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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
A_Brief_History_of_Everything
Advanced_Integral
Big_Mind,_Big_Heart
Blazing_the_Trail_from_Infancy_to_Enlightenment
City_of_God
DND_DM_Guide_5E
Enchiridion
Enchiridion_text
Essays_On_The_Gita
Evolution_II
Faust
Full_Circle
General_Principles_of_Kabbalah
God_Exists
Guru_Bhakti_Yoga
Heart_of_Matter
Infinite_Library
Integral_Spirituality
Kosmic_Consciousness
Letters_On_Poetry_And_Art
Letters_On_Yoga
Letters_On_Yoga_II
Liber_157_-_The_Tao_Teh_King
Liber_ABA
Life_without_Death
Modern_Man_in_Search_of_a_Soul
Moral_Disengagement__How_Good_People_Can_Do_Harm_and_Feel_Good_About_Themselves
My_Burning_Heart
Mysticism_at_the_Dawn_of_the_Modern_Age
Narads_Infinite_Lexicon_of_terms_for_Savitri
Olympian_Odes
On_Interpretation
On_Thoughts_And_Aphorisms
Pantheisticon__A_Modern_English_Translation
Plotinus_-_Complete_Works_Vol_01
Poetics
Process_and_Reality
Questions_And_Answers_1950-1951
Questions_And_Answers_1953
Questions_And_Answers_1955
Questions_And_Answers_1957-1958
Revolt_Against_the_Modern_World
Role_of_the_Intellectual_in_the_Modern_World
Savitri
Sermons
Sex_Ecology_Spirituality
Spiral_Dynamics
Sri_Aurobindo_or_the_Adventure_of_Consciousness
Synergetics_-_Explorations_in_the_Geometry_of_Thinking
The_5_Dharma_Types
The_Act_of_Creation
The_Archetypes_and_the_Collective_Unconscious
The_Categories
The_Crisis_Of_The_Modern_World
The_Divine_Comedy
The_Divine_Companion
The_Divine_Milieu
The_Essential_Songs_of_Milarepa
The_Externalization_of_the_Hierarchy
The_Golden_Bough
The_Heros_Journey
The_Human_Cycle
The_Imitation_of_Christ
The_Ladder_of_Divine_Ascent
The_Life_Divine
The_Mothers_Agenda
The_Odyssey
The_Origin_Of_Modern_Pranic_Healing_And_Arhatic_Yoga
The_Phenomenon_of_Man
The_Power_of_Myth
The_Practice_of_Magical_Evocation
The_Practice_of_Psycho_therapy
The_Republic
The_Seals_of_Wisdom
The_Secret_Doctrine
The_Secret_Of_The_Veda
The_Self-Organizing_Universe
The_Synthesis_Of_Yoga
The_Tarot_of_Paul_Christian
The_Tibetan_Yogas_of_Dream_and_Sleep
The_Use_and_Abuse_of_History
The_Way_of_Perfection
The_Wit_and_Wisdom_of_Alfred_North_Whitehead
The_Yoga_Sutras
Thought_Power
Toward_the_Future
Twilight_of_the_Idols
Words_Of_Long_Ago

IN CHAPTERS TITLE
0_1959-10-06_-_Sri_Aurobindos_abode
02.09_-_Two_Mystic_Poems_in_Modern_French
02.10_-_Two_Mystic_Poems_in_Modern_Bengali
03.02_-_Aspects_of_Modernism
03.03_-_Modernism_-_An_Oriental_Interpretation
03.11_-_Modernist_Poetry
05.16_-_A_Modernist_Mentality
09.08_-_The_Modern_Taste
1.03_-_Some_Aspects_of_Modern_Psycho_therapy
1.05_-_Problems_of_Modern_Psycho_therapy
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_The_Three_Modes_of_Nature
1.23_-_Escape_from_the_Malabranche._The_Sixth_Bolgia__Hypocrites._Catalano_and_Loderingo._Caiaphas.
17.07_-_Ode_to_Darkness
18.04_-_Modern_Poems
1951-01-11_-_Modesty_and_vanity_-_Generosity
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1957-12-18_-_Modern_science_and_illusion_-_Value_of_experience,_its_transforming_power_-_Supramental_power,_first_aspect_to_manifest
1f.lovecraft_-_Pickmans_Model
1.fs_-_Ode_an_die_Freude
1.fs_-_Ode_To_Joy
1.fs_-_Ode_To_Joy_-_With_Translation
1.jk_-_Fragment_-_Modern_Love
1.jk_-_Fragment_Of_An_Ode_To_Maia._Written_On_May_Day_1818
1.jk_-_Ode_On_A_Grecian_Urn
1.jk_-_Ode_On_Indolence
1.jk_-_Ode_On_Melancholy
1.jk_-_Ode_To_A_Nightingale
1.jk_-_Ode_To_Apollo
1.jk_-_Ode_To_Autumn
1.jk_-_Ode_To_Fanny
1.jk_-_Ode_To_Psyche
1.jk_-_Ode._Written_On_The_Blank_Page_Before_Beaumont_And_Fletchers_Tragi-Comedy_The_Fair_Maid_Of_The_In
1.jk_-_Sonnet._A_Dream,_After_Reading_Dantes_Episode_Of_Paulo_And_Francesca
1.jwvg_-_To_My_Friend_-_Ode_I
1.kbr_-_Abode_Of_The_Beloved
1.kbr_-_My_Body_Is_Flooded
1.kbr_-_My_body_is_flooded
1.lovecraft_-_Ode_For_July_Fourth,_1917
1.pbs_-_An_Ode,_Written_October,_1819,_Before_The_Spaniards_Had_Recovered_Their_Liberty
1.pbs_-_Ode_To_Heaven
1.pbs_-_Ode_To_Liberty
1.pbs_-_Ode_To_Naples
1.pbs_-_Ode_to_the_West_Wind
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.rwe_-_Ode_-_Inscribed_to_W.H._Channing
1.rwe_-_Ode_To_Beauty
1.tr_-_My_Cracked_Wooden_Bowl
1.wb_-_The_Errors_of_Sacred_Codes_(from_The_Marriage_of_Heaven_and_Hell)
1.wby_-_A_Model_For_The_Laureate
1.whitman_-_Years_Of_The_Modern
1.ww_-_Ode
1.ww_-_Ode_Composed_On_A_May_Morning
1.ww_-_Ode_on_Intimations_of_Immortality
1.ww_-_Ode_to_Duty
1.ww_-_Ode_To_Lycoris._May_1817
1.ww_-_Vernal_Ode
2.11_-_The_Modes_of_the_Self
2.3.1.52_-_The_Ode
26.05_-_Modern_Poets
30.11_-_Modern_Poetry
30.14_-_Rabindranath_and_Modernism
3.03_-_THE_MODERN_EARTH
3.2.09_-_The_Teachings_of_Some_Modern_Indian_Yogis
41.04_-_Modern_Bengali_Poems
7.14_-_Modesty
authors_(code)

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
00.01_-_The_Approach_to_Mysticism
00.01_-_The_Mother_on_Savitri
00.02_-_Mystic_Symbolism
00.03_-_Upanishadic_Symbolism
00.04_-_The_Beautiful_in_the_Upanishads
0.00a_-_Introduction
000_-_Humans_in_Universe
0.00_-_INTRODUCTION
0.00_-_The_Book_of_Lies_Text
0.00_-_THE_GOSPEL_PREFACE
0.00_-_The_Wellspring_of_Reality
0.01f_-_FOREWARD
0.01_-_I_-_Sri_Aurobindos_personality,_his_outer_retirement_-_outside_contacts_after_1910_-_spiritual_personalities-_Vibhutis_and_Avatars_-__transformtion_of_human_personality
0.01_-_Life_and_Yoga
0.02_-_II_-_The_Home_of_the_Guru
0.02_-_Letters_to_a_Sadhak
0.02_-_The_Three_Steps_of_Nature
0.03_-_III_-_The_Evening_Sittings
0.03_-_The_Threefold_Life
0.05_-_The_Synthesis_of_the_Systems
0.06_-_Letters_to_a_Young_Sadhak
0.07_-_Letters_to_a_Sadhak
0.08_-_Letters_to_a_Young_Captain
0.09_-_Letters_to_a_Young_Teacher
01.01_-_A_Yoga_of_the_Art_of_Life
01.01_-_The_Symbol_Dawn
01.02_-_Natures_Own_Yoga
01.02_-_Sri_Aurobindo_-_Ahana_and_Other_Poems
01.02_-_The_Issue
01.03_-_Mystic_Poetry
01.03_-_Rationalism
01.03_-_Sri_Aurobindo_and_his_School
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.04_-_Sri_Aurobindos_Gita
01.04_-_The_Intuition_of_the_Age
01.04_-_The_Poetry_in_the_Making
01.04_-_The_Secret_Knowledge
01.05_-_Rabindranath_Tagore:_A_Great_Poet,_a_Great_Man
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
01.06_-_On_Communism
01.07_-_Blaise_Pascal_(1623-1662)
01.07_-_The_Bases_of_Social_Reconstruction
01.08_-_A_Theory_of_Yoga
01.08_-_Walter_Hilton:_The_Scale_of_Perfection
01.09_-_The_Parting_of_the_Way
01.09_-_William_Blake:_The_Marriage_of_Heaven_and_Hell
0.10_-_Letters_to_a_Young_Captain
01.11_-_Aldous_Huxley:_The_Perennial_Philosophy
01.11_-_The_Basis_of_Unity
01.12_-_Goethe
01.12_-_Three_Degrees_of_Social_Organisation
01.13_-_T._S._Eliot:_Four_Quartets
01.14_-_Nicholas_Roerich
0.12_-_Letters_to_a_Student
0_1957-07-03
0_1957-10-17
0_1958-06-06_-_Supramental_Ship
0_1958-07-19
0_1958-09-19
0_1958-10-25_-_to_go_out_of_your_body
0_1958-11-04_-_Myths_are_True_and_Gods_exist_-_mental_formation_and_occult_faculties_-_exteriorization_-_work_in_dreams
0_1959-10-06_-_Sri_Aurobindos_abode
0_1960-01-28
0_1960-04-20
0_1960-07-12_-_Mothers_Vision_-_the_Voice,_the_ashram_a_tiny_part_of_myself,_the_Mothers_Force,_sparkling_white_light_compressed_-_enormous_formation_of_negative_vibrations_-_light_in_evil
0_1960-07-23_-_The_Flood_and_the_race_-_turning_back_to_guide_and_save_amongst_the_torrents_-_sadhana_vs_tamas_and_destruction_-_power_of_giving_and_offering_-_Japa,_7_lakhs,_140000_per_day,_1_crore_takes_20_years
0_1960-08-20
0_1960-09-20
0_1960-10-08
0_1960-10-22
0_1960-10-25
0_1960-11-08
0_1960-11-12
0_1960-12-31
0_1961-01-22
0_1961-01-31
0_1961-02-11
0_1961-03-11
0_1961-03-17
0_1961-03-21
0_1961-03-27
0_1961-04-07
0_1961-04-18
0_1961-04-25
0_1961-07-07
0_1961-07-15
0_1961-07-18
0_1961-07-28
0_1961-08-02
0_1961-08-18
0_1961-08-25
0_1961-09-10
0_1961-09-30
0_1961-10-30
0_1961-11-05
0_1961-11-07
0_1962-01-21
0_1962-01-27
0_1962-05-15
0_1962-06-09
0_1962-06-12
0_1962-06-27
0_1962-07-04
0_1962-07-11
0_1962-07-18
0_1962-07-21
0_1962-08-08
0_1962-08-28
0_1962-09-29
0_1962-10-12
0_1962-10-27
0_1963-01-02
0_1963-01-30
0_1963-02-15
0_1963-03-13
0_1963-03-16
0_1963-03-27
0_1963-04-06
0_1963-05-15
0_1963-05-25
0_1963-06-29
0_1963-07-03
0_1963-07-10
0_1963-08-21
0_1963-08-24
0_1963-09-28
0_1963-12-03
0_1964-01-25
0_1964-02-05
0_1964-03-28
0_1964-07-22
0_1964-08-26
0_1964-09-16
0_1964-09-30
0_1964-10-07
0_1964-10-17
0_1964-11-14
0_1964-11-28
0_1965-04-21
0_1965-05-08
0_1965-05-29
0_1965-06-05
0_1965-06-09
0_1965-06-14
0_1965-06-18_-_supramental_ship
0_1965-06-23
0_1965-06-30
0_1965-09-04
0_1965-09-18
0_1965-12-25
0_1966-01-26
0_1966-03-04
0_1966-03-09
0_1966-08-24
0_1966-09-21
0_1966-09-30
0_1966-10-29
0_1966-11-15
0_1966-12-17
0_1967-01-11
0_1967-01-18
0_1967-01-21
0_1967-02-08
0_1967-02-15
0_1967-03-04
0_1967-04-15
0_1967-06-30
0_1967-07-05
0_1967-08-02
0_1967-08-26
0_1967-08-30
0_1967-10-11
0_1967-10-19
0_1967-11-04
0_1967-11-22
0_1967-12-06
0_1968-01-12
0_1968-01-31
0_1968-02-03
0_1968-02-17
0_1968-03-02
0_1968-03-16
0_1968-05-18
0_1968-06-18
0_1968-06-26
0_1968-07-20
0_1968-08-28
0_1968-11-16
0_1968-12-04
0_1968-12-25
0_1969-03-26
0_1969-05-03
0_1969-05-10
0_1969-06-11
0_1969-07-26
0_1969-07-30
0_1969-08-30
0_1969-09-13
0_1969-09-20
0_1969-09-24
0_1969-11-05
0_1969-12-10
0_1969-12-20
0_1969-12-27
0_1970-01-03
0_1970-01-10
0_1970-03-14
0_1970-04-18
0_1970-05-02
0_1970-05-09
0_1970-05-20
0_1970-08-05
0_1970-10-07
0_1971-06-05
0_1971-07-14
0_1971-07-21
0_1972-03-29a
0_1972-05-31
0_1972-08-09
0_1972-08-30
0_1972-12-26
0_1973-02-08
0_1973-04-07
02.01_-_A_Vedic_Story
02.01_-_Our_Ideal
02.01_-_The_World-Stair
02.01_-_The_World_War
02.02_-_Lines_of_the_Descent_of_Consciousness
02.02_-_Rishi_Dirghatama
02.02_-_The_Kingdom_of_Subtle_Matter
02.02_-_The_Message_of_the_Atomic_Bomb
02.03_-_National_and_International
02.03_-_The_Glory_and_the_Fall_of_Life
02.03_-_The_Shakespearean_Word
02.04_-_The_Kingdoms_of_the_Little_Life
02.05_-_Robert_Graves
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_Boris_Pasternak
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.06_-_Vansittartism
02.07_-_George_Seftris
02.07_-_India_One_and_Indivisable
02.07_-_The_Descent_into_Night
02.08_-_Jules_Supervielle
02.08_-_The_World_of_Falsehood,_the_Mother_of_Evil_and_the_Sons_of_Darkness
02.09_-_The_Paradise_of_the_Life-Gods
02.09_-_Two_Mystic_Poems_in_Modern_French
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.10_-_Two_Mystic_Poems_in_Modern_Bengali
02.11_-_Hymn_to_Darkness
02.11_-_New_World-Conditions
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.12_-_Mysticism_in_Bengali_Poetry
02.12_-_The_Heavens_of_the_Ideal
02.12_-_The_Ideals_of_Human_Unity
02.13_-_In_the_Self_of_Mind
02.13_-_On_Social_Reconstruction
02.13_-_Rabindranath_and_Sri_Aurobindo
02.14_-_Appendix
02.14_-_Panacea_of_Isms
02.14_-_The_World-Soul
02.15_-_The_Kingdoms_of_the_Greater_Knowledge
03.01_-_Humanism_and_Humanism
03.01_-_The_Malady_of_the_Century
03.01_-_The_New_Year_Initiation
03.01_-_The_Pursuit_of_the_Unknowable
03.02_-_Aspects_of_Modernism
03.02_-_The_Adoration_of_the_Divine_Mother
03.02_-_The_Philosopher_as_an_Artist_and_Philosophy_as_an_Art
03.02_-_Yogic_Initiation_and_Aptitude
03.03_-_Arjuna_or_the_Ideal_Disciple
03.03_-_A_Stainless_Steel_Frame
03.03_-_Modernism_-_An_Oriental_Interpretation
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.04_-_The_Body_Human
03.04_-_The_Other_Aspect_of_European_Culture
03.04_-_Towardsa_New_Ideology
03.05_-_Some_Conceptions_and_Misconceptions
03.05_-_The_Spiritual_Genius_of_India
03.06_-_Divine_Humanism
03.06_-_The_Pact_and_its_Sanction
03.07_-_Brahmacharya
03.08_-_The_Spiritual_Outlook
03.08_-_The_Standpoint_of_Indian_Art
03.09_-_Art_and_Katharsis
03.09_-_Buddhism_and_Hinduism
03.09_-_Sectarianism_or_Loyalty
03.10_-_Hamlet:_A_Crisis_of_the_Evolving_Soul
03.11_-_Modernist_Poetry
03.11_-_The_Language_Problem_and_India
03.12_-_Communism:_What_does_it_Mean?
03.12_-_TagorePoet_and_Seer
03.13_-_Human_Destiny
03.14_-_Mater_Dolorosa
03.15_-_Origin_and_Nature_of_Suffering
03.15_-_Towards_the_Future
03.17_-_The_Souls_Odyssey
04.01_-_The_Birth_and_Childhood_of_the_Flame
04.01_-_The_Divine_Man
04.01_-_The_March_of_Civilisation
04.02_-_A_Chapter_of_Human_Evolution
04.02_-_Human_Progress
04.03_-_Consciousness_as_Energy
04.04_-_A_Global_Humanity
04.04_-_Evolution_of_the_Spiritual_Consciousness
04.04_-_The_Quest
04.05_-_The_Immortal_Nation
04.06_-_Evolution_of_the_Spiritual_Consciousness
04.06_-_To_Be_or_Not_to_Be
04.08_-_To_the_Heights_VIII_(Mahalakshmi)
04.09_-_To_the_Heights-I_(Mahasarswati)
04.09_-_Values_Higher_and_Lower
05.01_-_At_the_Origin_of_Ignorance
05.01_-_Man_and_the_Gods
05.01_-_The_Destined_Meeting-Place
05.02_-_Gods_Labour
05.02_-_Physician,_Heal_Thyself
05.03_-_Bypaths_of_Souls_Journey
05.03_-_Of_Desire_and_Atonement
05.03_-_The_Body_Natural
05.04_-_The_Immortal_Person
05.05_-_In_Quest_of_Reality
05.05_-_Man_the_Prototype
05.06_-_Physics_or_philosophy
05.07_-_Man_and_Superman
05.07_-_The_Observer_and_the_Observed
05.08_-_An_Age_of_Revolution
05.08_-_True_Charity
05.09_-_The_Changed_Scientific_Outlook
05.10_-_Children_and_Child_Mentality
05.10_-_Knowledge_by_Identity
05.11_-_The_Soul_of_a_Nation
05.12_-_The_Revealer_and_the_Revelation
05.12_-_The_Soul_and_its_Journey
05.13_-_Darshana_and_Philosophy
05.14_-_The_Sanctity_of_the_Individual
05.15_-_Sartrian_Freedom
05.16_-_A_Modernist_Mentality
05.17_-_Evolution_or_Special_Creation
05.18_-_Man_to_be_Surpassed
05.19_-_Lone_to_the_Lone
05.21_-_Being_or_Becoming_and_Having
05.22_-_Success_and_its_Conditions
05.26_-_The_Soul_in_Anguish
05.27_-_The_Nature_of_Perfection
05.30_-_Theres_a_Divinity
05.31_-_Divine_Intervention
05.32_-_Yoga_as_Pragmatic_Power
05.33_-_Caesar_versus_the_Divine
05.34_-_Light,_more_Light
06.01_-_The_End_of_a_Civilisation
06.02_-_Darkness_to_Light
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
06.04_-_The_Conscious_Being
06.11_-_The_Steps_of_the_Soul
06.12_-_The_Expanding_Body-Consciousness
06.15_-_Ever_Green
06.21_-_The_Personal_and_the_Impersonal
06.23_-_Here_or_Elsewhere
06.25_-_Individual_and_Collective_Soul
06.27_-_To_Learn_and_to_Understand
06.30_-_Sweet_Holy_Tears
06.31_-_Identification_of_Consciousness
06.32_-_The_Central_Consciousness
06.33_-_The_Constants_of_the_Spirit
07.01_-_Realisation,_Past_and_Future
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
07.02_-_The_Spiral_Universe
07.03_-_The_Entry_into_the_Inner_Countries
07.04_-_The_World_Serpent
07.05_-_The_Finding_of_the_Soul
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
07.11_-_The_Problem_of_Evil
07.12_-_This_Ugliness_in_the_World
07.19_-_Bad_Thought-Formation
07.34_-_And_this_Agile_Reason
07.36_-_The_Body_and_the_Psychic
07.37_-_The_Psychic_Being,_Some_Mysteries
07.40_-_Service_Human_and_Divine
07.42_-_The_Nature_and_Destiny_of_Art
07.44_-_Music_Indian_and_European
08.08_-_The_Mind_s_Bazaar
08.17_-_Psychological_Perfection
09.01_-_Towards_the_Black_Void
09.02_-_Meditation
09.07_-_How_to_Become_Indifferent_to_Criticism?
09.08_-_The_Modern_Taste
09.09_-_The_Origin
09.10_-_The_Supramental_Vision
09.11_-_The_Supramental_Manifestation_and_World_Change
100.00_-_Synergy
10.01_-_A_Dream
10.01_-_Cycles_of_Creation
1.001_-_The_Aim_of_Yoga
10.03_-_Life_in_and_Through_Death
10.03_-_The_Debate_of_Love_and_Death
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
10.06_-_Beyond_the_Dualities
10.07_-_The_World_is_One
1.009_-_Perception_and_Reality
1.00a_-_DIVISION_A_-_THE_INTERNAL_FIRES_OF_THE_SHEATHS.
1.00a_-_Introduction
1.00b_-_INTRODUCTION
1.00c_-_DIVISION_C_-_THE_ETHERIC_BODY_AND_PRANA
1.00c_-_INTRODUCTION
1.00d_-_Introduction
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00f_-_DIVISION_F_-_THE_LAW_OF_ECONOMY
1.00h_-_Foreword
1.00_-_Introduction_to_Alchemy_of_Happiness
1.00_-_INTRODUCTORY_REMARKS
1.00_-_Main
1.00_-_Preface
1.00_-_PREFACE_-_DESCENSUS_AD_INFERNOS
1.00_-_Preliminary_Remarks
1.00_-_The_Constitution_of_the_Human_Being
1.00_-_The_way_of_what_is_to_come
10.12_-_The_Divine_Grace_and_Love
10.14_-_Night_and_Day
10.15_-_The_Evolution_of_Language
1.01_-_Adam_Kadmon_and_the_Evolution
1.01_-_An_Accomplished_Westerner
1.01_-_A_NOTE_ON_PROGRESS
1.01_-_Appearance_and_Reality
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_BOOK_THE_FIRST
1.01_-_Economy
1.01f_-_Introduction
1.01_-_Foreward
1.01_-_Fundamental_Considerations
1.01_-_Hatha_Yoga
1.01_-_Historical_Survey
1.01_-_How_is_Knowledge_Of_The_Higher_Worlds_Attained?
1.01_-_'Imitation'_the_common_principle_of_the_Arts_of_Poetry.
1.01_-_Introduction
1.01_-_MAPS_OF_EXPERIENCE_-_OBJECT_AND_MEANING
1.01_-_MASTER_AND_DISCIPLE
1.01_-_MAXIMS_AND_MISSILES
1.01_-_Meeting_the_Master_-_Authors_first_meeting,_December_1918
1.01_-_Necessity_for_knowledge_of_the_whole_human_being_for_a_genuine_education.
1.01_-_Newtonian_and_Bergsonian_Time
1.01_-_On_knowledge_of_the_soul,_and_how_knowledge_of_the_soul_is_the_key_to_the_knowledge_of_God.
1.01_-_On_renunciation_of_the_world
1.01_-_Our_Demand_and_Need_from_the_Gita
1.01_-_Principles_of_Practical_Psycho_therapy
1.01_-_SAMADHI_PADA
1.01_-_Soul_and_God
1.01_-_Tara_the_Divine
1.01_-_THAT_ARE_THOU
1.01_-_the_Call_to_Adventure
1.01_-_The_Cycle_of_Society
1.01_-_The_Ego
1.01_-_The_First_Steps
1.01_-_The_Ideal_of_the_Karmayogin
1.01_-_The_King_of_the_Wood
1.01_-_THE_STUFF_OF_THE_UNIVERSE
1.01_-_The_Three_Metamorphoses
1.01_-_The_Unexpected
1.01_-_What_is_Magick?
1.01_-_Who_is_Tara
1.020_-_The_World_and_Our_World
1.02.1_-_The_Inhabiting_Godhead__Life_and_Action
1.02.3.1_-_The_Lord
1.02.3.2_-_Knowledge_and_Ignorance
1.02.3.3_-_Birth_and_Non-Birth
10.23_-_Prayers_and_Meditations_of_the_Mother
1.024_-_Affiliation_With_Larger_Wholes
10.24_-_Savitri
10.26_-_A_True_Professor
10.27_-_Consciousness
1.02.9_-_Conclusion_and_Summary
1.02_-_BOOK_THE_SECOND
1.02_-_Fire_over_the_Earth
1.02_-_Groups_and_Statistical_Mechanics
1.02_-_Isha_Analysis
1.02_-_Karma_Yoga
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_Meditating_on_Tara
1.02_-_On_detachment
1.02_-_On_the_Knowledge_of_God.
1.02_-_Prana
1.02_-_Prayer_of_Parashara_to_Vishnu
1.02_-_Priestly_Kings
1.02_-_SADHANA_PADA
1.02_-_Skillful_Means
1.02_-_SOCIAL_HEREDITY_AND_PROGRESS
1.02_-_Taras_Tantra
1.02_-_The_Age_of_Individualism_and_Reason
1.02_-_The_Child_as_growing_being_and_the_childs_experience_of_encountering_the_teacher.
1.02_-_The_Concept_of_the_Collective_Unconscious
1.02_-_The_Development_of_Sri_Aurobindos_Thought
1.02_-_The_Divine_Teacher
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Eternal_Law
1.02_-_The_Human_Soul
1.02_-_THE_NATURE_OF_THE_GROUND
1.02_-_The_Necessity_of_Magick_for_All
1.02_-_The_Objects_of_Imitation.
1.02_-_The_Pit
1.02_-_THE_PROBLEM_OF_SOCRATES
1.02_-_The_Recovery
1.02_-_The_Stages_of_Initiation
1.02_-_The_Three_European_Worlds
1.02_-_The_Two_Negations_1_-_The_Materialist_Denial
1.02_-_THE_WITHIN_OF_THINGS
1.02_-_What_is_Psycho_therapy?
1.02_-_Where_I_Lived,_and_What_I_Lived_For
10.30_-_India,_the_World_and_the_Ashram
10.31_-_The_Mystery_of_The_Five_Senses
10.32_-_The_Mystery_of_the_Five_Elements
10.35_-_The_Moral_and_the_Spiritual
1.035_-_The_Recitation_of_Mantra
1.037_-_Preventing_the_Fall_in_Yoga
10.37_-_The_Golden_Bridge
1.03_-_A_Parable
1.03_-_APPRENTICESHIP_AND_ENCULTURATION_-_ADOPTION_OF_A_SHARED_MAP
1.03_-_A_Sapphire_Tale
1.03_-_BOOK_THE_THIRD
1.03_-_Concerning_the_Archetypes,_with_Special_Reference_to_the_Anima_Concept
1.03_-_Fire_in_the_Earth
1.03_-_Man_-_Slave_or_Free?
1.03_-_Meeting_the_Master_-_Meeting_with_others
1.03_-_On_exile_or_pilgrimage
1.03_-_On_Knowledge_of_the_World.
1.03_-_PERSONALITY,_SANCTITY,_DIVINE_INCARNATION
1.03_-_Preparing_for_the_Miraculous
1.03_-_Reading
1.03_-_Self-Surrender_in_Works_-_The_Way_of_The_Gita
1.03_-_Some_Aspects_of_Modern_Psycho_therapy
1.03_-_Some_Practical_Aspects
1.03_-_Sympathetic_Magic
1.03_-_The_Coming_of_the_Subjective_Age
1.03_-_THE_EARTH_IN_ITS_EARLY_STAGES
1.03_-_The_Gate_of_Hell._The_Inefficient_or_Indifferent._Pope_Celestine_V._The_Shores_of_Acheron._Charon._The
1.03_-_The_Gods,_Superior_Beings_and_Adverse_Forces
1.03_-_THE_GRAND_OPTION
1.03_-_The_House_Of_The_Lord
1.03_-_The_Human_Disciple
1.03_-_The_Manner_of_Imitation.
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_The_Phenomenon_of_Man
1.03_-_The_Psychic_Prana
1.03_-_The_Sephiros
1.03_-_THE_STUDY_(The_Exorcism)
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.03_-_The_Two_Negations_2_-_The_Refusal_of_the_Ascetic
1.03_-_The_Uncreated
1.03_-_The_Void
1.03_-_Time_Series,_Information,_and_Communication
1.03_-_To_Layman_Ishii
1.03_-_VISIT_TO_VIDYASAGAR
1.03_-_Yama_and_Niyama
1.040_-_Re-Educating_the_Mind
1.04_-_ADVICE_TO_HOUSEHOLDERS
1.04_-_BOOK_THE_FOURTH
1.04_-_Descent_into_Future_Hell
1.04_-_Feedback_and_Oscillation
1.04_-_GOD_IN_THE_WORLD
1.04_-_HOW_THE_.TRUE_WORLD._ULTIMATELY_BECAME_A_FABLE
1.04_-_KAI_VALYA_PADA
1.04_-_Magic_and_Religion
1.04_-_Narayana_appearance,_in_the_beginning_of_the_Kalpa,_as_the_Varaha_(boar)
1.04_-_Nothing_Exists_Per_Se_Except_Atoms_And_The_Void
1.04_-_Of_other_imperfections_which_these_beginners_are_apt_to_have_with_respect_to_the_third_sin,_which_is_luxury.
1.04_-_On_blessed_and_ever-memorable_obedience
1.04_-_SOME_REFLECTIONS_ON_PROGRESS
1.04_-_Sounds
1.04_-_The_33_seven_double_letters
1.04_-_The_Aims_of_Psycho_therapy
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Conditions_of_Esoteric_Training
1.04_-_The_Core_of_the_Teaching
1.04_-_The_Crossing_of_the_First_Threshold
1.04_-_The_Discovery_of_the_Nation-Soul
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_Future_of_Man
1.04_-_The_Gods_of_the_Veda
1.04_-_The_Origin_and_Development_of_Poetry.
1.04_-_The_Paths
1.04_-_The_Praise
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_The_Self
1.04_-_The_Silent_Mind
1.04_-_THE_STUDY_(The_Compact)
1.04_-_To_the_Priest_of_Rytan-ji
1.04_-_Wake-Up_Sermon
1.04_-_What_Arjuna_Saw_-_the_Dark_Side_of_the_Force
1.04_-_Wherefore_of_World?
1.04_-_Yoga_and_Human_Evolution
1.05_-_2010_and_1956_-_Doomsday?
1.052_-_Yoga_Practice_-_A_Series_of_Positive_Steps
1.056_-_Lack_of_Knowledge_is_the_Cause_of_Suffering
1.057_-_The_Four_Manifestations_of_Ignorance
1.05_-_Adam_Kadmon
1.05_-_AUERBACHS_CELLAR
1.05_-_Bhakti_Yoga
1.05_-_BOOK_THE_FIFTH
1.05_-_Buddhism_and_Women
1.05_-_CHARITY
1.05_-_Christ,_A_Symbol_of_the_Self
1.05_-_Computing_Machines_and_the_Nervous_System
1.05_-_Consciousness
1.05_-_Hsueh_Feng's_Grain_of_Rice
1.05_-_Hymns_of_Bharadwaja
1.05_-_Morality_and_War
1.05_-_MORALITY_AS_THE_ENEMY_OF_NATURE
1.05_-_On_painstaking_and_true_repentance_which_constitute_the_life_of_the_holy_convicts;_and_about_the_prison.
1.05_-_Pratyahara_and_Dharana
1.05_-_Prayer
1.05_-_Problems_of_Modern_Psycho_therapy
1.05_-_Ritam
1.05_-_Some_Results_of_Initiation
1.05_-_The_Activation_of_Human_Energy
1.05_-_The_Belly_of_the_Whale
1.05_-_The_Creative_Principle
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_THE_MASTER_AND_KESHAB
1.05_-_THE_NEW_SPIRIT
1.05_-_The_Second_Circle__The_Wanton._Minos._The_Infernal_Hurricane._Francesca_da_Rimini.
1.05_-_The_Universe__The_0_=_2_Equation
1.05_-_True_and_False_Subjectivism
1.05_-_Vishnu_as_Brahma_creates_the_world
1.05_-_War_And_Politics
1.05_-_Yoga_and_Hypnotism
1.06_-_Agni_and_the_Truth
1.06_-_Being_Human_and_the_Copernican_Principle
1.06_-_BOOK_THE_SIXTH
1.06_-_Confutation_Of_Other_Philosophers
1.06_-_Definition_of_Tragedy.
1.06_-_Dhyana
1.06_-_Gestalt_and_Universals
1.06_-_Hymns_of_Parashara
1.06_-_LIFE_AND_THE_PLANETS
1.06_-_Magicians_as_Kings
1.06_-_Man_in_the_Universe
1.06_-_MORTIFICATION,_NON-ATTACHMENT,_RIGHT_LIVELIHOOD
1.06_-_Of_imperfections_with_respect_to_spiritual_gluttony.
1.06_-_On_Thought
1.06_-_Origin_of_the_four_castes
1.06_-_Psycho_therapy_and_a_Philosophy_of_Life
1.06_-_Quieting_the_Vital
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_The_Breaking_of_the_Limits
1.06_-_The_Desire_to_be
1.06_-_The_Greatness_of_the_Individual
1.06_-_The_Literal_Qabalah
1.06_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES
1.06_-_The_Objective_and_Subjective_Views_of_Life
1.06_-_The_Sign_of_the_Fishes
1.06_-_The_Three_Schools_of_Magick_1
1.06_-_WITCHES_KITCHEN
1.06_-_Yun_Men's_Every_Day_is_a_Good_Day
1.075_-_Self-Control,_Study_and_Devotion_to_God
1.07_-_A_Song_of_Longing_for_Tara,_the_Infallible
1.07_-_BOOK_THE_SEVENTH
1.07_-_Bridge_across_the_Afterlife
1.07_-_Cybernetics_and_Psychopathology
1.07_-_Incarnate_Human_Gods
1.07_-_Medicine_and_Psycho_therapy
1.07_-_Note_on_the_word_Go
1.07_-_On_Our_Knowledge_of_General_Principles
1.07_-_Production_of_the_mind-born_sons_of_Brahma
1.07_-_Samadhi
1.07_-_Savitri
1.07_-_Standards_of_Conduct_and_Spiritual_Freedom
1.07_-_The_Ego_and_the_Dualities
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_THE_GREAT_EVENT_FORESHADOWED_-_THE_PLANETIZATION_OF_MANKIND
1.07_-_The_Ideal_Law_of_Social_Development
1.07_-_THE_.IMPROVERS._OF_MANKIND
1.07_-_The_Infinity_Of_The_Universe
1.07_-_The_Literal_Qabalah_(continued)
1.07_-_The_Magic_Wand
1.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
1.07_-_The_Primary_Data_of_Being
1.07_-_The_Process_of_Evolution
1.07_-_The_Prophecies_of_Nostradamus
1.07_-_The_Psychic_Center
1.07_-_The_Three_Schools_of_Magick_2
1.07_-_TRUTH
1.089_-_The_Levels_of_Concentration
1.08_-_Adhyatma_Yoga
1.08a_-_The_Ladder
1.08_-_Attendants
1.08_-_BOOK_THE_EIGHTH
1.08_-_Civilisation_and_Barbarism
1.08_-_Departmental_Kings_of_Nature
1.08_-_Independence_from_the_Physical
1.08_-_Information,_Language,_and_Society
1.08_-_Introduction_to_Patanjalis_Yoga_Aphorisms
1.08_-_On_freedom_from_anger_and_on_meekness.
1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras
1.08_-_Psycho_therapy_Today
1.08_-_RELIGION_AND_TEMPERAMENT
1.08_-_SOME_REFLECTIONS_ON_THE_SPIRITUAL_REPERCUSSIONS_OF_THE_ATOM_BOMB
1.08_-_Sri_Aurobindos_Descent_into_Death
1.08_-_The_Change_of_Vision
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Four_Austerities_and_the_Four_Liberations
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.08_-_The_Historical_Significance_of_the_Fish
1.08_-_The_Magic_Sword,_Dagger_and_Trident
1.08_-_THE_MASTERS_BIRTHDAY_CELEBRATION_AT_DAKSHINESWAR
1.08_-_The_Splitting_of_the_Human_Personality_during_Spiritual_Training
1.08_-_The_Supreme_Will
1.08_-_The_Synthesis_of_Movement
1.08_-_The_Three_Schools_of_Magick_3
1.08_-_THINGS_THE_GERMANS_LACK
1.094_-_Understanding_the_Structure_of_Things
1.096_-_Powers_that_Accrue_in_the_Practice
1.09_-_ADVICE_TO_THE_BRAHMOS
1.09_-_A_System_of_Vedic_Psychology
1.09_-_Civilisation_and_Culture
1.09_-_Concentration_-_Its_Spiritual_Uses
1.09_-_Equality_and_the_Annihilation_of_Ego
1.09_-_Fundamental_Questions_of_Psycho_therapy
1.09_-_Kundalini_Yoga
1.09_-_Legend_of_Lakshmi
1.09_-_Man_-_About_the_Body
1.09_-_(Plot_continued.)_Dramatic_Unity.
1.09_-_Saraswati_and_Her_Consorts
1.09_-_SKIRMISHES_IN_A_WAY_WITH_THE_AGE
1.09_-_Sleep_and_Death
1.09_-_Sri_Aurobindo_and_the_Big_Bang
1.09_-_Talks
1.09_-_The_Ambivalence_of_the_Fish_Symbol
1.09_-_The_Guardian_of_the_Threshold
1.09_-_The_Pure_Existent
1.09_-_The_Secret_Chiefs
1.09_-_The_Worship_of_Trees
1.1.01_-_Seeking_the_Divine
1.1.01_-_The_Divine_and_Its_Aspects
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
1.1.02_-_Sachchidananda
11.03_-_Cosmonautics
11.05_-_The_Ladder_of_Unconsciousness
11.08_-_Body-Energy
1.10_-_BOOK_THE_TENTH
1.10_-_Concentration_-_Its_Practice
1.10_-_Conscious_Force
1.10_-_Farinata_and_Cavalcante_de'_Cavalcanti._Discourse_on_the_Knowledge_of_the_Damned.
1.10_-_Fate_and_Free-Will
1.10_-_GRACE_AND_FREE_WILL
1.10_-_Harmony
1.10_-_Laughter_Of_The_Gods
1.10_-_Life_and_Death._The_Greater_Guardian_of_the_Threshold
1.10_-_On_slander_or_calumny.
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_The_Absolute_of_the_Being
1.10_-_THE_FORMATION_OF_THE_NOOSPHERE
1.10_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES_(II)
1.10_-_Theodicy_-_Nature_Makes_No_Mistakes
1.10_-_The_Roughly_Material_Plane_or_the_Material_World
1.10_-_The_Secret_of_the_Veda
1.10_-_The_Three_Modes_of_Nature
1.10_-_The_Yoga_of_the_Intelligent_Will
1.10_-_THINGS_I_OWE_TO_THE_ANCIENTS
11.10_-_The_Test_of_Truth
11.15_-_Sri_Aurobindo
1.11_-_BOOK_THE_ELEVENTH
1.11_-_FAITH_IN_MAN
1.11_-_GOOD_AND_EVIL
1.11_-_Higher_Laws
1.11_-_Legend_of_Dhruva,_the_son_of_Uttanapada
1.11_-_Oneness
1.11_-_The_Broken_Rocks._Pope_Anastasius._General_Description_of_the_Inferno_and_its_Divisions.
1.11_-_The_Influence_of_the_Sexes_on_Vegetation
1.11_-_The_Kalki_Avatar
1.11_-_The_Master_of_the_Work
1.11_-_The_Reason_as_Governor_of_Life
1.11_-_The_Second_Genesis
1.11_-_The_Seven_Rivers
1.11_-_The_Soul_or_the_Astral_Body
1.11_-_WITH_THE_DEVOTEES_AT_DAKSHINEWAR
1.11_-_Woolly_Pomposities_of_the_Pious_Teacher
1.11_-_Works_and_Sacrifice
1.12_-_BOOK_THE_TWELFTH
1.12_-_Brute_Neighbors
1.1.2_-_Commentary
1.12_-_Delight_of_Existence_-_The_Solution
1.12_-_Dhruva_commences_a_course_of_religious_austerities
1.12_-_GARDEN
1.12_-_God_Departs
1.12_-_Independence
1.12_-_ON_THE_FLIES_OF_THE_MARKETPLACE
1.12_-_THE_FESTIVAL_AT_PNIHTI
1.12_-_The_Left-Hand_Path_-_The_Black_Brothers
1.12_-_The_'quantitative_parts'_of_Tragedy_defined.
1.12_-_The_Sacred_Marriage
1.12_-_The_Significance_of_Sacrifice
1.12_-_The_Superconscient
1.12_-_TIME_AND_ETERNITY
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_Conclusion_-_He_is_here
1.13_-_Gnostic_Symbols_of_the_Self
1.13_-_Posterity_of_Dhruva
1.13_-_Reason_and_Religion
1.13_-_The_Divine_Maya
1.13_-_THE_HUMAN_REBOUND_OF_EVOLUTION_AND_ITS_CONSEQUENCES
1.13_-_The_Kings_of_Rome_and_Alba
1.13_-_THE_MASTER_AND_M.
1.13_-_The_Pentacle,_Lamen_or_Seal
1.13_-_Under_the_Auspices_of_the_Gods
1.14_-_Bibliography
1.14_-_Descendants_of_Prithu
1.14_-_FOREST_AND_CAVERN
1.14_-_IMMORTALITY_AND_SURVIVAL
1.14_-_INSTRUCTION_TO_VAISHNAVS_AND_BRHMOS
1.14_-_Noise
1.14_-_On_the_clamorous,_yet_wicked_master-the_stomach.
1.14_-_The_Book_of_Magic_Formulae
1.14_-_The_Limits_of_Philosophical_Knowledge
1.14_-_The_Principle_of_Divine_Works
1.14_-_The_Secret
1.14_-_The_Structure_and_Dynamics_of_the_Self
1.14_-_The_Succesion_to_the_Kingdom_in_Ancient_Latium
1.14_-_The_Supermind_as_Creator
1.14_-_The_Suprarational_Beauty
1.14_-_The_Victory_Over_Death
1.15_-_Conclusion
1.15_-_Index
1.15_-_In_the_Domain_of_the_Spirit_Beings
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_SILENCE
1.15_-_THE_DIRECTIONS_AND_CONDITIONS_OF_THE_FUTURE
1.15_-_The_Possibility_and_Purpose_of_Avatarhood
1.15_-_The_Supramental_Consciousness
1.15_-_The_world_overrun_with_trees;_they_are_destroyed_by_the_Pracetasas
1.16_-_Advantages_and_Disadvantages_of_Evocational_Magic
1.16_-_Dianus_and_Diana
1.16_-_On_Concentration
1.16_-_On_love_of_money_or_avarice.
1.16_-_(Plot_continued.)_Recognition__its_various_kinds,_with_examples
1.16_-_THE_ESSENCE_OF_THE_DEMOCRATIC_IDEA
1.16_-_The_Process_of_Avatarhood
1.16_-_The_Suprarational_Ultimate_of_Life
1.16_-_WITH_THE_DEVOTEES_AT_DAKSHINESWAR
1.17_-_DOES_MANKIND_MOVE_BIOLOGICALLY_UPON_ITSELF?
1.17_-_M._AT_DAKSHINEWAR
1.17_-_Practical_rules_for_the_Tragic_Poet.
1.17_-_Religion_as_the_Law_of_Life
1.17_-_SUFFERING
1.17_-_The_Burden_of_Royalty
1.17_-_The_Divine_Birth_and_Divine_Works
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.17_-_The_Transformation
1.18_-_Asceticism
1.18_-_Further_rules_for_the_Tragic_Poet.
1.18_-_M._AT_DAKSHINESWAR
1.18_-_The_Divine_Worker
1.18_-_The_Eighth_Circle,_Malebolge__The_Fraudulent_and_the_Malicious._The_First_Bolgia__Seducers_and_Panders._Venedico_Caccianimico._Jason._The_Second_Bolgia__Flatterers._Allessio_Interminelli._Thais.
1.18_-_THE_HEART_OF_THE_PROBLEM
1.18_-_The_Perils_of_the_Soul
1.19_-_Dialogue_between_Prahlada_and_his_father
1.19_-_Equality
1.19_-_GOD_IS_NOT_MOCKED
1.19_-_ON_THE_PROBABLE_EXISTENCE_AHEAD_OF_US_OF_AN_ULTRA-HUMAN
1.19_-_Tabooed_Acts
1.19_-_The_Act_of_Truth
1.19_-_The_Curve_of_the_Rational_Age
1.19_-_The_Victory_of_the_Fathers
1.19_-_Thought,_or_the_Intellectual_element,_and_Diction_in_Tragedy.
1.201_-_Socrates
1.2.01_-_The_Call_and_the_Capacity
12.01_-_The_Return_to_Earth
12.01_-_This_Great_Earth_Our_Mother
12.02_-_The_Stress_of_the_Spirit
1.2.03_-_The_Interpretation_of_Scripture
12.03_-_The_Sorrows_of_God
12.04_-_Love_and_Death
12.05_-_Beauty
12.05_-_The_World_Tragedy
12.08_-_Notes_on_Freedom
12.09_-_The_Story_of_Dr._Faustus_Retold
1.20_-_Diction,_or_Language_in_general.
1.20_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
1.20_-_Tabooed_Persons
1.20_-_TANTUM_RELIGIO_POTUIT_SUADERE_MALORUM
1.20_-_The_End_of_the_Curve_of_Reason
1.20_-_The_Fourth_Bolgia__Soothsayers._Amphiaraus,_Tiresias,_Aruns,_Manto,_Eryphylus,_Michael_Scott,_Guido_Bonatti,_and_Asdente._Virgil_reproaches_Dante's_Pity.
1.20_-_The_Hound_of_Heaven
12.10_-_The_Sunlit_Path
1.21_-_A_DAY_AT_DAKSHINESWAR
1.21_-_Families_of_the_Daityas
1.21_-_IDOLATRY
1.21_-_My_Theory_of_Astrology
1.21_-_Tabooed_Things
1.21_-_The_Spiritual_Aim_and_Life
1.21_-_WALPURGIS-NIGHT
1.2.2.01_-_The_Poet,_the_Yogi_and_the_Rishi
1.22_-_ADVICE_TO_AN_ACTOR
1.22__-_Dominion_over_different_provinces_of_creation_assigned_to_different_beings
1.22_-_EMOTIONALISM
1.22_-_ON_THE_GIFT-GIVING_VIRTUE
1.22_-_On_the_many_forms_of_vainglory.
1.22_-_(Poetic_Diction_continued.)_How_Poetry_combines_elevation_of_language_with_perspicuity.
1.22_-_Tabooed_Words
1.22_-_The_Necessity_of_the_Spiritual_Transformation
1.2.2_-_The_Place_of_Study_in_Sadhana
1.22_-_The_Problem_of_Life
1.23_-_Conditions_for_the_Coming_of_a_Spiritual_Age
1.23_-_Epic_Poetry.
1.23_-_Escape_from_the_Malabranche._The_Sixth_Bolgia__Hypocrites._Catalano_and_Loderingo._Caiaphas.
1.23_-_FESTIVAL_AT_SURENDRAS_HOUSE
1.23_-_Improvising_a_Temple
1.23_-_Our_Debt_to_the_Savage
1.23_-_THE_MIRACULOUS
1.240_-_1.300_Talks
1.240_-_Talks_2
1.24_-_(Epic_Poetry_continued.)_Further_points_of_agreement_with_Tragedy.
1.24_-_Necromancy_and_Spiritism
1.24_-_On_meekness,_simplicity,_guilelessness_which_come_not_from_nature_but_from_habit,_and_about_malice.
1.24_-_PUNDIT_SHASHADHAR
1.24_-_RITUAL,_SYMBOL,_SACRAMENT
1.2.4_-_Speech_and_Yoga
1.24_-_The_Killing_of_the_Divine_King
1.24_-_The_Seventh_Bolgia_-_Thieves._Vanni_Fucci._Serpents.
1.25_-_ADVICE_TO_PUNDIT_SHASHADHAR
1.25_-_Critical_Objections_brought_against_Poetry,_and_the_principles_on_which_they_are_to_be_answered.
1.25_-_Fascinations,_Invisibility,_Levitation,_Transmutations,_Kinks_in_Time
1.25_-_On_the_destroyer_of_the_passions,_most_sublime_humility,_which_is_rooted_in_spiritual_feeling.
1.25_-_Temporary_Kings
1.25_-_The_Knot_of_Matter
1.26_-_FESTIVAL_AT_ADHARS_HOUSE
1.26_-_On_discernment_of_thoughts,_passions_and_virtues
1.26_-_Sacrifice_of_the_Kings_Son
1.27_-_AT_DAKSHINESWAR
1.27_-_CONTEMPLATION,_ACTION_AND_SOCIAL_UTILITY
1.27_-_Guido_da_Montefeltro._His_deception_by_Pope_Boniface_VIII.
1.27_-_On_holy_solitude_of_body_and_soul.
1.27_-_Succession_to_the_Soul
1.27_-_The_Sevenfold_Chord_of_Being
1.28_-_Supermind,_Mind_and_the_Overmind_Maya
1.28_-_The_Killing_of_the_Tree-Spirit
1.28_-_The_Ninth_Bolgia__Schismatics._Mahomet_and_Ali._Pier_da_Medicina,_Curio,_Mosca,_and_Bertr_and_de_Born.
1.29_-_Concerning_heaven_on_earth,_or_godlike_dispassion_and_perfection,_and_the_resurrection_of_the_soul_before_the_general_resurrection.
1.29_-_Geri_del_Bello._The_Tenth_Bolgia__Alchemists._Griffolino_d'_Arezzo_and_Capocchino._The_many_people_and_the_divers_wounds
1.29_-_What_is_Certainty?
1.2_-_Katha_Upanishads
1.300_-_1.400_Talks
13.01_-_A_Centurys_Salutation_to_Sri_Aurobindo_The_Greatness_of_the_Great
13.02_-_A_Review_of_Sri_Aurobindos_Life
1.3.04_-_Peace
13.07_-_The_Inter-Zone
1.30_-_Adonis_in_Syria
1.31_-_Adonis_in_Cyprus
1.31_-_Continues_the_same_subject._Explains_what_is_meant_by_the_Prayer_of_Quiet._Gives_several_counsels_to_those_who_experience_it._This_chapter_is_very_noteworthy.
1.3.2.01_-_I._The_Entire_Purpose_of_Yoga
1.32_-_How_can_a_Yogi_ever_be_Worried?
1.32_-_The_Ritual_of_Adonis
1.33_-_Count_Ugolino_and_the_Archbishop_Ruggieri._The_Death_of_Count_Ugolino's_Sons.
1.33_-_The_Gardens_of_Adonis
1.33_-_The_Golden_Mean
1.33_-_Treats_of_our_great_need_that_the_Lord_should_give_us_what_we_ask_in_these_words_of_the_Paternoster__Panem_nostrum_quotidianum_da_nobis_hodie.
1.34_-_Continues_the_same_subject._This_is_very_suitable_for_reading_after_the_reception_of_the_Most_Holy_Sacrament.
1.34_-_Fourth_Division_of_the_Ninth_Circle,_the_Judecca__Traitors_to_their_Lords_and_Benefactors._Lucifer,_Judas_Iscariot,_Brutus,_and_Cassius._The_Chasm_of_Lethe._The_Ascent.
1.34_-_The_Myth_and_Ritual_of_Attis
1.3.5.04_-_The_Evolution_of_Consciousness
1.35_-_Attis_as_a_God_of_Vegetation
1.35_-_The_Tao_2
1.36_-_Human_Representatives_of_Attis
1.37_-_Death_-_Fear_-_Magical_Memory
1.37_-_Oriential_Religions_in_the_West
1.38_-_The_Myth_of_Osiris
1.39_-_Prophecy
1.39_-_The_Ritual_of_Osiris
1.3_-_Mundaka_Upanishads
1.400_-_1.450_Talks
14.02_-_Occult_Experiences
1.4.02_-_The_Divine_Force
14.03_-_Janaka_and_Yajnavalkya
1.4.03_-_The_Guru
14.04_-_More_of_Yajnavalkya
14.05_-_The_Golden_Rule
14.08_-_A_Parable_of_Sea-Gulls
1.40_-_The_Nature_of_Osiris
1.42_-_Osiris_and_the_Sun
1.42_-_This_Self_Introversion
1.439
1.43_-_Dionysus
1.44_-_Demeter_and_Persephone
1.450_-_1.500_Talks
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.46_-_The_Corn-Mother_in_Many_Lands
1.47_-_Lityerses
1.48_-_The_Corn-Spirit_as_an_Animal
1.49_-_Ancient_Deities_of_Vegetation_as_Animals
1.49_-_Thelemic_Morality
1.50_-_A.C._and_the_Masters;_Why_they_Chose_him,_etc.
1.50_-_Eating_the_God
1.51_-_How_to_Recognise_Masters,_Angels,_etc.,_and_how_they_Work
1.52_-_Family_-_Public_Enemy_No._1
1.52_-_Killing_the_Divine_Animal
1.53_-_The_Propitation_of_Wild_Animals_By_Hunters
1.54_-_On_Meanness
1.54_-_Types_of_Animal_Sacrament
1.550_-_1.600_Talks
1.55_-_The_Transference_of_Evil
1.56_-_Marriage_-_Property_-_War_-_Politics
1.56_-_The_Public_Expulsion_of_Evils
1.57_-_Public_Scapegoats
1.58_-_Do_Angels_Ever_Cut_Themselves_Shaving?
1.58_-_Human_Scapegoats_in_Classical_Antiquity
1.59_-_Killing_the_God_in_Mexico
16.02_-_Mater_Dolorosa
1.60_-_Between_Heaven_and_Earth
1.61_-_The_Myth_of_Balder
1.62_-_The_Fire-Festivals_of_Europe
1.63_-_Fear,_a_Bad_Astral_Vision
1.63_-_The_Interpretation_of_the_Fire-Festivals
1.64_-_The_Burning_of_Human_Beings_in_the_Fires
1.65_-_Balder_and_the_Mistletoe
1.66_-_The_External_Soul_in_Folk-Tales
1.66_-_Vampires
1.67_-_Faith
1.67_-_The_External_Soul_in_Folk-Custom
1.68_-_The_God-Letters
1.68_-_The_Golden_Bough
1.69_-_Farewell_to_Nemi
1.69_-_Original_Sin
17.02_-_Hymn_to_the_Sun
17.06_-_Hymn_of_the_Supreme_Goddess
17.07_-_Ode_to_Darkness
17.08_-_Last_Hymn
1.70_-_Morality_1
17.11_-_A_Prayer
1.72_-_Education
1.74_-_Obstacles_on_the_Path
1.75_-_The_AA_and_the_Planet
1.77_-_Work_Worthwhile_-_Why?
1.79_-_Progress
18.01_-_Padavali
18.03_-_Tagore
18.04_-_Modern_Poems
18.05_-_Ashram_Poets
1.80_-_Life_a_Gamble
1.83_-_Epistola_Ultima
19.01_-_The_Twins
1912_11_28p
1913_06_27p
1914_02_11p
1914_02_12p
1914_03_09p
1914_05_20p
1914_05_22p
1914_05_25p
1914_05_27p
1914_06_14p
1914_06_27p
1914_07_06p
1914_07_12p
1914_07_21p
1914_07_27p
1914_08_02p
1914_08_20p
1914_08_25p
1914_09_22p
1914_10_05p
1914_10_23p
19.14_-_The_Awakened
1915_03_07p
1915_04_19p
1915_05_24p
1915_11_26p
1916_12_07p
1916_12_26p
1917_01_05p
1917_03_27p
1917_11_25p
19.17_-_On_Anger
19.18_-_On_Impurity
19.24_-_The_Canto_of_Desire
19.25_-_The_Bhikkhu
1929-04-14_-_Dangers_of_Yoga_-_Two_paths,_tapasya_and_surrender_-_Impulses,_desires_and_Yoga_-_Difficulties_-_Unification_around_the_psychic_being_-_Ambition,_undoing_of_many_Yogis_-_Powers,_misuse_and_right_use_of_-_How_to_recognise_the_Divine_Will_-_Accept_things_that_come_from_Divine_-_Vital_devotion_-_Need_of_strong_body_and_nerves_-_Inner_being,_invariable
1929-05-05_-_Intellect,_true_and_wrong_movement_-_Attacks_from_adverse_forces_-_Faith,_integral_and_absolute_-_Death,_not_a_necessity_-_Descent_of_Divine_Consciousness_-_Inner_progress_-_Memory_of_former_lives
1929-05-26_-_Individual,_illusion_of_separateness_-_Hostile_forces_and_the_mental_plane_-_Psychic_world,_psychic_being_-_Spiritual_and_psychic_-_Words,_understanding_speech_and_reading_-_Hostile_forces,_their_utility_-_Illusion_of_action,_true_action
1929-06-09_-_Nature_of_religion_-_Religion_and_the_spiritual_life_-_Descent_of_Divine_Truth_and_Force_-_To_be_sure_of_your_religion,_country,_family-choose_your_own_-_Religion_and_numbers
1929-07-28_-_Art_and_Yoga_-_Art_and_life_-_Music,_dance_-_World_of_Harmony
1951-01-08_-_True_vision_and_understanding_of_the_world._Progress,_equilibrium._Inner_reality_-_the_psychic._Animals_and_the_psychic.
1951-01-11_-_Modesty_and_vanity_-_Generosity
1951-02-10_-_Liberty_and_license_-_surrender_makes_you_free_-_Men_in_authority_as_representatives_of_the_divine_Truth_-_Work_as_offering_-_total_surrender_needs_time_-_Effort_and_inspiration_-_will_and_patience
1951-02-24_-_Psychic_being_and_entity_-_dimensions_-_in_the_atom_-_Death_-_exteriorisation_-_unconsciousness_-_Past_lives_-_progress_upon_earth_-_choice_of_birth_-_Consecration_to_divine_Work_-_psychic_memories_-_Individualisation_-_progress
1951-03-14_-_Plasticity_-_Conditions_for_knowing_the_Divine_Will_-_Illness_-_microbes_-_Fear_-_body-reflexes_-_The_best_possible_happens_-_Theories_of_Creation_-_True_knowledge_-_a_work_to_do_-_the_Ashram
1951-03-19_-_Mental_worlds_and_their_beings_-_Understanding_in_silence_-_Psychic_world-_its_characteristics_-_True_experiences_and_mental_formations_-_twelve_senses
1951-03-29_-_The_Great_Vehicle_and_The_Little_Vehicle_-_Choosing_ones_family,_country_-_The_vital_being_distorted_-_atavism_-_Sincerity_-_changing_ones_character
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1951-04-12_-_Japan,_its_art,_landscapes,_life,_etc_-_Fairy-lore_of_Japan_-_Culture-_its_spiral_movement_-_Indian_and_European-_the_spiritual_life_-_Art_and_Truth
1951-04-26_-_Irrevocable_transformation_-_The_divine_Shakti_-_glad_submission_-_Rejection,_integral_-_Consecration_-_total_self-forgetfulness_-_work
1951-05-03_-_Money_and_its_use_for_the_divine_work_-_problems_-_Mastery_over_desire-_individual_and_collective_change
1951-05-07_-_A_Hierarchy_-_Transcendent,_universal,_individual_Divine_-_The_Supreme_Shakti_and_Creation_-_Inadequacy_of_words,_language
1951-05-14_-_Chance_-_the_play_of_forces_-_Peace,_given_and_lost_-_Abolishing_the_ego
1953-04-29
1953-05-13
1953-05-20
1953-07-29
1953-09-02
1953-09-30
1953-10-21
1953-10-28
1953-11-11
1953-11-18
1954-02-17_-_Experience_expressed_in_different_ways_-_Origin_of_the_psychic_being_-_Progress_in_sports_-Everything_is_not_for_the_best
1954-03-03_-_Occultism_-_A_French_scientists_experiment
1954-04-07_-_Communication_without_words_-_Uneven_progress_-_Words_and_the_Word
1954-06-23_-_Meat-eating_-_Story_of_Mothers_vegetable_garden_-_Faithfulness_-_Conscious_sleep
1954-09-08_-_Hostile_forces_-_Substance_-_Concentration_-_Changing_the_centre_of_thought_-_Peace
1954-09-15_-_Parts_of_the_being_-_Thoughts_and_impulses_-_The_subconscient_-_Precise_vocabulary_-_The_Grace_and_difficulties
1954-09-22_-_The_supramental_creation_-_Rajasic_eagerness_-_Silence_from_above_-_Aspiration_and_rejection_-_Effort,_individuality_and_ego_-_Aspiration_and_desire
1954-10-20_-_Stand_back_-_Asking_questions_to_Mother_-_Seeing_images_in_meditation_-_Berlioz_-Music_-_Mothers_organ_music_-_Destiny
1955-02-09_-_Desire_is_contagious_-_Primitive_form_of_love_-_the_artists_delight_-_Psychic_need,_mind_as_an_instrument_-_How_the_psychic_being_expresses_itself_-_Distinguishing_the_parts_of_ones_being_-_The_psychic_guides_-_Illness_-_Mothers_vision
1955-02-16_-_Losing_something_given_by_Mother_-_Using_things_well_-_Sadhak_collecting_soap-pieces_-_What_things_are_truly_indispensable_-_Natures_harmonious_arrangement_-_Riches_a_curse,_philanthropy_-_Misuse_of_things_creates_misery
1955-04-06_-_Freuds_psychoanalysis,_the_subliminal_being_-_The_psychic_and_the_subliminal_-_True_psychology_-_Changing_the_lower_nature_-_Faith_in_different_parts_of_the_being_-_Psychic_contact_established_in_all_in_the_Ashram
1955-05-18_-_The_Problem_of_Woman_-_Men_and_women_-_The_Supreme_Mother,_the_new_creation_-_Gods_and_goddesses_-_A_story_of_Creation,_earth_-_Psychic_being_only_on_earth,_beings_everywhere_-_Going_to_other_worlds_by_occult_means
1955-05-25_-_Religion_and_reason_-_true_role_and_field_-_an_obstacle_to_or_minister_of_the_Spirit_-_developing_and_meaning_-_Learning_how_to_live,_the_elite_-_Reason_controls_and_organises_life_-_Nature_is_infrarational
1955-06-01_-_The_aesthetic_conscience_-_Beauty_and_form_-_The_roots_of_our_life_-_The_sense_of_beauty_-_Educating_the_aesthetic_sense,_taste_-_Mental_constructions_based_on_a_revelation_-_Changing_the_world_and_humanity
1955-11-02_-_The_first_movement_in_Yoga_-_Interiorisation,_finding_ones_soul_-_The_Vedic_Age_-_An_incident_about_Vivekananda_-_The_imaged_language_of_the_Vedas_-_The_Vedic_Rishis,_involutionary_beings_-_Involution_and_evolution
1955-11-16_-_The_significance_of_numbers_-_Numbers,_astrology,_true_knowledge_-_Divines_Love_flowers_for_Kali_puja_-_Desire,_aspiration_and_progress_-_Determining_ones_approach_to_the_Divine_-_Liberation_is_obtained_through_austerities_-_...
1956-01-11_-_Desire_and_self-deception_-_Giving_all_one_is_and_has_-_Sincerity,_more_powerful_than_will_-_Joy_of_progress_Definition_of_youth
1956-01-25_-_The_divine_way_of_life_-_Divine,_Overmind,_Supermind_-_Material_body__for_discovery_of_the_Divine_-_Five_psychological_perfections
1956-02-08_-_Forces_of_Nature_expressing_a_higher_Will_-_Illusion_of_separate_personality_-_One_dynamic_force_which_moves_all_things_-_Linear_and_spherical_thinking_-_Common_ideal_of_life,_microscopic
1956-03-14_-_Dynamic_meditation_-_Do_all_as_an_offering_to_the_Divine_-_Significance_of_23.4.56._-_If_twelve_men_of_goodwill_call_the_Divine
1956-04-11_-_Self-creator_-_Manifestation_of_Time_and_Space_-_Brahman-Maya_and_Ishwara-Shakti_-_Personal_and_Impersonal
1956-05-02_-_Threefold_union_-_Manifestation_of_the_Supramental_-_Profiting_from_the_Divine_-_Recognition_of_the_Supramental_Force_-_Ascent,_descent,_manifestation
1956-05-16_-_Needs_of_the_body,_not_true_in_themselves_-_Spiritual_and_supramental_law_-_Aestheticised_Paganism_-_Morality,_checks_true_spiritual_effort_-_Effect_of_supramental_descent_-_Half-lights_and_false_lights
1956-08-01_-_Value_of_worship_-_Spiritual_realisation_and_the_integral_yoga_-_Symbols,_translation_of_experience_into_form_-_Sincerity,_fundamental_virtue_-_Intensity_of_aspiration,_with_anguish_or_joy_-_The_divine_Grace
1956-08-22_-_The_heaven_of_the_liberated_mind_-_Trance_or_samadhi_-_Occult_discipline_for_leaving_consecutive_bodies_-_To_be_greater_than_ones_experience_-_Total_self-giving_to_the_Grace_-_The_truth_of_the_being_-_Unique_relation_with_the_Supreme
1956-09-19_-_Power,_predominant_quality_of_vital_being_-_The_Divine,_the_psychic_being,_the_Supermind_-_How_to_come_out_of_the_physical_consciousness_-_Look_life_in_the_face_-_Ordinary_love_and_Divine_love
1956-10-03_-_The_Mothers_different_ways_of_speaking_-_new_manifestation_-_new_element,_possibilities_-_child_prodigies_-_Laws_of_Nature,_supramental_-_Logic_of_the_unforeseen_-_Creative_writers,_hands_of_musicians_-_Prodigious_children,_men
1956-10-10_-_The_supramental_race__in_a_few_centuries_-_Condition_for_new_realisation_-_Everyone_must_follow_his_own_path_-_Progress,_no_two_paths_alike
1956-11-21_-_Knowings_and_Knowledge_-_Reason,_summit_of_mans_mental_activities_-_Willings_and_the_true_will_-_Personal_effort_-_First_step_to_have_knowledge_-_Relativity_of_medical_knowledge_-_Mental_gymnastics_make_the_mind_supple
1956-11-28_-_Desire,_ego,_animal_nature_-_Consciousness,_a_progressive_state_-_Ananda,_desireless_state_beyond_enjoyings_-_Personal_effort_that_is_mental_-_Reason,_when_to_disregard_it_-_Reason_and_reasons
1956-12-12_-_paradoxes_-_Nothing_impossible_-_unfolding_universe,_the_Eternal_-_Attention,_concentration,_effort_-_growth_capacity_almost_unlimited_-_Why_things_are_not_the_same_-_will_and_willings_-_Suggestions,_formations_-_vital_world
1957-02-07_-_Individual_and_collective_meditation
1957-03-08_-_A_Buddhist_story
1957-04-10_-_Sports_and_yoga_-_Organising_ones_life
1957-05-08_-_Vital_excitement,_reason,_instinct
1957-05-29_-_Progressive_transformation
1957-06-05_-_Questions_and_silence_-_Methods_of_meditation
1957-06-12_-_Fasting_and_spiritual_progress
1957-07-03_-_Collective_yoga,_vision_of_a_huge_hotel
1957-07-10_-_A_new_world_is_born_-_Overmind_creation_dissolved
1957-07-17_-_Power_of_conscious_will_over_matter
1957-08-07_-_The_resistances,_politics_and_money_-_Aspiration_to_realise_the_supramental_life
1957-09-11_-_Vital_chemistry,_attraction_and_repulsion
1957-10-02_-_The_Mind_of_Light_-_Statues_of_the_Buddha_-_Burden_of_the_past
1957-11-27_-_Sri_Aurobindos_method_in_The_Life_Divine_-_Individual_and_cosmic_evolution
1957-12-18_-_Modern_science_and_illusion_-_Value_of_experience,_its_transforming_power_-_Supramental_power,_first_aspect_to_manifest
1958-01-08_-_Sri_Aurobindos_method_of_exposition_-_The_mind_as_a_public_place_-_Mental_control_-_Sri_Aurobindos_subtle_hand
1958-06-04_-_New_birth
1958-09-10_-_Magic,_occultism,_physical_science
1958_10_03
1958-10-29_-_Mental_self-sufficiency_-_Grace
1958-11-05_-_Knowing_how_to_be_silent
1960_01_27
1960_04_27
1960_06_29
1961_05_22?
1963_01_14
1963_05_15
1963_08_11?_-_94
1964_09_16
1965_05_29
1965_12_25
1965_12_26?
1966_07_06
1969_09_04_-_143
1969_11_13
1969_11_16
1970_01_25
1970_02_23
1970_03_12
1970_04_08
1970_04_17
1970_04_29
1.A_-_ANTHROPOLOGY,_THE_SOUL
1.ac_-_Happy_Dust
1.ac_-_The_Atheist
1.ac_-_The_Wizard_Way
1.ami_-_To_the_Saqi_(from_Baal-i-Jibreel)
1.anon_-_But_little_better
1.anon_-_Enuma_Elish_(When_on_high)
1.anon_-_Others_have_told_me
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VII
1.anon_-_The_Poem_of_Antar
1.anon_-_The_Poem_of_Imru-Ul-Quais
1.bni_-_Raga_Ramkali
1.bs_-_What_a_carefree_game_He_plays!
1.da_-_Lead_us_up_beyond_light
1.dd_-_So_priceless_is_the_birth,_O_brother
1f.lovecraft_-_Ashes
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Azathoth
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1f.lovecraft_-_Celephais
1f.lovecraft_-_Dagon
1f.lovecraft_-_Deaf,_Dumb,_and_Blind
1f.lovecraft_-_Discarded_Draft_of
1f.lovecraft_-_From_Beyond
1f.lovecraft_-_He
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_H.P._Lovecrafts
1f.lovecraft_-_Hypnos
1f.lovecraft_-_Ibid
1f.lovecraft_-_In_the_Vault
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Nyarlathotep
1f.lovecraft_-_Old_Bugs
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_Sweet_Ermengarde
1f.lovecraft_-_The_Alchemist
1f.lovecraft_-_The_Battle_that_Ended_the_Century
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Colour_out_of_Space
1f.lovecraft_-_The_Crawling_Chaos
1f.lovecraft_-_The_Curse_of_Yig
1f.lovecraft_-_The_Descendant
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Disinterment
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Electric_Executioner
1f.lovecraft_-_The_Festival
1f.lovecraft_-_The_Ghost-Eater
1f.lovecraft_-_The_Green_Meadow
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_History_of_the_Necronomicon
1f.lovecraft_-_The_Hoard_of_the_Wizard-Beast
1f.lovecraft_-_The_Horror_at_Martins_Beach
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Horror_in_the_Burying-Ground
1f.lovecraft_-_The_Horror_in_the_Museum
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Little_Glass_Bottle
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Man_of_Stone
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Music_of_Erich_Zann
1f.lovecraft_-_The_Night_Ocean
1f.lovecraft_-_The_Picture_in_the_House
1f.lovecraft_-_The_Rats_in_the_Walls
1f.lovecraft_-_The_Secret_Cave
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Shunned_House
1f.lovecraft_-_The_Silver_Key
1f.lovecraft_-_The_Statement_of_Randolph_Carter
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_Street
1f.lovecraft_-_The_Temple
1f.lovecraft_-_The_Terrible_Old_Man
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_The_Tomb
1f.lovecraft_-_The_Trap
1f.lovecraft_-_The_Tree
1f.lovecraft_-_The_Tree_on_the_Hill
1f.lovecraft_-_The_Very_Old_Folk
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Till_A_the_Seas
1f.lovecraft_-_Two_Black_Bottles
1f.lovecraft_-_Under_the_Pyramids
1f.lovecraft_-_What_the_Moon_Brings
1f.lovecraft_-_Winged_Death
1.fs_-_A_Funeral_Fantasie
1.fs_-_Fridolin_(The_Walk_To_The_Iron_Factory)
1.fs_-_Genius
1.fs_-_Honor_To_Woman
1.fs_-_Majestas_Populi
1.fs_-_Ode_an_die_Freude
1.fs_-_Ode_To_Joy
1.fs_-_Ode_To_Joy_-_With_Translation
1.fs_-_The_Artists
1.fs_-_The_Count_Of_Hapsburg
1.fs_-_The_Driver
1.fs_-_The_Eleusinian_Festival
1.fs_-_The_Fight_With_The_Dragon
1.fs_-_The_Fortune-Favored
1.fs_-_The_Hostage
1.fs_-_The_Knights_Of_St._John
1.fs_-_The_Lay_Of_The_Bell
1.fs_-_The_Meeting
1.fs_-_The_Walk
1.fs_-_To_Laura_(Mystery_Of_Reminiscence)
1.fua_-_The_Hawk
1.grh_-_Gorakh_Bani
1.hcyc_-_Who_is_without_thought?_(from_The_Song_of_Enlightenment)
1.hs_-_Bold_Souls
1.hs_-_I_Know_The_Way_You_Can_Get
1.hs_-_Meditation
1.hs_-_Sweet_Melody
1.hs_-_To_Linger_In_A_Garden_Fair
1.jda_-_When_spring_came,_tender-limbed_Radha_wandered_(from_The_Gitagovinda)
1.jk_-_A_Song_About_Myself
1.jk_-_Endymion_-_Book_I
1.jk_-_Endymion_-_Book_II
1.jk_-_Endymion_-_Book_III
1.jk_-_Endymion_-_Book_IV
1.jk_-_Epistle_To_John_Hamilton_Reynolds
1.jk_-_Fragment_-_Modern_Love
1.jk_-_Fragment_Of_An_Ode_To_Maia._Written_On_May_Day_1818
1.jk_-_Hymn_To_Apollo
1.jk_-_Hyperion._Book_I
1.jk_-_Hyperion._Book_II
1.jk_-_Isabella;_Or,_The_Pot_Of_Basil_-_A_Story_From_Boccaccio
1.jk_-_I_Stood_Tip-Toe_Upon_A_Little_Hill
1.jk_-_Lamia._Part_II
1.jk_-_Ode_On_A_Grecian_Urn
1.jk_-_Ode_On_Indolence
1.jk_-_Ode_On_Melancholy
1.jk_-_Ode_To_A_Nightingale
1.jk_-_Ode_To_Apollo
1.jk_-_Ode_To_Autumn
1.jk_-_Ode_To_Fanny
1.jk_-_Ode_To_Psyche
1.jk_-_Ode._Written_On_The_Blank_Page_Before_Beaumont_And_Fletchers_Tragi-Comedy_The_Fair_Maid_Of_The_In
1.jk_-_Robin_Hood
1.jk_-_Song_Of_Four_Faries
1.jk_-_Song_Of_The_Indian_Maid,_From_Endymion
1.jk_-_Sonnet._A_Dream,_After_Reading_Dantes_Episode_Of_Paulo_And_Francesca
1.jk_-_Sonnet_XIII._Addressed_To_Haydon
1.jk_-_The_Cap_And_Bells;_Or,_The_Jealousies_-_A_Faery_Tale_.._Unfinished
1.jk_-_The_Eve_Of_St._Agnes
1.jk_-_The_Gadfly
1.jk_-_To_Charles_Cowden_Clarke
1.jk_-_Two_Sonnets._To_Haydon,_With_A_Sonnet_Written_On_Seeing_The_Elgin_Marbles
1.jk_-_Woman!_When_I_Behold_Thee_Flippant,_Vain
1.jlb_-_Everness_(&_interpretation)
1.jlb_-_Inscription_on_any_Tomb
1.jlb_-_Plainness
1.jlb_-_Shinto
1.jlb_-_The_Recoleta
1.jlb_-_When_sorrow_lays_us_low
1.jr_-_By_the_God_who_was_in_pre-eternity_living_and_moving_and_omnipotent,_everlasting
1.jr_-_Love_is_Here
1.jr_-_Rise,_Lovers
1.jwvg_-_A_Legacy
1.jwvg_-_As_Broad_As_Its_Long
1.jwvg_-_The_Faithless_Boy
1.jwvg_-_The_Godlike
1.jwvg_-_The_Mountain_Village
1.jwvg_-_To_My_Friend_-_Ode_I
1.jwvg_-_True_Enjoyment
1.jwvg_-_Wholl_Buy_Gods_Of_Love
1.kbr_-_Abode_Of_The_Beloved
1.kbr_-_My_Body_Is_Flooded
1.kbr_-_My_body_is_flooded
1.kbr_-_My_Swan,_Let_Us_Fly
1.kt_-_A_Song_on_the_View_of_Voidness
1.lb_-_Exile's_Letter
1.lb_-_Lament_of_the_Frontier_Guard
1.lb_-_Leave-Taking_Near_Shoku
1.lb_-_Poem_by_The_Bridge_at_Ten-Shin
1.lb_-_South-Folk_in_Cold_Country
1.lb_-_Taking_Leave_of_a_Friend_by_Li_Po_Tr._by_Ezra_Pound
1.lb_-_The_City_of_Choan
1.lb_-_The_River_Song
1.lla_-_I_wore_myself_out,_looking_for_myself
1.lovecraft_-_An_American_To_Mother_England
1.lovecraft_-_Fungi_From_Yuggoth
1.lovecraft_-_Ode_For_July_Fourth,_1917
1.lovecraft_-_Poemata_Minora-_Volume_II
1.lovecraft_-_Psychopompos-_A_Tale_in_Rhyme
1.lovecraft_-_Revelation
1.lovecraft_-_St._John
1.lovecraft_-_Theodore_Roosevelt
1.lovecraft_-_The_Peace_Advocate
1.lovecraft_-_The_Poe-ets_Nightmare
1.lovecraft_-_The_Teutons_Battle-Song
1.lovecraft_-_To_Alan_Seeger-
1.lovecraft_-_To_Edward_John_Moreton_Drax_Plunkelt,
1.okym_-_16_-_Think,_in_this_batterd_Caravanserai
1.pbs_-_Adonais_-_An_elegy_on_the_Death_of_John_Keats
1.pbs_-_An_Ode,_Written_October,_1819,_Before_The_Spaniards_Had_Recovered_Their_Liberty
1.pbs_-_Arethusa
1.pbs_-_Chorus_from_Hellas
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_-_Passages_Of_The_Poem,_Or_Connected_Therewith
1.pbs_-_Fragment,_Or_The_Triumph_Of_Conscience
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_Fragment_-_Supposed_To_Be_An_Epithalamium_Of_Francis_Ravaillac_And_Charlotte_Corday
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_Homers_Hymn_To_The_Sun
1.pbs_-_Homers_Hymn_To_Venus
1.pbs_-_Hymn_To_Mercury
1.pbs_-_Julian_and_Maddalo_-_A_Conversation
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Lines_Written_Among_The_Euganean_Hills
1.pbs_-_Mont_Blanc_-_Lines_Written_In_The_Vale_of_Chamouni
1.pbs_-_Ode_To_Heaven
1.pbs_-_Ode_To_Liberty
1.pbs_-_Ode_To_Naples
1.pbs_-_Ode_to_the_West_Wind
1.pbs_-_Oedipus_Tyrannus_or_Swellfoot_The_Tyrant
1.pbs_-_Peter_Bell_The_Third
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_IV.
1.pbs_-_Queen_Mab_-_Part_IX.
1.pbs_-_Queen_Mab_-_Part_VI.
1.pbs_-_Queen_Mab_-_Part_VII.
1.pbs_-_Queen_Mab_-_Part_VIII.
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Cyclops
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Mask_Of_Anarchy
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Sensitive_Plant
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_To_Mary_Shelley
1.pbs_-_To_Night
1.pbs_-_Verses_On_A_Cat
1.poe_-_Al_Aaraaf-_Part_1
1.poe_-_Al_Aaraaf-_Part_2
1.poe_-_Eulalie
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_The_Conversation_Of_Eiros_And_Charmion
1.poe_-_The_Power_Of_Words_Oinos.
1.rajh_-_Intimate_Hymn
1.rb_-_Aix_In_Provence
1.rb_-_Andrea_del_Sarto
1.rb_-_A_Serenade_At_The_Villa
1.rb_-_Bishop_Blougram's_Apology
1.rb_-_Cleon
1.rb_-_Master_Hugues_Of_Saxe-Gotha
1.rb_-_My_Last_Duchess
1.rb_-_Old_Pictures_In_Florence
1.rb_-_Paracelsus_-_Part_II_-_Paracelsus_Attains
1.rb_-_Paracelsus_-_Part_IV_-_Paracelsus_Aspires
1.rb_-_Pauline,_A_Fragment_of_a_Question
1.rb_-_Pippa_Passes_-_Part_III_-_Evening
1.rb_-_Pippa_Passes_-_Part_II_-_Noon
1.rb_-_Pippa_Passes_-_Part_I_-_Morning
1.rb_-_Pippa_Passes_-_Part_IV_-_Night
1.rb_-_Respectability
1.rb_-_Sordello_-_Book_the_Fifth
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Fourth
1.rb_-_Sordello_-_Book_the_Second
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_The_Englishman_In_Italy
1.rb_-_The_Flight_Of_The_Duchess
1.rb_-_The_Glove
1.rb_-_The_Last_Ride_Together
1.rb_-_The_Pied_Piper_Of_Hamelin
1.rmpsd_-_Come,_let_us_go_for_a_walk,_O_mind
1.rmpsd_-_Its_value_beyond_assessment_by_the_mind
1.rmpsd_-_Who_is_that_Syama_woman
1.rmr_-_Fear_of_the_Inexplicable
1.rmr_-_Loneliness
1.rmr_-_You,_you_only,_exist
1.rt_-_Gitanjali
1.rt_-_Listen,_can_you_hear_it?_(from_The_Lover_of_God)
1.rt_-_Lovers_Gifts_LVI_-_The_Evening_Was_Lonely
1.rt_-_Passing_Breeze
1.rt_-_Religious_Obsession_--_translation_from_Dharmamoha
1.rt_-_The_Gardener_XXVI_-_What_Comes_From_Your_Willing_Hands
1.rt_-_The_Homecoming
1.rt_-_The_Rainy_Day
1.rt_-_Unyielding
1.rwe_-_Boston
1.rwe_-_Boston_Hymn
1.rwe_-_Brahma
1.rwe_-_Celestial_Love
1.rwe_-_From_the_Persian_of_Hafiz_I
1.rwe_-_Initial_Love
1.rwe_-_Lover's_Petition
1.rwe_-_May-Day
1.rwe_-_Merlin_II
1.rwe_-_Monadnoc
1.rwe_-_My_Garden
1.rwe_-_Ode_-_Inscribed_to_W.H._Channing
1.rwe_-_Ode_To_Beauty
1.rwe_-_Solution
1.rwe_-_The_Adirondacs
1.rwe_-_The_Humble_Bee
1.rwe_-_The_Problem
1.rwe_-_The_River_Note
1.rwe_-_Threnody
1.rwe_-_To_Rhea
1.rwe_-_Uriel
1.rwe_-_Waves
1.sfa_-_The_Praises_of_God
1.shvb_-_Ave_generosa_-_Hymn_to_the_Virgin
1.sig_-_Who_can_do_as_Thy_deeds
1.snt_-_The_Light_of_Your_Way
1.srmd_-_He_dwells_not_only_in_temples_and_mosques
1.srmd_-_My_heart_searched_for_your_fragrance
1.srm_-_The_Marital_Garland_of_Letters
1.tm_-_A_Practical_Program_for_Monks
1.tm_-_The_Fall
1.tr_-_My_Cracked_Wooden_Bowl
1.wb_-_The_Errors_of_Sacred_Codes_(from_The_Marriage_of_Heaven_and_Hell)
1.wby_-_A_Bronze_Head
1.wby_-_A_Lovers_Quarrel_Among_the_Fairies
1.wby_-_Alternative_Song_For_The_Severed_Head_In_The_King_Of_The_Great_Clock_Tower
1.wby_-_A_Model_For_The_Laureate
1.wby_-_Among_School_Children
1.wby_-_A_Prayer_For_My_Daughter
1.wby_-_A_Woman_Young_And_Old
1.wby_-_Baile_And_Aillinn
1.wby_-_Blood_And_The_Moon
1.wby_-_Coole_Park_1929
1.wby_-_Coole_Park_And_Ballylee,_1931
1.wby_-_Easter_1916
1.wby_-_Ego_Dominus_Tuus
1.wby_-_High_Talk
1.wby_-_In_Memory_Of_Major_Robert_Gregory
1.wby_-_Meditations_In_Time_Of_Civil_War
1.wby_-_Meeting
1.wby_-_Red_Hanrahans_Song_About_Ireland
1.wby_-_The_Ballad_Of_Father_Gilligan
1.wby_-_The_Ballad_Of_Father_OHart
1.wby_-_The_Death_of_Cuchulain
1.wby_-_The_Gift_Of_Harun_Al-Rashid
1.wby_-_The_Hawk
1.wby_-_The_Hour_Before_Dawn
1.wby_-_The_Municipal_Gallery_Revisited
1.wby_-_The_Rose_Of_The_World
1.wby_-_The_Statues
1.wby_-_The_Three_Bushes
1.wby_-_The_Tower
1.wby_-_The_Two_Kings
1.wby_-_The_Wanderings_Of_Oisin_-_Book_I
1.wby_-_The_Wanderings_Of_Oisin_-_Book_II
1.wby_-_The_Wanderings_Of_Oisin_-_Book_III
1.wby_-_Upon_A_Dying_Lady
1.wby_-_Vacillation
1.whitman_-_A_Boston_Ballad
1.whitman_-_A_Broadway_Pageant
1.whitman_-_As_A_Strong_Bird_On_Pinious_Free
1.whitman_-_As_Consequent,_Etc.
1.whitman_-_As_I_Sat_Alone_By_Blue_Ontarios_Shores
1.whitman_-_A_Woman_Waits_For_Me
1.whitman_-_Brother_Of_All,_With_Generous_Hand
1.whitman_-_Chanting_The_Square_Deific
1.whitman_-_City_Of_Ships
1.whitman_-_Come_Up_From_The_Fields,_Father
1.whitman_-_Eidolons
1.whitman_-_Election_Day,_November_1884
1.whitman_-_Inscription
1.whitman_-_In_The_New_Garden_In_All_The_Parts
1.whitman_-_I_Was_Looking_A_Long_While
1.whitman_-_Mannahatta
1.whitman_-_Myself_And_Mine
1.whitman_-_Ones_Self_I_Sing
1.whitman_-_Passage_To_India
1.whitman_-_Poems_Of_Joys
1.whitman_-_Proud_Music_Of_The_Storm
1.whitman_-_Salut_Au_Monde
1.whitman_-_So_Long
1.whitman_-_Song_At_Sunset
1.whitman_-_Song_of_Myself
1.whitman_-_Song_Of_Myself-_XLIII
1.whitman_-_Song_Of_Myself-_XXIII
1.whitman_-_Song_Of_Myself-_XXIV
1.whitman_-_Song_Of_Myself-_XXIX
1.whitman_-_Song_Of_Myself-_XXVIII
1.whitman_-_Song_Of_Myself-_XXXIII
1.whitman_-_Song_Of_Myself-_XXXIX
1.whitman_-_Song_Of_The_Broad-Axe
1.whitman_-_Song_Of_The_Exposition
1.whitman_-_Song_Of_The_Redwood-Tree
1.whitman_-_Song_Of_The_Universal
1.whitman_-_Starting_From_Paumanok
1.whitman_-_The_Prairie_States
1.whitman_-_The_Sleepers
1.whitman_-_To_A_Locomotive_In_Winter
1.whitman_-_Vigil_Strange_I_Kept_on_the_Field_one_Night
1.whitman_-_What_Think_You_I_Take_My_Pen_In_Hand?
1.whitman_-_Years_Of_The_Modern
1.ww_-_1-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_24_-_Walt_Whitman,_a_cosmos,_of_Manhattan_the_son
1.ww_-_3-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_7-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_Address_To_Kilchurn_Castle,_Upon_Loch_Awe
1.ww_-_Admonition
1.ww_-_A_Flower_Garden_At_Coleorton_Hall,_Leicestershire.
1.ww_-_A_Morning_Exercise
1.ww_-_A_Narrow_Girdle_Of_Rough_Stones_And_Crags,
1.ww_-_An_Evening_Walk
1.ww_-_A_Poet's_Epitaph
1.ww_-_A_Whirl-Blast_From_Behind_The_Hill
1.ww_-_A_Wren's_Nest
1.ww_-_Book_Eighth-_Retrospect--Love_Of_Nature_Leading_To_Love_Of_Man
1.ww_-_Book_Fifth-Books
1.ww_-_Book_First_[Introduction-Childhood_and_School_Time]
1.ww_-_Book_Ninth_[Residence_in_France]
1.ww_-_Book_Second_[School-Time_Continued]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
1.ww_-_Book_Tenth_{Residence_in_France_continued]
1.ww_-_Book_Third_[Residence_at_Cambridge]
1.ww_-_Book_Thirteenth_[Imagination_And_Taste,_How_Impaired_And_Restored_Concluded]
1.ww_-_Composed_on_The_Eve_Of_The_Marriage_Of_A_Friend_In_The_Vale_Of_Grasmere
1.ww_-_Elegiac_Stanzas_In_Memory_Of_My_Brother,_John_Commander_Of_The_E._I._Companys_Ship_The_Earl_Of_Aber
1.ww_-_Great_Men_Have_Been_Among_Us
1.ww_-_Guilt_And_Sorrow,_Or,_Incidents_Upon_Salisbury_Plain
1.ww_-_Hoffer
1.ww_-_It_was_an_April_morning-_fresh_and_clear
1.ww_-_Laodamia
1.ww_-_Memorials_Of_A_Tour_In_Scotland
1.ww_-_Memorials_of_A_Tour_In_Scotland-_1803_I._Departure_From_The_Vale_Of_Grasmere,_August_1803
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1814_I._Suggested_By_A_Beautiful_Ruin_Upon_One_Of_The_Islands_Of_Lo
1.ww_-_Michael-_A_Pastoral_Poem
1.ww_-_Ode
1.ww_-_Ode_Composed_On_A_May_Morning
1.ww_-_Ode_on_Intimations_of_Immortality
1.ww_-_Ode_to_Duty
1.ww_-_Ode_To_Lycoris._May_1817
1.ww_-_Song_at_the_Feast_of_Brougham_Castle
1.ww_-_Stray_Pleasures
1.ww_-_The_Excursion-_II-_Book_First-_The_Wanderer
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_IX-_Book_Eighth-_The_Parsonage
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Excursion-_X-_Book_Ninth-_Discourse_of_the_Wanderer,_and_an_Evening_Visit_to_the_Lake
1.ww_-_The_French_Army_In_Russia,_1812-13
1.ww_-_The_Highland_Broach
1.ww_-_The_Morning_Of_The_Day_Appointed_For_A_General_Thanksgiving._January_18,_1816
1.ww_-_The_Old_Cumberland_Beggar
1.ww_-_The_Prelude,_Book_1-_Childhood_And_School-Time
1.ww_-_The_Recluse_-_Book_First
1.ww_-_The_Shepherd,_Looking_Eastward,_Softly_Said
1.ww_-_The_Stars_Are_Mansions_Built_By_Nature's_Hand
1.ww_-_The_Tables_Turned
1.ww_-_The_Waggoner_-_Canto_Fourth
1.ww_-_The_Waggoner_-_Canto_Second
1.ww_-_The_Waggoner_-_Canto_Third
1.ww_-_To_a_Highland_Girl_(At_Inversneyde,_upon_Loch_Lomond)
1.ww_-_To_Lady_Eleanor_Butler_and_the_Honourable_Miss_Ponsonby,
1.ww_-_To_May
1.ww_-_To_Sir_George_Howland_Beaumont,_Bart_From_the_South-West_Coast_Or_Cumberland_1811
1.ww_-_To_The_Daisy_(Fourth_Poem)
1.ww_-_To_The_Poet,_John_Dyer
1.ww_-_To_The_Small_Celandine
1.ww_-_Troilus_And_Cresida
1.ww_-_Upon_The_Sight_Of_A_Beautiful_Picture_Painted_By_Sir_G._H._Beaumont,_Bart
1.ww_-_Vernal_Ode
1.ww_-_With_Ships_the_Sea_was_Sprinkled_Far_and_Nigh
1.ww_-_Yarrow_Revisited
1.yb_-_This_cold_winter_night
1.yni_-_Hymn_from_the_Heavens
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
20.03_-_Act_I:The_Descent
20.04_-_Act_II:_The_Play_on_Earth
2.00_-_BIBLIOGRAPHY
2.01_-_AT_THE_STAR_THEATRE
2.01_-_Habit_1__Be_Proactive
2.01_-_Mandala_One
2.01_-_On_Books
2.01_-_On_the_Concept_of_the_Archetype
2.01_-_THE_ADVENT_OF_LIFE
2.01_-_THE_ARCANE_SUBSTANCE_AND_THE_POINT
2.01_-_The_Object_of_Knowledge
2.01_-_The_Picture
2.01_-_The_Road_of_Trials
2.01_-_The_Sefirot
2.01_-_The_Tavern
2.01_-_The_Two_Natures
2.01_-_The_Yoga_and_Its_Objects
2.02_-_Brahman,_Purusha,_Ishwara_-_Maya,_Prakriti,_Shakti
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_Indra,_Giver_of_Light
2.02_-_Meeting_With_the_Goddess
2.02_-_THE_DURGA_PUJA_FESTIVAL
2.02_-_THE_EXPANSION_OF_LIFE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_THE_SCINTILLA
2.02_-_The_Status_of_Knowledge
2.02_-_The_Synthesis_of_Devotion_and_Knowledge
2.03_-_Atomic_Forms_And_Their_Combinations
2.03_-_DEMETER
2.03_-_Indra_and_the_Thought-Forces
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.03_-_On_Medicine
2.03_-_The_Christian_Phenomenon_and_Faith_in_the_Incarnation
2.03_-_THE_ENIGMA_OF_BOLOGNA
2.03_-_THE_MASTER_IN_VARIOUS_MOODS
2.03_-_The_Mother-Complex
2.04_-_Absence_Of_Secondary_Qualities
2.04_-_Agni,_the_Illumined_Will
2.04_-_On_Art
2.04_-_ON_PRIESTS
2.04_-_Positive_Aspects_of_the_Mother-Complex
2.04_-_The_Divine_and_the_Undivine
2.04_-_The_Living_Church_and_Christ-Omega
2.04_-_The_Secret_of_Secrets
2.05_-_Apotheosis
2.05_-_Habit_3__Put_First_Things_First
2.05_-_On_Poetry
2.05_-_The_Divine_Truth_and_Way
2.05_-_The_Religion_of_Tomorrow
2.05_-_The_Tale_of_the_Vampires_Kingdom
2.05_-_VISIT_TO_THE_SINTHI_BRAMO_SAMAJ
2.06_-_On_Beauty
2.06_-_ON_THE_RABBLE
2.06_-_Reality_and_the_Cosmic_Illusion
2.06_-_The_Synthesis_of_the_Disciplines_of_Knowledge
2.06_-_Two_Tales_of_Seeking_and_Losing
2.06_-_Union_with_the_Divine_Consciousness_and_Will
2.07_-_BANKIM_CHANDRA
2.07_-_I_Also_Try_to_Tell_My_Tale
2.07_-_On_Congress_and_Politics
2.07_-_Ten_Internal_and_Ten_External_Sefirot
2.07_-_The_Cup
2.07_-_The_Mother__Relations_with_Others
2.07_-_The_Release_from_Subjection_to_the_Body
2.08_-_ALICE_IN_WONDERLAND
2.08_-_AT_THE_STAR_THEATRE_(II)
2.08_-_Memory,_Self-Consciousness_and_the_Ignorance
2.08_-_On_Non-Violence
2.08_-_ON_THE_FAMOUS_WISE_MEN
2.08_-_The_Release_from_the_Heart_and_the_Mind
2.08_-_The_Sword
2.08_-_Three_Tales_of_Madness_and_Destruction
2.09_-_Memory,_Ego_and_Self-Experience
2.09_-_On_Sadhana
2.09_-_SEVEN_REASONS_WHY_A_SCIENTIST_BELIEVES_IN_GOD
2.09_-_THE_MASTERS_BIRTHDAY
2.09_-_The_Pantacle
2.09_-_The_Release_from_the_Ego
2.0_-_THE_ANTICHRIST
21.01_-_The_Mother_The_Nature_of_Her_Work
21.02_-_Gods_and_Men
2.1.02_-_Love_and_Death
2.1.02_-_Nature_The_World-Manifestation
21.03_-_The_Double_Ladder
2.10_-_Knowledge_by_Identity_and_Separative_Knowledge
2.10_-_THE_MASTER_AND_NARENDRA
2.10_-_The_Primordial_Kings__Their_Shattering
2.10_-_The_Realisation_of_the_Cosmic_Self
2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer
2.11_-_On_Education
2.11_-_The_Boundaries_of_the_Ignorance
2.11_-_The_Modes_of_the_Self
2.11_-_The_Shattering_And_Fall_of_The_Primordial_Kings
2.11_-_THE_TOMB_SONG
2.11_-_The_Vision_of_the_World-Spirit_-_The_Double_Aspect
2.11_-_WITH_THE_DEVOTEES_IN_CALCUTTA
2.12_-_On_Miracles
2.12_-_THE_MASTERS_REMINISCENCES
2.12_-_The_Realisation_of_Sachchidananda
2.1.3.4_-_Conduct
2.13_-_On_Psychology
2.13_-_The_Difficulties_of_the_Mental_Being
2.13_-_THE_MASTER_AT_THE_HOUSES_OF_BALARM_AND_GIRISH
2.1.4.2_-_Teaching
2.14_-_AT_RAMS_HOUSE
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.14_-_The_Unpacking_of_God
2.1.5.4_-_Arts
2.1.5.5_-_Other_Subjects
2.15_-_CAR_FESTIVAL_AT_BALARMS_HOUSE
2.15_-_On_the_Gods_and_Asuras
2.15_-_The_Lamen
2.16_-_ON_SCHOLARS
2.16_-_The_15th_of_August
2.16_-_The_Integral_Knowledge_and_the_Aim_of_Life;_Four_Theories_of_Existence
2.16_-_VISIT_TO_NANDA_BOSES_HOUSE
2.1.7.07_-_On_the_Verse_and_Structure_of_the_Poem
2.17_-_December_1938
2.17_-_THE_MASTER_ON_HIMSELF_AND_HIS_EXPERIENCES
2.17_-_The_Progress_to_Knowledge_-_God,_Man_and_Nature
2.17_-_The_Soul_and_Nature
2.18_-_January_1939
2.18_-_SRI_RAMAKRISHNA_AT_SYAMPUKUR
2.18_-_The_Evolutionary_Process_-_Ascent_and_Integration
2.18_-_The_Soul_and_Its_Liberation
2.19_-_Feb-May_1939
2.19_-_Out_of_the_Sevenfold_Ignorance_towards_the_Sevenfold_Knowledge
2.19_-_THE_MASTER_AND_DR._SARKAR
2.19_-_The_Planes_of_Our_Existence
2.2.01_-_The_Problem_of_Consciousness
2.2.01_-_Work_and_Yoga
2.2.02_-_Consciousness_and_the_Inconscient
2.2.03_-_The_Divine_Force_in_Work
2.2.03_-_The_Science_of_Consciousness
2.20_-_The_Infancy_and_Maturity_of_ZO,_Father_and_Mother,_Israel_The_Ancient_and_Understanding
2.20_-_THE_MASTERS_TRAINING_OF_HIS_DISCIPLES
2.20_-_The_Philosophy_of_Rebirth
2.2.1.01_-_The_World's_Greatest_Poets
2.21_-_1940
2.21_-_ON_HUMAN_PRUDENCE
2.21_-_The_Order_of_the_Worlds
2.21_-_Towards_the_Supreme_Secret
2.22_-_1941-1943
2.22_-_Rebirth_and_Other_Worlds;_Karma,_the_Soul_and_Immortality
2.22_-_THE_MASTER_AT_COSSIPORE
2.22_-_THE_STILLEST_HOUR
2.22_-_Vijnana_or_Gnosis
2.23_-_Man_and_the_Evolution
2.2.3_-_The_Aitereya_Upanishad
2.23_-_The_Conditions_of_Attainment_to_the_Gnosis
2.23_-_The_Core_of_the_Gita.s_Meaning
2.23_-_THE_MASTER_AND_BUDDHA
2.24_-_The_Evolution_of_the_Spiritual_Man
2.24_-_The_Message_of_the_Gita
2.25_-_AFTER_THE_PASSING_AWAY
2.25_-_List_of_Topics_in_Each_Talk
2.26_-_Samadhi
2.26_-_The_Ascent_towards_Supermind
2.2.7.01_-_Some_General_Remarks
2.27_-_The_Gnostic_Being
2.28_-_Rajayoga
2.28_-_The_Divine_Life
2.3.02_-_Opening,_Sincerity_and_the_Mother's_Grace
2.3.02_-_The_Supermind_or_Supramental
2.3.07_-_The_Mother_in_Visions,_Dreams_and_Experiences
2.3.08_-_The_Physical_Consciousness
23.10_-_Observations_II
2.3.10_-_The_Subconscient_and_the_Inconscient
23.11_-_Observations_III
2.3.1.52_-_The_Ode
2.3.1_-_Svetasvatara_Upanishad
24.05_-_Vision_of_Dante
2.4.2_-_Interactions_with_Others_and_the_Practice_of_Yoga
2.4.3_-_Problems_in_Human_Relations
25.03_-_Songs_of_Ramprasad
26.04_-_Rabindranath_Tagore
26.05_-_Modern_Poets
26.06_-_Ashram_Poets
27.05_-_In_Her_Company
28.01_-_Observations
29.03_-_In_Her_Company
29.06_-_There_is_also_another,_similar_or_parallel_story_in_the_Veda_about_the_God_Agni,_about_the_disappearance_of_this
2_-_Other_Hymns_to_Agni
30.01_-_World-Literature
30.02_-_Greek_Drama
3.00.2_-_Introduction
30.03_-_Spirituality_in_Art
30.04_-_Intuition_and_Inspiration_in_Art
30.05_-_Rhythm_in_Poetry
30.06_-_The_Poet_and_The_Seer
30.07_-_The_Poet_and_the_Yogi
30.09_-_Lines_of_Tantra_(Charyapada)
3.00_-_Introduction
3.00_-_The_Magical_Theory_of_the_Universe
30.10_-_The_Greatness_of_Poetry
30.11_-_Modern_Poetry
30.12_-_The_Obscene_and_the_Ugly_-_Form_and_Essence
30.13_-_Rabindranath_the_Artist
30.14_-_Rabindranath_and_Modernism
30.15_-_The_Language_of_Rabindranath
30.16_-_Tagore_the_Unique
30.17_-_Rabindranath,_Traveller_of_the_Infinite
30.18_-_Boris_Pasternak
3.01_-_INTRODUCTION
3.01_-_Proem
3.01_-_THE_BIRTH_OF_THOUGHT
3.01_-_THE_WANDERER
3.01_-_Towards_the_Future
3.02_-_Aridity_in_Prayer
3.02_-_King_and_Queen
3.02_-_Mysticism
3.02_-_SOL
3.02_-_THE_DEPLOYMENT_OF_THE_NOOSPHERE
3.02_-_The_Formulae_of_the_Elemental_Weapons
3.02_-_The_Great_Secret
3.02_-_The_Practice_Use_of_Dream-Analysis
3.02_-_The_Psychology_of_Rebirth
3.02_-_The_Soul_in_the_Soul_World_after_Death
3.03_-_Faith_and_the_Divine_Grace
3.03_-_On_Thought_-_II
3.03_-_SULPHUR
3.03_-_THE_MODERN_EARTH
3.03_-_The_Naked_Truth
3.04_-_Immersion_in_the_Bath
3.04_-_LUNA
3.04_-_On_Thought_-_III
3.05_-_ON_VIRTUE_THAT_MAKES_SMALL
3.05_-_SAL
3.05_-_The_Conjunction
3.05_-_The_Divine_Personality
3.05_-_The_Formula_of_I.A.O.
3.06_-_Charity
3.06_-_Death
3.06_-_Thought-Forms_and_the_Human_Aura
3.07_-_The_Adept
3.07_-_The_Ascent_of_the_Soul
3.07_-_The_Formula_of_the_Holy_Grail
3.08_-_Of_Equilibrium
3.08_-_Purification
3.08_-_The_Mystery_of_Love
3.09_-_Of_Silence_and_Secrecy
3.09_-_The_Return_of_the_Soul
31.01_-_The_Heart_of_Bengal
3.1.01_-_The_Problem_of_Suffering_and_Evil
3.1.02_-_A_Theory_of_the_Human_Being
3.1.02_-_Spiritual_Evolution_and_the_Supramental
31.02_-_The_Mother-_Worship_of_the_Bengalis
3.1.03_-_A_Realistic_Adwaita
31.03_-_The_Trinity_of_Bengal
31.04_-_Sri_Ramakrishna
3.1.05_-_A_Vision_of_Science
31.06_-_Jagadish_Chandra_Bose
31.07_-_Shyamakanta
31.08_-_The_Unity_of_India
31.09_-_The_Cause_of_Indias_Decline
3.10_-_The_New_Birth
31.10_-_East_and_West
3.1.12_-_A_Child.s_Imagination
3.11_-_Epilogue
3.11_-_Spells
3.1.23_-_The_Rishi
3.12_-_Of_the_Bloody_Sacrifice
3.1.3_-_Difficulties_of_the_Physical_Being
3.13_-_Of_the_Banishings
3.14_-_Of_the_Consecrations
3.16_-_THE_SEVEN_SEALS_OR_THE_YES_AND_AMEN_SONG
3.17_-_Of_the_License_to_Depart
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
3.2.02_-_Yoga_and_Skill_in_Works
3.2.03_-_Conservation_and_Progress
32.03_-_In_This_Crisis
3.2.03_-_Jainism_and_Buddhism
3.2.04_-_The_Conservative_Mind_and_Eastern_Progress
32.04_-_The_Human_Body
3.2.05_-_Our_Ideal
3.2.06_-_The_Adwaita_of_Shankaracharya
32.06_-_The_Novel_Alchemy
32.07_-_The_God_of_the_Scientist
32.08_-_Fit_and_Unfit_(A_Letter)
3.2.09_-_The_Teachings_of_Some_Modern_Indian_Yogis
3.20_-_Of_the_Eucharist
3.2.10_-_Christianity_and_Theosophy
32.11_-_Life_and_Self-Control_(A_Letter)
3.2.1_-_Food
3.21_-_Of_Black_Magic
3.2.2_-_Sleep
3.2.4_-_Sex
3.3.02_-_All-Will_and_Free-Will
33.03_-_Muraripukur_-_I
33.04_-_Deoghar
33.05_-_Muraripukur_-_II
33.08_-_I_Tried_Sannyas
33.09_-_Shyampukur
33.10_-_Pondicherry_I
33.11_-_Pondicherry_II
33.12_-_Pondicherry_Cyclone
33.13_-_My_Professors
33.14_-_I_Played_Football
33.15_-_My_Athletics
33.16_-_Soviet_Gymnasts
33.17_-_Two_Great_Wars
3.3.2_-_Doctors_and_Medicines
3.3.3_-_Specific_Illnesses,_Ailments_and_Other_Physical_Problems
3.4.01_-_Evolution
3.4.02_-_The_Inconscient
3.4.03_-_Materialism
34.07_-_The_Bride_of_Brahman
34.10_-_Hymn_To_Earth
3.4.1_-_The_Subconscient_and_the_Integral_Yoga
3.5.03_-_Reason_and_Society
3-5_Full_Circle
3.6.01_-_Heraclitus
36.07_-_An_Introduction_To_The_Vedas
37.01_-_Yama_-_Nachiketa_(Katha_Upanishad)
37.02_-_The_Story_of_Jabala-Satyakama
37.04_-_The_Story_Of_Rishi_Yajnavalkya
37.07_-_Ushasti_Chakrayana_(Chhandogya_Upanishad)
3.7.1.01_-_Rebirth
3.7.1.02_-_The_Reincarnating_Soul
3.7.1.03_-_Rebirth,_Evolution,_Heredity
3.7.1.04_-_Rebirth_and_Soul_Evolution
3.7.1.05_-_The_Significance_of_Rebirth
3.7.1.07_-_Involution_and_Evolution
3.7.1.08_-_Karma
3.7.1.09_-_Karma_and_Freedom
3.7.1.11_-_Rebirth_and_Karma
3.7.1.12_-_Karma_and_Justice
3.7.2.01_-_The_Foundation
3.7.2.03_-_Mind_Nature_and_Law_of_Karma
3.7.2.04_-_The_Higher_Lines_of_Karma
38.02_-_Hymns_and_Prayers
39.08_-_Release
39.09_-_Just_Be_There_Where_You_Are
39.10_-_O,_Wake_Up_from_Vain_Slumber
39.11_-_A_Prayer
3_-_Commentaries_and_Annotated_Translations
4.01_-_Introduction
4.01_-_Prayers_and_Meditations
4.01_-_THE_COLLECTIVE_ISSUE
4.01_-_The_Presence_of_God_in_the_World
4.02_-_Autobiographical_Evidence
4.02_-_BEYOND_THE_COLLECTIVE_-_THE_HYPER-PERSONAL
4.02_-_Existence_And_Character_Of_The_Images
4.02_-_Humanity_in_Progress
4.02_-_The_Psychology_of_the_Child_Archetype
4.03_-_Prayer_to_the_Ever-greater_Christ
4.03_-_The_Meaning_of_Human_Endeavor
4.03_-_The_Psychology_of_Self-Perfection
4.03_-_The_Senses_And_Mental_Pictures
4.03_-_The_Special_Phenomenology_of_the_Child_Archetype
4.03_-_THE_ULTIMATE_EARTH
4.04_-_Conclusion
4.04_-_In_the_Total_Christ
4.04_-_Some_Vital_Functions
4.04_-_The_Perfection_of_the_Mental_Being
4.04_-_THE_REGENERATION_OF_THE_KING
4.04_-_Weaknesses
4.05_-_The_Passion_Of_Love
4.06_-_THE_KING_AS_ANTHROPOS
4.07_-_THE_RELATION_OF_THE_KING-SYMBOL_TO_CONSCIOUSNESS
4.07_-_THE_UGLIEST_MAN
4.08_-_THE_RELIGIOUS_PROBLEM_OF_THE_KINGS_RENEWAL
4.09_-_The_Liberation_of_the_Nature
4.0_-_NOTES_TO_ZARATHUSTRA
4.1.01_-_The_Intellect_and_Yoga
41.03_-_Bengali_Poems_of_Sri_Aurobindo
41.04_-_Modern_Bengali_Poems
4.1.1_-_The_Difficulties_of_Yoga
4.12_-_The_Way_of_Equality
4.15_-_ON_SCIENCE
4.15_-_Soul-Force_and_the_Fourfold_Personality
4.16_-_The_Divine_Shakti
4.1_-_Jnana
4.2.04_-_Epiphany
4.20_-_The_Intuitive_Mind
4.2.1_-_The_Right_Attitude_towards_Difficulties
4.24_-_The_supramental_Sense
4.2_-_Karma
4.3.1_-_The_Hostile_Forces_and_the_Difficulties_of_Yoga
4.3.2.04_-_Degrees_in_the_Higher_Consciousness
4.3.2_-_Attacks_by_the_Hostile_Forces
4.3_-_Bhakti
4.42_-_Chapter_Two
5.01_-_EPILOGUE
5.01_-_The_Dakini,_Salgye_Du_Dalma
5.02_-_Against_Teleological_Concept
5.03_-_ADAM_AS_THE_FIRST_ADEPT
5.03_-_The_Divine_Body
5.04_-_Formation_Of_The_World
5.05_-_Origins_Of_Vegetable_And_Animal_Life
5.05_-_THE_OLD_ADAM
5.06_-_THE_TRANSFORMATION
5.07_-_Beginnings_Of_Civilization
5.07_-_ROTUNDUM,_HEAD,_AND_BRAIN
5.08_-_ADAM_AS_TOTALITY
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.2_-_The_Book_of_the_Statesman
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.1.02_-_Ahana
5.2.01_-_The_Descent_of_Ahana
5.3.04_-_Roots_in_M
5.4.01_-_Notes_on_Root-Sounds
5.4.01_-_Occult_Knowledge
5.4.02_-_Occult_Powers_or_Siddhis
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.01_-_THE_ALCHEMICAL_VIEW_OF_THE_UNION_OF_OPPOSITES
6.02_-_STAGES_OF_THE_CONJUNCTION
6.03_-_Extraordinary_And_Paradoxical_Telluric_Phenomena
6.04_-_THE_MEANING_OF_THE_ALCHEMICAL_PROCEDURE
6.05_-_THE_PSYCHOLOGICAL_INTERPRETATION_OF_THE_PROCEDURE
6.06_-_SELF-KNOWLEDGE
6.07_-_THE_MONOCOLUS
6.08_-_Intellectual_Visions
6.08_-_THE_CONTENT_AND_MEANING_OF_THE_FIRST_TWO_STAGES
6.09_-_THE_THIRD_STAGE_-_THE_UNUS_MUNDUS
6.0_-_Conscious,_Unconscious,_and_Individuation
6.10_-_THE_SELF_AND_THE_BOUNDS_OF_KNOWLEDGE
7.02_-_The_Mind
7.04_-_The_Vital
7.06_-_The_Simple_Life
7.09_-_Right_Judgement
7.14_-_Modesty
7.5.56_-_Omnipresence
7.5.65_-_Form
7_-_Yoga_of_Sri_Aurobindo
9.99_-_Glossary
Aeneid
Apology
Appendix_4_-_Priest_Spells
APPENDIX_I_-_Curriculum_of_A._A.
A_Secret_Miracle
authors_(code)
Averroes_Search
Big_Mind_(non-dual)
Big_Mind_(ten_perfections)
Blazing_P1_-_Preconventional_consciousness
Blazing_P2_-_Map_the_Stages_of_Conventional_Consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
Book_1_-_The_Council_of_the_Gods
BOOK_I._-_Augustine_censures_the_pagans,_who_attri_buted_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_II._-_A_review_of_the_calamities_suffered_by_the_Romans_before_the_time_of_Christ,_showing_that_their_gods_had_plunged_them_into_corruption_and_vice
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
BOOK_IV._-_That_empire_was_given_to_Rome_not_by_the_gods,_but_by_the_One_True_God
BOOK_IX._-_Of_those_who_allege_a_distinction_among_demons,_some_being_good_and_others_evil
Book_of_Exodus
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
BOOK_VIII._-_Some_account_of_the_Socratic_and_Platonic_philosophy,_and_a_refutation_of_the_doctrine_of_Apuleius_that_the_demons_should_be_worshipped_as_mediators_between_gods_and_men
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_VI._-_Of_Varros_threefold_division_of_theology,_and_of_the_inability_of_the_gods_to_contri_bute_anything_to_the_happiness_of_the_future_life
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_XIV._-_Of_the_punishment_and_results_of_mans_first_sin,_and_of_the_propagation_of_man_without_lust
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_X._-_Porphyrys_doctrine_of_redemption
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVII._-_The_history_of_the_city_of_God_from_the_times_of_the_prophets_to_Christ
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BOOK_XX._-_Of_the_last_judgment,_and_the_declarations_regarding_it_in_the_Old_and_New_Testaments
BS_1_-_Introduction_to_the_Idea_of_God
Chapter_II_-_WHICH_TREATS_OF_THE_FIRST_SALLY_THE_INGENIOUS_DON_QUIXOTE_MADE_FROM_HOME
City_of_God_-_BOOK_I
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_I
COSA_-_BOOK_II
COSA_-_BOOK_III
COSA_-_BOOK_IX
COSA_-_BOOK_V
COSA_-_BOOK_VI
COSA_-_BOOK_VII
COSA_-_BOOK_X
COSA_-_BOOK_XI
COSA_-_BOOK_XII
COSA_-_BOOK_XIII
Cratylus
Diamond_Sutra_1
DS3
Emma_Zunz
ENNEAD_01.01_-_The_Organism_and_the_Self.
ENNEAD_01.02_-_Concerning_Virtue.
ENNEAD_01.02_-_Of_Virtues.
ENNEAD_01.03_-_Of_Dialectic,_or_the_Means_of_Raising_the_Soul_to_the_Intelligible_World.
ENNEAD_01.06_-_Of_Beauty.
ENNEAD_02.04a_-_Of_Matter.
ENNEAD_02.06_-_Of_Essence_and_Being.
ENNEAD_02.09_-_Against_the_Gnostics;_or,_That_the_Creator_and_the_World_are_Not_Evil.
ENNEAD_03.02_-_Of_Providence.
ENNEAD_03.07_-_Of_Time_and_Eternity.
ENNEAD_03.08b_-_Of_Nature,_Contemplation_and_Unity.
ENNEAD_04.02_-_How_the_Soul_Mediates_Between_Indivisible_and_Divisible_Essence.
ENNEAD_04.03_-_Psychological_Questions.
ENNEAD_04.04_-_Questions_About_the_Soul.
ENNEAD_04.05_-_Psychological_Questions_III._-_About_the_Process_of_Vision_and_Hearing.
ENNEAD_04.07_-_Of_the_Immortality_of_the_Soul:_Polemic_Against_Materialism.
ENNEAD_05.03_-_The_Self-Consciousnesses,_and_What_is_Above_Them.
ENNEAD_05.07_-_Do_Ideas_of_Individuals_Exist?
ENNEAD_05.08_-_Concerning_Intelligible_Beauty.
ENNEAD_05.09_-_Of_Intelligence,_Ideas_and_Essence.
ENNEAD_06.01_-_Of_the_Ten_Aristotelian_and_Four_Stoic_Categories.
ENNEAD_06.02_-_The_Categories_of_Plotinos.
ENNEAD_06.03_-_Plotinos_Own_Sense-Categories.
ENNEAD_06.04_-_The_One_Identical_Essence_is_Everywhere_Entirely_Present.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
ENNEAD_06.06_-_Of_Numbers.
ENNEAD_06.07_-_How_Ideas_Multiplied,_and_the_Good.
ENNEAD_06.08_-_Of_the_Will_of_the_One.
ENNEAD_06.09_-_Of_the_Good_and_the_One.
Euthyphro
For_a_Breath_I_Tarry
Gorgias
Ion
Kafka_and_His_Precursors
Liber
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
LUX.01_-_GNOSIS
LUX.06_-_DIVINATION
Medea_-_A_Vergillian_Cento
Meno
MoM_References
Phaedo
Prayers_and_Meditations_by_Baha_u_llah_text
r1909_06_18
r1909_06_24
r1912_01_16
r1912_12_09
r1912_12_14
r1912_12_30
r1912_12_31
r1913_01_14
r1913_07_01
r1913_07_06
r1913_12_31
r1914_03_24
r1914_03_26
r1914_05_17
r1914_06_12
r1914_06_25
r1914_12_02
r1914_12_15
r1914_12_22
r1915_01_02
r1917_03_17
Sayings_of_Sri_Ramakrishna_(text)
SB_1.1_-_Questions_by_the_Sages
Sophist
Story_of_the_Warrior_and_the_Captive
Symposium_translated_by_B_Jowett
Tablet_1_-
Tablets_of_Baha_u_llah_text
Talks_001-025
Talks_051-075
Talks_100-125
Talks_125-150
Talks_151-175
Talks_176-200
Talks_600-652
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
Theaetetus
The_Aleph
The_Anapanasati_Sutta__A_Practical_Guide_to_Mindfullness_of_Breathing_and_Tranquil_Wisdom_Meditation
The_Book_of_Certitude_-_P1
The_Book_of_Certitude_-_P2
The_Book_of_Joshua
The_Book_of_the_Prophet_Isaiah
The_Circular_Ruins
The_Coming_Race_Contents
The_Dream_of_a_Ridiculous_Man
The_Dwellings_of_the_Philosophers
The_Egg
The_Epistle_of_James
The_Epistle_of_Paul_to_the_Philippians
The_Essentials_of_Education
the_Eternal_Wisdom
The_First_Epistle_of_Paul_to_the_Corinthians
The_First_Epistle_of_Paul_to_Timothy
The_First_Epistle_of_Peter
The_Garden_of_Forking_Paths_1
The_Garden_of_Forking_Paths_2
The_Gold_Bug
The_Golden_Sentences_of_Democrates
The_Gospel_According_to_John
The_Gospel_According_to_Luke
The_Gospel_According_to_Mark
The_Gospel_According_to_Matthew
The_Gospel_of_Thomas
The_Hidden_Words_text
The_Immortal
The_Last_Question
The_Letter_to_the_Hebrews
The_Library_of_Babel
The_Library_Of_Babel_2
The_Logomachy_of_Zos
The_Lottery_in_Babylon
The_One_Who_Walks_Away
The_Pilgrims_Progress
The_Poems_of_Cold_Mountain
The_Riddle_of_this_World
The_Second_Epistle_of_Paul_to_Timothy
The_Shadow_Out_Of_Time
The_Theologians
The_Witness
The_Zahir
Thus_Spoke_Zarathustra_text
Timaeus
Verses_of_Vemana

PRIMARY CLASS

SIMILAR TITLES
Coded Language
codes
codex
episodes
JRE Episodes
MISSING NAME - related to why read Savitri and Savitri (ode)
Modern Man in Search of a Soul
Mysticism at the Dawn of the Modern Age
noc codes
ode
Olympian Odes
Pantheisticon A Modern English Translation
Revolt Against the Modern World
Role of the Intellectual in the Modern World
The Crisis Of The Modern World
The Origin Of Modern Pranic Healing And Arhatic Yoga

DEFINITIONS

1. A loose pliable covering for the head and neck, often attached to a robe or jacket. 2. Something resembling this in shape or use. 3. In animals, a conformation of parts (as in the cobra and the hooded seal), or arrangement of colour about the head or neck, resembling or suggesting a hood. hoods.

1. Not proud or arrogant; modest. 2. Low in rank, importance, status, quality, etc.; lowly.

aard-wolf ::: n. --> A carnivorous quadruped (Proteles Lalandii), of South Africa, resembling the fox and hyena. See Proteles. html{color:

abaddon ::: n. --> The destroyer, or angel of the bottomless pit; -- the same as Apollyon and Asmodeus.
Hell; the bottomless pit.


abate ::: v. t. --> To beat down; to overthrow.
To bring down or reduce from a higher to a lower state, number, or degree; to lessen; to diminish; to contract; to moderate; to cut short; as, to abate a demand; to abate pride, zeal, hope.
To deduct; to omit; as, to abate something from a price.
To blunt.
To reduce in estimation; to deprive.
To bring entirely down or put an end to; to do away with;


abode ::: a dwelling-place, place of ordinary habitation; house or home. (Also pt. of abide.) abodes.

abode ::: imp. & p. p. --> of Abide ::: --> pret. of Abide. ::: n.

abodement ::: n. --> A foreboding; an omen.

aberrations ::: 1. Deviations or divergences from a direct, prescribed, or ordinary course or mode of action, esp. moral or proper.

abidance ::: n. --> The state of abiding; abode; continuance; compliance (with).

abide ::: 1. To wait, stay, remain. 2. To remain in residence; to sojourn, reside, dwell. 3. To remain with; to stand firm by, to hold to, remain true to. 4. To continue in existence, endure, stand firm or sure. abides, abode, abiding.

abide ::: v. i. --> To wait; to pause; to delay.
To stay; to continue in a place; to have one&


abroad ::: adv. --> At large; widely; broadly; over a wide space; as, a tree spreads its branches abroad.
Without a certain confine; outside the house; away from one&


abstemious ::: a. --> Abstaining from wine.
Sparing in diet; refraining from a free use of food and strong drinks; temperate; abstinent; sparing in the indulgence of the appetite or passions.
Sparingly used; used with temperance or moderation; as, an abstemious diet.
Marked by, or spent in, abstinence; as, an abstemious life.


academicism ::: n. --> A tenet of the Academic philosophy.
A mannerism or mode peculiar to an academy.


accession ::: n. --> A coming to; the act of acceding and becoming joined; as, a king&

accuracy ::: n. --> The state of being accurate; freedom from mistakes, this exemption arising from carefulness; exact conformity to truth, or to a rule or model; precision; exactness; nicety; correctness; as, the value of testimony depends on its accuracy.

accurate ::: 1. Exact, precise, correct, as the result of care. 2. Free from error or defect; consistent with a standard, rule, or model; precise, exact.

A certain moderation is needed even in the eagerness for pro- gress — moderation, not indiflerence or indolence.

acescency ::: n. --> The quality of being acescent; the process of acetous fermentation; a moderate degree of sourness.

achillean ::: a. --> Resembling Achilles, the hero of the Iliad; invincible. html{color:

achroodextrin ::: n. --> Dextrin not colorable by iodine. See Dextrin.

acidulate ::: v. t. --> To make sour or acid in a moderate degree; to sour somewhat.

acnode ::: n. --> An isolated point not upon a curve, but whose coordinates satisfy the equation of the curve so that it is considered as belonging to the curve.

acnodal ::: a. --> Pertaining to acnodes.

acrimony ::: n. --> A quality of bodies which corrodes or destroys others; also, a harsh or biting sharpness; as, the acrimony of the juices of certain plants.
Sharpness or severity, as of language or temper; irritating bitterness of disposition or manners.


acupressure ::: n. --> A mode of arresting hemorrhage resulting from wounds or surgical operations, by passing under the divided vessel a needle, the ends of which are left exposed externally on the cutaneous surface.

adagio ::: a. & adv. --> Slow; slowly, leisurely, and gracefully. When repeated, adagio, adagio, it directs the movement to be very slow. ::: n. --> A piece of music in adagio time; a slow movement; as, an adagio of Haydn. html{color:

adamant ::: n. --> A stone imagined by some to be of impenetrable hardness; a name given to the diamond and other substances of extreme hardness; but in modern mineralogy it has no technical signification. It is now a rhetorical or poetical name for the embodiment of impenetrable hardness.
Lodestone; magnet.


adansonia ::: n. --> A genus of great trees related to the Bombax. There are two species, A. digitata, the baobab or monkey-bread of Africa and India, and A. Gregorii, the sour gourd or cream-of-tartar tree of Australia. Both have a trunk of moderate height, but of enormous diameter, and a wide-spreading head. The fruit is oblong, and filled with pleasantly acid pulp. The wood is very soft, and the bark is used by the natives for making ropes and cloth.

addendum ::: n. --> A thing to be added; an appendix or addition. html{color:

adder ::: n. --> One who, or that which, adds; esp., a machine for adding numbers.
A serpent.
A small venomous serpent of the genus Vipera. The common European adder is the Vipera (/ Pelias) berus. The puff adders of Africa are species of Clotho.
In America, the term is commonly applied to several harmless snakes, as the milk adder, puffing adder, etc. html{color:


adding ::: p. pr. & vb. n. --> of Add html{color:

adj. 1. Beautiful. 2. Fine, bright, sunny. 3. Free from blemish, imperfection, or anything that impairs the appearance, quality, or character. 4. Of pleasing form or appearance. 5. Neither excellent nor poor; moderately or tolerably good. fairer.* *n. 6.* That which is fair (in senses of the adj.*).

adjection ::: n. --> The act or mode of adding; also, the thing added.

admires ::: 1. Regards with pleased surprise, or with wonder mingled with esteem, approbation, or affection; and in modern usage, gazed on with pleasure. admired, admiring. adj. 2. Regarded with admiration; wondered at; contemplated with wonder mingled with esteem, etc.

advent ::: any important or epoch-making arrival. In modern usage applied poetically or grandiloquently to any arrival. advent"s, advents.

aeolic ::: a. --> Aeolian, 1; as, the Aeolic dialect; the Aeolic mode.

affodill ::: n. --> Asphodel.

“Agni is the Deva, the All-Seer, manifested as conscious-force or, as it would be called in modern language, Divine or Cosmic Will, first hidden and building up the eternal worlds, then manifest, ``born’’, building up in man the Truth and the Immortality.” The Secret of the Veda

agouty ::: n. --> A rodent of the genus Dasyprocta, about the size of a rabbit, peculiar to South America and the West Indies. The most common species is the Dasyprocta agouti.

agreeableness ::: n. --> The quality of being agreeable or pleasing; that quality which gives satisfaction or moderate pleasure to the mind or senses.
The quality of being agreeable or suitable; suitableness or conformity; consistency.
Resemblance; concordance; harmony; -- with to or between.


aiblins ::: adv. --> Alt. of Ablins html{color:

ailette ::: n. --> A small square shield, formerly worn on the shoulders of knights, -- being the prototype of the modern epaulet.

aimless ::: a. --> Without aim or purpose; as, an aimless life. html{color:

alamode ::: adv. & a. --> According to the fashion or prevailing mode. ::: n. --> A thin, black silk for hoods, scarfs, etc.; -- often called simply mode.

alamodality ::: n. --> The quality of being a la mode; conformity to the mode or fashion; fashionableness.

alarmed ::: imp. & p. p. --> of Alarm ::: a. --> Aroused to vigilance; excited by fear of approaching danger; agitated; disturbed; as, an alarmed neighborhood; an alarmed modesty.

albescent ::: a. --> Becoming white or whitish; moderately white.

alchemy ::: n. --> An imaginary art which aimed to transmute the baser metals into gold, to find the panacea, or universal remedy for diseases, etc. It led the way to modern chemistry.
A mixed metal composed mainly of brass, formerly used for various utensils; hence, a trumpet.
Miraculous power of transmuting something common into something precious.


alectoromancy ::: n. --> See Alectryomancy. html{color:

alength ::: adv. --> At full length; lengthwise. html{color:

alibi ::: n. --> The plea or mode of defense under which a person on trial for a crime proves or attempts to prove that he was in another place when the alleged act was committed; as, to set up an alibi; to prove an alibi.

alimentation ::: n. --> The act or process of affording nutriment; the function of the alimentary canal.
State or mode of being nourished.


allemande ::: n. --> A dance in moderate twofold time, invented by the French in the reign of Louis XIV.; -- now mostly found in suites of pieces, like those of Bach and Handel.
A figure in dancing.


alleyway ::: n. --> An alley. html{color:

:::   ". . . all our spiritual and psychic experience bears affirmative witness, brings us always a constant and, in its main principles, an invariable evidence of the existence of higher worlds, freer planes of existence. Not having bound ourselves down, like so much of modern thought, to the dogma that only physical experience or experience based upon the physical sense is true, the analysis of physical experience by the reason alone verifiable, and all else only result of physical experience and physical existence and anything beyond this an error, self-delusion and hallucination, we are free to accept this evidence and to admit the reality of these planes. We see that they are, practically, different harmonies from the harmony of the physical universe; they occupy, as the word ‘plane" suggests, a different level in the scale of being and adopt a different system and ordering of its principles.” The Life Divine

“… all our spiritual and psychic experience bears affirmative witness, brings us always a constant and, in its main principles, an invariable evidence of the existence of higher worlds, freer planes of existence. Not having bound ourselves down, like so much of modern thought, to the dogma that only physical experience or experience based upon the physical sense is true, the analysis of physical experience by the reason alone verifiable, and all else only result of physical experience and physical existence and anything beyond this an error, self-delusion and hallucination, we are free to accept this evidence and to admit the reality of these planes. We see that they are, practically, different harmonies from the harmony of the physical universe; they occupy, as the word ‘plane’ suggests, a different level in the scale of being and adopt a different system and ordering of its principles.” The Life Divine

alloy ::: 1. A substance composed of two or more metals, or of a metal or metals with a nonmetal, intimately mixed, as by fusion or electrodeposition; a less costly metal mixed with a more valuable one, such as that which is added to gold and silver coinage. 2. Admixture, as with good with evil.

all-possessed ::: a. --> Controlled by an evil spirit or by evil passions; wild. html{color:

all saints ::: --> Alt. of All Saints&

Amal: “There appears to be an allusion to the Greek concept or semi-vision of a heaven beyond death where the unfading flower called asphodel bloomed.”

ambages ::: n. pl. --> A circuit; a winding. Hence: Circuitous way or proceeding; quibble; circumlocution; indirect mode of speech.

ambulacral ::: a. --> Of or pertaining to ambulacra; avenuelike; as, the ambulacral ossicles, plates, spines, and suckers of echinoderms.

ambulacrum ::: n. --> One of the radical zones of echinoderms, along which run the principal nerves, blood vessels, and water tubes. These zones usually bear rows of locomotive suckers or tentacles, which protrude from regular pores. In star fishes they occupy the grooves along the under side of the rays.
One of the suckers on the feet of mites.


amphibrach ::: n. --> A foot of three syllables, the middle one long, the first and last short (~ -- ~); as, h/b/r/. In modern prosody the accented syllable takes the place of the long and the unaccented of the short; as, pro-phet

am ::: --> The first person singular of the verb be, in the indicative mode, present tense. See Be.

amygdaloid ::: n. --> A variety of trap or basaltic rock, containing small cavities, occupied, wholly or in part, by nodules or geodes of different minerals, esp. agates, quartz, calcite, and the zeolites. When the imbedded minerals are detached or removed by decomposition, it is porous, like lava. ::: a.

amzel ::: n. --> The European ring ousel (Turdus torquatus). html{color:

anapodeictic ::: a. --> Not apodeictic; undemonstrable.

anode ::: n. --> The positive pole of an electric battery, or more strictly the electrode by which the current enters the electrolyte on its way to the other pole; -- opposed to cathode.

anchoretism ::: n. --> The practice or mode of life of an anchoret.

ancient ::: a. --> Old; that happened or existed in former times, usually at a great distance of time; belonging to times long past; specifically applied to the times before the fall of the Roman empire; -- opposed to modern; as, ancient authors, literature, history; ancient days.
Old; that has been of long duration; of long standing; of great age; as, an ancient forest; an ancient castle.
Known for a long time, or from early times; -- opposed to recent or new; as, the ancient continent.


andante ::: a. --> Moving moderately slow, but distinct and flowing; quicker than larghetto, and slower than allegretto. ::: n. --> A movement or piece in andante time.

anelectrode ::: n. --> The positive pole of a voltaic battery.

anelectrotonus ::: n. --> The condition of decreased irritability of a nerve in the region of the positive electrode or anode on the passage of a current of electricity through it.

"An evolution of innate and latent but as yet unevolved powers of consciousness is not considered admissible by the modern mind, because these exceed our present formulation of Nature and, to our ignorant preconceptions founded on a limited experience, they seem to belong to the supernatural, to the miraculous and occult; for they surpass the known action of material Energy which is now ordinarily accepted as the sole cause and mode of things and the sole instrumentation of the World-Force.” The Life Divine

“An evolution of innate and latent but as yet unevolved powers of consciousness is not considered admissible by the modern mind, because these exceed our present formulation of Nature and, to our ignorant preconceptions founded on a limited experience, they seem to belong to the supernatural, to the miraculous and occult; for they surpass the known action of material Energy which is now ordinarily accepted as the sole cause and mode of things and the sole instrumentation of the World-Force.” The Life Divine

anglo-catholic ::: a. --> Of or pertaining to a church modeled on the English Reformation; Anglican; -- sometimes restricted to the ritualistic or High Church section of the Church of England. ::: n. --> A member of the Church of England who contends for its catholic character; more specifically, a High Churchman.

anion ::: n. --> An electro-negative element, or the element which, in electro-chemical decompositions, is evolved at the anode; -- opposed to cation.

annoy ::: n. --> To disturb or irritate, especially by continued or repeated acts; to tease; to ruffle in mind; to vex; as, I was annoyed by his remarks.
To molest, incommode, or harm; as, to annoy an army by impeding its march, or by a cannonade.
A feeling of discomfort or vexation caused by what one dislikes; also, whatever causes such a feeling; as, to work annoy.


annuloida ::: n. pl. --> A division of the Articulata, including the annelids and allied groups; sometimes made to include also the helminths and echinoderms.

anthomania ::: n. --> A extravagant fondness for flowers. html{color:

anthophore ::: n. --> The stipe when developed into an internode between calyx and corolla, as in the Pink family.

anticathode ::: n. --> The part of a vacuum tube opposite the cathode. Upon it the cathode rays impinge.

antipodean ::: a. --> Pertaining to the antipodes, or the opposite side of the world; antipodal.

antipode ::: n. --> One of the antipodes; anything exactly opposite.

antipodes ::: n. --> Those who live on the side of the globe diametrically opposite.
The country of those who live on the opposite side of the globe.
Anything exactly opposite or contrary.


antipodes ::: places diametrically opposite each other.

antipodal ::: a. --> Pertaining to the antipodes; situated on the opposite side of the globe.
Diametrically opposite.


antique ::: a. --> Old; ancient; of genuine antiquity; as, an antique statue. In this sense it usually refers to the flourishing ages of Greece and Rome.
Old, as respects the present age, or a modern period of time; of old fashion; antiquated; as, an antique robe.
Made in imitation of antiquity; as, the antique style of Thomson&


apodeictic ::: a. --> Alt. of Apodictical

apodeictical ::: a. --> Alt. of Apodictical

apodeictically ::: adv. --> Alt. of Apodictically

apodeme ::: n. --> One of the processes of the shell which project inwards and unite with one another, in the thorax of many Crustacea.

apode ::: n. --> One of certain animals that have no feet or footlike organs; esp. one of certain fabulous birds which were said to have no feet.

apodes ::: pl. --> of Apode ::: n. pl. --> An order of fishes without ventral fins, including the eels.
A group of holothurians destitute of suckers. See Apneumona.


apneumona ::: n. pl. --> An order of holothurians in which the internal respiratory organs are wanting; -- called also Apoda or Apodes.

apodictic ::: a. --> Alt. of Apodictical
Same as Apodeictic.


apod ::: n. --> Alt. of Apodal
Alt. of Apode


apods ::: pl. --> of Apode

apollo ::: n. --> A deity among the Greeks and Romans. He was the god of light and day (the "sun god"), of archery, prophecy, medicine, poetry, and music, etc., and was represented as the model of manly grace and beauty; -- called also Phebus.

aquarelle ::: n. --> A design or painting in thin transparent water colors; also, the mode of painting in such colors.

arc ::: 1. Any unbroken part of the circumference of a circle or other curved line. 2. A luminous bridge formed in a gap between two electrodes. arcs.

archetypal ::: a. --> Of or pertaining to an archetype; consisting a model (real or ideal) or pattern; original.

archetype ::: n. --> The original pattern or model of a work; or the model from which a thing is made or formed.
The standard weight or coin by which others are adjusted.
The plan or fundamental structure on which a natural group of animals or plants or their systems of organs are assumed to have been constructed; as, the vertebrate archetype.


arc-lamps ::: general term for a class of lamps in which light is produced by a voltaic arc, a luminous arc between two electrodes typically made of tungsten or carbon and barely separated.

arcuation ::: n. --> The act of bending or curving; incurvation; the state of being bent; crookedness.
A mode of propagating trees by bending branches to the ground, and covering the small shoots with earth; layering.


argo ::: n. --> The name of the ship which carried Jason and his fifty-four companions to Colchis, in quest of the Golden Fleece.
A large constellation in the southern hemisphere, called also Argo Navis. In modern astronomy it is replaced by its three divisions, Carina, Puppis, and Vela.


aristotelic ::: a. --> Pertaining to Aristotle or to his philosophy. html{color:

arthroderm ::: n. --> The external covering of an Arthropod.

articulation ::: n. --> A joint or juncture between bones in the skeleton.
The connection of the parts of a plant by joints, as in pods.
One of the nodes or joints, as in cane and maize.
One of the parts intercepted between the joints; also, a subdivision into parts at regular or irregular intervals as a result of serial intermission in growth, as in the cane, grasses, etc.
The act of putting together with a joint or joints;


artifice ::: 1530s,”workmanship,” from M.Fr. artifice”skill, cunning” (14c.), from L. artificium”making by art, craft,” from artifex(gen.artificis)”craftsman,artist,” from ars”art” (see art (n.)) + facere”do” (see factitious). Meaning”device, trick” (theusualmodernsense)isfrom1650s.

art ::: --> The second person singular, indicative mode, present tense, of the substantive verb Be; but formed after the analogy of the plural are, with the ending -t, as in thou shalt, wilt, orig. an ending of the second person sing. pret. Cf. Be. Now used only in solemn or poetical style. ::: n.

art ::: v. archaic** A second person singular present indicative of be, now only poet., not in modern usage. All other references are to art as the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance. Also, the class of objects subject to aesthetic criteria. art"s, arts, art-parades.

ascend ::: v. i. --> To move upward; to mount; to go up; to rise; -- opposed to descend.
To rise, in a figurative sense; to proceed from an inferior to a superior degree, from mean to noble objects, from particulars to generals, from modern to ancient times, from one note to another more acute, etc.; as, our inquiries ascend to the remotest antiquity; to ascend to our first progenitor.


asceticism ::: n. --> The condition, practice, or mode of life, of ascetics.

aslake ::: v. t. & i. --> To mitigate; to moderate; to appease; to abate; to diminish.

  "As long as we live in the ignorant seeming, we are the ego and are subject to the modes of Nature. Enslaved to appearances, bound to the dualities, tossed between good and evil, sin and virtue, grief and joy, pain and pleasure, good fortune and ill fortune, success and failure, we follow helplessly the iron or gilt and iron round of the wheel of Maya.” *The Synthesis of Yoga

“As long as we live in the ignorant seeming, we are the ego and are subject to the modes of Nature. Enslaved to appearances, bound to the dualities, tossed between good and evil, sin and virtue, grief and joy, pain and pleasure, good fortune and ill fortune, success and failure, we follow helplessly the iron or gilt and iron round of the wheel of Maya.” The Synthesis of Yoga

asphodel ::: a genus of liliaceous plants with very attractive white, pink or yellow flowers, mostly natives of the south of Europe; by the poets made an immortal flower, and said to cover the Elysian (heavenly, paradisal) fields.

asphodel ::: n. --> A general name for a plant of the genus Asphodelus. The asphodels are hardy perennial plants, several species of which are cultivated for the beauty of their flowers.

asp ::: n. --> Same as Aspen.
A small, hooded, poisonous serpent of Egypt and adjacent countries, whose bite is often fatal. It is the Naja haje. The name is also applied to other poisonous serpents, esp. to Vipera aspis of southern Europe. See Haje.
One of several species of poplar bearing this name, especially the Populus tremula, so called from the trembling of its leaves, which move with the slightest impulse of the air.


asquint ::: adv. --> With the eye directed to one side; not in the straight line of vision; obliquely; awry, so as to see distortedly; as, to look asquint. html{color:

assertorial ::: a. --> Asserting that a thing is; -- opposed to problematical and apodeictical.

asterias ::: n. --> A genus of echinoderms.

asteridea ::: n. pl. --> A class of Echinodermata including the true starfishes. The rays vary in number and always have ambulacral grooves below. The body is star-shaped or pentagonal.

attemper ::: v. t. --> To reduce, modify, or moderate, by mixture; to temper; to regulate, as temperature.
To soften, mollify, or moderate; to soothe; to temper; as, to attemper rigid justice with clemency.
To mix in just proportion; to regulate; as, a mind well attempered with kindness and justice.
To accommodate; to make suitable; to adapt.


atticize ::: v. t. --> To conform or make conformable to the language, customs, etc., of Attica. ::: v. i. --> To side with the Athenians.
To use the Attic idiom or style; to conform to the customs or modes of thought of the Athenians.


austere ::: --> Sour and astringent; rough to the state; having acerbity; as, an austere crab apple; austere wine.
Severe in modes of judging, or living, or acting; rigid; rigorous; stern; as, an austere man, look, life.
Unadorned; unembellished; severely simple.


avaricious ::: a. --> Actuated by avarice; greedy of gain; immoderately desirous of accumulating property.

axe ::: n. --> A tool or instrument of steel, or of iron with a steel edge or blade, for felling trees, chopping and splitting wood, hewing timber, etc. It is wielded by a wooden helve or handle, so fixed in a socket or eye as to be in the same plane with the blade. The broadax, or carpenter&

aye-aye ::: n. --> A singular nocturnal quadruped, allied to the lemurs, found in Madagascar (Cheiromys Madagascariensis), remarkable for its long fingers, sharp nails, and rodent-like incisor teeth.

azalea ::: n. --> A genus of showy flowering shrubs, mostly natives of China or of North America; false honeysuckle. The genus is scarcely distinct from Rhododendron.

babism ::: n. --> The doctrine of a modern religious sect, which originated in Persia in 1843, being a mixture of Mohammedan, Christian, Jewish and Parsee elements.

bacharach ::: n. --> Alt. of Backarack html{color:

bad lands ::: --> Barren regions, especially in the western United States, where horizontal strata (Tertiary deposits) have been often eroded into fantastic forms, and much intersected by caons, and where lack of wood, water, and forage increases the difficulty of traversing the country, whence the name, first given by the Canadian French, Mauvaises Terres (bad lands).

baldwin ::: n. --> A kind of reddish, moderately acid, winter apple.

ballista ::: n. --> An ancient military engine, in the form of a crossbow, used for hurling large missiles. html{color:

bandolier ::: n. --> A broad leather belt formerly worn by soldiers over the right shoulder and across the breast under the left arm. Originally it was used for supporting the musket and twelve cases for charges, but later only as a cartridge belt.
One of the leather or wooden cases in which the charges of powder were carried.


barbarize ::: v. i. --> To become barbarous.
To adopt a foreign or barbarous mode of speech. ::: v. t. --> To make barbarous.


barkentine ::: n. --> A threemasted vessel, having the foremast square-rigged, and the others schooner-rigged. [Spelled also barquentine, barkantine, etc.] See Illust. in Append. html{color:

baroko ::: n. --> A form or mode of syllogism of which the first proposition is a universal affirmative, and the other two are particular negative.

baron ::: n. --> A title or degree of nobility; originally, the possessor of a fief, who had feudal tenants under him; in modern times, in France and Germany, a nobleman next in rank below a count; in England, a nobleman of the lowest grade in the House of Lords, being next below a viscount.
A husband; as, baron and feme, husband and wife.


barringout ::: n. --> The act of closing the doors of a schoolroom against a schoolmaster; -- a boyish mode of rebellion in schools.

based ::: imp. & p. p. --> of Base ::: a. --> Having a base, or having as a base; supported; as, broad-based. ::: n. html{color:

bashful ::: a. --> Abashed; daunted; dismayed.
Very modest, or modest excess; constitutionally disposed to shrink from public notice; indicating extreme or excessive modesty; shy; as, a bashful person, action, expression.


basset ::: n. --> A game at cards, resembling the modern faro, said to have been invented at Venice.
The edge of a geological stratum at the surface of the ground; the outcrop. ::: a. --> Inclined upward; as, the basset edge of strata.


basylous ::: a. --> Pertaining to, or having the nature of, a basyle; electro-positive; basic; -- opposed to chlorous. html{color:

batfowling ::: n. --> A mode of catching birds at night, by holding a torch or other light, and beating the bush or perch where they roost. The birds, flying to the light, are caught with nets or otherwise.

bat printing ::: --> A mode of printing on glazed ware.

boded ::: imp. & p. p. --> of Bode

bodeful ::: a. --> Portentous; ominous.

bodement ::: n. --> An omen; a prognostic.

bode ::: v. t. --> To indicate by signs, as future events; to be the omen of; to portend to presage; to foreshow.
A messenger; a herald. ::: v. i. --> To foreshow something; to augur.


bean trefoil ::: --> A leguminous shrub of southern Europe, with trifoliate leaves (Anagyris foetida). html{color:

beau ideal ::: --> A conception or image of consummate beauty, moral or physical, formed in the mind, free from all the deformities, defects, and blemishes seen in actual existence; an ideal or faultless standard or model.

beaver ::: n. --> An amphibious rodent, of the genus Castor.
The fur of the beaver.
A hat, formerly made of the fur of the beaver, but now usually of silk.
Beaver cloth, a heavy felted woolen cloth, used chiefly for making overcoats.
That piece of armor which protected the lower part of the face, whether forming a part of the helmet or fixed to the breastplate.


bedstaff ::: n. --> "A wooden pin stuck anciently on the sides of the bedstead, to hold the clothes from slipping on either side."

beggable ::: a. --> Capable of being begged. html{color:

begnaw ::: v. t. --> To gnaw; to eat away; to corrode.

behavior ::: n. --> Manner of behaving, whether good or bad; mode of conducting one&

belched ::: 1. Erupted or exploded. 2. Expelled gas noisily from the stomach through the mouth.

bestrode ::: imp. --> of Bestride ::: --> of Bestride
imp. & p. p. of Bestride.


bicker ::: n. --> A small wooden vessel made of staves and hoops, like a tub.
A skirmish; an encounter.
A fight with stones between two parties of boys.
A wrangle; also, a noise,, as in angry contention. ::: v. i. --> To skirmish; to exchange blows; to fight.


birching ::: p. pr. & vb. n. --> of Birch html{color:

bird ::: n. --> Orig., a chicken; the young of a fowl; a young eaglet; a nestling; and hence, a feathered flying animal (see 2).
A warm-blooded, feathered vertebrate provided with wings. See Aves.
Specifically, among sportsmen, a game bird.
Fig.: A girl; a maiden. ::: v. i.


"Birth is an assumption of a body by the spirit, death is the casting off [of] the body; there is nothing original in this birth, nothing final in this death. Before birth we were; after death we shall be. Nor are our birth and death a single episode without continuous meaning or sequel; it is one episode out of many, scenes of our drama of existence with its denouement far away in time.” Essays Divine and Human*

“Birth is an assumption of a body by the spirit, death is the casting off [of] the body; there is nothing original in this birth, nothing final in this death. Before birth we were; after death we shall be. Nor are our birth and death a single episode without continuous meaning or sequel; it is one episode out of many, scenes of our drama of existence with its denouement far away in time.” Essays Divine and Human

bish ::: n. --> Same as Bikh. html{color:

bivium ::: n. --> One side of an echinoderm, including a pair of ambulacra, in distinction from the opposite side (trivium), which includes three ambulacra.

blanch holding ::: --> A mode of tenure by the payment of a small duty in white rent (silver) or otherwise.

blastodermatic ::: a. --> Alt. of Blastodermic

blastodermic ::: a. --> Of or pertaining to the blastoderm.

blastoderm ::: n. --> The germinal membrane in an ovum, from which the embryo is developed.

blastula ::: n. --> That stage in the development of the ovum in which the outer cells of the morula become more defined and form the blastoderm.

blindly ::: adv. --> Without sight, discernment, or understanding; without thought, investigation, knowledge, or purpose of one&

blooded ::: imp. & p. p. --> of Blood ::: a. --> Having pure blood, or a large admixture or pure blood; of approved breed; of the best stock.

block book ::: --> A book printed from engraved wooden blocks instead of movable types.

block ::: v. t. --> A piece of wood more or less bulky; a solid mass of wood, stone, etc., usually with one or more plane, or approximately plane, faces; as, a block on which a butcher chops his meat; a block by which to mount a horse; children&

bluefish ::: n. --> A large voracious fish (Pomatomus saitatrix), of the family Carangidae, valued as a food fish, and widely distributed on the American coast. On the New Jersey and Rhode Island coast it is called the horse mackerel, in Virginia saltwater tailor, or skipjack.
A West Indian fish (Platyglossus radiatus), of the family Labridae.


blunger ::: n. --> A wooden blade with a cross handle, used for mi/ing the clay in potteries; a plunger.

blushet ::: n. --> A modest girl.

blush ::: v. i. --> To become suffused with red in the cheeks, as from a sense of shame, modesty, or confusion; to become red from such cause, as the cheeks or face.
To grow red; to have a red or rosy color.
To have a warm and delicate color, as some roses and other flowers. ::: v. t.


boat ::: n. --> A small open vessel, or water craft, usually moved by cars or paddles, but often by a sail.
Hence, any vessel; usually with some epithet descriptive of its use or mode of propulsion; as, pilot boat, packet boat, passage boat, advice boat, etc. The term is sometimes applied to steam vessels, even of the largest class; as, the Cunard boats.
A vehicle, utensil, or dish, somewhat resembling a boat in shape; as, a stone boat; a gravy boat.


bobby ::: n. --> A nickname for a policeman; -- from Sir Robert Peel, who remodeled the police force. See Peeler.

bockland ::: n. --> See Bookland.
Charter land held by deed under certain rents and free services, which differed in nothing from free socage lands. This species of tenure has given rise to the modern freeholds.


ode ::: 1. A lyric poem of some length, usually of a serious or meditative nature and having an elevated style and formal stanzaic structure. 2. A poem meant to be sung. odes.

boding ::: p. pr. & vb. n. --> of Bode ::: a. --> Foreshowing; presaging; ominous. ::: n.

boilingly ::: adv. --> With boiling or ebullition. html{color:

bold-faced ::: a. --> Somewhat impudent; lacking modesty; as, a bold-faced woman.
Having a conspicuous or heavy face.


bold ::: n. --> Forward to meet danger; venturesome; daring; not timorous or shrinking from risk; brave; courageous.
Exhibiting or requiring spirit and contempt of danger; planned with courage; daring; vigorous.
In a bad sense, too forward; taking undue liberties; over assuming or confident; lacking proper modesty or restraint; rude; impudent.
Somewhat overstepping usual bounds, or conventional rules, as


bole ::: n. --> The trunk or stem of a tree, or that which is like it.
An aperture, with a wooden shutter, in the wall of a house, for giving, occasionally, air or light; also, a small closet.
A measure. See Boll, n., 2.
Any one of several varieties of friable earthy clay, usually colored more or less strongly red by oxide of iron, and used to color and adulterate various substances. It was formerly used in medicine. It is composed essentially of hydrous silicates of alumina, or more rarely


bolis ::: n. --> A meteor or brilliant shooting star, followed by a train of light or sparks; esp. one which explodes.

bollard ::: n. --> An upright wooden or iron post in a boat or on a dock, used in veering or fastening ropes.

boomer ::: n. --> One who, or that which, booms.
A North American rodent, so named because it is said to make a booming noise. See Sewellel.
A large male kangaroo.
One who works up a "boom".


boothy ::: n. --> See Bothy.
A wooden hut or humble cot, esp. a rude hut or barrack for unmarried farm servants; a shepherd&


booze ::: v. i. --> To drink greedily or immoderately, esp. alcoholic liquor; to tipple. ::: n. --> A carouse; a drinking.

bordlode ::: n. --> The service formerly required of a tenant, to carry timber from the woods to the lord&

boscage ::: n. --> A growth of trees or shrubs; underwood; a thicket; thick foliage; a wooded landscape.
Food or sustenance for cattle, obtained from bushes and trees; also, a tax on wood.


bouse ::: v. i. --> To drink immoderately; to carouse; to booze. See Booze. ::: n. --> Drink, esp. alcoholic drink; also, a carouse; a booze.

boustrophedon ::: n. --> An ancient mode of writing, in alternate directions, one line from left to right, and the next from right to left (as fields are plowed), as in early Greek and Hittite.

bowenite ::: n. --> A hard, compact variety of serpentine found in Rhode Island. It is of a light green color and resembles jade.

bower ::: a shaded, leafy recess; an arbour; also poetic, an abode.

boyism ::: n. --> Boyhood.
The nature of a boy; childishness. html{color:


bracelet ::: n. --> An ornamental band or ring, for the wrist or the arm; in modern times, an ornament encircling the wrist, worn by women or girls.
A piece of defensive armor for the arm.


brackish ::: a. --> Saltish, or salt in a moderate degree, as water in saline soil.

brahmo-somaj ::: n. --> A modern reforming theistic sect among the Hindoos.

branks ::: n. --> A sort of bridle with wooden side pieces.
A scolding bridle, an instrument formerly used for correcting scolding women. It was an iron frame surrounding the head and having a triangular piece entering the mouth of the scold.


brazen ::: a. --> Pertaining to, made of, or resembling, brass.
Sounding harsh and loud, like resounding brass.
Impudent; immodest; shameless; having a front like brass; as, a brazen countenance. ::: v. t. --> To carry through impudently or shamelessly; as, to


brodekin ::: n. --> A buskin or half-boot.

breastwork ::: n. --> A defensive work of moderate height, hastily thrown up, of earth or other material.
A railing on the quarter-deck and forecastle.


brettice ::: n. --> The wooden boarding used in supporting the roofs and walls of coal mines. See Brattice.

breviloquence ::: n. --> A brief and pertinent mode of speaking.

bridgeboard ::: n. --> A notched board to which the treads and risers of the steps of wooden stairs are fastened.
A board or plank used as a bridge.


brigge ::: n. --> A bridge. html{color:

bristletail ::: n. --> An insect of the genera Lepisma, Campodea, etc., belonging to the Thysanura.

broach ::: n. --> A spit.
An awl; a bodkin; also, a wooden rod or pin, sharpened at each end, used by thatchers.
A tool of steel, generally tapering, and of a polygonal form, with from four to eight cutting edges, for smoothing or enlarging holes in metal; sometimes made smooth or without edges, as for burnishing pivot holes in watches; a reamer. The broach for gun barrels is commonly square and without taper.


broadish ::: a. --> Rather broad; moderately broad.

brooded ::: imp. & p. p. --> of Brood

bronze ::: 1. Any of various alloys of copper and tin in various proportions. 2. A moderate yellowish to olive brown color.

brood ::: n. 1. Offspring; progeny; in one family. 2. A breed, species, group, kind or race with common qualities. v. 3. To think deeply on; dwell or meditate upon, contemplate. broods, brooded.

broom ::: n. --> A plant having twigs suitable for making brooms to sweep with when bound together; esp., the Cytisus scoparius of Western Europe, which is a low shrub with long, straight, green, angular branches, minute leaves, and large yellow flowers.
An implement for sweeping floors, etc., commonly made of the panicles or tops of broom corn, bound together or attached to a long wooden handle; -- so called because originally made of the twigs of the broom.


buchu ::: n. --> A South African shrub (Barosma) with small leaves that are dotted with oil glands; also, the leaves themselves, which are used in medicine for diseases of the urinary organs, etc. Several species furnish the leaves. html{color:

bulky ::: a. --> Of great bulk or dimensions; of great size; large; thick; massive; as, bulky volumes. html{color:

bull-necked ::: a. --> Having a short and thick neck like that of a bull. html{color:

bultow ::: n. --> A trawl; a boulter; the mode of fishing with a boulter or spiller.

bunk ::: n. --> A wooden case or box, which serves for a seat in the daytime and for a bed at night.
One of a series of berths or bed places in tiers.
A piece of wood placed on a lumberman&


bunodonts ::: n. pl. --> A division of the herbivorous mammals including the hogs and hippopotami; -- so called because the teeth are tuberculated. html{color:

burrel fly ::: --> The botfly or gadfly of cattle (Hypoderma bovis). See Gadfly.

burst ::: 1. Exploded, flew apart with sudden violence. 2. Came forth suddenly and powerfully as if by pressure or internal force. 3. To emerge, come forth, or arrive suddenly. bursting.

burst ::: imp. & p. p. --> of Burst ::: v. i. --> To fly apart or in pieces; of break open; to yield to force or pressure, especially to a sudden and violent exertion of force, or to pressure from within; to explode; as, the boiler had burst; the buds will burst in spring.

but ::: adv. & conj. --> Except with; unless with; without.
Except; besides; save.
Excepting or excluding the fact that; save that; were it not that; unless; -- elliptical, for but that.
Otherwise than that; that not; -- commonly, after a negative, with that.
Only; solely; merely.
On the contrary; on the other hand; only; yet; html{color:


byzantine ::: n. --> A gold coin, so called from being coined at Byzantium. See Bezant.
A native or inhabitant of Byzantium, now Constantinople; sometimes, applied to an inhabitant of the modern city of Constantinople. C () C is the third letter of the English alphabet. It is from the Latin letter C, which in old Latin represented the sounds of k, and g (in go); its original value being the latter. In Anglo-Saxon words, or


cabinetwork ::: n. --> The art or occupation of working upon wooden furniture requiring nice workmanship; also, such furniture.

cacodemon ::: n. --> An evil spirit; a devil or demon.
The nightmare.


cachinnation ::: n. --> Loud or immoderate laughter; -- often a symptom of hysterical or maniacal affections.

cachinnatory ::: a. --> Consisting of, or accompanied by, immoderate laughter.

caisson ::: n. --> A chest to hold ammunition.
A four-wheeled carriage for conveying ammunition, consisting of two parts, a body and a limber. In light field batteries there is one caisson to each piece, having two ammunition boxes on the body, and one on the limber.
A chest filled with explosive materials, to be laid in the way of an enemy and exploded on his approach.
A water-tight box, of timber or iron within which work is


calamite ::: n. --> A fossil plant of the coal formation, having the general form of plants of the modern Equiseta (the Horsetail or Scouring Rush family) but sometimes attaining the height of trees, and having the stem more or less woody within. See Acrogen, and Asterophyllite.

cambria ::: n. --> The ancient Latin name of Wales. It is used by modern poets.

camwood ::: n. --> See Barwood. html{color:

candlebomb ::: n. --> A small glass bubble, filled with water, which, if placed in the flame of a candle, bursts by expansion of steam.
A pasteboard shell used in signaling. It is filled with a composition which makes a brilliant light when it explodes.


canker ::: n. --> A corroding or sloughing ulcer; esp. a spreading gangrenous ulcer or collection of ulcers in or about the mouth; -- called also water canker, canker of the mouth, and noma.
Anything which corrodes, corrupts, or destroy.
A disease incident to trees, causing the bark to rot and fall off.
An obstinate and often incurable disease of a horse&


canon ::: n. --> A law or rule.
A law, or rule of doctrine or discipline, enacted by a council and confirmed by the pope or the sovereign; a decision, regulation, code, or constitution made by ecclesiastical authority.
The collection of books received as genuine Holy Scriptures, called the sacred canon, or general rule of moral and religious duty, given by inspiration; the Bible; also, any one of the canonical Scriptures. See Canonical books, under Canonical, a.


canter ::: n. --> A moderate and easy gallop adapted to pleasure riding.
A rapid or easy passing over.
One who cants or whines; a beggar.
One who makes hypocritical pretensions to goodness; one who uses canting language. ::: v. i.


cant hook ::: --> A wooden lever with a movable iron hook. hear the end; -- used for canting or turning over heavy logs, etc.

capel ::: n. --> Alt. of Caple
A composite stone (quartz, schorl, and hornblende) in the walls of tin and copper lodes.


capistrate ::: a. --> Hooded; cowled.

capybara ::: n. --> A large South American rodent (Hydrochaerus capybara) Living on the margins of lakes and rivers. It is the largest extant rodent, being about three feet long, and half that in height. It somewhat resembles the Guinea pig, to which it is related; -- called also cabiai and water hog.

carnelian ::: n. --> A variety of chalcedony, of a clear, deep red, flesh red, or reddish white color. It is moderately hard, capable of a good polish, and often used for seals.

cartoon ::: n. --> A design or study drawn of the full size, to serve as a model for transferring or copying; -- used in the making of mosaics, tapestries, fresco pantings and the like; as, the cartoons of Raphael.
A large pictorial sketch, as in a journal or magazine; esp. a pictorial caricature; as, the cartoons of "Puck."


cartouch ::: n. --> A roll or case of paper, etc., holding a charge for a firearm; a cartridge
A cartridge box.
A wooden case filled with balls, to be shot from a cannon.
A gunner&


castor ::: n. --> A genus of rodents, including the beaver. See Beaver.
Castoreum. See Castoreum.
A hat, esp. one made of beaver fur; a beaver.
A heavy quality of broadcloth for overcoats.
See Caster, a small wheel.
the northernmost of the two bright stars in the constellation Gemini, the other being Pollux.
Alt. of Castorite


casus ::: n. --> An event; an occurrence; an occasion; a combination of circumstances; a case; an act of God. See the Note under Accident. html{color:

catadromous ::: a. --> Having the lowest inferior segment of a pinna nearer the rachis than the lowest superior one; -- said of a mode of branching in ferns, and opposed to anadromous.
Living in fresh water, and going to the sea to spawn; -- opposed to anadromous, and said of the eel.


catchword ::: n. --> Among theatrical performers, the last word of the preceding speaker, which reminds one that he is to speak next; cue.
The first word of any page of a book after the first, inserted at the right hand bottom corner of the preceding page for the assistance of the reader. It is seldom used in modern printing.
A word or phrase caught up and repeated for effect; as, the catchword of a political party, etc.


catelectrode ::: n. --> The negative electrode or pole of a voltaic battery.

catelectrotonus ::: n. --> The condition of increased irritability of a nerve in the region of the cathode or negative electrode, on the passage of a current of electricity through it.

cathartic ::: a. --> Alt. of Catharical ::: n. --> A medicine that promotes alvine discharges; a purge; a purgative of moderate activity.

cathode ::: n. --> The part of a voltaic battery by which the electric current leaves substances through which it passes, or the surface at which the electric current passes out of the electrolyte; the negative pole; -- opposed to anode.

cation ::: n. --> An electro-positive substance, which in electro-decomposition is evolved at the cathode; -- opposed to anion.

catnip ::: n. --> Alt. of Catmint html{color:

caudata ::: n. pl. --> See Urodela.

caustic ::: a. --> Alt. of Caustical
Any substance or means which, applied to animal or other organic tissue, burns, corrodes, or destroys it by chemical action; an escharotic.
A caustic curve or caustic surface.


cautery ::: n. --> A burning or searing, as of morbid flesh, with a hot iron, or by application of a caustic that will burn, corrode, or destroy animal tissue.
The iron of other agent in cauterizing.


cavy ::: n. --> A rodent of the genera Cavia and Dolichotis, as the guinea pig (Cavia cobaya). Cavies are natives of South America.

code ::: 1. A system of symbols, letters, or words given certain arbitrary meanings, used for transmitting messages requiring secrecy or brevity. 2. A systematic collection of regulations and rules of procedure or conduct. codes.

codefendant ::: n. --> A joint defendant.

codeine ::: n. --> One of the opium alkaloids; a white crystalline substance, C18H21NO3, similar to and regarded as a derivative of morphine, but much feebler in its action; -- called also codeia.

code ::: n. --> A body of law, sanctioned by legislation, in which the rules of law to be specifically applied by the courts are set forth in systematic form; a compilation of laws by public authority; a digest.
Any system of rules or regulations relating to one subject; as, the medical code, a system of rules for the regulation of the professional conduct of physicians; the naval code, a system of rules for making communications at sea means of signals.


codetta ::: n. --> A short passage connecting two sections, but not forming part of either; a short coda.

codex ::: n. --> A book; a manuscript.
A collection or digest of laws; a code.
An ancient manuscript of the Sacred Scriptures, or any part of them, particularly the New Testament.
A collection of canons.


cell ::: 1. A small humble abode, such as a hermit"s cave or hut. 2. A narrow confining room, as in a prison or convent.

centennial ::: a. --> Relating to, or associated with, the commemoration of an event that happened a hundred years before; as, a centennial ode.
Happening once in a hundred years; as, centennial jubilee; a centennial celebration.
Lasting or aged a hundred years. ::: n.


centrode ::: n. --> In two figures having relative motion, one of the two curves which are the loci of the instantaneous center.

cephalopode ::: n. --> One of the Cephalopoda.

cephalopod ::: n. --> Alt. of Cephalopode

cercaria ::: n. --> The larval form of a trematode worm having the shape of a tadpole, with its body terminated by a tail-like appendage.

ceroplastic ::: a. --> Relating to the art of modeling in wax.
Modeled in wax; as, a ceroplastic figure.


ceroplasty ::: n. --> The art of modeling in wax.

cestode ::: a. --> Of or pertaining to the Cestoidea. ::: n. --> One of the Cestoidea.

chaconne ::: n. --> An old Spanish dance in moderate three-four measure, like the Passacaglia, which is slower. Both are used by classical composers as themes for variations.

chance ::: n. --> A supposed material or psychical agent or mode of activity other than a force, law, or purpose; fortune; fate; -- in this sense often personified.
The operation or activity of such agent.
The supposed effect of such an agent; something that befalls, as the result of unknown or unconsidered forces; the issue of uncertain conditions; an event not calculated upon; an unexpected occurrence; a happening; accident; fortuity; casualty.


charger ::: n. --> One who, or that which charges.
An instrument for measuring or inserting a charge.
A large dish.
A horse for battle or parade. html{color:


charge ::: v. t. --> To lay on or impose, as a load, tax, or burden; to load; to fill.
To lay on or impose, as a task, duty, or trust; to command, instruct, or exhort with authority; to enjoin; to urge earnestly; as, to charge a jury; to charge the clergy of a diocese; to charge an agent.
To lay on, impose, or make subject to or liable for.
To fix or demand as a price; as, he charges two dollars html{color:


charlatanry ::: n. --> Undue pretensions to skill; quackery; wheedling; empiricism. html{color:

chaste ::: a. --> Pure from unlawful sexual intercourse; virtuous; continent.
Pure in thought and act; innocent; free from lewdness and obscenity, or indecency in act or speech; modest; as, a chaste mind; chaste eyes.
Pure in design and expression; correct; free from barbarisms or vulgarisms; refined; simple; as, a chaste style in composition or art.
Unmarried.


chode ::: --> the old imp. of chide. See Chide.

cheerfulness ::: n. --> Good spirits; a state of moderate joy or gayety; alacrity.

chef ::: n. --> A chief of head person.
The head cook of large establishment, as a club, a family, etc.
Same as Chief. html{color:


chemistry ::: n. --> That branch of science which treats of the composition of substances, and of the changes which they undergo in consequence of alterations in the constitution of the molecules, which depend upon variations of the number, kind, or mode of arrangement, of the constituent atoms. These atoms are not assumed to be indivisible, but merely the finest grade of subdivision hitherto attained. Chemistry deals with the changes in the composition and constitution of molecules. See Atom, Molecule.

chequered ::: 1. Marked by numerous and various shifts and changes. 2. Marked by dubious episodes; suspect in character or quality. 3. Diversified in colour, variegated.

chessel ::: n. --> The wooden mold in which cheese is pressed.

chief hare ::: --> A small rodent (Lagamys princeps) inhabiting the summits of the Rocky Mountains; -- also called crying hare, calling hare, cony, American pika, and little chief hare.

chilliness ::: n. --> A state or sensation of being chilly; a disagreeable sensation of coldness.
A moderate degree of coldness; disagreeable coldness or rawness; as, the chilliness of the air.
Formality; lack of warmth.


chill ::: n. --> A moderate but disagreeable degree of cold; a disagreeable sensation of coolness, accompanied with shivering.
A sensation of cold with convulsive shaking of the body, pinched face, pale skin, and blue lips, caused by undue cooling of the body or by nervous excitement, or forming the precursor of some constitutional disturbance, as of a fever.
A check to enthusiasm or warmth of feeling; discouragement; as, a chill comes over an assembly.


chilly ::: a. --> Moderately cold; cold and raw or damp so as to cause shivering; causing or feeling a disagreeable sensation of cold, or a shivering.

china ::: n. --> A country in Eastern Asia.
China ware, which is the modern popular term for porcelain. See Porcelain.


chincha ::: n. --> A south American rodent of the genus Lagotis.

chinchilla ::: n. --> A small rodent (Chinchilla lanigera), of the size of a large squirrel, remarkable for its fine fur, which is very soft and of a pearly gray color. It is a native of Peru and Chili.
The fur of the chinchilla.
A heavy, long-napped, tufted woolen cloth.


chiton ::: n. --> An under garment among the ancient Greeks, nearly representing the modern shirt.
One of a group of gastropod mollusks, with a shell composed of eight movable dorsal plates. See Polyplacophora.


chrisom ::: n. --> A white cloth, anointed with chrism, or a white mantle thrown over a child when baptized or christened.
A child which died within a month after its baptism; -- so called from the chrisom cloth which was used as a shroud for it. html{color:


chuckling ::: p. pr. & vb. n. --> of Chuckle html{color:

church modes ::: --> The modes or scales used in ancient church music. See Gregorian.

cinnamon ::: n. --> The inner bark of the shoots of Cinnamomum Zeylanicum, a tree growing in Ceylon. It is aromatic, of a moderately pungent taste, and is one of the best cordial, carminative, and restorative spices.
Cassia.


ciphered ::: written in a secret code.

cipher ::: n. 1. Something having no influence or value; a zero; a nonentity. 2. A secret method of writing, as by transposition or substitution of letters, specially formed symbols, or the like. unintelligible to all but those possessing the key; a cryptograph. ciphers. *v. 3. To put in secret writing; encode. *ciphers. Note: Sri Aurobindo also spelled the word as Cypher, the old English spelling.

cirrus ::: n. --> A tendril or clasper.
A soft tactile appendage of the mantle of many Mollusca, and of the parapodia of Annelida. Those near the head of annelids are Tentacular cirri; those of the last segment are caudal cirri.
The jointed, leglike organs of Cirripedia. See Annelida, and Polychaeta.
The external male organ of trematodes and some other worms, and of certain Mollusca.


clastic ::: a. --> Pertaining to what may be taken apart; as, clastic anatomy (of models).
Fragmental; made up of brok/ fragments; as, sandstone is a clastic rock.


clinographic ::: a. --> Pertaining to that mode of projection in drawing in which the rays of light are supposed to fall obliquely on the plane of projection.

clough ::: n. --> A cleft in a hill; a ravine; a narrow valley.
A sluice used in returning water to a channel after depositing its sediment on the flooded land.
An allowance in weighing. See Cloff.


coak ::: n. --> See Coke, n.
A kind of tenon connecting the face of a scarfed timber with the face of another timber, or a dowel or pin of hard wood or iron uniting timbers.
A metallic bushing or strengthening piece in the center of a wooden block sheave. ::: v. t.


cobra de capello ::: --> The hooded snake (Naia tripudians), a highly venomous serpent inhabiting India.Naja --

codical ::: a. --> Relating to a codex, or a code.

codices ::: pl. --> of Codex

codification ::: n. --> The act or process of codifying or reducing laws to a code.

codify ::: v. t. --> To reduce to a code, as laws.

codist ::: n. --> A codifier; a maker of codes.

coehorn ::: n. --> A small bronze mortar mounted on a wooden block with handles, and light enough to be carried short distances by two men.

cogue ::: n. --> A small wooden vessel; a pail.

Coilas ::: (Most often spelled Kailas). One of the highest and most rugged mountains of the Himalayan range, located in the southwestern part of China. It is an important holy site both to the Hindus, who identify it with the paradise of Shiva and also regard it as the abode of Kubera, and to the Tibetan Buddhists, who identify it with Mount Sumeru, cosmic centre of the universe.” Glossary and Index of Proper Names in Sri Aurobindo’s Works

coilas ::: (Most often spelled Kailas.) "One of the highest and most rugged mountains of the Himalayan range, located in the southwestern part of China. It is an important holy site both to the Hindus, who identify it with the paradise of Shiva and also regard it as the abode of Kubera, and to the Tibetan Buddhists, who identify it with Mount Sumeru, cosmic centre of the universe.” Glossary and Index of Proper Names in Sri Aurobindo"s Works

coin ::: 1. A small piece of metal, usually flat and circular, authorized by a government for use as money. 2. A mode of expression considered standard, a symbol; token.

cold-blooded ::: a. --> Having cold blood; -- said of fish or animals whose blood is but little warmer than the water or air about them.
Deficient in sensibility or feeling; hard-hearted.
Not thoroughbred; -- said of animals, as horses, which are derived from the common stock of a country.


colossus ::: n. --> A statue of gigantic size. The name was especially applied to certain famous statues in antiquity, as the Colossus of Nero in Rome, the Colossus of Apollo at Rhodes.
Any man or beast of gigantic size.


colstaff ::: n. --> A staff by means of which a burden is borne by two persons on their shoulders. html{color:

commander ::: n. --> A chief; one who has supreme authority; a leader; the chief officer of an army, or of any division of it.
An officer who ranks next below a captain, -- ranking with a lieutenant colonel in the army.
The chief officer of a commandery.
A heavy beetle or wooden mallet, used in paving, in sail lofts, etc.


commode ::: n. --> A kind of headdress formerly worn by ladies, raising the hair and fore part of the cap to a great height.
A piece of furniture, so named according to temporary fashion
A chest of drawers or a bureau.
A night stand with a compartment for holding a chamber vessel.
A kind of close stool.


compass ::: n. --> A passing round; circuit; circuitous course.
An inclosing limit; boundary; circumference; as, within the compass of an encircling wall.
An inclosed space; an area; extent.
Extent; reach; sweep; capacity; sphere; as, the compass of his eye; the compass of imagination.
Moderate bounds, limits of truth; moderation; due limits; -- used with within.


CONCENTRATION ::: Fixing the consciousness in one place or on one object and in a single condition.

A gathering together of the consciousness and either centralising at one point or turning on a single object, e.g. the Divine; there can also be a gathered condition throughout the whole being, not at a point.

Concentration is necessary, first to turn the whole will and mind from the discursive divagation natural to them, following a dispersed movement of the thoughts, running after many-branching desires, led away in the track of the senses and the outward mental response to phenomena; we have to fix the will and the thought on the eternal and real behind all, and this demands an immense effort, a one-pointed concentration. Secondly, it is necessary in order to break down the veil which is erected by our ordinary mentality between ourselves and the truth; for outer knowledge can be picked up by the way, by ordinary attention and reception, but the inner, hidden and higher truth can only be seized by an absolute concentration of the mind on its object, an absolute concentration of the will to attain it and, once attained, to hold it habitually and securely unite oneself with it.

Centre of Concentration: The two main places where one can centre the consciousness for yoga are in the head and in the heart - the mind-centre and the soul-centre.

Brain concentration is always a tapasyā and necessarily brings a strain. It is only if one is lifted out of the brain mind altogether that the strain of mental concentration disappears.

At the top of the head or above it is the right place for yogic concentration in reading or thinking.

In whatever centre the concentration takes place, the yoga force generated extends to the others and produces concentration or workings there.

Modes of Concentration: There is no harm in concentrating sometimes in the heart and sometimes above the head. But concentration in either place does not mean keeping the attention fixed on a particular spot; you have to take your station of consciousness in either place and concentrate there not on the place, but on the Divine. This can be done with eyes shut or with eyes open, according as it best suits.

If one concentrates on a thought or a word, one has to dwell on the essential idea contained in the word with the aspiration to feel the thing which it expresses.

There is no method in this yoga except to concentrate, preferably in the heart, and call the presence and power of the Mother to take up the being and by the workings of her force to transform the consciousness; one can concentrate also in the head or between the eye-brows, but for many this is a too difficult opening. When the mind falls quiet and the concentration becomes strong and the aspiration intense, then there is a beginning of experience. The more the faith, the more rapid the result is likely to be.

Powers (three) of Concentration ::: By concentration on anything whatsoever we are able to know that thing, to make it deliver up its concealed secrets; we must use this power to know not things, but the one Thing-in-itself. By concentration again the whole will can be gathered up for the acquisition of that which is still ungrasped, still beyond us; this power, if it is sufficiently trained, sufficiently single-minded, sufficiently sincere, sure of itself, faithful to itself alone, absolute in faith, we can use for the acquisition of any object whatsoever; but we ought to use it not for the acquisition of the many objects which the world offers to us, but to grasp spiritually that one object worthy of pursuit which is also the one subject worthy of knowledge. By concentration of our whole being on one status of itself we can become whatever we choose ; we can become, for instance, even if we were before a mass of weaknesses and fears, a mass instead of strength and courage, or we can become all a great purity, holiness and peace or a single universal soul of Love ; but we ought, it is said, to use this power to become not even these things, high as they may be in comparison with what we now are, but rather to become that which is above all things and free from all action and attributes, the pure and absolute Being. All else, all other concentration can only be valuable for preparation, for previous steps, for a gradual training of the dissolute and self-dissipating thought, will and being towards their grand and unique object.

Stages in Concentration (Rajayogic) ::: that in which the object is seized, that in which it is held, that in which the mind is lost in the status which the object represents or to which the concentration leads.

Concentration and Meditation ::: Concentration means fixing the consciousness in one place or one object and in a single condition Meditation can be diffusive,e.g. thinking about the Divine, receiving impressions and discriminating, watching what goes on in the nature and acting upon it etc. Meditation is when the inner mind is looking at things to get the right knowledge.

vide Dhyāna.


conditional ::: a. --> Containing, implying, or depending on, a condition or conditions; not absolute; made or granted on certain terms; as, a conditional promise.
Expressing a condition or supposition; as, a conditional word, mode, or tense. ::: n.


condition ::: n. --> Mode or state of being; state or situation with regard to external circumstances or influences, or to physical or mental integrity, health, strength, etc.; predicament; rank; position, estate.
Essential quality; property; attribute.
Temperament; disposition; character.
That which must exist as the occasion or concomitant of something else; that which is requisite in order that something else should take effect; an essential qualification; stipulation; terms


conduct ::: n. --> The act or method of conducting; guidance; management.
Skillful guidance or management; generalship.
Convoy; escort; guard; guide.
That which carries or conveys anything; a channel; a conduit; an instrument.
The manner of guiding or carrying one&


congo snake ::: --> An amphibian (Amphiuma means) of the order Urodela, found in the southern United States. See Amphiuma.

contemperate ::: v. t. --> To temper; to moderate.

contemperation ::: n. --> The act of tempering or moderating.
Proportionate mixture or combination.


contemper ::: v. t. --> To modify or temper; to allay; to qualify; to moderate; to soften.

continency ::: n. --> Self-restraint; self-command.
The restraint which a person imposes upon his desires and passions; the act or power of refraining from indulgence of the sexual appetite, esp. from unlawful indulgence; sometimes, moderation in sexual indulgence.
Uninterrupted course; continuity.


continent ::: a. --> Serving to restrain or limit; restraining; opposing.
Exercising restraint as to the indulgence of desires or passions; temperate; moderate.
Abstaining from sexual intercourse; exercising restraint upon the sexual appetite; esp., abstaining from illicit sexual intercourse; chaste.
Not interrupted; connected; continuous; as, a continent fever.


continently ::: adv. --> In a continent manner; chastely; moderately; temperately.

continuance ::: n. --> A holding on, or remaining in a particular state; permanence, as of condition, habits, abode, etc.; perseverance; constancy; duration; stay.
Uninterrupted succession; continuation; constant renewal; perpetuation; propagation.
A holding together; continuity.
The adjournment of the proceedings in a cause from one day, or from one stated term of a court, to another.


contour ::: n. --> The outline of a figure or body, or the line or lines representing such an outline; the line that bounds; periphery.
The outline of a horizontal section of the ground, or of works of fortification. html{color:


contraindicant ::: n. --> Something, as a symptom, indicating that the usual mode of treatment is not to be followed.

coolness ::: n. --> The state of being cool; a moderate degree of cold; a moderate degree, or a want, of passion; want of ardor, zeal, or affection; calmness.
Calm impudence; self-possession.


cool ::: superl. --> Moderately cold; between warm and cold; lacking in warmth; producing or promoting coolness.
Not ardent, warm, fond, or passionate; not hasty; deliberate; exercising self-control; self-possessed; dispassionate; indifferent; as, a cool lover; a cool debater.
Not retaining heat; light; as, a cool dress.
Manifesting coldness or dislike; chilling; apathetic; as, a cool manner.


copy-book ::: a book containing models, usually of penmanship, for learners to imitate. Hence adj. commonplace; stereotyped.

copy ::: n. --> An abundance or plenty of anything.
An imitation, transcript, or reproduction of an original work; as, a copy of a letter, an engraving, a painting, or a statue.
An individual book, or a single set of books containing the works of an author; as, a copy of the Bible; a copy of the works of Addison.
That which is to be imitated, transcribed, or reproduced; a pattern, model, or example; as, his virtues are an excellent copy for


corf ::: n. --> A basket.
A large basket used in carrying or hoisting coal or ore.
A wooden frame, sled, or low-wheeled wagon, to convey coal or ore in the mines.


cornicular ::: n. --> A secretary or clerk. html{color:

corps ::: n. sing. & pl. --> The human body, whether living or dead.
A body of men; esp., an organized division of the military establishment; as, the marine corps; the corps of topographical engineers; specifically, an army corps.
A body or code of laws.
The land with which a prebend or other ecclesiastical office is endowed.


corrade ::: v. t. --> To gnaw into; to wear away; to fret; to consume.
To erode, as the bed of a stream. See Corrosion.


corroded ::: impaired; deteriorated.

corroded ::: imp. & p. p. --> of Corrode

corrodent ::: a. --> Corrosive. ::: n. --> Anything that corrodes.

corrode ::: v. t. --> To eat away by degrees; to wear away or diminish by gradually separating or destroying small particles of, as by action of a strong acid or a caustic alkali.
To consume; to wear away; to prey upon; to impair. ::: v. i. --> To have corrosive action; to be subject to corrosion.


corrodiate ::: v. t. --> To eat away by degrees; to corrode.

corrodible ::: a. --> Capable of being corroded; corrosible.

corroding ::: p. pr. & vb. n. --> of Corrode

cosmic Will ::: Sri Aurobindo: "Agni is the Deva, the All-Seer, manifested as conscious-force or, as it would be called in modern language, Divine or Cosmic Will, first hidden and building up the eternal worlds, then manifest, ``born"", building up in man the Truth and the Immortality.” *The Secret of the Veda

costeaning ::: n. --> The process by which miners seek to discover metallic lodes. It consist in sinking small pits through the superficial deposits to the solid rock, and then driving from one pit to another across the direction of the vein, in such manner as to cross all the veins between the two pits.

costean ::: v. i. --> To search after lodes. See Costeaning.

costume ::: n. A style of dress, including garments, accessories, and hairstyle, especially as characteristic of a particular country, period, or people. costumes. *v. 2. To furnish with a mode of attire, set of garments; dress. *costuming.

covinous ::: a. --> Deceitful; collusive; fraudulent; dishonest. html{color:

cowled ::: a. --> Wearing a cowl; hooded; as, a cowled monk.

cowled ::: wearing or supplied with a cowl; hooded. self-cowled.

cowl ::: n. 1. The hood or hooded robe worn especially by a monk. 2. A hood, especially a loose one; garment. v. 3. To cover with or as with a cowl.

cowpea ::: n. --> The seed of one or more leguminous plants of the genus Dolichos; also, the plant itself. Many varieties are cultivated in the southern part of the United States. html{color:

cow tree ::: --> A tree (Galactodendron utile or Brosimum Galactodendron) of South America, which yields, on incision, a nourishing fluid, resembling milk.

den ::: 1. The shelter or retreat of a wild animal; a lair. 2. A cave used as a place of shelter or concealment. 3. A squalid or vile abode or place.

draw ::: 1. To cause to move in a given direction or to a given position, as by leading. 2. To bring towards oneself or itself, as by inherent force or influence; attract. 3. To cause to come by attracting; attract. 4. To cause to move in a particular direction by or as by a pulling force; pull; drag. 5. To get, take or obtain as from a source; to derive. 6. To bring, take, or pull out, as from a receptacle or source. 7. To draw a (or the) line (fig.) to determine or define the limit between two things or groups; in modern colloquial use (esp. with at), to lay down a definite limit of action beyond which one refuses to go. 8. To make, sketch (a picture or representation of someone or something) in lines or words; to design, trace out, delineate; depict; also, to mould, model. 9. To mark or lay out; trace. 10. To compose or write out in legal format. 11. To write out (a bill of exchange or promissory note). 12. To disembowel. 13. To move or pull so as to cover or uncover something. 14. To suck or take in (air, for example); inhale. 15. To extend, lengthen, prolong, protract. 16. To cause to move after or toward one by applying continuous force; drag. draws, drew, drawn, drawing, wide-drawn.

drift ::: n. 1. A driving movement or force; impulse; impetus; pressure. 2. A gradual deviation from an original course, model, method, or intention. 3. Tendency, trend, meaning, or purport. 4. A bank or pile, as of sand or snow, heaped up by currents of air or water. 5. Something moving along in a current of air or water. 6. Any group of stars having a random distribution of velocities; usually applied to a group of stars with an apparent systematic motion towards some point in the sky. v. 7. To be carried along by or as if by currents of air or water. 8. To move leisurely or sporadically from place to place, especially without purpose. drifts, drifted, drifting, sleet-drift, slow-drifting.

