Lighthouse

1:Recommended Reading
David Foster Wallace - Infinite Jest
DH Lawrence - The Rainbow
Gabriel Garcia Marquez - Love in the Time of Cholera
Karl Ove Knausgaard - My Struggle
Virginia Woolf - To The Lighthouse
Ben Lerner - The Topeka School
Sally Rooney - Conversations With Friends
Nell Zink - The Wallcreeper
Elena Ferrante - The Days of Abandonment
Jack Kerouac - Dharma Bums
Walt Whitman - Leaves of Grass
Michael Murphy - Golf in the Kingdom
Barbara Kingsolver - Prodigal Summer
Albertine Sarrazin - Astragal
Rebecca Solnit - The Faraway Nearby
Michael Paterniti - Love and Other Ways of Dying
Rainer Maria Rilke - Book of Hours
James Baldwin - Another Country
Roberto Calasso - Ka
Translation by S. Radhakrishan - Principle Upanisads
Chogyam Trungpa - Cutting Through Spiritual Materialism
Translation by Georg Feuerstein - Yoga Sutra
Richard Freeman - The Mirror of Yoga
Translation by S. Radhakrishan - The Bhagavad Gita
Shrunyu Suzuki - Zen Mind Beginner's Mind
Heinrich Zimmer - Myths and Symbols in Indian Art and Civilization
Sogyal Rinpoche - The Tibetan Book of Living and Dying
Joseph Campbell - Myths of Light
Joseph Campbell - The Hero With A Thousand Faces
Sri Aurobindo - Savitri
Thomas Meyers - Anatomy Trains
Wendy Doniger - The Hindus ~ Jason Bowman, http://www.jasonbowmanyoga.com/recommended-reading,

* WISDOM TROVE *

1:Scepticism is a barren coast, without a harbor or lighthouse. ~ henry-ward-beecher, @wisdomtrove

2:I forgot and left the lighthouse on all night. Next day the sun wouldn't rise. ~ steven-wright, @wisdomtrove

3:Anything for the quick life, as the man said when he took the situation at the lighthouse. ~ charles-dickens, @wisdomtrove

4:The meagre lighthouse all in white, haunting the seaboard, as if it were the ghost of an edifice that had once had colour and rotundity, dripped melancholy tears after its late buffeting by the waves. ~ charles-dickens, @wisdomtrove

5:Every man should use his intellect, not as he uses his lamp in the study, only for his own seeing, but as the lighthouse uses its lamps, that those afar off on the seas may see the shining, and learn their way. ~ henry-ward-beecher, @wisdomtrove

6:Is the beam from a lighthouse affected by howling wind and rain? It remains perfectly steadfast and unaffected by the storm. Your true self is like that. Nothing can ever harm you once you are consciously aware that it is so. ~ vernon-howard, @wisdomtrove

7:She belonged to a different age, but being so entire, so complete, would always stand up on the horizon, stone-white, eminent, like a lighthouse marking some past stage on this adventurous, long, long voyage, this interminable - this interminable life. ~ virginia-woolf, @wisdomtrove

8:Art for art's sake? I should think so, and more so than ever at the present time. It is the one orderly product which our middling race has produced. It is the cry of a thousand sentinels, the echo from a thousand labyrinths, it is the lighthouse which cannot be hidden. It is the best evidence we can have of our dignity. ~ e-m-forster, @wisdomtrove

9:He looked very old. He looked, James thought, getting his head now against the Lighthouse, now against the waste of waters running away into the open, like some old stone lying on the sand; he looked as if he had become physically what was always at the back of both of their minds-that loneliness which was for both of them the truth about things. ~ virginia-woolf, @wisdomtrove

10:The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it? No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too. ~ virginia-woolf, @wisdomtrove

* NEWFULLDB 2.4M *

1:Sand Key lighthouse. Johnny ~ Tim Dorsey,

2:you are your own lighthouse. ~ Amanda Lovelace,

3:The island took the Lighthouse. ~ Peter Lerangis,

4:She was my lighthouse, my Juliet, my good girl ~ Ker Dukey,

5:Death is the only lighthouse that is always lit. ~ Liu Cixin,

6:A lighthouse is more useful than a church. ~ Benjamin Franklin,

7:Seek not a lighthouse greater than the human mind! ~ Mehmet Murat ildan,

8:If you close your eyes, no lighthouse can help you! ~ Mehmet Murat ildan,

9:The lighthouse was like the Tardis: bigger on the inside ~ Saundra Mitchell,

10:Scepticism is a barren coast, without a harbor or lighthouse. ~ Henry Ward Beecher,

11:What pioneer ever had chart and a lighthouse to steer by? ~ Catherine Drinker Bowen,

12:Her hand stopped only as the sun rose high above the lighthouse tower. ~ Ashley McLeo,

13:May
the stars forever guide us, and may this lighthouse bring us
home. ~ N R Walker,

14:A lighthouse is for others; powerless to illuminate the space closest to it. ~ M L Stedman,

15:Third eye never has an opinion... like a lighthouse - it guides the navigator. ~ T F Hodge,

16:To know if I'm alone in my longing, a lighthouse signaling to an empty sea. ~ Colleen Oakley,

17:A ship on the beach is a lighthouse to the sea.

(DUTCH PROVERB) ~ Frederick P Brooks Jr,

18:For nothing was simply one thing. The other Lighthouse was true too. Virginia Woolf ~ Leni Zumas,

19:Your attention is the same as the ray from a lighthouse. I am struck dumb beneath it. ~ Daisy Johnson,

20:To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once. ~ Ocean Vuong,

21:She is like a revolving lighthouse; pitch darkness alternating with a dazzling brilliancy! ~ Henry James,

22:After all, many people make babies; only one made To the Lighthouse and Three Guineas... ~ Rebecca Solnit,

23:His presence in my life is like the lighthouse in stormy waters to a ship lost at sea. ~ Lisa Renee Jones,

24:If a lighthouse looks like it's in a different place, it's not the lighthouse that's moved. ~ M L Stedman,

25:Anything for a quiet life; as the man said when he took the situation at the lighthouse. ~ Charles Dickens,

26:Inside my empty bottle I was constructing a lighthouse while all others were making ships. ~ Charles Simic,

27:Anything for the quick life, as the man said when he took the situation at the lighthouse. ~ Charles Dickens,

28:His presence in my life is like the lighthouse in my stormy waters to a ship lost at sea. ~ Lisa Renee Jones,

29:Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck. ~ Immanuel Kant,

30:Grief does not expire like a candle or the beacon on a lighthouse. It simply changes temperature. ~ Anthony Rapp,

31:Man must behave like a lighthouse; he must shine day and night for the goodness of everyman. ~ Mehmet Murat ildan,

32:That night, at the lighthouse, everything else faded away and my entire world became Sofia Claremont. ~ Bella Forrest,

33:And it was a most remarkable, a most moving glance, as if for a moment a lighthouse had looked at me. ~ Ford Madox Ford,

34:It’s me and the ocean, the tides and the lighthouse and wave after wave folding time to the shore. Unlike ~ Carrie Ryan,

35:Through one lighthouse, you guide many ships. Iola’s words whispered in my mind. Was she thinking of the ~ Lisa Wingate,

36:If you are a lighthouse, you cannot hide yourself; if you hide yourself, you cannot be a lighthouse! ~ Mehmet Murat ildan,

37:Yet I murdered the lighthouse keeper, Botho August, and that is an equal part of how I think about myself. ~ Howard Norman,

38:The sky was a road and the stars made pathways; the moon was a watchtower, a lighthouse that led you home. ~ Cassandra Clare,

39:I wondered how it might affect your way of thinking, if you always had a lighthouse in the corner of your eye. ~ Per Petterson,

40:When I write songs, I try to write in a way to reach as many people as I can, to be a lighthouse versus a flashlight. ~ Chris Tomlin,

41:I can think of no other edifice constructed by man as altruistic as a lighthouse. They were built only to serve. ~ George Bernard Shaw,

42:She pulled off Virginia Woolf's To the Lighthouse and settled down in a comfortable leather chair by the fire to read. ~ Lucinda Riley,

43:A lighthouse is not interested in who gets its light! It just gives it without thinking! Giving light is its nature! ~ Mehmet Murat ildan,

44:Brightport looked so small: a cluster of low buildings, all huddled around a tiny horseshoe-shaped bay, a lighthouse at one ~ Liz Kessler,

45:Maybe I’ll take you to a lighthouse and kiss you like in that book about the cranberries everyone has to read in high school. ~ Ben Monopoli,

46:A True Friend who leaves heart felt messages, can be a lighthouse to others, sharing light and truth, which comes from their heart. ~ Tom Baker,

47:Are you looking for a lighthouse? Let me give you an advice: When you improve your own mind, you become your very own lighthouse! ~ Mehmet Murat ildan,

48:I'm going to put a diamond on you the size of a lighthouse beacon. There won't be a man in this city who doesn't know you're married. ~ Kristen Painter,

49:Maybe Virginia Woolf thought about going to the lighthouse, but I doubt she ever got there, or the novel might have ended differently. ~ Benjamin Percy,

50:I had a classmate who fitted for college by the lamps of a lighthouse, which was more light, we think, than the University afforded. ~ Henry David Thoreau,

51:The ship was cheered, the harbor cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top. ~ Samuel Taylor Coleridge,

52:For me, a writer should be more like a lighthouse keeper, just out there by himself. He shouldn't get his ideas from other people all around him. ~ Robert M Pirsig,

53:Why’s there a pharos here?” he said. “You don’t put a lighthouse where no one’s going to go. You put it somewhere dangerous where they have to go. ~ China Mi ville,

54:Every lighthouse knows that when the giant waves come, no one will help! And when you know that no one will help you, you fight more seriously! ~ Mehmet Murat ildan,

55:The farm, this house, and the lighthouse passed to his grandson, Eli, who in his later years was an active participant in the Underground Railroad. ~ Mariah Stewart,

56:Tragedies of this world behave like the storms of the vast oceans! While you are inside this storm, let your mind stand upright like a lighthouse! ~ Mehmet Murat ildan,

57:If you call me dear boy, or old chap, one more time I swear to God I will take that cane and ram it so far up your arse you'll be mistaken for a lighthouse, ~ Al K Line,

58:I am your friend. a soul for your soul. a place for your life. home. know this. sun or water. here or away. we are a lighthouse. we leave. and we stay. ~ Nayyirah Waheed,

59:The sickness is to sit at the base of the lighthouse staring into nothing. The lighthouse is black, the sea is black, the writer's jacket is also black. ~ Roberto Bola o,

60:In the future I man a lighthouse with my wife, daughter, and father-in-law. We send out a great beam of light every night even though no one ever sees it. ~ Matthew Quick,

61:In writing this book, I send out signals, like a lighthouse beacon in whose power to illuminate the darkness, alas, I have no faith. But I live in hope. ~ Patrick Modiano,

62:pair of Stephens Island wrens, which were found only on a small, isolated island in New Zealand’s Cook Strait. All were killed by a lighthouse keeper’s cat. ~ Bill Bryson,

63:Some nights you are the lighthouse / some nights the sea / what this means is that I don't know / desire other than the need / to be shattered & rebuilt ~ Ocean Vuong,

64:i am your friend. a soul for your soul. a place for your life. home. know this. sun or water. here or away. we are a lighthouse. we leave. and we stay. – ~ Nayyirah Waheed,

65:It wasn’t every day there was a shooting in a historic lighthouse involving a celebrity chef, an officer of the court, a standard poodle and a fudge recipe. ~ Kristi Abbott,

66:To be a lighthouse, you must be strong enough to resist every kind of storm, to every kind of loneliness and you must have a powerful light inside you! ~ Mehmet Murat ildan,

67:Death is the only lighthouse that is always lit. No matter where you sail, ultimately, you must turn toward it. Everything fades in the world, but Death endures. ~ Liu Cixin,

68:little white house near the foot of the lighthouse with a little path between. The two buildings stood on a rocky point of land, almost in the water. ~ Gertrude Chandler Warner,

69:My tattoo is a small lighthouse, just an inch tall.
It's on my right hip, where Jake always kept his hand when he slept.
I put it there to lead him home. ~ Jenn McKinlay,

70:The trouble with drowning in the mess of your own life is that you're not in any shape to save anyone else. You can't be a lighthouse when you're underwater yourself. ~ Lisa Wingate,

71:The trouble with drowning in the mess of your own life is that you’re not in any shape to save anyone else. You can’t be a lighthouse when you’re underwater yourself. ~ Lisa Wingate,

72:i am your friend. a soul for your soul. a place for your life. home. know this. sun or water. here or away. we are a lighthouse. we leave. and we stay. – lighthouse ~ Nayyirah Waheed,

73:Skip had loved that lighthouse—and all it symbolized. Light in the darkness. Guidance through turbulent waters. Salvation for the floundering. Hope for lost souls~pg. 11 ~ Irene Hannon,

74:The love within them shone as brightly as the lighthouse beam on the darkest, stormiest night. It broke through her confusion and heartache and filled her with a warm glow. ~ Jody Hedlund,

75:But the earth keeps spinning, the waves keep crashing, the lamp in the lighthouse keeps turning. Nothing stops just because I feel as though it should. Just because I’m lost. ~ Carrie Ryan,

76:If you open your eyes very wide and look around you carefully, you will always see a lighthouse which will lead you to the right path! Just watch around you carefully! ~ Mehmet Murat ildan,

77:For a time we considered buying an abandoned lighthouse or a shrimp trawler. But when I found I was pregnant we headed back home to Detroit, trading one set of dreams for another. ~ Patti Smith,

78:he was still my lighthouse and my albatross in equal measure; the only thing more unthinkable than leaving was staying, the only thing more impossible than staying was leaving ~ Elizabeth Gilbert,

79:Sostratus built his great lighthouse of white marble, five hundred feet high, as a beacon to all ancient mariners of the Mediterranean, and as one of the seven wonders of the world. ~ Will Durant,

80:Skip had loved that lighthouse—and all it symbolized. Light in the darkness. Guidance through turbulent waters. Salvation for the floundering. Hope for lost souls~ Irene Hannonpg. 11 ~ Irene Hannon,

81:You will become a lighthouse of personal growth and power, and by your example and leadership, you will prevent many a worthy man from crashing his life upon the rocks of mediocrity. ~ Andy Andrews,

82:There is something
comforting
about a lighthouse.
In the dark of the night,
hold on to the light,
and you’ll get
back home safely.

I need a personal lighthouse. ~ Lisa Schroeder,

83:Perhaps he had even seen it coming from the top of the lighthouse, the Event arriving like a kind of wave. And what had manifested? What do I believe manifested? Think of it as a thorn, ~ Jeff VanderMeer,

84:As I left the landing, I had the peculiar thought that I was not the first to pocket the photo, that someone would always come behind to replace it, to circle the lighthouse keeper again. ~ Jeff VanderMeer,

85:Open your eyes and look around carefully at the moments when you think you have failed, because the lighthouse of the success mysteriously appears amongst the fog at those very moments! ~ Mehmet Murat ildan,

86:Sorry,” he said, not sounding very sorry at all. “I… well, nevermind.”

“Nevermind?” I couldn’t help but sneer. “You just broke into my uncle’s lighthouse. Don’t you tell me to nevermind. ~ Karina Halle,

87:then he was assigned to lead a company on the island of Quemoy, known during the Cold War as the “lighthouse of the free world,” because it was the final spit of land before the Communist shoreline. ~ Evan Osnos,

88:The lighthouse stood defiant against the onslaught of wind and wave, like a knight in a white tunic refusing to surrender even though he is shot through with bullets and his ribs are laid bare. ~ Santa Montefiore,

89:Everything is a hero: A lighthouse which gives light to us; weeds that provide shelter to little insects; a water drop which quenches a thirsty ant! Everything that helps us to live is a hero! ~ Mehmet Murat ildan,

90:And Futh, looking at the lighthouse, wondered how this could happen--how there could be this constant warning of danger, the taking of all these precautions, and yet still there was all this wreckage. ~ Alison Moore,

91:When the winds are picking up, when
the sea around you turns from blue to grey,
when the sky grows veins of light
before you, let your arms become sails.
Keep the lighthouse at your back. ~ Neil Hilborn,

92:He was walking toward the lighthouse along the trail, but the moon was hemorrhaging blood into its silver circle, and he knew that terrible things must have happened to Earth for the moon to be dying ~ Jeff VanderMeer,

93:The Hoel Chestnut becomes a landmark, what farmers call a sentinel tree. Families navigate by it on Sunday outings. Locals use it to direct travelers, the lone lighthouse in a grain-filled sea. ~ Richard Powers,

94:The love in a marriage turns like the lamp in a lighthouse, leaving you in darkness for long stretches, but it always comes back. I believe that but I can't tell whether it is a thought or a quotation. ~ Marcel Theroux,

95:The meagre lighthouse all in white, haunting the seaboard, as if it were the ghost of an edifice that had once had colour and rotundity, dripped melancholy tears after its late buffeting by the waves. ~ Charles Dickens,

96:These are all I have. I do not have the wide, bright beacon of some solid old lighthouse, guiding ships safely home, past the jaggedrocks. I only have these little glimmers that flicker and then go out. ~ Rebecca Wells,

97:Who is Hunter Becker?"
"Becker the Gory? Lighthouse Keepers? Boston?"
"I would've preferred Becker the Easiley Surrendering or Becker the Quite Reasonable, but beyond that his name tells me nothing. ~ Ilona Andrews,

98:Ah, children, pity level-crossing keepers, pity lock-keepers - pity lighthouse-keepers - pity all the keepers of this world (pity even school teachers), caught between their conscience and the bleak horizon. ~ Graham Swift,

99:Can you hear that?” I asked quietly, looking to Patrick before searching the stars again with the telescope. “How the ocean and the wind speak to the lighthouse. It’s like a quiet symphony; an ode to the stars, ~ N R Walker,

100:Every man should use his intellect, not as he uses his lamp in the study, only for his own seeing, but as the lighthouse uses its lamps, that those afar off on the seas may see the shining, and learn their way. ~ Henry Ward Beecher,

