this labour that man has been called so that in and through him the destined transcendence and transformation can take place.

01.02 - The Issue, #Savitri, #Sri Aurobindo, #Integral Yoga
  Appeared through an aureate opening in Time,
  Where stillness listening felt the unspoken word

01.03 - Sri Aurobindo and his School, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   A considerable amount of vague misunderstanding and misapprehension seems to exist in the minds of a certain section of our people as to what Sri Aurobindo is doing in his retirement at Pondicherry. On the other hand, a very precise exposition, an exact formula of what he is not doing has been curiously furnished by a well-known patriot in his indictment of what he chooses to call the Pondicherry School of contemplation. But he has arrived at this formula by openly and fearlessly affirming what does not exist; for the things that Sri Aurobindo is accused of doing are just the things that he is not doing. In the first place, Sri Aurobindo is not doing peaceful contemplation; in the second place, he is not doing active propaganda either; in the third place, he is not doing prnyma or even dhyna in the ordinary sense of the word; and, lastly, he is not proclaiming or following the maxim that although action may be tolerated as good, his particular brand of Yoga is something higher and better.
   Evidently the eminent politician and his school of activism are labouring under a Himalayan confusion: when they speak of Sri Aurobindo, they really have in their mind some of the old schools of spiritual discipline. But one of the marked aspects of Sri Aurobindo's teaching and practice has been precisely his insistence on putting aside the inert and life-shunning quietism, illusionism, asceticism and monasticism of a latter-day and decadent India. These ideals are perhaps as much obstacles in his way as in the way of the activistic school. Only Sri Aurobindo has not had the temerity to say that it is a weakness to seek refuge in contemplation or to suggest that a Buddha was a weakling or a Shankara a poltroon.

01.03 - The Yoga of the King - The Yoga of the Souls Release, #Savitri, #Sri Aurobindo, #Integral Yoga
  Life's barriers opened into the Unknown.
  Abolished were conception's covenants
  --
  And with a silver cry of opening gates
  Sight's lightnings leaped into the invisible.

01.03 - Yoga and the Ordinary Life, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
  But even if he can live partly in it or keep himself constantly open to it, he receives enough of this spiritual light and peace and strength and happiness to carry him securely through all the shocks of life. What one gains by opening to this spiritual consciousness, depends on what one seeks from it; if it is peace, one gets peace; if it is light or knowledge, one lives in a great light and receives a knowledge deeper and truer than any the normal mind of man can acquire; if it [is] strength or power, one gets a spiritual strength for the inner life or Yogic power to govern the outer work and action; if it is happiness, one enters into a beatitude far greater than any joy or happiness that the ordinary human life can give.
  There are many ways of opening to this Divine consciousness or entering into it. My way which I show to others is by a constant practice to go inward into oneself, to open by aspiration to the Divine and once one is conscious of it and its action to give oneself to It entirely. This self-giving means not to ask for anything but the constant contact or union with the Divine Consciousness, to aspire for its peace, power, light and felicity, but to ask nothing else and in life and action to be its instrument only for whatever work it gives one to do in the world. If one can once open and feel the Divine Force, the
  Power of the Spirit working in the mind and heart and body, the rest is a matter of remaining faithful to It, calling for it always, allowing it to do its work when it comes and rejecting every other and inferior Force that belongs to the lower consciousness and the lower nature.

01.04 - The Intuition of the Age, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   And the faculty of Intuition said to be the characteristic of the New Man does not mean all that it should, if we confine ourselves to Bergson's definition of it. Bergson says that Intuition is a sort of sympathy, a community of feeling or sensibility with the urge of the life-reality. The difference between the sympathy of Instinct and the sympathy of Intuition being that while the former is an unconscious or semi-conscious power, the latter is illumined and self-conscious. Now this view emphasises only the feeling-tone of Intuition, the vital sensibility that attends the direct communion with the life movement. But Intuition is not only purified feeling and sensibility, it is also purified vision and knowledge. It unites us not only with the movement of life, but also opens out to our sight the Truths, the fundamental realities behind that movement. Bergson does not, of course, point to any existence behind the continuous flux of life-power the elan vital. He seems to deny any static truth or truths to be seen and seized in any scheme of knowledge. To him the dynamic flow the Heraclitian panta reei is the ultimate reality. It is precisely to this view of things that Bergson owes his conception of Intuition. Since existence is a continuum of Mind-Energy, the only way to know it is to be in harmony or unison with it, to move along its current. The conception of knowledge as a fixing and delimiting of things is necessarily an anomaly in this scheme. But the question is, is matter the only static and separative reality? Is the flux of vital Mind-Energy the ultimate truth?
   Matter forms the lowest level of reality. Above it is the elan vital. Above the elan vital there is yet the domain of the Spirit. And the Spirit is a static substance and at the same a dynamic creative power. It is Being (Sat) that realises or expresses itself through certain typal nuclei or nodi of consciousness (chit) in a continuous becoming, in a flow of creative activity (ananda). The dynamism of the vital energy is only a refraction or precipitation of the dynamism of the spirit; and so also static matter is only the substance of the spirit concretised and solidified. It is in an uplift both of matter and vital force to their prototypesswarupa and swabhavain the Spirit that lies the real transformation and transfiguration of the humanity of man.

01.04 - The Poetry in the Making, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Artists themselves, almost invariably, speak of their inspiration: they look upon themselves more or less as mere instruments of something or some Power that is beyond them, beyond their normal consciousness attached to the brain-mind, that controls them and which they cannot control. This perception has been given shape in myths and legends. Goddess Saraswati or the Muses are, however, for them not a mere metaphor but concrete realities. To what extent a poet may feel himself to be a mere passive, almost inanimate, instrumentnothing more than a mirror or a sensitive photographic plateis illustrated in the famous case of Coleridge. His Kubla Khan, as is well known, he heard in sleep and it was a long poem very distinctly recited to him, but when he woke up and wanted to write it down he could remember only the opening lines, the rest having gone completely out of his memory; in other words, the poem was ready-composed somewhere else, but the transmitting or recording instrument was faulty and failed him. Indeed, it is a common experience to hear in sleep verses or musical tunes and what seem then to be very beautiful things, but which leave no trace on the brain and are not recalled in memory.
   Still, it must be noted that Coleridge is a rare example, for the recording apparatus is not usually so faithful but puts up its own formations that disturb and alter the perfection of the original. The passivity or neutrality of the intermediary is relative, and there are infinite grades of it. Even when the larger waves that play in it in the normal waking state are quieted down, smaller ripples of unconscious or half-conscious habitual formations are thrown up and they are sufficient to cause the scattering and dispersal of the pure light from above.
  --
   The consciously purposive activity of the poetic consciousness in fact, of all artistic consciousness has shown itself with a clear and unambiguous emphasis in two directions. First of all with regard to the subject-matter: the old-world poets took things as they were, as they were obvious to the eye, things of human nature and things of physical Nature, and without questioning dealt with them in the beauty of their normal form and function. The modern mentality has turned away from the normal and the obvious: it does not accept and admit the "given" as the final and definitive norm of things. It wishes to discover and establish other norms, it strives to bring about changes in the nature and condition of things, envisage the shape of things to come, work for a brave new world. The poet of today, in spite of all his effort to remain a pure poet, in spite of Housman's advocacy of nonsense and not-sense being the essence of true Art, is almost invariably at heart an incorrigible prophet. In revolt against the old and established order of truths and customs, against all that is normally considered as beautiful,ideals and emotions and activities of man or aspects and scenes and movements of Natureagainst God or spiritual life, the modern poet turns deliberately to the ugly and the macabre, the meaningless, the insignificant and the triflingtins and teas, bone and dust and dustbin, hammer and sicklehe is still a prophet, a violent one, an iconoclast, but one who has his own icon, a terribly jealous being, that seeks to pull down the past, erase it, to break and batter and knead the elements in order to fashion out of them something conforming to his heart's desire. There is also the class who have the vision and found the truth and its solace, who are prophets, angelic and divine, messengers and harbingers of a new beauty that is to dawn upon earth. And yet there are others in whom the two strains mingle or approach in a strange way. All this means that the artist is far from being a mere receiver, a mechanical executor, a passive unconscious instrument, but that he is supremely' conscious and master of his faculties and implements. This fact is doubly reinforced when we find how much he is preoccupied with the technical aspect of his craft. The richness and variety of patterns that can be given to the poetic form know no bounds today. A few major rhythms were sufficient for the ancients to give full expression to their poetic inflatus. For they cared more for some major virtues, the basic and fundamental qualitiessuch as truth, sublimity, nobility, forcefulness, purity, simplicity, clarity, straightforwardness; they were more preoccupied with what they had to say and they wanted, no doubt, to say it beautifully and powerfully; but the modus operandi was not such a passion or obsession with them, it had not attained that almost absolute value for itself which modern craftsmanship gives it. As technology in practical life has become a thing of overwhelming importance to man today, become, in the Shakespearean phrase, his "be-all and end-all", even so the same spirit has invaded and pervaded his aesthetics too. The subtleties, variations and refinements, the revolutions, reversals and inventions which the modern poet has ushered and takes delight in, for their own sake, I repeat, for their intrinsic interest, not for the sake of the subject which they have to embody and clothe, have never been dream by Aristotle, the supreme legislator among the ancients, nor by Horace, the almost incomparable craftsman among the ancients in the domain of poetry. Man has become, to be sure, a self-conscious creator to the pith of his bone.
   Such a stage in human evolution, the advent of Homo Faber, has been a necessity; it has to serve a purpose and it has done admirably its work. Only we have to put it in its pr oper place. The salvation of an extremely self-conscious age lies in an exceeding and not in a further enhancement or an exclusive concentration of the self-consciousness, nor, of course, in a falling back into the original unconsciousness. It is this shift in the poise of consciousness that has been presaged and prepared by the conscious, the scientific artists of today. Their task is to forge an instrument for a type of poetic or artistic creation completely new, unfamiliar, almost revolutionary which the older mould would find it impossible to render adequately. The yearning of the human consciousness was not to rest satisfied with the familiar and the ordinary, the pressure was for the discovery of other strands, secret stores of truth and reality and beauty. The first discovery was that of the great Unconscious, the dark and mysterious and all-powerful subconscient. Many of our poets and artists have been influenced by this power, some even sought to enter into that region and become its denizens. But artistic inspiration is an emanation of Light; whatever may be the field of its play, it can have its origin only in the higher spheres, if it is to be truly beautiful and not merely curious and scientific.
   That is what is wanted at present in the artistic world the true inspiration, the breath from higher altitudes. And here comes the role of the mystic, the Yogi. The sense of evolution, the march of human consciousness demands and prophesies that the future poet has to be a mysticin him will be fulfilled the travail of man's conscious working. The self-conscious craftsman, the tireless experimenter with his adventurous analytic mind has sharpened his instrument, made it supple and elastic, tempered, refined and enriched it; that is comparable to what we call the aspiration or call from below. Now the Grace must descend and fulfil. And when one rises into this higher consciousness beyond the brain and mind, when one lives there habitually, one knows the why and the how of things, one becomes a perfectly conscious operator and still retains all spontaneity and freshness and wonder and magic that are usually associated with inconscience and irreflection. As there is a spontaneity of instinct, there is likewise also a spontaneity of vision: a child is spontaneous in its movements, even so a seer. Not only so, the higher spontaneity is more spontaneous, for the higher consciousness means not only awareness but the free and untrammelled activity and expression of the truth and reality it is.
   Genius had to be generally more or less unconscious in the past, because the instrument was not ready, was clogged as it were with its own lower grade movements; the higher inspiration had very often to bypass it, or rob it of its serviceable materials without its knowledge, in an almost clandestine way. Wherever it was awake and vigilant, we have seen it causing a diminution in the poetic potential. And yet even so, it was being prepared for a greater role, a higher destiny it is to fulfil in the future. A conscious and full participation of a refined and transparent and enriched instrument in the delivery of superconscious truth and beauty will surely mean not only a new but the very acme of aesthetic creation. We thus foresee the age of spiritual art in which the sense of creative beauty in man will find its culmination. Such an art was only an exception, something secondary or even tertiary, kept in the background, suggested here and there as a novel strain, called "mystic" to express its unfamiliar nature-unless, of course, it was openly and obviously scriptural and religious.
   I have spoken of the source of inspiration as essentially and originally being a super-consciousness or over-consciousness. But to be more precise and accurate I should add another source, an inner consciousness. As the super-consciousness is imaged as lying above the normal consciousness, so the inner consciousness may be described as lying behind or within it. The movement of the inner consciousness has found expression more often and more largely than that of over-consciousness in the artistic creation of the past : and that was in keeping with the nature of the old-world inspiration, for the inspiration that comes from the inner consciousness, which can be considered as the lyrical inspiration, tends to be naturally more "spontaneous", less conscious, since it does not at all go by the path of the head, it evades that as much as possible and goes by the path of the heart.
  --
   In other words, the tension in the human consciousness has been raised to the nth power, the heat of a brooding consciousness is about to lead it to an outburst of new creationsah tapastaptva. Human self-consciousness, the turning of oneself upon oneself, the probing and projecting of oneself into oneselfself-consciousness raised so often to the degree of self-torture, marks the acute travail of the spirit. The thousand "isms" and "logies" that pullulate in all fields of life, from the political to the artistic or even the religious and the spiritual indicate how the human laboratory is working at white heat. They are breaches in the circuit of the consciousness, volcanic eruptions from below or cosmic-ray irruptions from above, tearing open the normal limit and boundaryBaudelaire's couvercle or the "golden lid" of the Upanishads-disclosing and bringing into the light of common day realities beyond and unseen till now.
   Ifso long the poet was more or less a passive, a half-conscious or unconscious intermediary between the higher and the lower lights and delights, his role in the future will be better fulfilled when he becomes fully aware of it and consciously moulds and directs his creative energies. The poet is and has to be the harbinger and minstrel of unheard-of melodies: he is the fashioner of the creative word that brings down and embodies the deepest aspirations and experiences of the human consciousness. The poet is a missionary: he is missioned by Divine Beauty to radiate upon earth something of her charm and wizardry. The fullness of his role he can only play up when he is fully conscious for it is under that condition that all obstructing and obscuring elements lying across the path of inspiration can be completely and wholly eradicated: the instrument purified and tempered and transmuted can hold and express golden truths and beauties and puissances that otherwise escape the too human mould.
  --
   An avenging Mystery operating, out of the drowsy animal awakes an angel.
   Heaven! it is the dark lid upon the huge cauldron in which the imperceptible and vast humanity is boiling. Les Fleurs du Mal.

01.04 - The Secret Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  A wider consciousness opens then its doors;
  Invading from spiritual silences
  --
  A charm and sweetness open life's closed doors
  And beauty conquer the resisting world,
  --
  With the open vowels of Infinity,
  A hyphen must connect Matter and Mind,
  --
  And open markets for life's opulent arts,
  Rich bales, carved statuettes, hued canvases,
  --
  Late will he know, opening the mystic script,
  Whether to a blank port in the Unseen

01.05 - The Yoga of the King - The Yoga of the Spirits Freedom and Greatness, #Savitri, #Sri Aurobindo, #Integral Yoga
  And the opening verse of the tragedy of Time.
  Out of the depths the world's buried secret rose;
  --
  A sleeping deity opened deathless eyes:
  He saw the unshaped thought in soulless forms,
  --
  Burst open the narrow dams that keep us safe
  Against the forces of the universe.
  --
  And opening hardly to hid mystic keys
  Her perilous arcanes and hooded Powers

01.06 - On Communism, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   If society, that is to say, community, be the fieldkshetra for the individual to live, move and have its being, then we must begin at the very outset with the community itself, at least, with a nucleus that will go to form such a thing. The fear that the untimely grouping together of immature souls may crush out individuality and dig its own grave has, no doubt, sufficient justification behind it to deter one from the attempt; but neither can we be certain that souls nursed and nourished in solitary cells, absolutely apart from any mellowing and broadening influence of the outside world will ever reach to that stage of perfect maturity when they will suddenly and spontaneously break open their cells and recognise in one another the communal brother-self.
   As a matter of fact, the individual is not and cannot be such an isolated thing as our egoistic sense would like to have it. The sharp angularities of the individual are being, at every moment, chastened by the very primary conditions of life; and to fail to recognise this is the blindest form of ignorance. It is no easy task to draw exactly the line of distinction between our individual being and our social or communal being. In actual life they are so blended together that in trying to extricate them from each other, we but tear and lacerate them both. The highest wisdom is to take the two together as they are, and by a gradual purifying processboth internal and external, internal in thought and knowledge and will, external in life and actionrestore them to their respective truth and lawSatyam and Ritam.

01.06 - Vivekananda, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   A personal reminiscence. A young man in prison, accused of conspiracy and waging war against the British Empire. If convicted he might have to suffer the extreme penalty, at least, transportation to the Andamans. The case is dragging on for long months. And the young man is in a solitary cell. He cannot always keep up his spirits high. Moments of sadness and gloom and despair come and almost overwhelm him. Who was there to console and cheer him up? Vivekananda. Vivekananda's speeches, From Colombo to Almora, came, as a godsend, into the hands of the young man. Invariably, when the period of despondency came he used to open the book, read a few pages, read them over again, and the cloud was there no longer. Instead there was h ope and courage and faith and future and light and air.
   Such is Vivekananda, the embodiment of Fearlessnessabh, the Upanishadic word, the mantra, he was so fond of. The life and vision of Vivekananda can be indeed summed up in the mighty phrase of the Upanishads, nyam tm balahnena labhya. 'This soul no weakling can attain.' Strength! More strength! Strength evermore! One remembers the motto of Danton, the famous leader in the French Revolution:De l'audance, encore de l'audace, toujours de l'audace!

01.07 - Blaise Pascal (1623-1662), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   But the pressure upon his dynamic and heated brain the fiery zeal in his mindwas already proving too much and he was advised medically to take complete rest. Thereupon followed what was known as Pascal's mundane lifea period of distraction and dissipation; but this did not last long nor was it of a serious nature. The inner fire could brook no delay, it was eager and impatient to englobe other fields and domains. Indeed, it turned to its own field the heart. Pascal became initiated into the mystery of Faith and Grace. Still he had to pass through a terrible period of dejection and despair: the life of the world had given him no rest or relaxation, it served only to fill his cup of misery to the brim. But the hour of final relief was not long postponed: the Grace came to him, even as it came to Moses or St. Paul as a sudden flare of fire which burnt up the Dark Night and opened out the portals of Morning Glory.
   Pascal's place in the evolution of Eur opean culture and consciousness is of considerable significance and importance. He came at a critical time, on the mounting tide of rationalism and scepticism, in an age when the tone and temper of human mentality were influenced and fashioned by Montaigne and Rochefoucauld, by Bacon and Hobbes. Pascal himself, born in such an atmosphere of doubt and disbelief and disillusionment, had sucked in a full dose of that poison; yet he survived and found the Rock of Ages, became the clarion of Faith against Denial. What a spectacle it was! This is what one wrote just a quarter of a century after the death of Pascal:
  --
   One is not sure if such reasoning is convincing to the intellect; but perhaps it is a necessary stage in conversion. At least we can conclude that Pascal had to pass through such a stage; and it indicates the difficulty his brain had to undergo, the tension or even the torture he made it pass through. It is true, from Reason Pascal went over to Faith, even while giving Reason its due. Still it seems the two were not perfectly synthetised or fused in him. There was a gap between that was not thoroughly bridged. Pascal did not possess the higher, intuitive, luminous mind that mediates successfully between the physical discursive ratiocinative brain-mind and the vision of faith: it is because deep in his consciousness there lay this chasm. Indeed,Pascal's abyss (l' abme de Pascal) is a well-known legend. Pascal, it appears, used to have very often the vision of an abyss about to open before him and he shuddered at the prospect of falling into it. It seems to us to be an experience of the Infinity the Infinity to which he was so much attracted and of which he wrote so beautifully (L'infiniment grand et l'infiniment petit)but into which he could not evidently jump overboard unreservedly. This produced a dichotomy, a lack of integration of personality, Jung would say. Pascal's brain was cold, firm, almost rigid; his heart was volcanic, the faith he had was a fire: it lacked something of the pure light and burned with a lurid glare.
   And the reason is his metaphysics. It is the Jansenist conception of God and human nature that inspired and coloured all his experience and consciousness. According to it, as according to the Calvinist conception, man is a corrupt being, corroded to the core, original sin has branded his very soul. Only Grace saves him and releases him. The order of sin and the order of Grace are distinct and disparate worlds and yet they complement each other and need each other. Greatness and misery are intertwined, united, unified with each other in him. Here is an echo of the Manichean position which also involves an abyss. But even then God's grace is not a free agent, as Jesuits declare; there is a predestination that guides and controls it. This was one of the main subjects he treated in his famous open letters (Les Provinciales) that brought him renown almost overnight. Eternal hell is a possible prospect that faces the Jansenist. That was why a Night always over-shadowed the Day in Pascal's soul.
   Man then, according to Pascal, is by nature a sinful thing. He can lay no claim to noble virtue as his own: all in him is vile, he is a lump of dirt and filth. Even the greatest has his full share of this taint. The greatest, the saintliest, and the meanest, the most sinful, all meet, all are equal on this common platform; all have the same feet of clay. Man is as miserable a creature as a beast, as much a part and product of Nature as a plant. Only there is this difference that an animal or a tree is unconscious, while man knows that he is miserable. This knowledge or perception makes him more miserable, but that is his real and only greatness there is no other. His thought, his self-consciousness, and his sorrow and repentance and contrition for what he is that is the only good partMary's part that has been given to him. Here are Pascal's own words on the subject:

01.07 - The Bases of Social Reconstruction, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   It is this persuasion which, has led many spiritual souls, siddhas, to declare that theirs is not the kingdom upon this earth, but that the kingdom of Heaven is within. And it is why great lovers of humanity have sought not to eradicate but only to mitigate, as far as possible, the ills of life. Earth and life, it is said, contain in their last analysis certain ugly and loathsome realities which are an inevitable and inexorable part of their substance and to eliminate one means to annihilate the other. What can be done is to throw a veil over the nether regions in human nature, to put a ban on their urges and velleities and to create opportunities to make social arrangements so that the higher impulses only find free play while the lower impulses, for want of sc ope and indulgence, may fall down to a harmless level. This is what the Reformists h ope and want and no more. Life is based upon animality, the soul is encased in an earth-sheathman needs must procreate, man needs must seek food. But what human effort can achieve is to set up barriers and limitations and form channels and openings, which will restrain these impulses, allow them a necessary modicum of play and which for the greater part will serve to encourage and enhance the nobler urges in man. Of course, there will remain always the possibility of the whole scaffolding coming down with a crash and the aboriginal in man running riot in his nudity. But we have to accept the chance and make the best of what materials we have in hand.
   No doubt this is a most dismal kind of pessimism. But it is the logical conclusion of all optimism that bases itself upon a particular view of human nature. If we question that pessimism, we have to question the very grounds of our optimism also. As a matter of fact, all our idealism has been so long infructuous and will be so in the future, if we do not shift our foundation and start from a different IntuitionWeltanschauung.

01.08 - A Theory of Yoga, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   It would have been an easy matter if these vital urges could flow on unhindered in their way. There would have been no problem at all, if they met satisfaction easily and smoothly, without having to look to other factors and forces. As a matter of fact, man does not and cannot gratify his instincts whenever and wherever he chooses and in an open and direct manner. Even in his most primitive and barbarous condition, he has often to check himself and throw a veil, in so many ways, over his sheer animality. In the civilised society the check is manifold and is frankly recognised. We do not go straight as our sexual impulsion leads, but seek to hide and camouflage it under the institution of marriage; we do not pounce upon the food directly we happen to meet it and snatch and appropriate whatever portion we get but we secure it through an elaborate process, which is known as the economic system. The machinery of the state, the cult of the kshatriya are roundabout ways to meet our fighting instincts.
   What is the reason of this elaboration, this check and constraint upon the natural and direct outflow of the animal instincts in man? It has been said that the social life of man, the fact that he has to live and move as member of a group or aggregate has imposed upon him these restrictions. The free and unbridled indulgence of one's bare aboriginal impulses may be possible to creatures that live a separate, solitary and individual life but is disruptive of all bonds necessary for a corporate and group life. It is even a biological necessity again which has evolved in man a third and collateral primary instinct that of the herd. And it is this herd-instinct which naturally and spontaneously restrains, diverts and even metamorphoses the other instincts of the mere animal life. However, leaving aside for the moment the question whether man's ethical and spiritual ideals are a mere dissimulation of his animal instincts or whether they correspond to certain actual realities apart from and co-existent with these latter, we will recognise the simple fact of control and try to have a glimpse into its mechanism.

01.08 - Walter Hilton: The Scale of Perfection, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   From the twentieth century back to the fourteenth is a far cry: a far cry indeed from the modern scientific illumination to mediaeval superstition, from logical positivists and mathematical rationalists to visionary mystics, from Russell and Huxley to Ruysbroeck and Hilton. The mystic lore, the Holy Writ, the mediaeval sage says, echoing almost the very words of the Eastern Masters, "may not be got by study nor through man's travail only, but principally by the grace of the Holy Ghost." As for the men living and moving in the worldly way, there are "so mickle din and crying in their heart and vain thoughts and fleshly desires" that it is impossible for them to listen or understand the still small voice. It is the pure soul touched by the Grace that alone "seeth soothfastness of Holy Writ wonderly shewed and opened, above study and travail and reason of man's kindly (i.e. natural) wit."
   What is day to us is night to the mystics and what is day to the mystics is night for us. The first thing the mystic asks is to close precisely those doors and windows which we, on the contrary, feel obliged to keep always open in order to know and to live and move. The Gita says: "The sage is wakeful when it is night for all creatures and when all creatures are wakeful, that is night for the sage." Even so this sage from the West says: "The more I sleep from outward things, the more wakeful am I in knowing of Jhesu and of inward things. I may not wake to Jhesu, but if I sleep to the world."
   Close the senses. Turn within. And then go forward, that is to say, more and more inward. In that direction lies your itinerary, the journey of your consciousness. The sense-ridden secular man, who goes by his physical eye, has marked in his own way the steps of his forward march and progress. His knowledge and his power grew as he proceeded in his survey from larger masses of physical objects to their component molecules and from molecules to their component atoms and from atoms once more into electrons and protons or energy-points pure and simple, or otherwise as, in another direction, he extended his gaze from earth to the solar system, from the solar system to other starry systems, to far-off galaxies and I from galaxies to spaces beyond. The record of this double-track march to infinityas perceived or conceived by the physical sensesis marvellous, no doubt. The mystic offers the spectacle of a still more marvellous march to another kind of infinity.

01.09 - The Parting of the Way, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The inflatus of something vast and transcendent, something which escapes all our familiar schemes of cognisance and yet is insistent with a translucent reality of its own, we do feel sometimes within us invading and enveloping our individuality, lifting up our sense of self and transmuting our personality into a reality which can hardly be called merely human. All this life of ego-bound rationality then melts away and opens out the passage for a life of vision and power. Thus it is the poet has felt when he says, "there is this incalculable element in human life influencing us from the mystery which envelops our being, and when reason is satisfied, there is something deeper than Reason which makes us still uncertain of truth. Above the human reason there is a transcendental sphere to which the spirit of men sometimes rises, and the will may be forged there at a lordly smithy and made the unbreakable pivot."(A.E.)
   This passage from the self-conscient to the super-conscient does not imply merely a shifting of the focus of consciousness. The transmutation of consciousness involves a purer illumination, a surer power and a wider compass; it involves also a fundamental change in the very mode of being and living. It gives quite a different life-intuition and a different life-power. The change in the motif brings about a new form altogether, a re-casting and re-shaping and re-energising of the external materials as well. As the lift from mere consciousness to self-consciousness meant all the difference between an animal and a man, so the lift again from self-consciousness to super-consciousness will mean the difference of a whole world between man and the divine creature that is to be.

0.10 - Letters to a Young Captain, #Some Answers From The Mother, #The Mother, #Integral Yoga
  My answers are given in order to open your mind and to make
  you exceed, little by little, your present mental limits.
  --
  but as soon as I open my eyes everything becomes normal
  again. What should I do?
  --
  so long, you can still think in this way and be open to this
  Sunday-school drivel.
  --
  I did not say "cut the nerve" - that would be a surgical operation! I said, cut the conscious connection with the brain.
  It is an occult operation, certainly more difficult than the
  other for those who don't know how to do it, but less dangerous.
  --
  you, the one that opens for you a path towards perfection. It
  may be something apparently very modest; it is not the apparent

01.10 - Principle and Personality, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Love and admiration for a mahapurusha is not enough, even faith in his gospel is of little avail, nor can actual participation, consecrated work and labour in his cause save the situation; it is only when the principles, the bare realities for which the mahapurusha stands are in the open forum and men have the full and free opportunity of testing and assimilating them, it is only when individuals thus become living embodiments of those principles and realities that we do create a thing universal and permanent, as universal and permanent as earthly things may be. Principles only can embrace and unify the whole of humanity; a particular personality shall always create division and limitation. By placing the man in front, we erect a wall between the Principle and men at large. It is the principles, on the contrary, that should be given the place of honour: our attempt should be to keep back personalities and make as little use of them as possible. Let the principles work and create in their freedom and power, untrammelled by the limitations of any mere human vessel.
   We are quite familiar with this cry so rampant in our democratic ageprinciples and no personalities! And although we admit the justice of it, yet we cannot ignore the trenchant one-sidedness which it involves. It is perhaps only a reaction, a swing to the opposite extreme of a mentality given too much to personalities, as the case generally has been in the past. It may be necessary, as a corrective, but it belongs only to a temporary stage. Since, however, we are after a universal ideal, we must also have an integral method. We shall have to curb many of our susceptibilities, diminish many of our apprehensions and soberly strike a balance between opposite extremes.
  --
   And yet we yield to none in our demand for holding forth the principles always and ever before the wide open gaze of all. The principle is there to make people self-knowing and self-guiding; and the man is also there to illustrate that principle, to serve as the h ope and prophecy of achievement. The living soul is there to touch your soul, if you require the touch; and the principle is there by which to test and testify. For, we do not ask anybody to be a mere automaton, a blind devotee, a soul without individual choice and initiative. On the contrary, we insist on each and every individual to find his own soul and stand on his own Truththis is the fundamental principle we declare, the only creedif creed it be that we ask people to note and freely follow. We ask all people to be fully self-dependent and self-illumined, for only thus can a real and solid reconstruction of human nature and society be possible; we do not wish that they should bow down ungrudgingly to anything, be it a principle or a personality. In this respect we claim the very first rank of iconoclasts and anarchists. And along with that, if we still choose to remain an idol-lover and a hero-worshipper, it is because we recognise that our mind, human as it is, being not a simple equation but a complex paradox, the idol or the hero symbolises for us and for those who so will, the very iconoclasm and anarchism and perhaps other more positive things as wellwhich we behold within and seek to manifest.
   The world is full of ikons and archons; we cannot escape them, even if we try the world itself being a great ikon and as great an archon. Those who swear by principles, swear always by some personality or other, if not by a living creature then by a lifeless book, if not by Religion then by Science, if not by the East then by the West, if not by Buddha or Christ then by Bentham or Voltaire. Only they do it unwittingly they change one set of personalities for another and believe they have rejected them all. The veils of Maya are a thousand-fold tangle and you think you have entirely escaped her when you have only run away from one fold to fall into another. The wise do not attempt to reject and negate Maya, but consciously accept herfreedom lies in a knowing affirmation. So we too have accepted and affirmed an icon, but we have done it consciously and knowingly; we are not bound by our idol, we see the truth of it, and we serve and utilise it as best as we may.

01.13 - T. S. Eliot: Four Quartets, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Yes, by the force of this secret knowledge he has discovered, this supreme skill in action, as it is termed in the Eastern lore, I that the poet at last comes out into the open, into the light and happiness of the Dawn and the Day:
   Whisper of running streams, and winter lightning.

0.11 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  Your hands are open to give everything, but I can only
  receive a small part of it because I am not receptive
  --
  would open to the Divine Love.
  But there is a remedy:
  --
  refer to a universal family open to all differences and even all
  divergences.
  --
  to open the chakras from below, whereas in the integral
  yoga the chakras open from above by the descent of the
  Mother's force.
  --
  Kali's force is necessary only for those who are not yet open to
  Divine Love. For one who is open to Divine Love, nothing more
  is needed.
  --
  This possibility is open to all whose aspiration is fervent.
  1 November 1968

0.14 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
  because the transformation begins with the opening of the consciousness to the action of the new forces; thus individuals have
  a unique and wonderful opportunity to open themselves to the
  divine influence.
  --
  Our human consciousness has windows that open upon the
  Infinite. But generally men keep these windows carefully closed.
  We have to open them wide and allow the Infinite to enter us
  freely in order to transform us.
  Two conditions are necessary to open the windows:
  (1) ardent aspiration;

0 1955-04-04, #Agenda Vol 01, #unset, #Integral Yoga
   I am not so absurdly pretentious as to blame the divine, nor yourself and I remain quite convinced that all this is my own fault. Undoubtedly I have not known how to surrender totally in some part of myself, or I do not aspire enough or know how to open myself as needed. Also, I should rely entirely upon the divine to take care of my progress and not be concerned about the absence of experiences. I have therefore asked myself why I am so far away from the true attitude, the genuine opening, and I see two main reasons: on the one hand, the difficulties inherent in my own nature, and on the other, the outer conditions of this sadhana. These conditions do not seem to be conducive to helping me overcome the difficulties in my own nature.
   I feel that I am turning in circles and taking one step backward for each one forward. Furthermore, instead of helping me draw nearer to the divine consciousness, my work in the Ashram (the very fact of working for to change work, even if I felt like it, would not change the overall situation), diverts me from this divine consciousness, or at least keeps me in a superficial consciousness from which I am unable to unglue myself as long as I am busy writing letters, doing translations, corrections or classes.1 I know its my own fault, that I should know how to be detached from my work and do it by relying upon a deeper consciousness, but what can be done? Unless I receive the grace, I cannot remember the essential thing as long as the outer part of my being is active.
   When I am not immediately engrossed in work, I have to confront a thousand little temptations and daily difficulties that come from my contact with other beings and a life that does indeed remain in life. Here, even more, there is the feeling of an impossible struggle, and all these little difficulties seem to gnaw away at me; scarcely has one hole been filled when another opens up, or the same one reappears, and there is never any real victoryone has constantly to begin everything again. Finally, it seems to me that I really live only one hour a day, during the evening distribution at the playground.2 It is scarcely a life and scarcely a sadhana!
   Consequently, I understand much better now why in the traditional yogas one settled all these difficulties once and for all by escaping from the world, without bothering to transform a life that seems so untransformable.

0 1955-09-03, #Agenda Vol 01, #unset, #Integral Yoga
   No matter where I concentrate, in my heart, above my head, between my eyes, I bang everywhere into an unyielding wall; I no longer know which way to turn, what I must do, say, pray in order to be freed from all this at last. Mother, I know that I am not making all the effort I should, but help me to make this effort, I implore your grace. I need so much to find at last this solid rock upon which to lean, this space of light where finally I may seek refuge. Mother, open the psychic being in me, open me to your sole Light which I need so much. Without your grace, I can only turn in circles, h opelessly. O Mother, may I live in you.
   Your child,

0 1955-09-15, #Agenda Vol 01, #unset, #Integral Yoga
   Mother suddenly everything seems to have crystallizedall the little revolts, the little tensions, the ill will and petty vital demandsforming a single block of open, determined resistance. I have become conscious that from the beginning of my sadhana, the mind has led the gamewith the psychic behind and has held me in leash, helped muzzle all contrary movements, but at no time, or only rarely, has the vital submitted or opened to the higher influence. The rare times when the vital participated, I felt a great progress. But now, I find myself in front of this solid mass that says No and is not at all convinced of what the mind has been imposing upon it for almost two years now.
   Mother, I am sufficiently awakened not to rebel against your Light and to understand that the vital is but one part of my being, but I have come to the conclusion that the only way of convincing this vital is not to force or stifle it, but to let it go through its own experience so it may understand by itself that it cannot be satisfied in this way. I feel the need to leave the Ashram for a while to see how I can get along away from here and to realize, no doubt, that one can really brea the only here.

0 1955-10-19, #Agenda Vol 01, #unset, #Integral Yoga
   2) To unfold ones being before Him, to open entirely ones body from head to toe, as one opens a book, spreading open ones centers so as to make all their movements visible in a total SINCERITY that allows nothing to remain hidden.
   3) To nestle in His arms, to melt in Him in a tender and absolute CONFIDENCE.

0 1956-05-02, #Agenda Vol 01, #unset, #Integral Yoga
   Those who are ready within, who are open and in touch with the higher forces, those who have had a more or less direct personal contact with the Supramental Light and Consciousness, are capable of feeling the difference in the earth atmosphere.
   But for this only like can know like. Only the Supramental Consciousness in an individual can perceive the Supramental acting in the earth atmosphere. Those who, for whatever reason, have devel oped this perception can see it. But those who are not even remotely conscious of their inner beings, who would be quite at a loss to say what their souls look like, are certainly not ready to perceive the difference in the earth atmosphere. They still have quite a way to go for that. Because, for those whose consciousness is more or less exclusively centered in the outer beingmental, vital and physicalthings need to have an absurd or unexpected appearance to be noticeable. And then they call it a miracle.
  --
   If you want it to change you, you must open yourself and strive to progress.
   Will we benefit collectively or individually from this new manifestation?
  --
   Individually, each ones goal was to make himself ready, to enter into a more or less intimate individual relationship with this Force, so as to help the process; or else, if he could not help, at least be ready to recognize and be open to the Force when it would manifest. Then instead of being an alien element in a world in which your OWN inner capacity remains unmanifest, you suddenly become THAT, you enter directly, fully, into the very atmosphere: the Force is there, all around you, permeating you.
   If you had had a little inner contact, you would have recognized it immediately, dont you think so?
  --
   But when the doors are opened and the flood pours in, it can no longer be called a descent: it is a Force that spreads everywhere. Understood? Ah!
   I dont care what words you use. I do not essentially insist upon my words, but I explain them to you, and its better to agree on words beforehand, for otherwise theres no end to explanations.

0 1956-09-14, #Agenda Vol 01, #unset, #Integral Yoga
   Reflect upon this, take your time, tell me very frankly how you feel about it and whether it appears to you, as it does to me, to be a door opening onto a path that will bring you back, free and strong at last to me.
   All my affection is with you, and my blessings never leave you.

0 1956-10-28, #Agenda Vol 01, #unset, #Integral Yoga
   open a new chapter in your existence. Live, no longer for your own realization or the realization of your ideal, however exalted it may be, but to serve an eternal work that transcends your individuality on all sides.
   Signed: Mother

0 1957-04-09, #Agenda Vol 01, #unset, #Integral Yoga
   I would like to throw myself at your feet and open my heart to you but I cannot. I cannot.
   For I SEE that, were I to give in now, I would be done forthere would be no alternative but to live out the rest of my days in the Ashram. But everything in me rebels at this idea. The idea of winding up as General Secretary of the Ashram, like Pavitra, makes my skin crawl. It is absurd, and I apologize for speaking this way, Mother, for I admire Pavitra but I cant help it, I cant do it, I do not want to end up like that.

0 1957-11-12, #Agenda Vol 01, #unset, #Integral Yoga
   To conclude, a final recommendation: never pose as an examiner. For while it is good to remember constantly that perhaps one is passing a very important test, it is, on the other hand, extremely dangerous to imagine oneself entrusted with applying tests to others, for that is an open door to the most absurd and harmful vanities. It is not an ignorant human will that decides these things but the Supreme Wisdom.
   ***

0 1957-12-13, #Agenda Vol 01, #unset, #Integral Yoga
   Sweet Mother, this is what is rising from my soul: I feel in me something unemployed, something seeking to express itself in life. I want to be like a knight, your knight, and go off in search of a treasure that I could bring back to you. The world has lost all sense of the wonderful, all beauty of Adventure, this quest known to the knights of the Middle Ages. It is this that calls so relentlessly within me, this need for a quest in the world and for a beautiful Adventure which at the same time would be an adventure of the soul. How I wish that the two things, inner and outer, be JOINED, that the joy of action, of the open road and the quest help the souls blossoming, that they be like a prayer of the soul expressed in life. The knights of the Middle Ages knew this. Perhaps it is all childish and absurd in the midst of this 20th century, but this is what I feel, this that is summoning me to leavenot anything base, not anything mediocre, only a need for something in me to be fulfilled. If only I could bring you back a beautiful treasure!
   After that, perhaps I would be riper to accept the everyday life of the Ashram, and know how to give myself better.

0 1958-05-10, #Agenda Vol 01, #unset, #Integral Yoga
   I saw and understood very well that by concentrating, I could have given it the attitude of the absolute authority of the eternal Mother. When Sri Aurobindo told me, You are She, at the same time he bestowed upon my body this attitude of absolute authority. But as I had the inner vision of this truth, I concerned myself very little with the imperfections of the physical body I didnt bother about that, I only used it as an instrument. Sri Aurobindo did the sadhana for this body, which had only to remain constantly open to his action.1
   Afterwards, when he left and I had to do the Yoga myself, to be able to take his physical place, I could have adopted the attitude of the sage, which is what I did since I was in an unparalleled state of calm when he left. As he left his body and entered into mine, he told me, You will continue, you will go right to the end of the work. It was then that I imposed a calm upon this body the calm of total detachment. And I could have remained like that.

0 1958-07-02, #Agenda Vol 01, #unset, #Integral Yoga
   I recall that once I tried to speak of this, but no one followed me, no one understood, so I did not insist. I left it open and never pursued it further, for they could not decipher anything or find any meaning in what I was saying. But now I could give a very simple answer: Let the Supreme do the work. It is He who has to progress, not you!
   Ramdas does not at all consider that the world as it is, is good.

0 1958-08-30, #Agenda Vol 01, #unset, #Integral Yoga
   It was just at four oclock in the morning, and it woke me up. It was exactly like this I was apparently in my bathroom, and I had to open the door between the bathroom and Sri Aurobindos room; the moment I put my hand on the doorknob, I knew with an absolute certainty that destruction was awaiting me behind the door. It had the form or image of those great invaders of India, those who had swo oped down upon India and destroyed everything in their wake But it was only an impression.
   So the door had to be opened and I felt and said, Lord, may your will be done. I opened the door and behind it was Z1 in the same clothes he wears when he drives, and he was leaning against one of those big tractor tiresor perhaps he was holding it at the same time. I was so dumbfounded that I woke up. It took me a little while to be able to understand what it might mean, and afterwards Even now, I still dont know What was I? Was I India, or was I the world? I dont know. And what did Z represent? It was as imperative and clear, as positive and absolute as could be: the certitude that destruction was behind the door, that it was inevitable. And it had the form of those great Tartar or Mongol invaders, those people who came from the North and invaded India, who pillaged everything Thats what it was like. But what Z was doing there I dont know. What does he represent? The first impulse was to tell Abhay Singh, Forbid him to drive the tractor.
   (Pavitra:) What was he holding in his hands, Mother?

0 1958-09-16 - OM NAMO BHAGAVATEH, #Agenda Vol 01, #unset, #Integral Yoga
   The physical seems to be more open to something that is repetitious for example, the music we play on Sundays, which has three series of combined mantras. The first is that of Chandi, addressed to the universal Mother:
   Ya devi sarvabhuteshu matrirupena sansthita

0 1958-10-04, #Agenda Vol 01, #unset, #Integral Yoga
   It must be strong enough to pull me from my concentration or my activity. If I knew when you concentrate or do your puja,1 I could tune into you, and shell I would know more; otherwise, my inner life is too l am not at all passive inwardly, you see, I am very active, so I dont usually receive your vibrations unless they impose themselves strongly or unless I have decided beforeh and to be attentive to what is coming from someone or other. If I know that at a given moment something is going to happen, then I open a door, as it were. But its difficult to speak of these things.
   When you left on your journey,2 for example, I made a specie! concentration for all to go well so that nothing untoward happen to you. I even made a formation and asked for a constant, special help over you. Then I renewed my concentration every day, which is how I came to notice that you were invoking me very regulary. I Saw you everyday, everyday, with a very regular precision. It was something that imposed itself on me, but it imposed itself only because l had initially made a formation to follow you.
  --
   The other day when I was in this state of concentration, I had the vision that I mentioned to you. I felt I was being pulled, that something was pulling me and trying to draw my attention. I felt it very strongly. So I opened my eyes, my mental eyes (the physical eyes may remain opened or closed, it makes no difference either way; when I am concentrated, things on the physical plane no longer exist), I deliberately opened the minds eyes, for that is where I felt myself being pulled, and then I had this vision I told you of. Someone was trying to draw my attention, to tell me something. It takes someone really quite powerful, with a very great power of concentration, to do thatthere are certainly a great many people here and elsewhere who try to do this, yet I dont feel a thing.3
   In the outer, practical domain, I might suddenly think of someone, so I know that this person is calling or thinking of me. When you left on your trip, I created a special link-up so that if ever, at any moment, you called me for anything, I would know it instantly, and I remained attentive and alert. But I do that only in exceptional cases. Generally speaking, when I havent made this special link-up, things keep coming in and coming in and coming in and coming in, and the answer goes out automatically, here or there or there or therehundreds and hundreds of things that I dont keep in my memory because then it would really be frightful. I dont keep these things in my consciousness; it is rather a work that is done automatically.

0 1958-10-10, #Agenda Vol 01, #unset, #Integral Yoga
   It opens up extraordinary horizons; once you have understood this, you have the keyyou have the key to many, many things: the different positions of each of the different saints, the different realizations and it resolves all the incoherencies of the various manifestations on earth.
   For example, this question of PowerTHE Powerover Matter. Those who perceive me as the eternal, universal Mother and Sri Aurobindo as the Avatar are surprised that our power is not absolute. They are surprised that we have not merely to say, Let it be thus for it to be thus. This is because, in the integral realization, the union of the two is essential: a union of the power that proceeds from the eternal position and the power that proceeds from the sadhana through evolutionary growth. Similarly, how is it that those who have reached even the summits of yogic knowledge (I was thinking of Swami) need to resort to beings like gods or demigods to be able to realize things?Because they have indeed united with certain higher forces and entities, but it was not decreed since the beginning of time that they were this particular being. They were not born as this or that, but through evolution they united with a latent possibility in themselves. Each one carries the Eternal within himself, but one can join Him only when one has realized the complete union of the latent Eternal with the eternal Eternal.

0 1958-11-11, #Agenda Vol 01, #unset, #Integral Yoga
   Yes. Because at the very bottom of the Inconscient is the Supreme. It is the same idea as the highest height touching the deepest depth. The universe is like a circleit is represented by the serpent biting its tail, its head touching its tail. It means that the supreme height touches the most material matter, without any intermediary. I have already said this several times. But that was the experience. I didnt know what was happening. I expected nothing and it was stupendousin a single bound, I sprang up! If someone had had his eyes open, I assure you he would have had to laugh: I was bent over, like this, more and more, more and more, more and more, my head was just about to touch my knees when suddenlyvrrrm! Straight, straight up, my head upright in a single bound!
   But as soon as you want to express it, it escapes like water running through your fingers; all the fluidity is lost, it evaporates. A rather vague, poetic or artistic expression is much truer, much nearer to the truth something hazy, nebulous, undefined. Something not concretized like a rigid mental expressionthis rigidity that the mind has introduced right down into the Inconscient.

0 1958-11-15, #Agenda Vol 01, #unset, #Integral Yoga
   And probably each time a new world opens up, there will again be a new reversal. This is why even our spiritual life, which is such a total reversal compared to ordinary life, seems something still so so totally different when compared to this supramental consciousness that the values are almost opposite.
   It can be expressed in this way (but its quite approximate, more than diminished or deformed): its as if our entire spiritual life were made of silver, whereas the supramental life is made of goldas if our entire spiritual life here were a vibration of silver, not gold but simply a light, a light that goes right to the summit, an absolutely pure light, pure and intense; but in the other, in the supramental world, there is a richness and a power that make all the difference. This whole spiritual life of the psychic being and of all our present consciousness that appears so warm, so full, so wonderful, so luminous to the ordinary consciousness, well, all this splendor seems poor in comparison to the splendor of the new world.

0 1958-11-20, #Agenda Vol 01, #unset, #Integral Yoga
   I dont have all the information, otherwise certainly Two things made me see I saw them the other day. First of all, when you didnt understand my letter, for I wrote it to a part of you that without any doubt should have understood; I was referring to something other than what is seen and known by this part of you which is this center, this knot of revolt that seems to resist everything, that really remains knotted, in spite of your experiences and the strides you have made, as well as your openings. And what made me see is especially the fact that it resists experiences, it is not touched by experiences; this was the point that did not understand what I wrote. Because the part of you that had the experience must necessarily understand what I wrote, without the shadow of a doubt.
   Time is needed

0 1958-11-22, #Agenda Vol 01, #unset, #Integral Yoga
   It can hardly be formulated; these are merely impressions that follow one another. I know that when you thought of leaving with Swami,1 I saw that a door was opening, that it was the truth, that this was IT.
   My immediate impression was that you were being put in direct contact with this this sort of Fatality that here they call karma, which is the consequence yes, something that must be exhausted, something that remains in the consciousness.
  --
   But just this, a faith in the Grace, or an awareness of the Grace, or the intensity of the call, or else naturally the response the response, the thing that opens, that breaks the response to this marvelous love of the Grace.
   It is difficult without a strong will; and above all, above all the capacity to resist the temptation, which was the fatal temptation throughout all ones livesbecause its power builds up. Each defeat gives it renewed force. But a tiny victory can dissolve it.
  --
   The other indication is what I told you the other day. When you thought of leaving to join Swami, I immediately saw a stream of light: Ah, the road is opening up! So I said, It is good. And while you were away in Ceylon, I followed you from day to day. You called much more than the second time, when you were in the Himalayas; and with the physical hardships you were undergoing, I was very, very close to you I constantly felt what was happening.
   And then I saw a GREAT light, like a glory, when you were at Rameswaram. A great light. And when you returned here, this light was upon you, very strong and imposing. But at the same time, I felt that it needed protectingto be shielded, protected that it was not yet established. Established, ready to resist all that decomposes an experience. I would have liked to have kept you apart, under a glass case, but then I saw that this would have drawbacks as well as advantages. Also, I liked the way you wanted to fight against an uncomprehending reception due to your orange robes and your shaved head. Of course, it was a much shorter path than the other, but it was more difficult.

0 1958-11-26, #Agenda Vol 01, #unset, #Integral Yoga
   Basically, the vast majority of men are like prisoners with all the doors and all the windows shut, so they suffocate (which is quite natural), but they have with them the key that opens the doors and the windows, and they dont use it Certainly, there is a period when they dont know that they have the key, but even long after they do know it, long after they have been told, they hesitate to use it and doubt that it has the power to open the doors and windows, or even that it may be advisable to open them. And even once they feel that After all, it might be a good thing, a fear pursues them: What is going to happen once all these doors and these windows open? They become afraidafraid of losing themselves in this light and in this freedom. They want to remain what they call themselves. They love their falsehood and their slavery. Something in them loves it and remains clinging to it. They feel that without their limits, they would no longer exist.
   That is why the journey is so long, so difficult. For if one would truly consent no longer to be, everything would become so easy, so swift, so luminous, so joyousthough perhaps not in the way men conceive of joy and ease. At heart, there are very few beings who are not enamored of struggle. There are very few who would consent to having no darkness or who can conceive of light as anything other than the opposite of obscurity: Without shadow, there would be no painting. Without struggle, there would be no victory. Without suffering, there would be no joy. That is what they think, and as long as they think like that, they are not yet born to the spirit.

0 1958-11-27 - Intermediaries and Immediacy, #Agenda Vol 01, #unset, #Integral Yoga
   For example, one thing had always appeared unimportant to me in actionintermediaries between the spiritualized individual being, the conscious soul, and the Supreme. According to my personal experience, it had always seemed to me that if one is exclusively turned towards the Supreme in all ones actions and expresses Him directly, whatever is to be done is done automatically. For example, if you are always open and if at each second you consciously want to express only what the Supreme Lord wants to be expressed, it is done automatically. But with all that I have learned about pujas, about certain scriptures and certain rituals as well, the necessity for a process has become very clear to me. Its the same as in physical life; in physical life, everything needs a process, as we know, and it is the knowledge of processes that constitutes physical science. Similarly, in a more occult working, the knowledge and especially the RESPECT for the process seem to be much more important than I had first thought.
   And when I studied this, when I looked at this science of processes, of intermediaries, suddenly I clearly understood the working of karma, which I had not understood before. I had worked and intervened quite often to change someones karma, but sometimes I had to wait, without exactly knowing why the result was not immediate. I simply used to wait without worrying about the reasons for this slowness or delay. Thats how it was. And generally it ended, as I said, with the exact vision of the karmas source, its initial cause; and scarcely would I have this vision when the Power would come, and the thing would be dissolved. But I didnt bother about finding out why it was like that.

0 1958-12-24, #Agenda Vol 01, #unset, #Integral Yoga
   I am following Swamis instructions to the letter. Sometimes it all seems to lack warmth and spontaneity, but I am holding on. I might add that we are living right next to the bazaar, amidst a great racket 20 hours a day, which does not make things easier. So I repeat my mantra as one pounds his fists against the walls of a prison. Sometimes it opens a little, you send me a little joy, and then everything becomes better again.
   Swami told me that the mantra to Durga is intended to pierce through into the subconscient. To complement this work, he does his pujas to Kali, and finally one of his friends, X, the High Priest of the temple in Rameswaram (who presided over my initiation and has great occult powers), has undertaken to say a very powerful mantra over me daily, for a period of eight days, to extirpate the dark forces from my subconscious. The operation already began four days ago. While reciting his mantra, he holds a glass of water in his hand, then he makes me drink it. It seems that on the eighth day, if the enemy has been trapped, this water turns yellow then the operation is over and the poisoned water is thrown out. (I tell you all this because I prefer that you know.) In any event, I like X very much, he is a very luminous, very good man. If I am not delivered after all this!
   In truth, I believe only in the Grace. My mantra and all the rest seem to me only little tricks to try to win over your Grace.

0 1958-12-28, #Agenda Vol 01, #unset, #Integral Yoga
   If you wish, two things can be done to help your action: either X can undertake certain mantric operations upon you here in Rameswaram, or better still, he can immediately come to Pondicherry with Swami and do what is needed in front of you.
   Sweet Mother, I indeed suspect that you want to endure, to bear this struggle all alone. Oh, I think I understand a number of things about the mechanism of these attacks and their connection with me, about the Divine Love that embraces all and takes into itself the suffering and the evil of menall this overwhelms me with a sudden understanding. It seems to me that I am seeing and feeling all that you are facing, all that you are taking upon yourself for us. The suffering of the Divine in Matter has been an overwhelming revelation to meAh! I see, I want to fight, I want to be totally on your side; I am now and forever determined.

0 1959-01-06, #Agenda Vol 01, #unset, #Integral Yoga
   Mother, by way of expressing to you my gratitude, I want to work now to open myself totally to your Light and become truly an egoless instrument, your conscious instrument. Mother, you are the sole Reality.
   With love and gratitude, I am your child.

0 1959-01-14, #Agenda Vol 01, #unset, #Integral Yoga
   As for the true tantric initiation, this is what X told me: I will give you initiation. You are fit. You belong to that line. It will come soon, some months or some years. Shortly you shall reach the junction. When the time has come, you yourself will come and open a door in me and I shall give you initiation.1 And he made me understand that an important divine work was reserved for me in the future, a work for the Mother. The important practical point is that I have rapidly to develop my knowledge of Sanskrit. The mantra given to me seems to grow in power as I repeat it.
   Sweet Mother, by what Grace have you guided and protected me through all these years? There are moments when I have the vision of this Grace, bringing me to the verge of tears. I see so clearly that you are doing everything, that you are all that is good in me, my aspiration and my strength. Me is all that is bad, all that resists, me is horribly false and falsifying. If your Grace withdraws for one second, I collapse, I am helpless.2 You alone are my strength, the source of my life, the joy and fulfillment to which I aspire.

0 1959-01-31, #Agenda Vol 01, #unset, #Integral Yoga
   Your letter, Sweet Mother, has filled me with strength and resolution. I want to be victorious and I want to serve you. I see very well that gradually I can be taught many useful things by X. The essential thing is first of all to lose this ego which falsifies everything. Finally, through your grace, I believe that I have passed a decisive turning point and that there is a beginning of real consecration and I feel your Love, your Presence. Things are opening a little.
   Sweet Mother, I love you and I want to serve you truly.

0 1959-03-26 - Lord of Death, Lord of Falsehood, #Agenda Vol 01, #unset, #Integral Yoga
   This Titan has been specially sent to attack this body, but he cant do it directly, so he uses people in my entourage. It is something fated: all those around me, who are close to me, and especially those capable of love, have been attacked by him; a few have succumbed, such as that girl in my entourage who was absorbed by him. He follows me like a shadow, and each time there is the least little opening in someone near me, he is there.
   The power of this Titan comes from an Asura. There are four Asuras. Two have already been converted, and the other two, the Lord of Death and the Lord of Falsehood, made an attempt at conversion by taking on a physical bodythey have been intimately associated with my life. The story of these Asuras would be very interesting to recount The Lord of Death disappeared; he lost his physical body, and I dont know what has become of him.1 As for the other, the Lord of Falsehood, the one who now rules over this earth, he tried hard to be converted, but he found it disgusting!

0 1959-04-07, #Agenda Vol 01, #unset, #Integral Yoga
   May you never again suffer because of me. O Mother, purify me and open my heart.
   Your child,

0 1959-05-19 - Ascending and Descending paths, #Agenda Vol 01, #unset, #Integral Yoga
   The thing can still be brought down as far as the mental and vital planes (although Sri Aurobindo said that thousands of lifetimes would be needed merely to bring it down to the mental plane, unless one practiced a perfect surrender1). With Sri Aurobindo, we went down below Matter, right into the Subconscient and even into the Inconscient. But after the descent comes the transformation, and when you come down to the body, when you attempt to make it take one step forwardoh, not even a real step, just a little step!everything starts grating; its like stepping on an anthill And yet the presence, the help of the supreme Mother, is there constantly; thus you realize that for ordinary men such a task is impossible, or else millions of lives would be needed but in truth, unless the work is done for them and the sadhana of the body done for the entire earth consciousness, they will never achieve the physical transformation, or else it will be so remote that it is better not even to speak of it. But if they open themselves, if they give themselves over in an integral surrender, the work can be done for themthey have only to let it be done.
   The path is difficult. And yet this body is full of good will; it is filled with the psychic in every one of its cells. Its like a child. The other day, it cried out quite spontaneously, O my Sweet Lord, give me the time to realize You! It did not ask to hasten the process, it did not ask to lighten its work; it only asked for enough TIME to do the work. Give me the time!

0 1959-05-28, #Agenda Vol 01, #unset, #Integral Yoga
   1) There is the destiny of the adventurer: it is the one in me that needs the sea or the forest and wide open spaces and struggles. This was the best part of my childhood. I can sit on it and tell myself that the adventure is within, and it might work for a while. But this untamed child in me continues to live all the same, and it is something very valuable in me. I cannot kill it through reasoning, even spiritual reasoning. And if I tell it that everything lies within, not without, it replies, Then why was I born, why this manifestation in the outer world? In the end, it is not a question of reasoning. It is a fact, like the wind upon the heaths.
   2) There is the destiny of the writer in me. And this too is linked to the best of my soul. It is also a profound need, like adventuring upon the heaths, because when I write certain things, I brea the in a certain way. But during the five years I have been here, I have had to bow to the fact that, materially, there is no time to write what I would like (I recall how I had to wrench out this Orpailleur, which I have not even had time to revise). This is not a reproach, Mother, for you do all you can to help me. But I realize that to write, one must have leisure, and there are too many less personal and more serious things to do. So I can also sit on this and tell myself that I am going to write a Sri Aurobindo but this will not satisfy that other need in me, and periodically it awakens and sprouts up to tell me that it too needs to breathe.
  --
   So there remains the pure spiritual destiny, pure interiorization. That is what I have been trying to do for the last five years, without much success. There are good periods of collaboration, because one part of my being can be happy in any condition. But in a certain way this achievement remains truncated, especially when you base spiritual life on a principle of integrality. And these three destinies in me have their own good reasons, which are true: they are not inferior, they are not incidental, they are woven from the very threads that created the spiritual life in me. My error is to open the door to revolt when I feel too poignantly one or the other being stifled.
   So you see, all this is insoluble. I have only to bow before these unfortunate circumstances. I perceive an injustice somewhere, but I have only to remain silent.

0 1959-06-08, #Agenda Vol 01, #unset, #Integral Yoga
   I have a world of things to tell you about all I have heard, seen and done concerning you these past days. New doors of understanding have opened but all these things are impossible to write.
   As for the mantra, since two days I am sure about it, and all is well.

0 1959-06-25, #Agenda Vol 01, #unset, #Integral Yoga
   X gave me a new mantra. My body is exhausted from too much nervous tension. I am living in a kind of cellar with four inches of filth on the floor and walls, and two openings, one onto the street of the bazaar the other onto a dilapidated courtyard with a well. On my right lives a madwoman who screams half the day. There is only my mantra which burns almost constantly in my heart, and who knows what h ope that some day the future will be happy and reconciled. There is also Sujata and you.
   Your child,

0 1959-07-14, #Agenda Vol 01, #unset, #Integral Yoga
   This is what I should have told you this morning, but I was afraid. For the last month I have been afraid of you, afraid that you might not understand. But I cannot leave with this weight on me. I beg of you to understand, Sweet Mother. I want nothing bad, nothing impure. I feel I have something to create with Sujata, I feel she is absolutely a part of something I have to achieve, that we have something to achieve together. For the five years we have known each other I have never had a single wrong thought but suddenly she opened my heart, which had been so completely walled-off, and this was like a wonder in me and at the same time a fear. A fear, perhaps because this love has been thwarted for so many lives.
   Mother, I need Sujata like my very soul. It seems to me that she is a part of me, that she alone can help me break with this horrible past, that she alone can help me to love truly at last. I need peace so much, a quiet, PEACEFUL happinessa base of happiness upon which I could use my strength to build, instead of always fighting, always destroying. Mother, I am not at all sure of what must be, but I know that Sujata is part of this realization.

0 1959-08-11, #Agenda Vol 01, #unset, #Integral Yoga
   Now I can tell you that not for one hour have I left you; I have been constantly near you, hoping that your inner eyes would open and that you would see me, watching over you and enveloping you with my force and my love. It is within yourself that I want you to find the certitude, truth and joy.
   Now I write you what I have wanted to tell you from the beginning: when you return to the Ashram, do not put on the orange robe1 again, return with the clothing X has given you

0 1959-10-06 - Sri Aurobindos abode, #Agenda Vol 01, #unset, #Integral Yoga
   It is similar with this japa: an imperceptible little change, and one can pass from a more or less mechanical, more or less efficient and real japa, to the true japa full of power and light. I even wondered if this difference is what the tantrics call the power of the japa. For example, the other day I was down with a cold. Each time I opened my mouth, there was a spasm in the throat and I coughed and coughed. Then a fever came. So I looked, I saw where it was coming from, and I decided that it had to stop. I got up to do my japa as usual, and I started walking back and forth in my room. I had to apply a certain will. Of course, I could do my japa in trance, I could walk in trance while repeating the japa, because then you feel nothing, none of all the bodys drawbacks. But the work has to be done in the body! So I got up and started doing my japa. Then, with each word pronounced the Light, the full Power. A power that heals everything. I began the japa tired, ill, and I came out of it refreshed, rested, cured. So those who tell me they come out of it exhausted, contracted, emptied, it means that they are not doing it in the true way.
   I understand why certain tantrics advise saying the japa in the heart center. When one applies a certain enthusiasm, when each word is said with a warmth of aspiration, then everything changes. I could feel this difference in myself, in my own japa.

0 1959-10-15, #Agenda Vol 01, #unset, #Integral Yoga
   Sweet Mother, I have such a yearning for everything in my consciousness to harmonize and for the tantric discipline, the japa, etc., not to separate me from you. I want to be your child, open to you, without any contradictions. I would like so much to find your almost physical Presence within me again, as before. May all be clear, pure, one.
   I would wish to be like Sujata, completely transparent, your child with her at your feet. Mother, help me. I need you. Sujata is healing something that was very painful in me, as though it were flayed or wounded, and which threw me into revolt. With this calming influence, I would like to begin a new life of self-giving. This change of residence is for me like the symbol of another change. Oh, Mother! may the painful road be over, and may all be achieved in the joy of your Will.

0 1960-03-03, #Agenda Vol 01, #unset, #Integral Yoga
   Only a few days ago, on the morning of the 29th, I had one of those experiences that mark ones life. It happened upstairs in my room. I was doing my japa, walking up and down with my eyes wide open, when suddenly Krishna camea gold Krishna, all golden, in a golden light that filled the whole room. I was walking, but I could not even see the windows or the rug any longer, for this golden light was everywhere with Krishna at its center. And it must have lasted at least fifteen minutes. He was dressed in those same clothes in which he is normally portrayed when he dances. He was all light, all dancing: You see, I will be there this evening during the Darshan.1 And suddenly, the chair I use for darshan came into the room! Krishna climbed up onto it, and his eyes twinkled mischievously, as if to say, I will be there, you see, and therell be no room for you.
   When I came down that evening for distribution,2 at first I was annoyed. I had said that I didnt want anybody in the hall, precisely because I wanted to establish an atmosphere of concentration, the immobility of the Spirit but there were at least thirty people in there, those who had decorated the hall, thirty of them stirring, stirring about, a mass of little vibrations. And before I could even say scat I had hardly taken my seatsomeone put the tray of medals on my lap and they started filing past.

0 1960-05-06, #Agenda Vol 01, #unset, #Integral Yoga
   Sometimes, for a second, I see the Secret; there is an opening, and again it closes. Then once again it is unveiled for a second and I come to know a little more. Yesterday the Secret was there completely clear, wide open. But its not something that can be explained: words are silly, it must be experienced.
   Sri Aurobindo speaks of this Secret almost everywhere, especially in his Essays on the Gita. He tells us that in the Gita itself one gets glimpses of this thing which is beyond the Impersonal, beyond even the Personal behind the Impersonal, beyond the Transcendent.

0 1960-05-24 - supramental flood, #Agenda Vol 01, #unset, #Integral Yoga
   These experiences are always absolute, as long as they last; then, through certain signs that I know (I am accustomed to it), I notice that the body consciousness begins closing up again. Or rather, somethingevidently a Supreme Wisdomdecides its sufficient for this time and that the body has had enough. It ought not to break, which is why certain precautions are taken. So this comes in several little stages that I know quite well. The final one is always a bit unpleasant because my body gets into rather peculiar positions as a result of the work. As its only a sort of machine, towards the end I have some difficulty straightening my knees, for example, or opening my fingers I think they even make a noise, like something forced into one position whose life has become purely spontaneous and mechanical. There are plenty of people like that, plenty, who enter into trance and then can no longer get out by themselves; they get themselves into a certain position and someone has to free them. This has never happened to me; I have always managed to extricate myself. But yesterday evening, the experience lasted a very long time. There was even a little cracking at the end, as when people have rheumatism.
   And during all this time, approximately three hours, the consciousness was completely, completely different. It was here, however; it was not outside the earth, it was on earth, but it was completely differenteven the body consciousness was different. And what remained was very mechanical; it was a body, but it could just as well have been anything. All this power of consciousness that for more than seventy years Ive gradually pushed into each of the bodys cells so that each cell could become conscious (and it goes on constantly, constantly), all this seemed to have withdrawn there only remained one almost lifeless thing. However, I could raise myself up from my bed and even drink a glass of water, but it was all so bizarre. And when I went back to bed, it took nearly forty-five minutes for the body to regain its normal state. Only after I had entered into another type of samadhi2 and again come out of it did my consciousness fully return. It is the first time I have had an experience of this kind.

0 1960-05-28 - death of K - the death process- the subtle physical, #Agenda Vol 01, #unset, #Integral Yoga
   K left his body. The operation had been extraordinarily, almost miraculously successfulone of those dreadful operations where they extract part of your body. He was quite all right for four days afterwards, then everything went wrong.
   During the operation and just afterwards, I had simply put the Force on him, as I always do in such cases, so that everything would turn out for the best. Then a few days ago, during my japa, a kind of order camea very clear orderto concentrate on him so that he would be conscious of his soul and able to leave under the best conditions. And I saw that the concentration worked wonderfully: it seems that during his last days he was ceaselessly repeating Ma-Ma-Ma1even while he was in a semi-coma.
   And the concentration grew stronger and stronger. The day before yesterday it became very, very powerful, and yesterday morning, around half past noon, it pulled me inward; he came to me in a kind of sleep, a conscious sleep, and I even said almost aloud, Oh, K!
  --
   I know one person, a boy who died here, who was burned before he had left! He had a weak heart, and not enough care was taken that is, they probably should not have operated on him. He was our engineer. He died in the hospital. Not a serious operation, an appendicitis, but his heart could not take up its natural movement.
   But as he was accustomed to going out of his body, he didnt know! He even used to make experimentshe would go out, circle around in his room, see his body from outside, observe the difference between the subtle physical and the material physical, etc. So he didnt know. And its only when they burned his body

0 1960-06-04, #Agenda Vol 01, #unset, #Integral Yoga
   This is the main reason for my japa. Theres a power in the sound itself, and by forcing the body to repeat the sound, you force it to receive the vibration at the same time. But Ive noticed that if something in the bodys working gets disturbed (a pain or disorder, the onset of some illness) and I repeat my mantra in a certain waystill the same words, the same mantra, but said with a certain purpose and above all in a movement of surrender, surrender of the pain, the disorder, and a call, like an openingit has a marvelous effect. The mantra acts in just the right way, in this way and in no other. And after a while everything is put back in order. And simultaneously, of course, the precise knowledge of what lies behind the disorder and what I must do to set it right comes to me. But quite apart from this, the mantra acts directly upon the pain itself.
   I also use my mantra to go into trance. After relaxing on the bed and making as total a self-offering as possible of everything, from top to bottom, and after removing as fully as possible all resistance of the ego, I start repeating the mantra.1 After repeating it two or three times, I am in trance (at the beginning it took longer). And from this trance I pass into sleep; the trance lasts as long as necessary and, quite naturally, spontaneously, I pass into sleep. And when I come back, I remember everything. The sleep was like a continuation of the trance. And essentially, the only reason for sleep is to allow the body to assimilate the results of the trance, then to allow these results to be accepted throughout and to let the body do its natural nights work of eliminating toxins. My periods of sleep practically dont exist sometimes they are as short as half an hour or 15 minutes. But in the beginning, I had long periods of sleep, one or even two hours in succession. And when I woke up, I did not feel this residue of heaviness which comes from sleep the effects of the trance continued.

0 1960-06-07, #Agenda Vol 01, #unset, #Integral Yoga
   Ah, thats what it is! Your cave it IS like that, its really like that, I understand why you feel you have to blast it with dynamite! But if you go right to the endright to the endtheres no more top to the cave, its wide open to the stars. I can see it. Go to the very end. Its very dark. Its very dark and not very enticing, and it feels as if it may still be worse but it wont be worse. Go right to the end, and suddenly youll be able to stand up straight.
   (long silence)

0 1960-07-12 - Mothers Vision - the Voice, the ashram a tiny part of myself, the Mothers Force, sparkling white light compressed - enormous formation of negative vibrations - light in evil, #Agenda Vol 01, #unset, #Integral Yoga
   Its form was elongated, slanting downwards (it always has this form). At the top it looked like a head, then the lines disappeared down below. It had no openings. And then, it was surrounded by various dark sheaths, a very dark purple which is the color of protection. A sparkling light was entering into itit kept entering, but without making any holes. It passed right through everything, through the purplethrough everything. It passed through and entered inside, where there were sparklings of every color, like a cascade. There are always these cascades of forcesimilar to a cascading stream whose waters neither flow on nor disappear, but accumulate: an accumulation of energies, a condensation. And they accumulate without taking up any more space through a kind of compression. And inside, its moving, vibrating, vibrating, vibrating, it keeps coming and comingyou dont know where it comes from, but it keeps coming and accumulating.
   It was a force with a sparkling white light at its center, the light which is the force of the Divine Mother, and as soon as it was well packed and concentrated inside, or condensed, it took on all the colorsvibrations of every color Like a materialization these colors were like a materialization of the Divine Force when it enters matter. (Just as matter is a condensation of energy, well, this seemed to be a condensation of Divine Force. Thats really the impression it gave.)

0 1960-07-23 - The Flood and the race - turning back to guide and save amongst the torrents - sadhana vs tamas and destruction - power of giving and offering - Japa, 7 lakhs, 140000 per day, 1 crore takes 20 years, #Agenda Vol 01, #unset, #Integral Yoga
   It was as if the doors of destruction had been flung open. Floodsfloods as vast as an oceanwere rushing down onto something the earth? A formidable current pouring down at an insane speed, with an unstoppable power. It was brackish waternot transparent, but brackish. And it was imperative to reach a certain spot BEFORE the water. Had the water reached there ahead of me, nothing could have been done. Whereas if I got there first (I say I, but it was not I with this body), if I got to the other side before the water, I would be completely safe; and from this safe position, I would be able, I would have a chance to help those left behind.
   And this vehicle was going faster than the flood (I saw and felt it by its motion)a formidable flood, but the vehicle was going still faster. It was so wonderful. In places there were some especially difficult and dangerous spots, but I ALWAYS got there before the water, just before the water barred the way. And we kept going and going and going. Then, with a final effort (there was no effort, really, it was willed), with a final push, we made it to the other side and the water came rushing just behind! It rushed down at a fantastic speed. We had made it. Then, just on the other side, it changed color. It was it changed in color to a predominant blue, this powerful blue which is the force, the organizing force in the most material world. So there we were, and the vehicle stopped. And then, after having been looking straight ahead the whole time we were speeding along, I turned around and said, Ah, now I can start helping those who are behind.
  --
   But when human beings are involved, I believe that visions take on a special formits a special image. Not an inundation like this. That was very, very impersonal. They were forces. A feeling of floodgates bursting open, of something being held back, retained or prevented, then suddenly
   The vehicle and the forward movement are the sadhana, beyond the shadow of a doubt. I understood that the speed of sadhana was greater than the speed of the forces of destruction. And it ended in certain victory, there is not a shadow of doubt. This feeling of POWER once I was firmly grounded there [in the square], enough power to help others.

0 1960-08-16, #Agenda Vol 01, #unset, #Integral Yoga
   opening the way
   to other books

0 1960-09-20, #Agenda Vol 01, #unset, #Integral Yoga
   Along the way, I once went down into this physical mind for awhile to try to set it right, to organize it a little (it was done rather quickly, I didnt stay there long). So when I went inside X, I saw It was rather curious, for its the opposite of the method we follow. In his material consciousness (physical and vital), he has trained himself to be impersonal, open, limitless, in communication with all the universal forces. In the physical mind, silence, immobility. But in the speculative mind, the one there at the very top of the head what an organization, phew! All the tradition in its most superb organization, but such a ri-gi-dity! And it had a pretty quality of light, a silver blueVERY pretty. Oh, it was very calm, wonderfully calm and quiet and still. But what a ceiling it had!the outer form resembled rigid cubes. Everything inside was beautiful, but that There was a very large cube right at the top, I recall, bordered by a purple line, which is a line of powerall this was quite luminous. It looked like a pyramid; the smaller cubes formed a kind of base, the lower part of which faded into something cloudy, and then this passed imperceptibly downwards to a more material realm, or in other words, the physical mind. The cube on top was the largest and most luminous, and the least yieldingeven inflexible, you could say. The others were somewhat less defined, and at the bottom it was very blurred. But up at the top!thats where I wanted to go, right to the top.
   When I got there, I felt a moment of anguish; my feeling was that nothing could be done. Not for him in particular, but universally, for all those in his categoryit seemed h opeless.6 If that was perfection, then nothing more could be done. This lasted only a second, but it was painful. And then I tried that is, I wanted to bring my consciousness down into the highest cubethis eternal, universal and infinite consciousness which is the first and foremost expression of the manifestation but nothing doing. It was impossible. I tried for several minutes and saw that it was absolutely impossible. So I had to make a curious movement (I couldnt get through it, it was impassable), I had to come back down into the so-called lower consciousness (not lower, actuallyit was vast and impersonal), and from there I came out and regained my equilibrium. This is what gave me that splitting headache I told you about. I came out of there as if I were carrying the weight the weight of an irreducible absoluteit was dreadful. Unfortunately, I was unable to rest afterwards, and as people were waiting to see me, I had to talkwhich is very tiring for me. And this produced a bubbling in my head, like a this dark blue light of power in matter was there, shot through with streaks of white and gold, and all this was flashing back and forth in my head, this way and that way I thought I was going to have a stroke! (Mother laughs)
  --
   And he isnt aware of this, actually, he isnt aware at all. If he were told, he would absolutely deny it for him, its an opening onto Infinity! But in fact, its always like that, we are always shut in, each of useach one is enclosed inside certain limits which he doesnt feel, for should he feel it, he would get out! Oh, I know this feeling very well, for when I was with Sri Aurobindo I was open in this way (gesture towards the heights), and I always had this feeling of Yes, my child He tolerated me the way I was and waited for it to change. Thats truly how things are, you know. And now I feel my limits, which are the limits of the world as it is at present, but beyond that theres an unmanifested immensity, eternity and infinityto which we are closed. It merely seeps init is not the great opening. What I am trying to bring about is the great opening. Only when it has opened wide will there really be the (how should I put it?) the irreducible thing, and all the worlds resistance, all its inertia, even its obscurity will be unable to swallow it up the determining and transforming thing I dont know when it will come.
   But this experience with X was really interesting. I learned many things that day, many things If you concentrate long enough on any one point, you discover the Infinite (and in his own experience he found the infinite), what could be called your own Infinite. But this is not what WE want, not this; what we want is the direct and integral contact between the manifested universe and the Infinite out of which this universe has emerged. So then it is no longer an individual or personal contact with the Infinite, its a total contact. And Sri Aurobindo insists on this, he says that its absolutely impossible to have the transformation (not the contact, but the supramental transformation) without becoming universalized that is the first condition. You cannot become supramental before being universal. And to be universal means to accept everything, be everything, become everythingreally to accept everything. And as for all those who are shut up in a system, even if it belongs to the highest regions of thought, it is not THAT.
  --
   So I saw this I saw it moving about. And it kept coming and coming and coming, accumulating, piling up (they work 24 hours a day, six days a weekonly on the seventh do they rest). So I thought that this angry force must have some effect on the peoplewho knows, maybe this is what creates accidents. For I could see that once the sugar cane was fully crushed and had gone back up the chute, this force that had been beaten out was right there. And this worried me a little; I thought that there must be a certain danger in doing such a thing! What saves them is their ignorance and their insensitivity. But Indians are never entirely insensitive in the way Westerners arethey are much more open in their subconscious.
   I didnt speak of it to anyone, but it caused me some concern. And just the next day the machine broke down! When I was informed, immediately I thought It was then repaired, and again it broke downthree times. Then the following night, just before ten oclock I should mention that during the day I had thought, But why not attract these forces to our side, take them and satisfy them, give them some peace and joy and use them? I thought about it, concentrated a little, but then I didnt bother any further. At ten oclock that evening, they came upon mein a flood! They kept coming and coming. And I was busy with them the whole time. They were not ugly (not so luminous either! ), they were wholesome, straightforwardhonest forces. So I worked on them. This began exactly at 9:30, and for one hour I was busy working. After an hour, Id had enough: Listen, this is quite fine, youre very nice, but I cant spend all my time like this! We shall see what to do later for it absorbed my whole consciousness. They kept coming and coming (you understand what that means to a body?!). So at 10:30 I told them, Listen, my little ones, be quiet now, thats enough for today At 10:30, the machine broke down!

0 1960-10-11, #Agenda Vol 01, #unset, #Integral Yoga
   I told this to Xor rather had someone tell himto see his reaction. And I realized that he did not understand in the least! Once Amrita asked him how he himself SAW and KNEW things. So he tried to explain; he told Amrita that he had to pull his consciousness upwards by a gradual effort, to go beyond the heart, beyond the throat center to pull it right up here (the top of the head), and once there, youre divine, you know! All of a sudden, I understood that when I said it was there, above the head, it must have seemed absolutely impossible to him! For him, its the crown of the head1 (what they call the thousand-petalled lotus), just at the top of the head, whereas in my experience it opens, it rises and you go above, and then you settle there For a number of years it even changed my [physical] visionit was as if I were looking at things from above. It returns from time to time, too, as if suddenly I were seeing from above instead of from here, at eye level.
   But the faculty of forming thoughts is now there, up above; its no longer here (Mother points to her forehead). And thats contrary to their teachings.
  --
   And in the beginning, during the first months that I was doing the japa, I felt them I had an almost detailed awareness of these myriads of cells opening to this vibration; the vibration of the first sound is an absolutely special vibration (you see, above, there is the light and all that, but beyond this light there is the original vibration), and this vibration was entering into all the cells and was reproduced in them. It went on for months in this way.
   Even now, when something or other is not all right, I have only to reproduce the thing with the same type of concentration as at the beginning for, when I say the japa, the sound and the words together the way the words are understood, the feel of the wordscreate a certain totality. I have to reproduce that. And the way its repeated is evolving all the time. The words are the same, however, the original sound is the same, but its all constantly evolving towards a more comprehensive realization and a more and more complete STATE. So when I want to obtain a certain result, I reproduce a certain type of this state. For example, if something in the body is not functioning right (it cant really be called an illness, but when somethings out of order), or if I wish to do some specific work on a specific person for a specific reason, then I go back to a certain state of repetition of my mantra, which acts directly on the bodys cells. And then the same phenomenon is reproducedexactly the same extraordinary vibration which I recognized when the supramental world descended. It comes in and vibrates like a pulsation in the cells.

0 1960-10-22, #Agenda Vol 01, #unset, #Integral Yoga
   Here, this is the kitchen; here is the living room, this is the studio. And then behind the kitchen there was a small room that I used as the dining room, and it opened onto a courtyard. Between the dining room and the kitchen there was a bathroom and a small hallway. The kitchen is here; you went up three steps and then there was this small hallway with the stairs leading up to the bedroom. Next to the bedroom was a bathroom about as big as a thimble.
   It is part of a huge house. Theres a seven-story apartment building on each side, and the street is here.
  --
   The experience I havewhat I mean by I is this aggregate here (Mother indicates her body), this particular individualityis that the more quiet and calm it is, the more work it can do and the faster the work can be done. What is most disturbing and time consuming are all these agitated vibrations that fall on me (truly speaking, each person who comes throws them on me). And this is what makes the work difficultit stirs up a whirlwind. And you cant do anything in this whirlwind, its impossible. If you try to do something material, your fingers stumble; if you try to do something intellectual, your thoughts get all entangled and you no longer see clearly. Ive had the experience, for example, of wanting to look up a word in the dictionary while this agitation was in the atmosphere, and everything jumps up and down (yet the lighting is the same and Im using the same magnifying glass), I no longer see a thing, its all jumping! I go page by page, but the word simply doesnt exist in the dictionary! Then I remain quiet, I do this (Mother makes a gesture of bringing down the Peace) and after half a minute I open the dictionary: the very spot, and the word leaps out at me! And I see clearly and distinctly. Consequently I have now the indisputable proof that if you want to do anything pr operly, you must FIRST be calm but not only be calm yourself; you must either isolate yourself or be capable of imposing a calm on this whirlwind of forces that comes upon you all the time from all around.
   All the teachers are wanting to quit the schoolweary! Which means theyll begin the year with half the teachers gone. They live in constant tension, they dont know how to relax thats really what it is. They dont know how to act without agitation.