DRINKING. ::: If excessive, it affects the substance and quality of the energy — but probably a moderate drinking and smoking would have a less perceptible effect.

dwelling ::: 1. A place to live in; an abode. 2. The act or action of living, staying, remaining in a place for a period of time. dwellings, dwelling-place.

eden ::: any delightful region or abode; paradise. Edens.

episode ::: 1. An incident in the course of a series of events, in a person"s life or experience, etc. 2. One of a number of loosely connected, but usually thematically related, scenes or stories constituting a literary work.

error ::: 1. A wrong action attributable to bad judgment or ignorance or inattention; a deviation from accuracy or correctness. 2. The act or an instance of deviating from an accepted code of behaviour. **error"s, errors, errorless.

espouse ::: to take to oneself, make one"s own (a cause, quarrel, etc.); to adopt, embrace (a doctrine, opinion, theory, profession, mode of life).

floating ::: adj. 1. Being buoyed up on water or other liquid. 2. Having little or no attachment; moving from one place to another. 3. Continually changing especially as from one abode or occupation to another. 4. Being suspended in or as in a liquid with freedom to move; also, to move freely through (something).

flood ::: n. **1. A large body of water; a great flow or stream of any fluid; any great overwhelming quantity, also poet. & fig. 2. The rise and flowing in of the tide. 3. The rising of a body of water and its overflowing onto normally dry land. 4. Any great outpouring or stream. floods. v. 5. To flow or pour in or as if in a flood. flooded, flooding. ::: And heard the questioning of the unsatisfied flood **

formats ::: plans, styles or types of arrangement; modes of procedure; organization.

formula ::: 1. A prescribed form; a rule or model; any fixed or conventional method for doing something. 2. An established form of words or symbols for use in a ceremony or procedure. 3. Math. A general relationship, principle, or rule stated, often as an equation, in the form of symbols. 4. A representation of a substance using symbols for its constituent elements. formulas.

Frog ; Modest usefulness.

garb ::: n. 1. Mode of dress. 2. Outward appearance or form. v. 3. To dress; clothe. garbs, garbed, garbless.

guide ::: n. 1. One who goes with or before for the purpose of leading the way: said of persons, of God, Providence, and of impersonal agents, such as stars, light, etc. 2. One who shows the way by leading, directing, or advising. Also fig. 3. One who serves as a model for others, as in a course of conduct. Guide, guides. v. 4. To assist one to travel through, or reach a destination in, an unfamiliar area, as by accompanying or giving directions. 5. To direct the course of; steer. 6.* Fig. To lead the way for (a person). guides, guided, guiding. **adj. *guideless.**

habitation ::: a place of abode; a residence ; dwelling-place.

heavenly ::: of or relating to the firmament as the abode of God; celestial. heavenlier, heavenliest, heavenliness.

hell ::: the abode of condemned souls and devils in some religions; the place of eternal punishment for the wicked after death. hell"s, hells.

“He [man] has in him not a single mentality, but a double and a triple, the mind material and nervous, the pure intellectual mind which liberates itself from the illusions of the body and the senses, and a divine mind above intellect which in its turn liberates itself from the imperfect modes of the logically discriminative and imaginative reason.” The Synthesis of Yoga

hew ::: 1. To cut something by repeated blows, as of an axe. 2. To make or shape as with an axe. 3. To sever from a larger or another portion as with a blow. 4. To cut down with an axe; fell; slay. hews, hewed, hewn, hewing, hewer, half-hewn, rock-hewn. ::: rough-hewn. Shaped out roughly, given crude form to; worked or executed in the rough. (Here in reference to Satyavan"s abode.)

hooded

inn ::: an abode; a lodging, esp. for travellers.

inordinate ::: 1. Not regulated or controlled; disorderly. 2. Exceeding reasonable limits; excessive; immoderate.

interlude ::: an intervening episode, feature, or period of time.

Jhumur: “The Book of bliss is really the ultimate Satchitananda, the everlasting day when one has moved out of all contact with the unconscious and lives no longer in between sunlight and darkness but wholly in the light, wholly in the Divine. There was once a question that somebody asked Mother when She used to take our classes. She (the person) said that in our world there is a change from lesser to greater if one tries to progress. It is a constant change. When one enters the higher plane, the upper hemisphere as you call it, will there be no change, will it always be the same? Mother said,”No, it is not that. One perfection can then be manifested later in another kind of perfection.” There is a variety of different laws of perfection, hence the myriad volumes of the Book of Bliss. Delight has so many modes of expression, perfection or delight, they are all the same and there is not just one way of manifesting the Divine. There are infinite modes of expression of that delight.”

Jhumur: “This passage always makes me think of Sri Aurobindo who is really revealing and working out these modes.”

key ::: 1. A small metal instrument specially cut to fit into a lock and move its bolt. 2. Fig. Something that explains a mystery or gives an answer to a mystery, a code etc. 3. Something that is crucial in providing an explanation or interpretation. 4. Fig. Serving as an essential component; "a cardinal rule”. 5. The principal tonality of a composition. 6. Pitch of the voice. keys.

key-book ::: a book or other text containing the system or explanatory scheme for the interpretation of a cipher, code, or other composition of hidden or veiled meaning.

key-words ::: a word that serves as a key to a code or cipher.

lance ::: a long wooden shaft with a pointed metal head, used as a weapon by knights and horsemen in charging at full speed.

:::   "Law is nothing but a mode or rule of action; it is called in our philosophy not Law but Dharma, holding together, it is that by which the action of the universe, the action of its parts, the action of the individual is held together.” Essays in Philosophy and Yoga

“Law is nothing but a mode or rule of action; it is called in our philosophy not Law but Dharma, holding together, it is that by which the action of the universe, the action of its parts, the action of the individual is held together.” Essays in Philosophy and Yoga

lowly ::: 1. Humble in station, condition, or nature; modest. 2. Humble in attitude, behaviour, or spirit; meek.

Man has in him not a single mentality, but a double and a triple, the mind material and nervous, the pure intellectual mind which liberates itself from the illusion of the body and the senses and a divine mind above intellect which in its turn liberates itself from the imperfect modes of the logically discriminative and imaginative reason.

marsh ::: low poorly drained land that is sometimes flooded and often lies at the edge of lakes, streams, etc.

mode ::: a manner of acting or doing; method; way. modes.

model ::: n. 1. A representation, generally in miniature, to show the construction or appearance of something. 2. One serving as an example of excellence to be imitated or compared. models. v. 3. To plan, construct, fashion or shape. ::: models, modelled, new-model.

Modern psychology is an infant science, at once rash, fumbling and crude. As in all infant sciences, the universal habit of the human mind — to take a partial or local truth, generalise it unduly and try to explain a whole field of Nature in its narrow- terms — runs riot here.

modesty ::: moderation; the quality or characteristic of being unassuming; unobtrusive, retiring; diffident.

middle way ::: a path of moderation between two extremes.

mind, Ideal Mind ::: Sri Aurobindo: "The link between the spiritual and the lower planes of the being is that which is called in the old Vedantic phraseology the vijñâna and which we may describe in our modern turn of language as the Truth-plane or the ideal mind or supermind. There the One and the Many meet and our being is freely open to the revealing light of the divine Truth and the inspiration of the divine Will and Knowledge.” *The Synthesis of Yoga

mind ::: Sri Aurobindo: "The ‘Mind" in the ordinary use of the word covers indiscriminately the whole consciousness, for man is a mental being and mentalises everything; but in the language of this yoga the words ‘mind" and ‘mental" are used to connote specially the part of the nature which has to do with cognition and intelligence, with ideas, with mental or thought perceptions, the reactions of thought to things, with the truly mental movements and formations, mental vision and will, etc., that are part of his intelligence.” *Letters on Yoga

"Mind in its essence is a consciousness which measures, limits, cuts out forms of things from the indivisible whole and contains them as if each were a separate integer.” The Life Divine

"Mind is an instrument of analysis and synthesis, but not of essential knowledge. Its function is to cut out something vaguely from the unknown Thing in itself and call this measurement or delimitation of it the whole, and again to analyse the whole into its parts which it regards as separate mental objects.” The Life Divine

"The mind proper is divided into three parts — thinking Mind, dynamic Mind, externalising Mind — the former concerned with ideas and knowledge in their own right, the second with the putting out of mental forces for realisation of the idea, the third with the expression of them in life (not only by speech, but by any form it can give).” Letters on Yoga

"The difference between the ordinary mind and the intuitive is that the former, seeking in the darkness or at most by its own unsteady torchlight, first, sees things only as they are presented in that light and, secondly, where it does not know, constructs by imagination, by uncertain inference, by others of its aids and makeshifts things which it readily takes for truth, shadow projections, cloud edifices, unreal prolongations, deceptive anticipations, possibilities and probabilities which do duty for certitudes. The intuitive mind constructs nothing in this artificial fashion, but makes itself a receiver of the light and allows the truth to manifest in it and organise its own constructions.” The Synthesis of Yoga

"He [man] has in him not a single mentality, but a double and a triple, the mind material and nervous, the pure intellectual mind which liberates itself from the illusions of the body and the senses, and a divine mind above intellect which in its turn liberates itself from the imperfect modes of the logically discriminative and imaginative reason.” The Synthesis of Yoga

"Our mind is an observer of actuals, an inventor or discoverer of possibilities, but not a seer of the occult imperatives that necessitate the movements and forms of a creation. . . .” *The Life Divine

"The human mind is an instrument not of truth but of ignorance and error.” Letters on Yoga

"For Mind as we know it is a power of the Ignorance seeking for Truth, groping with difficulty to find it, reaching only mental constructions and representations of it in word and idea, in mind formations, sense formations, — as if bright or shadowy photographs or films of a distant Reality were all that it could achieve.” The Life Divine

The Mother: "The true role of the mind is the formation and organization of action. The mind has a formative and organizing power, and it is that which puts the different elements of inspiration in order for action, for organizing action. And if it would only confine itself to that role, receiving inspirations — whether from above or from the mystic centre of the soul — and simply formulating the plan of action — in broad outline or in minute detail, for the smallest things of life or the great terrestrial organizations — it would amply fulfil its function. It is not an instrument of knowledge. But is can use knowledge for action, to organize action. It is an instrument of organization and formation, very powerful and very capable when it is well developed.” Questions and Answers 1956, MCW Vol. 8.*


modicum ::: a small, moderate, or token amount.

monument ::: 1. A structure, such as a building, pillar, statue or sculpture, erected as a memorial to a person or event, as a building, pillar or statue. 2. Any enduring evidence or notable example of something. 3. An exemplar, model, or personification of some abstract quality. monuments.

"Moreover we see that this cosmic action or any cosmic action is impossible without the play of an infinite Force of Existence which produces and regulates all these forms and movements; and that Force equally presupposes or is the action of an infinite Consciousness, because it is in its nature a cosmic Will determining all relations and apprehending them by its own mode of awareness, and it could not so determine and apprehend them if there were no comprehensive Consciousness behind that mode of cosmic awareness to originate as well as to hold, fix and reflect through it the relations of Being in the developing formation or becoming of itself which we call a universe.” The Life Divine

“Moreover we see that this cosmic action or any cosmic action is impossible without the play of an infinite Force of Existence which produces and regulates all these forms and movements; and that Force equally presupposes or is the action of an infinite Consciousness, because it is in its nature a cosmic Will determining all relations and apprehending them by its own mode of awareness, and it could not so determine and apprehend them if there were no comprehensive Consciousness behind that mode of cosmic awareness to originate as well as to hold, fix and reflect through it the relations of Being in the developing formation or becoming of itself which we call a universe.” The Life Divine

morse ::: morse code. Either of two systems of clicks and pauses, short and long sounds, or flashes of light, used to represent the letter of the alphabet, numerals, etc.

mould ::: n. 1. An often hollow matrix or form by which something is shaped; a model, a pattern. 2. Bodily form, body. Chiefly poet. **3. Poetic, the earth. moulds, moulders. v. 4. To work into a shape; fashion a material into a form. Chiefly poet. 5. To shape of form in or on a mould. moulds, moulded, moulding. adj. moulding. 6. Forming, shaping. moulded. 7. **Shaped or cast in a mould; made according to a mould; cut or shaped to a mould.

n. 1. A conception of something in its absolute perfection. adj. **2. One that is regarded as a standard or model of perfection or excellence. Ideal, ideal"s, Ideal"s, ideals.

n. 1. A structure serving as a dwelling for one or more persons, especially for a family. 2.* Fig. An abode; dwelling-place. houses, marvel-house. v. 3. To be a receptacle for or repository of. 4. To shelter, keep, or store in or as if in a house; to give shelter to. *housed, housing. ::: See also dwelling-house.

n. 1. The body or outward appearance of a person or an animal considered separately from the face or head; figure. 2. An object, person, or part of the human body or the appearance of any of these, esp. as seen in nature. 3. The mode in which a thing exists, acts, or manifests itself; kind. 4. The structure, pattern, organization or essential nature of anything. Form, form"s, forms, Forms, form-bound, form-discoveries, form-maker, form-smitten, thought-forms. v. 5. To give form to; shape. 6.* *To take or assume form; to be formed or produced. forms, formed, many-formed, sense-formed. ::: re-form.** To form a second time, form over again.

n. 1. The make or form of anything. 2. Manner or mode; way. 3. A kind; sort. fashions. *v. 3. To give a particular shape or form to; make. fashions, *fashioned, fashioning, new-fashions.

nomad ::: a member of a people or tribe that has no permanent abode but moves about from place to place; esp. roaming about or wandering.

norm ::: 1. A standard, model, or pattern regarded as typical. 2. General level or average.

not formulated in written codes or documents; not reduced to writing; oral.

"Nothing can be more remarkable and suggestive than the extent to which modern Science confirms in the domain of Matter the conceptions and even the very formulae of language which were arrived at, by a very different method, in the Vedanta, — the original Vedanta, not of the schools of metaphysical philosophy, but of the Upanishads. And these, on the other hand, often reveal their full significance, their richer contents only when they are viewed in the new light shed by the discoveries of modern Science, — for instance, that Vedantic expression which describes things in the Cosmos as one seed arranged by the universal Energy in multitudinous forms.(1) Significant, especially, is the drive of Science towards a Monism which is consistent with multiplicity, towards the Vedic idea of the one essence with its many becomings.” The Life Divine

“Nothing can be more remarkable and suggestive than the extent to which modern Science confirms in the domain of Matter the conceptions and even the very formulae of language which were arrived at, by a very different method, in the Vedanta,—the original Vedanta, not of the schools of metaphysical philosophy, but of the Upanishads. And these, on the other hand, often reveal their full significance, their richer contents only when they are viewed in the new light shed by the discoveries of modern Science,—for instance, that Vedantic expression which describes things in the Cosmos as one seed arranged by the universal Energy in multitudinous forms.(1) Significant, especially, is the drive of Science towards a Monism which is consistent with multiplicity, towards the Vedic idea of the one essence with its many becomings.” The Life Divine

obscene ::: offensive or outrageous to accepted standards of decency or modesty; repulsive.

of things, on various planes not only by these sensible images, but by a species of thought perception or of thought, reception and impression analogous, to that phenomenon of consciousness which in modern psychical science, has ' been given the. name of telepathy. i m _ i .r '

overflowed ::: 1. Flowed or ran over the top, brim, or banks. Also fig. **2. Spread or covered over; flooded. overflowing.**

overtopped ::: 1. Rose over the top of. 2. Surpassed or excelled. 3. Rose above in authority; took precedence over; overrode. overtops, overtopping.

paradise ::: 1. The abode of righteous souls after death; heaven. 2. A place of ideal beauty or loveliness. 3. Fig A state of delight. Paradise, paradisal.

pattern ::: 1. A model or original used as an archetype. 2. A plan or diagram used as a guide in making something. 3. An artistic or decorative design. 4. A combination of qualities, acts, tendencies, etc., forming a consistent or characteristic arrangement; order or form discernible in things, actions, ideas, situations, etc. patterns, patterned, many-patterned.

penal code ::: law. The aggregate of statutory enactments dealing with crimes and their punishment.

phrase ::: 1. A characteristic way or mode of expression. 2. An expression of two or more words in sequence that form a syntactic unit that is less than a complete sentence. phrases.

prefigured ::: suggested, indicated, or represented beforehand by a form or model; presaged or foreshadowed.

preparation ::: any proceeding, experience or the like considered as a mode of preparing for the future.

quest ::: “The quest of man for God, which becomes in the end the most ardent and enthralling of all his quests, begins with his first vague questionings of Nature and a sense of something unseen both in himself and her. Even if, as modern Science insists, religion started from animism, spirit-worship, demon-worship, and the deification of natural forces, these first forms only embody in primitive figures a veiled intuition in the subconscient, an obscure and ignorant feeling of hidden influences and incalculable forces, or a vague sense of being, will, intelligence in what seems to us inconscient, of the invisible behind the visible, of the secretly conscious spirit in things distributing itself in every working of energy. The obscurity and primitive inadequacy of the first perceptions do not detract from the value or the truth of this great quest of the human heart and mind, since all our seekings,—including Science itself,—must start from an obscure and ignorant perception of hidden realities and proceed to the more and more luminous vision of the Truth which at first comes to us masked, draped, veiled by the mists of the Ignorance. Anthropomorphism is an imaged recognition of the truth that man is what he is because God is what He is and that there is one soul and body of things, humanity even in its incompleteness the most complete manifestation yet achieved here and divinity the perfection of what in man is imperfect.” The Life Divine

recast ::: to cast or model anew. Also fig.

RETIREMENT, It may be necessary for the seeker at any period to withdraw into himself, to remain plunged in his inner being, to shut out from himself the noise and turmoil of the life of the Ignorance until a certain inner change has been accom- plished or something achieved without which a further effective action on life has become difficult or impossible. But this can only be a period or an episode, a- temporary necessity or a pre- paratory spiritual manoeuvre.

SATTVA. ::: Prindple of assimilation, equilibrium and har- mony ; force of equilibrium, translates in quality as good and harmony and happiness and Kghf ; the quality that illumines ; one of the three gunas, fundamental qualities or modes of nature.

scene ::: 1. The place where an action or event occurs. 2. A view or picture presented to the eye (or to the mind) of a place, concourse, incident, series of actions or events, assemblage of objects, etc. 3. The place in which the action of a play, movie, or other narrative occurs; a setting. 4. A subdivision of an act of a play marked by the entrance or departure of one or more actors. 5. An action, episode, complication of events, or situation, in real life. 6. Fig. A view or prospect of something to come. scenes, scene-shifters, earth-scene, earth-scene"s, life-scene, soul-scene, world-scene.

schema ::: a diagrammatic representation; an outline or model.

sculptor ::: 1. One who shapes, molds, or fashions especially with artistry or precision. 2. An artist who carves or models in stone, clay, wood, etc.

sculpture ::: the art or practice of shaping figures or designs in the round or in relief as by chiselling marble, modelling clay, or casting in metal.

sculpturing ::: carving, modelling.

self-knowledge ::: knowing of oneself, without help from another.
Sri Aurobindo: The possibility of a cosmic consciousness in humanity is coming slowly to be admitted in modern Psychology, like the possibility of more elastic instruments of knowledge, although still classified, even when its value and power are admitted, as a hallucination. In the psychology of the East it has always been recognised as a reality and the aim of our subjective progress. The essence of the passage over to this goal is the exceeding of the limits imposed on us by the ego-sense and at least a partaking, at most an identification with the self-knowledge which broods secret in all life and in all that seems to us inanimate. *The Life Divine
"Therefore the only final goal possible is the emergence of the infinite consciousness in the individual; it is his recovery of the truth of himself by self-knowledge and by self-realisation, the truth of the Infinite in being, the Infinite in consciousness, the Infinite in delight repossessed as his own Self and Reality of which the finite is only a mask and an instrument for various expression.” The Life Divine
"The Truth-Consciousness is everywhere present in the universe as an ordering self-knowledge by which the One manifests the harmonies of its infinite potential multiplicity.” The Life Divine


Shiva ::: “The ‘auspicious one’; a name of the third deity of the Hindu Trinity; . . . represented mostly as ‘the pure and white, the ascetic, the still, contemplative Yogin’. The name Shiva is not found in the Vedas; however, the name Rudra occurs both in the singular and the plural. This Rudra of the Vedas developed in the course of time into Shiva, considered in the Puranic tradition mainly as the destroying or dissolving Power. He has a third eye in the middle of the forehead, a fiery glance from which once reduced Kamadeva to ashes. In his creative aspect he is represented as a Linga (phallus), symbolising the male procreative energy in nature. It is under the form of the Linga that Shiva is mostly worshipped. His abode is on Mt. Kailash, Parvati is his spouse and the Trisula (the trident) his weapon.” Glossary and Index of Proper Names in Sri Aurobindo’s Works

shiva ::: "The ‘auspicious one"; a name of the third deity of the Hindu Trinity; . . . represented mostly as ‘the pure and white, the ascetic, the still, contemplative Yogin". The name Shiva is not found in the Vedas; however, the name Rudra occurs both in the singular and the plural. This Rudra of the Vedas developed in the course of time into Shiva, considered in the Puranic tradition mainly as the destroying or dissolving Power. He has a third eye in the middle of the forehead, a fiery glance from which once reduced Kamadeva to ashes. In his creative aspect he is represented as a Linga (phallus), symbolising the male procreative energy in nature. It is under the form of the Linga that Shiva is mostly worshipped. His abode is on Mt. Kailash, Parvati is his spouse and the Trisula (the trident) his weapon.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works

Since the Consciousness-Force of the eternal Existence is the universal creatrix, the nature of a given world will depend on whatever self-formulation of that Consciousness expresses itself in that world. Equally, for each individual being, his seeing or representation to himself of the world he lives in will depend on the poise or make which that Consciousness has assumed in him. Our human mental consciousness sees the world in sections cut by the reason and sense and put together in a formation which is also sectional; the house it builds is planned to accommodate one or another generalised formulation of Truth, but excludes the rest or admits some only as guests or dependents in the house. Overmind Consciousness is global in its cognition and can hold any number of seemingly fundamental differences together in a reconciling vision. Thus the mental reason sees Person and the Impersonal as opposites: it conceives an impersonal Existence in which person and personality are fictions of the Ignorance or temporary constructions; or, on the contrary, it can see Person as the primary reality and the impersonal as a mental abstraction or only stuff or means of manifestation. To the Overmind intelligence these are separable Powers of the one Existence which can pursue their independent self-affirmation and can also unite together their different modes of action, creating both in their independence and in their union different states of consciousness and being which can be all of them valid and all capable of coexistence. A purely impersonal existence and consciousness is true and possible, but also an entirely personal consciousness and existence; the Impersonal Divine, Nirguna Brahman, and the Personal Divine, Saguna Brahman, are here equal and coexistent aspects of the Eternal. Impersonality can manifest with person subordinated to it as a mode of expression; but, equally, Person can be the reality with impersonality as a mode of its nature: both aspects of manifestation face each other in the infinite variety of conscious Existence. What to the mental reason are irreconcilable differences present themselves to the Overmind intelligence as coexistent correlatives; what to the mental reason are contraries are to the Overmind intelligence complementaries. Our mind sees that all things are born from Matter or material Energy, exist by it, go back into it; it concludes that Matter is the eternal factor, the primary and ultimate reality, Brahman. Or it sees all as born of Life-Force or Mind, existing by Life or by Mind, going back into the universal Life or Mind, and it concludes that this world is a creation of the cosmic Life-Force or of a cosmic Mind or Logos. Or again it sees the world and all things as born of, existing by and going back to the Real-Idea or Knowledge-Will of the Spirit or to the Spirit itself and it concludes on an idealistic or spiritual view of the universe. It can fix on any of these ways of seeing, but to its normal separative vision each way excludes the others. Overmind consciousness perceives that each view is true of the action of the principle it erects; it can see that there is a material world-formula, a vital world-formula, a mental world-formula, a spiritual world-formula, and each can predominate in a world of its own and at the same time all can combine in one world as its constituent powers. The self-formulation of Conscious Force on which our world is based as an apparent Inconscience that conceals in itself a supreme Conscious-Existence and holds all the powers of Being together in its inconscient secrecy, a world of universal Matter realising in itself Life, Mind, Overmind, Supermind, Spirit, each of them in its turn taking up the others as means of its self-expression, Matter proving in the spiritual vision to have been always itself a manifestation of the Spirit, is to the Overmind view a normal and easily realisable creation. In its power of origination and in the process of its executive dynamis Overmind is an organiser of many potentialities of Existence, each affirming its separate reality but all capable of linking themselves together in many different but simultaneous ways, a magician craftsman empowered to weave the multicoloured warp and woof of manifestation of a single entity in a complex universe. …

slake ::: to lessen the force, pain, acuteness or activity of; (as thirst, anger, etc.); moderate.

sphere ::: 1. The sky considered as a vaulted roof; firmament. 2. The place or environment within which a person or thing exists; a field of activity or operation; orbit, province, realm, domain. 3. A celestial abode. 4. A field of something specified. 5. The orbit of a celestial body, such as that of a planet. Also fig. **spheres.**

SPIRTTUAI- EVOLUTION- A life is only one brief episode in a long history of spiritual evolution in which the soul follows the curve of the line set for the earth passing through many lives to complete it. It is an evolution out of the material inconscience to consciousness and towards the Divine Consciousness, from

Sri Aurobindo: "It is an achievement to have got rid so rapidly and decisively of the shimmering mists and fogs which modern intellectualism takes for Light of Truth. The modern mind has so long and persistently wandered – and we with it – in the Valley of the False Glimmer that it is not easy for anyone to disperse its mists with the sunlight of clear vision.” Letters on Yoga

Sri Aurobindo: “The link between the spiritual and the lower planes of the being is that which is called in the old Vedantic phraseology the vijñâna and which we may describe in our modern turn of language as the Truth-plane or the ideal mind or supermind. There the One and the Many meet and our being is freely open to the revealing light of the divine Truth and the inspiration of the divine Will and Knowledge.” The Synthesis of Yoga

Sri Aurobindo: "The quest of man for God, which becomes in the end the most ardent and enthralling of all his quests, begins with his first vague questionings of Nature and a sense of something unseen both in himself and her. Even if, as modern Science insists, religion started from animism, spirit-worship, demon-worship, and the deification of natural forces, these first forms only embody in primitive figures a veiled intuition in the subconscient, an obscure and ignorant feeling of hidden influences and incalculable forces, or a vague sense of being, will, intelligence in what seems to us inconscient, of the invisible behind the visible, of the secretly conscious spirit in things distributing itself in every working of energy. The obscurity and primitive inadequacy of the first perceptions do not detract from the value or the truth of this great quest of the human heart and mind, since all our seekings, — including Science itself, — must start from an obscure and ignorant perception of hidden realities and proceed to the more and more luminous vision of the Truth which at first comes to us masked, draped, veiled by the mists of the Ignorance. Anthropomorphism is an imaged recognition of the truth that man is what he is because God is what He is and that there is one soul and body of things, humanity even in its incompleteness the most complete manifestation yet achieved here and divinity the perfection of what in man is imperfect.” The Life Divine

stammer ::: a mode of utterance or way of speaking characterized by faltering, involuntary pauses or repetitions. stammering.

statue ::: a three-dimensional form or likeness sculpted, modeled, carved, or cast in material such as stone, clay, wood, or bronze. Also fig. statues.

storeyed ::: having storeys, divided into storeys. many-storeyed. (Modern spelling: storied)

storeys ::: floors or levels in a building (in modern usage, stories).

straddled ::: stood, sat or walked with a leg on each side of; bestrode.

strode ::: pt. of stride.

stride ::: n. 1. A regular or steady course, pace, etc. 2. A single long step; a striding manner or gait. v. 3. To walk with long steps, especially in a hasty or vigorous way. strides, strode, Titan-striding.

structure ::: n. **1. Mode of building, construction, or organization; arrangement of parts, elements, or constituents. 2. Something built or constructed, as a building, bridge, etc. Also fig. 3. Anything composed of parts arranged together in some way; an organization. structures. v. 4. To give an organization, form or arrangement to; construct a systematic framework for. structured.**

style ::: 1. A particular kind, sort, or type, as with reference to form, appearance, character, etc. 2. The combination of distinctive features of literary or artistic expression, execution, or performance characterizing a particular person, group, school, or era. 3. A particular, distinctive, or characteristic mode or form of construction or execution in any art or work.

sylvan ::: 1. Of, pertaining to, or inhabiting the woods. 2. Consisting of or abounding in woods or trees; wooded.

TAMAS. ::: One of the three gut^as, fundamental qualities or modes of Nature ; principle of inertia of consciousness and force ; translates in quality as obscurity and incapacity and inaction.

temperate ::: not excessive in degree, as things, qualities, etc.; moderate.

termite ::: any of numerous pale-colored, usually soft-bodied social insects of the order Isoptera that live mostly in warm regions and many species of which feed on wood, often destroying trees and wooden structures. Also called white ant.

". . . the cosmic Force, masked as a material Energy, hides from our view by its insistent materiality of process the occult fact that the working of the Inconscient is really the expression of a vast universal Life, a veiled universal Mind, a hooded Gnosis, and without these origins of itself it could have no power of action, no organising coherence.” The Life Divine

“… the cosmic Force, masked as a material Energy, hides from our view by its insistent materiality of process the occult fact that the working of the Inconscient is really the expression of a vast universal Life, a veiled universal Mind, a hooded Gnosis, and without these origins of itself it could have no power of action, no organising coherence.” The Life Divine

“The Godhead has built this universe in a complex system of worlds which we find both within us and without, subjectively cognised and objectively sensed. It is a rising tier of earths and heavens; it is a stream of diverse waters; it is a Light of seven rays, or of eight or nine or ten; it is a Hill of many plateaus. The seers often image it in a series of trios; there are three earths and three heavens. More, there is a triple world below,—Heaven, Earth and the intervening mid-region; a triple world between, the shining heavens of the Sun; a triple world above, the supreme and rapturous abodes of the Godhead.” The Secret of the Veda

::: ". . . the modern man, even the modern cultured man, is or tends to be to a degree quite unprecedented politikon zôon, a political, economic and social being valuing above all things the efficiency of the outward existence and the things of the mind and spirit mainly, when not exclusively, for their aid to humanity"s vital and mechanical progress: he has not that regard of the ancients which looked up towards the highest heights and regarded an achievement in the things of the mind and the spirit with an unquestioning admiration or a deep veneration for its own sake as the greatest possible contribution to human culture and progress. And although this modern tendency is exaggerated and ugly and degrading in its exaggeration, inimical to humanity"s spiritual evolution, it has this much of truth behind it that while the first value of a culture is its power to raise and enlarge the internal man, the mind, the soul, the spirit, its soundness is not complete unless it has shaped also his external existence and made of it a rhythm of advance towards high and great ideals. This is the true sense of progress and there must be as part of it a sound political, economic and social life, a power and efficiency enabling a people to survive, to grow and to move securely towards a collective perfection, and a vital elasticity and responsiveness that will give room for a constant advance in the outward expression of the mind and the spirit.” The Renaissance in India

“… the modern man, even the modern cultured man, is or tends to be to a degree quite unprecedented politikon zôon, a political, economic and social being valuing above all things the efficiency of the outward existence and the things of the mind and spirit mainly, when not exclusively, for their aid to humanity’s vital and mechanical progress: he has not that regard of the ancients which looked up towards the highest heights and regarded an achievement in the things of the mind and the spirit with an unquestioning admiration or a deep veneration for its own sake as the greatest possible contribution to human culture and progress. And although this modern tendency is exaggerated and ugly and degrading in its exaggeration, inimical to humanity’s spiritual evolution, it has this much of truth behind it that while the first value of a culture is its power to raise and enlarge the internal man, the mind, the soul, the spirit, its soundness is not complete unless it has shaped also his external existence and made of it a rhythm of advance towards high and great ideals. This is the true sense of progress and there must be as part of it a sound political, economic and social life, a power and efficiency enabling a people to survive, to grow and to move securely towards a collective perfection, and a vital elasticity and responsiveness that will give room for a constant advance in the outward expression of the mind and the spirit.” The Renaissance in India

"The only free will in the world is the one divine Will of which Nature is the executrix; for she is the master and creator of all other wills. Human free-will can be real in a sense, but, like all things that belong to the modes of Nature, it is only relatively real. The mind rides on a swirl of natural forces, balances on a poise between several possibilities, inclines to one side or another, settles and has the sense of choosing: but it does not see, it is not even dimly aware of the Force behind that has determined its choice.” The Synthesis of Yoga

“The only free will in the world is the one divine Will of which Nature is the executrix; for she is the master and creator of all other wills. Human free-will can be real in a sense, but, like all things that belong to the modes of Nature, it is only relatively real. The mind rides on a swirl of natural forces, balances on a poise between several possibilities, inclines to one side or another, settles and has the sense of choosing: but it does not see, it is not even dimly aware of the Force behind that has determined its choice.” The Synthesis of Yoga

The possibility of a cosmic consciousness in humanity is coming slowly to be admitted in modern Psychology, like the possibility of more elastic instruments of knowledge, although still classified, even when its value and power are admitted, as a hallucination. In the psychology of the East it has always been recognised as a reality and the aim of our subjective progress. The essence of the passage over to this goal is the exceeding of the limits imposed on us by the ego-sense and at least a partaking, at most an identification with the self-knowledge which broods secret in all life and in all that seems to us inanimate. The Life Divine

:::   "The psycho-analysis of Freud is the last thing that one should associate with yoga. It takes up a certain part, the darkest, the most perilous, the unhealthiest part of the nature, the lower vital subconscious layer, isolates some of its most morbid phenomena and attributes to it and them an action out of all proportion to its true role in the nature. Modern psychology is an infant science, at once rash, fumbling and crude. As in all infant sciences, the universal habit of the human mind — to take a partial or local truth, generalise it unduly and try to explain a whole field of Nature in its narrow terms — runs riot here. Moreover, the exaggeration of the importance of suppressed sexual complexes is a dangerous falsehood and it can have a nasty influence and tend to make the mind and vital more and not less fundamentally impure than before.

“The psycho-analysis of Freud is the last thing that one should associate with yoga. It takes up a certain part, the darkest, the most perilous, the unhealthiest part of the nature, the lower vital subconscious layer, isolates some of its most morbid phenomena and attributes to it and them an action out of all proportion to its true role in the nature. Modern psychology is an infant science, at once rash, fumbling and crude. As in all infant sciences, the universal habit of the human mind—to take a partial or local truth, generalise it unduly and try to explain a whole field of Nature in its narrow terms—runs riot here. Moreover, the exaggeration of the importance of suppressed sexual complexes is a dangerous falsehood and it can have a nasty influence and tend to make the mind and vital more and not less fundamentally impure than before.

"There are, according to the Sankhya philosophy accepted in this respect by the Gita, three essential qualities or modes of the world-energy and therefore also of human nature, sattva, the mode of poise, knowledge and satisfaction, rajas, the mode of passion, action and struggling emotion, tamas, the mode of ignorance and inertia.” Essays on the Gita

“There are, according to the Sankhya philosophy accepted in this respect by the Gita, three essential qualities or modes of the world-energy and therefore also of human nature, sattva, the mode of poise, knowledge and satisfaction, rajas, the mode of passion, action and struggling emotion, tamas, the mode of ignorance and inertia.” Essays on the Gita

The right way is to transform the sleep and not suppress it, and especially to learn how to become more and more conscious in sleep itself. If that is done, sleep changes into an inner mode of consciousness in which the sadhana can continue as much as in the waking state, and at the same time one is able to enter into other planes of consciousness than the physical and command an immense range of informative and utilisable experience.

The theory of the Mantra is that it is a word of power bom out of the secret depths of our being where it has been brooded upon by a deeper consciousness than the mental, framed In the heart and not constructed by the intellect, held in the mind, again concentrated on by the waking mental consciousness and then thrown out silently or vocally — the silent word is perhaps held to be more potent than the spoken — precisely for the work of creation. The Mantra can not only Create new subjective states in ourselves, alter our p^chical being, reveal knowledge and faculties we did not before possess, can not only produce similar results in other minds than that of the user, but can pro- duce vibrations in the mental and vital atmosphere which result in effects, in actions and even in the production of material forms on the physical place. ’

"The theory of the Mantra is that it is a word of power born out of the secret depths of our being where it has been brooded upon by a deeper consciousness than the mental, framed in the heart and not constructed by the intellect, held in the mind, again concentrated on by the waking mental consciousness and then thrown out silently or vocally — the silent word is perhaps held to be more potent than the spoken — precisely for the work of creation. The Mantra can not only create new subjective states in ourselves, alter our psychical being, reveal knowledge and faculties we did not before possess, can not only produce similar results in other minds than that of the user, but can produce vibrations in the mental and vital atmosphere which result in effects, in actions and even in the production of material forms on the physical plane.” The Upanishads

“The theory of the Mantra is that it is a word of power born out of the secret depths of our being where it has been brooded upon by a deeper consciousness than the mental, framed in the heart and not constructed by the intellect, held in the mind, again concentrated on by the waking mental consciousness and then thrown out silently or vocally—the silent word is perhaps held to be more potent than the spoken—precisely for the work of creation. The Mantra can not only create new subjective states in ourselves, alter our psychical being, reveal knowledge and faculties we did not before possess, can not only produce similar results in other minds than that of the user, but can produce vibrations in the mental and vital atmosphere which result in effects, in actions and even in the production of material forms on the physical plane.” The Upanishads

“The theory of the Mantra is that it is a word of power born out of the secret depths of our being where it has been brooded upon by a deeper consciousness than the mental, framed in the heart and not constructed by the intellect, held in the mind, again concentrated on by the waking mental consciousness and then thrown out silently or vocally—the silent word is perhaps held to be more potent than the spoken—precisely for the work of creation. The Mantra can not only create new subjective states in ourselves, alter our psychical being, reveal knowledge and faculties we did not before possess, can not only produce similar results in other minds than that of the user, but can produce vibrations in the mentaland vital atmosphere which result ineffects, in actions and even in theproduction of material forms on the physical plane.” The Upanishads

thousand ::: 1. Something represented by, representing, or consisting of 1000 units. 2. Often used to denote a large amount. thousands, thousand-hooded, thousand-pillared, thousand-voiced.

timorous ::: timid, modest by nature or revealing timidity.

triple world ::: Sri Aurobindo: "The Godhead has built this universe in a complex system of worlds which we find both within us and without, subjectively cognised and objectively sensed. It is a rising tier of earths and heavens; it is a stream of diverse waters; it is a Light of seven rays, or of eight or nine or ten; it is a Hill of many plateaus. The seers often image it in a series of trios; there are three earths and three heavens. More, there is a triple world below, — Heaven, Earth and the intervening mid-region; a triple world between, the shining heavens of the Sun; a triple world above, the supreme and rapturous abodes of the Godhead.” *The Secret of the Veda

trumpet ::: 1. A soprano brass wind instrument consisting of a long metal tube looped once and ending in a flared bell, the modern type being equipped with three valves for producing variations in pitch. 2. Something shaped or sounding like this instrument. Trumpets.

TUBERCULOSIS. ::: T.B. Is the result of a strong psychic-vitaf depression. Sex cannot directly cause T.B. though it may be a factor in bringing about a fall of the vital forces and withdrawal of the psychic supporting forces leading to T.B. The lact of vitality which easily comes as a result of modem civilisation is therefore a very strong contributing force. Modems have not the solid nervous system and the natural (as opp>osed to the artificial and morbid) zest of life that their ancestors had.

type ::: 1. A number of people or things having in common traits or characteristics that distinguish them as a group or class. 2. A person or thing having the features of a group or class. 3. An example or a model having the ideal features of a group or class; an embodiment. types.

"Veda, then, is the creation of an age anterior to our intellectual philosophies. In that original epoch thought proceeded by other methods than those of our logical reasoning and speech accepted modes of expression which in our modern habits would be inadmissible. The wisest then depended on inner experience and the suggestions of the intuitive mind for all knowledge that ranged beyond mankind"s ordinary perceptions and daily activities. Their aim was illumination, not logical conviction, their ideal the inspired seer, not the accurate reasoner. Indian tradition has faithfully preserved this account of the origin of the Vedas. The Rishi was not the individual composer of the hymn, but the seer (drashtâ ) of an eternal truth and an impersonal knowledge. The language of Veda itself is shruti, a rhythm not composed by the intellect but heard, a divine Word that came vibrating out of the Infinite to the inner audience of the man who had previously made himself fit for the impersonal knowledge.” The Secret of the Veda

“Veda, then, is the creation of an age anterior to our intellectual philosophies. In that original epoch thought proceeded by other methods than those of our logical reasoning and speech accepted modes of expression which in our modern habits would be inadmissible. The wisest then depended on inner experience and the suggestions of the intuitive mind for all knowledge that ranged beyond mankind’s ordinary perceptions and daily activities. Their aim was illumination, not logical conviction, their ideal the inspired seer, not the accurate reasoner. Indian tradition has faithfully preserved this account of the origin of the Vedas. The Rishi was not the individual composer of the hymn, but the seer (drashtâ ) of an eternal truth and an impersonal knowledge. The language of Veda itself is shruti, a rhythm not composed by the intellect but heard, a divine Word that came vibrating out of the Infinite to the inner audience of the man who had previously made himself fit for the impersonal knowledge.” The Secret of the Veda

violent ::: 1. Intense in force, effect, etc.; severe; extreme. 2. Roughly or immoderately vehement or ardent. 3. Marked by, acting with, or resulting from great force. 4. Characterized by an undue use of force; severe; harsh. 5. Tending to distort or injure meaning, phrasing, or intent.

  "Whether we take the modern scientific or the ancient Hindu standpoint the progress of humanity is a fact. The wheel of Brahma rotates for ever but it does not turn in the same place; its rotations carry it forward.” Essays in Philosophy and Yoga

“Whether we take the modern scientific or the ancient Hindu standpoint the progress of humanity is a fact. The wheel of Brahma rotates for ever but it does not turn in the same place; its rotations carry it forward.” Essays in Philosophy and Yoga

wooden ::: likened to wood; stiff.

working ::: 1. Operation; action. 2. The process of shaping a material. Also fig. 3. The process of fermenting, as of yeasts. 4. The operation or mode of operation of something. workings. (All other uses are as v. or adj.)



QUOTES [1 / 1 - 232 / 232]


KEYS (10k)

   1 William Wordsworth

NEW FULL DB (2.4M)

   20 Albert Rodenbach
   16 P G Wodehouse
   9 John Wooden
   9 Anonymous
   8 L E Modesitt Jr
   6 Emil Aarestrup
   6 Christian Winther
   3 Roger Goodell
   3 J K Rowling
   3 Bob Odenkirk
   3 Aristotle
   2 Stephen King
   2 Plautus
   2 Melody Beattie
   2 Melissa Broder
   2 Laozi
   2 Horace
   2 Arthur Rimbaud
   2 Apollonius of Rhodes
   2 Adam Oehlenschläger

1:There was a time when meadow, grove, and stream,
The earth, and every common sight
To me did seem
Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;—
Turn wheresoe'er I may,
By night or day,
The things which I have seen I now can see no more. ~ William Wordsworth, Ode on Intimations of Immortality from Recollections of Early Childhood,

*** WISDOM TROVE ***

1:The ode lives upon the ideal, the epic upon the grandiose, the drama upon the real. ~ victor-hugo, @wisdomtrove
2:The writer's only responsibility is to his art... If a writer has to rob his mother, he will not hesitate; the &
3:She dotes on poetry, sir. She adores it; I may say that her whole soul and mind are wound up, and entwined with it. She has produced some delightful pieces, herself, sir. You may have met with her &
4:Those who draw their sustenance from science are blessed. It is for me to only derive an occasional pleasure. This is nothing worthy of conceit, but I am indeed touched by the joys. This book is an ode to such joys, a digest of my collections from various sources. ~ rabindranath-tagore, @wisdomtrove
5:The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the &
6:Winter is on my head, but eternal spring is in my heart. The nearer I approach the end, the plainer I hear around me the immortal symphonies of the worlds which invite me. . . . For half a century I have been writing thoughts in prose, verse, history, drama, romance, tradition, satire, ode, and song. I have tried them all, but I feel I have not said a thousandth part of that which is within me. When I go down to the grave, I can say "I have finished my day's work," but I cannot say "I have finished my life's work." ~ victor-hugo, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:Ode Ao Dous De Julho
~ Antonio de Castro Alves,
2:Hazard of the job. That's Ode de Anal Gland you smell. ~ Kelly Moran,
3:To frame a Sabbath Bill or forge a Bull. ~ Thomas Hood, Ode to Rae Wilson,
4:why is there day, why must night come … – Pablo Neruda, ‘Ode to a Dog ~ Andr Alexis,
5:This poem will never reach its destination. On Rousseau's Ode To Posterity ~ Voltaire,
6:One word of praise from a woman is dearer to me than a whole ode from a man . . ~ Maxim Gorky,
7:The ode lives upon the ideal, the epic upon the grandiose, the drama upon the real. ~ Victor Hugo,
8:One day I will write an ode about kissing. I will call it "Ode to a Kiss".

It will be epic. ~ Nicola Yoon,
9:ONE DAY I WILL WRITE AN ODE about kissing. I will call it 'Ode to a Kiss.'

It will be epic. ~ Nicola Yoon,
10:Elegantly accomplished," said Nehemiah Trot. "I shall compose an Ode. Would you like to stay and listen? ~ Neil Gaiman,
11:The John Handy Quintet was on the stereo and the song was “Naima,” Handy’s 1967 ode to John Coltrane. ~ Michael Connelly,
12:i am
a lioness
who is no longer
afraid to let the world
hear her
roar

-an ode to me ~ Amanda Lovelace,
13:Tarde a vida me ensina
esta lição discreta:
a ode cristalina
é a que se faz sem poeta. ~ Carlos Drummond de Andrade,
14:I take the dust from the lotus feet of the guru to cleanse the mirror of my mind.” So begins a sacred ode to Hanuman. ~ Ram Dass,
15:I shall write an ode!" threatened Philip direfully.
"Ah no, that is too much!" cried De Vangrisse with feeling. ~ Georgette Heyer,
16:Horace's best ode would not please a young woman as much as the mediocre verses of the young man she is in love with. ~ Michael Moore,
17:ODE TO CARBONATION you taste like what I imagine swallowing radio wires feels like: all sparks and pop music in my throat. ~ Sierra DeMulder,
18:Wiem, że Bóg nie oczekuje ode mnie niczego, co przerasta moje siły. Chciałabym tylko, by nie ufał mi tak dalece. — Matka Teresa z Kalkuty ~ Anonymous,
19:An aged Burgundy runs with a beardless Port. I cherish the fancy that Port speaks sentences of wisdom, Burgundy sings the inspired Ode. ~ Ambrose Bierce,
20:Our word Tragedy comes from the Greek, tragos-ode: “The song of the goat.” Anybody who has ever heard a goat attempt to sing will know why. ~ Neil Gaiman,
21:Ne mogu spavati. Jedna mi se žena ispriječila između kapaka. Kad bih mogao, rekao bih joj da ode: ali jedna mi se žena ispriječila u grlu. ~ Eduardo Galeano,
22:From Piety, whose soul sincere  Fears God, and knows no other fear. ~ W. Smyth, Ode for the Installation of the Duke of Gloucester as Chancellor of Cambridge,
23:Sve, pa i ona sama, bilo joj je nesnosno. Želela je da odleti kao ptica, da ode nekuda da se podmladi, daleko, daleko, u prostore bez ijedne pegice. ~ Gustave Flaubert,
24:The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both. ~ Victor Hugo,
25:I do not propose to write an ode to dejection, but to brag as lustily as chanticleer in the morning, standing on his roost, if only to wake my neighbors up. ~ Henry David Thoreau,
26:The writer's only responsibility is to his art...If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies. ~ William Faulkner,
27:Even the angels bend their ears to earth when the ‘Ode to Joy’ is performed. When you hear music so beautiful it gives you chills, those are angel wings brushing against you. ~ Tiffany Reisz,
28:Ode ancora la voce del monarca rivolgersi agli autori di teatro, ai musicisti, agli scultori che gli stanno intorno: "Voglio affidarvi la cosa più importante del mondo: la mia fama". - p.38 ~ Jean Teul,
29:She had a life before me, and I have a life after this. The kiss is a commemoration. An ode to the random, unexpected, and beautiful things that come into your life when you need them most. ~ Marley Valentine,
30:I could write a song about it, give a speech on the wonder of room service, pen an ode to how awesome it is to be able to order a grilled cheese sandwich and tomato soup to be brought to your room. ~ Lauren Blakely,
31:And since the moment I’d looked down into her face and felt that jolt of ode-to-joy-and-holy-shit, I’d been falling, falling, falling, unable to stop myself, unable to look away, helpless to do the smart thing. ~ Amy Harmon,
32:Can you hear that?” I asked quietly, looking to Patrick before searching the stars again with the telescope. “How the ocean and the wind speak to the lighthouse. It’s like a quiet symphony; an ode to the stars, ~ N R Walker,
33:They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning, We will remember them. “Ode of Remembrance” Lawrence Binyon ~ John Ringo,
34:Now, movies that postdate Hitch: The Vanishing, with its sucker-punch finale. Frantic, Polanski’s ode to the master. Side Effects, which begins as a Big Pharma screed before slithering like an eel into another genre altogether. ~ A J Finn,
35:Sé que los objetos mantienen la energía del dolor emocional del dueño, así como de sus creencias respectos a las finanzas. Prefiero pagar el precio máximo de un objeto que tenga el optimismo del dueñode un negocio próspero. ~ Doreen Virtue,
36:I expect that in Heaven, the angels will sing Bach, and they'll envy us our understanding of Beethoven. The unfallen angels don't have to go through the first movements of the 9th symphony to get to the Ode to Joy. But we do. ~ Peter Kreeft,
37:Przyszłość zachowa czarnych we wdzięcznej pamięci. Przyjdzie taki dzień, kiedy siedzące pod palmami młode damy ze łzami w oczach czytać będą powieść Ostatni Murzyn. A Niger stanie się równie romantyczną rzeką jak Ren. THE END. ~ Sven Lindqvist,
38:She dotes on poetry, sir. She adores it; I may say that her whole soul and mind are wound up, and entwined with it. She has produced some delightful pieces, herself, sir. You may have met with her 'Ode to an Expiring Frog,' sir. ~ Charles Dickens,
39:As Sir Richard Branson commented in his ode to working remotely: “To successfully work with other people, you have to trust each other. A big part of this is trusting people to get their work done wherever they are, without supervision.”fn3 ~ Jason Fried,
40:Love is a fiction, a fable, an ode spun by poets and drunks, a fantastical tale told across one thousand and one nights, it is the genie in the bottle, it is the pot of gold at the end of the rainbow, it's the lie designed to seduce you. ~ Lauren Blakely,
41:Mrzovoljna je, ali on ode od kuće, pa mu to ne smeta. Mrzovoljna je zato što on ode i zato što ostane, pa on bira što mu je zgodnije. I što god učinio, zna da će je zateći kod kuće, čeka ga takvog nikakvog, da nastave život kakav im je bog odredio. ~ Anonymous,
42:Anything Can Happen is also, incidentally, a poem that arose from teaching. I'd talked about the Horace Ode (I, 34) [on which the poem is based] in a lecture I gave at Harvard in the fall of 2000 entitled Bright Boltsand remembered it after the Twin Towers attack. ~ Seamus Heaney,
43:Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth. ~ Victor Hugo,
44:The pleasures of love proceed successively from a distich to a quatrain, from a quatrain to a sonnet, from a sonnet to a ballad, from a ballad to an ode, from an ode to a cantata, and from a cantata to a dithyramb. A husband who begins with the dithyramb is a fool. ~ Honore de Balzac,
45:Those who draw their sustenance from science are blessed. It is for me to only derive an occasional pleasure. This is nothing worthy of conceit, but I am indeed touched by the joys. This book is an ode to such joys, a digest of my collections from various sources. ~ Rabindranath Tagore,
46:our resistant, relentlessly impossible object is subjectless predication, subjectless escape, escape from subjection, in and through the paralegal flaw that animates and exhausts the language of ontology. Constant escape is an ode to impurity, an obliteration of the last word. ~ Fred Moten,
47:Wordsworth and Keats and Shelley. Our teacher made us memorize the words to “Ode on a Grecian Urn,” and alone in the kitchen now I close my eyes and whisper Thou still unravish’d bride of quietness, Thou foster-child of Silence and slow Time . . . but that’s all I can remember. ~ Christina Baker Kline,
48:Trči trkom, beži begom, nađi ili iskopaj neku rupicu, ništarijo, kukavico, kopilane! Pusti neka sve ode u materinu! I svet i vera i Bog i proroci. Zavuci se u svoju rupicu, ne izviruj iz nje, lepo će ti biti tamo u tvojoj rupici, bićeš čist kao vazduh nad morem, u jamici svojoj nevin kao mrtvac. ~ Borislav Peki,
49:The horseman serves the horse,  The neatherd serves the neat,  The merchant serves the purse,  The eater serves his meat;  'T is the day of the chattel,  Web to weave, and corn to grind;  Things are in the saddle,  And ride mankind. ~ Ralph Waldo Emerson, “Ode,” Complete Works (1883), vol. 9, p. 73,
50:You might want to ease up on the perfume." "I'm not wearing perfume." "Sure you are. I think it's called 'Ode To Get The Fuck Away From Me'."  I looked at her face quickly enough to see her have to force her lips to stay in a straight line. "Apparently I need to go put on some more," she said, ~ Jessica Gadziala,
51:No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Wilhelmina Frankenberg. ~ Jane Seymour,
52:During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. ~ Douglas Adams,
53:========== If I Stay (Forman, Gayle) - Your Note on page 182 | Location 2191 | Added on Friday, September 26, 2014 4:01:31 PM We look before and after and pine for what is not. Our sincerest laughter with some pain is fraught. The sweetest songs are those that tell of saddest thought. Ode to a Skylark by Lord Byron? ~ Anonymous,
54:Ode to an Expiring Frog

Can I view thee panting, lying
On thy stomach, without sighing!
Can I unmoved see thee dying
On a log,
Expiring frog!

Say, have fiends in shape of boys,
With wild halloo and brutal noise,
Hunted thee from marshy joys,
With a dog,
Expiring frog? ~ Charles Dickens,
55:Tobacco Shop’) and compares his thinking to ‘an overturned bucket’ (in a poem dated 16 August 1934). If Soares thinks that ‘Nothing is more oppressive than the affection of others’ (Text 348), a Ricardo Reis ode (dated 1 November 1930) maintains that ‘The same love by which we’re loved/Oppresses us with its wanting. ~ Fernando Pessoa,
56:The Spider is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. . . Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother. ~ Louise Bourgeois,
57:Oh, gods—bacon! I promised myself that once I achieved immortality again, I would assemble the Nine Muses and together we would create an ode, a hymnal to the power of bacon, which would move the heavens to tears and cause rapture across the universe.
Bacon is good.
Yes—that may be the title of the song: “Bacon Is Good. ~ Rick Riordan,
58:Days, when the ball of our vision Had eagles that flew unabashed to sun; When the grasp on the bow was decision, And arrow and hand and eye were one; When the Pleasures, like waves to a swimmer, Came heaving for rapture ahead!— Invoke them, they dwindle, they glimmer As lights over mounds of the dead. —GEORGE MEREDITH
“Ode to Youth in Memory ~ Raymond E Feist,
59:Potrafię żyć sama, jeżeli poczucie własnej godności i okoliczności zażądają tego ode mnie. Nie sprzedam swojej duszy za cenę szczęścia. Mam w głębi duszy skarb wrodzony, który potrafi utrzymać mnie przy życiu, gdyby wszelkie z zewnątrz płynące radości były mi wzbronione lub ofiarowane jedynie za cenę, której zapłacić nie mogę."
- Jane Eyre "Jane Eyre ~ Charlotte Bront,
60:The new stuff’s brilliant,” I volunteer somewhat hesitantly because I really, really don’t want him thinking that I’m trying to kiss his arse, but to my amazement he wrinkles his nose and seesaws his hand. “You don’t like it?”
He shifts slightly. “No, it’s fine. It’s just sometimes it gets a bit uncomfortable singing lyrics that seem to be an ode to my sister in law’s vagina! ~ Lily Morton,
61:I can’t imagine there are many of them in symphonies. God created Beethoven and Beethoven created this.... You can hear hints of the melody in a much earlier work called the ‘Choral Fantasy.’ He dreamed of it long before he wrote it. Even the angels bend their ears to earth when the ‘Ode to Joy’ is performed. When you hear music so beautiful it gives you chills, those are angel wings brushing against you. ~ Tiffany Reisz,
62:Ode to Algebra

Thrust into this dingy classroom
we die like lampless moths
locked into the desolation of
fluorescent lights and metal desks.
Ten minutes until the bell rings.
What use is the quadratic formula
in our daily lives?
Can we use it to unlock the secrets
in the hearts of those we love?
Five minutes until the bell rings.
Cruel Algebra teacher,
won't you let us go? ~ Meg Cabot,
63:The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies. ~ William Faulkner,
64:Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. ~ Douglas Adams,
65:Ah, Shiraz! What a town! The rose gardens, the nightingales. Paradise. You know, I got a hold of some wine while I was there. I'll never forget that bouquet." Julian cleared his throat. " 'Rose petals let us scatter and fill the cup with red wine, the firmaments let us shatter and come with a new design.' "
He lifted his glass in a toast to Hafez's ode to the fermented grape.
Marjan met his toast with her own glass. ~ Marsha Mehran,
66:Pani Dunwiddy była stara i tak też wyglądała. Istniały epoki geologiczne młodsze od pani Dunwiddy.
W dzieciństwie Gruby Charlie wyobrażał sobie panią Dunwiddy w Afryce Równikowej, spoglądającą z dezaprobatą przez grube okulary na od niedawna wyprostowanych hominidów.
- Tylko nie właźcie mi na podwórko - mówiła świeżo wyewoluowanym i dość nerwowym okazom homo habilis - albo dostaniecie ode mnie pasem w kanał słuchowy. ~ Neil Gaiman,
67:...jednom sam pala na drugom pitanju:
− Kakve betone pravimo u Bengalu?
Na prvo pitanje:
− Koja je tvoja omiljena životinja? − ispravno (i iskreno) sam odgovorila:
− Mačka!
− Odlično. Maca. Mačka. Veeelika mačka. Tigar! Bengalski tigar. Dobro, kakve betone pravimo u Bengalu?
Onda ja počnem da fantaziram o monsunima (Ispravan pristup, dalje koleginice.), vlazi (Može.), tajfunima (Ladno, ladno...), Sandokanu... i ode sve u očin. ~ Mirjana ur evi,
68:Ale ode mnie proszę nie oczekiwać patriotycznego wzmożenia. Wystarczy, że odczuwają je na prawicy. I męczą tę biedną Polskę, wbijają jej ostrogi, rozwijają nad nią sztandary i nie pozwalają jej odpocząć. Sztucznie ją stymulują, karmią amfą egzaltacji, bo nie mogą bez tej polskości istnieć. Mnie jest szkoda tej udręczonej przez patriotów ojczyzny, że ona nie może nareszcie odpocząć. Zaborcy dręczyli, Hitler dręczył, Stalin, Bierut, Gomułka, teraz oni. ~ Andrzej Stasiuk,
69:Our birth is but a sleep and a forgetting ... Instead of seeing birth as an awakening from blank nonbeing and fetal incompletion into the child's fullness of being, and seeing maturity as a narrowing, impoverishing journey toward blank death, [Wordsworth's] ode proposes that a soul enters life forgetting its eternal being, can remember it throughout life only in intimations and moments of revelation, and will recall and rejoin it fully only in death. ~ Ursula K Le Guin,
70:Ode to Drowing"

If rain signals
the lover’s return
then I am lost

in the desert
burning
like the brain fever bird

looking for images of you
through mesquite
and teak

Because there’s no sign
of you
or what I know

to be as you
only clouds adrift
in a vanquished sky

like vines
of throbbing arms
and mouths

drinking at the shore
intoxicated
with the night ~ Tishani Doshi,
71:So has Mrs. Leo Hunter, Sir. She dotes on poetry, sir. She adores it; I may say that her whole soul and mind are wound up, and entwined with it. She has produced some delightful pieces, herself, sir. You may have met with her “Ode to an Expiring Frog,” sir.’ ‘I don’t think I have,’ said Mr. Pickwick. ‘You astonish me, Sir,’ said Mr. Leo Hunter. ‘It created an immense sensation. It was signed with an “L” and eight stars, and appeared originally in a lady’s magazine. ~ Charles Dickens,
72:Domani, domani e domani, avanza a poco a poco, giorno dopo giorno, verso l’ultima sillaba del copione, e tutti i nostri ieri avranno illuminato a degli sciocchi la polverosa via della morte. Spegniti, spegniti, breve candela! La vita non è che un’ombra che cammina, un povero attore che si pavoneggia e si agita su un palcoscenico per il tempo a lui assegnato, e poi nulla più s’ode: è un racconto narrato da un idiota, pieno di rumori e strepiti che non significano nulla. ~ William Shakespeare,
73:Obama’s formative background is the left-wing fever swamp of Chicago “community organizing,” a gussied-up term for systematic rabble-rousing that has now become acceptable enough to put on a résumé. The pursuit of raw power is the gospel according to the seminal organizer, Saul Alinsky—if we may use “gospel” in connection with an atheist whose most famous book, Rules for Radicals, opens with an ode to Lucifer for winning his own kingdom by rebelling against the establishment. ~ Andrew McCarthy,
74:Al' dobro znaj, da neće više mnogoput
Projurit sunce u svom trku hitrome,
A ti ćeš sam od svoje krvi vratiti
Mrtvaca jednog mrtvima za odmjenu.
Ti živu dušu vrže s gornjeg svijeta nam
U donji i u grobu grdno udomi,
A mrtvu opet ovdje ne daš, bozima
Da dolje ode, već bez groba, posvete
Njeg puštaš, a nit tebi niti bozima
On gornjim pripada, već ti to siliš ih.
A zato osvetnice tebe vrebaju
Erinije - bič skori Hada, bogova,
Te ista ta će tebe stići nevolja! ~ Sophocles,
75:En Mil nedenunder mig saa jeg Havet; Fjældsiderne var vaate og sorte av Vand som rislet nedover dem, dryppet og rislet under samme bittelille Melodi. Disse smaa Melodier langt inde i Fjældene kortet mig mangen Stund naar jeg sat og saa mig om. Nu risler den lille endelose Tone her i sin Ensomhet, tænkte jeg, og ingen horer den og ingen tænker paa den, men allikevel risler den her for sig selv hele Tiden, hele Tiden! Og jeg syntes ikke længer at Fjældet var aldeles ode naar jeg horte denne Rislen. ~ Knut Hamsun,
76:Unnur Birna is a Reykjavik-based violinist and singer. She has performed as a session musician with countless Icelandic and international artists while recording and appearing as a solo artist as well. Unnur has joined me as an unpaid guest on a few Icelandic shows in recent years, so it is a great pleasure to return the favour and appear on one of her songs at last. This new track, Sunshine, came about in Italy, written as an ode to sunlight and happiness after fleeing the dark winter in Iceland ~ Ian Anderson,
77:To prawda, ludzie twierdzą, że nie muszą tego wszystkiego wiedzieć, bo mogą sprawdzić to wszystko w Wikipedii. Na pewno? Niedawno egzaminowałem studenta z historii filozofii nowożytnej. Kiedy nie był w stanie mi odpowiedzieć na trzecie pytanie z rzędu, z pretensją w głosie zapytał: „Dlaczego wymaga pan ode mnie tej wiedzy? Przecież mam ją w twardej pamięci komputera!”. Odpowiedziałem mu: „Różnica między panem a mną polega na tym, że jak odłączą prąd w tym mieście, to pana wykształcenie się skończy, a moje zostanie”. ~ Anonymous,
78:Ode to Psyche - Excerpt

I see, and sing, by my own eyes inspir'd.
So let me be thy choir, and make a moan
Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
From swinged censer teeming;
Thy shrine, thy grove, thy oracle, thy heat
Of pale-mouth'd prophet dreaming.

Yes, I will be thy priest, and build a fane
In some untrodden region of my mind,
Where branched thoughts, new grown with pleasant pain,
Instead of pines shall murmur in the wind: ~ John Keats,
79:Winter is on my head, but eternal spring is in my heart. The nearer I approach the end, the plainer I hear around me the immortal symphonies of the worlds which invite me. . . . For half a century I have been writing thoughts in prose, verse, history, drama, romance, tradition, satire, ode, and song. I have tried them all, but I feel I have not said a thousandth part of that which is within me. When I go down to the grave, I can say "I have finished my day's work," but I cannot say "I have finished my life's work." ~ Victor Hugo,
80:The word C.R.E.A.M. - which stands for "Cash Rules Everything Around Me" - is from Wu Tang Clan. This song is about a prostitute who falls in love with her client, who winds up being a drug girl in New York. It's an ode to the girl who works in the streets; it gives her a face and a name and a story. I used to go and admire those girls. I was inspired by their bravery and their femininity, and how they were just putting themselves out there. It was intense to see. It's strange, but they kind of inspired me in a way. I felt it was so bold. ~ Nomi Ruiz,
81:But I watched Millie. I watched Millie because she fascinated me. She was a brand new species, an intoxicating mix of girl and enigma, familiar yet completely foreign. I’d never met anyone like her, yet I felt like I’d known her forever. And since the moment I’d looked down into her face and felt that jolt of ode-to-joy-and-holy-shit, I’d been falling, falling, falling, unable to stop myself, unable to look away, helpless to do the smart thing. And the smart thing, the kind thing would be to stay away. But no one had ever accused me of being particularly smart. ~ Amy Harmon,
82:Her religious poetry was surprisingly slender, and as I was eager to know more about her religion, I asked her about this aspect of her poetry. She replied with these lines from Keats' Ode to a Grecian Urn: 'Beauty is truth, truth beauty'--that is all Ye know on eath, and all ye need to know'. Do not ask me to immortalise the great Mystery of Life. I am just a humble worker. For beauty, look to the Pslams, to Isaiah, to St. John of the Cross. How could my poor pen scan such verse? For truth, look to the Gospels-- four short accounts of God made Man. There is nothing more to say. ~ Jennifer Worth,
83:Pak ten lev řekl - ale nevím, jestli mluvil: „Budeš se muset nechat svléknout ode mne." Bál jsem se těch jeho drápů, to ti můžu říct, ale teď už jsem si fakt skoro zoufal. Tak jsem sebou prostě plácl na záda a nechal jsem ho, ať si dělá, co chce. Když do mě poprvé zaťal drápy, myslel jsem, že mi je rovnou vrazil do srdce. A jak začal trhat kůži dolů, bolelo to víc než všecko, co jsem kdy v životě zažil. Vydržel jsem to jen kvůli té radosti, jakou člověk měl, když cítil, že to jde dolů. Víš - jestli sis někdy vymáčkl nějaký bolák. Bolí to děsně - ale je to nádhera, když vidíš, jak to jde ven. ~ Anonymous,
84:Being young's a sort of sickness,
Measles, mumps or chicken pox.
Gather all your toys together,
Lock them in a wooden box.
That means tolchocks, crasting and dratsing,
All of the things that suit a boy.
When you build instead of busting,
You can start your Ode to Joy.
Do not be a clockwork orange,
Freedom has a lovely voice.
Here is good and there is badness,
Look on both, then take your choice.
Sweet in juice and hue and aroma,
Let's not be changed to fruit machines.
Choice is free but seldom easy-
That's what human freedom means. ~ Anthony Burgess,
85:Hasse, duży ciemny chłopiec, pięć razy silniejszy ode mnie, miał zwyczaj kłaść mnie na łopatki na każdej przerwie tego pierwszego roku szkolnego. Początkowo stawiałem silny opór, ale to nie służyło niczemu, kładł mnie i tak, triumfując. W końcu wynalazłem metodę, która powodowała jego rozczarowanie: całkowite rozluźnienie. Kiedy się zbliżał, udawałem, że Ja Sam uciekłem pozostawiając jedynie trupa, szmatę pozbawioną życia, którą mógł sobie przygniatać do woli. (...)
Zastanawiam się nad tym, jakie znaczenie metoda przemiany siebie samego w pozbawioną życia szmatę miała dla mnie w późniejszym życiu. ~ Tomas Transtr mer,
86:Prawdopodobnie chciałbyś mnie pan zamknąć za ubliżanie. I przeliczyłbyś się pan, ponieważ pańskie władze umysłowe nie są w stanie rozpoznać jakichkolwiek zniewag, a prócz tego jestem gotów się założyć o co pan chcesz, że nie pamiętasz pan absolutnie niczego z całej naszej rozmowy. Gdybym powiedział, że jesteś pan embrionem, to zapomnisz pan o tym prędzej, nim mignie najbliższy słup telegraficzny, a co dopiero, gdy wjedziemy na najbliższą stację. Jesteś pan obumarłym zwojem mózgowym. Nie potrafię sobie w ogóle wyobrazić, że kiedykolwiek mógłbyś pan w sposób uporządkowany wyłożyć wszystko, coś pan ode mnie usłyszał. ~ Anonymous,
87:Sam.” Only he could say my name with so much exasperation and fondness all at the same time. It was really quite remarkable.
“I might have written an ode to his penis in iambic pentameter that goes on for forty-seven stanzas,” I admitted. “I feel better now that I’ve said that out loud.”
“Of course you did.” Morgan sighed.
“Did you know that penis doesn’t rhyme with as many things as one might think? That was a lesson I learned far too late.”
“Oddly enough, I don’t spend time trying to rhyme words with penis.”
“Wow,” I said. “You put a lot of disdain in such a short sentence. I wish I could do that. ~ T J Klune,
88:The Colonel looked at this strange fashion and asked in broken Urdu, ‘Well? You Muslim?’ ‘Half,’ said Ghalib. ‘What does that mean?’ asked the Colonel. ‘I drink wine,’ said Ghalib, ‘but I don’t eat pork.’ The Colonel laughed, and Ghalib then showed him the letter which he had received from the Minister for India [sic] in acknowledgement of the ode to Her Majesty the Queen which Ghalib has sent. The Colonel said, ‘After the victory of government forces why did you not present yourself at the Ridge?’ Ghalib replied, ‘My rank required that I should have four palanquin bearers, but all four of them ran away and left me, so I could not come. ~ William Dalrymple,
89:Ocean: An Ode. Concluding With A Wish.
What do we see! Cato then become
A greater name in Britain than in Rome?
Does mankind now admire his virtues more,
Though Lucan, Horace, Virgil, wrote before?
How will posterity this truth explain?
"Cato begins to live in Anna's reign."
The world's great chiefs, in council or in arms,
Rise in your lines with more exalted charms;
Illustrious deeds in distant nations wrought,
And virtues by departed heroes taught,
Raise in your soul a pure immortal flame,
Adorn your life, and consecrate your fame;
To your renown all ages you subdue,
And Caesar fought, and Cato bled for you.
~ Edward Young,
90:The Robin's My Criterion For Tune
285
The Robin's my Criterion for Tune—
Because I grow—where Robins do—
But, were I Cuckoo born—
I'd swear by him—
The ode familiar—rules the Noon—
The Buttercup's, my Whim for Bloom—
Because, we're Orchard sprung—
But, were I Britain born,
I'd Daisies spurn—
None but the Nut—October fit—
Because, through dropping it,
The Seasons flit—I'm taught—
Without the Snow's Tableau
Winter, were lie—to me—
Because I see—New Englandly—
The Queen, discerns like me—
Provincially—
~ Emily Dickinson,
91:Ode On Solitude
Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air,
In his own ground.
Whose heards with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.
Blest! who can unconcern'dly find
Hours, days, and years slide soft away,
In health of body, peace of mind,
Quiet by day,
Sound sleep by night; study and ease
Together mix'd; sweet recreation,
And innocence, which most does please,
With meditation.
Thus let me live, unseen, unknown;
Thus unlamented let me dye;
Steal from the world, and not a stone
Tell where I lye.
~ Alexander Pope,
92:The tree is burning on the autumn noon
That builds each year the leaf and bark again.
Though frost will strip it raw and barren soon,
The rounding season will restore and mend.

Yet people are not mended, but go on,
Accumulating memory and love.
And so the wood we used to know is gone,
Because the years have taught us that we move.

We have moved on, the Tamburlaines of then,
To different Asias of our plundering.
And though we sorrow not to know again
A land or face we loved, yet we are king.

The young are never robbed of innocence
But given gold of love and memory.
We live in wealth whose bounds exceed our sense,
And when we die are full of memory.

-from "September Ode ~ Donald Hall,
93:Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain. ~ Douglas Adams,
94:Klečala je preda mnom i šaputala, da ne može bez mene da živi. Ja sam joj rekao da ode. Predosećam smrt i rado kašljem, pa bi bilo suviše sentimentalno da umrem u njenim rukama. Ona bi suviše glasno plakala, a ja ne volim plač nego tugu. Nisam više željan, da me ljube, niti da mi iko pruža ruku. Dosta je bilo. Ako je ljubav, naljubio sam se. Umoran sam. Pod prozorom mi je niklo žito, i stoput na dan hoću da se zaplačem. Žao mi je sebe samog. Ali mi je žao i žita. Ko zna, možda i neće moći bez mene da živi. Zar je ona kriva, ako ljubav nije večna. Sve to priznajem. Ja ništa ne želim, osim da brzo prodje sve što dodje. Kad smo se našli i ja i ona imali smo već hiljadu greha, navika i senki u sebi. A da ljubav počinje u šumi, kako bi sve lakše bilo. ~ Milo Crnjanski,
95:I didn’t want to be in love with you. I didn’t want to believe in love at all. It’s never happened to me before. And to be perfectly frank, I’m still not entirely happy about the whole thing. I think—it’s going to be exhausting. You’re domineering and devious and I’ve noticed that whenever we’re not kissing, I wish we were.” Her voice had grown nearly plaintive; she stopped and cleared her throat. “It’s a damnable situation. I don’t know what to do about it.”
He eyed her from the chair. “I’m pigheaded, too. Pray don’t forget that.”
“Certainly not. It was the next thing I was going to mention.”
“My sweet, your notion of love is unique, to say the least. I wonder that you haven’t written me sonnets already. Something like ‘Ode to the Blackguard. ~ Shana Abe,
96:You wouldn't think the touch of someone's hand could blow your mind. It's nothing, right? People don't right songs and poems about holding hands - they write them about kisses and sex and eternal love. I mean, when you're a little kid you hold hands with your parents to cross the street. Who's going to write an ode to that?
We were alone in the dark, even though the enormous theater was filled with probably a thousand people. We were a tiny island in a sea of other people who didn't matter, who had no meaning, who were so stupid, so oblivious, so stuck in their own boring lives that they didn't even notice the huge, momentous, life-shattering event that was taking place right there in row L, between seats 102 and 104.
Derek Edwards was holding my hand. ~ Claire LaZebnik,
97:Solitude: An Ode
I.
How happy he, who free from care
The rage of courts, and noise of towns;
Contented breaths his native air,
In his own grounds.
II.
Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.
III.
Blest! who can unconcern'dly find
Hours, days, and years slide swift away,
In health of body, peace of mind,
Quiet by day,
IV.
Sound sleep by night; study and ease
Together mix'd; sweet recreation,
And innocence, which most does please,
With meditation.
V.
Thus let me live, unheard, unknown;
Thus unlamented let me dye;
Steal from the world, and not a stone
Tell where I lye.
~ Alexander Pope,
98:ODE TO STEPHEN DOWLING BOTS, DEC’D And did young Stephen sicken, And did young Stephen die? And did the sad hearts thicken, And did the mourners cry? No; such was not the fate of Young Stephen Dowling Bots; Though sad hearts round him thickened, ’Twas not from sickness’ shots. No whooping-cough did rack his frame, Nor measles drear with spots; Not these impaired the sacred name Of Stephen Dowling Bots. Despised love struck not with woe That head of curly knots, Nor stomach troubles laid him low, Young Stephen Dowling Bots. O no. Then list with tearful eye, Whilst I his fate do tell. His soul did from this cold world fly By falling down a well. They got him out and emptied him; Alas it was too late; His spirit was gone for to sport aloft In the realms of the good and great. If ~ Mark Twain,
99:During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain. The very worst poetry of all perished along with its creator, Paula Nancy Millstone Jennings of Greenbridge, Essex, England, in the destruction of the planet Earth. ~ Douglas Adams,
100:Paraphrase on Anacreon: Ode to the Swallow
Thou indeed, little Swallow,
A sweet yearly comer.
Art building a hollow
New nest every summer.
And straight dost depart
Where no gazing can follow.
Past Memphis, down Nile!
Ay! but love all the while
Builds his nest in my heart,
Through the cold winter-weeks:
And as one Love takes flight.
Comes another, O Swallow,
In an egg warm and white,
And another is callow.
And the large gaping beaks
Chirp all day and all night:
And the Loves who are older
Help the young and the poor Loves,
And the young Loves grown bolder
Increase by the score Loves—
Why, what can be done?
If a noise comes from one.
Can I bear all this rout of a hundred and more Loves?
~ Elizabeth Barrett Browning,
101:Ode to Spring"

I can only find words for.
And sometimes I can't.
Here are these flowers that stand for.
I stand here on the sidewalk.

I can't stand it, but yes of course I understand it.
Everything has to have meaning.
Things have to stand for something.
I can't take the time. Even skin-deep is too deep.

I say to the flower stand man:
Beautiful flowers at your flower stand, man.
I'll take a dozen of the lilies.
I'm standing as it were on my knees

Before a little man up on a raised
Runway altar where his flowers are arrayed
Along the outside of the shop.
I take my flames and pay inside.

I go off and have sexual intercourse.
The woman is the woman I love.
The room displays thirteen lilies.
I stand on the surface. ~ Frederick Seidel,
102:Ma l'incontro con la Laide gli aveva lasciato uno strano turbamento. Forse anche per il ricordo della tipa incontrata in corso Garibaldi. Come se qualcosa lo avesse toccato dentro. Come se quella ragazza fosse diversa dalle solite. Come se fra loro due dovessero succedere molte altre cose. Come se lui ne fosse uscito differente. Come se Laide incarnasse nel modo più perfetto e intenso il mondo avventuroso e proibito. Come se ci fosse stata una predestinazione. Come quando uno, senza alcun particolare sintomo, ha la sensazione di stare per ammalarsi, ma non sa di che cosa né il motivo. Come quando si ode dabbasso il cigolio del cancello e la casa è immensa, ci abitano centinaia di famiglie e all'ingresso è un continuo andirivieni eppure all'improvviso si sa che ad aprire il cancello è stata una persona la quale viene a cercarci. ~ Dino Buzzati,
103:Once again, you have sworn to yourself: You will go slowly. You will eat half - no, a quarter! - of what's shoved before you. You will leave feeling chaste, clean, ascetic, reduced. There is perhaps as little reason to count on this as there has been for the past hundred visits. As little reason as to hope that this will be the day when your conversation with your family will finally end in understanding instead of the opposite. Hope dies last, though. Was it not also Chekhov who wrote 'The Siren,' a seven-page ode to food in the Russian mouth - 'Good Lord! and what about duck? If you take a duckling, one that has had a taste of the ice during the first frost, and roast it, and be sure to put the potatoes, cut small, of course, in the dripping-pan too, so that they get browned to a turn and soaked with duck fat and . . .'

You come from a people who eat. ~ Boris Fishman,
104:Mrs. Benjamin Painter
I know that he told how I snared his soul
With a snare which bled him to death.
And all the men loved him,
And most of the women pitied him.
But suppose you are really a lady, and have delicate tastes,
And loathe the smell of whisky and onions.
And the rhythm of Wordsworth's "Ode" runs in your ears,
While he goes about from morning till night
Repeating bits of that common thing;
"Oh, why should the spirit of mortal be proud?"
And then, suppose:
You are a woman well endowed,
And the only man with whom the law and morality
Permit you to have the marital relation
Is the very man that fills you with disgust
Every time you think of it--while you think of it
Every time you see him?
That's why I drove him away from home
To live with his dog in a dingy room
Back of his office.
~ Edgar Lee Masters,
105:Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain. The very worst poetry of all perished along with its creator, Paula Nancy Millstone Jennings of Greenbridge, Essex, England, in the destruction of the planet Earth. ~ Douglas Adams,
106:An Ode To Nellie
AH Nellie, you were always fair, and you were always good and true,
I've sung about your wealth of hair, and praised your eyes, so soft and blue,
Your charms are many I confess, but now my pen in hand I take
To praise in my poor humble way the strawb'ry shortcake that you make.
It may be other maidens play a better bridge whist game than you,
That other wives for suffrage make far better speeches than you do,
And other women, it may be, know more of Browning and of Keats,
But you make shortcake, Nellie dear, that every other woman's beats.
And were you lacking in those charms that cheer the eye and warm the heart,
Were you not fair to look upon — an angel's very counterpart —
Were you not gentle, patient, kind, did you not soothe my every ache,
I still should love you, Nellie, for the strawb'ry shortcake that you make.
~ Edgar Albert Guest,
107:Accepting a religion may be more like enjoying a poem, or following the football. It might be a matter of immersion in a set of practices. Perhaps the practices have only an emotional point, or a social point. Perhaps religious rituals only serve necessary psychological and social ends. The rituals of birth, coming of age, or funerals do this. It is silly to ask whether a marriage ceremony is true or false. People do not go to a funeral service to hear something true, but to mourn, or to begin to stop mourning, or to meditate on departed life. It can be as inappropriate to ask whether what is said is true as to ask whether Keats’s ode to a Grecian urn is true. The poem is successful or not in quite a different dimension, and so is Chartres cathedral, or a statue of the Buddha. They may be magnificent, and moving, and awe-inspiring, but not because they make statements that are true or false. ~ Simon Blackburn,
108:Vogon poetry is of course, the third worst in the universe.
The second worst is that of the Azgoths of Kria. During a recitation by their poet master Grunthos the Flatulent of his poem "Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning" four of his audience died of internal haemorrhaging and the president of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos was reported to have been "disappointed" by the poem's reception, and was about to embark on a reading of his 12-book epic entitled "My Favourite Bathtime Gurgles" when his own major intestine, in a desperate attempt to save humanity, leapt straight up through his neck and throttled his brain.
The very worst poetry of all perished along with its creator, Paul Neil Milne Johnstone of Redbridge, in the destruction of the planet Earth. Vogon poetry is mild by comparison. ~ Douglas Adams,
109:Ode To The New Year
Let's account for life's deficit blight.
Count our griefs, know our pains right.
What plaints blister at the bottom.
Today is the day to unleash them.
Lets' tell the unloyal to his face.
Speak out what your lips are burning to
Leave apart guarded reticence.
Even blab out what's between the lines.
Why do you greet me with laughters feigned?
Let looks be frozen if your heart is reigned.
Let your face reveal.
What whispers in the bosom.
Know our pains, count our griefs.
One word binds you and me.
Just one word in the abyss of the diction.
Lets adopt the word selfsame.
That carries the truth of times.
For hypocrisy, a whole life is ahead.
So let's not molest that one word dead.
Count our griefs, know our pains right.
Let's account for life's deficit blight.
[Translated by Dildar Pervez Bhatti]
~ Amjad Islam Amjad,
110:An Ode
[I.]
Arise my Dove, from mid'st of Pots arise,
Thy sully'd Habitation leave,
To Dust no longer cleave,
Unworthy they of Heaven, that will not view the Skies.
Thy native Beauty re-assume,
Prune each neglected Plume,
Till more than Silver white,
Then burnisht Gold more bright,
Thus ever ready stand to take thy Eternal Flight.
II.
The Bird to whom the spacious Aire was given,
As in a smooth and trackless Path to go,
A Walk which does no Limits know
Pervious alone to Her and Heaven :
Should she her Airy Race forget,
On Earth affect to walk and sit;
Should she so high a Priviledge neglect,
As still on Earth, to walk and sit, affect,
What could she of Wrong complain,
Who thus her Birdly Kind doth stain,
If all her Feathers moulted were,
And naked she were left and bare,
The Jest and Scorn of Earth and Aire?
III.
The Bird of Paradice the Soul,
~ Anne Killigrew,
111:- One się nie starzeją. (...) Kiedy jeszcze byłem sam na wyspie, obrazy ze snu stawały się coraz wyraźniejsze. W końcu wyskoczyły z moich myśli i wdarły się w tutejszą rzeczywistość. Nadal jednak pozostają fantazją. A fantazja ma tę cudowną moc, że to, co stworzy, na zawsze pozostaje młode i żywe. (...) Słyszałeś o Roszpunce, mój chłopcze?
Pokręciłem głową.
- Ale o Czerwonym Kapturku słyszałeś? Albo o Królewnie Śnieżce czy Jasiu i Małgosi? (...) Ile oni mają lat, jak myślisz? Sto? Może tysiąc? Są zarazem bardzo młodzi i bardzo starzy, ponieważ zrodzili się w wyobraźni ludzi. Nie, nie przypuszczam, by karzełki się zestrzały i posiwiały. Nawet stroje, które noszą, nie mają najmniejszego choćby zagniecenia. Inaczej jest z nami, zwykłymi śmiertelnikami. My się starzejemy i siwiejemy. To my się zdzieramy na strzępy i pewnego dnia odchodzimy. Z naszymi snami jest inaczej. One potrafią żyć w innych ludziach przez długi czas po naszym odejściu z tego świata. ~ Jostein Gaarder,
112:All my other current friends were "intellectuals"––Chad the Nietzschean anthropologist, Carlo Marx and his nutty surrealist low-voiced serious staring talk, Old Bull Lee and his critical anti-everything drawl––or else they were slinking criminals like Elmer Hassel, with that hip sneer; Jane Lee the same, sprawled on the Oriental cover of her couch, sniffing at the New Yorker. But Dean's intelligence was every bit as formal and shining and complete, without the tedious intellectualness. And his "criminality" was not something that sulked and sneered; it was a wild yea-saying overburst of American joy; it was Western, the west wind, an ode from the Plains, something new, long prophesied, long a-coming. Besides, all my New York friends were in the negative, nightmare position of putting down society and giving their tired bookish or political or psychoanalytical reasons, but Dean just raced in society, eager for bread and love; he didn't care one way or the other. ~ Jack Kerouac,
113:Ode To Bombay
I had promised you a poem before I died
Diamonds storming out of the blackness of a piano
Piece by piece I fall at my own dead feet
Releasing you like a concerto from my silence
I unfasten your bridges from my insistent bones
Free your railway lines from my desperate veins
Dismantle your crowded tenements and meditating machines
Remove your temples and brothels pinned in my skull
You go out of me in a pure spiral of stars
A funeral progressing towards the end of time
Innumerable petals of flame undress your dark
Continuous stem of growing
I walk out of murders and riots
I fall out of smouldering biographies
I sleep on a bed of burning languages
Sending you up in your essential fire and smoke
Piece by piece at my own feet I fall
Diamonds storm out of a black piano
Once I promised you an epic
And now you have robbed me
You have reduced me to rubble
This concerto ends.
~ Dilip Chitre,
114:I don’t know how to cure the source-itis except to tell you that I can discover a good many possible sources myself for Wise Blood but I am often embarrassed to find that I read the sources after I had written the book. I have been exposed to Wordsworth’s “Intimation” ode but that is all I can say about it. I have one of those food-chopper brains that nothing comes out of the way it went in. The Oedipus business comes nearer home. Of course Haze Motes is not an Oedipus figure but there are the obvious resemblances. At the time I was writing the last of the book, I was living in Connecticut with the Robert Fitzgeralds. Robert Fitzgerald translated the Theban cycle with Dudley Fitts, and their translation of the Oedipus Rex had just come out and I was much taken with it. Do you know that translation? I am not an authority on such things but I think it must be the best, and it is certainly very beautiful. Anyway, all I can say is, I did a lot of thinking about Oedipus. ~ Flannery O Connor,
115:Ode 4.7

Diffugere niues, redeunt iam gramina campis
arboribus comae;
mutat terra uices et decrescentia ripas
flumina praetereunt;
Gratia cum Nymphis geminisque sororibus audet
ducere nuda chorus.
Inmortalia ne speres, monet annus et almum
quae rapit hora diem.
Frigora mitescunt Zephyris, uer proterit aestas,
interitura simul
pomifer autumnus fruges effuderit, et mox
bruma recurrit iners.
Damna tamen celeres reparant caelestia lunae:
non ubi decidimus
quo pater Aeneas, quo diues Tullus et Ancus,
puluis et umbra sumus.
Quis scit an adiciant hodiernae crastina summae
tempora di superi?
Cuncta manus auidas fugient heredis, amico
quae dederis animo.
Cum semel occideris et de te splendida Minos
fecerit arbitria,
non, Torquate, genus, non te facundia, non te
restituet pietas;
infernis neque enim tenebris Diana pudicum
liberat Hippolytum,
nec Lethaea ualet Theseus abrumpere caro
uincula Pirithoo. ~ Horace,
116:At that time, I well remember whatever could excite - certain accidents of the weather, for instance, were almost dreaded by me, because they woke the being I was always lulling, and stirred up a craving cry I could not satisfy. One night a thunder-storm broke; a sort of hurricane shook us in our beds: the Catholics rose in panic and prayed to their saints. As for me, the tempest took hold of me with tyranny: I was roughly roused and obliged to live. I got up and dressed myself, and creeping outside the basement close by my bed, sat on its ledge, with my feet on the roof of a lower adjoining building. It was wet, it was wild, it was pitch dark. Within the dormitory they gathered round the night-lamp in consternation, praying loud. I could not go in: too resistless was the delight of staying with the wild hour, black and full of thunder, pealing out such an ode as language never delivered to man - too terribly glorious, the spectacle of clouds, split and pierced by white and blinding bolts. ~ Charlotte Bront,
117:A mene snađe nenadana nesreća
i srce slomi. Propadoh, i život već
za mene, sestre, čara nema — osim smrt.
Jer onaj ko mi beše sve, to dobro uviđam,
moj vojno, ispao je podlac najgori.
Od svega štono ima život, srce, um,
mi žene još smo bića najžalosnija.
Za skupo blago moraš muža kupiti.
A od te bede još je veća beda to
što mužu nisi drugo nego robinja.
Sve do tog stoji da li dobi rđava
il' čestita. Jer prosca ne smeš odbiti,
a s mužem rastanak sramotu donosi.
Kad nađeš drugu ćud i druge zakone
— a od kuće ih ne znaš — treba proročki
da imaš um da mužu u svem ugodiš.
Pa ako sreća trud nam u tom nagradi
i vojno bračni jaram složno podnosi,
e — to je život! Nema 1' toga, lek je smrt.
A čovek, ako domaći ga namuče,
on ode od kuće i srce zasiti
u svome društvu, među svojim znancima.
Mi smemo gledat' samo njega jednoga!
Ta kažu da je za nas život bezbrižan,
a oni s kopljem u boj idu junački.
Budale! Više volim triput okršaj
no jedan, samo jedan mučan porođaj! ~ Euripides,
118:Le Boucher, the early Claude Chabrol that Hitch, according to lore, wished he’d directed. Dark Passage, with Humphrey Bogart and Lauren Bacall—a San Francisco valentine, all velveteen with fog, and antecedent to any movie in which a character goes under the knife to disguise himself. Niagara, starring Marilyn Monroe; Charade, starring Audrey Hepburn; Sudden Fear!, starring Joan Crawford’s eyebrows. Wait Until Dark: Hepburn again, a blind woman stranded in her basement apartment. I’d go berserk in a basement apartment. Now, movies that postdate Hitch: The Vanishing, with its sucker-punch finale. Frantic, Polanski’s ode to the master. Side Effects, which begins as a Big Pharma screed before slithering like an eel into another genre altogether. Okay. Popular film misquotes. “Play it again, Sam”: Casablanca, allegedly, except neither Bogie nor Bergman ever said it. “He’s alive”: Frankenstein doesn’t gender his monster; cruelly, it’s just “It’s alive.” “Elementary, my dear Watson” does crop up in the first Holmes film of the talkie era, but appears nowhere in the Conan Doyle canon. ~ A J Finn,
119:Ode to a Dressmaker’s Dummy"

Papier-mache body; blue-and-black cotton jersey cover.
Metal stand. Instructions included. --Sears, Roebuck Catalogue

O my coy darling, still
You wear for me the scent
Of those long afternoons we spent,
The two of us together,
Safe in the attic from the jealous eyes
Of household spies
And the remote buffooneries of the weather;
So high,
Our sole remaining neighbor was the sky,
Which, often enough, at dusk,
Leaning its cloudy shoulders on the sill,
Used to regard us with a bored and cynical eye.

How like the terrified,
Shy figure of a bride
You stood there then, without your clothes,
Drawn up into
So classic and so strict a pose
Almost, it seemed, our little attic grew
Dark with the first charmed night of the honeymoon.
Or was it only some obscure
Shape of my mother’s youth I saw in you,
There where the rude shadows of the afternoon
Crept up your ankles and you stood
Hiding your sex as best you could?--
Prim ghost the evening light shone through. ~ Donald Justice,
120:Ode To A Dressmaker's Dummy
Papier-mache body; blue-and-black cotton jersey cover. Metal stand.
Instructions included.

-- Sears, Roebuck Catalogue
O my coy darling, still
You wear for me the scent
Of those long afternoons we spent,
The two of us together,
Safe in the attic from the jealous eyes
Of household spies
And the remote buffooneries of the weather;
So high,
Our sole remaining neighbor was the sky,
Which, often enough, at dusk,
Leaning its cloudy shoulders on the sill,
Used to regard us with a bored and cynical eye.
How like the terrified,
Shy figure of a bride
You stood there then, without your clothes,
Drawn up into
So classic and so strict a pose
Almost, it seemed, our little attic grew
Dark with the first charmed night of the honeymoon.
Or was it only some obscure
Shape of my mother's youth I saw in you,
There where the rude shadows of the afternoon
Crept up your ankles and you stood
Hiding your sex as best you could?-Prim ghost the evening light shone through.
~ Donald Justice,
121:He recited the poem to her.
"so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens"
Allison applauded, “William Carlos Williams. A classic. A very short classic.” “You know what it means?” “An ode to a wheelbarrow?” … “Dr. Williams was a pediatrician,” he said. “He wrote that while sitting at the bedside of a dying child.” Dr. Capello blinked and in an instant tears were in his eyes. And hers. “I never knew,” she said. “Wonder why he thought of that.” “I'd say he was looking out the window and trying to think about anything other than the little child he couldn't save. All doctors keep a graveyard inside their hearts for those patients. That's why I like my view so much.” He reached out and tapped the glass of his window, which looked out onto the ocean. “It comforts me.” “Looking at the Graveyard of the Pacific comforts you?” she asked. “Of course it does,” he said, gazing out his window at the dark shifting waters in the near distance. “Compared to the graveyard out there, mine's tiny. A doctor with children in his graveyard takes any comfort he can get. ~ Tiffany Reisz,
122:Per alcuni, l'autunno viene presto, e permane per tutta la vita, quando ottobre segue settembre, e novembre tocca ottobre, e poi, invece di dicembre e del natale, non c'è la stella di Betlemme, non c'è letizia, ma ritorna settembre e il vecchio ottobre, e così via, per tutti gli anni, senza inverno, senza primavera, senza estate vivificatrice. Per questi esseri, l'autunno è la stagione normale, l'unica stagione, e non c'è per loro altra scelta. Da dove vengono? Dalla polvere. Dove vanno? Verso la tomba. È sangue che scorre nelle loro vene? No: è il vento della notte. Che cosa pulsa nella loro testa? Il verme. Che cosa parla attraverso le loro bocche? Il rospo. Che cosa guarda attraverso i loro occhi? Il serpente. Che cosa ode attraverso le loro orecchie? L'abisso tra le stelle. Scatenano il temporale umano per le anime, divorano la carne della ragione, riempiono le tombe di peccatori. Si agitano freneticamente. Corrono come scarafaggi, strisciano, tessono, filtrano, si agitano, fanno oscurare tutte le lune, e rannuvolano le acque chiare. La ragnatela li ode, trema.. si spezza. Questo è il popolo dell'autunno. Guardatevi da loro. ~ Ray Bradbury,
123:Ode To Fear
Variation on a Theme by Collins
Let the day glare: O memory, your tread
Beats to the pulse of suffocating nightNight peering from his dark but fire-lit head
Burns on the day his tense and secret light.
Now they dare not to gloss your savage dream,
O beast of the heart, those saints who cursed your name;
You are the current of the frozen stream,
Shadow invisible, ambushed and vigilant flame.
My eldest companion present in solitude,
Watch-dog of Thebes when the blind hero strove:
You, omniscient, at the cross-roads stood
When Laius, the slain dotard, drenched the grove.
Now to the eye of prophecy immune,
Fading and harried, you stalk us in the street
From the recesses of the August noon,
Alert world over, crouched on the air's feet.
You are our surety to immortal life,
God's hatred of the universal stainThe heritage, O Fear, of ancient strife
Compounded with the tissue of the vein.
And I when all is said have seen your form
Most agile and most treacherous to the world
When, on a child's long day, a dry storm
Burst on the cedars, lit by the sun and hurled!
~ Allen Tate,
124:TRANSPLANT the beauteous tree!
Gardener, it gives me pain;
A happier resting-place
Its trunk deserved.

Yet the strength of its nature
To Earth's exhausting avarice,
To Air's destructive inroads,
An antidote opposed.

See how it in springtime
Coins its pale green leaves!
Their orange-fragrance
Poisons each flyblow straight.

The caterpillar's tooth
Is blunted by them;
With silv'ry hues they gleam
In the bright sunshine,

Its twigs the maiden
Fain would twine in
Her bridal-garland;
Youths its fruit are seeking.

See, the autumn cometh!
The caterpillar
Sighs to the crafty spider,--
Sighs that the tree will not fade.

Hov'ring thither
From out her yew-tree dwelling,
The gaudy foe advances
Against the kindly tree,

And cannot hurt it,
But the more artful one
Defiles with nauseous venom
Its silver leaves;

And sees with triumph
How the maiden shudders,
The youth, how mourns he,
On passing by.

Transplant the beauteous tree!
Gardener, it gives me pain;
Tree, thank the gardener
Who moves thee hence!
~ Johann Wolfgang von Goethe, To My Friend - Ode I
,
125:Ode To Tobacco
Thou, who when fears attack
Bidst them avaunt, and Black
Care, at the horseman's back
Perching, unseatest;
Sweet when the morn is gray;
Sweet when they've cleared away
Lunch; and at close of day
Possibly sweetest!
I have a liking old
For thee, though manifold
Stories, I know, are told
Not to thy credit:
How one (or two at most)
Drops make a cat a ghost,—
Useless, except to roast—
Doctors have said it;
How they who use fusees
All grow by slow degrees
Brainless as chimpanzees,
Meagre as lizards,
Go mad, and beat their wives,
Plunge (after shocking lives)
Razors and carving-knives
Into their gizzards.
Confound such knavish tricks!
Yet know I five or six
Smokers who freely mix
Still with their neighbors,—
Jones, who, I'm glad to say,
Asked leave of Mrs. J.,
Daily absorbs a clay
After his labors.
Cats may have had their goose
Cooked by tobacco juice;
Still, why deny its use
45
Thoughtfully taken?
We're not as tabbies are;
Smith, take a fresh cigar!
Jones, the tobacco jar!
Here's to thee, Bacon!
~ Charles Stuart Calverley,
126:An Ode To Fortune
O Lady Fortune! 't is to thee I call,
Dwelling at Antium, thou hast power to crown
The veriest clod with riches and renown,
And change a triumph to a funeral
The tillers of the soil and they that vex the seas,
Confessing thee supreme, on bended knees
Invoke thee, all.
Of Dacian tribes, of roving Scythian bands,
Of cities, nations, lawless tyrants red
With guiltless blood, art thou the haunting dread;
Within thy path no human valor stands,
And, arbiter of empires, at thy frown
The sceptre, once supreme, slips surely down
From kingly hands.
Necessity precedes thee in thy way;
Hope fawns on thee, and Honor, too, is seen
Dancing attendance with obsequious mien;
But with what coward and abject dismay
The faithless crowd and treacherous wantons fly
When once their jars of luscious wine run dry,-Such ingrates they!
Fortune, I call on thee to bless
Our king,--our Caesar girt for foreign wars!
Help him to heal these fratricidal scars
That speak degenerate shame and wickedness;
And forge anew our impious spears and swords,
Wherewith we may against barbarian hordes
Our Past redress!
~ Eugene Field,
127:author class:Jalaluddin Rumi
/Farsi & Turkish By the God who was in pre-eternity living and moving and omnipotent, everlasting. His light lit the candles of love so that a hundred thousand secrets became known. By one decree of Him the world was filled -- lover and loved, ruler and ruled. In the talismans of Shams-e Tabrizi the treasure of His marvels became concealed. For from the moment that you journeyed forth, we became separated from sweetness like wax; All the night we are burning like candles, paired to his flame and deprived of honey. In separation from his beauty, my body is a waste, and the soul in it is like an owl. Turn those reins in this direction, twist the trunk of the elephant of joy. Without your presence concert is not lawful; music has been stoned like Satan. Without you not one ode has been uttered, until that gracious vision of yours arrived and was understood; Then out of the joy of hearing your letter five or six odes were composed. May our eventide through you be radiant dawn, O you in whom Syria and Armenia and Rum glory. [1494.jpg] -- from Mystical Poems of Rumi: Volume 2, Translated by A. J. Arberry

~ the God who was in pre-eternity living and moving and omnipotent, everlasting
,
128:Ode To Death
FRIEND of the wretched! wherefore should the eye
Of blank Despair, whence tears have ceased to flow,
Be turn'd from thee?--Ah! wherefore fears to die
He, who compell'd each poignant grief to know,
Drains to its lowest dregs the cup of woe?
Would Cowardice postpone thy calm embrace,
To linger out long years in torturing pain?
Or not prefer thee to the ills that chase
Him, who too much impoverish'd to obtain
From British Themis right , implores her aid in vain!
Sharp goading Indigence who would not fly,
That urges toil the exhausted strength above?
Or shun the once fond friend's averted eye?
Or who to thy asylum not remove,
To lose the wasting anguish of ungrateful love?
Can then the wounded wretch, who must deplore
What most she loved, to thy cold arms consign'd,
Who hears the voice that soothed her soul no more,
Fear thee , O Death!--Or hug the chains that bind
To joyless, cheerless life, her sick, reluctant mind?
Oh, Misery's cure! who e'er in pale dismay
Has watch'd the angel form they could not save,
And seen their dearest blessing torn away,
May well the terrors of thy triumph brave,
Nor pause in fearful dread before the opening grave!
~ Charlotte Smith,
129:Ion And The Birds
Behold! behold!
Now they come, they quit the nest
On Parnassus' topmost crest.
Hence! away! I warn ye all!
Light not on our hallowed wall!
From eave and cornice keep aloof,
And from the golden gleaming roof!
Herald of Jove! of birds the king!
Fierce of talon, strong of wing,
Hence! begone! or thou shalt know
The terrors of this deadly bow.
Lo! where rich the altar fumes,
Soars yon swan on oary plumes.
Hence, and quiver in thy flight
Thy foot that gleams with purple light,
Even though Phoebus' harp rejoice
To mingle with thy tuneful voice;
Far away thy white wings shake
O'er the silver Delian lake.
Hence! obey! or end in blood
The music of thy sweet-voiced ode.
Away! away! another stoops!
Down his flagging pinion droops;
Shall our marble eaves be hung
With straw nests for your callow young?
Hence, or dread this twanging bow,
Hence, where Alpheus' waters flow.
Or the Isthmian groves among
Go and rear your nestling young.
Hence, nor dare pollute or stain
Phoebus' offerings, Phoebus' fane.
Yet I feel a sacred dread,
Lest your scattered plumes I shed;
Holy birds! 't is yours to show
Heaven's auguries to men below.
~ Euripides,
130:An Ode To Himself
Where dost thou careless lie,
Buried in ease and sloth?
Knowledge that sleeps doth die;
And this security,
It is the common moth
That eats on wits and arts, and oft destroys them both.
Are all th' Aonian springs
Dried up? lies Thespia waste?
Doth Clarius' harp want strings,
That not a nymph now sings?
Or droop they as disgrac'd,
To see their seats and bowers by chatt'ring pies defac'd?
If hence thy silence be,
As 'tis too just a cause,
Let this thought quicken thee:
Minds that are great and free
Should not on fortune pause;
'Tis crown enough to virtue still, her own applause.
What though the greedy fry
Be taken with false baites
Of worded balladry,
And think it poesy?
They die with their conceits,
And only piteous scorn upon their folly waits.
Then take in hand thy lyre,
Strike in thy proper strain,
With Japhet's line aspire
Sol's chariot for new fire,
To give the world again;
Who aided him will thee, the issue of Jove's brain.
And since our dainty age
Cannot endure reproof,
Make not thyself a page
To that strumpet, the stage,
29
But sing high and aloof,
Safe from the wolf's black jaw and the dull ass's hoof.
~ Ben Jonson,
131:Prema drevnoj sufističkoj pripovijesti, nekoć je u jednoj od bliskoistočnih
zemalja živio kralj neprestano rastrzan između sreće i potištenosti. I
najmanja sitnica mogla ga je jako uzrujati ili izazvati intenzivnu reakciju,
a sreća bi mu se brzo okretala u razočaranje i očaj. Došao je trenutak
kad se kralj naposljetku umorio od samoga sebe i od života te počeo
tražiti izlaz. Poslao je po mudraca koji je živio u njegovu kraljevstvu i
za koga se govorilo da je prosvijetljen. Kad je mudrac stigao, kralj mu
se obrati: »Želim biti nalik tebi. Možeš li mi dati nešto što bi u moj život
unijelo ravnotežu, vedrinu i mudrost? Platit ću ti koliko zatražiš«.
Mudrac odgovori: »Možda bih ti mogao pomoći. No, cijena je tako
velika da ni čitavo tvoje kraljevstvo ne bi bilo dovoljno. Stoga će to biti
dar ako ga budeš znao cijeniti«. Kralj ga uvjeri i mudrac ode.
Nekoliko tjedana poslije vrati se i preda kralju ukrašenu kutiju od
žada. Kralj otvori kutiju i u njoj pronađe jednostavan zlatni prsten. Na
prstenu su bila urezana slova. Pisalo je I to će proći. »Što to znači?«,
upita kralj. Mudrac odvrati: »Uvijek nosi taj prsten. Što god se dogodi,
prije nego stigneš reći je li dobro i l i loše, dodirni prsten i pročitaj natpis.
Tako ćeš uvijek biti smiren«. ~ Eckhart Tolle,
132:Independence Ode
Columbia, fair queen in your glory!
Columbia, the pride of the earth!
We crown you with song- wreath and story;
We honour the day of your birth!
The wrath of a king and his minions
You braved, to be free, on that day;
And the eagle sailed up on strong pinions,
And frightened the lion at bay.
Since the chains and the shackles are broken,
And citizens now replace slaves,
Since the hearts of your heros have spoken
How dear they held freedom - by graves.
Your beautiful banner is blotless
As it floats to the breezes unfurled,
And but for one blemish, all spotless
Is the record you show to the world.
Like a scar on the features of beauty,
Lies Utah, sin-cursed to the west.
Columbia! Columbia! your duty
Is to wipe out that stain with the rest!
Not only in freedom, and science,
And letters, should you lead the earth;
But let the earth learn your reliance
In honour and true moral worth.
When Liberty's torch shall be lighted,
Let her brightest most far-reaching rays
Discover no wrong thats unrighted Go challenge the jealous world's gaze!
Columbia, your star is ascending!
Columbia, all lands own your sway!
May your reign be as proud and unrending
As your glory is brilliant today.
333
~ Ella Wheeler Wilcox,
133:Palermo is dotted everywhere with frittura shacks- street carts and storefronts specializing in fried foods of all shapes and cardiac impacts. On the fringes of the Ballarò market are bars serving pane e panelle, fried wedges of mashed chickpeas combined with potato fritters and stuffed into a roll the size of a catcher's mitt. This is how the vendors start their days; this is how you should start yours, too. If fried chickpea sandwiches don't register as breakfast food, consider an early evening at Friggitoria Chiluzzo, posted on a plastic stool with a pack of locals, knocking back beers with plates of fried artichokes and arancini, glorious balls of saffron-stained rice stuffed with ragù and fried golden- another delicious ode to Africa.
Indeed, frying food is one of the favorite pastimes of the palermitani, and they do it- as all great frying should be done- with a mix of skill and reckless abandon. Ganci is among the city's most beloved oil baths, a sliver of a store offering more calories per square foot than anywhere I've ever eaten. You can smell the mischief a block before you hit the front door: pizza topped with french fries and fried eggplant, fried rice balls stuffed with ham and cubes of mozzarella, and a ghastly concoction called spiedino that involves a brick of béchamel and meat sauce coated in bread crumbs and fried until you could break someone's window with it. ~ Matt Goulding,
134:Ode, Written On The Opening Of The Last Campaign
Spring! thy impatient bloom restrain,
Nor wake so soon thy genial pow'r,
For, deeds of death must hail thy reign,
And clouds of fate around thee low'r.
Alas! not all thy store of charms
For patriot hearts can comfort find,
Or lull to peace the dread alarms
Which rack the friends of human kind.
In vain thy balmy breath to me
Scents with its sweets the ev'ning gale;
In vain the violet's charms I see,
Or fondly mark thy primrose pale.
To me thy softest zephyrs breathe,
Of sorrow's soul-distracting tone,
To me thy most attractive wreath
Seems ting'd with human blood alone.
Arrest thy steps, thou source of love,
Thou genial friend of joy and life
Let not thy smile propitious prove
To works of carnage, scenes of strife.
Bid Winter all his frowns recall,
And back his icy footsteps trace;
Again the soil in frost inthrall,
And check the War-fiend's murd'rous chace.
Ah, fruitless pray'r! thy hand divine
MUST on the teeming season lead,
And (contrast dire!) at War's red shrine
Must bid unnumber'd victims bleed.
But not in vain—if on this hour
The fate of Freedom shall depend—
If o'er this earth th' Eternal Pow'r
The scale of Justice now extend.
For then, O Spring, thy sun shall see
The patriot flame triumphant shine;
GALLIA shall bid the world be free,
And WAR his blood-stain'd throne resign!
~ Amelia Opie,
135:Arise, arise, arise!
There is blood on the earth that denies ye bread;
Be your wounds like eyes
To weep for the dead, the dead, the dead.
What other grief were it just to pay?
Your sons, your wives, your brethren, were they;
Who said they were slain on the battle day?

Awaken, awaken, awaken!
The slave and the tyrant are twin-born foes;
Be the cold chains shaken
To the dust where your kindred repose, repose:
Their bones in the grave will start and move,
When they hear the voices of those they love,
Most loud in the holy combat above.

Wave, wave high the banner!
When Freedom is riding to conquest by:
Though the slaves that fan her
Be Famine and Toil, giving sigh for sigh.
And ye who attend her imperial car,
Lift not your hands in the banded war,
But in her defence whose children ye are.

Glory, glory, glory,
To those who have greatly suffered and done!
Never name in story
Was greater than that which ye shall have won.
Conquerors have conquered their foes alone,
Whose revenge, pride, and power they have overthrown
Ride ye, more victorious, over your own.

Bind, bind every brow
With crownals of violet, ivy, and pine:
Hide the blood-stains now
With hues which sweet Nature has made divine:
Green strength, azure hope, and eternity:
But let not the pansy among them be;
Ye were injured, and that means memory.

~ Percy Bysshe Shelley, An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
,
136:I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.
I do not propose to write an ode to dejection, but to brag as lustily as chanticleer in the morning, standing on his roost, if only to wake my neighbours up.

Richard Byrd, the US admiral and explorer, gave a similar explanation in the opening of his book Alone, in which he described his adventure alone through seven months in the Antarctic:
I wanted to go for experience's sake: one man's desire to know that kind of experience to the full... to taste... solitude long enough to find out how good it really was... I wanted something more than just privacy... I would be able to live exactly as I chose, obedient to no necessities but those imposed by wind and night and cold, and to no man's laws but my own. ~ Sara Maitland,
137:National Anniversay Ode
Ho! for the day in the whole year the brightest!
Long may it live in the heart of the nation!
Long may it be ere the names are forgotten
That boldly were signed to the grand declaration!
Shout, sons of liberty! shout for the one land free
Under the sun!
On this thrice blessèd day its bonds were struck away,
Its thongs undone!
Ho! for our banner, the emblem of freedom!
What can arouse a true hero's devotionWhat like the Stars and Stripes, floating above us?
Queen of all lands, and the peer of the ocean.
Oh! it is fair to see, oh! it is dear to me,
Flag of the brave!
Time's wheel shall cease to move, true hearts shall cease to love,
Ere it cease to wave.
But there's a blemish now staining our banner!
The bright stars are dimmed, and the fair stripes are spotted,
With the tears of the drunkard's wife, mother, and children,
With hot tears of shame is our flag blurred and blotted.
Victims of tyranny, strike till our land is free
From King Alcohol;
Strike down his whelps of sin, rum, brandy, beer, and gin
Strangle them all.
Up to the contest, and wipe out this blemish!
Columbia's son, and Columbia's daughter,
God speed the day when the one 'Land of Freedom'
Shall add to its title the 'Land of Cold Water'!
Three cheers for Columbia, and this, her natal day!
God bless the right,
And guard from a traitor's hand, this our beloved land,
And the Red, Blue, and White!
414
July 4th, 1871.
~ Ella Wheeler Wilcox,
138:Ledwo słoneczko uderzy
W okno złocistym promykiem,
Budzę się hoży i świeży
Z antypaństwowym okrzykiem.

Zanurzam się aż po uszy
W miłej moralnej zgniliźnie
I najserdeczniej uwłaczam
Bogu, ludzkości, ojczyźnie.

Komunizuję godzinkę,
Zatruwam ducha, a później
Albo szkaluję troszeczkę,
Albo, gdy święto jest, bluźnię

Zaśmiecam język z lubością,
Znieprawiam, do złego kuszę,
Zakusy mam bolszewickie
I sączę jad w młode dusze.

Czasem mnie wujcio odwiedza,
Miły, niechlujny staruszek,
Czytamy sobie, czytamy
Talmudzik, Szulchan-Aruszek.

Z wujciem, jewrejem brodatym,
Emisariuszem sowietów,
Śpiewamy pierwszą brygadę,
Chodzimy do kabaretów.

Od oficerów znajomych
Wyłudzam w czasie kolacji
Sekrecik jakiś sztabowy
Lub planik mobilizacji.

Często mam misje specjalne
To w Druskiennikach, to w Kielcach
I wywrotowców werbuję
Na rozkaz Moskwy do Strzelca.

Do domu wracam pogodny,
Lekki jak mała ptaszyna,
W cichym mieszkaniu na Chłodnej,
Czeka drukarska maszyna.

Odbijam sobie, odbijam
Zielone dolarki śliczne,
Komunistyczną bibułę,
Broszurki pornograficzne.

A potem mała orgijka
W ramionach płomiennej Chajki!
(Mam w domu taką sadystkę
Z odsskiej czerezwyczajki.)

I choć mam milion rozkoszy
Od Chajki krwawej i ryżej,
To ciężko mi! Nie na sercu,
Lecz wprost przeciwnie i niżej.

Niech się ciężarem tym ze mną
Podzieli któryś z rodaków!
Mój Boże ile tam siedzi
Głupich endeckich pismaków. ~ Julian Tuwim,
139:Note by Mrs. Shelley: 'In the brief journal I kept in those days, I find it recorded, in August, 1820, Shelley ''begins Swellfoot the Tyrant, suggested by the pigs at the fair of San Giuliano.'' This was the period of Queen Caroline's landing in England, and the struggles made by George IV. to get rid of her claims; which failing, Lord Castlereagh placed the 'Green Bag' on the table of the House of Commons, demanding in the King's name that an inquiry should be instituted into his wife's conduct. These circumstances were the theme of all conversation among the English. We were then at the Baths of San Giuliano. A friend came to visit us on the day when a fair was held in the square, beneath our windows: Shelley read to us his Ode to Liberty; and was riotously accompanied by the grunting of a quantity of pigs brought for sale to the fair. He compared it to the 'chorus of frogs' in the satiric drama of Aristophanes; and, it being an hour of merriment, and one ludicrous association suggesting another, he imagined a political-satirical drama on the circumstances of the day, to which the pigs would serve as chorus -- and Swellfoot was begun.
When finished, it was transmitted to England, printed, and published anonymously; but stifled at the very dawn of its existence by the Society for the Suppression of Vice, who threatened to prosecute it, if not immediately withdrawn. The friend who had taken the trouble of bringing it out, of course did not think it worth the annoyance and expense of a contest, and it was laid aside.'
~ Hutchinson's Poetical Works of Percy Shelley, 1905.
,
140:Ode to Charlie
THE DOG OF A LIFETIME

We got a pup named Charlie
One year at Christmastime.
He changed our lives completely
So I’ll share this dog rhyme.

His ears were long and dangly,
His legs were short and fat,
His naps were almost constant,
’Cept when he chased the cat.

I dressed him up in outfits,
In dresses, shirts, and jeans,
In boots and leather loafers--
The dapp’rest pup I’d seen!

He started working cattle
With Ladd and all the crew.
He thought this was his purpose.
Oh, if he only knew!

That he was just a Bassett
And bred for not so much.
But Charlie rose above it
And learned that cowdog touch.

But man, that short dog syndrome…
He thought he was in charge
And ruled the other doggies
His bravado, always large!

But deep down, all he wanted
Were tummy rubs all day
And sausage, ham, and burgers
And bacon, I would say.

He snored just like an engine,
His breath was not so great,
His ears were always crusty
From hanging in his plate.

But Charlie Boy was perfect
And loyal through and through.
He knew what we were thinking,
He sensed what we would do.

We thought he’d live forever
But cancer came and stayed,
Then left with our dear Charles
And left us all dismayed.

And yet, we feel so lucky
He got to be our friend.
We have a million memories
Right up until the end.

We loved you, Charlie, you were the best
We never will forget you
And the very second we get to Heaven…
We’re coming straight to get you! ~ Ree Drummond,
141:ODE TO A HAGGIS

Fair fa’ your honest, sonsie face,
Great Chieftan o’ the Puddin-race!
Aboon them a’ ye tak your place,
Painch, tripe, or thairm:
Weel are ye wordy of a grace
As lang’s my arm

The groaning trencher there ye fill,
Your hurdies like a distant hill,
You pin wad help to mend a mill
In time o’need
While thro’ your pores the dews distil
Like amber bead

His knife see Rustic-labour dight,
An’ cut you up wi’ ready slight,
Trenching your gushing entrails bright
Like onie ditch;
And then, O what a glorious sight,
Warm-reeking, rich!

Then, horn for horn they stretch an’ strive,
Deil tak the hindmost, on they drive,
Till a’ their weel-swall’d kytes belyve
Are bent like drums;
Then auld Guidman, maist like to rive
Bethankit hums

Is there that owre his French ragout,
Or olio that wad staw a sow,
Or fricassee wad mak her spew
Wi’ perfect sconner,
Looks down wi’ sneering, scornfu’ view
On sic a dinner?

Poor devil! see him owre his trash,
As feckless as a wither’d rash
His spindle-shank a guid whip-lash,
His nieve a nit;
Thro’ bluidy flood or field to dash,
O how unfit!

But mark the Rustic, haggis-fed,
The trembling earth resounds his tread,
Clap in his walie nieve a blade,
He’ll mak it whissle;
An’ legs, an’ arms an’ heads will sned,
Like taps o’ thrissle

Ye pow’rs wha mak mankind your care,
An’ dish them out their bill o’fare,
Auld Scotland wants nae skinking ware
That jaups in luggies;
But, if ye wish her gratefu’ pray’r,
Gie her a Haggis! ~ Robert Burns,
142:O Freunde, nicht diese Tone!
Sondern lasst uns angenehmere anstimmen
Und freudenvollere!      

Freude schoner Gotterfunken,
Tochter aus Elysium,
Wir betreten feuertrunken,    
Himmliche dein Heiligtum!    
Deine Zauber binden wieder,    
Was die Mode Streng geteilt;    
Alle Menschen werden Bruder,  
Wo dein sanfter Flugel weilt  

Wem der gross e Wurf gelungen,
Eines Freundes Freund zu sein,
Wer ein holdes Weib errungen,  
Mische seinen Jubel ein!
Ja, wer auch nur eine Seele    
Sein nennt auf dem Erdenrund!  
Und wer's nie gekonnt, der stehle
Weinend sich aus diesem Bund  

Freude trinken alle Wesen
An den Bursten der Natur;    
Alle Guten, alle Bosen      
Folgen ihrer Rosenspur    
Kusse gab sie uns und Reben,  
Einen Freund, gepruft im Tod;  
Wollust ward dem Wurm gegeben,  
Und der Cherub steht vor Gott!

Froh, wie seine Sonnen fliegen  
Durch des Himmels pracht'gen Plan,
Laufet, Bruder, eure Bahn,
Freudig, wie ein Held zum Siegen  

Seid umschlungen, Millionen  
Diesen Kuss der ganzen Welt!  
Bruder! Uber'm Sternenzelt  
Muss ein lieber Vater wohnen  
Ihr sturzt nieder, Millionen?
Ahnest du den Schopfer, Welt?
Such' ihn uber'm Sternenzelt!
Uber Sternen muss er wohnen
http://oldpoetry.com/opoem/show/136617-Friedrich-von-Schiller-Ode-To-Joy------With-Translation
For the original version in both German and English

~ Friedrich Schiller, Ode an die Freude
,
143:Mother of Hermes! and still youthful Maia!
May I sing to thee
As thou wast hymned on the shores of Baiae?
Or may I woo thee
In earlier Sicilian? or thy smiles
Seek as they once were sought, in Grecian isles,
By bards who died content on pleasant sward,
Leaving great verse unto a little clan?
O give me their old vigour! and unheard
Save of the quiet primrose, and the span
Of heaven, and few ears,
Rounded by thee, my song should die away
Content as theirs,
Rich in the simple worship of a day.
'First given in the Life, Letters &c. (1848) in a letter to Reynolds from Teignmouth, dated the 3rd of May 1818, wherein Keats says --

"it is impossible to know how far knowledge will console us for the death of a friend, and the 'ills that flesh is heir to.' With respect to the affections and poetry, you must know by sympathy my thoughts that way, and I dare say these few lines will be but a ratification. I wrote them on May-day, and intend to finish the ode all in good time."

Lord Houghton observes,-- "It is much to be regretted he did not finish this Ode; this commencement is in his best manner: the sentiment and expression perfect, as every traveller in modern Greece will recognize." An Ode so propitiously begun would, if completed, have been a worthy ending for the Devonshire series, though including what I believe I am not alone in regarding as Keats's masterpiece, -- Isabella.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Fragment Of An Ode To Maia. Written On May Day 1818
,
144:Ode To Joy
Wild and fearful in his cavern
Hid the naked troglodyte,
And the homeless nomad wandered
Laying waste the fertile plain.
Menacing with spear and arrow
In the woods the hunter strayed…
Woe to all poor wreteches stranded
On those cruel and hostile shores!
From the peak of high Olympus
Came the mother Ceres down,
Seeeking in those savage regions
Her lost daughter Prosperine.
But the Goddess found no refuge,
Found no kindly welcome there,
And no temple bearing witness
To the worship of the gods.
From the fields and from the vineyards
Came no fruit to deck the feasts,
Only flesh of blood-stained victims
Smouldered on the alter-fires,
And where'er the grieving goddess
Turns her melancholy gaze,
Sunk in vilest degradation
Man his loathsomeness displays.
Would he purge his soul from vileness
And attain to light and worth,
He must turn and cling forever
To his ancient Mother Earth.
Joy everlasting fostereth
The soul of all creation,
It is her secret ferment fires
The cup of life with flame.
'Tis at her beck the grass hath turned
Each blade toward the light
and solar systems have evolved
From chaos and dark night,
212
Filling the realms of boundless space
Beyond the sage's sight.
At bounteous nature's kindly breast,
All things that breath drink Joy,
And bird and beasts and creaping things
All follow where she leads.
Her gifts to man are friends in need,
The wreath, the foaming must,
To angels - visions of God's throne,
To insects - sensual lust.
~ Anonymous Americas,
145:Gustav is a composer. For months he has been carrying on a raging debate with Säure over who is better, Beethoven or Rossini. Säure is for Rossini. “I’m not so much for Beethoven qua Beethoven,” Gustav argues, “but as he represents the German dialectic, the incorporation of more and more notes into the scale, culminating with dodecaphonic democracy, where all notes get an equal hearing. Beethoven was one of the architects of musical freedom—he submitted to the demands of history, despite his deafness. While Rossini was retiring at the age of 36, womanizing and getting fat, Beethoven was living a life filled with tragedy and grandeur.” “So?” is Säure’s customary answer to that one. “Which would you rather do? The point is,” cutting off Gustav’s usually indignant scream, “a person feels good listening to Rossini. All you feel like listening to Beethoven is going out and invading Poland. Ode to Joy indeed. The man didn’t even have a sense of humor. I tell you,” shaking his skinny old fist, “there is more of the Sublime in the snare-drum part to La Gazza Ladra than in the whole Ninth Symphony. With Rossini, the whole point is that lovers always get together, isolation is overcome, and like it or not that is the one great centripetal movement of the World. Through the machineries of greed, pettiness, and the abuse of power, love occurs. All the shit is transmuted to gold. The walls are breached, the balconies are scaled—listen!” It was a night in early May, and the final bombardment of Berlin was in progress. Säure had to shout his head off. “The Italian girl is in Algiers, the Barber’s in the crockery, the magpie’s stealing everything in sight! The World is rushing together. ~ Thomas Pynchon,
146:The Secret Of The Universe
AN ODE
(By a Western Spinning Dervish)
I SPIN, I spin, around, around,
And close my eyes,
And let the bile arise
From the sacred region of the soul’s Profound;
Then gaze upon the world; how strange! how new!
The earth and heaven are one,
The horizon-line is gone,
The sky how green! the land how fair and blue!
Perplexing items fade from my large view,
And thought which vexed me with its false and true
Is swallowed up in Intuition; this,
This is the sole true mode
Of reaching God,
And gaining the universal synthesis
Which makes All—One; while fools with peering eyes
Dissect, divide, and vainly analyse.
So round, and round, and round again!
How the whole globe swells within my brain,
The stars inside my lids appear,
The murmur of the spheres I hear
Throbbing and beating in each ear;
Right in my navel I can feel
The centre of the world’s great wheel.
Ah peace divine, bliss dear and deep,
No stay, no stop,
Like any top
Whirling with swiftest speed, I sleep.
O ye devout ones round me coming,
Listen! I think that I am humming;
No utterance of the servile mind
With poor chop-logic rules agreeing
Here shall ye find,
But inarticulate burr of man’s unsundered being.
Ah, could we but devise some plan,
Some patent jack by which a man
27
Might hold himself ever in harmony
With the great whole, and spin perpetually,
As all things spin
Without, within,
As Time spins off into Eternity,
And Space into the inane Immensity,
And the Finite into God’s Infinity,
Spin, spin, spin, spin.
~ Edward Dowden,
147:ALL day the waves assailed the rock,
I heard no church-bell chime;
The sea-beat scorns the minster clock
And breaks the glass of Time.
by owner. provided at no charge for educational purposes
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Ode
O tenderly the haughty day
Fills his blue urn with fire;
One morn is in the mighty heaven,
And one in our desire.

The cannon booms from town to town,
Our pulses are not less,
The joy-bells chime their tidings down,
Which children's voices bless.

For He that flung the broad blue fold
O'er-mantling land and sea,
One third part of the sky unrolled
For the banner of the free.

The men are ripe of Saxon kind
To build an equal state,--
To take the statute from the mind,
And make of duty fate.

United States! the ages plead,--
Present and Past in under-song,--
Go put your creed into your deed,
Nor speak with double tongue.

For sea and land don't understand,
Nor skies without a frown
See rights for which the one hand fights
By the other cloven down.

Be just at home; then write your scroll
Of honour o'er the sea,
And bid the broad Atlantic roll,
A ferry of the free.

And, henceforth, there shall be no chain,
Save underneath the sea
The wires shall murmur through the main
Sweet songs of LIBERTY.

The conscious stars accord above,
The waters wild below,
And under, through the cable wove,
Her fiery errands go.

For He that worketh high and wise,
Nor pauses in his plan,
Will take the sun out of the skies
Ere freedom out of man.
Ode Sung In The Town Hall 1857 by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Waves
,
148:Ode To Despair
FROM THE NOVEL OF EMMELINE.
THOU spectre of terrific mien!
Lord of the hopeless heart and hollow eye,
In whose fierce train each form is seen
That drives sick Reason to insanity!
I woo thee with unusual prayer,
'Grim visaged, comfortless Despair:'
Approach; in me a willing victim find,
Who seeks thine iron sway--and calls thee kind!
Ah! hide for ever from my sight
The faithless flatterer Hope--whose pencil, gay,
Portrays some vision of delight,
Then bids the fairy tablet fade away;
While in dire contrast, to mine eyes,
Thy phantoms, yet more hideous, rise,
And Memory draws from Pleasure's wither'd flower,
Corrosives for the heart--of fatal power!
I bid the traitor Love adieu!
Who to this fond believing bosom came,
A guest insidious and untrue,
With Pity's soothing voice--in Friendship's name;
The wounds he gave, nor Time shall cure,
Nor Reason teach me to endure.
And to that breast mild Patience pleads in vain,
Which feels the curse--of meriting its pain.
Yet not to me, tremendous Power!
Thy worst of spirit-wounding pangs impart,
With which, in dark conviction's hour,
Thou strik'st the guilty unrepentant heart;
But of illusion long the sport,
That dreary, tranquil gloom I court,
Where my past errors I may still deplore,
And dream of long-lost happiness no more!
To thee I give this tortured breast,
Where Hope arises but to foster pain;
Ah! lull its agonies to rest!
Ah! let me never be deceived again!
But callous, in thy deep repose,
58
Behold, in long array, the woes
Of the dread future, calm and undismay'd,
Till I may claim the hope--that shall not fade!
~ Charlotte Smith,
149:Ksiądz
I na cóż ból rozdrażniać w przygojonej ranie?
Synu mój, jest to dawna, lecz słuszna przestroga,
Że kiedy co się stało i już się nie odstanie,
Potrzeba w tym uznawać wolę Pana Boga.

Gustaw
(z żalem)
O nie! nas Bóg urządził ku wspólnemu życiu,
Jednakowa nam gwiazda świeciła w powiciu,
Równi, choć różnych zdarzeń wykształceni ciekiem,
Postawą sobie bliscy, jednostajni wiekiem,
Ten sam powab we wszystkim, toż samo niechcenie,
Też same w myślach składnie i w czuciach płomienie.
Gdy nas wszędzie tożsamość łączy niedościgła,
Bóg osnuł przyszłe węzły,
(z żalem największym)
a tyś je rozstrzygła!
(mocniej, gniewny)
Kobieto! puchu marny! ty wietrzna istoto!
Postaci twojej zazdroszczą anieli,
A duszę gorszą masz, gorszą niżeli!...
Przebóg! tak ciebie oślepiło złoto!
I honorów świecąca bańka, wewnątrz pusta!
Bodaj!... Niech, czego dotkniesz, przeleje się w złoto;
Gdzie tylko zwrócisz serce i usta,
Całuj, ściskaj zimne złoto!
Ja, gdybym równie był panem wyboru,
I najcudniejsza postać dziewicza,
Jakiej Bóg dotąd nie pokazał wzoru,
Piękniejsza niżli aniołów oblicza,
Niżli sny moje, niżli poetów zmyślenia,
Niżli ty nawet... oddam ją za ciebie,
Za słodycz twego jednego spojrzenia!
Ach, i gdyby w posagu
Płynęło za nią wszystkie złoto Tagu,
Gdyby królestwo w niebie,
Oddałbym ją za ciebie!
Najmniejszych względów nie zyska ode mnie,
Gdyby za tyle piękności i złota
Prosiła tylko, ażeby jej luby
Poświęcił małą cząstkę żywota,
Którą dla ciebie całkiem poświęca daremnie!
Gdyby prosiła o rok, o pół roka,
Gdyby jedna z nią pieszczota,
Gdyby jedno mgnienie oka,
Nie chcę! nie! i na takie nie zezwolę śluby. ~ Adam Mickiewicz,
150:Ode To Sir William Sydney, On His Birthday
Now that the harth is crown'd with smiling fire,
And some do drink, and some do dance,
Some ring,
Some sing,
And all do strive t'advance
The gladnesse higher:
Wherefore should I
Stand silent by.
Who not the least,
Both love the cause, and authors of the feast.
Give me my cup, but from the Thespian Well,
That I may tell to Sydney, what
This day
Doth say,
And he may think on that
Which I do tell:
When all the noyse
Of these forc'd joyes,
Are fled and gone,
And he, with his best Genius left alone.
This day says, then, the number of glad yeares
Are justly summ'd, that make you man;
Your vow
Must now
Strive all right ways it can,
T'out-strip your peeres:
Since he doth lack
Of going back
Little, whose will
Doth urge him to run wrong, or to stand still.
Nor can a little of the common store,
Of nobles vertue, shew in you;
Your blood
So good
And great, must seek for new,
And study more:
Nor weary, rest
On what's deceast.
For they, that swell
75
With dust of ancestors, in graves but dwell.
'Twill be exacted of your name, whose sonne,
Whose nephew, whose grand-child you are;
And men
Will, then,
Say you have follow'd farre,
When well begun:
Which must be now,
They teach you, how.
And he that stayes
To liue untill to morrow 'hath lost two dayes.
So may you live in honor, as in name,
If with this truth you be inspir'd;
So may
This day
Be more, and long desir'd:
And with the flame
Of love bee bright,
As with the light
Of bone-fires. Then
The Birth-day shines, when logs not burne, but men.
~ Ben Jonson,
151:The Poet
To be a poet is to bring
A furrowed brow, a piece of string,
And pen and ink and paper white Into a lonely room at night,
And, while the wingéd hours do fly,
To write a rhyme a crown will buy.
Whereas, when first ye sat ye down,
Ye dreamed the rhyme would buy a crown.
To be a poet is to owe,
And here and there in stealth to go;
To fly on swift impassioned feet
From wrathful traders in the street;
For odes and lyrics, tho' they be
Exquisite, are not currency.
No butcher will an MS. take
As fair exchange for good rump steak.
To be a poet is to graze
Old Pegagsus for many days
Upon the dismal fields of hash,
And afterwards to flog and lash
The ancient steed, who loudly squeals,
And spurns the paper with his heels,
Till he arrives, foam-splashed and spent,
Where the ode ends that pays the rent.
To be a poet, I'm afraid,
Is but a sorry sort of trade.
The poet never can compete
With grocers who sell things to eat;
And golden dreams, and visions bright,
Will never stay an appetite.
Likewise the yearnings of the soul
Don't equal one small sausage-roll.
Ah! often from my attic high
I've watched banana-men go by.
And thought how vain 'twould be to shove
A truck piled high with odes to Love,
And lyrics sweet, and sonnets too,
About the suburbs, as they do
The yellow fruit we know so well,
Which seems so readily to sell.
He is a wretched fool indeed
Who yearns the intellect to feed.
A poet cannot sink his teeth Into the freshest laurel-wreath.
Oft, when from lodgings I've been sent,
I've thought 'There's little nourishment
In writing verse. At any price,
A poem is but food for mice.'
~ Ernest O'Ferrall,
152:1.
God of the golden bow,
   And of the golden lyre,
And of the golden hair,
   And of the golden fire,
      Charioteer
      Of the patient year,
   Where-where slept thine ire,
When like a blank idiot I put on thy wreath,
   Thy laurel, thy glory,
   The light of thy story,
Or was I a worm-too low crawling for death?
   O Delphic Apollo!

2.
The Thunderer grasp'd and grasp'd,
   The Thunderer frown'd and frown'd;
The eagle's feathery mane
   For wrath became stiffen'd-the sound
      Of breeding thunder
      Went drowsily under,
   Muttering to be unbound.
O why didst thou pity, and beg for a worm?
   Why touch thy soft lute
   Till the thunder was mute,
Why was I not crush'd-such a pitiful germ?
   O Delphic Apollo!

3.
The Pleiades were up,
   Watching the silent air;
The seeds and roots in Earth
   Were swelling for summer fare;
      The Ocean, its neighbour,
      Was at his old labour,
   When, who-who did dare
To tie for a moment, thy plant round his brow,
   And grin and look proudly,
   And blaspheme so loudly,
And live for that honour, to stoop to thee now?
   O Delphic Apollo!
This also was first given in the Literary Remains in the second volume of the Life, Letters &c. 1848, where it stood next to the Ode To Apollo, though undated. As Lord Houghton retains it between the Ode To Apollo and the stanzas To Hope (dated February 1815) in the chronological Aldine edition, the date February 1815 may be presumed to be that of the Hymn as well as that of the Ode. ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Hymn To Apollo
,
153:Bards of Passion and of Mirth,
Ye have left your souls on earth!
Have ye souls in heaven too,
Doubled-lived in regions new?
Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wondrous,
And the parle of voices thund'rous;
With the whisper of heaven's trees
And one another, in soft ease
Seated on Elysian lawns
Browsed by none but Dian's fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, tranced thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.

Thus ye live on high, and then
On the earth ye live again;
And the souls ye left behind you
Teach us, here, the way to find you,
Where your other souls are joying,
Never slumber'd, never cloying.
Here, your earth-born souls still speak
To mortals, of their little week;
Of their sorrows and delights;
Of their passions and their spites;
Of their glory and their shame;
What doth strengthen and what maim.
Thus ye teach us, every day,
Wisdom, though fled far away.

Bards of Passion and of Mirth,
Ye have left your souls on earth!
Ye have souls in heaven too,
Double-lived in regions new!
'From the fact that this poem is written in Keats's Beaumont and Fletcher, now in Sir Charles Dilke's possession, and from internal evidence, we may judge it to be addressed to the brother poets of passion and mirth who wrote the tragi-comedy of The Fair Maid Of The Inn, and not to poets at large, as indicated by the title given in the Golden Treasury, to wit Ode on the Poets.' ~ John Keats, Ode. Written On The Blank Page Before Beaumont And Fletchers Tragi-Comedy The Fair Maid Of The In
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154:Ode To Marie-Anne-Charlotte Corday
Le noir serpent, sorti de sa caverne impure,
A donc vu rompre enfin sous ta main ferme et sûre
le venimeux tissu de ses jours abhorrés!
Aux entrailles du tigre, à ses dents homicides,
Tu vins demander et les membres livides
Et le sang des humains qu'il avait dévorés!
La vertu seule est libre. Honneur de notre histoire,
Notre immortel opprobre y vit avec ta gloire.
Seule tu fus un homme, et vengea les humains.
Et nous, eunuques vils, troupeau lâche et sans âme,
Nous savons répéter quelques plaintes de femme,
Mais le fer pèserait à nos débiles mains.
.....
Un scélérat de moins rampe dans cette fange.
La Vertu t'applaudit. De sa mâle louange
Entends, bell héroïne, entends l'auguste voix.
O Vertu, le poignard, seul espoir de la terre,
Est ton arme sacrée, alors que le tonnerre
Laisse régner le crime, et te vend à ses lois.
English
(The black serpent, leaving his filthy cave,
Has finally suffered by your hand so sure and brave
The end of its venomous existence so despised!
From the tiger's guts, from his homicidal teeth
You came and drew what he'd devoured from beneath:
The blood and livid members of his victims sacrificed.)
(Virtue alone is free. Honor of our history,
Our immortal shame we live beside your glory.
Only you were a man, your knife did vengeance wreak;
And we, vile eunuchs, cowardly and soul-less cattle.
We can at best complain like women prattle,
But to wield a sword our hands would be too weak
.....
In that mud crawls one scoundrel less.
142
Hear, lovely heroine, hear Virtue bless,
Hear the august voice of its virile praise.
Oh virtue, the dagger that hope will raise,
Is your sacred arm, when Heaven holds its thunder
And lets crime rule, while laws are cut asunder.)
~ Andre Marie de Chenier,
155:Ode To The Poppy
Written by a deceased friend.
NOT for the promise of the labour'd field,
Not for the good the yellow harvests yield,
I bend at Ceres' shrine;
For dull, to human eyes, appear
The golden glories of the year,
Alas!--a melancholy worship's mine,
I hail the goddess for her scarlet flower;
Thou brilliant weed,
That dost so far exceed
The richest gifts gay Flora can bestow:
Heedless I pass'd thee, in life's morning hour,
(Thou comforter of woe)
Till sorrow taught me to confess thy power.
In early days, when Fancy cheats,
A varied wreath I wove,
Of laughing Spring's luxuriant sweets,
To deck ungrateful Love:
The rose, or thorn, my labours crown'd;
As Venus smiled, or Venus frown'd;
But Love and Joy, and all their train, are flown;
E'en languid Hope no more is mine,
And I will sing of thee alone,
Unless, perchance, the attributes of Grief,
The cypress bud, and willow leaf,
Their pale funereal foliage blend with thine.
Hail, lovely blossom!--thou canst ease
The wretched victims of Disease;
Canst close those weary eyes in gentle sleep,
Which never open but to weep;
For, oh! thy potent charm
Can agonizing Pain disarm;
Expel imperious Memory from her seat,
And bid the throbbing heart forget to beat.
Soul-soothing plant! that can such blessings give,
By thee the mourner bears to live!
By thee the hopeless die!
60
Oh! ever 'friendly to despair,'
Might Sorrow's pallid votary dare,
Without a crime, that remedy implore,
Which bids the spirit from its bondage fly,
I'd court thy palliative aid no more;
No more I'd sue that thou shouldst spread,
Thy spell around my aching head,
But would conjure thee to impart
Thy balsam for a broken heart;
And by thy soft Lethean power,
( Inestimable flower)
Burst these terrestrial bonds, and other regions try.
~ Charlotte Smith,
156:Ode To The Northeast Wind
Welcome, wild Northeaster!
Shame it is to see
Odes to every zephyr;
Ne'er a verse to thee.
Welcome, black Northeaster!
O'er the German foam;
O'er the Danish moorlands,
From thy frozen home.
Tired are we of summer,
Tired of gaudy glare,
Showers soft and steaming,
Hot and breathless air.
Tired of listless dreaming,
Through the lazy day-Jovial wind of winter
Turn us out to play!
Sweep the golden reed-beds;
Crisp the lazy dike;
Hunger into madness
Every plunging pike.
Fill the lake with wild fowl;
Fill the marsh with snipe;
While on dreary moorlands
Lonely curlew pipe.
Through the black fir-forest
Thunder harsh and dry,
Shattering down the snowflakes
Off the curdled sky.
Hark! The brave Northeaster!
Breast-high lies the scent,
On by holt and headland,
Over heath and bent.
Chime, ye dappled darlings,
Through the sleet and snow.
Who can override you?
Let the horses go!
Chime, ye dappled darlings,
Down the roaring blast;
You shall see a fox die
66
Ere an hour be past.
Go! and rest tomorrow,
Hunting in your dreams,
While our skates are ringing
O'er the frozen streams.
Let the luscious Southwind
Breathe in lovers' sighs,
While the lazy gallants
Bask in ladies' eyes.
What does he but soften
Heart alike and pen?
'Tis the hard gray weather
Breeds hard English men.
What's the soft Southwester?
'Tis the ladies' breeze,
Bringing home their trueloves
Out of all the seas.
But the black Northeaster,
Through the snowstorm hurled,
Drives our English hearts of oak
Seaward round the world.
Come, as came our fathers,
Heralded by thee,
Conquering from the eastward,
Lords by land and sea.
Come; and strong, within us
Stir the Vikings' blood;
Bracing brain and sinew;
Blow, thou wind of God!
~ Charles Kingsley,
157:Ode To Spring
SWEET daughter of a rough and stormy fire,
Hoar Winter's blooming child; delightful Spring!
Whose unshorn locks with leaves
And swelling buds are crowned;
From the green islands of eternal youth,
(Crown'd with fresh blooms, and ever springing shade,)
Turn, hither turn thy step,
O thou, whose powerful voice
More sweet than softest touch of Doric reed,
Or Lydian flute, can sooth the madding winds,
And thro' the stormy deep
Breathe thy own tender calm.
Thee, best belov'd! the virgin train await
With songs and festal rites, and joy to rove
Thy blooming wilds among,
And vales and dewy lawns,
With untir'd feet; and cull thy earliest sweets
To weave fresh garlands for the glowing brow
Of him, the favour'd youth
That prompts their whisper'd sigh.
Unlock thy copious stores; those tender showers
That drop their sweetness on the infant buds,
And silent dews that swell
The milky ear's green stem.
And feed the slowering osier's early shoots;
And call those winds which thro' the whispering boughs
With warm and pleasant breath
Salute the blowing flowers.
Now let me sit beneath the whitening thorn,
And mark thy spreading tints steal o'er the dale;
And watch with patient eye
Thy fair unfolding charms.
91
O nymph approach! while yet the temperate sun
With bashful forehead, thro' the cool moist air
Throws his young maiden beams,
And with chaste kisses woes
The earth's fair bosom; while the streaming veil
Of lucid clouds with kind and frequent shade
Protect thy modest blooms
From his severer blaze.
Sweet is thy reign, but short; The red dog-star
Shall scorch thy tresses, and the mower's scythe
Thy greens, thy flow'rets all,
Remorseless shall destroy.
Reluctant shall I bid thee then farewel;
For O, not all the Autumn's lap contains,
Nor Summer's ruddiest fruits,
Can aught for thee atone
Fair Spring! whose simplest promise more delights
Than all their largest wealth, and thro' the heart
Each joy and new-born hope
With softest influence breathes.
~ Anna Laetitia Barbauld,
158:The Praise Of Pindar In Imitation Of Horace His
Second Ode, Book 4
Pindarum quisquis studet oemulari, &c.
I.
Pindar is imitable by none;
The phoenix Pindar is a vast species alone.
Whoe'er but Daedalus with waxen wings could fly
And neither sink too low nor soar too high?
What could he who followed claim
But of vain boldness the unhappy fame,
And by his fall a sea to name?
Pindar's unnavigable song,
Like a swollen flood from some steep mountain, pours along;
The ocean meets with such a voice
From his enlarged mouth as drowns the ocean's noise.
II.
So Pindar does new words and figures roll
Down his impetuous dithyrambic tide,
Which in no channel deigns to abide,
Which neither banks nor dikes control.
Whether the immortal gods he sings
In a no less immortal strain,
Or the great acts of god-descended kings,
Who in his numbers still survive and reign,
Each rich embroidered line,
Which their triumphant brows around
By his sacred hand is bound,
Does all their starry diadems outshine.
III.
Whether at Pisa's race he please
To carve in polished verse the conquerors' images,
Whether the swift, the skillful, or the strong
Be crowned in his nimble, artful, vigorous song,
Whether some brave young man's untimely fate
In words worth dying for he celebrate,
66
Such mournful and such pleasing words
As joy to his mother's and his mistress' grief affords,
He bids him live and grow in fame;
Among the stars he sticks his name;
The grave can but the dross of him devour,
So small is death's, so great the poet's power.
Lo, how the obsequious wind and swelling air
The Theban swan does upwards bear
Into the walks of clouds, where he does play,
And with extended wings opens his liquid way,
Whilst, alas, my timorous Muse
Unambitious tracks pursues;
Does, with weak, unballast wings,
About the mossy brooks and springs,
About the trees' new-blossomed heads,
About the gardens' painted beds,
About the fields and flowery meads,
And all inferior beauteous things,
Like the laborious bee,
For little drops of honey flee,
And there with humble sweets contents her industry.
~ Abraham Cowley,
159:Ode--'On A Distant Prospect' Of Making A Fortune
Now the 'rosy morn appearing'
Floods with light the dazzled heaven;
And the schoolboy groans on hearing
That eternal clock strike seven:Now the waggoner is driving
Towards the fields his clattering wain;
Now the bluebottle, reviving,
Buzzes down his native pane.
But to me the morn is hateful:
Wearily I stretch my legs,
Dress, and settle to my plateful
Of (perhaps inferior) eggs.
Yesterday Miss Crump, by message,
Mentioned 'rent,' which 'p'raps I'd pay;'
And I have a dismal presage
That she'll call, herself, to-day.
Once, I breakfasted off rosewood,
Smoked through silver-mounted pipes Then how my patrician nose would
Turn up at the thought of 'swipes!'
Ale,--occasionally claret, Graced my luncheon then:- and now
I drink porter in a garret,
To be paid for heaven knows how.
When the evening shades are deepened,
And I doff my hat and gloves,
No sweet bird is there to 'cheep and
Twitter twenty million loves:'
No dark-ringleted canaries
Sing to me of 'hungry foam;'
No imaginary 'Marys'
Call fictitious 'cattle home.'
Araminta, sweetest, fairest!
Solace once of every ill!
How I wonder if thou bearest
47
Mivins in remembrance still!
If that Friday night is banished
Yet from that retentive mind,
When the others somehow vanished,
And we two were left behind:When in accents low, yet thrilling,
I did all my love declare;
Mentioned that I'd not a shilling Hinted that we need not care:
And complacently you listened
To my somewhat long address (Listening, at the same time, isn't
Quite the same as saying Yes).
Once, a happy child, I carolled
O'er green lawns the whole day through,
Not unpleasingly apparelled
In a tightish suit of blue:What a change has now passed o'er me!
Now with what dismay I see
Every rising morn before me!
Goodness gracious, patience me!
And I'll prowl, a moodier Lara,
Through the world, as prowls the bat,
And habitually wear a
Cypress wreath around my hat:
And when Death snuffs out the taper
Of my Life, (as soon he must),
I'll send up to every paper,
'Died, T. Mivins; of disgust.'
~ Charles Stuart Calverley,
160:1.
In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.

2.
Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.

3.
Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro's lyre:
The soul delighted on each accent dwells,--
Enraptur'd dwells,--not daring to respire,
The while he tells of grief around a funeral pyre.

4.
'Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell'd peers,
Nor move, till ends the lofty strain,
Nor move till Milton's tuneful thunders cease,
And leave once more the ravish'd heavens in peace.

5.
Thou biddest Shakespeare wave his hand,
And quickly forward spring
The Passions--a terrific band--
And each vibrates the string
That with its tyrant temper best accords,
While from their Master's lips pour forth the inspiring words.

6.
A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
'Tis still! Wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.

7.
Next thy Tasso's ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from Pleasure's lair:--
Then o'er the strings his fingers gently move,
And melt the soul to pity and to love.

8.
But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
Thy dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.
'First given among the Literary Remains in the second volume of the Life, Letters &c. 1848. The date to which Lord Houghton assigns the poem is February 1815.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To Apollo
,
161:Ode Upon The Censure Of His New Inn
Come, leave the loathed stage,
And the more loathsome age;
Where pride and impudence, in faction knit,
Usurp the chair of wit!
Indicting and arraigning every day
Something they call a play.
Let their fastidious, vain
Commission of the brain
Run on and rage, sweat, censure, and condemn;
They were not made for thee, less thou for them.
Say that thou pour'st them wheat,
And they will acorns eat;
'Twere simple fury still thyself to waste
On such as have no taste!
To offer them a surfeit of pure bread
Whose appetites are dead!
No, give them grains their fill,
Husks, draff to drink and swill:
If they love lees, and leave the lusty wine,
Envy them not, their palate's with the swine.
No doubt some mouldy tale,
Like Pericles, and stale
As the shrieve's crusts, and nasty as his fishScraps out of every dish
Thrown forth, and rak'd into the common tub,
May keep up the Play-club:
There, sweepings do as well
As the best-order'd meal;
For who the relish of these guests will fit,
Needs set them but the alms-basket of wit.
And much good do't you then:
Brave plush-and-velvet-men
Can feed on orts; and, safe in your stage-clothes,
Dare quit, upon your oaths,
The stagers, and the stage-wrights too (your peers)
Of larding your large ears
77
With their foul comic socks,
Wrought upon twenty blocks;
Which if they are torn, and turn'd, and patch'd enough,
The gamesters share your gilt, and you their stuff.
Leave things so prostitute,
And take the Alcaic lute;
Or thine own Horace, or Anacreon's lyre;
Warm thee by Pindar's fire:
And though thy nerves be shrunk, and blood be cold,
Ere years have made thee old,
Strike that disdainful heat
Throughout, to their defeat,
As curious fools, and envious of thy strain,
May blushing swear, no palsy's in thy brain.
But when they hear thee sing
The glories of thy king,
His zeal to God, and his just awe o'er men:
They may, blood-shaken then,
Feel such a flesh-quake to possess their powers,
As they shall cry: 'Like ours
In sound of peace or wars,
No harp e'er hit the stars,
In tuning forth the acts of his sweet reign,
And raising Charles his chariot 'bove his Wain.'
~ Ben Jonson,
162:1.
No, no! go not to Lethe, neither twist
  Wolf's-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kissed
  By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
  Nor let the beetle nor the death-moth be
     Your mournful Psyche, nor the downy owl
A partner in your sorrow's mysteries;
  For shade to shade will come too drowsily,
     And drown the wakeful anguish of the soul.

2.
But when the melancholy fit shall fall
  Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
  And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
  Or on the rainbow of the salt sand-wave,
     Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
  Emprison her soft hand, and let her rave,
     And feed deep, deep upon her peerless eyes.

3.
She dwells with Beauty Beauty that must die;
  And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
  Turning to poison while the bee-mouth sips;
Ay, in the very temple of delight
  Veiled Melancholy has her sovran shrine,
     Though seen of none save him whose strenuous
     tongue
  Can burst Joy's grape against his palate fine;
His soul shall taste the sadness of her might,
     And be among her cloudy trophies hung.
'Lord Houghton gives the following stanza as the intended opening of the Ode, from the original manuscript:

Though you should build a bark of dead men's bones,
And rear a phantom gibbet for a mast,
Stitch shrouds together for a sail, with groans
To fill it out, blood-stained and aghast;
Although your rudder be a dragon's tail
Long sever'd, yet still hard with agony,
Your cordage large uprootings from the skull
Of bald Medusa, certes you would fail
To find the Melancholy -- whether she
Dreameth in any isle of Lethe dull.

His Lordship adds -- "But no sooner was this written, than the poet became conscious that the coarseness of the contrast would destroy the general effect of luxurious tenderness which it was the object of the poem to produce, and he confined the gross notion of Melancholy to less violent images,..."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode On Melancholy
,
163:1.
Physician Nature! Let my spirit blood!
O ease my heart of verse and let me rest;
Throw me upon thy Tripod, till the flood
Of stifling numbers ebbs from my full breast.
A theme! a theme! great nature! give a theme;
Let me begin my dream.
I come I see thee, as thou standest there,
Beckon me not into the wintry air.

2.
Ah! dearest love, sweet home of all my fears,
And hopes, and joys, and panting miseries,
To-night, if I may guess, thy beauty wears
A smile of such delight,
As brilliant and as bright,
As when with ravished, aching, vassal eyes,
Lost in soft amaze,
I gaze, I gaze!

3.
Who now, with greedy looks, eats up my feast?
What stare outfaces now my silver moon!
Ah! keep that hand unravished at the least;
Let, let, the amorous burn
But pr'ythee, do not turn
The current of your heart from me so soon.
O! save, in charity,
The quickest pulse for me.

4.
Save it for me, sweet love! though music breathe
Voluptuous visions into the warm air;
Though swimming through the dance's dangerous wreath,
Be like an April day,
Smiling and cold and gay,
A temperate lilly, temperate as fair;
Then, Heaven! there will be
A warmer June for me.

5.
Why, this, you'll say, my Fanny! is not true:
Put your soft hand upon your snowy side,
Where the heart beats: confess 'tis nothing new
Must not a woman be
A feather on the sea,
Sway'd to and fro by every wind and tide?
Of as uncertain speed
As blow-ball from the mead?

6.
I know it and to know it is despair
To one who loves you as I love, sweet Fanny!
Whose heart goes fluttering for you every where,
Nor, when away you roam,
Dare keep its wretched home,
Love, love alone, his pains severe and many:
Then, loveliest! keep me free,
From torturing jealousy.

7.
Ah! if you prize my subdued soul above
The poor, the fading, brief, pride of an hour;
Let none profane my Holy See of love,
Or with a rude hand break
The sacramental cake:
Let none else touch the just new-budded flower;
If not may my eyes close,
Love! on their lost repose.
'This poem was first given among the Literary Remains in 1848 without any date; ...but it seems very likely that the early part of 1819 would be the time.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To Fanny
,
164:CHORUS OF SPIRITS:

FIRST SPIRIT:
Palace-roof of cloudless nights!
Paradise of golden lights!
Deep, immeasurable, vast,
Which art now, and which wert then
Of the Present and the Past,
Of the eternal Where and When,
Presence-chamber, temple, home,
Ever-canopying dome,
Of acts and ages yet to come!

Glorious shapes have life in thee,
Earth, and all earths company;
Living globes which ever throng
Thy deep chasms and wildernesses;
And green worlds that glide along;
And swift stars with flashing tresses;
And icy moons most cold and bright,
And mighty suns beyond the night,
Atoms of intensest light.

Even thy name is as a god,
Heaven! for thou art the abode
Of that Power which is the glass
Wherein man his nature sees.
Generations as they pass
Worship thee with bended knees.
Their unremaining gods and they
Like a river roll away:
Thou remainest suchalway!

SECOND SPIRIT:
Thou art but the minds first chamber,
Round which its young fancies clamber,
Like weak insects in a cave,
Lighted up by stalactites;
But the portal of the grave,
Where a world of new delights
Will make thy best glories seem
But a dim and noonday gleam
From the shadow of a dream!

THIRD SPIRIT:
Peace! the abyss is wreathed with scorn
At your presumption, atom-born!
What is Heaven? and what are ye
Who its brief expanse inherit?
What are suns and spheres which flee
With the instinct of that Spirit
Of which ye are but a part?
Drops which Natures mighty heart
Drives through thinnest veins! Depart!

What is Heaven? a globe of dew,
Filling in the morning new
Some eyed flower whose young leaves waken
On an unimagined world:
Constellated suns unshaken,
Orbits measureless, are furled
In that frail and fading sphere,
With ten millions gathered there,
To tremble, gleam, and disappear.

CANCELLED FRAGMENTS OF THE ODE TO HEAVEN.
[Published by Mr. C.D. Locock, Examination, etc., 1903.]

The [living frame which sustains my soul]
Is [sinking beneath the fierce control]
Down through the lampless deep of song
I am drawn and driven along

When a Nation screams aloud
Like an eagle from the cloud
When a...

...

When the night...

...

Watch the look askance and old
See neglect, and falsehood fold...
Published with Prometheus Unbound, 1820. Dated 'Florence, December, 1819' in Harvard manuscript (Woodberry). A transcript exists amongst the Shelley manuscripts at the Bodleian Library.
~ Percy Bysshe Shelley, Ode To Heaven
,
165:1.
Season of mists and mellow fruitfulness,
    Close bosom-friend of the maturing sun;
  Conspiring with him how to load and bless
    With fruit the vines that round the thatch-eves run;
  To bend with apples the moss'd cottage-trees,
    And fill all fruit with ripeness to the core;
     To swell the gourd, and plump the hazel shells
    With a sweet kernel; to set budding more,
  And still more, later flowers for the bees,
Until they think warm days will never cease,
     For Summer has o'er-brimm'd their clammy cells.

2.
Who hath not seen thee oft amid thy store?
   Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
   Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
   Drows'd with the fume of poppies, while thy hook
     Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
   Steady thy laden head across a brook;
   Or by a cyder-press, with patient look,
     Thou watchest the last oozings hours by hours.

3.
Where are the songs of Spring? Ay, where are they?
   Think not of them, thou hast thy music too,
While barred clouds bloom the soft-dying day,
   And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
   Among the river sallows, borne aloft
     Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
   Hedge-crickets sing; and now with treble soft
   The red-breast whistles from a garden-croft;
     And gathering swallows twitter in the skies.
Form: ababcdecdde

'This poem seems to have been just composed when Keats wrote to Reynolds from Winchester his letter, dated, 22nd of September 1819.
Keats says, "How beautiful the season is now. How fine the air -- a temperate sharpness about it. Really, without joking, chaste weather -- Dian skies. I never liked stubble-fields so much as now -- aye, better than chilly green of the Spring. Somehow, a stubble plain looks warm, in the same way that some pictures look warm. This struck me so much in my Sunday's walk that I composed upon it." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.

(stanza 3): The term "Hedge-crickets" for "grasshoppers" in line 9 resumes very happily the whole sentiment of Keats's competition sonnet [Sonnet XV.] "On the Grasshopper and Cricket." by owner. provided at no charge for educational purposes
~ John Keats, Ode To Autumn
,
166:[L]et us not overlook the further great fact, that not only does science underlie sculpture, painting, music, poetry, but that science is itself poetic. The current opinion that science and poetry are opposed is a delusion. ... On the contrary science opens up realms of poetry where to the unscientific all is a blank. Those engaged in scientific researches constantly show us that they realize not less vividly, but more vividly, than others, the poetry of their subjects. Whoever will dip into Hugh Miller's works on geology, or read Mr. Lewes's “Seaside Studies,” will perceive that science excites poetry rather than extinguishes it. And whoever will contemplate the life of Goethe will see that the poet and the man of science can co-exist in equal activity. Is it not, indeed, an absurd and almost a sacrilegious belief that the more a man studies Nature the less he reveres it? Think you that a drop of water, which to the vulgar eye is but a drop of water, loses anything in the eye of the physicist who knows that its elements are held together by a force which, if suddenly liberated, would produce a flash of lightning? Think you that what is carelessly looked upon by the uninitiated as a mere snow-flake, does not suggest higher associations to one who has seen through a microscope the wondrously varied and elegant forms of snow-crystals? Think you that the rounded rock marked with parallel scratches calls up as much poetry in an ignorant mind as in the mind of a geologist, who knows that over this rock a glacier slid a million years ago? The truth is, that those who have never entered upon scientific pursuits know not a tithe of the poetry by which they are surrounded. Whoever has not in youth collected plants and insects, knows not half the halo of interest which lanes and hedge-rows can assume. Whoever has not sought for fossils, has little idea of the poetical associations that surround the places where imbedded treasures were found. Whoever at the seaside has not had a microscope and aquarium, has yet to learn what the highest pleasures of the seaside are. Sad, indeed, is it to see how men occupy themselves with trivialities, and are indifferent to the grandest phenomena—care not to understand the architecture of the universe, but are deeply interested in some contemptible controversy about the intrigues of Mary Queen of Scots!—are learnedly critical over a Greek ode, and pass by without a glance that grand epic... upon the strata of the Earth! ~ Herbert Spencer,
167:Vale la pena soffermarci su quest’incubo [della fine della letteratura e delle arti], per come Borges ce lo racconta in una sua conversazione sui sogni e gli incubi.
Il terribile sogno è del poeta inglese William Wordsworth e si trova nel secondo [rectius: quinto] libro del poema The Prelude — un poema autobiografico, come dice il sottotitolo. Fu pubblicato nel 1850, l’anno stesso della morte del poeta. Allora non si pensava, come invece oggi, a un possibile cataclisma cosmico che annientasse ogni grande opera umana, se non l’umanità interamente.
Ma Wordsworth ne ebbe la preoccupazione e, in sogno, la visione.
Ed ecco come Borges l’assume e riassume nel suo discorso: “Nel sogno la sabbia lo circonda, un Sahara di sabbia nera. Non c’è acqua, non c’è mare. Sta al centro del deserto — nel deserto si sta sempre al centro — ed è ossessionato dal pensiero di come fare per sfuggire al deserto, quando vede qualcuno vicino a lui. Stranamente, è un arabo della tribù dei beduini, che cavalca un cammello e ha nella mano destra una lancia.
Sotto il braccio sinistro ha una pietra; nella mano una conchiglia. L’arabo gli dice che ha la missione di salvare le arti e le scienze e gli avvicina la conchiglia all’orecchio; la conchiglia è di straordinaria bellezza. Wordsworth ci dice che ascoltò la profezia (‘in una lingua che non conoscevo ma che capii’): una specie di ode appassionata, che profetizzava che la Terra era sul punto di essere distrutta dal diluvio che l’ira di Dio mandava. L’arabo gli dice che è vero, che il diluvio si avvicina, ma che egli ha una missione: salvare l’arte e le scienze. Gli mostra la pietra. La pietra, stranamente, è la Geometria di Euclide pur rimanendo una pietra. Poi gli avvicina la conchiglia, che è anche un libro: è quello che gli ha detto quelle cose terribili. La conchiglia è, anche, tutta la poesia del mondo, compreso, perche' no?, il poema di Wordsworth.
Il beduino gli dice: ‘Devo salvare queste due cose, la pietra e la conchiglia, entrambi libri’. Volge il viso all’indietro, e vi è un momento in cui Wordsworth vede che il volto del beduino cambia, si riempie di orrore. Anche lui si volge e vede una gran luce, una luce che ha inondato metà del deserto. Questa luce è quella dell’acqua del diluvio che sta per sommergere la Terra. Il beduino si allontana e Wordsworth vede che è anche don Chisciotte, che il cammello è anche Ronzinante e che allo stesso modo che la pietra è il libro e la conchiglia il libro, il beduino è don Chisciotte e nessuna delle due cose ed entrambe nello stesso tempo”...
l’immagine di don Chisciotte che si allontana invincibilmente richiama quella dipinta da Daumier, forse contemporaneamente. E ci è lecito, in aura borgesiana, chiederci se il poeta e il pittore non abbiano fatto lo stesso sogno. ~ Leonardo Sciascia,
168:Easter Ode 1915
O Spring! To whom the Poets of all time
Have made sweet rhyme;
And unto Lovers, above all, most dear!
How shall they hymn thee in this latter year,
When Death, not Life, doth ripen to his prime?
What pulse shall quicken, or what eye grow bright,
With Love's delight,
Now sleepeth not the bridegroom with the bride?
What flowers shall cover, or what grasses hide
The miles of mounds that thrust upon our sight?
April's light showers, that made the sun more sweet,
Seem now to beat
In constant boding of the nations' tears:
Across the pastures, to each mother's ears,
The lambs and ewes more piteously bleat.
The fledglings fallen from the nest awake,
In hearts that break,
A new compassion for their fluttering:
The brown soft eyes of every furry thing
Seem doubly tender for our sorrow's sake.
Pity, through Terror, hath touched every heart;
None stand apart,
In blunted sense or in the spirit's pride:
The base and gross are cleansed and purified;
Life to the lettered grows more great than Art.
Terror, of Tragedy the nether pole,
Hath purged the soul;
The priest and prophet cry not now alone:
Blood and burnt-offerings, that we thought outgrown,
Now seem the centre of a cosmic whole.
On every hill, blood stains the melting snow,–
The rivers flow
Crimson and swollen with the unburied dead;
Through vale and meadow like a silver thread
The streams wind not as but a year ago.
The stolid ploughman as a rite or prayer
Doth drive his share,
But Plague and Famine in the furrows stalk;
While, in the cities, our distracted talk
Betrays the fever of a constant care.
Nay! It is Autumn, surely, and not Spring,
That we should sing?
Autumn whose breath makes every leaf forlorn!
'Put in thy sickle on the standing corn!
The sheaves are ready for the garnering!'
But, like a trumpet, even as we doubt,
A Voice rings out
Above the shrill of the increasing strife:
Lo, it is Easter! And there dawns such life,
The very stars, in exultation, shout!
Before the glory of the seraphim
Earth's hosts grow dim;
The Rights of Nations and man's empires fade:
No more from God each seeks peculiar aid;
In equal penitence all turn to Him.
And though the quickening of the countless slain
We plead in vain,
Life, and not Death, shall reap this harvest-tide:
Love in the Pit shall seal the Prince of Pride;
The Peace we mocked, in triumph shall obtain.
Caught up in vision, lo, I dare to pen
Patmos again:
'Behold! The kingdoms of this world shall be
Those of our Lord, and of His Christ; and He
Shall reign for ever and for evermore.' Amen.
~ Alfred Gordon,
169:Ode For New Year's Day
Woe unto you, ye sons of pain that are this day in earth,
Now cry for all your torment: now curse your hour of birth
And the fathers who begat you to a portion nothing worth.
And Thou, my own beloved, for as brave as ere thou art,
Bow down thine head, Despoina, clasp thy pale arms over it,
Lie low with fast-closed eyelids, clenched teeth, enduring heart,
For sorrow on sorrow is coming wherein all flesh has part.
The sky above is sickening, the clouds of God’s hate cover it,
Body and soul shall suffer beyond all word or thought,
Till the pain and noisy terror that these first years have wrought
Seem but the soft arising and prelude of the storm
That fiercer still and heavier with sharper lightnings fraught
Shall pour red wrath upon us over a world deform.
Thrice happy, O Despoina, were the men who were alive
In the great age and the golden age when still the cycle ran
On upward curve and easily, for them both maid and man
And beast and tree and spirit in the green earth could thrive.
But now one age is ending, and God calls home the stars
And looses the wheel of the ages and sends it spinning back
Amid the death of nations, and points a downward track,
And madness is come over us and great and little wars.
He has not left one valley, one isle of fresh and green
Where old friends could forgather amid the howling wreck.
It’s vainly we are praying. We cannot, cannot check
The Power who slays and puts aside the beauty that has been.
It’s truth they tell, Despoina, none hears the heart’s complaining
For Nature will not pity, nor the red God lend an ear,
Yet I too have been mad in the hour of bitter paining
And lifted up my voice to God, thinking that he could hear
The curse wherewith I cursed Him because the Good was dead.
But lo! I am grown wiser, knowing that our own hearts
Have made a phantom called the Good, while a few years have sped
Over a little planet. And what should the great Lord know of it
Who tosses the dust of chaos and gives the suns their parts?
Hither and thither he moves them; for an hour we see the show of it:
Only a little hour, and the life of the race is done.
And here he builds a nebula, and there he slays a sun
54
And works his own fierce pleasure. All things he shall fulfill,
And O, my poor Despoina, do you think he ever hears
The wail of hearts he has broken, the sound of human ill?
He cares not for our virtues, our little hopes and fears,
And how could it all go on, love, if he knew of laughter and tears?
Ah, sweet, if a man could cheat him! If you could flee away
Into some other country beyond the rosy West,
To hide in the deep forests and be for ever at rest
From the rankling hate of God and the outworn world’s decay!
~ Clive Staples Lewis,
170:Though loath to grieve
The evil time's sole patriot,
I cannot leave
My honeyed thought
For the priest's cant,
Or statesman's rant.

If I refuse
My study for their politic,
Which at the best is trick,
The angry Muse
Puts confusion in my brain.

But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blindworm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife!

Or who, with accent bolder
Dare praise the freedom-loving mountaineer?
I found by thee, O rushing Contoocook!
And in thy valleys, Agiochook!
The jackals of the Negro-holder.

The God who made New Hampshire
Taunted the lofty land
With little men;
Small bat and wren
House in the oak:
If earth-fire cleave
The upheaved land, and bury the folk,
The southern crocodile would grieve.
Virtue palters; Right is hence;
Freedom praised, but hid;
Funeral eloquence
Rattles the coffin lid.

What boots thy zeal,
O glowing friend,
That would indignant rend
The northland from the south?
Wherefore? to what good end?
Boston Bay and Bunker Hill
Would serve things still;
Things are of the snake.

The horseman serves the horse
The neatherd serves the neat,
The merchant serves the purse,
The eater serves his meat;
'Tis the day of the chattel,
Web to weave, and corn to grind;
Things are in the saddle,
And ride mankind.

There are two laws discrete,
Not reconciled,
Law for man, and law for thing;
The last builds town and fleet,
But it runs wild,
And doth the man unking.

'Tis fit the forest fall,
The steep be graded,
The mountain tunneled,
The sand shaded,
The orchard planted,
The glebe tilled,
The prairie granted
The steamer built.

Let man serve law for man;
Live for friendship, live for love,
For truth's and harmony's behoof;
The state may follow how it can,
As Olympus follows Jove.

Yet do not I implore
The wrinkled shopman to my sounding woods,
Nor did the unwilling senator
Ask votes of thrushes in the solitudes.
Everyone to his chosen work
Foolish hands may mix and mar;
Wise and sure the issues are.
Round they roll till dark is light,
Sex to sex, and even to odd;
The overgod
Who marries Right to Might,
Who peoples, unpeoples,
He who exterminates
Races by stronger races,
Black by white faces,
Knows to bring honey
Out of the lion;
Grafts gentlest scion
On pirate and Turk.

The Cossack eats Poland,
Like stolen fruit;
Her last noble is ruined,
Her last poet mute;
Straight, into double band
The victors divide;
Half for freedom strike and stand;
The astonished Muse finds thousands at her side.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Ode - Inscribed to W.H. Channing
,
171:Fragment Of An Ode To Canada
This is the land!
It lies outstretched a vision of delight,
Bent like a shield between the silver seas
It flashes back the hauteur of the sun;
Yet teems with humblest beauties, still a part
Of its Titanic and ebullient heart.
Land of the glacial, lonely mountain ranges,
Where nothing haps save vast Æonian changes,
The slow moraine, the avalanche's wings,
Summer and Sun,--the elemental things,
Pulses of Awe,--Winter and Night and the lightnings.
Land of the pines that rear their dusky spars
A ready midnight for the earliest stars.
The land of rivers, rivulets, and rills,
Straining incessant everyway to the sea
With their white thunder harnessed in the mills,
Turning one wealth to another wealth perpetually;
Spinning the lightning with dynamic spindles,
Till some far city dowered with fire enkindles.
The land of fruit, fine-flavoured with the frost,
Land of the cattle, the deep-chested host,
The happy-souled, that contemplate the hours,
Their dew-laps buried in the grass and flowers.
And, O! the myriad-miracle of the grain
Cresting the hill, brimming the level plain,
The miracle of the flower and milk and kernel,
Nurtured by sun-fire and frost-fire supernal,
Until the farmer turns it in his hand,
The million-millioned miracle of the land.
And yet with all these pastoral and heroic graces,
Our simplest flowers wear the loveliest faces;
The sparrows are our most enraptured singers,
And round their songs the fondest memory lingers;
Our forests tower and tremble, star-enchanted,
Their roots are by the timid spirits haunted
Of hermit thrushes,--trancèd is the air,
39
Ever in doubt when they shall sing or where;
The mountains may with ice and avalanche wrestle,
Far down their rugged steeps dimple and nestle
The still, translucent, turquoise-hearted tarns.
*****
And Thou, O Power, that 'stablishest the Nation,
Give wisdom in the midst of our elation;
Who are so free that we forget we are-That freedom brings the deepest obligation:
Grant us this presage for a guiding star,
To lead the van of Peace, not with a craven spirit,
But with the consciousness that we inherit
What built the Empire out of blood and fire,
And can smite, too, in passion and with ire.
Purge us of Pride, who are so quick in vaunting
Thy gift, this land, that is in nothing wanting;
Give Mind to match the glory of the gift,
Give great Ideals to bridge the sordid rift
Between our heritage and our use of it.
Then in some day of terror for the world,
When all the flags of the Furies are unfurled,
When Truth and Justice, wildered and unknit,
Shall turn for help to this young, radiant land,
We shall be quick to see and understand:
What shall we answer in that stricken hour?
Shall the deep thought be pregnant then with power?
Shall the few words spring swift and grave and clear?
Use well the present moment. They shall hear.
~ Duncan Campbell Scott,
172:Who gave thee, O Beauty!
The keys of this breast,
Too credulous lover
Of blest and unblest?
Say when in lapsed ages
Thee knew I of old;
Or what was the service
For which I was sold?
When first my eyes saw thee,
I found me thy thrall,
By magical drawings,
Sweet tyrant of all!
I drank at thy fountain
False waters of thirst;
Thou intimate stranger,
Thou latest and first!
Thy dangerous glances
Make women of men;
New-born we are melting
Into nature again.
Lavish, lavish promiser,
Nigh persuading gods to err,
Guest of million painted forms
Which in turn thy glory warms,
The frailest leaf, the mossy bark,
The acorn's cup, the raindrop's arc,
The swinging spider's silver line,
The ruby of the drop of wine,
The shining pebble of the pond,
Thou inscribest with a bond
In thy momentary play
Would bankrupt Nature to repay.

Ah! what avails it
To hide or to shun
Whom the Infinite One
Hath granted his throne?
The heaven high over
Is the deep's lover,
The sun and sea
Informed by thee,
Before me run,
And draw me on,
Yet fly me still,
As Fate refuses
To me the heart Fate for me chooses,
Is it that my opulent soul
Was mingled from the generous whole,
Sea valleys and the deep of skies
Furnished several supplies,
And the sands whereof I'm made
Draw me to them self-betrayed?
I turn the proud portfolios
Which hold the grand designs
Of Salvator, of Guercino,
And Piranesi's lines.
I hear the lofty Pans
Of the masters of the shell,
Who heard the starry music,
And recount the numbers well:
Olympian bards who sung
Divine Ideas below,
Which always find us young,
And always keep us so.
Oft in streets or humblest places
I detect far wandered graces,
Which from Eden wide astray
In lowly homes have lost their way.

Thee gliding through the sea of form,
Like the lightning through the storm,
Somewhat not to be possessed,
Somewhat not to be caressed,
No feet so fleet could ever find,
No perfect form could ever bind.
Thou eternal fugitive
Hovering over all that live,
Quick and skilful to inspire
Sweet extravagant desire,
Starry space and lily bell
Filling with thy roseate smell,
Wilt not give the lips to taste
Of the nectar which thou hast.

All that's good and great with thee
Stands in deep conspiracy.
Thou hast bribed the dark and lonely
To report thy features only,
And the cold and purple morning
Itself with thoughts of thee adorning,
The leafy dell, the city mart,
Equal trophies of thine art,
E'en the flowing azure air
Thou hast touched for my despair,
And if I languish into dreams,
Again I meet the ardent beams.
Queen of things! I dare not die
In Being's deeps past ear and eye,
Lest there I find the same deceiver,
And be the sport of Fate forever.
Dread power, but dear! if God thou be,
Unmake me quite, or give thyself to me.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Ode To Beauty
,
173:Two hours later, the drawing room converted, the costumes wrapped, the electric-kerosene lamps flickering in a semicircle at their feet, the performers enacted the thirty-minute ode to love and the Mediterranean, Home by the Sea.
Miss Charming kept a ferocious grip on her script and gave oily air kisses to Colonel Andrews. Amelia was calm and sweet, melting into her dialogue with Captain East as though into his arms. Jane knelt beside Mr. Nobley, the wounded war captain, as he nearly died, and did her best to sound earnest. Old Jane would’ve run away or laughed self-consciously throughout. New Jane decided to feel as enchanting as Miss Charming and performed each line with relish and passion. It didn’t matter that she wasn’t a very good actress. Mr. Nobley’s character miraculously recovered all the same, leading to the part where he stood and took her hands. They were still cold. He paused, as though trying to remember what came next.
He looked. Looked at her. At her and into her. Into her eyes as though he couldn’t bear to look away. And there was a delicious curl in his smile.
“I love you,” he said.
Zing, thought Jane.
It was his line, more or less, though simplified. Stripped of similes and farms and rain and moon and all, it pierced her. She opened her mouth to say her own line but couldn’t remember a single word. And she didn’t want to.
He leaned. She leaned.
Then Aunt Saffronia, who’d been laughing encouragingly during the parts that were supposed to be sad and clapping gleefully whenever a new character came onstage, now cleared her throat as though intensely uncomfortable. Mr. Nobley hesitated, then kissed Jane’s cheek. His lips were warm, his cheek slightly scratchy. She smiled and breathed him in.
At length, the six actors stood side by side, pretending the bright yellow wall of the drawing room opened to a view of the Mediterranean Sea, and said their closing lines.
Jane: Trying to sound actress-y. “At last, we are all truly happy.”
Miss Charming: Pause. Crinkling of paper. Frantic searching for line. “Indeed.”
Amelia: With a shy smile for the tall man beside her. “Our travels are ended.”
Captain East: With a manly smile for his lady. “We can rest peacefully in each other’s arms.”
Colonel Andrews: As always, with panache! “And no matter where we may roam…”
Mr. Nobley: A sigh. “This will always be our home.” His voice unhappy with the line. “By the sea.”
And, silence as the audience waited for who knows what--a better ending line? A better play? Colonel Andrews cleared his throat, and Jane inclined her head in a hurried curtsy.
“Oh,” Aunt Saffronia said and started the applause.
The audience clapped enthusiastically and arhythmically, and the cast bowed, Miss Charming giggling.
Jane squinted past the lamps to get her first good look at the audience, now that the play was over and stage fright couldn’t prickle her. Aunt Saffronia, beaming. Mrs. Wattlesbrook, looking for all the world like a proud schoolmarm. Matilda, bored, and a few other servants, equally bored. ~ Shannon Hale,
174:Ode On The Present Times, 27th January 1795
Lo! Winter drives his horrors round;
Wide o'er the rugged soil they fly;
In their cold spells each stream is bound,
While at the magic of their eye
Each sign of Spring's gay beauty fades,
And one white wild the aching sight invades.
It is the time for Woe to reign,
And hark! she bids her haggard train,
Pale poverty and want, appear,
Disease, their darling child, draw near,
And, grateful for the favouring hour,
They feel, they seize, they riot, in their power.
But Winter! not to thee alone
Their heart-appalling sway they owe,
For they to war's despotic throne
As tributary subjects bow;
War, who bids trembling Europe gasp,
With wild convulsions in his bloody grasp.
Whence yonder groans? O wretched land!
Poland, from thee, alas! they came,
A despot speaks, and lo! a band,
Blaspheming pure Religion's name,
Bid cold, deliberate murder live,
And death's dread stroke to helpless thousands give.
And see, on Belgia's reeking plain,
Alternate horrors rise and reign!
What mingled sounds affright the ear!
Now, we the song of victory hear,
And now, despair's appalling tone,
And now, of death the deep sepulchral groan.
Freedom! for whose dear sake I'd dare
Each various ill that tortures life,
Though I thy matchless victories share,
While, towering 'midst the bloody strife,
I see thy form sublime, acquire
New power to charm, new beauty to inspire;
I cannot smile; I cannot join
The song of triumph; tho' thy foes,
Celestial power! are also mine;
24
And tho' I weep for all thy woes,
Yet I thy triumphs too must weep,
And in my tears thy bloody laurels steep.
For who are they that madly bear
Against thy sons the venal spear?
Are they not men?—then say, what power
Can bid my bosom mourn no more;
O where's the fiend-delighting ban
Forbidding MAN to weep for SLAUGHTERED MAN!
E'en Victory, when reflection's voice
Breathes in her ear 'thy brothers die,'
Shall bid her sons no more rejoice,
But change her shouts for pity's sigh:
She will her breast in anguish beat,
And wear the sombrous aspect of defeat.
O Britain! ill-starred land! no more
Must Peace to thee her olive bear,
But on thy once-triumphant shore,
Must we behold the form of fear
Expecting, on the swelling tide,
To see the FOE in proud defiance ride!
Avert the threatening, awful ill;
For fraught with power, and fraught with will
To make thy hardiest veterans die,
A lurking fiend, alas! is nigh,
Who threatens on thy sons to pour
The fatal cloud thou bad'st on GALLIA lower.
Lo! FAMINE spreads her banners wide;[2]
She comes arrayed in horrid state;
But, not to humble Gallia's pride,
And on the rear of victory wait;
She comes the humbled to subdue,
And twine round fading wreaths, death's baleful yew.
She comes to Britain!—at the thought,
Winter! thy scene with horrors fraught,
Fades from my sight—the present ill
Appears to lose its power to kill:
To future scenes pale Fancy flies,
Lifts her dim tearful eyes to heaven, and dies.
~ Amelia Opie,
175:This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers. ~ Tyler Knott Gregson,
176:Ode to the Beloved’s Hips"

Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.

O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.

They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.

Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.

More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.

At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.

O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.

Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer. ~ Natalie D az,
177:Ode to a Nightingale
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness,—
That thou, light-winged Dryad of the trees
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.

O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep? ~ John Keats,
178:Ode to the West Wind


I

O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed

The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow

Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:

Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh hear!


II

Thou on whose stream, mid the steep sky’s commotion,
Loose clouds like earth’s decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,

Angels of rain and lightning: there are spread
On the blue surface of thine aëry surge,
Like the bright hair uplifted from the head

Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might

Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh hear!


III

Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull’d by the coil of his crystàlline streams,

Beside a pumice isle in Baiae’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,

All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know

Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh hear!


IV

If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share

The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be

The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seem’d a vision; I would ne’er have striven

As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of hours has chain’d and bow’d
One too like thee: tameless, and swift, and proud.


