1. A distinctive and pervasive quality or character; air; atmosphere. 2. A subtle emanation from and enveloping living persons and things, viewed by mystics as consisting of the essence of the individual.
1. Personal liberty, as opposed to bondage. 2. Liberation or deliverance from fate or necessity. 3. The state or power of being able to act without hindrance or restraint, liberty of action. 4. Exemption from an unpleasant or onerous condition. 5. The quality of being able to conceive and execute boldly. Freedom, Freedom"s.
1. To be inadequate or insufficient; fall short. 2. To fall short of success or achievement in something expected, attempted, desired, or approved. 3. To dwindle, pass, or die away. 4. To decline, as in strength or effectiveness; fig. of the heart. 5. Of some expected or usual resource: To prove of no use or help to. 6. Of a material thing: To break down under strain or pressure. fails, failed, failed.
abandon ::: 1. To give oneself up, devote oneself to (a person or thing); to yield oneself without restraint. 2. To withdraw one"s support or help from, especially in spite of duty, allegiance, or responsibility; desert: leave behind. 3. To give up; discontinue; withdraw from. abandons, abandoned, abandoning.
absolute ::: adj. 1. Free from all imperfection or deficiency; complete, finished; perfect, consummate. 2. Of degree: Complete, entire; in the fullest sense. 3. Having ultimate power, governing totally; unlimited by a constitution or the concurrent authority of a parliament; arbitrary, despotic. 4. Existing without relation to any other being; self-existent; self-sufficing. 5. Capable of being thought or conceived by itself alone; unconditioned. 6. Considered independently of its being subjective or objective. n. 7. Something that is not dependent upon external conditions for existence or for its specific nature, size, etc. (opposed to relative). Absolute, Absolute"s, absolutes, absoluteness.
absolute reality ::: Sri Aurobindo: "I would myself say that bliss and oneness are the essential condition of the absolute reality, and love as the most characteristic dynamic power of bliss and oneness must support fundamentally and colour their activities; . . . .” Letters on Yoga
abstractions ::: things which have no independent existence, which exist only in idea; visionary and unrealistic.
accent ::: 1. The way in which anything is said; pronunciation, tone, voice; sound, modulation or modification of the voice expressing feeling. 2. A mark indicating stress or some other distinction in pronunciation or value. accents.
accept ::: 1. To take or receive (a thing offered) willingly, or with consenting mind; to receive (a thing or person) with favour or approval. 2. To take formally (what is offered) with contemplation of its consequences and obligations; to take upon oneself, to undertake as a responsibility. 3. To agree or consent to. 4. To regard as true or sound; believe. accepts, accepted, accepting.
accuse ::: to charge with a fault; to find fault with, blame, censure. accused.
"A cosmos or universe is always a harmony, otherwise it could not exist, it would fly to pieces. But as there are musical harmonies which are built out of discords partly or even predominantly, so this universe (the material) is disharmonious in its separate elements — the individual elements are at discord with each other to a large extent; it is only owing to the sustaining Divine Will behind that the whole is still a harmony to those who look at it with the cosmic vision. But it is a harmony in evolution in progress — that is, all is combined to strive towards a goal which is not yet reached, and the object of our yoga is to hasten the arrival to this goal. When it is reached, there will be a harmony of harmonies substituted for the present harmony built up on discords. This is the explanation of the present appearance of things.” Letters on Yoga
"Action is a resultant of the energy of the being, but this energy is not of one sole kind; the Consciousness-Force of the Spirit manifests itself in many kinds of energies: there are inner activities of mind, activities of life, of desire, passion, impulse, character, activities of the senses and the body, a pursuit of truth and knowledge, a pursuit of beauty, a pursuit of ethical good or evil, a pursuit of power, love, joy, happiness, fortune, success, pleasure, life-satisfactions of all kinds, life-enlargement, a pursuit of individual or collective objects, a pursuit of the health, strength, capacity, satisfaction of the body.” The Life Divine*
A Dictionary of Words and Terms in Sri Aurobindo"s SavitriLexicon of an Infinite MindNarad (Richard Eggenberger)
"A divine Force is at work and will choose at each moment what has to be done or has not to be done, what has to be momentarily or permanently taken up, momentarily or permanently abandoned. For provided we do not substitute for that our desire or our ego, and to that end the soul must be always awake, always on guard, alive to the divine guidance, resistant to the undivine misleading from within or without us, that Force is sufficient and alone competent and she will lead us to the fulfilment along ways and by means too large, too inward, too complex for the mind to follow, much less to dictate. It is an arduous and difficult and dangerous way, but there is none other.” The Synthesis of Yoga
adj. 1. Lacking in colour or brightness, vividness, clearness, loudness, strength, etc. 2. Indistinct, ill-defined; dim; faded; slight. 3. Feeble through hunger, fear, exhaustion, etc. 4. Inclined to ‘faint" or swoon. faintest, faint-foot. v. 5. To lose strength, brightness, colour, courage etc.; to fade. 6. To grow weak. 7. To feel weak, dizzy or exhausted; falter; about to lose consciousness. 8. To weaken in purpose or spirit. faints, fainted, fainting.
adj. 1. Not imprisoned or enslaved; being at liberty. 2. Unconstrained; unconfined. 3. Unobstructed; clear. 4. Ready or generous in using or giving; liberal; lavish. 5. Exempt from external authority, interference, restriction, etc., as a person or one"s will, thought, choice, action, etc.; independent; unrestricted. 6. Exempt or released from something specified that controls, restrains, burdens, etc. (usually followed by from or of). 7. Given readily or in profusion. freer, thought-free, world-free. *adv. *8. In a free manner; without constraints; unimpeded. v. 9. To make free; set at liberty; release from bondage, imprisonment, or restraint. 10. To disengage or clear something from an entanglement. 11. To relieve or rid of a burden, an inconvenience or an obligation. freed. set free. Released; liberated; freed.
admonishing ::: 1. Reproving or scolding, especially in a mild or good-willed manner. 2. Urging to a duty; reminding.
adoration ::: 1. The act of paying honour, as to a divine being; worship. 2. Reverent homage. 3. Fervent and devoted love. **adoration"s.*Sri Aurobindo: "Especially in love for the Divine or for one whom one feels to be divine, the Bhakta feels an intense reverence for the Loved, a sense of something of immense greatness, beauty or value and for himself a strong impression of his own comparative unworthiness and a passionate desire to grow into likeness with that which one adores.” Letters on Yoga*
adventurer ::: one who seeks adventures, or who engages in daring enterprises. (Sri Aurobindo also employs the word as an adj.) adventurers, Adventurers.
aeons ::: ages of the universe, immeasurable periods of time; the whole duration of the world, or of the universe; eternity. aeons", aeoned, million-aeoned, (employed as an adj. by Sri Aurobindo), aeon-rings.
"Aesthesis therefore is of the very essence of poetry, as it is of all art. But it is not the sole element and aesthesis too is not confined to a reception of poetry and art; it extends to everything in the world: there is nothing we can sense, think or in any way experience to which there cannot be an aesthetic reaction of our conscious being. Ordinarily, we suppose that aesthesis is concerned with beauty, and that indeed is its most prominent concern: but it is concerned with many other things also. It is the universal Ananda that is the parent of aesthesis and the universal Ananda takes three major and original forms, beauty, love and delight, the delight of all existence, the delight in things, in all things.” Letters on Savitri
"A fabulous tribe of wild, beastlike monsters, having the upper part of a human being and the lower part of a horse. They live in the woods or mountains of Elis, Arcadia, and Thessaly. They are representative of wild life, animal desires and barbarism. (M.I.) Glossary and Index of Proper Names in Sri Aurobindo"s Works.*
affections ::: emotions; kind feelings, love, fondness, loving attachment.
a game in which a blindfolded player tries to catch and identify one of the other players. The game has been around for at least 2000 years and probably longer. It is known to have been played in Greece about the time of the Roman Conquest.
*[Agni]. Sri Aurobindo: "Agni is the leader of the sacrifice and protects it in the great journey against the powers of darkness. The knowledge and purpose of this divine Puissance can be entirely trusted; he is the friend and lover of the soul and will not betray it to evil gods. Even for the man sitting far off in the night, enveloped by the darkness of the human ignorance, this flame[Agni] is a light which, when it is perfectly kindled and in proportion as it mounts higher and higher, enlarges itself into the vast light of the Truth. Flaming upward to heaven to meet the divine Dawn, it rises through the vital or nervous mid-world and through our mental skies and enters at last the Paradise of Light, its own supreme home above where joyous for ever in the eternal Truth that is the foundation of the sempiternal Bliss the shining Immortals sit in their celestial sessions and drink the wine of the infinite beatitude.” *The Secret of the Veda
agony ::: 1. Anguish of mind, sore trouble or distress, a paroxysm of grief. 2. The convulsive throes, or pangs of death; the death struggle. 3. Extreme bodily suffering, such as to produce writhing or throes of the body. agonies.
agreement ::: a contract or other document delineating an arrangement that is accepted by all parties to a transaction. (Sri Aurobindo capitalizes the word.)
alacananda ::: "One of the four head streams of the river Ganga in the Himalayas. According to the Vaishnavas it is the terrestrial Ganga which Shiva received upon his head as it fell from heaven. The famous shrine of Badrinath is situated on the banks of this stream. (Dow.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works
alarm ::: n. 1. A warning sound of any kind to give notice of danger, or to arouse or attract attention; esp. a loud and hurried peal rung out by a tocsin or alarm bell. v. 2. To arouse to a sense of danger, to excite the attention or suspicion of, to put on the alert; warn. 3. To strike with fear or apprehension of danger; to agitate or excite with sudden fear. alarmed, alarming.
alight ::: 1. Lighted, kindled, in a flame; on fire. Also fig. **2.** Lighted up, illumined.
". . . all birth is a progressive self-finding, a means of self-realisation.” Essays in Philosophy and Yoga
::: "All conscious being is one and indivisible in itself, but in manifestation it becomes a complex rhythm, a scale of harmonies, a hierarchy of states or movements.” The Upanishads
"All evolution is in essence a heightening of the force of consciousness in the manifest being so that it may be raised into the greater intensity of what is still unmanifest, from matter into life, from life into mind, from the mind into the spirit.” The Life Divine
"All existence, – as the mind and sense know existence – is manifestation of an Eternal and Infinite which is to the mind and sense unknowable but not unknowable to its own self-awareness.” The Hour of God
alley ::: a passage between buildings; hence, a narrow street, a lane; usually only wide enough for foot-passengers. blind alley*: one that is closed at the end, so as to be no thoroughfare; a cul de sac*.
"All force is power or means of a secret spirit; the Force that sustains the world is a conscious Will and Nature is its machinery of executive power.” The Renaissance in India
allied ::: related; connected by nature, properties, or similitude; kindred.
already ::: 1. Core Meaning: an adverb indicating that something has happened before now. 2. Happened in the past before a particular time, or will have happened by or before a particular time in the future. 3. Unexpectedly early.
"Always keep in touch with the Divine Force. The best thing for you is to do that simply and allow it to do its own work; wherever necessary, it will take hold of the inferior energies and purify them; at other times it will empty you of them and fill you with itself. But if you let your mind take the lead and discuss and decide what is to be done, you will lose touch with the Divine Force and the lower energies will begin to act for themselves and all go into confusion and a wrong movement.” Letters on Yoga
ambiguous ::: 1. Open to or having several possible meanings or interpretations; equivocal; questionable; indistinct, obscure, not clearly defined. 2. Of doubtful or uncertain nature; difficult to comprehend, distinguish, or classify; admitting more than one interpretation, or explanation; of double meaning. 3. Of oracles, people, using words of double meaning. ambiguously.
amethyst ::: a purple or violet quartz; having the clear colour as of the precious stone. Sri Aurobindo uses the word as an adj."for Amethyst (the Mother)she has revealed that it has a power of protection” Huta
amusements ::: pleasurable pastimes of the mind or attention; mental diversions and enjoyments in lieu of more serious matters.
ananke ::: "In Greek mythology, personification of compelling necessity or ultimate fate to which even the gods must yield.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works
::: "And this bliss is not a supreme pleasure of the heart and sensations with the experience of pain and sorrow as its background, but a delight also self-existent and independent of objects and particular experiences, a self-delight which is the very nature, the very stuff, as it were, of a transcendent and infinite existence.” The Synthesis of Yoga
::: "An executive cosmic force shapes us and dictates through our temperament and environment and mentality so shaped, through our individualised formulation of the cosmic energies, our actions and their results. Truly, we do not think, will or act but thought occurs in us, will occurs in us, impulse and act occur in us; our ego-sense gathers around itself, refers to itself all this flow of natural activities. It is cosmic Force, it is Nature that forms the thought, imposes the will, imparts the impulse. Our body, mind and ego are a wave of that sea of force in action and do not govern it, but by it are governed and directed.” The Synthesis of Yoga —**cosmic forces.**
**Angel of the Way *Sri Aurobindo: "Love fulfilled does not exclude knowledge, but itself brings knowledge; and the completer the knowledge, the richer the possibility of love. ‘By Bhakti" says the Lord in the Gita ‘shall a man know Me in all my extent and greatness and as I am in the principles of my being, and when he has known Me in the principles of my being, then he enters into Me." Love without knowledge is a passionate and intense, but blind, crude, often dangerous thing, a great power, but also a stumbling-block; love, limited in knowledge, condemns itself in its fervour and often by its very fervour to narrowness; but love leading to perfect knowledge brings the infinite and absolute union. Such love is not inconsistent with, but rather throws itself with joy into divine works; for it loves God and is one with him in all his being, and therefore in all beings, and to work for the world is then to feel and fulfil multitudinously one"s love for God. This is the trinity of our powers, [work, knowledge, love] the union of all three in God to which we arrive when we start on our journey by the path of devotion with Love for the Angel of the Way to find in the ecstasy of the divine delight of the All-Lover"s being the fulfilment of ours, its secure home and blissful abiding-place and the centre of its universal radiation.” The Synthesis of Yoga*
animal ::: Sri Aurobindo: "The animal is a living laboratory in which Nature has, it is said, worked out man. Man himself may well be a thinking and living laboratory in whom and with whose conscious co-operation she wills to work out the superman, the god. Or shall we not say, rather, to manifest God?” *The Life Divine
announced ::: made known to the mind or senses. announcing.
another ::: adj. 1. Being one more or more of the same; further; additional. 2. Very similar to; of the same kind or category as. 3. Different; distinct; of a different period, place, or kind. pron. **4. A person other than oneself or the one specified. 5. One more; an additional one. another"s**.
apathy ::: indifference; insensibility to passion or feeling.
Apparitions which are the formations of one"s own mind and take to the senses an objective appearance.
apsaras ::: Sri Aurobindo: "The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana.
arbitrary ::: 1. Based on or subject to individual will, judgment or preference: judgment without restriction; contingent solely upon one"s discretion. 2. Capricious; unreasonable; unsupported. 3. Derived from mere opinion or preference; capricious; uncertain. 4. Having unlimited power; uncontrolled or unrestricted by law; despotic; tyrannical.
arcanes ::: of things known or understood by very few; mysterious; secret; obscure; esoteric. (Employed by Sri Aurobindo as a noun.)
arch- ::: a combining form that represents the outcome of archi- in words borrowed through Latin from Greek in the Old English period; it subsequently became a productive form added to nouns of any origin, which thus denote individuals or institutions directing or having authority over others of their class (archbishop; archdiocese; archpriest): principal. More recently, arch-1 has developed the senses "principal” (archenemy; archrival) or "prototypical” and thus exemplary or extreme (archconservative); nouns so formed are almost always pejorative. Arch-intelligence.
a religious official among the Romans, whose duty it was to predict future events and advise upon the course of public business, in accordance with omens derived from the flight, singing, and feeding of birds. Hence extended to: A soothsayer, diviner, or prophet, generally; one that foresees and foretells the future. (Sri Aurobindo employs the word as an adjective.) augured.
arise ::: 1. To get up from sleep or rest; to awaken; wake up. 2. To go up, come up, ascend on high, mount. Now only poet. **3. To come into being, action, or notice; originate; appear; spring up. 4. Of circumstances viewed as results: To spring, originate, or result from. 5. To rise from inaction, from the peaceful, quiet, or ordinary course of life. 6. To rise in violence or agitation, as the sea, the wind; to boil up as a fermenting fluid, the blood; so of the heart, wrath, etc. Now poet. 7. Of sounds: To come up aloud, or so as to be audible, to be heard aloud. arises, arising, arose, arisen. *(Sri Aurobindo also employs arisen as an adj.*)
arraigned ::: called (an accused person) before a court to answer the charge made against him or her by indictment, information, or complaint, or brought before a court to answer to an indictment; accused, charged with fault.
artist ::: 1. One who practises the creative arts; one who seeks to express the beautiful in visible form. 2. A follower of a manual art; an artificer, mechanic, craftsman, artisan. artists. (Sri Aurobindo often employs the word as an adj.)
art ::: v. archaic** A second person singular present indicative of be, now only poet., not in modern usage. All other references are to art as the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance. Also, the class of objects subject to aesthetic criteria. art"s, arts, art-parades.
ascent ::: Sri Aurobindo: "The ascent or the upward movement takes place when there is a sufficient aspiration from the being, i.e., from the various mental, vital and physical planes.” *Letters on Yoga
aside ::: 1. On or to one"s side; to or at a short distance apart; away from some position or direction. 2. To or toward the side. 3. Out of one"s thoughts or mind. 4. In reserve; in a separate place, as for safekeeping; apart; away.
asoca ::: bot.: Saraca indica , Asoka, Sorrowless tree. A small flowering tree native to India with glowing clusters of orange and yellow flowers. asocas.
aspect ::: 1. Appearance to the eye or mind; look. 2. Nature; quality, character. 3. A way in which a thing may be viewed or regarded; interpretation; view. 4. Part; feature; phase. aspects.
"A SPIRITUAL evolution, an evolution of consciousness in Matter in a constant developing self-formation till the form can reveal the indwelling Spirit, is then the keynote, the central significant motive of the terrestrial existence. This significance is concealed at the outset by the involution of the Spirit, the Divine Reality, in a dense material Inconscience; a veil of Inconscience, a veil of insensibility of Matter hides the universal Consciousness-Force which works within it, so that the Energy, which is the first form the Force of creation assumes in the physical universe, appears to be itself inconscient and yet does the works of a vast occult Intelligence.” The Life Divine
aswapati ::: Sri Aurobindo: "Aswapati, the Lord of the Horse, her [Savitri"s] human father, is the Lord of Tapasya, the concentrated energy of spiritual endeavour that helps us to rise from the mortal to the immortal planes; . . . .” (From a letter written by Sri Aurobindo) Aswapati"s.
atavism ::: 1. The reappearance in an individual of characteristics of some remote ancestor that have been absent in intervening generations. 2. Reversion to an earlier type.
"At every turn it is the divine Reality which we can discover behind that which we are yet compelled by the nature of the superficial consciousness in which we dwell to call undivine and in a sense are right in using that apellation; for these appearances are a veil over the Divine Perfection, a veil necessary for the present, but not at all the true and complete figure.” The Life Divine
"A third step is to find out that there is something in him other than his instrumental mind, life and body, not only an immortal ever-developing individual soul that supports his nature but an eternal immutable self and spirit, and to learn what are the categories of his spiritual being, until he discovers that all in him is an expression of the spirit and distinguishes the link between his lower and his higher existence; thus he sets out to remove his constitutional self-ignorance. Discovering self and spirit he discovers God; he finds out that there is a Self beyond the temporal: he comes to the vision of that Self in the cosmic consciousness as the divine Reality behind Nature and this world of beings; his mind opens to the thought or the sense of the Absolute of whom self and the individual and the cosmos are so many faces; the cosmic, the egoistic, the original ignorance begin to lose the rigidness of their hold upon him.” The Life Divine
athlete ::: Sri Aurobindo employs the word as an adj. in the sense of athletic: Of the nature of, or befitting, one who is physically active, powerful, muscular, robust, agile.
auspice-hour ::: an auspice is any divine or prophetic token; a favourable sign or propitious circumstance, esp. an indication of a happy future. Sri Aurobindo combines the word ‘hour" with auspice to emphasize a special moment.
autonomy ::: 1. Independence or freedom, as of the will or one"s actions. 2. Self-government. autonomies.
avatars ::: Sri Aurobindo: "The word Avatar means a descent; it is a coming down of the Divine below the line which divides the divine from the human world or status.” *Essays on the Gita
awaken ::: fig. To rouse into activity; to stir up, excite; kindle.
awake ::: v. 1. To arouse from sleep or inactivity. 2. Fig. To rise from a state resembling sleep, such as death, indifference, inaction; to become active or vigilant. 3. To come or bring to an awareness, to become cognizant, to be fully conscious, to appreciate fully (often followed by to). awakes, awoke, awaking. *adj.* 4. Not asleep; conscious; vigilant, alert. half-awake.
babble ::: 1. v. To utter sounds or words imperfectly, indistinctly, or without meaning. 2.* **n. *A murmuring sound or a confusion of sounds.
babel ::: "The reference is to the mythological story of the construction of the Tower of Babel, which appears to be an attempt to explain the diversity of human languages. According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and tower ‘with its top in the heavens". God disrupted the work by so confusing the language of the workers that they could no longer understand one another. The tower was never completed and the people were dispersed over the face of the earth.” (Encyclopaedia Britannica) Glossary and Index of Proper Names in Sri Aurobindo"s Works Sri Aurobindo: "The legend of the Tower of Babel speaks of the diversity of tongues as a curse laid on the race; but whatever its disadvantages, and they tend more and more to be minimised by the growth of civilisation and increasing intercourse, it has been rather a blessing than a curse, a gift to mankind rather than a disability laid upon it. The purposeless exaggeration of anything is always an evil, and an excessive pullulation of varying tongues that serve no purpose in the expression of a real diversity of spirit and culture is certainly a stumbling-block rather than a help: but this excess, though it existed in the past, is hardly a possibility of the future. The tendency is rather in the opposite direction. In former times diversity of language helped to create a barrier to knowledge and sympathy, was often made the pretext even of an actual antipathy and tended to a too rigid division. The lack of sufficient interpenetration kept up both a passive want of understanding and a fruitful crop of active misunderstandings. But this was an inevitable evil of a particular stage of growth, an exaggeration of the necessity that then existed for the vigorous development of strongly individualised group-souls in the human race. These disadvantages have not yet been abolished, but with closer intercourse and the growing desire of men and nations for the knowledge of each other"s thought and spirit and personality, they have diminished and tend to diminish more and more and there is no reason why in the end they should not become inoperative.” The Human Cycle
backward ::: 1. To, toward or into the past. 2. In or toward a past time. 3. Late in developing, behind; slow, esp. relating to time or progress. far-backward.
bar ::: n. **1. Anything that obstructs or prevents; a barrier. v. 2. To obstruct, prevent, hinder, impede. bars, barred, barring.**
barrels ::: large cylindrical containers, usually made of staves bound together with hoops, with a flat top and bottom of equal diameter.
barrier ::: 1. Anything built or serving to bar passage. 2. Anything that restrains or obstructs progress, access. 3. A limit or boundary of any kind. barriers, barrier-breakers.
battalion ::: 1. An army unit typically consisting of a headquarters and two or more companies, batteries, or similar subunits. 2. A large body of organized troops in battle gear. 3. A large indefinite number of persons or things.
baulked ::: checked, foiled, hindered, thwarted; disappointed.
bind ::: 1. To restrain or confine with or as if with ties. 2. To place (someone) under obligation; oblige. 3. To fasten together. Also fig. **binds, bound, binding.**
binding ::: n. **1. The covering within which the pages of a book are abound. adj. 2.* Fig.* Commanding adherence to a commitment, obligatory.
binding posts ::: stakes, stout poles, columns, or the like, that are set upright in or on the ground; (with prefixed word indicating special purpose).
bindst ::: a native English form of the verb, to bind, now only in formal and poetic usage.
beast ::: 1. An animal other than a human, especially a large four-footed mammal. 2. Fig. Animal nature as opposed to intellect or spirit. 3. A large wild animal. 4. A domesticated animal used by man. (Sri Aurobindo also employs the word as an adj.) beast"s, Beast"s, beasts, wild-beast. ::: —the Beast. Applied to the devil and evil spirits.
beat ::: n. 1. A stroke or blow. 2. A regular sound or stroke. 3. The rhythmic contraction and expansion of the arteries with each beat of the heart. 4. A pulsating sound. 5. A forceful flapping of wings. beats, nerve-beat, hammer-beats, heart-beats, heart-beats", moment-beats, rhyme-beats. v. 6. To strike or pound with repeated blows. 7. To shape or break by repeated blows, as metal. 8. To sound in pulsations. 9. To throb rhythmically; pulsate, as the heart. 10. To flap, especially wings. 11. To strike with or as if with a series of violent blows, dash or pound repeatedly against, as waves, wind, etc. beats, beaten, beating. *adj. *sun-beat.
"Beauty is Ananda taking form — but the form need not be a physical shape. One speaks of a beautiful thought, a beautiful act, a beautiful soul. What we speak of as beauty is Ananda in manifestation; beyond manifestation beauty loses itself in Ananda or, you may say, beauty and Ananda become indistinguishably one.” The Future Poetry
beauty ::: the quality present in a thing or person that gives intense pleasure or deep satisfaction to the mind, whether arising from sensory manifestations (as shape, colour, sound, etc.), a meaningful design or pattern, or something else, (as a personality in which high spiritual qualities are manifest). Beauty, beauty"s, Beauty"s, beauty-drenched, earth-beauty"s.
::: ". . . behind visible events in the world there is always a mass of invisible forces at work unknown to the outward minds of men, and by yoga, (by going inward and establishing a conscious connection with the Cosmic Self and Force and forces,) one can become conscious of these forces, intervene consciously in the play, and to some extent at least determine things in the result of the play.” Letters on Yoga
being ::: 1. The state or quality of having existence. 2. The totality of all things that exist. 3. One"s basic or essential nature; self. 4. All the qualities constituting one that exists; the essence. 5. A person; human being. 6. The Divine, the Supreme; God. Being, being"s, Being"s, beings, Beings, beings", earth-being"s, earth-beings, fragment-being, non-being, non-being"s, Non-Being, Non-Being"s, world-being"s.
Sri Aurobindo: "Pure Being is the affirmation by the Unknowable of Itself as the free base of all cosmic existence.” *The Life Divine :::
"The Absolute manifests itself in two terms, a Being and a Becoming. The Being is the fundamental reality; the Becoming is an effectual reality: it is a dynamic power and result, a creative energy and working out of the Being, a constantly persistent yet mutable form, process, outcome of its immutable formless essence.” *The Life Divine
"What is original and eternal for ever in the Divine is the Being, what is developed in consciousness, conditions, forces, forms, etc., by the Divine Power is the Becoming. The eternal Divine is the Being; the universe in Time and all that is apparent in it is a Becoming.” Letters on Yoga
"Being and Becoming, One and Many are both true and are both the same thing: Being is one, Becomings are many; but this simply means that all Becomings are one Being who places Himself variously in the phenomenal movement of His consciousness.” The Upanishads :::
"Our whole apparent life has only a symbolic value & is good & necessary as a becoming; but all becoming has being for its goal & fulfilment & God is the only being.” *Essays Divine and Human
"Our being is a roughly constituted chaos into which we have to introduce the principle of a divine order.” The Synthesis of Yoga*
being, conscious ::: Sri Aurobindo: "We have to conceive one indivisible conscious being behind all our experiences. . . . That is our real self.” *The Life Divine
being, Master of ::: Sri Aurobindo: " Vamadeva goes on to say, "Let us give expression to this secret name of the clarity, — that is to say, let us bring out this Soma wine, this hidden delight of existence; let us hold it in this world-sacrifice by our surrenderings or submissions to Agni, the divine Will or Conscious-Power which is the Master of being.” The Secret of the Veda
belief ::: 1. Confidence in the truth or existence of something not immediately susceptible to rigorous proof. 2. Trust or confidence, faith. 3. Something believed; an opinion or conviction. beliefs.
Question: "Sweet Mother, l don"t understand very clearly the difference between faith, belief and confidence.”
Mother: "But Sri Aurobindo has given the full explanation here. If you don"t understand, then. . . He has written ‘Faith is a feeling in the whole being." The whole being, yes. Faith, that"s the whole being at once. He says that belief is something that occurs in the head, that is purely mental; and confidence is quite different. Confidence, one can have confidence in life, trust in the Divine, trust in others, trust in one"s own destiny, that is, one has the feeling that everything is going to help him, to do what he wants to do. Faith is a certitude without any proof. Words of the Mother, MCW Vol. 6.
bench ::: 1. A long seat usually made of wood, for two or more persons. 2. A seat occupied by a person in an official capacity, esp. a judge. 3. Such a seat as a symbol of the office and dignity of an individual judge or the judiciary.
benignancies ::: qualities of kindness, gentleness and benevolence.
betray ::: 1. To be false or disloyal to. 2. To lead astray; deceive. 3. To divulge, disclose in a breach of confidence, a secret. 4. To show signs of; reveal; indicate. betrays, betrayed, betraying, moon-betrayed.
beyond ::: Sri Aurobindo: "The language of the Upanishad makes it strikingly clear that it is no metaphysical abstraction, no void Silence, no indeterminate Absolute which is offered to the soul that aspires, but rather the absolute of all that is possessed by it here in the relative world of its sojourning. All here in the mental is a growing light, consciousness and life; all there in the supramental is an infinite life, light and consciousness. That which is here shadowed, is there found; the incomplete here is there the fulfilled. The Beyond is not an annullation, but a transfiguration of all that we are here in our world of forms; it is sovran Mind of this mind, secret Life of this life, the absolute Sense which supports and justifies our limited senses.” The Upanishads *
bird ::: Sri Aurobindo: "The Bird in the Veda is the symbol, very frequently, of the soul liberated and upsoaring, at other times of energies so liberated and upsoaring, winging upwards towards the heights of our being, winging widely with a free flight, no longer involved in the ordinary limited movement or labouring gallop of the Life-energy, the Horse, Ashwa.” *The Secret of the Veda
blind ::: adj. 1. Unable to see; lacking the sense of sight; sightless. Also fig. 2. Unwilling or unable to perceive or understand. 3. Lacking all consciousness or awareness. 4. Not having or based on reason or intelligence; absolute and unquestioning. 5. Not characterized or determined by reason or control. 6. Purposeless; fortuitous, random. 7. Undiscriminating; heedless; reckless. 8. Enveloped in darkness; dark, dim, obscure. 9. Dense enough to form a screen. 10. Covered or concealed from sight; hidden from immediate view. 11. Having no openings or passages for light; (a window or door) walled up. blindest, half-blind. v. 12. To deprive of sight permanently or temporarily. 13. To make sightless momentarily; dazzle. blinded.* n. 14. A blind person, esp. as pl., those who are blind. 15. Fig.* Any thing or action intended to conceal one"s real intention; a pretence, a pretext; subterfuge.
blind alley ::: 1. A road, alley, etc. that is open only at one end. 2. A position or situation offering no hope of progress or improvement. 3. A situation in which no further progress can be made.
blinded ::: 1. Sightless; deprived of sight or withheld the light from. 2. Fig. Unable or unwilling to perceive or understand, lacking in perception or foresight; deprived or destitute of spiritual light or guidance. thought-blinded.
blindfold ::: fig. With the awareness or clear thinking impaired, the mind blinded and without perception.
blinding ::: 1. Withholding light from. 2. Dazzling with a bright light.
blindly ::: 1. Without seeing or looking or without preparation or reflection. 2. Without understanding, reservation, or objection; unthinkingly.
blind-man"s-buff
blindness ::: 1. A lack or impairment of vision. 2. *Fig.* Lack of vision or awareness.
bleak ::: 1. Exposed to the elements; unsheltered and barren; desolate; cold and cutting; raw, windswept. 2. Offering little or no hope or encouragement.
bliss ::: perfect happiness; serene joy or ecstasy. (See delight for Sri Aurobindo"s definitions.) **self-bliss, World-Bliss.
blundered ::: moved or acted blindly, stupidly, or without direction or steady guidance.
blur ::: a smudge or smear that partially obscures; indistinctness.
bodiless ::: having no body, form, or substance; incorporeal. (Sri Aurobindo also employs the word as a n.) Bodiless.
"Body is the outward sign and lowest basis of the apparent division which Nature plunging into ignorance and self-nescience makes the starting-point for the recovery of unity by the individual soul, unity even in the midst of the most exaggerated forms of her multiple consciousness.” The Life Divine
bond ::: 1. Something, such as a fetter, cord, or band, that binds, ties, or fastens things together. Also fig. 2. A duty, promise, or other obligation by which one is bound. 3. Something that binds one to a certain circumstance or line of behaviour. 4. A uniting force or tie; a link. 5. A binding agreement; a covenant. bonds.
borderland ::: an indeterminate region esp. the area between two worlds.
bound and –bound ::: 1. Pp. and pt. of bind. *adj. 2. Being under a legal or moral obligation. 3. Circumscribed; kept within bounds. * close-bound, death-bound, earth-bound, fate-bound, form-bound, heart-bound, self-bound, sleep-bound, steel-bound, stone-bound, time-bound, trance-bound.
boundary ::: something that indicates a border or limit, or the border or limit so indicated. boundary"s, boundaries.
brahma ("s) ::: "Brahma is the nominative; the uninflected form of the word is brahman; it differs from brahman ‘the Eternal" only in gender.” *Glossary of Terms in Sri Aurobindo"s Writings
breadth ::: 1. The measure or the second largest dimension of a plane or solid figure; width. 2. Freedom from narrowness or restraint; liberality. 3. Tolerance; broadmindedness. breadths.
breeze ::: a light current of air; a gentle wind. breezes.
bright ::: 1. Emitting or reflecting light readily or in large amounts; shining; radiant. 2. Magnificent; glorious. 3. Favourable or auspicious. 4. Fig. Characterized by happiness or gladness; full of promise and hope. 5. Distinct and clear to the mind, etc. 6. Intensely clear and vibrant in tone or quality. 7. Polished; glistening as with brilliant color. brighter, brightest, bright-hued, bright-pinioned, flame-bright, moon-bright, pearl-bright, sun-bright.
brood ::: n. 1. Offspring; progeny; in one family. 2. A breed, species, group, kind or race with common qualities. v. 3. To think deeply on; dwell or meditate upon, contemplate. broods, brooded.
built ::: pt. and pp. of build. dream-built, high-built, low-built, mind-built, new-built. *adj. *built in. Constructed or included as an integral part of. adj. built-up. Built by the fastening together of several parts or enlarged by the addition of layers.
"But always the whole foundation of the gnostic life must be by its very nature inward and not outward. In the life of the Spirit it is the Spirit, the inner Reality, that has built up and uses the mind, vital being and body as its instrumentation; thought, feeling and action do not exist for themselves, they are not an object, but the means; they serve to express the manifested divine Reality within us: otherwise, without this inwardness, this spiritual origination, in a too externalised consciousness or by only external means, no greater or divine life is possible.” The Life Divine
"But in a higher than our present mental consciousness we find that this duality is only a phenomenal appearance. The highest and real truth of existence is the one Spirit, the supreme Soul, Purushottama, and it is the power of being of this Spirit which manifests itself in all that we experience as universe. This universal Nature is not a lifeless, inert or unconscious mechanism, but informed in all its movements by the universal Spirit. The mechanism of its process is only an outward appearance and the reality is the Spirit creating or manifesting its own being by its own power of being in all that is in Nature. Soul and Nature in us too are only a dual appearance of the one existence.” The Synthesis of Yoga*
"But in the path of knowledge as it is practised in India concentration is used in a special and more limited sense. It means that removal of the thought from all distracting activities of the mind and that concentration of it on the idea of the One by which the soul rises out of the phenomenal into the one reality.” The Synthesis of Yoga*
cabbala ::: 1 A body of mystical Jewish teachings based on an interpretation of hidden meanings in the Hebrew Scriptures. Among its central doctrines are, all creation is an emanation from the Deity and the soul exists from eternity. 2. Any secret or occult doctrine or science. 3. "Esoteric system of interpretation of the Hebrew scriptures based on the assumption that every word, letter, number, and accent in them has an occult meaning. The system, oral at first, claimed great antiquity, but was really the product of the Middle Ages, arising in the 7th century and lasting into the 18th. It was popular chiefly among Jews, but spread to Christians as well. (Col. Enc.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works
cabined ::: confined in an enclosed space like a cabin. fig. hampered, hindered, impeded, in ability to think or act.
cadence ::: 1. Balanced, rhythmic flow, as of poetry or oratory. 2. Music. A sequence of notes or chords that indicates the momentary or complete end of a composition, section, phrase, etc. 3. The flow or rhythm of events. 4. A recurrent rhythmical series; a flow, esp. the pattern in which something is experienced. 5. A slight falling in pitch of the voice in speaking or reading. cadences.
call ::: Sri Aurobindo: "All Yoga is in its nature a new birth; it is a birth out of the ordinary, the mentalised material life of man into a higher spiritual consciousness and a greater and diviner being. No Yoga can be successfully undertaken and followed unless there is a strong awakening to the necessity of that larger spiritual existence. The soul that is called to this deep and vast inward change, may arrive in different ways to the initial departure. It may come to it by its own natural development which has been leading it unconsciously towards the awakening; it may reach it through the influence of a religion or the attraction of a philosophy; it may approach it by a slow illumination or leap to it by a sudden touch or shock; it may be pushed or led to it by the pressure of outward circumstances or by an inward necessity, by a single word that breaks the seals of the mind or by long reflection, by the distant example of one who has trod the path or by contact and daily influence. According to the nature and the circumstances the call will come.” *The Synthesis of Yoga
calm ::: n. 1. Serenity; tranquillity; peace. 2. Nearly or completely motionless as a condition of no wind. Calm, Calm"s, calms, calmness. adj. 3. Not excited or agitated; composed; tranquil; 4. Without rough motion; still or nearly still. calmer, calm-lipped, stone-calm. *adv. calmly.
Sri Aurobindo: "Calm is a still unmoved condition which no disturbance can affect — it is a less negative condition than quiet.” Letters on Yoga*
"Calm is a positive tranquillity which can exist in spite of superficial disturbances.” *Letters on Yoga
"Calm is a strong and positive quietude, firm and solid — ordinary quietude is mere negation, simply the absence of disturbance.” *Letters on Yoga
"But more powerful still is the giving up of the fruit of one"s works, because that immediately destroys all causes of disturbance and brings and preserves automatically an inner calm and peace, and calm and peace are the foundation on which all else becomes perfect and secure in possession by the tranquil spirit.” Essays on the Gita
The Mother: "Calm is self-possessed strength, quiet and conscious energy, mastery of the impulses, control over the unconscious reflexes.” Words of the Mother, MCW Vol. 14*.
cap ::: a special head covering worn to indicate rank, occupation, or membership in a particular group.
caprice ::: 1. A sudden, unpredictable change or series of actions or changes. 2. A sudden, unpredictable change, as of one"s mind; whim, fancy. caprices.
careless ::: 1. Unconcerned or indifferent; heedless. 2. Taking insufficient care; negligent; inattentive.
care ::: n. **1. A burdened state of mind, as that arising from heavy responsibilities; worry. 2. An object of or cause for concern. 3. Watchful oversight; charge or supervision. 4. An object or source of worry, attention, or solicitude. care, cares. v. 5. To be concerned or interested, have concern for. cares, cared.**
casements ::: window sashes that open outward by means of hinges.
casked ::: placed or stored in a sturdy cylindrical container for storing liquids; put in a barrel. Also fig.
caste-mark ::: (In India) a mark, usually on the forehead, symbolising and identifying caste membership.
-causing ::: being the cause of; effecting, bringing about, producing, inducing, making. All-causing.
cave ::: 1. A hollow or natural passage under or into the earth, especially one with an opening to the surface. 2. A hollow in the side of a hill or cliff, or underground of any kind; a cavity. Cave, caves, death-cave, deep-caved, cave-heart.
cell ::: biology: The smallest structural unit of an organism that is capable of independent functioning, consisting of one or more nuclei, cytoplasm, and various organelles, all surrounded by a semipermeable cell membrane. cells.
chain ::: n. 1. A series of things connected or following in succession. 2. Something that binds or restrains. chains. v. 3. Fig. To restrain or confine with or as with a chain.
cheated ::: deceived by trickery; swindled; defrauded; taken advantage of.
cheat ::: v. 1. To deceive by trickery; swindle. 2. To mislead; fool. n. **3.** A fraud or swindle; a dishonest trick.
chess-play ::: the game of chess; a board game for two players, each beginning with 16 pieces of six kinds that are moved according to individual rules, with the objective of checkmating the opposing king. chess-player.
child ::: 1. A person between birth and full growth. 2. A baby or infant. 3. A person who has not attained maturity. 4. One who is childish or immature. 5. An individual regarded as strongly affected by another or by a specified time, place, or circumstance. 6. Any person or thing regarded as the product or result of particular agencies, influences, etc. Child, child"s, children, Children, children"s, child-god, Child-Godhead, child-heart, child-heart"s, child-laughter, child-soul, child-sovereign, child-thought, flame-child, foster-child, God-child, King-children.
childish ::: 1. Of, like, or befitting a child. 2. Marked by or indicating a lack of maturity; puerile.
child, the ::: Sri Aurobindo: "The gnostic soul is the child.” *The Synthesis of Yoga
cipher ::: n. 1. Something having no influence or value; a zero; a nonentity. 2. A secret method of writing, as by transposition or substitution of letters, specially formed symbols, or the like. unintelligible to all but those possessing the key; a cryptograph. ciphers. *v. 3. To put in secret writing; encode. *ciphers. Note: Sri Aurobindo also spelled the word as Cypher, the old English spelling.
clamped ::: 1. Fastened with or fixed in a clamp (a device for binding, holding, compressing or fastening objects together); hence, fig. Restricted, repressed, tightened down, restrained. 2. Established by authority; imposed clamps. (Sri Aurobindo also employs clamped as an adj.)
clarity ::: 1. Clearness or lucidity as to perception or understanding; freedom from indistinctness or ambiguity. 2. The state or quality of being clear or transparent to the eye; pellucidity; brightness, splendour.
clear ::: 1. Not obscured or darkened; bright. 2. Free from darkness, obscurity, or cloudiness; transparent. 3. Serene; calm; untroubled. 4. Free from doubt or confusion; certain. 5. Easily perceptible to the eye or ear; distinct. 6. Easily understood; without ambiguity. 7. Free from impediment, obstruction, or hindrance; open. clearer, sun-clear, surface-clear.
clustering ::: a number of things of the same kind, growing or held together; a bunch. 2. A group of things or persons close together.
coerce ::: 1. To compel or restrain by force or authority without regard to individual wishes or desires. 2. To dominate or control, esp. by exploiting fear, anxiety, etc. 3. To bring about through the use of force or other forms of compulsion. coerced, coercing.
coïl ::: a large bird belonging to the cuckoo family, native to India, with a characteristic call reminiscent of the sound of its name. coïl"s
coilas ::: (Most often spelled Kailas.) "One of the highest and most rugged mountains of the Himalayan range, located in the southwestern part of China. It is an important holy site both to the Hindus, who identify it with the paradise of Shiva and also regard it as the abode of Kubera, and to the Tibetan Buddhists, who identify it with Mount Sumeru, cosmic centre of the universe.” Glossary and Index of Proper Names in Sri Aurobindo"s Works
coil ::: n. **1. A series of connected spirals or concentric rings formed by gathering or winding. 2. Such a series resembling a serpent or a vine. v. 3. To form concentric rings or spirals. 4. To move in a spiral course. coils, coiled, coiling, coilings.**
cold-hearted ::: lacking sympathy or feeling; indifferent; unkind, unfeeling.
columned ::: having or resembling pillars; having pillars of a specified kind.
coma ::: a state of deep, often prolonged unconsciousness, usually the result of injury, disease, or poison, in which an individual is incapable of sensing or responding to external stimuli and internal needs.
compass ::: an instrument for determining directions, as by means of a freely rotating magnetized needle that indicates magnetic north.
conceit ::: 1. An excessively favourable opinion of one"s own ability, importance, wit, etc. 2. Something that is conceived in the mind; a thought; idea. 3. Imagination; fancy. 4. A fanciful thought or idea. conceits.
"Concentration simply means a fixing of consciousness on something.” Guidance from Sri Aurobindo by Nagin Doshi - Vol. 1
conception ::: 1. Origin or beginning. 2. The act or power of forming notions, ideas, or concepts. 3. The act of conceiving; the state of being conceived; fertilization; inception of pregnancy. 4. Something conceived in the mind; a concept, plan, design, idea, or thought. conception"s.
conditions ::: circumstances that are indispensable to the appearance or occurrence of another; prerequisites.
confirm ::: 1. To make valid or binding by a formal or legal act; ratify. 2. To support or establish the certainty, or validity of; verify. 3. To reaffirm (something), so as to make (it) more definite. confirmed.
conscience ::: that part of one"s mind which holds one"s knowledge or sense of right and wrong; inner knowledge. half-conscience.
conscious force ::: Sri Aurobindo: "For the Force that builds the worlds is a conscious Force, . . .” *The Life Divine
*consciousforce. ::: Sri Aurobindo: "In actual fact Mind measures Time by event and Space by Matter; but it is possible in pure mentality to disregard the movement of event and the disposition of substance and realise the pure movement of Conscious-Force which constitutes Space and Time; these two are then merely two aspects of the universal force of Consciousness which in their intertwined interaction comprehend the warp and woof of its action upon itself. And to a consciousness higher than Mind which should regard our past, present and future in one view, containing and not contained in them, not situated at a particular moment of Time for its point of prospection, Time might well offer itself as an eternal present. And to the same consciousness not situated at any particular point of Space, but containing all points and regions in itself, Space also might well offer itself as a subjective and indivisible extension, — no less subjective than Time.” The Life Divine
::: "Consciousness is usually identified with mind, but mental consciousness is only the human range which no more exhausts all the possible ranges of consciousness than human sight exhausts all the gradations of colour or human hearing all the gradations of sound — for there is much above or below that is to man invisible and inaudible. So there are ranges of consciousness above and below the human range, with which the normal human has no contact and they seem to it unconscious, — supramental or overmental and submental ranges.” *Letters on Yoga
constant ::: 1. Unchanging in nature, value, or extent; invariable. 2. Continuing without pause or letup; unceasing. 3. Steadfast; firm in mind or purpose; resolute.
cord ::: 1. An influence, feeling, or force that binds or restrains; a bond or tie. 2. Fig. Like a thin rope made of several strands woven together to hold the parts of anything. cords, heart-cords.
corner ::: 1. The position at which two lines, surfaces, or edges meet and form an angle. 2. The area enclosed or bounded by an angle formed in this manner. 3. A region, part, quarter. 4. A remote, secluded, or secret place. corners, corner-Mind.
cosmic force ::: Sri Aurobindo: ". . . universal force and universal consciousness are one, — cosmic force is the operation of cosmic consciousness.” *The Life Divine
cosmicity ("s) ::: a word coined by Sri Aurobindo. The suffix ity is used to form abstract nouns expressing state or condition. Hence, cosmicity refers to a cosmic state or condition.
cosmic mind ::: Sri Aurobindo: "Nevertheless, the fact of this intervention from above, the fact that behind all our original thinking or authentic perception of things there is a veiled, a half-veiled or a swift unveiled intuitive element is enough to establish a connection between mind and what is above it; it opens a passage of communication and of entry into the superior spirit-ranges. There is also the reaching out of mind to exceed the personal ego limitation, to see things in a certain impersonality and universality. Impersonality is the first character of cosmic self; universality, non-limitation by the single or limiting point of view, is the character of cosmic perception and knowledge: this tendency is therefore a widening, however rudimentary, of these restricted mind areas towards cosmicity, towards a quality which is the very character of the higher mental planes, — towards that superconscient cosmic Mind which, we have suggested, must in the nature of things be the original mind-action of which ours is only a derivative and inferior process.” *The Life Divine
"If we accept the Vedic image of the Sun of Truth, . . . we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; . . . At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies, — not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality.” The Life Divine
"There is one cosmic Mind, one cosmic Life, one cosmic Body. All the attempt of man to arrive at universal sympathy, universal love and the understanding and knowledge of the inner soul of other existences is an attempt to beat thin, breach and eventually break down by the power of the enlarging mind and heart the walls of the ego and arrive nearer to a cosmic oneness.” *The Synthesis of Yoga
"[The results of the opening to the cosmic Mind:] One is aware of the cosmic Mind and the mental forces that move there and how they work on one"s mind and that of others and one is able to deal with one"s own mind with a greater knowledge and effective power. There are many other results, but this is the fundamental one.” Letters on Yoga
"The cosmic consciousness has many levels — the cosmic physical, the cosmic vital, the cosmic Mind, and above the higher planes of cosmic Mind there is the Intuition and above that the overmind and still above that the supermind where the Transcendental begins. In order to live in the Intuition plane (not merely to receive intuitions), one has to live in the cosmic consciousness because there the cosmic and individual run into each other as it were, and the mental separation between them is already broken down, so nobody can reach there who is still in the separative ego.” Letters on Yoga*
cosmic Self ::: Sri Aurobindo: "When one has the cosmic consciousness, one can feel the cosmic Self as one"s own self, one can feel one with other beings in the cosmos, one can feel all the forces of Nature as moving in oneself, all selves as one"s own self. There is no why except that it is so, since all is the One.” Letters on Yoga (See also Cosmic Spirit)
"Impersonality is the first character of cosmic self; . . . .” *The Life Divine
"An eternal infinite self-existence is the supreme reality, but the supreme transcendent eternal Being, Self and Spirit, — an infinite Person, we may say, because his being is the essence and source of all personality, — is the reality and meaning of self-existence: so too the cosmic Self, Spirit, Being, Person is the reality and meaning of cosmic existence; the same Self, Spirit, Being or Person manifesting its multiplicity is the reality and meaning of individual existence.” The Life Divine
"But this cosmic self is spiritual in essence and in experience; it must not be confused with the collective existence, with any group soul or the life and body of a human society or even of all mankind.” The Synthesis of Yoga
"It is the Cosmic Self and Spirit that is in and behind all things and beings, from which and in which all is manifested in the universe — although it is now a manifestation in the Ignorance.” Letters on Yoga*
cosmic Spirit ::: Sri Aurobindo: "The Cosmic Spirit or Self contains everything in the cosmos — it upholds cosmic Mind, universal Life, universal Matter as well as the overmind. The Self is more than all these things which are its formulations in Nature.” *Letters on Yoga
"[The Divine in one of its three aspects] . . . is the Cosmic Self and Spirit that is in and behind all things and beings, from which and in which all is manifested in the universe - although it is now a manifestation in the Ignorance.” Letters on Yoga
". . . the cosmic spirit, the one self inhabiting the universe, . . . .” *The Life Divine
"For the cosmic Spirit inhabits each and all, but is more than all; . . . .”The Life Divine
cosmic Truth ::: Sri Aurobindo: "The Cosmic Truth is the view on things of a cosmic consciousness in which things are seen in their true essence and their true relation to the Divine and to each other.” *Letters on Yoga
cosmic vision ::: Sri Aurobindo: "Cosmic vision is the seeing of the universal movements — it has nothing to do with the psychic necessarily. It can be in the universal mind, the universal vital, the universal physical or anywhere.” Letters on Yoga*
cosmic Will ::: Sri Aurobindo: "Agni is the Deva, the All-Seer, manifested as conscious-force or, as it would be called in modern language, Divine or Cosmic Will, first hidden and building up the eternal worlds, then manifest, ``born"", building up in man the Truth and the Immortality.” *The Secret of the Veda
courage ::: the state or quality of mind or spirit that enables one to face danger, fear, or vicissitudes with self-possession, confidence, and resolution; bravery.
covenant ::: a binding agreement; a compact. covenants.
creator ::: 1. The Divine Being, creator of all things. 2. A person, force or thing that creates. Creator, creator"s, Creator"s, creators, world-creators. (Sri Aurobindo also employs creator as an adjective.)
creatrix ::: the Divine Mother, the creatress. creatrix. (Sri Aurobindo also employs the word as an adj.)
critic ::: one who forms and expresses judgments of the merits, faults, value, or truth of a matter; esp. one who finds fault.
crooked ::: 1. Bent, angled or winding; deformed or contorted. 2. Dishonest or unscrupulous; fraudulent; perverse.
cross ::: Sri Aurobindo: ". . . the cross is the sign of the Divine Descent barred and marred by the transversal line of a cosmic deformation which turns it into a stake of suffering and misfortune. Only by the ascent to the original Truth can the deformation be healed and all the works of love, as too all the works of knowledge and of life, be restored to a divine significance and become part of an integral spiritual existence.” *The Synthesis of Yoga
cupola ::: 1. A roof or ceiling in the form of a dome. 2. A vertical cylindrical furnace for melting iron for casting.
curtain ::: 1. A hanging piece of fabric used to shut out the light from a window, adorn a room, increase privacy, etc. 2. Something that functions as or resembles a screen, cover, or barrier. curtains.
daemonic ::: one"s indwelling spirit, or genius.
dazzling ::: 1. Shining intensely, so bright as to blind someone temporarily. 2. Fig. Extremely clever, attractive, or impressive; brilliant; amazing.