101:They were married within a year and slotted themselves into their respective lifelong roles—my father was the lighthouse, my mother the keeper who wound the clockwork, polished the lenses, and swept all those rocky steps. My ~ Elan Mastai,

102:Is the beam from a lighthouse affected by howling wind and rain? It remains perfectly steadfast and unaffected by the storm. Your true self is like that. Nothing can ever harm you once you are consciously aware that it is so. ~ Vernon Howard,

103:Knowing when and how to change course is important to success. Self-doubt is a lighthouse that will keep you from running aground. Don't become shipwrecked on the rocks of time. Be willing to rethink your decisions and change course. ~ Harley King,

104:The lighthouse teaches me to work hard, to keep my room clean, to be honest and to be nice to people." Then, reflecting, looking down at her feet, "My room is a mess and I lie sometimes and I'm not always nice to people but that's the idea. ~ Jeff VanderMeer,

105:On that island was a lighthouse I had seen every single summer of my entire life and my mother, too, had seen it her entire life, and I wondered how it might affect your way of thinking, if you always had a lighthouse in the corner of your eye. ~ Per Petterson,

106:And… it’s like all my life I’ve been this tower standing at the edge of the ocean for some obscure purpose, and only now, almost eighteen years in, has someone thought to flip the switch that reveals that I’m not a tower at all. I’m a lighthouse. ~ Laini Taylor,

107:Country music is always changing but the Opry is always there to serve as a lighthouse for what country music really is. The past, present and future is all encompassed by not only the physical structure of the building but also the radio show. ~ Dierks Bentley,

108:My job as artistic director at the Brighton digital agency Lighthouse is all about trying to show that digital culture is about more than just tools and gadgets - it's about perceiving the societal transformations being brought about by technology. ~ Honor Harger,

109:A good book is a lighthouse; a wise man is a lighthouse; conscience is a lighthouse; compassion is a lighthouse; science is a lighthouse! They all show us the true path! Keep them in your life to remain safe in the rocky and dark waters of life! ~ Mehmet Murat ildan,

110:It's about how you're like a lighthouse, always searching far into the distance. But the thing you're looking for is usually close to you and always has been. That's why you have to look within yourself to find answers instead of searching beyond. ~ Susane Colasanti,

111:She belonged to a different age, but being so entire, so complete, would always stand up on the horizon, stone-white, eminent, like a lighthouse marking some past stage on this adventurous, long, long voyage, this interminable --- this interminable life. ~ Virginia Woolf,

112:This was no ordinary lighthouse, such as the ones he had read about in books and heard described in the tales of old sailors, as romantic and wondrous as those had always seemed to him. Nothing could have prepared him for the sight that awaited him. ~ Gina Marinello Sweeney,

113:Denny and Rooker were watching too. They had traced the North Carolina license plates on Mercer’s car and done the background. They knew her name, recent employment history, current lodging at the Lighthouse Inn, publishing résumé, and partial ownership of the beach ~ John Grisham,

114:watched at the window. Very soon the boat turned around again and came in to the dock not far from the lighthouse. It looked like a man who jumped out. But Benny knew that the Cook boy was as big as a man. Benny watched him as he bent over his boat. He took ~ Gertrude Chandler Warner,

115:The ocean, vast and tumultuous, reminded Stacey of everything that separated him from Anneliese. The plight was like Saint Exupéry walking across the desert. It was James Ramsay trying to get to the lighthouse. It seemed so close, yet such an immense distance to cover. ~ Alex Z Moores,

116:For anarchy to succeed or simply to advance towards its success it must be conceived not only as a lighthouse which illuminates and attracts, but as something possible and attainable, not in centuries to come, but in a relatively short time and without relying on miracles. ~ Errico Malatesta,

117:If you are writing the clearest, truest words you can find and doing the best you can to understand and communicate, this will shine on paper like its own little lighthouse. Lighthouses dont go running all over an island looking for boats to save; they just stand there shining. ~ Anne Lamott,

118:if you are writing the clearest, truest words you can find and doing the best you can to understand and communicate, this will shine on paper like its own little lighthouse. Lighthouses don’t go running all over an island looking for boats to save; they just stand there shining. ~ Anne Lamott,

119:It was as if she lived only on clear, salty air, and when the day came for her to pass away, she would probably do exactly that. Just take a step to one side. Dissolve into a north-westerly wind as it whirled around the lighthouse at North Point, then out across the sea. ~ John Ajvide Lindqvist,

120:It's like all my life I've been this tower standing at the edge of the ocean for some obscure purpose, and only now, almost eighteen years in, has someone thought to flip the switch that reveals that I'm not a tower at all. I'm a lighthouse. It's like waking up. I am incandescent. ~ Laini Taylor,

121:She noticed a monger’s window where, on a bed of ice, a wonderful scene was worked in fish. A skiff made of flounder fillets rode waves of shrimp and blue-black mussels. A whole salmon was a lighthouse, shot out rays of glittering mackerel. All framed by a border of crab claws. She ~ Annie Proulx,

122:And then she hears the sound of a helicopter, from somewhere behind her and, turning, sees the long white beam of light sweeping the dead ground as it comes, like a lighthouse gone mad from loneliness, and searching that barren ground as foolishly, as randomly, as any grieving heart ever has. ~ William Gibson,

123:I'd worked at a small town newspaper, and I was thinking of all the strange stories that I had seen float through the newsroom in my time there that were dismissed as kind of amusing curiosities. Somehow from that I got to this idea of an eccentric alcoholic who built a lighthouse in the woods. ~ Michael Koryta,

124:Our eyes meet. And…it’s like all my life I’ve been this tower standing at the edge of the ocean for some obscure purpose, and only now, almost eighteen years in, has someone thought to flip the switch that reveals that I’m not a tower at all. I’m a lighthouse. It’s like waking up. I am incandescent. ~ Laini Taylor,

125:THE BOXCAR CHILDREN MYSTERIES THE BOXCAR CHILDREN SURPRISE ISLAND THE YELLOW HOUSE MYSTERY MYSTERY RANCH MIKE’S MYSTERY BLUE BAY MYSTERY THE WOODSHED MYSTERY THE LIGHTHOUSE MYSTERY MOUNTAIN TOP MYSTERY SCHOOLHOUSE MYSTERY CABOOSE MYSTERY HOUSEBOAT MYSTERY SNOWBOUND MYSTERY TREE HOUSE MYSTERY ~ Gertrude Chandler Warner,

126:Our friendship to me will always be a lighthouse. Standing strong, no matter how rough life’s seas are. Together we’ll weather any storm and our friendship will always shine as it has from the beginning, until the very end of time. Our story needs no filter. Our story has not ended . . . friendship never ends! ~ Sudeep Nagarkar,

127:Art for art's sake? I should think so, and more so than ever at the present time. It is the one orderly product which our middling race has produced. It is the cry of a thousand sentinels, the echo from a thousand labyrinths, it is the lighthouse which cannot be hidden. It is the best evidence we can have of our dignity. ~ E M Forster,

128:So I was a stone in the sea.
Gravity gave up on keeping me above the surface. I did not try to swim and so I sank to the bottom with no will to turn back. ”I’m tired,” I told him. ”I’m done”.
But he wouldn’t let me and he held me up even on his hardest days and he was a lighthouse when all I saw was darkness. ~ Charlotte Eriksson,

129:but now I began to notice odd moments that suggested he was not the brightest lighthouse on the coastline. For instance, he once got very cross during assembly because he felt the boys had become lazy, and so he demanded that every single boy in the school should improve his ranking in class in the course of the next fortnight. ~ John Cleese,

130:You don't even have to know how or in what way, but if you are writing the clearest, truest words you can find and doing the best you can to understand and communicate, this will shine on paper like its own little lighthouse. Lighthouses don't go running all over an island looking for boats to save; they just stand there shining. ~ Anne Lamott,

131:I was almost awestruck when I realized that like this meant without a condom. Jack's vulnerability shone through him in that exact moment like a lighthouse beacon in a raging storm. Somewhere along the way, we'd crossed an imaginary line where feelings and emotions blurred into the unknown. A place neither of us dared to go before. ~ J Sterling,

132:Who's more interesting: A famous scientist, or the famous who plays the cello and whittles marionettes in a lighthouse at the edge of the world where he sometimes writes poetry by the light of passing ships? Exactly. Follow your weird impulses and do all sorts of things. Getting sidetracked can lead you to exactly where you belong. ~ Jessica Hagy,

133:It has been often said that writing is 99 percent perspiration and 1 percent inspiration. In my experience, this is true. But, in my opinion, it is useless without that 1 percent. It's like an engine without fuel -- can't get anywhere without it. Or like a lighthouse without a light on top -- doesn't guide anyone in to home or safe harbor. ~ Robert Fanney,

134:Pulsar: a dying star spinning under its own exploding anarchic energy, like a lighthouse on speed. A star the size of a city, a city the size of a star, whirling round and round, its death-song caught by a radio receiver, light years later, like a recorded message nobody heard, back-played now into infinity across time. Love and loss. ~ Jeanette Winterson,

135:What does a lighthouse do? I ask myself. It never moves. It cannot hike up its rocky skirt and dash into the ocean to rescue the foundering ship. It cannot calm the waters or clear the shoals. It can only cast light into the darkness. It can only point the way. Yet, through one lighthouse, you guide many ships. Show this old lighthouse the way. ~ Lisa Wingate,

136:He looked very old. He looked, James thought, getting his head now against the Lighthouse, now against the waste of waters running away into the open, like some old stone lying on the sand; he looked as if he had become physically what was always at the back of both of their minds-that loneliness which was for both of them the truth about things. ~ Virginia Woolf,

137:At Princeton I wrote my junior paper on Virginia Woolf, and for my senior thesis I wrote on Samuel Beckett. I wrote some about "Between the Acts" and "Mrs. Dalloway'' but mostly about "To the Lighthouse." With Beckett I focused, perversely, on his novels, "Molloy," "Malone Dies," and "The Unnamable." That's when I decided I should never write again. ~ David Duchovny,

138:Grief does not expire like a candle or the beacon on a lighthouse. It simply changes temperature. It becomes a kind of personal weather system. Snow settles in the liver. The bowels grow thick with humidity. Ice congeals in the stomach. Frost spiderwebs in the lungs. The heart fills with warm rain that turns to mist and evaporates through a colder artery. ~ Adam Rapp,

139:Today it bordered more on the liked-quite-a-bit side of the scale. She stood on the beach at Lighthouse Point on Belle Island. The waves raced up the gentle slope of sand and lapped at her bare feet. This had to be her favorite spot, especially in the early morning hours when all she would pass was an occasional jogger or shell collector. The lighthouse was no ~ Kay Correll,

140:Perhaps so many journals had piled up in the lighthouse because on some level most came, in time, to recognize the futility of language. Not just in Area X but against the rightness of the lived-in moment, the instant of touch, of connection for which words were such a sorrowful disappointment, so inadequate an expression of both the finite and the infinite. ~ Jeff VanderMeer,

141:Perhaps so many journals had piled up in the lighthouse because on some level most came, in time, to recognize the futility of language. Not just in Area X but against the rightness of the lived-in moment, the instant of touch, of connection, for which words were such a sorrowful disappointment, so inadequate an expression of both the finite and the infinite. ~ Jeff VanderMeer,

142:Marie hesitated, then nodded. “You didn’t say the waves were going to be this rough.” Amy shook her head, grinning. “This is called a ‘calm sea,’ my friend. You should see it when it’s rough.” “There’s a reason why I live in a city, Amy,” Marie said, trying to keep focused on the lighthouse which drew rapidly nearer. “So, what made you decide to purchase a lighthouse? ~ Ron Ripley,

143:Lighthouse In The Night
The sky a black sphere,
the sea a black disk.
The lighthouse opens
its solar fan on the coast.
Spinning endlessly at night,
whom is it searching for
when the mortal heart
looks for me in the chest?
Look at the black rock
where it is nailed down.
A crow digs endlessly
but no longer bleeds.
~ Alfonsina Storni,

144:A faint pulse of red light blinked on and off, too high to be coming from anything other than a container ship. But too irregular to be anything but handheld or jury-rigged. In the right location on the horizon to be coming from Failure Island, perhaps from the ruined lighthouse. Blinking out a code he didn’t recognize, a message from Henry that he didn’t want to receive. ~ Jeff VanderMeer,

145:Look at the view from here. If we were down on the shore, we wouldn’t be able to see how the two boats maneuver to avoid each other. We can see the lighthouse and the Dungeness Spit. From up here, we can see lots of things we couldn’t if we were in the middle of the waves.” She got where he was going. “Now that it’s all over, we can see how God took care of us through this. He ~ Colleen Coble,

146:A lighthouse was a fixed beacon for a fixed purpose; a person was a moving one. But people still emanated light in their way, still shown across the miles as a warning, an invitation, or even just a static signal. People opened up so they became a brightness, or they went dark. They turned their light inward sometimes, so you couldn't see it, because they had no other choice. ~ Jeff VanderMeer,

147:There was no lifeboat here in these
deep, killing waters, not even a lighthouse, marking the way back to shore with its soft amber promise.
There was only the storm of Barrons and the one I seemed to be, and if there were dark shapes moving in the waters beneath my feet that I should probably take a good hard look at and possibly reconsider trying to swim here, I didn’t care. ~ Karen Marie Moning,

148:There are times when the ocean is not the ocean - not blue, not even water, but some violent explosion of energy and danger: ferocity on a scale only gods can summon. It hurls itself at the island, sending spray right over the top of the lighthouse, biting pieces off the cliff. And the sound is a roaring of a beast whose anger knows no limits. Those are the nights the light is needed most. ~ M L Stedman,

149:...she needed to confirm its presence. Like the keeper of the lighthouse and the prisoner, she regarded it as a mooring, a checkpoint, some stable visual object that assured her that the world was still there; that this was like and not a dream. That she was alive somewhere, inside, which she acknowledged to be true only because a thing she knew intimately was out there, outside of herself. ~ Toni Morrison,

150:Also during the crossing, his ship narrowly avoided being wrecked on the Scilly Isles when it sought to evade French privateers in the fog. Franklin described his grateful reaction in a letter home to his wife. “Were I a Roman Catholic, perhaps I should on this occasion vow to build a chapel to some saint,” he wrote. “But as I am not, if I were to vow at all, it should be to build a lighthouse. ~ Walter Isaacson,

151:At some time, often when we least expect it, we all have to face overwhelming challenges. When the unthinkable happens, the lighthouse is hope. Once we find it, we must cling to it with absolute determination. When we have hope, we discover powers within ourselves we may have never known- the power to make sacrifices, to endure, to heal, and to love. Once we choose hope, everything is possible. ~ Christopher Reeve,

152:Waiting for the operation, there was a gentle tap on the door.In came a strapping nurse. 'Good morning', she shrilled, whipped back the bedclothes, upped with his nightshirt, grabbed his willy, lathered furiously around it till it looked like the Eddystone Lighthouse in a storm, then shaved the whole area till it looked like an oven-ready chicken.
'Excuse me, nurse', said Looney, 'why did you knock? ~ Spike Milligan,

153:I do not know how this thorn got here or from how far away it came, but by luck or fate or design at some point it found the lighthouse keeper and did not let him go. How long he had as it remade him, repurposed him, is a mystery. There was no one to observe, to bear witness—until thirty years later a biologist catches a glimpse of him and speculates on what he might have become. Catalyst. Spark. Engine. ~ Jeff VanderMeer,

154:In the same manner as the sea, those who are swept away from the course leading to the harbor correct their aim by a clear mark, looking for a lighthouse on high, or a certain mountain appearing. In the same manner Scripture by the example of Abraham and Sarah will direct us once more to the safe harbor of the divine will for those who have drifted out in the sea of life with a mind lacking a navigator. ~ Gregory of Nyssa,

155:From my novel "Broken Things" (Lighthouse Publishing of the Carolinas):
Those eyes had haunted his dreams―and nightmares too―for over a quarter of a century.
“I wanted to tell you Allie’s in town. Allie Drake. You remember her, don’t you?”
Jack’s gaze shifted back to his brother’s grinning face and suddenly he wanted to pop Steve right in the nose. Did he remember Allie Drake? What a stupid question! ~ Andrea Boeshaar,

156:Let it be sufficient to say that, on this night, he was still my lighthouse and albatross in equal measure. The only thing more unthinkable than leaving was staying; the only thing more impossible than staying was leaving. I didn’t want to destroy anything or anybody. I just wanted to slip quietly out the back door, without causing any fuss or consequences, and then not stop running until I reached Greenland. ~ Elizabeth Gilbert,

157:Bodies could be beacons, too, Saul knew. A lighthouse was a fixed beacon for a fixed purpose; a person was a moving one. But people still emanated light in their way, still shone across the miles as a warning, an invitation, or even just a static signal. People opened up so they became a brightness, or they went dark. They turned their light inward sometimes, so you couldn’t see it, because they had no other choice. ~ Jeff VanderMeer,

158:There are certain moments in life when hard, hot truth shines at you like a spotlight from heaven, like the focused beam from a lighthouse on the shore of yourself, and you find yourself stripped naked in its light. You can’t hide from it. You can’t close your eyes and wish it away. It’s truth; easy truth or unbearable truth, either way, it won’t be vanquished. And there you are for all to see, stuck in its merciless glare. ~ Shana Abe,

159:The Great Point lighthouse rose at the far end of the barrier beach, a tall white steeple to the sky, with a working light flashing at the top. Here was the end of the island, the great point where the Atlantic Ocean met Nantucket Sound in a froth of waves. All along the point, enormous fat seals lolled on the sand, occasionally lumbering in and out of the water, grunting and lounging like a tribe of overfed Roman emperors. ~ Nancy Thayer,

160:Yes, I see you. I recognize that you’re a thinking, feeling person, and I’m here to listen.” That’s the essence and magic of meditation—the gift of telling yourself that you matter and that you’re worth time and attention. No pomp. No circumstance. No rules. Just showing up for yourself with compassion and without judgment. When this is your practice, meditation can serve as a mirror and the lighthouse that leads you home. ~ Rebekah Borucki,

