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Charles Baudelaire
Saint Bernard of Clairvaux



lair ::: 1. A den or hideaway. 2. A den or resting place of a wild animal. lairs, lairlike.

laird ::: n. --> A lord; a landholder, esp. one who holds land directly of the crown.

lairdship ::: n. --> The state of being a laird; an estate; landed property.

laire de I’Angelologie.

laire de I’Angilologie.]

lair ::: n. --> A place in which to lie or rest; especially, the bed or couch of a wild beast.
A burying place.
A pasture; sometimes, food.


119.] Schwab, Vocabulaire de VAngelologie, identi¬

2. divine eye/clairvoyance (S. divyacaksus; T. lha'i spyan; C. tianyan 天眼)

(2) In ethics: in the narrower traditional sense, intuitionism is the view that certain actions or kinds of action may be known to be right or wrong by a direct intuition of their rightness or wrongness, without any consideration of the value of their consequences. In this sense intuitionism is opposed to utilitarian and teleological ethics, and is most recently represented by the neo-intuitionists at Oxford, H. A. Prichard, E. F. Carritt, W. D. Ross. It is sometimes said to involve the view that the organ of ethical insight is non-rational and even unique. It takes, according to Sidgwick, three forms. Perceptual intuitionism holds that only judgments relating to the rightness or wrongness of particular acts are intuitive. Dogmatic intuitionism holds that some general material propositions relating to the rightness or wrongness of kinds of acts may also be intuited, e.g. that promises ought to be kept. Philosophical intuitionism holds that it is only certain general propositions about what is right or wrong that are intuitive, and that these are few and purely formal. In the wider more recent sense, intuitionism includes all views in which ethics is made to rest on intuitions, particular or general, as to the rightness, obligatoriness, goodness, oi value of actions or objects. Taken in this sense, intuitionism is the dominant point of view in recent British ethics, and is represented in Europe by the phenomenological ethics of M. Scheler and N. Hartmann, having also proponents in America. That is, it covers not only the deontological intuitionism to be found at Oxford, but also the axiological and even teleological or utilitarian intuitionism to be found in J. Martineau, H. Sidgwick, H. Rashdall, G. E. Moore, J. Laird. Among earlier British moralists it is represented by tho Cambridge Platonists, the Moral Sense School, Clarke, Cumberland, Butler, Price, Reid, Whewell, etc.By saying that the basic propositions of ethics (i.e. of the theory of obligation, of the theory of value, or of both) are intuitive, the intuitionists mean at least that they are ultimate and underivative, primitive and uninferable, as well as synthetic, and sometimes also that they are self-evident and a priori. This implies that one or more of the basic notions of ethics (rightness, goodness, etc.) are indefinable, i.e. simple or unanalysable and unique; and that ethics is autonomous. Intuitionists also hold that rightness and goodness are objective and non-natural. Hence their view is sometimes called objectivism or non-naturalism. The views of Moore and Laird are also sometimes referred to as realistic. See Deontological ethics, Axiological ethics, Teleological ethics, Utilitarianism, Objectivism, Realism, Autonomy of ethics, Non-naturalistic ethics. -- W.K.F.

2. "the divine eye"/clairvoyance (S. divyacaksus; T. lha'i mig; C. tianyan ming 天眼明)

2. "the divine eye"/clairvoyance (S. divyacaksus; T. lha'i mig; C. tianyan 天眼)

2. "the divine eye"/clairvoyance (S. divyacaksus; T. lha'i mig gi mngon shes; C. tianyan [zhizheng] tong 天眼[智證]通)

3rd Heaven. [Rf. Schwab, Vocabulaire de I’Angelo-

3. "the divine ear"/clairaudience (S. divyasrotra; T. lha'i rna ba; C. tian'er 天耳)

3. "the divine ear"/clairaudience (S. divyasrotra; T. lha'i rna ba'i mngon shes; C. tian'er [zhizheng] tong 天耳[智證]通)

abhijNA. (P. abhiNNA; T. mngon shes; C. shentong; J. jinzu; K. sint'ong 神通). In Sanskrit, "superknowledges"; specifically referring to a set of supranormal powers that are by-products of meditation. These are usually enumerated as six: (1) various psychical and magical powers (ṚDDHIVIDHABHIJNA [alt. ṛddhividhi], P. iddhividhA), such as the ability to pass through walls, sometimes also known as "unimpeded bodily action" (ṛddhisAksAtkriyA); (2) clairvoyance, lit. "divine eye" (DIVYACAKsUS, P. dibbacakkhu), the ability to see from afar and to see how beings fare in accordance with their deeds; (3) clairaudience, lit. "divine ear" (DIVYAsROTRA, P. dibbasota), the ability to hear from afar; (4) the ability to remember one's own former lives (PuRVANIVASANUSMṚTI, P. pubbenivAsAnunssati); (5) "knowledge of others' states of mind" (CETOPARYAYABHIJNANA/PARACITTAJNANA, P. cetopariyaNAna), e.g., telepathy; and (6) the knowledge of the extinction of the contaminants (ASRAVAKsAYA, P. AsavakkhAya). The first five of these superknowledges are considered to be mundane (LAUKIKA) achievements, which are gained through still more profound refinement of the fourth stage of meditative absorption (DHYANA). The sixth power is said to be supramundane (LOKOTTARA) and is attainable through the cultivation of insight (VIPAsYANA) into the nature of reality. The first, second, and sixth superknowledges are also called the three kinds of knowledge (TRIVIDYA; P. tevijjA).

according to the story in Schwab, Vocabulaire de

A distinction is often drawn between two kinds of value, namely intrinsic value and extrinsic or instrumental value. By extrinsic value is meant the character of being good or of having value as a means to something. By intrinsic value is meant the character of being good or valuable in itself or as an end or for its own sake. See Intrinsic goodness. Value-theorists have been mainly concerned with intrinsic value. The term "worth" has sometimes been used as equivalent to intrinsic value (Kant). But the distinction has often been criticized, e.g., by Dewey and Laird.

(a) In metaphysics: Theory which admits in any given domain, two independent and mutually irreducible substances e.g. the Platonic dualism of the sensible and intelligible worlds, the Cartesian dinlism of thinking and extended substances, the Leibnizian dualism of the actual and possible worlds, the Kantian dualism of the noumenal and the phenomenal. The term dualism first appeared in Thomas Hyde, Historia religionis veterum Persarum (1700) ch. IX, p. 164, where it applied to religious dualism of good and evil and is similarly employed by Bayle m his Dictionary article "Zoroaster" and by Leibniz in Theodicee. C. Wolff is responsible for its use in the psycho-physical sense, (cf. A. Lalande, Vocabulaire de la Philosophie. Vol. I, p. 180, note by R. Eucken.)

aisvarya. (T. dbang phyug; C. zizai; J. jizai; K. chajae 自在). In Sanskrit, lit. "sovereignty"; referring to the "self-mastery" or "autonomy" that is a product of religious training and/or related superknowledges (ABHIJNA) that are gained thereby, such as clairvoyance, clairaudience, telepathy, the ability to manifest transformation bodies, and erudition.

AKASHIC RECORDS (Q.) Such globe memories as can be reached with emotional clairvoyance (48:4-7). They do not contain the past of the planet, but what people in all times have believed about this past. The real akasha, the akasha of the planetary hierarchy, is world 44. (K 6.9)

Although in both kinds of entranced cases there is a more or less temporary dissociation of the human soul — a disruption of the normal relations of the personality — the resulting psychological conditions in typical cases of the two classes are distinctly opposite. In the unconscious state, the person’s mental-psychological or intermediate nature is in a subnormal and unnatural condition, even if he is seeing and reporting clairvoyant visions of unknown past events and of as yet unknown future. While his dislocated intermediate nature is thus functioning upon the chaotic astral plane, he is devoid of the judgment and will power of his higher mind, and is as helpless as in a nightmare or disorderly dream.

American Standard Code for Information Interchange "character, standard" The basis of {character sets} used in almost all present-day computers. {US-ASCII} uses only the lower seven {bits} ({character points} 0 to 127) to convey some {control codes}, {space}, numbers, most basic punctuation, and unaccented letters a-z and A-Z. More modern {coded character sets} (e.g., {Latin-1}, {Unicode}) define extensions to ASCII for values above 127 for conveying special {Latin characters} (like accented characters, or {German} ess-tsett), characters from non-Latin writing systems (e.g., {Cyrillic}, or {Han characters}), and such desirable {glyphs} as distinct open- and close-{quotation marks}. ASCII replaced earlier systems such as {EBCDIC} and {Baudot}, which used fewer bytes, but were each {broken} in their own way. Computers are much pickier about spelling than humans; thus, {hackers} need to be very precise when talking about characters, and have developed a considerable amount of verbal shorthand for them. Every character has one or more names - some formal, some concise, some silly. Individual characters are listed in this dictionary with alternative names from revision 2.3 of the {Usenet} ASCII pronunciation guide in rough order of popularity, including their official {ITU-T} names and the particularly silly names introduced by {INTERCAL}. See {V} {ampersand}, {asterisk}, {back quote}, {backslash}, {caret}, {colon}, {comma}, {commercial at}, {control-C}, {dollar}, {dot}, {double quote}, {equals}, {exclamation mark}, {greater than}, {hash}, {left bracket}, {left parenthesis}, {less than}, {minus}, {parentheses}, {oblique stroke}, {percent}, {plus}, {question mark}, {right brace}, {right brace}, {right bracket}, {right parenthesis}, {semicolon}, {single quote}, {space}, {tilde}, {underscore}, {vertical bar}, {zero}. Some other common usages cause odd overlaps. The "

American Standard Code for Information Interchange ::: The basis of character sets used in almost all present-day computers. US-ASCII uses only the lower seven bits (character points 0 to 127) to convey some as EBCDIC and Baudot, which used fewer bytes, but were each broken in their own way.Computers are much pickier about spelling than humans; thus, hackers need to be very precise when talking about characters, and have developed a considerable amount of verbal shorthand for them. Every character has one or more names - some formal, some concise, some silly.Individual characters are listed in this dictionary with alternative names from revision 2.3 of the Usenet ASCII pronunciation guide in rough order of popularity, including their official ITU-T names and the particularly silly names introduced by INTERCAL.See V ampersand, asterisk, back quote, backslash, caret, colon, comma, commercial at, control-C, dollar, dot, double quote, equals, exclamation mark, brace, right bracket, right parenthesis, semicolon, single quote, space, tilde, underscore, vertical bar, zero.Some other common usages cause odd overlaps. The

Astral light: In occult terminology, the name of a universal living element which is described as an element and a power at the same time and containing the character of all things. It is said to be the storehouse of memory for the Macrocosm, the contents of which may be reimbodied and reincarnated—and at the same time the storehouse of the memory of man’s Microcosm, into which he delves to recollect past happenings. While it exists uniformly all throughout the universe its density and activity are increased around certain objects, in particular around the human brain and spinal cord; it is the medium through which thought is transmitted, and its presence around man’s nerve cells and conduits enables human beings to perceive impressions on the astral aura and thus to “read by the astral light”—the akashic reading, scientifically called clairvoyance.

Aufklärung: In general, this German word and its English equivalent Enlightenment denote the self-emancipation of man from mere authority, prejudice, convention and tradition, with an insistence on freer thinking about problems uncritically referred to these other agencies. According to Kant's famous definition "Enlightenment is the liberation of man from his self-caused state of minority, which is the incapacity of using one's understanding without the direction of another. This state of minority is caused when its source lies not in the lack of understanding, but in the lack of determination and courage to use it without the assistance of another" (Was ist Aufklärung? 1784). In its historical perspective, the Aufklärung refers to the cultural atmosphere and contrlbutions of the 18th century, especially in Germany, France and England [which affected also American thought with B. Franklin, T. Paine and the leaders of the Revolution]. It crystallized tendencies emphasized by the Renaissance, and quickened by modern scepticism and empiricism, and by the great scientific discoveries of the 17th century. This movement, which was represented by men of varying tendencies, gave an impetus to general learning, a more popular philosophy, empirical science, scriptural criticism, social and political thought. More especially, the word Aufklärung is applied to the German contributions to 18th century culture. In philosophy, its principal representatives are G. E. Lessing (1729-81) who believed in free speech and in a methodical criticism of religion, without being a free-thinker; H. S. Reimarus (1694-1768) who expounded a naturalistic philosophy and denied the supernatural origin of Christianity; Moses Mendelssohn (1729-86) who endeavoured to mitigate prejudices and developed a popular common-sense philosophy; Chr. Wolff (1679-1754), J. A. Eberhard (1739-1809) who followed the Leibnizian rationalism and criticized unsuccessfully Kant and Fichte; and J. G. Herder (1744-1803) who was best as an interpreter of others, but whose intuitional suggestions have borne fruit in the organic correlation of the sciences, and in questions of language in relation to human nature and to national character. The works of Kant and Goethe mark the culmination of the German Enlightenment. Cf. J. G. Hibben, Philosophy of the Enlightenment, 1910. --T.G. Augustinianism: The thought of St. Augustine of Hippo, and of his followers. Born in 354 at Tagaste in N. Africa, A. studied rhetoric in Carthage, taught that subject there and in Rome and Milan. Attracted successively to Manicheanism, Scepticism, and Neo-Platontsm, A. eventually found intellectual and moral peace with his conversion to Christianity in his thirty-fourth year. Returning to Africa, he established numerous monasteries, became a priest in 391, Bishop of Hippo in 395. Augustine wrote much: On Free Choice, Confessions, Literal Commentary on Genesis, On the Trinity, and City of God, are his most noted works. He died in 430.   St. Augustine's characteristic method, an inward empiricism which has little in common with later variants, starts from things without, proceeds within to the self, and moves upwards to God. These three poles of the Augustinian dialectic are polarized by his doctrine of moderate illuminism. An ontological illumination is required to explain the metaphysical structure of things. The truth of judgment demands a noetic illumination. A moral illumination is necessary in the order of willing; and so, too, an lllumination of art in the aesthetic order. Other illuminations which transcend the natural order do not come within the scope of philosophy; they provide the wisdoms of theology and mysticism. Every being is illuminated ontologically by number, form, unity and its derivatives, and order. A thing is what it is, in so far as it is more or less flooded by the light of these ontological constituents.   Sensation is necessary in order to know material substances. There is certainly an action of the external object on the body and a corresponding passion of the body, but, as the soul is superior to the body and can suffer nothing from its inferior, sensation must be an action, not a passion, of the soul. Sensation takes place only when the observing soul, dynamically on guard throughout the body, is vitally attentive to the changes suffered by the body. However, an adequate basis for the knowledge of intellectual truth is not found in sensation alone. In order to know, for example, that a body is multiple, the idea of unity must be present already, otherwise its multiplicity could not be recognized. If numbers are not drawn in by the bodily senses which perceive only the contingent and passing, is the mind the source of the unchanging and necessary truth of numbers? The mind of man is also contingent and mutable, and cannot give what it does not possess. As ideas are not innate, nor remembered from a previous existence of the soul, they can be accounted for only by an immutable source higher than the soul. In so far as man is endowed with an intellect, he is a being naturally illuminated by God, Who may be compared to an intelligible sun. The human intellect does not create the laws of thought; it finds them and submits to them. The immediate intuition of these normative rules does not carry any content, thus any trace of ontologism is avoided.   Things have forms because they have numbers, and they have being in so far as they possess form. The sufficient explanation of all formable, and hence changeable, things is an immutable and eternal form which is unrestricted in time and space. The forms or ideas of all things actually existing in the world are in the things themselves (as rationes seminales) and in the Divine Mind (as rationes aeternae). Nothing could exist without unity, for to be is no other than to be one. There is a unity proper to each level of being, a unity of the material individual and species, of the soul, and of that union of souls in the love of the same good, which union constitutes the city. Order, also, is ontologically imbibed by all beings. To tend to being is to tend to order; order secures being, disorder leads to non-being. Order is the distribution which allots things equal and unequal each to its own place and integrates an ensemble of parts in accordance with an end. Hence, peace is defined as the tranquillity of order. Just as things have their being from their forms, the order of parts, and their numerical relations, so too their beauty is not something superadded, but the shining out of all their intelligible co-ingredients.   S. Aurelii Augustini, Opera Omnia, Migne, PL 32-47; (a critical edition of some works will be found in the Corpus Scriptorum Ecclesiasticorum Latinorum, Vienna). Gilson, E., Introd. a l'etude de s. Augustin, (Paris, 1931) contains very good bibliography up to 1927, pp. 309-331. Pope, H., St. Augustine of Hippo, (London, 1937). Chapman, E., St. Augustine's Philos. of Beauty, (N. Y., 1939). Figgis, J. N., The Political Aspects of St. Augustine's "City of God", (London, 1921). --E.C. Authenticity: In a general sense, genuineness, truth according to its title. It involves sometimes a direct and personal characteristic (Whitehead speaks of "authentic feelings").   This word also refers to problems of fundamental criticism involving title, tradition, authorship and evidence. These problems are vital in theology, and basic in scholarship with regard to the interpretation of texts and doctrines. --T.G. Authoritarianism: That theory of knowledge which maintains that the truth of any proposition is determined by the fact of its having been asserted by a certain esteemed individual or group of individuals. Cf. H. Newman, Grammar of Assent; C. S. Peirce, "Fixation of Belief," in Chance, Love and Logic, ed. M. R. Cohen. --A.C.B. Autistic thinking: Absorption in fanciful or wishful thinking without proper control by objective or factual material; day dreaming; undisciplined imagination. --A.C.B. Automaton Theory: Theory that a living organism may be considered a mere machine. See Automatism. Automatism: (Gr. automatos, self-moving) (a) In metaphysics: Theory that animal and human organisms are automata, that is to say, are machines governed by the laws of physics and mechanics. Automatism, as propounded by Descartes, considered the lower animals to be pure automata (Letter to Henry More, 1649) and man a machine controlled by a rational soul (Treatise on Man). Pure automatism for man as well as animals is advocated by La Mettrie (Man, a Machine, 1748). During the Nineteenth century, automatism, combined with epiphenomenalism, was advanced by Hodgson, Huxley and Clifford. (Cf. W. James, The Principles of Psychology, Vol. I, ch. V.) Behaviorism, of the extreme sort, is the most recent version of automatism (See Behaviorism).   (b) In psychology: Psychological automatism is the performance of apparently purposeful actions, like automatic writing without the superintendence of the conscious mind. L. C. Rosenfield, From Beast Machine to Man Machine, N. Y., 1941. --L.W. Automatism, Conscious: The automatism of Hodgson, Huxley, and Clifford which considers man a machine to which mind or consciousness is superadded; the mind of man is, however, causally ineffectual. See Automatism; Epiphenomenalism. --L.W. Autonomy: (Gr. autonomia, independence) Freedom consisting in self-determination and independence of all external constraint. See Freedom. Kant defines autonomy of the will as subjection of the will to its own law, the categorical imperative, in contrast to heteronomy, its subjection to a law or end outside the rational will. (Fundamental Principles of the Metaphysics of Morals, § 2.) --L.W. Autonomy of ethics: A doctrine, usually propounded by intuitionists, that ethics is not a part of, and cannot be derived from, either metaphysics or any of the natural or social sciences. See Intuitionism, Metaphysical ethics, Naturalistic ethics. --W.K.F. Autonomy of the will: (in Kant's ethics) The freedom of the rational will to legislate to itself, which constitutes the basis for the autonomy of the moral law. --P.A.S. Autonymy: In the terminology introduced by Carnap, a word (phrase, symbol, expression) is autonymous if it is used as a name for itself --for the geometric shape, sound, etc. which it exemplifies, or for the word as a historical and grammatical unit. Autonymy is thus the same as the Scholastic suppositio matertalis (q. v.), although the viewpoint is different. --A.C. Autotelic: (from Gr. autos, self, and telos, end) Said of any absorbing activity engaged in for its own sake (cf. German Selbstzweck), such as higher mathematics, chess, etc. In aesthetics, applied to creative art and play which lack any conscious reference to the accomplishment of something useful. In the view of some, it may constitute something beneficent in itself of which the person following his art impulse (q.v.) or playing is unaware, thus approaching a heterotelic (q.v.) conception. --K.F.L. Avenarius, Richard: (1843-1896) German philosopher who expressed his thought in an elaborate and novel terminology in the hope of constructing a symbolic language for philosophy, like that of mathematics --the consequence of his Spinoza studies. As the most influential apostle of pure experience, the posltivistic motive reaches in him an extreme position. Insisting on the biologic and economic function of thought, he thought the true method of science is to cure speculative excesses by a return to pure experience devoid of all assumptions. Philosophy is the scientific effort to exclude from knowledge all ideas not included in the given. Its task is to expel all extraneous elements in the given. His uncritical use of the category of the given and the nominalistic view that logical relations are created rather than discovered by thought, leads him to banish not only animism but also all of the categories, substance, causality, etc., as inventions of the mind. Explaining the evolution and devolution of the problematization and deproblematization of numerous ideas, and aiming to give the natural history of problems, Avenarius sought to show physiologically, psychologically and historically under what conditions they emerge, are challenged and are solved. He hypothesized a System C, a bodily and central nervous system upon which consciousness depends. R-values are the stimuli received from the world of objects. E-values are the statements of experience. The brain changes that continually oscillate about an ideal point of balance are termed Vitalerhaltungsmaximum. The E-values are differentiated into elements, to which the sense-perceptions or the content of experience belong, and characters, to which belongs everything which psychology describes as feelings and attitudes. Avenarius describes in symbolic form a series of states from balance to balance, termed vital series, all describing a series of changes in System C. Inequalities in the vital balance give rise to vital differences. According to his theory there are two vital series. It assumes a series of brain changes because parallel series of conscious states can be observed. The independent vital series are physical, and the dependent vital series are psychological. The two together are practically covariants. In the case of a process as a dependent vital series three stages can be noted: first, the appearance of the problem, expressed as strain, restlessness, desire, fear, doubt, pain, repentance, delusion; the second, the continued effort and struggle to solve the problem; and finally, the appearance of the solution, characterized by abating anxiety, a feeling of triumph and enjoyment.   Corresponding to these three stages of the dependent series are three stages of the independent series: the appearance of the vital difference and a departure from balance in the System C, the continuance with an approximate vital difference, and lastly, the reduction of the vital difference to zero, the return to stability. By making room for dependent and independent experiences, he showed that physics regards experience as independent of the experiencing indlvidual, and psychology views experience as dependent upon the individual. He greatly influenced Mach and James (q.v.). See Avenarius, Empirio-criticism, Experience, pure. Main works: Kritik der reinen Erfahrung; Der menschliche Weltbegriff. --H.H. Averroes: (Mohammed ibn Roshd) Known to the Scholastics as The Commentator, and mentioned as the author of il gran commento by Dante (Inf. IV. 68) he was born 1126 at Cordova (Spain), studied theology, law, medicine, mathematics, and philosophy, became after having been judge in Sevilla and Cordova, physician to the khalifah Jaqub Jusuf, and charged with writing a commentary on the works of Aristotle. Al-mansur, Jusuf's successor, deprived him of his place because of accusations of unorthodoxy. He died 1198 in Morocco. Averroes is not so much an original philosopher as the author of a minute commentary on the whole works of Aristotle. His procedure was imitated later by Aquinas. In his interpretation of Aristotelian metaphysics Averroes teaches the coeternity of a universe created ex nihilo. This doctrine formed together with the notion of a numerical unity of the active intellect became one of the controversial points in the discussions between the followers of Albert-Thomas and the Latin Averroists. Averroes assumed that man possesses only a disposition for receiving the intellect coming from without; he identifies this disposition with the possible intellect which thus is not truly intellectual by nature. The notion of one intellect common to all men does away with the doctrine of personal immortality. Another doctrine which probably was emphasized more by the Latin Averroists (and by the adversaries among Averroes' contemporaries) is the famous statement about "two-fold truth", viz. that a proposition may be theologically true and philosophically false and vice versa. Averroes taught that religion expresses the (higher) philosophical truth by means of religious imagery; the "two-truth notion" came apparently into the Latin text through a misinterpretation on the part of the translators. The works of Averroes were one of the main sources of medieval Aristotelianlsm, before and even after the original texts had been translated. The interpretation the Latin Averroists found in their texts of the "Commentator" spread in spite of opposition and condemnation. See Averroism, Latin. Averroes, Opera, Venetiis, 1553. M. Horten, Die Metaphysik des Averroes, 1912. P. Mandonnet, Siger de Brabant et l'Averroisme Latin, 2d ed., Louvain, 1911. --R.A. Averroism, Latin: The commentaries on Aristotle written by Averroes (Ibn Roshd) in the 12th century became known to the Western scholars in translations by Michael Scottus, Hermannus Alemannus, and others at the beginning of the 13th century. Many works of Aristotle were also known first by such translations from Arabian texts, though there existed translations from the Greek originals at the same time (Grabmann). The Averroistic interpretation of Aristotle was held to be the true one by many; but already Albert the Great pointed out several notions which he felt to be incompatible with the principles of Christian philosophy, although he relied for the rest on the "Commentator" and apparently hardly used any other text. Aquinas, basing his studies mostly on a translation from the Greek texts, procured for him by William of Moerbecke, criticized the Averroistic interpretation in many points. But the teachings of the Commentator became the foundation for a whole school of philosophers, represented first by the Faculty of Arts at Paris. The most prominent of these scholars was Siger of Brabant. The philosophy of these men was condemned on March 7th, 1277 by Stephen Tempier, Bishop of Paris, after a first condemnation of Aristotelianism in 1210 had gradually come to be neglected. The 219 theses condemned in 1277, however, contain also some of Aquinas which later were generally recognized an orthodox. The Averroistic propositions which aroused the criticism of the ecclesiastic authorities and which had been opposed with great energy by Albert and Thomas refer mostly to the following points: The co-eternity of the created word; the numerical identity of the intellect in all men, the so-called two-fold-truth theory stating that a proposition may be philosophically true although theologically false. Regarding the first point Thomas argued that there is no philosophical proof, either for the co-eternity or against it; creation is an article of faith. The unity of intellect was rejected as incompatible with the true notion of person and with personal immortality. It is doubtful whether Averroes himself held the two-truths theory; it was, however, taught by the Latin Averroists who, notwithstanding the opposition of the Church and the Thomistic philosophers, gained a great influence and soon dominated many universities, especially in Italy. Thomas and his followers were convinced that they interpreted Aristotle correctly and that the Averroists were wrong; one has, however, to admit that certain passages in Aristotle allow for the Averroistic interpretation, especially in regard to the theory of intellect.   Lit.: P. Mandonnet, Siger de Brabant et l'Averroisme Latin au XIIIe Siecle, 2d. ed. Louvain, 1911; M. Grabmann, Forschungen über die lateinischen Aristotelesübersetzungen des XIII. Jahrhunderts, Münster 1916 (Beitr. z. Gesch. Phil. d. MA. Vol. 17, H. 5-6). --R.A. Avesta: See Zendavesta. Avicehron: (or Avencebrol, Salomon ibn Gabirol) The first Jewish philosopher in Spain, born in Malaga 1020, died about 1070, poet, philosopher, and moralist. His main work, Fons vitae, became influential and was much quoted by the Scholastics. It has been preserved only in the Latin translation by Gundissalinus. His doctrine of a spiritual substance individualizing also the pure spirits or separate forms was opposed by Aquinas already in his first treatise De ente, but found favor with the medieval Augustinians also later in the 13th century. He also teaches the necessity of a mediator between God and the created world; such a mediator he finds in the Divine Will proceeding from God and creating, conserving, and moving the world. His cosmogony shows a definitely Neo-Platonic shade and assumes a series of emanations. Cl. Baeumker, Avencebrolis Fons vitae. Beitr. z. Gesch. d. Philos. d. MA. 1892-1895, Vol. I. Joh. Wittman, Die Stellung des hl. Thomas von Aquino zu Avencebrol, ibid. 1900. Vol. III. --R.A. Avicenna: (Abu Ali al Hosain ibn Abdallah ibn Sina) Born 980 in the country of Bocchara, began to write in young years, left more than 100 works, taught in Ispahan, was physician to several Persian princes, and died at Hamadan in 1037. His fame as physician survived his influence as philosopher in the Occident. His medical works were printed still in the 17th century. His philosophy is contained in 18 vols. of a comprehensive encyclopedia, following the tradition of Al Kindi and Al Farabi. Logic, Physics, Mathematics and Metaphysics form the parts of this work. His philosophy is Aristotelian with noticeable Neo-Platonic influences. His doctrine of the universal existing ante res in God, in rebus as the universal nature of the particulars, and post res in the human mind by way of abstraction became a fundamental thesis of medieval Aristotelianism. He sharply distinguished between the logical and the ontological universal, denying to the latter the true nature of form in the composite. The principle of individuation is matter, eternally existent. Latin translations attributed to Avicenna the notion that existence is an accident to essence (see e.g. Guilelmus Parisiensis, De Universo). The process adopted by Avicenna was one of paraphrasis of the Aristotelian texts with many original thoughts interspersed. His works were translated into Latin by Dominicus Gundissalinus (Gondisalvi) with the assistance of Avendeath ibn Daud. This translation started, when it became more generally known, the "revival of Aristotle" at the end of the 12th and the beginning of the 13th century. Albert the Great and Aquinas professed, notwithstanding their critical attitude, a great admiration for Avicenna whom the Arabs used to call the "third Aristotle". But in the Orient, Avicenna's influence declined soon, overcome by the opposition of the orthodox theologians. Avicenna, Opera, Venetiis, 1495; l508; 1546. M. Horten, Das Buch der Genesung der Seele, eine philosophische Enzyklopaedie Avicenna's; XIII. Teil: Die Metaphysik. Halle a. S. 1907-1909. R. de Vaux, Notes et textes sur l'Avicennisme Latin, Bibl. Thomiste XX, Paris, 1934. --R.A. Avidya: (Skr.) Nescience; ignorance; the state of mind unaware of true reality; an equivalent of maya (q.v.); also a condition of pure awareness prior to the universal process of evolution through gradual differentiation into the elements and factors of knowledge. --K.F.L. Avyakta: (Skr.) "Unmanifest", descriptive of or standing for brahman (q.v.) in one of its or "his" aspects, symbolizing the superabundance of the creative principle, or designating the condition of the universe not yet become phenomenal (aja, unborn). --K.F.L. Awareness: Consciousness considered in its aspect of act; an act of attentive awareness such as the sensing of a color patch or the feeling of pain is distinguished from the content attended to, the sensed color patch, the felt pain. The psychologlcal theory of intentional act was advanced by F. Brentano (Psychologie vom empirischen Standpunkte) and received its epistemological development by Meinong, Husserl, Moore, Laird and Broad. See Intentionalism. --L.W. Axiological: (Ger. axiologisch) In Husserl: Of or pertaining to value or theory of value (the latter term understood as including disvalue and value-indifference). --D.C. Axiological ethics: Any ethics which makes the theory of obligation entirely dependent on the theory of value, by making the determination of the rightness of an action wholly dependent on a consideration of the value or goodness of something, e.g. the action itself, its motive, or its consequences, actual or probable. Opposed to deontological ethics. See also teleological ethics. --W.K.F. Axiologic Realism: In metaphysics, theory that value as well as logic, qualities as well as relations, have their being and exist external to the mind and independently of it. Applicable to the philosophy of many though not all realists in the history of philosophy, from Plato to G. E. Moore, A. N. Whitehead, and N, Hartmann. --J.K.F. Axiology: (Gr. axios, of like value, worthy, and logos, account, reason, theory). Modern term for theory of value (the desired, preferred, good), investigation of its nature, criteria, and metaphysical status. Had its rise in Plato's theory of Forms or Ideas (Idea of the Good); was developed in Aristotle's Organon, Ethics, Poetics, and Metaphysics (Book Lambda). Stoics and Epicureans investigated the summum bonum. Christian philosophy (St. Thomas) built on Aristotle's identification of highest value with final cause in God as "a living being, eternal, most good."   In modern thought, apart from scholasticism and the system of Spinoza (Ethica, 1677), in which values are metaphysically grounded, the various values were investigated in separate sciences, until Kant's Critiques, in which the relations of knowledge to moral, aesthetic, and religious values were examined. In Hegel's idealism, morality, art, religion, and philosophy were made the capstone of his dialectic. R. H. Lotze "sought in that which should be the ground of that which is" (Metaphysik, 1879). Nineteenth century evolutionary theory, anthropology, sociology, psychology, and economics subjected value experience to empirical analysis, and stress was again laid on the diversity and relativity of value phenomena rather than on their unity and metaphysical nature. F. Nietzsche's Also Sprach Zarathustra (1883-1885) and Zur Genealogie der Moral (1887) aroused new interest in the nature of value. F. Brentano, Vom Ursprung sittlicher Erkenntnis (1889), identified value with love.   In the twentieth century the term axiology was apparently first applied by Paul Lapie (Logique de la volonte, 1902) and E. von Hartmann (Grundriss der Axiologie, 1908). Stimulated by Ehrenfels (System der Werttheorie, 1897), Meinong (Psychologisch-ethische Untersuchungen zur Werttheorie, 1894-1899), and Simmel (Philosophie des Geldes, 1900). W. M. Urban wrote the first systematic treatment of axiology in English (Valuation, 1909), phenomenological in method under J. M. Baldwin's influence. Meanwhile H. Münsterberg wrote a neo-Fichtean system of values (The Eternal Values, 1909).   Among important recent contributions are: B. Bosanquet, The Principle of Individuality and Value (1912), a free reinterpretation of Hegelianism; W. R. Sorley, Moral Values and the Idea of God (1918, 1921), defending a metaphysical theism; S. Alexander, Space, Time, and Deity (1920), realistic and naturalistic; N. Hartmann, Ethik (1926), detailed analysis of types and laws of value; R. B. Perry's magnum opus, General Theory of Value (1926), "its meaning and basic principles construed in terms of interest"; and J. Laird, The Idea of Value (1929), noteworthy for historical exposition. A naturalistic theory has been developed by J. Dewey (Theory of Valuation, 1939), for which "not only is science itself a value . . . but it is the supreme means of the valid determination of all valuations." A. J. Ayer, Language, Truth and Logic (1936) expounds the view of logical positivism that value is "nonsense." J. Hessen, Wertphilosophie (1937), provides an account of recent German axiology from a neo-scholastic standpoint.   The problems of axiology fall into four main groups, namely, those concerning (1) the nature of value, (2) the types of value, (3) the criterion of value, and (4) the metaphysical status of value.   (1) The nature of value experience. Is valuation fulfillment of desire (voluntarism: Spinoza, Ehrenfels), pleasure (hedonism: Epicurus, Bentham, Meinong), interest (Perry), preference (Martineau), pure rational will (formalism: Stoics, Kant, Royce), apprehension of tertiary qualities (Santayana), synoptic experience of the unity of personality (personalism: T. H. Green, Bowne), any experience that contributes to enhanced life (evolutionism: Nietzsche), or "the relation of things as means to the end or consequence actually reached" (pragmatism, instrumentalism: Dewey).   (2) The types of value. Most axiologists distinguish between intrinsic (consummatory) values (ends), prized for their own sake, and instrumental (contributory) values (means), which are causes (whether as economic goods or as natural events) of intrinsic values. Most intrinsic values are also instrumental to further value experience; some instrumental values are neutral or even disvaluable intrinsically. Commonly recognized as intrinsic values are the (morally) good, the true, the beautiful, and the holy. Values of play, of work, of association, and of bodily well-being are also acknowledged. Some (with Montague) question whether the true is properly to be regarded as a value, since some truth is disvaluable, some neutral; but love of truth, regardless of consequences, seems to establish the value of truth. There is disagreement about whether the holy (religious value) is a unique type (Schleiermacher, Otto), or an attitude toward other values (Kant, Höffding), or a combination of the two (Hocking). There is also disagreement about whether the variety of values is irreducible (pluralism) or whether all values are rationally related in a hierarchy or system (Plato, Hegel, Sorley), in which values interpenetrate or coalesce into a total experience.   (3) The criterion of value. The standard for testing values is influenced by both psychological and logical theory. Hedonists find the standard in the quantity of pleasure derived by the individual (Aristippus) or society (Bentham). Intuitionists appeal to an ultimate insight into preference (Martineau, Brentano). Some idealists recognize an objective system of rational norms or ideals as criterion (Plato, Windelband), while others lay more stress on rational wholeness and coherence (Hegel, Bosanquet, Paton) or inclusiveness (T. H. Green). Naturalists find biological survival or adjustment (Dewey) to be the standard. Despite differences, there is much in common in the results of the application of these criteria.   (4) The metaphysical status of value. What is the relation of values to the facts investigated by natural science (Koehler), of Sein to Sollen (Lotze, Rickert), of human experience of value to reality independent of man (Hegel, Pringle-Pattlson, Spaulding)? There are three main answers:   subjectivism (value is entirely dependent on and relative to human experience of it: so most hedonists, naturalists, positivists);   logical objectivism (values are logical essences or subsistences, independent of their being known, yet with no existential status or action in reality);   metaphysical objectivism (values   --or norms or ideals   --are integral, objective, and active constituents of the metaphysically real: so theists, absolutists, and certain realists and naturalists like S. Alexander and Wieman). --E.S.B. Axiom: See Mathematics. Axiomatic method: That method of constructing a deductive system consisting of deducing by specified rules all statements of the system save a given few from those given few, which are regarded as axioms or postulates of the system. See Mathematics. --C.A.B. Ayam atma brahma: (Skr.) "This self is brahman", famous quotation from Brhadaranyaka Upanishad 2.5.19, one of many alluding to the central theme of the Upanishads, i.e., the identity of the human and divine or cosmic. --K.F.L.

Aura [from Greek, Latin aura air] A subtle invisible essence or fluid emanating from and surrounding beings, both those classed as animate and inanimate. To the eyes of clairvoyants the human aura appears as a halo of light, variously colored according to the momentary psychic and mental condition of the individual. Since everything in the universe is a center of living energies of one kind or another, it must necessarily be surrounded by a field of force, representing its radiations into the surrounding space and upon all objects within its sphere of influence. The human being is of a composite nature, and his aura will, therefore, be composite, including astral-vital, psychomental, and spiritual emanations, and any of these may be perceptible according to the plane on which the perceiver is able to function. But the aura, even though not commonly visible to our eyes, is nevertheless perceptible by the effects which it produces upon those subtle senses which all possess in addition to the conventional five. By the auras of persons we are affected, both consciously and unconsciously, and thus is explained the influence which people exercise on each other. Animals are in some ways far more sensitive to auras than we are.

Baozhi. (J. Hoshi; K. Poji 保誌/寶誌) (418-514). Chinese monk and well-known thaumaturge who comes to be especially revered by the CHAN school. The earliest sources referring to Baozhi are his epitaph written by Lu Chui (470-526) and his hagiography in the GAOSENG ZHUAN. According to these two texts, Baozhi's secular surname was Zhu, and he was a native of Jinling (in present-day Jiansu); he is therefore sometimes known as Jinling Baozhi, using this toponym. Baozhi became a monk at a young age and around 466 suddenly turned eccentric: he would go for days without food, showing no sign of hunger, let his hair grow several inches long, and wander around the streets barefoot with a pair of scissors, a mirror, and a few strips of silk dangling from a long staff that he carried over his shoulder. Portraits of Baozhi often picture him carrying his staff with its various accoutrements, all symbols of his prescience. He also would work miracles, giving predictions and appearing in many places simultaneously. By the middle of the Tang dynasty, he was believed to be an incarnation of AVALOKITEsVARA and was widely worshipped. Baozhi was especially venerated by Emperor Wu of the Liang dynasty (r. 502-549) and appears in the famous GONG'AN that relates Emperor Wu's encounter with the Chan founder BODHIDHARMA; there, Baozhi played the role of a clairvoyant witness who revealed to the emperor Bodhidharma's true identity as an incarnation of Avalokitesvara; YUANWU KEQIN's (1063-1135) commentary to this gong'an in the BIYAN LU ("Blue Cliff Record") refers briefly to the notion that Bodhidharma and Baozhi were both incarnations of Avalokitesvara. A few verses attributed to Baozhi are included in such Chan writings as HUANGBO XIYUN's CHUANXIN FAYAO, GUIFENG ZONGMI's commentary to the YUANJUE JING (Yuanjue xiuduoluo liaoyi jing lüeshu), and YONGMING YANSHOU's ZONGJING LU; these refer, for example, to the metaphor of wheat flour and flour products, and the nonduality between ordinary activities and the functioning of the buddha-nature (BUDDHADHATU; FOXING). These verses, however, are retrospective attributions, since they contain Chan ideas that postdate Baozhi and include terminology and ideology similar to later HONGZHOU ZONG texts, which could not have derived from Baozhi.

Barrett, The Magus', Schwab, Vocabulaire de

before the Deluge, as noted in Schwab, Vocabulaire

bernardine ::: a. --> Of or pertaining to St. Bernard of Clairvaux, or to the Cistercian monks. ::: n. --> A Cistercian monk.

Bernard of Clairvaux. de consideratione. In Migne,

ber). [Rf. Schwab, Vocabulaire de I’Angdlologie.]

Besides these transcriptions or impresses the psychical vision receives thought Images and other forms created by constant activity of consciousaess in ourselves or in other human beings, and these may be according to the character of the activity, images of truth or falsehood or else mixed things, partly true, partly false, and may be too either mere shells and representa- tions or images inspired wth a temporary life and consciousness and, it may be, canjing in them in one way or another some kind of beneficent or maleficent action or some willed or unwilled effectiveness on our minds or vital being or through them e^'cn on the body. These transcriptions, impresses, thought images, life images, projections of the consciousness may also be representa- tions or creations not of the physical wxtrJd, but of vital, psychic or mental worlds beyond us, seen in our own minds or projected from other than human beings. And as there is this psychical vision of which some of the more cxremaf ana’ ordinary marrr- festaUons arc well enough known by the name of clairvoyance, so there is a psychical hearing and psychical touch, taste, smell

beurre ::: n. --> A beurre (or buttery) pear, one with the meat soft and melting; -- used with a distinguishing word; as, Beurre d&

birds. [Rf. Schwab, Vocabulaire de I’Angelologie.]

bitty box "abuse" (Or "calculator") /bit'ee boks/ A computer sufficiently small, primitive, or incapable as to cause a hacker acute claustrophobia at the thought of developing software on or for it. The term is especially used of small, obsolescent, {single-tasking}-only {personal computers} such as the {Atari 800}, {Osborne}, {Sinclair}, {VIC-20}, {TRS-80} or {IBM PC}, but the term is a general pejorative opposite of "real computer" (see {Get a real computer!}). See also {mess-dos}, {toaster}, {toy}. (1994-11-29)

bitty box ::: (abuse) (Or calculator) /bit'ee boks/ A computer sufficiently small, primitive, or incapable as to cause a hacker acute claustrophobia at the thought Osborne, Sinclair, VIC-20, TRS-80 or IBM PC, but the term is a general pejorative opposite of real computer (see Get a real computer!).See also mess-dos, toaster, toy. (1994-11-29)

lair ::: 1. A den or hideaway. 2. A den or resting place of a wild animal. lairs, lairlike.

laird ::: n. --> A lord; a landholder, esp. one who holds land directly of the crown.

lairdship ::: n. --> The state of being a laird; an estate; landed property.

laire de I’Angelologie.

laire de I’Angilologie.]

lair ::: n. --> A place in which to lie or rest; especially, the bed or couch of a wild beast.
A burying place.
A pasture; sometimes, food.

(b) More recently understood, especially in England, as the view that the right act is the act which will actually or probably produce at least as much intrinsic good, directly or indirectly, as any other action open to the agent in question. On this interpretation, traditional utilitarianism is one species of utilitarianism -- that which regards pleasure as the good. Ideal utilitarianism, on the other hand, holds that other things besides pleasure are good (see G.E. Moore, H. Rashdall, J. Laird) In America utilitarianism is chiefly associated with voluntaristic or "interest" theories of value, e.g. in the pragmatic ethics of James and Dewev, and in R. B. Perry. See intuitionism, deontological ethics, teleological ethics. -- W.K.F.

buddhacaksus. (P. buddhacakkhu; T. sangs rgyas kyi spyan; C. foyan; J. butsugen; K. puran 佛眼). In Sanskrit, "buddha eye"; one of the five eyes or five sorts of vision (PANCACAKsUS) similar to the five (or six) "clairvoyances" or "superknowledges" (ABHIJNA). In mainstream Buddhist materials, the buddha eye is one of the five sorts of extraordinary vision of a buddha and includes the other four sorts of vision: fleshly eye (MAMSACAKsUS, P. mAnsacakkhu), divine eye (DIVYACAKsUS, P. dibbacakkhu), wisdom eye (PRAJNACAKsUS, P. paNNAcakkhu), and all-seeing eye (samantacaksus, P. samantacakkhu). In MahAyAna texts, the buddha eye is described as the eye that knows all dharmas in the full awakening of final enlightenment (ANUTTARASAMYAKSAMBODHI).

caksus. (P. cakkhu; T. mig; C. yan; J. gen; K. an 眼). In Sanskrit, lit. "eye"; the base associated with the full range of types of vision (DARsANA), from sensory perception that occurs via the visual base (AYATANA), through extrasensory perception that was a product of meditative development (YOGIPRATYAKsA). Buddhist literature often refers to five types of "eyes" (paNcacaksus), viz., the physical eye (mAMsacaksus), which is the sense base (Ayatana) associated with visual consciousness; the divine eye (DIVYACAKsUS), the vision associated with the divinities (DEVA) in the heavens or the spiritual power (ABHIJNA) of clairvoyance; the wisdom eye (prajNAcaksus), which is the insight (PRAJNA) that derives from mainstream Buddhist practices; the dharma eye (dharmacaksus) that is exclusive to the BODHISATTVAs; and the buddha eye (buddhacaksus), which subsumes all other four. The caksus is said to be impossible to perceive with the naked eye and differs from the gross physical eyeball that is called the basis of the faculty.

capillaire ::: n. --> A sirup prepared from the maiden-hair, formerly supposed to have medicinal properties.
Any simple sirup flavored with orange flowers.

clairaudience ::: Clairaudience A French word meaning 'clear hearing' and describing the ability to hear sounds removed from our natural hearing conditions or the environment. Parapsychology refers to clairaudience as extra-sensory information received as sound. To someone experiencing this, it is as if another persons voice is being heard orally. The sound, however, is not audible and the physical ear does not receive it. It is closely allied to clairvoyance but the impressions are heard rather than seen. Consequently, it could be likened to hearing with the spiritual ear or mental hearing.

Clairaudience Clear-hearing; ways of hearing which, at our present stage of evolution, are abnormal, whether psychic or spiritual. Psychic clairaudience is a reflection or distortion of spiritual clairaudience, which extends to the solar system or even beyond, enabling one to perceive as sound the movements of all nature, from the cycles of the spheres to the vibrations of atoms.

Clairaudience ::: In its largest sense the word means simply "clear-hearing." True clairaudience is a spiritual faculty, thefaculty of the inner spiritual ear, of which the psychical clairaudience is but a distorted and thereforedeceptive reflection; neither is it hearing with the physical ear, so imperfect and undeveloped a sensoryorgan as the latter is. The power to hear with the inner ear enables you to hear anything you will, and atwhatever distance, whether on Mars, or on the Sun, or on the Moon, or on Jupiter, or perhaps even onsome distant star, or easily anywhere on Earth. Having this spiritual clairaudience, you can hear the grassgrow, and that hearing will be to you like a symphonic musical poem. You can hear the celestial orbssinging their songs as they advance along their orbits through space, because everything that is, is inmovement, producing sound, simple or composite as the case may be. Thus in very truth every tiny atomsings its own note, and every composite entity, therefore, is an imbodied musical poem, a musicalsymphony. (See also Music of the Spheres)

Clairaudience: In occult terminology, the psychic ability to hear sounds or voices regardless of distance.


clairaudience ::: the power to hear sounds said to exist beyond the reach of ordinary experiences or capacity.

Clairaut's equation: A family of differential equations of the form

clair-obscur ::: n. --> See Chiaroscuro.

Clairsentience: An occult term indicating psychic sensitivity; “that peculiar feeling that something is going to happen.” Almost everyone possesses instinctive and intuitive clairsentience to some degree, popularly often referred to as a “hunch.”

clairvoyance ::: Clairvoyance This is a French word meaning 'clear seeing'. It is a paranormal mode of perception in which visual images are presented to the conscious mind. The perception may be of objects, people and/or scenes from the present, past or future. The clairvoyant experience may be spontaneous or induced through meditation, scrying or other methods of divination.

Clairvoyance Clear-seeing; generally, the power to use the psychic sense of vision to see things on the astral plane, the imperfect shadows of things to come or the astral records of things past. But this faculty is of restricted scope and very apt to mislead; prematurely developed in an untrained person, it is more likely to lead to error than to benefit. True clairvoyance is the opening of spiritual vision, called in India the Eye of Siva and beyond the Himalayas the Eye of Dangma; a faculty which enables the seer to see the truth and to recognize it as such. Among the seven saktis (occult powers) is enumerated jnana-sakti, which in its higher aspects is the power of knowing, true clairvoyance, but which on lower planes becomes more or less perfect psychic clairvoyance. True clairvoyance enables the seer to discern the reality behind its veils, to know right action, and to see what is happening in worlds removed by distance or difference of plane from our own. Retrospective clairvoyance interprets the past through its indelible records in the akasa.

Clairvoyance ::: In its largest sense the word simply means "clear-seeing," insight behind the veils, inner visioning.Genuine clairvoyance is a spiritual faculty and is the ability to see and to see aright; and in seeing toknow that your seeing is truth. This is no psychical faculty. The clairvoyance commonly called thepsychical clairvoyance is very deceptive, because it is a mere moonlight reflection so to speak, and thismoonlight reflection is uncertain, deceiving, and illusory. Genuine spiritual clairvoyance, of which thepsychical clairvoyance so called is but a feeble ray, will enable one to see what passes at immensedistances. You can sit in your armchair and see, with eyes closed, all that you care to see, however faraway. This can be done not only in this exterior world, but one can penetrate into the interior andinvisible worlds with this spiritual vision, and thus know what is going on in the worlds spiritual andethereal. This vision is not physical vision, nor that which, on the astral plane, manifests itself aspsychical clairvoyance; but true vision is spiritual clairvoyance -- seeing through the inner spiritual eye.

Clairvoyance: In occultism, the ability to see things and events regardless of distance; the gift of spiritual sight (“sight with the inner eye”).

clairvoyance ::: n. --> A power, attributed to some persons while in a mesmeric state, of discering objects not perceptible by the senses in their normal condition.

clairvoyant ::: a. --> Pertaining to clairvoyance; discerning objects while in a mesmeric state which are not present to the senses. ::: n. --> One who is able, when in a mesmeric state, to discern objects not present to the senses.

Chakra: In theosophical terminology, a sense organ of the ethereal body, visible only to a clairvoyant. There are ten chakras, which permit those trained in their use to gain knowledge of the astral world. (Three of the ten chakras are used in black magic only.)

chiaro-oscuro ::: n. --> The arrangement of light and dark parts in a work of art, such as a drawing or painting, whether in monochrome or in color.
The art or practice of so arranging the light and dark parts as to produce a harmonious effect. Cf. Clair-obscur.

Chidakasa ::: Depths of more and more subtle ether which are heavily curtained from the physical sense by the grosser ether of the material universe, and all things sensible, whether in the material world or any other, create reconstituting vibrations, sensible echoes, reproductions, recurrent images of themselves which that subtler ether receives and retains. It is this which explains many of the phenomena of clairvoyance, clairaudience, etc.; for these phenomena are only the exceptional admission of the waking mentality into a limited sensitiveness to what might be called the image memory of the subtle ether, by which not only the signs of all things past and present, but even those of things future can be seized; for things future are already accomplished to knowledge and vision on higher planes of mind and their images can be
   reflected upon mind in the present. But these things which are exceptional to the waking mentality, difficult and to be perceived only by the possession of a special power or else after assiduous training, are natural to the dream-state of trance consciousness in which the subliminal mind is free. And that mind can also take cognizance of things on various planes not only by these sensible images, but by a species of thought perception or of thought reception and impression analogous to that phenomenon of consciousness which in modern psychical science has been given the name of telepathy.
   Ref: CWSA Vol. 23-24, Page: 523-24

CLAIRVOYANCE Objective consciousness in the emotional and mental worlds. So-called clairvoyance does not provide any real knowledge, since man lacks the prerequisites of judging the reality content of his experiences in the emotional and mental worlds. This is also obvious from the fact that all clairvoyants have dissimilar views. K 3.8.3

The planetary hierarchy has repeatedly warned against the use of emotional or mental clairvoyance. What one gets to know in the emotional world is not the knowledge of existence, reality, and life. Like the mental world, it is intended to be a sojourn of rest pending a new incarnation. It is only in the physical and causal worlds that man is able to ascertain real facts, not in the emotional and mental worlds. In these worlds one cannot know whether what one sees is nature&

CLAIRVOYANCE, vide Ciddkdsa.

— clalraudience, clairsenticnce arc the more external manifesta- tions, — with precisely the same range each in its own kind, the same fields and manner and conditions and saricties of their phenomena.

Clive Sinclair "person" Sir Clive Sinclair (1939- ) The British inventor who pioneered the home {microcomputer} market in the early 1980s, with the introduction of low-cost, easy to use, {8-bit} computers produced by his company, {Sinclair Research}. Sir Clive also invented and produced a variety of electronic devices from the 1960s to 1990s, including pocket calculators (he marketed the first pocket calculator in the world), radios and televisions. Perhaps he is most famous (or some might say notorious) for his range electric vehicles, especially the Sinclair C5, introduced in 1985. He has been a member of MENSA, the high IQ society, since 1962. {Planet Sinclair (}. ["The Sinclair Story", Rodney Dale, pub. Duckworth 1985] (1998-11-09)

Clive Sinclair ::: (person) Sir Clive Sinclair (1939- ) The British inventor who pioneered the home microcomputer market in the early 1980s, with the introduction of low-cost, easy to use, 8-bit computers produced by his company, Sinclair Research.Sir Clive also invented and produced a variety of electronic devices from the 1960s to 1990s, including pocket calculators (he marketed the first pocket Sinclair C5, introduced in 1985. He has been a member of MENSA, the high IQ society, since 1962. .[The Sinclair Story, Rodney Dale, pub. Duckworth 1985] (1998-11-09)

ColdFusion "web, database, tool" {Allaire Corporation}'s commercial {database} application development tool that allows {databases} to have a {web interface}, so a database can be queried and updated using a {web browser}. The ColdFusion Server application runs on the {web server} and has access to a {database}. ColdFusion files on the web server are {HTML} pages with additional ColdFusion commands to {query} or {update} the database, written in {CFML}. When the page is requested by the user, the {web server} passes the page to the Cold Fusion application, which executes the {CFML} commands, places the results of the {CFML} commands in the {HTML} file, and returns the page to the {web server}. The page returned to the {web server} is now an ordinary {HTML} file, and it is sent to the user. Examples of ColdFusion applications include order entry, event registration, catalogue search, directories, calendars, and interactive training. ColdFusion applications are robust because all database interactions are encapsulated in a single industrial-strength {CGI} script. The formatting and presentation can be modified and revised at any time (as opposed to having to edit and recompile {source code}). ColdFusion Server can connect with any database that supports {ODBC} or {OLE DB} or one that has a native database driver. Native database drivers are available for {Oracle} and {Sybase} databases. ColdFusion is available for {Windows}, {Solaris}, and {HP-UX}. A {development environment} for creating ColdFusion files, called ColdFusion Studio, is also available for {Windows}. The {filename extension} for ColdFusion files is .cfm {(}. (2003-07-27)

ColdFusion ::: (World-Wide Web, database, tool) Allaire Corporation's commercial database application development tool that allows databases to have a World-Wide Web interface, so a database can be queried and updated using a web browser.The ColdFusion Server application runs on the web server and has access to a database. ColdFusion files on the web server are HTML pages with additional returned to the web server is now an ordinary HTML file, and it is sent to the user.Examples of ColdFusion applications include order entry, event registration, catalogue search, directories, calendars, and interactive training. ColdFusion modified and revised at any time (as opposed to having to edit and recompile source code).ColdFusion Server can connect with any database that supports ODBC or OLE DB or one that has a native database driver. Native database drivers are available for Oracle and Sybase databases.ColdFusion is available for Windows, Solaris, and HP-UX. A development environment for creating ColdFusion files, called ColdFusion Studio, is also available for Windows.Current version: MX(6), as of 2003-07-11.The filename extension for ColdFusion files is .cfm .(2003-07-27)

Consortium for Lexical Research "body" (CLR) A repository for {natural language processing} software, {lexical} data, tools and resources; set up in July 1991 in the Computing Research Laboratory of {New Mexico State University}, Las Cruces, New Mexico, USA. CLR maintained a public {FTP} {archive site} and a separate members-only library. As of 1994-02-01, CLR had about 60 members, mostly academic institutions, including most US natural language processing centres. Materials could be contributed in exchange for membership. In 2006, the CRL closed down due to lack of funding. The CLR FTP server and e-mail address seems to have disappeared with it. [{The Consortium for Lexical Research, Y. Wilks, Principal Investigator, Computing Research Laboratory, New Mexico State University (}]. (2014-07-06)

COSMIC CONSCIOUSNESS Different kinds of omniscience in worlds 1- 42 belonging to the cosmos (atomic worlds 43-
49 make up the material of the solar system, and that is why they are not counted as being part of the cosmos). The lowest kind of cosmic consciousness (42) thus has the highest kind of solar systemic consciousness (43) as its precondition. The &

Cryptesthesia: This expression, literally meaning hidden sensitivity, was coined by Professor Richert to serve as a collective term for clairvoyance, clairaudience, psychometry, telepathy, dowsing, premonitions, and in general for perception, of the mechanism of which science is ignorant. The cryptesthesia theory denies and intends to disprove the spiritistic explanations of these phenomena. (Cf. extrasensory perception.)

Crystal-gazing: An ancient method of divination, which induces a state of clairvoyance by gazing into a small crystal globe, in which a picture or series of pictures is seen.

Crystals, Crystallization The formation of crystals shows the working of intelligent life forces in the mineral world. The shapes of crystals show, in their harmony and proportion, the mathematical and geometrical principles permeant throughout the universe. A solution of salt, when evaporated, first crystallizes in triangular shapes and ultimately builds up cubes, both of which are symbolical figures of fundamental importance; and salt is a well-known alchemical symbol of the element of earth, also denoted by the cubical shape. Every salt has a particular form in which it crystallizes, or has perhaps two different forms; but different salts may have the same crystalline form. Snow crystals show the hexagonal patterns which display the septenate — a center from which six radii proceed. Cubic, tetragonal, hexagonal, and octagonal shapes occur; but the fivefold forms of the regular dodecahedron and icosahedron are not found. Clairvoyant sensitives see light emanating from crystals, and luminous phenomena are often seen at the formation or disruption of crystals. Blavatsky alludes to the idea that the process of crystallization might be a step in the evolution of the minerals to the next higher kingdom.

cyutyupapattijNAna. [alt. cyutyupapAdAnusmṛti] (P. cutupapAtaNAna; T. 'chi 'pho ba dang skye ba rjes su dran pa; C. shengsizhi; J. shojichi; K. saengsaji 生死智). In Sanskrit, lit., "recollection of the disappearance [in one life] and rebirth [in another]," viz., "insight into the future rebirth destinies" of all other beings, a by-product of the "divine eye" (DIVYACAKsUS), or clairvoyance, and the second of the "three knowledges" (TRIVIDYA). This recollection comes as a by-product of the enlightenment experience of a "worthy one" (ARHAT), and is an insight achieved by the Buddha during the second watch of the night of his own enlightenment. Through his enlightenment, the adept realizes not only that himself and all beings have been governed by the association between past actions (KARMAN) and their fruitions (VIPAKA) throughout all their past lives; but through this insight, he also realizes that all other beings continue to be governed by their actions, and he is able to observe where beings will be reborn in the future as well. Specifically, one who possesses this insight sees the disappearance and arising of beings as low or noble, beautiful or ugly, etc., according to their good and evil deeds (KARMAN) performed through body, speech, and mind. Those who revile the noble ones (ARYAPUDGALA), hold perverse views (MITHYADṚstI), and act in accordance with perverse views are observed to be reborn in lower realms of existence, e.g., in baleful destinies (APAYA; DURGATI) such as the hells. Those who honor the noble ones, hold right views, and act in accordance with right views are observed to be reborn in higher realms of existence, e.g., in pleasant destinies such as the heavens. This ability is also listed as one of the superknowledges (ABHIJNA).

darsana. (P. dassana; T. mthong ba; C. jian; J. ken; K. kyon 見). In Sanskrit, lit. "seeing," viz., "vision," "insight," or "understanding." In a purely physical sense, darsana refers most basically to visual perception that occurs through the ocular sense organ. However, Buddhism also accepts a full range of sensory and extrasensory perceptions, such as those associated with meditative development (see YOGIPRATYAKsA), that also involve "vision," in the sense of directly perceiving a reality hidden from ordinary sight. Darsana may thus refer to the seeing that occurs through any of the five types of "eyes" (CAKsUS) mentioned in Buddhist literature, viz., (1) the physical eye (MAMSACAKsUS), the sense base (AYATANA) associated with visual consciousness; (2) the divine eye (DIVYACAKsUS), the vision associated with the spiritual power (ABHIJNA) of clairvoyance; (3) the wisdom eye (PRAJNACAKsUS), which is the insight that derives from cultivating mainstream Buddhist practices; (4) the dharma eye (DHARMACAKsUS), which is exclusive to the BODHISATTVAs; and (5) the buddha eye (BUDDHACAKsUS), which subsumes all the other four. When used in its denotation of "insight," darsana often appears in the compound "knowledge and vision" (JNANADARsANA), viz., the direct insight that accords with reality (YATHABHuTA) of the three marks of existence (TRILAKsAnA)-impermanence (ANITYA), suffering (DUḤKHA), and nonself/insubstantiality (ANATMAN)-and one of the qualities perfected on the path leading to the state of "worthy one" (ARHAT). Darsana is usually considered to involve awakening (BODHI) to the truth, liberation (VIMUKTI) from bondage, and purification (VIsUDDHI) of all afflictions (KLEsA). The perfection of knowledge and vision (jNAnadarsanapAramitA) is also said to be an alternate name for the perfection of wisdom (PRAJNAPARAMITA), one of the six perfections (PARAMITA) of the bodhisattva path. In the fivefold structure of the Buddhist path, the DARsANAMARGA constitutes the third path. The related term "view" (DṚstI), which derives from the same Sanskrit root √dṛs ("to see"), is sometimes employed similarly to darsana, although it also commonly conveys the more pejorative meanings of dogma, heresy, or extreme or wrong views regarding the self and the world, often as propounded by non-Buddhist philosophical schools. Darsana is also sometimes used within the Indian tradition to indicate a philosophical or religious system, a usage still current today.

Dawn Frequently denotes the beginning of a new cycle, of greater or less extent. Venus-Lucifer is called the luminous son of morning or of manvantaric dawn; and the builders are the luminous sons of manvantaric dawn. In Greek mythology Apollo (the sun) has two daughters, Hilaira and Phoebe (evening twilight and dawn); Eos is the dawn, as is Aurora in Latin. In Hindu mythology, the wife of Surya (the sun) is Ushas (dawn), and she is also his mother. In the Vishnu-Purana, Brahma, for purposes of world formation, assumes four bodies — dawn, night, day, and evening twilight. Man is said to come from the body of dawn, for dawn signifies light, the intelligence of the intellect of the universe often called mahat, the ultimate progenitor, and indeed the final cosmic goal, of the Hierarchy of Light of which the human hierarchy is a small portion. See also SANDHI

(December-January). [Rf. Schwab, Vocabulaire de

den ::: 1. The shelter or retreat of a wild animal; a lair. 2. A cave used as a place of shelter or concealment. 3. A squalid or vile abode or place.

Divination [from Latin divination a soothsayer from divus spiritual being, god] The art of obtaining hidden knowledge by the aid of spiritual or ethereal beings. It is divisible into two main kinds: the inducing of seership or clairvoyance, and the interpretation of signs. Under the former come the oracular responses of the Pythian priestess, of the Cumaean Sibyl, and many similar instances, including all cases where the diviner induces trance or clairvoyance, whether in himself by natural power or by incantations, drugs, or other preparations; or in a subject, as when ink is poured into the palm of a child, who sees visions in it, or by some kind of hypnotism. Under the second head come geomancy, augury, the reading of the marks on the liver of a slaughtered animal, reading cards, Chinese throwing-sticks, predictive astrology, palmistry, numerology, and a great variety of other forms. Between the two classes are ranged such practices as gazing into crystal or water, where external means and interior vision both play a part in the result. Often it is a means of utilizing one’s own inner faculties, whether by natural or induced clairvoyance, or by employing the agencies which regulate events apparently casual such as the fall of the cards, the marks in the sand, the drawing of lots; and this last is related to the subject of omens.

divyacaksus. (P. dibbacakkhu; T. lha'i mig; C. tianyan; J. tengen; K. ch'onan 天眼). In Sanskrit, lit. "divine eye," viz., "clairvoyance"; one of the five (or six) superknowledges (ABHIJNĀ) and one of the three "knowledges" (TRIVIDYĀ). The divine eye refers to the ability to observe things from afar, as well as to see the "mind-made bodies" (MANOMAYAKĀYA) that are the products of meditation or enlightenment. It also provides the ability to observe where beings will be reborn after they die (S. CYUTYUPAPĀDĀNUSMṚTI), the second of the TRIVIDYĀ. One who possesses this power sees the disappearance and arising of beings as low or noble, beautiful or ugly, etc., according to their wholesome and unwholesome deeds (KARMAN) in body, speech, and mind. Those who revile the noble ones (ĀRYAPUDGALA), hold perverse views (MITHYĀDṚstI), and act in accordance with perverse views are observed to be reborn in lower realms of existence, or in painful realms such as the hells. Those who honor the noble ones, hold right views, and act in accordance with right views are observed to be reborn in higher realms of existence, and in pleasant realms such as the heavens. On the night of his enlightenment, the Buddha gained the divine eye during the second watch of the night. This superknowledge is considered to be a mundane (LAUKIKA) achievement and is gained through refinement of the fourth stage of meditative absorption (DHYĀNA; RuPĀVACARADHYĀNA).

Divyachakshus, (Sanskrit) Divyacakṣus [from divya divine + cakṣus eye] The divine eye; in Buddhism the first of the divine faculties attained by a buddha: the power of seeing any object in any loka or plane of consciousness. It is one of the six or seven abhijnas (inner powers or faculties), divyachakshus being real spiritual clairvoyance, enabling one to see any object in the universe at whatever distance.

divyasrotra. (P. dibbasota; T. lha'i rna ba; C. tian'er; J. tenni; K. ch'oni 天耳). In Sanskrit, lit. "divine ear," viz., "clairaudience"; one of the five (or six) superknowledges (ABHIJNĀ). With the divine ear, one can hear heavenly and earthly sounds both far and near just as if one were a divinity. This superknowledge is considered to be a mundane (LAUKIKA) achievement and is gained through refinement of the fourth stage of meditative absorption (DHYĀNA; RuPĀVACARADHYĀNA).

Divyasrotra (Sanskrit) Divyaśrotra [from divya divine + śrotra ear] The divine ear; in Buddhism the second of the abhijnas (powers attained by a buddha or high initiate), that of understanding all sounds on whatever loka or plane, including the understanding of all languages. It corresponds to real clairaudience.

eclaircise ::: v. t. --> To make clear; to clear up what is obscure or not understood; to explain.

eclaircissement ::: v. t. --> The clearing up of anything which is obscure or not easily understood; an explanation.

eclair ::: n. --> A kind of frosted cake, containing flavored cream.

efficacy of amulets; as in Schwab, Vocabulaire de

Epoptes (Greek) [from epi at, upon + opt to see] Sometimes epopt. In the Eleusinian Mysteries, seer, overseer, master mason, one who has the vision sublime; an initiate into the highest degree of the Mysteries (epopteia) who had attained, among other spiritual faculties and powers, that of spiritual clairvoyance. The state attained, epopteia, was the seventh and highest degree of initiation in the Eleusinian Mysteries, when the inner god shone forth through the human being, so that the candidate was at one with his inner divinity.

F68K A portable {Forth} system for {Motorola} {680x0} computers by Joerg Plewe "". Ported to {Atari ST}, {Atari TT}, {Amiga}, {Sinclair QL} and {OS9}. Easily ported to {Motorola} {68000} based systems. {(}. (1992-12-14)

F68K ::: A portable Forth system for Motorola 680x0 computers by Joerg Plewe . Ported to Atari ST, Atari TT, Amiga, Sinclair QL and OS9. Easily ported to Motorola 68000 based systems. . (1992-12-14)

fireflaire ::: n. --> A European sting ray of the genus Trygon (T. pastinaca); -- called also fireflare and fiery flaw.

FLAIR "language" An early system on the {IBM 650}. [Listed in CACM 2(5):16 (May 1959)]. (1995-03-17)

FLAIR ::: (language) An early system on the IBM 650.[Listed in CACM 2(5):16 (May 1959)]. (1995-03-17)

glair ::: a. --> The white of egg. It is used as a size or a glaze in bookbinding, for pastry, etc.
Any viscous, transparent substance, resembling the white of an egg.
A broadsword fixed on a pike; a kind of halberd. ::: v. t.

glaired ::: imp. & p. p. --> of Glair

glaire ::: n. --> See Glair.

glaireous ::: a. --> Glairy; covered with glair.

glairing ::: p. pr. & vb. n. --> of Glair

glairin ::: n. --> A glairy viscous substance, which forms on the surface of certain mineral waters, or covers the sides of their inclosures; -- called also baregin.

glairy ::: a. --> Like glair, or partaking of its qualities; covered with glair; viscous and transparent; slimy.

glareous ::: a. --> Glairy.

gleyre ::: n. --> See Glair.

(g) The problem of the structure of the knowledge-situation is to determine with respect to each of the major kinds of knowledge just enumerated -- but particularly with respect to perception -- the constituents of the knowledge-situation in their relation to one another. The structural problem stated in general but rather vague terms is: What is the relation between the subjective and objective components of the knowledge-situation? In contemporary epistemology, the structural problem has assumed a position of such preeminence as frequently to eclipse other issues of epistemology. The problem has even been incorporated by some into the definition of philosophy. (See A. Lalande, Vocabulaire de la Philosophie, art. Theorie de la Connaissance. I. and G.D. Hicks, Encycl. Brit. 5th ed. art. Theory of Knowledge.) The principal cleavage in epistemology, according to this formulation of its problem, is between a subjectivism which telescopes the object of knowledge into the knowing subject (see Subjectivism; Idealism, Epistemological) and pan-objectivism which ascribes to the object all qualities perceived or otherwise cognized. See Pan-obiectivism. A compromise between the extrernes of subjectivism and objectivism is achieved by the theory of representative perception, which, distinguishing between primary and secondary qualities, considers the former objective, the latter subjective. See Representative Perception, Theory of; Primary Qualities; Secondary Qualities.

Heaven. [Rf. Schwab, Vocabulaire de I’Angelologie.]

He is mentioned in Schwab, Vocabulaire de I’An-

  “He was a natural clairvoyant of most wonderful powers. With no education or acquaintance with science he wrote works which are now proved to be full of scientific truths; but then, as he says himself, what he wrote upon, he ‘saw it as in a great Deep in the Eternal.’ He had ‘a thorough view of the universe, as in a chaos,’ which yet ‘opened itself in him, from time to time, as in a young plant.’ He was a thorough born Mystic, and evidently of a constitution which is most rare; one of those fine natures whose material envelope impedes in no way the direct, even if only occasional, intercommunion between the intellectual and the spiritual Ego. It is this Ego which Jacob Boehme, like so many other untrained mystics, mistook for God; ‘Man must acknowledge,’ he writes, ‘that his knowledge is not his own, but from God, who manifests the Ideas of Wisdom to the Soul of Man, in what measure he pleases.’ Had this great Theosophist mastered Eastern Occultism he might have expressed it otherwise. He would have known then that the ‘god’ who spoke through his poor uncultured and untrained brain, was his own divine Ego, the omniscient Deity within himself, and that what that Deity gave out was not in ‘what measure he pleased,’ but in the measure of the capacities of the mortal and temporary dwelling IT informed” (TG 60).

(Homilia and Moralia), Isidore of Seville ( Etymologiarum ), Bernard of Clairvaux (de consideration), Edmund Spenser

human beings. [Rf. Schwab, Vocabulaire de

Hysteria This protean disorder is regarded as a functional neurosis with abnormal sensations, emotions, or paroxysms, manifesting itself chiefly by emotional instability, by the ease with which it is influenced, in negativism and impulsiveness, a tendency to make sensations, a remarkable egotism, desire to talk, to fabricate, and to simulate. There is constant, capricious change of mood and activity. No other disorder can counterfeit so many diseases as hysteria. The psychic faculties at times displayed in clairvoyance, hallucinations, cataleptic and somnambulistic states, etc., show an active functioning in the astral body; while convulsive and other abnormal movements, and mental absences in which the actor does and says bizarre, unwonted, and inexplicable things for various periods of which only a vague or no remembrance is retained, point to the play of some astral entity, as occurs in other obsessions.

IBM 650 "computer" A computer, produced ca. 1955 and in use in the late 1950s, with rotating {magnetic drum} storage and {punched card} input. Its memory words could store 10-digit decimal numbers and each instruction had two addresses, one for the {operand} and one for address of the next instruction on the drum. {SOAP} was its (optimising) {assembler}. Languages used on it included {BACAIC}, {BALITAC}, {BELL}, {CASE SOAP III}, {DRUCO I}, {EASE II}, {ELI}, {ESCAPE}, {FAST}, {FLAIR}, {FORTRANSIT}, {FORTRUNCIBLE}, {GAT}, {IPL}, {Internal Translator}, {KISS}, {MITILAC}, {MYSTIC}, {OMNICODE}, {PIT}, {RELATIVE}, {RUNCIBLE}, {SIR}, {SOAP}, {Speedcoding}, {SPIT}, {SPUR}. [More details?] (1995-03-30)

IBM 650 ::: (computer) A computer, produced ca. 1955 and in use in the late 1950s, with rotating magnetic drum storage and punched card input. Its memory words could store 10-digit decimal numbers and each instruction had two addresses, one for the operand and one for address of the next instruction on the drum.SOAP was its (optimising) assembler. Languages used on it included BACAIC, BALITAC, BELL, CASE SOAP III, DRUCO I, EASE II, ELI, ESCAPE, FAST, FLAIR, FORTRANSIT, FORTRUNCIBLE, GAT, IPL, Internal Translator, KISS, MITILAC, MYSTIC, OMNICODE, PIT, RELATIVE, RUNCIBLE, SIR, SOAP, Speedcoding, SPIT, SPUR.[More details?] (1995-03-30)

II. Early Scholastics (12 cent.) St. Anselm of Canterbury (+1109) did more than anyone else in this early period to codify the spirit of Scholasticism. His motto: credo, ut tntelligam taken from St. Augustine, expressed the organic relation that existed between the supernatural and the natural during the Middle Ages and the interpretative and the directive force which faith had upon reason. In this period a new interest was taken in the problem of the universals. For the first time a clear demarcation was noted between the realistic and the nominalistic solutions to this problem. William of Champeaux (+1121) proposed the former and Roscelin (+c. 1124) the latter. A third solution, concepiualistic in character, was proposed by Abelard (+1142) who finally crystalized the Scholastic method. He was the most subtle dialectician of his age. Two schools of great importance of this period were operating at Chartres and the Parisian Abbey of St. Victor. The first, founded by Fulbert of Chartres in the late tenth century, was characterized by its leanings toward Platonism and distinguished by its humanistic tendencies coupled with a love of the natural sciences. Many of its Greek, Arabian and Jewish sources for studies in natural sciences came from the translations of Constantine the African (+c. 1087) and Adelard of Bath. Worthy to be noted as members of or sympathizers with this school are Bernard and Thierry of Chartres (+c. 1127; c. 1150); William of Conches (+1145) and Bernard Silvestris (+1167). The two most important members of the School were Gilbert de la Poiree (+1154) and John of Salisbury (+1180). The latter was a humanistic scholar of great stylistic skill and calm, balanced judgment. It is from his works, particularly the Metalogicus, that most of our knowledge of this period still derives. Juxtaposed to the dialectic, syllogistic and rationalistic tendencies of this age was a mystical movement, headed by St. Bernard of Clairvaux (+1153). This movement did not oppose itself to dialectics in the uncompromising manner of Peter Damiani, but sought rather to experience and interiorize truth through contemplation and practice. Bernard found a close follower and friend in William of St. Thierry (+1148 or 1153). An attempt to synthesize the mystic and dialectical movements is found in two outstanding members of the Victorine School: Hugh of St. Victor (+1141) who founded its spirit in his omnia disce, videbis postea nihil esse supervuum and Richard of St. Victor (+1173), his disciple, who introduced the a posteriori proof for God's existence into the Scholastic current of thought. Finally, this century gave Scholasticism its principal form of literature which was to remain dominant for some four centuries. While the method came from Abelard and the formulas and content, in great part, from the Didascalion of Hugh of St. Victor, it was Robert of Melun (+1167) and especially Peter the Lombard (+1164) who fashioned the great Summae sententiarum.

Imriaf—in Schwab, Vocabulaire de I’Angelologie,

ing pregnancy. [Rf Schwab, Vocabulaire de I’Au-

In Greek mythology, Castor and Pollux were day and night, and their consorts Phoebe and Hilaira were the twilights.

in his Vocabulaire de I’Angelologie identifies Sham-

In later popular folklore the yakshas are associated with and classed with the pisachas, and therefore regarded with dread and made responsible for many demoniacal obsessions. “In esoteric science they are simply evil (elemental) influences, who in the sight of seers and clairvoyants descend on men, when open to the reception of such influences, like a fiery comet or a shooting star” (TG 375).

In the theory of value the first question concerns the meaning of value-terms and the status of goodness. As to meaning the main point is whether goodness is definable or not, and if so, how. As to status the main point is whether goodness is subjective or objective, relative or absolute. Various positions are possible. Recent emotive meaning theories e.g. that of A. J. Ayer, hold that "good" and other value-terms have only an emotive meaning, Intuitionists and non-naturalists often hold that goodness is an indefinable intrinsic (and therefore objective or absolute) property, e.g., Plato, G. E. Moore, W. D. Ross, J. Laird, Meinong, N. Hartman. Metaphysical and naturalistic moralists usually hold that goodness can be defined in metaphysical or in psychological terms, generally interpreting "x is good" to mean that a certain attitude is taken toward x by some mind or group of minds. For some of them value is objective or absolute in the sense of having the same locus for everyone, e.g., Aristotle in his definition of the good as that at which all things aim, (Ethics, bk. I). For others the locus of value varies from individual to individual or from group to group, i.e. different things will be good for different individuals or groups, e.g., Hobbes, Westermarck, William James, R. B. Perry.

invocation. [Rf Schwab, Vocabulaire de I'Angelo-

is mentioned in Schwab, Vocabulaire de I’Atigelo-

It is this which explains many of the phenomena of clair- voyance, clairaudience, etc. ; for these phenomena are only the exceptional admission of the waking mentality into a limited sensitiveness to what might be called the image memory of the subtle ether,' by which not only the signs of all things past and present, but even those of things future can be seized ; for things future are already accomplished to knowledge and vision on higher planes of mind and their images can be reflected upon mind in the present. But these things which are exceptional to the w’aking mentality, difficult and to be perceived only by the pos- session of a special power or else after assiduous training, are natural to the dream-state of trance consciousness in which the subliminal mind is free. And that mind can al^o take cognizance

Jack Kilby "person" (1924 - 2005-06-20) The electronics engineer who invented the {integrated circuit} in 1958 at {Texas Instruments}. {TI Biography (}. [Was the {JK flip-flop} named after him?] (2005-06-22)

J. Laird, A Study in Realism, 1920.

juring rites. [Rf. Schwab, Vocahulaire de I’Angil-

kevalair indriyaih ::: by the mere organs. [Gita 5.11 ]

kevalair indriyaiscaran ::: [moving with the mere senses]. [cf. Gita 2.64] and the preceding.

kevalair ::: (instrumental plural of kevala) mere; pure, simple; isolated, alone; absolute. [Gita 5.11]

lare ::: n. --> Lore; learning.
Pasture; feed. See Lair. ::: v. t. --> To feed; to fatten.

latibulum ::: n. --> A concealed hiding place; a burrow; a lair; a hole.

London Conference (April 1, 2005) ::: Tony Blair hosts a Conference on April 1, 2005 on the Middle East that is attended by the US, UN, and Palestinian representatives but boycotted by Israel.

LPL ::: List Programming Language. LISP-like language with ALGOL-like syntax, for IBM 360. LPL - LISP Programming Language, F.W. Blair et al, RC 3062, IBM TJWRC, Sep 1970.

LPL List Programming Language. LISP-like language with ALGOL-like syntax, for IBM 360. "LPL - LISP Programming Language", F.W. Blair et al, RC 3062, IBM TJWRC, Sep 1970.

Lucidity: A collective term for clairvoyance, clairaudience, premonitions, etc.; in general, the faculty which permits one to obtain supernormal knowledge.

māMsacaksus. (P. maMsacakkhu; T. sha'i spyan; C. rouyan; J. nikugen; K. yugan 肉眼). In Sanskrit, "fleshly eye"; one of the five eyes or five sorts of vision (PANCACAKsUS), a list that overlaps with the five (or six) "clairvoyances" or superknowledges (ABHIJNĀ). In Pāli texts, the "fleshly eye" is one of the five types of vision of a buddha. In Mahāyāna texts, the māMsacaksus refers to what would ordinarily be considered eyesight. It is said to be a VIPĀKAPHALA (maturation result) restricted in its range to the sight of the particular animal or deity that possesses it. In the case of vultures, for example, the fleshly eye may be able to see up to several miles, and in the case of certain divinities (DEVA) it may be the entire cosmos.

Motorola 68000 ::: (processor) (MC68000) The first member of Motorola, Inc.'s family of 16- and 32-bit microprocessors. The successor to the Motorola 6809 and followed by the Motorola 68010.The 68000 has 32-bit registers but only a 16-bit ALU and external data bus. It has 24-bit addressing and a linear address space, with none of the evil segment are cut to fit the address bus into a 64-pin package (address and data share a bus in the 40 pin packages of the 8086 and Zilog Z8000).The 68000 has sixteen 32-bit registers, split into data and address registers. One address register is reserved for the Stack Pointer. Any register, of either registers can be used as the source of an address, but data registers can provide the offset from an address.Like the Zilog Z8000, the 68000 features a supervisor and user mode, each with its own Stack Pointer. The Zilog Z8000 and 68000 are similar in capabilities, but the 68000 is 32 bits internally, making it faster and eliminating forced segmentations.Like many other CPUs of its generation, it can fetch the next instruction during execution (2 stage pipeline).The 68000 was used in many workstations, notably early Sun-2 machines, and personal computers, notably Apple Computer's first Macintoshes and the Amiga. It was also used in most of Sega's early arcade machines, and in the Genesis/Megadrive consoles.Variants of the 68000 include the 68HC000 (a low-power HCMOS implementation) and the 68008 (an eight-bit data bus version used in the Sinclair QL).[The 68000: Principles and Programming, Leo Scanlon, 1981].(2003-07-11)

Motorola 68000 "processor" (MC68000) The first member of {Motorola, Inc.}'s family of 16- and 32-bit {microprocessors}. The successor to the {Motorola 6809} and followed by the {Motorola 68010}. The 68000 has 32-bit registers but only a 16-bit {ALU} and external {data bus}. It has 24-bit addressing and a {linear address space}, with none of the evil {segment registers} of {Intel}'s contemporary processors that make programming them unpleasant. That means that a single directly accessed {array} or structure can be larger than 64KB in size. Addresses are computed as 32 bit, but the top 8 bits are cut to fit the address bus into a 64-pin package (address and data share a bus in the 40 pin packages of the {8086} and {Zilog Z8000}). The 68000 has sixteen 32-bit {registers}, split into data and address registers. One address register is reserved for the {Stack Pointer}. Any register, of either type, can be used for any function except direct addressing. Only address registers can be used as the source of an address, but data registers can provide the offset from an address. Like the {Zilog Z8000}, the 68000 features a supervisor and user mode, each with its own {Stack Pointer}. The {Zilog Z8000} and 68000 are similar in capabilities, but the 68000 is 32 bits internally, making it faster and eliminating forced segmentations. Like many other CPUs of its generation, it can fetch the next instruction during execution (2 stage {pipeline}). The 68000 was used in many {workstations}, notably early {Sun-2} machines, and {personal computers}, notably {Apple Computer}'s first {Macintoshes} and the {Amiga}. It was also used in most of {Sega}'s early arcade machines, and in the {Genesis}/{Megadrive} consoles. Variants of the 68000 include the {68HC000} (a low-power HCMOS implementation) and the {68008} (an eight-bit data bus version used in the {Sinclair QL}). ["The 68000: Principles and Programming", Leo Scanlon, 1981]. (2003-07-11)

Music of the Spheres ::: Every sphere that runs its course in the abysmal depths of space sings a song as it passes along. Everylittle atom is attuned to a musical note. It is in constant movement, in constant vibration at speeds whichare incomprehensible to the ordinary brain-mind of man; and each such speed has its own numericalquantity, in other words its own numerical note, and therefore sings that note. This is called the music ofthe spheres, and if man had the power of spiritual clairaudience, the life surrounding him would be onegrand sweet song: his very body would be as it were a symphonic orchestra, singing some magnificent,incomprehensible, musical symphonic composition. The growth of a flower, for instance, would be like achanging melody running along from day to day; he could hear the grass grow, and understand why itgrows; he could hear the atoms sing and see their movements, and hear the unison of the songs of allindividual atoms, and the melodies that any physical body produces; and he would know what the stars intheir courses are constantly singing.