::: "Death is the question Nature puts continually to Life and her reminder to it that it has not yet found itself. If there were no siege of death, the creature would be bound for ever in the form of an imperfect living. Pursued by death he awakes to the idea of perfect life and seeks out its means and its possibility.” *Essays in Philosophy and Yoga
"Death is there because the being in the body is not yet developed enough to go on growing in the same body without the need of change and the body itself is not sufficiently conscious. If the mind and vital and the body itself were more conscious and plastic, death would not be necessary.” Letters on Yoga
death ::: Sri Aurobindo: "For the spiritual seeker death is only a passage from one form of life to another, and none is dead but only departed.” *Letters on Yoga
delay ::: n. 1. The putting off or deferring of action, etc. v. 2. To slow up, hinder, or cause to be late; detain. delays, delaying.
dense ::: 1. Having the component parts closely compacted together; crowded or compact. 2. Relatively opaque; transmitting little light. 3. Intense; extreme. 4. Impenetrable. denser, dense-maned. (Sri Aurobindo also employs the word as a n.)
detached ::: 1. Impartial or objective; disinterested; unbiased. 2. Not involved or concerned; aloof. ::: Sri Aurobindo: "Detachment means that one stands back from [imperfections and weakness of the nature, etc.] , does not identify oneself with them or get upset or troubled because they are there, but rather looks on them as something foreign to one"s true consciousness and true self, rejects them and calls in the Mother"s Force into these movements to eliminate them and bring the true consciousness and its movements there.” Letters on Yoga
detail ::: 1. A minor or an inconsequential item or aspect; a minutia. 2. An individual part or item; a particular. details.
devised ::: formed, planned, or arranged in the mind; designed or contrived.
dim ::: 1. Obscure to the mind or the senses. 2. Not clearly seen; indistinct; faint. 3. Having weak or indistinct vision. 4. Faintly outlined; indistinct. 5. Lacking in brightness. v. 1. To cause to seem less bright, as by comparison. 2. Make dim or lusterless. dimly, dim-eyed, dim-heart, dim-hearted, dim-masked, dim-souled.
dimmed ::: v.**1. Made or became dim; lost brightness. Also fig. adj. 2. Not brilliant; dull in lustre. 3.** Dulled; indistinct; not seen clearly or in detail as of sight or vision.
dimming ::: making or becoming dim, lacking sharpness or brightness; indistinct; obscure to the mind or the senses.
dire ::: 1. Causing or involving great fear or suffering; dreadful; terrible. 2. Indicating trouble, disaster, misfortune, or the like. 3. Urgent; desperate. direr.
directing ::: showing or indicating the way for.
discouraged ::: 1. Deprived of courage, hope, or confidence; disheartened; dispirited. 2. Obstructed by opposition or difficulty; hindered. discouraging.
discover ::: 1. To determine the existence, presence, or fact of. 2. To be the first to find or find out or about something. 3. To reveal or make known. discovers, discovered, discovering, all-discovering, new-discovering,
disparate ::: fundamentally distinct or different in kind; entirely dissimilar.
divine Force ::: Sri Aurobindo: "That there is a divine force asleep or veiled by Inconscience in Matter and that the Higher Force has to descend and awaken it with the Light and Truth is a thing that is well known; it is at the very base of this yoga.” *Letters on Yoga.
divine life ::: Sri Aurobindo: "A life of gnostic beings carrying the evolution to a higher supramental status might fitly be characterised as a divine life; for it would be a life in the Divine, a life of the beginnings of a spiritual divine light and power and joy manifested in material Nature.” *The Life Divine ::: "The ascent to the divine Life is the human journey, the Work of works, the acceptable Sacrifice. This alone is man"s real business in the world and the justification of his existence, without which he would be only an insect crawling among other ephemeral insects on a speck of surface mud and water which has managed to form itself amid the appalling immensities of the physical universe.” The Life Divine
"Divine Love is of two kinds — the divine Love for the creation and the souls that are part of itself, and the love of the seeker and love for the Divine Beloved; it has both a personal and impersonal element, but the personal is free here from all lower elements or bondage to the vital and physical instincts.” Letters on Yoga
divine love ::: Sri Aurobindo: "Divine Love, in my view of it, is again not something ethereal, cold and far, but a love absolutely intense, intimate and full of unity, closeness and rapture using all the nature for its expression.” *Letters on Yoga
divine Mother ::: Sri Aurobindo: "The One whom we adore as the Mother is the divine Conscious Force that dominates all existence, one and yet so many-sided that to follow her movement is impossible even for the quickest mind and for the freest and most vast intelligence. The Mother is the consciousness and force of the Supreme and far above all she creates.” *The Mother
divine Reality ::: Sri Aurobindo: "The Divine Reality is infinite in its being; in this infinite being, we find limited being everywhere, — that is the apparent fact from which our existence here seems to start and to which our own narrow ego and its ego-centric activities bear constant witness. But, in reality, when we come to an integral self-knowledge, we find that we are not limited, for we also are infinite.” *The Life Divine
divine ::: Sri Aurobindo: "The Divine is the Supreme Truth because it is the Supreme Being from whom all have come and in whom all are.” *Letters on Yoga
djinn ::: (Islam) an invisible spirit mentioned in the Koran and believed by Muslims to inhabit the earth and influence mankind by appearing in the form of humans or animals. djinns .
dost ::: second person singular, present indicative of do.
dragon ::: a mythical monster traditionally represented as a gigantic reptile having a lion"s claws, the tail of a serpent, wings, and a scaly skin. (Also employed by Sri Aurobindo as an adjective.)
dragon of the dark foundation ::: Sri Aurobindo: "All this action and struggle and ascension is supported by Heaven our Father and Earth our Mother, Parents of the Gods, who sustain respectively the purely mental and psychic and the physical consciousness. Their large and free scope is the condition of our achievement. Vayu, Master of life, links them together by the mid-air, the region of vital force. And there are other deities, — Parjanya, giver of the rain of heaven; Dadhikravan, the divine war-horse, a power of Agni; the mystic Dragon of the Foundations; Trita Aptya who on the third plane of existence consummates our triple being; and more besides.” The Secret of the Veda
dream ::: 1. A series of images, ideas, emotions, and sensations occurring involuntarily in the mind during certain stages of sleep. 2. A vision occurring to a person while awake. 3. A person or thing that is as pleasant, or seemingly unreal, as a dream 4. An ideal or aspiration; goal; aim. 5. A wild or vain fancy. Dream, dream"s, Dream"s, dreams, dream-brood, dream-brush, dream-built, dream-caught, dream-fact, dream-fate, dream-god"s, dream-happiness, dream-hued, dream-life, dream-light, dream-made, dream-mind, dream-notes, dream-print, dream-sculptured, dream-shores, dream-smiles, dream-splendour, dream-truth, dream-vasts, dream-white, dream-world, half-dream, self-dream, sun-dream, world-dream. *adj. 6. Of a colour: misty, dim, or cloudy. v. 7. To have an image (of) or fantasy (about) in or as if in a dream. dreams, dreamed, *dreaming.
dungeon ::: a dark, often underground chamber or cell used to confine prisoners. (Sri Aurobindo employs the word as an adjective.)
durga ::: "In Hindu religion, the goddess who is the Energy of Shiva and the conquering and protecting aspect of the Universal Mother. She is the slayer of many demons including Mahisasura. Durga is usually depicted in painting and sculpture riding a lion, having eight or ten arms, each holding the special weapon of one or another of the gods who gave them to her for her battles with demons. (A; Enc. Br.)” *Glossary and Index of Proper Names in Sri Aurobindo"s Works.
dwindled ::: grew or caused to grow less in size, intensity, or number; diminished or shrunk gradually. dwindling.
dyumatsena ::: Sri Aurobindo: "Dyumatsena, Lord of the Shining Hosts, father of Satyavan, is the Divine Mind here fallen blind, losing its celestial kingdom of vision, and through that loss its kingdom of glory.” Author"s note at beginning of Savitri.
"Each inner experience is perfectly real in its own way, although the values of different experiences differ greatly, but it is real with the reality of the inner self and the inner planes. It is a mistake to think that we live physically only, with the outer mind and life. We are all the time living and acting on other planes of consciousness, meeting others there and acting upon them, and what we do and feel and think there, the forces we gather, the results we prepare have an incalculable importance and effect, unknown to us, upon our outer life.” Letters on Yoga
::: "Each man has to grow into the Divine Reality within himself through his own individual being, . . . " The Human Cycle
"Each person follows in the world his own line of destiny which is determined by his own nature and actions — the meaning and necessity of what happens in a particular life cannot be understood except in the light of the whole course of many lives. But this can be seen by those who can get beyond the ordinary mind and feelings and see things as a whole, that even errors, misfortunes, calamities are steps in the journey, — the soul gathering experience as it passes through and beyond them until it is ripe for the transition which will carry it beyond these things to a higher consciousness and higher life.” Letters on Yoga*
eagle ::: any of several large, soaring birds of prey belonging to the hawk family. The strength, keen vision, graceful and powerful flight of the eagle are proverbial, and have given to him the title of the king of birds. eagle"s, eagles, eagle-peaks, eagle-poised, eagle-winged, she-eagle. (Sri Aurobindo also employs the word as an adj.)
earth ::: 1. The realm of mortal existence; the temporal world. 2. The softer, friable part of land; soil, especially productive soil. **Earth, earth"s, earth-beauty"s, earth-being"s, earth-beings, earth-bounds, earth-bride, earth-fact, earth-force, Earth-Goddess, earth-hearts, earth-habit"s, earth-heart, earth-instruments, earth-kind, earth-life, earth-light, earth-made, earth-matter"s, earth-mind, earth-mind"s, earth-myth, earth-nature, earth-nature"s, Earth-Nature"s, earth-nursed, earth-pain, Earth-plasm, earth-poise, earth-scene, earth-scene"s, earth-seat, earth-shapes, earth-stage, earth-stuff, earth-time, earth-time"s, earth-use, earth-vision, earth-ways, summer-earth.
earthly life ::: Sri Aurobindo: "This earthly life need not be necessarily and for ever a wheel of half-joyous half-anguished effort; attainment may also be intended and the glory and joy of God made manifest upon earth.” The Life Divine
ease ::: 1. Freedom from labour, pain, or physical annoyance; tranquil rest; comfort. 2. Freedom from difficulty, hardship, or effort. 3. Freedom from concern or anxiety; a quiet state of mind.
edged ::: 1. Having or provided with an edge or border. ::: 2. Having a cutting edge or especially an edge or edges as specified (often used in combination). 3. keen-edged. Sharpness with reference to the mind.
elements ::: Sri Aurobindo: "The first ripple or vibration in causal matter creates a new and exceedingly fine and pervasive condition of matter called Akasha or Ether; more complex motion evolves out of Ether a somewhat intenser condition which is called Vayu, Air; and so by ever more complex motion with increasing intensity of condition for result, yet three other matter-states are successively developed, Agni or Fire, Apah or Water and Prithvi or Earth.” *Supplement to the Sri Aurobindo Birth Centenary Library
"Emptiness is not in itself a bad condition, only if it is a sad and restless emptiness of the dissatisfied vital. In sadhana emptiness is very usually a necessary transition from one state to another. When mind and vital fall quiet and their restless movements, thoughts and desires cease, then one feels empty. This is at first often a neutral emptiness with nothing in it, nothing in it either good or bad, happy or unhappy, no impulse or movement. This neutral state is often or even usually followed by the opening to inner experience. There is also an emptiness made of peace and silence, when the peace and silence come out from the psychic within or descend from the higher consciousness above. This is not neutral, for in it there is the sense of peace, often also of wideness and freedom. There is also a happy emptiness with the sense of something close or drawing near which is not yet there, e.g. the closeness of the Mother or some other preparing experience.” Letters on Yoga*
encouraged ::: stimulated; urged; induced.
engineers ::: those who design, plan or mastermind. Also fig.
enjoy ::: 1. To receive pleasure or satisfaction from; take delight in. 2. To find or experience pleasure for (oneself). enjoyed, enjoying.
ensleeved ::: a word coined by Sri Aurobindo. The prefix en, occurring originally in loanwords from French, forms verbs with the general sense "to cause (a person or thing) to be in” a place, condition, or state. Hence, ensleeved in this instance is "held within a sleeve”.
enthusiast ::: ardent; eager; fervent; impassioned. (Sri Aurobindo employs the word as a synonym for enthusiastic.)
::: Equality means a quiet and unmoved mind and vital, it means not to be touched or disturbed by things that happen or things said or done to you, but to look at them with a straight look, free from the distortions created by personal feeling, and to try to understand what is behind them, why they happen, what is to be learnt from them, what is it in oneself which they are cast against and what inner profit or progress one can make out of them; it means self-mastery over the vital movements, — anger and sensitiveness and pride as well as desire and the rest, — not to let them get hold of the emotional being and disturb the inner peace, not to speak and act in the rush and impulsion of these things, always to act and speak out of a calm inner poise of the spirit.” *Letters on Yoga
::: "Erinyes, in Greek mythology, the goddesses of vengeance, usually represented as three winged maidens, with snakes in their hair. They pursued criminals, drove them mad, and tormented them in Hades. They were spirits of punishment, avenging wrongs done especially to kindred. In Roman literature they were called Furies.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works*
essence ::: the basic, real, and invariable nature of a thing or its significant individual feature or features; its true substance.
Eternal"s. Sri Aurobindo: ". . . that which is, cannot perish; it can only lose itself. All is eternal in the eternal spirit.” *Essays in Philosophy and Yoga
evangelist ::: 1. A preacher of the Christian gospel. 2. Any zealous advocate of a cause. (Employed by Sri Aurobindo as an adjective.)
::: **"Even in failure there is a preparation for success: our nights carry in them the secret of a greater dawn.” The Renaissance in India*
evidence ::: something that makes plain or clear; an indication or sign. self-evidence.
evil ::: n. 1. Morally bad or wrong; wicked, sinful, as opposed to good. 2. Anything causing injury or harm. Evil, evil"s, Evil"s. adj. 3. Characterized by or indicating future misfortune; ominous; disastrous. 4. Harmful; injurious. 5. Boding ill.
"Evolution is an inverse action of the involution: what is an ultimate and last derivation in the involution is the first to appear in the evolution; what was original and primal in the involution is in the evolution the last and supreme emergence.” The Life Divine ::: "Evolution, as we see it in this world, is a slow and difficult process and, indeed, needs usually ages to reach abiding results; but this is because it is in its nature an emergence from inconscient beginnings, a start from nescience and a working in the ignorance of natural beings by what seems to be an unconscious force. There can be, on the contrary, an evolution in the light and no longer in the darkness, in which the evolving being is a conscious participant and cooperator, and this is precisely what must take place here.” Essays in Philosophy and Yoga
evolution ::: Sri Aurobindo: "Evolution is nothing but the progressive unfolding of spirit out of the density of material consciousness and the gradual self-revelation of God out of this apparent animal being.” *The Hour of God
::: "Experiences are of all kinds and take all forms in the consciousness. When the consciousness undergoes, sees or feels anything spiritual or psychic or even occult, that is an experience — in the technical yogic sense, for there are of course all sorts of experiences that are not of that character.” Letters on Yoga
express ::: 1. To represent by a sign or a symbol; indicate; symbolize. 2. To set forth in words; state; verbalise. 3. To represent symbolically. 4. To manifest, reveal or communicate, as by a gesture; show. expresses, expressed, expressing.
expressive ::: 1. Serving to express or indicate. 2. Of, involving, or full of expression. 3. Indicative or suggestive (of).
eyeless ::: without eyes; blind, sightless.
::: **"Faith is a certitude in the soul which does not depend on reasoning, on this or that mental idea, on circumstances, on this or that passing condition of the mind or the vital or the body. It may be hidden, eclipsed, may even seem to be quenched, but it reappears again after the storm or the eclipse; it is seen burning still in the soul when one has thought that it was extinguished for ever. The mind may be a shifting sea of doubts and yet that faith may be there within and, if so, it will keep even the doubt-racked mind in the way so that it goes on in spite of itself towards its destined goal. Faith is a spiritual certitude of the spiritual, the divine, the soul"s ideal, something that clings to that even when it is not fulfilled in life, even when the immediate facts or the persistent circumstances seem to deny it.” Letters on Yoga
::: "Faith is the soul"s witness to something not yet manifested, achieved or realised, but which yet the Knower within us, even in the absence of all indications, feels to be true or supremely worth following or achieving.” *Letters on Yoga
findst ::: a native English form of the verb, to find, now only in formal and poetic usage.
"Find the Guide secret within you or housed in an earthly body, hearken to his voice and follow always the way that he points. At the end is the Light that fails not, the Truth that deceives not, the Power that neither strays nor stumbles, the wide freedom, the ineffable Beatitude.” Essays Divine and Human
::: **"Fear and anxiety are perverse forms of will. What thou fearest & ponderest over, striking that note repeatedly in thy mind, thou helpest to bring about; for, if thy will above the surface of waking repels it, it is yet what thy mind underneath is all along willing, & the subconscious mind is mightier, wider, better equipped to fulfil than thy waking force & intellect. But the spirit is stronger than both together; from fear and hope take refuge in the grandiose calm and careless mastery of the spirit.” Essays Divine and Human
figment ::: something invented, made up, or fabricated by the mind.
files ::: a line of persons or things placed one behind another (distinguished from ‘rank").
firm ::: 1. Resistant to externally applied pressure. 2. Not subject to change; fixed and definite.; not likely to change. 3. Securely fixed in place. 4. Steadfast and determined. 5. Indicating firmness and steadfastness. 6. Definitely established; decided; settled. firm-based.
"First, we affirm an Absolute as the origin and support and secret Reality of all things. The Absolute Reality is indefinable and ineffable by mental thought and mental language; it is self-existent and self-evident to itself, as all absolutes are self-evident, but our mental affirmatives and negatives, whether taken separatively or together, cannot limit or define it.” The Life Divine
fixed ::: 1. Securely placed or fastened or set. 2. Set or intent upon something; steadily directed (as of a person"s eyes, mind, etc.). 3. Definitely and permanently placed. 4. Not fluctuating or varying; definite. 5. Coming each year on the same calendar date. 6. Assigned to a definite place, time, etc.
Flamelike, inscrutable the almighty Guest” From: The Guest - Collected Poems of Sri Aurobindo
flare ::: 1. A flaring or swaying flame or light as of torches in the wind. 2. A sudden blaze or burst of flame or light, e.g. lightening. 3. A bright blaze of fire or light used as a signal, a means of illumination or guidance, etc. 4. A sudden burst, as of zeal or anger. flares, flared, flaring, sky-flare.
flasque ::: Sri Aurobindo: "‘Flasque" is a French word meaning ‘slack", ‘loose", ‘flaccid" etc. I have more than once tried to thrust in a French word like this, for instance, ‘A harlot empress in a bouge" – somewhat after the manner of Eliot and Ezra Pound.” Letters on Savitri.
flower-symbol ::: Sri Aurobindo: "Flowers are the moment"s representations of things that are in themselves eternal.” On Himself
flute ::: n. 1. A high-pitched woodwind instrument; a slender tube closed at one end with finger holes on one end and an opening near the closed end across which the breath is blown. flutes. *v. 2. To play a flute. *fluted, fluting.
follow ::: 1. To come or go after; proceed behind. 2. Lit. and fig. To move along the course of; take a path. 3. Fig. To come after in order, time, or position. 4. To occur or be evident as a consequence; result. 5. Fig. To accompany; attend. 6. To take (a person) as a guide, leader, or master; to accept the authority or example of, obey the dictates or guidance of; to adhere to, espouse the opinions, side, or cause of. 7. Fig. To go after in or as if in pursuit. 8. To accept and follow the leadership or command or guidance of. 9. To watch or trace the movements, progress, or course of. follows, followed, following. ::: following out. Proceeding; following; pursuing something to an end or conclusion.
follower ::: 1. Someone who travels behind or pursues another. 2. One who subscribes to the teachings or methods of another; an adherent. followers.
force, divine ::: Sri Aurobindo: "The Divine Force can act on any plane — it is not limited to the supramental Force. The supramental is only one aspect of the power of the Divine.” *Letters on Yoga
force, universal ::: Sri Aurobindo: "This force that we feel is the universal Force of the Divine, which, veiled or unveiled, acting directly or permitting the use of its powers by beings in the cosmos, is the one Energy that alone exists and alone makes universal or individual action possible. For this force is the Divine itself in the body of its power; all is that, power of act, power of thought and knowledge, power of mastery and enjoyment, power of love. Conscious always and in everything, in ourselves and in others, of the Master of Works possessing, inhabiting, enjoying through this Force that is himself, becoming through it all existences and all happenings, we shall have arrived at the divine union through works and achieved by that fulfilment in works all that others have gained through absolute devotion or through pure knowledge.” *The Synthesis of Yoga
". . . for doubt is the mind"s persistent assailant.” Letters on Yoga ::: "The enemy of faith is doubt, and yet doubt too is a utility and necessity, because man in his ignorance and in his progressive labour towards knowledge needs to be visited by doubt, otherwise he would remain obstinate in an ignorant belief and limited knowledge and unable to escape from his errors.” The Synthesis of Yoga*
"For each birth is a new start; it develops indeed from the past, but is not its mechanical continuation: rebirth is not a constant reiteration but a progression, it is the machinery of an evolutionary process.” The Life Divine
foreboding ("s) ::: n. **1. A strong inner feeling or notion of a future misfortune, evil, etc.; presentiment. adj. 2.** Foretelling or predicting; indicating beforehand; portending.
foreshadowed ::: shown or indicated beforehand; prefigured. foreshadowing.
forewilled ::: a word coined by Sri Aurobindo. As a prefix, fore (with or without hyphen) denotes beforehand, previously, in advance; hence, willed in advance.
"For good is all that helps the individual and the world towards their divine fullness, and evil is all that retards or breaks up that increasing perfection.” The Synthesis of Yoga ::: *goodness.
"For it is only the few who can make the past Teacher and his teaching, the past Incarnation and his example and influence a living force in their lives. For this need also the Hindu discipline provides in the relation of the Guru and the disciple. The Guru may sometimes be the Incarnation or World-Teacher; but it is sufficient that he should represent to the disciple the divine wisdom, convey to him something of the divine ideal or make him feel the realised relation of the human soul with the Eternal.” The Synthesis of Yoga*
formed ::: given form or shape to; fashioned, constructed, framed. Formed (Sri Aurobindo also employs the word as a n.).
formless ::: having no definite form; shapeless. Also fig. Formless (Sri Aurobindo also employs the word as a n.), formlessness, formlessly.
" . . . for there is only one thing essential, needful, indispensable, to grow conscious of the Divine Reality and live in it and live it always.” Letters on Yoga
found ::: 1. To set up or establish on a firm basis or for enduring existence; to originate, create, initiate. 2. To establish or set up, especially with provision for continuing existence. Also fig. (All other references are to the word as the pp. or pt. of find. **half-found*.*) founds, founded.**
free-will ::: free and independent choice; voluntary decision. free-will"s, free will.
gandhamadan ::: "In Hindu mythology, a mountain and forest in Ilavrta, the central region of the world which contains Mount Meru. Gandhamadan dorms the division between Ilavrta and Bhadrasva, to the east of Meru. The forest of Gandhamadan is renowned for its fragrance. (Dow.; Enc. Br.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works.
gandharva ::: Sri Aurobindo: "The Gandharvas are of the vital plane but they are vital Gods, not Asuras.” *Letters on Yoga
gas ::: 1. A substance in the gaseous state. 2. Physics. A substance possessing perfect molecular mobility and the property of indefinite expansion, as opposed to a solid or liquid.
genius ::: 1. A tutelary deity or guardian spirit of a person or place. 2. A person with exceptional ability, esp. of a highly original and creative kind.
glare ::: an intense, blinding light.
gleam ::: n. **1. A brief beam or flash of light. 2. A brief or dim indication; a trace. 3. The appearance of radiant beauty. Gleam, gleams. v. 4. To emit a gleam; flash or glow briefly or faintly. gleams, gleamed, gleaming, gleam-ridge. ::: *
glean ::: 1. To gather laboriously, bit by bit. 2. To gather (grain or the like) after the reapers or regular gathers. 3. To learn, discover, of find out, usually little by little or slowly. gleaner.
god ::: a being conceived as the perfect, omnipotent, omniscient originator and ruler of the universe, the principal object of faith and worship in monotheistic religions. gods, gods", God"s, Gods, God-bliss, God-born, god-chant, God-child, god-children, God-ecstasy, God-face, God-frame, God-Force, God-given, god-haunts, God-instinct"s, God-joy, God-Light, god-kind, God-knowledge, God-language, God-light, god-mind, god-phase, God-spark, god-speech, God-state, god-touch, God-vision"s, god-wings, child-god, dream-god"s, half-god, Sun-god"s.
goddess ::: a female god or deity. Goddess, goddess", goddesses, Goddesses, Earth-Goddess, wind-goddess.
godhead ::: Sri Aurobindo: ". . . the Godhead is all that is universe and all that is in the universe and all that is more than the universe. The Gita lays stress first on his supracosmic existence. For otherwise the mind would miss its highest goal and remain turned towards the cosmic only or else attached to some partial experience of the Divine in the cosmos. It lays stress next on his universal existence in which all moves and acts. For that is the justification of the cosmic effort and that is the vast spiritual self-awareness in which the Godhead self-seen as the Time-Spirit does his universal works. Next it insists with a certain austere emphasis on the acceptance of the Godhead as the divine inhabitant in the human body. For he is the Immanent in all existences, and if the indwelling divinity is not recognised, not only will the divine meaning of individual existence be missed, the urge to our supreme spiritual possibilities deprived of its greatest force, but the relations of soul with soul in humanity will be left petty, limited and egoistic. Finally, it insists at great length on the divine manifestation in all things in the universe and affirms the derivation of all that is from the nature, power and light of the one Godhead.” *Essays on the Gita
god ::: Sri Aurobindo: ". . . the Absolute, the Spirit, the Self spaceless and timeless, the Self manifest in the cosmos and Lord of Nature, — all this is what we mean by God, . . . .” *The Life Divine
gods ::: Sri Aurobindo: "The Gods are Brahman representing Itself in cosmic Personalities expressive of the one Godhead who, in their impersonal action, appear as the various play of the principles of Nature.” *The Upanishads
golden Child ::: Sri Aurobindo: "I suppose the golden child is the Truth-Soul which follows after the silver light of the spiritual. When it plunges into the black waters of the subconscient, it releases from it the spiritual light and the sevenfold streams of the Divine Energy and, clearing itself of the stains of the subconscient, it prepares its flight towards the supreme Divine (the Mother).” (Reply to a question in the chapter Visions and Symbols.) Letters on Yoga
golden Sphinx ::: Sri Aurobindo: "…the luminous veiled Sphinx of the infinite Consciousness and eternal Wisdom.” The Life Divine
good ::: Sri Aurobindo: "Below [the ethical] hides that secret of good in all things which the human being approaches and tries to deliver partially through ethical instinct and ethical idea; above is hidden the eternal Good which exceeds our partial and fragmentary ethical conceptions.” *Social and Political Thought
grace ::: Sri Aurobindo: "Grace is something spontaneous which wells out from the Divine Consciousness as a free flow of its being. ::: It is a power that is superior to any rule, even to the Cosmic Law — for all spiritual seers have distinguished between the Law and Grace. Yet it is not indiscriminate — only it has a discrimination of its own which sees things and persons and the right times and seasons with another vision than that of the Mind or any other normal Power. A state of Grace is prepared in the individual often behind thick veils by means not calculable by the mind and when the state of Grace comes, then the Grace itself acts. ” *Letters on Yoga
gracious ::: 1. Characterized by kindness and warm courtesy. 2. Pleasantly kind, benevolent, and courteous; charming and elegant. 3. Tender, mild, gentle. 4. Of a merciful or compassionate nature.
grin ::: to smile broadly, esp. as an indication of pleasure, amusement, vulgar merriment, or the like.
groove ::: 1. A long narrow cut or indentation in a surface; a furrow. 2. A fixed routine; habit, pattern. grooves.
grope ::: 1. To feel about with the hands; feel one"s way, as if blind. 2. To search blindly or uncertainly. gropes, groped.
guest ::: Sri Aurobindo: " When the Rishis speak of Indra or Agni or Soma in men, they are speaking of the god in his cosmic presence, power or function. This is evident from the very language when they speak of Agni as the immortal in mortals, the immortal Light in men, the inner Warrior, the Guest in human beings.” *Letters on Yoga
gust ::: 1. A strong, abrupt rush of wind. 2. A sudden burst or outburst. gusts, gusty.
gymnasium ::: a room or building equipped for indoor sports.
hallucination ::: 1. A sensory experience of something that does not exist outside the mind, caused by various physical and mental disorders. 2. A false notion, belief, or impression; illusion; delusion.
hampered ::: held back; hindered; impeded.
harmonist ::: one who brings everything into harmony. (Here referring to the Divine) Sri Aurobindo capitalises the word.
hast ::: second person singular present indicative of have.
haze ::: 1. An aggregation in the atmosphere of very fine, widely dispersed, solid or liquid particles, or both, giving the air an opalescent appearance that subdues colours. 2. Reduced visibility in the air as a result of condensed water vapour, dust, etc., in the atmosphere. 3. Vagueness of obscurity, as of the mind or perception; confused or vague thoughts, feelings, etc.
Heart-lotus — emotional centre. The psychic is behind it.
heart ::: Sri Aurobindo: "The heart in Vedic psychology is not restricted to the seat of the emotions; it includes all that large tract of spontaneous mentality, nearest to the subconscient in us, out of which rise the sensations, emotions, instincts, impulses and all those intuitions and inspirations that travel through these agencies before they arrive at form in the intelligence.” *The Secret of the Veda
"High beyond the Intelligence is the Great Self, beyond the Great Self is the Unmanifest, beyond the Unmanifest is the Conscious Being. There is nothing beyond the Being, — that is the extreme ultimate, that the supreme goal.” — Katha Upanishad. (4) (Sri Aurobindo"s translation) The Life Divine
http://savitri.in/books/narad-richard-eggenberger/lexicon-of-an-infinite-mind
**"I certainly won"t have ‘attracted" [in place of ‘allured"] — there is an enormous difference between the force of the two words and merely ‘attracted by the Ecstasy" would take away all my ecstasy in the line — nothing so tepid can be admitted. Neither do I want ‘thrill" [in place of ‘joy"] which gives a false colour — precisely it would mean that the ecstasy was already touching him with its intensity which is far from my intention.Your statement that ‘joy" is just another word for ‘ecstasy" is surprising. ‘Comfort", ‘pleasure", ‘joy", ‘bliss", ‘rapture", ‘ecstasy" would then be all equal and exactly synonymous terms and all distinction of shades and colours of words would disappear from literature. As well say that ‘flashlight" is just another word for ‘lightning" — or that glow, gleam, glitter, sheen, blaze are all equivalents which can be employed indifferently in the same place. One can feel allured to the supreme omniscient Ecstasy and feel a nameless joy touching one without that Joy becoming itself the supreme Ecstasy. I see no loss of expressiveness by the joy coming in as a vague nameless hint of the immeasurable superior Ecstasy.” Letters on Savitri*
"If you go deep enough, into a sufficiently complete silence from all outer things, you will find within you that flame about which I often speak, and in this flame you will see your destiny.} You will see the aspiration of centuries which has been concentrated gradually, to lead you through countless births to the great day of realisation — that preparation which has been made through thousands of years, and is reaching its culmination.” Questions and Answers MCW Vol. 6*.
"I have started writing about doubt, but even in doing so I am afflicted by the ‘doubt" whether any amount of writing or of anything else can ever persuade the eternal doubt in man which is the penalty of his native ignorance. In the first place, to write adequately would mean anything from 60 to 600 pages, but not even 6000 convincing pages would convince doubt. For doubt exists for its own sake; its very function is to doubt always and, even when convinced, to go on doubting still; it is only to persuade its entertainer to give it board and lodging that it pretends to be an honest truth-seeker. This is a lesson I have learnt from the experience both of my own mind and of the minds of others; the only way to get rid of doubt is to take discrimination as one"s detector of truth and falsehood and under its guard to open the door freely and courageously to experience.” Letters on Yoga
*"In a certain sense all genius comes from Overhead; for genius is the entry or inrush of a greater consciousness into the mind or a possession of the mind by a greater power.”
"Indian devotion has especially seized upon the most intimate human relations and made them stepping-stones to the supra-human. God the Guru, God the Master, God the Friend, God the Mother, God the Child, God the Self, each of these experiences — for to us they are more than merely ideas, — it has carried to its extreme possibilities.” Essays in Philosophy and Yoga
"In Greek mythology, a giant with a hundred arms, a son of Uranus and Ge, who fought against the gods. He was hurled down by Athene and imprisoned beneath Mt. Aetna in Sicily. When he stirs, the mountain shakes; when he breathes, there is an eruption. (M.I.; Web.)” Glossary and Index of Proper Names in Sri Aurobindo"s Works
::: ". . . in such a view, the word consciousness changes its meaning. It is no longer synonymous with mentality but indicates a self-aware force of existence of which mentality is a middle term; below mentality it sinks into vital and material movements which are for us subconscient; above, it rises into the supramental which is for us the superconscient. But in all it is one and the same thing organising itself differently. This is, once more, the Indian conception of Chit which, as energy, creates the worlds.” *The Life Divine
". . . in the Avatar there is the special manifestation, the divine birth from above, the eternal and universal Godhead descended into a form of individual humanity, âtmânam srjâmi, and conscious not only behind the veil but in the outward nature.” Essays on the Gita
". . . in the Veda, Lord of the hosts of delight; in later mythology, the Gandharvas are musicians of heaven, ‘beautiful, brave and melodious beings, the artists, musicians, poets and shining warriors of heaven". . . .” Glossary and Index of Proper Names in Sri Aurobindo"s Works ::: *Gandharvas.
"It is not possible for the individual mind, so long as it remains shut up in its personality, to understand the workings of the Cosmic Will, for the standards made by the personal consciousness are not applicable to them. A cell in the body, if conscious, might also think that the human being and its actions are only the resultant of the relations and workings of a number of cells like itself and not the action of a unified self. It is only if one enters into the Cosmic Consciousness that one begins to see the forces at work and the lines on which they work and get a glimpse of the Cosmic Self and the Cosmic Mind and Will.” Letters on Yoga
::: **"It is therefore necessary from the beginning to understand and accept the arduous difficulty of the path and to feel the need of a faith which to the intellect may seem blind, but yet is wiser than our reasoning intelligence. For this faith is a support from above; it is the brilliant shadow thrown by a secret light that exceeds the intellect and its data; it is the heart of a hidden knowledge that is not at the mercy of immediate appearances.” The Synthesis of Yoga
". . . it is the seat of two powers, in front the higher vital or emotional being, behind and concealed the soul or psychic being.” *Letters on Yoga
::: "It needs a quiet mind to know the Divine Will. In the quiet mind turned towards the Divine the intuition (higher mind) comes of the Divine"s Will and the right way to do it.” *Letters on Yoga
"Mind, life and body, the soul in the succession of Time, the conscient, subconscient and superconscient, — these in their various relations and the result of their relations are cosmos and are Nature.” The Life Divine
"Moreover we see that this cosmic action or any cosmic action is impossible without the play of an infinite Force of Existence which produces and regulates all these forms and movements; and that Force equally presupposes or is the action of an infinite Consciousness, because it is in its nature a cosmic Will determining all relations and apprehending them by its own mode of awareness, and it could not so determine and apprehend them if there were no comprehensive Consciousness behind that mode of cosmic awareness to originate as well as to hold, fix and reflect through it the relations of Being in the developing formation or becoming of itself which we call a universe.” The Life Divine
n. 1. The body or outward appearance of a person or an animal considered separately from the face or head; figure. 2. An object, person, or part of the human body or the appearance of any of these, esp. as seen in nature. 3. The mode in which a thing exists, acts, or manifests itself; kind. 4. The structure, pattern, organization or essential nature of anything. Form, form"s, forms, Forms, form-bound, form-discoveries, form-maker, form-smitten, thought-forms. v. 5. To give form to; shape. 6.* *To take or assume form; to be formed or produced. forms, formed, many-formed, sense-formed. ::: re-form.** To form a second time, form over again.
n. 1. The make or form of anything. 2. Manner or mode; way. 3. A kind; sort. fashions. *v. 3. To give a particular shape or form to; make. fashions, *fashioned, fashioning, new-fashions.
"Nor can the human confusion of values which obliterates the distinction between spiritual and moral and even claims that the moral is the only true spiritual element in our nature be of any use to us; for ethics is a mental control, and the limited erring mind is not and cannot be the free and ever-luminous spirit.” The Synthesis of Yoga
"Of course, the gods exist — that is to say, there are Powers that stand above the world and transmit the divine workings. It is the physical mind which believes only what is physical that denies them. There are also beings of other worlds — gods and Asuras, etc.” Letters on Yoga
". . . One Being and Consciousness is involved here in Matter. Evolution is the method by which it liberates itself; consciousness appears in what seems to be inconscient, and once having appeared is self-impelled to grow higher and higher and at the same time to enlarge and develop towards a greater and greater perfection. Life is the first step of this release of consciousness; mind is the second; but the evolution does not finish with mind, it awaits a release into something greater, a consciousness which is spiritual and supramental. The next step of the evolution must be towards the development of Supermind and Spirit as the dominant power in the conscious being. For only then will the involved Divinity in things release itself entirely and it become possible for life to manifest perfection.” On Himself
"One must go deep and find the soul, the self, the Divine Reality within us and only then can life become a true expression of what we can be instead of a blind and always repeated confused blur of the inadequate and imperfect thing we were. The choice is between remaining in the old jumble and groping about in the hope of stumbling on some discovery or standing back and seeking the Light within till we discover and can build the Godhead within and without us. "Letters on Yoga
one who is versed in or practices alchemy. Pertaining to one who studies or practises alchemy. alchemist (employed as an adj. by Sri Aurobindo).
"Ordinarily we mean by it [consciousness] our first obvious idea of a mental waking consciousness such as is possessed by the human being during the major part of his bodily existence, when he is not asleep, stunned or otherwise deprived of his physical and superficial methods of sensation. In this sense it is plain enough that consciousness is the exception and not the rule in the order of the material universe. We ourselves do not always possess it. But this vulgar and shallow idea of the nature of consciousness, though it still colours our ordinary thought and associations, must now definitely disappear out of philosophical thinking. For we know that there is something in us which is conscious when we sleep, when we are stunned or drugged or in a swoon, in all apparently unconscious states of our physical being. Not only so, but we may now be sure that the old thinkers were right when they declared that even in our waking state what we call then our consciousness is only a small selection from our entire conscious being. It is a superficies, it is not even the whole of our mentality. Behind it, much vaster than it, there is a subliminal or subconscient mind which is the greater part of ourselves and contains heights and profundities which no man has yet measured or fathomed.” Letters on Yoga
"Our ego is only a face of the universal being and has no separate existence; our apparent separative individuality is only a surface movement and behind it our real individuality stretches out to unity with all things and upward to oneness with the transcendent Divine Infinity. Thus our ego, which seems to be a limitation of existence, is really a power of infinity; the boundless multiplicity of beings in the world is a result and signal evidence, not of limitation or finiteness, but of that illimitable Infinity.” The Life Divine
"Remind yourself always that the Divine Force is there, that you have felt it and that, even if you seem to lose consciousness of it for a time or it seems something distant, still it is there and is sure to prevail. For those whom the Force has touched and taken up, belong thenceforth to the Divine.” Letters on Yoga
". . . spiritual freedom is not the egoistic assertion of our separate mind and life but obedience to the Divine Truth in ourself and our members and in all around us.” The Human Cycle
Sri Aurobindo: "A compromise is a bargain, a transaction of interests between two conflicting powers; it is not a true reconciliation.” *The Life Divine
*Sri Aurobindo: "Action is the first power of life. Nature begins with force and its works which, once conscious in man, become will and its achievements; therefore it is that by turning his action Godwards the life of man best and most surely begins to become divine.” The Synthesis of Yoga
*(Sri Aurobindo: "And finally all is lifted up and taken into the supermind and made a part of the infinitely luminous consciousness, knowledge and experience of the supramental being, the Vijnana Purusha.” The Synthesis of Yoga*) ::: Angel of the House. The guardian spirit of the home.
*Sri Aurobindo: "Aspiration is a call to the Divine.” Letters on Yoga*
Sri Aurobindo: "As there are Powers of Knowledge or Forces of the Light, so there are Powers of Ignorance and tenebrous Forces of the Darkness whose work is to prolong the reign of Ignorance and Inconscience. As there are Forces of Truth, so there are Forces that live by the Falsehood and support it and work for its victory; as there are powers whose life is intimately bound up with the existence, the idea and the impulse of Good, so there are Forces whose life is bound up with the existence and the idea and the impulse of Evil. It is this truth of the cosmic Invisible that was symbolised in the ancient belief of a struggle between the powers of Light and Darkness, Good and Evil for the possession of the world and the government of the life of man; — this was the significance of the contest between the Vedic Gods and their opponents, sons of Darkness and Division, figured in a later tradition as Titan and Giant and Demon, Asura, Rakshasa, Pisacha; the same tradition is found in the Zoroastrian Double Principle and the later Semitic opposition of God and his Angels on the one side and Satan and his hosts on the other, — invisible Personalities and Powers that draw man to the divine Light and Truth and Good or lure him into subjection to the undivine principle of Darkness and Falsehood and Evil.” The Life Divine
Sri Aurobindo: "Atheism is the shadow or dark side of the highest perception of God.” *Essays Divine and Human
Sri Aurobindo: "Beauty is the special divine Manifestation in the physical as Truth is in the Mind, Love in the heart, Power in the vital.” *The Future Poetry
Sri Aurobindo: "Birth is the first spiritual mystery of the physical universe, death is the second which gives its double point of perplexity to the mystery of birth; for life, which would otherwise be a self-evident fact of existence, becomes itself a mystery by virtue of these two which seem to be its beginning and its end and yet in a thousand ways betray themselves as neither of these things, but rather intermediate stages in an occult processus of life.” *The Life Divine
Sri Aurobindo: "Brahma is the Power of the Divine that stands behind formation and the creation.” Letters on Yoga
Sri Aurobindo: "But if the individual is a persistent reality, an eternal portion or power of the Eternal, if his growth of consciousness is the means by which the Spirit in things discloses its being, the cosmos reveals itself as a conditioned manifestation of the play of the eternal One in the being of Sachchidananda with the eternal Many.” *The Life Divine
Sri Aurobindo: "But when I speak of the Divine Will, I mean something different, — something that has descended here into an evolutionary world of Ignorance, standing at the back of things, pressing on the Darkness with its Light, leading things presently towards the best possible in the conditions of a world of Ignorance and leading it eventually towards a descent of a greater power of the Divine, which will be not an omnipotence held back and conditioned by the law of the world as it is, but in full action and therefore bringing the reign of light, peace, harmony, joy, love, beauty and Ananda, for these are the Divine Nature.” *Letters on Yoga
Sri Aurobindo: "By aesthesis is meant a reaction of the consciousness, mental and vital and even bodily, which receives a certain element in things, something that can be called their taste, Rasa, which, passing through the mind or sense or both, awakes a vital enjoyment of the taste, Bhoga, and this can again awaken us, awaken even the soul in us to something yet deeper and more fundamental than mere pleasure and enjoyment, to some form of the spirit"s delight of existence, Ananda.” *Letters on Savitri
Sri Aurobindo: "Chance is not *in this universe; the idea of illusion is itself an illusion. There was never illusion yet in the human mind that was not the concealing [?shape] and disfigurement of a truth.” Essays Divine and Human
Sri Aurobindo: "Concentration is a gathering together of the consciousness and either centralising at one point or turning on a single object, e.g., the Divine; there can also be a gathered condition throughout the whole being, not at a point. In meditation it is not indispensable to gather like this, one can simply remain with a quiet mind thinking of one subject or observing what comes in the consciousness and dealing with it.” *Letters on Yoga
Sri Aurobindo: "Confidence — the sense of security that goes with trust.” Letters on Yoga
Sri Aurobindo: "Consciousness is a fundamental thing, the fundamental thing in existence — it is the energy, the motion, the movement of consciousness that creates the universe and all that is in it — not only the macrocosm but the microcosm is nothing but consciousness arranging itself.” *Letters on Yoga
Sri Aurobindo: "Consecration becomes in its fullness a devoting of all our being to the Divine; therefore also of all our thoughts and our works.” *The Synthesis of Yoga
Sri Aurobindo: "Conviction — intellectual belief held on what seems to be good reasons.” Letters on Yoga
*Sri Aurobindo: "Creation is not a making of something out of nothing or of one thing out of another, but a self-projection of Brahman into the conditions of Space and Time. Creation is not a making, but a becoming in terms and forms of conscious existence.” The Upanishads*
Sri Aurobindo: "Cruelty transfigured becomes Love that is intolerable ecstasy; . . . .”
*Sri Aurobindo: "Dawn always means an opening of some kind — the coming of something that is not yet fully there.” Letters on Yoga ::: "As the Sun is image and godhead of the golden Light of the divine Truth, so Dawn is image and godhead of the opening out of the supreme illumination on the night of our human ignorance. Dawn daughter of Heaven and Night her sister are obverse and reverse sides of the same eternal Infinite.” The Secret of the Veda
Sri Aurobindo: "Day and Night, – the latter the state of Ignorance that belongs to our material Nature, the former the state of illumined Knowledge that belongs to the divine Mind of which our mentality is a pale and dulled reflection.” The Secret of the Veda
*Sri Aurobindo: ". . . desires come from outside, enter the subconscious vital and rise to the surface. It is only when they rise to the surface and the mind becomes aware of them, that we become conscious of the desire. It seems to us to be our own because we feel it thus rising from the vital into the mind and do not know that it came from outside.” Letters on Yoga
Sri Aurobindo: "Destiny in the rigid sense applies only to the outer being so long as it lives in the Ignorance. What we call destiny is only in fact the result of the present condition of the being and the nature and energies it has accumulated in the past acting on each other and determining the present attempts and their future results. But as soon as one enters the path of spiritual life, this old predetermined destiny begins to recede. There comes in a new factor, the Divine Grace, the help of a higher Divine Force other than the force of Karma, which can lift the sadhak beyond the present possibilities of his nature. One"s spiritual destiny is then the divine election which ensures the future.” *Letters on Yoga
Sri Aurobindo: "Destruction in itself is neither good nor evil. It is a fact of Nature, a necessity in the play of forces, as things are in this world. The Light destroys the Darkness and the Powers of Darkness, and that is not a movement of Ignorance!” *Letters on Yoga
Sri Aurobindo: " . . . Divine Love which is at the heart of all creation and the most powerful of all redeeming and creative forces has yet been the least frontally present in earthly life, the least successfully redemptive, the least creative. Human nature has been unable to bear it in its purity for the very reason that it is the most powerful, pure, rare and intense of all the divine energies; what little could be seized has been corrupted at once into a vital pietistic ardour, a defenceless religious or ethical sentimentalism, a sensuous or even sensual erotic mysticism of the roseate coloured mind or passionately turbid life-impulse and with these simulations compensated its inability to house the Mystic Flame that could rebuild the world with its tongues of sacrifice. The Synthesis of Yoga
Sri Aurobindo: "Doubt cannot be convinced, because by its very nature it does not want to be convinced; . . . .” *Letters on Yoga
::: Sri Aurobindo: ". . . Durga, the conquering and protecting aspect of the Universal Mother.” *Letters on Yoga
*Sri Aurobindo: "Ego is only a faculty put forward by the discriminative mind to centralise round itself the experiences of the sense-mind and to serve as a sort of lynch-pin in the wheel which keeps together the movement. It is no more than an instrument, although it is true that so long as we are limited by our normal mentality, we are compelled by the nature of that mentality and the purpose of the instrument to mistake our ego-function for our very self.” The Upanishads
*Sri Aurobindo: "Emotion itself is not a bad thing; it is a necessary part of the nature, and psychic emotion is one of the most powerful helps to the sadhana. Psychic emotion, bringing tears of love for the Divine or tears of Ananda, ought not to be suppressed: . . . .” Letters on Yoga
Sri Aurobindo: "Equality is to remain unmoved within in all conditions.” *Letters on Yoga
Sri Aurobindo: "Essence can never be defined — it simply is.” *Letters on Yoga
*Sri Aurobindo: ". . . every weakness and failure is a first sounding of gulfs of power and potentiality. . . .” The Life Divine
Sri Aurobindo: "Existence is an infinite and therefore indefinable and illimitable Reality which figures itself out in multiple values of life.” *Social and Political Thought
*Sri Aurobindo: "Experience is a word that covers almost all the happenings in yoga; only when something gets settled, then it is no longer an experience but part of the siddhi; e.g. peace when it comes and goes is an experience — when it is settled and goes no more it is a siddhi.” Letters on Yoga
Sri Aurobindo: "Faith is a necessary means for arriving at realisation, because we are ignorant and do not yet know that which we are seeking to realise; faith is indeed knowledge giving the ignorance an intimation of itself previous to its own manifestation, it is the gleam sent before by the yet unrisen Sun. When the Sun shall rise, there will be no longer any need of the gleam.” *Letters on Yoga
*Sri Aurobindo: "Fear is a creation of the vital plane, an instinct of the ignorance, a sense of danger with a violent vital reaction that replaces and usually prevents or distorts the intelligence of things. It might almost be considered as an invention of the hostile forces.” Letters on Yoga
Sri Aurobindo: "Finally, we have the goddess Dakshina who may well be a female form of Daksha, himself a god and afterwards in the Purana one of the Prajapatis, the original progenitors, — we have Dakshina associated with the manifestation of knowledge and sometimes almost identified with Usha, the divine Dawn, who is the bringer of illumination. I shall suggest that Dakshina like the more famous Ila, Saraswati and Sarama, is one of four goddesses representing the four faculties of the Ritam or Truth-consciousness, — Ila representing truth-vision or revelation, Saraswati truth-audition, inspiration, the divine word, Sarama intuition, Dakshina the separative intuitional discrimination.” *The Secret of the Veda
*Sri Aurobindo: "Force is nothing but the power of being in motion.” Hymns to the Mystic Fire
Sri Aurobindo: ". . . for each individual is in himself the Eternal who has assumed name and form and supports through him the experiences of life turning on an ever-circling wheel of birth in the manifestation. The wheel is kept in motion by the desire of the individual, which becomes the effective cause of rebirth and by the mind"s turning away from the knowledge of the eternal self to the preoccupations of the temporal becoming.” The Life Divine
*Sri Aurobindo: "For from the divine Bliss, the original Delight of existence, the Lord of Immortality comes pouring the wine of that Bliss, the mystic Soma, into these jars of mentalised living matter; eternal and beautiful, he enters into these sheaths of substance for the integral transformation of the being and nature.” The Life Divine
Sri Aurobindo: "Form is the basic means of manifestation and without it it may be said that the manifestation of anything is not complete. Even if the Formless logically precedes Form, yet it is not illogical to assume that in the Formless, Form is inherent and already existent in a mystic latency, otherwise how could it be manifested?” *Letters on Yoga
Sri Aurobindo: "Freedom is the law of being in its illimitable unity, secret master of all Nature: . . . .” *Essays in Philosophy and Yoga
Sri Aurobindo: "Further, vision is of value because it is often a first key to inner planes of one"s own being and one"s own consciousness as distinguished from worlds or planes of the cosmic consciousness. Yoga-experience often begins with some opening of the third eye in the forehead (the centre of vision in the brows) or with some kind of beginning and extension of subtle seeing which may seem unimportant at first but is the vestibule to deeper experience.” *Letters on Yoga
Sri Aurobindo: "Genius is one attempt of the universal Energy to so quicken and intensify our intellectual powers that they shall be prepared for those more puissant, direct and rapid faculties which constitute the play of the supra-intellectual or divine mind. It is not, then, a freak, an inexplicable phenomenon, but a perfectly natural next step in the right line of her [Nature"s] evolution.” *The Synthesis of Yoga
Sri Aurobindo: "Gnosis or true supermind is a power above mind working in its own law, out of the direct identity of the supreme Self, his absolute self-conscious Truth knowing herself by her own power of absolute Light without any need of seeking, even the most luminous seeking.” The Upanishads (footnote)
Sri Aurobindo: "God and Man, World and Beyond-world become one when they know each other. Their division is the cause of ignorance as ignorance is the cause of suffering.” *Essays in Philosophy and Yoga
Sri Aurobindo: "Hatred is the sign of a secret attraction that is eager to flee from itself and furious to deny its own existence. That too is God"s play in His creature.” *Essays Divine and Human
*Sri Aurobindo: "If thou think defeat is the end of thee, then go not forth to fight, even though thou be the stronger. For Fate is not purchased by any man nor is Power bound over to her possessors. But defeat is not the end, it is only a gate or a beginning.” Essays Human and Divine*
Sri Aurobindo: "In considering the action of the Infinite we have to avoid the error of the disciple who thought of himself as the Brahman, refused to obey the warning of the elephant-driver to budge ::: from the narrow path and was taken up by the elephant"s trunk and removed out of the way; ‘You are no doubt the Brahman," said the master to his bewildered disciple, ‘but why did you not obey the driver Brahman and get out of the path of the elephant Brahman?"” *The Life Divine
*Sri Aurobindo: "In other words, ethics is a stage in evolution. That which is common to all stages is the urge of Sachchidananda towards self-expression. This urge is at first non-ethical, then infra-ethical in the animal, then in the intelligent animal even anti-ethical for it permits us to approve hurt done to others which we disapprove when done to ourselves. In this respect man even now is only half-ethical. And just as all below us is infra-ethical, so there may be that above us whither we shall eventually arrive, which is supra-ethical, has no need of ethics. The ethical impulse and attitude, so all-important to humanity, is a means by which it struggles out of the lower harmony and universality based upon inconscience and broken up by Life into individual discords towards a higher harmony and universality based upon conscient oneness with all existences. Arriving at that goal, this means will no longer be necessary or even possible, since the qualities and oppositions on which it depends will naturally dissolve and disappear in the final reconciliation.” The Life Divine
*Sri Aurobindo: "In our world error is continually the handmaid and pathfinder of Truth; for error is really a half-truth that stumbles because of its limitations; often it is Truth that wears a disguise in order to arrive unobserved near to its goal.” The Life Divine
Sri Aurobindo: "In the very atom there is a subconscious will and desire which must also be present in all atomic aggregates because they are present in the Force which constitutes the atom.” *Essays in Philosophy and Yoga
Sri Aurobindo: "I suppose the golden child is the Truth-Soul which follows after the silver light of the spiritual. When it plunges into the black waters of the subconscient, it releases from it the spiritual light and the sevenfold streams of the Divine Energy and, clearing itself of the stains of the subconscient, it prepares its flight towards the supreme Divine (the Mother).” (Reply to a question in the chapter Visions and Symbols.) Letters on Yoga
*Sri Aurobindo: "It [falsehood] is created by an Asuric (hostile) power which intervenes in this creation and is not only separated from the Truth and therefore limited in knowledge and open to error, but in revolt against the Truth or in the habit of seizing the Truth only to pervert it. This Power, the dark Asuric Shakti or Rakshasic Maya, puts forward its own perverted consciousness as true knowledge and its wilful distortions or reversals of the Truth as the verity of things. It is the powers and personalities of this perverted and perverting consciousness that we call hostile beings, hostile forces. Whenever these perversions created by them out of the stuff of the Ignorance are put forward as the Truth of things, that is the Falsehood, in the yogic sense, . . . .” Letters on Yoga
"Sri Aurobindo: "It has been held that ecstasy is a lower and transient passage, the peace of the Supreme is the supreme realisation, the consummate abiding experience. This may be true on the spiritual-mind plane: there the first ecstasy felt is indeed a spiritual rapture, but it can be and is very usually mingled with a supreme happiness of the vital parts taken up by the Spirit; there is an exaltation, exultation, excitement, a highest intensity of the joy of the heart and the pure inner soul-sensation that can be a splendid passage or an uplifting force but is not the ultimate permanent foundation. But in the highest ascents of the spiritual bliss there is not this vehement exaltation and excitement; there is instead an illimitable intensity of participation in an eternal ecstasy which is founded on the eternal Existence and therefore on a beatific tranquillity of eternal peace. Peace and ecstasy cease to be different and become one. The Supermind, reconciling and fusing all differences as well as all contradictions, brings out this unity; a wide calm and a deep delight of all-existence are among its first steps of self-realisation, but this calm and this delight rise together, as one state, into an increasing intensity and culminate in the eternal ecstasy, the bliss that is the Infinite.” The Life Divine
Sri Aurobindo: "It is an achievement to have got rid so rapidly and decisively of the shimmering mists and fogs which modern intellectualism takes for Light of Truth. The modern mind has so long and persistently wandered – and we with it – in the Valley of the False Glimmer that it is not easy for anyone to disperse its mists with the sunlight of clear vision.” Letters on Yoga
Sri Aurobindo: ". . . it is this emptiness inward and outward that often in yoga becomes the first step towards a new consciousness.” *Letters on Yoga
*Sri Aurobindo: "It is true that when Matter first emerges it becomes the dominant principle; it seems to be and is within its own field the basis of all things, the constituent of all things, the end of all things: but Matter itself is found to be a result of something that is not Matter, of Energy, and this Energy cannot be something self-existent and acting in the Void, but can turn out and, when deeply scrutinised, seems likely to turn out to be the action of a secret Consciousness and Being: when the spiritual knowledge and experience emerge, this becomes a certitude, — it is seen that the creative Energy in Matter is a movement of the power of the Spirit.” The Life Divine
Sri Aurobindo: "It might be said again that, even so, in Sachchidananda itself at least, above all worlds of manifestation, there could be nothing but the self-awareness of pure existence and consciousness and a pure delight of existence. Or, indeed, this triune being itself might well be only a trinity of original spiritual self-determinations of the Infinite; these too, like all determinations, would cease to exist in the ineffable Absolute. But our position is that these must be inherent truths of the supreme being; their utmost reality must be pre-existent in the Absolute even if they are ineffably other there than what they are in the spiritual mind"s highest possible experience. The Absolute is not a mystery of infinite blankness nor a supreme sum of negations; nothing can manifest that is not justified by some self-power of the original and omnipresent Reality.” The Life Divine
Sri Aurobindo: " Karma is nothing but the will of the Spirit in action, consequence nothing but the creation of will. What is in the will of being, expresses itself in karma and consequence. When the will is limited in mind, karma appears as a bondage and a limitation, consequence as a reaction or an imposition. But when the will of the being is infinite in the spirit, karma and consequence become instead the joy of the creative spirit, the construction of the eternal mechanist, the word and drama of the eternal poet, the harmony of the eternal musician, the play of the eternal child.” Essays in Philosophy and Yoga
*Sri Aurobindo: "Man cannot by his own effort make himself more than man; the mental being cannot by his own unaided force change himself into a supramental spirit. A descent of the Divine Nature can alone divinise the human receptacle.” Essays Divine and Human
Sri Aurobindo: "Matter, body is only a massed motion of force of conscious being employed as a starting-point for the variable relations of consciousness working through its power of sense.” *Essays on the Gita
Sri Aurobindo: ". . . one can be free only by living in the Divine.” Letters on Yoga
Sri Aurobindo: "Only those thoughts are true the opposite of which is also true in its own time and application; indisputable dogmas are the most dangerous kind of falsehoods.” Essays Divine and Human
Sri Aurobindo: "Our sense by its incapacity has invented darkness. In truth there is nothing but Light, only it is a power of light either above or below our poor human vision"s limited range.” *Essays Divine and Human
Sri Aurobindo: ::: "O Wisdom-Splendour, Mother of the universe,
**Sri Aurobindo: [referring to the following lines]
Sri Aurobindo: ” See God everywhere and be not frightened by masks. Believe that all falsehood is truth in the making or truth in the breaking, all failure an effectuality concealed, all weakness strength hiding itself from its own vision, all pain a secret & violent ecstasy. If thou believest firmly & unweariedly, in the end thou wilt see & experience the All-true, Almighty & All-blissful.” Essays Divine and Human*
Sri Aurobindo: "So the possibility of the sunlit path is not a discovery or original invention of mine. The very first books on yoga I read more than thirty years ago spoke of the dark and sunlit way and emphasised the superiority of the latter over the former.” *Letters on Yoga
::: Sri Aurobindo: "Spiritual force has its own concreteness; it can take a form (like a stream, for instance) of which one is aware and can send it quite concretely on whatever object one chooses. This is a statement of fact about the power inherent in spiritual consciousness. But there is also such a thing as a willed use of any subtle force — it may be spiritual, mental or vital — to secure a particular result at some point in the world. Just as there are waves of unseen physical forces (cosmic waves etc.) or currents of electricity, so there are mind-waves, thought-currents, waves of emotion, — for example, anger, sorrow, etc., — which go out and affect others without their knowing whence they come or that they come at all, they only feel the result. One who has the occult or inner senses awake can feel them coming and invading him.” Letters on Yoga
Sri Aurobindo: "That (‘to blend and blur shades owing to technical exigencies"] might be all right for mental poetry — it won"t do for what I am trying to create — in that, one word won"t do for the other. Even in mental poetry I consider it an inferior method. ‘Gleam" and ‘glow" are two quite different things and the poet who uses them indifferently has constantly got his eye upon words rather than upon the object.” Letters on Savitri *
Sri Aurobindo: "The anarchic is the true divine state of man in the end as in the beginning; but in between it would lead us straight to the devil and his kingdom.” Essays Divine and Human*
Sri Aurobindo: "the black dragon of the Inconscience sustains with its vast wings and its back of darkness the whole structure of the material universe; its energies unroll the flux of things, its obscure intimations seem to be the starting-point of consciousness itself and the source of all life-impulse.” The Life Divine ::: **Unused, guarded beneath Night"s dragon paws,**
Sri Aurobindo: "The centres or Chakras are seven in number: ::: The thousand-petalled lotus on the top of the head.