161:Yes, I see you. I recognize that you’re a thinking, feeling person, and I’m here to listen.” That’s the essence and magic of meditation—the gift of telling yourself that you matter and that you’re worth time and attention. No pomp. No circumstance. No
rules. Just showing up for yourself with compassion and without judgment. When this is your practice, meditation can serve as a mirror and the lighthouse that leads you home. ~ Rebekah Borucki,

162:The pulsar is like a lighthouse beam spinning at high speed. Every time it comes around to face us we see a flash. Its rotation can be very accurately monitored by timing observations of its periodic pulses. Twenty years of observations have shown that the pulsing of the binary pulsar is slowing at exactly the rate predicted if the system is losing energy by radiating gravitational waves at the rate predicted by Einstein's theory. ~ John D Barrow,

163:What are you doing with all these books?" I asked, stepping towards a tall stack on the floor. I ran my fingers down the spines, recognizing a few familiar titles from School: Heart of Darkness, The Great Gatsby, and To the Lighthouse.
Caleb came beside me, his warm shoulder brushing against mine. "I do this funny thing sometimes," she said, shooting me a mischievous grin. "I open a book, and I look at each page. It's called reading ~ Anna Carey,

164:In mature years I have always been gregarious, a lover of my kind, dependent upon the company of friends for the very pulse of moral life. To be marooned, to be shut up in a solitary cell, to inhabit a lighthouse, or to camp alone in a forest, these have always seemed to me afflictions too heavy to be borne, even in imagination. A state in which conversation exists not, is for me an air too empty of oxygen for my lungs to breathe it. ~ Edmund Gosse,

165:That night, Tom took a bottle of whisky, and went to watch the stars from near the cliff. The breeze played on his face as he traced the constellations, and tasted the burn of the liquid. He turned his attention to the rotation of the beam, and gave a bitter laugh at the thought that the dip of the light meant that the island itself was always left in darkness. A lighthouse is for others; powerless to illuminate the space closest to it. ~ M L Stedman,

166:The 7 Timeless Virtues of Enlightened Living Virtue Symbol 1 Master Your Mind The Magnificent Garden 2 Follow Your Purpose The Towering Lighthouse 3 Practice Kaizen The Sumo Wrestler 4 Live with Discipline The Pink Wire Cable 5 Respect Your Time The Gold Stopwatch 6 Selflessly Serve Others The Fragrant Roses 7 Embrace the Present The Path of Diamonds ~ Robin S Sharma,

167:In consulting, entering the danger comes into play in those moments when you’re in a meeting and someone says something that is either strange or politically sensitive, and you know that the level of anxiety and discomfort in the room is high. What you’re tempted to do is just be quiet and let the moment pass, but what great consultants do, at least according to Lighthouse, is walk right into the middle of the situation and call it out. ~ Patrick Lencioni,

168:I had let want in, opened the door ever so slightly. But want without the belief you can get what you want is pointless. You have to hope, so I let that in too. You have to. To want things and go for them and believe, even in impossible situations...Hope was what you had when you had nothing else. Hope was the perfect shiny top on the Christmas tree, the glowing halo of every wish, the endless beacon of a lighthouse bringing tormented ships home at last. ~ Deb Caletti,

169:My mind, a Venn diagram.
You, the overlap and the intersect;
a pulsating glimmer—omnipresent,
a lighthouse with its glowing breath.

You are the stone that skirts the river,
that skips along its crystal plane;
a surface skimmed by concentric shimmer,
and trembles with the touch of rain.

You are worlds that spin in orbit,
a star who rose and fell;
infinity summoned for audit—
a penny toss in the wishing well. ~ Lang Leav,

170:You'll leave when your business is done here."
It was not quite a question, but Jess treated it as one. "I will," he said. "I owe it to my father."
"And you owe me nothing."
Jess looked away and fixed his gaze on the broad shape of the Lighthouse tower, where his friends had once held offices. "I owe a lot of people a lot of things," he said and wasn't sure if was speaking for himself or his brother. "No idea how I'll be able to pay all those debts. ~ Rachel Caine,

171:Good Night! Which Put The Candle Out?
Good night! which put the candle out?
A jealous zephyr, not a doubt.
Ah! friend, you little knew
How long at that celestial wick
The angels labored diligent;
Extinguished, now, for you!
It might have been the lighthouse spark
Some sailor, rowing in the dark,
Had importuned to see!
It might have been the waning lamp
That lit the drummer from the camp
To purer reveille!
~ Emily Dickinson,

172:US Ship: Please change course 0.5 degrees to the south to avoid a collision. CND reply: Recommend you divert your course 15 degrees to the South to avoid a collision. US Ship: This is the Captain of a US Navy Ship. I say again, divert your course. CND reply: No. I say again, you divert YOUR course! US Ship: THIS IS THE AIRCRAFT CARRIER USS CORAL SEA, WE ARE A LARGE WARSHIP OF THE US NAVY. DIVERT YOUR COURSE NOW!! CND reply: This is a lighthouse. Your call. ~ Presh Talwalkar,

173:He sat up abruptly in bed, stifled another cough. Someone was in his lighthouse. More than one person. Whispering. Or maybe even shouting, the sound by the time it infiltrated the brick and stone, the wood and steel, brought to him through a distance, a time, that he couldn’t know. The irrational thought that he was hearing the ghosts of dozens of lighthouse keepers all at once, in a kind of threnody, the condensed chorus of a century. Another phantom sound? ~ Jeff VanderMeer,

174:Like the vital rudder of a ship, we have been provided a way to determine the direction we travel. The lighthouse of the Lord beckons to all as we sail the seas of life. Our home port is the celestial kingdom of God. Our purpose is to steer an undeviating course in that direction. A man without a purpose is like a ship without a rudder—never likely to reach home port. To us comes the signal: Chart your course, set your sail, position your rudder, and proceed. ~ Thomas S Monson,

175:To me, a king is a lighthouse. A guide who can cast his glow across his kingdom and bring every last one of us out of the shadows. A beacon who we can look up to when the world seems lost. A bridge who can unite us when our differences seem to stark to reconcile. Tonight, we need a king who is all of those things. A king who can look each of you in the eye and make you feel that you won't just fight for him or his kingdom, but you'll fight for our way of life. ~ Soman Chainani,

176:The villages were lighting up, constellations that greeted each other across the dusk. And, at the touch of his finger, his flying-lights flashed back a greeting to them. The earth grew spangled with light signals as each house lit its star, searching the vastness of the night as a lighthouse sweeps the sea. Now every place that sheltered human life was sparkling. And it rejoiced him to enter into this one night with a measured slowness, as into an anchorage. ~ Antoine de Saint Exup ry,

177:Navy: Please divert your course 15 degrees to the North to avoid a collision. Civilian: Recommend you divert your course 15 degrees to South to avoid a collision. Navy: This is the Captain of a US Navy ship. I say again, divert your course. Civilian: No, I say again, divert your course. Navy: This is the aircraft carrier Enterprise. We are a large warship of the US Navy. Divert your course now!! Civilian: This is a lighthouse. Your call.” Canadian naval radio conversation38 ~ John D Barrow,

178:The garden keeps me focused on inspiring thoughts, the lighthouse reminds me that the purpose of life is a life of purpose, the sumo wrestler keeps me centered on continuous self-discovery, while the pink wire cable links me to the wonders of willpower. A day doesn’t pass without me thinking about the fable and considering the principles Yogi Raman taught me.” “And exactly what does the shiny gold stopwatch represent?’ “It is a symbol of our most important commodity — time. ~ Robin S Sharma,

179:BOXCAR CHILDREN SURPRISE ISLAND THE YELLOW HOUSE MYSTERY MYSTERY RANCH MIKE’S MYSTERY BLUE BAY MYSTERY THE WOODSHED MYSTERY THE LIGHTHOUSE MYSTERY MOUNTAIN TOP MYSTERY SCHOOLHOUSE MYSTERY CABOOSE MYSTERY HOUSEBOAT MYSTERY SNOWBOUND MYSTERY TREE HOUSE MYSTERY BICYCLE MYSTERY MYSTERY IN THE SAND MYSTERY BEHIND THE WALL BUS STATION MYSTERY BENNY UNCOVERS A MYSTERY THE HAUNTED CABIN MYSTERY THE DESERTED LIBRARY MYSTERY THE ANIMAL SHELTER MYSTERY THE OLD MOTEL MYSTERY T ~ Gertrude Chandler Warner,

180:some nights . . .” “They say the moon is made of green cheese,” Butch said. “And I’m going to turn into a pumpkin at midnight if we don’t get out of here.” He took my hand and led the way across the room. Louise Jane called out to me one last time. “It shouldn’t be a problem leading the haunted lighthouse tour into the Lady’s room, Lucy. You’ll be gone by Halloween, isn’t that right?” Chapter 15 “I hope you had a nice evening, despite how it ended,” Butch said as we walked to his car. ~ Eva Gates,

181:He was jealous, fearful and tender,
He loved me like God's only light,
And that she not sing of the past times
He killed my bird colored white.

He said, in the lighthouse at sundown:
"Love me, laugh and write poetry!"
And I buried the joyous songbird
Behind a round well near a tree.

I promised that I would not mourn her.

But my heart turned to stone without choice,
And it seems to me that everywhere
And always I'll hear her sweet voice. ~ Anna Akhmatova,

182:You’re like a lighthouse shining beside the sea of humanity, motionless: all you can see is your own reflection in the water. You’re alone, so you think it’s a vast, magnificent panorama. You haven’t sounded the depths. You simply believe in the beauty of God’s creation. But I have spent all this time in the water, diving deep into the howling ocean of life, deeper than anyone. While you were admiring the surface, I saw the shipwrecks, the drowned bodies, the monsters of the deep ~ Alfred de Musset,

183:Frequently also some fair-weather finery ripped off a vessel by a storm near the coast was nailed up against an outhouse. I saw fastened to a shed near the lighthouse a long new sign with the words "ANGLO SAXON" on it in large gilt letters, as if it were a useless part which the ship could afford to lose, or which the sailors had discharged at the same time with the pilot. But it interested somewhat as if it had been a part of the Argo, clipped off in passing through the Symplegades. ~ Henry David Thoreau,

184:The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now— James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it? No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too. ~ Virginia Woolf,

185:The conscious utterance of thought, by speech or action, to any end, is Art. From the first imitative babble of a child to the despotism of eloquence; from his first pile of toys or chip bridge to the masonry of Minor Rock Lighthouse or the Pacific Railroad; from the tattooing of the Owhyhees to the Vatican Gallery; from the simplest expedient of private prudence to the American Constitution; from its first to its last works, Art is the spirit's voluntary use and combination of things to serve its end. ~ Ralph Waldo Emerson,

186:Out of this landscape Henry rose, too, at the lighthouse door, with a beatific smile on his face that kept growing larger until it curled off the edges of his jaw. Words erupted from him, but not aloud. And God said, Let there be light. God said that, Saul, and He has come from so far away, and His home is gone, but His purpose remains. Would you deny Him His new kingdom? There came with these words such a sense of sadness that Saul recoiled from them, from Henry. They spoke to all that he had put behind him. ~ Jeff VanderMeer,

187:It seems to me that the desire to make art produces an ongoing experience of longing, a restlessness sometimes, but not inevitably, played out romantically, or sexually. Always there seems something ahead, the next poem or story, visible, at least, apprehensible, but unreachable. To perceive it at all is to be haunted by it; some sound, some tone, becomes a torment — the poem embodying that sound seems to exist somewhere already finished. It’s like a lighthouse, except that, as one swims towards it, it backs away. ~ Louise Gl ck,

188:I don’t think I could blurt it out to Yuzan or Kirarin, though. They’d just say, “Hmm. You could be right,” their eyes dreamily looking around for a bit, but then, as soon as the subject changed, they’d forget all about it. They’d drop it so fast I’d be left there feeling stupid and embarrassed. I’d hate that, so that’s why I don’t bring it up with them. It’d be like a lighthouse, where the spotlight rotates and, for an instant, illuminates something. But once the light moves on, everything melts back into the dark. ~ Natsuo Kirino,

189:Once we lived on an island in the ocean. Once we took the ferry to go to high school, and at night the sky was brilliant in the absence of all these city lights. Once we paddled canoes to the lighthouse to look at petroglyphs and fished for salmon and walked through deep forests, but all of this was completely unremarkable because everyone else we knew did these things too, and here in these lives we've built for ourselves, here in these hard and glittering cities, none of this would seem real if it wasn't for you. ~ Emily St John Mandel,

190:Once we lived on an island in the ocean. Once we took the ferry to go to high school, and at night the sky was brilliant in the absence of all these city lights. Once we paddled canoes to the lighthouse to look at petroglyphs and fished for salmon and walked through deep forests, but all of this was completely unremarkable because everyone else we knew did these things too, and here in these lives we’ve built for ourselves, here in these hard and glittering cities, none of this would seem real if it wasn’t for you. ~ Emily St John Mandel,

191:Consider a lighthouse. It stands on the shore with its beckoning light, guiding ships safely into the harbor. The lighthouse can't uproot itself, wade out into the water, grab the ship by the stern and say, "Listen, you fool! If you stay on this path you may break up on the rocks!" No. The ship has some responsibility for its own destiny. It can choose to be guided by the lighthouse. Or, it can go its own way. The lighthouse is not responsible for the ship's decisions. All it can do is be the best lighthouse it knows how to be. ~ Randi Kreger,

192:we were on a dangerous collision course with that ship. The captain then called to the signalman, “Signal that ship: We are on a collision course, advise you change course 20 degrees.” Back came a signal, “Advisable for you to change course 20 degrees.” The captain said, “Send, I’m a captain, change course 20 degrees.” “I’m a seaman second class,” came the reply. “You had better change course 20 degrees.” By that time, the captain was furious. He spat out, “Send, I’m a battleship. Change course 20 degrees.” Back came the flashing light, “I’m a lighthouse. ~ Stephen R Covey,

193:Across the street at the New Orleans headquarters of the Lighthouse for the Blind—a two-story building attached to a four-story stucco lighthouse—another Christmas party was under way, and Wright watched as the sightless guests arrived. Then, before his eyes, a curious scene unfolded. As they were greeted by their hosts, the blind whites were escorted to a large room at the front of the house, whereas the blind Negroes were taken to the rear, where they stayed. Separated. Transfixed, Wright had to look twice before it dawned on him: 'They couldn’t see to segregate themselves ~ Gilbert King,

194:imagine instead that you’re a fifth-century AD student of philosophy. You have come to the great center of learning that is the city of Alexandria in Egypt. (Don’t forget to visit the lighthouse, I hear it’s wonderful.) You already have a good education under your belt—you are literate, and have studied some rhetoric—and now you are going to try to master philosophy. What’s the first thing you will study? Of course it will be Aristotle. In late antiquity even Platonists introduced their students to philosophy through Aristotle, saving Plato’s texts for more advanced research. ~ Peter Adamson,

195:You know where I'm from," he said, and she understood what he meant by this. Once we lived on an island in the ocean. Once we took the ferry to go to high school, and at night the sky was brilliant in the absence of all these city lights. Once we paddled canoes to the lighthouse to look at petroglyphs and fished for salmon and walked through deep forests, but all of this was completely unremarkable because everyone else we knew did these things too, and here in these lives we've built for ourselves, here in these hard and glittering cities, none of this would seem real if it wasn't for you. ~ Emily St John Mandel,

196:Some may wonder why General Authorities speak of the same things from conference to conference. As I study the utterances of the prophets through the centuries, their pattern is very clear. . . .