V

Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies

Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe
Like wither’d leaves to quicken a new birth!
And, by the incantation of this verse,

Scatter, as from an unextinguish’d hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken’d earth

The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind? ~ Percy Bysshe Shelley,
179:The Doors music has been included in movies and their career has inspired feature films. Chapter 8 - The Doors at The Movies Ray Manzarek and Jim Morrison were film students at UCLA when they met. They both had an abiding interest in film and the past masters as well as creating a new cinema. Through The Doors they did create cinema. At first, one strictly of The Doors, but as their influence and legend spread through culture they, in turn, inspired those that were creating movies.   The Doors Film Feast of Friends Late in March 1968 (the exact date is unknown) The Doors decided to film a documentary of their forthcoming tour. The idea may have come about because Bobby Neuwirth, who was hired to hang out with Jim and try to direct his energies to more productive pursuits than drinking, produced a film Not to Touch the Earth that utilized behind the scenes film of The Doors. The band set up an initial budget of $20,000 for the project. Former UCLA film students Jim Morrison and Ray Manzarek hired film school friends Paul Ferrara as director of photography, Frank Lisciandro as editor, and Morrison friend Babe Hill as the sound recorder. The first show shot, for what would be later named Feast of Friends, was the April 13th performance at the Santa Rosa Fairgrounds. Overall shooting of the film lasted for five months between March and September, and captured the riots in Cleveland and the Singer Bowl. Filming culminated in Saratoga Springs, New York, where backstage Morrison goofed around on a warm up piano and improvised a hilarious ode to Frederick Nietzsche. After filming started, the concept grew and Feast of Friends was to incorporate fictional scenes (some version of HWY?). But problems started to arise. The live sound, in parts, was unusable so the decision was made to use the album cuts of Doors songs. The budget grew by another $10,000 and the film still wasn’t finished. A decision was made by Ray, Robby and John to pull the plug on the film, but Paul Ferrara appealed to Jim and a compromise was worked out. The fictional scenes would be dropped and another $4,000 was added to the budget to complete the editing. The completed film runs to about thirty-eight minutes and is mostly images taken from different shows, or the band prior to a show. It has some footage of the Singer Bowl riot, which shows the riot in full flower, the stage crowded with policemen and fans. Occasionally, Morrison comes out of nowhere to encourage it all. The centerpiece of the film is The End from the Hollywood Bowl show. The film suffers a bit from not using live sound, the superimposition of album cuts of songs (except the Hollywood Bowl footage) removes the viewer from the immediacy and impact of The Doors. Feast of Friends was later accepted at five major film festivals, including the Atlanta International Film Festival that Frank Lisciandro describes in An Hour For Magic. In later years Feast of Friends was shelved, missing the late 70’s midnight movie circuit showing rock films. In the 80’s with the advent of MTV, Ray Manzarek started producing videos of Doors songs for showing on MTV and they relied heavily on the Feast of Friends footage. Chances are that even if you haven’t seen Feast of Friends you’ve seen a lot of the footage.   Jim Morrison Films HWY The Doors had laid low for just over a month. On March 1, 1969, the ‘Miami Incident’ had occurred, at first with no reaction more than any other Doors show, and the band went off on a prearranged Jamaican vacation in anticipation ~ Jim Cherry,
180:1.
Thou still unravish'd bride of quietness,
   Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
   A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
   Of deities or mortals, or of both,
     In Tempe or the dales of Arcady?
   What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
     What pipes and timbrels? What wild ecstasy?

2.
Heard melodies are sweet, but those unheard
   Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
   Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
   Thy song, nor ever can those trees be bare;
     Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
   She cannot fade, though thou hast not thy bliss,
     For ever wilt thou love, and she be fair!

3.
Ah, happy, happy boughs! that cannot shed
   Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
   For ever piping songs for ever new;
More happy love! more happy, happy love!
   For ever warm and still to be enjoy'd,
     For ever panting, and for ever young;
All breathing human passion far above,
   That leaves a heart high-sorrowful and cloy'd,
     A burning forehead, and a parching tongue.

4.
Who are these coming to the sacrifice?
   To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
   And all her silken flanks with garlands drest?
What little town by river or sea shore,
   Or mountain-built with peaceful citadel,
     Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
   Will silent be; and not a soul to tell
     Why thou art desolate, can e'er return.

5.
O Attic shape! Fair attitude! with brede
   Of marble men and maidens overwrought,
With forest branches and the trodden weed;
   Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
   When old age shall this generation waste,
     Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
   "Beauty is truth, truth beauty,--that is all
     Ye know on earth, and all ye need to know."
This Ode is mentioned by Lord Houghton in connexion with the Ode To a Nightingale as belonging to the Spring of 1819; and we are informed of both alike that, soon after they were composed, Keats "repeated, or rather chanted, them to Mr. Haydon, in the sort of recitative that so well suited his deep grave voice, as they strolled together through Kilburn meadows, leaving an indelible impression on the mind of his surviving friend."
There is some reason for thinking that the particular urn which inspired this beautiful poem is a somewhat weather-beaten work in marble still preserved in the garden of Holland House, and figured in Piranesi's Vasi e Candelabri.

(stanza 5):
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."
This seems to confirm the limitation of the Urn's moral to the five words indicated in the text, "Beauty is truth, truth beauty"

"-- that is all
Ye know on earth, and all ye need to know."
[seems] a part of the Urn's lesson, and not as the poet's personal comment.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode On A Grecian Urn
,
181:La Muse Malade (The Sick Muse)
Ma pauvre muse, hélas! qu'as-tu donc ce matin?
Tes yeux creux sont peuplés de visions nocturnes,
Et je vois tour à tour réfléchis sur ton teint
La folie et l'horreur, froides et taciturnes.
Le succube verdâtre et le rose lutin
T'ont-ils versé la peur et l'amour de leurs urnes?
Le cauchemar, d'un poing despotique et mutin
T'a-t-il noyée au fond d'un fabuleux Minturnes?
Je voudrais qu'exhalant l'odeur de la santé
Ton sein de pensers forts fût toujours fréquenté,
Et que ton sang chrétien coulât à flots rythmiques,
Comme les sons nombreux des syllabes antiques,
Où règnent tour à tour le père des chansons,
Phoebus, et le grand Pan, le seigneur des moissons.
The Sick Muse
My poor Muse, alas! what ails you today?
Your hollow eyes are full of nocturnal visions;
I see in turn reflected on your face
Horror and madness, cold and taciturn.
Have the green succubus, the rosy elf,
Poured out for you love and fear from their urns?
Has the hand of Nightmare, cruel and despotic,
Plunged you to the bottom of some weird Minturnae?
I would that your bosom, fragrant with health,
Were constantly the dwelling place of noble thoughts,
And that your Christian blood would flow in rhythmic waves
Like the measured sounds of ancient verse,
Over which reign in turn the father of all songs,
235
Phoebus, and the great Pan, lord of harvest.
— Translated by William Aggeler
The Sick Muse
Alas, poor Muse, what ails you so today?
Your hollow eyes with midnight visions burn,
And turn about, in your complexion play
Madness and horror, cold and taciturn.
Green succubus and rosy imp — have they
Poured you both fear and love into one glass?
Or with his tyrant fist the nightmare, say,
Submerged you in some fabulous morass?
I wish that, breathing health, your breast might nourish
Ever robuster thoughts therein to flourish:
And that your Christian blood, in rhythmic flow,
With those old polysyllables would chime,
Where, turn about, reigned Phoebus, sire of rhyme,
And Pan, the lord of harvests long ago.
— Translated by Roy Campbell
La Muse malade
poor Muse, alas! what ails thee now? for thy
great hollow eyes with sights nocturnal burn,
and in they changing pallor I descry
madness and frozen horror, turn by turn.
did rosy sprites or pale green succubi
pour love or panic from their dream-filled urn?
did the mad fist of despot nightmare try
to drown thee where the fiends of hell sojourn?
I would that thou wert always filled with health
236
and manly thoughts undaunted; that a wealth
of Christian blood were thine, which always flowed
in calm broad rhythms like a Grecian ode,
now echoing forth Apollo's golden strain,
and now great Pan, the lord of ripening grain.
— Translated by Lewis Piaget Shanks
The Sick Mused
My impoverished muse, alas! What have you for me this morning?
Your empty eyes are stocked with nocturnal visions,
In your cheek's cold and taciturn reflection,
I see insanity and horror forming.
The green succubus and the red urchin,
Have they poured you fear and love from their urns?
The nightmare of a mutinous fist that despotically turns,
Does it drown you at the bottom of a loch beyond searching?
I wish that your breast exhaled the scent of sanity,
That your womb of thought was not a tomb more frequently
And that your Christian blood flowed around a buoy that was rhythmical,
Like the numberless sounds of antique syllables,
Where reigns in turn the father of songs,
Phoebus, and the great Pan, the harvest sovereign.
Translated by William A. Sigler
~ Charles Baudelaire,
182:Joy, thou beauteous godly lightning,
Daughter of Elysium,
Fire drunken we are entring
Heavenly, thy holy home!
Thy enchantments bind together,
What did custom stern divide,
Every man becomes a brother,
Where thy gentle wings abide.

Chorus.
Be embracd, ye millions yonder!
Take this kiss throughout the world!
Brothersoer the stars unfurld
Must reside a loving Father.}

Who the noble prize achieveth,
Good friend of a friend to be;
Who a lovely wife attaineth,
Join us in his jubilee!
Yeshe too who but {one} being
On this earth can call {his} own!
He who neer was able, weeping
Stealeth from this league alone!

Chorus.
He who in the great ring dwelleth,
Homage pays to sympathy!
To the stars above leads she,
Where on high the {Unknown} reigneth.}

Joy is drunk by every being
From kind natures flowing breasts,
Every evil, every good thing
For her rosy footprint quests.
Gave she {us} both {vines} and kisses,
In the face of death a friend,
To the worm were given blisses
And the Cherubs God attend.

Chorus.
Fall before him, all ye millions?
{Knowst} thou the Creator, world?
Seek above the stars unfurld,
Yonder dwells He in the heavens.}

Joy commands the hardy mainspring
Of the universe eterne.
Joy, oh joy the wheel is driving
Which the worlds great clock doth turn.
Flowers from the buds she coaxes,
Suns from out the hyaline,
Spheres she rotates through expanses,
Which the seer cant divine.

Chorus.
As the suns are flying, happy
Through the heavens glorious plane,
Travel, brothers, down your lane,
Joyful as in heros victry.}

From the truths own fiery mirror
On the searcher {doth} she smile.
Up the steep incline of honor
Guideth {she} the suffrers mile.
High upon faiths sunlit mountains
One can see {her} banner flies,
Through the breach of opend coffins
{She} in angels choir doth rise.

Chorus.
Suffer on courageous millions!
Suffer for a better world!
Oer the tent of stars unfurld
God rewards you from the heavens.}

Gods can never be requited,
Beauteous tis, their like to be.
Grief and want shall be reported,
So to cheer with gaiety.
Hate and vengeance be forgotten,
Pardond be our mortal foe,
Not a teardrop shall him dampen,
No repentance bring him low.

Chorus.
Let our book of debts be cancelld!
Reconcile the total world!
Brothersoer the stars unfurld
God doth judge, as we have settld.}

Joy doth bubble from this rummer,
From the golden blood of grape
Cannibals imbibe good temper,
Weak of heart their courage take
Brothers, fly up from thy places,
When the brimming cup doth pass,
Let the foam shoot up in spaces:
To the goodly Soul this glass!

Chorus.
Whom the crown of stars doth honor,
Whom the hymns of Seraphs bless,
{To the goodly Soul this glass}
Oer the tent of stars up yonder!}

Courage firm in grievous trial,
Help, where innocence doth scream,
Oaths which sworn to are eternal,
Truth to friend and foe the same,
Manly pride fore kingly power
Brothers, cost it life and blood,
Honor to whom merits honor,
Ruin to the lying brood!

Chorus.
Closer draw the holy circle,
Swear it by this golden wine,
Faithful to the vow divine,
Swear it by the Judge celestial!}

Rescue from the tyrants fetters,
Mercy to the villain een,
Hope within the dying hours,
Pardon at the guillotine!
Een the dead shall live in heaven!
Brothers, drink and all agree,
Every sin shall be forgiven,
Hell forever cease to be.

Chorus.
A serene departing hour!
Pleasant sleep beneath the pall!
Brothersgentle words for all
Doth the Judge of mortals utter!}
~ Friedrich Schiller, Ode To Joy
,
183:Ode To The Confederate Dead
Row after row with strict impunity
The headstones yield their names to the element,
The wind whirrs without recollection;
In the riven troughs the splayed leaves
Pile up, of nature the casual sacrament
To the seasonal eternity of death;
Then driven by the fierce scrutiny
Of heaven to their election in the vast breath,
They sough the rumour of mortality.
Autumn is desolation in the plot
Of a thousand acres where these memories grow
From the inexhaustible bodies that are not
Dead, but feed the grass row after rich row.
Think of the autumns that have come and gone!-Ambitious November with the humors of the year,
With a particular zeal for every slab,
Staining the uncomfortable angels that rot
On the slabs, a wing chipped here, an arm there:
The brute curiosity of an angel's stare
Turns you, like them, to stone,
Transforms the heaving air
Till plunged to a heavier world below
You shift your sea-space blindly
Heaving, turning like the blind crab.
Dazed by the wind, only the wind
The leaves flying, plunge
You know who have waited by the wall
The twilight certainty of an animal,
Those midnight restitutions of the blood
You know--the immitigable pines, the smoky frieze
Of the sky, the sudden call: you know the rage,
The cold pool left by the mounting flood,
Of muted Zeno and Parmenides.
You who have waited for the angry resolution
Of those desires that should be yours tomorrow,
You know the unimportant shrift of death
53
And praise the vision
And praise the arrogant circumstance
Of those who fall
Rank upon rank, hurried beyond decision-Here by the sagging gate, stopped by the wall.
Seeing, seeing only the leaves
Flying, plunge and expire
Turn your eyes to the immoderate past,
Turn to the inscrutable infantry rising
Demons out of the earth they will not last.
Stonewall, Stonewall, and the sunken fields of hemp,
Shiloh, Antietam, Malvern Hill, Bull Run.
Lost in that orient of the thick and fast
You will curse the setting sun.
Cursing only the leaves crying
Like an old man in a storm
You hear the shout, the crazy hemlocks point
With troubled fingers to the silence which
Smothers you, a mummy, in time.
The hound bitch
Toothless and dying, in a musty cellar
Hears the wind only.
Now that the salt of their blood
Stiffens the saltier oblivion of the sea,
Seals the malignant purity of the flood,
What shall we who count our days and bow
Our heads with a commemorial woe
In the ribboned coats of grim felicity,
What shall we say of the bones, unclean,
Whose verdurous anonymity will grow?
The ragged arms, the ragged heads and eyes
Lost in these acres of the insane green?
The gray lean spiders come, they come and go;
In a tangle of willows without light
The singular screech-owl's tight
Invisible lyric seeds the mind
54
With the furious murmur of their chivalry.
We shall say only the leaves
Flying, plunge and expire
We shall say only the leaves whispering
In the improbable mist of nightfall
That flies on multiple wing:
Night is the beginning and the end
And in between the ends of distraction
Waits mute speculation, the patient curse
That stones the eyes, or like the jaguar leaps
For his own image in a jungle pool, his victim.
What shall we say who have knowledge
Carried to the heart?Shall we take the act
To the grave?Shall we, more hopeful, set up the grave
In the house?The ravenous grave?
Leave now
The shut gate and the decomposing wall:
The gentle serpent, green in the mulberry bush,
Riots with his tongue through the hush-Sentinel of the grave who counts us all!
~ Allen Tate,
184:An Horatian Ode Upon Cromwell's Return From
Ireland
The forward youth that would appear
Must now forsake his Muses dear,
Nor in the shadows sing
His numbers languishing.
'Tis time to leave the books in dust,
And oil th' unused armour's rust,
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through advent'rous war
Urged his active star:
And, like the three-forked lightning, first
Breaking the clouds where it was nursed,
Did thorough his own side
His fiery way divide.
For 'tis all one to courage high,
The emulous or enemy;
And with such, to enclose
Is more than to oppose.
Then burning through the air he went,
And palaces and temples rent;
And Caesar's head at last
Did through his laurels blast.
'Tis madness to resist or blame
The force of angry Heaven's flame;
And, if we would speak true,
Much to the man is due,
Who, from his private gardens, where
He lived reserved and austere,
As if his highest plot
To plant the bergamot,
Could by industrious valour climb
To ruin the great work of time,
And cast the Kingdom old
Into another mould.
Though Justice against Fate complain,
26
And plead the ancient Rights in vain:
But those do hold or break
As men are strong or weak.
Nature, that hateth emptiness,
Allows of penetration less;
And therefore must make room
Where greater spirits come.
What field of all the Civil Wars
Where his were not the deepest scars?
And Hampton shows what part
He had of wiser art;
Where, twining subtle fears with hope,
He wove a net of such a scope
That Charles himself might chase
To Carisbrook's narrow case;
That thence the Royal Actor borne
The tragic scaffold might adorn:
While round the armed bands
Did clap their bloody hands.
He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try;
Nor called the Gods with vulgar spite
To vindicate his helpless right;
But bowed his comely head
Down as upon a bed.
This was that memorable hour
Which first assured the forced pow'r.
So when they did design
The Capitol's first line,
A Bleeding Head, where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate.
And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do,
That does both act and know.
They can affirm his praises best,
And have, though overcome, confessed
How good he is, how just,
27
And fit for highest trust;
Nor yet grown stiffer with command,
But still in the Republic's hand:
How fit he is to sway
That can so well obey!
He to the Commons' feet presents
A kingdom for his first year's rents:
And, what he may, forbears
His fame to make it theirs:
And has his sword and spoils ungirt,
To lay them at the Public's skirt.
So when the falcon high
Falls heavy from the sky,
She, having killed, no more does search,
But on the next green bough to perch,
Where, when he first does lure,
The falcon'r has her sure.
What may not then our Isle presume
While victory his crest does plume!
What may not others fear
If thus he crown each year!
A Caesar he ere long to Gaul,
To Italy an Hannibal,
And to all states not free
Shall climacteric be.
The Pict no shelter now shall find
Within his parti-coloured mind;
But from this valour sad
Shrink underneath the plaid:
Happy if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.
But thou, the War's and Fortune's son,
March indefatigably on;
And for the last effect
Still keep thy sword erect:
Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A pow'r must it maintain.
28
~ Andrew Marvell,
185:Cromwell's Return
An Horatian Ode upon Cromwell's Return From Ireland
The forward youth that would appear
Must now forsake his muses dear,
Nor in the shadows sing,
His numbers languishing.
'Tis time to leave the books in dust,
And oil the unusèd armour's rust:
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urgèd his active star.
And, like the three-forked lightning, first
Breaking the clouds where it was nursed,
Did thorough his own side
His fiery way divide.
(For 'tis all one to courage high
The emulous or enemy:
And with such to inclose
Is more than to oppose.)
Then burning through the air he went,
And palaces and temples rent:
And Cæsar's head at last
Did through his laurels blast.
'Tis madness to resist or blame
The force of angry heaven's flame:
And, if we would speak true,
Much to the man is due,
Who from his private gardens, where
He lived reservèd and austere,
As if his highest plot
To plant the bergamot,
Could by industrious valour climb
To ruin the great work of time,
And cast the kingdoms old
Into another mould.
Though justice against fate complain,
40
And plead the ancient rights in vain:
But those do hold or break
As men are strong or weak.
Nature, that hateth emptiness,
Allows of penetration less:
And therefore must make room
Where greater spirits come.
What field of all the Civil Wars,
Where his were not the deepest scars?
And Hampton shows what part
He had of wiser art,
Where, twining subtle fears with hope,
He wove a net of such a scope,
That Charles himself might chase
To Carisbrooke's narrow case:
That then the royal actor born
The tragic scaffold might adorn:
While round the armèd bands
Did clap their bloody hands.
He nothing common did or mean
Upon that memorable scene:
But with his keener eye
The axe's edge did try:
Nor called the gods with vulgar spite
To vindicate his helpless right,
But bowed his comely head,
Down, as upon a bed.
This was that memorable hour
Which first assured the forcèd power.
So when they did design
The Capitol's first line,
A bleeding head where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate.
And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do,
That does both act and know.
They can affirm his praises best,
And have, though overcome, confessed
How good he is, how just,
41
And fit for highest trust:
Nor yet grown stiffer with command,
But still in the Republic's hand:
How fit he is to sway
That can so well obey.
He to the Commons feet presents
A kingdom, for his first year's rents:
And, what he may, forbears
His fame, to make it theirs:
And has his sword and spoils ungirt,
To lay them at the public's skirt.
So when the falcon high
Falls heavy from the sky,
She, having killed, no more does search
But on the next green bough to perch,
Where, when he first does lure,
The falc'ner has her sure.
What may not then our isle presume
While Victory his crest does plume?
What may not others fear
If thus he crowns each year?
A Cæ.sar, he, ere long to Gaul,
To Italy an Hannibal,
And to all states not free
Shall climactéric be.
The Pict no shelter now whall find
Within his parti-coloured mind,
But from this valour sad
Shrink underneath the plaid:
Happy, if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.
But thou, the Wars' and Fortune's son,
March indefatigably on,
And for the last effect
Still keep thy sword erect:
Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A power, must it maintain.
42
~ Andrew Marvell,
186:A Tale Of The Miser And The Poet
A WIT, transported with Inditing,
Unpay'd, unprais'd, yet ever Writing;
Who, for all Fights and Fav'rite Friends,
Had Poems at his Fingers Ends;
For new Events was still providing;
Yet now desirous to be riding,
He pack'd-up ev'ry Ode and Ditty
And in Vacation left the City;
So rapt with Figures, and Allusions,
With secret Passions, sweet Confusions;
With Sentences from Plays well-known,
And thousand Couplets of his own;
That ev'n the chalky Road look'd gay,
And seem'd to him the Milky Way.
But Fortune, who the Ball is tossing,
And Poets ever will be crossing,
Misled the Steed, which ill he guided,
Where several gloomy Paths divided.
The steepest in Descent he follow'd,
Enclos'd by Rocks, which Time had hollow'd;
Till, he believ'd, alive and booted,
He'd reach'd the Shades by Homer quoted.
But all, that he cou'd there discover,
Was, in a Pit with Thorns grown over,
Old Mammon digging, straining, sweating,
As Bags of Gold he thence was getting;
Who, when reprov'd for such Dejections
By him, who liv'd on high Reflections,
Reply'd; Brave Sir, your Time is ended,
And Poetry no more befriended.
I hid this Coin, when Charles was swaying;
When all was Riot, Masking, Playing;
When witty Beggars were in fashion,
And Learning had o'er-run the Nation,
But, since Mankind is so much wiser,
That none is valued like the Miser,
I draw it hence, and now these Sums
In proper Soil grow up to {1} Plumbs;
31
Which gather'd once, from that rich Minute
We rule the World, and all that's in it.
But, quoth the Poet,can you raise,
As well as Plumb-trees, Groves of Bays?
Where you, which I wou'd chuse much rather,
May Fruits of Reputation gather?
Will Men of Quality, and Spirit,
Regard you for intrinsick Merit?
And seek you out, before your Betters,
For Conversation, Wit, and Letters?
Fool, quoth the Churl, who knew no Breeding;
Have these been Times for such Proceeding?
Instead of Honour'd, and Rewarded,
Are you not Slighted, or Discarded?
What have you met with, but Disgraces?
Your PRIOR cou'd not keep in Places;
And your VAN-BRUG had found no Quarter,
But for his dabbling in the Morter.
ROWE no Advantages cou'd hit on,
Till Verse he left, to write North-Briton.
PHILIPS, who's by the Shilling known,
Ne'er saw a Shilling of his own.
Meets {2} PHILOMELA, in the Town
Her due Proportion of Renown?
What Pref'rence has ARDELIA seen,
T'expel, tho' she cou'd write the Spleen?
Of Coach, or Tables, can you brag,
Or better Cloaths than Poet RAG?
Do wealthy Kindred, when they meet you,
With Kindness, or Distinction, greet you?
Or have your lately flatter'd Heroes
Enrich'd you like the Roman Maroes?
No–quoth the Man of broken Slumbers:
Yet we have Patrons for our Numbers;
There are Mecænas's among 'em.
Quoth Mammon,pray Sir, do not wrong 'em;
But in your Censures use a Conscience,
32
Nor charge Great Men with thriftless Nonsense:
Since they, as your own Poets sing,
Now grant no Worth in any thing
But so much Money as 'twill bring.
Then, never more from your Endeavours
Expect Preferment, or less Favours.
But if you'll 'scape Contempt, or worse,
Be sure, put Money in your Purse;
Money! which only can relieve you
When Fame and Friendship will deceive you.
Sir, (quoth the Poet humbly bowing,
And all that he had said allowing)
Behold me and my airy Fancies
Subdu'd, like Giants in Romances.
I here submit to your Discourses;
Which since Experience too enforces,
I, in that solitary Pit,
Your Gold withdrawn, will hide my Wit:
Till Time, which hastily advances,
And gives to all new Turns and Chances,
Again may bring it into use;
Roscommons may again produce;
New Augustean Days revive,
When Wit shall please, and Poets thrive.
Till when, let those converse in private,
Who taste what others don't arrive at;
Yielding that Mammonists surpass us;
And let the Bank out-swell Parnassus.
~ Anne Kingsmill Finch,
187:Ode To Borrowdale
IN CUMBERLAND.
Hail , Derwent's beauteous pride!
Whose charms rough rocks in threatening grandeur guard,
Whose entrance seems to mortals barred,
But to the Genius of the storm thrown wide.
He on thy rock's dread height,
Reclined beneath his canopy of clouds,
His form in darkness shrouds,
And frowns as fixt to keep thy beauties from the sight.
But rocks and storms are vain:
Midst mountains rough and rude
Man's daring feet intrude,
Till, lo! upon the ravished eye
Burst thy clear stream, thy smiling sky,
Thy wooded valley, and thy matchless plain.
Bright vale! the Muse's choicest theme,
My morning thought, my midnight dream;
Still memory paints thee, smiling scene,
Still views the robe of purest green,
Refreshed by beauty-shedding rains,
Which wraps thy flower-enamelled plains;
Still marks thy mountains' fronts sublime,
Force graces from the hand of time;
Still I thy rugged rocks recall,
Which seem as nodding to their fall,
Whose wonders fixed my aching sight,
Till terror yielded to delight,
And my surprises, pleasures, fears,
Were told by slow delicious tears.
But suddenly the smiling day
That cheered the valley, flies away;
The wooded rocks, the rapid stream,
No longer boast the noon-tide beam.
26
But storms athwart the mountains sail,
And darkly brood o'er Borrowdale.
The frightened swain his cottage seeks,
Ere the thick cloud in terror speaks:-And see, pale lightning flashes round!
While as the thunder's awful sound
On Echo's pinion widely flies,
Yon cataract's roar unheeded dies;....
And thee, Sublimity! I hail,
Throned on the gloom of Borrowdale.
But soon the thunder dies away,
The flash withdraws its fearful ray;
Again upon the silver stream
Waves in bright wreaths the noon-tide beam.
O scene sequestered, varied, wild,
Scene formed to soothe Affliction's child,
How blest were I to watch each charm
That decks thy vale in storm or calm!
To see Aurora's hand unbind
The mists by night's chill power confined;
Upon the mountain's dusky brow
Then mark their colours as they flow,
Gliding the colder West to seek,
As from the East day's splendours break.
Now the green plain enchants the sight,
Adorned with spots of yellow light;
While, by its magic influence, shade
With contrast seems each charm to aid,
And clothes the woods in deeper dyes,
To suit the azure-vested skies.
While, lo! the lofty rocks above,
Where proudly towers the bird of Jove;
See from the view yon radiant cloud
His broad and sable pinions shroud,
Till, as he onward wings his flight,
He vanishes in floods of light;
27
Where feathered clouds on æther sail,
And glittering hang o'er Borrowdale.....
Or, at still midnight's solemn hour,
When the dull bat revolves no more,
In search of nature's awful grace,
I'd go, with slow and cautious pace,
Where the loud torrent's foaming tide
Lashes the rock's uneven side,....
That rock which, o'er the stream below
Bending its moss-clad crumbling brow,
Makes pale with fear the wanderer's cheek,
Nor midnight's silence fails to break
By fragments from its aged head,
Which, rushing to the river's bed,
Cause, as they dash the waters round,
A dread variety of sound;
While I the gloomy grandeur hail,
And awe-struck rove through Borrowdale.
Yes, scene sequestered, varied, wild,
So form'd to soothe Affliction's child,
Sweet Borrowdale! to thee I'll fly,
To hush my bosom's ceaseless sigh.
If yet in Nature's store there be
One kind heart-healing balm for me,
Now the long hours are told by sighs,
And sorrow steals health's crimson dyes,-If aught can smiles and bloom restore,
Ah! surely thine's the precious power!
Then take me to thy world of charms,
And hush my tortured breast's alarms;
Thy scenes with unobtrusive art
Shall steal the mourner from her heart,....
The hands in sorrow claspt unclose,
Bid her sick soul on Heaven repose,
And, soothed by time and nature, hail
Health, peace, and hope in Borrowdale.
28
~ Amelia Opie,
188:I.
O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed

The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow

Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odors plain and hill:

Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh, hear!

II.
Thou on whose stream, 'mid the steep sky's commotion,
Loose clouds like earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,

Angels of rain and lightning: there are spread
On the blue surface of thine aery surge,
Like the bright hair uplifted from the head

Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith's height,
The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might

Of vapors, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh, hear!

III.
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lulled by the coil of his crystalline streams,

Beside a pumice isle in Baiae's bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,

All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic's level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know

Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh, hear!

IV.
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share

The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be

The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seemed a vision; I would ne'er have striven

As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of hours has chained and bowed
One too like thee: tameless, and swift, and proud.

V.
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies

Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe
Like withered leaves to quicken a new birth!
And, by the incantation of this verse,

Scatter, as from an unextinguished hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawakened earth

The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?
LISTEN HERE: https://soundcloud.com/anton-jarvis-206182017/ode-to-the-west-wind-by-percy-bysshe-shelley
Poem form:- sonnet repeated five times. Meter:- Iambic pentameter. Rhyme:- Terza Rima.

'This poem was conceived and chiefly written in a wood that skirts the Arno, near Florence, and on a day when that tempestuous wind, whose temperature is at once mild and animating, was collecting the vapours which pour down the autumnal rains. They began, as I foresaw, at sunset with a violent tempest of hail and rain, attended by that magnificent thunder and lightning peculiar to the Cisalpine regions.

The phenomenon alluded to at the conclusion of the third stanza is well known to naturalists. The vegetation at the bottom of the sea, of rivers, and of lakes, sympathizes with that of the land in the change of seasons, and is consequently influenced by the winds which announce it.[SHELLEYS NOTE.])'
~ Percy Bysshe Shelley, Ode to the West Wind
,
189:Dear Keats
Already six years past your age!
The steps in Rome,
the house near Hampstead Heath,
& all your fears
that you might cease to be
before your pen had glean'd. . . .
My dear dead friend,
you were the first to teach me
how the dust could sing.
I followed in your footsteps
up the Heath.
I listened hard
for Lethe's nightingale.
& now at 31, I want to live.
Oblivion holds no adolescent charms.
& all the 'souls of poets
dead & gone,'
& all the 'Bards
of Passion & Mirth'
cannot make deathits echo, its damp earthresemble birth.
You died in Romein faltering sunlightBernini's watery boat still sinking
in the fountain in the square below.
When Severn came to say
the roses bloomed,
you did not 'glut thy sorrow,'
but you weptyou wept for them
& for your posthumous life.
& yet we all lead posthumous lives somehow.
The broken lyre,
the broken lung,
49
the broken love.
Our names are writ in newsprint
if not water.
'Don't breathe on me-' you cried,
'it comes like ice.'
Last words.
(I can't imagine mine.
Perhaps some muttered dream,
some poem, some curse.)
Three months past 25,
you lived on milk.
They reeled you backward
in the womb of love.
A tepid February Roman Spring.
Fruit trees in bloom
& Hampstead still in snow
& Fanny Brawne receives a hopeful note
when you are two weeks dead.
A poet's life:
always awaiting mail.
For God's sake
kick against the pricks!
There aren't very many roses.
Your life was like an hourglass
with no sand.
The words slid through
& rested under glass;
the flesh decayed
to moist Italian clay.
50
×
At autopsy,
your lungs were wholly gone.
Was that from too much singing?
Too many rifts of ore?
You spent your life breath
breathing life in words.
But words return no breath
to those who write.
Letters, Life, & Literary Remains . . .
'I find that I cannot exist without poetry. . . .'
'O for a Life of Sensations rather than of Thoughts!'
'What the imagination seizes as Beauty must be truth. . . .'
'We hate poetry that has a palpable design upon us. . . .'
'Sancho will invent a Journey heavenwards as well as anybody. . . .'
'Poetry should be great and unobtrusive, a thing which enters into one's soul.'
'Why should we kick against the Pricks when we can walk on the Roses?'
'Axioms in philosophy are not axioms until they are proved upon our pulses. . . .'
'Until we are sick, we understand not. . . .'
'Sorrow is Wisdom. . . .'
'Wisdom is folly. . . .'
Too wise
& yet not wise enough
at 25.
Sick, you understood
& understanding
51
were too weak to write.
Proved on the pulse: poetry.
If sorrow is wisdom
& wisdom is folly
then too much sorrow
is folly.
I find that I cannot exist without sorrow
& I find that sorrow
cannot exist without poetry. . . .
What the imagination seizes as beauty
must be poetry. . . .
What the imagination seizes must be. . . .
You claimed no lust for fame
& yet your burned.
'The faint conceptions I have of poems to come brings
the blood frequently into my forehead.'
I burn like you
until it often seems
my blood will break
the boundaries of my brain
& issue forth in one tall fountain
from my skull.
A spume of blood from the forehead: poetry.
A plume of blood from the heart: poetry.
Blood from the lungs: alizarin crimson words.
52
'I will not spoil my love of gloom
by writing an Ode to Darkness. . . .'
The blood turns dark;
it stiffens on the sheet.
At night the childhood walls
are streaked with blooduntil the darkness seems awash with red
& children sleep behind two blood-branched lids.
'My imagination is a monastery
& I am its monk . . .'
At five & twenty,
very far from home,
death picked you up
& sorted to a pip.
& 15 decades later,
your words breathe:
syllables of blood.
A strange transfusion
for my feverish verse.
I suck your breath,
your rhythms & your blood,
& all my fiercest dreams are sighed away.
I send you love,
dear Keats,
I send you peace.
Since flesh can't stay
we keep the breath aloft.
Since flesh can't stay,
we pass the words along.
~ Erica Jong,
190:For Howard Moss
Already six years past your age!
The steps in Rome,
the house near Hampstead Heath,
& all your fears
that you might cease to be
before your pen had glean'd. . . .
My dear dead friend,
you were the first to teach me
how the dust could sing.
I followed in your footsteps
up the Heath.
I listened hard
for Lethe's nightingale.
& now at 31, I want to live.
Oblivion holds no adolescent charms.
& all the 'souls of poets
dead & gone,'
& all the 'Bards
of Passion & Mirth'
cannot make deathits echo, its damp earthresemble birth.
You died in Romein faltering sunlightBernini's watery boat still sinking
in the fountain in the square below.
When Severn came to say
the roses bloomed,
you did not 'glut thy sorrow,'
but you weptyou wept for them
& for your posthumous life.
& yet we all lead posthumous lives somehow.
The broken lyre,
the broken lung,
72
the broken love.
Our names are writ in newsprint
if not water.
'Don't breathe on me-' you cried,
'it comes like ice.'
Last words.
(I can't imagine mine.
Perhaps some muttered dream,
some poem, some curse.)
Three months past 25,
you lived on milk.
They reeled you backward
in the womb of love.
A tepid February Roman Spring.
Fruit trees in bloom
& Hampstead still in snow
& Fanny Brawne receives a hopeful note
when you are two weeks dead.
A poet's life:
always awaiting mail.
For God's sake
kick against the pricks!
There aren't very many roses.
Your life was like an hourglass
with no sand.
The words slid through
& rested under glass;
the flesh decayed
to moist Italian clay.
73
×
At autopsy,
your lungs were wholly gone.
Was that from too much singing?
Too many rifts of ore?
You spent your life breath
breathing life in words.
But words return no breath
to those who write.
Letters, Life, & Literary Remains . . .
'I find that I cannot exist without poetry. . . .'
'O for a Life of Sensations rather than of Thoughts!'
'What the imagination seizes as Beauty must be truth. . . .'
'We hate poetry that has a palpable design upon us. . . .'
'Sancho will invent a Journey heavenwards as well as anybody. . . .'
'Poetry should be great and unobtrusive, a thing which enters into one's soul.'
'Why should we kick against the Pricks when we can walk on
the Roses?'
'Axioms in philosophy are not axioms until they are proved upon our pulses. . . .'
'Until we are sick, we understand not. . . .'
'Sorrow is Wisdom. . . .'
'Wisdom is folly. . . .'
Too wise
& yet not wise enough
at 25.
Sick, you understood
74
& understanding
were too weak to write.
Proved on the pulse: poetry.
If sorrow is wisdom
& wisdom is folly
then too much sorrow
is folly.
I find that I cannot exist without sorrow
& I find that sorrow
cannot exist without poetry. . . .
What the imagination seizes as beauty
must be poetry. . . .
What the imagination seizes must be. . . .
You claimed no lust for fame
& yet your burned.
'The faint conceptions I have of poems to come brings
the blood frequently into my forehead.'
I burn like you
until it often seems
my blood will break
the boundaries of my brain
& issue forth in one tall fountain
from my skull.
A spume of blood from the forehead: poetry.
A plume of blood from the heart: poetry.
Blood from the lungs: alizarin crimson words.
75
'I will not spoil my love of gloom
by writing an Ode to Darkness. . . .'
The blood turns dark;
it stiffens on the sheet.
At night the childhood walls
are streaked with blooduntil the darkness seems awash with red
& children sleep behind two blood-branched lids.
'My imagination is a monastery
& I am its monk . . .'
At five & twenty,
very far from home,
death picked you up
& sorted to a pip.
& 15 decades later,
your words breathe:
syllables of blood.
A strange transfusion
for my feverish verse.
I suck your breath,
your rhythms & your blood,
& all my fiercest dreams are sighed away.
I send you love,
dear Keats,
I send you peace.
Since flesh can't stay
we keep the breath aloft.
Since flesh can't stay,
we pass the words along.
~ Erica Jong,
191:O Goddess! hear these tuneless numbers, wrung
  By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung
  Even into thine own soft-conched ear:
Surely I dreamt to-day, or did I see
  The winged Psyche with awaken'd eyes?
I wander'd in a forest thoughtlessly,
  And, on the sudden, fainting with surprise,
Saw two fair creatures, couched side by side
  In deepest grass, beneath the whisp'ring roof
  Of leaves and trembled blossoms, where there ran
    A brooklet, scarce espied:

Mid hush'd, cool-rooted flowers, fragrant-eyed,
   Blue, silver-white, and budded Tyrian,
They lay calm-breathing, on the bedded grass;
   Their arms embraced, and their pinions too;
   Their lips touch'd not, but had not bade adieu,
As if disjoined by soft-handed slumber,
And ready still past kisses to outnumber
   At tender eye-dawn of aurorean love:
     The winged boy I knew;
But who wast thou, O happy, happy dove?
     His Psyche true!

O latest born and loveliest vision far
   Of all Olympus' faded hierarchy!
Fairer than Ph{oe}be's sapphire-region'd star,
   Or Vesper, amorous glow-worm of the sky;
Fairer than these, though temple thou hast none,
     Nor altar heap'd with flowers;
Nor virgin-choir to make delicious moan
     Upon the midnight hours;
No voice, no lute, no pipe, no incense sweet
   From chain-swung censer teeming;
No shrine, no grove, no oracle, no heat
   Of pale-mouth'd prophet dreaming.

O brightest! though too late for antique vows,
   Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
   Holy the air, the water, and the fire;
Yet even in these days so far retir'd
   From happy pieties, thy lucent fans,
   Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspir'd.
So let me be thy choir, and make a moan
     Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
   From swinged censer teeming;
Thy shrine, thy grove, thy oracle, thy heat
   Of pale-mouth'd prophet dreaming.

Yes, I will be thy priest, and build a fane
   In some untrodden region of my mind,
Where branched thoughts, new grown with pleasant pain,
   Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster'd trees
   Fledge the wild-ridged mountains steep by steep;
And there by zephyrs, streams, and birds, and bees,
   The moss-lain Dryads shall be lull'd to sleep;
And in the midst of this wide quietness
A rosy sanctuary will I dress
  With the wreath'd trellis of a working brain,
   With buds, and bells, and stars without a name,
With all the gardener Fancy e'er could feign,
   Who breeding flowers, will never breed the same:
And there shall be for thee all soft delight
   That shadowy thought can win,
A bright torch, and a casement ope at night,
   To let the warm Love in!
'Under the date 15th of April [1819] Keats writes to his brother George and his wife, of this Ode, "The following poem, the last I have written, is the first and only one with which I have taken even moderate pains; I have, for the most part, dashed off my lines in a hurry; this one I have done leisurely; I think it reads the more richly for it, and it will I hope encourage me to write other things in even a more peaceable and healthy spirit. You must recollect that Psyche was not embodied as a goddess before the time of Apuleius the Platonist, who lived after the Augustan age, and consequently the goddess was never worshipped or sacrificed to with any of the ancient fervour, and perhaps never thought of in the old religion: I am more orthodox than to let a heathen goddess be so neglected."
This is an instance in which Keats seems to have gone beyond Lempriere's Classical Dictionary for his information; but I presume we may not unsafely take the portraiture of Cupid and Psyche in the first stanza as an adapted reminiscence of his other favourite text book, Spence's Polymetis, in Plate VI of which the well known kissing Cupid and Psyche are admirably engraved from the statue at Florence.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To Psyche
,
192:An Ode To The Hills
AEons ago ye were,
Before the struggling changeful race of man
Wrought into being, ere the tragic stir
Of human toil and deep desire began:
So shall ye still remain,
Lords of an elder and immutable race,
When many a broad metropolis of the plain,
Or thronging port by some renowned shore,
Is sunk in nameless ruin, and its place
Recalled no more.
Empires have come and gone,
And glorious cities fallen in their prime;
Divine, far-echoing, names once writ in stone
Have vanished in the dust and void of time;
But ye, firm-set, secure,
Like Treasure in the hardness of God's palm,
Are yet the same for ever; ye endure
By virtue of an old slow-ripening word,
In your grey majesty and sovereign calm,
Untouched, unstirred.
Tempest and thunderstroke,
With whirlwinds dipped in midnight at the core,
Have torn strange furrows through your forest cloak,
And made your hollow gorges clash and roar,
And scarred your brows in vain.
Around your barren heads and granite steeps
Tempestuous grey battalions of the rain
Charge and recharge, across the plateaued floors,
Drenching the serried pines; and the hail sweeps
Your pitiless scaurs.
The long midsummer heat
Chars the thin leafage of your rocks in fire:
Autumn with windy robe and ruinous feet
On your wide forests wreaks his fell desire,
Heaping in barbarous wreck
The treasure of your sweet and prosperous days;
48
And lastly the grim tyrant, at whose beck
Channels are turned to stone and tempests wheel,
On brow and breast and shining shoulder lays
His hand of steel.
And yet not harsh alone,
Nor wild, nor bitter are your destinies,
O fair and sweet, for all your heart of stone,
Who gather beauty round your Titan knees,
As the lens gathers light.
The dawn gleams rosy on your splendid brows,
The sun at noonday folds you in his might,
And swathes your forehead at his going down,
Last leaving, where he first in pride bestows,
His golden crown.
In unregarded glooms,
Where hardly shall a human footstep pass,
Myriads of ferns and soft maianthemums,
Or lily-breathing slender pyrolas
Distil their hearts for you.
Far in your pine-clad fastnesses ye keep
Coverts the lonely thrush shall wander through,
With echoes that seem ever to recede,
Touching from pine to pine, from steep to steep,
His ghostly reed.
The fierce things of the wild
Find food and shelter in your tenantless rocks,
The eagle on whose wings the dawn hath smiled,
The loon, the wild-cat, and the bright-eyed fox;
For far away indeed
Are all the ominous noises of mankind,
The slaughterer's malice and the trader's greed:
Your rugged haunts endure no slavery:
No treacherous hand is there to crush or bind,
But all are free.
Therefore out of the stir
Of cities and the ever-thickening press
The poet and the worn philosopher
To your bare peaks and radiant loneliness
49
Escape, and breathe once more
The wind of the Eternal: that clear mood,
Which Nature and the elder ages bore,
Lends them new courage and a second prime,
At rest upon the cool infinitude
Of Space and Time.
The mists of troublous days,
The horror of fierce hands and fraudful lips,
The blindness gathered in Life's aimless ways
Fade from them, and the kind Earth-spirit strips
The bandage from their eyes,
Touches their hearts and bids them feel and see;
Beauty and Knowledge with that rare apprise
Pour over them from some divine abode,
Falling as in a flood of memory,
The bliss of God.
I too perchance some day,
When Love and Life have fallen far apart,
Shall slip the yoke and seek your upward way
And make my dwelling in your changeless heart;
And there in some quiet glade,
Some virgin plot of turf, some innermost dell,
Pure with cool water and inviolate shade,
I'll build a blameless altar to the dear
And kindly gods who guard your haunts so well
From hurt or fear.
There I will dream day-long,
And honour them in many sacred ways,
With hushed melody and uttered song,
And golden meditation and with praise.
I'll touch them with a prayer,
To clothe my spirit as your might is clad
With all things bountiful, divine, and fair,
Yet inwardly to make me hard and true,
Wide-seeing, passionless, immutably glad,
And strong like you.
~ Archibald Lampman,
193:An Ode To Antares
At dusk, when lowlands where dark waters glide
Robe in gray mist, and through the greening hills
The hoot-owl calls his mate, and whippoorwills
Clamor from every copse and orchard-side,
I watched the red star rising in the East,
And while his fellows of the flaming sign
From prisoning daylight more and more released,
Lift their pale lamps, and, climbing higher, higher,
Out of their locks the waters of the Line
Shaking in clouds of phosphorescent fire,
Rose in the splendor of their curving flight,
Their dolphin leap across the austral night,
From windows southward opening on the sea
What eyes, I wondered, might be watching, too,
Orbed in some blossom-laden balcony.
Where, from the garden to the rail above,
As though a lover's greeting to his love
Should borrow body and form and hue
And tower in torrents of floral flame,
The crimson bougainvillea grew,
What starlit brow uplifted to the same
Majestic regress of the summering sky,
What ultimate thing -- hushed, holy, throned as high
Above the currents that tarnish and profane
As silver summits are whose pure repose
No curious eyes disclose
Nor any footfalls stain,
But round their beauty on azure evenings
Only the oreads go on gauzy wings,
Only the oreads troop with dance and song
And airy beings in rainbow mists who throng
Out of those wonderful worlds that lie afar
Betwixt the outmost cloud and the nearest star.
Like the moon, sanguine in the orient night
Shines the red flower in her beautiful hair.
Her breasts are distant islands of delight
Upon a sea where all is soft and fair.
10
Those robes that make a silken sheath
For each lithe attitude that flows beneath,
Shrouding in scented folds sweet warmths and tumid flowers,
Call them far clouds that half emerge
Beyond a sunset ocean's utmost verge,
Hiding in purple shade and downpour of soft showers
Enchanted isles by mortal foot untrod,
And there in humid dells resplendent orchids nod;
There always from serene horizons blow
Soul-easing gales and there all spice-trees grow
That Phoenix robbed to line his fragrant nest
Each hundred years in Araby the Blest.
Star of the South that now through orient mist
At nightfall off Tampico or Belize
Greetest the sailor rising from those seas
Where first in me, a fond romanticist,
The tropic sunset's bloom on cloudy piles
Cast out industrious cares with dreams of fabulous isles -Thou lamp of the swart lover to his tryst,
O'er planted acres at the jungle's rim
Reeking with orange-flower and tuberose,
Dear to his eyes thy ruddy splendor glows
Among the palms where beauty waits for him;
Bliss too thou bringst to our greening North,
Red scintillant through cherry-blossom rifts,
Herald of summer-heat, and all the gifts
And all the joys a summer can bring forth ----
Be thou my star, for I have made my aim
To follow loveliness till autumn-strown
Sunder the sinews of this flower-like frame
As rose-leaves sunder when the bud is blown.
Ay, sooner spirit and sense disintegrate
Than reconcilement to a common fate
Strip the enchantment from a world so dressed
In hues of high romance. I cannot rest
While aught of beauty in any path untrod
Swells into bloom and spreads sweet charms abroad
Unworshipped of my love. I cannot see
11
In Life's profusion and passionate brevity
How hearts enamored of life can strain too much
In one long tension to hear, to see, to touch.
Now on each rustling night-wind from the South
Far music calls; beyond the harbor mouth
Each outbound argosy with sail unfurled
May point the path through this fortuitous world
That holds the heart from its desire. Away!
Where tinted coast-towns gleam at close of day,
Where squares are sweet with bells, or shores thick set
With bloom and bower, with mosque and minaret.
Blue peaks loom up beyond the coast-plains here,
White roads wind up the dales and disappear,
By silvery waters in the plains afar
Glimmers the inland city like a star,
With gilded gates and sunny spires ablaze
And burnished domes half-seen through luminous haze,
Lo, with what opportunity Earth teems!
How like a fair its ample beauty seems!
Fluttering with flags its proud pavilions rise:
What bright bazaars, what marvelous merchandise,
Down seething alleys what melodious din,
What clamor importuning from every booth!
At Earth's great market where Joy is trafficked in
Buy while thy purse yet swells with golden Youth!
~ Alan Seeger,
194:Ode In Memory Of The American Volunteers Fallen For
France
(To have been read before the statue of Lafayette and Washington in Paris, on
Decoration Day, May 30, 1916).
Ay, it is fitting on this holiday,
Commemorative of our soldier dead,
When -- with sweet flowers of our New England May
Hiding the lichened stones by fifty years made gray -Their graves in every town are garlanded,
That pious tribute should be given too
To our intrepid few
Obscurely fallen here beyond the seas.
Those to preserve their country's greatness died;
But by the death of these
Something that we can look upon with pride
Has been achieved, nor wholly unreplied
Can sneerers triumph in the charge they make
That from a war where Freedom was at stake
America withheld and, daunted, stood aside.
II
Be they remembered here with each reviving spring,
Not only that in May, when life is loveliest,
Around Neuville-Saint-Vaast and the disputed crest
Of Vimy, they, superb, unfaltering,
In that fine onslaught that no fire could halt,
Parted impetuous to their first assault;
But that they brought fresh hearts and springlike too
To that high mission, and 'tis meet to strew
With twigs of lilac and spring's earliest rose
The cenotaph of those
Who in the cause that history most endears
Fell in the sunny morn and flower of their young years.
III
48
et sought they neither recompense nor praise,
Nor to be mentioned in another breath
Than their blue coated comrades whose great days
It was their pride to share -- ay, share even to the death!
Nay, rather, France, to you they rendered thanks
(Seeing they came for honor, not for gain),
Who, opening to them your glorious ranks,
Gave them that grand occasion to excel,
That chance to live the life most free from stain
And that rare privilege of dying well.
IV
O friends! I know not since that war began
From which no people nobly stands aloof
If in all moments we have given proof
Of virtues that were thought American.
I know not if in all things done and said
All has been well and good,
Or if each one of us can hold his head
As proudly as he should,
Or, from the pattern of those mighty dead
Whose shades our country venerates to-day,
If we've not somewhat fallen and somewhat gone astray.
But you to whom our land's good name is dear,
If there be any here
Who wonder if her manhood be decreased,
Relaxed its sinews and its blood less red
Than that at Shiloh and Antietam shed,
Be proud of these, have joy in this at least,
And cry: "Now heaven be praised
That in that hour that most imperilled her,
Menaced her liberty who foremost raised
Europe's bright flag of freedom, some there were
Who, not unmindful of the antique debt,
Came back the generous path of Lafayette;
And when of a most formidable foe
She checked each onset, arduous to stem -Foiled and frustrated them -On those red fields where blow with furious blow
49
Was countered, whether the gigantic fray
Rolled by the Meuse or at the Bois Sabot,
Accents of ours were in the fierce melee;
And on those furthest rims of hallowed ground
Where the forlorn, the gallant charge expires,
When the slain bugler has long ceased to sound,
And on the tangled wires
The last wild rally staggers, crumbles, stops,
Withered beneath the shrapnel's iron showers: -Now heaven be thanked, we gave a few brave drops;
Now heaven be thanked, a few brave drops were ours."
There, holding still, in frozen steadfastness,
Their bayonets toward the beckoning frontiers,
They lie -- our comrades -- lie among their peers,
Clad in the glory of fallen warriors,
Grim clusters under thorny trellises,
Dry, furthest foam upon disastrous shores,
Leaves that made last year beautiful, still strewn
Even as they fell, unchanged, beneath the changing moon;
And earth in her divine indifference
Rolls on, and many paltry things and mean
Prate to be heard and caper to be seen.
But they are silent, calm; their eloquence
Is that incomparable attitude;
No human presences their witness are,
But summer clouds and sunset crimson-hued,
And showers and night winds and the northern star.
Nay, even our salutations seem profane,
Opposed to their Elysian quietude;
Our salutations calling from afar,
From our ignobler plane
And undistinction of our lesser parts:
Hail, brothers, and farewell; you are twice blest, brave hearts.
Double your glory is who perished thus,
For you have died for France and vindicated us.
~ Alan Seeger,
195:Ode To Memory
I.
THOU who stealest fire,
From the fountains of the past,
To glorify the present, oh, haste,
Visit my low desire!
Strengthen me, enlighten me!
I faint in this obscurity,
Thou dewy dawn of memory.
II.
Come not as thou camest of late,
Flinging the gloom of yesternight
On the white day, but robed in soften’d light
Of orient state.
Whilome thou camest with the morning mist,
Even as a maid, whose stately brow
The dew-impearled winds of dawn have kiss’d,
When she, as thou,
Stays on her floating locks the lovely freight
Of overflowing blooms, and earliest shoots
Of orient green, giving safe pledge of fruits,
Which in wintertide shall star
The black earth with brilliance rare.
III.
Whilome thou camest with the morning mist,
And with the evening cloud,
Showering thy gleaned wealth into my open breast;
Those peerless flowers which in the rudest wind
Never grow sere,
When rooted in the garden of the mind,
Because they are the earliest of the year.
Nor was the night thy shroud.
In sweet dreams softer than unbroken rest
Thou leddest by the hand thine infant Hope.
The eddying of her garments caught from thee
The light of thy great presence; and the cope
Of the half-attain’d futurity,
Tho’ deep not fathomless,
510
Was cloven with the million stars which tremble
O’er the deep mind of dauntless infancy.
Small thought was there of life’s distress;
For sure she deem’d no mist of earth could dull
Those spirit-thrilling eyes so keen and beautiful;
Sure she was nigher to heaven’s spheres,
Listening the lordly music flowing from
The illimitable years.
O strengthen me, enlighten me!
I faint in this obscurity,
Thou dewy dawn of memory.
IV.
Come forth, I charge thee, arise,
Thou of the many tongues, the myriad eyes!
Thou comest not with shows of flaunting vines
Unto mine inner eye,
Divinest Memory!
Thou wert not nursed by the waterfall
Which ever sounds and shines
A pillar of white light upon the wall
Of purple cliffs, aloof descried:
Come from the woods that belt the gray hillside,
The seven elms, the poplars four
That stand beside my father’s door,
And chiefly from the brook that loves
To purl o’er matted cress and ribbed sand,
Or dimple in the dark of rushy coves,
Drawing into his narrow earthen urn,
In every elbow and turn,
The filter’d tribute of the rough woodland;
O! hither lead thy feet!
Pour round mine ears the livelong bleat
Of the thick-fleeced sheep from wattled folds,
Upon the ridged wolds,
When the first matin-song hath waken’d loud
Over the dark dewy earth forlorn,
What time the amber morn
Forth gushes from beneath a low-hung cloud.
V.
Large dowries doth the raptured eye
511
To the young spirit present
When first she is wed,
And like a bride of old,
In triumph led,
With music and sweet showers
Of festal flowers,
Unto the dwelling she must sway.
Well hast thou done, great artist Memory.
In setting round thy first experiment
With royal framework of wrought gold;
Needs must thou dearly love thy first essay,
And foremost in thy various gallery
Place it, where sweetest sunlight falls
Upon the storied walls;
For the discovery
And newness of thine art so pleased thee,
That all which thou hast drawn of fairest
Or boldest since but lightly weighs
With thee unto the love thou bearest
The first-born of thy genius. Artist-like,
Ever retiring thou dost gaze
On the prime labor of thine early days,
No matter what the sketch might be:
Whether the high field on the bushless pike,
Or even a sand-built ridge
Of heaped hills that mound the sea,
Overblown with murmurs harsh,
Or even a lowly cottage whence we see
Stretch’d wide and wild the waste enormous marsh,
Where from the frequent bridge,
Like emblems of infinity,
The trenched waters run from sky to sky;
Or a garden bower’d close
With plaited alleys of the trailing rose,
Long alleys falling down to twilight grots,
Or opening upon level plots
Of crowned lilies, standing near
Purple-spiked lavender:
Whither in after life retired
From brawling storms,
From weary wind,
With youthful fancy re-inspired,
512
We may hold converse with all forms
Of the many-sided mind,
And those whom passion hath not blinded,
Subtle-thoughted, myriad-minded.
My friend, with you to live alone
Were how much better than to own
A crown, a sceptre, and a throne!
O strengthen me, englighten me!
I faint in this obscurity,
Thou dewy dawn of memory.
~ Alfred Lord Tennyson,
196:1.
One morn before me were three figures seen,
  I With bowed necks, and joined hands, side-faced;
And one behind the other stepp'd serene,
  In placid sandals, and in white robes graced;
They pass'd, like figures on a marble urn,
  When shifted round to see the other side;
     They came again; as when the urn once more
Is shifted round, the first seen shades return;
  And they were strange to me, as may betide
     With vases, to one deep in Phidian lore.

2.
How is it, Shadows! that I knew ye not?
  How came ye muffled in so hush a masque?
Was it a silent deep-disguised plot
  To steal away, and leave without a task
My idle days? Ripe was the drowsy hour;
  The blissful cloud of summer-indolence
     Benumb'd my eyes; my pulse grew less and less;
Pain had no sting, and pleasure's wreath no flower:
  O, why did ye not melt, and leave my sense
     Unhaunted quite of all but-nothingness?

3.
A third time came they by;-alas! wherefore?
  My sleep had been embroider'd with dim dreams;
My soul had been a lawn besprinkled o'er
  With flowers, and stirring shades, and baffled beams:
The morn was clouded, but no shower fell,
  Tho' in her lids hung the sweet tears of May;
     The open casement press'd a new-leav'd vine,
Let in the budding warmth and throstle's lay;
  O Shadows! 'twas a time to bid farewell!
     Upon your skirts had fallen no tears of mine.

4.
A third time pass'd they by, and, passing, turn'd
  Each one the face a moment whiles to me;
Then faded, and to follow them I burn'd
  And ached for wings, because I knew the three;
The first was a fair maid, and Love her name;
  The second was Ambition, pale of cheek,
     And ever watchful with fatigued eye;
The last, whom I love more, the more of blame
  Is heap'd upon her, maiden most unmeek,-
     I knew to be my demon Poesy.

5.
They faded, and, forsooth! I wanted wings:
  O folly! What is Love! and where is it?
And for that poor Ambition-it springs
  From a man's little heart's short fever-fit;
For Poesy!-no,-she has not a joy,-
  At least for me,-so sweet as drowsy noons,
     And evenings steep'd in honied indolence;
O, for an age so shelter'd from annoy,
  That I may never know how change the moons,
     Or hear the voice of busy common-sense!

6.
So, ye three Ghosts, adieu! Ye cannot raise
  My head cool-bedded in the flowery grass;
For I would not be dieted with praise,
  A pet-lamb in a sentimental farce!
Fade sofdy from my eyes, and be once more
  In masque-like figures on the dreamy urn;
     Farewell! I yet have visions for the night,
And for the day faint visions there is store;
  Vanish, ye Phantoms! from my idle spright,
     Into the clouds, and never more return!
'First given by Lord Houghton among the Literary Remains in 1848, with the date 1819. Among the many debts of these notes to the late Dante Gabriel Rossetti, I must not fail to record the indication of the following passage from Keats's letter begun on the 14th of February 1819 as anticipating the Ode on Indolence:--

"This morning I am in a sort of temper, indolent and supremely careless; I long after a stanza or two of Thomson's 'Castle of Indolence;' my passions are all asleep, from my having slumbered till nearly eleven, and weakened the animal fibre all over me, to a delightful sensation, about three degrees on this side of faintness. If I had teeth or pearl, and the breath of lilies, I should call it languor; but, as I am, I must call it laziness. In this state of effeminacy, the fibres of the brain are relaxed, in common with the rest of the body, and to such a happy degree, that pleasure has no show of enticement, and pain no unbearable frown; neither Poetry, nor Ambition, nor Love, have any alterness of countenance; as they pass by me, they seem rather like three figures on a Greek vase, two men and a woman, whom no one but myself could distinguish in their disguisement. This is the only happiness, and is a rare instance of advantage in the body overpowering the mind."

The date under which this passage occurs in the journal letter is the 19th of March. It seems almost certain therefore that the Ode must have been composed after the fragment of The Eve Of St. Mark, -- not before it as usually given.

(stanza 6.): It is no doubt owing to the want of opportunity to revise the poem finally that this beautiful stanza comes down to us disfigured by the bad rhyme 'grass' and 'farce.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode On Indolence
,
197:Ode On St. Cecilia's Day
I.
Descend ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly-pleasing strain
Let the warbling lute complain:
Let the loud trumpet sound,
'Till the roofs all around
The shrill echo's rebound:
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers, soft and clear,
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
'Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.
II.
By Music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouzes from his bed,
Sloth unfolds her arms and wakes,
List'ning Envy drops her snakes;
Intestine war no more our Passions wage,
And giddy Factions hear away their rage.
130
III.
But when our Country's cause provokes to Arms,
How martial music ev'ry bosom warms!
So when the first bold vessel dar'd the seas,
High on the stern the Thracian rais'd his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demi-gods stood round,
And men grew heroes at the sound,
Enflam'd with glory's charms:
Each chief his sev'nfold shield display'd,
And half unsheath'd the shining blade:
And seas, and rocks, and skies rebound
To arms, to arms, to arms!
IV.
But when thro' all th'infernal bounds
Which flaming Phlegeton surrounds,
Love, strong as Death, the Poet led
To the pale nations of the dead,
What sounds were heard,
What scenes appear'd,
O'er all the dreary coasts!
Dreadful gleams,
Dismal screams,
Fires that glow,
Shrieks of woe,
Sullen moans,
Hollow groans,
And cries of tortur'd ghosts!
But hark! he strikes the golden lyre;
And see! the tortur'd ghosts respire,
See, shady forms advance!
Thy stone, O Sysiphus, stands still,
Ixion rests upon his wheel,
And the pale spectres dance!
The Furies sink upon their iron beds,
And snakes uncurl'd hang list'ning round their heads.
V.
By the streams that ever flow,
By the fragrant winds that blow
131
O'er th' Elysian flow'rs,
By those happy souls who dwell
In yellow meads of Asphodel,
Or Amaranthine bow'rs,
By the hero's armed shades,
Glitt'ring thro' the gloomy glades,
By the youths that dy'd for love,
Wand'ring in the myrtle grove,
Restore, restore Eurydice to life;
Oh take the husband, or return the wife!
He sung, and hell consented
To hear the Poet's pray'r;
Stern Proserpine relented,
And gave him back the fair.
Thus song could prevail
O'er death and o'er hell,
A conquest how hard and how glorious?
Tho' fate had fast bound her
With Styx nine times round her,
Yet music and love were victorious.
VI.
But soon, too soon, the lover turns his eyes:
Again she falls, again she dies, she dies!
How wilt thou now the fatal sisters move?
No crime was thine, if 'tis no crime to love.
Now under hanging mountains,
Beside the falls of fountains,
Or where Hebrus wanders,
Rolling in Maeanders,
All alone,
Unheard, unknown,
He makes his moan;
And calls her ghost,
For ever, ever, ever lost!
Now with Furies surrounded,
Despairing, confounded,
He trembles, he glows,
Amidst Rhodope's snows:
See, wild as the winds, o'er the desart he flies;
Hark! Haemus resounds with the Bacchanals cries - Ah see, he dies!
132
Yet ev'n in death Eurydice he sung,
Eurydice still trembled on his tongue,
Eurydice the woods,
Eurydice the floods,
Eurydice the rocks, and hollow mountains rung.
VII.
Music the fiercest grief can charm,
And fate's severest rage disarm:
Music can soften pain to ease,
And make despair and madness please:
Our joys below it can improve,
And antedate the bliss above.
This the divine Cecilia found,
And to her Maker's praise confin'd the sound.
When the full organ joins the tuneful quire,
Th'immortal pow'rs incline their ear;
Borne on the swelling notes our souls aspire,
While solemn airs improve the sacred fire;
And Angels lean from heav'n to hear.
Of Orpheus now no more let Poets tell,
To bright Cecilia greater pow'r is giv'n;
His numbers rais'd a shade from hell,
Hers lift the soul to heav'n.
~ Alexander Pope,
198:Invocation To The Muses
Read by the poet at The Public Ceremonial of The Naional Institute
of Arts and Letters at Carnegie Hall, New York, January 18th, 1941.
Great Muse, that from this hall absent for long
Hast never been,
Great Muse of Song,
Colossal Muse of mighty Melody,
Vocal Calliope,
With thine august and contrapuntal brow
And thy vast throat builded for Harmony,
For the strict monumental pure design,
And the melodic line:
Be thou tonight with all beneath these rafters—be with me.
If I address thee in archaic style—
Words obsolete, words obsolescent,
It is that for a little while
The heart must, oh indeed must from this angry and out-rageous present
Itself withdraw
Into some past in which most crooked Evil,
Although quite certainly conceived and born, was not as yet the Law.
Archaic, or obsolescent at the least,
Be thy grave speaking and the careful words of thy clear song,
For the time wrongs us, and the words most common to our speech today
Salute and welcome to the feast
Conspicuous Evil— or against him all day long
Cry out, telling of ugly deeds and most uncommon wrong.
Be thou tonight with all beneath these rafters—be with me
But oh, be more with those who are not free.
Who, herded into prison camps all shame must suffer and all outrage see.
Where music is not played nor sung,
Though the great voice be there, no sound from the dry throat across the
thickened tongue
Comes forth; nor has he heart for it.
Beauty in all things—no, we cannot hope for that; but some place set
apart for it.
Here it may dwell;
And with your aid, Melpomene
68
And all thy sister-muses (for ye are, I think, daughters of Memory)
Within the tortured mind as well.
Reaped are those fields with dragon's-teeth so lately sown;
Many the heaped men dying there - so close, hip touches thigh; yet each man
dies alone.
Music, what overtone
For the soft ultimate sigh or the unheeded groan
Hast thou—to make death decent, where men slip
Down blood to death, no service of grieved heart or ritual lip
Transferring what was recently a man and still is warm—
Transferring his obedient limbs into the shallow grave where not again a friend
shall greet him,
Nor hatred do him harm . . .
Nor true love run to meet him?
In the last hours of him who lies untended
On a cold field at night, and sees the hard bright stars
Above his upturned face, and says aloud "How strange . . . my life is
ended."—
If in the past he loved great music much, and knew it well,
Let not his lapsing mind be teased by well-beloved but ill- remembered bars

Let the full symphony across the blood-soaked field
By him be heard, most pure in every part,
The lonely horror of whose painful death is thus repealed,
Who dies with quiet tears upon his upturned face, making to glow with softness
the hard stars.
And bring to those who knew great poetry well
Page after page that they have loved but have not learned by heart!
We who in comfort to well-lighted shelves
Can turn for all the poets ever wrote,
Beseech you: Bear to those
Who love high art no less than we ourselves,
Those who lie wounded, those who in prison cast
Strive to recall, to ease them, some great ode, and every stanza save the last.
Recall—oh, in the dark, restore them
The unremembered lines; make bright the page before them!
Page after page present to these,
In prison concentrated, watched by barbs of bayonet and wire,
69
Give ye to them their hearts' intense desire—
The words of Shelley, Virgil, Sophocles.
And thou, O lovely and not sad,
Euterpe, be thou in this hall tonight!
Bid us remember all we ever had
Of sweet and gay delight—
We who are free,
But cannot quite be glad,
Thinking of huge, abrupt disaster brought
Upon so many of our kind
Who treasure as do we the vivid look on the unfrightened face,
The careless happy stride from place to place,
And the unbounded regions of untrammelled thought
Open as interstellar space
To the exploring and excited mind.
O Muses, O immortal Nine!—
Or do ye languish? Can ye die?
Must all go under?—
How shall we heal without your help a world
By these wild horses torn asunder?
How shall we build anew? How start again?
How cure, how even moderate this pain
Without you, and you strong?
And if ye sleep, then waken!
And if ye sicken and do plan to die,
Do not that now!
Hear us, in what sharp need we cry!
For we have help nowhere
If not in you!
Pity can much, and so a mighty mind, but cannot all things do!—
By you forsaken,
We shall be scattered, we shall be overtaken!
Oh, come! Renew in us the ancient wonder,
The grace of life, its courage, and its joy!
Weave us those garlands nothing can destroy!
Come! with your radiant eyes! with your throats of thunder!
~ Edna St. Vincent Millay,
199:Ode On The Istallation Of The Duke Of Devonshire
Hence a while, severer Muses;
Spare your slaves till drear October.
Hence; for Alma Mater chooses
Not to be for ever sober:
But, like stately matron gray,
Calling child and grandchild round her,
Will for them at least be gay;
Share for once their holiday;
And, knowing she will sleep the sounder,
Cheerier-hearted on the morrow
Rise to grapple care and sorrow,
Grandly leads the dance adown, and joins the children's play.
So go, for in your places
Already, as you see,
(Her tears for some deep sorrow scarcely dried),
Venus holds court among her sinless graces,
With many a nymph from many a park and lea.
She, pensive, waits the merrier faces
Of those your wittier sisters three,
O'er jest and dance and song who still preside,
To cheer her in this merry-mournful tide;
And bids us, as she smiles or sighs,
Tune our fancies by her eyes.
Then let the young be glad,
Fair girl and gallant lad,
And sun themselves to-day
By lawn and garden gay;
'Tis play befits the noon
Of rosy-girdled June:
Who dare frown if heaven shall smile?
Blest, who can forget a while;
The world before them, and above
The light of universal love.
Go, then, let the young be gay;
From their heart as from their dress
Let darkness and let mourning pass away,
While we the staid and worn look on and bless.
62
Health to courage firm and high!
Health to Granta's chivalry!
Wisely finding, day by day,
Play in toil, and toil in play.
Granta greets them, gliding down
On by park and spire and town;
Humming mills and golden meadows,
Barred with elm and poplar shadows;
Giant groves, and learned halls;
Holy fanes and pictured walls.
Yet she bides not here; around
Lies the Muses' sacred ground.
Most she lingers, where below
Gliding wherries come and go;
Stalwart footsteps shake the shores;
Rolls the pulse of stalwart oars;
Rings aloft the exultant cry
For the bloodless victory.
There she greets the sports, which breed
Valiant lads for England's need;
Wisely finding, day by day,
Play in toil, and toil in play.
Health to courage, firm and high!
Health to Granta's chivalry!
Yet stay a while, severer Muses, stay,
For you, too, have your rightful parts to-day.
Known long to you, and known through you to fame,
Are Chatsworth's halls, and Cavendish's name.
You too, then, Alma Mater calls to greet
A worthy patron for your ancient seat;
And bid her sons from him example take,
Of learning purely sought for learning's sake,
Of worth unboastful, power in duty spent;
And see, fulfilled in him, her high intent.
Come, Euterpe, wake thy choir;
Fit thy notes to our desire.
Long may he sit the chiefest here,
Meet us and greet us, year by year;
Long inherit, sire and son,
All that their race has wrought and won,
63
Since that great Cavendish came again,
Round the world and over the main,
Breasting the Thames with his mariners bold,
Past good Queen Bess's palace of old;
With jewel and ingot packed in his hold,
And sails of damask and cloth of gold;
While never a sailor-boy on board
But was decked as brave as a Spanish lord,
With the spoils he had won
In the Isles of the Sun,
And the shores of Fairy-land,
And yet held for the crown of the goodly show,
That queenly smile from the Palace window,
And that wave of a queenly hand.
Yes, let the young be gay,
And sun themselves to-day;And from their hearts, as from their dress,
Let mourning pass away.
But not from us, who watch our years fast fleeing,
And snatching as they flee, fresh fragments of our being.
Can we forget one friend,
Can we forget one face,
Which cheered us toward our end,
Which nerved us for our race?
Oh sad to toil, and yet forego
One presence which has made us know
To Godlike souls how deep our debt!
We would not, if we could, forget.
Severer Muses, linger yet;
Speak out for us one pure and rich regret.
Thou, Clio, who, with awful pen,
Gravest great names upon the hearts of men,
Speak of a fate beyond our ken;
A gem late found and lost too soon; {306}
A sun gone down at highest noon;
A tree from Odin's ancient root,
Which bore for men the ancient fruit,
Counsel, and faith and scorn of wrong,
And cunning lore, and soothing song,
Snapt in mid-growth, and leaving unaware
The flock unsheltered and the pasture bare
64
Nay, let us take what God shall send,
Trusting bounty without end.
God ever lives; and Nature,
Beneath His high dictature,
Hale and teeming, can replace
Strength by strength, and grace by grace,
Hope by hope, and friend by friend:
Trust; and take what God shall send.
So shall Alma Mater see
Daughters fair and wise
Train new lands of liberty
Under stranger skies;
Spreading round the teeming earth
English science, manhood, worth.
1862.
~ Charles Kingsley,
200:A Pindaric Ode
THE TURN
Brave infant of Saguntum, clear
Thy coming forth in that great year,
When the prodigious Hannibal did crown
His rage with razing your immortal town.
Thou looking then about,
Ere thou wert half got out,
Wise child, didst hastily return,
And mad'st thy mother's womb thine urn.
How summ'd a circle didst thou leave mankind
Of deepest lore, could we the centre find!
THE COUNTER-TURN
Did wiser nature draw thee back,
From out the horror of that sack;
Where shame, faith, honour, and regard of right,
Lay trampled on? The deeds of death and night
Urg'd, hurried forth, and hurl'd
Upon th' affrighted world;
Sword, fire and famine with fell fury met,
And all on utmost ruin set:
As, could they but life's miseries foresee,
No doubt all infants would return like thee.
THE STAND
For what is life, if measur'd by the space,
Not by the act?
Or masked man, if valu'd by his face,
Above his fact?
Here's one outliv'd his peers
And told forth fourscore years:
He vexed time, and busied the whole state;
Troubled both foes and friends;
But ever to no ends:
What did this stirrer but die late?
How well at twenty had he fall'n or stood!
For three of his four score he did no good.
21
THE TURN
He enter'd well, by virtuous parts
Got up, and thriv'd with honest arts;
He purchas'd friends, and fame, and honours then,
And had his noble name advanc'd with men;
But weary of that flight,
He stoop'd in all men's sight
To sordid flatteries, acts of strife,
And sunk in that dead sea of life,
So deep, as he did then death's waters sup,
But that the cork of title buoy'd him up.
THE COUNTER-TURN
Alas, but Morison fell young!
He never fell,-thou fall'st, my tongue.
He stood, a soldier to the last right end,
A perfect patriot and a noble friend;
But most, a virtuous son.
All offices were done
By him, so ample, full, and round,
In weight, in measure, number, sound,
As, though his age imperfect might appear,
His life was of humanity the sphere.
THE STAND
Go now, and tell out days summ'd up with fears,
And make them years;
Produce thy mass of miseries on the stage,
To swell thine age;
Repeat of things a throng,
To show thou hast been long,
Not liv'd; for life doth her great actions spell,
By what was done and wrought
In season, and so brought
To light: her measures are, how well
Each syllabe answer'd, and was form'd, how fair;
These make the lines of life, and that's her air.
22
THE TURN
It is not growing like a tree
In bulk, doth make men better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sear:
A lily of a day
Is fairer far, in May,
Although it fall and die that night,
It was the plant and flower of light.
In small proportions we just beauties see;
And in short measures life may perfect be.
THE COUNTER-TURN
Call, noble Lucius, then, for wine,
And let thy looks with gladness shine;
Accept this garland, plant it on thy head,
And think, nay know, thy Morison's not dead.
He leap'd the present age,
Possest with holy rage,
To see that bright eternal day;
Of which we priests and poets say
Such truths as we expect for happy men;
And there he lives with memory, and Ben
THE STAND
Jonson, who sung this of him, ere he went
Himself, to rest,
Or taste a part of that full joy he meant
To have exprest,
In this bright asterism,
Where it were friendship's schism,
Were not his Lucius long with us to tarry,
To separate these twi{-}
Lights, the Dioscuri,
And keep the one half from his Harry.
But fate doth so alternate the design,
Whilst that in heav'n, this light on earth must shine.
THE TURN
23
And shine as you exalted are;
Two names of friendship, but one star:
Of hearts the union, and those not by chance
Made, or indenture, or leas'd out t' advance
The profits for a time.
No pleasures vain did chime,
Of rhymes, or riots, at your feasts,
Orgies of drink, or feign'd protests;
But simple love of greatness and of good,
That knits brave minds and manners more than blood.
THE COUNTER-TURN
This made you first to know the why
You lik'd, then after, to apply
That liking; and approach so one the t'other
Till either grew a portion of the other;
Each styled by his end,
The copy of his friend.
You liv'd to be the great surnames
And titles by which all made claims
Unto the virtue: nothing perfect done,
But as a Cary or a Morison.
THE STAND
And such a force the fair example had,
As they that saw
The good and durst not practise it, were glad
That such a law
Was left yet to mankind;
Where they might read and find
Friendship, indeed, was written not in words:
And with the heart, not pen,
Of two so early men,
Whose lines her rolls were, and records;
Who, ere the first down bloomed on the chin,
Had sow'd these fruits, and got the harvest in.
24
~ Ben Jonson,
201:What One Says To The Poet On The Subject Of
Flowers
Thus, ever, towards the azure night
Where there quivers a topaz sea,
Will function in your evening light
The Lilies, those clysters of ecstasy!
In our own age of sago, as they must,
Since all the Plants are workers first,
The Lilies will drink a blue disgust,
From your religious Prose, not verse!
– The Lily of Monsieur de Kerdrel
The sonnet of eighteen thirty, the plant,
That Lily, they bestow on ‘The Minstrel’
With the carnation and the amaranth!
Lilies! Lilies! You see never a one!
Yet in your Verses, like the Sinners’
Sleeves, those of soft-footed women,
Always those white flowers shiver!
Always, Dear, when you take a bathe,
Your Shirt with yellow armpits rots
Swells to the breeze of rising day,
Above the soiled forget-me-nots!
Love, only, through your nets
Smuggles Lilies – O unequal!
And the Woodland Violets,
The dark Nymphs’ sugary spittle!...
II
O Poets, if you could but own
To the red on the laurel’s firm stem
231
To the Roses, the Roses, blown,
With a thousand octaves swollen!
If BANVILLE could make them snow,
Blood-stained, whirling in gyrations,
Blacking the eye of that stranger so,
Who sees wicked interpretations!
In your forests, by your paths,
O so placid photographers!
Like the stoppers on carafes,
The Flora’s more or less diverse!
Always the vegetables, French,
Absurd, consumptive, up for a fight,
Bellies of basset hounds they drench,
Peacefully passed in evening light;
Always, after fearful drawings
Of blue Lotus or that Sunflower,
Pink prints, subjects befitting
Girls in communion’s sweet hour!
The Asoka Ode agrees with the
Loretto window stanza; showers
Of bright butterflies, heavy, flutter,
Dunging on the daisy flowers.
Old verdures, old braided ribbons!
O vegetable biscuit bakes!
Fantastic flowers of old Salons!
– For cockchafers, not rattlesnakes,
Those vegetable dolls in tears
Grandville would have mislaid
In the margin, sucking colours
From spiteful stars with eye-shades!
Yes, the drooling of your flutes
Produces precious sugar!
– Heaps of fried eggs in old boots,
Lily, Lilac, Rose, Asoka!...
232
III
O white Hunter, running through,
Stocking-less, the Panic field,
Shouldn’t you, couldn’t you
Acquire a little botany?
You’d have succeed, I’m afraid,
To russet Crickets, Spanish Fly,
Rio golds to Rhine blue, Norway
To Florida, in the blink of an eye:
But, Dear, art cannot, for us,
– It’s true – permit, it’s wrong,
To the astounding Eucalyptus,
Boa-Constrictors, hexameter-long;
There…! As if Mahogany
Served, even in our Guiana,
Only the Capuchin monkey
To ride the mad weight of liana!
– In short, a single Flower: is it,
Lily or Rosemary, live or dead,
Worth a spot of sea-gull’s shit,
Worth a candle drip, I said?
– And I mean what I say, mind!
Even you, squatting there, in one
Of those bamboo-huts – blind
Shut, behind brown Persian curtain –
You’d scrawl about things floral
Worthy of some wild Oise department!...
– Poet, yet that’s a rationale
No less laughable than it’s arrogant!
IV
233
Speak, not of pampas in the spring,
Black with terrible rebellions,
But of tobacco, cotton growing!
Speak of exotic harvest seasons!
Speak, white brow that Phoebus tanned,
Of how many dollars Pedro
Velasquez of Havana earned;
En-shit the Bay of Sorrento
Where in thousands rest the Swans;
Let your stanzas undertake
The draining of the mangrove swamps,
Filled with hydras, water-snakes!
Your quatrains plunge in blood-wet groves
Return, bringing Humanity
Diverse offerings, sugars, cloves,
Lozenges and rubber-trees!
Let us know if the yellowness
Of snowy Peaks, near the Tropic,
Is prolific insect’s nests
Or lichens microscopic!
Seek, O Hunter, our wish what’s more,
Diverse fragrant madders,
That, for our Army, Nature
Might cause to bloom in trousers!
Seek, beside the slumbering Glades,
Flowers that look like muzzles, oh,
Out of which drip gold pomades,
On the dark hide of the buffalo!
Seek wild fields, where in the Blue
Trembles the silver of pubescence,
Calyxes of fiery eggs that brew
Steeped in burning oily essence!
Seek the Thistle’s cotton-bin,
Whose downy wool ten asses
234
With ember eyes toil to spin!
Seek flowers which are chassis!
Yes, seek at the heart of black seams
Nigh-on stone-like flowers – marvels! –
That near their hard pale ovaries
Bear soft gemmiferous tonsils!
Serve us, O Crammer, as you can,
On a fine vermilion platter
Stews of syrupy Lilies, plan
To corrode our German silver!
Many will sing of Love sublime,
The thief of sombre Indulgence:
Not Renan, nor Murr the cat, I’m
Sure, know Thyrsi, blue, immense!
You’ll quicken, in our torpors,
Hysterias, through your fragrances;
Exalt us towards candours
Purer than Marys’ whitenesses…
Colonist! Trader! Medium!
Your Rhyme, pink, white, will be
A welling ray of sodium,
A well-tapped dripping rubber-tree!
From your dark Poems – Juggler!
Let dioptric white, green, red,
Burst out like strange flowers,
Electric butterflies instead!
See! It’s the Century of hell!
Telegraph poles will honour
– A lyre, where steel songs swell,
Your magnificent shoulder!
Rhyme us above all a version
235
On the ills of potato blight!
– And to aid the composition
Of Poems of mysterious light
To be read from Tréguier
To Paramaribo, don’t forget
To buy Tomes by Monsieur Figuier,
– Illustrated – from Monsieur Hachette!
~ Arthur Rimbaud,
202:Dear Reynolds, as last night I lay in bed,
There came before my eyes that wonted thread
Of shapes, and shadows, and remembrances,
That every other minute vex and please:
Things all disjointed come from north and south,--
Two witch's eyes above a cherub's mouth,
Voltaire with casque and shield and habergeon,
And Alexander with his nightcap on;
Old Socrates a-tying his cravat,
And Hazlitt playing with Miss Edgeworth's cat;
And Junius Brutus, pretty well so-so,
Making the best of's way towards Soho.

Few are there who escape these visitings--
Perhaps one or two whose lives have patent wings,
And through whose curtains peeps no hellish nose,
No wild-boar tushes, and no mermaid's toes;
But flowers bursting out with lusty pride,
And young AEolian harps personified;
Some Titian colours touch'd into real life,--
The sacrifice goes on; the pontiff knife
Gleams in the sun, the milk-white heifer lows,
The pipes go shrilly, the libation flows:
A white sail shows above the green-head cliff,
Moves round the point, and throws her anchor stiff;
The mariners join hymn with those on land.

You know the Enchanted Castle -- it doth stand
Upon a rock on the border of a lake,
Nested in trees, which all do seem to shake
From some old magic like Urganda's sword.
O Phoebus! that I had thy sacred word
To show this Castle in fair dreaming wise
Unto my friend, while sick and ill he lies!

You know it well enough, where it doth seem
A mossy place, a Merlin's Hall, a dream;
You know the clear lake, and the little isles,
The mountains blue, and cold near neighbour rills--
All which elsewhere are but half animate,
Here do they look alive to love and hate,
To smiles and frowns; they seem a lifted mound
Above some giant, pulsing underground.

Part of the building was a chosen See
Built by a banish'd Santon of Chaldee;
The other part, two thousand years from him,
Was built by Cuthbert de Saint Aldebrim;
Then there's a little wing, far from the sun,
Built by a Lapland witch turn'd maudlin nun;
And many other juts of aged stone
Founded with many a mason-devil's groan.

The doors all look as if they op'd themselves,
The windows as if latch'd by fays and elves,
And from them comes a silver flash of light
As from the westward of a summer's night;
Or like a beauteous woman's large blue eyes
Gone mad through olden songs and poesies.

See what is coming from the distance dim!
A golden galley all in silken trim!
Three rows of oars are lightening, moment whiles,
Into the verdurous bosoms of those isles;
Towards the shade under the Castle wall
It comes in silence -- now 'tis hidden all.
The clarion sounds, and from a postern-gate
An echo of sweet music doth create
A fear in the poor herdsman who doth bring
His beasts to trouble the enchanted spring,--
He tells of the sweet music and the spot
To all his friends, and they believe him not.

O that our dreamings all, of sleep or wake,
Would all their colours from the sunset take:
From something of material sublime,
Rather than shadow our own soul's day-time
In the dark void of night. For in the world
We jostle- but my flag is not unfurl'd
On the Admiral-staff -- and to philosophize
I dare not yet! Oh, never will the prize,
High reason, and the lore of good and ill,
Be my award! Things cannot to the will
Be settled, but they tease us out of thought;
Or is it that Imagination brought
Beyond its proper bound, yet still confin'd,
Lost in a sort of Purgatory blind,
Cannot refer to any standard law
Of either earth or heaven? It is a flaw
In happiness to see beyond our bourn,--
It forces us in summer skies to mourn,
It spoils the singing of the Nightingale.

Dear Reynolds! I have a mysterious tale
And cannot speak it. The first page I read
Upon a lampit rock of green sea-weed
Among the breakers; 'twas a quiet eve,
The rocks were silent, the wide sea did weave
An untumultuous fringe of silver foam
Along the flat brown sand; I was at home
And should have been most happy,-- but I saw
Too far into the sea, where every maw
The greater on the less feeds evermore.--
But I saw too distinct into the core
Of an eternal fierce destruction,
And so from happiness I far was gone.
Still am I sick of it, and though to-day
I've gather'd young spring-leaves, and flowers gay
Of periwinkle and wild strawberry,
Still do I that most fierce destruction see,--
The Shark at savage prey, the Hawk at pounce,--
The gentle Robin, like a Pard or Ounce,
Ravening a worm -- Away, ye horrid moods!
Moods of one's mind! You know I hate them well.
You know I'd sooner be a clapping Bell
To some Kamschatcan Missionary Church,
Than with these horrid moods be left i' the lurch.
Do you get health -- and Tom the same -- I'll dance,
And from detested moods in new Romance
Take refuge. Of bad lines a Centaine dose
Is sure enough -- and so "here follows prose."
'This epistle with a few lines of introduction in prose was written at Teignmouth, and is dated the 25 of March 1818 in the Life, Letters &c. where it first appeared. Keats says to his friend --
"In hopes of cheering you through a minute or two, I was determined, will he nill he, to send you some lines, so you will excuse the unconnected subject and careless verse. You know, I am sure, Claude's 'Enchanted Castle,' and I wish you may be pleased with my remembrance of it."
Some thirty years ago this picture emerged from Lord Overstone's collection at Wickham Park, Bromley, and was exhibited at the British Institution. It was a favourite in Keats's circle. Hunt, in Imagination and Fancy, says of the "perilous seas in faery lands forlorn" passage in the Ode to a Nightingale, "This beats Claude's Enchanted Castle, and the story of King Beder in the Arabian Nights."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Epistle To John Hamilton Reynolds
,
203:My heart aches, and a drowsy numbness pains
  My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
  One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
  But being too happy in thy happiness,-
     That thou, light-winged Dryad of the trees,
       In some melodious plot
  Of beechen green, and shadows numberless,
     Singest of summer in full-throated ease.

O for a draught of vintage, that hath been
  Cooled a long age in the deep-delved earth,
Tasting of Flora and the country green,
  Dance, and Provencal song, and sun-burnt mirth!
O for a beaker full of the warm South,
  Full of the true, the blushful Hippocrene,
     With beaded bubbles winking at the brim,
       And purple-stained mouth;
  That I might drink, and leave the world unseen,
     And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
  What thou among the leaves hast never known,
The weariness, the fever, and the fret
  Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
  Where youth grows pale, and spectre-thin, and dies;
     Where but to think is to be full of sorrow
       And leaden-eyed despairs;
  Where beauty cannot keep her lustrous eyes,
     Or new love pine at them beyond tomorrow.

Away! away! for I will fly to thee,
  Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
  Though the dull brain perplexes and retards:
Already with thee! tender is the night,
  And haply the Queen-Moon is on her throne,
     Clustered around by all her starry fays;
       But here there is no light,
  Save what from heaven is with the breezes blown
     Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
  Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
  Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
  White hawthorn, and the pastoral eglantine;
     Fast-fading violets covered up in leaves;
       And mid-May's eldest child,
  The coming musk-rose, full of dewy wine,
     The murmurous haunt of flies on summer eves.

Darkling I listen; and for many a time
  I have been half in love with easeful Death,
Called him soft names in many a mused rhyme,
  To take into the air my quiet breath;
Now more than ever seems it rich to die,
  To cease upon the midnight with no pain,
     While thou art pouring forth thy soul abroad
       In such an ecstasy!
  Still wouldst thou sing, and I have ears in vain-
     To thy high requiem become a sod

Thou wast not born for death, immortal Bird!
  No hungry generations tread thee down;
The voice I hear this passing night was heard
  In ancient days by emperor and clown:
Perhaps the self-same song that found a path
  Through the sad heart of Ruth, when, sick for home,
     She stood in tears amid the alien corn;
       The same that oft-times hath
  Charmed magic casements, opening on the foam
     Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
  To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
  As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
  Past the near meadows, over the still stream,
     Up the hill-side; and now 'tis buried deep
       In the next valley-glades:
  Was it a vision, or a waking dream?
     Fled is that music:-do I wake or sleep?
Haydon, in one of his letters to Miss Mitford (Corresp. &c., Vol. 2, pg. 72) says of Keats-- "The death of his brother wounded him deeply, and it appeared to me from that hour he began to droop. He wrote his exquisite 'Ode to the Nightingale' at this time, and as we were one evening walking in the Kilburn meadows he repeated it to me, before he put it to paper, in a low, tremulous undertone which affected me extremely."
Lord Houghton says the Ode was suggested by the continued song of a nightingale which, in the spring of 1819, had built its nest close to Wentworth Place. "Keats," says his Lordship (Aldine ed., 1876, pg. 237), "took great pleasure in her song, and one morning took his chair from the breakfast-table to the grass plot under a plum tree, where he remained between two and three hours. He then reached the house with some scraps of paper in his hand, which he soon put together in the form of his Ode."

(stanza 2): Of Keats's partiality for claret enough and too much has been made; but with his delightful list of desiderata given to his sister in a letter, now before me, it is impossible to resist citing as a prose parallel to these two splendid lines of poetry the words, "and, please heaven, a little claret wine cool out of a cellar a mile deep -- with a few or a good many ratafia cakes."

(stanza 3): The sixth line very clearly bears out Haydon's words connecting the sadness of the poem with the death of Tom Keats, and should be compared with the passage about his sister in the letter to Brown written from Rome on the 30th November, 1820,-- "my sister - who walks about my imagination like a ghost - she is so like Tom." In the same letter he says "it runs in my head we shall all die young."

(stanza 7): In the last line of this stanza the word "fairy" instead of "faery" stands in the manuscript and in the Annals; but the Lamia volume reads "faery", which enhances the poetic value of the line in the subtlest manner -- eliminating all possible connexion of fairy-land with Christmas trees, tinsel, and Santa Claus, and carrying out the imagination safely back to the middle ages.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To A Nightingale
,
204: Butler, fetch the ruby wine,
  Which with sudden greatness fills us;
  Pour for me who in my spirit
  Fail in courage and performance;
  Bring the philosophic stone,
  Karun's treasure, Noah's life;
  Haste, that by thy means I open
  All the doors of luck and life.
  Bring me, boy, the fire-water
  Zoroaster sought in dust.
  To Hafiz revelling 'tis allowed
  To pray to Matter and to Fire.
  Bring the wine of Jamschid's glass
  That shone, ere time was, in the Nant.

  Give it me, that through its virtue
  I, as Jamschid, see through worlds.
  Wisely said the Kaiser Jamschid,
  This world's not worth a barleycorn.
  Bring me, boy, the nectar cup,
  Since it leads to Paradise.
  Flute and lyre lordly speak,
  Lees of wine outvalue crowns.
  Hither bring the veiled beauty
  Who in ill-famed houses sits:
  Lead her forth: my honest name
  Freely barter I for wine.
  Bring me, boy, the fire-water,
  Drinks the lionthe woods burn.
  Give it me, that I storm heaven,
  Tear the net from the arch-wolf.
  Wine, wherewith the Houris teach
  Angels the ways of Paradise.
  On the glowing coals I'll set it,
  And therewith my brain perfume.
  Bring me wine, through whose effulgence
  Jam and Chosroes yielded light:
  Wine, that to the flute I sing
  Where is Jam, and where is Kauss.

  Bring the blessing of old times;
  Bless the old departed Shahs;
  Bring it me, the Shah of hearts.
  Bring me wine to wash me clean,
  Of the weather-stains of care,
  See the countenance of luck.
  While I dwell in spirit-gardens,
  Wherefore sit I shackled here?
  Lo, this mirror shows me all.
  Drunk, I speak of purity,
  Beggar, I of lordship speak.
  When Hafiz in his revel sings,
  Shouteth Sohra in her sphere.

  Fear the changes of a day:
  Bring wine which increases life,
  Since the world is all untrue,
  Let the trumpets thee remind
  How the crown of Kobad vanished.
  Be not certain of the world;
  'Twill not spare to shed thy blood.
  Desperate of the world's affair,
  Came I running to the wine-house.
  Give me wine which maketh glad,
  That I may my steed bestride,
  Through the course career with Rustem,
  Gallop to my heart's content.
  Give me, boy, the ruby cup
  Which unlocks the heart with wine,
  That I reason quite renounce,
  And plant banners on the worlds.
  Let us make our glasses kiss,
  Let us quench the sorrow-cinders:
  To-day let us drink together.
  Whoso has a banquet dressed,
  Is with glad mind satisfied,
  'Scaping from the snares of Dews.

  Alas for youth! 'tis gone in wind,
  Happy he who spent it well.
  Give me wine, that I o'erleap
  Both worlds at a single spring,
  Stole at dawn from glowing spheres
  Call of Houris to mine ear;
  "O happy bird! delicious soul!
  Spread thy pinion, break the cage;
  Sit on the roof of the seven domes,
  Where the spirit takes repose."
  In the time of Bisurdschimihr,
  Menutscheher's beauty shined,
  On the beaker of Nushirvan,
  Wrote they once in eider times,
  "Hear the Counsel, learn from us
  Sample of the course of things;
  Earth, it is a place of sorrow,
  Scanty joys are here below,
  Who has nothing, has no sorrow."

  Where is Jam, and where his cup?
  Solomon, and his mirror where?
  Which of the wise masters knows
  What time Kauss and Jam existed?
  When those heroes left this world,
  Left they nothing but their names.
  Bind thy heart not to the earth,
  When thou goest, come not back.
  Fools squander on the world their hearts.
  League with it, is feud with heaven;
  Never gives it what thou wishest.

  A cup of wine imparts the sight
  Of the five heaven-domes with nine steps:
  Whoso can himself renounce,
  Without support shall walk thereon.
  Who discreet is, is not wise.
  Give me, boy, the Kaiser cup,
  Which rejoices heart and soul;
  Under type of wine and cup
  Signify we purest love.
  Youth like lightning disappears,
  Life goes by us as the wind:
  Leave the dwelling with six doors,
  And the serpent with nine heads;
  Life and silver spend thou freely,
  If thou honorest the soul.
  Haste into the other life;
  All is nought save God alone.
  Give me, boy, this toy of dmons.
  When the cup of Jam was lost,
  Him availed the world no more.
  Fetch the wine-glass made of ice,
  Wake the torpid heart with wine.
  Every clod of loam below us
  Is a skull of Alexander;
  Oceans are the blood of princes;
  Desert sands the dust of beauties.
  More than one Darius was there
  Who the whole world overcame;
  But since these gave up the ghost,
  Thinkest thou they never were?
  Boy, go from me to the Shah,
  Say to him: Shah crowned as Jam,
  Win thou first the poor man's heart,
  Then the glass; so know the world.
  Empty sorrows from the earth
  Canst thou drive away with wine.
  Now in thy throne's recent beauty,
  In the flowing tide of power,
  Moon of fortune, mighty king,
  Whose tiara sheddeth lustre,
  Peace secure to fish and fowl,
  Heart and eye-sparkle to saints;
  Shoreless is the sea of praise,
  I content me with a prayer.
  From Nisami's poet-works,
  Highest ornament of speech,
  Here a verse will I recite,
  Verse as beautiful as pearls.
  "More kingdoms wait thy diadem,
  Than are known to thee by name;
  May the sovran destiny
  Grant a victory every morn!"
(Note in original:

[The Poems of Hafiz are held by the Persians to be mystical and allegorical. The following ode, notwithstanding its anacreontic style, is regarded by his German editor, Von Hammer, as one of those which earned for Hafiz among his countrymen the title of "Tongue of the Secret." ] by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, From the Persian of Hafiz I
,
205:Ode For The Keats Centenary
The Muse is stern unto her favoured sons,
Giving to some the keys of all the joy
Of the green earth, but holding even that joy
Back from their life;
Bidding them feed on hope,
A plant of bitter growth,
Deep-rooted in the past;
Truth, 'tis a doubtful art
To make Hope sweeten
Time as it flows;
For no man knows
Until the very last,
Whether it be a sovereign herb that he has eaten,
Or his own heart.
O stern, implacable Muse,
Giving to Keats so richly dowered,
Only the thought that he should be
Among the English poets after death;
Letting him fade with that expectancy,
All powerless to unfold the future!
What boots it that our age has snatched him free
From thy too harsh embrace,
Has given his fame the certainty
Of comradeship with Shakespeare's?
He lies alone
Beneath the frown of the old Roman stone
And the cold Roman violets;
And not our wildest incantation
Of his most sacred lines,
Nor all the praise that sets
Towards his pale grave,
Like oceans towards the moon,
Will move the Shadow with the pensive brow
To break his dream,
And give unto him now
One word! -When the young master reasoned
75
That our puissant England
Reared her great poets by neglect,
Trampling them down in the by-paths of Life
And fostering them with glory after death,
Did any flame of triumph from his own fame
Fall swift upon his mind; the glow
Cast back upon the bleak and aching air
Blown around his days -- ?
Happily so!
But he, whose soul was mighty as the soul
Of Milton, who held the vision of the world
As an irradiant orb self-filled with light,
Who schooled his heart with passionate control
To compass knowledge, to unravel the dense
Web of this tangled life, he would weigh slight
As thistledown blown from his most fairy fancy
That pale self-glory, against the mystery,
The wonder of the various world, the power
Of "seeing great things in loneliness."
Where bloodroot in the clearing dwells
Along the edge of snow;
Where, trembling all their trailing bells,
The sensitive twinflowers blow;
Where, searching through the ferny breaks,
The moose-fawns find the springs;
Where the loon laughs and diving takes
Her young beneath her wings;
Where flash the fields of arctic moss
With myriad golden light;
Where no dream-shadows ever cross
The lidless eyes of night;
Where, cleaving a mountain storm, the proud
Eagles, the clear sky won,
Mount the thin air between the loud
Slow thunder and the sun;
Where, to the high tarn tranced and still
No eye has ever seen,
Comes the first star its flame to chill
76
In the cool deeps of green; -Spirit of Keats, unfurl thy wings,
Far from the toil and press,
Teach us by these pure-hearted things,
Beauty in loneliness.
Where, in the realm of thought, dwell those
Who oft in pain and penury
Work in the void,
Searching the infinite dark between the stars,
The infinite little of the atom,
Gathering the tears and terrors of this life,
Distilling them to a medicine for the soul;
(And hated for their thought
Die for it calmly;
For not their fears,
Nor the cold scorn of men,
Fright them who hold to truth:)
They brood alone in the intense serene
Air of their passion,
Until on some chill dawn
Breaks the immortal form foreshadowed in their dream,
And the distracted world and men
Are no more what they were.
Spirit of Keats, unfurl thy deathless wings,
Far from the wayward toil, the vain excess,
Teach us by such soul-haunting things
Beauty in loneliness.
The minds of men grow numb, their vision narrows,
The clogs of Empire and the dust of ages,
The lust of power that fogs the fairest pages,
Of the romance that eager life would write,
These war on Beauty with their spears and arrows.
But still is Beauty and of constant power;
Even in the whirl of Time's most sordid hour,
Banished from the great highways,
Afflighted by the tramp of insolent feet,
She hangs her garlands in the by-ways;
Lissome and sweet
Bending her head to hearken and learn
Melody shadowed with melody,
77
Softer than shadow of sea-fern,
In the green-shadowed sea:
Then, nourished by quietude,
And if the world's mood
Change, she may return
Even lovelier than before. -The white reflection in the mountain lake
Falls from the white stream
Silent in the high distance;
The mirrored mountains guard
The profile of the goddess of the height,
Floating in water with a curve of crystal light;
When the air, envious of the loveliness,
Rushes downward to surprise,
Confusion plays in the contact,
The picture is overdrawn
With ardent ripples,
But when the breeze, warned of intrusion,
Draws breathless upward in flight,
The vision reassembles in tranquillity,
Reforming with a gesture of delight,
Reborn with the rebirth of calm.
Spirit of Keats, lend us thy voice,
Breaking like surge in some enchanted cave
On a dream-sea-coast,
To summon Beauty to her desolate world.
For Beauty has taken refuge from our life
That grew too loud and wounding;
Beauty withdraws beyond the bitter strife,
Beauty is gone, (Oh where?)
To dwell within a precinct of pure air
Where moments turn to months of solitude;
To live on roots of fern and tips of fern,
On tender berries flushed with the earth's blood.
Beauty shall stain her feet with moss
And dye her cheek with deep nut-juices,
Laving her hands in the pure sluices
Where rainbows are dissolved.
Beauty shall view herself in pools of amber sheen
Dappled with peacock-tints from the green screen
78
That mingles liquid light with liquid shadow.
Beauty shall breathe the fairy hush
With the chill orchids in their cells of shade,
And hear the invocation of the thrush
That calls the stars into their heaven,
And after even
Beauty shall take the night into her soul.
When the thrill voice goes crying through the wood,
(Oh, Beauty, Beauty!)
Troubling the solitude
With echoes from the lonely world,
Beauty will tremble like a cloistered thing
That hears temptation in the outlands singing,
Will steel her dedicated heart and breathe
Into her inner ear to firm her vow: -"Let me restore the soul that ye have marred.
O mortals, cry no more on Beauty,
Leave me alone, lone mortals,
Until my shaken soul comes to its own,
Lone mortals, leave me alone!"
(Oh Beauty, Beauty, Beauty!)
All the dim wood is silent as a dream
That dreams of silence.
~ Duncan Campbell Scott,
206:Ode To Remorse
Dread offspring of the holy light within,
Offspring of Conscience and of Sin,
Stern as thine awful sire, and fraught with woe
From bitter springs thy mother taught to flow,—
Remorse! To man alone 'tis given
Of all on earth, or all in heaven,
To wretched man thy bitter cup to drain,
Feel thy awakening stings, and taste thy wholesome pain.
Midst Eden's blissful bowers,
And amaranthine flowers,
Thy birth portentous dimmed the orient day,
What time our hapless sire,
O'ercome by fond desire,
The high command presumed to disobey;
Then didst thou rear thy snaky crest,
And raise thy scorpion lash to tear the guilty breast:
And never, since that fatal hour,
May man, of woman born, expect to' escape thy power.
Thy goading stings the branded Cain
Cross the' untrodden desert drove,
Ere from his cradling home and native plain
Domestic man had learnt to rove.
By gloomy shade or lonely flood
Of vast primeval solitude,
Thy step his hurried steps pursued,
Thy voice awoke his conscious fears,
For ever sounding in his ears
A father's curse, a brother's blood;
Till life was misery too great to bear,
And torturing thought was lost in sullen, dumb despair.
The king who sat on Judah's throne,
By guilty love to murder wrought,
Was taught thy searching power to own,
When, sent of Heaven, the seer his royal presence sought.
As, wrapt in artful phrase, with sorrow feigned,
He told of helpless, meek distress,
86
And wrongs that sought from power redress,
The pity-moving tale his ear obtained,
And bade his better feelings wake:
Then, sudden as the trodden snake
On the scared traveller darts his fangs,
The prophet's bold rebuke aroused thy keenest pangs.
And O that look, that soft upbraiding look!
A thousand cutting, tender things it spoke,—
The sword so lately drawn was not so keen,—
Which, as the injured Master turned him round,
In the strange solemn scene,
And the shrill clarion gave the' appointed sound,
Pierced sudden through the reins,
Awakening all thy pains,
And drew a silent shower of bitter tears
Down Peter's blushing cheek, late pale with coward fears.
Cruel Remorse! where Youth and Pleasure sport,
And thoughtless Folly keeps her court,—
Crouching midst rosy bowers thou lurk'st unseen;
Slumbering the festal hours away,
While Youth disports in that enchanting scene;
Till on some fated day
Thou with a tiger-spring dost leap upon thy prey,
And tear his helpless breast, o'erwhelmed with wild dismay.
Mark that poor wretch with clasped hands!
Pale o'er his parent's grave he stands,—
The grave by his ingratitude prepared;
Ah then, where'er he rests his head,
On roses pillowed or the softest down,
Though festal wreaths his temples crown,
He well might envy Guatimozin's bed,
With burning coals and sulphur spread,
And with less agony his torturing hour have shared.
For Thou art by to point the keen reproach;
Thou draw'st the curtains of his nightly couch,
Bring'st back the reverend face with tears bedewed,
87
That o'er his follies yearned;
The warnings oft in vain renewed,
The looks of anguish and of love,
His stubborn breast that failed to move,
When in the scorner's chair he sat, and wholesome counsel spurned.
Lives there a man whose labouring breast
Is with some dark and guilty secret prest,
Who hides within its inmost fold
Strange crimes to mortal ear untold?
In vain to sad Chartreuse he flies,
Midst savage rocks and cloisters dim and drear,
And there to shun thee tries:
In vain untold his crime to mortal ear,
Silence and whispered sounds but make thy voice more clear.
Lo, where the cowled monk with frantic rage
Lifts high the sounding scourge, his bleeding shoulders smites!
Penance and fasts his anxious thoughts engage,
Weary his days and joyless are his nights,
His naked feet the flinty pavement tears,
His knee at every shrine the marble wears;—
Why does he lift the cruel scourge?
The restless pilgrimage why urge?
'Tis all to quell thy fiercer rage,
'Tis all to soothe thy deep despair,
He courts the body's pangs, for thine he cannot bear.
See o'er the bleeding corse of her he loved,
The jealous murderer bends unmoved,
Trembling with rage, his livid lips express
His frantic passion's wild and rash excess.
O God, she's innocent!—transfixt he stands,
Pierced thro' with shafts from thine avenging hands;
Down his pale cheek no tear will flow,
Nor can he shun, nor can he bear, his woe.
'Twas phantoms summoned by thy power
Round Richard's couch at midnight hour,
That scared the tyrant from unblest repose;
With frantic haste, “To horse! to horse!” he cries,
88
While on his crowned brow cold sweat-drops rise,
And fancied spears his spear oppose;
But not the swiftest steed can bear away
From thy firm grasp thine agonizing prey,
Thou wast the fiend, and thou alone;
That stood'st by Beaufort's mitred head,
With upright hair and visage ghastly pale:
Thy terrors shook his dying bed,
Past crimes and blood his sinking heart assail,
His hands are clasped,—hark to that hollow groan!
See how his glazed, dim eye-balls wildly roll,
'Tis not dissolving Nature's pains; that pang is of the soul.
Where guilty souls are doomed to dwell,
'Tis thou that mak'st their fiercest hell,
The vulture thou that on their liver feeds,
As rise to view their past unhallowed deeds;
With thee condemned to stay,
Till time has rolled away
Long æras of uncounted years,
And every stain is washed in soft repentant tears.
Servant of God—but unbeloved—proceed,
For thou must live and ply thy scorpion scourge;
Thy sharp upbraidings urge
Against the' unrighteous deed,
Till thine accursed mother shall expire,
And a new world spring forth from renovating fire.
O! when the glare of day is fled,
And calm, beneath the evening star,
Reflection leans her pensive head,
And calls the passions to her solemn bar;
Reviews the censure rash, the hasty word,
The purposed act too long deferred,
Of time the wasted treasures lent,
And fair occasions lost and golden hours misspent:
When anxious Memory numbers o'er
Each offered prize we failed to seize;
Or friends laid low, whom now no more
89
Our fondest love can serve or please,
And thou, dread power! bring'st back in terrors drest,
The' irrevocable past, to sting the careless breast;—
O! in that hour be mine to know,
While fast the silent sorrows flow,
And wisdom cherishes the wholesome pain,
No heavier guilt, no deeper stain,
Than tears of meek contrition may atone,
Shed at the mercy-seat of Heaven's eternal throne.
~ Anna Laetitia Barbauld,
207:Plutonian Ode
What new element before us unborn in nature? Is there
a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
Scientific theme
First penned unmindful by Doctor Seaborg with poisonous hand, named for Death's planet through the
sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
Hades, Sire of avenging Furies, billionaire HellKing worshipped once
with black sheep throats cut, priests's face averted from
underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow,
black hail, grey winter rain or Polar ice, immemorable seasons before
Fish flew in Heaven, before a Ram died by the starry
bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
flood
washed memory from the skull, or Lion sniffed the
lilac breeze in Eden-Before the Great Year began turning its twelve signs,
ere constellations wheeled for twenty-four thousand
sunny years
slowly round their axis in Sagittarius, one hundred
sixty-seven thousand times returning to this night
Radioactive Nemesis were you there at the beginning
black dumb tongueless unsmelling blast of Disillusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao,
Ialdabaoth, Aeon from Aeon born ignorant in an
64
Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirlpools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
oblivion!
Grand Subject that annihilates inky hands & pages'
prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
sky over silent mills at Hanford, Savannah River,
Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado,
Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the
Sun, where Rockwell war-plants fabricate this death
stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
secret by ten thousands, & where Manzano Mountain boasts to store
its dreadful decay through two hundred forty millenia
while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with
your presence, I roar your Lion Roar with mortal
mouth.
One microgram inspired to one lung, ten pounds of
heavy metal dust adrift slow motion over grey
Alps
the breadth of the planet, how long before your radiance
speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your consciousness to six worlds
I chant your absolute Vanity. Yeah monster of Anger
birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
of metal empires!
Destroyer of lying Scientists! Devourer of covetous
Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful
nations, Molester of Presidents, Death-Scandal of
Capital politics! Ah civilizations stupidly industrious!
65
Canker-Hex on multitudes learned or illiterate! Manufactured Spectre of human reason! O solidified
imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I
publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
Your name enters mankind's ear! I embody your
ultimate powers!
My oratory advances on your vaunted Mystery! This
breath dispels your braggart fears! I sing your
form at last
behind your concrete & iron walls inside your fortress
of rubber & translucent silicon shields in filtered
cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot
cans and echoes in electric vaults inert of atmosphere,
I enter with spirit out loud into your fuel rod drums
underground on soundless thrones and beds of
lead
O density! This weightless anthem trumpets transcendent
through hidden chambers and breaks through
iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony
floats audible, these jubilant tones are honey and
milk and wine-sweet water
Poured on the stone black floor, these syllables are
barley groats I scatter on the Reactor's core,
I call your name with hollow vowels, I psalm your Fate
close by, my breath near deathless ever at your
side
to Spell your destiny, I set this verse prophetic on your
mausoleum walls to seal you up Eternally with
Diamond Truth! O doomed Plutonium.
II
The Bar surveys Plutonian history from midnight
lit with Mercury Vapor streetlamps till in dawn's
early light
he contemplates a tranquil politic spaced out between
Nations' thought-forms proliferating bureaucratic
66
& horrific arm'd, Satanic industries projected sudden
with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in
United States of North America, Western Hemisphere
of planet Earth six months and fourteen days around
our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen
hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
Denver city white below
Blue sky transparent rising empty deep & spacious to a
morning star high over the balcony
above some autos sat with wheels to curb downhill
from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
summer green leafed trees.
III
This ode to you O Poets and Orators to come, you
father Whitman as I join your side, you Congress
and American people,
you present meditators, spiritual friends & teachers,
you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and
consonants to breath's end
take this inhalation of black poison to your heart, breath
out this blessing from your breast on our creation
forests cities oceans deserts rocky flats and mountains
in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
this mountain of Plutonium with ordinary mind
and body speech,
thus empower this Mind-guard spirit gone out, gone
out, gone beyond, gone beyond me, Wake space,
67
so Ah!
~ Allen Ginsberg,
208:Ami, Chez Nos Francois
Ami, chez nos Français ma muse voudrait plaire;
Mais j'ai fui la satire à leurs regards si chère.
Le superbe lecteur, toujours content de lui,
Et toujours plus content s'il peut rire d'autrui,
Veut qu'un nom imprévu, dont l'aspect le déride,
Égayé au bout du vers une rime perfide;
Il s'endort si quelqu'un ne pleure quand il rit.
Mais qu'Horace et sa troupe irascible d'esprit
Daignent me pardonner, si jamais ils pardonnent:
J'estime peu cet art, ces leçons qu'ils nous donnent
D'immoler bien un sot qui jure en son chagrin,
Au rire âcre et perçant d'un caprice malin.
Le malheureux déjà me semble assez à plaindre
D'avoir, même avant lui, vu sa gloire s'éteindre
Et son livre au tombeau lui montrer le chemin,
Sans aller, sous la terre au trop fertile sein,
Semant sa renommée et ses tristes merveilles,
Faire à tous les roseaux chanter quelles oreilles
Sur sa tête ont dressé leurs sommets et leurs poids.
Autres sont mes plaisirs. Soit, comme je le crois,
Que d'une débonnaire et généreuse argile
On ait pétri mon âme innocente et facile;
Soit, comme ici, d'un oeil caustique et médisant,
En secouant le front, dira quelque plaisant,
Que le ciel, moins propice, enviât à ma plume
D'un sel ingénieux la piquante amertume,
J'en profite à ma gloire, et je viens devant toi
Mépriser les raisins qui sont trop hauts pour moi.
Aux reproches sanglants d'un vers noble et sévère
Ce pays toutefois offre une ample matière:
Soldats tyrans du peuple obscur et gémissant,
Et juges endormis aux cris de l'innocent;
Ministres oppresseurs, dont la main détestable
Plonge au fond des cachots la vertu redoutable.
Mais, loin qu'ils aient senti la fureur de nos vers,
Nos vers rampent en foule aux pieds de ces pervers,
Qui savent bien payer d'un mépris légitime
Le lâche qui pour eux feint d'avoir quelque estime.
24
Certe, un courage ardent qui s'armerait contre eux
Serait utile au moins s'il était dangereux;
Non d'aller, aiguisant une vaine satire,
Chercher sur quel poète on a droit de médire;
Si tel livre deux fois ne s'est pas imprimé,
Si tel est mal écrit, tel autre mal rimé.
Ainsi donc, sans coûter de larmes à personne,
A mes goûts innocents, ami, je m'abandonne.
Mes regards vont errant sur mille et mille objets.
Sans renoncer aux vieux, plein de nouveaux projets,
Je les tiens; dans mon camp partout je les rassemble,
Les enrôle, les suis, les pousse tous ensemble.
S'égarant à son gré, mon ciseau vagabond
Achève à ce poème ou les pieds ou le front,
Creuse à l'autre les flancs, puis l'abandonne et vole
Travailler à cet autre ou la jambe ou l'épaule.
Tous, boiteux, suspendus, traînent; mais je les vois
Tous bientôt sur leurs pieds se tenir à la fois.
Ensemble lentement tous couvés sous mes ailes,
Tous ensemble quittant leurs coques maternelles,
Sauront d'un beau plumage ensemble se couvrir,
Ensemble sous le bois voltiger et courir.
Peut-être il vaudrait mieux, plus constant et plus sage,
Commencer, travailler, finir un seul ouvrage.
Mais quoi! cette constance est un pénible ennui.
'Eh bien! nous lirez-vous quelque chose aujourd'hui?
Me dit un curieux qui s'est toujours fait gloire
D'honorer les neuf Soeurs, et toujours, après boire,
Étendu dans sa chaise et se chauffant les piés,
Aime à dormir au bruit des vers psalmodiés.
--Qui, moi? Non, je n'ai rien. D'ailleurs je ne lis guère.
--Certe, un tel nous lut hier une épître!... et son frère
Termina par une ode où j'ai trouvé des traits!...
--Ces messieurs plus féconds, dis-je, sont toujours prêts.
Mais moi, que le caprice et le hasard inspire,
Je n'ai jamais sur moi rien qu'on puisse vous lire.
--Bon! bon! Et cet HERMÈS, dont vous ne parlez pas,
Que devient-il?--Il marche, il arrive à grands pas.
--Oh! je m'en fie à vous.--Hélas! trop, je vous jure.
--Combien de chants de faits?--Pas un, je vous assure.
--Comment?--Vous avez vu sous la main d'un fondeur
25
Ensemble se former, diverses en grandeur,
Trente cloches d'airain, rivales du tonnerre?
Il achève leur moule enseveli sous terre;
Puis, par un long canal en rameaux divisé,
Y fait couler les flots de l'airain embrasé;
Si bien qu'au même instant, cloches, petite et grande,
Sont prêtes, et chacune attend et ne demande
Qu'à sonner quelque mort, et du haut d'une tour
Réveiller la paroisse à la pointe du jour.
Moi, je suis ce fondeur: de mes écrits en foule
Je prépare longtemps et la forme et le moule;
Puis, sur tous à la fois je fais couler l'airain:
Rien n'est fait aujourd'hui, tout sera fait demain.'
Ami, Phoebus ainsi me verse ses largesses.
Souvent des vieux auteurs j'envahis les richesses.
Plus souvent leurs écrits, aiguillons généreux,
M'embrasent de leur flamme, et je crée avec eux.
Un juge sourcilleux, épiant mes ouvrages,
Tout à coup à grands cris dénonce vingt passages
Traduits de tel auteur qu'il nomme; et, les trouvant,
Il s'admire et se plaît de se voir si savant.
Que ne vient-il vers moi? je lui ferai connaître
Mille de mes larcins qu'il ignore peut-être.
Mon doigt sur mon manteau lui dévoile à l'instant
La couture invisible et qui va serpentant
Pour joindre à mon étoffe une pourpre étrangère.
Je lui montrerai l'art, ignoré du vulgaire,
De séparer aux yeux, en suivant leur lien,
Tous ces métaux unis dont j'ai formé le mien.
Tout ce que des Anglais la muse inculte et brave,
Tout ce que des Toscans la voix fière et suave,
Tout ce que les Romains, ces rois de l'univers,
M'offraient d'or et de soie, est passé dans mes vers.
Je m'abreuve surtout des flots que le Permesse
Plus féconds et plus purs fit couler dans la Grèce;
Là, Prométhée ardent, je dérobe les feux
Dont j'anime l'argile et dont je fais des dieux.
Tantôt chez un auteur j'adopte une pensée,
Mais qui revêt, chez moi, souvent entrelacée,
Mes images, mes tours, jeune et frais ornement;
Tantôt je ne retiens que les mots seulement:
26
J'en détourne le sens, et l'art sait les contraindre
Vers des objets nouveaux qu'ils s'étonnent de peindre.
La prose plus souvent vient subir d'autres lois,
Et se transforme, et fuît mes poétiques doigts;
De rimes couronnée, et légère et dansante,
En nombres mesurés elle s'agite et chante.
Des antiques vergers ces rameaux empruntés
Croissent sur mon terrain mollement transplantés;
Aux troncs de mon verger ma main avec adresse
Les attache, et bientôt même écorce les presse.
De ce mélange heureux l'insensible douceur
Donne à mes fruits nouveaux une antique saveur.
Dévot adorateur de ces maîtres antiques,
Je veux m'envelopper de leurs saintes reliques.
Dans leur triomphe admis, je veux le partager,
Ou bien de ma défense eux-mêmes les charger.
Le critique imprudent, qui se croit bien habile,
Donnera sur ma joue un soufflet à Virgile.
Et ceci (tu peux voir si j'observe ma loi),
Montaigne, il t'en souvient, l'avait dit avant moi.
~ Andre Marie de Chenier,
209:Oft have you seen a swan superbly frowning,
And with proud breast his own white shadow crowning;
He slants his neck beneath the waters bright
So silently, it seems a beam of light
Come from the galaxy: anon he sports,--
With outspread wings the Naiad Zephyr courts,
Or ruffles all the surface of the lake
In striving from its crystal face to take
Some diamond water drops, and them to treasure
In milky nest, and sip them off at leisure.
But not a moment can he there insure them,
Nor to such downy rest can he allure them;
For down they rush as though they would be free,
And drop like hours into eternity.
Just like that bird am I in loss of time,
Whene'er I venture on the stream of rhyme;
With shatter'd boat, oar snapt, and canvass rent,
I slowly sail, scarce knowing my intent;
Still scooping up the water with my fingers,
In which a trembling diamond never lingers.

By this, friend Charles, you may full plainly see
Why I have never pennd a line to thee:
Because my thoughts were never free, and clear,
And little fit to please a classic ear;
Because my wine was of too poor a savour
For one whose palate gladdens in the flavour
Of sparkling Helicon:--small good it were
To take him to a desert rude, and bare,
Who had on Baiae's shore reclin'd at ease,
While Tasso's page was floating in a breeze
That gave soft music from Armida's bowers,
Mingled with fragrance from her rarest flowers:
Small good to one who had by Mulla's stream
Fondled the maidens with the breasts of cream;
Who had beheld Belphoebe in a brook,
And lovely Una in a leafy nook,
And Archimago leaning o'er his book:
Who had of all that's sweet tasted, and seen,
From silv'ry ripple, up to beauty's queen;
From the sequester'd haunts of gay Titania,
To the blue dwelling of divine Urania:
One, who, of late, had ta'en sweet forest walks
With him who elegantly chats, and talks--
The wrong'd Libertas,--who has told you stories
Of laurel chaplets, and Apollos glories;
Of troops chivalrous prancing through a city,
And tearful ladies made for love, and pity:
With many else which I have never known.
Thus have I thought; and days on days have flown
Slowly, or rapidly--unwilling still
For you to try my dull, unlearned quill.
Nor should I now, but that I've known you long;
That you first taught me all the sweets of song:
The grand, the sweet, the terse, the free, the fine;
What swell'd with pathos, and what right divine:
Spenserian vowels that elope with ease,
And float along like birds o'er summer seas;
Miltonian storms, and more, Miltonian tenderness;
Michael in arms, and more, meek Eves fair slenderness.
Who read for me the sonnet swelling loudly
Up to its climax and then dying proudly?
Who found for me the grandeur of the ode,
Growing, like Atlas, stronger from its load?
Who let me taste that more than cordial dram,
The sharp, the rapier-pointed epigram?
Shew'd me that epic was of all the king,
Round, vast, and spanning all like Saturn's ring?
You too upheld the veil from Clio's beauty,
And pointed out the patriot's stern duty;
The might of Alfred, and the shaft of Tell;
The hand of Brutus, that so grandly fell
Upon a tyrant's head. Ah! had I never seen,
Or known your kindness, what might I have been?
What my enjoyments in my youthful years,
Bereft of all that now my life endears?
And can I e'er these benefits forget?
And can I e'er repay the friendly debt?
No, doubly no;--yet should these rhymings please,
I shall roll on the grass with two-fold ease:
For I have long time been my fancy feeding
With hopes that you would one day think the reading
Of my rough verses not an hour mis[s]pent;
Should it e'er be so, what a rich content!
Some weeks have pass'd since last I saw the spires
In lucent Thames reflected:warm desires
To see the sun o'er peep the eastern dimness,
And morning shadows streaking into slimness
Across the lawny fields, and pebbly water;
To mark the time as they grow broad, and shorter;
To feel the air that plays about the hills,
And sips its freshness from the little rills;
To see high, golden corn wave in the light
When Cynthia smiles upon a summer's night,
And peers among the cloudlet's jet and white,
As though she were reclining in a bed
Of bean blossoms, in heaven freshly shed.
No sooner had I stepp'd into these pleasures
Than I began to think of rhymes and measures:
The air that floated by me seemd to say
"Write! thou wilt never have a better day."
And so I did. When many lines Id written,
Though with their grace I was not oversmitten,
Yet, as my hand was warm, I thought Id better
Trust to my feelings, and write you a letter.
Such an attempt required an inspiration
Of a peculiar sort,--a consummation;--
Which, had I felt, these scribblings might have been
Verses from which the soul would never wean:
But many days have past since last my heart
Was warmd luxuriously by divine Mozart;
By Arne delighted, or by Handel madden'd;
Or by the song of Erin piercd and sadden'd:
What time you were before the music sitting,
And the rich notes to each sensation fitting.
Since I have walk'd with you through shady lanes
That freshly terminate in open plains,
And revel'd in a chat that ceased not
When at night-fall among your books we got:
No, nor when supper came, nor after that,--
Nor when reluctantly I took my hat;
No, nor till cordially you shook my hand
Mid-way between our homes:--your accents bland
Still sounded in my ears, when I no more
Could hear your footsteps touch the gravly floor.
Sometimes I lost them, and then found again;
You chang'd the footpath for the grassy plain.
In those still moments I have wish'd you joys
That well you know to honour:--"Life's very toys
"With him," said I, "will take a pleasant charm;
"It cannot be that ought will work him harm."
These thoughts now come oer me with all their might:--
Again I shake your hand,--friend Charles, good night.
Written in September, 1816.

'Charles Cowden Clarke was born at Enfield on the 15th of December 1787; so that he was in his twenty-ninth year when the young poet addressed this epistle to him. He died at Villa Novello, Genoa, on the 13th of March 1877, in his ninetieth year.

(line 44): 'Mrs. Charles Cowden Clarke, speaking from knowledge derived from her husband, tells me there is no doubt whatever about Libertas being, as one would naturally imagine, a name for Leigh Hunt.'

(line 130): 'Hunt says ... in evident allusion to Keats's prowess as a boxer and readiness to back his friends -- "we can only add, without any disrespect to the graver warmth of our young poet, that if Ought attempted it, Ought would find he had stout work to do with more than one person." The student will probably turn to the posthumous poems and compare these epistles with that to John Hamilton Reynolds written in 1818.' ~~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, To Charles Cowden Clarke
,
210:To Joy
Joy, beautiful spark of the gods,
Daughter from Elysium,
We enter, drunk with fire,
Heavenly, your sanctuary.
Your spells bind again
What the fashion sword shared
Beggars become prince brothers
Where your gentle wing rests.
Choir us

Be embraced, millions!
This kiss for the whole world!
Brothers - over the stars
Must a dear father live.
Who succeeded the big hit,
To be a friend's friend
Whoever has won a devoted wife,
Mix in his cheers!
Yes - whoever even has a soul
His names on the earth!
And if you never could, steal
Weeping from this covenant
Choir us

What inhabits the great ring,
Pay homage to sympathy!
She leads to the stars
Where the unknown is enthroned.

All beings drink joy
On the breasts of nature
All good, all bad,
Follow their rose trail.
She gave us kisses and vines
A friend tested in death
Pleasure was given to the worm,
And the cherub stands before God.
Choir us

Are you falling, millions?
Do you suspect the Creator, world?
Find him over the canopy of stars.
He must live above the stars.
The strong pen is called joy
In eternal nature.
Joy, joy, drives the wheels
In the great world clock.
She lures flowers from the bud,
Suns from the firmament,
She rolls spheres in the rooms,
Which the seer pipe does not know.
Choir us

Glad how its suns fly
By heaven's glorious plan
Run, brothers, your path,
Happy as a hero to victory.
From the truth, the mirror of fire
She smiles at the researcher.
To the virtue of a steep hill
Guide the path of the sufferer.
On the mountains of the sun of faith
If you see their flags waving
Through the crack of blasted saerge
You stand in the choir of angels.
Chorus

Endure courageously, millions!
Tolerate for the better world!
Up above the starry canopy
Will a great god reward.
Gods cannot be repaid
It's nice to be like them.
Sorrow and poverty should report,
Rejoice with the happy.
Resentment and vengeance be forgotten,
Pardon our mortal enemy,
No tear shall press him,
No regrets gnaw him.
Choir us

Our debt register be destroyed!
The whole world is paved!
Brothers, over the stars
Judge God as we judged.
Joy gushes in cups,
In the cluster of golden blood
Drink gentleness cannibals,
Despair heroism
Brothers, fly from your seats
When the full Roman circles
Let the foam rise to the sky:
This glass to the good spirit.
Choir us

Praise the vortex of the stars
Who praises the seraph's hymn,
This glass to the good spirit
Above the starry tent up there!
Strong courage in grave suffering
Help where innocence weeps
Eternal sworn oaths,
Truth against friend and foe,
Male pride in front of royal thrones
Brothers, there is good and blood. -
His crowns to merit,
Downfall of the brood of lies!
Choir us

Closes the sacred circle more closely
Swear by this golden wine:
To be faithful to the vow
Swear it to the judge of the stars!
Rescue from chains of tyrants,
Generosity even to the villain,
Hope in the deathbeds
Mercy on the high court!
Let the dead live too!
Brothers, drink and join in
Let all sinners forgive
And no longer be hell.
Choir us

A cheerful farewell hour!
Sweet sleep in the shroud!
Brothers - a gentle saying
From the mouth of the judge of the dead.

To Joy
Joy, beautiful spark of Gods,
Daughter of Elysium,
We enter, fire-imbibed,
Heavenly, thy sanctuary.
Thy magic powers re-unite
What custom's sword has divided
Beggars become Princes' brothers
Where thy gentle wing abides.
Chorus

Be embraced, millions!
This kiss to the entire world!
Brothers - above the starry canopy
A loving father must dwell.
Whoever has had the great fortune,
To be a friend's friend,
Whoever has won the love of a devoted wife,
Add his to our jubilation!
Indeed, whoever can call even one soul
His own on this earth!
And whoever was never able to must creep
Tearfully away from this circle.
Chorus

Those who dwell in the great circle,
Pay homage to sympathy!
It leads to the stars,
Where the Unknown reigns.

Joy all creatures drink
At nature's bosoms;
All, Just and Unjust,
Follow her rose-petalled path.
Kisses she gave us, and Wine,
A friend, proven in death,
Pleasure was given (even) to the worm,
And the Cherub stands before God.
Chorus

You bow down, millions?
Can you sense the Creator, world?
Seek him above the starry canopy.
Above the stars He must dwell.
Joy is called the strong motivation
In eternal nature.
Joy, joy moves the wheels
In the universal time machine.
Flowers it calls forth from their buds,
Suns from the Firmament,
Spheres it moves far out in Space,
Where our telescopes cannot reach.
Chorus

Joyful, as His suns are flying,
Across the Firmament's splendid design,
Run, brothers, run your race,
Joyful, as a hero going to conquest.
As truth's fiery reflection
It smiles at the scientist.
To virtue's steep hill
It leads the sufferer on.
Atop faith's lofty summit
One sees its flags in the wind,
Through the cracks of burst-open coffins,
One sees it stand in the angels' chorus.
Chorus

Endure courageously, millions!
Endure for the better world!
Above the starry canopy
A great God will reward you.
Gods one cannot ever repay,
It is beautiful, though, to be like them.
Sorrow and Poverty, come forth
And rejoice with the joyful ones.
Anger and revenge be forgotten,
Our deadly enemy be forgiven,
Not one tear shall he shed anymore,
No feeling of remorse shall pain him.
Chorus

The account of our misdeeds be destroyed!
Reconciled the entire world!
Brothers, above the starry canopy
God judges as we judged.
Joy is bubbling in the glasses,
Through the grapes' golden blood
Cannibals drink gentleness,
And despair drinks courage
Brothers, fly from your seats,
When the full rummer is going around,
Let the foam gush up to heaven *:
This glass to the good spirit.
Chorus

He whom star clusters adore,
He whom the Seraphs' hymn praises,
This glass to him, the good spirit,
Above the starry canopy!
Resolve and courage for great suffering,
Help there, where innocence weeps,
Eternally may last all sworn Oaths,
Truth towards friend and enemy,
Men's pride before Kings' thrones
Brothers, even it if meant our Life and blood,
Give the crowns to those who earn them,
Defeat to the pack of liars!
Chorus

Close the holy circle tighter,
Swear by this golden wine:
To remain true to the Oath,
Swear it by the Judge above the stars!
Delivery from tyrants' chains,
Generosity also towards the villain,
Hope on the deathbeds,
Mercy from the final judge!
Also the dead shall live!
Brothers, drink and chime in,
All sinners shall be forgiven,
And hell shall be no more.
Chorus

A serene hour of farewell!
Sweet rest in the shroud!
Brothers a mild sentence
From the mouth of the final judge!

Many thanks to Oldpoetry reader Vladimir for locating the original version. http://www.raptusassociation.org/
~ Friedrich Schiller, Ode To Joy - With Translation
,
211:Juvenilia, An Ode To Natural Beauty
There is a power whose inspiration fills
Nature's fair fabric, sun- and star-inwrought,
Like airy dew ere any drop distils,
Like perfume in the laden flower, like aught
Unseen which interfused throughout the whole
Becomes its quickening pulse and principle and soul.
Now when, the drift of old desire renewing,
Warm tides flow northward over valley and field,
When half-forgotten sound and scent are wooing
From their deep-chambered recesses long sealed
Such memories as breathe once more
Of childhood and the happy hues it wore,
Now, with a fervor that has never been
In years gone by, it stirs me to respond, -Not as a force whose fountains are within
The faculties of the percipient mind,
Subject with them to darkness and decay,
But something absolute, something beyond,
Oft met like tender orbs that seem to peer
From pale horizons, luminous behind
Some fringe of tinted cloud at close of day;
And in this flood of the reviving year,
When to the loiterer by sylvan streams,
Deep in those cares that make Youth loveliest,
Nature in every common aspect seems
To comment on the burden in his breast -The joys he covets and the dreams he dreams -One then with all beneath the radiant skies
That laughs with him or sighs,
It courses through the lilac-scented air,
A blessing on the fields, a wonder everywhere.
Spirit of Beauty, whose sweet impulses,
Flung like the rose of dawn across the sea,
Alone can flush the exalted consciousness
With shafts of sensible divinity -Light of the World, essential loveliness:
Him whom the Muse hath made thy votary
34
Not from her paths and gentle precepture
Shall vulgar ends engage, nor break the spell
That taught him first to feel thy secret charms
And o'er the earth, obedient to their lure,
Their sweet surprise and endless miracle,
To follow ever with insatiate arms.
On summer afternoons,
When from the blue horizon to the shore,
Casting faint silver pathways like the moon's
Across the Ocean's glassy, mottled floor,
Far clouds uprear their gleaming battlements
Drawn to the crest of some bleak eminence,
When autumn twilight fades on the sere hill
And autumn winds are still;
To watch the East for some emerging sign,
Wintry Capella or the Pleiades
Or that great huntsman with the golden gear;
Ravished in hours like these
Before thy universal shrine
To feel the invoked presence hovering near,
He stands enthusiastic. Star-lit hours
Spent on the roads of wandering solitude
Have set their sober impress on his brow,
And he, with harmonies of wind and wood
And torrent and the tread of mountain showers,
Has mingled many a dedicative vow
That holds him, till thy last delight be known,
Bound in thy service and in thine alone.
I, too, among the visionary throng
Who choose to follow where thy pathway leads,
Have sold my patrimony for a song,
And donned the simple, lowly pilgrim's weeds.
From that first image of beloved walls,
Deep-bowered in umbrage of ancestral trees,
Where earliest thy sweet enchantment falls,
Tingeing a child's fantastic reveries
With radiance so fair it seems to be
Of heavens just lost the lingering evidence
From that first dawn of roseate infancy,
So long beneath thy tender influence
35
My breast has thrilled. As oft for one brief second
The veil through which those infinite offers beckoned
Has seemed to tremble, letting through
Some swift intolerable view
Of vistas past the sense of mortal seeing,
So oft, as one whose stricken eyes might see
In ferny dells the rustic deity,
I stood, like him, possessed, and all my being,
Flooded an instant with unwonted light,
Quivered with cosmic passion; whether then
On woody pass or glistening mountain-height
I walked in fellowship with winds and clouds,
Whether in cities and the throngs of men,
A curious saunterer through friendly crowds,
Enamored of the glance in passing eyes,
Unuttered salutations, mute replies, -In every character where light of thine
Has shed on earthly things the hue of things divine
I sought eternal Loveliness, and seeking,
If ever transport crossed my brow bespeaking
Such fire as a prophetic heart might feel
Where simple worship blends in fervent zeal,
It was the faith that only love of thee
Needed in human hearts for Earth to see
Surpassed the vision poets have held dear
Of joy diffused in most communion here;
That whomsoe'er thy visitations warmed,
Lover of thee in all thy rays informed,
Needed no difficulter discipline
To seek his right to happiness within
Than, sensible of Nature's loveliness,
To yield him to the generous impulses
By such a sentiment evoked. The thought,
Bright Spirit, whose illuminings I sought,
That thou unto thy worshipper might be
An all-sufficient law, abode with me,
Importing something more than unsubstantial dreams
To vigils by lone shores and walks by murmuring streams.
Youth's flowers like childhood's fade and are forgot.
Fame twines a tardy crown of yellowing leaves.
36
How swift were disillusion, were it not
That thou art steadfast where all else deceives!
Solace and Inspiration, Power divine
That by some mystic sympathy of thine,
When least it waits and most hath need of thee,
Can startle the dull spirit suddenly
With grandeur welled from unsuspected springs, -Long as the light of fulgent evenings,
When from warm showers the pearly shades disband
And sunset opens o'er the humid land,
Shows thy veiled immanence in orient skies, -Long as pale mist and opalescent dyes
Hung on far isle or vanishing mountain-crest,
Fields of remote enchantment can suggest
So sweet to wander in it matters nought,
They hold no place but in impassioned thought,
Long as one draught from a clear sky may be
A scented luxury;
Be thou my worship, thou my sole desire,
Thy paths my pilgrimage, my sense a lyre
Aeolian for thine every breath to stir;
Oft when her full-blown periods recur,
To see the birth of day's transparent moon
Far from cramped walls may fading afternoon
Find me expectant on some rising lawn;
Often depressed in dewy grass at dawn,
Me, from sweet slumber underneath green boughs,
Ere the stars flee may forest matins rouse,
Afoot when the great sun in amber floods
Pours horizontal through the steaming woods
And windless fumes from early chimneys start
And many a cock-crow cheers the traveller's heart
Eager for aught the coming day afford
In hills untopped and valleys unexplored.
Give me the white road into the world's ends,
Lover of roadside hazard, roadside friends,
Loiterer oft by upland farms to gaze
On ample prospects, lost in glimmering haze
At noon, or where down odorous dales twilit,
Filled with low thundering of the mountain stream,
Over the plain where blue seas border it
The torrid coast-towns gleam.
37
I have fared too far to turn back now; my breast
Burns with the lust for splendors unrevealed,
Stars of midsummer, clouds out of the west,
Pallid horizons, winds that valley and field
Laden with joy, be ye my refuge still!
What though distress and poverty assail!
Though other voices chide, yours never will.
The grace of a blue sky can never fail.
Powers that my childhood with a spell so sweet,
My youth with visions of such glory nursed,
Ye have beheld, nor ever seen my feet
On any venture set, but 'twas the thirst
For Beauty willed them, yea, whatever be
The faults I wanted wings to rise above;
I am cheered yet to think how steadfastly
I have been loyal to the love of Love!
~ Alan Seeger,
212:EPODE 1a.
I stood within the City disinterred;
And heard the autumnal leaves like light footfalls
Of spirits passing through the streets; and heard
The Mountains slumberous voice at intervals
Thrill through those roofless halls;
The oracular thunder penetrating shook
The listening soul in my suspended blood;
I felt that Earth out of her deep heart spoke--
I felt, but heard not:through white columns glowed
The isle-sustaining ocean-flood,
A plane of light between two heavens of azure!
Around me gleamed many a bright sepulchre
Of whose pure beauty, Time, as if his pleasure
Were to spare Death, had never made erasure;
But every living lineament was clear
As in the sculptors thought; and there
The wreaths of stony myrtle, ivy, and pine,
Like winter leaves oergrown by moulded snow,
Seemed only not to move and grow
Because the crystal silence of the air
Weighed on their life; even as the Power divine
Which then lulled all things, brooded upon mine.

EPODE 2a.

Then gentle winds arose
With many a mingled close
Of wild Aeolian sound, and mountain-odours keen;
And where the Baian ocean
Welters with airlike motion,
Within, above, around its bowers of starry green,
Moving the sea-flowers in those purple caves,
Even as the ever stormless atmosphere
Floats oer the Elysian realm,
It bore me, like an Angel, oer the waves
Of sunlight, whose swift pinnace of dewy air
No storm can overwhelm.
I sailed, where ever flows
Under the calm Serene
A spirit of deep emotion
From the unknown graves
Of the dead Kings of Melody.
Shadowy Aornos darkened oer the helm
The horizontal aether; Heaven stripped bare
Its depth over Elysium, where the prow
Made the invisible water white as snow;
From that Typhaean mount, Inarime,
There streamed a sunbright vapour, like the standard
Of some aethereal host;
Whilst from all the coast,
Louder and louder, gathering round, there wandered
Over the oracular woods and divine sea
Prophesyings which grew articulate--
They seize meI must speak them!be they fate!

STROPHE 1.

Naples! thou Heart of men which ever pantest
Naked, beneath the lidless eye of Heaven!
Elysian City, which to calm enchantest
The mutinous air and sea! they round thee, even
As sleep round Love, are driven!
Metropolis of a ruined Paradise
Long lost, late won, and yet but half regained!
Bright Altar of the bloodless sacrifice
Which armed Victory offers up unstained
To Love, the flower-enchained!
Thou which wert once, and then didst cease to be,
Now art, and henceforth ever shalt be, free,
If Hope, and Truth, and Justice can avail,--
Hail, hail, all hail!

STROPHE 2.

Thou youngest giant birth
Which from the groaning earth
Leapst, clothed in armour of impenetrable scale!
Last of the Intercessors!
Who gainst the Crowned Transgressors
Pleadest before Gods love! Arrayed in Wisdoms mail,
Wave thy lightning lance in mirth
Nor let thy high heart fail,
Though from their hundred gates the leagued Oppressors
With hurried legions move!
Hail, hail, all hail!

ANTISTROPHE 1a.

What though Cimmerian Anarchs dare blaspheme
Freedom and thee? thy shield is as a mirror
To make their blind slaves see, and with fierce gleam
To turn his hungry sword upon the wearer;
A new Actaeons error
Shall theirs have beendevoured by their own hounds!
Be thou like the imperial Basilisk
Killing thy foe with unapparent wounds!
Gaze on Oppression, till at that dread risk
Aghast she pass from the Earths disk:
Fear not, but gazefor freemen mightier grow,
And slaves more feeble, gazing on their foe:--
If Hope, and Truth, and Justice may avail,
Thou shalt be greatAll hail!

ANTISTROPHE 2a.

From Freedoms form divine,
From Natures inmost shrine,
Strip every impious gawd, rend
Error veil by veil;
Oer Ruin desolate,
Oer Falsehoods fallen state,
Sit thou sublime, unawed; be the Destroyer pale!
And equal laws be thine,
And winged words let sail,
Freighted with truth even from the throne of God:
That wealth, surviving fate,
Be thine.All hail!

ANTISTROPHE 1b.

Didst thou not start to hear Spains thrilling paean
From land to land re-echoed solemnly,
Till silence became music? From the Aeaean
To the cold Alps, eternal Italy
Starts to hear thine! The Sea
Which paves the desert streets of Venice laughs
In light, and music; widowed Genoa wan
By moonlight spells ancestral epitaphs,
Murmuring, Where is Doria? fair Milan,
Within whose veins long ran
The vipers palsying venom, lifts her heel
To bruise his head. The signal and the seal
(If Hope and Truth and Justice can avail)
Art thou of all these hopes.--O hail!

ANTISTROPHE 2b.

Florence! beneath the sun,
Of cities fairest one,
Blushes within her bower for Freedoms expectation:
From eyes of quenchless hope
Rome tears the priestly cope,
As ruling once by power, so now by admiration,--
An athlete stripped to run
From a remoter station
For the high prize lost on Philippis shore:--
As then Hope, Truth, and Justice did avail,
So now may Fraud and Wrong! O hail!

EPODE 1b.

Hear ye the march as of the Earth-born Forms
Arrayed against the ever-living Gods?
The crash and darkness of a thousand storms
Bursting their inaccessible abodes
Of crags and thunder-clouds?
See ye the banners blazoned to the day,
Inwrought with emblems of barbaric pride?
Dissonant threats kill Silence far away,
The serene Heaven which wraps our Eden wide
With iron light is dyed;
The Anarchs of the North lead forth their legions
Like Chaos oer creation, uncreating;
An hundred tribes nourished on strange religions
And lawless slaveries,down the aereal regions
Of the white Alps, desolating,
Famished wolves that bide no waiting,
Blotting the glowing footsteps of old glory,
Trampling our columned cities into dust,
Their dull and savage lust
On Beautys corse to sickness satiating--
They come! The fields they tread look black and hoary
With firefrom their red feet the streams run gory!

EPODE 2b.

Great Spirit, deepest Love!
Which rulest and dost move
All things which live and are, within the Italian shore;
Who spreadest Heaven around it,
Whose woods, rocks, waves, surround it;
Who sittest in thy star, oer Oceans western floor;
Spirit of beauty! at whose soft command
The sunbeams and the showers distil its foison
From the Earths bosom chill;
Oh, bid those beams be each a blinding brand
Of lightning! bid those showers be dews of poison!
Bid the Earths plenty kill!
Bid thy bright Heaven above,
Whilst light and darkness bound it,
Be their tomb who planned
To make it ours and thine!
Or, with thine harmonizing ardours fill
And raise thy sons, as oer the prone horizon
Thy lamp feeds every twilight wave with fire--
Be mans high hope and unextinct desire
The instrument to work thy will divine!
Then clouds from sunbeams, antelopes from leopards,
And frowns and fears from thee,
Would not more swiftly flee
Than Celtic wolves from the Ausonian shepherds.--
Whatever, Spirit, from thy starry shrine
Thou yieldest or withholdest, oh, let be
This city of thy worship ever free!
The Author has connected many recollections of his visit to Pompeii and Baiae with the enthusiasm excited by the intelligence of the proclamation of a Constitutional Government at Naples. This has given a tinge of picturesque and descriptive imagery to the introductory Epodes which depicture these scenes, and some of the majestic feelings permanently connected with the scene of this animating event.SHELLEYS NOTE.

Composed at San Juliano di Pisa, August 17-25, 1820; published in Posthumous Poems, 1824. There is a copy, 'for the most part neat and legible,' amongst the Shelley manuscripts at the Bodleian Library
~ Percy Bysshe Shelley, Ode To Naples
,
213:Ode To Silence
Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
"She will love well," I said,
"If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
93
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter's daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition's lean and inauspicious loam).
She will love well," I said,
"The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern slope in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound."
"I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid bosom weaned away,
If only she therewith be given me back?"
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
94
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven's lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.
There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche's lamp out of the earth up-thrust,
95
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.
There twists the bitter-sweet, the white wisteria Fastens its fingers in the
strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters' laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!
Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.
I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister's body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!
(Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
"There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell," she saith,
"Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
96
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.
This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there."
Oh, radiant Song! Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine
. Lift up your lyres! Sing on!
97
But as for me, I seek your sister whither she is gone.
~ Edna St. Vincent Millay,
214:I.
  The everlasting universe of things
  Flows through the mind, and rolls its rapid waves,
  Now darknow glittering--now reflecting gloom--
  Now lending splendour, where from secret springs
  The source of human thought its tribute brings
  Of waters--with a sound but half its own,
  Such as a feeble brook will oft assume,
  In the wild woods, among the mountains lone,
  Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.

II.
Thus thou, Ravine of Arvedark, deep Ravine--
Thou many-colour'd, many-voiced vale,
Over whose pines, and crags, and caverns sail
Fast cloud-shadows and sunbeams: awful scene,
Where Power in likeness of the Arve comes down
From the ice-gulfs that gird his secret throne,
Bursting through these dark mountains like the flame
Of lightning through the tempest;--thou dost lie,
Thy giant brood of pines around thee clinging,
Children of elder time, in whose devotion
The chainless winds still come and ever came
To drink their odours, and their mighty swinging
To hearan old and solemn harmony;
Thine earthly rainbows stretch'd across the sweep
Of the aethereal waterfall, whose veil
Robes some unsculptur'd image; the strange sleep
Which when the voices of the desert fail
Wraps all in its own deep eternity;
Thy caverns echoing to the Arve's commotion,
A loud, lone sound no other sound can tame;
Thou art pervaded with that ceaseless motion,
Thou art the path of that unresting sound
Dizzy Ravine! and when I gaze on thee
I seem as in a trance sublime and strange
To muse on my own separate fantasy,
My own, my human mind, which passively
Now renders and receives fast influencings,
Holding an unremitting interchange
With the clear universe of things around;
One legion of wild thoughts, whose wandering wings
Now float above thy darkness, and now rest
Where that or thou art no unbidden guest,
In the still cave of the witch Poesy,
Seeking among the shadows that pass by
Ghosts of all things that are, some shade of thee,
Some phantom, some faint image; till the breast
From which they fled recalls them, thou art there!

III.
Some say that gleams of a remoter world
Visit the soul in sleep, that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live.I look on high;
Has some unknown omnipotence unfurl'd
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far around and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes among the viewless gales!
  Far, far above, piercing the infinite sky,
Mont Blanc appearsstill, snowy, and serene;
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
Blue as the overhanging heaven, that spread
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter's bone,
And the wolf tracks her there--how hideously
Its shapes are heap'd around! rude, bare, and high,
Ghastly, and scarr'd, and riven. --Is this the scene
Where the old Earthquake-daemon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply -- all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with Nature reconcil'd;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.

IV.
The fields, the lakes, the forests, and the streams,
Ocean, and all the living things that dwell
Within the daedal earth; lightning, and rain,
Earthquake, and fiery flood, and hurricane,
The torpor of the year when feeble dreams
Visit the hidden buds, or dreamless sleep
Holds every future leaf and flower; the bound
With which from that detested trance they leap;
The works and ways of man, their death and birth,
And that of him and all that his may be;
All things that move and breathe with toil and sound
Are born and die; revolve, subside, and swell.
Power dwells apart in its tranquillity,
Remote, serene, and inaccessible:
And this, the naked countenance of earth,
On which I gaze, even these primeval mountains
Teach the adverting mind. The glaciers creep
Like snakes that watch their prey, from their far fountains,
Slow rolling on; there, many a precipice
Frost and the Sun in scorn of mortal power
Have pil'd: dome, pyramid, and pinnacle,
A city of death, distinct with many a tower
And wall impregnable of beaming ice.
Yet not a city, but a flood of ruin
Is there, that from the boundaries of the sky
Rolls its perpetual stream; vast pines are strewing
Its destin'd path, or in the mangled soil
Branchless and shatter'd stand; the rocks, drawn down
From yon remotest waste, have overthrown
The limits of the dead and living world,
Never to be reclaim'd. The dwelling-place
Of insects, beasts, and birds, becomes its spoil;
Their food and their retreat for ever gone,
So much of life and joy is lost. The race
Of man flies far in dread; his work and dwelling
Vanish, like smoke before the tempest's stream,
And their place is not known. Below, vast caves
Shine in the rushing torrents' restless gleam,
Which from those secret chasms in tumult welling
Meet in the vale, and one majestic River,
The breath and blood of distant lands, for ever
Rolls its loud waters to the ocean-waves,
Breathes its swift vapours to the circling air.

V.
Mont Blanc yet gleams on high:--the power is there,
The still and solemn power of many sights,
And many sounds, and much of life and death.
In the calm darkness of the moonless nights,
In the lone glare of day, the snows descend
Upon that Mountain; none beholds them there,
Nor when the flakes burn in the sinking sun,
Or the star-beams dart through them. Winds contend
Silently there, and heap the snow with breath
Rapid and strong, but silently! Its home
The voiceless lightning in these solitudes
Keeps innocently, and like vapour broods
Over the snow. The secret Strength of things
Which governs thought, and to the infinite dome
Of Heaven is as a law, inhabits thee!
And what were thou, and earth, and stars, and sea,
If to the human mind's imaginings
Silence and solitude were vacancy?
Composed in Switzerland, July, 1816 (see date below). Printed at the end of the History of a Six Weeks' Tour published by Shelley in 1817, and reprinted with Posthumous Poems, 1824. Amongst the Boscombe manuscripts is a draft of this Ode, mainly in pencil, which has been collated by Dr. Garnett.

1.
In the preface of Mary Shelley's History of a Six Weeks Tour
(1817), Shelley writes: "the poem was composed under the immediate impression of the deep and powerful feelings excited by the objects which it attempts to describe\; and, as an undisciplined overflowing of the soul, rests its claim to approbation on an attempt to imitate the untamable
wildness and inaccessible solemnity from which those feelings sprang."
Shelley's prose account of his reaction to the first sight of Mont Blanc is in
a letter written on July 24 to T. L. Peacock.

1-2.
For a prose exposition of what Shelley calls "the intellectual philosophy,"
see his essay On Life: "I confess that I am one of those who am unable
to refuse my assent to the conclusions of those philosophers who assert that
nothing exists but as it is perceived .... The difference is merely nominal
between those two classes of thought which are vulgarly distinguished by
the names of ideas and of external objects. ... The existence of distinct
individual minds ... is likewise found to be a delusion. The words, I,
you, they, are ... merely marks employed to denote the different
modifications of the one mind. ... By the word things is to be
understood any object of thought. ... The relations of things remain
unchanged [in the intellectual philosophy]\; and such is the material of our
knowledge."

53.
Unfurl'd. "Rolled back" or merely "furled" is the meaning required by the
sense of the passage. "Upfurled" has been suggested as the word Shelley intended.

76-83.
For a related argument see Queen Mab, VI, 197-219.

79.
But for such faith. A surviving pencil draft of the poem reads "in such
a faith," which confirms the likelihood that this phrase is intended to mean
"even with such faith alone," rather than "except for such faith."


~ Percy Bysshe Shelley, Mont Blanc - Lines Written In The Vale of Chamouni
,
215:A Treatise On Poetry: Iv Natura
Pennsylvania, 1948-1949
The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.
Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.
Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.
But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
14
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.
Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.
To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.
Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a beaver’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the beaver:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.
15
I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.
Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.
Splash of a beaver in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their sex shadowed by ribbon.
Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.
Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
16
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.
Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.
From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the beaver, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.
With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
17
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:
O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.
Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.
And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks
To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?
Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.
From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.
18
Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.
An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.
America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.
America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.
Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
19
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a sexual symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:
Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.
If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.
Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?
~ Czeslaw Milosz,
216:Ocean: An Ode. Concluding With A Wish.*
I.
Sweet rural scene!
Of flocks and green!
At careless ease my limbs are spread;
All nature still
But yonder rill;
And listening pines not o'er my head:
II
In prospect wide,
The boundless tide!
Waves cease to foam, and winds to roar;
Without a breeze,
The curling seas
Dance on, in measure, to the shore.
III
Who sings the source
Of wealth and force?
Vast field of commerce and big war:
Where wonders dwell!
Where terrors swell!
And Neptune thunders from his car?
IV
Where? where are they,
Whom Pean's ray
Has touch'd, and bid divinely rave?
What, none aspire?
I snatch the lyre,
And plunge into the foaming wave.
The wave resounds!
The rock rebounds!
The Nereids to my song reply!
I lead the choir,
And they conspire
With voice and shell to lift it high;
VI
They spread in air
Their bosoms fair;
Their verdant tresses pour behind.
36
The billows beat
With nimble feet,
With notes triumphant swell the wind.
VII
Who love the shore,
And they conspire
With voice and shell to lift it high;
Let those adore
The God Apollo, and his Nine,
Parnassus' hill,
And Orpheus' skill;
But let Arion's harp be mine.
VIII
The main! the main!
Is Britain's reign;
Her strength, her glory, is her fleet;
The main! the main!
Be Briton's strain;
As Triton's strong, as Syren's sweet.
IX
Through nature wide,
Is nought descry'd
So rich in pleasure, or surprize;
When all-serene
How sweet the scene!
How dreadful, when the billows rise.
And storms deface
The fluid glass
In which ere-while Britannia fair
Look'd down with pride,
Like Ocean's bride,
Adjusting her majestic air.
XI
When tempests cease,
And hush'd in peace
The flatten'd surges smoothly spread
Deep silence keep,
And seem to sleep
Recumbent on their oozy bed;
XII
With what a trance
37
The level glance,
Unbroken, shoots along the seas!
Whichtempt from shore
the painted oar;
And every canvas courts the breeze!
XIII
When rushes forth
The frowning North
On blackening billows, with what dread
My shuddering soul
Beholds them roll,
And hears their roarings o'er my head!
XIV
With terror mark
Yon flying bark!
Now, center-deep descend the brave;
Now, toss'd on high
It takes the sky,
A feather on the towering wave!
XV
Now, spins around
In whirls profound;
Now, whelm'd; now, pendant near the clouds;
Now, stunn'd, it reels
Midst thunder's peals;
And, now, fierce lightening fires the shrouds.
XVI
All aether burns!
Chaos returns!
And blends once more the seas and skies;
No space between
Thy bosom green,
O Deep! and the blue concave, lies.
XVII
The northern blast,
The shatter'd mast,
The fyrt, the whirlpool, and the rock,
The breaking spout,
the stars gone out,
The boiling sreight, the monsters shock.
XVIII
Let others fear;
38
To Britain dear
What'er promotes her daring claim;
Those terrors charm,
Which keep her warm
In chace of honest gain or fame.
XIX
The stars are bright
To chear the night,
And shed, through shadows, temper'd fire;
And Phoebus flames
With burnish'd beams,
Which some adore, and all admire.
XX
Are then the seas
Outshone by these?
Bright Thetys! thou art not outshone;
With kinder beams
And softer gleams,
Thy bosom wears them as thy own
XXI
There, set in green,
Gold-stars are seen,
A mantle rich! thy charms to wrap;
And when the sun
His race has run
He falls enamour'd in thy lap.
XXII
Those clouds, whose dyes
Adorn the skies,
That silver snow, that pearly rain;
Has Phoebus stole
To grace the pole,
The plunder of th' invaded main!
XXIII
The gaudy bow,
Whose colours glow,
Whose arch with so much skill is bent,
To Phoebus' ray
Which paints so gay,
By thee the watery woof was lent.
XXIV
In chambers deep,
39
Where waters sleep,
What unknown treasures pave the floor!
The pearl in rows
Pale lustre throws;
The wealth immense, which storms devour.
XXV
From Indian mines,
With proud designs,
the merchant, swoin, digs golden ore.
The tempests rise,
And seize the prize,
And toss him breathless on the shore.
XXVI
His son complains
In pious strains
"Ah! cruel thirst of gold!" he cries;
Then ploughs the main,
In zeal for gain,
The tears yet swelling in his eyes.
XXVII
Thou watery vast!
What mounds are cast
To bar thy dreadful flowings-o'er?
Thy proudest foam
Must know its home;
But rage of gold disdains a shore.
XXVIII
Gold Pleasure buys;
But Pleasure dies,
Too soon the tross fruition cloys:
Though raptures court,
The sense is short;
But Virtue kindles living joys;
XXIX
Joys felt alone!
Joys ask'd of none!
Which Time's and Fortune's arrows miss;
Joys that subsist,
Though Fates resist,
And unprecarious endless bliss!
XXX
The soul refin'd
40
Is most inclin'd
To every moral excellence;
All Vice is dull,
A knave's a fool;
And Virtue is the child of Sense
XXXI
The virtuous mind
Nor wave, nor wind,
Nor civil rage, nor tyrant's frown,
The shaken ball
Nor planets fall,
From its firm basis can dethrone.
XXXII
This Britain knows,
And therefore glows
With generous passions, and expends
Her wealth and zeal
On public weal,
And brightens both by godlike ends.
XXXIII
What end so great,
As that which late
Awoke the Genius of the main,
Which towering rose
With George to close,
And rival great Eliza's reign?
XXXIV
A voice has flown
From Britain's throne
To reinflame a grand design;
That voice shall rear
Yon fabrick fair,1
As Nature's rose at the divine.
XXXV
When nature sprung,
Blest angels sung,
And shouted o'er the rising balll;
For strains as high
As main's can fly,
These sea-devoted honours call.
XXXVI
From boisterous seas,
41
The lap of ease
Receives our wounded and our old;
High domes ascend!
Stretc'd arches bend!
Proud columns swell! wide gates unfold!
XXXVII
So sleeps the grain,
In fostering rain,
And vital beams, till Jove descend;
Then bursts the root!
the verdures shoot!
And earth enrich, adorn, defend!
XXXVIII
Here, soft-reclin'd
From wave, from wind,
And Fortune's tempest safe ashore,
To cheat their care,
Of former war
They talk the pleasing shadows o'er.
XXXIX
In lengthen'd tales,
Our fleet prevails;
In tales the lenitives of age!
And, o'er the bowl,
They fire the soul
Of listening youth, to martial rage.
XL
The story done,
Their setting sun,
Serenely smiling down the West,
In soft decay,
They drop away;
And Honour leads them to their rest.
XLI
Unhappy they!
And falsely gay!
Who bask for ever in success;
A constant feast
Quite palls the taste,
And long enjoyment is distress.
XLII
What charms us most,
42
Our joy, our boast,
Familiar, loses all its bloss;
And gold refin'd
The fated mind
Fastidious turns to perfect dross.
XLIII
When, after toil,
His native soil
The panting mariner regains
What transport flows
From bare repose!
We reap our pleasure from our pains.
XLIV
Ye warlike slain!
Beneath the main,
Wrapt in a watery winding sheet;
Who bought with blood
Your country's good,
Your country's full-blown glorys greet.
XLV
What powerful charm
Can death disarm?
Your long, your iron slumbers break?
By Jove, by Fame,
By George's name,
Awake! awake! awake!
XLVI
Our joy so proud,
Our shout so loud,
Without a charm the dead might hear:
And see, they rouze!
Their awful brows,
Deep-scar'd, froomm oozy pillows rear!
XLVII
With spiral shell,
Full-blasted, tell
That all your watery realms should sing;
Your pearl-alcoves,
Your coral-groves,
Should echo theirs, and Britain's king.
XLVIII
As long as stars
43
Guide mariners,
As Carolina's virtues please,
Or suns invite
The ravish'd sight,
The British flag shall sweep the seas.
XLIX
Pecular both!
Our soil's strong growth,
And our bold natives hardy mind;
Sure Heaven bespoke
Our hearts, and oak,
To give a master to minkind.
That noblest birth
Of teaming earth,
Of forests fair that daughter proud,
To foreign coasts
Our grandeur boasts
And Britain's pleasure speaks aloud.
LI
Now big with war
Sends Fate from far,
If rebel realms their Fate demand;
Now, sumptuous spoils
Of foreign soils
Pours in the bottom of our land.
LII
Hence, Britain lays
In scales, and weighs
The fates of kingdoms and of kings;
And as she frowns
Or smiles, on crown
A night or day of glory springs.
LIII
Thus Ocean swells
The streams and rills,
And to their borders lifts them high;
Or else withdraws
The mighty cause,
And leaves their famish'd channels dry.
LIV
How mixt, how frail,
44
How sure to fail,
Is every pleasure of mankind!
A damp destroys
My blooming joys,
While Britain's glory fires my mind.
LV
For who can gaze
On restless seas,
Unstruck with life's more restless state?
Where all are toss'd,
And most are lost
By tides of passion, blasts of fate?
LVI
The world's the main,
How vext! how vain!
Ambition swells, and Anger foams;
May good men find,
Beneath the wind,
A noiseless shore, unruffled homes!
LVII
The public scene
Of harden'd men
Teach me, O teach me to despise!
The world few know
But to their woe,
Our crimes with our experience rise;
LVIII
All tender sense
Is banish'd thence,.
All maiden nature's first alarms;
What shock'd before
Disgusts no more,
And what disgusted has its charms
LIX
In landskips green
True Bliss is seen,
With Innocence, in shades, the sports;
In wealthy towns
Proud labour frowns,
And painted Sorrow smiles in courts.
LX
These scenes untry'd
45
Seduc'd my pride,
To Fortune's arrows bar'd my breast;
Till Wisdom came,
A hoary dame!
And told me pleasure was in rest.
LXI
"O may I steal
"Along the vale
"Of humble life, secure from foes!
"My friend sincere!
"My judgment clear!
"And gentle business my repose!
~ Edward Young,
217:To The Poet On The Subject Of Flowers
Thus continually towards the dark azure,
Where the sea of topazes shimmers,
Will function in your evening
The Lilies, those pessaries of ectasy!
In our own age sago,
When Plants work for their living,
The Lily will dring blue loathings
From you religious Proses!
- Monsieur de Kerdrel's fleur-de-lys,
The Sonnet of eighteen-thirty,
The Lily they bestow on the Bard
Together with the pink and the amaranth!
Lilies! lilies! None to be seen!
Yet in your Verse, like the sleeves
Of the soft-footed Women of Sin,
Always these white flowers shiver!
Always, Dear Man, when you bathe,
Your shirt with yellow oxters
Swells in the morning breezes
Above the muddy forget-menots!
Love get through your customs
Only Lilacs, - o eye-wash!
And the Wild Violets,
Sugary spittle of the dark Nymphs!...
II
O Poets, if you had
Roses, blown Roses,
Red upon laurel stems,
And swollen with a thousand octaves!
If Banville would make them snow down,
Blood-tinged, whirling,
215
Blacking the wild eye of the stranger
With his ill-disposed interpretations!
In your forests and in your meadows,
O very peaceful photographers!
The Flora is more or less diverse
Like the stoppers on decanters!
Always those French vegetables,
Cross-gained, phthisical, absurd,
Navigated by the peaceful bellies
Of basset-hounds in twilight;
Always, after frightful drawings
Of blue Lotuses or Sunflowers,
Pink prints, holy pictures
For young girls making their communion!
The Asoka Ode agrees with the
Loretto window stanza form;
And heavy vivid butterflies
Are dunging on the Daisy.
Old greenery, and old galloons!
O vegetable fancy biscuits!
fancy-flowers of old Drawing-rooms!
- For cockchafers, not rattlesnakes,
The pulling vegetable baby dolls
Which Grandville would have put round the margins,
And which sucked in their colours
From ill-natured stars with eyeshades!
Yes, the drooling from your shepherd's pipes
Make some priceless glucoses!
- Pile of fried eggs in hold hats,
Lilies, Asokas, Lilacs and Roses!...
III
O white Hunter, running sockingless
Across the panic Pastures,
216
Can you not, ought you not
To know your botany a little?
I'm afraid you'd make succeed,
To russet Crickets, Cantharides,
And Rio golds to blues of Rhine, In short, to Norways, Floridas:
But, My dear Chap, Art does not consist now,
- it's the truth, - in allowing
To the astonishing Eucalyptus
boa-constrictors a hexameter long;
There now!... As if Mahogany
Served only, even in our Guianas,
As helter-skelters for monkeys,
Among the heavy vertigo of the lianas!
- In short, is a Flower, Rosemary
Or Lily, dead or alive, worth
The excrement of one sea-bird?
Is it worth a solitary candle-drip?
- And I mean what I say!
You, even sitting over there, in a
Bamboo hut, - with the shutters
Closed, and brown Persian rugs for hangings, You would scrawl blossoms
Worthy of extravagant Oise!...
- Poet ! these are reasonnings
No less absurd than arrogant!...
IV
Speak, not of pampas in the spring
Black with terrible revolts,
But of tobacco and cotton trees!
Speak of exotic harvests!
Say, white face which Phoebus has tanned,
How many dollars
217
Pedro Velasquez of Habana ;
Cover with excrement the sea of Sorrento
Where the Swans go in thousands;
Let your lines campaign
For the clearing of the mangrove swamps
Riddled with pools and water-snakes!
Your quatrain plunges into the bloody thickets
And come back to offer to Humanity
Various subjects: white sugar,
Bronchial lozenges, and rubbers!
Let us know though You wheter the yellownesses
Of snow Peaks, near the Tropics,
Are insects which lay many eggs
Or microscopic lichens!
Find, o Hunter, we desire it,
One or two scented madder plants
Which Nature in trousers
May cause to bloom! - fr our Armies!
Find, on the outskirts of the Sleeping Wood,
Flowers, whick look like snouts,
Out of which drip golden pomades
On to the dark hair of buffaloes!
Find, in wild meadows, where on the Blue Grass
Shivers the silver of downy gowths,
Calyxex full of fiery Eggs
Cooking among the essential oils!
Find downy Thistles
Whose wool ten asses with glaring eyes
Labour to spin!
Find Flowers which are chairs!
Yes, find in the heart of coal-black seams
Flowers that are almost stones, - marvellous ones! Which, close to their hard pale ovaries
Bear gemlike tonsils!
218
Srve us, o Stuffer, this you can do,
On a splendid vermilion plate
Stews of syrupy Lilies
To corrode our German-silver spoons!
Someone will speak about great Love,
The thief of black Indulgences:
But neither Renan, nor Murr the cat
Have seen the immense Blue Thyrsuses!
You, quicken in our sluggishness,
By means of scents, hysteria;
Exalt us towards purities
Whiter than the Marys...
tradesman! colonial! Medium!
Your Rhyme will well up, pink or white,
Like a blaze of sodium,
Like a bleeding rubber-tree!
But from your dark Poems, - Juggler!
dioptric white and green and red,
Let strange flowers burst out
And electric butterflies!
See! it's the Century of hell!
And the telegraph poles
Are going to adorn, - the iron-voiced lyre,
Your magnificent shoulder blades!
Above all, give us a rhymed account
Of the potato blight!
- And, in order to compose
Poems full of mystery
Intended to be read from Tréguier
To Paramaribo, go and buy
A few volumes by Monsieur Figuier,
- Illustrated! - at Hachette's !
219
Alcide Bava
Original French
Ce qu'on dit au Poète
à propos de fleurs.
Ainsi, toujours, vers l'azur noir
Où tremble la mer des topazes,
Fonctionneront dans ton soir
Les Lys, ces clystères d'extases !
À notre époque de sagous,
Quand les Plantes sont travailleuses,
Le Lys boira les bleus dégoûts
Dans tes Proses religieuses !
- Le lys de monsieur de Kerdrel,
Le Sonnet de mil huit cent trente,
Le Lys qu'on donne au Ménestrel
Avec l'oeillet et l'amarante !
Des lys ! Des lys ! On n'en voit pas !
Et dans ton Vers, tel que les manches
Des Pécheresses aux doux pas,
Toujours frissonnent ces fleurs blanches !
Toujours, Cher, quand tu prends un bain,
Ta chemise aux aisselles blondes
Se gonfle aux brises du matin
Sur les myosotis immondes !
L'amour ne passe à tes octrois
Que les Lilas, - ô balançoires !
Et les Violettes du Bois,
Crachats sucrés des Nymphes noires !...
220
II
O Poètes, quand vous auriez
Les Roses, les Roses soufflées,
Rouges sur tiges de lauriers,
Et de mille octaves enflées !
Quand Banville en ferait neiger,
Sanguinolentes, tournoyantes,
Pochant l'oeil fou de l'étranger
Aux lectures mal bienveillantes !
De vos forêts et de vos prés,
O très paisibles photographes !
La Flore est diverse à peu près
Comme des bouchons de carafes !
Toujours les végétaux Français,
Hargneux, phtisiques, ridicules,
Où le ventre des chiens bassets
Navigue en paix, aux crépuscules ;
Toujours, après d'affreux dessins
De Lotos bleus ou d'Hélianthes,
Estampes roses, sujets saints
Pour de jeunes communiantes !
L'Ode Açoka cadre avec la
Strophe en fenêtre de lorette ;
Et de lourds papillons d'éclat
Fientent sur la Pâquerette.
Vieilles verdures, vieux galons !
O croquignoles végétales !
Fleurs fantasques des vieux Salons !
- Aux hannetons, pas aux crotales,
Ces poupards végétaux en pleurs
Que Grandville eût mis aux lisières,
Et qu'allaitèrent de couleurs
De méchants astres à visières !
221
Oui, vos bavures de pipeaux
Font de précieuses glucoses !
- Tas d'oeufs frits dans de vieux chapeaux,
Lys, Açokas, Lilas et Roses !...
III
O blanc Chasseur, qui cours sans bas
À travers le Pâtis panique,
Ne peux-tu pas, ne dois-tu pas
Connaître un peu ta botanique ?
Tu ferais succéder, je crains,
Aux Grillons roux les Cantharides,
L'or des Rios au bleu des Rhins, Bref, aux Norwèges les Florides :
Mais, Cher, l'Art n'est plus, maintenant,
- C'est la vérité, - de permettre
À l'Eucalyptus étonnant
Des constrictors d'un hexamètre ;
Là !... Comme si les Acajous
Ne servaient, même en nos Guyanes,
Qu'aux cascades des sapajous,
Au lourd délire des lianes !
- En somme, une Fleur, Romarin
Ou Lys, vive ou morte, vaut-elle
Un excrément d'oiseau marin ?
Vaut-elle un seul pleur de chandelle ?
- Et j'ai dit ce que je voulais !
Toi, même assis là-bas, dans une
Cabane de bambous, - volets
Clos, tentures de perse brune, Tu torcherais des floraisons
Dignes d'Oises extravagantes !...
- Poète ! ce sont des raisons
Non moins risibles qu'arrogantes !...
222
IV
Dis, non les pampas printaniers
Noirs d'épouvantables révoltes,
Mais les tabacs, les cotonniers !
Dis les exotiques récoltes !
Dis, front blanc que Phébus tanna,
De combien de dollars se rente
Pedro Velasquez, Habana ;
Incague la mer de Sorrente
Où vont les Cygnes par milliers ;
Que tes strophes soient des réclames
Pour l'abatis des mangliers
Fouillés des Hydres et des lames !
Ton quatrain plonge aux bois sanglants
Et revient proposer aux Hommes
Divers sujets de sucres blancs,
De pectoraires et de gommes !
Sachons par Toi si les blondeurs
Des Pics neigeux, vers les Tropiques,
Sont ou des insectes pondeurs
Ou des lichens microscopiques !
Trouve, ô Chasseur, nous le voulons,
Quelques garances parfumées
Que la Nature en pantalons
Fasse éclore ! - pour nos Armées !
Trouve, aux abords du Bois qui dort,
Les fleurs, pareilles à des mufles,
D'où bavent des pommades d'or
Sur les cheveux sombres des Buffles !
Trouve, aux prés fous, où sur le Bleu
Tremble l'argent des pubescences,
Des calices pleins d'Oeufs de feu
Qui cuisent parmi les essences !
223
Trouve des Chardons cotonneux
Dont dix ânes aux yeux de braises
Travaillent à filer les noeuds !
Trouve des Fleurs qui soient des chaises !
Oui, trouve au coeur des noirs filons
Des fleurs presque pierres, - fameuses ! Qui vers leurs durs ovaires blonds
Aient des amygdales gemmeuses !
Sers-nous, ô Farceur, tu le peux,
Sur un plat de vermeil splendide
Des ragoûts de Lys sirupeux
Mordant nos cuillers Alfénide !
Quelqu'un dira le grand Amour,
Voleur des sombres Indulgences :
Mais ni Renan, ni le chat Murr
N'ont vu les Bleus Thyrses immenses !
Toi, fais jouer dans nos torpeurs,
Par les parfums les hystéries ;
Exalte-nous vers les candeurs
Plus candides que les Maries...
Commerçant ! colon ! médium !
Ta Rime sourdra, rose ou blanche,
Comme un rayon de sodium,
Comme un caoutchouc qui s'épanche !
De tes noirs Poèmes, - Jongleur !
Blancs, verts, et rouges dioptriques,
Que s'évadent d'étranges fleurs
Et des papillons électriques !
Voilà ! c'est le Siècle d'enfer !
Et les poteaux télégraphiques
Vont orner, - lyre aux chants de fer,
Tes omoplates magnifiques !
224
Surtout, rime une version
Sur le mal des pommes de terre !
- Et, pour la composition
De poèmes pleins de mystère
Qu'on doive lire de Tréguier
À Paramaribo, rachète
Des Tomes de Monsieur Figuier,
- Illustrés ! - chez Monsieur Hachette !
Alcide Bava
~ Arthur Rimbaud,
218:THE STILLEST HOUR

What happened to me, my friends? You see me distracted, driven away, unwillingly obedient, prepared to
go-alas, to go away from you. Indeed, Zarathustra
must return once more to his solitude; but this time
the bear goes back to his cave without joy. What happened to me? Who ordered this? Alas, my angry mistress wants it, she spoke to me; have I ever yet
mentioned her name to you? Yesterday, toward evening,
there spoke to me my stillest hour: that is the name of
my awesome mistress. And thus it happened; for I must
tell you everything lest your hearts harden against me
for departing suddenly.
Do you know the fright of him who falls asleep? He
is frightened down to his very toes because the ground
gives under him and the dream begins. This I say to
you as a parable. Yesterday, in the stillest hour, the
ground gave under me, the dream began. The hand
moved, the clock of my life drew a breath; never had
I heard such stillness around me: my heart took fright.
Then it spoke to me without voice: "You know it,
Zarathustra?" And I cried with fright at this whispering,
and the blood left my face; but I remained silent.
Then it spoke to me again without voice: "You know
it, Zarathustra, but you do not say itl" And at last I
answered defiantly: "Yes, I know it, but I do not want
to say itl"
Then it spoke to me again without voice: "You do
not want to, Zarathustra? Is this really true? Do not
hide in your defiance." And I cried and trembled like
a child and spoke: "Alas, I would like to, but how can
I? Let me off from this! It is beyond my strength!"
Then it spoke to me again without voice: "What do
146
you matter, Zarathustra? Speak your word and break"
And I answered: "Alas, is it my word? Who am l?
I await the worthier one; I am not worthy even of being
broken by it."
Then it spoke to me again without voice: "What do
you matter? You are not yet humble enough for me.
Humility has the toughest hide." And I answered:
'
at the foot of my height. How high are my peaks? No
one has told me yet. But my valleys I know well."
Then it spoke to me again without voice: "O Zarathustra, he who has to move mountains also moves
valleys and hollows." And I answered: "As yet my
words have not moved mountains, and what I said did
not reach men. Indeed, I have gone to men, but as yet
I have not arrived."
Then it spoke to me again without voice: "What do
you know of that? The dew falls on the grass when the
night is most silent." And I answered: "They mocked
me when I found and went my own way; and in truth
my feet were trembling then. And thus they spoke to
me: 'You have forgotten the way, now you have also
forgotten how to walk.'"
Then it spoke to me again without voice: "What
matters their mockery? You are one who has forgotten
how to obey: now you shall command. Do you not
know who is most needed by all? He that commands
great things. To do great things is difficult; but to
comm and great things is more difficult. This is what
is most unforgivable in you: you have the power, and
you do not want to rule." And I answered: "I lack the
lion's voice for commanding."
Then it spoke to me again as a whisper: "It is the
stillest words that bring on the storm. Thoughts that
come on doves' feet guide the world. 0 Zarathustra, you
147
shall go as a shadow of that which must come: thus you
will comm and and, commanding, lead the way." And I
answered: "I am ashamed."
Then it spoke to me again without voice: "You must
yet become as a child and without shame. The pride of
youth is still upon you; you have become young late;
but whoever would become as a child must overcome
his youth too." And I reflected for a long time and
trembled. But at last I said what I had said at first; "I
do not want to."
Then laughter surrounded me. Alas, how this laughter tore my entrails and slit open my heart! And it
spoke to me for the last time: "O Zarathustra, your
fruit is ripe, but you are not ripe for your fruit. Thus
you must return to your solitude again; for you must
yet become mellow." And again it laughed and fled;
then it became still around me as with a double stillness. But I lay on the ground and sweat poured from
my limbs.
Now you have heard all, and why I must return to
my solitude. Nothing have I kept from you, my friends.
But this too you have heard from me, who is still the
most taciturn of all men-and wants to be. Alas, my
friends, I still could tell you something, I still could
give you something. Why do I not give it? Am I stingy?
But when Zarathustra had spoken these words he was
overcome by the force of his pain and the nearness of
his parting from his friends, and he wept loudly; and
no one knew how to comfort him. At night, however,
he went away alone and left his friends.
148

Thus Spoke Zarathustra: Third Part
You look up when you feel the need for elevation.
And I look down because I am elevated. Who
among you can laugh and be elevated at the same
time? Whoever climbs the highest mountains
laughs at all tragic plays and tragic seriousness.
(Zarathustra, "On Reading and Writing," I, p.
40)
TRANSLATOR S NOTES

1. The Wanderer: The contrast between Zarathustra's sentimentality and his praise of hardness remains characteristic
of the rest of the book.
2. On the Vision and the Riddle: Zarathustra's first account
of the eternal recurrence (see my Nietzsche, .i, II) is
followed by a proto-surrealistic vision of a triumph over
nausea.
3. On Involuntary Bliss: Zarathustra still cannot face the
thought of the eternal recurrence.
4. Before Sunrise: An ode to the sky. Another quotation
from Zweig's essay on Nietzsche seems pertinent: "His
nerves immediately register every meter of height and
every pressure of the weather as a pain in his organs, and
they react rebelliously to every revolt in nature. Rain or
gloomy skies lower his vitality ('overcast skies depress me
deeply'), the weight of low clouds he feels down into his
very intestines, rain 'lowers the potential,' humidity debilitates, dryness vivifies, sunshine is salvation, winter is a kind
of paralysis and death. The quivering barometer needle of
his April-like, changeable nerves never stands still-most
nearly perhaps in cloudless landscapes, on the windless tablelands of the Engadine." In this chapter the phrase "beyond
good and evil" is introduced; also one line, slightly varied,
of the "Drunken Song" (see below). Another important
149
theme in Nietzsche's thought: the praise of chance and "a
little reason" as opposed to any divine purpose.
5. On Virtue That Makes Small: "Do whatever you will,
but . . .": What Nietzsche is concerned with is not casuistry but character, not a code of morals but a kind of man,
not a syllabus of behavior but a state of being.
6. Upon the Mount of Olives: "'The ice of knowledge will
yet freeze him to death!' they moan." Compare Stefan
George's poem on the occasion of Nietzsche's death (my
Nietzsche, Prologue, II): "He came too late who said to thee
imploring: There is no way left over icy cliffs."
7. On Passing By: Zarathustra's ape, or "grunting swine,"
unintentionally parodies Zarathustra's attitude and style.
His denunciations are born of wounded vanity and vengefulness, while Zarathustra's contempt is begotten by love;
and "where one can no longer love, there one should pass
by."
8. On Apostates: Stylistically, Zarathustra is now often little
better than his ape. But occasional epigrams show his old
power: the third paragraph in section 2, for instance.
9. The Return Home: "Among men you will always seem
wild and strange," his solitude says to Zarathustra. But
"here all things come caressingly to your discourse and flatter
you, for they want to ride on your back. On every parable
you ride to every truth." The discipline of communication might have served the philosopher better than the
indiscriminate flattery of his solitude. But in this respect
too, it was not given to Nietzsche to live in blissful
ignorance: compare, for example, "The Song of Melancholy" in Part Four.
io. On the Three Evils: The praise of so-called evil as an
ingredient of greatness is central in Nietzsche's thought,
from his early fragment, Homer's Contest, to his Antichrist.
There are few problems the self-styled immoralist pursued
so persistently. Whether he calls attention to the element
of cruelty in the Greek agon or denounces Christianity for
vilifying sex, whether he contrasts sublimation and extirpation or the egoism of the creative and the vengeful: all
these are variations of one theme. In German, the three
evils in this chapter are Wollust, Herrschsucht, Selbstsucht.
For the first there is no exact equivalent in English. In
this chapter, "lust" might do in some sentences, "voluptuousness" in others, but each would be quite inaccurate
half the time, and the context makes it imperative that
the same word be used throughout. There is only one
word in English that renders Nietzsche's meaning perfectly
in every single sentence: sex. Its only disadvantage: it is,
to put it mildly, a far less poetic word than Wollust, and
hence modifies the tone though not Nietzsche's meaning.
But if we reflect on the three things which, according to
Nietzsche, had been maligned most, under the influence of
Christianity, and which he sought to rehabilitate or revaluate-were they not selfishness, the will to power, and sex?
Nietzsche's early impact was in some ways comparable to
that of Freud or Havelock Ellis. But prudery was for him
at most one of three great evils, one kind of hypocrisy, one
aspect of man's betrayal of the earth and of himself.
i1. On the Spirit of Gravity: It is not only the metaphor
of the camel that points back to the first chapter of Part
One: the dead weight of convention is a prime instance of
what is meant by the spirit of gravity; and the bird that
outsoars tradition is, like the child and the self-propelled
wheel at the beginning of the book, a symbol of creativity.
The creator, however, is neither an "evil beast" nor an
"evil tamer of beasts"-neither a profligate nor an ascetic:
he integrates what is in him, perfects and lavishes himself, and says, "This is my way; where is yours?" Michelangelo and Mozart do not offer us "the way" but a challenge and a promise of what is possible.
12. On Old and New Tablets: Attempt at a grand summary,
full of allusions to, and quotations from, previous chapters
Its unevenness is nowhere more striking than in section 12,
with its puns on "crusades." Such sections as 5, 7, and 8,
on the other hand, certainly deserve attention. The despot
in section ii, who has all history rewritten, seems to point
forward in time to Hitler, of whose racial legislation it
151
could indeed be said: "with the grandfa ther, however,
time ends." Section 15 points back to Luther. Section zo
exposes in advance Stefan George's misconception when he
ended his second poem on Nietzsche (my Nietzsche, p.
iil):
"The warner went-the wheel that downward rolls /
To emptiness no arm now tackles in the spokes." The
penultimate paragraph of this section is more "playful"
in the original: Ein Vorspiel bin ich besserer Spieler, oh
meine Braiderl Ein Beispiell In section 25 the key word is
Versuch, one of Nietzsche's favorite words, which means
experiment, attempt, trial. Sometimes he associates it with
suchen, searching. (In Chapter 2, "On the Vision and
the Riddle," Sucher, Versucher has been rendered "searchers, researchers.") Section 29, finally, is used again, with
minute changes, to conclude Twilight of the Idols.
13. The Convalescent: Zarathustra still cannot face the
thought of the eternal recurrence but speaks about human
speech and cruelty. In the end, his animals expound the
eternal recurrence.
14 On the Great Longing: Hymn to his soul: Zarathustra
and his soul wonder which of them should be grateful to
the other.
15. The Other Dancing Song: Life and wisdom as women
again; but in this dancing song, life is in complete control,
and when Zarathustra's imagination runs away with him
he gets his face slapped. What he whispers into the ear
of life at the end of section 2 is, no doubt, that after his
death he will yet recur eternally. The song at the end,
punctuated by the twelve strokes of the bell, is interpreted
in "The Drunken Song" in Part Four.
i6. The Seven Seals: The eternal recurrence of the small
man no longer nauseates Zarathustra. His affirmation now is
boundless and without reservation: "For I love you, 0
eternity."
~ Friedrich Nietzsche, THE STILLEST HOUR
,
219:The Happy Harvester
I.
Autumn, like an old poet in a haze
Of golden visions, dreams away his days,
So Hafiz-like that one may almost hear
The singer's thoughts imbue the atmosphere;
Sweet as the dreamings of the nightingales
Ere yet their songs have waked the eastern vales,
Or stirred the airy echoes of the wood
That haunt the forest's social solitude.
His thoughts are pastorals; his days are rife
With the calm wisdom of that inner life
That makes the poet heir to worlds unknown,
All space his empire, and the sun his throne.
As the bee stores the sweetness of the flowers,
So into autumn's variegated hours
Is hived the Hybla richness of the year;
Choice souls imbibing the ambrosial cheer,
As autumn, seated on the highest hills,
Gleans honied secrets from the passing rills;
While from below, the harvest canzonas
Link vale to mountain with a chain of praise.
Foremost among the honoured sons of toil
Are they who overcome the stubborn soil;
Brave Cincinnatus in his country home
Was even greater than when lord of Rome.
Down sinks the sun behind the lofty pines
That skirt the mountain, like the straggling lines
Of Ceres' army looking from the height
On the dim lowlands deepening into night;
Soft-featured twilight, peering through the maze,
Sees the first starbeam pierce the purple haze;
Through all the vales the vespers of the birds
Cheer the young shepherds homeward with their herds;
And the stout axles of the heavy wain
Creak 'neath the fulness of the ripened grain,
As the swarth builders of the precious load,
Returning homewards, sing their Autumn Ode.
145
AUTUMN ODE.
God of the Harvest! Thou, whose sun
Has ripened all the golden grain,
We bless Thee for Thy bounteous store,
The cup of Plenty running o'er,
The sunshine and the rain.
The year laughs out for very joy,
Its silver treble echoing
Like a sweet anthem through the woods,
Till mellowed by the solitudes
It folds its glossy wing.
But our united voices blend
From day to day unweariedly;
Sure as the sun rolls up the morn,
Or twilight from the eve is born,
Our song ascends to Thee.
Where'er the various-tinted woods,
In all their autumn splendour dressed,
Impart their gold and purple dyes
To distant hills and farthest skies
Along the crimson west:
Across the smooth, extended plain,
By rushing stream and broad lagoon,
On shady height and sunny dale,
Wherever scuds the balmy gale,
Or gleams the autumn moon:
From inland seas of yellow grain,
Where cheerful Labour, heaven-blest,
With willing hands and keen-edged scythe,
And accents musically blythe,
Reveals its lordly crest:
From clover-fields and meadows wide,
Where moves the richly-laden wain
146
To barns well-stored with new-made hay,
Or where the flail at early day
Rolls out the ripened grain:
From meads and pastures on the hills,
And in the mountain valleys deep,
Alive with beeves and sweet-breathed kine
Of famous Ayr or Devon's line,
And shepherd-guarded sheep:
The spirits of the golden year,
From crystal caves and grottoes dim,
From forest depths and mossy sward,
Myriad-tongued, with one accord
Peal forth their harvest hymn.
II.
Their daily labour in the happy fields
A two-fold crop of grain and pleasure yields,
While round their hearths, before their evening fires,
Whore comfort reigns, whence weariness retires,
The level tracts, denuded of their grain,
In calm dispute are bravely shorn again,
Till some rough reaper, on a tide of song,
Like a bold pirate, captivates the throng:
A SONG FOR THE FLAIL.
A song, a song for the good old Flail,
And the brawny arms that wield it,
Hearty and hale, in our yeoman mail,
Like intrepid knights we'll shield it.
We are old nature's peers,
Right royal cavaliers!
Knights of the Plough! for no Golden Fleece we sail,
We're Princes in our own right-our sceptre is the Flail.
A song, a song for the golden grain,
As it wooes the flail's embraces,
147
In wavy sheaves like a golden main,
With its bright spray in our faces.
Mirth hastens at our call,
Jovial hearts have we all!
Knights of the Plough! for no Golden Fleece we sail,
We're Princes in our own right-our sceptre is the Flail.
A song, a song for the good old Flail,
That our fathers used before us;
A song for the Flail, and the faces hale
Of the queenly dames that bore us!
We are old nature's peers,
Right royal cavaliers!
Knights of the Plough! for no Golden Fleece we sail,
We're Princes in our own right-our sceptre is the Flail.
III.
Fair was the maid, and lovely as the morn
From starry Night and rosy Twilight born,
Within whose mind a rivulet of song
Rehearsed the strains that from her lips ere long
Welled free and sparkling, as the vocal woods
Repeat the day-spring's sweetest interludes.
Her gentle eyes' serenest depths of blue
Shrined love and truth, and all their retinue;
The health and beauty of her youthful face
Made it the Harem of each maiden grace;
And such perfection blended with her air,
She seemed some stately Goddess moving there:
Beholding her, you thought she might have been
The long-lost, flower-loving Proserpine:
AN AUTUMN CHANGE.
'Oh, dreamy autumn days!
I seek your faded ways,
As one who calmly strays
Through visions of the past;
148
I walk the golden hours,
And where I gathered flowers
The stricken leaves in showers
Are hurled upon the blast.'
Thus mused the lonely maid,
As through the autumn glade,
With pensive heart, she strayed,
Regretting Love's delay;
In vain the traitor flies!
To pleading lips and eyes,
Sweet looks, and tender sighs,
He falls an easy prey.
'Oh, dreamy autumn days!
I tread your bridal ways,
As one who homeward strays,
Through realms divinely fair;
I walk Love's radiant hours,
Fragrant with passion flowers,
And blessings fall like dowers
Down the elysian air.'
Thus mused the maiden now,
With sunny heart and brow,
For Love had turned his prow
Towards the Golden Isles,
Where from Pierean springs
The soul of Music sings
Its sweet imaginings,
Through all the Land of Smiles.
IV.
Up the wide chimney rolls the social fire,
Warming the hearts of matron, youth, and sire;
Painting such grotesque shadows on the wall,
The stripling looms a giant stout and tall,
While they whose statures reach the common height
Seem spectres mocking the hilarious night.
149
From hand to hand the ripened fruit went round,
And rural sports a pleased acceptance found;
The youthful fiddler on his three-legged stool,
Fancied himself at least an Ole Bull;
Some easy bumpkin, seated on the floor,
Hunted the slipper till his ribs were sore;
Some chose the graceful waltz or lively reel,
While deeper heads the chess battalions wheel
Till some old veteran, compelled to yield,
More brave than skilful, vanquished, quits the field.
As a flushed harper, when the doubtful fight
Favors the prowess of some stately knight,
In stirring numbers of triumphal song
Upholds the spirits of the victor throng,
A sturdy ploughboy, wedded to the soil,
Thus sung the praises of the partner of his toil:
THE SOLDIERS OF THE PLOUGH.
No maiden dream, nor fancy theme,
Brown Labour's muse would sing;
Her stately mien and russet sheen
Demand a stronger wing,
Long ages since, the sage, the prince,
The man of lordly brow,
All honour gave that army brave,
The Soldiers of the Plough.
Kind heaven speed the Plough!
And bless the hands that guide it;
God gives the seedThe bread we need,
Man's labour must provide it.
In every land, the toiling hand
Is blest as it deserves;
Not so the race who, in disgrace,
From honest labour swerves.
From fairest bowers bring rarest flowers,
To deck the swarthy brow
Of those whose toil improves the soil,
150
The Soldiers of the Plough.
Kind heaven speed the Plough!
And bless the hands that guide it;
God gives the seedThe bread we need,
Man's labour must provide it.
Blest is his lot, in hall or cot,
Who lives as nature wills,
Who pours his corn from Ceres' horn,
And quaffs his native rills!
No breeze that sweeps trade's stormy deeps,
Can touch his golden prow;
Their foes are few, their lives are true,
The Soldiers of the Plough.
Kind heaven speed the Plough!
And bless the hands that guide it;
God gives the seedThe bread we need,
Man's labour must provide it.
V.
Fast sped the rushing chariot of the Hours.
Without, the Harvest Moon, through fleecy bowers
Of hazy cloudlets, swept her graceful way,
Proud as an empress on her marriage-day;
The admiring planets lit her stately march
With smiles that gleamed along the silent arch,
And all the starry midnight blazed with light,
As if 'twere earth and heaven's nuptial-night;
The cock crowed, certain that the day had broke,
The aged house-dog suddenly awoke,
And bayed so loud a challenge to the moon,
From the old orchard fled the thievish 'coon;
Within, the lightest hearts that ever beat
Still found their harmless pleasures pure and sweet;
The fire still burned on the capacious hearth,
In sympathy with the redundant mirth;
Old graybeards felt the glow of youth revive,
151
Old matrons smiled upon the human hive,
Where life's rare nectar, fit for gods to sip,
In forfeit kisses passed from lip to lip.
Be hushed rude Mirth! as merry as the May
Is she who comes to sing her roundelay:
CLAIRE.
Whither now, blushing Claire?
Maid of the sylph-like air,
Blooming and debonair,
Whither so early?
Chasing the merry morn,
Down through the golden corn?
List'ning the hunter's horn
Ring through the barley?
'Flowerets fresh and fair,'
Answered the blushing Claire,
'Fit for my bridal hair,
Bloom 'mongst the barley;
Hark! 'tis the hunter's horn,
Waking the sylvan morn,
And through the yellow corn
Comes my brave Charlie.'
Through the dew-dripping grain
Pressed the heart-stricken swain,
Crushed with a weight of pain,
Drooped like the barley;
Ah! timid shepherd boy!
Man's love should ne'er be coy,
Sweet is Claire's maiden joy,
Kissing her Charlie!
VI.
A pleasant soul as ever trilled a song
Was hers who warbled 'Claire.' All the day long
152
Her voice was ringing like a bridal bell;
Gladness and joy leaped up at every swell;
And love was deeper, warmer, for the tone
That clasped the heart like an enchanted zone.
A youth was there more comely than the rest,
One who could turn a furrow with the best,
Compete for manly strength and portly air,
Or wield a scythe with any reaper there.
The spirit of her voice had moved above
The waters of his soul, and waked his song to Love:
BALLAD.
'Come tell me, merry Brooklet, of a gentle Maid I seek,
Thou'lt know her by the freshness of the rose upon her cheek;
Her eyes are chaste and tender, and so serenely bright,
You can read her heart's pure secrets by their warm religious light.'
'The Maid has not come hither,' said the Brooklet in reply;
'I've listened for her footfall ere the stars were in the sky;
The Fountain has been singing of a Maid, with eyes so bright
You may read the cherished secrets of her bosom by their light.'
'Pray tell me, merry Brooklet, what saith her thoughts of one
Who wronged her loving nature ere the setting of the sun?
What say they of yon autumn moon that smiles so mournfully
On the slowly-dying season, and the blasted moorland tree?'
'She sitteth by the Fountain,' the Brook replied again,
'Her heart as pure as heaven, and her thoughts without a stain;
'Oh, fickle moon, and changeful man!' she saith, 'a year ago
All the paths were true-love-lighted where I'm groping now in woe.'
'She sitteth by the Fountain, the gentle mists arise,
And kiss away the tear-pearls that tremble in her eyes,
The Fountain singeth to me that the Maiden in her dream
Shrinks as the vapours claim her as the Oread of the stream.'
Off sped the merry Streamlet adown the sloping vale;
The Shepherd seeks the Fountain, where sits the Maiden pale;
And to the wandering Brooklet, through many a lonely wild,
153
The burden of the Fountain was, that Love was reconciled.
VII.
But soon the Morn, on many a distant height,
Fingers the raven locks of lingering Night;
The last dark shadows that precede the day
Have stripped the splendour from the Milky Way;
And Nature seems disturbed by fitful dreams,
As one who shudders when the owlet screams;
The painful burden of the Whippoorwill,
Like a vague Sorrow, floats from hill to hill;
Along the vales the doleful accents run,
Where the white vapours dread the burning sun;
While human voices stir the haunted air,
One sings 'the Plough,' another warbles 'Claire:'
The Happy Harvesters, a lightsome throng,
Dispersing homewards, prove the excellence of Song.
~ Charles Sangster,
220:Yet, Freedom, yet, thy banner, torn but flying,
Streams like a thunder-storm against the wind.--BYRON.