Nabi’ (Hebrew) Nābī’ [from nābā’ to deliver an oracle] A prophet, one inspired to foretell future events; the name given to prophecy in the Bible. One of the “spiritual powers, such as divination, clairvoyant visions, trance-conditions, and oracles. But while enchanters, diviners, and even astrologers are strictly condemned in the Mosaic books, prophecy, seership, and nobia appear as the special gifts of heaven. In early ages they were all termed Epoptai, the Greek word for seers, clairvoyants; after which they were designated as Nebim [nebi’im] ‘the plural of Nebo, the Babylonian god of wisdom.’ The kabalist distinguishes between the seer and the magician; one is passive, the other active; Nebirah [nabi’] is one who looks into futurity and a clairvoyant; Nebi-poel [nebi’-po‘el], he who possesses magic powers” (IU 1:xxxvii).

Nadiel —in Schwab, Vocabulaire de I’Angelologie,

name appears in Schwab, Vocabulaire de I'Angelo-

Natural election: The inherent desire of all things for all other things in a certain order. First employed by Francis Bacon (1561-1626) in a passage quoted by A. N. Whitehead (1861-) from the Silva Silvarum "there is a kind of election to embrace that which is agreeable and to exclude or expel that which is ingrate". First erected into a philosophical principle by John Laird (1887-) in The Idea of Value, following a suggestion m Montaigne's Essays. Value, considered as a larger category than human value, an ingredient of the natural world but regarded without its affective content. Syn. with objective value, as independent of the cognitive process. -- J.K.F.

NEC 780-C "processor" A copy of the {Zilog Z80A} {microprocessor}, running at 3.25 MHz. The NEC 780-C was the processor used in the Sinclair {ZX-80}. (2002-03-11)

NEC 780-C ::: (processor) A copy of the Zilog Z80A microprocessor, running at 3.25 MHz.The NEC 780-C was the processor used in the Sinclair ZX-80.(2002-03-11)

ness. [Rf. Schwab, Vocabulaire de I’Ange'lologie.]

of matter and form include Alexander of Hales, Bernard ofClairvaux, St. Bonaventura, Origen. Those who hold,

Of the many types of astral elementals, connection with even those friendly to man are injurious, for they all use part of the living for their automatic actions. Moreover, black magicians who live in their kama-rupas — in the astral world — relatively few though they are, survive by using many of these nature spirits to vampirize vitality from the living. The elementaries who, unfortunately, are galvanized into a fictitious life by devitalizing the medium and the sitters — as clairvoyants have often seen — are making new evil karma, and even inviting final spiritual disaster.

Olbricht, General Friedrich ::: Chief of the OKW General Army Office in Berlin from 1941- 44. Developed plans for Operation Valkyrie with Beck, Stauffenberg and others. General Olbricht gave the signal to launch Operation Valkyrie after Stauffenberg's bombing of the Wolf's lair.

Orwell, George: Originally named Eric Arthur Blair, George Orwell used a pseudonym for his published work. The English author and journalist was born in 1903 and died in 1950. His most renowned works include Nineteen Eighty-four and Animal Farm, both of which comment upon dictatorships. See science fiction and dystopia.

Parapsychology: (Gr. para, at the side or + psyche, soul + logia from logein, to speak) The investigation of prescience, telepathy and other alleged psychical phenomena which seem to elude ordinary physical and physiological explanation. The term was proposed by Boirac (1893) and was adopted by Florunay and Oesterreich. See A. Lalande, Vocabulaire de la philosophie, Vol II, p. 646. See Prescience, Telepathy. -- L.W.

parapsychology ::: Parapsychology The investigation and study of the evidence for psychological phenomena, such as telepathy, clairvoyance and psychokinesis (see below), which are inexplicable by natural laws. See also Society for Psychological Research.

PC200 {Sinclair PC200}

Peano's first publication on mathematicil logic was the introduction to his Calcolo Geometrico, 1888. His postulates for arithmetic (see arithmetic, foundations of) appeared in his Arith¦metices Principia (1889) and in revised form in Sul concetto di numero (Rivista di Matematica, vol. 1 (1891)), and were repeated in successive volumes (more properly, editions) of his Formulaire de Mathematiques (1894-1908). The last-named work, written with the aid of collaborators, was intended to provide a reduction of all mathematics to symbolic notation, and often the encyclopedic aspect was stressed as much as, or more than, that of logical analysis.

Phone-voyance: A special form of clairvoyance, discovered and described by V. N. Turvey in 1905: the sensitive can “see” and describe objects and happenings in the physical vicinity of a person with whom he is talking over a telephone, including astral forms or spirits near the latter.

prajNācaksus. (P. paNNācakkhu; T. shes rab kyi spyan; C. zhihui yan; J. chiegen; K. chihye an 智慧眼). In Sanskrit, "wisdom eye," one of the five eyes or five sorts of vision (PANCACAKsUS), which are similar to the five (or six) "clairvoyances" or superknowledges (ABHIJNĀ). In Pāli texts, the wisdom eye is one of the five sorts of extraordinary vision of a buddha. In MAHĀYĀNA sources, the wisdom eye knows all conditioned (SAMSKṚTA) and unconditioned (ASAMSKṚTA) dharmas and is free from all projections.

precognition ::: Precognition A term applied to having knowledge of something that has not yet happened, to see into the future, especially by ESP (clairvoyance).

primitive name of Moses. [R/l Schwab, Vocabulaire

PROOFS OF THE CORRECTNESS OF HYLOZOICS There are five proofs, for those who need them, of the correctness of hylozoics (its agreement with reality), each one of them by itself wholly sufficient, being of matchless logical tenability. These five are: the logical proof, the proof by explanation, the proof by prediction, the proof by clairvoyance, the experimental proof. K 1.3.4

Psion "company" The UK company that produced the {Psion Organiser}. They also wrote software for the {Sinclair} {QL}. {Psion Home (}. (2009-05-27)

Psychic Powers Powers pertaining to the lower intermediate human nature — i.e, between the mental-emotional and the physical — including powers of perception such as astral vision, the lower clairvoyance and clairaudience, the lower psychometry and seership, etc.; and lower biases or tendencies such as hypnotism, the power to produce minor occult phenomena of many kinds, and in connection with the power of automatic astral projection. In their nature they are morally neutral, being susceptible of use or misuse just as are physical powers. If used with an evil or selfish purpose, the action is black magic; and even if used without such motive or with good intention, they may prove confusing and therefore misleading for one who ventures to use them.

psychic ::: Psychic This widely used word, which can be both an adjective and a noun, means of the soul or mind. It is the quality of being attuned to or adept at interpreting the more subtle psychic, or soul, faculties and energies. One who is so attuned, such as a medium or an accomplished Yogi. Psychic faculties include such extra-sensory perception as clairvoyance, clairaudience, retrocognition and psychometry (see below) amongst others.

Qawwalis Populair spiritual devotional songs within the Muslim culture of Pakistan and Northern India. The songs are accompanied by a small harmonium and drums.

QDOS ::: (operating system) The Sinclair QL's proprietary operating system. The origin of the name is uncertain (a weak pun on kudos, perhaps, as Unix was on called Q.D.O.S. - Quick And Dirty Operating System. QDOS might also stand for QL Data/Disk/Drive/Device Operating System.QDOS did the usual OS sorts of things, as well as multitasking. It was unusual in several ways. It treated all devices (serial ports, mouse ports, screen, microdrive, disk drive, keyboard, etc.) uniformly, so you could print a text file direct to disk or save a binary to the screen for example.Also logical channels could be assigned to particular physical devices. Output directed to a channel would go to the appropriate in/output. This also meant you extent. Channels could be redirected without affecting the way the process sent or received the data. (1996-07-22)

QDOS "operating system" The Sinclair {QL}'s proprietary {operating system}. The origin of the name is uncertain (a weak pun on kudos, perhaps, as {Unix} was on {Multics}). There was another OS around from the birth of personal computers called Q.D.O.S. - Quick And Dirty Operating System. QDOS might also stand for QL Data/Disk/Drive/Device Operating System. QDOS did the usual OS sorts of things, as well as multitasking. It was unusual in several ways. It treated all devices (serial ports, mouse ports, screen, {microdrive}, {disk drive}, keyboard, etc.) uniformly, so you could print a text file direct to disk or save a binary to the screen for example. Also logical channels could be assigned to particular physical devices. Output directed to a channel would go to the appropriate in/output. This also meant you could have many windows on screen (the QL booted up from internal ROMs with 3 windows - command line, output and program listing) all independent to some extent. Channels could be redirected without affecting the way the process sent or received the data. (1996-07-22)

QL ::: (computer) (Quantum Leap) Sir Clive Sinclair's first Motorola 68008-based personal computer, developed from around 1981 and released about 1983. The QL It featured innovative microdrives which were random access tape drives. It was not a success.The microdrives were innovative but probably a mistake. Though reliable and quite quick, they sounded like they were going to jam and explode, releasing a shower of plastic shavings and tape into your face.The QL and QDOS only supported two graphics modes - ominously named high res and low res. High res had four (fixed) colours at a resolution of 512 by 256 pixels. channel single oscillator with various parameters for fuzz, pitch change. There was one internal font, scalable to 2 heights and 3 widths.Peripherals and enhancements included a GUI on a plug-in ROM, accelerator cards (Motorola 68020, 4 MB RAM), floppy disks and hard disks.In 1996 there is still some interest in the QL, spread by the Internet of course. Emulation software, source code, The QL Hackers Journal and similar are still available, and many QLs are on the net. . (1996-08-01)

QL "computer" (Quantum Leap) Sir {Clive Sinclair}'s first {Motorola 68008}-based {personal computer}, developed from around 1981 and released about 1983. The QL ran Sinclair's {QDOS} {operating system} which was the first {multitasking} OS on a home computer, though few programmers used this feature. It had a structured, extended {BASIC} and a suite of integrated {application programs} written by {Psion}. It featured innovative "{microdrives}" which were random-access tape drives. It was not a success. The microdrives were innovative but probably a mistake. Though reliable and quite quick, they sounded like they were going to jam and explode, releasing a shower of plastic shavings and tape into your face. The QL and QDOS only supported two graphics modes - ominously named high res and low res. High res had four (fixed) colours at a resolution of 512 by 256 {pixels}. Low res had 8 colours (black, blue, red, magenta, green, cyan, yellow, white) plus a flash mode with 256 by 256 pixels. The sound was next to useless - single channel single oscillator with various parameters for fuzz, pitch change. There was one internal {font}, scalable to 2 heights and 3 widths. Peripherals and enhancements included a {GUI} on a plug-in {ROM}, accelerator cards ({Motorola 68020}, 4 MB RAM), {floppy disks} and {hard disks}. In 1996 there is still some interest in the QL, spread by the Internet of course. {Emulation} software, {source code}, "The QL Hackers Journal" and similar are still available, and many QLs are on the net. {(}. (1996-08-01)

[Rf. Schwab, Vocabulaire de 1’Angelo logic ; West,

[Rf. Schwab, Vocabulaire de I’Angdologie.]

[R/i Schwab, Vocabulaire de I’Angelologie.]

Rockwell, George Lincoln ::: (1918-1967) an American neo-Nazi who achieved notoriety out of proportion to the minuscule number of his followers due to his flair for publicity. He founded the American Nazi Party in 1958. He and his "storm troopers" would appear in full Nazi regalia after informing the media in advance. In 1967, he was assassinated by one of his discontented followers.

Rohanee (Arabic) Rūhānī. Used by the modern Sufis, in some senses equivalent to the Sanskrit gupta-vidya (secret knowledge); “the Magic of modern Egypt, supposed to proceed from Angels and Spirits, that is Genii, and by the use of the mystery names of Allah; they distinguish two forms — Ilwee, that is the Higher or White Magic; and Suflee and Sheytanee, the Lower or Black Demoniac Magic. There is also Es-Seemuja, which is deception or conjuring. Opinions differ as to the importance of a branch of Magic called Darb el Mendel, or as Barker calls it in English, the Mendal: by this is meant a form of artificial clairvoyance, exhibited by a young boy before puberty, or a virgin, who, as the result of self-fascination by gazing on a pool of ink in the hand, with coincident use of incense and incantation, sees certain scenes of real life passing over its surface” (TG 280).

Schools of the Prophets “Schools established by Samuel for the training of the Nabiim (prophets). Their method was pursued on the same lines as that of a Chela or candidate for initiation into the occult sciences, i.e., the development of abnormal faculties or clairvoyance leading to Seership. Of such schools there were many in days of old in Palestine and Asia Minor. That the Hebrews worshipped Nebo, the Chaldean god of secret learning, is quite certain, since they adopted his name as an equivalent of Wisdom” (TG 294).

Schwab, Moi'se. Vocabulaire de I'Angilologie. Paris:

Schwab, Vocabulaire de I’Angelologie; De Plancy,

Schwab, Vocabulaire de I’Angelologie.] In The

Schwab, Vocabulaire de I’Angelologie. Iomuel is to

Schwab, Vocabulaire de I'Angelologie.] Ordinarily

Schwab, Vocabulaire de l'Angelologie ; Ginzberg,

Schwab, Vocabulaire de VAngelologie.

Schwab, Vocabulaire de VAngelologie.]

Schwab, Vocahulaire de /’ Angelologie.

Schwab, Vocahulaire de I’Angelologie; West, “Names

season (in Enoch lore and in Schwab, Vocabulaire

Second Sight A Scottish name for natural or cultivated clairvoyance, as found among the Scottish Highlanders. The function partakes of several converging inner powers or attributes, but it generally means seeing in the astral light figures not physically visible, or distant scenes or future events.

Seer In its highest sense, one who discerns truths clearly by the use of the real inner vision, the Eye of Siva; who can see throughout the ranges of space and time belonging to a universe — not barring intuitions of the spaces and times of other surrounding universes. But it is also used for a number of varying degrees of ability to see clairvoyantly in the astral light. Swedenborg is sometimes called a seer, which he was in small degree, but because he was untrained, what he saw was mainly peculiar to himself, as is the case with seers of the same class. Instructions for aspirants to wisdom are replete with warnings as to the manifold dangers and deceptions of the astral light, and the obstacles thrown up by the unpurified and undisciplined nature of the disciple. The ability to become a true spiritual seer using the inner eye, means the fruits of many lives of aspiration and training, involving the successful passing of many trials and initiations. The science called gupta-vidya is due to the collaboration and teaching of real seers, whose trained faculties enable them to have direct vision of actualities.

Selective Theories of Sensa: A selective in contrast to a creative theory, holds that sensa experienceable by any mind under all possible conditions of perception; preexists the act of sensing and that, consequently the function of the mind in relation to the sensa is selective rather than creative. The selective theory has been advanced by such contemporary Realists as B. Russell (The Analysis of Mind), E. B. Holt (The Concept of Consciousness), J. Laird (A Study in Realism). See Creative Theory of Sensa. -- L.W.

Shub-Internet /shuhb in't*r-net/ (MUD, from H. P. Lovecraft's evil fictional deity "Shub-Niggurath", the Black Goat with a Thousand Young) The harsh personification of the {Internet}, Beast of a Thousand Processes, Eater of Characters, Avatar of Line Noise, and Imp of Call Waiting; the hideous multi-tendriled entity formed of all the manifold connections of the net. A sect of {MUD}ders worships Shub-Internet, sacrificing objects and praying for good connections. To no avail - its purpose is malign and evil, and is the cause of all network slowdown. Often heard as in "Freela casts a tac nuke at Shub-Internet for slowing her down." (A forged response often follows along the lines of: "Shub-Internet gulps down the tac nuke and burps happily.") Also cursed by users of {FTP} and {telnet} when the system slows down. The dread name of Shub-Internet is seldom spoken aloud, as it is said that repeating it three times will cause the being to wake, deep within its lair beneath the Pentagon. [{Jargon File}] (1994-11-04)

Shub-Internet ::: /shuhb in't*r-net/ (MUD, from H. P. Lovecraft's evil fictional deity Shub-Niggurath, the Black Goat with a Thousand Young) The harsh Shub-Internet is seldom spoken aloud, as it is said that repeating it three times will cause the being to wake, deep within its lair beneath the Pentagon.[Jargon File] (1994-11-04)

Siddhi: (Skr.) Reaching of the aim, success, particularly the attainment of supernatural powers, such as clairvoyance, clairaudience, levitation, the penetration of matter, etc, claimed for the Yogin (q.v.) in the highest stage of the practice of Yoga (q.v.). -- K.F.L.

Sinclair, Clive ::: Clive Sinclair

Sinclair, Clive {Clive Sinclair}

Sinclair PC200 "computer" {(}. [Summary?] 1998-07-28

Sinclair PC200 ::: (computer) .[Summary?]1998-07-28

Sinclair Radionics ::: Sinclair Research

Sinclair Radionics {Sinclair Research}

Sinclair Research ::: (company) A British microelectronics developer and manufacturer. Evolving from Sinclair Radionics in 1979, Sinclair Research was owned by Sir Clive calculators and pocket radios and televisions), but Sinclair Research began by producing some of the first 8-bit home microcomputers.Sinclair produced five microcomputers from 1980 to 1987, all based on the Zilog Z80 microprocessor (except for the QL, which used the Motorola 68008 - a variant the QL (Quantum Leap) in 1984. A portable laptop computer, the Z88, was released in 1987 under the Cambridge Computers banner.Of them all, the ZX Spectrum was the best known, and it went on to become the most popular microcomputer of its time in the United Kingdom and in many other are today) between owners of Spectrums and Commodore 64s over who had the best machine.Sir Clive's financial problems in the mid-80s led him to sell the rights to the Sinclair brand to Amstrad in April 1986. This led to further models of the production of these computers, and no computer with the Sinclair name has been produced since. . . . (1998-12-09)

Sinclair Research "company" A British microelectronics developer and manufacturer. Evolving from Sinclair Radionics in 1979, Sinclair Research was owned by Sir {Clive Sinclair}. Sinclair Radionics produced electronic components and devices (such as calculators and pocket radios and televisions), but Sinclair Research began by producing some of the first {8-bit} home {microcomputers}. Sinclair produced five microcomputers from 1980 to 1987, all based on the {Zilog Z80} {microprocessor} (except for the {QL}, which used the {Motorola 68008} - a variant on the {68000}). The 1K kit-build {ZX80}, introduced in 1980, was followed by the 1K {ZX81} (expandable to 16K) in 1981, the 16K (expandable to 48K) {ZX Spectrum} in 1982 (then superseded by two distinct 48K models and a 128K model in 1986) and the {QL} (Quantum Leap) in 1984. A portable {laptop computer}, the {Z88}, was released in 1987 under the {Cambridge Computers} banner. Of them all, the ZX Spectrum was the best known, and it went on to become the most popular microcomputer of its time in the United Kingdom and in many other territories. This was partly due to its ease of use, and also due to its enormous {software} catalogue, covering games, {word processing}, music, {programming} and {graphics}. Glorious "mine's-better-than-yours" battles were fought (and still are today) between owners of Spectrums and {Commodore 64s} over who had the best machine. Sir Clive's financial problems in the mid-80s led him to sell the rights to the Sinclair brand to {Amstrad} in April 1986. This led to further models of the Spectrum being released from 1986 to 1988 and also an {IBM} {PC}-compatible based internally on Amstrad's own PC range. Sir Clive was not involved with the production of these computers, and no computer with the Sinclair name has been produced since. {(}. {Planet Sinclair (}. {comp.sys.sinclair FAQ (}. (1998-12-09)

SOKRATEAN REALIZATION The realization that man cannot on his own (by self-taught clairvoyance, meditation, speculation) attain to knowledge of reality and life. That realization is the result of sufficient experience of mankind&

Sortes Sanctorum (Latin) [from sors lot + sanctum holy] Divination of the holy ones; the oracular responses, sayings, or prophecies of the oracles. In a more popular sense, the mere casting of lots, or the attempt to ascertain the future by methods which have been popular throughout the ages. Divination was sometimes resorted to in the early Christian Church, and sanctioned even by Augustine, with the proviso that it must be used only for pure and lofty purposes. One manner probably consisted in picking a passage in holy writ, after praying for divine guidance. In the ancient sanctuaries, however, a genuine divination was practiced by actual seers who based their operations upon mathematics and on the fact that nature foreshadows what is to come to pass, because all her processes are regulated by law, and are consistent sequences of phenomena connected in a causal chain from spiritual originants. Thus the ancient seer or forecaster, taking almost any natural occurrence, or a series of them, could from his trained faculties, forecast what the present series of events in nature were inevitably leading towards. To do this successfully one would have to be a genuine seer, which means employing the awakened intuition and spiritual clairvoyance which lie latent in most human beings.

srāmanyaphala. (P. sāmaNNaphala; T. dge sbyong gi tshul gyi 'bras bu; C. shamen'guo; J. shamonka; K. samun'gwa 沙門果). In Sanskrit, "the fruit of recluseship," viz., "the beneficial effects of religious practice." "Fruit" in this compound refers to the benefits that come to fruition in a recluse's current or future life. The latter type includes both merit (PUnYA) and a favorable rebirth. The former benefits are expounded by the Buddha in various versions of the srāmanyaphalasutra (see SĀMANNAPHALASUTTANTA). These benefits include respect from members of higher classes, sensory restraint, contentedness, abandonment of the hindrances, attainment of the four meditative absorptions, insight, supranormal powers, clairaudience, recollection of past lives, and so on. In regard to the progressive path to liberation, srāmanyaphala refers to the four stages of sanctity that culminate in the realization of NIRVĀnA: the fruits of the stream-enterer (SROTAĀPANNA), once-returner (SAKṚDĀGĀMIN), nonreturner (ANĀGĀMIN), and worthy one (ARHAT).

Stag tshang. (Taktsang). In Tibetan, "Tiger's Lair," a complex of meditation caves and temples located in Paro, Bhutan, considered one of the most important sacred Buddhist sites in the Himalayan region associated with the Indian adept PADMASAMBHAVA; also known as Spa gro Stag tshang (Paro Taktsang). Situated on a sheer cliff more than two thousand feet above the valley floor, the complex is the best known among numerous Stag tshang, or "Tiger's Lair," sites located across eastern Tibet. According to traditional accounts, Padmasambhava miraculously flew to the spot in wrathful form as RDO RJE DROD LO, seated on the back of a tigress believed to have been his consort YE SHES MTSHO RGYAL, and remained there for three months. In 853, one of Padmasambhava's twenty-five main disciples, Glang chen Dpal gyi seng ge (Langchen Palkyi Sengye), went to meditate in the main cave at Stag tshang, after which it became known as Stag tshang dpal phug, or "Pal's cave at Taktsang." Later, many great masters undertook meditation retreats there; these include PHA DAM PA SANGS RGYAS, MA GCIG LAB SGRON, THANG STONG RGYAL PO, and, according to one tradition, the great YOGIN MI LA RAS PA. The first buildings were likely erected in the fourteenth century. However, it was under the direction of the Bhutanese reformer ZHABS DRUNG NGAG DBANG RNAM RGYAL and later his regent Bstan 'dzin rab rgyas, that the modern structure was completed in 1692. In 1998, the complex was destroyed by fire.

studly ::: Impressive; powerful. Said of code and designs which exhibit both complexity and a virtuoso flair. Has connotations similar to hairy but is more positive in tone. Often in the emphatic most studly or as noun-form studliness. Smail 3.0's configuration parser is most studly.[Jargon File]

studly Impressive; powerful. Said of code and designs which exhibit both complexity and a virtuoso flair. Has connotations similar to {hairy} but is more positive in tone. Often in the emphatic "most studly" or as noun-form "studliness". "Smail 3.0's configuration parser is most studly." [{Jargon File}]

Sukshmopadhi (Sanskrit) Sūkṣmopādhi [from śukṣma subtle, fine, ethereal + upādhi base, vehicle] The subtle base or vehicle, in the human constitution the combined qualities of the higher manas, the lower manas, the kama-energy, and their astral veil or vehicle infilled with life. According to Taraka-Raja-Yoga there are three upadhis in the human constitution: karanopadhi, sukshmopadhi, and sthulopadhi. The sukshmopadhi comprehends manas in its dual aspect in union with kama and the vital-astral portions in the theosophic sevenfold division of man, and likewise corresponds to the manomaya-kosa of the Vedantic classification. The state of consciousness known as the svapna or sleeping condition is connected causally with the sukshmopadhi. This upadhi when developed and trained in the adept is the seat of a number of remarkable faculties or powers, among them spiritual clairvoyance and clairaudience. In the ordinary person, it is the lower portion of sukshmopadhi which ordinarily acts automatically, producing flashes of unconscious clairvoyant vision, dreams of various kind, and other psychic phenomena.

SUPERPHYSICS All reality beyond the physical visible (49:5-7) and physical-etheric (49:1-4) is superphysical. The lowest superphysical reality is the emotional (48:1-7).

Only esoterics is able to furnish a superphysics, a science of the superphysical.

Telepathy. Transmissions of thoughts from one to another of two minds that presumably are in attunement or affinity, without the aid of any orthodox means of communication through ordinary channels of sensation. Defined in The Journal of Parapsychology as “extrasensory perception of the mental activities of another person. It does not include the clairvoyant perception of objective events.”

Telesthesia: A limited form of clairvoyance, consisting in the perception of distant objects or conditions.

Terafniel —an angel of prey, mentioned in Schwab, Vocabulaire de VAngelologie.

The cup has always been one means of divination, whether by looking into it, or looking into water in it, or shaking up tea leaves or coffee grounds. These last gestures are physical adjuncts to the use of the clairvoyant vision. In the Tarots, the second suite was the cups, answering to the hearts in playing cards.

The five physiological senses are modifications or specializations of a general perceptiveness which has different modifications in different animal species where the organs are different, especially in the insects. Sensitives and clairvoyants may be able to receive visual, auditory, or other impressions without the use of the physical organ, or the usual functions of a sense organ may be transferred to another part of the body.

the Jews; Schwab, Vocabulaire de I’Angelologie.]

The kama-rupic shades, whether mere shells or not, are usually invisible but they are sometimes seen by clairvoyants. The more coherent ones are the shells of gross or wicked people and are influences of sensual or evil trend which instinctively haunt the atmosphere of persons and places whose characters or conditions are congenial to them and therefore magnetically attract them. Even well-meaning sensitives and persons of mediumistic or psychic type, being relatively negative physically because more or less aware on the astral plane, are susceptible, at times, to some of these strangely perverse and obsessing influences. The ancient teachings show why people’s instinctive dread of the ghostly dregs or remnants of the personal self is well founded.

Theosophy: (Gr., lit. "divine wisdom") is a term introduced in the third century by Ammonius Saccas, the master of Plotinus to identify a recurring tendency prompted often by renewed impulses from the Orient, but implicit in mystery schools as that of Eleusis, among the Essenes and elsewhere. Theosophy differs from speculative philosophy in allowing validity to some classes of mystical experience as regard soul and spirit, and in recognising clairvoyance and telepathy and kindred forms of perception as linking the worlds of psyche and body. Its content describes a transcendental field as the only real (approximating to Brahman, Nous, and Pleroma) from which emerge material universes in series, with properties revealing that supreme Being. Two polarities appear as the first manifesting stage, consciousness or spirit (Brahma, Chaos, Holy Ghost), and matter or energy (Siva, Logos, Father). Simultaneously, life appears clothed in matter and spirit, as form or species (Vishnu, Cosmos, Son). In a sense, life is the direct reflection of the tnnscendent supreme, hence biological thinking has a privileged place in Theosophy. Thus, cycles of life are perceived in body, psyche, soul and spirit. The lesser of these is reincarnation of impersonal soul in many personalities. A larger epoch is "the cycle of necessity", when spirit evolves over vast periods. -- F.K.

Theosophy teaches that every body, indeed every monad or life-atom, is in constant motion, and as it moves emits a sound, its own keynote, and that this sound is in musical harmony with nature’s all-inclusive harmonic symphonies. Furthermore, every particle of matter, every physical atom even, in its incessant movements produces a sound which is indeed a song, so that had we the power of spiritual hearing (genuine clairaudience), we would be able to hear this unimaginably grand symphony of sounds: we would hear the grass growing — as the ancient Welsh mystic has it; and the opening of a flower would itself be a marvelous natural orchestral performance.

The reason we cannot remain continuously in the waking state, but must seek another aspect of consciousness during sleep, is that “our senses are all dual, and act according to the plane of consciousness on which the thinking entity energizes. Physical sleep affords the greatest facility for its action on the various planes; at the same time it is a necessity, in order that the senses may recuperate and obtain a new lease of life for the Jagrata, or waking state, from the Svapna and Sushupti. . . . As a man exhausted by one state of the life fluid seeks another; as, for example, when exhausted by the hot air he refreshes himself with cool water; so sleep is the shady nook in the sunlit valley of life. Sleep is a sign that waking life has become too strong for the physical organism, and that the force of the life current must be broken by changing the waking for the sleeping state. Ask a good clairvoyant to describe the aura of a person just refreshed by sleep, and that of another just before going to sleep. The former will be seen bathed in rhythmical vibrations of life currents — golden, blue, and rosy; these are the electrical waves of Life. The latter is, as it were, in a mist of intense golden-orange hue, composed of atoms whirling with an almost incredible spasmodic rapidity, showing that the person begins to be too strongly saturated with Life; the life essence is too strong for his physical organs, and he must seek relief in the shadowy side of that essence, which side is the dream element, or physical sleep, one of the states of consciousness” (TBL 58).

The second question in value-theory is the question "What things are good? What is good, what is the highest good, etc.;" On this question perhaps the main issue historically is between those who say that the good is pleasure, satisfaction, or some state of feeling, and those who say that the good is virtue, a state of will, or knowledge, a state of the intellect. Holding the good to be pleasure or satisfaction are some of the Sophists, the hedonists (the Cyrenaic, the Epicureans, Hobbes, Hume, Bentham, Mill, Sidgwick, Spencer, Schlick). Holding virtue or knowledge or both to be good or supremely good are Plato, Aristotle, the Stoics, the Neo-Platonists, Augustine, Aquinas, Spinoza, Kant, Hegel, G. E. Moore, H. Rashdall, J. Laird, W. D. Ross, N. Hartmann.

These elementals are the principal nature forces used by the disimbodied human dead, very real but never visible “shells” mistaken for spirits at seances, and are the producers of all the phenomena except the purely subjective. They may be described as centers of force having instinctive desires but no consciousness as we understand it. Hence their acts may be what we humans call good or bad, indifferently. They have astral forms which partake, to a distinguishing degree, of the element to which they belong and also of the universally encompassing ether. They are a combination of sublimated matter and a purely rudimental mind. Some remain throughout several cycles relatively unchanging, so far as radical change goes, but still have no separate individuality, and usually acting collectively, so to speak. Others, of certain elements and species, change under a fixed law which Qabbalists explain. The most solid of their bodies are ordinarily just immaterial enough to escape perception by our physical eyesight, but not so unsubstantial that they cannot be perfectly recognized by the inner or clairvoyant vision. They not only exist and can all live in ether, but can handle and direct it for the production of physical effects, as readily as we can compress air or water for the same purpose by pneumatic and hydraulic apparatus; in which occupation they are readily helped by the human elementaries or astral shells.

  “This Hindu sacred beverage answers to the Greek Ambrosia or nectar, drunk by the gods of Olympus. A cup of kykeon was also quaffed by the mysta at the Eleusinian initiation. He who drinks it easily reaches Brahma, or the place of splendor (Heaven). The soma-drink known to Europeans is not the genuine beverage, but its substitute; for the initiated priests alone can taste of the real soma; and even kings and rajas, when sacrificing, receive the substitute. . . . We were positively informed that the majority of the sacrificial priests of the Dekkan have lost the secret of the true soma. It can be found neither in the ritual books nor through oral information. The true followers of the primitive Vedic religion are very few; these are the alleged descendants from the Rishis, the real Agnihotris, the initiates of the great Mysteries. The soma-drink is also commemorated in the Hindu Pantheon, for it is called King-Soma. He who drinks of it is made to participate in the heavenly king, because he becomes filled with it, as the Christian apostles and their converts became filled with the Holy Ghost, and purified of their sins. The soma makes a new man of the initiate; he is reborn and transformed, and his spiritual nature overcomes the physical; it gives the divine power of inspiration, and develops the clairvoyant faculty to the utmost. According to the exoteric explanation the soma is a plant, but, at the same time it is an angel. It forcibly connects the inner, highest ‘spirit’ of man, which spirit is an angel like the mystical soma, with his ‘irrational soul,’ or astral body, and thus united by the power of the magic drink, they soar together above physical nature and participate during life in the beatitude and ineffable glories of Heaven.

thorntail ::: n. --> A beautiful South American humming bird (Gouldia Popelairii), having the six outer tail feathers long, slender, and pointed. The head is ornamented with a long, pointed crest.

tions. [Rf. Schwab, Vocabulaire de I’Angelologie.]

TK-90X ::: (computer) A Brazilian clone, manufactured by Micro Digital, of the British Sinclair Research ZX Spectrum 8-bit microcomputer. It differed from the extra BASIC commands to aid programming and graphics-editing. Because of these differences, it was slightly incompatible with the standard Spectrum.A later model, the TK-95, which boasted an improved keyboard (similar to the Commodore 64's) and a more compatible ROM, was little more than a Timex TC2048 (another Spectrum clone) in disguise. .[comp.sys.sinclair FAQ, D Burke M Fayzullin P Kendall et al, pub. Philip Kendall 1998] (1998-11-09)

TK-90X "computer" A Brazilian {clone}, manufactured by {Micro Digital}, of the British {Sinclair Research} {ZX Spectrum} {8-bit} {microcomputer}. It differed from the standard Spectrum by adding an {Interface 2}-compatible {joystick} {interface}, and extra {BASIC} commands to aid {programming} and {graphics}-editing. Because of these differences, it was slightly incompatible with the standard Spectrum. A later model, the TK-95, which boasted an improved keyboard (similar to the {Commodore 64}'s) and a more compatible {ROM}, was little more than a {Timex} {TC2048} (another Spectrum clone) in disguise. {comp.sys.sinclair FAQ (}. ["comp.sys.sinclair FAQ", D Burke M Fayzullin P Kendall et al, pub. Philip Kendall 1998] (1998-11-09)

Transcendental hearing. Clairaudience (q.v.).

Transcendental vision: Clairvoyance (q.v.).

Trends in fewish Mysticism ; Schwab, Vocabulaire de

Vocabulaire de I'Angdlologie.]

Vocabulaire de I’Angdlologie.

Vocabulaire de I’Angelologie.] As the gatekeeper of

Vocabulaire de I’Angelologie.

Vocabulaire de I'Angelologie, suppl.]

Vocabulaire del’ Angelologie, supp.]

Voluspa (Icelandic) [from volva, vala sibyl + spa see clairvoyantly] The foremost lay of the poetic or Elder Edda, sung by the “wise sibyl” in response to Odin’s quest for knowledge. The vala represents the indelible record of the past, which here is consulted by the god Odin. Odin Allfather is the central character in Norse myths, and represents evolving consciousness, whether human, solar, planetary, or cosmic. Odin questions the vala and she responds with an account of creation and foretells the future destiny of conscious beings. From this record of the past history of the world, Odin learns about our planet’s destiny and of nine former worlds that preceded the present one. The entire process of cosmic evolution is here comprised in a thumbnail sketch, which is all but incomprehensible unless amplified by the other lays of the Elder Edda.

Voyance: Clairvoyance (q.v.); loosely, psychometry and psi abilities in general.

Whelan, Basil Wilby, Claire Williams, Prof. Harry A. Wolfson, Dr. Amado M. Yuzon.

Wolf's Lair ::: In the winter of 1940-41 Hitler established his new headquarters near Rastenburg. During the following years, the compound included extensive bunker systems and was well hidden from possible aerial attack. It was at the Wolf's Lair that Stauffenberg planted a bomb, in the hopes of staging a coup.

women at childbirth. [Rf Schwab, Vocabulaire de

Wraith, Wraie The fleeting apparition of a person, about the moment of death, to another person in kinship or psychomagnetic sympathy. Though wraith may cover different cases, in general it is due to the mayavi-rupa of the person who is dying. It is produced by his thought, though he is unaware of the effect he is producing. An intense and anxious thought about the person he wishes to see becomes objective to the seer, and the apparition wears the aspect and commonly the ordinary clothing of the dying person. In some cases the apparition may not be due to any thought on the part of the dying person, but to abnormal sensitiveness or clairvoyance on the part of the seer. Being in close sympathy with the dying one, he bears the image of that one in his latent memory; and when the event occurs, his higher senses, being aware of it, cause the objectivization of this memory as a visual apparition. The thought itself is objective to a mind capable of perception on that plane; but to become objective to the physical senses, it must clothe itself in matter of a lower grade; and this objectivization may vary from a picture in the mind’s eye to an apparition seen by the physical vision. In any case the organism of the seer can provide the necessary vehicle for such an objectivization. Distance plays no part in the phenomenon, and there is no projection of a physically substantial body through space from one place to another. The above case should be distinguished from an appearance of the astral double seen near the graves of the recently deceased. See also EIDOLON; PHANTOM; SPECTER

Yabbashael is cited in Schwab, Vocabulaire de

yogipratyaksa. (T. rnal 'byor mngon sum; C. dingguan zhi; J. jokanchi; K. chonggwan chi 定觀知). In Sanskrit, "yogic direct perception"; a specific variety of direct perception (PRATYAKsA) that is typically presumed to derive from meditative practice (BHĀVANĀ; YOGA). A direct intuition of the real obtained through meditative practice, this type of understanding was accepted as a valid means of knowledge by most of the traditional Indian religious schools. In Buddhism, the psychological analysis of the notion of yogipratyaksa and the related yogijNāna (yogic knowledge or cognition) was undertaken by DHARMAKĪRTI (c. 600-670) in his PRAMĀnAVĀRTTIKA and NYĀYABINDU, as well as by his commentators. Dharmakīrti's predecessor DIGNĀGA (c. 480-540) had posited that there were only two reliable sources of knowledge (PRAMĀnA): direct perception (PRATYAKsA) and logical inference (ANUMĀNA). Dharmakīrti, however, subdivided direct perception (pratyaksa) into four subtypes, viz., sensory cognition (indriyajNāna), mental discrimination (MANOVIJNĀNA), self-awareness (SVASAMVEDANA), and yogic cognition (yogijNāna). In Dharmakīrti's analysis, yogic cognition (yogijNāna) is a form of yogic perception (yogipratyaksa), because it fulfills the two conditions of perception (pratyaksa): (1) it is devoid of conceptual construction (KALPANĀ); and (2) it is a cognition that is "nonerroneous" (abhrānta), viz., real. The treatment of yogipratyaksa in the literature thus focuses on how yogipratyaksa fulfills these two conditions of perception. Yogic knowledge is devoid of conceptual construction (kalpanā), Dharmakīrti maintains, because it is nonconceptual (akalpa; NIRVIKALPA) and thus "vivid" or "distinct" (spasta). This type of perception is therefore able to perceive reality directly, without the intercession of mental images or concepts. Since yogic cognition is said to be devoid of conceptual construction, this raises the issue of its second condition, its lack of error. Why is meditatively induced perception true and reliable? How does a meditator's yogic perception differ from the hallucinations of the deranged, since both of them presume they have a vivid cognition of an object? The reason, Dharmakīrti maintains, is that the objects of yogic knowledge are "true" or "real" (bhuta; sadbhuta), whereas hallucinations are "false" or "unreal" objects (abhuta; asadbhuta). The only true objects of yogic knowledge offered by Dharmakīrti are the FOUR NOBLE TRUTHS: that is, the perception of these truths is true and reliable because they enable one to reach the goal of enlightenment, not because they involve a perception of an ultimate substance. In this sense, Dharmakīrti's understanding of yogijNāna is more focused on the direct realization of the soteriological import of the four noble truths than on extraordinary sensory ability. Therefore, yogic direct perception is qualitatively different from the various forms of clairvoyance that are the byproducts of deep states of concentration that may be achieved by both Buddhist and non-Buddhist practitioners. Yogipratyaksa is a form of insight (VIPAsYANĀ) posssessed only by noble persons (ĀRYAPUDGALA); and among the five paths it occurs only on the path of vision (DARsANAMĀRGA) and above. See also DARsANA.

Zilog "company" The {microprocessor} manufacturer who produced the {Zilog Z80} in July 1976 (as used by {Sinclair} in the {ZX-80}, {ZX-81} and {ZX Spectrum} computers) and later the {Zilog Z8000}. Zilog was founded in 1974 and became a wholly owned subsidiary of Exxon Corp. by 1980. The company's management and employees purchased Zilog back from Exxon in 1989. Zilog became a publicly-held company in February, 1991. In March of 1998, Zilog was privatised, as a result of the merger and recapitalisation transaction by Texas Pacific Group (TPG). Zilog now produce a range of 8-bit {microcontrollers}, 8-, 16- and 32-bit {microprocessors}, and {digital signal processors}, covering the home entertainment, communications, and {embedded systems} markets. {(}. Address: 910 East Hamilton Avenue, Suite 110, Campbell, CA 95008, USA. (1998-09-14)

Zilog ::: (company) The microprocessor manufacturer who produced the Zilog Z80 in July 1976 (as used by Sinclair in the ZX-80, ZX-81 and ZX Spectrum computers) and later the Zilog Z8000.Zilog was founded in 1974 and became a wholly owned subsidiary of Exxon Corp. by 1980. The company's management and employees purchased Zilog back from Exxon in Zilog was privatised, as a result of the merger and recapitalisation transaction by Texas Pacific Group (TPG).Zilog now produce a range of 8-bit microcontrollers, 8-, 16- and 32-bit microprocessors, and digital signal processors, covering the home entertainment, communications, and embedded systems markets. .Address: 910 East Hamilton Avenue, Suite 110, Campbell, CA 95008, USA. (1998-09-14)

ZX-80 ::: (computer) Sinclair's cheap personal computer with built-in BASIC, launched at the end of January 1980 at a computer fair in Wembley, UK. The 24 lines by 32 characters of monochrome text. An audio cassette recorder was used to save programs.The ZX-80 was sold in kit form for �79.95 or ready-built for �99.95. It was used by many UK hobbyists as a means of learning the basics of computing. Some remember the 1KB ZX-80 for the claim in its advertising that you could control a nuclear power station with it.The ZX-80 was succeeded by the ZX-81. . . .(2002-08-30)

ZX-80 "computer" {Sinclair}'s cheap {personal computer} with built-in {BASIC}, launched at the end of January 1980 at a computer fair in Wembley, UK. The processor was an {NEC 780-C} running at 3.25 MHz. It had 1KB of {RAM}, externally expandable to 16KB, and 4KB of ROM. It had RF video output to a TV, displaying 24 lines by 32 characters of monochrome text. An audio cassette recorder was used to save programs. The ZX-80 was sold in kit form for £79.95 or ready-built for £99.95. It was used by many UK hobbyists as a means of learning the basics of computing. Some remember the 1KB ZX-80 for the claim in its advertising that you could control a nuclear power station with it. The ZX-80 was succeeded by the {ZX-81}. {(}. {Planet Sinclair (}. {The Sinclair Story (}. (2002-08-30)

ZX-81 "computer" An even more successful version of the {Sinclair} {ZX-80}, featuring a large {uncommitted logic array} instead of much discrete logic, an improved {BASIC}, and rather more expandability (it could take 16kb {RAM} packs). It was launched around 1981 and was eventually replaced by the {Spectrum}. (1995-11-04)

ZX-81 ::: (computer) An even more successful version of the Sinclair ZX-80, featuring a large uncommitted logic array instead of much discrete logic, an improved BASIC, and rather more expandability (it could take 16kb RAM packs). It was launched around 1981 and was eventually replaced by the Spectrum. (1995-11-04)

ZX Spectrum ::: (computer) Sinclair's first personal computer with a colour display. The Spectrum used the Zilog Z80 processor like its predecessors the ZX-80 and ZX-81. didn't require the presence of a cold carton of milk to prevent it overheating. It was possibly the most popular home computer in the UK for many years.The TK-90X was a clone. (1995-11-04)

ZX Spectrum "computer" {Sinclair}'s first personal computer with a colour display. The Spectrum used the {Zilog Z80} processor like its predecessors the {ZX-80} and {ZX-81}. It was originally available in 16k and 48k versions using cassette tape and later grew to 128k and sprouted {floppy disks}. It had a wider and more solid case and a marginally better "dead flesh" keyboard. Unlike the earlier models, it didn't require the presence of a cold carton of milk to prevent it overheating. It was possibly the most popular home computer in the UK for many years. The {TK-90X} was a clone. (1995-11-04)

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1:I see well that our intellect is never sated unless that True enlightens it outside of which no truth has space. In that it reposes, like a beast in its lair, as soon as it gains it; and gain it it can, else every desire were in vain. ~ Dante, Paradiso 4.129-131,
2:To love. To be loved. To never forget your own insignificance. To never get used to the unspeakable violence and the vulgar disparity of life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all, to watch. To try and understand. To never look away. And never, never to forget. ~ Arundhati Roy,


1:Unless you enter the tiger's lair, you cannot get hold of the tiger's cub's. ~ sun-tzu, @wisdomtrove
2:Deep in the shady sadness of a vale Far sunken from the healthy breath of morn, Far from the fiery noon and eve's one star, Sat gray-haired Saturn, quiet as a stone, Still as the silence round about his lair. ~ john-keats, @wisdomtrove
3:Most of us know what we should expect to find in a dragon's lair, but, as I said before, Eustace had read only the wrong books. They had a lot to say about exports and imports and governments and drains, but they were weak on dragons. ~ c-s-lewis, @wisdomtrove
4:The cave you fear to enter holds the treasure you seek. Fear of the unknown is our greatest fear. Many of us would enter a tiger's lair before we would enter a dark cave. While caution is a useful instinct, we lose many opportunities and much of the adventure of life if we fail to support the curious explorer within us. ~ joseph-campbell, @wisdomtrove
5:The earth is not a lair, neither is it a prison. The earth is a Paradise, the only one we'll ever know. We will realize it the moment we open our eyes. We don't have to make it a Paradise-it is one. We have only to make ourselves fit to inhabit it. The man with the gun, the man with murder in his heart, cannot possibly recognize Paradise even when he is shown it. ~ henry-miller, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:All Nature seems at work. Slugs leave their lair ~ Samuel Taylor Coleridge,
2:If you have a lair then you are probably not a good person. ~ Demetri Martin,
3:Unless you enter the tiger's lair, you cannot get hold of the tiger's cub's. ~ Sun Tzu,
4:His room was like an explorer's den, a lair of furs, the cave of a magician. ~ Ana s Nin,
5:If a guest in your lair annoys you, treat him cruelly and without mercy. ~ Anton Szandor LaVey,
6:His bedroom was the gilded, diamond-studded, pearl-encrusted rococo lair of a god-king. ~ Lev Grossman,
7:Dragon's Lair 3D is about as close as you can come to controlling an animated feature film. ~ Don Bluth,
8:I'm just fiercely protective. It's like, that's my lair and nobody messes with my lair. ~ Whitney Houston,
9:There will be a guy in a yellow poncho, his name is Hank, he will take you to the whopper lair. ~ Dane Cook,
10:She had been innocent once, a little girl playing with feathers on the floor of a devil's lair. ~ Laini Taylor,
11:And, to be true, an enemy's lair is an enemy's lair, no matter how comfortable or fancy it might appear. ~ Steven J Carroll,
12:Is it safe?" Evadne asked.
"In the heart of the lair of prehistoric people who eat humans? Probably not. ~ Michael Pryor,
13:The trap had been set, the bait had been laid and the greed consumed their eyes and enticed them into my lair. ~ Jill Thrussell,
14:A hollowed-out volcano is every super-villain’s dream lair. It’s all about location, location, location.” Riley ~ Janet Evanovich,
15:Is it safe?" Evadne asked.
"In the heart of the lair of prehistoric people who eat humans? Probably not." Pg 197 ~ Michael Pryor,
16:When walking into the lair of the dragon after robbing his hoard, the least you could do is hold you head high [...] ~ Ilona Andrews,
17:I am like some wounded animal in a darkened lair, nursing the thorn in my paw, unable to find anyone to take it out. ~ Kristin Hannah,
18:Growing ever smaller in the distance. Carrying that pain and sadness back with her to the lair where it, and she, lived. ~ James Sallis,
19:We shall dive down through black abysses...and in that lair of the Deep Ones we shall dwell amidst wonder and glory forever. ~ H P Lovecraft,
20:No, thank you,” he flashed that grin of his. “I’ve been wondering what the lair of a poetry-inclined psychologist looks like. ~ Gina Marinello Sweeney,
21:So this guy walks into a dragon’s lair
and he says
why the long tale?
says the dragon
FUCK YOU. ~ Catherynne M Valente,
22:Children are not things to be molded, But are people to be unfolded.”—Jess Lair The Absorbent Mind and Sensitive Periods from Birth to Six Months ~ Anonymous,
23:The room was a magpie-nest of picked-at knowledge, the lair of a tinkerer to whom the universe was one vast toyshop of intriguing side issues. ~ Barbara Hambly,
24:The subterranean lair of the wily human relationship: a dark maze of pop-up demons, fun house mirrors, spooky dead ends, multiple false bottoms. ~ Stephen Wright,
25:Tell my father I was abducted by a lucius nymph and pulled to her lair." Styxx
"For the record, I resent being called a lucius nymph." Galen ~ Sherrilyn Kenyon,
26:...before I drove to wherever the beast's lair was - and then pulled the pistol's foreskin back, and then enjoyed the orgasm of the crushed trigger. ~ Vladimir Nabokov,
27:The heart of Dragon's Lair has always been its compelling story. With Dragon's Lair 3D, we think the team has really created an interactive animated movie. ~ Don Bluth,
28:We’ve found his lair in a mortal city called York—”

“It’s New York,” Stelian said with a roll of his eyes, as if he’d explained this before. ~ Kresley Cole,
29:Odd lair for a dragon", Darnak said, "and I've seen one or two in my times."
"Do all dragons own flower gardens?"
"This is the first one I've come across. ~ Jim C Hines,
30:One more thing," Jace said. "Is there a holy place around here?" “Good idea. If you're going to take on a lair of vampires by yourself, you'd better pray first. ~ Cassandra Clare,
31:One more thing," Jace said. "Is there a holy place around here?"
“Good idea. If you're going to take on a lair of vampires by yourself, you'd better pray first. ~ Cassandra Clare,
32:He looks up at the sound of the gravel crunch on the driveway, and I catch a flash of impression, a reclusive animal surprised in his lair by the arrival of the hunters. ~ Ben H Winters,
33:We were home from our trip just a few weeks when we found out she was pregnant. I did it! I got her pregnant, just as I had planned.
I’m one baby closer to my Lair army. ~ A M Madden,
34:It turned out she did not need the compass. It was easy to head in the other direction from the lair of the witch. All you had to do was move away from the thing pulling at you. ~ Anne Ursu,
35:My father died of the same thing that Edwyn had suffered... Was I too stupid--I couldn't be--to take a lesson from that? Could I trust myself? Not to make my life a lair. ~ Gwendoline Riley,
36:I just rely on natural talent," said Adrian, strolling up to the start of the Dragon's Lair. "When you have such a wealth of it to draw from, the danger comes from having too much. ~ Richelle Mead,
37:Come to see the devil in his lair, have you?” he asked.

[Evie] came closer, her expression intent and oddly fearless. “You’re not the devil. You’re only a man. A very fl-flawed one. ~ Lisa Kleypas,
38:The cross is Jesus going into the very lair of death. He goes to meet head-on that which frightens us the most. And what does He do? He battles it. He engages it. And finally he conquers it. ~ Robert Barron,
39:It won't happen again, I swear it!" Karic rasped.

"If we'd reached my lair in time it never would have happened at all!"

"But it did, it did and nothing will ever be the same! ~ Kathleen Morgan,
40:But she pursued them through their tangled lair And caught them, and put fire-flies in their hair; And then they all joined hands, and round and round They danced a morris on the moonlit ground. ~ Thomas Malory,
41:The old one opened his mind, but it was the new one that climbed inside, turned several circles, and settled in with a grunt—like a satisfied dragon in a cozy new lair. And there it would remain—the ~ Laini Taylor,
42:I'm also very pleased that we were able to include a full orchestrated score for Dragon's Lair 3D. The 40 different music pieces blend with the action to make you feel more a part of the whole adventure. ~ Don Bluth,
43:You have a death ray so when your enemies invade your secret lair, you pull out it out and you can swing it back and forth in a swath of doom, obliterating all your enemies while laughing maniacally! ~ Dennis Liggio,
44:I remember when we were doing the first Dragon's Lair, I got really involved with coming up with all the little rooms and what was the danger in the room and going into it with bats and spiders and snakes. ~ Don Bluth,
45:Fire, water, earth, and air,
All meet in the dragon's lair.
Six brave hearts have failed the test;One continues in the quest.
Remember well the words you know
When on to find your fate you go. ~ Emily Rodda,
46:Deep in the shady sadness of a vale Far sunken from the healthy breath of morn, Far from the fiery noon and eve's one star, Sat gray-haired Saturn, quiet as a stone, Still as the silence round about his lair. ~ John Keats,
47:Every now and then, as he sucked up the daily load of cat hair, he thought wistfully of a Roomba, but Buster would try to kill it and carry it off to his lair. The big Maine Coon probably outweighed a Roomba. ~ Kaje Harper,
48:All right," Spook said. He reached to the ground, scooping up a pile of ash. "Let's just rub this into your clothing and on your face...." Breeze froze. "I'll meet you back ath the lair," he finally said. ~ Brandon Sanderson,
49:It was during this period that he might have hearkened to the memories of the lair and the stream and run back to the Wild. But the memory of his mother held him...So he remained in his bondage waiting for her. ~ Jack London,
50:Did you never wonder why the old books are so full of dragons chasing after maidens? The serpents think the girls are orphans, and long to get them away in a lair so that they may grow up strong and tall. ~ Catherynne M Valente,
51:Oh!" said Roberta, drawing a long breath; "it was like a great dragon tearing by. Did you feel it fan us with its hot wings?" "I suppose a dragon's lair might look very like that tunnel from the outside," said Phyllis. ~ E Nesbit,
52:I am in an undisclosed location. I call it . . . the Laaaair." "The Lair?" Steve said, laughing. "Hey, every Evil Overlord has to have a lair," Tyler said. "I couldn't find a volcano next to a piranha pit but it's close . . . ~ John Ringo,
53:Morgan and Catcher said their manly hellos - consisting of a symbolic head bob from Catcher (of the "You're in my lair now" variety) and a responding nod from Morgan (of the "You are clearly the king of this castle" variety). ~ Chloe Neill,
54:Trouble rather the tiger in his lair than the sage among his books. For to you kingdoms and their armies are things mighty and enduring, but to him they are but toys of the moment, to be overturned with the flick of a finger. ~ Gordon R Dickson,
55:A school library is like the Bat Cave: it's a safe fortress in a chaotic world, a source of knowledge and the lair of a superhero.

True, the superhero is more likely to be wearing a cardigan than a batsuit, but still... ~ Tom Angleberger,
56:Most of us know what we should expect to find in a dragon's lair, but, as I said before, Eustace had read only the wrong books. They had a lot to say about exports and imports and governments and drains, but they were weak on dragons. ~ C S Lewis,
57:Nancy Ward was almost eighty years old. For a moment, Tiana was frozen by the sight. Half exultant—if she could be like that, at that age!—and half petrified. It was like watching some ancient, terrible creature, rising from its lair. ~ Eric Flint,
58:The Ibex
My panther is active tonight,
hungry, intent,
nobody’s business but her own
not content
to leave me
gutted by moonlight,
I must be
her lair-thing,
her skin-to-lie-on,
her gnawed bone.
~ David Brooks,
59:Carved above the lintel were the words SCIENTIA POTESTAS EST. Science points east, I wondered? Science is portentous, yes? Science protests too much. Scientific potatoes rule. Had I stumbled on the lair of dangerous plant geneticists? ~ Ben Aaronovitch,
60:Great. I get to meet Jack Eversea, the Jack Eversea, and I act like a complete imbecile. It was so good Jazz wasn't here, she would have clobbered me by now. For that matter, she would have clobbered him and dragged him back to her lair. ~ Natasha Boyd,
61:We rehearsed at the space twice a day regardless of anything else going on in any of our lives. Many of the songs that made up Appetite and Lies—as well as more than a few from Use Your Illusion—came together in this back-alley lair. When ~ Duff McKagan,
62:Tarly, when I was a lad half your age, my lady mother told me that if I stood about with my mouth open, a weasel was like to mistake it for his lair and run down my throat. If you have something to say, say it. Otherwise, beware of weasels. ~ George R R Martin,
63:Enter my lair, said the dragon. I have shiny treasure for you to play with, I’ll keep you warm and safe, and if it suits my purpose, I’ll chain you to the floor and kill your client by throwing quarters at him with my magic. Been there, done that. ~ Ilona Andrews,
64:Enter my lair, said the dragon. I have shiny treasure for you to play with, I’ll keep you warm and safe, and if it suits my purpose, I’ll chain you to the floor and kill your client by throwing quarters at him with my magic. Been there, done that. “I ~ Ilona Andrews,
65:Hell, if I didn't know any better I'd think he just clubbed her over the head before dragging her back to his lair like some kind of caveman. I'm surprised he didn't whip out his dick and piss in a circle around her. I mean, what the fuck was that?” “I ~ Ashley Jade,
66:The beauty of my bleak childhood, the unforgivable sadness shared by dolls and statues - voiceless objects suitable for the double monologue between myself and the luxurious lair I live in, the pirate treasure buried in my first-person singular. ~ Alejandra Pizarnik,
67:Trouble rather the tiger in his lair than the sage amongst his books. For to you Kingdoms and their armies are things mighty and enduring, but to him they are but toys of the moment, to be overturned by the flicking of a finger … LESSONS: Anonymous ~ Gordon R Dickson,
68:Then, as the priest was emerging somewhat uneasily from his lair, he went straight up to him, looked deep into his eyes, and growled into his face: 'If you weren't wearing skirts, what a punch I'd give you right on your ugly snout, wouldn't I just! ~ Guy de Maupassant,
69:White, red, evil, green. What haunts these woods stays unseen
Dragons roam and take to air. Cut down those who are near his lair.
Eat your meat and drink your blood. Leave remains in the tub.
Bone white, blood red. Along this path you'll soon be dead. ~ Kerri Maniscalco,
70:She sat in her chair and looked around the room. What should she take with her? The antique chatrang board her predecessor had given her? Her mummified baby alligator, which she had on the theory that every sorcerer’s lair should have a mummified reptile of some kind? ~ Tim Pratt,
71:I know that I could really kill for my daughter. I know because I'm living for her, so I'm fierce when it comes down to it. And I feel the same about my husband and my family. I'm just fiercely protective. It's like, that's my lair and nobody messes with my lair. ~ Whitney Houston,
72:I promise to keep my hands, tongue, and other body parts to myself. You risk your life by staying home. It's late and we're both too wiped out to go climbing into the People's lair tonight. What do you risk by coming with me?"
"A huge migraine from being in your company. ~ Ilona Andrews,
73:You’d think a lair would be a refuge from homicidal lunatics, Chronos fumed. But no, I don’t even feel safe with the people who are supposedly on my team! If all villains felt that way, she would never, ever understand why anyone chose such a bothersome way to live. ~ Emily Martha Sorensen,
74:You mean when we discovered the secret lair under the hangar where I'd been kept comatose for eight years of my life, then turned into a cyborg by some mystery surgeon before being given away to a family who didn't really want me? Yeah, Thorne, those were the good old days. ~ Marissa Meyer,
75:The world is outside us; our senses are within us. How, then, do the two come together so that we can know something? Obviously our senses can't go forth and drag an actual chunk if the world back to their internal lair, intact and as is, for the benefit of the rest if the brain. ~ Kathryn Schulz,
76:The world is outside us; our senses are within us. How, then, do the two come together so that we can know something? Obviously our senses can't go forth and drag an actual chunk of the world back to their internal lair, intact and as is, for the benefit of the rest of the brain. ~ Kathryn Schulz,
77:If he was silent I could be silent too. Indeed, I could very well do with a little rest in this subdued, frightened-to-death rocking chair, before I drove to wherever the beast's lair was - and then pulled the pistol's foreskin back, and then enjoyed the orgasm of the crushed trigger. ~ Vladimir Nabokov,
78:The first thing to do was slip away from her father, who might have questions about why she kept insisting on going back to the lair of ultimate evil. Kami saw why so many teenagers who had adventures in books were interestingly tragic orphans. Parents were a real buzzkill, adventure-wise. ~ Sarah Rees Brennan,
79:lair Hansen had always heard that near-death experiences made people reevaluate their lives. She’d spent nearly thirty years sure about what she wanted in life, but all it had taken for her to start questioning everything was some severe turbulence on a 747. She picked up her whiskey and took ~ Denise Grover Swank,
80:Both boys giggled at that one. Then growing more somber, Blakely said, “But man oh man, what a total Babe Lair.” “Love Nest.” “Herpes Haven.” “Penile Palace.” “Beaver Trap.” Myron tried not to sigh. It was like hanging out with a really annoying thesaurus. He turned to Win and asked what the plan was. “Follow ~ Harlan Coben,
81:There were two mysteries, actually: one old, one new. The old one opened his mind, but it was the new one that climbed inside, turned several circle, and settled in with a grunt--like a satisfied dragon in a new cozy lair. And there it would remain--the mystery, in his mind--exhaling enigma for years to come. ~ Laini Taylor,
82:She had been innocent once, a little girl playing with feathers on the floor of a devil's lair. She wasn't innocent now, but she didn't know what to do about it. This was her life: magic and shame and secrets and teeth and a deep, nagging hollow at the center of herself where something was most certainly missing. ~ Laini Taylor,
83:Werewolves hold territories, and these territories are where they are strongest. You want to fight a werewolf? You lure him away from where he has the home advantage. You throw him off balance and you take the opportunity to hurt him as much as you can. You don't attack him in his own lair. That's just stupidity. ~ Liz de Jager,
84:Evie, bed down.” Scanning the dark, he murmured, “You doan have to be scared. I’ve got you.”
You do, don’t you? Here we were in the Bagmen’s lair, and I wasn’t terrified for my life. Jackson would kill
any that strayed too close. In fact, they should fear him.
I was with the boy that monsters should fear. ~ Kresley Cole,
85:TIGER! TIGER!” What of the hunting, hunter bold? Brother, the watch was long and cold. What of the quarry ye went to kill? Brother, he crops in the jungle still. Where is the power that made your pride? Brother, it ebbs from my flank and side. Where is the haste that ye hurry by? Brother, I go to my lair—to die. ~ Rudyard Kipling,
86:Tiger! Tiger!" What of the hunting, hunter bold? Brother, the watch was long and cold. What of the quarry ye went to kill? Brother, he crops in the jungle still. Where is the power that made your pride? Brother, it ebbs from my flank and side. Where is the haste that ye hurry by? Brother, I go to my lair—to die. ~ Rudyard Kipling,
87:This philosophy means that when you’ve entered a den of assholes, you do everything possible to get out as fast as you can—or, better yet, to figure out how to avoid that lair in the first place. I call this the “da Vinci rule.” As Leonardo da Vinci put it, “It is easier to resist at the beginning than at the end. ~ Robert I Sutton,
88:I scorned him for huddling by the fire, and he offered to share his tea. I reviled him for his cowardice at the kai’s lair, and he made me soup. I ridiculed his noble ancestry, and he laughed at himself and cleaned my hearth. I drove him unmercifully in his schooling, and he devoured it as if I’d gifted him with jewels. ~ Carol Berg,
89:But honesty requires courage. As she cornered the thief in his lair, she found that she wasn’t so sure of herself. She was sure of only one thing. It made her fall back a little. She lifted her chin.
Her heart had an unsteady rhythm they both could hear when she told the thief that he might keep what he had stolen. ~ Marie Rutkoski,
90:What of the hunting, hunter bold?
Brother, the watch was long and cold.
What of the quarry ye went to kill?
Brother, he crops in the jungle still.
Where is the power that made your pride?
Brother, it ebbs from my flank and side.
Where is the haste that ye hurry by?
Brother, I go to my lair to die! ~ Rudyard Kipling,
91:The cave you fear to enter holds the treasure you seek. Fear of the unknown is our greatest fear. Many of us would enter a tiger's lair before we would enter a dark cave. While caution is a useful instinct, we lose many opportunities and much of the adventure of life if we fail to support the curious explorer within us. ~ Joseph Campbell,
92:I shall plan my cousin's escape from that Canton mad-house, and together we shall go to marvel-shadowed Innsmouth. We shall swim out to that brooding reef in the sea and dive down through black abysses to Cyclopean and many-columned Y'ha-nthlei, and in that lair of the Deep Ones we shall dwell amidst wonder and glory for ever. ~ H P Lovecraft,
93:As a young designer explained to me bluntly: "Everyone upstairs is dumb," referring to the floor above the engineering lair at the 156 University office where customer support, administrators and salespeople sat. My first impulse was to laugh at his ridiculous, blithe dismissiveness, until I realized that it wasn't very funny. ~ Katherine Losse,
94:It is my duty to prevent, through the independence of Cuba, the U.S.A. from spreading over the West Indies and falling with addedweight upon other lands of Our America. All I have done up to now and shall do hereafter is to that end.... I know the Monster, because I have lived in its lair--and my weapon is only the slingshot of David. ~ Jose Marti,
95:Swamp water is still and dark, having swallowed the light in its muddy throat. Even night crawlers are diurnal in this lair. There are sounds, of course, but compared to the marsh, the swamp is quiet because decomposition is cellular work. Life decays and reeks and returns to the rotted duff; a poignant wallow of death begetting life. ~ Delia Owens,
96:The kids cheered every time the lights went on and a spotlight revealed Jimmy [Page] bowing his electric guitar, eliciting stygian growls and demonic shrieks, as if to draw the Dark One from his lair in hell. Invariably, some of the more astute of Led Zeppelin's listeners realized that what they were watching was in part a magic show. ~ Stephen Davis,
97:The same organizational principles which called us forth into self-reflection have called forth self-reflection out of the planet itself. And the problem then is for us to suspect this, act on our suspicion, and be good detectives, and track down the spirit in its lair. And this is what shamans are doing. They are hunters of spirit. ~ Terence McKenna,
98:In his book I Ain’t Much, Baby—But I’m All I Got, the psychologist Jess Lair comments: “Praise is like sunlight to the warm human spirit; we cannot flower and grow without it. And yet, while most of us are only too ready to apply to others the cold wind of criticism, we are somehow reluctant to give our fellow the warm sunshine of praise. ~ Dale Carnegie,
99:Beware the beast Man, for he is the Devil's pawn. Alone among God's primates, he kills for sport or lust or greed. Yea, he will murder his brother to possess his brother's land. Let him not breed in great numbers, for he will make a desert of his home and yours. Shun him; drive him back into his jungle lair, for he is the harbinger of death. ~ Roddy McDowall,
100:from the middle-middle classes, whose highest desire seemed shelter – continuous shelter – not a lair in the darkness to be reached against fear, but shelter everywhere and always, until the existence of earth and sky is forgotten, shelter from poverty and disease and violence and impoliteness; and consequently from joy; God slipped this retribution in. ~ E M Forster,
UPON thy purple mat thy body bare
Is fine and limber like a tender tree.
The motion of thy supple form is rare,
Like a lithe panther lolling languidly,
Toying and turning slowly in her lair.
Oh, I would never ask for more of thee,
Thou art so clean in passion and so fair.
Enough! if thou wilt ask no more of me!
~ Claude McKay,
102:You're kidding," Shane said. "Do you think I want to visit Crazy McTeeth in his lair of insanity?"
"No," Claire said, "but I'm pretty sure you won't like it if I go alone when I just kind of promised to be with you. So...?"
"Right. I've been missing Nutty McFang anyway."
"Stop making up names for him."
"What about Count Crackula?"
"Just stop. ~ Rachel Caine,
103:The earth is not a lair, neither is it a prison. The earth is a Paradise, the only one we'll ever know. We will realize it the moment we open our eyes. We don't have to make it a Paradise-it is one. We have only to make ourselves fit to inhabit it. The man with the gun, the man with murder in his heart, cannot possibly recognize Paradise even when he is shown it. ~ Henry Miller,
104:Growl, you live in a slime lair and maintain an identity as the mysterious overlord of an undersea city, you command a fleet of meat dreadnaughts with crews of humanoid whale people, and you're currently reclining in a pulsating mass of gelatinous goo that looks like it escaped from hell's own Jell-O mold--so excuse the fuck out of me if I question your motives. ~ Christopher Moore,
105:Rise and enter the lair, where the darkness gives you your stripes. Tell tyrants, to you, their allegiance they owe," Etta read, running her finger beneath the words within the star. "Seek out the unknown gods whose ears were deaf to lecture. Stand on the shoulders of memory. Bring a coin to the widowed queen. Remember, the truth is in the telling, and an ending must be final. ~ Alexandra Bracken,
106:You've spent most of your life in hiding.' said Dr. Strayer. 'Your secret lair is the only place you feel truly safe. When you were a child it was your room where you'd hide so you didn't have to interact with your parents. In college it was the rare-books room; once you married Amanda, it was your basement book room. You bury yourself in these places, Peter. You avoid life there. ~ Charlie Lovett,
107:Our first point of discussion is the hunt. (...) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged up. Her terror as she's pursued across the country. This is a big deal. It means training a fox from birth or dressing up a dog to look like a fox. Or hiring David Attenbrorough, who probably knows a few foxes well enough to ask a favour. ~ Emma Thompson,
108:Since moving to Vegas, I saw her a couple of times. She dismissed me with a haughty look. So, yes, I’m very sure.”
That had anger bubbling inside of him. “Knowing that makes me want to cast her out.”
“Nah, it’ll be more fun to have her stick around. She likes to pretend I don’t exist. But you can’t pretend someone doesn’t exist if they’re being paraded in front of your entire lair, can you? ~ Suzanne Wright,
109:In a perfect world, Joshua's vertically gifted murderer would've had himself a monologue before rampaging, during which he loudly and clearly would've announced his full name, occupation, religious preference, preferably with his god's country and time period of origin, his goals, dreams, and aspirations, and the location of his lair. But nobody had ever accused post-Shift Atlanta of being perfect. ~ Ilona Andrews,
110:In a perfect world, Joshua’s vertically gifted murderer would’ve had himself a monologue before rampaging, during which he loudly and clearly would’ve announced his full name, occupation, religious preference, preferably with his god’s country and time period of origin, his goals, dreams, and aspirations, and the location of his lair. But nobody had ever accused post-Shift Atlanta of being perfect. ~ Ilona Andrews,
111:Sanskrita, “polished, complete.” Sanskrit is the elder sister of all Indo-European tongues. Its alphabetical script is called Devanagari; literally, “divine abode.” “Who knows my grammar knows God!” Panini, great philologist of ancient India, paid that tribute to the mathematical and psychological perfection of Sanskrit. He who would track language to its lair must indeed end as omniscient. 2 ~ Paramahansa Yogananda,
112:A friendly voice seldom reaches me nowadays. I am alone now, absurdly alone; and in the course of my relentless and underground struggle against everything that human beings till now have revered and loved, I have imperceptibly become something like a lair myself - something hidden away, which people do not find, even if they go out and look for it. But people do not go out in search of such things… ~ Friedrich Nietzsche,
113:To love. To be loved. To never forget your own insignificance. To never get used to the unspeakable violence and the vulgar disparity of life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all, to watch. To try and understand. To never look away. And never, never to forget. ~ Arundhati Roy,
114:Perhaps of all our untamed quadrupeds, the fox has obtained the widest and most familiar reputation.... His recent tracks still give variety to a winter's walk. I tread in the steps of the fox that has gone before me by some hours, or which perhaps I have started, with such a tip-toe of expectation as if I were on the trail of the Spirit itself which resides in the wood, and expected soon to catch it in its lair. ~ Henry David Thoreau,
115:A dozen thoughts hit me all at once. The biggest was a one-word command: RUN! I had watched the horror movies, the ones where the mentally malnourished airhead goes into the house alone, sneaking around like, well, like me, and then ends up with an ax between the eyes. From the safety of my seat in the cineplex, I had scoffed at their idiocy and now, here I was, in Bat Lady’s lair, and someone else was here, in the basement. Why ~ Harlan Coben,
116:he’d wondered aloud if the Scottish-Japanese technophile wanted to be Batman. “You already have the lair, the finances and the right equipment,” he’d said. “Why do you ask? Do you have a fetish for rich men in masks?” Ken asked, smiling that angelic smile. “I don’t have fetishes,” Brady responded quickly. “But he isn’t my type. He’s got a cave full of baggage and relies on toys instead of natural talent. Give me Superman any day. ~ R G Alexander,
117:Hitler spends more time at the Wolf’s Lair than in Berlin—some eight hundred days in the last three years alone. The Führer is fond of saying that his military planners chose the “most marshy, mosquito-ridden, and climatically unpleasant place possible” for this hidden headquarters. On humid summer days, the air is so heavy and thick with clouds of mosquitoes that Hitler remains in the cool confines of his bunker all day long. But ~ Bill O Reilly,
118:I pull out my laptop, which is probably the most advanced piece of technology that has ever crossed the threshold of Lapin's lair, and set it up on a stack of heavy books, all from the Wayback-list. The shiny MacBook looks like a hapless alien trying to blend in with the quiet stalwarts of human civilization I crack it open - glowing alien guts revealed! - and cue the visualization as Lapin crosses the room with two cups in two saucers. ~ Robin Sloan,
119:I don't know how it got to this, but I'm in a war. There's no chance for diplomacy. They want me dead and I don't think I can run from this. Not after what they've done to me. So if this is a war, then I'm going to take the fight to them. I'll raid their lair and I'll kill as many as I can. There seem to be endless numbers of them, but they've got to have a limit. Tonight we'll find out if there are more of them than there is fight in me. ~ Dennis Liggio,
120:I’m nobody’s sidekick,” Annabeth growled. “And, Percy, his accent sounds familiar because he sounds like his mother. We killed her in New Jersey.”
Percy frowned. “I’m pretty sure that accent isn’t New Jersey. Who’s his—? Oh.”
It all fell into place. Aunty Em’s Garden Gnome Emporium—the lair of Medusa. She’d talked with that same accent, at least until Percy had cut off her head.
Medusa is your mom?” he asked. “Dude, that sucks for you. ~ Rick Riordan,
121:The Hebrew word is actually Lilith, which the Dictionary of Deities and Demons in the Bible explains is a Mesopotamian demoness residing in a tree that reaches back to the third millennium BC.   Here we find Inanna (Ishtar) who plants a tree later hoping to cut from its wood a throne and a bed for herself. But as the tree grows, a snake makes its nest at its roots, Anzu settled in the top and in the trunk the demon ki-sikil-líl-lá [Lilith] makes her lair.[15] ~ Brian Godawa,
122:And I watch my words from a long way off. They are more yours than mine. They climb on my old suffering like ivy. It climbs the same way on damp walls. You are to blame for this cruel sport. They are fleeing from my dark lair. You fill everything, you fill everything. Before you they peopled the solitude that you occupy, and they are more used to my sadness than you are. Now I want them to say what I want to say to you to make you hear as I want you to hear me. ~ Pablo Neruda,
123:Declan and Regin:
"Kiss you?" As he waited for the revulsion to seize him, he found himself wondering how she would react. Would she moan into his mouth?

"It will help you remember me. Kiss me. Come on, you know you want to so bad. You want me so bad."

"Never." Bloody get off her, get away from her. But he needed to be above her like this, to master her, overpower her.

"Never? That boner of yours just called you a lair. ~ Kresley Cole,
124:And then it struck him what lay buried far down under the earth on which his feet were so firmly planted: the ominous rumbling of the deepest darkness, secret rivers that transported desire, slimy creatures writhing, the lair of earthquakes ready to transform whole cities into mounds of rubble. These, too, were helping to create the rhythm of the earth. He stopped dancing and, catching his breath, stared at the ground beneath his feet as though peering into a bottomless hole. ~ Haruki Murakami,
125:We fatties have a bond, dude. It's like a secret society. We got all kinds of shit you don't know about. Handshakes, special fat people dances-we got these secret fugging lairs in the center of the earth and we go down there in the middle of the night when all the skinny kids are sleeping and eat cake and friend chicken and shit. Why d'you think Hollis is still sleeping, kafir? Because we were up all night in the secret lair injecting butter frosting into our veins. ...A fatty trusts another fatty. ~ John Green,
126:Unanswered vox hails requested medical aid and supply, but the line of Astartes at the top of the north ridge was grimly silent as the exhausted warriors of the Raven Guard and Salamanders came to within a hundred metres of their allies. A lone flare shot skyward from inside the black fortress where Horus had made his lair, exploding in a hellish red glow that lit the battlefield below like a madman’s vision of the end of the world. And the fire of betrayal roared from the barrels of a thousand guns. ~ Graham McNeill,
127:After visiting these two places (Berchtesgaden and the Eagle's lair on Obersalzberg) you can easily see how that within a few years Hitler will emerge from the hatred that surrounds him now as one of the most significant figures who ever lived. He had boundless ambition for his country, which rendered him a menace to the peace of the world, but he had a mystery about him in the way that he lived and in the manner of his death that will live and grow after him. He had in him the stuff of which legends are made. ~ John F Kennedy,
128:The only dream worth having is to dream that you will live while you are alive, and die only when you are dead. To love, to be loved. To never forget your own insignificance. To never get used to the unspeakable violence and vulgar disparity of the life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all to watch. To try and understand. To never look away. And never, never to forget. ~ Arundhati Roy,
129:But my decision to create a disturbance by renovating my house had awoken a different reality, as though I had disturbed a beast sleeping in its lair. I had started to become, in effect, angry. I had started to desire power, because what I now realised was that other people had had it all along, that what I called fate was merely the reverberation of their will, a tale scripted not by some universal storyteller but by people who would elude justice for as long as their actions were met with resignation rather than outrage. ~ Rachel Cusk,
130:Growl he would, from the moment the petting began till it ended. But it was a growl with a new note in it. A stranger could not hear this note, and to such a stranger the growling of White Fang was an exhibition of primordial savagery, nerve–racking and blood–curdling. But White Fang's throat had become harsh–fibred from the making of ferocious sounds through the many years since his first little rasp of anger in the lair of his cubhood, and he could not soften the sounds of that throat now to express the gentleness he felt. ~ Jack London,
131:I had been thinking a lot about how the media has created this complex, fictionalized cartoon version of me, you know, this man-eating, jet-setting serial dater who reels them in, but scares them off because she’s clingy and needy; then she’s all dejected, so she goes into her lair and writes a song as a weapon. I mean, man, that’s pretty intense. And I started thinking about what an interesting character that person is. And, if I was that person, what would my life motto be, my mantra? What would I say? I think I’d own it. ~ Taylor Swift,
132:You know,” she said to Ferbus, “I’ve been thinking.”
“Well, there’s a first time for everything.”
Not in the mood for his antics, Lex grabbed a pair of scissors and brandished them in his face. “I really suggest you rid your work space of sharp objects, we wouldn’t want any unfortunate castrations, now would we?”
“Driggs!” Ferbus yelled into the spidery Lair, where Driggs had wandered to get away from their constant squabbling. “Your partner is threatening to neuter me!”
“Yeah, she does that,” Driggs said from within. ~ Gina Damico,
133:He’s eating like a Neanderthal,” Emilia whispered to her mother. “Do men usually regress while in the wild?” Amusement danced in her golden-brown eyes. Just to mess with her, I groaned even louder and shoved the last third of the burger in my mouth all at once. Kim grinned. “Don’t worry. I don’t think it’s permanent. Once he’s back in his man-lair, he’ll be guzzling beer and watching Darth Vader on Star Trek in no time.” Emilia and I both turned to her, aghast at her blatant error—every nerd’s nightmare. Kim held up her hands in surrender. “Kidding! ~ Brenna Aubrey,
134:Like a slapstick comedian, Dirk suffered all kinds of iniquities. He battled past Mud Men, skeletons, creepy crawlies, giant bats and an obstinate suit of flying horse armour. If he survived the castle’s traps, he’d ultimately find the shapely Princess Daphne waiting for him, locked away inside a glass bubble in Singe the Dragon’s coin-filled lair. She was a blonde siren with nipples erect enough to hang your coat on - and her design owed more to animator Gary Goldman’s Playboy magazine collection than to the chaste Cinderellas and Snow Whites of Disney. ~ Anonymous,
135:lofting itself massively into the low-hanging clouds of the sky. In the early drab twilight it looked like an immense old gray elephant erecting himself somberly on his front legs, his haunches lost in the green bedding of his lair. The mountain seemed wise and powerful, and terrifying in its size. Gallagher stared at it in absorption, caught by a sense of beauty he could not express. The idea, the vision he always held of something finer and neater and more beautiful than the moil in which he lived trembled now, pitched almost to a climax of words. There ~ Norman Mailer,
136:Glass that housed a lonely soul up til midnight's final toll.
A saber from the deepest sea, meant for a groom's morality.
The bark of a basket held in fright while running from a bark with bite.
A stony crown that's made to share, found deep within a savage lair.
A needle that pierced the lovely skin of a princess with beauty found within.
A wavy lock of golden rope that once was freedom's only hope.
Glittering jewels whose value increased after preserving the false deceased.
Teardrops of a maiden fairy feeling neither magical nor merry. ~ Chris Colfer,
137:It struck him as an odd coincidence that they would happen upon such an extensive display of mass slaughter at a time where he could do nothing to address it. His duty was to watch over Saul. Then Mikael suddenly realized that this atrocity was not happenstance. Human sacrifice empowered Molech. And Saul was within the very lair of the monstrous god of the underworld. Saul was galloping into a trap. Mikael raced ahead to the end of the valley where he knew a narrow pass opened up to a plain leading north toward Gibeah. It was the perfect location for an ambush. ~ Brian Godawa,
138:Zeke's snort sounded suspiciously like laughter. "Allie, you're a beautiful, exotic-looking vampire girl with a katana. Trust me, if anyoneis going to attract attention, it's not going to me."
I didn't answer as we crossed the flimsy, creaking bridge into the lair of the vampire king. We didn't talk to each other for several minutes. If Zeke asked, I would've said that I was thinking of how to fing everyone, but that wasn't entirely true. I was thinking of the others and how i was going to get them out alive...but I kept being distracted by the thougth that Zeke had called me beautiful. ~ Julie Kagawa,
139:For a long time , I said, I believe that it was only through absolute passivity that you could learn to see what was really there. But my decision to create a disturbance...had awoken a different reality, as though I had disturbed a beast sleeping in its lair. I had started to become, in effect, angry. I had started to desire power, because what I now realized was that other people had had it all along, that what I called fate was merely the reverberation of their will, a tail scripted not buy some universal storyteller but by people who would elude justice for as long as their actions were met with resignation rather than outrage. ~ Rachel Cusk,
140:The retaliation came in all varieties. One variety came largely from the Soviet soldiers. When they entered East Prussia in January, their propaganda officers hung up huge banners: ‘Soldier, you are now entering the lair of the fascist beast!’ The village of Nemmersdorf (now Mayakovskoya) was taken by the 2nd Red Army Guard, a few days later German troops launched a counteroffensive and entered the town again. They found bodies everywhere: refugees crushed under tanks, children shot in their gardens, raped women nailed to barn doors. The cameras rolled, the images were shown all over Germany: this is what happens when the Russians come in. ~ Geert Mak,
141:The Chord
Courageous lair "might prevail"
Waking up to her your "yellow coal"
Steals a its way
harm's imbrogliatic murmur
to concatenate
has been "said"
a mortal habitation or cut in air
that air leaks through
here too
Tricked again out of
hope's chord
The oscillatory hum in the head, or
continual reaction in the wet mouth to
old oranges, or
mistakes in form
"I retain a clear memory of afternoon light."
A vertebra unfolds its wing, its smallest
wing, the pleasure particulate of such a wing
(harp's corde)
a our mycelium
Anonymous submission.
~ Erin Mouré,
142:In the tall tales told by firelight there was always a brief and laconic conversation. Because the bad guy had to be told why he had to die, as if reference to injured parties like Emily Lair and Peter and Lydia McCann and the gate guard’s grandchildren could conjure up spirits and console them, and also because the bad guy had to be given the chance to either repent or snarl further defiance, either of which could turn a story classic, depending on the hero’s next reply. But tales were tales, and not the real world. Reacher said nothing, and shot the fat man in the head, twice, a double tap, pop pop, and then he watched the kitchen door. Which stayed shut. ~ Lee Child,
143:King Street
A morn, a sallow lamp-lit morn,
A dawn that never breaks to day!
Old, old the faces, and forlorn;
The hearts look out, so seared, so grey!
It is as if some upturned stone
Had flung to light a vermin rout—
For things misfeatured, souls unknown,
Stagger in blind amaze about.
Along their gleaming lines of light
The charging trams go, head to ground;
Out from the drifting pathways, white
The faces flash—like faces drowned!
And there with painted features drear,
And eyes whose pathos still is sweet,
The hunted hunters prowl and peer—
Their lair the long, slow-surging street.
~ Arthur Henry Adams,
144:Ye Old Mule
Ye old mule that think yourself so fair,
Leave off with craft your beauty to repair,
For it is true, without any fable,
No man setteth more by riding in your saddle.
Too much travail so do your train appair.
Ye old mule
With false savour though you deceive th'air,
Whoso taste you shall well perceive your lair
Savoureth somewhat of a Kappurs stable.
Ye old mule
Ye must now serve to market and to fair,
All for the burden, for panniers a pair.
For since gray hairs been powdered in your sable,
The thing ye seek for, you must yourself enable
To purchase it by payment and by prayer,
Ye old mule.
~ David McKee Wright,
145:Come to see the devil in his lair, have you?" he asked.
She came closer, her expression intent and oddly fearless. "You're not the devil. You're only a man. A very f-flawed one."
For the first time in days Sebastian felt a faint urge to smile. A flicker of reluctant interest stirred in him. "Just because the tail and horns aren't visible, child, doesn't mean you should discount the possibility. The devil comes in many guises."
"Then I'm here to make a Faustian bargain." Her speech was very slow, as if she had to think over every word before she spoke. "I have a proposition for you, my lord."
And she drew closer to the hearth, emerging from the darkness that surrounded them both. ~ Lisa Kleypas,
146:Lion And Lioness
ONE night we were together, you and I,
And had unsown Assyria for a lair,
Before the walls of Babylon rose in air.
How languid hills were heaped along the sky,
And white bones marked the wells of alkali,
When suddenly down the lion-path a sound . . .
The wild man-odor . . . then a crouch, a bound,
And the frail Thing fell quivering with a cry!
Your yellow eyes burned beautiful with light:
The dead man lying there quieted and white:
I roared my triumph over the desert wide,
Then stretched out, glad for the sands and satisfied;
And through the long, star-stilled Assyrian night,
I felt your body breathing by my side.
~ Edwin Markham,
MY SOUL is raying like a star,
My heart is happier than a bird,
And all to hear through fortune’s jar
One promissory word.
A sound as simple as the low
Quick sliding gurgle of a rill,
And yet with power to overflow
A world with blissful will!
I feel as though the very air
Was breathen from the heart of Love,
As Pleasure in the sun’s bright lair
Sat brooding like a dove!
A billow of the sunny sea,
A cloudlet of the summer sky,
How wide is their felicity—
So widely blest am I!
O Beauty, through one little word
What boundless power is thine to bless!
O Love, a seraph’s voice is heard
In thy confiding “Yes!”
~ Charles Harpur,
148:In September
SPRING scarce had greener fields to show than these
Of mid September; through the still warm noon
The rivulets ripple forth a gladder tune
Than ever in the summer; from the trees
Dusk-green, and murmuring inward melodies,
No leaf drops yet; only our evenings swoon
In pallid skies more suddenly, and the moon
Finds motionless white mists out on the leas.
Dear chance it were in some rough wood-god's lair
A month hence, gazing on the last bright field,
To sink o'er-drowsed, and dream that wild-flowers blew
Around my head and feet silently there,
Till Spring's glad choir adown the valley pealed,
And violets trembled in the morning dew.
~ Edward Dowden,
149:Fine." I glared at him and shook my head. Stubborn idiot.
"But at least try to look a little more raider-ish, okay? We don't want to attract attention."
Zeke's snort sounded suspiciously like laughter. "Allie, you're a beautiful, exotic-looking vampire girl with a katana. Trust me, if anyone is going to attract attention, it's not going to be me."
I didn't answer as we crossed the flimsy, creaking bridge into the lair of the vampire king. If Zeke had asked, I would've said that I was thinking of how to find everyone, but that wasn't entirely true. I was thinking of the others and how I was going to get them out alive...but I kept being distracted by the thought that Zeke had called me beautiful. ~ Julie Kagawa,
150:All Nature seems at work. Slugs leave their lair
The bees are stirring—birds are on the wing—
And Winter, slumbering in the open air,
Wears on his smiling face a dream of Spring!
And I, the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.