"Prophets say the same things because we face basically the same problems. Brothers and sisters, the solutions to these problems have not changed. It would be a poor lighthouse that gave off a different signal to guide every ship entering a harbor. It would be a poor mountain guide who, knowing the safe route up a mountainside, took his trusting charges up unpredictable and perilous paths from which no traveler returns ~ Spencer W Kimball,

197:All my life, since I came to the institute, you were the mirror of my soul. I saw the good in me in you. In your eyes alone I found grace, When you are gone from me, who will see me like that? There was a silence then, Jem stood as still as a statue. With his gaze WIll searched for, and found, the parabatai rune on Jem's shoulder; like is own, it had faded to a pale white. At last Jem spoke. The cool remoteness had left his voice. Will breathed in hard, remembering how much that voice had shaped the years of his growing up, its steady kindness a lighthouse beacon in the dark. "Have faith in yourself. You can be your own mirror". ~ Cassandra Clare,

198:Most inspirational writers were born as driftwood and will say they have been beaten against every shoreline during their life. We understand storms. We understand drowning. We understand being devalued. We understand being stranded alone on a beach. God made us this way so we would know where every lighthouse can be found and tell others how to find them. We were never meant to stand on the beach with you because every rescue we do rescues ourselves. We always go back to the sea because that is where driftwood belongs--forever searching for answers to our endless questions and sharing what we learned...(2012, Writer’s Conference) ~ Shannon L Alder,

199:mistaken. The Columbian Exchange had such far-reaching effects that some biologists now say that Colón’s voyages marked the beginning of a new biological era: the Homogenocene. The term refers to homogenizing: mixing unlike substances to create a uniform blend. With the Columbian Exchange, places that were once ecologically distinct have become more alike. In this sense the world has become one, exactly as the old admiral hoped. The lighthouse in Santo Domingo should be regarded less as a celebration of the man who began it than a recognition of the world he almost accidentally created, the world of the Homogenocene we live in today. ~ Charles C Mann,

200:Sitting there at the Star Lanes Lounge, scribbling, you found the cottage coming back to you at odd moments, along with the lighthouse. Always that riptide compulsion dragging you down into the water, that need to know overriding the fear. The sound of the midnight waves at high tide, how from the window of your room in your mother’s bungalow back then you could see the surf under the moonlight as a series of metallic-blue lines, dark water squeezed between them. Sometimes those lines had been broken by her figure as she walked the beach late at night, kept awake by thoughts she never shared, her face turned away from you. As if searching even then for the answer you seek now. ~ Jeff VanderMeer,

201:The tower, which was not supposed to be there, plunges into the earth in a place just before the black pine forest begins to give way to swamp and then the reeds and wind-gnarled trees of the marsh flats. Beyond the marsh flats and the natural canals lies the ocean and, a little farther down the coast, a derelict lighthouse. All of this part of the country had been abandoned for decades, for reasons that are not easy to relate. Our expedition was the first to enter Area X for more than two years, and much of our predecessors’ equipment had rusted, their tents and sheds little more than husks. Looking out over that untroubled landscape, I do not believe any of us could yet see the threat. ~ Jeff VanderMeer,

202:He was walking toward the lighthouse along the trail, but the moon was hemorrhaging blood into its silver circle, and he knew that terrible things must have happened to Earth for the moon to be dying, to be about to fall out of the heavens. The oceans were filled with graveyards of trash and every pollutant that had ever been loosed against the natural world. Wars for scant resources had left entire countries nothing but deserts of death and suffering. Disease had spread in its legions and life had begun to mutate into other forms, moaning and mewling in the filthy, burning remnants of once mighty cities, lit by roaring fires that crackled with the smoldering bones of strange, distorted cadavers. ~ Jeff VanderMeer,

203:This was my picture, and I wanted to become part of it too, to sleep there with the others on the shore, but they would not let me. I had to go away and live my life. I had no business to remain there lost in a dream. I had to break my mind away from it, I had to cover it, sadly, reverently, hide it in the shadowed untouched places of my memory. I would never forget. I would never permit my picture to become dusty and worn. After all that had been and all that was to come, I should still see it, the rugged cliffs, the little lighthouse standing beyond the razor edge of the Pointe du Raz, the broken Romanie desolate, alone, and lastly, beautiful and forlorn, the sleeping figures in the Baie des Trépassés. ~ Daphne du Maurier,

204:And Lynnie understood. There were two kinds of hope: the kind you couldn't do anything about and the kind you could. And even if the kind you could do something about wasn't what you'd originally wanted, it was still worth doing. A rainy day is better than no day. A small happiness can make a big sadness less sad.
p 313

"The sky was crying outside, and as she watched the drops come down, she thought: A rainy day can actually be a very important day. And a small hope isn't really small if it makes a lost hope less sad."
p 318

Lynnie about the lost hope of finding Homan, the hope of seeing the lighthouse/connecting with her daughter and how selling her art work was doing something about it. ~ Rachel Simon,

205:Lighthouse people are beacons that call all the sailors in ships back to land, beckoning them in toward the light. Lighthouse people are magnetic and luminescent, so much so that even when one sailor manages to row all the way to land and climbs up into the lighthouse, the rest of the sailors will stay out there on the water, waiting for their chance to come to shore. They will feel that it’s always best to keep an eye on the lighthouse, even if they have to come and go due to other sailorly obligations. The lighthouse might act like it doesn’t know it’s so popular with the sailors, but it does. How could it not? Even if the lighthouse has a special sailor for the moment, its light is always on. It can’t help it. ~ Katie Heaney,

206:There is a fine line between friendship and parenting, and when that line is crossed, the result is often disastrous. A parent who strives to make a true friend of his or her child may well sacrifice authority, and though that parent may be comfortable with surrendering the dominant position, the unintentional result will be to steal from that child the necessary guidance and, more importantly, the sense of security the parent is supposed to impart. On the opposite side, a friend who takes a role as parent forgets the most important ingredient of friendship: respect. For respect is the guiding principle of friendship, the lighthouse beacon that directs the course of any true friendship. And respect demands trust. ~ R A Salvatore,

207:There is a fine line between friendship and parenting, and when that line is crossed, the result is often disastrous. A parent who strives to make a true friend of his or her child may well sacrifice authority, and though the parent may be comfortable with surrendering the dominant position, the unintentional result will be to steal from that child the necessary guidance and, more importantly, the sense of security the parent is supposed to impart. On the opposite side, a friend who takes a role as parents forgets the most important ingredient of friendship: respect.

For respect is the guiding principle of friendship, the lighthouse beacon that directs the course of any true friendship. And respect demands trust. ~ R A Salvatore,

208:But why me? We haven’t spoken since the last divorce hearing.” “You know where I’m from,” he said, and she understood what he meant by this. Once we lived on an island in the ocean. Once we took the ferry to go to high school, and at night the sky was brilliant in the absence of all these city lights. Once we paddled canoes to the lighthouse to look at petroglyphs and fished for salmon and walked through deep forests, but all of this was completely unremarkable because everyone else we knew did these things too, and here in these lives we’ve built for ourselves, here in these hard and glittering cities, none of this would seem real if it wasn’t for you. And aside from that, she realized, he was currently wifeless. ~ Emily St John Mandel,

209:Thank you again for joining me in my journey with the Beacons of Hope. I hope the books have inspired you to visit a lighthouse or two. More than that, I pray you've been both encouraged and inspired to trust in the Giver of Hope. Maybe, like Nathaniel, you've let yourself be haunted by your parents' mistakes. Perhaps you've even started down the same destructive path. I pray God will help you break free of your chains and help you walk in His freedom down a new path. If you're like Abbie, having been hurt or abandoned by the people you thought loved you, I pray that you will recognize that God will never abandon you. He is always there offering you His hope, love, and forgiveness. Please, never forget all that He offers. ~ Jody Hedlund,

210:The Seven Wonders of the Ancient World. Largely credited to Philo of Byzantium. But since it was compiled in the third century BC, I’m guessing he called it the Seven Wonders of the Modern World. And even back then it pissed people off.” “Why?” “Because Philo did his research at the largest library of the time in Alexandria. And some people got the notion that the fix was in. At the top of the list, the Great Pyramid of Giza in Egypt—no argument there—and at the bottom, the lighthouse at Alexandria. The early Persians are like, ‘I thought we outgrew this hometown bullshit in the Neolithic. I mean, you can’t be serious. That lighthouse? When we’ve got the Apadana Palace of Persepolis? What are we, fucking Mesopotamians over here? ~ Tim Dorsey,

211:I have to admit that most of the time I read in the same way that I smoke and chew gum and jiggle my leg a lot. I read a lot, but at the same time I’m not a particularly good or diligent or discriminating reader. I go through maybe close to a thousand or more books a year, but a lot of times I’ll only read bits and pieces of any one individual text. There are even certain works that are very important to me (Like Virginia Woolf’s To the Lighthouse, for example) that I probably haven’t ever read all the way through from beginning to end, just certain passages over and over. I tend to read at stuff, rather that through it, if that makes any sense, and maybe there’s something a little bit rodent-like about it, like a gerbil gnawing on woodchips in those, tiny, rapid obsessive bites. ~ Dan Chaon,

212:You read all kinds of books and see all kinds of movies about the man who is obsessed and devoted, whose focus is a single solid beam, same as the lighthouse and that intense, too. It is Heathcliff with Catherine. It is a vampire with a passionate love stronger than death. We crave that kind of focus from someone else. We'd give anything to be that "loved." But that focus is not some soul-deep pinnacle of perfect devotion - it's only darkness and the tormented ghosts of darkness. It's strange, isn't it, to see a person's gaping emotional wounds, their gnawing needs, as our romance? We long for it, I don't know why, but when we have it, it is a knife at our throat on the banks of Greenlake. It is an unwanted power you'd do anything to be rid of. A power that becomes the ultimate powerlessness. ~ Deb Caletti,

213:Same day, 11 o'clock p. m..—Oh, but I am tired! If it were not that I had made my diary a duty I should not open it tonight. We had a lovely walk. Lucy, after a while, was in gay spirits, owing, I think, to some dear cows who came nosing towards us in a field close to the lighthouse, and frightened the wits out of us. I believe we forgot everything, except of course, personal fear, and it seemed to wipe the slate clean and give us a fresh start. We had a capital `severe tea' at Robin Hood's Bay in a sweet little oldfashioned inn, with a bow window right over the seaweedcovered rocks of the strand. I believe we should have shocked the `New Woman' with our appetites. Men are more tolerant, bless them! Then we walked home with some, or rather many, stoppages to rest, and with our hearts full of a constant dread of wild bulls. ~ Bram Stoker,

214:Lighting the Way for Sailors SENTINEL Hamilton’s lighthouse at Cape Hatteras was rebuilt after the original succumbed to erosion. As his storm-tossed brig passed North Carolina’s Cape Hatteras on the way to New York in the early 1770s, a fearful Hamilton vowed to someday build a way-finding lighthouse there. In 1789, Congress passed An Act for the Establishment and support of Lighthouse, Beacons, Buoys, and Public Piers, and the job of maintaining those structures was given to the Department of the Treasury. Thus did Hamilton find himself the “Superintendent” of Lighthouses. His first commission, which rose near the entrance to the Chesapeake Bay, was designed by John McComb Jr., who would one day build the Grange, Hamilton’s New York home. And in 1803 a promise was kept, as “Mr. Hamilton’s Light” opened on Cape Hatteras. ~ Time Life Books,

215:Helen leaned down over her husband and ran her lips lightly across his bare shoulder in good-bye. Maybe, someday, she would find him by the River Styx. There, they could wash all their hateful memories away, and walk into a new life together, a life that didn’t have the dirty paw prints of a dozen gods and a dozen kings marring it. Such a beautiful thought.

Helen vowed that she would live a hundred lives of hardship for one life—one real life—with Paris. They could be shepherds, just as they had dreamed once when they had met at the great lighthouse long ago. She’d be anything, really, a shopkeeper, or a farmer, whatever, as long as they were allowed to live their lives and each other freely. She dressed quickly, imagining herself tending a shop somewhere by the sea, hoping that someday this dream would come true. ~ Josephine Angelini,

216:A vagueness comes over everything,
as though proving color and contour
alike dispensable: the lighthouse
extinct, the islands' spruce-tips
drunk up like milk in the
universal emulsion; houses
reverting into the lost
and forgotten; granite
subsumed, a rumor
in a mumble of ocean.
Tactile
definition, however, has not been
totally banished: hanging
tassel by tassel, panicled
foxtail and needlegrass,
dropseed, furred hawkweed,
and last season's rose-hips
are vested in silenced
chimes of the finest,
clearest sea-crystal.
Opacity
opens up rooms, a showcase
for the hueless moonflower
corolla, as Georgia
O'Keefe might have seen it,
of foghorns; the nodding
campanula of bell buoys;
the ticking, linear
filigree of bird voices.
~ Amy Clampitt,

217:As soon as he had her safe again in his arms he broke down and kissed her. Helen was so stunned she stopped crying before she had a chance to start and nearly fell out of the sky. Still the
better flyer, Lucas caught her and supported her as they tumbled on the wind, holding and kissing each other as he tumbled on the wind, holding and kissing each other as he guided them safely back down to the catwalk. As their feet touched down, the light inside the lighthouse switched on
and projected the shadows of their embracing figures out onto the choppy waves of the ocean.
“I can’t lose you,” Lucas said, pulling his mouth away from hers. “That’s why I didn’t tell you the whole truth. I thought if you knew how bad it was you’d send me away. I didn’t want you to give up hope. I can’t do this if you give up on us.”
(Starcrossed) ~ Josephine Angelini,

218:The truck rounded the last corner. It was more like a cube van, yellow with some kind of crest on the side. I struggled for a better look. The air was getting hazy now. Invisible smoke stung my eyes.
“The fire department?” Rafe scowled at Daniel. “We’re running from a fire and hiding from the fire department?”
I could see the insignia now--a red crest with a lighthouse in the middle. An auxiliary vehicle for Nanaimo Fire Rescue.
Rafe started getting up.
“Wait,” Daniel said sharply, not a request but a command. I swore Rafe’s hackles rose.
“Just hold on a sec,” I said.
“No. I’m sorry, Maya, but this is nuts. I need to get to town and see if Annie’s there.”
“Go on, then,” Daniel said. “But don’t expect me to come to your rescue if you do something stupid again.”
Rafe stopped, crouching. “Stupid? What the hell did I--?”
“Standing up to a bear? Yeah, kinda stupid.”
Rafe’s face reddened. ~ Kelley Armstrong,

219:To-Morrow
The lighthouse shines across the sea;
The homing fieldfares sing for glee:
'Behold the shore!'
Alas for shattered wing and breast!
The lighthouse breakers make their nest,
And hedges bloom for them no more No more.
In their old church the lovers stand.
His wedding ring is on her hand,
All partings o'er.
Alas for mother still and cold
The babe her dead young arms enfold!
Her lover will know love no more No more.
What fate is this for birds and men?
The blue empyrean theirs - and then This fast-closed door.
One answers from his bended knee:
'Another morrow comes, saith he,
'A day that brings the night no more No more.'
Ah, happy one! Yet happier he
Who knows he knows not what will be;
Who has no lore
To read the runes of life and death,
But lives his best while he has breath,
And leaves with God the evermore The evermore.
~ Ada Cambridge,

220:Charles Lindbergh’s achievement in finding his way alone from Long Island to an airfield outside Paris deserves a moment’s consideration. Maintaining your bearings by means of dead reckoning means taking close note of compass headings, speed of travel, time elapsed since the last calculation, and any deviations from the prescribed route induced by drifting. Some measure of the difficulty is shown by the fact that the Byrd expedition the following month—despite having a dedicated navigator and radio operator, as well as pilot and copilot—missed their expected landfall by two hundred miles, were often only vaguely aware of where they were, and mistook a lighthouse on the Normandy coast for the lights of Paris. Lindbergh by contrast hit all his targets exactly—Nova Scotia, Newfoundland, the Dingle Peninsula in Ireland, Cap de la Hague in France, Le Bourget in Paris—and did so while making the calculations on his lap while flying an unstable plane. ~ Bill Bryson,

221:If there was a moment that determined the course of my future, I'm pretty sure this was it. I had two somewhat simple choices. I could make a run for it and go back to Uncle Al's. Back to the bonfire where my cousins and dear sister would be drinking and revel in the normalcy of a Saturday night and forget I ever went to this horrid place and ran into this weirdo. Or I could go with said weirdo up the stairs in this decrepit old lighthouse, which was most likely condemned and unsafe, towards some unknown person (or thing) that was walking around, potentially waiting to murder us in horrific ways.

It didn't seem like a very hard decision to make. In fact, I think 99.7% of people in the right frame of mind would have picked from column A and gone on with their merry lives. But for some freaking crazy reason, I thought that maybe, just maybe I should go with this stranger up those kelp-ridden stairs and toward the lair of unimaginable horror. You know, because it was the more interesting alternative. ~ Karina Halle,

222:At some point in the night she had a dream. Or it was possible that she was partially awake, and was only remembering a dream? She was alone among the rocks on a dark coast beside the sea. The water surged upward and fell back languidly, and in the distance she heard surf breaking slowly on a sandy shore. It was comforting to be this close to the surface of the ocean and gaze at the intimate nocturnal details of its swelling and ebbing. And as she listened to the faraway breakers rolling up onto the beach, she became aware of another sound entwined with the intermittent crash of waves: a vast horizontal whisper across the bossom of the sea, carrying an ever-repeated phrase, regular as a lighthouse flashing: Dawn will be breaking soon. She listened a long time: again and again the scarcely audible words were whispered across the moving water. A great weight was being lifted slowly from her; little by little her happiness became more complete, and she awoke. Then she lay for a few minutes marveling the dream, and once again fell asleep. ~ Paul Bowles,

223:LONG POINT LIGHT Long Point’s apparitional this warm spring morning, the strand a blur of sandy light, and the square white of the lighthouse—separated from us by the bay’s ultramarine as if it were nowhere we could ever go—gleams like a tower’s ghost, hazing into the rinsed blue of March, our last outpost in the huge indetermination of sea. It seems cheerful enough, in the strengthening sunlight, fixed point accompanying our walk along the shore. Sometimes I think it’s the where-we-will-be, only not yet, like some visible outcropping of the afterlife. In the dark its deeper invitations emerge: green witness at night’s end, flickering margin of horizon, marker of safety and limit. But limitless, the way it calls us, and where it seems to want us to come. And so I invite it into the poem, to speak, and the lighthouse says: Here is the world you asked for, gorgeous and opportune, here is nine o’clock harbor-wide, and a glinting code: promise and warning. The morning’s the size of heaven. What will you do with it? MARK DOTY ~ Michael Cunningham,

224:Half an hour passed with only a few whispers between us. When we grew tired waiting, McDunn began describing some of his ideas to me. He had some theories about the Fog Horn itself. "One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like the trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life."" The Fog Horn blew. "I made up that story," said McDunn quietly, "to try to explain why this thing keeps coming back to the lighthouse every year. The fog horn calls, I think, it comes... ~ Anonymous,

225:The Three Fishers
Three fishers went sailing away to the west,
Away to the west as the sun went down;
Each thought on the woman who loved him the best,
And the children stood watching them out of the town;
For men must work, and women must weep,
And there's little to earn, and many to keep,
Though the harbour bar be moaning.
10
11
12
13
14
Three wives sat up in the lighthouse tower,
And they trimmed the lamps as the sun went down;
They looked at the squall, and they looked at the shower,
And the night-rack came rolling up ragged and brown.
But men must work, and women must weep,
Though storms be sudden, and waters deep,
And the harbour bar be moaning.
15
16
17
18
19
20
21
Three corpses lay out on the shining sands
In the morning gleam as the tide went down,
And the women are weeping and wringing their hands
For those who will never come home to the town;
For men must work, and women must weep,
And the sooner it's over, the sooner to sleep;
And good-bye to the bar and its moaning.
~ Charles Kingsley,

226:Identify your strengths, and then—this is important—major in them. Take a few irons out of the fire so this one can get hot. Failing to focus on our strengths may prevent us from accomplishing the unique tasks God has called us to do. A lighthouse keeper who worked on a rocky stretch of coastline received oil once a month to keep his light burning. Not being far from a village, he had frequent guests. One night a woman needed oil to keep her family warm. Another night a father needed oil for his lamp. Then another needed oil to lubricate a wheel. All the requests seemed legitimate, so the lighthouse keeper tried to meet them all. Toward the end of the month, however, he ran out of oil, and his lighthouse went dark, causing several ships to crash on the coastline. The man was reproved by his superiors, “You were given the oil for one reason,” they said, “to keep the light burning.”1 We cannot meet every need in the world. We cannot please every person in the world. We cannot satisfy every request in the world. But some of us try. And in the end, we run out of fuel. Have a sane estimate of your abilities and stick to them. ~ Max Lucado,