0 1960-10-25, #Agenda Vol 01, #unset, #Integral Yoga
   On his way to the grandmo thers house, he passed by the station and went in to drink something. While drinking, two persons who were there started playing with some balls in front of him. He WATCHED. But suddenly, he felt very uneasy; he wanted to leave and ran towards an exit that opened onto the tracksit was closed and he could not get out. And these two people were just behind him; suddenly he lost consciousness: I dont know what happened to me after that.
   He woke up in a railway station somewhere between Bombay and Poona, and he began telling them that he was hungry (he was with those same two persons). They punched him in the stomach and put a handkerchief over his nosehe again passed out! At Poona, he woke up again (hed lost his appetite by then!), and again they put the handkerchief over his nose. And it went on like thatthey kept on punching him a lot. When he woke up in the country on the outskirts of Poona, four men were around him arguing in a language he didnt know (his language is Gujarati). They were probably speaking in some other language, I dont know which oneit seems they were very dark. He didnt understand, but from various signs they made he could see that they were arguing about whether to kill him or not. Finally, they told him (probably in a language he could understand), Either you join our gang, or well kill you. He grunted in reply so as not to commit himself. The others decided to wait for their chief (thus the chief wasnt there): Well decide after he comes. Then just to make sure, they punched him a few more times in the belly and put the handkerchief over his noseout!
  --
   But I was mainly interested by the fact that I felt the danger these people representednot because they were brigands, but because they had some powerbrigands with a power and from what I saw, it was not merely an hypnotic power. There must have been a tantric force in it, otherwise they would not have been so powerful, and especially so powerful from a distance. I had said to myself, They MUST be caught. Which was why (the Force kept on working, you see). And yesterday, the newspaper said that a gang of five men, eight women and half a dozen children had been arrested by the police in Allahabad for using what the newspaper called mesmeric means to rob people, attack them, etc. (They were operating in Poona, Bombay and Ahmedabad, but they were caught in Allahabad). Probably when they realized that the boy was gone, they got frightened and fled to the North. And they were arrested in Allahabad I had made a very strong formation and had said, They MUST be caught.
   As of now, I have no other news Theyve been caught, so they cant do any wrong OUTWARDLY, but still their power is there. Were going to have to be And everyone here says the same thinglike a black veil of unconsciousness that has fallen upon us. Even those who arent accustomed to such things have felt it. Im presently cleaning the whole placeits not easy. Everything is upside down.

0 1960-11-08, #Agenda Vol 01, #unset, #Integral Yoga
   And I wondered why people are so rigid and severe, why they condemn others (but one day Ill understand this as well). I say this because very often I run into these two states of mind in my activities (the grave and serious mind which sees hypocrisy and vice, and the religious and yogic mind which sees the illusion that prevents you from nearing the Divine)and without being openly criticized, Im criticized Ill tell you about this one day
   Youre criticized?
   Yes, but naturally without daring to criticize me openly. But Im aware of it. On the one hand, they see it as a kind of looseness on my part (oh, not only for thatmany things!). And on the other hand,1 you know well enough; it applies to other things, slightly different areas, its not exactly the same, but in this area theyre also severe. Im even told that there are some people who shouldnt be in the Ashram.
   My reply is that the whole world should be in the Ashram!
  --
   As if suddenly something were opening in a marvelous wayit has classified a whole part of terrestrial life. It was truly interesting.
   (silence)

0 1960-11-26, #Agenda Vol 01, #unset, #Integral Yoga
   Not last night but the night before, I touched at least one of the causes (at that time it felt like THE cause) of a certain powerlessness to act directly on Matter You see, when the Will and the Power come, they are extremely effective everywhere UP TO A CERTAIN REGION (in other words, whether people are receptive or not, open or not, makes no differencewhen the Will is applied it is all-powerful UP TO a certain region) but once it arrives here, at the most material material, its efficacy depends on many thingsand a power which depends on something is no power! For a long, long time I have been searching for the reasons behind this powerlessness. Ive located a few, one after another, and upon these points there was an immediate effect. But some things resisted (oh, quite a number, in a number of ways), for example it had difficulty acting on illnesses, on the cells, on doubt (not mental doubt, but rather the doubt of the physical consciousness which cant accept certain things that seem impossible to itwhat Sri Aurobindo calls disbelief,1 not a mental doubt, but the disbelief of the physical consciousness which cant accept what is contrary to its own nature and its own working). And as for illnesses, sometimes it has an immediate effect, but sometimes it drags on and has to follow its so-called normal course. On all these three points, I clearly felt that something was hampering it. These are the Enemys strongholds; all that doesnt want the Divine seizes upon it and even the working of the Power coming from above is obstructed, for when it must work here in the body, it is stopped or deformed or altered or diminished.
   All this goes on in the subconscient; these are things that were pushed out of the physical consciousness down into the subconscient, so theyre there and they come back up whenever they please.

0 1960-12-02, #Agenda Vol 01, #unset, #Integral Yoga
   A sort of unification is taking place [in you], as if you had become a more uniform whole within-without. I dont know how to explain thisit feels more unified, more organizeduniform. Not some parts more devel oped and others less so, some more luminous and others less so; its much more uniform, and uniform even in the vibration, a kind of really a uniformity in all its movements, responses, vibrations, light. And this kind of powdering of the new light which I see is much more widespread. Its as if everything, everything what is happening is really a work of unifyingstabilizing, unifying. And this powdering of golden light has completely envel oped you, with this same blue light in your japa, with different intensities of powerboth are there. Like a unifying of the consciousness, as if all the less receptive elements were starting to open, thereby creating a much more homogeneous whole. I dont know how your nights are, but
   Not very conscious.

0 1961-01-10, #Agenda Vol 02, #The Mother, #Integral Yoga
   But as its all-powerful, a certain receptivity must be prepared on earth so its effects are not devastating. Sri Aurobindo has explained it in one of his letters. Someone asked him, Why doesnt this Love come now?, and he replied something like this: If divine Love in its essence were to manifest on earth, it would be like an explosion; for the earth is not supple enough or receptive enough to widen to the measure of this Love. The earth must not only open itself but become wide and supple. Matternot just physical Matter, but the substance of the physical consciousness as wellis still much too rigid.
   ***

0 1961-01-22, #Agenda Vol 02, #The Mother, #Integral Yoga
   I remained perfectly tranquil, there was nothing else to do; I knew it meant a battle. I was perfectly tranquil, but I could no longer eat, I could no longer rest, do japa2 or walk, and my head felt as though it would burst. I could only abandon myself (Mother opens her arms in a gesture of surrender), enter into a very, very deep trance, a very deep samadhithis is something one can always do. But that was the only thing left to me. Ideas were just as clear as ever (all that is above and doesnt budge), but my body was in a very bad way. It was a fight, a fight at each second. The least thing, just to walk a step, was a struggle, an awful battle!
   Then last night I saw the symbol, the image of the thing. But what was it? It was an element in the most material Matter,3 because it was deep down below; yet despite it all, Mother Nature was in charge there: she was familiar with everything, knew everything and it was all at her disposalabsolutely the most material Nature. And she herself had no light, but was very, very she had a concealed power that was completely invisible.

0 1961-01-24, #Agenda Vol 02, #The Mother, #Integral Yoga
   At midnight I was lying in bed. (And I remained there from midnight until I oclock fully awake. I dont know if my eyes were open or closed, but I was wide awake, NOT IN TRANCEI could hear all the noises, the clocks, and so forth.) Then, lying flat, my entire body (but a slightly enlarged body, exceeding the purely physical form) became ONE vibration, extremely rapid and intense but immobile. I dont know how to explain this, because it did not move in space but was a vibration (that is, it wasnt motionless); yet it was motionless in space. And the exact form of my body was absolutely the most brilliant white Light of the supreme Consciousness, the consciousness OF the Supreme. It was IN the body and it was as though in EACH cell there was a vibration, and it was all part of a single BLOCK of vibration. It extended this much beyond the body (gesture indicating about six centimeters). I was absolutely immobile in my bed. Then, WITHOUT MOVING, without shifting, it began consciously to rise upwithout moving, you understand: I remained like this (Mother holds her two joined and motionless hands at the level of her forehead, as if her entire body were mounting in prayer)consciously like an ascension of this consciousness6 towards the supreme Consciousness.
   The body was stretched out flat.

0 1961-01-27, #Agenda Vol 02, #The Mother, #Integral Yoga
   There is now a kind of VERY PRECISE knowledge of the whole inner mechanism for all thingsand what has to be done materially. This is developing, as a flower blossoms: you see one petal open and then another and then another; it is proceeding like that, slowly, taking its time. Its the same process for the Power.
   To illustrate this, an interesting thing came upyesterday, I think. (All these experiences come to show me the difference, as if to give proof of the change.) Someone had had a dream about me whispered to him by the adverse forces for specific reasons (I wont go into the details). He was much affected by it, so he wrote down the dream and gave it to me. I was carrying his letter along with all the others, as I usually do, but suddenly I knew I had to read it right away: I read it. Then I saw the whole thing with such clarity, precision, accuracy: how it had come about, how the dream had been produced, its effect the whole functioning of all the forces. As I read along and it went on unfolding, I did what was necessary for him (he was present at the time) in order to undo what the adverse forces had done. Then at the end, when I had finished, said everything, explained what it was all about and what had to be done, something SO CATEGORICAL came into me (I cannot verbalize this kind of experience, it is what I call the difference in power: something categorical). I took the letter, uttered a few words (which I wont repeat) and said, You see, its like this: so much for that, and I ripped the letter a first time. Then, thats for that, I tore it a second time and so on. I ripped it up five times and the fifth time I saw that their power was destroyed.
  --
   Well, yesterday I saw R. He was asking me questions about his work and particularly about the knowledge of languages (hes a scholar, you know, and very familiar with the old traditions). This put me in contact with that whole world and I began speaking to him a little about what I had already said to you concerning my experience with the Vedas. And all at once, in the same [absolute] way as I told you, when I entered into contact with that world a whole domain seemed to open up, a whole field of knowledge from the standpoint of languages, of the Word, of the essential Vibration, that vibration which would be able to reproduce the supramental consciousness. It all came, so clear, so clear, luminous, indisputable but unfortunately there was no tape recorder!
   It was about the Word, the primal sound. Sri Aurobindo speaks of it in Savitri: the essence of the Word and how it will express itself, how it will bring in the possibility of a supramental expression that will take the place of languages. I began by speaking to him about the different languages, their limitations and possibilities; and I warned him against the deformations imposed on languages with the idea of making them a more flexible means of expressing something else. I told him how completely ridiculous it all was, and that it didnt correspond at all to the truth. Then little by little I began ascending to the Origin. So yesterday again, I had this same experience: a whole world of knowledge, of consciousness and of CERTAINTYprecluding the least possibility of contradiction, discussion, or opposition; the possibility DOES NOT EXIST, it doesnt exist. And the mind was absolutely silent and immobile, listening with obvious pleasure because these things had never before come into my consciousness; I had never been concerned with them in that way. It was completely newnot new in principle but completely new in action.

0 1961-02-04, #Agenda Vol 02, #The Mother, #Integral Yoga
   I have had several experiences demonstrating my power over snakes (not so much as over catswith cats its extraordinary!). Long ago, I often used to take a drive and then stop somewhere for a walk. One day after my walk, as I was getting back into the car to drive away (the door was still open), a very large snake came out, right from the spot I had just left. He was furious and heading straight towards the open door, ready to strike (luckily I was alone, neither the driver nor Pavitra were there, otherwise). When the snake had come quite near, I looked at him closely and said, What do you want? Why have you come here? There was a pause. Then he fell down flat and off he went. I hadnt made a move, only asked him, What do you want? Why have you come here? You know, they have a way of suddenly falling back, going limp, and prrt! Gone!
   How many, many experiences there were during those days at Tlemcen! Surely youve heard them. Were you there when I told the story about the big toad? A huge toad, covered with warts. No? The sitting room was upstairs in Theons house (the house was built on a hillside) and it was connected by large open doors to a small terrace that sat almost on top of the hill. I played the piano in this room every day. And one day, what did I see hopping in through the open bay windows but an enormous black toadenormous! He sat down on his backside right in the entrance and puffed up his throat: poff! poff! And for the whole time I played, he stayed there going Poff! poff!, as though in a state of delight! When I finished, I turned around and he gave me one last Poff! and hopped away. It was comical!
   Theon also taught me how to turn aside lightning.
  --
   One day I will find his photo and show it to you; he is there with a big dog he called Little Boy, a dog that could exteriorizehe would dream and go out of his body! This dog had a kind of adoration for me. (I should mention that at a fixed time in the afternoons I used to meditate and go into trance. When it was finished I would go out walking with Theon, and the dog always came with us, usually coming to fetch me in my room.) One day I was lying on a divan in trance when I felt his cold muzzle nudging my hand to wake me. I opened my eyes no dog. Yet I had positively, clearly felt his cold muzzle. So I got ready, went downstairs, and who did I find fast asleep on the landing but Little Boyhe was in trance as well! He had come to wake me in his sleep. When I reached the landing he woke up, shook himself and trotted off.
   It was an interesting life.

0 1961-02-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   It has been good for it (not externally, but inwardly, for its state of consciousness: the body-consciousness), it has done the body some good, but. Now its like this (Mother opens her hands in a gesture of total surrender). For each blow it receives (its a bludgeoning, my child!), for each blow, it remains like this (same gesture). Yesterday, to make it happy, I wrote down something like this (concerning its latest difficulty): If this present difficulty is useful (its the body addressing the Lord, and the Lord. its a perpetual adoration: all the cells vibrate, vibrate with the joy of Love; yet despite that ), if this or that difficulty is useful for Your Workso be it. But if it is an effect of my stupidity (its the body speaking), if its an effect of my own stupidity, then I beseech You to cure me of this stupidity as quickly as possible.
   It doesnt ask to be cured of the illness! It doesnt ask, it is ready; All right, it says. As long as I can keep going, I will keep going. As long as I can last, I will last. But thats not what Im asking for: I am asking to be cured of my stupidity. I believe this is what enables it to yes, what gives it the necessary endurance.

0 1961-02-11, #Agenda Vol 02, #The Mother, #Integral Yoga
   It all began with some extremely violent attacks. So if your dream is not premonitory, then it must be the result of their formation, by which they intend to disseminate the conviction everywhere, as much as possible, that this is the end. Two years ago, when I had to retire to my room, a formidable campaign was set into operation upon all the Ashram people; and all those who were a little receptive, either in dreams or through an openness to suggestions, heard it clearly announced: On the 9th of December of this year [1958], Mother will leave. Theres no doubt about it, its sure. It was said to me as well: This will be the end, you will leave. It was repeated to everybody, everybody, a great many people heard itthey were virtually awaiting it. And this is why (you know how extremely ill I was at the time, I was really ill), this is why I didnt react, but all the same I didnt go to the lake [the lake estate where Mother was to have gone on the 9th of December], because I told myself, If anything happens there, it will be awkward I had better not go. But still I knew it wasnt true, I knew it.
   Now this kind of attack has stopped, it is no longer like that. But there are beings who send dreams. For example, some dreams were sent to Z (who, as you know, is quite clairvoyant), in which she was told I would be broken to pieces. She was very upset and I had to intervene. Is your dream of this nature, or are you being forewarned? I dont know, I cant say. If the doctor were asked, perhaps he would say that if it continues like this, obviously (you see, one thing after another is getting disorganized), if it continues in this way, how long can the body last?
  --
   This detachment, as I told you, came afterwards (it was evidently indispensable); and as soon as it came, everything began to get disorganized. Well, the detachment must surely have come so that. Actually, my immediate impression was: so that I wouldnt get worried and say to myself, Oh, now it wont work any morethis is the end. So I wouldnt worry. All right, I said, dont bother with it.(gesture of surrender, hands opened upwards) And for the first two or three days I was absolutely detached, watching and not bothering about it. Its only with this last attack on my legs. Because the rest of it tired me and made me ill but it didnt hinder my work; but things become difficult when the legs dont function.
   We shall see, mon petit! Well see whats going to happen (Mother laughs).

0 1961-02-28, #Agenda Vol 02, #The Mother, #Integral Yoga
   Anyway, in reply to this nonsense, I have said: Your error, to be precise, is that you go to the Theosophical Society, for example, with the same opening as to the Christian religion or to the Buddhist doctrine or with which you read one of Sri Aurobindos booksand as a result, you are plunged into a confusion and a muddle and you dont understand anything about anything.
   And then the reply came to me very strongly; something took hold of me and I was, so to say, obliged to write: What Sri Aurobindo represents in the worlds history is not a teaching, not even a revelation; it is a decisive action direct from the Supreme.2

0 1961-03-04, #Agenda Vol 02, #The Mother, #Integral Yoga
   What shocked me was. You know I rarely leave my house, but each time I would come to the Ashram for darshan or to see you, always, as if by chance, I would find J. off in a corner with some Eur opean visitor. The repetition of this coincidence made me wonder, Whats he doing so systematically with ALL the Eur opean visitors?! And it shocked me to imagine myself in their place: just suppose, I said to myself, you are coming to the Ashram for the first time, very open, in search of a great truth, and you stumble upon this man who tells you: Sri Aurobindo = World Union. Well, my first reaction would be, Im leaving, Im not interested!
   It serves as a test, my child, a very good test! There are many things like that.

0 1961-03-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   I am determined to cure myself they told me it was incurable. The doctors poison you to cure you (as they poisoned our poor S.), and thats no cure! When they dont feel the need to show off in front of the patient, they openly acknowledge that it isnt at all sure that their medicines cure: they merely make you inoffensive to others! But I dont believe in it I dont believe in doctors, I dont believe in their remedies and I dont believe in their science (they are very useful, they have a great social utility, but for myself, I dont believe in it).
   I knew when I caught it: it was at the Playground.4 Certain people poisoned me with a mosquito bite the instant the mosquito bit me, I knew, because it so happens I am a little bit conscious! But I controlled it like this (gesture of holding the disease in abeyance and under control), so it couldnt stir. Probably it would never have stirred if I hadnt had that experience of January 24 and the body didnt need to be made ready. For the body to be ready, a host of things belonging to the dasyus, as the Vedas say, cant be stored inside it! These are very nasty little dasyus (laughing), they have to be chased away!
  --
   Mon petit, I dont claim to be totally universal, but in any case I am open enough to receive. You see, given the quantity of material I have taken into my consciousness, its quite natural that the body bears the consequences. There is nothing, not one wrong movement, that my body doesnt feel5; generally, though, things are automatically set in order (gesture indicating that Mother automatically purifies and masters the vibrations coming to her). But there are timesespecially when it coincides with a revolt of adverse forces who dont want to give up their domain and enter into battle with all their mightwhen I must admit its hard. If I had some hours of solitude it would be easier. But particularly during the period of my Playground activities, I was badgered, harassed; I would rush from one thing to the next, one thing to the next, I had no nights to speak ofnights of two and a half or three hours rest, which isnt enough, theres no time to put things in order.
   Under those conditions I could only hold the thing like this (same gesture of muzzling the illness or holding it in abeyance).

0 1961-03-11, #Agenda Vol 02, #The Mother, #Integral Yoga
   Yes you know, I read and it comes like that, brrm! Like opening a tap. (Mother reads.)
   56When, O eager disputant, thou hast prevailed in a debate, then art thou greatly to be pitied; for thou hast lost a chance of widening knowledge.

0 1961-03-14, #Agenda Vol 02, #The Mother, #Integral Yoga
   Mother goes on to the work and listens to the reading of an old Talk of September 26, 1956, to be used in the Bulletin. In it she speaks of moments of opening in the yoga:
   Then there are days when you are in contact with the divine Consciousness, with the Grace, and all is tinged, colored by this Presence, and things which usually seem dull to you become charming and pleasant all is alive, all is vibrant. At other moments you are clouded, closed, you no longer feel anything, everything loses its flavor you are like a walking block of wood.

0 1961-03-17, #Agenda Vol 02, #The Mother, #Integral Yoga
   Up to that point, all his modes of being are naturally natural! But with the minds intrusion, evolution was, if not falsified, then deformed, because by its very nature the mind was open to perversion and it became perverted almost from the start (or to be more exact, it was perverted by the asuric forces). And what appears unnatural to us now is this state of perversion. At any rate, its a deformation.
   You ask why man questions himself, but this is the nature of the mind!
   Along with the mind came individualization, an acute sense of separation and a more or less precise feeling of a freedom of choiceall of that, all these psychological states, are the natural consequences of mental life and open the door to everything we see now, from the worst aberrations to the most rigorous principles. Mans impression of being free to choose between one thing and another is the deformation of a true principle that will be totally realizable only when the soul or psychic being becomes conscious in him; were the soul to govern the being, mans life would truly be a conscious expression of the supreme Will translated individually. But in the normal human state, such a case is still extremely rare and doesnt seem at all natural to ordinary human consciousness it seems almost supernatural!
   Man questions himself because the mental instrument is made for seeing all possibilities and because the human being feels he has freedom of choice and the immediate consequences are the notions of good and evil, right and wrong, and all the ensuing miseries. This cant be called a bad thing: its an intermediate stagenot a very pleasant stage, but nevertheless it was certainly inevitable for a total development.

0 1961-03-21, #Agenda Vol 02, #The Mother, #Integral Yoga
   Then I woke up (I always wake up three or four times during the night) and when I went back to bed I had an attack of what the doctor and I have taken to be filariasis but a strange type of filariasis, for as soon as I master it in one spot it appears in another, and when I master it there it reappears somewhere else. Last night it was in the arms (it lasted quite a while, between 2:30 and 4 a.m.); but I was fully conscious, and each time the attack came, I went like this (gestures over the arms, to drive away the attack) and my arms were not affected at all. When it was over, I consciously entered the most material subtle physical, just beyond the body. I was sitting in my room there (an immense, cubic room) reading or writing something, when I heard the door open and close, but I was busy and didnt pay attention, presuming it was one of the people usually around me. Then suddenly I had such an unpleasant sensation in my body that I raised my head and looked, and I saw someone there. Do you know how the magicians in Eur ope dress, in short satin breeches and a shirt? He was wearing something like that. He was Indian, tall and rather dark, with slicked-down hairwhat you would normally call a handsome young man. He seemed to have been drawn1 there becausehe was standing in front of me staring into space, not looking at me. And the moment I saw him, there was the same sensation in all my cells as I have with what Ive been calling filariasis (its a special, minute kind of pain) and simultaneously all the cells felt disgusta tremendous will of rejection. Then I sat up straight (I didnt stand up) and said to him as forcefully as possible, How do you dare to come in here! I said it so loudly that the noise woke me up! I dont know what happened then, but things went much better afterwards.
   The moment I saw this person I knew he was only an instrument, but a well-paid instrumentsomeone paid a great deal to have him do that! I would recognize him again among hundreds I can still see him I see him more clearly than with physical eyes. He is an unintelligent man with no personal animosity, merely a very well-paid instrumentsomeone is hiding behind him, using him as a screen.
  --
   But Z I dont know how to explain my relationship with him. He is sheltered by a light of benediction, so. When he was here I opened the doors for him to a realization he was incapable of having, something light years beyond him; and it gave him an appalling ambition, totally spoiling everything. From this point of view, its a great blessing for him; even if he becomes a dreadful Asura, it will come to a good end! It doesnt matter, its not important. Thats why this morning, even when I heard what X said about Z, it was the same thing: this great Light of the supreme Mother going out towards Z. His magic is not important, but if he indulges in it, too bad for him. It doesnt concern me: its Xs business and X is doing whats necessary and I believe (laughing) he hits hard!5
   (silence)
  --
   I had told N. to knock at the door when he arrived with X, but he didnt do itluckily I heard the door opening. I stood up, still in that state and almost fell over! X must have thought I was having a spell of weakness or something, because I was holding onto the arms of the chair, and when I took his flowers, my hands were trembling I wasnt in my body. And afterwards, ah, what a concentration! We remained in it for about thirty-five minutes. It was SOLIDan extraordinary solidity! I didnt want to waste time waiting for it to subside before coming here, and you must have seen how I was when I arrived: like a sleepwalker! I said to the people I passed in the corridor, Im coming back, Im coming back! Thats all I could say, like an idiot.
   (silence)
  --
   And now the door is open thats not so good! (Satprem gets up to close the door.)
   (Mother laughs) No! Im not cold, Im hot!

0 1961-03-25, #Agenda Vol 02, #The Mother, #Integral Yoga
   If I could receive the Light: if I could SEE this Light; if I could see the vastness opening before my eyes.
   Then its in the realm of visions, of conscious perception.

0 1961-03-27, #Agenda Vol 02, #The Mother, #Integral Yoga
   Still, it surprises me. Because sitting in that room, one has the feeling (I say one, its probably I dont know what it is), I thought he had the same feeling I did: oh, it could last an eternity! Its like that: tranquil, tranquil, peaceful, balanced, strong. On other occasions there was a kind of movement: it came, went, came, went; but this time (Mother stretches forth her arms as if time had stopped) and I am like that (not the I here, the I above), I see it like that. Then just as the clock is about to strike, when the half-hour is finished, something comes and tells my body, Now! A tiny shock, and two or three seconds later the clock strikes. I always feel beforehand, Now its over. Otherwise there would be no reason for it to endits so peaceful! And not something diluted, as it were, but strong, compact. Compact. Then that tiny shock and the body comes to attention: Ah, Im going to have to move! And always after about two seconds, the clock strikes. I open my eyes, look at X and wait. Three or four seconds later, or after a minute or two, he opens his eyes, bows to me and gets up. Then I get up. Its always the same. So I dont know why. I dont understand what goes on in his consciousness. I no longer understand.
   Im not so sure about what he said to N.

0 1961-04-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   As for him, even now his way of working consists in eliminating all obstaclesjust the opposite of what Sri Aurobindo was doing. Sri Aurobindo used to envelop them, like this (Mother opens her arms to embrace everything), and then act upon them so that they would no longer be obstacles. But the first thing X said when he first came to the Ashram was, Oh, there are a lot of elements which shouldnt be here! And he would talk about a purge: eliminate, eliminate, eliminate. But if you eliminate everything from life which is unresponsive to the Divine, what will be left?
   He certainly hasnt understood Sri Aurobindos yoga. And its useless to try to explain anything to him.

0 1961-04-12, #Agenda Vol 02, #The Mother, #Integral Yoga
   I had a nice photo of him with a Sanskrit dedication, placed on top of a kind of wardrobe in my bedroom. I open the door and the photo falls. (There was no draft or anything.) It fell and the glass broke into smithereens. Immediately I said, Oh! Something has happened to Fontenay. (That was his name: Charles de Fontenay.) After that I came back down from my room, and then I hear a miaowing at the door (the door opened onto a large garden courtyard1). I open the door: a cat bursts in and jumps on me, like that (Mother thumps her breast). I speak to him: What is it, whats the matter? He drops to the ground and looks at meFontenays eyes! Absolutely! No one elses. And he just stayed put, he didnt want to go. I said to myself, Fontenay is dead.
   The news came a week later. But the newspapers gave the date when they had moved out of the trenches and been killedit had been on that day.
  --
   The other story dates farther back. I was living in another house (we had the whole fifth floor), and once a week I used to hold meetings there with people interested in occultism they came to have me demonstrate or tell them about occult practices. There was a Swedish artist, a French lady and a young French boy, a student and a poet. His parents were decent country people who bled themselves white to pay for his life in Paris. This boy was very intelligent and a true artist, but he was depraved. (We knew about it, but it was his private life and none of our business.) One evening, when four or five of us were to meet, this boy didnt turn up, although he had said he would. We had our meeting anyway and didnt think much about itwe thought he must have been busy elsewhere. Around midnight, when the people were leaving, I open the door. A big black cat was sitting in the doorway and, in a single bound, it jumps on me, just like that, all curled up in a ball. So I calm it down, I look at itAh, the eyes! They were this boys eyes. (I no longer recall his name.) Right away (at the time we were all involved in occultism), we knew something had happened; he had been unable to come and the cat had incarnated his vital force.
   The next day, all the newspapers were full of a vile murder: a pimp had murdered this boyit was disgusting! Something utterly vile. And it had happened at the very moment he should have come the concierge had seen him going into the house with this pimp. What happened? Was it just for money or for something elsevice? Or what?

0 1961-04-18, #Agenda Vol 02, #The Mother, #Integral Yoga
   Let me tell you about a recent occurrence. E. had sent a telegram saying that she had a perforated intestine (but it must have been something else because they operated on her only after several days, and when you are not operated on immediately in such cases, you die). Anyway, it was very serious and she was on the threshold of death that much is certain. She wrote me a letter the day before the operation (what is interesting is that now she doesnt even remember what she wrote). It was a magnificent letter saying that she was conscious of the Divine Presence and of the Divine Plan. Tomorrow they will operate on me, she said. And I am entirely aware that this operation has ALREADY been done, that it is a fact accomplished by the Divine Will; otherwise it could be a fatal ordeal. And she said she was conscious of the supreme Wills action, in a perfect peace. It was a magnificent letter. And the whole thing went off almost miraculously; she recovered in such a miraculous way that the surgeon himself said, I must congratulate you, to which she replied, How surprising! You did the operation! Yes, he said, we did the operation, but it is your body that willed to be healed, and I congratulate you for your bodys willpower. Of course she wrote to me that she knew who had been there to see that all went well. And this feeling of the thing being already accomplished is a beginning of the consciousness Sri Aurobindo speaks of in the Yoga of Self-Perfection, where one is simultaneously both here and there. Because, as Sri Aurobindo says, some people have managed to be entirely there, but what he has called the realization is to be both there and here simultaneously.
   Of course, one might wonder what the meaning of everything here is, if it has all been already accomplished above, on an occult plane, and we are merely re-enacting it.

0 1961-04-25, #Agenda Vol 02, #The Mother, #Integral Yoga
   The first thing I did this morning was to open this book by Alice Bailey (Ive had it for several days, I had to have a look at it). So I looked Ah, I saidwell, well! Heres a person whos dead now, but she was the disciple of a Tibetan Buddhist lama and considered a very great spiritual leader, and she writes, Christ is the incarnation of divine love on earth. And thats that. And the world will be transformed when Christ is reborn, when he comes back to earth. But why the devil does she put Christ? Because she was born Christian? Its deplorable.
   And such a mixture of everythingeverything! Instead of making a synthesis, they make a pot-pourri. They scoop it all up, toss it together, whip it up a little, use a bunch of words that have nothing to do with one another, and then serve it to you!
  --
   Ah, but thats far more difficult than talkingfar more! Far more, infinitely more difficult than talking. If you are a bit clear, transparentits enough just to be like this, at a given moment (gesture of opening upwards), to catch the Light, and then you can talk about it. Once you have seen it, you dont forget it. But to do.
   This paucity, this narrowness. Its relatively easy to get out of mental paucity, mental narrowness: one has only to pierce a hole, go beyond, and view things from above; and yes, immediately, it all widens. Thats relatively easy. But this vital and PHYSICAL paucity, material narrowness ohh!

0 1961-04-29, #Agenda Vol 02, #The Mother, #Integral Yoga
   In churches, I dont know. I havent been to them very often. I have been to mosques and templesJewish temples. The Jewish temples in Paris have such beautiful music; oh, what beautiful music! I had one of my first experiences in a temple. It was at a marriage, and the music was wonderfulSaint-Saens, I later learned; organ music, the second best organ in Pariswonderful! I was 14 years old, sitting high up in the galleries with my mother, and this music was being played. There were some leaded-glass windowswhite, with no designs. I was gazing at one of these windows, feeling uplifted by the music, when suddenly through the window came a flash like a bolt of lightning. Just like lightning. It enteredmy eyes were openit entered like this (Mother strikes her breast violently), and then I I had the feeling of becoming vast and all-powerful. And it lasted for days.
   Of course, my mother was such an out-and-out materialist, thank God, that it was impossible to speak to her of invisible thingsshe took them as evidence of a deranged brain! Nothing counted for her but what could be touched and seen. But this was a divine grace I had no opportunity to say anything. I kept my experience to myself. But it was one of my first contacts with. I learned later that it was an entity from the past who had come back into me through the aspiration arising from the music.

0 1961-05-19, #Agenda Vol 02, #The Mother, #Integral Yoga
   But this body is still much too open to peoples mental formations, so it has to struggle against oh!
   Thats my reproach to itwhy does it struggle? Why, suddenly, do I have a terrible fatigue falling over me and have to brace myself? The body, naturally, does only one thingit automatically repeats the mantra; then all becomes quiet, all is set in order. But why is this effort necessary? It should be done automatically [the sweeping away of bad vibrations]. Why is there a need to remember or to put up a struggle? Oh, a battle!

0 1961-06-02, #Agenda Vol 02, #The Mother, #Integral Yoga
   For years and years, until I was past forty, my skull was soft here (Mother touches the front part of her skull), something which seems to be absolutely unheard-of. It was soft and becoming more so (gesture of the skull opening) and then, when you pressed there. I didnt bother about it, but then suddenly I noticed that here (Mother touches the back part of her skull) it is truly like mountainous scenery there are bumps everywhere, and hollows, valesvery interesting! Its increasing.
   It means it must be getting more and more complicated in there!

0 1961-06-17, #Agenda Vol 02, #The Mother, #Integral Yoga
   Whenever there was a special force descending, or an opening, or a supramental manifestation, we would know it at the same time, in the same manner. And we didnt even need to talk about it; we would sometimes exchange a word or two concerning the consequences, the practical effects on the work, but thats all. I never had this with anyone except Sri Aurobindo.
   There have been times when I did things for people and they sensed exactly what I had done. It has happened. It is rather rare, but still it has happened.

0 1961-06-20, #Agenda Vol 02, #The Mother, #Integral Yoga
   Ive known that and have always taken great care to avoid it, for it opens the door to all deformations. Lele3 was like thatLele did the same thing: he behaved like a lout; he said it wasnt himself, it was Naturehe had nothing to do with it. This is all very well, but still theres a sort of affinity between your physical comportment and what you are inside, isnt there?!
   Sri Aurobindo didnt accept this tradition at all.

0 1961-06-24, #Agenda Vol 02, #The Mother, #Integral Yoga
   Do you know the story of the two simultaneous operations of E. and of T.? T. is that vice-admiral who came here and became quite enthusiastiche had a kind of inner revelation here. The two of them were operated on for a similar complaint, a dangerous ulcer in the digestive system. He was in one town and she was in another, and they were operated on a day apartboth serious operations. And in each case, after a few days had gone by, the surgeon who did the operation said, I congratulate you. Practically the same phrase in both cases. And they both protested: Why are you congratulating me? (Each one wrote me about this separately; they were living far from one another and only met afterwards.) Why? You did the operationyou should be congratulated for my quick recovery. And in both cases the doctor replied, No, no; we only operate, the body does the healing; you have healed yourself in a way which can qualify as miraculous, and I genuinely congratulate you. And then the two of them had the same reaction they wrote to me saying, We know where the miracle comes from. And they had both called me. Moreover, E. had written me a remarkable letter a few days before her operation, where she quoted the Gita as if it were quite natural for her, and told me, I know that the operation is ALREADY done, that the Lord has already done it, and so I am calm.
   Things like that, everywhere and PRECISE! Something quite precise. Of course, to say that I work consciously is almost silly, its commonplace. But in many cases one may work consciously for long years without getting that precision in the result the action enters a hazy atmosphere and makes a kind of stir, and out of it comes the best that can, but no more than that. But now its exact, preciseits becoming interesting.

0 1961-06-27, #Agenda Vol 02, #The Mother, #Integral Yoga
   It opens the door to everything.
   But it belongs to the past.
  --
   Actually, as soon as one is not totally, totally tied down by the physical sense organs. For example, I am more and more frequently experiencing changes in the quality of vision. Quite recently, yesterday or the day before, I was sitting in the bathroom drying my face before going out and I raised my eyes (I was sitting before a mirror, although I dont usually look at myself); I raised my eyes and looked, and I saw many things (Mother laughs, greatly amused). At that moment, I had an experience which made me say to myself, Ah! Thats why, from the physical, purely material standpoint, my vision seems to be a bit blurred. Because what I was seeing was MUCH clearer and infinitely more expressive than normal physical sight. And I recalled that it is with these clearer eyes that I see and recognize all my people at balcony darshan. (From the balcony I recognize all my people.) And its that vision (but with open eyes!) which. It is of another order.
   I am going to study what Sri Aurobindo says when I come to it in The Yoga of Self-Perfection. He says there comes a time when the senses changeits not that you employ the senses pr oper to another plane (we have always known we had senses on all the different planes); its quite different from that: the senses THEMSELVES change. He foretells this changehe says it will occur. And I believe it begins in the way I am experiencing it now.

0 1961-07-15, #Agenda Vol 02, #The Mother, #Integral Yoga
   Well, since I believerightly or wrongly, I dont know that the doctor has more experience than I, that from the therapeutic and biological standpoint he knows a bit more, I showed him the eye and asked, Can I read? Better not read until its finished, he replied, and told me to wash my eyes with glucose. (Its a useful piece of information for those with tired eyes: mix the glucoseliquid glucose, the kind that comes in ampoules for injectionwith something like the blue water we make here, half and half. open the ample, put a third of it in the eye-cup, then add the blue water.) I have already tried it once and found that it gives a great deal of strength to the eyes. Tomorrow Im going to start doing it regularly. There you are.
   What made Sri Aurobindo stop?

0 1961-07-18, #Agenda Vol 02, #The Mother, #Integral Yoga
   I am constantly seeing images! Not images, living thingslike answers to questions. A magnificent peacock was taking shape (its the symbol of victory here in India) and its tail opened out, and on it a construction appeared, like this construction of an ideal place. Its a pity this subtle world cant be photographed! There ought to be photographic plates sensitive enough to do it. It has been tried. It would be interesting because it moves, its like a movie.
   All right, then. What did you want to ask?

0 1961-07-28, #Agenda Vol 02, #The Mother, #Integral Yoga
   Standing there between two iridescent pillars is a very tall figure; his face, framed in short blond curls, is that of a very young man; his eyes are sea-green; he is clad in a pale blue tunic, and like wings upon his shoulders are great, snow-white fins. Beholding me, he steps aside against a pillar to let me pass. Scarcely have I crossed the threshold when an exquisite melody strikes my ears. The waters are all iridescent here, the ground aglow with glossy pearls; the portico and the vault, hung gracefully with stalactites, are opaline; delectable perfumes hover everywhere; galleries, niches and alcoves open out on all sides; but directly ahead of me I perceive a great light and towards it I turn my steps. There are great rays of gold, silver, sapphire, emerald and ruby, radiating outward in all directions, born from a center too distant for me to discern; to this center I feel drawn by a powerful attraction.
   Now I see that these rays emanate from a recumbent oval of white light encircled by a superb rainbow, and I sense that the one whom the light hides from my view is plunged into a profound repose. For long I remain at the outer edge of the rainbow, trying to pierce through the light and see the one who is sleeping encircled by such splendor. Unable to discern anything, I enter the rainbow, and thence into the white and shining oval. Here I see a marvelous being: stretched on what seems to be a mass of white eiderdown, his supple body, of incomparable beauty, is garbed in a long, white robe. His head rests on his folded arm, but of that I can see only his long hair, the hue of ripened wheat, flowing over his shoulders. A great and gentle emotion sweeps through me at this magnificent spectacle, and a deep reverence as well.

0 1961-08-05, #Agenda Vol 02, #The Mother, #Integral Yoga
   It was during this period that I used to go out of my body every night and do the work Ive spoken of in Prayers and Meditations (I only mentioned it in passing).8 Every night at the same hour, when the whole house was very quiet, I would go out of my body and have all kinds of experiences. And then my body gradually became a sleepwalker (that is, the consciousness of the form became more and more conscious, while the link remained very solidly established). I got into the habit of getting up but not like an ordinary sleepwalker: I would get up, open my desk, take out a piece of paper and write poems. Yes, poems I, who had nothing of the poet in me! I would jot things down, then very consciously put everything back into the drawer, lock everything up again very carefully and go back to bed. One night, for some reason or other, I forgot and left it open. My mother came in (in France the windows are covered with heavy curtains and in the morning my mother would come in and violently throw open the curtains, waking me up, brrm!, without any warning; but I was used to it and would already be prepared to wake upotherwise it would have been most unpleasant!). Anyway, my mother came in, calling me with unquestionable authority, and then she found the open desk and the piece of paper: Whats that?! She grabbed it. What have you been up to? I dont know what I replied, but she went to the doctor: My daughter has become a sleepwalker! You have to give her a drug.
   It wasnt easy.

0 1961-08-11, #Agenda Vol 02, #The Mother, #Integral Yoga
   Again this morning, between 3 and 4 oclock, Sri Aurobindo seemed to be showing me around the world of expression. I see a host of people I dont know (and some I do). There are immense roomsnot libraries (there are no books) yet everything is there, arranged and organized, in great open roofless rooms. And I walk along with Sri Aurobindo as he passes from one person to another, one group to another, one place to another, one room to another and he coordinates it all. To some he says a few words; others show him things. And its all for the background of your book, for it to be filled with all thisnot explicitly, but potentially for the Force to be there.
   And the clarity! It is limpid-an atmosphere so transparent, so limpid, so clear! There are people of today, people of times past, people of forever. They are like living intelligences gathering together the earths memories. Day after day, day after day, Sri Aurobindo has been showing this to me.
  --
   Because this kind of creative Power coming from on high, from up, up, up on the highest heights, beyond all forms of manifestation, mon petit, its like something tremendous held behind a floodgate. And sometimes (Mother smiles) theres a temptation to open the floodgate a little.
   When it pours out that will be something.

0 1961-08-25, #Agenda Vol 02, #The Mother, #Integral Yoga
   Nowadays I always spend a part of the night in the realm of expression, a realm where generally I never used to go at all. Its a very lovely place, very human in the sense that its not a scene from Nature: there are huge rooms and great, highly intellectual arrangements; yet its very lovely, with such a clear and limpid atmosphereall in clear shades (Mother gives up trying to describe it). Oh, its so luminous and lovely, very well organized, as far as the eye can see; it seems as big as the earth. The rooms are roofless, just imagine! Huge roofless rooms flooded with light, and transparent partitions. And the people inside seem very, very awarenot a lot of people, but extremely studious and attentive, and they are creating arrangements of things. They must be people writing books. They are making compositionsoh, if you knew how lovely it was! Its as if they were taking colors and more or less geometrical forms and placing them in relation to one another. There are huge pigeonholes where everything is in order, and yet without doors, not closed upwide open and still completely protected. An interesting place. I dont usually go there Ive gone maybe two or three times in my life, without paying much attention but lately, because of this book you are writing, Sri Aurobindo is taking me there all the time.
   And there are people with no countryhe takes me to a place where the people have no country, no race, no special costume they seem very universal. And they move around harmoniously, silently, as though they were gliding and with precision, everything is extremely precise. Some of them have even shown me things: there were some lovely colored papers! But these colors are unearthly, somehow transparent. They were arranging it all, demonstrating and explaining to me how it has to be arranged to give the maximum effect.
   I have seen you there several times. You were wearing something similar to what you are wearing now [dhoti]: not Eur opean they wear the costume of no particular country. Its usually white, but not made of cloth. Its all on a VERY luminous, very orderly, very clear mental plane-no objects lying around, only things like sheets of paper, which seem to be ideas or compositions of ideas, but no clutter. Its vast, vast, so vast you can see no end to it! And up above its wide open, and a light is constantly descending. What you walk on is a little more solid, but not much more. Its an interesting place.
   I go there almost every night for half or three-quarters of an hour, and Sri Aurobindo shows it all to me. Some people are waiting for himin certain corners everything is ready and waiting and when he comes they show him what they have done. Then he explains: a word, a gesture, not much, and then, ah! It takes a form. Its an interesting place. I am putting you in touch with it all the time, all the time, every dayit doesnt matter if you dont remember, its not important.

0 1961-09-03, #Agenda Vol 02, #The Mother, #Integral Yoga
   You understand, if I were British and writing in English, I could try to do a book on Sri Aurobindo using Savitri alone. With quotations from Savitri one can maintain a certain poetical rhythm, and this rhythm can generate an opening. But in French it isnt possiblehow could it be translated?
   Yes, thats what I mean-but even in English.
  --
   Its not so much a question of the reading public as a question of language. As for the readers you know, at any level whatsoever it is possible to suddenly touch a soul, anywhere. The level doesnt matter, and fundamentally if one reaches one or two souls with a book like this, its a fine result. It opens the way to people intellectually, and those who want to can follow along.
   I dont think your book will hold any surprises for me when I have it! Sometimes I listen to whole sections of it. Last night it was almost as if you were reading the book to menot exactly with words but I woke up and Sri Aurobindo was there andas though you had been reading somethinghe approved of it, saying, Yes, its fine like that, its all right.

0 1961-09-10, #Agenda Vol 02, #The Mother, #Integral Yoga
   Its hard. I would rather have been a musicianit would have changed my life completely. I feel I have always lacked something to open up.
   No. Perhaps.
  --
   Maybe this is what you were thinking ofwhat you would like to express in your book. It occurred in a place similar to the realm of expression where, as I told you, I have frequently been going lately. It is very, very vast, very open, but this time there were no walls. No ceiling, no walls. There was only a kind of groundvery pale, luminous, vast and very empty, empty. People were seated but I didnt see any chairs. Only the pianos were visible, and they were quite odd: you could hardly see anything but the keyboards, which were sort of overlapping. In front was a grand piano, and over here was a somewhat bigger one the one I had been leaning over sideways to play on and then there was one turned to the other side. And then this grand piano, right in front but with only the keyboard visible! Well, why shouldnt I be comfortable! I said to myself, and I sat down. Then everything became bluegreat, blue notes. How am I going to play? I wondered. I tried to play as usual and then: It doesnt work, it doesnt work, I said. Ah! It has to be played from aboveit has to be played from above! So I place my hands on the keys, I concentrate and brrff! It was like some not violent, not loud and noisy, butoh, overwhelming! Three, fournot notes: sounds, harmonies I dont really know what.
   But this must be what you were thinking of, what you would like to use for your book.1

0 1961-09-16, #Agenda Vol 02, #The Mother, #Integral Yoga
   You know, we are surrounded by complications, but there is always a place where it all opens out simple and straightthis is a fact of my experience. You go around in circles, seeking, working at it, and you feel stuck; then something in the inner attitude gives way, and all of a sudden it opens outquite simply.
   I have had this experience very often. So I have asked Sri Aurobindo to give it to you.
   And he says repeatedly, insistently: Be simple, be simple. Say simply what you feel. Be simple, be simple, insistently. These are only words, but as a matter of fact, when he spoke these words it was like a path of light opening up, and everything became very simple: Just take one step after another, thats all we have to do!thats how it seemed to me.
   Its curious, all the complications seemed to be there (Mother touches her temples), very complicated and very difficult to adjust; and then when he said, Be simplehow strangeit was like a light coming from his eyes, as if one had suddenly emerged into a garden of light.
  --
   The complications are there (same gesture), it is hard and complicated and then a door opens: Be simple.
   As if there were too much mental tension: something here at the temples.
  --
   But Sri Aurobindo wants us to have the same simple joy as a blossoming rose: Be simple, be simple, be simple. And when I hear it or see it, its like a rivulet of golden light, like a fragrant gardenall, all, all is open. Be simple.
   So you see, mon petit
  --
   We are not here to do only a little better what the others do, we are here to do what the others CANNOT do, because they do not have even the idea that it can be done. We are here to open the way of the Future to children who belong to the Future. Anything else is not worth the trouble and not worthy of Sri Aurobindos help.
   Thats what I wrote.

0 1961-09-23, #Agenda Vol 02, #The Mother, #Integral Yoga
   From time to time I use a line from Savitri, placing it in the book like an open window. Thats all I can do.
   ***

0 1961-10-02, #Agenda Vol 02, #The Mother, #Integral Yoga
   I know that at a certain moment I was making the distinction between the two states, between the person the individual, personal beingturning towards the Lord, imploring Him to reveal His Will, and then this experience of becomingby extending oneself, by opening, by enlarging, by merging into the creationof BECOMING the Will of the Lord, the Supremes Will. No longer any need to implore Him, to know His Will and receive it like something foreign to youyou become that Will.
   The experience was there at that moment, and it was eloquent enough.
  --
   And that very day, I had this experience with the possessed personit all came together. And then afterwards, a sort of mastery over the problem and the impression of a breakthroughan opening up of the WAY to change, which is this enlargement. First, the movement of generosity (not that shriveling movement, but its exact opposite the movement of expansion), and from there you go on to universality, and from universality to Totality.
   It makes a whole set of interesting experiences.
   Then there is a doctor, V., who comes here twice a year to give a check-up to all who take part in the physical education program and all the children. He is an extremely honest and sincere man who believes in the mission of medical science. Each time he comes, I write something in his diary on the day of his departure (his whole diary is full of things Ive written they usually appear in the Bulletin or somewhere). On that very same day I learned that V. was leaving, and it suddenly came to meso clearly! Falsehood in the body that sort of juxtaposition of contraries, the inversion of the Vibration (only it doesnt really invertits a curious phenomenon: the vibration remains what it is but its received inverted)this falsehood in the body is a falsehood in the CONSCIOUSNESS. The falsity of the consciousness naturally has material consequences and thats what illness is! I immediately made an experiment on my body to see if this held, if it actually works that way. And I realized that its true! When you are open and in contact with the Divine, the Vibration gives you strength, energy; and if you are quiet enough, it fills you with great joyand all of this in the cells of the body. You fall back into the ordinary consciousness and straightaway, without anything changing, the SAME thing, the SAME vibration coming from the SAME source turns into a pain, a malaise, a feeling of uncertainty, instability and decrepitude. To be sure of this, I repeated the experiment three or four times, and it was absolutely automatic, like the operation of a chemical formula: same conditions, same results.
   This interested me greatly.
  --
   Correct? Many doors are open, and through these open doors things immeasurable for you can act through what you have written, bringing infinitely more to the reading than you think you have put there. People will be brought into contact with the thing, and each one, according to his receptivity, will catch hold of something. And this is very importantit must not be touched.4
   I dont mind reading it, but it will take up your time

0 1961-10-15, #Agenda Vol 02, #The Mother, #Integral Yoga
   Above all, he would like the end to be brief. Thats something I felt from the very first daylet the end surge up and leave you in suspense; above all, dont try to be reasonable. An upsurge of light like a door bursting open onto a very luminous and unknown future, but with no attempt to make it tangible and approachable. I am sure of thisthis impression of a closed door (people live behind doors, you know), and then abruptly the door is flung wide- open on an explosion of light and you are left there: sit down, look, contemplate and wait for the moment to be ripe for venturing forth.
   Above all, have no ambition to make anyone understand anything whatsoever.
  --
   You see, when I want a TRUE impression of a book, I open it at random; then I look at the first page, the last page sometimes I read the ending, then I go back to the beginningit doesnt matter where. What I want to know is whether the Force is there.
   Ordinary logic Read! Anywhere, the middle of a sentence, it doesnt matter!
  --
   I dont think so, mon petit! I dont think so. I cant tell you for sure because Im not the one who heard ityou know what I mean? No memory is operating. Were you to ask me to repeat a single word of what you have written, I couldnt do ityet I listened to you.
   I have a sort of vision in my head of parts of sentences, three or four words where the impression was what I told you: Not necessary. But it was a very minor thing. It was more an attitude, an attitude in the expression. But it wasnt disturbing.
  --
   Its not always when you think youre wasting your time that things go slowest. I have found out that theres a certain attitudean attitude of openness towards eternity, to be precise that makes things happen more quickly. Much more quickly.
   ***

0 1961-10-30, #Agenda Vol 02, #The Mother, #Integral Yoga
   The secret lies in matter. Because Agni is imprisoned in matter and we ourselves are imprisoned there. It is said that Agni is without head or feet, that it conceals its two extremities: above, it disappears into the great heaven of the supraconscient (which the Rishis also called the great ocean), and below, it sinks into the formless ocean of the inconscient (which they also called the rock). We are truncated. But the Rishis were men of a solid realism, a true realism resting upon the Spirit; and since the summits of mind opened out upon a lacuna of lightecstatic, to be sure, but with no hold over the worldthey set upon the downward way.6 Thus begins the quest for the lost sun, the long pilgrimage of descent into the inconscient and the merciless fight against the dark forces, the thieves of the sun, the panis and vritras, pythons and giants, hidden in the dark lair with the whole cohort of usurpers: the dualizers, the confiners, the tearers, the COVERERS. But the divine worker, Agni, is helped by the gods, and in his quest he is led by the intuitive ray, Sarama, the heavenly hound with the subtle sense of smell who sets Agni on the track of the stolen herds (strange, shining herds). Now and again there comes the sudden glimmer of a fugitive dawn then all grows dim. One must advance step by step, digging, digging, fighting every inch of the way against the wolves whose savage fury increases the nearer one draws to their denAgni is a warrior. Agni grows through his difficulties, his flame burns more brilliantly with each blow from the Adversary; for, as the Rishis said, Night and Day both suckled the divine Child; they even said that Night and Day are the two sisters, Immortal, with a common lover [the sun] common they, though different their forms (I.113.2,3). These alternations of night and brightness accelerate until Day breaks at last and the herds of Dawn7 surge upward awakening someone who was dead (I.113.8). The infinite rock of the inconscient is shattered, the seeker uncovers the Sun dwelling in the darkness (III.39.5), the divine consciousness in the heart of Matter. In the very depths of Matter, that is to say, in the body, on earth, the Rishis found themselves cast up into Light that same Light which others sought on the heights, without their bodies and without the earth, in ecstasy. And this is what the Rishis would call the Great Passage. Without abandoning the earth they found the vast dwelling place, that dwelling place of the gods, Swar, the original Sun-world that Sri Aurobindo calls the Supramental World: Human beings [the Rishis emphasize that they are indeed men] slaying the Coverer have crossed beyond both earth and heaven [matter and mind] and made the wide world their dwelling place (I.36.8). They have entered the True, the Right, the Vast, Satyam, Ritam, Brihat, the unbroken light, the fearless light, where there is no longer suffering nor falsehood nor death: it is immortality, amritam.
   ***

0 1961-11-05, #Agenda Vol 02, #The Mother, #Integral Yoga
   Anyway, it was because of Theon that I first found the Mantra of Life, the mantra that gives life, and he wanted me to give it to him, he wanted to possess itit was something formidable! It was the mantra that gives life (it can make anyone at all come back into life, but thats only a small part of its power). And it was shut away in a particular place,2 sealed up, with my name in Sanskrit on it. I didnt know Sanskrit at that time, but he did, and when he led me to that place, I told him what I saw: Theres a sort of design, it must be Sanskrit. (I could recognize the characters as Sanskrit). He told me to reproduce what I was seeing, and I did so. It was my name, Mirra, written in Sanskrit the mantra was for me and I alone could open it. open it and tell me whats there, he said. (All this was going on while I was in a cataleptic trance.) Then immediately something in me KNEW, and I answered, No, and did not read it.
   I found it again when I was with Sri Aurobindo and I gave it to Sri Aurobindo.

0 1961-11-06, #Agenda Vol 02, #The Mother, #Integral Yoga
   But reading Sri Aurobindo, I seemed to understand the opposite: that FIRST he rose up, and then made the Light redescend to open the passage, and that the pressure of the Light from above is what opens the doors below, in Matter.
   I would like to understand the process.

0 1961-11-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   It wasnt the first time; when I was working with Theon at Tlemcen (the second time I was there), I descended into the total, unindividualized that is, general Inconscient (it was the time he wanted me to find the Mantra of Life). And there I suddenly found myself in front of something like a vault or a grotto (of course, it was only something like that), and when it opened, I saw a Being of iridescent light reclining with his head on his hand, fast asleep. All the light around him was iridescent. When I told Theon what I was seeing, he said it was the immanent God in the depths of the Inconscient, who through his radiations was slowly waking the Inconscient to Consciousness.
   But then a rather remarkable phenomenon occurred: when I looked at him, he woke up and opened his eyes, expressing the beginning of conscious, wakeful action.
   I have experienced the descent into the Inconscient many times (you remember, once you were there the day it happenedit had to do with divine Love6); this experience of descending to the very bottom of the Inconscient and finding there the Divine Consciousness, the Divine Presence, under one form or another. It has happened quite frequently.
  --
   Its something the Rishis realized with eyes wide open, in day to-day life, if I understand rightly.
   I dont know how they did it.

0 1961-11-16a, #Agenda Vol 02, #The Mother, #Integral Yoga
   Standing up in that state is rather dangerous, so I lie down on my bed. And it continues I hear nothing, see nothing but this white light. No more thought, not one idea in my head, nothing at all, to such an extent that if anyone enters noiselessly, I dont know it. But I do feel the pressure of someone watching me; I can sense it, so I open my eyes and there is actually someone there.
   But work, mon petit. I cant work. I cant remember even the simplest things I am supposed to remember! I wanted to tell you when my free days were, but I no longer recall them.

0 1961-12-16, #Agenda Vol 02, #The Mother, #Integral Yoga
   I shut my eyes (thats how I hear best) but then sometimes my fingers make mistakes; they slip. Because I see with other eyes; and when I do see with those other eyes, the music comes much better. When I open my eyes it doesnt come. Its always with eyes closed that I hear clearly, clearly. But then my fingers sometimes slip.
   All the time, it comes and it comes, all the time (Mother shapes great waves). Someone is playing to me; so if my hands are ABSOLUTELY docile, it goes well.
  --
   Right now its wide open and flowing (gesture of waves streaming in).
   And its saying something all the while.

0 1961-12-20, #Agenda Vol 02, #The Mother, #Integral Yoga
   Coming from here, of course, it will take much more time to touch the general public, but I see how things work in the universe: it will go far more surely and directly to those who are ready to receive it. And we mustnt believe that only an elite public of especially intelligent and refined people will be touched: among very simple, open-hearted people there is a deep intelligence that understands and responds to these things far better than very cultivated people dofar betterbecause they feel, they feel the vibration of this profound H ope, this profound Joy, something corresponding to the intense need of their being. While the others begin to reason and sophisticate, which takes away half the power.
   From the practical standpoint, I would much prefer the book to be printed here and for us to make the necessary effort for it to go out and touch as many people as possible. The publisher may be a handy and less troublesome channel, but hes not at all the best onefar from it. THAT I know, because I am constantly seeing your book with Sri Aurobindos perception, and I am absolutely positive that he likes it very much; he has put a lot into it and he sees that it can be an enormous help but not in the short run. There is always the sense of it needing a hundred years to have its full effect. With your publisher, on the other hand, the effects are far more violent, more external and noisy, but they fade far more quickly.
  --
   A few pictures, very few, simply giving an opening for the soul, is quite sufficient.
   (silence)
  --
   My book, of course, would be: What I have known of Sri Aurobindo and on his supreme level. What I have known of Sri Aurobindo is what I have been able to perceive of the Avatar. What he represents. Thats how I see him. So, what I have known of Sri Aurobindo, expressed spontaneously, with a minimum of external events, the very minimum, but with all the experiences of our meetings: at that time, this opened that; at that moment, I realized this or saw that or felt something else ; and then I was able to do such and such and all of it was Sri Aurobindo.
   I know it would create a furor if I wrote this book! Because any fool could read it like a story and feel perfectly satisfied and he wouldnt even notice it taking hold of him inside and changing him.
  --
   But this was merely the beginning of my vision. Only after a series of experiencesa ten months sojourn in Pondicherry, five years of separation, then the return to Pondicherry and the meeting in the same house and in the same waydid the END of the vision occur. I was standing just beside him. My head wasnt exactly on his shoulder, but where his shoulder was (I dont know how to explain itphysically there was hardly any contact). We were standing side by side like that, gazing out through the open window, and then TOGETHER, at exactly the same moment, we felt, Now the Realization will be accomplished. That the seal was set and the Realization would be accomplished. I felt the Thing descending massively within me, with the same certainty I had felt in my vision. From that moment on there was nothing to sayno words, nothing. We knew it was THAT.
   But between these two meetings he participated in a whole series of experiences, experiences of gradually growing awareness. This is partly noted in Prayers and Meditations (I have cut out all the personal segments). But there was one experience I didnt speak of there (that is, I didnt describe it, I put only the conclusion)the experience where I say Since the man refused I was offering participation in the universal work and the new creation and the man didnt want it, he refused, and so I now offer it to God.6

WORDNET












--- Grep of noun ope
alexander pope
allied command europe
allotrope
american antelope
anas penelope
anchor rope
angioscope
antelope
anthony trollope
antilope
antipope
apocope
argiope
arthroscope
asterope
astronomical telescope
auriscope
auroscope
binocular microscope
bioscope
bob hope
bronchoscope
calliope
cape of good hope
cassegrainian telescope
cassiope
cathode-ray oscilloscope
catholic pope
chronoscope
colonoscope
compound microscope
continental slope
cope
coude telescope
cryoscope
culdoscope
dark-field microscope
dope
downslope
economic commission for europe
electron microscope
electroscope
endoscope
envelope
epidiascope
epitope
esophagoscope
europe
fetoscope
fiberscope
field-emission microscope
flexible sigmoidoscope
floral envelope
fluoroscope
foetoscope
forlorn hope
galilean telescope
garden heliotrope
gastroscope
genus antilope
genus argiope
genus cassiope
genus liriope
genus malope
genus penelope
glide slope
goat antelope
great white hope
gregorian telescope
grope
guide rope
guy rope
gyroscope
hangman's rope
harnessed antelope
heliotrope
herschelian telescope
hodoscope
hope
horoscope
hygroscope
hyperope
iconoscope
isotope
jump rope
kaleidoscope
keratoscope
kinescope
kinetoscope
laparoscope
laryngoscope
leslie townes hope
light microscope
liriope
lope
lycanthrope
maksutov telescope
malope
microscope
misanthrope
mope
myope
nephoscope
newtonian telescope
northern europe
northern phalarope
oesophagoscope
opec
opel
open
open-air market
open-air marketplace
open-angle glaucoma
open-class word
open-door policy
open-end credit
open-end fund
open-end investment company
open-end wrench
open-face sandwich
open-heart surgery
open-hearth furnace
open-hearth process
open account
open air
open chain
open circuit
open door
open fireplace
open fracture
open frame
open house
open interval
open letter
open marriage
open order
open primary
open sandwich
open secret
open sesame
open shop
open sight
open society
open university
open weave
openbill
opencast mining
opener
openhandedness
opening
opening line
opening move
opening night
openness
openside plane
openwork
opepe
opera
opera bouffe
opera cloak
opera comique
opera company
opera glasses
opera hat
opera hood
opera house
opera star
operagoer
operand
operant conditioning
operatic star
operating budget
operating capability
operating capital
operating cost
operating expense
operating instructions
operating microscope
operating procedure
operating room
operating statement
operating surgeon
operating system
operating table
operating theater
operating theatre
operation
operation code
operation desert storm
operational casualty
operational cell
operational damage
operationalism
operations
operations research
operative
operative field
operator
operator gene
operculum
operetta
operon
operoseness
ophthalmoscope
optical telescope
orthoscope
oscilloscope
otoscope
pay envelope
penelope
periscope
phalarope
philip dormer stanhope
polariscope
pope
presbyope
prism spectroscope
proctoscope
pronghorn antelope
pyrope
pyroscope
radio telescope
radioisotope
red phalarope
reflecting telescope
refracting telescope
rhinoscope
ridge rope
rising slope
roentgenoscope
roman catholic pope
rope
rope-a-dope
sable antelope
schmidt telescope
scope
sigmoidoscope
simple microscope
ski slope
skip rope
skipping rope
slope
solar telescope
spectroscope
stanhope
stereoscope
sterope
stethoscope
stroboscope
supreme allied commander europe
supreme headquarters allied powers europe
synchronoscope
synchroscope
syncope
t-scope
tachistoscope
telescope
tightrope
tope
towing rope
towrope
trollope
trope
ultramicroscope
white hope
wilson's phalarope
window envelope
winter heliotrope