I.
A glorious people vibrated again
The lightning of the nations: Liberty
From heart to heart, from tower to tower, o'er Spain,
Scattering contagious fire into the sky,
Gleamed. My soul spurned the chains of its dismay,
And in the rapid plumes of song
Clothed itself, sublime and strong;
As a young eagle soars the morning clouds among,
Hovering inverse o'er its accustomed prey;
Till from its station in the Heaven of fame
The Spirit's whirlwind rapped it, and the ray
Of the remotest sphere of living flame
Which paves the void was from behind it flung,
As foam from a ship's swiftness, when there came
A voice out of the deep: I will record the same.

II.
The Sun and the serenest Moon sprang forth:
The burning stars of the abyss were hurled
Into the depths of Heaven. The daedal earth,
That island in the ocean of the world,
Hung in its cloud of all-sustaining air:
But this divinest universe
Was yet a chaos and a curse,
For thou wert not: but, power from worst producing worse,
The spirit of the beasts was kindled there,
And of the birds, and of the watery forms,
And there was war among them, and despair
Within them, raging without truce or terms:
The bosom of their violated nurse
Groaned, for beasts warred on beasts, and worms on worms,
And men on men; each heart was as a hell of storms.

III.
Man, the imperial shape, then multiplied
His generations under the pavilion
Of the Suns throne: palace and pyramid,
Temple and prison, to many a swarming million
Were, as to mountain-wolves their ragged caves.
This human living multitude
Was savage, cunning, blind, and rude,
For thou wert not; but oer the populous solitude,
Like one fierce cloud over a waste of waves,
Hung Tyranny; beneath, sate deified
The sister-pest, congregator of slaves;
Into the shadow of her pinions wide
Anarchs and priests, who feed on gold and blood
Till with the stain their inmost souls are dyed,
Drove the astonished herds of men from every side.

IV.
The nodding promontories, and blue isles,
And cloud-like mountains, and dividuous waves
Of Greece, basked glorious in the open smiles
Of favouring Heaven: from their enchanted caves
Prophetic echoes flung dim melody.
On the unapprehensive wild
The vine, the corn, the olive mild,
Grew savage yet, to human use unreconciled;
And, like unfolded flowers beneath the sea,
Like the mans thought dark in the infants brain,
Like aught that is which wraps what is to be,
Arts deathless dreams lay veiled by many a vein
Of Parian stone; and, yet a speechless child,
Verse murmured, and Philosophy did strain
Her lidless eyes for thee; when oer the Aegean main.

V.
Athens arose: a city such as vision
Builds from the purple crags and silver towers
Of battlemented cloud, as in derision
Of kingliest masonry: the ocean-floors
Pave it; the evening sky pavilions it;
Its portals are inhabited
By thunder-zoned winds, each head
Within its cloudy wings with sun-fire garlanded,--
A divine work! Athens, diviner yet,
Gleamed with its crest of columns, on the will
Of man, as on a mount of diamond, set;
For thou wert, and thine all-creative skill
Peopled, with forms that mock the eternal dead
In marble immortality, that hill
Which was thine earliest throne and latest oracle.

VI.
Within the surface of Times fleeting river
Its wrinkled image lies, as then it lay
Immovably unquiet, and for ever
It trembles, but it cannot pass away!
The voices of thy bards and sages thunder
With an earth-awakening blast
Through the caverns of the past:
(Religion veils her eyes; Oppression shrinks aghast):
A winged sound of joy, and love, and wonder,
Which soars where Expectation never flew,
Rending the veil of space and time asunder!
One ocean feeds the clouds, and streams, and dew;
One Sun illumines Heaven; one Spirit vast
With life and love makes chaos ever new,
As Athens doth the world with thy delight renew.

VII.
Then Rome was, and from thy deep bosom fairest,
Like a wolf-cub from a Cadmaean Maenad,
She drew the milk of greatness, though thy dearest
From that Elysian food was yet unweaned;
And many a deed of terrible uprightness
By thy sweet love was sanctified;
And in thy smile, and by thy side,
Saintly Camillus lived, and firm Atilius died.
But when tears stained thy robe of vestal-whiteness,
And gold profaned thy Capitolian throne, 100
Thou didst desert, with spirit-winged lightness,
The senate of the tyrants: they sunk prone
Slaves of one tyrant: Palatinus sighed
Faint echoes of Ionian song; that tone
Thou didst delay to hear, lamenting to disown

VIII.
From what Hyrcanian glen or frozen hill,
Or piny promontory of the Arctic main,
Or utmost islet inaccessible,
Didst thou lament the ruin of thy reign,
Teaching the woods and waves, and desert rocks,
And every Naiads ice-cold urn,
To talk in echoes sad and stern
Of that sublimest lore which man had dared unlearn?
For neither didst thou watch the wizard flocks
Of the Scald's dreams, nor haunt the Druid's sleep.
What if the tears rained through thy shattered locks
Were quickly dried? for thou didst groan, not weep,
When from its sea of death, to kill and burn,
The Galilean serpent forth did creep,
And made thy world an undistinguishable heap.

IX.
A thousand years the Earth cried, 'Where art thou?'
And then the shadow of thy coming fell
On Saxon Alfreds olive-cinctured brow:
And many a warrior-peopled citadel.
Like rocks which fire lifts out of the flat deep,
Arose in sacred Italy,
Frowning o'er the tempestuous sea
Of kings, and priests, and slaves, in tower-crowned majesty;
That multitudinous anarchy did sweep
And burst around their walls, like idle foam,
Whilst from the human spirits deepest deep
Strange melody with love and awe struck dumb
Dissonant arms; and Art, which cannot die,
With divine wand traced on our earthly home
Fit imagery to pave Heavens everlasting dome.

X.
Thou huntress swifter than the Moon! thou terror
Of the worlds wolves! thou bearer of the quiver,
Whose sunlike shafts pierce tempest-winged Error,
As light may pierce the clouds when they dissever
In the calm regions of the orient day!
Luther caught thy wakening glance;
Like lightning, from his leaden lance
Reflected, it dissolved the visions of the trance
In which, as in a tomb, the nations lay;
And Englands prophets hailed thee as their queen,
In songs whose music cannot pass away,
Though it must flow forever: not unseen
Before the spirit-sighted countenance
Of Milton didst thou pass, from the sad scene
Beyond whose night he saw, with a dejected mien.

XI.
The eager hours and unreluctant years
As on a dawn-illumined mountain stood.
Trampling to silence their loud hopes and fears,
Darkening each other with their multitude,
And cried aloud, 'Liberty!' Indignation
Answered Pity from her cave;
Death grew pale within the grave,
And Desolation howled to the destroyer, Save!
When like Heavens Sun girt by the exhalation
Of its own glorious light, thou didst arise.
Chasing thy foes from nation unto nation
Like shadows: as if day had cloven the skies
At dreaming midnight oer the western wave,
Men started, staggering with a glad surprise,
Under the lightnings of thine unfamiliar eyes.

XII.
Thou Heaven of earth! what spells could pall thee then
In ominous eclipse? a thousand years
Bred from the slime of deep Oppressions den.
Dyed all thy liquid light with blood and tears.
Till thy sweet stars could weep the stain away;
How like Bacchanals of blood
Round France, the ghastly vintage, stood
Destruction's sceptred slaves, and Follys mitred brood!
When one, like them, but mightier far than they,
The Anarch of thine own bewildered powers,
Rose: armies mingled in obscure array,
Like clouds with clouds, darkening the sacred bowers
Of serene Heaven. He, by the past pursued,
Rests with those dead, but unforgotten hours,
Whose ghosts scare victor kings in their ancestral towers.

XIII.
England yet sleeps: was she not called of old?
Spain calls her now, as with its thrilling thunder
Vesuvius wakens Aetna, and the cold
Snow-crags by its reply are cloven in sunder:
Oer the lit waves every Aeolian isle 185
From Pithecusa to Pelorus
Howls, and leaps, and glares in chorus:
They cry, 'Be dim; ye lamps of Heaven suspended o'er us!'
Her chains are threads of gold, she need but smile
And they dissolve; but Spains were links of steel,
Till bit to dust by virtues keenest file.
Twins of a single destiny! appeal
To the eternal years enthroned before us
In the dim West; impress us from a seal,
All ye have thought and done! Time cannot dare conceal.

XIV.
Tomb of Arminius! render up thy dead
Till, like a standard from a watch-towers staff,
His soul may stream over the tyrants head;
Thy victory shall be his epitaph,
Wild Bacchanal of truths mysterious wine,
King-deluded Germany,
His dead spirit lives in thee.
Why do we fear or hope? thou art already free!
And thou, lost Paradise of this divine
And glorious world! thou flowery wilderness!
Thou island of eternity! thou shrine
Where Desolation, clothed with loveliness,
Worships the thing thou wert! O Italy,
Gather thy blood into thy heart; repress
The beasts who make their dens thy sacred palaces.

XV.
Oh, that the free would stamp the impious name
Of KING into the dust! or write it there,
So that this blot upon the page of fame
Were as a serpents path, which the light air
Erases, and the flat sands close behind!
Ye the oracle have heard:
Lift the victory-flashing sword.
And cut the snaky knots of this foul gordian word,
Which, weak itself as stubble, yet can bind
Into a mass, irrefragably firm,
The axes and the rods which awe mankind;
The sound has poison in it, tis the sperm
Of what makes life foul, cankerous, and abhorred;
Disdain not thou, at thine appointed term,
To set thine armed heel on this reluctant worm.

XVI.
Oh, that the wise from their bright minds would kindle
Such lamps within the dome of this dim world,
That the pale name of PRIEST might shrink and dwindle
Into the hell from which it first was hurled,
A scoff of impious pride from fiends impure;
Till human thoughts might kneel alone,
Each before the judgement-throne
Of its own aweless soul, or of the Power unknown!
Oh, that the words which make the thoughts obscure
From which they spring, as clouds of glimmering dew
From a white lake blot Heavens blue portraiture,
Were stripped of their thin masks and various hue
And frowns and smiles and splendours not their own,
Till in the nakedness of false and true
They stand before their Lord, each to receive its due!

XVII.
He who taught man to vanquish whatsoever
Can be between the cradle and the grave
Crowned him the King of Life. Oh, vain endeavour!
If on his own high will, a willing slave,
He has enthroned the oppression and the oppressor
What if earth can clothe and feed
Amplest millions at their need,
And power in thought be as the tree within the seed?
Or what if Art, an ardent intercessor,
Driving on fiery wings to Natures throne,
Checks the great mother stooping to caress her,
And cries: Give me, thy child, dominion
Over all height and depth? if Life can breed
New wants, and wealth from those who toil and groan,
Rend of thy gifts and hers a thousandfold for one!

XVIII.
Come thou, but lead out of the inmost cave
Of mans deep spirit, as the morning-star
Beckons the Sun from the Eoan wave,
Wisdom. I hear the pennons of her car
Self-moving, like cloud charioted by flame;
Comes she not, and come ye not,
Rulers of eternal thought,
To judge, with solemn truth, lifes ill-apportioned lot?
Blind Love, and equal Justice, and the Fame
Of what has been, the Hope of what will be?
O Liberty! if such could be thy name
Wert thou disjoined from these, or they from thee:
If thine or theirs were treasures to be bought
By blood or tears, have not the wise and free
Wept tears, and blood like tears?The solemn harmony

XIX.
Paused, and the Spirit of that mighty singing
To its abyss was suddenly withdrawn;
Then, as a wild swan, when sublimely winging
Its path athwart the thunder-smoke of dawn,
Sinks headlong through the aereal golden light
On the heavy-sounding plain,
When the bolt has pierced its brain;
As summer clouds dissolve, unburthened of their rain;
As a far taper fades with fading night,
As a brief insect dies with dying day,--
My song, its pinions disarrayed of might,
Drooped; oer it closed the echoes far away
Of the great voice which did its flight sustain,
As waves which lately paved his watery way
Hiss round a drowners head in their tempestuous play.
Composed early in 1820, and published, with Prometheus Unbound, in the same year. A transcript in Shelley's hand of lines 1-21 is included in the Harvard manuscript book, and amongst the Boscombe manuscripts there is a fragment of a rough draft (Garnett).
~ Percy Bysshe Shelley, Ode To Liberty
,
221:The Dunciad: Book I.
The Mighty Mother, and her son who brings
The Smithfield muses to the ear of kings,
I sing. Say you, her instruments the great!
Called to this work by Dulness, Jove, and Fate;
You by whose care, in vain decried and cursed,
Still Dunce the second reigns like Dunce the first;
Say how the Goddess bade Britannia sleep,
And poured her spirit o’er the land and deep.
In eldest time, e’er mortals writ or read,
E’er Pallas issued from the Thunderer’s head,
Dulness o’er all possessed her ancient right,
Daughter of Chaos and eternal Night:
Fate in their dotage this fair idiot gave,
Gross as her sire, and as her mother grave,
Laborious, heavy, busy, bold, and blind,
She ruled, in native anarchy, the mind.
Still her old empire to restore she tries,
For, born a goddess, Dulness never dies.
O thou! whatever title please thine ear,
Dean, Drapier, Bickerstaff, or Gulliver!
Whether thou choose Cervantes’ serious air,
Or laugh and shake in Rabelais’ easy chair,
Or praise the court, or magnify mankind,
Or thy grieved country’s copper chains unbind;
From thy Boeotia though her power retires,
Mourn not, my SWIFT, at ought our realm acquires,
Here pleased behold her mighty wings out-spread
To hatch a new Saturnian age of lead.
Close to those walls where Folly holds her throne,
And laughs to think Monroe would take her down,
Where o’er the gates, by his famed by father’s hand
Great Cibber’s brazen, brainless brothers stand;
One cell there is, concealed from vulgar eye,
The cave of poverty and poetry.
Keen, hollow winds howl through the bleak recess,
Emblem of music caused by emptiness.
Hence bards, like Proteus long in vain tied down,
Escape in monsters, and amaze the town.
Hence miscellanies spring, the weekly boast
170
Of Curll’s chaste press, and Lintot’s rubric post :
Hence hymning Tyburn’s elegiac lines,
Hence Journals, Medleys, Merc’ries, Magazines:
Sepulchral lies, our holy walls to grace,
And new Year odes, and all the Grub Street race.
In clouded majesty here Dulness shone;
Four guardian virtues, round, support her throne:
Fierce champion Fortitude, that knows no fears
Of hisses, blows, or want, or loss of ears:
Calm Temperance, whose blessings those partake
Who hunger, and who thirst for scribbling sake:
Prudence, whose glass presents th’ approaching goal.
Poetic justice, with her lifted scale,
Where, in nice balance, truth with gold she weighs,
And solid pudding against empty praise.
Here she beholds the chaos dark and deep,
Where nameless somethings in their causes sleep,
Till genial Jacob, or a warm third day,
Call forth each mass, a poem, or a play:
How hints, like spawn, scarce quick in embryo lie,
How new-born nonsense first is taught to cry.
Maggots half-formed in rhyme exactly meet,
And learn to crawl upon poetic feet.
Here one poor word an hundred clenches makes,
And ductile dullness new meanders takes;
There motley images her fancy strike,
Figures ill paired, and similes unlike.
She sees a mob of metaphors advance,
Pleased with the madness of the mazy dance:
How tragedy and comedy embrace;
How farce and epic get a jumbled race;
How time himself stands still at her command,
Realms shift their place, and ocean turns to land.
Here gay description Egypt glads with showers,
Or gives to Zembla fruits, to Barca flowers;
Glittering with ice here hoary hills are seen,
There painted valleys of eternal green,
In cold December fragrant chaplets blow,
And heavy harvests nod beneath the snow.
All these, and more, the cloud-compelling Queen
Beholds through fogs, that magnify the scene.
She, tinselled o’er in robes of varying hues,
171
With self-applause her wild creation views;
Sees momentary monsters rise and fall,
And with her own fools-colours gilds them all.
’Twas on the day, when
rich and grave,
Like Cimon, triumphed both on land and wave:
(Pomps without guilt, of bloodless swords and maces,
Glad chains, warm furs, broad banners, and broad faces)
Now night descending, the proud scene was o’er,
But lived, in Settle’s numbers, one day more.
Now mayors and shrieves all hushed and satiate lay,
Yet eat, in dreams, the custard of the day;
While pensive poets painful vigils keep,
Sleepless themselves, to give their readers sleep.
Much to the mindful Queen the feast recalls
What city swans once sung within the walls;
Much she revolves their arts, their ancient praise,
And sure succession down from Heywood’s days.
She saw, with joy, the line immortal run,
Each sire impressed and glaring in his son:
So watchful Bruin forms, with plastic care,
Each growing lump, and brings it to a bear.
She saw old Prynne in restless Daniel shine,
And Eusden eke out Blackmore’s endless line;
She saw slow Philips creep like Tate’s poor page,
And all the mighty mad in Dennis rage.
In each she marks her image full expressed,
But chief in BAY’S monster-breeding breast;
Bays, formed by nature stage and town to bless,
And act, and be, a coxcomb with success.
Dulness with transport eyes the lively dunce,
Remembering she herself was pertness once.
Now (shame to fortune!) an ill run at play
Blanked his bold visage, and a thin third day:
Swearing and supperless the hero sate,
Blasphemed his gods, the dice, and damned his fate.
Then gnawed his pen, then dashed it on the ground,
Sinking from thought to thought, a vast profound!
Plunged for his sense, but found no bottom there,
Yet wrote and floundered on, in mere despair.
Round him much embryo, much abortion lay,
172
Much future ode, and abdicated play;
Nonsense precipitate, like running lead,
That slipped through cracks and zigzags of the head;
All that on folly frenzy could beget,
Fruits of dull heat, and sooterkins of wit.
Next, o’er his books his eyes began to roll,
In pleasing memory of all he stole,
How here he sipped, how there he plundered snug
And sucked all o’er, like an industrious bug.
Here lay poor Fletcher’s half-eat scenes, and here
The frippery of crucified Molière;
There hapless Shakespeare, yet of Tibbald sore,
Wished he had blotted for himself before.
The rest on outside merit but presume,
Or serve (like other fools) to fill a room;
Such with their shelves as due proportion hold,
Or their fond parents dressed in red and gold;
Or where the pictures for the page atone,
And Quarles is saved by beauties not his own.
Here swells the shelf with Ogibly the great;
There, stamped with arms, Newcastle shines complete:
Here all his suffering brotherhood retire,
And ’scape the martyrdom of jakes and fire:
A Gothic library! Of Greece and Rome
Well purged, and worthy Settle, Banks, and Broome.
But, high above, more solid learning shone,
The classics of an age that heard of none;
There Caxton slept, with Wynkyn at his side,
One clasped in wood, and one in strong cow-hide;
There, saved by spice, like mummies, many a year,
Dry bodies of divinity appear:
De Lyra there a dreadful front extends,
And here the groaning shelves Philemon bends.
Of these twelve volumes, twelve of amplest size,
Redeemed from tapers and defrauded pies,
Inspired he seizes: these an altar raise:
An hetatomb of pure, unsullied lays
That altar crowns: a folio commonplace
Founds the whole pile, of all his works the base:
Quartos, octavos, shape the lessening pyre;
A twisted birthday ode completes the spire.
Then he: ‘Great tamer of all human art!
173
First in my care, and ever at my heart;
Dulness! Whose good old cause I yet defend,
With whom my muse began, with whom shall end;
E’er since Sir Fopling’s periwig was praise
To the last honours of the butt and bays:
O thou! of business the directing soul!
To this our head like bias to the bowl,
Which, as more ponderous, made its aim more true,
Obliquely waddling to the mark in view:
O! ever gracias to perplexed mankind,
Still spread a healing mist before the mind;
And lest we err by wit’s wild dancing light,
Secure us kindly in our native night.
Or, if to wit a coxcomb make pretence,
Guard the sure barrier between that and sense;
Or quite unravel all the reasoning thread,
And hang some curious cobweb in its stead!
As, forced from wind-guns, lead itself can fly,
And ponderous slugs cut swiftly through the sky;
As clocks to weight their nimble motion owe,
The wheels above urged by the load below:
Me emptiness, and Dulness could inspire,
And were my elasticity, and fire.
Some daemon stole my pen(forgive th’offence)
And once betrayed me into common sense:
Else all my prose and verse were much the same;
This, prose on stilts, that, poetry fallen lame.
Did on the stage my fops appear confined?
My life gave ampler lessons to mankind.
Did the dead letter unsuccessful prove?
The brisk example never failed to move.
Yet sure had heaven decreed to save the state,
Heaven had decreed these works a longer date.
Could Troy be saved by any single hand,
This grey-goose weapon must have made her stand.
What can I now? my Fletcher cast aside,
Take up the Bible, once my better guide?
Or tread the path by venturous heroes trod,
This box my thunder, this right hand my god?
Or chaired at White’s amidst the doctors sit,
Teach oaths to gamesters, and to nobles wit?
Or bidst thou rather party to embrace?
174
(A friend to party thou, and all her race;
’Tis the same rope at different ends they twist;
To Dulness Ridpath is as dear as Mist.)
Shall I, like Curtius, desperate in my zeal,
O’er head and ears plunge for the commonweal?
Or rob Rome’s ancient geese of all their glories,
And cackling save the monarchy of Tories?
Hold—to the minister I more incline;
To serve his cause, O Queen! is serving thine.
And see! Thy very gazetteers give o’er,
Ev’n Ralph repents, and Henley writes no more.
What then remains? Ourself. Still, still remain
Cibberian forehead, and Cibberian brain.
This brazen brightness, to the ‘squire so dear;
This polished hardness, that reflects the peer;
This arch absurd, that sit and fool delights;
This mess, tossed up of Hockley Hole and White’s;
Where dukes and butchers join to wreathe my crown,
At once the bear and fiddle of the town.
O born in sin, and forth in folly brought!
Works damned, or to be damned! (your father’s fault)
Go, purified by flames ascend the sky,
My better and more Christian progeny!
Unstained, untouched, and yet in maiden sheets;
While all your smutty sisters walk the streets.
Ye shall not beg, like gratis-given Bland,
Sent with a pass, and vagrant through the land;
Not sail, with Ward, to ape-and-monkey climes,
Where vile mundungus trucks for viler rhymes;
Not sulphur-tipped, emblaze an alehouse fire;
Not wrap up oranges, to pelt your sire!
O! pass more innocent, in infant state,
To the mild limbo of our father Tate:
Or peaceably forgot, at once be blessed
In Shadwell’s bosom with eternal rest!
Soon to that mass of nonsense to return,
Where things destroyed are swept to things unborn.’
With that, a tear (portentous sign of grace!)
Stole from the master of the sevenfold face:
And thrice he lifted high the birthday brand,
And thrice he dropped it from his quivering hand;
Then lights the structure, with averted eyes:
175
The rolling smokes involve the sacrifice.
The opening clouds disclose each work by turns,
Now flames the Cid, and now Perolla burns;
Great Ceasar roars, and hisses in the fires;
King John in silence modestly expires:
No merit now the dear Nonjuror claims,
Molière’s old stubble in a moment flames.
Tears gushed again, as from pale Priam’s eyes
When the last blaze sent Ilion to the skies.
Roused by the light, old Dulness heaved the head;
Then snatched a sheet of Thulè from her bed,
Sudden she flies, and whelms it o’er the pyre;
Down sink the flames, and with a hiss expire.
Her ample presence fills up all the place;
A veil of fogs dilates her awful face;
Great in her charms! as when on shrieves and mayors
She looks, and breathes herself into their airs.
She bids him wait her to her sacred dome:
Well pleased he entered, and confessed his home.
So spirits ending their terrestrial race,
Ascend, and recognize their native place.
This the Great Mother dearer held than all
The clubs of quidnuncs, or her own Guildhall:
Here stood her opium, here she nursed her owls,
And here she planned th’ imperial seat of Fools.
Here to her chosen all her works she shows;
Prose swelled to verse, verse loitering into prose:
How random thoughts now meaning chance to find,
Now leave all memory of sense behind:
How prologues into prefaces decay,
And these to notes are frittered quite away:
How index-learning turns no student pale,
Yet holds the eel of science by the tail:
How, with less reading than makes felons ’scape,
Less human genius than God gives an ape,
Small thanks to France, and none to Rome or Greece,
A past, vamped, future, old, revived, new piece,
’Twixt Plautus, Fletcher, Shakespeare, and Corneille,
Can make a Cibber, Tibbald, or Ozell.
The Goddess then, o’er his anointed head,
With mystic words, the sacred opium shed.
And lo! her bird, (a monster of a fowl,
176
Something betwixt a Heidegger and owl,)
Perched on his crown: ‘ All hail! and hail again,
My son! The promised land expects thy reign.
Know, Eusden thirsts no more for sack or praise;
He sleeps among the dull of ancient days;
Safe, where no critics damn, no duns molest,
Where wretched Withers, Ward, and Gildon rest,
And high-born Howard, more majestic sire,
With fool of quality completes the quire.
Thou Cibber! thou, his laurel shalt support,
Folly, my son, has still a friend at court.
Lift up your gates, ye princes, see him come!
Sound, sound ye viols, be the catcall dumb!
Bring, bring the madding bay, the drunken vine;
The creeping, dirty, courtly ivy join.
And thou! his aide de camp, lead on my sons,
Light-armed with points, antitheses, and puns.
Let bawdry, Billingsgate, my daughters dear,
Support his front, and oaths bring up the rear:
And under his, and under Archer’s wing,
Gaming and Grub Street skulk behind the king.
O! when shall rise a monarch all our own,
And I, a nursing-mother, rock the throne,
’Twixt prince and people close the curtain draw,
Shade him from light, and cover him from law;
Fatten the courtier, starve the learned band,
And suckle armies, and dry-nurse the land:
Till senates nod to lullabies divine,
And all be asleep, as at an ode of thine.’
She ceased. Then swells the Chapel Royal throat:
‘God save King Cibber!’ mounts in every note.
Familiar White’s, ‘God save king Colley!’ cries;
‘God save King Colley!’ Drury Lane replies:
To Needham’s quick the voice triumphal rode,
But pious Needham dropped the name of God;
Back to the Devil the last echoes roll,
And ‘Coll!’ each butcher roars at Hockley Hole.
So when Jove’s block descended from on high
(As sings thy great forefather Ogilby)
Loud thunder to its bottom shook the bog,
And the hoarse nation croaked, ‘God save King Log!
177
~ Alexander Pope,
222:"As certain also of your own poets have said"
   (Acts 17.28)
  Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea
And laugh their pride when the light wave lisps "Greece")
To Protus in his Tyranny: much health!

They give thy letter to me, even now:
I read and seem as if I heard thee speak.
The master of thy galley still unlades
Gift after gift; they block my court at last
And pile themselves along its portico
Royal with sunset, like a thought of thee:
And one white she-slave from the group dispersed
Of black and white slaves (like the chequer-work
Pavement, at once my nation's work and gift,
Now covered with this settle-down of doves),
One lyric woman, in her crocus vest
Woven of sea-wools, with her two white hands
Commends to me the strainer and the cup
Thy lip hath bettered ere it blesses mine.

Well-counselled, king, in thy munificence!
For so shall men remark, in such an act
Of love for him whose song gives life its joy,
Thy recognition of the use of life;
Nor call thy spirit barely adequate
To help on life in straight ways, broad enough
For vulgar souls, by ruling and the rest.
Thou, in the daily building of thy tower,
Whether in fierce and sudden spasms of toil,
Or through dim lulls of unapparent growth,
Or when the general work 'mid good acclaim
Climbed with the eye to cheer the architect,
Didst ne'er engage in work for mere work's sake
Hadst ever in thy heart the luring hope
Of some eventual rest a-top of it,
Whence, all the tumult of the building hushed,
Thou first of men might'st look out to the East:
The vulgar saw thy tower, thou sawest the sun.
For this, I promise on thy festival
To pour libation, looking o'er the sea,
Making this slave narrate thy fortunes, speak
Thy great words, and describe thy royal face
Wishing thee wholly where Zeus lives the most,
Within the eventual element of calm.

Thy letter's first requirement meets me here.
It is as thou hast heard: in one short life
I, Cleon, have effected all those things
Thou wonderingly dost enumerate.
That epos on thy hundred plates of gold
Is mine,and also mine the little chant,
So sure to rise from every fishing-bark
When, lights at prow, the seamen haul their net.
The image of the sun-god on the phare,
Men turn from the sun's self to see, is mine;
The Po'er-storied its whole length,
As thou didst hear, with painting, is mine too.
I know the true proportions of a man
And woman also, not observed before;
And I have written three books on the soul,
Proving absurd all written hitherto,
And putting us to ignorance again.
For music,why, I have combined the moods,
Inventing one. In brief, all arts are mine;
Thus much the people know and recognize,
Throughout our seventeen islands. Marvel not.
We of these latter days, with greater mind
Than our forerunners, since more composite,
Look not so great, beside their simple way,
To a judge who only sees one way at once,
One mind-point and no other at a time,
Compares the small part of a man of us
With some whole man of the heroic age,
Great in his waynot ours, nor meant for ours.
And ours is greater, had we skill to know:
For, what we call this life of men on earth,
This sequence of the soul's achievements here
Being, as I find much reason to conceive,
Intended to be viewed eventually
As a great whole, not analyzed to parts,
But each part having reference to all,
How shall a certain part, pronounced complete,
Endure effacement by another part?
Was the thing done?then, what's to do again?
See, in the chequered pavement opposite,
Suppose the artist made a perfect rhomb,
And next a lozenge, then a trapezoid
He did not overlay them, superimpose
The new upon the old and blot it out,
But laid them on a level in his work,
Making at last a picture; there it lies.
So, first the perfect separate forms were made,
The portions of mankind; and after, so,
Occurred the combination of the same.
For where had been a progress, otherwise?
Mankind, made up of all the single men,
In such a synthesis the labour ends.
Now mark me! those divine men of old time
Have reached, thou sayest well, each at one point
The outside verge that rounds our faculty;
And where they reached, who can do more than reach?
It takes but little water just to touch
At some one point the inside of a sphere,
And, as we turn the sphere, touch all the rest
In due succession: but the finer air      
Which not so palpably nor obviously,  
Though no less universally, can touch
The whole circumference of that emptied sphere,
Fills it more fully than the water did;
Holds thrice the weight of water in itself
Resolved into a subtler element.
And yet the vulgar call the sphere first full
Up to the visible heightand after, void;
Not knowing air's more hidden properties.
And thus our soul, misknown, cries out to Zeus
To vindicate his purpose in our life:
Why stay we on the earth unless to grow?
Long since, I imaged, wrote the fiction out,
That he or other god descended here
And, once for all, showed simultaneously
What, in its nature, never can be shown,
Piecemeal or in succession;showed, I say,
The worth both absolute and relative
Of all his children from the birth of time,
His instruments for all appointed work.
I now go on to image,might we hear
The judgment which should give the due to each,
Show where the labour lay and where the ease,
And prove Zeus' self, the latent everywhere!
This is a dream:but no dream, let us hope,
That years and days, the summers and the springs,
Follow each other with unwaning powers.
The grapes which dye thy wine are richer far,
Through culture, than the wild wealth of the rock;
The suave plum than the savage-tasted drupe;
The pastured honey-bee drops choicer sweet;
The flowers turn double, and the leaves turn flowers;
That young and tender crescent-moon, thy slave,
Sleeping above her robe as buoyed by clouds,
Refines upon the women of my youth.
What, and the soul alone deteriorates?
I have not chanted verse like Homer, no
Nor swept string like Terpander, nonor carved
And painted men like Phidias and his friend:
I am not great as they are, point by point.
But I have entered into sympathy
With these four, running these into one soul,
Who, separate, ignored each other's art.
Say, is it nothing that I know them all?
The wild flower was the larger; I have dashed
Rose-blood upon its petals, pricked its cup's
Honey with wine, and driven its seed to fruit,
And show a better flower if not so large:
I stand myself. Refer this to the gods
Whose gift alone it is! which, shall I dare
(All pride apart) upon the absurd pretext
That such a gift by chance lay in my hand,
Discourse of lightly or depreciate?
It might have fallen to another's hand: what then?
I pass too surely: let at least truth stay!

And next, of what thou followest on to ask.
This being with me as I declare, O king,
My works, in all these varicoloured kinds,
So done by me, accepted so by men
Thou askest, if (my soul thus in men's hearts)
I must not be accounted to attain
The very crown and proper end of life?
Inquiring thence how, now life closeth up,
I face death with success in my right hand:
Whether I fear death less than dost thyself
The fortunate of men? "For" (writest thou)
"Thou leavest much behind, while I leave nought.
Thy life stays in the poems men shall sing,
The pictures men shall study; while my life,
Complete and whole now in its power and joy,
Dies altogether with my brain and arm,
Is lost indeed; since, what survives myself?
The brazen statue to o'erlook my grave,
Set on the promontory which I named.
And thatsome supple courtier of my heir
Shall use its robed and sceptred arm, perhaps,
To fix the rope to, which best drags it down.
I go then: triumph thou, who dost not go!"

Nay, thou art worthy of hearing my whole mind.
Is this apparent, when thou turn'st to muse
Upon the scheme of earth and man in chief,
That admiration grows as knowledge grows?
That imperfection means perfection hid,
Reserved in part, to grace the after-time?
If, in the morning of philosophy,
Ere aught had been recorded, nay perceived,
Thou, with the light now in thee, couldst have looked
On all earth's tenantry, from worm to bird,
Ere man, her last, appeared upon the stage
Thou wouldst have seen them perfect, and deduced
The perfectness of others yet unseen.
Conceding which,had Zeus then questioned thee,
"Shall I go on a step, improve on this,
Do more for visible creatures than is done?"
Thou wouldst have answered, "Ay, by making each
Grow conscious in himselfby that alone.
All's perfect else: the shell sucks fast the rock,
The fish strikes through the sea, the snake both swims
And slides, forth range the beasts, the birds take flight,
Till life's mechanics can no further go
And all this joy in natural life is put
Like fire from off thy finger into each,
So exquisitely perfect is the same.
But 'tis pure fire, and they mere matter are;
It has them, not they it: and so I choose
For man, thy last premeditated work
(If I might add a glory to the scheme),
That a third thing should stand apart from both,
A quality arise within his soul,
Which, intro-active, made to supervise
And feel the force it has, may view itself,
And so be happy." Man might live at first
The animal life: but is there nothing more?
In due time, let him critically learn
How he lives; and, the more he gets to know
Of his own life's adaptabilities,
The more joy-giving will his life become.
Thus man, who hath this quality, is best.

But thou, king, hadst more reasonably said:
Let progress end at once,man make no step
Beyond the natural man, the better beast,
Using his senses, not the sense of sense."
In man there's failure, only since he left
The lower and inconscious forms of life.
We called it an advance, the rendering plain
Man's spirit might grow conscious of man's life,
And, by new lore so added to the old,
Take each step higher over the brute's head.
This grew the only life, the pleasure-house,
Watch-tower and treasure-fortress of the soul,
Which whole surrounding flats of natural life
Seemed only fit to yield subsistence to;
A tower that crowns a country. But alas,
The soul now climbs it just to perish there!
For thence we have discovered ('tis no dream
We know this, which we had not else perceived)
That there's a world of capability
For joy, spread round about us, meant for us,
Inviting us; and still the soul craves all,
And still the flesh replies, "Take no jot more
Than ere thou clombst the tower to look abroad!
Nay, so much less as that fatigue has brought
Deduction to it." We struggle, fain to enlarge
Our bounded physical recipiency,
Increase our power, supply fresh oil to life,
Repair the waste of age and sickness: no,
It skills not! life's inadequate to joy,
As the soul sees joy, tempting life to take.
They praise a fountain in my garden here
Wherein a Naiad sends the water-bow
Thin from her tube; she smiles to see it rise.
What if I told her, it is just a thread
From that great river which the hills shut up,
And mock her with my leave to take the same?
The artificer has given her one small tube
Past power to widen or exchangewhat boots
To know she might spout oceans if she could?
She cannot lift beyond her first thin thread:
And so a man can use but a man's joy
While he sees God's. Is it for Zeus to boast,
"See, man, how happy I live, and despair
That I may be still happierfor thy use!"
If this were so, we could not thank our lord,
As hearts beat on to doing; 'tis not so
Malice it is not. Is it carelessness?
Still, no. If carewhere is the sign? I ask,
And get no answer, and agree in sum,
O king, with thy profound discouragement,
Who seest the wider but to sigh the more.
Most progress is most failure: thou sayest well.

The last point now:thou dost except a case
Holding joy not impossible to one
With artist-giftsto such a man as I
Who leave behind me living works indeed;
For, such a poem, such a painting lives.    
What? dost thou verily trip upon a word,      
Confound the accurate view of what joy is
(Caught somewhat clearer by my eyes than thine)  
With feeling joy? confound the knowing how
And showing how to live (my faculty)
With actually living?Otherwise
Where is the artist's vantage o'er the king?
Because in my great epos I display
How divers men young, strong, fair, wise, can act
Is this as though I acted? if I paint,
Carve the young Ph{oe}bus, am I therefore young?
Methinks I'm older that I bowed myself
The many years of pain that taught me art!
Indeed, to know is something, and to prove
How all this beauty might be enjoyed, is more:
But, knowing nought, to enjoy is something too.
Yon rower, with the moulded muscles there,
Lowering the sail, is nearer it than I.
I can write love-odes: thy fair slave's an ode.
I get to sing of love, when grown too grey
For being beloved: she turns to that young man,
The muscles all a-ripple on his back.
I know the joy of kingship: well, thou art king!

"But," sayest thou(and I marvel, I repeat,
To find thee trip on such a mere word) "what
Thou writest, paintest, stays; that does not die:
Sappho survives, because we sing her songs,
And Aeschylus, because we read his plays!"
Why, if they live still, let them come and take
Thy slave in my despite, drink from thy cup,
Speak in my place. Thou diest while I survive?
Say rather that my fate is deadlier still,
In this, that every day my sense of joy
Grows more acute, my soul (intensified
By power and insight) more enlarged, more keen;
While every day my hairs fall more and more,
My hand shakes, and the heavy years increase
The horror quickening still from year to year,
The consummation coming past escape,
When I shall know most, and yet least enjoy
When all my works wherein I prove my worth,
Being present still to mock me in men's mouths,
Alive still, in the praise of such as thou,
I, I the feeling, thinking, acting man,
The man who loved his life so over-much,
Sleep in my urn. It is so horrible,
I dare at times imagine to my need
Some future state revealed to us by Zeus,
Unlimited in capability
For joy, as this is in desire for joy,
To seek which, the joy-hunger forces us:
That, stung by straitness of our life, made strait
On purpose to make prized the life at large
Freed by the throbbing impulse we call death,
We burst there as the worm into the fly,
Who, while a worm still, wants his wings. But no!
Zeus has not yet revealed it; and alas,
He must have done so, were it possible!

Live long and happy, and in that thought die:
Glad for what was! Farewell. And for the rest,
I cannot tell thy messenger aright
Where to deliver what he bears of thine
To one called Paulus; we have heard his fame
Indeed, if Christus be not one with him
I know not, nor am troubled much to know.
Thou canst not think a mere barbarian Jew,
As Paulus proves to be, one circumcised,
Hath access to a secret shut from us?
Thou wrongest our philosophy, O king,
In stooping to inquire of such an one,
As if his answer could impose at all!
He writeth, doth he? well, and he may write.
Oh, the Jew findeth scholars! certain slaves
Who touched on this same isle, preached him and Christ;
And (as I gathered from a bystander)
Their doctrine could be held by no sane man.
NOTES



Form:
unrhyming

1.
The motto is from St. Paul's speech to the philosophers
of Athens, Acts. 17: 28. Cleon and King Protus are both
imaginary characters.

sprinkled isles: the Sporades, near Crete.

4.
tyranny: kingdom. In the Greek sense, tyrant simply
means absolute ruler, and implies no misgovernment or oppressions.

53.
P\;cile: the Portico in Athens.

140.
Terpander: founder of the first Greek School of
music (late seventh century B.C.).

141.
Phidias: famous Greek sculptor who supervised the
construction of the Parthenon, and made the great statue of
Pallas Athene for it. Died 432 B.C. "His friend" was Pericles,
ruler of Athens from 460-429 B.C.

305.
Aeschylus: the earliest of the great writers of Greek tragedy
(525-456 B.C.).



~ Robert Browning, Cleon
,
223:The Author
Accursed the man, whom Fate ordains, in spite,
And cruel parents teach, to read and write!
What need of letters? wherefore should we spell?
Why write our names? A mark will do as well.
Much are the precious hours of youth misspent,
In climbing Learning's rugged, steep ascent;
When to the top the bold adventurer's got,
He reigns, vain monarch, o'er a barren spot;
Whilst in the vale of Ignorance below,
Folly and Vice to rank luxuriance grow;
Honours and wealth pour in on every side,
And proud Preferment rolls her golden tide.
O'er crabbed authors life's gay prime to waste,
To cramp wild genius in the chains of taste,
To bear the slavish drudgery of schools,
And tamely stoop to every pedant's rules;
For seven long years debarr'd of liberal ease,
To plod in college trammels to degrees;
Beneath the weight of solemn toys to groan,
Sleep over books, and leave mankind unknown;
To praise each senior blockhead's threadbare tale,
And laugh till reason blush, and spirits fail;
Manhood with vile submission to disgrace,
And cap the fool, whose merit is his place,
Vice-Chancellors, whose knowledge is but small,
And Chancellors, who nothing know at all:
Ill-brook'd the generous spirit in those days
When learning was the certain road to praise,
When nobles, with a love of science bless'd,
Approved in others what themselves possess'd.
But now, when Dulness rears aloft her throne,
When lordly vassals her wide empire own;
When Wit, seduced by Envy, starts aside,
And basely leagues with Ignorance and Pride;
What, now, should tempt us, by false hopes misled,
Learning's unfashionable paths to tread;
To bear those labours which our fathers bore,
That crown withheld, which they in triumph wore?
When with much pains this boasted learning's got,
98
'Tis an affront to those who have it not:
In some it causes hate, in others fear,
Instructs our foes to rail, our friends to sneer.
With prudent haste the worldly-minded fool
Forgets the little which he learn'd at school:
The elder brother, to vast fortunes born,
Looks on all science with an eye of scorn;
Dependent brethren the same features wear,
And younger sons are stupid as the heir.
In senates, at the bar, in church and state,
Genius is vile, and learning out of date.
Is this--oh, death to think!--is this the land
Where Merit and Reward went hand in hand?
Where heroes, parent-like, the poet view'd,
By whom they saw their glorious deeds renew'd?
Where poets, true to honour, tuned their lays,
And by their patrons sanctified their praise?
Is this the land, where, on our Spenser's tongue,
Enamour'd of his voice, Description hung?
Where Jonson rigid Gravity beguiled,
Whilst Reason through her critic fences smiled?
Where Nature listening stood whilst Shakspeare play'd,
And wonder'd at the work herself had made?
Is this the land, where, mindful of her charge
And office high, fair Freedom walk'd at large?
Where, finding in our laws a sure defence,
She mock'd at all restraints, but those of sense?
Where, Health and Honour trooping by her side,
She spread her sacred empire far and wide;
Pointed the way, Affliction to beguile,
And bade the face of Sorrow wear a smile;
Bade those, who dare obey the generous call,
Enjoy her blessings, which God meant for all?
Is this the land, where, in some tyrant's reign,
When a weak, wicked, ministerial train,
The tools of power, the slaves of interest, plann'd
Their country's ruin, and with bribes unmann'd
Those wretches, who, ordain'd in Freedom's cause,
Gave up our liberties, and sold our laws;
When Power was taught by Meanness where to go,
Nor dared to love the virtue of a foe;
When, like a leprous plague, from the foul head
99
To the foul heart her sores Corruption spread;
Her iron arm when stern Oppression rear'd;
And Virtue, from her broad base shaken, fear'd
The scourge of Vice; when, impotent and vain,
Poor Freedom bow'd the neck to Slavery's chain?
Is this the land, where, in those worst of times,
The hardy poet raised his honest rhymes
To dread rebuke, and bade Controlment speak
In guilty blushes on the villain's cheek;
Bade Power turn pale, kept mighty rogues in awe,
And made them fear the Muse, who fear'd not law?
How do I laugh, when men of narrow souls,
Whom Folly guides, and Prejudice controls;
Who, one dull drowsy track of business trod,
Worship their Mammon, and neglect their God;
Who, breathing by one musty set of rules,
Dote from their birth, and are by system fools;
Who, form'd to dulness from their very youth,
Lies of the day prefer to gospel truth;
Pick up their little knowledge from Reviews,
And lay out all their stock of faith in news;
How do I laugh, when creatures, form'd like these,
Whom Reason scorns, and I should blush to please,
Rail at all liberal arts, deem verse a crime,
And hold not truth, as truth, if told in rhyme!
How do I laugh, when Publius, hoary grown
In zeal for Scotland's welfare, and his own,
By slow degrees, and course of office, drawn
In mood and figure at the helm to yawn,
Too mean (the worst of curses Heaven can send)
To have a foe, too proud to have a friend;
Erring by form, which blockheads sacred hold,
Ne'er making new faults, and ne'er mending old,
Rebukes my spirit, bids the daring Muse
Subjects more equal to her weakness choose;
Bids her frequent the haunts of humble swains,
Nor dare to traffic in ambitious strains;
Bids her, indulging the poetic whim
In quaint-wrought ode, or sonnet pertly trim,
Along the church-way path complain with Gray,
Or dance with Mason on the first of May!
'All sacred is the name and power of kings;
100
All states and statesmen are those mighty things
Which, howsoe'er they out of course may roll,
Were never made for poets to control.'
Peace, peace, thou dotard! nor thus vilely deem
Of sacred numbers, and their power blaspheme.
I tell thee, wretch, search all creation round,
In earth, in heaven, no subject can be found:
(Our God alone except) above whose height
The poet cannot rise, and hold his state.
The blessed saints above in numbers speak
The praise of God, though there all praise is weak;
In numbers here below the bard shall teach
Virtue to soar beyond the villain's reach;
Shall tear his labouring lungs, strain his hoarse throat,
And raise his voice beyond the trumpet's note,
Should an afflicted country, awed by men
Of slavish principles, demand his pen.
This is a great, a glorious point of view,
Fit for an English poet to pursue;
Undaunted to pursue, though, in return,
His writings by the common hangman burn
How do I laugh, when men, by fortune placed
Above their betters, and by rank disgraced,
Who found their pride on titles which they stain,
And, mean themselves, are of their fathers vain;
Who would a bill of privilege prefer,
And treat a poet like a creditor;
The generous ardour of the Muse condemn,
And curse the storm they know must break on them!
'What! shall a reptile bard, a wretch unknown,
Without one badge of merit but his own,
Great nobles lash, and lords, like common men,
Smart from the vengeance of a scribbler's pen?'
What's in this name of lord, that I should fear
To bring their vices to the public ear?
Flows not the honest blood of humble swains
Quick as the tide which swells a monarch's veins?
Monarchs, who wealth and titles can bestow,
Cannot make virtues in succession flow.
Wouldst thou, proud man! be safely placed above
The censure of the Muse? Deserve her love:
Act as thy birth demands, as nobles ought;
101
Look back, and, by thy worthy father taught,
Who earn'd those honours thou wert born to wear,
Follow his steps, and be his virtue's heir.
But if, regardless of the road to fame,
You start aside, and tread the paths of shame;
If such thy life, that should thy sire arise,
The sight of such a son would blast his eyes,
Would make him curse the hour which gave thee birth,
Would drive him shuddering from the face of earth,
Once more, with shame and sorrow, 'mongst the dead
In endless night to hide his reverend head;
If such thy life, though kings had made thee more
Than ever king a scoundrel made before;
Nay, to allow thy pride a deeper spring,
Though God in vengeance had made thee a king,
Taking on Virtue's wing her daring flight,
The Muse should drag thee, trembling, to the light,
Probe thy foul wounds, and lay thy bosom bare
To the keen question of the searching air.
Gods! with what pride I see the titled slave,
Who smarts beneath the stroke which Satire gave,
Aiming at ease, and with dishonest art
Striving to hide the feelings of his heart!
How do I laugh, when, with affected air,
(Scarce able through despite to keep his chair,
Whilst on his trembling lip pale Anger speaks,
And the chafed blood flies mounting to his cheeks)
He talks of Conscience, which good men secures
From all those evil moments Guilt endures,
And seems to laugh at those who pay regard
To the wild ravings of a frantic bard.
'Satire, whilst envy and ill-humour sway
The mind of man, must always make her way;
Nor to a bosom, with discretion fraught,
Is all her malice worth a single thought.
The wise have not the will, nor fools the power,
To stop her headstrong course; within the hour,
Left to herself, she dies; opposing strife
Gives her fresh vigour, and prolongs her life.
All things her prey, and every man her aim,
I can no patent for exemption claim,
Nor would I wish to stop that harmless dart
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Which plays around, but cannot wound my heart;
Though pointed at myself, be Satire free;
To her 'tis pleasure, and no pain to me.'
Dissembling wretch! hence to the Stoic school,
And there amongst thy brethren play the fool;
There, unrebuked, these wild, vain doctrines preach.
Lives there a man whom Satire cannot reach?
Lives there a man who calmly can stand by,
And see his conscience ripp'd with steady eye?
When Satire flies abroad on Falsehood's wing,
Short is her life, and impotent her sting;
But when to Truth allied, the wound she gives
Sinks deep, and to remotest ages lives.
When in the tomb thy pamper'd flesh shall rot,
And e'en by friends thy memory be forgot,
Still shalt thou live, recorded for thy crimes,
Live in her page, and stink to after-times.
Hast thou no feeling yet? Come, throw off pride,
And own those passions which thou shalt not hide.
Sandwich, who, from the moment of his birth,
Made human nature a reproach on earth,
Who never dared, nor wish'd, behind to stay,
When Folly, Vice, and Meanness led the way,
Would blush, should he be told, by Truth and Wit,
Those actions which he blush'd not to commit.
Men the most infamous are fond of fame,
And those who fear not guilt, yet start at shame.
But whither runs my zeal, whose rapid force,
Turning the brain, bears Reason from her course;
Carries me back to times, when poets, bless'd
With courage, graced the science they profess'd;
When they, in honour rooted, firmly stood,
The bad to punish, and reward the good;
When, to a flame by public virtue wrought,
The foes of freedom they to justice brought,
And dared expose those slaves who dared support
A tyrant plan, and call'd themselves a Court?
Ah! what are poets now? As slavish those
Who deal in verse, as those who deal in prose.
Is there an Author, search the kingdom round,
In whom true worth and real spirit's found?
The slaves of booksellers, or (doom'd by Fate
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To baser chains) vile pensioners of state;
Some, dead to shame, and of those shackles proud
Which Honour scorns, for slavery roar aloud;
Others, half-palsied only, mutes become,
And what makes Smollett write, makes Johnson dumb.
Why turns yon villain pale? Why bends his eye
Inward, abash'd, when Murphy passes by?
Dost thou sage Murphy for a blockhead take,
Who wages war with Vice for Virtue's sake?
No, no, like other worldlings, you will find
He shifts his sails and catches every wind.
His soul the shock of Interest can't endure:
Give him a pension then, and sin secure.
With laurell'd wreaths the flatterer's brows adorn:
Bid Virtue crouch, bid Vice exalt her horn;
Bid cowards thrive, put Honesty to flight,
Murphy shall prove, or try to prove it right.
Try, thou state-juggler, every paltry art;
Ransack the inmost closet of my heart;
Swear thou'rt my friend; by that base oath make way
Into my breast, and flatter to betray.
Or, if those tricks are vain; if wholesome doubt
Detects the fraud, and points the villain out;
Bribe those who daily at my board are fed,
And make them take my life who eat my bread.
On Authors for defence, for praise depend;
Pay him but well, and Murphy is thy friend:
He, he shall ready stand with venal rhymes,
To varnish guilt, and consecrate thy crimes;
To make Corruption in false colours shine,
And damn his own good name, to rescue thine.
But, if thy niggard hands their gifts withhold,
And Vice no longer rains down showers of gold,
Expect no mercy; facts, well-grounded, teach,
Murphy, if not rewarded, will impeach.
What though each man of nice and juster thought,
Shunning his steps, decrees, by Honour taught,
He ne'er can be a friend, who stoops so low
To be the base betrayer of a foe?
What though, with thine together link'd, his name
Must be with thine transmitted down to shame?
To every manly feeling callous grown,
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Rather than not blast thine, he 'll blast his own.
To ope the fountain whence sedition springs,
To slander government, and libel kings;
With Freedom's name to serve a present hour,
Though born and bred to arbitrary power;
To talk of William with insidious art,
Whilst a vile Stuart's lurking in his heart;
And, whilst mean Envy rears her loathsome head,
Flattering the living, to abuse the dead,
Where is Shebbeare? Oh, let not foul reproach,
Travelling thither in a city-coach,
The pillory dare to name: the whole intent
Of that parade was fame, not punishment;
And that old staunch Whig, Beardmore, standing by,
Can in full court give that report the lie.
With rude unnatural jargon to support,
Half-Scotch, half-English, a declining court;
To make most glaring contraries unite,
And prove beyond dispute that black is white;
To make firm Honour tamely league with Shame,
Make Vice and Virtue differ but in name;
To prove that chains and freedom are but one,
That to be saved must mean to be undone,
Is there not Guthrie? Who, like him, can call
All opposites to proof, and conquer all?
He calls forth living waters from the rock;
He calls forth children from the barren stock;
He, far beyond the springs of Nature led,
Makes women bring forth after they are dead;
He, on a curious, new, and happy plan,
In wedlock's sacred bands joins man to man;
And to complete the whole, most strange, but true,
By some rare magic, makes them fruitful too;
Whilst from their loins, in the due course of years,
Flows the rich blood of Guthrie's 'English Peers.'
Dost thou contrive some blacker deed of shame,
Something which Nature shudders but to name,
Something which makes the soul of man retreat,
And the life-blood run backward to her seat?
Dost thou contrive, for some base private end,
Some selfish view, to hang a trusting friend;
To lure him on, e'en to his parting breath,
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And promise life, to work him surer death?
Grown old in villany, and dead to grace,
Hell in his heart, and Tyburn in his face,
Behold, a parson at thy elbow stands,
Lowering damnation, and with open hands,
Ripe to betray his Saviour for reward,
The Atheist chaplain of an Atheist lord!
Bred to the church, and for the gown decreed,
Ere it was known that I should learn to read;
Though that was nothing, for my friends, who knew
What mighty Dulness of itself could do,
Never design'd me for a working priest,
But hoped I should have been a Dean at least:
Condemn'd, (like many more, and worthier men,
To whom I pledge the service of my pen)
Condemn'd (whilst proud and pamper'd sons of lawn,
Cramm'd to the throat, in lazy plenty yawn)
In pomp of reverend beggary to appear,
To pray, and starve on forty pounds a-year:
My friends, who never felt the galling load,
Lament that I forsook the packhorse road,
Whilst Virtue to my conduct witness bears,
In throwing off that gown which Francis wears.
What creature's that, so very pert and prim,
So very full of foppery, and whim,
So gentle, yet so brisk; so wondrous sweet,
So fit to prattle at a lady's feet;
Who looks as he the Lord's rich vineyard trod,
And by his garb appears a man of God?
Trust not to looks, nor credit outward show;
The villain lurks beneath the cassock'd beau;
That's an informer; what avails the name?
Suffice it that the wretch from Sodom came.
His tongue is deadly--from his presence run,
Unless thy rage would wish to be undone.
No ties can hold him, no affection bind,
And fear alone restrains his coward mind;
Free him from that, no monster is so fell,
Nor is so sure a blood-hound found in Hell.
His silken smiles, his hypocritic air,
His meek demeanour, plausible and fair,
Are only worn to pave Fraud's easier way,
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And make gull'd Virtue fall a surer prey.
Attend his church--his plan of doctrine view-The preacher is a Christian, dull, but true;
But when the hallow'd hour of preaching's o'er,
That plan of doctrine's never thought of more;
Christ is laid by neglected on the shelf,
And the vile priest is gospel to himself.
By Cleland tutor'd, and with Blacow bred,
(Blacow, whom, by a brave resentment led,
Oxford, if Oxford had not sunk in fame,
Ere this, had damn'd to everlasting shame)
Their steps he follows, and their crimes partakes;
To virtue lost, to vice alone he wakes,
Most lusciously declaims 'gainst luscious themes,
And whilst he rails at blasphemy, blasphemes.
Are these the arts which policy supplies?
Are these the steps by which grave churchmen rise?
Forbid it, Heaven; or, should it turn out so,
Let me and mine continue mean and low.
Such be their arts whom interest controls;
Kidgell and I have free and modest souls:
We scorn preferment which is gain'd by sin,
And will, though poor without, have peace within.
~ Charles Churchill,
224:Fragments From 'Genius Lost'
Prelude
I SEE the boy-bard neath life’s morning skies,
While hope’s bright cohorts guess not of defeat,
And ardour lightens from his earnest eyes,
And faith’s cherubic wings around his being beat.
Loudly the echo of his soul repeats
Those deathless strains that witched the world of old;
While to the deeds, his high heart proudly beats,
Of names within them, treasured like heroic gold.
To love he lights the ode of vocal fire,
And yearns in song o’er freedom’s sacred throes,
Or pours a pious incense from his lyre,
Wherever o’er the grave a martyre-glory glows.
Or as he wanders waking dreams arise,
And paint new Edens on the future’s scroll,
While on the wings of rapture he outflies
The faltering mood that warns in his prophetic soul.
“All doubt away!” he cries in trustful mood;
“From Time’s unknown the perfect yet shall rise;
And this full heart attests how much of God
Might dwell with man beneath these purple-clouded skies!”
Thus holiest shapes inhabit his desire,
And love’s dream-turtles sing along his way;
Thus faith keeps mounting, like a skylark, higher,
As hope engoldens more the morning of his day.
But ah! Too high that harp-like heart is strung,
To bear the jar of this harsh world’s estate;
And ’tis betrayed by that too fervent tongue
How burns the fire within, that bodes a wayward fate.
Soon on the morning’s wings shall fancy flee,
And world-damps quench love’s spiritual flame,
And his wild powers, now as the wild waves free,
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Be reef-bound by low wants and beaten down by shame.
Now mark him in the city’s weltering crowd
Haggard and pale; and yet, in his distress,
How quick to scorn the vile—defy the pround—
Grim, cold, and distant now—then seized with recklessness.
Yet oft what agony his pride assails,
When life’s first morning faith to thought appears
Lost in the shadowy past, and nought avails
Her calling to the lost—then blood is in his tears.
Henceforth must his sole comrade be despair,
Sole wanderer by his side in ways forlorn;
And as a root-wrenched vine no more may bear,
No more by this dry wood shall fruit be borne.
No more! And every care of life, in woe
And desperation, to the wind is hurled!
He thanks dull wondering pity with a blow,
And leaps, though into hell, out of the cruel world.
First Love
I, even when a child,
Had fondly brooded, with a glowing cheek
And asking heart, with lips apart, and breath
Hushed to such silence as the matron dove
Preserves while warming into life her young,
Over the secretely-disclosing hope
Of finding in the fulness of my youth
Some sweet, congenial one to love, to call
My own. And one has been whose soul
Felt to its depth the influence of mine,
Albeit between us the sweet name of Love
Passed never, to bring blooming to the check
Those rosy shames that burn it on the heart—
Symbol of heaven, sole synonym of God!—
Yet not the less a sympathy that heard,
Through many a whisper, Love’s sweet spirit-self,
Low breathing in the silence of our souls,
Knit us together with a still consent.
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And she was beautiful in outward shape,
As lovely in her mind. Such eyes she had
As burn in the far depths of passionate thought,
While yet the visionary heart of youth
Is lonely in its hope! Cherries were ne’er
More ruby-rich, more delicately full,
Than were her lips; and, when her young heart would,
A smile, ineffably enchanting, played
The unwitting conqueress there.
Her light, round form
Had grace in every impulse, motions fair
As her life’s purity; her being all
Was as harmonious to the mind, as are
Most perfect strains of purest tones prolonged,
To music-loving ears.
But full of dole
Her mortal fate to me! Ere sixteen springs
Had bloomed about her being, a most fell
And secret malady did feel amid
The roses of her cheeks, her lips—but still,
Felon-like, shunned the lustre of her eyes,
That more replendent grew. And so, before
Those glowing orbs had turned their starry light
Upon one human face with other troth
Than a meek daughter or fond sister yields;
Ere her white arms and heaving bosom held
A nestling other than the weary head
Of sickness or a stranger babe, the grass
That whistled dry in the autumnal wind,
Was billowing round her grave.
And yet I live
Within a world that knoweth her no more.
’Tis well when misery’s harassed son
For shelter to the grave doth go,
As to his mountain-hold may run
The hunted roe.
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Yet when, beneath benignant skies,
The angle Grace herself appears
But Death’s born bride, the stoniest eyes
Might break in tears.
Chorus of the Hours
Ah! That Death
Should ever, like a drear, untimely night,
Descent upon the loved, in Love’s despite!
Ah! That a little breath
Expiring from the world, should leave each scene,
Where its warm influence before hath been,
So empty to the heart in its despair
Of all but misery—misery everywhere!
Thus in the morning of my life have I
No happiness rooted in the earth, to hold
My spirit to the actual. All my hopes
Are blown away by adverse chilling winds,
Blown sheer away, out of the world, to seek
Such solace as may be derived from far
And lonely flights of faith. Yet even these
Only divert, not satisfy, my soul;
Still, when her wings refuse them, wearied out
By so wild-will’d an aeronaut as I,
Having no nearer comfort, even as now,
Their foregone influence do I meditate,
Tracing them upward in their heavenward track.
As through an ocean of uprolling mist
Amid the morning Alps, a morning bird
Keeps soaring, trustful of the risen sun—
Who then is turning all the mountain tops
To diamond islets washed by waves of gold,
That shatter as they surge—keeps soaring, till
It shoots at length into the cloudless light,
And gleams a bird of fire; so faith upmounts
Through the earth’s misty tribulations, up
Into the clear of the eternal world,
Unfainting, fervent, till, with happy wings
Outspreading full amid the rays of God
69
It glories, gleaming like the Alpine bird.
But wearying in her flight, even faith returns,
As does the bird—returns into the mist
That shutteth down all less adventurous life,
But stronger for the mighty vision left
And for the heavenly warmth upon her wings.
Once,—did I only stand in thought beside
The grave of one who had for freedom died,
Or on some spot made holy by the vow
Of tuneful love, though of an ancient day,—
My very life would thrill—and am I now
Journeying away
From that fraternal interest which cast
Around me then the feeling of the past?
I know not; but my heart no more will leap
Even to the trump of some Homeric lay:
Bad progress is it, if from that I keep
Journeying away!
Misery
As the moaning wild waves ever
Fret around some lonely isle,
There are griefs that no endeavour
Stilleth even for a while,
Beating at my heart for ever,
Beating at it now,
Beating at my heart—and aching
Upward to my brow.
Like the wild clouds flying over
High above all human reach,
There are joys that I their lover
Cannot even scale in speech;
Flying o’er my head for ever
Flying o’er it now;
Flying o’er my head—and shading
With despair my brow.
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Chorus of the Hours
Alas! The veriest human clod
Is happier than he,
On whom the majesty,
And the mystery
Of thought, had fallen like the fire of God!
Ah! Those by nature gifted to pursue
The beautiful and true
Have chiefly in dishonour trod
The regions they redeemed—as even yet they do!
And where are they, to gods upgrown,
Shall drive this darksome doom?
Ye suffering sons of Genius, you
Must dissipate the gloom
That clouds you even as of old
In its mist so deadly cold!
With your own injuries, let stern thought
Of the most desolate deathless of those
Who with the power of darkness fought,
(Each in his age, whereon his spirit rose,
As rises some peculiar star of night
To burn eternally apart,)
Yea, let stern thought of those
Now nerve you to re-urge the lengthened fight;
And for those others,
Your future brothers,
Now follow victory with unflinching heart!
Looking Beyond
Yes, it is well, in this our cold grim earth
To steal an hour for meditation free;
To die in body, and with all the mind
Thus freed, to bridge with might beams of thought
The depth of the Eternal. Even on me
Such mood sometimes descends, the precious gift
Of pitying Urania, then I fly,
Even as a stork mid evening’s purple clouds
In mid-Elysiums—Paradises fair
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Perhaps in stars consummated, whereon
The once earth-treading votaries of Truth
In soul reside, until a period when
Knowledge, advancing them from height to height,
And Love, grown perfect, shall have nurtured forth
Angelic wings for heaven.
But by these
I mean not such as with sour faces boast;
Blind moles of fear, who deem thy honour God
By offering up on outraged human hearts,
As upon blood-stained altars, every gay
And happy feeling, every rose wish
That sweetens human souls: and who, convened
In their dull tabernacles, all at once
Behowl the Diety as dogs the moon,
Or deprecate his wrath with grovelling rites,
And boisterous groans, that from stentorian lungs
Are grunted, swine-like, forth! Oh no! For such
The paradise of fools full wide extends
Her dismal gates!
I speak not thus in scorn;
Scorn is not sweet to me; but when the rights
Of man are trampled on; when villains sit
In the high places of the land, and sport
With what the just hold sacred; when mere wealth
Can win its Nestor’s favour, and the sleek
Regard even of its saints, and when religion
Itself is ever in a bad extreme—
A bloated pomp of mystery and show,
Or a most crude and coarse perversity,
Vile as a beggar’s raiment—then the scorn
Of indignation, then the brave disgust
Of righteous shame and honest hate, put forth
In tones like God’s own thunder burst aboard,
Are things the thin-souled scoundrel never feels.
Enough. The good I deem leave vain disputes
On things that are, and must be from their kind,
Mainly unknown, and still with faithful heed
Have care of those God gave them light to see
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Strewn round their daily being: and of such
Rightfully choosing, and to fitting ends
Well shaping all, upbuild with honest hands
A true and simple life; and in the jars
Of national factions they alway, despite
Of frowning kings and banning priests afford
Their aid to freedom.
Yet will there come a day, though not to me,
When excellence of being shall be sought
Not only thus in vision, but within
The actual round of this diurnal world,—
A day whose light shall chase the clouds that veil
Upon the mountain tops of old repute
The imaginary gods of wrongful power,
And pierce thence downward to the vales of toil,
Healing and blessing all men—the great day
Of knowledge. Then the accident of birth—
That empty imposition! Or the claim
Of wealth—that earthly and most gnomish cheat!
Shall neither arrogate to any, proud
Distinctions as of right, nor qualify
Any by its sole influence for power
Over his fellows, but all men shall stand
Proudly beneath the fair wide roof of heaven,
As God-created equals, each the sire
Of his own worth, and the joint sanctioner
Of all political pertainment, all
Moral and social honour.
Yea, for such
Is Freedom’s charter traced upon the heart
Of our humanity, whene’er ’tis rid
Of the foul scroff of vice, and on the brain
Built godlike, when disclouded by God’s light
Of a too old distemper’s fatal rout,
Of boastful hell-suggested superstitions
And customs born of Error. And let none
Despair of such an advent; for, as when
Some solemn wood’s familiar cadences,
Deepening and deepening all around, portend
The salutary storm, even so the wide
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Pervading instinct of a sure revolt
Against the ancient tyrannies of the earth
Roams on before it in the living stress
Of knowledge, omening the unborn change
By harshening still to the fine ear of thought
The daily jar of customary wrongs.
And let none fear that earthly power, or aught
Less than Omnipotence, can still or stay
The solemn prelude that for ever thus
Keeps deepening round and onward in the front
Of that great victory over wrong, which time
Shall witness—wrong and its abettors, all
Whom lust of sway unsanctioned by the truth
Shall to the last disnature; for the spirit
It first evokes—a mighty will to think—
Doth thenceforth charge it with oracular tones
That may not be mistaken.
Yea, great thoughts
With great thoughts coalescing through the world,
Into the future of all progress pour
Sun-prophecies, there quickening what were else
Nascent too long.
Chorus of the Hours
O why is not this beauteous earth
The Eden men imagine—the fair seat
Of fruitful peace, pure love, and sunny mirth?
And why are its prime souls, though so complete
In apprehension of a Godlike state,
The subjects ever of fraternal hate—
Oppressing or oppressed,
That so the portion is of all, deceit
And fear, and anger, sorrow, and unrest?
There’s not one bright enduring thing
In this great round of nature that appears—
No shining stars, no river murmuring,
No morn-crowned hill, no golden evening scene,
That hath not glimmered and distorted been
Through the dim mist of tears—
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Tears not as blood from some wrung human brain,
Throbbing and aching with unpitied pain!
There is not one green mound, existent long
In any region, nor old wayside stone,
On which some weary child of social wrong
Hath sat not—there, alone,
To bite his pallid lip and heave the unheeded groan!
And such hath been the state of man
Since first the race’s recreancy began;
And thus his piety is scared away
From earth, its proper home,
To seek vague heavens above the source of day;
Or out beyond the gorgeous gloom
Wherewith dusk evening curtains up the west;
There flying, like the psalmist’s dove, to rest
In sinless gardens of perpetual bloom
And islands of the blest.
Ah! My heart
Is like a core of fire within my breast,
And by this agony is all my mind
Shaken away from its tenacious hold
Of time and sensuous things. Now come, thou meek
Religious trust, that sometime to my soul
Fliest friendly, like a heaven-descended dove,
With wings that whisper of the peace of God!
Come, and assure it now, that all thus seen
Of evil, by the patience of the One
Almighty Master of the Universe,
Is but allowed, to dash our vain repose
On Time’s foundations, and all mad belief
In human consequence; that, finally,
Amid the death of expectations fond,—
Discoveries diurnal that the pomps
And pleasures of the world are but bright mists
Concealing, mid its heights of pomp and shame,
Its depths of degradation,—that all weal,
Beauty, and peace, even in their permanence,
Are but the florid riches of a soil
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That crusts the cone of some yet masked volcano,
Whose darling fires but wait the dread command:
“Up, to the work appointed! ”—we at length,
Even thus admonished, thus in hope and heart
Subdued and chastened, might be so constrained
To look between the thunder-bearing clouds
That darken over this mysterious ball s
Blind face, for surer, better things beyond
Its flying scenes of doubtful good, commixed
With evident evil: yea, conclude at last
That wereso in the universe of God
Our better home may be, it is not here;
Then here why build we?
O! Then, farewell,
Fancy and Hope, twin angels of the past!
Thee, Fancy, chiefly of my younger life
The spiritual spouse, farewell! With all
Thy pictured equipage: the shapes sublime
Of universal liberty and right,
Dethroning tyrants and investing worth
Alone with power and honour; and with these
Fair visions that come shining to the heart
Like evening stars from a serener air
Of generosity, in rapture high
At rival excellence; of charity
Living in secret for her own sweet sake;
Of mercy lifting up a fallen foe;
Of pity yearning o’er the child of shame;
Unselfish love, and resolute friendship—all,
Even to common trust—farewell! These lights
May never burn in the grey dome of time
or constellate for me the world again!
No more! No, never more.
The Cemetery
Here, only here
In the dark dwellings of this silent city
Is rest for the world-weary. Slander here,
Disease and poverty, forego their victim;
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The fox of envy and the wolf of scorn
Snarl not within these gates. The enemy
Who comes to triumph o’er the powerless bones
That once he feared, still hates—even as he comes,
By the dismaying silence smitten, stops,
Listening for some far reproachful voice
Heard only through the mystery of his soul,
And, shuddering, asks forgiveness. Slept I here,
And should an enemy so plead, and might
My injured spirit, hovering over, hear—
The boon were granted. O that here, even now,
The sense were frozen to forgetfulness
That I, upon this populous star of God,
This earth that I was born to, and have loved,
Am utterly uncared-for and alone!
Whither?
Alas! These thoughts are storming all my soul
With madness—yea, the madness of despair!
And though my reason lifting up its strength
As desperately confronts them, just as well
Might the poor castaway, who helpless stands
On some bleak rock in the mid ocean, preach
Obedience to the breakers surging round
That perilous point, as I (in this wild gloom)
Strive to o’ercome them—And why should I strive?
No, rather let them howl like midnight wolves
Within my failing brain, and gnaw and tug
At my sick heart, their bitter food, for they
Will help me to my one desire—death.
Be his rest who sleeps below,
Done to death by toil and woe,
Sound and sweet.
So much in fortune did he lack,
So little meet
Of kindness, as with bleeding feet
He journeyed life’s most barren track,
That only hate in its deceit,
Not love, not pity, would entreat
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To have him back.
But he sleeps well where many a bloom
That might not grace his living home
Pranks the raised sod:
Tokening, perhaps, that one who here
Missed the world’s smile, hath met elsewhere
The smile of God.
~ Charles Harpur,
225:In An Almshouse
Oh the dear summer evening! How the air
is mellow with the delicate breath of flowers
and wafts of hay scent from the sunburnt swathes:
how the glad song of life comes everywhence,
from thousand harmless voices, from blithe birds
that twitter on incessant sweet good-nights,
from homeward bees that, through the clover tufts,
stray booming, pilfering treasures to the last,
from sleepless crickets clamouring in the grass.
to tell the world they're happy day and night,
from the persistent rooks in their high town,
from sheep in far off meadows: life, life, life,
it is the song they sing, and to my mind
the song is very happy, very good.
My God, I thank thee I have known this life,
although, I doubt not, dying I shall learn
how greater and how happier is death.
Oh beautiful and various earth of ours,
how good God made thee. Ah, I have lost much,
mine is a very grey and dim earth now,
but I can feel and hear and take in so
the joy of present beauty to my soul,
and then I see it there. O strange blurred mists,
that mean the sky to me, my twilight eyes
discern no more than you, but I see more;
I see this gold and glowing sunset spread,
and break the pale blue sky with flashing clouds,
I see the shadows soften on the hills,
and the green summits brighten one by one
and purple in the nightfall one by one.
Oh, seeing can be done without the eyes.
Are those St Mary's church-bells in the town?
How far sound spreads to-night! St Mary's bells,
chiming for evensong. I would the way
were not so over long for feeble limbs,
and that the pathway and the still canal
had not so like a glimmer in the dusk;
86
for I could gladly feel the peace of prayer
among the others in the quiet church,
with silent graves seen through the open door,
and rustling heard of slowly stirring leaves.
And then 'tis pleasant too to hear the rhythm
of scholars' English and of words in books:
'tis like the voice of some rare foreign tongue
familiar once and loved, that, howso heard,
takes the glad ear with sweetness of old wont.
Oh, there's no sermon now so trite and crude
but makes for me a sort of literature:
'tis my one echo now from that far world
where books are read and written, my world once;
I listen as one listens, note by note,
to some great symphony one knows by heart,
played powerlessly, uncertainly, with change
and thinner chords to suit a learner's hand,
listening with pleasure part for what there is
and more for what there should be and what was
when long ago one used to hear the strain:
I seem to love words now because they are words.
Not that I'll call our Vicar's sermon words:
no, no; he loves his God and loves his poor;
he makes his life one task of doing good;
can such a man speak idly? What he does
is proof to what he urges, his week's life
soul to his Sunday preachings, his shown faith
the key to his expoundings; one may learn
from such a man more things than he can teach:
Alas, the busy patience of his life,
eager and resolute for little things,
strenuous on petty labours, which no voice
shall ever herald past the parish bounds,
which maybe those who see them do not see,
and those whose gain they are know not for gain,
does it not twit me with my languid years
drifted along expectant of a day
when all my world should thank me I had waked?
My world--ah, after all, a lesser one
than I discerned when I was of it still,
87
my world of men who learn and teach and learn,
and then have only learned and taught and learned-my world that has forgotten me, a waif
floated away from it on too rough tides,
left spoiled and stranded to drop piece by piece.
Ah me, the difference: I have not known
what envy means unless I know it now
when, in my helplessness, sick, blind, and poor,
past all fulfilling now, with nought fulfilled,
I see our Vicar, with his cheery look,
hurried and overladen with small cares,
glad in his work because it is his work.
And he'll not envy me my garnered lore,
stored up for moth and mildew; what to him
is any wisdom but to work and pray?
the denizens of our rustic market town,
which ignorant strangers take, and break our hearts,
or just a village, know no Tübingen,
have never heard of varying codices,
love, or love not, the Christ of Luke and John,
and have no guess of Renan's; to their minds
belief and unbelief are simplest things,
mere Yes and No, and God must side with Yes,
as kings must with the loyal. But the love
that comes of faith and faith that comes of love;
they can learn those of him and he can teach,
that plain man, ignorant of philosophies
but wise enough to do good all the day.
Ah, why was I too weak for such a life,
which once I might have chosen? A high life,
full of most blessed service.
But I thought
it was not my life meant for me by God:
and now I know not what I should have done,
only I mourn that I have lived in vain,
still daily dreaming some completed task
that never was begun, still waiting force
of impulse more than mine to waken mine,
still dimly pondering "Shall I? Can I? How?"
and waiting to be ready to begin.
88
Ah tardy useless labourer in the fields,
who waits to think what weed he shall rout first;
ah laggard sailor, who will not put out
till the direct fair wind sets for his port.
And time will never linger, and the world
can wait for no man, must have its wants fed
at the want's birth-cry--soldiers to the gap
on the hot instant, else no need of you,
no space for you to stand in. Long long since
I thought to have been somewhat, to perhaps
set some regardful honour round my name,
but surely to receive a destined place,
a part among the workers: for it seemed
to have so far uptrodden, half alone,
from peasant lowliness should prelude me
a future as of one of whom they say
"so low he was" to show how high he is.
Dreams, dreams! I never had the pith, the sap,
the strong aspiring pulses; I was one
to think, and shiver, by the study fire
"outside is the cold boisterous sea of life
where I will plunge to-morrow and snatch pearls,"
to wait like a late sleeper in the morn,
that with a drowsy logic lulls himself,
and chides his tardiness on their delay
who will not come to tell him it is time.
And yet I did not sleep; no, to my thought
I always was at school for work to come:
but these days leave us little schooling time.
Long since, and when the wisdom of the wise
was to accept to live one with to learn,
and men might find their work for half a life
in thinking silent, and the other half
in thinking out aloud, those were my days
I should have lived in: I came out of date:
like a reprinted tome of theories
made reasonably ere the science shaped,
which, all uncut, stands on the library shelf
amid new essays on the daily art
born long since of the science, and men say
89
"'Tis learned, curious, looks well on the shelf"
and take its slighter useful neighbour down,
so I showed wise and useless to the world.
Wise with the oldworld wisdom grown unapt
to this changed morrow, for the lesson now
is to accept to live one with to do-the wisest wisdom plainly in this stir,
this over crowding, this hot hurrying on,
that make a tempest of our modern days.
This anxious age is driven half mad with work,
it bids us all work, world no need, no room,
for contemplating sages counting life
a time allowed for solving problems in
and its own self a problem to be solved;
on in the rush, or be swept out of sight,
on in the rush, and find your place, and work.
'Tis right, 'tis very right; not only ours
to fit what state God gives us but what times;
and he who is thrown out in a fierce race
can hardly chide, "the others ran too fast."
And, as for me, if I grow old alone,
hid out of memory of springtime peers,
and have my roof and food by dead men's alms,
it is that I have been an alien son,
a dronish servant careful of his ease,
to the master-Present, the strong century
that gave our lives and will have use of them.
I knew it always, but still while I thought.
"To-morrow I go forth," the sudden Now
had gone before I judged it had been there:
I knew it always, but the stealthy years
slid on while I was busy at my books,
and when I, startled, waked and saw it time,
lo the "Too late" which God has spoken me
in blindness and in sickness.
A strange life;
fair bud, fair blossom, never perfect fruit;
the river that seemed destined to push on
long eager miles among its busy mills,
90
among its teeming meadows and its towns,
hemmed stagnant by some little feeble dykes,
some trivial sand-mounds barred against its way,
and rounding to an issueless dull pool.
And yet, but for that wondering vague remorse
not to have been one stronger than myself,
I look back very kindly on my life
so changeful yet so still, not sorrowless
and yet not sad; I love to think of it
and tell it to myself like an old tale
dear for its homely long-familiar turns.
Oh, often I, the grey-haired palsied man,
am yet again the child beneath the hedge,
the village urchin, truant to his task,
of scaring crows, to con a dog's-eared book,
stealing his indolent scholar's luxury
by naughty half-hours through the lonely day.
Oh happy child, I never saw my guilt
nor dreamed of trust betrayed and pence ill-earned,
and it was such a joy to learn and pore
and read great words and wonder what they meant,
and sometimes see, as if a faint new star
dawned on one through a dusky gap at night,
a sudden meaning breaking on the doubt:
poor as I was, ill cared for, with no kin
but the sharp stepmother who, good at heart,
for widow's duty called me hers, not love,
and little Grace, the toddling sister thing
she'd not let love me and not let me touch,
who learned to scold me in her sweet babe's lisp
and would not kiss me even when we played,
no friends, no playmates, every way alone,
yet 'twas a happy boyhood; not forlorn
with the thumbed book for gossip, not forlorn
with all the outdoor world for company.
Oh, many and many a balmy eve like this,
beside my pollard willows by the brook,
I sat and watched the greyness creeping on,
thinking 'twas pity days must end in nights
and one must sleep away so many hours,
losing such sweetness of the summer time.
91
Dulled wistful eyes, you cannot show me now
the brown-ribbed hill behind whose rounded slope
my village stands among its fields of flax;
last year I still could find it, where to me
it seemed a smooth dusk cloud against the sky,
could say "there lies my home," and fancy out
the well known landmarks, and go step by step
mind-pilgrimage among the dear old haunts;
but now the hill and sky are both one haze,
the dusk cloud's place is lost in larger dusk.
Well, well, 'tis present to me none the less,
and I am glad to feel it near in sight
with its white winding road that, from the top,
looks on my home, and sudden slants to it.
My home! and now 'tis twenty years and odd
since I have journeyed down the slanting road
and seen our envied boasts, the bridge and spire;
yes, twenty years and odd since the last time,
and then they called me stranger; yet I feel
my true home there. Not in my happy town,
my placid scholar's town of colleges,
where the smooth river, lagging by its elms,
bears on its painted breast oriels and towers
and grey monastic courts made reverend
with elder learning and historic lives;
not in my Cornish schoolhouse near the rocks,
where from the granite headland, with its crown
of glossy sward and wee white heather bloom
and rare and southern wildflowers of the moors,
one looked on the illimitable plain,
the vague mysterious ocean stretching forth
into the space and silence of the sky;
not in the city of the million homes,
the throbbing heart of England--No, not there,
how could I find home there? those pent black streets,
that skyless prison room, where day by day
my heart and head grew number, day by day
I and my schoolboys seemed to grow less apt,
that whirr and whirl of traffic, ceaseless change
of unknown faces thronging to and fro!
92
my life went shrivelling there as if one brought
some thirsty field plant maimed of half its root
amid a ball-night glare of flashing lamps.
And if I, even in this haven nook,
sheltered out of the cold winds of the world,
if here on the free hill-side, with the sounds
of woodland quiet soothing in my ears,
here where the dear home breezes blow to me
over the well known meadows, yet have longed,
like a sick schoolboy for his mother's face,
to look on my remembered trees and fields,
to touch them, to feel kin with them again,
how else could it be with me in the din
the blackness and the crowding?
Oh my heart,
how faint it grew long ere I grew all faint;
long ere there came this swift decrepitude
of too usurping age forestalling time;
how desolate I felt, like a man wrecked
on some far island in a burning clime
where every voice clangs strangely, and all thoughts
come to him yet more foreign than the words,
and very kindness wears unhomeliness;
how in my weariness I grew to loathe
those prison bars of roofs across the sky.
Well, when He pleased, God gave me the release,
gave His good way not mine, I thank Him for it.
Yes, it is well with me: life grows mere rest-I sit apart and am done with the world,
no hopes, no fears, no changes; I have lost
all part in aims and duties, like a tool
blunted with little use I am laid by
never to serve again; I sit apart
useless, forgotten, a lone purblind man
hid in an almshouse--but the rest is good,
is very peaceful, and I feel God near,
near as I never knew Him in old days
when yet I thought I loved Him.
Did I not?
Was it because I did not love Him then
93
I could not choose His service? It seems strange:
they all said I was fit, they urged me to it:
and there on one hand was my worldly ease
and (if I were fit) service to my God,
on the other, chance and my poor single strength
to wrest a pittance from the world's clenched hand:
yes one might say it had been granted me
to choose both God and Mammon virtuously:
and yet I could not--never might my lips
have spoken the great answers "Christ has called,"
"The Holy Ghost has moved me." Day by day
I urged myself, I prayed to hear the call,
and the call came not. Was it want of love?
and would my warmer heart have been more brave,
and known a summons where I did not know?
Ah no, there was no need for such as I,
who have no ministering gift, no rule on minds.
Oh, the poor souls had perished which must lean
on such a pastor; I, who never found
the teacher's common secret how to write
the accurate human lore on willing minds,
how could I teach God's mysteries of love?
how could I force rebellious hearts to know?
I, who must reason with myself an hour
to cross a room and give a friend good-day,
where were my ready words to greet the poor,
my instant tact, my sympathy, command?
Oh, rather was I one to be content,
to be most happy, cloistered in the peace
of some grey convent where the even hours
go measured out by prayers and each still day
melts stealthily to night and has but seen
change between chapel and the studious cell.
Had such a life been granted by my creed
I could have snatched at it ...... yes, even then
before the silent too delusive hope
died at her careless bidding.
Susan Lee,
you never guessed, I but half knew myself,
how close a part you had of all my life
94
from the first time my schoolboy heart grew proud
to feel itself beat quicker at a smile.
I loved you patiently, content to dream
what happy fireside future should be ours
if you should ever love me; afterwards
I sorrowed patiently; and in both whiles
lived in my peace as if you had not been:
but yet you always have been part of me,
I cannot think upon my earlier self
and not remember you. It was but chance
that you were near me, following up the brook
for water-cresses, on that birthday morn
of my new life, when, as I basked and read,
the young squire's tutor came and saw my book,
and sat with me beneath my willow tree;
it was but chance that, for your good-girl treat,
you went a twelve miles' journey to your aunt's
and saw the prize-day splendours of our school
where I stood in my class-boy eminence
(a shamefaced hero, conscious of renown,
and bearing such a greatness bashfully),
and that your face, set in a window frame,
was still the one I saw when I looked up;
it was but chance that made your merry voice
the one to greet me first when, all elate
with budding freshman honours of first term,
I came back to our village ... where, good lack,
I found small reverence for my dignities,
and no one turned to watch me as I walked;
it was but chance that I could see you lead
a romping battle, armed with pelts of hay,
against my Gracie and her rival band
the time I got the germ and ringingest lines
of the Greek ode which gained my earliest prize;
it was but chance made Grace's letter come,
talking of only you, the selfsame day
I heard my name sound in the topmost list,
the very roll of fame as I thought then-maybe I thought it too long afterwards,
poor lad, who fancied I had won a race
because I gained a vantage post to start;
yes, chance and only chance so mingles you
95
with the young promise halos, but you stand
always a star behind them, shining through,
and, though I once was sad because of you,
I have my happy memories of you now.
They said you were not pretty, owed your charm
to choice of ribbons from your father's shop,
but, as for me, I saw not if you wore
too many ribbons or too few, nor sought
what charms you had beyond that one I knew,
the kind and honest look in your grey eyes.
Well, you chose fitlier; and you prosper well,
and I can fancy you in your content,
a busy prudent farmwife all the week
and wearing silk on Sundays when you go
to church among your children, proud to take
your husband's arm ... a man who holds his own
and rents a few more acres every year.
And Grace chose wisely too, the wilful girl
I would have made a lady of--not she,
she would not stay at school, she would not learn
your monkey French, she would not chirp words small
like twittering birds, she would not crotchet lace;
and she would marry sturdy William Ford;
so found some rainy days at first, 'tis true,
but they both took them with a cheery heart,
and now she writes from their far western home
that all goes well with them, and, as for her,
she's happier than a queen the whole day through,
and all the bairns as fresh as buttercups.
'Tis far away, my Gracie, far from me:
I'd like to feel your hand in mine at last,
for I have only you, and, as I think,
you bear a kind heart to me; but that's vain,
there'll be no meeting for us in this world.
But bye and bye, my Gracie, bye and bye.
Aye, there's the answer to one's every want,
one's every doubt, that promise bye and bye;
96
it gives this life a beauty, as the glimpse
between near hills of the great open sea
gives to some inland nook among the woods;
it is the full completed melody
the shifting prelude hints at. Life is good,
but most because, in its best perfectness,
it comes like memory of that other life
we have not known, but shall.
What, little one,
my truant playmate, "Mother gives you leave
to come and say good night for half an hour":
well; on my knee--so. Stories must it be?
"The story about Jesus"? Yes, my child,
that is the best one ...... story of our peace;
you'll know that someday, maybe. Now begins...
~ Augusta Davies Webster,
226:or Callistratus. Similarly, the hero in The Acharnians complains about Cleon
"dragging me into court" over "last year's play" but here again it is not clear if
this was said on behalf of ~ Aristophanes



or Callistratus, either of whom might
have been prosecuted by Cleon.
Comments made by the Chorus on behalf of ~ Aristophanes



in The Clouds have
been interpreted as evidence that he can have been hardly more than 18 years
old when his first play The Banqueters was produced. The second parabasis in
Wasps appears to indicate that he reached some kind of temporary
accommodation with Cleon following either the controversy over The Babylonians
or a subsequent controversy over The Knights.[ It has been inferred from
statements in The Clouds and Peace that ~ Aristophanes



was prematurely bald.
We know that ~ Aristophanes



was probably victorious at least once at the City
Dionysia (with Babylonians in 427)and at least three times at the Lenaia, with
Acharnians in 425, Knights in 424, and Frogs in 405. Frogs in fact won the
unique distinction of a repeat performance at a subsequent festival. We know
that a son of ~ Aristophanes



, Araros, was also a comic poet and he could have
been heavily involved in the production of his father's play Wealth II in s is also
thought to have been responsible for the posthumous performances of the now
lost plays Aeolosicon II and Cocalus, and it is possible that the last of these won
the prize at the City Dionysia in 387. It appears that a second son, Philippus, was
twice victorious at the Lenaia and he could have directed some of Eubulus’
comedies.A third son was called either Nicostratus or Philetaerus, and a man by
the latter name appears in the catalogue of Lenaia victors with two victories, the
first probably in the late 370s.
Plato's The Symposium appears to be a useful source of biographical information
about ~ Aristophanes



, but its reliability is open to doubt. It purports to be a record
of conversations at a dinner party at which both ~ Aristophanes



and Socrates are
guests, held some seven years after the performance of The Clouds, the play in
which Socrates was cruelly caricatured. One of the guests, Alcibiades, even
quotes from the play when teasing Socrates over his appearance and yet there is
no indication of any ill-feeling between Socrates and ~ Aristophanes



. Plato's
~ Aristophanes



is in fact a genial character and this has been interpreted as
evidence of Plato's own friendship with him (their friendship appears to be
corroborated by an epitaph for ~ Aristophanes



, reputedly written by Plato, in which
the playwright's soul is compared to an eternal shrine for the Graces). Plato was
only a boy when the events in The Symposium are supposed to have occurred
and it is possible that his ~ Aristophanes



is in fact based on a reading of the plays.
For example, conversation among the guests turns to the subject of Love and
~ Aristophanes



explains his notion of it in terms of an amusing allegory, a device
he often uses in his plays. He is represented as suffering an attack of hiccoughs
and this might be a humorous reference to the crude physical jokes in his plays.
He tells the other guests that he is quite happy to be thought amusing but he is
wary of appearing ridiculous. This fear of being ridiculed is consistent with his
declaration in The Knights that he embarked on a career of comic playwright
warily after witnessing the public contempt and ridicule that other dramatists had
incurred.
~ Aristophanes



survived The Peloponnesian War, two oligarchic revolutions and two
democratic restorations; this has been interpreted as evidence that he was not
actively involved in politics despite his highly political plays. He was probably
appointed to the Council of Five Hundred for a year at the beginning of the fourth
century but such appointments were very common in democratic tes, in the trial
leading up to his own death, put the issue of a personal conscience in those
troubled times quite succinctly:
"...he who will really fight for the right, if he would live even for a little while,
must have a private station and not a public one.
~ Aristophanes



the Poet
The language in ~ Aristophanes



' plays, and in Old Comedy generally, was valued
by ancient commentators as a model of the Attic dialect. The orator Quintilian
believed that the charm and grandeur of the Attic dialect made Old Comedy an
example for orators to study and follow, and he considered it inferior in these
respects only to the works of
A full appreciation of ~ Aristophanes



' plays requires an understanding of the poetic
forms he employed with virtuoso skill, and of their different rhythms and
associations. There were three broad poetic forms: iambic dialogue, tetrameter
verses and lyrics:
Iambic dialogue: ~ Aristophanes



achieves an effect resembling natural speech
through the use of the iambic hexameter (corresponding to the effects achieved
by English poets such as

based on words that are similar rather than identical, and it has been observed
that there could be more of them than scholars have yet been able to identify.
Others are based on double meanings. Sometimes entire scenes are constructed
on puns, as in The Acharnians with the Megarian farmer and his pigs: the
Megarian farmer defies the Athenian embargo against Megarian trade, and tries
to trade his daughters disguised as pigs, except "pig" was ancient slang for
"vagina". Since the embargo against Megara was the pretext for the
Peloponnesian War, ~ Aristophanes



naturally concludes that this whole mess
happened because of "three cunts".
It can be argued that the most important feature of the language of the plays is
imagery, particularly the use of similes, metaphors and pictorial expressions. In
'The Knights', for example, the ears of a character with selective hearing are
represented as parasols that open and close.In The Frogs, Aeschylus is said to
compose verses in the manner of a horse rolling in a sandpit. Some plays feature
revelations of human perfectibility that are poetic rather than religious in
character, such as the marriage of the hero Pisthetairos to Zeus's paramour in
The Birds and the 'recreation' of old Athens, crowned with roses, at the end of
The Knights.
~ Aristophanes



and Old Comedy
The Greek word for 'comedy' (komoidía) derives from the words for 'revel' and
'song' (komos and ode) and according to Aristotle comic drama actually
developed from song. The first, official comedy at the City Dionysia was not
staged until 487/6 BC, by which time tragedy had already been long established
there. The first comedy at the Lenaia was staged later still, only about 20 years
before the performance there of The Acharnians, the first of ~ Aristophanes



'
surviving plays. According to Aristotle, comedy was slow to gain official
acceptance because nobody took it seriously yet, only sixty years after comedy
first appeared at 'The City Dionysia', ~ Aristophanes



observed that producing
comedies was the most difficult work of tition at the Dionysian festivals needed
dramatic conventions for plays to be judged, but it also fuelled innovations.
Developments were quite rapid and Aristotle was able to distinguish between
'old' and 'new' comedy by 330 BC. The trend from Old Comedy to New Comedy
saw a move away from highly topical concerns with real individuals and local
issues towards generalized situations and stock characters. This was partly due
to the internationalization of cultural perspectives during and after the
Peloponnesian War. For ancient commentators such as Plutarch, New Comedy
was a more sophisticated form of drama than Old Comedy. However Old Comedy
was in fact a complex and sophisticated dramatic form incorporating many
approaches to humour and entertainment. In ~ Aristophanes



' early plays, the
genre appears to have developed around a complex set of dramatic conventions
and these were only gradually simplified and abandoned.
The City Dionysia and the Lenaia were celebrated in honour of Dionysus, a god
who represented Man's darker nature (Euripides' play The Bacchae offers the
best insight into 5th Century ideas about this god). Old Comedy can be
understood as a celebration of the exuberant sense of release inherent in his
worship It was more interested in finding targets for satire than in any kind of
advocacy. During the City Dionysia, a statue of the god was brought to the
theatre from a temple outside the city and it remained in the theatre throughout
the festival, overseeing the plays like a privileged member of the audience.[102]
In The Frogs, the god appears also as a dramatic character and he enters the
theatre ludicrously disguised as Hercules. He observes to the audience that every
time he is on hand to hear a joke from a comic dramatist like Phrynichus (one of
~ Aristophanes



' rivals) he ages by more than a year. The scene opens the play and
it is a reminder to the audience that nobody is above mockery in Old Comedy —
not even its patron god and its practitioners! Gods, artists, politicians and
ordinary citizens were legitimate targets, comedy was a kind of licensed
buffoonery and there was no legal redress for anyone who was slandered in a
play. There were some limits to the scope of the satire, but they are not easily
defined. Impiety could be punished in 5th century Athens but absurdities implicit
in traditional religion were open to ridicule. The polis was not allowed to be
slandered but, as stated in the biography section of this article, that could
depend on who was in the audience and which festival was involved.
For convenience, Old Comedy, as represented by ~ Aristophanes



' early plays, is
analysed below in terms of three broad characteristics — topicality, festivity and
complexity. Dramatic structure contributes to the complexity of ~ Aristophanes



'
plays. However it is associated with poetic rhythms and meters that have little
relevance to English translations and it is therefore treated in a separate section.
Influence and legacy
The tragic dramatists, Sophocles and Euripides, died near the end of the
Peloponnesian War and the art of tragedy thereafter ceased to develop, yet
comedy did continue to develop after the defeat of Athens and it is possible that
it did so because, in ~ Aristophanes



, it had a master craftsman who lived long
enough to help usher it into a new age. Indeed, according to one ancient source
(Platonius, c.9th Century AD), one of ~ Aristophanes



's last plays, Aioliskon, had
neither a parabasis nor any choral lyrics (making it a type of Middle Comedy),
while Kolakos anticipated all the elements of New Comedy, including a rape and
a recognition scene. ~ Aristophanes



seems to have had some appreciation of his
formative role in the development of comedy, as indicated by his comment in
Clouds that his audience would be judged by other times according to its
reception of his plays. Clouds was awarded third (i.e. last) place after its original
performance and the text that has come down to the modern age was a
subsequent draft that ~ Aristophanes



intended to be read rather than circulation of
his plays in manuscript extended their influence beyond the original audience,
over whom in fact they seem to have had little or no practical influence: they did
not affect the career of Cleon, they failed to persuade the Athenians to pursue an
honourable peace with Sparta and it is not clear that they were instrumental in
the trial and execution of Socrates, whose death probably resulted from public
animosity towards the philosopher's disgraced associates (such as Alcibiades),
exacerbated of course by his own intransigence during the plays, in manuscript
form, have been put to some surprising uses — as indicated earlier, they were
used in the study of rhetoric on the recommendation of Quintilian and by
students of the Attic dialect in the Fourth and Fifth Centuries AD. It is possible
that Plato sent copies of the plays to Dionysius of Syracuse so that he might
learn about Athenian life and government.
Latin translations of the plays by Andreas Divus (Venice 1528) were circulated
widely throughout Europe in the Renaissance and these were soon followed by
translations and adaptations in modern languages. Racine, for example, drew Les
Plaideurs (1668) from The Wasps.

winged."
Drama
1909: Wasps, original Greek, Cambridge University undergraduate production,
music by Vaughan Williams;
2004, July–October: The Frogs (musical), adapted by Nathan Lane, music and
lyrics by Stephen Sondheim, performed at The Vivian Beaumont Theatre
Broadway;
1962-2006: various plays by students and staff, Kings College London, in the
original Greek:Frogs 1962,1971,1988; Thesmophoriazusae 1965, 1974, 1985;
Acharnians 1968, 1992, 2004; Clouds 1977, 1990; Birds 1982, 2000;
Ecclesiazusae 2006; Peace 1970; Wasps 1981
2002: Lysistrata, adapted by Robert Brustein, music by Galt McDermot,
performed by American Repertory Theatre, Boston U.S.A.;
10
2008, May–June: Frogs, adapted by David Greenspan, music by Thomas
Cabaniss, performed by Classic Stage Company, New York, U.S.A.
Literature
The romantic poet, Percy Shelley, wrote a comic, lyrical drama (Swellfoot the
Tyrrant) in imitation of ~ Aristophanes



' play The Frogs after he was reminded of
the Chorus in that play by a herd of pigs passing to market under the window of
his lodgings in San Giuliano, Italy.
~ Aristophanes



(particularly in reference to The Clouds) is mentioned frequently by
the character Menedemos in the Hellenic Traders series of novels by H N
Turteltaub.
A liberal version of the comedies have been published in comic book format,
initially by "Agrotikes Ekdoseis" during the 1990s and republished over the years
by other companies. The plot was written by Tasos Apostolidis and the sketches
were of George Akokalidis. The stories feature either ~ Aristophanes



narrating
them, directing the play, or even as a character inside one of his stories.
Electronic Media
The Wasps, radio play adapted by David Pountney, music by Vaughan Williams,
recorded 26–28 July 2005, Albert Halls, Bolten, in association with BBC, under
Halle label;
Acropolis Now is a comedy radio show for the BBC set in Ancient Greece. It
features ~ Aristophanes



, Socrates and many other famous Greeks. (Not to be
confused with the Australian sitcom of the same name.) ~ Aristophanes



is
characterised as a celebrity playwright, and most of his plays have the title
formula: One of Our [e.g] Slaves has an Enormous Knob (a reference to the
exaggerated appendages worn by Greek comic actors)
~ Aristophanes



Against the World was a radio play by Martyn Wade and broadcast
on BBC Radio 4. Loosely based on several of his plays, it featured Clive Merrison
as ~ Aristophanes



.
In The Odd Couple, Oscar and Felix are on Password, and when the password is
bird, Felix’s esoteric clue is "~ Aristophanes



" because of his play The Birds. During
the commercial break (having failed to guess the password and lost the round),
Oscar orders Felix not to give any more Greek clues and angrily growls,
"~ Aristophanes



is ridiculous"! Then when it's Oscar’s turn to give the clue on the
11
team’s next shot, the password is ridiculous and Oscar angrily growls
"~ Aristophanes



", to which Felix gleefully responds, "Ridiculous!"
Music
Satiric Dances for a Comedy by ~ Aristophanes



is a three-movement piece for
concert band composed by Norman Dello Joio. It was commissioned in
commemoration of the Bicentennial of April 19, 1775 (the start of the American
Revolutionary War) by the Concord (Massachusetts) Band. The commission was
funded by the Town of Concord and assistance was given by the Eastern National
Park and Monument Association in cooperation with the National Park Service.
12
A Parody On Euripides's Lyric Verse
Halcyons ye by the flowing sea
Waves that warble twitteringly,
Circling over the tumbling blue,
Dipping your down in its briny dew,
Spi-i-iders in corners dim
Spi-spi-spinning your fairy film,
Shuttles echoing round the room
Silver notes of the whistling loom,
Where the light-footed dolphin skips
Down the wake of the dark-prowed ships,
Over the course of the racing steed
Where the clustering tendrils breed
Grapes to drown dull care in delight,
Oh! mother make me a child again just for to-night!
I don't exactly see how that last line is to scan,
But that's a consideration I leave to our musical man.
~ Aristophanes,
227:Gotham - Book I
Far off (no matter whether east or west,
A real country, or one made in jest,
Nor yet by modern Mandevilles disgraced,
Nor by map-jobbers wretchedly misplaced)
There lies an island, neither great nor small,
Which, for distinction sake, I Gotham call.
The man who finds an unknown country out,
By giving it a name, acquires, no doubt,
A Gospel title, though the people there
The pious Christian thinks not worth his care
Bar this pretence, and into air is hurl'd
The claim of Europe to the Western world.
Cast by a tempest on the savage coast,
Some roving buccaneer set up a post;
A beam, in proper form transversely laid,
Of his Redeemer's cross the figure made-Of that Redeemer, with whose laws his life,
From first to last, had been one scene of strife;
His royal master's name thereon engraved,
Without more process the whole race enslaved,
Cut off that charter they from Nature drew,
And made them slaves to men they never knew.
Search ancient histories, consult records,
Under this title the most Christian lords
Hold (thanks to conscience) more than half the ball;
O'erthrow this title, they have none at all;
For never yet might any monarch dare,
Who lived to Truth, and breathed a Christian air,
Pretend that Christ, (who came, we all agree,
To bless his people, and to set them free)
To make a convert, ever one law gave
By which converters made him first a slave.
Spite of the glosses of a canting priest,
Who talks of charity, but means a feast;
Who recommends it (whilst he seems to feel
The holy glowings of a real zeal)
To all his hearers as a deed of worth,
To give them heaven whom they have robb'd of earth;
Never shall one, one truly honest man,
25
Who, bless'd with Liberty, reveres her plan,
Allow one moment that a savage sire
Could from his wretched race, for childish hire,
By a wild grant, their all, their freedom pass,
And sell his country for a bit of glass.
Or grant this barbarous right, let Spain and France,
In slavery bred, as purchasers advance;
Let them, whilst Conscience is at distance hurl'd,
With some gay bauble buy a golden world:
An Englishman, in charter'd freedom born,
Shall spurn the slavish merchandise, shall scorn
To take from others, through base private views,
What he himself would rather die, than lose.
Happy the savage of those early times,
Ere Europe's sons were known, and Europe's crimes!
Gold, cursed gold! slept in the womb of earth,
Unfelt its mischiefs, as unknown its worth;
In full content he found the truest wealth,
In toil he found diversion, food, and health;
Stranger to ease and luxury of courts,
His sports were labours, and his labours sports;
His youth was hardy, and his old age green;
Life's morn was vigorous, and her eve serene;
No rules he held, but what were made for use,
No arts he learn'd, nor ills which arts produce;
False lights he follow'd, but believed them true;
He knew not much, but lived to what he knew.
Happy, thrice happy now the savage race,
Since Europe took their gold, and gave them grace!
Pastors she sends to help them in their need,
Some who can't write; with others who can't read;
And on sure grounds the gospel pile to rear,
Sends missionary felons every year;
Our vices, with more zeal than holy prayers,
She teaches them, and in return takes theirs.
Her rank oppressions give them cause to rise,
Her want of prudence, means and arms supplies,
Whilst her brave rage, not satisfied with life,
Rising in blood, adopts the scalping-knife.
Knowledge she gives, enough to make them know
How abject is their state, how deep their woe;
The worth of freedom strongly she explains,
26
Whilst she bows down, and loads their necks with chains.
Faith, too, she plants, for her own ends impress'd,
To make them bear the worst, and hope the best;
And whilst she teaches, on vile Interest's plan,
As laws of God, the wild decrees of man,
Like Pharisees, of whom the Scriptures tell,
She makes them ten times more the sons of Hell.
But whither do these grave reflections tend?
Are they design'd for any, or no end?
Briefly but this--to prove, that by no act
Which Nature made, that by no equal pact
'Twixt man and man, which might, if Justice heard,
Stand good; that by no benefits conferr'd,
Or purchase made, Europe in chains can hold
The sons of India, and her mines of gold.
Chance led her there in an accursed hour;
She saw, and made the country hers by power;
Nor, drawn by virtue's love from love of fame,
Shall my rash folly controvert the claim,
Or wish in thought that title overthrown
Which coincides with and involves my own.
Europe discover'd India first; I found
My right to Gotham on the self-same ground;
I first discover'd it, nor shall that plea
To her be granted, and denied to me;
I plead possession, and, till one more bold
Shall drive me out, will that possession hold.
With Europe's rights my kindred rights I twine;
Hers be the Western world, be Gotham mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
As on a day, a high and holy day,
Let every instrument of music play,
Ancient and modern; those which drew their birth
(Punctilios laid aside) from Pagan earth,
As well as those by Christian made and Jew;
Those known to many, and those known to few;
Those which in whim and frolic lightly float,
27
And those which swell the slow and solemn note;
Those which (whilst Reason stands in wonder by)
Make some complexions laugh, and others cry;
Those which, by some strange faculty of sound,
Can build walls up, and raze them to the ground;
Those which can tear up forests by the roots,
And make brutes dance like men, and men like brutes;
Those which, whilst Ridicule leads up the dance,
Make clowns of Monmouth ape the fops of France;
Those which, where Lady Dulness with Lord Mayors
Presides, disdaining light and trifling airs,
Hallow the feast with psalmody; and those
Which, planted in our churches to dispose
And lift the mind to Heaven, are disgraced
With what a foppish organist calls Taste:
All, from the fiddle (on which every fool,
The pert son of dull sire, discharged from school,
Serves an apprenticeship in college ease,
And rises through the gamut to degrees)
To those which (though less common, not less sweet)
From famed Saint Giles's, and more famed Vine Street,
(Where Heaven, the utmost wish of man to grant,
Gave me an old house, and an older aunt)
Thornton, whilst Humour pointed out the road
To her arch cub, hath hitch'd into an ode;-All instruments (attend, ye listening spheres!
Attend, ye sons of men! and hear with ears),
All instruments (nor shall they seek one hand
Impress'd from modern Music's coxcomb band),
All instruments, self-acted, at my name
Shall pour forth harmony, and loud proclaim,
Loud but yet sweet, to the according globe,
My praises; whilst gay Nature, in a robe,
A coxcomb doctor's robe, to the full sound
Keeps time, like Boyce, and the world dances round.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Infancy, straining backward from the breast,
28
Tetchy and wayward, what he loveth best
Refusing in his fits, whilst all the while
The mother eyes the wrangler with a smile,
And the fond father sits on t' other side,
Laughs at his moods, and views his spleen with pride,
Shall murmur forth my name, whilst at his hand
Nurse stands interpreter, through Gotham's land.
Childhood, who like an April morn appears,
Sunshine and rain, hopes clouded o'er with fears,
Pleased and displeased by starts, in passion warm,
In reason weak; who, wrought into a storm,
Like to the fretful billows of the deep,
Soon spends his rage, and cries himself asleep;
Who, with a feverish appetite oppress'd,
For trifles sighs, but hates them when possess'd;
His trembling lash suspended in the air,
Half-bent, and stroking back his long lank hair,
Shall to his mates look up with eager glee,
And let his top go down to prate of me.
Youth, who, fierce, fickle, insolent, and vain,
Impatient urges on to Manhood's reign,
Impatient urges on, yet with a cast
Of dear regard looks back on Childhood past,
In the mid-chase, when the hot blood runs high,
And the quick spirits mount into his eye;
When pleasure, which he deems his greatest wealth,
Beats in his heart, and paints his cheeks with health;
When the chafed steed tugs proudly at the rein,
And, ere he starts, hath run o'er half the plain;
When, wing'd with fear, the stag flies full in view,
And in full cry the eager hounds pursue,
Shall shout my praise to hills which shout again,
And e'en the huntsman stop to cry, Amen.
Manhood, of form erect, who would not bow
Though worlds should crack around him; on his brow
Wisdom serene, to passion giving law,
Bespeaking love, and yet commanding awe;
Dignity into grace by mildness wrought;
Courage attemper'd and refined by thought;
Virtue supreme enthroned; within his breast
The image of his Maker deep impress'd;
Lord of this earth, which trembles at his nod,
29
With reason bless'd, and only less than God;
Manhood, though weeping Beauty kneels for aid,
Though Honour calls, in Danger's form array'd,
Though clothed with sackloth, Justice in the gates,
By wicked elders chain'd, Redemption waits,
Manhood shall steal an hour, a little hour,
(Is't not a little one?) to hail my power.
Old Age, a second child, by Nature cursed
With more and greater evils than the first;
Weak, sickly, full of pains, in every breath
Railing at life, and yet afraid of death;
Putting things off, with sage and solemn air,
From day to day, without one day to spare;
Without enjoyment, covetous of pelf,
Tiresome to friends, and tiresome to himself;
His faculties impair'd, his temper sour'd,
His memory of recent things devour'd
E'en with the acting, on his shatter'd brain
Though the false registers of youth remain;
From morn to evening babbling forth vain praise
Of those rare men, who lived in those rare days,
When he, the hero of his tale, was young;
Dull repetitions faltering on his tongue;
Praising gray hairs, sure mark of Wisdom's sway,
E'en whilst he curses Time, which made him gray;
Scoffing at youth, e'en whilst he would afford
All but his gold to have his youth restored,
Shall for a moment, from himself set free,
Lean on his crutch, and pipe forth praise to me.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Things without life shall in this chorus join,
And, dumb to others' praise, be loud in mine.
The snowdrop, who, in habit white and plain,
Comes on, the herald of fair Flora's train;
The coxcomb crocus, flower of simple note,
Who by her side struts in a herald's coat;
The tulip, idly glaring to the view,
30
Who, though no clown, his birth from Holland drew;
Who, once full dress'd, fears from his place to stir,
The fop of flowers, the More of a parterre;
The woodbine, who her elm in marriage meets,
And brings her dowry in surrounding sweets;
The lily, silver mistress of the vale;
The rose of Sharon, which perfumes the gale;
The jessamine, with which the queen of flowers,
To charm her god, adorns his favourite bowers,
Which brides, by the plain hand of Neatness dress'd,
Unenvied rival, wear upon their breast,
Sweet as the incense of the morn, and chaste
As the pure zone which circles Dian's waist;
All flowers, of various names, and various forms,
Which the sun into strength and beauty warms,
From the dwarf daisy, which, like infants, clings,
And fears to leave the earth from whence it springs,
To the proud giant of the garden race,
Who, madly rushing to the sun's embrace,
O'ertops her fellows with aspiring aim,
Demands his wedded love, and bears his name;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Forming a gloom, through which, to spleen-struck minds,
Religion, horror-stamp'd, a passage finds,
The ivy crawling o'er the hallow'd cell
Where some old hermit's wont his beads to tell
By day, by night; the myrtle ever green,
Beneath whose shade Love holds his rites unseen;
The willow, weeping o'er the fatal wave
Where many a lover finds a watery grave;
The cypress, sacred held, when lovers mourn
Their true love snatch'd away; the laurel worn
By poets in old time, but destined now,
In grief, to wither on a Whitehead's brow;
The fig, which, large as what in India grows,
31
Itself a grove, gave our first parents clothes;
The vine, which, like a blushing new-made bride,
Clustering, empurples all the mountain's side;
The yew, which, in the place of sculptured stone,
Marks out the resting-place of men unknown;
The hedge-row elm; the pine, of mountain race;
The fir, the Scotch fir, never out of place;
The cedar, whose top mates the highest cloud,
Whilst his old father Lebanon grows proud
Of such a child, and his vast body laid
Out many a mile, enjoys the filial shade;
The oak, when living, monarch of the wood;
The English oak, which, dead, commands the flood;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The showers, which make the young hills, like young lambs,
Bound and rebound; the old hills, like old rams,
Unwieldy, jump for joy; the streams which glide,
Whilst Plenty marches smiling by their side,
And from their bosom rising Commerce springs;
The winds, which rise with healing on their wings,
Before whose cleansing breath Contagion flies;
The sun, who, travelling in eastern skies,
Fresh, full of strength, just risen from his bed,
Though in Jove's pastures they were born and bred,
With voice and whip can scarce make his steeds stir,
Step by step, up the perpendicular;
Who, at the hour of eve, panting for rest,
Rolls on amain, and gallops down the west
As fast as Jehu, oil'd for Ahab's sin,
Drove for a crown, or postboys for an inn;
The moon, who holds o'er night her silver reign,
Regent of tides, and mistress of the brain,
Who to her sons, those sons who own her power,
And do her homage at the midnight hour,
Gives madness as a blessing, but dispenses
32
Wisdom to fools, and damns them with their senses;
The stars, who, by I know not what strange right,
Preside o'er mortals in their own despite,
Who, without reason, govern those who most
(How truly, judge from thence!) of reason boast,
And, by some mighty magic yet unknown,
Our actions guide, yet cannot guide their own;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The moment, minute, hour, day, week, month, year,
Morning and eve, as they in turn appear;
Moments and minutes, which, without a crime,
Can't be omitted in accounts of time,
Or, if omitted, (proof we might afford)
Worthy by parliaments to be restored;
The hours, which, dress'd by turns in black and white,
Ordain'd as handmaids, wait on Day and Night;
The day, those hours, I mean, when light presides,
And Business in a cart with Prudence rides;
The night, those hours, I mean, with darkness hung,
When Sense speaks free, and Folly holds her tongue;
The morn, when Nature, rousing from her strife
With death-like sleep, awakes to second life;
The eve, when, as unequal to the task,
She mercy from her foe descends to ask;
The week, in which six days are kindly given
To think of earth, and one to think of heaven;
The months, twelve sisters, all of different hue,
Though there appears in all a likeness too;
Not such a likeness as, through Hayman's works,
Dull mannerist! in Christians, Jews, and Turks,
Cloys with a sameness in each female face,
But a strange something, born of Art and Grace,
Which speaks them all, to vary and adorn,
At different times of the same parents born;
All, one and all, shall in this chorus join,
33
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Frore January, leader of the year,
Minced-pies in van, and calves' heads in the rear;
Dull February, in whose leaden reign
My mother bore a bard without a brain;
March, various, fierce, and wild, with wind-crack'd cheeks,
By wilder Welshmen led, and crown'd with leeks;
April, with fools, and May, with bastards bless'd;
June, with White Roses on her rebel breast;
July, to whom, the Dog-star in her train,
Saint James gives oysters, and Saint Swithin rain;
August, who, banish'd from her Smithfield stand,
To Chelsea flies, with Doggett in her hand;
September, when by custom (right divine)
Geese are ordain'd to bleed at Michael's shrine,
Whilst the priest, not so full of grace as wit,
Falls to, unbless'd, nor gives the saint a bit;
October, who the cause of Freedom join'd,
And gave a second George to bless mankind;
November, who, at once to grace our earth,
Saint Andrew boasts, and our Augusta's birth;
December, last of months, but best, who gave
A Christ to man, a Saviour to the slave,
Whilst, falsely grateful, man, at the full feast,
To do God honour makes himself a beast;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The seasons as they roll; Spring, by her side
Lechery and Lent, lay-folly and church-pride,
By a rank monk to copulation led,
34
A tub of sainted salt-fish on her head;
Summer, in light transparent gauze array'd,
Like maids of honour at a masquerade,
In bawdry gauze, for which our daughters leave
The fig, more modest, first brought up by Eve,
Panting for breath, inflamed with lustful fires,
Yet wanting strength to perfect her desires,
Leaning on Sloth, who, fainting with the heat,
Stops at each step, and slumbers on his feet;
Autumn, when Nature, who with sorrow feels
Her dread foe Winter treading on her heels,
Makes up in value what she wants in length,
Exerts her powers, and puts forth all her strength,
Bids corn and fruits in full perfection rise,
Corn fairly tax'd, and fruits without excise;
Winter, benumb'd with cold, no longer known
By robes of fur, since furs became our own;
A hag, who, loathing all, by all is loathed,
With weekly, daily, hourly, libels clothed,
Vile Faction at her heels, who, mighty grown,
Would rule the ruler, and foreclose the throne,
Would turn all state affairs into a trade,
Make laws one day, the next to be unmade,
Beggar at home, a people fear'd abroad,
And, force defeated, make them slaves by fraud;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The year, grand circle! in whose ample round
The seasons regular and fix'd are bound,
(Who, in his course repeated o'er and o'er,
Sees the same things which he had seen before;
The same stars keep their watch, and the same sun
Runs in the track where he from first hath run;
The same moon rules the night; tides ebb and flow;
Man is a puppet, and this world a show;
Their old dull follies, old dull fools pursue,
35
And vice in nothing, but in mode, is new;
He ---- a lord (now fair befall that pride,
He lived a villain, but a lord he died)
Dashwood is pious, Berkeley fix'd as Fate,
Sandwich (thank Heaven!) first minister of state;
And, though by fools despised, by saints unbless'd,
By friends neglected, and by foes oppress'd,
Scorning the servile arts of each court elf,
Founded on honour, Wilkes is still himself)
The year, encircled with the various train
Which waits, and fills the glories of his reign,
Shall, taking up this theme, in chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Thus far in sport--nor let our critics hence,
Who sell out monthly trash, and call it sense,
Too lightly of our present labours deem,
Or judge at random of so high a theme:
High is our theme, and worthy are the men
To feel the sharpest stroke of Satire's pen;
But when kind Time a proper season brings,
In serious mood to treat of serious things,
Then shall they find, disdaining idle play,
That I can be as grave and dull as they.
Thus far in sport--nor let half patriots, those
Who shrink from every blast of Power which blows,
Who, with tame cowardice familiar grown,
Would hear my thoughts, but fear to speak their own;
Who (lest bold truths, to do sage Prudence spite,
Should burst the portals of their lips by night,
Tremble to trust themselves one hour in sleep)
Condemn our course, and hold our caution cheap;
When brave Occasion bids, for some great end,
When Honour calls the poet as a friend,
Then shall they find that, e'en on Danger's brink,
He dares to speak what they scarce dare to think.
36
~ Charles Churchill,
228:BY MICHING MALLECHO, Esq.

Is it a party in a parlour,
Crammed just as they on earth were crammed,
Some sipping punchsome sipping tea;
But, as you by their faces see,
All silent, and alldamned!
Peter Bell, by W. Wordsworth.

Ophelia.What means this, my lord?
Hamlet.Marry, this is Miching Mallecho; it means mischief. ~Shakespeare.

PROLOGUE
Peter Bells, one, two and three,
O'er the wide world wandering be.
First, the antenatal Peter,
Wrapped in weeds of the same metre,
The so-long-predestined raiment
Clothed in which to walk his way meant
The second Peter; whose ambition
Is to link the proposition,
As the mean of two extremes
(This was learned from Aldric's themes)
Shielding from the guilt of schism
The orthodoxal syllogism;
The First Peterhe who was
Like the shadow in the glass
Of the second, yet unripe,
His substantial antitype.
Then came Peter Bell the Second,
Who henceforward must be reckoned
The body of a double soul,
And that portion of the whole
Without which the rest would seem
Ends of a disjointed dream.
And the Third is he who has
O'er the grave been forced to pass
To the other side, which is,
Go and try else,just like this.
Peter Bell the First was Peter
Smugger, milder, softer, neater,
Like the soul before it is
Born from that world into this.
The next Peter Bell was he,
Predevote, like you and me,
To good or evil as may come;
His was the severer doom,
For he was an evil Cotter,
And a polygamic Potter.
And the last is Peter Bell,
Damned since our first parents fell,
Damned eternally to Hell
Surely he deserves it well!
PART THE FIRST
DEATH
And Peter Bell, when he had been
With fresh-imported Hell-fire warmed,
Grew seriousfrom his dress and mien
'Twas very plainly to be seen
Peter was quite reformed.
His eyes turned up, his mouth turned down;
His accent caught a nasal twang;
He oiled his hair; there might be heard
The grace of God in every word
Which Peter said or sang.
But Peter now grew old, and had
An ill no doctor could unravel;
His torments almost drove him mad;
Some said it was a fever bad
Some swore it was the gravel.
His holy friends then came about,
And with long preaching and persuasion
Convinced the patient that, without
The smallest shadow of a doubt,
He was predestined to damnation.
They said'Thy name is Peter Bell;
Thy skin is of a brimstone hue;
Alive or deaday, sick or well
The one God made to rhyme with hell;
The other, I think, rhymes with you.'
Then Peter set up such a yell!
The nurse, who with some water gruel
Was climbing up the stairs, as well
As her old legs could climb themfell,
And broke them boththe fall was cruel.
The Parson from the casement lept
Into the lake of Windermere
And many an eelthough no adept
In God's right reason for itkept
Gnawing his kidneys half a year.
And all the rest rushed through the door,
And tumbled over one another,
And broke their skulls.Upon the floor
Meanwhile sat Peter Bell, and swore,
And cursed his father and his mother;
And raved of God, and sin, and death,
Blaspheming like an infidel;
And said, that with his clenchd teeth
He'd seize the earth from underneath,
And drag it with him down to hell.
As he was speaking came a spasm,
And wrenched his gnashing teeth asunder;
Like one who sees a strange phantasm
He lay,there was a silent chasm
Between his upper jaw and under.
And yellow death lay on his face;
And a fixed smile that was not human
Told, as I understand the case,
That he was gone to the wrong place:
I heard all this from the old woman.
Then there came down from Langdale Pike
A cloud, with lightning, wind and hail;
It swept over the mountains like
An ocean,and I heard it strike
The woods and crags of Grasmere vale.
And I saw the black storm come
Nearer, minute after minute;
Its thunder made the cataracts dumb;
With hiss, and clash, and hollow hum,
It neared as if the Devil was in it.
The Devil was in it:he had bought
Peter for half-a-crown; and when
The storm which bore him vanished, nought
That in the house that storm had caught
Was ever seen again.
The gaping neighbours came next day
They found all vanished from the shore:
The Bible, whence he used to pray,
Half scorched under a hen-coop lay;
Smashed glassand nothing more!
PART THE SECOND
THE DEVIL
The Devil, I safely can aver,
Has neither hoof, nor tail, nor sting;
Nor is he, as some sages swear,
A spirit, neither here nor there,
In nothingyet in everything.
He iswhat we are; for sometimes
The Devil is a gentleman;
At others a bard bartering rhymes
For sack; a statesman spinning crimes;
A swindler, living as he can;
A thief, who cometh in the night,
With whole boots and net pantaloons,
Like some one whom it were not right
To mention;or the luckless wight
From whom he steals nine silver spoons.
But in this case he did appear
Like a slop-merchant from Wapping,
And with smug face, and eye severe,
On every side did perk and peer
Till he saw Peter dead or napping.
He had on an upper Benjamin
(For he was of the driving schism)
In the which he wrapped his skin
From the storm he travelled in,
For fear of rheumatism.
He called the ghost out of the corse;
It was exceedingly like Peter,
Only its voice was hollow and hoarse
It had a queerish look of course
Its dress too was a little neater.
The Devil knew not his name and lot;
Peter knew not that he was Bell:
Each had an upper stream of thought,
Which made all seem as it was not;
Fitting itself to all things well.
Peter thought he had parents dear,
Brothers, sisters, cousins, cronies,
In the fens of Lincolnshire;
He perhaps had found them there
Had he gone and boldly shown his
Solemn phiz in his own village;
Where he thought oft when a boy
He'd clomb the orchard walls to pillage
The produce of his neighbour's tillage,
With marvellous pride and joy.
And the Devil thought he had,
'Mid the misery and confusion
Of an unjust war, just made
A fortune by the gainful trade
Of giving soldiers rations bad
The world is full of strange delusion
That he had a mansion planned
In a square like Grosvenor Square,
That he was aping fashion, and
That he now came to Westmoreland
To see what was romantic there.
And all this, though quite ideal,
Ready at a breath to vanish,
Was a state not more unreal
Than the peace he could not feel,
Or the care he could not banish.
After a little conversation,
The Devil told Peter, if he chose,
He'd bring him to the world of fashion
By giving him a situation
In his own serviceand new clothes.
And Peter bowed, quite pleased and proud,
And after waiting some few days
For a new liverydirty yellow
Turned up with blackthe wretched fellow
Was bowled to Hell in the Devil's chaise.
PART THE THIRD
HELL
Hell is a city much like London
A populous and a smoky city;
There are all sorts of people undone,
And there is little or no fun done;
Small justice shown, and still less pity.
There is a Castles, and a Canning,
A Cobbett, and a Castlereagh;
All sorts of caitiff corpses planning
All sorts of cozening for trepanning
Corpses less corrupt than they.
There is a -, who has lost
His wits, or sold them, none knows which;
He walks about a double ghost,
And though as thin as Fraud almost
Ever grows more grim and rich.
There is a Chancery Court; a King;
A manufacturing mob; a set
Of thieves who by themselves are sent
Similar thieves to represent;
An army; and a public debt.
Which last is a scheme of paper money,
And meansbeing interpreted
'Bees, keep your waxgive us the honey,
And we will plant, while skies are sunny,
Flowers, which in winter serve instead.'
There is a great talk of revolution
And a great chance of despotism
German soldierscampsconfusion
Tumultslotteriesragedelusion
Ginsuicideand methodism;
Taxes too, on wine and bread,
And meat, and beer, and tea, and cheese,
From which those patriots pure are fed,
Who gorge before they reel to bed
The tenfold essence of all these.
There are mincing women, mewing,
(Like cats, who amant miser,)
Of their own virtue, and pursuing
Their gentler sisters to that ruin,
Without whichwhat were chastity?
Lawyersjudgesold hobnobbers
Are therebailiffschancellors
Bishopsgreat and little robbers
Rhymesterspamphleteersstock-jobbers
Men of glory in the wars,
Things whose trade is, over ladies
To lean, and flirt, and stare, and simper,
Till all that is divine in woman
Grows cruel, courteous, smooth, inhuman,
Crucified 'twixt a smile and whimper.
Thrusting, toiling, wailing, moiling,
Frowning, preachingsuch a riot!
Each with never-ceasing labour,
Whilst he thinks he cheats his neighbour,
Cheating his own heart of quiet.
And all these meet at levees;
Dinners convivial and political;
Suppers of epic poets;teas,
Where small talk dies in agonies;
Breakfasts professional and critical;
Lunches and snacks so aldermanic
That one would furnish forth ten dinners,
Where reigns a Cretan-tongud panic,
Lest news Russ, Dutch, or Alemannic
Should make some losers, and some winners;
At conversazioniballs
Conventiclesand drawing-rooms
Courts of lawcommitteescalls
Of a morningclubsbook-stalls
Churchesmasqueradesand tombs.
And this is Helland in this smother
All are damnable and damned;
Each one damning, damns the other
They are damned by one another,
By none other are they damned.
'Tis a lie to say, 'God damns!'
Where was Heaven's Attorney General
When they first gave out such flams?
Let there be an end of shams,
They are mines of poisonous mineral.
Statesmen damn themselves to be
Cursed; and lawyers damn their souls
To the auction of a fee;
Churchmen damn themselves to see
God's sweet love in burning coals.
The rich are damned, beyond all cure,
To taunt, and starve, and trample on
The weak and wretched; and the poor
Damn their broken hearts to endure
Stripe on stripe, with groan on groan.
Sometimes the poor are damned indeed
To take,not means for being blessed,
But Cobbett's snuff, revenge; that weed
From which the worms that it doth feed
Squeeze less than they before possessed.
And some few, like we know who,
Damnedbut God alone knows why
To believe their minds are given
To make this ugly Hell a Heaven;
In which faith they live and die.
Thus, as in a town, plague-stricken,
Each man be he sound or no
Must indifferently sicken;
As when day begins to thicken,
None knows a pigeon from a crow,
So good and bad, sane and mad,
The oppressor and the oppressed;
Those who weep to see what others
Smile to inflict upon their brothers;
Lovers, haters, worst and best;
All are damnedthey breathe an air,
Thick, infected, joy-dispelling:
Each pursues what seems most fair,
Mining like moles, through mind, and there
Scoop palace-caverns vast, where Care
In thrond state is ever dwelling.
PART THE FOURTH
SIN
Lo, Peter in Hell's Grosvenor Square,
A footman in the Devil's service!
And the misjudging world would swear
That every man in service there
To virtue would prefer vice.
But Peter, though now damned, was not
What Peter was before damnation.
Men oftentimes prepare a lot
Which ere it finds them, is not what
Suits with their genuine station.
All things that Peter saw and felt
Had a peculiar aspect to him;
And when they came within the belt
Of his own nature, seemed to melt,
Like cloud to cloud, into him.
And so the outward world uniting
To that within him, he became
Considerably uninviting
To those who, meditation slighting,
Were moulded in a different frame.
And he scorned them, and they scorned him;
And he scorned all they did; and they
Did all that men of their own trim
Are wont to do to please their whim,
Drinking, lying, swearing, play.
Such were his fellow-servants; thus
His virtue, like our own, was built
Too much on that indignant fuss
Hypocrite Pride stirs up in us
To bully one another's guilt.
He had a mind which was somehow
At once circumference and centre
Of all he might or feel or know;
Nothing went ever out, although
Something did ever enter.
He had as much imagination
As a pint-pot;he never could
Fancy another situation,
From which to dart his contemplation,
Than that wherein he stood.
Yet his was individual mind,
And new created all he saw
In a new manner, and refined
Those new creations, and combined
Them, by a master-spirit's law.
Thusthough unimaginative
An apprehension clear, intense,
Of his mind's work, had made alive
The things it wrought on; I believe
Wakening a sort of thought in sense.
But from the first 'twas Peter's drift
To be a kind of moral eunuch,
He touched the hem of Nature's shift,
Felt faintand never dared uplift
The closest, all-concealing tunic.
She laughed the while, with an arch smile,
And kissed him with a sister's kiss,
And said'My best Diogenes,
I love you wellbut, if you please,
Tempt not again my deepest bliss.
''Tis you are coldfor I, not coy,
Yield love for love, frank, warm, and true;
And Burns, a Scottish peasant boy
His errors prove itknew my joy
More, learnd friend, than you.
'Bocca bacciata non perde ventura,
Anzi rinnuova come fa la luna:
So thought Boccaccio, whose sweet words might cure a
Male prude, like you, from what you now endure, a
Low-tide in soul, like a stagnant laguna.'
Then Peter rubbed his eyes severe,
And smoothed his spacious forehead down
With his broad palm;'twixt love and fear,
He looked, as he no doubt felt, queer,
And in his dream sate down.
The Devil was no uncommon creature;
A leaden-witted thiefjust huddled
Out of the dross and scum of nature;
A toad-like lump of limb and feature,
With mind, and heart, and fancy muddled.
He was that heavy, dull, cold thing,
The spirit of evil well may be:
A drone too base to have a sting;
Who gluts, and grimes his lazy wing,
And calls lust, luxury.
Now he was quite the kind of wight
Round whom collect, at a fixed aera,
Venison, turtle, hock, and claret,
Good cheerand those who come to share it
And best East Indian madeira!
It was his fancy to invite
Men of science, wit, and learning,
Who came to lend each other light;
He proudly thought that his gold's might
Had set those spirits burning.
And men of learning, science, wit,
Considered him as you and I
Think of some rotten tree, and sit
Lounging and dining under it,
Exposed to the wide sky.
And all the while, with loose fat smile,
The willing wretch sat winking there,
Believing 'twas his power that made
That jovial sceneand that all paid
Homage to his unnoticed chair.
Though to be sure this place was Hell;
He was the Deviland all they
What though the claret circled well,
And wit, like ocean, rose and fell?
Were damned eternally.
PART THE FIFTH
GRACE
Among the guests who often stayed
Till the Devil's petits-soupers,
A man there came, fair as a maid,
And Peter noted what he said,
Standing behind his master's chair.
He was a mighty poetand
A subtle-souled psychologist;
All things he seemed to understand,
Of old or newof sea or land
But his own mindwhich was a mist.
This was a man who might have turned
Hell into Heavenand so in gladness
A Heaven unto himself have earned;
But he in shadows undiscerned
Trusted,and damned himself to madness.
He spoke of poetry, and how
'Divine it wasa lighta love
A spirit which like wind doth blow
As it listeth, to and fro;
A dew rained down from God above;
'A power which comes and goes like dream,
And which none can ever trace
Heaven's light on earthTruth's brightest beam.'
And when he ceased there lay the gleam
Of those words upon his face.
Now Peter, when he heard such talk,
Would, heedless of a broken pate,
Stand like a man asleep, or balk
Some wishing guest of knife or fork,
Or drop and break his master's plate.
At night he oft would start and wake
Like a lover, and began
In a wild measure songs to make
On moor, and glen, and rocky lake,
And on the heart of man
And on the universal sky
And the wide earth's bosom green,
And the sweet, strange mystery
Of what beyond these things may lie,
And yet remain unseen.
For in his thought he visited
The spots in which, ere dead and damned,
He his wayward life had led;
Yet knew not whence the thoughts were fed
Which thus his fancy crammed.
And these obscure remembrances
Stirred such harmony in Peter,
That, whensoever he should please,
He could speak of rocks and trees
In poetic metre.
For though it was without a sense
Of memory, yet he remembered well
Many a ditch and quick-set fence;
Of lakes he had intelligence,
He knew something of heath and fell.
He had also dim recollections
Of pedlars tramping on their rounds;
Milk-pans and pails; and odd collections
Of saws, and proverbs; and reflections
Old parsons make in burying-grounds.
But Peter's verse was clear, and came
Announcing from the frozen hearth
Of a cold age, that none might tame
The soul of that diviner flame
It augured to the Earth:
Like gentle rains, on the dry plains,
Making that green which late was gray,
Or like the sudden moon, that stains
Some gloomy chamber's window-panes
With a broad light like day.
For language was in Peter's hand
Like clay while he was yet a potter;
And he made songs for all the land,
Sweet both to feel and understand,
As pipkins late to mountain Cotter.
And Mr. -, the bookseller,
Gave twenty pounds for some;then scorning
A footman's yellow coat to wear,
Peter, too proud of heart, I fear,
Instantly gave the Devil warning.
Whereat the Devil took offence,
And swore in his soul a great oath then,
'That for his damned impertinence
He'd bring him to a proper sense
Of what was due to gentlemen!'
PART THE SIXTH
DAMNATION
'O that mine enemy had written
A book!'cried Job:a fearful curse,
If to the Arab, as the Briton,
'Twas galling to be critic-bitten:
The Devil to Peter wished no worse.
When Peter's next new book found vent,
The Devil to all the first Reviews
A copy of it slyly sent,
With five-pound note as compliment,
And this short notice'Pray abuse.'
Then seriatim, month and quarter,
Appeared such mad tirades.One said
'Peter seduced Mrs. Foy's daughter,
Then drowned the mother in Ullswater,
The last thing as he went to bed.'
Another'Let him shave his head!
Where's Dr. Willis?Or is he joking?
What does the rascal mean or hope,
No longer imitating Pope,
In that barbarian Shakespeare poking?'
One more, 'Is incest not enough?
And must there be adultery too?
Grace after meat? Miscreant and Liar!
Thief! Blackguard! Scoundrel! Fool! Hell-fire
Is twenty times too good for you.
'By that last book of yours we think
You've double damned yourself to scorn;
We warned you whilst yet on the brink
You stood. From your black name will shrink
The babe that is unborn.'
All these Reviews the Devil made
Up in a parcel, which he had
Safely to Peter's house conveyed.
For carriage, tenpence Peter paid
Untied themread themwent half mad.
'What!' cried he, 'this is my reward
For nights of thought, and days of toil?
Do poets, but to be abhorred
By men of whom they never heard,
Consume their spirits' oil?
'What have I done to them?and who
Is Mrs. Foy? 'Tis very cruel
To speak of me and Betty so!
Adultery! God defend me! Oh!
I've half a mind to fight a duel.
'Or,' cried he, a grave look collecting,
'Is it my genius, like the moon,
Sets those who stand her face inspecting,
That face within their brain reflecting,
Like a crazed bell-chime, out of tune?'
For Peter did not know the town,
But thought, as country readers do,
For half a guinea or a crown,
He bought oblivion or renown
From God's own voice in a review.
All Peter did on this occasion
Was, writing some sad stuff in prose.
It is a dangerous invasion
When poets criticize; their station
Is to delight, not pose.
The Devil then sent to Leipsic fair
For Born's translation of Kant's book;
A world of words, tail foremost, where
Rightwrongfalsetrueand fouland fair
As in a lottery-wheel are shook.
Five thousand crammed octavo pages
Of German psychologics,he
Who his furor verborum assuages
Thereon, deserves just seven months' wages
More than will e'er be due to me.
I looked on them nine several days,
And then I saw that they were bad;
A friend, too, spoke in their dispraise,
He never read them;with amaze
I found Sir William Drummond had.
When the book came, the Devil sent
It to P. Verbovale, Esquire,
With a brief note of compliment,
By that night's Carlisle mail. It went,
And set his soul on fire.
Fire, which ex luce praebens fumum,
Made him beyond the bottom see
Of truth's clear wellwhen I and you, Ma'am,
Go, as we shall do, subter humum,
We may know more than he.
Now Peter ran to seed in soul
Into a walking paradox;
For he was neither part nor whole,
Nor good, nor badnor knave nor fool;
Among the woods and rocks
Furious he rode, where late he ran,
Lashing and spurring his tame hobby;
Turned to a formal puritan,
A solemn and unsexual man,
He half believed White Obi.
This steed in vision he would ride,
High trotting over nine-inch bridges,
With Flibbertigibbet, imp of pride,
Mocking and mowing by his side
A mad-brained goblin for a guide
Over corn-fields, gates, and hedges.
After these ghastly rides, he came
Home to his heart, and found from thence
Much stolen of its accustomed flame;
His thoughts grew weak, drowsy, and lame
Of their intelligence.
To Peter's view, all seemed one hue;
He was no Whig, he was no Tory;
No Deist and no Christian he;
He got so subtle, that to be
Nothing, was all his glory.
One single point in his belief
From his organization sprung,
The heart-enrooted faith, the chief
Ear in his doctrines' blighted sheaf,
That 'Happiness is wrong';
So thought Calvin and Dominic;
So think their fierce successors, who
Even now would neither stint nor stick
Our flesh from off our bones to pick,
If they might 'do their do.'
His morals thus were undermined:
The old Peterthe hard, old Potter
Was born anew within his mind;
He grew dull, harsh, sly, unrefined,
As when he tramped beside the Otter.
In the death hues of agony
Lambently flashing from a fish,
Now Peter felt amused to see
Shades like a rainbow's rise and flee,
Mixed with a certain hungry wish.
So in his Country's dying face
He lookedand, lovely as she lay,
Seeking in vain his last embrace,
Wailing her own abandoned case,
With hardened sneer he turned away:
And coolly to his own soul said;
'Do you not think that we might make
A poem on her when she's dead:
Or, noa thought is in my head
Her shroud for a new sheet I'll take:
'My wife wants one.Let who will bury
This mangled corpse! And I and you,
My dearest Soul, will then make merry,
As the Prince Regent did with Sherry,'
'Ayand at last desert me too.'
And so his Soul would not be gay,
But moaned within him; like a fawn
Moaning within a cave, it lay
Wounded and wasting, day by day,
Till all its life of life was gone.
As troubled skies stain waters clear,
The storm in Peter's heart and mind
Now made his verses dark and queer:
They were the ghosts of what they were,
Shaking dim grave-clothes in the wind.
For he now raved enormous folly,
Of Baptisms, Sunday-schools, and Graves,
'Twould make George Colman melancholy
To have heard him, like a male Molly,
Chanting those stupid staves.
Yet the Reviews, who heaped abuse
On Peter while he wrote for freedom,
So soon as in his song they spy
The folly which soothes tyranny,
Praise him, for those who feed 'em.
'He was a man, too great to scan;
A planet lost in truth's keen rays:
His virtue, awful and prodigious;
He was the most sublime, religious,
Pure-minded Poet of these days.'
As soon as he read that, cried Peter,
'Eureka! I have found the way
To make a better thing of metre
Than e'er was made by living creature
Up to this blessd day.'
Then Peter wrote odes to the Devil;
In one of which he meekly said:
'May Carnage and Slaughter,
Thy niece and thy daughter,
May Rapine and Famine,
Thy gorge ever cramming,
Glut thee with living and dead!
  'May Death and Damnation,
And Consternation,
Flit up from Hell with pure intent!
Slash them at Manchester,
Glasgow, Leeds, and Chester;
Drench all with blood from Avon to Trent.
'Let thy body-guard yeomen
Hew down babes and women,
And laugh with bold triumph till Heaven be rent!
When Moloch in Jewry
Munched children with fury,
It was thou, Devil, dining with pure intent.'
PART THE SEVENTH
DOUBLE DAMNATION
The Devil now knew his proper cue.
Soon as he read the ode, he drove
To his friend Lord MacMurderchouse's,
A man of interest in both houses,
And said:'For money or for love,
'Pray find some cure or sinecure;
To feed from the superfluous taxes
A friend of oursa poetfewer
Have fluttered tamer to the lure
Than he.' His lordship stands and racks his
Stupid brains, while one might count
As many beads as he had boroughs,
At length replies; from his mean front,
Like one who rubs out an account,
Smoothing away the unmeaning furrows:
'It happens fortunately, dear Sir,
I can. I hope I need require
No pledge from you, that he will stir
In our affairs;like Oliver,
That he'll be worthy of his hire.'
These words exchanged, the news sent off
To Peter, home the Devil hied,
Took to his bed; he had no cough,
No doctor,meat and drink enough,
Yet that same night he died.
The Devil's corpse was leaded down;
His decent heirs enjoyed his pelf,
Mourning-coaches, many a one,
Followed his hearse along the town:
Where was the Devil himself?
When Peter heard of his promotion,
His eyes grew like two stars for bliss:
There was a bow of sleek devotion
Engendering in his back; each motion
Seemed a Lord's shoe to kiss.
He hired a house, bought plate, and made
A genteel drive up to his door,
With sifted gravel neatly laid,
As if defying all who said,
Peter was ever poor.
But a disease soon struck into
The very life and soul of Peter
He walked aboutslepthad the hue
Of health upon his cheeksand few
Dug betternone a heartier eater.
And yet a strange and horrid curse
Clung upon Peter, night and day;
Month after month the thing grew worse,
And deadlier than in this my verse
I can find strength to say.
Peter was dullhe was at first
Dulloh, so dullso very dull!
Whether he talked, wrote, or rehearsed
Still with this dulness was he cursed
Dullbeyond all conceptiondull.
No one could read his booksno mortal,
But a few natural friends, would hear him;
The parson came not near his portal;
His state was like that of the immortal
Described by Swiftno man could bear him.
His sister, wife, and children yawned,
With a long, slow, and drear ennui,
All human patience far beyond;
Their hopes of Heaven each would have pawned,
Anywhere else to be.
But in his verse, and in his prose,
The essence of his dulness was
Concentred and compressed so close,
'Twould have made Guatimozin doze
On his red gridiron of brass.
A printer's boy, folding those pages,
Fell slumbrously upon one side;
Like those famed Seven who slept three ages.
To wakeful frenzy's vigil-rages,
As opiates, were the same applied.
Even the Reviewers who were hired
To do the work of his reviewing,
With adamantine nerves, grew tired;
Gaping and torpid they retired,
To dream of what they should be doing.
And worse and worse, the drowsy curse
Yawned in him, till it grew a pest
A wide contagious atmosphere,
Creeping like cold through all things near;
A power to infect and to infest.
His servant-maids and dogs grew dull;
His kitten, late a sportive elf;
The woods and lakes, so beautiful,
Of dim stupidity were full,
All grew dull as Peter's self.
The earth under his feetthe springs,
Which lived within it a quick life,
The air, the winds of many wings,
That fan it with new murmurings,
Were dead to their harmonious strife.
The birds and beasts within the wood,
The insects, and each creeping thing,
Were now a silent multitude;
Love's work was left unwroughtno brood
Near Peter's house took wing.
And every neighbouring cottager
Stupidly yawned upon the other:
No jackass brayed; no little cur
Cocked up his ears;no man would stir
To save a dying mother.
Yet all from that charmed district went
But some half-idiot and half-knave,
Who rather than pay any rent,
Would live with marvellous content,
Over his father's grave.
No bailiff dared within that space,
For fear of the dull charm, to enter;
A man would bear upon his face,
For fifteen months in any case,
The yawn of such a venture.
Seven miles abovebelowaround
This pest of dulness holds its sway;
A ghastly life without a sound;
To Peter's soul the spell is bound
How should it ever pass away?
'Composed at Florence, October 1819, and forwarded to Hunt (Nov. 2) to be published by C. & J. Ollier without the author's name; ultimately printed by Mrs. Shelley in the second edition of the Poetical Works, 1839. A skit by John Hamilton Reynolds, Peter Bell, A Lyrical Ballad, had already appeared (April, 1819), a few days before the publication of Wordsworth's Peter Bell, A Tale. These productions were reviewed in Leigh Hunt's Examiner (April 26, May 3, 1819); and to the entertainment derived from his perusal of Hunt's criticisms the composition of Shelley's Peter Bell the Third is chiefly owing.' ~ Percy Bysshe Shelley, Peter Bell The Third
,
229:No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a littleoh, they pay the price,
You take meamply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation,nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?truth that peeps
Over the glasses' edge when dinners done.                    
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
'T is break of day! You do despise me then.
And if I say, "despise me,"never fear!
I know you do not in a certain sense
Not in my arm-chair, for example: here,
I well imagine you respect my place
( Status, entourage , worldly circumstance)
Quite to its valuevery much indeed:
Are up to the protesting eyes of you
In pride at being seated here for once
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop,names methat's enough:
"Blougram? I knew him"(into it you slide)
"Dined with him once, a Corpus Christi Day,
"All alone, we two; he's a clever man:
"And after dinner,why, the wine you know,
"Oh, there was wine, and good!what with the wine . .
"'Faith, we began upon all sorts of talk!
"He's no bad fellow, Blougram; he had seen
"Something of mine he relished, some review:
"He's quite above their humbug in his heart,
"Half-said as much, indeedthe thing's his trade.
"I warrant, Blougram's sceptical at times:
"How otherwise? I liked him, I confess!"
                    
Che che , my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

Thus much conceded, still the first fact stays
You do despise me; your ideal of life
Is not the bishop's: you would not be I.
You would like better to be Goethe, now,
Or Buonaparte, or, bless me, lower still,
Count D'Orsay,so you did what you preferred,
Spoke as you thought, and, as you cannot help,
Believed or disbelieved, no matter what,
So long as on that point, whate'er it was,
You loosed your mind, were whole and sole yourself.
That, my ideal never can include,
Upon that element of truth and worth
Never be based! for say they make me Pope
(They can'tsuppose it for our argument!)
Why, there I'm at my tether's end, I've reached
My height, and not a height which pleases you:
An unbelieving Pope won't do, you say.
It's like those eerie stories nurses tell,
Of how some actor on a stage played Death,
With pasteboard crown, sham orb and tinselled dart,
And called himself the monarch of the world;                      

Then, going in the tire-room afterward,
Because the play was done, to shift himself,
Got touched upon the sleeve familiarly,
The moment he had shut the closet door,
By Death himself. Thus God might touch a Pope
At unawares, ask what his baubles mean,
And whose part he presumed to play just now?
Best be yourself, imperial, plain and true!

So, drawing comfortable breath again,
You weigh and find, whatever more or less
I boast of my ideal realized,
Is nothing in the balance when opposed
To your ideal, your grand simple life,
Of which you will not realize one jot.
I am much, you are nothing; you would be all,
I would be merely much: you beat me there.

No, friend, you do not beat me: hearken why!
The common problem, yours, mine, every one's,
Isnot to fancy what were fair in life
Provided it could be,but, finding first
What may be, then find how to make it fair
Up to our means: a very different thing!
No abstract intellectual plan of life
Quite irrespective of life's plainest laws,
                      
But one, a man, who is man and nothing more,
May lead within a world which (by your leave)
Is Rome or London, not Fool's-paradise.
Embellish Rome, idealize away,
Make paradise of London if you can,
You're welcome, nay, you're wise.

A simile!
We mortals cross the ocean of this world
Each in his average cabin of a life;
The best's not big, the worst yields elbow-room.
Now for our six months' voyagehow prepare?
You come on shipboard with a landsman's list
Of things he calls convenient: so they are!
An India screen is pretty furniture,
A piano-forte is a fine resource,
All Balzac's novels occupy one shelf,
The new edition fifty volumes long;
And little Greek books, with the funny type
They get up well at Leipsic, fill the next:
Go on! slabbed marble, what a bath it makes!
And Parma's pride, the Jerome, let us add!
'T were pleasant could Correggio's fleeting glow
Hang full in face of one where'er one roams,
Since he more than the others brings with him
Italy's self,the marvellous Modenese!
                      
Yet was not on your list before, perhaps.
Alas, friend, here's the agent . . . is't the name?
The captain, or whoever's master here
You see him screw his face up; what's his cry
Ere you set foot on shipboard? "Six feet square!"
If you won't understand what six feet mean,
Compute and purchase stores accordingly
And if, in pique because he overhauls
Your Jerome, piano, bath, you come on board
Barewhy, you cut a figure at the first
While sympathetic landsmen see you off;
Not afterward, when long ere half seas over,
You peep up from your utterly naked boards
Into some snug and well-appointed berth,
Like mine for instance (try the cooler jug
Put back the other, but don't jog the ice!)
And mortified you mutter "Well and good;
"He sits enjoying his sea-furniture;
"'T is stout and proper, and there's store of it:
"Though I've the better notion, all agree,
"Of fitting rooms up. Hang the carpenter,
"Neat ship-shape fixings and contrivances
"I would have brought my Jerome, frame and all!"
And meantime you bring nothing: never mind
You've proved your artist-nature: what you don't
You might bring, so despise me, as I say.                      

Now come, let's backward to the starting-place.
See my way: we're two college friends, suppose.
Prepare together for our voyage, then;
Each note and check the other in his work,
Here's mine, a bishop's outfit; criticize!
What's wrong? why won't you be a bishop too?

Why first, you don't believe, you don't and can't,
(Not statedly, that is, and fixedly
And absolutely and exclusively)
In any revelation called divine.
No dogmas nail your faith; and what remains
But say so, like the honest man you are?
First, therefore, overhaul theology!
Nay, I too, not a fool, you please to think,
Must find believing every whit as hard:
And if I do not frankly say as much,
The ugly consequence is clear enough.

Now wait, my friend: well, I do not believe
If you'll accept no faith that is not fixed,
Absolute and exclusive, as you say.
You're wrongI mean to prove it in due time.
Meanwhile, I know where difficulties lie
I could not, cannot solve, nor ever shall,
So give up hope accordingly to solve
                      
(To you, and over the wine). Our dogmas then
With both of us, though in unlike degree,
Missing full credenceoverboard with them!
I mean to meet you on your own premise:
Good, there go mine in company with yours!

And now what are we? unbelievers both,
Calm and complete, determinately fixed
To-day, to-morrow and for ever, pray?
You'll guarantee me that? Not so, I think!
In no wise! all we've gained is, that belief,
As unbelief before, shakes us by fits,
Confounds us like its predecessor. Where's
The gain? how can we guard our unbelief,
Make it bear fruit to us?the problem here.
Just when we are safest, there's a sunset-touch,
A fancy from a flower-bell, some one's death,
A chorus-ending from Euripides,
And that's enough for fifty hopes and fears
As old and new at once as nature's self,
To rap and knock and enter in our soul,
Take hands and dance there, a fantastic ring,
Round the ancient idol, on his base again,
The grand Perhaps! We look on helplessly.
There the old misgivings, crooked questions are
This good God,what he could do, if he would,                      
Would, if he couldthen must have done long since:
If so, when, where and how? some way must be,
Once feel about, and soon or late you hit
Some sense, in which it might be, after all.
Why not, "The Way, the Truth, the Life?"

That way
Over the mountain, which who stands upon
Is apt to doubt if it be meant for a road;
While, if he views it from the waste itself,
Up goes the line there, plain from base to brow,
Not vague, mistakeable! what's a break or two
Seen from the unbroken desert either side?
And then (to bring in fresh philosophy)
What if the breaks themselves should prove at last
The most consummate of contrivances
To train a man's eye, teach him what is faith?
And so we stumble at truth's very test!
All we have gained then by our unbelief
Is a life of doubt diversified by faith,
For one of faith diversified by doubt:
We called the chess-board white,we call it black.

"Well," you rejoin, "the end's no worse, at least;
"We've reason for both colours on the board:
"Why not confess then, where I drop the faith
"And you the doubt, that I'm as right as you?"                      

Because, friend, in the next place, this being so,
And both things even,faith and unbelief
Left to a man's choice,we'll proceed a step,
Returning to our image, which I like.

A man's choice, yesbut a cabin-passenger's
The man made for the special life o' the world
Do you forget him? I remember though!
Consult our ship's conditions and you find
One and but one choice suitable to all;
The choice, that you unluckily prefer,
Turning things topsy-turvythey or it
Going to the ground. Belief or unbelief
Bears upon life, determines its whole course,
Begins at its beginning. See the world
Such as it is,you made it not, nor I;
I mean to take it as it is,and you,
Not so you'll take it,though you get nought else.
I know the special kind of life I like,
What suits the most my idiosyncrasy,
Brings out the best of me and bears me fruit
In power, peace, pleasantness and length of days.
I find that positive belief does this
For me, and unbelief, no whit of this.
For you, it does, however?that, we'll try!
'T is clear, I cannot lead my life, at least,

                      
Induce the world to let me peaceably,
Without declaring at the outset, "Friends,
"I absolutely and peremptorily
"Believe!"I say, faith is my waking life:
One sleeps, indeed, and dreams at intervals,
We know, but waking's the main point with us
And my provision's for life's waking part.
Accordingly, I use heart, head and hand
All day, I build, scheme, study, and make friends;
And when night overtakes me, down I lie,
Sleep, dream a little, and get done with it,
The sooner the better, to begin afresh.
What's midnight doubt before the dayspring's faith?
You, the philosopher, that disbelieve,
That recognize the night, give dreams their weight
To be consistent you should keep your bed,
Abstain from healthy acts that prove you man,
For fear you drowse perhaps at unawares!
And certainly at night you'll sleep and dream,
Live through the day and bustle as you please.
And so you live to sleep as I to wake,
To unbelieve as I to still believe?
Well, and the common sense o' the world calls you
Bed-ridden,and its good things come to me.
Its estimation, which is half the fight,
That's the first-cabin comfort I secure:                      
The next . . . but you perceive with half an eye!
Come, come, it's best believing, if we may;
You can't but own that!

Next, concede again,
If once we choose belief, on all accounts
We can't be too decisive in our faith,
Conclusive and exclusive in its terms,
To suit the world which gives us the good things.
In every man's career are certain points
Whereon he dares not be indifferent;
The world detects him clearly, if he dare,
As baffled at the game, and losing life.
He may care little or he may care much
For riches, honour, pleasure, work, repose,
Since various theories of life and life's
Success are extant which might easily
Comport with either estimate of these;
And whoso chooses wealth or poverty,
Labour or quiet, is not judged a fool
Because his fellow would choose otherwise:
We let him choose upon his own account
So long as he's consistent with his choice.
But certain points, left wholly to himself,
When once a man has arbitrated on,
We say he must succeed there or go hang.
                    
Thus, he should wed the woman he loves most
Or needs most, whatsoe'er the love or need
For he can't wed twice. Then, he must avouch,
Or follow, at the least, sufficiently,
The form of faith his conscience holds the best,
Whate'er the process of conviction was:
For nothing can compensate his mistake
On such a point, the man himself being judge:
He cannot wed twice, nor twice lose his soul.

Well now, there's one great form of Christian faith
I happened to be born inwhich to teach
Was given me as I grew up, on all hands,
As best and readiest means of living by;
The same on examination being proved
The most pronounced moreover, fixed, precise
And absolute form of faith in the whole world
Accordingly, most potent of all forms
For working on the world. Observe, my friend!
Such as you know me, I am free to say,
In these hard latter days which hamper one,
Myselfby no immoderate exercise
Of intellect and learning, but the tact
To let external forces work for me,
Bid the street's stones be bread and they are bread;
                    
Bid Peter's creed, or rather, Hildebrand's,
Exalt me o'er my fellows in the world
And make my life an ease and joy and pride;
It does so,which for me's a great point gained,
Who have a soul and body that exact
A comfortable care in many ways.
There's power in me and will to dominate
Which I must exercise, they hurt me else:
In many ways I need mankind's respect,
Obedience, and the love that's born of fear:
While at the same time, there's a taste I have,
A toy of soul, a titillating thing,
Refuses to digest these dainties crude.
The naked life is gross till clothed upon:
I must take what men offer, with a grace
As though I would not, could I help it, take!
An uniform I wear though over-rich
Something imposed on me, no choice of mine;
No fancy-dress worn for pure fancy's sake
And despicable therefore! now folk kneel
And kiss my handof course the Church's hand.
Thus I am made, thus life is best for me,
And thus that it should be I have procured;
And thus it could not be another way,
I venture to imagine.                      

You'll reply,
So far my choice, no doubt, is a success;
But were I made of better elements,
With nobler instincts, purer tastes, like you,
I hardly would account the thing success
Though it did all for me I say.

But, friend,
We speak of what is; not of what might be,
And how't were better if't were otherwise.
I am the man you see here plain enough:
Grant I'm a beast, why, beasts must lead beasts' lives!
Suppose I own at once to tail and claws;
The tailless man exceeds me: but being tailed
I'll lash out lion fashion, and leave apes
To dock their stump and dress their haunches up.
My business is not to remake myself,
But make the absolute best of what God made.
Orour first similethough you prove me doomed
To a viler berth still, to the steerage-hole,
The sheep-pen or the pig-stye, I should strive
To make what use of each were possible;
And as this cabin gets upholstery,
That hutch should rustle with sufficient straw.

But, friend, I don't acknowledge quite so fast
I fail of all your manhood's lofty tastes
                    
Enumerated so complacently,
On the mere ground that you forsooth can find
In this particular life I choose to lead
No fit provision for them. Can you not?
Say you, my fault is I address myself
To grosser estimators than should judge?
And that's no way of holding up the soul,
Which, nobler, needs men's praise perhaps, yet knows
One wise man's verdict outweighs all the fools'
Would like the two, but, forced to choose, takes that.
I pine among my million imbeciles
(You think) aware some dozen men of sense
Eye me and know me, whether I believe
In the last winking Virgin, as I vow,
And am a fool, or disbelieve in her
And am a knave,approve in neither case,
Withhold their voices though I look their way:
Like Verdi when, at his worst opera's end
(The thing they gave at Florence,what's its name?)
While the mad houseful's plaudits near out-bang
His orchestra of salt-box, tongs and bones,
He looks through all the roaring and the wreaths
Where sits Rossini patient in his stall.

Nay, friend, I meet you with an answer here
That even your prime men who appraise their kind
                    
Are men still, catch a wheel within a wheel,
See more in a truth than the truth's simple self,
Confuse themselves. You see lads walk the street
Sixty the minute; what's to note in that?
You see one lad o'erstride a chimney-stack;
Him you must watchhe's sure to fall, yet stands!
Our interest's on the dangerous edge of things.
The honest thief, the tender murderer,
The superstitious atheist, demirep
That loves and saves her soul in new French books
We watch while these in equilibrium keep
The giddy line midway: one step aside,
They're classed and done with. I, then, keep the line
Before your sages,just the men to shrink
From the gross weights, coarse scales and labels broad
You offer their refinement. Fool or knave?
Why needs a bishop be a fool or knave
When there's a thousand diamond weights between?
So, I enlist them. Your picked twelve, you'll find,
Profess themselves indignant, scandalized
At thus being held unable to explain
How a superior man who disbelieves
May not believe as well: that's Schelling's way!
It's through my coming in the tail of time,
Nicking the minute with a happy tact.
Had I been born three hundred years ago
                    
They'd say, "What's strange? Blougram of course believes;"
And, seventy years since, "disbelieves of course."
But now, "He may believe; and yet, and yet
"How can he?" All eyes turn with interest.
Whereas, step off the line on either side
You, for example, clever to a fault,
The rough and ready man who write apace,
Read somewhat seldomer, think perhaps even less
You disbelieve! Who wonders and who cares?
Lord So-and-sohis coat bedropped with wax,
All Peter's chains about his waist, his back
Brave with the needlework of Noodledom
Believes! Again, who wonders and who cares?
But I, the man of sense and learning too,
The able to think yet act, the this, the that,
I, to believe at this late time of day!
Enough; you see, I need not fear contempt.

Except it's yours! Admire me as these may,
You don't. But whom at least do you admire?
Present your own perfection, your ideal,
Your pattern man for a minuteoh, make haste
Is it Napoleon you would have us grow?
Concede the means; allow his head and hand,
(A large concession, clever as you are)
                      
Good! In our common primal element
Of unbelief (we can't believe, you know
We're still at that admission, recollect!)
Where do you findapart from, towering o'er
The secondary temporary aims
Which satisfy the gross taste you despise
Where do you find his star?his crazy trust
God knows through what or in what? it's alive
And shines and leads him, and that's all we want.
Have we aught in our sober night shall point
Such ends as his were, and direct the means
Of working out our purpose straight as his,
Nor bring a moment's trouble on success
With after-care to justify the same?
Be a Napoleon, and yet disbelieve
Why, the man's mad, friend, take his light away!
What's the vague good o' the world, for which you dare
With comfort to yourself blow millions up?
We neither of us see it! we do see
The blown-up millionsspatter of their brains
And writhing of their bowels and so forth,
In that bewildering entanglement
Of horrible eventualities
Past calculation to the end of time!
Can I mistake for some clear word of God
(Which were my ample warrant for it all)
                      
His puff of hazy instinct, idle talk,
"The State, that's I," quack-nonsense about crowns,
And (when one beats the man to his last hold)
A vague idea of setting things to rights,
Policing people efficaciously,
More to their profit, most of all to his own;
The whole to end that dismallest of ends
By an Austrian marriage, cant to us the Church,
And resurrection of the old rgime ?
Would I, who hope to live a dozen years,
Fight Austerlitz for reasons such and such?
No: for, concede me but the merest chance
Doubt may be wrongthere's judgment, life to come!
With just that chance, I dare not. Doubt proves right?
This present life is all?you offer me
Its dozen noisy years, without a chance
That wedding an archduchess, wearing lace,
And getting called by divers new-coined names,
Will drive off ugly thoughts and let me dine,
Sleep, read and chat in quiet as I like!
Therefore I will not.

Take another case;
Fit up the cabin yet another way.
What say you to the poets? shall we write
Hamlet, Othellomake the world our own,
                      
Without a risk to run of either sort?
I can'tto put the strongest reason first.
"But try," you urge, "the trying shall suffice;
"The aim, if reached or not, makes great the life:
"Try to be Shakespeare, leave the rest to fate!"
Spare my self-knowledgethere's no fooling me!
If I prefer remaining my poor self,
I say so not in self-dispraise but praise.
If I'm a Shakespeare, let the well alone;
Why should I try to be what now I am?
If I'm no Shakespeare, as too probable,
His power and consciousness and self-delight
And all we want in common, shall I find
Trying for ever? while on points of taste
Wherewith, to speak it humbly, he and I
Are dowered alikeI'll ask you, I or he,
Which in our two lives realizes most?
Much, he imaginedsomewhat, I possess.
He had the imagination; stick to that!
Let him say, "In the face of my soul's works
"Your world is worthless and I touch it not
"Lest I should wrong them"I'll withdraw my plea.
But does he say so? look upon his life!
Himself, who only can, gives judgment there.
He leaves his towers and gorgeous palaces
To build the trimmest house in Stratford town;
                      
Saves money, spends it, owns the worth of things,
Giulio Romano's pictures, Dowland's lute;
Enjoys a show, respects the puppets, too,
And none more, had he seen its entry once,
Than "Pandulph, of fair Milan cardinal."
Why then should I who play that personage,
The very Pandulph Shakespeare's fancy made,
Be told that had the poet chanced to start
From where I stand now (some degree like mine
Being just the goal he ran his race to reach)
He would have run the whole race back, forsooth,
And left being Pandulph, to begin write plays?
Ah, the earth's best can be but the earth's best!
Did Shakespeare live, he could but sit at home
And get himself in dreams the Vatican,
Greek busts, Venetian paintings, Roman walls,
And English books, none equal to his own,
Which I read, bound in gold (he never did).
Terni's fall, Naples' bay and Gothard's top
Eh, friend? I could not fancy one of these;
But, as I pour this claret, there they are:
I've gained themcrossed St. Gothard last July
With ten mules to the carriage and a bed
Slung inside; is my hap the worse for that?
We want the same things, Shakespeare and myself,
And what I want, I have: he, gifted more,
                      
Could fancy he too had them when he liked,
But not so thoroughly that, if fate allowed,
He would not have them also in my sense.
We play one game; I send the ball aloft
No less adroitly that of fifty strokes
Scarce five go o'er the wall so wide and high
Which sends them back to me: I wish and get
He struck balls higher and with better skill,
But at a poor fence level with his head,
And hithis Stratford house, a coat of arms,
Successful dealings in his grain and wool,
While I receive heaven's incense in my nose
And style myself the cousin of Queen Bess.
Ask him, if this life's all, who wins the game?

Believeand our whole argument breaks up.
Enthusiasm's the best thing, I repeat;
Only, we can't command it; fire and life
Are all, dead matter's nothing, we agree:
And be it a mad dream or God's very breath,
The fact's the same,belief's fire, once in us,
Makes of all else mere stuff to show itself:
We penetrate our life with such a glow
As fire lends wood and ironthis turns steel,
That burns to ashall's one, fire proves its power
For good or ill, since men call flare success.
                      
But paint a fire, it will not therefore burn.
Light one in me, I'll find it food enough!
Why, to be Lutherthat's a life to lead,
Incomparably better than my own.
He comes, reclaims God's earth for God, he says,
Sets up God's rule again by simple means,
Re-opens a shut book, and all is done.
He flared out in the flaring of mankind;
Such Luther's luck was: how shall such be mine?
If he succeeded, nothing's left to do:
And if he did not altogetherwell,
Strauss is the next advance. All Strauss should be
I might be also. But to what result?
He looks upon no future: Luther did.
What can I gain on the denying side?
Ice makes no conflagration. State the facts,
Read the text right, emancipate the world
The emancipated world enjoys itself
With scarce a thank-you: Blougram told it first
It could not owe a farthing,not to him
More than Saint Paul! 't would press its pay, you think?
Then add there's still that plaguy hundredth chance
Strauss may be wrong. And so a risk is run
For what gain? not for Luther's, who secured
A real heaven in his heart throughout his life,
Supposing death a little altered things.                      

"Ay, but since really you lack faith," you cry,
"You run the same risk really on all sides,
"In cool indifference as bold unbelief.
"As well be Strauss as swing 'twixt Paul and him.
"It's not worth having, such imperfect faith,
"No more available to do faith's work
"Than unbelief like mine. Whole faith, or none!"

Softly, my friend! I must dispute that point
Once own the use of faith, I'll find you faith.
We're back on Christian ground. You call for faith:
I show you doubt, to prove that faith exists.
The more of doubt, the stronger faith, I say,
If faith o'ercomes doubt. How I know it does?
By life and man's free will, God gave for that!
To mould life as we choose it, shows our choice:
That's our one act, the previous work's his own.
You criticize the soul? it reared this tree
This broad life and whatever fruit it bears!
What matter though I doubt at every pore,
Head-doubts, heart-doubts, doubts at my fingers' ends,
Doubts in the trivial work of every day,
Doubts at the very bases of my soul
In the grand moments when she probes herself
If finally I have a life to show,
The thing I did, brought out in evidence
                      
Against the thing done to me underground
By hell and all its brood, for aught I know?
I say, whence sprang this? shows it faith or doubt?
All's doubt in me; where's break of faith in this?
It is the idea, the feeling and the love,
God means mankind should strive for and show forth
Whatever be the process to that end,
And not historic knowledge, logic sound,
And metaphysical acumen, sure!
"What think ye of Christ," friend? when all's done and said,
Like you this Christianity or not?
It may be false, but will you wish it true?
Has it your vote to be so if it can?
Trust you an instinct silenced long ago
That will break silence and enjoin you love
What mortified philosophy is hoarse,
And all in vain, with bidding you despise?
If you desire faiththen you've faith enough:
What else seeks Godnay, what else seek ourselves?
You form a notion of me, we'll suppose,
On hearsay; it's a favourable one:
"But still" (you add), "there was no such good man,
"Because of contradiction in the facts.
"One proves, for instance, he was born in Rome,
"This Blougram; yet throughout the tales of him
                    
"I see he figures as an Englishman."
Well, the two things are reconcileable.
But would I rather you discovered that,
Subjoining"Still, what matter though they be?
"Blougram concerns me nought, born here or there."

Pure faith indeedyou know not what you ask!
Naked belief in God the Omnipotent,
Omniscient, Omnipresent, sears too much
The sense of conscious creatures to be borne.
It were the seeing him, no flesh shall dare
Some think, Creation's meant to show him forth:
I say it's meant to hide him all it can,
And that's what all the blessed evil's for.
Its use in Time is to environ us,
Our breath, our drop of dew, with shield enough
Against that sight till we can bear its stress.
Under a vertical sun, the exposed brain
And lidless eye and disemprisoned heart
Less certainly would wither up at once
Than mind, confronted with the truth of him.
But time and earth case-harden us to live;
The feeblest sense is trusted most; the child
Feels God a moment, ichors o'er the place,
Plays on and grows to be a man like us.
                    
With me, faith means perpetual unbelief
Kept quiet like the snake 'neath Michael's foot
Who stands calm just because he feels it writhe.
Or, if that's too ambitious,here's my box
I need the excitation of a pinch
Threatening the torpor of the inside-nose
Nigh on the imminent sneeze that never comes.
"Leave it in peace" advise the simple folk:
Make it aware of peace by itching-fits,
Say Ilet doubt occasion still more faith!

You'll say, once all believed, man, woman, child,
In that dear middle-age these noodles praise.
How you'd exult if I could put you back
Six hundred years, blot out cosmogony,
Geology, ethnology, what not
(Greek endings, each the little passing-bell
That signifies some faith's about to die),
And set you square with Genesis again,
When such a traveller told you his last news,
He saw the ark a-top of Ararat
But did not climb there since 't was getting dusk
And robber-bands infest the mountain's foot!
How should you feel, I ask, in such an age,
How act? As other people felt and did;
With soul more blank than this decanter's knob,                
Believeand yet lie, kill, rob, fornicate
Full in belief's face, like the beast you'd be!