227:Two battleships assigned to the training squadron had been at sea on maneuvers in heavy weather for several days. I was serving on the lead battleship and was on watch on the bridge as night fell. The visibility was poor with patchy fog, so the captain remained on the bridge keeping an eye on all activities. Shortly after dark, the lookout on the wing of the bridge reported, “Light, bearing on the starboard bow.” “Is it steady or moving astern?” the captain called out. Lookout replied, “Steady, captain,” which meant we were on a dangerous collision course with that ship. The captain then called to the signalman, “Signal that ship: We are on a collision course, advise you change course 20 degrees.” Back came a signal, “Advisable for you to change course 20 degrees.” The captain said, “Send, I’m a captain, change course 20 degrees.” “I’m a seaman second class,” came the reply. “You had better change course 20 degrees.” By that time, the captain was furious. He spat out, “Send, I’m a battleship. Change course 20 degrees.” Back came the flashing light, “I’m a lighthouse.” We changed course. ~ Stephen R Covey,

228:Seascape
This celestial seascape, with white herons got up as angels,
flying high as they want and as far as they want sidewise
in tiers and tiers of immaculate reflections;
the whole region, from the highest heron
down to the weightless mangrove island
with bright green leaves edged neatly with bird-droppings
like illumination in silver,
and down to the suggestively Gothic arches of the mangrove roots
and the beautiful pea-green back-pasture
where occasionally a fish jumps, like a wildflower
in an ornamental spray of spray;
this cartoon by Raphael for a tapestry for a Pope:
it does look like heaven.
But a skeletal lighthouse standing there
in black and white clerical dress,
who lives on his nerves, thinks he knows better.
He thinks that hell rages below his iron feet,
that that is why the shallow water is so warm,
and he knows that heaven is not like this.
Heaven is not like flying or swimming,
but has something to do with blackness and a strong glare
and when it gets dark he will remember something
strongly worded to say on the subject.
~ Elizabeth Bishop,

229:Will looked down at himself, at the knife at his feet, and remembered the knife he had
buried at the base of the tree on the Shrewsbury-Welshpool road, stained with his blood and
Jem’s. “All my life, since I came to the Institute, you were the mirror of my soul. I saw the
good in me in you. In your eyes alone I found grace. When you are gone from me, who will
see me like that?”
There was a silence then. Jem stood as still as a statue. With his gaze Will searched for,
and found, the parabatai rune on Jem’s shoulder; like his own, it had faded to a pale white.
At last Jem spoke. The cool remoteness had left his voice. Will breathed in hard,
remembering how much that voice had shaped the years of his growing up, its steady
kindness a lighthouse beacon in the dark. “Have faith in yourself. You can be your own
mirror.”

“That words have the power to change
us. Your words have changed me, Tess; they have made me a better man than I would have
been otherwise. Life is a book, and there are a thousand pages I have not yet read. I would
read them together with you, as many as I can, before I die— ~ Cassandra Clare,

230:We have heard that a few days after this, when the Provincetown Bank was robbed, speedy emissaries from Provincetown made particular inquiries concerning us at this lighthouse. Indeed, they traced us all the way down the Cape, and concluded that we came by this unusual route down the back side and on foot in order that we might discover a way to get off with our booty when we had committed the robbery. The Cape is so long and narrow, and so bare withal, that it is well-nigh impossible for a stranger to visit it without the knowledge of its inhabitants generally, unless he is wrecked on to it in the night. So, when this robbery occurred, all their suspicions seem to have at once centered on us two travelers who had just passed down it. If we had not chanced to leave the Cape so soon, we should probably have been arrested. The real robbers were two young men from Worcester County who traveled with a centre-bit, and are said to have done their work very neatly. But the only bank that we pried into was the great Cape Cod sand-bank, and we robbed it only of an old French crown piece, some shells and pebbles, and the materials of this story. ~ Henry David Thoreau,

231:Several years prior to the war, Mexico had passed legislation allowing governors to grant coastal land titles to Mexican citizens who would agree to develop the land. On June 8, 1846, the last Mexican Governor of California, Pio Pico, granted the title for Alcatraz to Julian Workman, a Mexican national. Workman had petitioned Pico for use of the island stating that “Alcatraces, or Bird Island, has never been inhabited by any person, nor used for any purpose,”and sought the right to develop the land. Alcatraz was granted to Workman under the sole condition that he “cause to be established as soon as possible a light, which may give protection on dark nights to the ships and smaller vessels which may pass there.” It is also documented that Workman never visited the island and never made any attempt to establish a lighthouse as he had agreed. In 1846, his son-in-law Francis Temple sold the island to John Charles Frémont, “in the terms of a bond for the purchase money in my official capacity as governor of California,”for the price of $5,000. The property was eventually conveyed to Palmer Cook & Company, but the money was never paid to Temple. ~ Michael Esslinger,

232:At least

I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world -
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another one up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy - I have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what's going to happen. ~ Raymond Carver,

233:Recommended Reading
David Foster Wallace - Infinite Jest
DH Lawrence - The Rainbow
Gabriel Garcia Marquez - Love in the Time of Cholera
Karl Ove Knausgaard - My Struggle
Virginia Woolf - To The Lighthouse
Ben Lerner - The Topeka School
Sally Rooney - Conversations With Friends
Nell Zink - The Wallcreeper
Elena Ferrante - The Days of Abandonment
Jack Kerouac - Dharma Bums
Walt Whitman - Leaves of Grass
Michael Murphy - Golf in the Kingdom
Barbara Kingsolver - Prodigal Summer
Albertine Sarrazin - Astragal
Rebecca Solnit - The Faraway Nearby
Michael Paterniti - Love and Other Ways of Dying
Rainer Maria Rilke - Book of Hours
James Baldwin - Another Country
Roberto Calasso - Ka
Translation by S. Radhakrishan - Principle Upanisads
Chogyam Trungpa - Cutting Through Spiritual Materialism
Translation by Georg Feuerstein - Yoga Sutra
Richard Freeman - The Mirror of Yoga
Translation by S. Radhakrishan - The Bhagavad Gita
Shrunyu Suzuki - Zen Mind Beginner's Mind
Heinrich Zimmer - Myths and Symbols in Indian Art and Civilization
Sogyal Rinpoche - The Tibetan Book of Living and Dying
Joseph Campbell - Myths of Light
Joseph Campbell - The Hero With A Thousand Faces
Sri Aurobindo - Savitri
Thomas Meyers - Anatomy Trains
Wendy Doniger - The Hindus ~ Jason Bowman, http://www.jasonbowmanyoga.com/recommended-reading,

234:I would travel far and wide...seeing, listening, creating. I would weave tales for an enthralled audience. A song would be heard throughout the kingdom, and I would be a part of that. You would normally think that a bard would pick up his tales from stories heard in his travels or, perhaps, from personal observation of these events. Perhaps some bards would create the stories themselves or, at least, adapt the original versions heard...

But what if the bard were really more than a bard? What if he were once a gallant knight or an old sea captain...perhaps even a forgotten prince? What if the stories he told, what if the characters brought to life in his stories, were really of his comrades and himself? Stories from long ago that he finally wished to be heard? What if those who listened to his tales, all the while assuming that they were far disconnected from their communicator, were really listening to the narrative of a wanderer intimately connected to it all? And where would such an individual go when his final days as an “official” bard were spent? Perhaps he would decide to retire in a lighthouse. For, surely, no place would be more fitting for the hero emeritus. He would gaze upon the glorious sea in recollection...guiding others with the beacon of light atop his home as he had once been shepherded. The adventurer became the storyteller...and then the Sentinel of the Sea. ~ Gina Marinello Sweeney,

235:Off Shore
Rock, little boat, beneath the quiet sky,
Only the stars behod us where we lie, Only the stars and yonder brightening moon
On the wide sea to-night alone are we;
The sweet, bright summer day dies silently,
Its glowing sunset will have faded soon.
Rock softly, little boat, the while I mark
The far off gliding sails, distinct and dark,
Across the west pass steadily and slow.
But on the eastern waters sad, they change
And vanish, dream-like, gray, and cold, and strange
And no one knoweth whither they may go.
We care not, we, drifting with wind and tide,
While glad waves darken upon either side,
Save where the moon sends silver sparkles down
And yonder slender stream of changing light,
Now white, now crimson, tremulously bright,
Where dark the lighthouse stands, with fiery crown.
Thick falls the dew, soundless on sea and shore:
It shines on little boat and idle oar,
Wherever moonbeams touch with tranquil glow.
The waves are full of whispers wild and sweet;
They call to me, - incessantly they beat
Along the boat from stern to curvéd prow
Comes the careering wind, blows back my hair,
All damp with dew, to kiss me unaware,
Murmuring "Thee I love," and passes on.
Sweet sounds on rocky shores the distant rote;
O could we float forever, little boat,
Under the blissful sky drifting alone!
21
~ Celia Thaxter,

236:Frequently do we meet with the idea that the world is to be converted to Christ by the spread of civilization. Now civilization always follows the Gospel and is, in a great measure, the product of it, but many people put the cart before the horse and make civilization the first cause. According to their opinion, trade is to regenerate the nations! The arts are to ennoble them and education is to purify them. Peace Societies are formed, against which I have not a word to say, but much in their favor. Still, I believe the only efficient Peace Society is the Church of God and the best peace teaching is the love of God in Christ Jesus! The Grace of God is the great instrument for lifting up the world from the depths of its ruin and covering it with happiness and holiness. Christ’s Cross is the Pharos of this tempestuous sea, like the Eddystone lighthouse flinging its beams through the midnight of ignorance over the raging waters of human sin, preserving men from rock and shipwreck, piloting them into the port of peace! Tell it among the heathen—the Lord reigns from the Cross—and as you tell it believe that the power to make the peoples believe it is with God the Father and the power to bow them before Christ is in God the Holy Spirit. Saving energy lies not in learning, nor in wit, nor in eloquence, nor in anything except in the right arm of God who will be exalted among the heathen, for He has sworn that surely all flesh shall see the salvation of God. ~ Charles Haddon Spurgeon,

237:Edlesborough
Beyond the Chiltern coast, this church:
A lighthouse in dry seas of standing corn.
Bees hive in the tower; the outer stone
Pared and frittered in sunlight, flakes with the years:
Clunch crumbles, but silence, exaltation, endures.
The brass-robed Rector stretched on his tomb endures.
Within, we go upon the dragon and the bat,
Walk above the world, without,
Uplifted among grey lavender, beech and sycamore,
Shades of the sea-born chalk, indelible and austere.
If we see history from this hill
It is upon its own conditions, here
Each season swirls and eddies the circle of a year
Round the spectator church, and human eyes
Take, on its plinth, a long focus of centuries.
We seem like gods on any hill.
From here all toil resembles rest, and yet
Unlike a god we feel ourselves shut out.
Surely that farm in a carved blue curve of trees
So still with all its creatures, holds the unattainable peace?
It is Time's camouflage deceives us.
There it extends like space: whatever moves
(A horse to drink, a reaper to stack the sheaves)
Displays the movement in its whole succession,
Not a change of terms, only a changed relation.
Deceit or truth? The dead possess the hill
In battlements of Totternhoe or slate;
The view is ours, the range and ache of sight.
If Time serves: in a common space unrolls
This Resurrection field, with sheaves in glory like risen souls.
~ Anne Barbara Ridler,

238:Once upon a time, there was a colony of water bugs. They were a close colony, a family. Where one went, the others went. But every so often, one would straggle away on their own, crawl onto a lily pad, and never return. This was a great mystery to the family of water bugs. They couldn’t figure out what was happening to their family members, or why they disappeared. They talked about it often, and worried about it, but they could never figure it out.” Finn opens his eyes now, and stares out at the water, past me, past the waves, and out to the horizon. He fixes his gaze on the red lighthouse in the distance, on the pelicans that dive for their dinner around it, and the waves that break apart against the rocks. “Well, one day, another water bug climbed onto the lily pad, drawn there by invisible forces from within itself, forces it didn’t understand and couldn’t control. As it sat there in the sun, it transformed into a beautiful dragonfly. It shed its water bug skin, and sprouted iridescent wings that gleamed in the sunlight. Wings so large and strong, it was able to fly into the air, doing loops in the sky. “The new dragonfly was ecstatic with it’s new body and thought to itself, ‘I need to go back and tell the others. They need to know that this is what happens so they won’t be scared.’ So he dipped and dove through the air, directly at the water. But unfortunately, he couldn’t dive below the surface to where the water-bugs were swimming. In his new form, the dragonfly was no longer able to communicate with his family. He felt at peace, though, because he knew that someday, his family would all transform too, and they’d all be together again.” Finn ~ Courtney Cole,

239:If I longed for destruction it was merely that this eye might be extinguished. I longed for an earthquake, for some cataclysm of nature which would plunge the lighthouse into the sea. I wanted a metamorphosis, a change to fish, to leviathan, to destroyer. I wanted the earth to open up, to swallow everything in one engulfing yawn. I wanted to see the city buried fathoms deep in the bosom of the sea. I wanted to sit in a cave and read by candlelight. (I wanted that eye extinguished so that I might have a change to know my own body, my own desires. I wanted to be alone for a thousand years in order to reflect on what I had seen and heard - and in order to forget. I wanted something of the earth which was not of man's doing, something absolutely divorced from the human of which I was surfeited. I wanted something purely terrestrial and absolutely divested of idea. I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and the light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night, so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think. To be englobed and encompassed and to encompass and to englobe at the same time. No more pity, no more tenderness. To be human only terrestrially, like a plant or a worm or a brook. To be decomposed, divested of light and stone, variable as the molecule, durable as the atom, heartless as the earth itself. ~ Henry Miller,

240:Thompson’s Lunch Room—grand Central Station
STUDY IN WHITES
Wax-white—
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook’s cap
Moves unglossily against the vaguely bright wall—
Dull chalk-white striking the retina like a blow
Thru the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting—greener, bluer—with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: “Oyster Stew, Cornbeef Hash, Frankfurters”:
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated épergnes.
The electric clock jerks every half-minute:
“Coming!—Past!”
“Three beef-steaks and a chicken-pie,”
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
415
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
~ Amy Lowell,

241:As already suggested, when the individual first learns who it is that he must now accept a his own, he is likely, at the very least, to feel some ambivalence; for these others will not only be patently stigmatized, and thus not like the normal person he knows himself to be, but ma also have other attributes with which he finds it difficult to associate himself. What may end up as a freemasonry may begin with a shudder. A newly blind girl on a visit to The Lighthouse [probably the Chicago Lighthouse, one of the oldest social service agencies in Chicago serving the blind or visually impaired] directly from leaving the hospital provides an illustration:

„My questions about a guide dog were politely turned aside. Another sighted worker took me in tow to show me around. We visited the Braille library; the classrooms; the clubrooms where the blind members of the music and dramatic groups meet; the recreation hall where on festive occasion the blind play together; the cafeteria, where all the blind gather to eat together; the huge workshops where the blind earn a subsistence income by making mops and brooms, weaving rugs, caning chairs. As we moved from room to room, I could hear the shuffling of feet, the muted voices, the tap-tap-tapping of canes. Here was the safe, segregated world of the sightless — a completely different world, I was assured by the social worker, from the one I had just left….

I was expected to join this world. To give up my profession and to earn my living making mops. The Lighthouse would be happy to teach me how to make mops. I was to spend the rest of my life making mops with other blind people, eating with other blind people, dancing with other blind people. I became nauseated with fear, as the picture grew in my mind. Never had I come upon such destructive segregation.“ (p.37) ~ Erving Goffman,

242:We sat within the farm-house old,
Whose windows, looking o'er the bay,
Gave to the sea-breeze damp and cold,
An easy entrance, night and day.

Not far away we saw the port,
The strange, old-fashioned, silent town,
The lighthouse, the dismantled fort,
The wooden houses, quaint and brown.

We sat and talked until the night,
Descending, filled the little room;
Our faces faded from the sight,
Our voices only broke the gloom.

We spake of many a vanished scene,
Of what we once had thought and said,
And who was changed, and who was dead;

And all that fills the hearts of friends,
When first they feel, with secret pain,
Their lives thenceforth have separate ends,
And never can be one again;

The first slight swerving of the heart,
That words are powerless to express,
And leave it still unsaid in part,
Or say it in too great excess.

The very tones in why we spake,
Had something strange, I could but mark;
The leaves of memory seemed to make
A mournful rattling in the dark.

Oft died the words upon our lips,
As suddenly, from out the fire
Built of the wreck of stranded ships,
The flames would leap and then expire.

And, as their splendor flashed and failed,
We thought of wrecks upon the main,
Of ships dismasted, that were hailed
And sent no answer back again.

The windows, rattling in their frames,
The ocean, roaring up the beach,
The gusty blast, the bickering flames,
All mingled vaguely in our speech;

Until they made themselves a part
Of fancies floating through the brain,
The long-lost ventures of the heart,
That send no answers back again.