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Wikipedia - 2014 U.S. Open Cup Final -- 2014 final of the Lamar Hunt U.S. Open Cup
Wikipedia - 2014 Winter Olympics opening ceremony -- Opening ceremony
Wikipedia - 2015-2016 United Kingdom renegotiation of European Union membership -- Process that preceded Brexit referendum
Wikipedia - 2015 Copenhagen shootings -- Spree shootings that occurred in Copenhagen, Denmark, on 14 February 2015
Wikipedia - 2015 Marburg Open -- 2015 tennis competition in Germany
Wikipedia - 2015 U.S. Open Cup Final -- 2015 final of the Lamar Hunt U.S. Open Cup
Wikipedia - 2016 Copenhagen terror plot -- Terror plot
Wikipedia - 2016 Dyn cyberattack -- 2016 cyberattack in Europe and North America
Wikipedia - 2016 European floods
Wikipedia - 2016 International GT Open -- Sports car racing season
Wikipedia - 2016 Lecoq Seoul Open - Singles -- Tennis competition
Wikipedia - 2016 Long Beach ePrix -- Open-wheel race
Wikipedia - 2016 North Cyprus Open -- Professional pool event, held June 2016
Wikipedia - 2016 United Kingdom European Union membership referendum -- National vote to advise Parliament on whether the UK should remain a member of, or leave, the European Union
Wikipedia - 2016 U.S. Open Cup Final -- 2016 final of the Lamar Hunt U.S. Open Cup
Wikipedia - 2017 Dutch Open -- Professional pool event, held August 2017
Wikipedia - 2017 Open du Pays d'Aix - Doubles -- 2017 ATP Challenger Tour
Wikipedia - 2017 Rio Open - Doubles -- Tennis competition
Wikipedia - 2017 Sun Hung Kai Properties Hong Kong Challenge -- one-day cycling road race
Wikipedia - 2017 U.S. Open Cup Final -- 2017 final of the Lamar Hunt U.S. Open Cup
Wikipedia - 2018-19 European winter -- Winter
Wikipedia - 2018-19 FIBA Europe Cup Play-offs -- Sport season
Wikipedia - 2018 Australian Open - Women's singles final -- The Women's Singles final of the 2018 Australian Open between Simona Halep and Caroline Wozniacki
Wikipedia - 2018 British Isles cold wave -- Cold wave in Europe in February-March 2018
Wikipedia - 2018 U.S. Open Cup Final -- 2018 final of the Lamar Hunt U.S. Open Cup
Wikipedia - 2018 U.S. Open (golf) -- 2018 Golf Major in Shinnecock Hills, New York
Wikipedia - 2019-20 European windstorm season -- European windstorm season
Wikipedia - 2019 Antalya Open (pool) -- Professional pool competition, held November 2019
Wikipedia - 2019 Australian Open - Day-by-day summaries -- Wikimedia list article
Wikipedia - 2019 European Games -- The second edition of the European Games
Wikipedia - 2019 French Open - Day-by-day summaries -- Wikimedia list article
Wikipedia - 2019 Open Sud de France -- ATP tennis competition, France
Wikipedia - 2019 UCI Europe Tour -- Fifteenth season of the UCI Europe Tour
Wikipedia - 2019 U.S. Open Cup Final -- 2019 final of the Lamar Hunt U.S. Open Cup
Wikipedia - 2019 U.S. Open Cup -- 106th edition of cup competition in American soccer
Wikipedia - 2020-21 European Rugby Challenge Cup pool stage -- Seventh season of the European Rugby Challenge Cup
Wikipedia - 2020-21 European windstorm season -- European windstorm season
Wikipedia - 2020 Australian Open - Day-by-day summaries -- Wikimedia list article
Wikipedia - 2020 International Darts Open -- 2020 edition of International Darts Open
Wikipedia - 2020 Open Sud de France -- ATP tennis competition, France
Wikipedia - 2020 UCI Europe Tour -- Sixteenth season of the UCI Europe Tour
Wikipedia - 2020 U.S. Open Cup -- 107th edition of cup competition in American soccer
Wikipedia - 2020 Women's British Open -- The 44th Women's British Open
Wikipedia - 2021 Australian Open
Wikipedia - 2021 in the European Union
Wikipedia - 2021 UCI Europe Tour -- Seventeenth season of the UCI Europe Tour
Wikipedia - 2021 U.S. Open Cup -- 107th edition of cup competition in American soccer
Wikipedia - 205 series -- Train type operated in Japan and Indonesia
Wikipedia - 2081: A Hopeful View of the Human Future -- Book by Gerard K. O'Neill
Wikipedia - 20th Game Developers Choice Awards
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Wikipedia - 2,3,3,3-Tetrafluoropropene
Wikipedia - 23 Envelope
Wikipedia - 2 41 polytope
Wikipedia - 25S Satellite Communications Systems Operator/Maintainer -- Military communication of the United States
Wikipedia - 287 series -- Electric multiple unit train type operated in Japan
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Wikipedia - 2 euro cent coin -- Coin of the European Union
Wikipedia - 2 on 2 Open Ice Challenge -- Ice hockey arcade game by Midway Games from 1995
Wikipedia - 2S25 Sprut-SD -- Russian self-propelled tank destroyer
Wikipedia - 2S4 Tyulpan -- Type of Self-propelled mortar
Wikipedia - 2S7 Pion -- Type of Self-propelled artillery
Wikipedia - 30th Cavalry Squadron, Queen's Guard (Thailand) -- Special operations force of the Royal Thai Army
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Wikipedia - 3 21 polytope
Wikipedia - 323d Expeditionary Operations Group
Wikipedia - 352nd Special Operations Wing -- US Air Force formation
Wikipedia - 3C 20 -- Galaxy in the constellation Cassiopeia
Wikipedia - 3C 35 -- Galaxy in the constellation Cassiopeia
Wikipedia - 3 GB barrier -- Limitation of some 32-bit operating systems running on x86 microprocessors
Wikipedia - 40-foot telescope -- 18th c. English reflecting telescope
Wikipedia - 4 21 polytope
Wikipedia - 42 Cassiopeiae -- Star in the constellation Cassiopeia
Wikipedia - 4690 Operating System
Wikipedia - 48 Cassiopeiae -- Triple star system in the constellation Cassiopeia
Wikipedia - 49 Cassiopeiae -- Binary star system in the constellation Cassiopeia
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Wikipedia - 4 Cassiopeiae -- Star in the constellation Cassiopeia
Wikipedia - 4DX -- 4D film format developed by CJ CGV
Wikipedia - 4-polytope -- Four-dimensional geometric object with flat sides
Wikipedia - 4th Tank Battalion (Thailand) -- Special operations force of the Royal Thai Army
Wikipedia - 4U 0142+61 -- Pulsar in the constellation Cassiopeia
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Wikipedia - 50 Cassiopeiae -- Star in the constellation Cassiopeia
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Wikipedia - 6 Cassiopeiae -- Star in the constellation Cassiopeia
Wikipedia - 731 series -- Electric multiple unit train type operated by JR Hokkaido in Japan
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Wikipedia - 86open
Wikipedia - 89mm from Europe -- 1993 film
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Wikipedia - 8A4-class ROUV -- A Chinese work class remotely operated underwater vehicle
Wikipedia - 8-Cyclopentyl-1,3-dimethylxanthine
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Wikipedia - 99th Airlift Squadron -- Part of US Air Force 89th Airlift Wing operating executive transport
Wikipedia - 9-demicube -- Uniform 9-polytope
class:encyclopedia
Wikipedia - Aachen Open Air Pop Festival -- German rock festival
Wikipedia - Aalto Theatre -- Opera house in Essen, Germany
Wikipedia - Aaron Brennan -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Aaron Livesy -- Fictional character from the British soap opera Emmerdale
Wikipedia - Aaton Penelope -- 35mm motion picture camera
Wikipedia - Abang Abdul Rahman Johari Abang Openg -- Malaysian politician
Wikipedia - Abas Basir -- Minister of higher education, Former Director-General of the South Asia Co-operative Environment Programme
Wikipedia - Abbie Carrington -- American operatic singer
Wikipedia - Abbot Kinney -- American businessman, developer and conservationist best known for Venice, Los Angeles.
Wikipedia - Abbott Records -- American record label operated by producer Fabor Robison from 1951 to about 1958
Wikipedia - Abdirahman Abdishakur Warsame -- Former Minister of National defence and International Cooperation ; Leader of Wadajir Party
Wikipedia - Abellio ScotRail -- Dutch-owned national train operating company of Scotland
Wikipedia - Abel Lopez -- Cuban weightlifter
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Wikipedia - Abiola Babatope -- Nigerian politician
Wikipedia - ABISMO -- Japanese remotely operated underwater vehicle for deep sea exploration
Wikipedia - AbM-CM-.me -- A vertical shaft in karst terrain that may be very deep and usually opens into a network of subterranean passages
Wikipedia - Abortive flower -- Flower that has a stamen but an under developed, or no pistil
Wikipedia - Abraxas -- Mystical word of Gnostic origins that carries many meanings, including as a proper name
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Wikipedia - Absolutism (European history)
Wikipedia - Absorption law -- An identity linking a pair of binary operations
Wikipedia - ABS (satellite operator) -- Bermuda-based operator of communication satellites
Wikipedia - Abstract polytope
Wikipedia - Abundant number -- Number that is smaller than the sum of its proper divisors
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Wikipedia - AC72 -- Class of racing catamaran yacht that was developed for the 2013 America's Cup
Wikipedia - AC75 -- 75ft sailing hydrofoil monohull class developed for the 2021 America's Cup
Wikipedia - Academia Europaea -- Pan-European academy of sciences
Wikipedia - Academy of European Law -- International centre for training and debate for lawyers
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Wikipedia - A Capital Federal -- Operetta directed by Artur Azevedo
Wikipedia - Accelerated Mobile Pages -- Open source HTML framework optimised for mobile web browsing
Wikipedia - Accelerometer -- Device that measures proper acceleration
Wikipedia - Acceptance and commitment therapy -- Counseling form developed by Steven Hayes in 1982
Wikipedia - Accession (property law) -- Law
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Wikipedia - A. C. Cooper -- British department store
Wikipedia - Accounting irregularity -- improper entry, omission or statement
Wikipedia - Ace Hardware -- American hardware cooperative
Wikipedia - Achates Power -- American developer of opposed-piston, two-stroke, compression ignition engines
Wikipedia - Achene -- Class of simple non-opening dry fruits
Wikipedia - Achille De Bassini -- Italian opera singer 1819-1881
Wikipedia - Achille Errani -- Italian opera singer
Wikipedia - Acid dissociation constant -- Chemical property
Wikipedia - ACID -- Set of properties (atomicity, consistency, isolation, durability) of database transactions intended to guarantee validity even in the event of errors, power failures, etc.
Wikipedia - A City Called Copenhagen -- 1960 film
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Wikipedia - Acorn Bank Garden & Watermill -- National Trust property near Penrith, England
Wikipedia - Acoustically Navigated Geological Underwater Survey -- A deep-towed still-camera sled operated by the Woods Hole Oceanographic Institute in the early 1970s
Wikipedia - Acoustic foam -- Open celled foam used for soundproofing
Wikipedia - A. Craig Copetas -- Author and international correspondent
Wikipedia - ACS Central Science -- Monthly open access journal
Wikipedia - Acta Sanctorum -- Encyclopedic text examining the lives of Christian saints
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Wikipedia - ADAC -- Largest motoring association in Europe
Wikipedia - Ada Developers Academy
Wikipedia - Adamari Lopez -- Puerto Rican actress
Wikipedia - Adam Barlow -- Fictional character from the British soap opera Coronation Street
Wikipedia - Adam Carrington -- Fictional soap opera character
Wikipedia - Adam Forsythe -- In a British soap opera
Wikipedia - Adam Lopez -- Australian singer
Wikipedia - Adani Ports & SEZ -- Indian private sector port operator
Wikipedia - Adapted Conventional Armed Forces in Europe Treaty -- post-Cold War treaty
Wikipedia - Adaptive Domain Environment for Operating Systems
Wikipedia - Adarsh Credit Cooperative Society -- Fraudulent scheme
Wikipedia - Ad beatissimi Apostolorum -- 1914 encyclical of Pope Benedict XV
Wikipedia - Addition -- Arithmetic operation
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Wikipedia - Adelaide Tosi -- Opera singer
Wikipedia - Adelanto Detention Center -- Privately operated federal prison
Wikipedia - Adela Popescu -- Romanian actress and singer
Wikipedia - Adele Almati -- German-Swedish opera singer 1861-1919
Wikipedia - Adele Passy-Cornet -- German opera singer
Wikipedia - Adelina Catalani -- Franco-Italian opera singer 1818-32
Wikipedia - Adenopeltis -- Species of plant
Wikipedia - A. D. Hope
Wikipedia - A Dictionary of Greek and Roman Antiquities -- English language encyclopedia
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Wikipedia - Adjoint operator
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Wikipedia - Administrador de Infraestructuras Ferroviarias -- Operator of most of Spain's railway infrastructure
Wikipedia - Administrator (of ecclesiastical property)
Wikipedia - Admiral Hotel (Copenhagen) -- Hotel in Copenhagen, Denmark
Wikipedia - Admittance parameters -- Properties of an electrical network in terms of a matrix of ratios of currents to voltages
Wikipedia - Adolf Kozieradski -- Polish operatic bass-baritone
Wikipedia - Adolfo Lopez Mateos -- 48th president of Mexico
Wikipedia - Adolph Gopel -- German mathematician
Wikipedia - Adora Cheung -- American software developer
Wikipedia - Adriaan de Groot (software developer) -- Dutch computer programmer
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Wikipedia - Adrian Ettlinger -- American electrical engineer and software developer
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Wikipedia - Adriopea pallidata -- Genus of beetles
Wikipedia - ADS 1359 -- Multiple star system in the constellation Cassiopeia
Wikipedia - ADSR envelope
Wikipedia - Adult high school -- Secondary school operated to serve adult students
Wikipedia - Advance against royalties -- Advance payment made for intellectual property licensing
Wikipedia - Advanced Configuration and Power Interface -- Standard firmware interface for hardware configuration and power management by operating systems
Wikipedia - Advanced Cryogenic Evolved Stage -- United Launch Alliance second stage that can be used as a propellant depot
Wikipedia - Advanced European Scientific Diver -- A diver competent to organise a scientific diving team
Wikipedia - Advanced Open Water Diver -- Recreational scuba diving certification slightly above minimum entry level
Wikipedia - Advanced Telescope for High Energy Astrophysics -- European X-ray space observatory
Wikipedia - Advanced Television Systems Committee -- Group that developed standards for digital television in the US
Wikipedia - Adverse possession -- Property law concept
Wikipedia - Aenne Michalsky -- Austrian opera singer
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Wikipedia - Aero East Europe Sila -- Family of Serbian light aircraft
Wikipedia - Aerope (daughter of Cepheus) -- Mythological character
Wikipedia - Aeropedellus clavatus -- Species of grasshopper
Wikipedia - Aeropedellus -- Genus of grasshoppers
Wikipedia - Aeroperlas -- Defunct Panamanian regional airline
Wikipedia - Aeropuertos del Peru -- Peruvian private airport operator
Wikipedia - Aeroscope
Wikipedia - Aerospace Data Facility-Colorado -- Satellite ground station operated by the U.S. National Reconnaissance Office
Wikipedia - Aerospace Data Facility-Southwest -- Satellite ground station operated by the U.S. National Reconnaissance Office
Wikipedia - Aerostar Airport Holdings -- Company that operates and manages the Luis MuM-CM-1oz Marin International Airport
Wikipedia - AES67 -- Interoperability standard for professional audio over IP
Wikipedia - Aestivation (botany) -- Positional arrangement of the parts of a flower within a flower bud before it has opened
Wikipedia - Aetites -- Folk belief in Europe and the Near East
Wikipedia - Affiliated operator
Wikipedia - Affinity Gaming -- Private casino operator
Wikipedia - Afia Masood -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Africa Coast to Europe (cable system) -- Optical-fiber submarine cable system
Wikipedia - African Biodiversity & Conservation -- South African peer-reviewed open access scientific journal
Wikipedia - African Company of Merchants -- Chartered company operating in the British gold coast
Wikipedia - African openbill -- Species of bird
Wikipedia - Afroditi Theopeftatou -- Greek politician and civil engineer
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Wikipedia - Agamenon: The Film -- 2012 film by Victor Lopes
Wikipedia - AGC Glass Europe
Wikipedia - Agency of the European Union
Wikipedia - Age of Discovery -- Period of European global exploration from early 15th century to 17th century
Wikipedia - Age of Enlightenment -- European cultural movement of the 17th, 18th, and 19th centuries
Wikipedia - Ages of consent in Europe -- Overview of ages of consent in Europe
Wikipedia - Aggression - Reign over Europe -- 2008 video game
Wikipedia - Aglaope infausta -- Species of moth
Wikipedia - Agnes Huntington -- American operatic singer
Wikipedia - Agnes Nixon -- American soap opera screenwriter
Wikipedia - Agnes Stavenhagen -- German operatic soprano
Wikipedia - Agnes von Hohenstaufen -- Opera by Gaspare Spontini
Wikipedia - A Good Librarian Like a Good Shepherd -- Japanese adult visual novel developed by August, and manga and anime adaptation
Wikipedia - A Grass Rope -- Book by William Mayne
Wikipedia - Agrippina (opera) -- 1709 opera seria by G. F. Handel
Wikipedia - Agritourism -- Agriculturally based operation or activity that brings visitors to a farm or ranch
Wikipedia - Agropelter -- Mythical creature from American folklore
Wikipedia - A Harlot's Progress (opera) -- Opera by Iain Bell
Wikipedia - A History of the Birds of Europe -- Nine-volume, late 19th century book about the history of European birds
Wikipedia - A Hopeless Case -- 1939 film
Wikipedia - AIDAmira -- Cruise ship operated by AIDA Cruises
Wikipedia - Aidan Brosnan -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Aidan O'Neill -- Scottish public and European law QC who is dual qualified in England and Wales as well as Scotland
Wikipedia - Aida -- Opera in four acts by Giuseppe Verdi
Wikipedia - Ailsa Stewart -- Fictional character from the Australian soap opera Home and Away
Wikipedia - Ailyn Perez -- American opera singer
Wikipedia - AI Mk. IV radar -- Operational model of the world's first air-to-air radar system
Wikipedia - Ain Anger -- Estonian opera bass
Wikipedia - Aino Seep -- Estonian operetta singer, opera soloist, and actress
Wikipedia - Ain't It Funny (Murder Remix) -- 2002 single by Jennifer Lopez
Wikipedia - Ain't It Funny -- 2001 single by Jennifer Lopez
Wikipedia - Air base -- Aerodrome used by a military force for the operation of military aircraft
Wikipedia - Airbrush -- Small, air-operated tool that sprays various media by a process of nebulization
Wikipedia - Airbus A330neo -- Wide-body jet airliner developed from Airbus A330
Wikipedia - Airbus -- European aircraft manufacturer
Wikipedia - Air conditioning -- Process of altering the properties of air to more favorable conditions
Wikipedia - Aircraft dope
Wikipedia - Air-cushioned landing craft -- Military hovercraft designed for landing troops and equipment in amphibious operations
Wikipedia - Airfoil -- Cross-sectional shape of a wing, blade of a propeller, rotor, or turbine, or sail
Wikipedia - Air Force Intelligence, Surveillance and Reconnaissance Agency -- Former field operating agency of the USAF
Wikipedia - Air Heritage -- Indian regional airline operator
Wikipedia - Air-independent propulsion -- Propulsion system for submarines which operates without access to atmospheric oxygen
Wikipedia - Airline alliance -- Cooperation agreement between two or more airlines
Wikipedia - Air-line fitting -- Compendium of hand-operable air-line fittings
Wikipedia - Air Loyaute -- French airline operating in New Caledonia
Wikipedia - Air operator's certificate -- Approval by national aviation authorities to operate aircraft for commercial purposes
Wikipedia - AirPlay -- Proprietary wireless streaming protocol developed by Apple Inc.
Wikipedia - Airport Authority Hong Kong -- Operator of Hong Kong International Airport
Wikipedia - Air spread -- The topside base for surface-supplied air diving operations
Wikipedia - AIX operating system
Wikipedia - AKS Inc -- Defunct American propeller manufacturer
Wikipedia - Alabama Cooperative Extension System -- Educational outreach organization in Alabama, United States
Wikipedia - Aladdin (opera) -- Opera by Kurt Atterberg
Wikipedia - Alaigal -- Indian Tamil soap opera
Wikipedia - Alan B. Scott -- ophthalmologist and developer of Botox
Wikipedia - Alan Cooper -- American computer programmer
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Wikipedia - Alan Lopez -- Australian global and public health scholar and epidemiologist
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Wikipedia - Alaska Mission Operations Center
Wikipedia - Alaska North Slope
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Wikipedia - Alaska State Troopers -- State police agency of the U.S. state of Alaska
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Wikipedia - Albanian opera
Wikipedia - Albanians -- ethnic group native to Southeast Europe
Wikipedia - Albania -- Country in Southeastern Europe
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Wikipedia - Albert Alarr -- American television soap opera director
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Wikipedia - Albert Dohmen -- Opera singer
Wikipedia - Albert Einstein -- German-born scientist who developed the theory of relativity
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Wikipedia - Albert Herring -- 1947 opera by Benjamin Britten
Wikipedia - Albert Lance -- French opera singer
Wikipedia - Albert Lortzing -- German opera composer
Wikipedia - Alberto Gines Lopez -- Spanish climber (born 2002)
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Wikipedia - Albert (tugboat) -- Tugboat operating on North American Great Lakes
Wikipedia - Alcathoe bat -- A European bat in the family Vespertilionidae
Wikipedia - Alceste (Schweitzer) -- Opera by Anton Schweitzer and Christoph Martin Wieland
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Wikipedia - Alcyone (opera) -- Opera by Marin Marais
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Wikipedia - Alejandro Marco-Buhrmester -- German operatic baritone
Wikipedia - Aleko (Rachmaninoff) -- Opera by Sergei Rachmaninoff
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Wikipedia - Alessandro Safina -- Italian operatic pop tenor
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Wikipedia - Alexander Pope (disambiguation)
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Wikipedia - Alex Cooper (sailor) -- Bermudian sailor
Wikipedia - Alex Esposito -- Italian bass-baritone opera singer
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Wikipedia - Algebraic structure -- Set with one or more operations that satisfy a given set of axioms
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Wikipedia - Alice Branning -- Fictional character from the British soap opera EastEnders
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Wikipedia - Alice Cooper -- American rock singer, songwriter and actor
Wikipedia - Alice Esty (soprano) -- American-born operatic soprano
Wikipedia - Alice in Wonderland (opera)
Wikipedia - Alice's Adventures Under Ground (opera)
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Wikipedia - Aliquot sum -- Sum of all proper divisors of a natural number
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Wikipedia - Alliance of Liberals and Democrats for Europe Party -- European political party
Wikipedia - Alliance of Liberals and Democrats for Europe
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Wikipedia - Allied technological cooperation during World War II
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Wikipedia - Allopentarthrum -- Genus of beetles
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Wikipedia - Allotropes of carbon
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Wikipedia - Allotropes of phosphorus -- Solid forms of the element phosphorus
Wikipedia - Allotropy -- Property of some chemical elements to exist in two or more different forms
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Wikipedia - Alopecorhinus -- Extinct genus of therapsids
Wikipedia - Alopecosa cronebergi -- Species of arachnid
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Wikipedia - Alopecurus pratensis -- species of flowering plants in the grass family Poaceae
Wikipedia - Alopecurus -- genus of flowering plants in the grass family Poaceae
Wikipedia - Alopen
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Wikipedia - Alpha-Pyrrolidinopentiothiophenone
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Wikipedia - Alpine orogeny -- Formation of the Alpine mountain ranges of Europe, the Middle East and northwest Africa
Wikipedia - Alps -- Major mountain range system in Central Europe
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Wikipedia - Alternation (geometry) -- Operation on a polyhedron or tiling that removes alternate vertices
Wikipedia - Alternative Splicing and Transcript Diversity database -- 2008-2012 European database of transcript variants
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Wikipedia - Alyson Cambridge -- American operatic soprano
Wikipedia - Alzira (opera)
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Wikipedia - Amalgamated Society of Coopers -- Former federated trade union in the UK and Ireland
Wikipedia - Amalia Paoli -- Puerto Rican operatic soprano
Wikipedia - Amanda Cooper-Sarkar -- English particle physicist
Wikipedia - Amanita phalloides -- Poisonous fungus in the family Amanitaceae, widely distributed across Europe
Wikipedia - Amasa Holcomb -- American manufacturer of surveying instruments and telescopes
Wikipedia - Amatz -- Song by Filipino rapper Shanti Dope
Wikipedia - Amauropelta dodsonii -- Species of fern
Wikipedia - Amauropelta inabonensis -- Species of fern
Wikipedia - Amazon Alexa -- Voice assistant developed by Amazon
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Wikipedia - Amazon Go -- Convenience store chain operated by Amazon.com
Wikipedia - Amazon Music -- music streaming platform and online music store operated by Amazon
Wikipedia - Amazon Theatre -- Opera house in Manaus, Brazil
Wikipedia - Ambassador of Australia for Asia-Pacific Economic Cooperation -- Wikipedia list article
Wikipedia - Ambassador of China to the European Union -- Wikipedia list article
Wikipedia - Amber Road -- Historical trade route in Europe
Wikipedia - AmBisyon Natin 2040 -- Vision developed by the government of the Philippines
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Wikipedia - AMC Theatres -- US-based movie theater chain in the US and Europe
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Wikipedia - Amelia Lopes O'Neill -- 1991 film
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Wikipedia - American Chinese cuisine -- Chinese cuisine developed by Chinese Americans
Wikipedia - American Drug War: The Last White Hope -- 2007 documentary film
Wikipedia - American Forces Network -- Broadcast service operated by the United States Armed Forces
Wikipedia - American frontier -- Undeveloped territory of the United States, c. 1607-1912
Wikipedia - Americanist phonetic notation -- System of phonetic notation originally developed for the phonetic and phonemic transcription of indigenous languages of the Americas
Wikipedia - American Memorial to Six Million Jews of Europe -- Holocaust memorial
Wikipedia - American National Biography -- Biographical encyclopedia
Wikipedia - American open-wheel car racing -- Category of professional-level automobile racing in North America
Wikipedia - Americans in Europe -- 1963 live jazz albums
Wikipedia - American Society for the Defense of Tradition, Family and Property -- Organization
Wikipedia - American Theater (World War II) -- World War II area of operations including North and South America
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Wikipedia - Amsterdam Ordnance Datum -- vertical datum in use in large parts of Western Europe, originally created for use in the Netherlands
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Wikipedia - Amy Barlow -- Fictional character from the British soap opera Coronation Street
Wikipedia - Anabaptism -- A Christian movement and set of beliefs that started as a result of the Bible being translated into the languages of the common people, and the European Reformation in Western Christianity.
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Wikipedia - An Anthology of Chance Operations -- 1963 American artist's book
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Wikipedia - Ana's Song (Open Fire) -- 1999 single by Silverchair
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Wikipedia - Anastomosis -- A connection or opening between two things that are normally diverging or branching
Wikipedia - Anatolian languages -- extinct branch of Indo-European languages
Wikipedia - Anatolian peoples -- Indo-European ethnolinguistic group
Wikipedia - Anatoliy Mokrenko -- Ukrainian operatic baritone
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Wikipedia - Ancient and Primeval Beech Forests of the Carpathians and Other Regions of Europe -- UNESCO world heritage site
Wikipedia - Ancient History Encyclopedia -- Organization and encyclopedic website
Wikipedia - Ancient Siam -- Open-air museum in Thailand
Wikipedia - Anderson Cooper 360M-BM-0 -- American television news show on CNN and CNN International
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Wikipedia - Andres de Segurola -- Spanish opera singer
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Wikipedia - Andres Manuel Lopez Obrador -- 58th president of Mexico
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Wikipedia - Android Developer Challenge
Wikipedia - Android Developer Day
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Wikipedia - Android Go -- Variant of the Android operating system for low-end devices
Wikipedia - Android Jelly Bean -- Tenth version of the Android operating system
Wikipedia - Android Lollipop -- Fifth major version of the Android operating system
Wikipedia - Android Marshmallow -- Sixth major version of the Android operating system
Wikipedia - Android One -- Line of smartphones that run the unmodified Android operating system
Wikipedia - Android (operating system)
Wikipedia - Android Pie -- Ninth major version of the Android mobile operating system
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Wikipedia - Andrzej Dobber -- Polish opera baritone
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Wikipedia - Anemoscope -- Device invented to show the direction of the wind
Wikipedia - Anesthesiology -- Medical specialty that focuses on anesthesia and perioperative medicine
Wikipedia - Angela Brown -- American opera singer
Wikipedia - Angela Denoke -- German opera singer
Wikipedia - Angela Feeney -- Irish opera singer
Wikipedia - Angelica Catalani -- Italian opera singer
Wikipedia - Angelika Bischof-Delaloye -- European scientist
Wikipedia - Angelo Copeta -- Italian motorcycle racer
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Wikipedia - Animal Crossing -- Video game series developed by Nintendo
Wikipedia - Animal Planet (European TV channel) -- European pay television channel
Wikipedia - Anisopeplus -- Genus of beetles
Wikipedia - Anisotropy -- In geometry, property of being directionally dependent
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Wikipedia - Anja Seibert-Fohr -- German judge at the European Court of Human Rights
Wikipedia - AnM-DM-^Mka Goropenko -- Slovenian gymnast
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Wikipedia - Anna Bonitatibus -- Italian opera singer
Wikipedia - Anna Christy -- American soprano opera singer
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Wikipedia - Anna D'Angeri -- Austrian-Italian opera singer 1853-1907
Wikipedia - Anna Hope -- British actress
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Wikipedia - Anna Windass -- Fictional character from the ITV soap opera Coronation Street
Wikipedia - Anne Bogart -- American theatre and opera director
Wikipedia - Anne-Catherine Gillet -- Belgian opera singer
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Wikipedia - Anne Hooper -- British sex therapist
Wikipedia - Anneli Aarika-Szrok -- Finnish opera singer
Wikipedia - Annemarie Kremer -- Dutch opera singer
Wikipedia - Anne McKnight -- Operatic singer from the US
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Wikipedia - Annexation of Goa -- Indian Army operation in December 1961 to annex Goa into Indian Republic
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Wikipedia - An Open Book (poetry collection) -- Book by Orson Scott Card
Wikipedia - An Open Heart (book)
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Wikipedia - Ansible (software) -- Open-source software platform for remote configuring and managing computers
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Wikipedia - ANT1 Europe -- European subscription TV channel
Wikipedia - Antebellum Homes in Eutaw Thematic Resource -- twenty-three historic properties in Eutaw, Alabama
Wikipedia - Antelope (1802 slave ship) -- Slave ship
Wikipedia - Antelope County News -- American weekly newspaper in Nebraska
Wikipedia - Antelope Flat Reservoir -- Reservoir in Crook County, Oregon
Wikipedia - Antelope Hill, Arizona -- Summit in Arizona
Wikipedia - Antelope Hills expedition -- 1858 military campaign of the Texas Rangers against the Comanche and Kiowa peoples
Wikipedia - Antelope Hot Springs -- Thermal spring in Oregon
Wikipedia - Antelope Island bison herd
Wikipedia - Antelope Valley College -- community college in Lancaster, California
Wikipedia - Antelope Valley Conservancy -- Public-benefit corporation in California
Wikipedia - Antelope Valley Line -- Metrolink commuter rail line linking Downtown Los Angeles to Northern Los Angeles County
Wikipedia - Antelope Valley Mall -- Shopping mall in Palmdale, California
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Wikipedia - Antelope Valley -- Valley in Southern California
Wikipedia - Antelope -- Term referring to an even-toed ruminant
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Wikipedia - Anthony Ashley-Cooper, 1st Earl of Shaftesbury
Wikipedia - Anthony Ashley Cooper, 1st Earl of Shaftesbury -- English politician and founder of the Whig party (1621-1683)
Wikipedia - Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
Wikipedia - Anthony Ashley-Cooper, 7th Earl of Shaftesbury -- British politician
Wikipedia - Anthony Ashley-Cooper, Lord Ashley -- English aristocrat and British army officer
Wikipedia - Anthony Cope (Dean of Elphin) -- Irish Anglican priest
Wikipedia - Anthony F. DePalma -- American orthopedic surgeon, humanitarian, and teacher
Wikipedia - Anthony Hope -- English novelist (1863-1933)
Wikipedia - Anthony Lyons -- British property investor
Wikipedia - Anthony Moon -- Fictional character from the BBC soap opera EastEnders, played by Matt Lapinskas
Wikipedia - Anthony Trollope bibliography -- Wikipedia bibliography
Wikipedia - Anthony Trollope -- English novelist (1815-1882)
Wikipedia - Anthony Trueman -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Anthropodermic bibliopegy -- Binding books in human skin
Wikipedia - Anticommutative property -- Mathematical property
Wikipedia - Anti-Europeanism
Wikipedia - Antigone oder die Stadt -- 1988 opera by Georg Katzer and Gerhard Muller
Wikipedia - Antimicrobial properties of copper -- Abilities of copper to kill or stop the growth of microorganisms
Wikipedia - Antiope of Thebes -- Greek mythological figure
Wikipedia - Antipope Adalbert
Wikipedia - Antipope Alexander V
Wikipedia - Antipope Anacletus II
Wikipedia - Antipope Benedict XIII -- Antipope from 1328 to 1423
Wikipedia - Antipope Benedict XIV -- Name used by two minor antipopes of the 15th century
Wikipedia - Antipope Benedict X
Wikipedia - Antipope Boniface VII
Wikipedia - Antipope Calixtus III
Wikipedia - Antipope Callixtus III
Wikipedia - Antipope Celestine II
Wikipedia - Antipope Christopher
Wikipedia - Antipope Clement III
Wikipedia - Antipope Clement VIII
Wikipedia - Antipope Clement VII
Wikipedia - Antipope Constantine II -- 8th-century antipope
Wikipedia - Antipope Dioscorus
Wikipedia - Antipope Eulalius
Wikipedia - Antipope Felix II
Wikipedia - Antipope Felix V
Wikipedia - Antipope Gregory VIII
Wikipedia - Antipope Gregory VI
Wikipedia - Antipope Heraclius
Wikipedia - Antipope Honorius II
Wikipedia - Antipope Innocent III
Wikipedia - Antipope John VIII -- Antipope in 844
Wikipedia - Antipope John XVI -- priest, chaplain, bishop and antipope (c.945-c.1001)
Wikipedia - Antipope John XXIII -- Italian bishop; Pisan antipope (1410-1415)
Wikipedia - Antipope Laurentius
Wikipedia - Antipope Natalius
Wikipedia - Antipope Nicholas V
Wikipedia - Antipope Paschal III
Wikipedia - Antipope Paschal
Wikipedia - Antipope Philip -- 8th-century antipope
Wikipedia - Anti-popes
Wikipedia - Antipopes
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Wikipedia - Antipope Theodoric
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Wikipedia - Antipope Victor IV (1159-1164)
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Wikipedia - Antiunitary operator
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Wikipedia - Anton Golopentia -- Romanian sociologist
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Wikipedia - Antonio Carangelo -- Italian operatic tenor
Wikipedia - Antonio Cardoso e Cunha -- Portuguese Social Democrat politician and European Commissioner
Wikipedia - Antonio Cotogni -- Italian opera singer 1831-1918
Wikipedia - Antonio Galassi -- Italian opera singer 1845-1904
Wikipedia - Antonio Giuglini -- Italian opera singer 1825-65
Wikipedia - Antonio Hidalgo Lopez -- Undersecretary of the Spanish presidency
Wikipedia - Antonio Lopez de Santa Anna -- 19th-century Mexican politician general
Wikipedia - Antonio Lopez (illustrator) -- Puerto Rican fashion illustrator
Wikipedia - Antonio Lopez Portillo de Guadalupe -- Roman-catholic bishop
Wikipedia - Antonio Lopez (shipwreck) -- Historic Spanish ship shipwrecked in waters near Dorado, Puerto Rico
Wikipedia - Antonio Magini-Coletti -- Italian opera singer 1855-1912
Wikipedia - Antonio Paoli -- Puerto Rican opera singer
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Wikipedia - Antony and Cleopatra (opera)
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Wikipedia - Anzhelina Shvachka -- Ukrainian operatic mezzo-soprano singer
Wikipedia - AO Cassiopeiae -- Star system in the constellation Cassiopeia
Wikipedia - Apache HTTP Server -- Open-source web server software
Wikipedia - Apache License -- Free software license developed by the ASF
Wikipedia - Apache OpenEJB
Wikipedia - Apache OpenJPA
Wikipedia - Apache OpenNLP
Wikipedia - Apache OpenOffice -- Free and open-source office software suite
Wikipedia - Apache Subversion -- Free and open source software versioning and revision control system
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Wikipedia - Apartment 3-G -- 1961-2015 American soap opera comic strip
Wikipedia - Aperiodic tiling -- Non-periodic tiling with the additional property that it does not contain arbitrarily large periodic patches
Wikipedia - Apertium -- Open-source rule-based machine translation platform
Wikipedia - Aperture (mollusc) -- The main opening of the shell, where the head-foot part of the body of the animal emerges
Wikipedia - Aperture synthesis -- Mixing signals from many telescopes to produce images with high angular resolution
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Wikipedia - Aperuit illis -- 2019 Apostolic Letter by Pope Francis
Wikipedia - Aphonopelma iodius
Wikipedia - APL (programming language) -- Functional, symbolic programming language for operating on multidimensional arrays
Wikipedia - Apollo 18 (film) -- 2011 science fiction horror film by Gonzalo Lopez-Gallego
Wikipedia - Apollo Arrow -- Concept car developed by Apollo Automobil
Wikipedia - Apollo (System Copernicus) -- Stained glass window by Stanislaw Wyspianski
Wikipedia - Apollo Telescope Mount
Wikipedia - Apologies by Pope John Paul II
Wikipedia - Apolong -- Chinese driverless vehicle developed by Baidu, Kinglong and other companies
Wikipedia - Apopestes spectrum -- Species of moth
Wikipedia - Apopestes -- Genus of insects
Wikipedia - Aposiopesis
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Wikipedia - Appalachian Center at Hickory -- Distance-education center operated by Appalachian State University
Wikipedia - Apparaopeta -- Village in Dammapeta Mandal, Bhadradri Kottagudem District, Telangana, India
Wikipedia - Appetizer (software) -- Open source application launcher for Windows
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Wikipedia - Apple Card -- Credit card developed by Apple Inc.
Wikipedia - Apple Developer Tools
Wikipedia - Apple Developer -- Apple Inc.'s developer network
Wikipedia - Apple File System -- File system developed by Apple
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Wikipedia - Apple Maps -- Map application operated by Apple inc.
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Wikipedia - Apple Open Collaboration Environment
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Wikipedia - Apple Watch Series 6 -- Smartwatch developed by Apple, Inc.
Wikipedia - Apple Watch SE -- Smartwatch developed by Apple Inc.
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Wikipedia - Aptenopedes sphenarioides -- Species of grasshopper
Wikipedia - Aptenopedes -- Genus of grasshoppers
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Wikipedia - Apteropeoedes -- Genus of grasshoppers
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Wikipedia - Aquila of Sinope
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Wikipedia - Arab Cooperation Council
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Wikipedia - Aragonese Wikipedia -- Edition of the free-content encyclopedia
Wikipedia - Arago telescope -- Telescope at Paris Observatory, installed in 1857
Wikipedia - ArangoDB -- Free and open-source multi-model database
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Wikipedia - Arcade game -- Coin-operated entertainment machine
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Wikipedia - ArcaOS -- Computer operating system based on IBM's OS/2 Warp
Wikipedia - AR Cassiopeiae -- Star system in the constellation Cassiopeia
Wikipedia - ARC Gallery -- Artists' cooperative in Chicago, IL, US
Wikipedia - Archaeological open-air museum -- Non-profit permanent institution with outdoor true-to-scale architectural reconstructions
Wikipedia - Archaeology of Northern Europe -- Archaeological region and period
Wikipedia - Archangel Michael Trypiotis Church -- Cultural property in Nicosia, Cyprus
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Wikipedia - Archduchess Maria Antonietta of Austria (1858-1883) -- European royalty
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Wikipedia - Archery at the 2016 Summer Paralympics - Women's individual recurve open -- 2016 Paralympics open recurve archery
Wikipedia - Archie Mitchell -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Archimedean property -- The absence of infintiesmals in a mathemaical system
Wikipedia - Archive of European Integration -- Electronic repository and archive
Wikipedia - Arco (Renfe Operadora service) -- Passenger train service
Wikipedia - Arctic Coal Company -- 1906-1916 American coal mining company operating in Svalbard, Norway
Wikipedia - Arctic tern -- A bird in the family Laridae with a circumpolar breeding distribution covering the Arctic and sub-Arctic regions of Europe, Asia, and North America
Wikipedia - Arduino -- Open source hardware and software platform
Wikipedia - Arecibo Telescope -- Former radio telescope in the municipality of Arecibo, Puerto Rico
Wikipedia - ArenaNet -- American video game developer
Wikipedia - A repository of modern knowledge -- 6 volume encyclopedia, published 1850-1855
Wikipedia - Argiope appensa
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Wikipedia - Argument from a proper basis
Wikipedia - Argyropelecus -- Genus of deep sea hatchetfishes
Wikipedia - Argyropeza schepmaniana -- Species of mollusc
Wikipedia - Argyrotaenia ljungiana -- Species of moth from Europe
Wikipedia - Ariadne auf Naxos -- Opera by Richard Strauss
Wikipedia - Ariane 6 -- European launch vehicle (under development)
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Wikipedia - Arik Air -- Nigerian airline operating within Africa
Wikipedia - Arika -- Japanese video game developer
Wikipedia - Ariolasoft -- German video game developer
Wikipedia - Aristeion Prize -- European literary award
Wikipedia - Arithmetic operations
Wikipedia - Arithmetic shift -- Shift operator in computer programming
Wikipedia - Arity -- Fixed number of arguments or operands that a function or operation requires in order to define a relation between them
Wikipedia - Arizona State Prison Complex - Florence -- flagship prison of Arizona's 13 prison facilities operated by the Arizona Department of Corrections
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Wikipedia - Armida Parsi-Pettinella -- Italian mezzo-soprano opera singer
Wikipedia - Arminio (Biber) -- Opera by Heinrich Ignaz Franz Biber
Wikipedia - Armorial of Europe -- Wikimedia list article
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Wikipedia - Arnold Cooper
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Wikipedia - Aromanian language -- Eastern Romance language spoken in Southeastern Europe
Wikipedia - AROS Research Operating System -- Operating system
Wikipedia - Arquebus -- Type of long gun that appeared in Europe during the 15th century
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Wikipedia - Arri PL -- Lens mount developed by Arri
Wikipedia - Arriscope (lens) -- Animorphic lens for movie camera
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Wikipedia - Arriva Fox County -- British bus company operating in Leicestershire
Wikipedia - Arriva London -- Bus company operating services in Greater London
Wikipedia - Arriva Midlands -- British bus operator
Wikipedia - Arriva North East -- Bus operator in North East England
Wikipedia - Arriva North West -- Bus operator in North West England
Wikipedia - Arriva Rail London -- A British train operating company in London
Wikipedia - Arriva Southern Counties -- Bus operator in Surrey, West Sussex, East Sussex, Kent and Essex
Wikipedia - Arriva Trains Wales -- British transport company that operated in Wales, United Kingdom
Wikipedia - Arriva UK Trains -- Company that oversees Arriva's train operating companies in the United Kingdom
Wikipedia - Arriva Yorkshire -- British bus operator
Wikipedia - Arshin Mal Alan (operetta) -- 1913 operetta by Uzeyir Hajibeyov
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Wikipedia - Artemisia Gallery -- Chicagoan alternative exhibition space and women's cooperative
Wikipedia - Arteriotomy -- Medical term for an opening or cut of an artery wall
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Wikipedia - Arthur Herbert Copeland -- American mathematician
Wikipedia - Arthur Ravenel Jr. Bridge -- Cable-stayed bridge over the Cooper River in South Carolina, USA
Wikipedia - Arthur Schopenhauer's aesthetics
Wikipedia - Arthur Schopenhauer's criticism of Immanuel Kant's schemata
Wikipedia - Arthur Schopenhauer -- German philosopher
Wikipedia - Arthur Stanhope (priest) -- Anglican priest
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Wikipedia - Article 102 of the Treaty on the Functioning of the European Union -- Article of European Union competition law
Wikipedia - Article 10 of the European Convention on Human Rights -- Article on freedom of expression in the European Convention of Human Rights
Wikipedia - Article 11 of the European Convention on Human Rights -- Article guaranteeing freedom of assembly and association
Wikipedia - Article 7 of the Treaty on European Union -- suspension procedure
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Wikipedia - ASEAN-ROK Forest Cooperation
Wikipedia - Asemic writing -- Wordless open semantic form of writing
Wikipedia - ASFiNAG -- Austrian highway operating company
Wikipedia - Ashihara kaikan -- Modern full contact street karate developed from Kyokushin
Wikipedia - Ashley Cotton -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Ashley Putnam -- American opera singer
Wikipedia - Ashley Thomas -- Character from the British soap opera Emmerdale
Wikipedia - Asia Cooperation Dialogue
Wikipedia - Asian and Pacific theatre of World War I -- Theater of operations during World War I
Wikipedia - Asianet Satellite Communications -- Indian cable operator
Wikipedia - Asian Highway Network -- International road network connecting Asia and parts of Europe
Wikipedia - Asia-Pacific Economic Cooperation -- International economic forum
Wikipedia - Asida (beetle) -- Genus of beetles in western Europe
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Wikipedia - As One (opera) -- Chamber opera by Laura Kaminsky
Wikipedia - A Spectre Haunts Europe -- 1923 film by Vladimir Gardin
Wikipedia - Aspen Review Central Europe -- English-language quarterly
Wikipedia - Asplenium scolopendrium -- Species of fern in the family Aspleniaceae
Wikipedia - ASP.NET -- server-side open-source web application framework
Wikipedia - Assassin's Creed: Brotherhood -- 2010 historical action-adventure open world stealth video game
Wikipedia - Assateague Island National Seashore -- Barrier island operated by the National Park Service of the United States
Wikipedia - Assembly of Captive European Nations -- Coalition of representatives from nations in Central and Eastern Europe under Soviet domination (1954-1972)
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Wikipedia - Assignment operator
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Wikipedia - Association of European Operational Research Societies
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Wikipedia - Associative operation
Wikipedia - Associative property -- Property allowing removing parentheses in a sequence of operations
Wikipedia - Assume a can opener -- A catchphrase used to mock theorists who base their conclusions on impractical or unlikely assumptions
Wikipedia - A Star Is Born (2018 film) -- 2018 film by Bradley Cooper
Wikipedia - Astarte (opera) -- Opera by Xavier Leroux
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Wikipedia - ASTELCO -- Telescope manufacturer
Wikipedia - Asteropeia rhopaloides -- Species of plant
Wikipedia - As the World Turns -- American television soap opera (1956-2010)
Wikipedia - Astley-Cooper baronets -- English baronetcy
Wikipedia - Astley Cooper Key -- Royal Navy admiral
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Wikipedia - Aston Martin DB10 -- Sports car developed by British automobile manufacturer Aston Martin for the James Bond film ''Spectre''
Wikipedia - Astrid Varnay -- American operatic soprano (1918-2006)
Wikipedia - Astrium -- Former subsidiary of the European Aeronautic Defence and Space Company, merged into Airbus Defence and Space
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Wikipedia - Astrological aspect -- Angle the planets make to each other in the horoscope
Wikipedia - Astronomical Netherlands Satellite -- Space-based X-ray and ultraviolet telescope
Wikipedia - Astrope -- Village in Hertfordshire, England
Wikipedia - Astrophysics Data System -- Digital Library portal operated by the Smithsonian
Wikipedia - Asymmetric valley -- A valley that has steeper slopes on one side
Wikipedia - Asymptotic equipartition property
Wikipedia - Asynchronous System Trap -- Mechanism used in several computer operating systems
Wikipedia - Atacama Large Millimeter Array -- 66 radio telescopes in the Atacama Desert of northern Chile
Wikipedia - Atari TOS -- Operating system of the Atari ST range of computers
Wikipedia - At Ease -- Alternative to the Macintosh desktop developed by Apple Computer in the early 1990s for the classic Mac OS
Wikipedia - ATF gunwalking scandal -- US operation to capture weapons' smugglers
Wikipedia - At Freddie's -- 1982 novel by Penelope Fitzgerald
Wikipedia - ATHENA (European cultural heritage project) -- European Union funded project which aims to provide content to Europeana
Wikipedia - Atif Rahman -- Dubai based real estate developer
Wikipedia - Atigun Gorge -- Valley in North Slope Borough, United States of America
Wikipedia - Atiyah-Singer index theorem -- On the dimensions of the kernel and cokernel of a differential operator on a manifold
Wikipedia - Atlantic Bronze Age -- Period of approximately 1300-700 BC in Europe
Wikipedia - Atlanticism -- Political ideology regarding North American-European cooperation
Wikipedia - Atlantic (Semitic) languages -- Disputed Pre-Indo-European Language Family
Wikipedia - Atlas A/S -- Machine factory in Copenhagen, Denmark
Wikipedia - Atmosphere of Mercury -- Composition and properties of the atmosphere of the innermost planet of the Solar System
Wikipedia - Atomic force microscope
Wikipedia - Atomicity (database systems) -- Property of the ACID database system
Wikipedia - Atomic operations (computing)
Wikipedia - Atomic operation
Wikipedia - Atomic vapor laser isotope separation
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Wikipedia - A Town of Love and Hope -- 1959 film
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Wikipedia - Atrium (architecture) -- Open air or skylight; architectural feature, courtyard in a Roman domus
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Wikipedia - ATS Euromaster -- British affiliate of the European tyre service provider Euromaster
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Wikipedia - Attifet -- Headdress worn by European women in the 16th and 17th centuries
Wikipedia - Attribute (computing) -- Metadata which defines a property
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Wikipedia - Audiogenic -- Video game developer
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Wikipedia - Augsburg raid -- WWII bombing operation by the Royal Air Force
Wikipedia - Augusta Lutken -- Danish operatic soprano
Wikipedia - Augusta M-CM-^Vhrstrom-Renard -- Swedish operatic mezzosoprano
Wikipedia - Auguste Pilati -- French composer and opera conductor
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Wikipedia - Aunt Sal -- Fictional character from the British soap opera EastEnders
Wikipedia - Auriscalpium vulgare -- Species of fungus in the family Auriscalpiaceae from Europe, Central America, North America, and temperate Asia
Wikipedia - Aurora OS -- Operating system for netbooks
Wikipedia - Austenite -- Metallic, non-magnetic allotrope of iron or a solid solution of iron, with an alloying element
Wikipedia - Austin Cooper (lawyer) -- Canadian lawyer
Wikipedia - Austin Hope -- American winemaker
Wikipedia - Austin Powers Operation: Trivia -- 1999 video game
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Wikipedia - Australian Home Companion and Band of Hope Journal -- Newspaper
Wikipedia - Australian Submarine Rescue Vehicle Remora -- Diving bell operated by the Australian Navy
Wikipedia - Austrian Empire -- Central European multinational great power from 1804 to 1867
Wikipedia - Austria-Prussia rivalry -- Cooperation and rivalry between Austria and Prussia up to 1866
Wikipedia - Austria -- Country in Central Europe
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Wikipedia - Autogenous pressurization -- Use of self-generated gaseous propellant
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Wikipedia - Automated Transfer Vehicle -- Uncrewed cargo spacecraft developed by the European Space Agency
Wikipedia - Automatic activation device -- Device that automatically opens a parachute
Wikipedia - Automatic box-opening technology
Wikipedia - Automatic faucet -- Sensor-operated water outlet
Wikipedia - Automation -- Use of various control systems for operating equipment
Wikipedia - Automaton -- A self-operating machine
Wikipedia - Autonomia Operaia
Wikipedia - Autonomists for Europe -- Italian political party
Wikipedia - Autonomous peripheral operation
Wikipedia - Autonomous spaceport drone ship -- Floating landing platform operated by SpaceX
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Wikipedia - Autopilot -- System to maintain vehicle trajectory in lieu of direct operator command
Wikipedia - Autopistas de Puerto Rico -- European public-private partnership, privately held company
Wikipedia - Autopsia -- European art project
Wikipedia - Autostrade per l'Italia -- Italian motorway operations company
Wikipedia - Autumn Sonata (opera) -- Opera by Sebastian Fagerlund
Wikipedia - A/UX -- Early Unix-based operating system from Apple Computer
Wikipedia - AV1 -- Open and royalty-free video coding format developed by the Alliance for Open Media
Wikipedia - Avalanche effect -- Property of cryptographic algorithms where a small change in the input causes a large change the output
Wikipedia - Avalanche -- large amount of snow sliding down a steep slope
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Wikipedia - Avenue Q -- Musical comedy by Robert Lopez, Jeff Marx, and Jeff Whitty
Wikipedia - A. Vernon Weaver -- US Ambassador to the European Union
Wikipedia - Aviation -- Design, development, production, operation and use of aircraft
Wikipedia - Avidemux -- Free and open-source transcoding and video editing software
Wikipedia - Avignon Papacy -- period during which the pope decided to live in Avignon, France rather than in Rome
Wikipedia - Avignon Pope Benedict XIII
Wikipedia - Avignon Pope Clement VII
Wikipedia - Avignon pope
Wikipedia - Avi Schiffmann -- American website developer
Wikipedia - Avis Europe -- British car rental company
Wikipedia - Avison Young -- Property professional services firm
Wikipedia - Avnu Alliance -- For open Audio Video Bridging (AVB) and Time-Sensitive Networking (TSN) standards
Wikipedia - Avocado toast -- type of open sandwich
Wikipedia - Avoirdupois system -- System of weights (more properly, mass) based on a pound of 16 ounces
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Wikipedia - Awem -- Video games developer
Wikipedia - Axel Springer SE -- Large multimedia company in Europe
Wikipedia - Axeltorv -- Square in Copenhagen
Wikipedia - Axial-flow pump -- Type of pump consisting of a propeller in a pipe
Wikipedia - AXIOM (camera) -- Series of open-hardware cinema cameras
Wikipedia - Axis & Allies: Europe 1940 -- 2010 board wargame
Wikipedia - Axis & Allies: Europe -- 2001 board game
Wikipedia - AXN White -- Channel operated by Sony Pictures Television International Networks Europe
Wikipedia - Axum (programming language) -- Domain specific concurrent programming language originally developed by Microsoft
Wikipedia - Ay family -- Kurdish asylum seekers in Europe
Wikipedia - Aymar-DeMuth Propellers -- Defunct American propeller manufacturer
Wikipedia - Azad Moopen
Wikipedia - Azerbaijan State Academic Opera and Ballet Theater -- Opera house in Baku
class:encyclopedia
Wikipedia - Babcock Mission Critical Services Onshore -- Operator of police and air ambulance helicopters in the UK
Wikipedia - Babes in Toyland (operetta) -- Operetta by Victor Herbert and Glen MacDonough
Wikipedia - Babe Smith -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Babka -- Eastern European sweet yeast cake or bread
Wikipedia - Babycastles -- game developer collective and space
Wikipedia - Baby I Love U! -- 2003 single by Jennifer Lopez
Wikipedia - Babylon 5 -- American space opera television series
Wikipedia - Bachar ladder -- A form of rope ladder used as a training device by rock climbers
Wikipedia - Backbone Entertainment -- Defunct American video game developer
Wikipedia - Backgammon opening theory -- Initial moves strategy of a backgammon game
Wikipedia - Back-of-the-envelope calculation
Wikipedia - Backstage.bbc.co.uk -- BBC developer network
Wikipedia - Backsword -- Type of European sword
Wikipedia - Badal Pari -- 2001 film by Ugyen Chhopel
Wikipedia - Bada -- Discontinued mobile operating system
Wikipedia - Baden-Wrttemberg Cooperative State University
Wikipedia - Bad Piggies -- Puzzle video game developed by Rovio Entertainment
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Wikipedia - Bahtinov mask -- Telescope focusing device
Wikipedia - Baidu Baike -- Chinese collaborative web-based encyclopedia
Wikipedia - Baidu Yi -- Mobile operating system
Wikipedia - Bailey Turner -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Bail out to open circuit -- Abort a rebreather dive and surface using open circuit scuba
Wikipedia - Bajillion Dollar Propertie$ -- Television series
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Wikipedia - Balasaheb Thorat -- Indian politician, agricultural cooperative and reforestation movement founder
Wikipedia - Balinski's theorem -- Mathematical theorem concerning the graph-theoretic structure of polyhedra and polytopes
Wikipedia - Balkan mixed forests -- Terrestrial ecoregion of Europe
Wikipedia - Ballad opera
Wikipedia - Ballet of the Nuns -- Episode in Giacomo Meyerbeer's grand opera, Robert le diable
Wikipedia - Ballistite -- Smokeless propellant made from two high explosives
Wikipedia - Ballotpedia -- Nonprofit online encyclopedia about American politics
Wikipedia - Ball propellant
Wikipedia - Balochistan Liberation Army -- Militant group operating in Pakistan and Afghanistan
Wikipedia - Balsam (drink) -- Eastern European herbal liqueur
Wikipedia - Baltic mixed forests -- Ecoregion in Europe
Wikipedia - Baltic Sea cruiseferries -- Ferry operations in the Baltic
Wikipedia - Baltic Sea -- Sea in Northern Europe
Wikipedia - Baltic Shield -- A segment of the Earth's crust in the East European Craton, representing a large part of Fennoscandia, northwestern Russia and the northern Baltic Sea
Wikipedia - Baluch Liberation Front -- militant group operating in the Balochistan region of southwestern Asia
Wikipedia - Banca Popolare di Lanciano e Sulmona -- Italian cooperative bank
Wikipedia - Bandai Namco Entertainment -- Japanese video game developer and publisher
Wikipedia - Bandanna (opera)
Wikipedia - Bangalore Open Air -- Indian music festival
Wikipedia - Bangladesh special operations forces -- Military units trained to conduct special operations
Wikipedia - Banglapedia -- National encyclopedia of Bangladesh
Wikipedia - Banjo-Kazooie (video game) -- 1998 platform video game developed by Rare
Wikipedia - Banjo-Tooie -- 3D platform video game developed by Rare Limited
Wikipedia - Bank Australia -- Australian banking co-operative
Wikipedia - Bank of Venice -- First national bank in Europe
Wikipedia - Ban (title) -- Noble title used in Central and Southeastern Europe
Wikipedia - Bantry Bay, Cape Town -- A suburb of Cape Town on the coastal slopes of Lion's Head
Wikipedia - Baptist Hoffmann -- German operatic baritone
Wikipedia - Barack Obama "Hope" poster
Wikipedia - Barbara Corrado Pope -- American novelistt and professor
Wikipedia - Barbara Dever -- American mezzo-soprano opera singer
Wikipedia - Barbara Frittoli -- Italian operatic soprano
Wikipedia - Barbara Lopez -- Mexican actress
Wikipedia - Barbara Marchisio -- Italian opera singer 1833-1919
Wikipedia - Barbarian kingdoms -- Kingdoms dominated by northern European tribes established all over the Mediterranean after Barbarian Invasions
Wikipedia - Bare: A Pop Opera
Wikipedia - Bare machine -- Computer without an operating system
Wikipedia - Barents Sea Opening -- The sea between Bear Island in the south of Svalbard and the north of Norway through which water flows from the Atlantic into the Arctic Ocean
Wikipedia - Bargain Buys -- Yorkshire-based chain of discount stores operating across the United Kingdom
Wikipedia - Baron -- Title of nobility in Europe
Wikipedia - Baroque -- Artistic style in Europe and colonies, c. 1600-1750
Wikipedia - Barrett M82 -- American military recoil-operated, semi-automatic anti-materiel sniper system
Wikipedia - Barrie Kosky -- Australian theatre and opera director
Wikipedia - Barry Alexander -- American opera singer and entrepreneur
Wikipedia - Barry Attack -- Chess opening
Wikipedia - Barry Clark (EastEnders) -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Barry Lopez -- American writer
Wikipedia - Barry Michael Cooper -- American writer
Wikipedia - Barry Soper -- New Zealand journalist
Wikipedia - Bart De Strooper -- Belgian molecular biologist
Wikipedia - Bascinet -- Medieval European open-faced military helmet
Wikipedia - Basel Convention -- International treaty to prevent transfer of hazardous waste from developed to less developed countries
Wikipedia - Base (topology) -- Collection of open sets that is sufficient for defining a topology
Wikipedia - Basilisk -- Legendary reptile in European mythology
Wikipedia - Basques -- European ethnic group
Wikipedia - Bath Bus Company -- British bus operator operating in Bath and Cardiff
Wikipedia - Bathyscaphe -- Free-diving self-propelled deep-sea submersible
Wikipedia - Batman: Hush (film) -- 2019 animated film directed by Justin Copeland
Wikipedia - BATS Chi-X Europe -- Pan-European stock exchange located in London, United Kingdom
Wikipedia - Battalion of Special Operations -- Brazilian polict tactical unit
Wikipedia - Battle of Amgala (1989) -- Military operation in the Western Sahara War
Wikipedia - Battle of Arnhem -- Failed British airborne operation in Arnhem, Netherlands. Part of Operation Market Garden
Wikipedia - Battle of Berlin -- 1945 last major offensive of the European theatre of World War II
Wikipedia - Battle of Bosra (2015) -- Rebel operation in the Syrian Civil War
Wikipedia - Battle of Ceber -- Minor World War II battle, part of Operation Tempest
Wikipedia - Battle of Copenhagen (1801) -- Battle between British and Dano-Norwegian navies
Wikipedia - Battle of Fulhope Law -- 14th century battle
Wikipedia - Battle of Liege -- opening engagement of the German invasion of Belgium during WWI
Wikipedia - Battle of Lyuban -- Military operation
Wikipedia - Battle of Mormant -- 1814 battle in Europe
Wikipedia - Battle of Nicopolis -- 1396 battle during the Ottoman wars in Europe
Wikipedia - Battle of Puchen -- Part of the Hungarian invasions of Europe
Wikipedia - Battle of Saint-Dizier -- Battle during the European War of the Sixth Coalition
Wikipedia - Battle of the Caucasus -- Series of Axis and Soviet operations in the Caucasus area on the Eastern Front of WWII
Wikipedia - Battle of the Gulf of Riga -- World War I naval operation
Wikipedia - Battle of the Marshes -- Military operation during the Iran-Iraq war
Wikipedia - Battle of Val-es-Dunes -- 11th-century battle in Europe
Wikipedia - Battle of Vienna -- Battle near Vienna on 12 September 1683, between the Christian European States and the Ottomans, won by Christians commanded by Polish King John III Sobieski
Wikipedia - Battle of Zutphen -- 16th-century European battle
Wikipedia - Battle Pope -- Comic book
Wikipedia - Battles of Rzhev -- Series of Soviet Operations in World War II
Wikipedia - Bavarian State Opera
Wikipedia - Bay of Bengal Initiative for Multi-Sectoral Technical and Economic Cooperation
Wikipedia - Bay of Pigs Invasion -- Failed landing operation on the southwestern coast of Cuba, April 1961
Wikipedia - Bayreuth Festspielhaus -- Opera house and cultural heritage monument in Bavaria, Germany
Wikipedia - BBC Four -- Television channel operated by the BBC
Wikipedia - BBC Music -- Part of the BBC's Radio operational division, responsible for the music played across the BBC
Wikipedia - BBC North -- Operational business division of the BBC
Wikipedia - BBC One -- Television channel operated by the BBC
Wikipedia - BBC Three (online) -- online channel operated by the BBC
Wikipedia - BBC Three -- Television channel operated by the BBC until 2016
Wikipedia - BBC Two -- Television channel operated by the BBC
Wikipedia - BCS: 50 Years -- Book by Leon Cooper
Wikipedia - BD+60M-BM-02522 -- Star in the constellation Cassiopeia
Wikipedia - Beagle -- A breed of small scent hound developed primarily for hunting hare
Wikipedia - Beall's List -- Defunct website listing predatory open-access publishers and journals
Wikipedia - Beatification and canonisation of Pope John Paul II
Wikipedia - Beatification of Pope John Paul II
Wikipedia - Beatification of Pope Paul VI
Wikipedia - Beatmania IIDX 15: DJ Troopers -- Video game
Wikipedia - Beatrice et Benedict -- 19th-century opera comique by Hector Berlioz
Wikipedia - Beatrice Popescu -- French engineer
Wikipedia - Beatus map -- Cartographic work of the European Early Middle Ages
Wikipedia - Beaver Creek (New Hope River tributary) -- Stream in North Carolina, USA
Wikipedia - Beck Hopelessness Scale
Wikipedia - Becky Cooper (author) -- American author
Wikipedia - Beenox -- Video game developer, established in Quebec City, Quebec
Wikipedia - Be File System -- Native file system of the BeOS operating system
Wikipedia - Before Present -- Calendar based on 1950 CE (around when radiocarbon dating was developed and nuclear weapons testing artificially altered the proportion of carbon isotopes)
Wikipedia - Beggars Opera (band) -- Scottish progressive rock band
Wikipedia - Behaviour and Personality Assessment in Dogs (BPH) -- A behavioural assessment developed by the Swedish Kennel Club
Wikipedia - Beholder Kft. -- Video game developer company
Wikipedia - Beijing Olympic Tower -- Tourist observation tower opened in 2015
Wikipedia - Bejun Mehta -- American opera singer
Wikipedia - Belarus -- Country in Eastern Europe
Wikipedia - Belaying -- Rock climbing safety technique using ropes
Wikipedia - Belen Gopegui -- Spanish writer
Wikipedia - Belen Lopez (actress) -- Spanish actress
Wikipedia - Belen Lopez (cyclist) -- Spanish bicycle racer
Wikipedia - Belgium -- Country in Western Europe
Wikipedia - Bella Alten -- Polish opera singer 1877-1962
Wikipedia - Belle Epoque -- Period in European history, 1871 to 1914
Wikipedia - Belle nuit, o nuit d'amour -- Duet from the opera The Tales of Hoffmann
Wikipedia - Belle of Louisville -- A steamboat owned and operated by the city of Louisville, KY
Wikipedia - Bellissima Opera -- Opera company in Illinois, United States
Wikipedia - Belonopelta -- Genus of ants
Wikipedia - Bench (geology) -- A long, relatively narrow land bounded by distinctly steeper slopes above and below
Wikipedia - Ben Cooper -- American actor
Wikipedia - Bending Spoons -- Italian mobile application developer
Wikipedia - Bend Studio -- American video game developer
Wikipedia - Beneventan script -- Medieval script developed in southern Italy
Wikipedia - Bengali Wikipedia -- Edition of the free-content encyclopedia in Bengali language
Wikipedia - Benito Lopez -- American mixed martial arts fighter
Wikipedia - Benjamin Bruns -- German operatic tenor
Wikipedia - Benjamin Franklin Gilbert -- American real estate developer (1841-1907)
Wikipedia - Ben Kopec -- American composer
Wikipedia - Ben Mitchell (EastEnders) -- Fictional character from the British soap opera EastEnders
Wikipedia - Bennett Foddy -- Australian video game developer and philosopher
Wikipedia - Benno Kusche -- German opera singer
Wikipedia - Ben Reid (cooperativist) -- British businessman
Wikipedia - Benthopelagic
Wikipedia - Benthoscope -- Unpowered spherical deep-sea observation submersible lowered on a cable
Wikipedia - Bent Norup -- Danish operatic baritone
Wikipedia - Ben Tudhope -- Australian Paralympic snowboarder
Wikipedia - Benzofuranylpropylaminopentane
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Wikipedia - Berenice (Magnard) -- Opera in three acts by the French composer Alberic Magnard
Wikipedia - Berent Schwinekoper -- German archivist and historian
Wikipedia - Bergen County Cooperative Library System
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Wikipedia - Berkeley Open Infrastructure for Network Computing
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Wikipedia - Berkeley Software Distribution -- Unix operating system
Wikipedia - Berkeley Student Cooperative -- Student housing cooperative in Berkeley, California, United States
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Wikipedia - Bernard Cooper -- American novelist and short story writer
Wikipedia - Bernard Lown -- American cardiologist, developer of the DC defibrillator and the cardioverter
Wikipedia - Bernardo Lopez Piquer -- Spanish artist
Wikipedia - Bernie Warnke Propellers -- American propeller manufacturer
Wikipedia - Bert Adams Scout Reservation -- A summer camp in north Georgia (U.S. State) operated by the Boy Scouts of America
Wikipedia - Bertrand Bontoux -- French operatic bass
Wikipedia - Bessie Abott -- American opera singer
Wikipedia - Best European Goalkeeper -- annual award given to the best goalkeeper of a season of Champions League
Wikipedia - Beta Cassiopeiae -- Star in the constellation Cassiopeia
Wikipedia - Beta-M -- Radioisotope thermoelectric generator
Wikipedia - Beta-propeller -- Toroid protein structure formed from beta sheets
Wikipedia - Betelhem Dessie -- Ethiopian web and mobile technologies developer
Wikipedia - Bethany Beardslee -- American opera soprano
Wikipedia - Bethany Platt -- Fictional character from the British soap opera Coronation Street
Wikipedia - Beth Hatalmud Rabbinical College -- yeshiva in Bensonhurst, Brooklyn, spinoff of Mir/Europe
Wikipedia - Beth Lydy -- American actress, operetta singer, writer, educator, and theatrical producer
Wikipedia - Beth Tinker -- Fictional character from the British soap opera Coronation Street
Wikipedia - Betriebsbahnhof Schoneweide -- Railway station in Treptow-Kopenick, Germany
Wikipedia - Bettina (opera) -- Opera by Walter Steffens, 1966
Wikipedia - Betty Cooper -- Archie Comics character
Wikipedia - BeyoM-DM-^_lu -- District in on the European side of Istanbul, Turkey
Wikipedia - Beyond His Fondest Hopes -- 1915 film
Wikipedia - Bezant -- Generic medieval Western European name for eastern gold coins
Wikipedia - BFI Flare: London LGBT Film Festival -- European LGBT film festival
Wikipedia - Bharat Operating System Solutions
Wikipedia - Bhatnagar-Gross-Krook operator -- Collision operator used in a computational fluid dynamics technique
Wikipedia - Bhojo Gobindo -- Indian Bengali television comedy soap opera
Wikipedia - Bianca Jackson -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Bianca Scott -- Fictional character from the Australian soap opera Home and Away
Wikipedia - Biasing -- Predetermined voltages or currents establishing proper operating conditions in electronic components
Wikipedia - Bibliography of Copenhagen
Wikipedia - Bibliography of encyclopedias: architecture and architects -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: art and artists
Wikipedia - Bibliography of encyclopedias: astronomy and astronomers -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: aviation -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: biology -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: business, information and economics -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: cuisine -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: film, radio, television and mass communications -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: general biographies
Wikipedia - Bibliography of encyclopedias: geography -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: history -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: literature -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias: religion -- Wikipedia bibliography
Wikipedia - Bibliography of encyclopedias -- Wikipedia bibliography
Wikipedia - Bibliography of Pope Pius XII -- Wikipedia bibliography
Wikipedia - Biblioteca de al-Andalus -- Spanish-language encyclopedia about Islamic Iberia.
Wikipedia - Biedermeier -- 19th century art movement from Central Europe
Wikipedia - Bien de Interes Cultural -- Cultural property of Spain
Wikipedia - Big 12 Conference -- Collegiate athletics conference operating primarily in the west-central United States
Wikipedia - Big Ant Studios -- Australian video game developer
Wikipedia - Big Bang nucleosynthesis -- The earliest production of nuclei other than those of the lightest isotope of hydrogen during the early phases of the Universe
Wikipedia - Big-beat (Eastern Bloc) -- Rock and pop music in East European countries in the 1960s
Wikipedia - Bigbig Studios -- Defunct British video game developer
Wikipedia - BigBlueButton -- Open source web conference system
Wikipedia - Big Brother UK TV Theme -- Opening theme song for the British reality TV series
Wikipedia - Big Bus Tours -- Global operator of hop-on hop-off sightseeing bus tours
Wikipedia - Big Cat, Little Cat -- 2017 picture book by Elisha Cooper
Wikipedia - Bigelow Cooper -- American actor
Wikipedia - Big Muddy Ranch Airport -- Private airport located 13 miles southeast of Antelope in Wasco County, Oregon, USA
Wikipedia - Bigteams -- American athletic website developer
Wikipedia - Bijection, injection and surjection -- Properties of mathematical functions
Wikipedia - Bijoyinee -- Indian Bengali television soap opera
Wikipedia - Bilinear operator
Wikipedia - Billbergia stenopetala -- Species of plant
Wikipedia - Bill Bishop (businessman) -- American real estate developer and murder victim
Wikipedia - Bill Cooper (fighter) -- American martial artist
Wikipedia - Bill Copeland (sailor) -- Canadian sailor
Wikipedia - Billie Jackson -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Bill Mallon -- American orthopedic surgeon, golfer, and historian
Wikipedia - Bill Pope
Wikipedia - Bill Roper (filker) -- American filker and publisher
Wikipedia - Bill Stewart (programmer) -- American software developer
Wikipedia - Bill Stopera -- American curler
Wikipedia - Bill (weapon) -- Polearm weapon used by infantry in medieval Europe
Wikipedia - Billy Mitchell (EastEnders) -- Fictional character from the British soap opera EastEnders
Wikipedia - Binary Ninja -- Reverse-engineering platform developed by Vector 35 Inc
Wikipedia - Binary operation
Wikipedia - Binary operator
Wikipedia - Bin covering problem -- Operations research problem of packing items into the largest number of bins
Wikipedia - Binding properties pattern
Wikipedia - Bingham Canyon Mine -- World's largest open-pit copper mine, located in Utah, United States
Wikipedia - Bing-yee Yam -- |Chinese opera singer and actress from Hong Kong
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Wikipedia - Binoculars -- Pair of telescopes mounted side-by-side
Wikipedia - Bin packing problem -- Operations research problem of packing items into the fewest bins
Wikipedia - Biographical dictionary -- Type of encyclopedic dictionary limited to biographical information
Wikipedia - Biographical Encyclopedia of Astronomers -- Two-volume biographical dictionary
Wikipedia - Bioinformatics Open Source Conference
Wikipedia - BIOMASS -- European earth observation satellite
Wikipedia - Biomedical Computation Review -- Open-access magazine
Wikipedia - Bion (opera) -- Opera by Etienne Mehul
Wikipedia - BioPerl -- Collection of Perl modules for bioinformatics
Wikipedia - Biopython -- Collection of open-source Python software tools for computational biology
Wikipedia - Biorheology -- Study of flow properties of biological fluids
Wikipedia - Bioscope Film Framers -- Indian film company
Wikipedia - Bioscopewala
Wikipedia - Biotope -- A habitat for communities made up of populations of multiple species
Wikipedia - Bird's Opening
Wikipedia - Birkenhead Corporation Tramways -- British street tramway service operator (1901-1937)
Wikipedia - Birkhoff's representation theorem -- Any finite distributive lattice can be represented with finite sets and set operations
Wikipedia - Birmingham Back to Backs -- Last surviving court of back-to-back houses in Birmingham, England, now operated as a museum
Wikipedia - Birmingham Corporation Tramways -- Birmingham tramway operator (1904-1953)
Wikipedia - Birr Castle -- 17th century castle with demesne, telescopes and science museum
Wikipedia - Birth defect -- Condition present at birth regardless of cause; human disease or disorder developed prior to birth
Wikipedia - Bisei Asteroid Tracking Telescope for Rapid Survey
Wikipedia - Bishop of Nicotera and Tropea
Wikipedia - Bit Corporation -- Taiwanese game developer and console manufacturer
Wikipedia - Bitfinex -- Cryptocurrency exchange owned and operated by iFinex; headquartered in Hong Kong and registered in the British Virgin Islands
Wikipedia - Biting -- Behaviour of opening and closing the jaw found in many animals
Wikipedia - BitTorrent Open Source License
Wikipedia - Bitwarden -- Open-source password manager
Wikipedia - Bitwise operations in C
Wikipedia - Bitwise operations
Wikipedia - Bitwise operation -- Computer operation that operates on values at the level of their individual bits
Wikipedia - B. Jack Copeland
Wikipedia - Bjorg Hope Galtung -- Norwegian politician
Wikipedia - Bjorn Burger -- German opera singer
Wikipedia - Black Arrow -- British satellite carrier rocket developed during the 1960s
Wikipedia - Black bag operation
Wikipedia - BlackBerry 10 -- Proprietary mobile operating system
Wikipedia - BlackBerry OS -- Operating system
Wikipedia - Blackburn Bus Company -- Transdev owned bus operator
Wikipedia - Black Duck Open Hub
Wikipedia - Black Friday (1945) -- Military operation on 9 February 1945
Wikipedia - Blackhope Scar -- Hill in Scotland
Wikipedia - Black Isle Studios -- American game developer
Wikipedia - Blackletter -- Old script typeface used throughout Western Europe
Wikipedia - Black operation -- Covert operation by a government, a government agency, or a military organization
Wikipedia - Blackpool Transport -- Bus and tram operator in Blackpool, England
Wikipedia - Black Prince Buses -- Former West Yorkshire bus operator
Wikipedia - Black screen of death -- Error screen displayed by some operating systems after encountering a critical system error which can cause the system to shut down
Wikipedia - Black Sea Lowland -- Part of the Eastern European Plain near the Black Sea
Wikipedia - Black Sea -- Marginal sea of the Atlantic Ocean between Europe and Asia
Wikipedia - Black-shouldered kite -- small raptor found in open habitat throughout Australia
Wikipedia - Black-water diving -- Open ocean mid-water diving at night
Wikipedia - Blackwater Valley Opera Festival -- Classical music and opera event in Lismore, County Waterford
Wikipedia - Blake Cooper -- American actor
Wikipedia - Blake Ross -- American software developer
Wikipedia - Blanche Arral -- Belgian operatic singer
Wikipedia - Blanco 1 -- Nearby open cluster of stars
Wikipedia - Blasteroids -- Video game similar to Asteroids first developed by Atari in 1987
Wikipedia - Blatchford, Edmonton -- Community being developed in Edmonton, Alberta
Wikipedia - Blaze Europe -- Former video game hardware and software developer
Wikipedia - Blazon -- Art of describing heraldic arms in proper terms
Wikipedia - Bleeding Edge (video game) -- 2020 video game developed by Ninja Theory
Wikipedia - Bleichert -- Former German wire ropeway & automobile manufacturer
Wikipedia - Blepharophimosis, ptosis, epicanthus inversus syndrome -- Rare genetic condition involving underdeveloped eyelids
Wikipedia - Blepharophimosis -- Congenital anomaly in which the eye openings are small
Wikipedia - Blessing -- Rite that should bring persons or property share in divine power or grace
Wikipedia - Blind Injustice (opera) -- Opera about wrongful convictions and their reversal
Wikipedia - Blink (browser engine) -- Free and open-source browser engine of the Chromium project
Wikipedia - Blinking -- Rapid closing and opening of the eyelid
Wikipedia - Blists Hill Victorian Town -- Open-air museum in Telford
Wikipedia - Blizzard Entertainment -- American video game publisher and developer
Wikipedia - Block and tackle -- system of two or more pulleys and a rope or cable
Wikipedia - Block cipher mode of operation -- Algorithm that uses a block cipher to provide an information service such as confidentiality or authenticity
Wikipedia - Block register territory -- Concept in rail transportation operations
Wikipedia - BlogScope
Wikipedia - Blood film -- Stained blood on microscope slide
Wikipedia - Bloodstock Open Air -- Annual British heavy metal festival
Wikipedia - Blossom Jackson -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Blucher shoe -- Shoe with open lacing, similar to the derby, but with lacing tabs sewn onto the vamp rather than on separate quarters
Wikipedia - Bluebeard's Castle -- 1918 opera by Bela Bartok
Wikipedia - Bluebottle operating system
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Wikipedia - Blue hole -- Marine cavern or sinkhole, open to the surface, in carbonate bedrock
Wikipedia - BlueNext -- European environmental trading exchange, closed down 2012
Wikipedia - Blue Origin -- American privately-funded aerospace developer and manufacturer
Wikipedia - Bluepoint Games -- American video game developer
Wikipedia - Blue Sapphire (ship) -- Cruise ship operating for ANEX Tour
Wikipedia - BlueScope -- Australian steel producer
Wikipedia - BlueSky Open Platform
Wikipedia - BMC Medical Informatics and Decision Making -- Open-access scientific journal
Wikipedia - BMW i8 -- A plug-in hybrid sports car developed by BMW
Wikipedia - BMW V12 LMR -- Open cockpit prototype racing car manufactured by BMW Motorsport and Williams F1
Wikipedia - Bobby Beale (EastEnders) -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Bob Cooper (priest) -- British Archdeacon
Wikipedia - Bob Cooper (racing driver) -- Racecar driver from North Carolina
Wikipedia - Bob Cooper (speedway rider) -- British former motorcycle speedway rider
Wikipedia - Bob Hope bibliography -- Wikipedia bibliography
Wikipedia - Bob Hope Patriotic Hall -- Historic building in Los Angeles, California
Wikipedia - Bob Hope's Confessions of a Hooker -- Book by Bob Hope
Wikipedia - Bob Hope Stakes -- American Thoroughbred horse race
Wikipedia - Bob Hope -- American comedian, actor, singer and dancer
Wikipedia - Bob Rafei -- Iranian video game developer
Wikipedia - Bodil Arnesen -- Norwegian operatic soprano
Wikipedia - Bodloperka Island -- Antarctic island
Wikipedia - Boeing 307 Stratoliner -- Four-engine propeller-driven airliner
Wikipedia - Boeing OC-135B Open Skies -- US Air Force observation aircraft
Wikipedia - Bogoliubov inner product -- Special inner product in the space of operators
Wikipedia - Bohumil Herlischka -- Czech opera director
Wikipedia - Boids -- Artificial life program, developed by Craig Reynolds in 1986, which simulates the flocking behaviour of birds
Wikipedia - Boiling frog -- Metaphor for the inability of people to properly react to significant changes that occur gradually
Wikipedia - Bo-Kaap -- Residential area of Cape Town on the slopes of Signal Hill
Wikipedia - Boletus aereus -- Edible species of fungus in the family Boletaceae found in Central and Southern Europe and North Africa
Wikipedia - Bologna Process -- System for compatibility of higher education qualifications in the European region
Wikipedia - Bombing of Bahrain in World War II -- Italian bombing operation in Bahrain during the Second World War
Wikipedia - Bombing of the Bezuidenhout -- Aerial bombing operation during World War II
Wikipedia - Bonaldo Giaiotti -- Italian operatic bass
Wikipedia - Bon Appetit Management Company -- Cafe and catering operator
Wikipedia - Bone Wars -- A period of competitive fossil hunting, marked by a heated rivalry between Edward Drinker Cope and Othniel Charles Marsh
Wikipedia - Bongfish -- Video game developer from Austria
Wikipedia - Bonifaci Lopez y Pulido -- Bishop of Urgell and Co-Prince of Andorra
Wikipedia - Bonifacio Lopez Pulido -- Spanish priest of the Roman Catholic Church
Wikipedia - Bonjour Sleep Proxy -- Open source component of zero configuration networking
Wikipedia - Bonnie Soper -- New Zealand actress
Wikipedia - Book:Free and Open Source Software
Wikipedia - Book:Pope John Paul II
Wikipedia - Book:Popes
Wikipedia - Boolean algebra (structure) -- Algebraic structure modeling logical operations
Wikipedia - Boolean operations on polygons
Wikipedia - Boom operator (military) -- Aircrew member aboard tanker aircraft who is responsible for transferring fuel to receiver aircraft
Wikipedia - Boopedon auriventris -- Species of grasshopper
Wikipedia - Boopedon flaviventris -- Species of grasshopper
Wikipedia - Boopedon gracile -- Species of grasshopper
Wikipedia - Boopedon nubilum -- Species of grasshopper
Wikipedia - Boopedon -- Genus of grasshoppers
Wikipedia - Boot disk -- Removable disk from which a computer can boot an operating system
Wikipedia - BoPET -- Polyester film
Wikipedia - Borchs Kollegium -- Dormitory in Copenhagen, Denmark
Wikipedia - Boreopeltis -- Genus of squid
Wikipedia - Borozdinovskaya operation -- Russian incident
Wikipedia - Borscht -- Eastern European sour soup
Wikipedia - Bossa Studios -- British video game developer
Wikipedia - Boston Lyric Opera
Wikipedia - Botany Bay -- Open ocean bay in Sydney, Australia
Wikipedia - Bounded linear operator
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Wikipedia - Bourke B. Hickenlooper -- American politician (1896-1971)
Wikipedia - Bourne shell -- Command-line interpreter for operating systems
Wikipedia - Bout One -- Military operation
Wikipedia - Bowline on a bight -- Knot that makes a pair of fixed-size loops in the middle of a rope
Wikipedia - Bowline -- Simple knot used to form a fixed loop at the end of a rope
Wikipedia - Boxlock action -- Firing mechanism using concealed hammers and a break-open action
Wikipedia - Bo-Ying Lee -- |Chinese actress and Cantonese opera performer from Hong Kong
Wikipedia - Bozhedarivka -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Bradley Branning -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Bradley Cooper -- American actor and filmmaker
Wikipedia - Brad Willis (Neighbours) -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Braination -- Public charter school operator in Texas
Wikipedia - Brainticket -- European band
Wikipedia - Bramhope -- Village and civil parish in West Yorkshire, England
Wikipedia - Bras d'honneur -- Obscene gesture in Europe and Latin America