Sri Aurobindo: "The cosmic consciousness is that of the universe, of the cosmic spirit and cosmic Nature with all the beings and forces within it. All that is as much conscious as a whole as the individual separately is, though in a different way. The consciousness of the individual is part of this, but a part feeling itself as a separate being. Yet all the time most of what he is comes into him from the cosmic consciousness. But there is a wall of separative ignorance between. Once it breaks down he becomes aware of the cosmic Self, of the consciousness of the cosmic Nature, of the forces playing in it, etc. He feels all that as he now feels physical things and impacts. He finds it all to be one with his larger or universal self.” *Letters on Yoga
*Sri Aurobindo: ". . . the divine Ananda, the principle of Bliss [is that] from which, in the Vedic conception, the existence of Man, this mental being, is drawn. A secret Delight is the base of existence, its sustaining atmosphere and almost its substance. This Ananda is spoken of in the Taittiriya Upanishad as the ethereal atmosphere of bliss without which nothing could remain in being. In the Aitareya Upanishad Soma, as the lunar deity, is born from the sense-mind in the universal Purusha and, when man is produced, expresses himself again as sense-mentality in the human being. For delight is the raison d"être of sensation, or, we may say, sensation is an attempt to translate the secret delight of existence into the terms of physical consciousness.” The Secret of the Veda
Sri Aurobindo: "The Divinity in man dwells veiled in his spiritual centre; there can be no such thing as self-exceeding for man or a higher issue for his existence if there is not in him the reality of an eternal Self and Spirit.” *The Life Divine
Sri Aurobindo: "The duality is a position taken up, a double status accepted for the operations of the self-manifestation of the being; but there is no eternal and fundamental separateness and dualism of Being and its Consciousness-Force, of the Soul and Nature.” *The Life Divine
*Sri Aurobindo: "The earth is a material field of evolution. Mind and life, supermind, Sachchidananda are in principle involved there in the earth-consciousness; but only Matter is at first organized; then life descends from the life plane and gives shape and organization and activity to the life principle in Matter, creates the plant and animal; then mind descends from the mind plane, creating man. Now supermind is to descend so as to create a supramental race.” Letters on Yoga
Sri Aurobindo: "The faith in the divine Shakti must be always at the back of our strength and when she becomes manifest, it must be or grow implicit and complete. There is nothing that is impossible to her who is the conscious Power and universal Goddess all-creative from eternity and armed with the Spirit"s omnipotence.” The Life Divine
Sri Aurobindo: "The first is the discovery of the soul, not the outer soul of thought and emotion and desire, but the secret psychic entity, the divine element within us. When that becomes dominant over the nature, when we are consciously the soul and when mind, life and body take their true place as its instruments, we are aware of a guide within that knows the truth, the good, the true delight and beauty of existence, controls heart and intellect by its luminous law and leads our life and being towards spiritual completeness.” *The Life Divine
*Sri Aurobindo: "The flute is the call of the Divine Love;” Letters on Yoga ::: "The flute is the symbol of a call — usually the spiritual call.” Letters on Yoga
*Sri Aurobindo: "The highest aim of the aesthetic being is to find the Divine through beauty; the highest Art is that which by an inspired use of significant and interpretative form unseals the doors of the spirit.” The Human Cycle etc.*
*Sri Aurobindo: "The Indian explanation of fate is Karma. We ourselves are our own fate through our actions, but the fate created by us binds us; for what we have sown, we must reap in this life or another. Still we are creating our fate for the future even while undergoing old fate from the past in the present. That gives a meaning to our will and action and does not, as European critics wrongly believe, constitute a rigid and sterilising fatalism. But again, our will and action can often annul or modify even the past Karma, it is only certain strong effects, called utkata karma, that are non-modifiable. Here too the achievement of the spiritual consciousness and life is supposed to annul or give the power to annul Karma. For we enter into union with the Will Divine, cosmic or transcendent, which can annul what it had sanctioned for certain conditions, new-create what it had created, the narrow fixed lines disappear, there is a more plastic freedom and wideness. Neither Karma nor Astrology therefore points to a rigid and for ever immutable fate.” Letters on Yoga
Sri Aurobindo: "The motion of the world works under the government of a perpetual stability. Change represents the constant shifting of apparent relations in an eternal Immutability.” The Upanishads
*Sri Aurobindo: "There are some who often or almost invariably have the contact whenever they worship, the Deity may become living to them in the picture or other image they worship, may move and act through it; others may feel him always present, outwardly, subtle-physically, abiding with them where they live or in the very room, but sometimes this is only for a period. Or they may feel the Presence with them, see it frequently in a body (but not materially except sometimes), feel its touch or embrace, converse with it constantly — that is also a kind of milana. The greatest milana is one in which one is constantly aware of the Deity abiding in oneself, in everything in the world, holding all the world in him, identical with existence and yet supremely beyond the world — but in the world too one sees, hears, feels nothing but him, so that the very senses bear witness to him alone — . . . .” Letters on Yoga
Sri Aurobindo: "There is no difference between the terms ‘universal" and ‘cosmic" except that ‘universal" can be used in a freer way than ‘cosmic". Universal may mean ‘of the universe", cosmic in that general sense. But it may also mean ‘common to all", e.g., ‘This is a universal weakness" — but you cannot say ‘This is a cosmic weakness".” Letters on Yoga
Sri Aurobindo: "There is no ignorance that is not part of the Cosmic Ignorance, only in the individual it becomes a limited formation and movement, while the Cosmic Ignorance is the whole movement of world consciousness separated from the supreme Truth and acting in an inferior motion in which the Truth is perverted, diminished, mixed and clouded with falsehood and error.” Letters on Yoga
Sri Aurobindo: "There is no necessity in the essential nature of mind, sense, life that they should be so limited: for the physical sense-organs are not the creators of sense-perceptions, but themselves the creation, the instruments and here a necessary convenience of the cosmic sense; the nervous system and vital organs are not the creators of life"s action and reaction, but themselves the creation, the instruments and here a necessary convenience of the cosmic Life-force; the brain is not the creator of thought, but itself the creation, the instrument and here a necessary convenience of the cosmic Mind. The necessity then is not absolute, but teleological; it is the result of a divine cosmic Will in the material universe which intends to posit here a physical relation between sense and its object, establishes here a material formula and law of Conscious-Force and creates by it physical images of Conscious-Being to serve as the initial, dominating and determining fact of the world in which we live. It is not a fundamental law of being, but a constructive principle necessitated by the intention of the Spirit to evolve in a world of Matter.” The Life Divine
*Sri Aurobindo: "The superconscient, not the subconscient, is the true foundation of things. The significance of the lotus is not to be found by analysing the secrets of the mud from which it grows here; its secret is to be found in the heavenly archetype of the lotus that blooms for ever in the Light above.” Letters on Yoga*
*Sri Aurobindo: "The timeless Spirit is not necessarily a blank; it may hold all in itself, but in essence, without reference to time or form or relation or circumstance, perhaps in an eternal unity. Eternity is the common term between Time and the Timeless Spirit. What is in the Timeless unmanifested, implied, essential, appears in Time in movement, or at least in design and relation, in result and circumstance. These two then are the same Eternity or the same Eternal in a double status; they are a twofold status of being and consciousness, one an eternity of immobile status, the other an eternity of motion in status.” The Life Divine ::: "The spiritual fullness of the being is eternity; . . . ” The Life Divine
Sri Aurobindo: "The true soul secret in us, — subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil, — this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine.” *The Life Divine
Sri Aurobindo: "The Truth-being is the Hara-Gauri (the biune body of the Lord and his Spouse, Ishwara and Shakti, the right half male, the left half female) of the Indian iconological symbol; it is the double Power masculine-feminine born from and supported by the supreme Shakti of the Supreme.” The Synthesis of Yoga
*Sri Aurobindo: "The typal worlds do not change. In his own world a god is always a god, the Asura always an Asura, the demon always a demon. To change they must either migrate into an evolutionary body or else die entirely to themselves that they may be new born into other Nature.” Essays Divine and Human*
Sri Aurobindo: "The word ‘descend" has various meanings according to the context — I used it here in the sense of the psychic being coming down into the human consciousness and body ready for it.” Letters on Yoga
Sri Aurobindo: "The word ‘ghost" as used in popular parlance covers an enormous number of distinct phenomena which have no necessary connection with each other. To name a few only: ::: An actual contact with the soul of a human being in its subtle body and transcribed to our mind by the appearance of an image or the hearing of a voice.
Sri Aurobindo: "This descent is felt as a pouring in of calm and peace, of force and power, of light, of joy and ecstasy, of wideness and freedom and knowledge, of a Divine Being or a Presence — sometimes one of these, sometimes several of them or all together.” Letters on Yoga
Sri Aurobindo: "This truth of Karma has been always recognised in the East in one form or else in another; but to the Buddhists belongs the credit of having given to it the clearest and fullest universal enunciation and the most insistent importance. In the West too the idea has constantly recurred, but in external, in fragmentary glimpses, as the recognition of a pragmatic truth of experience, and mostly as an ordered ethical law or fatality set over against the self-will and strength of man: but it was clouded over by other ideas inconsistent with any reign of law, vague ideas of some superior caprice or of some divine jealousy, — that was a notion of the Greeks, — a blind Fate or inscrutable Necessity, Ananke, or, later, the mysterious ways of an arbitrary, though no doubt an all-wise Providence.” Essays in Philosophy and Yoga *Ananke"s.
Sri Aurobindo: "To act according to a standard of Truth or a rule or law of action (dharma) or in obedience to a superior authority or to the highest principles discovered by the reason and intelligent will and not according to one"s own fancy, vital impulses and desires. In yoga obedience to the Guru or to the Divine and the law of the Truth as declared by the Guru is the foundation of discipline.” *Letters on Yoga
Sri Aurobindo: "Very usually, altruism is only the sublimest form of selfishness.” *Essays Divine and Human
Sri Aurobindo: "We have distinguished a fourfold principle of divine Being creative of the universe, — Existence, Conscious-Force, Bliss and Supermind.” *The Life Divine
*Sri Aurobindo: ". . . we live in a false relation with our environment, because we know neither the universe nor ourselves for what they really are . . .” The Synthesis of Yoga*
Sri Aurobindo: "We mean by the Absolute something greater than ourselves, greater than the cosmos which we live in, the supreme reality of that transcendent Being which we call God, something without which all that we see or are conscious of as existing, could not have been, could not for a moment remain in existence. Indian thought calls it Brahman, European thought the Absolute because it is a self-existent which is absolved of all bondage to relativities . . . The Absolute is for us the Ineffable.” *The Life Divine
Sri Aurobindo: "What is God after all? An eternal child playing an eternal game in an eternal garden.” Essays in Philosophy and Yoga
Sri Aurobindo: "What the "void" feels as a clutch is felt by the Mother only as a reminding finger laid on her cheek. It is one advantage of the expression ‘as if" that it leaves the field open for such variation. It is intended to suggest without saying it that behind the sombre void is the face of a mother. The two other ‘as if"s have the same motive and I do not find them jarring upon me. The second is at a sufficient distance from the first and it is not obtrusive enough to prejudice the third which more nearly follows. . . .” Letters on Savitri
Sri Aurobindo: "When all is in agreement with the one Truth or an expression of it that is harmony.” Letters on Yoga
*Sri Aurobindo: "When there is some lowering or diminution of the consciousness or some impairing of it at one place or another, the Adversary — or the Censor — who is always on the watch presses with all his might wherever there is a weak point lying covered from your own view, and suddenly a wrong movement leaps up with unexpected force. Become conscious and cast out the possibility of its renewal, that is all that is to be done.” Letters on Yoga
Sri Aurobindo: ". . . wrong will and falsehood of the steps, . . . separative egoism inflicting by its ignorance and separate contrary will harm on oneself or harm on others, self-driven to a wrong dealing with one"s own soul, mind, life or body or a wrong dealing with the soul, mind, life, body of others, . . . is the practical sense of all human evil.” *The Life Divine
Sri Aurobindo: "Yes: the purpose is to create a large luminous trailing repetitive movement like the flight of the Bird with its dragon tail of white fire.” *Letters on Savitri
Sri Aurobindo: "Yet all the time the universal forces are pouring into him without his knowing it. He is aware only of thoughts, feelings, etc., that rise to the surface and these he takes for his own. Really they come from outside in mind waves, vital waves, waves of feeling and sensation, etc., which take particular form in him and rise to the surface after they have got inside. But they do not get into his body at once. He carries about with him an environmental consciousness (called by the Theosophists the Aura) into which they first enter. If you can become conscious of this environmental self of yours, then you can catch the thought, passion, suggestion or force of illness and prevent it from entering into you. If things in you are thrown out, they often do not go altogether but take refuge in this environmental atmosphere and from there they try to get in again. Or they go to a distance outside but linger on the outskirts or even perhaps far off, waiting till they get an opportunity to attempt entrance.” *Letters on Yoga
Sri Aurobindo: "Your ‘barely enough", instead of the finer and more suggestive ‘hardly", falls flat upon my ear; one cannot substitute one word for another in this kind of poetry merely because it means intellectually the same thing; ‘hardly" is the mot juste in this context and, repetition or not, it must remain unless a word not only juste but inevitable comes to replace it… . On this point I may add that in certain contexts ‘barely" would be the right word, as for instance, ‘There is barely enough food left for two or three meals", where ‘hardly" would be adequate but much less forceful. It is the other way about in this line. Letters on Savitri
"The Absolute is in itself indefinable by reason, ineffable to the speech; it has to be approached through experience.” The Life Divine*
"The individual ego is a pragmatic and effective fiction, a translation of the secret self into the terms of surface consciousness, or a subjective substitute for the true self in our surface experience. . . .”The Life Divine
"The call, once decisive, stands; the thing that has been born cannot eventually be stifled. Even if the force of circumstances prevents a regular pursuit or a full practical self-consecration from the first, still the mind has taken its bent and persists and returns with an ever-increasing effect upon its leading preoccupation. There is an ineluctable persistence of the inner being, and against it circumstances are in the end powerless, and no weakness in the nature can for long be an obstacle.” The Synthesis of Yoga
"The cosmic consciousness is that in which the limits of ego, personal mind and body disappear and one becomes aware of a cosmic vastness which is or filled by a cosmic spirit and aware also of the direct play of cosmic forces, universal mind forces, universal life forces, universal energies of Matter, universal overmind forces. But one does not become aware of all these together; the opening of the cosmic consciousness is usually progressive. It is not that the ego, the body, the personal mind disappear, but one feels them as only a small part of oneself. One begins to feel others too as part of oneself or varied repetitions of oneself, the same self modified by Nature in other bodies. Or, at the least, as living in the larger universal self which is henceforth one"s own greater reality. All things in fact begin to change their nature and appearance; one"s whole experience of the world is radically different from that of those who are shut up in their personal selves. One begins to know things by a different kind of experience, more direct, not depending on the external mind and the senses. It is not that the possibility of error disappears, for that cannot be so long as mind of any kind is one"s instrument for transcribing knowledge, but there is a new, vast and deep way of experiencing, seeing, knowing, contacting things; and the confines of knowledge can be rolled back to an almost unmeasurable degree. The thing one has to be on guard against in the cosmic consciousness is the play of a magnified ego, the vaster attacks of the hostile forces — for they too are part of the cosmic consciousness — and the attempt of the cosmic Illusion (Ignorance, Avidya) to prevent the growth of the soul into the cosmic Truth. These are things that one has to learn from experience; mental teaching or explanation is quite insufficient. To enter safely into the cosmic consciousness and to pass safely through it, it is necessary to have a strong central unegoistic sincerity and to have the psychic being, with its divination of truth and unfaltering orientation towards the Divine, already in front in ::: —the nature.” Letters on Yoga*
". . . the cosmic Force, masked as a material Energy, hides from our view by its insistent materiality of process the occult fact that the working of the Inconscient is really the expression of a vast universal Life, a veiled universal Mind, a hooded Gnosis, and without these origins of itself it could have no power of action, no organising coherence.” The Life Divine
"The cosmic Truth is the truth of things as they are at present expressed in the universe. The Divine Truth is independent of the universe, above it and originates it.” Letters on Yoga
"The Cosmic Will is not, to our ordinary consciousness, something that acts as an independent power doing whatever it chooses; it works through all these beings, through the forces at play in the world and the law of these forces and their results — it is only when we open ourselves and get out of the ordinary consciousness that we can feel it intervening as an independent power and overriding the ordinary play of the forces." Letters on Yoga
the cosmological theory holding that the universe is expanding, based on the interpretation of the color shift in the spectra of all the galaxies as being the result of the Doppler effect and indicating that all galaxies are moving away from one another.
"The Divine Grace is something not calculable, not bound by anything the intellect can fix as a condition, — though ordinarily some call, aspiration, intensity of the psychic being can awaken it, yet it acts sometimes without any apparent cause even of that kind.” Letters on Yoga*
"The divinisation of the nature of which we speak is a metamorphosis, not a mere growth into some kind of super-humanity, but a change from the falsehood of our ignorant nature into the truth of God-nature.” The Hour of God
"The earth is a conscious being and the world is only the form it takes to manifest.” Sri Aurobindo to Dilip - Volume 1*
"The elementary state of material Force is, in the view of the old Indian physicists, a condition of pure material extension in Space of which the peculiar property is vibration typified to us by the phenomenon of sound. But vibration in this state of ether is not sufficient to create forms. There must first be some obstruction in the flow of the Force ocean, some contraction and expansion, some interplay of vibrations, some impinging of force upon force so as to create a beginning of fixed relations and mutual effects. Material Force modifying its first ethereal status assumes a second, called in the old language the aerial, of which the special property is contact between force and force, contact that is the basis of all material relations. Still we have not as yet real forms but only varying forces. A sustaining principle is needed. This is provided by a third self-modification of the primitive Force of which the principle of light, electricity, fire and heat is for us the characteristic manifestation. Even then, we can have forms of force preserving their own character and peculiar action, but not stable forms of Matter. A fourth state characterised by diffusion and a first medium of permanent attractions and repulsions, termed picturesquely water or the liquid state, and a fifth of cohesion, termed earth or the solid state, complete the necessary elements.” The Life Divine*
"The evil forces are perversions of the Truth by the Ignorance — in any complete transformation they must disappear and the Truth behind them be delivered.” Letters on Yoga
"The force at work in us must be the manifest divine Shakti, the supreme or the universal Force unveiled in the liberated individual being, . . . .” The Synthesis of Yoga
::: "The Gods, as has already been said, are in origin and essence permanent Emanations of the Divine put forth from the Supreme by the Transcendent Mother, the Adya Shakti; in their cosmic action they are Powers and Personalities of the Divine each with his independent cosmic standing, function and work in the universe. They are not impersonal entities but cosmic Personalities, although they can and do ordinarily veil themselves behind the movement of impersonal forces.” Letters on Yoga
"The Gods, who in their highest secret entity are powers of this Supermind, born of it, seated in it as in their proper home, are in their knowledge truth-conscious'' and in their action possessed of theseer-will"".” The Life Divine
"The heart is the centre of the being and commands the rest, as the psychic being or caitya purusa is there. It is only in that sense that all flows from it, for it is the psychic being who each time creates a new mind, vital and body for himself.” *Letters on Yoga
". . . the heart of man is nearer to the Truth than his intelligence.” *The Renaissance in India
"The Infinite creates and is Brahma.” The Renaissance in India ::: "Brahman is not only the cause and supporting power and indwelling principle of the universe, he is also its material and its sole material. Matter also is Brahman and it is nothing other than or different from Brahman.” The Life Divine*
"The ‘I" or the little ego is constituted by Nature and is at once a mental, vital and physical formation meant to aid in centralising and individualising the outer consciousness and action. When the true being is discovered, the utility of the ego is over and this formation has to disappear — the true being is felt in its place.” Letters on Yoga
The Mother: "And this Vibration (which I feel and see) gives the feeling of a fire. That"s probably what the Vedic Rishis translated as the "Flame” – in the human consciousness, in man, in Matter. They always spoke of a "Flame.” It is indeed a vibration with the intensity of a higher fire. Mother"s Agenda 25 March 1964.
The Mother: "An ‘entity" is a personality or an individuality.” Words of the Mother, MCW Vol. 15.**
The Mother (to a young person): "It is very simple, as you will see. 1) The Infinite is the inexhaustible storehouse of forces. The individual is a battery, a storage cell which runs down after use. Consecration is the wire that connects the individual battery to the infinite reserve of forces. Or 2) The Infinite is the river that flows without cease; the individual is the little pond that dries up slowly in the sun. Consecration is the canal that connects the river to the pond and prevents the pond from drying up.” Some Answers from the Mother, MCW *Vol. 16.
"There is no such thing as death, for it is the body that dies and the body is not the man. That which really is, cannot go out of existence, though it may change the forms through which it appears, just as that which is non-existent cannot come into being. The soul is and cannot cease to be. This opposition of is and is not, this balance of being and becoming which is the mind"s view of existence, finds its end in the realisation of the soul as the one imperishable self by whom all this universe has been extended. Finite bodies have an end, but that which possesses and uses the body, is infinite, illimitable, eternal, indestructible. It casts away old and takes up new bodies as a man changes worn-out raiment for new; and what is there in this to grieve at and recoil and shrink? This is not born, nor does it die, nor is it a thing that comes into being once and passing away will never come into being again. It is unborn, ancient, sempiternal; it is not slain with the slaying of the body. Who can slay the immortal spirit? Weapons cannot cleave it, nor the fire burn, nor do the waters drench it, nor the wind dry. Eternally stable, immobile, all-pervading, it is for ever and for ever. Not manifested like the body, but greater than all manifestation, not to be analysed by the thought, but greater than all mind, not capable of change and modification like the life and its organs and their objects, but beyond the changes of mind and life and body, it is yet the Reality which all these strive to figure.” Essays on the Gita
"The surface mental individuality is, in consequence, always ego-centric; even its altruism is an enlargement of its ego: . . . . ” The Life Divine*
::: "The third step is to know the Divine Being who is at once our supreme transcendent Self, the Cosmic Being, foundation of our universality, and the Divinity within of which our psychic being, the true evolving individual in our nature, is a portion, a spark, a flame growing into the eternal Fire from which it was lit and of which it is the witness ever living within us and the conscious instrument of its light and power and joy and beauty.” *The Life Divine
"The vital is the. . . being behind the Force of Life; in its outer form in the Ignorance it generates the desire-soul which governs most men and which they mistake often for the real soul. ::: The vital as the desire-soul and desire-nature controls the consciousness to a large extent in most men, because men are governed by desire.” Letters on Yoga
"This Godhead is one in all things that are, the self who lives in all and the self in whom all live and move; therefore man has to discover his spiritual unity with all creatures, to see all in the self and the self in all beings, even to see all things and creatures as himself, âtmaupamyena sarvatra, and accordingly think, feel and act in all his mind, will and living. This Godhead is the origin of all that is here or elsewhere and by his Nature he has become all these innumerable existences, abhût sarvâni bhûtâni; therefore man has to see and adore the One in all things animate and inanimate, to worship the manifestation in sun and star and flower, in man and every living creature, in the forms and forces, qualities and powers of Nature, vâsudevah sarvam iti.” Essays on the Gita ::: *godhead, godheads, godhead"s.
"This Self is fourfold, — the Self of Waking who has the outer intelligence and enjoys external things, is its first part; the Self of Dream who has the inner intelligence and enjoys things subtle, is its second part; the Self of Sleep, unified, a massed intelligence, blissful and enjoying bliss, is the third part… the lord of all, the omniscient, the inner Control. That which is unseen, indefinable, self-evident in its one selfhood, is the fourth part: this is the Self, this is that which has to be known.” Mandukya Upanishad. (5) The Life Divine*
"This universal aesthesis of beauty and delight does not ignore or fail to understand the differences and oppositions, the gradations, the harmony and disharmony obvious to the ordinary consciousness; but, first of all, it draws a Rasa from them and with that comes the enjoyment, Bhoga. and the touch or the mass of the Ananda. It sees that all things have their meaning, their value, their deeper or total significance which the mind does not see, for the mind is only concerned with a surface vision, surface contacts and its own surface reactions. When something expresses perfectly what it was meant to express, the completeness brings with it a sense of harmony, a sense of artistic perfection; it gives even to what is discordant a place in a system of cosmic concordances and the discords become part of a vast harmony, and wherever there is harmony, there is a sense of beauty. ” Letters on Savitri*
Throat centre — externalising mind.
::: "To be free from all preference and receive joyfully whatever comes from the Divine Will is not possible at first for any human being. What one should have at first is the constant idea that what the Divine wills is always for the best even when the mind does not see how it is so, . . . .” Letters on Yoga*
"To find highest beauty is to find God; to reveal, to embody, to create, as we say, highest beauty is to bring out of our souls the living image and power of God.” The Human Cycle
"To live and act under control or according to a standard of what is right — not to allow the vital or the physical to do whatever they like and not to let the mind run about according to its fancy without truth or order. Also to obey those who ought to be obeyed.” Letters on Yoga
"To me, for instance, consciousness is the very stuff of existence and I can feel it everywhere enveloping and penetrating the stone as much as man or the animal. A movement, a flow of consciousness is not to me an image but a fact. If I wrote "His anger climbed against me in a stream", it would be to the general reader a mere image, not something that was felt by me in a sensible experience; yet I would only be describing in exact terms what actually happened once, a stream of anger, a sensible and violent current of it rising up from downstairs and rushing upon me as I sat in the veranda of the Guest-House, the truth of it being confirmed afterwards by the confession of the person who had the movement. This is only one instance, but all that is spiritual or psychological in Savitri is of that character. What is to be done under these circumstances? The mystical poet can only describe what he has felt, seen in himself or others or in the world just as he has felt or seen it or experienced through exact vision, close contact or identity and leave it to the general reader to understand or not understand or misunderstand according to his capacity. A new kind of poetry demands a new mentality in the recipient as well as in the writer.” Letters on Savitri
"Usha is the divine illumination and Dakshina is the discerning knowledge that comes with the dawn and enables the Power in the mind, Indra, to know aright and separate the light from the darkness, the truth from the falsehood, the straight from the crooked, vrinîta vijânan.” The Secret of the Veda*
"Vamana, the Dwarf, in Hindu mythology, one of the ten incarnations of Vishnu, born as a son of Kashyapa and Aditi. The titan King Bali had by his austerities acquired dominion of all the three worlds. To remedy this, Vishnu came to him in the form of a dwarf and begged of him as much land as he could step over in three paces. Bali complied. In two strides the dwarf covered heaven and earth, and with the third step, on Bali"s head, pushed him down to Patala, the infernal regions.” Glossary and Index of Proper Names in Sri Aurobindo"s Works
"We. . . become conscious, in our physical movements, in our nervous and vital reactions, in our mental workings, of a Force greater than body, mind and life which takes hold of our limited instruments and drives all their motion. There is no longer the sense of ourselves moving, thinking or feeling but of that moving, feeling and thinking in us. This force that we feel is the universal Force of the Divine, which, veiled or unveiled, acting directly or permitting the use of its powers by beings in the cosmos, is the one Energy that alone exists and alone makes universal or individual action possible. For this force is the Divine itself in the body of its power; all is that, power of act, power of thought and knowledge, power of mastery and enjoyment, power of love.” The Synthesis of Yoga
"We speak of the evolution of Life in Matter, the evolution of Mind in Matter; but evolution is a word which merely states the phenomenon without explaining it. For there seems to be no reason why Life should evolve out of material elements or Mind out of living form, unless we accept the Vedantic solution that Life is already involved in Matter and Mind in Life because in essence Matter is a form of veiled Life, Life a form of veiled Consciousness.” The Life Divine
". . . what is this strongly separative self-experience that we call ego? It is nothing fundamentally real in itself but only a practical constitution of our consciousness devised to centralise the activities of Nature in us. We perceive a formation of mental, physical, vital experience which distinguishes itself from the rest of being, and that is what we think of as ourselves in nature — this individualisation of being in becoming. We then proceed to conceive of ourselves as something which has thus individualised itself and only exists so long as it is individualised, — a temporary or at least a temporal becoming; or else we conceive of ourselves as someone who supports or causes the individualisation, an immortal being perhaps but limited by its individuality. This perception and this conception constitute our ego-sense.” The Life Divine
"When the Peace is established, this higher or Divine Force from above can descend and work in us. It descends usually first into the head and liberates the inner mind centres, then into the heart centre and liberates fully the psychic and emotional being, then into the navel and other vital centres and liberates the inner vital, then into the Muladhara and below and liberates the inner physical being. It works at the same time for perfection as well as liberation; it takes up the whole nature part by part and deals with it, rejecting what has to be rejected, sublimating what has to be sublimated, creating what has to be created. It integrates, harmonises, establishes a new rhythm in the nature. It can bring down too a higher and yet higher force and range of the higher nature until, if that be the aim of the sadhana, it becomes possible to bring down the supramental force and existence. All this is prepared, assisted, farthered by the work of the psychic being in the heart centre; the more it is open, in front, active, the quicker, safer, easier the working of the Force can be. The more love and bhakti and surrender grow in the heart, the more rapid and perfect becomes the evolution of the sadhana. For the descent and transformation imply at the same time an increasing contact and union with the Divine.” Letters on Yoga
"When the Peace is established, this higher or Divine Force from above can descend and work in us. It descends usually first into the head and liberates the inner mind centres, then into the heart centre and liberates fully the psychic and emotional being, then into the navel and other vital centres and liberates the inner vital, then into the Muladhara and below and liberates the inner physical being. It works at the same time for perfection as well as liberation; it takes up the whole nature part by part and deals with it, rejecting what has to be rejected, sublimating what has to be sublimated, creating what has to be created.” Letters on Yoga
::: "Wherever thou seest a great end, be sure of a great beginning. Where a monstrous and painful destruction appals thy mind, console it with the certainty of a large and great creation. God is there not only in the still small voice, but in the fire and in the whirlwind.” Essays in Philosophy and Yoga
KEYS (10k)
NEW FULL DB (2.4M)
4 Melinda Leigh
3 Anonymous
2 Unknown
2 Sri Aurobindo
2 Sophocles
2 Linda Fairstein
2 Charles Dickens
2 Aesop
*** NEWFULLDB 2.4M ***
1:Min Sjæl Var Viklet Ind I Smertens Traade
~ Christian Winther,#NFDB
2:When the power of love overcomes the love of power, they will ind peace. ~ Jimi Hendrix, #NFDB
3:....ceasul meu biologic este digital, pentru ca nu l-am auzit niciodată ticăind. ~ Lucy Dillon, #NFDB
4:Vaaren [hvilket Oplivende Haab Trænger Ind I Det
Bankende Hierte? ]
~ Adam Oehlenschläger,#NFDB
5:At digte sig ind i en pige er en kunst, at digte sig ud af hende er et mesterstykke. ~ S ren Kierkegaard, #NFDB
6:Trăind în cercul vostru strâmt,
Norocul vă petrece,
Iar eu în lumea mă simt
Nemuritor și rece. ~ Mihai Eminescu,#NFDB
7:In my ind, there exists a clear divide between before I met him and after and I don't know how to go back to the before. ~ Jessica Pan, #NFDB
8:Era povestea unui om care înghiţind în somn un şoarece şi consultând un medic veterinar, acesta îl sfătui să înghită o pisică... ~ Anonymous, #NFDB
9:Meget af det vi har forsogt at hente ind i styringsmetoder fra privat sektor har ikke virket efter hensigten i den offentlige sektor, ~ Anonymous, #NFDB
10:For nothing contributes so much to tranquilize the ind as a steady purpose -- a point on which the soul may fix its intellectual eye. ~ Jaycee Dugard, #NFDB
11:...da var det skjænk og bakervarer for hver som kom ind i hans krambod, og somme hadde riktignok ingen skam, men kom to ganger og fik skjænk. ~ Knut Hamsun, #NFDB
12:Ireland starts for me with the end of The Dead, which my father read to me from his desk in his basement office in New Albany, Ind. ~ John Jeremiah Sullivan, #NFDB
13:- ... e o fată delicioasă: n-am mai văzut o a doua ființă atât de deșteaptă și de draguță. Ești tare îndrăgostit de ea?
Newland Archer râse roșind:
- Cât poate fi un bărbat. ~ Edith Wharton,#NFDB
14:Hermione era ultima persoană care ar fi făcut ceva împotriva regulilor şi iat-o acum, minţind ca să-i scoată pe ei din bucluc. Era ca şi cum Plesneală ar fi început să le dea bomboane ~ Anonymous, #NFDB
15:Pe marginea acoperişului vecin se sfădea un stol de vrăbii gureşe. Sima, asurzit pesemne de atâta gălăgie, apucă un pietroi şi-l aruncă într-acolo, grăind paşnic: — Pace vouă, fetelor. ~ Anonymous, #NFDB
16:Nu cu sfială şi cu răbdare ne vom înstăpîni în ce-a scăpat strămoşului fatal. Cuget de foc ne trebuie - şi ascuţind arme şi nebunii, heruvimii ostili se vor topi de para sufletului nostru. ~ Emil M Cioran, #NFDB
17:Meditation. That's the key. Supposedly. Calming your mind ind total silence. Understanding your connection to the natural world and all that. You do that, and you can hear it. All the talking. ~ Colin Meloy, #NFDB
18:-Mie ar trebui să îmi fie rușine, îl informă el pe un porumbel cocoțat pe marginea ferestrei. Stau aici, făcând ceea ce critic, cu gândurile Dumnezeu știe unde, trăind prea mult în imaginație. ~ Salman Rushdie, #NFDB
19:Cîteodatã, cînd nu pot s-adorm, mã gîndesc: «Doamne, tu ne-ai dat pãduri nesfîrsite, cîmpii cît vezi cu ochii, zãri fãrã de margini, si trãind în ele, ar fi trebuit sã fim si noi niste uriasi...» ~ Anton Chekhov, #NFDB
20:Men da tokayeren stod næsten urort i glassene fik fru Julie champagne og frukt ind, druer, epler, fikener. Nei du store verden! Tænkte vel alle, og verten kunde endelig merke en snev av himelfaldenhet. ~ Knut Hamsun, #NFDB
21:And when we wr i t e he r life hi s tory, we f ind tha t we know nothing about the f i r s t s even ye a r s of he r life, but the de eds of he r l a t e r chi ldhood a r e to be s e en in the old rocks .( ~ Anonymous, #NFDB
22:Om vinteren lå almænningen er stille og hvit og fuld av sne under nordlyset, om sommeren luktet det av hægg og barskog så det var en stor vederkvægelse. Det var som ta ind et måltid av stærke sjofuglægg. ~ Knut Hamsun, #NFDB
23:Historier har aldrig nogen slutning, Meggie” havde han engang sagt til hende, ”selvom bogerne gerne vil bilde os det ind. Historierne går altid videre, de slutte lige så lidt på den sidste side, som de begynder på den forste. ~ Cornelia Funke, #NFDB
24:Dromme tåler ikke å bli virkeliggjort, sier dikterne, for da dor de.
Her gikk den lys levende og i all sin hoireiste glans like lukt ind i sin jordiske inkarnation - i et fjorten hundrede meters eventyrslott av solvgrå granitt. ~ Peter Wessel Zapffe,#NFDB
25:Celălalt este alcătuit din întrebări pe care nu îndrăznești să i le pui...
Iată una dintre întrebările de nerostit: ce crezi despre mine? Și totuși, ne petrecem timpul presupunând cum ne văd ceilalți, imaginându-ne pe noi înșine trăind în mintea lor. ~ Andre Makine,#NFDB
26:Gud gjor sin yterste flid også med landstrykerne og later dem leve. Gud har fåt som en nys om at de intet er, at endog deres odelæggelse er det rene skrôt uten storhet, det er bare simpel elendighet, simpel undergang, men han later dem ånde ind og ånde ut som veiret er til det. ~ Knut Hamsun, #NFDB
27:Maybe thinking any one person can show up and give you all you need is as much of a delusion as thinking you can ind truth in a bottle. Maybe you can just find what you need in little pieces, in people who show up for one crucial moment - or a whole chain of them - even if they cant solve it all. ~ Huntley Fitzpatrick, #NFDB
28:FRANKLIN, Ind. — A Johnson County Jail inmate has died, four days after he was found unconscious after swallowing toilet paper. The 42-year-old Greenwood, Ind., man died Saturday of asphyxiation because of a foreign object, according to an autopsy. His death was ruled a suicide, county Coroner Craig Lutz said. ~ Anonymous, #NFDB
29:O foame creşte din frumuseţea mea: celor de mine luminaţi să le fac rău, pe cei de mine dăruiţi să-i fur: — în felu-acesta sunt flămând de răutate. Trăgându-mi mâna îndărăt, când voi pe-a voastră mi-aţi întins-o; şi şovăind ca o cascadă, ce şovăie chiar în cădere: — în felu-acesta sunt flămând de răutate. ~ Friedrich Nietzsche, #NFDB
30:Får den ikke munken til å luse indover stængte haver og lægge oiet ind til de sovendes vinduer om natten? Og besætter den ikke nonnen med dårskap og formorker prinsessens forstand? Den slår kongens hode i veien så hans hår feier alt veiens stov, og derunder hvisker han ublu ord for sig selv og ler og stikker tungen ut. ~ Knut Hamsun, #NFDB
31:Vi blev vel som to gale tilslut, så deilig var han. Jeg stod og bakte småkaker en dag, så kom han utenfor vinduet og så ind. Jeg hadde rort ved den blote deig så længe og rullet den lang og skåret den i stykker med kniv; nu sa jeg til ham og viste ham kniven: Var det ikke bedst om vi begge dode? Jo, svarte han, kom med mig til hytten så skal vi gjore det! ~ Knut Hamsun, #NFDB
32:Ackroyd was sitting as I had left him in the armchair before the fire. His head had fallen sideways, and clearly visible, just below the collar of his coat, was a shining piece of twisted metalwork. Parker and I advanced till we stood over the recumbent figure. I heard the butler draw in his breath with a sharp hiss. “Stabbed from be’ind,” he murmured. “‘Orrible! ~ Agatha Christie, #NFDB
33:There seemed to Joe to be some kind of connection between what he was doing here among a pile of freshly split shakes, whta Pocock was doing in his shop, and what he was trying to do himself in the racing shells Pocock built - something about the deliberate application of strength, the careful coordination of ind and muscle, the sudden unfolding of mystery and beauty. ~ Daniel James Brown, #NFDB
34:Nu am nici un crez poetic. Scriu precum vorbesc cu cineva, pentru că-mi place această îndeletnicire. Trăind izolat, neputând comunica prea mult cu oamenii, stau de vorbă adesea cu mine însumi, fac muzică și, când găsesc ceva interesant, iau note pentru a mi le reciti mai târziu. Nu-i vina mea dacă aceste simple notițe sunt în formă de versuri și câteodată par vaiete. Nu sunt decât pentru mine. ~ George Bacovia, #NFDB
35:Până și lectura are o funcție mitologică (...) pentru că îi permite omului modern o „ieșire din timp”, asemănătoare cu cea înlesnită de mituri. Fie că-și „omoară” timpul cu un roman polițist ori pătrunde în universul temporar străin pe care-l reprezintă orice roman, omul modern este proiectat, prin lectură, în afara duratei sale personale și integrat altor ritmuri, trăind într-o altă „istorie”. ~ Mircea Eliade, #NFDB
36:Până și lectura are o funcție mitologică, nu numai pentru că înlocuiește rostirea miturilor în societățile arhaice și literatura orală, care se mai păstrează în comunitățile rurale din Europa, ci mai ales pentru că îi permite omului midern o „ieșire din timp”, asemănătoare cu cea înlesnită de mituri (...) omul modern este proiectat, prin lectură, în afara duratei sale personale și integrat altor ritmuri, trăind într-o altă „istorie”. ~ Mircea Eliade, #NFDB
37:conţinutul sentimentului religios, în esenţa lui, scapă oricăror consideraţii şi raţionamente şi nu poate fi ştirbit de nici o abatere, de nici o crimă, de nici un fel de ateism; este aici ceva care rămîne şi care va rămîne mereu în afara tuturor acestor elemente, ceva pe lîngă care se vor învîrti mereu, bîjbîind şi lunecînd, tot felul de atei, vorbind mereu despre cu totul altceva, întrucît mereu le va scăpa miezul însuşi, ca ceva ce depăşeşte înţelegerea lor. ~ Anonymous, #NFDB
38:- Nu-ți asumi responsabilitatea, zise Jason, calculându-și atent și cu grijp cuvintele, foarte sigur că de data asta era ceea ce trebuia spus.
- Pentru cine? Nu pentru viața ta, dacă asta voiai să spui. Asta te privește. Nu-mi pune mie în cârcă ce vrei tu!
- Responsabilitatea, o lămuri el, pentru consecințele actelor tale. Din punct de vedere moral și etic, plutești ca o epavă. Ieșind la iveală ici, colo, apoi scufundându-te iarăși. Ca și cum nu s-ar fi întâmplat nimic. Lăsând pe seama oricui altcuiva să culeagă castanele din foc... ~ Philip K Dick,#NFDB
39:...fjældene slutter sig tættere og tættere omkring os, det synes som om alt håp er ute, bare litt himmel er synlig ret over vore hodet. Det virker beklemmende på os, vi overvældes og tier. Pludselig ved en skarp dreining av veien åpner sig et svært gap tilhoire og vi ser aldeles nær os istinden Kasbek med sine bræer som hvitgnistrer i solen. Den står os kloss ind på livet, stille og hoi, stum. Det rykker en sælsom folelse gjennom os, berget står der opsvoren av de andre berge, det er som et væsen fra en anden verden som står der og ser på os. ~ Knut Hamsun, #NFDB
40:An Old Road
A host of poppies, a flight of swallows;
A flurry of rain, and a wind that follows
Shepherds the leaves in the sheltered hollows
For the forest is shaken and thinned.
Over my head are the firs for rafter;
The crows blow south, and my heart goes after;
I kiss my hands to the world with laughter—
Is it Aidenn or mystical Ind?
Oh, the whirl of the fields in the windy weather!
How the barley breaks and blows together!
Oh, glad is the free bird afloat on the heather—
Oh, the whole world is glad of the wind!
~ Edwin Markham,#NFDB
41:Dulapul a fost făcut exact acum o sută de ani. Ce spui? Am putea să-i serbăm jubileul! Fără îndoială, e un lucru neînsufletit, totusi, oricum ar fi, e un dulap de cărti. (…) (Pipãind dulapul.) Dulap scump si stimat! Salut existenta ta, care de o sutã de ani e destinatã idealului luminos al binelui si dreptãtii! Chemarea ta tãcutã pentru o muncã rodnicã n-a slãbit de-alungul unui veac întreg, susþinînd (printre lacrimi) în familia noastrã, din tatã în fiu, curajul si credina generatiilor într-un viitor mai bun, crescîndu-ne în spiritul idealurilor de bine si ale constiinþei sociale... ~ Anton Chekhov, #NFDB
42:Statement of Being. There is one Mind, and I AM that Mind. That Mind is eternal, and it is Life. I am that Mind, and I am ETERNAL LIFE. That Mind knows no disease; I am that Mind, and I am HEALTH. That Mind is the source of all Power, and cannot know doubt nor fear; I am that M ind, and I am POW ER and PEACE. That M ind knows only Truth and knows ALL truth; I am that M ind, and I am KNOW LEDGE and WISDOM . All things created and uncreated, are in that Mind; I am that Mind, and I am WEALTH and PLENTY. I am the WAY, and the TRUTH, and the LIFE; the LIGHT in me shines out to bless the world. ~ Wallace D Wattles, #NFDB
43:Due to these influences and many others, iGen is distinct from every previous generation in how its members spend their time, how they behave, and their attitudes toward religion, sexuality, and politics. They socialize in completely new ways, reject once sacred social taboos, and want different things from their lives and careers. They are obsessed with safety and fearful of their economic futures, and they have no patience for inequality based on gender, race, or sexual orientation. They are a the forefront of the worst mental health crisis ind decades, with rates of teen depression and suicide skyrocketing since 2011. ~ Jean M Twenge, #NFDB
44:Newport
ON these brown rocks the waves dissolve in spray
As when our fathers saw them first alee.
If such a one could come again and see
This ancient haven in its latter day,
These haughty palaces and gardens gay,
These dense, soft lawns, bedecked by many a tree
Borne like a gem from Ind or Araby;
If he could see the race he bred, at play Bright like a flock of tropic birds allured
To pause a moment on their southward wing
By these warm sands and by these summer seas Would he not cry, 'Alas, have I endured
Exile and famine, hate and suffering,
To win religious liberty for these?'
~ Alice Duer Miller,#NFDB
45:The Cow
THIS is a rune I ravelled in the still,
Arrogant stare of an Australian cow—
‘These prankt intruders of the hornless brow,
Puffed up with strange illusions of their skill
To fence, to milk, to fatten and to kill,
Once worshipped me with temple, rite and vow,
Crowned me with stars, and bade rapt millions bow
Before what abject guess they called my will!
‘To-day, this flunkey of my midden, Man,
Throws child-oblations in my milking byre,
Stifles in slums to spare me lordly fields,
Flatters with spotless consorts my desire,
And for a pail of cream his birth-right yields,
As once in Egypt, Hellas, Ind, Iran!’
~ Bernard O'Dowd,#NFDB
46:Și iată infernul: trupuri goale de bărbați și femei, îmbinându-se unul cu altul în gemete și convulsii, ieșind unul din altul la nesfârșit, sfârtecându-și uterele și vaginele, umplându-și corpii erectili cu lubrifianți și cu sânge, îmbătrânind, fleșcăindu-se, putrezind, dar eliberând din ele ovule și spermii, capsule ucigașe iluminând asemenea fotonilor gura senzuală a altor femei, pulpele păroase ale altor bărbați, părinți și copii și părinți și copii lăsând în urmă putreziciunea organelor disipate, a oaselor topindu-se-ncet în sicrie din același cuarț orbitor. Burți cuprinzând burți în care sunt burți, de parcă toate mamele și fiicele ar fi-nchise una într-alta, într-un șir nesfârșit de gravide, alternanță eternă de pereți uterini și de fetuși gravizi cu alți fetuși, utere-n utere-n utere-n utere... ~ Mircea C rt rescu, #NFDB
47:It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later, to realize that it was happiness; that the entire experience lay in a kiss and a walk, the anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers; and even the sex, once she and Richard reached that point, was ardent but awkward, unsatisfying, ore kindly than passionate. What lives undimmed in Clarissa's ind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the tie, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other. ~ Michael Cunningham, #NFDB
48:Între ele se înfiripase un fel de legătură delicată, plină de rafinament, din cele ce se nasc uneori din întâlnirea a două caractere cu totul diferite: unul mai grav, mai profund și mai curat decât celălalt; al doilea, care i se supune cu dragoste, cu profundă modestie și cu nobilul sentiment al propriei sale valori, simțind întreaga superioritate a celui dintâi și închizând în inima sa această prietenie ca o fericire. În cazurile acestea se naște tocmai acel gingaș și nobil rafinament în relațiile dintre cele două ființe: de o parte, dragoste și o infinită condescență, de cealaltă parte, dragoste și stimă, o stimă care merge până la un fel de teamă de a se vedea diminuat în ochii celui pe care-l iubești atât de mult, până la dorința aprigă, ferventă, de a se apropia cu fiecare pas din viață, din ce în ce mai mult, de inima lui. ~ Fyodor Dostoyevsky, #NFDB
49:In particular, if consciousness is an ontological fundamental-that is, a primary element of reality-then it may have the power to achieve what is both the best-documented and at the same time the spookiest effect of the m ind on the material world: the ability of consciousness to transform the infinite possibilities for, say, the position of a subatomic particle as described by quantum mechanics into the single reality for that position as detected by an observer. If that sounds both mysterious and spooky, it is a spookiness that has been a part of science since almost the beginning of the twentieth century. It was physics that first felt the breath of this ghost, with the discoveries of quantum mechanics, and it is in the field of neuroscience and the problem of mind and matter that its ethereal presence is felt most markedly today. ~ Jeffrey M Schwartz, #NFDB
50:Eşti ce este, ce se vede, nici un strop mai mult. Eul nostru nu mai e altceva decât vidul interior indus de viaţa
noastră supraaglomerată,supraocupată,din
care nu ne mai alegem cu nimic din ceea ce „cu
adevărat contează".