O flames that glowed! O hearts that yearned!
They were indeed too much akin,
The drift-wood fire without that burned,
The thoughts that burned and glowed within. ~ Henry Wadsworth Longfellow,

243:How To Accompany The Moon Without Walking
Harsh, harsh, the maram grass on the salt dune,
seen by the cricket’s eye against the harbor moon,
anchor-frost and seaward, the lighthouse moon—
the bellbuoy-beating moon, the tiderip bronze
ringing above deep channels and old bones,
the hawsehole moon, where blood and money runs—
foremast and mainmast moon, up harbor still,
island and smokestack moon, and the wind-spill
falling from the sail-throat for the moon to fill—
up harbor, the old wharf moon, the capstan moon,
and round it the capstan bars, the heeling tune,
India Wharf, we'll bring you to Rio soon—
the shipyard moon, the grain-elevator moon,
derrick and gantry, and the turbine croon
sweet under seafoam as a bird in June—
red-warehouse moon, yacht-basin moon, where spars
tangle and telegraph with stays and stars—
hi ho, the queen of accordions and guitars—
ship-chandler moon, sea-boots and Wharf Street shine,
the ropewalk moon that spins in turpentine,
sail-loft invaded with a pour of silver twine—
and high! up spinning! skyscraper tipped on purple!
skyscraper moon, and high! for the stare of people—
skysign and belltower moon, moon for the steeple—
bells breaking bronze, gold, down, the scattered tinkle,
silver-bell moon, cornice and rooftop twinkle,
Christmas and graveyard moon, the tinsel sprinkle—
and dead, the stockyard moon, where blood drips down,
dead longhorn and mute snout; the barrelhouse moon,
moonmusic doubling, rigadoon, jigadoon—
54
so down, and down, who will be darkened soon,
red and green lights, the pallid airport moon—
ah! on the flying field, the captive balloon!
and cold; for the rim of night, the earth’s black arc,
swings up, blots out the stars, to the last spark;
while, underworld, the moon drowns dead and dark.
~ Conrad Potter Aiken,

244:The Petitions
The edifice was complete—the signatures, secret teachings, and sacrificial victims
locked in stone, the jewelry, linens, and banners of the vanquished hung from
the parapets—when a great wind swept through the city.
The walls and towers glistened with salt spray; a sheet of music sailed down the
street, toward the harbor, where the last fishing trawler was in flames; the door
to the lighthouse swung open; no one entered or left.
The harbor was protected by a natural lagoon, beyond which sailed a fleet of
warships, of indeterminate origin, awaiting the order to attack.
An order which would be delivered from on high, said the trusted courtiers.
Pearl divers, purse seiners, silk traders, coffee merchants, vendors, vintners,
customs officers, carvers of casks, gunrunners, sawyers, salt collectors, street
cleaners, appraisers and collectors, surveyors and adjusters—all fled with their
families.
The city they built in the desert grew concentrically, adding rings of houses and
roads that reached into the mountains, where a band of anchorites had settled to
await the end of time, keeping vigil through the day and night.
Do not be foolish in your petitions, one monk advised his brethren, lest you
dishonor God by your ignorance—and still they begged for more: miracles and
visions and glory.
23
Of Whom they knew nothing, for all their certainty about the intricacies of His
design.
The same certainty that governed the spread of the city to the edge of the known
world.
Beyond the border, refugees from the flood plain huddled around fires fed by the
timbers of the boats swamped in the storm that washed their huts and horses
away.
The faithful watched this spectacle as if from a vast distance, conscious of the
fact that disaster is always near at hand.
Praying to be spared: Lord, have mercy…
~ Christopher Merrill,

245:March 4 MORNING “My grace is sufficient for thee.” — 2 Corinthians 12:9 IF none of God’s saints were poor and tried, we should not know half so well the consolations of divine grace. When we find the wanderer who has not where to lay his head, who yet can say, “Still will I trust in the Lord;” when we see the pauper starving on bread and water, who still glories in Jesus; when we see the bereaved widow overwhelmed in affliction, and yet having faith in Christ, oh! what honour it reflects on the gospel. God’s grace is illustrated and magnified in the poverty and trials of believers. Saints bear up under every discouragement, believing that all things work together for their good, and that out of apparent evils a real blessing shall ultimately spring — that their God will either work a deliverance for them speedily, or most assuredly support them in the trouble, as long as He is pleased to keep them in it. This patience of the saints proves the power of divine grace. There is a lighthouse out at sea: it is a calm night — I cannot tell whether the edifice is firm; the tempest must rage about it, and then I shall know whether it will stand. So with the Spirit’s work: if it were not on many occasions surrounded with tempestuous waters, we should not know that it was true and strong; if the winds did not blow upon it, we should not know how firm and secure it was. The master-works of God are those men who stand in the midst of difficulties, stedfast, unmoveable, — “Calm mid the bewildering cry, Confident of victory.” He who would glorify his God must set his account upon meeting with many trials. No man can be illustrious before the Lord unless his conflicts be many. If then, yours be a much-tried path, rejoice in it, because you will the better show forth the all-sufficient grace of God. As for His failing you, never dream of it — hate the thought. The God who has been sufficient until now, should be trusted to the end. ~ Charles Haddon Spurgeon,

246:Crater Face
is what we called her. The story was
that her father had thrown Drano at her
which was probably true, given the way she slouched
through fifth grade, afraid of the world, recess
especially. She had acne scars
before she had acne—poxs and dips
and bright red patches.
I don't remember
any report in the papers. I don't remember
my father telling me her father had gone to jail.
I never looked close to see the particulars
of Crater Face's scars. She was a blur, a cartoon
melting. Then, when she healed—her face,
a million pebbles set in cement.
Even Comet Boy,
who got his name by being so abrasive,
who made fun of everyone, didn't make fun
of her. She walked over the bridge
with the one other white girl who lived
in her neighborhood. Smoke curled
like Slinkies from the factory stacks
above them.
I liked to imagine that Crater Face
went straight home, like I did, to watch Shirley Temple
on channel 56. I liked to imagine that she slipped
into the screen, bumping Shirley with her hip
so that child actress slid out of frame, into the tubes
and wires that made the TV sputter when I turned it on.
Sometimes when I watched, I'd see Crater Face
tap-dancing with tall black men whose eyes
looked shiny, like the whites of hard-boiled eggs.
I'd try to imagine that her block was full
of friendly folk, with a lighthouse or goats
running in the street.
It was my way of praying,
my way of un-imagining the Drano pellets
that must have smacked against her
like a round of mini-bullets,
her whole face as vulnerable as a tongue
wrapped in sizzling pizza cheese.
How she'd come home with homework,
the weight of her books bending her into a wilting plant.
How her father called her slut, bitch, big baby, slob.
The hospital where she was forced to say it was an accident.
Her face palpable as something glowing in a Petri dish.
The bandages over her eyes.
In black and white,
with all that make-up, Crater Face almost looked pretty
sure her MGM father was coming back soon from the war,
seeing whole zoos in her thin orphanage soup.
She looked happiest when she was filmed
from the back, sprinting into the future,
fading into tiny gray dots on UHF.
~ Denise Duhamel,

247:Stella Maris
Why is it I remember yet
You, of all women one has met
In random wayfare, as one meets
The chance romances of the streets,
The Juliet of a night? I know
Your heart holds many a Romeo.
And I, who call to mind your face
In so serene a pausing-place,
Where the bright pure expanse of sea,
The shadowy shore's austerity,
Seems a reproach to you and me,
I too have sought on many a breast
The ecstasy of love's unrest,
I too have had my dreams, and met
(Ah me!) how many a Juliet.
Why is it, then, that I recall
You, neither first nor last of all?
For, surely as I see tonight
The glancing of the lighthouse light,
Against the sky, across the bay,
As turn by turn it falls my way,
So surely do I see your eyes
Out of the empty night arise,
Child, you arise and smile to me
Out of the night, out of the sea,
The Nereid of a moment there,
And is it seaweed in your hair?
O lost and wrecked, how long ago,
Out of the drownèd past, I know,
You come to call me, come to claim
My share of your delicious shame.
Child, I remember, and can tell,
One night we loved each other well;
And one night's love, at least or most,
Is not so small a thing to boast.
You were adorable, and I
Adored you to infinity,
That nuptial night too briefly borne
102
To the oblivion of morn.
Oh, no oblivion! for I feel
Your lips deliriously steal
Along my neck and fasten there;
I feel the perfume of your hair,
And your soft breast that heaves and dips,
Desiring my desirous lips,
And that ineffable delight
When souls turn bodies, and unite
In the intolerable, the whole
Rapture of the embodied soul.
That joy was ours, we passed it by;
You have forgotten me, and I
Remember you thus strangely, won
An instant from oblivion.
And I, remembering, would declare
That joy, not shame, is ours to share,
Joy that we had the will and power,
In spite of fate, to snatch one hour,
Out of vague nights, and days at strife,
So infinitely full of life.
And 'tis for this I see you rise,
A wraith, with starlight in your eyes,
Here, where the drowsy-minded mood
Is one with Nature's solitude;
For this, for this, you come to me
Out of the night, out of the sea.
~ Arthur Symons,

248:Once I was asked by a seatmate on a trans-Pacific flight, a man who took the liberty of glancing repeatedly at the correspondence in my lap, what instruction he should give his fifteen-year-old daughter, who wanted to be a writer. I didn't know how to answer him, but before I could think I heard myself saying, 'Tell your daughter three things.'

"Tell her to read, I said. Tell her to read whatever interests her, and protect her if someone declares what she's reading to be trash. No one can fathom what happens between a human being and written language. She may be paying attention to things in the world beyond anyone else's comprehension, things that feed her curiosity, her singular heart and mind. Tell her to read classics like The Odyssey. They've been around a long time because the patterns in them have proved endlessly useful, and, to borrow Evan Connell's observation, with a good book you never touch bottom. But warn your daughter that ideas of heroism, of love, of human duty and devotion that women have been writing about for centuries will not be available to her in this form. To find these voices she will have to search. When, on her own, she begins to ask, make her a present of George Eliot, or the travel writing of Alexandra David-Neel, or To the Lighthouse.

"Second, I said, tell your daughter that she can learn a great deal about writing by reading and by studying books about grammar and the organization of ideas, but that if she wishes to write well she will have to become someone. She will have to discover her beliefs, and then speak to us from within those beliefs. If her prose doesn't come out of her belief, whatever that proves to be, she will only be passing on information, of which we are in no great need. So help her discover what she means.

"Finally, I said, tell your daughter to get out of town, and help her do that. I don't necessarily mean to travel to Kazakhstan, or wherever, but to learn another language, to live with people other than her own, to separate herself from the familiar. Then, when she returns, she will be better able to understand why she loves the familiar, and will give us a fresh sense of how fortunate we are to share these things.

"Read. Find out what you truly are. Get away from the familiar. Every writer, I told him, will offer you thoughts about writing that are different, but these three I trust. ~ Barry Lopez,

249:Letter Written On A Ferry While Crossing Long Island
Sound
I am surprised to see
that the ocean is still going on.
Now I am going back
and I have ripped my hand
from your hand as I said I would
and I have made it this far
as I said I would
and I am on the top deck now
holding my wallet, my cigarettes
and my car keys
at 2 o'clock on a Tuesday
in August of 1960.
Dearest,
although everything has happened,
nothing has happened.
The sea is very old.
the sea is the face of Mary,
without miracles or rage
or unusual hope,
grown rough and wrinkled
with incurable age.
Still,
I have eyes,
These are my eyes:
the orange letters that spell
ORIENT on the life preserver
that hangs by my knees;
the cement lifeboat that wears
its dirty canvas coat;
the faded sign that sits on its shelf
saying KEEP OFF.
Oh, alright, I say,
I'll save myself.
Over my right shoulder
I see four arms
who sit like a bridge club,
their faces poked out
125
from under their habits,
as good as good babies who
have sunk into their carriages.
Without discrimination
the wind pulls the skirts
of their arms.
Almost undressed,
I see what remains:
that holy wrist,
that ankle,
that chain.
Oh God,
although I am very sad,
could you please
let these four nuns
loosen their leather boots
and their wooden chairs
to rise out
over this greasy deck,
out over this iron rail,
nodding their pink heads to one side,
flying four abreast
in the old-fashioned side stroke;
each mouth open and round,
breathing together
as fish do,
singing without sound.
Dearest,
see how my dark girls sally forth,
over the passing lighthouse of Plum Gut,
its shell as rusty
as a camp dish,
as fragile as a pagoda
on a stone;
out over the little lighthouse
that warns me of drowning winds
that rub over its blind bottom
and its blue cover;
winds that will take the toes
and the ears of the rider
or the lover.
There go my dark girls,
126
their dresses puff
in the leeward air.
Oh, they are lighter than flying dogs
or the breath of dolphins;
each mouth opens gratefully,
wider than a milk cup.
My dark girls sing for this.
They are going up.
See them rise
on black wings, drinking
the sky, without smiles
or hands
or shoes.
They call back to us
from the gauzy edge of paradise,
good news, good news.
~ Anne Sexton,

250:Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?”
Ben snorted. “He deserved it.”
“I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.”
I pinched my nose. “Ugh, don’t remind me.”
Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.”
Then everyone had a story. Our funeral became a wake.
The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye.
I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.”
Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.”
The boys glanced at each other. Their smiles faded.
Something passed between them.
Abruptly, both looked at me.
I could see a question in their eyes. A resolve to see something through.
They talked. Oh God, they talked about me.
They’re going to make me choose.
In a flash of dread, I realized I could delay this no longer.
With another jolt, I realized I didn’t need to.
There was no point putting it off.
There was also no decision to make.
My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully.
I smiled. Even as my heart pounded.
Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall.
But my second foot successfully followed the first.
I walked over to Ben’s side.
Slipped my hand inside his.
Squeezed for dear life.
Ben’s eyes widened. He gasped quietly, his chest rising and falling.
I met his startled gaze. Smiled through my blushes.
A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine.
No decision to make.
Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips.
Chance nodded slightly.
Not one word spoken. Volumes exchanged.
The silence stretched, like a living breathing force.
Finally, Hi cleared his throat. “Um.”
My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace.
Still no one said a word.
This was the most painful moment of my life.
“So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah. ~ Kathy Reichs,

251:firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she ~ Peter May,

252:The Things
The house in Broad Street, red brick, with nine rooms
the weedgrown graveyard with its rows of tombs
the jail from which imprisoned faces grinned
at stiff palmettos flashing in the wind
the engine-house, with engines, and a tank
in which young alligators swam and stank,
the bell-tower, of red iron, where the bell
gonged of the fires in a tone from hell
magnolia trees with whitehot torch of bud
the yellow river between banks of mud
the tall striped lighthouse like a barber’s pole
snake in the bog and locust in the hole
worn cigarette cards, of white battleships,
or flags, or chorus girls with scarlet lips,
jackstones of copper, peach tree in the yard
splashing ripe peaches on an earth baked hard
children beneath the arc-light in a romp
with Run sheep Run, and rice-birds in the swamp,
the organ-grinder’s monkey, dancing bears,
okras in baskets, Psyche on the stairs—
and then the north star nearer, and the snow
silent between the now and long ago
time like a train that roared from place to place
new crowds, new faces, for a single face
no longer then the chinaberry tree
nor the dark mockingbird to sing his glee
nor prawns nor catfish; icicles instead
and Indian-pipes, and cider in the shed
arbutus under pinewoods in the spring
and death remembered as a tropic thing
with picture postcard angels to upraise it
and trumpet vines and hummingbirds to phrase it
304
then wisdom come, and Shakspere’s voice far off,
to be or not, upon the teacher’s cough,
the latent heat of melting ice, the brief
hypotenuse from ecstasy to grief
amo amas, and then the cras amet,
the new-found eyes no slumber could forget,
Vivien, the affliction of the senses,
and conjugation of historic tenses
and Shakspere nearer come, and louder heard,
and the disparateness of flesh and word,
time growing swifter, and the pendulums
in shorter savage arcs that beat like drums—
hands held, relinquished, faces come and gone,
kissed and forgotten, and become but one,
old shoes worn out, and new ones bought, the gloves
soiled, and so lost in limbo, like the loves—
then Shakspere in the heart, the instant speech
parting the conscious terrors each from each—
wisdom’s dishevelment, the purpose lamed,
and purposeless the footsteps eastward aimed
the bloodstream always slower, while the clock
followed the tired heart with louder knock,
fatigue upon the eye, the tardy springs
inviting to no longer longed-for things—
the birdsong nearer now than Shakspere’s voice,
whispers of comfort—Death is near, rejoice!—
remember now the red house with nine rooms
the graveyard with its trumpetvines and tombs—
play jackstones now and let your jackstones be
the stars that make Orion’s galaxy
so to deceive yourself until you move
into that house whose tenants do not love.
305
~ Conrad Potter Aiken,

253:Lars
"Tell us a story of these Isles," they said,
The daughters of the West, whose eyes had seen
For the first time the circling sea, instead
Of the blown prairie's waves of grassy green:
"Tell us of wreck and peril, storm and cold,
Wild as the wildest." Under summer stars
With the slow moonrise at our back, I told
The story of the young Norwegian, Lars.
That youth with the black eyebrows sharply drawn
In strong curves like some sea-bird's wings outspread
O'er his dark eyes, is Lars, and this fair dawn
Of womanhood, the maiden he will wed.
She loves him for the dangers he has past.
Her rosy beauty glowed before his stern
And vigilant regard, until at last
Her sweetness vanquished Lars the taciturn.
For he is ever quiet, strong, and wise;
Wastes nothing, not a gesture nor a breath;
Forgets not, gazing in the maiden's eyes,
A year ago it was not love, but death,
That clasped him, and can hardly learn as yet
How to be merry, haunted by that pain
And terror, and remembering with regret
The comrade he can never see again.
Out from the harbor on that winter day
Sailed the two men to set their trawl together.
Down swept the sudden snow-squall o'er the bay,
And hurled their slight boat onward like a feather.
They tossed they knew not whither, till at last,
Under the lighthouse cliff they found a lee,
And out the road-lines of the trawl they cast
To moor her, is so happy they might be.
17
But quick the slender road-lines snapt in twain
In the wild breakers, and once more they tossed
Adrift; and, watching from his misty pane,
The lighthouse keeper muttered, "They are lost!"
Lifted the snow: night fell; swift cleared the sky;
The air grew sharp as death with polar cold;
Raged the insensate gale, and flashing high
In starlight keen the hissing billows rolled.
Driven before the winds incessant scourge
All night they fled, -- one dead ere morning lay.
Lars saw his strange, drawn countenance emerge
In the fierce sunrise light of that drear day,
And thought, "A little space and I shall be
Even as he," and, gazing in despair
O'er the wide, weltering waste, no sign could see
Of hope, of help, or comfort, anywhere.
Two hundred miles before the hurricane
The dead and living drove across the sea.
The third day dawned. His dim eyes saw again
The vast green plain, breaking eternally
In ghastly waves. But in the early light,
On the horizon glittering like a star,
Fast growing, looming tall, with canvas white,
Sailed his salvation southward from afar!
Down she bore, rushing o'er the hills of brine,
Straight for his feeble signal. As she passed,
Out from the schooner's deck they flung a line,
And o'er his head the open noose was cast.
Clutching with both his hands the bowline knot
Caught at his throat, swift drawn through fire he seemed,
Whelmed in the icy sea, and he forgot
Life, death, and all things, -- yet he thought he dreamed
A dread voice cried, "We've lost him!" and a sting
18
Of anguish pierced his clouded senses through;
A moment more, and like a lifeless thing
He lay among the eager pitying crew.
Long time he swooned, while o'er the ocean vast
The dead man tossed alone, they knew not where:
But youth and health triumphant were at last,
And here is Lars, you see, and here the fair
Young snow-and-rose-bloom maiden he will wed.
His face is kindly, thought it seems so stern.
Death passed him by, and life begins instead,
For Thora sweet and Lars the taciturn.
~ Celia Thaxter,