Wikipedia - Bravais lattice -- An infinite array of discrete points in three dimensional space generated by a set of discrete translation operations
Wikipedia - Brave (web browser) -- Free and open-source web browser based on Chromium
Wikipedia - Bread and Roses Heritage Festival -- Open-air festival in Lawrence, Massachusetts, USA
Wikipedia - Breakdown (vehicle) -- Mechanical failure of motor vehicle that prevents vehicle to operate functionally
Wikipedia - Breaking Open the Head -- Book by Daniel Pinchbeck
Wikipedia - Breanna Sinclaire -- American opera singer
Wikipedia - Breath of Fire -- Role-playing video game series developed by Capcom
Wikipedia - BRED Banque populaire -- Cooperative bank in France
Wikipedia - Breeches buoy -- Rescue device for transport along a taut rope
Wikipedia - Breguet 763 Deux-Ponts -- Four-engine propeller-driven airliner
Wikipedia - Breira (Talmudic doctrine) -- Doctrine in Talmudic law, development of the law of joint property
Wikipedia - Brenda Laurel -- Video game developer
Wikipedia - Brenda L. Dietrich -- American operations researcher
Wikipedia - Brenda Lopez de Arraras -- Member of the Puerto Rico House of Representatives
Wikipedia - Brenda Lopez Romero -- American politician
Wikipedia - Brenda Romero -- American video game designer and developer
Wikipedia - Brent Cooper (judoka) -- New Zealand judoka
Wikipedia - Brett Cooper (fighter) -- American mixed martial arts fighter
Wikipedia - Brexit negotiations -- Negotiations for the withdrawal of the United Kingdom from the European Union
Wikipedia - Brexit -- The United Kingdom's withdrawal from the European Union
Wikipedia - Brian Aker -- American open-source hacker
Wikipedia - Brian Choper -- American musician
Wikipedia - Brian Copenhaver
Wikipedia - Brian Green (game developer)
Wikipedia - Brian Hooper -- British pole vaulter
Wikipedia - Brianna Wu -- American video game developer and computer programmer
Wikipedia - Brian Saffery-Cooper -- British sailor
Wikipedia - Brian S. Robinson -- U.S. Transportation Command director of operations
Wikipedia - Bribie Island Coaches -- Australian bus operator on Bribie Island
Wikipedia - Bricha -- Underground organized effort that helped Jewish Holocaust survivors illegally escape post-World War II Europe to the British Mandate for Palestine
Wikipedia - Brick Gothic -- Architectural style of Northern Europe
Wikipedia - Bridal Chorus -- Wedding march from Richard Wagner's 1850 opera Lohengrin
Wikipedia - Bridget Martyn -- British encyclopedist
Wikipedia - Brigade Group -- Indian real estate developer
Wikipedia - BrightBus -- Bus operator in South Yorkshire, England
Wikipedia - Brigitte Balleys -- Swiss mezzo-soprano in opera and concert
Wikipedia - Brilliant Anti-Tank -- submunition round developed by Northrop Grumman
Wikipedia - Britain Stronger in Europe -- Lobbying group that campaigned for the United Kingdom to remain in the European Union in the 2016 British referendum
Wikipedia - British Antarctic Survey -- United Kingdom's national Antarctic operation
Wikipedia - British Channel Island Ferries -- A ferry operator between the United Kingdom and the Channel Islands
Wikipedia - British Chinese cuisine -- Chinese cuisine developed by British Chinese
Wikipedia - British European Airways Flight 142 -- 1958 aviation accident
Wikipedia - British European Airways Flight 530 -- 1946 aviation accident
Wikipedia - British European Airways Flight 548 -- passenger aircraft crash in 1972
Wikipedia - British European Airways Flight 706 -- 1971 aviation accident in Belgium
Wikipedia - British Expeditionary Force (World War II) -- British Army in Western Europe from 1939 to 1940
Wikipedia - British NVC community OV10 -- Open habitat community
Wikipedia - British NVC community OV11 -- Open habitat community
Wikipedia - British NVC community OV12 -- Open habitat community
Wikipedia - British NVC community OV14 -- Open habitat community
Wikipedia - British NVC community OV17 -- Open habitat community
Wikipedia - British NVC community OV18 -- Open habitat community
Wikipedia - British NVC community OV21 -- Open habitat community
Wikipedia - British NVC community OV23 -- Open habitat community
Wikipedia - British NVC community OV24 -- Open habitat community
Wikipedia - British NVC community OV25 -- Open habitat community
Wikipedia - British NVC community OV26 -- Open habitat community
Wikipedia - British NVC community OV27 -- Open habitat community
Wikipedia - British NVC community OV2 -- Open habitat community
Wikipedia - British NVC community OV38 -- Open habitat community
Wikipedia - British NVC community OV6 -- Open habitat community
Wikipedia - British NVC community OV8 -- Open habitat community
Wikipedia - British Rail Class 373 -- Electric multiple unit that operates Eurostar's high-speed rail service
Wikipedia - British Rail Class 380 -- Fleet of 38 electric multiple units operating in Scotland.
Wikipedia - British Rail Class 390 -- A type of electric high-speed train operated by Avanti West Coast
Wikipedia - British Rail -- British state-owned rail transport operator (1948-1997)
Wikipedia - British Shakespeare Company -- British open-air touring Shakespeare theatre company
Wikipedia - Brittany Ferries -- French (Breton) ferry operator
Wikipedia - Broadcast automation -- The use of broadcast programming technology to automate broadcasting operations
Wikipedia - Broadcast Company of the Americas -- Former broadcasting company operating radio stations in San Diego, California
Wikipedia - Broadcasting Satellite System Corporation -- Japanese satellite operator
Wikipedia - Broadcast Operations Group -- Australian media company
Wikipedia - Brockhaus and Efron Encyclopedic Dictionary
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Wikipedia - Bronchoscopy -- Procedure allowing a physician to look at a patient's airways through a thin viewing instrument called a bronchoscope
Wikipedia - Bronis RopM-DM-^W -- Lithuanian Politician, Member of the European Parliament
Wikipedia - Bronnum House -- Historic building in Copenhagen, Denmark
Wikipedia - Bronze Age Europe
Wikipedia - Brooke's duiker -- Species of antelope
Wikipedia - Brookfield Properties -- Commercial real estate company in North America
Wikipedia - Brooklyn-Manhattan Transit Corporation -- Defunct transit operator in New York City
Wikipedia - Brookside -- British soap opera
Wikipedia - Brother and Sister -- European fairy tale
Wikipedia - Brotli -- Open source free software compression library
Wikipedia - Browns Bank Corals Marine Protected Area -- A marine conservation area on the continental slope of South Africa
Wikipedia - Brown-water navy -- Naval force capable of operating in rivers and littoral waters
Wikipedia - Bruce Boyce -- Canadian opera singer
Wikipedia - Bruce Hubbard -- African-American operatic baritone
Wikipedia - Bruce S. Bryant -- American politician and boiler operator
Wikipedia - Bruce Springsteen's High Hopes -- 2014 film
Wikipedia - Bruce Sterling (Love of Life) -- American television soap opera character (1959 to 1980)
Wikipedia - Bruegel (institution) -- European think tank based in Brussels
Wikipedia - Bruno and Luisa di Marco -- Fictional characters from the BBC soap opera EastEnders
Wikipedia - Brutal Planet (song) -- 2000 single by Alice Cooper
Wikipedia - BSD (operating system)
Wikipedia - B-segment -- Car size classification in Europe
Wikipedia - BT Mobile -- British mobile virtual network operator
Wikipedia - Bucculatrix copeuta -- Species of moth in genus Bucculatrix
Wikipedia - Bucket -- Open top watertight container
Wikipedia - Buckminsterfullerene -- Carbon allotrope
Wikipedia - Bud Spencer & Terence Hill: Slaps and Beans -- 2018 cooperative video game
Wikipedia - Buenos Aires Western Railway -- First railway in Argentina (opened 1857)
Wikipedia - Bugatti 18/3 Chiron -- Concept car developed by Bugatti and Italdesign in 1999
Wikipedia - Bugatti EB 112 -- Concept car developed by Bugatti Automobili in 1993
Wikipedia - Bugatti EB 118 -- Concept car jointly developed by French automobile manufacturer Bugatti and Italian styling house Italdesign
Wikipedia - Bugatti EB 218 -- Concept car jointly developed by French automobile manufacturer Bugatti and Italian design house Italdesign in 1999
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Wikipedia - Build (developer conference)
Wikipedia - Building envelope
Wikipedia - Bulbophyllum aphanopetalum -- Species of orchid
Wikipedia - Bulbophyllum aristopetalum -- Species of orchid
Wikipedia - Bulbophyllum blepharopetalum -- Species of orchid
Wikipedia - Bulgaria -- Country in Southeastern Europe
Wikipedia - Bulletin of the History of Archaeology -- Open-access peer-reviewed academic journal
Wikipedia - Bullfrog Productions -- British video game developer
Wikipedia - Bullocks Coaches -- Bus and Coach operator in Manchester
Wikipedia - Burak Bilgili -- Turkish operatic bass-baritone
Wikipedia - Burglary -- Crime of entering someone's property, often with the intent to steal from them or commit another offence
Wikipedia - Burlesque Opera of Tabasco -- American stage musical comedy
Wikipedia - Burnley Bus Company -- Transdev owned bus operator
Wikipedia - Busch Gardens Williamsburg -- European-themed amusement park in James City County, Virginia
Wikipedia - Bush Creek (New Hope River tributary) -- Stream in North Carolina, USA
Wikipedia - Business Anti-Corruption Portal -- Supported by the European Commission
Wikipedia - Business Ethics: A European Review -- Academic journal
Wikipedia - Business models for open-source software
Wikipedia - Business Operations Management
Wikipedia - Business Operations
Wikipedia - Business operations
Wikipedia - Business process interoperability
Wikipedia - Buster Cooper -- American jazz trombonist
Wikipedia - Butterfly loop -- Knot used to form a fixed loop in the middle of a rope
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Wikipedia - Buy to let -- Property transaction in the UK
Wikipedia - Byron Sigcho-Lopez -- American politician
class:encyclopedia
Wikipedia - C2c -- British train operating company
Wikipedia - C4 (conference) -- Macintosh software developers conference
Wikipedia - C4 Engine -- Proprietary computer game engine developed by Terathon Software
Wikipedia - Cabbage looper -- Species of moth
Wikipedia - Cabinet wars -- Limited wars among European monarchies, 1648 to 1789
Wikipedia - Cable & Wireless Communications -- Current British communications operator
Wikipedia - Cable ferry -- A ferry that is guided and propelled by cables
Wikipedia - Cablelink -- Cable television system operator in the Philippines
Wikipedia - Caboclo -- Person of mixed Indigenous Brazilian and European ancestry
Wikipedia - Cabot Creamery -- American dairy cooperative
Wikipedia - Cacaopera people -- Central American indigenous group
Wikipedia - Cache (film) -- 2005 European film
Wikipedia - Cacti (software) -- Free open source RRDtool
Wikipedia - Cadastre -- Comprehensive register of the real estate or real property's metes-and-bounds of a country
Wikipedia - Cadaver Synod -- Posthumous ecclesiastical trial of Pope Formosus
Wikipedia - Cadena COPE -- Spanish national radio station
Wikipedia - Cadillac Le Mans -- Concept car developed by Cadillac in 1953
Wikipedia - Caffe Nero -- European style coffee house brand
Wikipedia - Cai Chengyu -- Chinese operatic tenor
Wikipedia - Cain Hope Felder -- American theologian
Wikipedia - Caiway -- Dutch cable operator
Wikipedia - CakePHP -- Open-source web framework in PHP
Wikipedia - Caldera (company) -- Defunct American multinational operating system software company
Wikipedia - Caldera OpenLinux
Wikipedia - California Franchise Tax Board -- Part of the California Government Operations Agency.
Wikipedia - California Historical Landmarks in Marin County -- List of properties and districts on the California Historical Landmarks, in Marin County
Wikipedia - California Independent System Operator -- Oversees the operation of the U.S. state's electric power grid
Wikipedia - California Limited -- Named passenger train of the Atchison, Topeka and Santa Fe Railway
Wikipedia - Calliope Beach -- Antarctic beach
Wikipedia - Calliope hummingbird -- Smallest species of hummingbird in North America
Wikipedia - Calliope School of Legal Studies -- Law college in Jammu and Kashmir
Wikipedia - Calliope -- Muse of epic poetry
Wikipedia - Callum "Halfway" Highway -- Fictional character from the British soap opera EastEnders
Wikipedia - Callum Rebecchi -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Call-with-current-continuation -- Control flow operator in functional programming
Wikipedia - Calorimetric Electron Telescope -- A 2015 Japanese space observatory
Wikipedia - Caltech Submillimeter Observatory -- Decommissioned radio telescope in Hawaii, USA
Wikipedia - Camauro -- Cap worn by the pope of the Roman Catholic Church
Wikipedia - Cambise (opera) -- Opera by Alessandro Scarlatti
Wikipedia - Camelot Software Planning -- Japanese video game developer
Wikipedia - Camel's nose -- Metaphor for a situation where the permitting of a small, seemingly innocuous act will open the door for larger, clearly undesirable actions
Wikipedia - Camilla Frydan -- Austrian operetta singer and composer
Wikipedia - Camille Lopez
Wikipedia - Campeiro Bulldog -- Dog breed developed in Southern Brazil
Wikipedia - Campo Santo (company) -- American video game developer
Wikipedia - Canada Post -- Postal operator in Canada
Wikipedia - Canadian Hydrogen Intensity Mapping Experiment -- Canadian radio telescope
Wikipedia - Canadian Intellectual Property Office -- Canadian government agency
Wikipedia - Canadian Joint Operations Command -- Command of the Canadian Armed Forces
Wikipedia - Canadian Network Operators Consortium -- Independent telecommunications providers lobby group
Wikipedia - Canadian NORAD Region Forward Operating Location Rankin Inlet -- Canadian military installation
Wikipedia - Canadian Pacific Railway -- Major class 1 railroad operating in Canada and the U.S.
Wikipedia - Canadian Special Operations Forces Command -- Command of the Canadian defence body
Wikipedia - Canadian stepdance -- Form of European-style stepdance popular in the Canadian maritimes
Wikipedia - Canadian Toy Testing Council -- A volunteer-operated not-for-profit organization
Wikipedia - Cancer staging -- Process of determining the extent to which a cancer has developed by spreading
Wikipedia - Cancho Roano -- Cultural property in Zalamea de la Serena, Spain
Wikipedia - Candide (operetta)
Wikipedia - Candiopella dukei -- Species of moth
Wikipedia - Cannabis product testing -- Testing of the properties of cannabis destined for consumer use
Wikipedia - Canonization of Pope John XXIII and Pope John Paul II
Wikipedia - Canterbury and Whitstable Railway -- Early British railway line, opened in 1830
Wikipedia - Capability-based operating system
Wikipedia - Capcom -- Japanese developer and publisher of video games
Wikipedia - Cape Canaveral Space Launch Complex 46 -- Florida state government-operated space vehicle launch complex at Cape Canaveral
Wikipedia - Cape of Good Hope -- Headland of Cape Peninsula, South Africa
Wikipedia - Cape Town Opera -- Professional opera company in Cape Town, South Africa.
Wikipedia - CAPEX (cooperative) -- Kerala organization promoting cashew industry
Wikipedia - Capital & Counties Properties -- London-based quoted REIT
Wikipedia - Capital good -- capital goods are tangible property that is used in the production of goods or services.
Wikipedia - Capita Property and Infrastructure -- UK multidisciplinary consultancy firm
Wikipedia - Carbon-14 -- Isotope of carbon
Wikipedia - Carbon isotope
Wikipedia - Carbon nanobud -- Synthetic allotrope of carbon combining carbon nanotube and a fullerene
Wikipedia - Carbon nanotube -- Allotropes of carbon with a cylindrical nanostructure
Wikipedia - Carceri Nuove -- Jail built by Pope Innocent X
Wikipedia - Cardiff Bay Opera House -- Proposed opera house in Cardiff, Wales
Wikipedia - Cardiff Bus -- Municipal bus operator in Cardiff, Wales
Wikipedia - Cardinal-nephew -- Nephew or relative of a pope appointed as a cardinal by him
Wikipedia - Cardiovascular and Interventional Radiological Society of Europe -- Organisation involved in scholarly research
Wikipedia - Carey mask -- Telescope focusing device
Wikipedia - Carian language -- Language of the Luwian subgroup of the Anatolian branch of the Indo-European language family
Wikipedia - Caribbean Princess -- Cruise ship owned and operated by Princess Cruises
Wikipedia - CariM-CM-1o (song) -- 2001 song performed by Jennifer Lopez
Wikipedia - Caritas Europa -- European confederation of Catholic relief organizations
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Wikipedia - Carla Gray -- Fictional character in the American soap opera One Life to Live
Wikipedia - Carl Bissuti -- Austrian operatic bass
Wikipedia - Carl Clewing -- German operatic tenor/Heldentenor, stage and film actor
Wikipedia - Carl Copeland Cundiff -- American diplomat
Wikipedia - Carl Gombrich -- British educator, academic and opera singer
Wikipedia - Carl Gustaf Lindstrom -- Swedish opera singer
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Wikipedia - Carlo Baucarde -- Italian operatic tenor
Wikipedia - Carlo Colombara -- Italian operatic bass
Wikipedia - Carlo Guasco -- Italian opera singer 1813-1876
Wikipedia - Carlo Meliciani -- Italian opera singer
Wikipedia - Carlo Negrini -- Italian opera singer 1826-65
Wikipedia - Carlo re d'Allemagna -- Opera by Alessandro Scarlatti
Wikipedia - Carlos A. Chardon Lopez -- Puerto Rican educator and public servant
Wikipedia - Carlos Davila Lopez -- Puerto Rican politician
Wikipedia - Carlos De Antonis -- Argentine opera singer
Wikipedia - Carlos Feller -- Opera singer
Wikipedia - Carlos Lopes (Guinea Bissau) -- Bissau-Guinean economist
Wikipedia - Carlos Lopes (parathlete) -- Portuguese paralympic athlete
Wikipedia - Carlos Lopez Bonilla -- Puerto Rican politician
Wikipedia - Carlos Lopez Buchardo -- Argentine composer
Wikipedia - Carlos Lopez Bustamante -- Venezuelan journalist
Wikipedia - Carlos Lopez-Cantera -- 19th Lieutenant Governor of Florida
Wikipedia - Carlos Lopez (equestrian) -- Spanish equestrian
Wikipedia - Carlos Lopez Moctezuma -- Mexican actor
Wikipedia - Carlos Lopez Rivera -- Puerto Rican politician
Wikipedia - Carlos Lopez (stuntman) -- American stunt performer
Wikipedia - Carlos Mena -- Countertenor opera singer
Wikipedia - Carlos the Jackal -- Venezuelan-born international terror operative
Wikipedia - Carlotta Marchisio -- Italian opera singer 1835-1872
Wikipedia - Carlsberg (district) -- District in Copenhagen
Wikipedia - Carl Schlottmann -- German operatic bass
Wikipedia - Carlson's patrol -- WWII anti-Japanese operation in 1942
Wikipedia - Carl Weinmuller -- Operatic bass, theatre director
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Wikipedia - Carmel Offie -- American intelligence operative
Wikipedia - Carmen: A Hip Hopera -- 2001 television film directed by Robert Townsend
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Wikipedia - Carmen -- Opera by Georges Bizet
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Wikipedia - Carole Pope -- Canadian singer
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Wikipedia - Caroline Stanhope, Countess of Harrington -- 18th-century British demimonde
Wikipedia - Caroline Voaden -- Leader of the Liberal Democrats in the European Parliament
Wikipedia - Carolingian Empire -- Middle Ages European dynasty
Wikipedia - Carolin von Anstetten -- Fictional character in German soap opera
Wikipedia - Carol Jackson -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Carousel Buses -- Buckinghamshire bus operator
Wikipedia - Carpathian Mountains -- Mountain range in Central and Eastern Europe
Wikipedia - Carrie Hope Fletcher -- English singer, songwriter, actress, author and internet personality
Wikipedia - Carrie Pringle -- Anglo-Austrian singer and opera singer
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Wikipedia - Cars (video game) -- 2006 open world racing video game
Wikipedia - Cartier Horse of the Year -- European horse racing award
Wikipedia - Cartier Wind Energy -- Wind farm operator in Quebec
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Wikipedia - Cary Cooper
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Wikipedia - Casanova (Benatzky) -- Operetta by Ralph Benatzky
Wikipedia - Cash App -- Mobile payment service developed by Square, Inc.
Wikipedia - Casirivimab/imdevimab -- Experimental drug (antibody cocktail against SARS-CoV-2) developed by Regeneron
Wikipedia - Caspian Sea -- Inland body of water between Europe and Asia
Wikipedia - Cassandre (Jarrell) -- 1994 opera by Michael Jarrell
Wikipedia - Cassiopeia A -- Supernova remnant in the constellation Cassiopeia
Wikipedia - Cassiopeia (constellation) -- Constellation in the northern celestial hemisphere
Wikipedia - Cassiopeia Dwarf -- Galaxy in the constellation Cassiopeia
Wikipedia - Cassiopeia (film) -- 1996 film directed by Clovis Veira
Wikipedia - Cassiopeia (mother of Andromeda)
Wikipedia - Cassiope tetragona -- Species of flowering plant in the heath family Ericaceae
Wikipedia - Cassiope -- Genus of flowering plants in the heather family Ericaceae
Wikipedia - Cast-iron cookware -- Cookware valued for heat retention properties
Wikipedia - Castlemartin House and Estate -- Historic property, Kilcullen, County Kildare, Ireland
Wikipedia - Castle of Ayora -- Cultural property in Ayora, Spain
Wikipedia - Castle of Good Hope -- 17th-century bastion fort in Cape Town, South African
Wikipedia - Castle of Santa Catalina (Jaen) -- Cultural property in Jaen, Spain
Wikipedia - Castle -- Fortified residential structure of medieval Europe
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Wikipedia - Catalan Opening
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Wikipedia - Catastrophism -- Theory that the Earth has largely been shaped by sudden, short-lived, violent events, possibly worldwide in scope
Wikipedia - Catch wrestling -- Classical hybrid grappling style that was developed in Britain circa 1870
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Wikipedia - Catherine Foster -- British opera singer
Wikipedia - Catholic Church in Europe
Wikipedia - Catholic Church in Puerto Rico -- Part of the worldwide Catholic Church in communion with the Pope in Rome
Wikipedia - Catholic Church -- Largest Christian church, led by the Pope
Wikipedia - Catholic Encyclopedia -- English-language encyclopedia
Wikipedia - Catholic Europe
Wikipedia - Catholic schools in the United Kingdom -- Parochial educational institutions operated by Roman Catholic organisations in Great Britain and Northern Ireland
Wikipedia - Catholic school -- Parochial educational institution operated by a Catholic organization
Wikipedia - Cathy Marshall (hypertext developer)
Wikipedia - CatLab Interactive -- Video game developer
Wikipedia - Cats (2019 film) -- 2019 film directed by Tom Hooper
Wikipedia - Cauchy principal value -- Method for assigning values to certain improper integrals which would otherwise be undefined
Wikipedia - Cauchy's theorem (geometry) -- Convex polytopes in RM-BM-3 with congruent corresponding faces must be congruent to each other
Wikipedia - Cavalleria rusticana -- Opera by Pietro Mascagni
Wikipedia - CBBC (TV channel) -- British free-to-air children's television channel operated by the BBC
Wikipedia - CBERS-1 -- first satellite cooperation program between China and Brazil
Wikipedia - CBERS-2 -- second satellite cooperation program between China and Brazil
Wikipedia - CBL Properties -- U.S. real estate investment trust that invests in shopping centers
Wikipedia - CBS Radio -- Defunct owners and operators of radio stations in the United States
Wikipedia - CBS Reality -- European pay television channel
Wikipedia - CCleaner -- Suite of utilities for cleaning disk and operating system environment
Wikipedia - CDC SCOPE (software)
Wikipedia - Cecelia Lee Fung-Sing -- |Chinese actress and Cantonese opera singer
Wikipedia - Cecile Thevenet -- Belgian opera singer
Wikipedia - Cecilia Bartoli -- Italian opera singer
Wikipedia - Cecilia Fusco -- Italian opera singer
Wikipedia - CECPQ1 -- An experimental post-quantum key exchange developed by Google
Wikipedia - Cedar Fair -- American amusement park owner and operator
Wikipedia - CE Digital -- British DAB multiplex operator
Wikipedia - Cefoperazone -- Antibiotic
Wikipedia - Celebrity Apex -- Cruise ship operated by Celebrity Cruises
Wikipedia - Celebrity Infinity -- Millennium-class cruise ship operated by Celebrity Cruises
Wikipedia - Celebrity Millennium -- Millennium-class cruise ship operated by Celebrity Cruises
Wikipedia - Celesta -- Struck idiophone operated by a keyboard
Wikipedia - Celeste Coltellini -- Italian singer and opera singer
Wikipedia - Celeste Gismondi -- Italian soprano opera singer
Wikipedia - Celestina Casapietra -- Italian operatic soprano
Wikipedia - Celestine and Etta Tavernier -- Fictional characters from the BBC soap opera EastEnders
Wikipedia - Celia (Virtual assistant) -- AI virtual assistant developed by Huawei
Wikipedia - Cell envelope antibiotic -- Antibiotic
Wikipedia - Celso Albelo -- Spanish operatic tenor
Wikipedia - Celtic nations -- Territories in Northern and Western Europe in which Celtic cultural traits have survived
Wikipedia - Celtic settlement of Southeast Europe -- Military campaign by Celtic peoples in southeastern Europe
Wikipedia - CE marking -- Mandatory conformity marking for products sold in the European Economic Area
Wikipedia - Censorship in Spain -- Suppression of speech in the southwestern European country
Wikipedia - Center for Instruction and Operations in the Caatinga -- Brazilian Army training center
Wikipedia - Center for International Security and Cooperation
Wikipedia - Center for Jewish-Christian Understanding and Cooperation -- An educational institution in Israel where Christians can study the Hebrew Bible and learn about the Hebraic roots of Christianity
Wikipedia - Center for Open Science
Wikipedia - Center of origin -- Geographical area where a group of organisms develop particular properties
Wikipedia - Centers for Space Oceanography -- An operating division of the Argos Foundation, Inc
Wikipedia - Centra Gas Manitoba -- Local natural gas distributor operating in Manitoba, Canada.
Wikipedia - Central and Eastern Europe
Wikipedia - Central European History -- Academic journal
Wikipedia - Central European Initiative
Wikipedia - Central European Journal of International and Security Studies -- Academic journal
Wikipedia - Central European Media Enterprises -- Media and entertainment company
Wikipedia - Central European Summer Time -- Daylight saving time in the central european time zone
Wikipedia - Central European Time -- Standard time (UTC+01:00)
Wikipedia - Central European University -- Private
Wikipedia - Central Europe -- Region of Europe
Wikipedia - Central processing unit -- Central component of any computer system which executes input/output, arithmetical, and logical operations
Wikipedia - Centrebus -- English bus operator
Wikipedia - Centrists for Europe -- Italian political party
Wikipedia - Centum and satem languages -- Indo-European linguistic classification
Wikipedia - Cercopedius -- Genus of beetles
Wikipedia - Cercopeus -- Genus of beetles
Wikipedia - CERN Axion Solar Telescope -- Experiment in astroparticle physics, sited at CERN in Switzerland
Wikipedia - CERN -- European particle physics research organisation
Wikipedia - Ceropegia evansii -- Species of plant
Wikipedia - Cerro del Bu -- Cultural property in Toledo, Spain
Wikipedia - Cerro Matoso mine -- Open-pit ferronickel mine in Colombia
Wikipedia - Certificate of occupancy -- Document issued by a government authority, usually from the local government, certifying that a property is fit for a specific use in accordance with the applicable regulations.
Wikipedia - Cesare Formichi -- Italian operatic baritone
Wikipedia - Cessna T-41 Mescalero -- US built military training aircraft series developed from Cessna 172
Wikipedia - CEV Challenge Cup -- Annual European third-tier level volleyball competition
Wikipedia - Cezanne's Quarry -- Novel by Barbara Corrado Pope
Wikipedia - CFTL (pirate radio) -- Former pirate radio station that operated in Montreal, Quebec, Canada from 1969 to 1971
Wikipedia - CGTN Documentary -- Chinese pay television channel operated by Chinese State broadcaster China Central Television broadcasting documentaries in English language
Wikipedia - Chaetopeltidales -- Order of green algae in the class Chlorophyceae
Wikipedia - Chailey Heritage Marine Hospital -- Open Air Hospital in England
Wikipedia - Chakra (JavaScript engine) -- Open-source JavaScript engine developed by Microsoft
Wikipedia - Chakra (operating system) -- Linux distribution
Wikipedia - Chalciope (moth) -- Genus of moths
Wikipedia - Chalciporus piperatus -- Species of fungus in the family Boletaceae found in mixed woodland in Europe and North America
Wikipedia - Chalcolithic Europe -- Copper Age (3500 to 1700 BC) in prehistoric Europe
Wikipedia - Chalk's International Airlines -- Airline operating 1917-2007
Wikipedia - Chama (investment) -- Savings co-operatives in East Africa
Wikipedia - Chamber operator
Wikipedia - Chamber operator -- Chamber operator
Wikipedia - Champion Standard Open NH Flat Race -- National Hunt flat horse race in Britain
Wikipedia - Champlain and St. Lawrence Railroad -- First Canadian public railway (opened 1836)
Wikipedia - Chancel repair liability -- Legal obligation on some property owners in England and Wales
Wikipedia - Chandra X-ray Observatory -- Space telescope
Wikipedia - Chandroth Vasudevan Radhakrishnan -- Indian software developer (b. 1953)
Wikipedia - Changeling -- Creature in European folklore
Wikipedia - Changgeuk -- Genre of Korean opera
Wikipedia - Channel Dash -- German naval operation during the Second World War
Wikipedia - Chaplyne -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Characterization of nanoparticles -- Measurement of physical and chemical properties of nanoparticles
Wikipedia - Charibert of Hesbaye -- European noble
Wikipedia - Charity Dingle -- fictional character from the ITV soap opera Emmerdale
Wikipedia - Charity Sunshine Tillemann-Dick -- American operatic soprano and presenter
Wikipedia - Charlene Robinson -- Fictional character from the soap opera Neighbours
Wikipedia - Charles A. Brown High School -- Charles A. Brown High School was a high school open from 1962 to 1982 in United States.
Wikipedia - Charles Boycott -- English land agent who operated in Lough Mask
Wikipedia - Charles Castronovo -- American operatic tenor
Wikipedia - Charles Dayan (real estate developer) -- American businessman
Wikipedia - Charles D. Cooper -- American physician, lawyer and Democratic-Republican politician (1769-1831)
Wikipedia - Charles F. Cooper (ecologist)
Wikipedia - Charles F. Goodeve -- Canadian chemist and pioneer in operations research
Wikipedia - Charles Lowman -- American orthopedic surgeon
Wikipedia - Charles Michel -- President of the European Council
Wikipedia - Charles Santley -- English opera singer
Wikipedia - Charles Smith (developer) -- real estate developer and philanthropist
Wikipedia - Charles Stanhope, 3rd Earl Stanhope
Wikipedia - Charles West Cope -- English artist
Wikipedia - Charlie Chan at the Opera -- 1936 film by H. Bruce Humberstone
Wikipedia - Charlie Cotton (2014 character) -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Charlie Cotton -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Charlie Hope -- Canadian musician
Wikipedia - Charlie Slater -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Charlotte Bournonville -- Danish opera singer and actress
Wikipedia - Charlotte Carmichael Stopes -- 19th/20th-century British scholar, author, and campaigner for women's rights
Wikipedia - Charlotte Eckerman -- Swedish opera singer, actress and courtesan
Wikipedia - Charlotte Frances McLeod -- Second American woman to travel to Denmark for a sex change operation
Wikipedia - Charlotte Sometimes (novel) -- Book by Penelope Farmer
Wikipedia - Charo Lopez -- Spanish actress
Wikipedia - Charter of Fundamental Rights of the European Union
Wikipedia - Charter school -- School that operates independently of the local public school system
Wikipedia - Chascotheca neopeltandra -- Species of plant
Wikipedia - Chashme Baddoor (TV series) -- 1998 Indian Hindi soap opera
Wikipedia - Chasing Through Europe -- 1929 film by David Butler
Wikipedia - Chasuble -- Vestment in the form of a wide cloak or mantle that slips over the wearer's head and hangs open at the sides
Wikipedia - Chavacano Wikipedia -- Edition of the free-content encyclopedia
Wikipedia - Che Cafe -- Worker co-operative at University of California, San Diego
Wikipedia - Chechens -- European ethnic group
Wikipedia - Checkmate (comics) -- Fictional covert operations agency featured in DC Comics
Wikipedia - Cheese Board Collective -- Worker cooperative in Berkeley, California, United States
Wikipedia - Chegaste -- 2016 single by Jennifer Lopez and Roberto Carlos
Wikipedia - Chelmsford Star Co-operative Society -- British consumers' co-operative
Wikipedia - Chemical potential -- Intensive physical property
Wikipedia - Chemical property -- Any of a material's properties that become evident during, or after, a chemical reaction (or in the case of steel)
Wikipedia - Chemistry: A European Journal
Wikipedia - Chernoles culture -- Iron Age archaeological culture in Eastern Europe
Wikipedia - Cherokee (web server) -- Open source web server software application
Wikipedia - Chervonohryhorivka -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Cheryl Barker -- Australian operatic soprano
Wikipedia - Chesney Brown -- Fictional character from the British soap opera Coronation Street
Wikipedia - Chess in Europe
Wikipedia - Chess opening book
Wikipedia - Chess opening theory table
Wikipedia - Chess opening -- Initial moves of a chess game
Wikipedia - Chet Allen (actor, born 1939) -- American opera singer
Wikipedia - Chetta Chevalier -- Critical node in Monsignor Hugh O'Flaherty's "Rome Escape Line" network operating in the Vatican during World War Two
Wikipedia - Chicagoan and Kansas Cityan -- Named passenger trains of the Atchison, Topeka and Santa Fe Railway
Wikipedia - Chicago Civic Opera -- Opera house in Chicago
Wikipedia - Chicago "L" -- Rapid transit system in Chicago, Illinois, operated by the CTA
Wikipedia - Chicago-style pizza -- Styles of pizza developed in Chicago, including deep-dish pizza
Wikipedia - Chicago Transit Authority -- Operator of mass transit
Wikipedia - Chi Cassiopeiae -- Star in the constellation Cassiopeia
Wikipedia - Chicopee, Massachusetts
Wikipedia - Chicopee Ski Club -- Recreation club in Kitchener, Ontario, Canada
Wikipedia - Chief of Naval Operations (South Korea) -- Head of the Republic of Korea Navy
Wikipedia - Chief of Naval Operations Strategic Studies Group -- U.S. Navy organization
Wikipedia - Chief of Naval Operations -- Statutory office held by a admiral in the United States Navy
Wikipedia - Chief of Space Operations -- Military head of the United States Space Force
Wikipedia - Chief Operating Officer
Wikipedia - Chief operating officer -- Executive position
Wikipedia - Chief Temitope Ajayi -- Nigerian business consultant
Wikipedia - Children in the military -- Children recruited for military operations
Wikipedia - Children of Ginko -- Opera by Marcus Paus
Wikipedia - Children's Crusade -- Attempted crusade by European Christians to expel Muslims from the Holy Land
Wikipedia - Chiltern Railways -- British train operating company owned by Arriva UK Trains
Wikipedia - China-Brazil Earth Resources Satellite program -- satellite cooperation program between China and Brazil
Wikipedia - Chinachem -- Hong Kong real estate developer
Wikipedia - China Global Television Network -- Group of six international multi-language television channels owned and operated by China Central Television
Wikipedia - China Open (curling) -- World Curling Tour event
Wikipedia - China Open (pool) -- Professional pool event, founded 2009
Wikipedia - China proper
Wikipedia - Chinese Industrial Cooperatives -- Organization
Wikipedia - Chinese information operations and information warfare -- Chinese cyberwarfare characteristics
Wikipedia - Chinese opera -- Popular form of drama and musical theatre in China
Wikipedia - Chip Hooper (American agent) -- American talent agent
Wikipedia - Chirality (chemistry) -- Geometric property of some molecules and ions
Wikipedia - Chirality (mathematics) -- Property of an object that is not congruent to its mirror image
Wikipedia - Chiwara -- Ritual object representing an antelope, used by the Bambara ethnic group in Mali
Wikipedia - Chloe Brennan (Neighbours) -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Choana -- Each of two openings from the nasal cavity to the throat
Wikipedia - Chocolate Kiddies 1925 European tour -- Chocolate Kiddies 1925 European tour
Wikipedia - Choice of Games -- Video game developer
Wikipedia - Chondrogenesis -- Process by which cartilage is developed
Wikipedia - Chortomlyk -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Chris Cooper -- American actor
Wikipedia - Chris Cope -- American mixed martial arts fighter
Wikipedia - Chris Doig (opera singer) -- New Zealand opera singer and sports executive
Wikipedia - Chris Huidekooper -- Dutch painter
Wikipedia - Chris Lamb (software developer) -- Free software developer
Wikipedia - Chris Messina (open-source advocate) -- American blogger, product consultant and speaker (born 1981)
Wikipedia - Chris Pope -- American audio producer (born 1978)
Wikipedia - Chris Roberts (video game developer) -- Computer game designer, game programmer, film producer and film director
Wikipedia - Chris Ryan -- Former British Special Forces operative and soldier turned novelist
Wikipedia - Chrissie Watts -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Christa Maria Ziese -- German operatic soprano
Wikipedia - Christel Goltz -- German operatic soprano
Wikipedia - Christian Boesch -- Austrian operatic baritone
Wikipedia - Christian Clarke -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Christian Cooper -- American writer, editor, and birdwatcher
Wikipedia - Christian Europe
Wikipedia - Christiane Woopen -- German medical ethicist
Wikipedia - Christianity in Europe
Wikipedia - Christian J. Lambertsen -- American environmental and diving medicine specialist and developer of an early rebreather
Wikipedia - Christian Lopez (weightlifter) -- Guatemalan weightlifter
Wikipedia - Christina Covino -- American television soap opera writer
Wikipedia - Christina Landshamer -- German operatic soprano
Wikipedia - Christina Morfova -- Bulgarian operatic soprano
Wikipedia - Christine Brewer -- American soprano opera singer
Wikipedia - Christine Cooper -- British accounting academic
Wikipedia - Christine Douglas -- Australian opera singer and director
Wikipedia - Christine Hewitt -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Christ of Europe
Wikipedia - Christopher Alden (director) -- American theater and opera director
Wikipedia - Christopher Bolduc -- American operatic baritone
Wikipedia - Christopher Chope -- British Conservative politician
Wikipedia - Christopher Hope -- South African novelist and poet
Wikipedia - Christopher M. Jeffries -- American real estate developer
Wikipedia - Christopher Roper (MP) -- 16th-century English politician
Wikipedia - Christopher Sly (opera)
Wikipedia - Christopher Street Day -- Annual LGBT event in Europe
Wikipedia - Christopher Weaver -- American entrepreneur, author, software developer, scientist, and educator at MIT
Wikipedia - Christoph Genz -- German tenor in opera and concert
Wikipedia - Chromatography -- Set of physico-chemical techniques developed for the separation of mixtures
Wikipedia - Chromecast -- Line of digital media players developed by Google
Wikipedia - Chrome OS -- Linux-based operating system developed by Google
Wikipedia - Chromium (web browser) -- Free and open-source cross-platform web browser
Wikipedia - Chromosome 19 open reading frame 33 -- Protein-coding gene in the species Homo sapiens
Wikipedia - Chromosome 1 open reading frame 194 -- Human gene
Wikipedia - Chronology of European exploration of Asia
Wikipedia - Chrysopetalidae -- Family of annelids
Wikipedia - Chrysopetalum -- Genus of annelids
Wikipedia - Chuck Cooper (actor) -- American actor
Wikipedia - Church and state in medieval Europe
Wikipedia - Church Commissioners -- Body managing the historic property assets of the Church of England
Wikipedia - Churches of Christ in Europe -- Christian groups of autonomous congregations in Europe
Wikipedia - Church of el Carmen (Madrid) -- Cultural property in Madrid, Spain
Wikipedia - Church of las Calatravas (Madrid) -- Cultural property in Madrid, Spain
Wikipedia - Church of Our Lady (Copenhagen)
Wikipedia - Church of San Andres (Madrid) -- Cultural property in Madrid, Spain
Wikipedia - Church of Scientology International -- Corporation operated by the Church of Scientology
Wikipedia - Church of the Blessed Hope -- A small first-day Adventist Christian body
Wikipedia - Church of the Nativity of the Theotokos, Kryvyi Rih -- Ukrainian Orthodox church in Kryvyi Rih, Dnipopetrovsk, Ukraine
Wikipedia - Church of the Open Door -- Former church in Los Angeles
Wikipedia - Ciechocinek Formation -- Jurassic geologic formation in Europe
Wikipedia - CI Games -- Polish video game developer and publisher
Wikipedia - Cilla Battersby-Brown -- Fictional character from the soap opera Coronation Street
Wikipedia - Cincinnati Opera -- Non-profit organisation in the USA
Wikipedia - Cinderella -- European folk tale
Wikipedia - Cindy Beale -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Cindy Williams (EastEnders) -- Fictional character from the BBC soap opera EastEnders
Wikipedia - CineForm -- Open source video codec
Wikipedia - Cinema of Europe -- article on the history of European Cinema
Wikipedia - CinemaScope -- Early widescreen filming system
Wikipedia - Cinema Scope -- Film magazine
Wikipedia - Cing -- Defunct Japanese video game developer
Wikipedia - Circuit breaker -- Automatically operated electrical switch designed to protect an electrical circuit from damage caused by excess current from an overload or short circuit
Wikipedia - Circumstellar envelope
Wikipedia - Cisiane Lopes -- Brazilian racewalker
Wikipedia - Cistercian numerals -- Ciphers developed by Cistercian monks
Wikipedia - Citation Style Language -- Open XML-based language
Wikipedia - Citibank Europe -- subsidiary of Citigroup
Wikipedia - Citizendium -- Internet wiki encyclopedia stressing editorial credibility
Wikipedia - Citizens' Commission to Investigate the FBI -- Leftist activist group operational in the US during the early 1970s
Wikipedia - Citizenship of the European Union -- Legal right conferred to citizens of European Union member states
Wikipedia - City Municipality of Koper -- City municipality of Slovenia
Wikipedia - City of Hope National Medical Center
Wikipedia - City proper -- The geographical area contained within the defined boundary of a city
Wikipedia - City Sightseeing -- International sightseeing tour bus operator
Wikipedia - Civil Air Transport -- 1946-1968 CIA-owned airline of the Republic of China used for covert operations
Wikipedia - Civil Cooperation Bureau -- Government-sponsored death squad during the apartheid era
Wikipedia - Civilian casualties during Operation Allied Force -- some of the civilian casualties of the Kosovo War
Wikipedia - Civilian Planning and Conduct Capability -- Organisation within the European Union
Wikipedia - Civilizing mission -- Purported rationale or justification for European colonialism
Wikipedia - Civil law (legal system) -- Legal system originating in continental Europe
Wikipedia - Cizre operation (2015) -- Turkish military operation in Cizre
Wikipedia - CK Asset Holdings -- Property developer
Wikipedia - Claes-HM-CM-%kan Ahnsjo -- Swedish operatic tenor
Wikipedia - Clair Cooper -- British model and beauty queen
Wikipedia - Claire Cooper -- British actress
Wikipedia - Claire Hooper -- Australian stand-up comedian and writer
Wikipedia - Clancy Cooper -- American actor
Wikipedia - Clandestine HUMINT operational techniques
Wikipedia - Clandestine operations
Wikipedia - Clandestine operation
Wikipedia - Clapping game -- Cooperative game of clapping hands
Wikipedia - Claque -- Body of professional applauders in French theatres and opera houses
Wikipedia - Clara Evelyn Hallam -- Property owner, boarding-house keeper
Wikipedia - Claramae Turner -- American opera singer
Wikipedia - Clara (opera) -- Opera
Wikipedia - Clare Bates -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Clarence Owen Cooper -- Canadian politician
Wikipedia - Class (set theory) -- Collection of sets in mathematics that can be defined based on a property of its members
Wikipedia - Claude Cooper (actor) -- American actor
Wikipedia - Claudia Barainsky -- German operatic soprano
Wikipedia - Claudia Florenti -- Italian opera singer
Wikipedia - Claudia Lopez Hernandez -- Colombian politician
Wikipedia - Claudia Muzio -- Italian operatic soprano
Wikipedia - Claudine Stirling -- New Zealand isotope geochemist
Wikipedia - Claudio Lopez, 2nd Marquess of Comillas -- Spanish businessman and shipping magnate
Wikipedia - Clavemeopedus -- Genus of beetles
Wikipedia - Clay chemistry -- The chemical structures, properties and reactions of clay minerals
Wikipedia - Clemens Bieber -- German operatic tenor (born 1956)
Wikipedia - Clemente Dominguez y Gomez -- Palmarian antipope
Wikipedia - Clementine von Schuch-Proska -- Austrian operatic coloratura soprano
Wikipedia - Clementine von Schuch -- German concert and operatic soprano
Wikipedia - Client to Authenticator Protocol -- Enables a roaming, user-controlled cryptographic authenticator to interoperate with a client platform.
Wikipedia - Clifford Hillhouse Pope
Wikipedia - Clifford H. Pope
Wikipedia - Climate change in the European Union
Wikipedia - Clipboard (computing) -- Data storage used to support copy and paste operations
Wikipedia - Cliqz -- Web browser developed by Cliqz GmbH
Wikipedia - Clive Forster-Cooper
Wikipedia - Clive Gibbons -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Cloeon simile -- Species of insect (mayfly) found in Europe
Wikipedia - Cloister -- Open space surrounded by covered walks or open galleries
Wikipedia - Clones (We're All) -- Song by Alice Cooper
Wikipedia - Clone trooper -- Fictional class of soldiers in the Star Wars series
Wikipedia - Clopen set -- Subset that is both open and closed
Wikipedia - Cloperastine
Wikipedia - Clorinda Corradi -- Italian opera singer 1804-77
Wikipedia - Clotilde Bressler-Gianoli -- Italian opera singer born in Switzerland
Wikipedia - Cloud Foundry -- An open source, multi-cloud application platform as a service
Wikipedia - Cloud on title -- Concept in United States property law
Wikipedia - CLP Regulation -- 2008 legal act of the European Union affecting the classification, labelling and packaging of chemicals
Wikipedia - Club MTV (European TV channel) -- European television channel
Wikipedia - Clustering of self-propelled particles
Wikipedia - CMAS Europe
Wikipedia - CNBC Europe -- European business television channel
Wikipedia - CNK operating system
Wikipedia - CO2 rocket -- Small recreational rocket that uses carbon dioxide as a propellant
Wikipedia - CoachRun -- Bus operator
Wikipedia - Coast Mountain Bus Company -- Bus transit services operator in Metro Vancouver
Wikipedia - Coat of arms of Pope Francis -- Papal coat of arms
Wikipedia - Cobalt-60 -- Radioactive isotope of cobalt
Wikipedia - Cobre mine, Panama -- Open-pit copper mine
Wikipedia - Cockroach Labs -- Software company, developer of CockroachDB
Wikipedia - Coco Lopez -- Puerto Rican coconut product
Wikipedia - Codemasters -- British video game developer and publisher
Wikipedia - Codename: Kids Next Door - Operation: S.O.D.A. -- American platformer video game
Wikipedia - Cody Willis -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Cody Wilson -- American weapons developer
Wikipedia - Coercion, Capital, and European States, AD 990-1992 -- Book by Charles Tilly
Wikipedia - Coffee roasting -- Transforms the chemical and physical properties of green coffee beans into roasted coffee products
Wikipedia - Coffin birth -- Expulsion of a nonviable fetus through the vaginal opening of the decomposing body of a deceased pregnant woman as a result of the increasing pressure of intra-abdominal gases.
Wikipedia - Cognized environment -- Concept of how the peopleM-bM-^@M-^Ys culture understands nature, contrating with the operational environment
Wikipedia - Coherent (operating system)
Wikipedia - Coiling -- A method for storing rope or cable in compact yet easily attainable form
Wikipedia - Cokaliong Shipping Lines -- Filipino shipping company operating in Visayas and Mindanao
Wikipedia - Colette Guillope -- French mathematician
Wikipedia - Collaborationism -- Cooperation with the enemy against one's country of citizenship in wartime
Wikipedia - Collaborative working environment -- A collaborative working environment (CWE) supports people in their individual and cooperative work
Wikipedia - Collective operation
Wikipedia - College of Europe promotion -- List of College of Europe promotions
Wikipedia - College of Europe -- University
Wikipedia - Collideascope -- Former Canadian animation studio
Wikipedia - Collier's Encyclopedia -- Discontinued US-based general encyclopedia
Wikipedia - Collinder 140 -- Open cluster in the constellation Canis Major
Wikipedia - Collins Concise Encyclopedia -- Encyclopedia
Wikipedia - Colon classification -- A system of library classification developed by S. R. Ranganathan
Wikipedia - Colonial India -- European rule in India
Wikipedia - Colonial National Historical Park -- Early history, operated by the U.S. National Park Service
Wikipedia - Colopene -- Ancient district
Wikipedia - Colorless green ideas sleep furiously -- Syntatically correct, semantically improper phrase
Wikipedia - ColorOS -- Android-based mobile operating system
Wikipedia - Colour fastness -- Property of colored materials such as textiles to resist fading and running when exposed to various agencies such as washing, rubbing, daylight, etc.
Wikipedia - Colter Bay Village -- Developed area of Grand Teton National Park, Wyoming, USA
Wikipedia - Columbia Encyclopedia -- Book
Wikipedia - Columbian (B&O train) -- Named passenger train operated by the Baltimore and Ohio Railroad
Wikipedia - Columbus Register of Historic Properties -- Local list of historic sites in the Columbus, Ohio
Wikipedia - Comanche campaign -- Military operations by the United States government against the Comanche tribe
Wikipedia - Comando Interforze per le Operazioni Cibernetiche -- Italian government agency for cybersecurity
Wikipedia - Combat operations process -- Undertaken by armed forces
Wikipedia - Combined Joint Task Force - Operation Inherent Resolve -- Task force created to fight ISIL
Wikipedia - Comco -- Aircraft operator in the United States
Wikipedia - Comdb2 -- Database management system, relational, open source, developed by Bloomberg LP
Wikipedia - Comedie-Italienne -- Italian-language theatre and opera performed in France
Wikipedia - Comedie mM-CM-*lee d'ariettes -- Opera genre
Wikipedia - Come Rack! Come Rope!
Wikipedia - Comer Group -- International property developer
Wikipedia - Comic opera
Wikipedia - Command and control structure of the European Union -- One of several HQs for EU military or civilian missions
Wikipedia - Commander Fleet Operational Sea Training -- Royal navy training organisation
Wikipedia - Commandos Marine -- Special operations forces of the French Navy
Wikipedia - Commando -- Soldier or operative of an elite light infantry or special operations force; commando unit
Wikipedia - Comma operator -- (C and C++ programming languages) binary operator whose effect is to cause a sequence of operations to be performed
Wikipedia - Commentariolus -- Work by Copernicus
Wikipedia - Commercial minus sign -- Northern European form of minus sign
Wikipedia - Commercial Neutral Broadcasting Company -- European offshore radio station
Wikipedia - Commercial Operating System (COS)
Wikipedia - Commercial property -- Buildings or land intended to generate a profit, either from capital gain or rental income
Wikipedia - Commissioner of Patents, Registrar of Trademarks and Chief Executive Officer of the Canadian Intellectual Property Office -- Canadian government official
Wikipedia - Commission for Environmental Cooperation -- Established by Canada, Mexico, and the United States to implement the North American Agreement on Environmental Cooperation
Wikipedia - Commission v Italy (1968) -- EU law case concerning the European Single Market
Wikipedia - Committee for Medicinal Products for Human Use -- European Medicines Agency committee
Wikipedia - Committee for Medicinal Products for Veterinary Use -- European Medicines Agency committee
Wikipedia - Committee of Ministers of the Council of Europe
Wikipedia - Committee on European Union Affairs -- Swedish parliamentary committee
Wikipedia - Committee on Institutional Cooperation
Wikipedia - Commit (version control) -- Operation of adding changes to a version control repository
Wikipedia - Common Agricultural Policy -- Agricultural policy of the European Union
Wikipedia - Common blackbird -- A thrush native to Europe, Asia and North Africa
Wikipedia - Common chiffchaff -- A small migratory passerine bird found in Europe, Asia and north Africa
Wikipedia - Common Database on Designated Areas -- Database of European protected areas
Wikipedia - Common eland -- Second largest antelope in the world
Wikipedia - Common firecrest -- A very small passerine bird from Europe and northwest Africa
Wikipedia - Common house martin -- A migratory passerine bird of the swallow family found in Europe, Africa and Asia
Wikipedia - Common Music Notation -- Open-source musical notation software
Wikipedia - Common Open Software Environment -- Operating system standards initiative
Wikipedia - Common starling -- Sturnus vulgaris; medium sized passerine bird native to temperate Europe and western Asia
Wikipedia - Community day school -- A school for high-risk students operated by the local public school authority
Wikipedia - Community preference -- Principle of European Union governance
Wikipedia - Commutative operation
Wikipedia - Commutative property -- Property allowing changing the order of the operands of an operation
Wikipedia - Comoving and proper distances
Wikipedia - Compact operator
Wikipedia - Comparative European Politics -- Academic journal
Wikipedia - Comparison of BSD operating systems -- Wikimedia list article
Wikipedia - Comparison of communication satellite operators -- Wikimedia list article
Wikipedia - Comparison of free and open-source software licences
Wikipedia - Comparison of free and open-source software licenses
Wikipedia - Comparison of mobile operating systems -- Wikimedia list article
Wikipedia - Comparison of OpenGL and Direct3D
Wikipedia - Comparison of OpenSolaris distributions -- Wikimedia list article
Wikipedia - Comparison of open-source and closed-source software
Wikipedia - Comparison of open source and closed source
Wikipedia - Comparison of open-source configuration management software
Wikipedia - Comparison of open-source operating systems
Wikipedia - Comparison of open-source programming language licensing
Wikipedia - Comparison of open-source wireless drivers
Wikipedia - Comparison of operating system kernels
Wikipedia - Comparison of operating systems
Wikipedia - Comparison of real-time operating systems -- Wikimedia list article
Wikipedia - Competence (human resources) -- Ability of a person to do a job properly
Wikipedia - Competition Aircraft -- American propeller manufacturer
Wikipedia - Completion (oil and gas wells) -- Last operation for oil and gas wells
Wikipedia - Complexity -- Properties of systems that cannot be simply described or modeled
Wikipedia - Complex polytope
Wikipedia - Components of medieval armour -- Body armour, European, Middle Ages
Wikipedia - Compressor operator -- Compressor operator
Wikipedia - Computability in Europe
Wikipedia - Computational astrophysics -- Methods and computing tools developed and used in astrophysics research
Wikipedia - Computational complexity of mathematical operations
Wikipedia - Computer Crime and Intellectual Property Section -- United States federal law enforcement agency
Wikipedia - Computer operator
Wikipedia - Computer Supported Cooperative Work
Wikipedia - Computer supported cooperative work
Wikipedia - Computer-supported cooperative work -- Field studying how people work in groups with the support of computing systems
Wikipedia - Computer Vision Annotation Tool -- free and open source, web-based image and video annotation tool
Wikipedia - Computer -- Automatic general-purpose device for performing arithmetic or logical operations
Wikipedia - COM Structured Storage -- Computer technology developed by Microsoft
Wikipedia - Conal Coad -- Australian opera singer
Wikipedia - Concentrated animal feeding operation -- American type of intensive animal farming at large scale
Wikipedia - Concept of operations
Wikipedia - Concert of Europe -- European balance of power in the 19th century
Wikipedia - Concert performance -- Performance of a musical theater or opera in concert form
Wikipedia - Concerts at Knebworth House -- Open-air rock and pop concert
Wikipedia - Concha Acustica de Ponce -- Open-air theater and music venue in Ponce, Puerto Rico
Wikipedia - Conciliarism -- 14th-16th cent. movement for supremacy of church councils over popes
Wikipedia - Concise Encyclopedia of Economics
Wikipedia - Concise Encyclopedia of Supersymmetry and Noncommutative Structures in Mathematics and Physics -- Mathematics and physics encyclopedia
Wikipedia - Concise Routledge Encyclopedia of Philosophy
Wikipedia - Concrete operational stage
Wikipedia - Condemned property -- Property that has been closed, seized, or restricted by authorities
Wikipedia - Conditioning, operant
Wikipedia - Condominium -- Form of housing tenure and other real property
Wikipedia - Condor Syndikat -- 1924-27 German airline trade company with operations in Brazil
Wikipedia - Confederation of European Paper Industries -- Pan-European association
Wikipedia - Confederation of Passenger Transport -- Advocacy group representing operators of British buses and coaches
Wikipedia - Conference of European Directors of Roads -- Organisation of European national road administrations
Wikipedia - Confidential Consortium Framework -- Microsoft open source framework
Wikipedia - Configuration (polytope)
Wikipedia - Confocal laser scanning microscope
Wikipedia - Confocal microscope
Wikipedia - Congress of Berlin -- 1878 meeting of representatives of the major European powers
Wikipedia - Congress of the Council of Europe
Wikipedia - Congress of Vienna -- Early 19th century European peace conference
Wikipedia - Congress Poland -- Former state in Eastern Europe
Wikipedia - Connected Home over IP -- Open-sourced smart home connectivity standard
Wikipedia - Connecting Europe Facility
Wikipedia - Connectionism -- Approach in cognitive science that hopes to explain mental phenomena using artificial neural networks
Wikipedia - Connex Melbourne -- Defunct Australian train operator
Wikipedia - Conor Flaherty -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Conquest of California -- Early military operation of the Mexican-American War where the United States was able to occupy and eventually annex Alta California
Wikipedia - Consanguinity -- Property of being from the same kinship as another person
Wikipedia - Conservation law -- Scientific law regarding conservation of a physical property
Wikipedia - Conservative temperature -- A thermodynamic property of seawater that represents the heat content
Wikipedia - Conspiracy Encyclopedia
Wikipedia - Constance Copeman -- British painter, printmaker, and engraver (1864-1953)
Wikipedia - Constance Nantier-Didiee -- French opera singer 1831-67
Wikipedia - Constant envelope
Wikipedia - Constantinopolitan Karaites -- Karaite Jewish community developed in Constantinople (modern-day Istanbul, Turkey)
Wikipedia - Constantin Popescu (handball coach) -- Romanian handball coach
Wikipedia - Consumer Cellular -- American postpaid mobile virtual network operator
Wikipedia - Consumer cooperative
Wikipedia - Consumers' co-operative
Wikipedia - Continental European
Wikipedia - Continental Europe -- Continent of Europe, excluding European islands
Wikipedia - Continentalism -- Support for cooperation or integration between nations within a continent
Wikipedia - Continental philosophy -- Set of 19th- and 20th-century philosophical traditions from mainland Europe
Wikipedia - Continental rise -- An underwater feature connecting the continental slope and the abyssal plain
Wikipedia - Continental System -- Embargo of Napoleonic Europe against Britain
Wikipedia - Continuous linear operator
Wikipedia - Contra dance -- Social folk dance with mixed European origins
Wikipedia - Contributing property -- Key component of a place listed on the National Register of Historic Places
Wikipedia - Contributor Covenant -- Code of conduct for contributors to free and open source software projects
Wikipedia - Controllable slope soaring -- type of slope soaring where a slope is made to follow a walkalong glider
Wikipedia - Convair B-36 Peacemaker -- Large strategic bomber operated by US Air Force from 1949 to 1959
Wikipedia - Convergence of Hope -- Political party in Burkina Faso
Wikipedia - Convex lattice polytope
Wikipedia - Convex Polytopes
Wikipedia - Convex polytope
Wikipedia - Convex regular 4-polytope
Wikipedia - Convocation of Episcopal Churches in Europe
Wikipedia - Convolution -- Binary mathematical operation on functions
Wikipedia - Conway notation (knot theory) -- Notation used to describe knots based on operations on tangles
Wikipedia - Cooking Mama Limited -- Japanese video game developer
Wikipedia - Coombing Park -- Farming property in Australia
Wikipedia - Cooperage (film) -- 1976 Canadian film
Wikipedia - Cooper Andrews -- American actor
Wikipedia - Cooperating sequential processes
Wikipedia - Cooperation Council for the Arab States of the Gulf
Wikipedia - Co-operation (evolution) -- Evolutionary process where groups of organisms work or act together for common or mutual benefits
Wikipedia - Cooperation Sea -- A proposed sea name for part of the Southern Ocean, between Enderby Land and West Ice Shelf
Wikipedia - Co-operation
Wikipedia - Cooperation
Wikipedia - Cooperative Association for Internet Data Analysis
Wikipedia - Cooperative banking -- Type of retail or commercial bank organized cooperatively
Wikipedia - Cooperative board game -- Type of board game
Wikipedia - Cooperative breeding -- Social system
Wikipedia - Co-operative Building, Barrow-in-Furness -- Former department store in Barrow-in-Furness, Cumbria, England
Wikipedia - Co-operative Commonwealth Federation -- Former political party in Canada
Wikipedia - Cooperative database -- anti-spam database type
Wikipedia - Cooperative distributed problem solving
Wikipedia - Cooperative education
Wikipedia - Cooperative eye hypothesis
Wikipedia - Cooperative game theory
Wikipedia - Cooperative Institute for Research in Environmental Sciences
Wikipedia - Cooperative learning
Wikipedia - Cooperative Linux
Wikipedia - Cooperative movement
Wikipedia - Cooperative multitasking
Wikipedia - Cooperativeness
Wikipedia - Co-operative Party -- Centre-left British political party, in an electoral pact with the Labour Party
Wikipedia - Co-operative Permanent Building Society -- Mutual building society, providing mortgages and savings accounts to its members
Wikipedia - Cooperative principle
Wikipedia - Cooperative pulling paradigm -- Experimental design
Wikipedia - Cooperative Societies Council -- Government organization which promotes the role of cooperative societies in Saudi Arabia
Wikipedia - Cooperative storage cloud
Wikipedia - Co-operatives UK -- Central membership body for UK co-operatives
Wikipedia - Cooperatives
Wikipedia - Cooperative video game
Wikipedia - Cooperative Village -- housing cooperatives in Manhattan, New York
Wikipedia - co-operative
Wikipedia - Cooperative -- Autonomous association of persons or organizations
Wikipedia - Cooperative wireless communications
Wikipedia - Cooperators of Opus Dei
Wikipedia - Cooper Black -- Ultra-bold serif typeface
Wikipedia - Cooper Car Company -- Auto racing team
Wikipedia - Cooper Hefner -- US businessman and writer
Wikipedia - Cooper Hewitt, Smithsonian Design Museum -- Design museum in Manhattan, New York
Wikipedia - Cooper Lake (microarchitecture)
Wikipedia - Cooper, Minneapolis -- neighborhood of Longfellow, Minneapolis
Wikipedia - Cooper pair -- Pair of electrons (or other fermions) bound together at low temperatures in a certain manner which is responsible for superconductivity as described in the BCS theory
Wikipedia - Cooper (profession) -- Maker of staved vessels such as barrels
Wikipedia - Cooper Roth -- American actor
Wikipedia - Coopers Brewery -- Australian brewery
Wikipedia - Cooper's Hill Cheese-Rolling and Wake
Wikipedia - Coopers > Lybrand
Wikipedia - Cooper Snyder -- American politician
Wikipedia - Cooper Square -- Square in Manhattan, New York
Wikipedia - Cooperstown, New York
Wikipedia - Coopersville and Marne Railway -- Tourist railroad in Michigan, U.S.
Wikipedia - Cooper Terry -- American-born Italian musician
Wikipedia - Cooper Tire & Rubber Company -- Tire manufacturing company
Wikipedia - Cooper Township, Monona County, Iowa -- Township in Iowa, USA
Wikipedia - Cooper Union speech -- Speech by Abraham Lincoln in New York City during his 1860 campaign for US President
Wikipedia - Cooper Union -- Private college in New York City
Wikipedia - Cooper Webb -- American motorcycle racer
Wikipedia - Coopetition
Wikipedia - Co-op Food -- Brand of consumer co-operative supermarkets in the United Kingdom
Wikipedia - Co-op News -- Co-operative newspaper
Wikipedia - Coop (Switzerland) -- Swiss consumer cooperative
Wikipedia - Cope and Stewardson -- American architecture firm
Wikipedia - Cope and stick -- Frame and panel technique for decorating doors, wainscoting, cabinets, furniture, and homes
Wikipedia - Cope Cope railway station -- Railway station in Victoria, Australia
Wikipedia - Copeina osgoodi -- Species of fish
Wikipedia - Copeinca -- Norwegian fishing company
Wikipedia - Copei -- Political party in Venezuela
Wikipedia - Copeland, B.J.
Wikipedia - Copelandia -- Genus of fungi
Wikipedia - Copeland Islands -- Three islands off the coast of County Down, Northern Ireland
Wikipedia - Copeland, North Carolina -- Human settlement in North Carolina, United States of America
Wikipedia - Copeland's Cure -- 2005 book
Wikipedia - Copelatinae -- Subfamily of beetles
Wikipedia - Copelatus bolivianus -- Species of insect
Wikipedia - Copella carsevennensis -- Species of fish
Wikipedia - Copella compta -- Species of fish
Wikipedia - Copella eigenmanni -- Species of fish
Wikipedia - Copella meinkeni -- Species of fish
Wikipedia - Copella metae -- Species of fish
Wikipedia - Copella nattereri -- Species of fish
Wikipedia - Copella nigrofasciata -- Species of fish
Wikipedia - Copella vilmae -- Species of fish
Wikipedia - Copenhagen (2002 film) -- 2002 British television film directed by Howard Davies
Wikipedia - Copenhagen Accord -- International agreement to fight global warming
Wikipedia - Copenhagen Atomics -- Private Danish company developing molten salt technology
Wikipedia - Copenhagen Business School
Wikipedia - Copenhagen Central Station -- Railway station in Copenhagen, Denmark
Wikipedia - Copenhagen consensus
Wikipedia - Copenhagen Consensus -- Welfare economics project
Wikipedia - Copenhagen, Denmark
Wikipedia - Copenhagen interpretation
Wikipedia - Copenhagen (play) -- Play by Michael Frayn
Wikipedia - Copenhagen Pride -- Annual LGBT event in Copenhagen
Wikipedia - Copenhagen Suborbitals -- Amateur crowdfunded human space programme
Wikipedia - Copenhagen-Tartu biosemiotic school
Wikipedia - Copenhagen University Observatory
Wikipedia - Copenhagen -- Capital city of Denmark
Wikipedia - Copenhague
Wikipedia - Copepod
Wikipedia - Copernican heliocentrism -- Concept that the Earth rotates around the Sun
Wikipedia - Copernican period -- Lunar geologic period
Wikipedia - Copernican revolution
Wikipedia - Copernican Revolution -- 16th to 17th century intellectual revolution
Wikipedia - Copernic Desktop Search
Wikipedia - Copernicium -- chemical element 112
Wikipedia - Copernicus programme
Wikipedia - Copernicus Publications
Wikipedia - Copernicus Science Centre
Wikipedia - Copernicus
Wikipedia - Copertino
Wikipedia - Copesa -- Chilean media conglomerate
Wikipedia - Cope's Rule
Wikipedia - Cope
Wikipedia - Copey District -- district in Dota canton, San Jose province, Costa Rica
Wikipedia - Cophasing -- segmented mirror/telescope-related individual segment-controlling process in astronomy
Wikipedia - Copland (operating system)
Wikipedia - CopperheadOS -- Mobile operating system focused on privacy and security
Wikipedia - COPS (software) -- First widespread vulnerability scanner for Unix operating systems
Wikipedia - Coptic Encyclopedia
Wikipedia - Coptic Orthodox Church in Europe
Wikipedia - Coptic Pope
Wikipedia - Copyright law of the European Union
Wikipedia - Cora Cross -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Cora Huidekoper Clarke -- American botanist and entomologist (1851-1916)
Wikipedia - Coraline Ada Ehmke -- Software developer and open source advocate
Wikipedia - Corbomycin -- Glycopeptide antibiotic
Wikipedia - Cordless -- Term used to refer to electrical or electronic devices that are powered by a battery or battery pack and can operate without a power cord or cable attached to an electrical outlet to provide mains power, allowing greater mobility
Wikipedia - Cordoaria Nacional -- Former naval rope-making factory in Belem, Portugal
Wikipedia - CoreCivic -- US prison-operating company
Wikipedia - CorelDRAW -- Vector graphics editor developed and marketed by Corel Corporation of Ottawa, Canada
Wikipedia - Core OpenGL
Wikipedia - Core rope memory -- Early form of read-only memory
Wikipedia - Corey Lewandowski -- American political operative and commentator
Wikipedia - Corn crake -- Migratory bird in the rail family found in Europe, Asia and Africa
Wikipedia - Cornelius Cooper
Wikipedia - Cornel Popescu -- Romanian bobsledder
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Wikipedia - Czech Republic -- Country in Central Europe
Wikipedia - Czechs -- European nation and an ethnic group native to the Czech Republic
class:encyclopedia
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Wikipedia - Danube -- River in Central and Eastern Europe
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Wikipedia - Decolonization of Asia -- Mostly 20th-century independence of Asian countries from Western European powers
Wikipedia - Decolonization of the Americas -- Process by which the countries in the Americas gained their independence from European rule
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Wikipedia - De Havilland Hornet -- Twin-piston engined fighter aircraft developed by de Havilland
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Wikipedia - Developed country
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Wikipedia - Developed World
Wikipedia - Developed world
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Wikipedia - Developerworks
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Wikipedia - Directive 2014/65/EU -- European Union law
Wikipedia - Directive (European Union) -- Legislative act of the European Union
Wikipedia - Directive on the legal protection of biotechnological inventions -- European Union directive in the field of patent law
Wikipedia - Directorate of Operations (CIA)
Wikipedia - Director's Kut Productions -- Indian company which produces soap operas
Wikipedia - Directory of Open Access Journals -- Curated list of peer-reviewed Open-Access journals
Wikipedia - Dirk Vopel -- German politician
Wikipedia - Disabilities (Jewish) -- Legal restrictions, limitations and obligations placed on European Jews in the Middle Ages
Wikipedia - DISCO - European Dictionary of Skills and Competences
Wikipedia - Discovery Princess -- Cruise ship set to operate for Princess Cruises in November 2021
Wikipedia - Discovery Science (European TV channel) -- European pay television channel
Wikipedia - Discrete Laplace operator
Wikipedia - Disjunction and existence properties
Wikipedia - Disk operating system
Wikipedia - Disney College Program -- National internship program operated by The Walt Disney Company
Wikipedia - Disney Cruise Line -- Cruise line operation that is a subsidiary of The Walt Disney Company
Wikipedia - Disney Interactive Studios -- Defunct American video game developer
Wikipedia - Disney International Programs -- International internship programs operated by The Walt Disney Company
Wikipedia - Dispokinesis -- Form of training and therapy specially developed for musicians and stage artists
Wikipedia - Dissent Channel -- Official platform open to U.S. diplomats where they can criticize government policy
Wikipedia - Dissipative system -- a thermodynamically open system which is operating out of, and often far from, thermodynamic equilibrium in an environment with which it exchanges energy and matter
Wikipedia - Distortion-limited operation -- signal-related condition in telecommunications engineering
Wikipedia - Distributed operating system -- Operating system designed to operate on multiple systems over a network
Wikipedia - Distribution of wealth in Europe -- Overview of the wealth distribution in Europe
Wikipedia - Distributive property
Wikipedia - Dive boat -- Boat used for the support of scuba diving operations
Wikipedia - Dive briefing -- Meeting of the dive team to discuss details before the diving operation
Wikipedia - Dive planning -- The process of planning an underwater diving operation
Wikipedia - Divergence -- Vector operator producing the scalar quantity of a flow at a point
Wikipedia - Divergent double subduction -- Two parallel subduction zones with different directions are developed on the same oceanic plate
Wikipedia - Diversity factor -- Mathmetical operator in calculus
Wikipedia - Diversity in open-source software
Wikipedia - Diver voice communications -- Protocol for spoken communications in diving operations
Wikipedia - Divine twins -- Proto-Indo-European mytheme
Wikipedia - Diving air compressor operator -- Person who operates a diving air compressor
Wikipedia - Diving chamber -- Hyperbaric pressure vessel for human occupation used in diving operations
Wikipedia - Diving contractor -- The legal persona responsible for professional diving operations for a client
Wikipedia - Diving Medical Advisory Council -- Independent organisation of diving medical specialists from Northern Europe
Wikipedia - Diving operations record -- Documentation recording a professional dive
Wikipedia - Diving operation -- Underwater dive and support activities to achieve a specific goal
Wikipedia - Diving spread -- The topside base for commercial diving operations
Wikipedia - Diving support equipment -- Equipment used in the support of an underwater diving operation
Wikipedia - Divino afflante Spiritu -- 1943 papal encyclical letter issued by Pope Pius XII
Wikipedia - Division (mathematics) -- Arithmetic operation
Wikipedia - Division of Cooper -- Australian federal electoral division
Wikipedia - Division of property -- Legal term
Wikipedia - Diya Aur Baati Hum -- Indian television soap opera
Wikipedia - DLF (company) -- Indian commercial real estate developer
Wikipedia - Dmitry Belosselskiy -- Russian operatic bass singer
Wikipedia - DM-JM-0eM-GM-5M-JM-0M-EM-^Mm -- Earth-goddess in Proto-Indo-European mythology
Wikipedia - DMOZ -- Open content directory of Web links established in 1998
Wikipedia - Dniester -- River in Eastern Europe
Wikipedia - Dnipropetrovsk Oblast
Wikipedia - Dnipropetrovsk
Wikipedia - Dniprovske -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Dnipro -- City and administrative center of Dnipropetrovsk Oblast, Ukraine
Wikipedia - Dobsonian telescope -- Type of Newtonian telescope popularized by John Dobson
Wikipedia - Docker (software) -- Open-source software for deploying containerized applications
Wikipedia - Doctor Faustus Lights the Lights -- Libretto for an opera by Gertrude Stein
Wikipedia - Doctor's Gate -- Roman Road between Glossop and the Hope Valley
Wikipedia - Doctor Yellow -- High-speed diagnostic train operated in Japan
Wikipedia - Documentation of cultural property -- Aspect of collections care
Wikipedia - Document on Human Fraternity -- Joint statement signed by Pope Francis of the Catholic Church and Sheikh Ahmed el-Tayeb, Grand Imam of Al-Azhar, on 4 February 2019 in Abu Dhabi, meant to be a guide on advancing a "culture of mutual respect".
Wikipedia - Dogcow -- Symbol on early Apple operating systems
Wikipedia - Dog Days (opera) -- opera by David T. Little
Wikipedia - Dogecoin -- Cryptocurrency developed from the 'doge' Internet meme
Wikipedia - Do It Well -- 2007 single by Jennifer Lopez
Wikipedia - Doki Doki Literature Club! -- 2017 American visual novel developed by Team Salvato
Wikipedia - Doktor und Apotheker -- Opera by Carl Ditters von Dittersdorf
Wikipedia - Dolby Headphone -- Technology developed by Lake Technology
Wikipedia - Dolby Pro Logic -- Surround sound processing technology developed by Dolby Labs
Wikipedia - Dolichopeza albipes -- Species of fly
Wikipedia - Dolichopeza carolus -- Species of fly
Wikipedia - Dolichopeza subalbipes -- Species of fly
Wikipedia - Dolichopeza walleyi -- Species of fly
Wikipedia - Dolichopeza -- Genus of flies
Wikipedia - Dolichopezinae -- Subfamily of flies
Wikipedia - Dolora Zajick -- American mezzo-soprano opera singer
Wikipedia - Dolores Cooper Shockley -- Pharmacologist
Wikipedia - Dolores Romero Morales -- Spanish operations researcher
Wikipedia - Dolorous Stroke -- Trope in Arthurian and Celtic legend
Wikipedia - Domain Information Groper
Wikipedia - Domenec Terradellas -- Catalan opera composer with Italian works
Wikipedia - Domenico Cimarosa -- Italian opera composer of the Neapolitan school
Wikipedia - Domenico Cosselli -- Italian opera singer 1801-55
Wikipedia - Domenico Crivelli -- British opera singer 1793-1856
Wikipedia - Domenico Donzelli -- Italian opera singer 1790-1873
Wikipedia - Domenico Mustafa -- Italian opera singer, composer 1829-1912
Wikipedia - Domestic Manners of the Americans -- 1832 travel book by Frances Milton Trollope
Wikipedia - Dominic Cooper (author) -- British novelist, poet and watchmaker
Wikipedia - Dominic Cooper -- English actor
Wikipedia - Dominic Copeland -- Fictional general surgeon in BBC TV medical drama Holby City
Wikipedia - Donald Cooper -- New Zealand canoeist
Wikipedia - Donald Garvie -- European settler in Kenya
Wikipedia - Donald S. Lopez Jr.
Wikipedia - Donald S. Lopez, Jr.
Wikipedia - Donald S. Lopez, Jr
Wikipedia - Donald Tusk -- Polish politician, former President of the European Council, and former Prime Minister of Poland
Wikipedia - Don Giovanni -- Opera by Wolfgang Amadeus Mozart
Wikipedia - Don Glaciation -- The Don Glaciation (MIS 16) was a major glaciation of eastern Europe, approximately 650,000 years ago.
Wikipedia - Don Graham (developer) -- American real estate developer
Wikipedia - Donkey Kong Country Returns -- 2D platformer video game developed by Retro Studios
Wikipedia - Don Markstein's Toonopedia -- Online encyclopedia
Wikipedia - Donna Brown (soprano) -- Canadian soprano opera singer
Wikipedia - Donna Freedman -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Donna Ludlow -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Donna Windsor -- Fictional character from the British ITV soap opera Emmerdale
Wikipedia - Donnie Copeland -- American pastor and politician
Wikipedia - Donnie Ray Albert -- American operatic baritone
Wikipedia - Don Opeloge -- Samoan weightlifter
Wikipedia - Don't Ever Open That Door -- 1952 film
Wikipedia - Dontnod Entertainment -- French video game developer
Wikipedia - Doomsday plane (Russia) -- Airborne Command Post operated by the Russian Air Force, based on the Ilyushin Il-96-400 commercial aircraft airframe
Wikipedia - Door handle -- Device to open or close door
Wikipedia - Dooring -- Traffic collision in which a bicyclist (or other road user) rides or drives into a motor vehicle's door or is struck by a door that was opened quickly without due care.
Wikipedia - Doosan Encyclopedia -- Korean language encyclopedia
Wikipedia - Dope (1924 film) -- 1924 film
Wikipedia - Dope (2015 film) -- 2015 film directed by Rick Famuyiwa
Wikipedia - Dope Couture -- Company
Wikipedia - DOPE (Dartmouth Oversimplified Programming Experiment)
Wikipedia - Dopexamine
Wikipedia - Dorado Wings -- Commuter airline that operated in Puerto Rico
Wikipedia - Dorchester Collection -- Brunei luxury hotel operator
Wikipedia - Doreen Corkhill -- Fictional character from the British soap opera Brookside
Wikipedia - Dorothea Roschmann -- Opera singer
Wikipedia - Dorothy Byrne (mezzo-soprano) -- American operatic mezzo-soprano
Wikipedia - Dorothy Chandler Pavilion -- Opera house, part of the Los Angeles Music Center
Wikipedia - Dorothy Cooper -- American screenwriter
Wikipedia - Dorothy Popenoe -- English botanist and archaeologist (1899-1932)
Wikipedia - Dorree Cooper -- American set decorator
Wikipedia - Dorymyrmex flavopectus -- Species of ant
Wikipedia - Dosta! -- Council of Europe awareness raising campaign
Wikipedia - Dos Vientos Open Space -- 1,216 acres (492 ha) parkland in Ventura County, California with more than 41 miles of trails
Wikipedia - DOS -- Group of closely related PC-compatible operating systems
Wikipedia - Dot operator
Wikipedia - Dot product -- Algebraic operation returning a single number from two equal-length sequences
Wikipedia - Double Dutch (jump rope) -- Rope jumping game of skill
Wikipedia - Double Fine -- American video game developer
Wikipedia - Double Helix Games -- Defunct American video game developer
Wikipedia - Double Star (satellite) -- Chinese-European joint satellite
Wikipedia - Double Whoopee -- 1929 film
Wikipedia - Doug Bell -- American video game developer
Wikipedia - Doug Cooper (author) -- American writer of literary fiction
Wikipedia - Douglas Anthony Cooper -- Canadian writer
Wikipedia - Douglas C. Steiner -- American real estate developer
Wikipedia - Douglas DC-4 -- Four-engine propeller-driven airliner
Wikipedia - Douglas DC-5 -- Twin-engine propeller aircraft intended for shorter routes
Wikipedia - Douglas DC-6 -- Four-engine propeller-driven airliner
Wikipedia - Douglas DC-7 -- Four-engine propeller-driven airliner
Wikipedia - Douglas Knapp -- American cinematographer and camera operator
Wikipedia - Doug Willis -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Doulos SIL -- Open-source serif typeface very similar to Times New Roman
Wikipedia - Douma chemical attack -- military operations of the Syrian Civil War involving chemical weapons
Wikipedia - Dowager -- A widow who holds a title or property
Wikipedia - Downhill creep -- Slow, downward progression of rock and soil down a low grade slope
Wikipedia - Downland -- An area of open chalk hills
Wikipedia - Downline (diving) -- Rope running from a point at the surface to the underwater workplace used as a guideline for divers and transfer of equipment
Wikipedia - Download -- Computer file operation
Wikipedia - DownThemAll! -- free and open-source download manager extension for Firefox
Wikipedia - D'Oyly Carte Opera Company -- British theatre company
Wikipedia - Draft:Aerc -- Open-source email client
Wikipedia - Draft:Afritechie -- Software Developer And Website Design in South Africa
Wikipedia - Draft:Alexis deBoschnek -- American recipe developer
Wikipedia - Draft:Alper M-CM-^Vzdil -- Turkish musician, artist, application developer, writer, podcaster
Wikipedia - Draft:Ambovent -- Open source hardware and software platform
Wikipedia - Draft:Am-Develop -- American video game developer
Wikipedia - Draft:Andrzej Dobber -- Polish opera baritone
Wikipedia - Draft:Avi Gopee -- Mauritian radio personality
Wikipedia - Draft:Bamlanivimab -- Experimental drug (antibody cocktail against SARS-CoV-2) developed by Eli Lilly and Company
Wikipedia - Draft:Biotope Aquarium Project -- Aquaristic platform with educational and conservational purpose
Wikipedia - Draft:Cartoon Network Games -- Organisation that developes and publishes interactive gaming within the channel Cartoon Network
Wikipedia - Draft:Christopher Macchio -- opera singer
Wikipedia - Draft:Department of Co-operation (West Bengal) -- State government department in West Bengal, India
Wikipedia - Draft:ESBE -- Europe's leading manufacturer
Wikipedia - Draft:EteSync -- Open source end-to-end encrypted contacts, calendar, and tasks syncing software and service.
Wikipedia - Draft:EuroDEV: European Business development -- Business development group / Consulting
Wikipedia - Draft:European Policy Centre (CEP) -- Serbian think tank
Wikipedia - Draft:FV-E991 series -- Future fuel cell electric multiple unit train type operated in Japan
Wikipedia - Draft:Gulshan Sharma -- Indian Entrepreneur | Application and Developer
Wikipedia - Draft:Gunter Wewel -- German operatic bass and television presenter
Wikipedia - Draft:Habib Alejalil -- Iranian video game developer
Wikipedia - Draft:International Galapagos Tour Operators Association -- Nonprofit organization
Wikipedia - Draft:Kleros -- Open source decentralized justice platform
Wikipedia - Draft:Luis Varela Lopez -- Spanish actor
Wikipedia - Draft:Maite Beaumont -- Spanish singer and opera singer
Wikipedia - Draft:Maksym Botviniev -- Game Developer and Software Engineer
Wikipedia - Draft:M-CM-^Skori lexikon -- Encyclopedia in Hungarian
Wikipedia - Draft:New Kind of Network -- Open-sourced protocol for public blockchain -based peer-to-peer network
Wikipedia - Draft:Ol' Black Eyes Is Back -- Concert tour by Alice Cooper
Wikipedia - Draft:Opeyemi Akintunde -- Nigerian novelist, actress, screenwriter
Wikipedia - Draft:Poove Unnakaga -- Indian Tamil Language soap opera
Wikipedia - Draft:Potato Open Sauce Project -- Custom ROM for Android
Wikipedia - Draft:Puffballs United -- American video game developer
Wikipedia - Draft:RavenDB -- Open source document-oriented database
Wikipedia - Draft:Research Center For German and European Food Law -- Research center at Bayreuth University
Wikipedia - Draft:Rocket.Chat -- Open source chat and collaboration software
Wikipedia - Draft:Shirshendu Bharadwaj -- Indian Entrepreneurial Leader, Poet, Public speaker, Space Developer, Writer, Storyteller
Wikipedia - Draft:Shooting Star (spacecraft) -- Uncrewed cargo spacecraft developed by Sierra Nevada Corporation (SNC)
Wikipedia - Draft:Therogames -- French video game developer
Wikipedia - Draft:UNUN -- open-source Git repository host
Wikipedia - Draft:Vincent Tropepe -- American chef, author, speaker (born 1982)
Wikipedia - Draft:Vlad Ionut Popescu -- Romanian actor
Wikipedia - Draft:Wallabag -- Open-source application for storing and reading articles from the Web
Wikipedia - Dragon kiln -- Traditional Chinese form of long sloped kiln
Wikipedia - Dragon Nest -- Free-to-play fantasy MMORPG developed by Eyedentity
Wikipedia - Drakensberg montane grasslands, woodlands and forests -- Ecoregion in Swaziland, South Africa and Lesotho comprising grassy lower slopes of the Drakensberg
Wikipedia - Dramma per musica -- Libretto for an opera
Wikipedia - Drehmann sign -- Orthopedicclinical test for hip joint.
Wikipedia - Driopea -- Genus of beetles
Wikipedia - DriveNow -- one-way carsharing service in Europe
Wikipedia - Driver Group -- Australian bus operator
Wikipedia - Driving -- Operation of a vehicle
Wikipedia - Drobe -- Computing news web site with a focus on the RISC OS operating system
Wikipedia - Droid 2 -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid 3 -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid 4 -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid Bionic -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid MAXX -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid Mini -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid Pro -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid Razr HD -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid Razr M -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid Razr -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid Turbo 2 -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid Turbo -- Android smartphone developed by Motorola Mobility
Wikipedia - Droid X -- Android smartphone developed by Motorola Mobility
Wikipedia - Dropephylla -- Genus of beetles
Wikipedia - Droperidol
Wikipedia - Droz-Farny line theorem -- A property of two perpendicular lines through the orthocenter of an arbitrary triangle
Wikipedia - Drug cartel -- Criminal organizations developed with the primary purpose of promoting and controlling drug trafficking operations
Wikipedia - Druine Condor -- Light aircraft developed in France
Wikipedia - Dry Falls -- Scalloped precipice with four major alcoves, in central Washington scablands
Wikipedia - Dryope (daughter of Dryops) -- Daughter of Dryops or of Eurytus, mother of Amphissus
Wikipedia - Dryope
Wikipedia - Dryopithecus -- Extinct great ape from Europe
Wikipedia - Dry toilet -- A toilet that operates without flush water
Wikipedia - DSV Alvin -- A manned deep-ocean research submersible owned by the United States Navy and operated by the Woods Hole Oceanographic Institution
Wikipedia - Dual-mode transit -- Transportation system in which vehicles operate on both public roads and on a guideway
Wikipedia - Dual polytope
Wikipedia - Dubai Opera -- Performing arts center
Wikipedia - Dublin Bus -- Public transport operator in Ireland
Wikipedia - Dublin (European Parliament constituency)
Wikipedia - Dublin Regulation -- European Union (EU) law regarding political asylum
Wikipedia - Duchy of Nassau -- Former European state
Wikipedia - Duchy of Savoy -- State in Western Europe that existed from 1416 to 1860
Wikipedia - Ducted propeller -- Marine propeller with a non-rotating nozzle
Wikipedia - Dudley Pope -- British writer