Şi totuşi, orele de singurătate, clipele de nefericire, crizele din viaţă, visele şi reveriile, depresia, situaţiile limită, obsesiile, muzica, îndrăgostirea — toate ne spun altceva. Tot ce te
scoate din rutina vieţii tale „reale" îţi arată că,
trăind fără reflecţie despre tine însuţi, te duci
de fapt în jos pe un tobogan de senzaţii, satisfacţii, imagini, bârfe, obiecte, minciună şi strălucire, tot mai departe de nucleul viu al fiinţei
tale. Eşti un simplu consumator care se consumă în primul rând pe el însuşi. Şi vei rămâne mereu aşa dacă viaţa nu se hotărăşte o dată
să te dea cu capul de pragul de sus. ~ Mircea C rt rescu,#NFDB
51:O that a week could be an age, and we
Felt parting and warm meeting every week,
Then one poor year a thousand years would be,
The flush of welcome ever on the cheek:
So could we live long life in little space,
So time itself would be annihilate,
So a day's journey in oblivious haze
To serve ourjoys would lengthen and dilate.
O to arrive each Monday morn from Ind!
To land each Tuesday from the rich Levant!
In little time a host of joys to bind,
And keep our souls in one eternal pant!
This morn, my friend, and yester-evening taught
Me how to harbour such a happy thought.
'First given among the Literary Remains, in the Life, Letters &c. (1848), not dated, but standing next to the sonnet on blue eyes, which is dated February 1818.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To John Hamilton Reynolds
,#NFDB
52:Nu ştiu cine sunt,nu ştiu ce suflet am.
Atunci când vorbesc cu sinceritate nu ştiu cu ce fel de sinceritate vorbesc.
Sau în mod variabil altul decât un singur eu despre care nu ştiu dacă există(dacă el este ceilalţi).
Simt în mine fiinţe pe care nu le am.Mă cuprind anxietăţi care îmi produc repulsie.Propria mea atenţie acordată mie însumi mi se prezintă în permanenţă ca o serie de trădări sufleteşti faţă de o personalitate pe care probabil că eu nu o am,şi nici ea nu crede că aş avea-o.
Mă simt multiplu.Sunt ca o încăpere cu nenumărate oglinzi fantastice care multiplică în reflectări false o unică realitate anterioară care nu se află în nici una dintre ele şi se află în toate.
Aşa cum un panteist se simte arbore sau chiar floare,eu mă simt diferite fiinţe.Mă simt trăind în mine,vieţile altora,incomplet ca şi cum fiinţa mea ar participa în toţi oamenii,incomplet în fiecare dintre ei,printr-o suma de non-euri sintetizată într-un eu fals. ~ Fernando Pessoa,#NFDB
53:Numai în muzică şi în iubire există bucuria de a muri, străfulgerarea de voluptate când simţi că mori deoarece nu mai poţi suporta vibraţiile interne. Şi te bucură gândul unei morţi subite, care te-ar scuti să mai supravieţuieşti acelor momente. Bucuria de a muri, care n-are nici o legătură cu ideea şi conştiinţa obsedantă a morţii, se naşte în marile experienţe de unicitate, când simţi perfect cum acea stare nu se va mai reîntoarce niciodată. În muzică şi-n iubire sunt numai senzaţii unice; cu toată fiinţa îţi dai seama că ele nu se vor mai putea reîntoarce şi regreţi din tot sufletul viaţa cu fiecare zi la care vei reveni după ele. Ce voluptate admirabilă este aceea care se naşte la gândul că ai putea muri în asemenea clipe, că prin acest fapt n-ai pierdut clipa. Căci este o pierdere infinit mai mare, în reîntoarcerea la existenţa zilnică după asemenea clipe, decât stingerea definitivă. Regretul de a nu muri în culmile stării muzicale şi ale celei erotice ne învaţă cât avem de pierdut trăind. ~ Emil M Cioran, #NFDB
54:Pe măsură ce urcăm scara cerurilor, priveliştile sînt mai neaşteptate. Printre constelaţii şiroiuri de galaxii, stele novae, pitice şi albe, uitînd de predici mînioase, volume de teologie şi argumente apologetice, depăşind izvoare veşnice de hidrogen – reglate de spiritul profesorului Hoyle -, lăsînd în urmă judecători, constructori, socotitori, profeţi, gravi filosofi şi geometri neeuclidieni. Sufletul urcă mereu mai sus, curăţîndu-se, pînă la staţia terminus: locul de lumină şi verdeţă, pajiştea înflorată, mişunînd de căţei mici şi dolofani şi de pisicuţe albe cu fundă, acolo unde răsună acordurile divertsmentelor lui Mozart şi se ostenesc îngerii cu aripi ai lui Liliom să ofere necontenit dulceaţuri şi şerbet, acolo unde se află Dumnezeu cel adevărat, al pruncilor lăsaţi – în sfîrşit – să vină, oricît de bătrîni de ani sau de împovăraţi de grele amintiri, să vadă: pe Tatăl cu barba albă, la mijloc, pe Hristos purtător de stigmate şi cruce în dreapta, pe Duhul curăţitor şi alinător în stînga. ~ Nicolae Steinhardt, #NFDB
55:Ţigări şi whisky şi femei nebune, nebune
Poate m-am născut în genunchi,
m-am născut tuşind într-o iarnă nesfârşită,
m-am născut aşteptând sărutul norocului,
m-am născut cu o anumită impetuozitate –
şi, totuşi, cu trecerea anilor,
am învăţat repede despre bariere,
despre frustrare, despre mirosul clismelor.
Am învăţat foarte devreme să nu îngenunchez,
să nu sper, să-mi cultiv pasiunile în debara
unde nu se află nimeni, doar păpuşile, perfecte şi îngrozitoare,
cărora li se poate vorbi în şoaptă sau pot fi aşezate jos pentru a muri.
Acum, că am scris atâtea cuvinte
şi am renunţat la multe iubiri,
rămânând tot cine am fost întotdeauna –
o femeie a exceselor, a ardorii, niciodată îndestulată,
găsesc că efortul a fost inutil.
Nu mă uit în oglindă
în aceste zile
şi văd un şobolan beat care îmi evită privirea?
Nu-mi simt dorinţele la fel de acut,
că aş prefera să mor decât să le privesc
în ochi?
Îngenunchez încă o dată,
în caz că norocul ar putea trece totuşi
în secunda următoare. ~ Anne Sexton,#NFDB
56:De dimineaţă, mi-am amintit de mare. M-am revăzut la Costineşti, unde am descoperit plăcerea de a mă arunca, ieşind din valuri, pe nisipul cald. Abia depăşisem treizeci de ani. Închiriam două camere într-o casă ţărănească, foarte aproape de mare, de unde ne duceam prin grădină la plajă. Rămâneam acolo până la prânz, iar după-amiaza jucam pinacle. Eram patru. Uneori ne opream, tăiam un pepene în patru şi îl mâncam, mânjindu-ne pielea bronzată cu zeama roşie picurată din feliile pe care le devoram până la coajă, după care ne spălam la fântână pe mâini şi jucam mai departe.
Din cei patru, doi au murit. Eu am îmbătrânit. Dar plaja va fi rămas aceeaşi, invadată de alte trupuri bronzate, dimineţile trebuie să fie şi acum, acolo, dimineţi fără cer, iar marea se clatină, cu siguranţă, la ţărm la fel de îmbietoare, când nu o agită valurile. Şi, fireşte, vor rămâne tot aşa când din cei patru nu va mai exista nimeni.
Cu minunata şi teribila ei nepăsare, pe care noi nu o vom putea învăţa niciodată, natura uită tot, chiar şi pe cei care au avut naivitatea să creadă că, măcar, la mare nu există decât prezent. ~ Octavian Paler,#NFDB
57:Andrei: O! Unde sunt zilele de odinioară! Pe atunci eram tânăr, voios, cu mintea deschisă!... Visam și gândeam atât de frumos! Când prezentul și viitorul erau luminate de speranțe! De ce oare devenim atât de goi, de cenușii, atât de trândavi, nepăsători, netrebnici și nenorociți când începem să trăim?!...Iată! Orașul ăsta are două sute de ani și o sută de mii de locuitori... Și nu e nici unul care să nu semene cu ceilalți! Nici în trecut și nici în vremurile noastre nu s-a ivit printre ei vreun mare înfăptuitor, un cărturar, un pictor sau vreun om cât de puțin însemnat să stârnească invidia sau dorința fierbinte de a-i semăna! Nu fac decât să bea și să mănânce, să doarmă și până la urmă... să moară! Apoi se nasc alții... care trăiesc la fel! Ca să nu tâmpească de plictiseală, se distrează clevetind, își umplu viața cu jocurile de cărți și cu băutura, cu judecăți fără rost. Nevestele își înșală bărbații, iar aceștia mint, prefăcându-se că nu știu, că nu aud nimic! O educație grosolană otrăvește sufletul copiilor, înăbușind în ei orice scânteie divină. Așa cresc, devenind niște cadavre ce seamănă între ele, tot atât de jalnici ca și părinții lor... ~ Anton Chekhov, #NFDB
58:În vremea aceasta se lăsa întunericul, iar singurătatea - singurătatea aceea înșelătoare, când omul, singur, nu este totuși singur, ci într-o dureroasă relație sufletească cu un alt om de dincolo de perete - dar îndeajuns de singur pentru ca frecarea mâinilor, încleștarea degetelor și alte manifestări să fie stupide - prin urmare, întunericul și acea falsă singurătate îmi pătrundeau în cap, mă orbeau, îmi răpeau și ultimele senzații de luciditate, mă aruncau în noapte. De câte ori noaptea nu ni se insenuează în zi! Singur, în camera aceasta, pe scăunel, în această acțiune, eram prea ireal și nu mai puteam rămâne prea mult timp aici. Procesele, care nu sunt primejdioase când le trăiești împreună cu cineva și aievea, devin insuportabil în lipsa unui partener. Singurătatea este sufocantă. Așa că, după un chin mai îndelungat, am deschis din nou ușa, am apărut în prag, ieșind din singurătate, orbecăind ca un liliac. Oprindu-mă în prag, mi-am dat seama că iar nu știu cum să încep și cum s-o abordez, era în continuare extrem de izolată și de închisă, diabolică treabă acest contur clar și precis al formei umane, această linie rece care ne particularizează - forma! ~ Witold Gombrowicz, #NFDB
59:Descrisesem sufletele așa cum mi le imaginam eu, ușoare ca fulgii și invizibile, plutind în sus printr-un strat de nori care arăta ca unul de bumbac, dar era răcoros, cețos și foarte ud. Până ce sufletele străbăteau plafonul noros, veșmintele lor lumești aveau să fie îmbibate de umezeală. Apoi aveau să treacă printr o zonă însorită și caldă, care mirosea a pâine prăjită, apoi printr un nou strat rece și umed. Cald, rece, cald, rece, până ce aerul se subția și cerul se întuneca, devenind din albastru deschis bleumarin.
Descrisesem apoi spațiul extraterestru. Stele pretutindeni, ca niște gămălii de diamant. Comete cu cozi sfârâind de foc incandescent. Ploi de meteoriți roșii, portocalii și albaștri. Planete colorate învârtindu-se în jurul unor sori fierbinți. Sufletele aveau să-și continue mult timp ascensiunea prin acest spațiu vast și scânteietor, până ce aveau să ajungă într-un întuneric profund, unde capetele lor aveau să atingă ceva care părea un plafon, dar era o membrană delicată străbătută de vinișoare subțiri, gata să se sfâșie dac-o împungeai cu degetul. Dincolo de această membrană se aflau raiul sau iadul, în funcție de felul în care se comportaseră sufletele pe pământ. ~ Tanaz Bhathena,#NFDB
60:Nogle, især piger, havde måttet leve deres mors barndom, mens deres egen lå gemt hen i en hemmelig skuffe. For sådanne piger var det vanskeligst. Deres stemmer brod ud af dem som materien af et sår, og lyden af den forskrækkede dem, som når de opdagede, at nogen havde læst i deres dagbog, skont den var låst inde mellem skrammel og gammelt legetoj fra den tid, hvor de bar en firårigs udsatte ansigt. Det stirrede op på dem mellem snurretoppene og de invalide dukker med det uskyldige, forbavsede glasblik. Deres sovn var let og lugtede af angst. Hver aften når de ryddede op på deres værelse, måtte de samle deres tanker sammen for natten som fugle, der skal lokkes ind i deres bur. Det hændte, at en af dem ikke var deres egen, og så vidste de ikke, hvor de skulle gore af den. I farten, for de var altid trætte, proppede de den om bag et skab eller ind mellem to boger i reolen. Men når de vågnede, disse piger, passede tankerne ikke mere til deres ansigt, som havde oplost sig under sovnen ligesom en fastelavnsmaske, hvis stive pap er revnet og gennemvædet af den varme ånde. Med besvær tog de det nye ansigt på sig som en skæbne, og de blev svimle af at se ned på deres fodder, så stor var afstanden blevet i nattens lob. ~ Tove Ditlevsen, #NFDB
61:Astă-noapte m-am gîndit la doi colegi de liceu, de origine ţărănească, extrem de săraci: unul a devenit popă de ţară, celălalt a făcut şcoala militară. Or mai fi trăind ? Habar n-am. Ceea ce m-a făcut să mă gîndesc la ei este un lucru inexplicabil care mă frapase încă din timpul şcolii: amîndoi ştiau totul fără să înveţe. Erau la fel de buni la toate materiile, înţelegeau din prima orice detaliu ştiinţific şi îşi aminteau perfect toate fleacurile pe care le puteau debita profesorii. Erau nu mai puţin dotaţi pentru limbi, deşi niciunul din ei nu avea nici cel mai mic talent literar. Talentele lor erau de domeniul cunoaşterii: tot ce putea fi ştiut, ştiau fără niciun efort, îi invidiam, eu care nu eram capabil decît de divagaţii literare. Gîndindu-te la ei, ai fi tentat să dezgropi teoria reminiscenţei: s-ar spune că-şi aminteau tot ce ştiau, de vreme ce nimic nu-i costa nici cel mai mic efort. Napoleon, care-a purtat 60 de bătălii, a spus că la ultima dintre ele nu ştia despre arta războiului mai multe decît la prima. Era şi cazul colegilor mei... în prima zi cînd au intrat în clasă, veniţi din satul lor, ştiau tot ce era de ştiut, adică trebuia doar să li se amintească ce purtau în ei; să înveţe însă, în sensul propriu al cuvîntului, nu, la asta nu s-ar fi înjosit niciodată. ~ Emil M Cioran, #NFDB
62:Stening finder sted over hele den muslimske verden. I mit hjemland Somalia rapporterede en 13-årig pige for eksempel, at hun var blevet gruppevoldtaget af tre mænd. Al-Shabaab-militsen, der kontrollerede hendes hjemby Kismayo, reagerede ved at anklage hende for utroskab, fandt hende skyldig og domte hende til doden. Hendes henrettelse blev proklameret om morgenen fra en hojttaler på en Toyota-pickup. Nogle al-Shabaab-folk havde gravet et hul i jorden på det lokale fodboldstadion og kort en vognfuld sten derind. Omkring 1.000 mennesker forsamlede sig frem mod klokken fire om eftermiddagen. Aisha Ibrahim Duhulow – opkaldt efter Profetens niårige hustru – blev trukket skrigende ind på stadion.128 Fire mænd begravede hende op til halsen i hullet. Derpå kastede 50 mænd sten på hende i ti minutter. Efter at de ti minutter var gået, var der en pause. Hun blev gravet op af hullet, og to sygeplejersker undersogte hende for at se, om hun stadig var i live. Det var hun. Derpå blev hun anbragt i hullet igen, og steningen fortsatte. En mand, der forsogte at sætte sig imellem, blev skudt, og et otteårigt barn blev også dræbt af militsen. Bagefter fortalte en lokal sheik, at Aisha selv var kommet med beviserne, havde bekræftet sin skyld, og var ”glad for straffen i overensstemmelse med islamisk lov”. ~ Anonymous, #NFDB
63:Det var en Foraarsaften, Solen skinnede saa rod ind i Stuen, den var lige ved at gaa ned. Vingerne af Mollen deroppe paa Volden drev deres Skygger over Ruderne og Værelsets Vægge, kommende, svindende, i ensformig Veklsen af Skumring og Lys: - een stund Skumring, to Stunder Lys.
Ved Vinduet sad Niels Lyhne og stirred gjennem Voldens bronzemorke Ælme mod Skyernes Brand. Han havde været udenfor Byen, under nyudsprungne Boge, mellem gronne Rugmarker, over blomsterbrogede Enge; Alting havde været saa lyst og let, Himlen saa blaa, Sundet saa blankt og de spadserende Damer saa sælsomt smukke. Syngende var han gaaet henad Skovstien, saa blev Ordene borte i hans Sang, saa lagde Rhytmen sig, saa dode Tonerne bort og Stilheden kom som en Svimmelhed over ham. Han lukkede Øjnene, men endda mærkede han, hvordan Lyset ligesom drak sig ind i ham og flimred gjennem alle Nerver, medens den koligt berusende Luft ved hvert Aandedrag sendte det sært betagne Blod med vildere og vildere Kraft gjennem de i Magtesloshed dirrende Aarer, og der kom ham en Folelse paa, som om alt det Myldrende, Bristende, Spirende, Ynglende i Vaarnaturen om ham, mystisk sogte at samle sig i ham i eet stort, stort Raab; og han torsted efter dette Raab, lytted til hans Lytten tog form af en uklar, svulmende Længsel.
Nu, han sad der ved Vinduet, vaagnede Længslen igjen. ~ Jens Peter Jacobsen,#NFDB
64:Djolan
Soft was the night, the eve how airy,
When through the big, fat dictionary
I wandered on in careless ease,
And read the a's, b's, c's and d's!
But stop! What is this form I see,
Beginning with a hump-backed d?
I pause! I gasp! I falter there!
It is the djolan, I declare!
It is the djolan, wond'rous word!
The Buceros plicatus bird!
Ne'er, ne'er before had I the bliss
To meet a djolly word like this!
'Twas djust before my dinner hour -Well, let the djuicy djoint go sour!
Djoyful I read. I djust must see
What this strange djolan word may be!
Ah! ha! It is a noun! A noun!
(A ''name word" as we say in town)
"E. Ind. The native name of the
Year bird." These are the words I see.
"A hornbill with a white tail and --"
The big book trembles in my hand -"-- plicated membrane at the base --"
Ah, well-a-day! If that's the case!
"-- base of the beak, inhabiting --"
Oh! dictionary, wond'rous thing!
"-- the Sunda Islands ----" Where would we
Without our dictionary be?
"-- Malacca, e-t-c." That's all!
I let the dictionary fall.
I am replete. All is explained.
Knowledge (it's power) is what I've gained!
23
Soft was the night, the eve how airy,
I read no more the dictionary,
But Oh! and Oh! my heart was stirred
To learn the djolan was a bird!
Submitted by John Martin
~ Ellis Parker Butler,#NFDB
65:Perhaps the belief that the Indians were destined to vanish originated in early colonial times as a means of justifying the massacres of Indians by the Puritans. If, as the New England colonists believed, Indians were under a cosmic curse and in a state of rapid decline, killing a few was not really a criminal act and in some instances might actually be doing the Lord’s work. It was not all Thanksgiving dinners in those early days. No one questions that the Indian population in the East did decline precipitiously as whites settled the New England area. Many Indians were killed, others hid in obscure places, and still other Indians moved west before the American Revolution. Many eastern Indians were allies of Great Britain in both the Revolution and the War of 1812. Believing they should not stay behind in the United States when their English friends fled to Canada after the Revolution, they left with the departing British troops, vanishing from the United States but remaining very much a part of things north of the border. The virtual disappearance of Indians east of the Mississippi can be traced directly to Andrew Jackson’s policy of removing the tribes of that region to Oklahoma and Kansas, not to some cosmic decree commanding their inevitable extinction. Even then only the largest and most threatening tribes were removed. Smaller tribal groups simply remained in the backwaters of the eastern United States where they had always lived. ~ Vine Deloria Jr, #NFDB
66:Don'T You Know
H'it's h'easy to be 'appy,
Don't you know;
There's no sense in being snappy,
Don't you know;
Wot's the use h'of being grumpy,
H'or a bally rotter mumpy?
Folks don't like a fellow dumpy,
Don't you know.
H'every one h'as fits h'of sadness,
Don't you know;
No ones life h'is wholly gladness,
Don't you know;
H'if todye you taste h'of sorrow,
H'or a shilling 'ave to borrow,
Frowning won't 'elp things tomorrow,
Don't you know.
O, a gloomy cus h'is silly,
Don't you know;
'E's a downright balmy Billy,
Don't you know;
H'instead of h'alwyes moping
With 'is lips h'in downward sloping,
'E should smile h'and keep on 'oping,
Don't you know.
O, my word! H'if I were willing,
Don't you know,
H'every time h'I'd lack a shilling,
Don't you know,
H'in me wye so very 'umble,
H'I could start a dismal mumble,
But h'I larf- -h'I never grumble- Don't you know.
Tyke the time the guv'or sacked me,
Don't you know;
good h'old chap! 'E'd alwyes backed me,
214
Don't you know;
'E got 'ot and sent me flying,
Cut me h'off- -there's no use lying- But h'I larffed h'instead of crying,
Don't you know.
H'and h'I'm 'ere on h'earth, still grinning,
Don't you know;
Back once more h'at the beginning,
Don't you know;
Tyking life the wye h'I find it,
Never arskin' wot's be'ind it,
Though h'it's 'ard h'I do not mind it,
Don't you know.
~ Edgar Albert Guest,#NFDB
67:Mi-e frică. Nu ştiu de ce mi-e frică. Ieri seară, la televizor a fost ceea ce ei numesc un „western”. Am fost încremenit de frică şi oroare. Tremuram din tot corpul. Toată familia mea a fost surprinsă.
În dimineaţa asta surorile mele au apărut imitînd acei cow-boy ca să mă sperie. Fug la celălalt capăt al apartamentului. Mă prind din urmă în salon. Fug în bucătărie. Mă prind în bucătărie. Fug spre baie. Mă prind în sala de baie.
- Te vom scalpa, strigă Mathilda, cea mai tînără.
Dar de ce spun cuvinte atît de răutăcioase! Surorile mele mă urmăresc pînă în camera părinţilor. Apoi încearcă să mă prindă în spălătorie, dar scap strecurîndu-mă printre picioarele lor. Mă cuprinde panica. Unde să mă ascund? Îmi vine o idee. Mă închid la wc. Pentru mai multă siguranţă, pun şi zăvorul. Bat în uşă dar nu mă tem, e solidă. În acel wc mă simt ca într-o fortăreaţă, în timp ce ele bat din ce în ce mai tare. Deodată se opresc. Aud discuţii.
- Ce s-a întîmplat? întreabă tata.
- Jacques s-a închis în wc, răspund surorile mele.
- În wc? Ce face acolo? zice tata mirat.
Şi în acel moment am o inspiraţie. Pronunţ fraza pe care o spune totdeauna tata cînd vrea să fie liniştit la wc şi mama îl agasează:
- Citesc o carte.
Tăcere de partea cealaltă a uşii. Ştiu că în casă cuvîntul „carte” provoacă imediat respect.
- Spargem uşa? propune cu gingăşie Mathilda.
Suspans.
Apoi îl aud pe tata mormăind:
- Dacă s-a dus la wc ca să citească o carte, trebuie să-l lăsăm.
În mintea mea se imprimă o lecţie. Cînd nimic nu mai ţine, te închizi în wc şi citeşti o carte. ~ Bernard Werber,#NFDB
68:Cypress and Tulip and sweet Eglantine,
Of these the tale from lip to lip is sent;
Washed by three cups, oh Saki, of thy wine,
My song shall turn upon this argument.
Spring, bride of all the meadows, rises up,
Clothed in her ripest beauty: fill the cup!
Of Spring's handmaidens runs this song of mine.
The sugar-loving birds of distant Ind,
Except a Persian sweetmeat that was brought
To fair Bengal, have found nought to their mind.
See how my song, that in one night was wrought,
Defies the limits set by space and time!
O'er plains and mountain-tops my fearless rhyme,
Child of a night, its year-long road shall find.
And thou whose sense is dimmed with piety,
Thou too shalt learn the magic of her eyes;
Forth comes the caravan of sorcery
When from those gates the blue-veined curtains rise.
And when she walks the flowery meadows through,
Upon the jasmine's shamd cheek the dew
Gathers like sweat, she is so fair to see!
Ah, swerve not from the path of righteousness
Though the world lure thee! like a wrinkled crone,
Hiding beneath her robe lasciviousness,
She plunders them that pause and heed her moan.
From Sinai Moses brings thee wealth untold;
Bow not thine head before the calf of gold
Like Samir, following after wickedness.
From the Shah's garden blows the wind of Spring,
The tulip in her lifted chalice bears
A dewy wine of Heaven's minist'ring
Until Ghiyasuddin, the Sultan, hears,
Sing, Hafiz, of thy longing for his face.
The breezes whispering round thy dwelling-place
Shall carry thy lament unto the King.
Translated by: Gertrude Bell
~ Hafiz, Cypress And Tulip
,#NFDB
69:Jeg kommer med fred,” sagde den og tilfojede efter et langt ojeblik med mere skurren, ”for mig til jeres ogle” (…)
”Den kommer fra et meget gammelt demokrati, ser du”.
”Vil det sige, at den kommer fra en ogleverden?”
”Nej”, sagde Ford (…), ”så enkelt er det ikke. Ikke tilnærmelsesvis så ligetil. I den verden er folket mennesker. Lederne er ogler. Folket hader oglerne, og det er oglerne, der regerer over folket”.
”Besynderligt”, sagde Arthur. ”Jeg syntes, du sagde, at det var et demokrati”.
”Det gjorde jeg også,” sagde Ford, ”og det er det også”.
”Hvorfor skiller folket sig så ikke bare af med oglerne?” spurgte Arthur og håbede ikke, at han lod latterligt kværulantisk.
”Det falder dem ærlig talt ikke ind”, sagde Ford. ”De har alle sammen stemmeret, så de går ligesom ud fra, at den regering, de har stemt ind, mere eller mindre svarer til den regering, de onsker”.
”Vil de siger, at de rent faktisk stemmer på oglerne?”
”Ja, ja,” sagde Ford og trak på skuldrene, ”selvfolgelig”.
”Jamen hvorfor?” sagde Arthur og gik atter efter præmiesporgsmålet.
”For hvis de ikke stemte på en ogle, var det måske den forkerte ogle, der ville komme ind (…) Nogle siger, at oglerne er det bedste, der nogensinde er hændt dem. De tager selvfolgelig fejl, tager fuldstændig og aldeles fejl, men nogen er jo nodt til at sige det”.
”Jamen, det er jo frygteligt,” sagde Arthur.
”Ved du hvad, kammerat? Hvis jeg havde fået en altariansk dollar for hver gang, jeg har hort nogen i en del af universet kaste et blik på nogen i en anden del af universet og sige, 'jamen, det er jo frygteligt', sad jeg ikke her og opforte mig som en citron, der leder efter noget gin. Men det har jeg ikke, og det gor jeg”. ~ Douglas Adams,#NFDB
70:The Latin Church, which I constantly find myself admiring, despite its occasional astounding imbecilities, has always kept clearly before it the fact that religion is not a syllogism, but a poem. It is accused by Protestant dervishes of withholding the Bible from the people. To some extent this is true; to some extent the church is wise; again to the same extent it is prosperous.
...
Rome indeed has not only preserved the original poetry of Christianity; it has also made capital additions to that poetry -- for example, the poetry of the saints, of Mary, and of the liturgy itself. A solemn high mass is a thousand times as impressive, to a man with any genuine religious sense in him, as the most powerful sermon ever roared under the big top by Presbyterian auctioneer of God. In the face of such overwhelming beauty it is not necessary to belabor the faithful with logic; they are better convinced by letting them alone.
Preaching is not an essential part of the Latin ceremonial. It was very little employed in the early church, and I am convinced that good effects would flow from abandoning it today, or, at all events, reducing it to a few sentences, more or less formal. In the United States the Latin brethren have been seduced by the example of the Protestants, who commonly transform an act of worship into a puerile intellectual exercise; instead of approaching God in fear and wonder these Protestants settle back in their pews, cross their legs, and listen to an ignoramus try to prove that he is a better theologian than the Pope.
This folly the Romans now slide into. Their clergy begin to grow argumentative, doctrinaire, ridiculous. It is a pity. A bishop in his robes, playing his part in the solemn ceremonial of the mass, is a dignified spectacle; the same bishop, bawling against Darwin half an hour later, is seen to be simply an elderly Irishman with a bald head, the son of a respectable police sergeant in South Bend, Ind. Let the reverend fathers go back to Bach. If they keep on spoiling poetry and spouting ideas, the day will come when some extra-bombastic deacon will astound humanity and insult God by proposing to translate the liturgy into American, that all the faithful may be convinced by it. ~ H L Mencken,#NFDB
71:The Night Of The Lion
'_And that a reply be received before midnight._'
_British Ultimatum_.
Their Day was at twelve of the night,
When the graves give up their dead.
And still, from the City, no light
Yellows the clouds overhead.
Where the Admiral stands there's a star,
But his column is lost in the gloom;
For the brazen doors are ajar,
And the Lion awakes, and the doom.
_He is not of a chosen race.
His strength is the strength of the skies,
In whose glory all nations have place,
In whose downfall Liberty dies.
He is mighty, but he is just.
He shall live to the end of years.
He shall bring the proud to the dust.
He shall raise the weak to the spheres._
It is night on the world's great mart,
But the brooding hush is awake
With the march of a steady heart
That calls like the drum of Drake,
_Come!_ And a muttering deep
As the pulse of the distant guns,
Or the thunder before the leap
Thro' the rolling thoroughfare runs.
And the wounded men go by
Like thoughts in the Lion's brain.
And the clouds lift on high
Like the slow waves of his mane
And the narrowing lids conceal
The furnaces of his eyes.
Their gold is gone out. They reveal
Only two search-lights of steel
139
Steadily sweeping the skies.
And we hoped he had peace in his lair
Where the bones of old tyrannies lay,
And the skulls that his cubs have stripped bare,
The old skulls they still toss in their play.
But the tyrants are risen again,
And the last light dies from their path;
For the midnight of his mane
Lifts to the stars with his wrath.
From the East to the West he is crouching.
He snuffs at the North-East wind.
His breast upon Britain is couching.
His haunches quiver on Ind.
It is night, black night, where he lies;
But a kingdom and a fleet
Shall burn in his terrible eyes
When he leaps, and the darkness dies
With the War-gods under his feet.
_Till the day when a little child,
Shall lay but a hand on his mane,
And his eyes grow golden and mild
And he stands in the heavens again;
Till the day of the seventh seal,
Which the Lion alone shall rend,
When the stars from their courses reel,
His Freedom shall not end._
~ Alfred Noyes,#NFDB
72:Song Of The Pilgrims
O Dwellers at the back of the North Wind,
What have we done to you? How have we sinned
Wandering the Earth from Orkney unto Ind?
With many deaths our fellowship is thinned,
Our flesh is withered in the parching wind,
Wandering the earth from Orkney unto Ind.
We have no rest. We cannot turn again
Back to the world and all her fruitless pain,
Having once sought the land where ye remain.
Some say ye are not. But, ah God! we know
That somewhere, somewhere past the Northern snow
Waiting for us the red-rose gardens blow:
-The red-rose and the white-rose gardens blow
In the green Northern land to which we go,
Surely the ways are long and the years are slow.
We have forsaken all things sweet and fair,
We have found nothing worth a moment's care
Because the real flowers are blowing there.
Land of the Lotus fallen from the sun,
Land of the Lake from whence all rivers run,
Land where the hope of all our dreams is won!
Shall we not somewhere see at close of day
The green walls of that country far away,
And hear the music of her fountains play?
So long we have been wandering all this while
By many a perilous sea and drifting isle,
We scarce shall dare to look thereon and smile.
Yea, when we are drawing very near to thee,
And when at last the ivory port we see
Our hearts will faint with mere felicity:
64
But we shall wake again in gardens bright
Of green and gold for infinite delight,
Sleeping beneath the solemn mountains white,
While from the flowery copses still unseen
Sing out the crooning birds that ne'er have been
Touched by the hand of winter frore and lean;
And ever living queens that grow not old
And poets wise in robes of faerie gold
Whisper a wild, sweet song that first was told
Ere God sat down to make the Milky Way.
And in those gardens we shall sleep and play
For ever and for ever and a day.
Ah, Dwellers at the back of the North Wind,
What have we done to you? How have we sinned,
That yes should hide beyond the Northern wind?
Land of the Lotus, fallen from the Sun,
When shall your hidden, flowery vales be won
And all the travail of our way be done?
Very far we have searched; we have even seen
The Scythian waste that bears no soft nor green,
And near the Hideous Pass our feet have been.
We have heard Syrens singing all night long
Beneath the unknown stars their lonely song
In friendless seas beyond the Pillars strong.
Nor by the dragon-daughter of Hypocras
Nor the vale of the Devil's head we have feared to pass,
Yet is our labour lost and vain, alas!
Scouring the earth from Orkney unto Ind,
Tossed on the seas and withered in the wind,
We seek and seek your land. How have we sinned?
Or is it all a folly of the wise,
Bidding us walk these ways with blinded eyes
65
While all around us real flowers arise?
But, by the very God, we know, we know
That somewhere still, beyond the Northern snow
Waiting for us the red-rose gardens blow.
~ Clive Staples Lewis,#NFDB
73:From: A Life-Drama
FORERUNNERS
Walter. I HAVE a strain of a departed bard;
One who was born too late into this world.
A mighty day was past, and he saw nought
But ebbing sunset and the rising stars,—
Still o’er him rose those melancholy stars!
Unknown his childhood, save that he was born
’Mong woodland waters full of silver breaks;
I was to him but Labrador to Ind;
His pearls were plentier than my pebblestones.
He was the sun, I was that squab—the earth,
And bask’d me in his light until he drew
Flowers from my barren sides. Oh! he was rich,
And I rejoiced upon his shore of pearls,
A weak enamor’d sea. Once he did say,
“My Friend! a Poet must ere long arise,
And with a regal song sun-crown this age,
As a saint’s head is with a halo crown’d;—
One, who shall hallow Poetry to God
And to its own high use, for Poetry is
The grandest chariot wherein king-thoughts ride;—
One, who shall fervent grasp the sword of song,
As a stern swordsman grasps his keenest blade,
To find the quickest passage to the heart.
A mighty Poet, whom this age shall choose
To be its spokesman to all coming times.
In the ripe full-blown season of his soul,
He shall go forward in his spirit’s strength,
And grapple with the questions of all time,
And wring from them their meanings. As King Saul
Call’d up the buried prophet from his grave
To speak his doom, so shall this Poet-king
Call up the dead Past from its awful grave
To tell him of our future. As the air
Doth sphere the world, so shall his heart of love—
Loving mankind, not peoples. As the lake
Reflects the flower, tree, rock, and bending heaven,
Shall he reflect our great humanity;
And as the young Spring breathes with living breath
On a dead branch, till it sprouts fragrantly
Green leaves and sunny flowers, shall he breathe life
Through every theme he touch, making all Beauty
And Poetry for ever like the stars.”
His words set me on fire; I cried aloud,
“God! what a portion to forerun this Soul!”
He grasp’d my hand,—I look’d upon his face,—
A thought struck all the blood into his cheeks,
Like a strong buffet. His great flashing eyes
Burn’d on mine own. He said, “A grim old king,
Whose blood leap’d madly when the trumpets bray’d
To joyous battle ’mid a storm of steeds,
Won a rich kingdom on a battle-day;
But in the sunset he was ebbing fast,
Ring’d by his weeping lords. His left hand held
His white steed, to the belly splash’d with blood,
That seem’d to mourn him with its drooping head;
His right, his broken brand; and in his ear
His old victorious banners flap the winds.
He called his faithful herald to his side,—
‘Go! tell the dead I come!’ With a proud smile,
The warrior with a stab let out his soul,
Which fled and shriek’d through all the other world,
‘Ye dead! My master comes!’ And there was pause
Till the great shade should enter. Like that herald,
Walter, I ’d rush across this waiting world
And cry, ‘He comes!”’ Lady, wilt hear the song? [Sings.
A MINOR POET
He sat one winter ’neath a linden tree
In my bare orchard; “See, my friend,” he said,
“The stars among the branches hang like fruit,
So, hopes were thick within me. When I ’m gone
The world will like a valuator sit
Upon my soul, and say, ‘I was a cloud
That caught its glory from a sunken sun,
And gradual burn’d into its native gray.”’
On an October eve, ’t was his last wish
To see again the mists and golden woods;
Upon his death-bed he was lifted up,
The slumb’rous sun within the lazy west
With their last gladness fill’d his dying eyes.
No sooner was he hence than critic-worms
Were swarming on the body of his fame,
And thus they judged the dead: “This Poet was
An April tree whose vermeil-loaded boughs
Promis’d to Autumn apples juiced and red,
But never came to fruit.” “He is to us
But a rich odor,—a faint music-swell.”
“Poet he was not in the larger sense;
He could write pearls, but he could never write
A Poem round and perfect as a star.”
“Politic, i’ faith. His most judicious act
Was dying when he did; the next five years
Had finger’d all the fine dust from his wings,
And left him poor as we. He died—’t was shrewd!
And came with all his youth and unblown hopes
On the world’s heart, and touch’d it into tears.”
SEA-MARGE
The lark is singing in the blinding sky,
Hedges are white with May. The bridegroom sea
Is toying with the shore, his wedded bride,
And, in the fulness of his marriage joy,
He decorates her tawny brow with shells,
Retires a space, to see how fair she looks,
Then proud, runs up to kiss her. All is fair—
All glad, from grass to sun! Yet more I love
Than this, the shrinking day that sometimes comes
In Winter’s front, so fair ’mong its dark peers,
It seems a straggler from the files of June,
Which in its wanderings had lost its wits,
And half its beauty; and, when it return’d,
Finding its old companions gone away,
It join’d November’s troop, then marching past;
And so the frail thing comes, and greets the world
With a thin crazy smile, then bursts in tears,
And all the while it holds within its hand
A few half-wither’d flowers. I love and pity it!
~ Alexander Smith,#NFDB
74:O SORROW!
Why dost borrow
The natural hue of health, from vermeil lips?--
To give maiden blushes
To the white rose bushes?
Or is it thy dewy hand the daisy tips?
O Sorrow!
Why dost borrow
The lustrous passion from a falcon-eye?--
To give the glow-worm light?
Or, on a moonless night,
To tinge, on siren shores, the salt sea-spry?
O Sorrow!
Why dost borrow
The mellow ditties from a mourning tongue?--
To give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
O Sorrow!
Why dost borrow
Heart's lightness from the merriment of May?--
A lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day--
Nor any drooping flower
Held sacred for thy bower,
Wherever he may sport himself and play.
To Sorrow
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her,
But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,--
And so I kept
Brimming the water-lily cups with tears
Cold as my fears.
Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
But hides and shrouds
Beneath dark palm-trees by a river side?
And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:--
I rush'd into the folly!
Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
For Venus' pearly bite;
And near him rode Silenus on his ****,
Pelted with flowers as he on did pass
Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate,
Your lutes, and gentler fate?'--
'We follow Bacchus! Bacchus on the wing,
A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
To our wild minstrelsy!'
'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
Your nuts in oak-tree cleft?'--
'For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
And cold mushrooms;
For wine we follow Bacchus through the earth;
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and joined be
To our mad minstrelsy!'
Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
Nor care for wind and tide.
Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
On spleenful unicorn.
I saw Osirian Egypt kneel adown
Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary--so I took a whim
To stray away into these forests drear,
Alone, without a peer:
And I have told thee all thou mayest hear.
Young Stranger!
I've been a ranger
In search of pleasure throughout every clime;
Alas! 'tis not for me!
Bewitch'd I sure must be,
To lose in grieving all my maiden prime.
Come then, Sorrow,
Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
I thought to leave thee,
And deceive thee,
But now of all the world I love thee best.
There is not one,
No, no, not one
But thee to comfort a poor lonely maid;
Thou art her mother,
And her brother,
Her playmate, and her wooer in the shade.
by owner. provided at no charge for educational purposes
~ John Keats, Song Of The Indian Maid, From Endymion
,#NFDB
75:Off The Turnpike
Good ev'nin', Mis' Priest.
I jest stepped in to tell you Good-bye.
Yes, it's all over.
All my things is packed
An' every last one o' them boxes
Is on Bradley's team
Bein' hauled over to th' depot.
No, I ain't goin' back agin.
I'm stoppin' over to French's fer to-night,
And goin' down first train in th' mornin'.
Yes, it do seem kinder queer
Not to be goin' to see Cherry's Orchard no more,
But Land Sakes! When a change's comin',
Why, I al'ays say it can't come too quick.
Now, that's real kind o' you,
Your doughnuts is always so tasty.
Yes, I'm goin' to Chicago,
To my niece,
She's married to a fine man, hardware business,
An' doin' real well, she tells me.
Lizzie's be'n at me to go out ther for the longest while.
She ain't got no kith nor kin to Chicago, you know
She's rented me a real nice little flat,
Same house as hers,
An' I'm goin' to try that city livin' folks say's so pleasant.
Oh, yes, he was real generous,
Paid me a sight o' money fer the Orchard;
I told him 'twouldn't yield nothin' but stones,
But he ain't farmin' it.
Lor', no, Mis' Priest,
He's jest took it to set and look at the view.
Mebbe he wouldn't be so stuck on the view
Ef he'd seed it every mornin' and night for forty year
Same's as I have.
I dessay it's pretty enough,
But it's so pressed into me
I c'n see't with my eyes shut.
No. I ain't cold, Mis' Priest,
Don't shut th' door.
157
I'll be all right in a minit.
But I ain't a mite sorry to leave that view.
Well, mebbe 'tis queer to feel so,
An' mebbe 'taint.
My! But that tea's revivin'.
Old things ain't always pleasant things, Mis' Priest.
No, no, I don't cal'late on comin' back,
That's why I'd ruther be to Chicago,
Boston's too near.
It ain't cold, Mis' Priest,
It's jest my thoughts.
I ain't sick, only Mis' Priest, ef you've nothin' ter take yer time,
An' have a mind to listen,
Ther's somethin' I'd like ter speak about
I ain't never mentioned it,
But I'd like to tell yer 'fore I go.
Would you mind lowerin' them shades,
Fall twilight's awful grey,
An' that fire's real cosy with the shades drawed.
Well, I guess folks about here think I've be'n dret'ful onsociable.
You needn't say 'taint so, 'cause I know diff'rent.
An' what's more, it's true.
Well, the reason is I've be'n scared out o' my life.
Scared ev'ry minit o' th' time, fer eight year.
Eight mortal year 'tis, come next June.
'Twas on the eighteenth o' June,
Six months after I'd buried my husband,
That somethin' happened ter me.
Mebbe you'll mind that afore that
I was a cheery body.
Hiram was too,
Al'ays liked to ask a neighbor in,
An' ev'n when he died,
Barrin' low sperrits, I warn't averse to seein' nobody.
But that eighteenth o' June changed ev'rythin'.
I was doin' most o' th' farmwork myself,
With jest a hired boy, Clarence King, 'twas,
Comin' in fer an hour or two.
Well, that eighteenth o' June
I was goin' round,
Lockin' up and seein' to things 'fore I went to bed.
158
I was jest steppin' out t' th' barn,
Goin' round outside 'stead o' through the shed,
'Cause there was such a sight o' moonlight
Somehow or another I thought 'twould be pretty outdoors.
I got settled for pretty things that night, I guess.
I ain't stuck on 'em no more.
Well, them laylock bushes side o' th' house
Was real lovely.
Glitt'rin' and shakin' in the moonlight,
An' the smell o' them rose right up
An' most took my breath away.
The colour o' the spikes was all faded out,
They never keep their colour when the moon's on 'em,
But the smell fair 'toxicated me.
I was al'ays partial to a sweet scent,
An' I went close up t' th' bushes
So's to put my face right into a flower.
Mis' Priest, jest's I got breathin' in that laylock bloom
I saw, layin' right at my feet,
A man's hand!
It was as white's the side o' th' house,
And sparklin' like that lum'nous paint they put on gate-posts.
I screamed right out,
I couldn't help it,
An' I could hear my scream
Goin' over an' over
In that echo be'ind th' barn.
Hearin' it agin an' agin like that
Scared me so, I dar'sn't scream any more.
I jest stood ther,
And looked at that hand.
I thought the echo'd begin to hammer like my heart,
But it didn't.
There was only th' wind,
Sighin' through the laylock leaves,
An' slappin' 'em up agin the house.
Well, I guess I looked at that hand
Most ten minits,
An' it never moved,
Jest lay there white as white.
After a while I got to thinkin' that o' course
'Twas some drunken tramp over from Redfield.
159
That calmed me some,
An' I commenced to think I'd better git him out
From under them laylocks.
I planned to drag him in t' th' barn
An' lock him in ther till Clarence come in th' mornin'.
I got so mad thinkin' o' that all-fired brazen tramp
Asleep in my laylocks,
I jest stooped down and grabbed th' hand and give it an awful pull.
Then I bumped right down settin' on the ground.
Mis' Priest, ther warn't no body come with the hand.
No, it ain't cold, it's jest that I can't abear thinkin' of it,
Ev'n now.
I'll take a sip o' tea.
Thank you, Mis' Priest, that's better.
I'd ruther finish now I've begun.
Thank you, jest the same.
I dropped the hand's ef it'd be'n red hot
'Stead o' ice cold.
Fer a minit or two I jest laid on that grass
Pantin'.
Then I up and run to them laylocks
An' pulled 'em every which way.
True es I'm settin' here, Mis' Priest,
Ther warn't nothin' ther.
I peeked an' pryed all about 'em,
But ther warn't no man ther
Neither livin' nor dead.
But the hand was ther all right,
Upside down, the way I'd dropped it,
And glist'nin' fit to dazzle yer.
I don't know how I done it,
An' I don't know why I done it,
But I wanted to git that dret'ful hand out o' sight
I got in t' th' barn, somehow,
An' felt roun' till I got a spade.
I couldn't stop fer a lantern,
Besides, the moonlight was bright enough in all conscience.
Then I scooped that awful thing up in th' spade.
I had a sight o' trouble doin' it.
It slid off, and tipped over, and I couldn't bear
Ev'n to touch it with my foot to prop it,
But I done it somehow.
160
Then I carried it off be'ind the barn,
Clost to an old apple-tree
Where you couldn't see from the house,
An' I buried it,
Good an' deep.
I don't rec'lect nothin' more o' that night.
Clarence woke me up in th' mornin',
Hollerin' fer me to come down and set th' milk.
When he'd gone,
I stole roun' to the apple-tree
And seed the earth all new turned
Where I left it in my hurry.
I did a heap o' gardenin'
That mornin'.
I couldn't cut no big sods
Fear Clarence would notice and ask me what I wanted 'em fer,
So I got teeny bits o' turf here and ther,
And no one couldn't tell ther'd be'n any diggin'
When I got through.
They was awful days after that, Mis' Priest,
I used ter go every mornin' and poke about them bushes,
An' up and down the fence,
Ter find the body that hand come off of.
But I couldn't never find nothin'.
I'd lay awake nights
Hearin' them laylocks blowin' and whiskin'.
At last I had Clarence cut 'em down
An' make a big bonfire of 'em.
I told him the smell made me sick,
An' that warn't no lie,
I can't abear the smell on 'em now;
An' no wonder, es you say.
I fretted somethin' awful 'bout that hand
I wondered, could it be Hiram's,
But folks don't rob graveyards hereabouts.
Besides, Hiram's hands warn't that awful, starin' white.
I give up seein' people,
I was afeared I'd say somethin'.
You know what folks thought o' me
Better'n I do, I dessay,
But mebbe now you'll see I couldn't do nothin' diff'rent.
161
But I stuck it out,
I warn't goin' to be downed
By no loose hand, no matter how it come ther
But that ain't the worst, Mis' Priest,
Not by a long ways.
Two year ago, Mr. Densmore made me an offer for Cherry's Orchard.
Well, I'd got used to th' thought o' bein' sort o' blighted,
An' I warn't scared no more.
Lived down my fear, I guess.
I'd kinder got used to th' thought o' that awful night,
And I didn't mope much about it.
Only I never went out o' doors by moonlight;
That stuck.
Well, when Mr. Densmore's offer come,
I started thinkin' 'bout the place
An' all the things that had gone on ther.
Thinks I, I guess I'll go and see where I put the hand.
I was foolhardy with the long time that had gone by.
I know'd the place real well,
Fer I'd put it right in between two o' the apple roots.
I don't know what possessed me, Mis' Priest,
But I kinder wanted to know
That the hand had been flesh and bone, anyway.
It had sorter bothered me, thinkin' I might ha' imagined it.
I took a mornin' when the sun was real pleasant and warm;
I guessed I wouldn't jump for a few old bones.
But I did jump, somethin' wicked.
Ther warn't no bones!
Ther warn't nothin'!
Not ev'n the gold ring I'd minded bein' on the little finger.
I don't know ef ther ever was anythin'.
I've worried myself sick over it.
I be'n diggin' and diggin' day in and day out
Till Clarence ketched me at it.
Oh, I know'd real well what you all thought,
An' I ain't sayin' you're not right,
But I ain't goin' to end in no county 'sylum
If I c'n help it.
The shiv'rin' fits come on me sudden like.
I know 'em, don't you trouble.
I've fretted considerable about the 'sylum,
I guess I be'n frettin' all the time I ain't be'n diggin'.
162
But anyhow I can't dig to Chicago, can I?
Thank you, Mis' Priest,
I'm better now. I only dropped in in passin'.
I'll jest be steppin' along down to French's.
No, I won't be seein' nobody in the mornin',
It's a pretty early start.
Don't you stand ther, Mis' Priest,
The wind'll blow yer lamp out,
An' I c'n see easy, I got aholt o' the gate now.
I ain't a mite tired, thank you.
Good-night.
~ Amy Lowell,#NFDB
76:Alma Venus! [excerpt]
Trembling Creation's omnipresent sun,
Immanent Harmonist, Whose rhythms run.
Alike where midge pursues his swift romance,
Or grave stars cluster for their midnight dance 1
Bringer of fire, from what far fane despoiled?
Potter of grace, by what fell finger soiled?
In temple throned of old, or here in shame
Lurking, to Deathless YOU, of many a namePaphia, Freya, Aphrodite, Fand,
Cabiri vague, or in the fairy band
Titania, Niamh, or that Morgan fay
Our simpler eyes in. Sicily to-day
Catch at her sorcery-to YOU, whose breath
To a rippling rapture stirs the pool of Death,
I bring this coronal of rose and rue,
With golden wattle twined-and she-oak too.
The living wheels we call Creation roll
Whither and while You lead. Who are their soul!
Wheels within wheels, and whose the whirl of eyes
But Love's, Who was. Who is. Who never dies?
Wheels within wheels, but ever at the nave
Venus Pandemos, She for Whom we crave!
Wheels within wheels, but glowing from the tires
Venus Immaculate's Uranian fires!
If lovelight played not round the misty bourn
Could Life her marshy perils thread unworn?
Were Heaven's many mansions built to hold
Women and men seraphically cold?
Or does annihilation mean but this'Tristram no more desires Isolda's kiss'?
Fountains of Art that keep this old Earth fresh
Ascend to God from cisterns of the flesh:
Angel and phoenix flowered from the fires
Of virgin Ishtar's ravenous desires:
In good Nile mud incestuous Isis set
Many a tree of knowledge bearing yet:
Austere Mohammed meets at Heaven's door
Fond phantoms of his desert dreams of yore:
The shrine, the song, the picture and the bust
Are diamonds doubles of the charcoal, lust. . .
Your ruby billows floated to our ken
Many a rite that soothes the souls of men;
Swastik of Ind as once Egyptian Tau
In shining symbol utters yet Your law:
And coldest fanes for eunuch gods designed
Reveal Your girdle with their chaplets twined.
Around the Maypole, aeon-old, they dance,
Maiden and youth of Britain and of France,
Obedient to the law, forgot to-day,
That fertile gods, unshackled by their play,
From winter death will duly be reborn
And with their foison fill the ears of corn:
Or where, horizonward, Australian sand
Billows monotonous, behold Your band
Of leaf-clad lubras, swaying to the hum
Of droning wizard and barbaric drum,
In strange Unthippa dance to conjure there,
With warm wild posturing and coy despair,
Some dream-time god of golden ages dim,
That with the drama of their love for him
The waste in sympathy will fertile grow,
Emu be plentiful, the dry creeks flow,
And all the wild be rich with nut and plant,
Witchetty grub and root and honey-ant:
Virgins and boys, who with the bridal pair
And hymeneal chant through Athens bear
That casket strange, unknowing that inside
The mysteries of Aphrodite hide,
Ye will acknowledge too, in turn, ere long,
Omnipotent the goddess of my song:
And, childless ones of Ind, with prayer ye pour
Oil on that shrine to-day, as wives of yore
On wayside Jahv or god of boundary,
For benison of grudged fertility. . . .
Let pale usurpers of Your old domain
In crumbling book and vapid hymn maintain
That You, great Queen, are dead, that nevermore
Shall devotee Your majesty adore,
Or sad Meander wail as long ago
For torn Adonis and Your helpless woe:
We hear in beating hearts another rune,
In hymn of man and maid another tune:
On every road Your living creatures draw,
Whither You list, the Tables of Your Law:
Wherever tree hath sap or being breath,
Ubiquitous, You bruise the head of Death:
Here, pallid cuckoo's great crescendos call
His coy companion to Your festival:
There, magpie warbles to the morning star
The advent of the rapture that You are:
And desolate the spirit unaware
Of quivering enchantment in the air
When August struggles from his gaoler's power,
And gleaming envoys from each wooing flower
Cajole the bees to waft his tender dues
To some dear tabernacle's secret cruse;
When listening almonds weary of the night
Hearing You coming blossom into white;
When wattle waking from her torpor cold
Knowing You near her trembles into gold;
When, ancient symbols realizing here,
Gabriel Spring announces every year
To expectant Nature's myriad maidenhood,
In rolling plain or solitary wood,
The miracle that maketh Life complete,
The brooding Presence of the Paraclete.
*
Magi profounder than the Eastern Three
Followed the Star of Your Epiphany:
Isis had hidden with a sullen pall
The secret of the Universe from all,
Until Lucretius wondering found a fold,
It swayed to Goethe's eyes, and, growing bold,
Darwin stooped down and groping patiently
Out of the dust lifted the hem, till we
Staggering saw against the eternal blue
The secret Builder of Creation-You I ...