No, when the fight begins within himself,
A man's worth something. God stoops o'er his head,
Satan looks up between his feetboth tug
He's left, himself, i' the middle: the soul wakes
And grows. Prolong that battle through his life!
Never leave growing till the life to come!
Here, we've got callous to the Virgin's winks
That used to puzzle people wholesomely:
Men have outgrown the shame of being fools.
What are the laws of nature, not to bend
If the Church bid them?brother Newman asks.
Up with the Immaculate Conception, then
On to the rack with faith!is my advice.
Will not that hurry us upon our knees,
Knocking our breasts, "It can't beyet it shall!
"Who am I, the worm, to argue with my Pope?
"Low things confound the high things!" and so forth.
That's better than acquitting God with grace
As some folk do. He's triedno case is proved,
Philosophy is lenienthe may go!

You'll say, the old system's not so obsolete
But men believe still: ay, but who and where?
                    
King Bomba's lazzaroni foster yet
The sacred flame, so Antonelli writes;
But even of these, what ragamuffin-saint
Believes God watches him continually,
As he believes in fire that it will burn,
Or rain that it will drench him? Break fire's law,
Sin against rain, although the penalty
Be just a singe or soaking? "No," he smiles;
"Those laws are laws that can enforce themselves."

The sum of all isyes, my doubt is great,
My faith's still greater, then my faith's enough.
I have read much, thought much, experienced much,
Yet would die rather than avow my fear
The Naples' liquefaction may be false,
When set to happen by the palace-clock
According to the clouds or dinner-time.
I hear you recommend, I might at least
Eliminate, decrassify my faith
Since I adopt it; keeping what I must
And leaving what I cansuch points as this.
I won'tthat is, I can't throw one away.
Supposing there's no truth in what I hold
About the need of trial to man's faith,
Still, when you bid me purify the same,
To such a process I discern no end.
                
Clearing off one excrescence to see two,
There's ever a next in size, now grown as big,
That meets the knife: I cut and cut again!
First cut the Liquefaction, what comes last
But Fichte's clever cut at God himself?
Experimentalize on sacred things!
I trust nor hand nor eye nor heart nor brain
To stop betimes: they all get drunk alike.
The first step, I am master not to take.

You'd find the cutting-process to your taste
As much as leaving growths of lies unpruned,
Nor see more danger in it,you retort.
Your taste's worth mine; but my taste proves more wise
When we consider that the steadfast hold
On the extreme end of the chain of faith
Gives all the advantage, makes the difference
With the rough purblind mass we seek to rule:
We are their lords, or they are free of us,
Just as we tighten or relax our hold.
So, others matters equal, we'll revert
To the first problemwhich, if solved my way
And thrown into the balance, turns the scale
How we may lead a comfortable life,
How suit our luggage to the cabin's size.                    

Of course you are remarking all this time
How narrowly and grossly I view life,
Respect the creature-comforts, care to rule
The masses, and regard complacently
"The cabin," in our old phrase. Well, I do.
I act for, talk for, live for this world now,
As this world prizes action, life and talk:
No prejudice to what next world may prove,
Whose new laws and requirements, my best pledge
To observe then, is that I observe these now,
Shall do hereafter what I do meanwhile.
Let us concede (gratuitously though)
Next life relieves the soul of body, yields
Pure spiritual enjoyment: well, my friend,
Why lose this life i' the meantime, since its use
May be to make the next life more intense?

Do you know, I have often had a dream
(Work it up in your next month's article)
Of man's poor spirit in its progress, still
Losing true life for ever and a day
Through ever trying to be and ever being
In the evolution of successive spheres
Before its actual sphere and place of life,
Halfway into the next, which having reached,
It shoots with corresponding foolery
                    
Halfway into the next still, on and off!
As when a traveller, bound from North to South,
Scouts fur in Russia: what's its use in France?
In France spurns flannel: where's its need in Spain?
In Spain drops cloth, too cumbrous for Algiers!
Linen goes next, and last the skin itself,
A superfluity at Timbuctoo.
When, through his journey, was the fool at ease?
I'm at ease now, friend; worldly in this world,
I take and like its way of life; I think
My brothers, who administer the means,
Live better for my comfortthat's good too;
And God, if he pronounce upon such life,
Approves my service, which is better still.
If he keep silence,why, for you or me
Or that brute beast pulled-up in to-day's "Times,"
What odds is't, save to ourselves, what life we lead?

You meet me at this issue: you declare,
All special-pleading done withtruth is truth,
And justifies itself by undreamed ways.
You don't fear but it's better, if we doubt,
To say so, act up to our truth perceived
However feebly. Do then,act away!
'T is there I'm on the watch for you. How one acts
Is, both of us agree, our chief concern:
                    
And how you'll act is what I fain would see
If, like the candid person you appear,
You dare to make the most of your life's scheme
As I of mine, live up to its full law
Since there's no higher law that counterchecks.
Put natural religion to the test
You've just demolished the revealed withquick,
Down to the root of all that checks your will,
All prohibition to lie, kill and thieve,
Or even to be an atheistic priest!
Suppose a pricking to incontinence
Philosophers deduce you chastity
Or shame, from just the fact that at the first
Whoso embraced a woman in the field,
Threw club down and forewent his brains beside,
So, stood a ready victim in the reach
Of any brother savage, club in hand;
Hence saw the use of going out of sight
In wood or cave to prosecute his loves:
I read this in a French book t' other day.
Does law so analysed coerce you much?
Oh, men spin clouds of fuzz where matters end,
But you who reach where the first thread begins,
You'll soon cut that!which means you can, but won't,
Through certain instincts, blind, unreasoned-out,
                    
You dare not set aside, you can't tell why,
But there they are, and so you let them rule.
Then, friend, you seem as much a slave as I,
A liar, conscious coward and hypocrite,
Without the good the slave expects to get,
In case he has a master after all!
You own your instincts? why, what else do I,
Who want, am made for, and must have a God
Ere I can be aught, do aught?no mere name
Want, but the true thing with what proves its truth,
To wit, a relation from that thing to me,
Touching from head to footwhich touch I feel,
And with it take the rest, this life of ours!
I live my life here; yours you dare not live.

Not as I state it, who (you please subjoin)
Disfigure such a life and call it names,
While, to your mind, remains another way
For simple men: knowledge and power have rights,
But ignorance and weakness have rights too.
There needs no crucial effort to find truth
If here or there or anywhere about:
We ought to turn each side, try hard and see,
And if we can't, be glad we've earned at least
The right, by one laborious proof the more,
To graze in peace earth's pleasant pasturage.
                    
Men are not angels, neither are they brutes:
Something we may see, all we cannot see.
What need of lying? I say, I see all,
And swear to each detail the most minute
In what I think a Pan's faceyou, mere cloud:
I swear I hear him speak and see him wink,
For fear, if once I drop the emphasis,
Mankind may doubt there's any cloud at all.
You take the simple lifeready to see,
Willing to see (for no cloud's worth a face)
And leaving quiet what no strength can move,
And which, who bids you move? who has the right?
I bid you; but you are God's sheep, not mine:
" Pastor est tui Dominus ." You find
In this the pleasant pasture of our life
Much you may eat without the least offence,
Much you don't eat because your maw objects,
Much you would eat but that your fellow-flock
Open great eyes at you and even butt,
And thereupon you like your mates so well
You cannot please yourself, offending them;
Though when they seem exorbitantly sheep,
You weigh your pleasure with their butts and bleats
And strike the balance. Sometimes certain fears
Restrain you, real checks since you find them so;
Sometimes you please yourself and nothing checks:
                      
And thus you graze through life with not one lie,
And like it best.

But do you, in truth's name?
If so, you beatwhich means you are not I
Who needs must make earth mine and feed my fill
Not simply unbutted at, unbickered with,
But motioned to the velvet of the sward
By those obsequious wethers' very selves.
Look at me, sir; my age is double yours:
At yours, I knew beforehand, so enjoyed,
What now I should beas, permit the word,
I pretty well imagine your whole range
And stretch of tether twenty years to come.
We both have minds and bodies much alike:
In truth's name, don't you want my bishopric,
My daily bread, my influence and my state?
You're young. I'm old; you must be old one day;
Will you find then, as I do hour by hour,
Women their lovers kneel to, who cut curls
From your fat lap-dog's ear to grace a brooch
Dukes, who petition just to kiss your ring
With much beside you know or may conceive?
Suppose we die to-night: well, here am I,
Such were my gains, life bore this fruit to me,
While writing all the same my articles
                    
On music, poetry, the fictile vase
Found at Albano, chess, Anacreon's Greek.
But youthe highest honour in your life,
The thing you'll crown yourself with, all your days,
Isdining here and drinking this last glass
I pour you out in sign of amity
Before we part for ever. Of your power
And social influence, worldly worth in short,
Judge what's my estimation by the fact,
I do not condescend to enjoin, beseech,
Hint secrecy on one of all these words!
You're shrewd and know that should you publish one
The world would brand the liemy enemies first,
Who'd sneer"the bishop's an arch-hypocrite
"And knave perhaps, but not so frank a fool."
Whereas I should not dare for both my ears
Breathe one such syllable, smile one such smile,
Before the chaplain who reflects myself
My shade's so much more potent than your flesh.
What's your reward, self-abnegating friend?
Stood you confessed of those exceptional
And privileged great natures that dwarf mine
A zealot with a mad ideal in reach,
A poet just about to print his ode,
A statesman with a scheme to stop this war,
An artist whose religion is his art
    
~ Robert Browning, Bishop Blougram's Apology
,
230:The woods were long austere with snow: at last
Pink leaflets budded on the beech, and fast
Larches, scattered through pine-tree solitudes,
Brightened, "as in the slumbrous heart o' the woods
"Our buried year, a witch, grew young again
"To placid incantations, and that stain
"About were from her cauldron, green smoke blent
"With those black pines"so Eglamor gave vent
To a chance fancy. Whence a just rebuke
From his companion; brother Naddo shook
The solemnest of brows: "Beware," he said,
"Of setting up conceits in nature's stead!"
Forth wandered our Sordello. Nought so sure
As that to-day's adventure will secure
Palma, the visioned ladyonly pass
O'er you damp mound and its exhausted grass,
Under that brake where sundawn feeds the stalks
Of withered fern with gold, into those walks
Of pine and take her! Buoyantly he went.
Again his stooping forehead was besprent
With dew-drops from the skirting ferns. Then wide
Opened the great morass, shot every side
With flashing water through and through; a-shine,
Thick-steaming, all-alive. Whose shape divine,
Quivered i' the farthest rainbow-vapour, glanced
Athwart the flying herons? He advanced,
But warily; though Mincio leaped no more,
Each foot-fall burst up in the marish-floor
A diamond jet: and if he stopped to pick
Rose-lichen, or molest the leeches quick,
And circling blood-worms, minnow, newt or loach,
A sudden pond would silently encroach
This way and that. On Palma passed. The verge
Of a new wood was gained. She will emerge
Flushed, now, and panting,crowds to see,will own
She loves himBoniface to hear, to groan,
To leave his suit! One screen of pine-trees still
Opposes: butthe startling spectacle
Mantua, this time! Under the wallsa crowd
Indeed, real men and women, gay and loud
Round a pavilion. How he stood!
                 In truth
No prophecy had come to pass: his youth
In its prime nowand where was homage poured
Upon Sordello?born to be adored,
And suddenly discovered weak, scarce made
To cope with any, cast into the shade
By this and this. Yet something seemed to prick
And tingle in his blood; a sleighta trick
And much would be explained. It went for nought
The best of their endowments were ill bought
With his identity: nay, the conceit,
That this day's roving led to Palma's feet
Was not so vainlist! The word, "Palma!" Steal
Aside, and die, Sordello; this is real,
And thisabjure!
         What next? The curtains see
Dividing! She is there; and presently
He will be therethe proper You, at length
In your own cherished dress of grace and strength:
Most like, the very Boniface!
               Not so.
It was a showy man advanced; but though
A glad cry welcomed him, then every sound
Sank and the crowd disposed themselves around,
"This is not he," Sordello felt; while, "Place
"For the best Troubadour of Boniface!"
Hollaed the Jongleurs,"Eglamor, whose lay
"Concludes his patron's Court of Love to-day!"
Obsequious Naddo strung the master's lute
With the new lute-string, "Elys," named to suit
The song: he stealthily at watch, the while,
Biting his lip to keep down a great smile
Of pride: then up he struck. Sordello's brain
Swam; for he knew a sometime deed again;
So, could supply each foolish gap and chasm
The minstrel left in his enthusiasm,
Mistaking its true versionwas the tale
Not of Apollo? Only, what avail
Luring her down, that Elys an he pleased,
If the man dared no further? Has he ceased
And, lo, the people's frank applause half done,
Sordello was beside him, had begun
(Spite of indignant twitchings from his friend
The Trouvere) the true lay with the true end,
Taking the other's names and time and place
For his. On flew the song, a giddy race,
After the flying story; word made leap
Out word, rhymerhyme; the lay could barely keep
Pace with the action visibly rushing past:
Both ended. Back fell Naddo more aghast
Than some Egyptian from the harassed bull
That wheeled abrupt and, bellowing, fronted full
His plague, who spied a scarab 'neath the tongue,
And found 't was Apis' flank his hasty prong
Insulted. But the peoplebut the cries,
The crowding round, and proffering the prize!
For he had gained some prize. He seemed to shrink
Into a sleepy cloud, just at whose brink
One sight withheld him. There sat Adelaide,
Silent; but at her knees the very maid
Of the North Chamber, her red lips as rich,
The same pure fleecy hair; one weft of which,
Golden and great, quite touched his cheek as o'er
She leant, speaking some six words and no more.
He answered something, anything; and she
Unbound a scarf and laid it heavily
Upon him, her neck's warmth and all. Again
Moved the arrested magic; in his brain
Noises grew, and a light that turned to glare,
And greater glare, until the intense flare
Engulfed him, shut the whole scene from his sense.
And when he woke 't was many a furlong thence,
At home; the sun shining his ruddy wont;
The customary birds'-chirp; but his front
Was crownedwas crowned! Her scented scarf around
His neck! Whose gorgeous vesture heaps the ground?
A prize? He turned, and peeringly on him
Brooded the women-faces, kind and dim,
Ready to talk"The Jongleurs in a troop
"Had brought him back, Naddo and Squarcialupe
"And Tagliafer; how strange! a childhood spent
"In taking, well for him, so brave a bent!
"Since Eglamor," they heard, "was dead with spite,
"And Palma chose him for her minstrel."
                     Light
Sordello roseto think, now; hitherto
He had perceived. Sure, a discovery grew
Out of it all! Best live from first to last
The transport o'er again. A week he passed,
Sucking the sweet out of each circumstance,
From the bard's outbreak to the luscious trance
Bounding his own achievement. Strange! A man
Recounted an adventure, but began
Imperfectly; his own task was to fill
The frame-work up, sing well what he sung ill,
Supply the necessary points, set loose
As many incidents of little use
More imbecile the other, not to see
Their relative importance clear as he!
But, for a special pleasure in the act
Of singinghad he ever turned, in fact,
From Elys, to sing Elys?from each fit
Of rapture to contrive a song of it?
True, this snatch or the other seemed to wind
Into a treasure, helped himself to find
A beauty in himself; for, see, he soared
By means of that mere snatch, to many a hoard
Of fancies; as some falling cone bears soft
The eye along the fir-tree-spire, aloft
To a dove's nest. Then, how divine the cause
Why such performance should exact applause
From men, if they had fancies too? Did fate
Decree they found a beauty separate
In the poor snatch itself?"Take Elys, there,
"'Her head that 's sharp and perfect like a pear,
"'So close and smooth are laid the few fine locks
"'Coloured like honey oozed from topmost rocks
"'Sun-blanched the livelong summer'if they heard
"Just those two rhymes, assented at my word,
"And loved them as I love them who have run
"These fingers through those pale locks, let the sun
"Into the white cool skinwho first could clutch,
"Then praiseI needs must be a god to such.
"Or what if some, above themselves, and yet
"Beneath me, like their Eglamor, have set
"An impress on our gift? So, men believe
"And worship what they know not, nor receive
"Delight from. Have they fanciesslow, perchance,
"Not at their beck, which indistinctly glance
"Until, by song, each floating part be linked
"To each, and all grow palpable, distinct?"
He pondered this.
         Meanwhile, sounds low and drear
Stole on him, and a noise of footsteps, near
And nearer, while the underwood was pushed
Aside, the larches grazed, the dead leaves crushed
At the approach of men. The wind seemed laid;
Only, the trees shrunk slightly and a shade
Came o'er the sky although 't was midday yet:
You saw each half-shut downcast floweret
Flutter"a Roman bride, when they 'd dispart
"Her unbound tresses with the Sabine dart,
"Holding that famous rape in memory still,
"Felt creep into her curls the iron chill,
"And looked thus," Eglamor would sayindeed
'T is Eglamor, no other, these precede
Home hither in the woods. "'T were surely sweet
"Far from the scene of one's forlorn defeat
"To sleep!" judged Naddo, who in person led
Jongleurs and Trouveres, chanting at their head,
A scanty company; for, sooth to say,
Our beaten Troubadour had seen his day.
Old worshippers were something shamed, old friends
Nigh weary; still the death proposed amends.
"Let us but get them safely through my song
"And home again!" quoth Naddo.
                All along,
This man (they rest the bier upon the sand)
This calm corpse with the loose flowers in his hand,
Eglamor, lived Sordello's opposite.
For him indeed was Naddo's notion right,
And verse a temple-worship vague and vast,
A ceremony that withdrew the last
Opposing bolt, looped back the lingering veil
Which hid the holy place: should one so frail
Stand there without such effort? or repine
If much was blank, uncertain at the shrine
He knelt before, till, soothed by many a rite,
The power responded, and some sound or sight
Grew up, his own forever, to be fixed,
In rhyme, the beautiful, forever!mixed
With his own life, unloosed when he should please,
Having it safe at hand, ready to ease
All pain, remove all trouble; every time
He loosed that fancy from its bonds of rhyme,
(Like Perseus when he loosed his naked love)
Faltering; so distinct and far above
Himself, these fancies! He, no genius rare,
Transfiguring in fire or wave or air
At will, but a poor gnome that, cloistered up
In some rock-chamber with his agate cup,
His topaz rod, his seed-pearl, in these few
And their arrangement finds enough to do
For his best art. Then, how he loved that art!
The calling marking him a man apart
From menone not to care, take counsel for
Cold hearts, comfortless faces(Eglamor
Was neediest of his tribe)since verse, the gift,
Was his, and men, the whole of them, must shift
Without it, e'en content themselves with wealth
And pomp and power, snatching a life by stealth.
So, Eglamor was not without his pride!
The sorriest bat which cowers throughout noontide
While other birds are jocund, has one time
When moon and stars are blinded, and the prime
Of earth is his to claim, nor find a peer;
And Eglamor was noblest poet here
He well knew, 'mid those April woods he cast
Conceits upon in plenty as he passed,
That Naddo might suppose him not to think
Entirely on the coming triumph: wink
At the one weakness! 'T was a fervid child,
That song of his; no brother of the guild
Had e'er conceived its like. The rest you know,
The exaltation and the overthrow:
Our poet lost his purpose, lost his rank,
His lifeto that it came. Yet envy sank
Within him, as he heard Sordello out,
And, for the first time, shoutedtried to shout
Like others, not from any zeal to show
Pleasure that way: the common sort did so,
What else was Eglamor? who, bending down
As they, placed his beneath Sordello's crown,
Printed a kiss on his successor's hand,
Left one great tear on it, then joined his band
In time; for some were watching at the door:
Who knows what envy may effect? "Give o'er,
"Nor charm his lips, nor craze him!" (here one spied
And disengaged the withered crown)"Beside
"His crown? How prompt and clear those verses rang
"To answer yours! nay, sing them!" And he sang
Them calmly. Home he went; friends used to wait
His coming, zealous to congratulate;
But, to a manso quickly runs report
Could do no less than leave him, and escort
His rival. That eve, then, bred many a thought:
What must his future life be? was he brought
So low, who stood so lofty this Spring morn?
At length he said, "Best sleep now with my scorn,
"And by to-morrow I devise some plain
"Expedient!" So, he slept, nor woke again.
They found as much, those friends, when they returned
O'erflowing with the marvels they had learned
About Sordello's paradise, his roves
Among the hills and vales and plains and groves,
Wherein, no doubt, this lay was roughly cast,
Polished by slow degrees, completed last
To Eglamor's discomfiture and death.
Such form the chanters now, and, out of breath,
They lay the beaten man in his abode,
Naddo reciting that same luckless ode,
Doleful to hear. Sordello could explore
By means of it, however, one step more
In joy; and, mastering the round at length,
Learnt how to live in weakness as in strength,
When from his covert forth he stood, addressed
Eglamor, bade the tender ferns invest,
Primval pines o'ercanopy his couch,
And, most of all, his fame(shall I avouch
Eglamor heard it, dead though he might look,
And laughed as from his brow Sordello took
The crown, and laid on the bard's breast, and said
It was a crown, now, fit for poet's head?)
Continue. Nor the prayer quite fruitless fell.
A plant they have, yielding a three-leaved bell
Which whitens at the heart ere noon, and ails
Till evening; evening gives it to her gales
To clear away with such forgotten things
As are an eyesore to the morn: this brings
Him to their mind, and bears his very name.
So much for Eglamor. My own month came;
'T was a sunrise of blossoming and May.
Beneath a flowering laurel thicket lay
Sordello; each new sprinkle of white stars
That smell fainter of wine than Massic jars
Dug up at Bai, when the south wind shed
The ripest, made him happier; filleted
And robed the same, only a lute beside
Lay on the turf. Before him far and wide
The country stretched: Goito slept behind
The castle and its covert, which confined
Him with his hopes and fears; so fain of old
To leave the story of his birth untold.
At intervals, 'spite the fantastic glow
Of his Apollo-life, a certain low
And wretched whisper, winding through the bliss,
Admonished, no such fortune could be his,
All was quite false and sure to fade one day:
The closelier drew he round him his array
Of brilliance to expel the truth. But when
A reason for his difference from men
Surprised him at the grave, he took no rest
While aught of that old life, superbly dressed
Down to its meanest incident, remained
A mystery: alas, they soon explained
Away Apollo! and the tale amounts
To this: when at Vicenza both her counts
Banished the Vivaresi kith and kin,
Those Maltraversi hung on Ecelin,
Reviled him as he followed; he for spite
Must fire their quarter, though that self-same night
Among the flames young Ecelin was born
Of Adelaide, there too, and barely torn
From the roused populace hard on the rear,
By a poor archer when his chieftain's fear
Grew high; into the thick Elcorte leapt,
Saved her, and died; no creature left except
His child to thank. And when the full escape
Was knownhow men impaled from chine to nape
Unlucky Prata, all to pieces spurned
Bishop Pistore's concubines, and burned
Taurello's entire household, flesh and fell,
Missing the sweeter preysuch courage well
Might claim reward. The orphan, ever since,
Sordello, had been nurtured by his prince
Within a blind retreat where Adelaide
(For, once this notable discovery made,
The past at every point was understood)
Might harbour easily when times were rude,
When Azzo schemed for Palma, to retrieve
That pledge of Agnes Esteloth to leave
Mantua unguarded with a vigilant eye,
While there Taurello bode ambiguously
He who could have no motive now to moil
For his own fortunes since their utter spoil
As it were worth while yet (went the report)
To disengage himself from her. In short,
Apollo vanished; a mean youth, just named
His lady's minstrel, was to be proclaimed
How shall I phrase it?Monarch of the World!
For, on the day when that array was furled
Forever, and in place of one a slave
To longings, wild indeed, but longings save
In dreams as wild, suppressedone daring not
Assume the mastery such dreams allot,
Until a magical equipment, strength,
Grace, wisdom, decked him too,he chose at length,
Content with unproved wits and failing frame,
In virtue of his simple will, to claim
That mastery, no lessto do his best
With means so limited, and let the rest
Go by,the seal was set: never again
Sordello could in his own sight remain
One of the many, one with hopes and cares
And interests nowise distinct from theirs,
Only peculiar in a thriveless store
Of fancies, which were fancies and no more;
Never again for him and for the crowd
A common law was challenged and allowed
If calmly reasoned of, howe'er denied
By a mad impulse nothing justified
Short of Apollo's presence. The divorce
Is clear: why needs Sordello square his course
By any known example? Men no more
Compete with him than tree and flower before.
Himself, inactive, yet is greater far
Than such as act, each stooping to his star,
Acquiring thence his function; he has gained
The same result with meaner mortals trained
To strength or beauty, moulded to express
Each the idea that rules him; since no less
He comprehends that function, but can still
Embrace the others, take of might his fill
With Richard as of grace with Palma, mix
Their qualities, or for a moment fix
On one; abiding free meantime, uncramped
By any partial organ, never stamped
Strong, and to strength turning all energies
Wise, and restricted to becoming wise
That is, he loves not, nor possesses One
Idea that, star-like over, lures him on
To its exclusive purpose. "Fortunate!
"This flesh of mine ne'er strove to emulate
"A soul so varioustook no casual mould
"Of the first fancy and, contracted, cold,
"Clogged her foreversoul averse to change
"As flesh: whereas flesh leaves soul free to range,
"Remains itself a blank, cast into shade,
"Encumbers little, if it cannot aid.
"So, range, free soul!who, by self-consciousness,
"The last drop of all beauty dost express
"The grace of seeing grace, a quintessence
"For thee: while for the world, that can dispense
"Wonder on men who, themselves, wondermake
"A shift to love at second-hand, and take
"For idols those who do but idolize,
"Themselves,the world that counts men strong or wise,
"Who, themselves, court strength, wisdom,it shall bow
"Surely in unexampled worship now,
"Discerning me!"
         (Dear monarch, I beseech,
Notice how lamentably wide a breach
Is here: discovering this, discover too
What our poor world has possibly to do
With it! As pigmy natures as you please
So much the better for you; take your ease,
Look on, and laugh; style yourself God alone;
Strangle some day with a cross olive-stone!
All that is right enough: but why want us
To know that you yourself know thus and thus?)
"The world shall bow to me conceiving all
"Man's life, who see its blisses, great and small,
"Afarnot tasting any; no machine
"To exercise my utmost will is mine:
"Be mine mere consciousness! Let men perceive
"What I could do, a mastery believe,
"Asserted and established to the throng
"By their selected evidence of song
"Which now shall prove, whate'er they are, or seek
"To be, I amwhose words, not actions speak,
"Who change no standards of perfection, vex
"With no strange forms created to perplex,
"But just perform their bidding and no more,
"At their own satiating-point give o'er,
"While each shall love in me the love that leads
"His soul to power's perfection." Song, not deeds,
(For we get tired) was chosen. Fate would brook
Mankind no other organ; he would look
For not another channel to dispense
His own volition by, receive men's sense
Of its supremacywould live content,
Obstructed else, with merely verse for vent.
Nor should, for instance, strength an outlet seek
And, striving, be admired: nor grace bespeak
Wonder, displayed in gracious attitudes:
Nor wisdom, poured forth, change unseemly moods;
But he would give and take on song's one point.
Like some huge throbbing stone that, poised a-joint,
Sounds, to affect on its basaltic bed,
Must sue in just one accent; tempests shed
Thunder, and raves the windstorm: only let
That key by any little noise be set
The far benighted hunter's halloo pitch
On that, the hungry curlew chance to scritch
Or serpent hiss it, rustling through the rift,
However loud, however lowall lift
The groaning monster, stricken to the heart.
Lo ye, the world's concernment, for its part,
And this, for his, will hardly interfere!
Its businesses in blood and blaze this year
But wile the hour awaya pastime slight
Till he shall step upon the platform: right!
And, now thus much is settled, cast in rough,
Proved feasible, be counselled! thought enough,
Slumber, Sordello! any day will serve:
Were it a less digested plan! how swerve
To-morrow? Meanwhile eat these sun-dried grapes,
And watch the soaring hawk there! Life escapes
Merrily thus.
       He thoroughly read o'er
His truchman Naddo's missive six times more,
Praying him visit Mantua and supply
A famished world.
         The evening star was high
When he reached Mantua, but his fame arrived
Before him: friends applauded, foes connived,
And Naddo looked an angel, and the rest
Angels, and all these angels would be blest
Supremely by a songthe thrice-renowned
Goito-manufacture. Then he found
(Casting about to satisfy the crowd)
That happy vehicle, so late allowed,
A sore annoyance; 't was the song's effect
He cared for, scarce the song itself: reflect!
In the past life, what might be singing's use?
Just to delight his Delians, whose profuse
Praise, not the toilsome process which procured
That praise, enticed Apollo: dreams abjured,
No overleaping means for endstake both
For granted or take neither! I am loth
To say the rhymes at last were Eglamor's;
But Naddo, chuckling, bade competitors
Go pine; "the master certes meant to waste
"No effort, cautiously had probed the taste
"He 'd please anon: true bard, in short,disturb
"His title if they could; nor spur nor curb,
"Fancy nor reason, wanting in him; whence
"The staple of his verses, common sense:
"He built on man's broad naturegift of gifts,
"That power to build! The world contented shifts
"With counterfeits enough, a dreary sort
"Of warriors, statesmen, ere it can extort
"Its poet-soulthat 's, after all, a freak
"(The having eyes to see and tongue to speak)
"With our herd's stupid sterling happiness
"So plainly incompatible thatyes
"Yesshould a son of his improve the breed
"And turn out poet, he were cursed indeed!"
"Well, there 's Goito and its woods anon,
"If the worst happen; best go stoutly on
"Now!" thought Sordello.
             Ay, and goes on yet!
You pother with your glossaries to get
A notion of the Troubadour's intent
In rondel, tenzon, virlai or sirvent
Much as you study arras how to twirl
His angelot, plaything of page and girl
Once; but you surely reach, at last,or, no!
Never quite reach what struck the people so,
As from the welter of their time he drew
Its elements successively to view,
Followed all actions backward on their course,
And catching up, unmingled at the source,
Such a strength, such a weakness, added then
A touch or two, and turned them into men.
Virtue took form, nor vice refused a shape;
Here heaven opened, there was hell agape,
As Saint this simpered past in sanctity,
Sinner the other flared portentous by
A greedy people. Then why stop, surprised
At his success? The scheme was realized
Too suddenly in one respect: a crowd
Praising, eyes quick to see, and lips as loud
To speak, delicious homage to receive,
The woman's breath to feel upon his sleeve,
Who said, "But Anafestwhy asks he less
"Than Lucio, in your verses? how confess,
"It seemed too much but yestereve!"the youth,
Who bade him earnestly, "Avow the truth!
"You love Bianca, surely, from your song;
"I knew I was unworthy!"soft or strong,
In poured such tributes ere he had arranged
Ethereal ways to take them, sorted, changed,
Digested. Courted thus at unawares,
In spite of his pretensions and his cares,
He caught himself shamefully hankering
After the obvious petty joys that spring
From true life, fain relinquish pedestal
And condescend with pleasuresone and all
To be renounced, no doubt; for, thus to chain
Himself to single joys and so refrain
From tasting their quintessence, frustrates, sure,
His prime design; each joy must he abjure
Even for love of it.
           He laughed: what sage
But perishes if from his magic page
He look because, at the first line, a proof
'T was heard salutes him from the cavern roof?
"On! Give yourself, excluding aught beside,
"To the day's task; compel your slave provide
"Its utmost at the soonest; turn the leaf
"Thoroughly conned. These lays of yours, in brief
"Cannot men bear, now, something better?fly
"A pitch beyond this unreal pageantry
"Of essences? the period sure has ceased
"For such: present us with ourselves, at least,
"Not portions of ourselves, mere loves and hates
"Made flesh: wait not!"
            Awhile the poet waits
However. The first trial was enough:
He left imagining, to try the stuff
That held the imaged thing, and, let it writhe
Never so fiercely, scarce allowed a tithe
To reach the lighthis Language. How he sought
The cause, conceived a cure, and slow re-wrought
That Language,welding words into the crude
Mass from the new speech round him, till a rude
Armour was hammered out, in time to be
Approved beyond the Roman panoply
Melted to make it,boots not. This obtained
With some ado, no obstacle remained
To using it; accordingly he took
An action with its actors, quite forsook
Himself to live in each, returned anon
With the resulta creature, and, by one
And one, proceeded leisurely to equip
Its limbs in harness of his workmanship.
"Accomplished! Listen, Mantuans!" Fond essay!
Piece after piece that armour broke away,
Because perceptions whole, like that he sought
To clothe, reject so pure a work of thought
As language: thought may take perception's place
But hardly co-exist in any case,
Being its mere presentmentof the whole
By parts, the simultaneous and the sole
By the successive and the many. Lacks
The crowd perception? painfully it tacks
Thought to thought, which Sordello, needing such,
Has rent perception into: it's to clutch
And reconstructhis office to diffuse,
Destroy: as hard, then, to obtain a Muse
As to become Apollo. "For the rest,
"E'en if some wondrous vehicle expressed
"The whole dream, what impertinence in me
"So to express it, who myself can be
"The dream! nor, on the other hand, are those
"I sing to, over-likely to suppose
"A higher than the highest I present
"Now, which they praise already: be content
"Both parties, ratherthey with the old verse,
"And I with the old praisefar go, fare worse!"
A few adhering rivets loosed, upsprings
The angel, sparkles off his mail, which rings
Whirled from each delicatest limb it warps;
So might Apollo from the sudden corpse
Of Hyacinth have cast his luckless quoits.
He set to celebrating the exploits
Of Montfort o'er the Mountaineers.
                  Then came
The world's revenge: their pleasure, now his aim
Merely,what was it? "Not to play the fool
"So much as learn our lesson in your school!"
Replied the world. He found that, every time
He gained applause by any ballad-rhyme,
His auditory recognized no jot
As he intended, and, mistaking not
Him for his meanest hero, ne'er was dunce
Sufficient to believe himall, at once.
His will . . . conceive it caring for his will!
Mantuans, the main of them, admiring still
How a mere singer, ugly, stunted, weak,
Had Montfort at completely (so to speak)
His fingers' ends; while past the praise-tide swept
To Montfort, either's share distinctly kept:
The true meed for true merit!his abates
Into a sort he most repudiates,
And on them angrily he turns. Who were
The Mantuans, after all, that he should care
About their recognition, ay or no?
In spite of the convention months ago,
(Why blink the truth?) was not he forced to help
This same ungrateful audience, every whelp
Of Naddo's litter, make them pass for peers
With the bright band of old Goito years,
As erst he toiled for flower or tree? Why, there
Sat Palma! Adelaide's funereal hair
Ennobled the next corner. Ay, he strewed
A fairy dust upon that multitude,
Although he feigned to take them by themselves;
His giants dignified those puny elves,
Sublimed their faint applause. In short, he found
Himself still footing a delusive round,
Remote as ever from the self-display
He meant to compass, hampered every way
By what he hoped assistance. Wherefore then
Continue, make believe to find in men
A use he found not?
          Weeks, months, years went by
And lo, Sordello vanished utterly,
Sundered in twain; each spectral part at strife
With each; one jarred against another life;
The Poet thwarting hopelessly the Man
Who, fooled no longer, free in fancy ran
Here, there: let slip no opportunities
As pitiful, forsooth, beside the prize
To drop on him some no-time and acquit
His constant faith (the Poet-half's to wit
That waiving any compromise between
No joy and all joy kept the hunger keen
Beyond most methods)of incurring scoff
From the Man-portionnot to be put off
With self-reflectings by the Poet's scheme,
Though ne'er so bright. Who sauntered forth in dream,
Dressed any how, nor waited mystic frames,
Immeasurable gifts, astounding claims,
But just his sorry self?who yet might be
Sorrier for aught he in reality
Achieved, so pinioned Man's the Poet-part,
Fondling, in turn of fancy, verse; the Art
Developing his soul a thousand ways
Potent, by its assistance, to amaze
The multitude with majesties, convince
Each sort of nature that the nature's prince
Accosted it. Language, the makeshift, grew
Into a bravest of expedients, too;
Apollo, seemed it now, perverse had thrown
Quiver and bow away, the lyre alone
Sufficed. While, out of dream, his day's work went
To tune a crazy tenzon or sirvent
So hampered him the Man-part, thrust to judge
Between the bard and the bard's audience, grudge
A minute's toil that missed its due reward!
But the complete Sordello, Man and Bard,
John's cloud-girt angel, this foot on the land,
That on the sea, with, open in his hand,
A bitter-sweetling of a bookwas gone.
Then, if internal struggles to be one,
Which frittered him incessantly piecemeal,
Referred, ne'er so obliquely, to the real
Intruding Mantuans! ever with some call
To action while he pondered, once for all,
Which looked the easier effortto pursue
This course, still leap o'er paltry joys, yearn through
The present ill-appreciated stage
Of self-revealment, and compel the age
Know himor else, forswearing bard-craft, wake
From out his lethargy and nobly shake
Off timid habits of denial, mix
With men, enjoy like men. Ere he could fix
On aught, in rushed the Mantuans; much they cared
For his perplexity! Thus unprepared,
The obvious if not only shelter lay
In deeds, the dull conventions of his day
Prescribed the like of him: why not be glad
'T is settled Palma's minstrel, good or bad,
Submits to this and that established rule?
Let Vidal change, or any other fool,
His murrey-coloured robe for filamot,
And crop his hair; too skin-deep, is it not,
Such vigour? Then, a sorrow to the heart,
His talk! Whatever topics they might start
Had to be groped for in his consciousness
Straight, and as straight delivered them by guess.
Only obliged to ask himself, "What was,"
A speedy answer followed; but, alas,
One of God's large ones, tardy to condense
Itself into a period; answers whence
A tangle of conclusions must be stripped
At any risk ere, trim to pattern clipped,
They matched rare specimens the Mantuan flock
Regaled him with, each talker from his stock
Of sorted-o'er opinions, every stage,
Juicy in youth or desiccate with age,
Fruits like the fig-tree's, rathe-ripe, rotten-rich,
Sweet-sour, all tastes to take: a practice which
He too had not impossibly attained,
Once either of those fancy-flights restrained;
(For, at conjecture how might words appear
To others, playing there what happened here,
And occupied abroad by what he spurned
At home, 't was slipped, the occasion he returned
To seize he 'd strike that lyre adroitlyspeech,
Would but a twenty-cubit plectre reach;
A clever hand, consummate instrument,
Were both brought close; each excellency went
For nothing, else. The question Naddo asked,
Had just a lifetime moderately tasked
To answer, Naddo's fashion. More disgust
And more: why move his soul, since move it must
At minute's notice or as good it failed
To move at all? The end was, he retailed
Some ready-made opinion, put to use
This quip, that maxim, ventured reproduce
Gestures and tonesat any folly caught
Serving to finish with, nor too much sought
If false or true 't was spoken; praise and blame
Of what he said grew pretty nigh the same
Meantime awards to meantime acts: his soul,
Unequal to the compassing a whole,
Saw, in a tenth part, less and less to strive
About. And as for men in turn . . . contrive
Who could to take eternal interest
In them, so hate the worst, so love the best,
Though, in pursuance of his passive plan,
He hailed, decried, the proper way.
                   As Man
So figured he; and how as Poet? Verse
Came only not to a stand-still. The worse,
That his poor piece of daily work to do
Wasnot sink under any rivals; who
Loudly and long enough, without these qualms,
Turned, from Bocafoli's stark-naked psalms,
To Plara's sonnets spoilt by toying with,
"As knops that stud some almug to the pith
"Prickd for gum, wry thence, and crinkld worse
"Than pursd eyelids of a river-horse
"Sunning himself o' the slime when whirrs the breese"
Gad-fly, that is. He might compete with these!
Butbut
     "Observe a pompion-twine afloat;
"Pluck me one cup from off the castle-moat!
"Along with cup you raise leaf, stalk and root,
"The entire surface of the pool to boot.
"So could I pluck a cup, put in one song
"A single sight, did not my hand, too strong,
"Twitch in the least the root-strings of the whole.
"How should externals satisfy my soul?"
"Why that's precise the error Squarcialupe"
(Hazarded Naddo) "finds; 'the man can't stoop
"'To sing us out,' quoth he, 'a mere romance;
"'He'd fain do better than the best, enhance
"'The subjects' rarity, work problems out
"'Therewith.' Now, you 're a bard, a bard past doubt,
"And no philosopher; why introduce
"Crotchets like these? fine, surely, but no use
"In poetrywhich still must be, to strike,
"Based upon common sense; there's nothing like
"Appealing to our nature! what beside
"Was your first poetry? No tricks were tried
"In that, no hollow thrills, affected throes!
"'The man,' said we, 'tells his own joys and woes:
"'We'll trust him.' Would you have your songs endure?
"Build on the human heart!why, to be sure
"Yours is one sort of heartbut I mean theirs,
"Ours, every one's, the healthy heart one cares
"To build on! Central peace, mother of strength,
"That's father of . . . nay, go yourself that length,
"Ask those calm-hearted doers what they do
"When they have got their calm! And is it true,
"Fire rankles at the heart of every globe?
"Perhaps. But these are matters one may probe
"Too deeply for poetic purposes:
"Rather select a theory that . . . yes,
"Laugh! what does that prove?stations you midway
"And saves some little o'er-refining. Nay,
"That's rank injustice done me! I restrict
"The poet? Don't I hold the poet picked
"Out of a host of warriors, statesmen . . . did
"I tell you? Very like! As well you hid
"That sense of power, you have! True bards believe
"All able to achieve what they achieve
"That is, just nothingin one point abide
"Profounder simpletons than all beside.
"Oh, ay! The knowledge that you are a bard
"Must constitute your prime, nay sole, reward!"
So prattled Naddo, busiest of the tribe
Of genius-hauntershow shall I describe
What grubs or nips or rubs or ripsyour louse
For love, your flea for hate, magnanimous,
Malignant, Pappacoda, Tagliafer,
Picking a sustenance from wear and tear
By implements it sedulous employs
To undertake, lay down, mete out, o'er-toise
Sordello? Fifty creepers to elude
At once! They settled staunchly; shame ensued:
Behold the monarch of mankind succumb
To the last fool who turned him round his thumb,
As Naddo styled it! 'T was not worth oppose
The matter of a moment, gainsay those
He aimed at getting rid of; better think
Their thoughts and speak their speech, secure to slink
Back expeditiously to his safe place,
And chew the cudwhat he and what his race
Were really, each of them. Yet even this
Conformity was partial. He would miss
Some point, brought into contact with them ere
Assured in what small segment of the sphere
Of his existence they attended him;
Whence blunders, falsehoods rectifieda grim
Listslur it over! How? If dreams were tried,
His will swayed sicklily from side to side,
Nor merely neutralized his waking act
But tended e'en in fancy to distract
The intermediate will, the choice of means.
He lost the art of dreaming: Mantuan scenes
Supplied a baron, say, he sang before,
Handsomely reckless, full to running-o'er
Of gallantries; "abjure the soul, content
"With body, therefore!" Scarcely had he bent
Himself in dream thus low, when matter fast
Cried out, he found, for spirit to contrast
And task it duly; by advances slight,
The simple stuff becoming composite,
Count Lori grew Apollo: best recall
His fancy! Then would some rough peasant-Paul,
Like those old Ecelin confers with, glance
His gay apparel o'er; that countenance
Gathered his shattered fancies into one,
And, body clean abolished, soul alone
Sufficed the grey Paulician: by and by,
To balance the ethereality,
Passions were needed; foiled he sank again.
Meanwhile the world rejoiced ('t is time explain)
Because a sudden sickness set it free
From Adelaide. Missing the mother-bee,
Her mountain-hive Romano swarmed; at once
A rustle-forth of daughters and of sons
Blackened the valley. "I am sick too, old,
"Half-crazed I think; what good's the Kaiser's gold
"To such an one? God help me! for I catch
"My children's greedy sparkling eyes at watch
"'He bears that double breastplate on,' they say,
"'So many minutes less than yesterday!'
"Beside, Monk Hilary is on his knees
"Now, sworn to kneel and pray till God shall please
"Exact a punishment for many things
"You know, and some you never knew; which brings
"To memory, Azzo's sister Beatrix
"And Richard's Giglia are my Alberic's
"And Ecelin's betrothed; the Count himself
"Must get my Palma: Ghibellin and Guelf
"Mean to embrace each other." So began
Romano's missive to his fighting man
Taurelloon the Tuscan's death, away
With Friedrich sworn to sail from Naples' bay
Next month for Syria. Never thunder-clap
Out of Vesuvius' throat, like this mishap
Startled him. "That accursed Vicenza! I
"Absent, and she selects this time to die!
"Ho, fellows, for Vicenza!" Half a score
Of horses ridden dead, he stood before
Romano in his reeking spurs: too late
"Boniface urged me, Este could not wait,"
The chieftain stammered; "let me die in peace
"Forget me! Was it I who craved increase
"Of rule? Do you and Friedrich plot your worst
"Against the Father: as you found me first
"So leave me now. Forgive me! Palma, sure,
"Is at Goito still. Retain that lure
"Only be pacified!"
          The country rung
With such a piece of news: on every tongue,
How Ecelin's great servant, congeed off,
Had done a long day's service, so, might doff
The green and yellow, and recover breath
At Mantua, whither,since Retrude's death,
(The girlish slip of a Sicilian bride
From Otho's house, he carried to reside
At Mantua till the Ferrarese should pile
A structure worthy her imperial style,
The gardens raise, the statues there enshrine,
She never lived to see)although his line
Was ancient in her archives and she took
A pride in him, that city, nor forsook
Her child when he forsook himself and spent
A prowess on Romano surely meant
For his own growthwhither he ne'er resorts
If wholly satisfied (to trust reports)
With Ecelin. So, forward in a trice
Were shows to greet him. "Take a friend's advice,"
Quoth Naddo to Sordello, "nor be rash
"Because your rivals (nothing can abash
"Some folks) demur that we pronounced you best
"To sound the great man's welcome; 't is a test,
"Remember! Strojavacca looks asquint,
"The rough fat sloven; and there 's plenty hint
"Your pinions have received of late a shock
"Outsoar them, cobswan of the silver flock!
"Sing well!" A signal wonder, song 's no whit
Facilitated.
      Fast the minutes flit;
Another day, Sordello finds, will bring
The soldier, and he cannot choose but sing;
So, a last shift, quits Mantuaslow, alone:
Out of that aching brain, a very stone,
Song must be struck. What occupies that front?
Just how he was more awkward than his wont
The night before, when Naddo, who had seen
Taurello on his progress, praised the mien
For dignity no crosses could affect
Such was a joy, and might not he detect
A satisfaction if established joys
Were proved imposture? Poetry annoys
Its utmost: wherefore fret? Verses may come
Or keep away! And thus he wandered, dumb
Till evening, when he paused, thoroughly spent,
On a blind hill-top: down the gorge he went,
Yielding himself up as to an embrace.
The moon came out; like features of a face,
A querulous fraternity of pines,
Sad blackthorn clumps, leafless and grovelling vines
Also came out, made gradually up
The picture; 't was Goito's mountain-cup
And castle. He had dropped through one defile
He never dared explore, the Chief erewhile
Had vanished by. Back rushed the dream, enwrapped
Him wholly. 'T was Apollo now they lapped,
Those mountains, not a pettish minstrel meant
To wear his soul away in discontent,
Brooding on fortune's malice. Heart and brain
Swelled; he expanded to himself again,
As some thin seedling spice-tree starved and frail,
Pushing between cat's head and ibis' tail
Crusted into the porphyry pavement smooth,
Suffered remain just as it sprung, to soothe
The Soldan's pining daughter, never yet
Well in her chilly green-glazed minaret,
When rooted up, the sunny day she died,
And flung into the common court beside
Its parent tree. Come home, Sordello! Soon
Was he low muttering, beneath the moon,
Of sorrow saved, of quiet evermore,
Since from the purpose, he maintained before,
Only resulted wailing and hot tears.
Ah, the slim castle! dwindled of late years,
But more mysterious; gone to ruintrails
Of vine through every loop-hole. Nought avails
The night as, torch in hand, he must explore
The maple chamber: did I say, its floor
Was made of intersecting cedar beams?
Worn now with gaps so large, there blew cold streams
Of air quite from the dungeon; lay your ear
Close and 't is like, one after one, you hear
In the blind darkness water drop. The nests
And nooks retain their long ranged vesture-chests
Empty and smelling of the iris root
The Tuscan grated o'er them to recruit
Her wasted wits. Palma was gone that day,
Said the remaining women. Last, he lay
Beside the Carian group reserved and still.
The Body, the Machine for Acting Will,
Had been at the commencement proved unfit;
That for Demonstrating, Reflecting it,
Mankindno fitter: was the Will Itself
In fault?
     His forehead pressed the moonlit shelf
Beside the youngest marble maid awhile;
Then, raising it, he thought, with a long smile,
"I shall be king again!" as he withdrew
The envied scarf; into the font he threw
His crown
     Next day, no poet! "Wherefore?" asked
Taurello, when the dance of Jongleurs, masked
As devils, ended; "don't a song come next?"
The master of the pageant looked perplexed
Till Naddo's whisper came to his relief.
"His Highness knew what poets were: in brief,
"Had not the tetchy race prescriptive right
"To peevishness, caprice? or, call it spite,
"One must receive their nature in its length
"And breadth, expect the weakness with the strength!"
So phrasing, till, his stock of phrases spent,
The easy-natured soldier smiled assent,
Settled his portly person, smoothed his chin,
And nodded that the bull-bait might begin.


~ Robert Browning, Sordello - Book the Second
,
231:The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
259
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
Palmer! oh! Palmer tops the jaunty part.
Seated in pit, the dwarf with aching eyes,
Looks up, and vows that Barry's out of size;
Whilst to six feet the vigorous stripling grown,
Declares that Garrick is another Coan.
When place of judgment is by whim supplied,
And our opinions have their rise in pride;
When, in discoursing on each mimic elf,
We praise and censure with an eye to self;
All must meet friends, and Ackman bids as fair,
In such a court, as Garrick, for the chair.
At length agreed, all squabbles to decide,
By some one judge the cause was to be tried;
But this their squabbles did afresh renew,
Who should be judge in such a trial:--who?
For Johnson some; but Johnson, it was fear'd,
Would be too grave; and Sterne too gay appear'd;
Others for Franklin voted; but 'twas known,
He sicken'd at all triumphs but his own:
For Colman many, but the peevish tongue
Of prudent Age found out that he was young:
For Murphy some few pilfering wits declared,
Whilst Folly clapp'd her hands, and Wisdom stared.
To mischief train'd, e'en from his mother's womb,
Grown old in fraud, though yet in manhood's bloom,
Adopting arts by which gay villains rise,
And reach the heights which honest men despise;
Mute at the bar, and in the senate loud,
Dull 'mongst the dullest, proudest of the proud;
A pert, prim, prater of the northern race,
Guilt in his heart, and famine in his face,
260
Stood forth,--and thrice he waved his lily hand,
And thrice he twirled his tye, thrice stroked his band:-At Friendship's call (thus oft, with traitorous aim,
Men void of faith usurp Faith's sacred name)
At Friendship's call I come, by Murphy sent,
Who thus by me develops his intent:
But lest, transfused, the spirit should be lost,
That spirit which, in storms of rhetoric toss'd,
Bounces about, and flies like bottled beer,
In his own words his own intentions hear.
Thanks to my friends; but to vile fortunes born,
No robes of fur these shoulders must adorn.
Vain your applause, no aid from thence I draw;
Vain all my wit, for what is wit in law?
Twice, (cursed remembrance!) twice I strove to gain
Admittance 'mongst the law-instructed train,
Who, in the Temple and Gray's Inn, prepare
For clients' wretched feet the legal snare;
Dead to those arts which polish and refine,
Deaf to all worth, because that worth was mine,
Twice did those blockheads startle at my name,
And foul rejection gave me up to shame.
To laws and lawyers then I bade adieu,
And plans of far more liberal note pursue.
Who will may be a judge--my kindling breast
Burns for that chair which Roscius once possess'd.
Here give your votes, your interest here exert,
And let success for once attend desert.
With sleek appearance, and with ambling pace,
And, type of vacant head, with vacant face,
The Proteus Hill put in his modest plea,-Let Favour speak for others, Worth for me.-For who, like him, his various powers could call
Into so many shapes, and shine in all?
Who could so nobly grace the motley list,
Actor, Inspector, Doctor, Botanist?
Knows any one so well--sure no one knows-At once to play, prescribe, compound, compose?
Who can--but Woodward came,--Hill slipp'd away,
Melting, like ghosts, before the rising day.
With that low cunning, which in fools supplies,
And amply too, the place of being wise,
261
Which Nature, kind, indulgent parent, gave
To qualify the blockhead for a knave;
With that smooth falsehood, whose appearance charms,
And Reason of each wholesome doubt disarms,
Which to the lowest depths of guile descends,
By vilest means pursues the vilest ends;
Wears Friendship's mask for purposes of spite,
Pawns in the day, and butchers in the night;
With that malignant envy which turns pale,
And sickens, even if a friend prevail,
Which merit and success pursues with hate,
And damns the worth it cannot imitate;
With the cold caution of a coward's spleen,
Which fears not guilt, but always seeks a screen,
Which keeps this maxim ever in her view-What's basely done, should be done safely too;
With that dull, rooted, callous impudence,
Which, dead to shame and every nicer sense,
Ne'er blush'd, unless, in spreading Vice's snares,
She blunder'd on some virtue unawares;
With all these blessings, which we seldom find
Lavish'd by Nature on one happy mind,
A motley figure, of the Fribble tribe,
Which heart can scarce conceive, or pen describe,
Came simpering on--to ascertain whose sex
Twelve sage impannell'd matrons would perplex.
Nor male, nor female; neither, and yet both;
Of neuter gender, though of Irish growth;
A six-foot suckling, mincing in Its gait;
Affected, peevish, prim, and delicate;
Fearful It seem'd, though of athletic make,
Lest brutal breezes should too roughly shake
Its tender form, and savage motion spread,
O'er Its pale cheeks, the horrid manly red.
Much did It talk, in Its own pretty phrase,
Of genius and of taste, of players and of plays;
Much too of writings, which Itself had wrote,
Of special merit, though of little note;
For Fate, in a strange humour, had decreed
That what It wrote, none but Itself should read;
Much, too, It chatter'd of dramatic laws,
Misjudging critics, and misplaced applause;
262
Then, with a self-complacent, jutting air,
It smiled, It smirk'd, It wriggled to the chair;
And, with an awkward briskness not Its own,
Looking around, and perking on the throne,
Triumphant seem'd; when that strange savage dame,
Known but to few, or only known by name,
Plain Common-Sense appear'd, by Nature there
Appointed, with plain Truth, to guard the chair,
The pageant saw, and, blasted with her frown,
To Its first state of nothing melted down.
Nor shall the Muse, (for even there the pride
Of this vain nothing shall be mortified)
Nor shall the Muse (should Fate ordain her rhymes,
Fond, pleasing thought! to live in after-times)
With such a trifler's name her pages blot;
Known be the character, the thing forgot:
Let It, to disappoint each future aim,
Live without sex, and die without a name!
Cold-blooded critics, by enervate sires
Scarce hammer'd out, when Nature's feeble fires
Glimmer'd their last; whose sluggish blood, half froze,
Creeps labouring through the veins; whose heart ne'er glows
With fancy-kindled heat;--a servile race,
Who, in mere want of fault, all merit place;
Who blind obedience pay to ancient schools,
Bigots to Greece, and slaves to musty rules;
With solemn consequence declared that none
Could judge that cause but Sophocles alone.
Dupes to their fancied excellence, the crowd,
Obsequious to the sacred dictate, bow'd.
When, from amidst the throng, a youth stood forth,
Unknown his person, not unknown his worth;
His look bespoke applause; alone he stood,
Alone he stemm'd the mighty critic flood.
He talk'd of ancients, as the man became
Who prized our own, but envied not their fame;
With noble reverence spoke of Greece and Rome,
And scorn'd to tear the laurel from the tomb.
But, more than just to other countries grown,
Must we turn base apostates to our own?
Where do these words of Greece and Rome excel,
That England may not please the ear as well?
263
What mighty magic's in the place or air,
That all perfection needs must centre there?
In states, let strangers blindly be preferr'd;
In state of letters, merit should be heard.
Genius is of no country; her pure ray
Spreads all abroad, as general as the day;
Foe to restraint, from place to place she flies,
And may hereafter e'en in Holland rise.
May not, (to give a pleasing fancy scope,
And cheer a patriot heart with patriot hope)
May not some great extensive genius raise
The name of Britain 'bove Athenian praise;
And, whilst brave thirst of fame his bosom warms,
Make England great in letters as in arms?
There may--there hath,--and Shakspeare's Muse aspires
Beyond the reach of Greece; with native fires
Mounting aloft, he wings his daring flight,
Whilst Sophocles below stands trembling at his height.
Why should we then abroad for judges roam,
When abler judges we may find at home?
Happy in tragic and in comic powers,
Have we not Shakspeare?--Is not Jonson ours?
For them, your natural judges, Britons, vote;
They'll judge like Britons, who like Britons wrote.
He said, and conquer'd--Sense resumed her sway,
And disappointed pedants stalk'd away.
Shakspeare and Jonson, with deserved applause,
Joint-judges were ordain'd to try the cause.
Meantime the stranger every voice employ'd,
To ask or tell his name. Who is it? Lloyd.
Thus, when the aged friends of Job stood mute,
And, tamely prudent, gave up the dispute,
Elihu, with the decent warmth of youth,
Boldly stood forth the advocate of Truth;
Confuted Falsehood, and disabled Pride,
Whilst baffled Age stood snarling at his side.
The day of trial's fix'd, nor any fear
Lest day of trial should be put off here.
Causes but seldom for delay can call
In courts where forms are few, fees none at all.
The morning came, nor find I that the Sun,
As he on other great events hath done,
264
Put on a brighter robe than what he wore
To go his journey in, the day before.
Full in the centre of a spacious plain,
On plan entirely new, where nothing vain,
Nothing magnificent appear'd, but Art
With decent modesty perform'd her part,
Rose a tribunal: from no other court
It borrow'd ornament, or sought support:
No juries here were pack'd to kill or clear,
No bribes were taken, nor oaths broken here;
No gownsmen, partial to a client's cause,
To their own purpose turn'd the pliant laws;
Each judge was true and steady to his trust,
As Mansfield wise, and as old Foster just.
In the first seat, in robe of various dyes,
A noble wildness flashing from his eyes,
Sat Shakspeare: in one hand a wand he bore,
For mighty wonders famed in days of yore;
The other held a globe, which to his will
Obedient turn'd, and own'd the master's skill:
Things of the noblest kind his genius drew,
And look'd through Nature at a single view:
A loose he gave to his unbounded soul,
And taught new lands to rise, new seas to roll;
Call'd into being scenes unknown before,
And passing Nature's bounds, was something more.
Next Jonson sat, in ancient learning train'd,
His rigid judgment Fancy's flights restrain'd;
Correctly pruned each wild luxuriant thought,
Mark'd out her course, nor spared a glorious fault.
The book of man he read with nicest art,
And ransack'd all the secrets of the heart;
Exerted penetration's utmost force,
And traced each passion to its proper source;
Then, strongly mark'd, in liveliest colours drew,
And brought each foible forth to public view:
The coxcomb felt a lash in every word,
And fools, hung out, their brother fools deterr'd.
His comic humour kept the world in awe,
And Laughter frighten'd Folly more than Law.
But, hark! the trumpet sounds, the crowd gives way,
And the procession comes in just array.
265
Now should I, in some sweet poetic line,
Offer up incense at Apollo's shrine,
Invoke the Muse to quit her calm abode,
And waken Memory with a sleeping Ode.
For how shall mortal man, in mortal verse,
Their titles, merits, or their names rehearse?
But give, kind Dulness! memory and rhyme,
We 'll put off Genius till another time.
First, Order came,--with solemn step, and slow,
In measured time his feet were taught to go.
Behind, from time to time, he cast his eye,
Lest this should quit his place, that step awry.
Appearances to save his only care;
So things seem right, no matter what they are.
In him his parents saw themselves renew'd,
Begotten by Sir Critic on Saint Prude.
Then came drum, trumpet, hautboy, fiddle, flute;
Next snuffer, sweeper, shifter, soldier, mute:
Legions of angels all in white advance;
Furies, all fire, come forward in a dance;
Pantomime figures then are brought to view,
Fools, hand in hand with fools, go two by two.
Next came the treasurer of either house;
One with full purse, t'other with not a sous.
Behind, a group of figures awe create,
Set off with all the impertinence of state;
By lace and feather consecrate to fame,
Expletive kings, and queens without a name.
Here Havard, all serene, in the same strains,
Loves, hates, and rages, triumphs and complains;
His easy vacant face proclaim'd a heart
Which could not feel emotions, nor impart.
With him came mighty Davies: on my life,
That Davies hath a very pretty wife!
Statesman all over, in plots famous grown,
He mouths a sentence, as curs mouth a bone.
Next Holland came: with truly tragic stalk,
He creeps, he flies,--a hero should not walk.
As if with Heaven he warr'd, his eager eyes
Planted their batteries against the skies;
Attitude, action, air, pause, start, sigh, groan,
He borrow'd, and made use of as his own.
266
By fortune thrown on any other stage,
He might, perhaps, have pleased an easy age;
But now appears a copy, and no more,
Of something better we have seen before.
The actor who would build a solid fame,
Must Imitation's servile arts disclaim;
Act from himself, on his own bottom stand;
I hate e'en Garrick thus at second-hand.
Behind came King.--Bred up in modest lore,
Bashful and young, he sought Hibernia's shore;
Hibernia, famed, 'bove every other grace,
For matchless intrepidity of face.
From her his features caught the generous flame,
And bid defiance to all sense of shame.
Tutor'd by her all rivals to surpass,
'Mongst Drury's sons he comes, and shines in Brass.
Lo, Yates! Without the least finesse of art
He gets applause--I wish he'd get his part.
When hot Impatience is in full career,
How vilely 'Hark ye! hark ye!' grates the ear;
When active fancy from the brain is sent,
And stands on tip-toe for some wish'd event,
I hate those careless blunders, which recall
Suspended sense, and prove it fiction all.
In characters of low and vulgar mould,
Where Nature's coarsest features we behold;
Where, destitute of every decent grace,
Unmanner'd jests are blurted in your face,
There Yates with justice strict attention draws,
Acts truly from himself, and gains applause.
But when, to please himself or charm his wife,
He aims at something in politer life,
When, blindly thwarting Nature's stubborn plan,
He treads the stage by way of gentleman,
The clown, who no one touch of breeding knows,
Looks like Tom Errand dress'd in Clincher's clothes.
Fond of his dress, fond of his person grown,
Laugh'd at by all, and to himself unknown,
Prom side to side he struts, he smiles, he prates,
And seems to wonder what's become of Yates.
Woodward, endow'd with various tricks of face,
Great master in the science of grimace,
267
From Ireland ventures, favourite of the town,
Lured by the pleasing prospect of renown;
A speaking harlequin, made up of whim,
He twists, he twines, he tortures every limb;
Plays to the eye with a mere monkey's art,
And leaves to sense the conquest of the heart.
We laugh indeed, but, on reflection's birth,
We wonder at ourselves, and curse our mirth.
His walk of parts he fatally misplaced,
And inclination fondly took for taste;
Hence hath the town so often seen display'd
Beau in burlesque, high life in masquerade.
But when bold wits,--not such as patch up plays,
Cold and correct, in these insipid days,-Some comic character, strong featured, urge
To probability's extremest verge;
Where modest Judgment her decree suspends,
And, for a time, nor censures, nor commends;
Where critics can't determine on the spot
Whether it is in nature found or not,
There Woodward safely shall his powers exert,
Nor fail of favour where he shows desert;
Hence he in Bobadil such praises bore,
Such worthy praises, Kitely scarce had more.
By turns transform'd into all kind of shapes,
Constant to none, Foote laughs, cries, struts, and scrapes:
Now in the centre, now in van or rear,
The Proteus shifts, bawd, parson, auctioneer.
His strokes of humour, and his bursts of sport,
Are all contain'd in this one word--distort.
Doth a man stutter, look a-squint, or halt?
Mimics draw humour out of Nature's fault,
With personal defects their mirth adorn,
And bang misfortunes out to public scorn.
E'en I, whom Nature cast in hideous mould,
Whom, having made, she trembled to behold,
Beneath the load of mimicry may groan,
And find that Nature's errors are my own.
Shadows behind of Foote and Woodward came;
Wilkinson this, Obrien was that name.
Strange to relate, but wonderfully true,
That even shadows have their shadows too!
268
With not a single comic power endued,
The first a mere, mere mimic's mimic stood;
The last, by Nature form'd to please, who shows,
In Johnson's Stephen, which way genius grows,
Self quite put off, affects with too much art
To put on Woodward in each mangled part;
Adopts his shrug, his wink, his stare; nay, more,
His voice, and croaks; for Woodward croak'd before.
When a dull copier simple grace neglects,
And rests his imitation in defects,
We readily forgive; but such vile arts
Are double guilt in men of real parts.
By Nature form'd in her perversest mood,
With no one requisite of art endued,
Next Jackson came--Observe that settled glare,
Which better speaks a puppet than a player;
List to that voice--did ever Discord hear
Sounds so well fitted to her untuned ear?
When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;
He sobs and pants to soothe his weeping spouse;
To soothe his weeping mother, turns and bows:
Awkward, embarrass'd, stiff, without the skill
Of moving gracefully, or standing still,
One leg, as if suspicious of his brother,
Desirous seems to run away from t'other.
Some errors, handed down from age to age,
Plead custom's force, and still possess the stage.
That's vile: should we a parent's faults adore,
And err, because our fathers err'd before?
If, inattentive to the author's mind,
Some actors made the jest they could not find;
If by low tricks they marr'd fair Nature's mien,
And blurr'd the graces of the simple scene,
Shall we, if reason rightly is employ'd,
Not see their faults, or seeing, not avoid?
When Falstaff stands detected in a lie,
Why, without meaning, rolls Love's glassy eye?
Why? There's no cause--at least no cause we know-It was the fashion twenty years ago.
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Fashion!--a word which knaves and fools may use,
Their knavery and folly to excuse.
To copy beauties, forfeits all pretence
To fame--to copy faults, is want of sense.
Yet (though in some particulars he fails,
Some few particulars, where mode prevails)
If in these hallow'd times, when, sober, sad,
All gentlemen are melancholy mad;
When 'tis not deem'd so great a crime by half
To violate a vestal as to laugh,
Rude mirth may hope, presumptuous, to engage
An act of toleration for the stage;
And courtiers will, like reasonable creatures,
Suspend vain fashion, and unscrew their features;
Old Falstaff, play'd by Love, shall please once more,
And humour set the audience in a roar.
Actors I've seen, and of no vulgar name,
Who, being from one part possess'd of fame,
Whether they are to laugh, cry, whine, or bawl,
Still introduce that favourite part in all.
Here, Love, be cautious--ne'er be thou betray'd
To call in that wag Falstaff's dangerous aid;
Like Goths of old, howe'er he seems a friend,
He'll seize that throne you wish him to defend.
In a peculiar mould by Humour cast,
For Falstaff framed--himself the first and last-He stands aloof from all--maintains his state,
And scorns, like Scotsmen, to assimilate.
Vain all disguise--too plain we see the trick,
Though the knight wears the weeds of Dominic;
And Boniface disgraced, betrays the smack,
In _anno Domini_, of Falstaff sack.
Arms cross'd, brows bent, eyes fix'd, feet marching slow,
A band of malcontents with spleen o'erflow;
Wrapt in Conceit's impenetrable fog,
Which Pride, like Phoebus, draws from every bog,
They curse the managers, and curse the town
Whose partial favour keeps such merit down.
But if some man, more hardy than the rest,
Should dare attack these gnatlings in their nest,
At once they rise with impotence of rage,
Whet their small stings, and buzz about the stage:
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'Tis breach of privilege! Shall any dare
To arm satiric truth against a player?
Prescriptive rights we plead, time out of mind;
Actors, unlash'd themselves, may lash mankind.
What! shall Opinion then, of nature free,
And liberal as the vagrant air, agree
To rust in chains like these, imposed by things,
Which, less than nothing, ape the pride of kings?
No--though half-poets with half-players join
To curse the freedom of each honest line;
Though rage and malice dim their faded cheek,
What the Muse freely thinks, she'll freely speak;
With just disdain of every paltry sneer,
Stranger alike to flattery and fear,
In purpose fix'd, and to herself a rule,
Public contempt shall wait the public fool.
Austin would always glisten in French silks;
Ackman would Norris be, and Packer, Wilkes:
For who, like Ackman, can with humour please;
Who can, like Packer, charm with sprightly ease?
Higher than all the rest, see Bransby strut:
A mighty Gulliver in Lilliput!
Ludicrous Nature! which at once could show
A man so very high, so very low!
If I forget thee, Blakes, or if I say
Aught hurtful, may I never see thee play.
Let critics, with a supercilious air,
Decry thy various merit, and declare
Frenchman is still at top; but scorn that rage
Which, in attacking thee, attacks the age.
French follies, universally embraced,
At once provoke our mirth, and form our taste.
Long, from a nation ever hardly used,
At random censured, wantonly abused,
Have Britons drawn their sport; with partial view
Form'd general notions from the rascal few;
Condemn'd a people, as for vices known,
Which from their country banish'd, seek our own.
At length, howe'er, the slavish chain is broke,
And Sense, awaken'd, scorns her ancient yoke:
Taught by thee, Moody, we now learn to raise
Mirth from their foibles; from their virtues, praise.
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Next came the legion which our summer Bayes,
From alleys, here and there, contrived to raise,
Flush'd with vast hopes, and certain to succeed,
With wits who cannot write, and scarce can read.
Veterans no more support the rotten cause,
No more from Elliot's worth they reap applause;
Each on himself determines to rely;
Be Yates disbanded, and let Elliot fly.
Never did players so well an author fit,
To Nature dead, and foes declared to wit.
So loud each tongue, so empty was each head,
So much they talk'd, so very little said,
So wondrous dull, and yet so wondrous vain,
At once so willing, and unfit to reign,
That Reason swore, nor would the oath recall,
Their mighty master's soul inform'd them all.
As one with various disappointments sad,
Whom dulness only kept from being mad,
Apart from all the rest great Murphy came-Common to fools and wits, the rage of fame.
What though the sons of Nonsense hail him Sire,
Auditor, Author, Manager, and Squire,
His restless soul's ambition stops not there;
To make his triumphs perfect, dub him Player.
In person tall, a figure form'd to please,
If symmetry could charm deprived of ease;
When motionless he stands, we all approve;
What pity 'tis the thing was made to move.
His voice, in one dull, deep, unvaried sound,
Seems to break forth from caverns under ground;
From hollow chest the low sepulchral note
Unwilling heaves, and struggles in his throat.
Could authors butcher'd give an actor grace,
All must to him resign the foremost place.
When he attempts, in some one favourite part,
To ape the feelings of a manly heart,
His honest features the disguise defy,
And his face loudly gives his tongue the lie.
Still in extremes, he knows no happy mean,
Or raving mad, or stupidly serene.
In cold-wrought scenes, the lifeless actor flags;
In passion, tears the passion into rags.
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Can none remember? Yes--I know all must-When in the Moor he ground his teeth to dust,
When o'er the stage he Folly's standard bore,
Whilst Common-Sense stood trembling at the door.
How few are found with real talents blest!
Fewer with Nature's gifts contented rest.
Man from his sphere eccentric starts astray:
All hunt for fame, but most mistake the way.
Bred at St Omer's to the shuffling trade,
The hopeful youth a Jesuit might have made;
With various readings stored his empty skull,
Learn'd without sense, and venerably dull;
Or, at some banker's desk, like many more,
Content to tell that two and two make four;
His name had stood in City annals fair,
And prudent Dulness mark'd him for a mayor.
What, then, could tempt thee, in a critic age,
Such blooming hopes to forfeit on a stage?
Could it be worth thy wondrous waste of pains
To publish to the world thy lack of brains?
Or might not Reason e'en to thee have shown,
Thy greatest praise had been to live unknown?
Yet let not vanity like thine despair:
Fortune makes Folly her peculiar care.
A vacant throne, high-placed in Smithfield, view.
To sacred Dulness and her first-born due,
Thither with haste in happy hour repair,
Thy birthright claim, nor fear a rival there.
Shuter himself shall own thy juster claim,
And venal Ledgers puff their Murphy's name;
Whilst Vaughan, or Dapper, call him which you will,
Shall blow the trumpet, and give out the bill.
There rule, secure from critics and from sense,
Nor once shall Genius rise to give offence;
Eternal peace shall bless the happy shore,
And little factions break thy rest no more.
From Covent Garden crowds promiscuous go,
Whom the Muse knows not, nor desires to know;
Veterans they seem'd, but knew of arms no more
Than if, till that time, arms they never bore:
Like Westminster militia train'd to fight,
They scarcely knew the left hand from the right.
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Ashamed among such troops to show the head,
Their chiefs were scatter'd, and their heroes fled.
Sparks at his glass sat comfortably down
To separate frown from smile, and smile from frown.
Smith, the genteel, the airy, and the smart,
Smith was just gone to school to say his part.
Ross (a misfortune which we often meet)
Was fast asleep at dear Statira's feet;
Statira, with her hero to agree,
Stood on her feet as fast asleep as he.
Macklin, who largely deals in half-form'd sounds,
Who wantonly transgresses Nature's bounds,
Whose acting's hard, affected, and constrain'd,
Whose features, as each other they disdain'd,
At variance set, inflexible and coarse,
Ne'er know the workings of united force,
Ne'er kindly soften to each other's aid,
Nor show the mingled powers of light and shade;
No longer for a thankless stage concern'd,
To worthier thoughts his mighty genius turn'd,
Harangued, gave lectures, made each simple elf
Almost as good a speaker as himself;
Whilst the whole town, mad with mistaken zeal,
An awkward rage for elocution feel;
Dull cits and grave divines his praise proclaim,
And join with Sheridan's their Macklin's name.
Shuter, who never cared a single pin
Whether he left out nonsense, or put in,
Who aim'd at wit, though, levell'd in the dark,
The random arrow seldom hit the mark,
At Islington, all by the placid stream
Where city swains in lap of Dulness dream,
Where quiet as her strains their strains do flow,
That all the patron by the bards may know,
Secret as night, with Rolt's experienced aid,
The plan of future operations laid,
Projected schemes the summer months to cheer,
And spin out happy folly through the year.
But think not, though these dastard chiefs are fled,
That Covent Garden troops shall want a head:
Harlequin comes their chief! See from afar
The hero seated in fantastic car!
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Wedded to Novelty, his only arms
Are wooden swords, wands, talismans, and charms;
On one side Folly sits, by some call'd Fun,
And on the other his arch-patron, Lun;
Behind, for liberty athirst in vain,
Sense, helpless captive, drags the galling chain:
Six rude misshapen beasts the chariot draw,
Whom Reason loathes, and Nature never saw,
Monsters with tails of ice, and heads of fire;
'Gorgons, and Hydras, and Chimeras dire.'
Each was bestrode by full as monstrous wight,
Giant, dwarf, genius, elf, hermaphrodite.
The Town, as usual, met him in full cry;
The Town, as usual, knew no reason why:
But Fashion so directs, and Moderns raise
On Fashion's mouldering base their transient praise.
Next, to the field a band of females draw
Their force, for Britain owns no Salique law:
Just to their worth, we female rights admit,
Nor bar their claim to empire or to wit.
First giggling, plotting chambermaids arrive,
Hoydens and romps, led on by General Clive.
In spite of outward blemishes, she shone,
For humour famed, and humour all her own:
Easy, as if at home, the stage she trod,
Nor sought the critic's praise, nor fear'd his rod:
Original in spirit and in ease,
She pleased by hiding all attempts to please:
No comic actress ever yet could raise,
On Humour's base, more merit or more praise.
With all the native vigour of sixteen,
Among the merry troop conspicuous seen,
See lively Pope advance, in jig, and trip
Corinna, Cherry, Honeycomb, and Snip:
Not without art, but yet to nature true,
She charms the town with humour just, yet new:
Cheer'd by her promise, we the less deplore
The fatal time when Olive shall be no more.
Lo! Vincent comes! With simple grace array'd,
She laughs at paltry arts, and scorns parade:
Nature through her is by reflection shown,
Whilst Gay once more knows Polly for his own.
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Talk not to me of diffidence and fear-I see it all, but must forgive it here;
Defects like these, which modest terrors cause,
From Impudence itself extort applause.
Candour and Reason still take Virtue's part;
We love e'en foibles in so good a heart.
Let Tommy Arne,--with usual pomp of style,
Whose chief, whose only merit's to compile;
Who, meanly pilfering here and there a bit,
Deals music out as Murphy deals out wit,-Publish proposals, laws for taste prescribe,
And chaunt the praise of an Italian tribe;
Let him reverse kind Nature's first decrees,
And teach e'en Brent a method not to please;
But never shall a truly British age
Bear a vile race of eunuchs on the stage;
The boasted work's call'd national in vain,
If one Italian voice pollutes the strain.
Where tyrants rule, and slaves with joy obey,
Let slavish minstrels pour the enervate lay;
To Britons far more noble pleasures spring,
In native notes whilst Beard and Vincent sing.
Might figure give a title unto fame,
What rival should with Yates dispute her claim?
But justice may not partial trophies raise,
Nor sink the actress' in the woman's praise.
Still hand in hand her words and actions go,
And the heart feels more than the features show;
For, through the regions of that beauteous face
We no variety of passions trace;
Dead to the soft emotions of the heart,
No kindred softness can those eyes impart:
The brow, still fix'd in sorrow's sullen frame,
Void of distinction, marks all parts the same.
What's a fine person, or a beauteous face,
Unless deportment gives them decent grace?
Bless'd with all other requisites to please,
Some want the striking elegance of ease;
The curious eye their awkward movement tires;
They seem like puppets led about by wires.
Others, like statues, in one posture still,
Give great ideas of the workman's skill;
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Wond'ring, his art we praise the more we view,
And only grieve he gave not motion too.
Weak of themselves are what we beauties call,
It is the manner which gives strength to all;
This teaches every beauty to unite,
And brings them forward in the noblest light;
Happy in this, behold, amidst the throng,
With transient gleam of grace, Hart sweeps along.
If all the wonders of external grace,
A person finely turn'd, a mould of face,
Where--union rare--expression's lively force
With beauty's softest magic holds discourse,
Attract the eye; if feelings, void of art,
Rouse the quick passions, and inflame the heart;
If music, sweetly breathing from the tongue,
Captives the ear, Bride must not pass unsung.
When fear, which rank ill-nature terms conceit,
By time and custom conquer'd, shall retreat;
When judgment, tutor'd by experience sage,
Shall shoot abroad, and gather strength from age;
When Heaven, in mercy, shall the stage release
From the dull slumbers of a still-life piece;
When some stale flower, disgraceful to the walk,
Which long hath hung, though wither'd, on the stalk,
Shall kindly drop, then Bride shall make her way,
And merit find a passage to the day;
Brought into action, she at once shall raise
Her own renown, and justify our praise.
Form'd for the tragic scene, to grace the stage
With rival excellence of love and rage;
Mistress of each soft art, with matchless skill
To turn and wind the passions as she will;
To melt the heart with sympathetic woe,
Awake the sigh, and teach the tear to flow;
To put on frenzy's wild, distracted glare,
And freeze the soul with horror and despair;
With just desert enroll'd in endless fame,
Conscious of worth superior, Cibber came.
When poor Alicia's madd'ning brains are rack'd,
And strongly imaged griefs her mind distract,
Struck with her grief, I catch the madness too,
My brain turns round, the headless trunk I view!
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The roof cracks, shakes, and falls--new horrors rise,
And Reason buried in the ruin lies!
Nobly disdainful of each slavish art,
She makes her first attack upon the heart;
Pleased with the summons, it receives her laws,
And all is silence, sympathy, applause.
But when, by fond ambition drawn aside,
Giddy with praise, and puff'd with female pride,
She quits the tragic scene, and, in pretence
To comic merit, breaks down nature's fence,
I scarcely can believe my ears or eyes,
Or find out Cibber through the dark disguise.
Pritchard, by Nature for the stage design'd,
In person graceful, and in sense refined;
Her art as much as Nature's friend became,
Her voice as free from blemish as her fame,
Who knows so well in majesty to please,
Attemper'd with the graceful charms of ease?
When, Congreve's favoured pantomime to grace,
She comes a captive queen, of Moorish race;
When love, hate, jealousy, despair, and rage
With wildest tumults in her breast engage,
Still equal to herself is Zara seen;
Her passions are the passions of a queen.
When she to murder whets the timorous Thane,
I feel ambition rush through every vein;
Persuasion hangs upon her daring tongue,
My heart grows flint, and every nerve's new strung.
In comedy--Nay, there, cries Critic, hold;
Pritchard's for comedy too fat and old:
Who can, with patience, bear the gray coquette,
Or force a laugh with over-grown Julett?
Her speech, look, action, humour, all are just,
But then, her age and figure give disgust.
Are foibles, then, and graces of the mind,
In real life, to size or age confined?
Do spirits flow, and is good-breeding placed
In any set circumference of waist?
As we grow old, doth affectation cease,
Or gives not age new vigour to caprice?
If in originals these things appear,
Why should we bar them in the copy here?
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The nice punctilio-mongers of this age,
The grand minute reformers of the stage,
Slaves to propriety of every kind,
Some standard measure for each part should find,
Which, when the best of actors shall exceed,
Let it devolve to one of smaller breed.
All actors, too, upon the back should bear
Certificate of birth; time, when; place, where;
For how can critics rightly fix their worth,
Unless they know the minute of their birth?
An audience, too, deceived, may find, too late,
That they have clapp'd an actor out of date.
Figure, I own, at first may give offence,
And harshly strike the eye's too curious sense;
But when perfections of the mind break forth,
Humour's chaste sallies, judgment's solid worth;
When the pure genuine flame by Nature taught,
Springs into sense and every action's thought;
Before such merit all objections fly-Pritchard's genteel, and Garrick's six feet high.
Oft have I, Pritchard, seen thy wondrous skill,
Confess'd thee great, but find thee greater still;
That worth, which shone in scatter'd rays before,
Collected now, breaks forth with double power.
The 'Jealous Wife!' on that thy trophies raise,
Inferior only to the author's praise.
From Dublin, famed in legends of romance
For mighty magic of enchanted lance,
With which her heroes arm'd, victorious prove,
And, like a flood, rush o'er the land of Love,
Mossop and Barry came--names ne'er design'd
By Fate in the same sentence to be join'd.
Raised by the breath of popular acclaim,
They mounted to the pinnacle of fame;
There the weak brain, made giddy with the height,
Spurr'd on the rival chiefs to mortal fight.
Thus sportive boys, around some basin's brim,
Behold the pipe-drawn bladders circling swim;
But if, from lungs more potent, there arise
Two bubbles of a more than common size,
Eager for honour, they for fight prepare,
Bubble meets bubble, and both sink to air.
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Mossop attach'd to military plan,
Still kept his eye fix'd on his right-hand man;
Whilst the mouth measures words with seeming skill,
The right hand labours, and the left lies still;
For he, resolved on Scripture grounds to go,
What the right doth, the left-hand shall not know,
With studied impropriety of speech,
He soars beyond the hackney critic's reach;
To epithets allots emphatic state,
Whilst principals, ungraced, like lackeys wait;
In ways first trodden by himself excels,
And stands alone in indeclinables;
Conjunction, preposition, adverb join
To stamp new vigour on the nervous line;
In monosyllables his thunders roll,
He, she, it, and we, ye, they, fright the soul.
In person taller than the common size,
Behold where Barry draws admiring eyes!
When labouring passions, in his bosom pent,
Convulsive rage, and struggling heave for vent;
Spectators, with imagined terrors warm,
Anxious expect the bursting of the storm:
But, all unfit in such a pile to dwell,
His voice comes forth, like Echo from her cell,
To swell the tempest needful aid denies,
And all adown the stage in feeble murmurs dies.
What man, like Barry, with such pains, can err
In elocution, action, character?
What man could give, if Barry was not here,
Such well applauded tenderness to Lear?
Who else can speak so very, very fine,
That sense may kindly end with every line?
Some dozen lines before the ghost is there,
Behold him for the solemn scene prepare:
See how he frames his eyes, poises each limb,
Puts the whole body into proper trim:-From whence we learn, with no great stretch of art,
Five lines hence comes a ghost, and, ha! a start.
When he appears most perfect, still we find
Something which jars upon and hurts the mind:
Whatever lights upon a part are thrown,
We see too plainly they are not his own:
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No flame from Nature ever yet he caught,
Nor knew a feeling which he was not taught:
He raised his trophies on the base of art,
And conn'd his passions, as he conn'd his part.
Quin, from afar, lured by the scent of fame,
A stage leviathan, put in his claim,
Pupil of Betterton and Booth. Alone,
Sullen he walk'd, and deem'd the chair his own:
For how should moderns, mushrooms of the day,
Who ne'er those masters knew, know how to play?
Gray-bearded veterans, who, with partial tongue,
Extol the times when they themselves were young,
Who, having lost all relish for the stage,
See not their own defects, but lash the age,
Received, with joyful murmurs of applause,
Their darling chief, and lined his favourite cause.
Far be it from the candid Muse to tread
Insulting o'er the ashes of the dead:
But, just to living merit, she maintains,
And dares the test, whilst Garrick's genius reigns,
Ancients in vain endeavour to excel,
Happily praised, if they could act as well.
But, though prescription's force we disallow,
Nor to antiquity submissive bow;
Though we deny imaginary grace,
Founded on accidents of time and place,
Yet real worth of every growth shall bear
Due praise; nor must we, Quin, forget thee there.
His words bore sterling weight; nervous and strong,
In manly tides of sense they roll'd along:
Happy in art, he chiefly had pretence
To keep up numbers, yet not forfeit sense;
No actor ever greater heights could reach
In all the labour'd artifice of speech.
Speech! is that all? And shall an actor found
An universal fame on partial ground?
Parrots themselves speak properly by rote,
And, in six months, my dog shall howl by note.
I laugh at those who, when the stage they tread,
Neglect the heart, to compliment the head;
With strict propriety their cares confined
To weigh out words, while passion halts behind:
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To syllable-dissectors they appeal,
Allow them accent, cadence,--fools may feel;
But, spite of all the criticising elves,
Those who would make us feel, must feel themselves.
His eyes, in gloomy socket taught to roll,
Proclaim'd the sullen 'habit of his soul:'
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine, and court the queen.
From the tame scene, which without passion flows,
With just desert his reputation rose;
Nor less he pleased, when, on some surly plan,
He was, at once, the actor and the man.
In Brute he shone unequall'd: all agree
Garrick's not half so great a Brute as he.
When Cato's labour'd scenes are brought to view,
With equal praise the actor labour'd too;
For still you'll find, trace passions to their root,
Small difference 'twixt the Stoic and the Brute.
In fancied scenes, as in life's real plan,
He could not, for a moment, sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface play'd.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff,--still 'twas Quin.
Next follows Sheridan. A doubtful name,
As yet unsettled in the rank of fame:
This, fondly lavish in his praises grown,
Gives him all merit; that allows him none;
Between them both, we'll steer the middle course,
Nor, loving praise, rob Judgment of her force.
Just his conceptions, natural and great,
His feelings strong, his words enforced with weight.
Was speech-famed Quin himself to hear him speak,
Envy would drive the colour from his cheek;
But step-dame Nature, niggard of her grace,
Denied the social powers of voice and face.
Fix'd in one frame of features, glare of eye,
Passions, like chaos, in confusion lie;
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In vain the wonders of his skill are tried
To form distinctions Nature hath denied.
His voice no touch of harmony admits,
Irregularly deep, and shrill by fits.
The two extremes appear like man and wife,
Coupled together for the sake of strife.
His action's always strong, but sometimes such,
That candour must declare he acts too much.
Why must impatience fall three paces back?
Why paces three return to the attack?
Why is the right leg, too, forbid to stir,
Unless in motion semicircular?
Why must the hero with the Nailor vie,
And hurl the close-clench'd fist at nose or eye?
In Royal John, with Philip angry grown,
I thought he would have knock'd poor Davies down.
Inhuman tyrant! was it not a shame
To fright a king so harmless and so tame?
But, spite of all defects, his glories rise,
And art, by judgment form'd, with nature vies.
Behold him sound the depth of Hubert's soul,
Whilst in his own contending passions roll;
View the whole scene, with critic judgment scan,
And then deny him merit, if you can.
Where he falls short, 'tis Nature's fault alone;
Where he succeeds, the merit's all his own.
Last Garrick came. Behind him throng a train
Of snarling critics, ignorant as vain.
One finds out--He's of stature somewhat low-Your hero always should be tall, you know;
True natural greatness all consists in height.
Produce your voucher, Critic.--Serjeant Kite.
Another can't forgive the paltry arts
By which he makes his way to shallow hearts;
Mere pieces of finesse, traps for applause-'Avaunt! unnatural start, affected pause!'
For me, by Nature form'd to judge with phlegm,
I can't acquit by wholesale, nor condemn.
The best things carried to excess are wrong;
The start may be too frequent, pause too long:
But, only used in proper time and place,
Severest judgment must allow them grace.
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If bunglers, form'd on Imitation's plan,
Just in the way that monkeys mimic man,
Their copied scene with mangled arts disgrace,
And pause and start with the same vacant face,
We join the critic laugh; those tricks we scorn
Which spoil the scenes they mean them to adorn.
But when, from Nature's pure and genuine source,
These strokes of acting flow with generous force,
When in the features all the soul's portray'd,
And passions, such as Garrick's, are display'd,
To me they seem from quickest feelings caught-Each start is nature, and each pause is thought.
When reason yields to passion's wild alarms,
And the whole state of man is up in arms,
What but a critic could condemn the player
For pausing here, when cool sense pauses there?
Whilst, working from the heart, the fire I trace,
And mark it strongly flaming to the face;
Whilst in each sound I hear the very man,
I can't catch words, and pity those who can.
Let wits, like spiders, from the tortured brain
Fine-draw the critic-web with curious pain;
The gods,--a kindness I with thanks must pay,-Have form'd me of a coarser kind of clay;
Not stung with envy, nor with spleen diseased,
A poor dull creature, still with Nature pleased:
Hence to thy praises, Garrick, I agree,
And, pleased with Nature, must be pleased with thee.
Now might I tell how silence reign'd throughout,
And deep attention hush'd the rabble rout;
How every claimant, tortured with desire,
Was pale as ashes, or as red as fire;
But loose to fame, the Muse more simply acts,
Rejects all flourish, and relates mere facts.
The judges, as the several parties came,
With temper heard, with judgment weigh'd each claim;
And, in their sentence happily agreed,
In name of both, great Shakspeare thus decreed:-If manly sense, if Nature link'd with Art;
If thorough knowledge of the human heart;
If powers of acting vast and unconfined;
If fewest faults with greatest beauties join'd;
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If strong expression, and strange powers which lie
Within the magic circle of the eye;
If feelings which few hearts like his can know,
And which no face so well as his can show,
Deserve the preference--Garrick! take the chair;
Nor quit it--till thou place an equal there.
~ Charles Churchill,
232:The Ghost - Book Iv
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
190
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
Who prove, with all becoming state,
Their voice to be the voice of Fate;
Prepared with essence, drop, and pill,
To be another Ward or Hill,
Before they can obtain their ends,
To sign death-warrants for their friends,
And talents vast as theirs employ,
_Secundum artem_ to destroy,
Must pass (or laws their rage restrain)
Before the chiefs of Warwick Lane:
Thrice happy Lane! where, uncontroll'd,
In power and lethargy grown old,
Most fit to take, in this bless'd land,
The reins--which fell from Wyndham's hand,
Her lawful throne great Dulness rears,
Still more herself, as more in years;
Where she, (and who shall dare deny
Her right, when Reeves and Chauncy's by?)
Calling to mind, in ancient time,
One Garth, who err'd in wit and rhyme,
Ordains, from henceforth, to admit
None of the rebel sons of Wit,
And makes it her peculiar care
That Schomberg never shall be there.
Not such as those, whom Polly trains
To letters, though unbless'd with brains,
Who, destitute of power and will
To learn, are kept to learning still;
Whose heads, when other methods fail,
Receive instruction from the tail,
Because their sires,--a common case
191
Which brings the children to disgrace,-Imagine it a certain rule
They never could beget a fool,
Must pass, or must compound for, ere
The chaplain, full of beef and prayer,
Will give his reverend permit,
Announcing them for orders fit;
So that the prelate (what's a name?
All prelates now are much the same)
May, with a conscience safe and quiet,
With holy hands lay on that fiat
Which doth all faculties dispense,
All sanctity, all faith, all sense;
Makes Madan quite a saint appear,
And makes an oracle of Cheere.
Not such as in that solemn seat,
Where the Nine Ladies hold retreat,-The Ladies Nine, who, as we're told,
Scorning those haunts they loved of old,
The banks of Isis now prefer,
Nor will one hour from Oxford stir,-Are held for form, which Balaam's ass
As well as Balaam's self might pass,
And with his master take degrees,
Could he contrive to pay the fees.
Men of sound parts, who, deeply read,
O'erload the storehouse of the head
With furniture they ne'er can use,
Cannot forgive our rambling Muse
This wild excursion; cannot see
Why Physic and Divinity,
To the surprise of all beholders,
Are lugg'd in by the head and shoulders;
Or how, in any point of view,
Oxford hath any thing to do.
But men of nice and subtle learning,
Remarkable for quick discerning,
Through spectacles of critic mould,
Without instruction, will behold
That we a method here have got
To show what is, by what is not;
And that our drift (parenthesis
192
For once apart) is briefly this:
Within the brain's most secret cells
A certain Lord Chief-Justice dwells,
Of sovereign power, whom, one and all,
With common voice, we Reason call;
Though, for the purposes of satire,
A name, in truth, is no great matter;
Jefferies or Mansfield, which you will-It means a Lord Chief-Justice still.
Here, so our great projectors say,
The Senses all must homage pay;
Hither they all must tribute bring,
And prostrate fall before their king;
Whatever unto them is brought,
Is carried on the wings of Thought
Before his throne, where, in full state,
He on their merits holds debate,
Examines, cross-examines, weighs
Their right to censure or to praise:
Nor doth his equal voice depend
On narrow views of foe and friend,
Nor can, or flattery, or force
Divert him from his steady course;
The channel of Inquiry's clear,
No sham examination's here.
He, upright justicer, no doubt,
_Ad libitum_ puts in and out,
Adjusts and settles in a trice
What virtue is, and what is vice;
What is perfection, what defect;
What we must choose, and what reject;
He takes upon him to explain
What pleasure is, and what is pain;
Whilst we, obedient to the whim,
And resting all our faith on him,
True members of the Stoic Weal,
Must learn to think, and cease to feel.
This glorious system, form'd for man
To practise when and how he can,
If the five Senses, in alliance,
To Reason hurl a proud defiance,
And, though oft conquer'd, yet unbroke,
193
Endeavour to throw off that yoke,
Which they a greater slavery hold
Than Jewish bondage was of old;
Or if they, something touch'd with shame,
Allow him to retain the name
Of Royalty, and, as in sport,
To hold a mimic formal court;
Permitted--no uncommon thing-To be a kind of puppet king,
And suffer'd, by the way of toy,
To hold a globe, but not employ;
Our system-mongers, struck with fear,
Prognosticate destruction near;
All things to anarchy must run;
The little world of man's undone.
Nay, should the Eye, that nicest sense,
Neglect to send intelligence
Unto the Brain, distinct and clear,
Of all that passes in her sphere;
Should she, presumptuous, joy receive
Without the Understanding's leave,
They deem it rank and daring treason
Against the monarchy of Reason,
Not thinking, though they're wondrous wise,
That few have reason, most have eyes;
So that the pleasures of the mind
To a small circle are confined,
Whilst those which to the senses fall
Become the property of all.
Besides, (and this is sure a case
Not much at present out of place)
Where Nature reason doth deny,
No art can that defect supply;
But if (for it is our intent
Fairly to state the argument)
A man should want an eye or two,
The remedy is sure, though new:
The cure's at hand--no need of fear-For proof--behold the Chevalier!-As well prepared, beyond all doubt,
To put eyes in, as put them out.
But, argument apart, which tends
194
To embitter foes and separate friends,
(Nor, turn'd apostate from the Nine,
Would I, though bred up a divine,
And foe, of course, to Reason's Weal,
Widen that breach I cannot heal)
By his own sense and feelings taught,
In speech as liberal as in thought,
Let every man enjoy his whim;
What's he to me, or I to him?
Might I, though never robed in ermine,
A matter of this weight determine,
No penalties should settled be
To force men to hypocrisy,
To make them ape an awkward zeal,
And, feeling not, pretend to feel.
I would not have, might sentence rest
Finally fix'd within my breast,
E'en Annet censured and confined,
Because we're of a different mind.
Nature, who, in her act most free,
Herself delights in liberty,
Profuse in love, and without bound,
Pours joy on every creature round;
Whom yet, was every bounty shed
In double portions on our head,
We could not truly bounteous call,
If Freedom did not crown them all.
By Providence forbid to stray,
Brutes never can mistake their way;
Determined still, they plod along
By instinct, neither right nor wrong;
But man, had he the heart to use
His freedom, hath a right to choose;
Whether he acts, or well, or ill,
Depends entirely on his will.
To her last work, her favourite Man,
Is given, on Nature's better plan,
A privilege in power to err.
Nor let this phrase resentment stir
Amongst the grave ones, since indeed
The little merit man can plead
In doing well, dependeth still
195
Upon his power of doing ill.
Opinions should be free as air;
No man, whate'er his rank, whate'er
His qualities, a claim can found
That my opinion must be bound,
And square with his; such slavish chains
From foes the liberal soul disdains;
Nor can, though true to friendship, bend
To wear them even from a friend.
Let those, who rigid judgment own,
Submissive bow at Judgment's throne,
And if they of no value hold
Pleasure, till pleasure is grown cold,
Pall'd and insipid, forced to wait
For Judgment's regular debate
To give it warrant, let them find
Dull subjects suited to their mind.
Theirs be slow wisdom; be my plan,
To live as merry as I can,
Regardless, as the fashions go,
Whether there's reason for't or no:
Be my employment here on earth
To give a liberal scope to mirth,
Life's barren vale with flowers to adorn,
And pluck a rose from every thorn.
But if, by Error led astray,
I chance to wander from my way,
Let no blind guide observe, in spite,
I'm wrong, who cannot set me right.
That doctor could I ne'er endure
Who found disease, and not a cure;
Nor can I hold that man a friend
Whose zeal a helping hand shall lend
To open happy Folly's eyes,
And, making wretched, make me wise:
For next (a truth which can't admit
Reproof from Wisdom or from Wit)
To being happy here below,
Is to believe that we are so.
Some few in knowledge find relief;
I place my comfort in belief.
Some for reality may call;
196
Fancy to me is all in all.
Imagination, through the trick
Of doctors, often makes us sick;
And why, let any sophist tell,
May it not likewise make us well?
This I am sure, whate'er our view,
Whatever shadows we pursue,
For our pursuits, be what they will,
Are little more than shadows still;
Too swift they fly, too swift and strong,
For man to catch or hold them long;
But joys which in the fancy live,
Each moment to each man may give:
True to himself, and true to ease,
He softens Fate's severe decrees,
And (can a mortal wish for more?)
Creates, and makes himself new o'er,
Mocks boasted vain reality,
And is, whate'er he wants to be.
Hail, Fancy!--to thy power I owe
Deliverance from the gripe of Woe;
To thee I owe a mighty debt,
Which Gratitude shall ne'er forget,
Whilst Memory can her force employ,
A large increase of every joy.
When at my doors, too strongly barr'd,
Authority had placed a guard,
A knavish guard, ordain'd by law
To keep poor Honesty in awe;
Authority, severe and stern,
To intercept my wish'd return;
When foes grew proud, and friends grew cool,
And laughter seized each sober fool;
When Candour started in amaze,
And, meaning censure, hinted praise;
When Prudence, lifting up her eyes
And hands, thank'd Heaven that she was wise;
When all around me, with an air
Of hopeless sorrow, look'd despair;
When they, or said, or seem'd to say,
There is but one, one only way
Better, and be advised by us,
197
Not be at all, than to be thus;
When Virtue shunn'd the shock, and Pride,
Disabled, lay by Virtue's side,
Too weak my ruffled soul to cheer,
Which could not hope, yet would not fear;
Health in her motion, the wild grace
Of pleasure speaking in her face,
Dull regularity thrown by,
And comfort beaming from her eye,
Fancy, in richest robes array'd,
Came smiling forth, and brought me aid;
Came smiling o'er that dreadful time,
And, more to bless me, came in rhyme.
Nor is her power to me confined;
It spreads, it comprehends mankind.
When (to the spirit-stirring sound
Of trumpets breathing courage round,
And fifes well-mingled, to restrain
And bring that courage down again;
Or to the melancholy knell
Of the dull, deep, and doleful bell,
Such as of late the good Saint Bride
Muffled, to mortify the pride
Of those who, England quite forgot,
Paid their vile homage to the Scot;
Where Asgill held the foremost place,
Whilst my lord figured at a race)
Processions ('tis not worth debate
Whether they are of stage or state)
Move on, so very, very slow,
Tis doubtful if they move, or no;
When the performers all the while
Mechanically frown or smile,
Or, with a dull and stupid stare,
A vacancy of sense declare,
Or, with down-bending eye, seem wrought
Into a labyrinth of thought,
Where Reason wanders still in doubt,
And, once got in, cannot get out;
What cause sufficient can we find,
To satisfy a thinking mind,
Why, duped by such vain farces, man
198
Descends to act on such a plan?
Why they, who hold themselves divine,
Can in such wretched follies join,
Strutting like peacocks, or like crows,
Themselves and Nature to expose?
What cause, but that (you'll understand
We have our remedy at hand,
That if perchance we start a doubt,
Ere it is fix'd, we wipe it out;
As surgeons, when they lop a limb,
Whether for profit, fame, or whim,
Or mere experiment to try,
Must always have a styptic by)
Fancy steps in, and stamps that real,
Which, _ipso facto_, is ideal.
Can none remember?--yes, I know,
All must remember that rare show
When to the country Sense went down,
And fools came flocking up to town;
When knights (a work which all admit
To be for knighthood much unfit)
Built booths for hire; when parsons play'd,
In robes canonical array'd,
And, fiddling, join'd the Smithfield dance,
The price of tickets to advance:
Or, unto tapsters turn'd, dealt out,
Running from booth to booth about,
To every scoundrel, by retail,
True pennyworths of beef and ale,
Then first prepared, by bringing beer in,
For present grand electioneering;
When heralds, running all about
To bring in Order, turn'd it out;
When, by the prudent Marshal's care,
Lest the rude populace should stare,
And with unhallow'd eyes profane
Gay puppets of Patrician strain,
The whole procession, as in spite,
Unheard, unseen, stole off by night;
When our loved monarch, nothing both,
Solemnly took that sacred oath,
Whence mutual firm agreements spring
199
Betwixt the subject and the king,
By which, in usual manner crown'd,
His head, his heart, his hands, he bound,
Against himself, should passion stir
The least propensity to err,
Against all slaves, who might prepare,
Or open force, or hidden snare,
That glorious Charter to maintain,
By which we serve, and he must reign;
Then Fancy, with unbounded sway,
Revell'd sole mistress of the day,
And wrought such wonders, as might make
Egyptian sorcerers forsake
Their baffled mockeries, and own
The palm of magic hers alone.
A knight, (who, in the silken lap
Of lazy Peace, had lived on pap;
Who never yet had dared to roam
'Bove ten or twenty miles from home,
Nor even that, unless a guide
Was placed to amble by his side,
And troops of slaves were spread around
To keep his Honour safe and sound;
Who could not suffer, for his life,
A point to sword, or edge to knife;
And always fainted at the sight
Of blood, though 'twas not shed in fight;
Who disinherited one son
For firing off an alder gun,
And whipt another, six years old,
Because the boy, presumptuous, bold
To madness, likely to become
A very Swiss, had beat a drum,
Though it appear'd an instrument
Most peaceable and innocent,
Having, from first, been in the hands
And service of the City bands)
Graced with those ensigns, which were meant
To further Honour's dread intent,
The minds of warriors to inflame,
And spur them on to deeds of fame;
With little sword, large spurs, high feather,
200
Fearless of every thing but weather,
(And all must own, who pay regard
To charity, it had been hard
That in his very first campaign
His honours should be soil'd with rain)
A hero all at once became,
And (seeing others much the same
In point of valour as himself,
Who leave their courage on a shelf
From year to year, till some such rout
In proper season calls it out)
Strutted, look'd big, and swagger'd more
Than ever hero did before;
Look'd up, look'd down, look'd all around,
Like Mavors, grimly smiled and frown'd;
Seem'd Heaven, and Earth, and Hell to call
To fight, that he might rout them all,
And personated Valour's style
So long, spectators to beguile,
That, passing strange, and wondrous true,
Himself at last believed it too;
Nor for a time could he discern,
Till Truth and Darkness took their turn,
So well did Fancy play her part,
That coward still was at the heart.
Whiffle (who knows not Whiffle's name,
By the impartial voice of Fame
Recorded first through all this land
In Vanity's illustrious band?)
Who, by all-bounteous Nature meant
For offices of hardiment,
A modern Hercules at least,
To rid the world of each wild beast,
Of each wild beast which came in view,
Whether on four legs or on two,
Degenerate, delights to prove
His force on the parade of Love,
Disclaims the joys which camps afford,
And for the distaff quits the sword;
Who fond of women would appear
To public eye and public ear,
But, when in private, lets them know
201
How little they can trust to show;
Who sports a woman, as of course,
Just as a jockey shows a horse,
And then returns her to the stable,
Or vainly plants her at his table,
Where he would rather Venus find
(So pall'd, and so depraved his mind)
Than, by some great occasion led,
To seize her panting in her bed,
Burning with more than mortal fires,
And melting in her own desires;
Who, ripe in years, is yet a child,
Through fashion, not through feeling, wild;
Whate'er in others, who proceed
As Sense and Nature have decreed,
From real passion flows, in him
Is mere effect of mode and whim;
Who laughs, a very common way,
Because he nothing has to say,
As your choice spirits oaths dispense
To fill up vacancies of sense;
Who, having some small sense, defies it,
Or, using, always misapplies it;
Who now and then brings something forth
Which seems indeed of sterling worth;
Something, by sudden start and fit,
Which at a distance looks like wit,
But, on examination near,
To his confusion will appear,
By Truth's fair glass, to be at best
A threadbare jester's threadbare jest;
Who frisks and dances through the street,
Sings without voice, rides without seat,
Plays o'er his tricks, like Aesop's ass,
A gratis fool to all who pass;
Who riots, though he loves not waste,
Whores without lust, drinks without taste,
Acts without sense, talks without thought,
Does every thing but what he ought;
Who, led by forms, without the power
Of vice, is vicious; who one hour,
Proud without pride, the next will be
202
Humble without humility:
Whose vanity we all discern,
The spring on which his actions turn;
Whose aim in erring, is to err,
So that he may be singular,
And all his utmost wishes mean
Is, though he's laugh'd at, to be seen:
Such, (for when Flattery's soothing strain
Had robb'd the Muse of her disdain,
And found a method to persuade
Her art to soften every shade,
Justice, enraged, the pencil snatch'd
From her degenerate hand, and scratch'd
Out every trace; then, quick as thought,
From life this striking likeness caught)
In mind, in manners, and in mien,
Such Whiffle came, and such was seen
In the world's eye; but (strange to tell!)
Misled by Fancy's magic spell,
Deceived, not dreaming of deceit,
Cheated, but happy in the cheat,
Was more than human in his own.
Oh, bow, bow all at Fancy's throne,
Whose power could make so vile an elf
With patience bear that thing, himself.
But, mistress of each art to please,
Creative Fancy, what are these,
These pageants of a trifler's pen,
To what thy power effected then?
Familiar with the human mind,
And swift and subtle as the wind,
Which we all feel, yet no one knows,
Or whence it comes, or where it goes,
Fancy at once in every part
Possess'd the eye, the head, the heart,
And in a thousand forms array'd,
A thousand various gambols play'd.
Here, in a face which well might ask
The privilege to wear a mask
In spite of law, and Justice teach
For public good to excuse the breach,
Within the furrow of a wrinkle
203
'Twixt eyes, which could not shine but twinkle,
Like sentinels i' th' starry way,
Who wait for the return of day,
Almost burnt out, and seem to keep
Their watch, like soldiers, in their sleep;
Or like those lamps, which, by the power
Of law, must burn from hour to hour,
(Else they, without redemption, fall
Under the terrors of that Hall,
Which, once notorious for a hop,
Is now become a justice shop)
Which are so managed, to go out
Just when the time comes round about,
Which yet, through emulation, strive
To keep their dying light alive,
And (not uncommon, as we find,
Amongst the children of mankind)
As they grow weaker, would seem stronger,
And burn a little, little longer:
Fancy, betwixt such eyes enshrined,
No brush to daub, no mill to grind,
Thrice waved her wand around, whose force
Changed in an instant Nature's course,
And, hardly credible in rhyme,
Not only stopp'd, but call'd back Time;
The face of every wrinkle clear'd,
Smooth as the floating stream appear'd,
Down the neck ringlets spread their flame,
The neck admiring whence they came;
On the arch'd brow the Graces play'd;
On the full bosom Cupid laid;
Suns, from their proper orbits sent,
Became for eyes a supplement;
Teeth, white as ever teeth were seen,
Deliver'd from the hand of Green,
Started, in regular array,
Like train-bands on a grand field day,
Into the gums, which would have fled,
But, wondering, turn'd from white to red;
Quite alter'd was the whole machine,
And Lady ---- ---- was fifteen.
Here she made lordly temples rise

204
Before the pious Dashwood's eyes,
Temples which, built aloft in air,
May serve for show, if not for prayer;
In solemn form herself, before,
Array'd like Faith, the Bible bore.
There over Melcombe's feather'd head-Who, quite a man of gingerbread,
Savour'd in talk, in dress, and phiz,
More of another world than this,
To a dwarf Muse a giant page,
The last grave fop of the last age-In a superb and feather'd hearse,
Bescutcheon'd and betagg'd with verse,
Which, to beholders from afar,
Appear'd like a triumphal car,
She rode, in a cast rainbow clad;
There, throwing off the hallow'd plaid,
Naked, as when (in those drear cells
Where, self-bless'd, self-cursed, Madness dwells)
Pleasure, on whom, in Laughter's shape,
Frenzy had perfected a rape,
First brought her forth, before her time,
Wild witness of her shame and crime,
Driving before an idol band
Of drivelling Stuarts, hand in hand;
Some who, to curse mankind, had wore
A crown they ne'er must think of more;
Others, whose baby brows were graced
With paper crowns, and toys of paste,
She jigg'd, and, playing on the flute,
Spread raptures o'er the soul of Bute.
Big with vast hopes, some mighty plan,
Which wrought the busy soul of man
To her full bent; the Civil Law,
Fit code to keep a world in awe,
Bound o'er his brows, fair to behold,
As Jewish frontlets were of old;
The famous Charter of our land
Defaced, and mangled in his hand;
As one whom deepest thoughts employ,
But deepest thoughts of truest joy,
Serious and slow he strode, he stalk'd;
205
Before him troops of heroes walk'd,
Whom best he loved, of heroes crown'd,
By Tories guarded all around;
Dull solemn pleasure in his face,
He saw the honours of his race,
He saw their lineal glories rise,
And touch'd, or seem'd to touch, the skies:
Not the most distant mark of fear,
No sign of axe or scaffold near,
Not one cursed thought to cross his will
Of such a place as Tower Hill.
Curse on this Muse, a flippant jade,
A shrew, like every other maid
Who turns the corner of nineteen,
Devour'd with peevishness and spleen;
Her tongue (for as, when bound for life,
The husband suffers for the wife,
So if in any works of rhyme
Perchance there blunders out a crime,
Poor culprit bards must always rue it,
Although 'tis plain the Muses do it)
Sooner or later cannot fail
To send me headlong to a jail.
Whate'er my theme, (our themes we choose,
In modern days, without a Muse;
Just as a father will provide
To join a bridegroom and a bride,
As if, though they must be the players,
The game was wholly his, not theirs)
Whate'er my theme, the Muse, who still
Owns no direction but her will,
Plies off, and ere I could expect,
By ways oblique and indirect,
At once quite over head and ears
In fatal politics appears.
Time was, and, if I aught discern
Of fate, that time shall soon return,
When, decent and demure at least,
As grave and dull as any priest,
I could see Vice in robes array'd,
Could see the game of Folly play'd
Successfully in Fortune's school,
206
Without exclaiming rogue or fool.
Time was, when, nothing both or proud,
I lackey'd with the fawning crowd,
Scoundrels in office, and would bow
To cyphers great in place; but now
Upright I stand, as if wise Fate,
To compliment a shatter'd state,
Had me, like Atlas, hither sent
To shoulder up the firmament,
And if I stoop'd, with general crack,
The heavens would tumble from my back.
Time was, when rank and situation
Secured the great ones of the nation
From all control; satire and law
Kept only little knaves in awe;
But now, Decorum lost, I stand
Bemused, a pencil in my hand,
And, dead to every sense of shame,
Careless of safety and of fame,
The names of scoundrels minute down,
And libel more than half the town.
How can a statesman be secure
In all his villanies, if poor
And dirty authors thus shall dare
To lay his rotten bosom bare?
Muses should pass away their time
In dressing out the poet's rhyme
With bills, and ribands, and array
Each line in harmless taste, though gay;
When the hot burning fit is on,
They should regale their restless son
With something to allay his rage,
Some cool Castalian beverage,
Or some such draught (though they, 'tis plain,
Taking the Muse's name in vain,
Know nothing of their real court,
And only fable from report)
As makes a Whitehead's Ode go down,
Or slakes the Feverette of Brown:
But who would in his senses think,
Of Muses giving gall to drink,
Or that their folly should afford
207
To raving poets gun or sword?
Poets were ne'er designed by Fate
To meddle with affairs of state,
Nor should (if we may speak our thought
Truly as men of honour ought)
Sound policy their rage admit,
To launch the thunderbolts of Wit
About those heads, which, when they're shot,
Can't tell if 'twas by Wit or not.
These things well known, what devil, in spite,
Can have seduced me thus to write
Out of that road, which must have led
To riches, without heart or head,
Into that road, which, had I more
Than ever poet had before
Of wit and virtue, in disgrace
Would keep me still, and out of place;
Which, if some judge (you'll understand
One famous, famous through the land
For making law) should stand my friend,
At last may in a pillory end;
And all this, I myself admit,
Without one cause to lead to it?
For instance, now--this book--the Ghost-Methinks I hear some critic Post
Remark most gravely--'The first word
Which we about the Ghost have heard.'
Peace, my good sir!--not quite so fast-What is the first, may be the last,
Which is a point, all must agree,
Cannot depend on you or me.
Fanny, no ghost of common mould,
Is not by forms to be controll'd;
To keep her state, and show her skill,
She never comes but when she will.
I wrote and wrote, (perhaps you doubt,
And shrewdly, what I wrote about;
Believe me, much to my disgrace,
I, too, am in the self-same case
But still I wrote, till Fanny came
Impatient, nor could any shame
On me with equal justice fall
208
If she had never come at all.
An underling, I could not stir
Without the cue thrown out by her,
Nor from the subject aid receive
Until she came and gave me leave.
So that, (ye sons of Erudition
Mark, this is but a supposition,
Nor would I to so wise a nation
Suggest it as a revelation)
If henceforth, dully turning o'er
Page after page, ye read no more
Of Fanny, who, in sea or air,
May be departed God knows where,
Rail at jilt Fortune; but agree
No censure can be laid on me;
For sure (the cause let Mansfield try)
Fanny is in the fault, not I.
But, to return--and this I hold
A secret worth its weight in gold
To those who write, as I write now,
Not to mind where they go, or how,
Through ditch, through bog, o'er hedge and stile,
Make it but worth the reader's while,
And keep a passage fair and plain
Always to bring him back again.
Through dirt, who scruples to approach,
At Pleasure's call, to take a coach?
But we should think the man a clown,
Who in the dirt should set us down.
But to return--if Wit, who ne'er
The shackles of restraint could bear,
In wayward humour should refuse
Her timely succour to the Muse,
And, to no rules and orders tied,
Roughly deny to be her guide,
She must renounce Decorum's plan,
And get back when, and how she can;
As parsons, who, without pretext,
As soon as mention'd, quit their text,
And, to promote sleep's genial power,
Grope in the dark for half an hour,
Give no more reason (for we know
209
Reason is vulgar, mean, and low)
Why they come back (should it befall
That ever they come back at all)
Into the road, to end their rout,
Than they can give why they went out.
But to return--this book--the Ghost-A mere amusement at the most;
A trifle, fit to wear away
The horrors of a rainy day;
A slight shot-silk, for summer wear,
Just as our modern statesmen are,
If rigid honesty permit
That I for once purloin the wit
Of him, who, were we all to steal,
Is much too rich the theft to feel:
Yet in this book, where Base should join
With Mirth to sugar every line;
Where it should all be mere chit-chat,
Lively, good-humour'd, and all that;
Where honest Satire, in disgrace,
Should not so much as show her face,
The shrew, o'erleaping all due bounds,
Breaks into Laughter's sacred grounds,
And, in contempt, plays o'er her tricks
In science, trade, and politics.
By why should the distemper'd scold
Attempt to blacken men enroll'd
In Power's dread book, whose mighty skill
Can twist an empire to their will;
Whose voice is fate, and on their tongue
Law, liberty, and life are hung;
Whom, on inquiry, Truth shall find
With Stuarts link'd, time out of mind,
Superior to their country's laws,
Defenders of a tyrant's cause;
Men, who the same damn'd maxims hold
Darkly, which they avow'd of old;
Who, though by different means, pursue
The end which they had first in view,
And, force found vain, now play their part
With much less honour, much more art?
Why, at the corners of the streets,
210
To every patriot drudge she meets,
Known or unknown, with furious cry
Should she wild clamours vent? or why,
The minds of groundlings to inflame,
A Dashwood, Bute, and Wyndham name?
Why, having not, to our surprise,
The fear of death before her eyes,
Bearing, and that but now and then,
No other weapon but her pen,
Should she an argument afford
For blood to men who wear a sword?
Men, who can nicely trim and pare
A point of honour to a hair-(Honour!--a word of nice import,
A pretty trinket in a court,
Which my lord, quite in rapture, feels
Dangling and rattling with his seals-Honour!--a word which all the Nine
Would be much puzzled to define-Honour!--a word which torture mocks,
And might confound a thousand Lockes-Which--for I leave to wiser heads,
Who fields of death prefer to beds
Of down, to find out, if they can,
What honour is, on their wild plan-Is not, to take it in their way,
And this we sure may dare to say
Without incurring an offence,
Courage, law, honesty, or sense):
Men, who, all spirit, life, and soul
Neat butchers of a button-hole,
Having more skill, believe it true
That they must have more courage too:
Men who, without a place or name,
Their fortunes speechless as their fame,
Would by the sword new fortunes carve,
And rather die in fight than starve
At coronations, a vast field,
Which food of every kind might yield;
Of good sound food, at once most fit
For purposes of health and wit,
Could not ambitious Satire rest,
211
Content with what she might digest?
Could she not feast on things of course,
A champion, or a champion's horse?
A champion's horse--no, better say,
Though better figured on that day,
A horse, which might appear to us,
Who deal in rhyme, a Pegasus;
A rider, who, when once got on,
Might pass for a Bellerophon,
Dropt on a sudden from the skies,
To catch and fix our wondering eyes,
To witch, with wand instead of whip,
The world with noble horsemanship,
To twist and twine, both horse and man,
On such a well-concerted plan,
That, Centaur-like, when all was done,
We scarce could think they were not one?
Could she not to our itching ears
Bring the new names of new-coin'd peers,
Who walk'd, nobility forgot,
With shoulders fitter for a knot
Than robes of honour; for whose sake
Heralds in form were forced to make,
To make, because they could not find,
Great predecessors to their mind?
Could she not (though 'tis doubtful since
Whether he plumber is, or prince)
Tell of a simple knight's advance
To be a doughty peer of France?
Tell how he did a dukedom gain,
And Robinson was Aquitain?
Tell how her city chiefs, disgraced,
Were at an empty table placed,-A gross neglect, which, whilst they live,
They can't forget, and won't forgive;
A gross neglect of all those rights
Which march with city appetites,
Of all those canons, which we find
By Gluttony, time out of mind,
Established, which they ever hold
Dearer than any thing but gold?
Thanks to my stars--I now see shore--
212
Of courtiers, and of courts no more-Thus stumbling on my city friends,
Blind Chance my guide, my purpose bends
In line direct, and shall pursue
The point which I had first in view,
Nor more shall with the reader sport
Till I have seen him safe in port.
Hush'd be each fear--no more I bear
Through the wide regions of the air
The reader terrified, no more
Wild ocean's horrid paths explore.
Be the plain track from henceforth mine-Cross roads to Allen I resign;
Allen, the honor of this nation;
Allen, himself a corporation;
Allen, of late notorious grown
For writings, none, or all, his own;
Allen, the first of letter'd men,
Since the good Bishop holds his pen,
And at his elbow takes his stand,
To mend his head, and guide his hand.
But hold--once more, Digression hence-Let us return to Common Sense;
The car of Phoebus I discharge,
My carriage now a Lord Mayor's barge.
Suppose we now--we may suppose
In verse, what would be sin in prose-The sky with darkness overspread,
And every star retired to bed;
The gewgaw robes of Pomp and Pride
In some dark corner thrown aside;
Great lords and ladies giving way
To what they seem to scorn by day,
The real feelings of the heart,
And Nature taking place of Art;
Desire triumphant through the night,
And Beauty panting with delight;
Chastity, woman's fairest crown,
Till the return of morn laid down.
Then to be worn again as bright
As if not sullied in the night;
Dull Ceremony, business o'er,
213
Dreaming in form at Cottrell's door;
Precaution trudging all about
To see the candles safely out,
Bearing a mighty master-key,
Habited like Economy,
Stamping each lock with triple seals;
Mean Avarice creeping at her heels.
Suppose we too, like sheep in pen,
The Mayor and Court of Aldermen
Within their barge, which through the deep,
The rowers more than half asleep,
Moved slow, as overcharged with state;
Thames groan'd beneath the mighty weight,
And felt that bauble heavier far
Than a whole fleet of men of war.
Sleep o'er each well-known faithful head
With liberal hand his poppies shed;
Each head, by Dulness render'd fit
Sleep and his empire to admit.
Through the whole passage not a word,
Not one faint, weak half-sound was heard;
Sleep had prevail'd to overwhelm
The steersman nodding o'er the helm;
The rowers, without force or skill,
Left the dull barge to drive at will;
The sluggish oars suspended hung,
And even Beardmore held his tongue.
Commerce, regardful of a freight
On which depended half her state,
Stepp'd to the helm; with ready hand
She safely clear'd that bank of sand,
Where, stranded, our west-country fleet
Delay and danger often meet,
Till Neptune, anxious for the trade,
Comes in full tides, and brings them aid.
Next (for the Muses can survey
Objects by night as well as day;
Nothing prevents their taking aim,
Darkness and light to them the same)
They pass'd that building which of old
Queen-mothers was design'd to hold;
At present a mere lodging-pen,
214
A palace turn'd into a den;
To barracks turn'd, and soldiers tread
Where dowagers have laid their head.
Why should we mention Surrey Street,
Where every week grave judges meet
All fitted out with hum and ha,
In proper form to drawl out law,
To see all causes duly tried
'Twixt knaves who drive, and fools who ride?
Why at the Temple should we stay?
What of the Temple dare we say?
A dangerous ground we tread on there,
And words perhaps may actions bear;
Where, as the brethren of the seas
For fares, the lawyers ply for fees.
What of that Bridge, most wisely made
To serve the purposes of trade,
In the great mart of all this nation,
By stopping up the navigation,
And to that sand bank adding weight,
Which is already much too great?
What of that Bridge, which, void of sense
But well supplied with impudence,
Englishmen, knowing not the Guild,
Thought they might have a claim to build,
Till Paterson, as white as milk,
As smooth as oil, as soft as silk,
In solemn manner had decreed
That on the other side the Tweed
Art, born and bred, and fully grown,
Was with one Mylne, a man unknown,
But grace, preferment, and renown
Deserving, just arrived in town:
One Mylne, an artist perfect quite
Both in his own and country's right,
As fit to make a bridge as he,
With glorious Patavinity,
To build inscriptions worthy found
To lie for ever under ground.
Much more worth observation too,
Was this a season to pursue
The theme, our Muse might tell in rhyme:
215
The will she hath, but not the time;
For, swift as shaft from Indian bow,
(And when a goddess comes, we know,
Surpassing Nature acts prevail.
And boats want neither oar nor sail)
The vessel pass'd, and reach'd the shore
So quick, that Thought was scarce before.
Suppose we now our City court
Safely delivered at the port.
And, of their state regardless quite,
Landed, like smuggled goods, by night,
The solemn magistrate laid down,
The dignity of robe and gown,
With every other ensign gone,
Suppose the woollen nightcap on;
The flesh-brush used, with decent state,
To make the spirits circulate,
(A form which, to the senses true,
The lickerish chaplain uses too,
Though, something to improve the plan,
He takes the maid instead of man)
Swathed, and with flannel cover'd o'er,
To show the vigour of threescore,
The vigour of threescore and ten,
Above the proof of younger men,
Suppose, the mighty Dulman led
Betwixt two slaves, and put to bed;
Suppose, the moment he lies down,
No miracle in this great town,
The drone as fast asleep as he
Must in the course of nature be,
Who, truth for our foundation take,
When up, is never half awake.
There let him sleep, whilst we survey
The preparations for the day;
That day on which was to be shown
Court pride by City pride outdone.
The jealous mother sends away,
As only fit for childish play,
That daughter who, to gall her pride,
Shoots up too forward by her side.
The wretch, of God and man accursed,
216
Of all Hell's instruments the worst,
Draws forth his pawns, and for the day
Struts in some spendthrift's vain array;
Around his awkward doxy shine
The treasures of Golconda's mine;
Each neighbour, with a jealous glare,
Beholds her folly publish'd there.
Garments well saved, (an anecdote
Which we can prove, or would not quote)
Garments well saved, which first were made
When tailors, to promote their trade,
Against the Picts in arms arose,
And drove them out, or made them clothes;
Garments immortal, without end,
Like names and titles, which descend
Successively from sire to son;
Garments, unless some work is done
Of note, not suffer'd to appear
'Bove once at most in every year,
Were now, in solemn form, laid bare,
To take the benefit of air,
And, ere they came to be employ'd
On this solemnity, to void
That scent which Russia's leather gave,
From vile and impious moth to save.
Each head was busy, and each heart
In preparation bore a part;
Running together all about
The servants put each other out,
Till the grave master had decreed,
The more haste ever the worse speed.
Miss, with her little eyes half-closed,
Over a smuggled toilette dosed;
The waiting-maid, whom story notes
A very Scrub in petticoats,
Hired for one work, but doing all,
In slumbers lean'd against the wall.
Milliners, summon'd from afar,
Arrived in shoals at Temple Bar,
Strictly commanded to import
Cart loads of foppery from Court;
With labour'd visible design,
217
Art strove to be superbly fine;
Nature, more pleasing, though more wild,
Taught otherwise her darling child,
And cried, with spirited disdain,
Be Hunter elegant and plain!
Lo! from the chambers of the East,
A welcome prelude to the feast,
In saffron-colour'd robe array'd,
High in a car, by Vulcan made,
Who work'd for Jove himself, each steed,
High-mettled, of celestial breed,
Pawing and pacing all the way,
Aurora brought the wish'd-for day,
And held her empire, till out-run
By that brave jolly groom, the Sun.
The trumpet--hark! it speaks--it swells
The loud full harmony; it tells
The time at hand when Dulman, led
By Form, his citizens must head,
And march those troops, which at his call
Were now assembled, to Guildhall,
On matters of importance great,
To court and city, church and state.
From end to end the sound makes way,
All hear the signal and obey;
But Dulman, who, his charge forgot,
By Morpheus fetter'd, heard it not;
Nor could, so sound he slept and fast,
Hear any trumpet, but the last.
Crape, ever true and trusty known,
Stole from the maid's bed to his own,
Then in the spirituals of pride,
Planted himself at Dulman's side.
Thrice did the ever-faithful slave,
With voice which might have reach'd the grave,
And broke Death's adamantine chain,
On Dulman call, but call'd in vain.
Thrice with an arm, which might have made
The Theban boxer curse his trade,
The drone he shook, who rear'd the head,
And thrice fell backward on his bed.
What could be done? Where force hath fail'd,
218
Policy often hath prevail'd;
And what--an inference most plain-Had been, Crape thought might be again.
Under his pillow (still in mind
The proverb kept, 'fast bind, fast find')
Each blessed night the keys were laid,
Which Crape to draw away assay'd.
What not the power of voice or arm
Could do, this did, and broke the charm;
Quick started he with stupid stare,
For all his little soul was there.
Behold him, taken up, rubb'd down,
In elbow-chair, and morning-gown;
Behold him, in his latter bloom,
Stripp'd, wash'd, and sprinkled with perfume;
Behold him bending with the weight
Of robes, and trumpery of state;
Behold him (for the maxim's true,
Whate'er we by another do,
We do ourselves; and chaplain paid,
Like slaves in every other trade,
Had mutter'd over God knows what,
Something which he by heart had got)
Having, as usual, said his prayers,
Go titter, totter to the stairs:
Behold him for descent prepare,
With one foot trembling in the air;
He starts, he pauses on the brink,
And, hard to credit, seems to think;
Through his whole train (the chaplain gave
The proper cue to every slave)
At once, as with infection caught,
Each started, paused, and aim'd at thought;
He turns, and they turn; big with care,
He waddles to his elbow-chair,
Squats down, and, silent for a season,
At last with Crape begins to reason:
But first of all he made a sign,
That every soul, but the divine,
Should quit the room; in him, he knows,
He may all confidence repose.
'Crape--though I'm yet not quite awake--
219
Before this awful step I take,
On which my future all depends,
I ought to know my foes and friends.
My foes and friends--observe me still-I mean not those who well or ill
Perhaps may wish me, but those who
Have't in their power to do it too.
Now if, attentive to the state,
In too much hurry to be great,
Or through much zeal,--a motive, Crape,
Deserving praise,--into a scrape
I, like a fool, am got, no doubt
I, like a wise man, should get out:
Note that remark without replies;
I say that to get out is wise,
Or, by the very self-same rule,
That to get in was like a fool.
The marrow of this argument
Must wholly rest on the event,
And therefore, which is really hard,
Against events too I must guard.
Should things continue as they stand,
And Bute prevail through all the land
Without a rival, by his aid
My fortunes in a trice are made;
Nay, honours on my zeal may smile,
And stamp me Earl of some great Isle:
But if, a matter of much doubt,
The present minister goes out,
Fain would I know on what pretext
I can stand fairly with the next?
For as my aim, at every hour,
Is to be well with those in power,
And my material point of view,
Whoever's in, to be in too,
I should not, like a blockhead, choose
To gain these, so as those to lose:
'Tis good in every case, you know,
To have two strings unto our bow.'
As one in wonder lost, Crape view'd
His lord, who thus his speech pursued:
'This, my good Crape, is my grand point;
220
And as the times are out of joint,
The greater caution is required
To bring about the point desired.
What I would wish to bring about
Cannot admit a moment's doubt;
The matter in dispute, you know,
Is what we call the _Quomodo_.
That be thy task.'--The reverend slave,
Becoming in a moment grave,
Fix'd to the ground and rooted stood,
Just like a man cut out out of wood,
Such as we see (without the least
Reflection glancing on the priest)
One or more, planted up and down,
Almost in every church in town;
He stood some minutes, then, like one
Who wish'd the matter might be done,
But could not do it, shook his head,
And thus the man of sorrow said:
'Hard is this task, too hard I swear,
By much too hard for me to bear;
Beyond expression hard my part,
Could mighty Dulman see my heart,
When he, alas! makes known a will
Which Crape's not able to fulfil.
Was ever my obedience barr'd
By any trifling nice regard
To sense and honour? Could I reach
Thy meaning without help of speech,
At the first motion of thy eye
Did not thy faithful creature fly?
Have I not said, not what I ought,
But what my earthly master taught?
Did I e'er weigh, through duty strong,
In thy great biddings, right and wrong?
Did ever Interest, to whom thou
Canst not with more devotion bow,
Warp my sound faith, or will of mine
In contradiction run to thine?
Have I not, at thy table placed,
When business call'd aloud for haste,
Torn myself thence, yet never heard
221
To utter one complaining word,
And had, till thy great work was done,
All appetites, as having none?
Hard is it, this great plan pursued
Of voluntary servitude;
Pursued without or shame, or fear,
Through the great circle of the year,
Now to receive, in this grand hour,
Commands which lie beyond my power,
Commands which baffle all my skill,
And leave me nothing but my will:
Be that accepted; let my lord
Indulgence to his slave afford:
This task, for my poor strength unfit,
Will yield to none but Dulman's wit.'
With such gross incense gratified,
And turning up the lip of pride,
'Poor Crape'--and shook his empty head-'Poor puzzled Crape!' wise Dulman said,
'Of judgment weak, of sense confined,
For things of lower note design'd;
For things within the vulgar reach,
To run of errands, and to preach;
Well hast thou judged, that heads like mine
Cannot want help from heads like thine;
Well hast thou judged thyself unmeet
Of such high argument to treat;
Twas but to try thee that I spoke,
And all I said was but a joke.
Nor think a joke, Crape, a disgrace,
Or to my person, or my place;
The wisest of the sons of men
Have deign'd to use them now and then.
The only caution, do you see,
Demanded by our dignity,
From common use and men exempt,
Is that they may not breed contempt.
Great use they have, when in the hands
Of one like me, who understands,
Who understands the time and place,
The person, manner, and the grace,
Which fools neglect; so that we find,
222
If all the requisites are join'd,
From whence a perfect joke must spring,
A joke's a very serious thing.
But to our business--my design,
Which gave so rough a shock to thine,
To my capacity is made
As ready as a fraud in trade;
Which, like broad-cloth, I can, with ease,
Cut out in any shape I please.
Some, in my circumstance, some few,
Aye, and those men of genius too,
Good men, who, without love or hate,
Whether they early rise or late,
With names uncrack'd, and credit sound,
Rise worth a hundred thousand pound,
By threadbare ways and means would try
To bear their point--so will not I.
New methods shall my wisdom find
To suit these matters to my mind;
So that the infidels at court,
Who make our city wits their sport,
Shall hail the honours of my reign,
And own that Dulman bears a brain.
Some, in my place, to gain their ends,
Would give relations up, and friends;
Would lend a wife, who, they might swear
Safely, was none the worse for wear;
Would see a daughter, yet a maid,
Into a statesman's arms betray'd;
Nay, should the girl prove coy, nor know
What daughters to a father owe,
Sooner than schemes so nobly plann'd
Should fail, themselves would lend a hand;
Would vote on one side, whilst a brother,
Properly taught, would vote on t'other;
Would every petty band forget;
To public eye be with one set,
In private with a second herd,
And be by proxy with a third;
Would, (like a queen, of whom I read,
The other day--her name is fled-In a book,--where, together bound,
223
'Whittington and his Cat' I found-A tale most true, and free from art,
Which all Lord Mayors should have by heart;
A queen oh!--might those days begin
Afresh, when queens would learn to spin-Who wrought, and wrought, but for some plot,
The cause of which I've now forgot,
During the absence of the sun
Undid what she by day had done)
Whilst they a double visage wear,
What's sworn by day, by night unswear.
Such be their arts, and such, perchance,
May happily their ends advance;
Prom a new system mine shall spring,
A _locum tenens_ is the thing.
That's your true plan. To obligate
The present ministers of state,
My shadow shall our court approach,
And bear my power, and have my coach;
My fine state-coach, superb to view,
A fine state-coach, and paid for too.
To curry favour, and the grace
Obtain of those who're out of place;
In the mean time I--that's to say,
I proper, I myself--here stay.
But hold--perhaps unto the nation,
Who hate the Scot's administration,
To lend my coach may seem to be
Declaring for the ministry,
For where the city-coach is, there
Is the true essence of the Mayor:
Therefore (for wise men are intent
Evils at distance to prevent,
Whilst fools the evils first endure,
And then are plagued to seek a cure)
No coach--a horse--and free from fear,
To make our Deputy appear,
Fast on his back shall he be tied,
With two grooms marching by his side;
Then for a horse--through all the land,
To head our solemn city-band,
Can any one so fit be found
224
As he who in Artillery-ground,
Without a rider, (noble sight!)
Led on our bravest troops to fight?
But first, Crape, for my honour's sake-A tender point--inquiry make
About that horse, if the dispute
Is ended, or is still in suit:
For whilst a cause, (observe this plan
Of justice) whether horse or man
The parties be, remains in doubt,
Till 'tis determined out and out,
That power must tyranny appear
Which should, prejudging, interfere,
And weak, faint judges overawe,
To bias the free course of law.
You have my will--now quickly run,
And take care that my will be done.
In public, Crape, you must appear,
Whilst I in privacy sit here;
Here shall great Dulman sit alone,
Making this elbow-chair my throne,
And you, performing what I bid,
Do all, as if I nothing did.'
Crape heard, and speeded on his way;
With him to hear was to obey;
Not without trouble, be assured,
A proper proxy was procured
To serve such infamous intent,
And such a lord to represent;
Nor could one have been found at all
On t'other side of London Wall.
The trumpet sounds--solemn and slow
Behold the grand procession go,
All moving on, cat after kind,
As if for motion ne'er design'd.
Constables, whom the laws admit
To keep the peace by breaking it;
Beadles, who hold the second place
By virtue of a silver mace,
Which every Saturday is drawn,
For use of Sunday, out of pawn;
Treasurers, who with empty key
225
Secure an empty treasury;
Churchwardens, who their course pursue
In the same state, as to their pew
Churchwardens of St Margaret's go,
Since Peirson taught them pride and show,
Who in short transient pomp appear,
Like almanacs changed every year;
Behind whom, with unbroken locks,
Charity carries the poor's box,
Not knowing that with private keys
They ope and shut it when they please:
Overseers, who by frauds ensure
The heavy curses of the poor;
Unclean came flocking, bulls and bears,
Like beasts into the ark, by pairs.
Portentous, flaming in the van,
Stalk'd the professor, Sheridan,
A man of wire, a mere pantine,
A downright animal machine;
He knows alone, in proper mode,
How to take vengeance on an ode,
And how to butcher Ammon's son
And poor Jack Dryden both in one:
On all occasions next the chair
He stands, for service of the Mayor,
And to instruct him how to use
His A's and B's, and P's and Q's:
O'er letters, into tatters worn,
O'er syllables, defaced and torn,
O'er words disjointed, and o'er sense,
Left destitute of all defence,
He strides, and all the way he goes
Wades, deep in blood, o'er Criss-cross-rows:
Before him every consonant
In agonies is seen to pant;
Behind, in forms not to be known,
The ghosts of tortured vowels groan.
Next Hart and Duke, well worthy grace
And city favour, came in place;
No children can their toils engage,
Their toils are turn'd to reverend age;
When a court dame, to grace his brows
226
Resolved, is wed to city-spouse,
Their aid with madam's aid must join,
The awkward dotard to refine,
And teach, whence truest glory flows,
Grave sixty to turn out his toes.
Each bore in hand a kit; and each
To show how fit he was to teach
A cit, an alderman, a mayor,
Led in a string a dancing bear.
Since the revival of Fingal,
Custom, and custom's all in all,
Commands that we should have regard,
On all high seasons, to the bard.
Great acts like these, by vulgar tongue
Profaned, should not be said, but sung.
This place to fill, renown'd in fame,
The high and mighty Lockman came,
And, ne'er forgot in Dulman's reign,
With proper order to maintain
The uniformity of pride,
Brought Brother Whitehead by his side.
On horse, who proudly paw'd the ground,
And cast his fiery eyeballs round,
Snorting, and champing the rude bit,
As if, for warlike purpose fit,
His high and generous blood disdain'd,
To be for sports and pastimes rein'd,
Great Dymock, in his glorious station,
Paraded at the coronation.
Not so our city Dymock came,
Heavy, dispirited, and tame;
No mark of sense, his eyes half-closed,
He on a mighty dray-horse dozed:
Fate never could a horse provide
So fit for such a man to ride,
Nor find a man with strictest care,
So fit for such a horse to bear.
Hung round with instruments of death,
The sight of him would stop the breath
Of braggart Cowardice, and make
The very court Drawcansir quake;
With dirks, which, in the hands of Spite,
227
Do their damn'd business in the night,
From Scotland sent, but here display'd
Only to fill up the parade;
With swords, unflesh'd, of maiden hue,
Which rage or valour never drew;
With blunderbusses, taught to ride
Like pocket-pistols, by his side,
In girdle stuck, he seem'd to be
A little moving armoury.
One thing much wanting to complete
The sight, and make a perfect treat,
Was, that the horse, (a courtesy
In horses found of high degree)
Instead of going forward on,
All the way backward should have gone.
Horses, unless they breeding lack,
Some scruple make to turn their back,
Though riders, which plain truth declares,
No scruple make of turning theirs.
Far, far apart from all the rest,
Fit only for a standing jest,
The independent, (can you get
A better suited epithet?)
The independent Amyand came,
All burning with the sacred flame
Of Liberty, which well he knows
On the great stock of Slavery grows;
Like sparrow, who, deprived of mate,
Snatch'd by the cruel hand of Fate,
From spray to spray no more will hop,
But sits alone on the house-top;
Or like himself, when all alone
At Croydon he was heard to groan,
Lifting both hands in the defence
Of interest, and common sense;
Both hands, for as no other man
Adopted and pursued his plan,
The left hand had been lonesome quite,
If he had not held up the right;
Apart he came, and fix'd his eyes
With rapture on a distant prize,
On which, in letters worthy note,
228
There 'twenty thousand pounds' was wrote.
False trap, for credit sapp'd is found
By getting twenty thousand pound:
Nay, look not thus on me, and stare,
Doubting the certainty--to swear
In such a case I should be loth-But Perry Cust may take his oath.
In plain and decent garb array'd,
With the prim Quaker, Fraud, came Trade;
Connivance, to improve the plan,
Habited like a juryman,
Judging as interest prevails,
Came next, with measures, weights, and scales;
Extortion next, of hellish race
A cub most damn'd, to show his face
Forbid by fear, but not by shame,
Turn'd to a Jew, like Gideon came;
Corruption, Midas-like, behold
Turning whate'er she touch'd to gold;
Impotence, led by Lust, and Pride,
Strutting with Ponton by her side;
Hypocrisy, demure and sad,
In garments of the priesthood clad,
So well disguised, that you might swear,
Deceived, a very priest was there;
Bankruptcy, full of ease and health,
And wallowing in well-saved wealth,
Came sneering through a ruin'd band,
And bringing B---- in her hand;
Victory, hanging down her head,
Was by a Highland stallion led;
Peace, clothed in sables, with a face
Which witness'd sense of huge disgrace,
Which spake a deep and rooted shame
Both of herself and of her name,
Mourning creeps on, and, blushing, feels
War, grim War, treading on her heels;
Pale Credit, shaken by the arts
Of men with bad heads and worse hearts,
Taking no notice of a band
Which near her were ordain'd to stand,
Well-nigh destroyed by sickly fit,
229
Look'd wistful all around for Pitt;
Freedom--at that most hallow'd name
My spirits mount into a flame,
Each pulse beats high, and each nerve strains,
Even to the cracking; through my veins
The tides of life more rapid run,
And tell me I am Freedom's son-Freedom came next, but scarce was seen,
When the sky, which appear'd serene
And gay before, was overcast;
Horror bestrode a foreign blast,
And from the prison of the North,
To Freedom deadly, storms burst forth.
A car like those, in which, we're told,
Our wild forefathers warr'd of old,
Loaded with death, six horses bear
Through the blank region of the air.
Too fierce for time or art to tame,
They pour'd forth mingled smoke and flame
From their wide nostrils; every steed
Was of that ancient savage breed
Which fell Geryon nursed; their food
The flesh of man, their drink his blood.
On the first horses, ill-match'd pair,
This fat and sleek, that lean and bare,
Came ill-match'd riders side by side,
And Poverty was yoked with Pride;
Union most strange it must appear,
Till other unions make it clear.
Next, in the gall of bitterness,
With rage which words can ill express,
With unforgiving rage, which springs
From a false zeal for holy things,
Wearing such robes as prophets wear,
False prophets placed in Peter's chair,
On which, in characters of fire,
Shapes antic, horrible, and dire
Inwoven flamed, where, to the view,
In groups appear'd a rabble crew
Of sainted devils; where, all round,
Vile relics of vile men were found,
Who, worse than devils, from the birth
230
Perform'd the work of hell on earth,
Jugglers, Inquisitors, and Popes,
Pointing at axes, wheels, and ropes,
And engines, framed on horrid plan,
Which none but the destroyer, Man,
Could, to promote his selfish views,
Have head to make or heart to use,
Bearing, to consecrate her tricks,
In her left hand a crucifix,
'Remembrance of our dying Lord,'
And in her right a two-edged sword,
Having her brows, in impious sport,
Adorn'd with words of high import,
'On earth peace, amongst men good will,
Love bearing and forbearing still,'
All wrote in the hearts' blood of those
Who rather death than falsehood chose:
On her breast, (where, in days of yore,
When God loved Jews, the High Priest wore
Those oracles which were decreed
To instruct and guide the chosen seed)
Having with glory clad and strength,
The Virgin pictured at full length,
Whilst at her feet, in small pourtray'd,
As scarce worth notice, Christ was laid,-Came Superstition, fierce and fell,
An imp detested, e'en in hell;
Her eye inflamed, her face all o'er
Foully besmear'd with human gore,
O'er heaps of mangled saints she rode;
Fast at her heels Death proudly strode,
And grimly smiled, well pleased to see
Such havoc of mortality;
Close by her side, on mischief bent,
And urging on each bad intent
To its full bearing, savage, wild,
The mother fit of such a child,
Striving the empire to advance
Of Sin and Death, came Ignorance.
With looks, where dread command was placed,
And sovereign power by pride disgraced,
Where, loudly witnessing a mind
231
Of savage, more than human kind,
Not choosing to be loved, but fear'd,
Mocking at right, Misrule appear'd.
With eyeballs glaring fiery red,
Enough to strike beholders dead,
Gnashing his teeth, and in a flood
Pouring corruption forth and blood
From his chafed jaws; without remorse
Whipping and spurring on his horse,
Whose sides, in their own blood embay'd,
E'en to the bone were open laid,
Came Tyranny, disdaining awe,
And trampling over Sense and Law;
One thing, and only one, he knew,
One object only would pursue;
Though less (so low doth passion bring)
Than man, he would be more than king.
With every argument and art
Which might corrupt the head and heart,
Soothing the frenzy of his mind,
Companion meet, was Flattery join'd;
Winning his carriage, every look
Employed, whilst it conceal'd a hook;
When simple most, most to be fear'd;
Most crafty, when no craft appear'd;
His tales, no man like him could tell;
His words, which melted as they fell,
Might even a hypocrite deceive,
And make an infidel believe,
Wantonly cheating o'er and o'er
Those who had cheated been before:-Such Flattery came, in evil hour,
Poisoning the royal ear of Power,
And, grown by prostitution great,
Would be first minister of state.
Within the chariot, all alone,
High seated on a kind of throne,
With pebbles graced, a figure came,
Whom Justice would, but dare not name.
Hard times when Justice, without fear,
Dare not bring forth to public ear
The names of those who dare offend
232
'Gainst Justice, and pervert her end!
But, if the Muse afford me grace,
Description shall supply the place.
In foreign garments he was clad;
Sage ermine o'er the glossy plaid
Cast reverend honour; on his heart,
Wrought by the curious hand of Art,
In silver wrought, and brighter far
Than heavenly or than earthly star,
Shone a White Rose, the emblem dear
Of him he ever must revere;
Of that dread lord, who, with his host
Of faithful native rebels lost,
Like those black spirits doom'd to hell,
At once from power and virtue fell:
Around his clouded brows was placed
A bonnet, most superbly graced
With mighty thistles, nor forgot
The sacred motto--'Touch me not.'
In the right hand a sword he bore
Harder than adamant, and more
Fatal than winds, which from the mouth
Of the rough North invade the South;
The reeking blade to view presents
The blood of helpless innocents,
And on the hilt, as meek become
As lamb before the shearers dumb,
With downcast eye, and solemn show
Of deep, unutterable woe,
Mourning the time when Freedom reign'd,
Fast to a rock was Justice chain'd.
In his left hand, in wax impress'd,
With bells and gewgaws idly dress'd,
An image, cast in baby mould,
He held, and seem'd o'erjoy'd to hold
On this he fix'd his eyes; to this,
Bowing, he gave the loyal kiss,
And, for rebellion fully ripe,
Seem'd to desire the antitype.
What if to that Pretender's foes
His greatness, nay, his life, he owes;
Shall common obligations bind,
233
And shake his constancy of mind?
Scorning such weak and petty chains,
Faithful to James he still remains,
Though he the friend of George appear:
Dissimulation's virtue here.
Jealous and mean, he with a frown
Would awe, and keep all merit down,
Nor would to Truth and Justice bend,
Unless out-bullied by his friend:
Brave with the coward, with the brave
He is himself a coward slave:
Awed by his fears, he has no heart
To take a great and open part:
Mines in a subtle train he springs,
And, secret, saps the ears of kings;
But not e'en there continues firm
'Gainst the resistance of a worm:
Born in a country, where the will
Of one is law to all, he still
Retain'd the infection, with full aim
To spread it wheresoe'er he came;
Freedom he hated, Law defied,
The prostitute of Power and Pride;
Law he with ease explains away,
And leads bewilder'd Sense astray;
Much to the credit of his brain,
Puzzles the cause he can't maintain;
Proceeds on most familiar grounds,
And where he can't convince, confounds;
Talents of rarest stamp and size,
To Nature false, he misapplies,
And turns to poison what was sent
For purposes of nourishment.
Paleness, not such as on his wings
The messenger of Sickness brings,
But such as takes its coward rise
From conscious baseness, conscious vice,
O'erspread his cheeks; Disdain and Pride,
To upstart fortunes ever tied,
Scowl'd on his brow; within his eye,
Insidious, lurking like a spy,
To Caution principled by Fear,
234
Not daring open to appear,
Lodged covert Mischief; Passion hung
On his lip quivering; on his tongue
Fraud dwelt at large; within his breast
All that makes villain found a nest;
All that, on Hell's completest plan,
E'er join'd to damn the heart of man.
Soon as the car reach'd land, he rose,
And, with a look which might have froze
The heart's best blood, which was enough
Had hearts been made of sterner stuff
In cities than elsewhere, to make
The very stoutest quail and quake,
He cast his baleful eyes around:
Fix'd without motion to the ground,
Fear waiting on Surprise, all stood,
And horror chill'd their curdled blood;
No more they thought of pomp, no more
(For they had seen his face before)
Of law they thought; the cause forgot,
Whether it was or ghost, or plot,
Which drew them there: they all stood more
Like statues than they were before.
What could be done? Could Art, could Force.
Or both, direct a proper course
To make this savage monster tame,
Or send him back the way he came?
What neither art, nor force, nor both,
Could do, a Lord of foreign growth,
A Lord to that base wretch allied
In country, not in vice and pride,
Effected; from the self-same land,
(Bad news for our blaspheming band
Of scribblers, but deserving note)
The poison came and antidote.
Abash'd, the monster hung his head,
And like an empty vision fled;
His train, like virgin snows, which run,
Kiss'd by the burning bawdy sun,
To love-sick streams, dissolved in air;
Joy, who from absence seem'd more fair,
Came smiling, freed from slavish Awe;
235
Loyalty, Liberty, and Law,
Impatient of the galling chain,
And yoke of Power, resumed their reign;
And, burning with the glorious flame
Of public virtue, Mansfield came.
~ Charles Churchill,

IN CHAPTERS [81/81]



   49 Poetry
   14 Integral Yoga
   8 Fiction
   5 Occultism
   4 Philsophy
   3 Philosophy
   1 Thelema
   1 Psychology
   1 Christianity


   13 John Keats
   10 Nolini Kanta Gupta
   8 Sri Aurobindo
   8 Percy Bysshe Shelley
   7 William Wordsworth
   4 Ralph Waldo Emerson
   4 H P Lovecraft
   3 Robert Browning
   3 Friedrich Schiller
   2 Walt Whitman
   2 Jorge Luis Borges
   2 James George Frazer
   2 Friedrich Nietzsche
   2 Carl Jung
   2 Aleister Crowley


   13 Keats - Poems
   8 Shelley - Poems
   7 Wordsworth - Poems
   4 Savitri
   4 Lovecraft - Poems
   4 Emerson - Poems
   4 Collected Works of Nolini Kanta Gupta - Vol 05
   3 Schiller - Poems
   3 Browning - Poems
   2 Whitman - Poems
   2 The Golden Bough
   2 Letters On Poetry And Art
   2 Collected Works of Nolini Kanta Gupta - Vol 04
   2 Collected Works of Nolini Kanta Gupta - Vol 02


0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
    to regard Yoga, two odes upon a distant prospect of the
    Temple of Madura, two Elegies on a mat of Kusha-

01.05 - The Yoga of the King - The Yoga of the Spirits Freedom and Greatness, #Savitri, #Sri Aurobindo, #Integral Yoga
  As if the strophes of a cosmic ode,
  A hierarchy of climbing harmonies

02.06 - The Kingdoms and Godheads of the Greater Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  Listens to a thousand-voiced illusion's ode.
  A delicate weft of sorcery steals the heart

02.11 - Hymn to Darkness, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   ode to Darkness
   (Rigveda-X. 127.)

02.14 - Appendix, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   But even the moon has its spots, and in Wordsworth the spots are of a fairly considerable magnitude. Manmohan Ghose too had mentioned to us these defects. Much of Wordsworth is didactic and rhetoric, that is, of the nature of preaching, hence prosaic and non-poetical although couched in verse. Ghose used to say that even the ode on the Intimations of Immortality which is so universally admired is mainly didactic and is by and large rhetoric, with very little real poetry in it. I must confess however that to me personally, some of its passages have a particular charm, like
   Our birth is but a sleep and forgetting:

03.17 - The Souls Odyssey, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Wordsworth: ode on the Intimations of Immortality
   ***

10.03 - The Debate of Love and Death, #Savitri, #Sri Aurobindo, #Integral Yoga
  He chants the stanzas of the odes of Wind;
  He is silence watching in the stars at night;

10.26 - A True Professor, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   Wordsworth: ode on the Intimations of Immortality.
   ***

1.02 - Where I Lived, and What I Lived For, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  The present was my next experiment of this kind, which I purpose to describe more at length; for convenience, putting the experience of two years into one. As I have said, I do not propose to write an ode to dejection, but to brag as lustily as chanticleer in the morning, standing on his roost, if only to wake my neighbors up.
  When first I took up my ab ode in the woods, that is, began to spend my nights as well as days there, which, by accident, was on Independence

10.32 - The Mystery of the Five Elements, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   Pindar: Olympian odes, 1
   ***

11.01 - The Eternal Day The Souls Choice and the Supreme Consummation, #Savitri, #Sri Aurobindo, #Integral Yoga
  The odes that shape the universal thought,
  The lines that tear the veil from Deity's face,

1.10 - Relics of Tree Worship in Modern Europe, #The Golden Bough, #James George Frazer, #Occultism
  neighbouring oder is proclaimed King. Here the pole is clearly a
  substitute for a May-tree. In some villages of Brunswick at

1.10 - THINGS I OWE TO THE ANCIENTS, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
  the first I received from an Horatian ode. In certain languages it
  would be absurd even to aspire to what is accomplished by this poet.

1.12 - The 'quantitative parts' of Tragedy defined., #Poetics, #Aristotle, #Philosophy
  The Prologue is that entire part of a tragedy which precedes the Par ode of the Chorus. The Epis ode is that entire part of a tragedy which is between complete choric songs. The Ex ode is that entire part of a tragedy which has no choric song after it. Of the Choric part the Par ode is the first undivided utterance of the Chorus: the Stasimon is a Choric ode without anapaests or trochaic tetrameters: the Commos is a joint lamentation of Chorus and actors. The parts of Tragedy which must be treated as elements of the whole have been already mentioned. The quantitative parts the separate parts into which it is divided--are here enumerated.]
  author class:Aristotle

1.14 - Bibliography, #Aion, #Carl Jung, #Psychology
  Bohme, Jakob. "Aurora, oder die Morgenrote im Aufgang." In: Des
  gottseligen, hocherleuchteten . . . Schrifften, q.v. For translation,
  --
  chymicum, oder Chymisches Lexicon. Frankfurt a. M. and Leipzig,
  1711.
  --
  ischen catholischen, oder algemeinem natiirlichen Chaos. Magde-
  burg* J 597-

1.24 - The Killing of the Divine King, #The Golden Bough, #James George Frazer, #Occultism
   ode and the Ijebu Remon. The ode branch of the tribe is ruled by a
  chief who bears the title of Awujale and is surrounded by a great

16.02 - Mater Dolorosa, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   En cette amre odeur qu' tale
   La ptale,

17.06 - Hymn of the Supreme Goddess, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   Hymn to Hiranyagarbha ode to Darkness
   Other Authors Nolini Kanta Gupta TranslationsSanskritHymn of the Supreme Goddess
  --
   Hymn to Hiranyagarbha ode to Darkness

17.07 - Ode to Darkness, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
  object:17.07 - ode to Darkness
  author class:Nolini Kanta Gupta
  --
   ode to Darkness
   (Rig-Veda-Mandala X, Sukta 127)

17.08 - Last Hymn, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   ode to Darkness Victory to the World Master
   Other Authors Nolini Kanta Gupta TranslationsSanskritLast Hymn
  --
   ode to Darkness Victory to the World Master

1.fs - Ode an die Freude, #Schiller - Poems, #Friedrich Schiller, #Poetry
  object:1.fs - ode an die Freude
  author class:Friedrich Schiller

1.fs - Ode To Joy, #Schiller - Poems, #Friedrich Schiller, #Poetry
  object:1.fs - ode To Joy
  author class:Friedrich Schiller

1.fs - Ode To Joy - With Translation, #Schiller - Poems, #Friedrich Schiller, #Poetry
  object:1.fs - ode To Joy - With Translation
  author class:Friedrich Schiller

1.jk - Epistle To John Hamilton Reynolds, #Keats - Poems, #John Keats, #Poetry
  Some thirty years ago this picture emerged from Lord Overstone's collection at Wickham Park, Bromley, and was exhibited at the British Institution. It was a favourite in Keats's circle. Hunt, in Imagination and Fancy, says of the "perilous seas in faery lands forlorn" passage in the ode to a Nightingale, "This beats Claude's Enchanted Castle, and the story of King Beder in the Arabian Nights."'
  ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes

1.jk - Fragment Of An Ode To Maia. Written On May Day 1818, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - Fragment Of An ode To Maia. Written On May Day 1818
  author class:John Keats
  --
  "it is impossible to know how far knowledge will console us for the death of a friend, and the 'ills that flesh is heir to.' With respect to the affections and poetry, you must know by sympathy my thoughts that way, and I dare say these few lines will be but a ratification. I wrote them on May-day, and intend to finish the ode all in good time."
  Lord Houghton observes,-- "It is much to be regretted he did not finish this ode; this commencement is in his best manner: the sentiment and expression perfect, as every traveller in m odern Greece will recognize." An ode so propitiously begun would, if completed, have been a worthy ending for the Devonshire series, though including what I believe I am not alone in regarding as Keats's masterpiece, -- Isabella.'
  ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes

1.jk - Hymn To Apollo, #Keats - Poems, #John Keats, #Poetry
  This also was first given in the Literary Remains in the second volume of the Life, Letters &c. 1848, where it stood next to the ode To Apollo, though undated. As Lord Houghton retains it between the ode To Apollo and the stanzas To Hope (dated February 1815) in the chronological Aldine edition, the date February 1815 may be presumed to be that of the Hymn as well as that of the ode.
  ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes

1.jk - Ode On A Grecian Urn, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - ode On A Grecian Urn
  author class:John Keats
  --
  This ode is mentioned by Lord Houghton in connexion with the ode To a Nightingale as belonging to the Spring of 1819; and we are informed of both alike that, soon after they were composed, Keats "repeated, or rather chanted, them to Mr. Haydon, in the sort of recitative that so well suited his deep grave voice, as they strolled together through Kilburn meadows, leaving an indelible impression on the mind of his surviving friend."
  There is some reason for thinking that the particular urn which inspired this beautiful poem is a somewhat weather-beaten work in marble still preserved in the garden of Holland House, and figured in Piranesi's Vasi e Candelabri.

1.jk - Ode On Indolence, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - ode On Indolence
  author class:John Keats
  --
  'First given by Lord Houghton among the Literary Remains in 1848, with the date 1819. Among the many debts of these notes to the late Dante Gabriel Rossetti, I must not fail to record the indication of the following passage from Keats's letter begun on the 14th of February 1819 as anticipating the ode on Indolence:--
  "This morning I am in a sort of temper, indolent and supremely careless; I long after a stanza or two of Thomson's 'Castle of Indolence;' my passions are all asleep, from my having slumbered till nearly eleven, and weakened the animal fibre all over me, to a delightful sensation, about three degrees on this side of faintness. If I had teeth or pearl, and the breath of lilies, I should call it languor; but, as I am, I must call it laziness. In this state of effeminacy, the fibres of the brain are relaxed, in common with the rest of the body, and to such a happy degree, that pleasure has no show of enticement, and pain no unbearable frown; neither Poetry, nor Ambition, nor Love, have any alterness of countenance; as they pass by me, they seem rather like three figures on a Greek vase, two men and a woman, whom no one but myself could distinguish in their disguisement. This is the only happiness, and is a rare instance of advantage in the body overpowering the mind."
  The date under which this passage occurs in the journal letter is the 19th of March. It seems almost certain therefore that the ode must have been composed after the fragment of The Eve Of St. Mark, -- not before it as usually given.
  (stanza 6.): It is no doubt owing to the want of opportunity to revise the poem finally that this beautiful stanza comes down to us disfigured by the bad rhyme 'grass' and 'farce.'

1.jk - Ode On Melancholy, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - ode On Melancholy
  author class:John Keats
  --
  'Lord Houghton gives the following stanza as the intended opening of the ode, from the original manuscript:
  Though you should build a bark of dead men's bones,

1.jk - Ode To A Nightingale, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - ode To A Nightingale
  author class:John Keats
  --
  Lord Houghton says the ode was suggested by the continued song of a nightingale which, in the spring of 1819, had built its nest close to Wentworth Place. "Keats," says his Lordship (Aldine ed., 1876, pg. 237), "took great pleasure in her song, and one morning took his chair from the breakfast-table to the grass plot under a plum tree, where he remained between two and three hours. He then reached the house with some scraps of paper in his hand, which he soon put together in the form of his ode."
  (stanza 2): Of Keats's partiality for claret enough and too much has been made; but with his delightful list of desiderata given to his sister in a letter, now before me, it is impossible to resist citing as a prose parallel to these two splendid lines of poetry the words, "and, please heaven, a little claret wine cool out of a cellar a mile deep -- with a few or a good many ratafia cakes."

1.jk - Ode To Apollo, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - ode To Apollo
  author class:John Keats

1.jk - Ode To Autumn, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - ode To Autumn
  author class:John Keats

1.jk - Ode To Fanny, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - ode To Fanny
  author class:John Keats

1.jk - Ode To Psyche, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - ode To Psyche
  author class:John Keats
  --
  'Under the date 15th of April [1819] Keats writes to his brother George and his wife, of this ode, "The following poem, the last I have written, is the first and only one with which I have taken even m oderate pains; I have, for the most part, dashed off my lines in a hurry; this one I have done leisurely; I think it reads the more richly for it, and it will I hope encourage me to write other things in even a more peaceable and healthy spirit. You must recollect that Psyche was not embodied as a goddess before the time of Apuleius the Platonist, who lived after the Augustan age, and consequently the goddess was never worshipped or sacrificed to with any of the ancient fervour, and perhaps never thought of in the old religion: I am more orthodox than to let a heathen goddess be so neglected."
  This is an instance in which Keats seems to have gone beyond Lempriere's Classical Dictionary for his information; but I presume we may not unsafely take the portraiture of Cupid and Psyche in the first stanza as an adapted reminiscence of his other favourite text book, Spence's Polymetis, in Plate VI of which the well known kissing Cupid and Psyche are admirably engraved from the statue at Florence.'

1.jk - Ode. Written On The Blank Page Before Beaumont And Fletchers Tragi-Comedy The Fair Maid Of The In, #Keats - Poems, #John Keats, #Poetry
  object:1.jk - ode. Written On The Blank Page Before Beaumont And Fletchers Tragi-Comedy The Fair Maid Of The In
  author class:John Keats
  --
  'From the fact that this poem is written in Keats's Beaumont and Fletcher, now in Sir Charles Dilke's possession, and from internal evidence, we may judge it to be addressed to the brother poets of passion and mirth who wrote the tragi-comedy of The Fair Maid Of The Inn, and not to poets at large, as indicated by the title given in the Golden Treasury, to wit ode on the Poets.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
   by owner. provided at no charge for educational purposes

1.jk - To Charles Cowden Clarke, #Keats - Poems, #John Keats, #Poetry
  Who found for me the grandeur of the ode,
  Growing, like Atlas, stronger from its load?

1.jr - By the God who was in pre-eternity living and moving and omnipotent, everlasting, #unset, #Anonymous, #Various
   English version by A. J. Arberry Original Language Persian/Farsi & Turkish By the God who was in pre-eternity living and moving and omnipotent, everlasting. His light lit the candles of love so that a hundred thousand secrets became known. By one decree of Him the world was filled -- lover and loved, ruler and ruled. In the talismans of Shams-e Tabrizi the treasure of His marvels became concealed. For from the moment that you journeyed forth, we became separated from sweetness like wax; All the night we are burning like candles, paired to his flame and deprived of honey. In separation from his beauty, my body is a waste, and the soul in it is like an owl. Turn those reins in this direction, twist the trunk of the elephant of joy. Without your presence concert is not lawful; music has been stoned like Satan. Without you not one ode has been uttered, until that gracious vision of yours arrived and was understood; Then out of the joy of hearing your letter five or six odes were composed. May our eventide through you be radiant dawn, O you in whom Syria and Armenia and Rum glory. [1494.jpg] -- from Mystical Poems of Rumi: Volume 2, Translated by A. J. Arberry <
1.jwvg - To My Friend - Ode I, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
  object:1.jwvg - To My Friend - ode I
  author class:Johann Wolfgang von Goethe

1.lovecraft - Ode For July Fourth, 1917, #Lovecraft - Poems, #unset, #Integral Yoga
  object:1.lovecraft - ode For July Fourth, 1917
  author class:H P Lovecraft

1.lovecraft - St. John, #Lovecraft - Poems, #unset, #Integral Yoga
  In liquid odes and melting lines,
  Let Theobald his regard express

1.lovecraft - The Poe-ets Nightmare, #Lovecraft - Poems, #unset, #Integral Yoga
  An ode or dirge or two about the shop,
  Yet naught could strike the chord within his heart

1.lovecraft - To Alan Seeger-, #Lovecraft - Poems, #unset, #Integral Yoga
    Thy ringing odes to prophecies are turn'd,
    Whilst legions feel the blaze that in thee burn'd.

1.pbs - An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  object:1.pbs - An ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
  author class:Percy Bysshe Shelley

1.pbs - Mont Blanc - Lines Written In The Vale of Chamouni, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Composed in Switzerland, July, 1816 (see date below). Printed at the end of the History of a Six Weeks' Tour published by Shelley in 1817, and reprinted with Posthumous Poems, 1824. Amongst the Boscombe manuscripts is a draft of this ode, mainly in pencil, which has been collated by Dr. Garnett.
  1.

1.pbs - Ode To Heaven, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  object:1.pbs - ode To Heaven
  author class:Percy Bysshe Shelley
  --
  CANCELLED FRAGMENTS OF THE ode TO HEAVEN.
  [Published by Mr. C.D. Locock, Examination, etc., 1903.]

1.pbs - Ode To Liberty, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  object:1.pbs - ode To Liberty
  author class:Percy Bysshe Shelley

1.pbs - Ode To Naples, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  object:1.pbs - ode To Naples
  author class:Percy Bysshe Shelley

1.pbs - Ode to the West Wind, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  object:1.pbs - ode to the West Wind
  author class:Percy Bysshe Shelley

1.pbs - Oedipus Tyrannus or Swellfoot The Tyrant, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Note by Mrs. Shelley: 'In the brief journal I kept in those days, I find it recorded, in August, 1820, Shelley ''begins Swellfoot the Tyrant, suggested by the pigs at the fair of San Giuliano.'' This was the period of Queen Caroline's landing in England, and the struggles made by George IV. to get rid of her claims; which failing, Lord Castlereagh placed the 'Green Bag' on the table of the House of Commons, demanding in the King's name that an inquiry should be instituted into his wife's conduct. These circumstances were the theme of all conversation among the English. We were then at the Baths of San Giuliano. A friend came to visit us on the day when a fair was held in the square, beneath our windows: Shelley read to us his ode to Liberty; and was riotously accompanied by the grunting of a quantity of pigs brought for sale to the fair. He compared it to the 'chorus of frogs' in the satiric drama of Aristophanes; and, it being an hour of merriment, and one ludicrous association suggesting another, he imagined a political-satirical drama on the circumstances of the day, to which the pigs would serve as chorus -- and Swellfoot was begun.
  When finished, it was transmitted to England, printed, and published anonymously; but stifled at the very dawn of its existence by the Society for the Suppression of Vice, who threatened to prosecute it, if not immediately withdrawn. The friend who had taken the trouble of bringing it out, of course did not think it worth the annoyance and expense of a contest, and it was laid aside.'

1.pbs - Peter Bell The Third, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Then Peter wrote odes to the Devil;
   In one of which he meekly said:
  --
   Soon as he read the ode, he drove
  To his friend Lord MacMurderchouse's,

1.poe - Eureka - A Prose Poem, #Poe - Poems, #unset, #Integral Yoga
  Betrachtet man die nicht perspectivischen eigenen Bewegungen der Sterne, so scheinen viele gruppenweise in ihrer Richtung entgegengesetzt; und die bisher gesammelten Thatsachen machen es auf's wenigste nicht nothwendig, anzunehmen, dass alle Theile unserer Sternenschicht oder gar der gesammten Sterneninseln, welche den Weltraum fullen, sich um einen grossen, unbekannten, leuchtenden oder dunkeln Centralkorper bewegen. Das Streben nach den letzten und hochsten Grundursachen macht freilich die reflectirende Thatigkeit des Menschen, wie seine Phantasie, zu einer solchen Annahme geneigt.
  The phaenomenon here alluded to -that of "many groups moving in opposite directions" -is quite inexplicable by Madler's idea; but arises, as a necessary consequence, from that which forms the basis of this Discourse. While the merely general direction of each atom of each moon, planet, star, or cluster -would, on my hypothesis, be, of course, absolutely rectilinear; while the general path of all bodies would be a right line leading to the centre of all; it is clear, nevertheless, that this general rectilinearity would be compounded of what, with scarcely any exaggeration, we may term an infinity of particular curves -an infinity of local deviations from rectilinearity -the result of continuous differences of relative position among the multudinous masses as each proceeded on its own proper journey to the End.

1.rb - Bishop Blougram's Apology, #Browning - Poems, #Robert Browning, #Poetry
  A poet just about to print his ode,
  A statesman with a scheme to stop this war,

1.rb - Cleon, #Browning - Poems, #Robert Browning, #Poetry
   I can write love- odes: thy fair slave's an ode.
   I get to sing of love, when grown too grey

1.rb - Sordello - Book the Second, #Browning - Poems, #Robert Browning, #Poetry
  Naddo reciting that same luckless ode,
  Doleful to hear. Sordello could explore

1.rmr - You, you only, exist, #Rilke - Poems, #Rainer Maria Rilke, #Poetry
  in der Liebe entstehst oder,
  entzckt, in des Werkes Verkrzung.

1.rwe - From the Persian of Hafiz I, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  [The Poems of Hafiz are held by the Persians to be mystical and allegorical. The following ode, notwithstanding its anacreontic style, is regarded by his German editor, Von Hammer, as one of those which earned for Hafiz among his countrymen the title of "Tongue of the Secret." ] by owner. provided at no charge for educational purposes

1.rwe - May-Day, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Wise Milton's odes of pensive pleasure,
  Or Shakspeare, whom no mind can measure,

1.rwe - Ode - Inscribed to W.H. Channing, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  object:1.rwe - ode - Inscribed to W.H. Channing
  author class:Ralph Waldo Emerson

1.rwe - Ode To Beauty, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  object:1.rwe - ode To Beauty
  author class:Ralph Waldo Emerson

1.whitman - Proud Music Of The Storm, #Whitman - Poems, #unset, #Integral Yoga
   I hear those odes, symphonies, operas;
   I hear in the William Tell, the music of an arous'd and angry people;

1.whitman - Salut Au Monde, #Whitman - Poems, #unset, #Integral Yoga
  I see the windings of the Volga, the Dnieper, the oder;
  I see the Tuscan going down the Arno, and the Venetian along the Po;

1.ww - Book Fifth-Books, #Wordsworth - Poems, #unset, #Integral Yoga
  An ode, in passion uttered, which foretold
  Destruction to the children of the earth

1.ww - Ode, #Wordsworth - Poems, #unset, #Integral Yoga
  object:1.ww - ode
  author class:William Wordsworth

1.ww - Ode Composed On A May Morning, #Wordsworth - Poems, #unset, #Integral Yoga
  object:1.ww - ode Composed On A May Morning
  author class:William Wordsworth

1.ww - Ode on Intimations of Immortality, #Wordsworth - Poems, #unset, #Integral Yoga
  object:1.ww - ode on Intimations of Immortality
  author class:William Wordsworth

1.ww - Ode to Duty, #Wordsworth - Poems, #unset, #Integral Yoga
  object:1.ww - ode to Duty
  author class:William Wordsworth
  --
  April 1804. Wordsworth said that his literary m odel for the poem was Gray's ode to
  Adversity. Cf. Paradise Lost IX, 652-53: "God so commanded, and left that

1.ww - Ode To Lycoris. May 1817, #Wordsworth - Poems, #unset, #Integral Yoga
  object:1.ww - ode To Lycoris. May 1817
  author class:William Wordsworth

1.ww - Vernal Ode, #Wordsworth - Poems, #unset, #Integral Yoga
  object:1.ww - Vernal ode
  author class:William Wordsworth

2.05 - On Poetry, #Evening Talks With Sri Aurobindo, #unset, #Integral Yoga
   Disciple: There is an idea that the form of the epic may be a combination of epic and drama, or may be a series of odes in combination like the one written by Meredith.
   Sri Aurobindo: There has been an effort by Victor Hugo. His La Lgende des sicles is epic in tone, in thought and movement. And yet it is not given its right place by the critics. It does not deal with a story but with epis odes. That is the only epic in the French language.

2.2.1.01 - The World's Greatest Poets, #Letters On Poetry And Art, #Sri Aurobindo, #Integral Yoga
  Yes, I plead guilty. But that, I hope, will be no reason why Vyasa and Sophocles should remain unclassified by you. And the others they intrigue me even more. Who are these others? Saintsbury as good as declares that poetry is Shelley and Shelley poetrySpenser alone, to his mind, can contest the right to that equation. (Shakespeare, of course, is admittedly hors concours.) Aldous Huxley abominates Spenser: the fellow has got nothing to say and says it with a consummately cloying melodiousness! Swinburne, as is well known, could never think of Victor Hugo without bursting into half a dozen alliterative superlatives, while Matthew Arnold it was, I believe, who pitied Hugo for imagining that poetry consisted in using divinit, infinit ternit, as lavishly as possible. And then there is Keats, whose Hyperion compelled even the sneering Byron to forget his usual condescending attitude to wards Johnny and confess that nothing grander had been seen since Aeschylus. Racine, too, cannot be left outcan he? Voltaire adored him, Voltaire who called Shakespeare a drunken barbarian. Finally, what of Wordsworth, whose Immortality ode was hailed by Mark Pattison as the ne plus ultra of English poetry since the days of Lycidas? Kindly shed the light of infallible viveka on this chaos of jostling opinions.
  I am not prepared to classify all the poets in the universeit was the front bench or benches you asked for. By others I meant poets like Lucretius, Euripides, Calderon, Corneille, Hugo. Euripides (Medea, Bacchae and other plays) is a greater poet than Racine whom you want to put in the first ranks. If you want only the very greatest, none of these can enteronly Vyasa and Sophocles. Vyasa could very well claim a place beside Valmiki, Sophocles beside Aeschylus. The rest, if you like, you can send into the third row with Goethe, but it is something of a promotion about which one can feel some qualms. Spenser too, if you like; it is difficult to draw a line.

2.22 - THE STILLEST HOUR, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  4. Before Sunrise: An ode to the sky. Another quotation
  from Zweig's essay on Nietzsche seems pertinent: "His

2.3.1.52 - The Ode, #Letters On Poetry And Art, #Sri Aurobindo, #Integral Yoga
  object:2.3.1.52 - The ode
  author class:Sri Aurobindo
  --
  What is meant by an ode? Is it another name for an invocation?
  No. It is a lyrical poem of some length on a single subject e.g. the Skylark (Shelley), Autumn (Keats), the Nativity (Birth of Christ) (Milton) working out a description or central idea on the subject.

3.02 - The Formulae of the Elemental Weapons, #Liber ABA, #Aleister Crowley, #Philosophy
  as an invocation Sapphos ode to Venus before a Probationer of
  the AA who was ignorant of Greek, the language of the ode.
  The disciple then went on an astral journey, and everything seen

33.13 - My Professors, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   But even the moon has its spots, and in Wordsworth the spots are of a fairly considerable magnitude. Manomohan Ghose too had mentioned to us these defects. Much of Wordsworth is didactic and rhetorical, that is, of the nature of preaching, hence prosaic, even unpoetic although couched in verse. Ghose used to say that even the ode on the
   Intimations of Immortalitywhich is so universally admired is mainly didactic, much of it high rhetoric, with very little real poetry in it. I must confess, however, that to me personally some of its passages have a particular charm, like

6.0 - Conscious, Unconscious, and Individuation, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  . Mysterium pansophicum, oder GriXndliche Bericht vom ir-
  dischen und himmlischen Mysterio. In: Jakob Bohme's samtliche
  --
  Reusner, Hieronymus. Pandora: das ist, die edelst Gab Gottes, oder
  der Werde und heilsame Stein der Weysen. Basel, 1588.

Book of Genesis, #The Bible, #Anonymous, #Various
  The fall of Adam and Eve led to a geometric progression of sin. Noah is introduced (Chapters 6-9) as the one righteous man. The history of Noah is marked by the Hebrew lunar calendar, for the word for new moon, month - - odesh - is recorded in Genesis 7:11. God finally brought judgement through the Flood, but saved Noah and made a Covenant (9:8) with Noah, his family, and all living creatures. Eber - - (an eponym for Hebrew) was a descendant of Shem (10:21, 11:16). In spite of man's disobedience, God remains faithful to his creation, the human race. The consistent pattern of covenant, fall, judgement, and redemption that is evident in Genesis persists throughout Hebrew Scripture.
  The Patriarchal History of Israel began with Abraham in Chapter 12:1-2, when God urged Abram to "Go forth from this land of your kinsfolk (Haran) and from your father's house to a land (Canaan) I will show you, and I will make of you a great nation, and I will bless you." Abram is identified as "the Hebrew" - - in 14:13. In Chapter 14:18-20, we read of Melchizedek, the King and Priest of Salem, who brought out bread and wine, and who typified Christ (Hebrews 7). The institution of slavery is recorded in Genesis, for the vanquished became slaves to the victors. God warns Abram - "Know for certain that your descendants shall be strangers in a land not their own, where they shall be enslaved and oppressed for four hundred years" (Genesis 15:13). The Lord God made his Covenant with Abraham first in 15:18 and changed his name to Abraham in 17:5. Abraham was called a "friend of God" throughout Scripture (2 Chronicles 20:7, Isaiah 41:8, James 2:23). Sodom and Gomorrah were destroyed for the sin of sodomy (19). Abraham had two sons, Ishmael by Hagar and Isaac by his wife Sarah. Chapter 21 describes the birth of Isaac and the plight of Hagar and Ishmael. Abraham is tested through Isaac (22). Abraham bought land in Hebron (23) as a burial plot for Sarah. Isaac and Rebecca had Esau and Jacob (25). God first refers to his Commandments in Genesis 26:5. Jacob returned to Haran and had twelve sons by his wives Leah and Rachel and their maidservants. God renamed Jacob "Israel" (35:10), the father of the twelve tribes of Israel. Chapters 37 to 50 primarily cover the saga of the virtuous Joseph, who is sold into slavery by his own brothers (Genesis 37:28)!

Book of Imaginary Beings (text), #unset, #Anonymous, #Various
  being and of auspicious omen; so say the odes, the annals,
  the biographies of worthies, and other texts whose

Kafka and His Precursors, #Labyrinths, #Jorge Luis Borges, #Poetry
  being of good omen; such is declared in all the odes, annals, biographies of
  illustrious men and other texts whose authority is unquestionable. Even

Liber 111 - The Book of Wisdom - LIBER ALEPH VEL CXI, #unset, #Anonymous, #Various
   Quintus Horatius Flaccus in the third ode of his First Book? Die thou
   standing!