Wikipedia - Duke -- Noble or royal title in some European countries and their colonies
Wikipedia - Dumitru Popescu-Colibasi -- Romanian handball coach
Wikipedia - Duncan Brown Cooper -- American journalist, publisher, politician
Wikipedia - Dungeons & Dragons Rules Cyclopedia -- Rule book for tabletop role-playing game Dungeons & Dragons
Wikipedia - Dungeons > Dragons Rules Cyclopedia
Wikipedia - Dunlop Srixon Fukushima Open -- Golf event in Japan
Wikipedia - Dunst Opening
Wikipedia - Durga (2008 series) -- Indian soap opera
Wikipedia - DVD Forum -- Industry association that developed the DVD format
Wikipedia - DVD+RW Alliance -- Association that developed the DVD+ formats
Wikipedia - D v Ireland -- Case of the European Court of Human Rights concerning abortion in Ireland
Wikipedia - Dwingeloo 1 -- Galaxy in the constellation Cassiopeia
Wikipedia - Dying Light 2 -- upcoming survival horror action zombie video game developed by Techland
Wikipedia - DyM-DM-^Sus -- Sky-god in Proto-Indo-European mythology
Wikipedia - Dynamex Operations West, Inc. v. Superior Court -- California Supreme Court case
Wikipedia - Dynamical parallax -- Iterative technique to find the properties of the stars in a binary pair
Wikipedia - Dynamic range compression -- Audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range
Wikipedia - Dynamic scope
Wikipedia - Dynamix -- American video game developer
Wikipedia - Dynamo Open Air -- Netherlands music festival
Wikipedia - Dynasty (1981 TV series) -- 1980s American prime time television soap opera
Wikipedia - Dynasty (2017 TV series) -- American television soap opera
Wikipedia - Dyson (operating system)
class:encyclopedia
Wikipedia - E4 European long distance path -- Walking path
Wikipedia - E8 European long distance path -- European long-distance path
Wikipedia - Eagle Nebula -- Open cluster of stars
Wikipedia - EA Gothenburg -- Swedish video game developer
Wikipedia - Earing -- A small line (rope) used to fasten the corner of a sail to a spar or yard
Wikipedia - Early European Farmers -- Archaeogenetic name for an ancestral genetic component
Wikipedia - Early European modern humans -- Earliest anatomically modern humans in Europe
Wikipedia - Early life of Pope John Paul II
Wikipedia - Early medieval European dress -- Overview
Wikipedia - Early Middle Ages -- |Period of European history between the late 5th or early 6th century to the 10th century CE
Wikipedia - Early modern Europe
Wikipedia - Early Warning and Response System -- European communicable disease communication system
Wikipedia - Easement -- A right to use or enter real property
Wikipedia - Eastbound Strangler -- An unidentified serial killer believed to have been operational near Atlantic City, New Jersey in 2006
Wikipedia - East-Central Europe -- Region of Europe
Wikipedia - East Coast (train operating company) -- Former British railway company
Wikipedia - EastEnders: E20 -- Internet spin-off series of British soap opera EastEnders
Wikipedia - EastEnders theme tune -- Theme tune for the BBC soap opera EastEnders
Wikipedia - Eastern Afghanistan Operations -- Afghan operation
Wikipedia - Eastern Bloc -- 20th-century group of socialist states of Central and Eastern Europe
Wikipedia - Eastern European Summer Time -- Daylight saving time zone used in eastern Europe (UTC+3)
Wikipedia - Eastern Europe -- Eastern part of the European continent
Wikipedia - Eastern Front (World War I) -- The East European theater of World War I
Wikipedia - Eastern grey squirrels in Europe -- American eastern grey squirrels acclimated in Europe
Wikipedia - Eastern Orthodoxy in Europe
Wikipedia - Eastern Protestant Christianity -- Protestant Christian denominations that developed outside of the West in the late 1800s
Wikipedia - Eastern Region of British Railways -- Former British railways operating region
Wikipedia - Eastern Theater of the American Civil War -- Military operations in Virginia, Maryland and Pennsylvania
Wikipedia - East European Craton -- The core of the Baltica proto-plate and consists of the Fennoscandia, Volgo-Uralia and Sarmatia crustal segments
Wikipedia - East-European Shepherd -- Russian breed of shepherd dog
Wikipedia - East Francia -- Former country in Europe
Wikipedia - East Germanic languages -- Group of extinct Indo-European languages in the Germanic family
Wikipedia - East Germany -- Socialist state in Central Europe from 1949-1990
Wikipedia - Easthope Halt railway station -- Former railway station in Shropshire, England
Wikipedia - East Indiaman -- General name for any ship operating under charter or license to any of the East India Companies
Wikipedia - EASTinternational -- Open submission exhibition in Norwich, England
Wikipedia - East London Credit Union -- British not-for-profit member-owned financial co-operative organization
Wikipedia - East Midlands (European Parliament constituency) -- Constituency of the European Parliament
Wikipedia - East Midlands Railway -- Transport company operating the East Midlands rail franchise
Wikipedia - East Midlands Trains -- Stagecoach Group-owned train operating company in England
Wikipedia - East Sea Campaign -- 1975 US naval operation
Wikipedia - East StratCom Task Force -- European anti-disinformation group
Wikipedia - East Street (Children in Need) -- Charity crossover mini-episode between British soap operas Coronation Street and EastEnders
Wikipedia - East Thames Buses -- London bus operator
Wikipedia - East Yorkshire (bus company) -- Bus operator in East and North Yorkshire
Wikipedia - EasyJet Europe -- Austrian airline
Wikipedia - Eating Out: The Open Weekend -- 2012 film by Q. Allan Brocka
Wikipedia - ECall -- Roadside assistance service in the European Union
Wikipedia - Ecclesiastical polity -- Operational and governance structure of a church
Wikipedia - Echinochloa pyramidalis -- Species of grass, "antelope grass"
Wikipedia - Echinopepon -- Genus of Cucurbitaceae plants
Wikipedia - EC identification and health marks -- Markings on food products of animal origin in the European Community
Wikipedia - Eclipse Theia -- Free and open-source IDE framework for desktop and web applications
Wikipedia - Ecliptopera capitata -- Species of moth
Wikipedia - Ecliptopera silaceata -- Species of moth
Wikipedia - ECM Real Estate Investments -- Real estate developer
Wikipedia - Economic and Monetary Union of the European Union
Wikipedia - Economic Cooperation Administration
Wikipedia - Economic Cooperation Foundation -- Israeli think tank
Wikipedia - Economic Cooperation Organization
Wikipedia - Economies of scale -- Cost advantages obtained via scale of operation
Wikipedia - Economies of scope
Wikipedia - Economy of the European Union -- Overview of the economy of the European Union
Wikipedia - ECOPEACE Party -- Political party in South Africa
Wikipedia - Ecosophy -- Philosophy of ecological harmony or equilibrium as developed by Arne NM-CM-&ss or Felix Guattari
Wikipedia - Ecotope -- The smallest ecologically distinct landscape features in a landscape mapping and classification system
Wikipedia - Ectoedemia argyropeza -- Species of moth
Wikipedia - Ectoedemia sericopeza -- Species of moth
Wikipedia - Ecumenism -- Cooperation between Christian denominations
Wikipedia - EcuRed -- Online encyclopedia from Cuba built on MediaWiki software
Wikipedia - Eddie Cooper (actor) -- British actor
Wikipedia - Eddie Lopez (journalist) -- Puerto Rican journalist
Wikipedia - Eddie Moon -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Edelio Lopez Falcon -- Mexican drug lord
Wikipedia - Edge recombination operator
Wikipedia - Ediel Lopez Falcon -- Mexican drug lord
Wikipedia - Edith Guillaume -- Danish operatic mezzosoprano
Wikipedia - Edith Oldrup -- Danish operatic soprano
Wikipedia - Editor-in-chief -- A publication's editorial leader who has final responsibility for its operations and policies
Wikipedia - Edmond Cabel -- French operatic tenor
Wikipedia - Edmond Clement -- French opera singer
Wikipedia - Edmond Polchlopek -- French cyclist and bicycle designer
Wikipedia - Edmonton-Roper -- Defunct provincial electoral district in Alberta
Wikipedia - Edmund Copeland -- Professor of physics
Wikipedia - Edna Mae Cooper -- American silent film actress
Wikipedia - Edoardo Vera -- Italian opera composer
Wikipedia - Edo neo-Confucianism -- Neo-Confucian philosophy that developed in Japan during the Edo period
Wikipedia - Edo-Tokyo Open Air Architectural Museum -- Museum of historic Japanese buildings
Wikipedia - Ed (text editor) -- Line-oriented text editor for Unix developed by Ken Thompson in August 1969 on a PDP-7 at AT&T Bell Labs
Wikipedia - Eduard Devrient -- German opera singer
Wikipedia - Eduard Lopez -- Spanish motorcycle racer
Wikipedia - Eduardo Brito -- Dominican opera singer
Wikipedia - Eduardo Hope -- Argentine bobsledder
Wikipedia - Eduardo Lopez Rivas -- Venezuelan journalist and editor
Wikipedia - Educational accreditation -- Type of quality assurance process under which services and operations of educational institutions or programs are evaluated and verified by an external body
Wikipedia - Education in Europe
Wikipedia - Education in the European Union
Wikipedia - Education Opens Doors -- American nonprofit organization
Wikipedia - Edward Carson Waller -- Chicago real estate developer (1845-1931)
Wikipedia - Edward Cooper (British Army officer) -- British Army officer
Wikipedia - Edward Cooper (mayor)
Wikipedia - Edward Drinker Cope -- American paleontologist and biologist
Wikipedia - Edward Joshua Cooper -- Landowner, politician and astronomer
Wikipedia - Edward Orme -- Engraver and property developer
Wikipedia - Edward Quartermaine -- Fictional character from the soap opera General Hospital
Wikipedia - Edward Stanhope (died 1608) -- English politician
Wikipedia - Edward Trollope -- British bishop
Wikipedia - Edward Twopeny -- Australian politician
Wikipedia - Edwin H. Ragsdale -- American real estate developer and politician
Wikipedia - Edzo Toxopeus -- Dutch politician and diplomat
Wikipedia - EECCA -- International relations between Eastern Europe and Central Asia
Wikipedia - Eelume -- Autonomous underwater vehicle being developed by Eelume AS
Wikipedia - Eerste Nederlandse Pop Encyclopedie -- Dutch pop music encyclopedia
Wikipedia - E! (European TV channel) -- European television channel
Wikipedia - Effect of Brexit on Gibraltar -- Status of Gibraltar after withdrawal of the United Kingdom from the European Union
Wikipedia - Efimerida ton Syntakton -- Greek cooperative daily newspaper
Wikipedia - Efrain Lopez Neris -- Puerto Rican actor
Wikipedia - Egerton Cooper -- British painter
Wikipedia - Egging -- The act of throwing eggs at people or property.
Wikipedia - E-GIF -- Scheme for ensuring the inter-operation of computer-based systems
Wikipedia - EGL (OpenGL)
Wikipedia - Egyptian Hope Party -- Political party in Egypt
Wikipedia - Egyptomania -- Renewed European interest in ancient Egypt during the 19th century due to NapoleonM-bM-^@M-^Ys Egyptian Campaign
Wikipedia - EHF Champions League -- European handball competition
Wikipedia - Eichler-Shimura congruence relation -- Expresses the local L-function of a modular curve at a prime in terms of Hecke operators
Wikipedia - Eighth European Parliament -- Session of the European Parliament from 2014 to 2019
Wikipedia - Eight Man (video game) -- Side-scrolling beat 'em up arcade video game developed by Pallas
Wikipedia - Eight Songs for a Mad King -- Opera
Wikipedia - Eileen Grimshaw -- Fictional character from the British soap opera Coronation Street
Wikipedia - Eileen Hope Williams -- New Zealand golfer and community leader
Wikipedia - Eileen Louise Soper -- New Zealand journalist, writer and Girl Guide Commissioner
Wikipedia - Einar Andersson -- Swedish opera singer
Wikipedia - Einstein on the Beach -- First opera in the Portrait Trilogy by Philip Glass
Wikipedia - Ek Hazaaron Mein Meri Behna Hai -- Indian Hindi-language soap opera
Wikipedia - Ekkehard Abele -- German operatic bass-baritone
Wikipedia - Ekkehard Wlaschiha -- German operatic baritone
Wikipedia - Ekman velocity -- Wind induced part of the total horizontal velocity in the upper layer of water of the open ocean such that Coriolis force is balanced by wind force
Wikipedia - Elaeocarpus holopetalus -- Species of flowering plant in the family Elaeocarpaceae
Wikipedia - Elaine Pope -- American film producer and writer
Wikipedia - El amor tiene cara de mujer (Mexican TV series) -- Mexican soap opera
Wikipedia - Elasticity (physics) -- Physical property when materials or objects return to original shape after deformation
Wikipedia - Elastic properties of the elements (data page)
Wikipedia - Elbe -- Major river in Central Europe
Wikipedia - El (deity) -- Northwest Semitic word meaning "god" or "deity", or referring (as a proper name) to any one of multiple major ancient Near Eastern deities
Wikipedia - Eldorado (TV series) -- British soap opera
Wikipedia - Eleanor Barton -- British co-operative movement activist
Wikipedia - Electric car -- Car propelled by an electric motor using energy stored in rechargeable batteries
Wikipedia - Electric charge -- Physical property that quantifies an object's interaction with electric fields
Wikipedia - Electric vehicle -- Vehicle propelled by one or more electric motors
Wikipedia - Electrodermal activity -- The property of the human body that causes continuous variation in the electrical characteristics of the skin
Wikipedia - Electromagnetic Aircraft Launch System -- Aircraft launching system developed for the US Navy
Wikipedia - Electronic Commerce Directive 2000 -- Directive of the European Parliament
Wikipedia - Electronic News Production System -- Software application developed by the Associated Press
Wikipedia - Electronic voting systems for the European Parliament
Wikipedia - Electron microscope -- Type of microscope with electrons as a source of illumination
Wikipedia - Electron transport chain -- A process in which a series of electron carriers operate together to transfer electrons from donors to any of several different terminal electron acceptors to generate a transmembrane electrochemical gradient.
Wikipedia - Electropermanent magnet
Wikipedia - Electrophysiology -- Study of the electrical properties of biological cells and tissues.
Wikipedia - Elektra (opera) -- 1909 opera by Richard Strauss
Wikipedia - Elementary OS -- Desktop operating system based on Ubuntu
Wikipedia - Elementary row operation
Wikipedia - Elena D'Angri -- Greek opera singer 1821-86
Wikipedia - Elena Fernandez -- Spanish operations researcher
Wikipedia - Elena Lopez -- Spanish rhythmic gymnast
Wikipedia - Eleonora Buratto -- Italian soprano opera singer
Wikipedia - Eleonora Zrza -- Danish opera soprano
Wikipedia - Ele Opeloge -- Samoan weightlifter
Wikipedia - El Grupo Nuevo de Omar Rodriguez Lopez -- Puerto Rican progressive rock band
Wikipedia - Elias Lopez Soba -- Puerto Rican pianist and educator
Wikipedia - Eli Grant -- Fictional character from soap opera Days of Out Lives
Wikipedia - Elin Fohstrom -- Finnish operatic soprano
Wikipedia - Elinor Ross -- American opera singer
Wikipedia - Eli (opera) -- Opera by Walter Steffens, 1966
Wikipedia - Elisabeth Dons -- Danish operatic mezzo-soprano
Wikipedia - Elisabeth Lindermeier -- German operatic soprano
Wikipedia - Elisabeth Schwarzkopf -- German opera soprano
Wikipedia - Elisabetta Barbato -- Italian operatic soprano
Wikipedia - Elisabetta Manfredini-Guarmani -- Italian opera singer 1780-1828
Wikipedia - Elise Kutscherra de Nyss -- German operatic soprano
Wikipedia - Elizabeth Ann Copeland -- American judge
Wikipedia - Elizabeth Ann Linley -- English operatic singer
Wikipedia - Elizabeth Austin (soprano) -- British opera singer and actress
Wikipedia - Elizabeth Betty Ryan -- American game developer and programmer
Wikipedia - Elizabeth Bishop (mezzo-soprano) -- American operatic mezzo-soprano
Wikipedia - Elizabeth Cervantes -- Mexican actress of films and soap operas
Wikipedia - Elizabeth Cooper -- Scottish-Filipina film actress, vaudeville dancer, and singer
Wikipedia - Elizabeth Copes -- Argentine judoka
Wikipedia - Elizabeth Oropesa -- Filipino actress
Wikipedia - Elizabeth Stanhope, Countess of Chesterfield -- 17th-century Irish countess
Wikipedia - Eliza's Horoscope -- 1975 film
Wikipedia - Ella Gmeiner -- German opera singer
Wikipedia - Ella Tvrdkova -- Czech opera singer
Wikipedia - Ellen McLain -- American opera singer and voice actress
Wikipedia - Ellen Sturgis Hooper
Wikipedia - Ellington Management Group -- Hedge fund operation
Wikipedia - Ellipsis (programming operator)
Wikipedia - Elliptic curve point multiplication -- Mathematical operation on points on an elliptic curve
Wikipedia - El Maipes Necropolis -- Cultural property in Agaete, Spain
Wikipedia - Elmbridge Open Space -- Nature reserve in London
Wikipedia - ElM-EM- -- Polish operatic soprano
Wikipedia - Elmo Hope Trio -- album by jazz pianist Elmo Hope
Wikipedia - Eloisa to Abelard -- Poem by Alexander Pope
Wikipedia - Elope If You Must -- 1922 film
Wikipedia - Elsa Lopez -- Equatoguinean-Spanish writer
Wikipedia - Elvira de Hidalgo -- Spanish operatic soprano and pedagogue
Wikipedia - Elvira Madigan -- Tightrope walker and trick rider
Wikipedia - Elvis operator -- Binary operator in computer programming
Wikipedia - Elza van den Heever -- Soprano in opera and concert
Wikipedia - Embassy Group -- Privately-held real estate developer based in Bengaluru, India
Wikipedia - Embassy of the Philippines, Copenhagen -- Diplomatic mission of the Philippines in Denmark
Wikipedia - Embedded operating system
Wikipedia - Embrace, extend, and extinguish -- Anti-competitive Microsoft business strategy extending open standards with proprietary capabilities
Wikipedia - Em Cooper -- British filmmaker and animator
Wikipedia - EMCrit -- Open access medical reference manual
Wikipedia - EmDrive -- Device that is claimed to be a propellantless spacecraft thruster
Wikipedia - Emeopedopsis -- Genus of beetles
Wikipedia - Emeopedus -- Genus of beetles
Wikipedia - Emergent evolution -- The hypothesis that, in the course of evolution, some entirely new properties, such as mind and consciousness, appear at certain critical points
Wikipedia - Emergent properties
Wikipedia - Emerging and growth-leading economies -- Grouping of key emerging markets developed by BBVA Research
Wikipedia - Emile Belcourt -- Canadian operatic tenor
Wikipedia - Emile Gagnan -- French engineer and co-inventor of the open circuit demand scuba regulator
Wikipedia - Emilia Cundari -- Soprano opera singer
Wikipedia - Emilie Ambre -- French opera singer 1849-1898
Wikipedia - Emilio De Marchi (tenor) -- Italian opera singer 1861-1917
Wikipedia - Emilio Lopez (equestrian) -- Spanish equestrian
Wikipedia - Emily Bishop -- Fictional character from the British soap opera Coronation Street
Wikipedia - Emil Zatopek -- Czech long-distance runner (born 1922)
Wikipedia - Emit (video game) -- Video game developed by Koei
Wikipedia - Emma Abbott -- American operatic soprano
Wikipedia - Emma Albani -- Canadian opera soprano (1847 - 1930)
Wikipedia - Emma Albertazzi -- English opera singer 1815-47
Wikipedia - Emma Brooker -- Fictional character from the British soap opera Coronation Street
Wikipedia - Emma Calve -- French operatic soprano (1858-1942)
Wikipedia - Emma Carelli -- Italian opera singer 1877-1928
Wikipedia - Emma Chambers (Hollyoaks) -- Fictional character from the British soap opera Hollyoaks
Wikipedia - Emma Nutt -- World's first female telephone operator
Wikipedia - Emma Shapplin -- French operatic coloratura soprano
Wikipedia - Emma Vecla -- French operatic soprano
Wikipedia - Emmy Achte -- Finnish opera singer 1850-1924
Wikipedia - Emmy Bettendorf -- German operatic soprano
Wikipedia - Emmy Destinn -- Czech operatic soprano (1878-1930)
Wikipedia - Emmy Lopes Dias -- Dutch actress and activist
Wikipedia - Emojipedia -- Online emoji encyclopedia
Wikipedia - Empathy (software) -- Open source instant messaging and VoIP client
Wikipedia - Empresas Copec -- Chilean energy and forestry company
Wikipedia - Empress of the Seas -- Cruise ship operated by Royal Caribbean International
Wikipedia - Emrhys Cooper -- British actor, singer and dancer
Wikipedia - EMUI -- Mobile operating system by Huawei
Wikipedia - EN 15227 -- European railway crashworthiness standard
Wikipedia - EN 71 -- European standard specifies safety requirements for toys
Wikipedia - Enard River -- a tributary of Lac Chibougamau (Nottaway Slope), Northern Quebec, Canada
Wikipedia - Encarta -- Digital multimedia encyclopedia
Wikipedia - Enciclopedia Dantesca
Wikipedia - Enciclopedia de Mexico -- National encyclopedia of Mexico
Wikipedia - Enciclopedia Italiana
Wikipedia - Enciclopedia Libre Universal en EspaM-CM-1ol -- Wiki encyclopedia
Wikipedia - Enciclopedia Libre
Wikipedia - Enciclopedia universal ilustrada europeo-americana
Wikipedia - Enclosed helmet -- Western European, 12-13th century
Wikipedia - Encyclical -- Letter sent by the Pope and addressed to the Catholic bishops
Wikipedia - Encyclopaedia Judaica -- English-language encyclopedia of the Jewish people and of Judaism
Wikipedia - Encyclopedia Africana -- Book
Wikipedia - Encyclopedia Americana
Wikipedia - Encyclopedia Astronautica -- Website on space topics
Wikipedia - Encyclopedia Biblica
Wikipedia - Encyclopedia Britannica
Wikipedia - Encyclopedia.com -- Online encyclopedia website
Wikipedia - Encyclopedia Dramatica -- Parody-themed wiki website
Wikipedia - Encyclopedia Fuckme and the Case of the Vanishing Entree -- Video game
Wikipedia - Encyclopedia Galactica -- Fictional encyclopM-CM-&dia in several science-fiction universes
Wikipedia - Encyclopedia Iranica
Wikipedia - Encyclopedia Judaica
Wikipedia - Encyclopedia of Aesthetics
Wikipedia - Encyclopedia of Afghan Jihad -- Arabic encyclopedia
Wikipedia - Encyclopedia of American Religions -- Book by J. Gordon Melton
Wikipedia - Encyclopedia of Analytical Chemistry -- English-language multi-volume encyclopedia published by John Wiley & Sons
Wikipedia - Encyclopedia of Arkansas History > Culture
Wikipedia - Encyclopedia of Arkansas -- General knowledge English-language encyclopedia
Wikipedia - Encyclopedia of Camps and Ghettos, 1933-1945 -- Encyclopedia series covering camps, ghettos, and other detention facilities of World War II Axis countries
Wikipedia - Encyclopedia of China
Wikipedia - Encyclopedia of Christianity
Wikipedia - Encyclopedia of Concise Concepts by Women Philosophers -- Online encyclopedia
Wikipedia - Encyclopedia of Cryptography and Security -- Book by Technische Universiteit Eindhoven
Wikipedia - Encyclopedia of Earth
Wikipedia - Encyclopedia of Ethics
Wikipedia - Encyclopedia of Genocide
Wikipedia - Encyclopedia of India
Wikipedia - Encyclopedia of Indo-European Culture -- Archaeological encyclopedia
Wikipedia - Encyclopedia of Islam
Wikipedia - Encyclopedia of Jazz -- album by Oliver Nelson
Wikipedia - Encyclopedia of Korean Culture -- Encyclopedia
Wikipedia - Encyclopedia of Life -- Free, online collaborative encyclopedia intended to document all living species
Wikipedia - Encyclopedia of Mathematics
Wikipedia - Encyclopedia of Philosophy -- Book
Wikipedia - Encyclopedia of Reagents for Organic Synthesis -- Encyclopedia published by John Wiley & Sons
Wikipedia - Encyclopedia of Science Fiction (1978 book) -- English language reference work
Wikipedia - Encyclopedia of the Brethren of Purity
Wikipedia - Encyclopedia of the History of Arabic Science
Wikipedia - Encyclopedia of the Holocaust
Wikipedia - Encyclopedia of the Philosophical Sciences -- 1817 book by G.W.F Hegel
Wikipedia - Encyclopedia of the Roman Empire -- Book by Matthew Bunson
Wikipedia - Encyclopedia of Ukraine
Wikipedia - Encyclopedias
Wikipedia - Encyclopedia Talmudica
Wikipedia - Encyclopedia -- Type of reference work
Wikipedia - Encyclopedic dictionary -- Dictionary that collects short articles on a wide range of topics both of an encyclopaedic and a lexicographic kind
Wikipedia - Encyclopedic knowledge
Wikipedia - Encyclopedie van Friesland -- Dutch encyclopedia
Wikipedia - Encyclopedie -- General encyclopedia published in France between 1751 and 1772
Wikipedia - Encyclopedism
Wikipedia - Encyclopedists
Wikipedia - Encyclopedist
Wikipedia - EncyclopM-CM-&dia Britannica Eleventh Edition -- 1910 Encyclopedia
Wikipedia - EncyclopM-CM-&dia Iranica -- Encyclopedia about the history, culture, and civilization of Iranian peoples
Wikipedia - EncyclopM-CM-&dia Universalis -- French-language general encyclopedia published by EncyclopM-CM-&dia Britannica Inc.
Wikipedia - Encyklopedia Polski
Wikipedia - Encyklopedia Powszechna PWN
Wikipedia - End of World War II in Europe -- Final battles as well as the German surrender to the Allies
Wikipedia - Endrendrum Punnagai (TV series) -- Indian Tamil-language soap opera
Wikipedia - Endrik Wottrich -- German operatic tenor
Wikipedia - Endurability -- property
Wikipedia - Energy in Europe
Wikipedia - Energy Performance Certificate (United Kingdom) -- Rating scheme to summarise the energy efficiency of buildings in the European Union
Wikipedia - Energy policy of the European Union -- Legislation in the area of energetics in the European Union
Wikipedia - Energy -- Physical property transferred to objects to perform heating or work
Wikipedia - Engelbert Valentin Niedermeyer -- SS operative
Wikipedia - England -- Country in north-west Europe, part of the United Kingdom
Wikipedia - English language in Europe
Wikipedia - English National Opera -- Opera company based in London
Wikipedia - English Opening
Wikipedia - English Reformation -- 16th-century separation of the Church of England from the Pope of Rome
Wikipedia - English Wikipedia -- English-language edition of the free online encyclopedia
Wikipedia - EngrXiv -- Open archive of engineering preprints
Wikipedia - Enid Szantho -- Hungarian operatic contralto
Wikipedia - Enlargement of the European Union -- accession process of new countries to the European Union
Wikipedia - Enoicyla pusilla -- Species of insect found in Europe
Wikipedia - Enrico Caruso -- Italian opera singer
Wikipedia - Enrico Delle Sedie -- Italian opera singer 1824-1907
Wikipedia - Enrique Lopez Albujar -- Peruvian writer
Wikipedia - Ensignbus -- bus and coach operator and dealer in Purfleet, England
Wikipedia - Entelopes -- Genus of beetles
Wikipedia - Ente Manasaputhri -- Indian soap opera
Wikipedia - Enteridium lycoperdon -- Slime mold
Wikipedia - Enterprise Modelling Methodology/Open Distributed Processing
Wikipedia - Entoloma sinuatum -- Species of poisonous fungus in the family Entolomataceae found across Europe and North America
Wikipedia - Entropy -- Property of a thermodynamic system
Wikipedia - Envelope detector -- Electronic circuit that takes a high-frequency amplitude modulated signal as input and provides an output which is the envelope of the original signal
Wikipedia - Envelope glycoprotein GP120 -- Glycoprotein exposed on the surface of the HIV virus
Wikipedia - Envelope (mathematics) -- Family of curves in geometry
Wikipedia - Envelope (music) -- Changing of a sound over time
Wikipedia - Envelope
Wikipedia - Environmental scanning electron microscope -- A scanning electron microscope with a gaseous environment in the specimen chamber
Wikipedia - Environment variable -- User-definable variable associated with each running process in many operating systems
Wikipedia - Enzo de Muro Lomanto -- Italian operatic tenor
Wikipedia - Enzo Mascherini -- Italian opera singer
Wikipedia - Eois xanthoperata -- Species of moth
Wikipedia - Epaulard -- A French remotely operated underwater vehicle of the Ifremer
Wikipedia - Epibenthic sled -- An instrument designed to collect benthic and benthopelagic faunas from the deep sea
Wikipedia - Epicephala pelopepla -- Species of moth
Wikipedia - Epic film -- style of filmmaking with large scale, sweeping scope, and spectacle
Wikipedia - Epics (company) -- Japanese video game developer
Wikipedia - Epimysium -- Fibrous tissue envelope that surrounds skeletal muscle
Wikipedia - Epistemology -- Branch of philosophy concerned with the nature and scope of knowledge
Wikipedia - Epopea -- Genus of beetles
Wikipedia - Epos (library ship) -- Library ship operating in Norway
Wikipedia - Epropetes -- Genus of beetles
Wikipedia - Epsilon Cassiopeiae -- Star system in the constellation Cassiopeia
Wikipedia - Epsilon operator
Wikipedia - Epyx -- Defunct video game developer and publisher
Wikipedia - Equatorial mount -- Mounting system for camera or telescope
Wikipedia - Equipollence (geometry) -- Property of parallel segments that have the same length and the same direction
Wikipedia - Erasmio -- Topeiros, Xanthi community
Wikipedia - Erd HC in European handball -- Hungarian handball club
Wikipedia - Erdstall -- A type of tunnel found across Europe
Wikipedia - Eremopezus -- Extinct genus of birds
Wikipedia - ERIBA -- European Research Institute for the Biology of Ageing
Wikipedia - Eric Barone (developer) -- Video games developer
Wikipedia - Eric C. Bauman -- American political operative
Wikipedia - Erick Lopez -- Cuban artistic gymnast
Wikipedia - Erick Tejkowski -- American software developer
Wikipedia - Eric Laporte (tenor) -- Canadian opera singer
Wikipedia - Eric S. Raymond -- American computer programmer, author, and advocate for the open source movement
Wikipedia - Eric T. Hill -- Air Force Special Operations Command deputy commander
Wikipedia - Eric Thirkell Cooper -- British soldier and war poet
Wikipedia - Erika Lopez -- American cartoonist, novelist, and performance artist
Wikipedia - Erika Wedekind -- German operatic soprano
Wikipedia - Erik Kurmangaliev -- Russian actor and opera singer
Wikipedia - Erik Moller -- German freelance journalist, software developer, author and former Deputy Director of the Wikimedia Foundation
Wikipedia - Erik Proper
Wikipedia - Erik S. Kristensen -- Navy Special Warfare Operator US Navy Seal
Wikipedia - Erik (The Phantom of the Opera)
Wikipedia - Erik Wirl -- German operatic tenor
Wikipedia - Erinnyis alope -- Species of moth
Wikipedia - Erin Wall -- Canadian operatic soprano
Wikipedia - Erna Denera -- German opera singer
Wikipedia - Ernani -- Opera by Giuseppe Verdi
Wikipedia - Ernest King -- US Navy Admiral (FADM), Chief of Naval Operations
Wikipedia - Ernesto Lopez -- American politician (born 1976)
Wikipedia - Ernie Cope -- American stock car racing driver and crew chief
Wikipedia - ErnM-CM-"ni Lopes -- Portuguese economist and politician
Wikipedia - Ernst Gutstein -- Austrian operatic baritone
Wikipedia - Ernst Wachter -- German operatic bass
Wikipedia - Erotophilia -- Personality trait involving openness to sex and sexuality
Wikipedia - Errentai -- Genre of Chinese opera performed by two singers
Wikipedia - Erzsebet Hazy -- Hungarian operatic soprano
Wikipedia - Escalera's bat -- European bat in the family Vespertilionidae found in Spain, Portugal, and southern France.
Wikipedia - Escapex -- Mobile app developer
Wikipedia - Escarpment -- Steep slope or cliff separating two relatively level regions
Wikipedia - Escopeteros -- Scouts in the Cuban revoloution
Wikipedia - ESCP Business School -- European business school
Wikipedia - Esmeralda (opera)
Wikipedia - Espace Leopold -- Complex of European Parliament buildings in Brussels, Belgium
Wikipedia - Esplanaden 6 -- Historic building in Copenhagen, Denmark
Wikipedia - Esplanade -- Long, open, level area where people may walk
Wikipedia - Essential property
Wikipedia - Estadio Joao de Deus Lopes da Silva -- Sports stadium in Sao Nicolau, Cape Verde
Wikipedia - Estate (land) -- Comprises the buildings and supporting farmland and woods of a very large property
Wikipedia - Estate tax in the United States -- A tax on the transfer of the property of a deceased person
Wikipedia - Ester Ferrabini -- Italian opera singer
Wikipedia - Esther Cooper Jackson -- Civil rights activist
Wikipedia - Esther Georgia Irving Cooper -- Civil rights leader
Wikipedia - Estonia -- |Baltic country in Northern Europe
Wikipedia - Estray -- Domestic animal that has strayed from the owner's property
Wikipedia - Estrela report -- Report on women's health in the European Union
Wikipedia - ET122 -- Japanese diesel multiple unit operated by the Echigo Tokimeki Railway
Wikipedia - Eta Cassiopeiae -- Star system in the constellation Cassiopeia
Wikipedia - Etat lM-CM-)gal -- Continental European legal doctrine
Wikipedia - Eteocle e Polinice -- Opera
Wikipedia - Ethel Brez -- American television soap opera writer
Wikipedia - Ethereum Classic -- Open source blockchain computing platform
Wikipedia - Ethereum -- Open source blockchain computing platform
Wikipedia - Ethmia cassiopeia -- Species of moth
Wikipedia - Ethnic groups in Europe -- Indigenous peoples of Europe
Wikipedia - Etienne Lainez -- French operatic tenor
Wikipedia - Etoperidone
Wikipedia - Ettore Bastianini -- Italian opera singer
Wikipedia - Eucyclopera cynara -- Species of moth
Wikipedia - Eugene Conley -- American opera singer
Wikipedia - Eugene Crosti -- French opera singer
Wikipedia - Eugene Onegin (opera) -- Opera by Pyotr Ilyich Tchaikovsky
Wikipedia - Eugenia Mantelli -- Italian opera singer 1860-1926
Wikipedia - Eugenia Popescu-Judet -- Romanian musicologist, choreographer and ethnomusicologist (1925-2011)
Wikipedia - Eugenio Giraldoni -- Italian opera singer 1871-1924
Wikipedia - Euler operator -- One of several mathematical concepts
Wikipedia - Eulophia stenopetala -- Species of orchid
Wikipedia - EUMETNET -- Network of 31 European National Meteorological Services, based in Brussels, Belgium
Wikipedia - EU Open Data Portal -- Point of access to public data published by the European Union institutions, agencies and other bodies
Wikipedia - Euphorbia cooperi -- species of plant in the family Euphorbiaceae
Wikipedia - Euphrosyne Parepa-Rosa -- British operatic soprano
Wikipedia - Eupithecia kopetdaghica -- Species of moth
Wikipedia - Eurail -- European rail pass
Wikipedia - Eurasian Economic Union -- Economic union of Eastern European, Central and Western Asian countries
Wikipedia - Eurasian Land Bridge -- Shipping route between East Asia and Europe
Wikipedia - Eurasian (mixed ancestry) -- Persons of mixed Asian and European ancestry
Wikipedia - Eurasian rock pipit -- small passerine bird that breeds in western Europe
Wikipedia - Eurasia -- The combined continental landmass of Europe and Asia
Wikipedia - Eurhodope cirrigerella -- Species of moth
Wikipedia - Eurhodope cruentella -- Species of moth
Wikipedia - Eurhodope rosella -- Species of moth
Wikipedia - Euridice (Peri) -- Earliest surviving opera
Wikipedia - Euro English -- Set of varieties of English used in Continental Europe
Wikipedia - EUROGEO-European Association of Geographers -- European scientific society
Wikipedia - Euronews -- Pan-European news television channel
Wikipedia - Euronext -- European financial services company
Wikipedia - Europa regina -- 16th-century map-like depiction of the European continent as a queen
Wikipedia - Europarl Corpus -- Translated documents of the European Parliament
Wikipedia - Europa (web portal) -- Official web portal of the European Union
Wikipedia - Europe (1803 EIC ship) -- 1803 British ship
Wikipedia - Europe '51 -- 1952 film
Wikipedia - Europe-Action -- White nationalist French political mouvement
Wikipedia - Europe: A History
Wikipedia - Europeana 1914-1918 -- Project to digitise and publish primary and secondary historical sources on the First World War
Wikipedia - European Academy of Art in Brittany -- French art school
Wikipedia - European Academy of Neurology -- European non-profit organization that supports neurologists
Wikipedia - European Academy of Occupational Health Psychology
Wikipedia - European Academy of Sciences and Arts
Wikipedia - European-African-Middle Eastern Campaign Medal -- American campaign medal
Wikipedia - European Agency for Safety and Health at Work
Wikipedia - European Agency for Special Needs and Inclusive Education -- European disability organization
Wikipedia - European Air Materiel Command -- Support organization of the U.S. Army Air Forces
Wikipedia - European Air Transport (Belgium) -- European cargo airline
Wikipedia - European Alps
Wikipedia - European Americans -- Americans of European birth or descent
Wikipedia - European American
Wikipedia - European Arboricultural Council -- Professional arborists organization
Wikipedia - European Archaeological Park of Bliesbruck-Reinheim -- Archaeological park
Wikipedia - European art cinema -- Film genre in Europe
Wikipedia - European Article Number
Wikipedia - European Association for Artificial Intelligence
Wikipedia - European Association for Psychotherapy
Wikipedia - European Association for Theoretical Computer Science
Wikipedia - European Association of Conservatoires
Wikipedia - European Association of Experimental Social Psychology
Wikipedia - European Association of Historic Towns and Regions -- Self-governing organisation based in Norwich, England
Wikipedia - European Association of History Educators -- International educational organization
Wikipedia - European Association of Social Anthropologists
Wikipedia - European Association of Social Psychology
Wikipedia - European Astrobiology Network Association
Wikipedia - European Astronaut Centre -- ESA field center in Koln, Germany
Wikipedia - European Atlas of the Seas -- Web-based atlas
Wikipedia - European Atomic Energy Community -- International organisation
Wikipedia - Europeana -- Digital collection of European cultural heritage
Wikipedia - European badger -- Species of mustelid
Wikipedia - European bass -- Species of fish
Wikipedia - European bee-eater -- Species of bird of genus Merops
Wikipedia - European Bioinformatics Institute
Wikipedia - European bison -- Eurasian species of mammal
Wikipedia - European Border Breakers Award
Wikipedia - European Boxing Confederation -- European amateur boxing governing body
Wikipedia - European Breeders' Fund Novices' Handicap Hurdle Final -- Hurdle horse race in Britain
Wikipedia - European Broadcasting Union -- Alliance of public service media entities
Wikipedia - European Business Aviation Association -- Non-profit organization
Wikipedia - European Capital of Culture -- cities recognized by the European Union as culturally significant for Europe
Wikipedia - European Central Bank -- Central bank of the Eurozone
Wikipedia - European Centre for Disease Prevention and Control -- Agency of the European Union
Wikipedia - European Centre for the Development of Vocational Training -- Agency of the European Union
Wikipedia - European Champions' Cup (bridge) -- European bridge card competition
Wikipedia - European charter for equality of women and men in local life -- European charter for equality of women and men in local life
Wikipedia - European Charter for Regional or Minority Languages -- Treaty to protect languages
Wikipedia - European Charter for Researchers
Wikipedia - European Chemical Society -- Organization
Wikipedia - European Christian Political Movement
Wikipedia - European Citizen Science Association -- Citizen science organization
Wikipedia - European City of the Reformation
Wikipedia - European classical music
Wikipedia - European Coal and Steel Community -- International organisation
Wikipedia - European Coalition (Poland) -- Liberal electoral alliance in Poland
Wikipedia - European Collegium Private School -- Private school in Kiev, Ukraine
Wikipedia - European colonialism
Wikipedia - European colonization of the Americas -- Settlement and conquest of North and South America by Europeans
Wikipedia - European comics -- Comics produced in Continental Europe
Wikipedia - European Commission against Racism and Intolerance
Wikipedia - European Commissioner for Competition
Wikipedia - European Commission for the Efficiency of Justice
Wikipedia - European Commission -- Executive branch of the European Union
Wikipedia - European Committee for Electrotechnical Standardization -- Standards organization
Wikipedia - European Committee for Standardization
Wikipedia - European Common Market
Wikipedia - European Communities Act 1972 (Repeal) Bills -- UK Parliament bills, c. 2012
Wikipedia - European Computer Manufacturers Association
Wikipedia - European Conference on Computational Biology
Wikipedia - European Conference on Computer Vision
Wikipedia - European Conference on Information Retrieval
Wikipedia - European Conference on Information Systems
Wikipedia - European Conference on Machine Learning and Principles and Practice of Knowledge Discovery in Databases
Wikipedia - European Conference on Object-Oriented Programming
Wikipedia - European Conference on Wireless Sensor Networks
Wikipedia - European Conservatives and Reformists Party
Wikipedia - European Consortium for Ocean Research Drilling -- A consortium of 14 European countries and Canada that was formed in 2003 to join the Integrated Ocean Drilling Program
Wikipedia - European Constitution
Wikipedia - European continent
Wikipedia - European Convention on Human Rights -- International treaty to protect human rights and fundamental freedoms in Europe
Wikipedia - European Coordinating Committee for Artificial Intelligence
Wikipedia - European corn borer -- Species of moth
Wikipedia - European Council of Skeptical Organizations
Wikipedia - European Court of Human Rights -- Supranational court in Strasbourg, France, established by the European Convention on Human Rights
Wikipedia - European Court of Justice -- Supreme court in the European Union, part of the Court of Justice of the European Union
Wikipedia - European Credit Transfer and Accumulation System
Wikipedia - European cucumber -- Variety of cucumber
Wikipedia - European culture
Wikipedia - European Cup and UEFA Champions League records and statistics -- Wikipedia list article
Wikipedia - European Data Protection Board -- EU body for implementing the GDPR
Wikipedia - European Day of Mourning -- A day marked by mourning and memorial activities in European Union member states
Wikipedia - European debt crisis -- Multi-year debt crisis in multiple EU countries, since late 2009
Wikipedia - European Defence Agency -- agency of the European Union
Wikipedia - European Democracy -- Defunct political party in Italy
Wikipedia - European Democratic Party
Wikipedia - European Democrats (Georgia) -- Georgian political movement
Wikipedia - European Design Award
Wikipedia - European dhole -- Paleosubspecies of the dhole which ranged throughout much of Western and Central Europe during the Middle and Late Pleistocene
Wikipedia - European Digital Rights -- Advocacy group
Wikipedia - European Directorate for the Quality of Medicines & HealthCare -- International organisation
Wikipedia - European Diving Technology Committee -- International organisation for improving professional diver safety
Wikipedia - European Drawer Rack -- Payload rack installed in the Columbus lab of the ISS
Wikipedia - Europe and the People Without History
Wikipedia - European early modern humans
Wikipedia - European Economic Area -- Area of the European Union's internal market and some of EFTA states established in 1994
Wikipedia - European Economic Community -- International organisation
Wikipedia - European emigration -- European-descended people living outside Europe
Wikipedia - European Engineer -- Professional qualification
Wikipedia - European Enlightenment
Wikipedia - European ethnic groups
Wikipedia - European Exchange Rate Mechanism -- European system to reduce exchange rate variability after the Euro
Wikipedia - European exploration of Africa
Wikipedia - European exploration of Australia -- Overview of the European exploration of Australia
Wikipedia - European Extremely Large Telescope
Wikipedia - European Federation for Medical Informatics
Wikipedia - European Federation of Krav Maga -- Sports organization
Wikipedia - European Federation of Psychologists' Associations
Wikipedia - European Federation of Psychology Students' Associations
Wikipedia - European Film Academy Achievement in Fiction Series Award -- European Film Academy award
Wikipedia - European Film Award for Best Production Designer -- Annual award given for cinematic achievements in production design
Wikipedia - European Film Award for Best Visual Effects -- European Film Academy award
Wikipedia - European Film Award for European Discovery of the Year -- Annual European film award
Wikipedia - European Firearms Directive -- EU law
Wikipedia - European Fisheries Control Agency -- Agency of the European Union
Wikipedia - European Food Safety Authority
Wikipedia - European Free Handicap -- Flat horse race in Britain
Wikipedia - European Free Trade Association -- Regional trade organization and free trade area
Wikipedia - European Geography Association -- European network of geography students & geographers
Wikipedia - European Geoparks Network -- Geological heritage organization
Wikipedia - European Geostationary Navigation Overlay Service -- System that enhances the accuracy of GPS receivers
Wikipedia - European Gliding Championships
Wikipedia - European GNSS Agency -- Agency of the European Union
Wikipedia - European golden plover -- Species of bird
Wikipedia - European Goldfinch
Wikipedia - European goldfinch -- Species of bird
Wikipedia - European gold moth -- Species of moth
Wikipedia - European Graduate School
Wikipedia - European Green Capital Award -- Award for a European city based on its environmental record
Wikipedia - European Green Deal -- Plan to transform the EU into a climate-neutral economy by 2050
Wikipedia - European greenfinch -- Species of bird
Wikipedia - European Green Party -- Political party at European level
Wikipedia - European green toad -- Species of amphibian
Wikipedia - European green woodpecker -- Species of bird
Wikipedia - European Grid Infrastructure -- Effort to provide access to high-throughput computing resources across Europe
Wikipedia - European Gymnastics -- European gymnastics governing body
Wikipedia - European hare -- A large species of hare native to Europe and parts of Asia
Wikipedia - European health management association -- Non-profit health organization
Wikipedia - European Heart Journal: Cardiovascular Imaging -- Medical journal by Oxford University Press
Wikipedia - European Higher Education Area
Wikipedia - European History Online
Wikipedia - European History Quarterly
Wikipedia - European hornet -- Species of wasp
Wikipedia - European Hot 100 Singles -- Billboard chart
Wikipedia - European individualist anarchism
Wikipedia - European Information Technologies Certification Academy
Wikipedia - European Information Technologies Certification Institute
Wikipedia - European Initiative Prize -- Journalism prize in the European Union
Wikipedia - European Institute for Health Records
Wikipedia - European Institute of Innovation and Technology -- Research institute, independent EU body
Wikipedia - European integration
Wikipedia - European Inventor Award -- Annual award to inventors who have made a significant contribution to innovation in Europe
Wikipedia - European Islam -- Hypothesized new branch of Islam
Wikipedia - European Jewish Parliament -- Non-governmental organization
Wikipedia - European Jews
Wikipedia - European Joint Master degree in Economics
Wikipedia - European Journal of Clinical Nutrition -- European peer-reviewed medical journal
Wikipedia - European Journal of Human Genetics
Wikipedia - European Journal of Information Systems
Wikipedia - European Journal of Medical Genetics -- Medical journal
Wikipedia - European Journal of Paediatric Neurology -- Peer-reviewed medical journal
Wikipedia - European Journal of Philosophy
Wikipedia - European Journal of Social Psychology
Wikipedia - European Judo Union -- Judo federations
Wikipedia - European Karate Federation -- The governing body of sport karate
Wikipedia - European Kindred -- United States white supremacist prison and street gang
Wikipedia - European Kurdish Democratic Societies Congress -- Kurdish organization
Wikipedia - European Laboratory for Learning and Intelligent Systems -- European non-profit promoting AI research in Europe
Wikipedia - European land exploration of Australia
Wikipedia - European Land-Robot Trial
Wikipedia - European Language Resources Association
Wikipedia - European languages
Wikipedia - European language
Wikipedia - European Leadership Network -- Pan-European think-tank
Wikipedia - European Liberal Youth
Wikipedia - European Liberation Front -- British neo-fascist organization
Wikipedia - European Library -- Web service providing access to resources of national libraries across Europe
Wikipedia - European literature
Wikipedia - European long-distance paths -- A list of long distance hiking paths
Wikipedia - European Magazine -- Defunct monthly magazine in London
Wikipedia - European magpie
Wikipedia - European maritime exploration of Australia
Wikipedia - European Mathematical Psychology Group
Wikipedia - European Mathematical Society
Wikipedia - European Media Art Festival -- annual festival and congress for film in Osnabruck, Germany
Wikipedia - European Medicines Agency -- Agency of the European Union
Wikipedia - European Middleware Initiative
Wikipedia - European migrant crisis
Wikipedia - European Molecular Biology Laboratory
Wikipedia - European Molecular Biology Organization -- Organization of researchers in the life science
Wikipedia - European Multidisciplinary Seafloor and water column Observatory -- A large-scale European distributed Research Infrastructure for ocean observation
Wikipedia - European Museum Forum -- Representative body
Wikipedia - European mythology
Wikipedia - European Near Earth Asteroids Research
Wikipedia - European Network and Information Security Agency
Wikipedia - European Network of Councils for the Judiciary -- Organisation of the European Union
Wikipedia - European Network on Statelessness -- NGO working to eradicate statelessness in Europe
Wikipedia - European Neural Network Society
Wikipedia - European New Right -- Far-right political movement that emerged in Europe in the 1960s
Wikipedia - European nightjar -- A nocturnal and crepuscular migratory bird found in Eurasia and Africa
Wikipedia - European Nucleotide Archive
Wikipedia - European Ombudsman -- Ombudsman for the European Union
Wikipedia - European Parliament Committee on Civil Liberties, Justice and Home Affairs
Wikipedia - European Parliament Committee on the Environment, Public Health and Food Safety
Wikipedia - European parliament
Wikipedia - European Parliament -- Directly elected parliament of the European Union
Wikipedia - European Party for Individual Liberty
Wikipedia - European Patent Convention -- International patent treaty
Wikipedia - European Patent Office
Wikipedia - European Patent Organisation
Wikipedia - European Payments Initiative -- Pan-European payment system
Wikipedia - European Peace Marches -- European peace campaign of the 1980s
Wikipedia - European peacock
Wikipedia - European People's Party -- European political party
Wikipedia - European Photography -- German photography periodical
Wikipedia - European Photonics Industry Consortium -- Not-for-profit association serving the photonics community
Wikipedia - European Piano Contest Bremen -- International piano competition
Wikipedia - European pine marten -- Species of mammal native to northern Europe belonging to the mustelid family
Wikipedia - European Pirate Party -- Association of pirate parties in Europe
Wikipedia - European Platform of Women Scientists -- Organization
Wikipedia - European Platform -- Ukrainian political organization
Wikipedia - European political party -- Type of political party operating on a pan-European level
Wikipedia - European Portuguese
Wikipedia - European Prison Rules
Wikipedia - European Processor Initiative
Wikipedia - European Psychiatric Association
Wikipedia - European Public Prosecutor's Office -- Agency of the European Union
Wikipedia - European Publishers Award for Photography -- European photography award
Wikipedia - European Qualifications Framework
Wikipedia - European rabbit -- Species of mammal
Wikipedia - European Radical Alliance -- Political group in the European Parliament (1994-1999)
Wikipedia - European Radio for Belarus -- Radio station
Wikipedia - European Rally for Liberty -- French political party
Wikipedia - European Ramblers' Association -- A hiking club
Wikipedia - European Reliance -- Greek insurance company
Wikipedia - European Research Area -- System of scientific research programs in the EU
Wikipedia - European Research Council
Wikipedia - European Research Group -- Eurosceptic faction within UK Conservative Party
Wikipedia - European Review of Aging and Physical Activity -- Medical journal
Wikipedia - European Risk Observatory -- European risk analysis observation post
Wikipedia - European robin -- Species of bird
Wikipedia - European Robotic Arm -- Robotic arm to be installed on the ISS
Wikipedia - European route E019 -- Road in Kazakhstan
Wikipedia - European route E1
Wikipedia - European route E25 -- European road in the Netherlands, Belgium, Luxembourg, France, Switzerland and Italy
Wikipedia - European route E29 -- Road in Europe
Wikipedia - European route E314 -- Road in Europe
Wikipedia - European route E39
Wikipedia - European route E40 in Ukraine -- Road
Wikipedia - European route E40 -- Road between Calais, France and Ridder, Kazakhstan
Wikipedia - European route E411 -- Road in Europe
Wikipedia - European route E421 -- Road in Europe
Wikipedia - European route E44 -- Road in Europe
Wikipedia - European route E45 -- Road in Europe
Wikipedia - European route E52 -- Road in Europe
Wikipedia - European route E572 -- Road in Slovakia
Wikipedia - European route E80 -- Road in Europe
Wikipedia - European route E90 -- Transnational highway in Europe
Wikipedia - European Route of Industrial Heritage -- A network of the most important industrial heritage sites in Europe
Wikipedia - European Russia
Wikipedia - European Science Foundation
Wikipedia - European science in the Middle Ages
Wikipedia - European Scientific Diver -- A diver competent to perform as a member of a scientific diving team.
Wikipedia - European Scientific Diving Panel -- A panel of the European Network of Marine Research Institutes and Stations
Wikipedia - European Service Module -- Primary power and propulsion component of the Orion spacecraft
Wikipedia - European Services Forum -- Lobby group
Wikipedia - European Shorthair -- Breed of cat
Wikipedia - European Single Market -- Single market of the European Union and participating non-EU countries
Wikipedia - Europeans in Oceania
Wikipedia - European Skytime -- Private Jet Company
Wikipedia - European snow vole -- Species of mammal
Wikipedia - European Social Movement -- European neo-fascist organization
Wikipedia - European Social Survey
Wikipedia - European Society for Cognitive Psychology
Wikipedia - European Society for Evolutionary Biology -- Organisation to support the study of organic evolution
Wikipedia - European Society for Mathematics and the Arts
Wikipedia - European Society for the Cognitive Sciences of Music
Wikipedia - European Society for the Study of Western Esotericism
Wikipedia - European Society of Paediatric and Neonatal Intensive Care -- Medical association
Wikipedia - European Solidarity Corps -- Voluntary service financed by the EU commission
Wikipedia - European Son (Japan song) -- 1982 single by Japan
Wikipedia - European Southern Observatory -- Intergovernmental organization and observatory in Chile
Wikipedia - European sovereign-debt crisis: List of acronyms
Wikipedia - European Space Agency -- Intergovernmental organisation dedicated to the exploration of space
Wikipedia - European Space Operations Centre -- Main mission control centre for the European Space Agency
Wikipedia - European Spallation Source
Wikipedia - European Spanish
Wikipedia - European Speedrunner Assembly
Wikipedia - European squid -- Species of cephalopods
Wikipedia - European Statutory Instruments Committee -- Select committee in the UK Parliament
Wikipedia - European storm petrel -- Migratory seabird in the family Hydrobatidae
Wikipedia - European Strategic Program on Research in Information Technology
Wikipedia - European Student Moon Orbiter -- Proposed European student mission to the Moon
Wikipedia - European studies
Wikipedia - European Summer School in Information Retrieval
Wikipedia - European Symposium on Algorithms
Wikipedia - European Synchrotron Radiation Facility -- Particle accelerator
Wikipedia - European Taekwondo Union -- Aekwondo Union
Wikipedia - European Technical Center
Wikipedia - European Terrestrial Reference System 1989 -- Geodetic reference frame fixed to the Eurasian Plate
Wikipedia - European theatre of World War II -- theater of military operations during World War II
Wikipedia - European Train Control System
Wikipedia - European Travel Commission -- Association of National Tourism Organisations based in Brussels
Wikipedia - European turtle dove -- Species of bird
Wikipedia - European Underwater and Baromedical Society -- Source of information for diving and hyperbaric medicine
Wikipedia - European Underwater Federation -- Umbrella organisation representing scuba diver training organisations in Europe
Wikipedia - European unemployment insurance -- proposed transfer system for the Eurozone
Wikipedia - European Union (Accessions) Act 2006 -- Act of the Parliament of the United Kingdom
Wikipedia - European Union Agency for Cybersecurity -- Agency of the European Union
Wikipedia - European Union Agency for Railways -- Agency of the European Union
Wikipedia - European Union Centers of Excellence in the United States -- Promotion of the study of the European Union
Wikipedia - European Union Committee
Wikipedia - European Union Contest for Young Scientists
Wikipedia - European Union Customs Union -- Customs union
Wikipedia - European Union energy label -- Energy consumption labelling scheme
Wikipedia - European Union legislative procedure -- Procedures for the adoption of legislation in the European Union
Wikipedia - European Union Maritime Security Strategy -- A maritime security strategy
Wikipedia - European Union Microsoft competition case
Wikipedia - European Union Police Mission in Afghanistan -- Diplomatic mission
Wikipedia - European Union Prize for Contemporary Architecture -- Architecture prize
Wikipedia - European Union Public Licence -- Free software license
Wikipedia - European Union response to the COVID-19 pandemic -- Responses to the ongoing COVID-19 viral pandemic in the European Union
Wikipedia - European Union value added tax -- Tax on goods and services within the European Union
Wikipedia - European Union vs. Google -- EU's anti-trust campaign against Google
Wikipedia - European Union
Wikipedia - European union
Wikipedia - European Unitarian Universalists
Wikipedia - European United Left-Nordic Green Left -- Democratic-socialist political group in the European Parliament
Wikipedia - European units of measurement directives
Wikipedia - European University Association -- Association and interest group of universities in Europe
Wikipedia - European University Institute -- teaching and research institute
Wikipedia - European University Viadrina -- University in Germany
Wikipedia - European Vegetarian Union
Wikipedia - European VLBI Network -- Network of radio telescopes across Europe that link together for radio interferometry
Wikipedia - European War Office -- Humanitarian office for victims of WWI, established in Spain
Wikipedia - European wars of religion -- Series of wars waged in Europe from ca. 1522 to 1697
Wikipedia - European wildcat -- Small wild cat
Wikipedia - European windstorm -- Strongest type of extratropical cyclone that occurs over Europe
Wikipedia - European witchcraft
Wikipedia - European X-ray free electron laser
Wikipedia - European yew
Wikipedia - Europe a Prophecy
Wikipedia - Europe-Asia Studies
Wikipedia - Europe at War 1939-1945: No Simple Victory -- 2006 book by Norman Davies
Wikipedia - Europe (band) -- Swedish band
Wikipedia - Europe Business Assembly -- Awards mill
Wikipedia - Europe Day -- Annual observance by the European Union
Wikipedia - Europe first
Wikipedia - Europe in Winter -- 2016 novel by Dave Hutchinson
Wikipedia - Europe-Jeunesse -- Neo-pagan Scouting and Guiding organization in France
Wikipedia - Europe of Freedom and Direct Democracy -- Political group in the European Parliament
Wikipedia - Europeras
Wikipedia - Europe's Biggest Dance Show 2019 -- International radio special
Wikipedia - Europe's Biggest Dance Show 2020 -- International radio special
Wikipedia - Europe Supported by Africa and America
Wikipedia - Europe Theatre Prize -- European Commission award
Wikipedia - Europe, the Middle East and Africa -- Collective term referring to Europe, the Middle East and Africa
Wikipedia - Europe
Wikipedia - Europorte Channel -- Rail freight operator using the Channel Tunnel
Wikipedia - EuroPride -- Annual LGBT event in Europe
Wikipedia - EuroRAP -- European road safety organization
Wikipedia - Euroscepticism -- Body of criticism of the European Union
Wikipedia - EuroScience -- Pan-European grassroots organisation
Wikipedia - EuroSim -- Annual international intercollegiate simulation of the European Union
Wikipedia - Eurosport 1 -- Pan-European television sports network
Wikipedia - Eurovision: Europe Shine a Light -- Event taking place after the cancellation of Eurovision 2020
Wikipedia - Eurovision Song Contest 1967 -- European song contest
Wikipedia - Eurovision Song Contest -- Annual song competition held among member countries of the European Broadcasting Union
Wikipedia - Euro -- Currency of most countries in the European Union
Wikipedia - Euryanthe -- Opera by Carl Maria von Weber
Wikipedia - Eurydice (Aucoin) -- Opera by Matthew Aucoin
Wikipedia - Euskotren Trena -- Train operating company in the Basque Country, Spain
Wikipedia - EU-UK Trade and Cooperation Agreement -- Post-Brexit agreement of December 2020
Wikipedia - Eva Fleischer -- German opera singer
Wikipedia - Eva Gustavson -- Norwegian opera singer
Wikipedia - Eva K. Lee -- American operations researcher
Wikipedia - Eva Likova -- American operatic soprano
Wikipedia - Evan A. Baker -- American opera historian
Wikipedia - Evan Gorga -- Italian opera singer 1865-1957
Wikipedia - Evan Prodromou -- American software developer and open source advocate
Wikipedia - Eva Pope -- English actress
Wikipedia - Evelyn Beauchamp -- Present at opening of Tutankhamun's tomb
Wikipedia - Evelyn Hope
Wikipedia - Event 0 -- 2016 independent first-person exploration video game developed and published by Ocelot Society
Wikipedia - Event Horizon Telescope -- Global radio telescope array to image supermassive black holes
Wikipedia - Event (philosophy) -- Occurrence of a fact or object in space-time; instantiation of a property in an object
Wikipedia - Everest (opera) -- Opera by Joby Talbot
Wikipedia - Everett Transit -- Local public transit operator in Everett, Washington
Wikipedia - Everipedia -- Blockchain-based online encyclopedia
Wikipedia - Everleigh Club -- Brothel which operated in Chicago
Wikipedia - Eve Russell -- Character on the soap opera Passions
Wikipedia - Every Dog Has Her Day!!! -- 1990 album by Denise Lopez
Wikipedia - Everyone Stares -- 2006 film by Stewart Copeland
Wikipedia - Everywhere (video game) -- Upcoming open world videogame
Wikipedia - Evgueniy Alexiev -- French operatic baritone
Wikipedia - Evil empire -- Science fiction trope
Wikipedia - Evolutionary Bioinformatics -- A peer-reviewed open access scientific journal focusing on computational biology in the study of evolution
Wikipedia - Evolutionary Psychology (journal) -- Peer-reviewed open access academic journal
Wikipedia - Evolutionary radiation -- An increase in taxonomic diversity or morphological disparity, due to adaptive change or the opening of ecospace
Wikipedia - Evolution of eusociality -- Origins of cooperative brood care, overlapping generations within a colony of adults, and a division of labor into reproductive and non-reproductive groups.
Wikipedia - Evolution Studios -- Defunct British video game developer
Wikipedia - Evropesma -- Song contest in Serbia & Montenegro 2004 to 2006
Wikipedia - Exec (operating system)
Wikipedia - Execute Channel Program -- Operating System low level I/O API
Wikipedia - ExFAT -- Non-journaled interoperable file system friendly for flash memory and allowing to overcome FAT32 limitations
Wikipedia - Exhibition Square -- Open space in York, England
Wikipedia - Exide lead contamination -- Operations at battery plants that posed a health risk
Wikipedia - Existence property
Wikipedia - Exmoor -- area of hilly open moorland in west Somerset and north Devon in South West England
Wikipedia - Exochi, Xanthi -- Topeiros, Xanthi community
Wikipedia - ExoLife Finder -- Proposed telescope
Wikipedia - Ex opere operato
Wikipedia - Expander cycle -- Rocket engine operation method
Wikipedia - Experimental SRCI radio stations in Yucatan -- Low-power radio stations operating at Mayan boarding schools in the Mexican state of Yucatan
Wikipedia - Explanatory gap -- Difficulty that physicalist theories have in explaining how physical properties give rise to the way things feel when they are experienced
Wikipedia - Explorer of the Seas -- Voyager-class cruise ship operated by Royal Caribbean International
Wikipedia - Explosive rat -- Weapon developed by the British Special Operations Executive in World War II for use against Germany
Wikipedia - Exponential field -- Mathematical field equipped with an operation satisfying the functional equation of the exponential
Wikipedia - Exponentiation -- Mathematical operation
Wikipedia - Expo Real -- Trade fair for real estate and investment located in Europe
Wikipedia - Extraterritorial operation -- law enforcement or military operation conducted within a foreign country
Wikipedia - Extremely Large Telescope
Wikipedia - Extremely large telescope
Wikipedia - Extreme points of the European Union -- Wikimedia list article
Wikipedia - Extreme Sports Channel -- European pay television channel
Wikipedia - Extreme Ultraviolet Explorer -- Space telescope for ultraviolet astronomy
Wikipedia - Eye Opener (Canadian TV series) -- Canadian TV series
Wikipedia - Eyepiece -- Type of lens attached to a variety of optical devices such as telescopes and microscopes
Wikipedia - Eyes Open, Harry! -- 1926 film
Wikipedia - Eyes Open (song) -- 2012 single by Taylor Swift
Wikipedia - Eyes Wide Open (exhibit) -- Exhibit created by the American Friends Service Committee
Wikipedia - Eyitope Ogunbodede -- Nigerian academic
class:encyclopedia
Wikipedia - F-14 Tomcat operational history -- Detailed history of F-14 operations
Wikipedia - FabFi -- Open-source wireless mesh networking system
Wikipedia - Fabiana Bravo -- Argentine operatic soprano
Wikipedia - Facebook F8 -- Mostly-annual conference held by Facebook, intended for developers and entrepreneurs
Wikipedia - Facelets -- Open-source Web template system
Wikipedia - Facility for Rare Isotope Beams -- Nuclear science accelerator at Michigan State University, U.S.
Wikipedia - Factions in the Frankfurt Assembly -- Groups or political factions that developed among delegates to the Frankfurt Parliament
Wikipedia - Factory Girl (2006 film) -- 2006 film by George Hickenlooper
Wikipedia - Faggin-Nazzi alphabet -- Alphabet for Friulian developed by Giorgio Faggin and Gianni Nazzi
Wikipedia - Fagin's theorem -- Set of all properties in existential 2nd order logic is the complexity class NP
Wikipedia - FAI European Aerobatic Championships
Wikipedia - Fairy -- Mythical being or legendary creature in European folklore
Wikipedia - Faith, Hope & Love -- 2019 film by J.J. Englert and Robert Krantz
Wikipedia - Faith, Hope and Witchcraft -- 1960 film
Wikipedia - Faiz Shakir -- American political operative
Wikipedia - Fakesysdef -- Trojan targeting the Microsoft Windows operating system
Wikipedia - Falcon 9 prototypes -- Test vehicles developed by SpaceX
Wikipedia - Fallowfield station (Ontario) -- Inter-city passenger railway station in Barrhaven (Ottawa, Ontario, Canada) operated by Via Rail
Wikipedia - Falls Curfew -- British Army operation in Belfast in 1970
Wikipedia - Falstaff (Balfe) -- 1838 opera by Michael William Balfe with libretto by Manfredo Maggioni
Wikipedia - Falstaff (opera) -- opera by Giuseppe Verdi
Wikipedia - Falstaff (Salieri) -- Opera by Antonio Salieri
Wikipedia - Family Mobile -- 2008-2015 British mobile virtual network operator
Wikipedia - Fan labor -- Creative activities done by fans of various media properties
Wikipedia - Fanny Cooper -- English actress
Wikipedia - Fanny Lopez Jimenez -- Mexican archaeologist
Wikipedia - Fanny Susan Copeland -- Translator, mountaineer, journalist, linguist
Wikipedia - Fanny Tardini-Vladicescu -- Romanian opera singer and actress
Wikipedia - Fantasy tropes
Wikipedia - Farang -- Persian word for Europeans
Wikipedia - Farhad Azima -- American airline operator
Wikipedia - Farid Gayibov -- President of the European Union of Gymnastics
Wikipedia - FarmBot -- Open-source precision agriculture CNC farming project
Wikipedia - Farmers' Mutual Benefit Association -- Agricultural cooperative in US
Wikipedia - FarSight Studios -- American video game developer
Wikipedia - Far West (Taixi) -- Chinese and Japanese term for Europe
Wikipedia - FASM -- Open source assembler for x86 processors
Wikipedia - Fast & Furious Crossroads -- 2020 racing video game developed by Slightly Mad Studios
Wikipedia - Fast Healthcare Interoperability Resources -- Standard for exchanging electronic health records
Wikipedia - Fastrac (rocket engine) -- Pump-fed liquid rocket engine developed by NASA for use on small inexpensive, expendable rockets
Wikipedia - Fatal system error -- Error that stops the operating system
Wikipedia - Fatboy (EastEnders) -- Fictional character from the British soap opera EastEnders
Wikipedia - Faulkes Telescope Educational Project
Wikipedia - Faulkes Telescope North
Wikipedia - Faust (opera)
Wikipedia - Fay-Cooper Cole
Wikipedia - Faye Windass -- Fictional character from the British soap opera Coronation Street
Wikipedia - Fayuan Zhulin -- Chinese Buddhist encyclopedic work
Wikipedia - F.C. Copenhagen Player of the Year -- Wikimedia list article
Wikipedia - Fdisk -- Command line utility of DOS and Microsoft Windows operating systems
Wikipedia - FDJ Nouvelle-Aquitaine Futuroscope -- French cycling team
Wikipedia - FEDARENE -- Premier European network of regional and local organisations
Wikipedia - Federal Europe
Wikipedia - Federation of European Motorcyclists -- Motorcycling advocacy group
Wikipedia - Federation of Non-European Trade Unions
Wikipedia - Federico Ricci -- Italian opera composer
Wikipedia - Fedora (operating system) -- Linux distribution by Red Hat and IBM
Wikipedia - Felice Varesi -- Italian opera singer
Wikipedia - Felicia Filip -- Romanian operatic soprano
Wikipedia - Felicita Vestvali -- German opera singer
Wikipedia - Feline panleukopenia -- Species of parvovirus
Wikipedia - Felipe Lopez (archer) -- Spanish archer
Wikipedia - Felisha Cooper -- American actress
Wikipedia - Felix Propellers -- Defunct American propeller manufacturer
Wikipedia - Felix Senac -- Confederate States Navy agent to Europe
Wikipedia - Fellow traveller -- One who sympathizes and co-operates with an organization, without being a member
Wikipedia - Feminist pornography -- Genre of pornographic film developed by and/or for those dedicated to gender equality
Wikipedia - Fenestra -- Small opening or pore
Wikipedia - Fenix Cooperativa Cinematografica -- Spanish film production company
Wikipedia - Fenodyree -- Proper name and a class of mythical beings
Wikipedia - Feodor Chaliapin -- Russian opera singer
Wikipedia - Ferdinand Hope-Grant -- English cricketer and clergyman
Wikipedia - Ferdinand Prevot -- French operatic baritone
Wikipedia - Ferenc Anisits -- Hungarian engineer, engine developer
Wikipedia - Fermat's theorem (stationary points) -- Method to find local maxima and minima of differentiable functions on open sets
Wikipedia - Fernand Holweck Medal and Prize -- European prize for Physics
Wikipedia - Fernando De Lucia -- Italian opera singer 1861-1925
Wikipedia - Fernando Lopez (equestrian) -- Spanish equestrian
Wikipedia - Fernando Lopez Tuero -- Puerto Rican scientist
Wikipedia - Fernando Perez (software developer) -- Colombian-American physicist and software developer
Wikipedia - Ferrari 408 4RM -- Mid-engine, four-wheel drive prototype car developed by Ferrari
Wikipedia - Ferrari Mythos -- Concept car developed by Ferrari in 1989 based on the Ferrari Testarossa
Wikipedia - Ferreira family -- Fictional family from the BBC soap opera EastEnders
Wikipedia - Ferrocarriles Unidos de Yucatan -- Narrow gauge railroad that operated in the state of Yucatan, Mexico.
Wikipedia - Festival Cruises -- A Greece-based cruise line that operated between 1994 and 2004
Wikipedia - Fetotomy -- Veterinary operation that dissects a deceased fetus for delivery
Wikipedia - Feudalism -- Combination of legal and military customs and form of government in medieval Europe
Wikipedia - Fe (video game) -- Action-adventure video game developed by Zoink and published by Electronic Arts
Wikipedia - FFADO -- Project to provide open-source drivers
Wikipedia - Fiber optic gyroscope
Wikipedia - Fibre multi-object spectrograph -- Fibre optic spectrograph that is part of the Subaru telescope in Hawaii
Wikipedia - Fibre optic gyroscope
Wikipedia - Fibre-optic gyroscope
Wikipedia - Field Artillery Branch (United States) -- United States Army service branch responsible for self-propelled and towed artillery
Wikipedia - Field emission gun -- Type of electron gun - one of the parts of an electron microscope
Wikipedia - Field-theoretic simulation -- Numerical strategy to calculate structure and physical properties of a many-particle system
Wikipedia - Fifth-generation jet fighter -- Classification of jet-powered fighter aircraft developed from the 1990s through the 2020s
Wikipedia - Fighter Pilot: Operation Red Flag -- 2004 film by Stephen Low
Wikipedia - Fight Night Round 3 -- 2005 boxing video game developed by EA Sports
Wikipedia - Fight of Gods -- 2017 fighting game by Taiwanese indie developer
Wikipedia - File Allocation Table -- Family of file systems originally developed by Microsoft
Wikipedia - Filecoin -- Open-source, public, cryptocurrency
Wikipedia - File operation
Wikipedia - Files (Apple) -- Mobile file management application developed by Apple
Wikipedia - Filip BandM-EM->ak -- Czech opera singer
Wikipedia - Filippo Coletti -- Italian operatic baritone
Wikipedia - Filippo Colini -- Italian opera singer 1811-63
Wikipedia - Filippo Galli (bass) -- Italian opera singer 1783-1853
Wikipedia - Filthy Rich (2020 TV series) -- American prime time soap opera
Wikipedia - Final girl -- trope in slasher horror films
Wikipedia - Financial Information System for California -- California government operations agency
Wikipedia - Fin de siecle -- Late 19th century cultural phenomenon in Europe
Wikipedia - Find Makarov: Operation Kingfish -- 2011 short film
Wikipedia - Fine art -- Art developed primarily for aesthetics
Wikipedia - Fine Food, Fine Pastries, Open 6 to 9 -- 1989 film
Wikipedia - Finglands Coachways -- Former British bus and coach operator in Manchester
Wikipedia - Fingrowth Co-operative Bank Limited -- Urban Co-operative Bank
Wikipedia - Finitary relation -- Property that assigns truth values to k-tuples of individuals
Wikipedia - Finiteness properties of groups -- Mathematical property
Wikipedia - Finnish-Swedish ice class -- An ice class assigned to a vessel operating in first-year ice in the Baltic Sea
Wikipedia - Finnish Wikipedia -- Finnish-language edition of the free encyclopedia anyone can edit
Wikipedia - Finn Kelly -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Fiona Fidler -- Australian professor and lecturer interested in reproducibility and open science.
Wikipedia - Firearm malfunction -- Failure of a firearm to operate as intended
Wikipedia - Firefighter -- Type of rescuer trained primarily to extinguish hazardous fires that threaten life, property, and the environment as well as to rescue people and animals from dangerous situations
Wikipedia - Firefly squid -- Species of cephalopod also known as the sparkling enope squid
Wikipedia - Firefox Focus -- free and open-source privacy-focused web browser by Mozilla
Wikipedia - Firefox for Android -- free and open-source Android web browser by Mozilla
Wikipedia - Firefox for iOS -- free and open-source iOS web browser by Mozilla
Wikipedia - Firefox OS -- Mobile operating system written by Mozilla
Wikipedia - Fire in the Opera House -- 1930 film
Wikipedia - First Aid Convention Europe -- First Aid competition
Wikipedia - First Czechoslovak Republic -- Republic in Central Europe
Wikipedia - First day of issue -- Postage stamp on a cover, postal card or stamped envelope franked on the first day the issue is authorized for use
Wikipedia - First Greater Manchester -- Greater Manchester bus operator
Wikipedia - First Great Western Link -- English train operating company
Wikipedia - First Isabela Cooperative Bank -- Bank in the Philippines
Wikipedia - First light (astronomy) -- term in astronomy for the first time a telescope is used to look at the Universe
Wikipedia - First Majestic Silver -- Canadian silver mining company operating in Mexico
Wikipedia - First Monday (journal) -- Monthly peer-reviewed open access academic journal
Wikipedia - First Potteries -- Bus company based in Stoke-on-Trent operating services in North Staffordshire, England
Wikipedia - First Responder Network Authority -- American public safety broadband network operator
Wikipedia - First South Yorkshire -- Bus operator in South Yorkshire
Wikipedia - First Temperate Neolithic -- Archaeological horizon of Neolithic Southeastern Europe
Wikipedia - First West of England -- Bus operator
Wikipedia - First York -- Bus operator in York, England
Wikipedia - FIS Cross-Country Balkan Cup -- Series of cross-country skiing event in Europe
Wikipedia - FIS Cross-Country Eastern Europe Cup -- Series of cross-country skiing event in Eastern Europe
Wikipedia - FIS Cross-Country Slavic Cup -- Series of cross-country skiing event in Europe
Wikipedia - Fishing trawler -- Commercial fishing vessel designed to operate fishing trawls
Wikipedia - Fishlabs -- Video game developer
Wikipedia - Five hundred meter Aperture Spherical Telescope
Wikipedia - Five-hundred-meter Aperture Spherical Telescope -- Radio telescope located in Guizhou Province, China
Wikipedia - Fiz Brown -- Fictional character from the British soap opera EastEnders
Wikipedia - FJ Management -- Privately held U.S. corporation which operates convenience stores, oil & refining, banking, and insurance businesses
Wikipedia - Flag of Europe -- Flag of Europe at large created by the Council of Europe, then adopted as one of the official symbols of the European Communities and later of the European Union
Wikipedia - Flame of Hope (Special Olympics) -- Ceremony at Special Olympics
Wikipedia - Flank opening
Wikipedia - Flared slope -- A rock-wall with a smooth transition into a concavity at the foot zone
Wikipedia - Flash cartridge -- Cartridge containing flash memory developed for use in video game consoles
Wikipedia - Flash lock -- A gate in the flow of a river which could be opened to allow boats through
Wikipedia - Flaw lead -- A waterway opening between pack ice and fast ice
Wikipedia - Fleet Buzz -- Former bus operator
Wikipedia - Flexity Outlook (Toronto streetcar) -- Streetcar model operated by the TTC
Wikipedia - Flight of the Earls -- Earls of Tyrone and Tyrconnell left Ulster for mainland Europe
Wikipedia - Flintholm -- Modern neighbourhood in Frederiksberg district, Copenhagen, Denmark
Wikipedia - Florence Hinkle -- American operatic soprano
Wikipedia - Florence Newman Trefethen -- American codebreaker, historian of operations research, poet
Wikipedia - Florence Pigott -- English operatic singer and dancer
Wikipedia - Florence Wickham -- American opera singer
Wikipedia - Florian Prey -- German opera singer
Wikipedia - Florida East Coast Railway -- Class II railroad operating in Florida
Wikipedia - Florida School for Boys -- Reform school operated by the state of Florida, USA
Wikipedia - Florin Popescu -- Romanian canoeist
Wikipedia - Floris Visser -- Dutch opera director & arts administrator
Wikipedia - Flower Duet -- Aria from Leo Delibes's opera Lakme
Wikipedia - Flow tracer -- Any fluid property used to track flow
Wikipedia - Fluid Operations -- Company in Walldorf, Germany
Wikipedia - Flutter (software) -- Open-source UI software development kit by Google
Wikipedia - Fluxbox -- Open source window manager for the X11 system
Wikipedia - FlyBack -- Open-source backup utility for Linux
Wikipedia - Flying boat -- Aircraft equipped with a boat hull for operation from water
Wikipedia - Flying Corps -- 1996 flight simulation software developed by Rowan Software
Wikipedia - Flying fish -- Family of marine fish that can make powerful, self-propelled leaps out of water
Wikipedia - FMA instruction set -- X86 instruction set extension developed by Intel
Wikipedia - Focke-Wulf Fw 200 Condor -- German four-engine propeller-driven airliner, transport aircraft and patrol bomber
Wikipedia - Foehn wind -- Type of dry down-slope wind occurring near mountains
Wikipedia - Fog of war -- Concept of uncertainty in military operations and game theory
Wikipedia - Fokker 70 -- Regional airliner developed from Fokker 100 produced 1992-1997
Wikipedia - Folding propeller -- Propeller with blades that fold open when rotating
Wikipedia - Folk dance -- Dances developed by the people of a certain region
Wikipedia - Folketeatret, Copenhagen -- Theatre in Copenhagen, Denmark
Wikipedia - Folkner Branch (New Hope River tributary) -- Stream in North Carolina, USA
Wikipedia - Font family (HTML) -- CSS property in HTML
Wikipedia - Font Library -- Free/open font hosting web site
Wikipedia - Foodwatch -- European advocacy group that focuses on protecting consumer rights
Wikipedia - For a European Serbia -- Serbian political coalition
Wikipedia - Foramen magnum -- Opening in the occipital bone of the cranium
Wikipedia - Forced labour under German rule during World War II -- use of unfree labour in Nazi Germany and throughout German-occupied Europe during the Second World War
Wikipedia - Force Protection Europe -- European subsidiary of Force Protection Inc.
Wikipedia - Force Touch -- Force-sensing touch technology developed by Apple Inc.
Wikipedia - Ford Escort (Europe) -- European small family car
Wikipedia - Ford Escort RS Cosworth -- rally homologation special of the fifth generation European Ford Escort
Wikipedia - Ford Indigo -- Concept car developed by Ford in 1996
Wikipedia - Ford of Europe -- Automotive manufacturing subsidiary of Ford Motor Company
Wikipedia - ForhM-CM-%bningsholms Alle -- Street in Copenhagen, Denmark
Wikipedia - Fork (operating system)
Wikipedia - Formal Methods Europe
Wikipedia - Formal operational stage
Wikipedia - Formerly Used Defense Sites -- Abandoned defense properties
Wikipedia - Formula 4 -- Open-wheel racing car category intended for junior drivers
Wikipedia - Formula racing -- Auto racing on circuits using open wheel cars built to specified formula
Wikipedia - For-profit higher education in the United States -- Consists of higher education educational institutions operated by profit-seeking businesses
Wikipedia - Fort Belknap Electric Cooperative -- Rural electric utility cooperative in Texas
Wikipedia - Fort Cooper State Park -- Park in Inverness, Florida, US
Wikipedia - Fort Dummer -- First permanent European settlement in Vermont
Wikipedia - Forte (vocal group) -- Operatic pop trio from America's Got Talent
Wikipedia - Fort Hope Airport -- Airport in Ontario, Canada
Wikipedia - Fortnite -- 2017 online video game developed by Epic Games
Wikipedia - Fortress opening
Wikipedia - Fortunio Bonanova -- Actor and opera singer
Wikipedia - Forty-Eighters -- Europeans who participated in or supported the revolutions of 1848 that swept Europe
Wikipedia - Forum Copenhagen -- Indoor arena
Wikipedia - Forumopera.com -- French webzine
Wikipedia - Forum Opera -- Swiss operatic association
Wikipedia - Forward Operating Base Arnhem -- former operating base in Helmand, Afghanistan
Wikipedia - Forward Operating Base Edinburgh -- Former operating base in Helmand, Afghanistan
Wikipedia - Forward Operating Base Hamidullah -- Former operating base in Helmand, Afghanistan
Wikipedia - Forward Operating Base Khar Nikah -- Former operating base in Helmand, Afghanistan
Wikipedia - Forward Operating Base Shank -- Forward operating base of U.S. military
Wikipedia - Forward Operating Base Shawqat -- Former operating base in Helmand, Afghanistan
Wikipedia - Forward Operating Base Zeebrugge -- Former operating base in Helmand, Afghanistan
Wikipedia - Forward operating site -- Type of United States military facility
Wikipedia - Forward secrecy -- Property of secure communication protocols in which compromise of long-term keys does not compromise past session keys.
Wikipedia - FOSDEM -- Annual event in Brussels centered on free and open source software development
Wikipedia - Fossa Eugeniana -- Fortified canal in Europe
Wikipedia - Foteviken Museum -- Archaeological open-air museum in Vellinge Municipality, SkM-CM-%ne County, Sweden
Wikipedia - Fotima Borukhova -- Uzbek Soviet opera singer
Wikipedia - FoundationDB -- Free and open-source multi-model NoSQL database developed by Apple
Wikipedia - Foundation for Open Project Documentation
Wikipedia - Foundations of Cyclopean Perception
Wikipedia - Four continents -- 16th century division of the world into four continents; Africa, America, Asia and Europe
Wikipedia - Four-engined jet aircraft -- Aircraft class with fixed wings propelled by four main jet engines
Wikipedia - Four-horned antelope -- Species of mammal
Wikipedia - Four Motors for Europe -- Cooperative network of regions in France, Germany, Spain, and Italy
Wikipedia - Four Saints in Three Acts -- Opera
Wikipedia - Fourth Transformation -- Campaign promise of Mexican president Andres Manuel Lopez Obrador
Wikipedia - Foxhunters' Open Hunters' Chase -- Steeplechase horse race in Ireland
Wikipedia - Framework for integrated test -- Open-source tool for automated customer tests
Wikipedia - Framework Programmes for Research and Technological Development -- Science funding in Europe
Wikipedia - France Antelme -- Member of Special Operations Executive
Wikipedia - Francelia Billington -- American actress and camera operator
Wikipedia - Frances Alda -- New Zealand opera singer
Wikipedia - Francesca da Rimini (Mercadante) -- Opera by Saverio Mercadante
Wikipedia - Francesca da Rimini (Rachmaninoff) -- Opera by Sergei Rachmaninoff
Wikipedia - Francesco (2020 film) -- 2020 documentary directed by Evgeny Afineevsky about the life and the teaching of Pope Francis
Wikipedia - Francesco Benucci -- Italian operatic bass-baritone
Wikipedia - Francesco Demuro -- Italian operatic tenor
Wikipedia - Francesco Marconi -- Italian opera singer 1853-1916
Wikipedia - Francesco Maria Piave -- Italian opera librettist
Wikipedia - Francesco Molinari-Pradelli -- Italian opera conductor
Wikipedia - Frances Cope -- American mathematician
Wikipedia - Frances Eleanor Trollope -- English novelist
Wikipedia - Frances Ginsberg -- American opera soprano
Wikipedia - Frances Milton Trollope -- English novelist and writer
Wikipedia - Frances Pappas -- Canadian-Greek operatic singer
Wikipedia - Frances Trollope bibliography -- Wikipedia bibliography
Wikipedia - France -- Country in Western Europe
Wikipedia - Francisco de Paula Lopez de Castro -- Spanish poet and writer
Wikipedia - Francisco Guadarrama Lopez -- Mexican politician
Wikipedia - Francisco Javier Lopez (hurdler, born 1989) -- Spanish hurdler
Wikipedia - Francisco Lopez (canoeist) -- Spanish canoeist
Wikipedia - Francisco Lopez Contardo -- Chilean motorcycle racer
Wikipedia - Francisco Lopez Lopez -- Puerto Rican politician
Wikipedia - Francisco Lopez (painter) -- Spanish painter
Wikipedia - Francisco Lopez y Palomino -- Spanish painter
Wikipedia - Francisco Solano Lopez -- 2nd President of Paraguay
Wikipedia - Francis I. McKenna -- American land and real estate developer
Wikipedia - Francis: Pray for Me -- 2015 film about Pope Francis
Wikipedia - Franco Bonisolli -- Italian operatic tenor
Wikipedia - Francoise de Rimini -- Opera by Ambroise Thomas
Wikipedia - Francois Henri Hallopeau -- French dermatologist
Wikipedia - Frangistan -- Former Persian name for Western Europe
Wikipedia - Frank B. Cooper -- American education administrator
Wikipedia - Frank Butcher -- Fictional character from BBC soap opera Eastenders
Wikipedia - Frank Forest -- American opera singer (1896-1976)
Wikipedia - Frank Guarrera -- American operatic singer
Wikipedia - Frank Hope-Jones -- British horologist
Wikipedia - Frankie Pierre -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Frank Irving Cooper -- American architect
Wikipedia - Frank Jobe -- American orthopedic surgeon and co-founder of the Kerlan-Jobe Orthopaedic Clinic
Wikipedia - Franklin Nicola -- American real estate developer
Wikipedia - Franklin Seaney Cooper
Wikipedia - Frank Lopardo -- American operatic tenor (born 1957)
Wikipedia - Frankrigsgade -- Street in Copenhagen, Denmark
Wikipedia - Frans Timmermans -- Vice-President of the European Commission
Wikipedia - Franz Mazura -- Austrian opera singer
Wikipedia - Franz Volker -- German opera singer
Wikipedia - Franz von Jauner -- Austrian theatre director and opera intendant
Wikipedia - Fratelli tutti -- Encyclical of Pope Francis published on 3 October 2020 on the subject of human fraternity
Wikipedia - Fraunhofer FDK AAC -- An open-source AAC codec
Wikipedia - Fraunhofer Institute for Open Communication Systems
Wikipedia - Frederic Austin -- British opera singer, teacher and composer
Wikipedia - Frederick Augustus Cooper -- Politician from New South Wales, Australia
Wikipedia - Frederick Burchinal -- American operatic baritone
Wikipedia - Frederick Cooper (sport shooter) -- British sports shooter
Wikipedia - Frederick William Hope -- English entomologist (1797-1862)
Wikipedia - Frederic Mayer -- German opera singer
Wikipedia - Frederic Taber Cooper
Wikipedia - Fred Fonseca -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Fred Opert -- American racing driver, car dealer and motorsport team owner
Wikipedia - Fredrick Brennan -- American software developer, founder of 8chan
Wikipedia - Fred Trump -- American real estate developer (1905-1999)