Yet well I ken the banks where amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrighten'd, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.

- Work without Hope ~ Samuel Taylor Coleridge,
151:Once Incarceron became a dragon, and a Prisoner crawled into his lair. They made a wager. They would ask each other riddles, and the one who could not answer would lose. It it was the man, he would give his life. The Prison offered a secret way of Escape. But even as the man agreed, he felt its hidden laughter.
They played for a year and a day. The lights stayed dark. The dead were not removed. Food was not provided. The Prison ignored the cries of its inmates.
Sapphique was the man. He had one riddle left. He said, "What is the Key that unlocks the heart?"
For a day Incarceron thought. For two days. For three. Then it said, "If I ever knew the answer, I have forgotten it."
--Sapphique in the Tunnels of Madness ~ Catherine Fisher,
152:Marsh is not swamp. Marsh is a space of light, where grass grows in water, and water flows into the sky. Slow-moving creeks wander, carrying the orb of the sun with them to the sea, and long-legged birds lift with unexpected grace—as though not built to fly—against the roar of a thousand snow geese. Then within the marsh, here and there, true swamp crawls into low-lying bogs, hidden in clammy forests. Swamp water is still and dark, having swallowed the light in its muddy throat. Even night crawlers are diurnal in this lair. There are sounds, of course, but compared to the marsh, the swamp is quiet because decomposition is cellular work. Life decays and reeks and returns to the rotted duff; a poignant wallow of death begetting life. ~ Delia Owens,
153:Come to see the devil in his lair, have you?” he asked.
She came closer, her expression intent and oddly fearless. “You’re not the devil. You’re only a man. A very fl-flawed one.”
For the first time in days Sebastian felt a faint urge to smile. A flicker of reluctant interest stirred in him. “Just because the tail and horns aren’t visible, child, doesn’t mean you should discount the possibility. The devil comes in many guises.”
“Then I’m here to make a Faustian bargain.” Her speech was very slow, as if she had to think over every word before she spoke. “I have a proposition for you, my lord.”
And she drew closer to the hearth, emerging from the darkness that surrounded them both.

-Sebastian St. Vincent & Evie ~ Lisa Kleypas,
154:For Hitler, the daily routine was unchanged from that in the Wolf’s Lair. At meals – his own often consisted of no more than a plate of vegetables with apples to follow – he could still appear open, relaxed, engaged. As always, he monopolized dinner-table topics of conversation on a wide variety of topics that touched on his interests or obsessions. These included the evils of smoking, the construction of a motorway-system throughout the eastern territories, the deficiencies of the legal system, the achievements of Stalin as a latter-day Ghengis Khan, keeping the standard of living low among the subjugated peoples, the need to remove the last Jews from German cities, and the promotion of private initiative rather than a state-controlled economy. ~ Ian Kershaw,
155:Ah yes," Gabe said, "Pinter is ever the gallant when it comes to the ladies. He wouldn't risk leaving us alone with poor Miss Lake, for the fear one of us might spirit her off to our lair."
"Why?" Miss Lake asked, with a lift of her brow. "Do you three make a habit of spiriting women off?"
"Only on Tuesdays and Fridays," Masters said. "Seeing as how it's Wednesday, your safe."
"Unless you're wearing a blue garter, madam," Gabe quipped. "On Wednesdays, Masters and I have a great fondness for blue garters. Are your gaters blue, Miss Lake?"
"Only on Mondays and Thursdays." She dealt thirteen cards apiece to the two of them, then put the rest aside as the stock, turning the top card faceup. "Sorry gentlemen. I guess you'll have to spirit off some other woman. ~ Sabrina Jeffries,
156:At least the awkwardness between her and Driggs had dissipated. This was no more evident than the afternoon Lex caught Driggs lying face-down on the ground of the Lair, allowing scores of black widow spiders to crawl over his body. “Again?” Lex said, exasperated. “Really?”

“You gotta try it,” he said contentedly into the floor.

“No way. They don’t like me the way they like you.”

“Probably because you don’t cry yourself to sleep in their presence,” he said, quoting her taunt from their big fight. The whole thing had turned into something of a running joke between them. Often, when bored or uncomfortable, they repeated the insults they had hurled at each other that night, loudly guffawing at each reiteration. This is what is known as a defense mechanism ~ Gina Damico,
157:Apparently I’m hopeless when it comes to relationships.”

“No, you’re not.” I ease up on my tiptoes and kiss the corner of his jaw. “You’re a bit inept, sure. But you’re also ridiculously talented when it comes to romantic gestures, so if you screw up again, I’m ninety percent sure you’ll be able to win me back.”

“Only ninety percent?” He looks upset.

“Well, it depends how badly you screw up. I mean, if it’s picking a fight with me like you did today, then obviously we’ll be able to work through it. But if I’m over at your house and I go down to the basement and find a serial killer lair? No promises.”

“Jesus Christ, what is your obsession with serial killers?” He grins. “Hey, that should be your specialty. Profiling killers.”

Damn. Not a bad idea. ~ Elle Kennedy,
We know where deepest lies the snow,
And where the frost-winds keenest blow,
O'er every mountain's brow,
We long have known and learnt to bear
The wandering outlaw's toil and care,
But where we late were hunted, there
Our foes are hunted now.
We have their princely homes, and they
To our wild haunts are chased away,
Dark woods, and desert caves.
And we can range from hill to hill,
And chase our vanquished victors still;
Small respite will they find until
They slumber in their graves.
But I would rather be the hare,
That crouching in its sheltered lair
Must start at every sound;
That forced from cornfields waving wide
Is driven to seek the bare hillside,
Or in the tangled copse to hide,
Than be the hunter's hound.
~ Anne Brontë,
159:The lair needs to know.”
“Yeah, I know that, but I would have preferred it if we didn’t have to make a big thing out of it. It would have been easier to just ask you and the other sentinels to pass on the news.”
“You’re their Prime, and there are certain expectations that come with that position. Making public announcements about key information is one of them. Celebrating important events is another. Your pregnancy is both of those things.”
“Yes, but have you not seen how people respond to a pregnant woman?” By the way his brow furrowed, no, he hadn’t. “Everyone’s suddenly an expert on babies and they’re all full of advice and nosy-ass questions. I’m glad my stomach’s not that big – people are a hell of a lot worse if there’s a bump. They try rubbing it like it’s a damn genie-infested lamp.”
“Genie-infested?” he chuckled.
“You get my point. ~ Suzanne Wright,
160:A Hunting Song
Hunters, where does Hope nest?
Not in the half-oped breast,
Nor the young rose,
Nor April sunrise—those
With a quick wing she brushes,
The wide world through,
Greets with the throat of thrushes,
Fades from as fast as dew.
But, would you spy her sleeping,
Cradled warm,
Look in the breast of weeping,
The tree stript by storm;
But, would you bind her fast,
Yours at last,
Bed-mate and lover,
Gain the last headland bare
That the cold tides cover,
There may you capture her, there,
Where the sea gives to the ground
Only the drift of the drowned.
Yet, if she slips you, once found,
Push to her uttermost lair
In the low house of despair.
There will she watch by your head,
Sing to you till you be dead,
Then, with your child in her breast,
In another heart build a new nest.
~ Edith Wharton,
161:Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dikes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip. "Hold ~ Charles Dickens,
162:Keen, fitful gusts are whisp'ring here and there
Among the bushes half leafless, and dry;
The stars look very cold about the sky,
And I have many miles on foot to fare.
Yet feel I little of the cool bleak air,
Or of the dead leaves rustling drearily,
Or of those silver lamps that burn on high,
Or of the distance from home's pleasant lair:
For I am brimfull of the friendliness
That in a little cottage I have found;
Of fair-hair'd Milton's eloquent distress,
And all his love for gentle Lycid drown'd;
Of lovely Laura in her light green dress,
And faithful Petrarch gloriously crown'd.
'Clarke records that this sonnet was written on the occasion of Keats's first becoming acquainted with Leigh Hunt at the Cottage in the Vale of Health, Hampstead.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet IX. Keen, Fitful Gusts Are
163:Winter Nears
Winter nears. Once more
the bear’s secret retreat
will vanish under mud’s floor,
to a child’s fretful grief.
Huts will wake in the water,
reflecting paths of smoke,
circled by autumn’s tremor
lovers meet by the fire to talk.
Denizens of the harsh North
whose roof is the clear air,
‘In this sign conquer’, set forth,
marks each unreachable lair.
I love you, provincial haunts,
off the map, the road, past the farms,
the more tired and faded the book,
the greater for me its charms.
Slow files of carts lumbering by
you spell out an alphabet flowing
from meadow to meadow. And I
found you always my favourite reading.
And it’s suddenly written again,
here in first snow is the spider’s
cursive script, runners of sleighs,
where ice on the page embroiders.
A silvered hazel October.
Pewter glow since frost began.
Autumn twilight, of Chekhov,
Tchaikovsky, and Levitan.
~ Boris Pasternak,
164:The Wolf
Like a grey shadow lurking in the light,
He ventures forth along the edge of night;
With silent foot he scouts the coulie's rim
And scents the carrion awaiting him.
His savage eyeballs lurid with a flare
Seen but in unfed beasts which leave their lair
To wrangle with their fellows for a meal
Of bones ill-covered. Sets he forth to steal,
To search and snarl and forage hungrily;
A worthless prairie vagabond is he.
Luckless the settler's heifer which astray
Falls to his fangs and violence a prey;
Useless her blatant calling when his teeth
Are fast upon her quivering flank--beneath
His fell voracity she falls and dies
With inarticulate and piteous cries,
Unheard, unheeded in the barren waste,
To be devoured with savage greed and haste.
Up the horizon once again he prowls
And far across its desolation howls;
Sneaking and satisfied his lair he gains
And leaves her bones to bleach upon the plains.
~ Emily Pauline Johnson,
165:To one who has been long in city pent,
    'Tis very sweet to look into the fair
    And open face of heaven -- to breathe a prayer
  Full in the smile of the blue firmament.
  Who is more happy, when, with heart's content,
    Fatigued he sinks into some pleasant lair
    Of wavy grass, and reads a debonair
  And gentle tale of love and languishment?
  Returning home at evening, with an ear
    Catching the notes of Philomel,-- an eye
  Watching the sailing cloudlet's bright career,
    He mourns that day so soon has glided by:
  E'en like the passage of an angel's tear
    That falls through the clear ether silently.
'In a transcript in the hand-writing of George Keats this sonnet is subscribed as "Written in the Fields -- June 1816." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet X. To One Who Has Been Long In City Pent
166:The Piute
Unbeautiful is the Piute!
Howe'er bedecked with bravery,
His person is unsavory
Of soap he's destitute.
He multiplies upon the earth
In spite of all admonishing;
All censure his astonishing
And versatile unworth.
Upon the Reservation wide
We give for his inhabiting
He goes a-jackass rabbiting
To furnish his inside.
The hopper singing in the grass
He seizes with avidity:
He loves its tart acidity,
And gobbles all that pass.
He penetrates the spider's veil,
Industriously pillages
The toads' defenseless villages,
And shadows home the snail.
He lightly runs to earth the quaint
Red worm and, deftly troweling,
He makes it with his boweling
Familiarly acquaint.
He tracks the pine-nut to its lair,
Surrounds it with celerity,
Regards it with asperity
Smiles, and it isn't there!
I wish he'd open up a grin
Of adequate vivacity
And carrying capacity
To take his Agent in.
~ Ambrose Bierce,
167:If there was a moment that determined the course of my future, I'm pretty sure this was it. I had two somewhat simple choices. I could make a run for it and go back to Uncle Al's. Back to the bonfire where my cousins and dear sister would be drinking and revel in the normalcy of a Saturday night and forget I ever went to this horrid place and ran into this weirdo. Or I could go with said weirdo up the stairs in this decrepit old lighthouse, which was most likely condemned and unsafe, towards some unknown person (or thing) that was walking around, potentially waiting to murder us in horrific ways.

It didn't seem like a very hard decision to make. In fact, I think 99.7% of people in the right frame of mind would have picked from column A and gone on with their merry lives. But for some freaking crazy reason, I thought that maybe, just maybe I should go with this stranger up those kelp-ridden stairs and toward the lair of unimaginable horror. You know, because it was the more interesting alternative. ~ Karina Halle,
168:Old ocean, the different species of fish that you nurture have not sworn brotherhood among themselves. Each species lives apart, on its own. The varying temperaments & conformations of each one satisfactorily explain what at first appears an anomaly. So it is with man, who has not the same motives as excuse. If a piece of land be occupied by thirty million human beings, they consider they have no obligation to concern themselves with the existence of their neighbors who are settled like roots in the adjacent patch of land. And descending from the general to the particular, each man lives like a savage in his den & rarely leaves it to visit his fellow --crouching alike in another lair. The great universal human family is a utopia worthy of the most paltry logic. Besides, from the spectacle of your fecund breasts emerges the notion of ingratitude, for one thinks immediately of those innumerable parents ungrateful enough towards the Creator to abandon the fruit of their sorry unions. I hail you old ocean! ~ Comte de Lautr amont,
169:ls the Conjugial Angel stone
That here he stands with heavy head
The backward-looking pillared dead
Inert, moss-covered, aIl alone?

The Holy Ghost trawls ln the Void,
With fleshly Sophy on His Hook
The Sons of God crowd round to look
At plumpy limbs to be enjoyed

The Greater Man casts out the line
With dangling Sophy as the lure
Who howls around the Heavens' colure
To clasp the Human Form Divine

Rose-petals fall from fallen hair
That in the clay is redolent
Of liquid oozings and the scent
Of the dark Pit, the Beastly lair

And is my Love become the beast
That was, and is not, and yet is,
Who stretches scarlet holes to kiss
And clasps with claws the fleshly feast

Sweet Rosamund, adult'rous Rose
May lie inside her urn and stink
Whlle Alfred's tears tum into ink
And drop into her quelque-chose

The Angel spreads his golden wings
And raises high his golden cock
And man and wife together lock
Into one corpse that moans and sings ~ A S Byatt,
170:Ballade Of Autumn
We built a castle in the air,
In summer weather, you and I,
The wind and sun were in your hair, Gold hair against a sapphire sky:
When Autumn came, with leaves that fly
Before the storm, across the plain,
You fled from me, with scarce a sigh My Love returns no more again!
The windy lights of Autumn flare:
I watch the moonlit sails go by;
I marvel how men toil and fare,
The weary business that they ply!
Their voyaging is vanity,
And fairy gold is all their gain,
And all the winds of winter cry,
'My Love returns no more again!'
Here, in my castle of Despair,
I sit alone with memory;
The wind-fed wolf has left his lair,
To keep the outcast company.
The brooding owl he hoots hard by,
The hare shall kindle on thy hearth-stane,
The Rhymer's soothest prophecy,-My Love returns no more again!
Lady, my home until I die
Is here, where youth and hope were slain:
They flit, the ghosts of our July,
My Love returns no more again!
~ Andrew Lang,
171:It's mechanical," Leo said. "Maybe a doorway to the dwarfs' secret lair?"
"Ooooo!" shrieked a nearby voice. "Secret lair?"
"I want a secret lair!" yelled another voice from above.


"If we had a secret lair," said Red Fur, "I would want a firehouse pole."
"And a waterslide!" said Brown Fur, who was pulling random tools out of Leo's belt, tossing aside wrenches, hammers, and staple guns.
"Stop that!" Leo tried to grab the dwarf's feet, but he couldn't reach the top of the pedestal.
"Too short?" Brown Fur sympathized.
"You're calling me short?" Leo looked around for something to throw, but there was nothing but pigeons, and he doubted he could catch one. "Give me my belt, you stupid-"
"Now, now!" said Brown Fur. "We haven't even introduced ourselves. I'm Akmon, and my brother over there-"
"-is the handsome one!" The red-furred dwarf lifted his espresso. Judging from his dilated eyes and maniacal grin, he didn't need any more caffeine. "Passolos! Singer of songs! Drinker of coffee! Stealer of shiny stuff! ~ Rick Riordan,
172:The Game
Old courtesans in washed-out armchairs,
pale, eyebrows blacked, eyes ‘tender’, ‘fatal’,
simpering still, and from their skinny ears
loosing their waterfalls of stone and metal:
Round the green baize, faces without lips,
lips without blood, jaws without the rest,
clawed fingers that the hellish fever grips,
fumbling an empty pocket, heaving breast:
below soiled ceilings, rows of pallid lights,
and huge candelabras shed their glimmer,
across the brooding brows of famous poets:
here it’s their blood and sweat they squander:
this the dark tableau of nocturnal dream
my clairvoyant eye once watched unfold.
In an angle of that silent lair, I leaned
hard on my elbows, envious, mute, and cold,
yes, envying that crew’s tenacious passion,
the graveyard gaiety of those old whores,
all bravely trafficking to my face, this one
her looks, that one his family honour,
heart scared of envying many a character
fervently rushing at the wide abyss,
drunk on their own blood, who’d still prefer
torment to death, and hell to nothingness!
~ Charles Baudelaire,
173:Her, though! Once when I was in high school she caught me doing something or other, imitating my Spanish teacher, perhaps with a pair of tights on my head, and said, like someone at the end of her rope, “What are you, a queer?” I’d been called a sissy before, not by her but by plenty of other people. That was different, though, as the word was less potent, something used by children. When my mother called me a queer, my face turned scarlet and I exploded. “Me? What are you talking about? Why would you even say a thing like that?” Then I ran down to my room, which was spotless, everything just so, the Gustav Klimt posters on the walls, the cornflower-blue vase I’d bought with the money I earned babysitting. The veil had been lifted, and now I saw this for what it was: the lair of a blatant homosexual. That would have been as good a time as any to say, “Yes, you’re right. Get me some help!” But I was still hoping that it might be a phase, that I’d wake up the next day and be normal. In the best of times, it seemed like such a short leap. I did fantasize about having a girlfriend—never the sex part, but the rest of it I had down. I knew what she’d ~ David Sedaris,
174:So my exploration continued, up dark stairwells and down dim passages. I came across a room full of antelope and deer trophies, the walls lined with dozens of ribbed or twisted horns, as if it were the entrance lobby to some stately home owned by a bloodthirsty monomaniac. On another occasion I found my way into one of the towers that flanked the main entrance to the Museum- only to find that to get there one had to take a path that led over the roof. I came across a taxidermist's lair, where a man with an eye patch was reconstructing a badger. I failed to find the Department of Mineralogy altogether, apart from meeting some meteorite experts in their redoubt at the end of the minerals gallery. There seemed to be no end to it. Even now, after more than thirty years of exploration, there are corners I have never visited. It was a place... labyrinthine and almost endless, where some forgotten specialist might be secreted in a room so hard to find that his very existence might be called into question. I felt that somebody might go quietly mad in a distant compartment and never be called to account. I was to discover that this was no less than the truth. ~ Richard Fortey,
175:Then the guy in the yard opened the slider and stepped inside, and the back of Reacher’s brain showed him the whole chess game right there, laid out, obvious, like flashing neon arrows, in immense and grotesque detail, the snap pivot left and the round into the meat of the yard guy’s chest, where it was less likely than a head shot to go through-and-through, which was good, given a neighborhood behind them full of wooden fences, but where it was more likely to soak the Lair family with thick pink mist, from behind, hair and all, which wasn’t good, because it would be traumatic, especially during such a week, except on reflection Reacher figured the week was already pretty much a disaster from that exact point onward, given that the chess game said there would be a dead guy at that very moment sliding to the floor of their private house, even as the homeowner-owned Python was snapping right again for two rounds at where the silhouette of the shoulder had been, which two rounds might or might not hit anything, but which would give a second’s cover for the scramble around the sofa and the capture of the dead guy’s Ruger, for a total of three rounds expended and fifteen gained. ~ Lee Child,
It’s Sammy, holding on to Ben, because he’s feeling the Ben thing a little more than he is the Cassie one at the moment. Who’s this guy falling from the ductwork, and what’s he doing with my sister?
“This must be Sammy,” Evan says.
“This is Sammy,” I say. “Oh! And this is—”
“Ben Parish,” Ben says.
“Ben Parish?” Evan looks at me. That Ben Parish?
“Ben,” I say, my face on fire. I want to laugh and crawl under the counter at the same time. “This is Evan Walker.”
“Is he your boyfriend?” Sammy asks.
I don’t know what to say. Ben looks totally lost, Evan completely amused, and Sammy just damned curious. It’s my first truly awkward moment in the alien lair, and I’d been through my share of moments.
“He’s a friend from high school,” I mutter.
And Evan corrects me, since it’s clear I’ve lost my mind. “Actually, Sam, Ben is Cassie’s friend from high school.”
“She’s not my friend,” Ben says. “I mean, I guess I kind of remember her…” Then Evan’s words sink in. “How do you know who I am?”
“He doesn’t!” I fairly shout.
Cassie told me about you,” Evan says. I elbow him in the ribs, and he gives me a look like What?
“Maybe we can chat about how everybody knows one another later ~ Rick Yancey,
177:If you fall for a dark-eyed beauty, pretty as a picture, with lips as sweet as a luscious rasberry, and a gentle face, unrumpled by kisses, like an apple-blossom petal in May, and she becomes your love—then do not say that love is yours: even though you cannot tire of her rounded breasts, of her slender frame that melts in your embrace like wax before a flame. . . . The day will come, that cruel hour will come, the fatal moment will come, when he face will fade, rumpled by kisses, her breasts will no longer quiver at your touch: all this will come to pass; and you will be alone with your own shadow amidst the sunscorched deserts and the dried up springs, where flowers do not bloom and the sunlight plays on the dry skin of a lizard; and you might even see the hairy black tarantula’s lair, all enmeshed in the threads of its web . . . And then your thirsting voice will be raised from the sands, calling longingly to your homeland.
But if your love is otherwise, if her browless face has once been touched by the black blemish of the pox, if her hair is red, her breasts sagging, her bare feet dirty, and to any extent at all her stomach protrudes, and still she is your love—then that which you have sought and found in her is the sacred homeland of your soul. ~ Andrei Bely,
178:The eye of the spirit can nowhere find more dazzling brilliance and more shadow than in man; it can fix itself on no other thing which is more formidable, more complicated, more mysterious, and more infinite. There is a spectacle more grand than the sea; it is heaven: there is a spectacle more grand than heaven; it is the inmost recesses of the soul.

To make the poem of the human conscience, were it only with reference to a single man, were it only in connection with the basest of men, would be to blend all epics into one superior and definitive epic. Conscience is the chaos of chimeras, of lusts, and of temptations; the furnace of dreams; the lair of ideas of which we are ashamed; it is the pandemonium of sophisms; it is the battlefield of the passions. Penetrate, at certain hours, past the livid face of a human being who is engaged in reflection, and look behind, gaze into that soul, gaze into that obscurity. There, beneath that external silence, battles of giants, like those recorded in Homer, are in progress; skirmishes of dragons and hydras and swarms of phantoms, as in Milton; visionary circles, as in Dante. What a solemn thing is this infinity which every man bears within him, and which he measures with despair against the caprices of his brain and the actions of his life! ~ Victor Hugo,
179:Down through the druid wood I saw Wildman join with Cleaver Creek, put on weight, exchange his lean and hungry look for one of more well-fed fanaticism. Then came Chichamoonga, the Indian Influence, whooping along with its banks war-painted with lupine and columbine. Then Dog Creek, then Olson Creek, then Weed Creek. Across a glacier-raked gorge I saw Lynx Falls spring hissing and spitting from her lair of fire-bright vine maple, claw the air with silver talons, then crash screeching into the tangle below. Darling Ida Creek slipped demurely from beneath a covered bridge to add her virginal presence, only to have the family name blackened immediately after by the bawdy rollicking of her brash sister, Jumping Nellie. There followed scores of relatives of various nationalities: White Man Creek, Dutchman Creek, Chinaman Creek, Deadman Creek, and even a Lost Creek, claiming with a vehement roar that, in spite of hundreds of other creeks in Oregon bearing the same name, she was the one and only original...Then Leaper Creek...Hideout Creek...Bossman Creek...I watched them one after another pass beneath their bridges to join in the gorge running alongside the highway, like members of a great clan marshaling into an army, rallying, swelling, marching to battle as the war chant became deeper and richer. ~ Ken Kesey,
Good-night! Now dwindle wan and low
The embers of the afterglow,
And slowly over leaf and lawn
Is twilight's dewy curtain drawn.
The slouching vixen leaves her lair,
And, prowling, sniffs the tell-tale air.
The frogs croak louder in the dyke,
And all the trees seem dark alike:
The bee is drowsing in the comb,
The sharded beetle hath gone home:
Good-night! The hawk is in his nest,
And the last rook hath dropped to rest.
There is no hum, no chirp, no bleat,
No rustle in the meadow-sweet.
The woodbine, somewhere out of sight,
Sweetens the loneliness of night.
The Sister Stars, that once were seven,
Mourn for their missing mate in Heaven.
The poppy's fair frail petals close,
The lily yet more languid grows,
And dewy-dreamy droops the rose:
Good-night! Caressing and caressed,
The moist babe warms its mother's breast.
Silent are rustic loom and lathe;
The scythe lies quiet as the swathe;
The woodreeve blinks in covert shed,
The weary yokel is abed,
The covey warm beneath the wing,
And sleep enfoldeth everything.
Forsaken love, its last tear shed,
On the lone pillow lays its head,
And all our woes are respited:
~ Alfred Austin,
181:The Spirit Of Great Joan
Back of each soldier who fights for France,
Aye, back of each woman and man
Who toils and prays through these long tense days.
Is the spirit of Great Joan.
For the love she gave, and the life she gave,
In the eyes of God sufficed
To crown her with light, and power, and might,
That made her second to Christ.
And so in that hour at the Marne she came,
To the seeing eyes of men;
And the blind of view still felt and knew
That her spirit had come again.
And she will come in each crucial hour
And joy shall follow despair,
For Joan sees her France on its knees
And she hears the voice of its prayer.
There is no hate in the heart of France,
But a mighty moral force
That takes its stand for her worshipped land,
And cannot be swerved from its course.
For this is the way with France to-day,
Her courage comes from faith,
And she bends her knee ere she straightens her arm;
In her forward rush toward death.
A jungle of beasts in the heart of the HunWar to the world laid bare.
And war has revealed, that France concealed,
Only the lion's lair.
A lioness fighting to save her own,
She fights as a lioness can,
And strength to the end shall the Unseen send,
In the spirit of Great Joan.
~ Ella Wheeler Wilcox,
182:Let kings stack their treasure houses ceiling-high, and merchants burst their vaults with hoarded coin, and fools envy them. I have a treasure that outvalues theirs. A diamond as big as a man’s skull. Twelve rubies each as big as the skull of a cat. Seventeen emeralds each as big as the skull of a mole. And certain rods of crystal and bars of orichalcum. Let Overlords swagger jewel-bedecked and queens load themselves with gems, and fools adore them. I have a treasure that will outlast theirs. A treasure house have I builded for it in the far southern forest, where the two hills hump double, like sleeping camels, a day’s ride beyond the village of Soreev. “A great treasure house with a high tower, fit for a king’s dwelling—yet no king may dwell there.  Immediately below the keystone of the chief dome my treasure lies hid, eternal as the glittering stars. It will outlast me and my name, I, Urgaan of Angarngi. It is my hold on the future. Let fools seek it. They shall win it not. For although my treasure house be empty as air, no deadly creature in rocky lair, no sentinel outside anywhere, no pitfall, poison, trap, or snare, above and below the whole place bare, of demon or devil not a hair, no serpent lethal-fanged yet fair, no skull with mortal eye a-glare, yet have I left a guardian there. Let the wise read this riddle and forbear. ~ Fritz Leiber,
183:The only way to free yourself from a lifetime of being tyrannized by your own thought processes, whether you suffer from excessive anxiety or not, is to come to see your thoughts for what they are and to discern the sometimes subtle—but most often not-so-subtle—seeds of craving and aversion, of greed and hatred, at work within them. When you can successfully step back and see that you are not your thoughts and feelings, that you do not have to believe them, and that you certainly do not have to act on them, when you see vividly that many of them are inaccurate, judgmental, and fundamentally greedy or aversive, you will have found the key to understanding why you feel so much fear and anxiety. At the same time you will have found the key to maintaining your equilibrium. Fear, panic, and anxiety will no longer be uncontrollable demons. Instead you will see them as natural mental states that can be worked with and accepted just like any others. Then, lo and behold, the demons may not come around and bother you so much. You may find that you don’t see them at all for long stretches. You may wonder where they went or even whether they ever existed. Occasionally you may see some smoke, just enough to remind you that the lair of the dragon is still occupied, that fear is a natural part of living, but not something you have to be afraid of. ~ Jon Kabat Zinn,
184:Freed of the burden I had been carrying, I moved on, this time circling east. Under an overpass at Nogizaka, north of Roppongi-dori, I saw a half-dozen chinpira, gaudy in sleek racing leathers, squatting in a tight semicircle, their low-slung metal motorcycles parked on the footpath alongside them. Fragments of their conversation skipped off the concrete wall to my right, the words unintelligible but the notes tuned as tight as the tricked-out exhaust pipes of their machines. They were probably jacked on kakuseizai, the methamphetamine that has been the Japanese drug of choice since the government distributed it to soldiers and workers during World War II, and of which these chinpira were doubtless both purveyors and consumers. They were waiting for the drug-induced hum in their muscles and brains to hit the right pitch, for the hour to grow suitably late and the night more seductively dark, before emerging from their concrete lair and answering the neon call of Roppongi. I watched them take notice of me, a solitary figure approaching from the southern end of what was in effect a narrow tunnel. I considered crossing the street, but a metal divider made that maneuver unfeasible. I might simply have backed up and taken a different route. My failure to do so made it more difficult for me to deny that I was indeed heading toward the cemetery. ~ Barry Eisler,
185:The Stormy Petrel
A THOUSAND miles from land are we,
Tossing about on the roaring sea;
From billow to bounding billow cast,
Like fleecy snow on the stormy blast:
The sails are scatter’d abroad, like weeds,
The strong masts shake like quivering reeds,
The mighty cables, and iron chains,
The hull, which all earthly strength disdains,
They strain and they crack, and hearts like stone
Their natural hard, proud strength disown.
Up and down! Up and down!
From the base of the wave to the billow’s crown,
And midst the flashing and feathery foam
The Stormy Petrel finds a home,—
A home, if such a place may be,
For her who lives on the wide, wide sea,
On the craggy ice, in the frozen air,
And only seeketh her rocky lair
To warm her young, and to teach them spring
At once o’er the waves on their stormy wing.
O’er the Deep! O’er the Deep!
Where the whale, and the shark, and the sword-fish sleep,
Outflying the blast and the driving rain,
The Petrel telleth her tale—in vain;
For the mariner curseth the warning bird
Who bringeth him news of the storms unheard!
Ah! thus does the prophet, of good or ill,
Meet hate from the creatures he serveth still:
Yet he ne’er falters:—So, Petrel! spring
Once more o’er the waves on thy stormy wing!
~ Barry Cornwall,
186:The Pannikin Poet
There's nothing here sublime,
But just a roving rhyme,
Run off to pass the time,
With nought titanic in.
The theme that it supports,
And, though it treats of quarts,
It's bare of golden thoughts -It's just a pannikin.
I think it's rather hard
That each Australian bard -Each wan, poetic card -With thoughts galvanic in
His fiery thought alight,
In wild aerial flight,
Will sit him down and write
About a pannikin.
He makes some new-chum fare
From out his English lair
To hunt the native bear,
That curious mannikin;
And then the times get bad
That wandering English lad
Writes out a message sad
Upon his pannikin:
"O mother, think of me
Beneath the wattle tree"
(For you may bet that he
Will drag the wattle in)
"O mother, here I think
That I shall have to sink,
There ain't a single drink
The water-bottle in."
The dingo homeward hies,
The sooty crows uprise
And caw their fierce surprise
A tone Satanic in;
And bearded bushmen tread
Around the sleeper's head -"See here -- the bloke is dead!
Now where's his pannikin?"
They read his words and weep,
And lay him down to sleep
Where wattle branches sweep,
A style mechanic in;
And, reader, that's the way
The poets of today
Spin out their little lay
About a pannikin.
~ Banjo Paterson,
187:The war was all that mattered to Hitler. Yet, cocooned in the strange world of the Wolf's Lair, he was increasingly severed from its realities, both at the front and at home. Detachment ruled out all vestiges of humanity. Even towards those in his own entourage who had been with him for many years, there was nothing resembling real affection, let alone friendship; genuine fondness was reserved only for his young Alsatian. He had described the human being the previous autumn as no more than 'a ridiculous "cosmic bacterium" (eine lächerliche "Weltraumbakterie")'. Human life and suffering was, thus, of no consequence to him. He never visited a field-hospital, nor the homeless after bomb-raids. He saw no massacres, went near no concentration camp, viewed no compound of starving prisoners-of-war. His enemies were in his eyes like vermin to be stamped out. But his profound contempt for human existence extended to his own people. Decisions costing the lives of tens of thousands of his soldiers were made — perhaps it was only thus possible to make them — without consideration for any human plight. As he had told Guderian during the winter crisis, feelings of sympathy and pity for the suffering of his soldiers had to be shut out. For Hitler, the hundreds of thousands of dead and maimed were merely an abstraction, the suffering a necessary and justified sacrifice in the 'heroic struggle' for the survival of the people. ~ Ian Kershaw,
188:He surveyed me, his eyes half closed, as if wondering if I were a delicious snack. I had an image of a massive dragon circling me slowly, eyes full of magic fixed on me as he moved, considering if he should bite me in half.
“Dragons.” Rogan snapped his fingers.
Oh crap.
“I wondered why I kept getting dragons around you.” He leaned forward. His eyes lit up, turning back to their clear sky blue. “You think I’m a dragon.”
“Don’t be ridiculous.” My face felt hot. I was probably blushing. Damn it.
His smile went from amused to sexual, so charged with promise that carnal was the only way to describe it. I almost bolted out of my chair.
“Big powerful scary dragon.”
“You have delusions of grandeur.”
“Do I have a lair? Did I kidnap you to it from your castle?”
I stared straight at him, trying to frost my voice. “You have some strange fantasies, Rogan. You may need professional help.”
“Would you like to volunteer?”
“No. Besides, dragons kidnap virgins, so I’m out.” And why had I just told him I was not a virgin? Why did I even go there?
“It doesn’t matter if I’m the first. It only matters that I’ll be the last.”
“You won’t be the first, the last, or anything in between. Not in a million years.”
He laughed.
“Rogan,” I ground out through my teeth. “I’m on the clock. My client is in the next room mourning his wife. Stop flirting with me.”
“Stop? I haven’t even started. ~ Ilona Andrews,
Behold! the days of miracle at last
Return-if ever they were truly past:
From sinful creditors' unholy greed
The church called Calvary at last is freed
So called for there the Savior's crucified,
Roberts and Carmany on either side.
The circling contribution-box no more
Provokes the nod and simulated snore;
No more the Lottery, no more the Fair,
Lure the reluctant dollar from its lair,
Nor Ladies' Lunches at a bit a bite
Destroy the health yet spare the appetite,
While thrifty sisters o'er the cauldron stoop
To serve their God with zeal, their friends with soup,
And all the brethren mendicate the earth
With viewless placards: 'We've been _so_ from birth!'
Sure of his wage, the pastor now can lend
His whole attention to his latter end,
Remarking with a martyr's prescient thrill
The Hemp maturing on the cheerless Hill.
The holy brethren, lifting pious palms,
Pour out their gratitude in prayer and psalms,
Chant _De Profundis_, meaning 'out of debt,'
And dance like mad-or would if they were let.
Deeply disguised (a deacon newly dead
Supplied the means) Jack Satan holds his head
As high as any and as loudly sings
His _jubilate_ till each rafter rings.
'Rejoice, ye ever faithful,' bellows he,
'The debt is lifted and the temple free!'
Then says, aside, with gentle cachination:
'I've got a mortgage on the congregation.'
~ Ambrose Bierce,
190:Is it the Eternal Triune, is it He
Who dares arrest the wheels of destiny
And plunge me in the lowest Hell of Hells?
Will not the lightning's blast destroy my frame?
Will not steel drink the blood-life where it swells?
Nolet me hie where dark Destruction dwells,
To rouse her from her deeply caverned lair,
And, taunting her cursed sluggishness to ire,
Light long Oblivion's death-torch at its flame
And calmly mount Annihilation's pyre.
Tyrant of Earth! pale Misery's jackal Thou!
Are there no stores of vengeful violent fate
Within the magazines of Thy fierce hate?
No poison in the clouds to bathe a brow
That lowers on Thee with desperate contempt?
Where is the noonday Pestilence that slew
The myriad sons of Israel's favoured nation?
Where the destroying Minister that flew
Pouring the fiery tide of desolation
Upon the leagued Assyrian's attempt?
Where the dark Earthquake-daemon who engorged
At the dread word Korah's unconscious crew?
Or the Angel's two-edged sword of fire that urged
Our primal parents from their bower of bliss
(Reared by Thine hand) for errors not their own
By Thine omniscient mind foredoomed, foreknown?
Yes! I would court a ruin such as this,
Almighty Tyrant! and give thanks to Thee--
Drink deeplydrain the cup of hate; remit this--I may die.
Published (from the Esdaile manuscript book) by Bertram Dobell, 1887.
~ Percy Bysshe Shelley, The Wandering Jews Soliloquy
191:The Limitations Of Youth
I'd like to be a cowboy an' ride a fiery hoss
Way out into the big an' boundless west;
I'd kill the bears an' catamounts an' wolves I come across,
An' I'd pluck the bal' head eagle from his nest!
With my pistols at my side,
I would roam the prarers wide,
An' to scalp the savage Injun in his wigwam would I ride-If I darst; but I darsen't!
I'd like to go to Afriky an' hunt the lions there,
An' the biggest ollyfunts you ever saw!
I would track the fierce gorilla to his equatorial lair,
An' beard the cannybull that eats folks raw!
I'd chase the pizen snakes
An' the 'pottimus that makes
His nest down at the bottom of unfathomable lakes-If I darst; but I darsen't!
I would I were a pirut to sail the ocean blue,
With a big black flag aflyin' overhead;
I would scour the billowy main with my gallant pirut crew
An' dye the sea a gouty, gory red!
With my cutlass in my hand
On the quarterdeck I'd stand
And to deeds of heroism I'd incite my pirut band-If I darst; but I darsen't!
And, if I darst, I'd lick my pa for the times that he's licked me!
I'd lick my brother an' my teacher, too!
I'd lick the fellers that call round on sister after tea,
An' I'd keep on lickin' folks till I got through!
You bet! I'd run away
From my lessons to my play,
An' I'd shoo the hens, an' tease the cat, an' kiss the girls all day-If I darst; but I darsen't!
~ Eugene Field,
When my blood flows calm as a purling river,
When my heart is asleep and my brain has sway,
It is then that I vow we must part for ever,
That I will forget you, and put you away
Out of my life, as a dream is banished
Out of the mind when the dreamer awakes;
That I know it will be when the spell has vanished,
Better for both of our sakes.
When the court of the mind is ruled by Reason,
I know it wiser for us to part;
But Love is a spy who is plotting treason,
In league with that warm, red rebel, the Heart.
They whisper to me that the King is cruel,
That his reign is wicked, his law a sin,
And every word they utter is fuel
To the flame that smoulders within.
And on nights like this, when my blood runs riot
With the fever of youth and its mad desires,
When my brain in vain bids my heart be quiet,
When my breast seems the centre of lava-fires,
Oh, then is when most I miss you,
And I swear by the stars and my soul and say
That I will have you, and hold you, and kiss you,
Though the whole world stands in the way.
And like Communists, as mad, as disloyal,
My fierce emotions roam out of their lair;
They hate King Reason for being royal –
They would fire his castle, and burn him there.
O Love! They would clasp you, and crush you and kill you,
In the insurrection of uncontrol.
Across the miles, does this wild war thrill you
That is raging in my soul?
~ Ella Wheeler Wilcox,
193:England's Hope And England's Heir
England's Hope and England's Heir!
Head and crown of Britain's glory,
Be thy future half so fair
As her past is famed in story,
Then wilt thou be great, indeed,
Daring, where there's cause to dare;
Greatest in the hour of need,
England's Hope and England's Heir.
By her past, in acts supreme,
By her present grand endeavour,
By her future, which the gleam
Of our fond hopes brings us ever:
We can trust that thou wilt be
Worthy of a fame so rare,
Worthy of thy destiny,
England's Hope and England's Heir.
Be thy spirit fraught with hers,
Queen, whom we revere and honour;
Be thine acts love's messengers,
Brightly flashing back upon her;
Be what most her trust would deem,
Help the answer to her prayer,
Realize her holiest dream,
England's Hope and England's Heir.
Welcome, Prince! the land is wide,
Wider still the love we cherish;
Love that thou shalt find, when tried,
Is not born to droop and perish;
Welcome to our heart of hearts;
You will find no falsehood there,
But the zeal that truth imparts,
England's Hope and England's Heir.
Welcome to our woodland deeps,
To our inland lakes, and rivers,
Where the rapid roars and sweeps,
Where the brightest sunlight quivers.
Loyal souls can never fail;
Serfdom crouches in its lair;
But our British hearts are hale,
England's Hope and England's Heir.
~ Charles Sangster,
'TELL us a story,' comes the cry
From little lips when nights are cold,
And in the grate the flames leap high.
'Tell us a tale of pirates bold,
Or fairies hiding in the glen,
Or of a ship that's wrecked at sea.'
I fill my pipe, and there and then
Gather the children round my knee.
I give them all a role to playNo longer are they youngsters small,
And I, their daddy, turning gray;
We are adventurers, one and all.
We journey forth as Robin Hood
In search of treasure, or to do
Some deed of daring, or of good,
Our hearts are ever brave and true.
We take a solemn oath to be
Defenders of the starry flag;
We brave the winter's stormy sea,
Or climb the rugged mountain crag,
To battle to the death with those
Who would defame our native land;
We pitch our camp among the snows
Or in the tropics burning sand.
We rescue maidens, young and fair,
Held captive long in prison towers;
We slay the villain in his lair,
For we're possessed of magic powers.
And though we desperately fight,
When by our foes we are beset,
We always triumph for the right;
We have not lost a battle yet.
It matters not how far we stray,
Nor where our battle lines may be,
We never get so far away
That we must spend a night at sea.
It matters not how high we climb,
How many foes our pathway block,
We always conquer just in time
To go to bed at 9 o'clock.
~ Edgar Albert Guest,
195:The Cummerbund: An Indian Poem
She sate upon her Dobie,
To watch the Evening Star,
And all the Punkahs as they passed,
Cried, 'My! how fair you are!'
Around her bower, with quivering leaves,
The tall Kamsamahs grew,
And Kitmutgars in wild festoons
Hung down from Tchokis blue.
Below her home the river rolled
With soft meloobious sound,
Where golden-finned Chuprassies swam,
In myriads circling round.
Above, on talles trees remote
Green Ayahs perched alone,
And all night long the Mussak moan'd
Its melancholy tone.
And where the purple Nullahs threw
Their branches far and wide,-And silvery Goreewallahs flew
In silence, side by side,-The little Bheesties' twittering cry
Rose on the fragrant air,
And oft the angry Jampan howled
Deep in his hateful lair.
She sate upon her Dobie,--
She heard the Nimmak hum,-When all at once a cry arose,-'The Cummerbund is come!'
In vain she fled: -- with open jaws
The angry monster followed,
And so, (before assistence came,)
That Lady Fair was swallowed.
They sought in vain for even a bone
Respectfully to bury,-They said, -- 'Hers was a dreadful fate!'
(And Echo answered 'Very.')
They nailed her Dobie to the wall,
Where last her form was seen,
And underneath they wrote these words,
In yellow, blue, and green:-Beware, ye Fair! Ye Fair, beware!
Nor sit out late at night,-Lest horrid Cummerbunds should come,
And swallow you outright.
~ Edward Lear,
196:Being Brave At Night
The other night 'bout two o'clock, or maybe it was three,
An elephant with shining tusks came chasing after me.
His trunk was wavin' in the air an' spoutin' jets of steam
An' he was out to eat me up, but still I didn't scream
Or let him see that I was scared - a better thought I had,
I just escaped from where I was and crawled in bed with Dad.
One time there was a giant who was horrible to see,
He had three heads and twenty arms, an' he came after me
And red hot fire came from his mouths and every hand was red
And he declared he'd grind my bones and make them into bread.
But I was just too smart for him, I fooled him mighty bad,
Before his hands could collar me I crawled in bed with Dad.
I ain't scared of nothin' that comes pesterin' me at night.
Once I was chased by forty ghosts all shimmery an' white.
An' I just raced 'em round the room an' let 'em think maybe
I'd have to stop an' rest awhile, when they could capture me.
Then when they leapt onto my bed, Oh Gee! But they were mad
To find that I had slipped away an' crawled in bed with Dad.
No giants, ghosts or elephants have dared to come in there
'Coz if they did he'd beat 'em up and chase 'em to their lair.
They just hang 'round the children's rooms
an' snap an' snarl an' bite
An' laugh if they can make 'em yell
for help with all their might.
But I don't ever yell out loud. I'm not that sort of lad,
I slip from out the covers and I crawl in bed with Dad.
~ Edgar Albert Guest,
197:To his Own Beloved Self
The Author Dedicates
These Lines"

Ponderous. The chimes of a clock.
“Render unto Caesar ... render unto God...”
But where’s
someone like me to dock?
Where’11 I find a lair?

Were I
like the ocean of oceans little,
on the tiptoes of waves I’d rise,
I’d strain, a tide, to caress the moon.
Where to find someone to love
of my size,
the sky too small for her to fit in?

Were I poor
as a multimillionaire,
it’d still be tough.
What’s money for the soul? –
thief insatiable.
The gold
of all the Californias isn’t enough
for my desires’ riotous horde.

I wish I were tongue-tied,
like Dante or Petrarch,
able to fire a woman’s heart,
reduce it to ashes with verse-filled pages!
My words
and my love
form a triumphal arch:
through it, in all their splendour,
leaving no trace, will pass
the inamoratas of all the ages!

Were I
as quiet as thunder,
how I’d wail and whine!
One groan of mine
would start the world’s crumbling cloister shivering.
And if
I’d end up by roaring
with all of its power of lungs and more –
the comets, distressed, would wring their hands
and from the sky’s roof
leap in a fever.

If I were dim as the sun,
night I’d drill
with the rays of my eyes,
and also
all by my lonesome,
radiant self
build up the earth’s shriveled bosom.

On I’ll pass,
dragging my huge love behind me.
On what
feverish night, deliria-ridden,
by what Goliaths was I begot –
I, so big
and by no one needed? ~ Vladimir Mayakovsky,
198:Gradually, it sank in. The Mother Beast was dead. I had killed her. The taste of her blood burned in my mouth. Behind her, a deep black hole bore into the ground beneath the remnants of the railroad car. It must have been her underground lair. She had raised her brood there, safe and far away from everyone, until Kyle's crew invaded her den.
Such an awful waste. None of this was necessary. At least one person died, many others were injured, and this great magnificient beast and her brood lost their lives all because Kyle Bell wanted to make a quick buck on the side. He stood by the remnants of the tent now, arms crossed, barking orders.
I marched over to Kyle. He saw me, opened his mouth, and I backhanded him. The blow knocked him to the ground. «This is your fault. You brought these people here. You knew this place was dangerous.» I pulled him upright and spun him toward the dead beast. «Look! People died because of you. Do you understand that? If it wasn't for you, I wouldn't have had to murder her. She was just protecting her children.»
«She tried to kill us!»
I backhanded him again. «She tried to kill you because you broke into her house.»
The workers stood around us, thier faces grim. Nobody made any move to help their boss.
I found my bow and quiver and walked away. Ascanio jumped off the beast and joined me. His voice was a deep growl, shredded by his teeth. «It. Wash. Aweshome.»

«This was a tragedy.» People came before animals. I knew that, but when you turn into an animal, your perspective is a little different.
«Yesh. But aweshome.»
He was a boy. What did he know? ~ Ilona Andrews,
199:The Man In Chrysanthemum Land
There's a brave little berry-brown man
At the opposite side of the earth;
Of the White, and the Black, and the Tan,
He's the smallest in compass and girth.
O! he's little, and lively, and Tan,
And he's showing the world what he's worth.
For his nation is born, and its birth
Is for hardihood, courage, and sand,
So you take off your cap
To the brave little Jap
Who fights for Chrysanthemum Land.
Near the house that the little man keeps,
There's a Bug-a-boo building its lair;
It prowls, and it growls, and it sleeps
At the foot of his tiny back stair.
But the little brown man never sleeps,
For the Brownie will battle the Bear-He has soldiers and ships to command;
So take off you cap
To the brave little Jap
Who fights for Chrysanthemum Land.
Uncle Sam stands a-watching near by,
With his finger aside of his nose-John Bull with a wink in his eye,
Looks round to see how the wind blows-O! jolly old John, with his eye
Ever set on the East and its woes.
More than hoeing their own little rows
These wary old wags understand,
But they take off their caps
To the brave little Japs
Who fight for Chrysanthemum Land.
Now he's given us Geishas, and themes
For operas, stories, and plays,
His silks and his chinas are dreams,
And we copy his quaint little ways;
O! we look on his land in our dreams,
But his value we failed to appraise,
For he'll gather his laurels and bays-His Cruisers and Columns are manned,
And we take off our caps
To the brave little Japs
Who fight for Chrysanthemum Land.
~ Emily Pauline Johnson,
200:Just after a krampus that people had spotted in the area.” That got my attention. “A krampus? You’re sure?” Petra nodded. “I saw it walking down the road, swinging its chains around. Those fucking horrific bell things were making noise. You can’t really mistake a krampus for anything else.” In mythology, a krampus was a sort of anti-Santa. It would spirit away the naughty boys and girls to its lair. What it did with them is open to interpretation; some say it drowned the children and ate them, while some suggested it just kept them until they behaved and then brought them back. In most instances the truth is quite far removed from reality, but in the case of the krampus, truth and reality weren’t all that dissimilar. Krampus don’t care one way or the other about the behavior of the children they steal. They take children back to their lairs and feast on their souls, tossing the corpse of the child into a nearby stream or river when they finish. Unlike animals that need to hibernate during the winter, krampus only feed during the coldest months of the year, before vanishing once spring arrives. Before the tenth century, there were hundreds of the bastards running around, although nearly all of them were killed after it was made illegal to create them. Like most of the truly horrific creations in the world, krampus were made using dark blood magic. At one point, they’d been human, although once the magic had finished with them, any glimmer of humanity had been extinguished. They were considered a crime against magic, and their creation was punishable by death. Apparently, someone was unconcerned about the possibility of such things, if he or she had taken the time and effort to make a krampus and unleash it on the town of Mittenwald. ~ Steve McHugh,
When earth's winter bareness
Feels the April rain,
All her summer fairness
Comes to life again.
So my spirit quickens to that magic strain.
Fancy, warmed and brightened,
Spreads her folded wings —
Passion, stirred, enlightened,
From its slumber springs —
When that bow is laid upon those trembling strings.
Visions, past all telling,
Sweet and strange, I see;
Mystic voices, swelling —
Melting — cry to me
From celestial realms of hope and memory.
Tender thoughts caress me,
Like a summer's day;
Sterner moods possess me,
As the rough winds play
With an autumn leaf untimely cast away.
Fierce desires come creeping
From their secret lair;
Wild regrets, upleaping,
At my heartstrings tear —
Wildest aspirations, more than I can bear.
Like a leaf I quiver
With responsive thrills —
Ache, and burn, and shiver,
As the Master wills
Whose mysterious message all my being fills.
Dreams of grace and glory,
Always out of reach —
Truths untold in story,
That no book can teach,
Past all human language, find their native speech.
O what wailing sadness
That no tongue may tell,
What enraptured gladness,
In those wild notes swell —
Bliss and anguish both — divine, ineffable!
Joys and woes unspoken,
Whereof earth is rife,
Dear hopes blest and broken,
Futile pain and strife,
Birth and death and love, the tragedy of life.
And my soul, attending,
Through my listening ears
In those strains heartrending
Its own history hears —
All too sweet for words, too terrible for tears.
~ Ada Cambridge,
Most humans truly are like sheep
Wanting nothing more than peace to keep
To graze, grow fat and raise their young,
Sweet taste of clover on the tongue.
Their lives serene upon Life’s farm,
They sense no threat nor fear no harm.
On verdant meadows, they forage free
With naught to fear, with naught to flee.
They pay their sheepdogs little heed
For there is no threat; there is no need.
To the flock, sheepdog’s are mysteries,
Roaming watchful round the peripheries.
These fang-toothed creatures bark, they roar
With the fetid reek of the carnivore,
Too like the wolf of legends told,
To be amongst our docile fold.
Who needs sheepdogs? What good are they?
They have no use, not in this day.
Lock them away, out of our sight
We have no need of their fierce might.
But sudden in their midst a beast
Has come to kill, has come to feast
The wolves attack; they give no warning
Upon that calm September morning
They slash and kill with frenzied glee
Their passive helpless enemy
Who had no clue the wolves were there
Far roaming from their Eastern lair.
Then from the carnage, from the rout,
Comes the cry, “Turn the sheepdogs out!”
Thus is our nature but too our plight
To keep our dogs on leashes tight
And live a life of illusive bliss
Hearing not the beast, his growl, his hiss.
Until he has us by the throat,
We pay no heed; we take no note.
Not until he strikes us at our core
Will we unleash the Dogs of War
Only having felt the wolf pack’s wrath
Do we loose the sheepdogs on its path.
And the wolves will learn what we’ve shown before;

We love our sheep,
we Dogs of War.

Russ Vaughn
2d Bn, 327th Parachute Infantry Regiment
101st Airborne Division
Vietnam 65-66 ~ Jos N Harris,
203:The Murrumbidgee Shearer
Come, all you jolly natives, and I'll relate to you
Some of my observations—adventures, too, a few.
I've travelled about the country for miles, full many a score,
And oft-times would have hungered, but for the cheek I bore.
coasted on the Barwon—low down the Darling, too,
been on the Murrumbidgee, and out on the Paroo;
been on all the diggings, boys, from famous Ballarat;
loafed upon the Lachlan and fossicked Lambing Flat.
I went up to a squatter, and asked him for a feed,
But the knowledge of my hunger was swallowed by his greed.
He said I was a loafer and for work had no desire,
And so, to do him justice, I set his shed on fire.
Oh, yes, I've touched the shepherd's hut, of sugar, tea, and flour;
And a tender bit of mutton I always could devour.
I went up to a station, and there I got a job;
Plunged in the store, and hooked it, with a very tidy lob.
Oh, yes, my jolly dandies, I've done it on the cross.
Although I carry bluey now, I've sweated many a horse.
I've helped to ease the escort of many's the ounce of gold;
The traps have often chased me, more times than can be told.
Oh, yes, the traps have chased me, been frightened of their stripes
They never could have caught me, they feared my cure for gripes.
And well they knew I carried it, which they had often seen
A-glistening in my flipper, chaps, a patent pill machine.
I've been hunted like a panther into my mountain lair.
Anxiety and misery my grim companions there.
I've planted in the scrub, my boys, and fed on kangaroo,
And wound up my avocations by ten years on Cockatoo.
So you can understand, my boys, just from this little rhyme,
I'm a Murrumbidgee shearer, and one of the good old time.
~ Banjo Paterson,
204:The Devil's Rose

You would never take a rose from a beast.
If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do.

But the cunning beast will have his beauty.

He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow.

The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume.

As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch.

Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence.

Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do. ~ Richelle E Goodrich,
205:A Change Of Menu
Now the new chum loaded his three-nought-three,
It's a small-bore gun, but his hopes were big.
"I am fed to the teeth with old ewe," said he,
"And I might be able to shoot a pig."
And he trusted more to his nose than ear
To give him warning when pigs were near.
Out of his lair in the lignum dark.
Where the wild duck nests and the bilbie digs,
With a whoof and a snort and a kind of bark
There rose the father of all the pigs:
And a tiger would have walked wide of him
As he stropped his tusks on a leaning limb.
Then the new chum's three-nought-three gave tongue
Like a popgun fired in an opera bouffe:
But a pig that was old when the world was young
Is near as possible bullet-proof.
(The more you shoot him the less he dies,
Unless you catch him between the eyes.)
So the new chum saw it was up to him
To become extinct if he stopped to shoot;
So he made a leap for a gidgee limb
While the tusker narrowly missed his boot.
Then he found a fork, where he swayed in air
As he gripped the boughs like a native bear.
The pig sat silent and gaunt and grim
To wait and wait till his foe should fall:
For night and day were the same to him,
And home was any old place at all.
"I must wait," said he, "till this sportsman drops;
I could use his boots for a pair of strops."
The crows that watch from the distant blue
Came down to see what it all might mean;
An eaglehawk and a cockatoo
Bestowed their patronage on the scene.
Till a far-off boundary rider said
"I must have a look -- there is something dead."
Now the new chum sits at his Christmas fare
Of a dried-up chop from a tough old ewe.
Says he, "It's better than native bear
And nearly as tender as kangaroo.
An emu's egg I can masticate,
But pork," says he, "is the thing I hate."
~ Banjo Paterson,
Dares the lama, most fleet of the sons of the wind,
The lion to rouse from his skull-covered lair?
When the tiger approaches can the fast-fleeting hind
Repose trust in his footsteps of air?
No! Abandoned he sinks in a trance of despair,
The monster transfixes his prey,
On the sand flows his life-blood away;
Whilst India's rocks to his death-yells reply,
Protracting the horrible harmony.

Yet the fowl of the desert, when danger encroaches,
Dares fearless to perish defending her brood,
Though the fiercest of cloud-piercing tyrants approaches
Thirsting--ay, thirsting for blood;
And demands, like mankind, his brother for food;
Yet more lenient, more gentle than they;
For hunger, not glory, the prey
Must perish. Revenge does not howl in the dead.
Nor ambition with fame crown the murderers head.

Though weak as the lama that bounds on the mountains,
And endued not with fast-fleeting footsteps of air,
Yet, yet will I draw from the purest of fountains,
Though a fiercer than tiger is there.
Though, more dreadful than death, it scatters despair,
Though its shadow eclipses the day,
And the darkness of deepest dismay
Spreads the influence of soul-chilling terror around,
And lowers on the corpses, that rot on the ground.

They came to the fountain to draw from its stream
Waves too pure, too celestial, for mortals to see;
They bathed for awhile in its silvery beam,
Then perished, and perished like me.
For in vain from the grasp of the Bigot I flee;
The most tenderly loved of my soul
Are slaves to his hated control.
He pursues me, he blasts me! 'Tis in vain that I fly:--
What remains, but to curse him,--to curse him and die?
Published (without title) by Hogg, 'Life of Shelley', 1858; dated 1809-10. The title is Rossetti's (1870).

~ Percy Bysshe Shelley, Bigotrys Victim
There is no picturesqueness and no glory,
No halo of romance, in war to-day.
It is a hideous thing; Time would turn grey
With horror, were he not already hoary
At sight of this vile monster, foul and gory.
Yet while sweet women perish as they pray,
And new-born babes are slaughtered, who dare say
'Halt!' till Right pens its 'Finis' to the story!
There is no pathway, but the path through blood,
Out of the horrors of this holocaust.
Hell has let loose its scalding crimson flood,
And he who stops to argue now is lost.
Not brooms of creeds, not Pacifistic words
Can stem the tide, but swords-uplifted swords!
Yet, after Peace has turned the clean white page
There shall be sorrow on the earth for years;
Abysmal grief, that has no eyes for tears,
And youth that hobbles through the earth like age.
But better to play this part upon life's stage
Than to aid structures that a tyrant rears,
To live a stalwart hireling torn with fears,
And shamed by feeding on a conqueror's wage.
Death, yea, a thousand deaths, were sweet in truth
Rather than such ignoble life. God gave
Being, and breath, and high resolve to youth
That it might be Wrong's master, not its slave.
Our road to Freedom is the road to guns!
Go, arm your sons! I say, Go, arm your sons!
Arm! arm! that mandate on each wind is whirled.
Let no man hesitate or look askance,
For from the devastated homes of France
And ruined Belgium the cry is hurled.
Why, Christ Himself would keep peace banners furled
Were He among us, till, with lifted lance,
He saw the hosts of Righteousness advance
To purify the Temples of the world.
There is no safety on the earth to-day
For any sacred thing, or clean, or fair;
Nor can there be, until men rise and slay
The hydra-headed monster in his lair.
War! horrid War! now Virtue's only friend;
Clasp hands with War, and battle to the end!
~ Ella Wheeler Wilcox,
208:If They Dare!
Realm of ocean-guarded Peace,
Humming loom and grazing steer,
Farm, and forge, and woven fleece,
Happier, homelier, year by year,
Hark! athwart the wintry air,
Menace mutters, foemen glare:
Leave the shuttle, leave the share,
For the spear!
Envious of her world-wide race,
Goaded by the greed and hate
Of the hungry and the base
For the opulent and great,
``See,'' they whisper, ``did we band
All against Her, hand-in-hand,
We might bring that haughty Land
Face with Fate.''
Plotters insolent and vain,
Muster then your servile swarms.
Moated by the unbridged main,
We but laugh at such alarms.
Blinded braggarts, to forget
England old is England yet,
And can meet, as once She met,
World in arms.
Come athwart the ocean's crest,
Mob and Monarch, crowd and Crown!
Slavish East, or shrilling West,
Come, and strike at her renown.
Madmen! by your threats inane
What is it ye hope to gain?
Think of France, think of Spain,
Smitten down!
Derelict on wind and wave,
Tossing with the tossing tide,
Crushed by ice-floe, tombed in cave,
See the Armada's pomp and pride:
Prince and Pontiff, Rome and Spain,
Leagued against Her, leagued in vain;
England and her mother-main
Side by side.
Think of that self-sceptered King,
Caesar not by birth but brain,
Who with arbitrary wing
Hovered over hill and plain:
Headlong from that haughty height
Forced to sue to England's might,
And accept, for eagle's flight,
Cage and chain!
Still they cry, ``She is alone,
And must truckle to our nod.''
What! with half the world her own!
What! still wielding Neptune's rod!
She is lonely as the breeze,
Lonely as the stars or seas,
Lone, unreachable as these,
Lone as God!
Let the bandits then deride
Loneliness they shall not share.
We are lonely, unallied,
As the lion in his lair.
Doubters, dastards, now be dumb:
Sound the clarion! Roll the drum!
Let them menace, let them come,
If they dare!
~ Alfred Austin,
209:To Sculptor Borch
(On his fiftieth birthday)
With friends you stalwart stand and fair,
To-day of fifty years the heir;
The past your works rejoicing praise,
But forward goes your gaze.
Your childlike faith, your spirit true,
Your hand that never weary grew,
A home's sweet music, love of wife,
Make ever young your life.
You dared believe with heart alive
That here in Norway art can thrive.
You forced the hardness of our stones
To harmony of tones.
You laid our wild world's secrets bare
And caught 'The Hunter' near the lair.
Our nation's moods, of beauty born,
Your 'Girl with Eggs' adorn.
As o'er a slope's snow-covered brow
A youth came swiftly flying now,
You saw him, raised your hand, and lo!
He stood there, chiseled snow.
But your 'Ski-runner's' courage good,
It was your own, when forth you stood
Art's champion by the world unawed,
And with your faith in God.
You won your victory supreme
Through rock-like faith and will's full stream
While with unnumbered hours of rest
Your love has others blessed.
Were all now here from west and east
Whose hearts you own, oh, what a feast!
From Akershus the convicts e'en
Would bear a freeman's mien.
Now we whose lives with good you filled
For you to-day a palace build,
On heights of heart's-ease lifting square
Its golden tower of prayer.
In peace you oft shall dwell in it,
Whene'er you need to rest a bit,
And feel through them who hold you dear
Yourself to heaven near.
Long since our country to you gave
The meed of thanks that most you crave;
It gave a maid with golden hair,
Its springtime's image fair.
She came from where the fairies dwell,
With nixie's charm and wood-nymph's spell,
With peace all holy, sweet, and calm,
To sing of life the psalm.
So may your life yet long endure
To light our gland, your home secure!
May all that from your heart you gave,
Still blossom on your grave!
May God's protecting mercy hold
Your spirit ever fresh and bold,May He to genius oft impart
Just such a mind and heart!
~ Bjornstjerne Bjornson,
210:Gareth didn't need to open his eyes to know his brother was there, gazing down at him with his black stare that was severe enough to freeze the Devil in his lair of fire. And he didn't need to see Lucien's stark face to know what he would read there:  blatant disapproval. Fury. He felt Lucien's cool hand on his cheek. "Ah, Gareth," the duke said blandly, in a tone that didn't fool anyone in the room. "Another scrape you've got yourself into, I see. What is it this time, eh? No, let me guess. You were posing as a target and taking bets that none of your friends could hit you. Or perhaps you got so foxed that you fell from Crusader and impaled yourself on a fence? Do tell, dear boy. I have all night." "Go to hell, Luce." "I'm sure I will, but I'll have an explanation from you first." Bastard. Gareth refused to respond to the mocking taunts. Instead, he reached up, his fingers closing around Lucien's immaculate velvet sleeve. "Don't send her away, Luce. She's here. She needs us.... We owe it to Charles to take care of her and the baby." Footsteps came running down the hall, into the room. "Over here, Dr. Highworth!" Chilcot cried, suddenly. Lucien never moved. "Take care of whom, Gareth?" he inquired, with deadly menace. Weakly, Gareth turned his head on the pillow and looked up at his brother through a swirling fog of pain and alcohol. "Juliet Paige," he whispered, meeting Lucien's cool, veiled gaze. "The woman Charles was to marry ... she's here ... downstairs ... with his baby. Don't send her away, Lucien. I swear I'll kill you if you do." "My dear boy," Lucien murmured, with a chilling little smile, "I would not dream of it." But he had straightened up and was already moving toward the door. Gareth raised himself on one elbow even as the doctor tried to hold him down. "Lucien ... damn you, don't!" The duke kept walking. "Lucien!"  With the last of his strength, Gareth lunged from the bed, but the effort — and the Irish whiskey — did him in at last. As his feet hit the rug, his legs gave out beneath him, and he crashed heavily to the floor in a dead faint. Doctor, servants, and friends all rushed to his assistance. The duke never looked back.   ~ Danelle Harmon~ Danelle Harmon~ Danelle Harmon~ Danelle Harmon ~ Danelle Harmon,
And many there were hurt by that strong boy,
His name, they said, was Pleasure,
And near him stood, glorious beyond measure
Four Ladies who possess all empery
In earth and air and sea,
Nothing that lives from their award is free.
Their names will I declare to thee,
Love, Hope, Desire, and Fear,
And they the regents are
Of the four elements that frame the heart,
And each diversely exercised her art
By force or circumstance or sleight
To prove her dreadful might
Upon that poor domain.
Desire presented her [false] glass, and then
The spirit dwelling there
Was spellbound to embrace what seemed so fair
Within that magic mirror,
And dazed by that bright error,
It would have scorned the [shafts] of the avenger
And death, and penitence, and danger,
Had not then silent Fear
Touched with her palsying spear,
So that as if a frozen torrent
The blood was curdled in its current;
It dared not speak, even in look or motion,
But chained within itself its proud devotion.
Between Desire and Fear thou wert
A wretched thing, poor heart!
Sad was his life who bore thee in his breast,
Wild bird for that weak nest.
Till Love even from fierce Desire it bought,
And from the very wound of tender thought
Drew solace, and the pity of sweet eyes
Gave strength to bear those gentle agonies,
Surmount the loss, the terror, and the sorrow.
Then Hope approached, she who can borrow
For poor to-day, from rich tomorrow,
And Fear withdrew, as night when day
Descends upon the orient ray,
And after long and vain endurance
The poor heart woke to her assurance.
At one birth these four were born
With the worlds forgotten morn,
And from Pleasure still they hold
All it circles, as of old.
When, as summer lures the swallow,
Pleasure lures the heart to follow--
O weak heart of little wit!
The fair hand that wounded it,
Seeking, like a panting hare,
Refuge in the lynxs lair,
Love, Desire, Hope, and Fear,
Ever will be near.
Published by Dr. Garnett, Relics of Shelley, 1862. 'A very free translation of Brunetto Latini's Tesoretto, lines 81-154.'A.C. Bradley.
~ Percy Bysshe Shelley, Love- Hope, Desire, And Fear
212:The Night Of The Lion
'_And that a reply be received before midnight._'
_British Ultimatum_.
Their Day was at twelve of the night,
When the graves give up their dead.
And still, from the City, no light
Yellows the clouds overhead.
Where the Admiral stands there's a star,
But his column is lost in the gloom;
For the brazen doors are ajar,
And the Lion awakes, and the doom.
_He is not of a chosen race.
His strength is the strength of the skies,
In whose glory all nations have place,
In whose downfall Liberty dies.
He is mighty, but he is just.
He shall live to the end of years.
He shall bring the proud to the dust.
He shall raise the weak to the spheres._
It is night on the world's great mart,
But the brooding hush is awake
With the march of a steady heart
That calls like the drum of Drake,
_Come!_ And a muttering deep
As the pulse of the distant guns,
Or the thunder before the leap
Thro' the rolling thoroughfare runs.
And the wounded men go by
Like thoughts in the Lion's brain.
And the clouds lift on high
Like the slow waves of his mane
And the narrowing lids conceal
The furnaces of his eyes.
Their gold is gone out. They reveal
Only two search-lights of steel
Steadily sweeping the skies.
And we hoped he had peace in his lair
Where the bones of old tyrannies lay,
And the skulls that his cubs have stripped bare,
The old skulls they still toss in their play.
But the tyrants are risen again,
And the last light dies from their path;
For the midnight of his mane
Lifts to the stars with his wrath.
From the East to the West he is crouching.
He snuffs at the North-East wind.
His breast upon Britain is couching.
His haunches quiver on Ind.
It is night, black night, where he lies;
But a kingdom and a fleet
Shall burn in his terrible eyes
When he leaps, and the darkness dies
With the War-gods under his feet.
_Till the day when a little child,
Shall lay but a hand on his mane,
And his eyes grow golden and mild
And he stands in the heavens again;
Till the day of the seventh seal,
Which the Lion alone shall rend,
When the stars from their courses reel,
His Freedom shall not end._
~ Alfred Noyes,
In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.

Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.

Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro's lyre:
The soul delighted on each accent dwells,--
Enraptur'd dwells,--not daring to respire,
The while he tells of grief around a funeral pyre.

'Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell'd peers,
Nor move, till ends the lofty strain,
Nor move till Milton's tuneful thunders cease,
And leave once more the ravish'd heavens in peace.

Thou biddest Shakespeare wave his hand,
And quickly forward spring
The Passions--a terrific band--
And each vibrates the string
That with its tyrant temper best accords,
While from their Master's lips pour forth the inspiring words.

A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
'Tis still! Wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.

Next thy Tasso's ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from Pleasure's lair:--
Then o'er the strings his fingers gently move,
And melt the soul to pity and to love.

But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
Thy dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.
'First given among the Literary Remains in the second volume of the Life, Letters &c. 1848. The date to which Lord Houghton assigns the poem is February 1815.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To Apollo
214:At childhood’s end, the houses petered out
into playing fields, the factory, allotments
kept, like mistresses, by kneeling married men,
the silent railway line, the hermit’s caravan,
till you came at last to the edge of the woods.
It was there that I first clapped eyes on the wolf.

He stood in a clearing, reading his verse out loud
in his wolfy drawl, a paperback in his hairy paw,
red wine staining his bearded jaw. What big ears
he had! What big eyes he had! What teeth!
In the interval, I made quite sure he spotted me,
sweet sixteen, never been, babe, waif, and bought me a drink,

my first. You might ask why. Here’s why. Poetry.
The wolf, I knew, would lead me deep into the woods,
away from home, to a dark tangled thorny place
lit by the eyes of owls. I crawled in his wake,
my stockings ripped to shreds, scraps of red from my blazer
snagged on twig and branch, murder clues. I lost both shoes

but got there, wolf’s lair, better beware. Lesson one that night,
breath of the wolf in my ear, was the love poem.
I clung till dawn to his thrashing fur, for
what little girl doesn’t dearly love a wolf?
Then I slid from between his heavy matted paws
and went in search of a living bird – white dove –

which flew, straight, from my hands to his hope mouth.
One bite, dead. How nice, breakfast in bed, he said,
licking his chops. As soon as he slept, I crept to the back
of the lair, where a whole wall was crimson, gold, aglow with books.
Words, words were truly alive on the tongue, in the head,
warm, beating, frantic, winged; music and blood.

But then I was young – and it took ten years
in the woods to tell that a mushroom
stoppers the mouth of a buried corpse, that birds
are the uttered thought of trees, that a greying wolf
howls the same old song at the moon, year in, year out,
season after season, same rhyme, same reason. I took an axe

to a willow to see how it wept. I took an axe to a salmon
to see how it leapt. I took an axe to the wolf
as he slept, one chop, scrotum to throat, and saw
the glistening, virgin white of my grandmother’s bones.
I filled his old belly with stones. I stitched him up.
Out of the forest I come with my flowers, singing, all alone.

Little Red-Cap ~ Carol Ann Duffy,
From the upland hidden,
Where the hill is sunny
Tawny like pure honey
In the August heat,
Memories float unbidden
Where the thicket serries
Fragrant with ripe berries
And the milk-weed sweet.
Like a prayer-mat holy
Are the patterned mosses
Which the twin-flower crosses
With her flowerless vine;
In fragile melancholy
The pallid ghost flowers hover
As if to guard and cover
The shadow of a shrine.
Where the pine-linnet lingered
The pale water searches,
The roots of gleaming birches
Draw silver from the lake;
The ripples, liquid-fingered,
Plucking the root-layers,
Fairy like lute players
Lulling music make.
O to lie here brooding
Where the pine-tree column
Rises dark and solemn
To the airy lair,
Where, the day eluding,
Night is couched dream laden,
Like a deep witch-maiden
Hidden in her hair.
In filmy evanescence
Wraithlike scents assemble,
Then dissolve and tremble
A little until they die;
Spirits of the florescence
Where the bees searched and tarried
Till the blossoms all were married
In the days before July.
Light has lost its splendour,
Light refined and sifted,
Cool light and dream drifted
Ventures even where,
(Seeping silver tender)
In the dim recesses,
Trembling mid her tresses,
Hides the maiden hair.
Covered with the shy-light,
Filling in the hushes,
Slide the tawny thrushes
Calling to their broods,
Hoarding till the twilight
The song that made for noon-days
Of the amorous June days
Preludes and interludes.
The joy that I am feeling
Is there something in it
Unlike the warble the linnet
Phrases and intones?
Or is a like thought stealing
With a rapture fine, free
Through the happy pine tree
Ripening her cones?
In some high existence
In another planet
Where their poets cannot
Know our birds and flowers,
Does the same persistence
Give the dreams they issue
Something like the tissue
Of these dreams of ours?
O to lie athinking-Moods and whims! I fancy
Only necromancy
Could the web unroll,
Only somehow linking
Beauties that meet and mingle
In this quiet dingle
With the beauty of the whole.
~ Duncan Campbell Scott,
216:At any rate,’ he continued, ‘we hoped that once the war was over the Oracle might start working again. When it did not … Rachel became concerned.’ ‘Who’s Rachel?’ Meg asked. ‘Rachel Dare,’ I said. ‘The Oracle.’ ‘Thought the Oracle was a place.’ ‘It is.’ ‘Then Rachel is a place, and she stopped working?’ Had I still been a god, I would have turned her into a blue-belly lizard and released her into the wilderness never to be seen again. The thought soothed me. ‘The original Delphi was a place in Greece,’ I told her. ‘A cavern filled with volcanic fumes, where people would come to receive guidance from my priestess, the Pythia.’ ‘Pythia.’ Meg giggled. ‘That’s a funny word.’ ‘Yes. Ha-ha. So the Oracle is both a place and a person. When the Greek gods relocated to America back in … what was it, Chiron, 1860?’ Chiron see-sawed his hand. ‘More or less.’ ‘I brought the Oracle here to continue speaking prophecies on my behalf. The power has passed down from priestess to priestess over the years. Rachel Dare is the present Oracle.’ From the cookie platter, Meg plucked the only Oreo, which I had been hoping to have myself. ‘Mm-kay. Is it too late to watch that movie?’ ‘Yes,’ I snapped. ‘Now, the way I gained possession of the Oracle of Delphi in the first place was by killing this monster called Python who lived in the depths of the cavern.’ ‘A python like the snake,’ Meg said. ‘Yes and no. The snake species is named after Python the monster, who is also rather snaky, but who is much bigger and scarier and devours small girls who talk too much. At any rate, last August, while I was … indisposed, my ancient foe Python was released from Tartarus. He reclaimed the cave of Delphi. That’s why the Oracle stopped working.’ ‘But, if the Oracle is in America now, why does it matter if some snake monster takes over its old cave?’ That was about the longest sentence I had yet heard her speak. She’d probably done it just to spite me. ‘It’s too much to explain,’ I said. ‘You’ll just have to –’ ‘Meg.’ Chiron gave her one of his heroically tolerant smiles. ‘The original site of the Oracle is like the deepest taproot of a tree. The branches and leaves of prophecy may extend across the world, and Rachel Dare may be our loftiest branch, but if the taproot is strangled the whole tree is endangered. With Python back in residence at his old lair, the spirit of the Oracle has been completely blocked. ~ Rick Riordan,
217:AROUND me the images of thirty years:
An ambush; pilgrims at the water-side;
Casement upon trial, half hidden by the bars,
Guarded; Griffith staring in hysterical pride;
Kevin O'Higgins' countenance that wears
A gentle questioning look that cannot hide
A soul incapable of remorse or rest;
A revolutionary soldier kneeling to be blessed;
An Abbot or Archbishop with an upraised hand
Blessing the Tricolour. "This is not,' I say,
"The dead Ireland of my youth, but an Ireland
The poets have imagined, terrible and gay.'
Before a woman's portrait suddenly I stand,
Beautiful and gentle in her Venetian way.
I met her all but fifty years ago
For twenty minutes in some studio.

Heart-smitten with emotion I Sink down,
My heart recovering with covered eyes;
Wherever I had looked I had looked upon
My permanent or impermanent images:
Augusta Gregory's son; her sister's son,
Hugh Lane, "onlie begetter' of all these;
Hazel Lavery living and dying, that tale
As though some ballad-singer had sung it all;
Mancini's portrait of Augusta Gregory,
"Greatest since Rembrandt,' according to John Synge;
A great ebullient portrait certainly;
But where is the brush that could show anything
Of all that pride and that humility?
And I am in despair that time may bring
Approved patterns of women or of men
But not that selfsame excellence again.
My mediaeval knees lack health until they bend,
But in that woman, in that household where
Honour had lived so long, all lacking found.
Childless I thought, "My children may find here
Deep-rooted things,' but never foresaw its end,
And now that end has come I have not wept;
No fox can foul the lair the badger swept

(An image out of Spenser and the common tongue).
John Synge, I and Augusta Gregory, thought
All that we did, all that we said or sang
Must come from contact with the soil, from that
Contact everything Antaeus-like grew strong.
We three alone in modern times had brought
Everything down to that sole test again,
Dream of the noble and the beggar-man.