'When Love was driven from the world by stark
And sexless mattoids of the Ages Dark,
Disgusted lore to Moorish havens fled,
The Muses nine with eunuch monks were wed:
Primordial terror to the day returned,
The witch in hordes and great Servetus burned:
Celibate piety with thumb uncouth
Plastered a fig-leaf over Plato's truth:
Aquinas thinned, to make a draught divine,
With holy water, Aristotle's wine;
Round every comer eft or devil stares,
And very Dante mumbles craven prayers;
The childish painter daubs his maudlin fears,
And song forgets to sing a thousand years.
Yet You had lingered cunningly concealed
Now in an altar-piece, now in a field
With shards of pillared grandeur buried deep,
Until the nightmare passed. Yea, did You peep
A moment now and then, ere rose the sun,
Under the hood of a rose-hearted nun
At Abelard, or told the tale so well
Of Launcelot that even glowering hell
Drove not Francesca from her lover's wraith;
Yea, visored chivalry unhorsed his faith,
And far Jerusalem and Paynim tryst
Forgot, for victory in a gender list
Where with the provocation of a smile
Your ambushed omnipresence would beguile
Crusader sullen to a softer creed,
Knight errant to an errant knight indeed....
As what strange god did You entice the King
Through brave Uriah's comely wife to fling
Harp and the psaltery aside to plan
As mean a deed as had polluted man
Till Sextus lusted, or her father's knife
Rescued Virginia from the hell of life?
Yea, there is that in You man dare not face:
A dark star dogs Your limpid planet's grace:
Jetsam from old pollution stales Your shore:
Lewd gargoyles grin above Your temple door. ...
Wormwood is waiter at Your choicest feast,
Your Beauty shadowed ever by the Beast.
Yon feudal lord of mediaeval France,
Your devotee of many a Rose Romance,
Hath on his peasants' daughters' bridal nights
Exacted to the full his shameful rights:
Your cuckoo calling Spring into the wood
Was stark nest-brother to a robin's brood:
And, tragi-comedy of humble life,
That doting husband of the buxom wife
Is fondling (while You laugh) the child she gave
At Your still altar to some passing knave. . ..
Was it a glimpse of phases fell that mar
The radiant round of Your auspicious star,
That drove the hermit to the wilderness
From demons lurking in Your least caress,
And bade the nun, as once the vestal too,
Renounce Your works and all Your pomps-and You?
Yea, those whose eyes can pierce the dazzling veil
Of Light that is Your mask have told a tale
Of how we in the world were once expelled
From Paradise, and now, in prison held,
On moaning treadmills of repeated lives
Work out our crimes, until the hour arrives
For life to cease on earth and You to fade
With all the woe Your temptress wiles have made.
You are the gaoler of that prison, Who
(For so they say) inveigle all to woo,
Be won, that so by our own ardours we
Keep lit Your hell, yea, for eternity,
Unless, until, ignoring all You say,
As monk, as nun, we dare to disobey.
If so it be, then were the barren one
Blest of all women underneath the sun,
An angel of the Lord sent here to ray
The midnight of the soul with coming day;
The tower impregnable that masters Fate
Is not the Caesar but the celibate;
And he at whom no woman ever smiled
Is everlasting Heaven's favoured child
Ordained (who knows?) in what benignant star
As Baptist of some glorious Avatar,
Whose Word shall cause all flesh to cease to be
And man be one again with Deity!. . .
Or when the veil we call Reality
Rifts, and the meaning of it all we see,
Will Good and Evil kiss and understand?
God walk with brother Satan hand in hand?
The cool-haired Night repose beside the Sun?
Pandemos prove with Love Uranian one?
The Tree of Life mature its golden fruits
From bark so sinister and those wan roots?
Slowly our interrogating eyes
Sobered with long deception recognize,
'Mid older clues dissolved to flecks, at last
One signal flashing from the Outer Vast,
Fell or benign (as falls or rises faith),
Comet or guiding star-Your rosy wraith!
Your rosy wraith that both in man and weed
'Writes deep and undeniable Your creed'Beget or hear, though ye to-morrow die,
Beget or bear, nor ask the reason why 1
Though sun and earth shall duly pass away,
Though all the gods shall ripen and decay,
It is Their Will Who bade the world exist:
And woe to him or her who doth not list
The sole clear mandate from the Otherwhere
Flushed through the Universe-Beget or bear 1'
Love we or dread we may not all ignore
The single beacon on the circling shore
Where Being laps upon the caverned steep
Wherefrom we drifted and whereto we creep.
Beacon 1 although You lead us but to gloom!
A guiding star, it may be, to the tomb!
Comet flung from the Void through trackless Light!
Yet is Your rosy flame in ion mite
And great pathetic man the only trace
Of something more than chance in Time and Space,
That purpose dimly threads the crazy web,
That tides of anguish ultimately ebb,
That green hope signals underground a Nile,
That faith is wiser than an ostrich wile,
That there is something in us will elude
The withering fingers of vicissitude,
And man's ripe earth by a guttering sun betrayed
Will not in cold and useless ruin fade.
Question the sibyl grottoes near or far
Whither or whence we sail or why we are!
Listen at Nature's beating heart for clue,
And every oracle we know or knew!
From Zodiac round of older destiny,
From tiny orbit of an atomy,
From Pythoness or oak or Magian fire,
Augur antique or wizard new inquire,
Austral churinga or the crystal ball,
'Wherefore does anything exist at all?'
Of star or fungus seek, of life or death,
Whence Being came and whither wandereth!
10
Ask of the gloom that locks the secret in,
Ask of the light that saw the world begin!
The day, the night, and death and life are dumb:
From fungus, star or ball no answers come:
Silent, churinga, table, passing bird:
From fire or Druid oak no guiding word:
The Pythoness ambiguously sighs:
Orbit minute nor Zodiac house replies:
But dim the beating heart amid its sobs
With 'Alma Venus!' 'Alma Venus!' throbs;
While on two sibyl leaves, by a world-wind strange
Blown to our shore across the gulf of Change,
'Increase and multiply' on one is scrolled
In ochre crude, on one, in glowing gold
Around the pearly nimbus of a dove,
The script imperishable-'God is Love.'
~ Bernard O'Dowd,#NFDB
77:Sword Blades And Poppy Seed
A drifting, April, twilight sky,
A wind which blew the puddles dry,
And slapped the river into waves
That ran and hid among the staves
Of an old wharf. A watery light
Touched bleak the granite bridge, and white
Without the slightest tinge of gold,
The city shivered in the cold.
All day my thoughts had lain as dead,
Unborn and bursting in my head.
From time to time I wrote a word
Which lines and circles overscored.
My table seemed a graveyard, full
Of coffins waiting burial.
I seized these vile abortions, tore
Them into jagged bits, and swore
To be the dupe of hope no more.
Into the evening straight I went,
Starved of a day's accomplishment.
Unnoticing, I wandered where
The city gave a space for air,
And on the bridge's parapet
I leant, while pallidly there set
A dim, discouraged, worn-out sun.
Behind me, where the tramways run,
Blossomed bright lights, I turned to leave,
When someone plucked me by the sleeve.
'Your pardon, Sir, but I should be
Most grateful could you lend to me
A carfare, I have lost my purse.'
The voice was clear, concise, and terse.
I turned and met the quiet gaze
Of strange eyes flashing through the haze.
The man was old and slightly bent,
Under his cloak some instrument
Disarranged its stately line,
He rested on his cane a fine
And nervous hand, an almandine
225
Smouldered with dull-red flames, sanguine
It burned in twisted gold, upon
His finger. Like some Spanish don,
Conferring favours even when
Asking an alms, he bowed again
And waited. But my pockets proved
Empty, in vain I poked and shoved,
No hidden penny lurking there
Greeted my search. 'Sir, I declare
I have no money, pray forgive,
But let me take you where you live.'
And so we plodded through the mire
Where street lamps cast a wavering fire.
I took no note of where we went,
His talk became the element
Wherein my being swam, content.
It flashed like rapiers in the night
Lit by uncertain candle-light,
When on some moon-forsaken sward
A quarrel dies upon a sword.
It hacked and carved like a cutlass blade,
And the noise in the air the broad words made
Was the cry of the wind at a window-pane
On an Autumn night of sobbing rain.
Then it would run like a steady stream
Under pinnacled bridges where minarets gleam,
Or lap the air like the lapping tide
Where a marble staircase lifts its wide
Green-spotted steps to a garden gate,
And a waning moon is sinking straight
Down to a black and ominous sea,
While a nightingale sings in a lemon tree.
I walked as though some opiate
Had stung and dulled my brain, a state
Acute and slumbrous. It grew late.
We stopped, a house stood silent, dark.
The old man scratched a match, the spark
Lit up the keyhole of a door,
We entered straight upon a floor
White with finest powdered sand
Carefully sifted, one might stand
226
Muddy and dripping, and yet no trace
Would stain the boards of this kitchen-place.
From the chimney, red eyes sparked the gloom,
And a cricket's chirp filled all the room.
My host threw pine-cones on the fire
And crimson and scarlet glowed the pyre
Wrapped in the golden flame's desire.
The chamber opened like an eye,
As a half-melted cloud in a Summer sky
The soul of the house stood guessed, and shy
It peered at the stranger warily.
A little shop with its various ware
Spread on shelves with nicest care.
Pitchers, and jars, and jugs, and pots,
Pipkins, and mugs, and many lots
Of lacquered canisters, black and gold,
Like those in which Chinese tea is sold.
Chests, and puncheons, kegs, and flasks,
Goblets, chalices, firkins, and casks.
In a corner three ancient amphorae leaned
Against the wall, like ships careened.
There was dusky blue of Wedgewood ware,
The carved, white figures fluttering there
Like leaves adrift upon the air.
Classic in touch, but emasculate,
The Greek soul grown effeminate.
The factory of Sevres had lent
Elegant boxes with ornament
Culled from gardens where fountains splashed
And golden carp in the shadows flashed,
Nuzzling for crumbs under lily-pads,
Which ladies threw as the last of fads.
Eggshell trays where gay beaux knelt,
Hand on heart, and daintily spelt
Their love in flowers, brittle and bright,
Artificial and fragile, which told aright
The vows of an eighteenth-century knight.
The cruder tones of old Dutch jugs
Glared from one shelf, where Toby mugs
Endlessly drank the foaming ale,
Its froth grown dusty, awaiting sale.
The glancing light of the burning wood
227
Played over a group of jars which stood
On a distant shelf, it seemed the sky
Had lent the half-tones of his blazonry
To paint these porcelains with unknown hues
Of reds dyed purple and greens turned blues,
Of lustres with so evanescent a sheen
Their colours are felt, but never seen.
Strange winged dragons writhe about
These vases, poisoned venoms spout,
Impregnate with old Chinese charms;
Sealed urns containing mortal harms,
They fill the mind with thoughts impure,
Pestilent drippings from the ure
Of vicious thinkings. 'Ah, I see,'
Said I, 'you deal in pottery.'
The old man turned and looked at me.
Shook his head gently. 'No,' said he.
Then from under his cloak he took the thing
Which I had wondered to see him bring
Guarded so carefully from sight.
As he laid it down it flashed in the light,
A Toledo blade, with basket hilt,
Damascened with arabesques of gilt,
Or rather gold, and tempered so
It could cut a floating thread at a blow.
The old man smiled, 'It has no sheath,
'Twas a little careless to have it beneath
My cloak, for a jostle to my arm
Would have resulted in serious harm.
But it was so fine, I could not wait,
So I brought it with me despite its state.'
'An amateur of arms,' I thought,
'Bringing home a prize which he has bought.'
'You care for this sort of thing, Dear Sir?'
'Not in the way which you infer.
I need them in business, that is all.'
And he pointed his finger at the wall.
Then I saw what I had not noticed before.
The walls were hung with at least five score
Of swords and daggers of every size
Which nations of militant men could devise.
228
Poisoned spears from tropic seas,
That natives, under banana trees,
Smear with the juice of some deadly snake.
Blood-dipped arrows, which savages make
And tip with feathers, orange and green,
A quivering death, in harlequin sheen.
High up, a fan of glancing steel
Was formed of claymores in a wheel.
Jewelled swords worn at kings' levees
Were suspended next midshipmen's dirks, and these
Elbowed stilettos come from Spain,
Chased with some splendid Hidalgo's name.
There were Samurai swords from old Japan,
And scimitars from Hindoostan,
While the blade of a Turkish yataghan
Made a waving streak of vitreous white
Upon the wall, in the firelight.
Foils with buttons broken or lost
Lay heaped on a chair, among them tossed
The boarding-pike of a privateer.
Against the chimney leaned a queer
Two-handed weapon, with edges dull
As though from hacking on a skull.
The rusted blood corroded it still.
My host took up a paper spill
From a heap which lay in an earthen bowl,
And lighted it at a burning coal.
At either end of the table, tall
Wax candles were placed, each in a small,
And slim, and burnished candlestick
Of pewter. The old man lit each wick,
And the room leapt more obviously
Upon my mind, and I could see
What the flickering fire had hid from me.
Above the chimney's yawning throat,
Shoulder high, like the dark wainscote,
Was a mantelshelf of polished oak
Blackened with the pungent smoke
Of firelit nights; a Cromwell clock
Of tarnished brass stood like a rock
In the midst of a heaving, turbulent sea
Of every sort of cutlery.
229
There lay knives sharpened to any use,
The keenest lancet, and the obtuse
And blunted pruning bill-hook; blades
Of razors, scalpels, shears; cascades
Of penknives, with handles of mother-of-pearl,
And scythes, and sickles, and scissors; a whirl
Of points and edges, and underneath
Shot the gleam of a saw with bristling teeth.
My head grew dizzy, I seemed to hear
A battle-cry from somewhere near,
The clash of arms, and the squeal of balls,
And the echoless thud when a dead man falls.
A smoky cloud had veiled the room,
Shot through with lurid glares; the gloom
Pounded with shouts and dying groans,
With the drip of blood on cold, hard stones.
Sabres and lances in streaks of light
Gleamed through the smoke, and at my right
A creese, like a licking serpent's tongue,
Glittered an instant, while it stung.
Streams, and points, and lines of fire!
The livid steel, which man's desire
Had forged and welded, burned white and cold.
Every blade which man could mould,
Which could cut, or slash, or cleave, or rip,
Or pierce, or thrust, or carve, or strip,
Or gash, or chop, or puncture, or tear,
Or slice, or hack, they all were there.
Nerveless and shaking, round and round,
I stared at the walls and at the ground,
Till the room spun like a whipping top,
And a stern voice in my ear said, 'Stop!
I sell no tools for murderers here.
Of what are you thinking! Please clear
Your mind of such imaginings.
Sit down. I will tell you of these things.'
He pushed me into a great chair
Of russet leather, poked a flare
Of tumbling flame, with the old long sword,
Up the chimney; but said no word.
Slowly he walked to a distant shelf,
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And brought back a crock of finest delf.
He rested a moment a blue-veined hand
Upon the cover, then cut a band
Of paper, pasted neatly round,
Opened and poured. A sliding sound
Came from beneath his old white hands,
And I saw a little heap of sands,
Black and smooth. What could they be:
'Pepper,' I thought. He looked at me.
'What you see is poppy seed.
Lethean dreams for those in need.'
He took up the grains with a gentle hand
And sifted them slowly like hour-glass sand.
On his old white finger the almandine
Shot out its rays, incarnadine.
'Visions for those too tired to sleep.
These seeds cast a film over eyes which weep.
No single soul in the world could dwell,
Without these poppy-seeds I sell.'
For a moment he played with the shining stuff,
Passing it through his fingers. Enough
At last, he poured it back into
The china jar of Holland blue,
Which he carefully carried to its place.
Then, with a smile on his aged face,
He drew up a chair to the open space
'Twixt table and chimney. 'Without preface,
Young man, I will say that what you see
Is not the puzzle you take it to be.'
'But surely, Sir, there is something strange
In a shop with goods at so wide a range
Each from the other, as swords and seeds.
Your neighbours must have greatly differing needs.'
'My neighbours,' he said, and he stroked his chin,
'Live everywhere from here to Pekin.
But you are wrong, my sort of goods
Is but one thing in all its moods.'
He took a shagreen letter case
From his pocket, and with charming grace
Offered me a printed card.
I read the legend, 'Ephraim Bard.
Dealer in Words.' And that was all.
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I stared at the letters, whimsical
Indeed, or was it merely a jest.
He answered my unasked request:
'All books are either dreams or swords,
You can cut, or you can drug, with words.
My firm is a very ancient house,
The entries on my books would rouse
Your wonder, perhaps incredulity.
I inherited from an ancestry
Stretching remotely back and far,
This business, and my clients are
As were those of my grandfather's days,
Writers of books, and poems, and plays.
My swords are tempered for every speech,
For fencing wit, or to carve a breach
Through old abuses the world condones.
In another room are my grindstones and hones,
For whetting razors and putting a point
On daggers, sometimes I even anoint
The blades with a subtle poison, so
A twofold result may follow the blow.
These are purchased by men who feel
The need of stabbing society's heel,
Which egotism has brought them to think
Is set on their necks. I have foils to pink
An adversary to quaint reply,
And I have customers who buy
Scalpels with which to dissect the brains
And hearts of men. Ultramundanes
Even demand some finer kinds
To open their own souls and minds.
But the other half of my business deals
With visions and fancies. Under seals,
Sorted, and placed in vessels here,
I keep the seeds of an atmosphere.
Each jar contains a different kind
Of poppy seed. From farthest Ind
Come the purple flowers, opium filled,
From which the weirdest myths are distilled;
My orient porcelains contain them all.
Those Lowestoft pitchers against the wall
Hold a lighter kind of bright conceit;
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And those old Saxe vases, out of the heat
On that lowest shelf beside the door,
Have a sort of Ideal, 'couleur d'or'.
Every castle of the air
Sleeps in the fine black grains, and there
Are seeds for every romance, or light
Whiff of a dream for a summer night.
I supply to every want and taste.'
'Twas slowly said, in no great haste
He seemed to push his wares, but I
Dumfounded listened. By and by
A log on the fire broke in two.
He looked up quickly, 'Sir, and you?'
I groped for something I should say;
Amazement held me numb. 'To-day
You sweated at a fruitless task.'
He spoke for me, 'What do you ask?
How can I serve you?' 'My kind host,
My penniless state was not a boast;
I have no money with me.' He smiled.
'Not for that money I beguiled
You here; you paid me in advance.'
Again I felt as though a trance
Had dimmed my faculties. Again
He spoke, and this time to explain.
'The money I demand is Life,
Your nervous force, your joy, your strife!'
What infamous proposal now
Was made me with so calm a brow?
Bursting through my lethargy,
Indignantly I hurled the cry:
'Is this a nightmare, or am I
Drunk with some infernal wine?
I am no Faust, and what is mine
Is what I call my soul! Old Man!
Devil or Ghost! Your hellish plan
Revolts me. Let me go.' 'My child,'
And the old tones were very mild,
'I have no wish to barter souls;
My traffic does not ask such tolls.
I am no devil; is there one?
Surely the age of fear is gone.
233
We live within a daylight world
Lit by the sun, where winds unfurled
Sweep clouds to scatter pattering rain,
And then blow back the sun again.
I sell my fancies, or my swords,
To those who care far more for words,
Ideas, of which they are the sign,
Than any other life-design.
Who buy of me must simply pay
Their whole existence quite away:
Their strength, their manhood, and their prime,
Their hours from morning till the time
When evening comes on tiptoe feet,
And losing life, think it complete;
Must miss what other men count being,
To gain the gift of deeper seeing;
Must spurn all ease, all hindering love,
All which could hold or bind; must prove
The farthest boundaries of thought,
And shun no end which these have brought;
Then die in satisfaction, knowing
That what was sown was worth the sowing.
I claim for all the goods I sell
That they will serve their purpose well,
And though you perish, they will live.
Full measure for your pay I give.
To-day you worked, you thought, in vain.
What since has happened is the train
Your toiling brought. I spoke to you
For my share of the bargain, due.'
'My life! And is that all you crave
In pay? What even childhood gave!
I have been dedicate from youth.
Before my God I speak the truth!'
Fatigue, excitement of the past
Few hours broke me down at last.
All day I had forgot to eat,
My nerves betrayed me, lacking meat.
I bowed my head and felt the storm
Plough shattering through my prostrate form.
The tearless sobs tore at my heart.
My host withdrew himself apart;
234
Busied among his crockery,
He paid no farther heed to me.
Exhausted, spent, I huddled there,
Within the arms of the old carved chair.
A long half-hour dragged away,
And then I heard a kind voice say,
'The day will soon be dawning, when
You must begin to work again.
Here are the things which you require.'
By the fading light of the dying fire,
And by the guttering candle's flare,
I saw the old man standing there.
He handed me a packet, tied
With crimson tape, and sealed. 'Inside
Are seeds of many differing flowers,
To occupy your utmost powers
Of storied vision, and these swords
Are the finest which my shop affords.
Go home and use them; do not spare
Yourself; let that be all your care.
Whatever you have means to buy
Be very sure I can supply.'
He slowly walked to the window, flung
It open, and in the grey air rung
The sound of distant matin bells.
I took my parcels. Then, as tells
An ancient mumbling monk his beads,
I tried to thank for his courteous deeds
My strange old friend. 'Nay, do not talk,'
He urged me, 'you have a long walk
Before you. Good-by and Good-day!'
And gently sped upon my way
I stumbled out in the morning hush,
As down the empty street a flush
Ran level from the rising sun.
Another day was just begun.
~ Amy Lowell,#NFDB
78:The Botanic Garden (Part Vii)
THE LOVES OF THE PLANTS.
CANTO III.
And now the Goddess founds her silver shell,
And shakes with deeper tones the inchanted dell;
Pale, round her grassy throne, bedew'd with tears,
Flit the thin forms of Sorrows, and of Fears;
Soft Sighs responsive whisper to the chords,
And Indignations half-unsheath their swords.
'Thrice round the grave CIRCÆA prints her tread,
And chaunts the numbers, which disturb the dead;
Shakes o'er the holy earth her sable plume,
Waves her dread wand, and strikes the echoing tomb!
-Pale shoot the stars across the troubled night,
The timorous moon withholds her conscious light;
Shrill scream the famish'd bats, and shivering owls,
And loud and long the dog of midnight howls!-Then yawns the bursting ground!- two imps obscene
Rise on broad wings, and hail the baleful queen;
Each with dire grin salutes the potent wand,
And leads the sorceress with his sooty hand;
Onward they glide, where sheds the sickly yew
O'er many a mouldering bone its nightly dew;
The ponderous portals of the church unbar,Hoarse on their hinge the ponderous portals jar;
As through the colour'd glass the moon-beam falls,
Huge shapeless spectres quiver on the walls;
Low murmurs creep along the hollow ground,
And to each step the pealing ailes resound;
By glimmering lamps, protecting saints among,
The shrines all tremble as they pass along,
O'er the still choir with hideous laugh they move,
(Fiends yell below, and angels weep above!)
Their impious march to God's high altar bend,
With feet impure the sacred steps ascend;
With wine unbless'd the holy chalice stain,
Assume the mitre, and the cope profane;
To heaven their eyes in mock devotion throw,
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And to the cross with horrid mummery bow;
Adjure by mimic rites the powers above,
And plite alternate their Satanic love.
Avaunt, ye Vulgar! from her sacred groves
With maniac step the Pythian LAURA moves;
Full of the God her labouring bosom sighs,
Foam on her lips, and fury in her eyes,
Strong writhe her limbs, her wild dishevell'd hair
Starts from her laurel-wreath, and swims in air.While twenty Priests the gorgeous shrine surround
Cinctur'd with ephods, and with garlands crown'd,
Contending hosts and trembling nations wait
The firm immutable behests of Fate;
-She speaks in thunder from her golden throne
With words unwill'd , and wisdom not her own.
So on his NIGHTMARE through the evening fog
Flits the squab Fiend o'er fen, and lake, and bog;
Seeks some love-wilder'd Maid with sleep oppress'd,
Alights, and grinning fits upon her breast.
-Such as of late amid the murky sky
Was mark'd by FUSELI'S poetic eye;
Whose daring tints, with SHAKESPEAR'S happiest grace,
Gave to the airy phantom form and place.Back o'er her pillow sinks her blushing head,
Her snow-white limbs hang helpless from the bed;
While with quick sighs, and suffocative breath,
Her interrupted heart-pulse swims in death.
-Then shrieks of captured towns, and widows' tears,
Pale lovers stretch'd upon their blood-stain'd biers,
The headlong precipice that thwarts her flight,
The trackless desert, the cold starless night,
And stern-eye'd Murder with his knife behind,
In dread succession agonize her mind.
O'er her fair limbs convulsive tremors fleet,
Start in her hands, and struggle in her feet;
In vain to scream with quivering lips she tries,
And strains in palsy'd lids her tremulous eyes;
In vain she wills to run, fly, swim, walk, creep;
The WILL presides not in the bower of SLEEP.
-On her fair bosom sits the Demon-Ape
Erect, and balances his bloated shape;
Rolls in their marble orbs his Gorgon-eyes,
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And drinks with leathern ears her tender cries.
Arm'd with her ivory beak, and talon-hands,
Descending FICA dives into the sands;
Chamber'd in earth with cold oblivion lies;
Nor heeds, ye Suitor-train , your amorous sighs;
Erewhile with renovated beauty blooms,
Mounts into air, and moves her leafy plumes.
-Where HAMPS and MANIFOLD, their cliffs among,
Each in his flinty channel winds along;
With lucid lines the dusky Moor divides,
Hurrying to intermix their sister tides.
Where still their silver-bosom'd Nymphs abhor,
The blood-smear'd mansion of gigantic THOR,-Erst, fires volcanic in the marble womb
Of cloud-wrapp'd WETTON raised the massy dome;
Rocks rear'd on rocks in huge disjointed piles
Form the tall turrets, and the lengthen'd ailes;
Broad ponderous piers sustain the roof, and wide
Branch the vast rain-bow ribs from side to side.
While from above descends in milky streams
One scanty pencil of illusive beams,
Suspended crags and gaping gulphs illumes,
And gilds the horrors of the deepen'd glooms.
-Here oft the Naiads, as they chanced to play
Near the dread Fane on THOR'S returning day,
Saw from red altars streams of guiltless blood
Stain their green reed-beds, and pollute their flood;
Heard dying babes in wicker prisons wail,
And shrieks of matrons thrill the affrighted Gale;
While from dark caves infernal Echoes mock,
And Fiends triumphant shout from every rock!
--So still the Nymphs emerging lift in air
Their snow-white shoulders and their azure hair;
Sail with sweet grace the dimpling streams along,
Listening the Shepherd's or the Miner's song;
But, when afar they view the giant-cave,
On timorous fins they circle on the wave,
With streaming eyes and throbbing hearts recoil,
Plunge their fair forms, and dive beneath the soil.Closed round their heads reluctant eddies sink,
And wider rings successive dash the brink.Three thousand steps in sparry clefts they stray,
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Or seek through sullen mines their gloomy way;
On beds of Lava sleep in coral cells,
Or sigh o'er jasper fish, and agate shells.
Till, where famed ILAM leads his boiling floods
Through flowery meadows and impending woods,
Pleased with light spring they leave the dreary night,
And 'mid circumfluent surges rise to light;
Shake their bright locks, the widening vale pursue,
Their sea-green mantles fringed with pearly dew;
In playful groups by towering THORP they move,
Bound o'er the foaming wears, and rush into the Dove.
With fierce distracted eye IMPATIENS stands,
Swells her pale cheeks, and brandishes her hands,
With rage and hate the astonish'd groves alarms,
And hurls her infants from her frantic arms.
-So when MEDÆA left her native soil
Unaw'd by danger, unsubdued by toil;
Her weeping sire and beckoning friends withstood,
And launch'd enamour'd on the boiling flood;
One ruddy boy her gentle lips caress'd,
And one fair girl was pillow'd on her breast;
While high in air the golden treasure burns,
And Love and Glory guide the prow by turns.
But, when Thessalia's inauspicious plain
Received the matron-heroine from the main;
While horns of triumph sound, and altars burn,
And shouting nations hail their Chief's return:
Aghaft, She saw new-deck'd the nuptial bed,
And proud CREUSA to the temple led;
Saw her in JASON'S mercenary arms
Deride her virtues, and insult her charms;
Saw her dear babes from fame and empire torn,
In foreign realms deserted and forlorn;
Her love rejected, and her vengeance braved,
By Him her beauties won, her virtues saved.With stern regard she eyed the traitor-king,
And felt, Ingratitude! thy keenest sting;
'Nor Heaven,' She cried, 'nor Earth, nor Hell can hold
'A Heart abandon'd to the thirst of Gold!'
Stamp'd with wild foot, and shook her horrent brow,
And call'd the furies from their dens below.
-Slow out of earth, before the festive crowds,
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On wheels of fire, amid a night of clouds,
Drawn by fierce fiends arose a magic car,
Received the Queen, and hovering flamed in air.As with raised hands the suppliant traitors kneel
And fear the vengeance they deserve to feel,
Thrice with parch'd lips her guiltless babes she press'd,
And thrice she clasp'd them to her tortur'd breast;
Awhile with white uplifted eyes she stood,
Then plung'd her trembling poniards in their blood.
'Go, kiss your sire! go, share the bridal mirth!'
She cry'd, and hurl'd their quivering limbs on earth.
Rebellowing thunders rock the marble towers,
And red-tongued lightnings shoot their arrowy showers;
Earth yawns!-the crashing ruin sinks!-o'er all
Death with black hands extends his mighty Pall;
Their mingling gore the Fiends of Vengeance quaff,
And Hell receives them with convulsive laugh.
Round the vex'd isles where fierce tornados roar,
Or tropic breezes sooth the sultry shore;
What time the eve her gauze pellucid spreads
O'er the dim flowers, and veils the misty meads;
Slow, o'er the twilight sands or leafy walks,
With gloomy dignity DICTAMNA stalks;
In sulphurous eddies round the weird dame
Plays the light gas, or kindles into flame.
If rests the traveller his weary head,
Grim MANCINELLA haunts the mossy bed,
Brews her black hebenon, and, stealing near,
Pours the curst venom in his tortured ear.Wide o'er the mad'ning throng URTICA flings
Her barbed shafts, and darts her poison'd stings.
And fell LOBELIA'S suffocating breath
Loads the dank pinion of the gale with death.With fear and hate they blast the affrighted groves,
Yet own with tender care their kindred Loves! So, where PALMIRA 'mid her wasted plains,
Her shatter'd aqueducts, and prostrate sanes,
(As the bright orb of breezy midnight pours
Long threads of silver through her gaping towers,
O'er mouldering tombs, and tottering columns gleams,
And frosts her deserts with diffusive beams),
Sad o'er the mighty wreck in silence bends,
58
Lifts her wet eyes, her tremulous hands extends.If from lone cliffs a bursting rill expands
Its transient course, and sinks into the sands;
O'er the moist rock the fell Hyæna prowls,
The Leopard hisses, and the Panther growls;
On quivering wing the famish'd Vulture screams,
Dips his dry beak, and sweeps the gushing streams;
With foamy jaws, beneath, and sanguine tongue,
Laps the lean Wolf, and pants, and runs along;
Stern stalks the Lion, on the rustling brinks
Hears the dread Snake, and trembles as he drinks;
Quick darts the scaly Monster o'er the plain,
Fold after fold, his undulating train;
And, bending o'er the lake his crested brow,
Starts at the Crocodile, that gapes below.
Where seas of glass with gay reflections smile
Round the green coasts of Java's palmy isle;
A spacious plain extends its upland scene,
Rocks rise on rocks, and fountains gush between;
Soft zephyrs blow, eternal summers reign,
And showers prolific bless the soil,-in vain!
-No spicy nutmeg scents the vernal gales,
Nor towering plaintain shades the mid-day vales;
No grassy mantle hides the sable hills,
No flowery chaplet crowns the trickling rills;
Nor tufted moss, nor leathery lichen creeps
In russet tapestry o'er the crumbling steeps.
-No step retreating, on the sand impress'd,
Invites the visit of a second guest;
No refluent fin the unpeopled stream divides,
No revolant pinion cleaves the airy tides;
Nor handed moles, nor beaked worms return,
That mining pass the irremeable bourn.Fierce in dread silence on the blasted heath
Fell UPAS sits, the HYDRA-TREE of death.
Lo! from one root, the envenom'd soil below,
A thousand vegetative serpents grow;
In shining rays the scaly monster spreads
O'er ten square leagues his far-diverging heads;
Or in one trunk entwists his tangled form,
Looks o'er the clouds, and hisses in the storm.
Steep'd in fell poison, as his sharp teeth part,
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A thousand tongues in quick vibration dart;
Snatch the proud Eagle towering o'er the heath,
Or pounce the Lion, as he stalks beneath;
Or strew, as marshall'd hosts contend in vain,
With human skeletons the whiten'd plain.
-Chain'd at his root two scion-demons dwell,
Breathe the faint hiss, or try the shriller yell;
Rise, fluttering in the air on callow wings,
And aim at insect-prey their little stings.
So Time's strong arms with sweeping scythe erase
Art's cumberous works, and empires, from their base;
While each young Hour its sickle fine employs,
And crops the sweet buds of domestic joys!
With blushes bright as morn fair ORCHIS charms,
And lulls her infant in her fondling arms;
Soft play Affection round her bosom's throne,
And guards his life, forgetful of her own.
So wings the wounded Deer her headlong flight,
Pierced by some ambush'd archer of the night,
Shoots to the woodlands with her bounding fawn,
And drops of blood bedew the conscious lawn;
There hid in shades she shuns the cheerful day,
Hangs o'er her young, and weeps her life away.
So stood Eliza on the wood-crown'd height,
O'er Minden's plain, spectatress of the sight,
Sought with bold eye amid the bloody strife
Her dearer self, the partner of her life;
From hill to hill the rushing host pursued,
And view'd his banner, or believed she view'd.
Pleased with the distant roar, with quicker tread
Fast by his hand one lisping boy she led;
And one fair girl amid the loud alarm
Slept on her kerchief, cradled by her arm;
While round her brows bright beams of Honour dart,
And Love's warm eddies circle round her heart
-Near and more near the intrepid Beauty press'd,
Saw through the driving smoke his dancing crest,
Heard the exulting shout, 'they run! they run!'
'Great GOD!' she cried, 'He's safe! the battle's won!'
-A ball now hisses through the airy tides,
(Some Fury wing'd it, and some Demon guides!)
Parts the fine locks, her graceful head that deck,
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Wounds her fair ear, and sinks into her neck;
The red stream, issuing from her azure veins,
Dyes her white veil, her ivory bosom stains.-'Ah me!' she cried, and, sinking on the ground,
Kiss'd her dear babes, regardless of the wound;
'Oh, cease not yet to beat, thou Vital Urn!
'Wait, gushing Life, oh, wait my Love's return!'Hoarse barks the wolf, the vulture screams from far!
'The angel, Pity, shuns the walks of war!-'Oh, spare ye War-hounds, spare their tender age!'On me, on me,' she cried, 'exhaust your rage!'Then with weak arms her weeping babes caress'd,
And sighing bid them in her blood-stain'd vest.
From tent to tent the impatient warrior flies,
Fear in his heart, and frenzy in his eyes;
Eliza's name along the camp he calls,
Eliza echoes through the canvas walls;
Quick through the murmuring gloom his footsteps tread,
O'er groaning heaps, the dying and the dead,
Vault o'er the plain, and in the tangled wood,
Lo! dead Eliza weltering in her blood!-Soon hears his listening son the welcome sounds,
With open arms and sparkling eyes he bounds:'Speak low,' he cries, and gives his little hand,
'Eliza sleeps upon the dew-cold sand;
'Poor weeping Babe with bloody fingers press'd,
'And tried with pouting lips her milkless breast;
'Alas! we both with cold and hunger quake'Why do you weep?-Mama will soon awake.'
-'She'll wake no more!' the hopeless mourner cried
Upturn'd his eyes, and clasp'd his hands, and sigh'd;
Stretch'd on the ground awhile entranc'd he lay,
And press'd warm kisses on the lifeless clay;
And then unsprung with wild convulsive start,
And all the Father kindled in his heart;
'Oh, Heavens!' he cried, 'my first rash vow forgive!
'These bind to earth, for these I pray to live!'Round his chill babes he wrapp'd his crimson vest,
And clasp'd them sobbing to his aching breast.
Two Harlot-Nymphs, the fair CUSCUTAS, please
With labour'd negligence, and studied ease;
In the meek garb of modest worth disguised,
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The eye averted, and the smile chastised,
With sly approach they spread their dangerous charms,
And round their victim wind their wiry arms.
So by Scamander when LAOCOON stood,
Where Troy's proud turrets glitter'd in the flood,
Raised high his arm, and with prophetic call
To shrinking realms announced her fatal fall;
Whirl'd his fierce spear with more than mortal force,
And pierced the thick ribs of the echoing horse;
Two Serpent-forms incumbent on the main,
Lashing the white waves with redundant train,
Arch'd their blue necks, and (hook their towering crests,
And plough'd their foamy way with speckled breasts;
Then darting fierce amid the affrighted throngs,
Roll'd their red eyes, and shot their forked tongues,-Two daring Youths to guard the hoary fire
Thwart their dread progress, and provoke their ire.
Round sire and sons the scaly monsters roll'd,
Ring above ring, in many a tangled fold,
Close and more close their writhing limbs surround,
And fix with foamy teeth the envenom'd wound.
-With brow upturn'd to heaven the holy Sage
In silent agony sustains their rage;
While each fond Youth, in vain, with piercing cries
Bends on the tortured Sire his dying eyes.
'Drink deep, sweet youths' seductive VITIS cries,
The maudlin tear-drop glittering in her eyes;
Green leaves and purple clusters crown her head,
And the tall Thyrsus stays her tottering tread.
- Five hapless swains with soft assuasive smiles
The harlot meshes in her deathful toils;
'Drink deep,' she carols, as she waves in air
The mantling goblet, 'and forget your care.'O'er the dread feast malignant Chemia scowls,
And mingles poison in the nectar'd bowls;
Fell Gout peeps grinning through the flimsy scene,
And bloated Dropsy pants behind unseen;
Wrapp'd in his robe white Lepra hides his stains,
And silent Frenzy writhing bites his chains.
So when PROMETHEUS braved the Thunderer's ire,
Stole from his blazing throne etherial fire,
And, lantern'd in his breast, from realms of day
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Bore the bright treasure to his Man of clay;High on cold Caucasus by VULCAN bound,
The lean impatient Vulture fluttering round,
His writhing limbs in vain he twists and strains
To break or loose the adamantine chains.
The gluttonous bird, exulting in his pangs,
Tears his swoln liver with remorseless fangs.
The gentle CYCLAMEN with dewy eye
Breathes o'er her lifeless babe the parting sigh;
And, bending low to earth, with pious hands
Inhumes her dear Departed in the sands.
'Sweet Nursling! withering in thy tender hour,
'Oh, sleep,' She cries, 'and rise a fairer flower!'
-So when the Plague o'er London's gasping crowds
Shook her dank wing, and steer'd her murky clouds;
When o'er the friendless bier no rites were read,
No dirge slow-chanted, and no pall out-spread;
While Death and Night piled up the naked throng,
And Silence drove their ebon cars along;
Six lovely daughters, and their father, swept
To the throng'd grave CLEONE saw, and wept;
Her tender mind, with meek Religion fraught,
Drank all-resigned Affliction's bitter draught;
Alive and listening to the whisper'd groan
Of others' woes, unconscious of her own!One smiling boy, her last sweet hope, she warms
Hushed on her bosom, circled in her arms,Daughter of woe! ere morn, in vain caress'd,
Clung the cold Babe upon thy milkless breast,
With feeble cries thy last sad aid required,
Stretch'd its stiff limbs, and on thy lap expired!-Long with wide eye-lids on her Child she gazed,
And long to heaven their tearless orbs she raised;
Then with quick foot and throbbing heart she found
Where Chartreuse open'd deep his holy ground;
Bore her last treasure through the midnight gloom,
And kneeling dropp'd it in the mighty tomb;
'I follow next!' the frantic mourner said,
And living plunged amid the festering dead.
Where vast Ontario rolls his brineless tides,
And feeds the trackless forests on his sides,
Fair CASSIA trembling hears the howling woods,
63
And trusts her tawny children to the floods.Cinctured with gold while ten fond brothers stand,
And guard the beauty on her native land,
Soft breathes the gale, the current gently moves,
And bears to Norway's coasts her infant-loves.
-So the sad mother at the noon of night
From bloody Memphis stole her silent flight;
Wrapp'd her dear babe beneath her folded vest,
And clasp'd the treasure to her throbbing breast,
With soothing whispers hushed its feeble cry,
Pressed the soft kiss, and breathed the secret sigh.-With dauntless step she seeks the winding shore,
Hears unappall'd the glimmering torrents roar;
With Paper-flags a floating cradle weaves,
And hides the smiling boy in Lotus-leaves;
Gives her white bosom to his eager lips,
The salt tears mingling with the milk he sips;
Waits on the reed-crown'd brink with pious guile,
And trusts the scaly monsters of the Nile.-Erewhile majestic from his lone abode,
Embassador of Heaven, the Prophet trod;
Wrench'd the red Scourge from proud Oppression's hands,
And broke, curst Slavery! thy iron bands.
Hark! heard ye not that piercing cry,
Which shook the waves and rent the sky!E'en now, e'en now, on yonder Western shores
Weeps pale Despair, and writhing Anguish roars:
E'en now in Afric's groves with hideous yell
Fierce SLAVERY stalks, and slips the dogs of hell;
From vale to vale the gathering cries rebound,
And sable nations tremble at the sound!-YE BANDS OF SENATORS! whose suffrage sways
Britannia's realms, whom either Ind obeys;
Who right the injured, and reward the brave,
Stretch your strong arm, for ye have power to save!
Throned in the vaulted heart, his dread resort,
Inexorable CONSCIENCE holds his court;
With still small voice the plots of Guilt alarms,
Bares his mask'd brow, his lifted hand disarms;
But, wrapp'd in night with terrors all his own,
He speaks in thunder, when the deed is done.
Hear him ye Senates! hear this truth sublime,
64
'HE, WHO ALLOWS OPPRESSION, SHARES THE CRIME.'
No radiant pearl, which crested Fortune wears,
No gem, that twinkling hangs from Beauty's ears,
Not the bright stars, which Night's blue arch adorn,
Nor rising suns that gild the vernal morn,
Shine with such lustre as the tear, that breaks
For other's woe down Virtue's manly cheeks.'
Here ceased the MUSE, and dropp'd her tuneful shell,
Tumultuous woes her panting bosom swell,
O'er her flush'd cheek her gauzy veil she throws,
Folds her white arms, and bends her laurel'd brows;
For human guilt awhile the Goddess sighs,
And human sorrows dim celestial eyes.
~ Erasmus Darwin,#NFDB
79:I.
In midmost Ind, beside Hydaspes cool,
There stood, or hover'd, tremulous in the air,
A faery city 'neath the potent rule
Of Emperor Elfinan; fam'd ev'rywhere
For love of mortal women, maidens fair,
Whose lips were solid, whose soft hands were made
Of a fit mould and beauty, ripe and rare,
To tamper his slight wooing, warm yet staid:
He lov'd girls smooth as shades, but hated a mere shade.
II.
This was a crime forbidden by the law;
And all the priesthood of his city wept,
For ruin and dismay they well foresaw,
If impious prince no bound or limit kept,
And faery Zendervester overstept;
They wept, he sin'd, and still he would sin on,
They dreamt of sin, and he sin'd while they slept;
In vain the pulpit thunder'd at the throne,
Caricature was vain, and vain the tart lampoon.
III.
Which seeing, his high court of parliament
Laid a remonstrance at his Highness' feet,
Praying his royal senses to content
Themselves with what in faery land was sweet,
Befitting best that shade with shade should meet:
Whereat, to calm their fears, he promis'd soon
From mortal tempters all to make retreat,--
Aye, even on the first of the new moon,
An immaterial wife to espouse as heaven's boon.
IV.
Meantime he sent a fluttering embassy
To Pigmio, of Imaus sovereign,
To half beg, and half demand, respectfully,
The hand of his fair daughter Bellanaine;
An audience had, and speeching done, they gain
Their point, and bring the weeping bride away;
Whom, with but one attendant, safely lain
Upon their wings, they bore in bright array,
While little harps were touch'd by many a lyric fay.
V.
As in old pictures tender cherubim
A child's soul thro' the sapphir'd canvas bear,
So, thro' a real heaven, on they swim
With the sweet princess on her plumag'd lair,
Speed giving to the winds her lustrous hair;
And so she journey'd, sleeping or awake,
Save when, for healthful exercise and air,
She chose to "promener l'aile," or take
A pigeon's somerset, for sport or change's sake.
VI.
"Dear Princess, do not whisper me so loud,"
Quoth Corallina, nurse and confidant,
"Do not you see there, lurking in a cloud,
Close at your back, that sly old Crafticant?
He hears a whisper plainer than a rant:
Dry up your tears, and do not look so blue;
He's Elfinan's great state-spy militant,
His running, lying, flying foot-man too,--
Dear mistress, let him have no handle against you!
VII.
"Show him a mouse's tail, and he will guess,
With metaphysic swiftness, at the mouse;
Show him a garden, and with speed no less,
He'll surmise sagely of a dwelling house,
And plot, in the same minute, how to chouse
The owner out of it; show him a" --- "Peace!
Peace! nor contrive thy mistress' ire to rouse!"
Return'd the Princess, "my tongue shall not cease
Till from this hated match I get a free release.
VIII.
"Ah, beauteous mortal!" "Hush!" quoth Coralline,
"Really you must not talk of him, indeed."
"You hush!" reply'd the mistress, with a shinee
Of anger in her eyes, enough to breed
In stouter hearts than nurse's fear and dread:
'Twas not the glance itself made nursey flinch,
But of its threat she took the utmost heed;
Not liking in her heart an hour-long pinch,
Or a sharp needle run into her back an inch.
IX.
So she was silenc'd, and fair Bellanaine,
Writhing her little body with ennui,
Continued to lament and to complain,
That Fate, cross-purposing, should let her be
Ravish'd away far from her dear countree;
That all her feelings should be set at nought,
In trumping up this match so hastily,
With lowland blood; and lowland blood she thought
Poison, as every staunch true-born Imaian ought.
X.
Sorely she griev'd, and wetted three or four
White Provence rose-leaves with her faery tears,
But not for this cause; -- alas! she had more
Bad reasons for her sorrow, as appears
In the fam'd memoirs of a thousand years,
Written by Crafticant, and published
By Parpaglion and Co., (those sly compeers
Who rak'd up ev'ry fact against the dead,)
In Scarab Street, Panthea, at the Jubal's Head.
XI.
Where, after a long hypercritic howl
Against the vicious manners of the age,
He goes on to expose, with heart and soul,
What vice in this or that year was the rage,
Backbiting all the world in every page;
With special strictures on the horrid crime,
(Section'd and subsection'd with learning sage,)
Of faeries stooping on their wings sublime
To kiss a mortal's lips, when such were in their prime.
XII.
Turn to the copious index, you will find
Somewhere in the column, headed letter B,
The name of Bellanaine, if you're not blind;
Then pray refer to the text, and you will see
An article made up of calumny
Against this highland princess, rating her
For giving way, so over fashionably,
To this new-fangled vice, which seems a burr
Stuck in his moral throat, no coughing e'er could stir.
XIII.
There he says plainly that she lov'd a man!
That she around him flutter'd, flirted, toy'd,
Before her marriage with great Elfinan;
That after marriage too, she never joy'd
In husband's company, but still employ'd
Her wits to 'scape away to Angle-land;
Where liv'd the youth, who worried and annoy'd
Her tender heart, and its warm ardours fann'd
To such a dreadful blaze, her side would scorch her hand.
XIV.
But let us leave this idle tittle-tattle
To waiting-maids, and bed-room coteries,
Nor till fit time against her fame wage battle.
Poor Elfinan is very ill at ease,
Let us resume his subject if you please:
For it may comfort and console him much,
To rhyme and syllable his miseries;
Poor Elfinan! whose cruel fate was such,
He sat and curs'd a bride he knew he could not touch.
XV.
Soon as (according to his promises)
The bridal embassy had taken wing,
And vanish'd, bird-like, o'er the suburb trees,
The Emperor, empierc'd with the sharp sting
Of love, retired, vex'd and murmuring
Like any drone shut from the fair bee-queen,
Into his cabinet, and there did fling
His limbs upon a sofa, full of spleen,
And damn'd his House of Commons, in complete chagrin.
XVI.
"I'll trounce some of the members," cry'd the Prince,
"I'll put a mark against some rebel names,
I'll make the Opposition-benches wince,
I'll show them very soon, to all their shames,
What 'tis to smother up a Prince's flames;
That ministers should join in it, I own,
Surprises me! -- they too at these high games!
Am I an Emperor? Do I wear a crown?
Imperial Elfinan, go hang thyself or drown!
XVII.
"I'll trounce 'em! -- there's the square-cut chancellor,
His son shall never touch that bishopric;
And for the nephew of old Palfior,
I'll show him that his speeches made me sick,
And give the colonelcy to Phalaric;
The tiptoe marquis, mortal and gallant,
Shall lodge in shabby taverns upon tick;
And for the Speaker's second cousin's aunt,
She sha'n't be maid of honour,-- by heaven that she sha'n't!
XVIII.
"I'll shirk the Duke of A.; I'll cut his brother;
I'll give no garter to his eldest son;
I won't speak to his sister or his mother!
The Viscount B. shall live at cut-and-run;
But how in the world can I contrive to stun
That fellow's voice, which plagues me worse than any,
That stubborn fool, that impudent state-dun,
Who sets down ev'ry sovereign as a zany,--
That vulgar commoner, Esquire Biancopany?
XIX.
"Monstrous affair! Pshaw! pah! what ugly minx
Will they fetch from Imaus for my bride?
Alas! my wearied heart within me sinks,
To think that I must be so near ally'd
To a cold dullard fay,--ah, woe betide!
Ah, fairest of all human loveliness!
Sweet Bertha! what crime can it be to glide
About the fragrant plaintings of thy dress,
Or kiss thine eyes, or count thy locks, tress after tress?"
XX.
So said, one minute's while his eyes remaind'
Half lidded, piteous, languid, innocent;
But, in a wink, their splendour they regain'd,
Sparkling revenge with amorous fury blent.
Love thwarted in bad temper oft has vent:
He rose, he stampt his foot, he rang the bell,
And order'd some death-warrants to be sent
For signature: -- somewhere the tempest fell,
As many a poor fellow does not live to tell.
XXI.
"At the same time, Eban," -- (this was his page,
A fay of colour, slave from top to toe,
Sent as a present, while yet under age,
From the Viceroy of Zanguebar, -- wise, slow,
His speech, his only words were "yes" and "no,"
But swift of look, and foot, and wing was he,--)
"At the same time, Eban, this instant go
To Hum the soothsayer, whose name I see
Among the fresh arrivals in our empery.
XXII.
"Bring Hum to me! But stay -- here, take my ring,
The pledge of favour, that he not suspect
Any foul play, or awkward murdering,
Tho' I have bowstrung many of his sect;
Throw in a hint, that if he should neglect
One hour, the next shall see him in my grasp,
And the next after that shall see him neck'd,
Or swallow'd by my hunger-starved asp,--
And mention ('tis as well) the torture of the wasp."
XXIII.
These orders given, the Prince, in half a pet,
Let o'er the silk his propping elbow slide,
Caught up his little legs, and, in a fret,
Fell on the sofa on his royal side.
The slave retreated backwards, humble-ey'd,
And with a slave-like silence clos'd the door,
And to old Hun thro' street and alley hied;
He "knew the city," as we say, of yore,
And for short cuts and turns, was nobody knew more.
XXIV.
It was the time when wholesale dealers close
Their shutters with a moody sense of wealth,
But retail dealers, diligent, let loose
The gas (objected to on score of health),
Convey'd in little solder'd pipes by stealth,
And make it flare in many a brilliant form,
That all the powers of darkness it repell'th,
Which to the oil-trade doth great scaith and harm,
And superseded quite the use of the glow-worm.
XXV.
Eban, untempted by the pastry-cooks,
(Of pastry he got store within the palace,)
With hasty steps, wrapp'd cloak, and solemn looks,
Incognito upon his errand sallies,
His smelling-bottle ready for the allies;
He pass'd the Hurdy-gurdies with disdain,
Vowing he'd have them sent on board the gallies;
Just as he made his vow; it 'gan to rain,
Therefore he call'd a coach, and bade it drive amain.
XXVI.
"I'll pull the string," said he, and further said,
"Polluted Jarvey! Ah, thou filthy hack!
Whose springs of life are all dry'd up and dead,
Whose linsey-woolsey lining hangs all slack,
Whose rug is straw, whose wholeness is a crack;
And evermore thy steps go clatter-clitter;
Whose glass once up can never be got back,
Who prov'st, with jolting arguments and bitter,
That 'tis of modern use to travel in a litter.
XXVII.
"Thou inconvenience! thou hungry crop
For all corn! thou snail-creeper to and fro,
Who while thou goest ever seem'st to stop,
And fiddle-faddle standest while you go;
I' the morning, freighted with a weight of woe,
Unto some lazar-house thou journeyest,
And in the evening tak'st a double row
Of dowdies, for some dance or party drest,
Besides the goods meanwhile thou movest east and west.
XXVIII.
"By thy ungallant bearing and sad mien,
An inch appears the utmost thou couldst budge;
Yet at the slightest nod, or hint, or sign,
Round to the curb-stone patient dost thou trudge,
School'd in a beckon, learned in a nudge,
A dull-ey'd Argus watching for a fare;
Quiet and plodding, thou dost bear no grudge
To whisking Tilburies, or Phaetons rare,
Curricles, or Mail-coaches, swift beyond compare."
XXIX.
Philosophizing thus, he pull'd the check,
And bade the Coachman wheel to such a street,
Who, turning much his body, more his neck,
Louted full low, and hoarsely did him greet:
"Certes, Monsieur were best take to his feet,
Seeing his servant can no further drive
For press of coaches, that to-night here meet,
Many as bees about a straw-capp'd hive,
When first for April honey into faint flowers they dive."
XXX.
Eban then paid his fare, and tiptoe went
To Hum's hotel; and, as he on did pass
With head inclin'd, each dusky lineament
Show'd in the pearl-pav'd street, as in a glass;
His purple vest, that ever peeping was
Rich from the fluttering crimson of his cloak,
His silvery trowsers, and his silken sash
Tied in a burnish'd knot, their semblance took
Upon the mirror'd walls, wherever he might look.