Talks With Sri Aurobindo 1, #unset, #Anonymous, #Various
  drama or like the odes of Meredith on the French Revolution. They give
  some clue to a possible epic form in the future.

the Eternal Wisdom, #unset, #Anonymous, #Various
  23) Open the eye of the heart that thou mayst see thy soul; thou shalt see what was not made to be seen. ~ Ahmed Halif, "Mystic odes"
  24) The soul is veiled by the body; God is veiled by the soul. ~ Farid-ud-din-attar
  --
  10) Practise with all thy strength love for that being who is the One in order that it may be made manifest to thy sight that He is one and alone and there is no other God than He. ~ Ahmed Halif "Mystic odes"
  11) Still it is not impossible to raise oneself even higher than that, for love itself is a veil between the lover and the Beloved. ~ Baha-ullah "The Seven Valleys."
  --
  13) In the interior of each atom that thou shalt cleave thou shalt find imprisoned a sun. ~ Ahmed Halif: Mystic odes
  14) In each atom thou shalt see the All, thou shalt contemplate millions of secrets asluminous as the sun. ~ Farid-ud-din-attar
  --
  3) Thou shalt see in that spot the mendicant stripped of all resources but with his head troubled by a desire for the possession of the world. ~ Ahmod Halif: Mystic odes
  4) Though the body be adorned with jewels, the heart may have mastered worldly tendencies; he who receives with indifference joy and pain is in possession of the spiritual life even though his external existence be of the world; nor is the garb of the ascetic a protection against sensual thoughts. ~ Fo-sho-hing-tsan-king

WORDNET



--- Overview of noun ode

The noun ode has 1 sense (no senses from tagged texts)
                    
1. ode ::: (a lyric poem with complex stanza forms)


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun ode

1 sense of ode                            

Sense 1
ode
   => lyric, lyric poem
     => poem, verse form
       => literary composition, literary work
         => writing, written material, piece of writing
           => written communication, written language, black and white
             => communication
               => abstraction, abstract entity
                 => entity


--- Hyponyms of noun ode

1 sense of ode                            

Sense 1
ode
   => epithalamium
   => Horatian ode, Sapphic ode
   => Pindaric ode, Pindaric
   => choral ode


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun ode

1 sense of ode                            

Sense 1
ode
   => lyric, lyric poem




--- Coordinate Terms (sisters) of noun ode

1 sense of ode                            

Sense 1
ode
  -> lyric, lyric poem
   => ode




--- Grep of noun ode
abode
access code
acute schizophrenic episode
anode
antinode
antipode
area code
ascending node
asynchronous transfer mode
atrioventricular node
axillary node
bar code
binary code
building code
cathode
cestode
champion lode
choral ode
church mode
cladode
code
cold cathode
color code
commode
computer code
descending node
diode
dress code
ecclesiastical mode
electrode
episode
error correction code
ethical code
exode
fire code
genetic code
geode
greek mode
gregorian mode
health code
hemipode
highway code
horatian ode
hydathode
international morse code
internode
josiah spode
justinian code
leaf node
legal code
light-emitting diode
lode
lymph node
machine code
major depressive episode
major mode
medieval mode
megapode
microcode
minor mode
mode
morse code
mother lode
musical mode
nematode
nesselrode
node
object code
ode
oder
oder river
odesa
odessa
odets
operation code
order code
organic light-emitting diode
penal code
pentode
photocathode
phyllode
pindaric ode
pistillode
postal code
postcode
sa node
sanitary code
sapphic ode
secret code
semiconductor diode
sinoatrial node
slag code
source code
spode
tetrode
trematode
triode
triplet code
u. s. code
united states code
universal product code
zip code



IN WEBGEN [10000/60281]