And here's John Synge himself, that rooted man,
"Forgetting human words,' a grave deep face.
You that would judge me, do not judge alone
This book or that, come to this hallowed place
Where my friends' portraits hang and look thereon;
Ireland's history in their lineaments trace;
Think where man's glory most begins and ends,
And say my glory was I had such friends.

~ William Butler Yeats, The Municipal Gallery Revisited
218:She spoke so passionately that some of the Historians believed her, even the ones like Dr. Karuna who had been passed over for promotion when Crome put Valentine in charge of their Guild. As for Bevis Pod, he watched her with shining eyes, filled with a feeling that he couldn’t even name; something that they had never taught him about in the Learning Labs. It made him shiver all over. Pomeroy was the first to speak. “I hope you’re right, Miss Valentine,” he said. “Because he is the only man who can hope to challenge the Lord Mayor. We must wait for his return.” “But …” “In the meantime, we have agreed to keep Mr. Pod safe, here at the Museum. He can sleep up in the old Transport Gallery, and help Dr. Nancarrow catalogue the art collection, and if the Engineers come hunting for him we’ll find a hiding place. It isn’t much of a blow against Crome, I know. But please understand, Katherine: We are old, and frightened, and there really is nothing more that we can do.” The world was changing. That was nothing new, of course; the first thing an Apprentice Historian learned was that the world was always changing, but now it was changing so fast that you could actually see it happening. Looking down from the flight deck of the Jenny Haniver, Tom saw the wide plains of the eastern Hunting Ground speckled with speeding towns, spurred into flight by whatever it was that had bruised the northern sky, heading away from it as fast as their tracks or wheels could carry them, too preoccupied to try and catch one another. “MEDUSA,” he heard Miss Fang whisper to herself, staring toward the far-off, flame-flecked smoke. “What is a MEDUSA?” asked Hester. “You know something, don’t you? About what my mum and dad were killed for?” “I’m afraid not,” the aviatrix replied. “I wish I did. But I heard the name once. Six years ago another League agent managed to get into London, posing as a crewman on a licensed airship. He had heard something that must have intrigued him, but we never learned what it was. The League had only one message from him, just two words: Beware MEDUSA. The Engineers caught him and killed him.” “How do you know?” asked Tom. “Because they sent us back his head,” said Miss Fang. “Cash on Delivery.” That evening she set the Jenny Haniver down on one of the fleeing towns, a respectable four-decker called Peripatetiapolis that was steering south to lair in the mountains beyond the Sea of Khazak. At the air-harbor there they heard more news of what had happened to Panzerstadt-Bayreuth. “I saw it!” said an aviator. “I was a hundred miles away, but I still saw it. A tongue of fire, reaching out from London’s Top Tier and bringing death to everything ~ Philip Reeve,
219:Fairy Tale
Once, in times forgotten,
In a fairy place,
Through the steppe, a rider
Made his way apace.
While he sped to battle,
Nearing from the dim
Distance, a dark forest
Rose ahead of him.
Something kept repeating,
Seemed his heart to graze:
Tighten up the saddle,
Fear the watering-place.
But he did not listen.
Heeding but his will,
At full speed he bounded
Up the wooded hill;
Rode into a valley,
Turning from the mound,
Galloped through a meadow,
Skirted higher ground;
Reached a gloomy hollow,
Found a trail to trace
Down the woodland pathway
To the watering-place.
Deaf to voice of warning,
And without remorse,
Down the slope, the rider
Led his thirsty horse.
Where the stream grew shallow,
Winding through the glen,
Eerie flames lit up the
Entrance to a den.
Through thick clouds of crimson
Smoke above the spring,
An uncanny calling
Made the forest ring.
And the rider started,
And with peering eye
Urged his horse in answer
To the haunting cry.
Then he saw the dragon,
And he gripped his lance;
And his horse stood breathless
Fearing to advance.
Thrice around a maiden
Was the serpent wound;
Fire-breathing nostrils
Cast a glare around.
And the dragon's body
Moved his scaly neck,
At her shoulder snaking
Whiplike forth and back.
By that country's custom
Was a young and fair
Captive brought as ransom
To the dragon's lair.
This then was the tribute
That the people owed
To the worm-protection
For a poor abode.
Now the dragon hugged his
Victim in alarm,
And the coils grew tighter
Round her throat and arm.
Skyward looked the horseman
With imploring glance,
And for the impending
Fight he couched his lance.
Tightly closing eyelids.
Heights and cloudy spheres.
Rivers. Waters. Boulders.
Centuries and years.
Helmetless, the wounded
Lies, his life at stake.
With his hooves the charger
Tramples down the snake.
On the sand, togetherDragon, steed, and lance;
In a swoon the rider,
The maiden-in a trance.
Blue the sky; soft breezes
Tender noon caress.
Who is she? A lady?
Peasant girl? Princess?
Now in joyous wonder
Cannot cease to weep;
Now again abandoned
To unending sleep.
Now, his strength returning,
Opens up his eyes;
Now anew the wounded
Limp and listless lies.
But their hearts are beating.
Waves surge up, die down;
Carry them, and waken,
And in slumber drown.
Tightly closing eyelids.
Heights and cloudy spheres.
Rivers. Waters. Boulders.
Centuries and years.
~ Boris Pasternak,
220:The Old Land And The Young Land
The Young Land said, ``I have borne it long,
But can suffer it now no more;
I must end this endless inhuman wrong
Within hail of my own free shore.
So fling out the war-flag's folds, and let the righteous cannons roar!''
'Twas a quick, rash word, for the strong Young Land
Is a Land whose ways are peace;
It weareth no mail, and its keels are manned
With cotton, and corn, and fleece,
While lands there are that live cased in steel, and whose war-hammers never
And these, when they saw the Young Land gird
Its loins to redress the wrong,
Whispered one to the other, ``Its heart is stirred,
But its hosts are an undrilled throng,
And its bolts yet to forge, so quick let us strike before that it grows too strong.''
And they said to the Old Land, ``Surely you
Will help us to foil its claim?
It waxeth in strength, as striplings do,
And it girds at its parent's name.
Take heed lest its overweening growth overshadow your fading fame.''
Then the Old Land said, ``Youth is strong and quick,
And Wisdom is strong but mild;
And blood than water is yet more thick,
And this Young Land is my child.
I am proud, not jealous, to watch it grow.''
Thus the Old Land spake and smiled.
``And look you,'' it said, ``at the strong Young Land
Strike for Freedom and Freedom's growth;
Which makes 'twixt us twain, though unsigned by hand,
A bond strong as lovers' troth.
So 'ware what you do, for, if you strike, you will strike not one, but both.''
Then they fretted and chafed; for, though shod in steel,
Their war-tread stops at the shore,
While the Old Land's breath is the breath of the gale,
And its music the wave-wind's roar.
Then they hated the Young Land's youth and strength, but they hated the Old
Land more.
Now the Old Land, in turn, for Freedom's Cause
Speeds her sons to the Southern zone,
They snarl, ``Let us clip the Lion's claws,
The Lion that stands alone;
And harry her lair, and spear her cubs, and sit on the Lion's throne.''
And the Young Land laughs: ``With her foamsteeds fleet,
I guess she's a match for you all.
She hath saddled the sea, and more firm her seat
Than yours, that would ride for a fall,
If you put all your fighting force afield, and charged at her watery wall.
``But if ever, hemmed in by a world of foes,
Her sinews were sorely tried,
By the self-same blood in our veins that flows,
You would find me at her side,
So long as she strikes for the Cause for which her sons and my sons have died.''
And thus let it be until wrong shall end,
This bond strong as lovers' troth,
'Twixt Old Land and Young Land, to defend
Man's freedom and freedom's growth,
So if any should band against either now, they must meet, not one, but both!
~ Alfred Austin,
221:NOW this is the Law of the Jungle — as old and as true as the sky;
And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die.

As the creeper that girdles the tree-trunk the Law runneth forward and back —
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.

Wash daily from nose-tip to tail-tip; drink deeply, but never too deep;
And remember the night is for hunting, and forget not the day is for sleep.

The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown,
Remember the Wolf is a Hunter — go forth and get food of thine own.

Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear.
And trouble not Hathi the Silent, and mock not the Boar in his lair.

When Pack meets with Pack in the Jungle, and neither will go from the trail,
Lie down till the leaders have spoken — it may be fair words shall prevail.

When ye fight with a Wolf of the Pack, ye must fight him alone and afar,
Lest others take part in the quarrel, and the Pack be diminished by war.

The Lair of the Wolf is his refuge, and where he has made him his home,
Not even the Head Wolf may enter, not even the Council may come.

The Lair of the Wolf is his refuge, but where he has digged it too plain,
The Council shall send him a message, and so he shall change it again.

If ye kill before midnight, be silent, and wake not the woods with your bay,
Lest ye frighten the deer from the crop, and your brothers go empty away.

Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can;
But kill not for pleasure of killing, and seven times never kill Man!

If ye plunder his Kill from a weaker, devour not all in thy pride;
Pack-Right is the right of the meanest; so leave him the head and the hide.

The Kill of the Pack is the meat of the Pack. Ye must eat where it lies;
And no one may carry away of that meat to his lair, or he dies.

The Kill of the Wolf is the meat of the Wolf. He may do what he will;
But, till he has given permission, the Pack may not eat of that Kill.

Cub-Right is the right of the Yearling. From all of his Pack he may claim
Full-gorge when the killer has eaten; and none may refuse him the same.

Lair-Right is the right of the Mother. From all of her year she may claim
One haunch of each kill for her litter, and none may deny her the same.

Cave-Right is the right of the Father — to hunt by himself for his own:
He is freed of all calls to the Pack; he is judged by the Council alone.

Because of his age and his cunning, because of his gripe and his paw,
In all that the Law leaveth open, the word of your Head Wolf is Law.

Now these are the Laws of the Jungle, and many and mighty are they;
But the head and the hoof of the Law and the haunch and the hump is — Obey! ~ Rudyard Kipling,
222:To Mrs. Goodchild
The night-wind's shriek is pitiless and hollow,
The boding bat flits by on sullen wing,
And I sit desolate, like that 'one swallow'
Who found (with horror) that he'd not brought spring:
Lonely as he who erst with venturous thumb
Drew from its pie-y lair the solitary plum.
And to my gaze the phantoms of the Past,
The cherished fictions of my boyhood, rise:
I see Red Ridinghood observe, aghast,
The fixed expression of her grandam's eyes;
I hear the fiendish chattering and chuckling
Which those misguided fowls raised at the Ugly Duckling.
The House that Jack built--and the Malt that lay
Within the House--the Rat that ate the Malt The Cat, that in that sanguinary way
Punished the poor thing for its venial fault The Worrier-Dog--the Cow with Crumpled horn And then--ah yes! and then--the Maiden all forlorn!
O Mrs. Gurton--(may I call thee Gammer?)
Thou more than mother to my infant mind!
I loved thee better than I loved my grammar I used to wonder why the Mice were blind,
And who was gardener to Mistress Mary,
And what--I don't know still--was meant by 'quite contrary'?
'Tota contraria,' an 'Arundo Cami'
Has phrased it--which is possibly explicit,
Ingenious certainly--but all the same I
Still ask, when coming on the word, 'What is it?'
There were more things in Mrs. Gurton's eye,
Mayhap, than are dreamed of in our philosophy.
No doubt the Editor of 'Notes and Queries'
Or 'Things not generally known' could tell
That word's real force--my only lurking fear is
That the great Gammer 'didna ken hersel':
(I've precedent, yet feel I owe apology
For passing in this way to Scottish phraseology).
Alas, dear Madam, I must ask your pardon
For making this unwarranted digression,
Starting (I think) from Mistress Mary's garden:And beg to send, with every expression
Of personal esteem, a Book of Rhymes,
For Master G. to read at miscellaneous times.
There is a youth, who keeps a 'crumpled Horn,'
(Living next me, upon the selfsame story,)
And ever, 'twixt the midnight and the morn,
He solaces his soul with Annie Laurie.
The tune is good; the habit p'raps romantic;
But tending, if pursued, to drive one's neighbours frantic.
And now,--at this unprecedented hour,
When the young Dawn is 'trampling out the stars,' I hear that youth--with more than usual power
And pathos--struggling with the first few bars.
And I do think the amateur cornopean
Should be put down by law--but that's perhaps Utopian.
Who knows what 'things unknown' I might have 'bodied
Forth,' if not checked by that absurd Too-too?
But don't I know that when my friend has plodded
Through the first verse, the second will ensue?
Considering which, dear Madam, I will merely
Send the aforesaid book--and am yours most sincerely.
~ Charles Stuart Calverley,
223:The Tin Bank
Speaking of banks, I'm bound to say
That a bank of tin is far the best,
And I know of one that has stood for years
In a pleasant home away out west.
It has stood for years on the mantelpiece
Between the clock and the Wedgwood plate-A wonderful bank, as you'll concede
When you've heard the things I'll now relate.
This bank was made of McKinley tin,
Well soldered up at sides and back;
But it didn't resemble tin at all,
For they'd painted it over an iron black.
And that it really was a bank
'Twas an easy thing to see and say,
For above the door in gorgeous red
Appeared the letters B-A-N-K!
The bank had been so well devised
And wrought so cunningly that when
You put your money in at the hole
It couldn't get out of that hole again!
Somewhere about that stanch, snug thing
A secret spring was hid away,
But _where_ it was or _how it_ worked-Excuse me, please, but I will not say.
Thither, with dimpled cheeks aglow,
Came pretty children oftentimes,
And, standing up on stool or chair,
Put in their divers pence and dimes.
Once Uncle Hank came home from town
After a cycle of grand events,
And put in a round, blue, ivory thing,
He said was good for 50 cents!
The bank went clinkety-clinkety-clink,
And larger grew the precious sum
Which grandma said she hoped would prove
A gracious boon to heathendom!
But there were those--I call no names-Who did not fancy any plan
That did not in some wise involve
The candy and banana man.
Listen; once when the wind went 'Yooooooo!'
And the raven croaked in the tangled tarn-When, with a wail, the screech-owl flew
Out of her lair in the haunted barn-There came three burglars down the road-Three burglars skilled in arts of sin,
And they cried: 'What's this? Aha! Oho!'
And straightway tackled the bank of tin.
They burgled from half-past ten p.m.,
Till the village bell struck four o'clock;
They hunted and searched and guessed and tried-But the little tin bank would not unlock!
They couldn't discover the secret spring!
So, when the barn-yard rooster crowed,
They up with their tools and stole away
With the bitter remark that they'd be blowed!
Next morning came a sweet-faced child
And reached her dimpled hand to take
A nickel to send to the heathen poor
And a nickel to spend for her stomach's sake.
She pressed the hidden secret spring,
And lo! the bank flew open then
With a cheery creak that seemed to say:
'I'm glad to see you; come again!'
If you were I, and if I were you,
What would we keep our money in?
In a downtown bank of British steel,
Or an at-home bank of McKinley tin?
Some want silver and some want gold,
But the little tin bank that wants the two
And is run on the double standard plan-Why, that is the bank for me and you!
~ Eugene Field,
224:The Riders Of The Plains
Who is it lacks the knowledge? Who are the curs that dare
To whine and sneer that they do not fear the whelps in the Lion's lair?
But we of the North will answer, while life in the North remains,
Let the curs beware lest the whelps they dare are the Riders of the Plains;
For these are the kind whose muscle makes the power of the Lion's jaw,
And they keep the peace of our people and the honour of British law.
A woman has painted a picture,--'tis a neat little bit of art
The critics aver, and it roused up for her the love of the big British heart.
'Tis a sketch of an English bulldog that tigers would scarce attack,
And round and about and beneath him is painted the Union Jack.
With its blaze of colour, and courage, its daring in every fold,
And underneath is the title, "What we have we'll hold."
'Tis a picture plain as a mirror, but the reflex it contains
Is the counterpart of the life and heart of the Riders of the Plains;
For like to that flag and that motto, and the power of that bulldog's jaw,
They keep the peace of our people and the honour of British law.
These are the fearless fighters, whose life in the open lies,
Who never fail on the prairie trail 'neath the Territorial skies,
Who have laughed in the face of the bullets and the edge of the rebels' steel,
Who have set their ban on the lawless man with his crime beneath their heel;
These are the men who battle the blizzards, the suns, the rains,
These are the famed that the North has named the "Riders of the Plains,"
And theirs is the might and the meaning and the strength of the bulldog's jaw,
While they keep the peace of the people and the honour of British law.
These are the men of action, who need not the world's renown,
For their valour is known to England's throne as a gem in the British crown;
These are the men who face the front, whose courage the world may scan,
The men who are feared by the felon, but are loved by the honest man;
These are the marrow, the pith, the cream, the best that the blood contains,
Who have cast their days in the valiant ways of the Riders of the Plains;
And theirs is the kind whose muscle makes the power of old England's jaw,
And they keep the peace of her people and the honour of British law.
Then down with the cur that questions,--let him slink to his craven den,-For he daren't deny our hot reply as to "who are our mounted men."
He shall honour them east and westward, he shall honour them south and north,
He shall bare his head to that coat of red wherever that red rides forth.
'Tis well that he knows the fibre that the great North-West contains,
The North-West pride in her men that ride on the Territorial plains,-For of such as these are the muscles and the teeth in the Lion's jaw,
And they keep the peace of our people and the honour of British law.
~ Emily Pauline Johnson,
225:A More Ancient Mariner
The swarthy bee is a buccaneer,
A burly velveted rover,
Who loves the booming wind in his ear
As he sails the seas of clover.
A waif of the goblin pirate crew,
With not a soul to deplore him,
He steers for the open verge of blue
With the filmy world before him.
His flimsy sails abroad on the wind
Are shivered with fairy thunder;
On a line that sings to the light of his wings
He makes for the lands of wonder.
He harries the ports of Hollyhocks,
And levies on poor Sweetbriar;
He drinks the whitest wine of Phlox,
And the Rose is his desire.
He hangs in the Willows a night and a day;
He rifles the Buckwheat patches;
Then battens his store of pelf galore
Under the taughtest hatches.
He woos the Poppy and weds the Peach,
Inveigles Daffodilly,
And then like a tramp abandons each
For the gorgeous Canada Lily.
There's not a soul in the garden world
But wishes the day were shorter,
When Mariner B. puts out to sea
With the wind in the proper quarter.
Or, so they say! But I have my doubts;
For the flowers are only human,
And the valor and gold of a vagrant bold
Were always dear to woman.
He dares to boast, along the coast,
The beauty of Highland Heather,How he and she, with night on the sea,
Lay out on the hills together.
He pilfers every port of the wind,
From April to golden autumn;
But the theiving ways of his mortal days
Are those his mother taught him.
His morals are mixed, but his will is fixed;
He prospers after his kind,
And follows an instinct compass-sure,
The philosophers call blind.
And that is why, when he comes to die,
He'll have an earlier sentence
Than someone I know who thinks just so,
And then leaves room for repentance.
He never could box the compass round;
He doesn't know port from starboard;
But he knows the gates of the Sundown Straits,
Where the choicest goods are harbored.
He never could see the Rule of Three,
But he knows the rule of thumb
Better than Euclid's, better than yours,
Or the teachers' yet to come.
He knows the smell of the hydromel
As if two and two were five;
And hides it away for a year and a day
In his own hexagonal hive.
Out in the day, hap-hazard, alone,
Booms the old vagrant hummer,
With only his whim to pilot him
Throught the splendid vast of summer.
He steers and steers on the slant of the gale,
Like the fiend or Vanderdecken;
And there's never an unknown course to sail
But his crazy log can reckon.
He drones along with his rough sea-song
And the throat of a salty tar,
This devil-may-care, till he makes his lair
By the light of a yellow star.
He looks like a gentleman, lives like a lord,
And makes like a Trojan hero;
Then loafs all winter upon his hoard,
With the mercury at zero.
~ Bliss William Carman,
226:The Law of the Jungle
NOW this is the Law of the Jungle — as old and as true as the sky;
And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die.

As the creeper that girdles the tree-trunk the Law runneth forward and back —
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.

Wash daily from nose-tip to tail-tip; drink deeply, but never too deep;
And remember the night is for hunting, and forget not the day is for sleep.

The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown,
Remember the Wolf is a Hunter — go forth and get food of thine own.

Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear.
And trouble not Hathi the Silent, and mock not the Boar in his lair.

When Pack meets with Pack in the Jungle, and neither will go from the trail,
Lie down till the leaders have spoken — it may be fair words shall prevail.

When ye fight with a Wolf of the Pack, ye must fight him alone and afar,
Lest others take part in the quarrel, and the Pack be diminished by war.

The Lair of the Wolf is his refuge, and where he has made him his home,
Not even the Head Wolf may enter, not even the Council may come.

The Lair of the Wolf is his refuge, but where he has digged it too plain,
The Council shall send him a message, and so he shall change it again.

If ye kill before midnight, be silent, and wake not the woods with your bay,
Lest ye frighten the deer from the crop, and your brothers go empty away.

Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can;
But kill not for pleasure of killing, and seven times never kill Man!

If ye plunder his Kill from a weaker, devour not all in thy pride;
Pack-Right is the right of the meanest; so leave him the head and the hide.

The Kill of the Pack is the meat of the Pack. Ye must eat where it lies;
And no one may carry away of that meat to his lair, or he dies.

The Kill of the Wolf is the meat of the Wolf. He may do what he will;
But, till he has given permission, the Pack may not eat of that Kill.

Cub-Right is the right of the Yearling. From all of his Pack he may claim
Full-gorge when the killer has eaten; and none may refuse him the same.

Lair-Right is the right of the Mother. From all of her year she may claim
One haunch of each kill for her litter, and none may deny her the same.

Cave-Right is the right of the Father — to hunt by himself for his own:
He is freed of all calls to the Pack; he is judged by the Council alone.

Because of his age and his cunning, because of his gripe and his paw,
In all that the Law leaveth open, the word of your Head Wolf is Law.

Now these are the Laws of the Jungle, and many and mighty are they;
But the head and the hoof of the Law and the haunch and the hump is — Obey! ~ Rudyard Kipling,
227:Plaint Of The Missouri 'Coon In The Berlin Zoological
Friend, by the way you hump yourself you're from the States, I know,
And born in old Mizzourah, where the 'coons in plenty grow;
I, too, am a native of that clime, but harsh, relentless fate
Has doomed me to an exile far from that noble state,
And I, who used to climb around and swing from tree to tree,
Now lead a life of ignominious ease, as you can see.
Have pity, O compatriot mine! and bide a season near
While I unfurl a dismal tale to catch your friendly ear.
My pedigree is noble--they used my grandsire's skin
To piece a coat for Patterson to warm himself within-Tom Patterson of Denver; no ermine can compare
With the grizzled robe that democratic statesman loves to wear!
Of such a grandsire I have come, and in the County Cole,
All up an ancient cottonwood, our family had its hole-We envied not the liveried pomp nor proud estate of kings
As we hustled around from day to day in search of bugs and things.
And when the darkness fell around, a mocking bird was nigh,
Inviting pleasant, soothing dreams with his sweet lullaby;
And sometimes came the yellow dog to brag around all night
That nary 'coon could wollop him in a stand-up barrel fight;
We simply smiled and let him howl, for all Mizzourians know
That ary 'coon can beat a dog if the 'coon gets half a show!
But we'd nestle close and shiver when the mellow moon had ris'n
And the hungry nigger sought our lair in hopes to make us his'n!
Raised as I was, it's hardly strange I pine for those old days-I cannot get acclimated or used to German ways;
The victuals that they give me here may all be very fine
For vulgar, common palates, but they will not do for mine!
The 'coon that's been used to stanch democratic cheer
Will not put up with onion tarts and sausage steeped in beer!
No; let the rest, for meat and drink, accede to slavish terms,
But send _me_ back from whence I came and let me grub for worms!
They come (these gaping Teutons do) on Sunday afternoons
And wonder what I am--alas! there are no German 'coons!
For, if there were, I might still swing at home from tree to tree,
A symbol of democracy that's woolly, blythe and free.
And yet for what my captors are I would not change my lot,
For _I_ have tasted liberty--these others, _they_ have not!
So, even caged, the democratic 'coon more glory feels
Than the conscript German puppets with their swords about their heels!
Well, give my love to Crittenden, to Clardy and O'Neill,
To Jasper Burke and Colonel Jones, and tell 'em how I feel;
My compliments to Cockrill, Munford, Switzler, Hasbrook, Vest,
Bill Nelson, J. West Goodwin, Jedge Broadhead and the rest;
Bid them be steadfast in the faith and pay no heed at all
To Joe McCullagh's badinage or Chauncy Filley's gall;
And urge them to retaliate for what I'm suffering here
By cinching all the alien class that wants its Sunday beer.
~ Eugene Field,
228:Episode 34
THE fall of his lord he was fain to requite
in after days; and to Eadgils he proved
friend to the friendless, and forces sent
over the sea to the son of Ohtere,
weapons and warriors: well repaid he
those care-paths cold when the king he slew.
Thus safe through struggles the son of Ecgtheow
had passed a plenty, through perils dire,
with daring deeds, till this day was come
that doomed him now with the dragon to strive.
With comrades eleven the lord of Geats
swollen in rage went seeking the dragon.
He had heard whence all the harm arose
and the killing of clansmen; that cup of price
on the lap of the lord had been laid by the finder.
In the throng was this one thirteenth man,
starter of all the strife and ill,
care-laden captive; cringing thence
forced and reluctant, he led them on
till he came in ken of that cavern-hall,
the barrow delved near billowy surges,
flood of ocean. Within 'twas full
of wire-gold and jewels; a jealous warden,
warrior trusty, the treasures held,
lurked in his lair. Not light the task
of entrance for any of earth-born men!
Sat on the headland the hero king,
spake words of hail to his hearth-companions,
gold-friend of Geats. All gloomy his soul,
wavering, death-bound. Wyrd full nigh
stood ready to greet the gray-haired man,
to seize his soul-hoard, sunder apart
life and body. Not long would be
the warrior's spirit enwound with flesh.
Beowulf spake, the bairn of Ecgtheow: -"Through store of struggles I strove in youth,
mighty feuds; I mind them all.
I was seven years old when the sovran of rings,
friend-of-his-folk, from my father took me,
had me, and held me, Hrethel the king,
with food and fee, faithful in kinship.
Ne'er, while I lived there, he loathlier found me,
bairn in the burg, than his birthright sons,
Herebeald and Haethcyn and Hygelac mine.
For the eldest of these, by unmeet chance,
by kinsman's deed, was the death-bed strewn,
when Haethcyn killed him with horny bow,
his own dear liege laid low with an arrow,
missed the mark and his mate shot down,
one brother the other, with bloody shaft.
A feeless fight, and a fearful sin,
horror to Hrethel; yet, hard as it was,
unavenged must the atheling die!
Too awful it is for an aged man
to bide and bear, that his bairn so young
rides on the gallows. A rime he makes,
sorrow-song for his son there hanging
as rapture of ravens; no rescue now
can come from the old, disabled man!
Still is he minded, as morning breaks,
of the heir gone elsewhere; another he hopes not
he will bide to see his burg within
as ward for his wealth, now the one has found
doom of death that the deed incurred.
Forlorn he looks on the lodge of his son,
wine-hall waste and wind-swept chambers
reft of revel. The rider sleepeth,
the hero, far-hidden; no harp resounds,
in the courts no wassail, as once was heard.
~ Anonymous Olde English,
229:Beowulf (Episode 02)
WENT he forth to find at fall of night
that haughty house, and heed wherever
the Ring-Danes, outrevelled, to rest had gone.
Found within it the atheling band
asleep after feasting and fearless of sorrow,
of human hardship. Unhallowed wight,
grim and greedy, he grasped betimes,
wrathful, reckless, from resting-places,
thirty of the thanes, and thence he rushed
fain of his fell spoil, faring homeward,
laden with slaughter, his lair to seek.
Then at the dawning, as day was breaking,
the might of Grendel to men was known;
then after wassail was wail uplifted,
loud moan in the morn. The mighty chief,
atheling excellent, unblithe sat,
labored in woe for the loss of his thanes,
when once had been traced the trail of the fiend,
spirit accurst: too cruel that sorrow,
too long, too loathsome. Not late the respite;
with night returning, anew began
ruthless murder; he recked no whit,
firm in his guilt, of the feud and crime.
They were easy to find who elsewhere sought
in room remote their rest at night,
bed in the bowers, when that bale was shown,
was seen in sooth, with surest token, -the hall-thane's hate. Such held themselves
far and fast who the fiend outran!
Thus ruled unrighteous and raged his fill
one against all; until empty stood
that lordly building, and long it bode so.
Twelve years' tide the trouble he bore,
sovran of Scyldings, sorrows in plenty,
boundless cares. There came unhidden
tidings true to the tribes of men,
in sorrowful songs, how ceaselessly Grendel
harassed Hrothgar, what hate he bore him,
what murder and massacre, many a year,
feud unfading, -- refused consent
to deal with any of Daneland's earls,
make pact of peace, or compound for gold:
still less did the wise men ween to get
great fee for the feud from his fiendish hands.
But the evil one ambushed old and young
death-shadow dark, and dogged them still,
lured, or lurked in the livelong night
of misty moorlands: men may say not
where the haunts of these Hell-Runes be.
Such heaping of horrors the hater of men,
lonely roamer, wrought unceasing,
harassings heavy. O'er Heorot he lorded,
gold-bright hall, in gloomy nights;
and ne'er could the prince approach his throne,
-- 'twas judgment of God, -- or have joy in his hall.
Sore was the sorrow to Scyldings'-friend,
heart-rending misery. Many nobles
sat assembled, and searched out counsel
how it were best for bold-hearted men
against harassing terror to try their hand.
Whiles they vowed in their heathen fanes
altar-offerings, asked with words
that the slayer-of-souls would succor give them
for the pain of their people. Their practice this,
their heathen hope; 'twas Hell they thought of
in mood of their mind. Almighty they knew not,
Doomsman of Deeds and dreadful Lord,
nor Heaven's-Helmet heeded they ever,
Wielder-of-Wonder. -- Woe for that man
who in harm and hatred hales his soul
to fiery embraces; -- nor favor nor change
awaits he ever. But well for him
that after death-day may draw to his Lord,
and friendship find in the Father's arms!
~ Anonymous Olde English,
230:The Mountains
The Mountains
What ails you, Ocean, that nor near nor far,
Find you a bourne to ease your burdened breast,
But throughout time inexorable are
Never at rest?
With foaming mouth and fluttering crest you leap
Impatiently towards never-shifting beach,
Then wheel, and hurry to some distant deep
Beyond your reach.
Nor golden sands nor sheltering combes can slake
Your fretful longing for some shore unknown,
And through your shrineless pilgrimage you make
Unending moan.
The Sea
Nimbused by sunlight or enwreathed in snow,
Lonely you stand, and loftily you soar,
While I immeasurably ebb and flow
From shore to shore.
I see the palm-dates mellowing in the sun,
I hear the snow-fed torrents bound and brawl,
And if, where'er I range, content with none,
I know them all.
Inward the ice-floes where the walrus whet
Their pendent tusks, I sweep and swirl my way,
Or dally where 'neath dome and minaret
The dolphins play.
Beneath or bountiful or bitter sky
If I myself can never be at rest,
I lullaby the winds until they lie
Husht on my breast.
The Mountains
Till they awake, and from your feeble lap
Whirl through the air, and in their rage rejoice:
Then you with levin-bolt and thunderclap
Mingle your voice.
But I their vain insanity survey,
And on my silent brow I let them beat.
What is there it is worth my while to say
To storm or sleet?
I hear the thunder rumbling through the rain,
I feel the lightning flicker round my head;
The blizzards buffet me, but I remain
Dumb as the dead!
Urged by the goad of stern taskmaster Time,
The Seasons come and go, the years roll round.
I watch them from my solitude sublime,
Uttering no sound.
For hate and love I have nor love nor hate;
To be alone is not to be forlorn:
The only armour against pitiless Fate
Is pitying scorn.
The Sea
Yet do I sometimes seem to hear afar
A tumult in your dark ravines as though
You weary of your loneliness, and are
Wrestling with woe.
The Mountains
When the white wolves of Winter to their lair
Throng, and yet deep and deeper sleeps the snow,
I loose the avalanche, to shake and scare
The vale below.
And, when its sprouting hopes and brimming glee
Are bound and buried in a death-white shroud,
Then at the thought that I entombed can be,
I laugh aloud.
The Sea
I grieve with grief, at anguish I repine,
I dirge the keel the hurricane destroys:
For all the sorrows of the world are mine,
And all its joys.
And when there is no space 'twixt surf and sky,
And all the universe seems cloud and wave,
It is the immitigable wind, not I,
That scoops men's grave.
I wonder how the blast can hear them moan
For pity, yet keep deaf unto their prayers.
I have too many sorrows of my own,
Not to feel theirs.
And when the season of sweet joy comes round,
My bosom to their rapture heaves and swells;
And closer still I creep to catch the sound
Of wedding bells.
I see the children digging in the sand,
I hear the sinewy mariners carouse,
And lovers in the moonlight, hand-in-hand,
Whispering their vows.
You in your lofty loneliness disdain
Suffering below and comfort from above.
The sweetest thing in all the world is pain
Consoled by Love.
~ Alfred Austin,
231:CHAPTER II—THE LOWEST DEPTHS There disinterestedness vanishes. The demon is vaguely outlined; each one is for himself. The I in the eyes howls, seeks, fumbles, and gnaws. The social Ugolino is in this gulf. The wild spectres who roam in this grave, almost beasts, almost phantoms, are not occupied with universal progress; they are ignorant both of the idea and of the word; they take no thought for anything but the satisfaction of their individual desires. They are almost unconscious, and there exists within them a sort of terrible obliteration. They have two mothers, both step-mothers, ignorance and misery. They have a guide, necessity; and for all forms of satisfaction, appetite. They are brutally voracious, that is to say, ferocious, not after the fashion of the tyrant, but after the fashion of the tiger. From suffering these spectres pass to crime; fatal affiliation, dizzy creation, logic of darkness. That which crawls in the social third lower level is no longer complaint stifled by the absolute; it is the protest of matter. Man there becomes a dragon. To be hungry, to be thirsty—that is the point of departure; to be Satan—that is the point reached. From that vault Lacenaire emerges. We have just seen, in Book Fourth, one of the compartments of the upper mine, of the great political, revolutionary, and philosophical excavation. There, as we have just said, all is pure, noble, dignified, honest. There, assuredly, one might be misled; but error is worthy of veneration there, so thoroughly does it imply heroism. The work there effected, taken as a whole has a name: Progress. The moment has now come when we must take a look at other depths, hideous depths. There exists beneath society, we insist upon this point, and there will exist, until that day when ignorance shall be dissipated, the great cavern of evil. This cavern is below all, and is the foe of all. It is hatred, without exception. This cavern knows no philosophers; its dagger has never cut a pen. Its blackness has no connection with the sublime blackness of the inkstand. Never have the fingers of night which contract beneath this stifling ceiling, turned the leaves of a book nor unfolded a newspaper. Babeuf is a speculator to Cartouche; Marat is an aristocrat to Schinderhannes. This cavern has for its object the destruction of everything. Of everything. Including the upper superior mines, which it execrates. It not only undermines, in its hideous swarming, the actual social order; it undermines philosophy, it undermines human thought, it undermines civilization, it undermines revolution, it undermines progress. Its name is simply theft, prostitution, murder, assassination. It is darkness, and it desires chaos. Its vault is formed of ignorance. All the others, those above it, have but one object—to suppress it. It is to this point that philosophy and progress tend, with all their organs simultaneously, by their amelioration of the real, as well as by their contemplation of the absolute. Destroy the cavern Ignorance and you destroy the lair Crime. Let us condense, in a few words, a part of what we have just written. The only social peril is darkness. Humanity is identity. All men are made of the same clay. There is no difference, here below, at least, in predestination. The same shadow in front, the same flesh in the present, the same ashes afterwards. But ignorance, mingled with the human paste, blackens it. This incurable blackness takes possession of the interior of a man and is there converted into evil. ~ Anonymous,
232:Lex Talionis
To beasts of the field, and fowls of the air,
And fish of the sea alike,
Man's hand is ever slow to spare,
And ever ready to strike ;
With a license to kill, and to work our will,
In season by land or by water,
To our heart's content we may take our fill
Of the joys we derive from slaughter.
And few, I reckon, our rights gainsay
In this world of rapine and wrong,
Where the weak and the timid seem lawful prey
For the resolute and the strong ;
Fins, furs, and feathers, they are and were
For our use and pleasure created,
We can shoot, and hunt, and angle, and snare,
Unquestioned, if not unsated.
I have neither the will nor the right to blame,
Yet to many (though not to all)
The sweets of destruction are somewhat tame,
When no personal risks befall ;
Our victims suffer but little, we trust
(Mere guesswork and blank enigma),
If they suffer at all, our field sports must
Of cruelty bear the stigma.
Shall we, hard-hearted to their fates, thus
Soft-hearted shrink from our own,
When the measure we mete is meted to us,
When we reap as we've always sown ?
Shall we who for pastime have squander'd life,
Who are styled 'the Lords of Creation',
Recoil from our chance of more equal strife,
And our risk of retaliation ?
Though short is the dying pheasant's pain,
Scant pity you well may spare,
And the partridge slain is a triumph vain,
And a risk that a child may dare ;
You feel, when you lower the smoking gun,
Some ruth for yon slaughtered hare,
And hit or miss, in your selfish fun
The widgeon has little share.
But you've no remorseful qualms or pangs
When you kneel by the grizzly's lair,
On that conical bullet your sole chance hangs,
'Tis the weak one's advantage fair,
And the shaggy giant's terrific fangs
Are ready to crush and tear
Should you miss, one vision of home and friends,
Five words of unfinish'd prayer,
Three savage knife stabs, so your sport ends
In the worrying grapple that chokes and rends ;—
Rare sport, at least, for the bear.
Short shrift ! sharp fate ! dark doom to dree !
Hard struggle, though quickly ending !
At home or abroad, by land or sea,
In peace or war, sore trials must be,
And worse may happen to you or to me,
For none are secure, and none can flee
From a destiny impending.
Ah ! friend, did you think when the London sank.
Timber by timber, plank by plank,
In a cauldron of boiling surf,
How alone at least, with never a flinch,
In a rally contested inch by inch,
You could fall on the trampled turf ?
When a livid wall of the sea leaps high,
In the lurid light of a leaden sky,
And bursts on the quarter railing ;
While the howling storm-gust seems to vie
With the crash of splintered beams that fly,
Yet fails too oft to smother the cry
Of women and children wailing ?
Then those who listen in sinking ships
To despairing sobs from their lov'd one's lips,
Where the green wave thus slowly shatters,
May long for the crescent-claw that rips
The bison into ribbons and strips,
And tears the strong elk to tatters.
Oh ! sunderings short of body and breath !
Oh ! 'battle and murder and sudden death !'
Against which the Liturgy preaches ;
By the will of a just, yet a merciful Power,
Less bitter, perchance, in the mystic hour,
When the wings of the shadowy angel lower,
Than man in his blindness teaches !
~ Adam Lindsay Gordon,
233:Episode 33
THEN the baleful fiend its fire belched out,
and bright homes burned. The blaze stood high
all landsfolk frighting. No living thing
would that loathly one leave as aloft it flew.
Wide was the dragon's warring seen,
its fiendish fury far and near,
as the grim destroyer those Geatish people
hated and hounded. To hidden lair,
to its hoard it hastened at hint of dawn.
Folk of the land it had lapped in flame,
with bale and brand. In its barrow it trusted,
its battling and bulwarks: that boast was vain!
To Beowulf then the bale was told
quickly and truly: the king's own home,
of buildings the best, in brand-waves melted,
that gift-throne of Geats. To the good old man
sad in heart, 'twas heaviest sorrow.
The sage assumed that his sovran God
he had angered, breaking ancient law,
and embittered the Lord. His breast within
with black thoughts welled, as his wont was never.
The folk's own fastness that fiery dragon
with flame had destroyed, and the stronghold all
washed by waves; but the warlike king,
prince of the Weders, plotted vengeance.
Warriors'-bulwark, he bade them work
all of iron -- the earl's commander -a war-shield wondrous: well he knew
that forest-wood against fire were worthless,
linden could aid not. -- Atheling brave,
he was fated to finish this fleeting life,
his days on earth, and the dragon with him,
though long it had watched o'er the wealth of thehoard! -Shame he reckoned it, sharer-of-rings,
to follow the flyer-afar with a host,
a broad-flung band; nor the battle feared he,
nor deemed he dreadful the dragon's warring,
its vigor and valor: ventures desperate
he had passed a-plenty, and perils of war,
contest-crash, since, conqueror proud,
Hrothgar's hall he had wholly purged,
and in grapple had killed the kin of Grendel,
loathsome breed! Not least was that
of hand-to-hand fights where Hygelac fell,
when the ruler of Geats in rush of battle,
lord of his folk, in the Frisian land,
son of Hrethel, by sword-draughts died,
by brands down-beaten. Thence Beowulf fled
through strength of himself and his swimming power,
though alone, and his arms were laden with thirty
coats of mail, when he came to the sea!
Nor yet might Hetwaras haughtily boast
their craft of contest, who carried against him
shields to the fight: but few escaped
from strife with the hero to seek their homes!
Then swam over ocean Ecgtheow's son
lonely and sorrowful, seeking his land,
where Hygd made him offer of hoard and realm,
rings and royal-seat, reckoning naught
the strength of her son to save their kingdom
from hostile hordes, after Hygelac's death.
No sooner for this could the stricken ones
in any wise move that atheling's mind
over young Heardred's head as lord
and ruler of all the realm to be:
yet the hero upheld him with helpful words,
aided in honor, till, older grown,
he wielded the Weder-Geats. -- Wandering exiles
sought him o'er seas, the sons of Ohtere,
who had spurned the sway of the Scylfings'-helmet,
the bravest and best that broke the rings,
in Swedish land, of the sea-kings' line,
haughty hero. Hence Heardred's end.
For shelter he gave them, sword-death came,
the blade's fell blow, to bairn of Hygelac;
but the son of Ongentheow sought again
house and home when Heardred fell,
leaving Beowulf lord of Geats
and gift-seat's master. -- A good king he!
~ Anonymous Olde English,
234:Religion, then, is far from "useless." It humanizes violence; it protects man from his own violence by taking it out of his hands, transforming it into a transcendent and ever-present danger to be kept in check by the appropriate rites appropriately observed and by a modest and prudent demeanor. Religious misinterpretation is a truly constructive force, for it purges man of the suspicions that would poison his existence if he were to remain conscious of the crisis as it actually took place.

To think religiously is to envision the city's destiny in terms of that violence whose mastery over man increases as man believes he has gained mastery over it. To think religiously (in the primitive sense) is to see violence as something superhuman, to be kept always at a distance and ultimately renounced. When the fearful adoration of this power begins to diminish and all distinctions begin to disappear, the ritual sacrifices lose their force; their potency is not longer recognized by the entire community. Each member tries to correct the situation individually, and none succeeds. The withering away of the transcendental influence means that there is no longer the slightest difference between a desire to save the city and unbridled ambition, between genuine piety and the desire to claim divine status for oneself. Everyone looks on a rival enterprise as evidence of blasphemous designs. Men set to quarreling about the gods, and their skepticism leads to a new sacrificial crisis that will appear - retrospectively, in the light of a new manifestation of unanimous violence - as a new act of divine intervention and divine revenge.

Men would not be able to shake loose the violence between them, to make of it a separate entity both sovereign and redemptory, without the surrogate victim. Also, violence itself offers a sort of respite, the fresh beginning of a cycle of ritual after a cycle of violence. Violence will come to an end only after it has had the last word and that word has been accepted as divine. The meaning of this word must remain hidden, the mechanism of unanimity remain concealed. For religion protects man as long as its ultimate foundations are not revealed. To drive the monster from its secret lair is to risk loosing it on mankind. To remove men's ignorance is only to risk exposing them to an even greater peril. The only barrier against human violence is raised on misconception. In fact, the sacrificial crisis is simply another form of that knowledge which grows grater as the reciprocal violence grows more intense but which never leads to the whole truth. It is the knowledge of violence, along with the violence itself, that the act of expulsion succeeds in shunting outside the realm of consciousness. From the very fact that it belies the overt mythological messages, tragic drama opens a vast abyss before the poet; but he always draws back at the last moment. He is exposed to a form of hubris more dangerous than any contracted by his characters; it has to do with a truth that is felt to be infinitely destructive, even if it is not fully understood - and its destructiveness is as obvious to ancient religious thought as it is to modern philosophers. Thus we are dealing with an interdiction that still applies to ourselves and that modern thought has not yet invalidated. The fact that this secret has been subjected to exceptional pressure in the play [Bacchae] must prompt the following lines:

May our thoughts never aspire to anything higher than laws! What does it cost man to acknowledge the full sovereignty of the gods? That which has always been held as true owes its strength to Nature. ~ Ren Girard,
235:Beowulf (Episode 06)
HROTHGAR answered, helmet of Scyldings: -"I knew him of yore in his youthful days;
his aged father was Ecgtheow named,
to whom, at home, gave Hrethel the Geat
his only daughter. Their offspring bold
fares hither to seek the steadfast friend.
And seamen, too, have said me this, -who carried my gifts to the Geatish court,
thither for thanks, -- he has thirty men's
heft of grasp in the gripe of his hand,
the bold-in-battle. Blessed God
out of his mercy this man hath sent
to Danes of the West, as I ween indeed,
against horror of Grendel. I hope to give
the good youth gold for his gallant thought.
Be thou in haste, and bid them hither,
clan of kinsmen, to come before me;
and add this word, -- they are welcome guests
to folk of the Danes."
[To the door of the hall
Wulfgar went] and the word declared: -"To you this message my master sends,
East-Danes' king, that your kin he knows,
hardy heroes, and hails you all
welcome hither o'er waves of the sea!
Ye may wend your way in war-attire,
and under helmets Hrothgar greet;
but let here the battle-shields bide your parley,
and wooden war-shafts wait its end."
Uprose the mighty one, ringed with his men,
brave band of thanes: some bode without,
battle-gear guarding, as bade the chief.
Then hied that troop where the herald led them,
under Heorot's roof: [the hero strode,]
hardy 'neath helm, till the hearth he neared.
Beowulf spake, -- his breastplate gleamed,
war-net woven by wit of the smith: -"Thou Hrothgar, hail! Hygelac's I,
kinsman and follower. Fame a plenty
have I gained in youth! These Grendel-deeds
I heard in my home-land heralded clear.
Seafarers say how stands this hall,
of buildings best, for your band of thanes
empty and idle, when evening sun
in the harbor of heaven is hidden away.
So my vassals advised me well, -brave and wise, the best of men, -O sovran Hrothgar, to seek thee here,
for my nerve and my might they knew full well.
Themselves had seen me from slaughter come
blood-flecked from foes, where five I bound,
and that wild brood worsted. I' the waves I slew
nicors by night, in need and peril
avenging the Weders, whose woe they sought, -crushing the grim ones. Grendel now,
monster cruel, be mine to quell
in single battle! So, from thee,
thou sovran of the Shining-Danes,
Scyldings'-bulwark, a boon I seek, -and, Friend-of-the-folk, refuse it not,
O Warriors'-shield, now I've wandered far, -that I alone with my liegemen here,
this hardy band, may Heorot purge!
More I hear, that the monster dire,
in his wanton mood, of weapons recks not;
hence shall I scorn -- so Hygelac stay,
king of my kindred, kind to me! -brand or buckler to bear in the fight,
gold-colored targe: but with gripe alone
must I front the fiend and fight for life,
foe against foe. Then faith be his
in the doom of the Lord whom death shall take.
Fain, I ween, if the fight he win,
in this hall of gold my Geatish band
will he fearless eat, -- as oft before, -my noblest thanes. Nor need'st thou then
to hide my head; for his shall I be,
dyed in gore, if death must take me;
and my blood-covered body he'll bear as prey,
ruthless devour it, the roamer-lonely,
with my life-blood redden his lair in the fen:
no further for me need'st food prepare!
To Hygelac send, if Hild should take me,
best of war-weeds, warding my breast,
armor excellent, heirloom of Hrethel
and work of Wayland. Fares Wyrd as she must."
~ Anonymous Olde English,
236:To -- -- --. Ulalume: A Ballad
The skies they were ashen and sober;
The leaves they were crisped and sereThe leaves they were withering and sere;
It was night in the lonesome October
Of my most immemorial year;
It was hard by the dim lake of Auber,
In the misty mid region of WeirIt was down by the dank tarn of Auber,
In the ghoul-haunted woodland of Weir.
Here once, through an alley Titanic,
Of cypress, I roamed with my SoulOf cypress, with Psyche, my Soul.
There were days when my heart was volcanic
As the scoriac rivers that rollAs the lavas that restlessly roll
Their sulphurous currents down Yaanek
In the ultimate climes of the poleThat groan as they roll down Mount Yaanek
In the realms of the boreal pole.
Our talk had been serious and sober,
But our thoughts they were palsied and sereOur memories were treacherous and sereFor we knew not the month was October,
And we marked not the night of the year(Ah, night of all nights in the year!)
We noted not the dim lake of Auber(Though once we had journeyed down here),
Remembered not the dank tarn of Auber,
Nor the ghoul-haunted woodland of Weir.
And now, as the night was senescent,
And star-dials pointed to mornAs the star-dials hinted of mornAt the end of our path a liquescent
And nebulous lustre was born,
Out of which a miraculous crescent
Arose with a duplicate horn-
Astarte's bediamonded crescent
Distinct with its duplicate horn.
And I said- 'She is warmer than Dian:
She rolls through an ether of sighsShe revels in a region of sighs:
She has seen that the tears are not dry on
These cheeks, where the worm never dies,
And has come past the stars of the Lion,
To point us the path to the skiesTo the Lethean peace of the skiesCome up, in despite of the Lion,
To shine on us with her bright eyesCome up through the lair of the Lion,
With love in her luminous eyes.'
But Psyche, uplifting her finger,
Said- 'Sadly this star I mistrustHer pallor I strangely mistrust:Oh, hasten!- oh, let us not linger!
Oh, fly!- let us fly!- for we must.'
In terror she spoke, letting sink her
Wings until they trailed in the dustIn agony sobbed, letting sink her
Plumes till they trailed in the dustTill they sorrowfully trailed in the dust.
I replied- 'This is nothing but dreaming:
Let us on by this tremulous light!
Let us bathe in this crystalline light!
Its Sybilic splendor is beaming
With Hope and in Beauty to-night:See!- it flickers up the sky through the night!
Ah, we safely may trust to its gleaming,
And be sure it will lead us arightWe safely may trust to a gleaming
That cannot but guide us aright,
Since it flickers up to Heaven through the night.'
Thus I pacified Psyche and kissed her,
And tempted her out of her gloomAnd conquered her scruples and gloom;
And we passed to the end of the vista,
But were stopped by the door of a tombBy the door of a legended tomb;
And I said- 'What is written, sweet sister,
On the door of this legended tomb?'
She replied- 'Ulalume- Ulalume'Tis the vault of thy lost Ulalume!'
Then my heart it grew ashen and sober
As the leaves that were crisped and sereAs the leaves that were withering and sereAnd I cried- 'It was surely October
On this very night of last year
That I journeyed- I journeyed down hereThat I brought a dread burden down hereOn this night of all nights in the year,
Ah, what demon has tempted me here?
Well I know, now, this dim lake of AuberThis misty mid region of WeirWell I know, now, this dank tarn of Auber,
This ghoul-haunted woodland of Weir.'
~ Edgar Allan Poe,
237:There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut.

There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness.

The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine.

On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy.

Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair.

The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise? ~ Charlotte Bront,
238:Beowulf (Episode 22)
BEOWULF spake, bairn of Ecgtheow: -"Have mind, thou honored offspring of Healfdene
gold-friend of men, now I go on this quest,
sovran wise, what once was said:
if in thy cause it came that I
should lose my life, thou wouldst loyal bide
to me, though fallen, in father's place!
Be guardian, thou, to this group of my thanes,
my warrior-friends, if War should seize me;
and the goodly gifts thou gavest me,
Hrothgar beloved, to Hygelac send!
Geatland's king may ken by the gold,
Hrethel's son see, when he stares at the treasure,
that I got me a friend for goodness famed,
and joyed while I could in my jewel-bestower.
And let Unferth wield this wondrous sword,
earl far-honored, this heirloom precious,
hard of edge: with Hrunting I
seek doom of glory, or Death shall take me."
After these words the Weder-Geat lord
boldly hastened, biding never
answer at all: the ocean floods
closed o'er the hero. Long while of the day
fled ere he felt the floor of the sea.
Soon found the fiend who the flood-domain
sword-hungry held these hundred winters,
greedy and grim, that some guest from above,
some man, was raiding her monster-realm.
She grasped out for him with grisly claws,
and the warrior seized; yet scathed she not
his body hale; the breastplate hindered,
as she strove to shatter the sark of war,
the linked harness, with loathsome hand.
Then bore this brine-wolf, when bottom she touched,
the lord of rings to the lair she haunted
whiles vainly he strove, though his valor held,
weapon to wield against wondrous monsters
that sore beset him; sea-beasts many
tried with fierce tusks to tear his mail,
and swarmed on the stranger. But soon he marked
he was now in some hall, he knew not which,
where water never could work him harm,
nor through the roof could reach him ever
fangs of the flood. Firelight he saw,
beams of a blaze that brightly shone.
Then the warrior was ware of that wolf-of-the-deep,
mere-wife monstrous. For mighty stroke
he swung his blade, and the blow withheld not.
Then sang on her head that seemly blade
its war-song wild. But the warrior found
the light-of-battle was loath to bite,
to harm the heart: its hard edge failed
the noble at need, yet had known of old
strife hand to hand, and had helmets cloven,
doomed men's fighting-gear. First time, this,
for the gleaming blade that its glory fell.
Firm still stood, nor failed in valor,
heedful of high deeds, Hygelac's kinsman;
flung away fretted sword, featly jewelled,
the angry earl; on earth it lay
steel-edged and stiff. His strength he trusted,
hand-gripe of might. So man shall do
whenever in war he weens to earn him
lasting fame, nor fears for his life!
Seized then by shoulder, shrank not from combat,
the Geatish war-prince Grendel's mother.
Flung then the fierce one, filled with wrath,
his deadly foe, that she fell to ground.
Swift on her part she paid him back
with grisly grasp, and grappled with him.
Spent with struggle, stumbled the warrior,
fiercest of fighting-men, fell adown.
On the hall-guest she hurled herself, hent her short sword,
broad and brown-edged, the bairn to avenge,
the sole-born son. -- On his shoulder lay
braided breast-mail, barring death,
withstanding entrance of edge or blade.
Life would have ended for Ecgtheow's son,
under wide earth for that earl of Geats,
had his armor of war not aided him,
battle-net hard, and holy God
wielded the victory, wisest Maker.
The Lord of Heaven allowed his cause;
and easily rose the earl erect.
~ Anonymous Olde English,
The skies they were ashen and sober;
The leaves they were crisped and sere The leaves they were withering and sere;
It was night in the lonesome October
Of my most immemorial year;
It was hard by the dim lake of Auber,
In the misty mid region of Weir It was down by the dank tarn of Auber,
In the ghoul-haunted woodland of Weir.
Here once, through an alley Titanic,
Of cypress, I roamed with my Soul Of cypress, with Psyche, my Soul.
These were days when my heart was volcanic
As the scoriac rivers that roll As the lavas that restlessly roll
Their sulphurous currents down Yaanek
In the ultimate climes of the pole That groan as they roll down Mount Yaanek
In the realms of the boreal pole.
Our talk had been serious and sober,
But our thoughts they were palsied and sere Our memories were treacherous and sere, For we knew not the month was October,
And we marked not the night of the year (Ah, night of all nights in the year!)
We noted not the dim lake of Auber (Though once we had journey down here),
Remembered not the dank tarn of Auber,
Nor the ghoul-haunted woodland of Weir.
And now, as the night was senescent,
And star-dials pointed to morn As the star-dials hinted of morn At the end of our path a liquescent
And nebulous lustre was born,
Out of which a miraculous crescent
Arose with a duplicate horn -
Astarte's bediamonded crescent
Distinct with its duplicate horn.
And I said - "She is warmer than Dian:
She rolls through an ether of sighs She revels in a region of sighs:
She has seen that the tears are not dry on
These cheeks, where the worm never dies,
And has come past the stars of the Lion
To point us the path to the skies To the Lethean peace of the skies Come up, in despite of the Lion,
To shine on us with her bright eyes Come up through the lair of the Lion,
With love in her luminous eyes."
But Psyche, uplifting her finger,
Said - "Sadly this star I mistrust Her pallor I strangely mistrust: Oh, hasten! - oh, let us not linger!
Oh, fly! - let us fly! - for we must."
In terror she spoke, letting sink her
Wings until they trailed in the dust In agony sobbed, letting sink her
Plumes till they trailed in the dust Till they sorrowfully trailed in the dust.
I replied - "This is nothing but dreaming:
Let us on by this tremulous light!
Let us bathe in this crystalline light!
Its Sybilic splendor is beaming
With Hope and in Beauty to-night! See! - it flickers up the sky through the night!
Ah, we safely may trust to its gleaming,
And be sure it will lead us aright We safely may trust to a gleaming,
That cannot but guide us aright,
Since it flickers up to Heaven through the night."
Thus I pacified Psyche and kissed her,
And tempted her out of her gloom And conquered her scruples and gloom;
And we passed to the end of the vista,
But were stopped by the door of a tomb By the door of a legended tomb;
And I said - "What is written, sweet sister,
On the door of this legended tomb?"
She replied - "Ulalume - Ulalume ‘Tis the vault of thy lost Ulalume!"
Then my heart it grew ashen and sober
As the leaves that were crisped and sere As the leaves that were withering and sere,
And I cried - "It was surely October
On this very night of last year
That I journeyed - I journeyed down here That I brought a dread burden down here!
On this night of all nights in the year,
Ah, what demon has tempted me here?
Well I know, now, this dim lake of Auber This misty mid region of Weir Well I know, now, this dank tarn of Auber, This ghoul-haunted woodland of Weir."
~ Edgar Allan Poe,
240:Bohémiens En Voyage (Gypsies On The Road)
La tribu prophétique aux prunelles ardentes
Hier s'est mise en route, emportant ses petits
Sur son dos, ou livrant à leurs fiers appétits
Le trésor toujours prêt des mamelles pendantes.
Les hommes vont à pied sous leurs armes luisantes
Le long des chariots où les leurs sont blottis,
Promenant sur le ciel des yeux appesantis
Par le morne regret des chimères absentes.
Du fond de son réduit sablonneux, le grillon,
Les regardant passer, redouble sa chanson;
Cybèle, qui les aime, augmente ses verdures,
Fait couler le rocher et fleurir le désert
Devant ces voyageurs, pour lesquels est ouvert
L'empire familier des ténèbres futures.
Gypsies Traveling
The prophetical tribe, that ardent eyed people,
Set out last night, carrying their children
On their backs, or yielding to those fierce appetites
The ever ready treasure of pendulous breasts.
The men travel on foot with their gleaming weapons
Alongside the wagons where their kin are huddled,
Surveying the heavens with eyes rendered heavy
By a mournful regret for vanished illusions.
The cricket from the depths of his sandy retreat
Watches them as they pass, and louder grows his song;
Cybele, who loves them, increases her verdure,
Makes the desert blossom, water spurt from the rock
Before these travelers for whom is opened wide
The familiar domain of the future's darkness.
— Translated by William Aggeler
Gipsies on the Road
The tribe of seers, last night, began its match
With burning eyes, and shouldering its young
To whose ferocious appetites it swung
The wealth of hanging breasts that nought can parch.
The men, their weapons glinting in the rays,
Walk by the convoy where their folks are carted,
Sweeping the far-off skylines with a gaze
Regretful of Chimeras long-departed.
Out of his hole the cricket sees them pass
And sings the louder. Greener grows the grass
Because Cybele loves them, and has made
The barren rock to gush, the sands to flower,
To greet these travellers, before whose power
Familiar futures open realms of shade.
— Translated by Roy Campbell
The Gypsies
They set out yesterday, the tribe of ragged seers
With burning eyes — bearing their little ones in nests
Upon their backs, or giving them, to stop their tears,
The teats of inexhaustible and swarthy breasts.
The men walk shouldering their rifles silently
Beside the hooded wagons with bright tatters hung,
And peer into the sky, as if they hoped to see
Some old mirage that beckoned them when they were young.
No matter where they journey through the meager land,
The cricket will sing louder from his lair of sand,
And Cybele, who loves them, will smile where they advance:
The desert will be fruitful, the arid rock will flow
Before the footsteps of these wayfarers, who go
Eternally into the lightless realm of chance.
— Translated by George Dillon
Travelling Bohemians
The prophetic tribe of the ardent eyes
Yesterday they took the road, holding their babies
On their backs, delivering to fierce appetites
The always ready treasure of pendulous breasts.
The men stick their feet out, waving their guns
Alongside the caravan where they tremble together,
Scanning the sky their eyes are weighted down
In mourning for absent chimeras.
At the bottom of his sandy retreat, a cricket
Watched passing, redoubles his song,
Cybele, who loves, adds more flower,
Makes fountains out of rock and blossoms from desert
Opening up before these travelers in a yawn—
A familiar empire, the inscrutable future.
Translated by William A. Sigler
~ Charles Baudelaire,
241:Wolf And Hound
You'll take my tale with a little salt;
But it needs none, nevertheless!
I was foiled completely - fair at fault Disheartened, too, I confess!
At the splitters' tent I had seen the track
Of horse-hoofs fresh on the sward;
And though Darby Lynch and Donovan Jack
(Who could swear through a ten-inch board)
Solemnly swore he had not been there,
I was just as sure they lied;
For to Darby all that is foul was fair,
And Jack for his life was tried.
We had run him for seven miles or more
As hard as our nags could split;
At the start they were all too weary and sore,
And his was quite fresh and fit.
Young Marsden's pony had had enough
On the plain where the chase was hot;
We breasted the swell of the Bitterns' bluff,
And Mark couldn't raise a trot.
When the sea like a splendid silver shield
To the south-west suddenly lay,
On the brow of the Beetle the chestnut reeled And I bid good-bye to McCrea.
And I was alone when the mare fell lame
With a pointed flint in her shoe,
On the Stony Flats: I had lost the game! And what was a man to do?
I turned away with a fixed intent
And headed for Hawthorndell:
I could neither eat in the splitters' tent
Nor drink at the splitters' well.
I know that they gloried in my mishap,
And I cursed them between my teeth: A blood-red sunset through Brayton's Gap
Flung a lurid fire on the hearth.
Could I reach the Dell? I had little reck,
And with scarce a choice of my own
I threw the reins on Miladi's neck I had freed her foot from the stone.
That season most of the swamps were dry,
And after so hard a burst
In the sultry noon of so hot a sky
She was keen to appease her thirst -
Or by instinct urged, or impelled by Fate
(I care not to solve these things)
Certain it is that she took me straight
To the Warrigal water springs!
I can shut my eyes and recall the ground
As though it were yesterday:
With shelf on the low, grey rocks girt round,
The springs in their basin lay.
Woods to the east and wolds to the north
In the sundown suddenly bloomed:
Dead black on a curtain of crimson cloth
Large peaks to the westward loomed.
I led Miladi through weed and sedge,
She leisurely drank her fill:
There was something close to the water's edge And my heart, with one leap, stood still!
For a horse's shoe and a rider's boot
Had left clean prints on the clay:
Someone had watered his beast on foot ''Twas he! - he had gone! - which way?
Then the mouth of the cavern faced me fair
As I turned and fronted the rocks:
So at last I had pressed the wolf to his lair!
I had run to his earth the fox!
I thought so! Perhaps he was resting?
Perhaps He was waiting,
watching for me?
I examined all my revolver caps;
I hitched my mare to a tree.
I had sworn to have him, alive or dead!
And to give him a chance was loth:
He knew his life had been forfeited!
He had even heard of my oath!
In my stockinged soles to the shelf I crept I crawled safe into the cave:
All silent! - if he was there he slept Not there - all dark as a grave!....
Through the crack I could hear the leaden hiss!
See the livid face through the flame!
How strange it seemed that a man should miss
When his life depends on his aim!
There couldn't have been a better light
For him, nor a worse for me:
We were cooped up - like caged beasts for a fight And dumb as dumb beasts were we!
Flash! flash! - Bang! Bang! - and we blazed away,
And the grey roof reddened and rang!
Flash! flash! - and I felt his bullet flay
The tip of my ear -Flash! bang!
Bang! flash! -and my pistol arm fell broke:
I struck with my left hand then:
-Struck at a corpse through a cloud of smoke!
I had shot him dead in his den.
~ Adam Lindsay Gordon,
242:Spleen (I)
Pluviôse, irrité contre la ville entière,
De son urne à grands flots verse un froid ténébreux
Aux pâles habitants du voisin cimetière
Et la mortalité sur les faubourgs brumeux.
Mon chat sur le carreau cherchant une litière
Agite sans repos son corps maigre et galeux;
L'âme d'un vieux poète erre dans la gouttière
Avec la triste voix d'un fantôme frileux.
Le bourdon se lamente, et la bûche enfumée
Accompagne en fausset la pendule enrhumée
Cependant qu'en un jeu plein de sales parfums,
Héritage fatal d'une vieille hydropique,
Le beau valet de coeur et la dame de pique
Causent sinistrement de leurs amours défunts.
January, irritated with the whole city,

Pours from his urn great waves of gloomy cold

On the pale occupants of the nearby graveyard

And death upon the foggy slums.

My cat seeking a bed on the tiled floor

Shakes his thin, mangy body ceaselessly;

The soul of an old poet wanders in the rain-pipe

With the sad voice of a shivering ghost.

The great bell whines, the smoking log

Accompanies in falsetto the snuffling clock,

While in a deck of cards reeking of filthy scents,

My mortal heritage from some dropsical old woman,

The handsome knave of hearts and the queen of spades

Converse sinisterly of their dead love affair.


— Translated by William Aggeler

The Month of Rains, incensed at life, outpours

Out of her urn, a dark chill, like a penance,

Over the graveyards and their wan, grey tenants

And folk in foggy suburbs out of doors.

My cat seeks out a litter on the ground

Twitching her scrawny body flecked with mange.

The soul of some old poet seems to range

The gutter, with a chill phantasmal sound.

The big bell tolls: damp hearth-logs seem to mock,

Whistling, the sniffle-snuffle of the clock,

While in the play of odours stale with must,

Reminders of a dropsical old crone,

The knave of hearts and queen of spades alone

Darkly discuss a passion turned to dust.

— Translated by Roy Campbell

---------------------------------------------------------------------------------Late January
Pluviose, hating all that lives, and loathing me,

Distills his cold and gloomy rain and slops it down

Upon the pallid lodgers in the cemetery

Next door, and on the people shopping in the town.

My cat, for sheer discomfort, waves a sparsely-furred

And shabby tail incessantly on the tiled floor;

And, wandering sadly in the rain-spout, can be heard

The voice of some dead poet who had these rooms before.


The log is wet, and smokes; its hissing high lament

Mounts to the bronchial clock on the cracked mantel there;

While (heaven knows whose they were — some dropsical old maid's)

In a soiled pack of cards that reeks of dirty scent,

The handsome jack of hearts and the worn queen of spades

Talk in suggestive tones of their old love-affair.

— Translated by Edna St. Vincent Millay

November, vexed with all the capital,

whelms in a death-chill from her gloomy urn

the cold pale dead beneath the graveyard wall,

the death-doomed who in dripping houses yearn.

Grimalkin prowls, a gaunt and scurvy ghoul,

seeking a softer lair for her sojourn;

along the eaves an ancient poet's soul

shivers and wails, a ghost no eyes discern.

the whining church-bell and the log a-sputter

repeat the rheumy clock's falsetto mutter;

while in a pack of cards, scent-filled and vile,

grim relic of a dropsical old maid,

the queen of spades and knave of hearts parade

their dead amours, with many an evil smile.

— Translated by Lewis Piaget Shanks

~ Charles Baudelaire,
243:At The Making Of Man
First all the host of Raphael
In liveries of gold,
Lifted the chorus on whose rhythm
The spinning spheres are rolled,–
The Seraphs of the morning calm
Whose hearts are never cold.
He shall be born a spirit,
Part of the soul that yearns,
The core of vital gladness
That suffers and discerns,
The stir that breaks the budding sheath
When the green spring returns,–
The gist of power and patience
Hid in the plasmic clay,
The calm behind the senses,
The passionate essay
To make his wise and lovely dream
Immortal on a day.
The soft Aprilian ardours
That warm the waiting loam
Shall whisper in his pulses
To bid him overcome,
And he shall learn the wonder-cry
Beneath the azure dome.
And though all-dying nature
Should teach him to deplore,
The ruddy fires of autumn
Shall lure him but the more
To pass from joy to stronger joy,
As through an open door.
He shall have hope and honour,
Proud trust and courage stark,
To hold him to his purpose
Through the unlighted dark,
And love that sees the moon's full orb
In the first silver arc.
And he shall live by kindness
And the heart's certitude,
Which moves without misgiving
In ways not understood,
Sure only of the vast event,–
The large and simple good.
Then Gabriel's host in silver gear
And vesture twilight blue,
The spirits of immortal mind,
The warders of the true,
Took up the theme that gives the world
Significance anew.
He shall be born to reason,
And have the primal need
To understand and follow
Wherever truth may lead,–
To grow in wisdom like a tree
Unfolding from a seed.
A watcher by the sheepfolds,
With wonder in his eyes,
He shall behold the seasons,
And mark the planets rise,
Till all the marching firmament
Shall rouse his vast surmise.
Beyond the sweep of vision,
Or utmost reach of sound,
This cunning fire-maker,
This tiller of the ground,
Shall learn the secrets of the suns
And fathom the profound.
For he must prove all being,
Sane, beauteous, benign,
And at the heart of nature
Discover the divine,–
Himself the type and symbol
Of the eternal trine.
He shall perceive the kindling
Of knowledge, far and dim,
As of the fire that brightens
Below the dark sea-rim,
When ray by ray the splendid sun
Floats to the world's wide brim.
And out of primal instinct,
The lore of lair and den,
He shall emerge to question
How, wherefore, whence, and when,
Till the last frontier of the truth
Shall lie within his ken.
Then Michael's scarlet-suited host
Took up the word and sang;
As though a trumpet had been loosed
In heaven, the arches rang;
For these were they who feel the thrill
Of beauty like a pang.
He shall be framed and balanced
For loveliness and power,
Lithe as the supple creatures,
And coloured as a flower,
Sustained by the all-feeding earth,
Nurtured by wind and shower,
To stand within the vortex
Where surging forces play,
A poised and pliant figure
Immutable as they,
Till time and space and energy
Surrender to his sway.
He shall be free to journey
Over the teeming earth,
An insatiable seeker,
A wanderer from his birth,
Clothed in the fragile veil of sense,
With fortitude for girth.
His hands shall have dominion
Of all created things,
To fashion in the likeness
Of his imaginings,
To make his will and thought survive
Unto a thousand springs.
The world shall be his province,
The princedom of his skill;
The tides shall wear his harness,
The winds obey his will;
Till neither flood, nor fire, nor frost,
Shall work to do him ill.
A creature fit to carry
The pure creative fire,
Whatever truth inform him,
Whatever good inspire,
He shall make lovely in all things
To the end of his desire.
~ Bliss William Carman,
244:There is a charm in footing slow across a silent plain,
Where patriot battle has been fought, where glory had the gain;
There is a pleasure on the heath where Druids old have been,
Where mantles grey have rustled by and swept the nettles green;
There is a joy in every spot made known by times of old,
New to the feet, although each tale a hundred times be told;
There is a deeper joy than all, more solemn in the heart,
More parching to the tongue than all, of more divine a smart,
When weary steps forget themselves upon a pleasant turf,
Upon hot sand, or flinty road, or sea-shore iron scurf,
Toward the castle or the cot, where long ago was born
One who was great through mortal days, and died of fame unshorn.
Light heather-bells may tremble then, but they are far away;
Wood-lark may sing from sandy fern, -- the Sun may hear this lay;
Runnels may kiss the grass on shelves and shallows clear,
But their low voices are not heard, though come on travels drear;
Blood-red the Sun may set behind the black mountain peaks;
Blue tides may sluice and drench their time in caves and weedy creeks;
Eagles may seem to sleep wing-side upon the air;
Ring-dove may fly convuls'd across to some high-cedar'd lair;
But the forgotten eye is still fast lidded to the ground,
As Palmer's, that with weariness, mid-desert shrine hath found.
At such a time the soul's a child, in childhood is the brain;
Forgotten is the worldly heart -- alone, it beats in vain.--
Aye, if a madman could have leave to pass a healthful day
To tell his forehead's swoon and faint when first began decay,
He might make tremble many a one whose spirit had gone forth
To find a Bard's low cradle-place about the silent North!
Scanty the hour and few the steps, because a longer stay
Would bar return, and make a man forget his mortal way:
O horrible! to lose the sight of well remember'd face,
Of Brother's eyes, of Sister's brow -- constant to every place;
Filling the air, as on we move, with portraiture intense;
More warm than those heroic tints that pain a painter's sense,
When shapes of old come striding by, and visages of old,
Locks shining black, hair scanty grey, and passions manifold.
No, no, that horror cannot be, for at the cable's length
Man feels the gentle anchor pull and gladdens in its strength:--
One hour, half-idiot, he stands by mossy waterfall,
But in the very next he reads his soul's memorial:--
He reads it on the mountain's height, where chance he may sit down
Upon rough marble diadem -- that hill's eternal crown.
Yet be his anchor e'er so fast, room is there for a prayer
That man may never lose his mind on mountains black and bare;
That he may stray league after league some great birth-place to find
And keep his vision clear from speck, his inward sight unblind.
'After leaving Ayr Keats and Brown appear to have been detained by rain at some place twelve miles along the road, when Keats took the opportunity of going on with his letter to Reynolds begun at Maybole. They were enroute for Glasgow (casually mentioned in a letter to Bailey begun at Inverary on the 18th of July), which they took on their way from Ayr to Loch Lomond and Inverary. The poem given above is mentioned to Bailey as having been written within a few days of the sonnet in Burns's cottage, so that, although it is headed as above in the manuscript written at the end of Sir Charles Dilke's copy of Endymion, it seems more probable that the term Highlands was used in a lax popular sense than that the poem was composed after the visit to Staffa. Indeed in the letter to Bailey he speaks of the whole tour as in the Highlands. Keats expected to be by Loch Lomond about the 15th of July, and may have written this poem on high ground anywhere about the Loch, with the scenery of which he was very much impressed. They did not ascend Ben Lomond as intended, being deterred by expense and need of rest.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes

~ John Keats, Lines Written In The Highlands After A Visit To Burnss Country
245:The Angel In The House. Book Ii. Canto Ix.
I The Nursling of Civility
Lo, how the woman once was woo'd:
Forth leapt the savage from his lair,
And fell'd her, and to nuptials rude
He dragg'd her, bleeding, by the hair.
From that to Chloe's dainty wiles
And Portia's dignified consent,
What distance! But these Pagan styles
How far below Time's fair intent!
Siegfried sued Kriemhild. Sweeter life
Could Love's self covet? Yet 'tis sung
In what rough sort he chid his wife
For want of curb upon her tongue!
Shall Love, where last I leave him, halt?
Nay; none can fancy or foresee
To how strange bliss may time exalt
This nursling of civility.
II The Foreign Land
A woman is a foreign land,
Of which, though there he settle young,
A man will ne'er quite understand
The customs, politics, and tongue.
The foolish hie them post-haste through,
See fashions odd, and prospects fair,
Learn of the language, ‘How d'ye do,’
And go and brag they have been there.
The most for leave to trade apply,
For once, at Empire's seat, her heart,
Then get what knowledge ear and eye
Glean chancewise in the life-long mart.
And certain others, few and fit,
Attach them to the Court, and see
The Country's best, its accent hit,
And partly sound its polity.
III Disappointment
‘The bliss which woman's charms bespeak,
‘I've sought in many, found in none!’
‘In many 'tis in vain you seek
‘What can be found in only one.’
The Friends.
Frank's long, dull letter, lying by
The gay sash from Honoria's waist,
Reproach'd me; passion spared a sigh
For friendship without fault disgraced.
How should I greet him? how pretend
I felt the love he once inspired?
Time was when either, in his friend,
His own deserts with joy admired;
We took one side in school-debate,
Like hopes pursued with equal thirst,
Were even-bracketed by Fate,
Twin-Wranglers, seventh from the First;
And either loved a lady's laugh
More than all music; he and I
Were perfect in the pleasant half
Of universal charity.
From pride of likeness thus I loved
Him, and he me, till love begot
The lowliness which now approved
Nothing but that which I was not.
Blest was the pride of feeling so
Subjected to a girl's soft reign.
She was my vanity, and, oh,
All other vanities how vain!
Frank follow'd in his letter's track,
And set my guilty heart at ease
By echoing my excuses back
With just the same apologies.
So he had slighted me as well!
Nor was my mind disburthen'd less
When what I sought excuse to tell
He of himself did first confess.
Each, rapturous, praised his lady's worth;
He eloquently thus: ‘Her face
‘Is the summ'd sweetness of the earth,
‘Her soul the glass of heaven's grace,
‘To which she leads me by the hand;
‘Or, briefly all the truth to say
‘To you, who briefly understand,
‘She is both heaven and the way.
‘Displeasures and resentments pass
‘Athwart her charitable eyes
‘More fleetingly than breath from glass,
‘Or truth from foolish memories;
‘Her heart's so touch'd with others' woes
‘She has no need of chastisement;
‘Her gentle life's conditions close,
‘Like God's commandments, with content,
‘And make an aspect calm and gay,
‘Where sweet affections come and go,
‘Till all who see her, smile and say,
‘How fair, and happy that she's so!
‘She is so lovely, true, and pure,
‘Her virtue virtue so endears,
‘That often, when I think of her,
‘Life's meanness fills mine eyes with tears—’
‘You paint Miss Churchill! Pray go on—’
‘She's perfect, and, if joy was much
‘To think her nature's paragon,
‘'Tis more that there's another such!’
Praising and paying back their praise
With rapturous hearts, t'ward Sarum Spire
We walk'd, in evening's golden haze,
Friendship from passion stealing fire.
In joy's crown danced the feather jest,
And, parting by the Deanery door,
Clasp'd hands, less shy than words, confess'd
We had not been true friends before.
~ Coventry Patmore,
246:. Pale, at its ghastly noon,
  Pauses above the death-still woodthe moon;
  The night-sprite, sighing, through the dim air stirs;
   The clouds descend in rain;
   Mourning, the wan stars wane,
  Flickering like dying lamps in sepulchres!
  Haggard as spectresvision-like and dumb,
   Dark with the pomp of death, and moving slow,
  Towards that sad lair the pale procession come
   Where the grave closes on the night below.

  With dim, deep-sunken eye,
  Crutched on his staff, who trembles tottering by?
  As wrung from out the shattered heart, one groan
  Breaks the deep hush alone!
  Crushed by the iron fate, he seems to gather
   All life's last strength to stagger to the bier,
  And hearkenDo these cold lips murmur "Father?"
   The sharp rain, drizzling through that place of fear,
  Pierces the bones gnawed fleshless by despair,
  And the heart's horror stirs the silver hair.

  Fresh bleed the fiery wounds
   Through all that agonizing heart undone
  Still on the voiceless lips "my Father" sounds,
   And still the childless Father murmurs "Son!"
  Ice-coldice-cold, in that white shroud he lies
   Thy sweet and golden dreams all vanished there
  The sweet and golden name of "Father" dies
  Into thy curse,ice-coldice-coldhe lies!
   Dead, what thy life's delight and Eden were!

  Mild, as when, fresh from the arms of Aurora,
   While the air like Elysium is smiling above,
  Steeped in rose-breathing odors, the darling of Flora
   Wantons over the blooms on his winglets of love.
  So gay, o'er the meads, went his footsteps in bliss,
   The silver wave mirrored the smile of his face;
  Delight, like a flame, kindled up at his kiss,
   And the heart of the maid was the prey of his chase.

  Boldly he sprang to the strife of the world,
   As a deer to the mountain-top carelessly springs;
  As an eagle whose plumes to the sun are unfurled,
   Swept his hope round the heaven on its limitless wings.
  Proud as a war-horse that chafes at the rein,
   That, kingly, exults in the storm of the brave;
  That throws to the wind the wild stream of its mane,
   Strode he forth by the prince and the slave!

  Life like a spring day, serene and divine,
   In the star of the morning went by as a trance;
  His murmurs he drowned in the gold of the wine,
   And his sorrows were borne on the wave of the dance.

  Worlds lay concealed in the hopes of his youth!
   When once he shall ripen to manhood and fame!
  Fond father exult!In the germs of his youth
   What harvests are destined for manhood and fame!

  Not to be was that manhood!The death-bell is knelling,
   The hinge of the death-vault creaks harsh on the ears
  How dismal, O Death, is the place of thy dwelling!
   Not to be was that manhood!Flow on, bitter tears!
  Go, beloved, thy path to the sun,
   Rise, world upon world, with the perfect to rest;
  Goquaff the delight which thy spirit has won,
   And escape from our grief in the Halls of the Blest.