XXXI.
He smil'd at self, and, smiling, show'd his teeth,
And seeing his white teeth, he smil'd the more;
Lifted his eye-brows, spurn'd the path beneath,
Show'd teeth again, and smil'd as heretofore,
Until he knock'd at the magician's door;
Where, till the porter answer'd, might be seen,
In the clear panel more he could adore,--
His turban wreath'd of gold, and white, and green,
Mustachios, ear-ring, nose-ring, and his sabre keen.
XXXII.
"Does not your master give a rout to-night?"
Quoth the dark page. "Oh, no!" return'd the Swiss,
"Next door but one to us, upon the right,
The Magazin des Modes now open is
Against the Emperor's wedding;--and, sir, this
My master finds a monstrous horrid bore;
As he retir'd, an hour ago I wis,
With his best beard and brimstone, to explore
And cast a quiet figure in his second floor.
XXXIII.
"Gad! he's oblig'd to stick to business!
For chalk, I hear, stands at a pretty price;
And as for aqua vitae -- there's a mess!
The dentes sapientiae of mice,
Our barber tells me too, are on the rise,--
Tinder's a lighter article, -- nitre pure
Goes off like lightning, -- grains of Paradise
At an enormous figure! -- stars not sure! --
Zodiac will not move without a slight douceur!
XXXIV.
"Venus won't stir a peg without a fee,
And master is too partial, entre nous,
To" -- "Hush -- hush!" cried Eban, "sure that is he
Coming down stairs, -- by St. Bartholomew!
As backwards as he can, -- is't something new?
Or is't his custom, in the name of fun?"
"He always comes down backward, with one shoe"--
Return'd the porter -- "off, and one shoe on,
Like, saving shoe for sock or stocking, my man John!"
XXXV.
It was indeed the great Magician,
Feeling, with careful toe, for every stair,
And retrograding careful as he can,
Backwards and downwards from his own two pair:
"Salpietro!" exclaim'd Hum, "is the dog there?
He's always in my way upon the mat!"
"He's in the kitchen, or the Lord knows where,"--
Reply'd the Swiss, -- "the nasty, yelping brat!"
"Don't beat him!" return'd Hum, and on the floor came pat.
XXXVI.
Then facing right about, he saw the Page,
And said: "Don't tell me what you want, Eban;
The Emperor is now in a huge rage,--
'Tis nine to one he'll give you the rattan!
Let us away!" Away together ran
The plain-dress'd sage and spangled blackamoor,
Nor rested till they stood to cool, and fan,
And breathe themselves at th' Emperor's chamber door,
When Eban thought he heard a soft imperial snore.
XXXVII.
"I thought you guess'd, foretold, or prophesy'd,
That's Majesty was in a raving fit?"
"He dreams," said Hum, "or I have ever lied,
That he is tearing you, sir, bit by bit."
"He's not asleep, and you have little wit,"
Reply'd the page; "that little buzzing noise,
Whate'er your palmistry may make of it,
Comes from a play-thing of the Emperor's choice,
From a Man-Tiger-Organ, prettiest of his toys."
XXXVIII.
Eban then usher'd in the learned Seer:
Elfinan's back was turn'd, but, ne'ertheless,
Both, prostrate on the carpet, ear by ear,
Crept silently, and waited in distress,
Knowing the Emperor's moody bitterness;
Eban especially, who on the floor 'gan
Tremble and quake to death,-- he feared less
A dose of senna-tea or nightmare Gorgon
Than the Emperor when he play'd on his Man-Tiger-Organ.
XXXIX.
They kiss'd nine times the carpet's velvet face
Of glossy silk, soft, smooth, and meadow-green,
Where the close eye in deep rich fur might trace
A silver tissue, scantly to be seen,
As daisies lurk'd in June-grass, buds in green;
Sudden the music ceased, sudden the hand
Of majesty, by dint of passion keen,
Doubled into a common fist, went grand,
And knock'd down three cut glasses, and his best ink-stand.
XL.
Then turning round, he saw those trembling two:
"Eban," said he, "as slaves should taste the fruits
Of diligence, I shall remember you
To-morrow, or next day, as time suits,
In a finger conversation with my mutes,--
Begone! -- for you, Chaldean! here remain!
Fear not, quake not, and as good wine recruits
A conjurer's spirits, what cup will you drain?
Sherry in silver, hock in gold, or glass'd champagne?"
XLI.
"Commander of the faithful!" answer'd Hum,
"In preference to these, I'll merely taste
A thimble-full of old Jamaica rum."
"A simple boon!" said Elfinan; "thou may'st
Have Nantz, with which my morning-coffee's lac'd."
"I'll have a glass of Nantz, then," -- said the Seer,--
"Made racy -- (sure my boldness is misplac'd!)--
With the third part -- (yet that is drinking dear!)--
Of the least drop of crme de citron, crystal clear."
XLII.
"I pledge you, Hum! and pledge my dearest love,
My Bertha!" "Bertha! Bertha!" cry'd the sage,
"I know a many Berthas!" "Mine's above
All Berthas!" sighed the Emperor. "I engage,"
Said Hum, "in duty, and in vassalage,
To mention all the Berthas in the earth;--
There's Bertha Watson, -- and Miss Bertha Page,--
This fam'd for languid eyes, and that for mirth,--
There's Bertha Blount of York, -- and Bertha Knox of Perth."
XLIII.
"You seem to know" -- "I do know," answer'd Hum,
"Your Majesty's in love with some fine girl
Named Bertha; but her surname will not come,
Without a little conjuring." "'Tis Pearl,
'Tis Bertha Pearl! What makes my brain so whirl?
And she is softer, fairer than her name!"
"Where does she live?" ask'd Hum. "Her fair locks curl
So brightly, they put all our fays to shame!--
Live? -- O! at Canterbury, with her old grand-dame."
XLIV.
"Good! good!" cried Hum, "I've known her from a child!
She is a changeling of my management;
She was born at midnight in an Indian wild;
Her mother's screams with the striped tiger's blent,
While the torch-bearing slaves a halloo sent
Into the jungles; and her palanquin,
Rested amid the desert's dreariment,
Shook with her agony, till fair were seen
The little Bertha's eyes ope on the stars serene."
XLV.
"I can't say," said the monarch; "that may be
Just as it happen'd, true or else a bam!
Drink up your brandy, and sit down by me,
Feel, feel my pulse, how much in love I am;
And if your science is not all a sham.
Tell me some means to get the lady here."
"Upon my honour!" said the son of Cham,
"She is my dainty changeling, near and dear,
Although her story sounds at first a little queer."
XLVI.
"Convey her to me, Hum, or by my crown,
My sceptre, and my cross-surmounted globe,
I'll knock you" -- "Does your majesty mean -- down?
No, no, you never could my feelings probe
To such a depth!" The Emperor took his robe,
And wept upon its purple palatine,
While Hum continued, shamming half a sob,--
"In Canterbury doth your lady shine?
But let me cool your brandy with a little wine."
XLVII.
Whereat a narrow Flemish glass he took,
That since belong'd to Admiral De Witt,
Admir'd it with a connoisseuring look,
And with the ripest claret crowned it,
And, ere the lively bead could burst and flit,
He turn'd it quickly, nimbly upside down,
His mouth being held conveniently fit
To catch the treasure: "Best in all the town!"
He said, smack'd his moist lips, and gave a pleasant frown.
XLVIII.
"Ah! good my Prince, weep not!" And then again
He filled a bumper. "Great Sire, do not weep!
Your pulse is shocking, but I'll ease your pain."
"Fetch me that Ottoman, and prithee keep
Your voice low," said the Emperor; "and steep
Some lady's-fingers nice in Candy wine;
And prithee, Hum, behind the screen do peep
For the rose-water vase, magician mine!
And sponge my forehead, -- so my love doth make me pine.
XLIX.
"Ah, cursed Bellanaine!" "Don't think of her,"
Rejoin'd the Mago, "but on Bertha muse;
For, by my choicest best barometer,
You shall not throttled be in marriage noose;
I've said it, Sire; you only have to choose
Bertha or Bellanaine." So saying, he drew
From the left pocket of his threadbare hose,
A sampler hoarded slyly, good as new,
Holding it by his thumb and finger full in view.
L.
"Sire, this is Bertha Pearl's neat handy-work,
Her name, see here, Midsummer, ninety-one."
Elfinan snatch'd it with a sudden jerk,
And wept as if he never would have done,
Honouring with royal tears the poor homespun;
Whereon were broider'd tigers with black eyes,
And long-tail'd pheasants, and a rising sun,
Plenty of posies, great stags, butterflies
Bigger than stags,-- a moon,-- with other mysteries.
LI.
The monarch handled o'er and o'er again
Those day-school hieroglyphics with a sigh;
Somewhat in sadness, but pleas'd in the main,
Till this oracular couplet met his eye
Astounded -- Cupid, I do thee defy!
It was too much. He shrunk back in his chair,
Grew pale as death, and fainted -- very nigh!
"Pho! nonsense!" exclaim'd Hum, "now don't despair;
She does not mean it really. Cheer up, hearty -- there!
LII.
"And listen to my words. You say you won't,
On any terms, marry Miss Bellanaine;
It goes against your conscience -- good! Well, don't.
You say you love a mortal. I would fain
Persuade your honour's highness to refrain
From peccadilloes. But, Sire, as I say,
What good would that do? And, to be more plain,
You would do me a mischief some odd day,
Cut off my ears and limbs, or head too, by my fay!
LIII.
"Besides, manners forbid that I should pass any
Vile strictures on the conduct of a prince
Who should indulge his genius, if he has any,
Not, like a subject, foolish matters mince.
Now I think on't, perhaps I could convince
Your Majesty there is no crime at all
In loving pretty little Bertha, since
She's very delicate,-- not over tall, --
A fairy's hand, and in the waist why -- very small."
LIV.
"Ring the repeater, gentle Hum!" "'Tis five,"
Said the gentle Hum; "the nights draw in apace;
The little birds I hear are all alive;
I see the dawning touch'd upon your face;
Shall I put out the candles, please your Grace?"
"Do put them out, and, without more ado,
Tell me how I may that sweet girl embrace,--
How you can bring her to me." "That's for you,
Great Emperor! to adventure, like a lover true."
LV.
"I fetch her!" -- "Yes, an't like your Majesty;
And as she would be frighten'd wide awake
To travel such a distance through the sky,
Use of some soft manoeuvre you must make,
For your convenience, and her dear nerves' sake;
Nice way would be to bring her in a swoon,
Anon, I'll tell what course were best to take;
You must away this morning." "Hum! so soon?"
"Sire, you must be in Kent by twelve o'clock at noon."
LVI.
At this great Caesar started on his feet,
Lifted his wings, and stood attentive-wise.
"Those wings to Canterbury you must beat,
If you hold Bertha as a worthy prize.
Look in the Almanack -- Moore never lies --
April the twenty- fourth, -- this coming day,
Now breathing its new bloom upon the skies,
Will end in St. Mark's Eve; -- you must away,
For on that eve alone can you the maid convey."
LVII.
Then the magician solemnly 'gan to frown,
So that his frost-white eyebrows, beetling low,
Shaded his deep green eyes, and wrinkles brown
Plaited upon his furnace-scorched brow:
Forth from his hood that hung his neck below,
He lifted a bright casket of pure gold,
Touch'd a spring-lock, and there in wool or snow,
Charm'd into ever freezing, lay an old
And legend-leaved book, mysterious to behold.
LVIII.
"Take this same book,-- it will not bite you, Sire;
There, put it underneath your royal arm;
Though it's a pretty weight it will not tire,
But rather on your journey keep you warm:
This is the magic, this the potent charm,
That shall drive Bertha to a fainting fit!
When the time comes, don't feel the least alarm,
But lift her from the ground, and swiftly flit
Back to your palace. * * * * * * * * * *
LIX.
"What shall I do with that same book?" "Why merely
Lay it on Bertha's table, close beside
Her work-box, and 'twill help your purpose dearly;
I say no more." "Or good or ill betide,
Through the wide air to Kent this morn I glide!"
Exclaim'd the Emperor. "When I return,
Ask what you will, -- I'll give you my new bride!
And take some more wine, Hum; -- O Heavens! I burn
To be upon the wing! Now, now, that minx I spurn!"
LX.
"Leave her to me," rejoin'd the magian:
"But how shall I account, illustrious fay!
For thine imperial absence? Pho! I can
Say you are very sick, and bar the way
To your so loving courtiers for one day;
If either of their two archbishops' graces
Should talk of extreme unction, I shall say
You do not like cold pig with Latin phrases,
Which never should be used but in alarming cases."
LXI.
"Open the window, Hum; I'm ready now!"
Zooks!" exclaim'd Hum, as up the sash he drew.
"Behold, your Majesty, upon the brow
Of yonder hill, what crowds of people!" "Whew!
The monster's always after something new,"
Return'd his Highness, "they are piping hot
To see my pigsney Bellanaine. Hum! do
Tighten my belt a little, -- so, so, -- not
Too tight, -- the book! -- my wand! -- so, nothing is forgot."
LXII.
"Wounds! how they shout!" said Hum, "and there, -- see, see!
Th' ambassador's return'd from Pigmio!
The morning's very fine, -- uncommonly!
See, past the skirts of yon white cloud they go,
Tinging it with soft crimsons! Now below
The sable-pointed heads of firs and pines
They dip, move on, and with them moves a glow
Along the forest side! Now amber lines
Reach the hill top, and now throughout the valley shines."
LXIII.
"Why, Hum, you're getting quite poetical!
Those 'nows' you managed in a special style."
"If ever you have leisure, Sire, you shall
See scraps of mine will make it worth your while,
Tid-bits for Phoebus! -- yes, you well may smile.
Hark! hark! the bells!" "A little further yet,
Good Hum, and let me view this mighty coil."
Then the great Emperor full graceful set
His elbow for a prop, and snuff'd his mignonnette.
LXIV.
The morn is full of holiday; loud bells
With rival clamours ring from every spire;
Cunningly-station'd music dies and swells
In echoing places; when the winds respire,
Light flags stream out like gauzy tongues of fire;
A metropolitan murmur, lifeful, warm,
Comes from the northern suburbs; rich attire
Freckles with red and gold the moving swarm;
While here and there clear trumpets blow a keen alarm.
LXV.
And now the fairy escort was seen clear,
Like the old pageant of Aurora's train,
Above a pearl-built minister, hovering near;
First wily Crafticant, the chamberlain,
Balanc'd upon his grey-grown pinions twain,
His slender wand officially reveal'd;
Then black gnomes scattering sixpences like rain;
Then pages three and three; and next, slave-held,
The Imaian 'scutcheon bright, -- one mouse in argent field.
LXVI.
Gentlemen pensioners next; and after them,
A troop of winged Janizaries flew;
Then slaves, as presents bearing many a gem;
Then twelve physicians fluttering two and two;
And next a chaplain in a cassock new;
Then Lords in waiting; then (what head not reels
For pleasure?) -- the fair Princess in full view,
Borne upon wings, -- and very pleas'd she feels
To have such splendour dance attendance at her heels.
LXVII.
For there was more magnificence behind:
She wav'd her handkerchief. "Ah, very grand!"
Cry'd Elfinan, and clos'd the window-blind;
"And, Hum, we must not shilly-shally stand,--
Adieu! adieu! I'm off for Angle-land!
I say, old Hocus, have you such a thing
About you, -- feel your pockets, I command,--
I want, this instant, an invisible ring,--
Thank you, old mummy! -- now securely I take wing."
LXVIII.
Then Elfinan swift vaulted from the floor,
And lighted graceful on the window-sill;
Under one arm the magic book he bore,
The other he could wave about at will;
Pale was his face, he still look'd very ill;
He bow'd at Bellanaine, and said -- "Poor Bell!
Farewell! farewell! and if for ever! still
For ever fare thee well!" -- and then he fell
A laughing! -- snapp'd his fingers! -- shame it is to tell!
LXIX.
"By'r Lady! he is gone!" cries Hum, "and I --
(I own it) -- have made too free with his wine;
Old Crafticant will smoke me. By-the-bye!
This room is full of jewels as a mine,--
Dear valuable creatures, how ye shine!
Sometime to-day I must contrive a minute,
If Mercury propitiously incline,
To examine his scutoire, and see what's in i,
For of superfluous diamonds I as well may thin it.
LXX.
"The Emperor's horrid bad; yes, that's my cue!"
Some histories say that this was Hum's last speech;
That, being fuddled, he went reeling through
The corridor, and scarce upright could reach
The stair-head; that being glutted as a leech,
And us'd, as we ourselves have just now said,
To manage stairs reversely, like a peach
Too ripe, he fell, being puzzled in his head
With liquor and the staircase: verdict -- found stone dead.
LXXI.
This as a falsehood Crafticanto treats;
And as his style is of strange elegance,
Gentle and tender, full of soft conceits,
(Much like our Boswell's,) we will take a glance
At his sweet prose, and, if we can, make dance
His woven periods into careless rhyme;
O, little faery Pegasus! rear -- prance --
Trot round the quarto -- ordinary time!
March, little Pegasus, with pawing hoof sublime!
LXXII.
Well, let us see, -- tenth book and chapter nine,--
Thus Crafticant pursues his diary:--
"'Twas twelve o'clock at night, the weather fine,
Latitude thirty-six; our scouts descry
A flight of starlings making rapidly
Towards Thibet. Mem.: -- birds fly in the night;
From twelve to half-past -- wings not fit to fly
For a thick fog -- the Princess sulky quite;
Call'd for an extra shawl, and gave her nurse a bite.
LXXIII.
"Five minutes before one -- brought down a moth
With my new double-barrel -- stew'd the thighs
And made a very tolerable broth --
Princess turn'd dainty, to our great surprise,
Alter'd her mind, and thought it very nice;
Seeing her pleasant, try'd her with a pun,
She frown'd; a monstrous owl across us flies
About this time, -- a sad old figure of fun;
Bad omen -- this new match can't be a happy one.
LXXIV.
"From two to half-past, dusky way we made,
Above the plains of Gobi, -- desert, bleak;
Beheld afar off, in the hooded shade
Of darkness, a great mountain (strange to speak),
Spitting, from forth its sulphur-baken peak,
A fan-shap'd burst of blood-red, arrowy fire,
Turban'd with smoke, which still away did reek,
Solid and black from that eternal pyre,
Upon the laden winds that scantly could respire.
LXXV.
"Just upon three o'clock a falling star
Created an alarm among our troop,
Kill'd a man-cook, a page, and broke a jar,
A tureen, and three dishes, at one swoop,
Then passing by the princess, singed her hoop:
Could not conceive what Coralline was at,
She clapp'd her hands three times and cry'd out 'Whoop!'
Some strange Imaian custom. A large bat
Came sudden 'fore my face, and brush'd against my hat.
LXXVI.
"Five minutes thirteen seconds after three,
Far in the west a mighty fire broke out,
Conjectur'd, on the instant, it might be,
The city of Balk -- 'twas Balk beyond all doubt:
A griffin, wheeling here and there about,
Kept reconnoitring us -- doubled our guard --
Lighted our torches, and kept up a shout,
Till he sheer'd off -- the Princess very scar'd --
And many on their marrow-bones for death prepar'd.
LXXVII.
"At half-past three arose the cheerful moon--
Bivouack'd for four minutes on a cloud --
Where from the earth we heard a lively tune
Of tambourines and pipes, serene and loud,
While on a flowery lawn a brilliant crowd
Cinque-parted danc'd, some half asleep reposed
Beneath the green-fan'd cedars, some did shroud
In silken tents, and 'mid light fragrance dozed,
Or on the opera turf their soothed eyelids closed.
LXXVIII.
"Dropp'd my gold watch, and kill'd a kettledrum--
It went for apoplexy -- foolish folks! --
Left it to pay the piper -- a good sum --
(I've got a conscience, maugre people's jokes,)
To scrape a little favour; 'gan to coax
Her Highness' pug-dog -- got a sharp rebuff --
She wish'd a game at whist -- made three revokes --
Turn'd from myself, her partner, in a huff;
His majesty will know her temper time enough.
LXXIX.
"She cry'd for chess -- I play'd a game with her --
Castled her king with such a vixen look,
It bodes ill to his Majesty -- (refer
To the second chapter of my fortieth book,
And see what hoity-toity airs she took).
At half-past four the morn essay'd to beam --
Saluted, as we pass'd, an early rook --
The Princess fell asleep, and, in her dream,
Talk'd of one Master Hubert, deep in her esteem.
LXXX.
"About this time, -- making delightful way,--
Shed a quill-feather from my larboard wing --
Wish'd, trusted, hop'd 'twas no sign of decay --
Thank heaven, I'm hearty yet! -- 'twas no such thing:--
At five the golden light began to spring,
With fiery shudder through the bloomed east;
At six we heard Panthea's churches ring --
The city wall his unhiv'd swarms had cast,
To watch our grand approach, and hail us as we pass'd.
LXXXI.
"As flowers turn their faces to the sun,
So on our flight with hungry eyes they gaze,
And, as we shap'd our course, this, that way run,
With mad-cap pleasure, or hand-clasp'd amaze;
Sweet in the air a mild-ton'd music plays,
And progresses through its own labyrinth;
Buds gather'd from the green spring's middle-days,
They scatter'd, -- daisy, primrose, hyacinth,--
Or round white columns wreath'd from capital to plinth.
LXXXII.
"Onward we floated o'er the panting streets,
That seem'd throughout with upheld faces paved;
Look where we will, our bird's-eye vision meets
Legions of holiday; bright standards waved,
And fluttering ensigns emulously craved
Our minute's glance; a busy thunderous roar,
From square to square, among the buildings raved,
As when the sea, at flow, gluts up once more
The craggy hollowness of a wild reefed shore.
LXXXIII.
"And 'Bellanaine for ever!' shouted they,
While that fair Princess, from her winged chair,
Bow'd low with high demeanour, and, to pay
Their new-blown loyalty with guerdon fair,
Still emptied at meet distance, here and there,
A plenty horn of jewels. And here I
(Who wish to give the devil her due) declare
Against that ugly piece of calumny,
Which calls them Highland pebble-stones not worth a fly.
LXXXIV.
"Still 'Bellanaine!' they shouted, while we glide
'Slant to a light Ionic portico,
The city's delicacy, and the pride
Of our Imperial Basilic; a row
Of lords and ladies, on each hand, make show
Submissive of knee-bent obeisance,
All down the steps; and, as we enter'd, lo!
The strangest sight -- the most unlook'd for chance --
All things turn'd topsy-turvy in a devil's dance.
LXXXV.
"'Stead of his anxious Majesty and court
At the open doors, with wide saluting eyes,
Conges and scrape-graces of every sort,
And all the smooth routine of gallantries,
Was seen, to our immoderate surprise,
A motley crowd thick gather'd in the hall,
Lords, scullions, deputy-scullions, with wild cries
Stunning the vestibule from wall to wall,
Where the Chief Justice on his knees and hands doth crawl.
LXXXVI.
"Counts of the palace, and the state purveyor
Of moth's-down, to make soft the royal beds,
The Common Council and my fool Lord Mayor
Marching a-row, each other slipshod treads;
Powder'd bag-wigs and ruffy-tuffy heads
Of cinder wenches meet and soil each other;
Toe crush'd with heel ill-natur'd fighting breeds,
Frill-rumpling elbows brew up many a bother,
And fists in the short ribs keep up the yell and pother.
LXXXVII.
"A Poet, mounted on the Court-Clown's back,
Rode to the Princess swift with spurring heels,
And close into her face, with rhyming clack,
Began a Prothalamion; -- she reels,
She falls, she faints! while laughter peels
Over her woman's weakness. 'Where!' cry'd I,
'Where is his Majesty?' No person feels
Inclin'd to answer; wherefore instantly
I plung'd into the crowd to find him or die.
LXXXVIII.
"Jostling my way I gain'd the stairs, and ran
To the first landing, where, incredible!
I met, far gone in liquor, that old man,
That vile impostor Hum. ----"
So far so well,--
For we have prov'd the Mago never fell
Down stairs on Crafticanto's evidence;
And therefore duly shall proceed to tell,
Plain in our own original mood and tense,
The sequel of this day, though labour 'tis immense!
* * * * * * * * * * * * * * * * * * * * * *
'Lord Houghton first gave this composition in the Life, Letters &c. (1848), and in Volume II, page 51, refers to it as "the last of Keats's literary labours." The poet says in a letter to Brown, written after the first attack of blood-spitting,
"I shall soon begin upon 'Lucy Vaughan Lloyd.' I do not begin composition yet, being willing, in case of a relapse, to have nothing to reproach myself with."
I presume, therefore, that the composition may be assigned to the Spring or Summer of 1820. In August of that year, Leigh Hunt seems to have had the manuscript in his hands, for, in the first part of his article on Coaches, which fills The Indicator for the 23rd of August 1820, he quotes four stanzas and four lines from the poem, as by "a very good poetess, of the name of Lucy V---- L----, who has favoured us with a sight of a manuscript poem," &c. The stanzas quoted are XXV to XXIX. Lord Houghton gives, in the Aldine Edition of 1876, the following note by Brown: --
"This Poem was written subject to future amendments and omissions: it was begun without a plan, and without any prescribed laws for the supernatural machinery."
His Lordship adds an interesting passage from a letter written to him by Lord Jeffrey: --
"There are beautiful passages and lines of ineffable sweetness in these minor pieces, and strange outbursts of individual fancy and felicitous expressions in the 'Cap and Bells,' though the general extravagance of the poetry is more suited to an Italian than to an English taste."
The late Dante Gabriel Rossetti wrote to me of this poem as "the only unworthy stuff Keats ever wrote except an early trifle or two," and again as "the to me hateful Cap and Bells." I confess that it seems to me entirely unworthy of Keats, though certainly a proof, if proof were needed, of his versatility. It has the character of a mere intellectual and mechanical exercise, performed at a time when those higher forces constituting the mainspring of poetry were exhausted; but even so I find it difficult to figure Keats as doing anything so aimless as this appears when regarded solely as an effort of the fancy. He probably had a satirical under-current of meaning; and it needs no great stretch of the imagination to see the illicit passion of Emperor Elfinan, and his detestation for his authorized bride-elect, an oblique glance at the martial relations of George IV.
It is not difficult to suggest prototypes for many of the faery-land statesmen against whom Elfinan vows vengeance; and there are many particulars in which earthly incidents are too thickly strewn to leave one in the settled belief that the poet's programme was wholly unearthly.--- H. B. F.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished
,#NFDB
80:The Court Of Love
With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.
The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right
No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.
Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,
That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
748
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.
But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:
To her be all the plesure of this boke,
That, whan her like, she may it rede and loke.
When I was yong, at eighteen yere of age,
Lusty and light, desirous of pleasaunce,
Approching on full sadde and ripe corage,
Love arted me to do myn observaunce
To his astate, and doon him obeysaunce,
Commaunding me the Court of Love to see,
A lite beside the mount of Citharee,
There Citherea goddesse was and quene
Honoured highly for her majestee;
And eke her sone, the mighty god, I wene,
Cupid the blind, that for his dignitee
A thousand lovers worship on their knee;
There was I bid, on pain of death, t'apere,
By Mercury, the winged messengere.
So than I went by straunge and fer contrees,
Enquiring ay what costes to it drew,
The Court of Love: and thiderward, as bees,
At last I sey the peple gan pursue:
Anon, me thought, som wight was there that knew
Where that the court was holden, ferre or ny,
And after thaim ful fast I gan me hy.
749
Anone as I theim overtook, I said,
'Hail, frendes! whider purpose ye to wend?'
'Forsooth,' quod oon that answered lich a maid,
'To Loves Court now go we, gentill frend.'
'Where is that place,' quod I, 'my felowe hend?'
'At Citheron, sir,' seid he, 'without dowte,
The King of Love, and all his noble rowte,
Dwelling within a castell ryally.'
So than apace I jorned forth among,
And as he seid, so fond I there truly.
For I beheld the towres high and strong,
And high pinácles, large of hight and long,
With plate of gold bespred on every side,
And presious stones, the stone-werk for to hide.
No saphir ind, no rubè riche of price,
There lakked than, nor emeraud so grene,
Baleis Turkeis, ne thing to my devise,
That may the castell maken for to shene:
All was as bright as sterres in winter been;
And Phebus shoon, to make his pees agayn,
For trespas doon to high estates tweyn,
Venus and Mars, the god and goddesse clere,
Whan he theim found in armes cheined fast:
Venus was then full sad of herte and chere.
But Phebus bemes, streight as is the mast,
Upon the castell ginneth he to cast,
To plese the lady, princesse of that place,
In signe he loketh aftir Loves grace.
For there nis god in heven or helle, y-wis,
But he hath ben right soget unto Love:
Jove, Pluto, or what-so-ever he is,
Ne creature in erth, or yet above;
Of thise the révers may no wight approve.
But furthermore, the castell to descry,
750
Yet saw I never non so large and high.
For unto heven it streccheth, I suppose,
Within and out depeynted wonderly,
With many a thousand daisy, rede as rose,
And white also, this saw I verily:
But what tho daises might do signify,
Can I not tell, sauf that the quenes flour
Alceste it was that kept there her sojour;
Which under Venus lady was and quene,
And Admete king and soverain of that place,
To whom obeyed the ladies gode ninetene,
With many a thowsand other, bright of face.
And yong men fele came forth with lusty pace,
And aged eke, their homage to dispose;
But what thay were, I could not well disclose.
Yet ner and ner furth in I gan me dresse
Into an halle of noble apparaile,
With arras spred and cloth of gold, I gesse,
And other silk of esier availe:
Under the cloth of their estate, saunz faile,
The king and quene ther sat, as I beheld:
It passed joye of Helisee the feld.
There saintes have their comming and resort,
To seen the king so ryally beseyn,
In purple clad, and eke the quene in sort:
And on their hedes saw I crownes tweyn,
With stones fret, so that it was no payn,
Withouten mete and drink, to stand and see
The kinges honour and the ryaltee.
And for to trete of states with the king,
That been of councell chief, and with the quene,
The king had Daunger ner to him standing,
751
The Quene of Love, Disdain, and that was seen:
For by the feith I shall to god, I wene,
Was never straunger [non] in her degree
Than was the quene in casting of her ee.
And as I stood perceiving her apart,
And eke the bemes shyning of her yen,
Me thought thay were shapen lich a dart,
Sherp and persing, smale, and streight as lyne.
And all her here, it shoon as gold so fyne,
Dishevel, crisp, down hinging at her bak
A yarde in length: and soothly than I spak:—
'O bright Regina, who made thee so fair?
Who made thy colour vermelet and white?
Where woneth that god? how fer above the eyr?
Greet was his craft, and greet was his delyt.
Now marvel I nothing that ye do hight
The Quene of Love, and occupy the place
Of Citharee: now, sweet lady, thy grace.'
In mewet spak I, so that nought astert,
By no condicion, word that might be herd;
B[ut] in myn inward thought I gan advert,
And oft I seid, 'My wit is dulle and hard:'
For with her bewtee, thus, god wot, I ferd
As doth the man y-ravisshed with sight,
When I beheld her cristall yen so bright,
No respect having what was best to doon;
Till right anon, beholding here and there,
I spied a frend of myne, and that full soon,
A gentilwoman, was the chamberer
Unto the quene, that hote, as ye shall here,
Philobone, that lovëd all her life:
Whan she me sey, she led me furth as blyfe;
752
And me demaunded how and in what wise
I thider com, and what myne erand was?
'To seen the court,' quod I, 'and all the guyse;
And eke to sue for pardon and for grace,
And mercy ask for all my greet trespace,
That I non erst com to the Court of Love:
Foryeve me this, ye goddes all above!'
'That is well seid,' quod Philobone, 'in-dede:
But were ye not assomoned to apere
By Mercury? For that is all my drede.'
'Yes, gentil fair,' quod I, 'now am I here;
Ye, yit what tho, though that be true, my dere?'
'Of your free will ye shuld have come unsent:
For ye did not, I deme ye will be shent.
For ye that reign in youth and lustinesse,
Pampired with ese, and jolif in your age,
Your dewtee is, as fer as I can gesse,
To Loves Court to dressen your viage,
As sone as Nature maketh you so sage,
That ye may know a woman from a swan,
Or whan your foot is growen half a span.
But sith that ye, by wilful necligence,
This eighteen yere have kept yourself at large,
The gretter is your trespace and offence,
And in your nek ye moot bere all the charge:
For better were ye ben withouten barge,
Amiddë see, in tempest and in rain,
Than byden here, receiving woo and pain,
That ordeined is for such as thaim absent
Fro Loves Court by yeres long and fele.
I ley my lyf ye shall full soon repent;
For Love will reyve your colour, lust, and hele:
Eke ye must bait on many an hevy mele:
No force, y-wis, I stired you long agoon
753
To draw to court,' quod litell Philobon.
'Ye shall well see how rough and angry face
The King of Love will shew, when ye him see;
By myn advyse kneel down and ask him grace,
Eschewing perell and adversitee;
For well I wot it wol non other be,
Comfort is non, ne counsel to your ese;
Why will ye than the King of Love displese?'
'O mercy, god,' quod ich, 'I me repent,
Caitif and wrecche in hert, in wille, and thought!
And aftir this shall be myne hole entent
To serve and plese, how dere that love be bought:
Yit, sith I have myn own penaunce y-sought,
With humble spirit shall I it receive,
Though that the King of Love my life bereyve.
And though that fervent loves qualitè
In me did never worch truly, yit I
With all obeisaunce and humilitè,
And benign hert, shall serve him til I dye:
And he that Lord of might is, grete and highe,
Right as him list me chastice and correct,
And punish me, with trespace thus enfect.'
Thise wordes seid, she caught me by the lap,
And led me furth intill a temple round,
Large and wyde: and, as my blessed hap
And good avénture was, right sone I found
A tabernacle reised from the ground,
Where Venus sat, and Cupid by her syde;
Yet half for drede I gan my visage hyde.
And eft again I loked and beheld,
Seeing full sundry peple in the place,
And mister folk, and som that might not weld
754
Their limmes well, me thought a wonder cas;
The temple shoon with windows all of glas,
Bright as the day, with many a fair image;
And there I sey the fresh quene of Cartage,
Dido, that brent her bewtee for the love
Of fals Eneas; and the weymenting
Of hir, Anelida, true as turtill-dove,
To Arcite fals: and there was in peinting
Of many a prince, and many a doughty king,
Whose marterdom was shewed about the walles;
And how that fele for love had suffered falles.
But sore I was abasshed and astonied
Of all tho folk that there were in that tyde;
And than I asked where thay had [y-]woned:
'In dyvers courtes,' quod she, 'here besyde.'
In sondry clothing, mantil-wyse full wyde,
They were arrayed, and did their sacrifice
Unto the god and goddesse in their guyse.
'Lo! yonder folk,' quod she, 'that knele in blew,
They were the colour ay, and ever shall,
In sign they were, and ever will be trew
Withouten chaunge: and sothly, yonder all
That ben in blak, with morning cry and call
Unto the goddes, for their loves been
Som fer, som dede, som all to sherpe and kene.'
'Ye, than,' quod I, 'what doon thise prestes here,
Nonnes and hermits, freres, and all thoo
That sit in white, in russet, and in grene?'
'For-soth,' quod she, 'they wailen of their wo.'
'O mercy, lord! may thay so come and go
Freely to court, and have such libertee?'
'Ye, men of ech condicion and degree,
755
And women eke: for truly, there is non
Excepcion mad, ne never was ne may:
This court is ope and free for everichon,
The King of Love he will nat say thaim nay:
He taketh all, in poore or riche array,
That meekly sewe unto his excellence
With all their herte and all their reverence.'
And, walking thus about with Philobone,
I sey where cam a messenger in hy
Streight from the king, which let commaund anon,
Through-out the court to make an ho and cry:
'A! new-come folk, abyde! and wot ye why?
The kinges lust is for to seen you soon:
Com ner, let see! his will mot need be doon.'
Than gan I me present to-fore the king,
Trembling for fere, with visage pale of hew,
And many a lover with me was kneling,
Abasshed sore, till unto tyme thay knew
The sentence yeve of his entent full trew:
And at the last the king hath me behold
With stern visage, and seid, 'What doth this old,
Thus fer y-stope in yeres, come so late
Unto the court?' 'For-soth, my liege,' quod I,
'An hundred tyme I have ben at the gate
Afore this tyme, yit coud I never espy
Of myn acqueyntaunce any with mine y;
And shamefastnes away me gan to chace;
But now I me submit unto your grace.'
'Well! all is perdoned, with condicion
That thou be trew from hensforth to thy might,
And serven Love in thyn entencion:
Swere this, and than, as fer as it is right,
Thou shalt have grace here in my quenes sight.'
'Yis, by the feith I ow your crown, I swere,
756
Though Deth therfore me thirlith with his spere!'
And whan the king had seen us everichoon,
He let commaunde an officer in hy
To take our feith, and shew us, oon by oon,
The statuts of the court full besily.
Anon the book was leid before their y,
To rede and see what thing we must observe
In Loves Court, till that we dye and sterve.
And, for that I was lettred, there I red
The statuts hole of Loves Court and hall:
The first statut that on the boke was spred,
Was, To be true in thought and dedes all
Unto the King of Love, the Lord ryall;
And to the Quene, as feithful and as kind,
As I coud think with herte, and will and mind.
The secund statut, Secretly to kepe
Councell of love, nat blowing every-where
All that I know, and let it sink or flete;
It may not sown in every wightes ere:
Exyling slaunder ay for dred and fere,
And to my lady, which I love and serve,
Be true and kind, her grace for to deserve.
The thrid statut was clerely write also,
Withouten chaunge to live and dye the same,
Non other love to take, for wele ne wo,
For brind delyt, for ernest nor for game:
Without repent, for laughing or for grame,
To byden still in full perseveraunce:
Al this was hole the kinges ordinaunce.
The fourth statut, To purchace ever to here,
And stiren folk to love, and beten fyr
On Venus awter, here about and there,
757
And preche to thaim of love and hot desyr,
And tell how love will quyten well their hire:
This must be kept; and loth me to displese:
If love be wroth, passe forby is an ese.
The fifth statut, Not to be daungerous,
If that a thought wold reyve me of my slepe:
Nor of a sight to be over squeymous;
And so, verily, this statut was to kepe,
To turne and walowe in my bed and wepe,
When that my lady, of her crueltè,
Wold from her herte exylen all pitè.
The sixt statut, it was for me to use,
Alone to wander, voide of company,
And on my ladys bewtee for to muse,
And to think [it] no force to live or dye;
And eft again to think the remedy,
How to her grace I might anon attain,
And tell my wo unto my souverain.
The seventh statut was, To be pacient,
Whether my lady joyfull were or wroth;
For wordes glad or hevy, diligent,
Wheder that she me helden lefe or loth:
And hereupon I put was to myn oth,
Her for to serve, and lowly to obey,
Shewing my chere, ye, twenty sith a-day.
The eighth statut, to my rememb[e]raunce,
Was, To speke, and pray my lady dere,
With hourly labour and gret attendaunce,
Me for to love with all her herte entere,
And me desyre, and make me joyfull chere,
Right as she is, surmounting every faire,
Of bewtie well, and gentill debonaire.
758
The ninth statut, with lettres writ of gold,
This was the sentence, How that I and all
Shuld ever dred to be to over-bold
Her to displese; and truly, so I shall;
But ben content for thing[es] that may falle,
And meekly take her chastisement and yerd,
And to offende her ever ben aferd.
The tenth statut was, Egally discern
By-twene thy lady and thyn abilitee,
And think, thy-self art never like to yern,
By right, her mercy, nor of equitee,
But of her grace and womanly pitee:
For though thy-self be noble in thy strene,
A thowsand-fold more nobill is thy quene,
Thy lyves lady, and thy souverayn,
That hath thyn herte all hole in governaunce.
Thou mayst no wyse hit taken to disdayn,
To put thee humbly at her ordinaunce,
And give her free the rein of her plesaunce;
For libertee is thing that women loke,
And truly, els the mater is a-croke.
The eleventh statut, Thy signes for to con
With y and finger, and with smyles soft,
And low to cough, and alway for to shon,
For dred of spyes, for to winken oft:
But secretly to bring a sigh a-loft,
And eke beware of over-moch resort;
For that, paraventure, spilleth al thy sport.
The twelfth statut remember to observe:
For al the pain thow hast for love and wo,
All is to lite her mercy to deserve,
Thow must then think, where-ever thou ryde or go;
And mortall woundes suffer thow also,
All for her sake, and thinke it well beset
759
Upon thy love, for it may be no bet.
The thirteenth statut, Whylom is to thinke,
What thing may best thy lady lyke and plese,
And in thyn hertes botom let it sinke:
Som thing devise, and take [it] for thyn ese,
And send it her, that may her herte apese:
Some hert, or ring, or lettre, or device,
Or precious stone; but spare not for no price.
The fourteenth statut eke thou shalt assay
Fermly to kepe the most part of thy lyfe:
Wish that thy lady in thyne armes lay,
And nightly dreme, thow hast thy hertes wyfe
Swetely in armes, straining her as blyfe:
And whan thou seest it is but fantasy,
See that thow sing not over merily,
For to moche joye hath oft a wofull end.
It longith eke, this statut for to hold,
To deme thy lady evermore thy frend,
And think thyself in no wyse a cocold.
In every thing she doth but as she shold:
Construe the best, beleve no tales newe,
For many a lie is told, that semeth full trewe.
But think that she, so bounteous and fair,
Coud not be fals: imagine this algate;
And think that tonges wikke wold her appair,
Slaundering her name and worshipfull estat,
And lovers true to setten at debat:
And though thow seest a faut right at thyne y,
Excuse it blyve, and glose it pretily.
The fifteenth statut, Use to swere and stare,
And counterfet a lesing hardely,
To save thy ladys honour every-where,
760
And put thyself to fight [for her] boldly:
Sey she is good, virtuous, and gostly,
Clere of entent, and herte, and thought and wille;
And argue not, for reson ne for skille,
Agayn thy ladys plesir ne entent,
For love wil not be countrepleted, indede:
Sey as she seith, than shalt thou not be shent,
The crow is whyte; ye, truly, so I rede:
And ay what thing that she thee will forbede,
Eschew all that, and give her sovereintee,
Her appetyt folow in all degree.
The sixteenth statut, kepe it if thow may:—
Seven sith at night thy lady for to plese,
And seven at midnight, seven at morow-day;
And drink a cawdell erly for thyn ese.
Do this, and kepe thyn hede from all disese,
And win the garland here of lovers all,
That ever come in court, or ever shall.
Ful few, think I, this statut hold and kepe;
But truly, this my reson giveth me fele,
That som lovers shuld rather fall aslepe,
Than take on hand to plese so oft and wele.
There lay non oth to this statut a-dele,
But kepe who might, as gave him his corage:
Now get this garland, lusty folk of age.
Now win who may, ye lusty folk of youth,
This garland fresh, of floures rede and whyte,
Purpill and blewe, and colours ful uncouth,
And I shal croune him king of all delyt!
In al the court there was not, to my sight,
A lover trew, that he ne was adred,
When he expresse hath herd the statut red.
761
The seventeenth statut, Whan age approchith on,
And lust is leid, and all the fire is queint,
As freshly than thou shalt begin to fon,
And dote in love, and all her image paint
In rémembraunce, til thou begin to faint,
As in the first seson thyn hert began:
And her desire, though thou ne may ne can
Perform thy living actuell, and lust;
Regester this in thy rememb[e]raunce:
Eke when thou mayst not kepe thy thing from rust,
Yit speke and talk of plesaunt daliaunce;
For that shall make thyn hert rejoise and daunce.
And when thou mayst no more the game assay,
The statut bit thee pray for hem that may.
The eighteenth statut, hoolly to commend,
To plese thy lady, is, That thou eschewe
With sluttishness thy-self for to offend;
Be jolif, fresh, and fete, with thinges newe,
Courtly with maner, this is all thy due,
Gentill of port, and loving clenlinesse;
This is the thing that lyketh thy maistresse.
And not to wander lich a dulled ass,
Ragged and torn, disgysed in array,
Ribaud in speche, or out of mesure pass,
Thy bound exceding; think on this alway:
For women been of tender hertes ay,
And lightly set their plesire in a place;
Whan they misthink, they lightly let it passe.
The nineteenth statut, Mete and drink forgete:
Ech other day, see that thou fast for love,
For in the court they live withouten mete,
Sauf such as cometh from Venus all above;
They take non heed, in pain of greet reprove,
Of mete and drink, for that is all in vain;
762
Only they live by sight of their soverain.
The twentieth statut, last of everichoon,
Enroll it in thyn hertes privitee;
To wring and wail, to turn, and sigh and grone,
When that thy lady absent is from thee;
And eke renew the wordes [all] that she
Bitween you twain hath seid, and all the chere
That thee hath mad thy lyves lady dere.
And see thyn herte in quiet ne in rest
Sojorn, to tyme thou seen thy lady eft;
But wher she won by south, or est, or west,
With all thy force, now see it be not left:
Be diligent, till tyme thy lyfe be reft,
In that thou mayst, thy lady for to see;
This statut was of old antiquitee.
An officer of high auctoritee,
Cleped Rigour, made us swere anon:
He nas corrupt with parcialitee,
Favour, prayer, ne gold that cherely shoon;
'Ye shall,' quod he, 'now sweren here echoon,
Yong and old, to kepe, in that ye may,
The statuts truly, all, aftir this day.'
O god, thought I, hard is to make this oth!
But to my pouer shall I thaim observe;
In all this world nas mater half so loth,
To swere for all; for though my body sterve,
I have no might the hole for to reserve.
But herkin now the cace how it befell:
After my oth was mad, the trouth to tell,
I turned leves, loking on this boke,
Where other statuts were of women shene;
And right furthwith Rigour on me gan loke
763
Full angrily, and seid unto the quene
I traitour was, and charged me let been:
'There may no man,' quod he, 'the statut[s] know,
That long to woman, hy degree ne low.
In secret wyse thay kepten been full close,
They sowne echon to libertie, my frend;
Plesaunt thay be, and to their own purpose;
There wot no wight of thaim, but god and fend,
Ne naught shall wit, unto the worldes end.
The quene hath yeve me charge, in pain to dye,
Never to rede ne seen thaim with myn ye.
For men shall not so nere of councell ben,
With womanhode, ne knowen of her gyse,
Ne what they think, ne of their wit th'engyn;
I me report to Salamon the wyse,
And mighty Sampson, which begyled thryes
With Dalida was: he wot that, in a throw,
There may no man statut of women knowe.
For it paravénture may right so befall,
That they be bound by nature to disceive,
And spinne, and wepe, and sugre strewe on gall,
The hert of man to ravissh and to reyve,
And whet their tong as sharp as swerd or gleyve:
It may betyde, this is their ordinaunce;
So must they lowly doon the observaunce,
And kepe the statut yeven thaim of kind,
Or such as love hath yeve hem in their lyfe.
Men may not wete why turneth every wind,
Nor waxen wyse, nor ben inquisityf
To know secret of maid, widow, or wyfe;
For they their statutes have to thaim reserved,
And never man to know thaim hath deserved.
764
Now dress you furth, the god of Love you gyde!'
Quod Rigour than, 'and seek the temple bright
Of Cither[e]a, goddess here besyde;
Beseche her, by [the] influence and might
Of al her vertue, you to teche a-right,
How for to serve your ladies, and to plese,
Ye that ben sped, and set your hert in ese.
And ye that ben unpurveyed, pray her eke
Comfort you soon with grace and destinee,
That ye may set your hert there ye may lyke,
In suche a place, that it to love may be
Honour and worship, and felicitee
To you for ay. Now goth, by one assent.'
'Graunt mercy, sir!' quod we, and furth we went
Devoutly, soft and esy pace, to see
Venus the goddes image, all of gold:
And there we founde a thousand on their knee,
Sum freshe and feire, som dedely to behold,
In sondry mantils new, and som were old,
Som painted were with flames rede as fire,
Outward to shew their inward hoot desire:
With dolefull chere, full fele in their complaint
Cried 'Lady Venus, rewe upon our sore!
Receive our billes, with teres all bedreint;
We may not wepe, there is no more in store;
But wo and pain us frettith more and more:
Thou blisful planet, lovers sterre so shene,
Have rowth on us, that sigh and carefull been;
And ponish, Lady, grevously, we pray,
The false untrew with counterfet plesaunce,
That made their oth, be trew to live or dey,
With chere assured, and with countenaunce;
And falsly now thay foten loves daunce,
Barein of rewth, untrue of that they seid,
765
Now that their lust and plesire is alleyd.'
Yet eft again, a thousand milion,
Rejoysing, love, leding their life in blis:
They seid:—'Venus, redresse of all division,
Goddes eterne, thy name y-heried is!
By loves bond is knit all thing, y-wis,
Best unto best, the erth to water wan,
Bird unto bird, and woman unto man;
This is the lyfe of joye that we ben in,
Resembling lyfe of hevenly paradyse;
Love is exyler ay of vice and sin;
Love maketh hertes lusty to devyse;
Honour and grace have thay, in every wyse,
That been to loves law obedient;
Love makith folk benigne and diligent;
Ay stering theim to drede[n] vice and shame:
In their degree it maketh thaim honorable;
And swete it is of love [to] bere the name,
So that his love be feithfull, true, and stable:
Love prunith him, to semen amiable;
Love hath no faut, there it is exercysed,
But sole with theim that have all love dispised.
Honour to thee, celestiall and clere
Goddes of love, and to thy celsitude,
That yevest us light so fer down from thy spere,
Persing our hertes with thy pulcritude!
Comparison non of similitude
May to thy grace be mad in no degree,
That hast us set with love in unitee.
Gret cause have we to praise thy name and thee,
For [that] through thee we live in joye and blisse.
Blessed be thou, most souverain to see!
766
Thy holy court of gladness may not misse:
A thousand sith we may rejoise in this,
That we ben thyn with harte and all y-fere,
Enflamed with thy grace, and hevinly fere.'
Musing of tho that spakin in this wyse,
I me bethought in my rememb[e]raunce
Myne orison right goodly to devyse,
And plesauntly, with hartes obeisaunce,
Beseech the goddes voiden my grevaunce;
For I loved eke, sauf that I wist nat where;
Yet down I set, and seid as ye shall here.
'Fairest of all that ever were or be!
Lucerne and light to pensif crëature!
Myn hole affiaunce, and my lady free,
My goddes bright, my fortune and my ure,
I yeve and yeld my hart to thee full sure,
Humbly beseching, lady, of thy grace
Me to bestowe into som blessed place.
And here I vow me feithfull, true, and kind,
Without offence of mutabilitee,
Humbly to serve, whyl I have wit and mind,
Myn hole affiaunce, and my lady free!
In thilkë place, there ye me sign to be:
And, sith this thing of newe is yeve me, ay
To love and serve, needly must I obey.
Be merciable with thy fire of grace,
And fix myne hert there bewtie is and routh,
For hote I love, determine in no place,
Sauf only this, by god and by my trouth,
Trowbled I was with slomber, slepe, and slouth
This other night, and in a visioun
I sey a woman romen up and down,
767
Of mene stature, and seemly to behold,
Lusty and fresh, demure of countynaunce,
Yong and wel shap, with here [that] shoon as gold,
With yen as cristall, farced with plesaunce;
And she gan stir myne harte a lite to daunce;
But sodenly she vanissh gan right there:
Thus I may sey, I love and wot not where.
For what she is, ne her dwelling I not,
And yet I fele that love distraineth me:
Might ich her know, that wold I fain, god wot,
Serve and obey with all benignitee.
And if that other be my destinee,
So that no wyse I shall her never see,
Than graunt me her that best may lyken me,
With glad rejoyse to live in parfit hele,
Devoide of wrath, repent, or variaunce;
And able me to do that may be wele
Unto my lady, with hertes hy plesaunce:
And, mighty goddes! through thy purviaunce
My wit, my thought, my lust and love so gyde,
That to thyne honour I may me provyde
To set myne herte in place there I may lyke,
And gladly serve with all affeccioun.
Gret is the pain which at myn hert doth stik,
Till I be sped by thyn eleccioun:
Help, lady goddes! that possessioun
I might of her have, that in all my lyfe
I clepen shall my quene and hertes wife.
And in the Court of Love to dwell for ay
My wille it is, and don thee sacrifice:
Daily with Diane eke to fight and fray,
And holden werre, as might well me suffice:
That goddes chaste I kepen in no wyse
To serve; a fig for all her chastitee!
768
Her lawe is for religiositee.'
And thus gan finish preyer, lawde, and preise,
Which that I yove to Venus on my knee,
And in myne hert to ponder and to peise,
I gave anon hir image fressh bewtie;
'Heil to that figure sweet! and heil to thee,
Cupide,' quod I, and rose and yede my way;
And in the temple as I yede I sey
A shryne sormownting all in stones riche,
Of which the force was plesaunce to myn y,
With diamant or saphire; never liche
I have non seyn, ne wrought so wonderly.
So whan I met with Philobone, in hy
I gan demaund, 'Who[s] is this sepulture?'
'Forsoth,' quod she, 'a tender creature
Is shryned there, and Pitè is her name.
She saw an egle wreke him on a fly,
And pluk his wing, and eke him, in his game,
And tender herte of that hath made her dy:
Eke she wold wepe, and morn right pitously
To seen a lover suffre gret destresse.
In all the court nas non that, as I gesse,
That coude a lover half so well availe,
Ne of his wo the torment or the rage
Aslaken, for he was sure, withouten faile,
That of his grief she coud the hete aswage.
In sted of Pitè, spedeth hot corage
The maters all of court, now she is dede;
I me report in this to womanhede.
For weile and wepe, and crye, and speke, and pray,—
Women wold not have pitè on thy plaint;
Ne by that mene to ese thyn hart convey,
769
But thee receiven for their own talent:
And sey, that Pitè causith thee, in consent
Of rewth, to take thy service and thy pain
In that thow mayst, to plese thy souverain.
But this is councell, keep it secretly;'
Quod she, 'I nold, for all the world abowt,
The Quene of Love it wist; and wit ye why?
For if by me this matter springen out,
In court no lenger shuld I, owt of dowt,
Dwellen, but shame in all my life endry:
Now kepe it close,' quod she, 'this hardely.
Well, all is well! Now shall ye seen,' she seid,
'The feirest lady under son that is:
Come on with me, demene you liche a maid,
With shamefast dred, for ye shall spede, y-wis,
With her that is the mir[th] and joy and blis:
But sumwhat straunge and sad of her demene
She is, be ware your countenaunce be sene,
Nor over light, ne recheless, ne to bold,
Ne malapert, ne rinning with your tong;
For she will you abeisen and behold,
And you demaund, why ye were hens so long
Out of this court, without resort among:
And Rosiall her name is hote aright,
Whose harte as yet [is] yeven to no wight.