Wikipedia - 01527 -- Dialing code
Wikipedia - 01932 -- Dialing code
Wikipedia - 100% No Modern Talking -- 2011 EP by Knife Party
Wikipedia - 101 (album) -- 1989 live album by Depeche Mode
Wikipedia - 1080i -- Video mode
Wikipedia - 1080p -- Video mode
Wikipedia - 11-11: En mi cuadra nada cuadra -- Nickelodeon telenovela
Wikipedia - 11:53 to Odessa
Wikipedia - 12AT7 -- Miniature medium-gain dual triode vacuum tube
Wikipedia - 12AU7 -- Miniature medium-gain dual triode vacuum tube
Wikipedia - 12AX7 -- Miniature high-gain dual triode vacuum tube
Wikipedia - 1481 Rhodes earthquake -- Magnitude 7 earthquake (3 May 1481) amongst a series that affected Rhodes in that year
Wikipedia - 1511 Idrija earthquake -- Disastrous earthquake in early modern Slovenia
Wikipedia - 17q21.31 microdeletion syndrome -- Rare genetic disorder caused by a deletion of six genes
Wikipedia - 1916 Zoning Resolution -- New York City code that was the first citywide zoning code in the United States
Wikipedia - 1917 Code of Canon Law
Wikipedia - 1933 Datsun Type 12 -- Car model
Wikipedia - 1966 New York City smog -- Air-pollution episode in New York City
Wikipedia - 1983 Code of Canon Law
Wikipedia - 1990 Kids' Choice Awards -- 4th Annual Nickelodeon Kids' Choice Awards
Wikipedia - 1992 Kids' Choice Awards -- 6th Annual Nickelodeon Kids' Choice Awards
Wikipedia - 1st Rhode Island Battery -- 1st Rhode Island Battery
Wikipedia - 2000-watt society -- Political model
Wikipedia - 2015 kidnapping and beheading of Copts in Libya -- Persecution of Christians in the Modern Era and 21st century Christian Martyrs and Saints
Wikipedia - 2016 Maryland flood -- Historic Main Street in Ellicott City, Maryland flooded
Wikipedia - 2018 Maryland flood -- Historic Main Street in Ellicott City, Maryland flooded
Wikipedia - 2019 Sindh HIV outbreak -- In the Ratodero area in Sindh, Pakistan
Wikipedia - 2020 Nickelodeon Meus PrM-CM-*mios Nick -- 2020 Brazilian award show
Wikipedia - 226 BC Rhodes earthquake -- Earthquake in Rhodes, Greece
Wikipedia - 2D geometric model
Wikipedia - 2-Fluorodeschloroketamine
Wikipedia - 331 model
Wikipedia - 38.1 cm /45 Model 1926 naval gun -- Type of coastal artillery
Wikipedia - 3D modeling software
Wikipedia - 3D modeling
Wikipedia - 3d modeling
Wikipedia - 3D models
Wikipedia - 3D model
Wikipedia - 3D Repo -- British Building Information Modeling (BIM) firm
Wikipedia - 3D Slash -- 3D modeling software
Wikipedia - 3D test model
Wikipedia - 3 nm process -- Semiconductor manufacturing processes with a 3 nm GAAFET/FinFET technology node
Wikipedia - 420 (cannabis culture) -- Code-term primarily in North America referring to cannabis
Wikipedia - 480i -- Standard-definition video mode
Wikipedia - 576i -- Standard-definition video mode
Wikipedia - 5M-CM-^W5=25 -- 1921 exhibition of modern art which took place in Moscow, Russia
Wikipedia - 5 nm process -- Semiconductor manufacturing processes with a 5 nm FinFET technology node
Wikipedia - 64b/66b encoding -- line code used in Ethernet technologies
Wikipedia - 6SN7 -- Dual low-frequency, medium-gain octal triode vacuum tube
Wikipedia - 8b/10b encoding -- line code mapping 8-bit words to 10-bit symbols
Wikipedia - 8-Circuit Model of Consciousness
Wikipedia - 90 nm process -- Semiconductor device fabrication technology node
Wikipedia - Aaliyah -- American singer, actress, and model
Wikipedia - Aarav Chowdhary -- Indian actor and model
Wikipedia - AARD code
Wikipedia - Aaro KiviperM-CM-$ -- Finnish modern pentathlete
Wikipedia - Aaron Berechiah of Modena -- Italian cabalist
Wikipedia - Aaron O'Connell -- American actor and model
Wikipedia - Aaron Rhodes -- American human rights activist, university lecturer, and essayist
Wikipedia - Aavriti Choudhary -- Indian model and beauty pageant titleholder
Wikipedia - Abacetodes -- Genus of beetles
Wikipedia - Abacillodes -- Genus of beetles
Wikipedia - ABA routing transit number -- Code used in U.S. check transactions
Wikipedia - Abbey (1853) -- Wooden brigantine
Wikipedia - Abbey Clancy -- English lingerie, catwalk model, and television personality
Wikipedia - Abbey Curran -- American model
Wikipedia - Abbey Lee -- Australian model, actress and musician
Wikipedia - Abby Fung -- Taiwanese actress and model
Wikipedia - ABC model of flower development
Wikipedia - Abdul Rahman Jassim -- Bahraini modern pentathlete
Wikipedia - Abel Estanislao -- Filipino actor and model
Wikipedia - Abelian sandpile model -- Cellular automaton
Wikipedia - Abe-Star -- Japanese motorcycle model
Wikipedia - Abhinaya (actress) -- Indian film actress and model
Wikipedia - Abhirami Venkatachalam -- Indian model and actress
Wikipedia - Abhishek Sharma (actor) -- Indian model and television actor
Wikipedia - Abiola Odejide -- Nigerian academic
Wikipedia - Abode of Chaos -- Museum in Saint-Romain-au-Mont-d'Or, France, created by Thierry Ehrmann
Wikipedia - AB postcode area -- Postcode area within the United Kingdom
Wikipedia - Abram Model
Wikipedia - Absolute electrode potential -- Electrode potential in electrochemistry
Wikipedia - Abstract data type -- Mathematical model for data types
Wikipedia - AC'97 -- Audio codec
Wikipedia - Acacia loderi -- Species of plant
Wikipedia - Academic honor code -- Honor system is a set of rules or ethical principles
Wikipedia - Academy of Athens (modern)
Wikipedia - Academy of Model Aeronautics
Wikipedia - Acallodes saltoides -- Species of weevil beetle
Wikipedia - Acallodes ventricosus -- Species of weevil beetle
Wikipedia - Acallodes -- Genus of beetles
Wikipedia - Acalodegma -- Genus of beetles
Wikipedia - Acanthinodera -- Genus of beetle
Wikipedia - Acanthodela erythrosema -- Species of moth
Wikipedia - Acanthodela protophaes -- Species of moth
Wikipedia - Acanthoderes -- Genus of beetles
Wikipedia - Acanthoderini -- Tribe of beetles
Wikipedia - Acanthoodes -- Genus of beetles
Wikipedia - Acanthotheelia -- Exstinct genus of echinoderms
Wikipedia - Accelerated failure time model -- Parametric model in survival analysis
Wikipedia - Accidental (music) -- Note whose pitch is not a member of the scale or mode indicated by the most recently applied key signature
Wikipedia - Account-based selling -- Strategic sales model
Wikipedia - Ace (editor) -- Free source code editor written in JavaScript
Wikipedia - A Celebration of Horses: The American Saddlebred -- The American Saddlebred, the pilot episode of ''A Celebration of Horses'' starring William Shatner
Wikipedia - ACE model -- Statistical model used to separate phenotypic variance into three components
Wikipedia - Acetyldihydrocodeine -- Chemical compound
Wikipedia - Achenoderus -- Genus of beetles
Wikipedia - Achim Bellmann -- German modern pentathlete
Wikipedia - Achintya Holte Nilsen -- Miss World Indonesia 2017, Indonesian supermodel, singer, greenpeace activist and beauty pageant titleholder
Wikipedia - A Christmas Carol (Doctor Who) -- 2010 Christmas special episode of Doctor Who
Wikipedia - A Clockwork Origin -- 9th episode of the sixth season of ''Futurama''
Wikipedia - Acmaeodera -- Genus of beetles
Wikipedia - Acmaeoderella -- Genus of beetles
Wikipedia - Acmaeoderini -- Tribe of beetles
Wikipedia - Acmaeoderoides -- Genus of beetles
Wikipedia - Acmaeoderopsis -- Genus of beetles
Wikipedia - Aconodes -- Genus of beetles
Wikipedia - A Course of Modern Analysis -- Landmark textbook in mathematical analysis by E. T. Whittaker, originally published in 1902 with four editions.
Wikipedia - Acoustic model
Wikipedia - ACP 131 -- Defines Allied Military brevity codes
Wikipedia - Acria amphorodes -- Indian species of moth in genus Acria
Wikipedia - Acrocnida -- Genus of echinoderms
Wikipedia - Actenodes -- Genus of beetles
Wikipedia - Activated sludge model -- Group of mathematical methods coordinated by the International Water Association (IWA)
Wikipedia - Active Format Description -- Standard set of codes for television or set-top-box decoders
Wikipedia - Activity model
Wikipedia - Actor model and process calculi history
Wikipedia - Actor model -- Model of concurrent computation
Wikipedia - Actuarial Society of South Africa HIV/AIDS models -- Actuarial mathematical models used in assessing the impact of the epidemic in South Africa
Wikipedia - Acupuncture -- alternative medicine practice characterized as quackery by modern medical science.
Wikipedia - Acura EL -- Car model
Wikipedia - Acyclic model -- Generalizes showing that two homology theories are isomorphic
Wikipedia - Acyphoderes -- Genus of beetles
Wikipedia - Adaa Khan -- Indian television actress and model
Wikipedia - Adaeze Yobo -- Nigerian model
Wikipedia - Adalbert Covacs -- Romanian modern pentathlete
Wikipedia - Adam de Wodeham
Wikipedia - Adam Foundation Prize in Creative Writing -- International Institute of Modern Letters at Victoria University of Wellington Prize
Wikipedia - Adamow, Starachowice County -- Village in SwiM-DM-^Ytokrzyskie Voivodeship, Poland
Wikipedia - Adam Rickitt -- English actor, singer and model
Wikipedia - A Damsel in Distress (novel) -- 1919 novel by P.G. Wodehouse
Wikipedia - Adam Senn -- France-born American actor, model, and restaurateur
Wikipedia - Adam Wlodek -- Polish poet
Wikipedia - Adam Wodeham
Wikipedia - Ada Nicodemou
Wikipedia - Adaora -- Nigerian-American model
Wikipedia - Adaptive differential pulse-code modulation
Wikipedia - Adaptive Multi-Rate audio codec
Wikipedia - ADCIRC -- A high-performance, cross-platform numerical ocean circulation model
Wikipedia - ADDIE Model
Wikipedia - Additive color -- A model for predicting color created by mixing visible light
Wikipedia - Additive white Gaussian noise -- Basic noise model used in Information theory to mimic the effect of many random processes that occur in nature
Wikipedia - Address decoder
Wikipedia - Addressing mode
Wikipedia - Addy Raj -- Indian actor, model and singer
Wikipedia - Adele Moroder -- Austrian writer
Wikipedia - A Demon's Game: Episode 1 -- 2017 action indie 3D game
Wikipedia - Adesuwa Aighewi -- American fashion model and filmmaker
Wikipedia - Adetoye Oyetola Sode -- Nigerian military governor
Wikipedia - Ad hoc mode
Wikipedia - Adhora Khan -- Bangladeshi film actress and model
Wikipedia - Adi Barkan -- Israeli model agent and activist
Wikipedia - Adina Fohlin -- Swedish model and photographer
Wikipedia - Aditi Arya -- Indian model
Wikipedia - Aditi Bhatia -- Indian actress and model
Wikipedia - Aditi Rai -- Indian actress and model
Wikipedia - Aditya Seal -- Indian model and actor
Wikipedia - Adline Castelino -- Indian model and beauty pageant titleholder
Wikipedia - Admiralty code
Wikipedia - Adnan Faruque -- Angladeshi model, actor and presenter.
Wikipedia - Adobe Media Encoder
Wikipedia - Adolf Harder -- German modern pentathlete
Wikipedia - Adonis Bosso -- Ivorian-Canadian male model
Wikipedia - Adriana Abascal -- Mexican-born model
Wikipedia - Adriana Arboleda -- Colombian model and presenter
Wikipedia - Adriana Betancur -- Colombian TV presenter and model
Wikipedia - Adriana Karembeu -- Slovak fashion model and actress
Wikipedia - Adrian Alandy -- Filipino actor and model
Wikipedia - Adrianne Curry -- American fashion model, actress and television personality
Wikipedia - Adriano Lanza -- Italian modern pentathlete
Wikipedia - Adrian Parker -- British modern pentathlete
Wikipedia - Adrian Toader (pentathlete) -- Romanian modern pentathlete
Wikipedia - Adrienn Bende -- Hungarian racing driver and model
Wikipedia - Adrienne Juliger -- German fashion model
Wikipedia - Adrienn Toth -- Hungarian modern pentathlete (born 1990)
Wikipedia - Adunni Ade -- Nigerian actress and model
Wikipedia - Adut Akech -- South Sudanese-Australian model
Wikipedia - Advanced Audio Codec
Wikipedia - Advanced Institute of Modern Management & Technology -- College in West Bengal
Wikipedia - Adwoa Aboah -- British fashion model
Wikipedia - AEG C.VII -- Reconnaissance biplane prototype model by AEG
Wikipedia - Aeolodermus -- Genus of beetles
Wikipedia - Aeronautical Code signals -- Brevity codes used for aviation
Wikipedia - Aeschylus of Rhodes
Wikipedia - AES-GCM-SIV -- Authenticated encryption mode with resistance against nonce reuse
Wikipedia - Aesopian language -- Code for insiders of a group
Wikipedia - Aethalodes verrucosus -- Genus of beetles
Wikipedia - A.E. Vickery -- Wooden three-masted schooner built in 1861
Wikipedia - A Few Quick Ones -- 1959 short story collection by P.G. Wodehouse
Wikipedia - Affect infusion model
Wikipedia - Afra SaracoM-DM-^_lu -- Turkish actress and model
Wikipedia - Africanaspis -- Extinct genus of placoderm from Late Devonian South Africa
Wikipedia - African Geodetic Reference Frame -- Project designed to unify the many geodetic reference frames of Africa
Wikipedia - African marsh rat -- Species of rodent
Wikipedia - Africa's Next Top Model -- Television series
Wikipedia - Afrocucumis -- Genus of echinoderms
Wikipedia - Afshan Azad -- British actress and model
Wikipedia - Agam Rudberg -- Israeli actress and model
Wikipedia - Agaricocrinus americanus -- Species of echinoderm
Wikipedia - Agaricocrinus -- Genus of echinoderms
Wikipedia - Agata Buzek -- Polish actress and model
Wikipedia - Agathodes designalis -- Species of moth
Wikipedia - Agathodes musivalis -- Species of moth
Wikipedia - Agathodes ostentalis -- Species of moth
Wikipedia - Agathodes -- Genus of moths
Wikipedia - Agent-based model in biology
Wikipedia - Agent-based modelling
Wikipedia - Agent based model
Wikipedia - Agent-based model
Wikipedia - Agent (economics) -- Actor and decision maker in an economic model
Wikipedia - A Gentleman of Leisure -- 1910 novel by P.G. Wodehouse
Wikipedia - Agesander of Rhodes
Wikipedia - A Gest of Robyn Hode -- Child ballad, Robin-Hood-tale
Wikipedia - Agile modeling
Wikipedia - Agnes Benitez -- Puerto Rican model
Wikipedia - Agnes Bruckner -- American actress and former model
Wikipedia - Agnieszka Pachalko -- Polish model and beauty queen
Wikipedia - Agnoderus gnomoides -- Genus of beetles
Wikipedia - Agostino Dodero -- Italian entomologist
Wikipedia - Agustina Cherri -- Argentine actress and model
Wikipedia - AGV (train) -- High speed train model
Wikipedia - A History of Modern Yoga
Wikipedia - Ahmad Shah of Pahang -- fifth modern Sultan of Pahang
Wikipedia - Ahmed Butt -- Pakistani model and a film actor
Wikipedia - Ahmed Nasser (pentathlete) -- Egyptian modern pentathlete
Wikipedia - Ahmed Sabri -- Modern Egyptian painter
Wikipedia - Ahom dynasty -- Dynasty that ruled the Ahom kingdom in modern day Assam, India
Wikipedia - Aideliz Hidalgo -- Puerto Rican model
Wikipedia - Aiden Curtiss -- British-American fashion model
Wikipedia - Aiden Shaw -- British pornographic actor and model
Wikipedia - Aijaz Aslam -- Pakistani television actor and model
Wikipedia - Aikido -- modern Japanese martial art
Wikipedia - Aiko Climaco -- Filipina dancer, actress and model
Wikipedia - AI Mk. IV radar -- Operational model of the world's first air-to-air radar system
Wikipedia - Aira Caldera -- A large flooded coastal volcanic caldera in the south of the island of KyM-EM-+shM-EM-+, Japan
Wikipedia - Aira Ferreira -- Brazilian fashion model
Wikipedia - Air America (film) -- 1990 film by Roger Spottiswoode
Wikipedia - Airbus A321 -- Airliner, stretched model of the A320 family
Wikipedia - Air Force Amy -- American female adult model and legal prostitute
Wikipedia - Air Force Specialty Code -- Alphanumeric code used by the US Air Force to identify a specific job
Wikipedia - Air India Express Flight 1344 -- 2020 plane crash in Kozhikode, India
Wikipedia - Airplane Mode (2020 film) -- 2020 film directed by Cesar Rodrigues
Wikipedia - Air Rhodesia Flight 825 -- passenger aircraft shot down in 1978
Wikipedia - Air Rhodesia Flight 827 -- 1979 aircraft incident in Zimbabwe
Wikipedia - Ai Shinozaki -- Japanese model and singer
Wikipedia - Aishwarya Lekshmi -- Indian film actress and model
Wikipedia - Aisling Ni Dhonnchadha -- Lecturer in Modern Irish
Wikipedia - Aiva Aparjode -- Latvian luger
Wikipedia - Ajak Deng -- Australian fashion model
Wikipedia - Ajani Russell -- Actress, skateboarder, and model
Wikipedia - Ajay Chaudhary -- Indian television actor and model
Wikipedia - Akaike information criterion -- Estimator for quality of a statistical model
Wikipedia - Akane Hotta -- Japanese model and actress (born 1992)
Wikipedia - Akane Moriya -- Japanese singer and model
Wikipedia - Akanksha Puri -- Indian model, and film actress
Wikipedia - Akbar Birbal Remixed -- Hindi online webisode series
Wikipedia - Akemi Darenogare -- Japanese fashion model and tarento
Wikipedia - Akihiro Sato (model) -- Japanese Brazilian model
Wikipedia - Akin Odebunmi -- Nigerian professor of pragmatics (born 1957)
Wikipedia - Akinwunmi Ambode -- Nigerian accountant and politician
Wikipedia - Akira Asada -- Japanese postmodern critic and curator
Wikipedia - Akira Kubodera -- Japanese actor
Wikipedia - Akira Kubo (pentathlete) -- Japanese modern pentathlete
Wikipedia - Akodon spegazzinii -- a rodent in the family Cricetidae found in northwestern Argentina.
Wikipedia - Akpene Diata Hoggar -- Ghanaian model
Wikipedia - Aksana (wrestler) -- Lithuanian professional wrestler, fitness model and bodybuilder
Wikipedia - Akshat Chopra -- Indian film actor, model, and dancer
Wikipedia - Akuol de Mabior -- South Sudanese model, filmmaker, and women's rights activist
Wikipedia - Aladar Kovacsi -- Hungarian modern pentathlete
Wikipedia - Alain Cortes -- French modern pentathlete
Wikipedia - Alamjeet Kaur Chauhan -- Indian lawyer and former model
Wikipedia - Alam Khan (actor) -- Indian actor, model and dancer
Wikipedia - Alana Blanchard -- American professional surfer and model
Wikipedia - Alana Stewart -- American actress and former model
Wikipedia - Alan Code
Wikipedia - Alan David Butler -- Rhodesian sailor and businessman
Wikipedia - Alankrita Bora -- Indian actress, model and dancer
Wikipedia - Alan K. Rode -- American film scholar
Wikipedia - Alanna Arrington -- American model from Cedar Rapids, Iowa
Wikipedia - Alan Ritchson -- American actor, model, and singer
Wikipedia - Alba Reyes -- Model, lawyer, beauty queen, tv host
Wikipedia - Albert Barodet -- French gymnast
Wikipedia - Albert Mokeyev -- Soviet modern pentathlete
Wikipedia - Alberto Felix -- Mexican modern pentathlete
Wikipedia - Alberto Ismodes Dulanto -- Peruvian chess player
Wikipedia - Alberto Moreiras (pentathlete) -- Spanish modern pentathlete
Wikipedia - Alberto Ortiz -- Uruguayan modern pentathlete
Wikipedia - Albin Moroder -- Austrian sculptor
Wikipedia - Al-Burda -- 13th c. ode of praise for Muhammad
Wikipedia - Alcidodes -- Genus of beetles
Wikipedia - Alden Richards -- Filipino actor, model, presenter, ambassador, businessman, and recording artist
Wikipedia - Alec Yoder -- American artistic gymnast
Wikipedia - Alejandro Brodersohn -- Argentine film editor
Wikipedia - Alejandro Michelena -- Uruguayan modern pentathlete
Wikipedia - Alejandro Nones -- Venezuelan actor and model
Wikipedia - Alejandro Quiroz -- Mexican modern pentathlete
Wikipedia - Alejandro Valencia -- Mexican actor and model
Wikipedia - Alejandro Yrizar -- Mexican modern pentathlete
Wikipedia - Aleksander Lesun -- Belarusian-Russian modern pentathlete
Wikipedia - Aleksandr Dekhayev -- Soviet modern pentathlete
Wikipedia - Aleksandr Tarasov (pentathlete) -- Soviet modern pentathlete
Wikipedia - Aleppo Codex
Wikipedia - Alessandra Ambrosio -- Brazilian model
Wikipedia - Alessandro Conforto -- Italian modern pentathlete
Wikipedia - Alessandro Egger -- Italian-Serbian male model and actor
Wikipedia - Alessia Fabiani -- Italian model, showgirl and TV presenter
Wikipedia - Alexander (actor) -- Japanese-Peruvian actor and model
Wikipedia - Alexander Boden -- Australian philanthropist, industrialist, publisher
Wikipedia - Alexander Johnson (pentathlete) -- Australian modern pentathlete
Wikipedia - Alexander Kukarin -- Russian modern pentathlete
Wikipedia - Alexander Parygin -- Kazakhstani modern pentathlete
Wikipedia - Alexander Topay -- Austrian modern pentathlete
Wikipedia - Alexander van Geen -- Dutch modern pentathlete
Wikipedia - Alexander Ypsilantis (1725-1805) -- Greek Voivode of Wallachia and Moldavia
Wikipedia - Alexandra Agoston -- Australian fashion model
Wikipedia - Alexandra Cheron -- American actress and model
Wikipedia - Alexandra Gottardo -- Indonesian actress and model
Wikipedia - Alexandra Kalinovska -- Czech modern pentathlete
Wikipedia - Alexandra Micu -- Romanian fashion model
Wikipedia - Alexandra Waterbury -- American ballet dancer and model
Wikipedia - Alexandre Henrard -- French modern pentathlete
Wikipedia - Alexandria Mills -- American model and beauty queen
Wikipedia - Alexandros Baltatzis-Mavrokorlatis -- Greek modern pentathlete
Wikipedia - Alexandros Nikolopoulos (pentathlete) -- Greek modern pentathlete
Wikipedia - Alex Binaris -- South African model
Wikipedia - Alexisbad -- Borough of Harzgerode in Saxony-Anhalt, Germany
Wikipedia - Alexis Bledel -- American actress and model
Wikipedia - Alexis Godey -- Scout and Mountain Man
Wikipedia - Alexis Ren -- Model
Wikipedia - Alexis SueAnn Seow -- Malaysian model, blogger and beauty queen
Wikipedia - Alex Moroder -- Italian author
Wikipedia - Alex Pettyfer -- British actor and model
Wikipedia - Alex Watson (pentathlete) -- Australian modern pentathlete
Wikipedia - Alexx Ekubo -- Nigerian actor and model
Wikipedia - Aleyda Ortiz -- Puerto Rican model, TV host, actress and beauty pageant titleholder
Wikipedia - ALFA 15/20 HP -- Italian car model made- 1914-1920
Wikipedia - Alfina Nassyrova -- Kazakh model
Wikipedia - Alfonso Marotta -- Italian modern pentathlete
Wikipedia - Alfonso Ottaviani -- Italian modern pentathlete
Wikipedia - Alfred E. Goodey -- English art collector
Wikipedia - Alfred Goodwin (pentathlete) -- British modern pentathlete
Wikipedia - Alfred Starbird -- American modern pentathlete
Wikipedia - Algebraic code-excited linear prediction -- Speech coding standard
Wikipedia - Algebraic geometric code
Wikipedia - Algebraic modeling language
Wikipedia - Algoman orogeny -- Late Archaean episode of mountain building in what is now North America
Wikipedia - Aliana Lohan -- American fashion model, singer and actress
Wikipedia - Alice Arno -- French actress and model
Wikipedia - Alice Burdeu -- Australian fashion model
Wikipedia - Alice Dellal -- British-Brazilian model
Wikipedia - Alice Dixson -- Filipino American actress, commercial model, and former beauty queen
Wikipedia - Alice Hirose -- Japanese actress and model
Wikipedia - Alice Sotero -- Italian modern pentathlete
Wikipedia - Alicia Ann Spottiswoode -- Scottish songwriter and composer
Wikipedia - Alicia Burke -- Jamaican fashion model
Wikipedia - Alicia Endemann -- German actress, beauty queen and model
Wikipedia - Alicia Fox -- American professional wrestler, former model and occasional actress
Wikipedia - Alicia Mayer -- Filipino actor and model
Wikipedia - Alicia M. Soderberg -- American astronomer
Wikipedia - Ali Fazal -- Indian actor and model
Wikipedia - Ali Kay -- American model
Wikipedia - Alina Mansur -- Aruban model
Wikipedia - Alina Sanko -- Russian model and beauty queen
Wikipedia - Aline Charigot -- Wife and model of Auguste Renoir, 1859-1915
Wikipedia - Aline Dias -- Brazilian actress and model
Wikipedia - A Linn Yaung -- Burmese actor, model and singer
Wikipedia - Alisa Ahmann -- German fashion model
Wikipedia - Alison Carroll -- English gymnast, model, and actress
Wikipedia - Alison Doody -- Irish actress and model
Wikipedia - Alison Eastwood -- American actress, director, producer, model, and fashion designer
Wikipedia - Alissoderus -- Genus of beetles
Wikipedia - Alizeh Shah -- Pakistani actress and model
Wikipedia - Aljur Abrenica -- Filipino actor, dancer, model and singer
Wikipedia - Allan Fung -- Rhode Island politician
Wikipedia - Allan Ross Welsh -- Rhodesian lawyer and politician
Wikipedia - Allerbach (Rappbode) -- River in Germany
Wikipedia - Alley Baggett -- American glamour model
Wikipedia - All Ghillied Up -- Level from Call of Duty: Modern Warfare
Wikipedia - Allie DeBerry -- American actress and model
Wikipedia - All India Muhammadan Educational Conference -- Organisation promoting modern, liberal education for the Muslim community in India
Wikipedia - Allison Hayes -- Actress, model
Wikipedia - Allison Model 250 -- Turboshaft aircraft engine
Wikipedia - Allison Parrish -- Creative coder cited as "Best maker of poetry bots".
Wikipedia - Allium dodecadontum -- Species of plant
Wikipedia - Allium dodecanesi -- Species of plant
Wikipedia - Allium moderense -- Species of plant
Wikipedia - Allium nanodes -- Species of plant
Wikipedia - All models are wrong -- A common aphorism in statistics
Wikipedia - Allodessus -- Genus of beetles
Wikipedia - Alluvium -- Loose soil or sediment that is eroded and redeposited in a non-marine setting
Wikipedia - Almeda Abazi -- Albanian actress, model, beauty queen
Wikipedia - Almost Like a Whale -- A modern introduction to Charles Darwin's Origin of Species by Steve Jones
Wikipedia - Aloe affinis -- species of plant in the family Asphodelaceae
Wikipedia - Aloe comosa -- species of plant in the family Asphodelaceae
Wikipedia - Aloe dorotheae -- species of plant in the family Asphodelaceae
Wikipedia - Aloe excelsa -- species of plant in the family Asphodelaceae
Wikipedia - Aloe marlothii -- species of plant in the family Asphodelaceae
Wikipedia - Aloe mayottensis -- species of plant in the family Asphodelaceae
Wikipedia - Aloe melanacantha -- species of plant in the family Asphodelaceae
Wikipedia - Aloidendron -- species of plant in the family Asphodelaceae
Wikipedia - Alonso Fernandez Alvarez -- Costa Rican model and male beauty pageant titleholder
Wikipedia - Al-Ousta Codex -- 14th-century Hebrew Bible codex
Wikipedia - Aloysio Borges -- Brazilian modern pentathlete
Wikipedia - Alpazat cave rescue -- Six British soldiers trapped in a flooded Mexican cave
Wikipedia - Alperen Duymaz -- Turkish actor and model
Wikipedia - Alpha-beta pruning -- Search algorithm that seeks to decrease the number of nodes in the minimax algorithm search tree
Wikipedia - Alpha-synuclein -- Protein encoded by the SNCA gene found in humans
Wikipedia - Alp KirM-EM-^_an -- Turkish actor and model
Wikipedia - AL postcode area -- Postcode area within the United Kingdom
Wikipedia - Al-Sharat -- Highland region in modern southern Jordan and northwestern Saudi Arabia
Wikipedia - Alsodes montanus -- Species of amphibian
Wikipedia - Alt code -- Method for entering non-ASCII characters into a computer
Wikipedia - Altenia modesta -- Species of moth
Wikipedia - Alte Oder -- River in Germany
Wikipedia - Alternative splicing -- Process by which a single gene can code for multiple proteins
Wikipedia - Altman Z-score -- Model for asssessing likelihood of bankruptcy
Wikipedia - Alton Mason -- American model
Wikipedia - Alucita microdesma -- Species of many-plumed moth in genus Alucita
Wikipedia - Alucita myriodesma -- Species of many-plumed moth in genus Alucita
Wikipedia - Alucita phricodes -- Species of many-plumed moth in genus Alucita
Wikipedia - Alucita xanthodes -- Species of many-plumed moth in genus Alucita
Wikipedia - Alva Chinn -- American model
Wikipedia - Aly Goni -- Indian actor and model
Wikipedia - Aly Michalka -- American actress, singer-songwriter, musician, and model
Wikipedia - Alyona Kiperman -- Ukrainian model and designer
Wikipedia - Alyona Osmanova -- Ukrainian model
Wikipedia - Alypiodes geronimo -- Species of moth
Wikipedia - Alyssa Miller -- American model
Wikipedia - Alyz Henrich -- Venezuelan model, environmentalist and beauty queen
Wikipedia - Alzheimer's disease -- Progressive, neurodegenerative disease characterized by memory loss
Wikipedia - Amanda Adams -- American author, archaeologist, and former fashion model
Wikipedia - Amanda Diaz -- Puerto Rican model
Wikipedia - Amanda Ebeye -- Nigerian actor and model
Wikipedia - Amanda Kimmel -- American actress, model, beauty queen, animal rights advocate, and reality television show contestant
Wikipedia - Amanda Obdam -- Thai-Canadian model and beauty queen
Wikipedia - Amanda Seyfried -- American actress, singer, and model
Wikipedia - Amanda Vilanova -- Puerto Rican model
Wikipedia - Amanda Ware -- Australian model
Wikipedia - Aman Dhaliwal -- Indian model-turned-actor
Wikipedia - A Man of Means -- 1991 short story collection by P.G. Wodehouse and C.H. Bovill
Wikipedia - Amber Anderson -- English actress and model
Wikipedia - Amber Lee Ettinger -- American model
Wikipedia - Amber Rose -- American model and actress
Wikipedia - Amber Smith -- Actress, model
Wikipedia - Amber Valletta -- American Supermodel and actress
Wikipedia - Amblyptilia aeolodes -- Species of plume moth
Wikipedia - Amboy (ship) -- Wooden schooner-barge wrecked in the Mataafa Storm of 1905
Wikipedia - Ambrose Burnside -- Soldier, railroad executive, inventor, industrialist, and politician from Rhode Island, United States
Wikipedia - Ambulacraria -- Clade of deuterostomes containing echinoderms and hemichordates
Wikipedia - AMC Matador -- Large-sized car model produced by American Motors Corporation
Wikipedia - AM-CM-+cio Coelho -- Brazilian modern pentathlete
Wikipedia - Ameer Zeb Khan -- Pakistani model
Wikipedia - Amelia Atwater-Rhodes -- American author of fantasy and young adult literature
Wikipedia - Amelia Vega -- Dominican model, actress, singer, author and beauty queen
Wikipedia - Amelie Caze -- French modern pentathlete
Wikipedia - American Anti-Corruption Act -- American model legislation
Wikipedia - American Kenpo -- Martial arts based on modern day street fighting
Wikipedia - American modernism
Wikipedia - American Morse code -- Morse code variant used on landline telegraph systems in the U.S.
Wikipedia - American Ninja Warrior: USA vs. The World -- Special episodes of American realty/sport competition television series American Ninja Warrior
Wikipedia - America's Next Top Model (season 21)
Wikipedia - America's Next Top Model (season 22) -- season of television series
Wikipedia - America's Next Top Model -- American reality television series
Wikipedia - Americo Gonzalez (pentathlete) -- Modern pentathlete
Wikipedia - Ami Cusack -- Television personality and model
Wikipedia - Amiga Halfbrite mode
Wikipedia - Amiga models and variants
Wikipedia - Ami Haruna -- Asian Model
Wikipedia - Amir Ansari -- Co-founder:venture capital firm Prodea Systems Inc
Wikipedia - Amir Hossein Arman -- Iranian actor, model and singer
Wikipedia - Amna Babar -- Pakistani supermodel
Wikipedia - A Modern Casanova -- 1928 film
Wikipedia - A Modern Cinderella -- 1917 film by John G. Adolfi
Wikipedia - A Modern Dubarry -- 1927 film
Wikipedia - A Modern Hero -- 1934 film
Wikipedia - A Modern Marriage -- 1950 film
Wikipedia - A Modern Musketeer -- 1917 film by Allan Dwan
Wikipedia - A Modern Salome -- 1920 film by Leonce Perret
Wikipedia - A Modern Thelma -- 1916 film by John G. Adolfi
Wikipedia - A Modest Hero -- 1913 film
Wikipedia - A Modest Proposal -- 1729 satirical essay by Jonathan Swift
Wikipedia - A Modest Video Game Proposal -- 2005 open letter by Jack Thompson
Wikipedia - Amparo MuM-CM-1oz -- Spanish actress and model, Miss Universe 1974 winner
Wikipedia - Amphilepididae -- Family of echinoderms
Wikipedia - Amphiodia urtica -- Species of echinoderm
Wikipedia - Amphipholis -- Genus of echinoderms
Wikipedia - Amphitorna lechriodes -- Species of hook-tip moth
Wikipedia - Amrita Rao -- Indian actress and model
Wikipedia - Amro El Geziry -- American modern pentathlete
Wikipedia - Amsterdam Declaration -- 2002 statement of the fundamental principles of modern humanism
Wikipedia - Amy Farrington -- American actress and model
Wikipedia - Amy Ferguson -- American actress and model
Wikipedia - Amy Jackson -- British film actress and model
Wikipedia - Amy Kao -- American entrepreneur, model, and public speaker
Wikipedia - Amy Lynn Baxter -- American model and actress
Wikipedia - Amy Smart -- American actress and former fashion model
Wikipedia - Amy Wright -- American actress and former model
Wikipedia - Ana Batarelo -- Croatian model
Wikipedia - Ana Beatriz Barros -- Brazilian model
Wikipedia - Anabella Castro -- 21st-century Columbian model
Wikipedia - Ana Bertha Lepe -- Mexican actress and model
Wikipedia - Ana Brenda Contreras -- American actress, singer, and model
Wikipedia - Ana Carolina Reston -- Brazilian model
Wikipedia - An Act to amend the Canadian Human Rights Act and the Criminal Code
Wikipedia - An Act to amend the Criminal Code (peremptory challenges) -- A 2019 act of the Canadian Parliament
Wikipedia - Anaerobic digestion -- Processes by which microorganisms break down biodegradable material in the absence of oxygen
Wikipedia - Anagabriela Espinoza -- Mexican model and beauty queen
Wikipedia - Anagha (actress) -- Indian model and actress
Wikipedia - Analysis of variance -- Collection of statistical models
Wikipedia - Anambodera -- Genus of beetles
Wikipedia - Ana M-CM-^Alvarez -- Spanish actress and model
Wikipedia - Ananda Lewis -- American television host, model and social activist
Wikipedia - Anantasana -- A reclining posture in modern yoga
Wikipedia - Anaplastic oligodendroglioma -- Human brain tumor
Wikipedia - Ana Rodriguez (Miss Texas USA) -- American model
Wikipedia - Anastasia Ashley -- American professional surfer and model
Wikipedia - Anastasia Bezrukova -- Russian child model and actress
Wikipedia - Anastasiya Prokopenko -- Belarusian modern pentathlete
Wikipedia - Anastasiya Spas -- Ukrainian modern pentathlete
Wikipedia - Anatoli Starostin -- Soviet modern pentathlete
Wikipedia - Anatoly Avdeyev -- Soviet modern pentathlete
Wikipedia - Anatomically modern humans
Wikipedia - Anatomical machines -- 18thC anatomical models
Wikipedia - Anatomical model -- Three-dimensional representation of human or animal anatomy
Wikipedia - Ana Veronica Rodean -- Romanian athlete
Wikipedia - Anchal Joseph -- American model
Wikipedia - Anchonoderus -- Genus of beetles
Wikipedia - Anchor Modeling
Wikipedia - Anchor modeling
Wikipedia - Ancient and modern arms
Wikipedia - Ancient Near East -- Home of early civilizations within a region roughly corresponding to the modern Middle East
Wikipedia - Ancient Wisdom, Modern World
Wikipedia - Ancylodes dealbatella -- Species of moth
Wikipedia - Ancylodes pallens -- Species of moth
Wikipedia - Ancylometis trigonodes -- Species of moth
Wikipedia - Ancylostoma duodenale -- species of the roundworm genus Ancylostoma
Wikipedia - Anderson impurity model -- Hamiltonian used in quantum physics
Wikipedia - Anders Schroder -- Swedish politician
Wikipedia - Anders Soderberg (luger) -- Swedish luger
Wikipedia - Anders Soderblom -- Danish male curler
Wikipedia - Andie MacDowell -- American actress and model
Wikipedia - Andi Muise -- Canadian model
Wikipedia - Andinotrichoderes -- Genus of beetles
Wikipedia - Andras Balczo -- Hungarian modern pentathlete
Wikipedia - Andrea Bordeaux -- American actress and model
Wikipedia - Andrea del Rosario -- Filipina actress, model and politician
Wikipedia - Andrea Gomez -- Venezuelan model
Wikipedia - Andrea Martinez -- Spanish model
Wikipedia - Andrea RM-EM-/M-EM->iM-DM-^Mkova -- Slovak actress and model
Wikipedia - Andrea Toscano -- Mexican model who won Mexicana Universal 2018
Wikipedia - Andrea Valentini (pentathlete) -- Italian modern pentathlete
Wikipedia - Andre Bernard (pentathlete) -- French modern pentathlete
Wikipedia - Andre Birleanu -- Russian model (born 1982)
Wikipedia - Andre Chretien -- French modern pentathlete
Wikipedia - Andre Cremon -- French modern pentathlete
Wikipedia - Andreea Diaconu -- Romanian model
Wikipedia - Andrei Broder
Wikipedia - Andrei Gheorghe -- Guatemalan modern pentathlete
Wikipedia - Andrejus Zadneprovskis -- Lithuanian modern pentathlete
Wikipedia - Andre Lacroix (pentathlete) -- French modern pentathlete
Wikipedia - Andre Paras -- Filipino actor and model
Wikipedia - Andre Segatti -- Brazilian actor and model
Wikipedia - Andres Mistage -- Venezuelan model, actor, and male beauty pageant titleholder
Wikipedia - Andres Velencoso -- Spanish model and actor from Catalonia
Wikipedia - Andrey Moiseyev -- Russian modern pentathlete
Wikipedia - Andrey of Gorodets
Wikipedia - Andriy Fedechko -- Ukrainian modern pentathlete
Wikipedia - Andronicus of Rhodes
Wikipedia - Andrzej Stefanek -- Polish modern pentathlete
Wikipedia - Andy Cutting -- British melodeon player and folk music composer
Wikipedia - Andy Jung (pentathlete) -- Swiss modern pentathlete
Wikipedia - Andy Martin (pentathlete) -- British modern pentathlete
Wikipedia - Anedie Azael -- Haitian model and activist
Wikipedia - Anel (actress) -- Mexican former model and actress
Wikipedia - An Episode in the Life of an Iron Picker -- 2013 film
Wikipedia - Angad Bedi -- Indian film actor and model
Wikipedia - Angela Fong -- Canadian professional wrestler and model
Wikipedia - Angela Jonsson -- Indian model and actress
Wikipedia - Angela Lindvall -- American model
Wikipedia - Angel Aquino -- Filipino actor and model
Wikipedia - Angel Bonanni -- Uruguayan-Israeli model and actor
Wikipedia - Angelica Rivera -- Mexican actress, model
Wikipedia - Angelika Jakubowska -- Polish model
Wikipedia - Angeline Flor Pua -- Miss Universe Belgium 2019, beauty pageant titleholder, Belgian-Filipino model
Wikipedia - Angeline Quinto -- Filipino model and singer
Wikipedia - Angelique Burgos -- Puerto Rican model
Wikipedia - Angella Escudero -- Peruvian engineer, model, and beauty pageant titleholder
Wikipedia - Angell-Ballou House -- Historic house in Rhode Island, US
Wikipedia - Angelle Brooks -- American actress and model
Wikipedia - Angelo Garcia -- American model and member of Menudo, boy band
Wikipedia - Angelo's Civita Farnese -- Italian restaurant, Rhode Island
Wikipedia - Angel Pepelyankov -- Bulgarian modern pentathlete
Wikipedia - Angie Bowie -- American model, actress and journalist
Wikipedia - Angie Darby -- Australian modern pentathlete
Wikipedia - Angie Everhart -- American actress and model
Wikipedia - Angie Harmon -- American film actress and model
Wikipedia - Anglo-Saxon model
Wikipedia - Anh ThM-FM-0 -- Vietnamese famous actor and model
Wikipedia - Anielow, Masovian Voivodeship -- Village in Masovian Voivodeship, Poland
Wikipedia - Anika Taher -- Bangladeshi model
Wikipedia - Anillodes -- Genus of beetles
Wikipedia - Anil Nerode -- American mathematician
Wikipedia - Animal models of Parkinson's disease
Wikipedia - Animal models
Wikipedia - Animal model
Wikipedia - Animal testing on rodents
Wikipedia - Anisakis -- Genus of parasitic nematodes
Wikipedia - Anisio da Rocha -- Brazilian modern pentathlete
Wikipedia - Anisopodesthes -- Genus of beetles
Wikipedia - Anita Allen (pentathlete) -- American modern pentathlete
Wikipedia - Anita Broden -- Swedish politician
Wikipedia - Anita Sanders -- Swedish actress and model
Wikipedia - Anita Uwagbale -- Nigerian model
Wikipedia - Anitra Ford -- American former actress and model
Wikipedia - Anjali Jathar -- Indian model and actress
Wikipedia - Anjaneyasana -- A standing lunge posture in modern yoga
Wikipedia - Anjena Kirti -- Indian film actress and model
Wikipedia - Anjori Alagh -- Indian actress and model
Wikipedia - Anjum Fakih -- Indian television actress and model
Wikipedia - Ankita Makwana -- Swiss model
Wikipedia - Ankur Bhatia -- Indian actor and model
Wikipedia - AnM-DM-^Qelija Rogic -- Serbian model
Wikipedia - Anna Anka -- Swedish-American model, actress, and author
Wikipedia - Anna Bansode -- Indian politician from Maharashtra
Wikipedia - Anna Benson -- American model
Wikipedia - Anna Bjorn -- Icelandic graphic designer, filmmaker, model, and actress
Wikipedia - Anna BM-CM-%rd -- Danish actress and model
Wikipedia - Anna Boden and Ryan Fleck -- American filmmaker duo
Wikipedia - Anna Durytska -- Ukrainian fashion model
Wikipedia - Anna Ewers -- German fashion model
Wikipedia - Anna Falchi -- Finnish-Italian model and film actress
Wikipedia - Anna Godenius -- Swedish actress
Wikipedia - Anna Ishibashi -- Japanese model and actress
Wikipedia - Annalise Basso -- American actress and model
Wikipedia - Annalise Braakensiek -- Australian model, actress, television presenter, businesswoman and campaign ambassador
Wikipedia - Anna Maliszewska -- Polish modern pentathlete
Wikipedia - Anna Marie Cseh -- Hungarian actress and model
Wikipedia - Anna Matthes -- German modern pentathlete
Wikipedia - Anna Nicole Smith -- American model, actress, and television personality
Wikipedia - Anna Prelevic -- Greek tv presenter and model
Wikipedia - Anna Risi -- Italian painting model. Muse and mistress of painter Anselm Feuerbach
Wikipedia - Anna Sophia Berglund -- American model
Wikipedia - AnnaSophia Robb -- American actress, singer, and model
Wikipedia - Anna Theresa Licaros -- Filipino model
Wikipedia - Anna Whitehead Bodeker
Wikipedia - Anna Zak -- Israeli model and singer (born 2001)
Wikipedia - Anne Boden -- British entrepreneur (b. 1960)
Wikipedia - Anne Curtis -- Filipino-Australian actress, model, television host, VJ and recording artist
Wikipedia - Anne D. Yoder -- American biologist, researcher, and professor
Wikipedia - Anne Goodenough -- British ecologist, Professor of Applied Ecology
Wikipedia - Anne-Laure Dalibard -- French mathematician working on asymptotic behavior of fluid equations occurring in oceanographic models
Wikipedia - Anne Lena Hansen -- Norwegian model, actress, presenter, and beauty queen
Wikipedia - Annelien Coorevits -- Belgian TV-presenter and model
Wikipedia - Anne-Louis Girodet de Roussy-Trioson
Wikipedia - Anne Marie Kortright -- Puerto Rican model
Wikipedia - Anne Marie Thistler -- Swedish model
Wikipedia - Anne Odenmarck -- Norwegian politician
Wikipedia - Annette Roque -- Dutch model and equestrian
Wikipedia - Annette Schwarz -- German pornographic actress and model (born 1984)
Wikipedia - Anne Watanabe -- Japanese actress, singer and model
Wikipedia - Annicka Engblom -- Swedish politician of the Moderate Party
Wikipedia - Annika Schleu -- German modern pentathlete
Wikipedia - ANNNI model -- Variant of the Ising model
Wikipedia - Ann Ward -- American fashion model
Wikipedia - Anny Cazenave -- French space geodesist
Wikipedia - Anode -- Electrode through which conventional current flows into a polarized electrical device
Wikipedia - AnonCoders -- Hacker group
Wikipedia - Anoplodera -- Genus of beetles
Wikipedia - Anoplodesmus sabulosus -- Species of millipede
Wikipedia - Anoplodesmus stadelmanni -- Species of myriapod
Wikipedia - A + No Poder -- 2015 studio album by Alejandra Guzman
Wikipedia - Anri Okamoto -- Japanese fashion model and actress
Wikipedia - ANSI escape codes
Wikipedia - ANSI escape code -- Method using in-band signaling to control the formatting, color, and other output options on video text terminals
Wikipedia - Antal Moldrich -- Hungarian modern pentathlete
Wikipedia - Antarctic Cold Reversal -- Episode in Earth climate history
Wikipedia - Anthology series -- Radio or television series that presents a different story and a different set of characters in each episode
Wikipedia - Anthony Crossley (sailor) -- Rhodesian sailor
Wikipedia - Anthropodermic bibliopegy -- Binding books in human skin
Wikipedia - Anti Avsan -- Swedish politician of the Moderate Party
Wikipedia - Antigone oder die Stadt -- 1988 opera by Georg Katzer and Gerhard Muller
Wikipedia - Anti-Modernist oath
Wikipedia - Antimony electrode -- PH electrode
Wikipedia - Antipodes Islands -- Subantarctic archipelago of New Zealand
Wikipedia - Antipodes snipe -- Subspecies of bird
Wikipedia - Antipodes
Wikipedia - Antoinette Rodez Schiesler -- American chemist
Wikipedia - Antonin Langweil -- Bohemian lithographer, librarian, painter, and model maker
Wikipedia - Antonin Odehnal -- Czech sculptor
Wikipedia - Antonio Jonet -- Portuguese modern pentathlete
Wikipedia - Antonio Sabato Jr. -- American actor and model
Wikipedia - Antoni Panyovski -- Bulgarian modern pentathlete
Wikipedia - Antoni Porowski -- Polish-Canadian Emmy award winning reality tv personality, actor, chef and model
Wikipedia - Anton Schindling -- German historian of modern age
Wikipedia - Anu Aggarwal -- Model and actress
Wikipedia - Anukriti Gusain -- Indian model, television host
Wikipedia - Anupama Verma -- Indian model
Wikipedia - Anu Ramamoorthy -- Malaysian actress and model
Wikipedia - Anurita Jha -- Indian actress and model
Wikipedia - Anusara School of Hatha Yoga -- A school of modern yoga
Wikipedia - Anwer Khan Modern Medical College -- Medical school in Bangladesh
Wikipedia - Anya Monzikova -- Russian-American model and actress
Wikipedia - Anyoli M-CM-^Abrego -- Panamanian model and beauty pageant winner
Wikipedia - Anzhelika Tahir -- Pakistani-Ukrainian model and Lollywood actress
Wikipedia - Aoife Walsh -- Irish model
Wikipedia - Apache ODE
Wikipedia - APA Ethics Code
Wikipedia - A Pain That I'm Used To -- 2005 single by Depeche Mode
Wikipedia - Apalimnodes -- Genus of beetles
Wikipedia - A Pelican at Blandings -- 1969 novel by P.G. Wodehouse
Wikipedia - Aphomia isodesma -- Species of moth
Wikipedia - Aplanodema lomii -- Genus of beetles
Wikipedia - APL (codepage)
Wikipedia - Apoda limacodes -- Species of moth
Wikipedia - Apoderus -- Genus of beetles
Wikipedia - Apollonie Sabatier -- French model
Wikipedia - Apollonius of Rhodes -- ancient Greek epic poet
Wikipedia - Apoorva Arora -- Indian actress and model
Wikipedia - Aporodes floralis -- Species of moth
Wikipedia - Aporrectodea caliginosa -- Species of annelid
Wikipedia - Aporrectodea rosea -- Species of annelid
Wikipedia - Apostichopus -- Genus of echinoderms
Wikipedia - Apostolicae Sedis moderationi
Wikipedia - Appakudal -- Panchayat town in the Erode District, Tamil Nadu, India
Wikipedia - AppCode
Wikipedia - Appenzell Ausserrhoden
Wikipedia - Apple box -- Wooden box or crate of varying sizes with holes on each end used chiefly in film production
Wikipedia - Apple IIc -- Fourth model in the Apple II series of computers
Wikipedia - Apple IIe -- Third model in the Apple II series of personal computers
Wikipedia - Apple II Plus -- Second model of the Apple II series of personal computers by Apple Computer
Wikipedia - Apple II -- First computer model in the Apple II series
Wikipedia - Apple-Intel architecture -- Unofficial name used for Macintosh models that use Intel x86 processors
Wikipedia - AppleScript Editor -- Code editor for the AppleScript and Javascript for Automation scripting languages
Wikipedia - Applications of quantum mechanics -- Theories, models and concepts that go back to the quantum hypothesis of Max Planck
Wikipedia - AppSheet -- No-code development platform
Wikipedia - A Prefect's Uncle -- 1903 novel by P.G. Wodehouse
Wikipedia - April Bowlby -- American actress and model
Wikipedia - April Laws -- Collection of laws modernizing the Kingdom of Hungary
Wikipedia - April Rose Pengilly -- Australian actor and model
Wikipedia - APRS Calling -- Brevity code used via APRS to request communications elsewhere
Wikipedia - Aptinoderus -- Genus of beetles
Wikipedia - AptX -- Family of proprietary audio codec compression algorithms owned by Qualcomm
Wikipedia - Apu Biswas -- Bangladeshi model and actress
Wikipedia - Aquilles Gloffka -- Chilean fencer and modern pentathlete
Wikipedia - Arachniodes tsiangiana -- Species of plant
Wikipedia - Araeoderes -- Genus of beetles
Wikipedia - Ara Mina -- Filipino actress, singer and model
Wikipedia - ArangoDB -- Free and open-source multi-model database
Wikipedia - Arav -- Indian model and actor
Wikipedia - Arbelodes -- Genus of moths
Wikipedia - Arbitrary code execution
Wikipedia - Arboretum de Podestat -- Private arboretum in Podestat, near Bergerac, Dordogne, Aquitaine, France
Wikipedia - Archaic human admixture with modern humans
Wikipedia - Archaic humans -- Extinct relatives of modern humans
Wikipedia - Archdiocese of St Andrews -- Episcopal jurisdiction in early modern and medieval Scotland
Wikipedia - Archicolpodes -- Genus of beetles
Wikipedia - Archie Renaux -- English actor and model
Wikipedia - Archita Sahu -- Indian actress and model
Wikipedia - Architectural model -- Scale model built to study aspects of an architectural design or to communicate design ideas
Wikipedia - Architecture Neutral Distribution Format -- Portable binary application code format
Wikipedia - Architecture of England -- Architectural styles of modern England and the historic Kingdom of England
Wikipedia - ArcLight (biology) -- Genetically-encoded voltage indicator
Wikipedia - Arden Cho -- American actress, singer and model
Wikipedia - Ardha chandrasana -- A standing posture in modern yoga
Wikipedia - Ardhanareeswarar temple, Tiruchengode -- Temple in India
Wikipedia - Arduodens -- -- Arduodens --
Wikipedia - Area code 202 -- Area code for Washington, D.C.
Wikipedia - Area code 206 -- Telephone area code serving Seattle, Washington
Wikipedia - Area code 207 -- Area code of Maine
Wikipedia - Area code 209 -- Area code of north Central Valley, California
Wikipedia - Area code 216 -- Telephone area code for Cleveland, Ohio
Wikipedia - Area code 217 -- Area code in west and central Illinois, United States
Wikipedia - Area code 218 -- Area code for northern Minnesota
Wikipedia - Area code 219 -- Area code that serves northwest Indiana
Wikipedia - Area code 225 -- Area code for Baton Rouge, Louisiana
Wikipedia - Area code 231 -- Area code in Michigan, United States
Wikipedia - Area code 242 -- telephone area code of The Bahamas
Wikipedia - Area code 250 -- Telephone area code serving British Columbia, Canada, and Alaska, US
Wikipedia - Area code 252 -- Area code in northeastern North Carolina, United States
Wikipedia - Area code 253 -- Area code for areas near Tacoma, Washington state, United States
Wikipedia - Area code 254 -- Area code in Texas, United States
Wikipedia - Area code 260 -- Area code that serves northeast Indiana
Wikipedia - Area code 262 -- Area code for southeastern Wisconsin, United States
Wikipedia - Area code 264 -- Telephone area code of Anguilla
Wikipedia - Area code 307 -- Area code for all of Wyoming, United States
Wikipedia - Area code 308 -- Telephone area code for western Nebraska, United States
Wikipedia - Area code 312 -- Area code of Downtown Chicago
Wikipedia - Area code 313 -- Area code in Detroit, Michigan
Wikipedia - Area code 318 -- Area code in northern and central Louisiana, United States
Wikipedia - Area code 321 -- Area code for east central Florida
Wikipedia - Area code 325 -- Area code in west-central Texas, United States
Wikipedia - Area code 334 -- Area code for southeastern Alabama, United States
Wikipedia - Area code 337 -- Area code for southwestern Louisiana, United States
Wikipedia - Area code 352 -- Telephone area code for Ocala, Florida
Wikipedia - Area code 360 -- Area code for western Washington, United States
Wikipedia - Area code 361 -- Area code in Texas, United States
Wikipedia - Area code 405 -- Area code serving central Oklahoma, United States
Wikipedia - Area code 409 -- Area code in southeast Texas, United States
Wikipedia - Area code 414 -- Area code for Misconsin, United States
Wikipedia - Area code 423 -- Area code in east Tennessee, United States
Wikipedia - Area code 425 -- Area code in Washington state, United States
Wikipedia - Area code 432 -- Area code in west Texas, United States
Wikipedia - Area code 434 -- Area code for southern Virginia, United States
Wikipedia - Area code 435 -- Area code in Utah, United States
Wikipedia - Area code 473 -- Area code for Grenada, Carriacou and Petite Martinique
Wikipedia - Area code 479 -- Area code for northwestern Arkansas
Wikipedia - Area code 480 -- Area code in the East Valley of Phoenix, Arizona
Wikipedia - Area code 501 -- Area code for central Arkansas
Wikipedia - Area code 502 -- Area code that serves north central Kentucky, primarily Louisville, its suburbs, and the state capital, Frankfort
Wikipedia - Area code 505 -- Telephone area code within northwestern New Mexico
Wikipedia - Area code 506 -- Telephone area code for New Brunswick, Canada
Wikipedia - Area code 509 -- Telephone area code for the eastern two-thirds of Washington
Wikipedia - Area code 513 -- Area code for southwest Ohio, US
Wikipedia - Area code 516 -- Area code in Nassau County, New York, United States
Wikipedia - Area code 520 -- Area code in southern Arizona, United States
Wikipedia - Area code 530 -- Area code for parts of northern California
Wikipedia - Area code 540 -- Area code for northwestern Virginia, United States
Wikipedia - Area code 559 -- Area code for Fresno and Visalia, California
Wikipedia - Area code 561 -- Telephone area code in USA
Wikipedia - Area code 562 -- Area code for parts of Los Angeles and Orange counties in California
Wikipedia - Area code 564 -- Overlay area code for western Washington, United States
Wikipedia - Area code 574 -- Area code that serves South Bend and mishawaka and north-central Indiana
Wikipedia - Area code 575 -- Area code in New Mexico, United States
Wikipedia - Area code 580 -- Area code for western and southern Oklahoma, United States
Wikipedia - Area code 585 -- Telephone area code for Rochester, New York
Wikipedia - Area code 600 -- Canadian non-geographic area code
Wikipedia - Area code 602 -- Area code for Phoenix, Arizona, United States
Wikipedia - Area code 604 -- Telephone area code in British Columbia, Canada
Wikipedia - Area code 605 -- Area code for all of South Dakota, United States
Wikipedia - Area code 606 -- Area code that serves the easternmost part of Kentucky
Wikipedia - Area code 616 -- Area code for Western Michigan
Wikipedia - Area code 623 -- Area code for western Phoenix, Arizona, United States
Wikipedia - Area code 626 -- Area code for the San Gabriel Valley of California
Wikipedia - Area code 641 -- Area code for a central portion of Iowa
Wikipedia - Area code 650 -- Area code for San Mateo County and parts of Santa Clara County, California
Wikipedia - Area code 651 -- Area code for Saint Paul, Minnesota and eastern suburbs
Wikipedia - Area code 661 -- Area code in Kern, Los Angeles, Santa Barbara, and Tulare Counties, California, United States
Wikipedia - Area code 662 -- Telephone area code serving the northern half of Mississippi, US
Wikipedia - Area code 664 -- Number prefix to access a telephone in the Caribbean island
Wikipedia - Area code 701 -- Area code for all of North Dakota, United States
Wikipedia - Area code 707 -- Area code for northwestern California, United States
Wikipedia - Area code 708 -- Area code for southern suburbs of Chicago, Illinois
Wikipedia - Area code 712 -- Telephone area code for western Iowa, United States
Wikipedia - Area code 719 -- Colorado telephone area code
Wikipedia - Area code 727 -- Area code for Pinellas County, Florida, United States
Wikipedia - Area code 763 -- Area code for northwestern suburbs of Minneapolis-Saint Paul, Minnesota
Wikipedia - Area code 765 -- Area code that serves a horseshoe-shaped region of 20 counties surrounding the Indianapolis area
Wikipedia - Area code 773 -- Area code of Chicago outside of Downtown
Wikipedia - Area code 775 -- Area code for Nevada, United States
Wikipedia - Area code 784 -- Local telephone area code of Saint Vincent and the Grenadines
Wikipedia - Area code 804 -- Telephone area code in east-central Virginia, United States
Wikipedia - Area code 806 -- Area code in Texas, United States
Wikipedia - Area code 816 -- Area code in northwestern Missouri, United States
Wikipedia - Area code 828 -- Area code for western North Carolina, United States
Wikipedia - Area code 830 -- Area code in Texas, United States
Wikipedia - Area code 831 -- Area code for Monterey, Salinas and Santa Cruz, California
Wikipedia - Area code 859 -- Area code that serves the city of Lexington and the central portion of Kentucky
Wikipedia - Area code 864 -- Area code in upstate South Carolina, United States
Wikipedia - Area code 865 -- Area code for Knoxville, Tennessee
Wikipedia - Area code 867 -- Telephone area code for the three territories in northern Canada
Wikipedia - Area code 870 -- Area code for eastern and southern Arkansas, United States
Wikipedia - Area code 901 -- Telephone area code serving Memphis, Tennessee
Wikipedia - Area code 904 -- Telephone area code for northeast Florida, United States
Wikipedia - Area code 906 -- Area code for the Upper Peninsula of Michigan
Wikipedia - Area code 907 -- Area code that serves Alaska, USA
Wikipedia - Area code 910 -- Area code in southeastern North Carolina, United States
Wikipedia - Area code 912
Wikipedia - Area code 913 -- Area code for northeastern Kansas, United States
Wikipedia - Area code 914 -- Area code of Westchester County, New York
Wikipedia - Area code 915 -- Area code in El Paso, United States
Wikipedia - Area code 917 -- Area code that serves all five boroughs of New York City
Wikipedia - Area code 920 -- Area code in eastern Wisconsin, United States
Wikipedia - Area code 925 -- Area code in California, United States
Wikipedia - Area code 928 -- Area code in Arizona, United States
Wikipedia - Area code 936 -- Area code in Texas, United States
Wikipedia - Area code 940 -- Area code for Wichita Falls and Denton, Texas, United States
Wikipedia - Area code 949 -- Telephone area code for southern Orange County, California
Wikipedia - Area code 951 -- Area code covering western Riverside County, California
Wikipedia - Area code 952 -- Area code for southwest suburbs of Minneapolis-Saint Paul, Minnesota
Wikipedia - Area code 956 -- Area code in south Texas, United States
Wikipedia - Area code 970 -- Colorado telephone area code
Wikipedia - Area code 979 -- Area code in Texas, United States
Wikipedia - Area codes 203 and 475 -- Area codes that serve the southwestern part of Connecticut
Wikipedia - Area codes 205 and 659 -- Telephone area code in Alabama, US
Wikipedia - Area codes 208 and 986 -- Area codes for all of Idaho, United States
Wikipedia - Area codes 210 and 726 -- North American telephone area code for numbers near San Antonio, Texas
Wikipedia - Area codes 212, 646, and 332 -- Area codes of Manhattan
Wikipedia - Area codes 213 and 323 -- Area codes in the Los Angeles metropolitan area, California, United States
Wikipedia - Area codes 214, 469, 972, and 945 -- Area codes for Dallas, Texas, United States
Wikipedia - Area codes 256 and 938 -- Area codes for northern Alabama, United States
Wikipedia - Area codes 270 and 364 -- Area codes that serves Kentucky's western and south central counties
Wikipedia - Area codes 301 and 240 -- North American telephone area codes in Maryland
Wikipedia - Area codes 303 and 720 -- Colorado telephone area codes
Wikipedia - Area codes 304 and 681 -- Area codes of West Virginia
Wikipedia - Area codes 305 and 786 -- Telephone area codes in Florida, US
Wikipedia - Area codes 306 and 639 -- Area codes for Saskatchewan, Canada
Wikipedia - Area codes 310 and 424 -- Area codes in the Los Angeles metropolitan area
Wikipedia - Area codes 317 and 463 -- Area codes that serve Indianapolis and most of its suburbs
Wikipedia - Area codes 336 and 743 -- Area codes for northwestern and north-central North Carolina, United States
Wikipedia - Area codes 407 and 689 -- Area codes for Orlando, Florida
Wikipedia - Area codes 408 and 669 -- Area codes that serve the southern San Francisco Bay Area, California
Wikipedia - Area codes 415 and 628 -- Area codes for San Francisco and Marin County, California
Wikipedia - Area codes 418, 581, and 367 -- Area codes covering eastern Quebec, Canada
Wikipedia - Area codes 503 and 971 -- Area codes in northwestern Oregon, United States
Wikipedia - Area codes 508 and 774 -- Area codes that serve south-central and most of southeastern Massachusetts
Wikipedia - Area codes 510 and 341 -- Area codes covering Oakland and the East Bay of California
Wikipedia - Area codes 512 and 737 -- Area codes serving Austin, Texas, United States
Wikipedia - Area codes 518 and 838 -- Telephone area codes
Wikipedia - Area codes 541 and 458 -- Area codes for most of Oregon, United States
Wikipedia - Area codes 587 and 825 -- Overlay area codes for Alberta, Canada
Wikipedia - Area codes 601 and 769 -- Area codes in Mississippi, United States
Wikipedia - Area codes 615 and 629 -- Telephone area codes in Tennessee, US
Wikipedia - Area codes 617 and 857 -- Area codes that serve Boston and some neighboring communities
Wikipedia - Area codes 619 and 858 -- Area codes serving San Diego County, California
Wikipedia - Area codes 631 and 934 -- Area codes for Suffolk County, New York, US
Wikipedia - Area codes 702 and 725 -- Area codes for Clark County, Nevada, United States
Wikipedia - Area codes 704 and 980 -- Area code for Charlotte, North Carolina
Wikipedia - Area codes 705 and 249 -- Area codes in northeastern and central Ontario, Canada
Wikipedia - Area codes 706 and 762 -- Area codes for northern and west central Georgia, United States
Wikipedia - Area codes 713, 281, 832, and 346 -- Area codes in the United States
Wikipedia - Area codes 714 and 657 -- Area code covering areas of southern California
Wikipedia - Area codes 717 and 223 -- Telephone area codes in south central Pennsylvania, U.S.
Wikipedia - Area codes 718, 347, and 929 -- Area codes in New York City
Wikipedia - Area codes 760 and 442 -- Area codes for southern and eastern California
Wikipedia - Area codes 778, 236, and 672 -- Overlay area codes for British Columbia, Canada
Wikipedia - Area codes 781 and 339 -- Area codes covering most of Boston's suburbs
Wikipedia - Area codes 801 and 385 -- Area codes for greater Salt Lake City, UT
Wikipedia - Area codes 803 and 839 -- Area codes in central South Carolina, United States
Wikipedia - Area codes 805 and 820 -- Area codes in central California, United States
Wikipedia - Area codes 812 and 930 -- Area codes that serve the southern third of the state of Indiana
Wikipedia - Area codes 817 and 682 -- Area codes for Fort Worth, Texas, United States
Wikipedia - Area codes 818 and 747 -- Telephone area codes in Los Angeles County, California, United States
Wikipedia - Area codes 847 and 224 -- Telephone area codes in Illinois, United States
Wikipedia - Area codes 850 and 448 -- Area codes in Florida, United States
Wikipedia - Area codes 860 and 959 -- Area codes that serve most of Connecticut, except its southwest
Wikipedia - Area codes 903 and 430 -- Area codes for northeast Texas, United States
Wikipedia - Area codes 909 and 840 -- Area codes in southern California, United States
Wikipedia - Area codes 916 and 279 -- Area codes in Sacramento, California, United States
Wikipedia - Area codes 919 and 984 -- Area codes in North Carolina, United States
Wikipedia - Area codes 937 and 326 -- Area code for southwestern Ohio, United States
Wikipedia - Area codes in Mexico by code (600-699) -- Wikipedia list article
Wikipedia - Area Codes (song) -- 2000 hip hop song by Ludacris and Nate Dogg
Wikipedia - Area code
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Wikipedia - A repository of modern knowledge -- 6 volume encyclopedia, published 1850-1855
Wikipedia - Aret Kapetanovic -- British singer/songwriter, actress, model, and producer
Wikipedia - Argumentation theory -- Study of how conclusions are reached through logical reasoning; one of four rhetorical modes
Wikipedia - Argument to moderation -- Informal fallacy which asserts that the truth can be found as a compromise between two opposite positions
Wikipedia - Argyroderma -- Genus of plants
Wikipedia - Aria Giovanni -- American model and erotic glamour actress (born 1977)
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Wikipedia - Ariana Rodriguez -- Puerot Rican model
Wikipedia - Arianne Zucker -- American actress and model
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Wikipedia - Arielle Kebbel -- American actress and model
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Wikipedia - Ari Fitz -- Model and vlogger
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Wikipedia - Aristodemus of Sparta -- Spartan warrior
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Wikipedia - Arkansas Twister -- Wooden roller coaster
Wikipedia - Arken Museum of Modern Art
Wikipedia - Armanen runes -- Set of modern runic letters created by Guido von List
Wikipedia - ARM Cortex-A78 -- Microprocessor core model by ARM
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Wikipedia - Armillary sphere -- Model of objects in the sky consisting of a framework of rings
Wikipedia - Armine Wodehouse (Liberal politician) -- British politician
Wikipedia - Arna M-CM-^]r Jonsdottir -- Icelandic model
Wikipedia - Arne Tode -- German motorcycle racer
Wikipedia - Arno Almqvist -- Finnish modern pentathlete
Wikipedia - Arnold (models) -- Toy company
Wikipedia - Arnulf Schroder -- German actor
Wikipedia - Arpi Gabrielyan -- Amernian model, singer, actress (born 1989)
Wikipedia - ARRL Numbered Radiogram -- Brevity code for sending standard Ham radio messages
Wikipedia - Arrows (Unicode block) -- Unicode block
Wikipedia - Arsene Pint -- Belgian modern pentathlete
Wikipedia - Arshi Khan -- Indian model, actress, and television personality
Wikipedia - Artemis Fowl: The Eternity Code
Wikipedia - Arthi Venkatesh -- Indian model and actress
Wikipedia - Arthrodermataceae -- Family of fungi
Wikipedia - Arthur Frederick Goode III -- American murderer
Wikipedia - Arthur Henry Gooden -- English screenwriter
Wikipedia - Arthur Lanigan-O'Keeffe -- Irish modern pentathlete
Wikipedia - Arthur Schroder -- German actor
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Wikipedia - Articerodes -- Genus of beetles
Wikipedia - Article 299 (Turkish Penal Code) -- Article concerning the prohibition to insult the Turkish President
Wikipedia - Article 301 (Turkish Penal Code)
Wikipedia - Article 809 of the Korean Civil Code
Wikipedia - Artificial Intelligence: A Modern Approach -- Book by Stuart J. Russell and Peter Norvig
Wikipedia - Artificial neural network -- Computational model used in machine learning, based on connected, hierarchical functions
Wikipedia - Artificial neuron -- Mathematical function conceived as a crude model
Wikipedia - Artika Sari Devi -- Indonesian actor and model
Wikipedia - Artists and Models (1937 film) -- 1937 film by Raoul Walsh
Wikipedia - Artists and Models Abroad -- 1938 film by Mitchell Leisen
Wikipedia - Aru Krishansh Verma -- Indian film actor and model
Wikipedia - A Rumor of Angels: Modern Society and the Rediscovery of the Supernatural -- Book by Peter L. Berger
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Wikipedia - Asami Imajuku -- Japanese fashion model, actress, and singer
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Wikipedia - Asao (codec) -- Audio codec standard
Wikipedia - Asaphodes cinnabari -- Species of moth endemic to New Zealand
Wikipedia - Asaphodes obarata -- Species of moth endemic to New Zealand
Wikipedia - Asaphodes stinaria -- Species of moth endemic to New Zealand
Wikipedia - Asartodes monspesulalis -- Species of moth
Wikipedia - Asartodes zapateri -- Species of moth
Wikipedia - Asciodes gordialis -- Species of moth
Wikipedia - Asha Aravind -- Indian model and actress
Wikipedia - Ashaway, Rhode Island -- Village and CDP in Hopkinton, Rhode Island, US
Wikipedia - Ashihara kaikan -- Modern full contact street karate developed from Kyokushin
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Wikipedia - Ashley Cox -- American model and actress
Wikipedia - Ashley Graham (model) -- American model
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Wikipedia - Ashtanga vinyasa yoga -- A school of modern yoga
Wikipedia - Ashton Kutcher -- American actor, model, producer, and entrepreneur
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Wikipedia - Asia's Next Top Model -- Television series
Wikipedia - Asiatic mode of production
Wikipedia - Askew Codex
Wikipedia - A Slice of Life (short story) -- 1926 short story by P. G. Wodehouse
Wikipedia - Asli Melisa Uzun -- Turkish model and beauty pageant
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Wikipedia - Asmodeus -- King of demons from the deuterocanonical Book of Tobit
Wikipedia - Asperger syndrome -- Neurodevelopmental disorder affecting social interaction
Wikipedia - Asphodelaceae -- Family of flowering plants in the order Asparagales
Wikipedia - Asphodel Meadows -- Section of the Greek underworld
Wikipedia - Asphodeloideae -- Subfamily of flowering plants, in monocot family Asphodelaceae
Wikipedia - Asphodel, That Greeny Flower -- Poem written by William Carlos Williams
Wikipedia - Asphodelus aestivus -- Species of plant
Wikipedia - Asphodelus albus -- Species of plant
Wikipedia - Asphodelus -- Genus of flowering plants in the asphodel family Asphodelaceae
Wikipedia - As-Samu -- Ancient biblical and modern settlement in Palestine
Wikipedia - Assegai -- Wooden African javelin pointed with iron or fire-hardened tip
Wikipedia - Assembly code
Wikipedia - Assertion (software development) -- In computer programming, statement that a predicate is always true at that point in code execution
Wikipedia - Associative classifier -- machine learning model type
Wikipedia - Associative model of data
Wikipedia - Astavakrasana -- Asymmetric hand-balancing posture in modern yoga
Wikipedia - Asterodermus -- -- Asterodermus --
Wikipedia - Asteromyia modesta -- Species of fly
Wikipedia - Aston Martin Valkyrie -- Car model
Wikipedia - Astral Project -- American modern jazz quartet
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Wikipedia - A Study in Pink -- first episode of ''Sherlock''
Wikipedia - Asturodes -- Genus of moths
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Wikipedia - Asymphorodes seminiger -- Species of insect
Wikipedia - Asymphorodes -- Genus of insects
Wikipedia - Asynchronous Transfer Mode -- Digital telecommunications protocol for voice, video, and data
Wikipedia - Ataxia-telangiectasia -- A rare, neurodegenerative, autosomal recessive human disease causing severe disability
Wikipedia - ATC code A
Wikipedia - ATC code B
Wikipedia - ATC code C04 -- Therapeutic subgroup of the Anatomical Therapeutic Chemical Classification System
Wikipedia - ATC code C
Wikipedia - ATC code D07 -- Therapeutic subgroup
Wikipedia - ATC code D09
Wikipedia - ATC code D
Wikipedia - ATC code G04
Wikipedia - ATC code G
Wikipedia - ATC code H
Wikipedia - ATC code J
Wikipedia - ATC code L
Wikipedia - ATC code M
Wikipedia - ATC code N07
Wikipedia - ATC code N
Wikipedia - ATC code P53
Wikipedia - ATC code P
Wikipedia - ATC code R01 -- Therapeutic subgroup
Wikipedia - ATC code R03 -- Therapeutic subgroup
Wikipedia - ATC code R
Wikipedia - ATC code S
Wikipedia - ATC code V03
Wikipedia - ATC code V
Wikipedia - ATC code
Wikipedia - ATCvet code QI
Wikipedia - Atelodesmis -- Genus of beetles
Wikipedia - Athalia Ponsell Lindsley -- Model, dancer, political activist, television personality
Wikipedia - Atkinson-Shiffrin memory model
Wikipedia - Atlantic Center of Modern Art -- Modern artt gallery in Las Palmas de Gran Canaria
Wikipedia - Atlantic Equatorial mode -- quasiperiodic interannual climate pattern of the equatorial Atlantic Ocean
Wikipedia - Atlas Autocode -- 1960s computer programming language
Wikipedia - Atomic chess -- chess variant where pieces "explode" upon capture, also removing surrounding pieces
Wikipedia - Atomic theory -- Model for understanding elemental particles
Wikipedia - Atom (text editor) -- Free and open-source text and source code editor
Wikipedia - A Town Called Mercy -- Episode of Doctor Who
Wikipedia - Atractylodes lancea -- Species of plant
Wikipedia - Atrioventricular node
Wikipedia - Atrophoderma -- Dermatologic terminology
Wikipedia - Atrophodermia vermiculata -- Dermatological condition
Wikipedia - Atsuko Sakuraba -- Japanese model and actor (born 1976)
Wikipedia - Attalus of Rhodes
Wikipedia - Attention deficit hyperactivity disorder -- Neurodevelopmental disorder marked by difficulty focusing, or excessive activity and impulsive behavior
Wikipedia - Attila Kalnoki Kis -- Hungarian modern pentathlete
Wikipedia - Attila Mizser -- Hungarian modern pentathlete
Wikipedia - Attitude-toward-the-ad models
Wikipedia - Attract mode
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Wikipedia - Atuatuca -- Roman-era oppidum in modern Belgium
Wikipedia - Aubin Codex -- Aztec textual and pictorial history book
Wikipedia - Auburn Speedster -- American automobile model (1925-1937)
Wikipedia - Audi 100 -- Car model
Wikipedia - Audi A4 -- German compact executive car model
Wikipedia - Audio codec
Wikipedia - Audio coding format -- Digitally coded format for audio signals
Wikipedia - Audio Video Standard -- Video codec
Wikipedia - Audi Quattro -- Car model
Wikipedia - Audrey Lindvall -- American model
Wikipedia - Audrey Marie Anderson -- American actress and model
Wikipedia - Audrey Marnay -- French actress and model
Wikipedia - Audrey Munson -- 20th-century American artist's model and film actress
Wikipedia - Audrey Quock -- American model
Wikipedia - Audrey Tautou -- French film actor, French actress and model
Wikipedia - Auer (Odenwald) -- River in Germany
Wikipedia - Augusto Premoli -- Argentine modern pentathlete
Wikipedia - Augustus S. Miller -- Mayor of Providence, Rhode Island, US
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Wikipedia - Aung Min Khant -- Burmese actor and model
Wikipedia - Aung Ye Lin -- Burmese actor and model
Wikipedia - Aunts Aren't Gentlemen -- 1974 novel by P.G. Wodehouse
Wikipedia - Auraicept na n-Eces -- Early Irish codex
Wikipedia - Aurora Pijuan -- Filipino model, philanthropist, and beauty queen
Wikipedia - Aurora Sevilla -- Filipina television and film actress, Beauty Queen Titleholder, and Model
Wikipedia - Austin 15/20 -- British car model of 1906
Wikipedia - Austin 25/30 -- Car model
Wikipedia - Austin Butler -- American actor, singer and model
Wikipedia - Austin Freeway -- Australian car model
Wikipedia - Austin Maestro -- Car model
Wikipedia - Australephestiodes -- Genus of insects
Wikipedia - Australian railway telegraphic codes -- Terms used in telegrams between various parts of the railway system
Wikipedia - Australopithecus -- Genus of hominin ancestral to modern humans
Wikipedia - Austria's Next Topmodel (season 1) -- Season of television series
Wikipedia - Austromartyria porphyrodes -- Moth species in family Micropterigidae
Wikipedia - Authenticity and Modernity Party -- Moroccan political party
Wikipedia - Autism spectrum -- Range of neurodevelopmental disorders
Wikipedia - Autism -- Neurodevelopmental disorder involving social communication difficulties and repetitive behavior
Wikipedia - Autocoder
Wikipedia - Autocode
Wikipedia - Autodelta -- The name of Alfa Romeo's competition department
Wikipedia - Autodesk 123D -- Hobbyist CAD and 3D modeling program suite
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Wikipedia - Autodesk Gameware
Wikipedia - Autodesk Inventor
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Wikipedia - Autodesk Softimage
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Wikipedia - Automatic writing -- In modern spiritualism: writing produced involuntarily
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Wikipedia - Autoregressive model -- Representation of a type of random process
Wikipedia - Autozam AZ-1 -- Car model
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Wikipedia - Auzatellodes arizana -- Species of hook-tip moth
Wikipedia - Auzatellodes hyalinata -- Species of hook-tip moth
Wikipedia - Auzatellodes theafundum -- Species of hook-tip moth
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Wikipedia - Avalanche diode
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Wikipedia - Ava Smith -- American model
Wikipedia - Avatar's Abode
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Wikipedia - Avatar: The Last Airbender (season 2) -- The Last Airbender season 2 episode list
Wikipedia - Avatar: The Last Airbender (season 3) -- Third season of Avatar: The Last Airbender episode list
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Wikipedia - Axel Petersson Doderhultarn -- Swedish artist
Wikipedia - Axial mesoderm -- Mesoderm
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Wikipedia - Ayami Nakajo -- Japanese actress and model
Wikipedia - Ayan Elmi -- Somali model
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Wikipedia - Aybuke Pusat -- Turkish actress, dancer, and model (born 1995)
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Wikipedia - Ayman Mahmoud -- Egyptian modern pentathlete
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Wikipedia - Ayodeji Karim -- Nigerian politician
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Wikipedia - Ayra Mariano -- Filipina-American actress, singer, dancer, host and commercial model
Wikipedia - Ayu Maulida -- Indonesian People's Consultative Assembly Ambassador, model and beauty pageant titleholder
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Wikipedia - Azaleodes brachyceros -- Moth species in family Palaephatidae
Wikipedia - Azaleodes fuscipes -- Moth species in family Palaephatidae
Wikipedia - Azaleodes megaceros -- Moth species in family Palaephatidae
Wikipedia - Azaleodes micronipha -- Moth species in family Palaephatidae
Wikipedia - Azaleodes -- Moth genus in family Palaephatidae
Wikipedia - Azeez Kayode Fakeye -- Nigerian sculptor
Wikipedia - Azhikode and Azhikkal -- Village in Kerala, India
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Wikipedia - Azure DevOps Server -- Source code management software
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Wikipedia - Bachelors Anonymous -- 1973 novel by P.G. Wodehouse
Wikipedia - Backtesting -- Testing a predictive model on historical data
Wikipedia - Baddeley's model of working memory
Wikipedia - Bad Godesberg -- district of Bonn, Germany
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Wikipedia - Ba'er Hetev -- Commentary on the Code of Jewish Law
Wikipedia - Bafodeya -- Genus of plants
Wikipedia - Bag-of-words model in computer vision -- Image classification model
Wikipedia - Bag-of-words model
Wikipedia - Baidak -- Wooden sailing ship
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Wikipedia - Baja jacket -- Type of hooded pullover jacket
Wikipedia - Bakasana -- Hand-balancing posture in hatha yoga and modern yoga as exercise
Wikipedia - Balanced flow -- Model of atmospheric motion
Wikipedia - Balasagun -- Ancient Sogdian city in modern-day Kyrgyzstan
Wikipedia - Balasana -- kneeling posture in modern yoga
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Wikipedia - Balloon modelling
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Wikipedia - Ballyboden
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Wikipedia - Banking model of education
Wikipedia - BA postcode area -- Postcode area within the United Kingdom
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Wikipedia - Barbados Slave Code
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Wikipedia - Barbara Evans -- Brazilian model and actress
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Wikipedia - Barbara Fialho -- Brazilian model and singer
Wikipedia - Barbara Lawrence -- American writer and real-estate businessperson, and retired actress and model
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Wikipedia - Barbara Woodell -- American actress (1910-1997)
Wikipedia - Barberville, Rhode Island -- Human settlement in Rhode Island, United States
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Wikipedia - Barbodes polylepis -- Species of fish
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Wikipedia - Barcode system
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Wikipedia - Bar code
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Wikipedia - Battle of Flarchheim -- Middle ages battle in 1080 (in modern Germany)
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Wikipedia - Bayesian network -- Statistical model
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Wikipedia - BB postcode area -- Postcode area within the United Kingdom
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Wikipedia - BCH code
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Wikipedia - Beechcraft Model 17 Staggerwing -- American single engine cabin biplane
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Wikipedia - Behavioral modernity -- Transition of human species to anthropologically modern behavior
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Wikipedia - B. Frank Goodell -- American publisher
Wikipedia - BGS Groundhog Desktop -- Free geomodelling software
Wikipedia - Bhairavasana -- A reclining posture in modern yoga
Wikipedia - Bhalka -- Place where Krishna is said to have left the earth for the heavenly abode
Wikipedia - Bharadvajasana -- A seated twisting posture in modern yoga
Wikipedia - BharatQR -- QR code payment system in India
Wikipedia - Bhasha Mukherjee -- A physician, model, and beauty queen, a person of Indian descent
Wikipedia - Bhawania goodei -- Species of annelid
Wikipedia - Bhekasana -- A reclining posture in modern yoga
Wikipedia - Bhode -- Village in Maharashtra
Wikipedia - BH postcode area -- Postcode area within the United Kingdom
Wikipedia - Bhujapidasana -- Hand-balancing posture in modern yoga
Wikipedia - Bhumika Arora -- Indian fashion model
Wikipedia - Bhuvaneswari (actress) -- Indian film actress and model
Wikipedia - Bianca Balti -- Italian model
Wikipedia - Bianca Chiminello -- Australian model and actress
Wikipedia - Bianca Gascoigne -- British glamour model and television personality
Wikipedia - Bianca Gonzalez -- Filipino and television host and model
Wikipedia - Bibcode (identifier)
Wikipedia - Bibcode -- Code used to identify references in certain astronomical data systems
Wikipedia - Bibiodes halteralis -- Species of fly
Wikipedia - Bibiodes -- Genus of flies
Wikipedia - Bible code -- Purported set of secret messages encoded within the Hebrew text of the Torah
Wikipedia - Biblia Hebraica Stuttgartensia -- An edition of the Masoretic Text of the Hebrew Bible as preserved in the Leningrad Codex
Wikipedia - Bibliography of code-switching
Wikipedia - Bidessodes -- Genus of beetles
Wikipedia - Bidita Bag -- Indian film actor and Model
Wikipedia - Bidya Sinha Saha Mim -- Bangladeshi actress and model
Wikipedia - Bielsko-Biala -- City in Silesian Voivodeship, Poland
Wikipedia - Big Bang -- Cosmological model
Wikipedia - Big Bounce -- A hypothetical cosmological model for the origin of the known universe
Wikipedia - Big Data Maturity Model
Wikipedia - Big Five model
Wikipedia - Big Five personality traits -- Personality model consisting of five broad dimensions of personality
Wikipedia - Big Money (novel) -- 1931 novel by P.G. Wodehouse
Wikipedia - Big Rip -- cosmological model based on an exponentially increasing rate of expansion
Wikipedia - Biham-Middleton-Levine traffic model -- Cellular automaton traffic flow model
Wikipedia - Bihar School of Yoga -- A modern school of yoga
Wikipedia - Bijou Phillips -- American actress, model, socialite, and singer
Wikipedia - Bill Curtis -- Software engineer and development of the Capability Maturity Model
Wikipedia - Bill Davey -- American bodybuilder and fitness model
Wikipedia - Bill Gooderham -- Canadian sailor
Wikipedia - Billie Blair -- American model
Wikipedia - Bill M-CM-^Vhrstrom -- Swedish musician, singer, actor and former model
Wikipedia - Bill Odenkirk -- Comedy writer
Wikipedia - Bill the Conqueror -- 1924 novel by P.G. Wodehouse
Wikipedia - Billy Ray Thunder -- American rodeo performer
Wikipedia - Binary code compatibility
Wikipedia - Binary-code compatibility
Wikipedia - Binary coded decimal
Wikipedia - Binary-coded decimal
Wikipedia - Binary code
Wikipedia - Binary decoder
Wikipedia - Binary Golay code
Wikipedia - Binary Independence Model
Wikipedia - Binge eating disorder -- Frequent and recurrent binge eating episodes with associated negative psychological and social problems
Wikipedia - Binomial options pricing model -- Numerical method for the valuation of financial options
Wikipedia - Biodegradability prediction
Wikipedia - Biodegradable plastic -- Plastics that can be decomposed by the action of living organisms
Wikipedia - Biodegradable waste -- Organic matter in waste which can be broken down into carbon dioxide, water, methane or simple organic molecules
Wikipedia - Biodegradation -- Decomposition by living organisms
Wikipedia - Bioecological model
Wikipedia - Biological neuron models
Wikipedia - Biological neuron model
Wikipedia - BioModels -- Database of biological reactions
Wikipedia - Biopsychosocial model -- Medical model
Wikipedia - Biosemiotics -- a field of semiotics and biology that studies the prelinguistic meaning-making, or production and interpretation of signs and codes
Wikipedia - Bipasha Basu -- Indian actress and model
Wikipedia - Bipolar I disorder -- Bipolar disorder that is characterized by at least one manic or mixed episode
Wikipedia - Bi-quinary coded decimal -- Numeral encoding scheme
Wikipedia - Birand Tunca -- Turkish actor and model
Wikipedia - Bird -- Warm-blooded, egg-laying vertebrates with wings, feathers and beaks
Wikipedia - Birgit Kos -- Dutch fashion model
Wikipedia - Birta Abiba M-CM-^^orhallsdottir -- Icelandic model and beauty queen
Wikipedia - Bishop Hendricken High School -- High school in Warwick, Rhode Island
Wikipedia - Bishop of Modena
Wikipedia - Bishop of Rodez
Wikipedia - Bishop Theoderich
Wikipedia - Bitcoin Unlimited -- Full node software client for the bitcoin network
Wikipedia - BitKeeper -- Proprietary software tool for distributed revision control of computer source code
Wikipedia - Bjorn Ferm -- Swedish modern pentathlete
Wikipedia - Bjorn Schroder (curler) -- German and Swiss male curler and coach
Wikipedia - Bjorn Soder -- Swedish politician
Wikipedia - Bjorn Thofelt -- Swedish modern pentathlete
Wikipedia - Black-capped marmot -- Species of rodent
Wikipedia - Black Codes (United States) -- Discriminatory state and local laws passed after the Civil War
Wikipedia - Black Girls Code -- Not-for-profit organization
Wikipedia - Black hole cosmology -- Cosmological model in which the observable universe is the interior of a black hole
Wikipedia - Black-hooded coucal -- Species of bird
Wikipedia - Black-hooded sunbeam -- Species of bird
Wikipedia - Black Perl -- Code poem
Wikipedia - Black-Scholes model -- Mathematical model
Wikipedia - Blackstone Boulevard Realty Plat Historic District -- Historic district in Providence, Rhode Island, United States
Wikipedia - Blackstone Park Conservation District -- Public park in Providence, Rhode Island
Wikipedia - Blackstone River Valley National Historical Park -- National Park Service unit in Rhode Island and Massachusetts, United States
Wikipedia - Blackstone River -- River in Massachusetts and Rhode Island, USA
Wikipedia - Black-tailed tree rat -- Species of rodent native to Africa
Wikipedia - Black tie -- Semi-formal western dress code; dinner suit, tuxedo
Wikipedia - Blair Lancaster -- Canadian model and politician
Wikipedia - Blake Filippi -- American politician from Rhode Island
Wikipedia - Blake McIver Ewing -- American singer-songwriter, actor, model and pianist
Wikipedia - Blanca Padilla -- Spanish model
Wikipedia - Blanche River (Bulstrode River tributary) -- River in Centre-du-Quebec, Quebec (Canada)
Wikipedia - Blandine Lacheze -- French modern pentathlete
Wikipedia - Blandings Castle and Elsewhere -- 1935 short story collection by P.G. Wodehouse
Wikipedia - Blank node
Wikipedia - Blarney (code name)
Wikipedia - BLAST model checker
Wikipedia - Blastoid (embryoid) -- Stem cell-based embryo model
Wikipedia - Blattodea -- Order of insects which includes cockroaches and termites
Wikipedia - Blauhohle -- Flooded cave system in Southern Germany
Wikipedia - Bletchley Park -- WWII code-breaking site and British country house
Wikipedia - Block cipher mode of operation -- Algorithm that uses a block cipher to provide an information service such as confidentiality or authenticity
Wikipedia - Block code
Wikipedia - Blockhead! -- Tabletop stacking game using colorful wooden blocks
Wikipedia - Block Island Sound -- A strait in the Atlantic Ocean separating Block Island from the coast of mainland Rhode Island in the United States
Wikipedia - Block Island State Airport -- Public airport in Block Island, Rhode Island, United States
Wikipedia - Blodelsheim -- Commune in Grand Est, France
Wikipedia - Blonde on Blonde (girl group) -- British glamour model girl group
Wikipedia - Blondey McCoy -- British artist and model
Wikipedia - Bloody Code -- English criminal law from around 1700 to 1823
Wikipedia - Bloomfield (microprocessor) -- Code name for Intel high-end desktop processors sold as Core i7-9xx and Xeon 35xx., replacing the earlier Yorkfield processors
Wikipedia - BL postcode area -- Postcode area within the United Kingdom
Wikipedia - Blu-code
Wikipedia - Blue Kimble -- American actor and model
Wikipedia - Blue's Clues & You! -- Television series from Nickelodeon
Wikipedia - Blue yodel -- Song performed by Jimmie Rodgers
Wikipedia - Blut und Boden - Grundlagen zum neuen Reich -- 1933 film
Wikipedia - BM-CM-$rbel Podeswa -- East German hurdler
Wikipedia - BMW 8 Series (E31) -- Car model series
Wikipedia - BMW Z8 -- Car model
Wikipedia - BMW Z -- Series of sports car models produced by BMW
Wikipedia - BN postcode area -- Postcode area within the United Kingdom
Wikipedia - Bobbi Billard -- American professional wrestler, actress and model
Wikipedia - Bobbie Brown -- Actress, model, beauty pageant contestant
Wikipedia - Bobbi Salvor Menuez -- American actor and model
Wikipedia - Bob Boden -- American game show producer
Wikipedia - Bo Black -- American model
Wikipedia - Bob Odenkirk -- American actor, writer and director
Wikipedia - Bob Tallman -- American rodeo announcer
Wikipedia - Bode Akindele -- Nigerian billionaire Industrialist
Wikipedia - BoDeans -- American rock band
Wikipedia - Bodeasa (river) -- River in Romania
Wikipedia - Bodega Aurrera -- Mexican supermarket chain
Wikipedia - Bodega cat -- Cat that inhabits a store to prevent rodent infestations
Wikipedia - Bodega Head -- Promontory in California, United States
Wikipedia - Bodegas Torres -- Wines and spirits manufacturing company
Wikipedia - Bode George -- Nigerian politician
Wikipedia - Bodegisel
Wikipedia - Bodemeister -- American Thoroughbred racehorse
Wikipedia - Bode Museum -- Art museum in Berlin
Wikipedia - Boden Professor of Sanskrit -- Position at Oxford University
Wikipedia - Bodensee, Lower Saxony -- Place in Lower Saxony, Germany
Wikipedia - Bodenstown Graveyard -- Graveyard
Wikipedia - Bode plot
Wikipedia - Bodesbeck Law -- Hill in Scotland
Wikipedia - Bode's Law
Wikipedia - Bode Sowande -- Nigerian writer and dramatist
Wikipedia - Bodycount (video game) -- 2011 first-person shooter video game by Codemasters
Wikipedia - Body schema -- Postural model that keeps track of limb position
Wikipedia - Body Without Soul -- 1996 film by Wiktor Grodecki
Wikipedia - Boeing Model 306 -- Cancelled airplane model
Wikipedia - Boeing-Stearman Model 75 -- American biplane military training aircraft in use 1934 through WWII
Wikipedia - Bo Frank -- Swedish politician of the Moderate Party
Wikipedia - Bogoda Wooden Bridge
Wikipedia - Bohachi Bushido: Code of the Forgotten Eight -- 1973 film directed by Teruo Ishii
Wikipedia - Bohr model -- Atomic model introduced by Niels Bohr in 1913
Wikipedia - Bohumil StarnovskM-CM-= -- Czech modern pentathlete
Wikipedia - Boilerplate code -- Code that has to be included in many places with little or no alteration
Wikipedia - Bois Dore -- French chateau style mansion in built in 1927 in Newport, Rhode Island
Wikipedia - Bojana OrdinaM-DM-^Mev -- Serbian model and actress
Wikipedia - Bo Jansson -- Swedish modern pentathlete
Wikipedia - Bokken -- Japanese wooden sword used for training
Wikipedia - Bola Odeleke -- Nigerian pastor
Wikipedia - Boluan Fanzheng -- Transition period in modern Chinese history
Wikipedia - Bombe -- codebreaking device created at Bletchley Park (United Kingdom)
Wikipedia - Boniodendron -- Genus of plants
Wikipedia - Bonnie Conte -- American model
Wikipedia - Bonnie Wright -- English actress, model, screenwriter, director and producer
Wikipedia - Bonno Thoden van Velzen -- Dutch anthropologist
Wikipedia - Bonny Hicks -- Singaporean model
Wikipedia - Bonobo (component model)
Wikipedia - Boobquake -- A 2010 rally protesting claims of female immodesty causing earthquakes.
Wikipedia - Boolean algebra (structure) -- Algebraic structure modeling logical operations
Wikipedia - Boolean model (probability theory)
Wikipedia - Boolean-valued model -- set theory concept
Wikipedia - Bootstrap model -- Class of theories in physics
Wikipedia - Borgward Hansa 2400 -- German car model built 1952-1959
Wikipedia - Borislav Batikov -- Bulgarian modern pentathlete
Wikipedia - Boris Mosolov -- Soviet modern pentathlete
Wikipedia - Boris Onishchenko -- Soviet modern pentathlete
Wikipedia - Boris Pakhomov -- Soviet modern pentathlete
Wikipedia - Borkhausenia crimnodes -- Species of moth
Wikipedia - Borneodessus -- Genus of beetles
Wikipedia - Bothriolepis -- Diverse genus of placoderm fishes of the Devonian
Wikipedia - Bothriomyrmex modestus -- Species of ant
Wikipedia - Bothrocolpodes -- Genus of beetles
Wikipedia - Bottle episode -- Form of television program
Wikipedia - Botyodes asialis -- Species of moth
Wikipedia - Botyodes -- Genus of moths
Wikipedia - Boulder model
Wikipedia - Box-drawing character -- Unicode block group
Wikipedia - Boyd Holbrook -- American actor and model
Wikipedia - B postcode area -- Postcode area within the United Kingdom
Wikipedia - Braarudosphaera bigelowii -- A dodecahedron shaped coccolithophore.
Wikipedia - Brace Arquiza -- Filipino actor, model, dancer and singer
Wikipedia - Brachmaeodera -- Genus of beetles
Wikipedia - Brachodes appendiculata -- Species of moth
Wikipedia - Brachodes funebris -- Species of moth
Wikipedia - Brachodes laeta -- Species of moth
Wikipedia - Brachodes powelli -- Species of moth
Wikipedia - Brachodes pumila -- Species of moth
Wikipedia - Brachyodes -- Genus of beetles
Wikipedia - Bradford Odeon -- Wikipedia list article
Wikipedia - Bradley Soileau -- American model, DJ, producer, and designer
Wikipedia - Bradshaw model -- A geographical model, which describes how a river's characteristics vary between the upper course and lower course
Wikipedia - Brain-specific homeobox -- Protein encoded by the BSX gene
Wikipedia - Brande Roderick -- American model and actress
Wikipedia - Brandi Brandt -- American model and actress
Wikipedia - Brandi Sherwood -- American model and pageant winner
Wikipedia - Brandon Beemer -- American actor and model
Wikipedia - Brandon C. Rodegeb -- American rapper
Wikipedia - Brandts Museum of Photographic Art -- Museum in Odense, Denmark
Wikipedia - Brandy Ledford -- American actress and model
Wikipedia - Brazen head -- Legendary automaton in the early modern period
Wikipedia - Brazil's Next Top Model (season 1) -- Season of television series
Wikipedia - Breadth-first search -- Algorithm for searching the nodes of a graph in order by their hop count from a starting node
Wikipedia - Breaking the Code -- 1986 play written by Hugh Whitemore
Wikipedia - Breda Model 1931 machine gun -- type of Italian heavy machine gun
Wikipedia - Bree Condon -- American fashion model and actress
Wikipedia - Brendan Broderick -- American author and screenwriter
Wikipedia - Brent Clode -- New Zealand canoeist
Wikipedia - Bre Scullark -- American fashion model and actress
Wikipedia - Brest Litovsk Voivodeship -- Voivodeship of the Grand Duchy of Lithuania
Wikipedia - Brevity code -- Radio & telegraph signals encoding longer definitions
Wikipedia - Brian Bianchini -- American model and actor
Wikipedia - Brian Newth -- New Zealand modern pentathlete
Wikipedia - Brian the Brain -- 9th episode of the second season of ''Space: 1999''
Wikipedia - Brice Loubet -- French modern pentathlete
Wikipedia - Brick Like Me -- Twentieth episode of the twenty-fifth season of ''The Simpsons''
Wikipedia - Bridget Hall -- American model
Wikipedia - Bridget Moynahan -- American actress, model
Wikipedia - Bridgette Wilson -- American actress, singer and model
Wikipedia - Brigid Boden -- Irish singer and songwriter
Wikipedia - Brigitte Bardot -- French model, actor, singer and animal rights activist
Wikipedia - Brigitte Nielsen -- Danish actress, model and singer
Wikipedia - Bristol County, Rhode Island -- County in Rhode Island, US
Wikipedia - Bristol, Rhode Island -- Town in Rhode Island, United States
Wikipedia - Bristol Train of Artillery Museum -- Museum in Bristol, Rhode Island, US
Wikipedia - British Rail Class 802 -- British bi-mode multiple unit
Wikipedia - Brittani Kline -- American fashion model
Wikipedia - Brittany Beattie -- Australian model
Wikipedia - Brittany Dawn Brannon -- American model
Wikipedia - Brittany Evans -- American model
Wikipedia - Brittany Mason -- American model
Wikipedia - Broadbent's filter model of attention
Wikipedia - Broderick Bozimo -- Nigerian lawyer
Wikipedia - Broderick Crawford -- American actor
Wikipedia - Broderick Miller -- American screenwriter
Wikipedia - Broderick Smith -- Singer
Wikipedia - Broderie anglaise -- Creative works made with eyelets and other open-work embroidery techniques
Wikipedia - Broder Lysholm Krohg -- Norwegian military officer and civil servant
Wikipedia - Broder -- 2010 film directed by Jeferson De
Wikipedia - Brodnica County -- County in Kuyavian-Pomeranian Voivodeship, Poland
Wikipedia - Brokered programming -- Model where a show's producer pays a broadcaster for air time
Wikipedia - Bromodeoxyuridine -- Synthetic nucleoside that is an analog of thymidine. BrdU is commonly used in the detection of proliferating cells in living tissues
Wikipedia - Broniszw, Podkarpackie Voivodeship
Wikipedia - Brooke Hogan -- American actor, singer and model
Wikipedia - Brooke Satchwell -- Australian actress, model (born 1980)
Wikipedia - Brooke Shields -- American actress and model
Wikipedia - Brooklyn Beckham -- English model and photographer
Wikipedia - Brooklyn Decker -- American model and actress
Wikipedia - Brookner Brady -- American modern pentathlete
Wikipedia - Bror Mannstrom -- Swedish modern pentathlete
Wikipedia - Broscodera -- Genus of beetles
Wikipedia - Broscodes -- Genus of beetles
Wikipedia - Broselow tape -- Color-coded length-based tape measure that is used for pediatric emergencies
Wikipedia - Brother Tode
Wikipedia - Brown-hooded gull -- Species of bird
Wikipedia - Brown University -- University in Providence, Rhode Island
Wikipedia - Brown waste -- Type of biodegradable waste
Wikipedia - Browser Object Model
Wikipedia - BR postcode area -- Postcode area within the United Kingdom
Wikipedia - Bruce Bode -- American medical researcher
Wikipedia - Bruce Codex
Wikipedia - Brucene Smith -- American model and beauty queen
Wikipedia - Bruna Erhardt -- Brazilian model
Wikipedia - Bruna Lirio -- Brazilian model
Wikipedia - Bruna Tenorio -- Brazilian model
Wikipedia - Bruno Genard -- French modern pentathlete
Wikipedia - Bruno Riem -- Swiss modern pentathlete
Wikipedia - Bruno Soderstrom -- Swedish track and field athlete
Wikipedia - Bryan Benedict -- Filipino actor and model
Wikipedia - Bryant University -- Private university in Smithfield, Rhode Island, U.S.
Wikipedia - Bryodemella tuberculata -- Species of grasshopper
Wikipedia - Brzozowka, Lubusz Voivodeship -- Settlement in Lubusz Voivodeship, Poland
Wikipedia - BS postcode area -- Postcode area within the United Kingdom
Wikipedia - BT postcode area -- Postcode area in the United Kingdom covering Northern Ireland
Wikipedia - Bubbles Paraiso -- Filipino actress and model
Wikipedia - Bucculatrix galeodes -- Species of moth in genus Bucculatrix
Wikipedia - Buddhism and democracy -- History and modern perspectives on relationship between Buddhism and democracy
Wikipedia - Buddhism and science -- Relation between Buddhism and modern scientific methods and modes of thought
Wikipedia - Buddhist modernism -- New movements based on reinterpreted Buddhism
Wikipedia - Bueno-Orovio-Cherry-Fenton model -- Phenomenological ionic model for human ventricular cells
Wikipedia - Buffie Carruth -- American model and fitness instructor
Wikipedia - Bugtitherium -- Extinct mammal of modern-day Pakistan
Wikipedia - Buhlmann decompression algorithm -- Algorithm for modelling of inert gases entering and leaving body tissues in solution as pressure changes
Wikipedia - Buick Regal -- Mid-sized car model
Wikipedia - Building code -- Set of rules that specify the standards for constructed objects such as buildings and nonbuilding structures
Wikipedia - Building information modeling
Wikipedia - Building Information Modelling
Wikipedia - Bulbinella -- Genus of flowering plants in the family Asphodelaceae
Wikipedia - Bulbine -- Genus of flowering plants in the family Asphodelaceae
Wikipedia - Bulbophyllum calyptratum -- Species of orchid (hooded bulbophyllum)
Wikipedia - Bullet Code -- 1940 film by David Howard
Wikipedia - Bulstrode Park -- Park and mansion in Buckinghamshire, England
Wikipedia - Bulstrode Preceptory -- Monastic house in Buckinghamshire, England
Wikipedia - Bulstrode River -- River in Centre-du-Quebec, Quebec (Canada)
Wikipedia - Bulstrode Whitelocke
Wikipedia - Bunty Bailey -- British actor, model and dancer
Wikipedia - Burak M-CM-^Gelik -- Turkish actor and model
Wikipedia - Burcu M-CM-^Vzberk -- Turkish television actress and model
Wikipedia - Bureau of Missing Persons -- 1933 American Pre-Code drama film directed by Roy Del Ruth
Wikipedia - Burns, Baby Burns -- Fourth episode of the eighth season of ''The Simpsons''
Wikipedia - Burretiodendron tonkinense -- Species of plant
Wikipedia - Burrillville, Rhode Island -- Town in Rhode Island, United States
Wikipedia - Buse Arslan -- Turkish actress and model
Wikipedia - Business casual -- Casual Western dress code
Wikipedia - Business modeling
Wikipedia - Business models for open-source software
Wikipedia - Business model -- Rationale of how an organization creates, delivers, and captures value in economic, social, cultural or other contexts
Wikipedia - Business Motivation Model
Wikipedia - Business Process Model and Notation -- Graphical representation for specifying business processes
Wikipedia - Business Process Modeling Notation
Wikipedia - Business Process Modeling
Wikipedia - Business process modeling
Wikipedia - Business process modelling
Wikipedia - Business process model
Wikipedia - Business reference model
Wikipedia - Bydgoszcz Voivodeship -- Former administrative division in Poland
Wikipedia - Bykowo -- Village in Warmian-Masurian Voivodeship, Poland
Wikipedia - Byrdie Bell -- American actress and model
Wikipedia - Byte Code Engineering Library
Wikipedia - Bytecode interpreter
Wikipedia - Byte code
Wikipedia - Bytecode
Wikipedia - Byte order mark -- Unicode character
Wikipedia - Byun Jung-soo -- South Korean model and actress
Wikipedia - C0 and C1 control codes -- Control characters, ranging from U+0000 to U+001F (C0) and U+0080 to U+009F (C1) in Unicode
Wikipedia - C4 model (software)
Wikipedia - Cabinet des Modes -- Magazine
Wikipedia - Cable Haunt -- Cable modem vulnerability
Wikipedia - Cable modem
Wikipedia - Cabo Sardao Lighthouse -- Lighthouse near Odemira, Portugal
Wikipedia - Cache language model
Wikipedia - Cacodemon
Wikipedia - Cadence rampa -- Modern meringue
Wikipedia - Cadillac de Ville series -- Car model
Wikipedia - Caelynn Miller-Keyes -- American television personality, model and former beauty pageant titleholder
Wikipedia - Caenorhabditis elegans -- free-living species of nematode
Wikipedia - Caesar Hull -- Southern Rhodesian World War II flying ace
Wikipedia - Cafe church -- Christian church model
Wikipedia - Cailin Russo -- American musician and model
Wikipedia - Caio Castro -- Brazilian actor and model
Wikipedia - Caitriona Balfe -- Irish actress and model
Wikipedia - Calamotropodes -- Species of moth
Wikipedia - Calavera -- Mexican skull model made out of sugar or clay
Wikipedia - Calcancora -- Genus of echinoderms
Wikipedia - Calclamna -- Genus of echinoderms
Wikipedia - Calclamnoidea -- Genus of echinoderms
Wikipedia - Caldeira-Leggett model
Wikipedia - Calgary Stampede -- Annual rodeo, exhibition, and festival in Calgary, Canada
Wikipedia - California Rodeo Salinas Hall of Fame -- Hall of Fame for Cowboys
Wikipedia - Call of Duty 4: Modern Warfare -- 2007 first-person shooter
Wikipedia - Call of Duty: Modern Warfare 2 -- 2009 first-person shooter game
Wikipedia - Call of Duty: Modern Warfare 3 -- 2011 first-person shooter video game
Wikipedia - Call of Duty: Modern Warfare: Mobilized -- 2009 first-person shooter game
Wikipedia - Call of Duty: Modern Warfare Remastered -- 2016 first-person shooter game
Wikipedia - Calloodes -- Genus of beetles
Wikipedia - Calodema -- Genus of beetles
Wikipedia - Calodesma maculifrons -- Species of insect
Wikipedia - Calostoma cinnabarinum -- Species of fungus in the family Sclerodermataceae from eastern North America, Central America, northeastern South America, and East Asia
Wikipedia - Camas pocket gopher -- Small species of burrowing rodent from Oregon
Wikipedia - Cambridgeshire Lodes -- man-made waterways in the county of Cambridgeshire, England
Wikipedia - Camelia -- Malaysian singer and model
Wikipedia - Cameo (coinage) -- Feature of modern proof coinage
Wikipedia - Cameron Brodeur -- Canadian actor
Wikipedia - Cameron Monaghan -- American actor and model
Wikipedia - Cameron Richardson -- American producer, actress, and model
Wikipedia - Camila Alves -- Brazilian-American model
Wikipedia - Camila Escribens -- 21st-century Peruvian-American model
Wikipedia - Camila Finn -- Brazilian model
Wikipedia - Camila Morrone -- Model and actress
Wikipedia - Camila Sagardia -- Puerto Rican model
Wikipedia - Camille Kostek -- American model
Wikipedia - Camille Rowe -- French-American model
Wikipedia - Campodea lusitana -- Species of arthropod
Wikipedia - Camponotus chromaiodes -- Red carpenter ant
Wikipedia - Canada's Next Top Model -- Canadian reality show
Wikipedia - Canadian Labour Code
Wikipedia - Canavan disease -- Neurodegenerative disorder; its spectrum varies between severe forms with leukodystrophy, macrocephaly and severe developmental delay, and a very rare mild/juvenile form characterized by mild developmental delay
Wikipedia - Cancel character -- Either of two control codes used to delete or rescind preceding data or characters
Wikipedia - Candice Bergen -- American actress and model
Wikipedia - Candice Boucher -- South African model and actress
Wikipedia - Candice Swanepoel -- South African model
Wikipedia - Candice Warner -- Former Australian professional ironwoman, surf life saver and model.
Wikipedia - Candy Clark -- American actress and model
Wikipedia - Canon de 32 modele 1870/93 -- Railway gun used by the French Army
Wikipedia - Canon de 75 mm modele 1908 -- French naval gun
Wikipedia - Canon de 75 mm modele 1924 -- French naval anti-aircraft gun
Wikipedia - Canon EOS-1D Mark III -- Digital camera model
Wikipedia - Canon EOS-1D Mark II -- Digital camera model
Wikipedia - Canon EOS 5D Mark III -- Digital camera model
Wikipedia - Canon EOS 80D -- Digital camera model
Wikipedia - Canon EOS 90D -- Digital camera model
Wikipedia - Canon F-1 -- 35mm single-lens reflex camera model
Wikipedia - Canon FT QL -- 35mm single-lens reflex camera model
Wikipedia - Canonical Huffman code
Wikipedia - Canton El Tablon -- Flooded locality in El Salvador
Wikipedia - Canton of Appenzell Ausserrhoden -- Canton of Switzerland
Wikipedia - Canton of Appenzell Innerrhoden -- Canton of Switzerland
Wikipedia - Caodeyao -- Genus of therapsid from Permian China
Wikipedia - Cao Zhongrong -- Chinese modern pentathlete
Wikipedia - Capability Maturity Model Integration
Wikipedia - Capability maturity model integration
Wikipedia - Capability Maturity Model
Wikipedia - Capernwray Dive Centre -- Flooded quarry in Lancashire, England, used as a recreational dive site
Wikipedia - Capillariasis -- Disease caused by nematodes of the genus Capillaria
Wikipedia - Capitalist mode of production (Marxist theory)
Wikipedia - Capital punishment in Rhode Island -- Abolished in 1852
Wikipedia - Capitolias -- Ancient city east of the Jordan River, identified with the modern village of Beit Ras
Wikipedia - CA postcode area -- Postcode area within the United Kingdom
Wikipedia - Captain Jack Harkness (Torchwood episode) -- Episode of science fiction television series (S1 E12)
Wikipedia - Capucine -- French model and actress
Wikipedia - Capybara -- Species of giant rodent in the cavy family
Wikipedia - Cara Delevingne -- English model, singer and actress
Wikipedia - Carcel Modelo -- former Spanish prison
Wikipedia - Cardboard modeling
Wikipedia - Cardinality (data modeling)
Wikipedia - Card security code -- Security feature on payment cards
Wikipedia - Cargo cult programming -- Ritual inclusion of computer code that serve no purpose
Wikipedia - Carina Cruz -- Colombian actress, model and designer
Wikipedia - Carina Faris -- Japanese-American actress and model
Wikipedia - Carla Abellana -- Filipina actress and model
Wikipedia - Carl Abbott (urban historian) -- American historian of modern age and author
Wikipedia - Carla Bruni -- Italian-French singer, model and spouse of former president of France
Wikipedia - Carl Aejemelaeus -- Finnish modern pentathlete
Wikipedia - Carla Humphries -- Filipina actress and model
Wikipedia - Carla Matadinho -- Portuguese model
Wikipedia - Carl Bode -- Educator, diplomat, writer
Wikipedia - Carl Guevara -- Filipino actor and model
Wikipedia - Carl Ng -- |Chinese actor and model from Hong Kong
Wikipedia - Carlo Massullo -- Italian modern pentathlete
Wikipedia - Carlo Odescalchi
Wikipedia - Carlo Simonetti -- Italian modern pentathlete
Wikipedia - Carlos Mercader -- Uruguayan modern pentathlete
Wikipedia - Carlos Pellicer -- Modernist Mexican poet
Wikipedia - Carlos Stricker -- Argentine modern pentathlete
Wikipedia - Carlos Velazquez (pentathlete) -- Argentine modern pentathlete
Wikipedia - Carl Paaske -- Norwegian modern pentathlete
Wikipedia - Carl Pauen -- German modern pentathlete
Wikipedia - Carmella DeCesare -- American model
Wikipedia - Carmella (wrestler) -- American professional wrestler, dancer and model
Wikipedia - Carmen Electra -- American actress and model
Wikipedia - Carmen Kass -- Estonian model
Wikipedia - Carmen Soo -- Malaysian model and actress
Wikipedia - Carol Alt -- American model and actress
Wikipedia - Carol Baumgartner -- Brazilian model
Wikipedia - Carole Bouquet -- French actress and fashion model
Wikipedia - Carole Crawford -- Jamaican model and beauty queen, Miss World 1963 winner
Wikipedia - Carol Eden -- American model
Wikipedia - Carol E. Reiley -- American businesswoman, computer scientist, and model
Wikipedia - Caroline Bittencourt -- Brazilian model
Wikipedia - Caroline Brasch Nielsen -- Danish model
Wikipedia - Caroline Corinth -- Danish model
Wikipedia - Caroline Cossey -- English model and actress
Wikipedia - Caroline Delemer -- French modern pentathlete
Wikipedia - Caroline Winberg -- Swedish model and actress
Wikipedia - Carol McCain -- Former American model, political aide and event planner
Wikipedia - Carol Merrill -- American game show model
Wikipedia - Carol Ode -- American politician and member of the Vermont State House of Representatives
Wikipedia - Carol Ohmart -- American actress and model
Wikipedia - Carol Rhodes -- British painter
Wikipedia - Carol Ryff's Six-factor Model of Psychological Well-being
Wikipedia - Carolus Stoffels -- Dutch modern pentathlete
Wikipedia - Carolyn Murphy -- American model and actress
Wikipedia - Carolynne Poole -- English singer-songwriter, actress and former model.
Wikipedia - Carranzar Naa Okailey Shooter -- Ghanaian model and beauty queen
Wikipedia - Carrie Kei Heim -- American actress and model
Wikipedia - Carrie Stevens -- American model
Wikipedia - Carry On, Jeeves -- 1925 short story collection by P.G. Wodehouse
Wikipedia - Carsten Brodesser -- German politician
Wikipedia - Carswell Medieval House -- a 15th century modest medieval home which is a rare remaining example of tenant farm life
Wikipedia - Cartodere -- Genus of beetles
Wikipedia - Caryanda modesta -- Species of grasshopper
Wikipedia - Cary Odell -- American art director
Wikipedia - Caryodendron -- Genus of plants
Wikipedia - Cascade Model of Relational Dissolution -- Relational communications theory
Wikipedia - Cascadia Code
Wikipedia - Case Closed Episode One: The Great Detective Turned Small -- Sixth TV Special of Case Closed
Wikipedia - Casey Calvert -- American actress, model and pornographic actress
Wikipedia - Cassandra Castro -- Puerto Rican model
Wikipedia - Cassidy Wolf -- American model
Wikipedia - Cassie Ventura -- American singer, dancer, actress, and model from Connecticut
Wikipedia - Castelnuovo's contraction theorem -- Constructs the minimal model of a given smooth algebraic surface
Wikipedia - Castle Romeo -- Codename for one of the first thermonuclear bomb tests
Wikipedia - Catacolpodes -- Genus of beetles
Wikipedia - Catalina Denis -- Colombian actress and model
Wikipedia - Catalina Maya -- Colombian model, broadcaster and businesswoman
Wikipedia - Category:1:18 scale models
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Wikipedia - Category:21st century in Rhode Island
Wikipedia - Category:Articles containing explicitly cited Early Modern English-language text
Wikipedia - Category:Articles using Video game reviews template in multiple platform mode
Wikipedia - Category:Articles with example ALGOL 60 code
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Wikipedia - Category:Bishops of Rodez
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Wikipedia - Category:Chem-molar-mass both hardcoded and calculated
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Wikipedia - Category:Cognitive modeling
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Wikipedia - Category:Early modern Christian devotional writers
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Wikipedia - Category:Lang and lang-xx code promoted to ISO 639-1
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Wikipedia - Category:Latent variable models
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Wikipedia - Category:Writers of historical fiction set in the modern age
Wikipedia - Catharina Lodders -- Dutch model and beauty queen
Wikipedia - Catharine Littlefield Greene -- Rhode Island colonial woman
Wikipedia - Catherine Yronwode
Wikipedia - Cathode bias -- Vacuum tube circuit design technique
Wikipedia - Cathode poisoning
Wikipedia - Cathode ray tube
Wikipedia - Cathode-ray tube -- Vacuum tube that displays images used in old TVs and monitors
Wikipedia - Cathode ray -- Stream of electrons observed in vacuum tubes
Wikipedia - Cathode
Wikipedia - Catriona Gray -- Filipino-Australian model, singer, beauty queen, and Miss Universe 2018
Wikipedia - Catya Sassoon -- American model and actress
Wikipedia - Caucasus hunter-gatherer -- Anatomically modern human genetic lineage identified in 2015
Wikipedia - Caudinidae -- Family of echinoderms
Wikipedia - Causal model
Wikipedia - Cauvery Bridge, Erode -- Bridge in India
Wikipedia - Cave line -- Line used for navigation in flooded caves
Wikipedia - Cavia -- Genus of rodents
Wikipedia - Caviidae -- family of rodents that includes the domestic guinea pig
Wikipedia - Caviomorpha -- Sub-set of rodents in South America
Wikipedia - C. Boden Kloss
Wikipedia - CB postcode area -- Postcode area within the United Kingdom
Wikipedia - CCM mode
Wikipedia - Ceci Krasimirova -- Bulgarian model
Wikipedia - Cecil Boden Kloss
Wikipedia - Cecile Sinclair -- British-Dutch model
Wikipedia - Cecilia Chancellor -- British model
Wikipedia - Cecilia Frode -- Swedish actress
Wikipedia - Cecilia Soderberg-Naucler -- Swedish immunologist
Wikipedia - Cecilie Thomsen -- Danish actress and model
Wikipedia - Cecil John Rhodes Statue -- Monument in Cape Town, South Africa
Wikipedia - Cecil John Rhodes
Wikipedia - Cecil Rhodes -- British businessman, mining magnate and politician in South Africa
Wikipedia - Celeste Thorson -- American actress-model
Wikipedia - Celia Ammerman -- American fashion model
Wikipedia - Celia Kwok -- Hong Kong actress and fashion model
Wikipedia - Celina Jaitly -- Indian film actress, former beauty queen and model
Wikipedia - Celine Van Ouytsel -- Miss Belgium 2020, beauty pageant titleholder, Belgian model
Wikipedia - Cellere Codex -- 1524 manuscript describing Giovanni da Verrazzano's exploration of the American east coast
Wikipedia - Cellodextrin -- Glucose polymers
Wikipedia - Cellular automaton -- A discrete model studied in computer science
Wikipedia - Cellular model
Wikipedia - Cellular Potts model -- Computational model of cells and tissues
Wikipedia - Celtic neopaganism -- Modern paganism based on ancient Celtic traditions
Wikipedia - Cengiz CoM-EM-^_kun -- Turkish actor and model
Wikipedia - Centaurodendron -- Species of plant
Wikipedia - Centered dodecahedral number
Wikipedia - Center for Wooden Boats -- Museum on the south shore of Lake Union, Seattle, Washington, U.S.
Wikipedia - Central Falls, Rhode Island -- City in Rhode Island, United States
Wikipedia - Central office code protection -- Policy of the North American Numbering Plan
Wikipedia - Central Organisation for Modernisation of Workshops -- Indian Railways organisation
Wikipedia - Cephalenicodes bimaculatus -- Genus of beetles
Wikipedia - Cephalodesmius -- Genus of beetles
Wikipedia - Ceratoderus -- Genus of beetles
Wikipedia - Cerebellar Model Articulation Controller
Wikipedia - Cerebellar model articulation controller
Wikipedia - Cerrado mouse -- Rodent native to Brazil
Wikipedia - Certified Professional Coder -- US professional certification for medical coders
Wikipedia - Cesar Curti -- Brazilian model, Mister International 2011, international male pageant winner
Wikipedia - Cesare Toraldo -- Italian modern pentathlete
Wikipedia - Cesar Sampson -- Austrian singer-songwriter, dancer, model, and producer
Wikipedia - CES MMA -- Mixed martial arts promoter based in Rhode Island
Wikipedia - Cezar Raducanu -- Romanian modern pentathlete
Wikipedia - CFAV Badger (YAG 319) -- One of ten wooden YAG 300 vessels built for the Royal Canadian Navy (RCN) between 1953 and 1955
Wikipedia - CFAV Caribou (YAG 314) -- One of ten wooden YAG 300 vessels built for the Royal Canadian Navy (RCN) between 1953 and 1955
Wikipedia - CFAV Cougar (YAG 308) -- One of ten wooden YAG 300 vessels built for the Royal Canadian Navy (RCN) between 1953 and 1955
Wikipedia - CFAV Grizzly (YAG 306) -- One of ten wooden YAG 300 vessels built for the Royal Canadian Navy (RCN) between 1953 and 1955
Wikipedia - CFAV Lynx (YAG 320) -- One of ten wooden YAG 300 vessels built for the Royal Canadian Navy (RCN) between 1953 and 1955
Wikipedia - CFAV Otter (YAG 312) -- One of ten wooden YAG 300 vessels built for the Royal Canadian Navy (RCN) between 1953 and 1955
Wikipedia - CF postcode area -- Postcode area within the United Kingdom
Wikipedia - Chad Buchanan -- American actor and model
Wikipedia - Chad Michael Murray -- American actor and model
Wikipedia - Chad Senior -- American modern pentathlete
Wikipedia - Chaetodera -- Genus of beetles
Wikipedia - Chaetosomodes -- Genus of beetles
Wikipedia - Cha Eun-woo -- South Korean singer, actor, and model
Wikipedia - Chain code
Wikipedia - Cha Jung-won -- South Korean actress and model
Wikipedia - Chalcodermus -- Genus of beetles
Wikipedia - Chalcolithic Temple of Ein Gedi -- Public building in modern-day Israel, dating from about 3500 BCE
Wikipedia - Chalumeau -- Woodwind instrument; predecessor of modern clarinet
Wikipedia - Chamaraja Wodeyar VII
Wikipedia - Chamberlain's approach to unobserved effects models -- Statistical tool
Wikipedia - Chamberlin, Powell and Bon -- English modernist architectural firm
Wikipedia - Champlin Foundations -- The oldest philanthropic organization groups in Rhode Island
Wikipedia - Chananporn Rosjan -- Thai model
Wikipedia - Chandana Banerjee -- Indian actress, model and beauty queen
Wikipedia - Chanel Iman -- American model
Wikipedia - Channel code
Wikipedia - Chantal Jones -- American fashion model and actress
Wikipedia - Chaos model
Wikipedia - Chapman code -- 3-letter codes used in genealogy
Wikipedia - Chapter 11, Title 11, United States Code -- Section of the United States Bankruptcy Code
Wikipedia - Chapter 12: The Siege -- fourth episode of the second season of ''The Mandalorian''
Wikipedia - Chapter 7, Title 11, United States Code -- Section of United States federal statute
Wikipedia - Chapter 9, Title 11, United States Code -- Chapter of the United States Bankruptcy Code
Wikipedia - Charge of the Model T's -- 1977 film by Jim McCullough Sr.
Wikipedia - Chariergodes -- Genus of beetles
Wikipedia - Charis Wilson -- American model (1914-2009)
Wikipedia - Charlee Fraser -- Australian fashion model
Wikipedia - Charles Crodel -- German painter and stained glass artist
Wikipedia - Charles Cumont -- Belgian modern pentathlete
Wikipedia - Charles Fernandez (pentathlete) -- Guatemalan modern pentathlete
Wikipedia - Charles F. Goodeve -- Canadian chemist and pioneer in operations research
Wikipedia - Charles Goodell -- American politician
Wikipedia - Charles Michael Davis -- American actor, model, producer, and director
Wikipedia - Charles Richards (pentathlete) -- American modern pentathlete
Wikipedia - Charles Vannerom -- Belgian modern pentathlete
Wikipedia - Charles Vyt -- Belgian modern pentathlete
Wikipedia - Charles Wooden -- Recipient of the Victoria Cross
Wikipedia - Charlie Bilodeau -- Canadian pair skater
Wikipedia - Charlie Himmelstein -- American model and photographer
Wikipedia - Charlotte Best -- Australian actress and model
Wikipedia - Charmane Star -- Pornographic actress and model (born 1979)
Wikipedia - C. Harrie Gooden -- Australian painter
Wikipedia - Chase Carter -- Bahamian model
Wikipedia - Chase (instrumental) -- 1978 electronic instrumental by Giorgio Moroder
Wikipedia - Chathuranga Kodithuwakku -- Sri Lankan actor and model (born 1995)
Wikipedia - Chaturanga Dandasana -- reclining posture in modern yoga
Wikipedia - Chavero Codex of Huexotzingo -- Documentation of a 1578 judicial proceeding
Wikipedia - Che (2008 film) -- two-part 2008 film by Steven Soderbergh about Che Guevara
Wikipedia - CheatCodes.com -- Gaming website
Wikipedia - Cheat Codes (DJs) -- American electronic music DJ trio
Wikipedia - Cheat codes
Wikipedia - Cheat code
Wikipedia - Cheirodendron platyphyllum -- Species of plant
Wikipedia - Cheirodendron trigynum -- Species of plant
Wikipedia - Chella Man -- American actor, artist, model
Wikipedia - Chelodes -- Genus of molluscs
Wikipedia - Chemical reaction model -- Mathematical modeling of chemical processes
Wikipedia - Chen Bolin -- Taiwanese actor and model
Wikipedia - Chen Hao (actress) -- Chinese actress, singer, and model
Wikipedia - Chen Kung-Liang -- Taiwanese modern pentathlete
Wikipedia - Chenoderus -- Genus of beetles
Wikipedia - Chen Qian (pentathlete) -- Chinese modern pentathlete
Wikipedia - Chen Xiao -- Chinese actor and model
Wikipedia - Cher Lloyd -- English singer, songwriter and model
Wikipedia - Cherry Dee -- British model
Wikipedia - Cherry Ngan -- Hong Kong singer, actress and model
Wikipedia - Cheryl Burke -- American dancer, model and TV host
Wikipedia - Cheryl Chou -- Singaporean model and actress
Wikipedia - Cheryl-Lynn Vidal -- Belize government prodecutor lawyer
Wikipedia - Chery Tiggo 5 -- Car model
Wikipedia - Chess symbols in Unicode -- Text characters representing chess pieces
Wikipedia - Chess Symbols -- Unicode block
Wikipedia - Chetta Chevalier -- Critical node in Monsignor Hugh O'Flaherty's "Rome Escape Line" network operating in the Vatican during World War Two
Wikipedia - Chevrolet 210 -- Midrange model automobile
Wikipedia - Chevrolet Eagle -- Car model
Wikipedia - Chevrolet Series AA Capitol -- Car model
Wikipedia - Chevrolet Series AB National -- Car model
Wikipedia - Chevrolet Series AC International -- Car model
Wikipedia - Chevrolet Series AD Universal -- Car model
Wikipedia - Chevrolet Series AE Independence -- Car model
Wikipedia - Chevrolet Series BA Confederate -- Car model
Wikipedia - Chevrolet Series FB -- Car model
Wikipedia - Chevrolet Standard Six -- Car model
Wikipedia - Chevrolet Superior -- Car model
Wikipedia - Chevrolet Yeoman -- Station wagon produced by Chevrolet for the 1958 model year
Wikipedia - Chewa regiments -- Military nobility of pre-modern Ethiopia
Wikipedia - Cheyenne Brando -- Tahitian model
Wikipedia - Chickamauga (tug boat) -- Wooden tugboat built in 1915
Wikipedia - Chicken as biological research model -- Use of the bird species for research on live beings
Wikipedia - Chihiro Kondo -- Japanese fashion model
Wikipedia - Chihuahua tradition -- Pre-Columbian culture in modern New Mexico and Chihuahua
Wikipedia - Childhood disintegrative disorder -- Neurodevelopmental condition
Wikipedia - Childhood in early modern Scotland -- Overview of the childhood in early modern Scotland
Wikipedia - Child node
Wikipedia - Child of Manhattan (film) -- 1933 Pre-code Columbia Pictures melodrama film directed by Edward Buzzell
Wikipedia - Chilodes maritimus -- Species of moth
Wikipedia - China Chow -- English actress and model
Wikipedia - Chinchilla -- Rodent genus
Wikipedia - Chin Chin Gutierrez -- Filipino actress and model
Wikipedia - Chinese telegraph code -- Four-digit decimal character encoding for electrically telegraphing messages written with Chinese characters
Wikipedia - Chinese treasure ship -- Large wooden vessel commanded by the Chinese admiral Zheng He
Wikipedia - Chionodes apolectella -- Species of moth
Wikipedia - Chionodes bastuliella -- Species of moth
Wikipedia - Chionodes bicolor -- Species of moth
Wikipedia - Chionodes canofusella -- Species of insect
Wikipedia - Chionodes continuella -- Species of moth
Wikipedia - Chionodes distinctella -- Species of moth
Wikipedia - Chionodes electella -- Species of moth
Wikipedia - Chionodes fumatella -- Species of moth
Wikipedia - Chionodes hayreddini -- Species of moth
Wikipedia - Chionodes hinnella -- Species of moth
Wikipedia - Chionodes holosericella -- Species of moth
Wikipedia - Chionodes ignorantella -- Species of moth
Wikipedia - Chionodes impes -- Species of insect
Wikipedia - Chionodes iridescens -- Species of insect
Wikipedia - Chionodes luctuella -- Species of moth
Wikipedia - Chionodes lugubrella -- Species of moth
Wikipedia - Chionodes mediofuscella -- Species of moth
Wikipedia - Chionodes mongolica -- Species of moth
Wikipedia - Chionodes nebulosella -- Species of moth
Wikipedia - Chionodes nubilella -- Species of moth
Wikipedia - Chionodes obscurusella -- Species of moth
Wikipedia - Chionodes perpetuella -- Species of moth
Wikipedia - Chionodes praeclarella -- Species of moth
Wikipedia - Chionodes soella -- Species of moth
Wikipedia - Chionodes tragicella -- Species of moth
Wikipedia - Chionodes viduella -- Species of moth
Wikipedia - Chionodes violacea -- Species of moth
Wikipedia - Chipmunk -- Tribe of mammals (rodent (marmot))
Wikipedia - Chiquinquira Delgado -- Venezuelan TV host, model, and actress
Wikipedia - Chiral Potts model -- Spin model on a planar lattice
Wikipedia - Chivalry -- Traditional ideology and code of conduct of knights
Wikipedia - Chloe Dykstra -- American cosplayer, model and actress
Wikipedia - Chloe Lukasiak -- American actress, dancer, model, author, producer and reality television personality
Wikipedia - Choice modelling
Wikipedia - Choi Gwi-seung -- South Korean modern pentathlete
Wikipedia - Choi Han-bit -- South Korean model
Wikipedia - Choi Ji-ho -- South Korean actor and model
Wikipedia - Choi Si-won -- South Korean singer, actor and model
Wikipedia - Choi Su-rin -- South Korean actress and model
Wikipedia - Choi Tae-hwan -- South Korean actor and model
Wikipedia - Chortodes fluxa -- Species of moth
Wikipedia - Chortodes morrisii -- Species of moth
Wikipedia - Chortolirion -- Genus of perennial flowering plants plants in the family Asphodelaceae
Wikipedia - Cho Se-whee -- South Korean model
Wikipedia - Chowdur -- One of the major modern Turkmen tribes
Wikipedia - CH postcode area -- Postcode area within the United Kingdom
Wikipedia - Chris Boden (sports reporter) -- American sports reporter
Wikipedia - Chris Broderick -- American musician
Wikipedia - Chris Carmack -- American actor and model
Wikipedia - Chris Cranston -- American model and actress
Wikipedia - Chris Horodecki -- Canadian mixed martial artist
Wikipedia - Chris Loder -- British Conservative politician
Wikipedia - Chris Snode -- British diver
Wikipedia - Christabel Ekeh -- Ghanaian actress and Model
Wikipedia - Christel Bodenstein -- German film and television actress
Wikipedia - Christiaan Tonnet -- Equestrian and modern pentathlete
Wikipedia - Christian Bautista -- Filipino singer, actor, host, and model.
Wikipedia - Christian Beauvalet -- French modern pentathlete
Wikipedia - Christian Clark -- Australian actor, model, and entrepreneur
Wikipedia - Christian clothing -- Dress codes among Christian worshippers
Wikipedia - Christiane Schmidtmer -- German actress and model
Wikipedia - Christian fundamentalism -- British and American Protestant movement opposed to modernist theology
Wikipedia - Christianity in the modern era
Wikipedia - Christian Keyes -- American actor and model.
Wikipedia - Christian Monzon -- American actor and model
Wikipedia - Christian Palant -- French modern pentathlete
Wikipedia - Christian Sandow -- German modern pentathlete
Wikipedia - Christian Schroder (sailor) -- German sailor
Wikipedia - Christian Schroder -- Danish actor
Wikipedia - Christian Vasquez -- Filipino actor and model
Wikipedia - Christian Zillekens -- German modern pentathlete
Wikipedia - Christie Brinkley -- American model
Wikipedia - Christina Bellin -- American model
Wikipedia - Christina Chambers -- American actress and model
Wikipedia - Christina Lekka -- Greek model and beauty queen
Wikipedia - Christina Roden -- Swedish speed skater
Wikipedia - Christina Sakala -- Zambian model
Wikipedia - Christina Sawaya -- Lebanese model and beauty queen
Wikipedia - Christine Keeler -- English model and showgirl
Wikipedia - Christine Odell Cook Miller -- American judge
Wikipedia - Christ lag in Todes Banden, BWV 4 -- Cantata by Johann Sebastian Bach
Wikipedia - Christoph Dieckmann (historian) -- German historian of modern age
Wikipedia - Christopher Bevan -- Rhodesian sailor
Wikipedia - Christopher Patte -- French modern pentathlete
Wikipedia - Christophe Ruer -- French modern pentathlete
Wikipedia - Christoph von Blumroder -- German musicologist
Wikipedia - Christy Hemme -- American professional wrestling valet, professional wrestler, ring announcer, former model, and singer
Wikipedia - Christy Mack -- American nude model and former pornographic actress
Wikipedia - Christy Turlington -- American model
Wikipedia - Chris Zylka -- American actor and model
Wikipedia - Chrodegang of Metz
Wikipedia - Chrodegang
Wikipedia - Chronic traumatic encephalopathy -- Neurodegenerative disease caused by repeated head injuries
Wikipedia - Chrysa Dimoulidou -- Greek novelist, writing in modern Greek
Wikipedia - Chrysodeixis includens -- Species of moth
Wikipedia - Chrysodema -- Genus of beetles
Wikipedia - Chuang Tang-Fa -- Taiwanese modern pentathlete
Wikipedia - Chulakshi Ranathunga -- |Sri Lankan Actress and Model
Wikipedia - Church modes
Wikipedia - Church of One Tree -- Historic wooden building in Santa Rosa, California
Wikipedia - Church of St. Barnabas (Irvington, New York) -- Historic Episcopal church modeled on English original
Wikipedia - CHWC-FM -- Radio station in Goderich, Ontario
Wikipedia - Chyler Leigh -- American actress, singer and model
Wikipedia - Chyna -- American professional wrestler, pornographic actress, glamour model, bodybuilder
Wikipedia - Chyptodes -- Genus of beetles
Wikipedia - Ciara -- American singer, songwriter, dancer, and model
Wikipedia - Cibele Dorsa -- Brazilian actress, model and writer
Wikipedia - Cicatrodea -- Genus of beetles
Wikipedia - CIDOC Conceptual Reference Model
Wikipedia - Ciechanow, Lower Silesian Voivodeship -- Village in Lower Silesian Voivodeship, Poland
Wikipedia - Cimmeritodes -- Genus of beetles
Wikipedia - Cinder Mountain -- Partly eroded cinder cone in British Columbia, Canada
Wikipedia - Cindy Bruna -- French fashion model
Wikipedia - Cindy Crawford -- American model and actress
Wikipedia - Cindy Herron -- American singer-songwriter, model and actress
Wikipedia - Cindy Kurleto -- Model, actress, and a former MTV VJ in the Philippines
Wikipedia - Cindy Vela -- American actress, model, and saxophonist
Wikipedia - CineForm -- Open source video codec
Wikipedia - Cineplex Odeon Corporation -- Former theatre company
Wikipedia - Cinta Laura -- Indonesian-German singer, actress and model
Wikipedia - Circle of Courage -- Youth development model
Wikipedia - Circuit mode
Wikipedia - Circumplex model of group tasks
Wikipedia - Cirque stairway -- A stepped succession of glacially eroded rock basins
Wikipedia - Cissy Wang -- Hong Kong model (born 1981)
Wikipedia - CitroM-CM-+n CX -- car model made by CitroM-CM-+n
Wikipedia - CitroM-CM-+n C-Zero -- French car model
Wikipedia - CityEngine -- 3D modelling software
Wikipedia - City Stadium (Molodechno) -- Sports stadium in Belarus
Wikipedia - Civil Code
Wikipedia - CJK Symbols and Punctuation -- Group of Unicode symbols
Wikipedia - Clade X -- 2018 pandemic modelling exercise
Wikipedia - Cladodes -- Genus of beetles
Wikipedia - Cladonia macrophyllodes -- Species of lichen
Wikipedia - Clair Cooper -- British model and beauty queen
Wikipedia - Clara Alonso (model) -- Spanish model
Wikipedia - Classical Gaelic -- Shared literary form of Early Modern Irish used in Scotland and Ireland from the 13th to the 18th centuries
Wikipedia - Claud Cloete -- South African modern pentathlete
Wikipedia - Claude Guiguet -- French modern pentathlete
Wikipedia - Claudelle Deckert -- German actress and model
Wikipedia - Claudia Alende -- Brazilian singer, DJ, model and entrepreneur
Wikipedia - Claudia Cerutti -- Italian modern pentathlete
Wikipedia - Claudia Cesarini -- Italian modern pentathlete
Wikipedia - Claudia Ciesla -- Polish-German actress and model
Wikipedia - Claudia Corsini -- Italian modern pentathlete
Wikipedia - Claudia Cron -- American actress and model
Wikipedia - Claudia Jennings -- American actress and model
Wikipedia - Claudia Roden -- British writer
Wikipedia - Claudia Schiffer -- German model
Wikipedia - Claudia Suarez -- Venezuelan model and former beauty pageant winner
Wikipedia - Claudie Lange -- Belgian model and actress
Wikipedia - Claudine Cassereau -- French model
Wikipedia - Clavenicodes clavus -- Genus of beetles
Wikipedia - ClavileM-CM-1o -- Magical wooden horse in Don Quixote
Wikipedia - Clayton Chitty -- Canadian actor and model
Wikipedia - Clayton Mansfield -- American modern pentathlete
Wikipedia - Clematodes larreae -- Species of grasshopper
Wikipedia - Clematodes vanduzeei -- Species of grasshopper
Wikipedia - Clematodes -- Genus of grasshoppers
Wikipedia - Clementina Carneiro de Moura -- Portuguese modernist artist
Wikipedia - Cleobulus of Rhodes
Wikipedia - Cleodemus Malchus -- Ancient Jewish scholar
Wikipedia - Cleorodes -- Genus of moths
Wikipedia - Cleptotypodes -- Genus of moths
Wikipedia - Clerodendrum quadriloculare -- species of plant in the family Lamiaceae
Wikipedia - Clerodendrum thomsoniae -- Species of plant
Wikipedia - Clerodendrum trichotomum -- Species of flowering plant in the family Lamiaceae
Wikipedia - Client-server model -- Distributed application structure in computing
Wikipedia - Climate as complex networks -- Conceptual model to generate insight into climate science
Wikipedia - Climate Data Exchange -- Software framework for sharing climate data and models
Wikipedia - Climate model -- Quantitative methods used to simulate climate
Wikipedia - Clinical coder -- health care professional whose main duties are to analyse clinical statements and assign standard codes using a classification system
Wikipedia - Cliniodes iopolia -- Species of moth
Wikipedia - Clinostomidae -- Family of trematodes in the order Diplostomida.
Wikipedia - Cliodynamics -- Mathematical modeling of historical processes
Wikipedia - Clip show -- Episode of a television series that consists primarily of excerpts from previous episodes
Wikipedia - CLLI code -- Identifying code
Wikipedia - Clock code -- Method of air navigation
Wikipedia - Closer to Free -- 1993 single by BoDeans
Wikipedia - Cloud storage -- Model of computer data storage
Wikipedia - Clytoderus -- Genus of insects
Wikipedia - CM postcode area -- Postcode area within the United Kingdom
Wikipedia - CMY color model -- Subtractive color model for dyes and pigments
Wikipedia - CMYK color model -- Subtractive color model, used in color printing
Wikipedia - CNN Freedom Project -- CNN project to expose modern-day slavery and human trafficking
Wikipedia - CNS 11643 -- National standard coded character set of the Republic of China (Taiwan)
Wikipedia - Coalescent theory -- A model for tracing the history of genetic variation
Wikipedia - Coate-Loury model -- model of affirmative action
Wikipedia - Coat of arms of Rhode Island -- Official emblem of Rhode Island
Wikipedia - Cobina Wright Jr. -- American singer, actress and model
Wikipedia - Coccoderus -- Genus of beetles
Wikipedia - Cockroach -- Insects of the order Blattodea
Wikipedia - Cocktail Time -- 1958 novel by P.G. Wodehouse
Wikipedia - Cocomi -- Japanese model
Wikipedia - Coco Rocha -- Canadian model
Wikipedia - Code2000 -- Typeface
Wikipedia - Code 37 -- Television series
Wikipedia - Code42 -- American software company
Wikipedia - Code 46 -- 2003 British film by Michael Winterbottom
Wikipedia - Code 8 (2019 film) -- 2019 Canadian science fiction action film
Wikipedia - Code Access Security
Wikipedia - Codeanywhere
Wikipedia - Code audit
Wikipedia - Codebase
Wikipedia - Code Black (DJ) -- Australian DJ
Wikipedia - Codeblack Films -- American entertainment company
Wikipedia - Code Black (TV series) -- 2015 American medical drama television series
Wikipedia - Code bloat -- Production of unnecessarily long, slow or wasteful program code
Wikipedia - Code::Blocks
Wikipedia - Code Blue (bull) -- American bucking bull
Wikipedia - Code Blue (film) -- 2011 film
Wikipedia - Code: Blue -- Fictional organization in comics
Wikipedia - CodeBook
Wikipedia - Codebreaker (film) -- 2011 television film
Wikipedia - Code:Breaker -- Manga and anime series
Wikipedia - Code-breaking
Wikipedia - Codebreaking
Wikipedia - Code browser
Wikipedia - Codec 2
Wikipedia - Codecademy -- Online code-learning platform
Wikipedia - Codecasa -- Italian luxury super yacht building firm
Wikipedia - CodeCombat -- 2013 educational video game
Wikipedia - Code compilation
Wikipedia - Code Complete
Wikipedia - Code completion
Wikipedia - Code conventions
Wikipedia - Code Co-op
Wikipedia - Code coverage -- Measure of source code testing
Wikipedia - Code (cryptography)
Wikipedia - Codec -- Device or software for encoding or decoding a digital data stream
Wikipedia - Coded Anti-Piracy
Wikipedia - Coded Bias -- 2020 American documentary film
Wikipedia - CodedColor PhotoStudio Pro -- Bitmap graphics editor
Wikipedia - Code: Debugging the Gender Gap
Wikipedia - Code density
Wikipedia - Coded exposure photography -- Motion blur reduction technology
Wikipedia - Code Division Multiple Access
Wikipedia - Code division multiple access
Wikipedia - Code-division multiple access -- Channel access method used by various radio communication technologies
Wikipedia - Code duplication
Wikipedia - Coded wire tag -- Device used to tag and track animals
Wikipedia - Code-excited linear prediction -- Coding algorithm
Wikipedia - Code folding
Wikipedia - Codeforces
Wikipedia - CodeGear Delphi
Wikipedia - CodeGear -- Company
Wikipedia - Code Geass: Lelouch of the Re;surrection -- 2019 anime film directed by GorM-EM-^M Taniguchi
Wikipedia - Code Geass -- 2006 anime series directed by GorM-EM-^M Taniguchi
Wikipedia - Code generation (compiler) -- Process by which a compiler's code generator converts some intermediate representation of source code into a form that can be readily executed by a machine
Wikipedia - Code generator
Wikipedia - Code golf
Wikipedia - Code Gray: Ethical Dilemmas in Nursing -- 1984 film
Wikipedia - CodeIgniter
Wikipedia - Codeine -- Opiate used to treat pain
Wikipedia - Code injection
Wikipedia - Code Kunst -- South Korean producer (born 1989)
Wikipedia - Code letters -- Older method of identifying ships
Wikipedia - CodeLite
Wikipedia - Codelobster
Wikipedia - Code Lyoko -- French animated television series
Wikipedia - Codemasters -- British video game developer and publisher
Wikipedia - Codementor -- Online platform
Wikipedia - CodeMirror -- JavaScript component that provides a code editor in the browser
Wikipedia - Code mobility
Wikipedia - Code Monkeys
Wikipedia - Code morphing
Wikipedia - Code M -- Indian web series
Wikipedia - Code Name Abdul -- 2020 spy-thriller film by Eshwar Gunturu
Wikipedia - Codename: Asero -- 2008 Philippine television series
Wikipedia - Code Name: Diamond Head -- 1977 film by Jeannot Szwarc
Wikipedia - Codename: Dustsucker -- 2004 album by Bark Psychosis
Wikipedia - Codename: Kids Next Door - Operation: S.O.D.A. -- American platformer video game
Wikipedia - Codename: Kids Next Door -- American animated television series
Wikipedia - Codename: Knockout -- Comic
Wikipedia - Codename: Sailor V -- Manga created by Naoko Takeuchi, Predescesor to Sailor Moon
Wikipedia - Codenames (board game) -- 2015 spy-themed board game
Wikipedia - Code Name: S.T.E.A.M.
Wikipedia - Code Name: STEAM
Wikipedia - Code Name Verity -- Young adult historical novel by Elizabeth Wein
Wikipedia - Codename Villanelle -- Novella series
Wikipedia - Codename
Wikipedia - Code name -- Word or name used, sometimes clandestinely, to refer to another name, word, project or person
Wikipedia - Code Name: Wild Geese -- 1984 film
Wikipedia - CODEN (identifier)
Wikipedia - Code Ninjas -- Coding academy
Wikipedia - Code Noir -- French slavery law
Wikipedia - Codenvy
Wikipedia - CODEN
Wikipedia - Code obfuscation
Wikipedia - Code of a Killer -- Two-part British television series
Wikipedia - Code of Canons of the Eastern Churches
Wikipedia - Code of conduct
Wikipedia - Code of Federal Regulations -- Compilation of US federal regulations
Wikipedia - Code of Hammurabi -- Babylonian code of law or conduct
Wikipedia - Code of Honor (film) -- 2016 film by Michael Winnick
Wikipedia - Code of Honor (horse) -- American thoroughbred racehorse
Wikipedia - Code of Justinian
Wikipedia - Code of law
Wikipedia - Code of Points (artistic gymnastics) -- Rulebook that defines the scoring system in artistic gymnastics
Wikipedia - Code of practice -- A set of written rules which specifies how people working in a particular occupation should behave
Wikipedia - Code of Rubrics
Wikipedia - Code of Scotland Yard -- 1947 British crime film directed by George King
Wikipedia - Code of the Air -- 1928 silent film
Wikipedia - Code of the Cactus -- 1939 film by Sam Newfield
Wikipedia - Code of the Cow Country -- 1927 film
Wikipedia - Code of the District of Columbia -- Legal code for the District of Columbia, US
Wikipedia - Code of the Lifemaker
Wikipedia - Code of the Nesilim
Wikipedia - Code of the Outlaw -- 1942 film
Wikipedia - Code of the Rangers -- 1938 film by Sam Newfield
Wikipedia - Code of the Range -- 1936 film by Charles C. Coleman
Wikipedia - Code of the Sea -- 1924 film by Victor Fleming
Wikipedia - Code of the Streets -- 1939 film by Harold Young
Wikipedia - Code of the West (1925 film) -- 1925 film
Wikipedia - Code of the Wilderness -- 1924 silent drama film by David Smith
Wikipedia - Code of Ur-Nammu
Wikipedia - Code of Urukagina
Wikipedia - Code on Wages, 2019 -- Act of the Parliament of India
Wikipedia - Code optimization
Wikipedia - Code Orange (band) -- |American hardcore punk band
Wikipedia - Code Orange (political party) -- Dutch political party
Wikipedia - Code page 1023 -- Code page
Wikipedia - Code page 1057 -- A character encoding specified by IBM
Wikipedia - Code page 310 -- Set of APL symbols invoked with the EBCDIC "Graphic Escape" (single shift) control code
Wikipedia - Code page 437
Wikipedia - Code page 932 (Microsoft Windows) -- Japanese Windows character encoding / Shift JIS variant.
Wikipedia - Code page 950 -- Windows code page for Traditional Chinese, based on Big5
Wikipedia - Code page
Wikipedia - Codepage
Wikipedia - Codependency
Wikipedia - Code Pink -- American non-governmental organization
Wikipedia - CodePlex -- Web-based collaborative software platform
Wikipedia - Code point -- Numerical value representing a character in a coded character set
Wikipedia - Code rate
Wikipedia - Code readability
Wikipedia - CodeRED: Alien Arena
Wikipedia - Code Red DVD -- American home entertainment company
Wikipedia - Code Red II -- Computer worm
Wikipedia - Code refactoring -- Restructuring existing computer code without changing its external behavior
Wikipedia - Code repository
Wikipedia - Code reuse
Wikipedia - Code review -- Activity where one or more people check a program's code
Wikipedia - Coder, Pennsylvania
Wikipedia - Coders at Work
Wikipedia - Coders at work
Wikipedia - Code Rush
Wikipedia - Code (semiotics)
Wikipedia - Code (set theory) -- Concept in set theory
Wikipedia - Code signing
Wikipedia - Code smells
Wikipedia - Code smell
Wikipedia - Code-switching -- Action of changing between two or more languages, or language varieties, in the context of a single conversation
Wikipedia - Code talker -- People using their native language for secret wartime communication
Wikipedia - Codetext
Wikipedia - CodeView
Wikipedia - Codeville
Wikipedia - CodeWarrior
Wikipedia - Codewars -- Computer programming community and challenge site
Wikipedia - CodeWeavers
Wikipedia - Codeweavers
Wikipedia - Code (web series) -- Moroccan action web series
Wikipedia - Code -- System of rules to convert information into another form or representation
Wikipedia - Code word (figure of speech) -- A word or phrase that has a special meaning
Wikipedia - Code word
Wikipedia - Codex Alexandrinus -- Handwritten copy of the Bible in Greek
Wikipedia - Codex Amiatinus -- Oldest complete copy of the Vulgate version of the Bible
Wikipedia - Codex Aureus of Echternach -- 11th-century illuminated Gospel Book
Wikipedia - Codex Aureus of St. Emmeram -- 9th-century illuminated Gospel Book
Wikipedia - Codex Balduini Trevirorum
Wikipedia - Codex Basilensis A. N. IV. 2 -- Greek minuscule manuscript of the New Testament
Wikipedia - Codex Basiliensis A. N. IV. 1 -- Greek minuscule manuscript of the New Testament
Wikipedia - Codex Bezae -- Handwritten copy of the New Testament in Greek and Latin
Wikipedia - Codex Borbonicus
Wikipedia - Codex Borgia
Wikipedia - Codex Burgundus -- 15th century illuminated manuscript
Wikipedia - Codex Cairensis -- Hebrew codex of the Prophets ascribed to masorete Ben-Asher
Wikipedia - Codex Calixtinus -- 12th century manuscript collection
Wikipedia - Codex canadensis -- Handwritten and hand-drawn document from c.M-bM-^@M-^I1700 that depicts the wildlife and native peoples of Canada
Wikipedia - Codex Demidovianus -- 13th-century Latin manuscript of the New Testament
Wikipedia - Codex Ephraemi Rescriptus -- Handwritten copy of the Bible in Greek
Wikipedia - Codex Escalada
Wikipedia - Codex germanicus monacensis
Wikipedia - Codex Gigas -- Manuscript compendium from the 13th century
Wikipedia - Codex Grandior -- Large single-volume copy of the Bible in an Old Latin translation
Wikipedia - Codex Justinianeus
Wikipedia - Codex Laudianus
Wikipedia - Codex Leicester
Wikipedia - Codex Magliabechiano
Wikipedia - Codex Marianus
Wikipedia - Codex Maximilianeus bavaricus civilis -- Bavarian civil code of 1756
Wikipedia - Codex Mendoza -- Aztec manuscript
Wikipedia - Codex Regius -- Icelandic codex source for Old Norse poems
Wikipedia - Codex Salmanticensis
Wikipedia - Codex Seidelianus II -- Greek manuscript of the Gospels
Wikipedia - Codex Seidelianus I -- Greek manuscript of the Gospels
Wikipedia - Codex Sinaiticus -- Handwritten copy of the Bible in Greek
Wikipedia - Codex Tchacos
Wikipedia - Codex Theodosianus
Wikipedia - Codex Theodulphianus -- 10th-century Latin manuscript of the Old and New Testament
Wikipedia - Codex Tudela -- Aztec codex
Wikipedia - Codex Vaticanus Graecus 64
Wikipedia - Codex Vaticanus -- 4th-century handwritten Bible manuscript in Greek
Wikipedia - Codex Vindobonensis 795
Wikipedia - Codex Vindobonensis Philos. 157 -- 15th-century Greek manuscript
Wikipedia - Codex Vindobonensis Philos. 2 -- 15th-century Greek manuscript
Wikipedia - Codex Vindobonensis Philos. 75 -- 15th-century manuscript written in Greek
Wikipedia - Codex Wallerstein -- Literary work
Wikipedia - Codex
Wikipedia - Codex Zographensis
Wikipedia - Codification (law) -- Process of collecting and restating certain area of law forming a legal code
Wikipedia - Codigo de Enderecamento Postal -- Brazilian postal code system commonly known as CEP
Wikipedia - Coding conventions -- Standards and guidelines for writing code
Wikipedia - Coding region -- Portion of gene's sequence which codes for protein
Wikipedia - Cod Steaks -- British model making company
Wikipedia - Cody and Dustin Rhodes -- Professional wrestling tag team
Wikipedia - Cody Horn -- American actress and model
Wikipedia - Coenraad Lodewijk Walther Boer -- Dutch composer
Wikipedia - Coeruleodraco -- Extinct genus of choristoderan
Wikipedia - Coggeshall Farm Museum -- Museum in Bristol, Rhode Island, US
Wikipedia - Cognatic kinship -- Mode of descent
Wikipedia - Cognitive modeling
Wikipedia - Cognitive model
Wikipedia - Cohort model
Wikipedia - Coilodera -- Genus of beetles
Wikipedia - Cok Istri Krisnanda Widani -- Miss Supranational Indonesia 2013, Puteri Indonesia Pariwisata 2013, Indonesian supermodel and dancer
Wikipedia - Cold cathode -- Type of electrode and part of cold cathode fluorescent lamp.
Wikipedia - Cold Station 12 -- 5th episode of the fourth season of ''Star Trek: Enterprise''
Wikipedia - Cole Elshere -- American rodeo cowboy
Wikipedia - Coleen Garcia -- Filipino actress, host, and model
Wikipedia - Coleen Perez -- Filipina commercial model and actress
Wikipedia - Coleophora pagodella -- Species of insect
Wikipedia - Coleophora retrodentella -- Species of moth
Wikipedia - Colin Duff -- Rhodesian cricketer sportsman
Wikipedia - Colin McRae: Dirt -- 2007 racing video game by Codemasters
Wikipedia - Colin McRae Rally -- Racing video game series by Codemasters
Wikipedia - Colin Woodell -- American actor
Wikipedia - Collaboration graph -- Graph modeling collaboration in a social network
Wikipedia - Collision response -- A tool to deal with models and algorithms for simulating the changes in the motion of two solid bodies following collision and other forms of contact
Wikipedia - Coloboma of optic nerve -- Rare defect of the optic nerve that causes moderate to severe visual field defects.
Wikipedia - Colobopsis explodens -- Species of ant
Wikipedia - Colobosaura modesta -- Species of lizard
Wikipedia - Colochirus robustus -- Species of echinoderm
Wikipedia - Cologne Mani-Codex
Wikipedia - Colony of Rhode Island and Providence Plantations -- One of the original Thirteen Colonies established on the east coast of America
Wikipedia - Color appearance model -- Any mathematical model describing human perception of colors
Wikipedia - Color code
Wikipedia - Color model -- Mathematical model describing colors as tuples of numbers
Wikipedia - Colossus of Rhodes -- One of the seven wonders of the ancient world
Wikipedia - Colpodea -- A class of protists in the ciliates phylum
Wikipedia - Colpodes -- Genus of beetles
Wikipedia - Colt Model 1908 Vest Pocket -- Semi-automatic single-action pistol
Wikipedia - Colton Haynes -- American actor and model
Wikipedia - Colt State Park -- State park in Bristol, Rhode Island
Wikipedia - Columbo (season 10) -- Season of television series (all episodes of 1990 to 2003)
Wikipedia - Combining Grapheme Joiner -- Unicode control character
Wikipedia - Comics Code Authority -- Voluntary code to self-regulate the content of comic books in the United States
Wikipedia - Commercial code (communications) -- List of codes and abbreviations used to save on cablegram costs
Wikipedia - Commissioning of the Twelve Apostles -- An episode in the ministry of Jesus that appears in all three Synoptic Gospels
Wikipedia - Commode -- type of furniture (or toilet)
Wikipedia - Common Information Model (computing)
Wikipedia - Common punare -- A species of mammals in the spiny rat family of rodents
Wikipedia - Common variable immunodeficiency -- Immune disorder
Wikipedia - Commune (model of government)
Wikipedia - Community College of Rhode Island
Wikipedia - Community Earth System Model -- A fully coupled numerical simulation of Earth systems
Wikipedia - Community health centers in the United States -- health care model
Wikipedia - Company for Henry -- 1967 novel by P.G. Wodehouse
Wikipedia - Company rule in Rhodesia
Wikipedia - Comparison of agent-based modeling software -- Wikipedia list article
Wikipedia - Comparison of code generation tools
Wikipedia - Comparison of data modeling tools -- Comparison of notable data modeling tools
Wikipedia - Comparison of JavaScript-based source code editors
Wikipedia - Comparison of Macintosh models
Wikipedia - Comparison of multi-model databases
Wikipedia - Comparison of source code hosting facilities
Wikipedia - Comparison of source-code-hosting facilities -- Wikimedia list article
Wikipedia - Comparison of video codecs
Wikipedia - Compartmental models in epidemiology -- Type of mathematical model used for infectious diseases
Wikipedia - Compas -- Modern meringue, the national music genre of Haiti
Wikipedia - Compiler -- Computer program which translates code from one programming language to another
Wikipedia - Complexity -- Properties of systems that cannot be simply described or modeled
Wikipedia - Component Object Model
Wikipedia - Computational biomodeling
Wikipedia - Computational human phantom -- Computational human phantoms are models of the human body
Wikipedia - Computational modeling of Ischemic stroke -- Computational modeling of Ischemic stroke
Wikipedia - Computational modeling
Wikipedia - Computational modelling
Wikipedia - Computational models of language acquisition
Wikipedia - Computational models
Wikipedia - Computational model
Wikipedia - Computational science -- Field that uses computers and mathematical models to analyze and solve scientific problems
Wikipedia - Compute Node Linux -- Runtime environment based on the Linux kernel for several Cray supercomputer systems based on SUSE Linux Enterprise Server
Wikipedia - Computer code
Wikipedia - Computer modeling
Wikipedia - Computer model
Wikipedia - Computer Modern -- Family of typefaces
Wikipedia - Computer security model -- Plan for specifying and enforcing security policies
Wikipedia - Computer simulation -- Process of mathematical modelling, performed on a computer
Wikipedia - Concentric zone model
Wikipedia - Concepts of Modern Mathematics -- Book by Ian Stewart
Wikipedia - Concepts, Techniques, and Models of Computer Programming
Wikipedia - Conceptual-act model of emotion
Wikipedia - Conceptual data model
Wikipedia - Conceptual model (computer science)
Wikipedia - Conceptual modeling
Wikipedia - Conceptual model
Wikipedia - Conchylodes -- Genus of moths
Wikipedia - Condenser telephone -- device allowing telephone communication over Morse code telegraph
Wikipedia - Condition Code Register
Wikipedia - Condor A350 -- Motorcycle model
Wikipedia - Confession of Peter -- An episode in the New Testament in which the Apostle Peter proclaims Jesus to be the Christ
Wikipedia - Congo Craton -- Precambrian craton that with four others makes up the modern continent of Africa
Wikipedia - Congres Internationaux d'Architecture Moderne -- Modern architecture movement organization
Wikipedia - Congressional Biodefense Caucus -- Caucus dedicated to biodefense enterprise and national security
Wikipedia - Connie Imboden -- American photographer
Wikipedia - Connie Kreski -- American model
Wikipedia - Conoderinae -- Subfamily of beetles
Wikipedia - Consistency model -- A set of formally specified rules that guarantee (or explicitly disclaim) certain consistencies in the event of concurrent reads or writes to shared memory
Wikipedia - Constant-current diode
Wikipedia - Constantinopolitan Karaites -- Karaite Jewish community developed in Constantinople (modern-day Istanbul, Turkey)
Wikipedia - Constantinos Decavallas -- Greek modernist architect
Wikipedia - Constant-weight code -- Method for encoding data in communications
Wikipedia - Constrained Conditional Models
Wikipedia - Constructionism (learning theory) -- learning theory involving the construction of mental models
Wikipedia - Constructivist architecture -- Form of modern architecture that flourished in the Soviet Union in the 1920s and early 1930s
Wikipedia - Constructivity Model Viewer -- Software for viewing Building Information Models
Wikipedia - Consumer neuroscience -- Combination of consumer research with modern neuroscience
Wikipedia - Consumer-to-business -- a business model
Wikipedia - Contagion (2011 film) -- 2011 film by Steven Soderbergh
Wikipedia - Contemporary Christian music -- Genre of modern popular music lyrically focused on matters concerned with the Christian faith
Wikipedia - Context model
Wikipedia - Contextual Modernism
Wikipedia - Continuum mechanics -- Branch of physics which studies the behavior of materials modeled as continuous masses
Wikipedia - Continuum model of impression formation -- Model in social psychology
Wikipedia - Contoderopsis -- Genus of beetles
Wikipedia - Contoderus -- Genus of beetles
Wikipedia - Contributor Covenant -- Code of conduct for contributors to free and open source software projects
Wikipedia - Control character -- Code point in a character set, that does not represent a written symbol
Wikipedia - Controlled digital lending -- a digital library lending model
Wikipedia - Controversies surrounding Call of Duty: Modern Warfare 2 -- Controversies surrounding Call of Duty: Modern Warfare 2
Wikipedia - Conus broderipii -- Species of sea snail
Wikipedia - Conus mariaodeteae -- Species of sea snail
Wikipedia - Conus sogodensis -- Species of sea snail
Wikipedia - Convair Model 200 -- American VTOL fighter proposal
Wikipedia - Convair Model 23 -- 1950s American nuclear aircraft concept
Wikipedia - Convair Model 48 Charger -- Prototype light attack and observation aircraft built 1964
Wikipedia - Conversational model
Wikipedia - Converter/descrambler -- Device that decodes a Cable TV signal
Wikipedia - Convict's Code -- 1939 film by Lambert Hillyer
Wikipedia - Convolutional code -- type of error-correcting code using convolution
Wikipedia - Convolutional Sparse Coding -- Neural network coding model
Wikipedia - Convolution code
Wikipedia - Convoy PQ 17 -- Code name for an Allied World War II convoy in the Arctic Ocean
Wikipedia - Cool'n'Quiet -- Power saving mode of modern processors by Advanced Micro Devices
Wikipedia - CO postcode area -- Postcode area within the United Kingdom
Wikipedia - Coptodera -- Genus of beetles
Wikipedia - Cora Emmanuel -- French fashion model
Wikipedia - Coral Del Mar Casanova -- Puerto Rican model
Wikipedia - Core architecture data model
Wikipedia - Core Strength Vinyasa Yoga -- A school of modern yoga
Wikipedia - Corine RottschM-CM-$fer -- Dutch model and beauty queen
Wikipedia - Corinne Alphen -- American model and actress
Wikipedia - Corinne Foxx -- American model and actress
Wikipedia - Corinth -- Modern city in Greece
Wikipedia - Cornell box -- Computer graphics 3D reference model
Wikipedia - Cornel Vena -- Romanian modern pentathlete
Wikipedia - Coronation Ode -- Work composed by Edward Elgar with words by A. C. Benson (1902)
Wikipedia - Coroplast (artisan) -- Ancient Greek terracotta modeler
Wikipedia - Corrhenodes -- Genus of beetles
Wikipedia - Corticobasal degeneration -- Rare neurodegenerative disease
Wikipedia - Corynne Charby -- French actress, pop singer and model
Wikipedia - Cosmoclostis aglaodesma -- Species of plume moth
Wikipedia - Cosmoderes -- Genus of beetles
Wikipedia - Cosmological model
Wikipedia - Cosmology episode
Wikipedia - Cosmopterix ancalodes -- Species of moth from India
Wikipedia - Coso artifact -- Spark plug supposedly encased in a 500,000-year-old geode
Wikipedia - Country codes: A -- Wikimedia list article
Wikipedia - Country codes: B -- Wikimedia list article
Wikipedia - Country codes: C -- Wikimedia list article
Wikipedia - Country codes: D-E -- Wikimedia list article
Wikipedia - Country codes: F -- Wikimedia list article
Wikipedia - Country codes: G -- Wikimedia list article
Wikipedia - Country codes: H-I -- Wikimedia list article
Wikipedia - Country codes: J-K -- Wikimedia list article
Wikipedia - Country codes: L -- Wikimedia list article
Wikipedia - Country codes: M -- Wikimedia list article
Wikipedia - Country codes: N -- Wikimedia list article
Wikipedia - Country codes: O-Q -- Wikimedia list article
Wikipedia - Country codes: R -- Wikimedia list article
Wikipedia - Country codes: S -- Wikimedia list article
Wikipedia - Country codes: T -- Wikimedia list article
Wikipedia - Country codes: U-Z -- Wikimedia list article
Wikipedia - Country code top-level domain
Wikipedia - County of La Marche -- Medieval French county, approximately corresponding to the modern departement of Creuse
Wikipedia - Coupled mode theory -- Physics theory
Wikipedia - Courtney Eaton -- Australian model and actress
Wikipedia - Covariation model
Wikipedia - Covenant Code -- The name given by academics to a text appearing in the Torah, at Exodus 20:22-23:19
Wikipedia - Coventry, Rhode Island
Wikipedia - Covered bridge -- wooden bridge with protective cover
Wikipedia - Covering code
Wikipedia - Covering law model
Wikipedia - Cover Me (Depeche Mode song) -- Depeche Mode song
Wikipedia - COVID-19 pandemic in Rhode Island -- Ongoing COVID-19 viral pandemic in Rhode Island, United States
Wikipedia - CQD -- Morse code distress call in the early 20th century
Wikipedia - Craft unionism -- Model of trade unionism
Wikipedia - Cranaodes -- Genus of insects
Wikipedia - Cranston Public Library -- Public library system in Rhode Island, US
Wikipedia - Cranston, Rhode Island -- City in Rhode Island, United States
Wikipedia - Craspedoderus -- Genus of beetles
Wikipedia - Creator code
Wikipedia - Cressida Bonas -- English actress and model
Wikipedia - Cricetidae -- Family of rodents
Wikipedia - Crime Contagion Models
Wikipedia - Criminal Code (Spain) -- Law that codifies most criminal offences in Spain
Wikipedia - Criminal spin -- Phenomenological model in criminology
Wikipedia - Criminal transmission of HIV in the United States -- Intentional or reckless infection of a person with the human immunodeficiency virus in the U.S.
Wikipedia - Criminal transmission of HIV -- Intentional or reckless infection of a person with the human immunodeficiency virus
Wikipedia - Crinodendron hookerianum -- Species of flowering plant in the family Elaeocarpaceae
Wikipedia - Crinodendron patagua -- Species of flowering plant in the family Elaeocarpaceae
Wikipedia - Crinodendron -- Genus of flowering plants in the family Elaeocarpaceae
Wikipedia - Crinodessus -- Genus of beetles
Wikipedia - Cristian Bustos (pentathlete) -- Chilean modern pentathlete
Wikipedia - Cristina Businari -- Italian model
Wikipedia - Cristina Chiabotto -- Italian TV presenter, model and showgirl
Wikipedia - Cristina Del Basso -- Italian model, showgirl and actress
Wikipedia - Cristodesisa -- Genus of beetles
Wikipedia - Critical mass (software engineering) -- Software engineering term; stage in the life cycle when the source code grows too complicated to effectively manage without a complete rewrite
Wikipedia - Criticism of postmodernism
Wikipedia - Critique of Modernity -- 1992 book by Alain Touraine
Wikipedia - Crocodeta variegata -- Species of moth
Wikipedia - Cross-lagged panel model -- Statistical model comparing multiple variables over time
Wikipedia - Crown: An Ode to the Fresh Cut -- 2017 picture book by Derrick Barnes
Wikipedia - Crown green bowls -- Code of bowls played outdoors on a grass or artificial turf surface
Wikipedia - CR postcode area -- Postcode area within the United Kingdom
Wikipedia - Crucifixion darkness -- An episode in three of the gospels in which the sky becomes dark in daytime during the crucifixion of Jesus.
Wikipedia - Crucifixion -- Method of capital punishment in which the victim is tied or nailed to a large wooden beam and left to hang until eventual death
Wikipedia - Crypto: How the Code Rebels Beat the Government Saving Privacy in the Digital Age
Wikipedia - Crystal diode
Wikipedia - Cscope -- Free software that allows for searching source code written in C, C++, and Java
Wikipedia - Csilla Furi -- Hungarian modern pentathlete
Wikipedia - CSI: Trilogy -- A series of CSI franchise crossover episodes
Wikipedia - CSS box model
Wikipedia - CSS code
Wikipedia - CSS Flexible Box Layout -- CSS3 web layout mode
Wikipedia - CSU Channel Islands University Park -- Includes wetlands, hills, trails, a model boat pond, and model airplane field
Wikipedia - Ctenacodon -- Extinct genus of rodent-like mammals from the Upper Jurassic period
Wikipedia - Ctenisodes ocularis -- species of ant-loving beetle
Wikipedia - Ctenisodes -- Genus of beetles
Wikipedia - Ctenoderus -- Genus of beetles
Wikipedia - Ctenodes -- Genus of beetles
Wikipedia - Ctenomorphodes tessulatus -- Species of insect
Wikipedia - CT postcode area -- Postcode area within the United Kingdom
Wikipedia - Cuca Roseta -- Portuguese singer, composer, and model
Wikipedia - Cuisine of Odessa -- Local cuisine of Odessa, Ukraine
Wikipedia - Cuito Cuanavale Airport -- Angolan airport, IATA code
Wikipedia - CUL3 -- Protein encoded by the CUL3 gene in humans
Wikipedia - Culloden Viaduct -- Railway bridge in Highland, Scotland, UK
Wikipedia - Cultural Bolshevism -- Nazi slogan opposing modernist and progressive cultural movements
Wikipedia - Culture code
Wikipedia - Curie-Weiss law -- Model of magnetic susceptibility under certain conditions
Wikipedia - Curtiss Model E -- Early aircraft model
Wikipedia - CUSIP -- Nine-character alphanumeric code that identifies a North American financial security
Wikipedia - CV postcode area -- Postcode area within the United Kingdom
Wikipedia - CWC mode
Wikipedia - CW postcode area -- Postcode area within the United Kingdom
Wikipedia - CyberCoders -- American recruiting firm
Wikipedia - Cyberpunk -- Postmodern science fiction genre in a futuristic dystopian setting
Wikipedia - Cyclical theory (United States history) -- Model used to explain the fluctuations in politics throughout American history
Wikipedia - Cyclic code -- type of block code
Wikipedia - Cyclic model
Wikipedia - Cyclodecene -- Cycloalkene
Wikipedia - Cyclol -- Structural model of a folded, globular protein
Wikipedia - Cycnoderus -- Genus of beetles
Wikipedia - Cymatodera -- Genus of beetles
Wikipedia - Cymatoderella -- Genus of beetles
Wikipedia - Cynthia Bailey -- American model, reality television star, and actress
Wikipedia - Cynthia Bolbach -- Moderator of the General Assembly of the Presbyterian Church
Wikipedia - Cynthia Brimhall -- American model and B-movie actress
Wikipedia - Cynthia Calderon -- Peruvian model
Wikipedia - Cynthia Gibb -- American actress and model
Wikipedia - Cynthia Olavarria -- Puerto Rican actress, television host, and fashion model
Wikipedia - Cynthia Wood -- American model and actress
Wikipedia - Cyphotrechodes -- Genus of beetles
Wikipedia - Cyprian Godebski
Wikipedia - Cyprodenate
Wikipedia - Cyrillic Supplement -- Group of Unicode symbols
Wikipedia - Cyrine Abdelnour -- Lebanese singer, actress, and model
Wikipedia - Cystoidea -- Class of extinct echinoderms
Wikipedia - Cytherea (actress) -- American pornographic actress and model
Wikipedia - Cytochrome c oxidase subunit III -- Enzyme of the respiratory chain encoded by the mitochondrial genome
Wikipedia - Cytochrome c oxidase subunit II -- Enzyme of the respiratory chain encoded by the mitochondrial genome
Wikipedia - Cytochrome c oxidase subunit I -- Enzyme of the respiratory chain encoded by the mitochondrial genome
Wikipedia - Czaczow -- Village in Lesser Poland Voivodeship, Poland.
Wikipedia - Czerna, Lesser Poland Voivodeship
Wikipedia - Czernihow Voivodeship
Wikipedia - DACAPO -- Quantum mechanical molecular dynamics computer code
Wikipedia - Dacryodes costata -- species of plant in the family Burseraceae
Wikipedia - Dacryodes dungii -- Species of plant
Wikipedia - Dacryodes laxa -- species of plant in the family Burseraceae
Wikipedia - Dacryodes rubiginosa -- species of plant in the family Burseraceae
Wikipedia - Dad's Army missing episodes -- Lost episodes of Dad's Army
Wikipedia - Dafne -- First modern opera
Wikipedia - Daiane Conterato -- Brazilian fashion model
Wikipedia - Daiane Sodre -- Brazilian model
Wikipedia - Daily Express Building, Manchester -- Landmark modernist building in Manchester, England
Wikipedia - Daimyo -- Powerful feudal territorial lord in pre-modern Japan
Wikipedia - Daisy Fuentes -- Cuban-American model and actress
Wikipedia - Daisy Lowe -- British model
Wikipedia - Daisy Shah -- Indian film actress, dancer and model
Wikipedia - Daizou Araki -- Japanese modern pentathlete
Wikipedia - Dakota Fanning -- American actress and model
Wikipedia - Dakota Johnson -- American actress and model
Wikipedia - Dalar Alahverdi -- Armenian-Iranian postmodernist artist
Wikipedia - Dale Baldillo -- Filipino child actor and model
Wikipedia - Dale DaBone -- American pornographic actor and model (born 1972)
Wikipedia - Dale Smith (cowboy) -- American rodeo performer and administrator
Wikipedia - Dalida -- French singer, actor, model, beauty pageant titleholder
Wikipedia - Dalila Di Lazzaro -- Italian model, actress and writer
Wikipedia - Dallas Streetcar -- Modern streetcar line in Dallas, Texas
Wikipedia - Damaris Lewis -- American model and actress
Wikipedia - Damascus Crown -- 13th-century Hebrew codex of the Bible
Wikipedia - Damian and the Dragon: Modern Greek Folk-Tales -- Book by Ruth Manning-Sanders
Wikipedia - Damian Genovese -- Venezuelan actor and model
Wikipedia - Damian Hurley -- English actor and model
Wikipedia - Damien Godet -- French BMX rider
Wikipedia - Damith Wijayathunga -- Sri Lankan model and actor
Wikipedia - Danay Garcia -- Actress and model (born 1984)
Wikipedia - Dancing the Code -- Novel by Paul Leonard
Wikipedia - Dandasana -- A seated posture in modern yoga
Wikipedia - Dan Dhanoa -- Indian actor, model and sailor
Wikipedia - Danella Lucioni -- Italian actress and model (born 1984)
Wikipedia - Daniela Amavia -- Greek-German actress, model
Wikipedia - Daniela di Giacomo -- Venezuelan model, journalist, presenter, and beauty queen
Wikipedia - Daniela PeM-EM-!tova -- Czech model
Wikipedia - Daniela Rhodes -- British structural and molecular biologist
Wikipedia - Daniel Booko -- American actor and model
Wikipedia - Daniel Di Tomasso -- Canadian actor and model
Wikipedia - Daniel dos Santos -- Brazilian modern pentathlete
Wikipedia - Daniele Masala -- Italian modern pentathlete
Wikipedia - Daniel Esposito -- Australian modern pentathlete
Wikipedia - Daniel Fernandez del CastaM-CM-1o -- Argentine actor, model, and male beauty pageant winner
Wikipedia - Daniel Godelli -- Albanian weightlifter
Wikipedia - Daniel Henney -- Korean-American actor and model
Wikipedia - Daniella Cicarelli -- former Brazilian model and TV show hostess
Wikipedia - Daniella Evangelista -- Canadian actress and model
Wikipedia - Daniella Sarahyba -- Brazilian model
Wikipedia - Daniella van Graas -- Dutch model and actress
Wikipedia - Daniel L. D. Granger -- Mayor of Providence, Rhode Island, US
Wikipedia - Danielle Byrnes -- Australian model and actress
Wikipedia - Danielle Herrington -- American model
Wikipedia - Danielle Lineker -- Welsh model, television personality and actress
Wikipedia - Daniel Malik -- Canadian actor and model.
Wikipedia - Daniel Navarrete -- Venezuelan model and male beauty pageant titleholder
Wikipedia - Daniel Pereyra -- Uruguayan modern pentathlete
Wikipedia - Daniel Russell Brown -- 43rd Governor of Rhode Island
Wikipedia - Daniel Snoeks -- Australian-born South Korea-based model, television personality, and tattoo artist
Wikipedia - Dani Evans -- American fashion model
Wikipedia - Danijela Dimitrovska -- Serbian model
Wikipedia - Danilo Carrera -- Ecuadorian actor, model, and TV presenter
Wikipedia - Danish slave trade -- Commerce of slaves by Danes during the Viking Age and the Modern Age
Wikipedia - Daniszewo, OstrolM-DM-^Yka County -- Village in Masovian Voivodeship, Poland
Wikipedia - Danita Angell -- American model
Wikipedia - Danna Garcia -- Colombian actress and model
Wikipedia - Danni Ashe -- American nude model and former erotic dancer (born 1968)
Wikipedia - Danny Nightingale -- British modern pentathlete
Wikipedia - Danny Phantom Ghost Zone -- Flat ride located in Nickelodeon Universe
Wikipedia - Dan Roden -- American medical researcher
Wikipedia - Dante Spencer -- American actor and model
Wikipedia - Daodejing
Wikipedia - Dapode -- Village in Maharashtra
Wikipedia - DA postcode area -- Postcode area within the United Kingdom
Wikipedia - Darenzia -- American latex fetish and fashion model
Wikipedia - Dare Wright -- children's author, model, and photographer
Wikipedia - Dariusz GoM-EM-:dziak -- Polish modern pentathlete
Wikipedia - Dark Witch Music Episode: Rudymical -- 2017 rhythm video game
Wikipedia - Darla Pacheco -- Puerto Rican model
Wikipedia - Darrell Winfield -- American rancher and model
Wikipedia - Dar Zuzovsky -- Israeli actress and model
Wikipedia - Dasha Astafieva -- Ukrainian model
Wikipedia - Dasha Gonzalez -- American fitness model
Wikipedia - Dashcode
Wikipedia - Das Model -- 1978 song by Kraftwerk
Wikipedia - Data analysis -- a process of inspecting, cleansing, transforming and modeling data
Wikipedia - Data assimilation -- Technique for updating numerical model with observed data
Wikipedia - Database model
Wikipedia - Data link layer -- Point-to-point communications layer of the OSI model of computer networking
Wikipedia - Data model (GIS)
Wikipedia - Data modeling
Wikipedia - Data modelling
Wikipedia - Data model -- An abstract model that organizes elements of data and standardizes how they relate to on another and to real world entities.
Wikipedia - Data Reference Model
Wikipedia - Data Vault Modeling
Wikipedia - Data vault modeling
Wikipedia - Daul Kim -- South Korean model
Wikipedia - Daveigh Chase -- American actress, singer and model
Wikipedia - David A. Hodell
Wikipedia - David Bodey -- British judge
Wikipedia - David Charvet -- French singer, actor, model and television personality
Wikipedia - David Cicilline -- U.S. Representative from Rhode Island
Wikipedia - David Gallagher -- American actor and model
Wikipedia - David Kirkwood (pentathlete) -- American modern pentathlete
Wikipedia - David Licauco -- Filipino-Chinese actor and model
Wikipedia - David Odell
Wikipedia - David Oderberg
Wikipedia - David Rhodes (kayaker) -- Australian canoeist
Wikipedia - David Roderick Curtis
Wikipedia - David Romero (pentathlete) -- Mexican modern pentathlete
Wikipedia - David Schroder -- German canoeist
Wikipedia - David Smith (Rhodesian politician) -- Rhodesian/Zimbabwean politician
Wikipedia - David S. Oderberg
Wikipedia - David Svoboda -- Czech modern pentathlete
Wikipedia - David Taylor Model Basin
Wikipedia - David Turquand-Young -- British modern pentathlete
Wikipedia - Davina Bennett -- Jamaican model and beauty pageant titleholder
Wikipedia - Davit Aghajanyan -- Armenian actor and model
Wikipedia - Dawn Marie Psaltis -- American model, professional wrestler and valet
Wikipedia - Dawn Zulueta -- Filipina actress, host, and commercial model
Wikipedia - Dayanara Torres -- Puerto Rican actor, model, and beauty queen, Miss Universe 1993 winner
Wikipedia - Dayle Haddon -- Canadian model and actress, presently
Wikipedia - DD postcode area -- Postcode area within the United Kingdom
Wikipedia - Dead code elimination
Wikipedia - Dead code
Wikipedia - Dean Glenesk -- American modern pentathlete
Wikipedia - Deanna Brooks -- American glamour model and actress
Wikipedia - Dean Roden Chapman -- American scientist and engineer
Wikipedia - Death Takes a Holiday -- 1934 US pre-Code romantic drama film by Mitchell Leisen
Wikipedia - Debbie Dickinson -- American actress and fashion model
Wikipedia - Debi Diamond -- American adult actress and nude model
Wikipedia - Deborah Kapule -- Last queen of KauaM-JM-;i prior to its modern establishment
Wikipedia - Deborah May -- American actress and model
Wikipedia - Debora Nascimento -- Brazilian actress and model
Wikipedia - Debra Jo Fondren -- American model and actress
Wikipedia - Debug code
Wikipedia - Debye-Huckel theory -- Model describing the departures from ideality in solutions of electrolytes and plasmas
Wikipedia - Debye model -- Method in physics
Wikipedia - Decentralized autonomous organization -- Computer network organization model
Wikipedia - Decision Model and Notation -- Standard published by the Object Management Group
Wikipedia - Decline and modernization of the Ottoman Empire -- The period of the Ottoman empire
Wikipedia - Decode (semiotics)
Wikipedia - Decompression theory -- Theoretical modelling of decompression physiology
Wikipedia - DeCSS -- Free open-source program to decode DVDs with encryption
Wikipedia - Dectodesis -- Genus of insects
Wikipedia - De Danske Husmoderforeninger -- Danish housewives association
Wikipedia - DeDe Lind -- American glamour model
Wikipedia - Deductive-nomological model -- Scientific methodology
Wikipedia - Deepti Bhatnagar -- Indian former film actress and model
Wikipedia - Deepti Sati -- Indian film actress and model
Wikipedia - Default gateway -- Node in a computer network
Wikipedia - Default mode network -- Large-scale brain network active when not focusing on an external task
Wikipedia - Degenerate art -- Pejorative term used by Nazi party for modern art
Wikipedia - Dehalococcoides -- Genus of bacteria within class Dehalococcoidia that obtain energy via the oxidation of hydrogen and subsequent reductive dehalogenation of halogenated organic compounds in a mode of anaerobic respiration called organohalide respiration
Wikipedia - Deipyrodes -- Genus of beetles
Wikipedia - Delamination -- Mode of failure for which a material fractures into layers
Wikipedia - Delegative democracy -- Type of government model
Wikipedia - Delfine Bafort -- Belgian fashion model and actress
Wikipedia - Delivery Bar Code Sorter -- Mail sorting machine used by the US Postal Service
Wikipedia - Delphine Chaneac -- French model, actress, and DJ
Wikipedia - Delta update -- Update that only requires the user to download changed code
Wikipedia - Deltocolpodes -- Genus of beetles
Wikipedia - Deltomerodes -- Genus of beetles
Wikipedia - Delyana Vodenicharova -- Bulgarian gymnast
Wikipedia - Demi-Leigh Nel-Peters -- South African model and former beauty queen
Wikipedia - Democratic Forum for Modernity -- Political party in the Central African Republic
Wikipedia - Demodes -- Genus of beetles
Wikipedia - Demy de Vries -- Dutch fashion model
Wikipedia - Dena Dubal -- American neurodegenerative disease researcher
Wikipedia - Dendermonde Codex
Wikipedia - Dendrodendritic synapse
Wikipedia - Denis Brodeur -- Canadian photographer and athlete
Wikipedia - Denis Coderre -- Canadian politician from Quebec
Wikipedia - Denise Bidot -- American plus-size fashion model
Wikipedia - Denise Boutte -- American actress and model
Wikipedia - Denise QuiM-CM-1ones -- Puerto Rican actor, model, and beauty pageant winner
Wikipedia - Denise Richards -- American actress and model
Wikipedia - Denis Oswald (codebreaker) -- English cricketer, educator, and codebreaker
Wikipedia - Deniss Cerkovskis -- Latvian modern pentathlete
Wikipedia - Dennis Bowsher -- American modern pentathlete
Wikipedia - Dennis Burton (artist) -- Canadian modernist painter
Wikipedia - Dennis J. Roberts -- Governor of Rhode Island, US
Wikipedia - Dennis Trillo -- Filipino actor, model and recording artist
Wikipedia - Denola Grey -- Nigerian fashion consultant and model
Wikipedia - Denys Pavlyuk -- Ukrainian modern pentathlete
Wikipedia - Department of Defense Activity Address Code -- Identifier
Wikipedia - Depeche Mode discography -- band discography
Wikipedia - Depeche Mode -- English electronic band
Wikipedia - Dependent and independent variables -- Concept in mathematical modeling, statistical modeling and experimental sciences
Wikipedia - DE postcode area -- Postcode area within the United Kingdom
Wikipedia - Derancistrodes -- Genus of beetles
Wikipedia - Derek Ramsay -- Filipino actor and model
Wikipedia - Der fremde Blick oder Das Leben ist ein Furz in der Laterne -- 1999 book by Herta Muller
Wikipedia - Derrick Davenport -- American porn male model
Wikipedia - Description -- Text for clarification; one of four rhetorical modes
Wikipedia - Desiree Malonga -- Romanian actress and model
Wikipedia - Desmoderus -- Genus of beetles
Wikipedia - DeSoto Custom -- American car model sold 1939-1952
Wikipedia - Detleff Neumann-Neurode -- German therapist
Wikipedia - Developmental coordination disorder -- Neurodevelopmental disorder affecting planning of movements
Wikipedia - Dev Gill -- Indian film actor and model
Wikipedia - Devi Khajishvili -- Georgian actor and model
Wikipedia - Devon Aoki -- American actress and fashion model
Wikipedia - Devon Windsor -- American model
Wikipedia - Devotio Moderna
Wikipedia - Devotio moderna
Wikipedia - Dewi Driegen -- Dutch model
Wikipedia - DFS Model 6 -- German target glider prototype
Wikipedia - DG postcode area -- Postcode area within the United Kingdom
Wikipedia - DH postcode area -- Postcode area within the United Kingdom
Wikipedia - Diagoras of Rhodes -- Ancient Olympic winner in boxing
Wikipedia - Diah Permatasari (actress) -- Indonesian actress and model
Wikipedia - Dia Mirza -- Indian model, actress, producer, and social worker
Wikipedia - Diana Broce -- Panamanian model
Wikipedia - Diana Dondoe -- Romanian model
Wikipedia - Diana Franco -- Colombian model and actress
Wikipedia - Diana Silvers -- American actress and model
Wikipedia - Diana Sirokai -- Plus-Size Model
Wikipedia - Diane Kruger -- German film actress and model
Wikipedia - Dianetics: The Modern Science of Mental Health -- 1950 book by L. Ron Hubbard
Wikipedia - Dianne Chandler -- American model
Wikipedia - Dian Sastrowardoyo -- Indonesian model and actress
Wikipedia - Diarra Sylla -- French singer, dancer and model (born 2001)
Wikipedia - Diathesis-stress model
Wikipedia - Dicerandra modesta -- Species of plant
Wikipedia - Dicranoderes -- Genus of beetles
Wikipedia - Dictionary coder
Wikipedia - Dictionary of Modern Greek
Wikipedia - Dictionary of Modern Written Arabic
Wikipedia - Dictyocaulus -- Genus of nematode parasites of the bronchial tree of horses, sheep, goats, deer, and cattle
Wikipedia - Dictyodendrillidae -- Family of sponges
Wikipedia - Didier Boube -- French modern pentathlete
Wikipedia - Didier Cohen -- American-born Model, DJ/Producer
Wikipedia - Diederik Lodewijk Bennewitz -- Dutch silversmith and goldsmith (1764-1826)
Wikipedia - Die Model WG (German TV series) -- Reality documentary series
Wikipedia - Dieter Krickow -- German modern pentathlete
Wikipedia - Dietloff Kapp -- German modern pentathlete
Wikipedia - Differential pulse-code modulation -- Signal encoder
Wikipedia - Diganth -- Indian film actor and a former model
Wikipedia - Digestate -- material remaining after the anaerobic digestion of a biodegradable feedstock
Wikipedia - Digital camera modes -- User selectable camera configurations
Wikipedia - Digital encoding of APL symbols -- Code pages used specifically to write programs in the APL programming language
Wikipedia - Digital imaging -- Creation of a digitally encoded representation of the visual characteristics of an object
Wikipedia - Digital media -- Any media that are encoded in machine-readable formats
Wikipedia - Digital modeling and fabrication
Wikipedia - Dignelis Jimenez -- Puerto Rican model
Wikipedia - Dihydrocodeine
Wikipedia - Dijana Dejanovic -- Bosnian Serb model, and film actress
Wikipedia - Dilan M-CM-^Gicek Deniz -- Turkish actress and model
Wikipedia - Dilek Serbest -- Turkish actress and model
Wikipedia - Dima Slobodeniouk -- Russian conductor
Wikipedia - Dimensional modeling
Wikipedia - Dimitar Krastanov -- Bulgarian modern pentathlete
Wikipedia - Dinara Rakhimbaeva -- Model and blogger (b. 1995)
Wikipedia - Dina Tersago -- Belgian model
Wikipedia - Dinocolpodes -- Genus of beetles
Wikipedia - Dino Imperial -- Filipino actor and model
Wikipedia - Diode logic -- Constructs Boolean logic gates from diodes
Wikipedia - Diode matrix -- 2-D grid of wires where data is represented by the presence or absence of diodes at nodes
Wikipedia - Diodercarus -- Genus of beetles
Wikipedia - Diodes Incorporated -- American semiconductor manufacturer
Wikipedia - Diode -- Electronic component that only allows current to flow in one direction
Wikipedia - Diogo Morgado -- Portuguese actor and model
Wikipedia - Diora Baird -- American actress and model
Wikipedia - Diosa Canales -- Venezuelan singer, actress, and model
Wikipedia - Diploderma drukdaypo -- Species of reptile
Wikipedia - Diploderma vela -- Species of reptile
Wikipedia - Diplosolenodes occidentalis -- Species of land slug
Wikipedia - Diplosolenodes -- Genus of land slugs
Wikipedia - Dirac sea -- Theoretical model of physics
Wikipedia - Direct mode
Wikipedia - Dirk Knappheide -- German modern pentathlete
Wikipedia - Dirt 4 -- 2017 racing video game made by Codemasters
Wikipedia - Dirt 5 -- 2020 racing video game made by Codemasters
Wikipedia - Dirtbag left -- Mode of left-wing politics that eschews civility in order to convey a socialist or left-wing populist message using subversive vulgarity
Wikipedia - Dirt (series) -- Racing video game series by Codemasters
Wikipedia - Disaggregated work -- Business model
Wikipedia - Discoderella -- Genus of beetles
Wikipedia - Discoderes -- Genus of beetles
Wikipedia - Discoderoides -- Genus of beetles
Wikipedia - Discoderopsis -- Genus of beetles
Wikipedia - Disco Inferno (musical) -- Modern 70s style musical
Wikipedia - Discriminative model
Wikipedia - Disdyakis dodecahedron
Wikipedia - Disease model
Wikipedia - Disibodenberg
Wikipedia - Diskless node
Wikipedia - Dispilio Tablet -- Wooden tablet bearing inscribed markings, discovered in Dispilio, Greece
Wikipedia - Dissected plateau -- Plateau area that has been severely eroded so that the relief is sharp
Wikipedia - Distance education -- Mode of delivering education to students who are not physically present
Wikipedia - Distributed Component Object Model
Wikipedia - Distributed learning -- Instructional model that allows instructor, students, and content to be located in different, noncentralized locations
Wikipedia - Dita Von Teese -- American vedette, burlesque dancer, and model
Wikipedia - Dithecodendridae -- Extinct family of graptolites
Wikipedia - Ditrigona typhodes -- Species of hook-tip moth
Wikipedia - Divergence-from-randomness model
Wikipedia - Diving line signals -- Standard signals coded in the form of tugs on the diver's lifeline
Wikipedia - Diving mode -- The conceptual methods of underwater diving
Wikipedia - Divya Agarwal -- Indian model, dancer, actress and host
Wikipedia - Diya Beeltah -- Mauritian model
Wikipedia - DJ Heavygrinder -- American model and DJ
Wikipedia - Djimon Hounsou -- Beninese-American actor and model
Wikipedia - Dlusk -- Village in Greater Poland Voivodeship, Poland
Wikipedia - DLVO theory -- Theoretical model for aggregation of aqueous dispersions
Wikipedia - Dmitri Svatkovskiy -- Russian modern pentathlete
Wikipedia - Dmitry Tyurin -- Kazakhstani modern pentathlete
Wikipedia - Dmytro Kirpulyanskyy -- Ukrainian modern pentathlete
Wikipedia - DNA code construction
Wikipedia - DN postcode area -- Postcode area within the United Kingdom
Wikipedia - Dobaczewo -- Village in Masovian Voivodeship, Poland
Wikipedia - Dobrodeia of Kiev
Wikipedia - Do Butlers Burgle Banks? -- 1968 novel by P.G. Wodehouse
Wikipedia - Docblock -- Specially formatted comment in source code
Wikipedia - Doctor Sally -- 1932 novel by P. G. Wodehouse
Wikipedia - Doctor Who (2008-2010 specials) -- 2008-2010 special episodes of Doctor Who
Wikipedia - Doctor Who (2013 specials) -- 2013 special episodes of Doctor Who
Wikipedia - Doctor Who missing episodes -- Episodes of Doctor Who that are currently lost
Wikipedia - Document modelling
Wikipedia - Document Object Model -- Convention for representing and interacting with objects in HTML, XHTML and XML documents
Wikipedia - Dodecadenia -- Genus of plants
Wikipedia - Dodecagonal number
Wikipedia - Dodecagon -- Polygon with 12 edges
Wikipedia - Dodecagram -- star polygon
Wikipedia - Dodecahedral conjecture -- Theorem on the minimal volume of cells in the Voronoi decomposition of packed spheres
Wikipedia - Dodecahedral number
Wikipedia - Dodecahedron
Wikipedia - Dodecaibidion -- Genus of beetles
Wikipedia - Dodecaphonic
Wikipedia - Dodecaphony
Wikipedia - Dodechariesthes erlangeri -- Genus of beetles
Wikipedia - Dodecocerus -- Genus of beetles
Wikipedia - Dodecosini -- Tribe of beetles
Wikipedia - Dodecylbenzenesulfonic acid
Wikipedia - Dodeka keyboard -- Isomorphic musical keyboard
Wikipedia - Dodeka music notation -- Alternative music notation
Wikipedia - Dodel Up -- 2000 single by Guano Apes
Wikipedia - Dodentocht -- Annual walking event in Belgium
Wikipedia - Doderotrechus -- Genus of beetles
Wikipedia - Dodge Charger (B-body) -- American specialty car model by Dodge
Wikipedia - Dodge Coronet -- American car model sold 1949-1959, 1965-1976
Wikipedia - Dodge Magnum -- Car model
Wikipedia - Dodge Spirit -- American car model
Wikipedia - Doe Avedon -- American actress and model
Wikipedia - DogmaModeler
Wikipedia - Dog whistle (politics) -- Political messaging using coded language
Wikipedia - D'oh-in' in the Wind -- Sixth episode of the tenth season of ''The Simpsons''
Wikipedia - Dolby Digital Plus -- Audio codec
Wikipedia - Dolby TrueHD -- Advanced lossless multi-channel audio codec
Wikipedia - Dolev-Yao model
Wikipedia - Dolgoderevenskoye -- Rural locality in Chelyabinsk Oblast, Russia
Wikipedia - Dolichocolpodes -- Genus of beetles
Wikipedia - Dolichodelphys -- Species of plant
Wikipedia - Dolichoderinae -- Subfamily of ants
Wikipedia - Dolichoderus abruptus -- Species of ant
Wikipedia - Dolichoderus affectus -- Species of ant
Wikipedia - Dolichoderus affinis -- Species of ant
Wikipedia - Dolichoderus albamaculus -- Species of ant
Wikipedia - Dolichoderus andinus -- Species of ant
Wikipedia - Dolichoderus angusticornis -- Species of ant
Wikipedia - Dolichoderus antiquus -- Species of ant
Wikipedia - Dolichoderus attelaboides -- Species of ant
Wikipedia - Dolichoderus australis -- Species of ant
Wikipedia - Dolichoderus baenae -- Species of ant
Wikipedia - Dolichoderus balticus -- Species of ant
Wikipedia - Dolichoderus beccarii -- Species of ant
Wikipedia - Dolichoderus bidens -- Species of ant
Wikipedia - Dolichoderus bispinosus -- Species of ant
Wikipedia - Dolichoderus brevicornis -- Species of ant
Wikipedia - Dolichoderus brevipalpis -- Species of ant
Wikipedia - Dolichoderus brevipennis -- Species of ant
Wikipedia - Dolichoderus brevis -- Species of ant
Wikipedia - Dolichoderus brevithorax -- Species of ant
Wikipedia - Dolichoderus bruneti -- Species of ant
Wikipedia - Dolichoderus burmanicus -- Species of ant
Wikipedia - Dolichoderus butteli -- Species of ant
Wikipedia - Dolichoderus canopus -- Species of ant
Wikipedia - Dolichoderus carbonarius -- Species of ant
Wikipedia - Dolichoderus caribbaeus -- Species of ant
Wikipedia - Dolichoderus clarki -- Species of ant
Wikipedia - Dolichoderus clusor -- Species of ant
Wikipedia - Dolichoderus cogitans -- Species of ant
Wikipedia - Dolichoderus coniger -- Species of ant
Wikipedia - Dolichoderus coquandi -- Species of ant
Wikipedia - Dolichoderus cornutus -- Species of ant
Wikipedia - Dolichoderus crawleyi -- Species of ant
Wikipedia - Dolichoderus curvilobus -- Species of ant
Wikipedia - Dolichoderus cuspidatus -- Species of ant
Wikipedia - Dolichoderus dajiensis -- Species of ant
Wikipedia - Dolichoderus debilis -- Species of ant
Wikipedia - Dolichoderus decollatus -- Species of ant
Wikipedia - Dolichoderus dentatus -- Species of ant
Wikipedia - Dolichoderus dibolius -- Species of ant
Wikipedia - Dolichoderus diversus -- Species of ant
Wikipedia - Dolichoderus doloniger -- Species of ant
Wikipedia - Dolichoderus doriae -- Species of ant
Wikipedia - Dolichoderus elegans -- Species of ant
Wikipedia - Dolichoderus epetreius -- Species of ant
Wikipedia - Dolichoderus erectilobus -- Species of ant
Wikipedia - Dolichoderus etus -- Species of ant
Wikipedia - Dolichoderus evolans -- Species of ant
Wikipedia - Dolichoderus explicans -- Species of ant
Wikipedia - Dolichoderus extensispinus -- Species of ant
Wikipedia - Dolichoderus feae -- Species of ant
Wikipedia - Dolichoderus fernandezi -- Species of ant
Wikipedia - Dolichoderus ferrugineus -- Species of ant
Wikipedia - Dolichoderus flatidorsus -- Species of ant
Wikipedia - Dolichoderus formosus -- Species of ant
Wikipedia - Dolichoderus furcifer -- Species of ant
Wikipedia - Dolichoderus gagates -- Species of ant
Wikipedia - Dolichoderus germaini -- Species of ant
Wikipedia - Dolichoderus ghilianii -- Species of ant
Wikipedia - Dolichoderus gibbifer -- Species of ant
Wikipedia - Dolichoderus gibbus -- Species of ant
Wikipedia - Dolichoderus gordoni -- Species of ant
Wikipedia - Dolichoderus goudiei -- Species of ant
Wikipedia - Dolichoderus granulinotus -- Species of ant
Wikipedia - Dolichoderus haradae -- Species of ant
Wikipedia - Dolichoderus heeri -- Species of ant
Wikipedia - Dolichoderus imitator -- Species of ant
Wikipedia - Dolichoderus incisus -- Species of ant
Wikipedia - Dolichoderus indrapurensis -- Species of ant
Wikipedia - Dolichoderus inermis -- Species of ant
Wikipedia - Dolichoderus inferus -- Species of ant
Wikipedia - Dolichoderus inpai -- Species of ant
Wikipedia - Dolichoderus intermedius -- Species of ant
Wikipedia - Dolichoderus jacobsoni -- Species of ant
Wikipedia - Dolichoderus jiaoyanshanensis -- Species of ant
Wikipedia - Dolichoderus kathae -- Species of ant
Wikipedia - Dolichoderus kinabaluensis -- Species of ant
Wikipedia - Dolichoderus kohlsi -- Species of ant
Wikipedia - Dolichoderus kutscheri -- Species of ant
Wikipedia - Dolichoderus kutschlinicus -- Species of ant
Wikipedia - Dolichoderus lacinius -- Species of ant
Wikipedia - Dolichoderus lactarius -- Species of ant
Wikipedia - Dolichoderus lamellosus -- Species of ant
Wikipedia - Dolichoderus laminatus -- Species of ant
Wikipedia - Dolichoderus laotius -- Species of ant
Wikipedia - Dolichoderus laurae -- Species of ant
Wikipedia - Dolichoderus lobicornis -- Species of ant
Wikipedia - Dolichoderus longicollis -- Species of ant
Wikipedia - Dolichoderus longipennis -- Species of ant
Wikipedia - Dolichoderus longipilosus -- Species of ant
Wikipedia - Dolichoderus lucidus -- Species of ant
Wikipedia - Dolichoderus luederwaldti -- Species of ant
Wikipedia - Dolichoderus lugens -- Species of ant
Wikipedia - Dolichoderus lujae -- Species of ant
Wikipedia - Dolichoderus luridivenosus -- Species of ant
Wikipedia - Dolichoderus lutosus -- Species of ant
Wikipedia - Dolichoderus magnipastor -- Species of ant
Wikipedia - Dolichoderus mariae -- Species of ant
Wikipedia - Dolichoderus maschwitzi -- Species of ant
Wikipedia - Dolichoderus mesonotalis -- Species of ant
Wikipedia - Dolichoderus mesosternalis -- Species of ant
Wikipedia - Dolichoderus modiglianii -- Species of ant
Wikipedia - Dolichoderus moggridgei -- Species of ant
Wikipedia - Dolichoderus monoceros -- Species of ant
Wikipedia - Dolichoderus mucronifer -- Species of ant
Wikipedia - Dolichoderus nanus -- Species of ant
Wikipedia - Dolichoderus niger -- Species of ant
Wikipedia - Dolichoderus nigricornis -- Species of ant
Wikipedia - Dolichoderus obliteratus -- Species of ant
Wikipedia - Dolichoderus omacanthus -- Species of ant
Wikipedia - Dolichoderus omicron -- Species of ant
Wikipedia - Dolichoderus oviformis -- Species of ant
Wikipedia - Dolichoderus parvus -- Species of ant
Wikipedia - Dolichoderus passalomma -- Species of ant
Wikipedia - Dolichoderus pastorulus -- Species of ant
Wikipedia - Dolichoderus patens -- Species of ant
Wikipedia - Dolichoderus perkovskyi -- Species of ant
Wikipedia - Dolichoderus piceus -- Species of ant
Wikipedia - Dolichoderus pilinomas -- Species of ant
Wikipedia - Dolichoderus pilipes -- Species of ant
Wikipedia - Dolichoderus pilosus -- Species of ant
Wikipedia - Dolichoderus pinguis -- Species of ant
Wikipedia - Dolichoderus plagiatus -- Species of ant
Wikipedia - Dolichoderus polessus -- Species of ant
Wikipedia - Dolichoderus polonicus -- Species of ant
Wikipedia - Dolichoderus primitivus -- Species of ant
Wikipedia - Dolichoderus prolaminatus -- Species of ant
Wikipedia - Dolichoderus punctatus -- Species of ant
Wikipedia - Dolichoderus pustulatus -- Species of ant
Wikipedia - Dolichoderus quadridenticulatus -- Species of ant
Wikipedia - Dolichoderus quadripunctatus -- Species of ant
Wikipedia - Dolichoderus reflexus -- Species of ant
Wikipedia - Dolichoderus robustus -- Species of ant
Wikipedia - Dolichoderus rohweri -- Species of ant
Wikipedia - Dolichoderus rosenbergi -- Species of ant
Wikipedia - Dolichoderus rufescens -- Species of ant
Wikipedia - Dolichoderus rufotibialis -- Species of ant
Wikipedia - Dolichoderus rugocapitus -- Species of ant
Wikipedia - Dolichoderus rugosus -- Species of ant
Wikipedia - Dolichoderus rutilus -- Species of ant
Wikipedia - Dolichoderus sagmanotus -- Species of ant
Wikipedia - Dolichoderus satanus -- Species of ant
Wikipedia - Dolichoderus scabridus -- Species of ant
Wikipedia - Dolichoderus schulzi -- Species of ant
Wikipedia - Dolichoderus scrobiculatus -- Species of ant
Wikipedia - Dolichoderus sculpturatus -- Species of ant
Wikipedia - Dolichoderus semiorbis -- Species of ant
Wikipedia - Dolichoderus semirugosus -- Species of ant
Wikipedia - Dolichoderus septemspinosus -- Species of ant
Wikipedia - Dolichoderus setosus -- Species of ant
Wikipedia - Dolichoderus shattucki -- Species of ant
Wikipedia - Dolichoderus sibiricus -- Species of ant
Wikipedia - Dolichoderus siggii -- Species of ant
Wikipedia - Dolichoderus smithi -- Species of ant
Wikipedia - Dolichoderus spinicollis -- Species of ant
Wikipedia - Dolichoderus spurius -- Species of ant
Wikipedia - Dolichoderus squamanodus -- Species of ant
Wikipedia - Dolichoderus sundari -- Species of ant
Wikipedia - Dolichoderus superaculus -- Species of ant
Wikipedia - Dolichoderus taprobanae -- Species of ant
Wikipedia - Dolichoderus taschenbergi -- Species of ant
Wikipedia - Dolichoderus tauricus -- Species of ant
Wikipedia - Dolichoderus tertiarius -- Species of ant
Wikipedia - Dolichoderus thoracicus -- Species of ant
Wikipedia - Dolichoderus transversipetiolaris -- Species of ant
Wikipedia - Dolichoderus tricolor -- Species of ant
Wikipedia - Dolichoderus tricornis -- Species of ant
Wikipedia - Dolichoderus tridentanodus -- Species of ant
Wikipedia - Dolichoderus tristis -- Species of ant
Wikipedia - Dolichoderus tuberifer -- Species of ant
Wikipedia - Dolichoderus turneri -- Species of ant
Wikipedia - Dolichoderus validus -- Species of ant
Wikipedia - Dolichoderus varians -- Species of ant
Wikipedia - Dolichoderus vectensis -- Species of ant
Wikipedia - Dolichoderus vexillarius -- Species of ant
Wikipedia - Dolichoderus vlaskini -- Species of ant
Wikipedia - Dolichoderus voraginosus -- Species of ant
Wikipedia - Dolichoderus -- Genus of ants
Wikipedia - Dolichoderus ypsilon -- Species of ant
Wikipedia - Dolichoderus zherichini -- Species of ant
Wikipedia - Dolichodes -- Genus of beetles
Wikipedia - Doll -- Model of a character or a human beings, often used as a toy for children or an artistic hobby for adults
Wikipedia - Dolores Donlon -- American actress and model (1920-2012)
Wikipedia - Dolvett Quince -- US entrepreneur, fitness model, actor, and personal trainer
Wikipedia - Domain model
Wikipedia - Domain-specific modeling
Wikipedia - Domain-specific modelling
Wikipedia - Dominic Adams -- British actor and model
Wikipedia - Dominic Mahony -- British modern pentathlete
Wikipedia - Dominic Sherwood -- English film and television actor and model
Wikipedia - Dominique Darel -- French model and actress
Wikipedia - Dominique Reighard -- American fashion model and singer
Wikipedia - Dominique Sanda -- French actress and fashion model
Wikipedia - Domino Tiles -- Unicode character block
Wikipedia - Domodedovo International Airport bombing -- 2011 suicide bombing in a Moscow airport
Wikipedia - Domodedovskaya -- Moscow Metro station
Wikipedia - Donald Byrd (choreographer) -- American modern dance choreographer and director
Wikipedia - Donald Cobley -- British modern pentathlete
Wikipedia - Donald McMiken -- Australian modern pentathlete
Wikipedia - Donata RimM-EM-!aitM-DM-^W -- Russian-Lithuanian modern pentathlete
Wikipedia - Dong Le'an -- Chinese modern pentathlete
Wikipedia - Donna Feldman -- American model, TV host, and actress
Wikipedia - Donna Michelle -- American actor, model and photographer
Wikipedia - Donna Vakalis -- Canadian modern pentathlete
Wikipedia - Donnelly Rhodes -- Canadian character actor
Wikipedia - Donyale Luna -- American model and actress
Wikipedia - Doomsday (Doctor Who) -- Episode of Doctor Who
Wikipedia - Doreen Seidel -- German racecar driver and model
Wikipedia - Dorian mode -- Authentic Gregorian mode
Wikipedia - Dorit Revelis -- Israeli fashion model
Wikipedia - Dorji Choden -- Bhutanese politician
Wikipedia - Dorota Idzi -- Polish modern pentathlete
Wikipedia - Dorota Krzysztofek -- Polish model
Wikipedia - Dorothea Barth Jorgensen -- Swedish model
Wikipedia - Dorothy Du Boisson -- British codebreaker
Wikipedia - Dorothy Johnson (actress) -- American actress and print model
Wikipedia - Dorothy Stratten -- Canadian actress and model
Wikipedia - Dorset Ooser -- Wooden head from Melbury Osmond folklore
Wikipedia - Dorylaeum -- Ancient city in Anatolia, modern Turkey
Wikipedia - Dorymyrmex pappodes -- Species of ant
Wikipedia - Doryodes spadaria -- Species of moth
Wikipedia - Do Sang-woo -- South Korean actor and model
Wikipedia - Double diode triode
Wikipedia - Double electron capture -- Mode of radioactive decay
Wikipedia - Double-spending -- Failure mode of digital cash schemes
Wikipedia - Doughnut (economic model) -- Economic model
Wikipedia - Dougie Poynter -- English musician, songwriter, fashion model, clothing designer, author, and amateur actor
Wikipedia - Douglas BTD Destroyer -- 1943 dive/torpedo bomber model by Douglas
Wikipedia - Douglas Godfree -- British fencer and modern pentathlete
Wikipedia - Doukissa Nomikou -- Greek tv presenter and model
Wikipedia - Doutzen Kroes -- Dutch model and philanthropist
Wikipedia - Downward Dog Pose -- standing posture in modern yoga
Wikipedia - Doxygen -- Free software for generating software documentation from source code
Wikipedia - Draft:Adhora Jahan -- Bangladeshi film actress and model
Wikipedia - Draft:Adrija Roy (actress) -- Indian actress and model
Wikipedia - Draft:Alessia Tresoldi -- Italian model
Wikipedia - Draft:Alyanna Marie -- Filipino-German fashion model
Wikipedia - Draft:Amalie Olufsen -- Norwegian model
Wikipedia - Draft:Antipodean Pharmaceuticals -- Clinical-stage product company
Wikipedia - Draft:Asia Youth International Model United Nations -- Youth organization
Wikipedia - Draft:Audra Milos -- American actress and model.
Wikipedia - Draft:Ava Allan -- American actress and model
Wikipedia - Draft:Charlotte Stevens -- American Model
Wikipedia - Draft:Cheflodeezy -- Jamaican reggae and dancehall singer
Wikipedia - Draft:Code Bullet -- YouTuber
Wikipedia - Draft:Code For Host Inc Ltd. -- Bangladeshi web hosting provider founded in 2011
Wikipedia - Draft:Dani Walker -- Miss Montana USA 2018, beauty pageant titleholder, American model
Wikipedia - Draft:Doreen Kabareebe -- Ugandan model
Wikipedia - Draft:Elman EspaM-CM-1a -- American model and Artist
Wikipedia - Draft:Elza Matiz -- Dutch model
Wikipedia - Draft:Emilio Modeste -- American musician
Wikipedia - Draft:EuroDEV: European Business development -- Business development group / Consulting
Wikipedia - Draft:Gaphor -- The simple modeling tool for UML and SysML
Wikipedia - Draft:Greta Gardner -- Croatian pin-up model
Wikipedia - Draft:Gross Domestic Knowledge Product -- Gross Domestic Knowledge Product is an economic model
Wikipedia - Draft:Hotel Viking (Newport, Rhode Island) -- Historic hotel in Rhode Island, U.S.
Wikipedia - Draft:Iman Troye -- Malaysian singer, model and media personality
Wikipedia - Draft:I'm in Love! (RuPaul's Drag Race) -- 2nd episode of the fifth season of ''RuPaul's Drag Race All Stars''
Wikipedia - Draft:Iode -- Privacy Focused Smartphone
Wikipedia - Draft:Jose Rodriguez Moreno -- Spanish model
Wikipedia - Draft:Judith Heards -- Ugandan fashion model
Wikipedia - Draft:Karan Aanand -- Indian actor, model, and Entrepreneur
Wikipedia - Draft:Kavita Joshi -- Indian film actress and model
Wikipedia - Draft:Kuruppanaickenpalayam -- Neighbourhood in Bhavani Taluk, in Erode district, in Tamil Nadu State, in India.
Wikipedia - Draft:List of Amica Italy cover models -- Wikimedia list article
Wikipedia - Draft:List of Animaniacs (2020 TV series) episodes -- Wikipedia list article
Wikipedia - Draft:List of AniTales episodes -- Wikipedia list article
Wikipedia - Draft:List of Bless the Harts episodes -- Wikimedia list article
Wikipedia - Draft:List of Caillou episodes -- Wikipedia list article
Wikipedia - Draft:List of Hello Jadoo episodes -- Wikipedia list article
Wikipedia - Draft:List of Nginiig episodes -- Philippine horror television program
Wikipedia - Draft:List of Teenage Adults episodes -- Wikipedia list article
Wikipedia - Draft:Malika Mahat -- Nepalese film actress, model
Wikipedia - Draft:Mark D. Groden -- American entrepreneur
Wikipedia - Draft:Mathilda Mariam Gvarliani -- Georgian female model
Wikipedia - Draft:Melanie Kroll -- German-American model, television personality, and businesswoman
Wikipedia - Draft:MigoDeuce -- American trap rapper and hip hop singer
Wikipedia - Draft:Modern Slavery in Nigeria -- Traditional slave trade in southeastern Nigeria
Wikipedia - Draft:ModeSens -- American retail technology company
Wikipedia - Draft:Modestas MicM-DM-^W -- Lithuanian translator
Wikipedia - Draft:Oldsmobile Series 40 -- Car model
Wikipedia - Draft:Presley Gerber -- American model
Wikipedia - Draft:Prinzzess -- American pornographic actress and adult model
Wikipedia - Draft:Priyanka Aggrawal -- Indian actress and model
Wikipedia - Draft:Raj Jaykumar Modak -- Indian film actor, Model, Director and playback singer
Wikipedia - Draft:Rajnish Babbar -- Indian actor model and philanthropist
Wikipedia - Draft:Salome Gviniashvili -- Georgian model, designer and TV presenter
Wikipedia - Draft:Samim Khan -- Nepali Model
Wikipedia - Draft:Shauna Brooks -- Shauna Brooks is a transgendered model, actress, actor and LGBT advocate
Wikipedia - Draft:Sheila Anderson -- American model and actress
Wikipedia - Draft:Sherlin Seth -- Indian model and actress
Wikipedia - Draft:Standard for Public Code -- International standard
Wikipedia - Draft:Tanvi Kharote -- Indian model and beauty pageant titleholder
Wikipedia - Draft:Vinicius Piccoli -- Brazilian fashion model and disc jockey
Wikipedia - Draft:Warina Hussain -- Afghan film actress and model
Wikipedia - Draft:Yoon San-ha (South Korean Singer) -- Korean singer, actor and model
Wikipedia - Dragana Atlija -- Serbian model and actress
Wikipedia - Dragon 32/64 -- Home computer model
Wikipedia - Dragoon -- Infantry that rode horses between battles
Wikipedia - Dragos, Voivode of Moldavia -- Founder and Voivode of Moldavia, Knyaz in Maramures
Wikipedia - Drakaina (model) -- French actress and model
Wikipedia - Drake & Josh -- American television sitcom created by Dan Schneider for Nickelodeon
Wikipedia - Drama (modern genre)
Wikipedia - Drapetodes barlowi -- Species of hook-tip moth
Wikipedia - Drapetodes circumscripta -- Species of hook-tip moth
Wikipedia - Drapetodes croceago -- Species of hook-tip moth
Wikipedia - Drapetodes deumbrata -- Species of hook-tip moth
Wikipedia - Drapetodes fratercula -- Species of hook-tip moth
Wikipedia - Drapetodes interlineata -- Species of hook-tip moth
Wikipedia - Drapetodes lunulata -- Species of hook-tip moth
Wikipedia - Drapetodes magnifica -- Species of hook-tip moth
Wikipedia - Drapetodes matulata -- Species of hook-tip moth
Wikipedia - Drapetodes mitaria -- Species of hook-tip moth
Wikipedia - Drapetodes nummularia -- Species of hook-tip moth
Wikipedia - Drashti Dhami -- Indian actress and model
Wikipedia - Dreaming of Me -- 1981 single by Depeche Mode
Wikipedia - Dree Hemingway -- American model and actress
Wikipedia - Dresden Codex -- Manuscript
Wikipedia - Dress code
Wikipedia - Dress form -- Model of the torso used for fitting clothing
Wikipedia - Drew Fuller -- American actor and former male model
Wikipedia - Drew Gooden (comedian) -- American comedian and filmmaker
Wikipedia - Dreyfus model of skill acquisition
Wikipedia - Drones Club -- Fictional club in stories by P.G. Wodehouse
Wikipedia - Dropping mercury electrode -- Electrode made of mercury and used in polarography
Wikipedia - Drude model -- Model of electrical conduction
Wikipedia - Druidry (modern) -- Modern spiritual or religious movement that promotes connection and reverence for the natural world
Wikipedia - Drum and bugle corps (modern) -- Marching group of brass and percussion instrumentalists
Wikipedia - Drymoreomys -- A rodent genus with one species in the family Cricetidae from the Atlantic Forest of Brazil.
Wikipedia - Dryobotodes eremita -- Species of moth
Wikipedia - DSL modem
Wikipedia - DSM-5 codes
Wikipedia - DSM-IV Codes (alphabetical)
Wikipedia - DSM-IV codes (alphabetical) -- Wikimedia list article
Wikipedia - DSM-IV Codes
Wikipedia - DSM-IV codes -- classification found in the DSM-IV-TR
Wikipedia - DT postcode area -- Postcode area within the United Kingdom
Wikipedia - Dual code
Wikipedia - Dual-mode transit -- Transportation system in which vehicles operate on both public roads and on a guideway
Wikipedia - Dual systems model
Wikipedia - Du & jag doden -- 2005 album by Kent
Wikipedia - Duchy of Modena and Reggio -- Former country
Wikipedia - Duilio Brignetti -- Italian modern pentathlete
Wikipedia - Duke of Ferrara and of Modena -- Ducal office
Wikipedia - Dulce et decorum est pro patria mori -- Quote from Horace's Odes
Wikipedia - Dumble -- Wooded valley
Wikipedia - DuM-EM-!an's Code -- 14th-century Serbian set of laws
Wikipedia - Dumitru M-HM-^Zintea -- Romanian modern pentathlete
Wikipedia - Dumitru SpM-CM-.rlea -- Romanian modern pentathlete
Wikipedia - Duncan Fraser -- Moderator of the General Assembly of the Church of Scotland
Wikipedia - Dunkleosteus -- Extinct genus of placoderm fish
Wikipedia - Duodenojejunal flexure -- Border between the duodenum and the jejunum
Wikipedia - Duplex mismatch -- When Ethernet devices are connected but using different duplex modes
Wikipedia - Duplicate code
Wikipedia - Duress code -- Covert distress signal
Wikipedia - Dusky megapode -- Species of bird
Wikipedia - Dustin Flundra -- Canadian rodeo cowboy
Wikipedia - Dusty Anderson -- American actress and model
Wikipedia - Dusty Rhodes (cricketer) -- English cricketer and Test match umpire
Wikipedia - Dusty Rhodes (wrestler) -- American professional wrestler, booker, and trainer
Wikipedia - Dutch ship Brederode (1644) -- Dutch ship
Wikipedia - Dutch Springs -- Flooded quarry in Pennsylvania used as a recreational diving site
Wikipedia - DVD region code -- Characteristic of DVDs
Wikipedia - DV -- Magnetic tape-based consumer and broadcast videocassette format for camcorders and video codec
Wikipedia - DxO ONE -- Digital camera model
Wikipedia - Dylan Dauzat -- American actor, model, producer, and entrepreneur
Wikipedia - Dylan Penn -- American model and actress
Wikipedia - Dylan Rieder -- American skateboarder, artist, & model
Wikipedia - Dynamical system -- Mathematical model which describes the time dependence of a point in a geometrical space
Wikipedia - Dynamic causal modeling -- Statistical modeling framework
Wikipedia - Dynamic dead code elimination
Wikipedia - Dynamic dead-code elimination
Wikipedia - Dynamic energy budget theory -- Ecological mathematical model of metabolism
Wikipedia - Dynamic Enterprise Modeling
Wikipedia - Dynamic-Maturational Model of Attachment and Adaptation
Wikipedia - Dynamic Resolution Adaptation -- Audio codec standard
Wikipedia - Dynamic simulation -- Computer modeling of time-varying behavior of a dynamical system
Wikipedia - Dynode
Wikipedia - DY postcode area -- Postcode area within the United Kingdom
Wikipedia - Dysthanasia -- Common fault of modern medicine involving the extension of the life of a dying patient through technological means without regard to the person's quality of life
Wikipedia - Dzmitry Meliakh -- Belarusian modern pentathlete
Wikipedia - Dzungar Khanate -- Early modern khanate of Oirat Mongol origin
Wikipedia - E0102 -- Remnant of a supernova that exploded in the Small Magellanic Cloud,
Wikipedia - Eagle Medallion -- Car model produced Renault and marketed by American Motors Corporation
Wikipedia - Eagle Talon -- Car model
Wikipedia - Eagle Vision -- Car model
Wikipedia - EAN-8 -- EAN/UPC symbology barcode
Wikipedia - Earl of Roden -- Title in the Peerage of Ireland
Wikipedia - Early European modern humans -- Earliest anatomically modern humans in Europe
Wikipedia - Early modern Britain -- Period of history of the island of Great Britain
Wikipedia - Early Modern English Bible translations -- English bible translations made between about 1500 and 1800
Wikipedia - Early Modern English -- Stage of development of English, starting c. 16th century
Wikipedia - Early modern era
Wikipedia - Early modern Europe
Wikipedia - Early modern France -- History of France during the early modern era
Wikipedia - Early Modern history of Germany
Wikipedia - Early modern history
Wikipedia - Early modern human -- Old Stone Age ''Homo sapiens''
Wikipedia - Early Modern Irish
Wikipedia - Early Modern literature
Wikipedia - Early modern period -- Period between about 1500 and 1800 CE
Wikipedia - Early modern philosophy
Wikipedia - Early Modern Romania
Wikipedia - Early Modern Spanish -- Variety of Spanish used in the sixteenth and seventeenth centuries
Wikipedia - Early modern warfare -- Warfare during the gunpowder era
Wikipedia - Early Modern
Wikipedia - Early modern
Wikipedia - Earth orientation parameters -- Concept from geodesy
Wikipedia - Earth systems model of intermediate complexity -- Class of climate models
Wikipedia - East Asian model of capitalism
Wikipedia - East Asian model -- Social and economic model in East Asian countries
Wikipedia - EastEnders episodes in Ireland -- Series of EastEnders episodes set in Ireland
Wikipedia - EastEnders Live -- Live episode of EastEnders
Wikipedia - East Greenwich High School -- Public high school in East Greenwich, Rhode Island
Wikipedia - East Providence, Rhode Island -- City in Rhode Island, United States
Wikipedia - East Street (Children in Need) -- Charity crossover mini-episode between British soap operas Coronation Street and EastEnders
Wikipedia - EAX mode
Wikipedia - Ebbe Gyllenstierna -- Swedish modern pentathlete
Wikipedia - Ebbe Rode -- Danish actor
Wikipedia - Ebeneezer Goode -- 1992 single by The Shamen
Wikipedia - Ebinabo Potts-Johnson -- Nigerian model
Wikipedia - Ebru Destan -- Turkish singer, actress, and model
Wikipedia - Eccleston Quarry -- Flooded quarry used as a recreational dive site
Wikipedia - Ecdysozoa -- Superphylum of protostomes including arthropods, nematodes and others
Wikipedia - Echad Mi Yodea -- Passover song
Wikipedia - Echimyidae -- Family of rodents
Wikipedia - Echinoderm -- Exclusively marine phylum of animals with generally 5-point radial symmetry
Wikipedia - Echoes (Modern Jazz Quartet album) -- album by American jazz group the Modern Jazz Quartet
Wikipedia - Echthistatodes -- Genus of beetles
Wikipedia - Ecija IvuM-EM-!ic -- Croatian television and radio presenter, and former model
Wikipedia - Eclipse Modeling Framework
Wikipedia - EcoDemonstrator -- technology research program to improve the ecological footprint of airliners
Wikipedia - Ecodesign
Wikipedia - Ecofascism -- Theoretical political model in which a totalitarian government would require individuals to sacrifice their own interests to the environment
Wikipedia - Ecological model of competition
Wikipedia - Ecological modernization
Wikipedia - Ecomodernism -- Environmental philosophy
Wikipedia - Econometric model
Wikipedia - Economic model
Wikipedia - Economy for the Common Good -- Social movement advocating for an alternative economic model
Wikipedia - Economy of Scotland in the early modern period -- Overview of the economy of Scotland during the early modern era
Wikipedia - Ecosystem model -- A typically mathematical representation of an ecological system
Wikipedia - E. C. Rhodes
Wikipedia - Ectodermal dysplasia -- Group of genetic conditions affecting the embryonic ectoderm
Wikipedia - Ectoderm -- Outside germ layer that forms the brain, spinal cord, epidermis, and more
Wikipedia - Ectoedemia psarodes -- Species of moth
Wikipedia - Eddie Peng -- Taiwanese-Canadian actor, singer and model
Wikipedia - Edessa -- Ancient city in upper Mesopotamia, modern day Urfa, Southeast Turkey
Wikipedia - Ed Fernon -- Australian modern pentathlete
Wikipedia - Edgar Odell Lovett -- American mathematician
Wikipedia - Edith Saurer -- Austrian historian of modern age
Wikipedia - Edith Sodergran -- Finnish poet
Wikipedia - Edmond Modeste Lescarbault
Wikipedia - Edmond Wodehouse -- British politician
Wikipedia - Edna Mode -- "The Incredibles" character
Wikipedia - Edouard Ecuyer de le Court -- Modern pentathlete
Wikipedia - Eduardo Burguete -- Spanish modern pentathlete
Wikipedia - Eduardo de Medeiros -- Brazilian modern pentathlete
Wikipedia - Eduardo Florez -- Mexican modern pentathlete
Wikipedia - Eduardo Quesada -- Spanish modern pentathlete
Wikipedia - Eduardo Tovar -- Mexican modern pentathlete
Wikipedia - Eduard Zenovka -- Soviet modern pentathlete
Wikipedia - Education in early modern Scotland -- Overview of the education in early modern Scotland
Wikipedia - Edvinas Krungolcas -- Lithuanian modern pentathlete
Wikipedia - Edward Bodel -- American figure skater
Wikipedia - Edward Edgar Foden -- British marine engineer
Wikipedia - Edward Gedge -- British modern pentathlete
Wikipedia - Edward J. O'Neill (Rhode Island politician) -- Independent member of the Rhode Island Senate
Wikipedia - Edward Odell -- American mathematician
Wikipedia - Edwin Broderick
Wikipedia - Edwin D. McGuinness -- Mayor of Providence, Rhode Island, US
Wikipedia - Eemian Sea -- Body of water existing over 100,000 years ago near the modern Baltic Sea
Wikipedia - Eero Lohi -- Finnish modern pentathlete
Wikipedia - EFAR System Model -- Emergency First Aid Responder System Model
Wikipedia - Eggs, Beans and Crumpets -- 1940 short story collection by P.G. Wodehouse
Wikipedia - Egidius (Chantilly Codex composer)
Wikipedia - Egnatia Odos (modern road)
Wikipedia - Egon Rusina Moroder -- Italian painter
Wikipedia - Egyptian Hieroglyph Format Controls -- Unicode block
Wikipedia - Egypt (Roman province) -- Roman province that encompassed most of modern-day Egypt
Wikipedia - EH postcode area -- Postcode area within the United Kingdom
Wikipedia - Ehrenfest model
Wikipedia - Ei Chaw Po -- Burmese actress, model and singer
Wikipedia - Eight-circuit model of consciousness
Wikipedia - Eight-to-fourteen modulation -- DC-free run-length limited line code used by several optical disc formats
Wikipedia - Eight-vertex model -- Generalization of the ice-type (six-vertex) models
Wikipedia - Eiji Akaso -- Japanese actor and model
Wikipedia - Einar Soderqvist -- Swedish athlete
Wikipedia - Eisuke Hinode -- Japanese politician
Wikipedia - Eithne and Sodelb
Wikipedia - Ejner Augsburg -- Danish modern pentathlete
Wikipedia - Eka Pada Rajakapotasana -- seated back-bending posture in modern yoga
Wikipedia - Ekaterina Khuraskina -- Russian modern pentathlete
Wikipedia - Ekpyrotic universe -- Cosmological model
Wikipedia - Elaboration likelihood model
Wikipedia - Elachista chrysodesmella -- Species of moth
Wikipedia - Elachista modesta -- Species of moth
Wikipedia - Elachista ornithopodella -- Species of moth
Wikipedia - Elaine Stewart -- American actress, model
Wikipedia - Elba Fahsbender -- Peruvian model
Wikipedia - Eleanor Lee -- Singaporean actress, singer and model
Wikipedia - Electra Mustaine -- American musician, songwriter, and model
Wikipedia - Electrical conduction system of the heart -- Transmits signals generated usually by the sinoatrial node to cause contraction of the heart muscle
Wikipedia - Electrical Transient Analyzer Program -- Power system software modeling tool
Wikipedia - Electrodeless plasma excitation
Wikipedia - Electrode potential -- Electromotive force of a cell built of two electrodes
Wikipedia - Electrodermal activity -- The property of the human body that causes continuous variation in the electrical characteristics of the skin
Wikipedia - Electrode
Wikipedia - Electrostatic generator -- Device that generates electrical charge on a high voltage electrode
Wikipedia - Elegant feather star -- Species of echinoderm
Wikipedia - Elegiac Ode -- Music by Charles Villiers Stanford
Wikipedia - Ele Keats -- American television, film and stage actress, model, and jewelry designer.
Wikipedia - Elena Berkova -- Russian ex-model, television presenter, singer and actress
Wikipedia - Elena Boeva -- Bulgarian model and actress based in New York, USA
Wikipedia - Elena Micheli -- Italian modern pentathlete
Wikipedia - Elena Reiche -- German modern pentathlete
Wikipedia - Eleonora Carrillo -- Salvadoran model
Wikipedia - Eleonore von Habsburg -- Austrian model
Wikipedia - Eliana Ramos -- Uruguayan model
Wikipedia - Elias Canetti -- Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer
Wikipedia - Elibeidy Dani -- Dominican fashion model
Wikipedia - Eli Bremer -- American modern pentathlete
Wikipedia - Eligmodermini -- Tribe of beetles
Wikipedia - Elin Nordegren -- Swedish model
Wikipedia - Elisabeth Erm -- Estonian model
Wikipedia - Elisabeth Hardy -- Bletchley Park decoder
Wikipedia - Elisabeth Svantesson -- Swedish politician of the Moderate Party
Wikipedia - Elisabet Hulda Snorradottir -- Icelandic model and beauty queen
Wikipedia - Elise Crombez -- Belgian model
Wikipedia - Elisha Cuthbert -- Canadian actress and model
Wikipedia - Elisha Hunt Rhodes -- Union Army general
Wikipedia - Elisse Joson -- Filipino actress, model and endorser
Wikipedia - Elite Model Look Chile -- Annual fashion modeling event in Chile
Wikipedia - Elite Model Management -- Modeling agency
Wikipedia - Elizabeth Broderick -- Australian lawyer
Wikipedia - Elizabeth Hurley -- English model and actress
Wikipedia - Elizabeth Jagger -- English model and actress
Wikipedia - Elizabeth Miklosi -- American professional wrestler, valet, model, jazz musician, and actress
Wikipedia - Elizabeth Pipko -- American author, model and founder of Exodus Movement
Wikipedia - Eliza Muradyan -- Armenian-Russian model
Wikipedia - Elle Evans -- American model and actress
Wikipedia - Elle Macpherson -- Australian model, actress, businesswoman and philanthropist
Wikipedia - Ellen Adarna -- Filipino actress and model
Wikipedia - Ellen Goodell Smith -- American physician
Wikipedia - Ellensburg Rodeo Hall of Fame -- Hall of Fame for Cowboys
Wikipedia - Elle Ramirez -- Filipina actress, singer, dancer and model
Wikipedia - Elleschodes -- Genus of beetles
Wikipedia - Ellie Goldstein -- British model with Down syndrome
Wikipedia - Elmar Frings -- German modern pentathlete
Wikipedia - ElM-CM-)onore-Louis Godefroi Cavaignac -- French politician
Wikipedia - Elodes -- Genus of beetles
Wikipedia - Elodie Clouvel -- French modern pentathlete
Wikipedia - Elongatocontoderus -- Genus of beetles
Wikipedia - Eloy de Jong -- Dutch pop singer and moderator
Wikipedia - El poder brutal -- Colossal sculpture located in Ecuador
Wikipedia - El Rodeo Protected Zone -- Protected area in Costa Rica
Wikipedia - Elsa Hosk -- Swedish fashion model
Wikipedia - Elsa Pataky -- Spanish model and actress
Wikipedia - Elvin Ng -- Singaporean actor and model
Wikipedia - Elvira Godeanu -- Romanian actress
Wikipedia - Elyse Knowles -- Australian model
Wikipedia - Elyse Taylor -- Australian model.[1]
Wikipedia - Emad El Geziry -- Egyptian modern pentathlete
Wikipedia - Ema Fujisawa -- Japanese model and actress
Wikipedia - Emamode Edosio -- Nigerian film maker and film director
Wikipedia - Emanationism -- Mode by which all things are derived from the first reality, or principle
Wikipedia - Emanuel Lodewijk Elte
Wikipedia - EMD F125 -- Diesel-electric passenger locomotive model
Wikipedia - EMD FT36HCW-2 -- Model of American-built diesel locomotive used in South Korea
Wikipedia - EMD G8 -- Model of 875 hp American export model of diesel locomotive
Wikipedia - EMD SD18 -- Model of 1800 hp CoM-bM-^@M-2CoM-bM-^@M-2 American diesel locomotives
Wikipedia - EMD SD28 -- Model of 1800 hp CoM-bM-^@M-2CoM-bM-^@M-2 American diesel locomotive
Wikipedia - EMD SD9 -- Model of 1750 hp CoM-bM-^@M-2CoM-bM-^@M-2 American diesel locomotive
Wikipedia - EMD SW1001 -- Model of 1000 hp American diesel switcher
Wikipedia - EMD SW8 -- Model of 800 hp North American diesel switcher
Wikipedia - Emeraude Toubia -- Canadian-born American actress and model
Wikipedia - Emergency service response codes -- Systems for categorizing responses to reported events
Wikipedia - Emerging infectious disease -- Infectious disease of emerging pathogen, often novel in its outbreak range or transmission mode
Wikipedia - Emil Hagelberg -- Finnish modern pentathlete
Wikipedia - Emilia Mernes -- Argentine singer, songwriter, dancer and model (born 1996)
Wikipedia - Emilie Louise Floge -- Austrian designer and model
Wikipedia - Emilija Baranac -- Serbian-Canadian actress and model
Wikipedia - Emily deRiel -- American modern pentathlete
Wikipedia - Emily Maddison -- Jamaican model
Wikipedia - Emily Ratajkowski -- model and actress (born 1991)
Wikipedia - Emina Cunmulaj -- American model of Albanian ancestry
Wikipedia - Emi Suzuki -- Chinese-born Japanese model and actress
Wikipedia - Emitt Rhodes -- American singer-songwriter
Wikipedia - Emjay Anthony -- American actor and model
Wikipedia - Emlyn Rhoderick
Wikipedia - Emma Dumont -- American actress, model, and dancer.
Wikipedia - Emma Ellingsen -- 21st-century Norwegian model and internet personality
Wikipedia - EMMA - Espoo Museum of Modern Art -- Art museum in Espoo in southern Finland
Wikipedia - Emma Ferrer -- British-Swiss former model.
Wikipedia - Emma Leth -- Danish actress and model
Wikipedia - Emmanuel Ikubese -- Nigerian model, actor and movie producer
Wikipedia - Emmanuelle Chriqui -- Canadian actress and model
Wikipedia - Emmanuel Zapata -- Argentine modern pentathlete
Wikipedia - Emma Riff -- French modern pentathlete
Wikipedia - Emma Ross -- English model and actress
Wikipedia - Emmarys Pinto -- Venezuelan model
Wikipedia - Emma Thynn, Marchioness of Bath -- 21st-century English noblewoman and fashion model
Wikipedia - Emma Tiglao -- Filipino model
Wikipedia - Emma Wiklund -- Swedish actress and model
Wikipedia - Emma Willis -- English television presenter and former model
Wikipedia - Emmerdale Live -- Live episode of Emmerdale broadcast in 2012
Wikipedia - Emmy von Rhoden -- German writer (1829-1885)
Wikipedia - Emoji domain -- Internationalized domain name containing Punycoded emoji
Wikipedia - Emotional dysregulation -- Difficulty controlling and moderating one's emotional reactions
Wikipedia - Empires: Dawn of the Modern World -- 2003 real-time strategy video game by Stainless Steel Studios
Wikipedia - Empty lattice approximation -- A theoretical electronic band structure model in which the potential is periodic and weak
Wikipedia - EMS VCS 3 -- Synthesizer model
Wikipedia - Ena Fujita -- Japanese musician and model
Wikipedia - Ena Kadic -- Bosnian-Austrian model
Wikipedia - Enaphalodes -- Genus of beetles
Wikipedia - Ena Sandra Causevic -- Danish model from Sonderborg, Denmark
Wikipedia - Enclosed Alphanumeric Supplement -- Group of Unicode symbols
Wikipedia - Enclosed CJK Letters and Months -- Group of Unicode symbols
Wikipedia - Encoded Archival Context
Wikipedia - Encoded Archival Description
Wikipedia - ENCODE -- Research consortium investigating functional elements in human and model organism DNA
Wikipedia - Endeodes -- Genus of beetles
Wikipedia - Endodermis -- Inner layer of cortex in vascular plant roots
Wikipedia - Endoderm -- Innermost germ layer that forms the epithelial lining of many organs
Wikipedia - End-to-end encryption -- Encryption model where only the sender and recipient can read the ciphertext
Wikipedia - Enemy Inside -- German Dark Rock and modern Metal band
Wikipedia - Eneodes -- Genus of beetles
Wikipedia - Energy-maneuverability theory -- Model of aircraft performance
Wikipedia - Engis 2 -- Neanderthal fossil discovered in the early 19th-century in modern day Belgium
Wikipedia - Enhanced Variable Rate Codec B
Wikipedia - Enhanced Variable Rate Codec
Wikipedia - Enicodes -- Genus of beetles
Wikipedia - Enigma code
Wikipedia - EnikM-EM-^Q Mihalik -- Hungarian model
Wikipedia - EnikM-EM-^Q SutM-EM-^Q -- Hungarian model, mannequin, public personality
Wikipedia - Enjoy the Silence -- 1990 single by Depeche Mode
Wikipedia - Enneagram of Personality -- Human psyche model of nine personality types
Wikipedia - EN postcode area -- Postcode area within the United Kingdom
Wikipedia - Enrico Dell'Amore -- Italian modern pentathlete
Wikipedia - Enrique Gil -- Filipino actor, model, and dancer
Wikipedia - Enrique Wirth -- Argentine modern pentathlete
Wikipedia - Ensemble Modern
Wikipedia - Entelognathus -- A placoderm fish from the late Ludlow epoch of the Silurian period
Wikipedia - Enterprise Data Modeling
Wikipedia - Enterprise data modeling
Wikipedia - Enterprise modeling
Wikipedia - Enterprise Modelling Methodology/Open Distributed Processing
Wikipedia - Enterprise Modelling
Wikipedia - Enterprise modelling
Wikipedia - Enterprise model
Wikipedia - Entity-attribute-value model -- Type of data model
Wikipedia - Entity Data Model
Wikipedia - Entity-relationship models
Wikipedia - Entity-Relationship Model
Wikipedia - Entity-relationship model -- Model or diagram describing interrelated things
Wikipedia - Entropic gravity -- theory in modern physics that describes gravity as an entropic force
Wikipedia - Enumerator polynomial -- Specifies the number of words of a binary linear code of each possible Hamming weight
Wikipedia - En ven i bolignoden -- 1965 film
Wikipedia - Environmental Modeling Center -- United States weather agency
Wikipedia - Eocrinoidea -- Class of echinoderms
Wikipedia - Eoin Macken -- Irish actor, model, author and director
Wikipedia - EoN 460 -- Series of wooden sailplanes
Wikipedia - Eotrechodes -- Genus of beetles
Wikipedia - Epichostis microdelta -- Species of insect
Wikipedia - Epicolpodes -- Genus of beetles
Wikipedia - Epidemic model
Wikipedia - Epidemiology of HIV/AIDS -- Pandemic of Human Immunodeficiency Virus
Wikipedia - Epigraphodes -- Genus of beetles
Wikipedia - Epimicodema -- Genus of beetles
Wikipedia - Episode 0: The First Contact
Wikipedia - Episode 4466 -- EastEnders episode
Wikipedia - Episode filesystem
Wikipedia - Episodes (TV series) -- British/American television sitcom
Wikipedia - Episode -- Part of a dramatic work such as a serial television or radio drama
Wikipedia - Epistemology of finance -- study of mathematical models in finance
Wikipedia - Epodes (Horace) -- Collection of poems by Horace
Wikipedia - EPPO Code
Wikipedia - Equilibrium mode distribution -- light distribution
Wikipedia - ErdM-EM-^Qs-Renyi model -- Two closely related models for generating random graphs
Wikipedia - Eremoryzomys -- A rodent species in the family Cricetidae from central Peru
Wikipedia - Erich Angermann -- German historian of modern age
Wikipedia - Ericka Hart -- American sex educator, model, and professor
Wikipedia - Eric Marques -- Brazilian modern pentathlete
Wikipedia - Eric Underwood (dancer) -- American British ballet dancer, model and actor
Wikipedia - Ericus Schroderus -- Finnish philologist and historian
Wikipedia - Eric Walther -- German modern pentathlete
Wikipedia - Erigeron modestus -- North American species of flowering daisy
Wikipedia - Erika Eleniak -- American-Canadian actress, Playboy Playmate, and former model
Wikipedia - Erika Januza -- Brazilian actress and model
Wikipedia - Erika Linder -- Swedish model and actress
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Wikipedia - Erika Sawajiri -- Japanese actress, singer, and model
Wikipedia - Erik Bengtzboe -- Swedish Moderate Party politician
Wikipedia - Erik de Laval -- Swedish modern pentathlete
Wikipedia - Erik Johansson (pentathlete) -- Swedish modern pentathlete
Wikipedia - Erik Odelberg -- Swedish sport shooter
Wikipedia - Erik Ode -- German actor and director
Wikipedia - Erik Rhodes (actor, born 1906) -- American actor and singer
Wikipedia - Erik Rhodes (pornographic actor) -- American pornographic actor and director
Wikipedia - Erik Santos -- Filipino singer and commercial model
Wikipedia - Erik Soderlund -- Swedish racewalker
Wikipedia - Erikson's stages of psychosocial development -- Eight stages model of psychoanalytic development
Wikipedia - Erin Bode -- American singer from Minnesota
Wikipedia - Erin Brockovich (film) -- 2000 biographical movie by Steven Soderbergh
Wikipedia - Erin McNaught -- Australian model, actress, presenter and television personality
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Wikipedia - Eriopterodes -- Genus of insects
Wikipedia - Eriopygodes imbecilla -- Species of moth
Wikipedia - Ernesto Corradi -- Italian modern pentathlete
Wikipedia - Ernodea -- Genus of flowering plants
Wikipedia - Ernst Schroder (actor) -- German actor
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Wikipedia - Erodelia -- Brazilian hard rock band
Wikipedia - Erode Mahesh -- Indian television personality and actor
Wikipedia - Erode Soundar -- Indian film writer and director
Wikipedia - Eros (film) -- 2004 film by Wong Kar-wai, Michelangelo Antonioni, Steven Soderbergh
Wikipedia - Error correcting codes
Wikipedia - Error-correcting codes with feedback
Wikipedia - Error-correcting code
Wikipedia - Error correction code -- scheme for controlling errors in data over noisy communication channels
Wikipedia - Ersari -- One of the major modern Turkmen tribes
Wikipedia - Erwin Ramsdell Goodenough -- American scholar in the history of religion (1893-1965)
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Wikipedia - Escuela Moderna
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Wikipedia - Eslanda Goode Robeson -- American anthropologist, author, actor and civil rights activist
Wikipedia - ESLint -- JavaScript code analysis software
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Wikipedia - Essence Atkins -- American actress and model.
Wikipedia - Esteban Bustos -- Chilean modern pentathlete
Wikipedia - Esteban Martinez Navarro -- Spanish model, athlete, and TV presenter
Wikipedia - ESteem -- South Korean model agency
Wikipedia - Estelle Asmodelle -- Australian model, activist, scientist
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Wikipedia - Ester Exposito -- Spanish actress and model (born 2000)
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Wikipedia - Esther Anderson (Australian actress) -- Australian actress and model
Wikipedia - Esther Arroyo -- Spanish actress and model
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Wikipedia - Esther Hwang -- Korean-American model
Wikipedia - Esther Odekunle -- British neurobiologist and antibody engineer
Wikipedia - Esther Victoria Abraham -- Jewish Indian model and actress
Wikipedia - Estoloderces luederwaldti -- Genus of beetles
Wikipedia - Estorick Collection of Modern Italian Art -- museum in London
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Wikipedia - Eszter Hortobagyi -- Australian modern pentathlete
Wikipedia - Ethel Houston -- Solicitor and Enigma code breaker
Wikipedia - Ethical codes
Wikipedia - Ethical code
Wikipedia - Ethiopian white-footed mouse -- Species of rodent
Wikipedia - Ethmia dodecea -- Species of moth
Wikipedia - Etienne Jalenques -- French modern pentathlete
Wikipedia - Etiquette -- Customary code of polite behaviour
Wikipedia - Etsuko Nishio -- Japanese actress, singer and model
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Wikipedia - Euclid and his Modern Rivals
Wikipedia - Eudemus of Rhodes
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Wikipedia - Eulechria encratodes -- Species of moth
Wikipedia - Eunapiodes -- Genus of grasshoppers
Wikipedia - Eupentacta -- Genus of echinoderms
Wikipedia - Eupeodes nielseni -- Species of insect
Wikipedia - Eupithecia hodeberti -- Species of moth
Wikipedia - Eupithecia mesodeicta -- Species of moth
Wikipedia - Eupithecia scotodes -- Species of moth
Wikipedia - Eupnigodes sierranus -- Species of grasshopper
Wikipedia - Eupnigodes -- Genus of grasshoppers
Wikipedia - European early modern humans
Wikipedia - European Terrestrial Reference System 1989 -- Geodetic reference frame fixed to the Eurasian Plate
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Wikipedia - Eurrhyparodes -- Genus of moths
Wikipedia - Eurynodes -- Genus of beetles
Wikipedia - Euryoryzomys emmonsae -- A rodent of the family Cricetidae from the Amazon rainforest of Brazil
Wikipedia - Euryoryzomys russatus -- Species of mammal (rodent)
Wikipedia - Euterranova -- Genus of parasitic nematodes
Wikipedia - Euzopherodes charlottae -- Species of moth
Wikipedia - Euzopherodes vapidella -- Species of moth
Wikipedia - Eva De Dominici -- Argentinian model and actress (born 1995)
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Wikipedia - Evermode of Ratzeburg
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Wikipedia - Evolutionary medicine -- The application of modern evolutionary theory to understanding health and disease
Wikipedia - Evolutionary models of food sharing
Wikipedia - Ewald Frie -- German historian of modern age
Wikipedia - Exarrhenodes flavosticticus -- Genus of beetles
Wikipedia - EXC code -- Software package implementing the Bethe-Salpeter equation
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Wikipedia - Executable and Linkable Format -- Standard file format for executables, object code, shared libraries, and core dumps
Wikipedia - Executable code
Wikipedia - Execution model
Wikipedia - Exellodendron -- Genus of plants
Wikipedia - Exhumed river channel -- A ridge of sandstone that remains when the softer flood plain mudstone is eroded away
Wikipedia - Exit code
Wikipedia - Exodermis
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Wikipedia - Exogenous and endogenous variables -- Classification of variables in economic models
Wikipedia - Exon skipping -- Form of RNA splicing used to cause cells to M-bM-^@M-^\skipM-bM-^@M-^] over faulty sections of genetic code
Wikipedia - Exoskeletal Model (Linguistics)
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Wikipedia - Expectation-maximization algorithm -- Iterative method for finding maximum likelihood estimates in statistical models
Wikipedia - Experimental Model 2 submachine gun -- Japanese submachine gun
Wikipedia - Explode Coracao -- Brazilian telenovela by Gloria Perez
Wikipedia - Exploded Drawing -- 1996 album by Polvo
Wikipedia - Explodera -- 2000 song by Staffan Hellstrand
Wikipedia - Explosive ordnance disposal (United States Navy) -- US Navy personnel who render safe or detonate unexploded ordnance
Wikipedia - Explosive -- Substance that can explode
Wikipedia - Expocode -- A unique alphanumeric identifier for cruise labels of research vessels to avoid confusion in oceanographic data management.
Wikipedia - Exponential random graph models
Wikipedia - Export Land Model
Wikipedia - Exposed node problem
Wikipedia - Exposition (narrative) -- Background information within a narrative; one of four rhetorical modes
Wikipedia - EX postcode area -- Postcode area within the United Kingdom
Wikipedia - EXPRESS (data modeling language)
Wikipedia - Extended Boolean model
Wikipedia - Extended Channel Interpretation -- Communication protocol extension for the bar code reader to host interface
Wikipedia - Extended Enterprise Modeling Language
Wikipedia - External memory model
Wikipedia - Extractor (mathematics) -- bipartite graph with nodes
Wikipedia - Extra moenia -- Latin phrase related to pre-modern city planning
Wikipedia - Exynos -- Family of system-on-a-chip models with ARM processor cores
Wikipedia - Eyitope Ogunbodede -- Nigerian academic
Wikipedia - Eyre and Spottiswoode
Wikipedia - F1 (video game series) -- Racing video game series by Codemasters
Wikipedia - Faber Book of Modern Verse
Wikipedia - Fabiana Fares -- Italian modern pentathlete
Wikipedia - Fabian Liebig -- German modern pentathlete
Wikipedia - Fabienne Shine -- Tunisian-born French model, actress, and musician
Wikipedia - Fabio Lanzoni -- Italian model, actor, and author
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Wikipedia - Fabio Nebuloni -- Italian modern pentathlete
Wikipedia - Fables, Ancient and Modern -- 1700 book by John Dryden
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Wikipedia - Faculty of Medieval and Modern Languages, University of Oxford
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Wikipedia - Failure mode, effects, and criticality analysis -- Systematic technique for failure analysis
Wikipedia - Fairphone 3 -- Third phone model of the company Fairphone
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Wikipedia - Falsenicodes lineatus -- Genus of beetles
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Wikipedia - Family as a model for the state
Wikipedia - Famke Janssen -- Dutch actress, director, screenwriter, and former fashion model
Wikipedia - Fantasy World Dizzy -- 1989 Codemasters video game
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Wikipedia - Farjana -- Indian actress, choreographer and model
Wikipedia - Farung Yuthithum -- Thai model
Wikipedia - Father of modern surgery
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Wikipedia - Fatima Effendi -- Pakistani actress and model
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Wikipedia - Fatou Samba -- Senegalese singer and model
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Wikipedia - Fax modem
Wikipedia - Featural writing system -- Writing system whose symbols encode phonological features of the phonemes that they represent
Wikipedia - Federica Foghetti -- Italian modern pentathlete
Wikipedia - Federica Nargi -- Italian model and television presenter
Wikipedia - Federico Galera (pentathlete) -- Spanish modern pentathlete
Wikipedia - Fed model -- Disputed equity valuation model
Wikipedia - Feeling of Falling -- 2018 single by Cheat Codes and Kim Petras
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Wikipedia - Felicia Hwang Yi Xin -- Miss International Indonesia 2016, Puteri Indonesia Lingkungan 2016, Indonesian Supermodel, actress and beauty pageant titleholder
Wikipedia - Felicia Tang -- American actress and model (1977-2009)
Wikipedia - Felicite Makounawode -- Central African Republic judoka
Wikipedia - Felipe Nascimento -- Brazilian modern pentathlete
Wikipedia - Felix Andries Vening Meinesz -- Dutch geophysicist and geodesist
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Wikipedia - Felix Mallard -- Australian actor, musician, and model
Wikipedia - Felix Ugo Omokhodion -- Nigerian actor, model and filmmaker
Wikipedia - Female (1933 film) -- 1933 Warner Bros. pre-code film
Wikipedia - Feminism and modern architecture
Wikipedia - Femke Huijzer -- Dutch model
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Wikipedia - Fences and pickets model of plasma membrane structure -- Concept of cell membrane structure
Wikipedia - Fenn treasure -- Modern treasure in the United States, discovered in 2020
Wikipedia - Fenzhongsi -- transportation node and subway station in Beijing
Wikipedia - Ferenc Nemeth -- Hungarian modern pentathlete
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Wikipedia - Ferne McCann -- English model and television personality
Wikipedia - Ferrari 250 GTO -- Car model
Wikipedia - Ferrari 512 -- Car model
Wikipedia - Ferreira's fish-eating rat -- Species of rodent
Wikipedia - FESOM -- A multi-resolution ocean general circulation model that solves the equations of motion describing the ocean and sea ice using finite-element and finite-volume methods on unstructured computational grids
Wikipedia - FHI-aims -- Molecular dynamics modelling software
Wikipedia - Fiammetta Cicogna -- Italian television presenter and model
Wikipedia - Fiat 1400 and 1900 -- 1950 Italian car model
Wikipedia - Fiat Bravo and Brava -- Hatchback car models
Wikipedia - Fiat Cinquecento -- Car model
Wikipedia - Fiat Coupe -- Italia car model made 1993-2000
Wikipedia - Fiedler contingency model
Wikipedia - Fields Point -- Historic park in Rhode Island, US
Wikipedia - Fifth Avenue Models -- 1925 film
Wikipedia - Figure of the Earth -- Size and shape used to model the Earth for geodesy
Wikipedia - Fiio F9 -- Earphone model
Wikipedia - Filariasis -- Parasitic disease caused by a family of nematode worms
Wikipedia - Fillide Melandroni -- Italian courtesan and art model
Wikipedia - Filodes -- Genus of moths
Wikipedia - FinePix S1 Pro -- Digital camera model
Wikipedia - Finger pillory -- Restraint device where the fingers are held in a wooden block
Wikipedia - Finite model theory
Wikipedia - Finite-state machine -- Mathematical model of computation
Wikipedia - Finite Volume Community Ocean Model -- A prognostic, unstructured-grid, free-surface, 3-D primitive equation coastal ocean circulation model
Wikipedia - Fiona Yuen -- German-born Hong Kong model and actress
Wikipedia - FIPS county code -- Five-digit standard code for counties in the US
Wikipedia - Fire and movement -- Basic modern military low-level unit tactic
Wikipedia - First Aid for Dora -- 1923 short story by P.G. Wodehouse
Wikipedia - First-hitting-time model
Wikipedia - Fitness model (network theory)
Wikipedia - Fitts's law -- Predictive model of human movement
Wikipedia - Five Factor Model
Wikipedia - Five factor model
Wikipedia - Five Go Mad in Dorset -- 1982 episode of The Comic Strip
Wikipedia - Five-pointed star -- Geometrically a regular concave decagon, is a common ideogram in modern culture
Wikipedia - Five precepts -- Basic code of ethics for Buddhist lay people
Wikipedia - Fiza Ali -- Pakistani model, host and actress
Wikipedia - F. J. Robinson, 1st Viscount Goderich -- Prime Minister of the United Kingdom from 1827 to 1828
Wikipedia - FK postcode area -- Postcode area within the United Kingdom
Wikipedia - Flag code of India -- Laws, practices and conventions that apply to the display of the Indian national flag
Wikipedia - Flag of Rhode Island -- Flag
Wikipedia - Flag of the Lesser Poland Voivodeship -- Official symbol of the Malopolska Region
Wikipedia - Flags of Polish voivodeships
Wikipedia - Fleur Ezekiel -- Indian model
Wikipedia - Flexatone -- Modern percussion instrument
Wikipedia - Flexity Outlook (Toronto streetcar) -- Streetcar model operated by the TTC
Wikipedia - Flight control modes
Wikipedia - Flight dynamics (spacecraft) -- Application of mechanical dynamics to model the flight of space vehicles
Wikipedia - Flintholm -- Modern neighbourhood in Frederiksberg district, Copenhagen, Denmark
Wikipedia - Float (woodworking) -- Metal file used for making wooden hand planes
Wikipedia - Floodplain -- Land adjacent to a stream or river which is flooded during periods of high discharge
Wikipedia - Florence Dinichert -- Swiss modern pentathlete
Wikipedia - Florence Goodenough -- American psychologist
Wikipedia - Florence LaDue -- American rodeo performer
Wikipedia - Florence Newman Trefethen -- American codebreaker, historian of operations research, poet
Wikipedia - Florence Nightingale -- English social reformer, statistician, and founder of modern nursing
Wikipedia - Florentine Codex
Wikipedia - Florrie -- English pop singer-songwriter, drummer and model
Wikipedia - Flory-Huggins solution theory -- Lattice model of polymer solutions
Wikipedia - Flyer 700/800/900 series -- Group of bus model series built by Western Flyer of Canada and its successors
Wikipedia - Fode Dabo -- Sierra Leonean diplomat
Wikipedia - Fode Sylla -- French politician
Wikipedia - Follett's Modern American Usage -- Book by Wilson Follett
Wikipedia - Follicular dendritic cells -- Non-migratory population found in primary and secondary follicles of the B cell areas of lymph nodes, spleen, and mucosa-associated lymphoid tissue (MALT).
Wikipedia - Fontana Modern Masters
Wikipedia - Food and Drug Administration Modernization Act of 1997 -- US law
Wikipedia - Force field (chemistry) -- Concept on molecular modeling
Wikipedia - Ford Cortina -- car model
Wikipedia - Ford Escort (North America) -- car model
Wikipedia - Ford Falcon (BF) -- Australian car model
Wikipedia - Ford LTD (Americas) -- Model range of automobiles
Wikipedia - Ford Model 48 -- Ford car introduced in 1935
Wikipedia - Ford Model A (1927-31) -- Compact car
Wikipedia - Ford Model T -- American car (1908-1927)
Wikipedia - Ford Mustang (sixth generation) -- Automobile model
Wikipedia - Ford Probe -- Car model
Wikipedia - Ford Thunderbird -- American car model
Wikipedia - Formalist-substantivist debate -- Debate between substantivist and formalist economic models
Wikipedia - Formal model
Wikipedia - Formal system -- Any well-defined system of abstract thought based on the model of mathematics
Wikipedia - Forrest Yoga -- A school of modern yoga
Wikipedia - Fort Harrison, Indiana -- War of 1812 era stockade located in the modern city of Terre Haute, Indiana
Wikipedia - For the Fallen -- Ode from For the Fallen by Laurence Binyon
Wikipedia - Fort Wolcott -- Fort on Goat Island, Rhode Island
Wikipedia - Forum moderator
Wikipedia - Forward algorithm -- Hidden Markov model algorithm
Wikipedia - Forward genetics -- Forward genetics methods begin with the identification of a phenotype, and finds or creates model organisms that display the characteristic being studied
Wikipedia - Fossil Cave -- A flooded cave in the Limestone Coast area of South Australia
Wikipedia - Foundational Model of Anatomy -- Ontology for the domain of human anatomy
Wikipedia - FoundationDB -- Free and open-source multi-model NoSQL database developed by Apple
Wikipedia - Foundry model
Wikipedia - Four Rode Out -- 1971 film by John Peyser
Wikipedia - Four sides model
Wikipedia - Four stages of competence -- Learning model relating the psychological states in progressing from incompetence to competence in a skill
Wikipedia - Four-striped grass mouse -- Southern African species of mammals belonging to the mouse and rat family of rodents
Wikipedia - Fourth World -- Extension of the three-world model
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Wikipedia - Frameworks supporting the polyhedral model
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Wikipedia - Franciszek Ksawery Godebski -- Polish politician and writer
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Wikipedia - Frankfurt Charterhouse -- Carthusian monastery in Frankfurt an der Oder, Germany
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Wikipedia - Frank H. T. Rhodes -- President of Cornell University
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Wikipedia - Fraunhofer FDK AAC -- An open-source AAC codec
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Wikipedia - FreeCodeCamp -- Non-profit organization
Wikipedia - Freecode
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Wikipedia - Freedom Riders -- U.S. activists who rode interstate buses
Wikipedia - Freedom University -- Modern freedom school for undocumented immigrants
Wikipedia - Free electron model -- A simple model for the behaviour of valence electrons in a crystal structure of a metallic solid
Wikipedia - Freeform surface modeling
Wikipedia - Freeform surface modelling
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Wikipedia - Freenode -- IRC network used to discuss peer-directed projects
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Wikipedia - French Geodesic Mission -- 18th-century expedition to present-day Ecuador
Wikipedia - French Leave (novel) -- 1956 novel by P.G. Wodehouse
Wikipedia - Fricke model
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Wikipedia - Friedrich (Rico) Moroder -- Tyrolean sculptor.
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Wikipedia - Friedrich Schroder Sonnenstern -- German artist and painter
Wikipedia - Friedrich von Bodenstedt -- 19th-century German author
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Wikipedia - Fritz Odemar -- German actor
Wikipedia - Frode Alfson Bjrdal
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Wikipedia - Frode Sorensen (politician) -- Danish politician
Wikipedia - Frode Syvertsen -- Norwegian speed skater
Wikipedia - Froesiodendron -- Genus of Annonaceae plants
Wikipedia - Fromia milleporella -- Species of echinoderm
Wikipedia - Frozen Assets (novel) -- 1964 novel by P.G. Wodehouse
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Wikipedia - Fugitive of the Judoon -- Episode of Doctor Who
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Wikipedia - Functional model
Wikipedia - Function model
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Wikipedia - Fundamental Modeling Concepts
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Wikipedia - Galahad at Blandings -- 1964 novel by P.G. Wodehouse
Wikipedia - Galata -- Former neighbourhood opposite Constantinople, in modern-day Turkey
Wikipedia - Galen Bodenhausen
Wikipedia - Galeodes arabs -- species of arachnid
Wikipedia - Galina Dolgushina -- Kazakhstani modern pentathlete
Wikipedia - Gallery of Modern Art, Glasgow -- Art museum in Glasgow, Scotland, United Kingdom
Wikipedia - Galois/Counter Mode -- Authenticated encryption mode for block ciphers
Wikipedia - Galois Message Authentication Code
Wikipedia - Galton-Watson process -- Probability model, originally to model the extinction of family names
Wikipedia - Galvanic corrosion -- Electrochemical process in which one metal corrodes preferentially when it is in electrical contact with another
Wikipedia - GaM-CM-/a Jacquet-Matisse -- French-American socialite, designer, and model
Wikipedia - Game mode
Wikipedia - Games as a service -- Providing video games or game content on a continuing revenue model
Wikipedia - Game Show Models -- 1977 film directed by David N. Gottlieb
Wikipedia - Game theory -- The study of mathematical models of strategic interaction between rational decision-makers
Wikipedia - Gang Gyeong-hyo -- South Korean modern pentathlete
Wikipedia - Ganoderma lucidum -- Species of fungus
Wikipedia - Ganoderma megaloma -- Species of fungus
Wikipedia - Ganoderma sinense -- Species of fungus
Wikipedia - Gao Yuanyuan -- Chinese actress and model
Wikipedia - Garbage Can Model
Wikipedia - Garbatka, Masovian Voivodeship -- Village in Masovian Voivodeship, Poland
Wikipedia - GarbiM-CM-1e Abasolo -- Model
Wikipedia - Garbology -- Study of modern refuse
Wikipedia - Garcelle Beauvais -- American actress, television personality, author, and former fashion model
Wikipedia - Gard model
Wikipedia - Garrett Hedlund -- American actor, model and singer
Wikipedia - Garrha cholodella -- Species of moth
Wikipedia - Garrha moderatella -- Species of moth
Wikipedia - Garudasana -- A standing balancing posture in modern yoga
Wikipedia - Gary Lucy -- English actor, television personality and model
Wikipedia - Gary Rhodes -- English chef
Wikipedia - Gas diffusion electrode -- Electrodes with a conjunction of a solid, liquid and gaseous interface
Wikipedia - Gaspare Pasta -- Italian modern pentathlete
Wikipedia - Gaston Godel -- Swiss racewalker
Wikipedia - Gastrodermis
Wikipedia - Gat (landform) -- A relatively narrow but deep strait that is constantly eroded by currents flowing back and forth, such as tidal currents
Wikipedia - Gaurav Arora -- Indian actor and Supermodel
Wikipedia - Gaussian process -- Statistical model where every point in a continuous input space is associated with a normally distributed random variable
Wikipedia - Gauss's lemma (Riemannian geometry) -- A sufficiently small sphere is perpendicular to geodesics passing through its center
Wikipedia - Gautam Rode -- Indian actor and television host
Wikipedia - Gavin Lackey -- Australian modern pentathlete
Wikipedia - Gayatri Jayaraman -- Indian actress and model
Wikipedia - Gayle Laakmann McDowell -- Founder, consultant, coder, author and speaker
Wikipedia - Gazini Ganados -- Filipino fashion model, beauty queen and Miss Universe Philippines 2019
Wikipedia - Gbenga Oyebode -- Nigerian lawyer
Wikipedia - GBR code -- System for representing classes of chess positions
Wikipedia - G-code -- Programming languages
Wikipedia - Gecode
Wikipedia - Gehana Vasisth -- Indian actor and model
Wikipedia - Gelnhausen Codex -- Early-15th-century manuscript
Wikipedia - Geminus of Rhodes
Wikipedia - Gemma Atkinson -- British actress and model
Wikipedia - Gemma Cowling -- 21st-century Australian model
Wikipedia - Gemma Sanderson -- Australian model
Wikipedia - General Algebraic Modeling System
Wikipedia - General circulation model -- A type of climate model that uses the Navier-Stokes equations on a rotating sphere with thermodynamic terms for various energy sources
Wikipedia - Generalized functional linear model -- Mathematical model for stochastic processes
Wikipedia - Generalized linear model
Wikipedia - Generalized vector space model -- Generalization of the vector space model used in information retrieval
Wikipedia - General linear model
Wikipedia - General-purpose modeling
Wikipedia - Generative model
Wikipedia - Generic data model
Wikipedia - Generic Model Organism Database
Wikipedia - Genetic code -- Rules by which information encoded within genetic material is translated into proteins.
Wikipedia - Genevieve Lantelme -- French actress and model
Wikipedia - Genevieve Michelle -- American model and actress
Wikipedia - Gene -- Sequence of DNA or RNA that codes for an RNA or protein product
Wikipedia - Gennifer Flowers -- American singer, model, and actress
Wikipedia - Genode
Wikipedia - Gentoo Code -- Legal code translated from Sanskrit
Wikipedia - Geocentric model -- Superseded description of the Universe with Earth at the center
Wikipedia - Geocode -- Code that represents a geographic entity (location or object)
Wikipedia - Geodemographic segmentation -- Multivariate statistical classification technique in marketing
Wikipedia - Geodercodes -- Genus of beetles
Wikipedia - Geodesic dome -- Spherical shell structure based on a geodesic polyhedron
Wikipedia - Geodesic (general relativity)
Wikipedia - Geodesic polyhedron -- Polyhedron made from triangles that approximates a sphere
Wikipedia - Geodesics in general relativity
Wikipedia - Geodesic -- Shortest path on a curved surface or a Riemannian manifold
Wikipedia - Geodesign
Wikipedia - Geodesist
Wikipedia - Geodessus -- Genus of beetles
Wikipedia - Geodesy -- The science of the geometric shape, orientation in space, and gravitational field of Earth
Wikipedia - Geodetic airframe -- type of aircraft structure
Wikipedia - Geodetic datum -- Reference frame for measuring location
Wikipedia - Geodetic effect
Wikipedia - Geoff Eigenmann -- Filipino actor, model and television presenter
Wikipedia - Geoffrey Brooke -- British modern pentathlete
Wikipedia - Geoffrey Rhodes Bromet -- Royal Air Force air marshal
Wikipedia - Geoff Taylor (singer) -- Filipino singer-model
Wikipedia - Geological survey -- Systematic investigation of the geology in a region for the purpose of creating a geological map or model
Wikipedia - Geologic modelling -- Applied science of creating computerized representations of portions of the Earth's crust
Wikipedia - Geometrical optics -- Model of optics describing light as geometric rays
Wikipedia - Geometric modeling kernel
Wikipedia - Geometric model
Wikipedia - Geometric Shapes -- Block of Unicode symbols
Wikipedia - George Bare -- American modern pentathlete
Wikipedia - George Bodey -- Australian politician
Wikipedia - George Brown Goode
Wikipedia - George Everest -- British surveyor and geodesist
Wikipedia - George Hodel -- US physician, suspected murderer
Wikipedia - George Horvath -- Swedish modern pentathlete
Wikipedia - George I. Mavrodes -- American philosopher
Wikipedia - George Lambert (pentathlete) -- American modern pentathlete
Wikipedia - George Makana Clark -- Rhodesian writer
Wikipedia - George Modelski
Wikipedia - George Moore (pentathlete) -- American modern pentathlete
Wikipedia - George Nicoll -- Modern pentathlete
Wikipedia - George Norman (pentathlete) -- Modern pentathlete
Wikipedia - Georges Brule -- French modern pentathlete
Wikipedia - George Skene (pentathlete) -- Canadian modern pentathlete
Wikipedia - Georges Rodenbach
Wikipedia - George Stibitz -- Bell Labs researcher; one of the fathers of the modern first digital computer
Wikipedia - George V. Denny Jr. -- Radio talk show moderator
Wikipedia - Georgia Fowler -- New Zealand fashion model and television presenter
Wikipedia - Georgia May Foote -- British actress and model
Wikipedia - Georgia May Jagger -- English fashion model and designer
Wikipedia - Georgie Badiel -- Burkinabe model
Wikipedia - Georgina Harland -- British modern pentathlete
Wikipedia - Georgina Kermode -- Suffragette, metallurgist and engineering entrepreneur
Wikipedia - Georgina Rizk -- Lebanese model
Wikipedia - Georgina Wilson -- Filipina-British endorser, VJ, magazine and commercial model
Wikipedia - Georgi Stoyanov (pentathlete) -- Modern pentathlete
Wikipedia - Georg von Boisman -- Swedish modern pentathlete
Wikipedia - GEOS-3 -- The third and final satellite of NASA's Geodetic Earth Orbiting Satellite/Geodynamics Experimental Ocean Satellite program
Wikipedia - GEOStar-1 -- Satellite model by Northrop Grumman
Wikipedia - GEOStar-3 -- Satellite model made by Northrop Grumman
Wikipedia - Gerald Anderson -- Filipino actor and shampoo model collector
Wikipedia - Geraldine Gonzalez -- Chilean model and beauty queen
Wikipedia - Geraldine Lapalus -- French actress and model
Wikipedia - Gerald Loder, 1st Baron Wakehurst -- British politician
Wikipedia - Gerardo Cortes Jr. -- Modern pentathlete
Wikipedia - Gerardo Cortes Sr. -- Chilean modern pentathlete
Wikipedia - Gerard W. Ford -- Co-founder of Ford Models
Wikipedia - Gerbillinae -- Subfamily of mammals (rodents; Gerbillinae)
Wikipedia - Gerco Schroder -- Dutch equestrian
Wikipedia - Gerd Boder -- German composer
Wikipedia - GergM-EM-^Q Bruckmann -- Hungarian modern pentathlete
Wikipedia - Gerhard Werner (pentathlete) -- Modern pentathlete
Wikipedia - Geri McGee -- American model and Las Vegas showgirl
Wikipedia - Germain Seligman -- Modern art dealer
Wikipedia - German East Africa -- 1885-1919 German colony including modern Tanzania, Burundi and Rwanda
Wikipedia - German legal citation -- Standard methods for citation of German legal codes and case law
Wikipedia - German model
Wikipedia - Germany in the early modern period
Wikipedia - Germany's Next Topmodel (season 6) -- 2011 television show
Wikipedia - Germany's Next Topmodel (season 9) -- 2014 television show
Wikipedia - German Yuferov -- Soviet modern pentathlete
Wikipedia - Gerrit (software) -- Free web-based team code collaboration tool
Wikipedia - Gerti Daub -- German esthetician, model and actress
Wikipedia - Gery-Nikol -- Bulgarian singer,model,dancer and producer.
Wikipedia - Geta (footwear) -- Traditional Japanese open-topped wooden shoes
Wikipedia - Ge Tian -- Chinese actress and model
Wikipedia - Ghanode -- Village in Maharashtra
Wikipedia - Ghina Salsabila -- Indonesian actress and model
Wikipedia - Ghodegaon -- Village in Maharashtra
Wikipedia - Gia Carangi -- American model
Wikipedia - Giambattista Toderini -- Italian writer and philosopher
Wikipedia - Giancarlo Gloder -- Italian speed skater
Wikipedia - Giancarlo Morresi -- Italian modern pentathlete
Wikipedia - Gianluca Tiberti -- Italian modern pentathlete
Wikipedia - Gianne Albertoni -- Brazilian actress and model
Wikipedia - Giardia duodenalis -- Parasitic microorganism that causes giardiasis
Wikipedia - Gibson EDS-1275 -- Model of guitar
Wikipedia - Gigantotrichoderes -- Genus of beetles
Wikipedia - Gigi Gorgeous -- Canadian YouTuber, socialite, actress, and model
Wikipedia - Gigi Hadid -- American model
Wikipedia - Gilbert model
Wikipedia - Gilberto Toledano -- Modern pentathlete
Wikipedia - Gil Cuerva -- Filipino-Spanish actor and international model
Wikipedia - Gillian Bowler -- Businesswoman, chair of Failte Ireland and first chair of the Irish Museum of Modern Art.
Wikipedia - Gimnodesportivo Vava Duarte -- Sports stadium in Cape Verde
Wikipedia - Gina Raimondo -- 75th Governor of Rhode Island
Wikipedia - Ginevra Csillaghy Furstenberg -- 21st-century Italian model and noblewoman
Wikipedia - Gingerbread house -- Model house made of gingerbread
Wikipedia - Gintaras StaM-EM-!keviM-DM-^Mius -- Lithuanian modern pentathlete
Wikipedia - GintarM-DM-^W VenM-DM-^MkauskaitM-DM-^W -- Lithuanian modern pentathlete
Wikipedia - Giorgio by Moroder -- 2013 song by Daft Punk
Wikipedia - Giorgio Moroder -- Italian record producer (born 1940)
Wikipedia - Giornale delle Dame e delle Mode di Francia -- Magazine
Wikipedia - Giovanna Ewbank -- Brazilian actress, model and reporter
Wikipedia - Giovanna Reynaud -- Mexican actress and model
Wikipedia - Giovanni Modena -- Italian bobsledder
Wikipedia - Giovanni Perugini -- Italian modern pentathlete
Wikipedia - Girl Code (album) -- 2018 studio album by City Girls
Wikipedia - Girolamo CodebM-CM-2 -- 17th-century Roman Catholic bishop
Wikipedia - Gisele Bundchen -- Brazilian fashion model, and activist
Wikipedia - Gisele Fox -- American fashion model
Wikipedia - Giselle Norman -- English fashion model
Wikipedia - Giulia Maenza -- Italian model
Wikipedia - Giulio Giunta -- Italian modern pentathlete
Wikipedia - Giulio Palmonella -- Italian modern pentathlete
Wikipedia - Giuseppe Micheli -- Italian modern pentathlete
Wikipedia - Gladrags -- Indian modeling magazine
Wikipedia - Glaesoncodes -- Extinct genus of insects
Wikipedia - Glamanand Supermodel India -- National beauty pageant competition in India
Wikipedia - Glass electrode
Wikipedia - Gleb Savchenko -- Russian dancer, choreographer, and model
Wikipedia - GlennSamm -- Ghanaian fashion model
Wikipedia - GliM-EM-^[nica, Pomeranian Voivodeship -- Village in Pomerania, Poland
Wikipedia - Gliwice -- City in Silesian Voivodeship, Poland
Wikipedia - Global Spirit Tour -- 2017-18 concert tour by Depeche Mode
Wikipedia - Gloria Alexandra -- American actress and model
Wikipedia - Gloria Dawn -- Canadian model
Wikipedia - Gloria Diaz -- Filipino actress and model
Wikipedia - Glossary of military modeling and simulation -- Wikipedia glossary
Wikipedia - Glossary of RAF code names -- Wikipedia glossary
Wikipedia - Glossary of Unified Modeling Language terms -- Wikipedia glossary
Wikipedia - Glu3d -- Maya3D modelling plugin that simulates fluid effects
Wikipedia - Glue code -- Source code that serves solely to "adapt" different parts of code
Wikipedia - Glyphoderus -- Genus of beetles
Wikipedia - Glyphodes -- Genus of moths
Wikipedia - GM GEM platform -- Modern economy car platform
Wikipedia - Gmina Baranw, Masovian Voivodeship
Wikipedia - Gmina Chelmno -- Gmina in Kuyavian-Pomeranian Voivodeship, Poland
Wikipedia - Gmina Dzierzkowice -- Gmina in Lublin Voivodeship, Poland
Wikipedia - Gmina Kwilcz -- Gmina in Greater Poland Voivodeship, Poland
Wikipedia - Gmina PoddM-DM-^Ybice -- An administrative district in M-EM-^AodM-EM-: Voivodeship, Poland
Wikipedia - Gmina WiM-EM-^[niew -- Gmina in Masovian Voivodeship, Poland
Wikipedia - Gnaphalodes -- Genus of beetle
Wikipedia - Gnosticism in modern times
Wikipedia - Gnu code
Wikipedia - Goddard Earth Observing System -- integrated Earth system model and data assimilation system developed at NASA's GMAO
Wikipedia - Goddess movement -- Modern revival of divine feminine or female-centered spirituality
Wikipedia - Godeberta
Wikipedia - Godebold of Meissen -- Bishop of Meissen
Wikipedia - Godefroi, Comte d'Estrades -- Marshal of France
Wikipedia - Godefroid Devreese -- Belgian sculptor
Wikipedia - Godefroid Niyombare -- Burundian military officer
Wikipedia - Godefroy River -- River in Centre-du-Quebec, Quebec (Canada)
Wikipedia - Godefroy Wendelin
Wikipedia - Godefroy Zumoffen
Wikipedia - Godegisel
Wikipedia - Godehard Giese -- German actor
Wikipedia - Godel, Escher, Bach -- 1979 book by Douglas Hofstadter
Wikipedia - Godelieve Brys -- Belgian gymnast
Wikipedia - Godelieve
Wikipedia - Godelina
Wikipedia - Godel numbering -- Function in mathematical logic
Wikipedia - Godel prize
Wikipedia - Godel (river) -- River in Germany
Wikipedia - Godel's incompleteness theorem
Wikipedia - Godel's ontological proof -- Godel's formalization of the ontological argument for the existence of God using modal logic
Wikipedia - Godel's speed-up theorem -- There are theorems whose proofs can be shortened in more powerful axiomatic systems
Wikipedia - Godeny-halom -- Prehistoric mound in Hungary
Wikipedia - Goderich 35 -- Sailboat class
Wikipedia - Goderich Flyers -- Canadian Junior ice hockey team
Wikipedia - Goderich, Ontario -- Town in Ontario, Canada
Wikipedia - Godesberger Bach -- River in Germany
Wikipedia - Godesberg Program -- 1959 German Social Democratic Party platform
Wikipedia - Godescalc Evangelistary -- Illuminated manuscript from the 8th century
Wikipedia - Gode Wind Farm -- German cluster of offshore wind farms in the North Sea
Wikipedia - Godey Murahari -- Indian politician
Wikipedia - Godfrey Gao -- Taiwanese-Canadian model and actor
Wikipedia - God's New Covenant: A New Testament Translation -- Modern English translation of the Greek New Testament
Wikipedia - God's Philosophers: How the Medieval World Laid the Foundations of Modern Science
Wikipedia - Godynice -- Village in M-EM-^AodM-EM-: Voivodeship, Poland
Wikipedia - Goeckerman therapy -- Regimen for treatment of moderate to severe plaque psoriasis
Wikipedia - Goedele Liekens -- Belgian model and psychologist (born 1963)
Wikipedia - Goggle jacket -- Hooded windproof type jacket
Wikipedia - Going Backwards -- 2017 song by Depeche Mode
Wikipedia - Goizeder Azua -- Venezuelan model, presenter, journalist, and beauty queen
Wikipedia - Gokhan Keser -- Turkish actor and model
Wikipedia - Golay code (disambiguation)
Wikipedia - Gold Beach -- Code name for one of the zones for amphibious landings in Northern France on D-Day, 6 June 1944
Wikipedia - Gold Diggers of Broadway -- Partially lost 1929 pre-Code American musical film
Wikipedia - Goldman's water mouse -- Species of rodent
Wikipedia - Go Mode -- album by Snootie Wild
Wikipedia - Gomphodesmidae -- Family of millipedes
Wikipedia - Gonatodes alexandermendesi -- Species of lizard
Wikipedia - Gonatodes -- Genus of dwarf geckos
Wikipedia - GongKwon Yusul -- A modern Korean martial art system
Wikipedia - Good Design Award (Museum of Modern Art)
Wikipedia - Goode Behavior -- American sitcom