  Again (in that thought what a healing is found!)
   To meet in the Eden to which thou art fled!
  Hark, the coffin sinks down with a dull, sullen sound,
   And the ropes rattle over the sleep of the dead.
  And we cling to each other!O Grave, he is thine!
   The eye tells the woe that is mute to the ears
  And we dare to resent what we grudge to resign,
   Till the heart's sinful murmur is choked in its tears.
  Pale at its ghastly noon,
  Pauses above the death-still woodthe moon!
  The night-sprite, sighing, through the dim air stirs:
   The clouds descend in rain;
   Mourning, the wan stars wane,
  Flickering like dying lamps in sepulchres.
  The dull clods swell into the sullen mound;
   Earth, one look yet upon the prey we gave!
  The grave locks up the treasure it has found;
  Higher and higher swells the sullen mound
   Never gives back the grave!
~ Friedrich Schiller, A Funeral Fantasie
247:The Vision Of The Rock
I SATE upon a lonely peak,
A backwood river’s course to view,
And watched the changing shadows freak
Its liquid length of gleaming blue,
Streaked by the crane slow gliding o’er,
Or chequering to the leafy roar
Of woods that ’neath me grew,
Or curdling dark, as high o’erhead
The gathering clouds before the sounding breezes fled.
Straight I bethought how once the scene
Spread in its primal horror there,
When, but some lone bird’s weary threne
Or howlings from the wild dog’s lair,
Or rush of startled kangaroo,
As near some stealthy savage drew
With hunger in his air,
Or, from the stream some murmur’d sound
Broke the dread slumbrous calm of solitude profound.
A change came o’er my thoughts—behind
A length of coming time I threw,
Till round me, on that rock reclined,
Its folds prophetic vision drew;
And purpling, like the morning, gave
Mine eyes of freedom’s births to have
A seeming ante-view;
As haply in brave promise stole
His country’s purer weal o’er youthful Hampden’s soul.
All round me villages upgrew
At once, with orchards clumped about,
And oft between, tall pine-rows through,
Some mansion’s pillard porch looked out,
And thickening up from alleys green,
Where rustic groups in dance were seen,
Came merry cry and shout;
While from tall groves beyond, the cheer
Of maiden’s laughter soft, broke in rich wavelets near.
And in the gusts that overpassed
The stir of neighbouring cities came,
Whose structures in the distance massed
Proclaimed their opulence and fame,
O’er fields of ripening plenty viewed,
Or hills with white flocks fleeced, and strewed
With herds that grazed the same;
While on the paven roads between
The crowding chariots came with rapid-rolling din.
Now gaining depth, the vision lay
Around my being like a law,
So that my spirit might not say
But all was real that I saw:
I mark a youth and maiden, pressed
By love’s sweet power, elude the rest,
And as they nearer draw
I list the vow that each imparts
Folded within the spells of harmonizing hearts.
But suddenly a grim-faced sire
Strides like a fatal wraith between
With that cold whiteness is his ire
Which in the bad alone is seen!
Alas! This world can never be
A poet’s Eden utterly—
Twill be what it hath been!
So long as love’s rich heart is red,
And beauty’s eyes are bright—so long shall tears be shed.
They pass; and lo, a lonely boy
With wandering step goes musing by;
Glory is in his air, and joy,
And all the poet in his eye!
And now, whilst rich emotions flush
His happy face, as cloud-hues blush
In morning’s radiant sky,
He sings—and to the charmful sound
Troops of angelic shapes throng into being round.
But ’neath a sombre cypress tree,
And clad in garbs of kindred gloom,
A mother and her child I see
Both mourning o’er a lowly tomb!
Ah! Life hath ever been a brief
Mixed dream of glory and grief—
Its earliest, latest doom!
That heart in which love’s tides first ran
Descends with all its risks to every child of man.
Now turning see, with locks all grey,
A form majestic; wisdom true
Illumes his brow—the power to weigh
All worth, and look all semblence through;
And stately youths of studious mien,
Children of light, with him are seen,
His auditory—who
Attend the speaking sage along
And hearken to the wisdom of his manna-dropping tongue.
And now doth his large utterance throw
A sacred solemnizing spell
O’er scenes that yet no record know,
Round names that now I may not tell;
But there was one—too long unknown!
Whereat, as with a household tone
Upon the ear it fell,
Each listener’s speaking eyes were given
To glisten with a tear and turn awhile to heaven.
Thus night came on; for hours had flown,
And yet its hold the vision kept,
Till lulled by many a dying tone,
I laid me on the rock and slept!
And now the moon hung big between
Two neighbouring summits sheath’d with sheen—
When all with dews dewept,
And roused by a loud coming gale,
I sought our camp-fire’s glow, deep in the darkening vale.
~ Charles Harpur,
248:The Cattle Thief
They were coming across the prairie, they were
galloping hard and fast;
For the eyes of those desperate riders had sighted
their man at last-Sighted him off to Eastward, where the Cree
encampment lay,
Where the cotton woods fringed the river, miles and
miles away.
Mistake him? Never! Mistake him? the famous
Eagle Chief!
That terror to all the settlers, that desperate Cattle
Thief-That monstrous, fearless Indian, who lorded it over
the plain,
Who thieved and raided, and scouted, who rode like
a hurricane!
But they've tracked him across the prairie; they've
followed him hard and fast;
For those desperate English settlers have sighted
their man at last.
Up they wheeled to the tepees, all their British
blood aflame,
Bent on bullets and bloodshed, bent on bringing
down their game;
But they searched in vain for the Cattle Thief: that
lion had left his lair,
And they cursed like a troop of demons--for the
women alone were there.
"The sneaking Indian coward," they hissed; "he
hides while yet he can;
He'll come in the night for cattle, but he's scared
to face a man."
"Never!" and up from the cotton woods rang the
voice of Eagle Chief;
And right out into the open stepped, unarmed, the
Cattle Thief.
Was that the game they had coveted? Scarce fifty
years had rolled
Over that fleshless, hungry frame, starved to the
bone and old;
Over that wrinkled, tawny skin, unfed by the
warmth of blood.
Over those hungry, hollow eyes that glared for the
sight of food.
He turned, like a hunted lion: "I know not fear,"
said he;
And the words outleapt from his shrunken lips in
the language of the Cree.
"I'll fight you, white-skins, one by one, till I
kill you all," he said;
But the threat was scarcely uttered, ere a dozen
balls of lead
Whizzed through the air about him like a shower
of metal rain,
And the gaunt old Indian Cattle Thief dropped
dead on the open plain.
And that band of cursing settlers gave one
triumphant yell,
And rushed like a pack of demons on the body that
writhed and fell.
"Cut the fiend up into inches, throw his carcass
on the plain;
Let the wolves eat the cursed Indian, he'd have
treated us the same."
A dozen hands responded, a dozen knives gleamed
But the first stroke was arrested by a woman's
strange, wild cry.
And out into the open, with a courage past
She dashed, and spread her blanket o'er the corpse
of the Cattle Thief;
And the words outleapt from her shrunken lips in
the language of the Cree,
"If you mean to touch that body, you must cut
your way through me."
And that band of cursing settlers dropped
backward one by one,
For they knew that an Indian woman roused, was
a woman to let alone.
And then she raved in a frenzy that they scarcely
Raved of the wrongs she had suffered since her
earliest babyhood:
"Stand back, stand back, you white-skins, touch
that dead man to your shame;
You have stolen my father's spirit, but his body I
only claim.
You have killed him, but you shall not dare to
touch him now he's dead.
You have cursed, and called him a Cattle Thief,
though you robbed him first of bread-Robbed him and robbed my people--look there, at
that shrunken face,
Starved with a hollow hunger, we owe to you and
your race.
What have you left to us of land, what have you
left of game,
What have you brought but evil, and curses since
you came?
How have you paid us for our game? how paid us
for our land?
By a book, to save our souls from the sins you
brought in your other hand.
Go back with your new religion, we never have
Your robbing an Indian's body, and mocking his
soul with food.
Go back with your new religion, and find--if find
you can-The honest man you have ever made from out a
starving man.
You say your cattle are not ours, your meat is not
our meat;
When you pay for the land you live in, we'll pay
for the meat we eat.
Give back our land and our country, give back our
herds of game;
Give back the furs and the forests that were ours
before you came;
Give back the peace and the plenty. Then come
with your new belief,
And blame, if you dare, the hunger that drove him to
be a thief."
~ Emily Pauline Johnson,
249:On Love
TO the assembled folk
At great St. Kavin’s spoke
Young Brother Amiel on Christmas Eve;
I give you joy, my friends,
That as the round year ends,
We meet once more for gladness by God’s leave.
On other festal days
For penitence or praise
Or prayer we meet, or fullness of thanksgiving;
To-night we calendar
The rising of that star
Which lit the old world with new joy of living.
Ah, we disparage still
The Tidings of Good Will,
Discrediting Love’s gospel now as then!
And with the verbal creed
That God is love indeed,
Who dares make Love his god before all men?
Shall we not, therefore, friends,
Resolve to make amends
To that glad inspiration of the heart;
To grudge not, to cast out
Selfishness, malice, doubt,
Anger and fear; and for the better part,
To love so much, so well,
The spirit cannot tell
The range and sweep of her own boundary!
There is no period
Between the soul and God;
Love is the tide, God the eternal sea.…
To-day we walk by love;
To strive is not enough,
Save against greed and ignorance and might.
We apprehend peace comes
Not with the roll of drums,
But in the still processions of the night.
And we perceive, not awe
But love is the great law
That binds the world together safe and whole.
The splendid planets run
Their courses in the sun;
Love is the gravitation of the soul.
In the profound unknown,
Illumined, fair, and lone,
Each star is set to shimmer in its place.
In the profound divine
Each soul is set to shine,
And its unique appointed orbit trace.
There is no near nor far,
Where glorious Algebar
Swings round his mighty circuit through the night,
Yet where without a sound
The winged seed comes to ground,
And the red leaf seems hardly to alight.
One force, one lore, one need
For satellite and seed,
In the serene benignity for all.
Letting her time-glass run
With star-dust, sun by sun,
In Nature’s thought there is no great nor small.
There is no far nor near
Within the spirit’s sphere.
The summer sunset’s scarlet-yellow wings
Are tinged with the same dye
That paints the tulip’s ply.
And what is colour but the soul of things?
(The earth was without form;
God moulded it with storm,
Ice, flood, and tempest, gleaming tint and hue;
Lest it should come to ill
For lack of spirit still,
He gave it colour,—let the love shine through.)…
Of old, men said, ‘Sin not;
By every line and jot
Ye shall abide; man’s heart is false and vile.’
Christ said, ‘By love alone
In man’s heart is God known;
Obey the word no falsehood can defile.’…
And since that day we prove
Only how great is love,
Nor to this hour its greatness half believe.
For to what other power
Will life give equal dower,
Or chaos grant one moment of reprieve!
Look down the ages’ line,
Where slowly the divine
Evinces energy, puts forth control;
See mighty love alone
Transmuting stock and stone,
Infusing being, helping sense and soul.
And what is energy,
In-working, which bids be
The starry pageant and the life of earth?
What is the genesis
Of every joy and bliss,
Each action dared, each beauty brought to birth?
What hangs the sun on high?
What swells the growing rye?
What bids the loons cry on the Northern lake?
What stirs in swamp and swale,
When April winds prevail,
And all the dwellers of the ground awake?…
What lurks in the deep gaze
Of the old wolf? Amaze,
Hope, recognition, gladness, anger, fear.
But deeper than all these
Love muses, yearns, and sees,
And is the self that does not change nor veer.
Not love of self alone,
Struggle for lair and bone,
But self-denying love of mate and young,
Love that is kind and wise,
Knows trust and sacrifice,
And croons the old dark universal tongue.…
And who has understood
Our brothers of the wood,
Save he who puts off guile and every guise
Of violence,—made truce
With panther, bear, and moose,
As beings like ourselves whom love makes wise?
For they, too, do love’s will,
Our lesser clansmen still;
The House of Many Mansions holds us all;
Courageous, glad and hale,
They go forth on the trail,
Hearing the message, hearkening to the call.…
Open the door to-night
Within your heart, and light
The lantern of love there to shine afar.
On a tumultuous sea
Some straining craft, maybe,
With bearings lost, shall sight love’s silver star.
~ Bliss William Carman,
250:The Deserted Homestead
PAST a dull, grey plain where a world-old grief seems to brood o’er the silent
When the orbéd moon turns her tense, white face on the ominous waste of sand,
And the wind that steals by the dreamer feels like the touch of a phantom hand,
Through the tall, still trees and the tangled scrub that has sprung on the old bush
In a clearing wide, where a willow broods and the cowering bush shrinks backs,
Stands a house alone that no dwellers own, yet unharmed by the storm’s attack.
’Tis a strange, sad place. On the shingle roof mosses gather and corn-blades
And a stillness reigns in the air unstirred by the beat of a wild bird’s wing.
He who sees believes that the old house grieves with the grief of a sentient thing.
From the charmed gums that about the land in a reverent circle throng
Comes no parrot’s call, nor the wild cat’s cry, nor the magpie’s mellow song,
And their shadows chill with an icy thrill and the sense of an awful wrong.
And the creek winds by ’neath the twisted briar and the curling creepers here;
In the dusky depths of its bed it slips on it’s slime-green rocks in fear,
And it murmurs low to its stealthy flow in a monotone quaint and drear.
On a furrowed paddock that fronts the house grow the saplings straight and tall,
And noxious weeds in the garden ground on the desolate pathways crawl;
But the briar twists back with the supple-jack ’tween the rocks of the rubble wall.
On the rotting wall of the gloomy rooms bats gather with elfin wings,
And a snake is coiled by the shattered door where a giant lizard clings,
For this house of care is the fitting lair of a myriad voiceless things.
Once I camped alone on the clearing’s edge through the lapse of a livelong night,
When the wan moon flooded the house and land in a lake of her ghostly light,
And the silence dread of a world long dead filled my credulous soul with fright.
For no wind breathed by, but a nameless awe was abroad in the open there,
And the camp-fire burned with a pale, thin flame in the chill, translucent air,
And my dog lay prone, like a chiselled stone, with his opaline eyes a-stare.
In the trancéd air was an omen felt and the sway of a subtle spell,
And I waited long for I know not what, but the pale night augured well—
At a doleful hour, when the dead have power, lo! A hideous thing befell.
From the shadows flung by the far bush wall came a treacherous, phantom crew,
Like the smoke rack blown o’er the plain at morn when the bracken is wet with
Not a sound they made, and their forms no shade on the moonlit surface threw.
And the night was changed to the quiet eve of a beautiful summer’s day,
And the old house warmed as with life and light, and was set in a garden gay,
And a babe that crawled by the doorway called to a kitten that leapt in play.
But the black fiends circled the peaceful home, and I fathomed their evil quest;
From the ground up-springing they hurled their spears, and danced with a demon
And a girl lay dead ’neath the roses red with a wound in her fair, white breast.
Through the looped wall spat a rifle’s flame, and the devilish pack gave tongue,
For a lean form writhed in a torment dire, on the crimsoned stubble flung.
Many echoes spoke, and the sluggish smoke on the shingles rolled and clung.
Yet again and oft did the flame spring forth, and each shaft from the dwelling
Through a savage heart, but the band unawed at the walls of the homestead
And a man and wife fought for love and life with the horde by the broken door.
Then ghostly and grey, from the dusky bush came a company riding fast.
Seven horses strode on the buoyant air, and I trembled and gazed aghast,
Such a deadly hate on the forehead sate of each rider racing past.
With a cry they leapt on the dusky crew, and swept them aside like corn
In the lusty stroke of the mower’s scythe, and distracted and overborne
Many demons fled, leaving many dead, by the hoofs of the horses torn.
Not in vain—not all—though a father lay with the light on his cold, grey face,
And a mother bled, with a murdered maid held close in a last embrace,
For the babe laughed back at a visage black death drawn to a foul grimace.
Came a soft wind swaying the pendent leaves, like the sigh of awakening day,
And the darkness fell on my tired eyes, for the phantoms had passed away;
And the breezes bore from a distant shore faint echoes of ocean’s play.
Past a dull, grey plain, through the tall, still trees, where the lingering days
An unspoken woe in the heart of man, and the nights hold visions dire,
Stands a house alone that no dwellers own, yet unmarred by the storm or fire.
~ Edward George Dyson,
251: ON THE



You have served the people and the superstition of
the people, all you famous wise men-and not truth.
And that is precisely why you were accorded respect.
And that is also why your lack of faith was tolerated:
it was a joke and a circuitous route to the people. Thus
the master lets his slaves have their way and is even
amused by their pranks.
But the free spirit, the enemy of fetters, the nonadorer who dwells in the woods, is as hateful to the
people as a wolf to dogs. To hound him out of his lair
-that is what the people have ever called "a sense of

decency"; and against him the people still set their
fiercest dogs.
"Truth is there: after all, the people are there Let
those who seek beware1"-these words have echoed
through the ages. You wanted to prove your people
right in their reverence: that is what you called "will
to truth," you famous wise men. And your hearts ever
said to themselves: "From among the people I came,
and from there too the voice of God came to me. As
the people's advocates you have always been stiff-necked
and clever like asses.
And many who were powerful and wanted to get
along smoothly with the people harnessed in front of
their horses a little ass, a famous wise man.
And now I should wish, you famous wise men, that
you would at long last throw off the lion's skin completely. The skin of the beast of prey, mottled, and the
mane of those who search, seek, and conquer.
Oh, to make me believe in your "truthfulness" you
would first have to break your revering will.
Truthful I call him who goes into godless deserts,
having broken his revering heart. In the yellow sands,
burned by the sun, he squints thirstily at the islands
abounding in wells, where living things rest under dark
trees. Yet his thirst does not persuade him to become
like these, dwelling in comfort; for where there are
oases there are also idols.
Hungry, violent, lonely, godless: thus the lion-will
wants itself. Free from the happiness of slaves, redeemed from gods and adorations, fearless and fearinspiring, great and lonely: such is the will of the truthful.
It was ever in the desert that the truthful have dwelt,
the free spirits, as masters of the desert; but in the
cities dwell the well-fed, famous wise men-the beasts
of burden. For, as asses, they always pull the people's
cart. Not that I am angry with them for that: but for
me they remain such as serve and work in a harness,
even when they shine in harnesses of gold. And often
they have been good servants, worthy of praise. For thus
speaks virtue: "If you must be a servant, seek him who
profits most from your service. The spirit and virtue of
your master shall grow by your being his servant: then
you yourself will grow with his spirit and his virtue."
And verily, you famous wise men, you servants of the
people, you yourselves have grown with the spirit and
virtue of the people-and the people through you. In
your honor I say this. But even in your virtues you rexnain for me part of the people, the dumb-eyed people
-the people, who do not know what spirit is.
Spirit is the life that itself cuts into life: with its own
agony it increases its own knowledge. Did you know
And the happiness of the spirit is this: to be anointed
and through tears to be consecrated as a sacrificial
animal. Did you know that?
And the blindness of the blind and their seeking and
groping shall yet bear witness to the power of the sun,
into which they have looked. Did you know that?
And the lover of knowledge shall learn to build with
mountains. It means little that the spirit moves mountains. Did you know that?
You know only the spark of the spirit, but you do not
see the anvil it is, nor the cruelty of its hammer.
Verily, you do not know the pride of the spirit! But
even less would you endure the modesty of the spirit,
if ever it would speak.
And you have never yet been able to cast your spirit
into a pit of snow: you are not hot enough for that.
Hence you also do not know the ecstasies of its coldness.
In all things, however, you act too familiarly with the
spirit, and you have often made wisdom into a poorhouse and a hospital for bad poets.
You are no eagles: hence you have never experienced
the happiness that is in the terror of the spirit. And he
who is not a bird should not build his nest over abysses.
You are lukewarm to me, but all profound knowledge
fows cold. Ice cold are the inmost wells of the spirit:
refreshing for hot hands and men of action. You stand
there honorable and stiff and with straight backs, you
famous wise men: no strong wind and will drives you.
Have you never seen a sail go over the sea, rounded
and taut and trembling with the violence of the wind?
Like the sail, trembling with the violence of the spirit,
my wisdom goes over the sea-my wild wisdom.
But you servants of the people, you famous wise
men-how could you go with me?
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON THE FAMOUS WISE MEN
252:Part Iv: Banker’s Dream
Of chases and courses dogs dream, so do horses—
Last night I was dozing and dreaming,
The crowd and the bustle were there, and the rustle
Of the silk in the autumn sky gleaming.
stand throng'd with faces, the broadcloth and laces,
booths, and the tents, and the cars,
bookmakers' jargon, for odds making bargain,
nasty stale smell of cigars.
We formed into line, 'neath the merry sunshine,
Near the logs at the end of the railing ;
'Are you ready, boys ? Go !' cried the starter, and low
Sank the flag, and away we went sailing.
In the van of the battle we heard the stones rattle,
Some slogging was done, but no slaughter,
A shout from the stand, and the whole of our band
Skimm'd merrily over the water.
Two fences we clear'd, and the roadway we near'd,
When three of our troop came to troublen ;
Like a bird on the wing, or a stone from a sling,
Flew Cadger, first over the double.
And Western was there, head and tail in the air,
And Pondon was there, too—what noodle
Could so name a horse ? I should feel some remorse
If I gave such a name to a poodle.
In and out of the lane, to the racecourse again,
Craig's pony was first, I was third,
And Ingleside lit in my tracks, with the bit
In his teeth, and came up 'like a bird.'
In the van of the battle we heard the rails rattle,
Says he, 'Though I don't care for shunning
My share of the raps, I shall look out for gaps,
When the light weight's away with the running.'
At the fence just ahead the outsider still led,
The chestnut play'd follow my leader ;
Oh ! the devil a gap, he went into it slap,
And he and his jock took a header.
Says Ingleside, 'Mate, should the pony go straight,
You've no time to stop or turn restive ;'
Says I, 'Who means to stop ? I shall go till I drop ;'
Says he, 'Go it, old cuss, gay and festive.'
The fence stiff and tall, just beyond the log wall,
We cross'd, and the walls, and the water,—
I took off too near, a small made fence to clear,
And just touch'd the grass with my snorter.
At the next post and rail up went Western's bang tail,
And down (by the very same token)
To earth went his nose, for the panel he chose
Stood firm and refused to be broken.
I dreamt someone said that the bay would have made
The race safe if he'd stood a while longer ;
If he had,—but, like if, there the panel stands stiff—
He stood, but the panel stood stronger.
In and out of the road, with a clear lead still show'd
The violet fluted with amber ;
Says Johnson, 'Old man, catch him now if you can,
'Tis the second time round, you'll remember.'
At the road once again, pulling hard on the rein,
Craig's pony popp'd in and popp'd out ;
I followed like smoke, and the pace was no joke,
For his friends were beginning to shout.
And Ingleside came to my side, strong and game,
And once he appear'd to outstrip me,
But I felt the steel gore, and I shot to the fore,
Only Cadger seem'd likely to whip me.
In the van of the battle I heard the logs rattle,
His stroke never seem'd to diminish,
And thrice I drew near him, and thrice he drew clear,
For the weight served him well at the finish.
Ha ! Cadger goes down, see, he stands on his crown—
Those rails take a power of clouting—
A long sliding blunder—he's up—well, I wonder
If now it's all over but shouting.
All loosely he's striding, the amateur's riding
All loosely, some reverie locked in
Of a 'vision in smoke,' or a 'wayfaring bloke,'
His poetical rubbish concocting.
Now comes from afar the faint cry, 'Here they are,'
'The violet winning with ease,'
'Fred goes up like a shot,' 'Does he catch him or not ?'
Level money, I'll take the cerise.
To his haunches I spring, and my muzzle I bring
To his flank, to his girth, to his shoulder ;
Through the shouting and yelling I hear my name swelling,
The hearts of my backers grow bolder.
Neck and neck ! head and head ! staring eye ! nostrils spread !
Girth and stifle laid close to the ground !
Stride for stride ! stroke for stroke ! through one hurdle we've broke!
On the splinters we've lit with one bound.
And 'Banker for choice' is the cry, and one voice
Screams, 'Six to four once upon Banker ;'
'Banker wins,' 'Banker's beat,' 'Cadger wins,' 'A dead heat'—
'Ah ! there goes Fred's whalebone a flanker.'
Springs the whip with a crack ! nine stone ten on his back,
Fit and light he can race like the devil ;
I draw past him—'tis vain ; he draws past me again,
Springs the whip ! and again we are level.
Steel and cord do their worst, now my head struggles first !
That tug my last spurt has expended—
Nose to nose ! lip to lip ! from the sound of the whip
He strains to the utmost extended.
How they swim through the air, as we roll to the chair,
Stand, faces, and railings flit past ;
Now I spring. . .
from my lair, with a snort and a stare,
Rous'd by Fred with my supper at last.
~ Adam Lindsay Gordon,
253:The tyrant Dionys to seek,
Stern Moerus with his poniard crept;
The watchful guard upon him swept;
The grim king marked his changeless cheek:
"What wouldst thou with thy poniard? Speak!"
"The city from the tyrant free!"
"The death-cross shall thy guerdon be."

"I am prepared for death, nor pray,"
Replied that haughty man, "I to live;
Enough, if thou one grace wilt give
For three brief suns the death delay
To wed my sisterleagues away;
I boast one friend whose life for mine,
If I should fail the cross, is thine."

The tyrant mused,and smiled,and said
With gloomy craft, "So let it be;
Three days I will vouchsafe to thee.
But markif, when the time be sped,
Thou fail'stthy surety dies instead.
His life shall buy thine own release;
Thy guilt atoned, my wrath shall cease."

He sought his friend"The king's decree
Ordains my life the cross upon
Shall pay the deed I would have done;
Yet grants three days' delay to me,
My sister's marriage-rites to see;
If thou, the hostage, wilt remain
Till Iset freereturn again!"

His friend embracedNo word he said,
But silent to the tyrant strode
The other went upon his road.
Ere the third sun in heaven was red,
The rite was o'er, the sister wed;
And back, with anxious heart unquailing,
He hastes to hold the pledge unfailing.

Down the great rains unending bore,
Down from the hills the torrents rushed,
In one broad stream the brooklets gushed.
The wanderer halts beside the shore,
The bridge was swept the tides before
The shattered arches o'er and under
Went the tumultuous waves in thunder.

Dismayed he takes his idle stand
Dismayed, he strays and shouts around;
His voice awakes no answering sound.
No boat will leave the sheltering strand,
To bear him to the wished-for land;
No boatman will Death's pilot be;
The wild stream gathers to a sea!

Sunk by the banks, awhile he weeps,
Then raised his arms to Jove, and cried,
"Stay thou, oh stay the maddening tide;
Midway behold the swift sun sweeps,
And, ere he sinks adown the deeps,
If I should fail, his beams will see
My friend's last anguishslain for me!"

More fierce it runs, more broad it flows,
And wave on wave succeeds and dies
And hour on hour remorseless flies;
Despair at last to daring grows
Amidst the flood his form he throws;
With vigorous arms the roaring waves
Cleavesand a God that pities, saves.

He wins the bankhe scours the strand,
He thanks the God in breathless prayer;
When from the forest's gloomy lair,
With ragged club in ruthless hand,
And breathing murderrushed the band
That find, in woods, their savage den,
And savage prey in wandering men.

"What," cried he, pale with generous fear;
"What think to gain ye by the strife?
All I bear with me is my life
I take it to the king!"and here
He snatched the club from him most near:
And thrice he smote, and thrice his blows
Dealt deathbefore him fly the foes!

The sun is glowing as a brand;
And faint before the parching heat,
The strength forsakes the feeble feet:
"Thou hast saved me from the robbers' hand,
Through wild floods given the blessed land;
And shall the weak limbs fail me now?
And he!Divine one, nerve me, thou!"
Hark! like some gracious murmur by,
Babbles low music, silver-clear
The wanderer holds his breath to hear;
And from the rock, before his eye,
Laughs forth the spring delightedly;
Now the sweet waves he bends him o'er,
And the sweet waves his strength restore.

Through the green boughs the sun gleams dying,
O'er fields that drink the rosy beam,
The trees' huge shadows giant seem.
Two strangers on the road are hieing;
And as they fleet beside him flying,
These muttered words his ear dismay:
"Nownow the cross has claimed its prey!"

Despair his winged path pursues,
The anxious terrors hound him on
There, reddening in the evening sun,
From far, the domes of Syracuse!
When towards him comes Philostratus
(His leal and trusty herdsman he),
And to the master bends his knee.

"Backthou canst aid thy friend no more,
The ****rd time already flown
His life is forfeitsave thine own!
Hour after hour in hope he bore,
Nor might his soul its faith give o'er;
Nor could the tyrant's scorn deriding,
Steal from that faith one thought confiding!"

"Too late! what horror hast thou spoken!
Vain life, since it cannot requite him!
But death with me can yet unite him;
No boast the tyrant's scorn shall make
How friend to friend can faith forsake.
But from the double death shall know,
That truth and love yet live below!"

The sun sinks downthe gate's in view,
The cross looms dismal on the ground
The eager crowd gape murmuring round.
His friend is bound the cross unto. . . .
Crowdguardsall bursts he breathless through:
"Me! Doomsman, me!" he shouts, "alone!
His life is rescuedlo, mine own!"

Amazement seized the circling ring!
Linked in each other's arms the pair
Weeping for joyyet anguish there!
Moist every eye that gazed;they bring
The wondrous tidings to the king
His breast man's heart at last hath known,
And the friends stand before his throne.

Long silent, he, and wondering long,
Gazed on the pair"In peace depart,
Victors, ye have subdued my heart!
Truth is no dream!its power is strong.
Give grace to him who owns his wrong!
'Tis mine your suppliant now to be,
Ah, let the band of lovebe three!"
~ Friedrich Schiller, The Hostage
254:In Country Sleep
Never and never, my girl riding far and near
In the land of the hearthstone tales, and spelled asleep,
Fear or believe that the wolf in a sheepwhite hood
Loping and bleating roughly and blithely shall leap,
My dear, my dear,
Out of a lair in the flocked leaves in the dew dipped year
To eat your heart in the house in the rosy wood.
Sleep, good, for ever, slow and deep, spelled rare and wise,
My girl ranging the night in the rose and shire
Of the hobnail tales: no gooseherd or swine will turn
Into a homestall king or hamlet of fire
And prince of ice
To court the honeyed heart from your side before sunrise
In a spinney of ringed boys and ganders, spike and burn,
Nor the innocent lie in the rooting dingle wooed
And staved, and riven among plumes my rider weep.
From the broomed witch's spume you are shielded by fern
And flower of country sleep and the greenwood keep.
Lie fast and soothed,
Safe be and smooth from the bellows of the rushy brood.
Never, my girl, until tolled to sleep by the stern
Bell believe or fear that the rustic shade or spell
Shall harrow and snow the blood while you ride wide and near,
For who unmanningly haunts the mountain ravened eaves
Or skulks in the dell moon but moonshine echoing clear
From the starred well?
A hill touches an angel. Out of a saint's cell
The nightbird lauds through nunneries and domes of leaves
Her robin breasted tree, three Marys in the rays.
_Sanctum sanctorum_ the animal eye of the wood
In the rain telling its beads, and the gravest ghost
The owl at its knelling. Fox and holt kneel before blood.
Now the tales praise
The star rise at pasture and nightlong the fables graze
On the lord's-table of the bowing grass. Fear most
For ever of all not the wolf in his baaing hood
Nor the tusked prince, in the ruttish farm, at the rind
And mire of love, but the Thief as meek as the dew.
The country is holy: O bide in that country kind,
Know the green good,
Under the prayer wheeling moon in the rosy wood
Be shielded by chant and flower and gay may you
Lie in grace. Sleep spelled at rest in the lowly house
In the squirrel nimble grove, under linen and thatch
And star: held and blessed, though you scour the high four
Winds, from the dousing shade and the roarer at the latch,
Cool in your vows.
Yet out of the beaked, web dark and the pouncing boughs
Be you sure the Thief will seek a way sly and sure
And sly as snow and meek as dew blown to the thorn,
This night and each vast night until the stern bell talks
In the tower and tolls to sleep over the stalls
Of the hearthstone tales my own, lost love; and the soul walks
The waters shorn.
This night and each night since the falling star you were born,
Ever and ever he finds a way, as the snow falls,
As the rain falls, hail on the fleece, as the vale mist rides
Through the haygold stalls, as the dew falls on the windMilled dust of the apple tree and the pounded islands
Of the morning leaves, as the star falls, as the winged
Apple seed glides,
And falls, and flowers in the yawning wound at our sides,
As the world falls, silent as the cyclone of silence.
Night and the reindeer on the clouds above the haycocks
And the wings of the great roc ribboned for the fair!
The leaping saga of prayer! And high, there, on the hareHeeled winds the rooks
Cawing from their black bethels soaring, the holy books
Of birds! Among the cocks like fire the red fox
Burning! Night and the vein of birds in the winged, sloe wrist
Of the wood! Pastoral beat of blood through the laced leaves!
The stream from the priest black wristed spinney and sleeves
Of thistling frost
Of the nightingale's din and tale! The upgiven ghost
Of the dingle torn to singing and the surpliced
Hill of cypresses! The din and tale in the skimmed
Yard of the buttermilk rain on the pail! The sermon
Of blood! The bird loud vein! The saga from mermen
To seraphim
Leaping! The gospel rooks! All tell, this night, of him
Who comes as red as the fox and sly as the heeled wind.
Illumination of music! the lulled black-backed
Gull, on the wave with sand in its eyes! And the foal moves
Through the shaken greensward lake, silent, on moonshod hooves,
In the winds' wakes.
Music of elements, that a miracle makes!
Earth, air, water, fire, singing into the white act,
The haygold haired, my love asleep, and the rift blue
Eyed, in the haloed house, in her rareness and hilly
High riding, held and blessed and true, and so stilly
Lying the sky
Might cross its planets, the bell weep, night gather her eyes,
The Thief fall on the dead like the willy nilly dew,
Only for the turning of the earth in her holy
Heart! Slyly, slowly, hearing the wound in her side go
Round the sun, he comes to my love like the designed snow,
And truly he
Flows to the strand of flowers like the dew's ruly sea,
And surely he sails like the ship shape clouds. Oh he
Comes designed to my love to steal not her tide raking
Wound, nor her riding high, nor her eyes, nor kindled hair,
But her faith that each vast night and the saga of prayer
He comes to take
Her faith that this last night for his unsacred sake
He comes to leave her in the lawless sun awaking
Naked and forsaken to grieve he will not come.
Ever and ever by all your vows believe and fear
My dear this night he comes and night without end my dear
Since you were born:
And you shall wake, from country sleep, this dawn and each first dawn,
Your faith as deathless as the outcry of the ruled sun.
~ Dylan Thomas,
Not far from hence. From yonder pointed hill,
Crowned with a ring of oaks, you may behold
A dark and barren field, through which there flows,
Sluggish and black, a deep but narrow stream,
Which the wind ripples not, and the fair moon
Gazes in vain, and finds no mirror there.
Follow the herbless banks of that strange brook
Until you pause beside a darksome pond,
The fountain of this rivulet, whose gush
Cannot be seen, hid by a rayless night
That lives beneath the overhanging rock
That shades the poolan endless spring of gloom,
Upon whose edge hovers the tender light,
Trembling to mingle with its paramour,--
But, as Syrinx fled Pan, so night flies day,
Or, with most sullen and regardless hate,
Refuses stern her heaven-born embrace.
On one side of this jagged and shapeless hill
There is a cave, from which there eddies up
A pale mist, like aereal gossamer,
Whose breath destroys all life--awhile it veils
The rockthen, scattered by the wind, it flies
Along the stream, or lingers on the clefts,
Killing the sleepy worms, if aught bide there.
Upon the beetling edge of that dark rock
There stands a group of cypresses; not such
As, with a graceful spire and stirring life,
Pierce the pure heaven of your native vale,
Whose branches the air plays among, but not
Disturbs, fearing to spoil their solemn grace;
But blasted and all wearily they stand,
One to another clinging; their weak boughs
Sigh as the wind buffets them, and they shake
Beneath its blastsa weatherbeaten crew!


What wondrous sound is that, mournful and faint,
But more melodious than the murmuring wind
Which through the columns of a temple glides?


It is the wandering voice of Orpheus lyre,
Borne by the winds, who sigh that their rude king
Hurries them fast from these air-feeding notes;
But in their speed they bear along with them
The waning sound, scattering it like dew
Upon the startled sense.


Does he still sing?
Methought he rashly cast away his harp
When he had lost Eurydice.


Ah, no!
Awhile he paused. As a poor hunted stag
A moment shudders on the fearful brink
Of a swift streamthe cruel hounds press on
With deafening yell, the arrows glance and wound,--
He plunges in: so Orpheus, seized and torn
By the sharp fangs of an insatiate grief,
Maenad-like waved his lyre in the bright air,
And wildly shrieked Where she is, it is dark!
And then he struck from forth the strings a sound
Of deep and fearful melody. Alas!
In times long past, when fair Eurydice
With her bright eyes sat listening by his side,
He gently sang of high and heavenly themes.
As in a brook, fretted with little waves
By the light airs of springeach riplet makes
A many-sided mirror for the sun,
While it flows musically through green banks,
Ceaseless and pauseless, ever clear and fresh,
So flowed his song, reflecting the deep joy
And tender love that fed those sweetest notes,
The heavenly offspring of ambrosial food.
But that is past. Returning from drear Hell,
He chose a lonely seat of unhewn stone,
Blackened with lichens, on a herbless plain.
Then from the deep and overflowing spring
Of his eternal ever-moving grief
There rose to Heaven a sound of angry song.
Tis as a mighty cataract that parts
Two sister rocks with waters swift and strong,
And casts itself with horrid roar and din
Adown a steep; from a perennial source
It ever flows and falls, and breaks the air
With loud and fierce, but most harmonious roar,
And as it falls casts up a vaporous spray
Which the sun clothes in hues of Iris light.
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy. Unlike all human works,
It never slackens, and through every change
Wisdom and beauty and the power divine
Of mighty poesy together dwell,
Mingling in sweet accord. As I have seen
A fierce south blast tear through the darkened sky,
Driving along a rack of winged clouds,
Which may not pause, but ever hurry on,
As their wild shepherd wills them, while the stars,
Twinkling and dim, peep from between the plumes.
Anon the sky is cleared, and the high dome
Of serene Heaven, starred with fiery flowers,
Shuts in the shaken earth; or the still moon
Swiftly, yet gracefully, begins her walk,
Rising all bright behind the eastern hills.
I talk of moon, and wind, and stars, and not
Of song; but, would I echo his high song,
Nature must lend me words neer used before,
Or I must borrow from her perfect works,
To picture forth his perfect attributes.
He does no longer sit upon his throne
Of rock upon a desert herbless plain,
For the evergreen and knotted ilexes,
And cypresses that seldom wave their boughs,
And sea-green olives with their grateful fruit,
And elms dragging along the twisted vines,
Which drop their berries as they follow fast,
And blackthorn bushes with their infant race
Of blushing rose-blooms; beeches, to lovers dear,
And weeping willow trees; all swift or slow,
As their huge boughs or lighter dress permit,
Have circled in his throne, and Earth herself
Has sent from her maternal breast a growth
Of starlike flowers and herbs of odour sweet,
To pave the temple that his poesy
Has framed, while near his feet grim lions couch,
And kids, fearless from love, creep near his lair.
Even the blind worms seem to feel the sound.
The birds are silent, hanging down their heads,
Perched on the lowest branches of the trees;
Not even the nightingale intrudes a note
In rivalry, but all entranced she listens.
Published by Dr. Garnett, Relics of Shelley, 1862; revised and enlarged by Rossetti, Complete Poetical Works of P. B. S., 1870.
~ Percy Bysshe Shelley, Orpheus
256:The Old Bark Hut
In an old bark hut on a mountainside
In a spot that was lone and drear
A woman whose heart was aching sat
Watching from year to year.
A small boy, Jim, her only child,
Helped her to watch and wait,
But the time never came when they could go free,
Free from the bond of hate.
For McConnel was out on the mountainside
Living without a hope
And seeing nothing before him now
But death by a hangman’s rope.
Hated and chased by his fellow men,
To take him alive or dead,
An outlaw banned by the world was he
With five hundred pounds on his head.
A message had come that evening which said
“Now, Jim, you mustn’t wait,
If you want to save your father, or
By heaven, you’ll be too late.
“He’s out at Mackinnon’s Crossing, they say,
The track is rough, old man,
But if any here can do it—why
It’s you and old Darky can.”
And Jim knew well what the message meant,
As he brought his horse to the door!
While away through the gathering darkness came
The sound of the river’s roar.
But the brave little heart never faltered as
He stooped to kiss her good-bye
And said, “God bless you, Mother dear,
I’ll save Dad tonight or I’ll die.”
The old horse answered the touch of his hand
And galloped away from the door;
He seemed to know ‘twas a journey for life—
Well, he’d done such journey’s before.
Out from the firelight, and through the rails,
Out through the ghastly trees,
While all the time the warning roar
Of the river came back on the breeze;
Steadily down the mountainside
He rode, for his course was plain,
Though his heart was heavy, though not with fear,
But because of that brand of Cain.
The boy thinks over his mother’s last words:
“I’ll love him as long as I live!
He must have time for repentance on earth
But surely God will forgive.”
As he glanced back over his shoulder there
She stood by the light of the door
Trying to pierce the darkness in vain,
Thinking she’d see him no more.
Then as he looked she bowed her head
And slowly turned away,
And the boy knew that the noble wife
Had knelt by the bed to pray.
Mile after mile, hour after hour,
And then just ahead, shining and white,
Was the foam of Mackinnon’s Crossing—
What a jump for old Darky tonight!
And then Jim thinks of the long, lone years
And the hopes that are crushed and dead;
And a woman whose heart is as true as steel,
As rue as the day she was wed.
As she loved him then in the years gone by
When the future held promise in store,
So she loved him today when the future held
Naught but death by his country’s law.
Jim pressed his knees to the saddle flap
And tightened his hold on the rein;
They had jumped the river last summertime,
How he hoped they would do it again!
Then a voice rang out through the darkness there,
“Hold, now hold, stand still!
We know you, lad, it’s too late to run;
Hands up or we’ll shoot to kill!”
Then he knew that the police were around him,
In the darkness they moved to and fro;
For an instant he pulled on the bridle-rein,
But he’d promised his mother he’d go.
And he thought of the poor, sad woman alone,
Kneeling in prayer by the bed;
So he loosened the reins on old Darky’s neck
And rushed at the river ahead.
Then a volley rang out through the forest dark—
A fall in the roaring flood;
And the darkness hid from all human eyes
The form that was stained with blood.
The horse struggled hard, the waters rushed on;
He sank to rise no more.
But the boy fought the flood in silence, inch
By inch to the other shore.
Slowly and sadly, but bravely on,
Brushing away the tears;
He was leaving behind in the river’s flood
His friend and companion for years.
And all the time the blood trickled down,
O God! what a hot burning pain!
And he knew he was doing is duty clean
He would never come back again.
Staggering in through the yielding door
Into the cold dark room
Where his father lay, and the faint firelight
Showed through the ghostly gloom.
The bushranger sprang to his feet in alarm
And levelled the gun at his head
And his loud voice demanded, “Who are you?
Speak quick, or you are dead.”
And then a weak little voice made answer,
“It’s me; Mother sends you her love;
The police are back at the crossing now,
So clear out and meet Mother above.”
Then McConnel placed his gun by the wall
And knelt on the cold hard floor;
And somehow the tears came rushing down
As they never had before.
His arms went around the brave little lad,
He nursed his head on his breast;
He seemed to know that the end was nigh
And Jim would soon be at rest.
And the boy was speaking feebly at last,
“They shot me back at the creek,
And old Darky is dead and gone, Dad,
And oh, I’m so tired and weak.”
Then his voice fell away in a whisper soft,
So faint it could scarce be heard,
“Oh Dad,, clear out, they are coming fast;
Tell Mother, I kept my word.”
Quickly in silence the police gathered around,
They had captured the beast in his lair;
The outlaw sat with his boy in his arms,
He semed not to heed nor to care.
He was thinking now of the seed he had sown,
He was tasting its bitter fruit,
When the sergeant stepped to the door and said,
“McConnel, bail up or I’ll shoot.”
Then the sergeant placed a lamp by the door,
The rifles gleamed out in the light;
But the outlaw said, “Sergeant O’Drady,
Let’s have no more shooting tonight.
“You can take me now to the judgement seat
As God has taken this lad;
You’d die to take my life, you men—
He died to save his dad.
“I want you to help me dig his grave,
And perhaps you will say a prayer;
Then you can take me and hang me dead—
It’s my wife, or I wouldn’t care.
“Carefully now. . . Oh thank you, men,
Lay him as best you can;
The policeman is shown by his coat, of course;
But the tears—well, they show the man.”
Then the party went back to the old bark hut
As the sun was mounting the hill;
No smoke arose from the chimney cold
And all was silent and still.
The sergeant opened the creaky door,
And lifted his cap with a start,
…Ah, McConnel had broken the country’s laws
And broken a woman’s heart.
~ Anonymous Oceania,
257:September On Jessore Road
Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to shit but sand channel ruts
fathers in rain
mothers in pain
brothers in woe
sisters nowhere to go
One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad
Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone
Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan
Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts
Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise
Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there
on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry
Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one time a week
Milk powder for warweary infants meek
No vegetable money or work for the man
Rice lasts four days eat while they can
Then children starve three days in a row
and vomit their next food unless they eat slow.
On Jessore road Mother wept at my knees
Bengali tongue cried mister Please
Identity card torn up on the floor
Husband still waits at the camp office door
Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play our death curse
Two policemen surrounded by thousands of boys
Crowded waiting their daily bread joys
Carry big whistles & long bamboo sticks
to whack them in line They play hungry tricks
Breaking the line and jumping in front
Into the circle sneaks one skinny runt
Two brothers dance forward on the mud stage
Teh gaurds blow their whistles & chase them in rage
Why are these infants massed in this place
Laughing in play & pushing for space
Why do they wait here so cheerful & dread
Why this is the House where they give children bread
The man in the bread door Cries & comes out
Thousands of boys and girls Take up his shout
Is it joy? is it prayer? "No more bread today"
Thousands of Children at once scream "Hooray!"
Run home to tents where elders await
Messenger children with bread from the state
No bread more today! & and no place to squat
Painful baby, sick shit he has got.
Malnutrition skulls thousands for months
Dysentery drains bowels all at once
Nurse shows disease card Enterostrep
Suspension is wanting or else chlorostrep
Refugee camps in hospital shacks
Newborn lay naked on mother's thin laps
Monkeysized week old Rheumatic babe eye
Gastoenteritis Blood Poison thousands must die
September Jessore Road rickshaw
50,000 souls in one camp I saw
Rows of bamboo huts in the flood
Open drains, & wet families waiting for food
Border trucks flooded, food cant get past,
American Angel machine please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?
Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?
Where are the President's Armies of Gold?
Billionaire Navies merciful Bold?
Bringing us medicine food and relief?
Napalming North Viet Nam and causing more grief?
Where are our tears? Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?
Whom shall we pray to for rice and for care?
Who can bring bread to this shit flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!
O ye tongues of the world for their woe
out ye voices for Love we don't know
out ye bells of electrical pain
in the conscious of America brain
How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare-Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet shit-field rain
waits by the pump well, Woe to the world!
whose children still starve in their mother's arms curled.
Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my loins?
What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?
How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and asphalt car dreams
Stinking the world and dimming star beams-Finish the war in your breast with a sigh
Come tast the tears in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara on planet TV
How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild
Armed forces that boast the children they've killed?
souls walk through Maya in pain
babes in illusory pain?
families hollow eyed lost?
grandmothers turning to ghost?
loves who never get bread?
Aunts with holes in their head?
sisters skulls on the ground?
grandfathers make no more sound?
fathers in woe
sons nowhere to go?
daughters nothing to eat?
uncles with swollen sick feet?
babies in pain
mothers in rain
brothers in woe
children nowhere to go
~ Allen Ginsberg,
258:A Storm In The Mountains
A lonely boy, far venturing from home
Out on the half-wild herd’s faint tracks I roam;
Mid rock-browned mountains, which with stony frown
Glare into haggard chasms deep adown;
A rude and craggy world, the prospect lies
Bounded in circuit by the bending skies.
Now at some clear pool scooped out by the shocks
Of rain-floods plunging from the upper rocks
Whose liquid disc in its undimpled rest
Glows like a mighty gem brooching the mountain’s breast,
I drink and must, or mark the wide-spread herd,
Or list the thinking of the dingle-bird;
And now towards some wild-hanging shade I stray,
To shun the bright oppression of the day;
For round each crag, and o’er each bosky swell,
The fierce refracted heat flares visible,
Lambently restless, like the dazzling hem
Of some else viewless veil held trembling over them.
Why congregate the swallows in the air,
And northward then in rapid flight repair?
With sudden swelling din, remote yet harsh,
Why roar the bull-frogs in the tea-tree marsh?
Why cease the locusts to throng up in flight
And clap their gay wings in the fervent light?
Why climb they, bodingly demure, instead
The tallest spear-grass to the bending head?
Instinctively, along the sultry sky,
I turn a listless, yet inquiring, eye;
And mark that now with a slow gradual pace
A solemn trance creams northward o’er its face;
Yon clouds that late were labouring past the sun,
Reached by its sure arrest, one after one,
Come to a heavy halt; the airs that played
About the rugged mountains all are laid:
While drawing nearer far-off heights appear,
As in a dream’s wild prospect, strangely near!
Till into wood resolves their robe of blue,
And the grey crags rise bluffly on the view.
Such are the signs and tokens that presage
A summer hurricane’s forthcoming rage.
At length the south sends out her cloudy heaps
And up the glens at noontide dimness creeps;
The birds, late warbling in the hanging green
Off steep-set brakes, seek now some safer screen;
The herd, in doubt, no longer wanders wide,
But fast ingathering throngs yon mountain’s side,
Whose echoes, surging to its tramp, might seem
The muttered troubles of some Titan’s dream.
Fast the dim legions of the muttering storm
Throng denser, or protruding columns form;
While splashing forward from their cloudy lair,
Convolving flames, like scouting dragons, glare:
Low thunders follow, labouring up the sky;
And as fore-running blasts go blaring by,
At once the forest, with a mighty stir,
Bows, as in homage to the thunderer!
Hark! From the dingoes blood-polluted dens
In the gloom-hidden chasms of the glens,
Long fitful howls wail up; and in the blast
Strange hissing whispers seem to huddle past;
As if the dread stir had aroused from sleep
Weird spirits, cloistered in yon cavy steep
(On which, in the grim past, some Cain’s offence
Hath haply outraged heaven!) Who rising thence
Wrapped in the boding vapours, laughed again
To wanton in the wild-willed hurricane.
See in the storm’s front, sailing dark and dread,
A wide-winged eagle like a black flag spread!
The clouds aloft flash doom! Short stops his flight!
He seems to shrivel in the blasting light!
The air is shattered with a crashing sound,
And he falls stonelike, lifeless, to the ground.
Now, like a shadow at great nature’s heart,
The turmoil grows. Now wonder, with a start,
Marks where right overhead the storm careers,
Girt with black horrors and wide-flaming fears!
Arriving thunders, mustering on his path,
Swell more and more the roarings of his wrath,
As out in widening circles they extend,
And then—at once—in utter silence end.
Portentous silence! Time keeps breathing past,
Yet it continues! May this marvel last?
This wild weird silence in the midst of gloom
So manifestly big with coming doom?
Tingles the boding ear; and up the glens
Instinctive dread comes howling from the wild-dogs dens.
Terrific vision! Heaven’s great ceiling splits,
And a vast globe of writhing fire emits,
Which pouring down in one continuous stream,
Spans the black concave like a burning beam,
A moment;—then from end to end it shakes
With a quick motion—and in thunder breaks!
Peal rolled on peal! While heralding the sound,
As each concussion thrills the solid ground,
Fierce glares coil, snake-like, round the rocky wens
Of the red hills, or hiss into the glens,
Or thick through heaven like flaming falchions swarm,
Cleaving the teeming cisterns of the storm,
From which rain-torrents, searching every gash,
Split by the blast come sheeting with a dash.
On yon grey peak, from rock-encrusted roots,
The mighty patriarch of the wood upshoots,
In whose proud-spreading top’s imperial height,
The mountain-eagle loveth most to light:
Now dimly seen through the tempestuous air,
His form seems harrowed by a mad despair,
As with his ponderous arms uplifted high,
He wrestles with the storm and threshes at the sky!
A swift bolt hurtles through the lurid air,
Another thundering crash! The peak is bare!
Huge hurrying fragments all around are cast,
The wild-winged, mad-limbed monsters of the blast.
The darkness thickens! With despairing cry
From shattering boughs the rain-drenched parrtos fly;
Loose rocks roll rumbling from the mountains round,
And half the forest strews the smoking ground;
To the bared crags the blasts now wilder moan,
And the caves labour with a ghostlier groan.
Wide raging torrents down the gorges flow
Swift bearing with them to the vale below
Those sylvan wrecks that littered late the path
Of the loud hurricane s all-trampling wrath.
The storm is past. Yet booming on afar
Is heard the rattling of the thunder-car,
And that low muffled moaning, as of grief,
Which follows with a wood-sigh wide and brief.
The clouds break up; the sun s forth-bursting rays
Clothe the wet landscape with a dazzling blaze;
The birds begin to sing a lively strain,
And merry echoes ring it o’er again;
The clustered herd is spreading out to graze,
Though lessening torrents still a hundred ways
Flash downward, and from many a rock ledge
A mantling gush comes quick and shining o er the edge.
’Tis evening; and the torrent’s furious flow
Runs gentlier now into the lake below,
O’er all the freshened scene no sound is heard,
Save the short twitter of some busied bird,
Or a faint rustle made amongst the trees
By wasting fragments of a broken breeze.
Along the wild and wreck-strewed paths I wind,
Watching earth’s happiness with quiet mind,
And see a beauty all unmarked till now
Flushing each flowery nook and sunny brow;
Wished peace returning like a bird of calm,
Brings to the wounded world its blessed healing balm.
On nerveless, tuneless lines how sadly
Ringing rhymes may wasted be,
While blank verse oft is mere prose madly
Striving to be poetry:
While prose that’s craggy as a mountain
May Apollo’s sun-robe don,
Or hold the well-spring of a fountain
Bright as that in Helicon.
~ Charles Harpur,
Let those who pine in pride or in revenge,
Or think that ill for ill should be repaid,
Who barter wrong for wrong, until the exchange
Ruins the merchants of such thriftless trade,
Visit the tower of Vado, and unlearn
Such bitter faith beside Marenghis urn.

A massy tower yet overhangs the town,
A scattered group of ruined dwellings now...


Another scene are wise Etruria knew
Its second ruin through internal strife
And tyrants through the breach of discord threw
The chain which binds and kills. As death to life,
As winter to fair flowers (though some be poison)
So Monarchy succeeds to Freedoms foison.

In Pisas church a cup of sculptured gold
Was brimming with the blood of feuds forsworn:
A Sacrament more holy neer of old
Etrurians mingled mid the shades forlorn
Of moon-illumined forests, when...

And reconciling factions wet their lips
With that dread wine, and swear to keep each spirit
Undarkened by their countrys last eclipse...


Was Florence the liberticide? that band
Of free and glorious brothers who had planted,
Like a green isle mid Aethiopian sand,
A nation amid slaveries, disenchanted
Of many impious faithswise, justdo they,
Does Florence, gorge the sated tyrants prey?

O foster-nurse of mans abandoned glory,
Since Athens, its great mother, sunk in splendour;
Thou shadowest forth that mighty shape in story,
As ocean its wrecked fanes, severe yet tender:
The light-invested angel Poesy
Was drawn from the dim world to welcome thee.

And thou in painting didst transcribe all taught
By loftiest meditations; marble knew
The sculptors fearless souland as he wrought,
The grace of his own power and freedom grew.
And more than all, heroic, just, sublime,
Thou wart among the false...was this thy crime?

Yes; and on Pisas marble walls the twine
Of direst weeds hangs garlandedthe snake
Inhabits its wrecked palaces;in thine
A beast of subtler venom now doth make
Its lair, and sits amid their glories overthrown,
And thus thy victims fate is as thine own.

The sweetest flowers are ever frail and rare,
And love and freedom blossom but to wither;
And good and ill like vines entangled are,
So that their grapes may oft be plucked together;--
Divide the vintage ere thou drink, then make
Thy heart rejoice for dead Marenghis sake.


[Albert] Marenghi was a Florentine;
If he had wealth, or children, or a wife
Or friends, [or farm] or cherished thoughts which twine
The sights and sounds of home with lifes own life
Of these he was despoiled and Florence sent...


No record of his crime remains in story,
But if the morning bright as evening shone,
It was some high and holy deed, by glory
Pursued into forgetfulness, which won
From the blind crowd he made secure and free
The patriots meed, toil, death, and infamy.

For when by sound of trumpet was declared
A price upon his life, and there was set
A penalty of blood on all who shared
So much of water with him as might wet
His lips, which speech divided nothe went
Alone, as you may guess, to banishment.

Amid the mountains, like a hunted beast,
He hid himself, and hunger, toil, and cold,
Month after month endured; it was a feast
Wheneer he found those globes of deep-red gold
Which in the woods the strawberry-tree doth bear,
Suspended in their emerald atmosphere.

And in the roofless huts of vast morasses,
Deserted by the fever-stricken serf,
All overgrown with reeds and long rank grasses,
And hillocks heaped of moss-inwoven turf,
And where the huge and speckled aloe made,
Rooted in stones, a broad and pointed shade,--

He housed himself. There is a point of strand
Near Vados tower and town; and on one side
The treacherous marsh divides it from the land,
Shadowed by pine and ilex forests wide,
And on the other, creeps eternally,
Through muddy weeds, the shallow sullen sea.

Here the earths breath is pestilence, and few
But things whose nature is at war with life--
Snakes and ill wormsendure its mortal dew.
The trophies of the climes victorious strife--
And ringed horns which the buffalo did wear,
And the wolfs dark gray scalp who tracked him there.

And at the utmost point...stood there
The relics of a reed-inwoven cot, 95
Thatched with broad flags. An outlawed murderer
Had lived seven days there: the pursuit was hot
When he was cold. The birds that were his grave
Fell dead after their feast in Vados wave.

There must have burned within Marenghis breast
That fire, more warm and bright than life and hope,
(Which to the martyr makes his dungeon...
More joyous than free heavens majestic cope
To his oppressor), warring with decay,--
Or he could neer have lived years, day by day.

Nor was his state so lone as you might think.
He had tamed every newt and snake and toad,
And every seagull which sailed down to drink
Those freshes ere the death-mist went abroad.
And each one, with peculiar talk and play,
Wiled, not untaught, his silent time away.

And the marsh-meteors, like tame beasts, at night
Came licking with blue tongues his veined feet;
And he would watch them, as, like spirits bright,
In many entangled figures quaint and sweet
To some enchanted music they would dance--
Until they vanished at the first moon-glance.

He mocked the stars by grouping on each weed
The summer dew-globes in the golden dawn;
And, ere the hoar-frost languished, he could read
Its pictured path, as on bare spots of lawn
Its delicate brief touch in silver weaves
The likeness of the woods remembered leaves.

And many a fresh Spring morn would he awaken--
While yet the unrisen sun made glow, like iron
Quivering in crimson fire, the peaks unshaken
Of mountains and blue isles which did environ
With air-clad crags that plain of land and sea,--
And feel ... liberty.

And in the moonless nights when the dun ocean
Heaved underneath wide heaven, star-impearled,
Starting from dreams...
Communed with the immeasurable world;
And felt his life beyond his limbs dilated,
Till his mind grew like that it contemplated.

His food was the wild fig and strawberry;
The milky pine-nuts which the autumn-blast
Shakes into the tall grass; or such small fry
As from the sea by winter-storms are cast;
And the coarse bulbs of iris-flowers he found
Knotted in clumps under the spongy ground.

And so were kindled powers and thoughts which made
His solitude less dark. When memory came
(For years gone by leave each a deepening shade),
His spirit basked in its internal flame,--
As, when the black storm hurries round at night,
The fisher basks beside his red firelight.

Yet human hopes and cares and faiths and errors,
Like billows unawakened by the wind,
Slept in Marenghi still; but that all terrors,
Weakness, and doubt, had withered in his mind.
His couch...


And, when he saw beneath the sunsets planet
A black ship walk over the crimson ocean,--
Its pennon streaming on the blasts that fan it,
Its sails and ropes all tense and without motion,
Like the dark ghost of the unburied even
Striding athwart the orange-coloured heaven,--

The thought of his own kind who made the soul
Which sped that winged shape through night and day,--
The thought of his own country...

This fragment refers to an event told in Sismondi's Histoire des Republiques Italiennes, which occurred during the war when Florence finally subdued Pisa, and reduced it to a province.--[MRS. SHELLEYS NOTE, 1824.]
~ Percy Bysshe Shelley, Marenghi
Alas, I thought this forest must be true,
And would not change because of my changed eyes;
I thought the growing things were as I knew,
And not a mock; I thought at least the skies
Were honest and would keep that happy blue
They used to wear before I learned to see
.But woe the day!
Lo, I have wandered forth and thought to stay
Here where some gladness still might be for me,
Where some delight
Should still break on my now too faithful sight;
And, lo, not even here may I go free.
Oh, hateful knowledge, pass and let me be:
Why am I made thy slave? why am I wise
Who once beheld all life with glamoured eyes?
Ah, woe the day! this bleak and shrivelled wood,
These rotted leaves, and all the wild flowers dead:
And here the ferns lie bruised and brown that stood
My tall green shelter: and, above my head,
The naked creaking branches show the sky
Athwart their lattice one murk sunless grey
Ah, woe the day!
I see, and beauty has all passed away.
Woe for my desolate wisdom, woe! Ah why
Must the sweet spell be broken ere I die?
Dear glad-tongued lark, come down and talk with me;
Tell me, oh tell me, hast thou caught, maybe,
Some little word,
Some word from heaven to make the meaning plain
Of this great change, or change me back again?
And, chattering sparrow from the eaves, come here
And tell me, thou who seest men so near,
Canst thou have heard
Some talk among them, out of all their lore,
To teach me, who have learned to see as they,
To be like them still more
And smile at hateful things or pass them o'er?
Sky-bird and house-bird, do you know the way?
Come hither, let me tell you all my woe;
Have you not known me in my carelessness?
I was that joyous child, not long ago,
The fairies hid away from life's distress
And eager weariness of burdened men
To live their darling in the elfin glen;
I was that thing of mirth and fantasies,
More antic than young squirrels at their play,
More wilful wanton than coy butterflies
Teasing the flowers with make-believes to kiss,
More happy than the early thrush whose lay
Awakes the woodlands with spring melodies
And sings the year to summer with his bliss:
And now I am so sad:
For, listen, I am wise, my eyes see truth,
And nothing wears the brightness that it had,
Nothing is fair or glad;
All joy and grace were dreams, dead with my fairy youth.
Ah, had you seen our home!
For the great hall one amethyst clear dome
Fretted with silver or, who could say which,
With white pure moonbeams; and the floors made rich
With patens of all rare translucent gems
And musky flower-buds bending down their stems
For weight of diamonds that hung like dews;
And everywhere the radiance of carved gold,
And pearls' soft shimmer, and quick various hues
Of mystic opals glinting manifold;
And everywhere the music and the gleams
Of clear cool water's sparkling iris beams
In emerald and crystal fountains wrought
Like river lilies with their buds and leaves,
Or as late briar shoots caught
In the first glittering rime-webs blithe October weaves.
Ah me, so fair, so bright!
Had you but seen! But, lo, the other night
I was alone and watching how the sky
Made a new star each moment and grew dim,
And singing to the moon, when he came by,
The wise weird man—what need had I of him?—
The wise weird man who can see fairy folk
And break all spells, he saw me and he spoke
'Poor changeling child,
How is thy heart beguiled,
And thy blind eyes made foolish with false sight!
Let the spell end: be wise, and see aright.'
Then with a frozen salve that brought sharp tears
Signed both my eyes, and went. And from that hour
I am made weary with the cruel dower
Of sight for evil. For mine eyes before
Made beauty where they looked, and saw no more.
Ah happy eyes! Ah sweet, blind, cheated years!
Alas! the glories of our fairy halls:
Alas! the blossoms and the gems and gold:
Dreams, dreams, and lies.
Broken and clammy are the earthen walls,
The mildew is their silvering; where of old
The jewels shimmered shimmers moist and cold
The dew of oozing damps; and, for the dyes
And the fair shapes of diamond laden flowers,
Foul toadstool growths that never saw the skies;
And, for the fountains,pools; and, for the bowers,
Blank caves. Nought, nought in its old gracious guise.
And what is left for beauty is a mock:
Spangles and gilt and glass for precious things,
Bedraggled tinsel gauzes to enfrock
Unlovely nakedness of earth and rock,
And painted images and cozenings.
Ah me! ah me! the beauty, the delight:
Dreams, dreams, and lies.
Ah me! and a curse more has come with sight;
There is no sweetness left me for my ears:
For when they sing the fairy melodies,
Like voice of laughters and like voice of sighs
And voice of running brooks and voice of birds
And voice of lovers' wooing, and the words
Are those that fill the heart of each who hears,
I hate the song, for I hear all the while
'Dreams, dreams, and lies.'
Yea, and I see no loving in a smile;
For, when they soothe me tenderly, and praise,
And speak the soft words of the former days,
My heart is cold and wise as are mine eyes,
And I grow sick of pleasant flatteries
And talk of bliss and ancient merry ways:
For, lo, the hollow old content was vain, How shall it live again?
Dreams, dreams, and lies.
And even here is change. For not till now
Have I seen barrenness, and leaves lie dank.
For me the leaf was green upon the bough
The livelong year, my tall ferns never sank,
Some sweet and tender blossom always grew,
The summer and the winter skies were blue;
And when the snow came in a winter freak
To make the blossoms play me hide and seek
I laughed because I knew that they were there.
Ah woe is me!
I said 'I will steal forth and make my lair,
Like some strayed foxcub, in the sheltered wood,
For that will be as it was wont to be:
And I will live among the careless birds
And happy forest beasts and insect herds
Who in blithe wanderings find their easy food,
And feed and sport and rest in ceaseless glee,
Having their world all real and all fair.'
Alas! for it was falseness even here!
The beauty has gone by, it was my dream,
And all the black and dripping trees lie bare,
Soddening in fog and in dull mists that steam
From the unwholesome barren earth and where
The dead leaves fester that were born this year.
Ah me, I am grown wise, my sight is clear:
And to see clear is weeping, wisdom is despair.
Kind birds, oh tell me, whither shall I hie?
Dear lark, hast thou looked down out of thy sky
On the sweet quiet of some summer land
Where truth and beauty yet go hand in hand?—
Nay, but would'st thou be here!
Tell me, half human sparrow, hast thou seen,
Among the homes of men where thine has been,
A home where I might be among my kind
And love it, and love them, not being blind?
Tell me; draw near.
Oh answer me, for now I learn desires
For men's strong life to stir me, and were fain
To lose old dreams, warm by their hearthside fires.
Yea, and I must go, though it all were pain:
The doom of my new'wisdom is on me.
Woe for my fairy youth! Man among men
I must go forth and suffer, for I see.
Woe for the blind days in the happy glen!
And the lark answered 'Nay, I am not wise;
I can teach nought. Only, the other day,
I heard them singing who sing in the skies,
And ceaselessly I whisper low that lay,
To sing it when the summer comes again:
'In the world are Love and Pain:
Foes yet lovers they remain:
Pain strengthens Love till Love slay Pain.''
The sparrow said 'I could not hear thee plain,
For I was chirruping the merry rhyme
I heard men sing last night at supper-time:
'Reap the grain, and sow the grain,
To grow by sunshine and by rain.''
Then the sad fairies' foster-child arose,
And saw the grey day darkening to its close,
And passed out from the wood, and wandered down,
Along the misty hillside, to the town.
~ Augusta Davies Webster,
261:A Une Madone (To A Madonna)
Ex-voto dans le goût espagnol
Je veux bâtir pour toi, Madone, ma maîtresse,
Un autel souterrain au fond de ma détresse,
Et creuser dans le coin le plus noir de mon coeur,
Loin du désir mondain et du regard moqueur,
Une niche, d'azur et d'or tout émaillée,
Où tu te dresseras, Statue émerveillée.
Avec mes Vers polis, treillis d'un pur métal
Savamment constellé de rimes de cristal
Je ferai pour ta tête une énorme Couronne;
Et dans ma Jalousie, ô mortelle Madone
Je saurai te tailler un Manteau, de façon
Barbare, roide et lourd, et doublé de soupçon,
Qui, comme une guérite, enfermera tes charmes,
Non de Perles brodé, mais de toutes mes Larmes!
Ta Robe, ce sera mon Désir, frémissant,
Onduleux, mon Désir qui monte et qui descend,
Aux pointes se balance, aux vallons se repose,
Et revêt d'un baiser tout ton corps blanc et rose.
Je te ferai de mon Respect de beaux Souliers
De satin, par tes pieds divins humiliés,
Qui, les emprisonnant dans une molle étreinte
Comme un moule fidèle en garderont l'empreinte.
Si je ne puis, malgré tout mon art diligent
Pour Marchepied tailler une Lune d'argent
Je mettrai le Serpent qui me mord les entrailles
Sous tes talons, afin que tu foules et railles
Reine victorieuse et féconde en rachats
Ce monstre tout gonflé de haine et de crachats.
Tu verras mes Pensers, rangés comme les Cierges
Devant l'autel fleuri de la Reine des Vierges
Etoilant de reflets le plafond peint en bleu,
Te regarder toujours avec des yeux de feu;
Et comme tout en moi te chérit et t'admire,
Tout se fera Benjoin, Encens, Oliban, Myrrhe,
Et sans cesse vers toi, sommet blanc et neigeux,
En Vapeurs montera mon Esprit orageux.
Enfin, pour compléter ton rôle de Marie,
Et pour mêler l'amour avec la barbarie,
Volupté noire! des sept Péchés capitaux,
Bourreau plein de remords, je ferai sept Couteaux
Bien affilés, et comme un jongleur insensible,
Prenant le plus profond de ton amour pour cible,
Je les planterai tous dans ton Coeur pantelant,
Dans ton Coeur sanglotant, dans ton Coeur ruisselant!
To a Madonna
Votive Offering in the Spanish Style
I want to build for you, Madonna, my mistress,
An underground altar in the depths of my grief
And carve out in the darkest corner of my heart,
Far from worldly desires and mocking looks,
A niche, all enameled with azure and with gold,
Where you shall stand, amazed Statue;
With my polished Verses as a trellis of pure metal
Studded cunningly with rhymes of crystal,
I shall make for your head an immense Crown,
And from my Jealousy, O mortal Madonna,
I shall know how to cut a cloak in a fashion,
Barbaric, heavy, and stiff, lined with suspicion,
Which, like a sentry-box, will enclose your charms;
Embroidered not with Pearls, but with all of my Tears!
Your Gown will be my Desire, quivering,
Undulant, my Desire which rises and which falls,
Balances on the crests, reposes in the troughs,
And clothes with a kiss your white and rose body.
Of my Self-respect I shall make you Slippers
Of satin which, humbled by your divine feet,
Will imprison them in a gentle embrace,
And assume their form like a faithful mold;
If I can't, in spite of all my painstaking art,
Carve a Moon of silver for your Pedestal,
I shall put the Serpent which is eating my heart
Under your heels, so that you may trample and mock,
Triumphant queen, fecund in redemptions,
That monster all swollen with hatred and spittle.
You will see my Thoughts like Candles in rows
Before the flower-decked altar of the Queen of Virgins,
Starring with their reflections the azure ceiling,
And watching you always with eyes of fire.
And since my whole being admires and loves you,
All will become Storax, Benzoin, Frankincense, Myrrh,
And ceaselessly toward you, white, snowy pinnacle,
My turbulent spirit will rise like a vapor.
Finally, to complete your role of Mary,
And to mix love with inhumanity,
Infamous pleasure! of the seven deadly sins,
I, torturer full of remorse, shall make seven
Well sharpened Daggers and, like a callous juggler,
Taking your deepest love for a target,
I shall plant them all in your panting Heart,
In your sobbing Heart, in your bleeding Heart!
— Translated by William Aggeler
To a Madonna
(Ex Voto in Spanish Style)
I'd build, Madonna, love, for my belief,
An altar in the dim crypt of my grief,
And in the darkest comer of my heart,
From mortal lust and mockery far apart,
Scoop you a niche, with gold and azure glaze,
Where you would stand in wonderment and gaze,
With my pure verses trellised, and all round
In constellated rhymes of crystal bound:
And with a huge tiara richly crowned.
Out of the Jealousy which rules my passion,
Mortal Madonna, I a cloak would fashion,
Barbarous, stiff, and heavy with my doubt,
Whereon as in a fourm you would fill out
And mould your lair. Of tears, not pearls, would be
The sparkle of its rich embroidery:
Your robe would be my lust, with waving flow,
Poising on tips, in valleys lying low,
And clothing, in one kiss, coral and snow.
In my Respect (for satin) you'll be shod
Which your white feet would humble to the clod,
While prisoning their flesh with tender hold
It kept their shape imprinted like a mould.
If for a footstool to support your shoon,
For all my art, I could not get the moon,
I'd throw the serpent, that devours my vitals
Under your trampling heels for his requitals,
Victorious queen, to spurn, bruise, and belittle
That monstrous worm blown-up with hate and spittle.
Round you my thoughts like candles should be seen
Around the flowered shrine of the virgins' Queen,
Reflected on a roof that's painted blue,
And aiming all their golden eyes at you.
Since nought is in me that you do not stir,
All will be incense, benjamin, and myrrh,
And up to you, white peak, in clouds will soar
My stormy soul, in rapture, to adore.
In fine, your role of Mary to perfect
And mingle barbarism with respect —
Of seven deadly sins, O black delight!
Remorseful torturer, to show my sleight,
I'll forge and sharpen seven deadly swords
And like a callous juggler on the boards,
Taking it for my target, I would dart
Them deep into your streaming, sobbing heart.
— Translated by Roy Campbell
À une Madone
I'll build for thee, Madonna, mistress mine,
deep in my crypt of woe a secret shrine;
— carve in the blackest corner of my heart,
from worldly lust and mocking eyes apart,
a niche, with gold and blue enamel blent,
to hold thy statue filled with wonderment.
my polished verse, of virgin metal hard
with crystal rhymes artistically starred,
shall raise for thee a towering diadem;
and from my jealousy I'll cut and hem
a mangle, mortal Lady mine, designed
as 'twere a sentry-box, stiff, heavy, lined
with barbs of keen suspicion and with fears,
embroidered, not with pearls, but all my tears!
to make thy robe I'll give thee my desire
that rises, falls and quivers like a fire,
clings to each summit, rests in each abyss,
and clothes thy rosy body with a kiss.
of my respect I'll make thee buskins fine
of satin, humbled by thy feet divine,
to prison them in soft embraces warm
and like a faithful mould to preserve their form.
then if my art is powerless to cut
thy pedestal, a silver moon, I'll put
beneath thy heel the serpent in my heart
for thee to bruise and mock, because thou art
the queen of my redemption, conquering all,
even that monster spewing hate and gall.
thine altar, like the Virgin's, shall be twined
with flowers, and like tapers all aligned,
my thoughts shall light the niche: from those blue skies,
watching thee always with their fiery eyes;
and since thou holdest all the love within
my heart, as incense, myrrh and benjamin,
in clouds forevermore to thee, its goal,
o snowy peak, shall rise my stormy soul.
and last, to make thee Mary utterly,
commingling love with savage cruelty,
— black joy! — with all the seven capital sins
I'll forge, remorsefully, seven javelins
knife-sharp, and like a juggler nonchalant,
taking thy love as target, I shall plant
deep in thy heart convulsed each deadly dart
— thy panting heart, thy sobbing, streaming heart!
— Translated by Lewis Piaget Shanks
~ Charles Baudelaire,
262:The Kalevala - Rune Xli
Wainamoinen, ancient minstrel,
The eternal wisdom-singer,
Laves his hands to snowy whiteness,
Sits upon the rock of joyance,
On the stone of song be settles,
On the mount of silver clearness,
On the summit, golden colored;
Takes the harp by him created,
In his hands the harp of fish-bone,
With his knee the arch supporting,
Takes the harp-strings in his fingers,
Speaks these words to those assembled:
'Hither come, ye Northland people,
Come and listen to my playing,
To the harp's entrancing measures,
To my songs of joy and gladness.'
Then the singer of Wainola
Took the harp of his creation,
Quick adjusting, sweetly tuning,
Deftly plied his skillful fingers
To the strings that he had fashioned.
Now was gladness rolled on gladness,
And the harmony of pleasure
Echoed from the hills and mountains:
Added singing to his playing,
Out of joy did joy come welling,
Now resounded marvelous music,
All of Northland stopped and listened.
Every creature in the forest,
All the beasts that haunt the woodlands,
On their nimble feet came bounding,
Came to listen to his playing,
Came to hear his songs of joyance.
Leaped the squirrels from the branches,
Merrily from birch to aspen;
Climbed the ermines on the fences,
O'er the plains the elk-deer bounded,
And the lynxes purred with pleasure;
Wolves awoke in far-off swamp-lands,
Bounded o'er the marsh and heather,
And the bear his den deserted,
Left his lair within the pine-wood,
Settled by a fence to listen,
Leaned against the listening gate-posts,
But the gate-posts yield beneath him;
Now he climbs the fir-tree branches
That he may enjoy and wonder,
Climbs and listens to the music
Of the harp of Wainamoinen.
Tapiola's wisest senior,
Metsola's most noble landlord,
And of Tapio, the people,
Young and aged, men and maidens,
Flew like red-deer up the mountains
There to listen to the playing,
To the harp, of Wainamoinen.
Tapiola's wisest mistress,
Hostess of the glen and forest,
Robed herself in blue and scarlet,
Bound her limbs with silken ribbons,
Sat upon the woodland summit,
On the branches of a birch-tree,
There to listen to the playing,
To the high-born hero's harping,
To the songs of Wainamoinen.
All the birds that fly in mid-air
Fell like snow-flakes from the heavens,
Flew to hear the minstrel's playing,
Hear the harp of Wainamoinen.
Eagles in their lofty eyrie
Heard the songs of the enchanter;
Swift they left their unfledged young ones,
Flew and perched around the minstrel.
From the heights the hawks descended,
From the, clouds down swooped the falcon,
Ducks arose from inland waters,
Swans came gliding from the marshes;
Tiny finches, green and golden,
Flew in flocks that darkened sunlight,
Came in myriads to listen '
Perched upon the head and shoulders
Of the charming Wainamoinen,
Sweetly singing to the playing
Of the ancient bard and minstrel.
And the daughters of the welkin,
Nature's well-beloved daughters,
Listened all in rapt attention;
Some were seated on the rainbow,
Some upon the crimson cloudlets,
Some upon the dome of heaven.
In their hands the Moon's fair daughters
Held their weaving-combs of silver;
In their hands the Sun's sweet maidens
Grasped the handles of their distaffs,
Weaving with their golden shuttles,
Spinning from their silver spindles,
On the red rims of the cloudlets,
On the bow of many colors.
As they hear the minstrel playing,
Hear the harp of Wainamoinen,
Quick they drop their combs of silver,
Drop the spindles from their fingers,
And the golden threads are broken,
Broken are the threads of silver.
All the fish in Suomi-waters
Heard the songs of the magician,
Came on flying fins to listen
To the harp of Wainamoinen.
Came the trout with graceful motions,
Water-dogs with awkward movements,
From the water-cliffs the salmon,
From the sea-caves came the whiting,
From the deeper caves the bill-fish;
Came the pike from beds of sea-fern,
Little fish with eyes of scarlet,
Leaning on the reeds and rushes,
With their heads above the surface;
Came to bear the harp of joyance,
Hear the songs of the enchanter.
Ahto, king of all the waters,
Ancient king with beard of sea-grass,
Raised his head above the billows,
In a boat of water-lilies,
Glided to the coast in silence,
Listened to the wondrous singing,
To the harp of Wainamoinen.
These the words the sea-king uttered:
'Never have I heard such playing,
Never heard such strains of music,
Never since the sea was fashioned,
As the songs of this enchanter,
This sweet singer, Wainamoinen.'
Satko's daughters from the blue-deep,
Sisters of the wave-washed ledges,
On the colored strands were sitting,
Smoothing out their sea-green tresses
With the combs of molten silver,
With their silver-handled brushes,
Brushes forged with golden bristles.
When they hear the magic playing,
Hear the harp of Wainamoinen,
Fall their brushes on the billows,
Fall their combs with silver handles
To the bottom of the waters,
Unadorned their heads remaining,
And uncombed their sea-green tresses.
Came the hostess of the waters,
Ancient hostess robed in flowers,
Rising from her deep sea-castle,
Swimming to the shore in wonder,
Listened to the minstrel's playing,
To the harp of Wainamoinen.
As the magic tones re-echoed,
As the singer's song out-circled,
Sank the hostess into slumber,
On the rocks of many colors,
On her watery couch of joyance,
Deep the sleep that settled o'er her.
Wainamoinen, ancient minstrel,
Played one day and then a second,
Played the third from morn till even.
There was neither man nor hero,
Neither ancient dame, nor maiden,
Not in Metsola a daughter,
Whom he did not touch to weeping;
Wept the young, and wept the aged,
Wept the mothers, wept the daughters
Wept the warriors and heroes
At the music of his playing,
At the songs of the magician.
Wainamoinen's tears came flowing,
Welling from the master's eyelids,
Pearly tear-drops coursing downward,
Larger than the whortle-berries,
Finer than the pearls of ocean,
Smoother than the eggs of moor-hens,
Brighter than the eyes of swallows.
From his eves the tear-drops started,
Flowed adown his furrowed visage,
Falling from his beard in streamlets,
Trickled on his heaving bosom,
Streaming o'er his golden girdle,
Coursing to his garment's border,
Then beneath his shoes of ermine,
Flowing on, and flowing ever,
Part to earth for her possession,
Part to water for her portion.
As the tear-drops fall and mingle,
Form they streamlets from the eyelids
Of the minstrel, Wainamoinen,
To the blue-mere's sandy margin,
To the deeps of crystal waters,
Lost among the reeds and rushes.
Spake at last the ancient minstrel:
'Is there one in all this concourse,
One in all this vast assembly
That can gather up my tear-drops
From the deep, pellucid waters?'
Thus the younger heroes answered,
Answered thus the bearded seniors:
'There is none in all this concourse,
None in all this vast assembly,
That can gather up thy tear-drops
From the deep, pellucid waters.'
Spake again wise Wainamoinen:
'He that gathers up my tear-drops
From the deeps of crystal waters
Shall receive a beauteous plumage.'
Came a raven, flying, croaking,
And the minstrel thus addressed him:
'Bring, O raven, bring my tear-drops
From the crystal lake's abysses;
I will give thee beauteous plumage,
Recompense for golden service.'
But the raven failed his master.
Came a duck upon the waters,
And the hero thus addressed him:
'Bring O water-bird, my tear-drops;
Often thou dost dive the deep-sea,
Sink thy bill upon the bottom
Of the waters thou dost travel;
Dive again my tears to gather,
I will give thee beauteous plumage,
Recompense for golden service.'
Thereupon the duck departed,
Hither, thither, swam, and circled,
Dived beneath the foam and billow,
Gathered Wainamoinen's tear-drops
From the blue-sea's pebbly bottom,
From the deep, pellucid waters;
Brought them to the great magician,
Beautifully formed and colored,
Glistening in the silver sunshine,
Glimmering in the golden moonlight,
Many-colored as the rainbow,
Fitting ornaments for heroes,
Jewels for the maids of beauty.
This the origin of sea-pearls,
And the blue-duck's beauteous plumage.
~ Elias Lönnrot,
263:New Year's Day at Asolo in the Trevisan

Scene.A large mean airy chamber. A girl, Pippa, from the Silk-mills, springing out of bed.
Faster and more fast,
O'er night's brim, day boils at last:
Boils, pure gold, o'er the cloud-cup's brim
Where spurting and suppressed it lay,
For not a froth-flake touched the rim
Of yonder gap in the solid gray
Of the eastern cloud, an hour away;
But forth one wavelet, then another, curled,
Till the whole sunrise, not to be suppressed,
Rose, reddened, and its seething breast
Flickered in bounds, grew gold, then overflowed the world.
Oh, Day, if I squander a wavelet of thee,
A mite of my twelve hours' treasure,
The least of thy gazes or glances,
(Be they grants thou art bound to or gifts above measure)
One of thy choices or one of thy chances,
(Be they tasks God imposed thee or freaks at thy pleasure)
My Day, if I squander such labour or leisure,
Then shame fall on Asolo, mischief on me!
Thy long blue solemn hours serenely flowing,
Whence earth, we feel, gets steady help and good
Thy fitful sunshine-minutes, coming, going,
As if earth turned from work in gamesome mood
All shall be mine! But thou must treat me not
As prosperous ones are treated, those who live
At hand here, and enjoy the higher lot,
In readiness to take what thou wilt give,
And free to let alone what thou refusest;
For, Day, my holiday, if thou ill-usest
Me, who am only Pippa,old-year's sorrow,
Cast off last night, will come again to-morrow:
Whereas, if thou prove gentle, I shall borrow
Sufficient strength of thee for new-year's sorrow.
All other men and women that this earth
Belongs to, who all days alike possess,
Make general plenty cure particular dearth,
Get more joy one way, if another, less:
Thou art my single day, God lends to leaven
What were all earth else, with a feel of heaven,
Sole light that helps me through the year, thy sun's!
Try now! Take Asolo's Four Happiest Ones
And let thy morning rain on that superb
Great haughty Ottima; can rain disturb
Her Sebald's homage? All the while thy rain
Beats fiercest on her shrub-house window-pane,
He will but press the closer, breathe more warm
Against her cheek; how should she mind the storm?
And, morning past, if mid-day shed a gloom
O'er Jules and Phene,what care bride and groom
Save for their dear selves? 'T is their marriage-day;
And while they leave church and go home their way,
Hand clasping hand, within each breast would be
Sunbeams and pleasant weather spite of thee.
Then, for another trial, obscure thy eve
With mist,will Luigi and his mother grieve
The lady and her child, unmatched, forsooth,
She in her age, as Luigi in his youth,
For true content? The cheerful town, warm, close
And safe, the sooner that thou art morose,
Receives them. And yet once again, outbreak
In storm at night on Monsignor, they make
Such stir about,whom they expect from Rome
To visit Asolo, his brothers' home,
And say here masses proper to release
A soul from pain,what storm dares hurt his peace?
Calm would he pray, with his own thoughts to ward
Thy thunder off, nor want the angels' guard.
But Pippajust one such mischance would spoil
Her day that lightens the next twelvemonth's toil
At wearisome silk-winding, coil on coil!
And here I let time slip for nought!
Aha, you foolhardy sunbeam, caught
With a single splash from my ewer!
You that would mock the best pursuer,
Was my basin over-deep?
One splash of water ruins you asleep,
And up, up, fleet your brilliant bits
Wheeling and counterwheeling,
Reeling, broken beyond healing:
Now grow together on the ceiling!
That will task your wits.
Whoever it was quenched fire first, hoped to see
Morsel after morsel flee
As merrily, as giddily . . .
Meantime, what lights my sunbeam on,
Where settles by degrees the radiant cripple?
Oh, is it surely blown, my martagon?
New-blown and ruddy as St. Agnes' nipple,
Plump as the flesh-bunch on some Turk bird's poll!
Be sure if corals, branching 'neath the ripple
Of ocean, bud there,fairies watch unroll
Such turban-flowers; I say, such lamps disperse
Thick red flame through that dusk green universe!
I am queen of thee, floweret!
And each fleshy blossom
Preserve I not(safer
Than leaves that embower it,
Or shells that embosom)
From weevil and chafer?
Laugh through my pane then; solicit the bee;
Gibe him, be sure; and, in midst of thy glee,
Love thy queen, worship me!
Worship whom else? For am I not, this day,
Whate'er I please? What shall I please to-day?
My morn, noon, eve and nighthow spend my day?
To-morrow I must be Pippa who winds silk,
The whole year round, to earn just bread and milk:
But, this one day, I have leave to go,
And play out my fancy's fullest games;
I may fancy all dayand it shall be so
That I taste of the pleasures, am called by the names
Of the Happiest Four in our Asolo!
See! Up the hill-side yonder, through the morning,
Some one shall love me, as the world calls love:
I am no less than Ottima, take warning!
The gardens, and the great stone house above,
And other house for shrubs, all glass in front,
Are mine; where Sebald steals, as he is wont,
To court me, while old Luca yet reposes:
And therefore, till the shrub-house door uncloses,
I . . . what now?give abundant cause for prate
About meOttima, I meanof late,
Too bold, too confident she'll still face down
The spitefullest of talkers in our town.
How we talk in the little town below!
But love, love, lovethere's better love, I know!
This foolish love was only day's first offer;
I choose my next love to defy the scoffer:
For do not our Bride and Bridegroom sally
Out of Possagno church at noon?
Their house looks over Orcana valley:
Why should not I be the bride as soon
As Ottima? For I saw, beside,
Arrive last night that little bride
Saw, if you call it seeing her, one flash
Of the pale snow-pure cheek and black bright tresses,
Blacker than all except the black eyelash;
I wonder she contrives those lids no dresses!
So strict was she, the veil
Should cover close her pale
Pure cheeksa bride to look at and scarce touch,
Scarce touch, remember, Jules! For are not such
Used to be tended, flower-like, every feature,
As if one's breath would fray the lily of a creature?
A soft and easy life these ladies lead:
Whiteness in us were wonderful indeed.
Oh, save that brow its virgin dimness,
Keep that foot its lady primness,
Let those ankles never swerve
From their exquisite reserve,
Yet have to trip along the streets like me,
All but naked to the knee!
How will she ever grant her Jules a bliss
So startling as her real first infant kiss?
Oh, nonot envy, this!
Not envy, sure!for if you gave me
Leave to take or to refuse,
In earnest, do you think I'd choose
That sort of new love to enslave me?
Mine should have lapped me round from the beginning;
As little fear of losing it as winning:
Lovers grow cold, men learn to hate their wives,
And only parents' love can last our lives.
At eve the Son and Mother, gentle pair,
Commune inside our turret: what prevents
My being Luigi? While that mossy lair
Of lizards through the winter-time is stirred
With each to each imparting sweet intents
For this new-year, as brooding bird to bird
(For I observe of late, the evening walk
Of Luigi and his mother, always ends
Inside our ruined turret, where they talk,
Calmer than lovers, yet more kind than friends)
Let me be cared about, kept out of harm,
And schemed for, safe in love as with a charm;
Let me be Luigi! If I only knew
What was my mother's facemy father, too!
Nay, if you come to that, best love of all
Is God's; then why not have God's love befall
Myself as, in the palace by the Dome,
Monsignor?who to-night will bless the home
Of his dead brother; and God bless in turn
That heart which beats, those eyes which mildly burn
With love for all men! I, to-night at least,
Would be that holy and beloved priest.
Now wait!even I already seem to share
In God's love: what does New-year's hymn declare?
What other meaning do these verses bear?
All service ranks the same with God:
If now, as formerly he trod
Paradise, his presence fills
Our earth, each only as God wills
Can workGod's puppets, best and worst,
Are we; there is no last nor first.
Say not "a small event!" Why "small"?
Costs it more pain that this, ye call
A "great event," should come to pass,
Than that? Untwine me from the mass
Of deeds which make up life, one deed
Power shall fall short in or exceed!
And more of it, and more of it!oh yes
I will pass each, and see their happiness,
And envy nonebeing just as great, no doubt,
Useful to men, and dear to God, as they!
A pretty thing to care about
So mightily, this single holiday!
But let the sun shine! Wherefore repine?
With thee to lead me, O Day of mine,
Down the grass path grey with dew,
Under the pine-wood, blind with boughs,
Where the swallow never flew
Nor yet cicala dared carouse
No, dared carouse!
[She enters the street]

~ Robert Browning, Introduction: Pippa Passes
264:See you the towers, that, gray and old,
Frown through the sunlight's liquid gold,
Steep sternly fronting steep?
The Hellespont beneath them swells,
And roaring cleaves the Dardanelles,
The rock-gates of the deep!
Hear you the sea, whose stormy wave,
From Asia, Europe clove in thunder?
That sea which rent a world, cannot
Rend love from love asunder!