Wikipedia - Fredy Lopez -- Salvadoran judoka
Wikipedia - Free and open-source graphics device driver
Wikipedia - Free and open-source hardware
Wikipedia - Free and open source software
Wikipedia - Free and open-source software -- Software whose source code is available and which is permissively licensed
Wikipedia - Free and open source
Wikipedia - Free and open-source
Wikipedia - Free Beer -- Open source beer
Wikipedia - Freebird Airlines Europe -- Maltese charter airline
Wikipedia - FreeBSD -- Free Unix-like operating system
Wikipedia - FreeCAD -- Free and open-source CAD software
Wikipedia - Free City of Danzig -- Semi-autonomous European city-state that existed between 1920 and 1939
Wikipedia - Freedesktop.org -- Open-source desktop environment software project
Wikipedia - Freedom of Establishment and Freedom to Provide Services in the European Union -- European Union ideologies
Wikipedia - Freedom of religion in Europe by country
Wikipedia - FreedomPop -- American wireless Internet and mobile virtual network operator
Wikipedia - Freedom's Journal -- First African-American owned and operated newspaper published in the United States (1827-1829)
Wikipedia - Free European Song Contest -- International song competition
Wikipedia - FreeFileSync -- Free and open-source file synchronization program
Wikipedia - Free immersion apnea -- Freediving discipline in which no propulsion equipment is used, but pulling on the rope during descent and ascent is permitted
Wikipedia - Free On-line Dictionary of Computing -- Online, searchable, encyclopedic dictionary of computing subjects
Wikipedia - FreeOTP -- Free and open-source two-factor authentication app
Wikipedia - Free people of color -- Persons of partial African and European descent who were not enslaved
Wikipedia - Free Software Foundation Europe -- Foundation promoting Free Software movement
Wikipedia - Freestyle skiing at the 2014 Winter Olympics - Women's slopestyle -- Olympic skiing event
Wikipedia - Free Territory of Trieste -- Former country in Europe between Italy and Yugoslavia
Wikipedia - Freetown Christiania -- Self-proclaimed autonomous neighbourhood in Copenhagen
Wikipedia - FreeType -- Software development library to render text onto bitmaps, and other font-related operations
Wikipedia - French and European Nationalist Party -- French neo-nazi organization
Wikipedia - French Bread (game developer) -- Japanese video game developer
Wikipedia - French-Soviet Joint Declaration of June 30, 1966 -- Cooperation in foreign affairs, science, and technology between the Soviet Union and France and Russia and France from 1966
Wikipedia - Frenzel maneuver -- Ear equalization technique originally developed for dive bomber pilots
Wikipedia - Fresh Out the Oven -- Song by Jennifer Lopez
Wikipedia - Frictional alopecia -- Dermatological condition
Wikipedia - Friederike Vohs -- German actress, singer and opera singer
Wikipedia - Friedrich Arnold Brockhaus -- German encyclopedia publisher and editor
Wikipedia - Friedrich Meyer-Oertel -- German opera director
Wikipedia - Friedrich von Flotow -- 19th century German composer known for his operas
Wikipedia - Friendship Train -- 1947 train to send food to Europe
Wikipedia - Friends of Clean Accounts -- European political group
Wikipedia - Fringepedia -- Online wiki encyclopedia
Wikipedia - Friterie -- European French eatery serving fast food, particularly fries
Wikipedia - Fritillaria acmopetala -- species of plant in the family Liliaceae
Wikipedia - Fritzi Jokl -- Austro-American operatic soprano
Wikipedia - Fritz Zohsel -- |German gymnast and operatic tenor
Wikipedia - Frog Fractions -- Browser game developed by Twinbeard Studios
Wikipedia - Frogman Corps (Denmark) -- Danish maritime special operations unit
Wikipedia - Frontier Developments -- British video game developer based in Cambridge, England
Wikipedia - Front Line Family -- British radio soap opera
Wikipedia - Front of Hope -- Political party in Colombia
Wikipedia - FrostWire -- Free and open-source BitTorrent client
Wikipedia - Froth treatment (Athabasca oil sands) -- Bitumen froth treatment is one part of an integrated bitumen recovery process in oil sands operations.
Wikipedia - Frugal Four -- Four European governments with fiscally conservative goals.
Wikipedia - Frumenty -- A porridge of boiled grain in medieval Europe
Wikipedia - F. S. Ashley-Cooper -- English cricket historian
Wikipedia - FTR (bus) -- Bus operator in Leeds, Luton, Swansea and York, England
Wikipedia - Fugger family -- Augsburg based family of European bankers
Wikipedia - Full Colors -- album by Casiopea
Wikipedia - Fullerene -- Allotrope of carbon
Wikipedia - Fumarole -- Volcanic opening that emits hot gases
Wikipedia - Function composition -- Operation on mathematical functions
Wikipedia - Fundamental theorem of ideal theory in number fields -- Every nonzero proper ideal in the ring of integers of a number field factorizes uniquely
Wikipedia - Funeral of Pope John Paul II -- Papal funeral in 2005
Wikipedia - Funicular -- An inclined railway in which a cable (e.g. wire rope) moves a pair of permanently attached cars counterbalancing each other along a steep slope
Wikipedia - Funke Opeke -- Nigerian electrical engineer
Wikipedia - Furnace anneal -- Process used to alter the electrical properties of semiconductors
Wikipedia - Furongxiu -- Chinese opera singer and actress
Wikipedia - FUTON bias -- Tendency of scholars to cite journals with open access
Wikipedia - Future enlargement of the European Union
Wikipedia - FutureLearn -- Massive open online course platform founded in 2012 as a company majority owned by the UK's Open University
Wikipedia - Fuzzy set operations
Wikipedia - FX Fighter -- Video game series developed by Argonaut Games
Wikipedia - FXOpen -- Retail and institutional forex broker
Wikipedia - Fyodor Stravinsky -- Polish-Russian opera singer
Wikipedia - Fyra -- European high-speed rail service
class:encyclopedia
Wikipedia - G2 Esports -- European professional esports organisation
Wikipedia - G5RV antenna -- Dipole antenna optimized for operation in the High Frequency bands
Wikipedia - Gabi Delgado-Lopez -- Spanish-German singer
Wikipedia - Gabriel Bacquier -- French opera singer
Wikipedia - Gabriele Fontana -- Austrian operatic soprano
Wikipedia - Gabriele Schope -- German diver
Wikipedia - Gabriele Sima -- Austrian opera singer
Wikipedia - Gabriele Zimmer -- German politician, Member of the European Parliament
Wikipedia - Gabriella Gatti -- Italian operatic soprano
Wikipedia - Gabriella Tucci -- Italian operatic soprano
Wikipedia - Gabrielle Krauss -- Operatic soprano
Wikipedia - Gabriel Lopes (sailor) -- Portuguese sailor
Wikipedia - Gaby Lopez -- Mexican professional golfer
Wikipedia - Gaetano Donizetti -- Italian opera composer
Wikipedia - Gaetano Latilla -- Italian opera composer (1711-1788)
Wikipedia - Gagauz people -- Turkic ethnic group living mostly in Eastern Europe
Wikipedia - Gagea amblyopetala -- Species of flowering plant in the family Liliaceae
Wikipedia - Gaia (spacecraft) -- European optical space observatory for astrometry
Wikipedia - Gail Platt -- Fictional character from the British soap opera Coronation Street
Wikipedia - Gail Robinson (Neighbours) -- Fictional character on the Australian soap opera Neighbours
Wikipedia - Galatasaray, BeyoM-DM-^_lu -- Quarter of BeyoM-DM-^_lu district on the European side of Istanbul, Turkey
Wikipedia - Galaxy (satellite) -- Family of communications satellites operated by Intelsat
Wikipedia - Galeries Dalmau -- Spanish art gallery operating from 1906 to 1930; best known for introducing avant-garde art to Spain
Wikipedia - Galicia (Central Europe)
Wikipedia - Galicia (eastern Europe)
Wikipedia - Galicia (Eastern Europe) -- Historical region in Central Europe
Wikipedia - Gallai-Edmonds decomposition -- Partition of the vertices of a graph into subsets satisfying certain properties
Wikipedia - Galleass -- Military ship commonly used in the 16th and 17th centuries by European and Mediterranean navies
Wikipedia - Gallegos House -- U.S. Historic district contributing property
Wikipedia - Galley -- Ship mainly propelled by oars
Wikipedia - Gallic Empire -- Defunct European country
Wikipedia - Galloperdix -- Genus of birds
Wikipedia - Gal operon -- Operon
Wikipedia - Galvanism -- Early study of the electrical properties of animal tissue
Wikipedia - Gambit Esports -- European esports organisation
Wikipedia - Gambrinus -- Culture hero of European legend, celebrated as an icon of beer
Wikipedia - GaM-CM-+l Duval -- French software developer and entrepreneur
Wikipedia - GAMCO Educational Software -- American software develope
Wikipedia - Game Boy Micro -- Handheld game console developed by Nintendo
Wikipedia - GameCube -- Home video game console developed by Nintendo
Wikipedia - Game Developer (magazine)
Wikipedia - Game Developers Choice Awards
Wikipedia - Game Developer's Conference
Wikipedia - Game Developers Conference
Wikipedia - GameHouse -- Casual game developer, publisher, digital video game distributor, and portal, based in Seattle, Washington, United States
Wikipedia - Gamopetalae -- Unranked group of plants
Wikipedia - Garage door opener -- Motorized device that opens and closes garage doors
Wikipedia - Garry Hobbs -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Garud Commando Force -- Indian Air Force special operations force
Wikipedia - Gary Barnett (real estate developer) -- American businessman
Wikipedia - Gary Canning -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Gary Cooper, Who Art in Heaven -- 1980 film
Wikipedia - Gary Cooper -- American actor
Wikipedia - Gary Donatelli -- American television soap opera director
Wikipedia - Gary Hooper (Paralympian) -- Australian Paralympic athlete
Wikipedia - Gary Windass -- Fictional character from the British soap opera Coronation Street
Wikipedia - Gas-generator cycle -- Rocket engine operation method
Wikipedia - Gaspare Pacchierotti -- Italian opera singer
Wikipedia - Gasparo Lopez -- Italian painter
Wikipedia - Gas protection -- Control of gas penetration into properties
Wikipedia - Gastroscope
Wikipedia - GasvM-CM-&rksvej -- Street in Copenhagen
Wikipedia - Gate Hill Cooperative
Wikipedia - Gateway Protection Programme -- Refugee scheme operated by the British government
Wikipedia - Gathering of Developers
Wikipedia - Gattimela -- Daily soap opera on Zee Kannada
Wikipedia - Gaudete et exsultate -- 2018 apostolic exhortation by Pope Francis
Wikipedia - Gauls -- Group of Celtic peoples of Western Europe
Wikipedia - Gaul -- historical region of Western Europe inhabited by Celtic tribes
Wikipedia - Gavin Andresen -- American software developer
Wikipedia - Gavin Sullivan -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Gaza flotilla raid -- 2010 Israeli military operation against a humanitarian ship convoy
Wikipedia - Geary (e-mail client) -- Open-source email client
Wikipedia - Geastrum triplex -- Species of fungus in the family Geastraceae found in Asia, Australasia, Europe, North and South America
Wikipedia - Geldards Coaches -- Former bus operator in Leeds, West Yorkshire, England
Wikipedia - GEM (desktop environment) -- Operating environment created by Digital Research, Inc.
Wikipedia - Gemma Doyle (politician) -- British Labour Co-operative politician
Wikipedia - Gemma Reeves -- Fictional character from the Australian soap opera Neighbours
Wikipedia - General Comprehensive Operating System
Wikipedia - General Court (European Union) -- Part of the Court of Justice of the European Union
Wikipedia - General Data Protection Regulation -- European Union regulation on the processing of personal data
Wikipedia - General Electric J47 -- Turbojet Engine developed in 1947
Wikipedia - General Hospital -- American daytime television soap opera
Wikipedia - General manager -- Oversees a firm's day-to-day business operations
Wikipedia - General Nathan Cooper Mansion -- historic house in Chester Township, New Jersey
Wikipedia - General-purpose operating system
Wikipedia - General Roman Calendar of Pope Pius XII
Wikipedia - Genera (operating system)
Wikipedia - Generator Hostels -- Hotel chain based in Europe
Wikipedia - Generic Mapping Tools -- Open source collection of about 80 command-line tools for manipulating geographic and Cartesian data sets
Wikipedia - Generic point -- Point of an algebraic variety which has no other property than those shared by almost all other points
Wikipedia - Genetic history of Europe
Wikipedia - Genetic operators
Wikipedia - Genetic operator
Wikipedia - Genia Kuhmeier -- Austrian singer and opera singer
Wikipedia - Genista stenopetala -- Species of flowering plant in the pea and bean family Fabaceae
Wikipedia - Genitrix (opera) -- Hungarian opera
Wikipedia - Gentoo (term) -- Historical European term for Hindus of India
Wikipedia - Geoff Barnes -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Geoff Berman -- American political operative
Wikipedia - Geoffrey M. Cooper -- American biologist
Wikipedia - Geoffrey Van Orden -- Leader of the Conservatives in the European Parliament
Wikipedia - Geographical indications and traditional specialities in the European Union -- Protected names and designations of agricultural products and foodstuffs
Wikipedia - Geographica -- Encyclopedia of geographical knowledge by Strabo
Wikipedia - Geography of Ireland -- Geography of the island of Ireland, northwestern Europe
Wikipedia - Geography of the European Netherlands -- Overview of the geography of the European Netherlands
Wikipedia - Geology -- Study of the composition, structure, physical properties, and history of Earth's components and processes
Wikipedia - Geometrical properties of polynomial roots -- Geometry of the location of polynomial roots
Wikipedia - Geometric measure theory -- Study of geometric properties of sets through measure theory
Wikipedia - Geo (microformat) -- Microformat to create metadata for location properties.
Wikipedia - Geopelia -- Genus of doves
Wikipedia - George Andguladze -- Georgian operatic bass
Wikipedia - George Bangs -- Developer of the railroad mail car
Wikipedia - George B. Cooper (historian) -- American historian
Wikipedia - George B. Cooper -- American politician
Wikipedia - George Cooper (actor) -- American actor
Wikipedia - George Cooper (British Army officer) -- British Army officer
Wikipedia - George Cooper (umpire) -- Australian cricket umpire
Wikipedia - George Cope (MP) -- 16th-century English politician
Wikipedia - George Johnstone Hope -- Royal Navy admiral
Wikipedia - George Julius Poulett Scrope
Wikipedia - George London (bass-baritone) -- Opera singer from Canada
Wikipedia - George Lopez (record label owner) -- American music executive
Wikipedia - George Lopez -- American comedian and actor
Wikipedia - George Lopez -- American wood carver
Wikipedia - George NaM-JM-;ope -- Hula master and Merrie Monarch Festival organizer
Wikipedia - George Openjuru -- Ugandan educator and academic administrator
Wikipedia - GEORGE (operating system)
Wikipedia - George Pope Morris
Wikipedia - George Stanhope, 7th Earl of Chesterfield -- British soldier and Conservative politician
Wikipedia - George Thomas Rope -- British painter
Wikipedia - George W. Barber -- American businessman, real estate developer and philanthropist
Wikipedia - George William Russell -- Irish writer, painter, editor, critic, poet, and cooperative organiser
Wikipedia - Georgia Department of Corrections -- State prison operating agency
Wikipedia - Georgii Nelepp -- Soviet singer and opera singer (1904-1957)
Wikipedia - Georgina Jimenez de Lopez -- Panamanian sociologist (1904-1994)
Wikipedia - Georg Maikl -- Austrian operatic tenor
Wikipedia - Georg Quander -- German opera and film director, music journalist
Wikipedia - Georg Solti -- Hungarian orchestral and operatic conductor
Wikipedia - Georg Wieter -- German opera singer
Wikipedia - GEOS (8-bit operating system)
Wikipedia - Geoscope
Wikipedia - GeoServer -- Open-source geospatial data server, written in Java
Wikipedia - Gerald English -- British opera singer
Wikipedia - Gerald Finley -- Canadian baritone opera singer
Wikipedia - Geraldine Farrar -- American opera singer and actress
Wikipedia - Gerard Broadmead Roope -- Recipient of the Victoria Cross
Wikipedia - Gerardo Lopez -- Spanish canoeist
Wikipedia - Gerenuk -- Long-necked species of antelope (Litocranius walleri)
Wikipedia - German Empire -- Central European state, 1871-1918
Wikipedia - German evacuation from Central and Eastern Europe -- Population transfer from Nazi-occupied areas
Wikipedia - Germanic languages -- Subgroup of the Indo-European language family
Wikipedia - Germanico in Germania -- Opera composed by Nicola Porpora to a libretto by Nicola Coluzzi
Wikipedia - Germanic peoples -- Group of northern European peoples in Roman times
Wikipedia - German language in Europe
Wikipedia - German Lopez (politician) -- Argentinian politician
Wikipedia - German SopeM-CM-1a -- Argentine writer and journalist
Wikipedia - Germany -- Country in Central Europe
Wikipedia - Gerrit Kleerekoper -- Dutch gymnast
Wikipedia - Gershon Liebman -- European Orthodox rabbi (1905-1997)
Wikipedia - Geta (footwear) -- Traditional Japanese open-topped wooden shoes
Wikipedia - Get Right -- 2005 single by Jennifer Lopez
Wikipedia - GHA Coaches -- Former Welsh bus and coach operator
Wikipedia - Ghana Open Data Initiative -- Government agency
Wikipedia - Ghetto Dope -- album by 5th Ward Boyz
Wikipedia - Ghidra -- Free reverse engineering tool developed by the National Security Agency
Wikipedia - GhostBSD -- Unix-like operating system
Wikipedia - Ghostery -- Free and open-source browser extension and mobile browser app
Wikipedia - Giacinto Marras -- Italian opera singer 1810-83
Wikipedia - Giacomo Meyerbeer -- German-born opera composer
Wikipedia - Giacomo Puccini -- 19th and 20th-century Italian opera composer
Wikipedia - Gianni di Marco -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Giannina Arangi-Lombardi -- Italian operatic soprano
Wikipedia - Gianni Pittella -- Italian politician, former Member of the European Parliament
Wikipedia - Gianni Schicchi -- Comic opera in one act by Giacomo Puccini
Wikipedia - Giant eland -- An open-forest and savanna antelope of the family Bovidae
Wikipedia - Giant Magellan Telescope
Wikipedia - Giffgaff -- British mobile virtual network operator
Wikipedia - Gift tax in the United States -- Tax imposed on the transfer of ownership of property during the giver's life
Wikipedia - Gift tax -- Tax on money or property that one living person gives to another
Wikipedia - Gigablast -- Free and open-source web search engine
Wikipedia - Giga Shanghai -- factory in Shanghai, China operated by Tesla, Inc
Wikipedia - G.I. Joe: Operation Blackout -- Video game
Wikipedia - Giles Cooper (actor) -- British actor
Wikipedia - Giliana Balmaceda -- Special Operations Executive agent
Wikipedia - Gill slit -- Individual opening to a gill
Wikipedia - Gimme (Alice Cooper song) -- 2000 single by Alice Cooper
Wikipedia - Gimme Hope Jo'anna -- 1988 single by Eddy Grant
Wikipedia - GIMP -- Open source image retouching and editing tool
Wikipedia - Gines Jesus Hernandez -- Former Pope of the Palmarian Catholic Church
Wikipedia - Ginnie Cooper -- American librarian
Wikipedia - Gioachino Rossini -- 19th-century Italian opera composer
Wikipedia - Giorgio Berrugi -- Italian operatic tenor
Wikipedia - Giovanna Casolla -- Italian operatic soprano
Wikipedia - Giovanna Scopelli
Wikipedia - Giovanni Battista De Negri -- Italian opera singer 1851-1924
Wikipedia - Giovanni Cesari -- Italian opera singer 1843-1904
Wikipedia - Giovanni David -- Italian opera singer 1790-1864
Wikipedia - Giovanni Guicciardi -- Italian opera singer 1819-83
Wikipedia - Giovanni Matteo Mario -- Italian opera singer 1810-1883
Wikipedia - Gisela Litz -- German operatic contralto
Wikipedia - Gish Bar Patera -- A complex crater with scalloped edges, on Jupiter's moon Io
Wikipedia - Gita Kapoor -- Fictional character from the BBC soap opera EastEnders
Wikipedia - GitLab -- open-source Git repository host
Wikipedia - Gitta-Maria Sjoberg -- Swedish operatic soprano
Wikipedia - Git -- Free and open source software (FOSS) for revision control
Wikipedia - Giuditta Grisi -- Italian opera singer 1805-40
Wikipedia - Giuditta Pasta -- 19th-century Italian opera singer
Wikipedia - Giulia Farnese -- Mistress to Pope Alexander VI
Wikipedia - Giulia Grisi -- Italian opera singer 1811-69
Wikipedia - Giulio Chazalettes -- Italian opera director and former actor
Wikipedia - Giuseppe Campanari -- Italian opera singer and musician 1855-1927
Wikipedia - Giuseppe Campora -- Italian operatic tenor
Wikipedia - Giuseppe Capponi -- Italian opera singer 1832-89
Wikipedia - Giuseppe Ciccimarra -- Italian opera singer 1790-1836
Wikipedia - Giuseppe de Begnis -- Italian operatic bass singer
Wikipedia - Giuseppe Frezzolini -- Italian opera singer 1789-1861
Wikipedia - Giuseppe Mosca -- Italian opera composer
Wikipedia - Giuseppe Patane -- Italian opera conductor
Wikipedia - Giuseppe Sarti -- Italian opera composer
Wikipedia - Giuseppe Scopelliti -- Italian politician
Wikipedia - Giuseppe Verdi -- Italian opera composer
Wikipedia - Giuseppina Gargano -- Italian opera singer
Wikipedia - Giuseppina Ronzi de Begnis -- Italian opera singer
Wikipedia - Giving Children Hope -- Non-profit organisation in the USA
Wikipedia - Glacis -- Protective slope built into a fortification
Wikipedia - Gladys Cooper -- British actress
Wikipedia - Glasgow Citybus -- A Scottish bus operator
Wikipedia - Glebionis -- Genus of flowering plants from Europe and the Mediterranean region
Wikipedia - Glenda Mitchell -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Glen Donnelly -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Glenvale Transport -- Liverpool bus operator
Wikipedia - Glide reflection -- Symmetry operation combining reflection across and translation along an axis
Wikipedia - Gliese 22 -- Star in the constellation Cassiopeia
Wikipedia - Gliese 49 -- Star in the constellation Cassiopeia
Wikipedia - G Line (Los Angeles Metro) -- Bus rapid transit line operating on a dedicated right-of-way in Los Angeles County
Wikipedia - Gliophorus psittacinus -- Edible mushroom found across Northern Europe
Wikipedia - Global Explorer ROV -- A deep water science and survey remotely operated vehicle
Wikipedia - Global governance -- Movement towards political cooperation among transnational actors
Wikipedia - Global Tamil Vision -- European Tamil-language television channel
Wikipedia - Gloria Hope -- American actress
Wikipedia - Gloria Lopez -- Colombian sports shooter
Wikipedia - Gloria (opera)
Wikipedia - Glossary of European Union concepts, acronyms, and jargon -- Wikipedia glossary
Wikipedia - Glossary of operating systems terms -- Wikipedia glossary
Wikipedia - Glossary of sound laws in the Indo-European languages -- Wikipedia glossary
Wikipedia - Gloss (optics) -- Optical property describing the ability of a surface to reflect light in a specular direction
Wikipedia - Glow (JavaScript library) -- Open-source JavaScript library.
Wikipedia - GLS Group -- European logicstics company
Wikipedia - Glu Mobile -- American video game developer
Wikipedia - Gluster -- Open-source software project supported by Red Hat
Wikipedia - Gmail -- Email service developed by Google
Wikipedia - GNE (encyclopedia) -- Former free content encyclopedia
Wikipedia - Gnome Subtitles -- Open-source subtitle editor
Wikipedia - GNOME Users And Developers European Conference
Wikipedia - GNOME Web -- Free and open-source web browser
Wikipedia - Gnopernicus -- Assistive technology
Wikipedia - Gnote -- Open-source desktop note-taking application
Wikipedia - GNU Hurd -- Operating system kernel designed as a replacement for Unix
Wikipedia - GNU operating system
Wikipedia - GNU social -- Free and open source software microblogging server
Wikipedia - GoAccess -- Open-source web analytics application for Unix-like operating systems
Wikipedia - Go-Ahead Ireland -- Irish bus operator
Wikipedia - Go-Ahead London -- London bus operator
Wikipedia - Go-Ahead Singapore -- Singapore bus operator
Wikipedia - Goddard Earth Observing System -- integrated Earth system model and data assimilation system developed at NASA's GMAO
Wikipedia - Godot (game engine) -- Free, cross-platform and open-source game engine
Wikipedia - Godrej Properties Limited -- Indian real estate developer
Wikipedia - Goede tijden, slechte tijden -- Dutch soap opera
Wikipedia - Goert Giltay -- Dutch camera operator
Wikipedia - Gogana streptoperoides -- Species of hook-tip moth
Wikipedia - GoGet -- Car sharing service operating in Australia
Wikipedia - Gold-198 -- Isotope of Gold
Wikipedia - Golden Arrow Bus Services -- Public transport bus service operator for Cape Town, South Africa,
Wikipedia - Golden Era Productions -- organization operated by the Church of Scientology which produces its promotional material
Wikipedia - Golden jackal -- wolf-like canid that is native to Southeast Europe, Asia and Arabia
Wikipedia - Golden Tours -- English open top bus operator and coach tour operator based in London.
Wikipedia - Goldfish-class ROUV -- A light class of Chinese remotely operated underwater vehicle
Wikipedia - Gold-leaf electroscope
Wikipedia - Goldwell Open Air Museum -- Sculpture park and artist residency program
Wikipedia - Golem (Casken opera) -- 1989 opera by John Casken
Wikipedia - GolM-DM-^Ebki -- Central European dish
Wikipedia - Gondola (rail) -- Open-top railroad freight car used for carrying loose bulk materials
Wikipedia - Go North East -- British bus operator
Wikipedia - Go North West -- Bus operating company in Northwest England
Wikipedia - Good faith -- Intention to be fair, open, and honest
Wikipedia - Good-Feel -- Japanese video game developer
Wikipedia - Good Hope, Alabama -- City in Alabama, United States
Wikipedia - Good Hope Centre -- Exhibition hall and conference centre in Cape Town
Wikipedia - Good Hope Jet -- The northward-running shelf edge frontal jet of the Southern Benguela Current off the Cape Peninsula of South Africa's west coast
Wikipedia - Good Neighbor Pharmacy -- American pharmacy retailers' cooperative
Wikipedia - Good to See You Again, Alice Cooper -- 1974 feature film starring Alice Cooper
Wikipedia - Google Assistant -- AI powered digital assistant developed by Google
Wikipedia - Google Camera -- Camera application developed by Google for Android
Wikipedia - Google Chat -- enterprise messaging software developed by Google
Wikipedia - Google Chrome Frame -- Plug-in designed for Internet Explorer based on the open-source Chromium project
Wikipedia - Google Closure Tools -- JavaScript developer toolkit
Wikipedia - Google Currents -- Software developed by Google for internal enterprise communication
Wikipedia - Google Developer Day
Wikipedia - Google Developer Expert
Wikipedia - Google Developers Live
Wikipedia - Google Developers -- Google Developers information and code(RDS)
Wikipedia - Google Drive -- Cloud storage and file synchronization service developed by Google
Wikipedia - Google Fi -- Mobile virtual network operator owned by Google
Wikipedia - Google Flu Trends -- Former web service operated by Google
Wikipedia - Google Fuchsia -- Computer operating system by Google
Wikipedia - Google Guava -- Open-source set of common libraries for Java
Wikipedia - Google Guice -- Open-source software framework
Wikipedia - Google I/O -- Developer conference held by Google
Wikipedia - Google Lens -- Image recognition tool developed by Google
Wikipedia - Google Meet -- Video-conferencing software developed by Google
Wikipedia - Google Nest Wifi -- A mesh-capable wireless router developed by Google
Wikipedia - Google Neural Machine Translation -- System developed by Google to increase fluency and accuracy in Google Translate
Wikipedia - Google One -- Subscription cloud storage service developed by Google for managing storage used by Google's productivity software on the same account
Wikipedia - Google Pay Send -- Mobile payment system developed by Google
Wikipedia - Google Pay -- Mobile payments platform developed by Google
Wikipedia - Google Pinyin -- Input method developed by Google China Labs and released in 2007
Wikipedia - Google Pixelbook -- Laptop developed by Google
Wikipedia - Google Reader -- Defunct RSS/Atom feed aggregator formerly operated by Google
Wikipedia - Google Search -- Web search engine developed by Google
Wikipedia - Google Shopping -- Internet marketplace operated by Google
Wikipedia - Google Spain v AEPD and Mario Costeja Gonzalez -- Decision by the Court of Justice of the European Union
Wikipedia - Google Summer of Code -- Annual program that offers open-source software projects to post-secondary student developers
Wikipedia - Google+ -- Social network owned and operated by Google LLC (launched June 2011)
Wikipedia - Go opening -- Initial moves of a Go game
Wikipedia - Gope boards -- Papua New Guinean tribal art
Wikipedia - Gopendraraja -- Indian king belonging to the Chahamana dynasty
Wikipedia - Gopeng (federal constituency) -- Malaysian federal constituency
Wikipedia - Gopeng -- Town in Perak, Malaysia
Wikipedia - Gorals -- Ethnic group of Central Europe
Wikipedia - Gordon Cooper -- American astronaut
Wikipedia - Gorham's Cave -- Cave and archaeological site in Gibraltar; one of the last known habitations of the Neanderthals in Europe
Wikipedia - Goring Attack -- Chess opening
Wikipedia - Gornergrat Infrared Telescope -- Infrared telescope in Switzerland
Wikipedia - Gospel of Marcion -- A text used by the mid-2nd-century Christian teacher Marcion of Sinope
Wikipedia - Gothic architecture -- Architectural style of Medieval Europe
Wikipedia - Gothic plate armour -- 15th century European steel plate armour
Wikipedia - GotterdM-CM-$mmerung -- Opera by Richard Wagner
Wikipedia - Gottlob Frick -- German opera singer
Wikipedia - Government operations
Wikipedia - Govia Thameslink Railway -- English train operating company
Wikipedia - GOV.UK Verify -- identity assurance system developed by the UK Government Digital Service
Wikipedia - GPlates -- Open-source application software for interactive plate-tectonic reconstructions
Wikipedia - GPUOpen
Wikipedia - Grace Bumbry -- American opera singer
Wikipedia - Graciano Lopez Jaena -- Filipino journalist, orator, and reformist
Wikipedia - Gradescope -- American educational technology company
Wikipedia - Grading (earthworks) -- Civil engineering term; the work of ensuring a level base, or one with a specified slope, for a construction work
Wikipedia - Gradle -- Open source software build automation tool
Wikipedia - Grady Cooper -- American director living in Los Angeles
Wikipedia - Grails (framework) -- Open source web application framework
Wikipedia - Grand Alliance (League of Augsburg) -- European coalition
Wikipedia - Grand Bassin -- Body of open water along the Canal du Midi
Wikipedia - Grand Canyonscope -- 1954 Donald Duck cartoon
Wikipedia - Grand Duchy of Lithuania -- European state from the 12th century until 1795
Wikipedia - Grand Opera House, York -- Theatre in the City of York, North Yorkshire, England
Wikipedia - Grand opera -- 19th-century opera genre
Wikipedia - Grand River Transit -- Transit operator in Waterloo Region, Ontario
Wikipedia - Grand Slam Opera -- 1936 film
Wikipedia - Grandstand (US Open) -- Tennis stadium at the USTA Billie Jean King National Tennis Center in New York
Wikipedia - Grand Theft Auto: San Andreas -- 2004 open world action-adventure video game
Wikipedia - Grand Theft Auto V -- 2013 open world action-adventure game
Wikipedia - Grand TheM-CM-"tre de Bordeaux -- Opera house in Bordeaux, France
Wikipedia - Grand Tour -- Journey around Europe for cultural education
Wikipedia - Grant (law) -- Transfer of property
Wikipedia - Grant Mitchell (Home and Away) -- fictional character from the Australian soap opera Home and Away
Wikipedia - Gran Turismo 7 -- Upcoming video game developed by Polyphony Digital
Wikipedia - Gran Turismo Sport -- 2017 racing video game developed by Polyphony Digital
Wikipedia - GraphBLAS -- API for graph data and graph operations
Wikipedia - Graphene nanoribbon -- Carbon allotrope
Wikipedia - GrapheneOS -- Android-based mobile operating system
Wikipedia - Graphite (SIL) -- Programmable Unicode-compliant smart-font technology and rendering system developed by SIL International as free software
Wikipedia - Graphite -- Allotrope of carbon, mineral, substance
Wikipedia - Graphoscope -- 19th-century magnifying device
Wikipedia - Graph properties
Wikipedia - Graph property
Wikipedia - GraphQL -- Data query language developed by Facebook
Wikipedia - Graptopetalum paraguayense
Wikipedia - Graptopetalum
Wikipedia - Graveyard orbit -- Supersynchronous orbit where spacecraft are intentionally placed at the end of their operational life
Wikipedia - Great Australian Bight -- Open bay off southern Australia
Wikipedia - Great Barrington Declaration -- COVID-19-related open letter
Wikipedia - Great Britain -- Island in the North Atlantic off the northwest coast of continental Europe
Wikipedia - Greater Germanic Reich -- Official state name of the political entity that Nazi Germany tried to establish in Europe during World War II
Wikipedia - Great European immigration wave to Argentina -- Major immigration event took place in the late 19th and early 20th century
Wikipedia - Great Grant Deed -- Transaction for the sale of property by the Cherokee Nation
Wikipedia - Great helm -- European helmet, 1220 to 1350 AD
Wikipedia - Great Jones -- American property management company
Wikipedia - Great Norwegian Encyclopedia -- Norwegian-language online encyclopedia
Wikipedia - Great Russian Encyclopedia -- Universal encyclopedia in Russian
Wikipedia - Great Soviet Encyclopedia -- Encyclopedia
Wikipedia - Great West Aerodrome -- Grass airfield, operational 1930 - 1944 on the site of the current Heathrow Airport
Wikipedia - Great Western Railway (train operating company) -- train operating company in Great Britain
Wikipedia - Greber Plan -- Urban renewal plan for Ottawa, Ontario, Canada developed by planner Jacques Greber
Wikipedia - Greece -- Country in southeastern Europe
Wikipedia - Greek language -- Indo-European language of Greece, Cyprus and other regions
Wikipedia - Green Bank Telescope -- Radio telescope in Green Bank, WV, US
Wikipedia - Green Europe -- Italian political coalition
Wikipedia - Greenfield Bridge -- Bridge in Pittsburgh (opened 2017)
Wikipedia - Green's function -- Impulse response of an inhomogeneous linear differential operator
Wikipedia - Green Versace dress of Jennifer Lopez -- outfit worn to 42nd Grammy Awards in 2000
Wikipedia - Greg Fedderly -- American operatic tenor
Wikipedia - Greg Jessop -- fictional character from the BBC soap opera EastEnders
Wikipedia - GREGOR Solar Telescope -- Solar telescope in the Canary Islands
Wikipedia - Gregory Schopen -- American scholar Buddhist studies
Wikipedia - Greg Wohlwend -- American video game developer
Wikipedia - Gremlin Interactive -- British software developer
Wikipedia - Gremlins: Secrets of the Mogwai -- Upcoming animated television series developed by Tze Chun
Wikipedia - Grenda's Bus Services -- Australian bus and coach operator.
Wikipedia - Greta Bradman -- Australian operatic soprano
Wikipedia - Greta Hofer -- German opera singer
Wikipedia - GRETA -- Council of Europe human rights group
Wikipedia - Grete Forst -- Austrian operatic singer
Wikipedia - Grete Lundbeck European Brain Research Prize
Wikipedia - Gretl Schorg -- Austrian operatic soprano and actress
Wikipedia - Greyball -- Software tool developed and used by Uber
Wikipedia - Grezzo -- Japanese video game developer
Wikipedia - Griselda (A. Scarlatti) -- Opera by Alessandro Scarlatti
Wikipedia - Grok (web framework) -- Open-source web framework
Wikipedia - Groningen gas field -- Largest natural gas field in Europe
Wikipedia - Gropecunt Lane -- Street name in England in the Middle Ages
Wikipedia - Gropenborn -- River in Germany
Wikipedia - Grote Spectrum Encyclopedie -- Dutch encyclopedia
Wikipedia - Ground billiards -- Family of European lawn games
Wikipedia - Ground Operations -- 2004 film
Wikipedia - Group action -- Operation of the elements of a group as transformations or automorphisms (mathematics)
Wikipedia - Group (mathematics) -- Algebraic structure with one binary operation
Wikipedia - Group theory -- Branch of mathematics that studies the properties of groups
Wikipedia - GRT Group -- A former bus operating company in the United Kingdom
Wikipedia - Grupo Aeroportuario del Sureste -- Mexican airport operator
Wikipedia - Gryllus campestris -- European species of insect
Wikipedia - GTW 72 -- Suspension railway train type formerly operated in Wuppertal, Germany
Wikipedia - GTW Generation 15 -- Suspension railway train type operated in Wuppertal, Germany
Wikipedia - Guangzhou Opera House station -- Guangzhou Metro station
Wikipedia - Guarea macropetala -- Species of plant
Wikipedia - Guerrilla Cambridge -- Defunct British video game developer
Wikipedia - Guerrilla Games -- Dutch video game developer
Wikipedia - Guerrilla News Network -- Privately owned news web site and television production company that operated from 2000 to 2009
Wikipedia - GuestReady -- Swiss property management company
Wikipedia - Guiana Space Centre -- French and European spaceport near Kourou in French Guiana, operational since 1968
Wikipedia - Guild of European Research-Intensive Universities -- European university network
Wikipedia - Guild of Saint Luke -- City guild for painters and other artists in early modern Europe
Wikipedia - Guillaume Ibos -- French opera singer
Wikipedia - Guillermina Lopez Balbuena -- Mexican politician
Wikipedia - Guiro -- Latin-American percussion instrument, usually made from natural materials such as an open-ended, hollow gourd with parallel notches cut in one side
Wikipedia - Gulf Cooperation Council -- Union of Persian Gulf states
Wikipedia - Gulf of Guinea -- The northeasternmost part of the tropical Atlantic Ocean from Cape Lopez in Gabon, north and west to Cape Palmas in Liberia
Wikipedia - Gulstan Ropert
Wikipedia - Gunpowder -- Explosive once used as propellant in firearms
Wikipedia - Gunther Emmerlich -- German opera singer and show presenter
Wikipedia - Gunther Leib -- German opera singer
Wikipedia - Gunther von Schwarzburg (opera) -- Opera by Ignaz Holzbauer
Wikipedia - Gustave VaM-CM-+z -- Belgian playwright, librettist and translator of opera librettos
Wikipedia - Gustavo Lopez (fighter) -- American mixed martial arts fighter
Wikipedia - Gust lock -- Mechanism that locks control surfaces and keeps open aircraft doors in place while the aircraft is parked on the ground
Wikipedia - Guvcview -- Free and open source webcam application
Wikipedia - Guy Green (filmmaker) -- Director, cinematographer, camera operator, screenwriter, producer
Wikipedia - Guy J. Swope -- American teacher, accountant, and politician
Wikipedia - Guy Verhofstadt -- Former Prime Minister of Belgium, Member of the European Parliament
Wikipedia - GV-E400 series -- Diesel-electric multiple unit train type operated in Japan
Wikipedia - GVisor -- Linux software project developed by Google
Wikipedia - Gwanghwamun Plaza -- Public open space
Wikipedia - Gwen Cooper (author) -- American novelist
Wikipedia - Gwendoline (opera) -- 1886 opera by Emmanuel Chabrier
Wikipedia - GW Train Regio -- Czech railway operator
Wikipedia - Gymnasium (school) -- Type of school providing advanced secondary education in Europe
Wikipedia - Gymnastics at the 1896 Summer Olympics - Men's rope climbing -- Olympic gymnastics event
Wikipedia - Gymnastics at the 1904 Summer Olympics - Men's rope climbing -- Olympic gymnastics event
Wikipedia - Gymnastics at the 1924 Summer Olympics - Men's rope climbing -- Olympic gymnastics event
Wikipedia - Gymnopilus chrysopellus -- Species of mushroom
Wikipedia - Gynopedia
Wikipedia - Gyromitra esculenta -- Species of fungus in the family Discinaceae widely distributed across Europe and North America
Wikipedia - Gyroscope -- Device for measuring or maintaining orientation and direction
class:encyclopedia
Wikipedia - H100 series -- Diesel-electric multiple unit train type to be operated in Japan
Wikipedia - H2g2 -- British-based collaborative online encyclopedia project
Wikipedia - Habsburg Monarchy -- Former monarchy in Europe from 1282 to 1918
Wikipedia - Hackathon -- Event in which groups of software developers work at an accelerated pace
Wikipedia - Hacker International -- Japanese video game developer
Wikipedia - Hackerspace -- Community-operated physical space for people with common interests
Wikipedia - Hades (video game) -- 2020 action role-playing game developed by Supergiant Games
Wikipedia - Hadley Wickham -- Data scientist, developer of R software
Wikipedia - Haemophilia in European royalty -- Preponderance of a genetic disorder
Wikipedia - Hagioscope -- Architectural term
Wikipedia - Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict
Wikipedia - Haiku (operating system) -- Open-source operating system inspired by BeOS
Wikipedia - Haim Bodek -- American developer of trading software
Wikipedia - Hair for Hope -- Charity event
Wikipedia - Hajduk -- Peasant irregular infantry found in Central and Southeast Europe from the early 17th to mid 19th centuries
Wikipedia - Hakone Tozan 3100 series -- Japanese electric multiple unit train type operated since 2017
Wikipedia - Hal Cazalet -- British tenor opera singer
Wikipedia - Hal Corley -- American soap opera screenwriter
Wikipedia - Haldane's decompression model -- Decompression model developed by John Scott Haldane
Wikipedia - Halfbrick Studios -- Video games developer
Wikipedia - Half-Life: Alyx -- Video game developed by Valve
Wikipedia - Half-open connection
Wikipedia - Half-open file
Wikipedia - Half-open interval
Wikipedia - Halima Nosirova -- Soviet opera singer
Wikipedia - Halite AI Programming Competition -- contest developed by Two Sigma and Cornell Tech
Wikipedia - Hallstatt culture -- Archaeological culture in Europe
Wikipedia - Halo 4 -- 2012 first-person shooter video game developed by 343 Industries
Wikipedia - HAL (open archive) -- French open access repository
Wikipedia - Halopeptonella -- Genus of bacteria
Wikipedia - Haloperidol -- Typical antipsychotic medication
Wikipedia - Halo (safety device) -- Safety device in open-wheel racing
Wikipedia - Halton Transport -- Municipal bus operator in Northwest England
Wikipedia - Hamaticolax unisagittatus -- species of parasitic copepod
Wikipedia - Hamaticolax -- genus of parasitic copepods
Wikipedia - Hambach surface mine -- Open-pit coal mine in Germany
Wikipedia - Hamburg U-Bahn Type A -- German U-Bahn train type formerly operated in Hamburg
Wikipedia - Hamburg U-Bahn Type DT1 -- German U-Bahn train type formerly operated in Hamburg
Wikipedia - Hamburg U-Bahn Type DT2 -- German U-Bahn train type formerly operated in Hamburg
Wikipedia - Hamburg U-Bahn Type DT3 -- German U-Bahn train type operated in Hamburg
Wikipedia - Hamburg U-Bahn Type DT4 -- German U-Bahn train type operated in Hamburg
Wikipedia - Hamburg U-Bahn Type DT5 -- German U-Bahn train type operated in Hamburg
Wikipedia - Hamiltonian (quantum mechanics) -- Quantum operator for the sum of energies of a system
Wikipedia - Hamilton's Pharmacopeia
Wikipedia - Hamilton Standard -- American aircraft propeller manufacturer
Wikipedia - Hammerbeam roof -- A decorative, open timber roof truss typical of English Gothic architecture
Wikipedia - Hammock Music -- Label imprint owned and operated by the band Hammock
Wikipedia - Hana Sofia Lopes -- Luxembourgian actress
Wikipedia - Handbook of Texas -- Encyclopedia of Texas published by the Texas State Historical Association (TSHA)
Wikipedia - HandBrake -- Free and open-source digital video transcoding software
Wikipedia - Handel's lost Hamburg operas -- Operas written by Handel 1703-1706 that have since been lost
Wikipedia - Handheld Games -- North American video game developer
Wikipedia - Handloom sari -- Sari woven by hand-operated loom
Wikipedia - Handmark -- Developer & distributor of mobile content
Wikipedia - Hangerok -- Early medieval northern European clothing
Wikipedia - Hangin' with Mr. Cooper -- American sitcom
Wikipedia - Hannah Cooper -- Liberian hurdler
Wikipedia - Hanne Fischer -- Danish operatic mezzo-soprano
Wikipedia - Hannelore Bode -- German operatic soprano
Wikipedia - Hanns Petersen -- German teacher, opera and pop singer (1927-2006)
Wikipedia - Han purple and Han blue -- Synthetic barium copper silicate pigments developed in China
Wikipedia - Hanseatic League -- Trade confederation in Northern Europe
Wikipedia - Hans Gunter Nocker -- German operatic bass-baritone
Wikipedia - Hans Hartleb (director) -- German opera director
Wikipedia - Hans Hopf -- German operatic tenor
Wikipedia - Hansken -- Female elephant that became famous in 17th-century Europe
Wikipedia - Hanslope Park
Wikipedia - Hanslope -- Civil parish in the Borough of Milton Keynes, England
Wikipedia - Hans Neugebauer -- German opera director, designer, and singer
Wikipedia - Hans Richter (conductor) -- Austrian-Hungarian orchestral and operatic conductor
Wikipedia - Hans Rossling -- German operatic bass
Wikipedia - Hans Sotin -- German operatic bass
Wikipedia - Hans Tavsens Gade -- Street in Copenhagen
Wikipedia - Hans Vollmer -- German art historian and encyclopedist
Wikipedia - Haplogroup R1b -- Most frequently occurring paternal lineage in Western Europe
Wikipedia - Haplopeza -- Genus of beetles
Wikipedia - Happy number -- Numbers with a certain property involving recursive summation
Wikipedia - Haraldsgade -- Street in Copenhagen
Wikipedia - Harana (elopement) -- Indian Hindu tradition
Wikipedia - Hardlight -- British mobile game developer owned by Sega
Wikipedia - Hard (nautical) -- Firm or paved beach or slope by water that is convenient for hauling boats out of the water
Wikipedia - Hardo AasmM-CM-$e -- Estonian politician, geographer, and encyclopedist
Wikipedia - Hardware virtualization -- The virtualization of computers or operating systems
Wikipedia - Hareskovbanen -- S-train line in Copenhagen
Wikipedia - HarfBuzz -- Open source text shaping library
Wikipedia - Harmony Headlands State Park -- Undeveloped section of Pacific coast in California, United States. Located in San Luis Obispo County on Highway 1
Wikipedia - Harmony (operating system) -- Research operating system.
Wikipedia - HarmonyOS -- IoT operating system by Huawei
Wikipedia - Harold Bishop -- Fictional character in the Australian soap opera Neighbours
Wikipedia - Harold Cottam -- Wireless operator on the RMS Carpathia (1891-1984)
Wikipedia - Harold Legg -- fictional character from the BBC soap opera EastEnders
Wikipedia - Harold Rainsford Stark -- American admiral, 8th US Chief of Naval Operations (1880-1972)
Wikipedia - Harold Roper Robinson -- British physicist
Wikipedia - Harold Schwartz -- American businessman and real estate developer
Wikipedia - Harpacticidae -- A family of copepod crustaceans
Wikipedia - Harrison Report -- 1945 report on conditions in displaced persons camps in post-WW II Europe
Wikipedia - Harry B. Macklowe -- American real-estate developer
Wikipedia - Harry Kupfer -- German opera director
Wikipedia - Hartebeest -- grassland antelope
Wikipedia - Hartmann mask -- Telescope focusing device
Wikipedia - Hartmut Welker -- German opera singer
Wikipedia - Harvard/MIT Cooperative Society -- U.S. campus bookstore chain
Wikipedia - Harvest Hills Cooperative Community -- RLDS commune near Independence, Missouri, United States
Wikipedia - Harvest Moon: Light of Hope -- 2017 farming simulation video game
Wikipedia - Haskalah -- Intellectual movement among the Jews of Central and Eastern Europe, 1770-1890
Wikipedia - Hathway -- Cable TV service operator
Wikipedia - HATNet Project -- Network of 6 small automated telescopes maintained by the Harvard-Smithsonian Center for Astrophysics
Wikipedia - Hato Bus -- Japanese sightseeing bus operator
Wikipedia - Hattie Tavernier -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Havana Hopewell culture -- Indigenous American culture
Wikipedia - Have No Fear: The Life of Pope John Paul II
Wikipedia - Hawaii Opera Theatre -- Non-profit organisation
Wikipedia - Hawar Kilis Operations Room -- Operations Room
Wikipedia - Hawkinsville and Florida Southern Railway -- Former railway that was founded in 1896, operating 43 miles (69 km) of track from Hawkinsville to Worth, Georgia, USA
Wikipedia - Haya Kaspi -- Israeli operations researcher and statistician
Wikipedia - Haydee -- Opera by Daniel Auber
Wikipedia - Hayley Cropper -- Fictional character from the British soap opera Coronation Street
Wikipedia - Haymarket (Boston) -- open-air market in Boston, Massachusetts, USA
Wikipedia - HayPost -- Official postal operator of Armenia
Wikipedia - Haystack Landing -- Historic property in Sonoma County, California.
Wikipedia - Hazard -- A substance or situation which has the potential to cause harm to health, life, the environment, property, or any other value
Wikipedia - H-Bahn -- Suspended, driverless passenger railway system developed in Germany
Wikipedia - HB-E210 series -- Hybrid battery/diesel multiple unit train type operated in Japan
Wikipedia - HBO Europe -- Group of television channels owned by HBO
Wikipedia - H. Cooper Cliffe -- British actor
Wikipedia - HD 15558 -- Star in the constellation Cassiopeia
Wikipedia - HD 15920 -- Star in the constellation Cassiopeia
Wikipedia - HD 17156 -- Star in the constellation Cassiopeia
Wikipedia - HD 19275 -- Star in the constellation Cassiopeia
Wikipedia - HD 219134 -- Star in the constellation Cassiopeia
Wikipedia - HD 219623 -- Star in the constellation Cassiopeia
Wikipedia - HD 220074 -- Star in the constellation Cassiopeia
Wikipedia - HD 240210 -- Star in the constellation Cassiopeia
Wikipedia - HD 240429/240430 -- Star in the constellation Cassiopeia
Wikipedia - HD 3240 -- Star in the constellation Cassiopeia
Wikipedia - HD 7924 -- Star in the constellation Cassiopeia
Wikipedia - Head (Julian Cope song) -- Song by the English singer-songwriter Julian Cope
Wikipedia - Headstrong Games -- Defunct British video game developer
Wikipedia - Head transplant -- Surgical operation
Wikipedia - Health and Education for All -- Charity operating in India
Wikipedia - Health Level Seven International -- Organization involved in healthcare informatics interoperability standards
Wikipedia - Health of Pope John Paul II
Wikipedia - Healthpeak Properties -- Real estate investment trust
Wikipedia - Heap (mathematics) -- Algebraic structure with a ternary operation
Wikipedia - Heartbleed -- Security bug in OpenSSL
Wikipedia - Heart Nebula -- Nebula in the constellation Cassiopeia
Wikipedia - HeartRhythm Case Reports -- Open access medical journal
Wikipedia - Heater shield -- Form of European medieval shield whose shape resembles that of a clothes iron
Wikipedia - Heather Begg -- New Zealand opera singer
Wikipedia - Heatwave Interactive -- Video game developer
Wikipedia - Heaven's Open -- 1991 album by Michael Oldfield
Wikipedia - Heaving line knot -- Class of knot used to add weight to the end of a rope to make it easier to throw
Wikipedia - Heavy metals -- Loosely defined subset of elements that exhibit metallic properties
Wikipedia - Hector Miguel Bautista Lopez -- Mexican politician
Wikipedia - Hedgehog signaling pathway -- Embryonic signaling pathway for proper cell differentiation
Wikipedia - Hedgehope Branch -- Branch railway line in the South Island of New Zealand
Wikipedia - Heerema Marine Contractors -- Crane vessel operator based in the Netherlands
Wikipedia - Hefker beth-din hefker -- Jewish legal term on the forfeiture of another's property
Wikipedia - Hegesias of Sinope
Wikipedia - Heidi Brunner -- Swiss opera singer
Wikipedia - Heike Popel -- German luger
Wikipedia - Heiko Trinsinger -- Belgian operatic bass
Wikipedia - Hein Mulders -- Dutch opera director
Wikipedia - Heinrich Bensing -- German opera singer
Wikipedia - Heinrich Berte -- Austria-Hungarian composer of operas and operettas
Wikipedia - Heinz Imdahl -- German opera singer
Wikipedia - Heinz Ruckert -- German opera director
Wikipedia - Heisei ChikuhM-EM-^M Railway -- Rail operator based in Fukuoka Prefecture, Japan
Wikipedia - Heisenberg picture -- Formulation of quantum mechanics in which observable operators evolve over time, while the state vector does not change
Wikipedia - Helena J. Nussenzveig Lopes -- Brazilian mathematician
Wikipedia - Helen Cooper (politician) -- Canadian politician and administrator
Wikipedia - Helen Donaldson -- Australian operatic soprano
Wikipedia - Helene Cooper -- Liberian-born American journalist
Wikipedia - Helen Hope Montgomery Scott -- Philadelphian socialite and philanthropist
Wikipedia - Helion (chemistry) -- Helium-3 isotope nucleus
Wikipedia - Heliotrope (film) -- 1920 film by George D. Baker
Wikipedia - Helium-3 -- Helium isotope with two protons and one neutron
Wikipedia - Helix Energy Solutions Group -- Provider of offshore services and ROV operations
Wikipedia - Hellenic languages -- Branch of Indo-European language family
Wikipedia - Hellingly Hospital Railway -- Light railway owned and operated by East Sussex County Council
Wikipedia - Hello Alfred -- Residential property management software
Wikipedia - Hello Games -- British video game developer
Wikipedia - Hello Operator (song) -- 2000 single by The White Stripes
Wikipedia - Help:Adding open license text to Wikipedia
Wikipedia - Helsinki Accords -- 1975 non-binding European and North American political agreement
Wikipedia - Helvetica -- 1957 sans-serif typeface developed by Max Miedinger
Wikipedia - Hemispherical resonator gyroscope
Wikipedia - Hemophilia in European royalty
Wikipedia - Henriette Bonde-Hansen -- Danish operatic soprano
Wikipedia - Henriette Grabau-Bunau -- German operatic mezzo-soprano
Wikipedia - Henriette Meric-Lalande -- French operatic soprano
Wikipedia - Henriette Sontag -- German operatic singer
Wikipedia - Henriette Widerberg -- Swedish opera soprano
Wikipedia - Henry Adefope -- Foreign minister of Nigeria (1926-2012)
Wikipedia - Henry Choo -- Australian operatic lyric tenor
Wikipedia - Henry Cord Meyer -- American historian of Europe
Wikipedia - Henry E. Cooper -- American politician
Wikipedia - Henry Elghanayan -- American real estate developer
Wikipedia - Henry Hewes (politician) -- American real estate developer and political candidate
Wikipedia - Henry Hope (Quebec lieutenant governor) -- British soldier and colonial administrator
Wikipedia - Henry Hope Wong -- Aviator (b. 1900)
Wikipedia - Henry II of England -- 12th-century King of England, Duke of Aquitaine, and ruler of other European lands
Wikipedia - Henry Northey Hooper -- 19th-century American manufacturer and merchant
Wikipedia - Henry Opitek -- First person to survive open heart surgery
Wikipedia - Henry Philip Hope -- Anglo-Dutch art and gem collector
Wikipedia - Henry Pope Anderson -- Farm labor union organizer, activist, author, and historian
Wikipedia - Henry Ramsay (Neighbours) -- fictional character from the Australian soap opera Neighbours
Wikipedia - Henry Scrope, 3rd Baron Scrope of Masham
Wikipedia - Henry Scrope (died 1625) -- English politician
Wikipedia - Henry Stopes
Wikipedia - Henry Wilks -- Fictional character from the ITV soap opera Emmerdale
Wikipedia - HEPRO -- Public health project in Northern Europe
Wikipedia - Herbal medicine -- Study and use of supposed medicinal properties of plants
Wikipedia - Herbert Doussant -- American operatic tenor
Wikipedia - Herbert Schachtschneider -- German operatic tenor
Wikipedia - Herbert Sobel -- American military personnel, salesperson and paratrooper
Wikipedia - Her First Elopement -- 1920 film directed by Sam Wood
Wikipedia - Heritage Great Britain PLC -- Attractions company that operates numerous sites in the UK.
Wikipedia - Heritage Open Days -- Annual celebration of England's architecture
Wikipedia - Heritage Property Act (Nova Scotia) -- Canadian provincial statute
Wikipedia - Heritage Property Act (Saskatchewan) -- Canadian provincial statute
Wikipedia - Heritage registers in Belgium -- Cultural property of Belgium
Wikipedia - Hermann Thomaschek -- German opera siger
Wikipedia - Hermann Wiedemann -- German operatic baritone
Wikipedia - Hermann Wilhelm Weil -- American opera singer
Wikipedia - Hermann Winkler (tenor) -- German operatic tenor
Wikipedia - Herman Van Rompuy -- 49th Prime Minister of Belgium and 1st President of the European Council
Wikipedia - Hermin Esser -- German operatic tenor
Wikipedia - Hermione (opera)
Wikipedia - Hermitian operators
Wikipedia - Hernan Orantes Lopez -- Mexican politician
Wikipedia - Herodiade -- Opera by Jules Massenet
Wikipedia - Heroes for Hope
Wikipedia - Heron's fountain -- Hydraulic machine using pneumatic transfer of hydrostatic pressure to operate a fountain
Wikipedia - Herpestes lemanensis -- Extinct species of mongoose from Europe
Wikipedia - Herrschaft -- Territory or a feudal lord in medieval Europe
Wikipedia - Herta Talmar -- Austrian singer and opera singer
Wikipedia - Hertha Topper -- Austrian contralto opera singer
Wikipedia - Herva Nelli -- Operatic soprano
Wikipedia - Herve Stevenin -- European aquanaut at the European Astronaut Centre
Wikipedia - Hervey Alan -- English operatic singer
Wikipedia - Heterocope -- Genus of crustaceans
Wikipedia - Heteropeza pygmaea -- Species of fly
Wikipedia - Heteropeza -- Genus of flies
Wikipedia - Hetman -- Historical political and military title in Central and Eastern Europe
Wikipedia - Hetton colliery railway -- First railway to operate without animal power (opened in 1822)
Wikipedia - Hexalobus monopetalus -- species of plant in the family Annonaceae
Wikipedia - He Xiaopeng -- Chinese entrepreneur
Wikipedia - Hey, Johnnie Cope, Are Ye Waking Yet? -- Traditional song
Wikipedia - Hey! Pikmin -- 2017 action video game developed by Arzest and published by Nintendo
Wikipedia - HFS Plus -- Journaling file system developed by Apple
Wikipedia - Hiberno-Scottish mission -- Irish and Scottish Christian missionaries who operated in medieval England and Continental Europe, especially after the Anglo-Saxon invasion of England
Wikipedia - Hierarchy Open Service Interface Definition
Wikipedia - Higher-order type operator
Wikipedia - High Flux Isotope Reactor -- Nuclear research reactor in Oak Ridge, Tennessee
Wikipedia - High Hopes (1988 film)
Wikipedia - High Hopes in South Africa -- 2014 film
Wikipedia - High Hopes (Panic! at the Disco song)
Wikipedia - High Impact Games -- Video game developer
Wikipedia - High Middle Ages -- Period of European history between 1000 and 1250 AD
Wikipedia - High Orbit Ion Cannon -- Open-source network
Wikipedia - High Peak Buses -- Bus operator in England
Wikipedia - HighScope -- Early childhood education research project
Wikipedia - High-speed rail in Europe
Wikipedia - H-II Transfer Vehicle -- Uncrewed cargo spacecraft developed by JAXA
Wikipedia - Hilda Ogden -- Fictional character from the ITV soap opera Coronation Street
Wikipedia - Hildegard Heichele -- Soprano in opera and concert
Wikipedia - Hildegard Hillebrecht -- German operatic soprano
Wikipedia - Hilde Zadek -- German operatic soprano
Wikipedia - Himalopenetretus -- Genus of beetles
Wikipedia - Hindeloopen Frisian
Wikipedia - Hinemos -- Open-source application
Wikipedia - Hi-Point Carbine -- Carbine developed during defunct 1994 Federal assault weapons ban
Wikipedia - Hipolito Ruiz Lopez -- Spanish botanist (1754-1816)
Wikipedia - Hippie trail -- Overland journey from Europe to Asia
Wikipedia - Hippolytus of Rome -- 3rd-century antipope and theologian in the Christian Church
Wikipedia - Hippopedon capito -- Species of grasshopper
Wikipedia - Hippopedon gracilipes -- Species of grasshopper
Wikipedia - Hippopedon -- Genus of grasshoppers
Wikipedia - Hip spica cast -- Type of orthopedic cast
Wikipedia - Hirnytske, Dnipropetrovsk Oblast -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Hirschsprung Collection -- Art museum in Copenhagen, Denmark
Wikipedia - Hispanopithecus -- Genus of apes from Miocene Europe
Wikipedia - Hispasat -- Spanish satellite operator
Wikipedia - Historical European Martial Arts in Australia -- Martial Arts in Australia
Wikipedia - Historical European martial arts
Wikipedia - Historic properties in Fort Huachuca National Historic District -- US Army base
Wikipedia - Historic Roman Catholic Properties in Mobile Multiple Property Submission -- multiple listing in the U.S. National Register of Historic Places
Wikipedia - History (European TV channel) -- European television channel
Wikipedia - HistoryLink -- Online encyclopedia of Washington State history
Wikipedia - History of agriculture -- notable events in the history of how plants and animals were domesticated and how techniques of raising them for human uses was developed
Wikipedia - History of aviation -- History of the design, development, production, operation, and use of aircraft
Wikipedia - History of Belize (1506-1862) -- History of European colonial settlement in Belize (1506-1862)
Wikipedia - History of California before 1900 -- Native inhabitants, European exploration and colonization
Wikipedia - History of children in the military -- History of recruiting children for military operations
Wikipedia - History of encyclopedias -- Aspect of history
Wikipedia - History of English land law -- Development in England of the law of real property
Wikipedia - History of European exploration in Tibet
Wikipedia - History of European research universities
Wikipedia - History of European universities
Wikipedia - History of Europe
Wikipedia - History of free and open-source software
Wikipedia - History of German settlement in Central and Eastern Europe -- Aspect of German migration history
Wikipedia - History of IBM mainframe operating systems -- History of operating systems used on IBM mainframes
Wikipedia - History of Malta -- History of the European country of Malta
Wikipedia - History of operating systems
Wikipedia - History of sentence spacing -- Evolution of sentence spacing conventions from the introduction of movable type in Europe
Wikipedia - History of the Cape Colony from 1806 to 1870 -- History of the first European colony in South Africa (1806-1870)
Wikipedia - History of the Cape Colony from 1870 to 1899 -- History of the first European colony in South Africa (1870-1899)
Wikipedia - History of the cooperative movement -- Cooperative movement history
Wikipedia - History of the European Coal and Steel Community (1945-1957) -- Aspect of history
Wikipedia - History of the European Union
Wikipedia - History of the Jews in Europe
Wikipedia - History of the Opera web browser
Wikipedia - History of the telescope -- Aspect of history
Wikipedia - History of United States Naval Operations in World War II -- Non-fiction book by Samuel Eliot Morison
Wikipedia - History of U.S. Marine Corps Operations in World War II -- Official WW II history series
Wikipedia - Hittite language -- an extinct Bronze Age Indo-European language
Wikipedia - Hjalmar J. Procope -- Finnish politician and diplomat
Wikipedia - HK Television Entertainment -- Television service operator in Hong Kong
Wikipedia - HMAS Huon (M 82) -- Ship of the Huon-class of minehunters operated by the Royal Australian Navy
Wikipedia - HM-bM-^BM-^BewsM-EM-^Ms -- Dawn-goddess in the Proto-Indo-European mythology
Wikipedia - HM-CM-$meenlinna -- City in Tavastia Proper, Finland
Wikipedia - HMNB Devonport -- Operating base in the United Kingdom for the Royal Navy
Wikipedia - HMS Antelope (1893) -- Royal Navy Alarm-class torpedo gunboat
Wikipedia - HMS Antelope (F170) -- Royal Navy frigate of the Type 21, Amazon Class
Wikipedia - HMS Antelope (H36) -- A-class destroyer
Wikipedia - HMS Antelope
Wikipedia - HMS Calliope (1884) -- Calypso-class corvette
Wikipedia - HMS Good Hope (1901) -- Drake-class armored cruiser
Wikipedia - HMS Penelope (F127) -- Leander-class frigate, launched 1962
Wikipedia - H.M.S. Pinafore -- Comic, 2-act opera by Gilbert and Sullivan
Wikipedia - Hobbyist operating system development
Wikipedia - HOCR -- Open standard for OCR'd text
Wikipedia - Hodge star operator
Wikipedia - Hogback (geology) -- A long, narrow ridge or a series of hills with a narrow crest and steep slopes of nearly equal inclination on both flanks
Wikipedia - Hogwarts Legacy -- Upcoming open-world video game
Wikipedia - Ho-Kau Chan -- |Chinese actress and Cantonese opera singer
Wikipedia - Hole opener -- Device used to enlarge the borehole during a well drilling operation
Wikipedia - Hole -- Opening in the surface of an object
Wikipedia - Holiday in St. Tropez -- 1964 film
Wikipedia - Holidays in Europe (The Naughty Nought) -- 1986 studio album by Kukl
Wikipedia - Hollister Ranch -- Undeveloped coastal area on the Gaviota coast
Wikipedia - Hollow Knight: Silksong -- Upcoming video game developed by Team Cherry
Wikipedia - Holmen Naval Base -- Naval base in Copenhagen, Denmark
Wikipedia - Holocaust Encyclopedia
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Wikipedia - Holyoke Opera House -- A theatre built in 1877 in Holyoke, Massachusetts
Wikipedia - Holy Roman Empire -- multi-ethnic complex of territories in Western and Central Europe (800-1806)
Wikipedia - Home and Away -- Australian television soap opera
Wikipedia - Home equity -- Market value of a homeowner's unencumbered interest in their real property
Wikipedia - Home insurance -- A type of property insurance that covers a private residence
Wikipedia - Homemaking -- Act of overseeing the organizational, financial, day-to-day operations of a house or estate
Wikipedia - Homer Vernon Cooper -- American politician (1890-1968)
Wikipedia - Homoclinal ridge -- Ridge with a moderate sloping backslope and steeper frontslope
Wikipedia - Hone Ropata -- Fictional character on the New Zealand soap opera Shortland Street
Wikipedia - Honey Mitchell -- Fictional character from the British soap opera EastEnders
Wikipedia - Hongkong and Yaumati Ferry -- Hong Kong ferry and property company
Wikipedia - Hongkong International Terminals -- Hong Kong container port operator
Wikipedia - Hood scoop -- Opening for air to enter car engines
Wikipedia - Hooker Telescope
Wikipedia - Hooper Atchley -- American actor
Wikipedia - Hooper Bay (EP) -- extended play
Wikipedia - Hooper (film) -- 1978 film by Hal Needham
Wikipedia - Hooper, Utah -- City in Utah, United States
Wikipedia - Hope 103.2 -- Radio station in Sydney
Wikipedia - Hope (2007 film) -- 2007 film
Wikipedia - Hope (2011 film) -- 2011 Canadian short film
Wikipedia - Hope (2019 film) -- 2019 film
Wikipedia - Hopea bancana -- species of plant in the family Dipterocarpaceae
Wikipedia - Hope Abelson -- American theater producer and philanthropist
Wikipedia - Hope Aerodrome -- Airport in British Columbia, Canada
Wikipedia - Hopea mesuoides -- Species of plant
Wikipedia - Hope & Gloria -- Television series
Wikipedia - Hopea plagata -- species of plant in the family Dipterocarpaceae
Wikipedia - Hope Atherton -- American colonial clergyman
Wikipedia - Hope Aur Hum -- 2018 indian family-drama film
Wikipedia - Hopea
Wikipedia - Hope Basin -- A geological feature of the Chukchi Sea Shelf off Alaska
Wikipedia - Hope Bay -- Bay of Antarctica
Wikipedia - Hope Bender -- American track and field athlete
Wikipedia - Hope Black -- Australian marine biologist
Wikipedia - Hope Bridges Adams Lehmann -- German physician
Wikipedia - Hope Brooks -- Jamaican painter
Wikipedia - Hope Channel Philippines -- Philippine Protestant network
Wikipedia - Hope Channel -- Christian lifestyle television channel
Wikipedia - Hope (Clapham novel) -- Doctor Who novel by Mark Clapham
Wikipedia - Hope College -- Private liberal arts college in Holland, Michigan, United States
Wikipedia - Hope! - Das Obama Musical -- German musical
Wikipedia - Hope Davis -- American actress
Wikipedia - Hope Diamond -- Historic 45.52 carat diamond of deep-blue color
Wikipedia - Hope Downs -- Studio album by Rolling Blackouts Coastal Fever
Wikipedia - Hope Dworaczyk -- American Playboy model
Wikipedia - Hope Edelman -- American writer and essayist
Wikipedia - Hope Ekudu -- Ugandan statistician and bank executive
Wikipedia - Hope Elementary School District -- Elementary school district in Santa Barbara, California
Wikipedia - Hope Ezeigbo -- Nigerian athlete
Wikipedia - Hope Force -- Political party in Benin
Wikipedia - Hope for Haiti Now -- 2010 charity telethon
Wikipedia - Hope For The Day -- non-profit focusing on suicide prevention in Chicago, Illinois, US
Wikipedia - Hope Foye -- American folk singer
Wikipedia - Hope Frozen -- 2019 documentary film
Wikipedia - Hopeful Stakes (Great Britain) -- Flat horse race in Britain
Wikipedia - Hope Gap -- 2019 film by William Nicholson
Wikipedia - Hope Hale Davis -- American author
Wikipedia - Hope Hampton -- American actress
Wikipedia - Hope Hibbard -- American zoologist
Wikipedia - Hope Hicks -- American public relations executive and political advisor
Wikipedia - HOPE (Hold On Pain Ends) Charitable Trust -- Humanitarian organisation
Wikipedia - Hope in Heaven -- Film by Meredith Ralston
Wikipedia - Hope Ishii -- American scientist
Wikipedia - Hope Jahren -- American geologist
Wikipedia - Hopeless Records -- American record label
Wikipedia - Hope Logan -- Fictional character from The Bold and the Beautiful
Wikipedia - Hope Loring -- English screenwriter
Wikipedia - Hope Loves Company -- American nonprofit organization
Wikipedia - Hope Masterton Waddell -- Irish medical missionary
Wikipedia - Hope Memorial Bridge -- Art deco truss bridge crossing the Cuyahoga River in Cleveland, Ohio, US
Wikipedia - Hope Mirrlees
Wikipedia - Hope Municipal Airport -- Airport in Hope, Arkansas
Wikipedia - Hope Mwesigye -- Ugandan lawyer and politician
Wikipedia - Hope Network -- Non-profit Christian organization in Michigan
Wikipedia - Hope not Hate -- Advocacy group against racism and fascism, based in the United Kingdom
Wikipedia - Hope of Deliverance -- 1992 single by Paul McCartney
Wikipedia - Hope (painting, Pollaiolo) -- 1470 painting by Piero del Pollaiolo
Wikipedia - Hope (painting) -- 1886 painting by George Frederic Watts
Wikipedia - Hope Point Tower -- Skyscraper in Rhode Idland, U.S.
Wikipedia - Hope (programming language)
Wikipedia - Hope Pym
Wikipedia - Hope railway station (England) -- Railway station in Derbyshire, England
Wikipedia - Hopere Uru -- New Zealand politician and sportsman
Wikipedia - Hoperius -- Genus of beetles
Wikipedia - Hope Rugo -- American oncologist
Wikipedia - Hope Sandoval -- American singer
Wikipedia - Hope Sandrow -- American artist
Wikipedia - Hope Springs (2003 film) -- 2003 film by Mark Herman
Wikipedia - Hope Summers (comics)
Wikipedia - Hopetoun House -- Category A listed building; historic Scottish country house
Wikipedia - Hope Township, New Jersey -- Township in Warren County, New Jersey, United States
Wikipedia - Hope (virtue)
Wikipedia - Hope Waddell Training Institution -- Colonial school in Calabar, Cross River State, Nigeria
Wikipedia - Hopewell (band) -- American rock band
Wikipedia - Hopewell, Boone County, Arkansas -- Human settlement in Arkansas, United States of America
Wikipedia - Hopewell Centre (Hong Kong) -- Building in Wan Chai, Hong Kong
Wikipedia - Hopewell Chin'ono -- Zimbabwean journalist
Wikipedia - Hopewell Junction, New York
Wikipedia - Hopewell, New Jersey -- Borough in Mercer County, New Jersey, United States
Wikipedia - Hopewell, Red River County, Texas -- Human settlement in United States of America
Wikipedia - Hopewell Rocks -- Provincial park of New Brunswick, Canada
Wikipedia - Hopewell, Saint Thomas -- Settlement in the Barbados
Wikipedia - Hopewell Township, Cumberland County, New Jersey -- Township in Cumberland County, New Jersey, United States
Wikipedia - Hopewell Township, Mercer County, New Jersey -- Township in Mercer County, New Jersey, United States
Wikipedia - Hopewell tradition -- Common aspects of Native American culture that flourished in northeastern and midwestern North America
Wikipedia - Hopewell Valley Central High School -- High school in Mercer County, New Jersey, United States
Wikipedia - Hopewell Valley Regional School District -- School district in Mercer County, New Jersey, United States
Wikipedia - Hope -- Optimistic attitude of mind
Wikipedia - HOPE-X -- Japanese experimental spaceplane
Wikipedia - Hopper (spacecraft) -- 1990s European proposal of a robotic spaceplane
Wikipedia - Hoppity Hooper -- Television series
Wikipedia - Horace Plunkett -- Irish agricultural reformer and promoter of cooperatives, and politician
Wikipedia - Horace-Scope -- album by Horace Silver
Wikipedia - Horbygaard -- Historical property near Copehnhagen, Denmark
Wikipedia - Hornito -- Conical structures built up by lava ejected through an opening in the crust of a lava flow
Wikipedia - Horoscope -- Astrological chart or diagram
Wikipedia - Horsehope Craig Hoard -- Bronze Age hoard found in Scotland 1864
Wikipedia - Horst Gunter -- German opera singer
Wikipedia - Horst Wessel -- Murdered stormtrooper made into a Nazi martyr
Wikipedia - Hortus deliciarum -- 12th century illuminated medieval encyclopedia compiled by Herrad of Landsberg
Wikipedia - Hoshen-Kopelman algorithm -- Algorithm for labeling clusters on a grid
Wikipedia - Hoshino Resorts -- Japan-based resort hotel operator
Wikipedia - Hospitals of Hope -- Christian medical missions organization
Wikipedia - Host Europe Group -- London-based domain name registrar and web hosting company
Wikipedia - Hot air balloon -- Lighter than air aircraft consisting of a bag, called an envelope, which contains heated air
Wikipedia - Hotel Phoenix Copenhagen -- Hotel in Copenhagen, Denmark
Wikipedia - Hot Shots (album) -- compilation album by Trooper
Wikipedia - Hotspot Ecosystem Research and Man's Impact On European Seas -- An international multidisciplinary project that studies deep-sea ecosystems
Wikipedia - Hotspot Ecosystems Research on the Margins of European Seas -- international multidisciplinary research project
Wikipedia - Houben-Weyl Methods of Organic Chemistry -- Chemistry encyclopedia established by Theodor Weyl
Wikipedia - Housecarl -- Medieval Northern European social rank
Wikipedia - House House -- Australian video game developer
Wikipedia - House management -- Front of house operations in a theatre
Wikipedia - House of Bonaparte -- Imperial and royal European dynasty
Wikipedia - House of Bourbon -- European royal house of French origin
Wikipedia - House of Hesse -- European noble house originating from Hesse, Germany
Wikipedia - House of Merode -- European noble family
Wikipedia - House of Oldenburg -- European dynasty of North German/Danish origin founded in 1101
Wikipedia - House of Orange-Nassau -- European dynasty
Wikipedia - House of Stuart -- European royal house
Wikipedia - Housing cooperative
Wikipedia - Houston Branch (Marshyhope Creek tributary) -- Stream in Delaware, USA
Wikipedia - Houting -- European extinct fish
Wikipedia - Houtkopersburgwal -- Canal in Amsterdam
Wikipedia - Hovertravel -- Ferry company operating routes between Portsmouth and the Isle of Wight
Wikipedia - How a Mosquito Operates -- 1912 film
Wikipedia - Howard Copeland -- American lawyer and politician
Wikipedia - Howling Laud Hope -- Leader of the Official Monster Raving Loony Party
Wikipedia - Hoxhaism -- Variant of anti-revisionist Marxism-Leninism that developed in the late 1970s due to a split in the Maoist movement
Wikipedia - Hoysala architecture -- The building style developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, in India
Wikipedia - HR 244 -- Star in the constellation Cassiopeia
Wikipedia - HR 273 -- Star in the constellation Cassiopeia
Wikipedia - HR 511 -- Star in the constellation Cassiopeia
Wikipedia - HTML attribute -- Special words used inside the opening tag to control the element's behaviour
Wikipedia - Huawei Mate 40 -- Series of high-end Android-based phablets developed by Huawei
Wikipedia - Huawei MatePad Pro -- High-end Android based tablet developed by Huawei
Wikipedia - Huawei Mate S -- Android smartphone developed by Huawei
Wikipedia - Huawei Nova -- Smartphone developed by Huawei
Wikipedia - Huawei P20 -- Android based smartphone developed by Huawei
Wikipedia - Huawei Sonic -- Android smartphone developed by Huawei
Wikipedia - Hubble Legacy Field -- image by Hubble Space Telescope of a small region of space containing ~265,000 galaxies
Wikipedia - Hubble Space Telescope -- Space telescope
Wikipedia - Hubynykha -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Hudde's rules -- Two properties of polynomial roots
Wikipedia - Hudson Pacific Properties -- American real estate investment trust
Wikipedia - Hue -- Property of a color indicating balance of color perceived by the normal human eye
Wikipedia - Huff 'n' Puff -- Hot air balloon festival in Topeka, Kansas
Wikipedia - Hugh Trevor-Roper
Wikipedia - Hugo Lopez (athlete) -- Guatemalan racewalker
Wikipedia - Hugues Gall -- French opera manager
Wikipedia - Hulleys of Baslow -- Bus operator in Derbyshire
Wikipedia - Hull Trains -- UK Open Access Train Operating Company
Wikipedia - Human Markup Language -- XML specification developed to contextually describe physical, kinesic, cultural, and social information about instances of human communicatio
Wikipedia - Human rights in Europe
Wikipedia - Human Voices -- 1980 novel by Penelope Fitzgerald
Wikipedia - Humberto Lopez Lena -- Mexican politician
Wikipedia - Hungarian Gold Train -- German-operated train during World War II
Wikipedia - Hungarian invasions of Europe
Wikipedia - Hungarian People's Republic -- 1949-1989 socialist republic in Central Europe
Wikipedia - Hungarian Revolution of 1848 -- European Revolution of 1848
Wikipedia - Hungary -- Country located in Central Europe
Wikipedia - Huns -- Extinct nomadic people who lived in Central Asia, the Caucasus, and Eastern Europe
Wikipedia - Hunter King (Home and Away) -- fictional Australian soap opera character
Wikipedia - Hutchinson Encyclopedia
Wikipedia - Huw Edwards (EastEnders) -- Fictional character in the BBC soap opera EastEnders
Wikipedia - Huw Irranca-Davies -- Welsh Labour Co-operative politician and Assembly Minister for Ogmore
Wikipedia - Hyades (star cluster) -- Open cluster located in the constellation Taurus. Closest star cluster to Earth.
Wikipedia - Hybanthus monopetalus -- Species of plant
Wikipedia - Hybrid Log-Gamma -- High dynamic range standard that was jointly developed by the BBC and NHK
Wikipedia - Hybrid open access journal
Wikipedia - Hybrid open-access journal -- Journal publishing a mixture of open access and subscription based content
Wikipedia - Hydnum repandum -- Species of edible fungus of the family Hydnaceae distributed in Europe
Wikipedia - Hydra (operating system)
Wikipedia - Hydrocopter -- An amphibious propeller-driven catamaran with a boat-like hull, small wheels and pontoon skis
Wikipedia - Hydrogen Epoch of Reionization Array -- A low frequency radio telescope in South Africa
Wikipedia - Hydrogen Jukebox -- Chamber opera by Philip Glass and Allen GInsberg
Wikipedia - Hydronym -- Proper name of a body of water
Wikipedia - Hydropectis -- Genus of plants
Wikipedia - Hydropedology -- Emerging field in soil science
Wikipedia - Hydropeplus -- Genus of beetles
Wikipedia - Hydroperoxide -- Class of chemical compounds
Wikipedia - Hydroperoxyl
Wikipedia - Hymenopenaeus furici -- Species of prawn
Wikipedia - Hymenopenaeus methalli -- Species of crustacean
Wikipedia - Hymen -- Membrane that surrounds or partially covers the external vaginal opening
Wikipedia - Hymnody of continental Europe
Wikipedia - Hyperbolic motion (relativity) -- Motion of an object with constant proper acceleration in special relativity.
Wikipedia - Hypercube -- Convex polytope, the n-dimensional analogue of a square and a cube
Wikipedia - Hypergolic propellant
Wikipedia - Hyperledger -- Open source blockchains and related tools project
Wikipedia - Hyperoperation -- Generalization of addition, multiplication, exponentiation, tetration, etc.
class:encyclopedia
Wikipedia - I2P -- Free and open source project building an anonymous network
Wikipedia - I-6K -- Satellite bus developed by Indian Space Research Organisation
Wikipedia - Iago Lopez -- Spanish sailor
Wikipedia - I am the Lord thy God -- Opening phrase of the Ten Commandments
Wikipedia - Ian Beale -- Fictional character from the British soap opera EastEnders
Wikipedia - Ian Haney Lopez -- American legal scholar
Wikipedia - Ian Koziara -- American operatic tenor
Wikipedia - Ian Murdock -- American computer scientist, open source developer, entrepreneur
Wikipedia - Ian Wallace (singer) -- English operatic singer and actor
Wikipedia - Iapygians -- Indo-European people
Wikipedia - Iberian language -- extinct language of an indigenous western European people
Wikipedia - Iberian Romance languages -- Romance languages developed on the Iberian Peninsula
Wikipedia - Iberians -- Historical ethnic group from southwestern Europe
Wikipedia - IBM 7090/94 IBSYS -- Early-to-mid 1960s operating system for the scientific line of IBM mainframes
Wikipedia - IBM AIX -- Series of Unix operating systems from IBM
Wikipedia - IBM Aptiva -- Line of personal computers developed and commercialized by IBM
Wikipedia - IBM Developer
Wikipedia - IBM DeveloperWorks
Wikipedia - IBM Plex -- Open source typeface family
Wikipedia - IBM XCF -- Component of the z/OS operating system
Wikipedia - IC 10 -- Irregular galaxy in the constellation Cassiopeia
Wikipedia - IC 289 -- Nebula in the constellation Cassiopeia
Wikipedia - ICab -- Web browser for Macintosh operating systems
Wikipedia - Ichpedia -- Online encyclopedia for the intangible cultural heritage in Korea
Wikipedia - Ici Musique -- Canadian French-language music network operated by the CBC
Wikipedia - Ici Radio-Canada Premiere -- Canadian French-language news and talk radio network, operated by the CBC
Wikipedia - ICON A5 -- Amphibious light-sport aircraft developed by ICON Aircraft
Wikipedia - Iconoscope
Wikipedia - ICub -- Open source robotics humanoid robot testbed
Wikipedia - Ida Mary Roper -- British botanist and author (1865-1935)
Wikipedia - Ida Moller -- Danish operatic soprano
Wikipedia - Idan Cohen (choreographer) -- Israeli choreographer and opera director
Wikipedia - Identitarian movement -- European far-right political movement
Wikipedia - Identity and Democracy -- A political group in the European Parliament
Wikipedia - Identity of indiscernibles -- Impossibility for separate objects to have all their properties in common
Wikipedia - Identity operation
Wikipedia - ID Mobile -- British mobile virtual network operator
Wikipedia - Idoia Lopez RiaM-CM-1o -- ETA member
Wikipedia - Idol Drama Operation Team -- 2017 South Korean television show
Wikipedia - Idris (operating system)
Wikipedia - IEEE 2030 -- Project that developed a "Guide for Smart Grid Interoperability"
Wikipedia - Ifigenia in Tauride (Majo) -- 18th century Italian opera by Gian Francesco de Majo
Wikipedia - Ifigenia in Tauride (Traetta) -- Opera by Tommaso Traetta
Wikipedia - Ifigenia in Tauride (Vinci) -- 18th century opera by Leonardo Vinci
Wikipedia - If I Had a Hammer: Songs of Hope & Struggle -- album by Pete Seeger
Wikipedia - If You Had My Love -- 1999 single by Jennifer Lopez
Wikipedia - Ignacio Lopez Tarso -- Mexican actor
Wikipedia - Ignaz Holzbauer -- German composer of symphonies, concertos, operas, and chamber music (1711-1783)
Wikipedia - Igor Chernykh -- Russian camera operator
Wikipedia - I Hope (Gabby Barrett song) -- 2019 country single by Gabby Barrett
Wikipedia - I Hope I Shall Arrive Soon (collection)
Wikipedia - I Hope I Shall Arrive Soon
Wikipedia - I Hope You're Happy -- 2018 album by Blue October
Wikipedia - Ikar v'tafel -- Principle in Jewish law that governs the proper blessing that is assigned to any particular food prior to consumption
Wikipedia - IK Investment Partners -- European private equity firm
Wikipedia - Ilarionove -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Il castello di Kenilworth -- Opera by Gaetano Donizetti
Wikipedia - Ildar Abdrazakov -- Russian bass opera singer
Wikipedia - Ilene Cooper -- American author and reviewer
Wikipedia - Ilie Daniel Popescu -- Romanian artistic gymnast
Wikipedia - Ilinden-Preobrazhenie Uprising -- Revolt against the Ottoman Empire in Southeastern Europe 1903
Wikipedia - Illyrian deciduous forests -- Terrestrial ecoregion of Europe
Wikipedia - Illyrian languages -- Extinct Indo-European languages
Wikipedia - Il mio tesoro -- Aria from Mozart's opera Don Giovanni
Wikipedia - I Lombardi alla prima crociata -- Opera by Giuseppe Verdi
Wikipedia - Ilona Szoyer -- Opera singer (b. 1880. d. 1956)
Wikipedia - Iloperidone
Wikipedia - Il Pompeo -- Opera by Alessandro Scarlatti
Wikipedia - Il prigionier superbo -- Opera by Giovanni Battista Pergolesi
Wikipedia - Il ritorno d'Ulisse in patria -- Opera by Claudio Monteverdi
Wikipedia - Ilse Gramatzki -- German singer and opera singer
Wikipedia - Il trionfo dell'onore -- Opera by Alessandro Scarlatti
Wikipedia - Ilya Zhitomirskiy -- Russian-American software developer and entrepreneur
Wikipedia - ImageMagick -- Free and open-source software
Wikipedia - Imam Ali Mosque (Copenhagen) -- Danish mosque
Wikipedia - IMAX 432 -- Former operating system
Wikipedia - I'm Gonna Be Alright -- 2001 song by Jennifer Lopez
Wikipedia - I'm Into You -- 2011 single by Jennifer Lopez
Wikipedia - Imleria badia -- Edible species of fungus in the family Boletaceae found in Europe and North America
Wikipedia - Imma Clopes -- Spanish athletics competitor
Wikipedia - Immigration to Europe -- Overview of immigration to Europe
Wikipedia - Imogen Willis -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Imogen Wright -- South African software developer and bioinformatician
Wikipedia - Impala -- medium-sized antelope found in eastern and southern Africa
Wikipedia - Imperator torosus -- Species of fungus in the family Boletaceae native to southern Europe east to the Caucasus and Israel.
Wikipedia - Imperial Japanese Navy Technical Department -- Operating division of the Ministry of the Navy of Japan
Wikipedia - Imperial Theater, Copenhagen -- Cinema in Copenhagen, Denmark
Wikipedia - Important Cultural Property (Japan) -- item judged by the Agency for Cultural Affairs to be of particular importance to the Japanese people
Wikipedia - Imposible (KZ Tandingan and Shanti Dope song) -- Song by KZ Tandingan and Shanti Dope
Wikipedia - Impressions Games -- British video game developer
Wikipedia - Improperia
Wikipedia - Improper integral
Wikipedia - Improper prior
Wikipedia - I'm Real (Jennifer Lopez song) -- 2001 single by Jennifer Lopez
Wikipedia - In Abstraction -- album by A Hope for Home
Wikipedia - In aller Freundschaft -- German television soap opera
Wikipedia - Inbox by Gmail -- Email service developed by Google
Wikipedia - Incendiary balloon -- Unmanned balloons launched in the hope of starting fires in enemy countries.
Wikipedia - Incidents at European amusement parks -- List of amusement park incidents
Wikipedia - Incipit -- First few words of the opening line of a poem, song, or book, often used in lieu of a title
Wikipedia - Incisive foramen -- Funnel-shaped opening in the bone of the oral hard palate immediately behind the incisor teeth where blood vessels and nerves pass
Wikipedia - Inclosure Acts -- Series of Acts that empowered enclosure of open fields and common land in England
Wikipedia - Incognito Entertainment -- Defunct American video game developer
Wikipedia - Incognito (operating system)
Wikipedia - Incompatible-properties argument
Wikipedia - Incorrigibility -- Property of a philosophical proposition
Wikipedia - In cotidianis precibus -- 24 March 1945 motu proprio from Pope Pius XII
Wikipedia - Increment and decrement operators
Wikipedia - Increment operator
Wikipedia - Incunable -- Book, pamphlet, or broadside that was printed before the 16th century in Europe
Wikipedia - Indentation size effect -- Property of materials at small scales
Wikipedia - Independent game developer
Wikipedia - Independent Media Center -- Global open publishing network of activist journalist collectives
Wikipedia - Independents of Hope -- Political party alliance in Burundi
Wikipedia - Independent Subway System -- Defunct subway operator in New York City
Wikipedia - Index to Marine & Lacustrine Geological Samples -- A collaboration between twenty institutions and agencies that operate geological sample repositories
Wikipedia - Indian burial ground trope -- Fictional trope
Wikipedia - Indian Coffee House -- Restaurant chain in India, run by co-operative societies
Wikipedia - Indian Cricket League -- Cricket league that operated from 2007 to 2009
Wikipedia - Indian locomotive class WAG-12 -- Electric locomotive developed by Alstom for the Indian Railways
Wikipedia - Indian Railways -- India's national railway system operated by the Ministry of Railways
Wikipedia - Indian rope trick -- Apocryphal magic trick
Wikipedia - Indian soap opera -- Soap operas of India
Wikipedia - India-Singapore Comprehensive Economic Cooperation Agreement -- Free trade agreement between Singapore and India
Wikipedia - Indicator of compromise -- Artifact observed on a network or in an operating system that indicates a computer intrusion
Wikipedia - Indiction -- Any of the years in a 15-year cycle used to date medieval documents throughout Europe
Wikipedia - Indie Campers -- European RV rental company
Wikipedia - Indigenous intellectual property
Wikipedia - Individualist anarchism in Europe
Wikipedia - Individualized Education Program -- Document that is developed for each public school child in the U.S. who needs special education
Wikipedia - Indo-Aryan peoples -- Indo-European speaking ethnolinguistic groups in South Asia
Wikipedia - Indo-European ablaut
Wikipedia - Indo-European copula
Wikipedia - Indo-European cosmogony -- Proto-Indo-European myth of creation
Wikipedia - Indo-European languages -- Large language family originating in Eurasia
Wikipedia - Indo-European language
Wikipedia - Indo-European linguistics
Wikipedia - Indo-European migrations -- |Migrations out of the Pontic-Caspian steppe
Wikipedia - Indo-European studies
Wikipedia - Indo-European vocabulary
Wikipedia - Indonesia AirAsia Flight 8501 -- Former scheduled international passenger flight operated by Indonesia AirAsia
Wikipedia - Indonesia Port Corporations -- Indonesian seaport operator, developer and investor