Wikipedia - Goodenia affinis -- Species of plant
Wikipedia - Goodenia albiflora -- Species of plant
Wikipedia - Goodenia amplexans -- Species of plant
Wikipedia - Goodenia anfracta -- Species of plant
Wikipedia - Goodenia angustifolia -- Species of plant
Wikipedia - Goodenia arachnoidea -- Species of plant
Wikipedia - Goodenia armitiana -- Species of plant
Wikipedia - Goodenia armstrongiana -- Species of plant
Wikipedia - Goodenia arthrotricha -- Species of plant
Wikipedia - Goodenia azurea -- Species of plant
Wikipedia - Goodenia bellidifolia -- Species of plant
Wikipedia - Goodenia benthamiana -- Species of plant
Wikipedia - Goodenia berardiana -- Species of plant
Wikipedia - Goodenia berringbinensis -- Species of plant
Wikipedia - Goodenia bicolor -- Species of plant
Wikipedia - Goodenia blackiana -- Species of plant
Wikipedia - Goodenia brachypoda -- Species of plant
Wikipedia - Goodenia brunnea -- Species of plant
Wikipedia - Goodenia byrnesii -- Species of plant
Wikipedia - Goodenia ovata -- Species of plant
Wikipedia - Goodenough Glacier -- Glacier in Antarctica
Wikipedia - Goodenough Island Rural LLG -- Local-level government in Papua New Guinea
Wikipedia - Good Morning, Bill -- Play adapted by P. G. Wodehouse
Wikipedia - Good Old Cause -- Rationale made by the New Model Army soldiers to justify their fighting on behalf of Parliament
Wikipedia - Googie architecture -- Form of post-modern architecture style, a subdivision of futurist architecture
Wikipedia - Google Code-in
Wikipedia - Google Code Jam
Wikipedia - Google Code Search
Wikipedia - Google Code
Wikipedia - Google Developers -- Google Developers information and code(RDS)
Wikipedia - Google Moderator
Wikipedia - Google Summer of Code -- Annual program that offers open-source software projects to post-secondary student developers
Wikipedia - Goo Jae-yee -- South Korean actress and model
Wikipedia - Gopher -- Family of burrowing rodents
Wikipedia - Goppa code
Wikipedia - Goran Gillinger -- Swedish actor and model
Wikipedia - Gora Pulawska -- Village in Lublin Voivodeship, Poland
Wikipedia - Gordion Furniture and Wooden Artifacts -- Artifacts excavated from royal burial mounds
Wikipedia - Gordon Arthur Riley -- An American marine biologist, instrumental in the development of plankton ecosystem models
Wikipedia - Gordon-Loeb Model
Wikipedia - Gordon-Schaefer model -- Bioeconomic model applied in the fishing industry
Wikipedia - Gorsedd -- Community or coming together of modern-day bards
Wikipedia - Gortyn code -- Legal code in Gortyn
Wikipedia - Gospel of Nicodemus
Wikipedia - Gosta Runo -- Swedish modern pentathlete
Wikipedia - Gotcha (programming) -- Code that is valid but counter-intuitive
Wikipedia - Gotha G.I -- Heavy bomber biplane model
Wikipedia - Gothic fiction -- Genre or mode of literature and film that combines fiction and horror, death, and at times romance
Wikipedia - Gould Powernode 9080
Wikipedia - Government Code and Cypher School
Wikipedia - Government Erode Medical College -- Medical college in Tamil Nadu, India
Wikipedia - Governor Greene Cemetery -- Rhode Island Historical Cemetery, in the U.S.
Wikipedia - G postcode area -- Postcode area within the United Kingdom
Wikipedia - GPT-3 -- 2020 Transformer language model
Wikipedia - Grabiny, Lipno County -- Village in Kuyavian-Pomeranian Voivodeship, Poland
Wikipedia - Grace Bol -- South Sudanese fashion model
Wikipedia - Grace Church (Providence, Rhode Island) -- Historic church in Providence, Rhode Island
Wikipedia - Grace Elizabeth -- American model
Wikipedia - Grace Jones -- Jamaican singer, actress and model
Wikipedia - Grace Neutral -- British television presenter, model, and tattoo artist (born 1989)
Wikipedia - Grace Oyelude -- Nigerian model
Wikipedia - Grace Slick -- American singer-songwriter, artist, and former model (born 1939)
Wikipedia - Grachi -- Teen TV series broadcast by Nickelodeon
Wikipedia - Gracie Carvalho -- Brazilian model
Wikipedia - Gradient factor in decompression modelling -- Gradient factor in decompression modelling
Wikipedia - Graham Brookhouse -- British modern pentathlete
Wikipedia - Graham Farish -- Model railway manufacturing company
Wikipedia - Grainne Gallanagh -- Irish model and beauty pageant titleholder
Wikipedia - Grain (surfboard company) -- |American constructor of wooden surfboards
Wikipedia - Grammar-based codes
Wikipedia - Grammodes stolida -- Species of moth
Wikipedia - Grand Cross of Valour -- Military decoration of Rhodesia
Wikipedia - Grand Duchy of Finland -- Predecessor state of modern Finland
Wikipedia - Grandon Rhodes -- American actor
Wikipedia - Grant Goodeve -- American actor
Wikipedia - Granville Gee Bee Model A -- 1929 American sport/training biplane
Wikipedia - Granville Gee Bee Model Z Super Sportster -- Racing aircraft, United States, 1931
Wikipedia - Graphical models
Wikipedia - Graphical model
Wikipedia - Graphite (SIL) -- Programmable Unicode-compliant smart-font technology and rendering system developed by SIL International as free software
Wikipedia - Graph Modelling Language
Wikipedia - Graphoderus -- Genus of beetles
Wikipedia - Gray code -- Ordering of binary values, used for positioning and error correction
Wikipedia - Grazia Maria Pinto -- Italian model
Wikipedia - Great dodecahedron
Wikipedia - Great dodecahemicosahedron -- Polyhedron with 22 faces
Wikipedia - Greater Poland Voivodeship -- Voivodeship in west-central Poland
Wikipedia - Greatest Hits, Vol. 1 (Blue Rodeo album) -- album by Blue Rodeo
Wikipedia - Great Lakes XTBG -- 1935 prototype torpedo bomber aircraft model
Wikipedia - Great snub icosidodecahedron -- Polyhedron with 92 faces
Wikipedia - Great stellated dodecahedron
Wikipedia - Greatwood And Cliff Copses SSSI -- 16.3 hectares wooded areas
Wikipedia - Greece's Next Top Model (season 4) -- fourth season of Greece's Next Top Model
Wikipedia - Greece's Next Top Model (season 5) -- Season of television series
Wikipedia - Greek minuscule -- Handwritten script of medieval and early modern Greek
Wikipedia - Green Party of Rhode Island -- Rhode Island affiliate of the Green Party
Wikipedia - Green waste -- Biodegradable waste
Wikipedia - Greenwich Cove Site -- Archaeological site in Rhode Island, US
Wikipedia - Greg Losey -- American modern pentathlete
Wikipedia - Gregorian mode -- System of pitch organization in Gregorian chant
Wikipedia - Greg Plitt -- American fitness model and actor
Wikipedia - Greg Vaughan -- American actor and model
Wikipedia - Grenadier Models Inc.
Wikipedia - Greta Schroder -- German actress
Wikipedia - Gretchen Fullido -- Filipina news presenter and model
Wikipedia - Gretchen Mol -- American actress and former model
Wikipedia - Grevillea myosodes -- Species of shrub in the family Proteaceae endemic to Western Australia
Wikipedia - Grey box model -- Mathematical data production model with limited structure
Wikipedia - Grey-hooded flycatcher -- Species of bird
Wikipedia - Grey's Scouts -- Rhodesian mounted infantry unit
Wikipedia - Grid (series) -- Racing video game series by Codemasters
Wikipedia - Grigory Bremel -- Russian modern pentathlete
Wikipedia - Grodziec Castle -- Castle in Grodziec, Lower Silesian Voivodeship, Poland
Wikipedia - Gromadzyn -- Village in Lower Silesian Voivodeship, Poland
Wikipedia - GroM-CM-^_e Roder -- River in Germany
Wikipedia - Gropius House -- Modernist home designed by Walter Gropius in Lincoln, Massachusetts
Wikipedia - Grosvenor School of Modern Art
Wikipedia - Group coded recording
Wikipedia - Group d'Arte Averbode -- Belgian volleyball club
Wikipedia - GROW model
Wikipedia - Growth and yield modelling
Wikipedia - Growth curve (statistics) -- Specific multivariate linear model
Wikipedia - Grupo Modelo -- Large Mexican brewery
Wikipedia - GSM modem -- Remote access device based on GSM technology
Wikipedia - Guan Siyu -- Chinese model and beauty pageant titleholder
Wikipedia - Guatteria modesta -- Species of plant
Wikipedia - Guenther Boden -- German-born American endocrinologist
Wikipedia - Guild of Saint Luke -- City guild for painters and other artists in early modern Europe
Wikipedia - Guilherme Catramby Filho -- Brazilian modern pentathlete
Wikipedia - Guillaume de Tournemire -- French modern pentathlete
Wikipedia - Guillecrinidae -- Family of echinoderms
Wikipedia - Guinea pig -- domesticated rodent species from South America
Wikipedia - Gulnaz Gubaydullina -- Russian modern pentathlete
Wikipedia - Gunnar Jacobson -- Swedish modern pentathlete
Wikipedia - Gunnar SM-CM-$ve-Soderbergh -- Swedish paleontologist
Wikipedia - Gunnar Soderlindh -- Swedish artistic gymnast
Wikipedia - Gunn diode
Wikipedia - GU postcode area -- Postcode area within the United Kingdom
Wikipedia - Gurbani Judge -- Actress, model and VJ from India
Wikipedia - Gustaf Lindh -- Swedish modern pentathlete
Wikipedia - Gustaf Soderstrom -- Swedish athlete
Wikipedia - Gustaf WersM-CM-$ll -- Swedish modern pentathlete
Wikipedia - Gustav Blix -- Swedish politician of the Moderate Party
Wikipedia - Gustavo Gianetti -- Brazilian model, Mister World 2003, international male pageant winner
Wikipedia - Gutmensch -- Pejorative German term for a sanctimonious do-gooder
Wikipedia - Guy Code -- Television series
Wikipedia - Guy Lefevre de la Boderie -- French writer and scholar
Wikipedia - Guy Troy -- American modern pentathlete
Wikipedia - Gwendoline Christie -- English actress and model
Wikipedia - Gwen Zamora -- Filipina-Italian actress, model (born 1990)
Wikipedia - Gwili Andre -- Danish model and actress
Wikipedia - Gyan Bharti Model Residential Complex -- School in Bihar, India
Wikipedia - Gyaritodes -- Genus of beetles
Wikipedia - Gymnobathra hyetodes -- Species of moth
Wikipedia - GY postcode area -- Postcode area within the United Kingdom
Wikipedia - Gyula Galovici -- Romanian modern pentathlete
Wikipedia - Habib Ben Azzabi -- Tunisian modern pentathlete
Wikipedia - Habrodera -- Genus of beetles
Wikipedia - Hack (computer code)
Wikipedia - Hadamard code
Wikipedia - Haffenreffer Museum of Anthropology -- Teaching museum in Rhode Island, US
Wikipedia - Haft Sang (TV series) -- Iranian TV series, unofficial remake of Modern Family
Wikipedia - Haidomyrmodes -- Extinct genus of ants
Wikipedia - Haikara-San: Here Comes Miss Modern -- Japanese manga series by Waki Yamato
Wikipedia - Hailey Baldwin -- American model and television personality (born 1996)
Wikipedia - Haim Bodek -- American developer of trading software
Wikipedia - Halbleiterwerk Frankfurt (Oder) -- East Germany's largest manufacturer of semiconductor devices
Wikipedia - Haldane's decompression model -- Decompression model developed by John Scott Haldane
Wikipedia - Hal DeWindt -- producer, director, actor and model
Wikipedia - Hale Baugh -- American modern pentathlete
Wikipedia - Haley Strode -- American film and television actress
Wikipedia - Half hull model ship -- Wooden model featuring only one half of a boat's hull
Wikipedia - Half-Life 2: Episode One -- 2006 first-person shooter video game
Wikipedia - Half-Life 2: Episode Two -- 2007 video game
Wikipedia - Halima Aden -- Somali/American fashion model
Wikipedia - Halina Bashlakova -- Belarusian modern pentathlete
Wikipedia - Hamamat Montia -- Ghanaian model and a former Miss Malaika queen
Wikipedia - Hamlet on the Holodeck -- "Hamlet on the Holodeck" is a 1997 book by [[Janet Murray|Janet H. Murray]] that theorizes cyberdrama.
Wikipedia - Hammatoderus -- Genus of beetles
Wikipedia - Hamming code
Wikipedia - Hammiradeva -- King who ruled modern Ranthambore, Rajasthan, India
Wikipedia - Hamster -- Subfamily of rodents (Cricetinae)
Wikipedia - Hanaa Ben Abdesslem -- Tunisian model
Wikipedia - Hana Mae Lee -- Korean-American actress, model, comedian, and fashion designer
Wikipedia - Hande Ercel -- Turkish actress and model (born 1993)
Wikipedia - Handkerchief code -- Use of color-coded bandannas in the gay and BDSM communities
Wikipedia - Han Do-ryeong -- South Korean modern pentathlete
Wikipedia - Hangiri -- Japanese wooden rice tub
Wikipedia - Hangul (obsolete Unicode block) -- Unicode 1.x block, removed in Unicode 2.0.
Wikipedia - Han Hye-jin (model) -- South Korean model
Wikipedia - Hanna Bohman -- Canadian former model
Wikipedia - Hannah Cohen (singer) -- American singer and model
Wikipedia - Hannah Ferguson -- American model
Wikipedia - Hannah Holman -- American model
Wikipedia - Hannah Jeter -- American model
Wikipedia - Hannah Quinlivan -- Taiwanese actress and model
Wikipedia - Hanna Vasilionak -- Belarusian modern pentathlete
Wikipedia - Hanne Gaby Odiele -- Belgian model
Wikipedia - Hannelore Bode -- German operatic soprano
Wikipedia - Hannelore Knuts -- Belgian actress and fashion model
Wikipedia - Hanno Selg -- Modern pentathlete
Wikipedia - Hans Baumann (pentathlete) -- Swiss modern pentathlete
Wikipedia - Hans Bodensteiner -- German politician
Wikipedia - Hans Christian Andersen Museum -- Museum in Odense, Denmark
Wikipedia - Hans de Jode -- Dutch painter
Wikipedia - Hans-Gunnar Liljenwall -- Swedish modern pentathlete
Wikipedia - Hanshinkan Modernism
Wikipedia - Hans Isaac -- Malaysian actor, director, producer, and former model
Wikipedia - Hans Jurgen Todt -- German modern pentathlete
Wikipedia - Hans Lager -- Swedish modern pentathlete
Wikipedia - Hans Schroder (artist) -- German artist
Wikipedia - Hans Soderstrom -- Swedish male curler
Wikipedia - Hans Wilhelm Schroder -- Danish architect
Wikipedia - Han unification -- Effort by Unicode/ISO 10646 to map Han characters into a single set, ignoring regional variations
Wikipedia - Han Ye-seul -- South Korean actress and model
Wikipedia - Hapalodectes -- Extinct genus of mammals
Wikipedia - Hapalodectidae -- Extinct family of mammals
Wikipedia - Hapalomys gracilis -- fossil rodent from the genus Hapalomys found in Longgupo in South China
Wikipedia - Hapki Kochido Musool -- Modern Korean martial art
Wikipedia - Haplocolpodes -- Genus of beetles
Wikipedia - HA postcode area -- Postcode area within the United Kingdom
Wikipedia - Happiness a la Mode -- 1919 film by Walter Edwards
Wikipedia - Haptoderidius -- Genus of beetles
Wikipedia - Haptoderodes -- Genus of beetles
Wikipedia - Hardcoded (video game) -- Adult dating simulator visual novel game
Wikipedia - Hardware-software codesign
Wikipedia - Hari Nef -- American model, actress, and writer
Wikipedia - Hari Rhodes -- American actor and author
Wikipedia - Haritalodes derogata -- Species of moth
Wikipedia - Haritalodes -- Genus of moths
Wikipedia - Harmony Company models -- Musical instruments manufactured by the Harmony Company
Wikipedia - Harold Jackman -- Educator, model, patron of the arts
Wikipedia - Harold Rhodes (inventor) -- American inventor
Wikipedia - Harold Winston Rhodes -- New Zealand professor, writer, and editor
Wikipedia - Harro Bode -- German sailor
Wikipedia - Harry Bjornholm -- Danish modern pentathlete
Wikipedia - Harry H. Goode Memorial Award
Wikipedia - Harry H. Goode
Wikipedia - Harry Schmidt (pentathlete) -- South African modern pentathlete
Wikipedia - Harry Sugiyama -- Japanese television personality and model
Wikipedia - Haru (actress) -- Japanese actress and model
Wikipedia - Haruka Ayase -- Japanese actress, model and singer
Wikipedia - Haruka KudM-EM-^M (voice actress) -- Japanese voice actress and model
Wikipedia - Harumi Nemoto -- Japanese model (born 1980)
Wikipedia - Ha Seung-moo -- Korean modern poet and pastor, educator, and historical theologian
Wikipedia - Hassan Ahmed (actor) -- Pakistani actor and model
Wikipedia - Hasseroder -- German brewery, founded 1872, now owned by Anheuser-Busch InBev
Wikipedia - Hasso Spode
Wikipedia - Hastang -- Filipino modern rock band
Wikipedia - Hathliodes -- Genus of beetles
Wikipedia - Hatten Yoder
Wikipedia - Hauser & Wirth -- Swiss contemporary and modern art gallery
Wikipedia - Hayden Kho -- Filipino doctor, businessman, actor and model
Wikipedia - Haydil Rivera -- Puerto Rican model
Wikipedia - Haydy Morsy -- Egyptian modern pentathlete
Wikipedia - Hayes Microcomputer Products -- U.S.-based manufacturer of modems
Wikipedia - Hayley Bateup -- Australian model and surfer
Wikipedia - Hayley Hasselhoff -- American actress and model
Wikipedia - Haylynn Cohen -- American model
Wikipedia - Hazardous Materials Identification System -- A numerical hazard rating using colour coded labels
Wikipedia - Hazel Crowney -- British model and film actress
Wikipedia - Hazel Keech -- British-Mauritian actress and model
Wikipedia - HD postcode area -- Postcode area within the United Kingdom
Wikipedia - Health belief model
Wikipedia - Heathenry (new religious movement) -- Modern Pagan religion
Wikipedia - Heather Bratton -- American [[fashion model]]
Wikipedia - Heather Fell -- British modern pentathlete and triathlete
Wikipedia - Heather Kuzmich -- American fashion model
Wikipedia - Heather Mills -- English former model, media personality, businesswoman, and activist
Wikipedia - Heather Morris -- American actress, dancer, singer and model
Wikipedia - Heather Woods Broderick -- American musician and composer
Wikipedia - Heath Robinson (codebreaking machine)
Wikipedia - Heaven (Depeche Mode song) -- Song by Depeche Mode
Wikipedia - Heaven -- Divine abode in various religious traditions
Wikipedia - Heavy Phyo -- Burmese actor, model and singer|bot = PearBOT 5
Wikipedia - Heavy Weather (Wodehouse novel) -- 1933 novel by P.G. Wodehouse
Wikipedia - Hebrew Academy (Montreal) -- Canadian Modern Orthodox Jewish day school
Wikipedia - Hecatera dysodea -- Species of moth
Wikipedia - Hecato of Rhodes
Wikipedia - Hector Carmona -- Chilean modern pentathlete
Wikipedia - Hedonic music consumption model
Wikipedia - Hedvig Soderstrom -- Swedish photographer
Wikipedia - Hedwig Codex
Wikipedia - Heena Panchal -- Indian actress and model
Wikipedia - He Hongshan -- Chinese actress and model
Wikipedia - Heida Reed -- Icelandic actress and model
Wikipedia - Heidi Albertsen -- Danish international model
Wikipedia - Heidi Klum -- German-American model, television personality, and businesswoman
Wikipedia - Heidi Mount -- American fashion model
Wikipedia - Heilige oder Dirne -- 1929 film
Wikipedia - Heimito von Doderer
Wikipedia - Heiner Thade -- Modern pentathlete
Wikipedia - Hein Htet (actor) -- Burmese actor and model
Wikipedia - Heinz Schenk -- German television moderator and actor
Wikipedia - Helena Bouveng -- Swedish politician of the Moderate Party
Wikipedia - Helena Christensen -- Danish model and photographer
Wikipedia - Helena Heuser -- Danish model
Wikipedia - Helen Codere -- American cultural anthropologist
Wikipedia - Helene Aldwinckle -- British translator and gallerist, and Bletchley Park codebreaker during the Second World War
Wikipedia - Helen Flanagan -- English actress and model
Wikipedia - Helen Taylor Thompson -- British codebreaker
Wikipedia - Helen Williams (model) -- American model
Wikipedia - Helga Krapf -- Philippine actor, singer and model
Wikipedia - Helgalunden -- Park and street in Sodermalm, Stockholm, Sweden
Wikipedia - Helge Jensen -- Danish modern pentathlete
Wikipedia - Heliaster solaris -- Species of echinoderm
Wikipedia - Heliocentrism -- Astronomical model where the Earth and planets revolve around the Sun
Wikipedia - Heliothodes diminutivus -- Species of moth
Wikipedia - Helluocolpodes -- Genus of beetles
Wikipedia - Helluodema -- Genus of beetles
Wikipedia - Helluodes -- Genus of beetles
Wikipedia - Helmuth Kahl -- German modern pentathlete
Wikipedia - Helmuth Naude -- German modern pentathlete
Wikipedia - Helmut Neuhaus -- German historian of modern age
Wikipedia - Helmut Spannagl -- Modern pentathlete
Wikipedia - Helmut Wieser -- Austrian modern pentathlete
Wikipedia - Help:Cheatsheet -- Brief guide to Wikipedia formatting codes
Wikipedia - Hemerocallis fulva -- Species of flowering plant in the family Asphodelaceae
Wikipedia - Hendrick van Berckenrode -- Mayor of Haarlem
Wikipedia - Hendrik Lodewijk Drucker -- Dutch politician
Wikipedia - Hendrik Wade Bode -- American researcher
Wikipedia - Henk Bodewitz -- Dutch Sanskrit scholar
Wikipedia - Henk Krediet -- Dutch modern pentathlete
Wikipedia - Henning Fode -- Danish civil servant
Wikipedia - Henri Candelon -- Modern pentathlete
Wikipedia - Henrietta Kelemen -- Hungarian model
Wikipedia - Henrik Avellan -- Finnish modern pentathlete
Wikipedia - Henrik Holm (actor) -- Norwegian actor and model
Wikipedia - Henrik Norby -- Norwegian modern pentathlete
Wikipedia - Henry Bodenham -- 16th-century English politician
Wikipedia - Henry Fletcher (mayor) -- Mayor of Providence, Rhode Island, US
Wikipedia - Henry Golding -- Malaysian actor, model, and television host
Wikipedia - Henry Jones of Oxfordshire -- English officer in the New Model Army
Wikipedia - Henrykw, Lower Silesian Voivodeship
Wikipedia - Henry Odein Ajumogobia -- Nigerian politician and businessman
Wikipedia - Henry Odera Oruka
Wikipedia - Heorhiy Chymerys -- Ukrainian modern pentathlete
Wikipedia - Hepatic lymph nodes -- Lymph nodes on the common hepatic artery
Wikipedia - Herbert Bramfeld -- German modern pentathlete
Wikipedia - Her Code of Honor -- 1919 film by John M. Stahl
Wikipedia - Here document -- A section of a source code file that is treated as if it were a separate file
Wikipedia - Heresy in Christianity in the modern era -- Overview and list of trials since 1893
Wikipedia - Hermanice, Ustron -- District of Ustron, Silesian Voivodeship, Poland
Wikipedia - Hermann Holter -- German modern pentathlete
Wikipedia - Hermann Lemp (pentathlete) -- Modern pentathlete
Wikipedia - Hermen Rode -- 15th century German artist
Wikipedia - Hernan Fuentes -- Chilean modern pentathlete
Wikipedia - Hero Fiennes Tiffin -- British actor and model
Wikipedia - Hero - Gayab Mode On -- Indian fantasy television series
Wikipedia - Hertevin language -- Modern Eastern Aramaic or Syriac language
Wikipedia - Herto Man -- number of early modern human fossils found in Herto Bouri, Ethiopia
Wikipedia - Hesperornithes -- Order of aquatic avialans closely related to the ancestors of modern birds (fossil)
Wikipedia - Hessy Levinsons Taft -- German child model
Wikipedia - Heterocentrotus mamillatus -- Species of echinoderm
Wikipedia - Heteroderis -- Species of plant
Wikipedia - Heterodrilus modestus -- Species of annelid
Wikipedia - HEXACO model of personality structure
Wikipedia - Hexentanzplatz (Harz) -- Plateau above the Bode Gorge in the Harz Mountains in Saxony-Anhalt, Germany
Wikipedia - HG postcode area -- Postcode area within the United Kingdom
Wikipedia - Hidden Markov Models
Wikipedia - Hidden Markov models
Wikipedia - Hidden Markov Model
Wikipedia - Hidden Markov model -- Statistical Markov model
Wikipedia - Hidden node problem
Wikipedia - Hidden node
Wikipedia - Hierarchical Bayes model
Wikipedia - Hierarchical database model
Wikipedia - Hierarchical hidden Markov model
Wikipedia - Hierarchical internetworking model
Wikipedia - Hierarchical linear modeling
Wikipedia - Hierarchical-Model-View-Controller
Wikipedia - Hierarchical model
Wikipedia - Hierarchical network model
Wikipedia - Hierodeacon
Wikipedia - Hieronymus of Rhodes
Wikipedia - Higashi-Yokota Station -- Railway station in Sodegaura, Chiba Prefecture, Japan
Wikipedia - High Art -- 1998 film by Lisa Cholodenko
Wikipedia - High Flying Bird -- 2019 film by Steven Soderbergh
Wikipedia - Highland Park Society of Model Railroad Engineers -- model railroad engineers club group society
Wikipedia - High modernism
Wikipedia - High rail -- realistic rail transport modelling form
Wikipedia - Hikari Shiina -- Japanese model, singer, and television personality
Wikipedia - Hila Elmalich -- Israeli fashion model who died from anorexia nervosa
Wikipedia - Hilary Cruz -- American actress, model and beauty queen
Wikipedia - Hilary Rhoda -- American model
Wikipedia - Hilda Akua -- Ghanaian model
Wikipedia - Hildaly Dominguez -- Venezuelan model
Wikipedia - Hillary Elliott -- Canadian modern pentathlete
Wikipedia - Hilversum Town Hall -- town hall in the Netherlands famous for its modernist design
Wikipedia - Himalotrechodes -- Genus of beetles
Wikipedia - Himanshi Khurana -- Indian model and actress
Wikipedia - Himarsha Venkatsamy -- Indian model and actress
Wikipedia - HinodechM-EM-^M Station -- Railway station in Yokohama, Japan
Wikipedia - Hinode Station -- Railway station in Tokyo, Japan
Wikipedia - Hiperleptodema -- Genus of beetles
Wikipedia - Hi-Point Model JHP -- Semi-automatic pistol
Wikipedia - HIPO model -- Systems analysis design aid
Wikipedia - Hippo Regius -- Ancient name for the modern city of Annaba, Algeria
Wikipedia - Hip (slang) -- Modern word for "cool".
Wikipedia - Hiram Rhodes Revels -- 19th-century American politician
Wikipedia - Hiroaki Iwanaga -- Japanese actor and model
Wikipedia - Hiroaki Izumikawa -- Japanese modern pentathlete
Wikipedia - Hiroden lines and routes -- Wikimedia list article
Wikipedia - Hiroden Streetcar Route 3 -- Light rail line in Hiroshima, Japan
Wikipedia - Hiroe Igeta -- Japanese actress and model
Wikipedia - Hiro Hayama -- Japanese actor and model
Wikipedia - Hiroshi Abe (actor) -- Japanese model and actor
Wikipedia - Hiroshi Miyagahara -- Japanese modern pentathlete
Wikipedia - Hiroshi Saito (pentathlete) -- Japanese modern pentathlete
Wikipedia - Hiroyuki Kawazoe -- Japanese modern pentathlete
Wikipedia - Historical language -- Language spoken in a historical period, distinct from its modern form
Wikipedia - Historical U.S. Census Totals for Bristol County, Rhode Island -- Historical census totals
Wikipedia - History of biology -- History of the study of life from ancient to modern times
Wikipedia - History of computing hardware -- From early calculation aids to modern day computers
Wikipedia - History of geodesy -- Scientific discipline that deals with the measurement and representation of the Earth
Wikipedia - History of Israel -- History of ancient Israel and Judah as well as modern Israel
Wikipedia - History of model organisms
Wikipedia - History of Modern Biomedicine Research Group
Wikipedia - History of modern Egypt -- Aspect of history
Wikipedia - History of modern Greece
Wikipedia - History of modernisation theory
Wikipedia - History of modern literature
Wikipedia - History of Pakistan (1947-present) -- History of Modern Pakistan
Wikipedia - History of Rhode Island -- Aspect of history
Wikipedia - History of Santa Catalina Island (California) -- Human activity from indigenous people to modern times
Wikipedia - History of Tamil Nadu -- History of modern Indian state of Tamil Nadu
Wikipedia - History of the Jews in Ukraine -- History of Ukrainian Jews, from 11th c. to modern times
Wikipedia - History of the Macedonian language -- History of modern Macedonian
Wikipedia - Hitbodedut -- Unstructured, spontaneous and individualized form of prayer and meditation
Wikipedia - HIV/AIDS denialism in South Africa -- Prevalence in South Africa of the belief, contradicted by conclusive evidence, that human immunodeficiency virus (HIV) does not cause acquired immune deficiency syndrome (AIDS)
Wikipedia - HIV/AIDS denialism -- False belief that the human immunodeficiency virus (HIV) does not cause acquired immune deficiency syndrome (AIDS)
Wikipedia - HM-CM-%kan Norebrink -- Swedish modern pentathlete
Wikipedia - HM-CM-$llM-CM-%sen -- sports venue in Soderhamn, Sweden
Wikipedia - HMC ML Q051 -- A wooden Fairmile B Motor Launch (ML) upgunned sub chaser delivered to the Royal Canadian Navy (RCN) on 24 November 1941.
Wikipedia - HMC ML Q052 -- A wooden Fairmile B Motor Launch (ML) upgunned submarine chaser delivered to the Royal Canadian Navy (RCN) on 31 October 1941.
Wikipedia - HMC ML Q053 -- A wooden Fairmile B Motor Launch (ML) upgunned submarine chaser delivered to the Royal Canadian Navy (RCN) on 17 November 1941.
Wikipedia - HMC ML Q054 -- A wooden Fairmile B Motor Launch (ML) upgunned sub chaser delivered to the Royal Canadian Navy (RCN) on 17 October 1941.
Wikipedia - HMC ML Q055 -- A wooden Fairmile B Motor Launch (ML) upgunned sub chaser delivered to the Royal Canadian Navy (RCN) on 6 November 1941.
Wikipedia - HMC ML Q057 -- A wooden Fairmile B Motor Launch (ML) upgunned submarine chaser delivered to the Royal Canadian Navy (RCN) on 28 October 1941.
Wikipedia - HMS Modeste (U42) -- Modified Black Swan-class sloop
Wikipedia - HMS Theseus (1786) -- 1786 Culloden-class ship of the line of the Royal Navy
Wikipedia - Hnin Thway Yu Aung -- Burmese model
Wikipedia - Hnitbjorg -- Mountain abode of the giant Suttung in Norse mythology
Wikipedia - Hobby of Model Railroading -- Monthly magazine
Wikipedia - Hodebertia -- Genus of moths
Wikipedia - Hodegetria -- Type of depiction of the Virgin Mary in iconography, especially of the Eastern Church
Wikipedia - Hodeida International Airport -- Airport in Yemen
Wikipedia - Hodekin -- Sprite of German folklore
Wikipedia - Hoderi
Wikipedia - Hodgkin-Huxley model -- Describes how neurons transmit electric signals
Wikipedia - Hof M-CM-^Asatruarfelagsins -- Modern Pagan religious building
Wikipedia - Hogarth Shakespeare -- book series consisting of modern retellings of Shakespeare
Wikipedia - Hogmoor Inclosure -- Wooded heathland in Hampshire
Wikipedia - Holcoderus -- Genus of beetles
Wikipedia - Holden Commodore -- Car model
Wikipedia - Holden Ute -- Australian car model
Wikipedia - Hole RoM-CM-^_ler -- German modern pentathlete
Wikipedia - Holiness code -- Leviticus chapters 17-26
Wikipedia - Holland Codes
Wikipedia - Holland Roden -- US actress
Wikipedia - Hollie-May Saker -- British fashion model
Wikipedia - Holmium-magnesium-zinc quasicrystal -- Dodecahedral quasicrystal
Wikipedia - Holocrine -- Term used to classify the mode of secretion in exocrine glands in the study of histology
Wikipedia - Holodeck -- Star Trek device
Wikipedia - Holothuria -- Genus of echinoderms
Wikipedia - Holt tractor -- American tractor models, 1892-1925
Wikipedia - Homaloderodes -- Genus of beetles
Wikipedia - Homapoderus -- Genus of beetles
Wikipedia - Homer at the Bat -- Seventeenth episode of the third season of ''The Simpsons''
Wikipedia - Homer the Great -- Twelfth episode of the sixth season of ''The Simpsons''
Wikipedia - Homer the Heretic -- Third episode of the fourth season of ''The Simpsons''
Wikipedia - Homer vs. Dignity -- Fifth episode of the twelfth season of ''The Simpsons''
Wikipedia - Homoclinal ridge -- Ridge with a moderate sloping backslope and steeper frontslope
Wikipedia - Homoeodera -- Genus of beetles
Wikipedia - Homology modeling -- Method of protein structure prediction using other known proteins
Wikipedia - Honesty-humility factor of the HEXACO model of personality
Wikipedia - Honeysuckle Cottage -- 1925 short story by P. G. Wodehouse
Wikipedia - Hong Jong-hyun -- South Korean actor and model
Wikipedia - Honoka Yahagi -- Japanese actress and model (born 1997)
Wikipedia - Hooded crane -- Species of large bird from Asia
Wikipedia - Hooded dotterel -- Species of bird
Wikipedia - Hooded grebe -- Species of bird
Wikipedia - Hooded merganser -- Species of bird
Wikipedia - Hooded pitohui -- A passerine bird in the family Oriolidae from New Guinea
Wikipedia - Hooded robin -- Species of songbird native to Australia
Wikipedia - Hooded tinamou -- Species of bird
Wikipedia - Hooded visorbearer -- Species of bird
Wikipedia - Hooded warbler -- Species of bird
Wikipedia - Hoodening -- Folk custom from Kent, England
Wikipedia - Hope Dworaczyk -- American Playboy model
Wikipedia - Hope Point Tower -- Skyscraper in Rhode Idland, U.S.
Wikipedia - Hoplomorpha caminodes -- Species of moth
Wikipedia - Horacio de la Vega -- Mexican modern pentathlete
Wikipedia - Horacio Rivero Jr. -- First Puerto Rican four-star Admiral in the modern United States Navy
Wikipedia - Horacio Siburu -- Argentine modern pentathlete
Wikipedia - HordzieM-EM-< -- Village in Lublin Voivodeship, Poland
Wikipedia - Horizon (railcar) -- Single-level passenger railcar model
Wikipedia - Horst Stocker (pentathlete) -- Modern pentathlete
Wikipedia - Hospital emergency codes -- Coded messages often announced over a public address system of a hospital
Wikipedia - Hospitaller conquest of Rhodes
Wikipedia - Hot Blooded -- 1978 single by Foreigner
Wikipedia - Hot cathode -- Type of electrode
Wikipedia - Hotel (British TV series) -- BBC television episode
Wikipedia - Hotseat (multiplayer mode)
Wikipedia - Hot Water (novel) -- 1932 novel by P.G. Wodehouse
Wikipedia - Housen Mushema -- Ugandan model, actor
Wikipedia - House of Anubis -- Nickelodeon television series
Wikipedia - House of Merode -- European noble family
Wikipedia - Houston Livestock Show and Rodeo -- Held at NRG Stadium in Houston, Texas, US
Wikipedia - Hovevei Zion -- Forerunners and foundation-builders of modern Zionism
Wikipedia - Howard and Harold McBride -- fictional gay couple in the Nickelodeon series The Loud House
Wikipedia - HoYeon Jung -- South Korean model
Wikipedia - HP postcode area -- Postcode area within the United Kingdom
Wikipedia - Hranice Abyss -- Flooded sinkhole near the town of Hranice in the Czech Republic
Wikipedia - HR postcode area -- Postcode area within the United Kingdom
Wikipedia - HSL and HSV -- Alternative representations of the RGB color model
Wikipedia - HS postcode area -- Postcode area within the United Kingdom
Wikipedia - Hsu Wei-ning -- Taiwanese actress and model
Wikipedia - HSwMS Sodermanland (Sod) -- Swedish submarine
Wikipedia - HTTP 301 -- HTTP response status code
Wikipedia - HTTP 302 -- HTTP Status Code
Wikipedia - HTTP 403 -- HTTP status code indicating that access is forbidden to a resource
Wikipedia - HTTP 404 -- HTTP status code indicating that the resource was not found
Wikipedia - Htun Wai -- Burmese actor, model and singer|bot = PearBOT 5
Wikipedia - Huang Jingyu -- Chinese actor and model
Wikipedia - Hub (network science) -- Node with a number of links that greatly exceeds the average
Wikipedia - Huffman Code
Wikipedia - Huffyuv -- Lossless video codec
Wikipedia - Hugh Doherty (pentathlete) -- Australian modern pentathlete
Wikipedia - Hugh Spottiswoode -- English cricketer, printer, and businessman
Wikipedia - Hugh Watt (moderator) -- Scottish minister and historian
Wikipedia - Hugo Tetrode
Wikipedia - Human evolution -- Evolutionary process leading to anatomically modern humans
Wikipedia - Human performance modeling
Wikipedia - Human processor model
Wikipedia - Humberto Anguiano -- Mexican modern pentathlete
Wikipedia - Humberto Bedford -- Modern pentathlete
Wikipedia - Humboldtian model of higher education -- Concept of academic education
Wikipedia - Hunter McGrady -- American plus-size model
Wikipedia - Hunter Schafer -- American actress and model
Wikipedia - Hunter Tylo -- American actress, author, and model
Wikipedia - Huntington's disease -- Inherited neurodegenerative disorder
Wikipedia - HU postcode area -- Postcode area within the United Kingdom
Wikipedia - Hurdle model -- Class of statistical models
Wikipedia - Hwang Hyun-hee -- South Korean model and actress
Wikipedia - Hwang Woo-jin -- South Korean modern pentathlete
Wikipedia - HX postcode area -- Postcode area within the United Kingdom
Wikipedia - Hyacinthe Wodobode -- Central African politician
Wikipedia - Hyboderini -- Tribe of beetles
Wikipedia - Hydathode -- Water-secreting gland in plant leaf margins
Wikipedia - Hyderodes -- Genus of beetles
Wikipedia - Hydrodessus -- Genus of beetles
Wikipedia - Hydrological modeling
Wikipedia - Hylomyscus endorobae -- Species of rodent
Wikipedia - Hypenodes humidalis -- Species of moth
Wikipedia - Hypericum elodes -- Species of flowering plant in the St John's wort family Hypericaceae
Wikipedia - Hyperloop -- Proposed mode of passenger and freight transportation
Wikipedia - Hypermodernism (chess)
Wikipedia - Hypermodernity
Wikipedia - Hyperpersonal model
Wikipedia - Hyperreal number -- Element of a nonstandard model of the reals, which can be infinite or infinitesimal
Wikipedia - Hyphodermataceae -- Family of fungi
Wikipedia - Hypodermis
Wikipedia - Hypodessus -- Genus of beetles
Wikipedia - Hypolocrian mode -- Type of musical scale
Wikipedia - Hypomachilodes -- Genus of insects
Wikipedia - Hypomanic episode
Wikipedia - Hypothetico-deductive model
Wikipedia - Hyundai Excel -- Car model
Wikipedia - IaitM-EM-^M -- Japanese modern metal practice sword
Wikipedia - Ian Rhodes -- British sailor
Wikipedia - Ian Smith -- 20th-century Prime Minister of Rhodesia
Wikipedia - Ian Soellner -- Canadian modern pentathlete
Wikipedia - Ian Somerhalder -- American actor, model and director
Wikipedia - IAPM (mode)
Wikipedia - IAU code
Wikipedia - Ibife Alufohai -- Nigerian model and founder of miss polo international
Wikipedia - IBM 308X -- Series of IBM mainframe computer models from 1980s
Wikipedia - IBM 9020 -- Model of IBM mainframe specially designed for use in air traffic control
Wikipedia - IBM Db2 Family -- Relational model database server
Wikipedia - IBM High Level Assembler -- Modern assembler for programs on IBM's z/Architecture systems
Wikipedia - IBM Model F
Wikipedia - IBM Personal Computer -- Personal computer model released in 1981
Wikipedia - IBM PS/1 -- IBM home computer models, 1990-1994
Wikipedia - IBM Simon -- Smartphone model
Wikipedia - IBM System/360 Model 195 -- Discontinued mainframe computer system
Wikipedia - IBM System/360 Model 20
Wikipedia - IBM System/360 Model 22
Wikipedia - IBM System/360 Model 25
Wikipedia - IBM System/360 Model 30
Wikipedia - IBM System/360 Model 40
Wikipedia - IBM System/360 Model 44
Wikipedia - IBM System/360 Model 50
Wikipedia - IBM System/360 Model 65
Wikipedia - IBM System/360 Model 67 -- 1967 IBM mainframe model with virtual memory and 32-bit addressing
Wikipedia - IBM System/360 Model 75
Wikipedia - IBM System/360 Model 85
Wikipedia - IBM System 360 Model 91
Wikipedia - IBM System/360 Model 91
Wikipedia - IBM System/370 Model 168 -- Discontinued mainframe computer system
Wikipedia - IBM System Object Model -- Programming framework
Wikipedia - ICD-10-CM -- Diagnosis code system for use in the U.S.
Wikipedia - Ice in the Bedroom -- 1961 novel by P.G. Wodehouse
Wikipedia - Ichche Nodee -- Indian television series
Wikipedia - Ichthyodes -- Genus of beetles
Wikipedia - IC Mendoza -- Filipino actor, model, and television personality
Wikipedia - Icodextrin -- Pharmaceutical drug
Wikipedia - Icosidodecahedron
Wikipedia - Idaho Rodeo Hall of Fame -- Hall of Fame for Cowboys
Wikipedia - Ida Rhodes -- American mathematician
Wikipedia - Ideal gas -- Mathematical model which approximates the behavior of real gases
Wikipedia - I de gode, gamle dage -- 1940 film
Wikipedia - Idia Aisien -- Nigerian model and TV presenter
Wikipedia - Idiocolpodes -- Genus of beetles
Wikipedia - Idobi Radio -- Modern rock Internet radio station
Wikipedia - IEEE 1905 -- Multi-mode network enabler for home networking
Wikipedia - IEEE 802.11 (legacy mode)
Wikipedia - IEEE C2 -- IEEE standard for National Electrical Safety Code
Wikipedia - Iekeliene Stange -- Dutch model
Wikipedia - IETF language tag -- abbreviated language code defined by the Internet Engineering Task Force (IETF)
Wikipedia - Ieva SerapinaitM-DM-^W -- Lithuanian modern pentathlete
Wikipedia - Ieva SodeikienM-DM-^W -- Lithuanian dancer
Wikipedia - IFA F9 -- Eastern-bloc compact saloon car model
Wikipedia - I Feel You -- 1993 single by Depeche Mode
Wikipedia - If I Were You (Wodehouse novel) -- 1931 novel by P.G. Wodehouse
Wikipedia - Iga Wyrwal -- Polish actress and former glamour model
Wikipedia - Igor Feldman -- Kyrgyzstani modern pentathlete
Wikipedia - Igor Novikov (pentathlete) -- Soviet modern pentathlete
Wikipedia - Igor Warabida -- Polish modern pentathlete
Wikipedia - IG postcode area -- Postcode area within the United Kingdom
Wikipedia - Igrot Kodesh -- Book with letters by Menachem Mendel Schneerson
Wikipedia - Ihab El-Lebedy -- Egyptian modern pentathlete
Wikipedia - Ijebu Ode -- Place in Ogun, Nigeria
Wikipedia - Ilene Hamann -- South African actress and model
Wikipedia - Ilia Frolov -- Russian modern pentathlete
Wikipedia - Illegal opcode -- An undocumented CPU instruction that has an effect
Wikipedia - Illustrative model of greenhouse effect on climate change
Wikipedia - Il Messaggiere -- Newspaper published in Modena, Italy
Wikipedia - Imaan Hammam -- Dutch fashion model
Wikipedia - Image-based modeling and rendering
Wikipedia - Imagine (3D modeling software)
Wikipedia - Iman Jodeh -- American politician
Wikipedia - Iman (model) -- Somali model, actress, and entrepreneur
Wikipedia - Iman Perez -- French model and actress (born 1999)
Wikipedia - Imelda Schweighart -- German-Filipino model, singer-songwriter, composer, actress beauty queen
Wikipedia - I Melt with You -- 1982 single by Modern English
Wikipedia - Imielin -- Place in Silesian Voivodeship, Poland
Wikipedia - Immediate mode (computer graphics)
Wikipedia - Immodesty Blaize -- British dancer
Wikipedia - Immunodeficiency -- State in which the immune system's ability to fight infectious disease and cancer is compromised or absent
Wikipedia - Immunodeficiency with hyperimmunoglobulin M -- Rare disorder
Wikipedia - Imode, Nigeria -- Village in Nigeria
Wikipedia - Imogen Bailey -- Australian model, actress and singer
Wikipedia - Imogen Poots -- British actress and model (born 1989)
Wikipedia - Imogen Thomas -- Welsh model and television personality
Wikipedia - Imperial and Royal Highness -- Style; mode of address
Wikipedia - Implantable cardioverter-defibrillator -- Device implantable inside the body, able to perform cardioversion, defibrillation, and (in modern versions) pacing of the heart
Wikipedia - Impossible world -- Term used to model certain phenomena that cannot be adequately handled using ordinary possible worlds
Wikipedia - IM postcode area -- Postcode area within the United Kingdom
Wikipedia - Imre Nagy (pentathlete) -- Hungarian modern pentathlete
Wikipedia - Imre Tiidemann -- Estonian modern pentathlete
Wikipedia - Inanidrilus leukodermatus -- Species of annelid
Wikipedia - Incident pit -- Conceptual model for explaining incident development and recovery
Wikipedia - Incognito mode
Wikipedia - Incomptodessus -- Genus of beetles
Wikipedia - Incremental build model
Wikipedia - Incremental encoder
Wikipedia - Independence Commemorative Decoration -- Civil decoration of Rhodesia
Wikipedia - Independence Decoration (Rhodesia) -- Civil decoration of Rhodesia
Wikipedia - Index of modern Egypt-related articles -- Wikipedia index
Wikipedia - Index of modern philosophy articles -- Wikipedia index
Wikipedia - Index of Rhode Island-related articles -- Wikipedia index
Wikipedia - Indhira Serrano -- Colombian actress and model
Wikipedia - India Allen -- American model and actress
Wikipedia - Indiana Massara -- Australian singer, actress, model, and Internet personality
Wikipedia - Indian Financial System Code -- Unique identifier for a branch of a financial institution in India
Wikipedia - Indian National Finals Rodeo Hall of Fame -- Hall of Fame for Cowboys
Wikipedia - Indian Script Code for Information Interchange -- Coding scheme for Indian writing systems
Wikipedia - Indian Summer of an Uncle -- Short story by P. G. Wodehouse
Wikipedia - India Summer -- American pornographic actress and nude model (born 1975)
Wikipedia - Indiscretions of Archie -- 1921 short story collection by P.G. Wodehouse
Wikipedia - Indo-Semitic languages -- Obsolete linguistic hypothesis of a genetic relationship between Indo-European and Semitic; popular in the 19th century, but mostly rejected in modern times
Wikipedia - Indrani Dasgupta -- Indian model and television presenter
Wikipedia - Industrial National Bank Building -- Skyscraper in Providence, Rhode Island, US
Wikipedia - Industrial plasticine -- A modeling material which is mainly used by automotive design studios
Wikipedia - Industrial Relations Code, 2020 -- Act of Indian Parliament
Wikipedia - Indya Moore -- American actor and model
Wikipedia - Ines Rau -- French transgender model
Wikipedia - Ines Sainz -- Mexican model and sports journalist
Wikipedia - Ines Sastre -- Spanish model and actress
Wikipedia - Infinitesimal model -- Quantitative genetic model developed by Ronald Fisher in 1918
Wikipedia - Information modeling
Wikipedia - Information Modelling
Wikipedia - Information model
Wikipedia - Information visualization reference model
Wikipedia - Informative modelling
Wikipedia - Infoshop -- A space that serves as a node for the distribution of political, subcultural and radical information
Wikipedia - Infrastructure as code
Wikipedia - Ingamoder
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Wikipedia - Ingrid Bethke -- German model and beauty queen
Wikipedia - Ingrid - Die Geschichte eines Fotomodells -- 1955 film
Wikipedia - Ingrid Finger -- German model and beauty queen
Wikipedia - Ingrid Goude -- Swedish actress and model
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Wikipedia - Ingvar Berg -- Swedish modern pentathlete
Wikipedia - INK (operating system) -- Operating system that runs on the input output nodes of the IBM Blue Gene supercomputer
Wikipedia - Inlay (guitar) -- Decorative material set into the wooden surface
Wikipedia - Inner model theory
Wikipedia - Inner model
Wikipedia - Inode pointer structure -- Hierarchy/layout for directing inodes in a Unix File System
Wikipedia - Inode -- Data structure describing a file-system object (e.g. file, directory) that stores the attributes and disk block location(s) of the object data
Wikipedia - INSEE code
Wikipedia - Institute for Health Metrics and Evaluation COVID model -- Infectious disease model
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Wikipedia - Instruction decoder
Wikipedia - Integrated Enterprise Modeling
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Wikipedia - Intel 80286 -- Microprocessor model
Wikipedia - Intellectual disability -- Generalized neurodevelopmental disorder
Wikipedia - Intel Management Engine -- Firmware and software that runs on all modern Intel CPUs at a higher level than user-facing operating system
Wikipedia - Interbreeding between archaic and modern humans -- Evidence of human hybridization during the Middle Paleolithic and early Upper Paleolithic
Wikipedia - Interdisciplinary Centre for Mathematical and Computational Modelling -- Supercomputing and research data centre
Wikipedia - Interleaved 2 of 5 -- Type of barcode
Wikipedia - Intermediate code generation
Wikipedia - Intermediate code
Wikipedia - Intermediate disturbance hypothesis -- Model proposing regional biodiversity is increased by a moderate level of ecological disturbance
Wikipedia - Internal Family Systems Model -- Psychotherapy model
Wikipedia - Internal node
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Wikipedia - Internal Working Model of Attachment
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Wikipedia - International Code of Nomenclature for algae, fungi, and plants -- Code of scientific nomenclature
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Wikipedia - International Code of Zoological Nomenclature -- Code of scientific nomenclature for animals
Wikipedia - International Components for Unicode
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Wikipedia - Internationalized country code top-level domain -- Special type of top-level domain
Wikipedia - Internationalized Resource Identifier -- Resource Description Framework node within an RDF graph; is a Unicode string that conforms to the syntax defined in RFC 3987
Wikipedia - International Journal of Geometric Methods in Modern Physics -- Journal
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Wikipedia - International Obfuscated C Code Contest -- Computer programming contest
Wikipedia - International scientific vocabulary -- Scientific and specialized words in current use in several modern languages
Wikipedia - International Standard Atmosphere -- Atmospheric model
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Wikipedia - International Standard Recording Code -- International standard code for uniquely identifying sound recordings and music video recordings
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Wikipedia - International Standard University Code -- International Standard University Code
Wikipedia - International Style (architecture) -- Type of modernist architecture
Wikipedia - International System of Units -- Modern form of the metric system
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Wikipedia - International vehicle registration code -- Codes used to identify where a vehicle is registered
Wikipedia - Internet Low Bitrate Codec -- Audio coding format
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Wikipedia - Interstate 195 (Rhode Island-Massachusetts) -- Highway in Rhode Island and Massachusetts
Wikipedia - Interstate 295 (Rhode Island-Massachusetts) -- Interstate Highway in Rhode Island and Massachusetts
Wikipedia - Interstate 895 (Rhode Island-Massachusetts) -- Former proposed Interstate Highway in Rhode Island and Massachusetts
Wikipedia - Interstate 95 in Rhode Island -- Section of Interstate Highway in Washington, Kent, and Providence counties in Rhode Island, United States
Wikipedia - Introduction to the Theory of Error-Correcting Codes
Wikipedia - Intron -- Sequence within a gene or mRNA that does not code for the amino acid sequence of a protein
Wikipedia - IPad Pro (3rd generation) -- 2018 Apple iPad Pro model
Wikipedia - IPad Pro (4th generation) -- 2020 Apple iPad Pro model
Wikipedia - IP Code
Wikipedia - IPhone 3GS -- Group of smartphone models produced by Apple Inc.
Wikipedia - IPhone 7 -- Group of smartphone models developed by Apple Inc.
Wikipedia - IPhone 8 -- Group of eleventh-generation smartphone models produced by Apple Inc.
Wikipedia - IP postcode area -- Postcode area within the United Kingdom
Wikipedia - IPv6 address -- Label to identify a network interface of a computer or other network node
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Wikipedia - Ireland Baldwin -- American fashion model and actress
Wikipedia - Irena Pantelic -- Dutch model
Wikipedia - Irene Brown -- British codebreaker
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Wikipedia - Iribarren number -- A dimensionless parameter used to model several effects of breaking surface gravity waves on beaches and coastal structures.
Wikipedia - Irina Baeva -- Russian model and actress
Wikipedia - Irina Kiseleva -- Soviet modern pentathlete
Wikipedia - Irina Kovalenko -- Russian model
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Wikipedia - Irina Shayk -- Russian model
Wikipedia - Iron Gates Mesolithic -- Mesolithic archaeological culture, dating to between 11,000 and 3,500 years BCE, in the Iron Gates region of the Danube River, in modern Romania and Serbia
Wikipedia - Ironopolia stygnodes -- Species of moth
Wikipedia - Irssi -- Text-mode IRC client
Wikipedia - Iryna Khokhlova -- Ukrainian / Argentine modern pentathlete
Wikipedia - Iryna Prasiantsova -- Belarusian modern pentathlete
Wikipedia - Isabela Souza -- Brazilian actress and model
Wikipedia - Isabel Brand -- Guatemalan modern pentathlete
Wikipedia - Isabel Fillardis -- Brazilian actress and model
Wikipedia - Isabeli Fontana -- Brazilian fashion model
Wikipedia - Isabella Calthorpe -- English socialite, actress and model
Wikipedia - Isabella Isaksen -- American modern pentathlete
Wikipedia - Isabella von Thurn und Valsassina-Como-Vercelli -- Austrian model, socialite, and noblewoman
Wikipedia - Isabelle Caro -- French actress and model
Wikipedia - Isabelle Corey -- French actress and model
Wikipedia - Isabelle Daza -- Filipina actress, television host and model
Wikipedia - Isabel Oli -- Filipino actor and model
Wikipedia - Isacanthodes -- Genus of beetles
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Wikipedia - Isha Rikhi -- Indian actress and model
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Wikipedia - Ishita Chauhan -- Indian film actress and model
Wikipedia - Ishita Dutta -- Indian actress and model
Wikipedia - Ising model -- Mathematical model of ferromagnetism in statistical mechanics
Wikipedia - Isio De-laVega Wanogho -- Nigerian supermodel, columnist, painter and interior architect
Wikipedia - Isis King -- American model, actress, and fashion designer
Wikipedia - Iskra Lawrence -- British model
Wikipedia - Islam and modernity
Wikipedia - Islamic feminist views on dress codes -- Women dress codes and Islam
Wikipedia - Islamic Modernism
Wikipedia - Islamic modernism -- Attempts to reconcile Islamic faith with modern values such as democracy, civil rights, rationality, equality, and progress
Wikipedia - Islamic modernist
Wikipedia - IS/LM model
Wikipedia - Ismael Hernandez (pentathlete) -- Mexican modern pentathlete
Wikipedia - Ismini Dafopoulou -- Greek model
Wikipedia - ISO 15924 -- defines two sets of codes for a number of writing systems
Wikipedia - ISO 3166-1 alpha-2 -- RFCtwo-letter country codes defined in ISO 3166-1
Wikipedia - ISO 3166-1 alpha-3 -- Three-letter country codes defined in ISO 3166-1
Wikipedia - ISO 3166-1 numeric -- Three-digit numeric code to identify countries
Wikipedia - ISO 3166-3 -- Part of the ISO 3166 standard: Code for formerly used names of countries
Wikipedia - ISO 3166 -- Standard codes for geographical names
Wikipedia - ISO 639-1 -- International standard two-letter codes identifying major languages
Wikipedia - ISO 639-2 -- International standard for three-letter codes identifying languages
Wikipedia - ISO 639-3 -- International standard for three-letter codes identifying languages
Wikipedia - ISO 639:i -- List of ISO 639-3 language codes starting with I
Wikipedia - ISO 9362 -- ISO standard defining Business Identifier Codes assigned by SWIFT
Wikipedia - Issa Lish -- Mexican female model
Wikipedia - Istvan Mona -- Hungarian modern pentathlete
Wikipedia - Istvan Szondy -- Hungarian modern pentathlete
Wikipedia - Isuzu VehiCROSS -- Car model
Wikipedia - Italian Empire -- Italy during the era of modern European imperialism
Wikipedia - IT as a service -- Business model for providing information technology
Wikipedia - Itchy & Scratchy Land -- Fourth episode of the sixth season of ''The Simpsons''
Wikipedia - Itchy & Scratchy: The Movie -- Sixth episode of the fourth season of ''The Simpsons''
Wikipedia - It's No Good -- 1997 single by Depeche Mode
Wikipedia - It Takes You Away -- Doctor Who episode
Wikipedia - Itthipat Thanit -- Thai actor and model
Wikipedia - Ivana MiliM-DM-^Mevic -- Serbian-American actress and model
Wikipedia - Ivan Apostolov (pentathlete) -- Modern pentathlete
Wikipedia - Ivana Znidaric -- Croatian model
Wikipedia - Ivan Deriuhin -- Soviet modern pentathlete
Wikipedia - Ivan Dorschner -- Filipino American actor, television host and model
Wikipedia - Ivan Duranthon -- French modern pentathlete
Wikipedia - Ivan Ortega -- Mexican modern pentathlete
Wikipedia - Ivan Sanchez -- Spanish actor, model, and filmmaker
Wikipedia - Ivar Sisniega -- Mexican modern pentathlete
Wikipedia - Iveta Lutovska -- Czech model, presenter and Czech beauty pageant titleholder
Wikipedia - Ivian Sarcos -- Venezuelan model and beauty queen
Wikipedia - Ivonne Orsini -- Puerto Rican model
Wikipedia - IV postcode area -- Postcode area within the United Kingdom
Wikipedia - Ivrea Codex
Wikipedia - Ivy Chen -- Taiwanese actress and model
Wikipedia - Iwa Moto -- Filipina actress, model and reality television personality
Wikipedia - Iway -- Highway construction project in Rhode Island
Wikipedia - Ixodes pacificus -- Species of arachnid
Wikipedia - Iyengar Yoga -- school of modern yoga
Wikipedia - Izabel Goulart -- Brazilian model
Wikipedia - Izabelle Leite -- Brazilian film actress and model
Wikipedia - Iza Calzado -- Filipino actress, television host, dancer, and model
Wikipedia - Izumi Mori -- Japanese model and tarento
Wikipedia - Jaap Bakema -- Dutch modernist architect
Wikipedia - Jaap Schroder -- Dutch musician
Wikipedia - Jack Alexander -- Canadian modern pentathlete
Wikipedia - Jack Armstrong (artist) -- American artist, ex-model and jeweler
Wikipedia - Jack Broderick -- Canadian lacrosse player
Wikipedia - Jackie Rice -- Filipino actor and model
Wikipedia - Jackie Siegel -- American socialite, model, actress and beauty pageant director
Wikipedia - Jack Lumsden -- Modern pentathlete
Wikipedia - Jack Malloch -- South African-born Rhodesian pilot, ''sanctions-buster'' and entrepreneur
Wikipedia - Jackobson's Communication Model
Wikipedia - Jack Rabbit (Seabreeze) -- Wooden roller coaster
Wikipedia - Jack Reed (Rhode Island politician) -- American politician and U.S. Senator from Rhode Island
Wikipedia - Jackson Sundown -- American rodeo performer
Wikipedia - Jack William Roderick
Wikipedia - Jacob Bixenman -- American model, photographer and filmmaker
Wikipedia - Jacobs Crawley -- American professional rodeo cowboy
Wikipedia - Jacob Soderman -- Finnish politician
Wikipedia - Jacob Soderqvist -- Swedish snowboarder
Wikipedia - Jacob wrestling with the angel -- An episode from Genesis
Wikipedia - Jacqueline Roque -- French model
Wikipedia - Jacques Bilodeau -- Canadian former diplomat
Wikipedia - Jacques Brodeur -- Canadian biologist
Wikipedia - Jacques De Wykerslooth De Rooyesteyn -- Belgian modern pentathlete
Wikipedia - Jade Cargill -- American professional wrestler and fitness model
Wikipedia - Jade Foret -- Belgian model
Wikipedia - Jade Jagger -- English model
Wikipedia - Jade Rhodes -- American softball player
Wikipedia - Jagadeesh Moodera
Wikipedia - Jaguar E-Type -- Car model
Wikipedia - Jaime Augusto Mayol -- Puerto Rican model and TV presenter, Manhunt International 2006 winner
Wikipedia - Jaime Bergman -- American model and actress
Wikipedia - Jaimee Foxworth -- American actress and model
Wikipedia - Jaime King -- American actress and model
Wikipedia - Jaime Lopez (pentathlete) -- Spanish modern pentathlete
Wikipedia - Jaime Pressly -- American actress, model, producer
Wikipedia - Jaishree Odin -- Post-modern literary theorist
Wikipedia - Jak Roberto -- Filipino actor, model and singer
Wikipedia - Jam block -- Modern percussion instrument
Wikipedia - James Bodell -- English-born soldier, businessman, local politician and writer from New Zealand
Wikipedia - James Cooke (pentathlete) -- British modern pentathlete
Wikipedia - James E. Dunne -- Mayor of Providence, Rhode Island, US
Wikipedia - James Haley (pentathlete) -- Modern pentathlete
Wikipedia - James Langevin -- U.S. Representative from Rhode Island
Wikipedia - James Ma -- Thai actor and model
Wikipedia - James Melvin Rhodes
Wikipedia - James Moore (pentathlete) -- American modern pentathlete
Wikipedia - James M. Strode -- 19th century American militiaman and state politician
Wikipedia - Jameson Blake -- American Actor, Dancer, Model and Television personality
Wikipedia - James Patrick Broderick
Wikipedia - James Roderick Johnston Cameron -- Scottish surgeon
Wikipedia - James Seveney -- US Senator for Rhode Island
Wikipedia - James Sodetz -- American biologist
Wikipedia - James Sorensen -- Australian model-actor
Wikipedia - James Teng -- Filipino teen actor and model
Wikipedia - Jamie Bochert -- American musician and model
Wikipedia - Jamie Brewer -- American actress and model
Wikipedia - Jamie Clayton -- American actress and model
Wikipedia - Jamie Dornan -- Actor, model, and musician from Northern Ireland
Wikipedia - Jamie Eason -- American fitness model and writer
Wikipedia - Jamie Gray Hyder -- American actress and model
Wikipedia - Jamie Lee Darley -- American model
Wikipedia - Jamie Peck (podcaster) -- American writer, podcaster, model
Wikipedia - Jamie Solinger -- American beauty queen and model (born 1975)
Wikipedia - Jana Beller -- Russian German model
Wikipedia - Jana Bode -- German luger
Wikipedia - Jana Lund -- US model, actress and singer
Wikipedia - Jan BartM-EM-/ -- Czech modern pentathlete
Wikipedia - Jan Bekkenk -- Dutch modern pentathlete
Wikipedia - Jane Birkin -- English recording artist, actress, and model
Wikipedia - Jane De Leon -- Filipina teen dancer, actress, singer and model
Wikipedia - Janee Michelle -- American actress and model
Wikipedia - Jane Fawcett -- Code-breaker, singer, and preservationist
Wikipedia - Jane Forth -- American actress and model
Wikipedia - Janelle Commissiong -- Trinidadian politician and model
Wikipedia - Jane Morris -- English embroiderer and artists' model
Wikipedia - Jane Oineza -- Filipino actress, commercial model and singer
Wikipedia - Jane Randall -- American model
Wikipedia - Jane Rhodes -- French opera singer
Wikipedia - Jan-Erik Danielsson -- Swedish modern pentathlete
Wikipedia - Jane Russell -- American actress and model
Wikipedia - Jane Teoh -- Malaysian model and beauty pageant titleholder
Wikipedia - Janet Landgard -- American actress and model
Wikipedia - Janet Lilly -- American modern dancer
Wikipedia - Janet M-CM-^Egren -- Swedish actress and model
Wikipedia - Janet Smith (Rhodesia) -- Teacher, wife of Ian Smith, PM of Rhodesia
Wikipedia - Jan Frodeno -- German triathlete
Wikipedia - Jang Eui-soo -- South Korean actor and model
Wikipedia - Jang Hee-ryung -- South Korean actress and model
Wikipedia - Jang Keun-suk -- South Korean actor, singer and model
Wikipedia - Jang Ki-yong -- South Korean model and actor
Wikipedia - Jang Mi-kwan -- South Korean model and actor
Wikipedia - Jang Yoon-ju -- South Korean model
Wikipedia - Janice de Belen -- Filipino actor and model
Wikipedia - Janice Man -- Hong Kong actress and fashion model
Wikipedia - Janice Pennington -- American model
Wikipedia - Janine Gutierrez -- Filipina actress, television host and commercial model
Wikipedia - Janine Kohlmann -- German modern pentathlete
Wikipedia - Jan Joosten van Lodensteijn -- Dutch sailor
Wikipedia - Jan Kuf -- Czech modern pentathlete
Wikipedia - Jan Olesinski -- Polish modern pentathlete
Wikipedia - Janos Bodi -- Hungarian modern pentathlete
Wikipedia - Janos Martinek -- Hungarian modern pentathlete
Wikipedia - Jan Scheere -- Modern pentathlete
Wikipedia - January Jones -- American actress and model
Wikipedia - Janusz Pyciak-Peciak -- Polish modern pentathlete
Wikipedia - Jan Van Dyke -- American modern dancer
Wikipedia - Jan Youren -- American rodeo performer
Wikipedia - Japanese army and diplomatic codes -- Ciphers and codes used up to and during World War II
Wikipedia - Japanese clothing -- Japanese clothing, traditional and modern
Wikipedia - Japanese naval codes -- Ciphers used by the Imperial Japanese Navy in World War II
Wikipedia - Jari Jones -- American actor, filmmaker, model, and Transgender LGBTQ rights activist
Wikipedia - Jarlsberg Tunnel -- Runs through FrodeM-CM-%sen in Tonsberg, Norway
Wikipedia - Jas Arora -- Indian model and Bollywood actor
Wikipedia - Jaslene Gonzalez -- Puerto Rican model
Wikipedia - Jasmine Avasia -- Indian television actress and model
Wikipedia - Jasmine Curtis-Smith -- Australian-Filipina actress, dancer, endorser, writer and commercial model
Wikipedia - Jasmine Guinness -- Irish model, designer and Guinness heiress
Wikipedia - Jasmine Tookes -- American model
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Wikipedia - Jason Momoa -- American actor and model
Wikipedia - Jass Bhatia -- Indian actor and model
Wikipedia - Jathara Parivartanasana -- reclining twisting posture in modern yoga
Wikipedia - Java byte code
Wikipedia - Java bytecode
Wikipedia - Java Modeling Language
Wikipedia - Java Platform Module System -- Distribution format for Java code and resources
Wikipedia - Jawaharlal Nehru National Urban Renewal Mission -- 2005-2014 city-modernisation scheme in India
Wikipedia - Jawahar Navodaya Vidyalaya, Kozhikode -- School in Kozhikode district, Kerala, India
Wikipedia - Jawahir Ahmed -- Somali-American model
Wikipedia - Jax Taylor -- American television personality, model, and actor
Wikipedia - Jaya Ahsan -- Bangladeshi model and actress
Wikipedia - Jayne Mansfield -- American actress, singer, model
Wikipedia - Jay R -- Filipino American singer-songwriter, actor, record producer and model
Wikipedia - Jazz Ocampo -- Filipina actress and commercial model
Wikipedia - JC de Vera -- Filipino actor, host and model
Wikipedia - J-CODE
Wikipedia - Jean Bellette -- Australian modernist painter (1908 - 1991)
Wikipedia - Jean Bodel
Wikipedia - Jean Briggs Watters -- WWII codebreaker
Wikipedia - Jean Campbell (model) -- British fashion model
Wikipedia - Jean-Claude Hamel (pentathlete) -- Modern pentathlete
Wikipedia - Jean de Mas Latrie -- Fencer, modern pentathlete
Wikipedia - Jean Dickey -- American geodesist and particle physicist
Wikipedia - Jeanette Malm -- Swedish modern pentathlete
Wikipedia - Jean-Louis Guignabodet -- French motorcycle racer
Wikipedia - Jean-Luc Bilodeau -- Canadian actor
Wikipedia - Jean-Marc Todeschini -- French politician
Wikipedia - Jean Maxence Berrou -- French modern pentathlete
Wikipedia - Jean Mode -- American burlesque performer
Wikipedia - Jean Mondielli -- French modern pentathlete
Wikipedia - Jeanne Chinn -- American actress and model
Wikipedia - Jeannie Hsieh -- Taiwanese singer-songwriter, dancer, actress, and model
Wikipedia - Jean-Pierre Giudicelli -- French modern pentathlete
Wikipedia - Jean-Pierre Godefroy -- French politician
Wikipedia - Jean Rhodes -- American psychologist and author
Wikipedia - Jean Shrimpton -- English model and actress
Wikipedia - Jean Wooden Cunningham -- American politician and lawyer
Wikipedia - Jeenu Mahadevan -- Norwegian male mode
Wikipedia - Jeep Commander (XK) -- American car model
Wikipedia - Jeep DJ -- Truck model
Wikipedia - Jeep Grand Cherokee (ZJ) -- American car model
Wikipedia - Jeep Grand Commander -- American car model
Wikipedia - Jeep SJ -- American car model platform
Wikipedia - Jeeves and the Feudal Spirit -- 1954 novel by P.G. Wodehouse
Wikipedia - Jeeves in the Offing -- 1960 novel by P.G. Wodehouse
Wikipedia - Jeeves in the Springtime -- Short story by P.G. Wodehouse
Wikipedia - Jeeves -- Fictional character in stories by P.G. Wodehouse
Wikipedia - Jeff Blynn -- American former actor and model
Wikipedia - Jeffree Star -- American singer-songwriter, make-up artist, fashion designer, internet personality and model
Wikipedia - Jeffrey Bowyer-Chapman -- Canadian actor and model
Wikipedia - Jeffrey MacDougall -- British modern pentathlete
Wikipedia - JEL classification codes
Wikipedia - Jelena Jensen -- American pornographic actress and model (born 1981)
Wikipedia - JeM-DM- -- Latvian modern pentathlete
Wikipedia - Jemima Osunde -- Nigerian actress & model
Wikipedia - Jemma Baines -- South Australian fashion model
Wikipedia - Jenna Jameson -- American entrepreneur, webcam model, and pornographic actress
Wikipedia - Jenna Loder -- Canadian curler
Wikipedia - Jenn Cuneta -- Filipino singer, actress, and model
Wikipedia - Jennifer Antony -- Indian actress and model
Wikipedia - Jennifer Beals -- American actress and model
Wikipedia - Jennifer Chu -- American model
Wikipedia - Jennifer Colon -- Puerto Rican model and beauty pageant titleholder
Wikipedia - Jennifer England -- American model and actress
Wikipedia - Jennifer Gimenez -- American model and actress
Wikipedia - Jennifer Hawkins -- Australian model, presenter, and beauty queen
Wikipedia - Jennifer Morrison -- American actress, model, producer
Wikipedia - Jennifer O'Neill -- American actress and model
Wikipedia - Jennifer Pahlka -- American businesswoman; founder and Executive Director of Code for America
Wikipedia - Jenny Boyd -- English model
Wikipedia - Jenny Hiloudaki -- Greek model
Wikipedia - Jenny Kim -- South Korean model
Wikipedia - Jenny McCarthy -- American actress, model, television host, author, anti-vaccine activist and screenwriter
Wikipedia - Jens Boden -- German speed skater
Wikipedia - Jens Knossalla -- German entertainer and moderator
Wikipedia - Jens Lohmann -- Mexican modern pentathlete
Wikipedia - Jeong Gyeong-hun -- Modern pentathlete
Wikipedia - Jeon Jun-hyeok -- South Korean actor and model
Wikipedia - JE postcode area -- Postcode area within the United Kingdom
Wikipedia - Jeremy Clarke (governor) -- Rhode Island colonial president
Wikipedia - Jeremy Meeks -- American model and convicted felon
Wikipedia - Jerome Hartigan -- Modern pentathlete
Wikipedia - Jerome Ponce -- Filipino actor and model
Wikipedia - Jerry Yan -- Taiwanese actor, model, and singer
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Wikipedia - Jervis Percy -- British modern pentathlete
Wikipedia - Jesinta Franklin -- Australian model
Wikipedia - Jesper Odelberg -- Swedish comedian
Wikipedia - Jessica Biel -- American actress, model, producer, and singer
Wikipedia - Jessica Caban -- American fashion model and actress
Wikipedia - Jessica Clarke (model) -- New Zealand model
Wikipedia - Jessica Hahn -- American model and actor
Wikipedia - Jessica Kiper -- American actress, singer, and model
Wikipedia - Jessica Melbourne-Thomas -- Marine ecologist and ecosystem modeller
Wikipedia - Jessica Trisko-Darden -- Canadian academic, activist, former model and beauty queen
Wikipedia - Jessica Van Der Steen -- Belgian fashion model
Wikipedia - Jessus Zambrano -- Venezuelan actor, model, and male beauty pageant titleholder
Wikipedia - Jess Wright -- English television personality, model, singer and businesswoman
Wikipedia - Jesus Centeno -- Modern pentathlete
Wikipedia - Jesus Luz -- Brazilian fashion model and disc jockey
Wikipedia - JetUML -- Simple Unified Modeling Language
Wikipedia - Jewish fundamentalism -- Jewish anti-modernist movements based on biblical literalism
Wikipedia - Jewish Renewal -- Movement to reinvigorate modern Judaism with Kabbalistic, Hasidic, musical and meditative practices
Wikipedia - Jeymmy Vargas -- Colombian model, actress, and beauty queen
Wikipedia - Jhataleka Malhotra -- Indian model and beauty queen
Wikipedia - Jiggly Caliente -- Filipino-American drag performer, singer, model, actress, and transgender activist
Wikipedia - Jihane Almira Chedid -- Indonesian People's Consultative Assembly Ambassador, actress, model and beauty pageant titleholder
Wikipedia - Ji Ha-yoon -- South Korean actress and model
Wikipedia - Jill Adams -- English actress, artist and fashion model
Wikipedia - Jillianne Code -- Canadian researcher and learning scientist
Wikipedia - Jill Kortleve -- Dutch model
Wikipedia - Jill the Reckless -- 1920 novel by P.G. Wodehouse
Wikipedia - Jill Vedder -- American philanthropist, activist and former fashion model
Wikipedia - Jilly Johnson -- British glamour model and singer
Wikipedia - JiM-EM-^Yi Kodet -- Czech actor
Wikipedia - JiM-EM-^Yi Prokopius -- Modern pentathlete
Wikipedia - Jim Fox (pentathlete) -- British modern pentathlete
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Wikipedia - Jimmy Jean-Louis -- Haitian actor and model
Wikipedia - Jimmy Nanda -- Indian actress and model
Wikipedia - Jim Rhodes (golfer) -- English golfer
Wikipedia - Jim Rose Circus -- Modern-day version of a circus sideshow
Wikipedia - Jim Shoulders -- American rodeo performer
Wikipedia - JindM-EM-^Yich Lepiere -- Modern pentathlete
Wikipedia - Jinri Park -- Korean model and DJ
Wikipedia - Jins Baskar -- Indian film actor and model
Wikipedia - Jirayu Tangsrisuk -- Thai actor, model, and singer (born 1983)
Wikipedia - JirM-EM-^M Dan -- Japanese actor, singer and model
Wikipedia - Jivamukti Yoga -- A school of modern yoga
Wikipedia - J. L. M. Van Loocke -- Modern pentathlete
Wikipedia - JM de Guzman -- Filipino actor, mixed martial artist, model and singer
Wikipedia - Joachim Cooder -- American percussionist
Wikipedia - Joan B. Broderick -- Professor of chemistry and biochemistry at Montana State University
Wikipedia - Joan Bennett Kennedy -- First wife of Ted Kennedy; American socialite, musician, author, and former model
Wikipedia - Joan Boocock Lee -- British-American model
Wikipedia - Joanna Lumley -- British actress and former model
Wikipedia - Joanne Arnold -- American actress and model
Wikipedia - Joanne Borgella -- American model and singer
Wikipedia - Joanne Da Cunha -- Indian actress, singer and model
Wikipedia - Joan Pedrola -- Spanish male model
Wikipedia - Joan Severance -- American model and actress
Wikipedia - Joan Smalls -- Puerto Rican model
Wikipedia - Joan Staley -- American model and actress
Wikipedia - Joao Catarre -- Portuguese actor and model
Wikipedia - Joaquim Roderbourg -- Brazilian sailor
Wikipedia - Joaquin Villalba -- Modern pentathlete
Wikipedia - Job demands-resources model
Wikipedia - Jocelyn Oxlade -- Filipino-British singer, model and make up artist
Wikipedia - Jock Alves -- Rhodesian epidemiologist and politician, mayor of Salisbury
Wikipedia - Jock Thompson (cricketer) -- Rhodesia cricketer and soldier
Wikipedia - Jo Collins -- American model
Wikipedia - Jodeci -- American R&B Band
Wikipedia - Jodeen Carney -- Australian politician
Wikipedia - Jodee Nimerichter -- American arts administrator
Wikipedia - Jodeldiplom -- A fictitious degree
Wikipedia - Jodelle Ferland -- Canadian actress
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Wikipedia - Jodenbreestraat -- Street in Amsterdam
Wikipedia - Jodeyne Higgins -- Canadian pair skater
Wikipedia - Jodi Anasta -- Australian actress and model
Wikipedia - Jodie Turner-Smith -- British model and actress
Wikipedia - Jodi Lyn O'Keefe -- American actress and model
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Wikipedia - Joe Choong -- British modern pentathlete
Wikipedia - Joe Hosteen Kellwood -- US Marine, Navajo code talker
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Wikipedia - Johan Forssell (politician, born 1979) -- Swedish Moderate Party politician
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Wikipedia - Johann Elert Bode
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Wikipedia - Johannes van der Horst -- Dutch modern pentathlete
Wikipedia - Johan Skjoldager -- Modern pentathlete
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Wikipedia - John Barlow (entomologist) -- American dean of University of Rhode Island
Wikipedia - John B. Goodenough -- American solid-state physicist and academic
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Wikipedia - John Bodey
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Wikipedia - John de Northwode
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Wikipedia - John Fitzgerald (pentathlete) -- American modern pentathlete
Wikipedia - John Gabalas -- Lord of Rhodes, ''megas doux'' of the Empire of Nicaea
Wikipedia - John Goodenough
Wikipedia - John Gooders -- British writer
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Wikipedia - John Harold Rhodes -- Recipient of the Victoria Cross
Wikipedia - John Hewitt (pentathlete) -- British modern pentathlete
Wikipedia - John Howard Yoder
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Wikipedia - John Keats's 1819 odes
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Wikipedia - John Morrill (historian) -- Historian of early-modern Britain
Wikipedia - Johnny B. Goode (album) -- Album by Jimi Hendrix
Wikipedia - Johnny B. Goode -- Song by Chuck Berry
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Wikipedia - John Plagis -- Southern Rhodesian WWII flying ace (1919-1974)
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Wikipedia - John Rodenburg
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Wikipedia - John Scott Dance -- Modern dance company based in Dublin, Ireland
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Wikipedia - Johnston, Rhode Island
Wikipedia - John Strode (died 1581) -- 16th-century English politician
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Wikipedia - John Wodehouse, 4th Earl of Kimberley -- British peer and politician
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Wikipedia - Kozhikkode Lighthouse -- Lighthouse in Kerala, India
Wikipedia - Kozhikode district -- District of Kerala state, in India
Wikipedia - Kozhikode (Lok Sabha constituency) -- Lok Sabha Constituency in Kerala, India
Wikipedia - Kozhikode
Wikipedia - KPBT-TV -- PBS member station in Odessa, Texas
Wikipedia - KPEJ-TV -- Fox affiliate in Odessa, Texas
Wikipedia - KQLM -- Radio station in Odessa, Texas
Wikipedia - Kraunchasana -- A seated posture in modern yoga
Wikipedia - Krechet-94 -- Russian spacesuit model
Wikipedia - KRIL -- Former radio station in Odessa, Texas
Wikipedia - Kris Odegard -- Canadian racquetball player
Wikipedia - Krissann Barretto -- Indian television actress and model
Wikipedia - Krista Allen -- American model and actress
Wikipedia - Kristanna Loken -- American actress and model
Wikipedia - Krister Soderqvist -- Swedish sailor
Wikipedia - Kristina Boden -- American film and television editor
Wikipedia - Kristina Pimenova -- Russian model
Wikipedia - Kristina Romanova -- Russian fashion model and activist
Wikipedia - Kristina Ruisanchez -- Puerto Rican model
Wikipedia - Kristina Soderbaum -- Swedish-German actress
Wikipedia - Kristin Darnell -- American model and actress
Wikipedia - Kristine DeBell -- American actress and model
Wikipedia - Kristine Froseth -- American and Norwegian actress and model
Wikipedia - Kristin Rhodes -- American strength athlete
Wikipedia - Kroderen (lake) -- Lake in FlM-CM-% and Krodsherad, Buskerud, Norway
Wikipedia - Krystal Okeke -- Nigerian model, journalist and philanthropist
Wikipedia - Krysten Ritter -- American actress, musician, author, and model
Wikipedia - Krzyszczewo -- Village in Greater Poland Voivodeship, Poland
Wikipedia - Ksenia Sukhinova -- Russian model, actress, presenter, and beauty queen
Wikipedia - Kseniya Alexandrova -- Russian model
Wikipedia - KTLE-LD -- Telemundo affiliate in Odessa, Texas
Wikipedia - KTM 1190 RC8 -- Motorcycle model
Wikipedia - KT postcode area -- Postcode area within the United Kingdom
Wikipedia - Kubbra Sait -- Indian actress, television host, and model
Wikipedia - Kuksha of Odessa
Wikipedia - Kumi Sasaki (idol) -- Japanese singer and model
Wikipedia - Kunstmuseum Stuttgart -- Contemporary and modern art museum in Stuttgart, Germany
Wikipedia - Kunzang Choden (sport shooter) -- Bhutanese sports shooter
Wikipedia - Kunzang Choden -- Bhutanese writer
Wikipedia - Kurt Bodewig -- German politician of the SPD
Wikipedia - Kurt Godel -- logician and mathematician
Wikipedia - Kurt Kluxen -- German historian of modern age
Wikipedia - Kurt Loder -- American film critic, author, columnist, and television personality
Wikipedia - Kuru (disease) -- Very rare, incurable and fatal neurodegenerative disorder that was formerly common among the Fore people of Papua New Guinea. Kuru is a form of transmissible spongiform encephalopathy (TSE)
Wikipedia - Kushal Tandon -- Indian model and actor
Wikipedia - Kuspuk -- Alaskan hooded overshirt
Wikipedia - KUVS-DT -- Univision TV station in Modesto, California
Wikipedia - Kuyavian-Pomeranian Voivodeship -- Voivodeship of Poland
Wikipedia - Kwangali -- Traditional Kavango kingdom in modern-day Namibia
Wikipedia - KWES-TV -- NBC affiliate in Odessa, Texas
Wikipedia - KW postcode area -- Postcode area within the United Kingdom
Wikipedia - KWWT -- MeTV affiliate in Odessa, Texas
Wikipedia - Kyabje Choden Rinpoche
Wikipedia - Kyauk Lone -- Burmese actor, model and singer|bot = PearBOT 5
Wikipedia - Kyla Cole -- Slovak pornographic actress, model (born 1978)
Wikipedia - Kyle Alandy Amor -- American visual artist, commercial model, singer, and actor of Filipino descent
Wikipedia - Kylie Bax -- New Zealand model and actress
Wikipedia - Kylie Bisutti -- American author and former model
Wikipedia - Kylie Jenner -- American media personality, socialite, model, and businesswoman
Wikipedia - Kylie Verzosa -- Filipino actress, model, and beauty queen, Miss International 2016 winner
Wikipedia - Kyly Clarke -- Australian former model
Wikipedia - KyM-EM-^Mko Hasegawa -- Japanese model and actress
Wikipedia - KyM-EM-^Mko SaitM-EM-^M -- Japanese singer and model
Wikipedia - Kyoto shogi -- Modern variant of shogi
Wikipedia - KY postcode area -- Postcode area within the United Kingdom
Wikipedia - Kyra Kennedy -- American socialite and model
Wikipedia - KZLR -- Radio station in Odem-Corpus Christi, Texas
Wikipedia - L'Abbe River (Bulstrode River tributary) -- River in Centre-du-Quebec, Quebec (Canada)
Wikipedia - Labelcode -- Unique four- or five-digit number used to identify record labels
Wikipedia - Labidodemas -- Genus of sea cucumber
Wikipedia - Lachanodes -- Genus of plants.
Wikipedia - Lachnoderma -- Genus of beetles
Wikipedia - Ladies' Code -- South Korean girl group
Wikipedia - LA Direct Models -- talent agency for pornographic performers
Wikipedia - Ladislao Odescalchi -- Italian sports shooter
Wikipedia - LaDonna Tittle -- American radio personality, actress and model
Wikipedia - Lady Alice Manners -- 21st-century English socialite and model
Wikipedia - Lady Amelia Windsor -- English fashion model and member of the extended Royal family
Wikipedia - Lady Kitty Spencer -- 21st-century English noblewoman and model
Wikipedia - Lady Mary Charteris -- 21st-century British model and musician
Wikipedia - Lady Violet Manners -- 21st-century English model and businesswoman
Wikipedia - Laetitia Casta -- French actress and model
Wikipedia - Lagarith -- Open source lossless video codec
Wikipedia - Lagenoderus -- Genus of beetles
Wikipedia - Lagoda -- Half-scale model of the whaling ship Lagoda, located at the New Bedford Whaling Museum
Wikipedia - Lais Ribeiro -- Brazilian model
Wikipedia - Lajos von Sipeki-von Balas -- Hungarian modern pentathlete
Wikipedia - Lakdar Bouzid -- Tunisian modern pentathlete
Wikipedia - Lake Chad flooded savanna -- Flooded grassland ecoregion in Africa
Wikipedia - Lake Rogers Park -- Park in Odessa, Florida
Wikipedia - Lakshmi Menon (model) -- Indian model
Wikipedia - Lakshmi Nagar, Erode -- Village in Tamil Nadu, India
Wikipedia - Lalla Hirayama -- South African Actress, television host and model
Wikipedia - Lambda-CDM model
Wikipedia - Lamborghini Estoque -- Car model
Wikipedia - Lambretta Model D -- Scooter built by Lambretta
Wikipedia - Lameka Fox -- American fashion model from Maryland
Wikipedia - LAME -- MPEG-1 Audio Layer 3 (MP3) audio encoder
Wikipedia - Lamki -- Village in Greater Poland Voivodeship, Poland
Wikipedia - La Modelo (Ozuna song) -- Single by Puerto Rican singer Ozuna and American rapper Cardi B
Wikipedia - La Mode Magazine -- Nigerian fashion and lifestyle magazine
Wikipedia - Lamon Archey -- American model and actor
Wikipedia - Lana Clarkson -- Actress and fashion model from the United States
Wikipedia - Lana Ogilvie -- Canadian fashion model
Wikipedia - Lana (wrestler) -- American professional wrestling manager, professional wrestler, model, actress, dancer
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Wikipedia - Lance East -- British modern pentathlete
Wikipedia - Lance Serrano -- Filipino actor, commercial model and gym instructor
Wikipedia - Land change modeling -- Geographic and ecological field of study
Wikipedia - Land of Nod -- Place mentioned in the Bible, the abode of Cain
Wikipedia - Land transport -- Mode of transport
Wikipedia - Lange Model
Wikipedia - Lange model
Wikipedia - Langley Fox -- American illustrator and model
Wikipedia - Langmuir adsorption model -- Model describing the adsorption of a mono-layer of gas molecules on an ideal flat surface
Wikipedia - Language binding -- Software library that allows using another library coded in another programming language
Wikipedia - Language code -- Symbol to identify a language, dialect or a group of languages
Wikipedia - Language Modeling
Wikipedia - Language model -- Statistical model of structure of language
Wikipedia - Lanisha Cole -- American model
Wikipedia - LANKAQR -- QR code payment system in Sri Lanka
Wikipedia - Lan Yan -- Chinese actress, pop singer, and model
Wikipedia - LA postcode area -- Postcode area within the United Kingdom
Wikipedia - Lara Dutta -- 21st-century Indian actress and model
Wikipedia - Lara Stone -- Dutch model
Wikipedia - Lara Yan -- 21st-century Georgian model
Wikipedia - Large-scale macroeconometric model
Wikipedia - Larissa Ping Liew -- Malaysian model
Wikipedia - Larry Mahan -- American rodeo performer
Wikipedia - Lars Burmeister -- German male model
Wikipedia - Lars-Erik Soderberg -- Swedish sports shooter
Wikipedia - Lars Hall -- Swedish modern pentathlete
Wikipedia - Laser diode
Wikipedia - Lashon Hakodesh -- Jewish term attributed to the Hebrew language
Wikipedia - Laszlo Horvath (modern pentathlete) -- Hungarian modern pentathlete
Wikipedia - Laszlo Karacson -- Hungarian modern pentathlete
Wikipedia - Late model -- Car that has been recently designed or manufactured
Wikipedia - Late Modernism (book)
Wikipedia - Late modernism -- Term for art and literature produced after 1945
Wikipedia - Late modernity
Wikipedia - Late modern period -- Period from 1800 CE until the present
Wikipedia - Late modern philosophy
Wikipedia - Latent class model
Wikipedia - Latent variable model
Wikipedia - Lathe (graphics) -- 3D model
Wikipedia - Latifundium -- Very extensive parcel of privately owned land both in antique Rome and in modern days
Wikipedia - Latin translations of modern literature
Wikipedia - Latrodectus umbukwane -- Species of spider
Wikipedia - Latrodectus -- Genus of arachnids
Wikipedia - Lattice model (physics)
Wikipedia - Latunde Odeku
Wikipedia - Laughing Gas (novel) -- 1936 novel by P.G. Wodehouse
Wikipedia - Laura AsadauskaitM-DM-^W -- Lithuanian modern pentathlete
Wikipedia - Laura Basuki -- Indonesian model and actress
Wikipedia - Laura Berlin -- German actress and model
Wikipedia - Laura Bilgeri -- Austrian actress and model
Wikipedia - Laura Croft -- American model
Wikipedia - Laura Devon -- American actor, singer and model
Wikipedia - Laura Forgia -- Italian actress and model
Wikipedia - Laura Goncalves -- Venezuelan model
Wikipedia - Laura Lacole -- Northern Irish model
Wikipedia - Laura Lehmann -- Filipino-German TV host, model, and beauty pageant titleholder
Wikipedia - Laura Longauerova -- Slovak model and beauty queen
Wikipedia - Laura Ramirez -- Puerto Rican model
Wikipedia - Laura ZuM-CM-1iga -- Mexican model
Wikipedia - Laurel Canyon (film) -- 2002 film by Lisa Cholodenko
Wikipedia - Laurel Lawson -- Modern dancer
Wikipedia - Lauren Anderson (model) -- American model
Wikipedia - Lauren Bush -- American model and fashion designer
Wikipedia - Laurence Treil -- French model and actress
Wikipedia - Lauren Goodger -- English television personality, glamour model, media personality
Wikipedia - Lauren Laverne -- English radio DJ, model, television presenter
Wikipedia - Lauren Mellor -- South African model
Wikipedia - Laurent Firode -- French film director and screenwriter
Wikipedia - Lauren Tsai -- American model
Wikipedia - Lauren Young -- Filipino-American actress and model
Wikipedia - Lauriane GilliM-CM-)ron -- Swiss model (born 1984)
Wikipedia - Laurie Allyn -- American jazz singer and former model
Wikipedia - Laurie Shong -- Canadian fencer and modern pentathlete
Wikipedia - Laurie Simpson -- Puerto Rican model
Wikipedia - Lauri Vilkko -- Finnish modern pentathlete
Wikipedia - Lauter (Odenwald) -- River in Germany
Wikipedia - Lavanya Bhardwaj -- Indian television actor and model
Wikipedia - Law and Oracle -- 16th episode of the sixth season of ''Futurama''
Wikipedia - Law and Order Party of Rhode Island -- Political party in Rhode Island
Wikipedia - Lawrence Keyte -- Canadian modern pentathlete
Wikipedia - Layered Model of Regulation -- Proposal for American telecommunications public policy
Wikipedia - Layla El -- British professional wrestler, dancer, and model
Wikipedia - LDAC (codec)
Wikipedia - LDPC code
Wikipedia - LD postcode area -- Postcode area within the United Kingdom
Wikipedia - LDV Maxus -- Light commercial van model
Wikipedia - Lea De Mae -- Czech adult model and diver
Wikipedia - Leaf node
Wikipedia - Learning disability -- Range of neurodevelopmental conditions
Wikipedia - Leave It to Psmith -- 1923 novel by P.G. Wodehouse
Wikipedia - Lebioderus -- Genus of beetles
Wikipedia - Lecithocera eremiodes -- Species of moth in genus Lecithocera
Wikipedia - Lecithocera ianthodes -- Species of moth in the genus Lecithocera
Wikipedia - Lecithocera ichorodes -- Species of moth in the genus Lecithocera
Wikipedia - Lecithocera lamprodesma -- Species of moth in the genus Lecithocera
Wikipedia - Lecithocera pyxinodes -- Species of moth in the genus Lecithocera
Wikipedia - Lee-Ann Liebenberg -- South African model
Wikipedia - Lee-Carter model -- Numerical algorithm for mortality forecasting
Wikipedia - Lee Choon-huan -- South Korean modern pentathlete
Wikipedia - Lee Chung-ah -- South Korean actress and model
Wikipedia - Lee Collins (Unicode) -- Software engineer and co-founder of the Unicode Consortium
Wikipedia - Lee Da-hee -- South Korean actress and model
Wikipedia - Lee Dong-wook -- South Korean actor and model
Wikipedia - Leeds Arts Club -- Modernist art club founded in Leeds
Wikipedia - Lee Eon -- South Korean actor and model
Wikipedia - Lee Hanee -- South Korean actress, model, classical musician, gayageum player and beauty queen
Wikipedia - Lee Jae-joon -- South Korean actor and model
Wikipedia - Lee Jae-yoon -- South Korean-Canadian actor and model
Wikipedia - Lee Ji-hun (pentathlete) -- South Korean modern pentathlete
Wikipedia - Lee Jong-suk -- South Korean model and actor
Wikipedia - Lee Meriwether -- American actress, former model
Wikipedia - Lee Min-ho (actor) -- South Korean actor, singer and model
Wikipedia - Lee Odenwalder -- Australian politician
Wikipedia - Lee Pa-ni -- South Korean model and actress
Wikipedia - Lee Soo-hyuk -- South Korean model and actor
Wikipedia - Lee So-ra (model) -- South Korean model
Wikipedia - Lee Yeong-chan -- South Korean modern pentathlete
Wikipedia - Lee Yoder -- American athlete
Wikipedia - Left-right model
Wikipedia - Legacy code
Wikipedia - Legal codes
Wikipedia - Legal code
Wikipedia - Legion of Merit (Rhodesia) -- Order of merit in Rhodesia
Wikipedia - Lego Speed Champions -- Lego theme focusing on Lego scale models of real life production cars
Wikipedia - Lei'D Tapa -- American professional wrestler and valet, model and mixed martial artist
Wikipedia - Leif Knudtzon -- Norwegian modern pentathlete
Wikipedia - Leighton Meester -- American actress, singer, songwriter, and model
Wikipedia - Leila Lopes (Angolan actress) -- Angolan model, actress, presenter, and beauty queen
Wikipedia - Leilani Bishop -- American model
Wikipedia - Leilani Gaja -- Japanese model and actress
Wikipedia - Leiodes -- Genus of beetles
Wikipedia - Leioheterodon modestus -- Species of snake
Wikipedia - Lembodes -- Genus of beetles
Wikipedia - Lem Martinez -- Uruguayan modern pentathlete
Wikipedia - Le mM-CM-)nage moderne de Madame Butterfly -- 1920 film
Wikipedia - Lemming -- Tribe of rodents of the family Cricetidae
Wikipedia - L. E. Modesitt Jr. bibliography -- Wikipedia bibliography
Wikipedia - L. E. Modesitt Jr. -- American writer
Wikipedia - Lemuel Goodell -- American pioneer and politician, former member of the Wisconsin State Senate and Assembly
Wikipedia - Lena Ganschow -- German journalist and television moderator
Wikipedia - Lena Schoneborn -- German modern pentathlete
Wikipedia - Lena Soderblom -- Swedish actress
Wikipedia - Lene Lai -- Taiwanese actress and model
Wikipedia - Leningrad Codex -- 11th-century Hebrew Bible manuscript
Wikipedia - Lennart Pettersson -- Swedish modern pentathlete
Wikipedia - Lens placode
Wikipedia - Leodegar
Wikipedia - Leodes -- Character in the Odyssey
Wikipedia - Leo Gabalas -- Caesar, Lord of Rhodes and the Cyclades
Wikipedia - Leonie Schroder -- Heiress and descendant of Bruno Schroder
Wikipedia - Leon Modena
Wikipedia - Leon of Modena
Wikipedia - Leopoldo Centeno -- Spanish modern pentathlete
Wikipedia - Lepidodendrales -- Extinct order of vascular tree-like plants
Wikipedia - Lepidodendron -- Extinct genus of vascular plants of the Carboniferous to Triassic
Wikipedia - Lepidotarsa habrodelta -- Species of moth
Wikipedia - LE postcode area -- Postcode area within the United Kingdom
Wikipedia - Leprodera -- Genus of beetles
Wikipedia - Leptenicodes -- Genus of beetles
Wikipedia - Leptocolpodes -- Genus of beetles
Wikipedia - Lesa Amoore -- American model, and photographer
Wikipedia - Lesley-Anne Down -- British film and television actress, model and singer
Wikipedia - Lesley Langley -- British model, actress, and beauty queen
Wikipedia - Les Liaisons dangereuses -- 1782 epistolary novel by Pierre Choderlos de Laclos
Wikipedia - Leslie Shaw -- Peruvian model, singer, dancer and actress
Wikipedia - Lesser Poland Voivodeship -- Voivodeship of Poland
Wikipedia - Les Temps Modernes
Wikipedia - Les Temps modernes
Wikipedia - Leszek Cichy -- Polish mountaineer, geodesist, financier, and entrepreneur
Wikipedia - Leszek Podhorodecki -- Polish historian, writer, and teacher
Wikipedia - Letha Weapons -- American former adult actress, stripper & model (born 1972)
Wikipedia - Let's Go to Prison -- 2006 film by Bob Odenkirk
Wikipedia - Letter beacon -- Radio transmissions consisting of only a single repeating Morse code letter
Wikipedia - Letterlike Symbols -- Unicode block
Wikipedia - Let Them All Talk (film) -- 2020 film directed by Steven Soderbergh
Wikipedia - Leucinodes cordalis -- Species of moth
Wikipedia - Leucinodes laisalis -- Species of moth
Wikipedia - Leucinodes orbonalis -- Species of moth
Wikipedia - Leucinodes -- Genus of moths
Wikipedia - Leucospermum conocarpodendron -- The tree pincushion is a shrub in the family Proteaceae from the Western Cape of South Africa
Wikipedia - Level of detail (computer graphics) -- Adjusting the complexity of a 3D model representation to save storage and computation
Wikipedia - Levi Miller -- Australian actor and model
Wikipedia - Lewis A. Rodert -- American aircraft engineer
Wikipedia - Lewis Tan -- British actor, model, and martial artist of Singaporean descent
Wikipedia - Lexi Boling -- American fashion model
Wikipedia - Lexicographic code
Wikipedia - Lexus RC -- Car model
Wikipedia - Lexus RX -- Luxury crossover SUV model from Lexus
Wikipedia - Leydi Moya -- Cuban modern pentathlete
Wikipedia - Leyla Milani -- Canadian actor and model
Wikipedia - LG GD510 Pop -- Cell phone model
Wikipedia - LHDC (codec)
Wikipedia - Liang Caixia -- Chinese modern pentathlete
Wikipedia - Libavcodec
Wikipedia - Liberal Christianity -- Movement that interprets and reforms Christian teaching by taking into consideration modern knowledge, science and ethics
Wikipedia - Liberty pole -- Tall wooden pole surmounted by a Phrygian cap
Wikipedia - Libor Capalini -- Czech modern pentathlete
Wikipedia - Libvpx -- Codec library implementing VP8 and VP9 encoders and decoders
Wikipedia - Licett Morillo -- Dominican fashion model
Wikipedia - Liesel Holler -- Peruvian physician, model, and beauty queen
Wikipedia - Life Model Decoy
Wikipedia - Light-emitting diode -- Semiconductor and solid state light source
Wikipedia - Light on Yoga -- Book on the Iyengar Yoga style of modern yoga as exercise
Wikipedia - Light rail in North America -- Mode of public transit
Wikipedia - Lignyodes -- Genus of beetles
Wikipedia - Li King-Ho -- Taiwanese modern pentathlete
Wikipedia - Liliana Santos -- Portuguese actress and model
Wikipedia - Lilian Dikmans -- Australian model
Wikipedia - Lili St. Cyr -- American model and burlesque performer
Wikipedia - Lil' Kim -- American rapper, actress, and model from New York
Wikipedia - Lily Aldridge -- American model
Wikipedia - Lily Collins -- English actress and model
Wikipedia - Lily Nova -- Australian model
Wikipedia - Lily-Rose Depp -- French-American actress and model
Wikipedia - Limbodessus -- Genus of beetles
Wikipedia - Lina Bryans -- Australian modernist painter
Wikipedia - Lina Woiwode -- Austrian actress
Wikipedia - Lincoln Chafee -- American politician from Rhode Island
Wikipedia - Lincoln K series -- Car model
Wikipedia - Lincoln-Zephyr -- Car model
Wikipedia - Linda Arsenio -- American actress and model from Texas
Wikipedia - Linda Doucett -- American actress and model
Wikipedia - Linda Douglas -- American model and actress
Wikipedia - Linda Ejiofor -- Nigerian actress and model
Wikipedia - Linda Evangelista -- Canadian model
Wikipedia - Linda Goode Bryant -- American film director
Wikipedia - Linda Hooks -- British model, actress, and beauty queen
Wikipedia - Linda Lusardi -- English model and actress
Wikipedia - Lindsay Ellingson -- American model
Wikipedia - Lindsey Coffey -- American model
Wikipedia - Lindsey Pelas -- American model
Wikipedia - Linear block code
Wikipedia - Linear code
Wikipedia - Linear model of innovation
Wikipedia - Linear model
Wikipedia - Linear seismic inversion -- Interpretation of seismic data using linear model
Wikipedia - Line code -- Pattern used within a communications system to represent digital data
Wikipedia - Line Mode Browser -- Command-line web browser
Wikipedia - Lineodes fontella -- Species of moth
Wikipedia - Lineodes -- Genus of moth
Wikipedia - Lines of Code
Wikipedia - Lines of code
Wikipedia - Linked list -- Data structure which is a linear collection of data elements, called nodes, each pointing to the next node by means of a pointer
Wikipedia - Linked numbering scheme -- Dialing that does not require an additional dialing code for numbers in the same local area
Wikipedia - Linking pin model
Wikipedia - Linn Oeymo -- Norwegian-Filipina model/actress
Wikipedia - Linn Thomas -- American erotic model
Wikipedia - Linode -- American cloud hosting company
Wikipedia - Lint (software) -- Software tool which flags suspicious and non-portable constructs in source code
Wikipedia - Lin Yi -- Chinese actor and model
Wikipedia - Liocolpodes -- Genus of beetles
Wikipedia - Liodessus -- Genus of beetles
Wikipedia - Lions' Commentary on UNIX 6th Edition, with Source Code
Wikipedia - Lioptilodes aguilaicus -- Species of plume moth
Wikipedia - Lioptilodes albistriolatus -- Species of plume moth
Wikipedia - Lioptilodes alolepidodactylus -- Species of plume moth
Wikipedia - Lioptilodes altivolans -- Species of plume moth
Wikipedia - Lioptilodes antarcticus -- Species of plume moth
Wikipedia - Lioptilodes arequipa -- Species of plume moth
Wikipedia - Lioptilodes brasilicus -- Species of plume moth
Wikipedia - Lioptilodes cocodrilo -- Species of plume moth
Wikipedia - Lioptilodes cuzcoicus -- Species of plume moth
Wikipedia - Lioptilodes doeri -- Species of plume moth
Wikipedia - Lioptilodes fetisi -- Species of plume moth
Wikipedia - Lioptilodes limbani -- Species of plume moth
Wikipedia - Lioptilodes neuquenicus -- Species of plume moth
Wikipedia - Lioptilodes ockendeni -- Species of plume moth
Wikipedia - Lioptilodes parafuscicostatus -- Species of plume moth
Wikipedia - Lioptilodes prometopa -- Species of plume moth
Wikipedia - Lioptilodes rionegroicus -- Species of plume moth
Wikipedia - Lioptilodes salarius -- Species of plume moth
Wikipedia - Lioptilodes subantarcticus -- Species of plume moth
Wikipedia - Lioptilodes testaceus -- Species of plume moth
Wikipedia - Lioptilodes topali -- Species of plume moth
Wikipedia - Lioptilodes tribonia -- Species of plume moth
Wikipedia - Lioptilodes -- Plume moth genus
Wikipedia - Lioptilodes yungas -- Species of plume moth
Wikipedia - Lioptilodes zapalaicus -- Species of plume moth
Wikipedia - Liquid modernity
Wikipedia - Lisa Barbuscia -- American model, singer and actress]
Wikipedia - Lisa Boyle -- American model (born 1964)
Wikipedia - Lisa D'Amato -- American model
Wikipedia - Lisa Davies (fashion model) -- American former model
Wikipedia - Lisa Dergan -- American model and sportscaster
Wikipedia - Lisa Marie (actress) -- American model and actress
Wikipedia - Lisa Marie Scott -- American model
Wikipedia - Lisa Michelle Duncan -- American model
Wikipedia - Lisa Taylor (model) -- Fashion model
Wikipedia - Lise Baldwin -- Canadian actress and model
Wikipedia - Lissa Endriga -- American television host and model
Wikipedia - Lissozodes -- Genus of beetles
Wikipedia - List of 07-Ghost episodes -- Wikipedia list article
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Wikipedia - List of 100% Entertainment episodes (2008) -- Wikipedia list article
Wikipedia - List of 100% Entertainment episodes -- Wikipedia list article
Wikipedia - List of 118 episodes -- Wikipedia list article
Wikipedia - List of 12 Monkeys episodes -- Wikipedia list article
Wikipedia - List of 12 oz. Mouse episodes -- Wikipedia list article
Wikipedia - List of 16M-CM-^W9 episodes -- Wikipedia list article
Wikipedia - List of 2019 This American Life episodes -- Wikimedia list article
Wikipedia - List of 2020 This American Life episodes -- Wikimedia list article
Wikipedia - List of 21 Jump Street episodes -- Wikipedia list article
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Wikipedia - List of 2 Broke Girls episodes -- Wikipedia list article
Wikipedia - List of 2 Days & 1 Night episodes -- Wikimedia list article
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Wikipedia - List of 2 Stupid Dogs episodes -- Wikipedia list article
Wikipedia - List of 3000 Leagues in Search of Mother episodes -- Wikipedia list article
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Wikipedia - List of 3D modeling software -- Wikipedia list article
Wikipedia - List of 3% episodes -- Wikipedia list article
Wikipedia - List of 3rd Rock from the Sun episodes -- Wikipedia list article
Wikipedia - List of 4 O'Clock Club episodes -- Wikipedia list article
Wikipedia - List of 5 Star Specials episodes -- Wikipedia list article
Wikipedia - List of 64 Zoo Lane episodes -- Wikipedia list article
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Wikipedia - List of 77 Sunset Strip episodes -- Wikipedia list article
Wikipedia - List of 7th Heaven episodes -- Wikipedia list article
Wikipedia - List of 8 Out of 10 Cats Does Countdown episodes -- Wikimedia list article
Wikipedia - List of 8 Out of 10 Cats episodes -- Wikimedia list article
Wikipedia - List of 8 Simple Rules episodes -- Wikipedia list article
Wikipedia - List of 90210 episodes -- Wikipedia list article
Wikipedia - List of 90 Day FiancM-CM-) episodes -- Wikipedia list article
Wikipedia - List of 9-1-1 episodes -- Wikipedia list article
Wikipedia - List of 96M-BM-0C CafM-CM-) episodes -- Wikipedia list article
Wikipedia - List of 9 to 5 episodes -- Wikipedia list article
Wikipedia - List of A1 Ko Sa 'Yo episodes -- Wikipedia list article
Wikipedia - List of Aaahh!!! Real Monsters episodes -- Wikipedia list article
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Wikipedia - List of Abby Hatcher episodes -- Wikipedia list article
Wikipedia - List of Abismo de pasion episodes -- Wikipedia list article
Wikipedia - List of A Bit of Fry & Laurie episodes -- Wikipedia list article
Wikipedia - List of About a Boy episodes -- Wikipedia list article
Wikipedia - List of Absolutely Charming episodes -- Wikipedia list article
Wikipedia - List of Absolutely episodes -- Wikipedia list article
Wikipedia - List of Absolutely Fabulous episodes -- Wikipedia list article
Wikipedia - List of Accel World episodes -- Wikipedia list article
Wikipedia - List of According to Jim episodes -- Wikipedia list article
Wikipedia - List of Ace Attorney episodes -- Wikipedia list article
Wikipedia - List of Ace of Cakes episodes -- Wikipedia list article
Wikipedia - List of Ace of Diamond episodes -- Wikipedia list article
Wikipedia - List of A Certain Magical Index episodes -- Wikipedia list article
Wikipedia - List of A Certain Scientific Railgun episodes -- Wikipedia list article
Wikipedia - List of A Channel episodes -- Wikipedia list article
Wikipedia - List of A Country Practice episodes -- Wikipedia list article
Wikipedia - List of Action League Now! episodes -- Wikipedia list article
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Wikipedia - List of Adventures of Superman episodes -- Wikimedia list article
Wikipedia - List of Adventure Time episodes -- Episode list for an animated show
Wikipedia - List of AEW Dynamite special episodes -- Wikipedia list article
Wikipedia - List of African-American newspapers in Rhode Island -- Wikipedia list article
Wikipedia - List of After School Club episodes -- Wikimedia list article
Wikipedia - List of After War Gundam X episodes -- Wikipedia list article
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Wikipedia - List of Agatha Christie's Marple episodes -- Wikipedia list article
Wikipedia - List of Agatha Christie's Poirot episodes -- Wikipedia list article
Wikipedia - List of Agents of S.H.I.E.L.D. episodes -- Wikipedia list article
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Wikipedia - List of agricultural pest nematode species -- Wikipedia list article
Wikipedia - List of A Haunting episodes -- Wikipedia list article
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Wikipedia - List of Aikatsu! episodes -- Wikipedia list article
Wikipedia - List of Aikatsu Friends! episodes -- Wikipedia list article
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Wikipedia - List of Aim for the Ace! episodes -- Wikipedia list article
Wikipedia - List of Air episodes -- Wikipedia list article
Wikipedia - List of Air Gear episodes -- Wikipedia list article
Wikipedia - List of airline codes (0-9) -- Wikipedia list article
Wikipedia - List of airline codes (A) -- Wikipedia list article
Wikipedia - List of airline codes (B) -- Wikipedia list article
Wikipedia - List of airline codes (C) -- Wikipedia list article
Wikipedia - List of airline codes (D) -- Wikipedia list article
Wikipedia - List of airline codes (E) -- Wikipedia list article
Wikipedia - List of airline codes (F) -- Wikipedia list article
Wikipedia - List of airline codes (G) -- Wikipedia list article
Wikipedia - List of airline codes (H) -- Wikipedia list article
Wikipedia - List of airline codes (I) -- Wikipedia list article
Wikipedia - List of airline codes (J) -- Wikipedia list article
Wikipedia - List of airline codes (K) -- Wikipedia list article
Wikipedia - List of airline codes (L) -- Wikipedia list article
Wikipedia - List of airline codes (M) -- Wikipedia list article
Wikipedia - List of airline codes (N) -- Wikipedia list article
Wikipedia - List of airline codes (O) -- Wikipedia list article
Wikipedia - List of airline codes (P) -- Wikipedia list article
Wikipedia - List of airline codes (Q) -- Wikipedia list article
Wikipedia - List of airline codes (R) -- Wikipedia list article
Wikipedia - List of airline codes (S) -- Wikipedia list article
Wikipedia - List of airline codes (T) -- Wikipedia list article
Wikipedia - List of airline codes (U) -- Wikipedia list article
Wikipedia - List of airline codes (V) -- Wikipedia list article
Wikipedia - List of airline codes -- Wikipedia list article
Wikipedia - List of airline codes (W) -- Wikipedia list article
Wikipedia - List of airline codes (X) -- Wikipedia list article
Wikipedia - List of airline codes (Y) -- Wikipedia list article
Wikipedia - List of airline codes (Z) -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: B -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: C -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: D -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: E -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: F -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: G -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: H -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: I -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: J -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: K -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: L -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: M -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: N -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: O -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: P -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: Q -- Wikimedia list article
Wikipedia - List of airports by IATA airport code: R -- Wikimedia list article
Wikipedia - List of airports by IATA airport code: S -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: T -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: U -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: V -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: W -- Wikimedia list article
Wikipedia - List of airports by IATA airport code: X -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: Y -- Wikipedia list article
Wikipedia - List of airports by IATA airport code: Z -- Wikimedia list article
Wikipedia - List of airports by IATA and ICAO code -- Wikipedia list article
Wikipedia - List of airports by ICAO code: A -- Wikipedia list article
Wikipedia - List of airports by ICAO code: B -- Wikipedia list article
Wikipedia - List of airports by ICAO code: C -- Wikipedia list article
Wikipedia - List of airports by ICAO code: D -- Wikipedia list article
Wikipedia - List of airports by ICAO code: E -- Wikipedia list article
Wikipedia - List of airports by ICAO code: F -- Wikipedia list article
Wikipedia - List of airports by ICAO code: G -- Wikipedia list article
Wikipedia - List of airports by ICAO code: H -- Wikipedia list article
Wikipedia - List of airports by ICAO code: K -- Wikipedia list article
Wikipedia - List of airports by ICAO code: L -- Wikipedia list article
Wikipedia - List of airports by ICAO code: M -- Wikipedia list article
Wikipedia - List of airports by ICAO code: N -- Wikipedia list article
Wikipedia - List of airports by ICAO code: O -- Wikipedia list article
Wikipedia - List of airports by ICAO code: P -- Wikipedia list article
Wikipedia - List of airports by ICAO code: Q -- Wikipedia list article
Wikipedia - List of airports by ICAO code: R -- Wikipedia list article
Wikipedia - List of airports by ICAO code: S -- Wikipedia list article
Wikipedia - List of airports by ICAO code: T -- Wikimedia list article
Wikipedia - List of airports by ICAO code: U -- Wikipedia list article
Wikipedia - List of airports by ICAO code: V -- Wikipedia list article
Wikipedia - List of airports by ICAO code: W -- Wikipedia list article
Wikipedia - List of airports by ICAO code: Y -- Wikipedia list article
Wikipedia - List of airports by ICAO code: Z -- Wikipedia list article
Wikipedia - List of airports in Rhode Island -- Wikipedia list article
Wikipedia - List of Airwolf episodes -- Wikipedia list article
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Wikipedia - List of Ajin: Demi-Human episodes -- Wikipedia list article
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Wikipedia - List of Alvin and the Chipmunks (1983 TV series) episodes -- Wikipedia list article
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Wikipedia - List of America's Next Top Model contestants -- Wikimedia list article
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Wikipedia - List of Anak ni Waray vs. Anak ni Biday episodes -- Wikipedia list article
Wikipedia - List of And I Love You So episodes -- Wikipedia list article
Wikipedia - List of Andi Mack episodes -- List of Andi Mack episodes
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Wikipedia - List of Angels of Death episodes {{DISPLAYTITLE:List of ''Angels of Death'' episodes -- List of Angels of Death episodes {{DISPLAYTITLE:List of ''Angels of Death'' episodes
Wikipedia - List of Anger Management episodes -- Wikipedia list article
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Wikipedia - List of Anna & Kristina's Grocery Bag episodes -- Wikipedia list article
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Wikipedia - List of A.N.T. Farm episodes -- Wikipedia list article for television show A.N.T. Farm
Wikipedia - List of Antiques Roadshow episodes -- Wikipedia list article
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Wikipedia - List of Apple codenames -- Wikipedia list article
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Wikipedia - List of Arizona area codes -- Wikipedia list article
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Wikipedia - List of Arthur episodes -- A Wikipedia list article
Wikipedia - List of Asawa Ko, Karibal Ko episodes -- Philippine television series
Wikipedia - List of A Scare at Bedtime episodes -- Wikipedia list article
Wikipedia - List of A Scattering of Seeds episodes -- Wikipedia list article
Wikipedia - List of Ascendance of a Bookworm episodes -- Anime series
Wikipedia - List of Ashes to Ashes episodes -- Wikipedia list article
Wikipedia - List of Asian Games medalists in modern pentathlon -- Wikimedia list article
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Wikipedia - List of Asintado episodes -- Wikipedia list article
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Wikipedia - List of Asphodelaceae of South Africa -- List of flowering plants in the family Asphodelaceae recorded from South Africa
Wikipedia - List of Assassination Classroom episodes -- Wikipedia list article
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Wikipedia - List of Astro Boy (1963 TV series) episodes -- Wikipedia list article
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Wikipedia - List of Avatar: The Last Airbender episodes -- Episode list for an animated series
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Wikipedia - List of awards and nominations received by Modern Family -- Wikipedia list article
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Wikipedia - List of Azumanga Daioh episodes -- Wikipedia list article
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Wikipedia - List of Baka and Test episodes -- Wikimedia list article
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Wikipedia - List of Baki episodes {{DISPLAYTITLE:List of ''Baki'' episodes -- List of Baki episodes {{DISPLAYTITLE:List of ''Baki'' episodes
Wikipedia - List of Baki the Grappler episodes {{DISPLAYTITLE:List of ''Baki the Grappler'' episodes -- List of Baki the Grappler episodes {{DISPLAYTITLE:List of ''Baki the Grappler'' episodes
Wikipedia - List of Bakugan: Battle Planet episodes -- Wikipedia list article
Wikipedia - List of Bakuman episodes -- Wikipedia list article
Wikipedia - List of Balls of Steel episodes -- Wikipedia list article
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Wikipedia - List of Batman (TV series) episodes -- Wikipedia list article
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Wikipedia - List of battles involving France in modern history -- Wikimedia list article
Wikipedia - List of Battlestar Galactica (1978 TV series) and Galactica 1980 episodes -- Wikimedia list article
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Wikipedia - List of Baywatch episodes -- Wikipedia list article
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Wikipedia - List of Beautiful Justice episodes -- Wikimedia list article
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Wikipedia - List of Beauty & the Beast (2012 TV series) episodes -- Wikipedia list article
Wikipedia - List of Beauty and the Beast (1987 TV series) episodes -- Wikipedia list article
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Wikipedia - List of Because of You episodes -- Wikipedia list article
Wikipedia - List of Becker episodes -- Wikipedia list article
Wikipedia - List of BECK: Mongolian Chop Squad episodes -- Wikipedia list article
Wikipedia - List of Bed of Roses episodes -- Australian television comedy drama series
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Wikipedia - List of Bella and the Bulldogs episodes -- Wikipedia list article
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Wikipedia - List of Ben 10 (2016 TV series) episodes -- Wikipedia list article
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Wikipedia - List of Bert the Conqueror episodes -- Wikipedia list article
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Wikipedia - List of Betty White's Off Their Rockers episodes -- Wikipedia list article
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Wikipedia - List of Beverly Hills, 90210 episodes -- Wikipedia list article
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Wikipedia - List of Beyblade episodes -- Wikipedia list article
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Wikipedia - List of Beyond Reality episodes -- Wikipedia list article
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Wikipedia - List of Big Bad Beetleborgs episodes -- Wikipedia list article
Wikipedia - List of Big Brother (American TV series) episodes (2000-2009) -- Wikimedia list article
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Wikipedia - List of Big City Greens episodes -- Wikipedia list article
Wikipedia - List of Big Hero 6: The Series episodes {{DISPLAYTITLE:List of ''Big Hero 6: The Series'' episodes -- List of Big Hero 6: The Series episodes {{DISPLAYTITLE:List of ''Big Hero 6: The Series'' episodes
Wikipedia - List of Big Love episodes -- Wikipedia list article
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Wikipedia - List of Billions episodes -- Wikipedia list article
Wikipedia - List of Binging with Babish episodes -- YouTube cooking channel
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Wikipedia - List of Birds of a Feather episodes -- Wikipedia list article
Wikipedia - List of birds of Rhode Island -- Wikipedia list article
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Wikipedia - List of Bitten episodes -- Wikipedia list article
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Wikipedia - List of Blade of the Immortal episodes -- Wikipedia list article
Wikipedia - List of Blake's 7 episodes -- Wikipedia list article
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Wikipedia - List of Bleach episodes -- Wikipedia list article
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Wikipedia - List of Blind Date (British game show) episodes -- Wikipedia list article
Wikipedia - List of Blindspot episodes -- List of episodes of the TV show Blindspot
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Wikipedia - List of Blue Bloods episodes -- Listing of episodes of American television series Blue Bloods
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Wikipedia - List of Blue Exorcist episodes -- Wikipedia list article
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Wikipedia - List of BoBoiBoy episodes -- Wikipedia list article
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Wikipedia - List of Bob's Burgers episodes -- Wikimedia list article
Wikipedia - List of Bob the Builder (2015 TV series) episodes {{DISPLAYTITLE:List of ''Bob the Builder'' (2015 TV series) episodes -- List of Bob the Builder (2015 TV series) episodes {{DISPLAYTITLE:List of ''Bob the Builder'' (2015 TV series) episodes
Wikipedia - List of Bob the Builder episodes -- Wikipedia list article
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Wikipedia - List of Body of Proof episodes -- Wikipedia list article
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Wikipedia - List of BoJack Horseman episodes -- Wikimedia list article
Wikipedia - List of Bokura ga Ita episodes -- Wikipedia list article
Wikipedia - List of Bokurano episodes -- Wikipedia list article
Wikipedia - List of Bonanza episodes -- Wikipedia list article
Wikipedia - List of Bones episodes -- Wikipedia list article
Wikipedia - List of Bonkers episodes -- Wikipedia list article
Wikipedia - List of Book Girl episodes -- Wikipedia list article
Wikipedia - List of books by P. G. Wodehouse
Wikipedia - List of Born and Bred episodes -- Wikipedia list article
Wikipedia - List of Born for You episodes -- Wikipedia list article
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Wikipedia - List of Bosch episodes -- Wikipedia list article
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Wikipedia - List of Boston Legal episodes -- Wikipedia list article
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Wikipedia - List of Bountiful Blessings episodes -- Wikipedia list article
Wikipedia - List of Boy Meets World episodes -- Wikipedia list article
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Wikipedia - List of Brandy & Mr. Whiskers episodes -- Wikipedia list article
Wikipedia - List of Brave Witches episodes -- Wikipedia list article
Wikipedia - List of Braxton Family Values episodes -- Wikipedia list article
Wikipedia - List of Bread episodes {{DISPLAYTITLE:List of ''Bread'' episodes -- List of Bread episodes {{DISPLAYTITLE:List of ''Bread'' episodes
Wikipedia - List of Breadwinners episodes -- Wikipedia list article
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Wikipedia - List of Breaking Bad episodes -- Wikipedia list article
Wikipedia - List of Breakout Kings episodes -- Wikipedia list article
Wikipedia - List of breweries in Rhode Island -- Wikipedia list article
Wikipedia - List of Brickleberry episodes -- Wikipedia list article
Wikipedia - List of bridges documented by the Historic American Engineering Record in Rhode Island -- Wikipedia list article
Wikipedia - List of bridges on the National Register of Historic Places in Rhode Island -- Wikipedia list article
Wikipedia - List of Britain & Ireland's Next Top Model contestants -- Wikimedia list article
Wikipedia - List of Britain's Got Talent episodes -- Wikipedia list article
Wikipedia - List of British Columbia area codes -- Wikipedia list article
Wikipedia - List of British comedy series by episode count -- Wikipedia list article
Wikipedia - List of British Rail modern traction locomotive classes -- Wikipedia list article
Wikipedia - List of British Rail TOPS depot codes -- Wikipedia list article
Wikipedia - List of British Railways shed codes -- Wikipedia list article
Wikipedia - List of British Vogue cover models -- Wikipedia list article
Wikipedia - List of Broadchurch episodes -- Wikipedia list article
Wikipedia - List of Broad City episodes -- Wikipedia list article
Wikipedia - List of Broderbund products -- Wikipedia list article
Wikipedia - List of Brooklyn Nine-Nine episodes -- Episodes of American television sitcom series Brooklyn Nine-Nine.
Wikipedia - List of Brotherhood episodes -- Wikipedia list article
Wikipedia - List of Brothers & Sisters episodes -- Wikipedia list article
Wikipedia - List of bro'Town episodes -- wikimedia list article
Wikipedia - List of Brunch at Bobby's episodes -- Wikipedia list article
Wikipedia - List of Brynhildr in the Darkness episodes -- Wikipedia list article
Wikipedia - List of Btooom! episodes -- Wikipedia list article
Wikipedia - List of Bubble Guppies episodes -- Wikipedia list article
Wikipedia - List of Buck Rogers in the 25th Century episodes -- Wikipedia list article
Wikipedia - List of Buddy Complex episodes -- Wikipedia list article
Wikipedia - List of Buena Familia episodes -- Wikipedia list article
Wikipedia - List of Buffy the Vampire Slayer episodes -- Wikipedia list article
Wikipedia - List of Bugs 'n' Daffy episodes -- Wikipedia list article
Wikipedia - List of Bukas na Lang Kita Mamahalin episodes -- Wikipedia list article
Wikipedia - List of Bull (2016 TV series) episodes -- Wikipedia list article
Wikipedia - List of Bungo Stray Dogs episodes -- Wikipedia list article
Wikipedia - List of Bunk'd episodes -- Wikipedia list article
Wikipedia - List of Bunnicula episodes -- Episodes of American animated TV series
Wikipedia - List of Burn Notice episodes -- Wikipedia list article
Wikipedia - List of Burst Angel episodes -- Wikipedia list article
Wikipedia - List of Buso Renkin episodes -- Wikipedia list article
Wikipedia - List of Busou Shinki episodes -- Wikipedia list article
Wikipedia - List of Butterbean's CafM-CM-) episodes -- Wikipedia list article
Wikipedia - List of Cagney & Lacey episodes -- Wikipedia list article
Wikipedia - List of Cain at Abel episodes -- Wikipedia list article
Wikipedia - List of Cajun Pawn Stars episodes -- Wikipedia list article
Wikipedia - List of Cake Boss episodes -- Wikipedia list article
Wikipedia - List of Calgary Stampede Rodeo Champions -- Wikipedia list article
Wikipedia - List of California area codes -- Wikipedia list article
Wikipedia - List of California Dreams episodes -- Wikipedia list article
Wikipedia - List of Californication episodes -- Wikipedia list article
Wikipedia - List of Callan episodes -- Wikipedia list article
Wikipedia - List of Call the Midwife episodes -- Wikimedia list article
Wikipedia - List of Camp Lakebottom episodes -- Wikipedia list article
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Wikipedia - List of Campodea species -- Wikipedia list article
Wikipedia - List of Canaan episodes -- Wikipedia list article
Wikipedia - List of Canada's Worst Handyman episodes -- Wikipedia list article
Wikipedia - List of Canadian Pickers episodes -- Wikipedia list article
Wikipedia - List of Canadian Pro Rodeo Hall of Fame inductees -- Wikipedia list article
Wikipedia - List of Canadian Rodeo Champions -- Wikipedia list article
Wikipedia - List of Candy Candy episodes -- Wikipedia list article
Wikipedia - List of Cannon episodes -- Wikipedia list article
Wikipedia - List of Can of Worms episodes -- Wikipedia list article
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Wikipedia - List of Canvas 2: Niji Iro no Sketch episodes -- Wikipedia list article
Wikipedia - List of Captain Barbell episodes -- Wikipedia list article
Wikipedia - List of Captain N: The Game Master episodes -- Wikipedia list article
Wikipedia - List of Captain Planet episodes -- Wikipedia list article
Wikipedia - List of Captain Scarlet and the Mysterons episodes -- Wikipedia list article
Wikipedia - List of Captain Tsubasa episodes -- Wikipedia list article
Wikipedia - List of Car 54, Where Are You? episodes -- Wikipedia list article
Wikipedia - List of Cardcaptor Sakura: Clear Card episodes -- Wikipedia list article
Wikipedia - List of Cardcaptor Sakura episodes -- Wikipedia list article
Wikipedia - List of Cardfight!! Vanguard episodes -- Wikipedia list article
Wikipedia - List of Care Bears episodes -- Wikipedia list article
Wikipedia - List of car models commercialized in Argentina -- Wikipedia list article
Wikipedia - List of Carnivale episodes -- Wikipedia list article
Wikipedia - List of Caroline in the City episodes -- Wikipedia list article
Wikipedia - List of Cartoon Planet episodes -- Wikipedia list article
Wikipedia - List of Case Closed episodes (seasons 1-15) -- Wikipedia list article
Wikipedia - List of Case Closed episodes (seasons 16-current) -- Wikipedia list article
Wikipedia - List of Case Unclosed episodes -- Wikipedia list article
Wikipedia - List of Casshern Sins episodes -- Wikipedia list article
Wikipedia - List of Castle episodes -- List of Castle episodes
Wikipedia - List of Casualty episodes (series 1-20) -- List of episodes between series 1 and series 20 of British medical drama Casualty
Wikipedia - List of Casualty episodes -- List of Casualty episodes
Wikipedia - List of Casualty specials -- List of special episodes of British medical drama Casualty
Wikipedia - List of CatDog episodes -- Wikipedia list article
Wikipedia - List of Catfish episodes -- List of episodes of American television series Catfish
Wikipedia - List of Cat's Eye episodes -- Wikipedia list article
Wikipedia - List of Cautious Hero episodes -- Wikipedia list article
Wikipedia - List of Cedar Cove episodes -- Wikipedia list article
Wikipedia - List of Celebrity Big Brother (American TV series) episodes -- Wikipedia list article
Wikipedia - List of Celebrity Deathmatch episodes -- Wikipedia list article
Wikipedia - List of Celebrity Family Feud episodes -- Wikipedia list article
Wikipedia - List of Celebrity Juice episodes -- Wikipedia list article
Wikipedia - List of Celebrity Name Game Australia episodes -- Wikipedia list article
Wikipedia - List of Celebrity Rehab with Dr. Drew episodes -- Wikipedia list article
Wikipedia - List of Ceres, Celestial Legend episodes -- Wikipedia list article
Wikipedia - List of Cessna models -- Wikipedia list article
Wikipedia - List of CGF country codes -- wikimedia list article
Wikipedia - List of Chalcodermus species -- Wikipedia list article
Wikipedia - List of Chalk episodes -- Wikipedia list article
Wikipedia - List of ChalkZone episodes -- List of episodes of the American animated television series ChalkZone
Wikipedia - List of Challenge Anneka episodes -- Wikipedia list article
Wikipedia - List of Chaos;Child episodes -- Wikipedia list article
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Wikipedia - List of Chaotic episodes -- Wikipedia list article
Wikipedia - List of Charlie and Lola episodes -- Wikipedia list article
Wikipedia - List of Charlie Brooker's Screenwipe episodes -- Wikimedia list article
Wikipedia - List of Charlie Jade episodes -- Wikipedia list article
Wikipedia - List of Charlie's Angels episodes -- Wikipedia list article
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Wikipedia - List of Chartjackers episodes -- Wikipedia list article
Wikipedia - List of Chase (2008 TV series) episodes -- Wikipedia list article
Wikipedia - List of Chasing Classic Cars episodes -- Wikipedia list article
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Wikipedia - List of Check It Out! with Dr. Steve Brule episodes -- Wikipedia list article
Wikipedia - List of Cheers episodes -- Wikipedia list article
Wikipedia - List of Chelsea episodes -- Wikipedia list article
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Wikipedia - List of Chibi Maruko-chan episodes -- Wikipedia list article
Wikipedia - List of Chicago Fire episodes -- Wikipedia list article
Wikipedia - List of Chicago Hope episodes -- Wikipedia list article
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Wikipedia - List of Chico and the Man episodes -- Wikipedia list article
Wikipedia - List of Chihayafuru episodes -- Wikipedia list article
Wikipedia - List of Childrens Hospital episodes -- Wikimedia list article
Wikipedia - List of Chilly Beach episodes -- Wikipedia list article
Wikipedia - List of Chimpui episodes -- Wikipedia list article
Wikipedia - List of China Beach episodes -- Wikipedia list article
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Wikipedia - List of China's Next Top Model contestants -- Wikimedia list article
Wikipedia - List of Chip 'n Dale Rescue Rangers episodes -- Wikipedia list article
Wikipedia - List of CHiPs episodes -- Wikipedia list article
Wikipedia - List of Chivalry of a Failed Knight episodes -- Wikipedia list article
Wikipedia - List of ChM-EM-^Mgattai Majutsu Robo Ginguiser episodes -- Wikipedia list article
Wikipedia - List of Chobits episodes -- Wikipedia list article
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Wikipedia - List of Chopped episodes (seasons 1-20) -- Wikipedia list article
Wikipedia - List of Chopped episodes (seasons 21-40) -- Wikipedia list article
Wikipedia - List of Chopped episodes -- Wikimedia list article
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Wikipedia - List of Chris & Julia's Sunday Night Takeaway episodes -- Wikipedia list article
Wikipedia - List of Christmas television episodes and specials in the United Kingdom -- Wikipedia list article
Wikipedia - List of Chrome Shelled Regios episodes -- Wikipedia list article
Wikipedia - List of Chrono Crusade episodes -- Wikipedia list article
Wikipedia - List of Chuck episodes -- Wikimedia list article
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Wikipedia - List of City Homicide episodes -- Wikipedia list article
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Wikipedia - List of City Hunter episodes -- Wikipedia list article
Wikipedia - List of city nicknames in Rhode Island -- Wikimedia list article
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Wikipedia - List of Clarence episodes -- Wikipedia list article
Wikipedia - List of Clarissa Explains It All episodes -- Wikipedia list article
Wikipedia - List of Class of the Titans episodes -- Wikipedia list article
Wikipedia - List of Claymore episodes -- Wikipedia list article
Wikipedia - List of Clifford the Big Red Dog episodes -- Wikipedia list article
Wikipedia - List of Clipper Round the World Yacht Race results -- Results of episodes of the Clipper Round The World Yacht Race
Wikipedia - List of Closer to Truth episodes -- Wikipedia list article
Wikipedia - List of Close to Home (2005 TV series) episodes -- Wikipedia list article
Wikipedia - List of Cloudy with a Chance of Meatballs episodes -- Wikimedia list article
Wikipedia - List of Cluedo episodes -- Wikipedia list article
Wikipedia - List of Clueless episodes -- Wikipedia list article
Wikipedia - List of Coach episodes -- Wikipedia list article
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Wikipedia - List of Code Geass characters -- Wikipedia list article
Wikipedia - List of Code Geass episodes -- Wikipedia list article
Wikipedia - List of Code Geass: Lelouch of the Rebellion episodes -- Wikipedia list article
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Wikipedia - List of Code Geass light novels -- Wikipedia list article
Wikipedia - List of Code Lyoko episodes -- Wikipedia list article
Wikipedia - List of Code Lyoko: Evolution episodes -- Wikipedia list article
Wikipedia - List of Codemasters video games -- Wikipedia list article
Wikipedia - List of Codename: Asero characters -- Wikipedia list article
Wikipedia - List of Codename: Kids Next Door episodes -- List of episodes of the American animated television series Codename: Kids Next Door
Wikipedia - List of codes used in the World Geographical Scheme for Recording Plant Distributions -- Wikimedia list article
Wikipedia - List of Coffee Prince episodes -- Wikipedia list article
Wikipedia - List of Coke Studio (Pakistani TV program) episodes -- Wikipedia list article
Wikipedia - List of Cold Case episodes -- Wikipedia list article
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Wikipedia - List of college athletic programs in Rhode Island -- Wikipedia list article
Wikipedia - List of colleges and universities in Rhode Island -- Wikipedia list article
Wikipedia - List of colonial governors of Rhode Island -- Wikipedia list article
Wikipedia - List of Colorado area codes -- Wikipedia list article
Wikipedia - List of Columbo episodes -- Wikipedia list article
Wikipedia - List of Combat! episodes -- Wikipedia list article
Wikipedia - List of Comeback episodes -- Wikipedia list article
Wikipedia - List of Comedy Bang! Bang! (TV series) episodes -- Wikipedia list article
Wikipedia - List of Comedy Central Presents episodes -- Wikipedia list article
Wikipedia - List of Come Outside episodes -- Wikipedia list article
Wikipedia - List of comic-based television episodes directed by women {{DISPLAYTITLE:List of comic-based television episodes directed by women -- List of comic-based television episodes directed by women {{DISPLAYTITLE:List of comic-based television episodes directed by women
Wikipedia - List of commercial software with available source code
Wikipedia - List of commercial video games with available source code -- Wikipedia list article
Wikipedia - List of commercial video games with later released source code -- Wikipedia list article
Wikipedia - List of common 3D test models
Wikipedia - List of Community episodes -- Wikipedia list article
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Wikipedia - List of compositions by Modest Mussorgsky -- Wikipedia list article
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Wikipedia - List of computer technology code names -- Wikipedia list article
Wikipedia - List of Conan episodes -- Wikipedia list article
Wikipedia - List of Conan the Adventurer episodes -- Wikipedia list article
Wikipedia - List of Connecticut area codes -- Wikipedia list article
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Wikipedia - List of Contessa episodes -- Wikipedia list article
Wikipedia - List of Continuum episodes -- Wikipedia list article
Wikipedia - List of convoy codes
Wikipedia - List of Cook's Country episodes -- Wikipedia list article
Wikipedia - List of Coop & Cami Ask the World episodes -- Wikipedia list article
Wikipedia - List of Copper episodes -- Wikipedia list article
Wikipedia - List of Cops episodes -- Wikipedia list article
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Wikipedia - List of Corpse Princess episodes -- Wikipedia list article
Wikipedia - List of Cory in the House episodes -- Wikipedia list article
Wikipedia - List of Cosby episodes -- Wikipedia list article
Wikipedia - List of Costa Rican models -- Wikimedia list article
Wikipedia - List of Cougar Town episodes -- Wikipedia list article
Wikipedia - List of Count Duckula episodes -- Wikipedia list article
Wikipedia - List of Counterfeit Cat episodes -- Wikipedia list article
Wikipedia - List of counties in Rhode Island -- List of counties in Rhode Island, United States
Wikipedia - List of Counting Cars episodes -- Wikipedia list article
Wikipedia - List of Counting On episodes -- Wikipedia list article
Wikipedia - List of country calling codes -- Wikimedia list article
Wikipedia - List of country codes on British diplomatic vehicle registration plates -- Wikipedia list article
Wikipedia - List of Couples Therapy episodes -- Wikipedia list article
Wikipedia - List of Coupling episodes -- Wikipedia list article
Wikipedia - List of Courage the Cowardly Dog episodes -- list of episodes of the American animated television series Courage the Cowardly Dog
Wikipedia - List of Cousin Skeeter episodes -- Wikipedia list article
Wikipedia - List of covered bridges in Rhode Island -- Wikipedia list article
Wikipedia - List of Covert Affairs episodes -- Wikipedia list article
Wikipedia - List of cover versions of Depeche Mode songs -- Wikipedia list article
Wikipedia - List of Cow and Chicken episodes -- Wikimedia list article
Wikipedia - List of Cowboy Bebop episodes -- Wikipedia list article
Wikipedia - List of Cracker episodes -- Wikipedia list article
Wikipedia - List of Craig of the Creek episodes -- Wikipedia list article
Wikipedia - List of Crash & Bernstein episodes -- Wikipedia list article
Wikipedia - List of Crayon Shin-chan episodes (1992-2001) -- Wikipedia list article
Wikipedia - List of Crayon Shin-chan episodes (2002-2011) -- Wikipedia list article
Wikipedia - List of Crayon Shin-chan episodes (2012-present) -- Wikipedia list article
Wikipedia - List of Crazy Ex-Girlfriend episodes -- Wikipedia list article
Wikipedia - List of Creepschool episodes -- Wikipedia list article
Wikipedia - List of Crescendo episodes -- Wikipedia list article
Wikipedia - List of Crimewatch (Singaporean TV series) episodes -- Wikipedia list article
Wikipedia - List of Criminal Minds: Beyond Borders episodes -- Wikimedia list article
Wikipedia - List of Criminal Minds episodes -- Wikimedia list article
Wikipedia - List of Cromartie High School episodes -- Wikipedia list article
Wikipedia - List of Cross Ange episodes -- Wikipedia list article
Wikipedia - List of Cross Game episodes -- Wikipedia list article
Wikipedia - List of Crossing Jordan episodes -- Wikipedia list article
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Wikipedia - List of Crush Gear Nitro episodes {{DISPLAYTITLE:List of ''Crush Gear Nitro'' episodes -- List of Crush Gear Nitro episodes {{DISPLAYTITLE:List of ''Crush Gear Nitro'' episodes
Wikipedia - List of Crush Gear Turbo episodes {{DISPLAYTITLE:List of ''Crush Gear Turbo'' episodes -- List of Crush Gear Turbo episodes {{DISPLAYTITLE:List of ''Crush Gear Turbo'' episodes
Wikipedia - List of CSI: Crime Scene Investigation episodes -- Episodes of American television series CSI: Crime Scene Investigation
Wikipedia - List of CSI: Miami episodes -- Episodes of American television series CSI: Miami
Wikipedia - List of CSI: NY episodes -- Wikipedia list article
Wikipedia - List of Cupcake Wars episodes -- Wikipedia list article
Wikipedia - List of Curb Your Enthusiasm episodes -- Wikipedia list article
Wikipedia - List of Curious George episodes -- Wikipedia list article
Wikipedia - List of Cute High Earth Defense Club Love! episodes -- Wikipedia list article
Wikipedia - List of Cutie Honey episodes -- Wikipedia list article
Wikipedia - List of Cutthroat Kitchen episodes -- Wikipedia list article
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Wikipedia - List of Da Capo episodes -- Wikipedia list article
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Wikipedia - List of Dading episodes -- Wikipedia list article
Wikipedia - List of Dad's Army episodes -- Wikipedia list article
Wikipedia - List of Dagashi Kashi episodes -- Wikipedia list article
Wikipedia - List of Dahil sa Pag-ibig episodes -- Wikipedia list article
Wikipedia - List of Daily Lives of High School Boys episodes -- Wikipedia list article
Wikipedia - List of daily news podcasts -- List of news podcasts that release an episode every day or every weekday
Wikipedia - List of Daisy Siete episodes -- Wikipedia list article
Wikipedia - List of Daktari episodes -- Wikipedia list article
Wikipedia - List of Dallas (1978 TV series) episodes -- Wikipedia list article
Wikipedia - List of Dallas (2012 TV series) episodes -- Wikipedia list article
Wikipedia - List of Dalziel and Pascoe episodes -- Wikipedia list article
Wikipedia - List of Damages episodes -- Wikipedia list article
Wikipedia - List of dams and reservoirs in Rhode Island -- Wikipedia list article
Wikipedia - List of Dance Academy episodes -- Wikipedia list article
Wikipedia - List of Dance in the Vampire Bund episodes -- Wikipedia list article
Wikipedia - List of Dance Moms episodes -- Wikipedia list article
Wikipedia - List of Danganronpa 3: The End of Hope's Peak High School episodes -- Wikipedia list article
Wikipedia - List of Danganronpa: The Animation episodes -- Wikipedia list article
Wikipedia - List of Danger Bay episodes -- Wikipedia list article
Wikipedia - List of Danger Man episodes -- Wikipedia list article
Wikipedia - List of Danger Mouse (2015 TV series) episodes -- Wikipedia list article
Wikipedia - List of Dangwa episodes -- Wikipedia list article
Wikipedia - List of Daniel Tiger's Neighborhood episodes -- Wikimedia list article
Wikipedia - List of Dani's Castle episodes -- Wikipedia list article
Wikipedia - List of Danny Phantom episodes -- Wikipedia list article
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Wikipedia - List of Daria episodes -- Wikipedia list article
Wikipedia - List of Dark Angel episodes -- Wikipedia list article
Wikipedia - List of Darker than Black episodes -- Wikipedia list article
Wikipedia - List of Darker than Black: Gemini of the Meteor episodes -- Wikipedia list article
Wikipedia - List of Dark Matter episodes -- Wikipedia list article
Wikipedia - List of Dark Shadows episodes -- Wikipedia list article
Wikipedia - List of Darkwing Duck episodes -- Wikipedia list article
Wikipedia - List of Darling in the Franxx episodes -- Wikipedia list article
Wikipedia - List of Darr Sabko Lagta Hai episodes -- Wikipedia list article
Wikipedia - List of Date A Live episodes -- Wikipedia list article
Wikipedia - List of Dave's One Night Stand episodes -- Wikipedia list article
Wikipedia - List of David Attenborough's Natural Curiosities episodes -- Wikipedia list article
Wikipedia - List of Da Vinci's Demons episodes -- Wikipedia list article
Wikipedia - List of Da Vinci's Inquest episodes -- Wikipedia list article
Wikipedia - List of Dawn of the Croods episodes -- Wikipedia list article
Wikipedia - List of Dawson's Creek episodes -- Wikipedia list article
Wikipedia - List of DCI Banks episodes -- British television crime series episodes
Wikipedia - List of DC Super Hero Girls episodes -- Wikipedia list article
Wikipedia - List of DC Super Hero Girls (TV series) episodes -- Wikipedia list article
Wikipedia - List of Deadbeat episodes -- Wikipedia list article
Wikipedia - List of Deadliest Catch episodes -- Wikipedia list article
Wikipedia - List of Dead Like Me episodes -- Wikipedia list article
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Wikipedia - List of Death in Paradise episodes -- Wikipedia list article
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Wikipedia - List of Decker episodes -- Wikipedia list article
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Wikipedia - List of Degrassi episodes -- Wikipedia list article
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Wikipedia - List of Delocated episodes -- Wikipedia list article
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Wikipedia - List of Demon King Daimao episodes -- Wikipedia list article
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Wikipedia - List of Dempsey and Makepeace episodes -- Wikipedia list article
Wikipedia - List of Dennis the Menace (1959 TV series) episodes -- Wikipedia list article
Wikipedia - List of DennM-EM-^M Coil episodes -- Wikipedia list article
Wikipedia - List of Departures episodes -- Wikipedia list article
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Wikipedia - List of Descendants of the Sun episodes -- Wikipedia list article
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Wikipedia - List of Descending Stories: Showa Genroku Rakugo Shinju episodes -- Wikipedia list article
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Wikipedia - List of Destino episodes -- Wikipedia list article
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Wikipedia - List of Detective School Q episodes -- Wikipedia list article
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Wikipedia - List of Deutsche Bahn station codes -- Wikipedia list article
Wikipedia - List of Devilman episodes -- Wikipedia list article
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Wikipedia - List of Devotion (TV series) episodes -- Wikipedia list article
Wikipedia - List of Dexter episodes -- Wikipedia list article
Wikipedia - List of Dexter's Laboratory episodes -- list of episodes of the American animated television series Dexter's Laboratory
Wikipedia - List of D.Gray-man episodes -- Wikipedia list article
Wikipedia - List of Dharma & Greg episodes -- Wikipedia list article
Wikipedia - List of Dhoom Machaao Dhoom episodes -- Wikipedia list article
Wikipedia - List of Diagnosis: Murder episodes -- Wikipedia list article
Wikipedia - List of dialing codes in Japan -- Wikipedia list article
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Wikipedia - List of dialling codes in Iran -- Wikipedia list article
Wikipedia - List of dialling codes in Italy -- Wikipedia list article
Wikipedia - List of dialling codes in New Zealand -- Wikipedia list article
Wikipedia - List of dialling codes in Pakistan -- Wikipedia list article
Wikipedia - List of dialling codes in the Republic of Ireland -- Wikipedia list article
Wikipedia - List of dialling codes in the United Kingdom -- Wikipedia list article
Wikipedia - List of dialling codes in Ukraine -- Wikipedia list article
Wikipedia - List of Diff'rent Strokes episodes -- Wikipedia list article
Wikipedia - List of Di-Gata Defenders episodes -- Wikipedia list article
Wikipedia - List of Digging for the Truth episodes -- Wikipedia list article
Wikipedia - List of Di Gi Charat episodes -- Wikipedia list article
Wikipedia - List of Digimon Adventure 02 episodes -- Wikipedia list article
Wikipedia - List of Digimon Adventure (2020 TV series) episodes -- Wikipedia list article
Wikipedia - List of Digimon Adventure episodes -- Wikipedia list article
Wikipedia - List of Digimon Data Squad episodes -- Wikipedia list article
Wikipedia - List of Digimon episodes and films -- Wikipedia list article
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Wikipedia - List of Digimon Fusion episodes -- Wikipedia list article
Wikipedia - List of Digimon Tamers episodes -- Wikipedia list article
Wikipedia - List of Digimon Universe: App Monsters episodes -- Wikipedia list article
Wikipedia - List of Diners, Drive-Ins and Dives episodes -- Wikipedia list article
Wikipedia - List of Dinner: Impossible episodes -- Wikipedia list article
Wikipedia - List of Dinnerladies episodes -- Wikipedia list article
Wikipedia - List of Dino Dan episodes -- Children's television series episode list
Wikipedia - List of Dinosaur King episodes -- Wikipedia list article
Wikipedia - List of Dinosaurs episodes -- Wikipedia list article
Wikipedia - List of Dinosaur Train episodes -- Wikipedia list article
Wikipedia - List of Dinotrux episodes -- Wikipedia list article
Wikipedia - List of DiriliM-EM-^_: ErtuM-DM-^_rul and KuruluM-EM-^_: Osman episodes -- Wikipedia list article
Wikipedia - List of Dirty Jobs episodes -- Wikipedia list article
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Wikipedia - List of Disappeared episodes -- Wikipedia list article
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Wikipedia - List of Disney's Adventures of the Gummi Bears episodes -- Wikipedia list article
Wikipedia - List of Disney's House of Mouse episodes -- Wikipedia list article
Wikipedia - List of Dixi episodes -- Wikipedia list article
Wikipedia - List of Dixon of Dock Green episodes -- Wikipedia list article
Wikipedia - List of Diyar-e-Dil episodes -- Wikipedia list article
Wikipedia - List of DIY SOS episodes -- Wikipedia list article
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Wikipedia - List of D.N.Angel episodes -- Wikipedia list article
Wikipedia - List of Doble Kara episodes -- Wikipedia list article
Wikipedia - List of Doc Martin episodes -- Wikipedia list article
Wikipedia - List of Doc McStuffins episodes -- Wikipedia list article
Wikipedia - List of Doctor Doctor (American TV series) episodes -- Wikipedia list article
Wikipedia - List of Doctor Doctor (Australian TV series) episodes -- Wikipedia list article
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Wikipedia - List of Doctor Who episodes (1963-1989) -- Wikipedia list article
Wikipedia - List of Doctor Who episodes (2005-present) -- Wikipedia list article
Wikipedia - List of Dog Days episodes -- Wikipedia list article
Wikipedia - List of Dog with a Blog episodes -- Wikipedia list article
Wikipedia - List of DokiDoki! PreCure episodes -- Wikipedia list article
Wikipedia - List of Doki episodes -- Wikipedia list article
Wikipedia - List of Dolce Amore episodes -- Wikipedia list article
Wikipedia - List of Dollhouse episodes -- Wikipedia list article
Wikipedia - List of Donkey Kong Country episodes -- Wikipedia list article
Wikipedia - List of Don Matteo episodes -- Wikipedia list article
Wikipedia - List of Don't Be Tardy episodes -- Wikipedia list article
Wikipedia - List of Don't Stop Believin' episodes -- Wikipedia list article
Wikipedia - List of Don't Wait Up episodes -- Wikipedia list article
Wikipedia - List of Doogie Howser, M.D. episodes -- Wikipedia list article
Wikipedia - List of Dora and Friends: Into the City! episodes -- Wikipedia list article
Wikipedia - List of Doraemon (2005-2009) episodes -- Wikipedia list article
Wikipedia - List of Doraemon (2010-2014) episodes -- Wikipedia list article
Wikipedia - List of Doraemon (2015-2019) episodes -- Wikipedia list article
Wikipedia - List of Dora the Explorer episodes -- Wikipedia list article
Wikipedia - List of DoReMi Market episodes -- Wikipedia list article
Wikipedia - List of D' Originals episodes -- Philippine television series
Wikipedia - List of Dororon Enma-kun episodes -- Wikipedia list article
Wikipedia - List of Dorothy and the Wizard of Oz episodes -- Wikimedia list article
Wikipedia - List of Double Bonus episodes -- Wikipedia list article
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Wikipedia - List of Doubutsu Sentai Zyuohger episodes -- Wikipedia list article
Wikipedia - List of Doug episodes -- Wikipedia list article
Wikipedia - List of Downton Abbey episodes -- Wikimedia list article
Wikipedia - List of Dragnet (1951 TV series) episodes -- Wikipedia list article
Wikipedia - List of Dragnet (1989 TV series) episodes -- Wikipedia list article
Wikipedia - List of Dragnet (2003 TV series) episodes -- Wikipedia list article
Wikipedia - List of Dragonaut: The Resonance episodes -- Wikipedia list article
Wikipedia - List of Dragon Ball episodes -- Wikipedia list article
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Wikipedia - List of Dragon Ball Z episodes -- Wikipedia list article
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Wikipedia - List of Dragon Booster episodes -- Wikipedia list article
Wikipedia - List of Dragon Lady episodes -- Wikimedia list article
Wikipedia - List of Dragon Tales episodes -- Wikipedia list article
Wikipedia - List of Drake & Josh episodes -- Wikipedia list article
Wikipedia - List of Drama Stage episodes -- Wikipedia list article
Wikipedia - List of Dramatical Murder episodes -- Wikipedia list article
Wikipedia - List of Drawn Together episodes -- Wikipedia list article
Wikipedia - List of Dream On episodes -- Wikipedia list article
Wikipedia - List of DreamWorks Dragons episodes -- Wikipedia list article
Wikipedia - List of Drew Carey's Improv-A-Ganza episodes -- Wikipedia list article
Wikipedia - List of Dr. Finlay's Casebook episodes -- Wikipedia list article
Wikipedia - List of Drinking Made Easy episodes -- Wikipedia list article
Wikipedia - List of Dr. Katz, Professional Therapist episodes -- Wikipedia list article
Wikipedia - List of Dr. Ken episodes -- Wikipedia list article
Wikipedia - List of Dr. Kildare episodes -- Wikipedia list article
Wikipedia - List of Drop Dead Diva episodes -- Wikipedia list article
Wikipedia - List of Drop the Dead Donkey episodes -- Wikipedia list article
Wikipedia - List of Dr. Quinn, Medicine Woman episodes -- Wikipedia list article
Wikipedia - List of Dr. Slump Arale-chan episodes -- Wikipedia list article
Wikipedia - List of Dr. Stone episodes -- Wikipedia list article
Wikipedia - List of Drunk History episodes -- Wikipedia list article
Wikipedia - List of dual-code rugby internationals -- Wikimedia list article
Wikipedia - List of Duck Dodgers episodes -- Wikipedia list article
Wikipedia - List of Duck Dynasty episodes -- Wikimedia list article
Wikipedia - List of Duckman episodes -- Wikipedia list article
Wikipedia - List of DuckTales (2017 TV series) episodes -- Wikipedia list article
Wikipedia - List of DuckTales episodes -- Wikipedia list article
Wikipedia - List of Durarara!! episodes -- Wikipedia list article
Wikipedia - List of Durarara!!M-CM-^W2 episodes -- Wikipedia list article
Wikipedia - List of Dyesebel (2014 TV series) episodes -- Wikipedia list article
Wikipedia - List of Dynasty (1981 TV series) episodes -- Wikipedia list article
Wikipedia - List of Dynasty (2017 TV series) episodes -- Wikipedia list article
Wikipedia - List of Early Edition episodes -- Wikipedia list article
Wikipedia - List of early-modern journals -- Wikipedia list article
Wikipedia - List of early-modern women playwrights (UK) -- Wikipedia list article
Wikipedia - List of early-modern women poets (UK) -- Wikipedia list article
Wikipedia - List of Eastbound & Down episodes -- Wikipedia list article
Wikipedia - List of EastEnders: E20 episodes -- Wikipedia list article
Wikipedia - List of EastEnders two-hander episodes -- List of EastEnders two-hander episodes
Wikipedia - List of East West 101 episodes -- Wikipedia list article
Wikipedia - List of echinoderms of Ireland -- Wikipedia list article
Wikipedia - List of echinoderms of South Africa -- A list of species that form a part of the echinoderm fauna of South Africa
Wikipedia - List of echinoderms of the Houtman Abrolhos -- Wikipedia list article
Wikipedia - List of echinoderms of Venezuela -- Wikipedia list article
Wikipedia - List of Ed, Edd n Eddy episodes -- Episode list for an animated series
Wikipedia - List of Eden of the East episodes -- Wikipedia list article
Wikipedia - List of Ed episodes -- Wikipedia list article
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Wikipedia - List of educational institutions in Erode district -- Wikipedia list article
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Wikipedia - List of Eek! The Cat episodes -- Wikipedia list article
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Wikipedia - List of El Cazador de la Bruja episodes -- Wikipedia list article
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Wikipedia - List of electric bus makers and models -- Wikipedia list article
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Wikipedia - List of Elementary episodes -- Wikipedia list article
Wikipedia - List of Elena of Avalor episodes -- Wikipedia list article
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Wikipedia - List of Elfen Lied episodes -- Wikipedia list article
Wikipedia - List of Elle (Australia) cover models -- Wikipedia list article
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Wikipedia - List of Elle (Canada) cover models -- Wikipedia list article
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Wikipedia - List of Elle (India) cover models -- Wikipedia list article
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Wikipedia - List of Ellen episodes -- Wikipedia list article
Wikipedia - List of Ellen's Game of Games episodes -- Wikipedia list article
Wikipedia - List of Elle (Portugal) cover models -- Wikipedia list article
Wikipedia - List of Elle (Quebec) cover models -- Wikipedia list article
Wikipedia - List of El SeM-CM-1or de los Cielos episodes -- Wikipedia list article
Wikipedia - List of Emergency! episodes -- Wikipedia list article
Wikipedia - List of Emma episodes -- Wikipedia list article
Wikipedia - List of Empire episodes -- Wikipedia list article
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Wikipedia - List of Engine Sentai Go-onger episodes -- Wikipedia list article
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Wikipedia - List of Epic Rap Battles of History episodes -- Wikimedia list article
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Wikipedia - List of Esta historia me suena episodes -- Wikipedia list article
Wikipedia - List of Eureka episodes -- Wikimedia list article
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Wikipedia - List of Eve (American TV series) episodes -- Wikipedia list article
Wikipedia - List of Eve (British TV series) episodes -- Wikipedia list article
Wikipedia - List of Evening Shade episodes {{DISPLAYTITLE:List of ''Evening Shade'' episodes -- List of Evening Shade episodes {{DISPLAYTITLE:List of ''Evening Shade'' episodes
Wikipedia - List of Even Stevens episodes -- Wikipedia list article
Wikipedia - List of Everwood episodes {{DISPLAYTITLE:List of ''Everwood'' episodes -- List of Everwood episodes {{DISPLAYTITLE:List of ''Everwood'' episodes
Wikipedia - List of Everybody Hates Chris episodes -- Wikipedia list article
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Wikipedia - List of Every Witch Way episodes -- Wikipedia list article
Wikipedia - List of Excel Saga episodes -- Wikipedia list article
Wikipedia - List of Ex on the Beach episodes -- List of Ex on the Beach episodes
Wikipedia - List of Exosquad episodes -- Wikipedia list article
Wikipedia - List of Extant episodes -- Wikipedia list article
Wikipedia - List of extinct rodents -- Wikipedia list article
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Wikipedia - List of Extreme Makeover: Home Edition episodes -- Wikipedia list article
Wikipedia - List of Eyeshield 21 episodes (1-72) -- Wikipedia list article
Wikipedia - List of Eyeshield 21 episodes (73-145) -- Wikipedia list article
Wikipedia - List of Eyeshield 21 episodes -- Wikipedia list article
Wikipedia - List of Face Off episodes -- Wikipedia list article
Wikipedia - List of Fafner in the Azure episodes -- Wikipedia list article
Wikipedia - List of Fairy Gone episodes {{DISPLAYTITLE:List of ''Fairy Gone'' episodes -- List of Fairy Gone episodes {{DISPLAYTITLE:List of ''Fairy Gone'' episodes
Wikipedia - List of Fairy Tail episodes -- Wikipedia list article
Wikipedia - List of Fake Reaction episodes -- Wikipedia list article
Wikipedia - List of Faking It (American TV series) episodes -- Wikipedia list article
Wikipedia - List of Faking It (British TV series) episodes -- Wikipedia list article
Wikipedia - List of Falcon Crest episodes -- Wikipedia list article
Wikipedia - List of Falling Skies episodes -- Wikipedia list article
Wikipedia - List of Fame (1982 TV series) episodes -- Wikipedia list article
Wikipedia - List of Family Affair episodes -- Wikipedia list article
Wikipedia - List of Family episodes -- Wikipedia list article
Wikipedia - List of Family Guy episodes -- Episode list for an animated series
Wikipedia - List of Family Matters episodes -- Wikipedia list article
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Wikipedia - List of Family Ties episodes -- Wikipedia list article
Wikipedia - List of Fanboy & Chum Chum episodes -- Wikipedia list article
Wikipedia - List of Fantasy Patrol episodes -- Wikipedia list article
Wikipedia - List of Fargo episodes -- Wikipedia list article
Wikipedia - List of Farscape episodes -- Wikipedia list article
Wikipedia - List of Fashion House episodes -- Wikipedia list article
Wikipedia - List of Fat Albert and the Cosby Kids episodes -- Wikipedia list article
Wikipedia - List of Fate/Apocrypha episodes {{DISPLAYTITLE:List of ''Fate/Apocrypha'' episodes -- List of Fate/Apocrypha episodes {{DISPLAYTITLE:List of ''Fate/Apocrypha'' episodes
Wikipedia - List of Fate/Extra Last Encore episodes -- Wikipedia list article
Wikipedia - List of Fate/Grand Order - Absolute Demonic Front: Babylonia episodes -- Wikipedia list article
Wikipedia - List of Fate/kaleid liner Prisma Illya episodes -- Wikipedia list article
Wikipedia - List of Fate/stay night episodes -- Wikipedia list article
Wikipedia - List of Fate/stay night: Unlimited Blade Works episodes {{DISPLAYTITLE:List of ''Fate/stay night: Unlimited Blade Works'' episodes -- List of Fate/stay night: Unlimited Blade Works episodes {{DISPLAYTITLE:List of ''Fate/stay night: Unlimited Blade Works'' episodes
Wikipedia - List of Fate/Zero episodes -- Wikipedia list article
Wikipedia - List of Father Brown episodes -- TV series
Wikipedia - List of Father Dowling Mysteries episodes -- Wikipedia list article
Wikipedia - List of Father Ted episodes -- Wikipedia list article
Wikipedia - List of FBI episodes -- Wikipedia list article
Wikipedia - List of Fear the Walking Dead episodes -- American horror television series episode list
Wikipedia - List of Felicity episodes -- Wikipedia list article
Wikipedia - List of Fetch! with Ruff Ruffman episodes -- list article
Wikipedia - List of Fiat V.I. models from 1903 to 1974 -- Wikipedia list article
Wikipedia - List of fictional astronauts (modern period, works released 1975-1989) -- Wikipedia list article
Wikipedia - List of fictional astronauts (modern period, works released 1990-1999) -- Wikipedia list article
Wikipedia - List of fictional astronauts (modern period, works released 2000-2009) -- Wikipedia list article
Wikipedia - List of fictional astronauts (modern period, works released 2010-2019) -- Wikipedia list article
Wikipedia - List of fictional rodents in animation -- Wikipedia list article
Wikipedia - List of fictional rodents in comics -- Wikipedia list article
Wikipedia - List of fictional rodents in literature -- Wikipedia list article
Wikipedia - List of fictional rodents in video games -- Wikipedia list article
Wikipedia - List of FIFA country codes -- Wikipedia list article
Wikipedia - List of Fifth Gear episodes -- Wikipedia list article
Wikipedia - List of films made with Autodesk 3ds Max -- Wikipedia list article
Wikipedia - List of Final Space episodes -- Wikipedia list article
Wikipedia - List of Finding Bigfoot episodes -- Wikipedia list article
Wikipedia - List of Finding Carter episodes -- Wikipedia list article
Wikipedia - List of Finding Your Roots episodes -- Wikimedia list article
Wikipedia - List of Finnish modern frigates -- Wikipedia list article
Wikipedia - List of FIPS country codes
Wikipedia - List of Fire Force episodes {{DISPLAYTITLE:List of ''Fire Force'' episodes -- List of Fire Force episodes {{DISPLAYTITLE:List of ''Fire Force'' episodes
Wikipedia - List of Fireman Sam episodes -- Wikipedia list article
Wikipedia - List of Fireside Theatre episodes -- Wikipedia list article
Wikipedia - List of Fire Up episodes -- Wikipedia list article
Wikipedia - List of Firing Line episodes (1966-1969) -- Wikipedia list article
Wikipedia - List of Firing Line episodes -- Wikipedia list article
Wikipedia - List of First Love Limited episodes -- Wikipedia list article
Wikipedia - List of first minority male lawyers and judges in Rhode Island -- Wikimedia list article
Wikipedia - List of First Wave episodes -- Wikipedia list article
Wikipedia - List of first women lawyers and judges in Rhode Island -- Wikimedia list article
Wikipedia - List of Fish episodes -- Wikipedia list article
Wikipedia - List of Fish Hooks episodes -- Wikipedia list article
Wikipedia - List of Fist of the Blue Sky episodes -- Wikipedia list article
Wikipedia - List of Fist of the North Star episodes -- Wikipedia list article
Wikipedia - List of Fixer Upper episodes -- Wikipedia list article
Wikipedia - List of Flame of Recca episodes -- Wikipedia list article
Wikipedia - List of Flamingo Road episodes -- Wikipedia list article
Wikipedia - List of Flashpoint episodes -- Wikimedia list article
Wikipedia - List of FLCL episodes -- Wikipedia list article
Wikipedia - List of Fleksnes Fataliteter episodes -- Wikipedia list article
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Wikipedia - List of Flikken Maastricht episodes -- Wikipedia list article
Wikipedia - List of Flip or Flop episodes -- Episodes of American reality television series Flip or Flop
Wikipedia - List of Flipper (1995 TV series) episodes -- Wikipedia list article
Wikipedia - List of Flipper episodes -- Wikipedia list article
Wikipedia - List of Floral Magician Mary Bell episodes -- Wikipedia list article
Wikipedia - List of Florida area codes -- Wikipedia list article
Wikipedia - List of Flying Fish (TV series) episodes -- Wikipedia list article
Wikipedia - List of Fonejacker episodes -- Wikipedia list article
Wikipedia - List of Food Network Challenge episodes -- Wikipedia list article
Wikipedia - List of Food Wars! Shokugeki no Soma episodes -- Wikipedia list article
Wikipedia - List of For Better or Worse (TV series) episodes -- Wikipedia list article
Wikipedia - List of Ford Taurus models -- Wikipedia list article
Wikipedia - List of Forensic Files episodes -- Wikipedia list article
Wikipedia - List of Forever Knight episodes -- Wikipedia list article
Wikipedia - List of Forevermore episodes -- Wikipedia list article
Wikipedia - List of Foster's Home for Imaginary Friends episodes -- Wikimedia list article
Wikipedia - List of Four Rooms episodes -- Wikipedia list article
Wikipedia - List of Franklin & Bash episodes -- Wikipedia list article
Wikipedia - List of Franklin episodes -- Wikipedia list article
Wikipedia - List of Frasier episodes -- Wikipedia list article
Wikipedia - List of Freakazoid! episodes -- Wikipedia list article
Wikipedia - List of Freaky episodes -- wikimedia list article
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Wikipedia - List of French modern frigates -- Wikipedia list article
Wikipedia - List of Fresh Meat episodes -- Wikipedia list article
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Wikipedia - List of Friday Night with Jonathan Ross episodes -- Wikipedia list article
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Wikipedia - List of Friday the 13th: The Series episodes -- Wikipedia list article
Wikipedia - List of Friends episodes -- Wikipedia list article
Wikipedia - List of Fringe episodes -- Wikipedia list article
Wikipedia - List of From Dusk till Dawn episodes -- Wikipedia list article
Wikipedia - List of Frontline (Australian TV series) episodes -- Wikipedia list article
Wikipedia - List of Fruits Basket (2001 TV series) episodes -- Wikipedia list article
Wikipedia - List of FTP server return codes -- Wikipedia list article
Wikipedia - List of F Troop episodes -- Wikipedia list article
Wikipedia - List of Fuller House episodes -- Wikipedia list article
Wikipedia - List of Full Frontal with Samantha Bee episodes -- Wikipedia list article
Wikipedia - List of Full House episodes -- Wikipedia list article
Wikipedia - List of Fullmetal Alchemist: Brotherhood episodes -- Wikipedia list article
Wikipedia - List of Fullmetal Alchemist episodes -- Wikimedia list article
Wikipedia - List of Full Metal Panic! episodes -- Wikipedia list article
Wikipedia - List of Full Metal Panic? Fumoffu episodes -- Wikipedia list article
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Wikipedia - List of Full Metal Panic! The Second Raid episodes -- Wikipedia list article
Wikipedia - List of Full Moon o Sagashite episodes -- Wikipedia list article
Wikipedia - List of Fushigi YM-CM-;gi episodes -- Wikipedia list article
Wikipedia - List of Futari wa Pretty Cure episodes {{DISPLAYTITLE:List of ''Futari wa Pretty Cure'' episodes -- List of Futari wa Pretty Cure episodes {{DISPLAYTITLE:List of ''Futari wa Pretty Cure'' episodes
Wikipedia - List of Futari wa Pretty Cure Max Heart episodes -- Wikipedia list article
Wikipedia - List of Futari wa Pretty Cure Splash Star episodes -- Wikipedia list article
Wikipedia - List of Futurama episodes {{DISPLAYTITLE:List of ''Futurama'' episodes -- List of Futurama episodes {{DISPLAYTITLE:List of ''Futurama'' episodes
Wikipedia - List of Future Boy Conan episodes -- Wikipedia list article
Wikipedia - List of Future Card Buddyfight episodes -- Wikipedia list article
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Wikipedia - List of Future GPX Cyber Formula episodes -- Wikipedia list article
Wikipedia - List of future North American area codes -- Wikipedia list article
Wikipedia - List of Gadget & the Gadgetinis episodes -- Wikipedia list article
Wikipedia - List of Gadget Boy & Heather episodes -- Wikipedia list article
Wikipedia - List of Gaiking: Legend of Daiku-Maryu episodes -- Wikipedia list article
Wikipedia - List of Gakuen Alice episodes -- Wikipedia list article
Wikipedia - List of Galaxy Angel episodes -- Wikipedia list article
Wikipedia - List of Galaxy Express 999 episodes -- Wikipedia list article
Wikipedia - List of Galis episodes -- Wikipedia list article
Wikipedia - List of Game of Thrones episodes -- Wikipedia list article
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Wikipedia - List of Game Shakers episodes -- Wikipedia list article
Wikipedia - List of Gankutsuou episodes -- Wikipedia list article
Wikipedia - List of Gantz episodes -- Wikipedia list article
Wikipedia - List of Ga-Rei: Zero episodes -- Wikipedia list article
Wikipedia - List of Garfield and Friends episodes -- Wikimedia list article
Wikipedia - List of Gargoyles episodes -- Wikipedia list article
Wikipedia - List of Garo episodes -- Wikipedia list article
Wikipedia - List of Garo: Gold Storm Sho episodes -- Wikipedia list article
Wikipedia - List of Garo: Makai no Hana episodes -- Wikipedia list article
Wikipedia - List of Garo: Makai Senki episodes -- Wikipedia list article
Wikipedia - List of Garo: The Animation episodes -- Wikipedia list article
Wikipedia - List of Garo: Yami o Terasu Mono episodes -- Wikipedia list article
Wikipedia - List of Gary Unmarried episodes -- Wikipedia list article
Wikipedia - List of Gatchaman Crowds episodes -- Wikipedia list article
Wikipedia - List of Gatchaman Fighter episodes -- Wikipedia list article
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Wikipedia - List of Gate episodes -- Wikipedia list article
Wikipedia - List of Gate Keepers episodes -- Wikipedia list article
Wikipedia - List of Gavin & Stacey episodes -- Wikipedia list article
Wikipedia - List of GeGeGe no KitarM-EM-^M episodes -- Wikipedia list article
Wikipedia - List of Generator Gawl episodes -- Wikipedia list article
Wikipedia - List of Generator Rex episodes -- Wikipedia list article
Wikipedia - List of Genesis of Aquarion episodes -- Wikipedia list article
Wikipedia - List of genetic codes
Wikipedia - List of Genie in the House episodes -- Wikipedia list article
Wikipedia - List of Genshiken episodes -- Wikipedia list article
Wikipedia - List of geodesic polyhedra and Goldberg polyhedra -- Wikipedia list article
Wikipedia - List of geodesists
Wikipedia - List of Geordie Shore episodes -- Wikipedia list article
Wikipedia - List of George and Mildred episodes -- Wikipedia list article
Wikipedia - List of George Lopez episodes -- Wikipedia list article
Wikipedia - List of George of the Jungle (2007 TV series) episodes -- Wikipedia list article
Wikipedia - List of Georgia area codes -- Wikipedia list article
Wikipedia - List of Geronimo Stilton episodes -- Wikipedia list article
Wikipedia - List of Gerry Anderson's New Captain Scarlet episodes -- Wikipedia list article
Wikipedia - List of Get a Life episodes -- Wikipedia list article
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Wikipedia - List of Ghost Adventures episodes -- Wikipedia list article
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Wikipedia - List of Ghost Hunters episodes -- Wikipedia list article
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Wikipedia - List of Ghost in the Shell: Arise - Alternative Architecture episodes -- Wikipedia list article
Wikipedia - List of Ghost in the Shell: Stand Alone Complex episodes -- Wikipedia list article
Wikipedia - List of Ghost Slayers Ayashi episodes -- Wikipedia list article
Wikipedia - List of Ghost Stories (Japanese TV series) episodes -- Wikipedia list article
Wikipedia - List of Ghost Whisperer episodes -- Wikipedia list article
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Wikipedia - List of Ghostwriter episodes -- Wikipedia list article
Wikipedia - List of G.I. Joe: A Real American Hero episodes -- Wikipedia list article
Wikipedia - List of G.I. Joe Extreme episodes -- Wikipedia list article
Wikipedia - List of Gilligan's Island episodes -- Wikipedia list article
Wikipedia - List of Gilmore Girls episodes -- Wikipedia list article
Wikipedia - List of Gimme a Break! episodes -- Wikipedia list article
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Wikipedia - List of Gintama episodes -- Wikipedia list article
Wikipedia - List of Girlfriends episodes -- Wikipedia list article
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Wikipedia - List of Girls episodes -- Wikipedia list article
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Wikipedia - List of glamour models -- Wikimedia list article
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Wikipedia - List of Glenn Martin, DDS episodes -- Wikipedia list article
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Wikipedia - List of Goblin Slayer episodes -- Wikipedia list article
Wikipedia - List of Go Fighting! episodes -- Wikipedia list article
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Wikipedia - List of Gogglebox episodes -- List of Gogglebox episodes
Wikipedia - List of Go Go Squid! episodes -- Wikipedia list article
Wikipedia - List of Gokusen episodes -- Wikipedia list article
Wikipedia - List of Golden Kamuy episodes -- Wikipedia list article
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Wikipedia - List of Gomer Pyle, U.S.M.C. episodes -- Wikipedia list article
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Wikipedia - List of Gonna Make It episodes -- Wikipedia list article
Wikipedia - List of Good Behavior episodes -- Wikipedia list article
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Wikipedia - List of Goodenia species -- Wikipedia list article
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Wikipedia - List of Goodnight Sweetheart episodes -- Wikipedia list article
Wikipedia - List of Good Times episodes -- Wikipedia list article
Wikipedia - List of Good Witch episodes -- Wikipedia list article
Wikipedia - List of Go! Princess PreCure episodes -- Wikipedia list article
Wikipedia - List of Gosick episodes -- Wikipedia list article
Wikipedia - List of Gossip Girl: Acapulco episodes -- Wikipedia list article
Wikipedia - List of Gossip Girl episodes -- Wikipedia list article
Wikipedia - List of Gotham episodes -- Wikipedia list article
Wikipedia - List of governors of Rhode Island -- Wikipedia list article
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Wikipedia - List of Grace and Frankie episodes -- Wikimedia list article
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Wikipedia - List of Grange Hill episodes -- Wikipedia list article
Wikipedia - List of Gravion episodes -- Wikipedia list article
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Wikipedia - List of Grazia (India) cover models -- Wikipedia list article
Wikipedia - List of Great Performances episodes -- Wikipedia list article
Wikipedia - List of Great Teacher Onizuka episodes -- Wikipedia list article
Wikipedia - List of Greek episodes -- Wikipedia list article
Wikipedia - List of Green Acres episodes -- Wikipedia list article
Wikipedia - List of Grey's Anatomy episodes -- Wikipedia list article
Wikipedia - List of Grimm episodes -- Wikipedia list article
Wikipedia - List of Grizzly Tales for Gruesome Kids episodes -- Wikipedia list article
Wikipedia - List of Grizzy and the Lemmings episodes -- Wikipedia list article
Wikipedia - List of Grounded for Life episodes -- Wikipedia list article
Wikipedia - List of group-0 ISBN publisher codes
Wikipedia - List of group-1 ISBN publisher codes
Wikipedia - List of Growing Pains episodes -- Wikipedia list article
Wikipedia - List of GS1 country codes -- Wikipedia list article
Wikipedia - List of Guardians of the Galaxy episodes -- Wikipedia list article
Wikipedia - List of Guilty Crown episodes -- Wikipedia list article
Wikipedia - List of Guin Saga episodes -- Wikipedia list article
Wikipedia - List of Gundam Build Fighters episodes -- Wikipedia list article
Wikipedia - List of Gundam Build Fighters Try episodes -- Wikipedia list article
Wikipedia - List of Gundam Reconguista in G episodes -- Wikipedia list article
Wikipedia - List of Gungrave episodes -- Wikipedia list article
Wikipedia - List of Gun Metal Grey episodes -- Wikipedia list article
Wikipedia - List of Gunslinger Girl episodes -- Wikipedia list article
Wikipedia - List of Gunsmoke television episodes -- Wikipedia list article
Wikipedia - List of Gurren Lagann episodes -- Wikipedia list article
Wikipedia - List of Guy's Grocery Games episodes -- Wikipedia list article
Wikipedia - List of Guyver episodes -- Wikipedia list article
Wikipedia - List of H2O: Footprints in the Sand episodes -- Wikipedia list article
Wikipedia - List of H2O: Just Add Water episodes -- Wikipedia list article
Wikipedia - List of .hack//Legend of the Twilight episodes -- Wikipedia list article
Wikipedia - List of .hack//Sign episodes -- Wikipedia list article
Wikipedia - List of Haganai episodes -- Wikipedia list article
Wikipedia - List of Hahamakin ang Lahat episodes -- Wikipedia list article
Wikipedia - List of Haibane Renmei episodes -- Wikipedia list article
Wikipedia - List of Haikyu!! episodes -- Wikipedia list article
Wikipedia - List of Hairy Jeremy episodes -- Wikipedia list article
Wikipedia - List of Hajime no Ippo episodes -- Wikipedia list article
Wikipedia - List of Halik episodes -- Wikipedia list article
Wikipedia - List of Hallmark Hall of Fame episodes -- Wikipedia list article
Wikipedia - List of Halt and Catch Fire episodes -- Wikipedia list article
Wikipedia - List of Hamatora: The Animation episodes -- Wikipedia list article
Wikipedia - List of Hamtaro episodes -- Wikipedia list article
Wikipedia - List of Hana no Ko Lunlun episodes -- Wikipedia list article
Wikipedia - List of Hanasakeru SeishM-EM-^Mnen episodes -- Wikipedia list article
Wikipedia - List of Hanasaku Iroha episodes -- Wikipedia list article
Wikipedia - List of Hanazuki: Full of Treasures episodes -- Wikipedia list article
Wikipedia - List of Hand In Hand episodes -- Wikipedia list article
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Wikipedia - List of Hanebado! episodes -- Wikipedia list article
Wikipedia - List of Hanggang Makita Kang Muli episodes -- Wikipedia list article
Wikipedia - List of Hanggang Saan episodes -- Wikipedia list article
Wikipedia - List of Hanggang sa Dulo ng Buhay Ko episodes -- Wikimedia list article
Wikipedia - List of Hangin' with Mr. Cooper episodes -- Wikipedia list article
Wikipedia - List of Hang Time episodes -- Wikipedia list article
Wikipedia - List of Hank Zipzer episodes -- Wikipedia list article
Wikipedia - List of Hannah Montana episodes -- Wikipedia list article
Wikipedia - List of Hannibal episodes -- Wikipedia list article
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Wikipedia - List of Happily Divorced episodes -- Wikipedia list article
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Wikipedia - List of Happy Days episodes -- Wikipedia list article
Wikipedia - List of Happy Endings episodes -- Wikipedia list article
Wikipedia - List of Happy Family episodes -- Wikipedia list article
Wikipedia - List of Happy Together episodes -- Wikimedia list article
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Wikipedia - List of Happy Valley episodes -- Wikipedia list article
Wikipedia - List of Harper's Bazaar Arabia cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar Argentina cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar Australia cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar Brazil cover models -- Wikipedia list article
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Wikipedia - List of Harper's Bazaar India cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar Indonesia cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar Japan cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar Netherlands cover models -- Wikipedia list article
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Wikipedia - List of Harper's Bazaar Russia cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar Serbia cover models -- Wikimedia list article
Wikipedia - List of Harper's Bazaar Spain cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar UK cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar Ukraine cover models -- Wikipedia list article
Wikipedia - List of Harper's Bazaar US cover models -- Wikipedia list article
Wikipedia - List of Harry's Law episodes -- Wikipedia list article
Wikipedia - List of Hart of Dixie episodes -- Wikipedia list article
Wikipedia - List of Hart to Hart episodes -- Wikipedia list article
Wikipedia - List of Harukanaru Toki no Naka de HachiyM-EM-^M ShM-EM-^M episodes -- Wikipedia list article
Wikipedia - List of Harvey Beaks episodes -- Wikimedia list article
Wikipedia - List of Harvey Birdman, Attorney at Law episodes -- Wikipedia list article
Wikipedia - List of Harvey Girls Forever! episodes -- Wikipedia list article
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Wikipedia - List of Have Gun - Will Travel episodes -- Wikipedia list article
Wikipedia - List of Have I Got News for You episodes -- Wikimedia list article
Wikipedia - List of Haven episodes -- Wikipedia list article
Wikipedia - List of Have You Been Paying Attention? episodes -- Wikipedia list article
Wikipedia - List of Hawaii Five-0 (2010 TV series) episodes -- Wikipedia list article
Wikipedia - List of Hawaii Five-O (1968 TV series) episodes -- Wikipedia list article
Wikipedia - List of Hawthorne episodes -- Wikipedia list article
Wikipedia - List of Hayate the Combat Butler episodes -- Wikipedia list article
Wikipedia - List of Hazel episodes -- Wikipedia list article
Wikipedia - List of Head of the Class episodes -- Wikipedia list article
Wikipedia - List of heads of government in Ivano-Frankivsk Oblast and Stanislawow Voivodeship -- Wikipedia list article
Wikipedia - List of Healing Hearts episodes -- Wikipedia list article
Wikipedia - List of Healin' Good Pretty Cure episodes -- Wikipedia list article
Wikipedia - List of Heartbeat episodes -- Wikipedia list article
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Wikipedia - List of Heartland episodes -- Wikipedia list article
Wikipedia - List of Heart of Greed episodes -- Wikipedia list article
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Wikipedia - List of Heaven's Lost Property episodes -- Wikipedia list article
Wikipedia - List of Heavy Object episodes -- Wikipedia list article
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Wikipedia - List of Hell Girl episodes -- Wikipedia list article
Wikipedia - List of Hello, Larry episodes -- Wikipedia list article
Wikipedia - List of Hell on Wheels episodes -- Wikipedia list article
Wikipedia - List of Hellsing episodes -- Wikipedia list article
Wikipedia - List of Hell's Kitchen episodes -- Wikipedia list article
Wikipedia - List of Hell Teacher NM-EM-+bM-DM-^S episodes -- Wikipedia list article
Wikipedia - List of He-Man and the Masters of the Universe (2002 TV series) episodes -- Wikipedia list article
Wikipedia - List of He-Man and the Masters of the Universe episodes -- Wikipedia list article
Wikipedia - List of Hemlock Grove episodes -- Wikipedia list article
Wikipedia - List of Henry Danger episodes -- Wikimedia list article
Wikipedia - List of Henry Hugglemonster episodes -- Wikipedia list article
Wikipedia - List of Hensuki episodes -- Wikipedia list article
Wikipedia - List of Hercules (1998 TV series) episodes -- Wikipedia list article
Wikipedia - List of Hercules: The Legendary Journeys episodes -- Wikipedia list article
Wikipedia - List of Here's Lucy episodes -- Wikipedia list article
Wikipedia - List of Herman's Head episodes -- Wikipedia list article
Wikipedia - List of Hero: 108 episodes -- Wikipedia list article
Wikipedia - List of Hero Bank episodes -- Wikipedia list article
Wikipedia - List of Hero episodes -- Wikipedia list article
Wikipedia - List of Heroes episodes -- Wikipedia list article
Wikipedia - List of Heroic Age episodes -- Wikipedia list article
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Wikipedia - List of Hetalia: Axis Powers episodes -- Wikipedia list article
Wikipedia - List of Heterdaad episodes -- Wikipedia list article
Wikipedia - List of Hey Arnold! episodes -- Wikipedia list article
Wikipedia - List of Hi-5 episodes -- Wikipedia list article
Wikipedia - List of Hi-5 House episodes -- Wikipedia list article
Wikipedia - List of Hiatari RyM-EM-^MkM-EM-^M! episodes -- Wikipedia list article
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Wikipedia - List of Himouto! Umaru-chan episodes -- Wikipedia list article
Wikipedia - List of Hindi Ko Kayang Iwan Ka episodes -- Wikipedia list article
Wikipedia - List of Hinomaru Sumo episodes -- Anime series adapted from the manga of the same title by Kawada
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Wikipedia - List of Homeland episodes -- Listing of episodes of American television series Homeland
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Wikipedia - List of Hozuki's Coolheadedness episodes -- Wikipedia list article
Wikipedia - List of HTTP status codes -- Response codes of the Hypertext Transfer Protocol
Wikipedia - List of Hugtto! PreCure episodes -- Wikipedia list article
Wikipedia - List of Hulk and the Agents of S.M.A.S.H. episodes -- Wikipedia list article
Wikipedia - List of Humans episodes -- Wikipedia list article
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Wikipedia - List of Hyperdimension Neptunia: The Animation episodes -- Wikipedia list article
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Wikipedia - List of I Am Weasel episodes -- List of episodes of American animated television series I Am Weasel
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Wikipedia - List of ICD-9 codes -- Wikimedia list article
Wikipedia - List of Ice Pilots NWT episodes -- Wikipedia list article
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Wikipedia - List of I Dream of Jeannie episodes -- Wikipedia list article
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Wikipedia - List of I Heart Davao episodes -- Wikipedia list article
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Wikipedia - List of Illinois area codes -- Wikipedia list article
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Wikipedia - List of Imagination Movers episodes -- Wikipedia list article
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Wikipedia - List of I'm in the Band episodes -- Wikipedia list article
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Wikipedia - List of Impostora (2017) episodes -- Philippine television series
Wikipedia - List of Impostora episodes -- Wikipedia list article
Wikipedia - List of Impractical Jokers episodes -- Wikipedia list article
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Wikipedia - List of Insert Name Here episodes -- Wikipedia list article
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Wikipedia - List of Inspector Gadget (2015 TV series) episodes -- Wikipedia list article
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Wikipedia - List of Intel codenames -- Wikipedia list article
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Wikipedia - List of Inuyasha episodes -- Wikipedia list article
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Wikipedia - List of Invader Zim episodes -- Wikipedia list article
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Wikipedia - List of iPod models -- Wikipedia list article
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Wikipedia - List of ISO 3166 country codes -- Wikipedia list article
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Wikipedia - List of ISO 639-2 codes -- Wikipedia list article; based on international standard three-letter codes identifying major languages
Wikipedia - List of ISO 639-3 codes -- Wikimedia list article
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Wikipedia - List of Is the Order a Rabbit? episodes -- Wikipedia list article
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Wikipedia - List of iZombie episodes -- Wikipedia list article
Wikipedia - List of Jackass episodes -- Wikipedia list article
Wikipedia - List of Jackie Chan Adventures episodes -- Wikipedia list article
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Wikipedia - List of JAG episodes -- Wikipedia list article
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Wikipedia - List of James Bond Jr. episodes -- Wikipedia list article
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Wikipedia - List of Ji Gong episodes -- Wikipedia list article
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Wikipedia - List of Johnny Bravo episodes -- List of episodes of the American animated television series Johnny Bravo
Wikipedia - List of Johnny Test episodes -- Wikipedia list article
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Wikipedia - List of Jubei-chan 2 episodes -- Wikipedia list article
Wikipedia - List of Jubei-chan episodes -- Wikipedia list article
Wikipedia - List of Judge John Deed episodes -- Wikipedia list article
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Wikipedia - List of Juuni Senshi Bakuretsu Eto Ranger episodes -- Wikipedia list article
Wikipedia - List of Kaamelott episodes -- Wikipedia list article
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Wikipedia - List of Kahit Puso'y Masugatan episodes -- Wikipedia list article
Wikipedia - List of Kaiji episodes -- Wikipedia list article
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Wikipedia - List of Kailan Ba Tama ang Mali? episodes -- Wikipedia list article
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Wikipedia - List of Kakuriyo: Bed & Breakfast for Spirits episodes -- Wikipedia list article
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Wikipedia - List of Kamen Rider 555 episodes -- Wikipedia list article
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Wikipedia - List of Kamen Rider Decade episodes -- Wikipedia list article
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Wikipedia - List of Kamen Rider: Dragon Knight episodes -- Wikipedia list article
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Wikipedia - List of Kamen Rider Ex-Aid episodes -- Wikipedia list article
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Wikipedia - List of Kamen Rider Hibiki episodes -- Wikipedia list article
Wikipedia - List of Kamen Rider Kabuto episodes -- Wikipedia list article
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Wikipedia - List of Kamen Rider Zero-One episodes -- Wikipedia list article
Wikipedia - List of Kamen Rider Zi-O episodes -- Wikipedia list article
Wikipedia - List of Kamichama Karin episodes -- Wikipedia list article
Wikipedia - List of Kamisama Minarai: Himitsu no Cocotama episodes -- Wikipedia list article
Wikipedia - List of Kampong Ties episodes -- Wikipedia list article
Wikipedia - List of Kannagi: Crazy Shrine Maidens episodes -- Wikipedia list article
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Wikipedia - List of Kashimashi: Girl Meets Girl episodes -- Wikipedia list article
Wikipedia - List of Katana Maidens ~ Toji No Miko episodes -- Wikipedia list article
Wikipedia - List of Kate & Allie episodes -- Wikipedia list article
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Wikipedia - List of Kathy Griffin: My Life on the D-List episodes -- Wikipedia list article
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Wikipedia - List of Keeping Up Appearances episodes -- Wikipedia list article
Wikipedia - List of Keeping Up with the Kardashians episodes -- Wikipedia list article
Wikipedia - List of Kekkaishi episodes -- Wikipedia list article
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Wikipedia - List of Kenichi: The Mightiest Disciple episodes -- Wikipedia list article
Wikipedia - List of Kenny vs. Spenny episodes -- Wikipedia list article
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Wikipedia - List of Khichdi episodes -- Wikipedia list article
Wikipedia - List of Kick Buttowski: Suburban Daredevil episodes {{DISPLAYTITLE:List of ''Kick Buttowski: Suburban Daredevil'' episodes -- List of Kick Buttowski: Suburban Daredevil episodes {{DISPLAYTITLE:List of ''Kick Buttowski: Suburban Daredevil'' episodes
Wikipedia - List of Kickin' It episodes -- Wikipedia list article
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Wikipedia - List of Kiddy Grade episodes -- Wikipedia list article
Wikipedia - List of Kid vs. Kat episodes -- Wikipedia list article
Wikipedia - List of Killing Eve episodes -- List of episodes in the British television series Killing Eve
Wikipedia - List of Killjoys episodes -- Wikipedia list article
Wikipedia - List of Kill la Kill episodes -- Wikipedia list article
Wikipedia - List of Kimagure Orange Road episodes -- Wikipedia list article
Wikipedia - List of Kimba the White Lion episodes -- Wikipedia list article
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Wikipedia - List of Kingdom (American TV series) episodes -- Wikipedia list article
Wikipedia - List of Kingdom (British TV series) episodes -- Wikipedia list article
Wikipedia - List of Kingdom (Japanese TV series) episodes -- Wikipedia list article
Wikipedia - List of King Leonardo and his Short Subjects episodes -- Wikipedia list article
Wikipedia - List of King of Mask Singer episodes (2015) -- Wikipedia list article
Wikipedia - List of King of Mask Singer episodes (2016) -- Wikipedia list article
Wikipedia - List of King of Mask Singer episodes (2017) -- Wikipedia list article
Wikipedia - List of King of Mask Singer episodes (2018) -- Wikipedia list article
Wikipedia - List of King of Mask Singer episodes (2019) -- South Korean variety-music show
Wikipedia - List of King of Mask Singer episodes (2020) -- South Korean variety-music show
Wikipedia - List of King of Mask Singer episodes (2021) -- South Korean variety-music show
Wikipedia - List of King of Mask Singer episodes -- Wikimedia list article
Wikipedia - List of King of the Hill episodes -- Wikipedia list article
Wikipedia - List of Kin-iro Mosaic episodes -- Wikipedia list article
Wikipedia - List of Kinnikuman episodes -- Wikipedia list article
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Wikipedia - List of Kirby: Right Back at Ya! episodes -- Wikipedia list article
Wikipedia - List of Kishiryu Sentai Ryusoulger episodes -- Wikipedia list article
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Wikipedia - List of Knight Rider (1982 TV series) episodes -- Wikipedia list article
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Wikipedia - List of Knowing Bros episodes -- Wikimedia list article
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Wikipedia - List of Kobato episodes -- Wikipedia list article
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Wikipedia - List of Koffee with Karan episodes -- Wikipedia list article
Wikipedia - List of Koihime MusM-EM-^M episodes -- Wikipedia list article
Wikipedia - List of Kojak episodes -- Wikipedia list article
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Wikipedia - List of Kriminalka AndM-DM-^[l episodes -- Wikipedia list article
Wikipedia - List of Krypto the Superdog episodes -- Wikipedia list article
Wikipedia - List of Kullfi Kumarr Bajewala episodes -- Wikipedia list article
Wikipedia - List of Kung Fu episodes -- Wikipedia list article
Wikipedia - List of Kung Fu Panda: Legends of Awesomeness episodes -- Wikipedia list article
Wikipedia - List of Kure-nai episodes -- Wikipedia list article
Wikipedia - List of Kurokami: The Animation episodes -- Wikipedia list article
Wikipedia - List of Kuromajo-san ga Toru!! episodes -- Wikipedia list article
Wikipedia - List of Kuu Kuu Harajuku episodes -- Wikipedia list article
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Wikipedia - List of KyM-EM-^Mran Kazoku Nikki episodes -- Wikipedia list article
Wikipedia - List of Kyo Kara Maoh! episodes -- Wikipedia list article
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Wikipedia - List of Lady Jewelpet episodes -- Wikipedia list article
Wikipedia - List of La Femme Nikita episodes -- Wikipedia list article
Wikipedia - List of Lagrange: The Flower of Rin-ne episodes -- Wikipedia list article
Wikipedia - List of Laguna Beach: The Real Orange County episodes -- Wikipedia list article
Wikipedia - List of Lalaloopsy episodes -- Wikipedia list article
Wikipedia - List of L.A. Law episodes -- Wikipedia list article
Wikipedia - List of La Luna Sangre episodes -- Wikipedia list article
Wikipedia - List of Land and Sea episodes -- Wikipedia list article
Wikipedia - List of Land of the Giants episodes -- Wikipedia list article
Wikipedia - List of Land of the Lost episodes -- Wikipedia list article
Wikipedia - List of Langit Lupa episodes -- Wikipedia list article
Wikipedia - List of La NiM-CM-1era (Mexico) episodes -- Wikipedia list article
Wikipedia - List of La Piloto episodes -- Wikipedia list article
Wikipedia - List of La querida del Centauro episodes -- Wikipedia list article
Wikipedia - List of La que se avecina episodes -- Wikipedia list article
Wikipedia - List of La Reina del Sur episodes -- Wikipedia list article
Wikipedia - List of largest rodents -- Wikipedia list article
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Wikipedia - List of Larrymania episodes -- Wikipedia list article
Wikipedia - List of Lassie episodes -- Wikipedia list article
Wikipedia - List of Last Exile episodes -- Wikipedia list article
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Wikipedia - List of Last Tango in Halifax episodes -- Wikipedia list article
Wikipedia - List of Last Week Tonight with John Oliver episodes -- Wikipedia list article
Wikipedia - List of Las Vegas episodes -- Wikipedia list article
Wikipedia - List of Late Night with Jimmy Fallon episodes (2009) -- Wikipedia list article
Wikipedia - List of Late Night with Jimmy Fallon episodes (2010) -- Wikipedia list article
Wikipedia - List of Late Night with Jimmy Fallon episodes (2011) -- Wikipedia list article
Wikipedia - List of Late Night with Jimmy Fallon episodes (2012) -- Wikipedia list article
Wikipedia - List of Late Night with Jimmy Fallon episodes (2013-14) -- Wikipedia list article
Wikipedia - List of Late Night with Jimmy Fallon episodes -- Wikipedia list article
Wikipedia - List of Late Night with Seth Meyers episodes (2014) -- Wikipedia list article
Wikipedia - List of Late Night with Seth Meyers episodes (2015) -- Wikipedia list article
Wikipedia - List of Late Night with Seth Meyers episodes (2016) -- Wikipedia list article
Wikipedia - List of Late Night with Seth Meyers episodes (2017) -- Wikipedia list article
Wikipedia - List of Late Night with Seth Meyers episodes (2018) -- Wikipedia list article
Wikipedia - List of Late Night with Seth Meyers episodes (2019) -- Wikipedia list article
Wikipedia - List of Late Night with Seth Meyers episodes (2020) -- Wikipedia list article
Wikipedia - List of Late Night with Seth Meyers episodes (2021) -- Wikipedia list article
Wikipedia - List of Late Night with Seth Meyers episodes -- Wikipedia list article
Wikipedia - List of Later... with Jools Holland episodes {{DISPLAYTITLE:List of ''Later... with Jools Holland'' episodes -- List of Later... with Jools Holland episodes {{DISPLAYTITLE:List of ''Later... with Jools Holland'' episodes
Wikipedia - List of Late Show with David Letterman episodes -- Wikipedia list article
Wikipedia - List of Latin translations of modern literature
Wikipedia - List of Laverne & Shirley episodes -- Wikipedia list article
Wikipedia - List of Law & Order: Criminal Intent episodes -- Wikipedia list article
Wikipedia - List of Law & Order episodes -- Wikipedia list article
Wikipedia - List of Law & Order: Special Victims Unit episodes (seasons 1-19) -- List of Law & Order: Special Victims Unit episodes
Wikipedia - List of Law & Order: Special Victims Unit episodes -- List of Law & Order: Special Victims Unit episodes
Wikipedia - List of Law & Order: UK episodes -- Wikipedia list article
Wikipedia - List of law enforcement agencies in Rhode Island -- Wikimedia list article
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Wikipedia - List of Lead Balloon episodes -- Wikipedia list article
Wikipedia - List of League of Super Evil episodes -- Wikipedia list article
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Wikipedia - List of Legally Blind episodes -- Wikimedia list article
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Wikipedia - List of Legends of Tomorrow episodes -- Wikipedia list article
Wikipedia - List of Legendz episodes -- Wikipedia list article
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Wikipedia - List of Les Rois maudits cast members and episodes -- Wikipedia list article
Wikipedia - List of Less Than Kind episodes -- Wikipedia list article
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Wikipedia - List of Let's Go! Dream Team Season 2 episodes -- Wikipedia list article
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Wikipedia - List of libraries in Rhode Island -- Wikipedia list article
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Wikipedia - List of lieutenant governors of Rhode Island -- Wikimedia list article
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Wikipedia - List of Life episodes -- Wikipedia list article
Wikipedia - List of Life - Fear Not episodes -- Wikipedia list article
Wikipedia - List of Life in Pieces episodes -- Wikipedia list article
Wikipedia - List of Life Is Beautiful episodes -- Wikipedia list article
Wikipedia - List of Life on Mars (British TV series) episodes -- Wikipedia list article
Wikipedia - List of Life with Boys episodes -- Wikipedia list article
Wikipedia - List of Life with Derek episodes -- Wikipedia list article
Wikipedia - List of lighthouses in Rhode Island -- Wikipedia list article
Wikipedia - List of Lilo & Stitch: The Series episodes -- Wikimedia list article
Wikipedia - List of Lilyhammer episodes -- Wikipedia list article
Wikipedia - List of Lincoln Heights episodes -- Wikipedia list article
Wikipedia - List of Linebarrels of Iron episodes -- Wikipedia list article
Wikipedia - List of Line of Duty episodes -- Wikimedia list article
Wikipedia - List of Lip Sync Battle episodes -- Wikipedia list article
Wikipedia - List of Lip Sync Battle Philippines episodes -- Wikipedia list article
Wikipedia - List of Liquid Television episodes -- Wikipedia list article
Wikipedia - List of Listen to Me, Girls. I Am Your Father! episodes -- Wikipedia list article
Wikipedia - List of Little Bear episodes -- Wikipedia list article
Wikipedia - List of Little Bill episodes -- Wikipedia list article
Wikipedia - List of Little Britain episodes -- Wikipedia list article
Wikipedia - List of Little Britches Rodeo episodes -- Wikipedia list article
Wikipedia - List of Little Busters! episodes -- Wikipedia list article
Wikipedia - List of Little Charmers episodes -- Wikipedia list article
Wikipedia - List of Little Chocolatiers episodes -- Wikipedia list article
Wikipedia - List of Little Einsteins episodes -- Wikipedia list article
Wikipedia - List of Little House on the Prairie episodes -- Wikipedia list article
Wikipedia - List of Little Mosque on the Prairie episodes -- Wikipedia list article
Wikipedia - List of Little Nanay episodes -- Wikipedia list article
Wikipedia - List of Littlest Pet Shop episodes -- Wikipedia list article
Wikipedia - List of Little Witch Academia episodes -- Wikipedia list article
Wikipedia - List of Liv and Maddie episodes -- Wikimedia list article
Wikipedia - List of Live episodes -- Wikipedia list article
Wikipedia - List of Live PD episodes -- Wikipedia list article
Wikipedia - List of Live Rescue episodes -- Wikipedia list article
Wikipedia - List of Living Single episodes -- Wikipedia list article
Wikipedia - List of Living with Lydia episodes -- Wikipedia list article
Wikipedia - List of Lizard Lick Towing episodes -- Wikipedia list article
Wikipedia - List of Lizzie McGuire episodes -- Wikipedia list article
Wikipedia - List of Lloyd in Space episodes -- Wikipedia list article
Wikipedia - List of Lobo episodes -- Wikipedia list article
Wikipedia - List of locomotives of Rhodesia and Zimbabwe -- Wikipedia list article
Wikipedia - List of Lois & Clark: The New Adventures of Superman episodes -- Wikipedia list article
Wikipedia - List of LoliRock episodes -- Wikipedia list article
Wikipedia - List of London's Burning episodes -- Wikipedia list article
Wikipedia - List of Lone Wolf and Cub episodes -- Wikipedia list article
Wikipedia - List of longest wooden ships -- Wikipedia list article
Wikipedia - List of Longmire episodes -- Wikipedia list article
Wikipedia - List of Looking episodes -- Wikipedia list article
Wikipedia - List of Lord Marksman and Vanadis episodes -- Wikipedia list article
Wikipedia - List of Lorne Greene's New Wilderness episodes -- Wikipedia list article
Wikipedia - List of Los Bastardos episodes -- Wikipedia list article
Wikipedia - List of Los Rey episodes -- Wikipedia list article
Wikipedia - List of Lost episodes -- Wikipedia list article
Wikipedia - List of Lost Girl episodes -- Wikipedia list article
Wikipedia - List of Lost in Space episodes -- Wikipedia list article
Wikipedia - List of Lost Song episodes -- Wikipedia list article
Wikipedia - List of Lost Tapes episodes -- Wikipedia list article
Wikipedia - List of Lost Universe episodes -- Wikipedia list article
Wikipedia - List of Lou Grant episodes -- Wikipedia list article
Wikipedia - List of Louie episodes -- Wikipedia list article
Wikipedia - List of Louisiana area codes -- Wikipedia list article
Wikipedia - List of Love, American Style episodes -- Wikipedia list article
Wikipedia - List of Love & Hip Hop: Atlanta episodes -- Wikipedia list article
Wikipedia - List of Love & Hip Hop: Hollywood episodes -- Wikipedia list article
Wikipedia - List of Love & Hip Hop: Miami episodes -- American reality television franchise
Wikipedia - List of Love & Hip Hop: New York episodes -- Wikipedia list article
Wikipedia - List of Love & Lies episodes -- Wikipedia list article
Wikipedia - List of Love & War episodes -- Wikipedia list article
Wikipedia - List of Love At Risk episodes -- Wikipedia list article
Wikipedia - List of Love Child episodes -- Wikipedia list article
Wikipedia - List of Love, Chunibyo & Other Delusions episodes -- Wikipedia list article
Wikipedia - List of Love episodes -- Wikimedia list article
Wikipedia - List of Love/Hate episodes -- Wikipedia list article
Wikipedia - List of Love Hina episodes -- Wikipedia list article
Wikipedia - List of Love It or List It episodes -- Wikipedia list article
Wikipedia - List of Lovejoy episodes -- Wikipedia list article
Wikipedia - List of Love Lab episodes -- Wikipedia list article
Wikipedia - List of Loveless episodes -- Wikipedia list article
Wikipedia - List of Love Live! episodes -- Wikipedia list article
Wikipedia - List of Love of My Life episodes -- Wikipedia list article
Wikipedia - List of Love Sick The Series episodes -- Wikipedia list article
Wikipedia - List of Love That Girl! episodes -- Wikipedia list article
Wikipedia - List of Love Thy Neighbor (American TV series) episodes -- Wikipedia list article
Wikipedia - List of Love Thy Neighbour (1972 TV series) episodes -- Wikipedia list article
Wikipedia - List of Love Thy Neighbour (Singaporean TV series) episodes -- Wikipedia list article
Wikipedia - List of Love Thy Woman episodes -- Wikipedia list article
Wikipedia - List of Love You Two episodes -- Wikimedia list article
Wikipedia - List of Lucifer episodes -- Wikipedia list article
Wikipedia - List of Lucky Star episodes -- Wikipedia list article
Wikipedia - List of Lud, zbunjen, normalan episodes -- Wikipedia list article
Wikipedia - List of Lui magazine cover models -- Wikipedia list article
Wikipedia - List of Lupin the 3rd Part IV: The Italian Adventure episodes {{DISPLAYTITLE:List of ''Lupin the 3rd Part IV: The Italian Adventure'' episodes -- List of Lupin the 3rd Part IV: The Italian Adventure episodes {{DISPLAYTITLE:List of ''Lupin the 3rd Part IV: The Italian Adventure'' episodes
Wikipedia - List of Lupin the Third Part 5 episodes -- Japanese anime television series
Wikipedia - List of Lupin the Third Part I episodes -- Wikipedia list article
Wikipedia - List of Lupin the Third Part II episodes -- Wikipedia list article
Wikipedia - List of Lupin the Third: The Woman Called Fujiko Mine episodes -- Wikipedia list article
Wikipedia - List of Lux Radio Theatre episodes -- Wikimedia list article
Wikipedia - List of lymph nodes of the human body -- Wikipedia list article
Wikipedia - List of Maalaala Mo Kaya episodes -- Wikipedia list article
Wikipedia - List of Maburaho episodes -- Wikipedia list article
Wikipedia - List of MacGyver (1985 TV series) episodes -- Wikipedia list article
Wikipedia - List of MacGyver (2016 TV series) episodes -- Wikipedia list article
Wikipedia - List of Macintosh models by case type -- Wikipedia list article
Wikipedia - List of Macintosh models grouped by CPU type -- Wikipedia list article
Wikipedia - List of Macross Delta episodes -- Wikipedia list article
Wikipedia - List of Macross Frontier episodes -- Wikipedia list article
Wikipedia - List of Mad About You episodes -- Wikipedia list article
Wikipedia - List of Madam Secretary episodes -- list
Wikipedia - List of Mad Dogs episodes -- Wikipedia list article
Wikipedia - List of Made in Canada episodes -- Wikipedia list article
Wikipedia - List of Made in Chelsea episodes -- Wikipedia list article
Wikipedia - List of Mad episodes -- Wikimedia list article
Wikipedia - List of Madlax episodes -- Wikipedia list article
Wikipedia - List of Mad Men episodes -- Wikipedia list article
Wikipedia - List of Madrasta episodes -- Wikimedia list article
Wikipedia - List of Mad TV episodes -- Wikipedia list article
Wikipedia - List of Maggie and the Ferocious Beast episodes -- Wikipedia list article
Wikipedia - List of Magical Girl Lyrical Nanoha episodes -- Wikipedia list article
Wikipedia - List of Magic Kaito 1412 episodes -- Wikipedia list article
Wikipedia - List of Magic Knight Rayearth episodes -- Wikipedia list article
Wikipedia - List of Maging Sino Ka Man: Ang Pagbabalik episodes -- Wikipedia list article
Wikipedia - List of Maging Sino Ka Man episodes -- Wikipedia list article
Wikipedia - List of Magi: The Labyrinth of Magic episodes -- Wikipedia list article
Wikipedia - List of Magkaagaw episodes -- Wikipedia list article
Wikipedia - List of Magkaibang Mundo episodes -- Wikipedia list article
Wikipedia - List of Magkaribal episodes -- Wikipedia list article
Wikipedia - List of Magnum, P.I. episodes -- Wikipedia list article
Wikipedia - List of Magpahanggang Wakas episodes -- Wikipedia list article
Wikipedia - List of Magpakailanman episodes -- Wikipedia list article
Wikipedia - List of Maid Marian and Her Merry Men episodes -- Wikipedia list article
Wikipedia - List of Maid Sama! episodes -- Wikipedia list article
Wikipedia - List of Maison Ikkoku episodes -- Wikipedia list article
Wikipedia - List of Majaa Talkies episodes -- Wikipedia list article
Wikipedia - List of Majin Bone episodes -- Wikipedia list article
Wikipedia - List of Major Crimes episodes -- Wikipedia list article
Wikipedia - List of Major Dad episodes -- Wikipedia list article
Wikipedia - List of Major episodes -- Wikipedia list article
Wikipedia - List of Make It or Break It episodes -- Wikipedia list article
Wikipedia - List of Make It Pop episodes -- Wikipedia list article
Wikipedia - List of Make It with You episodes -- Wikipedia list article
Wikipedia - List of Mako: Island of Secrets episodes -- Wikipedia list article
Wikipedia - List of Makutano Junction episodes -- Wikipedia list article
Wikipedia - List of Malcolm in the Middle episodes -- Wikipedia list article
Wikipedia - List of male underwear models -- Wikipedia list article
Wikipedia - List of Mama's Family episodes -- Wikipedia list article
Wikipedia - List of Man Fire Food episodes -- Wikipedia list article
Wikipedia - List of Mannix episodes -- Wikipedia list article
Wikipedia - List of Man Seeking Woman episodes -- Wikipedia list article
Wikipedia - List of Man vs. Wild episodes -- Wikipedia list article
Wikipedia - List of Man with a Plan episodes -- Wikimedia list article
Wikipedia - List of Manzo'd with Children episodes -- Wikipedia list article
Wikipedia - List of Maoyu episodes -- Wikipedia list article
Wikipedia - List of Maple Town episodes -- Wikipedia list article
Wikipedia - List of March Comes in Like a Lion episodes -- Wikipedia list article
Wikipedia - List of Marcus Welby, M.D. episodes -- Wikipedia list article
Wikipedia - List of Maria Holic episodes -- Wikipedia list article
Wikipedia - List of Maria-sama ga Miteru episodes -- Wikipedia list article
Wikipedia - List of Marie Claire Australia cover models -- Wikipedia list article
Wikipedia - List of Marie Claire cover models -- Wikipedia list article
Wikipedia - List of Marie episodes -- Wikipedia list article
Wikipedia - List of Marimar episodes -- Wikipedia list article
Wikipedia - List of Mario television episodes -- Wikipedia list article
Wikipedia - List of Marriage Boot Camp episodes -- Wikimedia list article
Wikipedia - List of Married to Medicine episodes -- Wikipedia list article
Wikipedia - List of Married... with Children episodes -- Wikipedia list article
Wikipedia - List of Marshals of Silesian Voivodeship -- Wikipedia list article
Wikipedia - List of Martha Speaks episodes -- Wikipedia list article
Wikipedia - List of Martian Successor Nadesico episodes -- Wikipedia list article
Wikipedia - List of Martin episodes -- Wikipedia list article
Wikipedia - List of Martin Mystery episodes -- Wikipedia list article
Wikipedia - List of Marvel Anime episodes -- Wikipedia list article
Wikipedia - List of Marvel Disk Wars: The Avengers episodes -- Wikipedia list article
Wikipedia - List of Maryland area codes -- Wikipedia list article
Wikipedia - List of M*A*S*H episodes -- Wikipedia list article
Wikipedia - List of Mashin Sentai Kiramager episodes -- Wikipedia list article
Wikipedia - List of Masked Rider episodes -- Wikipedia list article
Wikipedia - List of M.A.S.K. episodes -- Wikipedia list article
Wikipedia - List of Massachusetts area codes -- Wikipedia list article
Wikipedia - List of MasterChef Canada episodes -- Wikipedia list article
Wikipedia - List of Masterpiece Classic episodes -- Wikipedia list article
Wikipedia - List of Masterpiece Contemporary episodes -- Wikipedia list article
Wikipedia - List of Masterpiece Mystery! episodes -- Wikipedia list article
Wikipedia - List of Masterpiece Theatre episodes -- Wikimedia list article
Wikipedia - List of Masters of Sex episodes -- Wikipedia list article
Wikipedia - List of Matlock episodes -- Wikipedia list article
Wikipedia - List of Maude episodes -- Wikipedia list article
Wikipedia - List of Max & Ruby episodes -- Wikipedia list article
Wikipedia - List of Max Steel (2000 TV series) episodes -- Wikipedia list article
Wikipedia - List of Max Steel (2013 TV series) episodes -- Wikipedia list article
Wikipedia - List of Mayberry R.F.D. episodes -- Wikipedia list article
Wikipedia - List of Mayday episodes -- Wikimedia list article
Wikipedia - List of Maynila episodes -- Wikipedia list article
Wikipedia - List of Mayo Chiki! episodes -- Wikipedia list article
Wikipedia - List of Mazinger Z episodes -- Wikipedia list article
Wikipedia - List of M-BM-!Mucha Lucha! episodes -- Wikipedia list article
Wikipedia - List of M-BM-?QuiM-CM-)n es quiM-CM-)n? episodes -- Wikipedia list article
Wikipedia - List of McCloud episodes -- Wikipedia list article
Wikipedia - List of McHale's Navy episodes -- Wikipedia list article
Wikipedia - List of McLeod's Daughters episodes -- Wikipedia list article
Wikipedia - List of M-CM-^Fon Flux episodes -- Wikipedia list article
Wikipedia - List of McMillan & Wife episodes -- Wikipedia list article
Wikipedia - List of Meant to Be episodes -- Wikipedia list article
Wikipedia - List of Medabots episodes -- Wikipedia list article
Wikipedia - List of Medaka Box episodes -- Wikipedia list article
Wikipedia - List of Medical Center episodes -- Wikipedia list article
Wikipedia - List of Medic episodes -- Wikipedia list article
Wikipedia - List of Medici episodes -- 2016 Italian-British television drama series
Wikipedia - List of Medics (Polish TV series) episodes -- Wikimedia list article
Wikipedia - List of medieval and early modern gunpowder artillery -- Wikipedia list article
Wikipedia - List of medieval and pre-modern Persian doctors -- Wikipedia list article
Wikipedia - List of Medium episodes -- Wikipedia list article
Wikipedia - List of Meerkat Manor episodes -- List article
Wikipedia - List of Meet the Browns episodes -- Wikipedia list article
Wikipedia - List of Mega64 episodes -- Wikipedia list article
Wikipedia - List of megafauna discovered in modern times -- Wikipedia list article
Wikipedia - List of Mega Man: Fully Charged episodes -- Wikimedia list article
Wikipedia - List of MegaMan NT Warrior episodes (Axess) -- Wikipedia list article
Wikipedia - List of MegaMan NT Warrior episodes (Beast and Beast+) -- Wikipedia list article
Wikipedia - List of MegaMan NT Warrior episodes (EXE) -- Wikipedia list article
Wikipedia - List of MegaMan NT Warrior episodes (Stream) -- Wikipedia list article
Wikipedia - List of MegaMan NT Warrior episodes -- Wikipedia list article
Wikipedia - List of Mega Man Star Force episodes (original series) -- Wikipedia list article
Wikipedia - List of Mega Man Star Force episodes (Tribe) -- Wikipedia list article
Wikipedia - List of Mega Man Star Force episodes -- Wikipedia list article
Wikipedia - List of Megas XLR episodes -- Wikipedia list article
Wikipedia - List of Meine Liebe episodes -- Wikipedia list article
Wikipedia - List of Mekakucity Actors episodes -- Wikipedia list article
Wikipedia - List of Melissa & Joey episodes -- Wikipedia list article
Wikipedia - List of Melissodes species -- Wikipedia list article
Wikipedia - List of Melrose Place episodes -- Wikipedia list article
Wikipedia - List of M-EM-^Lban Star-Racers episodes -- Wikipedia list article
Wikipedia - List of M-EM-^Lkami Kakushi episodes -- Wikipedia list article
Wikipedia - List of Men at Work episodes -- Wikipedia list article
Wikipedia - List of Men Behaving Badly episodes -- Wikipedia list article
Wikipedia - List of Men in Black: The Series episodes -- Wikipedia list article
Wikipedia - List of Mentir para Vivir episodes -- Wikipedia list article
Wikipedia - List of Merlin episodes -- Wikipedia list article
Wikipedia - List of Mermaid Melody Pichi Pichi Pitch episodes -- Wikipedia list article
Wikipedia - List of Metalocalypse episodes -- Wikipedia list article
Wikipedia - List of Mexico's Next Top Model contestants -- Wikipedia list article
Wikipedia - List of Mga Kuwento ni Lola Basyang episodes -- Wikipedia list article
Wikipedia - List of Miami Vice episodes -- Wikipedia list article
Wikipedia - List of Michael McIntyre's Big Show episodes -- Wikipedia list article
Wikipedia - List of Michigan area codes -- list article
Wikipedia - List of Mickey Mouse Clubhouse episodes -- Wikipedia list article
Wikipedia - List of Mickey Mouse episodes -- Wikipedia list article
Wikipedia - List of Mickey Mouse Mixed-Up Adventures episodes -- Wikipedia list article
Wikipedia - List of Mickey's Farm episodes -- Wikipedia list article
Wikipedia - List of Mickey Spillane's Mike Hammer (1984 TV series) episodes -- Wikipedia list article
Wikipedia - List of Mi corazon es tuyo episodes -- Wikipedia list article
Wikipedia - List of Microsoft codenames -- Wikipedia list article
Wikipedia - List of Midnight Caller episodes -- Wikipedia list article
Wikipedia - List of Midnight Diner episodes -- Wikipedia list article
Wikipedia - List of Midnight DJ episodes -- Wikipedia list article
Wikipedia - List of @midnight episodes -- Wikipedia list article
Wikipedia - List of Midsomer Murders episodes -- Wikipedia list article
Wikipedia - List of Mighty Magiswords episodes -- Wikipedia list article
Wikipedia - List of Mighty Max episodes -- Wikipedia list article
Wikipedia - List of Mighty Med episodes -- Wikipedia list article
Wikipedia - List of Mike & Molly episodes -- Wikipedia list article
Wikipedia - List of Mike Tyson Mysteries episodes -- Wikipedia list article
Wikipedia - List of Mile High episodes -- Wikipedia list article
Wikipedia - List of Miles from Tomorrowland episodes -- Wikipedia list article
Wikipedia - List of Millennium episodes -- Wikipedia list article
Wikipedia - List of Million Dollar Listing Los Angeles episodes -- list of television episodes
Wikipedia - List of Milo Murphy's Law episodes -- Wikipedia list article
Wikipedia - List of Mi marido tiene familia episodes -- Wikipedia list article
Wikipedia - List of Minami-ke episodes -- Wikipedia list article
Wikipedia - List of Minder episodes -- Wikipedia list article
Wikipedia - List of Mind Game episodes -- Wikipedia list article
Wikipedia - List of Mind Your Language episodes -- Wikipedia list article
Wikipedia - List of Minky Momo 1982 episodes -- Wikipedia list article
Wikipedia - List of Minky Momo 1991 episodes -- Wikipedia list article
Wikipedia - List of Minnesota area codes -- Wikipedia list article
Wikipedia - List of Minsan Lang Kita Iibigin episodes -- Wikipedia list article
Wikipedia - List of Minute to Win It: Last Man Standing episodes and contestants -- Wikipedia list article
Wikipedia - List of Minute to Win It (Philippine game show) episodes and contestants -- Wikipedia list article
Wikipedia - List of Mirabella episodes -- Wikipedia list article
Wikipedia - List of Miracle Girls episodes -- Wikipedia list article
Wikipedia - List of Miraculous: Tales of Ladybug & Cat Noir episodes -- Wikipedia list article
Wikipedia - List of Miranda episodes -- Wikimedia list article
Wikipedia - List of Misfits episodes -- Wikipedia list article
Wikipedia - List of Miss Fisher's Murder Mysteries episodes -- Wikipedia list article
Wikipedia - List of Mission: Impossible (1966 TV series) episodes -- Wikipedia list article
Wikipedia - List of Mission: Impossible (1988 TV series) episodes -- Wikipedia list article
Wikipedia - List of Mississippi area codes -- Wikipedia list article
Wikipedia - List of Miss Monochrome episodes -- Wikipedia list article
Wikipedia - List of Missouri area codes -- Wikipedia list article
Wikipedia - List of Miss Spider's Sunny Patch Friends episodes -- Wikipedia list article
Wikipedia - List of Mister Ed episodes -- Wikipedia list article
Wikipedia - List of Mistresses (American TV series) episodes -- Wikipedia list article
Wikipedia - List of Mitsudomoe episodes -- Wikipedia list article
Wikipedia - List of MM-CM-^DR episodes -- Wikipedia list article
Wikipedia - List of Mobile Fighter G Gundam episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam 00 episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam AGE episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam: Iron-Blooded Orphans episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam SEED Destiny episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam SEED episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam: The Origin episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam Unicorn episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam Wing episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Gundam ZZ episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Victory Gundam episodes -- Wikipedia list article
Wikipedia - List of Mobile Suit Zeta Gundam episodes -- Wikipedia list article
Wikipedia - List of Mob Psycho 100 episodes -- Japanese anime series based on the webcomic created by One
Wikipedia - List of Mob Wives episodes -- Wikipedia list article
Wikipedia - List of Mock the Week episodes -- Wikipedia list article
Wikipedia - List of Mo Dao Zu Shi episodes -- Wikimedia list article
Wikipedia - List of model aircraft manufacturers -- Wikipedia list article
Wikipedia - List of model car brands -- Wikipedia list article
Wikipedia - List of model checking tools -- Wikipedia list article
Wikipedia - List of modeling agencies -- Wikipedia list article
Wikipedia - List of model organisms -- Wikipedia list article
Wikipedia - List of models in music videos -- Wikipedia list article
Wikipedia - List of Model United Nations conferences -- Wikimedia list article
Wikipedia - List of Modenese consorts -- Wikipedia list article
Wikipedia - List of Moderators of the General Assembly of the Church of Scotland
Wikipedia - List of Moderators of the General Assembly of the Presbyterian Church (USA) -- Wikimedia list article
Wikipedia - List of modern Arab scientists and engineers -- Wikipedia list article
Wikipedia - List of modern armament manufacturers -- Wikipedia list article
Wikipedia - List of modern armoured fighting vehicles -- Wikimedia list article
Wikipedia - List of modern artists -- Wikipedia list article
Wikipedia - List of modern-day Muslim scholars of Islam
Wikipedia - List of modern Eastern religions writers
Wikipedia - List of modern equipment of the Azerbaijani Air Force -- Wikimedia list article
Wikipedia - List of Modern Family characters -- Wikipedia list article
Wikipedia - List of Modern Family episodes -- Wikipedia list article
Wikipedia - List of modern great powers -- Wikipedia list article
Wikipedia - List of Modern Greek poets
Wikipedia - List of modern Greek poets -- Wikipedia list article
Wikipedia - List of modernist composers -- Wikipedia list article
Wikipedia - List of modernist poets -- Wikimedia list article
Wikipedia - List of modernist women writers -- Wikipedia list article
Wikipedia - List of modernist writers -- Wikipedia list article
Wikipedia - List of Modern Magic Made Simple episodes -- Wikipedia list article
Wikipedia - List of Modern Marvels episodes -- Wikipedia list article
Wikipedia - List of modern Pagan temples -- Wikimedia list article
Wikipedia - List of modern political leaders of Tibet
Wikipedia - List of modern production plug-in electric vehicles available in the United States -- Wikipedia list article
Wikipedia - List of modern production plug-in electric vehicles -- Wikimedia list article
Wikipedia - List of modern Russian small arms and light weapons -- Wikipedia list article
Wikipedia - List of modern scholars in Buddhist studies -- Wikipedia list article
Wikipedia - List of Modern School alumni -- Wikipedia list article
Wikipedia - List of modern Sufi scholars -- Wikipedia list article
Wikipedia - List of Modern Theatres films -- Wikipedia list article
Wikipedia - List of modern tramway and light rail systems in the United Kingdom -- Wikipedia list article
Wikipedia - List of modern universities in Europe (1801-1945) -- Wikipedia list article
Wikipedia - List of modern writers on Eastern religions -- Wikipedia list article
Wikipedia - List of Moesha episodes -- Wikipedia list article
Wikipedia - List of Mom episodes -- Wikipedia list article
Wikipedia - List of Monarch of the Glen episodes -- Wikipedia list article
Wikipedia - List of Money Heist episodes -- Wikipedia list article
Wikipedia - List of Mongrels episodes -- Wikipedia list article
Wikipedia - List of Monk episodes -- Wikipedia list article
Wikipedia - List of Monkey Magic TV episodes -- Wikipedia list article
Wikipedia - List of Monochrome Factor episodes -- Wikipedia list article
Wikipedia - List of Monogatari episodes -- Wikipedia list article
Wikipedia - List of Monster Buster Club episodes -- Wikipedia list article
Wikipedia - List of Monster episodes -- Wikipedia list article
Wikipedia - List of Monster Jam episodes -- Wikipedia list article
Wikipedia - List of Monsuno episodes -- Wikipedia list article
Wikipedia - List of Monty Python's Flying Circus episodes -- Wikipedia list article
Wikipedia - List of Moomin episodes -- Wikipedia list article
Wikipedia - List of Moonlight episodes -- Wikipedia list article
Wikipedia - List of Moonlighting episodes -- Wikipedia list article
Wikipedia - List of Moonlight Resonance episodes -- Wikipedia list article
Wikipedia - List of Moonshiners episodes -- Wikipedia list article
Wikipedia - List of Moral Orel episodes -- Wikipedia list article
Wikipedia - List of More Than Words episodes -- Wikipedia list article
Wikipedia - List of Moribito: Guardian of the Spirit episodes -- Wikipedia list article
Wikipedia - List of Mork & Mindy episodes -- Wikipedia list article
Wikipedia - List of Most Daring episodes -- Wikipedia list article
Wikipedia - List of Most Extreme Elimination Challenge episodes -- Wikipedia list article
Wikipedia - List of Most Haunted episodes -- Wikipedia list article
Wikipedia - List of Most Shocking episodes -- Wikipedia list article
Wikipedia - List of most-watched television episodes
Wikipedia - List of Mother and Son episodes -- Wikipedia list article
Wikipedia - List of Motive episodes -- Wikipedia list article
Wikipedia - List of Mountain Men episodes -- Wikipedia list article
Wikipedia - List of Mounted in Alaska episodes -- Wikipedia list article
Wikipedia - List of Mount Pleasant episodes -- Wikipedia list article
Wikipedia - List of Moyasimon episodes -- Wikipedia list article
Wikipedia - List of Mozart in the Jungle episodes -- Wikipedia list article
Wikipedia - List of Mr. Bean (animated TV series) episodes -- Wikipedia list article
Wikipedia - List of Mr. Bean episodes -- Wikipedia list article
Wikipedia - List of Mr. Belvedere episodes -- Wikipedia list article
Wikipedia - List of Mr. Box Office episodes -- Wikipedia list article
Wikipedia - List of Mr. Osomatsu episodes -- Wikipedia list article
Wikipedia - List of Mr. Pickles episodes -- Wikipedia list article
Wikipedia - List of Mr. Robot episodes -- Wikipedia list article
Wikipedia - List of Mr. Tonegawa: Middle Management Blues episodes -- Wikipedia list article
Wikipedia - List of Mr. Young episodes -- Wikipedia list article
Wikipedia - List of Mulawin vs. Ravena episodes -- Wikipedia list article
Wikipedia - List of Muling Buksan ang Puso episodes -- Wikipedia list article
Wikipedia - List of Mundo Mo'y Akin episodes -- Wikipedia list article
Wikipedia - List of municipalities in Rhode Island -- Wikipedia list article
Wikipedia - List of Munto episodes -- Wikipedia list article
Wikipedia - List of Muppet Babies (1984 TV series) episodes -- Wikipedia list article
Wikipedia - List of Muppet Babies (2018 TV series) episodes -- Wikimedia list article
Wikipedia - List of Murder Call episodes -- Wikipedia list article
Wikipedia - List of Murder in the First episodes -- Wikipedia list article
Wikipedia - List of Murder, She Wrote episodes -- Wikipedia list article
Wikipedia - List of Murdoch Mysteries episodes -- Wikipedia list article
Wikipedia - List of Murphy Brown episodes -- Wikipedia list article
Wikipedia - List of museums in Rhode Island -- Wikipedia list article
Wikipedia - List of Mushishi episodes -- Wikipedia list article
Wikipedia - List of Mutant X episodes -- Wikipedia list article
Wikipedia - List of Muv-Luv Alternative: Total Eclipse episodes -- Wikipedia list article
Wikipedia - List of My 600-lb Life episodes -- Wikipedia list article
Wikipedia - List of My Absolute Boyfriend episodes -- 2019 South Korean television series
Wikipedia - List of My Babysitter's a Vampire episodes -- Wikipedia list article
Wikipedia - List of My BFF episodes -- Wikipedia list article
Wikipedia - List of My Boys episodes -- Wikipedia list article
Wikipedia - List of My Bride is a Mermaid episodes -- Wikipedia list article
Wikipedia - List of My Bromance: The Series episodes -- Wikipedia list article
Wikipedia - List of My Dad Wrote a Porno episodes -- Wikipedia list article
Wikipedia - List of My Dear Heart episodes -- Wikipedia list article
Wikipedia - List of My Destiny episodes -- Wikipedia list article
Wikipedia - List of My Faithful Husband episodes -- Wikipedia list article
Wikipedia - List of My Family episodes -- Wikipedia list article
Wikipedia - List of My Friends Tigger & Pooh episodes -- Wikipedia list article
Wikipedia - List of My Guitar Princess episodes -- Wikipedia list article
Wikipedia - List of My Gym Partner's a Monkey episodes -- List of episodes of American animated television series My Gym Partner's a Monkey
Wikipedia - List of My Hero Academia episodes -- Wikipedia list article
Wikipedia - List of My Hero episodes {{DISPLAYTITLE:List of ''My Hero'' episodes -- List of My Hero episodes {{DISPLAYTITLE:List of ''My Hero'' episodes
Wikipedia - List of My-HiME episodes -- Wikipedia list article
Wikipedia - List of My Korean Jagiya episodes -- Wikipedia list article
Wikipedia - List of My Life as a Teenage Robot episodes -- Wikipedia list article
Wikipedia - List of My Little Monster episodes -- Wikipedia list article
Wikipedia - List of My Little Old Boy episodes -- Wikipedia list article
Wikipedia - List of My Little Pony: Friendship Is Magic episodes -- Wikipedia list article
Wikipedia - List of My Little Pony: Pony Life episodes -- Episode list for an animated series
Wikipedia - List of My Love from the Star episodes -- Wikipedia list article
Wikipedia - List of My Love Story!! episodes -- Wikipedia list article
Wikipedia - List of My Mad Fat Diary episodes -- Wikipedia list article
Wikipedia - List of My Mother's Secret episodes -- Wikipedia list article
Wikipedia - List of My Name Is Earl episodes -- Wikipedia list article
Wikipedia - List of My Neighbor, Charles episodes -- Wikimedia list article
Wikipedia - List of My Neighbor Seki episodes -- Wikipedia list article
Wikipedia - List of My-Otome episodes -- Wikipedia list article
Wikipedia - List of My Parents Are Aliens episodes -- Wikipedia list article
Wikipedia - List of My Place episodes -- Wikipedia list article
Wikipedia - List of My Secret Identity episodes -- Wikipedia list article
Wikipedia - List of Myself ; Yourself episodes -- Wikipedia list article
Wikipedia - List of My Special Tatay episodes -- Wikipedia list article
Wikipedia - List of Mysteries and Scandals episodes -- Wikipedia list article
Wikipedia - List of Mysterious Joker episodes -- Wikipedia list article
Wikipedia - List of Mystery! episodes -- Wikipedia list article
Wikipedia - List of Mysticons episodes -- Wikipedia list article
Wikipedia - List of My Super D episodes -- Wikipedia list article
Wikipedia - List of My Super Sweet 16 episodes -- Wikipedia list article
Wikipedia - List of My Three Sons episodes -- Wikipedia list article
Wikipedia - List of My Two Dads episodes -- Wikipedia list article
Wikipedia - List of My Wife and Kids episodes -- Wikipedia list article
Wikipedia - List of Nabari no Ou episodes -- Wikipedia list article
Wikipedia - List of Nadia: The Secret of Blue Water episodes -- Wikipedia list article
Wikipedia - List of Nagi-Asu: A Lull in the Sea episodes -- Wikipedia list article
Wikipedia - List of Naked and Afraid episodes -- Wikipedia episode list article
Wikipedia - List of Naked Science episodes -- Wikipedia list article
Wikipedia - List of Nana episodes -- Wikipedia list article
Wikipedia - List of Nanatsuiro Drops episodes -- Wikipedia list article
Wikipedia - List of Nang Ngumiti ang Langit episodes -- Wikipedia list article
Wikipedia - List of Naor's Friends episodes -- Wikipedia list article
Wikipedia - List of Naruto episodes -- Wikipedia list article
Wikipedia - List of Naruto: Shippuden episodes -- Wikipedia list article
Wikipedia - List of Nasaan Ka Elisa episodes -- Wikipedia list article
Wikipedia - List of Nash Bridges episodes -- Wikipedia list article
Wikipedia - List of Nashville episodes -- Wikipedia list article
Wikipedia - List of Nathan for You episodes -- Wikipedia list article
Wikipedia - List of National Historic Landmarks in Rhode Island -- Wikipedia list article
Wikipedia - List of National Natural Landmarks in Rhode Island -- Wikipedia list article
Wikipedia - List of NATO country codes -- Wikipedia list article
Wikipedia - List of Natsume's Book of Friends episodes -- Wikipedia list article
Wikipedia - List of Naturally, Sadie episodes -- Wikipedia list article
Wikipedia - List of Natural World episodes -- Wikipedia list article
Wikipedia - List of Nature Cat episodes -- Wikipedia list article
Wikipedia - List of nature centers in Rhode Island -- Wikipedia list article
Wikipedia - List of Nature episodes -- Wikipedia list article
Wikipedia - List of NCIS episodes -- Wikimedia list article
Wikipedia - List of NCIS: Los Angeles episodes -- Wikipedia list article
Wikipedia - List of NCIS: New Orleans episodes -- Wikipedia list article
Wikipedia - List of Nebraska area codes -- Wikipedia list article
Wikipedia - List of Necessary Roughness episodes -- Wikipedia list article
Wikipedia - List of Ned & Stacey episodes -- Wikipedia list article
Wikipedia - List of Ned's Declassified School Survival Guide episodes -- Wikipedia list article
Wikipedia - List of Ned's Newt episodes -- Wikipedia list article
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Wikipedia - List of nematode families -- Wikipedia list article
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Wikipedia - List of Neon Genesis Evangelion episodes -- Wikimedia list article
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Wikipedia - List of network protocols (OSI model) -- Wikipedia list article
Wikipedia - List of Neuro: Supernatural Detective episodes -- Wikipedia list article
Wikipedia - List of Nevada area codes -- Wikipedia list article
Wikipedia - List of Never Mind the Buzzcocks episodes -- Wikipedia list article
Wikipedia - List of Never the Twain episodes -- Wikipedia list article
Wikipedia - List of New Game! episodes -- Wikipedia list article
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Wikipedia - List of New Heavenly Sword and Dragon Sabre episodes -- Wikipedia list article
Wikipedia - List of New Jersey area codes -- Wikipedia list article
Wikipedia - List of New Looney Tunes episodes -- Wikipedia list article
Wikipedia - List of New Mexico area codes -- Wikipedia list article
Wikipedia - List of newspapers in Rhode Island -- Wikimedia list article
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Wikipedia - List of New Testament verses not included in modern English translations -- Wikipedia list article
Wikipedia - List of New Tricks episodes -- Wikimedia list article
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Wikipedia - List of Next Great Baker episodes -- Wikipedia list article
Wikipedia - List of Ngayon at Kailanman episodes -- Wikipedia list article
Wikipedia - List of Nichijou episodes -- Wikipedia list article
Wikipedia - List of Nickelodeon original films -- Wikipedia list article
Wikipedia - List of Nickelodeon short films -- Wikipedia list article
Wikipedia - List of Nicky, Ricky, Dicky & Dawn episodes -- Wikipedia list article
Wikipedia - List of Night Court episodes -- Wikipedia list article
Wikipedia - List of Night Man episodes -- Wikipedia list article
Wikipedia - List of Night Wizard episodes -- Wikipedia list article
Wikipedia - List of Ni Hao, Kai-Lan episodes -- Wikipedia list article
Wikipedia - List of NijM-EM-+ MensM-EM-^M no Musume episodes -- Wikipedia list article
Wikipedia - List of Nikita episodes -- Wikipedia list article
Wikipedia - List of NiM-CM-1o episodes -- Wikipedia list article
Wikipedia - List of Ninjago episodes -- Wikipedia list article
Wikipedia - List of Ninja Hattori-kun episodes -- Wikipedia list article
Wikipedia - List of Nintama RantarM-EM-^M episodes -- Wikipedia list article
Wikipedia - List of Nip/Tuck episodes -- Wikipedia list article
Wikipedia - List of Nirvana in Fire episodes -- Wikipedia list article
Wikipedia - List of Nisekoi episodes -- Wikipedia list article
Wikipedia - List of NJPW Strong special episodes -- Wikipedia list article
Wikipedia - List of Noah's Arc episodes -- Wikipedia list article
Wikipedia - List of Nodame Cantabile episodes -- Wikipedia list article
Wikipedia - List of Noein: To Your Other Self episodes -- Wikipedia list article
Wikipedia - List of No Fear of Truth episodes -- Wikipedia list article
Wikipedia - List of Nogizaka Haruka no Himitsu episodes -- Wikipedia list article
Wikipedia - List of No Guns Life episodes {{DISPLAYTITLE:List of ''No Guns Life'' episodes -- List of No Guns Life episodes {{DISPLAYTITLE:List of ''No Guns Life'' episodes
Wikipedia - List of Noir episodes -- Wikipedia list article
Wikipedia - List of Non Non Biyori episodes -- Wikipedia list article
Wikipedia - List of Non-Summit episodes (2014) -- Wikipedia list article
Wikipedia - List of Non-Summit episodes (2015) -- Wikipedia list article
Wikipedia - List of Non-Summit episodes (2016) -- Wikipedia list article
Wikipedia - List of Non-Summit episodes (2017) -- Wikipedia list article
Wikipedia - List of Non-Summit episodes -- Wikipedia list article
Wikipedia - List of Noragami episodes -- Wikipedia list article
Wikipedia - List of No Regrets episodes -- Wikipedia list article
Wikipedia - List of North American Numbering Plan area codes -- Wikipedia list article
Wikipedia - List of North Carolina area codes -- Wikipedia list article
Wikipedia - List of Northern Exposure episodes -- Wikipedia list article
Wikipedia - List of Not Going Out episodes -- Wikimedia list article
Wikipedia - List of Nova episodes {{DISPLAYTITLE:List of ''Nova'' episodes -- List of Nova episodes {{DISPLAYTITLE:List of ''Nova'' episodes
Wikipedia - List of Nowhere Boys episodes -- Wikipedia list article
Wikipedia - List of Numb Chucks episodes -- Wikipedia list article
Wikipedia - List of number-one singles in Rhodesia -- Wikipedia list article
Wikipedia - List of Numbers episodes -- Wikipedia list article
Wikipedia - List of NumM-CM-)ro China cover models -- Wikipedia list article
Wikipedia - List of NumM-CM-)ro Korea cover models -- Wikipedia list article
Wikipedia - List of NumM-CM-)ro magazine cover models -- Wikipedia list article
Wikipedia - List of NumM-CM-)ro Russia cover models -- Wikipedia list article
Wikipedia - List of NumM-CM-)ro Tokyo cover models -- Wikipedia list article
Wikipedia - List of Numm episodes -- Wikipedia list article
Wikipedia - List of Nura: Rise of the Yokai Clan episodes -- Wikipedia list article
Wikipedia - List of Nurse Jackie episodes -- Wikipedia list article
Wikipedia - List of Nurses episodes -- Wikipedia list article
Wikipedia - List of Nuts Magazine models -- Wikipedia list article
Wikipedia - List of Nyaruko: Crawling With Love episodes -- Wikipedia list article
Wikipedia - List of Nylon cover models -- Wikipedia list article
Wikipedia - List of NYPD Blue episodes -- Wikipedia list article
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Wikipedia - List of Occult Academy episodes -- Wikipedia list article
Wikipedia - List of ocean circulation models -- Models used in physical oceanography.
Wikipedia - List of Ocean Girl episodes -- Wikipedia list article
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Wikipedia - List of Odd Mom Out episodes -- Wikipedia list article
Wikipedia - List of Offspring episodes -- Wikipedia list article
Wikipedia - List of Offspring: The Nurses webisodes -- Wikipedia list article
Wikipedia - List of Off the Air episodes -- Wikimedia list article
Wikipedia - List of Oggy and the Cockroaches episodes -- Wikipedia list article
Wikipedia - List of Oh Baby episodes -- Wikipedia list article
Wikipedia - List of Oh, Doctor Beeching! episodes -- Wikipedia list article
Wikipedia - List of Ohio area codes -- Wikipedia list article
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Wikipedia - List of Oh My Goddess! episodes -- Wikipedia list article
Wikipedia - List of Oh, My Mama! episodes -- Wikipedia list article
Wikipedia - List of Oh Yeah! Cartoons episodes -- List of episodes of the American animated television showcase series Oh Yeah! Cartoons
Wikipedia - List of Ojamajo Doremi episodes -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 16) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 1-7) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 17) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 18) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 1) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 2) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 3) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 4) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 5) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 6) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 7) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 8-18) -- Wikipedia list article
Wikipedia - List of Ojarumaru episodes (series 8) -- Wikipedia list article
Wikipedia - List of OK K.O.! Let's Be Heroes episodes -- Wikipedia list article
Wikipedia - List of Oklahoma area codes -- Wikipedia list article
Wikipedia - List of OK! TV episodes -- Wikipedia list article
Wikipedia - List of Oku-sama wa MahM-EM-^M ShM-EM-^Mjo: Bewitched Agnes episodes -- Wikipedia list article
Wikipedia - List of Old Bedford Modernians -- Wikimedia list article
Wikipedia - List of Olivia episodes -- Wikipedia list article
Wikipedia - List of Olympic medalists in modern pentathlon -- Wikimedia list article
Wikipedia - List of Olympic venues in modern pentathlon -- Wikimedia list article
Wikipedia - List of Omamori Himari episodes -- Wikipedia list article
Wikipedia - List of Omphalodes species -- Wikipedia list article
Wikipedia - List of Onanay episodes -- Wikipedia list article
Wikipedia - List of Once Again episodes -- Wikipedia list article
Wikipedia - List of Once Upon a Kiss episodes -- Wikipedia list article
Wikipedia - List of Once Upon a Time episodes -- Wikipedia list article
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Wikipedia - List of One Born Every Minute episodes -- Wikimedia list article
Wikipedia - List of One Day at a Time (1975 TV series) episodes -- Wikipedia list article
Wikipedia - List of One Day at a Time (2017 TV series) episodes -- Wikipedia list article
Wikipedia - List of Onedin Line episodes -- Wikipedia list article
Wikipedia - List of One episodes -- Wikipedia list article
Wikipedia - List of One Foot in the Grave episodes -- Wikipedia list article
Wikipedia - List of One of the Baes episodes -- Wikimedia list article
Wikipedia - List of One on One episodes -- Wikipedia list article
Wikipedia - List of One Piece episodes (seasons 15-current) {{DISPLAYTITLE:List of ''One Piece'' episodes (seasons 15-current) -- List of One Piece episodes (seasons 15-current) {{DISPLAYTITLE:List of ''One Piece'' episodes (seasons 15-current)
Wikipedia - List of One Piece episodes (seasons 1-8) {{DISPLAYTITLE:List of ''One Piece'' episodes (seasons 1-8) -- List of One Piece episodes (seasons 1-8) {{DISPLAYTITLE:List of ''One Piece'' episodes (seasons 1-8)
Wikipedia - List of One Piece episodes (seasons 9-14) {{DISPLAYTITLE:List of ''One Piece'' episodes (seasons 9-14) -- List of One Piece episodes (seasons 9-14) {{DISPLAYTITLE:List of ''One Piece'' episodes (seasons 9-14)
Wikipedia - List of One-Punch Man episodes -- Wikipedia list article
Wikipedia - List of One Tree Hill episodes -- Wikipedia list article
Wikipedia - List of One True Love episodes -- Wikipedia list article
Wikipedia - List of One Week Friends episodes -- Wikipedia list article
Wikipedia - List of Only Fools and Horses episodes -- Wikipedia list article
Wikipedia - List of Ontario area codes -- Wikipedia list article
Wikipedia - List of On the Buses episodes -- Wikipedia list article
Wikipedia - List of On the Red Dot episodes -- Wikipedia list article
Wikipedia - List of On the Wings of Love episodes -- Wikipedia list article
Wikipedia - List of Oobi episodes -- Wikipedia list article
Wikipedia - List of Open All Hours episodes -- Wikipedia list article
Wikipedia - List of open-source codecs -- Wikipedia list article
Wikipedia - List of Opinion episodes -- Wikipedia list article
Wikipedia - List of Oprah Prime episodes -- Wikimedia list article
Wikipedia - List of Oprah's Lifeclass episodes -- Wikipedia list article
Wikipedia - List of Orange County Choppers episodes -- Wikipedia list article
Wikipedia - List of Orange Is the New Black episodes -- Wikipedia list article
Wikipedia - List of Oregon area codes -- Wikipedia list article
Wikipedia - List of Oreimo episodes -- Wikipedia list article
Wikipedia - List of original Beyblade episodes -- Wikipedia list article
Wikipedia - List of Orphan Black episodes -- Wikipedia list article
Wikipedia - List of Oswaldo episodes -- Wikipedia list article
Wikipedia - List of Otome wa Boku ni Koishiteru episodes -- Wikipedia list article
Wikipedia - List of Ouran High School Host Club episodes -- Wikipedia list article
Wikipedia - List of Our Cartoon President episodes -- Wikimedia list article
Wikipedia - List of Our Friends in the North episodes -- Wikipedia list article
Wikipedia - List of Our Home's Fox Deity. episodes -- Wikipedia list article
Wikipedia - List of Outlander episodes -- Wikipedia list article
Wikipedia - List of Outlaw Star episodes -- Wikipedia list article
Wikipedia - List of Outnumbered episodes -- Wikipedia list article
Wikipedia - List of Out of the Unknown episodes -- Wikipedia list article
Wikipedia - List of Outrageous Fortune episodes {{DISPLAYTITLE:List of ''Outrageous Fortune'' episodes -- List of Outrageous Fortune episodes {{DISPLAYTITLE:List of ''Outrageous Fortune'' episodes
Wikipedia - List of Out with Dad episodes -- Wikipedia list article
Wikipedia - List of Overlord episodes -- Wikipedia list article
Wikipedia - List of Owen Marshall, Counselor at Law episodes -- Wikipedia list article
Wikipedia - List of Oz episodes -- Wikipedia list article
Wikipedia - List of Pacific Blue episodes -- Wikipedia list article
Wikipedia - List of Packed to the Rafters episodes -- Wikipedia list article
Wikipedia - List of Pac-Man and the Ghostly Adventures episodes -- Wikipedia list article
Wikipedia - List of Pair of Kings episodes -- Wikipedia list article
Wikipedia - List of Pakistan Idol episodes -- Wikipedia list article
Wikipedia - List of Pakistani models -- Wikipedia list article
Wikipedia - List of Pakistan Music Stars episodes -- Wikipedia list article
Wikipedia - List of Pamilya Ko episodes -- Wikipedia list article
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Wikipedia - List of Pan American Games medalists in modern pentathlon -- Wikimedia list article
Wikipedia - List of Pandora Hearts episodes -- Wikipedia list article
Wikipedia - List of Pangako Sa 'Yo (2015 TV series) episodes -- Wikipedia list article
Wikipedia - List of Pani Poni Dash! episodes -- Wikipedia list article
Wikipedia - List of Panty & Stocking with Garterbelt episodes -- Wikipedia list article
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Wikipedia - List of Paradise episodes -- Wikipedia list article
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Wikipedia - List of Paranormal State episodes -- Wikipedia list article
Wikipedia - List of Parasite Island episodes -- Wikipedia list article
Wikipedia - List of Parasyte -the maxim- episodes -- Wikipedia list article
Wikipedia - List of Parenthood episodes -- Wikipedia list article
Wikipedia - List of Pari 'Koy episodes -- Wikipedia list article
Wikipedia - List of Parker Lewis Can't Lose episodes -- Wikipedia list article
Wikipedia - List of Parks and Recreation episodes -- Wikipedia list article
Wikipedia - List of Party of Five episodes -- Wikipedia list article
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Wikipedia - List of Paula's Best Dishes episodes -- Wikipedia list article
Wikipedia - List of Pawn Stars episodes -- Wikipedia list article
Wikipedia - List of PAW Patrol episodes -- Wikipedia list article
Wikipedia - List of PB&J Otter episodes -- Wikipedia list article
Wikipedia - List of Peace & Prosperity episodes -- Wikipedia list article
Wikipedia - List of Peacemaker Kurogane episodes -- Wikipedia list article
Wikipedia - List of Peep Show episodes -- Wikipedia list article
Wikipedia - List of Pee-wee's Playhouse episodes -- Wikipedia list article
Wikipedia - List of Penguindrum episodes -- Wikipedia list article
Wikipedia - List of Penguin Musume Heart episodes -- Wikipedia list article
Wikipedia - List of Penn & Teller: Bullshit! episodes -- Wikipedia list article
Wikipedia - List of Penn & Teller Tell a Lie episodes -- Wikipedia list article
Wikipedia - List of Pennsylvania area codes -- Wikipedia list article
Wikipedia - List of Penny Dreadful episodes -- Wikipedia list article
Wikipedia - List of Penny on M.A.R.S. episodes -- Wikipedia list article
Wikipedia - List of Penn Zero: Part-Time Hero episodes -- Wikipedia list article
Wikipedia - List of people from Galicia (Eastern Europe): modern period -- Wikipedia list article
Wikipedia - List of people from Rhode Island
Wikipedia - List of Peppa Pig episodes -- Wikipedia list article
Wikipedia - List of Pepper Ann episodes -- Wikipedia list article
Wikipedia - List of Perception episodes -- Wikipedia list article
Wikipedia - List of Perfect Strangers episodes -- Wikipedia list article
Wikipedia - List of Perry Mason episodes -- Wikipedia list article
Wikipedia - List of Persona 4: The Animation episodes -- Wikipedia list article
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Wikipedia - List of Persona: Trinity Soul episodes -- Wikipedia list article
Wikipedia - List of Person of Interest episodes -- Wikipedia list article
Wikipedia - List of Perth Modernians -- Wikipedia list article
Wikipedia - List of Petticoat Junction episodes -- Wikipedia list article
Wikipedia - List of Phantom 2040 episodes -- Wikipedia list article
Wikipedia - List of Phantom: Requiem for the Phantom episodes -- Wikipedia list article
Wikipedia - List of Phantom Thief Jeanne episodes -- Wikipedia list article
Wikipedia - List of Phi Brain: Puzzle of God episodes -- Wikipedia list article
Wikipedia - List of Philodendron species -- Wikipedia list article
Wikipedia - List of Phil of the Future episodes -- Wikipedia list article
Wikipedia - List of Phineas and Ferb episodes -- Wikipedia list article
Wikipedia - List of Phua Chu Kang Pte Ltd episodes -- Episodes of a Singapore TV sitcom
Wikipedia - List of Phyllis episodes -- Wikipedia list article
Wikipedia - List of Picket Fences episodes -- Wikipedia list article
Wikipedia - List of Pickle and Peanut episodes -- Wikipedia list article
Wikipedia - List of Picrodendraceae genera -- Wikipedia list article
Wikipedia - List of Pig Goat Banana Cricket episodes -- Wikipedia list article
Wikipedia - List of Pillow Talk (TV series) episodes -- Wikipedia list article
Wikipedia - List of Pilot Candidate episodes -- Wikipedia list article
Wikipedia - List of Pimp My Ride episodes -- Wikimedia list article
Wikipedia - List of Pingu episodes -- Wikipedia list article
Wikipedia - List of Pinky and the Brain episodes -- Wikipedia list article
Wikipedia - List of Pinky Dinky Doo episodes -- Wikipedia list article
Wikipedia - List of Pinulot Ka Lang sa Lupa episodes -- Wikipedia list article
Wikipedia - List of Pirate Islands episodes -- Wikipedia list article
Wikipedia - List of Pissodes species -- Wikipedia list article
Wikipedia - List of Pita-Ten episodes -- Wikipedia list article
Wikipedia - List of PJ Masks episodes -- Wikipedia list article
Wikipedia - List of placoderm genera -- Wikipedia list article
Wikipedia - List of Planetes episodes -- Wikipedia list article
Wikipedia - List of Play to the Whistle episodes -- Wikipedia list article
Wikipedia - List of Pleasant Goat and Big Big Wolf episodes -- Wikipedia list article
Wikipedia - List of Please Like Me episodes -- Wikipedia list article
Wikipedia - List of Please Take Care of My Refrigerator episodes -- Wikipedia list article
Wikipedia - List of Plunderer episodes -- Wikipedia list article
Wikipedia - List of Poetic Justice episodes -- Wikipedia list article
Wikipedia - List of Point of Entry episodes -- Wikipedia list article
Wikipedia - List of PokM-CM-)mon: Black & White episodes -- Wikipedia list article
Wikipedia - List of PokM-CM-)mon: Diamond and Pearl episodes -- Wikipedia list article
Wikipedia - List of PokM-CM-)mon episodes (seasons 1-13) {{DISPLAYTITLE:List of ''PokM-CM-)mon'' episodes (seasons 1-13) -- List of PokM-CM-)mon episodes (seasons 1-13) {{DISPLAYTITLE:List of ''PokM-CM-)mon'' episodes (seasons 1-13)
Wikipedia - List of PokM-CM-)mon episodes (seasons 14-current) {{DISPLAYTITLE:List of ''PokM-CM-)mon'' episodes (seasons 14-current) -- List of PokM-CM-)mon episodes (seasons 14-current) {{DISPLAYTITLE:List of ''PokM-CM-)mon'' episodes (seasons 14-current)
Wikipedia - List of PokM-CM-)mon the Series: Sun & Moon episodes -- Wikipedia list article
Wikipedia - List of PokM-CM-)mon: XY episodes -- Wikipedia list article
Wikipedia - List of Police Academy episodes -- Wikipedia list article
Wikipedia - List of Police Camera Action! episodes -- Wikipedia list article
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Wikipedia - List of Police Woman episodes -- Wikipedia list article
Wikipedia - List of Polish voivodeships by GRP per capita
Wikipedia - List of Polish voivodeships by GRP -- Wikipedia list article
Wikipedia - List of Polish voivodeships by Human Development Index -- Wikipedia list article
Wikipedia - List of Poltergeist: The Legacy episodes -- Wikimedia list article
Wikipedia - List of Poor Paul episodes -- Wikipedia list article
Wikipedia - List of Poor SeM-CM-1orita episodes -- Wikipedia list article
Wikipedia - List of Popotan episodes -- Wikipedia list article
Wikipedia - List of Popular (TV series) episodes -- Wikipedia list article
Wikipedia - List of Por amar sin ley episodes -- Wikipedia list article
Wikipedia - List of Por ella soy Eva episodes -- Wikipedia list article
Wikipedia - List of Pororo the Little Penguin episodes -- Wikimedia list article
Wikipedia - List of Porridge episodes -- Wikipedia list article
Wikipedia - List of Portlandia episodes -- Wikipedia list article
Wikipedia - List of postal codes in Algeria -- Wikipedia list article
Wikipedia - List of postal codes in Austria -- Wikipedia list article
Wikipedia - List of postal codes in Bangladesh -- Wikipedia list article
Wikipedia - List of postal codes in Barbados -- Wikipedia list article
Wikipedia - List of postal codes in Belgium -- Wikipedia list article
Wikipedia - List of postal codes in Brazil -- Wikipedia list article
Wikipedia - List of postal codes in Bulgaria -- Wikipedia list article
Wikipedia - List of postal codes in Cape Verde -- Wikipedia list article
Wikipedia - List of postal codes in China -- Wikipedia list article
Wikipedia - List of postal codes in Croatia -- Wikipedia list article
Wikipedia - List of postal codes in Denmark -- Wikipedia list article
Wikipedia - List of postal codes in Egypt -- Wikipedia list article
Wikipedia - List of postal codes in Finland -- Wikipedia list article
Wikipedia - List of postal codes in Germany -- Wikipedia list article
Wikipedia - List of postal codes in Greece -- Wikipedia list article
Wikipedia - List of postal codes in Greenland -- Wikipedia list article
Wikipedia - List of postal codes in Guatemala -- Wikipedia list article
Wikipedia - List of postal codes in Hungary -- Wikipedia list article
Wikipedia - List of postal codes in Iceland -- Wikipedia list article
Wikipedia - List of postal codes in Italy -- Wikipedia list article
Wikipedia - List of postal codes in Mexico -- Wikipedia list article
Wikipedia - List of postal codes in Montenegro -- Wikipedia list article
Wikipedia - List of postal codes in Morocco -- Wikimedia list article
Wikipedia - List of postal codes in Nepal -- Wikipedia list article
Wikipedia - List of postal codes in Peru -- Wikipedia list article
Wikipedia - List of postal codes in Poland -- Wikipedia list article
Wikipedia - List of postal codes in Russia -- Wikipedia list article
Wikipedia - List of postal codes in Slovakia -- Wikipedia list article
Wikipedia - List of postal codes in South Africa -- Wikipedia list article
Wikipedia - List of postal codes in South Korea -- Wikipedia list article
Wikipedia - List of postal codes in Spain -- Wikipedia list article
Wikipedia - List of postal codes in Sweden -- Wikipedia list article
Wikipedia - List of postal codes in the Czech Republic -- Wikipedia list article
Wikipedia - List of postal codes in the Faroe Islands -- Wikipedia list article
Wikipedia - List of postal codes in Uruguay -- Wikipedia list article
Wikipedia - List of postal codes in Yugoslavia -- Wikipedia list article
Wikipedia - List of postal codes of Canada: A -- Wikipedia list article
Wikipedia - List of postal codes of Canada: B -- Wikipedia list article
Wikipedia - List of postal codes of Canada: C -- Wikipedia list article
Wikipedia - List of postal codes of Canada: E -- Wikipedia list article
Wikipedia - List of postal codes of Canada: G -- Wikipedia list article
Wikipedia - List of postal codes of Canada: H -- Wikipedia list article
Wikipedia - List of postal codes of Canada: J -- Wikipedia list article
Wikipedia - List of postal codes of Canada: K -- Wikipedia list article
Wikipedia - List of postal codes of Canada: L -- Wikipedia list article
Wikipedia - List of postal codes of Canada: M -- Wikipedia list article
Wikipedia - List of postal codes of Canada: N -- Wikipedia list article
Wikipedia - List of postal codes of Canada: P -- Wikipedia list article
Wikipedia - List of postal codes of Canada: R -- Wikipedia list article
Wikipedia - List of postal codes of Canada: S -- Wikipedia list article
Wikipedia - List of postal codes of Canada: T -- Wikipedia list article
Wikipedia - List of postal codes of Canada: V -- Wikipedia list article
Wikipedia - List of postal codes of Canada: X -- Wikipedia list article
Wikipedia - List of postal codes of Canada: Y -- Wikipedia list article
Wikipedia - List of postal codes of Paraguay -- Wikipedia list article
Wikipedia - List of postal codes -- Wikipedia list article
Wikipedia - List of Postcards from Buster episodes -- Wikipedia list article
Wikipedia - List of postcode districts in the United Kingdom -- Wikipedia list article
Wikipedia - List of Postman Pat episodes -- Wikipedia list article
Wikipedia - List of postmodern critics -- Wikipedia list article
Wikipedia - List of postmodernist composers -- Wikipedia list article
Wikipedia - List of postmodern writers -- Wikipedia list article
Wikipedia - List of Pound Puppies (2010 TV series) episodes -- Wikipedia list article
Wikipedia - List of POV (TV series) episodes -- Wikipedia list article
Wikipedia - List of Power episodes -- Wikipedia list article
Wikipedia - List of Powerpuff Girls Z episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Dino Charge episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Dino Super Charge episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Dino Thunder episodes -- Wikipedia list article
Wikipedia - List of Power Rangers episodes -- Episode list for a live action series
Wikipedia - List of Power Rangers in Space episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Jungle Fury episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Lightspeed Rescue episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Lost Galaxy episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Megaforce episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Mystic Force episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Ninja Steel episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Ninja Storm episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Operation Overdrive episodes -- Wikipedia list article
Wikipedia - List of Power Rangers RPM episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Samurai episodes -- Wikipedia list article
Wikipedia - List of Power Rangers S.P.D. episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Super Megaforce episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Super Ninja Steel episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Super Samurai episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Time Force episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Turbo episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Wild Force episodes -- Wikipedia list article
Wikipedia - List of Power Rangers Zeo episodes -- Wikipedia list article
Wikipedia - List of Powers episodes -- Wikipedia list article
Wikipedia - List of power stations in Rhode Island -- Wikipedia list article
Wikipedia - List of Poyopoyo Kansatsu Nikki episodes -- Wikipedia list article
Wikipedia - List of Prank Patrol (Australian TV series) episodes -- Wikipedia list article
Wikipedia - List of Prank Patrol (British TV series) episodes -- Wikipedia list article
Wikipedia - List of Preacher episodes -- Wikipedia list article
Wikipedia - List of Precious Hearts Romances Presents episodes -- Wikipedia list article
Wikipedia - List of precomposed Latin characters in Unicode -- Wikimedia list article
Wikipedia - List of prehistoric echinoderm genera -- Wikipedia list article
Wikipedia - List of pre-modern Arab scientists and scholars -- Wikipedia list article
Wikipedia - List of pre-modern Iranian scientists and scholars -- Wikimedia list article
Wikipedia - List of pre-modern states -- Wikipedia list article
Wikipedia - List of presidents of the Odelsting -- Wikipedia list article
Wikipedia - List of Preso No. 1 episodes -- Wikipedia list article
Wikipedia - List of Press Gang episodes -- Wikipedia list article
Wikipedia - List of pre-Stonewall riots American television episodes with LGBT themes -- Wikipedia list article
Wikipedia - List of Pretty Little Liars episodes -- Wikipedia list article
Wikipedia - List of Pretty Rhythm: Aurora Dream episodes -- Wikipedia list article
Wikipedia - List of Pretty Rhythm: Dear My Future episodes -- Wikipedia list article
Wikipedia - List of Pretty Rhythm: Rainbow Live episodes -- Wikipedia list article
Wikipedia - List of Prima Donnas episodes -- Wikipedia list article
Wikipedia - List of Prime Suspect (British TV series) episodes -- Wikipedia list article
Wikipedia - List of Primeval episodes -- Wikipedia list article
Wikipedia - List of Princess Knight episodes -- Wikipedia list article
Wikipedia - List of Princess Resurrection episodes -- Wikipedia list article
Wikipedia - List of Princess Sarah episodes -- Wikipedia list article
Wikipedia - List of Princess Tutu episodes -- Wikimedia list article
Wikipedia - List of PriPara episodes -- Wikipedia list article
Wikipedia - List of Prison Break episodes -- List of episodes on American television series Prison Break
Wikipedia - List of Prisoner episodes -- Wikipedia list article
Wikipedia - List of Prisoners of Gravity episodes -- Wikipedia list article
Wikipedia - List of Private Benjamin episodes -- Wikipedia list article
Wikipedia - List of Private Practice episodes -- Wikipedia list article
Wikipedia - List of Private Secretary episodes -- Wikipedia list article
Wikipedia - List of Professional Rodeo Cowboys Association Champions -- Wikipedia list article
Wikipedia - List of professional sports teams in Rhode Island -- Wikipedia list article
Wikipedia - List of Professor Blastoff episodes -- Wikimedia list article
Wikipedia - List of Profiler episodes -- Wikipedia list article
Wikipedia - List of programmes broadcast by Nickelodeon (India) -- Wikipedia list article
Wikipedia - List of programmes broadcast by Nickelodeon (UK and Ireland) -- Wikipedia list article
Wikipedia - List of programs broadcast by Nickelodeon (Brazil) -- Wikipedia list article
Wikipedia - List of programs broadcast by Nickelodeon (Canada) -- Wikipedia list article
Wikipedia - List of programs broadcast by Nickelodeon Games and Sports for Kids -- Wikipedia list article
Wikipedia - List of programs broadcast by Nickelodeon (Latin America) -- Wikipedia list article
Wikipedia - List of programs broadcast by Nickelodeon (Pakistan) -- Wikipedia list article
Wikipedia - List of programs broadcast by Nickelodeon (Southeast Asia) -- Wikipedia list article
Wikipedia - List of programs broadcast by Nickelodeon -- Wikimedia list article
Wikipedia - List of Prohibido amar episodes -- Wikipedia list article
Wikipedia - List of Promised Land episodes -- Wikipedia list article
Wikipedia - List of Property Brothers episodes -- Listing of episodes for American television series Property Brothers
Wikipedia - List of ProRodeo Hall of Fame inductees -- Wikipedia list article
Wikipedia - List of Providence episodes -- Wikipedia list article
Wikipedia - List of Przepis na M-EM- -- Wikipedia list article
Wikipedia - List of Psi Factor: Chronicles of the Paranormal episodes -- Wikipedia list article
Wikipedia - List of Psilodercidae species -- Wikipedia list article
Wikipedia - List of Psych episodes -- Wikipedia list article
Wikipedia - List of Psychic Detective Yakumo episodes -- Wikipedia list article
Wikipedia - List of Puberty Blues episodes -- Wikipedia list article
Wikipedia - List of Pucca episodes -- Wikimedia list article
Wikipedia - List of Puchimas! Petit Idolmaster episodes -- Wikipedia list article
Wikipedia - List of Puella Magi Madoka Magica episodes -- Wikipedia list article
Wikipedia - List of Pulitzer Prize Playhouse episodes -- Wikipedia list article
Wikipedia - List of Pumpkin Scissors episodes -- Wikipedia list article
Wikipedia - List of Punch Line episodes -- Wikipedia list article
Wikipedia - List of Punk'd episodes -- Wikipedia list article
Wikipedia - List of Punky Brewster episodes -- Wikipedia list article
Wikipedia - List of Puppy Dog Pals episodes -- Wikimedia list article
Wikipedia - List of Pure Pwnage episodes -- Wikipedia list article
Wikipedia - List of Pushing Daisies episodes -- Wikipedia list article
Wikipedia - List of Puzzle & Dragons X episodes -- Wikipedia list article
Wikipedia - List of QI episodes -- Wikimedia list article
Wikipedia - List of Quantico episodes -- Wikipedia list article
Wikipedia - List of Quantum Leap episodes -- Wikipedia list article
Wikipedia - List of Quebec area codes -- Wikipedia list article
Wikipedia - List of Queen of the South episodes -- Wikipedia list article
Wikipedia - List of Queen's Blade episodes -- Wikipedia list article
Wikipedia - List of Queen's Blade Rebellion episodes -- Wikipedia list article
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