And ye also ben, as I understond,
With love but light avaunced, by your word;
Might ye, by hap, your fredom maken bond,
And fall in grace with her, and wele accord,
Well might ye thank the god of Love and lord;
For she that ye sawe in your dreme appere,
To love suche one, what are ye than the nere?
770
Yit wot ye what? as my rememb[e]raunce
Me yevith now, ye fayn, where that ye sey
That ye with love had never acqueintaunce,
Sauf in your dreme right late this other day:
Why, yis, parde! my life, that durst I lay,
That ye were caught upon an heth, when I
Saw you complain, and sigh full pitously;
Within an erber, and a garden fair
With floures growe, and herbes vertuous,
Of which the savour swete was and the eyr,
There were your-self full hoot and amorous:
Y-wis, ye ben to nice and daungerous;
A! wold ye now repent, and love som new?'—
'Nay, by my trouth,' I seid, 'I never knew
The goodly wight, whos I shall be for ay:
Guyde me the lord that love hath made and me.'
But furth we went in-till a chambre gay,
There was Rosiall, womanly to see,
Whose stremes sotell-persing of her ee
Myn hart gan thrill for bewtie in the stound:
'Alas,' quod I, 'who hath me yeve this wound?'
And than I dred to speke, till at the last
I gret the lady reverently and wele,
Whan that my sigh was gon and over-past;
And down on knees full humbly gan I knele,
Beseching her my fervent wo to kele,
For there I took full purpose in my mind,
Unto her grace my painfull hart to bind.
For if I shall all fully her discryve,
Her hede was round, by compace of nature,
Her here as gold,—she passed all on-lyve,—
And lily forhede had this crëature,
With lovelich browes, flawe, of colour pure,
Bytwene the which was mene disseveraunce
771
From every brow, to shewe[n] a distaunce.
Her nose directed streight, and even as lyne,
With fourm and shap therto convenient,
In which the goddes milk-whyt path doth shine;
And eke her yen ben bright and orient
As is the smaragde, unto my juggement,
Or yet thise sterres hevenly, smale and bright;
Her visage is of lovely rede and whyte.
Her mouth is short, and shit in litell space,
Flaming somdele, not over-rede, I mene,
With pregnant lippes, and thik to kiss, percas;
(For lippes thin, not fat, but ever lene,
They serve of naught, they be not worth a bene;
For if the basse ben full, there is delyt,
Maximian truly thus doth he wryte.)
But to my purpose:—I sey, whyte as snow
Ben all her teeth, and in order thay stond
Of oon stature; and eke hir breth, I trow,
Surmounteth alle odours that ever I fond
In sweetnes; and her body, face, and hond
Ben sharply slender, so that from the hede
Unto the fote, all is but womanhede.
I hold my pees of other thinges hid:—
Here shall my soul, and not my tong, bewray:—
But how she was arrayed, if ye me bid,
That shall I well discover you and say:
A bend of gold and silk, full fressh and gay;
With here in tresse[s], browdered full well,
Right smothly kept, and shyning every-del.
About her nek a flour of fressh devyse
With rubies set, that lusty were to sene;
And she in gown was, light and somer-wyse,
772
Shapen full wele, the colour was of grene,
With aureat seint about her sydes clene,
With dyvers stones, precious and riche:—
Thus was she rayed, yet saugh I never her liche.
For if that Jove had [but] this lady seyn,
Tho Calixto ne [yet] Alcmenia,
Thay never hadden in his armes leyn;
Ne he had loved the faire Europa;
Ye, ne yet Dane ne Antiopa!
For al their bewtie stood in Rosiall;
She semed lich a thing celestiall
In bowntè, favor, port, and semliness,
Plesaunt of figure, mirrour of delyt,
Gracious to sene, and rote of gentilness,
With angel visage, lusty rede and white:
There was not lak, sauf daunger had a lite
This goodly fressh in rule and governaunce;
And somdel straunge she was, for her plesaunce.
And truly sone I took my leve and went,
Whan she had me enquyred what I was;
For more and more impressen gan the dent
Of Loves dart, whyl I beheld her face;
And eft again I com to seken grace,
And up I put my bill, with sentence clere
That folwith aftir; rede and ye shall here.
'O ye [the] fressh, of [all] bewtie the rote,
That nature hath fourmed so wele and made
Princesse and Quene! and ye that may do bote
Of all my langour with your wordes glad!
Ye wounded me, ye made me wo-bestad;
Of grace redress my mortall grief, as ye
Of all myne harm the verrey causer be.
773
Now am I caught, and unwar sodenly,
With persant stremes of your yën clere,
Subject to ben, and serven you meekly,
And all your man, y-wis, my lady dere,
Abiding grace, of which I you requere,
That merciles ye cause me not to sterve;
But guerdon me, liche as I may deserve.
For, by my troth, the dayes of my breth
I am and will be youre in wille and hert,
Pacient and meek, for you to suffre deth
If it require; now rewe upon my smert;
And this I swere, I never shall out-stert
From Loves Court for none adversitee,
So ye wold rewe on my distresse and me.
My destinee, my fate, and ure I bliss,
That have me set to ben obedient
Only to you, the flour of all, y-wis:
I trust to Venus never to repent;
For ever redy, glad, and diligent
Ye shall me finde in service to your grace,
Till deth my lyfe out of my body race.
Humble unto your excellence so digne,
Enforcing ay my wittes and delyt
To serve and plese with glad herte and benigne,
And ben as Troilus, [old] Troyes knight,
Or Antony for Cleopatre bright,
And never you me thinkes to reney:
This shall I kepe unto myne ending-day.
Enprent my speche in your memorial
Sadly, my princess, salve of all my sore!
And think that, for I wold becomen thrall,
And ben your own, as I have seyd before,
Ye must of pity cherissh more and more
Your man, and tender aftir his desert,
774
And yive him corage for to ben expert.
For where that oon hath set his herte on fire,
And findeth nether refut ne plesaunce,
Ne word of comfort, deth will quyte his hire.
Allas! that there is none allegeaunce
Of all their wo! allas, the gret grevaunce
To love unloved! But ye, my Lady dere,
In other wyse may govern this matere.'
'Truly, gramercy, frend, of your good will,
And of your profer in your humble wyse!
But for your service, take and kepe it still.
And where ye say, I ought you well cheryse,
And of your gref the remedy devyse,
I know not why: I nam acqueinted well
With you, ne wot not sothly where ye dwell.'
'In art of love I wryte, and songes make,
That may be song in honour of the King
And Quene of Love; and than I undertake,
He that is sad shall than full mery sing.
And daunger[o]us not ben in every thing
Beseche I you, but seen my will and rede,
And let your aunswer put me out of drede.'
'What is your name? reherse it here, I pray,
Of whens and where, of what condicion
That ye ben of? Let see, com of and say!
Fain wold I know your disposicion:—
Ye have put on your old entencion;
But what ye mene to servë me I noot,
Sauf that ye say ye love me wonder hoot.'
'My name? alas, my hert, why [make it straunge?]
Philogenet I cald am fer and nere,
Of Cambrige clerk, that never think to chaunge
775
Fro you that with your hevenly stremes clere
Ravissh myne herte and gost and all in-fere:
This is the first, I write my bill for grace,
Me think, I see som mercy in your face.
And what I mene, by god that al hath wrought,
My bill, that maketh finall mencion,
That ye ben, lady, in myne inward thought
Of all myne hert without offencion,
That I best love, and have, sith I begon
To draw to court. Lo, than! what might I say?
I yeld me here, [lo!] unto your nobley.
And if that I offend, or wilfully
By pompe of hart your precept disobey,
Or doon again your will unskillfully,
Or greven you, for ernest or for play,
Correct ye me right sharply than, I pray,
As it is sene unto your womanhede,
And rewe on me, or ellis I nam but dede.'
'Nay, god forbede to feffe you so with grace,
And for a worde of sugred eloquence,
To have compassion in so litell space!
Than were it tyme that som of us were hens!
Ye shall not find in me suche insolence.
Ay? what is this? may ye not suffer sight?
How may ye loke upon the candill-light,
That clere[r] is and hotter than myn y?
And yet ye seid, the bemes perse and frete:—
How shall ye than the candel-[l]ight endry?
For wel wot ye, that hath the sharper hete.
And there ye bid me you correct and bete,
If ye offend,—nay, that may not be doon:
There come but few that speden here so soon.
776
Withdraw your y, withdraw from presens eke:
Hurt not yourself, through foly, with a loke;
I wold be sory so to make you seke:
A woman shuld be ware eke whom she toke:
Ye beth a clark:—go serchen [in] my boke,
If any women ben so light to win:
Nay, byde a whyl, though ye were all my kin.
So soon ye may not win myne harte, in trouth
The gyse of court will seen your stedfastness,
And as ye don, to have upon you rewth.
Your own desert, and lowly gentilness,
That will reward you joy for heviness;
And though ye waxen pale, and grene and dede,
Ye must it use a while, withouten drede,
And it accept, and grucchen in no wyse;
But where as ye me hastily desyre
To been to love, me think, ye be not wyse.
Cese of your language! cese, I you requyre!
For he that hath this twenty yere ben here
May not obtayn; than marveile I that ye
Be now so bold, of love to trete with me.'
'Ah! mercy, hart, my lady and my love,
My rightwyse princesse and my lyves guyde!
Now may I playn to Venus all above,
That rewthles ye me give these woundes wyde!
What have I don? why may it not betyde,
That for my trouth I may received be?
Alas! your daunger and your crueltè!
In wofull hour I got was, welaway!
In wofull hour [y-]fostred and y-fed,
In wofull hour y-born, that I ne may
My supplicacion swetely have y-sped!
The frosty grave and cold must be my bedde,
Without ye list your grace and mercy shewe,
777
Deth with his axe so faste on me doth hewe.
So greet disese and in so litell whyle,
So litell joy, that felte I never yet;
And at my wo Fortune ginneth to smyle,
That never erst I felt so harde a fit:
Confounded ben my spirits and my wit,
Till that my lady take me to her cure,
Which I love best of erthely crëature.
But that I lyke, that may I not com by;
Of that I playn, that have I habondaunce;
Sorrow and thought, thay sit me wounder ny;
Me is withhold that might be my plesaunce:
Yet turne again, my worldly suffisaunce!
O lady bright! and save your feithfull true,
And, er I die, yet on[e]s upon me rewe.'
With that I fell in sounde, and dede as stone,
With colour slain, and wan as assh[es] pale;
And by the hand she caught me up anon,
'Aryse,' quod she, 'what? have ye dronken dwale?
Why slepen ye? it is no nightertale.'
'Now mercy, swete,' quod I, y-wis affrayed:
'What thing,' quod she, 'hath mad you so dismayed?
Now wot I well that ye a lover be,
Your hewe is witnesse in this thing,' she seid:
'If ye were secret, [ye] might know,' quod she,
'Curteise and kind, all this shuld be allayed:
And now, myn herte! all that I have misseid,
I shall amend, and set your harte in ese.'
'That word it is,' quod I, 'that doth me plese.'
'But this I charge, that ye the statuts kepe,
And breke thaim not for sloth nor ignoraunce.'
With that she gan to smyle and laughen depe.
778
'Y-wis,' quod I, 'I will do your plesaunce;
The sixteenth statut doth me grete grevaunce,
But ye must that relesse or modifie.'
'I graunt,' quod she, 'and so I will truly.'
And softly than her colour gan appeare,
As rose so rede, through-out her visage all,
Wherefore me think it is according here,
That she of right be cleped Rosiall.
Thus have I won, with wordes grete and small,
Some goodly word of hir that I love best,
And trust she shall yit set myne harte in rest.
'Goth on,' she seid to Philobone, 'and take
This man with you, and lede him all abowt
Within the court, and shew him, for my sake,
What lovers dwell withinne, and all the rowte
Of officers; for he is, out of dowte,
A straunger yit:'—'Come on,' quod Philobone,
'Philogenet, with me now must ye gon.'
And stalking soft with esy pace, I saw
About the king [ther] stonden environ,
Attendaunce, Diligence, and their felaw
Fortherer, Esperaunce, and many oon;
Dred-to-offend there stood, and not aloon;
For there was eke the cruell adversair,
The lovers fo, that cleped is Dispair,
Which unto me spak angrely and fell,
And said, my lady me deceiven shall:
'Trowest thow,' quod she, 'that all that she did tell,
Is true? Nay, nay, but under hony gall!
Thy birth and hers, [they] be nothing egall:
Cast of thyn hart, for all her wordes whyte,
For in good faith she lovith thee but a lyte.
779
And eek remember, thyn habilite
May not compare with hir, this well thow wot.'
Ye, than cam Hope and said, 'My frend, let be!
Beleve him not: Dispair, he ginneth dote.'
'Alas,' quod I, 'here is both cold and hot:
The tone me biddeth love, the toder nay;
Thus wot I not what me is best to say.
But well wot I, my lady graunted me,
Truly to be my woundes remedy;
Her gentilness may not infected be
With dobleness, thus trust I till I dy.'
So cast I void Dispaires company,
And taken Hope to councell and to frend.
'Ye, kepe that wele,' quod Philobone, 'in mind.'
And there besyde, within a bay-window,
Stood oon in grene, full large of brede and length,
His berd as blak as fethers of the crow;
His name was Lust, of wounder might and strength;
And with Delyt to argue there he thenkth,
For this was all his [hool] opinion,
That love was sin! and so he hath begon
To reson fast, and legge auctoritè:
'Nay,' quod Delyt, 'love is a vertue clere,
And from the soule his progress holdeth he:
Blind appetyt of lust doth often stere,
And that is sin: for reson lakketh there,
For thow [dost] think thy neigbours wyfe to win:
Yit think it well that love may not be sin;
For god and seint, they love right verely,
Void of all sin and vice: this knowe I wele,
Affeccion of flessh is sin, truly;
But verray love is vertue, as I fele,
For love may not thy freil desire akele:
For [verray] love is love withouten sin.'
780
'Now stint,' quoth Lust, 'thow spekest not worth a pin.'
And there I left thaim in their arguing,
Roming ferther in the castell wyde,
And in a corner Lier stood talking
Of lesings fast, with Flatery there besyde;
He seid that women were attire of pryde,
And men were founde of nature variaunt,
And coud be false, and shewen beau semblaunt.
Than Flatery bespake and seid, y-wis:
'See, so she goth on patens faire and fete,
Hit doth right wele: what prety man is this
That rometh here? Now truly, drink ne mete
Nede I not have; myne hart for joye doth bete
Him to behold, so is he goodly fressh:
It semeth for love his harte is tender nessh.'
This is the court of lusty folk and glad,
And wel becometh their habit and array:
O why be som so sorry and so sad,
Complaining thus in blak and whyte and gray?
Freres they ben, and monkes, in good fay:
Alas, for rewth! greet dole it is to seen,
To see thaim thus bewaile and sory been.
See how they cry and wring their handes whyte,
For they so sone went to religion!
And eke the nonnes, with vaile and wimple plight,
There thought that they ben in confusion:
'Alas,' thay sayn, 'we fayn perfeccion,
In clothes wide, and lak our libertè;
But all the sin mote on our frendes be.
For, Venus wot, we wold as fayn as ye,
That ben attired here and wel besene,
Desiren man, and love in our degree,
781
Ferme and feithfull, right as wold the quene:
Our frendes wikke, in tender youth and grene,
Ayenst our will made us religious;
That is the cause we morne and wailen thus.'
Than seid the monks and freres in the tyde,
'Wel may we curse our abbeys and our place,
Our statuts sharp, to sing in copes wyde,
Chastly to kepe us out of loves grace,
And never to fele comfort ne solace;
Yet suffre we the hete of loves fire,
And after than other haply we desire.
O Fortune cursed, why now and wherefore
Hast thow,' they seid, 'beraft us libertè,
Sith nature yave us instrument in store,
And appetyt to love and lovers be?
Why mot we suffer suche adversitè,
Diane to serve, and Venus to refuse?
Ful often sith this matier doth us muse.
We serve and honour, sore ayenst our will,
Of chastitè the goddes and the quene;
Us leffer were with Venus byden still,
And have reward for love, and soget been
Unto thise women courtly, fressh, and shene.
Fortune, we curse thy whele of variaunce!
There we were wele, thou revest our plesaunce.'
Thus leve I thaim, with voice of pleint and care,
In raging wo crying ful pitously;
And as I yede, full naked and full bare
Some I behold, looking dispitously,
On povertè that dedely cast their y;
And 'Welaway!' they cried, and were not fain,
For they ne might their glad desire attain.
782
For lak of richesse worldely and of gode,
They banne and curse, and wepe, and sein, 'Alas,
That poverte hath us hent that whylom stode
At hartis ese, and free and in good case!
But now we dar not shew our-self in place,
Ne us embolde to duelle in company,
There-as our hart wold love right faithfully.'
And yet againward shryked every nonne,
The prang of love so straineth thaim to cry:
'Now wo the tyme,' quod thay, 'that we be boun!
This hateful ordre nyse will don us dy!
We sigh and sobbe, and bleden inwardly,
Freting our-self with thought and hard complaint,
That ney for love we waxen wode and faint.'
And as I stood beholding here and there,
I was war of a sort full languisshing,
Savage and wild of loking and of chere,
Their mantels and their clothës ay tering;
And oft thay were of nature complaining,
For they their members lakked, fote and hand,
With visage wry and blind, I understand.
They lakked shap, and beautie to preferre
Theim-self in love: and seid, that god and kind
Hath forged thaim to worshippen the sterre,
Venus the bright, and leften all behind
His other werkes clene and out of mind:
'For other have their full shape and bewtee,
And we,' quod they, 'ben in deformitè.'
And nye to thaim there was a company,
That have the susters waried and misseid;
I mene, the three of fatall destinè,
That be our werdes; and sone, in a brayd,
Out gan they cry as they had been affrayd,
'We curse,' quod thay, 'that ever hath nature
783
Y-formed us, this wofull lyfe t'endure!'
And there he was contrite, and gan repent,
Confessing hole the wound that Citherè
Hath with the dart of hot desire him sent,
And how that he to love must subjet be:
Than held he all his skornes vanitè,
And seid, that lovers lede a blisful lyfe,
Yong men and old, and widow, maid and wyfe.
'Bereve me, goddesse,' quod he, '[of] thy might,
My skornes all and skoffes, that I have
No power forth, to mokken any wight,
That in thy service dwell: for I did rave:
This know I well right now, so god me save,
And I shal be the chief post of thy feith,
And love uphold, the révers who-so seith.'
Dissemble stood not fer from him in trouth,
With party mantill, party hood and hose;
And said, he had upon his lady rowth,
And thus he wound him in, and gan to glose
Of his entent full doble, I suppose:
And al the world, he seid, he loved it wele;
But ay, me thoughte, he loved her nere a dele.
Eek Shamefastness was there, as I took hede,
That blusshed rede, and durst nat ben a-knowe
She lover was, for thereof had she drede;
She stood and hing her visage down alowe;
But suche a sight it was to sene, I trow,
As of these roses rody on their stalk:
There cowd no wight her spy to speke or talk
In loves art, so gan she to abasshe,
Ne durst not utter all her privitè:
Many a stripe and many a grevous lasshe
784
She gave to thaim that wolden loveres be,
And hindered sore the simpill comonaltè,
That in no wyse durst grace and mercy crave;
For were not she, they need but ask and have;
Where if they now approchin for to speke,
Than Shamefastness returnith thaim again:
Thay think, if we our secret councell breke,
Our ladies will have scorn on us, certain,
And [per]aventure thinken greet disdain:
Thus Shamefastness may bringin in Dispeir,
Whan she is dede, the toder will be heir.
Com forth, Avaunter! now I ring thy bell!
I spyed him sone; to god I make a-vowe,
He loked blak as fendes doth in hell:—
'The first,' quod he, 'that ever [I] did wowe,
Within a word she com, I wot not how,
So that in armes was my lady free;
And so hath ben a thousand mo than she.
In Englond, Bretain, Spain, and Pycardie,
Arteys, and Fraunce, and up in hy Holand,
In Burgoyne, Naples, and [in] Italy,
Naverne, and Grece, and up in hethen land,
Was never woman yit that wold withstand
To ben at myn commaundement, whan I wold:
I lakked neither silver, coin, ne gold.
And there I met with this estate and that;
And here I broched her, and here, I trow:
Lo! there goth oon of myne; and wot ye what?
Yon fressh attired have I leyd full low;
And such oon yonder eke right well I know:
I kept the statut whan we lay y-fere;
And yet yon same hath made me right good chere.'
785
Thus hath Avaunter blowen every-where
Al that he knowith, and more, a thousand-fold;
His auncetrye of kin was to Lière,
For firste he makith promise for to hold
His ladies councell, and it not unfold;
Wherfore, the secret when he doth unshit,
Than lyeth he, that all the world may wit.
For falsing so his promise and behest,
I wounder sore he hath such fantasie;
He lakketh wit, I trowe, or is a best,
That can no bet him-self with reson gy.
By myn advice, Love shal be contrarie
To his availe, and him eke dishonoure,
So that in court he shall no more sojoure.
'Take hede,' quod she, this litell Philobone,
'Where Envy rokketh in the corner yond,
And sitteth dirk; and ye shall see anone
His lenë bodie, fading face and hond;
Him-self he fretteth, as I understond;
Witnesse of Ovid Methamorphosose;
The lovers fo he is, I wil not glose.
For where a lover thinketh him promote,
Envy will grucch, repyning at his wele;
Hit swelleth sore about his hartes rote,
That in no wyse he can not live in hele;
And if the feithfull to his lady stele,
Envy will noise and ring it round aboute,
And sey moche worse than don is, out of dowte.'
And Prevy Thought, rejoysing of him-self,
Stood not fer thens in habit mervelous;
'Yon is,' thought [I], 'som spirit or some elf,
His sotill image is so curious:
How is,' quod I, 'that he is shaded thus
With yonder cloth, I not of what colour?'
786
And nere I went, and gan to lere and pore,
And frayned him [a] question full hard.
'What is,' quod I, 'the thing thou lovest best?
Or what is boot unto thy paines hard?
Me think, thow livest here in grete unrest;
Thow wandrest ay from south to est and west,
And est to north; as fer as I can see,
There is no place in court may holden thee.
Whom folowest thow? where is thy harte y-set?
But my demaunde asoile, I thee require.'
'Me thought,' quod he, 'no crëature may let
Me to ben here, and where-as I desire:
For where-as absence hath don out the fire,
My mery thought it kindleth yet again,
That bodily, me think, with my souverain
I stand and speke, and laugh, and kisse, and halse,
So that my thought comforteth me full oft:
I think, god wot, though all the world be false,
I will be trewe; I think also how soft
My lady is in speche, and this on-loft
Bringeth myn hart to joye and [greet] gladnesse;
This prevey thought alayeth myne hevinesse.
And what I thinke, or where to be, no man
In all this erth can tell, y-wis, but I:
And eke there nis no swallow swift, ne swan
So wight of wing, ne half [so] yern can fly;
For I can been, and that right sodenly,
In heven, in helle, in paradise, and here,
And with my lady, whan I will desire.
I am of councell ferre and wyde, I wot,
With lord and lady, and their previtè
I wot it all; but be it cold or hot,
787
They shall not speke without licence of me,
I mene, in suche as sesonable be;
For first the thing is thought within the hert,
Ere any word out from the mouth astert.'
And with that word Thought bad farewell and yede:
Eke furth went I to seen the courtes gyse:
And at the dore cam in, so god me spede,
Twey courteours of age and of assyse
Liche high, and brode, and, as I me advyse,
The Golden Love, and Leden Love thay hight:
The ton was sad, the toder glad and light.
...
'Yis! draw your hart, with all your force and might,
To lustiness, and been as ye have seid;
And think that I no drop of favour hight,
Ne never had to your desire obeyd,
Till sodenly, me thought, me was affrayed,
To seen you wax so dede of countenaunce;
And Pitè bad me don you some plasaunce.
Out of her shryne she roos from deth to lyve,
And in myne ere full prevely she spak,
'Doth not your servaunt hens away to dryve,
Rosiall,' quod she; and than myn harte [it] brak,
For tender reuth: and where I found moch lak
In your persoune, than I my-self bethought;
And seid, 'This is the man myne harte hath sought.''
'Gramercy, Pitè! might I but suffice
To yeve the lawde unto thy shryne of gold,
God wot, I wold; for sith that thou did rise
From deth to lyve for me, I am behold
To thanken you a thousand tymes told,
And eke my lady Rosiall the shene,
Which hath in comfort set myn harte, I wene.
788
And here I make myn protestacion,
And depely swere, as [to] myn power, to been
Feithfull, devoid of variacion,
And her forbere in anger or in tene,
And serviceable to my worldes quene,
With al my reson and intelligence,
To don her honour high and reverence.'
I had not spoke so sone the word, but she,
My souverain, did thank me hartily,
And seid, 'Abyde, ye shall dwell still with me
Till seson come of May; for than, truly,
The King of Love and all his company
Shall hold his fest full ryally and well:'
And there I bode till that the seson fell.
On May-day, whan the lark began to ryse,
To matens went the lusty nightingale
Within a temple shapen hawthorn-wise;
He might not slepe in all the nightertale,
But 'Domine labia,' gan he crye and gale,
'My lippes open, Lord of Love, I crye,
And let my mouth thy preising now bewrye.'
The eagle sang 'Venite, bodies all,
And let us joye to love that is our helth.'
And to the deske anon they gan to fall,
And who come late, he pressed in by stelth:
Than seid the fawcon, our own hartis welth,
'Domine, Dominus noster, I wot,
Ye be the god that don us bren thus hot.'
'Celi enarrant,' said the popingay,
'Your might is told in heven and firmament.'
And than came in the goldfinch fresh and gay,
And said this psalm with hertly glad intent,
789
'Domini est terra; this Laten intent,
The god of Love hath erth in governaunce:'
And than the wren gan skippen and to daunce.
'Jube, Domine, Lord of Love, I pray
Commaund me well this lesson for to rede;
This legend is of all that wolden dey
Marters for love; god yive the sowles spede!
And to thee, Venus, sing we, out of drede,
By influence of all thy vertue grete,
Beseching thee to kepe us in our hete.'
The second lesson robin redebrest sang,
'Hail to the god and goddess of our lay!'
And to the lectorn amorously he sprang:—
'Hail,' quod [he] eke, 'O fresh seson of May,
Our moneth glad that singen on the spray!
Hail to the floures, rede, and whyte, and blewe,
Which by their vertue make our lustes newe!'
The thrid lesson the turtill-dove took up,
And therat lough the mavis [as] in scorn:
He said, 'O god, as mot I dyne or sup,
This folissh dove will give us all an horn!
There been right here a thousand better born,
To rede this lesson, which, as well as he,
And eke as hot, can love in all degree.'
The turtill-dove said, 'Welcom, welcom, May,
Gladsom and light to loveres that ben trewe!
I thank thee, Lord of Love, that doth purvey
For me to rede this lesson all of dewe;
For, in gode sooth, of corage I pursue
To serve my make till deth us must depart:'
And than 'Tu autem' sang he all apart.
'Te deum amoris,' sang the thrustell-cok:
790
Tuball him-self, the first musician,
With key of armony coude not unlok
So swete [a] tewne as that the thrustill can:
'The Lord of Love we praisen,' quod he than,
'And so don all the fowles, grete and lyte;
Honour we May, in fals lovers dispyte.'
'Dominus regnavit,' seid the pecok there,
'The Lord of Love, that mighty prince, y-wis,
He hath received her[e] and every-where:
Now Jubilate sing:'—'What meneth this?'
Seid than the linet; 'welcom, Lord of blisse!'
Out-stert the owl with 'Benedicite,'
What meneth al this mery fare?' quod he.
'Laudate,' sang the lark with voice full shrill;
And eke the kite, 'O admirabile;
This quere will throgh myne eris pers and thrill;
But what? welcom this May seson,' quod he;
'And honour to the Lord of Love mot be,
That hath this feest so solemn and so high:'
'Amen,' seid all; and so seid eke the pye.
And furth the cokkow gan procede anon,
With 'Benedictus' thanking god in hast,
That in this May wold visite thaim echon,
And gladden thaim all whyl the fest shall last:
And therewithall a-loughter out he brast,
'I thank it god that I shuld end the song,
And all the service which hath been so long.'
Thus sang thay all the service of the fest,
And that was don right erly, to my dome;
And furth goth all the Court, both most and lest,
To feche the floures fressh, and braunche and blome;
And namly, hawthorn brought both page and grome.
With fressh garlandës, partie blewe and whyte,
And thaim rejoysen in their greet delyt.
791
Eke eche at other threw the floures bright,
The prymerose, the violet, the gold;
So than, as I beheld the ryall sight,
My lady gan me sodenly behold,
And with a trew-love, plited many-fold,
She smoot me through the [very] hert as blyve;
And Venus yet I thanke I am alyve.
~ Anonymous Olde English,#NFDB
2286 Integral Yoga
560 Poetry
270 Occultism
194 Philosophy
185 Christianity
131 Yoga
129 Fiction
89 Psychology
45 Islam
44 Mysticism
40 Science
32 Hinduism
23 Education
20 Mythology
17 Sufism
16 Theosophy
16 Integral Theory
12 Kabbalah
8 Cybernetics
7 Philsophy
7 Buddhism
6 Baha i Faith
1 Thelema
1 Alchemy
1273 The Mother
979 Sri Aurobindo
762 Satprem
476 Nolini Kanta Gupta
114 Aleister Crowley
91 H P Lovecraft
89 Walt Whitman
87 Carl Jung
83 William Wordsworth
67 James George Frazer
65 Pierre Teilhard de Chardin
61 Plotinus
56 Sri Ramakrishna
45 Muhammad
42 Percy Bysshe Shelley
42 John Keats
42 Friedrich Nietzsche
40 Robert Browning
37 Swami Krishnananda
34 Saint Augustine of Hippo
31 Swami Vivekananda
31 A B Purani
29 Aldous Huxley
26 William Butler Yeats
24 Jorge Luis Borges
23 Saint Teresa of Avila
23 Rudolf Steiner
23 Lucretius
23 Franz Bardon
23 Anonymous
21 Vyasa
19 Saint John of Climacus
17 Kabir
16 Johann Wolfgang von Goethe
14 Nirodbaran
14 Aristotle
12 Rabbi Moses Luzzatto
12 Plato
12 Paul Richard
12 Ovid
11 George Van Vrekhem
10 Sri Ramana Maharshi
9 Swami Sivananda Saraswati
9 Friedrich Schiller
8 Rabindranath Tagore
8 Norbert Wiener
8 Joseph Campbell
7 Ralph Waldo Emerson
7 Peter J Carroll
7 Jordan Peterson
7 Henry David Thoreau
7 Baha u llah
6 Thubten Chodron
6 Jalaluddin Rumi
6 Edgar Allan Poe
6 Al-Ghazali
5 Rainer Maria Rilke
5 Patanjali
5 Lewis Carroll
5 Bokar Rinpoche
5 Alice Bailey
4 Hafiz
4 Guru Nanak
3 R Buckminster Fuller
3 Omar Khayyam
3 Mirabai
3 Ken Wilber
3 Farid ud-Din Attar
2 Saint Clare of Assisi
2 Mechthild of Magdeburg
2 Mahendranath Gupta
2 Jorge Luis Borges
2 Jetsun Milarepa
2 Jean Gebser
2 Italo Calvino
2 Hsuan Chueh of Yung Chia
2 H. P. Lovecraft
2 Genpo Roshi
286 Record of Yoga
144 The Synthesis Of Yoga
102 Collected Works of Nolini Kanta Gupta - Vol 03
96 Collected Works of Nolini Kanta Gupta - Vol 04
91 Lovecraft - Poems
90 On Thoughts And Aphorisms
86 Prayers And Meditations
84 Whitman - Poems
83 Wordsworth - Poems
83 Agenda Vol 01
82 Questions And Answers 1957-1958
80 Collected Works of Nolini Kanta Gupta - Vol 01
75 Magick Without Tears
73 Agenda Vol 10
67 The Golden Bough
65 Agenda Vol 08
64 Agenda Vol 03
62 Agenda Vol 12
58 Collected Works of Nolini Kanta Gupta - Vol 07
56 The Life Divine
56 Essays In Philosophy And Yoga
55 The Gospel of Sri Ramakrishna
54 Agenda Vol 09
52 Questions And Answers 1950-1951
52 Collected Works of Nolini Kanta Gupta - Vol 02
51 Agenda Vol 13
51 Agenda Vol 06
49 Agenda Vol 04
48 Questions And Answers 1956
48 Agenda Vol 07
47 Letters On Yoga IV
47 Agenda Vol 02
46 Collected Works of Nolini Kanta Gupta - Vol 05
45 Quran
45 Letters On Yoga II
42 Shelley - Poems
42 Keats - Poems
41 Agenda Vol 11
40 Questions And Answers 1953
40 Letters On Yoga III
40 Browning - Poems
40 Agenda Vol 05
38 Liber ABA
37 The Study and Practice of Yoga
35 Savitri
35 Mysterium Coniunctionis
34 Questions And Answers 1955
34 Questions And Answers 1954
31 Evening Talks With Sri Aurobindo
30 Words Of Long Ago
30 Thus Spoke Zarathustra
30 Essays On The Gita
29 The Perennial Philosophy
26 Yeats - Poems
25 Questions And Answers 1929-1931
24 The Practice of Psycho therapy
24 The Human Cycle
24 The Bible
24 Letters On Yoga I
23 Of The Nature Of Things
22 The Future of Man
22 On Education
22 Collected Works of Nolini Kanta Gupta - Vol 08
22 City of God
21 Vishnu Purana
21 Labyrinths
21 Essays Divine And Human
20 Collected Poems
19 The Ladder of Divine Ascent
19 Sri Aurobindo or the Adventure of Consciousness
19 Plotinus - Complete Works Vol 01
18 Words Of The Mother II
18 Plotinus - Complete Works Vol 04
18 Let Me Explain
18 Collected Works of Nolini Kanta Gupta - Vol 06
15 The Archetypes and the Collective Unconscious
15 On the Way to Supermanhood
15 Isha Upanishad
15 Bhakti-Yoga
14 Twelve Years With Sri Aurobindo
14 The Secret Of The Veda
14 The Phenomenon of Man
14 Poetics
13 Vedic and Philological Studies
13 The Way of Perfection
13 The Confessions of Saint Augustine
13 Letters On Poetry And Art
13 Aion
12 Twilight of the Idols
12 The Mother With Letters On The Mother
12 Talks
12 Some Answers From The Mother
12 Plotinus - Complete Works Vol 03
12 Plotinus - Complete Works Vol 02
12 Metamorphoses
12 Initiation Into Hermetics
12 General Principles of Kabbalah
11 The Practice of Magical Evocation
11 Theosophy
11 Raja-Yoga
11 Preparing for the Miraculous
11 Hymn of the Universe
11 Faust
10 The Problems of Philosophy
10 The Interior Castle or The Mansions
10 Songs of Kabir
10 Knowledge of the Higher Worlds
10 Kena and Other Upanishads
10 A Garden of Pomegranates - An Outline of the Qabalah
9 The Integral Yoga
9 Schiller - Poems
8 The Hero with a Thousand Faces
8 Tagore - Poems
8 Cybernetics
8 5.1.01 - Ilion
7 Words Of The Mother III
7 Walden
7 The Divine Comedy
7 Maps of Meaning
7 Liber Null
7 Hymns to the Mystic Fire
7 Emerson - Poems
7 Amrita Gita
6 The Secret Doctrine
6 The Blue Cliff Records
6 The Alchemy of Happiness
6 How to Free Your Mind - Tara the Liberator
6 Dark Night of the Soul
6 Anonymous - Poems
5 Writings In Bengali and Sanskrit
5 Words Of The Mother I
5 Tara - The Feminine Divine
5 Rumi - Poems
5 Rilke - Poems
5 Poe - Poems
5 Patanjali Yoga Sutras
5 Goethe - Poems
5 A Treatise on Cosmic Fire
5 Alice in Wonderland
4 The Red Book Liber Novus
4 The 7 Habits of Highly Effective People
4 Song of Myself
4 Hafiz - Poems
4 Crowley - Poems
3 The Tibetan Yogas of Dream and Sleep
3 The Book of Certitude
3 Synergetics - Explorations in the Geometry of Thinking
3 Sex Ecology Spirituality
3 Borges - Poems
3 Beating the Cloth Drum Letters of Zen Master Hakuin
2 The Zen Teaching of Bodhidharma
2 The Lotus Sutra
2 The Ever-Present Origin
2 The Essentials of Education
2 The Castle of Crossed Destinies
2 Symposium
2 Selected Fictions
2 Milarepa - Poems
2 God Exists
2 Advanced Dungeons and Dragons 2E
00.00 - Publishers Note A, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
The present volume consists of the first seven parts of the book The Yoga of Sri Aurob indo which has run into twelve parts, as it stands now; of these twelve, parts five to nine are based upon talks of the Mother (given by Her to the children of the Ashram). In this volume the later parts of the Talks (8 and 9) could not be included: they are to wait for a subsequent volume. The talks, originally in French, were spread over a number of years, ending in about 1960. We are pleased to note that the Government of india have given us a grant to meet the cost of publication of this volume.
13 January 1972
00.00 - Publishers Note B, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
We are pleased to note that the Government of india have given us a grant to meet the cost of publication of this volume.
13 January 1973
00.00 - Publishers Note, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
We are happy to note that the Government of india have given to our Centre of Education a grant to meet the cost of publication of this volume.
The Mother has graciously permitted the use of her sketch of the author as a frontispiece to the book.
0 0.01 - Introduction, #Agenda Vol 1, #The Mother, #Integral Yoga
This AGENDA ... One day, another species among men will pore over this fabulous document as over the tumultuous drama that must have surrounded the birth of the first man among the hostile hordes of a great, delirious Paleozoic. A first man is the dangerous contradiction of a certain simian logic, a threat to the established order that so genteelly ran about amid the high, indefeasible ferns - and to begin with, it does not even know that it is a man. It wonders, indeed, what it is. Even to itself it is strange, distressing. It does not even know how to climb trees any longer in its usual way
- and it is terribly disturbing for all those who still climb trees in the old, millennial way. Perhaps it is even a heresy. Unless it is some cerebral disorder? A first man in his little clearing had to have a great deal of courage. Even this little clearing was no longer so sure. A first man is a perpetual question. What am I, then, in the midst of all that? And where is my law? What is the law? And what if there were no more laws? ... It is terrifying. Mathematics - out of order. Astronomy and biology, too, are beginning to respond to mysterious influences. A tiny point huddled in the center of the world's great clearing. But what is all this, what if I were 'mad'? And then, claws all around, a lot of claws against this uncommon creature. A first man ... is very much alone. He is quite unbearable for the pre-human 'reason.' And the surrounding tribes growled like red monkies in the twilight of Guiana.
--
We landed there, one day in February 1954, having emerged from our Guianese forest and a certain number of dead-end peripluses; we had knocked upon all the doors of the old world before reaching that point of absolute impossibility where it was truly necessary to embark into something else or once and for all put a bullet through the brain of this slightly superior ape. The first thing that struck us was this exotic Notre Dame with its burning incense sticks, its effigies and its prostrations in immaculate white: a Church. We nearly jumped into the first train out that very evening, bound straight for the Himalayas, or the devil. But we remained near Mother for nineteen years. What was it, then, that could have held us there? We had not left Guiana to become a little saint in white or to enter some new religion. 'I did not come upon earth to found an ashram; that would have been a poor aim indeed,' She wrote in 1934. What did all this mean, then, this 'Ashram' that was already registered as the owner of a great spiritual business, and this fragile, little silhouette at the center of all these zealous worshippers? In truth, there is no better way to smother someone than to worship him: he chokes beneath the weight of worship, which moreover gives the worshipper claim to ownership. 'Why do you want to worship?' She exclaimed. 'You have but to become! It is the laziness to become that makes one worship.' She wanted so much to make them
become this 'something else,' but it was far easier to worship and quiescently remain what one was.
00.01 - The Approach to Mysticism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The mystic's knowledge is a part and a formation of his life. That is why it is a knowledge not abstract and remote but living and intimate and concrete. It is a knowledge that pulsates with delight: indeed it is the radiance that is shed by the purest and intensest joy. For this reason it may be that in approaching through the heart there is a chance of one's getting arrested there and not caring for the still higher, the solar lights; but this need not be so. In the heart there is a golden door leading to the deepest delights, but there is also a diamond door opening up into the skies of the brightest luminosities.
For it must be understood that the heart, the mystic heart, is not the external thing which is the seat of emotion or passion; it is the secret heart that is beh ind, the inner heartantarhdaya of the Upanishadwhich is the centre of the individual consciousness, where all the divergent lines of that consciousness meet and from where they take their rise. That is what the Upanishad means when it says that the heart has a hundred channels which feed the human vehicle. That is the source, the fount and origin, the very substance of the true personality. Mystic knowledge the true mystic knowledge which saves and fulfilsbegins with the awakening or the entrance into this real being. This being is pure and luminous and blissful and sovereignly real, because it is a portion, a spark of the Divine Consciousness and Nature: a contact and communion with it brings automatically into play the light and the truth that are its substance. At the same time it is an uprising flame that reaches out naturally to higher domains of consciousness and manifests them through its translucid dynamism.
The knowledge that is obtained without the heart's instrumentation or co-operation is liable to be what the Gita describes as Asuric. First of all, from the point of view of knowledge itself, it would be, as I have already said, egocentric, a product and agent of one's limited and isolated self, easily put at the service of desire and passion. This knowledge, whether rationalistic or occult, is, as it were, hard and dry in its constitution, and oftener than not, negative and destructivewi thering and blasting in its career like the desert simoom.
00.01 - The Mother on Savitri, #Sweet Mother - Harmonies of Light, #unset, #Zen
Savitri alone is sufficient to make you climb to the highest peaks. If truly one knows how to meditate on Savitri, one will receive all the help one needs. For him who wishes to follow this path, it is a concrete help as though the Lord himself were taking you by the hand and leading you to the destined goal. And then, every question, however personal it may be, has its answer here, every difficulty f inds its solution herein; indeed there is everything that is necessary for doing the Yoga.
*He has crammed the whole universe in a single book.* It is a marvellous work, magnificent and of an incomparable perfection.
--
It may then be said that Savitri is a revelation, it is a meditation, it is a quest of the Infinite, the Eternal. If it is read with this aspiration for Immortality, the reading itself will serve as a guide to Immortality. To read Savitri is indeed to practice Yoga, spiritual concentration; one can f ind there all that is needed to realise the Divine. Each step of Yoga is noted here, including the secret of all other Yogas. Surely, if one sincerely follows what is revealed here in each line one will reach finally the transformation of the Supramental Yoga. It is truly the infallible guide who never abandons you; its support is always there for him who wants to follow the path. Each verse of Savitri is like a revealed Mantra which surpasses all that man possessed by way of knowledge, and I repeat this, the words are expressed and arranged in such a way that the sonority of the rhythm leads you to the origin of sound, which is OM.
My child, yes, everything is there: mysticism, occultism, philosophy, the history of evolution, the history of man, of the gods, of creation, of Nature. How the universe was created, why, for what purpose, what destiny - all is there. You can f ind all the answers to all your questions there. Everything is explained, even the future of man and of the evolution, all that nobody yet knows. He has described it all in beautiful and clear words so that spiritual adventurers who wish to solve the mysteries of the world may understand it more easily. But this mystery is well hidden beh ind the words and lines and one must rise to the required level of true consciousness to discover it. All prophesies, all that is going to come is presented with the precise and wonderful clarity. Sri Aurob indo gives you here the key to f ind the Truth, to discover the Consciousness, to solve the problem of what the universe is. He has also indicated how to open the door of the Inconscience so that the light may penetrate there and transform it. He has shown the path, the way to liberate oneself from the ignorance and climb up to the superconscience; each stage, each plane of consciousness, how they can be scaled, how one can cross even the barrier of death and attain immortality. You will f ind the whole journey in detail, and as you go forward you can discover things altogether unknown to man. That is Savitri and much more yet. It is a real experience - reading Savitri. All the secrets that man possessed, He has revealed, - as well as all that awaits him in the future; all this is found in the depth of Savitri. But one must have the knowledge to discover it all, the experience of the planes of consciousness, the experience of the Superm ind, even the experience of the conquest of Death. He has noted all the stages, marked each step in order to advance integrally in the integral Yoga.
All this is His own experience, and what is most surprising is that it is my own experience also. It is my sadhana which He has worked out. Each object, each event, each realisation, all the descriptions, even the colours are exactly what I saw and the words, phrases are also exactly what I heard. And all this before having read the book. I read Savitri many times afterwards, but earlier, when He was writing He used to read it to me. Every morning I used to hear Him read Savitri. During the night He would write and in the morning read it to me. And I observed something curious, that day after day the experiences He read out to me in the morning were those I had had the previous night, word by word. Yes, all the descriptions, the colours, the pictures I had seen, the words I had heard, all, all, I heard it all, put by Him into poetry, into miraculous poetry. Yes, they were exactly my experiences of the previous night which He read out to me the following morning. And it was not just one day by chance, but for days and days together. And every time I used to compare what He said with my previous experiences and they were always the same. I repeat, it was not that I had told Him my experiences and that He had noted them down afterwards, no, He knew already what I had seen. It is my experiences He has presented at length and they were His experiences also. It is, moreover, the picture of Our joint adventure into the unknown or rather into the Superm ind.
--
My child, every day you are going to read Savitri; read properly, with the right attitude, concentrating a little before opening the pages and trying to keep the m ind as empty as possible, absolutely without a thought. The direct road is through the heart. I tell you, if you try to really concentrate with this aspiration you can light the flame, the psychic flame, the flame of purification in a very short time, perhaps in a few days. What you cannot do normally, you can do with the help of Savitri. Try and you will see how very different it is, how new, if you read with this attitude, with this something at the back of your consciousness; as though it were an offering to Sri Aurob indo. You know it is charged, fully charged with consciousness; as if Savitri were a being, a real guide. I tell you, whoever, wanting to practice Yoga, tries sincerely and feels the necessity for it, will be able to climb with the help of Savitri to the highest rung of the ladder of Yoga, will be able to f ind the secret that Savitri represents. And this without the help of a Guru. And he will be able to practice it anywhere. For him Savitri alone will be the guide, for all that he needs he will f ind Savitri. If he remains very quiet when before a difficulty, or when he does not know where to turn to go forward and how to overcome obstacles, for all these hesitations and incertitudes which overwhelm us at every moment, he will have the necessary indications, and the necessary concrete help. If he remains very calm, open, if he aspires sincerely, always he will be as if lead by the hand. If he has faith, the will to give himself and essential sincerity he will reach the final goal.
indeed, Savitri is something concrete, living, it is all replete, packed with consciousness, it is the supreme knowledge above all human philosophies and religions. It is the spiritual path, it is Yoga, Tapasya, Sadhana, everything, in its single body. Savitri has an extraordinary power, it gives out vibrations for him who can receive them, the true vibrations of each stage of consciousness. It is incomparable, it is truth in its plenitude, the Truth Sri Aurob indo brought down on the earth. My child, one must try to f ind the secret that Savitri represents, the prophetic message Sri Aurob indo reveals there for us. This is the work before you, it is hard but it is worth the trouble. - 5 November 1967
00.02 - Mystic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
We can make a distinction here between two types of expression which we have put together indiscriminately, figures and symbols. Figures, we may say, are those that are constructed by the rational m ind, the intellect; they are mere metaphors and similes and are not organically related to the thing experienced, but put round it as a robe that can be dropped or changed without affecting the experience itself. Thus, for example, when the Upanishad says, tmnam rathinam viddhi (Know that the soul is the master of the chariot who sits within it) or indriyi haynhu (The senses, they say, are the horses), we have here only a comparison or analogy that is common and natural to the poetic manner. The particular figure or simile used is not inevitable to the idea or experience that it seeks to express, its part and parcel. On the other hand, take this Upanishadic perception: hirayamayena patrea satyasyphitam mukham (The face of the Truth lies hidden under the golden orb). Here the symbol is not mere analogy or comparison, a figure; it is one with the very substance of the experience the two cannot be separated. Or when the Vedas speak of the k indling of the Fire, the rushing of the waters or the rise of the Dawn, the images though taken from the material world, are not used for the sake of mere comparison, but they are the embodiments, the living forms of truths experienced in another world.
When a Mystic refers to the Solar Light or to the Fire the light, for example, that struck down Saul and transformed him into Saint Paul or the burning bush that visited Moses, it is not the physical or material object that he means and yet it is that in a way. It is the materialization of something that is fundamentally not material: some movement in an inner consciousness precipitates itself into the region of the senses and takes from out of the material the form commensurable with its nature that it f inds there.
--
Thus there is a great diversity of symbols. At the one end is the mere metaphor or simile or allegory ('figure', as we have called it) and at the other end is the symbol identical with the thing symbolized. And upon this inner character of the symbol depends also to a large extent its range and scope. There are symbols which are universal and intimately ingrained in the human consciousness itself. Mank ind has used them in all ages and climes almost in the same sense and significance. There are others that are limited to peoples and ages. They are made out of forms that are of local and temporal interest and importance. Their significances vary according to time and place. Finally, there are symbols which are true of the individual consciousness only; they depend on personal peculiarities and idiosyncrasies, on one's environment and upbringing and education.
Man being an embodied soul, his external consciousness (what the Upanishad calls jgrat) is the milieu in which his soul-experiences naturally manifest and f ind their play. It is the forms and movements of that consciousness which clo the and give a concrete habitation and name to perceptions on the subtler ranges of the inner existence. If the experiences on these planes are to be presented to the conscious memory and to the brain-m ind and made communicable to others through speech, this is the inevitable and natural process. Symbols are a translation in mental and sensual (and vocal) terms of experiences that are beyond the m ind and the sense and the speech and yet throw a k ind of echoing vibrations upon these lesser levels.
00.03 - Upanishadic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
Now, as regards the interpretation of the story cited, should not a suspicion arise naturally at the very outset that the dog of the story is not a dog but represents something else? First, a significant epithet is given to itwhite; secondly, although it asks for food, it says that Om is its food and Om is its drink. In the Vedas we have some references to dogs. Yama has twin dogs that "guard the path and have powerful vision." They are his messengers, "they move widely and delight in power and possess the vast strength." The Vedic Rishis pray to them for Power and Bliss and for the vision of the Sun1. There is also the Hound of Heaven, Sarama, who comes down and discovers the luminous cows stolen and hidden by the Panis in their dark caves; she is the path-f inder for indra, the deliverer.
My suggestion is that the dog is a symbol of the keen sight of Intuition, the unfailing perception of direct knowledge. With this clue the Upanishadic story becomes quite sensible and clear and not mere abracadabra. To the aspirant for Knowledge came first a purified power of direct understanding, an Intuition of fundamental value, and this brought others of the same species in its train. They were all linked together organically that is the significance of the circle, and formed a rhythmic utterance and expression of the supreme truth (Om). It is also to be noted that they came and met at dawn to chant, the Truth. Dawn is the opening and awakening of the consciousness to truths that come from above and beyond.
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The progression indicated by the order of succession points to a gradual withdrawal from the outer to the inner light, from the surface to the deep, from the obvious to the secret, from the actual and derivative to the real and original. We begin by the senses and move towards the Spirit.
The Sun is the first and the most immediate source of light that man has and needs. He is the presiding deity of our waking consciousness and has his seat in the eyecakusa ditya, ditya caku bhtvakii prviat. The eye is the representative of the senses; it is the sense par excellence. In truth, sense-perception is the initial light with which we have to guide us, it is the light with which we start on the way. A developed stage comes when the Sun sets for us, that is to say, when we retire from the senses and rise into the m ind, whose divinity is the Moon. It is the mental knowledge, the light of reason and intelligence, of reflection and imagination that govern our consciousness. We have to proceed farther and get beyond the m ind, exceed the derivative light of the Moon. So when the Moon sets, the Fire is k indled. It is the light of the ardent and aspiring heart, the glow of an inner urge, the instincts and inspirations of our secret life-will. Here we come into touch with a source of knowledge and realization, a guidance more direct than the m ind and much deeper than the sense-perception. Still this light partakes more of heat than of pure luminosity; it is, one may say, incandescent feeling, but not vision. We must probe deeper, mount higherreach heights and profundities that are serene and transparent. The Fire is to be quieted and silenced, says the Upanishad. Then we come nearer, to the immediate vicinity of the Truth: an inner hearing opens, the direct voice of Truth the Wordreaches us to lead and guide. Even so, however, we have not come to the end of our journey; the Word of revelation is not the ultimate Light. The Word too is clothing, though a luminous clothinghiramayam ptram When this last veil dissolves and disappears, when utter silence, absolute calm and quietude reign in the entire consciousness, when no other lights trouble or distract our attention, there appears the Atman in its own body; we stand face to face with the source of all lights, the self of the Light, the light of the Self. We are that Light and we become that Light.
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The Gods are the formations or particularisations of the Truth-consciousness, the multiple individualisations of the One spirit. The Pitris are the Divine Fathers, that is to say, souls that once laboured and realised here below, and now have passed beyond. They dwell in another world, not too far removed from the earth, and from there, with the force of their Realisation, lend a more concrete help and guidance to the destiny that is being worked out upon earth. They are forces and formations of consciousness in an intermediate region between Here and There (antarika), and serve to bring men and gods nearer to each other, inasmuch as they belong to both the categories, being a divinised humanity or a humanised divinity. Each fixation of the Truth-consciousness in an earthly mould is a thing of joy to the Pitris; it is the Svadh or food by which they live and grow, for it is the consolidation and also the resultant of their own realisation. The achievements of the sons are more easily and securely reared and grounded upon those of the forefa thers, whose formative powers we have to invoke, so that we may pass on to the realisation, the firm embodiment of higher and greater destinies.
III. The Path of the Fathers and the Path of the Gods
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indeed, it was to this godhead that Nachiketas turned and he wanted to know of it and f ind it, when faith seized on his pure heart and he aspired for the higher spiritual life. The very opening hymn of the Rig Veda, too, is addressed to Agni, who is invoked as the vicar seated in the front of the sacrifice, the giver of the supreme gifts.
King Yama initiated Nachiketas into the mystery of Fire Worship and spoke of three fires that have to be k indled if one aspires to enter the heaven of immortality.