In Hero's, in Leander's heart,
Thrills the sweet anguish of the dart
Whose feather flies from love.
All Hebe's bloom in Hero's cheek
And his the hunter's steps that seek
Delight, the hills above!
Between their sires the rival feud
Forbids their plighted hearts to meet;
Love's fruits hang over danger's gulf,
By danger made more sweet.

Alone on Sestos' rocky tower,
Where upward sent in stormy shower,
The whirling waters foam,
Alone the maiden sits, and eyes
The cliffs of fair Abydos rise
Afarher lover's home.
Oh, safely thrown from strand to strand,
No bridge can love to love convey;
No boatman shoots from yonder shore,
Yet Love has found the way.

That love, which could the labyrinth pierce
Which nerves the weak, and curbs the fierce,
And wings with wit the dull;
That love which o'er the furrowed land
Bowedtame beneath young Jason's hand
The fiery-snorting bull!
Yes, Styx itself, that ninefold flows,
Has love, the fearless, ventured o'er,
And back to daylight borne the bride,
From Pluto's dreary shore!

What marvel then that wind and wave,
Leander doth but burn to brave,
When love, that goads him, guides!
Still when the day, with fainter glimmer,
Wanes palehe leaps, the daring swimmer,
Amid the darkening tides;
With lusty arms he cleaves the waves,
And strikes for that dear strand afar;
Where high from Hero's lonely tower
Lone streams the beacon-star.

In vain his blood the wave may chill,
These tender arms can warm it still
And, weary if the way,
By many a sweet embrace, above
All earthly boonscan liberal love
The lover's toil repay,
Until Aurora breaks the dream,
And warns the loiterer to depart
Back to the ocean's icy bed,
Scared from that loving heart.

So thirty suns have sped their flight
Still in that theft of sweet delight
Exult the happy pair;
Caress will never pall caress,
And joys that gods might envy, bless
The single bride-night there.
Ah! never he has rapture known,
Who has not, where the waves are driven
Upon the fearful shores of hell,
Plucked fruits that taste of heaven!

Now changing in their season are,
The morning and the Hesper star;
Nor see those happy eyes
The leaves that withering droop and fall,
Nor hear, when, from its northern hall,
The neighboring winter sighs;
Or, if they see, the shortening days
But seem to them to close in kindness;
For longer joys, in lengthening nights,
They thank the heaven in blindness.

It is the time, when night and day,
In equal scales contend for sway
Lone, on her rocky steep,
Lingers the girl with wistful eyes
That watch the sun-steeds down the skies,
Careering towards the deep.
Lulled lay the smooth and silent sea,
A mirror in translucent calm,
The breeze, along that crystal realm,
Unmurmuring, died in balm.

In wanton swarms and blithe array,
The merry dolphins glide and play
Amid the silver waves.
In gray and dusky troops are seen,
The hosts that serve the ocean-queen,
Upborne from coral caves:
Theyonly theyhave witnessed love
To rapture steal its secret way:
And Hecate [36] seals the only lips
That could the tale betray!

She marks in joy the lulled water,
And Sestos, thus thy tender daughter,
Soft-flattering, woos the sea!
"Fair godand canst thou then betray?
No! falsehood dwells with them that say
That falsehood dwells with thee!
Ah! faithless is the race of man,
And harsh a father's heart can prove;
But thee, the gentle and the mild,
The grief of love can move!"

"Within these hated walls of stone,
Should I, repining, mourn alone,
And fade in ceaseless care,
But thou, though o'er thy giant tide,
Nor bridge may span, nor boat may glide,
Dost safe my lover bear.
And darksome is thy solemn deep,
And fearful is thy roaring wave;
But wave and deep are won by love
Thou smilest on the brave!"

"Nor vainly, sovereign of the sea,
Did Eros send his shafts to thee
What time the rain of gold,
Bright Helle, with her brother bore,
How stirred the waves she wandered o'er,
How stirred thy deeps of old!
Swift, by the maiden's charms subdued,
Thou cam'st from out the gloomy waves,
And in thy mighty arms, she sank
Into thy bridal caves."

"A goddess with a god, to keep
In endless youth, beneath the deep,
Her solemn ocean-court!
And still she smooths thine angry tides,
Tames thy wild heart, and favoring guides
The sailor to the port!
Beautiful Helle, bright one, hear
Thy lone adoring suppliant pray!
And guide, O goddessguide my love
Along the wonted way!"

Now twilight dims the waters' flow,
And from the tower, the beacon's glow
Waves flickering o'er the main.
Ah, where athwart the dismal stream,
Shall shine the beacon's faithful beam
The lover's eyes shall strain!
Hark! sounds moan threatening from afar
From heaven the blessed stars are gone
More darkly swells the rising sea
The tempest labors on!

Along the ocean's boundless plains
Lies nightin torrents rush the rains
From the dark-bosomed cloud
Red lightning skirs the panting air,
And, loosed from out their rocky lair,
Sweep all the storms abroad.
Huge wave on huge wave tumbling o'er,
The yawning gulf is rent asunder,
And shows, as through an opening pall,
Grim earththe ocean under!

Poor maiden! bootless wail or vow
"Have mercy, Jovebe gracious, thou!
Dread prayer was mine before!"
What if the gods have heardand he,
Lone victim of the stormy sea,
Now struggles to the shore!
There's not a sea-bird on the wave
Their hurrying wings the shelter seek;
The stoutest ship the storms have proved,
Takes refuge in the creek.

"Ah, still that heart, which oft has braved
The danger where the daring saved,
Love lureth o'er the sea;
For many a vow at parting morn,
That naught but death should bar return,
Breathed those dear lips to me;
And whirled around, the while I weep,
Amid the storm that rides the wave,
The giant gulf is grasping down
The rash one to the grave!

"False Pontus! and the calm I hailed,
The awaiting murder darkly veiled
The lulled pellucid flow,
The smiles in which thou wert arrayed,
Were but the snares that love betrayed
To thy false realm below!
Now in the midway of the main,
Return relentlessly forbidden,
Thou loosenest on the path beyond
The horrors thou hadst hidden."

Loud and more loud the tempest raves
In thunder break the mountain waves,
White-foaming on the rock
No ship that ever swept the deep
Its ribs of gnarled oak could keep
Unshattered by the shock.
Dies in the blast the guiding torch
To light the struggler to the strand;
'Tis death to battle with the wave,
And death no less to land!

On Venus, daughter of the seas,
She calls the tempest to appease
To each wild-shrieking wind
Along the ocean-desert borne,
She vows a steer with golden horn
Vain vowrelentless wind!
On every goddess of the deep,
On all the gods in heaven that be,
She callsto soothe in calm, awhile
The tempest-laden sea!

"Hearken the anguish of my cries!
From thy green halls, arisearise,
Leucothoe the divine!
Who, in the barren main afar,
Oft on the storm-beat mariner
Dost gently-saving shine.
Oh,reach to him thy mystic veil,
To which the drowning clasp may cling,
And safely from that roaring grave,
To shore my lover bring!"

And now the savage winds are hushing.
And o'er the arched horizon, blushing,
Day's chariot gleams on high!
Back to their wonted channels rolled,
In crystal calm the waves behold
One smile on sea and sky!
All softly breaks the rippling tide,
Low-murmuring on the rocky land,
And playful wavelets gently float
A corpse upon the strand!

'Tis he!who even in death would still
Not fail the sweet vow to fulfil;
She looksseesknows him there!
From her pale lips no sorrow speaks,
No tears glide down her hueless cheeks;
Cold-numbed in her despair
She looked along the silent deep,
She looked upon the brightening heaven,
Till to the marble face the soul
Its light sublime had given!

"Ye solemn powers men shrink to name,
Your might is here, your rights ye claim
Yet think not I repine
Soon closed my course; yet I can bless
The life that brought me happiness
The fairest lot was mine!
Living have I thy temple served,
Thy consecrated priestess been
My last glad offering now receive
Venus, thou mightiest queen!"

Flashed the white robe along the air,
And from the tower that beetled there
She sprang into the wave;
Roused from his throne beneath the waste,
Those holy forms the god embraced
A god himself their grave!
Pleased with his prey, he glides along
More blithe the murmured music seems,
A gush from unexhausted urns
His everlasting streams!

~ Friedrich Schiller, Hero And Leander
265: The Meditations of Mandavya
O joy of gaining all the soul's desire!
O stranger joy of the defeat and loss!
O heart that yearnest to uplift the world!
O fiercer heart that bendest over its pain
And drinkst the savour! I will love thee, O Love,
Naked or veiled or dreadfully disguised;
Not only when thou flatterest my heart
But when thou tearst it. Thy sweet pity I love
And mother's care for creatures, for the joys
I love thee that the lives of things possess,
And love thee for the torment of our pains;
Nor cry, as some, against thy will, nor say
Thou art not. Easy is the love that lasts
Only with favours in the shopman heart!
Who, smitten, takes and gives the kiss, he loves.
Blue-winged like turquoise, crimson-throated, beaked,
Enormous, fluttering over the garden wall
He came to me, some moments on a bough
Was perched, then flew away, leaving my heart
Enchanted. It was as if thou saidst, "Behold, my love,
How beautiful I am! To show thee this,
I came, my beauty. Now I flee away
Since thou hast seen and lov'st." So dealst thou always,
Luring and fleeing; but our hearts pursue.
While on a terrace hushed I walked at night,
He came and stung my foot. My soul surprised


Pondicherry, c. 1910 - 1920
Rejoiced in lover's contact; but the mind
Thought of a scorpion and was snared by forms.

Still, still my soul remembered its delight,
Denying mind, and midst the body's pain,
I laughed contented.
All is attained, attained! The pain is dead,
The striving. O thou joy that since this world
Began, wast waiting for me in thy lair.

O Wild Beast of the ways who torest my soul
With rapture felt as pain.

O cruelty divine! O pity fierce!
O timeless rapture of the nights that pass
Embraced, poignant and pure with Thy caress!
Humanity, acceptable I find
Thy ages that have wept out sweat and blood,
Since all was made to give its utter price
To one wild moment of thy hidden God.

Let the whole world end now, since all for which
It was created is fulfilled at last
And I am swallowed up in Thee, O God.
Who made of Nature here a tyrant? Who
Condemned us to be slaves? It was not God.

Nay, we ourselves chose our own servitude
And we ourselves have forged and heaped our chains
On our own members. God only watched the while
And mocked us sweetly at our childish task.

Then if He seized us helpless in our bonds,
Then if He played with us despite our cries
And answered with His dreadful laugh our wrath,
Ours was the fault who chose that bondage first,
Ours is the folly whom His play affrights

The Meditations of Mandavya


While all the time He tells us, "It is nought."
And now we say we never can be free,
For Nature binds us, for the fire must burn,
The water drown and death must seize his prey
And grief and torture do their will with us
And sin be like a lion with the world,
Because 'tis Nature. Man's not infinite,
The proof is with us every day, they cry,
And God Himself's a huge machine at last.

Yet over us all the while Thought's lightnings play
And all the while within us works His love.

Now more than when the play began, He laughs.
Now I believe that it is possible
To manage the arising clouds, to silence
The thunder when it roars and put our rein
Upon the lightnings. Only first within
The god we must coerce who wallows here
In love with his subjection and confined
By his own servants, wantonly enslaved
To every lure and every tempting bond.

And therefore man loves power, but power o'ercome,
Force that accepts its limits. Wherefore then
A limit? Why not dare the whole embrace,
The vast attraction? Let us risk extinction then
If by that venture immortality
And high omnipotence come near our grasp.

'Tis not the little rippling wayward seas,
Nor all huge ocean tumbled by its storms
That can be our exemplar. The vault of heaven
Is not a true similitude for man
Whose space outgyres thought's last horizon. Something
There is in us fears not the night beyond,
But breathless sails, unanchored, without helm,
Where mind and senses fail. Our naked soul


Pondicherry, c. 1910 - 1920
Can journey to the farther unshaped void
Where nothing is except ourselves, arrive, hold on,
Not shake, not ask return. Who accepts at last
His limit save the beast and plant and clod?
O to be perfect here, to exceed all bounds,
To feel the world a toy between our hands!
Yet now enough that I have seized one current
Of the tremendous Force that moves the world.

I know, O God, the day shall dawn at last
When man shall rise from playing with the mud
And taking in his hands the sun and stars
Remould appearance, law and process old.

Then, pain and discord vanished from the world,
Shall the dead wilderness accept the rose
And the hushed desert babble of its rills;
Man once more seem the image true of God.
I will not faint, O God. There is this thirst,
And thirst supposes water somewhere. Yes,
But in this life we may not ever find;
Old nature sits a phantom by the way,
Old passions may forbid, old doubts return.

Then are there other lives here or beyond
To satisfy us. I will persist, O Lord.
What is this Love that I have never found?
I have imagined in the skies a God,
And seen Him in the stirring of the leaves,
And heard Him in the purling of the brooks,
And feared Him in the lightning's flashing tusk,
And missed Him in the mute eternal night,
And woke to Him in the returning Dawns.

And now I say there is no God at all,

The Meditations of Mandavya
But only a dumb Void that belches forth
Numberless larvae and phantasmal shapes
Into a void less happy than itself
Because this feels. O if this dream were true,
This iron, brute, gigantic helpless toy
They call a world, this thing that turns and turns
And shrieks and bleeds and cannot stop, this victim
Broken and living yet on its own wheel,
And if a Will created this, what name
Shall best blaspheme against that tyrant God?
Let all men seek it out and hurl it up
Against Him with one cry, if yet perchance
Complete denial may destroy His life
With happy end to His unhappy world.

For where in all these stars is any sign of Love?
It is not here, but that which seems like Love
Is a sleek cruel cheat that soon unmasks,
Sent here to make the final suffering worse, -
Not Love, but Death disguised that strokes its food!
And all good in the world is only that.

A death that eats and eating is devoured,
This is the brutal image of the world.
Lo, I have cursed Thee, lo, I have denied
Thy love, Thy being. Strike me with Thy rod,
Convince me that Thou art. O leave it not
To Thy dumb messengers that have no heart,
No wrath in the attack, no angered love,
No exultation in the blow that falls,
The cry that answers. Let me feel a Heart,
Even though an evil one, that throbs and is
Against our tears, our pressure and our search.

Beware, for I will send my soul across the earth
And all men turn against Thee at my word.

There is no sign, there comes not any voice.

And yet, alas! I know He will return



Pondicherry, c. 1910 - 1920
And He will soo the my wounds and charm my heart;
I shall again forgive, again shall love,
Again shall suffer, be again deceived.

And where is any end, O Heaven, O Earth?
But there is never any end when one has loved.
A sudden silence and a sudden sound,
The sound above and in another world,
The silence here; and from the two a thought.

Perhaps the heart of God for ever sings
And worlds come throbbing out from every note;
Perhaps His soul sits ever calm and still
And listens to the music rapturously,
Himself adoring, by Himself adored.

So were the singer and the hearer one
Eternally. The anthem buoyant rides
For ever on the seas of Space and Time
And worships the white Bliss from which 'twas born;
The ineffable Delight leans silent down
And clasps the creatures of its mystic cry
For ever and for ever without end.
Who art thou that pursuest my desire
Like a wild beast behind the jungle's screen
And throw'st a dread upon its fiercest fire,
A shadow on its flowering joy and green?
Thou madest and deniest me my need,
Thou jealous Lover and devouring Greed!

Who spoke of God? There is a hungry Beast
In ambush for the world who all devours,
Yet is his hunger sated not the least.

He tears our beauty, strength and happiest hours,
And eats our flesh and drinks our blood and tears,

The Meditations of Mandavya


Ranging as in a thicket through the years.
Dost thou desire my last vain hope? Take it, rejoice!
Wilt thou exact my dying bliss? Tear it and end!
But give me this at least, dying, to hear thy voice
By thee as foeman slain if never clasped as friend.
Foeman or friend, lover or slayer, only thee
I need and feel, O personal Eternity.
If what thou gavest, thou must needs again exact,
Cancel thy forms, deny thy own accomplished fact,
With what wilt thou replace them? Is thy nameless void
Embraceable by arms? Or can the soul upbuoyed
Rest on a shoreless emptiness without a name?
Can Love find rapture by renouncing all his flame?
Thou hast forgotten or our nature is misled.

Lur'st thou to utter life beyond the silence dead?

Not sound, nor silence, neither world nor void,
But the unthinkable, absolute, unalloyed
One, multitudinous, nameless, yet a Name,
Innumerably other, yet the same.

Immeasurable ecstasy where Time
And Space have fainted in a swoon sublime!

Of silence I have tired, from the profounder Night
I come rejected. All the immensities overhead
Are given to my fierce upwinging soul at last
Rapt into high impossible ranges huge outspread.

Unnumbered voices thrill the silent waiting Vast,
A million flames converge into the rayless Light.

~ Sri Aurobindo, - The Meditations of Mandavya
266:Fragmentary Scenes From The Road To Avernus
Scene I
I said to young Allan M'Ilveray,
Beside the swift swirls of the North,
When, in lilac shot through with a silver ray,
We haul'd the strong salmon fish forth
Said only, 'He gave us some trouble
To land him, and what does he weigh?
Our friend has caught one that weighs double,
The game for the candle won't pay
Us to-day,
We may tie up our rods and away.'
I said to old Norman M'Gregor,
Three leagues to the west of Glen Dhu
I had drawn, with a touch of the trigger,
The best BEAD that ever I drew
Said merely, 'For birds in the stubble
I once had an eye-I could swear
He's down-but he's not worth the trouble
Of seeking. You once shot a bear
In his lair'Tis only a buck that lies there.'
I said to Lord Charles only last year,
The time that we topp'd the oak rail
Between Wharton's plough and Whynne's pasture,
And clear'd the big brook in Blakesvale
We only-at Warburton's double
He fell, then I finish'd the run
And kill'd clean-said, 'So bursts a bubble
That shone half an hour in the sun
What is won?
Your sire clear'd and captured a gun.'
I said to myself, in true sorrow,
I said yestere'en, 'A fair prize
Is won, and it may be to-morrow
'Twill not seem so fair in thine eyes
Real life is a race through sore trouble,
That gains not an inch on the goal,
And bliss an intangible bubble
That cheats an unsatisfied soul,
And the whole
Of the rest an illegible scroll.'
Scene VII
'Two Exhortations'
A Shooting-box in the West of Ireland. A Bedchamber.
Surely in the great beginning God made all things good, and still
That soul-sickness men call sinning entered not without His will.
Nay, our wisest have asserted that, as shade enhances light,
Evil is but good perverted, wrong is but the foil of right.
Banish sickness, then you banish joy for health to all that live;
Slay all sin, all good must vanish, good being but comparative.
Sophistry, you say-yet listen: look you skyward, there 'tis known
Worlds on worlds in myriads glisten-larger, lovelier than our own
This has been, and this still shall be, here as there, in sun or star;
These things are to be and will be, those things were to be and are.
Man in man's imperfect nature is by imperfection taught:
Add one cubit to your stature if you can by taking thought.
Thus you would not teach that peasant, though he calls you 'father'.
Melchior: True,
I should magnify this present, mystify that future, too
We adapt our conversation always to our hearer's light.
I am not of your persuasion.
Melchior: Yet the difference is but slight.
I, EVEN I, say, 'He who barters worldly weal for heavenly worth
He does well'-your saints and martyrs were examples here on earth.
Aye, in earlier Christian ages, while the heathen empire stood,
When the war 'twixt saints and sages cried aloud for saintly blood,
Christ was then their model truly. Now, if all were meek and pure,
Save the ungodly and the unruly, would the Christian Church endure?
Shall the toiler or the fighter dream by day and watch by night,
Turn the left cheek to the smiter, smitten rudely on the right?
Strong men must encounter bad men-so-called saints of latter days
Have been mostly pious madmen, lusting after righteous praise
Or the thralls of superstition, doubtless worthy some reward,
Since they came by their condition hardly of their free accord.
'Tis but madness, sad and solemn, that these fakir-Christians feel
Saint Stylites on his column gratified a morbid zeal.
By your showing, good is really on a par (of worth) with ill.
Nay, I said not so; I merely tell you both some ends fulfil
Priestly vows were my vocation, fast and vigil wait for me.
You must work and face temptation. Never should the strong man flee,
Though God wills the inclination with the soul at war to be. (Pauses.)
In the strife 'twixt flesh and spirit, while you can the spirit aid.
Should you fall not less your merit, be not for a fall afraid.
Whatsoe'er most right, most fit is you shall do. When all is done
Chaunt the noble Nunc Dimittis-Benedicimur, my son.
Laurence (alone):
Why do I provoke these wrangles? Melchior talks (as well he may)
With the tongues of men and angels.
(Takes up a pamphlet.) What has this man got to say?
(Reads.) Sic sacerdos fatur (ejus nomen quondam erat Burgo.)
Mala mens est, caro pejus, anima infirma, ergo
I nunc, ora, sine mora-orat etiam Sancta Virgo.
(Speaks.) So it seems they mean to make her wed the usurer, Nathan Lee.
Poor Estelle! her friends forsake her; what has this to do with me?
Glad I am, at least, that Helen still refuses to discard
Her, through tales false gossips tell
in spite or heedlessness.-'Tis hard!
Lee, the Levite!-some few years back Herbert horsewhipp'd him-the cur
Show'd his teeth and laid his ears back. Now his wealth has purchased her.
Must his baseness mar her brightness? Shall the callous, cunning churl
Revel in the rosy whiteness of that golden-headed girl?
(Thinks and smokes.)
(Reads.) Cito certe venit vitae finis (sic sacerdos fatur),
Nunc audite omnes, ite, vobis fabula narratur
Nunc orate et laudate, laudat etiam Alma Mater.
(Muses.) Such has been, and such shall still be,
here as there, in sun or star;
These things are to be and will be, those things were to be and are.
If I thought that speech worth heeding I should-Nay, it seems to me
More like Satan's special pleading than like Gloria Domine.
(Lies down on his couch.)
(Reads.) Et tuquoque frater meus facta mala quod fecisti
Denique confundit Deus omnes res quas tetegisti.
Nunc si unquam, nunc aut nunquam, sanguine adjuro Christi.
Scene IX
'In the Garden'
Aylmer's Garden, near the Lake. LAURENCE RABY and ESTELLE.
Come to the bank where the boat is moor'd to the willow-tree low;
Bertha, the baby, won't notice, Brian, the blockhead, won't know.
Bertha is not such a baby, sir, as you seem to suppose;
Brian, a blockhead he may be, more than you think for he knows.
This much, at least, of your brother, from the beginning he knew
Somewhat concerning that other made such a fool of by you.
Firmer those bonds were and faster, Frank was my spaniel, my slave.
You! you would fain be my master; mark you! the difference is grave.
Call me your spaniel, your starling, take me and treat me as these,
I would be anything, darling! aye, whatsoever you please.
Brian and Basil are 'punting', leave them their dice and their wine,
Bertha is butterfly hunting, surely one hour shall be mine.
See, I have done with all duty; see, I can dare all disgrace,
Only to look at your beauty, feasting my eyes on your face.
Look at me, aye, till your eyes ache! How, let me ask, will it end?
Neither for your sake, nor my sake, but for the sake of my friend?
Is she your friend then? I own it, this is all wrong, and the rest,
Frustra sed anima monet, caro quod fortius est.
Not quite so close, Laurence Raby, not with your arm round my waist;
Something to look at I may be, nothing to touch or to taste.
Wilful as ever and wayward; why did you tempt me, Estelle?
You misinterpret each stray word, you for each inch take an ell.
Lightly all laws and ties trammel me, I am warn'd for all that.
He (aside):
Perhaps she will swallow her camel when she has strained at her gnat.
Therefore take thought and consider, weigh well, as I do, the whole,
You for mere beauty a bidder, say, would you barter a soul?
Girl! THAT MAY happen, but THIS IS; after this welcome the worst;
Blest for one hour by your kisses, let me be evermore curs'd.
Talk not of ties to me reckless, here every tie I discard
Make me your girdle, your necklace
She: Laurence, you kiss me too hard.
Aye, 'tis the road to Avernus, n'est ce pas vrai donc, ma belle?
There let them bind us or burn us, mais le jeu vaut la chandelle.
Am I your lord or your vassal? Are you my sun or my torch?
You, when I look at you, dazzle, yet when I touch you, you scorch.
Yonder are Brian and Basil watching us fools from the porch.
Scene X
'After the Quarrel'
Laurence Raby's Chamber. LAURENCE enters, a little the worse for liquor.
He never gave me a chance to speak,
And he call'd her-worse than a dog
The girl stood up with a crimson cheek,
And I fell'd him there like a log.
I can feel the blow on my knuckles yet
He feels it more on his brow.
In a thousand years we shall all forget
The things that trouble us now.
Scene XI
'Ten Paces Off'
I've won the two tosses from Prescot;
Now hear me, and hearken and heed,
And pull that vile flower from your waistcoat,
And throw down that beast of a weed;
I'm going to give you the signal
I gave Harry Hunt at Boulogne,
The morning he met Major Bignell,
And shot him as dead as a stone;
For he must look round on his right hand
To watch the white flutter-that stops
His aim, for it takes off his sight, and
And you keep both eyes on his figure,
Old fellow, and don't take them off.
You've got the sawhandled hair trigger
You sight him and shoot when I cough.
Laurence (aside):
Though God will never forgive me,
Though men make light of my name,
Though my sin and my shame outlive me,
I shall not outlast my shame.
The coward, does he mean to miss me?
His right hand shakes like a leaf;
Shall I live for my friends to hiss me,
Of fools and of knaves the chief?
Shall I live for my foes to twit me?
He has master'd his nerve again
He is firm, he will surely hit me
Will he reach the heart or the brain?
One long look eastward and northward
One prayer-'Our Father which art'
And the cough chimes in with the fourth word,
And I shoot skyward-the heart.
Last Scene
Where the grave-deeps rot, where the grave-dews rust,
They dug, crying, 'Earth to earth'
Crying, 'Ashes to ashes and dust to dust'
And what are my poor prayers worth?
Upon whom shall I call, or in whom shall I trust,
Though death were indeed new birth.
And they bid me be glad for my baby's sake
That she suffered sinless and young
Would they have me be glad when my breasts still ache
Where that small, soft, sweet mouth clung?
I am glad that the heart will so surely break
That has been so bitterly wrung.
He was false, they tell me, and what if he were?
I can only shudder and pray,
Pouring out my soul in a passionate prayer
For the soul that he cast away;
Was there nothing that once was created fair
In the potter's perishing clay?
Is it well for the sinner that souls endure?
For the sinless soul is it well?
Does the pure child lisp to the angels pure?
And where does the strong man dwell,
If the sad assurance of priests be sure,
Or the tale that our preachers tell?
The unclean has follow'd the undefiled,
And the ill MAY regain the good,
And the man MAY be even as the little child!
We are children lost in the wood
Lord! lead us out of this tangled wild,
Where the wise and the prudent have been beguil'd,
And only the babes have stood.
~ Adam Lindsay Gordon,
She stood at Greenwich, motionless amid
The ever-shifting crowd of passengers.
I marked a big tear quivering on the lid
Of her deep-lustrous eye, and knew that hers
Were days of bitterness. But, 'Oh! what stirs'
I said 'such storm within so fair a breast?'
Even as I spoke, two apoplectic curs
Came feebly up: with one wild cry she prest
Each singly to her heart, and faltered, 'Heaven be blest!'
Yet once again I saw her, from the deck
Of a black ship that steamed towards Blackwall.
She walked upon MY FIRST. Her stately neck
Bent o'er an object shrouded in her shawl:
I could not see the tears--the glad tears--fall,
Yet knew they fell. And 'Ah,' I said, 'not puppies,
Seen unexpectedly, could lift the pall
From hearts who KNOW what tasting misery's cup is,
As Niobe's, or mine, or Mr. William Guppy's.'
Spake John Grogblossom the coachman to Eliza Spinks the cook:
'Mrs. Spinks,' says he, 'I've foundered: 'Liza dear, I'm overtook.
Druv into a corner reglar, puzzled as a babe unborn;
Speak the word, my blessed 'Liza; speak, and John the coachman's yourn.'
Then Eliza Spinks made answer, blushing, to the coachman John:
'John, I'm born and bred a spinster: I've begun and I'll go on.
Endless cares and endless worrits, well I knows it, has a wife:
Cooking for a genteel family, John, it's a goluptious life!
'I gets 20 pounds per annum--tea and things o' course not reckoned, There's a cat that eats the butter, takes the coals, and breaks MY
There's soci'ty--James the footman;--(not that I look after him;
But he's aff'ble in his manners, with amazing length of limb -
'Never durst the missis enter here until I've said 'Come in':
If I saw the master peeping, I'd catch up the rolling-pin.
Christmas-boxes, that's a something; perkisites, that's something too;
And I think, take all together, John, I won't be on with you.'
John the coachman took his hat up, for he thought he'd had enough;
Rubbed an elongated forehead with a meditative cuff;
Paused before the stable doorway; said, when there, in accents mild,
'She's a fine young 'oman, cook is; but that's where it is, she's
I have read in some not marvellous tale,
(Or if I have not, I've dreamed)
Of one who filled up the convivial cup
Till the company round him seemed
To be vanished and gone, tho' the lamps upon
Their face as aforetime gleamed:
And his head sunk down, and a Lethe crept
O'er his powerful brain, and the young man slept.
Then they laid him with care in his moonlit bed:
But first--having thoughtfully fetched some tar Adorned him with feathers, aware that the weather's
Uncertainty brings on at nights catarrh.
They staid in his room till the sun was high:
But still did the feathered one give no sign
Of opening a peeper--he might be a sleeper
Such as rests on the Northern or Midland line.
At last he woke, and with profound
Bewilderment he gazed around;
Dropped one, then both feet to the ground,
But never spake a word:
Then to my WHOLE he made his way;
Took one long lingering survey;
And softly, as he stole away,
Remarked, 'By Jove, a bird!'
If you've seen a short man swagger tow'rds the footlights at Shoreditch,
Sing out 'Heave aho! my hearties,' and perpetually hitch
Up, by an ingenious movement, trousers innocent of brace,
Briskly flourishing a cudgel in his pleased companion's face;
If he preluded with hornpipes each successive thing he did,
From a sun-browned cheek extracting still an ostentatious quid;
And expectorated freely, and occasionally cursed:Then have you beheld, depicted by a master's hand, MY FIRST.
O my countryman! if ever from thy arm the bolster sped,
In thy school-days, with precision at a young companion's head;
If 'twas thine to lodge the marble in the centre of the ring,
Or with well-directed pebble make the sitting hen take wing:
Then do thou--each fair May morning, when the blue lake is as glass,
And the gossamers are twinkling star-like in the beaded grass;
When the mountain-bee is sipping fragrance from the bluebell's lip,
And the bathing-woman tells you, Now's your time to take a dip:
When along the misty valleys fieldward winds the lowing herd,
And the early worm is being dropped on by the early bird;
And Aurora hangs her jewels from the bending rose's cup,
And the myriad voice of Nature calls thee to MY SECOND up:Hie thee to the breezy common, where the melancholy goose
Stalks, and the astonished donkey finds that he is really loose;
There amid green fern and furze-bush shalt thou soon MY WHOLE behold,
Rising 'bull-eyed and majestic'--as Olympus queen of old:
Kneel,--at a respectful distance,--as they kneeled to her, and try
With judicious hand to put a ball into that ball-less eye:
Till a stiffness seize thy elbows, and the general public wake Then return, and, clear of conscience, walk into thy well-earned steak.
Ere yet 'knowledge for the million'
Came out 'neatly bound in boards;'
When like Care upon a pillion
Matrons rode behind their lords:
Rarely, save to hear the Rector,
Forth did younger ladies roam;
Making pies, and brewing nectar
From the gooseberry-trees at home.
They'd not dreamed of Pan or Vevay;
Ne'er should into blossom burst
At the ball or at the levee;
Never come, in fact, MY FIRST:
Nor illumine cards by dozens
With some labyrinthine text,
Nor work smoking-caps for cousins
Who were pounding at MY NEXT.
Now have skirts, and minds, grown ampler;
Now not all they seek to do
Is create upon a sampler
Beasts which Buffon never knew:
But their venturous muslins rustle
O'er the cragstone and the snow,
Or at home their biceps muscle
Grows by practising the bow.
Worthier they those dames who, fable
Says, rode 'palfreys' to the war
With gigantic Thanes, whose 'sable
Destriers caracoled' before;
Smiled, as--springing from the war-horse
As men spring in modern 'cirques' They plunged, ponderous as a four-horse
Coach, among the vanished Turks:In the good times when the jester
Asked the monarch how he was,
And the landlady addrest her
Guests as 'gossip' or as 'coz';
When the Templar said, 'Gramercy,'
Or, ''Twas shrewdly thrust, i' fegs,'
To Sir Halbert or Sir Percy
As they knocked him off his legs:
And, by way of mild reminders
That he needed coin, the Knight
Day by day extracted grinders
From the howling Israelite:
And MY WHOLE in merry Sherwood
Sent, with preterhuman luck,
Missiles--not of steel but firwood Thro' the two-mile-distant buck.
Evening threw soberer hue
Over the blue sky, and the few
Poplars that grew just in the view
Of the hall of Sir Hugo de Wynkle:
'Answer me true,' pleaded Sir Hugh,
(Striving to woo no matter who,)
'What shall I do, Lady, for you?
'Twill be done, ere your eye may twinkle.
Shall I borrow the wand of a Moorish enchanter,
And bid a decanter contain the Levant, or
The brass from the face of a Mormonite ranter?
Shall I go for the mule of the Spanish Infantar (That _R_, for the sake of the line, we must grant her,) And race with the foul fiend, and beat in a canter,
Like that first of equestrians Tam o' Shanter?
I talk not mere banter--say not that I can't, or
By this MY FIRST--(a Virginia planter
Sold it me to kill rats)--I will die instanter.'
The Lady bended her ivory neck, and
Whispered mournfully, 'Go for--MY SECOND.'
She said, and the red from Sir Hugh's cheek fled,
And 'Nay,' did he say, as he stalked away
The fiercest of injured men:
'Twice have I humbled my haughty soul,
And on bended knee I have pressed MY WHOLE But I never will press it again!'
On pinnacled St. Mary's
Lingers the setting sun;
Into the street the blackguards
Are skulking one by one:
Butcher and Boots and Bargeman
Lay pipe and pewter down;
And with wild shout come tumbling out
To join the Town and Gown.
And now the undergraduates
Come forth by twos and threes,
From the broad tower of Trinity,
From the green gate of Caius:
The wily bargeman marks them,
And swears to do his worst;
To turn to impotence their strength,
And their beauty to MY FIRST.
But before Corpus gateway
MY SECOND first arose,
When Barnacles the freshman
Was pinned upon the nose:
Pinned on the nose by Boxer,
Who brought a hobnailed herd
From Barnwell, where he kept a van,
Being indeed a dogsmeat man,
Vendor of terriers, blue or tan,
And dealer in MY THIRD.
'Twere long to tell how Boxer
Was 'countered' on the cheek,
And knocked into the middle
Of the ensuing week:
How Barnacles the Freshman
Was asked his name and college;
And how he did the fatal facts
Reluctantly acknowledge.
He called upon the Proctor
Next day at half-past ten;
Men whispered that the Freshman cut
A different figure then:That the brass forsook his forehead,
The iron fled his soul,
As with blanched lip and visage wan
Before the stony-hearted Don
He kneeled upon MY WHOLE.
Sikes, housebreaker, of Houndsditch,
Habitually swore;
But so surpassingly profane
He never was before,
As on a night in winter,
When--softly as he stole
In the dim light from stair to stair,
Noiseless as boys who in her lair
Seek to surprise a fat old hare He barked his shinbone, unaware
Encountering MY WHOLE.
As pours the Anio plainward,
When rains have swollen the dykes,
So, with such noise, poured down MY FIRST,
Stirred by the shins of Sikes.
The Butler Bibulus heard it;
And straightway ceased to snore,
And sat up, like an egg on end,
While men might count a score:
Then spake he to Tigerius,
A Buttons bold was he:
'Buttons, I think there's thieves about;
Just strike a light and tumble out;
If you can't find one, go without,
And see what you may see.'
But now was all the household,
Almost, upon its legs,
Each treading carefully about
As if they trod on eggs.
With robe far-streaming issued
Paterfamilias forth;
And close behind him,--stout and true
And tender as the North, Came Mrs. P., supporting
On her broad arm her fourth.
Betsy the nurse, who never
From largest beetle ran,
And--conscious p'raps of pleasing caps The housemaids, formed the van:
And Bibulus the Butler,
His calm brows slightly arched;
(No mortal wight had ere that night
Seen him with shirt unstarched
And Bob, the shockhaired knifeboy,
Wielding two Sheffield blades,
And James Plush of the sinewy legs,
The love of lady's maids:
And charwoman and chaplain
Stood mingled in a mass,
And 'Things,' thought he of Houndsditch,
'Is come to a pretty pass.'
Beyond all things a Baby
Is to the schoolgirl dear;
Next to herself the nursemaid loves
Her dashing grenadier;
Only with life the sailor
Parts from the British flag;
While one hope lingers, the cracksman's fingers
Drop not his hard-earned 'swag.'
But, as hares do MY SECOND
Thro' green Calabria's copses,
As females vanish at the sight
Of short-horns and of wopses;
So, dropping forks and teaspoons,
The pride of Houndsditch fled,
Dumbfoundered by the hue and cry
He'd raised up overhead.
They gave him--did the Judges As much as was his due.
And, Saxon, should'st thou e'er be led
To deem this tale untrue;
Then--any night in winter,
When the cold north wind blows,
And bairns are told to keep out cold
By tallowing the nose:
When round the fire the elders
Are gathered in a bunch,
And the girls are doing crochet,
And the boys are reading Punch:Go thou and look in Leech's book;
There haply shalt thou spy
A stout man on a staircase stand,
With aspect anything but bland,
And rub his right shin with his hand,
To witness if I lie.
~ Charles Stuart Calverley,
268:Custer: Book Third
As in the long dead days marauding hosts
Of Indians came from far Siberian coasts,
And drove the peaceful Aztecs from their grounds,
Despoiled their homes (but left their tell-tale mounds),
So has the white man with the Indians done.
Now with their backs against the setting sun
The remnants of a dying nation stand
And view the lost domain, once their beloved land.
Upon the vast Atlantic's leagues of shore
The happy red man's tent is seen no more;
And from the deep blue lakes which mirror heaven
His bounding bark canoe was long since driven.
The mighty woods, those temples where his God
Spoke to his soul, are leveled to the sod;
And in their place tall church spires point above,
While priests proclaim the law of Christ, the King of Love.
The avaricious and encroaching rail
Seized the wide fields which knew the Indians' trail.
Back to the reservations in the West
The native owners of the land were pressed,
And selfish cities, harbingers of want,
Shut from their vision each accustomed haunt.
Yet hungry Progress, never satisfied,
Gazed on the western plains, and gazing, longed and sighed.
As some strange bullock in a pasture field
Compels the herds to fear him, and to yield
The juicy grass plots and the cooling shade
Until, despite their greater strength, afraid,
They huddle in some corner spot and cower
Before the monarch's all controlling power,
So has the white man driven from its place
By his aggressive greed, Columbia's native race.
Yet when the bull pursues the herds at bay,
Incensed they turn, and dare dispute his sway.
And so the Indians turned, when men forgot
Their sacred word, and trespassed on the spot,
The lonely little spot of all their lands,
The reservation of the peaceful bands.
But lust for gold all conscience kills in man,
'Gold in the Black Hills, gold!' the cry arose and ran
From lip to lip, as flames from tree to tree
Leap till the forest is one fiery sea,
And through the country surged that hot unrest
Which thirst for riches wakens in the breast.
In mighty throngs the fortune hunters came,
Despoiled the red man's lands and slew his game,
Broke solemn treaties and defied the law.
And all these ruthless acts the Nation knew and saw.
Man is the only animal that kills
Just for the wanton love of slaughter; spills
The blood of lesser things to see it flow;
Lures like a friend, to murder like a foe
The trusting bird and beast; and, coward like,
Deals covert blows he dare not boldly strike.
The brutes have finer souls, and only slay
When torn by hunger's pangs, or when to fear a prey.
The pale-faced hunter, insolent and bold,
Pursued the bison while he sought for gold.
And on the hungry red man's own domains
He left the rotting and unused remains
To foul with sickening stench each passing wind
And rouse the demon in the savage mind,
Save in the heart where virtues dominate
Injustice always breeds its natural offspring-hate.
The chieftain of the Sioux, great Sitting Bull,
Mused o'er their wrongs, and felt his heart swell full
Of bitter vengeance. Torn with hate's unrest
He called a council and his braves addressed.
'From fair Wisconsin's shimmering lakes of blue
Long years ago the white man drove the Sioux.
Made bold by conquest, and inflamed by greed,
He still pursues our tribes, and still our ranks recede.
'Fair are the White Chief's promises and words,
But dark his deeds who robs us of our herds.
He talks of treaties, asks the right to buy,
Then takes by force, not waiting our reply.
He grants us lands for pastures and abodes
To devastate them by his iron roads.
But now from happy Spirit Lands, a friend
Draws near the hunted Sioux, to strengthen and defend.
'While walking in the fields I saw a star;
Unconsciously I followed it afarIt led me on to valleys filled with light,
Where danced our noble chieftains slain in fight.
Black Kettle, first of all that host I knew,
He whom the strong armed Custer foully slew.
And then a spirit took me by the hand,
The Great Messiah King who comes to free the land.
'Suns were his eyes, a speaking tear his voice,
Whose rainbow sounds made listening hearts rejoice
And thus he spake: 'The red man's hour draws near
When all his lost domains shall reappear.
The elk, the deer, the bounding antelope,
Shall here return to grace each grassy slope.'
He waved his hand above the fields, and lo!
Down through the valleys came a herd of buffalo.
'The wondrous vision vanished, but I knew
That Sitting Bull must make the promise true.
Great Spirits plan what mortal man achieves,
The hand works magic when the heart believes.
Arouse, ye braves! let not the foe advance.
Arm for the battle and begin the danceThe sacred dance in honor of our slain,
Who will return to earth, ere many moons shall wane.'
Thus Sitting Bull, the chief of wily knaves,
Worked on the superstitions of his braves.
Mixed truth with lies; and stirred to mad unrest
The warlike instinct in each savage breast.
A curious product of unhappy times,
The natural offspring of unnumbered crimes,
He used low cunning and dramatic arts
To startle and surprise those crude untutored hearts.
Out from the lodges pour a motley throng,
Slow measures chanting of a dirge-like song.
In one great circle dizzily they swing,
A squaw and chief alternate in the ring.
Coarse raven locks stream over robes of white,
Their deep set orbs emit a lurid light,
And as through pine trees moan the winds refrains,
So swells and dies away, the ghostly graveyard strains.
Like worded wine is music to the ear,
And long indulged makes mad the hearts that hear.
The dancers, drunken with the monotone
Of oft repeated notes, now shriek and groan
And pierce their ruddy flesh with sharpened spears;
Still more excited when the blood appears,
With warlike yells, high in the air they bound,
Then in a deathlike trance fall prostrate on the ground.
They wake to tell weird stories of the dead,
While fresh performers to the ring are led.
The sacred nature of the dance is lost,
War is their cry, red war, at any cost.
Insane for blood they wait for no command,
But plunge marauding through the frightened land.
Their demon hearts on devils' pleasures bent,
For each new foe surprised, new torturing deaths invent.
Staked to the earth one helpless creature lies,
Flames at his feet and splinters in his eyes.
Another groans with coals upon his breast,
While 'round the pyre the Indians dance and jest.
A crying child is brained upon a tree,
The swooning mother saved from death, to be
The slave and plaything of a filthy knave,
Whose sins would startle hell, whose clay defile a grave.
Their cause was right, their methods all were wrong.
Pity and censure both to them belong.
Their woes were many, but their crimes were more.
The soulless Satan holds not in his store
Such awful tortures as the Indians' wrath
Keeps for the hapless victim in his path.
And if the last lone remnants of that race
Were by the white man swept from off the earth's fair face,
Were every red man slaughtered in a day,
Still would that sacrifice but poorly pay
For one insulted woman captive's woes.
Again great Custer in his strength arose,
More daring, more intrepid than of old.
The passing years had touched and turned to gold
The ever widening aureole of fame
That shone upon his brow, and glorified his name.
Wise men make laws, then turn their eyes away,
While fools and knaves ignore them day by day;
And unmolested, fools and knaves at length
Induce long wars which sap a country's strength.
The sloth of leaders, ruling but in name,
Has dragged full many a nation down to shame.
A word unspoken by the rightful lips
Has dyed the land with blood, and blocked the sea with ships.
The word withheld, when Indians asked for aid,
Came when the red man started on his raid.
What Justice with a gesture might have done
Was left for noisy war with bellowing gun.
And who save Custer and his gallant men
Could calm the tempest into peace again?
What other hero in the land could hope
With Sitting Bull, the fierce and lawless one to cope?
What other warrior skilled enough to dare
Surprise that human tiger in his lair?
Sure of his strength, unconscious of his fame
Out from the quiet of the camp he came;
And stately as Diana at his side
Elizabeth, his wife and alway bride,
And Margaret, his sister, rode apace;
Love's clinging arms he left to meet death's cold embrace.
As the bright column wound along its course,
The smiling leader turned upon his horse
To gaze with pride on that superb command.
Twelve hundred men, the picked of all the land,
Innured to hardship and made strong by strife
Their lithe limbed bodies breathed of out-door life;
While on their faces, resolute and brave,
Hope stamped its shining seal, although their thoughts were grave.
The sad eyed women halted in the dawn,
And waved farewell to dear ones riding on.
The modest mist picked up her robes and ran
Before the Sun god's swift pursuing van.
And suddenly there burst on startled eyes,
The sight of soldiers, marching in the skies;
That phantom host, a phantom Custer led;
Mirage of dire portent, forecasting days ahead.
The soldiers' children, flaunting mimic flags,
Played by the roadside, striding sticks for nags.
Their mothers wept, indifferent to the crowd
Who saw their tears and heard them sob aloud.
Old Indian men and squaws crooned forth a rhyme
Sung by their tribes from immemorial time;
And over all the drums' incessant beat
Mixed with the scout's weird rune, and tramp of myriad feet.
So flawless was the union of each part
The mighty column (moved as by one heart)
Pulsed through the air, like some sad song well sung,
Which gives delight, although the soul is wrung.
Farther and fainter to the sight and sound
The beautiful embodied poem wound;
Till like a ribbon, stretched across the land
Seemed the long narrow line of that receding band.
The lot of those who in the silence wait
Is harder than the fighting soldiers' fate.
Back to the lonely post two women passed,
With unaccustomed sorrow overcast.
Two sad for sighs, too desolate for tears,
The dark forebodings of long widowed years
In preparation for the awful blow
Hung on the door of hope the sable badge of woe.
Unhappy Muse! for thee no song remains,
Save the sad miséréré of the plains.
Yet though defeat, not triumph, ends the tale,
Great victors sometimes are the souls that fail.
All glory lies not in the goals we reach,
But in the lessons which our actions teach.
And he who, conquered, to the end believes
In God and in himself, though vanquished, still achieves.
Ah, grand as rash was that last fatal raid
The little group of daring heroes made.
Two hundred and two score intrepid men
Rode out to war; not one came back again.
Like fiends incarnate from the depths of hell
Five thousand foemen rose with deafening yell,
And swept that vale as with a simoon's breath,
But like the gods of old, each martyr met his death.
Like gods they battled and like gods they died.
Hour following hour that little band defied
The hordes of red men swarming o'er the plain,
Till scarce a score stood upright 'mid the slain.
Then in the lull of battle, creeping near,
A scout breathed low in Custer's listening ear:
'Death lies before, dear life remains behind
Mount thy sure-footed steed, and hasten with the wind.'
A second's silence. Custer dropped his head,
His lips slow moving as when prayers are saidTwo words he breathed-'God and Elizabeth,'
Then shook his long locks in the face of death,
And with a final gesture turned away
To join that fated few who stood at bay.
Ah! deeds like that the Christ in man reveal
Let Fame descend her throne at Custer's shrine to kneel.
Too late to rescue, but in time to weep,
His tardy comrades came. As if asleep
He lay, so fair, that even hellish hate
Withheld its hand and dared not mutilate.
By fiends who knew not honor, honored still,
He smiled and slept on that far western hill.
Cast down thy lyre, oh Muse! thy song is done!
Let tears complete the tale of him who failed, yet won.
~ Ella Wheeler Wilcox,

As I lay asleep in Italy
There came a voice from over the Sea,
And with great power it forth led me
To walk in the visions of Poesy.

I met Murder on the way
He had a mask like Castlereagh
Very smooth he looked, yet grim;
Seven blood-hounds followed him:

All were fat; and well they might
Be in admirable plight,
For one by one, and two by two,
He tossed them human hearts to chew
Which from his wide cloak he drew.

Next came Fraud, and he had on,
Like Eldon, an ermined gown;
His big tears, for he wept well,
Turned to mill-stones as they fell.

And the little children, who
Round his feet played to and fro,
Thinking every tear a gem,
Had their brains knocked out by them.

Clothed with the Bible, as with light,
And the shadows of the night,
Like Sidmouth, next, Hypocrisy
On a crocodile rode by.

And many more Destructions played
In this ghastly masquerade,
All disguised, even to the eyes,
Like Bishops, lawyers, peers, or spies.

Last came Anarchy: he rode
On a white horse, splashed with blood;
He was pale even to the lips,
Like Death in the Apocalypse.

And he wore a kingly crown;
And in his grasp a sceptre shone;
On his brow this mark I saw
'I am God, and King, and Law!'

With a pace stately and fast,
Over English land he passed,
Trampling to a mire of blood
The adoring multitude.

And a mighty troop around,
With their trampling shook the ground,
Waving each a bloody sword,
For the service of their Lord.

And with glorious triumph, they
Rode through England proud and gay,
Drunk as with intoxication
Of the wine of desolation.

O'er fields and towns, from sea to sea,
Passed the Pageant swift and free,
Tearing up, and trampling down;
Till they came to London town.

And each dweller, panic-stricken,
Felt his heart with terror sicken
Hearing the tempestuous cry
Of the triumph of Anarchy.

For with pomp to meet him came,
Clothed in arms like blood and flame,
The hired murderers, who did sing
'Thou art God, and Law, and King.

'We have waited, weak and lone
For thy coming, Mighty One!
Our purses are empty, our swords are cold,
Give us glory, and blood, and gold.'

Lawyers and priests, a motley crowd,
To the earth their pale brows bowed;
Like a bad prayer not over loud,
Whispering'Thou art Law and God.'

Then all cried with one accord,
'Thou art King, and God, and Lord;
Anarchy, to thee we bow,
Be thy name made holy now!'

And Anarchy, the Skeleton,
Bowed and grinned to every one,
As well as if his education
Had cost ten millions to the nation.

For he knew the Palaces
Of our Kings were rightly his;
His the sceptre, crown, and globe,
And the gold-inwoven robe.

So he sent his slaves before
To seize upon the Bank and Tower,
And was proceeding with intent
To meet his pensioned Parliament

When one fled past, a maniac maid,
And her name was Hope, she said:
But she looked more like Despair,
And she cried out in the air:

'My father Time is weak and gray
With waiting for a better day;
See how idiot-like he stands,
Fumbling with his palsied hands!

'He has had child after child,
And the dust of death is piled
Over every one but me
Misery, oh, Misery!'

Then she lay down in the street,
Right before the horses' feet,
Expecting, with a patient eye,
Murder, Fraud, and Anarchy.

When between her and her foes
A mist, a light, an image rose,
Small at first, and weak, and frail
Like the vapour of a vale:

Till as clouds grow on the blast,
Like tower-crowned giants striding fast,
And glare with lightnings as they fly,
And speak in thunder to the sky,

It grewa Shape arrayed in mail
Brighter than the viper's scale,
And upborne on wings whose grain
Was as the light of sunny rain.

On its helm, seen far away,
A planet, like the Morning's, lay;
And those plumes its light rained through
Like a shower of crimson dew.

With step as soft as wind it passed
O'er the heads of menso fast
That they knew the presence there,
And looked,but all was empty air.

As flowers beneath May's footstep waken,
As stars from Night's loose hair are shaken,
As waves arise when loud winds call,
Thoughts sprung where'er that step did fall.

And the prostrate multitude
Looked-and ankle-deep in blood,
Hope, that maiden most serene,
Was walking with a quiet mien:

And Anarchy, the ghastly birth,
Lay dead earth upon the earth;
The Horse of Death tameless as wind
Fled, and with his hoofs did grind
To dust the murderers thronged behind.

A rushing light of clouds and splendour,
A sense awakening and yet tender
Was heard and feltand at its close
These words of joy and fear arose

As if their own indignant Earth
Which gave the sons of England birth
Had felt their blood upon her brow,
And shuddering with a mother's throe

Had turnd every drop of blood
By which her face had been bedewed
To an accent unwithstood,
As if her heart had cried aloud:

'Men of England, heirs of Glory,
Heroes of unwritten story,
Nurslings of one mighty Mother,
Hopes of her, and one another;

'Rise like Lions after slumber
In unvanquishable number,
Shake your chains to earth like dew
Which in sleep had fallen on you
Ye are manythey are few.

'What is Freedom?ye can tell
That which slavery is, too well
For its very name has grown
To an echo of your own.

''Tis to work and have such pay
As just keeps life from day to day
In your limbs, as in a cell
For the tyrants' use to dwell,

'So that ye for them are made
Loom, and plough, and sword, and spade,
With or without your own will bent
To their defence and nourishment.

''Tis to see your children weak
With their mothers pine and peak,
When the winter winds are bleak,
They are dying whilst I speak.

''Tis to hunger for such diet
As the rich man in his riot
Casts to the fat dogs that lie
Surfeiting beneath his eye;

''Tis to let the Ghost of Gold
Take from Toil a thousandfold
More than e'er its substance could
In the tyrannies of old.

'Paper cointhat forgery
Of the title-deeds, which ye
Hold to something of the worth
Of the inheritance of Earth.

''Tis to be a slave in soul
And to hold no strong control
Over your own wills, but be
All that others make of ye.

'And at length when ye complain
With a murmur weak and vain
'Tis to see the Tyrant's crew
Ride over your wives and you
Blood is on the grass like dew.

'Then it is to feel revenge
Fiercely thirsting to exchange
Blood for bloodand wrong for wrong
Do not thus when ye are strong.

'Birds find rest, in narrow nest
When weary of their wingd quest;
Beasts find fare, in woody lair
When storm and snow are in the air[1].

'Asses, swine, have litter spread
And with fitting food are fed;
All things have a home but one
Thou, Oh, Englishman, hast none!

'This is Slaverysavage men,
Or wild beasts within a den
Would endure not as ye do
But such ills they never knew.

'What art thou Freedom? O! could slaves
Answer from their living graves
This demandtyrants would flee
Like a dream's dim imagery:

'Thou art not, as impostors say,
A shadow soon to pass away,
A superstition, and a name
Echoing from the cave of Fame.

'For the labourer thou art bread,
And a comely table spread
From his daily labour come
In a neat and happy home.

'Thou art clothes, and fire, and food
For the trampled multitude
Noin countries that are free
Such starvation cannot be
As in England now we see.

'To the rich thou art a check,
When his foot is on the neck
Of his victim, thou dost make
That he treads upon a snake.

'Thou art Justicene'er for gold
May thy righteous laws be sold
As laws are in Englandthou
Shield'st alike the high and low.

'Thou art WisdomFreemen never
Dream that God will damn for ever
All who think those things untrue
Of which Priests make such ado.

'Thou art Peacenever by thee
Would blood and treasure wasted be
As tyrants wasted them, when all
Leagued to quench thy flame in Gaul.

'What if English toil and blood
Was poured forth, even as a flood?
It availed, Oh, Liberty,
To dim, but not extinguish thee.

'Thou art Lovethe rich have kissed
Thy feet, and like him following Christ,
Give their substance to the free
And through the rough world follow thee,

'Or turn their wealth to arms, and make
War for thy belovd sake
On wealth, and war, and fraudwhence they
Drew the power which is their prey.

'Science, Poetry, and Thought
Are thy lamps; they make the lot
Of the dwellers in a cot
So serene, they curse it not.

'Spirit, Patience, Gentleness,
All that can adorn and bless
Art thoulet deeds, not words, express
Thine exceeding loveliness.

'Let a great Assembly be
Of the fearless and the free
On some spot of English ground
Where the plains stretch wide around.

'Let the blue sky overhead,
The green earth on which ye tread,
All that must eternal be
Witness the solemnity.

'From the corners uttermost
Of the bounds of English coast;
From every hut, village, and town
Where those who live and suffer moan
For others' misery or their own[2],

'From the workhouse and the prison
Where pale as corpses newly risen,
Women, children, young and old
Groan for pain, and weep for cold

'From the haunts of daily life
Where is waged the daily strife
With common wants and common cares
Which sows the human heart with tares

'Lastly from the palaces
Where the murmur of distress
Echoes, like the distant sound
Of a wind alive around

'Those prison halls of wealth and fashion,
Where some few feel such compassion
For those who groan, and toil, and wail
As must make their brethren pale

'Ye who suffer woes untold,
Or to feel, or to behold
Your lost country bought and sold
With a price of blood and gold

'Let a vast assembly be,
And with great solemnity
Declare with measured words that ye
Are, as God has made ye, free

'Be your strong and simple words
Keen to wound as sharpened swords,
And wide as targes let them be,
With their shade to cover ye.

'Let the tyrants pour around
With a quick and startling sound,
Like the loosening of a sea,
Troops of armed emblazonry.

'Let the charged artillery drive
Till the dead air seems alive
With the clash of clanging wheels,
And the tramp of horses' heels.

'Let the fixd bayonet
Gleam with sharp desire to wet
Its bright point in English blood
Looking keen as one for food.

'Let the horsemen's scimitars
Wheel and flash, like sphereless stars
Thirsting to eclipse their burning
In a sea of death and mourning.

'Stand ye calm and resolute,
Like a forest close and mute,
With folded arms and looks which are
Weapons of unvanquished war,

'And let Panic, who outspeeds
The career of armd steeds
Pass, a disregarded shade
Through your phalanx undismayed.

'Let the laws of your own land,
Good or ill, between ye stand
Hand to hand, and foot to foot,
Arbiters of the dispute,

'The old laws of Englandthey
Whose reverend heads with age are gray,
Children of a wiser day;
And whose solemn voice must be
Thine own echoLiberty!

'On those who first should violate
Such sacred heralds in their state
Rest the blood that must ensue,
And it will not rest on you.

'And if then the tyrants dare
Let them ride among you there,
Slash, and stab, and maim, and hew,
What they like, that let them do.

'With folded arms and steady eyes,
And little fear, and less surprise,
Look upon them as they slay
Till their rage has died away.

'Then they will return with shame
To the place from which they came,
And the blood thus shed will speak
In hot blushes on their cheek.

'Every woman in the land
Will point at them as they stand
They will hardly dare to greet
Their acquaintance in the street.

'And the bold, true warriors
Who have hugged Danger in wars
Will turn to those who would be free,
Ashamed of such base company.
'And that slaughter to the Nation
Shall steam up like inspiration,
Eloquent, oracular;
A volcano heard afar.

'And these words shall then become
Like Oppression's thundered doom
Ringing through each heart and brain,
Heard againagainagain

'Rise like Lions after slumber
In unvanquishable number
Shake your chains to earth like dew
Which in sleep had fallen on you
Ye are manythey are few.'
''Composed at the Villa Valsovano near Leghorn -- or possibly later, during Shelley's sojourn at Florence -- in the autumn of 1819, shortly after the Peterloo riot at Manchester, August 16; edited with Preface by Leigh Hunt, and published under the poet's name by Edward Moxon, 1832 (Bradbury & Evans, printers). Two MSS. are extant: a transcript by Mrs. Shelley with Shelley's autograph corrections, known as the 'Hunt MS.'; and an earlier draft, not quite complete, in the poet's handwriting, presented by Mrs. Shelley to (Sir) John Bowring in 1826, and now in the possession of Mr. Thomas J. Wise (the 'Wise MS.').'' this note taken from the Oxford Edition, Hutchinson's Poetical Works of Percy Shelley, 1905.
~ Percy Bysshe Shelley, The Mask Of Anarchy
270:Ii. The Quest Of Silence
Secreta Silvarum: Prelude
Oh yon, when Holda leaves her hill
of winter, on the quest of June,
black oaks with emerald lamplets thrill
that flicker forth to her magic tune.
At dawn the forest shivers whist
and all the hidden glades awake;
then sunshine gems the milk-white mist
and the soft-swaying branches make
along its edge a woven sound
of legends that allure and flit
and horns wound towards the enchanted ground
where, in the light moon-vapours lit,
all night, while the black woods in mass,
serried, forbid with goblin fear,
fay-revels gleam o'er the pale grass
till shrill-throats ring the matins near.
Oh there, oh there in the sweet o' the year,
adventurous in the witching green,
last feal of the errant spear,
to seek the eyes of lost Undine
clear blue above the blue cold stream
that lingers till her plaint be done,
oh, and perchance from that sad dream
to woo her, laughing, to the sun
and that glad blue that seems to flow
far up, where dipping branches lift
sidelong their soft-throng'd frondage slow
and slow the thin cloud-fleecelets drift.
Oh, there to drowse the summer thro'
deep in some odorous twilit lair,
swoon'd in delight of golden dew
within the sylvan witches hair;
the while on half-veil'd eyes to feel
the yellow sunshafts broken dim,
and seldom waftures moth-like steal
and settle, on the bare-flung limb:
or under royal autumn, pall'd
in smouldering magnificence,
to feel the olden heart enthrall'd
in wisdoms of forgotten sense,
and mad desire and pain that fill'd
red August's heart of throbbing bloom
in one grave hour of knowledge still'd
where glory ponders o'er its doom:
and, when the boughs are sombre lace
and silence chisels silver rime,
o'er some old hearth, with dim-lit face,
to dream the vanish'd forest prime,
the springtime's sweet and June's delight,
more precious now that hard winds chill
the dews that made their mornings bright,
and Holda sleeps beneath her hill.
What tho' the outer day be brazen rude
not here the innocence of morn is fled:
this green unbroken dusk attests it wed
with freshness, where the shadowy breasts are nude,
hers guess'd, whose looks, felt dewy-cool, elude —
save this reproach that smiles on foolish dread:
wood-word, grave gladness in its heart, unsaid,
knoweth the guarded name of Quietude.
Nor start, if satyr-shapes across the path
tumble; it is but children: lo, the wrath
couchant, heraldic, of her beasts that pierce
with ivory single horn whate'er misplaced
outrageous nears, or whinny of the fierce
Centaur, or mailed miscreant unchaste.
O friendly shades, where anciently I grew!
me entering at dawn a child ye knew,
all little welcoming leaves, and jealous wove
your roof of lucid emerald above,
that scarce therethro' the envious sun might stray,
save smiling dusk or, lure for idle play,
such glancing finger your chance whim allows,
all that long forenoon of the tuneful boughs;
which growing on, the myriad small noise
and flitting of the wood-life's busy joys,
thro' tenuous weft of sound, had left, divined,
the impending threat of silence, clear, behind:
and, noon now past, that hush descended large
in the wood's heart, and caught me in its marge
of luminous foreboding widely flung;
so hourlong I have stray'd, and tho' among
the glimpsing lures of all green aisles delays
that revelation of its wondrous gaze,
yet am I glad to wander, glad to seek
and find not, so the gather'd tufts bespeak,
naked, reclined, its friendly neighbourhood —
as in this hollow of the rarer wood
where, listening, in the cool glen-shade, with me,
white-bloom'd and quiet, stands a single tree;
rich spilth of gold is on the eastward rise;
westward the violet gloom eludes mine eyes.
This is the house of Pan, not whom blind craze
and babbling wood-wits tell, where bare flints blaze,
noon-tide terrific with the single shout,
but whom behind each bole sly-peering out
the traveller knows, but turning, disappear'd
with chuckle of laughter in his thicket-beard,
and rustle of scurrying faun-feet where the ground
each autumn deeper feels its yellow mound.
Onward: and lo, at length, the secret glade,
soft-gleaming grey, what time the grey trunks fade
in the white vapours o'er its further rim.
'Tis no more time to linger: now more dim
the woods are throng'd to ward the haunted spot
where, as I turn my homeward face, I wot
the nymphs of twilight have resumed, unheard,
their glimmering dance upon the glimmering sward.
The point of noon is past, outside: light is asleep;
brooding upon its perfect hour: the woods are deep
and solemn, fill'd with unseen presences of light
that glint, allure, and hide them; ever yet more bright
(it seems) the turn of a path will show them: nay, but rest;
seek not, and think not; dream, and know not; this is best:
the hour is full; be lost: whispering, the woods are bent,
This is the only revelation; be content.
The forest has its horrors, as the sea:
and ye that enter from the staling lea
into the early freshness kept around
the waiting trunks that watch its rarer bound,
after the glistening song that, sprinkled, leaves
an innocence upon the glancing leaves;
O ye that dream to find the morning yet
secret and chaste, beside her mirror set,
some glimmering source o'ershadow'd, where the light
is coolness felt, whom filter'd glints invite
thro' the slow-shifting green transparency;
O ye that hearken towards pale mystery
a rustle of hidden pinions, and obey
the beckoning of each little leaf asway:
return, return, or e'er to warn you back
the shadow bend along your rearward track
longer and longer from the brooding west;
return, and evening shall bosom your rest
in the warm gloom that wraps the blazing hearth:
there hear from wither'd lips long wean'd of mirth
the tale that lulls old watches; — How they rode,
brave-glittering once, where the brave morning glow'd
along the forest-edges, and were lost
for ever, where the crossing trunks are most;
and, far beyond the dim arcades of song,
where moon-mist weaves a dancing elfin throng,
and far beyond the luring glades that brood
around a maiden thought of Quietude,
the savage realm begins, of lonely dread,
black branches from the fetid marish bred
that lurks to trap the loyal careless foot,
and gaping trunks protrude a snaky root
o'er slinking paths that centre, where beneath
a sudden rock on the short blasted heath,
bare-set, a cavern lurks and holds within
its womb, obscene with some corroding sin,
coil'd on itself and stirring, a squat shade
before the entrance rusts a broken blade.
The forest hides its horrors, as the sea.
No emerald spring, no royal autumn-red,
no glint of morn or sullen vanquish'd day
might venture against this obscene horror's sway
blackly from the witch-blasted branches shed.
No silver bells around the bridle-head
ripple, and on no quest the pennons play:
the path's romance is shuddering disarray,
or eaten by the marsh: the knights are dead.
The Lady of the Forest was a tale:
of the white unicorns that round her sleep
gamboll'd, no turf retains a print; and man,
rare traveller, feels, athwart the knitted bale
watching, now lord of loathly deaths that creep,
maliciously the senile leer of Pan.
Fire in the heavens, and fire along the hills,
and fire made solid in the flinty stone,
thick-mass'd or scatter'd pebble, fire that fills
the breathless hour that lives in fire alone.
This valley, long ago the patient bed
of floods that carv'd its antient amplitude,
in stillness of the Egyptian crypt outspread,
endures to drown in noon-days tyrant mood.
Behind the veil of burning silence bound,
vast life's innumerous busy littleness
is hush'd in vague-conjectured blur of sound
that dulls the brain with slumbrous weight, unless
some dazzling puncture let the stridence throng
in the cicada's torture-point of song.
Peace dwells in blessing o'er a place
folded within the hills to keep
and under dark boughs seawind-frayd:
and the kind slopes where soothings creep,
in the gold light or the green shade,
wear evermore the ancient face
of silence, and the eyes of sleep;
because they are listening evermore
unto the seawinds what they tell
to the wise, nodding, indifferent trees
high on the ridge that guard the dell,
of wars on many a far grey shore
and how the shores decay and fade
before the obstinate old seas:
and all their triumphing is made
a tale that dwindles with the eves,
while the soft dusk lingers, delay'd,
and drifts between the indolent leaves.
A gray and dusty daylight flows
athwart the shatter'd traceries,
pale absence of the ruin'd rose.
Here once, on labour-harden'd knees,
beneath the kindly vaulted gloom
that gather'd them in quickening ease,
they saw the rose of heaven bloom,
alone, in heights of musky air,
with many an angel's painted plume.
So, shadowing forth their dim-felt prayer,
the daedal glass compell'd to grace
the outer days indifferent stare,
where now its disenhallow'd face
beholds the petal-ribs enclose
nought, in their web of shatter'd lace,
save this pale absence of the rose.
Breaking the desert's tawny level ring
three columns, an oasis; but no shade
falls from the curl'd acanthus-leaves; no spring
bubbles soft laughter for its leaning maid.
The cell is waste: where once the god abode
a burning desolation furls its wing:
enter, and lo! once more, the hopeless road
world-wide, the tawny desert's level ring.
Before she pass'd behind the glacier wall
that hides her white eternal sorceries
the northern witch, in clinging ermine pall,
cast one last look along the shallow seas,
a look that held them in its numbing thrall
and melted onward to the sandy leas
where our lorn city lives its lingering fall
and wistful summer shrinks in scant-clad trees.
Hence came one greyness over grass and stone:
the silent-lapping waters fade and tone
into the air and into them the land;
and all along our stagnant waterways
a drown'd and dusky gleaming sleeps, unbann'd,
the lurking twilight of her vanish'd gaze.
Out of no quarter of the charted sky
flung in the bitter wind intolerably,
abrupt, the trump that sings behind the end
exults alone. Here grass is none to bend:
the stony plain blackens with rapid night
that best reveals the land's inflicted blight
since in the smitten hero-hand the sword
broke, and the hope the long-dumb folk adored,
and over all the north a tragic flare
told Valhall perish'd and the void's despair
to dwell as erst, all disinhabited,
a vault above the heart its hungering led.
The strident clangour cuts; but space is whole,
inert, absorb'd in dead regret. Here, sole,
on the bare uplands, stands, vast thro' the gloom
staring, to mark an irretrievable doom,
the stranger stone, sphinx-couchant, thunder-hurl'd
from red star-ruin o'er the elder world.
This night is not of gentle draperies
or cluster'd banners where the star-breaths roam,
nor hangs above the torch a lurching dome
of purple shade that slips with phantom ease;
but, on our apathy encroaching, these,
stable, whose smooth defiance none hath clomb,
basalt and jade, a patience of the gnome,
polish'd and shadow-brimm'd transparencies.
Far, where our oubliette is shut, above,
we guess the ample lids that never move
beneath her brows, each massive arch inert
hung high-contemptuous o'er the blatant wars
we deem'd well waged for her, who may avert
some Janus-face that smiles on hidden stars.
Lightning: and, momently, the silhouette,
flat on the far horizon, comes and goes
of that night-haunting city; minaret,
dome, spire, all sharp while yet the levin glows.
Day knows it not; whether fierce noon-tide fuse
earth's rim with sky in throbbing haze, or clear
gray softness tinge afresh the enamell'd hues
of mead and stream, it shows no tipping spear.
Night builds it: now upon the marbled plain
a blur, discern'd lurking, ever more nigh;
now close against the walls that hem my reign
a leaguer-town, threatening my scope of sky.
So late I saw it; in a misty moon
it bulk'd, all dusky and transparent, dumb
as ever, fast in some prodigious swoon:
its battlements deserted — who might come?
— ay, one! his eyes, 'neath the high turban's plume,
watch'd mine, intent, behind the breast-high stone:
his face drew mine across the milky gloom:
a sudden moonbeam show'd it me, my own!
ONE! an iron core, shock'd and dispers'd
in throbs of sound that ebb across the bay:
I shudder: the one clang smites disarray
thro' all my sense, that starts awake, inhears'd
in the whole lifeless world: and some accurs'd
miasma steals, resumed from all decay,
where the dead tide lies flat round the green quay,
hinting what self-fordone despairs it nurs'd.
The corpse of time is stark upon the night:
my soul is coffin'd, staring, grave-bedight,
upon some dance of death that reels and feasts
around its living tomb, with vampire grin,
inverted sacraments of Satan's priests —
and, mask'd no more, the maniac face of sin.
There is a far-off thrill that troubles me:
a faint thin ripple of shadow, momently,
dies out across my lucid icy cell.
I am betrayed by winter to the spell
of morbid sleep, that somewhere rolls its waves
insidiously, gather'd from unblest graves,
to creep above each distant crumbled mole.
When that assault is full against my soul,
I must go down, thro' chapels black with mould,
past ruin'd doors, whose arches, ridged with gold,
catch, in their grooves, a gloom more blackly dript,
some stairway winding hours-long towards the crypt
where panic night lies stricken 'neath the curse
exuding from the dense enormous hearse
of some old vampire-god, whose bulk, within,
lies gross and festering in his shroud of sin.
~ Christopher John Brennan,


There was a youth, who, as with toil and travel,
Had grown quite weak and gray before his time;
Nor any could the restless griefs unravel

Which burned within him, withering up his prime
And goading him, like fiends, from land to land.
Not his the load of any secret crime,

For nought of ill his heart could understand,
But pity and wild sorrow for the same;
Not his the thirst for glory or command,

Baffled with blast of hope-consuming shame;
Nor evil joys which fire the vulgar breast,
And quench in speedy smoke its feeble flame,

Had left within his soul their dark unrest:
Nor what religion fables of the grave
Feared he,Philosophy's accepted guest.

For none than he a purer heart could have,
Or that loved good more for itself alone;
Of nought in heaven or earth was he the slave.

What sorrow, strange, and shadowy, and unknown,
Sent him, a hopeless wanderer, through mankind?
If with a human sadness he did groan,

He had a gentle yet aspiring mind;
Just, innocent, with varied learning fed;
And such a glorious consolation find

In others' joy, when all their own is dead:
He loved, and laboured for his kind in grief,
And yet, unlike all others, it is said

That from such toil he never found relief.
Although a child of fortune and of power,
Of an ancestral name the orphan chief,

His soul had wedded Wisdom, and her dower
Is love and justice, clothed in which he sate
Apart from men, as in a lonely tower,

Pitying the tumult of their dark estate.
Yet even in youth did he not e'er abuse
The strength of wealth or thought, to consecrate

Those false opinions which the harsh rich use
To blind the world they famish for their pride;
Nor did he hold from any man his dues,

But, like a steward in honest dealings tried,
With those who toiled and wept, the poor and wise,
His riches and his cares he did divide.

Fearless he was, and scorning all disguise,
What he dared do or think, though men might start,
He spoke with mild yet unaverted eyes;

Liberal he was of soul, and frank of heart,
And to his many friendsall loved him well
Whate'er he knew or felt he would impart,

If words he found those inmost thoughts to tell;
If not, he smiled or wept; and his weak foes
He neither spurned nor hatedthough with fell

And mortal hate their thousand voices rose,
They passed like aimless arrows from his ear
Nor did his heart or mind its portal close

To those, or them, or any, whom life's sphere
May comprehend within its wide array.
What sadness made that vernal spirit sere?

He knew not. Though his life, day after day,
Was failing like an unreplenished stream,
Though in his eyes a cloud and burthen lay,

Through which his soul, like Vesper's serene beam
Piercing the chasms of ever rising clouds,
Shone, softly burning; though his lips did seem

Like reeds which quiver in impetuous floods;
And through his sleep, and o'er each waking hour,
Thoughts after thoughts, unresting multitudes,

Were driven within him by some secret power,
Which bade them blaze, and live, and roll afar,
Like lights and sounds, from haunted tower to tower

O'er castled mountains borne, when tempest's war
Is levied by the night-contending winds,
And the pale dalesmen watch with eager ear;

Though such were in his spirit, as the fiends
Which wake and feed an everliving woe,
What was this grief, which ne'er in other minds

A mirror found,he knew notnone could know;
But on whoe'er might question him he turned
The light of his frank eyes, as if to show

He knew not of the grief within that burned,
But asked forbearance with a mournful look;
Or spoke in words from which none ever learned

The cause of his disquietude; or shook
With spasms of silent passion; or turned pale:
So that his friends soon rarely undertook

To stir his secret pain without avail;
For all who knew and loved him then perceived
That there was drawn an adamantine veil

Between his heart and mind,both unrelieved
Wrought in his brain and bosom separate strife.
Some said that he was mad, others believed

That memories of an antenatal life
Made this, where now he dwelt, a penal hell;
And others said that such mysterious grief

From God's displeasure, like a darkness, fell
On souls like his, which owned no higher law
Than love; love calm, steadfast, invincible

By mortal fear or supernatural awe;
And others,''Tis the shadow of a dream
Which the veiled eye of Memory never saw,

'But through the soul's abyss, like some dark stream
Through shattered mines and caverns underground,
Rolls, shaking its foundations; and no beam

'Of joy may rise, but it is quenched and drowned
In the dim whirlpools of this dream obscure;
Soon its exhausted waters will have found

'A lair of rest beneath thy spirit pure,
O Athanase!in one so good and great,
Evil or tumult cannot long endure.'

So spake they: idly of another's state
Babbling vain words and fond philosophy;
This was their consolation; such debate

Men held with one another; nor did he,
Like one who labours with a human woe,
Decline this talk: as if its theme might be

Another, not himself, he to and fro
Questioned and canvassed it with subtlest wit;
And none but those who loved him best could know

That which he knew not, how it galled and bit
His weary mind, this converse vain and cold;
For like an eyeless nightmare grief did sit

Upon his being; a snake which fold by fold
Pressed out the life of life, a clinging fiend
Which clenched him if he stirred with deadlier hold;
And so his grief remainedlet it remainuntold.



Prince Athanase had one belovd friend,
An old, old man, with hair of silver white,
And lips where heavenly smiles would hang and blend

With his wise words; and eyes whose arrowy light
Shone like the reflex of a thousand minds.
He was the last whom superstition's blight

Had spared in Greecethe blight that cramps and blinds,
And in his olive bower at OEnoe
Had sate from earliest youth. Like one who finds

A fertile island in the barren sea,
One mariner who has survived his mates
Many a drear month in a great shipso he

With soul-sustaining songs, and sweet debates
Of ancient lore, there fed his lonely being:
'The mind becomes that which it contemplates,'

And thus Zonoras, by forever seeing
Their bright creations, grew like wisest men;
And when he heard the crash of nations fleeing

A bloodier power than ruled thy ruins then,
O sacred Hellas! many weary years
He wandered, till the path of Laian's glen

Was grass-grownand the unremembered tears
Were dry in Laian for their honoured chief,
Who fell in Byzant, pierced by Moslem spears:

And as the lady looked with faithful grief
From her high lattice o'er the rugged path,
Where she once saw that horseman toil, with brief

And blighting hope, who with the news of death
Struck body and soul as with a mortal blight,
She saw between the chestnuts, far beneath,

An old man toiling up, a weary wight;
And soon within her hospitable hall
She saw his white hairs glittering in the light

Of the wood fire, and round his shoulders fall;
And his wan visage and his withered mien,
Yet calm and gentle and majestical.

And Athanase, her child, who must have been
Then three years old, sate opposite and gazed
In patient silence.


Such was Zonoras; and as daylight finds
One amaranth glittering on the path of frost,
When autumn nights have nipped all weaker kinds,

Thus through his age, dark, cold, and tempest-tossed,
Shone truth upon Zonoras; and he filled
From fountains pure, nigh overgrown and lost,

The spirit of Prince Athanase, a child,
With soul-sustaining songs of ancient lore
And philosophic wisdom, clear and mild.

And sweet and subtle talk they evermore,
The pupil and the master, shared; until,
Sharing that undiminishable store,

The youth, as shadows on a grassy hill
Outrun the winds that chase them, soon outran
His teacher, and did teach with native skill

Strange truths and new to that experienced man;
Still they were friends, as few have ever been
Who mark the extremes of life's discordant span.