Wikipedia - Indo-Semitic languages -- Obsolete linguistic hypothesis of a genetic relationship between Indo-European and Semitic; popular in the 19th century, but mostly rejected in modern times
Wikipedia - Indo-Uralic languages -- Controversial hypothetical language family consisting of Indo-European and Uralic
Wikipedia - Indre M-CM-^Xsterbro -- District of Copenhagen, Denmark
Wikipedia - Indre Norrebro -- District of Copenhagen, Denmark
Wikipedia - Indre Viskontas -- Lithuanian-Canadian neuroscientist and operatic soprano
Wikipedia - Industrial design rights in the European Union
Wikipedia - Industrial Revolution -- Transition to new manufacturing processes in Europe and the United States, in the 18th-19th centuries
Wikipedia - IndyCar -- Auto racing sanctioning body for North American open wheel racing
Wikipedia - IndyGo -- Public transit operator in Indianapolis, Indiana, U.S.
Wikipedia - Ines Rivadeneira -- Spanish opera singer
Wikipedia - Inferno (operating system)
Wikipedia - Infinitesimal model -- Quantitative genetic model developed by Ronald Fisher in 1918
Wikipedia - Informatics Europe
Wikipedia - Information Operations (United States)
Wikipedia - Information security operations center -- Facility where enterprise information systems are monitored, assessed, and defended
Wikipedia - Information technology operations
Wikipedia - Inga M-CM-^Eberg -- Actress, opera singer
Wikipedia - IngegM-CM-$rd Topel -- Swedish diver
Wikipedia - Ingela Brimberg -- Swedish dramatic soprano opera singer
Wikipedia - Ingrid Haubold -- German opera singer
Wikipedia - Inhalational anesthetic -- Chemical compound possessing general anesthetic properties that can be delivered via inhalation
Wikipedia - Inheritance -- Practice of passing on property upon the death of individuals
Wikipedia - Inherit the Wind (play) -- American play about the Scopes trial
Wikipedia - INiS Corporation -- Japanese video game developer
Wikipedia - INK (operating system) -- Operating system that runs on the input output nodes of the IBM Blue Gene supercomputer
Wikipedia - Inkosi mine -- Open pit platinum mine in South Africa
Wikipedia - Inland Sea, Gozo -- A lagoon of seawater on the island of Gozo in the village of San Lawrenz linked to the Mediterranean Sea through an opening formed by a narrow natural arch
Wikipedia - Inna Toropeyeva -- Soviet judoka
Wikipedia - Inner Six -- The six founding member countries of the European Communities
Wikipedia - Inner source -- Use of open source software development best practices and open source-like culture
Wikipedia - Innes Hope Pearse -- English medical practitioner and biologist
Wikipedia - Innocence (Fitzgerald novel) -- 1986 novel by Penelope Fitzgerald
Wikipedia - InnoGames -- German video game developer based in Hamburg
Wikipedia - InnovationXchange -- Open innovation intermediary based in Birmingham, England
Wikipedia - Inotrope -- Agent that alters the strength of muscular contractions
Wikipedia - Input method -- Operating system component or program that allows any data, such as keyboard strokes or mouse movements, to be received as input
Wikipedia - Inrunner -- Electric motor whose outer shell is static; it does not move during operation.
Wikipedia - In Search of the Pope's Children
Wikipedia - INSFOC -- Indonesian Navy Special Force and Operations Command
Wikipedia - Insomniac Games -- American video game developer
Wikipedia - Institute for Operations Research and the Management Sciences
Wikipedia - Institute of European History
Wikipedia - Institute of International and European Affairs -- Irish EU think tank
Wikipedia - Institute of Nuclear Power Operations
Wikipedia - Institute of the Regions of Europe -- Scientific institute in Salzburg, Austria
Wikipedia - Institutions of the European Union
Wikipedia - Institution -- Structure or mechanism of social order and cooperation governing the behaviour of a set of individuals within a given community
Wikipedia - Instruction set architecture -- Set of abstract symbols which describe a computer program's operations to a processor
Wikipedia - Insubria -- Historical-geographical region in Europe
Wikipedia - Insulation system -- System for classifying electrical insulation based on maximum safe operating temperature
Wikipedia - Intake -- An opening or structure through which a fluid is admitted to a space or machine
Wikipedia - Intangible Cultural Property (South Korea) -- Traditions and customs in Korea designated for official preservation
Wikipedia - Integer arithmetic operation
Wikipedia - Integral domain -- Algebraic structure with two binary operations
Wikipedia - Integral operator
Wikipedia - Integral polytope
Wikipedia - Integral -- Operation in calculus
Wikipedia - Integrity (operating system)
Wikipedia - Intel Developer Forum
Wikipedia - Intel Developer Zone
Wikipedia - Intellectual property in the People's Republic of China
Wikipedia - Intellectual Property Office (United Kingdom) -- The Patent Office of the United Kingdom
Wikipedia - Intellectual property rights
Wikipedia - Intellectual property -- Notion of ownership of ideas and processes
Wikipedia - Intelligent Systems -- Japanese video game developer
Wikipedia - Intel Management Engine -- Firmware and software that runs on all modern Intel CPUs at a higher level than user-facing operating system
Wikipedia - Intensive and extensive properties
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Wikipedia - Intercontainer-Interfrigo -- European logistics service provider
Wikipedia - Interior lines -- Method of movement and operation in warfare
Wikipedia - Interior Night -- Video game developer
Wikipedia - Interlace (art) -- Decorative element of bands or portions of other motifs looped, braided, and knotted in complex geometric patterns
Wikipedia - Internal Security Operations Command
Wikipedia - Internal tide -- Internal waves at a tidal frequency generated as surface tides move stratified water up and down a slope
Wikipedia - International America's Cup Class -- Class of racing yacht that was developed for the America's Cup between 1992 and 2007
Wikipedia - International Assistance Mission -- Christian development non-governmental organization operating in Afghanistan
Wikipedia - International Baptist Convention -- Association of English-speaking Baptist churches in Africa, Europe and the Middle East
Wikipedia - International Coach Regulations -- Regulations covering international use of passenger coaches among European railways
Wikipedia - International Committee on Intellectual Cooperation
Wikipedia - International Conference on Architectural Support for Programming Languages and Operating Systems
Wikipedia - International Cooperation Administration -- Predecessor of the U.S. Agency for International Development
Wikipedia - International cooperation
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Wikipedia - International Council for Open and Distance Education -- Distance education institutions based in Norway
Wikipedia - International Encyclopedia of Statistical Science
Wikipedia - International Encyclopedia of Systems and Cybernetics
Wikipedia - International Encyclopedia of the Social Sciences
Wikipedia - International Encyclopedia of Unified Science
Wikipedia - International E-road network -- Numbering system for roads in Europe
Wikipedia - International Game Developers Association
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Wikipedia - International Meteorological Organization Prize -- Annual award of the World Meteorological Organization in the fields of meteorology and operational hydrology
Wikipedia - International Moral Education Congress -- International academic conference held in Europe six times between 1908 and 1934
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Wikipedia - International standard -- Standard developed by international standards organizations
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Wikipedia - Intraoperative neurophysiological monitoring
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Wikipedia - Invariant (mathematics) -- Property of mathematical objects that remains unchanged for transformations applied to the objects
Wikipedia - Invasion of the Cape Colony -- British military expedition in 1795 against the Dutch Cape Colony at the Cape of Good Hope
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Wikipedia - IOS 11 -- Eleventh major release of iOS, the mobile operating system developed by Apple Inc.
Wikipedia - IOS 12 -- Twelfth major release of iOS, the mobile operating system by Apple Inc.
Wikipedia - IOS 13 -- Thirteenth major release of iOS, the mobile operating system developed by Apple Inc.
Wikipedia - IOS 14 -- Fourteenth and current major release of iOS, the mobile operating system developed by Apple Inc.
Wikipedia - IOS 4 -- Fourth major release of iOS, the mobile operating system developed by Apple Inc.
Wikipedia - IOS 5 -- Fifth major release of iOS, the mobile operating system developed by Apple Inc.
Wikipedia - IOS 6 -- Sixth major release of iOS, the mobile operating system developed by Apple Inc.
Wikipedia - IOS 7 -- Seventh major release of iOS, the mobile operating system developed by Apple Inc.
Wikipedia - IOS 8 -- Eighth major release of iOS, the mobile operating system developed by Apple Inc.
Wikipedia - IOS 9 -- Ninth major release of iOS, the mobile operating system developed by Apple Inc.
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Wikipedia - Isotope geochemistry
Wikipedia - Isotope labeling
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Wikipedia - Isotope table (complete)
Wikipedia - Isotope table (divided)
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Wikipedia - Italian Fascism -- Fascist ideology as developed in Italy
Wikipedia - Italian opera -- Italian opera
Wikipedia - Italian Peninsula -- Peninsula of southern Europe
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Wikipedia - Italic script -- Semi-cursive, slightly sloped style of handwriting and calligraphy developed in Italy
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Wikipedia - IT University of Copenhagen
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class:encyclopedia
Wikipedia - Jacinto Lopez Martinez Grammar School -- Historic building in Dorado, Puerto Rico
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Wikipedia - Jack Copeland
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Wikipedia - Jackie Cooper -- American actor, director
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Wikipedia - Jainism in Europe
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Wikipedia - Jameson People's Choice Award for Best Actress -- former European film award
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class:encyclopedia
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Wikipedia - Kottonmouth Kings: Dopeumentary -- 2001 film by Bill Wadsworth
Wikipedia - Kowloon Motor Bus -- Bus operator in Hong Kong
Wikipedia - KP vz. 38 -- Czechoslovak submachine gun developed in the 1930s
Wikipedia - Kraus operator
Wikipedia - Krautrocksampler -- 1995 book by Julian Cope
Wikipedia - KrebsegM-CM-%rden -- Historic building in Copenhagen, Denmark
Wikipedia - Kreidler -- German manufacturer of small motorcycles and mopeds
Wikipedia - Kristaps Keggi -- Latvian orthopedic surgeon
Wikipedia - Kristen Anderson-Lopez -- American songwriter
Wikipedia - Kristina Hooper Woolsey -- American cognitive scientist
Wikipedia - Kristin Cooper -- American lawyer
Wikipedia - Krisztina Laki -- Hungarian opera singer and music educator
Wikipedia - Kronprinsensgade 7 -- Historic building in Copenhagen, Denmark
Wikipedia - Kronprinsessegade 6 -- Neoclassical property overlooking Rosenborg Castle Garden in central Copenhagen, Denmark
Wikipedia - Kroondal mine -- Open pit platinum mine in South Africa
Wikipedia - Kryvyi Rih -- City in Dnipropetrovsk Oblast, Ukraine
Wikipedia - KSKZ -- Radio station in Copeland, Kansas
Wikipedia - KSLO-FM -- Radio station in Simmesport-Opelousas, Louisiana
Wikipedia - KSNT -- NBC affiliate in Topeka, Kansas
Wikipedia - KSQA -- The Country Network affiliate in Topeka, Kansas
Wikipedia - KTKA-TV -- ABC/CW affiliate in Topeka, Kansas
Wikipedia - KTMJ-CD -- Fox affiliate in Topeka, Kansas
Wikipedia - KTOP (AM) -- Radio station in Topeka, Kansas, United States
Wikipedia - KTOP-FM -- Radio station in Topeka, Kansas
Wikipedia - KTOZ-FM -- Radio station in Pleasant Hope, Missouri
Wikipedia - KTPK -- Radio station in Topeka, Kansas
Wikipedia - KTWU -- PBS member station in Topeka, Kansas
Wikipedia - KTX-Sancheon -- High-speed train developed by South Korea
Wikipedia - Kudu -- Two species of antelope of the genus Tragelaphus
Wikipedia - KuGou -- Chinese music streaming service operated by Tencent Music
Wikipedia - Kullervo (Sallinen) -- Opera composed by Aulis Sallinen
Wikipedia - Kuma Reality Games -- American video game developer
Wikipedia - Kung Ayaw Mo, Huwag Mo! -- 2002 film by Jerry Lopez Sineneng
Wikipedia - Kung-Fu Chess -- Real-time chess variant developed by Shizmoo Games
Wikipedia - Kunqu -- Branch of Chinese opera
Wikipedia - Kupferschiefer -- Copper-bearing shale deposit in Central Europe
Wikipedia - Kurdish Society for Cooperation and Progress -- Kurdish organization in the Ottoman Empire
Wikipedia - Kurdish Wikipedia -- Edition of the free-content encyclopedia
Wikipedia - Kurgan hypothesis -- Theory of Indo-European origin
Wikipedia - Kurmanji Kurdish Wikipedia -- Edition of the free-content encyclopedia
Wikipedia - Kurt Hubenthal -- German opera singer
Wikipedia - Kurt Marschner -- German operatic tenor
Wikipedia - Kurylivka -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - KvM-CM-&sthusgade -- Street in Copenhagen, Denmark
Wikipedia - Kwalee -- British video gamer developer
Wikipedia - Kwangchul Youn -- South Korean operatic bass
Wikipedia - KWG Property -- Property development company in Guandong, China
Wikipedia - Kwun-Lai Ng -- |Chinese actress and Cantonese opera singer from Hong Kong
Wikipedia - Kwun-Ling Chow -- |Chinese-American actress and Cantonese opera singer from Hong Kong and United States
Wikipedia - KXAS-TV -- NBC owned-and-operated station in Fort Worth, Texas
Wikipedia - Kyivstar -- Ukrainian mobile operator
Wikipedia - Kyle Braxton -- Fictional character from the Australian soap opera Home and Away
Wikipedia - Kyle Canning -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Kyle Cooper -- American designer
Wikipedia - Kyle Pope -- American editor and publisher
Wikipedia - Kylfings -- People of Northern Europe during the Viking Age
Wikipedia - Kylie Platt -- Fictional character from the British soap opera Coronation Street
Wikipedia - Kylin (operating system)
class:encyclopedia
Wikipedia - Labia minora -- Flaps of skin on either side of the human vaginal opening in the vulva
Wikipedia - La boheme (Leoncavallo) -- Italian opera by Ruggero Leoncavallo
Wikipedia - La boheme -- opera by Giacomo Puccini
Wikipedia - Labor theory of property
Wikipedia - Labs Kita... Okey Ka Lang? -- 1998 film by Jerry Lopez Sineneng
Wikipedia - La Buena Dicha -- Cultural property in Madrid, Spain
Wikipedia - Laccopetalum -- Species of plant
Wikipedia - La Cenerentola -- Opera by Gioachino Rossini
Wikipedia - Lace -- Openwork fabric, patterned with open holes in the work, made by machine or by hand
Wikipedia - Lac La Croix Indian Pony -- North American horse breed developed by the Ojibwe people
Wikipedia - La clemenza di Tito -- Opera by Wolfgang Amadeus Mozart
Wikipedia - Lac operon -- Set genes encoding proteins and enzymes for lactose metabolism
Wikipedia - Lactarius torminosus -- Species of fungus in the family Russulaceae found in North Africa, northern Asia, Europe, and North America
Wikipedia - Ladies European Tour -- a professional golf tour for women
Wikipedia - Lady Hester Stanhope -- British archaeologist
Wikipedia - Laeaeans -- Ancient tribe in Southeast Europe
Wikipedia - La Esmeralda (opera)
Wikipedia - La favorite -- Opera by Gaetano Donizetti
Wikipedia - La Fenice -- Opera house in Venice, Italy
Wikipedia - La FM-CM-)e Absinthe -- Brand of European absinthes brewed since 2000
Wikipedia - La forza del destino -- Opera by Giuseppe Verdi
Wikipedia - Lagarith -- Open source lossless video codec
Wikipedia - La Gioconda (opera) -- Dramma lirico in four acts by Amilcare Ponchielli
Wikipedia - Lai Chun Yuen Opera House -- Historic Chinese opera house in Singapore
Wikipedia - Laima Andersone-Silare -- Latvian opera singer
Wikipedia - Lai-Zhen Yu -- |Chinese actress and Cantonese opera singer from Hong Kong
Wikipedia - La Juive -- Opera by Fromental HalM-CM-)vy
Wikipedia - La Julia Rhea -- American operatic soprano
Wikipedia - Lake Hope State Park -- Park in Ohio, USA
Wikipedia - Lake Neusiedl -- Steppe lake in Central Europe
Wikipedia - Lakeside Village (Lakeland) -- Open-air shopping mall in Lakeland, Florida
Wikipedia - LakmM-CM-) -- Opera by LM-CM-)o Delibes
Wikipedia - La Loca (opera) -- Opera by Gian Carlo Menotti
Wikipedia - L.A. Lopez -- Filipino actor and singer
Wikipedia - Lambach (Loper Bach) -- River in North Rhine-Westphalia, Germany
Wikipedia - Lambertus Johannes Toxopeus
Wikipedia - Lamborghini Asterion -- Hybrid concept car developed by Italian automobile manufacturer Lamborghini
Wikipedia - Lamborghini P140 -- Series of prototype automobiles developed by Italian automobile manufacturer Lamborghini intended to be the Jalpa's successor
Wikipedia - La MM-CM-)ridionale -- Shipping company operating in Corsica
Wikipedia - L'AmpM-CM-)lopede -- 1974 film
Wikipedia - Lanai (architecture) -- A type of roofed, open-sided veranda, patio or porch originating in HawaiM-JM-;i
Wikipedia - Lancia Dialogos -- Concept car developed by Lancia
Wikipedia - Landau (carriage) -- Four-wheeled open carriage with two doors primarily for passenger transport
Wikipedia - Landed property -- Property that generates income for the owner without the owner having to do the actual work of the estate
Wikipedia - Landmarkism -- Type of Baptist ecclesiology developed in the American South in the mid-19th century
Wikipedia - Land of Hope and Glory (film) -- 1927 film
Wikipedia - Land of Hope and Glory -- English patriotic song composed by music by Edward Elgar with lyrics by A. C. Benson
Wikipedia - Land of the Open Range -- 1942 film by Edward Killy
Wikipedia - Land O'Lakes -- Agricultural cooperative based in Minnesota, United States
Wikipedia - Landolt-Bornstein -- Collection of property data in materials science
Wikipedia - Land run -- Opening of land to settlers in U.S. history
Wikipedia - Landscape (software) -- Systems management tool developed by Canonical
Wikipedia - Landsknecht -- Mercenary footsoldiers in 16th century Europe
Wikipedia - Landslide mitigation -- Modifications to slopes to reduce the effect of landslides
Wikipedia - Landslide -- Type of natural disasters involving ground movements, often caused by slope instability triggered by specific event
Wikipedia - LaNet-vi -- Open-source graph theory software
Wikipedia - L'ange de Nisida -- Opera in four acts by Italian composer Gaetano Donizetti
Wikipedia - Langham Hospitality Group -- Hotel operator
Wikipedia - Language interoperability
Wikipedia - Languages of Europe -- Languages of the European region
Wikipedia - Languages of the European Union -- Overview of the languages used by people within the member states of the European Union
Wikipedia - LanguageTool -- Free and open-source spell and grammar checker
Wikipedia - Lan-Hing Tam -- |Chinese actress and Cantonese opera singer
Wikipedia - La Operacion -- 1982 film by Ana Maria Garcia
Wikipedia - LAPD Hooper Heliport -- City-owned private-use heliport in Los Angeles, CA, US
Wikipedia - Laplace operator -- Differential operator
Wikipedia - LapuM-EM-!nik prison camp -- Prison camp operated by the KLA, an Albanian militant organization
Wikipedia - L-arabinose operon -- Gene regulation group
Wikipedia - Laravel -- Open source web application framework, written in PHP
Wikipedia - Large Binocular Telescope
Wikipedia - Large cardinal property
Wikipedia - Large Synoptic Survey Telescope
Wikipedia - L'Arianna -- Opera by Claudio Monteverdi
Wikipedia - Larry Sanger -- American Internet project developer and Wikipedia co-founder
Wikipedia - Lars Cleveman -- Swedish musician and opera singer
Wikipedia - Larsen's Opening
Wikipedia - Lars Lalin -- Swedish musician, playwright and opera singer
Wikipedia - LarslejsstrM-CM-&de -- Street in Copenhagen, Denmark
Wikipedia - Lars Rasmussen (software developer)
Wikipedia - Laryngeal theory -- Hypothesis that Proto-Indo-European had phonemes beyond those reconstructed through comparison
Wikipedia - La Scala -- Opera house in Milan, Italy
Wikipedia - La schiava in Bagdad -- Pacini opera
Wikipedia - Laser Interferometer Space Antenna -- European space mission to measure gravitational waves
Wikipedia - Lasiopetalum baueri -- Species of plant
Wikipedia - Lasiopetalum behrii -- Species of plant
Wikipedia - Lasiopetalum rufum -- Species of plant
Wikipedia - Lasiopetalum schulzenii -- Species of plant
Wikipedia - Lasiopezus -- Genus of beetles
Wikipedia - La sirene -- 1844 opera by Daniel Auber
Wikipedia - La Strada International Association -- Organisation combatting the trafficking of persons in Europe.
Wikipedia - Late Middle Ages -- Period of European history between 1250 and 1500 AD
Wikipedia - Latin -- Indo-European language of the Italic family
Wikipedia - La traviata -- 1853 opera by Giuseppe Verdi
Wikipedia - Latvian language -- Baltic language, official in Latvia and the European Union
Wikipedia - Latvian Operation of the NKVD -- Mass arrests and executions of Latvians in the USSR, 1937-38
Wikipedia - Laudato si' -- 2015 encyclical of Pope Francis
Wikipedia - Laughter-induced syncope -- Syncope
Wikipedia - Launch (boat) -- Open motorboat
Wikipedia - Launchd -- Unified operating system service management framework, starts, stops and manages daemons, applications, processes, and scripts in macOS
Wikipedia - Laura Aikin -- American operatic coloratura soprano
Wikipedia - Laura A. Lopez -- American astronomer
Wikipedia - Laura Copenhaver
Wikipedia - Lauralee Bell -- American soap opera actress
Wikipedia - Laura Lopes -- Royal Family and British art curator
Wikipedia - Laura Margaret Hope -- Australian surgeon
Wikipedia - Laura Nikolich -- American software developer
Wikipedia - Laura Pope Forester -- American folk artist
Wikipedia - Laura Schirmer Mapleson -- American operatic singer
Wikipedia - Laurel Shopping Center -- Open-air shopping center in Laurel, Maryland, U.S.
Wikipedia - Laurel Thomas -- Fictional British soap opera character
Wikipedia - Lauren Branning -- Fictional character from the British soap opera EastEnders
Wikipedia - Lauren Carpenter -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Lauren Fagan -- Australian operatic soprano
Wikipedia - Lauren Flanigan -- American operatic soprano
Wikipedia - Laurie Bates -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Lauritz Melchior -- Danish opera singer
Wikipedia - Lau Taveuni Rotuma (Open Constituency, Fiji) -- Former electoral division of Fiji
Wikipedia - Lavabit -- Open-source encrypted webmail service, founded in 2004
Wikipedia - LavendelstrM-CM-&de -- Street in Copenhagen, Denmark
Wikipedia - Law and order (politics) -- demands for a strict criminal justice system, especially in relation to violent and property crime
Wikipedia - Law-lin Tsi -- |Chinese actress and Cantonese opera singer from Hong Kong
Wikipedia - Law of majestas -- Laws operating during republican and Imperial Rome dealing with crimes against the Roman people, state or Emperor
Wikipedia - Law of Property Act -- Commonwealth acts relating to property law
Wikipedia - Lawrence Tibbett -- opera singer
Wikipedia - Layla Claire -- Canadian soprano opera singer
Wikipedia - League of Young Voters -- Name for two political organizations, one American and one European
Wikipedia - Leanne Battersby -- Fictional character from the British soap opera Coronation Street
Wikipedia - Lean-to -- Simple structure attached to another structure or a simple structure providing shelter with one side open
Wikipedia - Lear (opera)
Wikipedia - Least Developed Countries
Wikipedia - Leave.EU -- Political campaign group supporting the UK's withdrawal from the European Union
Wikipedia - Lea Verou -- Greek web developer
Wikipedia - Le cinM-CM-)ma du peuple -- French anarchist film cooperative
Wikipedia - Lecithocera phaeoperla -- Species of moth in genus Lecithocera
Wikipedia - Le comte Ory -- Opera by Gioachino Rossini
Wikipedia - Lee Brayton -- American open-wheel racing driver and team owner
Wikipedia - Lee Cooper (cricketer) -- English cricketer and cricket administrator
Wikipedia - Lee Cooper -- English-American clothing and footwear manufacturing company
Wikipedia - Lee Copeland -- American architect
Wikipedia - Lee Miglin -- American real estate developer
Wikipedia - Left-shift operator
Wikipedia - Legal abuse -- Unfair or improper legal action with malicious intentions
Wikipedia - Legend Entertainment -- Video game developer company
Wikipedia - Legend of the Christmas Spider -- Eastern European Christmas folktale
Wikipedia - Le Grand Macabre -- Opera
Wikipedia - Leibniz operator
Wikipedia - Leighton Radio Telescopes -- Type of dish antenna designed in the 1970s
Wikipedia - Leila Lopes (Angolan actress) -- Angolan model, actress, presenter, and beauty queen
Wikipedia - Leipzig Human Rights Award -- Honor given by the European-American Citizens Committee for Human Rights and Religious Freedom in the USA, which recognizes "efforts towards human rights and freedom of expression in the USA" and actions against what the organization refers to as "human rights violations by the totalitarian Scientology.
Wikipedia - LEN Euro League Women -- Premier competition for women's water polo clubs of Europe
Wikipedia - Leninism -- Political theory developed by Vladimir Lenin
Wikipedia - Lenny Cooper -- American country rap singer-songwriter
Wikipedia - Lenox Baker -- American orthopedic surgeon
Wikipedia - Leocadie Gerlach -- Danish-Swedish operatic mezzo-soprano
Wikipedia - Leo Cooper -- British publisher
Wikipedia - Leonard Warren -- Operatic baritone
Wikipedia - Leon Cooper -- American physicist
Wikipedia - Leone Giraldoni -- Italian opera singer 1824-97
Wikipedia - Leonie Cooper -- British Labour Co-op politician
Wikipedia - Leon Small -- Fictional character from the British soap opera EastEnders
Wikipedia - Leopoldo Lopez Gil -- Spanish politician
Wikipedia - Leopoldo Lopez -- Venezuelan politician
Wikipedia - Leptopelis gramineus -- Species of amphibian
Wikipedia - Lepuropetalon -- Genus of plants
Wikipedia - Le roi Arthus -- 1903 French opera
Wikipedia - Le Roi et le batelier -- 1827 opera
Wikipedia - Les BorM-CM-)ades -- Opera by Jean-Philippe Rameau
Wikipedia - Les Cyclopes -- French baroque music ensemble
Wikipedia - Leslie Hope -- Canadian actress
Wikipedia - Leslie Knope -- Character from Parks and Recreation
Wikipedia - Leslie Pope -- American set decorator
Wikipedia - Leslie Rands -- British opera singer and actor
Wikipedia - Les pM-CM-*cheurs de perles -- 1863 opera by Georges Bizet
Wikipedia - Lester Martinez Lopez -- United States general
Wikipedia - Les trois souhaits -- Opera by Bohuslav MartinM-EM-/
Wikipedia - Leticia Lopez Landero -- Mexican politician
Wikipedia - Let's Elope (film) -- 1919 film by John S. Robertson
Wikipedia - Let's Get Loud -- 2000 single by Jennifer Lopez
Wikipedia - Let's Hope it Lasts -- 1995 French film
Wikipedia - Letter from Birmingham Jail -- Open letter written by Martin Luther King, Jr
Wikipedia - Letter from Gyk Khan to Pope Innocent IV
Wikipedia - Lettice Cooper -- English writer
Wikipedia - Leung Sing Poh -- |Chinese actor and Cantonese opera singer from Hong Kong
Wikipedia - Level-5 Comcept -- Video game developer
Wikipedia - LevelDB -- Open-source key-value store by Google
Wikipedia - Levi Asher -- New York-based writer/blogger/web developer
Wikipedia - Leviathan of Parsonstown -- Historic reflecting telescope
Wikipedia - Levophacetoperane
Wikipedia - Lewis' law -- Observed property of epithelial cells
Wikipedia - Lewis Morris -- American landowner and developer
Wikipedia - Lexically scoped
Wikipedia - Lexical scope
Wikipedia - Lexical variable scope
Wikipedia - Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit -- German musical encyclopedia
Wikipedia - Lex loci protectionis -- Choice of law rule for intellectual property rights
Wikipedia - Lex Machina -- Intellectual property litigation research company
Wikipedia - Leyla Gencer -- Turkish operatic soprano
Wikipedia - Leyli and Majnun (opera) -- Opera by Uzeyir Hajibeyov
Wikipedia - LGV Sud Europe Atlantique -- French high-speed railway
Wikipedia - L'honesta negli amori -- Opera by Alessandro Scarlatti
Wikipedia - Liam Butcher -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Lianna Haroutounian -- Armenian operatic soprano
Wikipedia - Lias Group -- A sequence of rock strata found in a large area of western Europe
Wikipedia - Libby Fox -- Fictional character from the British soap opera EastEnders
Wikipedia - Libby Kennedy -- Fictional character in the Australian soap opera Neighbours
Wikipedia - Liberalism in Europe
Wikipedia - Liberal Opening Movement -- Political party in Colombia
Wikipedia - Liberal South East European Network
Wikipedia - Liber Divinorum Operum
Wikipedia - Liberian Catalogue -- 4th century list of popes ending with Pope Liberius
Wikipedia - Liber Pontificalis -- Book of biographies of popes
Wikipedia - Libertarian perspectives on intellectual property
Wikipedia - Liberty Property Trust -- American real estate company
Wikipedia - Library Hub Discover -- Union catalog operated by Jisc
Wikipedia - Library of Congress Classification -- System of library classification developed by the United States Library of Congress
Wikipedia - Librascope LGP-30
Wikipedia - LibreOffice -- Free and open-source office software suite
Wikipedia - Libretto of The Magic Flute -- Opera composed in 1791 by Wolfgang Amadeus Mozart
Wikipedia - Liceu -- Opera house in Barcelona, Spain
Wikipedia - Licia Albanese -- Italian-born American operatic soprano
Wikipedia - Lido Bathing Complex -- Open air sea water pool in Funchal, Madeira, Portugal
Wikipedia - Liebe Sokol Diamond -- American pediatric orthopedic surgeon
Wikipedia - Lie group -- Group that is also a differentiable manifold with group operations that are smooth
Wikipedia - Liepaja Gymnasium -- Latvian secondary school open 1865-1915
Wikipedia - Liepajas tramvajs -- Tram operator in Liepaja, Latvia
Wikipedia - Liezel Lopez -- Filipina actress
Wikipedia - Life Care Centers of America -- American operator of elderly care facilities
Wikipedia - Lifeforce (film) -- 1985 British science fiction horror film by Tobe Hooper
Wikipedia - Lifeline (diving) -- A rope connecting the diver to an attendant, usually at the surface
Wikipedia - Life zone -- Concept was developed by C. Hart Merriam in 1889
Wikipedia - Light-City Buses -- Former Australian bus service operator
Wikipedia - Lightness -- Property of a color
Wikipedia - Lightning Network -- "Layer 2" payment protocol that operates on top of a blockchain-based cryptocurrency
Wikipedia - Light Rail Transit Authority -- Filipino public transport operator
Wikipedia - Lightweight Java Game Library -- Open-source Java software game library
Wikipedia - Lightweight Kernel Operating System
Wikipedia - Ligue des Bibliotheques EuropM-CM-)ennes de Recherche -- Professional association of research libraries in Europe
Wikipedia - Lilith (opera) -- Opera by Deborah Drattell (music) and David Steven Cohen (libretto)
Wikipedia - Lillehammer Olympiapark -- company that operates Olympic venues in Lillehammer, Norway
Wikipedia - Lillian Copeland -- American athlete
Wikipedia - Lillian Lopez -- American librarian
Wikipedia - Lilli Cooper
Wikipedia - Lilly Mattock -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Lily Butterfield -- Fictional character from the ITV soap opera Emmerdale
Wikipedia - Limitless (Jennifer Lopez song) -- 2018 song
Wikipedia - LiMux -- Free and open-source software project of Munich
Wikipedia - Lina Cavalieri -- Italian operatic soprano
Wikipedia - L'incoronazione di Poppea -- Opera by Claudio Monteverdi
Wikipedia - Linda Carter -- Fictional character from the British soap opera EastEnders
Wikipedia - Linda Cooper (diver) -- American diver
Wikipedia - Linda Cooper-Suggs -- American politician from North Carolina
Wikipedia - Linda J. Lopez -- American politician
Wikipedia - Linda Lopez McAlister -- American philosopher and academic
Wikipedia - Lindblad superoperator
Wikipedia - Lindsay Cooper -- English musician, composer and activist
Wikipedia - Lindsay L. Cooper -- Scottish bassist and cellist
Wikipedia - LineageOS -- Free and open-source operating system based on Android
Wikipedia - Linear independence -- Property of subsets of a basis of a vector space
Wikipedia - Linear map -- Mapping that preserves the operations of addition and scalar multiplication
Wikipedia - Linear operators
Wikipedia - Linear operator
Wikipedia - Linear Tape-Open -- Magnetic tape-based data storage technology
Wikipedia - Line of communication -- Route that connects an operating military unit with its supply base
Wikipedia - Linked Open Data
Wikipedia - Link Transit -- Bus operator in Chelan and Douglas counties, Washington, U.S.
Wikipedia - Linton Hope -- British sailor
Wikipedia - Linus Torvalds -- Creator and lead developer of Linux kernel
Wikipedia - Linux distribution -- Operating system based on the Linux kernel
Wikipedia - Linux Foundation -- Non-profit technology consortium to develop the Linux operating system
Wikipedia - Linux -- Family of free and open-source software operating systems based on the Linux kernel
Wikipedia - Lion (Australasian company) -- Alcoholic beverage company operating in Australia and New Zealand, owned by Kirin
Wikipedia - Lionello Cecil -- Australian opera singer
Wikipedia - Lionhead Studios -- Defunct British video game developer
Wikipedia - Lipara lucens -- Species of insect found in Europe
Wikipedia - Liquid-crystal display -- Display that uses the light-modulating properties of liquid crystals
Wikipedia - Liquid crystal -- State of matter with properties of both conventional liquids and crystals
Wikipedia - Liquid-propellant rocket -- Rocket engine that uses liquid fuels and oxidizers
Wikipedia - Liquid rocket propellant -- Liquid form of rocket propellants
Wikipedia - Lisa Bettany -- Canadian photographer, blogger and app developer
Wikipedia - Lisa Fowler -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Lisa Lopes -- American hip hop singer, rapper, songwriter, and producer
Wikipedia - Lise Davidsen -- Norwegian opera singer
Wikipedia - Liselotte Hammes -- German operatic soprano and voice teacher
Wikipedia - List Burgenland -- Political party in Austria, operating in the federal state of Burgenland
Wikipedia - List of 10 longest-reigning popes
Wikipedia - List of 18th-century encyclopedias -- Wikipedia list article
Wikipedia - List of 2013 Games of the Small States of Europe medal winners -- Wikimedia list article
Wikipedia - List of 2015 European Games medal winners -- Wikipedia list article
Wikipedia - List of 20th-century general encyclopedias -- Wikipedia list article
Wikipedia - List of 3D Realms games -- Video games by developer/publisher
Wikipedia - List of active nationalist parties in Europe -- Wikipedia list article
Wikipedia - List of active separatist movements in Europe -- Wikipedia list article
Wikipedia - List of Aero L-39 Albatros operators -- Wikipedia list article
Wikipedia - List of Aeroperu destinations -- Wikipedia list article
Wikipedia - List of AEW&C aircraft operators -- Wikipedia list article
Wikipedia - List of Airbus A220 operators -- Wikipedia list article
Wikipedia - List of Airbus A300 operators -- Wikipedia list article
Wikipedia - List of Airbus A310 operators -- Wikipedia list article
Wikipedia - List of Airbus A320 family operators -- Wikipedia list article
Wikipedia - List of Airbus A330 operators -- Wikipedia list article
Wikipedia - List of Airbus A350 operators -- Wikipedia list article
Wikipedia - List of air carriers banned in the European Union -- Wikimedia list article
Wikipedia - List of aircraft operated by Alitalia -- Wikipedia list article
Wikipedia - List of aircraft operated by Maersk Air -- Wikipedia list article
Wikipedia - List of aircraft operated by Scandinavian Airlines -- Wikipedia list article
Wikipedia - List of aircraft operated by Wideroe -- Wikipedia list article
Wikipedia - List of aircraft propeller manufacturers -- Wikipedia list article
Wikipedia - List of airlines of Europe -- Wikimedia list article
Wikipedia - List of air operations during the Battle of Europe -- Wikipedia list article
Wikipedia - List of airports in Europe -- Wikimedia list article
Wikipedia - List of allied military operations of the Vietnam War (1964) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1965) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1966) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1967) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1968) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1969) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1970) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1971) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1972) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1973-74) -- Wikipedia list article
Wikipedia - List of allied military operations of the Vietnam War (1975) -- Wikipedia list article
Wikipedia - List of Allied vessels involved in Operation Neptune -- Wikipedia list article
Wikipedia - List of alternative names for European rivers -- Wikipedia list article
Wikipedia - List of amphibians of Europe -- Wikipedia list article
Wikipedia - List of amphibious assault operations -- Wikipedia list article
Wikipedia - List of Android apps by Google -- List of mobile Android apps developed by Google
Wikipedia - List of Antonov An-2 operators -- Wikipedia list article
Wikipedia - List of apologies made by Pope John Paul II
Wikipedia - List of Apple operating systems -- Wikipedia list article
Wikipedia - List of Arizona Diamondbacks Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Armored Trooper Votoms episodes -- Wikipedia list article
Wikipedia - List of assassinations in Europe -- Wikipedia list article
Wikipedia - List of Atari, Inc. games -- Video games by developer/publisher
Wikipedia - List of Atlanta Braves Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of Atlantic City casinos that never opened -- Wikipedia list article
Wikipedia - List of atmospheric pressure records in Europe -- Wikipedia list article
Wikipedia - List of Australian mobile virtual network operators -- Wikipedia list article
Wikipedia - List of Australian Open broadcasters -- Wikipedia list article
Wikipedia - List of Australian Open champions -- Wikimedia list article
Wikipedia - List of Australian Open men's doubles champions -- Wikimedia list article
Wikipedia - List of Australian Open men's singles champions -- wikimedia list article
Wikipedia - List of Australian Open mixed doubles champions -- Wikimedia list article
Wikipedia - List of Australian Open singles finalists during the open era -- Wikimedia list article
Wikipedia - List of Australian Open women's doubles champions -- Wikimedia list article
Wikipedia - List of Australian Open women's singles champions -- Wikimedia list article
Wikipedia - List of automobile manufacturers of Europe -- Wikipedia list article
Wikipedia - List of Avro Lancaster operators -- Wikipedia list article
Wikipedia - List of awards and nominations received by Bradley Cooper -- Wikimedia list article
Wikipedia - List of B-29 Superfortress operators -- Wikipedia list article
Wikipedia - List of BAC One-Eleven operators -- Wikipedia list article
Wikipedia - List of BAe 146 operators -- Wikipedia list article
Wikipedia - List of Baltimore Orioles (1882-1899) Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Baltimore Orioles Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of Beechcraft King Air operators -- Wikipedia list article
Wikipedia - List of Beechcraft Model 99 operators -- Wikipedia list article
Wikipedia - List of Bell UH-1 Iroquois operators -- Wikipedia list article
Wikipedia - List of birds of Europe -- Wikipedia list article
Wikipedia - List of Blizzard Entertainment games -- Video games by developer/publisher
Wikipedia - List of Bob Hope Presents the Chrysler Theatre episodes -- Wikipedia list article
Wikipedia - List of Boeing 707 operators -- Wikipedia list article
Wikipedia - List of Boeing 717 operators -- Wikipedia list article
Wikipedia - List of Boeing 727 operators -- Wikipedia list article
Wikipedia - List of Boeing 737 operators -- Wikimedia list article
Wikipedia - List of Boeing 747 operators -- Wikipedia list article
Wikipedia - List of Boeing 757 operators -- Wikipedia list article
Wikipedia - List of Boeing 767 operators -- Wikipedia list article
Wikipedia - List of Boeing 777 operators -- Wikipedia list article
Wikipedia - List of Boeing 787 operators -- Wikipedia list article
Wikipedia - List of Boeing B-17 Flying Fortress operators -- Wikipedia list article
Wikipedia - List of Boeing CH-47 Chinook operators -- Wikipedia list article
Wikipedia - List of Bombardier CRJ operators -- Wikimedia list article
Wikipedia - List of Bombardier Dash 8 operators -- Wikimedia list article
Wikipedia - List of Boston and Milwaukee Braves Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Boston Red Sox Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Boulton Paul Defiant operators -- Wikipedia list article
Wikipedia - List of Bradley Cooper performances -- Wikipedia list article
Wikipedia - List of bridges in Copenhagen -- Wikipedia list article
Wikipedia - List of Bristol Beaufighter operators -- Wikipedia list article
Wikipedia - List of Bristol Beaufort operators -- Wikipedia list article
Wikipedia - List of Bristol Blenheim operators -- Wikipedia list article
Wikipedia - List of British Aerospace Jetstream operators -- Wikipedia list article
Wikipedia - List of Britten-Norman Islander operators -- Wikipedia list article
Wikipedia - List of Brooklyn Dodgers Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of BSD operating systems -- Wikipedia list article
Wikipedia - List of busiest ports in Europe -- Wikipedia list article
Wikipedia - List of busiest railway stations in Europe -- Wikipedia list article
Wikipedia - List of bus operating companies in Japan -- Wikipedia list article
Wikipedia - List of bus operating companies -- Wikipedia list article
Wikipedia - List of bus operators of the United Kingdom -- Wikipedia list article
Wikipedia - List of butterflies of Europe (Hesperiidae) -- Wikipedia list article
Wikipedia - List of butterflies of Europe (Lycaenidae) -- Wikipedia list article
Wikipedia - List of butterflies of Europe (Nymphalidae) -- Wikipedia list article
Wikipedia - List of butterflies of Europe (Papilionidae) -- Wikipedia list article
Wikipedia - List of butterflies of Europe (Pieridae) -- Wikipedia list article
Wikipedia - List of butterflies of Europe -- Wikipedia list article
Wikipedia - List of Canadian military operations -- Wikipedia list article
Wikipedia - List of canonised popes -- Wikipedia list article
Wikipedia - List of castles in Europe -- Wikipedia list article
Wikipedia - List of central European countries by development indexes -- Wikimedia list article
Wikipedia - List of Cessna 208 Caravan operators -- Wikipedia list article
Wikipedia - List of chess openings named after people -- Wikipedia list article
Wikipedia - List of chess openings named after places -- Wikipedia list article
Wikipedia - List of chess openings -- Wikipedia list article
Wikipedia - List of Chicago Cubs Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of Chicago Hope episodes -- Wikipedia list article
Wikipedia - List of Chicago White Sox Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of Chiefs of Naval Operations educated at the United States Naval Academy -- Wikipedia list article
Wikipedia - List of Christmas operas -- Wikipedia list article
Wikipedia - List of Cincinnati Reds Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of cities in Europe
Wikipedia - List of cities in the European Union by Muslim population -- Wikipedia list article
Wikipedia - List of cities in the European Union by population within city limits -- Wikimedia list article
Wikipedia - List of cities proper by population density -- Wikipedia list article
Wikipedia - List of Cleveland Indians Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Cleveland Spiders Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of coalition military operations of the Iraq War -- Wikipedia list article
Wikipedia - List of College of Europe rectors and vice-rectors -- Wikipedia list article
Wikipedia - List of Collins Waterfront Architectural District contributing properties -- Wikipedia list article
Wikipedia - List of Colorado boards of cooperative educational services -- Wikipedia list article
Wikipedia - List of Colorado Rockies Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of comics based on Hasbro properties
Wikipedia - List of commercial open-source applications and services -- Wikipedia list article
Wikipedia - List of communist parties represented in European Parliament -- Wikipedia list article
Wikipedia - List of companies of the European Union -- Wikipedia list article
Wikipedia - List of companies operating nursing homes -- Wikipedia list article
Wikipedia - List of companies operating trains in the United Kingdom -- Wikipedia list article
Wikipedia - List of conflicts in Eastern Europe during Turco-Mongol rule
Wikipedia - List of Consolidated B-24 Liberator operators -- Wikipedia list article
Wikipedia - List of Consolidated PBY Catalina operators -- Wikipedia list article
Wikipedia - List of Continental Europe Seve Trophy golfers -- Wikimedia list article
Wikipedia - List of contributing properties in the St. Anthony Falls Historic District -- Wikimedia list article
Wikipedia - List of co-operative banks in Germany -- Wikipedia list article
Wikipedia - List of co-operative federations -- Wikimedia list article
Wikipedia - List of cooperatives -- Wikimedia list article
Wikipedia - List of Copenhagen Metro stations -- Wikipedia list article
Wikipedia - List of Copenhagen S-train stations -- Wikipedia list article
Wikipedia - List of Coptic Orthodox Popes of Alexandria
Wikipedia - List of Coptic Orthodox popes of Alexandria -- Wikimedia list article
Wikipedia - List of Coptic Popes
Wikipedia - List of Council of Europe treaties -- Wikipedia list article
Wikipedia - List of cultural property of national significance in Switzerland: Aargau -- Wikipedia list article
Wikipedia - List of cultural property of national significance in Switzerland: Geneva -- Wikipedia list article
Wikipedia - List of cultural property of national significance in Switzerland: Graubunden -- Wikipedia list article
Wikipedia - List of currencies in Europe -- Wikipedia list article
Wikipedia - List of current and former railroad companies operating in Dallas -- Wikipedia list article
Wikipedia - List of current bus operators of the United Kingdom -- Wikipedia list article
Wikipedia - List of Danganronpa 3: The End of Hope's Peak High School episodes -- Wikipedia list article
Wikipedia - List of Danish online encyclopedic resources -- Wikipedia list article
Wikipedia - List of Dassault Mirage III operators -- Wikipedia list article
Wikipedia - List of defunct airlines of Europe -- Wikimedia list article
Wikipedia - List of de Havilland Comet operators -- Wikipedia list article
Wikipedia - List of de Havilland Heron operators -- Wikipedia list article
Wikipedia - List of de Havilland Mosquito operators -- Wikipedia list article
Wikipedia - List of de Havilland Vampire operators -- Wikipedia list article
Wikipedia - List of Detroit Tigers Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Detroit Wolverines Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of dignitaries at the funeral of Pope John Paul II
Wikipedia - List of diplomatic visits to the United States: Europe -- Wikipedia list article
Wikipedia - List of disability-related terms that developed negative connotations
Wikipedia - List of disk operating systems called DOS -- Wikipedia list article
Wikipedia - List of Dornier Do 228 operators -- Wikipedia list article
Wikipedia - List of Douglas A-1 Skyraider operators -- Wikipedia list article
Wikipedia - List of Douglas A-20 Havoc operators -- Wikipedia list article
Wikipedia - List of Douglas A-26 Invader operators -- Wikipedia list article
Wikipedia - List of Douglas A-4 Skyhawk operators -- Wikipedia list article
Wikipedia - List of Douglas C-47 Skytrain operators -- Wikipedia list article
Wikipedia - List of Douglas DC-4 operators -- Wikipedia list article
Wikipedia - List of Douglas DC-6 operators -- Wikipedia list article
Wikipedia - List of Douglas DC-7 operators -- Wikipedia list article
Wikipedia - List of Douglas DC-8 operators -- Wikipedia list article
Wikipedia - List of dukes in Europe -- Wikipedia list article
Wikipedia - List of East European Jews -- Wikimedia list article
Wikipedia - List of elements by atomic properties -- Wikipedia list article
Wikipedia - List of elements by stability of isotopes -- Wikipedia list article
Wikipedia - List of Elton John and Ray Cooper concert tours -- Wikipedia list article
Wikipedia - List of Embraer E-Jet operators -- Wikipedia list article
Wikipedia - List of Embraer EMB 110 Bandeirante operators -- Wikipedia list article
Wikipedia - List of encyclicals of Pope John Paul II
Wikipedia - List of encyclicals of Pope John XXIII
Wikipedia - List of encyclicals of Pope Leo XIII on the Rosary -- Encyclicals by Pope Leo XIII on the subjecy of the Rosary
Wikipedia - List of encyclicals of Pope Pius X
Wikipedia - List of encyclopedias by branch of knowledge
Wikipedia - List of encyclopedias by date -- Wikipedia list article
Wikipedia - List of encyclopedias by language -- Wikipedia list article
Wikipedia - List of encyclopedias
Wikipedia - List of endangered languages in Europe -- Wikipedia list article
Wikipedia - List of energy cooperatives -- Wikipedia list article
Wikipedia - List of English Heritage properties -- Wikipedia list article
Wikipedia - List of English-language 20th-century general encyclopedias -- Wikipedia list article
Wikipedia - List of E-roads in Russia -- Page listing bus routes in Europe
Wikipedia - List of European Academy Award Winners and Nominees -- Wikipedia list article
Wikipedia - List of European advertising characters -- Wikipedia list article
Wikipedia - List of European archaeological sites on the National Register of Historic Places in Pennsylvania -- Wikipedia list article
Wikipedia - List of European astronauts -- none
Wikipedia - List of European Boxing Union champions -- Wikimedia list article
Wikipedia - List of European Boxing Union female champions -- Wikimedia list article
Wikipedia - List of European cheeses with protected geographical status -- Wikipedia list article
Wikipedia - List of European cities by elevation -- Wikipedia list article
Wikipedia - List of European cities by population within city limits
Wikipedia - List of European Commissioners by nationality -- Wikipedia list article
Wikipedia - List of European Conservatives and Reformists Members of the European Parliament -- Wikipedia list article
Wikipedia - List of European Council meetings -- Wikipedia list article
Wikipedia - List of European countries by area -- Wikipedia list article
Wikipedia - List of European countries by average wage -- Wikipedia list article
Wikipedia - List of European countries by coal production -- Wikipedia list article
Wikipedia - List of European countries by GDP growth -- Wikipedia list article
Wikipedia - List of European countries by minimum wage
Wikipedia - List of European countries by number of Internet users -- Wikipedia list article
Wikipedia - List of European countries by population -- Wikipedia list article
Wikipedia - List of European countries by steel production -- Wikipedia list article
Wikipedia - List of European countries
Wikipedia - List of European cuisines -- Wikipedia list article
Wikipedia - List of European Cup and EHF Champions League top scorers -- Wikimedia list article
Wikipedia - List of European Cup and EHF Champions League winning players -- Wikimedia list article
Wikipedia - List of European Cup and UEFA Champions League finals -- Wikipedia list article
Wikipedia - List of European Cup and UEFA Champions League winning managers -- Wikimedia list article
Wikipedia - List of European Cup and UEFA Champions League winning players -- Wikimedia list article
Wikipedia - List of European Cup, Euroleague and LEN Champions League winning players -- Wikimedia list article
Wikipedia - List of European dinosaurs -- Wikipedia list article
Wikipedia - List of European exonyms -- Wikipedia list article
Wikipedia - List of European films -- Wikimedia list article
Wikipedia - List of European financial services companies by revenue -- Wikipedia list article
Wikipedia - List of European folk music traditions -- Wikimedia list article
Wikipedia - List of European Games records in athletics -- Wikipedia list article
Wikipedia - List of European Games records in swimming -- Wikipedia list article
Wikipedia - List of European islands by area -- Wikimedia list article
Wikipedia - List of European islands by population -- Wikipedia list article
Wikipedia - List of European junior records in Olympic weightlifting -- Wikipedia list article
Wikipedia - List of European Le Mans Series champions -- Wikimedia list article
Wikipedia - List of European Le Mans Series circuits -- Wikimedia list article
Wikipedia - List of European mystery writers -- Wikipedia list article
Wikipedia - List of European number-one hits of 1991 -- Wikipedia list article
Wikipedia - List of European number-one hits of 1998 -- number-one singles
Wikipedia - List of European power companies by carbon intensity -- Wikipedia list article
Wikipedia - List of European records in athletics -- Wikipedia list article
Wikipedia - List of European records in finswimming -- Wikipedia list article
Wikipedia - List of European records in masters athletics -- Wikipedia list article
Wikipedia - List of European records in Olympic weightlifting -- Wikipedia list article
Wikipedia - List of European records in swimming -- Wikipedia list article
Wikipedia - List of European records in track cycling -- Wikipedia list article
Wikipedia - List of European regions by fertility rate -- Wikipedia list article
Wikipedia - List of European regions by GDP -- Wikipedia list article
Wikipedia - List of European regions by life expectancy -- Wikipedia list article
Wikipedia - List of European regions by unemployment rate -- Wikipedia list article
Wikipedia - List of European Rugby Champions Cup finals -- Wikipedia list article
Wikipedia - List of European Ryder Cup golfers -- Wikimedia list article
Wikipedia - List of European saints
Wikipedia - List of Europeans by net worth -- Wikipedia list article
Wikipedia - List of European Solheim Cup golfers -- Wikimedia list article
Wikipedia - List of European stadiums by capacity -- Wikimedia list article
Wikipedia - List of European stock exchanges -- Wikimedia list article
Wikipedia - List of European television stations -- Wikimedia list article
Wikipedia - List of European tornadoes and tornado outbreaks -- Wikipedia list article
Wikipedia - List of European tornadoes in 2010 -- Wikipedia list article
Wikipedia - List of European tornadoes in 2011 -- Wikipedia list article
Wikipedia - List of European tornadoes in 2012 -- Wikipedia list article
Wikipedia - List of European tornadoes in 2013 -- Wikipedia list article
Wikipedia - List of European tornadoes in 2014 -- Wikipedia list article
Wikipedia - List of European Touring Car Cup drivers -- Wikimedia list article
Wikipedia - List of European ultra-prominent peaks -- Wikipedia list article
Wikipedia - List of European under-20 records in athletics -- Wikipedia list article
Wikipedia - List of European under-23 records in athletics -- Wikimedia list article
Wikipedia - List of European Union cities proper by population density -- Wikipedia list article
Wikipedia - List of European Union directives -- Wikimedia list article
Wikipedia - List of European Union member states by average wage -- Wikipedia list article
Wikipedia - List of European Union member states by GDP growth -- Wikipedia list article
Wikipedia - List of European Union member states by population -- List of European Union states by population
Wikipedia - List of European Union member states by unemployment rate -- Wikipedia list article
Wikipedia - List of European youth bests in athletics -- Wikipedia list article
Wikipedia - List of European youth records in Olympic weightlifting -- Wikipedia list article
Wikipedia - List of Europe Transparent Members of the European Parliament -- Wikipedia list article
Wikipedia - List of exoplanets discovered using the Kepler space telescope -- Wikipedia list article
Wikipedia - List of expansion operations and planning of the Axis powers -- Wikipedia list article
Wikipedia - List of extinct animals of Europe -- Wikipedia list article
Wikipedia - List of Fairchild Swearingen Metroliner operators -- Wikipedia list article
Wikipedia - List of famous operas
Wikipedia - List of F.C. Copenhagen managers -- Wikimedia list article
Wikipedia - List of F.C. Copenhagen players -- Wikimedia list article
Wikipedia - List of F.C. Copenhagen seasons -- Wikipedia list article
Wikipedia - List of FDJ Nouvelle-Aquitaine Futuroscope rosters -- Wikimedia list article
Wikipedia - List of female members of the European Parliament for Croatia -- Wikipedia list article
Wikipedia - List of female members of the European Parliament for the United Kingdom -- -- List of female members of the European Parliament for the United Kingdom --
Wikipedia - List of ferry operators in Japan -- Wikipedia list article
Wikipedia - List of ferry operators -- Wikipedia list article
Wikipedia - List of fictional elements, materials, isotopes and subatomic particles -- Wikipedia list article
Wikipedia - List of fictional European countries
Wikipedia - List of film festivals in Europe -- Wikipedia list article
Wikipedia - List of films based on Hasbro properties -- Wikipedia list article
Wikipedia - List of films based on operas -- Wikipedia list article
Wikipedia - List of first women lawyers and judges in Europe -- Wikipedia list article
Wikipedia - List of fly fishing waters in Europe -- Wikipedia list article
Wikipedia - List of Fokker F27 operators -- Wikipedia list article
Wikipedia - List of Fokker F28 operators -- Wikipedia list article
Wikipedia - List of food cooperatives -- Wikipedia list article
Wikipedia - List of former and unopened London Underground stations -- Wikipedia list article
Wikipedia - List of former European colonies -- Wikipedia list article
Wikipedia - List of formerly open-source software -- Wikipedia list article
Wikipedia - List of Forum for Democracy Members of the European Parliament -- Members of a Dutch political party in the EU Parliament
Wikipedia - List of free and open-source Android applications -- Wikipedia list article
Wikipedia - List of free and open-source iOS applications -- Wikipedia list article
Wikipedia - List of free and open-source software organizations
Wikipedia - List of free and open-source software packages -- Wikipedia list article
Wikipedia - List of free and open-source web applications -- Wikipedia list article
Wikipedia - List of French Open broadcasters -- Wikipedia list article
Wikipedia - List of French Open champions -- Wikimedia list article
Wikipedia - List of French Open men's doubles champions -- Wikimedia list article
Wikipedia - List of French Open men's singles champions -- Wikimedia list article
Wikipedia - List of French Open mixed doubles champions -- Wikimedia list article
Wikipedia - List of French Open women's doubles champions -- Wikimedia list article
Wikipedia - List of French Open women's singles champions -- Wikimedia list article
Wikipedia - List of French popes
Wikipedia - List of games by Epic Games -- Video games by developer/publisher
Wikipedia - List of games by Firaxis Games -- Video games by developer
Wikipedia - List of Games of the Small States of Europe records in athletics -- Wikipedia list article
Wikipedia - List of Games of the Small States of Europe records in swimming -- Wikipedia list article
Wikipedia - List of general aviation operators of New Zealand -- wikimedia list article
Wikipedia - List of General Dynamics F-111 aircraft operated by the Royal Australian Air Force -- Wikipedia list article
Wikipedia - List of George Lopez characters -- Wikipedia list article
Wikipedia - List of George Lopez episodes -- Wikipedia list article
Wikipedia - List of glaciers in Europe -- Wikipedia list article
Wikipedia - List of Gloster Gladiator operators -- Wikipedia list article
Wikipedia - List of golfers with most European Senior Tour wins -- Wikimedia list article
Wikipedia - List of golfers with most European Tour wins -- Wikimedia list article
Wikipedia - List of golfers with most Ladies European Tour wins -- Wikimedia list article
Wikipedia - List of Grumman A-6 Intruder operators -- Wikipedia list article
Wikipedia - List of Hangin' with Mr. Cooper episodes -- Wikipedia list article
Wikipedia - List of Harrier operators -- Wikipedia list article
Wikipedia - List of Hawker Hart and variants operators -- Wikipedia list article
Wikipedia - List of Hawker Hunter operators -- Wikipedia list article
Wikipedia - List of Hawker Hurricane operators -- Wikipedia list article
Wikipedia - List of Hawker Sea Fury operators -- Wikipedia list article
Wikipedia - List of Hawker Sea Hawk operators -- Wikipedia list article
Wikipedia - List of Hawker Tempest operators -- Wikipedia list article
Wikipedia - List of Hawker Typhoon operators -- Wikipedia list article
Wikipedia - List of Heaven's Lost Property episodes -- Wikipedia list article
Wikipedia - List of heli-skiing operators in British Columbia -- Wikipedia list article
Wikipedia - List of herbaria in Europe -- Wikipedia list article
Wikipedia - List of highest-grossing openings for animated films -- Wikipedia list article
Wikipedia - List of highest-grossing openings for films -- Wikipedia list article
Wikipedia - List of highest paved roads in Europe by country -- Wikipedia list article
Wikipedia - List of highest paved roads in Europe -- Wikipedia list article
Wikipedia - List of highest points of European countries -- Wikipedia list article
Wikipedia - List of Hindi channels in Europe -- Wikipedia list article
Wikipedia - List of historical opera characters -- Wikipedia list article
Wikipedia - List of historical regions of Central Europe -- Wikipedia list article
Wikipedia - List of historic properties in Agua Caliente, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Avondale, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Benson, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Bisbee, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Black Canyon City, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Bouse, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Buckeye, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Camp Verde, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Casa Grande, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Cave Creek, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Chandler, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Clarkdale, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Cottonwood, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Dateland, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Douglas, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Flagstaff, Arizona -- Wikimedia list article
Wikipedia - List of historic properties in Florence, Arizona -- Wikimedia list article
Wikipedia - List of historic properties in Glendale, Arizona -- Wikimedia list article
Wikipedia - List of historic properties in Globe, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Goldfield, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Holbrook, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Kingman, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Mayer, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Mesa, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Miami, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in New River, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Nogales, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Oracle, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Paradise Valley, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Parker, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Patagonia, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Pearce, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Peoria, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Phoenix -- Wikipedia list article
Wikipedia - List of historic properties in Pine-Strawberry, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Prescott, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Quartzsite, Arizona -- Wikimedia list article
Wikipedia - List of historic properties in Queen Creek, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Safford, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Scottsdale, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Sedona, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Snowflake, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Superior, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Tempe, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Tombstone, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Tucson, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Two Guns, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Wickenburg, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Willcox, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Williams, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Winslow, Arizona -- Wikipedia list article
Wikipedia - List of historic properties in Yuma, Arizona -- Wikipedia list article
Wikipedia - List of Home Troopers characters -- Wikipedia list article
Wikipedia - List of Hope & Faith episodes -- Wikipedia list article
Wikipedia - List of Hopewell sites -- Wikipedia list article
Wikipedia - List of Houston Astros Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of id Software games -- Video games by developer
Wikipedia - List of impact craters in Europe -- Wikipedia list article
Wikipedia - List of Important Intangible Folk Cultural Properties -- Wikimedia list article
Wikipedia - List of Indian massacres in North America -- Incident wherein a group of people deliberately kill a significant number of relatively defenseless people, usually involving European descended peoples and Indigenous peoples of the Americas
Wikipedia - List of indie game developers -- Wikipedia list article
Wikipedia - List of Indo-European languages -- Wikipedia list article
Wikipedia - List of indoor arenas in Europe -- Wikimedia list article
Wikipedia - List of Intangible Cultural Heritage elements in Eastern Europe -- Wikimedia list article
Wikipedia - List of Intangible Cultural Heritage elements in Northern Europe -- Wikimedia list article
Wikipedia - List of intellectual property law journals -- Wikipedia list article
Wikipedia - List of invasive species in Europe -- Wikipedia list article
Wikipedia - List of Ireland mobile virtual network operators -- Wikipedia list article
Wikipedia - List of Irish Poker Open winners -- Wikipedia list article
Wikipedia - List of islands of Europe -- Wikipedia list article
Wikipedia - List of Italian artists nominated for MTV Europe Music Awards -- Wikipedia list article
Wikipedia - List of journalism schools in Europe -- Wikipedia list article
Wikipedia - List of journalists killed in Europe -- Wikipedia list article
Wikipedia - List of Junkers Ju 52 operators -- Wikipedia list article
Wikipedia - List of Kansas City Royals Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of Khmer soap operas -- Wikipedia list article
Wikipedia - List of Labour Co-operative Members of Parliament -- Wikipedia list article
Wikipedia - List of large cardinal properties -- List of cardinal numbers with large cardinal properties
Wikipedia - List of large optical telescopes -- Wikipedia list article
Wikipedia - List of largest airlines in Europe -- Wikipedia list article
Wikipedia - List of largest cities in Organisation of Islamic Cooperation member countries -- Wikipedia list article
Wikipedia - List of largest European cities in history -- Wikipedia list article
Wikipedia - List of largest European companies by revenue -- Wikipedia list article
Wikipedia - List of largest European manufacturing companies by revenue -- Wikipedia list article
Wikipedia - List of largest Europe-based law firms by revenue -- Wikipedia list article
Wikipedia - List of largest ferries of Europe -- Wikipedia list article
Wikipedia - List of largest infrared telescopes -- Wikipedia list article
Wikipedia - List of largest lakes of Europe -- Wikipedia list article
Wikipedia - List of largest optical reflecting telescopes -- List of telescopes
Wikipedia - List of largest optical refracting telescopes -- Wikipedia list article
Wikipedia - List of largest optical telescopes historically -- Wikipedia list article
Wikipedia - List of largest optical telescopes in the 18th century -- Wikimedia list article
Wikipedia - List of largest optical telescopes in the 19th century -- Wikipedia list article
Wikipedia - List of largest optical telescopes in the 20th century -- Wikipedia list article
Wikipedia - List of largest optical telescopes in the British Isles -- Wikipedia list article
Wikipedia - List of last surviving veterans of military operations -- Wikipedia list article
Wikipedia - List of Las Vegas casinos that never opened -- Wikipedia list article
Wikipedia - List of Latin place names in Continental Europe, Ireland and Scandinavia -- Wikimedia list article
Wikipedia - List of left and far-left parties in Europe -- Wikipedia list article
Wikipedia - List of Let L-410 Turbolet operators -- Wikipedia list article
Wikipedia - List of LGBT characters in soap operas -- Wikimedia list article
Wikipedia - List of linguistic rights in European constitutions -- Wikipedia list article
Wikipedia - List of Lockheed C-130 Hercules operators -- Wikipedia list article
Wikipedia - List of Lockheed Constellation operators -- Wikipedia list article
Wikipedia - List of Lockheed F-104 Starfighter operators -- Wikipedia list article
Wikipedia - List of Lockheed L-1011 operators -- Wikipedia list article
Wikipedia - List of Lockheed P-38 Lightning operators -- Wikipedia list article
Wikipedia - List of longest-reigning popes
Wikipedia - List of longest-serving soap opera actors -- Wikipedia list article
Wikipedia - List of lord mayors of Copenhagen -- Wikipedia list article
Wikipedia - List of Los Angeles Angels Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Los Angeles Dodgers Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Louisville Colonels Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of LTE networks in Europe -- Wikipedia list article
Wikipedia - List of LTV A-7 Corsair II operators -- Wikipedia list article
Wikipedia - List of major opera composers -- Wikipedia list article
Wikipedia - List of mammals of Europe -- Wikipedia list article
Wikipedia - List of marathon races in Europe -- Wikipedia list article
Wikipedia - List of Martin B-26 Marauder operators -- Wikipedia list article
Wikipedia - List of materials properties -- Wikipedia list article
Wikipedia - List of mathematical properties of points -- Wikipedia list article
Wikipedia - List of mathematic operators -- Wikipedia list article
Wikipedia - List of McDonnell Douglas DC-10 operators -- Wikipedia list article
Wikipedia - List of McDonnell Douglas F-4 Phantom II U.S. operators -- Wikipedia list article
Wikipedia - List of McDonnell Douglas MD-11 operators -- Wikipedia list article
Wikipedia - List of McDonnell Douglas MD-80 operators -- Wikipedia list article
Wikipedia - List of McDonnell Douglas MD-90 operators -- Wikipedia list article
Wikipedia - List of M-CM-)migrM-CM-) musicians from Nazi Europe who settled in Britain -- Wikipedia list article
Wikipedia - List of medalists at the UEG European Cup Final -- Wikimedia list article
Wikipedia - List of medical schools in Europe -- Wikipedia list article
Wikipedia - List of medieval European scientists
Wikipedia - List of meetings between the Pope and the President of the United States -- Wikipedia list article
Wikipedia - List of metropolitan areas in Europe -- Wikipedia list article
Wikipedia - List of Miami Marlins Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Microsoft operating systems -- Wikipedia list article
Wikipedia - List of migrant vehicle incidents in Europe -- Wikimedia list article
Wikipedia - List of Mikoyan MiG-29 operators -- Wikipedia list article
Wikipedia - List of military and civilian missions of the European Union -- Wikipedia list article
Wikipedia - List of military missions, operations, and projects
Wikipedia - List of military operations in the Nordic countries during World War II -- Wikipedia list article
Wikipedia - List of military operations in the war in Afghanistan (2001-present) -- Wikipedia list article
Wikipedia - List of military operations in the West European Theater during World War II by year -- Wikipedia list article
Wikipedia - List of military operations of India -- Wikipedia list article
Wikipedia - List of military operations of the Sri Lankan Civil War -- Wikipedia list article
Wikipedia - List of military operations on the Eastern Front of World War II -- Wikipedia list article
Wikipedia - List of military operations -- Wikimedia list article
Wikipedia - List of Mil Mi-8/17 operators -- Wikipedia list article
Wikipedia - List of Milwaukee Brewers Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Minnesota Twins Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Mitsubishi A6M Zero operators -- Wikimedia list article
Wikipedia - List of mobile network operators in Kenya -- Wikipedia list article
Wikipedia - List of mobile network operators in Tanzania -- Wikipedia list article
Wikipedia - List of mobile network operators in Uganda -- Wikipedia list article
Wikipedia - List of mobile network operators of Europe -- Wikipedia list article
Wikipedia - List of mobile network operators of the Americas -- Wikipedia list article
Wikipedia - List of mobile network operators of the Asia Pacific region -- Wikipedia list article
Wikipedia - List of mobile network operators of The Caribbean -- Wikipedia list article
Wikipedia - List of mobile network operators of the Middle East and Africa -- Wikipedia list article
Wikipedia - List of mobile network operators -- Wikimedia list article
Wikipedia - List of modern universities in Europe (1801-1945) -- Wikipedia list article
Wikipedia - List of Montreal Expos Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of monuments of Pope John Paul II
Wikipedia - List of mosques in Europe -- Wikimedia list article
Wikipedia - List of most common surnames in Europe -- Wikimedia list article
Wikipedia - List of mountain ranges named Antelope -- Wikipedia list article
Wikipedia - List of MTV Europe Music Award categories -- Wikipedia list article
Wikipedia - List of murdered Popes
Wikipedia - List of museums in and around Copenhagen -- Wikipedia list article
Wikipedia - List of museums with major collections of European prints and drawings -- Wikipedia list article
Wikipedia - List of named passenger trains of Europe -- Wikipedia list article
Wikipedia - List of National Trust for Scotland properties -- Wikimedia list article
Wikipedia - List of National Trust properties in England -- Wikipedia list article
Wikipedia - List of NATO operations -- Operations since the cold war
Wikipedia - List of Naughty Dog video games -- Video games developed by Naughty Dog
Wikipedia - List of naval and land-based operations in Mediterranean Sea area during World War II -- Wikipedia list article
Wikipedia - List of naval and land-based operations in the Pacific Theater during World War II -- Wikipedia list article
Wikipedia - List of Neighbours characters (2017) -- Characters in Australian soap opera 2017
Wikipedia - List of Neighbours characters -- characters in Australian soap opera
Wikipedia - List of Neoperla species -- Wikipedia list article
Wikipedia - List of New York City Housing Authority properties -- Wikipedia list article
Wikipedia - List of New York Giants Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of New York Mets Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of New York Yankees Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: A -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: B -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: C -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: D -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: E -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: F -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: G -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: H -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: I -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: J -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: K -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: L -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: M -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: N-O -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: P-Q -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: R -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: S -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: T-V -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility -- Wikimedia list article
Wikipedia - List of nicknames of European royalty and nobility: W-Z -- Wikimedia list article
Wikipedia - List of Nobel laureates affiliated with the University of Copenhagen
Wikipedia - List of North European Jews
Wikipedia - List of Oakland Athletics Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of observers to the European Parliament for Croatia, 2012-2013 -- -- List of observers to the European Parliament for Croatia, 2012-2013 --
Wikipedia - List of observers to the European Parliament for Cyprus, 2003-2004 -- -- List of observers to the European Parliament for Cyprus, 2003-2004 --
Wikipedia - List of observers to the European Parliament for Estonia, 2003-2004 -- -- List of observers to the European Parliament for Estonia, 2003-2004 --
Wikipedia - List of observers to the European Parliament for Hungary, 2003-2004 -- Wikipedia list article
Wikipedia - List of observers to the European Parliament for Latvia, 2003-2004 -- -- List of observers to the European Parliament for Latvia, 2003-2004 --
Wikipedia - List of observers to the European Parliament for Lithuania, 2003-2004 -- -- List of observers to the European Parliament for Lithuania, 2003-2004 --
Wikipedia - List of observers to the European Parliament for Malta, 2003-2004 -- -- List of observers to the European Parliament for Malta, 2003-2004 --
Wikipedia - List of observers to the European Parliament for Poland, 2003-2004 -- -- List of observers to the European Parliament for Poland, 2003-2004 --
Wikipedia - List of observers to the European Parliament for Slovakia, 2003-2004 -- -- List of observers to the European Parliament for Slovakia, 2003-2004 --
Wikipedia - List of observers to the European Parliament for Slovenia, 2003-2004 -- -- List of observers to the European Parliament for Slovenia, 2003-2004 --
Wikipedia - List of observers to the European Parliament for the Czech Republic, 2003-2004 -- -- List of observers to the European Parliament for the Czech Republic, 2003-2004 --
Wikipedia - List of official openings by Elizabeth II in Australia -- Wikipedia list article
Wikipedia - List of oldest banks in continuous operation -- Wikipedia list article
Wikipedia - List of oldest military units and formations in continuous operation -- Wikimedia list article
Wikipedia - List of oldest universities in continuous operation -- Wikipedia list article
Wikipedia - List of online encyclopedias -- Wikipedia list article
Wikipedia - List of online state encyclopedias -- Wikimedia list article
Wikipedia - List of Opel vehicles -- Wikipedia list article
Wikipedia - List of open-access journals -- Wikipedia list article
Wikipedia - List of open-air and living history museums in the United States -- Wikipedia list article
Wikipedia - List of open-air and living history museums -- Wikipedia list article
Wikipedia - List of Open All Hours characters -- Wikipedia list article
Wikipedia - List of Open All Hours episodes -- Wikipedia list article
Wikipedia - List of OpenCL applications -- Wikipedia list article
Wikipedia - List of open clusters -- Wikipedia list article
Wikipedia - List of Open Era Grand Slam champions by country -- Wikimedia list article
Wikipedia - List of Open Era Grand Slam men's singles finals -- Wikimedia list article
Wikipedia - List of Open Era Grand Slam women's singles finals -- Wikimedia list article
Wikipedia - List of open formats -- Wikipedia list article
Wikipedia - List of OpenGL applications -- Wikipedia list article
Wikipedia - List of open problems in computer science
Wikipedia - List of open-source bioinformatics software -- Wikipedia list article
Wikipedia - List of open-source codecs -- Wikipedia list article
Wikipedia - List of open-source computing hardware -- Wikipedia list article
Wikipedia - List of open-source films -- Wikipedia list article
Wikipedia - List of open-source first-person shooters
Wikipedia - List of open source games
Wikipedia - List of open-source hardware projects -- Wikipedia list article
Wikipedia - List of open-source health hardware
Wikipedia - List of open-source health software -- Wikipedia list article
Wikipedia - List of open-source mobile phones -- Wikimedia list article
Wikipedia - List of open-source programming languages
Wikipedia - List of open-source routing platforms -- Wikipedia list article
Wikipedia - List of open-source software for mathematics -- Wikipedia list article
Wikipedia - List of open source software packages
Wikipedia - List of open-source video games
Wikipedia - List of Open University people -- Wikimedia list article
Wikipedia - List of opera directors -- Wikipedia list article
Wikipedia - List of opera festivals -- Wikipedia list article
Wikipedia - List of opera genres -- Wikimedia list article
Wikipedia - List of opera houses -- Wikipedia list article
Wikipedia - List of operas and operettas by Charles Lecocq -- Wikipedia list article
Wikipedia - List of operas and operettas by Edmond Audran -- Wikipedia list article
Wikipedia - List of operas and operettas by Emmanuel Chabrier -- Wikipedia list article
Wikipedia - List of operas and operettas by Franz Lehar -- Wikipedia list article
Wikipedia - List of operas and operettas by LM-CM-)o Delibes -- Wikipedia list article
Wikipedia - List of operas by Adolphe Adam -- Wikipedia list article
Wikipedia - List of operas by Alessandro Scarlatti -- Wikipedia list article
Wikipedia - List of operas by Ambroise Thomas -- Wikipedia list article
Wikipedia - List of operas by Amilcare Ponchielli -- Wikipedia list article
Wikipedia - List of operas by AndrM-CM-) GrM-CM-)try -- Wikipedia list article
Wikipedia - List of operas by Antonio Salieri -- Wikipedia list article
Wikipedia - List of operas by Antonio Vivaldi -- Wikipedia list article
Wikipedia - List of operas by Baldassare Galuppi -- Wikipedia list article
Wikipedia - List of operas by BedM-EM-^Yich Smetana -- Wikipedia list article
Wikipedia - List of operas by Carl Maria von Weber -- Operas by Carl Maria von Weber
Wikipedia - List of operas by Carlo Coccia -- Wikipedia list article
Wikipedia - List of operas by Christoph Willibald Gluck -- Wikipedia list article
Wikipedia - List of operas by Claudio Monteverdi -- Wikimedia list article
Wikipedia - List of operas by composer -- Wikipedia list article
Wikipedia - List of operas by Daniel Auber -- Wikipedia list article
Wikipedia - List of operas by Ermanno Wolf-Ferrari -- Wikipedia list article
Wikipedia - List of operas by Ernst Krenek -- Wikipedia list article
Wikipedia - List of operas by Etienne MM-CM-)hul -- Wikipedia list article
Wikipedia - List of operas by Eugen d'Albert -- Wikipedia list article
Wikipedia - List of operas by Ferdinando Paer -- Wikipedia list article
Wikipedia - List of operas by Florian Leopold Gassmann -- Wikipedia list article
Wikipedia - List of operas by Francesco Bianchi -- Wikipedia list article
Wikipedia - List of operas by Francesco Gasparini -- Wikipedia list article
Wikipedia - List of operas by Franco Alfano -- Wikipedia list article
Wikipedia - List of operas by Francois-Adrien Boieldieu -- Wikipedia list article
Wikipedia - List of operas by Francois-AndrM-CM-) Danican Philidor -- Wikipedia list article
Wikipedia - List of operas by Friedrich von Flotow -- Wikipedia list article
Wikipedia - List of operas by Gaetano Donizetti -- Wikipedia list article
Wikipedia - List of operas by Gaetano Latilla -- Wikipedia list article
Wikipedia - List of operas by Gaspare Spontini -- Wikipedia list article
Wikipedia - List of operas by George Frideric Handel -- Wikipedia list article
Wikipedia - List of operas by Georg Philipp Telemann -- Wikipedia list article
Wikipedia - List of operas by Giacomo Meyerbeer -- Wikipedia list article
Wikipedia - List of operas by Gioachino Rossini -- Wikipedia list article
Wikipedia - List of operas by Giovanni Pacini -- Wikipedia list article
Wikipedia - List of operas by Giuseppe Bonno -- Wikipedia list article
Wikipedia - List of operas by Giuseppe Sarti -- Wikipedia list article
Wikipedia - List of operas by Heinrich Marschner -- Wikipedia list article
Wikipedia - List of operas by Jean-Philippe Rameau -- Wikipedia list article
Wikipedia - List of operas by Johann Adam Hiller -- Wikipedia list article
Wikipedia - List of operas by Johann Adolph Hasse -- Wikipedia list article
Wikipedia - List of operas by Josef MysliveM-DM-^Mek -- Wikipedia list article
Wikipedia - List of operas by Joseph Haydn --  
Wikipedia - List of operas by Jules Massenet -- Wikipedia list article
Wikipedia - List of operas by Luigi Cherubini -- Wikipedia list article
Wikipedia - List of operas by NiccolM-CM-2 Piccinni -- Wikipedia list article
Wikipedia - List of operas by Nicola Porpora -- Wikipedia list article
Wikipedia - List of operas by Ottorino Respighi -- Wikipedia list article
Wikipedia - List of operas by Pasquale Anfossi -- Wikipedia list article
Wikipedia - List of operas by Paul Hindemith -- Wikipedia list article
Wikipedia - List of operas by Pierre-Alexandre Monsigny -- Wikipedia list article
Wikipedia - List of operas by Pietro Alessandro Guglielmi -- Wikipedia list article
Wikipedia - List of operas by Riccardo Zandonai -- Wikipedia list article
Wikipedia - List of operas by Richard Strauss -- Wikipedia list article
Wikipedia - List of operas by Siegfried Wagner -- Wikipedia list article
Wikipedia - List of operas by Simon Mayr -- Wikipedia list article
Wikipedia - List of operas by Tommaso Traetta -- Wikipedia list article
Wikipedia - List of operas
Wikipedia - List of operatic pop artists -- Wikimedia list article
Wikipedia - List of operating systems -- Wikipedia list article
Wikipedia - List of operating units and shore establishments of the Republic of Korea Navy -- Wikimedia list article
Wikipedia - List of Operation Deadlight U-boats -- Wikipedia list article
Wikipedia - List of operator splitting topics -- Wikipedia list article
Wikipedia - List of operetta composers -- Wikipedia list article
Wikipedia - List of operettas and operas by Carl Millocker -- Wikipedia list article
Wikipedia - List of operettas by Carl Michael Ziehrer -- Wikipedia list article
Wikipedia - List of operettas by Johann Strauss II -- Wikipedia list article
Wikipedia - List of operettas
Wikipedia - List of optical telescopes -- Wikipedia list article
Wikipedia - List of Organisation of Islamic Cooperation member states by exports -- Wikipedia list article
Wikipedia - List of Organisation of Islamic Cooperation member states by GDP per capita (PPP) -- Wikipedia list article
Wikipedia - List of Organisation of Islamic Cooperation member states by GDP (PPP) -- Wikipedia list article
Wikipedia - List of Organisation of Islamic Cooperation member states by imports -- Wikipedia list article
Wikipedia - List of organisations designated as terrorist organisations by the European Union -- Wikipedia list article
Wikipedia - List of original copies of the Porter Garden Telescope -- Ornamental garden telescope from the 1920s
Wikipedia - List of Panavia Tornado operators -- Wikipedia list article
Wikipedia - List of paratrooper forces -- Wikimedia list article
Wikipedia - List of parks and open spaces in Derbyshire -- List of parks in Derbyshire, England
Wikipedia - List of parks and open spaces in Merseyside -- Wikimedia list article
Wikipedia - List of parks, gardens and open spaces in Norwich -- Wikipedia list article
Wikipedia - List of pastoral visits of Pope Francis outside Italy
Wikipedia - List of pastoral visits of Pope Francis
Wikipedia - List of pastoral visits of Pope John Paul II outside Italy
Wikipedia - List of pastoral visits of Pope John Paul II
Wikipedia - List of pastoral visits of Pope Paul VI outside Italy
Wikipedia - List of people beatified by Pope Francis
Wikipedia - List of people beatified by Pope John Paul II
Wikipedia - List of people beatified by Pope Paul VI
Wikipedia - List of people beatified by Pope Pius X
Wikipedia - List of people declared venerable by Pope Francis
Wikipedia - List of people declared venerable by Pope John Paul II
Wikipedia - List of people declared venerable by Pope Paul VI
Wikipedia - List of people executed for homosexuality in Europe -- Wikipedia list article
Wikipedia - List of people from Galicia (Eastern Europe): modern period -- Wikipedia list article
Wikipedia - List of people who have opened the Olympic Games -- Wikimedia list article
Wikipedia - List of Permanent Representatives of Italy to the European Union -- Wikipedia list article
Wikipedia - List of Permanent Representatives of the United Kingdom to the Council of Europe -- Wikipedia list article