254:The Wardens Of The Seas
Like star points in the ether to guide a homing soul
Towards God's Eternal Haven; above the wash and roll,
Across and o'er the oceans, on all the coasts they stand
Tall seneschals of commerce, High Wardens of the Strand -The white lights slowly turning
Their kind eyes far and wide,
The red and green lights burning
Along the waterside.
When Night with breath of aloes, magnolia, spice, and balm
Creeps down the darkened jungles and mantles reef and palm,
By velvet waters making soft music as they surge
The shore lights of dark Asia will one by one emerge -Oh, Ras Marshig by Aden
Shows dull on hazy nights;
And Bombay Channel's laid in
Its "In" and "Outer" lights.
When Night, in rain-wet garments comes sobbing cold and grey
Across the German Ocean and South from Stornoway,
Thro' snarling darkness slowly, some fixed and some a-turn,
The bright shore-lights of Europe like welcome tapers burn, -From fierce Fruholmen streaming
O'er Northern ice and snow,
To Cape St. Vincent gleaming, -These lamps of danger glow.
The dark Etruscan tending his watchfires by the shore,
On sacred altars burning, the world shall know no more;
His temple's column standing against the ancient stars
Is gone; Now bright catoptrics flash out electric bars, -Slow swung his stately Argos
Unto the Tiber's mouth;
But now the Tuscan cargoes
Screw-driven, stagger South.
The lantern of Genoa guides home no Eastern fleets
As when the boy Columbus played in its narrow streets:
No more the Keltic `dolmens' their fitful warnings throw
13
Across the lone Atlantic, so long, so long ago -No more the beaked prows dashing
Shall dare a shoreward foam;
No more will great oars threshing
Sweep Dorian galleys home.
No more the Vikings roaring their sagas wild and weird
Proclaim that Rome has fallen; no more a consul feared
Shall quench the Roman pharos lest Northern pirates free
Be pointed to their plunder on coasts of Italy -Nor shall unwilling lovers,
From Lethean pleasures torn,
Fare nor'ward with those rovers,
To frozen lands forlorn.
The bale-fires and the watch-fires, the wrecker's foul false lure
No more shall vex the shipmen; and on their course secure
Past Pharos in the starlight the tow'ring hulls of Trade
Race in and out from Suez in iron cavalcade, -So rode one sunset olden
Across the dark'ning sea,
With banners silk and golden,
The Barge of Antony!
They loom along the foreshores; they gleam across the Straits;
They guide the feet of Commerce unto the harbor gates.
In nights of storm and thunder, thro' fog and sleet and rain,
Like stars on angels' foreheads, they give man heart again, -Oh, hear the high waves smashing
On Patagonia's shore!
Oh, hear the black waves threshing
Their weight on Skerryvore!
He searches night's grim chances upon his bridge alone
And seeks the distant glimmer of hopeful Eddystone:
And thro' a thick fog creeping, with chart and book and lead,
The homeward skipper follows their green and white and red -By day his lighthouse wardens
In sunlit quiet stand,
But in the night the burdens
Are theirs of Sea and Land.
14
They fill that night with Knowledge. A thousand ships go by,
A thousand captains bless them, so bright and proud and high:
The world's dark capes they glamour; or low on sand banks dread,
They, crouching, mark a pathway between the Quick and Dead -Like star points in the ether
They bring the seamen ease,
These Lords of Wind and Weather
These Wardens of the Seas!
~ Edwin James Brady,

255:Plegaria
Spanish
–Eros: acaso no sentiste nunca
Piedad de las estatuas?
Se dirían crisálidas de piedra
De yo no sé qué formidable raza
En una eterna espera inenarrable.
Los cráteres dormidos de sus bocas
Dan la ceniza negra del Silencio,
Mana de las columnas de sus hombros
La mortaja copiosa de la Calma
Y fluye de sus órbitas la noche;
Victimas del Futuro o del Misterio,
En capullos terribles y magníficos
Esperan a la Vida o a la Muerte.
Eros: acaso no sentiste nunca
Piedad de las estatuas?–
Piedad para las vidas
Que no doran a fuego tus bonanzas
Ni riegan o desgajan tus tormentas;
Piedad para los cuerpos revestidos
Del armiño solemne de la Calma,
Y las frentes en luz que sobrellevan
Grandes lirios marmóreos de pureza,
Pesados y glaciales como témpanos;
Piedad para las manos enguantadas
De hielo, que no arrancan
Los frutos deleitosos de la Carne
Ni las flores fantásticas del alma;
Piedad para los ojos que aletean
Espirituales párpados:
Escamas de misterio,
Negros telones de visiones rosas...
Nunca ven nada por mirar tan lejos!
Piedad para las pulcras cabelleras
–Misticas aureolas–
Peinadas como lagos
Que nunca airea el abanico negro,
Negro y enorme de la tempestad;
26
Piedad para los ínclitos espiritus
Tallados en diamante,
Altos, claros, extáticos
Pararrayos de cúpulas morales;
Piedad para los labios como engarces
Celestes donde fulge
Invisible la perla de la Hostia;
–Labios que nunca fueron,
Que no apresaron nunca
Un vampiro de fuego
Con más sed y más hambre que un abismo.–
Piedad para los sexos sacrosantos
Que acoraza de una
Hoja de viña astral la Castidad;
Piedad para las plantas imantadas
De eternidad que arrastran
Por el eterno azur
Las sandalias quemantes de sus llagas;
Piedad, piedad, piedad
Para todas las vidas que defiende
De tus maravillosas intemperies
El mirador enhiesto del Orgullo;
Apuntales tus soles o tus rayos!
Eros: acaso no sentiste nunca
Piedad de las estatuas?...
English
–Eros: have you never felt
Piety for the statues?
These chrysalides of stone,
Some formidable race
In an eternal, unutterable hope.
The sleeping craters of their mouths
Utter the black ash of silence;
A copious shroud of Calm
Falls from the columns of their arms,
And night flows from their eyesockets;
Victims of Destiny or Mystery,
In magnificent and terrible cocoons,
27
They wait for Life or Death.
Eros: have you never perhaps felt
Piety for the statues?
Piety for the lives
That will not strew nor rend your battles
Nor gild your fiery truces;
Piety for the bodies clothed
In the solemn ermine of Calm,
The luminous foreheads that endure
Their marble wreaths, grand and pure,
Weighty and glacial as icebergs;
Piety for the gloved hands of ice
That cannot uproot
The delicious fruits of the Flesh,
The fantastic flowers of the soul;
Piety for the eyes that flutter
Their spiritual eyelids:
Mysterious fish scales,
Dark curtains on rose visions...
For looking so far, they never see!
Piety for the tidy heads of hair
–Mystical haloes–
Gently combed like lakes
Which the storm’s black fan,
Black and enormous, never thrashes;
Piety for the spirits, illustrious,
Carved of diamonds,
High, clear, ecstatic
Lightning rods on pious domes;
Piety for the lips like celestial settings
Where the invisible pearls of the Host gleam;
–Lips that never existed,
Never seized anything,
A fiery vampire
With more thirst and hunger than an abyss.
Piety for the sacrosanct sexes
That armor themselves with sheaths
From the astral vineyards of Chastity;
Piety for the magnetized footsoles
Who eternally drag
Sandals burning with sores
Through the eternal azure;
28
Piety, piety, pity
For all the lives defended
By the lighthouse of Pride
From your marvelous raw weathers:
Aim your suns and rays at them!
Eros: have you never perhaps felt
Pity for the statues?
~ Delmira Agustini,

256:The Wind Speaks
``In the depth of Night, on the heights of Day,
Would you know where I rest or roam?
In vain will you search, for I nowhere stay,
And the Universe is my home.
``When you think to descry on the craggy steep
My skirts as I mount and flee
From the wrecks I have wrought, I am sound asleep
In the cradles rocked by the sea.
``There is never an eye that hath seen my helm,
Though I traverse the ocean's face;
There is never a foot that hath trod my Realm,
Or can guide to my dwelling-place.
``Then how will you challenge my Will and me,
Or, how what I do, arraign?
Bewail as you may, I alone am free,
You can neither imprison nor chain.
``Your dungeons clang on the blood-red hand,
And fetter the monster's claw.
If I merge 'neath the wave, if I level on land,
It is that my will is law.
``You have cleared the main of the corsair's keel,
And the forest of outlaws' tread;
Your hounds follow swift on the felon's heel,
And the trail of the ravisher fled.
``But when I harry the woods, or scour
The furrows of foam for prey,
The blushing bloom of the Spring deflower,
Or outrage the buds of May,
``Where, where are they that can hunt me down,
Or catch up my tacking sail,
Can bridle my lust with scourge or frown,
As I speed me away on the gale?
554
``I heed no menace, I hark no prayer
And, if I desire, I sate:
'Tis but when I want not that I spare,
But neither from love nor hate.
``Let the feeble falter in their intent,
Or, slaking it, feel remorse.
Though I never refrain, I never repent
I am nothing but Will and Force.
``The flocks of the wandering waves I hold
In the hollow of my hand,
And I let them loose, like a huddled fold,
And with them I flood the land;
``Till they swirl round villages, hamlets, thorpes,
As the cottagers flee for life:
Then I fling the fisherman's flaccid corpse
At the feet of the fisherman's wife.
``I blow from the shore as the surges swell,
And the drenched barque strains for port,
But heareth in vain the lighthouse bell
And the guns of the hailing fort.
``Where speedeth the horseman o'er sand or veldt
That boasteth a seat like mine?
I ride without stirrup, or bit, or belt,
On the back of the bounding brine.
``And it rears and plunges, it chafes and foams,
But I am its master still,
And its mettle I tame till it halts or roams
At whatever pace I will.
``I shatter the stubborn oak, and blanch
The leaves of the poplar tree,
And sweep all the chords of bough and branch,
Till I make them sound like the sea.
``O, where is there music like to mine,
555
When I muster my breath and roll
Through the organ pipes of the mountain pine,
Till they fill and affright the soul?
``Then smoothly and softly, 'twixt shore and shore,
I float on the dreaming mere;
And motionless then you suspend your oar,
And listen, but cannot hear.
``For I have crept to the water's edge,
And deep under reed-mace crest
Am faintly fanning the seeded sedge,
Or rocking the cygnet's nest.
``If I strip the maidenly birches bare
Of their dainty transparent dress,
It is that their limbs may look more fair
In their innocent nakedness.
``I weave from the leaves of the beech-capped steep
A coverlet gold and red,
And under its quiet warmth I creep,
And sleep till the snows are fled.
``Then I wake, and around the maiden's feet
I flutter each fringe and fold,
And playfully ripple the vestal pleat
That hints of her perfect mould.
``I linger round dimpled throat and mouth,
Till her warm lips fall apart,
And with the breath of the scented south
Keep thawing her chaste cold heart.
``Then she harks to the note of the nightingale
And the coo of the mated dove,
And murmurs the words of the poet's tale,
Till the whole of her life is Love.
``I unlimber the thunder, I aim the bolt,
Till the forest ranks waver and quail,
Then hurl down the hill and over the holt
556
My squadrons of glittering hail.
``I soar where no skylark mounts and sings,
But the heavenly anthems swell,
And fan with the force of my demon wings
The furnace of nethermost Hell.
``Like the Soul of Man, like God's Word and Will,
Whence I come and whither I go,
And where I abide when my voice is still,
You know not, and never shall know.''
~ Alfred Austin,

257:ON INVOLUNTARY BLISS

With such riddles and bitternesses in his heart Zarathustra crossed the sea. But when he was four days
away from the blessed isles and from his friends, he
had overcome all his pain; triumphant and with firm
feet he stood on his destiny again. And then Zarathustra spoke thus to his jubilant conscience
I am alone again and I want to be so; alone with
the pure sky and open sea; again it is afternoon around
me. It was in the afternoon that I once found my
friends for the first time; it was afternoon the second
time too, at the hour when all light grows quieter. For
whatever of happiness is still on its way between heaven
and earth now seeks a shelter in a bright soul; it is from
happiness that all light has grown quieter.
161
0 afternoon of my life Once my happiness too
descended to the valley to seek shelter; and found those
open, hospitable souls. 0 afternoon of my life What
have I not given up to have one single thing: this
living plantation of my thoughts and this morning light
of my highest hope
Companions the creator once sought, and children of
his hope; and behold, it turned out that he could
not find them, unless he first created them himself.
Thus I am in the middle of my work, going to my
children and returning from them: for his children's
sake, Zarathustra must perfect himself. For from the
depths one loves only one's child and work; and where
there is great love of oneself it is the sign of pregnancy:
thus I found it to be. My children are still verdant in
their first spring, standing close together and shaken by
the same winds-the trees of my garden and my best
soil. And verily, where such trees stand together there
are blessed isles. But one day I want to dig them up
and place each by itself, so it may learn solitude and
defiance and caution. Gnarled and bent and with supple hardness it shall then stand by the sea, a living
lighthouse of invincible life.
Where the storms plunge down into the sea and the
mountain stretches out its trunk for water, there every
one shall once have his day and night watches for his
testing and knowledge. He shall be known and tested,
whether he is of my kind and kin, whether he is the
master of a long will, taciturn even when he speaks,
and yielding so that in giving he receives-so that he
may one day become my companion and a fellow
creator and fellow celebrant of Zarathustra-one who
writes my will on my tablets to contri bute to the greater
perfection of all things. And for his sake and the sake
162
of those like him I must perfect myself; therefore I now
evade my happiness and offer myself to all unhappiness,
for my final testing and knowledge.
And verily, it was time for me to leave; and the
wanderer's shadow and the longest boredom and the
stillest hour-they all urged me: "It is high time."
The wind blew through my keyhole and said, "Come!"
Cunningly, the door flew open and said to me, "Go!"
But I lay there chained to the love for my children:
desire set this snare for me-the desire for love that I
might become my children's prey and lose myself to
them. Desire-this means to me to have lost myself.
I have you, my children! In this experience everything
shall be security and nothing desire.
But, brooding, the sun of my love lay on me; Zarathustra was cooking in his own juice-then shadows
and doubts flew over me. I yearned for frost and
winter: "Oh, that frost and winter might make me crack
and crunch again" I sighed; then icy mists rose from
me. My past burst its tombs; many a pain that had been
buried alive awoke, having merely slept, hidden in
burial shrouds.
Thus everything called out to me in signs: "It is time!"
But I did not hear, until at last my abyss stirred and
my thought bit me. Alas, abysmal thought that is my
thought, when shall I find the strength to hear you
burrowing, without trembling any more? My heart
pounds to my very throat whenever I hear you burrowing. Even your silence wants to choke me, you who are
so abysmally silent. As yet I have never dared to summon you; it was enough that I carried you with me.
As yet I have not been strong enough for the final overbearing, prankish bearing of the lion. Your gravity was
always terrible enough for me; but one day I shall yet
find the strength and the lion's voice to summon you.
163
And once I have overcome myself that far, then I also
want to overcome myself in what is still greater; and
a victory shall seal my perfection.
Meanwhile I still drift on uncertain seas; smoothtongued accident flatters me; forward and backward I
look, and still see no end. As yet the hour of my final
struggle has not come to me-or is it coming just now?
Verily, with treacherous beauty sea and life look at me.
0 afternoon of my life 0 happiness before evening!
0 haven on the high seasl 0 peace in uncertainty How
I mistrust all of youl Verily, I am mistrustful of your
treacherous beauty. I am like the lover who mistrusts
the all-too-velvet smile. As he pushes his most beloved
before him, tender even in his hardness, and jealous,
thus I push this blessed hour before me.
Away with you, blessed hour: with you bliss came
to me against my will. Willing to suffer my deepest
pain, I stand here: you came at the wrong time.
Away with you, blessed hour: rather seek shelter
there-with my children. Hurry and bless them before
evening with my happiness.
There evening approaches even now: the sun sinks.
Gone-my happiness!
Thus spoke Zarathustra. And he waited for his unhappiness the entire night, but he waited in vain. The
night remained bright and still, and happiness itself
came closer and closer to him. Toward morning, however, Zarathustra laughed in his heart and said mockingly, "Happiness runs after me. That is because I do
not run after women. For happiness is a woman."
~ Friedrich Nietzsche, ON INVOLUNTARY BLISS
,