So in the caverns of the forest green,
Or on the rocks of echoing ocean hoar,
Zonoras and Prince Athanase were seen

By summer woodmen; and when winter's roar
Sounded o'er earth and sea its blast of war,
The Balearic fisher, driven from shore,

Hanging upon the peakd wave afar,
Then saw their lamp from Laian's turret gleam,
Piercing the stormy darkness, like a star

Which pours beyond the sea one steadfast beam,
Whilst all the constellations of the sky
Seemed reeling through the storm . . . They did but seem

For, lo! the wintry clouds are all gone by,
And bright Arcturus through yon pines is glowing,
And far o'er southern waves, immovably

Belted Orion hangswarm light is flowing
From the young moon into the sunset's chasm.
'O, summer eve! with power divine, bestowing

'On thine own bird the sweet enthusiasm
Which overflows in notes of liquid gladness,
Filling the sky like light! How many a spasm

'Of fevered brains, oppressed with grief and madness,
Were lulled by thee, delightful nightingale,
And these soft waves, murmuring a gentle sadness,

'And the far sighings of yon piny dale
Made vocal by some wind we feel not here.
I bear alone what nothing may avail

'To lightena strange load!'No human ear
Heard this lament; but o'er the visage wan
Of Athanase, a ruffling atmosphere

Of dark emotion, a swift shadow, ran,
Like wind upon some forest-bosomed lake,
Glassy and dark.And that divine old man

Beheld his mystic friend's whole being shake,
Even where its inmost depths were gloomiest
And with a calm and measured voice he spake,

And, with a soft and equal pressure, pressed
That cold lean hand:'Dost thou remember yet
When the curved moon then lingering in the west

'Paused, in yon waves her mighty horns to wet,
How in those beams we walked, half resting on the sea?
'Tis just one yearsure thou dost not forget

'Then Plato's words of light in thee and me
Lingered like moonlight in the moonless east,
For we had just then readthy memory

'Is faithful nowthe story of the feast;
And Agathon and Diotima seemed
From death and dark forgetfulness released '
. . .


And when the old man saw that on the green
Leaves of his opening . . . a blight had lighted
He said: 'My friend, one grief alone can wean

A gentle mind from all that once delighted:
Thou lovest, and thy secret heart is laden
With feelings which should not be unrequited.'

And Athanase . . . then smiled, as one o'erladen
With iron chains might smile to talk(?) of bands
Twined round her lover's neck by some blithe maiden,
And said . . .


'Twas at the season when the Earth upsprings
From slumber, as a spherd angel's child,
Shadowing its eyes with green and golden wings,

Stands up before its mother bright and mild,
Of whose soft voice the air expectant seems
So stood before the sun, which shone and smiled

To see it rise thus joyous from its dreams,
The fresh and radiant Earth. The hoary grove
Waxed greenand flowers burst forth like starry beams;

The grass in the warm sun did start and move,
And sea-buds burst under the waves serene:
How many a one, though none be near to love,

Loves then the shade of his own soul, half seen
In any mirroror the spring's young minions,
The wingd leaves amid the copses green;

How many a spirit then puts on the pinions
Of fancy, and outstrips the lagging blast,
And his own stepsand over wide dominions

Sweeps in his dream-drawn chariot, far and fast,
More fleet than stormsthe wide world shrinks below,
When winter and despondency are past.


'Twas at this season that Prince Athanase
Passed the white Alpsthose eagle-baffling mountains
Slept in their shrouds of snow;beside the ways

The waterfalls were voicelessfor their fountains
Were changed to mines of sunless crystal now,
Or by the curdling windslike brazen wings

Which clanged along the mountain's marble brow
Warped into adamantine fretwork, hung
And filled with frozen light the chasms below.

Vexed by the blast, the great pines groaned and swung
Under their load of [snow]. . .
. . .
. . .

Such as the eagle sees, when he dives down
From the gray deserts of wide air, [beheld]
[Prince] Athanase; and o'er his mien(?) was thrown

The shadow of that scene, field after field,
Purple and dim and wide . . .


Thou art the wine whose drunkenness is all
We can desire, O Love! and happy souls,
Ere from thy vine the leaves of autumn fall,

Catch thee, and feed from their o'erflowing bowls
Thousands who thirst for thine ambrosial dew;
Thou art the radiance which where ocean rolls

Investeth it; and when the heavens are blue
Thou fillest them; and when the earth is fair
The shadow of thy moving wings imbue

Its deserts and its mountains, till they wear
Beauty like some light robe;thou ever soarest
Among the towers of men, and as soft air

In spring, which moves the unawakened forest,
Clothing with leaves its branches bare and bleak,
Thou floatest among men; and aye implorest

That which from thee they should implore:the weak
Alone kneel to thee, offering up the hearts
The strong have brokenyet where shall any seek

A garment whom thou clothest not? the darts
Of the keen winter storm, barbd with frost,
Which, from the everlasting snow that parts

The Alps from Heaven, pierce some traveller lost
In the wide waved interminable snow
Ungarmented, . . .


Yes, often when the eyes are cold and dry,
And the lips calm, the Spirit weeps within
Tears bitterer than the blood of agony

Trembling in drops on the discoloured skin
Of those who love their kind and therefore perish
In ghastly torturea sweet medicine

Of peace and sleep are tears, and quietly
Them soothe from whose uplifted eyes they fall
But . . .


Her hair was brown, her spherd eyes were brown,
And in their dark and liquid moisture swam,
Like the dim orb of the eclipsd moon;

Yet when the spirit flashed beneath, there came
The light from them, as when tears of delight
Double the western planet's serene flame.
Written at Marlow in 1817, towards the close of the year; first published in Posthumous Poems, 1824. Part I is dated by Mrs. Shelley, 'December, 1817,' the remainder, 'Marlow, 1817.' The verses were probably rehandled in Italy during the following year.
~ Percy Bysshe Shelley, Prince Athanase
Wise and polite,--and if I drew
Their several portraits, you would own
Chaucer had no such worthy crew,
Nor Boccace in Decameron.

We crossed Champlain to Keeseville with our friends,
Thence, in strong country carts, rode up the forks
Of the Ausable stream, intent to reach
The Adirondac lakes. At Martin's Beach
We chose our boats; each man a boat and guide,--
Ten men, ten guides, our company all told.

Next morn, we swept with oars the Saranac,
With skies of benediction, to Round Lake,
Where all the sacred mountains drew around us,
Tahawus, Seaward, MacIntyre, Baldhead,
And other Titans without muse or name.
Pleased with these grand companions, we glide on,
Instead of flowers, crowned with a wreath of hills,
And made our distance wider, boat from boat,
As each would hear the oracle alone.
By the bright morn the gay flotilla slid
Through files of flags that gleamed like bayonets,
Through gold-moth-haunted beds of pickerel-flower,
Through scented banks of lilies white and gold,
Where the deer feeds at night, the teal by day,
On through the Upper Saranac, and up
Pere Raquette stream, to a small tortuous pass
Winding through grassy shallows in and out,
Two creeping miles of rushes, pads, and sponge,
To Follansbee Water, and the Lake of Loons.

Northward the length of Follansbee we rowed,
Under low mountains, whose unbroken ridge
Ponderous with beechen forest sloped the shore.
A pause and council: then, where near the head
On the east a bay makes inward to the land
Between two rocky arms, we climb the bank,
And in the twilight of the forest noon
Wield the first axe these echoes ever heard.
We cut young trees to make our poles and thwarts,
Barked the white spruce to weatherfend the roof,
Then struck a light, and kindled the camp-fire.

The wood was sovran with centennial trees,--
Oak, cedar, maple, poplar, beech and fir,
Linden and spruce. In strict society
Three conifers, white, pitch, and Norway pine,
Five-leaved, three-leaved, and two-leaved, grew thereby.
Our patron pine was fifteen feet in girth,
The maple eight, beneath its shapely tower.

'Welcome!' the wood god murmured through the leaves,--
'Welcome, though late, unknowing, yet known to me.'
Evening drew on; stars peeped through maple-boughs,
Which o'erhung, like a cloud, our camping fire.
Decayed millennial trunks, like moonlight flecks,
Lit with phosphoric crumbs the forest floor.

Ten scholars, wonted to lie warm and soft
In well-hung chambers daintily bestowed,
Lie here on hemlock-boughs, like Sacs and Sioux,
And greet unanimous the joyful change.
So fast will Nature acclimate her sons,
Though late returning to her pristine ways.
Off soundings, seamen do not suffer cold;
And, in the forest, delicate clerks, unbrowned,
Sleep on the fragrant brush, as on down-beds.
Up with the dawn, they fancied the light air
That circled freshly in their forest dress
Made them to boys again. Happier that they
Slipped off their pack of duties, leagues behind,
At the first mounting of the giant stairs.
No placard on these rocks warned to the polls,
No door-bell heralded a visitor,
No courier waits, no letter came or went,
Nothing was ploughed, or reaped, or bought, or sold;
The frost might glitter, it would blight no crop,
The falling rain will spoil no holiday.
We were made freemen of the forest laws,
All dressed, like Nature, fit for her own ends,
Essaying nothing she cannot perform.

In Adirondac lakes,
At morn or noon, the guide rows bareheaded:
Shoes, flannel shirt, and kersey trousers make
His brief toilette: at night, or in the rain,
He dons a surcoat which he doffs at morn:
A paddle in the right hand, or an oar,
And in the left, a gun, his needful arms.
By turns we praised the stature of our guides,
Their rival strength and suppleness, their skill
To row, to swim, to shoot, to build a camp,
To climb a lofty stem, clean without boughs
Full fifty feet, and bring the eaglet down:
Temper to face wolf, bear, or catamount,
And wit to track or take him in his lair.
Sound, ruddy men, frolic and innocent,
In winter, lumberers; in summer, guides;
Their sinewy arms pull at the oar untired
Three times ten thousand strokes, from morn to eve.

Look to yourselves, ye polished gentlemen!
No city airs or arts pass current here.
Your rank is all reversed: let men of cloth
Bow to the stalwart churls in overalls:
They are the doctors of the wilderness,
And we the low-prized laymen.
In sooth, red flannel is a saucy test
Which few can put on with impunity.
What make you, master, fumbling at the oar?
Will you catch crabs? Truth tries pretension here.
The sallow knows the basket-maker's thumb;
The oar, the guide's. Dare you accept the tasks
He shall impose, to find a spring, trap foxes,
Tell the sun's time, determine the true north,
Or stumbling on through vast self-similar woods
To thread by night the nearest way to camp?

Ask you, how went the hours?
All day we swept the lake, searched every cove,
North from Camp Maple, south to Osprey Bay,
Watching when the loud dogs should drive in deer,
Or whipping its rough surface for a trout;
Or bathers, diving from the rock at noon;
Challenging Echo by our guns and cries;
Or listening to the laughter of the loon;
Or, in the evening twilight's latest red,
Beholding the procession of the pines;
Or, later yet, beneath a lighted jack,
In the boat's bows, a silent night-hunter
Stealing with paddle to the feeding-grounds
Of the red deer, to aim at a square mist.
Hark to that muffled roar! a tree in the woods
Is fallen: but hush! it has not scared the buck
Who stands astonished at the meteor light,
Then turns to bound away,--is it too late?

Sometimes we tried our rifles at a mark,
Six rods, sixteen, twenty, or forty-five;
Sometimes our wits at sally and retort,
With laughter sudden as the crack of rifle;
Or parties scaled the near acclivities
Competing seekers of a rumoured lake,
Whose unauthenticated waves we named
Lake Probability,--our carbuncle,
Long sought, not found.

Two Doctors in the camp
Dissected the slain deer, weighed the trout's brain,
Captured the lizard, salamander, shrew,
Crab, mice, snail, dragon-fly, minnow, and moth;
Insatiate skill in water or in air
Waved the scoop-net, and nothing came amiss;
The while, one leaden pot of alcohol
Gave an impartial tomb to all the kinds.
Not less the ambitious botanist sought plants,
Orchis and gentian, fern, and long whip-scirpus,
Rosy polygonum, lake-margin's pride,
Hypnum and hydnum, mushroom, sponge, and moss,
Or harebell nodding in the gorge of falls.
Above, the eagle flew, the osprey screamed,
The raven croaked, owls hooted, the woodpecker
Loud hammered, and the heron rose in the swamp.
As water poured through the hollows of the hills
To feed this wealth of lakes and rivulets,
So Nature shed all beauty lavishly
From her redundant horn.

Lords of this realm,
Bounded by dawn and sunset, and the day
Rounded by hours where each outdid the last
In miracles of pomp, we must be proud,
As if associates of the sylvan gods.
We seemed the dwellers of the zodiac,
So pure the Alpine element we breathed,
So light, so lofty pictures came and went.
We trode on air, contemned the distant town,
Its timorous ways, big trifles, and we planned
That we should build, hard-by, a spacious lodge,
And how we should come hither with our sons,
Hereafter,--willing they, and more adroit.

Hard fare, hard bed, and comic misery,--
The midge, the blue-fly, and the mosquito
Painted our necks, hands, ankles, with red bands:
But, on the second day, we heed them not,
Nay, we saluted them Auxiliaries,
Whom earlier we had chid with spiteful names.
For who defends our leafy tabernacle
From bold intrusion of the travelling crowd,--
Who but the midge, mosquito, and the fly,
Which past endurance sting the tender cit,
But which we learn to scatter with a smudge,
Or baffle by a veil, or slight by scorn?

Our foaming ale we drunk from hunters' pans,
Ale, and a sup of wine. Our steward gave
Venison and trout, potatoes, beans, wheat-bread;
All ate like abbots, and, if any missed
Their wonted convenance, cheerly hid the loss
With hunters' appetite and peals of mirth.
And Stillman, our guides' guide, and Commodore,
Crusoe, Crusader, Pius AEneas, said aloud,
"Chronic dyspepsia never came from eating
Food indigestible":--then murmured some,
Others applauded him who spoke the truth.

Nor doubt but visitings of graver thought
Checked in these souls the turbulent heyday
'Mid all the hints and glories of the home.
For who can tell what sudden privacies
Were sought and found, amid the hue and cry
Of scholars furloughed from their tasks, and let
Into this Oreads' fended Paradise,
As chapels in the city's thoroughfares,
Whither gaunt Labour slips to wipe his brow,
And meditate a moment on Heaven's rest.
Judge with what sweet surprises Nature spoke
To each apart, lifting her lovely shows
To spiritual lessons pointed home.
And as through dreams in watches of the night,
So through all creatures in their form and ways
Some mystic hint accosts the vigilant,
Not clearly voiced, but waking a new sense
Inviting to new knowledge, one with old.
Hark to that petulant chirp! what ails the warbler?
Mark his capricious ways to draw the eye.
Now soar again. What wilt thou, restless bird,
Seeking in that chaste blue a bluer light,
Thirsting in that pure for a purer sky?

And presently the sky is changed; O world!
What pictures and what harmonies are thine!
The clouds are rich and dark, the air serene,
So like the soul of me, what if't were me?
A melancholy better than all mirth.
Comes the sweet sadness at the retrospect,
Or at the foresight of obscurer years?
Like yon slow-sailing cloudy promontory,
Whereon the purple iris dwells in beauty
Superior to all its gaudy skirts.
And, that no day of life may lack romance,
The spiritual stars rise nightly, shedding down
A private beam into each several heart.
Daily the bending skies solicit man,
The seasons chariot him from this exile,
The rainbow hours bedeck his glowing chair,
The storm-winds urge the heavy weeks along,
Suns haste to set, that so remoter lights
Beckon the wanderer to his vaster home.

With a vermilion pencil mark the day
When of our little fleet three cruising skiffs
Entering Big Tupper, bound for the foaming Falls
Of loud Bog River, suddenly confront
Two of our mates returning with swift oars.
One held a printed journal waving high
Caught from a late-arriving traveller,
Big with great news, and shouted the report
For which the world had waited, now firm fact,
Of the wire-cable laid beneath the sea,
And landed on our coast, and pulsating
With ductile fire. Loud, exulting cries
From boat to boat, and to the echoes round,
Greet the glad miracle. Thought's new-found path
Shall supplement henceforth all trodden ways,
Match God's equator with a zone of art,
And lift man's public action to a height
Worthy the enormous clouds of witnesses,
When linked hemispheres attest his deed.
We have few moments in the longest life
Of such delight and wonder as there grew,--
Nor yet unsuited to that solitude:
A burst of joy, as if we told the fact
To ears intelligent; as if gray rock
And cedar grove and cliff and lake should know
This feat of wit, this triumph of mankind;
As if we men were talking in a vein
Of sympathy so large, that ours was theirs,
And a prime end of the most subtle element
Were fairly reached at last. Wake, echoing caves!
Bend nearer, faint day-moon! Yon thundertops,
Let them hear well! 't is theirs as much as ours.

A spasm throbbing through the pedestals
Of Alp and Andes, isle and continent,
Urging astonished Chaos with a thrill
To be a brain, or serve the brain of man.
The lightning has run masterless too long;
He must to school, and learn his verb and noun,
And teach his nimbleness to earn his wage,
Spelling with guided tongue man's messages
Shot through the weltering pit of the salt sea.
And yet I marked, even in the manly joy
Of our great-hearted Doctor in his boat,
(Perchance I erred,) a shade of discontent;
Or was it for mankind a generous shame,
As of a luck not quite legitimate,
Since fortune snatched from wit the lion's part?
Was it a college pique of town and gown,
As one within whose memory it burned
That not academicians, but some lout,
Found ten years since the Californian gold?
And now, again, a hungry company
Of traders, led by corporate sons of trade,
Perversely borrowing from the shop the tools
Of science, not from the philosophers,
Had won the brightest laurel of all time.
'Twas always thus, and will be; hand and head
Are ever rivals: but, though this be swift,
The other slow,--this the Prometheus,
And that the Jove,--yet, howsoever hid,
It was from Jove the other stole his fire,
And, without Jove, the good had never been.
It is not Iroquois or cannibals,
But ever the free race with front sublime,
And these instructed by their wisest too,
Who do the feat, and lift humanity.
Let not him mourn who best entitled was,
Nay, mourn not one: let him exult,
Yea, plant the tree that bears best apples, plant,
And water it with wine, nor watch askance
Whether thy sons or strangers eat the fruit:
Enough that mankind eat, and are refreshed.

We flee away from cities, but we bring
The best of cities with us, these learned classifiers,
Men knowing what they seek, armed eyes of experts.
We praise the guide, we praise the forest life;
But will we sacrifice our dear-bought lore
Of books and arts and trained experiment,
Or count the Sioux a match for Agassiz?
O no, not we! Witness the shout that shook
Wild Tupper Lake; witness the mute all-hail
The joyful traveller gives, when on the verge
Of craggy Indian wilderness he hears
From a log-cabin stream Beethoven's notes
On the piano, played with master's hand.
'Well done!' he cries; 'the bear is kept at bay,
The lynx, the rattlesnake, the flood, the fire;
All the fierce enemies, ague, hunger, cold,
This thin spruce roof, this clayed log-wall,
This wild plantation will suffice to chase.
Now speed the gay celerities of art,
What in the desert was impossible
Within four walls is possible again,--
Culture and libraries, mysteries of skill,
Traditioned fame of masters, eager strife
Of keen competing youths, joined or alone
To outdo each other, and extort applause.
Mind wakes a new-born giant from her sleep.
Twirl the old wheels? Time takes fresh start again
On for a thousand years of genius more.'

The holidays were fruitful, but must end;
One August evening had a cooler breath;
Into each mind intruding duties crept;
Under the cinders burned the fires of home;
Nay, letters found us in our paradise;
So in the gladness of the new event
We struck our camp, and left the happy hills.
The fortunate star that rose on us sank not;
The prodigal sunshine rested on the land,
The rivers gambolled onward to the sea,
And Nature, the inscrutable and mute,
Permitted on her infinite repose
Almost a smile to steal to cheer her sons,
As if one riddle of the Sphinx were guessed.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, The Adirondacs
273:Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.

And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.

But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.

And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.

Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.

And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.

And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.

The wood was so Spacious above them, that He who has stars for His flocks
Could fondle the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.

And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow: we drew the reins by his side.

Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's bosom; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.

And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.

And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.

Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.

I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the Fenian lands.'

Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.

Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.

In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.

And, man of the many white croziers, a century there I forgot
How the fetlocks drip blood in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.

And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.

But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of seamen or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.

Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.

And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.

At times our slumber was lightened. When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.

So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.

I awoke: the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his bosom deep
That once more moved in my bosom the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.

O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.

I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!

'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'

Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.

'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.

'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone

'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'

The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.

And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.

And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians. Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.

Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.

Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.

If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.

Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the rath,
And a small and a feeble populace stooping with mattock and spade,

Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.

And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'

A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.

And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'

And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.

And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.

The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.

How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.

S. Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.

Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.

And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.

We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.

S. Patrick. On the flaming stones, without refuge, the limbs of the Fenians are lost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.

Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-cock out on the flood, or a wolf sucked under a weir.

It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.

~ William Butler Yeats, The Wanderings Of Oisin - Book III
274:Al Aaraaf
O! nothing earthly save the ray
(Thrown back from flowers) of Beauty's eye,
As in those gardens where the day
Springs from the gems of CircassyO! nothing earthly save the thrill
Of melody in woodland rillOr (music of the passion-hearted)
Joy's voice so peacefully departed
That like the murmur in the shell,
Its echo dwelleth and will dwellOh, nothing of the dross of oursYet all the beauty- all the flowers
That list our Love, and deck our bowersAdorn yon world afar, afarThe wandering star.
'Twas a sweet time for Nesace- for there
Her world lay lolling on the golden air,
Near four bright suns- a temporary restAn oasis in desert of the blest.
Away- away- 'mid seas of rays that roll
Empyrean splendor o'er th' unchained soulThe soul that scarce (the billows are so dense)
Can struggle to its destin'd eminence,To distant spheres, from time to time, she rode
And late to ours, the favor'd one of GodBut, now, the ruler of an anchor'd realm,
She throws aside the sceptre- leaves the helm,
And, amid incense and high spiritual hymns,
Laves in quadruple light her angel limbs.
Now happiest, loveliest in yon lovely Earth,
Whence sprang the 'Idea of Beauty' into birth,
(Falling in wreaths thro' many a startled star,
Like woman's hair 'mid pearls, until, afar,
It lit on hills Achaian, and there dwelt)
She looked into Infinity- and knelt.
Rich clouds, for canopies, about her curledFit emblems of the model of her worldSeen but in beauty- not impeding sight
Of other beauty glittering thro' the lightA wreath that twined each starry form around,
And all the opal'd air in color bound.
All hurriedly she knelt upon a bed
Of flowers: of lilies such as rear'd the head
On the fair Capo Deucato, and sprang
So eagerly around about to hang
Upon the flying footsteps of- deep prideOf her who lov'd a mortal- and so died.
The Sephalica, budding with young bees,
Upreared its purple stem around her knees:And gemmy flower, of Trebizond misnam'dInmate of highest stars, where erst it sham'd
All other loveliness:- its honied dew
(The fabled nectar that the heathen knew)
Deliriously sweet, was dropp'd from Heaven,
And fell on gardens of the unforgiven
In Trebizond- and on a sunny flower
So like its own above that, to this hour,
It still remaineth, torturing the bee
With madness, and unwonted reverie:
In Heaven, and all its environs, the leaf
And blossom of the fairy plant in grief
Disconsolate linger- grief that hangs her head,
Repenting follies that full long have Red,
Heaving her white breast to the balmy air,
Like guilty beauty, chasten'd and more fair:
Nyctanthes too, as sacred as the light
She fears to perfume, perfuming the night:
And Clytia, pondering between many a sun,
While pettish tears adown her petals run:
And that aspiring flower that sprang on Earth,
And died, ere scarce exalted into birth,
Bursting its odorous heart in spirit to wing
Its way to Heaven, from garden of a king:
And Valisnerian lotus, thither flown'
From struggling with the waters of the Rhone:
And thy most lovely purple perfume, Zante!
Isola d'oro!- Fior di Levante!
And the Nelumbo bud that floats for ever
With Indian Cupid down the holy riverFair flowers, and fairy! to whose care is given
To bear the Goddess' song, in odors, up to Heaven:
'Spirit! that dwellest where,
In the deep sky,
The terrible and fair,
In beauty vie!
Beyond the line of blueThe boundary of the star
Which turneth at the view
Of thy barrier and thy barOf the barrier overgone
By the comets who were cast
From their pride and from their throne
To be drudges till the lastTo be carriers of fire
(The red fire of their heart)
With speed that may not tire
And with pain that shall not partWho livest- that we knowIn Eternity- we feelBut the shadow of whose brow
What spirit shall reveal?
Tho' the beings whom thy Nesace,
Thy messenger hath known
Have dream'd for thy Infinity
A model of their ownThy will is done, O God!
The star hath ridden high
Thro' many a tempest, but she rode
Beneath thy burning eye;
And here, in thought, to theeIn thought that can alone
Ascend thy empire and so be
A partner of thy throneBy winged Fantasy,
My embassy is given,
Till secrecy shall knowledge be
In the environs of Heaven.'
She ceas'd- and buried then her burning cheek
Abash'd, amid the lilies there, to seek
A shelter from the fervor of His eye;
For the stars trembled at the Deity.
She stirr'd not- breath'd not- for a voice was there
How solemnly pervading the calm air!
A sound of silence on the startled ear
Which dreamy poets name 'the music of the sphere.'
Ours is a world of words: Quiet we call
'Silence'- which is the merest word of all.
All Nature speaks, and ev'n ideal things
Flap shadowy sounds from visionary wingsBut ah! not so when, thus, in realms on high
The eternal voice of God is passing by,
And the red winds are withering in the sky:'What tho 'in worlds which sightless cycles run,
Linked to a little system, and one sunWhere all my love is folly and the crowd
Still think my terrors but the thunder cloud,
The storm, the earthquake, and the ocean-wrath(Ah! will they cross me in my angrier path?)
What tho' in worlds which own a single sun
The sands of Time grow dimmer as they run,
Yet thine is my resplendency, so given
To bear my secrets thro' the upper Heaven!
Leave tenantless thy crystal home, and fly,
With all thy train, athwart the moony skyApart- like fire-flies in Sicilian night,
And wing to other worlds another light!
Divulge the secrets of thy embassy
To the proud orbs that twinkle- and so be
To ev'ry heart a barrier and a ban
Lest the stars totter in the guilt of man!'
Up rose the maiden in the yellow night,
The single-mooned eve!- on Earth we plight
Our faith to one love- and one moon adoreThe birth-place of young Beauty had no more.
As sprang that yellow star from downy hours
Up rose the maiden from her shrine of flowers,
And bent o'er sheeny mountains and dim plain
Her way, but left not yet her Therasaean reign.
High on a mountain of enamell'd headSuch as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter'd 'hope to be forgiven'
What time the moon is quadrated in HeavenOf rosy head that, towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve- at noon of night,
While the moon danc'd with the fair stranger lightUprear'd upon such height arose a pile
Of gorgeous columns on th' unburthen'd air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro' the ebon air, besilvering the pall
Of their own dissolution, while they dieAdorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crownA window of one circular diamond, there,
Look'd out above into the purple air,
And rays from God shot down that meteor chain
And hallow'd all the beauty twice again,
Save, when, between th' empyrean and that ring,
Some eager spirit Flapp'd his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that greyish green
That Nature loves the best Beauty's grave
Lurk'd in each cornice, round each architraveAnd every sculptur'd cherub thereabout
That from his marble dwelling peered out,
Seem'd earthly in the shadow of his nicheAchaian statues in a world so rich!
Friezes from Tadmor and PersepolisFrom Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! O, the wave
Is now upon thee- but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the grey twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long agoThat stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloudIs not its form- its voice- most palpable and loud?
But what is this?- it cometh, and it brings
A music with it- 'tis the rush of wingsA pause- and then a sweeping, falling strain
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
And zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe,
She paused and panted, Zanthe! all beneath,
The fairy light that kiss'd her golden hair
And long'd to rest, yet could but sparkle there.
Young flowers were whispering in melody
To happy flowers that night- and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-lit dell;
Yet silence came upon material thingsFair flowers, bright waterfalls and angel wingsAnd sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:
''Neath the blue-bell or streamerOr tufted wild spray
That keeps, from the dreamer,
The moonbeam awayBright beings! that ponder,
With half closing eyes,
On the stars which your wonder
Hath drawn from the skies,
Till they glance thro' the shade, and
Come down to your brow
Like- eyes of the maiden
Who calls on you nowArise! from your dreaming
In violet bowers,
To duty beseeming
These star-litten hoursAnd shake from your tresses
Encumber'd with dew
The breath of those kisses
That cumber them too(O! how, without you, Love!
Could angels be blest?)
Those kisses of true Love
That lull'd ye to rest!
Up!- shake from your wing
Each hindering thing:
The dew of the nightIt would weigh down your flight
And true love caressesO, leave them apart!
They are light on the tresses,
But lead on the heart.
Ligeia! Ligeia!
My beautiful one!
Whose harshest idea
Will to melody run,
O! is it thy will
On the breezes to toss?
Or, capriciously still,
Like the lone Albatros,
Incumbent on night
(As she on the air)
To keep watch with delight
On the harmony there?
Ligeia! wherever
Thy image may be,
No magic shall sever
Thy music from thee.
Thou hast bound many eyes
In a dreamy sleepBut the strains still arise
Which thy vigilance keepThe sound of the rain,
Which leaps down to the flowerAnd dances again
In the rhythm of the showerThe murmur that springs
From the growing of grass
Are the music of thingsBut are modell'd, alas!Away, then, my dearest,
Oh! hie thee away
To the springs that lie clearest
Beneath the moon-rayTo lone lake that smiles,
In its dream of deep rest,
At the many star-isles
That enjewel its breastWhere wild flowers, creeping,
Have mingled their shade,
On its margin is sleeping
Full many a maidSome have left the cool glade, and
Have slept with the beeArouse them, my maiden,
On moorland and leaGo! breathe on their slumber,
All softly in ear,
Thy musical number
They slumbered to hearFor what can awaken
An angel so soon,
Whose sleep hath been taken
Beneath the cold moon,
As the spell which no slumber
Of witchery may test,
The rhythmical number
Which lull'd him to rest?'
Spirits in wing, and angels to the view,
A thousand seraphs burst th' Empyrean thro',
Young dreams still hovering on their drowsy flightSeraphs in all but 'Knowledge,' the keen light
That fell, refracted, thro' thy bounds, afar,
O Death! from eye of God upon that star:
Sweet was that error- sweeter still that deathSweet was that error- even with us the breath
Of Science dims the mirror of our joyTo them 'twere the Simoom, and would destroyFor what (to them) availeth it to know
That Truth is Falsehood- or that Bliss is Woe?
Sweet was their death- with them to die was rife
With the last ecstasy of satiate lifeBeyond that death no immortalityBut sleep that pondereth and is not 'to be'!And there- oh! may my weary spirit dwellApart from Heaven's Eternity- and yet how far from Hell!
What guilty spirit, in what shrubbery dim,
Heard not the stirring summons of that hymn?
But two: they fell: for Heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-loverO! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen- 'mid 'tears of perfect moan.'
He was a goodly spirit- he who fell:
A wanderer by moss-y-mantled wellA gazer on the lights that shine aboveA dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty's hairAnd they, and ev'ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of woe)
Upon a mountain crag, young AngeloBeetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sat he with his love- his dark eye bent
With eagle gaze along the firmament:
Now turn'd it upon her- but ever then
It trembled to the orb of EARTH again.
'Ianthe, dearest, see- how dim that ray!
How lovely 'tis to look so far away!
She seem'd not thus upon that autumn eve
I left her gorgeous halls- nor mourn'd to leave.
That eve- that eve- I should remember wellThe sun-ray dropp'd in Lemnos, with a spell
On th' arabesque carving of a gilded hall
Wherein I sate, and on the draperied wallAnd on my eyelids- O the heavy light!
How drowsily it weigh'd them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O that light!- I slumber'd- Death, the while,
Stole o'er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept- or knew that he was there.
'The last spot of Earth's orb I trod upon
Was a proud temple call'd the Parthenon;
More beauty clung around her column'd wall
Than ev'n thy glowing bosom beats withal,
And when old Time my wing did disenthral
Thence sprang I- as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my viewTenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wish'd to be again of men.'
'My Angelo! and why of them to be?
A brighter dwelling-place is here for theeAnd greener fields than in yon world above,
And woman's loveliness- and passionate love.'
'But, list, Ianthe! when the air so soft
Fail'd, as my pennon'd spirit leapt aloft,
Perhaps my brain grew dizzy- but the world
I left so late was into chaos hurl'dSprang from her station, on the winds apart.
And roll'd, a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar
And fell- not swiftly as I rose before,
But with a downward, tremulous motion thro'
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to oursDread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.'
'We came- and to thy Earth- but not to us
Be given our lady's bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us, as granted by her GodBut, Angelo, than thine grey Time unfurl'd
Never his fairy wing O'er fairier world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o'er the starry seaBut when its glory swell'd upon the sky,
As glowing Beauty's bust beneath man's eye,
We paused before the heritage of men,
And thy star trembled- as doth Beauty then!'
Thus, in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.
~ Edgar Allan Poe,
275:Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung about his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

  Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since. Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

  It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep organ tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!-though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:-O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

  As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.-I am gone
Away from my own bosom: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.-
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must-it must
Be of ripe progress-Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he snatch'd
Utterance thus.-"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"-That word
Found way unto Olympus, and made quake
The rebel three.-Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

  "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

  Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;-
Blazing Hyperion on his orbed fire
Still sat, still snuff'd the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he-
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache. His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,-
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came slope upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

  He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire? It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.-
Fall!-No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."-
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might. Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,-hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.-Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:-No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire. I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.-This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:-I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:-
But thou canst.-Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.-To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."-
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.
'Lord Houghton records, on the authority of Brown, that "Hyperion" was begun after the death of Tom Keats, when the poet took up his residence at Wentworth Place.

(line 14): It seems to me that the power of realization shown in the first decade, and indeed throughout the fragment, answers all objections to the subject, and is the most absolute security for the nobility of the result which Keats would have achieved had he finished the poem. It is impossible to over-estimate the value of such a landscape, so touched in with a few strokes of titanic meaning and completeness; and the whole sentiment of gigantic despair reflected around the fallen god of the Titan dynasty, and permeating the landscape, is resumed in the most perfect manner in the incident of the motionless fallen leaf, a line almost as intense and full of the essence of poetry as any line in our language. It were ungracious to take exception to the poor Naiad; but she has not the convincing appropriateness of the rest of this sublime opening.'

(line 51): Leigh Hunt's remarks upon Keats's failure to finish the poem are specially appropriate to this passage, "If any living poet could finish this fragment, we believe it is the author himself. But perhaps he feels that he ought not. A story which involves passion, almost of necessity involves speech; and though we may well enough describe beings greater than ourselves by comparison, unfortunately we cannot make them speak by comparison." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.

by owner. provided at no charge for educational purposes

~ John Keats, Hyperion. Book I
276: The Rishi
King Manu in the former ages of the world, when the
Arctic continent still subsisted, seeks knowledge from the Rishi of the Pole, who after long baffling him with conflicting side-lights of the knowledge, reveals to him what it chiefly concerns man to know.

Rishi who trance-held on the mountains old
Art slumbering, void
Of sense or motion, for in the spirit's hold
Of unalloyed
Immortal bliss thou dreamst protected! Deep
Let my voice glide
Into thy dumb retreat and break thy sleep
Abysmal. Hear!
The frozen snows that heap thy giant bed
Ice-cold and clear,
The chill and desert heavens above thee spread
Vast, austere,
Are not so sharp but that thy warm limbs brook
Their bitter breath,
Are not so wide as thy immense outlook
On life and death:
Their vacancy thy silent mind and bright

But ours are blindly active and thy light
We have forgone.

Who art thou, warrior armed gloriously
Like the sun?
Thy gait is as an empire and thine eye
Poems from Ahana and Other Poems
King Manu, of the Aryan peoples lord,
Greets thee, Sage.

I know thee, King, earth to whose sleepless sword
Was heritage.

The high Sun's distant glories gave thee forth
On being's edge:
Where the slow skies of the auroral North
Lead in the morn
And flaming dawns for ever on heaven's verge
Wheel and turn,
Thundering remote the clamorous Arctic surge
Saw thee born.

There 'twas thy lot these later Fates to build,
This race of man
New-fashion. O watcher with the mountains wild,
The icy plain,
Thee I too, asleep, have watched, both when the Pole
Was brightening wan
And when like a wild beast the darkness stole
Prowling and slow
Alarming with its silent march the soul.

O King, I know
Thy purpose; for the vacant ages roll
Since man below
Conversed with God in friendship. Thou, reborn
For men perplexed,
Seekest in this dim aeon and forlorn
With evils vexed
The vanished light. For like this Arctic land
Death has annexed
To sleep, our being's summits cold and grand
Where God abides,
Repel the tread of thought. I too, O King,



Baroda and Bengal, c. 1900 - 1909
In winds and tides
Have sought Him, and in armies thundering,
And where Death strides
Over whole nations. Action, thought and peace
Were questioned, sleep,
And waking, but I had no joy of these,
Nor ponderings deep,
And pity was not sweet enough, nor good
My will could keep.

Often I found Him for a moment, stood
Astonished, then
It fell from me. I could not hold the bliss,
The force for men,
My brothers. Beauty ceased my heart to please,
Brightness in vain
Recalled the vision of the light that glows
Suns behind:
I hated the rich fragrance of the rose;
Weary and blind,
I tired of the suns and stars; then came
With broken mind
To heal me of the rash devouring flame,
The dull disease,
And sojourned with this mountain's summits bleak,
These frozen seas.

King, the blind dazzling snows have made me meek,
Cooled my unease.

Pride could not follow, nor the restless will
Come and go;
My mind within grew holy, calm and still
Like the snow.

O thou who wast with chariots formidable
And with the bow!
Voiceless and white the cold unchanging hill,

Poems from Ahana and Other Poems
Has it then
A mightier presence, deeper mysteries
Than human men?
The warm low hum of crowds, towns, villages,
The sun and rain,
The village maidens to the water bound,
The happy herds,
The fluting of the shepherd lads, the sound
Myriad of birds,
Speak these not clearer to the heart, convey
More subtle words?
Here is but great dumb night, an awful day
Inert and dead.

The many's voices fill the listening ear,
Distract the head:
The One is silence; on the snows we hear
Silence tread.

What hast thou garnered from the crags that lour,
The icy field?
O King, I spurned this body's death; a Power
There was, concealed,
That raised me. Rescued from the pleasant bars
Our longings build,
My winged soul went up above the stars
Questing for God.


Baroda and Bengal, c. 1900 - 1909
Oh, didst thou meet Him then? in what bright field
Upon thy road?
I asked the heavenly wanderers as they wheeled
For His abode.

Could glorious Saturn and his rings of hue
Direct thy flight?
Sun could not tell, nor any planet knew
Its source of light,
Nor could I glean that knowledge though I paced
The world's beyond
And into outer nothingness have gazed.

Time's narrow sound
I crossed, the termless flood where on the Snake
One slumbers throned,
Attempted. But the ages from Him break
Blindly and Space
Forgets its origin. Then I returned
Where luminous blaze
Deathless and ageless in their ease unearned
The ethereal race.

Did the gods tell thee? Has Varuna seen
The high God's face?

Poems from Ahana and Other Poems
How shall they tell of Him who marvel at sin
And smile at grief?
Did He not send His blissful Angels down
For thy relief?
The Angels know Him not, who fear His frown,
Have fixed belief.

Is there no heaven of eternal light
Where He is found?
The heavens of the Three have beings bright
Their portals round,
And I have journeyed to those regions blest,
Those hills renowned.

In Vishnu's house where wide Love builds his nest,
My feet have stood.

Is he not That, the blue-winged Dove of peace,
Father of Good?
Nor Brahma, though the suns and hills and seas
Are called his brood.


Baroda and Bengal, c. 1900 - 1909
Is God a dream then? are the heavenly coasts
Visions vain?
I came to Shiva's roof; the flitting ghosts
Compelled me in.

MANU ls He then God whom the forsaken seek,
Things of sin?
He sat on being's summit grand, a peak
Immense of fire.

Knows He the secret of release from tears
And from desire?
His voice is the last murmur silence hears,
Tranquil and dire.

The silence calls us then and shall enclose?
Our true abode
Is here and in the pleasant house He chose
To harbour God.
Poems from Ahana and Other Poems
In vain thou hast travelled the unwonted stars
And the void hast trod!
King, not in vain. I knew the tedious bars
That I had fled,
To be His arms whom I have sought; I saw
How earth was made
Out of His being; I perceived the Law,
The Truth, the Vast,
From which we came and which we are; I heard
The ages past
Whisper their history, and I knew the Word
That forth was cast
Into the unformed potency of things
To build the suns.

Through endless Space and on Time's iron wings
A rhythm runs
Our lives pursue, and till the strain's complete
That now so moans
And falters, we upon this greenness meet,
That measure tread.

Is earth His seat? this body His poor hold
Infirmly made?
I flung off matter like a robe grown old;
Matter was dead.


Baroda and Bengal, c. 1900 - 1909
Sages have told of vital force behind:
It is God then?
The vital spirits move but as a wind
Within men.

Mind then is lord that like a sovereign sways
Delight and pain?
Mind is His wax to write and, written, rase
Form and name.

Is Thought not He who has immortal eyes
Time cannot dim?
Higher, O King, the still voice bade me rise
Than thought's clear dream.

Deep in the luminous secrecy, the mute
Profound of things,
Where murmurs never sound of harp or lute
And no voice sings,
Light is not, nor our darkness, nor these bright
In the deep steady voiceless core of white
And burning bliss,
The sweet vast centre and the cave divine
Called Paradise,

Poems from Ahana and Other Poems
He dwells within us all who dwells not in
Aught that is.

Rishi, thy thoughts are like the blazing sun
Eye cannot face.

How shall our souls on that bright awful One
Hope even to gaze
Who lights the world from His eternity
With a few rays?
Dare on thyself to look, thyself art He,
O Aryan, then.

There is no thou nor I, beasts of the field,
Nor birds, nor men,
But flickerings on a many-sided shield
Pass, or remain,
And this is winged and that with poisonous tongue
Hissing coils.

We love ourselves and hate ourselves, are wrung
With woes and toils
To slay ourselves or from ourselves to win
Shadowy spoils.

And through it all, the rumour and the din,
Voices roam,
Voices of harps, voices of rolling seas,
That rarely come
And to our inborn old affinities
Call us home.

Shadows upon the many-sided Mind
Arrive and go,
Shadows that shadows see; the vain pomps wind
Above, below,
While in their hearts the single mighty God
Whom none can know,



Baroda and Bengal, c. 1900 - 1909
Guiding the mimic squadrons with His nod
Watches it all -
Like transient shapes that sweep with half-guessed truth
A luminous wall.

Alas! is life then vain? Our gorgeous youth
Li the and tall,
Our sweet fair women with their tender eyes
Outshining stars,
The mighty meditations of the wise,
The grandiose wars,
The blood, the fiery strife, the clenched dead hands,
The circle sparse,
The various labour in a hundred lands,
Are all these shows
To please some audience cold? as in a vase
Lily and rose,
Mixed snow and crimson, for a moment blaze
Till someone throws
The withered petals in some outer dust,
Heeding not, -
The virtuous man made one with the unjust,
Is this our lot?
O King, sight is not vain, nor any sound.

Weeds that float
Upon a puddle and the majestic round
Of the suns
Are thoughts eternal, - what man loves to laud
And what he shuns;
Through glorious things and base the wheel of God
For ever runs.

O King, no thought is vain; our very dreams
Substantial are;

Poems from Ahana and Other Poems
The light we see in fancy, yonder gleams
In the star.

Rishi, are we both dreams and real? the near
Even as the far?
Dreams are we not, O King, but see dreams, fear
Therefore and strive.

Like poets in a wondrous world of thought
Always we live,
Whose shapes from out ourselves to being brought
Abide and thrive.

The poet from his vast and labouring mind
Brings brilliant out
A living world; forth into space they wind,
The shining rout,
And hate and love, and laugh and weep, enjoy,
Fight and shout,
King, lord and beggar, tender girl and boy,
Foemen, friends;
So to His creatures God's poetic mind
A substance lends.

The Poet with dazzling inspiration blind,
Until it ends,
Forgets Himself and lives in what He forms;
For ever His soul
Through chaos like a wind creating storms,
Till the stars roll
Through ordered space and the green lands arise,
The snowy Pole,
Ocean and this great heaven full of eyes,
And sweet sounds heard,
Man with his wondrous soul of hate and love,
And beast and bird, -



Baroda and Bengal, c. 1900 - 1909
Yes, He creates the worlds and heaven above
With a single word;
And these things being Himself are real, yet
Are they like dreams,
For He awakes to self He could forget
In what He seems.

Yet, King, deem nothing vain: through many veils
This Spirit gleams.

The dreams of God are truths and He prevails.

Then all His time
Cherish thyself, O King, and cherish men,
Anchored in Him.

Upon the silence of the sapphire main
Waves that sublime
Rise at His word and when that fiat's stilled
Are hushed again,
So is it, Rishi, with the Spirit concealed,
Things and men?
Hear then the truth. Behind this visible world
The eyes see plain,
Another stands, and in its folds are curled
Our waking dreams.

Dream is more real, which, while here we wake,
Unreal seems.

From that our mortal life and thoughts we take.

Its fugitive gleams
Are here made firm and solid; there they float
In a magic haze,
Melody swelling note on absolute note,
A lyric maze,
Beauty on beauty heaped pell-mell to chain
The enchanted gaze,

Poems from Ahana and Other Poems
Thought upon mighty thought with grandiose strain
Weaving the stars.

This is that world of dream from which our race
Came; by these bars
Of body now enchained, with laggard pace,
Borne down with cares,
A little of that rapture to express
We labour hard,
A little of that beauty, music, thought
With toil prepared;
And if a single strain is clearly caught,
Then our reward
Is great on earth, and in the world that floats
Lingering awhile
We hear the fullness and the jarring notes
Reconcile, -
Then travel forwards. So we slowly rise,
And every mile
Of our long journey mark with eager eyes;
So we progress
With gurge of revolution and recoil,
Slaughter and stress
Of anguish because without fruit we toil,
Without success;
Even as a ship upon the stormy flood
With fluttering sails
Labours towards the shore; the angry mood
Of Ocean swells,
Calms come and favouring winds, but yet afar
The harbour pales
In evening mists and Ocean threatens war:
Such is our life.

Of this be sure, the mighty game goes on,
The glorious strife,
Until the goal predestined has been won.

Not on the cliff
To be shattered has our ship set forth of old,



Baroda and Bengal, c. 1900 - 1909
Nor in the surge
To founder. Therefore, King, be royal, bold,
And through the urge
Of winds, the reboant thunders and the close
Tempestuous gurge
Press on for ever laughing at the blows
Of wind and wave.

The haven must be reached; we rise from pyre,
We rise from grave,
We mould our future by our past desire,
We break, we save,
We find the music that we could not find,
The thought think out
We could not then perfect, and from the mind
That brilliant rout
Of wonders marshal into living forms.

End then thy doubt;
Grieve not for wounds, nor fear the violent storms,
For grief and pain
Are errors of the clouded soul; behind
They do not stain
The living spirit who to these is blind.

Torture, disdain,
Defeat and sorrow give him strength and joy:
'Twas for delight
He sought existence, and if pains alloy,
'Tis here in night
Which we call day. The Yogin knows, O King,
Who in his might
Travels beyond the mind's imagining,
The worlds of dream.

For even they are shadows, even they
Are not, - they seem.

Behind them is a mighty blissful day
From which they stream.

The heavens of a million creeds are these:
Peopled they teem

Poems from Ahana and Other Poems
By creatures full of joy and radiant ease.

There is the mint
From which we are the final issue, types
Which here we print
In dual letters. There no torture grips,
Joy cannot stint
Her streams, - beneath a more than mortal sun
Through golden air
The spirits of the deathless regions run.

But we must dare
To still the mind into a perfect sleep
And leave this lair
Of gross material flesh which we would keep
Always, before
The guardians of felicity will ope
The golden door.

That is our home and that the secret hope
Our hearts explore.

To bring those heavens down upon the earth
We all descend,
And fragments of it in the human birth
We can command.

Perfect millenniums are sometimes, until
In the sweet end
All secret heaven upon earth we spill,
Then rise above
Taking mankind with us to the abode
Of rapturous Love,
The bright epiphany whom we name God,
Towards whom we drove
In spite of weakness, evil, grief and pain.

He stands behind
The worlds of Sleep; He is and shall remain
When they grow blind
To individual joys; for even these
Are shadows, King,
And gloriously into that lustre cease



Baroda and Bengal, c. 1900 - 1909
From which they spring.

We are but sparks of that most perfect fire,
Waves of that sea:
From Him we come, to Him we go, desire
And so long as He wills, our separate birth
Is and shall be.

Shrink not from life, O Aryan, but with mirth
And joy receive
His good and evil, sin and virtue, till
He bids thee leave.

But while thou livest, perfectly fulfil
Thy part, conceive
Earth as thy stage, thyself the actor strong,
The drama His.

Work, but the fruits to God alone belong,
Who only is.

Work, love and know, - so shall thy spirit win
Immortal bliss.

Love men, love God. Fear not to love, O King,
Fear not to enjoy;
For Death's a passage, grief a fancied thing
Fools to annoy.

From self escape and find in love alone
A higher joy.

O Rishi, I have wide dominion,
The earth obeys
And heaven opens far beyond the sun
Her golden gaze.

But Him I seek, the still and perfect One, -
The Sun, not rays.
Poems from Ahana and Other Poems
Seek Him upon the earth. For thee He set
In the huge press
Of many worlds to build a mighty state
For man's success,
Who seeks his goal. Perfect thy human might,
Perfect the race.

For thou art He, O King. Only the night
Is on thy soul
By thy own will. Remove it and recover
The serene whole
Thou art indeed, then raise up man the lover
To God the goal.
~ Sri Aurobindo, - The Rishi
277:The Legend Of Lady Gertrude
Fallen the lofty halls, where vassal crowds
Drank in the dawn of Gertrude's natal day.
The dungeon roof an Alpine snow-wreath shrouds,
The strong, wild eagle's eyrie in the clouds—
The robber-baron's nest—is swept away.
Bare is the mountain brow of lordly towers;
Only the sunbeams stay, the moon and stars,
The faithful saxifrage and gentian flowers,
The silvery mist, and soft, white, crystal showers,
And torrents rushing through their rocky bars.
More than three hundred years ago, the flag
Charged with that dread device, an Alpine bear—
By many storm-winds rent—a grim, grey rag—
Floated above the castle on the crag,
Above the last whose heads were shelter'd there.
He was the proudest of an ancient race,
The fiercest of the robber chieftain's band,
That haughty Freiherr, with the iron face:
And she—his lady-sister, by God's grace—
The sweetest, gentlest maiden in the land.
'Twas a rude nest for such a tender bird,
That lonely fortress, with its warrior-lord.
Aye drunken revels the night-stillness stirred;
From morn till eve the battle-cries were heard,
The sound of jingling spur and clanking sword.
And Lady Gertrude was both young and fair,
A mark for lawless hearts and roving eyes,—
With sweet, grave face, and amber-tinted hair,
And a low voice soft-thrilling through the air,
Filling it full of subtlest melodies.
But the great baron, proudest of his line,
Fetter'd, with jealous care, his white dove's wing;
Guarded his treasure in an inner shrine,
Till such a day as knightly hands should twine
Her slender fingers with the marriage-ring.
From all her household rights was she debarred—
Her chair and place within the castle-hall,
Her palfrey's saddle in the castle-yard,
Her nursing ministries when blows fell hard
In border struggles—she was kept from all.
A stone-paved chamber, and the parapet
Opening above its winding turret-stair;
The castle-chapel, where few men were met,—
Round these the brother's boundaries were set.
The sweet child-sister was so very fair!
She had her faithful nurse, her doves, her lute,
Her broidery and her distaff, and the hound—
Best prized of all—the grand, half-human brute,
Who aye watched near her, beautiful and mute,
With ears love-quicken'd, listening from the ground.
But the wild bird, so honourably caged,
Grew sick and sad in its captivity;
Longed—like those hills which time nor storm had aged,
And those deep glens where Danube waters raged—
In God's own wind and sunshine to be free.
And on a day, when she had seen them ride,
Baron and troopers, on some border raid,
Wooed by the glory of the summer tide,
The hound's soft-slouching footstep at her side,
Adown the valley Lady Gertrude stray'd.
Adown the crag, whose shadow, still and black,
Lay like the death-sleep on a mountain pool;
Through rocky glen, by silvery torrent's track,
Through forest glade, 'neath wild vines, fluttering back
From softest zephyr kisses, green and cool.
E'en till the woods and hamlets down below,
And summer meadows, were all broad and clear;
The river, moving statelily and slow,
A crimson ribbon in the sunset glow—
The dim, white, distant city strangely near.
She sat her down, a-weary, on the ground,
With tremulous long-drawn breath and wistful eyes;
Caress'd the velvet muzzle of the hound,
And listen'd vainly for some little sound
To come up from her world of mysteries.
She had forgotten of the time and place,
When clank of warrior's harness smote her dream.
A growl, a spring, a shadow on her face,
And one strode up, with slow and stately pace,
And stood before her in the soft sun-gleam.
An armèd knight, in noblest knightly guise,
From golden spur to golden dragon-crest;
Through open vizor gazing with surprise
Into the fair, flush'd face and startled eyes,
While horse and hound stood watchfully at rest.
The sun went down, and, with long, stealthy stride,
The shadows came, blurring the summer light;
And there was none the lady's step to guide
Up the lost pathway on the mountain-side—
None to protect her but this stranger knight!
He placed her gently on his dappled grey,
Clothed in his mantle—for the air was chill;
He led her all the long and devious way,
Through glens, where starless night held royal sway,
And vine-tressed woodlands, where the leaves were still:
Through pathless ravines, where swift waters roll'd;
Up dark crag-ramparts, perilously steep,
Where eagles and a she-bear watch'd the fold;—
Facing the mountain breezes, clear and cold—
In shy, sweet silence, eloquent and deep.
Holding his charger by the bridle-rein,
He led her through the robber-chieftain's lands;
Led her, unchallenged by the baron's train,
E'en to the low-brow'd castle-gate again,
And there he humbly knelt to kiss her hands.
Brave lips, o'er tender palms bent down so low,
Silent and reverent, as it were to bless—
'Twas e'en a knightly love they did bestow,
Love true as steel and undefiled as snow;
No common courtesy, no light caress.
He rode away; and she to turret-lair
Sped, swift and trembling, like a hunted doe.
But wherefore, on the loopholed winding stair
Knelt she till morning, weeping, watching there?—
Because he was her brother's deadliest foe.
Because the golden dragon's blood had mixt
In all those mountain streams, had dyed the grass
Now trodden for her sake; because betwixt
Those two proud barons such a gulf was fixt
As never bridge of peace might overpass.
A bitter, passionate feud, that was begun
In ages long forgotten, and bequeath'd
With those rich baronies by sire to son—
A sacred charge, a great work never done,
A sharp and fiery weapon never sheath'd.
Yet, e'er a month slipped by, as summer slips
On noiseless wings, another kiss was laid,
Not on white palms or rosy finger-tips,
But softly on shut eyes and quivering lips;
And vows were sealèd in the forest glade.
The robber baron, who had hedged about
That fairest blossom of the sacred plant,
Saw he the insolent mailèd hand stretch'd out
To break down all his barriers, strong and stout?
Knew he aught of that gracious covenant?
His pride serenely slept. Nor did it wake
Till, in amaze, he saw his enemy stand
In his own castle, praying him to take
The pledge of peace for Lady Gertrude's sake—
Praying him humbly for the lady's hand.
Slowly the knitted brows grew fierce and black;
Slowly the eagle eyes began to shine.
“Sir knight,” he said, “I pray you get you back.
But one hour—and the Bears are on your track.
There's naught but fire and sword 'twixt mine and thine.”
And then the doors were barred on every side
Upon the innocent traitor, who had done
Such doubly-shameful despite to his pride.
Mocking, “I'll satisfy your heart,” he cried,
“An' you will have a husband, pretty one!”
Yet did she send a message stealthily,
Spurred by the torture of this ominous threat.
“Thou wilt not suffer it?” she said. And he,
“Fear not. To-morrow will I come for thee,—
At eve to-morrow, when the sun has set.”
And on the morrow, when the autumn light
Of red and gold had faded into grey,
She heard his signal up the echoing height,
Like hoarse owl-whistle, quivering through the night;
And in the dark she softly slipped away.
Her faithful nurse, with trembling hands, untwined
The new-forged fetters and drew back the bars.
The hound look'd up into her face, and whined,
And scratch'd the door; he would not stay behind.
And so she went—watch'd only by the stars.
Adown the mountain passes, with wing'd feet
And bright, blank eyes—her hand fast clutch'd around
A ragged slip of myrtle, white and sweet;
The hound beside her, velvet-footed, fleet
And silent, with his muzzle to the ground.
The knight was waiting, with his dappled steed,
Hard by the black brink of the waveless pool.
In his strong, tender arms—now safe indeed—
She cross'd the valley, with the wild bird's speed,
Fanned by the whispering night-wind, clear and cool.
Away—away—far from the trysting-place—
Over the blood-stain'd border-lands at last!
One wandering hind alone beheld the race;
A sudden rush—a shadow on his face—
A glint of golden scales—and she was past.
She felt the shadow of a mighty wall,
And then the glow of torchlight, and again
The gloom of cloister'd stair and passage, fall
Upon her vacant eyes. She heard a call;
And, in the echoing mountains, its refrain.
Then all around her a great silence lay;
She knew not why, nor greatly seem'd to care,
Till, in low tones, she heard the baron say,
“Hast thou confess'd, my little one, to-day?”—
The while he weaved the myrtle in her hair.
She glanced up suddenly, in blank amaze;
And then remember'd. 'Twas an altar, hung
With silk and rich embroidery, met her gaze;
'Twas perfumed, waxen altar-tapers' blaze
On her chill'd face and troubled spirit flung.
A holy father, with his open book,
Stood by the threshold of the chapel door.
Slowly, with bated breath and hands that shook,
Soft-clasped together—drawn with but a look—
She went, and knelt down humbly on the floor.
The baron left her, lowly crouching there,
Her bright, starred tresses trailing on the stones;
And waited, kneeling on the altar-stair—
Holding his sword-hilt to his lips, in prayer—
The while she pleaded in her tremulous tones.
A warning voice upon the still air dwelt,
A long, low cry of mingled hope and dread;—
A pause—a solemn silence—and she felt
The sweet absolving whisper as she knelt,
And hands of blessing covering her head.
The knight arose in silence, with a brow
Haughty and pale; and, softly drawing nigh,—
Love, life, and death in the new “I and thou”—
He gave and took each solemn marriage vow,
With all his arm'd retainers standing by.
The soft light fell upon their faces—still,
And calm, and full of rest. None now to part
The golden link between them!—naught to chill
The blest assurance that the father's will
Laid hand in hand, and gather'd heart to heart.
And so 'twas done. Each finger now had worn
The rings that aye ring'd in the double life;
From each the pledge had been withdrawn in turn,
As one by one the hallow'd oaths were sworn;
And Lady Gertrude was the baron's wife.
He led her to her chamber, when the glow
Of dawn began to quicken earth and sky;
They watch'd the rosy wine-cup overflow
The pale, cool, silvery track upon the snow
Of Alpine crests, uplifted far and high.
They saw the mountain floodgates open'd wide,
The downward streaming of unfetter'd day;
In blessed stillness, standing side by side—
Stillness that told how they were satisfied,
Those hearts whereon the new-born glamour lay.
And then, down cloister'd aisle and sculptured stair,
Through open courts, all bathed in shining mist,
They pass'd together, knight and lady fair;
She with the matron's coif upon her hair,
Her golden hair by lip and finger kiss'd.
He throned her proudly in his castle hall,
High on the daïs above the festive board,
'Neath shields and pennons drooping from the wall;
And they below the salt rose, one and all,
To greet the bride of their puissant lord.
Loud were the shouts, and fair with smiling grace
The blue eyes of the lady baroness;
And bright and eager was the haughty face
Of her brave husband, towering in his place,
Yet aye low-stooping for a mute caress.
There came a sudden pause—a thunder-cloud,
Darkening the sunshine of the golden noon—
An ominous stillness in the armèd crowd,
While slowly stiffening lips, all stern and proud,
Shut in the kindly laughter—all too soon!
“To arms! To arms!” A passionate crimson flush
Rose, sank, and blanched the fair face of the bride.
“To arms!” The cry smote sharply on the hush,
And broke it;—all was one tumultuous rush—
“The Bears have cross'd the border-land!” they cried.
But a few hours had Lady Gertrude dwelt
With her dear lord. Sad honours now were hers,
With white, hot hands she clasp'd his silver belt;
She held his dinted shield and sword; and knelt,
Like lowly squire, to don his golden spurs.
“Thou wilt not fight with him?—thou wilt forbear
For my sake?” So she pleaded, while the sun
Shone on her falling tears—each tear a prayer.
He whisper'd gravely, as he kissed her hair,
“I know not if I can, my little one.”
She held his hands, with infinite mute desire
To hold him back; then watch'd him to the field
With hungry, feverish eyes that could not tire,
Till sunny space absorb'd the fitful fire
Of the bright dragons on his crest and shield.
When he was gone—quite gone—she crept away,
Back to the castle chapel, still and dim;
And knelt where he had knelt but yesterday,
Low on the altar step, to watch and pray—
To pour her heart out for the love of him.
Her bower-maidens sat alone and spun
The while she pray'd, the terror-stricken wife.
The long hours slowly wanèd, one by one,
And evening came, and, with the setting sun,
The sudden darkness that eclipsed her life.
She listen'd, and she heard the sound at last,—
The ominous pause, the heavy, clanging tread;
She saw the strange, long shadow weirdly cast
Upon the floor, the red blood streaming fast,
The dear face grey and stiffen'd;—he was dead!
“Ay, dead, my lady baroness; and slain
By him you call your brother. Curses light
Upon his caitiff soul! Ah, 'tis in vain
To murmur thus,—he will not hear again—
He cannot heed your whisperings to-night.”
She lay down on her bridal couch—the stone
Whereon he lay in his eternal rest;
They, pitying, pass'd out, leaving her alone,
To kiss the rigid lips, and cry, and moan,
With her white face upon his bleeding breast.
'Twas night—wakeful, restless, troubled night,
Both wild and soft—fair;
With clouds fast flying through the domheight,
And shrieking winds, and silvery shining light,
And clear bells piercing the transparent air.
Down vale and fell a lonely figure stray'd,—
Now a dark shadow on the moonlit ground,
Now flickering white and ghostly in the shade
Of haunted glen and scented forest-glade—
A woman, watched and followed by a hound.
'Twas Lady Gertrude, widow'd and forlorn,
Returning to the wild birds' mountain nest;
Sent out with smiling insult and with scorn,
And creeping to the home where she was born,
To hide her sorrow, to lie down and rest.
She reach'd the gate and cross'd the castle-yard,
And stood upon the threshold, chill'd with fear.
The baron rose and faced her, breathing hard:
“Troopers,” he thunder'd, “let the doors be barred
And double-barred!—we'll have no traitors here.”
Such was her welcome. As she turn'd away,
Groping with sightless eyes and hands outspread,
The hound, unnoticed, slowly made his way
Along the hall, as if in track of prey,
With glistening teeth and stealthy velvet tread.
There was no clarion cry, none heard the sound
Of knightly challenge, till the champion rose,
Avenging. Lo! they saw upon the ground
The baron struggling with the savage hound,
And grim death grimly waiting for the close!
'Twas done. He lay there unassoilzied, dead,
Ere scarcely fell'd by the relentless paws.
And the fierce hound, with painful, limping tread,
Was following still where Lady Gertrude led,
His own red life-blood dripping from his jaws.
'Neath shadowy glades, with moonbeams interlaced,
Through valleys, at day—dawning, soft and dim,
Up mountain steeps at sunrise—uplands paced
By her dead lord in childhood—she retraced
The long miles stretching betwixt her and him.
She reach'd the castle, ere the torches' glare
Had wanèd in the brightness of the sky—
Another lord than hers was feasting there!
She shudder'd at the sounds that fill'd the air,
Of drunken laughter and loud revelry,
And softly up the cloister'd stairs she crept,
Back to the lonely chapel, where all sound
Of human life in solemn silence slept.
With weary heart and noiseless feet she stept
Beneath the doorway into hallow'd ground.
Low at the altar, wrapped in slumber sweet
And still and deep, her murder'd lord lay here;
With waxen tapers at his head and feet—
Forcing reluctant darkness to retreat—
And cross-embroider'd pall upon his bier.
The blood-hound blindly stumbled, and fell prone
Across the threshold. Something came and prest
His huge head downward, stiffening him to stone.
And Lady Gertrude, passing up alone,
Spread her white arms above the baron's breast.
The weapons which his lowly coffin bore—
His sword and spurs, his helm and shield and belt—
Like him, to rest from battle evermore,
Whose long-drawn shadows barred the chapel floor,—
She kiss'd them, for his dear sake, as she knelt.
She laid her cheek upon the velvet pall,
With one long, quivering sigh; and tried to creep
Where the soft shadow of the rood would fall,
'Mid light of sunrise and of tapers tall,
Upon them both, and there she fell asleep.
She woke no more. But where her track had been,
On that last night, became a haunted ground.
And when the wild wind blows upon the sheen
Of summer moonlight, there may still be seen
The phantom of a lady and a hound.
~ Ada Cambridge,
278:The Deserted Garden
I know a village in a far-off land
Where from a sunny, mountain-girdled plain
With tinted walls a space on either hand
And fed by many an olive-darkened lane
The high-road mounts, and thence a silver band
Through vineyard slopes above and rolling grain,
Winds off to that dim corner of the skies
Where behind sunset hills a stately city lies.
Here, among trees whose overhanging shade
Strews petals on the little droves below,
Pattering townward in the morning weighed
With greens from many an upland garden-row,
Runs an old wall; long centuries have frayed
Its scalloped edge, and passers to and fro
Heard never from beyond its crumbling height
Sweet laughter ring at noon or plaintive song at night.
But here where little lizards bask and blink
The tendrils of the trumpet-vine have run,
At whose red bells the humming bird to drink
Stops oft before his garden feast is done;
And rose-geraniums, with that tender pink
That cloud-banks borrow from the setting sun,
Have covered part of this old wall, entwined
With fair plumbago, blue as evening heavens behind.
And crowning other parts the wild white rose
Rivals the honey-suckle with the bees.
Above the old abandoned orchard shows
And all within beneath the dense-set trees,
Tall and luxuriant the rank grass grows,
That settled in its wavy depth one sees
Grass melt in leaves, the mossy trunks between,
Down fading avenues of implicated green;
Wherein no lack of flowers the verdurous night
With stars and pearly nebula o'erlay;
Azalea-boughs half rosy and half white
Shine through the green and clustering apple-spray,
Such as the fairy-queen before her knight
Waved in old story, luring him away
Where round lost isles Hesperian billows break
Or towers loom up beneath the clear, translucent lake;
And under the deep grass blue hare-bells hide,
And myrtle plots with dew-fall ever wet,
Gay tiger-lilies flammulate and pied,
Sometime on pathway borders neatly set,
Now blossom through the brake on either side,
Where heliotrope and weedy mignonette,
With vines in bloom and flower-bearing trees,
Mingle their incense all to swell the perfumed breeze,
That sprung like Hermes from his natal cave
In some blue rampart of the curving West,
Comes up the valleys where green cornfields wave,
Ravels the cloud about the mountain crest,
Breathes on the lake till gentle ripples pave
Its placid floor; at length a long-loved guest,
He steals across this plot of pleasant ground,
Waking the vocal leaves to a sweet vernal sound.
Here many a day right gladly have I sped,
Content amid the wavy plumes to lie,
And through the woven branches overhead
Watch the white, ever-wandering clouds go by,
And soaring birds make their dissolving bed
Far in the azure depths of summer sky,
Or nearer that small huntsman of the air,
The fly-catcher, dart nimbly from his leafy lair;
Pillowed at case to hear the merry tune
Of mating warblers in the boughs above
And shrill cicadas whom the hottest noon
Keeps not from drowsy song; the mourning dove
Pours down the murmuring grove his plaintive croon
That like the voice of visionary love
Oft have I risen to seek through this green maze
(Even as my feet thread now the great world's garden-ways);
And, parting tangled bushes as I passed
Down beechen allies beautiful and dim,
Perhaps by some deep-shaded pool at last
My feet would pause, where goldfish poise and swim,
And snowy callas' velvet cups are massed
Around the mossy, fern-encircled brim.
Here, then, that magic summoning would cease,
Or sound far off again among the orchard trees.
And here where the blanched lilies of the vale
And violets and yellow star-flowers teem,
And pink and purple hyacinths exhale
Their heavy fume, once more to drowse and dream
My head would sink, from many an olden tale
Drawing imagination's fervid theme,
Or haply peopling this enchanting spot
Only with fair creations of fantastic thought.
For oft I think, in years long since gone by,
That gentle hearts dwelt here and gentle hands
Stored all this bowery bliss to beautify
The paradise of some unsung romance;
Here, safe from all except the loved one's eye,
'Tis sweet to think white limbs were wont to glance,
Well pleased to wanton like the flowers and share
Their simple loveliness with the enamored air.
Thrice dear to them whose votive fingers decked
The altars of First Love were these green ways,
These lawns and verdurous brakes forever flecked
With the warm sunshine of midsummer days;
Oft where the long straight allies intersect
And marble seats surround the open space,
Where a tiled pool and sculptured fountain stand,
Hath Evening found them seated, silent, hand in hand.
When twilight deepened, in the gathering shade
Beneath that old titanic cypress row,
Whose sombre vault and towering colonnade
Dwarfed the enfolded forms that moved below,
Oft with close steps these happy lovers strayed,
Till down its darkening aisle the sunset glow
Grew less and patterning the garden floor
Faint flakes of filtering moonlight mantled more and more.
And the strange tempest that a touch imparts
Through the mid fibre of the molten frame,
When the sweet flesh in early youth asserts
Its heyday verve and little hints enflame,
Disturbed them as they walked; from their full hearts
Welled the soft word, and many a tender name
Strove on their lips as breast to breast they strained
And the deep joy they drank seemed never, never drained.
Love's soul that is the depth of starry skies
Set in the splendor of one upturned face
To beam adorably through half-closed eyes;
Love's body where the breadth of summer days
And all the beauty earth and air comprise
Come to the compass of an arm's embrace,
To burn a moment on impassioned lips
And yield intemperate joy to quivering finger-tips,
They knew; and here where morning-glories cling
Round carven forms of carefullest artifice,
They made a bower where every outward thing
Should comment on the cause of their own bliss;
With flowers of liveliest hue encompassing
That flower that the beloved body is
That rose that for the banquet of Love's bee
Has budded all the æons of past eternity.
But their choice seat was where the garden wall,
Crowning a little summit, far and near,
Looks over tufted treetops onto all
The pleasant outer country; rising here
From rustling foliage where cuckoos call
On summer evenings, stands a belvedere,
Buff-hued, of antique plaster, overrun
With flowering vines and weatherworn by rain and sun.
Still round the turrets of this antique tower
The bougainvillea hangs a crimson crown,
Wistaria-vines and clematis in flower,
Wreathing the lower surface further down,
Hide the old plaster in a very shower
Of motley blossoms like a broidered gown.
Outside, ascending from the garden grove,
A crumbling stairway winds to the one room above.
And whoso mounts by this dismantled stair
Finds the old pleasure-hall, long disarrayed,
Brick-tiled and raftered, and the walls foursquare
Ringed all about with a twofold arcade.
Backward dense branches intercept the glare
Of afternoon with eucalyptus shade;
Eastward the level valley-plains expand,
Sweet as a queen's survey of her own Fairyland.
For through that frame the ivied arches make,
Wide tracts of sunny midland charm the eye,
Frequent with hamlet grove, and lucent lake
Where the blue hills' inverted contours lie;
Far to the east where billowy mountains break
In surf of snow against a sapphire sky,
Huge thunderheads loom up behind the ranges,
Changing from gold to pink as deepening sunset changes;
And over plain and far sierra spread
The fulgent rays of fading afternoon,
Showing each utmost peak and watershed
All clarified, each tassel and festoon
Of floating cloud embroidered overhead,
Like lotus-leaves on bluest waters strewn,
Flushing with rose, while all breathes fresh and free
In peace and amplitude and bland tranquillity.
Dear were such evenings to this gentle pair;
Love's tide that launched on with a blast too strong
Sweeps toward the foaming reef, the hidden snare,
Baffling with fond illusion's siren-song,
Too faint, on idle shoals, to linger there
Far from Youth's glowing dream, bore them along,
With purple sail and steered by seraph hands
To isles resplendent in the sunset of romance.
And out of this old house a flowery fane,
A bridal bower, a pearly pleasure-dome,
They built, and furnished it with gold and grain,
And bade all spirits of beauty hither come,
And wingéd Love to enter with his train
And bless their pillow, and in this his home
Make them his priests as Hero was of yore
In her sweet girlhood by the blue Dardanian shore.
Tree-ferns, therefore, and potted palms they brought,
Tripods and urns in rare and curious taste,
Polychrome chests and cabinets inwrought
With pearl and ivory etched and interlaced;
Pendant brocades with massive braid were caught,
And chain-slung, oriental lamps so placed
To light the lounger on some low divan,
Sunken in swelling down and silks from Hindustan.
And there was spread, upon the ample floors,
Work of the Levantine's laborious loom,
Such as by Euxine or Ionian shores
Carpets the dim seraglio's scented gloom.
Each morn renewed, the garden's flowery stores
Blushed in fair vases, ochre and peach-bloom,
And little birds through wicker doors left wide
Flew in to trill a space from the green world outside.
And there was many a dainty attitude,
Bronze and eburnean. All but disarrayed,
Here in eternal doubt sweet Psyche stood
Fain of the bath's delight, yet still afraid
Lest aught in that palatial solitude
Lurked of most menace to a helpless maid.
Therefore forever faltering she stands,
Nor yet the last loose fold slips rippling from her hands.
Close by upon a beryl column, clad
In the fresh flower of adolescent grace,
They set the dear Bithynian shepherd lad,
The nude Antinous. That gentle face,
Forever beautiful, forever sad,
Shows but one aspect, moon-like, to our gaze,
Yet Fancy pictures how those lips could smile
At revelries in Rome, and banquets on the Nile.
And there were shapes of Beauty myriads more,
Clustering their rosy bridal bed around,
Whose scented breadth a silken fabric wore
Broidered with peacock hues on creamiest ground,
Fit to have graced the barge that Cydnus bore
Or Venus' bed in her enchanted mound,
While pillows swelled in stuffs of Orient dyes,
All broidered with strange fruits and birds of Paradise.
'Twas such a bower as Youth has visions of,
Thither with one fair spirit to retire,
Lie upon rose-leaves, sleep and wake with Love
And feast on kisses to the heart's desire;
Where by a casement opening on a grove,
Wide to the wood-winds and the sweet birds' choir,
A girl might stand and gaze into green boughs,
Like Credhe at the window of her golden house.
Or most like Vivien, the enchanting fay,
Where with her friend, in the strange tower they planned,
She lies and dreams eternity away,
Above the treetops in Broceliande,
Sometimes at twilight when the woods are gray
And wolf-packs howl far out across the lande,
Waking to love, while up behind the trees
The large midsummer moon lifts-even so loved these.
For here, their pleasure was to come and sit
Oft when the sun sloped midway to the west,
Watching with sweet enjoyment interknit
The long light slant across the green earth's breast,
And clouds upon the ranges opposite,
Rolled up into a gleaming thundercrest,
Topple and break and fall in purple rain,
And mist of summer showers trail out across the plain.
Whereon the shafts of ardent light, far-flung
Across the luminous azure overhead,
Ofttimes in arcs of transient beauty hung
The fragmentary rainbow's green and red.
Joy it was here to love and to be young,
To watch the sun sink to his western bed,
And streaming back out of their flaming core
The vesperal aurora's glorious banners soar.
Tinging each altitude of heaven in turn,
Those fiery rays would sweep. The cumuli
That peeped above the mountain-tops would burn
Carmine a space; the cirrus-whorls on high,
More delicate than sprays of maiden fern,
Streak with pale rose the peacock-breasted sky,
Then blanch. As water-lilies fold at night,
Sank back into themselves those plumes of fervid light.
And they would watch the first faint stars appear,
The blue East blend with the blue hills below,
As lovers when their shuddering bliss draws near
Into one pulse of fluid rapture grow.
New fragrance on the freshening atmosphere
Would steal with evening, and the sunset glow
Draw deeper down into the wondrous west
Round vales of Proserpine and islands of the blest.
So dusk would come and mingle lake and shore,
The snow-peaks fade to frosty, opaline,
To pearl the doméd clouds the mountains bore,
Where late the sun's effulgent fire had been
Showing as darkness deepened more and more
The incandescent lightnings flare within,
And Night that furls the lily in the glen
And twines impatient arms would fall, and then---and then . . .
Sometimes the peasant, coming late from town
With empty panniers on his little drove
Past the old lookout when the Northern Crown
Glittered with Cygnus through the scented grove,
Would hear soft noise of lute-strings wafted down
And voices singing through the leaves above
Those songs that well from the warm heart that woos
At balconies in Merida or Vera Cruz.
And he would pause under the garden wall,
Caught in the spell of that voluptuous strain,
With all the sultry South in it, and all
Its importunity of love and pain;
And he would wait till the last passionate fall
Died on the night, and all was still again.
Then to his upland village wander home,
Marvelling whence that flood of elfin song might come.
O lyre that Love's white holy hands caress,
Youth, from thy bosom welled their passionate lays
Sweet opportunity for happiness
So brief, so passing beautiful---O days,
When to the heart's divine indulgences
All earth in smiling ministration pays
Thine was the source whose plenitude, past over,
What prize shall rest to pluck, what secret to discover!
The wake of color that follows her when May
Walks on the hills loose-haired and daisy-crowned,
The deep horizons of a summer's day,
Fair cities, and the pleasures that abound
Where music calls, and crowds in bright array
Gather by night to find and to be found;
What were these worth or all delightful things
Without thine eyes to read their true interpretings!
For thee the mountains open glorious gates,
To thee white arms put out from orient skies,
Earth, like a jewelled bride for one she waits,
Decks but to be delicious in thine eyes,
Thou guest of honor for one day, whose fêtes
Eternity has travailed to devise;
Ah, grace them well in the brief hour they last!
Another's turn prepares, another follows fast.
Yet not without one fond memorial
Let my sun set who found the world so fair!
Frail verse, when Time the singer's coronal
Has rent, and stripped the rose-leaves from his hair,
Be thou my tablet on the temple wall!
Among the pious testimonials there,
Witness how sweetly on my heart as well
The miracles of dawn and starry evening fell!
Speak of one then who had the lust to feel,
And, from the hues that far horizons take,
And cloud and sunset, drank the wild appeal,
Too deep to live for aught but life's sweet sake,
Whose only motive was the will to kneel
Where Beauty's purest benediction spake,
Who only coveted what grove and field
And sunshine and green Earth and tender arms could yield--A nympholept, through pleasant days and drear
Seeking his faultless adolescent dream,
A pilgrim down the paths that disappear
In mist and rainbows on the world's extreme,
A helpless voyager who all too near
The mouth of Life's fair flower-bordered stream,
Clutched at Love's single respite in his need
More than the drowning swimmer clutches at a reed--That coming one whose feet in other days
Shall bleed like mine for ever having, more
Than any purpose, felt the need to praise
And seek the angelic image to adore,
In love with Love, its wonderful, sweet ways
Counting what most makes life worth living for,
That so some relic may be his to see
How I loved these things too and they were dear to me.
I sometimes think a conscious happiness
Mantles through all the rose's sentient vine
When summer winds with myriad calyces
Of bloom its clambering height incarnadine;
I sometimes think that cleaving lips, no less,
And limbs that crowned desires at length entwine
Are nerves through which that being drinks delight,
Whose frame is the green Earth robed round with day and night.
And such were theirs: the traveller without,
Pausing at night under the orchard trees,
Wondered and crossed himself in holy doubt,
For through their song and in the murmuring breeze
It seemed angelic choirs were all about
Mingling in universal harmonies,
As though, responsive to the chords they woke,
All Nature into sweet epithalamium broke.
And still they think a spirit haunts the place:
'Tis said, when Night has drawn her jewelled pall
And through the branches twinkling fireflies trace
Their mimic constellations, if it fall
That one should see the moon rise through the lace
Of blossomy boughs above the garden wall,
That surely would he take great ill thereof
And famish in a fit of unexpressive love.
But this I know not, for what time the wain
Was loosened and the lily's petal furled,
Then I would rise, climb the old wall again,
And pausing look forth on the sundown world,
Scan the wide reaches of the wondrous plain,
The hamlet sites where settling smoke lay curled,
The poplar-bordered roads, and far away
Fair snowpeaks colored with the sun's last ray.
Waves of faint sound would pulsate from afar
Faint song and preludes of the summer night;
Deep in the cloudless west the evening star
Hung 'twixt the orange and the emerald light;
From the dark vale where shades crepuscular
Dimmed the old grove-girt belfry glimmering white,
Throbbing, as gentlest breezes rose or fell,
Came the sweet invocation of the evening bell.
~ Alan Seeger,
279: Book VII: The Book of the Woman