Wikipedia - List of Permanent Representatives of the United Kingdom to the European Union -- Wikipedia list article
Wikipedia - List of Philadelphia and Kansas City Athletics Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of Philadelphia Phillies Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of physical properties of glass -- Physical properties of common glasses
Wikipedia - List of pidgins, creoles, mixed languages and cants based on Indo-European languages -- Wikimedia list article
Wikipedia - List of Pilatus PC-12 operators -- Wikipedia list article
Wikipedia - List of Pittsburgh Pirates Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of places and things named after Pope Francis -- Wikipedia list article
Wikipedia - List of places named after Pope John Paul II -- Wikipedia list article
Wikipedia - List of political parties in Northern Europe -- Wikipedia list article
Wikipedia - List of political parties in Western Europe -- Wikipedia list article
Wikipedia - List of polygons, polyhedra and polytopes -- Wikipedia list article
Wikipedia - List of popes by age -- Wikimedia list article
Wikipedia - List of popes by country -- Wikipedia list article
Wikipedia - List of popes from the Borgia family -- Wikipedia list article
Wikipedia - List of popes from the Conti family -- Wikipedia list article
Wikipedia - List of popes from the Medici family -- Wikipedia list article
Wikipedia - List of popes from the Tuscolo family -- Wikipedia list article
Wikipedia - List of popes (graphical) -- Wikipedia list article
Wikipedia - List of Popes
Wikipedia - List of popes -- Wikimedia list article
Wikipedia - List of Power Rangers Operation Overdrive characters -- Wikipedia list article
Wikipedia - List of Power Rangers Operation Overdrive episodes -- Wikipedia list article
Wikipedia - List of power stations operated by the Tennessee Valley Authority -- Wikipedia list article
Wikipedia - List of predecessors of sovereign states in Europe -- Wikipedia list article
Wikipedia - List of presidents of College of Europe -- Wikipedia list article
Wikipedia - List of Presidents of the Parliamentary Assembly of the Council of Europe -- Wikipedia list article
Wikipedia - List of professional wrestling attendance records in Europe -- list of the largest attendances in the history of European professional wrestling
Wikipedia - List of professional wrestling promotions in Europe -- Wikipedia list article
Wikipedia - List of programs broadcast by VH1 (Europe) -- Wikipedia list article
Wikipedia - List of prominent operas -- Wikimedia list article
Wikipedia - List of proper names of stars -- Wikipedia list article
Wikipedia - List of properties of sets of reals -- Wikipedia list article
Wikipedia - List of properties (Sycamore Historic District) -- Wikimedia list article
Wikipedia - List of Property Brothers episodes -- Listing of episodes for American television series Property Brothers
Wikipedia - List of property developers based in New York -- Wikipedia list article
Wikipedia - List of Providence Grays Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of radio soap operas -- Wikipedia list article
Wikipedia - List of radio telescopes -- Wikimedia list article
Wikipedia - List of Raising Hope characters -- Wikipedia list article
Wikipedia - List of Raising Hope episodes -- Wikipedia list article
Wikipedia - List of rampage killers (familicides in Europe) -- Wikimedia list article
Wikipedia - List of rampage killers (home intruders in Europe) -- Wikipedia list article
Wikipedia - List of rampage killers in Europe -- Wikipedia list article
Wikipedia - List of Raven Software games -- Video games by developer
Wikipedia - List of Rectors of the University of Copenhagen -- Wikimedia list article
Wikipedia - List of regular polytopes and compounds -- Wikipedia list article
Wikipedia - List of regular polytopes
Wikipedia - List of Relic Entertainment games -- Video games by developer
Wikipedia - List of reptiles of Europe -- Wikipedia list article
Wikipedia - List of researchers in underwater diving -- Notable developers of diving technology, and published researchers in diving medicine and physiology, including decompression theory
Wikipedia - List of restaurants owned or operated by Gordon Ramsay -- Wikipedia list article
Wikipedia - List of retailers' cooperatives -- Wikipedia list article
Wikipedia - List of rivers of Europe -- Wikipedia list article
Wikipedia - List of Royal Air Force Operational Training Units -- Wikipedia list article
Wikipedia - List of Russian IT developers -- Wikipedia list article
Wikipedia - List of Russian opera singers
Wikipedia - List of Ryan's Hope characters -- Wikipedia list article
Wikipedia - List of Saab 340 operators -- Wikipedia list article
Wikipedia - List of saints by pope
Wikipedia - List of saints canonized by Pope Benedict XVI
Wikipedia - List of saints canonized by Pope Francis
Wikipedia - List of saints canonized by Pope John Paul II
Wikipedia - List of saints canonized by Pope John XXIII
Wikipedia - List of saints canonized by Pope Leo XIII
Wikipedia - List of saints canonized by Pope Paul VI
Wikipedia - List of saints canonized by Pope Pius XII
Wikipedia - List of saints canonized by Pope Pius XI
Wikipedia - List of San Diego Padres Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of San Francisco Giants Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Saving Hope episodes -- Wikimedia list article
Wikipedia - List of Scentre Group properties -- Wikimedia list article
Wikipedia - List of seaplane operators -- Wikipedia list article
Wikipedia - List of Secretaries General of OPEC -- Wikipedia list article
Wikipedia - List of Sega video game consoles -- Video game consoles by developer
Wikipedia - List of sepsid fly species recorded in Europe -- Wikipedia list article
Wikipedia - List of settlements in the Rhodope regional unit -- Wikimedia list article
Wikipedia - List of sexually active popes -- Wikimedia list article
Wikipedia - List of Sikorsky H-19 operators -- Wikipedia list article
Wikipedia - List of sister cities in Europe -- Wikimedia list article
Wikipedia - List of ski areas and resorts in Europe -- Wikimedia list article
Wikipedia - List of SkyEurope destinations -- Wikipedia list article
Wikipedia - List of Soap Opera Digest Awards -- Wikipedia list article
Wikipedia - List of soap opera media outlets -- Wikipedia list article
Wikipedia - List of soap opera recasts -- Wikipedia list article
Wikipedia - List of soap operas
Wikipedia - List of soap opera villains -- List of soap opera villains
Wikipedia - List of social nudity places in Europe -- Wikipedia list article
Wikipedia - List of software that supports Office Open XML -- Wikipedia list article
Wikipedia - List of solar telescopes -- Wikipedia list article
Wikipedia - List of songs written by J-Hope -- Wikimedia list article
Wikipedia - List of sovereign states and dependent territories in Europe by GDP (PPP) -- Wikipedia list article
Wikipedia - List of sovereign states and dependent territories in Europe -- Wikimedia list article
Wikipedia - List of sovereign states in Europe by budget revenues per capita -- Wikipedia list article
Wikipedia - List of sovereign states in Europe by budget revenues -- Wikipedia list article
Wikipedia - List of sovereign states in Europe by GDP (nominal) per capita -- Wikipedia list article
Wikipedia - List of sovereign states in Europe by GDP (nominal) -- Wikipedia list article
Wikipedia - List of sovereign states in Europe by GDP (PPP) per capita -- Wikipedia list article
Wikipedia - List of sovereign states in Europe by GNI (nominal) per capita -- Wikipedia list article
Wikipedia - List of sovereign states in Europe by GNI (PPP) per capita -- Wikipedia list article
Wikipedia - List of sovereign states in Europe by Human Development Index -- Wikipedia list article
Wikipedia - List of sovereign states in Europe by unemployment rate -- Wikipedia list article
Wikipedia - List of Soviet European Film Award winners and nominees -- Wikipedia list article
Wikipedia - List of space opera media -- Wikipedia list article
Wikipedia - List of space pirates -- Science fiction character trope of space, rather than seafaring pirate
Wikipedia - List of space telescopes -- Wikipedia list article
Wikipedia - List of Special Operations Executive operations -- Wikipedia list article
Wikipedia - List of Square Enix Europe games -- Video games by publisher
Wikipedia - List of Square Enix mobile games -- Video games by developer/publisher
Wikipedia - List of Square Enix video game franchises -- Video game franchises by developer/publisher
Wikipedia - List of Square Enix video games -- Video games by developer/publisher
Wikipedia - List of Square video games -- Video games by developer/publisher
Wikipedia - List of stable isotopes
Wikipedia - List of stadiums in Europe -- Wikimedia list article
Wikipedia - List of Starship Operators episodes -- Wikipedia list article
Wikipedia - List of stars in Cassiopeia -- Wikipedia list article
Wikipedia - List of stations opened by petition in Japan -- Wikipedia list article
Wikipedia - List of stations owned and operated by Ion Media -- Wikipedia list article
Wikipedia - List of stations owned or operated by Sinclair Broadcast Group -- Wikipedia list article
Wikipedia - List of stellar properties -- Wikipedia list article
Wikipedia - List of Still Open All Hours episodes -- Wikipedia list article
Wikipedia - List of St. Louis Browns Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of St. Louis Cardinals Opening Day starting pitchers -- Wikipedia list article
Wikipedia - List of streets in Copenhagen -- Wikipedia list article
Wikipedia - List of submarine operators -- Wikipedia list article
Wikipedia - List of Sukhoi Su-25 operators -- Wikipedia list article
Wikipedia - List of Supermarine Spitfire operators -- Wikipedia list article
Wikipedia - List of supermarket chains in Europe -- Wikimedia list article
Wikipedia - List of symphony orchestras in Europe -- Wikipedia list article
Wikipedia - List of Synopeas species -- Wikipedia list article
Wikipedia - List of tallest buildings in Europe -- Wikimedia list article
Wikipedia - List of tallest buildings in the European Union -- Wikipedia list article
Wikipedia - List of Tamil dubbed soap operas -- Wikipedia list article
Wikipedia - List of Tamil soap operas -- Wikipedia list article
Wikipedia - List of Tampa Bay Rays Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Tantei Opera Milky Holmes episodes -- Wikipedia list article
Wikipedia - List of Techniscope films -- Wikipedia list article
Wikipedia - List of telephone operating companies -- Wikimedia list article
Wikipedia - List of telescope parts and construction -- Wikipedia list article
Wikipedia - List of telescopes of Australia -- Wikipedia list article
Wikipedia - List of telescope types -- Wikipedia list article
Wikipedia - List of television programs based on Hasbro properties
Wikipedia - List of Texas Rangers Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of theatres and opera houses in Rome -- Wikipedia list article
Wikipedia - List of theatres and opera houses in Venice -- Wikipedia list article
Wikipedia - List of the busiest airports in Europe -- Wikipedia list article
Wikipedia - List of the first women holders of political offices in Europe -- Wikipedia list article
Wikipedia - List of the largest optical telescopes in North America -- Wikipedia list article
Wikipedia - List of the largest trading partners of the European Union -- Wikipedia list article
Wikipedia - List of the last monarchs in Europe -- Wikipedia list article
Wikipedia - List of the member committees of the Association of European Rarities Committees -- Wikimedia list article
Wikipedia - List of tombs of antipopes -- Wikipedia list article
Wikipedia - List of Toronto Blue Jays Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of town tramway systems in Europe -- Wikipedia list article
Wikipedia - List of trademarked open-source software -- Wikipedia list article
Wikipedia - List of Turkey mobile virtual network operators -- Wikimedia list article
Wikipedia - List of typographical symbols and punctuation marks -- Most common typographical symbols and punctuation marks used in western European languages
Wikipedia - List of Ukrainian European Film Award winners and nominees -- Wikipedia list article
Wikipedia - List of United States Air Force Field Operating Agencies
Wikipedia - List of urban areas in Europe -- Wikipedia list article
Wikipedia - List of urban areas in the European Union -- Wikipedia list article
Wikipedia - List of uropeltid species and subspecies -- Wikipedia list article
Wikipedia - List of U.S. Open (golf) champions -- Wikimedia list article
Wikipedia - List of US Open men's doubles champions -- Wikimedia list article
Wikipedia - List of US Open men's singles champions -- Wikimedia list article
Wikipedia - List of US Open mixed doubles champions -- Wikimedia list article
Wikipedia - List of US Open singles finalists during the open era -- Wikimedia list article
Wikipedia - List of US Open (tennis) broadcasters -- Wikipedia list article
Wikipedia - List of US Open (tennis) champions -- Wikimedia list article
Wikipedia - List of US Open women's doubles champions -- Wikimedia list article
Wikipedia - List of US Open women's singles champions -- Wikimedia list article
Wikipedia - List of U.S. Women's Open champions -- Wikimedia list article
Wikipedia - List of utility cooperatives -- Wikipedia list article
Wikipedia - List of Valve games -- Video games developed by Valve
Wikipedia - List of Venezuelan cooperatives -- Wikipedia list article
Wikipedia - List of Vickers Viscount operators -- Wikipedia list article
Wikipedia - List of Vickers Wellington operators -- Wikipedia list article
Wikipedia - List of video game developers -- Wikipedia list article
Wikipedia - List of video games developed by Rare -- Wikipedia list article
Wikipedia - List of video games developed in Austria -- Wikipedia list article
Wikipedia - List of video games developed in Belgium -- Wikipedia list article
Wikipedia - List of video games developed in France -- Wikipedia list article
Wikipedia - List of video games developed in Hong Kong -- Wikipedia list article
Wikipedia - List of video games developed in Portugal -- Wikipedia list article
Wikipedia - List of video games developed in Slovakia -- Wikipedia list article
Wikipedia - List of video games developed in Spain -- Wikipedia list article
Wikipedia - List of video games developed in the Czech Republic -- Wikipedia list article
Wikipedia - List of video games developed in the Netherlands -- Wikipedia list article
Wikipedia - List of video games developed in the Republic of Ireland -- Wikipedia list article
Wikipedia - List of villages in Europe -- Wikipedia list article
Wikipedia - List of VR Troopers characters -- Wikipedia list article
Wikipedia - List of VR Troopers episodes -- Wikipedia list article
Wikipedia - List of Washington Nationals Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of Washington Senators Opening Day starting pitchers -- Wikimedia list article
Wikipedia - List of water parks in Europe -- Wikipedia list article
Wikipedia - List of Water Skiing European Champions -- Wikimedia list article
Wikipedia - List of Water Skiing Under-14 European Champions -- Wikimedia list article
Wikipedia - List of WBC Muaythai European champions -- Wikimedia list article
Wikipedia - List of web browsers for Unix and Unix-like operating systems -- Wikipedia list article
Wikipedia - List of West European Jews -- Wikimedia list article
Wikipedia - List of Westland Lysander operators -- Wikipedia list article
Wikipedia - List of Wimbledon Open Era champions -- Wikimedia list article
Wikipedia - List of women members of the European Parliament for Ireland -- Wikipedia list article
Wikipedia - List of Women's British Open champions -- Wikimedia list article
Wikipedia - List of Women's Western Open champions -- Wikimedia list article
Wikipedia - List of worker cooperatives -- Wikipedia list article
Wikipedia - List of World War II military operations -- Wikipedia list article
Wikipedia - List of X-ray space telescopes -- Wikipedia list article
Wikipedia - Lists of aircraft carriers operational during World War II -- Wikimedia list article
Wikipedia - Lists of allied military operations of the Vietnam War -- Wikipedia list article
Wikipedia - Lists of Bible pericopes -- Wikipedia list of lists article
Wikipedia - Lists of Cultural Properties of the Philippines -- Wikipedia list of lists article
Wikipedia - Lists of encyclopedias -- Wikipedia list article
Wikipedia - Lists of hospitals in Europe -- Wikipedia list article
Wikipedia - Lists of Members of the European Parliament for the United Kingdom -- -- Lists of Members of the European Parliament for the United Kingdom --
Wikipedia - Lists of popes, patriarchs, primates, archbishops, and bishops -- Wikipedia list article
Wikipedia - Lists of radio stations in Europe -- Wikipedia list article
Wikipedia - Lists of telescopes -- Wikipedia list article
Wikipedia - LiteOS -- real-time operating system
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Wikipedia - Liturgical reforms of Pope Pius XII
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class:encyclopedia
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Wikipedia - M-CM-^EbenrM-CM-% 26 -- 18th-century building in Copenhagen
Wikipedia - M-CM-^EbenrM-CM-% 27 -- 18th-century building in Copenhagen
Wikipedia - M-CM-^Hve Brenner -- French opera singer (born 1941)
Wikipedia - M-CM-^Rscar Camps -- Spanish lifeguard, entrepreneur and activist; founder and director of the NGO Proactiva Open Arms
Wikipedia - M-CM-^Sscar Cruz Lopez -- Mexican politician
Wikipedia - M-CM-^Sscar Lopez (politician) -- Costa Rican politician
Wikipedia - M-CM-^Xresund Region -- Transnational region in Copenhagen, Denmark and Malmo, Sweden
Wikipedia - M-CM-^Xresundsmetro -- Proposed rapid transit service between Copenhagen and Malmo
Wikipedia - M-DM-0slM-CM-"m Ansiklopedisi -- Turkish encyclopedia
Wikipedia - M-DM-^Fevapi -- Dish from Southeast Europe
Wikipedia - Meade LX90 -- Telescope
Wikipedia - Mead hall -- Residence of a lord and his retainers in medieval Scandinavia and Germanic Europe
Wikipedia - Meadow Gold Dairies (Hawaii) -- Dairy company operating in Hawaii
Wikipedia - Meadow -- Open habitat vegetated primarily by non-woody plants
Wikipedia - Meatal stenosis -- Stenosis of the opening of the urethra at the external meatus
Wikipedia - Mechanical calculator -- Mechanical machine for arithmetic operations
Wikipedia - Medal for Participation in Operation Flash -- Croatian medal
Wikipedia - Medal for Participation in Operation Storm -- Croatian medal
Wikipedia - Medal for Participation in Operation Summer '95 -- Croatian medal
Wikipedia - Medea Amiranashvili -- Georgian opera singer, teacher
Wikipedia - MediaCityUK -- Property development in Salford
Wikipedia - MediaFLO -- Media transmission technology developed by Qualcomm
Wikipedia - MediaInfo -- Cross-platform and open-source program that displays technical information about media files.
Wikipedia - Media Molecule -- British video game developer
Wikipedia - Mediatonic -- British video game developer
Wikipedia - Medical Encyclopedia of Islam and Iran
Wikipedia - Medicine (Jennifer Lopez song) -- 2019 song by Jennifer Lopez
Wikipedia - Medieval commune -- European commune in the Middle Ages
Wikipedia - Medieval cuisine -- Foods, eating habits, and cooking methods of various European cultures during the Middle Ages
Wikipedia - Medieval Europe
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Wikipedia - Medieval stained glass -- Coloured and painted glass of medieval Europe
Wikipedia - Mediterranean and Middle East theatre of World War II -- Major theatre of operations during the Second World War
Wikipedia - Mediterranean Sea -- Sea between Europe, Africa and Asia, connected to the Atlantic Ocean
Wikipedia - Meet Me on Cassiopeia -- 1951 film
Wikipedia - Megabus (Europe) -- Long distance coach operator
Wikipedia - Megachile alopecura -- Species of leafcutter bee (Megachile)
Wikipedia - Megachile laminopeds -- Species of leafcutter bee (Megachile)
Wikipedia - Megachile nigropectoralis -- Species of leafcutter bee (Megachile)
Wikipedia - Megachile toxopei -- Species of leafcutter bee (Megachile)
Wikipedia - Megacraspedus lagopellus -- Species of moth
Wikipedia - Megactenopetalus -- -- Megactenopetalus --
Wikipedia - Megalithic architectural elements -- Architectural elements typical of European megalithic structures
Wikipedia - Megalopyge opercularis -- Venomous species of moth, "puss caterpillar"
Wikipedia - Megamax -- European pay television channel
Wikipedia - Megan Cope -- Australian Aboriginal artist of Quandamooka heritage
Wikipedia - Megan Marie Hart -- American opera singer
Wikipedia - Megatrain -- UK low-cost train operator
Wikipedia - Meghan Picerno -- American theater actress and opera singer
Wikipedia - Mehmet Osman -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Mehvish Mushtaq -- Kashmiri app developer
Wikipedia - Mei Baojiu -- Peking opera artist
Wikipedia - Mei Lanfang -- 20th-century Peking opera artist
Wikipedia - Meitetsu KiHa 8000 series -- Diesel multiple unit train type formerly operated in Japan
Wikipedia - Melanie Diener -- German operatic soprano
Wikipedia - Melanie Pearson -- Fictional character from the Australian soap opera Neighbours
Wikipedia - Mel Brez -- American television soap opera writer
Wikipedia - Melchor Lopez -- Argentine sports shooter
Wikipedia - Melicope latifolia -- Species of plant
Wikipedia - Melicope madagascariensis -- Species of plant
Wikipedia - Melicope stonei -- Endangered tree endemic to Kaua'i, Hawaii
Wikipedia - Melicope -- Genus of plants
Wikipedia - Melioratyvne -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Melitaea parthenoides -- The meadow fritillary, a butterfly of the family Nymphalidae from south-western Europe.
Wikipedia - Melitta Muszely -- Austrian singer and opera singer
Wikipedia - Mel Lopez -- Filipino politician (1935-2017)
Wikipedia - Mel Owen -- Fictional character from the British soap opera EastEnders
Wikipedia - Melrose Place -- 1992 American prime time soap opera
Wikipedia - Melt pond -- Pools of open water that form on sea ice in the warmer months of spring and summer
Wikipedia - Melvin J. Berman -- Maryland land developer (1915-1996)
Wikipedia - M-EM-^AodM-EM-: Ghetto -- Second-largest ghetto in German-occupied Europe during World War II
Wikipedia - M-EM-^Aukasz Konieczny -- Polish operatic bass
Wikipedia - Member of the European Parliament -- Person who has been elected to serve as a popular representative in the European Parliament
Wikipedia - Membership of the United Kingdom in the European Economic Area
Wikipedia - Members of the European Parliament (1958-1979) -- -- Members of the European Parliament (1958-1979) --
Wikipedia - Members of the European Parliament (1994-1999) -- -- Members of the European Parliament (1994-1999) --
Wikipedia - Members of the European Parliament (1999-2004) -- -- Members of the European Parliament (1999-2004) --
Wikipedia - Members of the European Parliament (2004-2009) -- -- Members of the European Parliament (2004-2009) --
Wikipedia - Members of the European Parliament (2009-2014) -- -- Members of the European Parliament (2009-2014) --
Wikipedia - Members of the European Parliament (2014-2019) -- -- Members of the European Parliament (2014-2019) --
Wikipedia - Members of the European Parliament (2019-2024) -- Wikipedia list article
Wikipedia - Members of the European Parliament for the United Kingdom 1999-2004 by region -- -- Members of the European Parliament for the United Kingdom 1999-2004 by region --
Wikipedia - Member state of the European Union -- State that is a participant in the treaties of the European Union (EU)
Wikipedia - Member states of the Council of Europe
Wikipedia - Membrane theory of shells -- Describes the mechanical properties of shells
Wikipedia - M-EM- ibenik cap -- Regional variant of a traditional red cap used in the Balkans that was developed in M-EM- ibenik, Croatia
Wikipedia - Memorial Mound, Copenhagen -- Memorial to Danish emigrants in Copenhagen, Denmark
Wikipedia - Memorial to the Murdered Jews of Europe -- Memorial in Berlin, Germany
Wikipedia - Memphis Belle (aircraft) -- Boeing B-17F bomber that was one of the first to complete 25 combat missions in the European theatre
Wikipedia - MEMS gyroscope
Wikipedia - Smigus-dyngus -- Celebration held on Easter Monday in Poland and Central Europe
Wikipedia - Men in Hope -- 2011 film
Wikipedia - Mennonites -- Anabaptist groups originating in Northern Europe
Wikipedia - Mental properties
Wikipedia - Mental property
Wikipedia - Mercator Cooper
Wikipedia - Mercedes-Benz C112 -- Mid-engine concept car developed by German automobile manufacturer Mercedes Benz in 1991
Wikipedia - Mercedes-Benz SLR McLaren -- Grand tourer jointly developed by Mercedes-Benz and McLaren Automotive
Wikipedia - Mercedes Lopez-Morales -- Spanish-American astrophysicist
Wikipedia - Mercedes of Castile -- 1840 historical novel by James Fenimore Cooper
Wikipedia - Mercenary Technology -- Video game developer company
Wikipedia - Mercy Olubunmi -- Fictional character from the British soap opera EastEnders
Wikipedia - Mere Humdam -- Pakistani soap opera
Wikipedia - Merian C. Cooper -- American aviator, actor, director and producer
Wikipedia - Merope (Messenia) -- Greek mythological figure
Wikipedia - Merope (Pleiad) -- One of the seven Pleiades sisters from Greek mythology and wife of Sisyphus
Wikipedia - Merope (star) -- Star in the constellation Taurus
Wikipedia - Merope (supercomputer) -- NASA supercomputer
Wikipedia - Mesa (computer graphics) -- Free and open-source library for 3D graphics rendering
Wikipedia - Mesopelagic zone
Wikipedia - Messaline -- Opera by Isidore de Lara
Wikipedia - Messapic language -- Extinct Indo-European language
Wikipedia - Messerschmitt Bf 110 operational history -- Messerschmitt
Wikipedia - Messerschmitt Me 163 Komet -- Rocket interceptor developed by Messerschmitt late in World War II
Wikipedia - Messerschmitt Me 262 -- World's first operational jet-powered fighter aircraft
Wikipedia - Messier 103 -- Open cluster in the constellation Cassiopeia
Wikipedia - Messier 35 -- Open cluster in the constellation Gemini
Wikipedia - Messier 41 -- Open cluster in the constellation Canis Major
Wikipedia - Messier 52 -- Open cluster in the constellation Cassiopeia
Wikipedia - Messier 7 -- Open stars cluster in the constellation of Scorpius
Wikipedia - Mess jacket -- Formal or semi-formal, open-front, waist-length dress jacket of military origin
Wikipedia - Mestizo -- Term to denote a person with European and Native American blood
Wikipedia - Metadriopea -- Genus of beetles
Wikipedia - Meta-ethics -- Branch of ethics seeking to understand ethical properties
Wikipedia - Metahistory: The Historical Imagination in Nineteenth-century Europe -- 1973 book by Hayden White
Wikipedia - Metal Gear Solid V: The Phantom Pain -- 2015 open world action-adventure stealth video game
Wikipedia - Metal ions in aqueous solution -- Properties and behavior of hydrated cations in aqueous solution
Wikipedia - Metalloid -- Chemical element with relatively weak metallic and nonmetallic properties
Wikipedia - Metallurgy during the Copper Age in Europe -- Prehistoric period, Copper Age
Wikipedia - Metalogic -- Study of the properties of logical systems
Wikipedia - Metope -- Rectangular architectural element that fills the space between two triglyphs in a Doric frieze
Wikipedia - Metra -- Suburban railway operator in the Chicago, Illinois metropolitan area, in the US
Wikipedia - Metriopelia -- Genus of birds
Wikipedia - Metro Exodus -- 2019 story-driven first person shooter stealth survival horror video game developed by 4A Games
Wikipedia - Metroid Prime 3: Corruption -- 2007 action-adventure game developed by Retro Studios and Nintendo
Wikipedia - Metroid Prime -- 2002 action-adventure game developed by Retro Studios
Wikipedia - Metroline -- London bus operator
Wikipedia - Metropistas -- Partnership operating some Puerto Rico highways
Wikipedia - Metropolitan Atlanta Rapid Transit Authority -- Public transit operator in Metro Atlanta, Georgia
Wikipedia - Metropolitan Detention Center -- Federal prison operated by the Federal Bureau of Prisons and located throughout the US
Wikipedia - Metropolitan Indianapolis Public Media -- Not-for-profit corporation that operates public radio and television stations in Indianapolis
Wikipedia - Metropolitan Opera House (39th Street) -- Former opera house in Manhattan, New York
Wikipedia - Metropolitan Opera House (Lincoln Center) -- opera house in Manhattan
Wikipedia - Metropolitan Opera House (Philadelphia) -- Theater in Philadelphia, Pennsylvania, United States
Wikipedia - Metropolitan Opera radio broadcasts -- Broadcasts of opera performances from the Metropolitan Opera in New York City
Wikipedia - Metropolitan Opera -- Opera company in Manhattan, New York City
Wikipedia - Metropolitan Properties Co (FGC) Ltd v Lannon -- UK legal case on judicial bias
Wikipedia - Metro Trains Melbourne -- Public transport operator in Melbourne, Australia
Wikipedia - Metro Transit (Minnesota) -- Public transit operator in the Twin Cities region of Minnesota
Wikipedia - Metti Oli -- Indian Television soap opera
Wikipedia - Meuse -- River in western Europe
Wikipedia - MFT (operating system)
Wikipedia - Mga Offensive -- Military operation
Wikipedia - M-HM-^Xtefan Pop -- Romanian singer and opera singer
Wikipedia - MI 09 -- Type of double-decker, dual-voltage electric multiple unit trainsets operated on the French RER A line
Wikipedia - MI 2N -- Type of double-decker, dual-voltage electric multiple unit trainsets operated on the French RER network
Wikipedia - Miah Persson -- Swedish opera singer
Wikipedia - Miami Lyric Opera -- opera company
Wikipedia - Michaela Kaune -- German operatic soprano
Wikipedia - Michael Bay -- American film director, film producer, camera operator and actor
Wikipedia - Michael Boder -- German conductor of opera and concert
Wikipedia - Michael Bohnen -- German opera singer
Wikipedia - Michael Chioldi -- American opera singer
Wikipedia - Michael David Kirchmann -- American real estate developer, architect, and designer
Wikipedia - Michael Devlin (bass-baritone) -- American opera singer
Wikipedia - Michael E. Conley -- Vice Commander of the Space Operations Command
Wikipedia - Michael Eilbaum -- American television soap opera director
Wikipedia - Michael Fabiano -- American operatic tenor
Wikipedia - Michael Guttler -- German operatic conductor
Wikipedia - Michael Hicks (game designer) -- American video game developer and musician
Wikipedia - Michael Leonard Hecht -- New Orleans based American economic developer and businessman
Wikipedia - Michael L. Howard -- U.S. European Command deputy commander
Wikipedia - Michael Lopez-Alegria -- American astronaut
Wikipedia - Michael Moon (EastEnders) -- Fictional character from the British soap opera EastEnders
Wikipedia - Michael Morrison (author) -- American author, software developer, and toy inventor
Wikipedia - Michael Opeyemi Bamidele -- Nigerian lawyer and politician
Wikipedia - Michael Pope (athlete) -- British hurdler
Wikipedia - Michael Rouleau -- Commander of the Canadian Joint Operations Command
Wikipedia - Michael Simms (software developer)
Wikipedia - Michael Stanhope (died 1552) -- English knight
Wikipedia - Michael Tiemann -- American executive, software developer, and open source proponent
Wikipedia - Michael Volle -- German singer and opera singer
Wikipedia - Michel Caron (tenor) -- French operatic tenor and stage actor
Wikipedia - Michel Kazatchkine -- Michel Kazatchkine* - Special Envoy for HIV/AIDS in Eastern Europe and Central Asia
Wikipedia - Michelle Connor -- Fictional character from the British soap opera Coronation Street
Wikipedia - Michelle Fowler -- fictional character from the British soap opera EastEnders
Wikipedia - Microcephaly -- Condition in which the head is small due to an underdeveloped brain
Wikipedia - Micro-Controller Operating Systems
Wikipedia - Microcotyle pseudopercis -- Species of worms
Wikipedia - Micrograph -- Process for producing pictures with a microscope
Wikipedia - Micromastia -- Abnormally underdeveloped breasts
Wikipedia - Micro-operation
Wikipedia - Micropelta -- Genus of beetles
Wikipedia - Micropenis -- Unusually small penis
Wikipedia - Micropeplinae -- Subfamily of beetles
Wikipedia - Micropeplus -- Genus of beetles
Wikipedia - Micropeptide -- Short length polypeptides
Wikipedia - Micropterix aureopennella -- Moth species in family Micropterigidae
Wikipedia - MICROSCOPE -- Satellite
Wikipedia - Microscope -- Scientific instrument
Wikipedia - Microsoft and open source -- relationship between the technology company and the open source software paradigm
Wikipedia - Microsoft Detours -- Microsoft open source library
Wikipedia - Microsoft Developer Network
Wikipedia - Microsoft OneDrive -- File hosting and synchronization service operated by Microsoft
Wikipedia - Microsoft Open Specification Promise
Wikipedia - Microsoft Outlook -- Email client, task and calendar management software developed by Microsoft
Wikipedia - Microsoft Pinyin IME -- Pinyin input method implementation developed by Microsoft and Harbin Institute of Technology
Wikipedia - Microsoft PowerToys -- Set of freeware system utilities developed by Microsoft
Wikipedia - Microsoft Robotics Developer Studio
Wikipedia - Microsoft Security Essentials -- Free antivirus product produced by Microsoft for the Windows operating system
Wikipedia - Microsoft Store (retail) -- Chain of retail stores and online shopping site operated by Microsoft
Wikipedia - Microsoft Windows -- Family of computer operating systems developed by Microsoft
Wikipedia - Microsoft Word -- Word processor developed by Microsoft
Wikipedia - Midas Interactive Entertainment -- European video game publisher
Wikipedia - MIDAS (operating system)
Wikipedia - Midcourse Space Experiment -- Space telescope
Wikipedia - Middle Ages -- Period of European history from the 5th to the late 15th century
Wikipedia - Midhopestones -- Village in South Yorkshire, England
Wikipedia - Midland (bus operator) -- West Midlands bus operator
Wikipedia - Midland Classic -- Burton upon Trent bus operator
Wikipedia - MidnightBSD -- Operating system
Wikipedia - Midori (operating system)
Wikipedia - Midori (web browser) -- Free and open-source lightweight web browser
Wikipedia - Mid-size car -- North American Australian / European standard for an automobile size
Wikipedia - Mier expedition -- American military operation
Wikipedia - Migration Assistant (Apple) -- macOS software utility developed by Apple that transfers data from an existing computer or full drive backup to a new computer
Wikipedia - Miguel de Icaza -- Mexican free software developer
Wikipedia - Miguel Fleta -- Spanish operatic tenor
Wikipedia - Miguel FM-CM-)lix Lopez -- Ecuadorian lawyer and teacher
Wikipedia - Miguel Lopez Rivera -- Puerto Rican politician
Wikipedia - Miguel M-CM-^Angel Lopez (racewalker) -- Spanish racewalker
Wikipedia - Miguel M-CM-^Angel Lopez Velasco -- Mexican crime journalist and murder victim
Wikipedia - Mihoko Fujimura -- Japanese operatic mezzo-soprano
Wikipedia - Miitomo -- Free-to-use social networking mobile app developed by Nintendo
Wikipedia - Mike Bithell -- British video game designer and developer
Wikipedia - Mike Cope -- American stock car racing driver and team owner
Wikipedia - Mike Denney -- American television soap opera director
Wikipedia - Mike Jopek -- American politician from Montana
Wikipedia - Mike Laidlaw -- American video game developer
Wikipedia - Mike Little -- English web developer (born 1962)
Wikipedia - Mike Opelka -- American radio broadcaster
Wikipedia - Mike Perry (game developer)
Wikipedia - Mike Polchlopek -- American professional wrestler and mixed martial artist
Wikipedia - Mike Rutzen -- South African conservationist and shark cage diving operator
Wikipedia - Mildred Allen (soprano) -- American operatic soprano
Wikipedia - Mildred Pope
Wikipedia - Mild-slope equation -- Combined effects of diffraction and refraction for water waves propagating over variable depth and with lateral boundaries
Wikipedia - Miles Copeland Jr. -- American espionage agent
Wikipedia - Milestone (Italian company) -- Italian video game developer
Wikipedia - Military academy -- Higher education institution operated by or for the military
Wikipedia - Military aircraft -- Aircraft designed or utilized for use in or support of military operations
Wikipedia - Military alliance -- Alliance between different states with the purpose to cooperate militarily
Wikipedia - Military Assistance Command, Vietnam - Studies and Observations Group -- Vietnam War-era American multi-service special operations unit
Wikipedia - Military base -- Facility directly owned and operated by or for the military
Wikipedia - Military history of Europe
Wikipedia - Military Open Simulator Enterprise Strategy -- U.S. Army virtual world test project
Wikipedia - Military operation
Wikipedia - Milka Ternina -- Croatian opera singer
Wikipedia - Miller -- Person who produces flour or other products by operating a mill
Wikipedia - Mill town -- Settlement that developed around one or more mills or factories
Wikipedia - MiloM-EM-! KopeckM-CM-= -- Czech actor
Wikipedia - Milton Smith -- American computer security application developer, researcher, and writer
Wikipedia - Milton William Cooper -- American conspiracy theorist
Wikipedia - Mimi Lerner -- American opera singer
Wikipedia - Mimodriopea -- Genus of beetles
Wikipedia - Mimopezus -- Genus of beetles
Wikipedia - Mind-body problem -- Open question in philosophy of how abstract minds interact with physical bodies
Wikipedia - Minds -- Open source social networking service
Wikipedia - Mind your Ps and Qs -- English-language idiom used to encourage (one) to be polite, presentable, and proper in a certain setting or context
Wikipedia - Mineral rights -- Property rights to exploit an area for the minerals
Wikipedia - Minh Le -- Vietnamese-Canadian computer game developer who created the mod ''Counter-Strike''
Wikipedia - Minimax (TV channel) -- Central European children's television channel
Wikipedia - Mini Rover ROV -- A small, low cost observation class remotely operated underwater vehicle
Wikipedia - Ministerialis -- European medieval social class
Wikipedia - Ministry of Commerce, Industry and Cooperatives -- Government ministry of Kiribati
Wikipedia - Ministry of Foreign Affairs and International Cooperation (Cambodia) -- Cambodian government agency
Wikipedia - Ministry of Foreign Affairs and International Cooperation (Fiji) -- Ministry of Fiji
Wikipedia - Ministry of Local Government, Rural Development and Co-operatives -- Government ministry of Bangladesh
Wikipedia - Ministry of Trade, Industry and Cooperatives (Uganda) -- Ugandan government ministry
Wikipedia - MINIX -- Unix-like operating system
Wikipedia - Min-max theorem -- Variational characterization of eigenvalues of compact Hermitian operators on Hilbert spaces
Wikipedia - Minnesota functionals -- DFT methods developed by Donald Truhlar's research group
Wikipedia - Minor Cooper Keith -- American businessman
Wikipedia - Mintty -- Open source terminal emulator
Wikipedia - Mioara Cortez -- Romanian operatic soprano
Wikipedia - Mirasole Abbey -- Church building in Opera, Italy
Wikipedia - Miriam Cooper -- American actress (1891-1976)
Wikipedia - Miri-Clan -- Criminal organisation in Europe
Wikipedia - MirrorLink -- Interoperable communications standard
Wikipedia - Mir (submersible) -- A self-propelled deep submergence vehicle
Wikipedia - Mir -- Soviet/Russian space station that operated in Earth orbit from 1986 to 2001
Wikipedia - Miryam Roper -- German judoka
Wikipedia - Misanthrope
Wikipedia - Misconduct -- Legal term; form of wrongful, improper, or unlawful conduct
Wikipedia - Miss Europe (film) -- 1930 film
Wikipedia - Miss Europe -- Beauty contest
Wikipedia - Missile -- Self-propelled guided weapon system
Wikipedia - Mission critical -- Factor critical to the operation of an organization
Wikipedia - Mission Dafoe -- World War II Special Operations Executive
Wikipedia - Mission Rogers -- World War II Special Operations Executive
Wikipedia - Mission to Zyxx -- Improvised space opera podcast in English
Wikipedia - Mississippi Department of Corrections -- State agency that operates prisons
Wikipedia - Mississippi River Squadron -- Union brown-water naval squadron that operated on the western rivers during the American Civil War
Wikipedia - Missouri University of Science and Technology Nuclear Reactor -- Open pool nuclear reactor
Wikipedia - Mistle thrush -- A bird in the family Turdidae from Europe, Asia and North Africa
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Wikipedia - Mitica Popescu -- Romanian actor
Wikipedia - MIT OpenCourseWare -- Web-based publication of virtually all MIT course content
Wikipedia - Mit Oswald in der Oper -- 1956 film
Wikipedia - Mitridate Eupatore -- Opera by Alessandro Scarlatti
Wikipedia - Mitropetrovas -- Greek revolutionary
Wikipedia - Mitsubishi AWC -- Four-wheel drive system developed by Mitsubishi Motors
Wikipedia - Mitsubishi Power Systems Europe -- Sustainable energy company
Wikipedia - Mitsubishi S-AWC -- Four-wheel drive system developed by Mitsubishi Motors
Wikipedia - Mitteilungen der deutschen PatentanwM-CM-$lte -- German intellectual property law journal
Wikipedia - Mitteleuropa -- German term for Central Europe
Wikipedia - Mizoram Co-operative Apex Bank -- Indian co-operative banking company headquartered in Aizawl
Wikipedia - M-JM- -- Opera by Eef van Breen in Klingon language
Wikipedia - Mk 1 Underwater Defense Gun -- Underwater firearm developed by the United States during the Cold War
Wikipedia - MKVToolNix -- Free and open source Matroska libraries and toolset
Wikipedia - Mlle Guerin -- French opera composer
Wikipedia - MMA gloves -- Open-fingered gloves used in mixed martial arts bouts
Wikipedia - MM-CM-2nica Lopez -- Spanish scientist and journalist
Wikipedia - M. Moran Weston -- African-American priest, founder of Carver Bank, Real Estate developer, activist
Wikipedia - M-NM-^T18O -- Measure of the ratio of stable isotopes oxygen-18 and oxygen-16
Wikipedia - Mobile app development -- process to build apps for various mobile operating systems
Wikipedia - Mobile network operator
Wikipedia - Mobile operating system
Wikipedia - Mobile phone operator
Wikipedia - Mobile virtual network enabler -- |Provider of services for mobile virtual network operators
Wikipedia - Mo Butcher -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Mochii -- Miniature scanning electron microscope
Wikipedia - Modal operator
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Wikipedia - Modbus -- Serial communications protocol mainly developed for programmable logic controllers
Wikipedia - Modern Operating Systems
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Wikipedia - Modular Approach to Software Construction Operation and Test
Wikipedia - Modulation -- Process of varying one or more properties of a periodic waveform
Wikipedia - Modulo operation -- Computational operation
Wikipedia - Modus operandi -- Habits of working
Wikipedia - Mogali Rekulu -- Telugu language soap opera
Wikipedia - Mohammad Alavi (game developer) -- Iranian video game developer
Wikipedia - Mo Harris -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Mohmand Valley raid -- US/Afgan special operations raid targeting an ISIL-KP compound in Nangarhar Province
Wikipedia - Moiety title -- Legal term describing a portion other than a whole of ownership of property
Wikipedia - Mojang Studios -- Swedish video game developer
Wikipedia - Moje Forbach -- German film actor, stage actor and opera singer
Wikipedia - Mokslo ir enciklopedij leidybos centras
Wikipedia - Moldanubian Zone -- A tectonic zone in Europe formed during the Variscan or Hercynian Orogeny
Wikipedia - Moldova -- Republic in Eastern Europe
Wikipedia - Molly Scott Cato -- British economist and Member of the European Parliament
Wikipedia - Monastery of Vatopedi
Wikipedia - Mondo Cane -- 1962 film directed by Paolo Cavara, Gualtiero Jacopetti, and Francesco Prosperi
Wikipedia - Monex Europe -- British foreign exchange company
Wikipedia - MongoDB Inc. -- American software company, developer of MongoDB
Wikipedia - Mongol invasion of Europe -- 13th century Mongol invasion of eastern and central Europe
Wikipedia - Monica Lopez (actress) -- Spanish actress
Wikipedia - Monica Webb Hooper -- American behavioral scientist and clinical psychologist
Wikipedia - Monica Yunus -- Operatic soprano
Wikipedia - Monodora stenopetala -- species of plant in the family Annonaceae
Wikipedia - MonoGame -- Free C# framework used by game developers
Wikipedia - Monoid -- Algebraic structure with an associative operation and an identity element
Wikipedia - Monophyly -- Property of a group of including all taxa descendant from a common ancestral species
Wikipedia - Monoscope
Wikipedia - Monster Games -- American video game developer
Wikipedia - Montana Elevator Co. -- American farmer cooperative
Wikipedia - Montenegro -- Country in Europe
Wikipedia - Montgomery Village Shopping Center -- Open-air shopping mall in Santa Rosa, California
Wikipedia - Montreal-GaspM-CM-) train -- Suspended passenger train operated by Via Rail between Montreal and GaspM-CM-), Quebec
Wikipedia - Montserrat CaballM-CM-) -- Spanish operatic soprano (1933-2018)
Wikipedia - Monument to Pope John Paul II -- Statue in Mexico City
Wikipedia - Moogega Cooper -- American astronomer
Wikipedia - Moon pool -- An opening in the base of a hull, platform, or chamber giving access to the water below
Wikipedia - Moonsund Operation -- Amphibious operation by the Red Army during World War II
Wikipedia - Moore Island (Hopewell Islands) -- Uninhabited island in the Qikiqtaaluk Region, Nunavut, Canada
Wikipedia - Moorish architecture -- Architectural style historically developed in the western Islamic world
Wikipedia - Moral Essays -- Series of poems written by Alexander Pope
Wikipedia - Morality -- Differentiation of intentions, decisions and actions between those that are distinguished as proper and those that are improper
Wikipedia - Morgan Creek (New Hope River tributary) -- Stream in North Carolina, USA
Wikipedia - MorphOS -- Amiga-compatible computer operating system
Wikipedia - Mortal Kombat 11 -- 2019 fighting video game developed by NetherRealm Studios
Wikipedia - Moshav shitufi -- type of cooperative Israeli village
Wikipedia - Moshav -- Type of cooperative agricultural community
Wikipedia - Mossbauer spectroscopy -- Probes the properties of specific isotopic nuclei in different atomic environments by analyzing the resonant absorption of gamma rays. See also Mossbauer effect.
Wikipedia - MOST (spacecraft) -- Canada's first space telescope
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Wikipedia - Moto E (1st generation) -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto E (2020) -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto E3 -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto E4 -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto E7 -- Android smartphones developed by Motorola Mobility
Wikipedia - Moto G (1st generation) -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto G (2020) -- Android smartphones developed by Motorola Mobility
Wikipedia - Moto G (2nd generation) -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto G (3rd generation) -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto G4 -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto G 5G Plus -- Android smartphones developed by Motorola Mobility
Wikipedia - Moto G 5G -- Android smartphones developed by Motorola Mobility
Wikipedia - Moto G5 -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto G6 -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto G7 -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto G8 -- Android smartphones developed by Motorola Mobility
Wikipedia - Moto G9 -- Android smartphones developed by Motorola Mobility
Wikipedia - Motorola Atrix 2 -- Android smartphone developed by Motorola Mobility
Wikipedia - Motorola Atrix 4G -- Android smartphone developed by Motorola Mobility
Wikipedia - Motorola Backflip -- Android smartphone developed by Motorola Mobility
Wikipedia - Motorola Calgary -- Android smartphone developed by Motorola Mobility
Wikipedia - Motorola Charm -- Android smartphone developed by Motorola Mobility
Wikipedia - Motorola Cliq -- Android smartphone developed by Motorola Mobility
Wikipedia - Motorola Droid -- Android smartphone developed by Motorola Mobility
Wikipedia - Motorola Edge -- Android phablet developed by Motorola Mobility
Wikipedia - Motorola Edge+ -- Android phablet developed by Motorola Mobility
Wikipedia - Motorola Xoom -- Android tablet developed by Motorola Mobility
Wikipedia - Motorola Xyboard -- Android tablet developed by Motorola Mobility
Wikipedia - Moto X (1st generation) -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto X (2nd generation) -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto X4 -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto X Play -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto X Style -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto Z2 Play -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto Z3 -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto Z4 -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto Z Play -- Android smartphone developed by Motorola Mobility
Wikipedia - Moto Z -- Android smartphone developed by Motorola Mobility
Wikipedia - Motto of the European Union -- Overview of the motto of the European Union
Wikipedia - Mountbatten family -- European dynasty
Wikipedia - Mount Copeland -- Mountain in British Columbia, Canada
Wikipedia - Mount Elbrus -- Highest mountain of Russia and Europe
Wikipedia - Mount Hope College (Maryland)
Wikipedia - Mount Hope Estate -- National Register of Historic Places-listed property
Wikipedia - Mount Hope-Highland Historic District -- National historic district located at Rochester in Monroe County, New York
Wikipedia - Mount Hope, Kansas -- City in Kansas, United States
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Wikipedia - Movistar TV -- Paid TV in operated by Telefonica
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Wikipedia - Mozart family grand tour -- Journey through western Europe (1763-1766)
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Wikipedia - Mozilla Developer Network
Wikipedia - Mozilla Europe -- Non-profit organisation
Wikipedia - Mozilla Public License -- Permissive free software license developed by the Mozilla organization
Wikipedia - Mozilla Thunderbird -- Free and open-source email client by Mozilla
Wikipedia - MP3 -- Open standard lossy compression format for digital audio
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Wikipedia - MP/M -- Discontinued family of computer operating systems
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Wikipedia - Msmtp -- Free and open-source SMTP client
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Wikipedia - MTR Bus -- Public bus service operated by the MTR corporation
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Wikipedia - MTV (European TV channel) -- Pan-European pay TV network
Wikipedia - MTV Europe Music Award for Best New Act
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Wikipedia - MTV Europe Music Award for Best Song -- Category of MTV Europe Music Awards
Wikipedia - MTV Europe Music Award
Wikipedia - MTV Hits (European TV channel) -- European television channel
Wikipedia - MTV Music 24 -- Pan-European music television channel
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Wikipedia - Museum ship -- Ship preserved and converted into a museum open to the public
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Wikipedia - Music in psychological operations
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Wikipedia - Music Player Daemon -- Free and open-source software
Wikipedia - Music (software) -- Media player developed by Apple
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Wikipedia - MVG Class A -- German U-Bahn train type operated in Munich
Wikipedia - MVG Class B -- German U-Bahn train type operated in Munich
Wikipedia - MVG Class C -- German U-Bahn train type operated in Munich
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Wikipedia - Mysian language -- Extinct Indo-European language
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Wikipedia - Mystery play -- Medieval European play
Wikipedia - Mystic-class deep-submergence rescue vehicle -- Class of US Navy submersible for rescue operations on submerged, disabled submarines
Wikipedia - Mystici corporis Christi -- Papal encyclical issued by Pope Pius XII
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class:encyclopedia
Wikipedia - Nabor Ochoa Lopez -- Mexican politician
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Wikipedia - Namco -- Defunct Japanese video game developer and publisher
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Wikipedia - Nana Moon -- Fictional character from the BBC soap opera EastEnders
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Wikipedia - Nancy Frangione -- American soap opera actress
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Wikipedia - Nancy Roman -- American astronomer and principal in the Hubble Space Telescope project
Wikipedia - Nancy Storace -- English operatic soprano
Wikipedia - Nanette Guilford -- American musician, singer and opera singer
Wikipedia - Nankai 12000 series -- Electric multiple unit (EMU) train type operated in Japan by Nankai Electric Railway
Wikipedia - Nan Merriman -- American opera singer
Wikipedia - Nanocircuitry -- Electrical circuits operating on the nanometer scale.
Wikipedia - Nanodiamond -- Extremely small diamonds used for their thermal, mechanical and optoelectronic properties
Wikipedia - NanoInk (network) -- Open international cooperation network
Wikipedia - Nao (robot) -- Small humanoid robot developed by the French company Aldebaran Robotics
Wikipedia - Naples-Portici railway -- First Italian railway line (opened 1839)
Wikipedia - Napoleonic era -- European history in the 1800s
Wikipedia - Napoleonic Wars -- 19th century European wars involving Napoleon I
Wikipedia - Narada sting operation -- A sting operation in West Bengal targeting high ranking Trinamul politicians.
Wikipedia - Narcotic -- Chemical substance with psycho-active properties
Wikipedia - Narcoworld: Dope Stories -- 2019 documentary television miniseries
Wikipedia - Nasal helmet -- Medieval European, integral nose guard
Wikipedia - NASA Open Source Agreement
Wikipedia - NASA WorldWind -- Open-source virtual globe developed by NASA
Wikipedia - NASA X-57 Maxwell -- experimental plane being developed by NASA
Wikipedia - NASCOM -- terrestrial communications network operated by NASA
Wikipedia - Nash equilibrium -- Solution concept of a non-cooperative game involving two or more players for given conditions
Wikipedia - Nasmyth telescope -- Three-mirror telescope design
Wikipedia - Natalia Cooper -- Australian reporter and presenter
Wikipedia - Natalie Abrahami -- British theatre, film and opera director
Wikipedia - Natalie Evans -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Natalie Zahle Memorial -- Statue of Anders Sandoe M-CM-^Xrsted in Copenhagen, Denmark
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Wikipedia - Natasha Gajewski -- American CEO and app developer
Wikipedia - Nathan Adams (programmer) -- British video game developer
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Wikipedia - National Biomedical Imaging Archive -- Open-source software
Wikipedia - National Board of Health -- Short lived institution that operated from 1879 to 1883 in the United States
Wikipedia - National Book Festival -- United States literary festival organized by the Library of Congress and open to the public
Wikipedia - National Bus Company (Australia) -- Former Australian bus operator
Wikipedia - National Committee for a Free Europe -- anti-communist US Central Intelligence Agency front organization
Wikipedia - National Company for Rail Transport -- Algeria's national railway operator
Wikipedia - National Cooperative Research and Production Act
Wikipedia - National Council of European Resistance -- European far-right political organization
Wikipedia - National Energy Research Scientific Computing Center -- Supercomputer facility operated by the US Department of Energy in Berkeley, California
Wikipedia - National Envelope Corporation -- American manufacturer of envelopes
Wikipedia - National Express East Anglia -- Former East Anglian train operating company
Wikipedia - National Express East Coast -- UK train operating company
Wikipedia - National Express West Midlands -- A British bus operator in the West Midlands, England
Wikipedia - National Fire Savers Credit Union -- British not-for-profit member-owned financial co-operative
Wikipedia - National Geographic Wild (European TV channel) -- Pan-European pay television channel
Wikipedia - National Monuments of Colombia -- Set of properties, nature reserves, archaeological sites, historic districts, urban areas and property
Wikipedia - National Movement of Hope -- Political party in Algeria
Wikipedia - National Nuclear Laboratory -- UK government owned and operated nuclear services technology provider
Wikipedia - National Oceanographic Data Center -- One of the national environmental data centers operated by the National Oceanic and Atmospheric Administration
Wikipedia - National Open University of Nigeria
Wikipedia - National Opera of Ukraine
Wikipedia - National Park Service rustic -- Style of architecture developed in 20th century for the United States National Park Service
Wikipedia - National Parkway -- Protected roadway operated by the U.S. National Park Service
Wikipedia - National Payments Corporation of India -- Umbrella organisation for operating retail payments and settlement systems in India
Wikipedia - National Rail -- Brand name for the passenger rail services operated in Great Britain
Wikipedia - National Register Information System -- Database of properties that have been listed on the United States National Register of Historic Places
Wikipedia - National Register of Historic Places property types
Wikipedia - National Rural Electric Cooperative Association -- Umbrella organization representing electricity co-ops
Wikipedia - National Science Foundation: Under the Microscope -- Essay
Wikipedia - National Security Operations Center
Wikipedia - National Tea -- Grocery chain that operated in the Midwestern United States
Wikipedia - Nationwide UK (Ireland) -- UK building societyM-bM-^@M-^Ys operations in Ireland, 2009-2017
Wikipedia - Native American disease and epidemics -- diseases spread, mainly by European colonists, with harsh effects on Native Americans
Wikipedia - Native American gaming -- Casinos, bingo halls, and other gambling operations on Indian reservations or other tribal land in the United States
Wikipedia - NATO bombing of Yugoslavia -- March-June 1999 NATO military operation in Yugoslavia
Wikipedia - NATO Operations
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Wikipedia - Natural abundance -- Relative proportion of an isotope as found in nature
Wikipedia - Natural History (Pliny) -- Encyclopedia published c. AD 77-79 by Pliny the Elder
Wikipedia - Natural killer T cell -- T cells with some properties of natural killer cells
Wikipedia - Naughty Dog -- American video game developer
Wikipedia - Naughty Marietta (film) -- 1935 American operetta film
Wikipedia - Naughty Marietta (operetta) -- 1910 comic opera by Rida Johnson Young and Victor Herbert
Wikipedia - Nautilus Deep Space Observatory -- array of space telescopes
Wikipedia - Naval District Washington -- US Navy command for the operation and management of naval shore installations in the Washington, DC area
Wikipedia - Naval order of 24 October 1918 -- German Imperial Navy operation intended to provoke a major battle with the British Royal Navy near the end of World War I
Wikipedia - Naval Special Warfare Command (Thailand) -- Special operations force within the Military of Thailand
Wikipedia - Navio Roman Fort -- Roman fort near Hope in Derbyshire, England
Wikipedia - Navoi Theater -- Opera house in Tashkent, Uzbekistan
Wikipedia - Navy Operational Global Atmospheric Prediction System Model -- Weather prediction computer model
Wikipedia - Nazi concentration camps -- Concentration camps operated by Nazi Germany
Wikipedia - NBC Europe -- Former pan-European satellite TV channel
Wikipedia - NCSoft -- South Korea-based video game developer and publisher
Wikipedia - NDcube -- Video game developer
Wikipedia - NearGlobal -- London, UK, based software developer
Wikipedia - Near-open central vowel
Wikipedia - Near-open front unrounded vowel
Wikipedia - Necessary in a democratic society -- Test in the European Convention on Human Rights
Wikipedia - Necker Nymph -- A DeepFlight Merlin class positively-buoyant open-cockpit 3-seater wet sub
Wikipedia - Nederlander Organization -- Operator of theatres and music venues in the United States
Wikipedia - Need for Speed Heat -- 2019 racing video game developed by Ghost Games
Wikipedia - Need for Speed Rivals -- 2013 racing video game developed by Ghost Games and Criterion Games
Wikipedia - Neeli (TV series) -- Indian-Tamil language horror-supernatural soap opera
Wikipedia - NEEMO -- NASA Extreme Environment Mission Operation project
Wikipedia - Negation -- Operation that takes a proposition p to another proposition "not p", written M-BM-,p, which is interpreted intuitively as being true when p is false, and false when p is true; unary (single-argument) logical connective
Wikipedia - Neighbours: The Explosion -- Storyline from the Australian soap opera Neighbours
Wikipedia - Neil Carter (The Archers) -- Fictional character from BBC soap opera
Wikipedia - Neil Howlett -- British opera singer
Wikipedia - Nekisa Cooper -- American film producer
Wikipedia - Nellee Hooper -- British composer and record producer
Wikipedia - Nellie Ellis -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Nellie Melba -- Australian opera singer
Wikipedia - Nelly Hooper Ludbrook -- Paleontologist and geologist
Wikipedia - Nelson Eddy -- American musical film star, operatic baritone
Wikipedia - Nematode -- A phylum of worms with tubular digestive systems with openings at both ends
Wikipedia - Nenjathai Killadhe (TV series) -- Tamil soap opera
Wikipedia - Neo4j -- free and open-source graph database implemented in Java
Wikipedia - Neo-Andean -- Architectural style developed in Bolivia
Wikipedia - Neodymium-doped yttrium orthovanadate -- Laser gain medium
Wikipedia - Neolithic circular enclosures in Central Europe -- Neolithic earthworks
Wikipedia - Neolithic Europe
Wikipedia - Neopaganism in German-speaking Europe -- Neopaganism in German-speaking Europe
Wikipedia - Neopeltidae -- Family of sponges
Wikipedia - Neoperiboeum -- Genus of beetle
Wikipedia - Neopets -- Virtual pet site
Wikipedia - Neo-ultramontanism -- Belief of certain Roman Catholics that papal infallibility was not restricted to a small number of papal statements but applied ipso facto (by virtue of being said by the Pope) to all papal teachings and statements.
Wikipedia - Neo-Vedanta -- Interpretations of Hinduism that developed in the 19th century
Wikipedia - Nepali Wikipedia -- NepaliM-bM-^@M-^Qlanguage edition of the free online encyclopedia
Wikipedia - Nepenthes copelandii -- Species of pitcher plant from the Philippines
Wikipedia - Nephoscope -- Meteorological instrument for determining the direction and relative speed of clouds
Wikipedia - Neptune's Navy -- ships operated by the Sea Shepherd Conservation Society
Wikipedia - Nereus (underwater vehicle) -- Hybrid remotely operated or autonomous underwater vehicle
Wikipedia - NESSIE -- European research program in cryptography, 2000-2003
Wikipedia - Nesta Cooper -- Canadian actress
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Wikipedia - Netaji Subhas Open University
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Wikipedia - Netduino -- Open-source electronics prototyping platform
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Wikipedia - Netherlands -- Country in Western Europe
Wikipedia - NetJets Europe
Wikipedia - NetWare -- Computer network operating system developed by Novell, Inc
Wikipedia - Network Centric Operations Industry Consortium -- International standards adoption organization
Wikipedia - Network File System -- Specific implementation of a network file system, originally developed by Sun in 1984, later standardised by IETF
Wikipedia - Network operating system -- Computer software for running local area networks
Wikipedia - Network telescope
Wikipedia - Neue Deutsche Todeskunst -- Musical genre that developed in Germany in the late 1980s
Wikipedia - Neuropeptides
Wikipedia - Neuropeptide
Wikipedia - Neuropeptide Y
Wikipedia - Neuroticism Extraversion Openness Personality Inventory
Wikipedia - Neutropenia -- Abnormally low concentration of neutrophils (a type of white blood cell) in the blood
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Wikipedia - Neversoft -- American video game developer
Wikipedia - New Age -- Spiritual or religious beliefs and practices that developed in Western nations during the 1970s
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Wikipedia - New Catholic Encyclopedia
Wikipedia - New Copenhagen -- 17th-century expansion of Copenhagen, Denmark
Wikipedia - New Direction (think tank) -- European free market think tank
Wikipedia - New encyclopedism
Wikipedia - New European Driving Cycle -- Technical standard
Wikipedia - New European Order -- European neo-fascist movement
Wikipedia - New Georgia Encyclopedia -- Web-based encyclopedia about the American state of Georgia
Wikipedia - New Hampshire State Register of Historic Places -- Government program for historic properties in New Hampshire
Wikipedia - New Hope Christian Fellowship
Wikipedia - New Hope Creek -- Stream in North Carolina, USA
Wikipedia - New Hope, Indiana -- Unincorporated community in Indiana, United States
Wikipedia - New Hope (Israel) -- Israeli political party
Wikipedia - New Hope, Pennsylvania
Wikipedia - New Hope River (Haw River tributary) -- Stream in North Carolina, USA
Wikipedia - New Hope Township, Brown County, South Dakota -- Township in South Dakota
Wikipedia - New Hope Valley Railway -- Heritage railroad in Bonsal, North Carolina
Wikipedia - NewHope -- Cryptographic protocol designed to resist quantum computer attacks
Wikipedia - New International Encyclopedia
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Wikipedia - New Nintendo 3DS -- Handheld game console developed by Nintendo
Wikipedia - New Objectivity (architecture) -- Architecture movement in (mainly German-speaking) Europe
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Wikipedia - New Port South -- 2001 film by Kyle Cooper
Wikipedia - Newport Transporter Bridge -- Historic bridge across the Usk in Wales, opened in 1906
Wikipedia - Newropeans
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Wikipedia - NeWS -- Discontinued windowing system developed by Sun Microsystems
Wikipedia - Newt (Hollyoaks) -- Fictional character on the British soap opera Hollyoaks
Wikipedia - New towns of Hong Kong -- Newly developed towns in the 20th century
Wikipedia - New World First Bus -- bus operator in Hong Kong
Wikipedia - New World First Ferry -- Hong Kong ferry operator
Wikipedia - New World PCS -- Mobile network operator (MNO) of Hong Kong
Wikipedia - New World (video game) -- 2021 video game developed by Amazon Game Studios
Wikipedia - New York City Opera -- Opera company based in New York City, United States
Wikipedia - New York City Transit Authority -- Bus and subway service operator
Wikipedia - New Zealand Co-operative Party -- Short lived political party in New Zealand
Wikipedia - New Zealand Open Source Awards
Wikipedia - Nextcloud -- free and open-source file hosting software suite
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Wikipedia - Nexus 6P -- Android smartphone developed and marketed by Google and manufactured by Huawei
Wikipedia - Nexus 6 -- Android smartphone developed by Motorola Mobility and Google
Wikipedia - Ney Lopez -- Colombian weightlifter
Wikipedia - NGC 1027 -- Open star cluster in the constellation Cassiopeia
Wikipedia - NGC 103 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 110 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 129 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 133 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 136 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 146 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 147 -- Galaxy in the constellation Cassiopeia
Wikipedia - NGC 152 -- Open cluster in the constellation Tucana
Wikipedia - NGC 185 -- Galaxy in the constellation Cassiopeia
Wikipedia - NGC 189 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 2129 -- Open cluster in the constellation Gemini
Wikipedia - NGC 2158 -- Open cluster in the constellation Gemini
Wikipedia - NGC 2204 -- Open cluster in the constellation Canis Major
Wikipedia - NGC 220 -- Open cluster in the constellation Tucana
Wikipedia - NGC 222 -- Open cluster in the constellation Tucana
Wikipedia - NGC 225 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 2266 -- Open cluster in the constellation Gemini
Wikipedia - NGC 2277 -- Open cluster in the constellation Gemini
Wikipedia - NGC 231 -- Open cluster in the constellation Tucana
Wikipedia - NGC 2354 -- Open cluster in the constellation Canis Major
Wikipedia - NGC 2355 -- Open cluster in the constellation Gemini
Wikipedia - NGC 2360 -- Open cluster in the constellation Canis Major
Wikipedia - NGC 2362 -- Open cluster in the constellation Canis Major
Wikipedia - NGC 241 -- Open cluster in the constellation Tucana
Wikipedia - NGC 256 -- Open cluster in the constellation Tucana
Wikipedia - NGC 265 -- Open star cluster in the constellation Tucana
Wikipedia - NGC 267 -- Open cluster in the constellation Tucana
Wikipedia - NGC 269 -- Open star cluster in the constellation Tucana
Wikipedia - NGC 278 -- Galaxy in the constellation Cassiopeia
Wikipedia - NGC 281 -- Emission nebula in the constellation Cassiopeia
Wikipedia - NGC 290 -- Open cluster in the constellation Tucana
Wikipedia - NGC 294 -- Open star cluster in the constellation Tucana
Wikipedia - NGC 299 -- Open star cluster in the constellation Tucana
Wikipedia - NGC 306 -- Open star cluster in the constellation Tucana
Wikipedia - NGC 330 -- Open star cluster in the constellation Tucana
Wikipedia - NGC 346 -- Open cluster in the constellation Tucana
Wikipedia - NGC 361 -- Open star cluster in the Small Magellanic Cloud
Wikipedia - NGC 366 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 371 -- Open cluster in the constellation Tucana
Wikipedia - NGC 381 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 433 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 436 -- Open cluster in the constellation Cassiopeia
Wikipedia - NGC 457 -- Open star cluster in the constellation Cassiopeia
Wikipedia - NGC 460 -- Open cluster in the constellation Tucana
Wikipedia - NGC 465 -- Open cluster in the constellation Tucana
Wikipedia - NGC 559 -- Open star cluster in the constellation Cassiopeia
Wikipedia - NGC 637 -- Open star cluster in the constellation Cassiopeia
Wikipedia - NGC 654 -- Open star cluster in the constellation Cassiopeia
Wikipedia - NGC 659 -- Open star cluster in the constellation Cassiopeia
Wikipedia - NGC 663 -- Open star cluster in the constellation Cassiopeia
Wikipedia - NGC 6910 -- Open cluster in the constellation Cygnus
Wikipedia - NGC 7510 -- Open cluster of stars in constellation Cepheus
Wikipedia - NGC 7635 -- Emission nebula in the constellation Cassiopeia
Wikipedia - NGC 7789 -- Open star cluster in the constellation Cassiopeia
Wikipedia - NGC 7790 -- Open star cluster in the constellation Cassiopeia
Wikipedia - Nginx -- Open source web server and a reverse proxy server
Wikipedia - NgM-aM-:M-/m Mua Chay -- Catholic devotion developed in Vietnam
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Wikipedia - Nickelodeon Kart Racers -- 2018 racing video game developed by Bamtang Games
Wikipedia - Nickelodeon (Russia and CIS TV channel) -- Children's channel in Eastern Europe
Wikipedia - Nick Leslau -- English commercial property investor
Wikipedia - Nick Smith (Home and Away) -- Fictional character in the Australian soap opera Home and Away
Wikipedia - Nick Tilsley -- Fictional character from the British soap opera Coronation Street
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Wikipedia - Nico Castel -- American opera singer and diction coach
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Wikipedia - Nicola Beer -- Vice President of the European Parliament
Wikipedia - Nicolae Gropeanu -- Romanian painter and illustrator
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Wikipedia - Nicolas Courjal -- French operatic bass
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Wikipedia - Nicolaus Copernicus Gesamtausgabe -- Collection of works by, and related to, Nicolaus Copernicus
Wikipedia - Nicolaus Copernicus Monument, Krakow -- Monument in Krakow, Poland
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Wikipedia - Nicolaus Copernicus Monument, Warsaw -- Monument in Warsaw, Poland
Wikipedia - Nicolaus Copernicus
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Wikipedia - Nicole Car -- Australian opera singer
Wikipedia - Nicole Chevalier -- American operatic soprano
Wikipedia - NicolM-CM-2 Gabrielli -- Italian opera composer
Wikipedia - Nico von Lahnstein -- Fictional character in German soap opera Verbotene Liebe
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Wikipedia - Nielsen ratings -- Audience measurement systems operated by Nielsen Media Research
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Wikipedia - Nigel Bates -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Night bomber -- Type of bomber designed to operate at night
Wikipedia - Nightclub -- Entertainment venue which usually operates late into the night
Wikipedia - Nightingale (software) -- Open source audio player
Wikipedia - Nightstar (train) -- Proposed overnight sleeper service from various parts of United Kingdom to continental Europe, via the Channel Tunnel
Wikipedia - Night vision telescope
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Wikipedia - Nike-X -- Anti-ballistic missile system developed by the US Army in the 1960s
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Wikipedia - Nine Years' War -- War (1688-97) between France and a European coalition
Wikipedia - Ninja Gaiden (2004 video game) -- 2004 video game developed by Team Ninja for the Xbox
Wikipedia - Ninja Gaiden 3 -- 2012 video game developed by Team Ninja
Wikipedia - Ninja Gaiden II -- 2008 video game developed by Team Ninja
Wikipedia - Ninja Kiwi -- Gaming developer from New Zealand
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Wikipedia - Nintendo 3DS system software -- Operation system for Nintendo's Nintendo 3DS handheld game console
Wikipedia - Nintendo DSi system software -- Operation system for Nintendo's Nintendo DSi handheld game console
Wikipedia - Nintendo Entertainment System -- Home video game console developed by Nintendo
Wikipedia - Nintendo Research & Development 2 -- Former team within Nintendo that developed software and peripherals
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Wikipedia - Niusila Opeloge -- Samoan weightlifter
Wikipedia - Nixon in China -- 1987 opera by John Adams
Wikipedia - NJ Transit Rail Operations -- Commuter rail division of NJ Transit
Wikipedia - NLTSS -- Supercomputer operating system
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Wikipedia - NOAA Diving Manual -- Training and operations manual for scientific diving
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Wikipedia - No Man's Land Navy Airfield -- An operational United States Navy airfield from 1943 to 1950s
Wikipedia - Nomenclature of Territorial Units for Statistics -- European Union standard for country subdivisions
Wikipedia - Non-cooperation movement -- Resistance of British rule in India through non violent means
Wikipedia - Non-cooperative game
Wikipedia - Nondestructive testing -- Evaluating the properties of a material, component or system without causing damage
Wikipedia - Non-European Unity Movement
Wikipedia - Non-Inscrits -- Members of the European Parliament not in a political group
Wikipedia - Non-malleable code -- Codes with the property that slight modifications of messages are difficult to make
Wikipedia - Noor Inayat Khan -- Allied covert radio operator during World War II
Wikipedia - Noose -- Loop at the end of a rope in which the knot tightens under load and can be loosened without untying the knot.
Wikipedia - Norah Amsellem -- French opera singer
Wikipedia - Norbert Ernst -- Astrian operatic tenor
Wikipedia - Nordic Council -- Geo-political inter-parliamentary forum for co-operation between the Nordic countries
Wikipedia - Nordic Opening -- Annual cross-country skiing event
Wikipedia - Nordic Optical Telescope -- Astronomical telescope located at Roque de los Muchachos Observatory
Wikipedia - Nord Pool -- Pan-European electric power exchange
Wikipedia - Norfolk Open Link -- Wireless service in Norwich, England
Wikipedia - Norfolk Scope -- Multi-function arena in Norfolk, Virginia, United States
Wikipedia - Normalization property (abstract rewriting)
Wikipedia - Normalization property (lambda-calculus)
Wikipedia - Normal operator
Wikipedia - Norman conquest of southern Italy -- Historical event in the European Middle Ages
Wikipedia - Norman Cooper (sportsman) -- English sportsman
Wikipedia - Normandy landings -- First day of the Allied invasion of France in Nazi-occupied Europe during World War II
Wikipedia - Norman Lumsden -- British opera singer and actor
Wikipedia - Norman Scott (bass) -- American opera singer
Wikipedia - Norma (opera) -- Opera by Vincenzo Bellini
Wikipedia - North American X-15 -- Rocket-powered aircraft operated by the US Air Force and NASA
Wikipedia - North Eastern Region of British Railways -- Former British Railways operating region
Wikipedia - Northeast Regional -- Intercity rail service operated by Amtrak
Wikipedia - Northern Cape Department of Co-operative Governance, Human Settlements and Traditional Affairs -- Northern Cape Department of Co-operative Governance, Human Settlements and Traditional Affairs
Wikipedia - Northern European Enclosure Dam -- Proposed enclosure of the North Sea
Wikipedia - Northern Europe -- Region of the European continent
Wikipedia - Northern Germany -- Geographic region in Europe
Wikipedia - Northern Texas Traction Company -- Streetcar system operator, subsidiary of Stine& Webster
Wikipedia - Northern Trains -- Train operating company in Northern England
Wikipedia - North European hypothesis -- obsolete linguistic and archaeological theory
Wikipedia - North European Plain
Wikipedia - North German basin -- A passive-active rift basin in central and west Europe
Wikipedia - North Icelandic Jet -- A deep-reaching current that flows along the continental slope of Iceland
Wikipedia - North London Credit Union -- British not-for-profit member-owned financial co-operative,
Wikipedia - North Macedonia -- Landlocked republic in Southeast Europe
Wikipedia - North Norfolk Coast Site of Special Scientific Interest -- Area of European importance for wildlife in Norfolk, England
Wikipedia - Northrop F-20 Tigershark -- Prototype fighter aircraft developed from F-5
Wikipedia - Northrop YA-9 -- Prototype attack aircraft developed for the US Air Force A-X program
Wikipedia - North Sea Empire -- Medieval European kingdom
Wikipedia - North Sea flood of 2007 -- A European windstorm which affected northern and western Europe in early November 2007
Wikipedia - North Texas Tollway Authority -- Toll road operating company
Wikipedia - Northumberland Development Project -- Property development in London, England
Wikipedia - Northwestern Syria offensive (April-August 2019) -- Military operation
Wikipedia - Northwestern Syria offensive (December 2019-March 2020) -- Military operation of the Syrian civil war
Wikipedia - North-West Italy (European Parliament constituency) -- Constituency of the European Parliament
Wikipedia - North West of Ireland Open -- Golf competition in Ireland, 1999-2002
Wikipedia - North West Shelf Operational Oceanographic System -- Facility that monitors physical, sedimentological and ecological variables for the North Sea area
Wikipedia - Norwegian Joy -- Cruise ship operated by Norwegian Cruise Line
Wikipedia - Notchview -- Property in Massachusetts
Wikipedia - Notes (Apple) -- Combination of two software applications developed by Apple Inc
Wikipedia - Nothing (opera) -- Opera
Wikipedia - No to the EU (Norway) -- Norwegian interest group opposing Norwegian accession to the European Union
Wikipedia - Notre-Dame de Paris (operatic melodrama)
Wikipedia - Notre Dame (opera)
Wikipedia - Nottingham City Transport -- Bus operator in Nottingham, England
Wikipedia - Notts + Derby -- Bus operator, part of Wellglade group
Wikipedia - Nouveau (software) -- Open source software driver for Nvidia GPU
Wikipedia - Nova (operating system)
Wikipedia - Novichok agent -- Series of nerve agents developed by the Soviet Union
Wikipedia - Novo millennio ineunte -- 2001 Apostolic Letter By Pope John Paul II
Wikipedia - Novomoskovsk, Ukraine -- City in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Novomykolaivka, Dnipropetrovsk Oblast -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Novoperedelkino -- Moscow Metro station
Wikipedia - Novopetrovka, Blagoveshchensky District, Amur Oblast -- Village in Russia
Wikipedia - Novopokrovka, Dnipropetrovsk Oblast -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - NOYB -- European data protection advocacy group
Wikipedia - Noye's Fludde -- 1958 children's opera by Benjmin Britten
Wikipedia - NPAPI -- Application programming interface (API) that allows browser plugins to be developed
Wikipedia - N-Space -- Defunct American video game developer
Wikipedia - NT (cassette) -- Audio cassette format developed by Sony
Wikipedia - Nth root -- Arithmetic operation
Wikipedia - NTSC -- Analog color television system developed in the United States
Wikipedia - Nuccia Focile -- Italian operatic soprano
Wikipedia - Nuclear operator
Wikipedia - Nuclear power in the European Union
Wikipedia - Nuclear propulsion -- Nuclear power to propel a vehicle
Wikipedia - Nuclear submarine -- Submarine propelled by nuclear power
Wikipedia - Nucleus for European Modelling of the Ocean -- A general model of ocean circulation developed by a European consortium
Wikipedia - Nujum-ul-Ulum -- Illustrated encyclopedia about ancient Indian astrology
Wikipedia - Null coalescing operator
Wikipedia - Number operator
Wikipedia - Nuno Lopes -- Portuguese actor
Wikipedia - Nur Energie -- Multitechnology solar power plant developer
Wikipedia - Nuria Lopez Bigas -- Researcher on computational cancer genomics
Wikipedia - Nuria Lopez -- Spanish chemist and academic researcher
Wikipedia - Nuttall Encyclopedia
Wikipedia - Nu-Venture -- A bus operator in Aylesford, Kent, England.
Wikipedia - Nuvola -- a free and open-source icon set by David Vignoni
Wikipedia - Nya tider -- Swedish soap opera
Wikipedia - Nybrogade 22 -- Historic building in Copenhagen, Denmark
Wikipedia - Ny Carlsberg Glyptotek -- Art museum in Copenhagen, Denmark
Wikipedia - NYC Health + Hospitals -- Operator of public hospitals and clinics in New York City.
Wikipedia - Nyctalope -- The first cyborg depicted in fiction
Wikipedia - Nyhavn -- Street, canal and district in Copenhagen
Wikipedia - Nylon -- Family of synthetic polymers originally developed as textile fibres
Wikipedia - Nytorv -- Public square in the centre of Copenhagen, Denmark
class:encyclopedia
Wikipedia - Oana Botez -- Romanian-American theatre, opera, dance and film designer, artist and activist
Wikipedia - OAuth -- Open standard for authorization
Wikipedia - OBERAC -- Acronym for operating balance excluding revaluations and accounting changes
Wikipedia - Oberon (operating system)
Wikipedia - Oberon operating system
Wikipedia - Objectivism -- Philosophical system developed by Russian-American writer Ayn Rand
Wikipedia - Object Linking and Embedding -- Technology developed by Microsoft
Wikipedia - Object-oriented operating system -- operating system
Wikipedia - Oblique icebreaker -- Icebreaker designed which can break ice obliquely to open a wide channel
Wikipedia - ObloM-EM->enM-CM-) chlebiM-DM-^Mky -- Open-faced sandwiches
Wikipedia - Obukhivka -- Urban locality in Dnipropetrovsk Oblast, Ukraine
Wikipedia - Occamism -- Philosophical and theological teaching developed by William of Ockham
Wikipedia - Occitania -- Historical region and nation in southern Europe
Wikipedia - Ocean Science (journal) -- An open-access peer-reviewed scientific journal published by Copernicus Publications on behalf of the European Geosciences Union
Wikipedia - OCLC -- global library cooperative
Wikipedia - Odakyu 30000 series EXE -- Electric multiple unit train type operated by the Odakyu Electric Railway in Japan
Wikipedia - Odakyu 4000 series -- Electric multiple unit train type operated by Odakyu Electric Railway in Japan
Wikipedia - Odakyu 50000 series VSE -- Electric multiple unit train operated by Odakyu Electric Railway in Japan
Wikipedia - Oddworld Inhabitants -- American video game developer
Wikipedia - Odebrecht-Car Wash leniency agreement -- Legal maneuver in Brazil's Operation Car Wash
Wikipedia - Oder -- River in Central Europe
Wikipedia - Odessa Operation (1919) -- Military operation
Wikipedia - Odisha State Open University -- University in Sambalpur, Odisha, India
Wikipedia - ODK (software) -- Open source data collection software
Wikipedia - Odoo -- Open source ERP, CRM and CMS
Wikipedia - Oecopetalum -- Genus of Metteniusaceae plants
Wikipedia - Oedipus rex (opera)
Wikipedia - Oedopeza -- Genus of beetles
Wikipedia - Off-axis reflecting telescope
Wikipedia - Offensive (military) -- Type of military operation
Wikipedia - Office of Public Sector Information -- Body responsible for the operation of Her Majesty's Stationery Office
Wikipedia - Office of the Chief of Naval Operations
Wikipedia - Office Open XML
Wikipedia - Official Journal of the European Union -- Official gazette of the European Union
Wikipedia - Offshore (novel) -- 1979 novel by Penelope Fitzgerald
Wikipedia - OGS Telescope
Wikipedia - Ohel (Chabad-Lubavitch) -- Open-air structure of graves of the last two Lubavitcher Rebbes in New York City, USA
Wikipedia - Ohio Penitentiary -- Ohio prison operating from 1834 to 1984
Wikipedia - Oil analysis -- Laboratory analysis of an oil based lubricant's properties and contaminants
Wikipedia - Olakunbi Olasope -- Nigerian classicist
Wikipedia - Old Catholic Church -- Churches that split from Roman Catholic Church due to rejection of papal infallibility & universal jurisdiction of the pope
Wikipedia - Old Europe (archaeology) -- Term for a hypothetical homogeneous pre-Indo-European culture
Wikipedia - Old Master -- Any skilled painter who worked in Europe before 1800
Wikipedia - Old World -- Collectively Africa, Europe, and Asia
Wikipedia - Olegas (opera) -- Opera by Constantine Koukias
Wikipedia - Oleg Bryjak -- Ukrainian opera singer
Wikipedia - Olga Baclanova -- Russian actress, radio host, operatic singer, and ballerina
Wikipedia - Olga Lagrange-Gerlach -- German opera singer
Wikipedia - Olga Mykytenko -- Ukrainian opera singer
Wikipedia - Olive Oyl -- Character from Popeye
Wikipedia - Oliver Cooper (politician) -- Conservative politician and leader of the party representing Hampstead Town.
Wikipedia - Oliver Ringelhahn -- Austrian singer and opera singer
Wikipedia - Olivia Pope -- fictional character in American TV series "Scandal"
Wikipedia - OlM-DM-^Ydrzy -- European ethnic people
Wikipedia - Olympia and York -- Defunct international property development firm based in Toronto
Wikipedia - Olympia von und zu Arco-Zinneberg -- 21st-century European aristocrat
Wikipedia - Omar Rodriguez-Lopez -- American guitarist, songwriter, producer, and filmmaker
Wikipedia - Omega Cassiopeiae -- Binary star system in constellation Cassiopeia
Wikipedia - Omeheira Lopez Reyna -- Mexican politician
Wikipedia - Omicron Cassiopeiae -- Star in the constellation Cassiopeia
Wikipedia - OMII-Europe
Wikipedia - Omnipresence -- Property of being present everywhere
Wikipedia - OMX Copenhagen 25 -- Stock market index
Wikipedia - On a Property of the Collection of All Real Algebraic Numbers
Wikipedia - ONAP -- Open source networking project
Wikipedia - Once upon a time -- Opening line of fairytales
Wikipedia - On Cooperation -- 1923 article by Vladimir Lenin
Wikipedia - One Life to Live storylines (1990-1999) -- SOAP OPERA - A serial drama performed originally on a daytime radio or television program and chiefly characterized by tangled interpersonal situations and melodramatic or sentimental treatment
Wikipedia - One-Mile Telescope -- British array of radio telescopes
Wikipedia - One-person operation -- operation of a train, bus, or tram by one person
Wikipedia - One Rail Australia -- Rail freight operator company
Wikipedia - One Thousand Ropes -- 2017 film
Wikipedia - On-line Encyclopedia of Integer Sequences
Wikipedia - On-Line Encyclopedia of Integer Sequences -- Online database of integer sequences
Wikipedia - Online encyclopedia -- Encyclopedia accessible via the Internet or other electronic means
Wikipedia - Online pharmacy -- a pharmacy that operates over the Internet
Wikipedia - OnlyOffice -- Office suite developed by Ascensio System SIA
Wikipedia - Onomasticon of Amenope -- Ancient Egyptian papyrus from the late 20th Dynasty to 22nd Dynasty
Wikipedia - Onomastics -- Study of proper names of all kinds and the origins of names
Wikipedia - Onsite sewage facility -- Wastewater systems to treat effluent on the same property that produces the wastewater



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