258:The Burglar Of Babylon
On the fair green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
On the hills a million people,
A million sparrows, nest,
Like a confused migration
That's had to light and rest,
Building its nests, or houses,
Out of nothing at all, or air.
You'd think a breath would end them,
They perch so lightly there.
But they cling and spread like lichen,
And people come and come.
There's one hill called the Chicken,
And one called Catacomb;
There's the hill of Kerosene,
And the hill of Skeleton,
The hill of Astonishment,
And the hill of Babylon.
Micuçú was a burglar and killer,
An enemy of society.
He had escaped three times
From the worst penitentiary.
They don't know how many he murdered
(Though they say he never raped),
And he wounded two policemen
This last time he escaped.
They said, "He'll go to his auntie,
Who raised him like a son.
She has a little drink shop
On the hill of Babylon."
100
He did go straight to his auntie,
And he drank a final beer.
He told her, "The soldiers are coming,
And I've got to disappear."
"Ninety years they gave me.
Who wants to live that long?
I'll settle for ninety hours,
On the hill of Babylon.
"Don't tell anyone you saw me.
I'll run as long as I can.
You were good to me, and I love you,
But I'm a doomed man."
Going out, he met a mulata
Carrying water on her head.
"If you say you saw me, daughter,
You're as good as dead."
There are caves up there, and hideouts,
And an old fort, falling down.
They used to watch for Frenchmen
From the hill of Babylon.
Below him was the ocean.
It reached far up the sky,
Flat as a wall, and on it
Were freighters passing by,
Or climbing the wall, and climbing
Till each looked like a fly,
And then fell over and vanished;
And he knew he was going to die.
He could hear the goats baa-baa-ing.
He could hear the babies cry;
Fluttering kites strained upward;
And he knew he was going to die.
A buzzard flapped so near him
101
He could see its naked neck.
He waved his arms and shouted,
"Not yet, my son, not yet!"
An Army helicopter
Came nosing around and in.
He could see two men inside it,
but they never spotted him.
The soldiers were all over,
On all sides of the hill,
And right against the skyline
A row of them, small and still.
Children peeked out of windows,
And men in the drink shop swore,
And spat a little cachaça
At the light cracks in the floor.
But the soldiers were nervous, even
with tommy guns in hand,
And one of them, in a panic,
Shot the officer in command.
He hit him in three places;
The other shots went wild.
The soldier had hysterics
And sobbed like a little child.
The dying man said, "Finish
The job we came here for."
he committed his soul to God
And his sons to the Governor.
They ran and got a priest,
And he died in hope of Heaven
--A man from Pernambuco,
The youngest of eleven.
They wanted to stop the search,
but the Army said, "No, go on,"
So the soldiers swarmed again
102
Up the hill of Babylon.
Rich people in apartments
Watched through binoculars
As long as the daylight lasted.
And all night, under the stars,
Micuçú hid in the grasses
Or sat in a little tree,
Listening for sounds, and staring
At the lighthouse out at sea.
And the lighthouse stared back at him,
til finally it was dawn.
He was soaked with dew, and hungry,
On the hill of Babylon.
The yellow sun was ugly,
Like a raw egg on a plate-Slick from the sea. He cursed it,
For he knew it sealed his fate.
He saw the long white beaches
And people going to swim,
With towels and beach umbrellas,
But the soldiers were after him.
Far, far below, the people
Were little colored spots,
And the heads of those in swimming
Were floating coconuts.
He heard the peanut vendor
Go peep-peep on his whistle,
And the man that sells umbrellas
Swinging his watchman's rattle.
Women with market baskets
Stood on the corners and talked,
Then went on their way to market,
Gazing up as they walked.
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The rich with their binoculars
Were back again, and many
Were standing on the rooftops,
Among TV antennae.
It was early, eight or eight-thirty.
He saw a soldier climb,
Looking right at him. He fired,
And missed for the last time.
He could hear the soldier panting,
Though he never got very near.
Micuçú dashed for shelter.
But he got it, behind the ear.
He heard the babies crying
Far, far away in his head,
And the mongrels barking and barking.
Then Micuçú was dead.
He had a Taurus revolver,
And just the clothes he had on,
With two contos in the pockets,
On the hill of Babylon.
The police and the populace
Heaved a sigh of relief,
But behind the counter his auntie
Wiped her eyes in grief.
"We have always been respected.
My shop is honest and clean.
I loved him, but from a baby
Micuçú was mean.
"We have always been respected.
His sister has a job.
Both of us gave him money.
Why did he have to rob?
"I raised him to be honest,
Even here, in Babylon slum."
104
The customers had another,
Looking serious and glum.
But one of them said to another,
When he got outside the door,
"He wasn't much of a burglar,
He got caught six times--or more."
This morning the little soldiers
are on Babylon hill again;
Their gun barrels and helmets
Shine in a gentle rain.
Micuçú is buried already.
They're after another two,
But they say they aren't as dangerous
As the poor Micuçú.
On the green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
There's the hill of Kerosene,
And the hill of the Skeleton,
The hill of Astonishment,
And the hill of Babylon.
~ Elizabeth Bishop,

259:P. A. Munch
Many forms belong to greatness.
He who now has left us bore it
As a doubt that made him sleepless,
But at last gave revelation,As a sight-enhancing power,
That gave visions joined with anguish
Over all beyond our seeing,As a flight on labor's pinions
From the thought unto the certain,
Thence aloft to intuition,Restless haste and changeful ardor,
God-inspired and unceasing,
Through the wide world ever storming,
Took its load of thoughts and doubtings,
Bore them, threw them off,-and took them,
Never tired, never listless.
Still! for he had one haven of rest:
Family-life peace-bestowing!
Powers of light gave repose to his breast,
Calm 'mid the strife of his knowing.
Softly with music his wife led him in
Unto the sweet-smelling birches!
Unto the flowers and still deeper in
Under the fir-forest's churches!
Daughters drew near him in love secure
Cooling his forehead's hot fever;
Gently their message of innocence pure
Made him a childlike believer.
Or he joined glad in their light-hearted game,
Colors and music surrounding,Gone were the clouds, in the heavens came
Sparkling of star-light abounding.
But as in an autumn evening
Silent, dreamy, dark, sheet-lightning
112
Wakens thought and feeling stormward,Or as in a boat a sudden
Stroke when gliding as in slumber
On between the cliffs that tower
In a quiet, balmy spring night,But a single stroke and soft, then
Echo takes it up and tosses
To and fro 'mid walls of mountains,
Thrush and grouse send forth their wood-calls
Deer rise up and listen keenly,
Stones are rolling, all are up now,
Dogs are barking, bells are clanging,
Ushering in the strife of daytime,Thus could oft a recollection
Down-light falling in that playtime,
Waken all his thought and doubting!
Then it roved the wide world over,
Then it hottest burned within him,But it lavished light for others!
Rise of races, spread of language,
Birth of names, all laws' close kinship,
Small and great in equal passion,
Equal haste and doubting goal-ward!There where others stones saw only,
He saw precious gems that glistened,
Sunk his shaft the mine to deepen.
And where others thought the treasure
Sure and safe for years a hundred,
Doubt possessed him as he burrowed
Day and night - and saw it vanish!
But the unrest that gave power
Made him oft the goal pass over;
While to others he gave clearness,
Intuitions new deceived him.
Therefore: where he once had striven,
Thither he would turn him never,
Changed his ground and shifted labor,
From his own thought-conquests fleeing.
But his thoughts pursued, untiring,
Followed, growing, as the fire,
113
Kindled in Brazilian forests,
Storm-wind makes and storm-wind follows!
Where before no foot had trodden,
Ways were burned for many millions!
Northward stretches Scandinavia
'Mid the fog that dims the Ice-sea,
Darkness of the months of winter
Lays its weight on sea and mountain.
Like our lands are too our peoples.
Their beginnings prehistoric
Stretch afar in fog and darkness.
But as through the fog a lighthouse,
Or as Northern Lights o'er darkness,
Gleamed his thought with light and guidance.
When with filial fond remembrance
Tenderly he sought and questioned,
Searching for his people's pathwaysNames and graves and rusty weapons,
Stones and tools their answer gave him.
Through primeval Asian forests,
Over steppes and sands of deserts,
'Neath a thousand years that moldered,
Saw he caravan-made footsteps
Seek a new home in the Northland.
And as they the rivers followed,
Followed them his thought abundant,
Into Nature's All full-flowing.See his restless soul's creation!
Harmony of truth he yearned for,
Found it not, but wonder-working
New discoveries and pathways,
-Like those alchemists aforetime
Who, though gold was all their seeking,
Found not that, but mighty forces,
Which to-day the world are moving.**
Deepest ground of all his being
Was the polar power of contrast,
114
For his thought, to music wakened
By the touch of
Northern Saga
Vibrated melodious longing,
Toward the
South
forever tending.
In his eye the lambent fire,
Of his thought the glint, showed kinship
With the free improvisator
In the land of warmth and vineyards.
And his swiftly changing feeling
And his all-consuming ardor,
That could toil the livelong winter
Till caprice the fruit discarded,That immeasurable richness
Wherein thoughts and moods and music,
Joy and sorrow, jest and earnest,
Gleamed and played without cessation,All a Southern day resembled!
Therefore was his life a journey,
Towards the South in constant movement,Through the mists of intuition,
From the darker to the brighter,
From the colder to the warmer,On the bridge of ceaseless labor
Bearing over sea and mountain!
Oh, the time with wife beside him
And his bonny playmate-sisters
(Gladsome children, winsome daughters),
When he stood, where evening sunshine
Glowed on Capitol and Forum,Stood where from the great world-city,
As from history's very fountain,
Knowledge wells in streams of fullness;Where a clearness large and cloudless
Falls upon the bygone ages
That have laid them down to rest here;Where to him, the Northern searcher,
115
It would seem, he had been straying
Too long lost in history's fogland,
Rowing round the deep fjords' surface;Stood where dead men burst the earth-clods
And themselves come forth for witness
In their heavy marble togas;Where the goddesses of Delos
In the frescoed halls are dancing,
As two thousand years before now;Pantheon and Coliseum
In their spacious fate have sheltered
All the world's swift evolution;Where a Hermes from that corner
Saw the footsteps firm of Cato,
Pontifex in the procession,Saw then Nero as Apollo
Lifted up take sacrifices,
Saw then Gregory, the wrathful,
Riding forth to rule in spirit
Over all the known world's kingdoms,Saw then Cola di Rienzi
Homage pay to freedom's goddess
'Mid the Roman people's paeans,Saw Pope Leo and his princes
Choose instead of the Lord Jesus
Aristotle dead and Plato;Saw again how stouter epochs
Raised the Church of Papal power,
Till the Frenchman overthrew it
And exalted Nature's Godhead;
Saw anew then wonted custom
In its pious, still processions
With a Lamb the great world's ruler!All this saw the little Hermes
On the corner near the temple,
And the wise man from the Northland
Saw that Hermes and his visions.
Yes, when over Rome he stood there
In that high, historic clearness,
And his eye the mountain-ridges
116
Followed toward the red of evening,Then all beams of longing focused
In a blessed intuition,
And - he saw a church before him
Greater far than that of nature,
And he felt a peace descending,
Larger far than all the present.
When the second time he came there,
After days and nights of labor,
Hard as were it for redemption,Then the Lord Himself gave welcome,
Led him gently thither, saying:
'Peace be with thee! Thou hast conquered!'
But to us with sorrow stricken
Turned the Lord with comfort, saying:
'When
call, who then dares murmur,
That the called man had not finished?'
Whoso dies, he here had finished!
Spite our sorrow we believe it,
Hold that He, who unrest giveth
(The discoverer's disquiet,
That drove Newton, drove Columbus),
Also knows when rest is needed.
But we question, while reviewing
All that mighty thought-armada
Now disbanded, home-returning:
Who again shall reunite it?
For when
he
cut his war-arrow,
Lords and liegemen soon were mustered,
And to aid from Sweden, Denmark,
England, France, swift-flying vessels
Coursed the sea-ways toward his standard.
117
Royal was that fleet and mighty,
By our shore at anchor lying;
We were wont to see it near us
Or to hear the wondrous tidings
Of its cruises and its conquests.
What it won we own forever;
But the fleet is sailing homeward.
Here we stand the last sail watching
As it sinks on the horizon.
Then we turn and breathe the question:
Who again shall reunite it?
~ Bjornstjerne Bjornson,

260:Towns In Colour
Red Slippers
Red slippers in a shop-window, and outside in the street, flaws of grey,
windy sleet!
Behind the polished glass, the slippers hang in long threads of red,
festooning from the ceiling like stalactites of blood, flooding the eyes
of passers-by with dripping colour, jamming their crimson reflections
against the windows of cabs and tram-cars, screaming their claret and salmon
into the teeth of the sleet, plopping their little round maroon lights
upon the tops of umbrellas.
The row of white, sparkling shop fronts is gashed and bleeding,
it bleeds red slippers. They spout under the electric light,
fluid and fluctuating, a hot rain - and freeze again to red slippers,
myriadly multiplied in the mirror side of the window.
They balance upon arched insteps like springing bridges of crimson lacquer;
they swing up over curved heels like whirling tanagers sucked
in a wind-pocket; they flatten out, heelless, like July ponds,
flared and burnished by red rockets.
Snap, snap, they are cracker-sparks of scarlet in the white, monotonous
block of shops.
They plunge the clangour of billions of vermilion trumpets
into the crowd outside, and echo in faint rose over the pavement.
People hurry by, for these are only shoes, and in a window, farther down,
is a big lotus bud of cardboard whose petals open every few minutes
and reveal a wax doll, with staring bead eyes and flaxen hair,
lolling awkwardly in its flower chair.
One has often seen shoes, but whoever saw a cardboard lotus bud before?
424
The flaws of grey, windy sleet beat on the shop-window where there are only
red slippers.
II
Thompson's Lunch Room - Grand Central Station
Study in Whites
Wax-white Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook's cap
Moves unglossily against the vaguely bright wall Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting - greener, bluer - with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: 'Oyster Stew, Cornbeef Hash, Frankfurters':
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
425
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated `epergnes'.
The electric clock jerks every half-minute:
'Coming! - Past!'
'Three beef-steaks and a chicken-pie,'
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
III
An Opera House
Within the gold square of the proscenium arch,
A curtain of orange velvet hangs in stiff folds,
Its tassels jarring slightly when someone crosses the stage behind.
Gold carving edges the balconies,
Rims the boxes,
Runs up and down fluted pillars.
Little knife-stabs of gold
Shine out whenever a box door is opened.
Gold clusters
Flash in soft explosions
On the blue darkness,
Suck back to a point,
And disappear.
Hoops of gold
Circle necks, wrists, fingers,
Pierce ears,
Poise on heads
And fly up above them in coloured sparkles.
Gold!
Gold!
426
The opera house is a treasure-box of gold.
Gold in a broad smear across the orchestra pit:
Gold of horns, trumpets, tubas;
Gold - spun-gold, twittering-gold, snapping-gold
Of harps.
The conductor raises his baton,
The brass blares out
Crass, crude,
Parvenu, fat, powerful,
Golden.
Rich as the fat, clapping hands in the boxes.
Cymbals, gigantic, coin-shaped,
Crash.
The orange curtain parts
And the prima-donna steps forward.
One note,
A drop: transparent, iridescent,
A gold bubble,
It floats . . . floats . . .
And bursts against the lips of a bank president
In the grand tier.
IV
Afternoon Rain in State Street
Cross-hatchings of rain against grey walls,
Slant lines of black rain
In front of the up and down, wet stone sides of buildings.
Below,
Greasy, shiny, black, horizontal,
The street.
And over it, umbrellas,
Black polished dots
Struck to white
An instant,
Stream in two flat lines
Slipping past each other with the smoothness of oil.
Like a four-sided wedge
The Custom House Tower
Pokes at the low, flat sky,
427
Pushing it farther and farther up,
Lifting it away from the house-tops,
Lifting it in one piece as though it were a sheet of tin,
With the lever of its apex.
The cross-hatchings of rain cut the Tower obliquely,
Scratching lines of black wire across it,
Mutilating its perpendicular grey surface
With the sharp precision of tools.
The city is rigid with straight lines and angles,
A chequered table of blacks and greys.
Oblong blocks of flatness
Crawl by with low-geared engines,
And pass to short upright squares
Shrinking with distance.
A steamer in the basin blows its whistle,
And the sound shoots across the rain hatchings,
A narrow, level bar of steel.
Hard cubes of lemon
Superimpose themselves upon the fronts of buildings
As the windows light up.
But the lemon cubes are edged with angles
Upon which they cannot impinge.
Up, straight, down, straight - square.
Crumpled grey-white papers
Blow along the side-walks,
Contorted, horrible,
Without curves.
A horse steps in a puddle,
And white, glaring water spurts up
In stiff, outflaring lines,
Like the rattling stems of reeds.
The city is heraldic with angles,
A sombre escutcheon of argent and sable
And countercoloured bends of rain
Hung over a four-square civilization.
When a street lamp comes out,
I gaze at it for fully thirty seconds
To rest my brain with the suffusing, round brilliance of its globe.
428
An Aquarium
Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver - gold Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles,
Swallowing them,
Fish.
Blue shadows against silver-saffron water,
The light rippling over them
In steel-bright tremors.
Outspread translucent fins
Flute, fold, and relapse;
The threaded light prints through them on the pebbles
In scarcely tarnished twinklings.
Curving of spotted spines,
Slow up-shifts,
Lazy convolutions:
Then a sudden swift straightening
And darting below:
Oblique grey shadows
Athwart a pale casement.
Roped and curled,
Green man-eating eels
Slumber in undulate rhythms,
With crests laid horizontal on their backs.
Barred fish,
Striped fish,
Uneven disks of fish,
Slip, slide, whirl, turn,
And never touch.
Metallic blue fish,
With fins wide and yellow and swaying
Like Oriental fans,
Hold the sun in their bellies
And glow with light:
Blue brilliance cut by black bars.
429
An oblong pane of straw-coloured shimmer,
Across it, in a tangent,
A smear of rose, black, silver.
Short twists and upstartings,
Rose-black, in a setting of bubbles:
Sunshine playing between red and black flowers
On a blue and gold lawn.
Shadows and polished surfaces,
Facets of mauve and purple,
A constant modulation of values.
Shaft-shaped,
With green bead eyes;
Thick-nosed,
Heliotrope-coloured;
Swift spots of chrysolite and coral;
In the midst of green, pearl, amethyst irradiations.
Outside,
A willow-tree flickers
With little white jerks,
And long blue waves
Rise steadily beyond the outer islands.
~ Amy Lowell,

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