So to the voice of their best they were bowed and obeyed undebating;
Men whose hearts were burning yet with implacable passion
Felt Odysseus strength and rose up clay to his counsels.
King Agamemnon rose at his word, the wide-ruling monarch,
Rose at his word the Cretan and Locrian, Thebes and Epirus,
Nestor rose, the time-tired hoary chief of the Pylians.
Round Agamemnon the Atreid Europe surged in her chieftains
Forth from their tent on the shores of the Troad, splendid in armour,
Into the golden blaze of the sun and the race of the sea-winds.
Fierce and clear like a flame to the death-gods bright on its altar
Shone in their eyes the lust of blood and of earth and of pillage;
For in their hearts those fires replaced the passions of discord
Forging a brittle peace by a common hatred and yearning.
Joyous they were of mood; for their hopes were already in Troya
Sating with massacre, plunder and rape and the groans of their foemen
Death and Hell in our mortal bosoms seated and shrouded;
There they have altars and seats, in mankind, in this fair-builded temple,
Made for purer gods; but we turn from their luminous temptings;
Vainly the divine whispers seek us; the heights are rejected.
Man to his earth drawn always prefers his nethermost promptings,
Man, devouring, devoured who is slayer and slain through the ages
Since by the beast he soars held and exceeds not that pedestals measure.
They now followed close on the steps of the mighty Atrides
Glued like the forest pack to the war-scarred coat of its leader,
Glued as the pack when wolves follow their prey like Doom that can turn not.
Perfect forms and beautiful faces crowded the tent-door,
Brilliant eyes and fierce of souls that remembered the forest,
Wild-beasts touched by thought and savages lusting for beauty.
Dire and fierce and formidable chieftains followed Atrides,
Merciless kings of merciless men and the founders of Europe,
Sackers of Troy and sires of the Par thenon, Athens and Caesar.
Here they had come to destroy the ancient perishing cultures;
For, it is said, from the savage we rose and were born to a wild-beast.
So when the Eye supreme perceives that we rise up too swiftly,
Drawn towards height but fullness contemning, called by the azure,
Life when we fail in, poor in our base and forgetting our mother,
Back we are hurled to our roots; we recover our sap from the savage.
So were these sent by Zeus to destroy the old that was grandiose.
Such were those frames of old as the sons of Heaven might have chosen
Who in the dawn of eternity wedded the daughters of Nature,
Cultures touched by the morning star, vast, bold and poetic,
Titans works and joys, but thrust down from their puissance and pleasure
Fainting now fell from the paces of Time or were left by his ages.
So were these born from Zeus to found the new that should flower
Lucid and slender and perfectly little as fit for this mortal
Ever who sinks back fatigued from immortalitys stature;
Man, repelled by the gulfs within him and shrinking from vastness,
Form of the earth accepts and is glad of the lap of his mother.
Safe through the infinite seas could his soul self-piloted voyage,
Chasing the dawns and the wondrous horizons, eternitys secrets
Drawn from her luminous gulfs! But he journeys rudderless, helmless,
Driven and led by the breath of God who meets him with tempest,
Hurls at him Night. The earth is safer, warmer its sunbeams;
Death and limits are known; so he clings to them hating the summons.
So might one dwell who has come to take joy in a fair-lighted prison;
Amorous grown of its marble walls and its noble adornments,
Lost to mightier cares and the spaces boundlessly calling
Lust of the infinite skies he forgets and the kiss of the stormwind.
So might one live who inured to his days of the field and the farm-yard
Shrinks from the grandiose mountain-tops; shut up in lanes and in hedges
Only his furrows he leads and only orders his gardens,
Only his fleeces weaves and drinks of the yield of his vine-rows:
Lost to his ear is the song of the waterfall, wind in the forests.
Now to our earth we are bent and we study the skies for its image.
That was Greece and its shining, that now is France and its keenness,
That still is Europe though by the Christ-touch troubled and tortured,
Seized by the East but clasping her chains and resisting our freedom.
Then was all founded, on Phrygias coasts, round Ilions ramparts,
Then by the spear of Achilles, then in the Trojan death-cry;
Bearers mute of a future world were those armoured Achaians.
So they arrived from Zeus, an army led by the death-god.
So one can see them still who has sight from the gods in the trance-sleep
Out from the tent emerging on Phrygias coasts in their armour;
Those of the early seed Pelasgian slighter in stature,
Dark-haired, hyacinth-curled from the isles of the sea and the southron,
Soft-eyed men with pitiless hearts; bright-haired the Achaians,
Hordes of the Arctic Dawn who had fled from the ice and the death-blast;
Children of conquerors lured to the coasts and the breezes and olives,
Noons of Mediterranean suns and the kiss of the southwind
Mingled their brilliant force with the plastic warmth of the Hamite.
There they shall rule and their children long till Fate and the Dorian
Break down Hellene doors and trample stern through the passes.
Mixed in a glittering rout on the Ocean beaches one sees them,
Perfect and beautiful figures and fronts, not as now are we mortals
Marred and crushed by our burden long of thought and of labour;
Perfect were these as our race bright-imaged was first by the Thinker
Seen who in golden lustres shapes all the glories we tarnish,
Rich from the moulds of Gods and unmarred in their splendour and swiftness.
Many and mighty they came over the beaches loud of the Aegean,
Roots of an infant world and the morning stars of this Europe,
Great Agamemnons kingly port and the bright Menelaus,
Tall Idomeneus, Nestor, Odysseus Atlas-shouldered,
Helmeted Ajax, his chin of the beast and his eyes of the dreamer.
Over the sands they dispersed to their armies ranked by the Ocean.
But from the Argive front Acirrous loosed by Tydides
Parted as hastens a shaft from the string and he sped on intently
Swift where the beaches were bare or threading the gaps of the nations;
Crossing Thebes and Epirus he passed through the Lemnian archers,
Ancient Gnossus hosts and Meriones leaderless legions.
Heedless of cry and of laughter calling over the sea-sands
Swiftly he laboured, wind in his hair and the sea to him crying,
Straight he ran to the Myrmidon hosts and the tents of Achilles.
There he beheld at his tent-door the Phthian gleaming in armour,
Glittering-helmed with the sun that climbed now the cusp of Cronion,
Nobly tall, excelling humanity, planned like Apollo.
Proud at his side like a pillar upreared of snow or of marble,
Golden-haired, hard and white was the boy Neoptolemus, fire-eyed.
New were his feet to the Trojan sands from the ships and from Scyros:
Led to this latest of all his fathers fights in the Troad
He for his earliest battle waited, the son of Achilles.
So in her mood had Fate brought them together, the son and the father,
Even as our souls travelling different paths have met in the ages
Each for its work and they cling for an hour to the names of affection,
Then Times long waves bear them apart for new forms we shall know not,
So these two long severed had met in the shadow of parting.
Often he smote his hand on the thigh-piece for sound of the armour,
Bent his ear to the plains or restless moved like a war-horse
Curbed by his masters will, when he stands new-saddled for battle
Hearing the voice of the trumpets afar and pawing the meadows.
Over the sands Acirrous came to them running and toiling,
Known from far off, for he ran unhelmeted. High on the hero
Sunlike smiled the golden Achilles and into the tent-space
Seized by the hand and brought him and seated. War-shaft of Troezen,
Whence was thy speed, Acirrous? Comst thou, O friend, to my tent-side
Spurred by thy eager will or the trusted stern Diomedes?
Or from the Greeks like the voice still loved from a heart that is hollow?
What say the banded princes of Greece to the single Achilles?
Bringest thou flattery pale or an empty and futureless menace?
But to the strength of Pelides the hero Acirrous answered:
Response none make the Greeks to thy high-voiced message and challenge;
Only their shout at thy side will reply when thou leapst into Troya.
So have their chieftains willed and the wisdom calm of Odysseus.
But with a haughty scorn made answer the high-crested Hellene:
Wise is Odysseus, wise are the hearts of Achaias chieftains.
Ilions chiefs are enough for their strength and life is too brittle
Hurrying Fate to advance on the spear of the Phthian Achilles.
Not from the Greeks have I sped to thy tents, their friendship or quarrel
Urged not my feet; but Tiryns chieftain strong Diomedes
Sent me claiming a word long old that first by his war-car
Young Neoptolemus come from island Scyros should enter
Far-crashing into the fight that has lacked this shoot of Achilles,
Pressing in front with his fathers strength in the playground of Ares,
Shouting his fathers cry as he clashed to his earliest battle.
So let Achilles son twin-carred fight close by Tydides,
Seal of the ancient friendship new-sworn twixt your sires in their boyhood
Then when they learned the spear to guide and strove in the wrestle.
So he spoke recalling other times and regretted
And to the Argives word consented the strength of Pelides.
He on the shoulder white of his son with a gesture of parting
Laid his fateful hand and spoke from his prescient spirit:
Pyrrhus, go. No mightier guide couldst thou hope into battle
Opening the foemens ranks than the hero stern Diomedes.
Noble that rugged heart, thy fathers friend and his fathers.
Journey through all wide Greece, seek her prytanies, schools and palaestras,
Traverse Oceans rocks and the cities that dream on his margin,
Phocian dales, Aetolias cliffs and Arcadys pastures,
Never a second man wilt thou find, but alone Diomedes.
Pyrrhus, follow his counsels always losing thy father,
If in this battle I fall and Fate has denied to me Troya.
Pyrrhus, be like thy father in virtue, thou canst not excel him;
Noble be in peace, invincible, brave in the battle,
Stern and calm to thy foe, to the suppliant merciful. Mortal
Favour and wrath as thou walkst heed never, son of Achilles.
Always thy will and the right impose on thy friend and thy foeman.
Count not life nor death, defeat nor triumph, Pyrrhus.
Only thy soul regard and the gods in thy joy or thy labour.
Pyrrhus heard and erect with a stride that was rigid and stately
Forth with Acirrous went from his sire to the joy of the battle.
Little he heeded the word of death that the god in our bosom
Spoke from the lips of Achilles, but deemed at sunset returning,
Slaying Halamus, Paris or dangerous mighty Aeneas,
Proudly to lay at his fathers feet the spoils of the foeman.
But in his lair alone the godlike doomed Pelides
Turned to the door of his tent and was striding forth to the battle,
When from her inner chamber Briseis parting the curtain,
Long had she stood there spying and waiting her lonely occasion,
Came and caught and held his hand like a creeper detaining
Vainly a moment the deathward stride of the kings of the forest.
Tarry awhile, Achilles; not yet have the war-horns clamoured,
Nor have the scouts streamed yet from Xanthus fierily running.
Lose a moment for her who has only thee under heaven.
Nay, had war sounded, thou yet wouldst squander that moment, Achilles,
Hearkening a womans fears and the voice of a dream in the midnight.
Art thou not gentle even as terrible, lion of Hellas?
Others have whispered the deeds of thy wrath; we have heard, but not seen it;
Marvelling much at their pallor and awe we have listened and wondered.
Never with thrall or slavegirl or captive saw I thee angered,
Hero, nor any humble heart ever trembled to near thee.
Pardoning rather our many faults and our failures in service
Lightly thou layedst thy yoke on us kind as the clasp of a lover
Sparing the weak as thou breakest the mighty, O godlike Achilles.
Only thy equals have felt all the dread of the death-god within thee;
We have presumed and have played with the strength at which nations have trembled.
Lo, thou hast leaned thy mane to the clutch of the boys and the maidens.
But to Briseis white-armed made answer smiling Achilles:
Something sorely thou needst, for thou flatterest long, O Briseis.
Tell me, O woman, thy fear or thy dream that my touch may dispel it,
White-armed net of bliss slipped down from the gold Aphrodite.
And to Achilles answered the captive white Briseis:
Long have they vexed my soul in the tents of the Greeks, O Achilles,
Telling of Thetis thy mother who bore thee in caves of the Ocean
Clasped by a mortal and of her fear from the threats of the Ancients,
Weavers of doom who play with our hopes and smile at our passions
Painting Time with the red of our hearts on the web they have woven,
How on the Oceans bosom she hid thee in vine-tangled Scyros
Clothed like a girl among girls with the daughters of King Lycomedes,
Art thou not fairer than womans beauty, yet great as Apollo?
Fearing Paris shafts and the anger of Delian Phoebus.
Now in the night has a vision three times besieged me from heaven.
Over the sea in my dream an argent bow was extended;
Nearing I saw a terror august over moonlit waters,
Cloud and a fear and a face that was young and lovely and hostile.
Then three times I heard arise in the grandiose silence,
Still was the sky and still was the land and still were the waters,
Echoing a mighty voice, Take back, O King, what thou gavest;
Strength, take thy strong man, sea, take thy wave, till the warfare eternal
Need him again to thunder through Asias plains to the Ganges.
That fell silent, but nearer the beautiful Terror approached me,
Clang I heard of the argent bow and I gazed on Apollo.
Shrilly I cried; it was thee that the shaft of the heavens had yearned for,
Thee that it sought like a wild thing in anger straight at its quarry,
Quivering into thy heel. I awoke and found myself trembling,
Held thee safe in my arms, yet hardly believed that thou livest.
Lo, in the night came this dream; on the morn thou arisest for battle.
But to Briseis white-armed made answer the golden Achilles:
This was a dream indeed, O princess, daughter of Brises!
Will it restrain Achilles from fight, the lion from preying?
Come, thou hast heard of my prowess and knowest what man is Achilles.
Deemst thou so near my end? or does Polyxena vex thee,
Jealousy shaping thy dreams to frighten me back from her capture?
Passionate, vexed Briseis, smiting his arm with her fingers,
Yet with a smile half-pleased made answer to mighty Achilles.
Thinkst thou I fear thee at all? I am brave and will chide thee and threaten.
See that thou recklessly throw not, Achilles, thy life into battle
Hurting this body, my world, nor venture sole midst thy foemen,
Leaving thy shielders behind as oft thou art wont in thy war-rage
Lured by thy tempting gods who seek their advantage to slay thee,
Fighting divinely, careless of all but thy spear and thy foeman.
Cover thy limbs with thy shield, speed slowly restraining thy coursers.
Dost thou not know all the terrible void and cold desolation
Once again my life must become if I lose thee, Achilles?
Twice then thus wilt thou smite me, O hero, a desolate woman?
I will not stay behind on an earth that is empty and kingless.
Into the grave I will leap, through the fire I will burn, I will follow
Down into Hades depths or wherever thy footsteps go clanging,
Hunting thee always,didst thou not seize me here for thy pleasure?
Stronger there by my love as thou than I here, O Achilles.
Thou shalt not dally alone with Polyxena safe in the shadows.
But to Briseis answered the hero, mighty Pelides,
Holding her delicate hands like gathered flowers in his bosom,
Pressing her passionate mouth like a rose that trembles with beauty.
There then follow me even as I would have drawn thee, O woman,
Voice that chimes with my soul and hands that are eager for service,
Beautiful spoil beloved of my foemen, perfect Briseis
But for the dreams that come to us mortals sleeping or waking,
Shadows are these from our souls and who shall discern what they figure?
Fears from the heart speak voiced like Zeus, take shape as Apollo.
But were they truer than Delphis cavern voice or Dodonas
Moan that seems wind in his oaks immemorable, how should they alter
Fate that the stern gods have planned from the first when the earth was unfashioned,
Shapeless the gyre of the sun? For dream or for oracle adverse
Why should man swerve from the path of his feet? The gods have invented
Only one way for a man through the world, O my slavegirl Briseis,
Valiant to be and noble and truthful and just to the humble,
Only one way for a woman, to love and serve and be faithful.
This observe, thy task in thy destiny noble or fallen;
Time and result are the gods; with these things be not thou troubled.
So he spoke and kissed her lips and released her and parted.
Out from the tent he strode and into his chariot leaping
Seized the reins and shouted his cry and drove with a far-borne
Sound of wheels mid the clamour of hooves and the neigh of the war-steeds
Swift through the line of the tents and forth from the heart of the leaguer.
Over the causeway Troyward thundered the wheels of Achilles.
After him crashing loud with a fierce and resonant rumour
Chieftains impetuous prone to the mellay and swift at the war-cry
Came, who long held from the lust of the spear and the joy of the war-din
Rushed over earth like hawks released through the air; a shouting
Limitless rolled behind, for nations followed each war-cry.
Lords renowned of the northern hills and the plains and the coast-lands,
Many a Dorian, many a Phthian, many a Hellene,
Names now lost to the ear though then reputed immortal!
Night has swallowed them, Zeus has devoured the light of his children;
Drawn are they back to his bosom vast whence they came in their fierceness
Thinking to conquer the earth and dominate Time and his ages.
Nor on their left less thick came numerous even as the sea-sands
Forth from the line of the leaguer that skirted the far-sounding waters,
Ranked behind Tydeus son and the Spartan, bright Menelaus,
Ithacas chief and Epeus, Idomeneus lord of the Cretans,
Acamas, Nestor, Neleus son, and the brave Ephialtus,
Prothous, Meges, Leitus the bold and the king Prothonor,
Wise Alcestes son and the Lemnian, stern Philoctetes,
These and unnumbered warlike captains marching the Argives.
Last in his spacious car drove shaping the tread of his armies,
Even as a shepherd who follows his flock to the green of the pastures,
Atreus far-famed son, the monarch great Agamemnon.
They on the plain moved out and gazing far over the pastures
Saw behind Xanthus rolling with dust like a cloud full of thunder,
Ominous, steadily nearing, shouting their war-cry the Trojans.
~ Sri Aurobindo, 7 - The Book of the Woman
280: Book V: The Book of Achilles

Meanwhile grey from the Trojan gates Talthybius journeyed
Spurred by the secret thought of the Fates who change not nor falter.
Simois sighed round his wheels and Xanthus roared at his passing,
Troas god like a lion wroth and afraid; to meet him
Whistling the ocean breezes came and Ida regarded.
So with his haste in the wheels the herald oceanward driving
Came through the gold of the morn, oer the trampled green of the pastures
Back to the ships and the roar of the sea and the iron-hooped leaguer.
Wide to the left his circle he wrote where the tents of Achilles
Trooped like a flock of the sea-fowl pensive and still on the margin.
He past the outposts rapidly coursed to the fosse of the Argives.
In with a quavering cry to the encampment over the causeway
Bridging the moat of the ships Talthybius drove in his chariot
Out of the wide plains azure-roofed and the silence of Nature
Passing in to the murmur of men and the thick of the leaguer.
There to a thrall of the Hellene he cast his reins and with labour
Down from the high seat climbed of the war-car framed for the mighty.
Then betwixt tent-doors endless, vistaed streets of the canvas,
Slowly the old man toiled with his eager heart, and to meet him
Sauntering forth from his tent at the sound of the driving car-wheels
Strong Automedon came who was charioteer of Achilles.
Grey Talthybius, whence art thou coming? From Troya the ancient?
Or from a distant tent was thy speed and the King Agamemnon?
What in their armoured assembly counsel the kings of the Argives?
Not from the host but from Troy, Automedon, come I with tidings,
Nor have I mixed with the Greeks in their cohorts ranked by the Ocean,
Nor have I stood in their tents who are kings in sceptred Achaia,
But from Achilles sent to Achilles I bring back the message.
Tell me, then, what does Pelides, whether his strength he reposes
Soothed by the lyre or hearing the chanted deeds of the mighty
Or does he walk as he loves by the shore of the far-sounding waters?
And to the Argive herald grey Automedon answered:
Now from the meal he rests and Briseis lyres to him singing
One of the Ilian chants of old in the tongue of the Trojans.
Early, then, he has eaten, Automedon, early reposes?
Early the meat was broached on the spits, Talthybius, early
High on the sands or under the tents we have eaten and rested.
None knows the hour of the hunt, red, fierce, nor the prey he shall leap on,
All are like straining hounds; for Achilles shares not his counsels,
But on the ships, in the tents the talk has run like Peneus;
These upon Troy to be loosed and the hard-fighting wolf-brood of Priam,
These hope starkly with Argos embraced to have done with the Spartan,
Ending his brilliance in blood or to sport on the sands of the margent
Playing at bowls with the heads of the Cretan and crafty Odysseus.
Welcome were either or both; we shall move in the dances of Ares,
Quicken heart-beats dulled and limbs that are numb with reposing.
War we desire and no longer this ease by the drone of the waters.
So as they spoke, they beheld far-off the tent of Achilles
Splendid and spacious even as the hall of a high-crested chieftain,
Lofty, held by a hundred stakes to the Phrygian meadow.
Hung were its sides with memories bronze and trophies of armour,
Sword and spear and helmet and cuirass of fallen heroes
Slain by the hand of the mighty Achilles warring with Troya.
Teemed in its canvas rooms the plundered riches of Troas,
Craftsmans work and the wood well-carved and the ivory painted,
Work of bronze and work of gold and the dreams of the artist.
And in those tents of his pride, in the dreadful guard of the Hellene,
Noble boys and daughters of high-born Phrygians captive,
Borne from the joyless ruins that now were the sites of their childhood,
Served in the land of their sires the will of the Phthian Achilles.
There on a couch reclined in his beauty mighty and golden,
Loved by the Fates and doomed by them, spear of their will against Troya,
Peleus hero son by the foam-white child of the waters
Dreaming reposed and his death-giving hand hung lax oer the couch-side.
Near him dark-eyed Briseis, the fatal and beautiful captive,
Sang to the Grecian victor chants of the land of her fathers,
Sang the chant of Ilus, the tale of the glories of Troya.
Trojan boys and maidens sat near the singer and listened
Heart-delighted if with some tears; for easy are mortal
Hearts to be bent by Fate and soon we consent to our fortunes.
But in the doorway Automedon stood with the shadowy Argive
And at the ominous coming the voice of the singer faltered,
Faltering hushed like a thought melodious ceasing in heaven.
But from his couch the Peleid sprang and he cried to the herald.
Long hast thou lingered in Ilion, envoy, mute in the chambers
Golden of Priam old, while around thee darkened the counsels
Wavering blindly and fiercely of minds that revolt from compulsion,
Natures at war with the gods and their fortunes. Fain would I fathom
What were the thoughts of Deiphobus locked in that nature of iron
Now that he stands confronting his fate in the town of his fathers.
Peace dwells not in thy aspect. Sowst thou a seed then of ruin
Cast from the inflexible heart and the faltering tongue of Aeneas,
Or with the golden laugh of the tameless bright Alexander?
Grey Talthybius answered, Surely their doom has embraced them
Wrapping her locks round their ears and their eyes, lest they see and escape her,
Kissing their tongue with her fatal lips and dictating its answers.
Dire is the hope of their chiefs and fierce is the will of their commons.
Son of the Aeacids, spurned is thy offer. The pride of thy challenge
Rather we choose; it is nearer to Dardanus, King of the Hellenes.
Neither shall Helen captive be dragged to the feet of her husband,
Nor down the paths of peace revisit her fathers Eurotas.
Death and the fire may prevail on us, never our wills shall surrender
Lowering Priams heights and darkening Ilions splendours;
Not of such sires were we born, but of kings and of gods. Larissan,
Not with her gold Troy purchases safety but with her spear-point.
Stand with thy oath in the war-front, Achilles, call on thy helpers
Armed to descend from the calm of Olympian heights to thy succour
Hedging thy fame from defeat; for we all desire thee in battle,
Mighty to end thee or tame at last by the floods of the Xanthus.
So they reply; they are true to their death, they are constant for ruin.
Humbler answer hope not, O hero, from Penthesilea;
Insolent, warlike, regal and swift as herself is her message.
Sea of renown and of valour that fillest the world with thy rumour,
Speed of the battle incarnate, mortal image of Ares!
Terror and tawny delight like a lion one hunts or is hunted!
Dread of the world and my target, swift-footed glorious hero!
Thus have I imaged thee, son of Peleus, dreaming in countries
Far from thy knowledge, in mountains that never have rung to thy war-cry.
O, I have longed for thee, warrior! Therefore today by thy message
So was I seized with delight that my heart was hurt with its rapture,
Knowing today I shall gaze with my eyes on that which I imaged
Only in air of the mind or met in the paths of my dreaming.
Thus have I praised thee first with my speech; with my spear I would answer.
Yet for thy haughty scorn who deeming of me as some Hellene
Or as a woman weak of these plains fit but for the distaff,
Promisest capture in war and fame as thy slavegirl in Phthia,
Surely I think that death today will reply to that promise,
Now I will give thee my answer and warn thee ere we encounter.
Know me queen of a race that never was conquered in battle!
Know me armed with a spear that never has missed in the combat!
There where my car-wheels run, good fruit gets the husbandman after.
This thou knowest. Ajax has told thee, thy friend, in his dying.
Has not Meriones spirit come in thy dreams then to warn thee?
Didst thou not number the Argives once ere I came to the battle?
Number them now and measure the warrior Penthesilea.
Such am I then whom thy dreams have seen meek-browed in Larissa,
And in the battle behind me thunder the heroes Eoan,
Ranks whose feeblest can match with the vaunted chiefs of the Argives.
Never yet from the shock have they fled; if they turn from the foeman,
Always tis to return like death recircling on mortals.
Yet being such, having such for my armies, this do I promise:
I on the left of the Trojans war with my bright-armed numbers,
Thou on the Argive right come forth, Achilles, and meet me!
If thou canst drive us with rout into Troy, I will own thee for master,
Do thy utmost will and make thee more glorious than gods are
Serving thy couch in Phthia and drawing the jar from thy rivers.
Nay, if thou hast that strength, then hunt me, O hunter, and seize me,
If tis thy hope indeed that the sun can turn back from the Orient,
But if thou canst not, death of myself or thyself thou shalt capture.
Musing heard and was silent awhile the strength of Achilles,
Musing of Fate and the wills of men and the purpose of Heaven,
Then from his thoughts he broke and turned in his soul towards battle.
Well did I know what reply would come winged from the princes of Troya.
Prone are the hearts of heroes to wrath and to God-given blindness
When from their will they are thrust and harried by Fate and disaster:
Fierceness then is the armour of strength against grief and its yieldings.
So have the gods made man for their purpose, cunningly fashioned.
Once had defiance waked from my depths a far-striding fury,
Flaming for justice and vengeance, nor had it, satisfied, rested,
Sunk to its lair, till the insulter died torn or was kneeling for pardon.
Fierce was my heart in my youth and exulted in triumph and slaughter.
Now as I grow in my spirit like to my kin the immortals,
Joy more I find in saving and cherishing than in the carnage.
Greater it seems to my mind to be king over men than their slayer,
Nobler to build and to govern than what the ages have laboured
Putting their godhead forth to create or the high gods have fashioned,
That to destroy in our wrath of a moment. Ripened, more widely
Opens my heart to the valour of man and the beauty of woman,
Works of the world and delight; the cup of my victory sweetens
Not with the joys of hate, but the human pride of the triumph.
Yet was the battle decreed for the means supreme of the mortal
Placed in a world where all things strive from the worm to the Titan.
So will I seize by the onset what peace from my soul would sequester,
So will I woo with the sword and with love the delight of my foeman,
Troy and Polyxena, beauty of Paris and glory of Priam.
This was the ancient wrestling, this was the spirit of warfare
Fit for the demigods. Soon in the city of gold and of marble,
There where Ilus sat and Tros, where Laomedon triumphed,
Peleus house shall reign, the Hellene sit where the Trojan
Thought himself deathless. Arise, Automedon! Out to the people!
Send forth the cry through the ships and the tents of the Myrmidon nation.
Let not a man be found then lingering when oer the causeway
Thunder my chariot-wheels, nor let any give back in the battle,
Good if he wills from me, till through the conquered gates of the foeman
Storming we herd in their remnants and press into Troy as with evening
Helios rushing sinks to the sea. But thou, Briseis,
Put by thy lyre, O girl; it shall gladden my heart in my triumph
Victor returned from Troy to listen pleased to thy singing,
Bearing a captive bound to my car-wheels Penthesilea,
Bearing my valours reward, Polyxena, daughter of Priam,
Won in despite of her city and brothers and spears of her kindred.
So by force it is best to take ones will and be mighty.
Joyful, Automedon ran through the drowsy camp of the Hellenes
Changing the hum of the tents as he raced into shoutings of battle;
For with the giant din of a nation triumphant arising
Hellas sprang from her irksome ease and mounted her war-car;
Donning her armour bright she rejoiced in the trumpets of battle.
But to the herald grey the Peleid turned and the old man
Shuddered under his gaze and shrank from the voice of the hero:
Thou to the tents of thy Kings, Talthybius, herald of Argos!
Stand in the Argive assembly, voice of the strength of Achilles.
Care not at all though the greatest and fiercest be wroth with thy message.
Deem not thyself, old man, as a body and flesh that is mortal,
Rather as living speech from the iron breast of the Hellene.
Thus shalt thou cry to the vanquished chiefs who fled from a woman,
Thus shalt thou speak my will to the brittle and fugitive legions:
Now Achilles turns towards Troya and fast-flowing Xanthus,
Now he leaps at the iron zone, the impregnable city.
Two were the forms of the Gods that oerhung the sails of Pelides
When with a doubtful word in his soul he came wind-helped from Hellas
Cleaving the Aegean deep towards the pine-crested vision of Ida.
Two are the Fates that stride with the hero counting his exploits.
Over all earthly things the soul that is fearless is master,
Only on death he can reckon not whether it comes in the midnight
Treading the couch of Kings in their pride or speeds in the spear-shaft.
Now will I weigh down that double beam of the Olympian balance
Claiming one of the equal Fates that stand robed for the fighter,
For to my last dire wrestle I go with the Archer of heaven,
And ere the morning gleam have awakened the eagles on Ida,
Troy shall lie prone or the earth shall be empty of Phthian Achilles.
But for whatever Fate I accept from the ageless Immortals,
Whether cold Hades dim or Indus waits for my coming
Pouring down vast to the sea with the noise of his numberless waters,
I with Zeus am enough. Your mortal aid I desire not,
Rushing to Troy like the eagle of Zeus when he flies towards the thunders,
Winged with might, the bird of the spaces, upbuoying his pinions.
Nor shall my spirit look back for the surge of your Danaan fighters,
Tramp of the Argive multitudes helping my lonely courage,
Neither the transient swell of the cry Achaian behind me
Seek, nor the far-speeding voice of Atrides guiding his legions.
Need has he none for a leader who himself is the soul of his action.
Zeus and his fate and his spear are enough for the Phthian Achilles.
Rest, O wearied hosts; my arm shall win for you Troya,
Quelled when the stern Eoans break and Penthesilea
Lies like a flower in the dust at my feet. Yet if Ares desire you,
Come then and meet him once more mid the cry and the trampling! Assemble
Round the accustomed chiefs, round the old victorious wrestlers
Wearied strengths Deiphobus leaves you or sternest Aeneas.
But when my arm and my Fate have vanquished their gods and Apollo,
Brilliant with blood when we stand amid Ilions marble splendours,
Then let none seat deaf flame on the glory of Phrygias marbles
Or with his barbarous rapine shatter the chambers of sweetness
Slaying the work of the gods and the beauty the ages have lived for.
For he shall moan in the night remote from the earth and her greenness,
Spurred like a steed to its goal by my spear dug deep in his bosom;
Fast he shall fleet to the waters of wailing, the pleasureless pastures.
Touch not the city Apollo built, where Poseidon has laboured.
Seized and dishelmed and disgirdled of Apollonian ramparts,
Empty of wide-rolling wheels and the tramp of a turbulent people
Troy with her marble domes shall live for our nations in beauty
Hushed mid the trees and the corn and the pictured halls of the ancients,
Watching her image of dreams in the gliding waves of Scamander,
Sacred and still, a city of memory spared by the Grecians.
So shalt thou warn the arrogant hearts of Achaias chieftains
Lest upon Greece an evil should fall and her princes should perish.
Herald, beware how thou soften my speech in the ears of thy nation
Sparing their pride and their hearts but dooming their lives to the death-stroke.
Even thy time-touched snows shall not shield thy days from my sword-edge.
Wroth the old mans heart, but he feared Achilles and slowly
Over the margin grey on the shore of the far-sounding ocean
Silent paced to the tents of the Greeks and the Argive assembly.
There on the sands while the scream of the tide as it dragged at the pebbles
Strove in vain with their droning roar, awaiting their chieftains
Each in his tribe and his people far down the margin Aegean
Argolis sons and Epirote spears and the isles and the southron,
Locris swarms and Messenes pikes and the strength of the Theban,
Hosts bright-armed, bright-eyed, bright-haired, time-hardened to Ares,
Stretched in harsh and brilliant lines with a glitter of spear-points
Far as the eye could toil. All Europe helmeted, armoured
Swarmed upon Asias coasts disgorged from her ships in their hundreds.
There in the wide-winged tent of the council that peered oer the margin,
High where the grass and the meadow-bloom failed on the sand-rifted sward-edge,
Pouring his argent voice Epeus spoke to the princes,
Rapid in battle and speech; and even as a boy in a courtyard
Tosses his ball in the air and changes his hands for the seizing
So he played with counsel and thought and rejoiced in his swiftness.
But now a nearing Fate he felt and his impulse was silenced.
Stilled were his thoughts by the message that speeds twixt our minds in their shadows
Dumb, unthought, unphrased, to us dark, but the caverns of Nature
Hear its cry when Gods moment changing our fate comes visored
Silently into our lives and the spirit too knows, for it watches.
Quiet he fell and all men turned to the face of the herald.
Mute and alone through the ranks of the seated and silent princes
Old Talthybius paced, nor paused till he stood at the midmost
Fronting that council of Kings and nearest to Locrian Ajax
And where Sthenelus sat and where sat the great Diomedes,
Chiefs of the South, but their love was small for the Kings of the Spartans.
There like one close to a refuge he lifted his high-chanting accents.
High was his voice like the winds when it whistles shrill oer a forest
Sole of all sounds at night, for the kite is at rest and the tiger
Sleeps from the hunt returned in the deepest hush of the jungle.
Hearken, O Kings of the world, to the lonely will of the Phthian!
One is the roar of the lion heard by the jungles hundreds,
One is the voice of the great and the many shall hear it inclining.
Lo, he has shaken his mane for the last great leap upon Troya
And when the eagles scream shall arise in the dawn over Ida,
Troy shall have fallen or earth shall be empty of Phthian Achilles.
But by whatever Fate he is claimed that waits for the mortal,
Whether the fast-closed hands above have kept for his morrows
Chill of the joyless shades or earth and her wooings of sunlight
Still shall detain his days with the doubtful meed of our virtues,
He and Zeus shall provide, not mortals. Chaff are mens armies
Threshed by the flails of Fate; tis the soul of the hero that conquers.
Not on the tramp of the multitudes, not on the cry of the legions
Founds the strong man his strength but the god that he carries within him.
Zeus and his Fate and his spear are enough for the Phthian Achilles.
Prudence of men shall curb no more his god-given impulse.
He has no need of thy voice, O Atrides, guiding the legions,
He is the leader, his is the soul of magnificent emprise.
Rest, O ye sons of the Greeks, the Phthian shall conquer for Hellas!
Rest! expose not your hearts to the war-cry of Penthesilea.
Yet if the strength in you thirsts for the war-din, if Ares is hungry,
Meet him stark in the mellay urging Deiphobus coursers,
Guiding Aeneas spear; recover the souls of your fathers.
Bronze must his heart be who looks in the eyes of the implacable war-god!
But when his Fate has conquered their gods and slaughtered their heroes,
And in this marble Ilion forced to the tread of her foemen
Watched by the ancient domes you stand, by the timeless turrets,
Then let no chieftain garbed for the sacrifice lift against Troya,
Counselled of Ate, torch of the burning, hand of the plunder
Groping for gold but finding death in her opulent chambers.
For he shall moan in the night regretting the earth and her greenness,
Spurred by the spear in his arrogant breast like a steed to the gorges:
Fast he shall fleet to the flowerless meadows, the sorrowful pastures.
Touch not the city Apollo built, where Poseidon has laboured,
Slay not the work of the gods and the glory the ages have lived for.
Mute of the voice of her children, void of the roll of her war-cars
Timeless Troy leave solitary dreaming by ancient Scamander
Sacred and still, a city of memory spared by the Phthian.
So Talthybius spoke and anger silenced the Argives.
Mute was the warlike assembly, silent Achaias princes.
Wrath and counsel strove in the hush for the voice of the speakers.
~ Sri Aurobindo, 5 - The Book of Achilles
281:He gazed and gazed and gazed and gazed,
Amazed, amazed, amazed, amazed.

Like (7) 2

Said Abner, ``At last thou art come! Ere I tell, ere thou speak,
``Kiss my cheek, wish me well!'' Then I wished it, and did kiss his cheek.
And he, ``Since the King, O my friend, for thy countenance sent,
``Neither drunken nor eaten have we; nor until from his tent
``Thou return with the joyful assurance the King liveth yet,
``Shall our lip with the honey be bright, with the water be wet.
``For out of the black mid-tent's silence, a space of three days,
``Not a sound hath escaped to thy servants, of prayer nor of praise,
``To betoken that Saul and the Spirit have ended their strife,
``And that, faint in his triumph, the monarch sinks back upon life.


``Yet now my heart leaps, O beloved! God's child with his dew
``On thy gracious gold hair, and those lilies still living and blue
``Just broken to twine round thy harp-strings, as if no wild beat
``Were now raging to torture the desert!''


                     Then I, as was meet,
Knelt down to the God of my fathers, and rose on my feet,
And ran o'er the sand burnt to powder. The tent was unlooped;
I pulled up the spear that obstructed, and under I stooped
Hands and knees on the slippery grass-patch, all withered and gone,
That extends to the second enclosure, I groped my way on
Till I felt where the foldskirts fly open. Then once more I prayed,
And opened the foldskirts and entered, and was not afraid
But spoke, ``Here is David, thy servant!'' And no voice replied.
At the first I saw nought but the blackness but soon I descried
A something more black than the blackness-the vast, the upright
Main prop which sustains the pavilion: and slow into sight
Grew a figure against it, gigantic and blackest of all.
Then a sunbeam, that burst thro' the tent-roof, showed Saul.


He stood as erect as that tent-prop, both arms stretched out wide
On the great cross-support in the centre, that goes to each side;
He relaxed not a muscle, but hung there as, caught in his pangs
And waiting his change, the king-serpent all heavily hangs,
Far away from his kind, in the pine, till deliverance come
With the spring-time,-so agonized Saul, drear and stark, blind and dumb.


Then I tuned my harp,-took off the lilies we twine round its chords
Lest they snap 'neath the stress of the noon-tide-those sunbeams like swords!
And I first played the tune all our sheep know, as, one after one,
So docile they come to the pen-door till folding be done.
They are white and untorn by the bushes, for lo, they have fed
Where the long grasses stifle the water within the stream's bed;
And now one after one seeks its lodging, as star follows star
Into eve and the blue far above us,-so blue and so far!


-Then the tune, for which quails on the cornland will each leave his mate
To fly after the player; then, what makes the crickets elate
Till for boldness they fight one another: and then, what has weight
To set the quick jerboa amusing outside his sand house-
There are none such as he for a wonder, half bird and half mouse!
God made all the creatures and gave them our love and our fear,
To give sign, we and they are his children, one family here.

Then I played the help-tune of our reapers, their wine-song, when hand
Grasps at hand, eye lights eye in good friendship, and great hearts expand
And grow one in the sense of this world's life.-And then, the last song
When the dead man is praised on his journey-``Bear, bear him along
``With his few faults shut up like dead flowerets! Are balm-seeds not here
``To console us? The land has none left such as he on the bier.
``Oh, would we might keep thee, my brother!''-And then, the glad chaunt
Of the marriage,-first go the young maidens, next, she whom we vaunt
As the beauty, the pride of our dwelling.-And then, the great march
Wherein man runs to man to assist him and buttress an arch
Nought can break; who shall harm them, our friends?-Then, the chorus intoned
As the Levites go up to the altar in glory enthroned.
But I stopped here: for here in the darkness Saul groaned.


And I paused, held my breath in such silence, and listened apart;
And the tent shook, for mighty Saul shuddered: and sparkles 'gan dart
From the jewels that woke in his turban, at once with a start,
All its lordly male-sapphires, and rubies courageous at heart.
So the head: but the body still moved not, still hung there erect.
And I bent once again to my playing, pursued it unchecked,
As I sang,-


     ``Oh, our manhood's prime vigour! No spirit feels waste,
``Not a muscle is stopped in its playing nor sinew unbraced.
``Oh, the wild joys of living! the leaping from rock up to rock,
``The strong rending of boughs from the fir-tree, the cool silver shock
``Of the plunge in a pool's living water, the hunt of the bear,
``And the sultriness showing the lion is couched in his lair.
``And the meal, the rich dates yellowed over with gold dust divine,
``And the locust-flesh steeped in the pitcher, the full draught of wine,
``And the sleep in the dried river-channel where bulrushes tell
``That the water was wont to go warbling so softly and well.
``How good is man's life, the mere living! how fit to employ
``All the heart and the soul and the senses for ever in joy!
``Hast thou loved the white locks of thy father, whose sword thou didst guard
``When he trusted thee forth with the armies, for glorious reward?
``Didst thou see the thin hands of thy mother, held up as men sung
``The low song of the nearly-departed, and bear her faint tongue
``Joining in while it could to the witness, `Let one more attest,
`` `I have lived, seen God's hand thro'a lifetime, and all was for best'?
``Then they sung thro' their tears in strong triumph, not much, but the rest.
``And thy brothers, the help and the contest, the working whence grew
``Such result as, from seething grape-bundles, the spirit strained true:
``And the friends of thy boyhood-that boyhood of wonder and hope,
``Present promise and wealth of the future beyond the eye's scope,-
``Till lo, thou art grown to a monarch; a people is thine;
``And all gifts, which the world offers singly, on one head combine!
``On one head, all the beauty and strength, love and rage (like the throe
``That, a-work in the rock, helps its labour and lets the gold go)
``High ambition and deeds which surpass it, fame crowning them,-all
``Brought to blaze on the head of one creature-King Saul!''


And lo, with that leap of my spirit,-heart, hand, harp and voice,
Each lifting Saul's name out of sorrow, each bidding rejoice
Saul's fame in the light it was made for-as when, dare I say,
The Lord's army, in rapture of service, strains through its array,
And up soareth the cherubim-chariot-``Saul!'' cried I, and stopped,
And waited the thing that should follow. Then Saul, who hung propped
By the tent's cross-support in the centre, was struck by his name.
Have ye seen when Spring's arrowy summons goes right to the aim,
And some mountain, the last to withstand her, that held (he alone,
While the vale laughed in freedom and flowers) on a broad bust of stone
A year's snow bound about for a breastplate,-leaves grasp of the sheet?
Fold on fold all at once it crowds thunderously down to his feet,
And there fronts you, stark, black, but alive yet, your mountain of old,
With his rents, the successive bequeathings of ages untold-
Yea, each harm got in fighting your battles, each furrow and scar
Of his head thrust 'twixt you and the tempest-all hail, there they are!
-Now again to be softened with verdure, again hold the nest
Of the dove, tempt the goat and its young to the green on his crest
For their food in the ardours of summer. One long shudder thrilled
All the tent till the very air tingled, then sank and was stilled
At the King's self left standing before me, released and aware.
What was gone, what remained? All to traverse, 'twixt hope and despair;
Death was past, life not come: so he waited. Awhile his right hand
Held the brow, helped the eyes left too vacant forthwith to remand
To their place what new objects should enter: 'twas Saul as before.
I looked up and dared gaze at those eyes, nor was hurt any more
Than by slow pallid sunsets in autumn, ye watch from the shore,
At their sad level gaze o'er the ocean-a sun's slow decline
Over hills which, resolved in stern silence, o'erlap and entwine
Base with base to knit strength more intensely: so, arm folded arm
O'er the chest whose slow heavings subsided.


                     What spell or what charm,
(For, awhile there was trouble within me) what next should I urge
To sustain him where song had restored him?-Song filled to the verge
His cup with the wine of this life, pressing all that it yields
Of mere fruitage, the strength and the beauty: beyond, on what fields,
Glean a vintage more potent and perfect to brighten the eye
And bring blood to the lip, and commend them the cup they put by?
He saith, ``It is good;'' still he drinks not: he lets me praise life,
Gives assent, yet would die for his own part.


                      Then fancies grew rife
Which had come long ago on the pasture, when round me the sheep
Fed in silence-above, the one eagle wheeled slow as in sleep;
And I lay in my hollow and mused on the world that might lie
'Neath his ken, though I saw but the strip 'twixt the hill and the sky:
And I laughed-``Since my days are ordained to be passed with my flocks,
``Let me people at least, with my fancies, the plains and the rocks,
``Dream the life I am never to mix with, and image the show
``Of mankind as they live in those fashions I hardly shall know!
``Schemes of life, its best rules and right uses, the courage that gains,
``And the prudence that keeps what men strive for.'' And now these old trains
Of vague thought came again; I grew surer; so, once more the string
Of my harp made response to my spirit, as thus-


                        ``Yea, my King,''
I began-``thou dost well in rejecting mere comforts that spring
``From the mere mortal life held in common by man and by brute:
``In our flesh grows the branch of this life, in our soul it bears fruit.
``Thou hast marked the slow rise of the tree,-how its stem trembled first
``Till it passed the kid's lip, the stag's antler then safely outburst
``The fan-branches all round; and thou mindest when these too, in turn
``Broke a-bloom and the palm-tree seemed perfect: yet more was to learn,
``E'en the good that comes in with the palm-fruit. Our dates shall we slight,
``When their juice brings a cure for all sorrow? or care for the plight
``Of the palm's self whose slow growth produced them? Not so! stem and branch
``Shall decay, nor be known in their place, while the palm-wine shall staunch
``Every wound of man's spirit in winter. I pour thee such wine.
``Leave the flesh to the fate it was fit for! the spirit be thine!
``By the spirit, when age shall o'ercome thee, thou still shalt enjoy
``More indeed, than at first when inconscious, the life of a boy.
``Crush that life, and behold its wine running! Each deed thou hast done
``Dies, revives, goes to work in the world; until e'en as the sun
``Looking down on the earth, though clouds spoil him, though tempests efface,
``Can find nothing his own deed produced not, must everywhere trace
``The results of his past summer-prime'-so, each ray of thy will,
``Every flash of thy passion and prowess, long over, shall thrill
``Thy whole people, the countless, with ardour, till they too give forth
``A like cheer to their sons, who in turn, fill the South and the North
``With the radiance thy deed was the germ of. Carouse in the past!
``But the license of age has its limit; thou diest at last:
``As the lion when age dims his eyeball, the rose at her height
``So with man-so his power and his beauty for ever take flight.
``No! Again a long draught of my soul-wine! Look forth o'er the years!
``Thou hast done now with eyes for the actual; begin with the seer's!
``Is Saul dead? In the depth of the vale make his tomb-bid arise
``A grey mountain of marble heaped four-square, till, built to the skies,
``Let it mark where the great First King slumbers: whose fame would ye know?
``Up above see the rock's naked face, where the record shall go
``In great characters cut by the scribe,-Such was Saul, so he did;
``With the sages directing the work, by the populace chid,-
``For not half, they'll affirm, is comprised there! Which fault to amend,
``In the grove with his kind grows the cedar, whereon they shall spend
``(See, in tablets 'tis level before them) their praise, and record
``With the gold of the graver, Saul's story,-the statesman's great word
``Side by side with the poet's sweet comment. The river's a-wave
``With smooth paper-reeds grazing each other when prophet-winds rave:
``So the pen gives unborn generations their due and their part
``In thy being! Then, first of the mighty, thank God that thou art!''


And behold while I sang but O Thou who didst grant me that day,
And before it not seldom hast granted thy help to essay,
Carry on and complete an adventure,-my shield and my sword
In that act where my soul was thy servant, thy word was my word,-
Still be with me, who then at the summit of human endeavour
And scaling the highest, man's thought could, gazed hopeless as ever
On the new stretch of heaven above me-till, mighty to save,
Just one lift of thy hand cleared that distance-God's throne from man's grave!
Let me tell out my tale to its ending-my voice to my heart
Which can scarce dare believe in what marvels last night I took part,
As this morning I gather the fragments, alone with my sheep,
And still fear lest the terrible glory evanish like sleep!
For I wake in the grey dewy covert, while Hebron upheaves
The dawn struggling with night on his shoulder, and Kidron retrieves
Slow the damage of yesterday's sunshine.


                   I say then,-my song
While I sang thus, assuring the monarch, and ever more strong
Made a proffer of good to console him-he slowly resumed
His old motions and habitudes kingly. The right-hand replumed
His black locks to their wonted composure, adjusted the swathes
Of his turban, and see-the huge sweat that his countenance bathes,
He wipes off with the robe; and he girds now his loins as of yore,
And feels slow for the armlets of price, with the clasp set before.
He is Saul, ye remember in glory,-ere error had bent
The broad brow from the daily communion; and still, though much spent
Be the life and the bearing that front you, the same, God did choose,
To receive what a man may waste, desecrate, never quite lose.
So sank he along by the tent-prop till, stayed by the pile
Of his armour and war-cloak and garments, he leaned there awhile,
And sat out my singing,-one arm round the tent-prop, to raise
His bent head, and the other hung slack-till I touched on the praise
I foresaw from all men in all time, to the man patient there;
And thus ended, the harp falling forward. Then first I was 'ware
That he sat, as I say, with my head just above his vast knees
Which were thrust out on each side around me, like oak-roots which please
To encircle a lamb when it slumbers. I looked up to know
If the best I could do had brought solace: he spoke not, but slow
Lifted up the hand slack at his side, till he laid it with care
Soft and grave, but in mild settled will, on my brow: thro' my hair
The large fingers were pushed, and he bent back my bead, with kind power-
All my face back, intent to peruse it, as men do a flower.
Thus held he me there with his great eyes that scrutinized mine-
And oh, all my heart how it loved him! but where was the sign?
I yearned-``Could I help thee, my father, inventing a bliss,
``I would add, to that life of the past, both the future and this;
``I would give thee new life altogether, as good, ages hence,
``As this moment,-had love but the warrant, love's heart to dispense!''


Then the truth came upon me. No harp more-no song more! outbroke-


``I have gone the whole round of creation: I saw and I spoke:
``I, a work of God's hand for that purpose, received in my brain
``And pronounced on the rest of his hand-work-returned him again
``His creation's approval or censure: I spoke as I saw:
``I report, as a man may of God's work-all's love, yet all's law.
``Now I lay down the judgeship he lent me. Each faculty tasked
``To perceive him, has gained an abyss, where a dewdrop was asked.
``Have I knowledge? confounded it shrivels at Wisdom laid bare.
``Have I forethought? how purblind, how blank, to the Infinite Care!
``Do I task any faculty highest, to image success?
``I but open my eyes,-and perfection, no more and no less,
``In the kind I imagined, full-fronts me, and God is seen God
``In the star, in the stone, in the flesh, in the soul and the clod.
``And thus looking within and around me, I ever renew
``(With that stoop of the soul which in bending upraises it too)
``The submission of man's nothing-perfect to God's all-complete,
``As by each new obeisance in spirit, I climb to his feet.
``Yet with all this abounding experience, this deity known,
``I shall dare to discover some province, some gift of my own.
``There's a faculty pleasant to exercise, hard to hoodwink,
``I am fain to keep still in abeyance, (I laugh as I think)
``Lest, insisting to claim and parade in it, wot ye, I worst
``E'en the Giver in one gift.-Behold, I could love if I durst!
``But I sink the pretension as fearing a man may o'ertake
``God's own speed in the one way of love: I abstain for love's sake.
``-What, my soul? see thus far and no farther? when doors great and small,
``Nine-and-ninety flew ope at our touch, should the hundredth appal?
``In the least things have faith, yet distrust in the greatest of all?
``Do I find love so full in my nature, God's ultimate gift,
``That I doubt his own love can compete with it? Here, the parts shift?
``Here, the creature surpass the Creator,-the end, what Began?
``Would I fain in my impotent yearning do all for this man,
``And dare doubt he alone shall not help him, who yet alone can?
``Would it ever have entered my mind, the bare will, much less power,
``To bestow on this Saul what I sang of, the marvellous dower
``Of the life he was gifted and filled with? to make such a soul,
``Such a body, and then such an earth for insphering the whole?
``And doth it not enter my mind (as my warm tears attest)
``These good things being given, to go on, and give one more, the best?
``Ay, to save and redeem and restore him, maintain at the height
``This perfection,-succeed with life's day-spring, death's minute of night?
``Interpose at the difficult minute, snatch Saul the mistake,
``Saul the failure, the ruin he seems now,-and bid him awake
``From the dream, the probation, the prelude, to find himself set
``Clear and safe in new light and new life,-a new harmony yet
``To be run, and continued, and ended-who knows?-or endure!
``The man taught enough, by life's dream, of the rest to make sure;
``By the pain-throb, triumphantly winning intensified bliss,
``And the next world's reward and repose, by the struggles in this.


``I believe it! 'Tis thou, God, that givest, 'tis I who receive:
``In the first is the last, in thy will is my power to believe.
``All's one gift: thou canst grant it moreover, as prompt to my prayer
``As I breathe out this breath, as I open these arms to the air.
``From thy will, stream the worlds, life and nature, thy dread Sabaoth:
``I will?-the mere atoms despise me! Why am I not loth
``To look that, even that in the face too? Why is it I dare
``Think but lightly of such impuissance? What stops my despair?
``This;-'tis not what man Does which exalts him, but what man Would do!
``See the King-I would help him but cannot, the wishes fall through.
``Could I wrestle to raise him from sorrow, grow poor to enrich,
``To fill up his life, starve my own out, I would-knowing which,
``I know that my service is perfect. Oh, speak through me now!
``Would I suffer for him that I love? So wouldst thou-so wilt thou!
``So shall crown thee the topmost, ineffablest, uttermost crown-
``And thy love fill infinitude wholly, nor leave up nor down
``One spot for the creature to stand in! It is by no breath,
``Turn of eye, wave of hand, that salvation joins issue with death!
``As thy Love is discovered almighty, almighty be proved
``Thy power, that exists with and for it, of being Beloved!
``He who did most, shall bear most; the strongest shall stand the most weak.
``'Tis the weakness in strength, that I cry for! my flesh, that I seek
``In the Godhead! I seek and I find it. O Saul, it shall be
``A Face like my face that receives thee; a Man like to me,
``Thou shalt love and be loved by, for ever: a Hand like this hand
``Shall throw open the gates of new life to thee! See the Christ stand!''


I know not too well how I found my way home in the night.
There were witnesses, cohorts about me, to left and to right,
Angels, powers, the unuttered, unseen, the alive, the aware:
I repressed, I got through them as hardly, as strugglingly there,
As a runner beset by the populace famished for news-
Life or death. The whole earth was awakened, hell loosed with her crews;
And the stars of night beat with emotion, and tingled and shot
Out in fire the strong pain of pent knowledge: but I fainted not,
For the Hand still impelled me at once and supported, suppressed
All the tumult, and quenched it with quiet, and holy behest,
Till the rapture was shut in itself, and the earth sank to rest.
Anon at the dawn, all that trouble had withered from earth-
Not so much, but I saw it die out in the day's tender birth;
In the gathered intensity brought to the grey of the hills;
In the shuddering forests' held breath; in the sudden wind-thrills;
In the startled wild beasts that bore off, each with eye sidling still
Though averted with wonder and dread; in the birds stiff and chill
That rose heavily, as I approached them, made stupid with awe:
E'en the serpent that slid away silent,-he felt the new law.
The same stared in the white humid faces upturned by the flowers;
The same worked in the heart of the cedar and moved the vine-bowers:
And the little brooks witnessing murmured, persistent and low,
With their obstinate, all but hushed voices-``E'en so, it is so!''
The jumping hare.

One of the three cities of Refuge.
A brook in Jerusalem.

~ Robert Browning, Rhyme for a Child Viewing a Naked Venus in a Painting of 'The Judgement of Paris'
I weep for Adonais -he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais -he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend; -oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania! -He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country's pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o'er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame's serene abode.

But now, thy youngest, dearest one, has perished -
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies -the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal. -Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more! -
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o'er his sleep the mortal curtain draw.

O, weep for Adonais! -The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not, -
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne'er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
"Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain."
Lost Angel of a ruined Paradise!
She knew not 'twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp; -the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman's horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds: -a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit's sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun's domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season's bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth's heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life's sacred thirst;
Diffuse themselves; and spend in love's delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning? -the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
"Wake thou," cried Misery, "childless Mother, rise
Out of thy sleep, and slake, in thy heart's core,
A wound more fierce than his with tears and sighs."
And all the Dreams that watched Urania's eyes,
And all the Echoes whom their sister's song
Had held in holy silence, cried: "Arise!"
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where'er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life's pale light
Flashed through those limbs, so late her dear delight.
"Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!" cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

"'Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

"O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life's waste had fled from thee like deer.

"The herded wolves, bold only to pursue;
The obscene ravens, clamorous o'er the dead;
The vultures to the conqueror's banner true
Who feed where Desolation first has fed,
And whose wings rain contagion; -how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled! -The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

"The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit's awful night."

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature's naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o'er the world's wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift -
A Love in desolation masked; -a Power
Girt round with weakness; -it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow; -even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest's noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter's dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another's fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger's mien, and murmured: "Who art thou?"
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain's or Christ's -oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o'er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart's accepted sacrifice.

Our Adonais has drunk poison -oh!
What deaf and viperous murderer could crown
Life's early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master's hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o'erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt -as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now -
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep -
He hath awakened from the dream of life -
'Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings. -We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world's slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit's self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes -'tis Death is dead, not he;
Mourn not for Adonais. -Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil thy scarf hadst thrown
O'er the abandoned Earth, now leave it bare
Even to the joyous stars which smile on its despair!

He is made one with Nature: there is heard
His voice in all her music, from the moan
Of thunder, to the song of night's sweet bird;
He is a presence to be felt and known
In darkness and in light, from herb and stone,
Spreading itself where'er that Power may move
Which has withdrawn his being to its own;
Which wields the world with never-wearied love,
Sustains it from beneath, and kindles it above.

He is a portion of the loveliness
Which once he made more lovely: he doth bear
His part, while the one Spirit's plastic stress
Sweeps through the dull dense world, compelling there
All new successions to the forms they wear;
Torturing th' unwilling dross that checks its flight
To its own likeness, as each mass may bear;
And bursting in its beauty and its might
From trees and beasts and men into the Heavens' light.

The splendours of the firmament of time
May be eclipsed, but are extinguished not;
Like stars to their appointed height they climb,
And death is a low mist which cannot blot
The brightness it may veil. When lofty thought
Lifts a young heart above its mortal lair,
And love and life contend in it, for what
Shall be its earthly doom, the dead live there
And move like winds of light on dark and stormy air.

The inheritors of unfulfilled renown
Rose from their thrones, built beyond mortal thought,
Far in the Unapparent. Chatterton
Rose pale, -his solemn agony had not
Yet faded from him; Sidney, as he fought
And as he fell and as he lived and loved
Sublimely mild, a Spirit without spot,
Arose; and Lucan, by his death approved:
Oblivion as they rose shrank like a thing reproved.

And many more, whose names on Earth are dark,
But whose transmitted effluence cannot die
So long as fire outlives the parent spark,
Rose, robed in dazzling immortality.
"Thou art become as one of us," they cry,
"It was for thee yon kingless sphere has long
Swung blind in unascended majesty,
Silent alone amid an Heaven of Song.
Assume thy winged throne, thou Vesper of our throng!"

Who mourns for Adonais? Oh, come forth,
Fond wretch! and know thyself and him aright.
Clasp with thy panting soul the pendulous Earth;
As from a centre, dart thy spirit's light
Beyond all worlds, until its spacious might
Satiate the void circumference: then shrink
Even to a point within our day and night;
And keep thy heart light lest it make thee sink
When hope has kindled hope, and lured thee to the brink.

Or go to Rome, which is the sepulchre,
Oh, not of him, but of our joy: 'tis nought
That ages, empires, and religions there
Lie buried in the ravage they have wrought;
For such as he can lend, -they borrow not
Glory from those who made the world their prey;
And he is gathered to the kings of thought
Who waged contention with their time's decay,
And of the past are all that cannot pass away.

Go thou to Rome, -at once the Paradise,
The grave, the city, and the wilderness;
And where its wrecks like shattered mountains rise,
And flowering weeds, and fragrant copses dress
The bones of Desolation's nakedness
Pass, till the spirit of the spot shall lead
Thy footsteps to a slope of green access
Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;

And grey walls moulder round, on which dull Time
Feeds, like slow fire upon a hoary brand;
And one keen pyramid with wedge sublime,
Pavilioning the dust of him who planned
This refuge for his memory, doth stand
Like flame transformed to marble; and beneath,
A field is spread, on which a newer band
Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath.

Here pause: these graves are all too young as yet
To have outgrown the sorrow which consigned
Its charge to each; and if the seal is set,
Here, on one fountain of a mourning mind,
Break it not thou! too surely shalt thou find
Thine own well full, if thou returnest home,
Of tears and gall. From the world's bitter wind
Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become?

The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments. -Die,
If thou wouldst be with that which thou dost seek!
Follow where all is fled! -Rome's azure sky,
Flowers, ruins, statues, music, words, are weak
The glory they transfuse with fitting truth to speak.

Why linger, why turn back, why shrink, my Heart?
Thy hopes are gone before: from all things here
They have departed; thou shouldst now depart!
A light is passed from the revolving year,
And man, and woman; and what still is dear
Attracts to crush, repels to make thee wither.
The soft sky smiles, -the low wind whispers near:
'Tis Adonais calls! oh, hasten thither,
No more let Life divide what Death can join together.

That Light whose smile kindles the Universe,
That Beauty in which all things work and move,
That Benediction which the eclipsing Curse
Of birth can quench not, that sustaining Love
Which through the web of being blindly wove
By man and beast and earth and air and sea,
Burns bright or dim, as each are mirrors of
The fire for which all thirst, now beams on me,
Consuming the last clouds of cold mortality.

The breath whose might I have invoked in song
Descends on me; my spirit's bark is driven
Far from the shore, far from the trembling throng
Whose sails were never to the tempest given;
The massy earth and sphered skies are riven!
I am borne darkly, fearfully, afar;
Whilst, burning through the inmost veil of Heaven,
The soul of Adonais, like a star,
Beacons from the abode where the Eternal are.

Adonais was composed at Pisa during the early days of June, 1821, and printed, with the author's name, at Pisa, 'with the types of Didot,'by July 13, 1821. Part of the impression was sent to the brothers Ollier for sale in London. An exact reprint of this Pisa edition (a few typographical errors only being corrected) was issued in 1829 by Gee & Bridges, Cambridge, at the instance of Arthur Hallan and Richard Monckton Milnes (Lord Houghton). The poem was included in Galignani's edition of Coleridge, Shelley and Keats, Paris, 1829, and by Mrs. Shelley in the Poetical Works of 1839.
~ Percy Bysshe Shelley, Adonais - An elegy on the Death of John Keats
283:The Watch At Midnight
Dead stars, beneath the midnight's granite cope
and round your dungeon-gulf that blindly grope
and fall not, since no lower than any place
needs when the wing is dash'd and foil'd the face:
is this your shadow on the watcher's thought
imposed, or rather hath his anguish taught
the dumb and suffering dark to send you out,
reptile, the doubles of his lurking doubt,
in coasts of night that well might be supposed
the exiled hall of chaos late-deposed,
to haunt across this hour's desuetude,
immense, that whelms in monumental mood
the broad waste of his spirit, stonily
strewn with the wreck of his eternity?
The plumes of night, unfurl'd
and eyed with fire, are whirl'd
slowly above this watch, funereal:
the vast is wide, and yet
no way lies open; set
no bar, but the flat deep rises, a placid wall.
Some throne thou think'st to win
or pride of thy far kin;
this incomplete and dusty hour to achieve:
know that the hour is one,
eternally begun,
eternally deferr'd, thy grasp a Danaid sieve.
O weary realm, O height
the which exhausted flight
familiar finds, home of its prompting ill!
here, there, or there, or there,
even the same despair;
rest in thy place, O fool, the heart eludes thee still.
Rest — and a new abyss
suddenly yawns, of this
the moment sole, and yet the counterpart:
and thou must house it, thou,
within thy fleshy Now,
thyself the abyss that shrinks, the unbounded hermit-heart:
the mightier heart untold
whose paining depths enfold
all loneliness, all height, all vision'd shores;
and the abyss uncrown'd,
blank failure thro' each bound
from the consummate point thy broken hope implores.
The trees that thro' the tuneful morn had made
bride-dusk for beams that pierce the melting shade,
or thro' the opulent afternoon had stood
lordly, absorb'd in hieratic mood, —
now stricken with misgiving of the night
rise black and ominous, as who invite
some fearful coming whose foreblown wind shall bow,
convuls'd and shuddering, each dishevell'd brow:
the garden that had sparkled thro' its sheen
all day, a self-sufficing gem serene,
hiding in emerald depths the vision'd white
of limbs that follow their own clear delight,
exhales towards the inaccessible skies,
commencing, failing, broken, scents or sighs:
O mother, only,
where that thou hidest thee,
crown for the lonely brow,
bosom for the spent wanderer,
or balm for ache:
O mother,
nightly —
undiscoverable —
O heart too vast to find,
whelming our little desire:
we wander and fail —
But on the zenith, mass'd, a glittering throng,
the distant stars dropt a disdainful song:
They said, because their parcel-thought
might nor her shadowy vast embrace,
nor be refurl'd within that nought
which is the hid heart of all place,
they said: She is not anywhere!
have we not sought her and not seen?
nor is there found in earth or air
a sign to tell if she hath been!
— O fools and blind, not to have found!
is her desire not as your own?
stirs she not in the arms that round
a hopeless clasp, lone with the lone!
And the tense lips towards her bliss
in secret cells of anguish'd prayer
might know her in the broken kiss
she prompts nor, prompting, fails to share.
We drift from age to age nor waste
our strenuous song's exultant tone,
disdaining or to rest or haste:
because each place is still our throne.
The anguish'd doubt broods over Eden; night
hangs her rent banners thro' the viewless height;
trophies and glories whence a trouble streams
of lamentable valour in old dreams:
out of its blank the watcher's soul is stirr'd
to take unto itself some olden word:
O thou that achest, pulse o' the unwed vast,
now in the distant centre of my brain
dizzily narrow'd, now beyond the last
calm circle widening of the starry plain,
where, on the scatter'd edge of my surmise,
the twilit dreams fail off and rule is spent
vainly on vagrant bands the gulfs invite
to break away to the dark: they, backward sent,
tho' dumb, with dire infection in their eyes,
startle the central seat: — O pulse of night,
passing the hard throb of sun-smitten blood
when the noon-world is fused in fire and blent
with my then unattained hero-mood;
what will with me the imperious instinct
that hounds the gulfs together on that place
vanishing utterly out of mortal trace,
the citadel where I would seem distinct —
if not thou ween'st a vanity, my deep
unlighted still, the which thy refluent sweep
intolerably dilates, a tide that draws
with lunatic desire, distraught and fond,
to some dark moon of vastness, hung beyond
our little limits of familiar cause,
as tho' the tense and tortured voids should dash
ruining amorously together, a clash
portentous with some rose of thinnest flame,
secret, exhaled in the annull'd abyss,
that, with this soul, passes in that fell kiss
and to the soft-sprung flush all sanctity
surrenders, centring in the blossom'd Name,
as the dark wings of silence lovingly
hover above the adventurous song that fares
forth to the void and finds no lip that shares
its rapture, just the great wings spreading wide.
O mother thou or sister or my bride,
inevitable, whom this hour in me declares,
were thine of old such rhythmic pangs that bore
my shivering soul, wind-waif upon the shore
that is a wavering twilight, thence astray
beneath the empty plainness of the day?
me thy first want conceived to some dim end,
that my unwelcom'd love might henceward tend
to the dumb home that draws it in thy breast
and the veil'd couch of some divine incest,
where thou didst wait some hour of sharp delight
to wither up in splendour the stark night
and haggard shame that ceremented thy dearth,
with purest diamond-blaze, some overbirth
of the dark fire thy foresight did enmesh
within this hither and thither harried flesh?
Ay, yet obscurely stirs, a monstrous worm
in the rear cavern of my dazzled thought,
a memory that wavers, formless form
of superhuman nuptials, clasp'd and caught
unto the breast that is our loathed tomb:
then, issuing from the violated womb,
tremendous birth of dreadful prodigies
begotten on the apocalyptic skies:
one moment's hope, one thrill alone was given
of pinions beating up the parting heaven;
but straight thereon the spectral mirk was riven
by shapes of snaky horror, grisly jaw,
cold fear, and scaly fold, and endless maw.
What terror clutch'd me, even as ecstasy
smote dire across transfigured mystery?
and whose the sin that doom'd thee to disgrace,
to haunt the shapeless dark, a burning face,
eyes that would cling to mine and lips that seek
some baffled kiss, some word they may not speak,
condemn'd to yearn where the worn foam is hoar
and vain against the unshaken nightly shore.
Nightly thy tempting comes, when the dark breeze
scatters my thought among the unquiet trees
and sweeps it, with dead leaves, o'er widow'd lands
and kingdoms conquer'd by no human hands;
nightly thou wouldst exalt me in the deep,
crown'd with the morn that shines beyond our sleep,
nightly renew those nuptials, and re-win
virginity, and shed the doubtful sin:
but I am born into dividual life
and I have ta'en the woman for my wife,
a flowery pasture fenced and soft with streams,
fill'd with slow ease and fresh with eastern beams
of coolest silver on the sliding wave:
such refuge the derisive morning gave,
shaped featly in thy similitude, to attract
earthward the gusty soul thy temptings rack'd.
I sicken with the long unsatisfied
waiting: the sombre gulfs of night divide:
no dawn is shown that keeps its grace nor soon
degraded not to brutal fires of noon;
and heavy on my soul the tyrant lays
his hand, and dazzles with his common blaze
eyes that are fain, when evening brings the dew,
to cool them in the grasses: few, how few
are now the hours that thou mayst claim as thine!
— And shall I not take heart? if no divine
revealment star me with the diadem
hermetic, magian, alchemic gem,
shall I not feel the earth with firmer tread
if abdicating to the viewless dead
the invaluable round of nothingness?
Kingdom awaits me, homage, swords, liesse,
battle, broad fame in fable, song: shall I
confide all hope to scanty shapes that fly
in dreams, whom even if they be all I know
not, or fore-runners of the One? I go,
shaking them from my spirit, to rule and mould
in mine own shape the gods that shall be old.
— Nay, not thus lightly, heart the winds have mock'd!
wings of fierce winds that o'er the star-strown height
sweep, and adown the wide world-ways unlock'd
feign for thy trouble a last conclusive fight:
O heart wherethro' these insolent powers stray,
pass and repass, and thou dost foolish hold
aught else inspires them than their cynic play,
the aimless idle sport they plann'd of old
to while the waste hours of their tedious state
and shall pursue when thou art seal'd in dust,
thou latest toy, framed for this silly fate,
to watch their pastime turning, tremble and trust
some deathless gain for thee should issue of it
imblazed in stars on some thy kindred's brow;
O thou, all laughable for thy short wit,
not lightly thus shalt thou put off their slight
and steady thee to build in their despite
secure, some seat, and hold thy being safe,
joying in this at last that thou art thou,
distinct, no longer in wilful tides a waif:
O heart the winds have emptied of all clear
and natural impulse, O wasted brain
and spirit expent with straining from thy sphere,
turn thee to earth, if that be not a cheat,
and, childlike, lay thee in her torpid lap,
there to reflush these flaccid veins with sap
from spilth of sleep, where herbs of drowsy bane
spring in slow shade and death is sprinkled sweet,
with promis'd coolness dark — perchance a lure..
Thou sleep, at least, receive and wrap me sure
in midmost of thy softness, that no flare,
disastrous, from some rending of the veil,
nor dawn from springs beyond thy precincts, rare
with revelation, risen, or dewy-pale
exhaled from fields of death, disturb that full
absorption of robustness, and I wake
in placid large content, replete and dull,
fast-grown to earth, whom winds no longer shake.
Thick sleep, with error of the tangled wood,
and vapour from the evening marsh of sense,
and smoothness of the glide of Lethe, would
inaugurate his dullard innocence,
cool'd of his calenture, elaborate brute:
but, all deceitful of his craven hope,
the devious and covert ways of dream
shall lead him out upon no temper'd beam
or thick-grass'd ease, where herbs of soothing shoot
in asphodel, but on the shuddering scope
and the chill touch of endless distances
still thronging on the wingless soul that flees
along the self-pursuing path, to find
the naked night before it and behind.
What night is this, made denser, in his breast
or round him, suddenly or first confest
after its gradual thickening complete?
as tho' the mighty current, bearing fleet
the unresting stars, had here devolved its lees,
stagnant, contempt, on recreant destinies;
as tho' a settling of tremendous pens,
above the desolate dream, had shed immense
addition to the incumbence of despair
downward, across this crypt of stirless air,
from some henceforth infrangible attitude,
upon his breast, that knows no dawn renew'd,
builded enormously, each brazen stage,
with rigor of his hope in hopeless age
mummied, and look that turns his thew to stone:
even hers, that is his strangling sphinx, made known
with, on her breast, his fore-erected tomb,
engraven deep, the letters of his doom.
Terrible, if he will not have me else,
I lurk to seize and strangle, in the cells
where he hath made a dusk round his delight:
whether he woo the bride's incarnate bright
and natural rose to shimmer thro' the dense
of odour-motes whereby the brooding sense
flows forth beyond its aching bounds and lies,
full-brimm'd and sombre, around her clear disguise
that saturates the dusk with secret gold;
or the miraculous rose of Heaven to unfold
out from its heart of ruby fire and rain
unceasing drift of petals, and maintain
a tabernacle about the little hour
where his eternity hath phantom power:
and terrible I am moulded in the stone
that clamps for ever, rigid, stark, alone,
round nought but absence of the man he was,
some cell of that cold space against whose laws
he seeks a refuge in his inner deep
of love, and soften'd fire, and quicken'd sleep,
tho' knowing that I, the bride his sin dethroned
and exiled to the wastes that lie disown'd,
can bring that icy want even to the heart
of his most secret bliss, that he shall start
aghast, to see its burning centre fade
and know his hope, the impious, vain, unmade.
Lo now, beneath the watch of knitted boughs
he lies, close-folded to his newer spouse,
creature of morn, that hath ordain'd its fresh
dew and cool glimmer in her crystal flesh
sweetly be mix'd, with quicken'd breath of leaves
and the still charm the spotless dawning weaves.
But I have set my hand upon his soul
and moulded it to my unseen control;
and he hath slept within my shadowy hair
and guards a memory how in my far lair
the forces of tremendous passion stir:
my spectral face shall come between his eyes
and the soft face of her, my name shall rise,
unutter'd, in each thought that goes to her;
and in the quiet waters of her gaze
shall lurk a siren-lure that beckons him
down halls of death and sinful chambers dim:
he shall not know her nor her gentle ways
nor rest, content, by her sufficing source,
but, under stress of the veil'd stars, shall force
her simple bloom to perilous delight
adulterate with pain, some nameless night
stain'd with miasm of flesh become a tomb:
then baffled hope, some torch o' the blood to illume
and flush the jewel hid beyond all height,
and sombre rage that burst the holy bourne
of garden-joy, murdering innocence,
and the distraught desire to bring a kiss
unto the fleeting centre of the abyss,
discovering the eternal lack, shall spurn
even that sun-god's garden of pure sense,
not wisely wasted with insensate will.
I am his bride and was and shall be still,
tho' infamous as devil's dam, a fear
to wives that watch the cradle-side and hear
how I devour the newling flesh, and none
shall void my claim upon his latest son,
because the father fell beneath my harm,
not god invented late, nor anxious charm;
tho' with the chemic mind he holds in trust
to show me gem, he celebrate the dust;
dumb earth, in garb of borrow'd beauty dight
by the fond day that curtains him in light;
green pleasaunces, whose smiling would attest
his heart true-born of her untroubled breast
and leaves that beckon on the woodland ways
of the stream-side, where expectation strays
of water-brides, swift blight to them that see,
because the waters are to mirror me:—
of these his hunted thought, seeking retreat
in narrow light, and some sure bosom-heat
to cherish him, and friendly face of kin,
shall mould him fancied ancestors, to win
some certitude that he is in his home
rescued from any doom that bids him roam,
and him the blossom of the day presume,
unheeding that its roots are in my womb
nor song may breathe a magic unconfest
of the anterior silence of my breast:
but I shall lurk within the sightless stare
of his impassive idols, housing there
an unknown that allures and makes him fain
to perish for his creatures' fancied gain;
and they shall gaze and see not while his brood
befouls their stony presence with much blood,
their children's, and their captive enemies',
stretch'd out, exenterate, on those callous knees,
and, last, their own, ere some ill-fortuned field
drink all of it, since faith forbids them yield
and brings to learn in full, the fool's just trade,
the gratitude of gods themselves have made.
Last, since a pinch of dust may quench the eyes
that took the azure curve of stainless skies
and still the fiercest heart, he seeks to whelm
infinite yearning with a little realm,
beating together with ungentle hands,
enslaved, the trembling spawn of generous lands,
whom he shall force, a busy swarm, to raise,
last bulwarks of his whelming discontent,
heaven-threatening Babels, iron Ninevehs
square-thought with rigid will, a monument
of stony rage in high defiant stones
eternized with blasphemous intent,
and carve the mountain-cone to hide his bones,
a wonder to blank tribes of shrunken days:
but in that cave before his upstart gates
where elder night endures unshaken, waits
that foe of settled peace, the smiling sphinx,
or foul Echidna's mass'd insidious links,
reminding him that all is vanities;
and when, at last, o'er his nine roods he lies,
stretch'd in the sarcophage whereover grief
makes way before one huge gust of relief,
not the wing-blast of his vain shade shall drive
his wizen'd captives from their dungeon-hive,
and make a solitude about his bed;
nor the chill thought petrific his low head
exudes in rays of darkness, that beyond
this perturb'd sphere congeal, an orb of dread:
I, Lilith, on his tomb immensely throned,
with viewless face and viewless vans outspread;
in the wide waste of his unhallow'd work,
calm coils of fear, my serpent-brood shall lurk;
and I shall muse above the little dust
that was the flesh that held my word in trust.
Warrior and prince and poet, thou that fain
over some tract of lapsing years wouldst reign
nor know'st the crown that all thy wants confess
is Lilith's own, the round of nothingness:
warrior, whose witless game is but to feel
thyself authentic thro' the wielded steel
and give thy ghost assurance that thou art,
what aimless endless wars shall make thy heart
arena for the wheeling of their play!
king, that wast mighty in the easy way
of thy desire, what time these thews were young,
how bitter is the wisdom on thy tongue
in the late season, when a westering sun
shows thee thy work, that it is evil done!
O priest and poet, thou that makest God,
woe, when the path of thine illusion, trod
even to the end, reveals thee thy worn face,
eternal hermit of the unhallow'd place!
O man, the coward hope of thy despair
to be confounded with the driven air,
the grass that grows and knows not, the kind herds
that are not wrought with dreams nor any words,
to hollow out some refuge sunk as deep
as that was high thou hadst not sense to keep,
and here thy vexing shade to obliterate
ensuring that it rise not, soon or late,
thou knowing I claim thee whole when that thou art dead.
Go forth: be great, O nothing. I have said.
Thus in her hour of wrath, o'er Adam's head
Lilith, then first reveal'd, a name of dread,
thus in her hour of sorrow: and the rage,
that drove the giant-hunters in that age
since whelm'd beneath the weltering cataclysm,
was the mad flight from her instant abysm
and iron sadness and unsatisfied
despair of kings that by Euphrates' side
rein the wing'd steer or grasp the stony mane
of lions dared, if so they might obtain
surcease of lingering unnamed distress.
And if she kept the word forgetfulness
absorb'd, sole ear of sunken sleep, it is
to them that wander thro' Persepolis,
Ekbatan, or where else o'er arrow'd bricks
her snakes make the dry noise of trodden sticks,
known and well-known how that revolt was dash'd
and cruel keeps with lustral silence wash'd.
A name of dread reveal'd: and tho' forgot
in strenuous times to whom the lyre was not,
yet, when her hour awoke, the peoples heard
her coming and the winds no more deferr'd
that sweep along the expected day of wrath,
and rear'd the soaring aisles along her path
to house the massive gloom where she might dwell,
conjectured, hovering, impenetrable,
while o'er the mortal terror crouch'd beneath
the shuddering organ pour'd black wave of death;
when man withheld his hand from life, in fear
to find her, temptress, in the flesh most dear
or on the lowliest ways of simple peace —
vain-weening he that thus their feud might cease:
ay, and the cynic days that thought them blest
to know this earth a plunder-ground confest
and calm within them of the glutted beast
knew her, the emptiness that, when the feast
hath quench'd its lamps, makes, in the invaded hall,
stray'd steps, reverberated from the wall,
sound on the ear like some portentous stride,
companion's fixt, to mock our tread, beside,
nor near and show his apprehended guise
familiar, ease to our intended eyes.
Lilith, a name of dread: yet was her pain
and loving to her chosen ones not vain
hinted, who know what weight of gelid tears
afflicts the widow'd uplands of the spheres,
and whence the enrapturing breaths are sent that bring
a perfume of the secular flowering
of the far-bleeding rose of Paradise,
that mortal hearts in censer-fume arise
unto the heart that were an ardent peace,
and whence the sibyl-hints of song, that cease
in pale and thrilling silence, lest they wrong
her beauty, whose love bade live their fleeting throng,
even hers, who is the silence of our thought,
as he that sleeps in hush'd Valvins hath taught.
She is the night: all horror is of her
heap'd, shapeless, on the unclaim'd chaotic marsh
or huddled on the looming sepulchre
where the incult and scanty herb is harsh.
She is the night: all terror is of her
when the distemper'd dark begins to boil
with wavering face of larve and oily blur
of pallor on her suffocating coil.
Or majesty is hers, when marble gloom
supports her, calm, with glittering signs severe
and grandeur of metallic roof of doom,
far in the windows of our broken sphere.
Or she can be all pale, under no moon
or star, with veiling of the glamour cloud,
all pale, as were the fainting secret soon
to be exhaled, bride-robed in clinging shroud.
For she is night, and knows each wooing mood:
and her warm breasts are near in the charm'd air
of summer eve, and lovingly delude
the aching brow that craves their tender care.
The wooing night: all nuptials are of her;
and she the musky golden cloud that hangs
on maiden blood that burns, a boding stir
shot thro' with flashes of alluring pangs,
far off, in creeks that slept unvisited
or moved so smoothly that no ripple creas'd
their mirror'd slip of blue, till that sweet dread
melted the air and soft sighs stole, releas'd;
and she the shame of brides, veiling the white
of bosoms that for sharp fulfilment yearn;
she is the obscure centre of delight
and steals the kiss, the kiss she would return
deepen'd with all the abysm that under speech
moves shudderingly, or as that gulf is known
to set the astonied spouses each from each
across the futile sea of sighs, alone.
All mystery, and all love, beyond our ken,
she woos us, mournful till we find her fair:
and gods and stars and songs and souls of men
are the sparse jewels in her scatter'd hair.
This rose, the lips that kiss, and the young breast
they kindle, flush'd throughout its waking snows;
and this, that tremulous on the morning blows,
heart's youth some golden dew of dream hath blest;
auroras, grace and sooth! no tragic west
shed splendid the red anger of your close:
how soon within this wandering barrow grows
the canker'd heap of petals once caress'd!
Old odours of the rose are sickening; night,
hasten above the corpse of old delight,
if in decay the heart cherish some heat,
to breed new spice within the charnel-mould,
that eyes unseal'd with living dew may greet
the morning of the deathless rose of gold.
~ Christopher John Brennan,
284:Admetus: To My Friend, Ralph Waldo Emerson
He who could beard the lion in his lair,
To bind him for a girl, and tame the boar,
And drive these beasts before his chariot,
Might wed Alcestis. For her low brows' sake,
Her hairs' soft undulations of warm gold,
Her eyes' clear color and pure virgin mouth,
Though many would draw bow or shiver spear,
Yet none dared meet the intolerable eye,
Or lipless tusk, of lion or of boar.
This heard Admetus, King of Thessaly,
Whose broad, fat pastures spread their ample fields
Down to the sheer edge of Amphrysus' stream,
Who laughed, disdainful, at the father's pride,
That set such value on one milk-faced child.
One morning, as he rode alone and passed
Through the green twilight of Thessalian woods,
Between two pendulous branches interlocked,
As through an open casement, he descried
A goddess, as he deemed, — in truth a maid.
On a low bank she fondled tenderly
A favorite hound, her floral face inclined
Above the glossy, graceful animal,
That pressed his snout against her cheek and gazed
Wistfully, with his keen, sagacious eyes.
One arm with lax embrace the neck enwreathed,
With polished roundness near the sleek, gray skin.
Admetus, fixed with wonder, dared not pass,
Intrusive on her holy innocence
And sacred girlhood, but his fretful steed
Snuffed the large air, and champed and pawed the ground;
And hearing this, the maiden raised her head.
No let or hindrance then might stop the king,
Once having looked upon those supreme eyes.
The drooping boughs disparting, forth he sped,
And then drew in his steed, to ask the path,
Like a lost traveller in an alien land.
Although each river-cloven vale, with streams
Arrowy glancing to the blue Ægean,
Each hallowed mountain, the abode of gods,
Pelion and Ossa fringed with haunted groves,
The height, spring-crowned, of dedicate Olympus,
And pleasant sun-fed vineyards, were to him
Familiar as his own face in the stream,
Nathless he paused and asked the maid what path
Might lead him from the forest. She replied,
But still he tarried, and with sportsman's praise
Admired the hound and stooped to stroke its head,
And asked her if she hunted. Nay, not she:
Her father Pelias hunted in these woods,
Where there was royal game. He knew her now, —
Alcestis, — and her left her with due thanks:
No goddess, but a mortal, to be won
By such a simple feat as driving boars
And lions to his chariot. What was that
To him who saw the boar of Calydon,
The sacred boar of Artemis, at bay
In the broad stagnant marsh, and sent his darts
In its tough, quivering flank, and saw its death,
Stung by sure arrows of Arcadian nymph?
To river-pastures of his flocks and herds
Admetus rode, where sweet-breathed cattle grazed,
Heifers and goats and kids, and foolish sheep
Dotted cool, spacious meadows with bent heads,
And necks' soft wool broken in yellow flakes,
Nibbling sharp-toothed the rich, thick-growing blades.
One herdsmen kept the innumerable droves —
A boy yet, young as immortality —
In listless posture on a vine-grown rock.
Around him huddled kids and sheep that left
The mother's udder for his nighest grass,
Which sprouted with fresh verdure where he sat.
And yet dull neighboring rustics never guessed
A god had been among them till he went,
Although with him they acted as he willed,
Renouncing shepherds' silly pranks and quips,
Because his very presence made them grave.
Amphryssius, after their translucent stream,
They called him, but Admetus knew his name, —
Hyperion, god of sun and song and silver speech,
Condemned to serve a mortal for his sin
To Zeus in sending violent darts of death,
And raising hand irreverent, against
The one-eyed forgers of the thunderbolt.
For shepherd's crook he held the living rod
Of twisted serpents, later Hermes' wand.
Him sought the king, discovering soon hard by,
Idle, as one in nowise bound to time,
Watching the restless grasses blow and wave,
The sparkle of the sun upon the stream,
Regretting nothing, living with the hour:
For him, who had his light and song within,
Was naught that did not shine, and all things sang.
Admetus prayed for his celestial aid
To win Alcestis, which the god vouchsafed,
Granting with smiles, as grant all gods, who smite
With stern hand, sparing not for piteousness,
But give their gifts in gladness.
Thus the king
Led with loose rein the beasts as tame as kine,
And townsfolk thronged within the city streets,
As round a god; and mothers showed their babes,
And maidens loved the crowned intrepid youth,
And men would worship, though the very god
Who wrought the wonder dwelled unnoted nigh,
Divinely scornful of neglect or praise.
Then Pelias, seeing this would be his son,
As he had vowed, called for his wife and child.
With Anaxibia, Alcestis came,
A warm flush spreading o'er her eager face
In looking on the rider of the woods,
And knowing him her suitor and the king.
Admetus won Alcestis thus to wife,
And these with mated hearts and mutual love
Lived a life blameless, beautiful: the king
Ordaining justice in the gates; the queen,
With grateful offerings to the household gods,
Wise with the wisdom of the pure in heart.
One child she bore, — Eumelus, — and he throve.
Yet none the less because they sacrificed
The firstlings of their flocks and fruits and flowers,
Did trouble come; for sickness seized the king.
Alcestis watched with many-handed love,
But unavailing service, for he la