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Apart from the question whether the biological phenomenon described is really a symbol and a cloak for another order of reality, and even taking it at its face value, what is to be noted here is the idea of a cosmic cycle, and a cosmic cycle that proceeds through the principle of sacrifice. If it is asked what there is wonderful or particularly spiritual in this rather naf description of a very commonplace happening that gives it an honoured place in the Upanishads, the answer is that it is wonderful to see how the Upanishadic Rishi takes from an event its local, temporal and personal colour and incorporates it in a global movement, a cosmic cycle, as a limb of the Universal Brahman. The Upanishads contain passages which a puritanical mentality may perhaps describe as 'pornographic'; these have in fact been put by some on the index expurgatorius. But the ancients saw these matters with other eyes and through another consciousness.
We have, in modern times, a movement towards a more conscious and courageous, knowledge of things that were taboo to puritan ages. Not to shut one's eyes to the lower, darker and hidden strands of our nature, but to bring them out into the light of day and to face them is the best way of dealing with such elements, which otherwise, if they are repressed, exert an unhealthy influence on the m ind and nature. The Upanishadic view runs on the same lines, but, with the unveiling and the natural and not merely naturalisticdelineation of these under-worlds (concerning sex and food), it endows them with a perspective sub specie aeternitatis. The sexual function, for example, is easily equated to the double movement of ascent and descent that is secreted in nature, or to the combined action of Purusha and Prakriti in the cosmic Play, or again to the hidden fount of Delight that holds and moves the universe. In this view there is nothing merely secular and profane, but all is woven into the cosmic spiritual whole; and man is taught to consider and to mould all his movementsof soul and m ind and bodyin the light and rhythm of that integral Reality.11
The central secret of the transfigured consciousness lies, as we have already indicated, in the mystic rite or law of Sacrifice. It is the one basic, fundamental, universal Law that upholds and explains the cosmic movement, conformity to which brings to the thrice-bound human being release and freedom. Sacrifice consists essentially of two elements or processes: (i) The offering or self giving of the lower reality to the higher, and, as a consequence, an answering movement of (ii) the descent of the higher into the lower. The lower offered to the higher means the lower sublimated and integrated into the higher; and the descent of the higher into the lower means the incarnation of the former and the fulfilment of the latter. The Gita elaborates the same idea when it says that by Sacrifice men increase the gods and the gods increase men and by so increasing each other they attain the supreme Good. Nothing is, nothing is done, for its own sake, for an egocentric satisfaction; all, even movements relating to food and to sex should be dedicated to the Cosmic BeingVisva Purusha and that alone received which comes from Him.
VII. The Cosmic and the Transcendental
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or,Sarvam khalvidam brahma: All this is indeed the Brahman;
or,Sa evedam sarvam: He is indeed all this;
or,Ahamevedam sarvam: I am indeed all this;
or,Atmaivedam sarvam: The Self indeed is all this;
or again,Sarvamasmi: I am all.
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Now, this is the All, the Universal. One has to realise it and possess in one's consciousness. And that can be done only in one way: one has to identify oneself with it, be one with it, become it. Thus by losing one's individuality one lives the life universal; the small lean separate life is enlarged and moulded in the rhythm of the Rich and the Vast. It is thus that man shares in the consciousness and energy that inspire and move and sustain the cosmos. The Upanishad most emphatically enjoins that one must not decry this cosmic godhead or deny any of its elements, not even such as are a taboo to the puritan m ind. It is in and through an unimpaired global consciousness that one attains the All-Life and lives uninterruptedly and perennially: Sarvamanveti jyok jvati.
Still the Upanishad says this is not the final end. There is yet a higher status of reality and consciousness to which one has to rise. For beyond the Cosmos lies the Transcendent. The Upanishad expresses this truth and experience in various symbols. The cosmic reality, we have seen, is often conceived as a septenary, a unity of seven elements, principles and worlds. Further to give it its full complex value, it is considered not as a simple septet, but a threefold heptad the whole gamut, as it were, consisting of 21 notes or syllables. The Upanishad says, this number does not exhaust the entire range; I for there is yet a 22nd place. This is the world beyond the Sun, griefless and deathless, the supreme Selfhood. The Veda I also sometimes speaks of the integral reality as being represented by the number 100 which is 99 + I; in other words, 99 represents the cosmic or universal, the unity being the reality beyond, the Transcendent.
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Some Western and Westernised scholars have tried to show that the phenomenon described here is an exclusively natural phenomenon, actually visible in the polar region where the sun never sets for six months and moves in a circle whose plane is parallel to the plane of the horizon on the summer solstice and is gradually inclined as the sun regresses towards the equinox (on which day just half the solar disc is visible above the horizon). The sun may be said there to move in the direction East-South-West-North and again East. indeed the Upanishad mentions the positions of the sun in that order and gives a character to each successive station. The Ray from the East is red, symbolising the Rik, the Southern Ray is white, symbolising the Yajur, the Western Ray is black symbolising the Atharva. The natural phenomenon, however, might have been or might not have been before the m ind's eye of the Rishi, but the symbolism, the esotericism of it is clear enough in the way the Rishi speaks of it. Also, apart from the first four movements (which it is already sufficiently difficult to identify completely with what is visible), the fifth movement, as a separate descending movement from above appears to be a foreign element in the context. And although, with regard to the sixth movement or status, the sun is visible as such exactly from the point of the North Pole for a while, the ring of the Rishi's utterance is unmistakably spiritual, it cannot but refer to a fact of inner consciousness that is at least what the physical fact conveys to the Rishi and what he seeks to convey and express primarily.
Now this is what is sought to be conveyed and expressed. The five movements of the sun here also are nothing but the five smas and they refer to the cycle of the Cosmic or Universal Brahman. The sixth status where all movements cease, where there is no rising and setting, no ebb and flow, no waxing and waning, where there is the immutable, the ever-same unity, is very evidently the Transcendental Brahman. It is That to which the Vedic Rishi refers when he prays for a constant and fixed vision of the eternal Sunjyok ca sryam drie.
It would be interesting to know what the five ranges or levels or movements of consciousness exactly are that make up the Universal Brahman described in this passage. It is the mystic knowledge, the Upanishad says, of the secret delight in thingsmadhuvidy. The five ranges are the five fundamental principles of delightimmortalities, the Veda would say that form the inner core of the pyramid of creation. They form a rising tier and are ruled respectively by the godsAgni, indra, Varuna, Soma and Brahmawith their emanations and instrumental personalities the Vasus, the Rudras, the Adityas, the Maruts and the Sadhyas. We suggest that these refer to the five well-known levels of being, the modes or nodi of consciousness or something very much like them. The Upanishad speaks elsewhere of the five sheaths. The six Chakras of Tantric system lie in the same line. The first and the basic mode is the physical and the ascent from the physical: Agni and the Vasus are always intimately connected with the earth and -the earth-principles (it can be compared with the Muladhara of the Tantras). Next, second in the line of ascent is the Vital, the centre of power and dynamism of which the Rudras are the deities and indra the presiding God (cf. Swadhishthana of the Tantras the navel centre). indra, in the Vedas, has two aspects, one of knowledge and vision and the other of dynamic force and drive. In the first aspect he is more often considered as the Lord of the M ind, of the Luminous M ind. In the present passage, indra is taken in his second aspect and instead of the Maruts with whom he is usually invoked has the Rudras as his agents and associates.
The third in the line of ascension is the region of Varuna and the Adityas, that is to say, of the large M ind and its lightsperhaps it can be connected with Tantric Ajnachakra. The fourth is the domain of Soma and the Marutsthis seems to be the inner heart, the fount of delight and keen and sweeping aspirations the Anahata of the Tantras. The fifth is the region of the crown of the head, the domain of Brahma and the Sadhyas: it is the Overm ind status from where comes the descending inflatus, the creative Maya of Brahma. And when you go beyond, you pass into the ultimate status of the Sun, the reality absolute, the Transcendent which is indescribable, unseizable, indeterminate, indeterminable, incommensurable; and once there, one never returns, neverna ca punarvartate na ca punarvartate.
VIII. How Many Gods?
"How many Gods are there?" Yajnavalkya was once asked.13 The Rishi answered, they say there are three thousand and three of them, or three hundred and three, or again, thirty-three; it may be said too there are six or three or two or one and a half or one finally. indeed as the Upanishad says elsewhere, it is the One Unique who wished to be many: and all the gods are the various glories (mahim) or emanations of the One Divine. The ancient of ancient Rishis had declared long long ago, in the earliest Veda, that there is one indivisible Reality, the seers name it in various ways.
In Yajnavalkya's enumeration, however, it is to be noted, first of all, that he stresses on the number three. The principle of triplicity is of very wide application: it permeates all fields of consciousness and is evidently based upon a fundamental fact of reality. It seems to embody a truth of synthesis and comprehension, points to the order and harmony that reigns in the cosmos, the spheric music. The metaphysical, that is to say, the original principles that constitute existence are the well-known triplets: (i) the superior: Sat, Chit, Ananda; and (ii) the inferior: Body, Life and M indthis being a reflection or translation or concretisation of the former. We can see also here how the dual principle comes in, the twin godhead or the two gods to which Yajnavalkya refers. The same principle is found in the conception of Ardhanarishwara, Male and Female, Purusha-Prakriti. The Upanishad says 14 yet again that the One original Purusha was not pleased at being alone, so for a companion he created out of himself the original Female. The dual principle signifies creation, the manifesting activity of the Reality. But what is this one and a half to which Yajnavalkya refers? It simply means that the other created out of the one is not a wholly separate, independent entity: it is not an integer by itself, as in the Manichean system, but that it is a portion, a fraction of the One. And in the end, in the ultimate analysis, or rather synthesis, there is but one single undivided and indivisible unity. The thousands and hundreds, very often mentioned also in the Rig Veda, are not simply multiplications of the One, a graphic description of its many-sidedness; it indicates also the absolute fullness, the complete completeness (prasya pram) of the Reality. It includes and comprehends all and is a rounded totality, a full circle. The hundred-gated and the thousand-pillared cities of which the ancient Rishis chanted are formations and embodiments of consciousness human and divine, are realities whole and entire englobing all the layers and grades of consciousness.
Besides this metaphysics there is also an occult aspect in numerology of which Pythagoras was a well-known adept and in which the Vedic Rishis too seem to take special delight. The multiplication of numbers represents in a general way the principle of emanation. The One has divided and subdivided itself, but not in a haphazard way: it is not like the chaotic pulverisation of a piece of stone by hammer-blows. The process of division and subdivision follows a pattern almost as neat and methodical as a genealogical tree. That is to say, the emanations form a hierarchy. At the top, the apex of the pyramid, stands the one supreme Godhead. That Godhead is biune in respect of manifestation the Divine and his creative Power. This two-in-one reality may be considered, according to one view of creation, as dividing into three forms or aspects the well-known Brahma, Vishnu and Rudra of H indu mythology. These may be termed the first or primary emanations.
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Man, however, is an epitome of creation. He embraces and incarnates the entire gamut of consciousness and comprises in him all beings from the highest Divinity to the lowest jinn or elf. And yet each human being in his true personality is a lineal descendant of one or other typal aspect or original Personality of the one supreme Reality; and his individual character is all the more pronounced and well-defined the more organised and developed is the being. The psychic being in man is thus a direct descent, an immediate emanation along a definite line of devolution of the supreme consciousness. We may now understand and explain easily why one chooses a particular Ishta, an ideal god, what is the drive that pushes one to become a worshipper of Siva or Vishnu or any other deity. It is not any rational understanding, a weighing of pros and cons and then a resultant conclusion that leads one to choose a path of religion or spirituality. It is the soul's natural call to the God, the type of being and consciousness of which it is a spark, from which it has descended, it is the secret affinity the spiritual blood-relation as it were that determines the choice and adherence. And it is this that we name Faith. And the exclusiveness and violence and bitterness which attend such adherence and which go "by the "name of partisanship, sectarianism, fanaticism etc., a;e a deformation in the ignorance on the physico-vital plane of the secret loyalty to one's source and origin. Of course, the pattern or law is not so simple and rigid, but it gives a token or typal pattern. For it must not be forgotten that the supreme source or the original is one and indivisible and in the highest integration consciousness is global and not exclusive. And the human being that attains such a status is not bound or wholly limited to one particular formation: its personality is based on the truth of impersonality. And yet the two can go together: an individual can be impersonal in consciousness and yet personal in becoming and true to type.
The number of gods depends on the level of consciousness on which we stand. On this material plane there are as many gods as there are bodies or individual forms (adhar). And on the supreme height there is only one God without a second. In between there are gradations of types and sub-types whose number and function vary according to the aspect of consciousness that reveals itself.
IX. Nachiketas' Three Boons
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Nachiketas is the young aspiring human being still in the Ignorancenaciketa, meaning one without consciousness or knowledge. The three boons he asks for are in reference to the three fundamental modes of being and consciousness that are at the very basis, forming, as it were, the ground-plan of the integral reality. They are (i) the individual, (ii) the universal or cosmic and (iii) the transcendental.
The first boon regards the individual, that is to say, the individual identity and integrity. It asks for the maintenance of that individuality so that it may be saved from the dissolution that Death brings about. Death, of course, means the dissolution of the body, but it represents also dissolution pure and simple. indeed death is a process which does not stop with the physical phenomenon, but continues even after; for with the body gone, the other elements of the individual organism, the vital and the mental too gradually fall off, fade and dissolve. Nachiketas wishes to secure from Death the safety and preservation of the earthly personality, the particular organisation of m ind and vital based upon a recognisable physical frame. That is the first necessity for the aspiring mortalfor, it is said, the body is the first instrument for the working out of one's life ideal. But man's true personality, the real individuality lies beyond, beyond the body, beyond the life, beyond the m ind, beyond the triple region that Death lords it over. That is the divine world, the Heaven of the immortals, beyond death and beyond sorrow and grief. It is the hearth secreted in the inner heart where burns the Divine Fire, the God of Life Everlasting. And this is the nodus that b inds together the threefold status of the manifested existence, the body, the life and the m ind. This triplicity is the structure of name and form built out of the bricks of experience, the kiln, as it were, within which burns the Divine Agni, man's true soul. This soul can be reached only when one exceeds the bounds and limitations of the triple cord and experiences one's communion and identity with all souls and all existence. Agni is the secret divinity within, within the individual and within the world; he is the Immanent Divine, the cosmic godhead that holds together and marshals all the elements and components, all the principles that make up the manifest universe. He it is that has entered into the world and created facets of his own reality in multiple forms: and it is he that lies secret in the human being as the immortal soul through all its adventure of life and death in the series of incarnations in terrestrial evolution. The adoration and realisation of this Immanent Divinity, the worship of Agni taught by Yama in the second boon, consists in the triple sacrifice, the triple work, the triple union in the triple status of the physical, the vital and the mental consciousness, the mastery of which leads one to the other shore, the abode of perennial existence where the human soul enjoys its eternity and unending continuity in cosmic life. Therefore, Agni, the master of the psychic being, is called jtaveds, he who knows the births, all the transmigrations from life to life.
The third boon is the secret of secrets, for it is the knowledge and realisation of Transcendence that is sought here. Beyond the individual lies the universal; is there anything beyond the universal? The release of the individual into the cosmic existence gives him the griefless life eternal: can the cosmos be rolled up and flung into something beyond? What would be the nature of that thing? What is there outside creation, outside manifestation, outside Maya, to use a latter day term? Is there existence or non-existence (utter dissolution or extinctionDeath in his supreme and absolute status)? King Yama did not choose to answer immediately and even endeavoured to dissuade Nachiketas from pursuing the question over which people were confounded, as he said. Evidently it was a much discussed problem in those days. Buddha was asked the same question and he evaded it, saying that the pragmatic man should attend to practical and immediate realities and not, waste time and energy in discussing things ultimate and beyond that have hardly any relation to the present and the actual.
But Yama did answer and unveil the mystery and impart the supreme secret knowledge the knowledge of the Transcendent Brahman: it is out of the transcendent reality that the immanent deity takes his birth. Hence the Divine Fire, the Lord of creation and the Inner Mastersarvabhtntartm, antarymis called brahmajam, born of the Brahman. Yama teaches the process of transcendence. Apart from the knowledge and experience first of the individual and then of the cosmic Brahman, there is a definite line along which the human consciousness (or unconsciousness, as it is at present) is to ascend and evolve. The first step is to learn to distinguish between the Good and the Pleasurable (reya and preya). The line of pleasure leads to the external, the superficial, the false: while the other path leads towards the inner and the higher truth. So the second step is the gradual withdrawal of the consciousness from the physical and the sensual and even the mental preoccupation and focussing it upon what is certain and permanent. In the midst of the death-ridden consciousness in the heart of all that is unstable and fleetingone has to look for Agni, the eternal godhead, the Immortal in mortality, the Timeless in time through whom lies the passage to Immortality beyond Time.
Man has two souls corresponding to his double status. In the inferior, the soul looks downward and is involved in the current of Impermanence and Ignorance, it tastes of grief and sorrow and suffers death and dissolution: in the higher it looks upward and communes and joins with the Eternal (the cosmic) and then with the Absolute (the transcendent). The lower is a reflection of the higher, the higher comes down in a diminished and hence tarnished light. The message is that of deliverance, the deliverance and reintegration of the lower soul out of its bondage of worldly ignorant life into the freedom and immortality first of its higher and then of its highest status. It is true, however, that the Upanishad does not make a trenchant distinction between the cosmic and the transcendent and often it speaks of both in the same breath, as it were. For in fact they are realities involved in each other and interwoven. indeed the triple status, including the individual, forms one single totality and the three do not exclude or cancel each other; on the contrary, they combine and may be said to enhance each other's reality. The Transcendence expresses or deploys itself in the cosmoshe goes abroad,sa paryagt: and the cosmic individualises, concretises itself in the particular and the personal. The one single spiritual reality holds itself, aspects itself in a threefold manner.
The teaching of Yama in brief may be said to be the gospel of immortality and it consists of the knowledge of triple immortality. And who else can be the best teacher of immortality than Death himself, as Nachiketas pointedly said? The first immortality is that of the physical existence and consciousness, the preservation of the personal identity, the individual name and formthis being in itself as expression and embodiment and instrument of the Inner Reality. This inner reality enshrines the second immortality the eternity and continuity of the soul's life through its incarnations in time, the divine Agni lit for ever and ever growing in flaming consciousness. And the third and final immortality is in the being and consciousness beyond time, beyond all relativities, the absolute and self-existent delight.
Rig Veda, X. 14-11, 12.
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The secularisation of man's vital functions in modem ages has not been a success. It has made him more egocentric and blatantly hedonistic. From an occult point of view he has in this way subjected himself to the influences of dark and undesirable world-forces, has made an opening, to use an indian symbolism, for Kali (the Spirit of the Iron Age) to enter into him. The sex-force is an extremely potent agent, but it is extremely fluid and elusive and uncontrollable. It was for this reason that the ancients always sought to give it a proper mould, a right continent, a fixed and definite channel; the moderns, on the other hand, allow it to run free and play with it recklessly. The result has been, in the life of those born under such circumstances, a growing lack of poise and balance and a corresponding incidence of neuras thenia, hysteria and all abnormal pathological conditions.
Chhandyogya, II, III.
00.04 - The Beautiful in the Upanishads, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The form of a thing can be beautiful; but the formless too has its beauty. indeed, the beauty of the formless, that is to say, the very sum and substance, the ultimate essence, the soul of beauty that is what suffuses, with in-gathered colour and enthusiasm, the realisation and poetic creation of the Upanishadic seer. All the forms that are scattered abroad in their myriad manifest beauty hold within themselves a secret Beauty and are reflected or projected out of it. This veiled Name of Beauty can be compared to nothing on the phenomenal hemisphere of Nature; it has no adequate image or representation below:
na tasya pratimsti
00.05 - A Vedic Conception of the Poet, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
'Kavi' is an invariable epithet of the gods. The Vedas mean by this attribute to bring out a most fundamental character, an inalienable dharma of the heavenly host. All the gods are poets; and a human being can become a poet only in so far as he attains to the nature and status of a god. Who is then a kavi? The Poet is he who by his poetic power raises forms of beauty in heavenkavi kavitv divi rpam sajat.1Thus the essence of poetic power is to fashion divine Beauty, to reveal heavenly forms. What is this Heaven whose forms the Poet discovers and embodies? HeavenDyaushas a very definite connotation in the Veda. It means the luminous or divine M ind 2the m ind purified of its obscurity and limitations, due to subjection to the external senses, thus opening to the higher Light, receiving and recording faithfully the deeper and vaster movements and vibrations of the Truth, giving them a form, a perfect body of the right thought and the right word. indra is the lord of this world and he can be approached only with an enk indled intelligence, ddhay man,3a faultless understanding, sumedh. He is the supreme Artisan of the poetic power,Tash, the maker of perfect forms, surpa ktnum.4 All the gods turn towards indra and become gods and poets, attain their Great Names of Supreme Beauty.5 indra is also the master of the senses, indriyas, who are his hosts. It is through this m ind and the senses that the poetic creation has to be manifested. The m ind spreads out wide the Poet's weaving;6 the poet is the priest who calls down and works out the right thinking in the sacrificial labour of creation.7 But that creation is made in and through the inner m ind and the inner senses that are alive to the subtle formation of a vaster knowledge.8 The poet envisages the golden forms fashioned out of the very profundity of the consciousness.9 For the substance, the material on which the Poet works, is Truth. The seat of the Truth the poets guard, they uphold the supreme secret Names.10 The poet has the expressive utterance, the creative word; the poet is a poet by his poetic creation-the shape faultlessly wrought out that unveils and holds the Truth.11The form of beauty is the body of the Truth.
The poet is a trinity in himself. A triune consciousness forms his personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara. He has the direct vision, the luminous intelligence, the immediate perception.12 A subtle and profound and penetrating consciousness is his,nigam, pracetas; his is the eye of the Sun,srya caku.13 He secures an increased being through his effulgent understanding.14 In the second place, the Poet is not only Seer but Doer; he is knower as well as creator. He has a dynamic knowledge and his vision itself is power, ncak;15 he is the Seer-Will,kavikratu.16 He has the blazing radiance of the Sun and is supremely potent in his self-Iuminousness.17 The Sun is the light and the energy of the Truth. Even like the Sun the Poet gives birth to the Truth, srya satyasava, satyya satyaprasavya. But the Poet as Power is not only the revealer or creator,savit, he is also the builder or fashioner,ta, and he is the organiser,vedh is personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara, of the Truth.18 As Savita he manifests the Truth, as Tashta he gives a perfected body and form to the Truth, and as Vedha he maintains the Truth in its dynamic working. The effective marshalling and organisation of the Truth is what is called Ritam, the Right; it is also called Dharma,19 the Law or the Rhythm, the ordered movement and invincible execution of the Truth. The Poet pursues the Path of the Right;20 it is he who lays out the Path for the march of the Truth, the progress of the Sacrifice.21 He is like a fast steed well-yoked, pressing forward;22 he is the charger that moves straight and unswerving and carries us beyond 23into the world of felicity.
indeed delight is the third and the supremely intimate element of the poetic personality. Dear and delightful is the poet, dear and delightful his works, priya, priyi His hand is dripping with sweetness,kavir hi madhuhastya.24 The Poet-God shines in his pristine beauty and is showering delight.25 He is filled with utter ecstasy so that he may rise to the very source of the luminous Energy.26? Pure is the Divine Joy and it enters and purifies all forms as it moves to the seat of the Immortals.27 indeed this sparkling Delight is the Poet-Seer and it is that that brings forth the creative word, the utterance of indra.28
The solar vision of the Poet encompasses in its might the wide Earth and Heaven, fuses them in supreme Delight in the womb of the Truth.29 The Earth is lifted up and given in marriage to Heaven in the home of Truth, for the creation and expression of the Truth in its varied beauty,cru citram.
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All the gods are poetstheir forms are perfect, surpa, suda, their Names full of beauty,cru devasya nma.31 This means also that the gods embody the different powers that constitute the poetic consciousness. Agni is the Seer-Will, the creative vision of the Poet the luminous energy born of an experience by identity with the Truth. indra is the Idea-Form, the architectonic conception of the work or achievement. Mitra and Varuna are the large harmony, the vast cadence and sweep of movement. The Aswins, the Divine Riders, represent the intense zest of well-yoked Life-Energy. Soma is Rasa, Ananda, the Supreme Bliss and Delight.
The Vedic Poet is doubtless the poet of Life, the architect of Divinity in man, of Heaven upon earth. But what is true of Life is fundamentally true of Art tooat least true of the Art as it was conceived by the ancient seers and as it found expression at their hands.32
0.00a - Introduction, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
It is ironic that a period of the most tremendous technological advancement known to recorded history should also be labeled the Age of Anxiety. Reams have been written about modern man's frenzied search for his soul-and, indeed, his doubt that he even has one at a time when, like castles built on sand, so many of his cherished theories, long mistaken for verities, are crumbling about his bewildered brain.
The age-old advice, "Know thyself," is more imperative than ever. The tempo of science has accelerated to such a degree that today's discoveries frequently make yesterday's equations obsolescent almost before they can be chalked up on a blackboard. Small wonder, then that every other hospital bed is occupied by a mental patient. Man was not constructed to spend his life at a crossroads, one of which leads he knows not where, and the other to threatened annihilation of his species.
In view of this situation it is doubly reassuring to know that, even in the midst of chaotic concepts and conditions there still remains a door through which man, individually, can enter into a vast store-house of knowledge, knowledge as dependable and immutable as the measured tread of Eternity.
For this reason I am especially pleased to be writing an introduction to a new edition of A Garden of Pomegranates. I feel that never, perhaps, was the need more urgent for just such a roadmap as the Qabalistic system provides. It should be equally useful to any who chooses to follow it, whether he be Jew, Christian or Buddhist, Deist, Theosophist, agnostic or atheist.
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Fortunately many scientists in the field of psycho therapy are beginning to sense this correlation. In Francis G. Wickes' The Inner World of Choice reference is made to "the existence in every person of a galaxy of potentialities for growth marked by a succession of personalogical evolution and interaction with environments." She points out that man is not only an individual particle but "also a part of the human stream, governed by a Self greater than his own individual self."
The Book of the Law states simply, "Every man and every woman is a star." This is a startling thought for those who considered a star a heavenly body, but a declaration subject to proof by anyone who will venture into the realm of his own Unconscious. This realm, he will learn if he persists, is not hemmed in by the boundaries of his physical body but is one with the boundless reaches of outer space.
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A simple example is the concept of the Trinity in the Christian religion. The student is frequently amazed to learn through a study of the Qabalah that Egyptian mythology followed a similar concept with its trinity of gods, Osiris the father, Isis the virgin-mother, and Horus the son. The Qabalah indicates similar correspondences in the pantheon of Roman and Greek deities, proving the father-mother (Holy Spirit) - son principles of deity are primordial archetypes of man's psyche, rather than being, as is frequently and erroneously supposed a development peculiar to the Christian era.
At this juncture let me call attention to one set of attri butions by Rittangelius usually found as an appendix attached to the Sepher Yetzirah. It lists a series of "Intelligences" for each one of the ten Sephiros and the twenty-two Paths of the Tree of Life. It seems to me, after prolonged meditation, that the common attri butions of these Intelligences is altogether arbitrary and lacking in serious meaning.
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Some of the passages in the book force me today to emphasize that so far as the Qabalah is concerned, it could and should be employed without b inding to it the partisan qualities of any one particular religious faith. This goes as much for Judaism as it does for Christianity. Neither has much intrinsic usefulness where this scientific scheme is concerned. If some students feel hurt by this statement, that cannot be helped. The day of most contemporary faiths is over; they have been more of a curse than a boon to mank ind. Nothing that I say here, however, should reflect on the peoples concerned, those who accept these religions. They are merely unfortunate. The religion itself is worn out and indeed is dying.
The Qabalah has nothing to do with any of them. Attempts on the part of cultish-partisans to impart higher mystical meanings, through the Qabalah, etc., to their now sterile faiths is futile, and will be seen as such by the younger generation. They, the flower and love children, will have none of this nonsense.
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During a short retirement in North Devon in 1931, I began to amalgamate my notes. It was out of these that A Garden of Pomegranates gradually emerged. I unashamedly admit that my book contains many direct plagiarisms from Crowley, Waite, Eliphas Levi, and D. H. Lawrence. I had incorporated numerous fragments from their works into my notebooks without citing individual references to the various sources from which I condensed my notes.
Prior to the closing down of the Mandrake Press in London about 1930-31, I was employed as company secretary for a while. Along with several Crowley books, the Mandrake Press published a lovely little monogram by D. H. Lawrence entitled "Apropos of Lady Chatterley's Lover." My own copy accompanied me on my travels for long years. Only recently did I discover that it had been lost. I hope that any one of my former patients who had borrowed it will see fit to return it to me forthwith.
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In 1932, at the suggestion of Thomas Burke, the novelist, I submitted my manuscript to one of his publishers, Messrs. Constable in London. They were unable to use it, but made some encouraging comments and advised me to submit it to Riders. To my delight and surprise, Riders published it, and throughout the years the reaction it has had indicated other students found it also fulfilled their need for a condensed and simplified survey of such a vast subject as the Qabalah.
The importance of the book to me was and is five-fold. 1) It provided a yardstick by which to measure my personal progress in the understanding of the Qabalah. 2) Therefore it can have an equivalent value to the modern student. 3) It serves as a theoretical introduction to the Qabalistic foundation of the magical work of the Hermetic Order of the Golden Dawn. 4) It throws considerable light on the occasionally obscure writings of Aleister Crowley. 5) It is dedicated to Crowley, who was the Ankh-af-na-Khonsu mentioned in The Book of the Law -a dedication which served both as a token of personal loyalty and devotion to Crowley, but was also a gesture of my spiritual independence from him.
In his profound investigation into the origins and basic nature of man, Robert Ardrey in African Genesis recently made a shocking statement. Although man has begun the conquest of outer space, the ignorance of his own nature, says Ardrey, "has become institutionalized, universalized and sanctified." He further states that were a brotherhood of man to be formed today, "its only possible common bond would be ignorance of what man is."
000 - Humans in Universe, #Synergetics - Explorations in the Geometry of Thinking, #R Buckminster Fuller, #Science
science. Mathematics may well have had its beginnings much earlier in india or
indochina, as it is an art and science that has traveled consistently westward. Over
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000.106 In 1600 the East india Company was founded as a private enterprise by
Queen Elizabeth and a small group of her intimates. The limited legal liability of
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troops. In England the East india Company College was established to train the
officers of the enterprise for their world-wide deployment; that college and its
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000.107 As professor of economics at the East india Company College in 1810
Thomas Malthus became the first economic authority ever to receive in toto the
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to survival of only the fittest species (and individuals within species). Though he
denied there was any economic significance in his theory of evolution, the
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great political and industrial power structures have all become supranational
comprehensivists, while the people have been passport-chained to their respective
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It is the most highly classified of military and private enterprise secrets. industry
now converts the ever-increasing work capacity per pound of materials invested
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000.120 Now in the 1970s we can state an indisputable proposition of abundance
of which the world power structures do not yet have dawning awareness. We can
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feasible to retool and redirect world industry in such a manner that within 10 years
we can have all of humanity enjoying a sustainably higher standard of living-with
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fuels and atomic energy, since the retooled world industry and individual energy
needs will have become completely supplied by our combined harvests of
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energy income initially produced by Sun and gravity. industry, retooled from
weapons production to livingry production, will rehouse the deployed phases of
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their directly received individual cosmic incomes. So too, private enterprise should
no more meter the energy than it meters the air. But all of Earthians' present power
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since each system is inherently independent in Universe and therefore has
spinnability, one more dimensional factor is required, making a total of eight
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necessary for universal comprehension and individual use of nature's synergetic
geometrical intertransformings.
0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
SRI RAMAKRISHNA, the God-man of modern india, was born at Kamarpukur. This village in the Hooghly District preserved during the last century the idyllic simplicity of the rural areas of Bengal. Situated far from the railway, it was untouched by the glamour of the city. It contained rice-fields, tall palms, royal banyans, a few lakes, and two cremation grounds. South of the village a stream took its leisurely course. A mango orchard dedicated by a neighbouring zem indar to the public use was frequented by the boys for their noonday sports. A highway passed through the village to the great temple of Jagannath at Puri, and the villagers, most of whom were farmers and craftsmen, entertained many passing holy men and pilgrims. The dull round of the rural life was broken by lively festivals, the observance of sacred days, religious singing, and other innocent pleasures.
About his parents Sri Ramakrishna once said: "My mother was the personification of rectitude and gentleness. She did not know much about the ways of the world; innocent of the art of concealment, she would say what was in her m ind. People loved her for her open-heartedness. My father, an orthodox brahmin, never accepted gifts from the sudras. He spent much of his time in worship and meditation, and in repeating God's name and chanting His glories. Whenever in his daily prayers he invoked the Goddess Gayatri, his chest flushed and tears rolled down his cheeks. He spent his leisure hours making garlands for the Family Deity, Raghuvir."
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Ten years after his coming to Kamarpukur, Khudiram made a pilgrimage on foot to Rameswar, at the southern extremity of india. Two years later was born his second son, whom he named Rameswar. Again in 1835, at the age of sixty, he made a pilgrimage, this time to Gaya. Here, from ancient times, H indus have come from the four corners of india to discharge their duties to their departed ancestors by offering them food and drink at the sacred footprint of the Lord Vishnu. At this holy place Khudiram had a dream in which the Lord Vishnu promised to he born as his son. And Chandra Devi, too, in front of the Siva temple at Kamarpukur, had a vision indicating the birth of a divine child. Upon his return the husband found that she had conceived.
It was on February 18, 1836, that the child, to be known afterwards as Ramakrishna, was born. In memory of the dream at Gaya he was given the name of Gadadhar, the "Bearer of the Mace", an epithet of Vishnu. Three years later a little sister was born.
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At the age of six or seven Gadadhar had his first experience of spiritual ecstasy. One day in June or July, when he was walking along a narrow path between paddy-fields, eating the puffed rice that he carried in a basket, he looked up at the sky and saw a beautiful, dark thunder-cloud. As it spread, rapidly enveloping the whole sky, a flight of snow-white cranes passed in front of it. The beauty of the contrast overwhelmed the boy. He fell to the ground, unconscious, and the puffed rice went in all directions. Some villagers found him and carried him home in their arms. Gadadhar said later that in that state he had experienced an indescribable joy.
Gadadhar was seven years old when his father died. This incident profoundly affected him. For the first time the boy realized that life on earth was impermanent. Unobserved by others, he began to slip into the mango orchard or into one of the cremation grounds, and he spent hours absorbed in his own thoughts. He also became more helpful to his mother in the discharge of her household duties. He gave more attention to reading and hearing the religious stories recorded in the Puranas. And he became interested in the wandering monks and pious pilgrims who would stop at Kamarpukur on their way to Puri. These holy men, the custodians of india's spiritual heritage and the living witnesses of the ideal of renunciation of the world and all-absorbing love of God, entertained the little boy with stories from the H indu epics, stories of saints and prophets, and also stories of their own adventures. He, on his part, fetched their water and fuel and
served them in various ways. Meanwhile, he was observing their meditation and worship.
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Gadadhar himself now organized a dramatic company with his young friends. The stage was set in the mango orchard. The themes were selected from the stories of the Ramayana and the Mahabharata. Gadadhar knew by heart almost all the roles, having heard them from professional actors. His favourite theme was the Vr indavan episode of Krishna's life, depicting those exquisite love-stories of Krishna and the milkmaids and the cowherd boys. Gadadhar would play the parts of Radha or Krishna and would often lose himself in the character he was portraying. His natural feminine grace heightened the dramatic effect. The mango orchard would ring with the loud kirtan of the boys. Lost in song and merry-making, Gadadhar became indifferent to the routine of school.
In 1849 Ramkumar, the eldest son, went to Calcutta to improve the financial condition of the family.
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Ramkumar did not at first oppose the ways of his temperamental brother. He wanted Gadadhar to become used to the conditions of city life. But one day he decided to warn the boy about his indifference to the world. After all, in the near future Gadadhar must, as a householder, earn his livelihood through the performance of his brahminical duties; and these required a thorough knowledge of H indu law, astrology, and k indred subjects. He gently admonished Gadadhar and asked him to pay more attention to his studies. But the boy replied spiritedly: "Brother, what shall I do with a mere bread-winning education? I would rather acquire that wisdom which will illumine my heart and give me satisfaction for ever."
--- BREAD-WINNING EDUCATION
The anguish of the inner soul of india found expression through these passionate words of the young Gadadhar. For what did his unsophisticated eyes see around him in Calcutta, at that time the metropolis of india and the centre of modem culture and learning? Greed and lust held sway in the higher levels of society, and the occasional religious practices were merely outer forms from which the soul had long ago departed. Gadadhar had never seen anything like this at Kamarpukur among the simple and pious villagers. The sadhus and wandering monks whom he had served in his boyhood had revealed to him an altogether different india. He had been impressed by their devotion and purity, their self-control and renunciation. He had learnt from them and from his own intuition that the ideal of life as taught by the ancient sages of india was the realization of God.
When Ramkumar reprimanded Gadadhar for neglecting a "bread-winning education", the inner voice of the boy rem inded him that the legacy of his ancestors — the legacy of Rama, Krishna, Buddha, Sankara, Ramanuja, Chaitanya — was not worldly security but the Knowledge of God. And these noble sages were the true representatives of H indu society. Each of them was seated, as it were, on the crest of the wave that followed each successive trough in the tumultuous course of indian national life. All demonstrated that the life current of india is spirituality. This truth was revealed to Gadadhar through that inner vision which scans past and future in one sweep, unobstructed by the barriers of time and space. But he was unaware of the history of the profound change that had taken place in the land of his birth during the previous one hundred years.
H indu society during the eighteenth century had been passing through a period of decadence. It was the twilight of the Mussalman rule. There were anarchy and confusion in all spheres. Superstitious practices dominated the religious life of the people. Rites and rituals passed for the essence of spirituality. Greedy priests became the custodians of heaven. True philosophy was supplanted by dogmatic opinions. The pundits took delight in vain polemics.
In 1757 English traders laid the foundation of British rule in india. Gradually the Government was systematized and lawlessness suppressed. The H indus were much impressed by the military power and political acumen of the new rulers. In the wake of the merchants came the English educators, and social reformers, and Christian missionaries — all bearing a culture completely alien to the H indu m ind. In different parts of the country educational institutions were set up and Christian churches established. H indu young men were offered the heady wine of the Western culture of the late eighteenth and early nineteenth centuries, and they drank it to the very dregs.
The first effect of the draught on the educated H indus was a complete effacement from their m inds of the time-honoured beliefs and traditions of H indu society. They came to believe that there was no transcendental Truth; The world perceived by the senses was all that existed. God and religion were illusions of the untutored m ind. True knowledge could be derived only from the analysis of nature. So atheism and agnosticism became the fashion of the day. The youth of india, taught in English schools, took malicious delight in openly breaking the customs and traditions of their society. They would do away with the caste-system and remove the discriminatory laws about food. Social reform, the spread of secular education, widow remarriage, abolition of early marriage — they considered these the panacea for the degenerate condition of H indu society.
The Christian missionaries gave the finishing touch to the process of transformation. They ridiculed as relics of a barbarous age the images and rituals of the H indu religion. They tried to persuade india that the teachings of her saints and seers were the cause of her downfall, that her Vedas, Puranas, and other scriptures were filled with superstition. Christianity, they maintained, had given the white races position and power in this world and assurance of happiness in the next; therefore Christianity was the best of all religions. Many intelligent young H indus became converted. The man in the street was confused. The majority of the educated grew materialistic in their mental outlook. Everyone living near Calcutta or the other strong-holds of Western culture, even those who attempted to cling to the orthodox traditions of H indu society, became infected by the new uncertainties and the new beliefs.
But the soul of india was to be resuscitated through a spiritual awakening. We hear the first call of this renascence in the spirited retort of the young Gadadhar: "Brother, what shall I do with a mere bread-winning education?"
Ramkumar could hardly understand the import of his young brother's reply. He described in bright colours the happy and easy life of scholars in Calcutta society. But Gadadhar intuitively felt that the scholars, to use one of his own vivid illustrations, were like so many vultures, soaring high on the wings of their uninspired intellect, with their eyes fixed on the charnel-pit of greed and lust. So he stood firm and Ramkumar had to give way.
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The whole symbolic world is represented in the temple garden — the Trinity of the Nature Mother (Kali), the Absolute (Siva), and Love (Radhakanta), the Arch spanning heaven and earth. The terrific Goddess of the Tantra, the soul-enthralling Flute-Player of the Bhagavata, and the Self-absorbed Absolute of the Vedas live together, creating the greatest synthesis of religions. All aspects of Reality are represented there. But of this divine household, Kali is the pivot, the sovereign Mistress. She is Prakriti, the Procreatrix, Nature, the Destroyer, the Creator. Nay, She is something greater and deeper still for those who have eyes to see. She is the Universal Mother, "my Mother" as Ramakrishna would say, the All-powerful, who reveals Herself to Her children under different aspects and Divine Incarnations, the Visible God, who leads the elect to the Invisible Reality; and if it so pleases Her, She takes away the last trace of ego from created beings and merges it in the consciousness of the Absolute, the undifferentiated God. Through Her grace "the finite ego loses itself in the illimitable Ego — Atman — Brahman". (Romain Holland, Prophets of the New india, p. 11.)
Rani Rasmani spent a fortune for the construction of the temple garden and another fortune for its dedication ceremony, which took place on May 31, 1855.
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Within a very short time Sri Ramakrishna attracted the notice of Mathur Babu, who was impressed by the young man's religious fervour and wanted him to participate in the worship in the Kali temple. But Sri Ramakrishna loved his freedom and was indifferent to any worldly career. The profession of the priesthood in a temple founded by a rich woman did not appeal to his m ind. Further, he hesitated to take upon himself the responsibility for the ornaments and jewelry of the temple. Mathur had to wait for a suitable occasion.
At this time there came to Dakshineswar a youth of sixteen, destined to play an important role in Sri Ramakrishna's life. Hriday, a distant nephew2 of Sri Ramakrishna, hailed from Sihore, a village not far from Kamarpukur, and had been his boyhood friend. Clever, exceptionally energetic, and endowed with great presence of m ind, he moved, as will be seen later, like a shadow about his uncle and was always ready to help him, even at the sacrifice of his personal comfort. He was destined to be a mute witness of many of the spiritual experiences of Sri Ramakrishna and the caretaker of his body during the stormy days of his spiritual practice. Hriday came to Dakshineswar in search of a job, and Sri Ramakrishna was glad to see him.
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Born in an orthodox brahmin family, Sri Ramakrishna knew the formalities of worship, its rites and rituals. The innumerable gods and goddesses of the H indu religion are the human aspects of the indescribable and incomprehensible Spirit, as conceived by the finite human m ind. They understand and appreciate human love and emotion, help men to realize their secular and spiritual ideals, and ultimately enable men to attain liberation from the miseries of phenomenal life. The Source of light, intelligence, wisdom, and strength is the One alone from whom comes the fulfilment of desire. Yet, as long as a man is bound by his human limitations, he cannot but worship God through human forms. He must use human symbols. Therefore H induism asks the devotees to look on God as the ideal father, the ideal mother, the ideal husband, the ideal son, or the ideal friend. But the name ultimately leads to the Nameless, the form to the Formless, the word to the Silence, the emotion to the serene realization of Peace in Existence-Knowledge-Bliss Absolute. The gods gradually merge in the one God. But until that realization is achieved, the devotee cannot dissociate human factors from his worship. Therefore the Deity is bathed and clothed and decked with ornaments. He is fed and put to sleep. He is propitiated with hymns, songs, and prayers. And there are appropriate rites connected with all these functions. For instance, to secure for himself external purity, the priest bathes himself in holy water and puts on a holy cloth. He purifies the m ind and the sense-organs by appropriate meditations. He fortifies the place of worship against evil forces by drawing around it circles of fire and water. He awakens the different spiritual centres of the body and invokes the Supreme Spirit in his heart. Then he transfers the Supreme Spirit to the image before him and worships the image, regarding it no longer as clay or stone, but as the embodiment of Spirit, throbbing with Life and Consciousness. After the worship the Supreme Spirit is recalled from the image to Its true sanctuary, the heart of the priest. The real devotee knows the absurdity of worshipping the Transcendental Reality with material articles — clothing That which pervades the whole universe and the beyond, putting on a pedestal That which cannot be limited by space, feeding That which is disembodied and incorporeal, singing before That whose glory the music of the spheres tries vainly to proclaim. But through these rites the devotee aspires to go ultimately beyond rites and rituals, forms and names, words and praise, and to realize God as the All-pervading Consciousness.
H indu priests are thoroughly acquainted with the rites of worship, but few of them are aware of their underlying significance. They move their hands and limbs mechanically, in obedience to the letter of the scriptures, and repeat the holy mantras like parrots. But from the very beginning the inner meaning of these rites was revealed to Sri Ramakrishna. As he sat facing the image, a strange transformation came over his m ind. While going through the prescribed ceremonies, he would actually f ind himself encircled by a wall of fire protecting him and the place of worship from unspiritual vibrations, or he would feel the rising of the mystic Kundalini through the different centres of the body. The glow on his face, his deep absorption, and the intense atmosphere of the temple impressed everyone who saw him worship the Deity.
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And, indeed, he soon discovered what a strange Goddess he had chosen to serve. He became gradually enmeshed in the web of Her all-pervading presence. To the ignorant She is, to be sure, the image of destruction; but he found in Her the benign, all-loving Mother. Her neck is encircled with a garland of heads, and Her waist with a girdle of human arms, and two of Her hands hold weapons of death, and Her eyes dart a glance of fire; but, strangely enough, Ramakrishna felt in Her breath the soothing touch of tender love and saw in Her the Seed of Immortality. She stands on the bosom of Her Consort, Siva; it is because She is the Sakti, the Power, inseparable from the Absolute. She is surrounded by jackals and other unholy creatures, the denizens of the cremation ground. But is not the Ultimate Reality above holiness and unholiness? She appears to be reeling under the spell of wine. But who would create this mad world unless under the influence of a divine drunkenness? She is the highest symbol of all the forces of nature, the synthesis of their antinomies, the Ultimate Divine in the form of woman. She now became to Sri Ramakrishna the only Reality, and the world became an unsubstantial shadow. Into Her worship he poured his soul. Before him She stood as the transparent portal to the shrine of Ineffable Reality.
The worship in the temple intensified Sri Ramakrishna's yearning for a living vision of the Mother of the Universe. He began to spend in meditation the time not actually employed in the temple service; and for this purpose he selected an extremely solitary place. A deep jungle, thick with underbrush and prickly plants, lay to the north of the temples. Used at one time as a burial ground, it was shunned by people even during the day-time for fear of ghosts. There Sri Ramakrishna began to spend the whole night in meditation, returning to his room only in the morning with eyes swollen as though from much weeping. While meditating, he would lay aside his cloth and his brahminical thread. Explaining this strange conduct, he once said to Hriday: "Don't you know that when one thinks of God one should be freed from all ties? From our very birth we have the eight fetters of hatred, shame, lineage, pride of good conduct, fear, secretiveness, caste, and grief. The sacred thread rem inds me that I am a brahmin and therefore superior to all. When calling on the Mother one has to set aside all such ideas." Hriday thought his uncle was becoming insane.
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In 1858 there came to Dakshineswar a cousin of Sri Ramakrishna, Haladhari by name, who was to remain there about eight years. On account of Sri Ramakrishna's indifferent health, Mathur appointed this man to the office of priest in the Kali temple. He was a complex character, versed in the letter of the scriptures, but hardly aware of their spirit. He loved to participate in hair-splitting theological discussions and, by the measure of his own erudition, he proceeded to gauge Sri Ramakrishna. An orthodox brahmin, he thoroughly disapproved of his cousin's unorthodox actions, but he was not unimpressed by Sri Ramakrishna's purity of life, ecstatic love of God, and yearning for realization.
One day Haladhari upset Sri Ramakrishna with the statement that God is incomprehensible to the human m ind. Sri Ramakrishna has described the great moment of doubt when he wondered whether his visions had really misled him: "With sobs I prayed to the Mother, 'Canst Thou have the heart to deceive me like this because I am a fool?' A stream of tears flowed from my eyes. Shortly afterwards I saw a volume of mist rising from the floor and filling the space before me. In the midst of it there appeared a face with flowing beard, calm, highly expressive, and fair. Fixing its gaze steadily upon me, it said solemnly, 'Remain in bhavamukha, on the threshold of relative consciousness.' This it repeated three times and then it gently disappeared in the mist, which itself dissolved. This vision reassured me."
A garbled report of Sri Ramakrishna's failing health, indifference to worldly life, and various abnormal activities reached Kamarpukur and filled the heart of his poor mother with anguish. At her repeated request he returned to his village for a change of air. But his boyhood friends did not interest him any more. A divine fever was consuming him. He spent a great part of the day and night in one of the cremation grounds, in meditation. The place rem inded him of the impermanence of the human body, of human hopes and achievements. It also rem inded him of Kali, the Goddess of destruction.
--- MARRIAGE AND AFTER
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The marriage ceremony was duly performed. Such early marriage in india is in the nature of a betrothal, the marriage being consummated when the girl attains puberty. But in this case the marriage remained for ever unconsummated. Sri Ramakrishna lived at Kamarpukur about a year and a half and then returned to Dakshineswar.
Hardly had he crossed the threshold of the Kali temple when he found himself again in the whirlw ind. His madness reappeared tenfold. The same meditation and prayer, the same ecstatic moods, the same burning sensation, the same weeping, the same sleeplessness, the same indifference to the body and the outside world, the same divine delirium. He subjected himself to fresh disciplines in order to eradicate greed and lust, the two great impediments to spiritual progress. With a rupee in one hand and some earth in the other, he would reflect on the comparative value of these two for the realization of God, and f inding them equally worthless he would toss them, with equal indifference, into the Ganges. Women he regarded as the manifestations of the Divine Mother. Never even in a dream did he feel the impulses of lust. And to root out of his m ind the idea of caste superiority, he cleaned a pariahs house with his long and neglected hair. When he would sit in meditation, birds would perch on his head and peck in his hair for grains of food. Snakes would crawl over his body, and neither would be aware of the other. Sleep left him altogether. Day and night, visions flitted before him. He saw the sannyasi who had previously killed the "sinner" in him again coming out of his body, threatening him with the trident, and ordering him to concentrate on God. Or the same sannyasi would visit distant places, following a luminous path, and bring him reports of what was happening there. Sri Ramakrishna used to say later that in the case of an advanced devotee the m ind itself becomes the guru, living and moving like an embodied being.
Rani Rasmani, the foundress of the temple garden, passed away in 1861. After her death her son-in-law Mathur became the sole executor of the estate. He placed himself and his resources at the disposal of Sri Ramakrishna and began to look after his physical comfort. Sri Ramakrishna later spoke of him as one of his five "suppliers of stores" appointed by the Divine Mother. Whenever a desire arose in his m ind, Mathur fulfilled it without hesitation.
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Two famous pundits of the time were invited: Vaishnavcharan, the leader of the Vaishnava society, and Gauri. The first to arrive was Vaishnavcharan, with a distinguished company of scholars and devotees. The Brahmani, like a proud mother, proclaimed her view before him and supported it with quotations from the scriptures. As the pundits discussed the deep theological question, Sri Ramakrishna, perfectly indifferent to everything happening around him, sat in their midst like a child, immersed in his own thoughts, sometimes smiling, sometimes chewing a pinch of spices from a pouch, or again saying to Vaishnavcharan with a nudge: "Look here. Sometimes I feel like this, too." Presently Vaishnavcharan arose to declare himself in total agreement with the view of the Brahmani. He declared that Sri Ramakrishna had undoubtedly experienced mahabhava and that this was the certain sign of the rare manifestation of God in a man. The people assembled
there, especially the officers of the temple garden, were struck dumb. Sri Rama- krishna said to Mathur, like a boy: "Just fancy, he too says so! Well, I am glad to learn that after all it is not a disease."
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For the achievement of this goal the Vedanta prescribes an austere negative method of discrimination and renunciation, which can be followed by only a few individuals endowed with sharp intelligence and unshakable will-power. But Tantra takes into consideration the natural weakness of human beings, their lower appetites, and their love for the concrete. It combines philosophy with rituals, meditation with ceremonies, renunciation with enjoyment. The underlying purpose is gradually to train the aspirant to meditate on his identity with the Ultimate.
The average man wishes to enjoy the material objects of the world. Tantra bids him enjoy these, but at the same time discover in them the presence of God. Mystical rites are prescribed by which, slowly, the sense-objects become spiritualized and sense attraction is transformed into a love of God. So the very "bonds" of man are turned into "releasers". The very poison that kills is transmuted into the elixir of life. Outward renunciation is not necessary. Thus the aim of Tantra is to sublimate bhoga, or enjoyment into yoga, or union with Consciousness. For, according to this philosophy, the world with all its manifestations is nothing but the sport of Siva and Sakti, the Absolute and Its inscrutable Power.
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To develop the devotee's love for God, Vaishnavism humanizes God. God is to be regarded as the devotee's Parent, Master, Friend, Child, Husband, or Sweetheart, each succeeding relationship representing an intensification of love. These bhavas, or attitudes toward God, are known as santa, dasya, sakhya, vatsalya, and madhur. The rishis of the Vedas, Hanuman, the cow-herd boys of Vr indavan, Rama's mother Kausalya, and Radhika, Krishna's sweetheart, exhibited, respectively, the most perfect examples of these forms. In the ascending scale the-glories of God are gradually forgotten and the devotee realizes more and more the intimacy of divine communion. Finally he regards himself as the mistress of his Beloved, and no artificial barrier remains to separate him from his Ideal. No social or moral obligation can b ind to the earth his soaring spirit. He experiences perfect union with the Godhead. Unlike the Vedantist, who strives to transcend all varieties of the subject-object relationship, a devotee of the Vaishnava path wishes to retain both his own individuality and the personality of God. To him God is not an intangible Absolute, but the Purushottama, the Supreme Person.
While practising the discipline of the madhur bhava, the male devotee often regards himself as a woman, in order to develop the most intense form of love for Sri Krishna, the only purusha, or man, in the universe. This assumption of the attitude of the opposite sex has a deep psychological significance. It is a matter of common experience that an idea may be cultivated to such an intense degree that every idea alien to it is driven from the m ind. This peculiarity of the m ind may be utilized for the subjugation of the lower desires and the development of the spiritual nature. Now, the idea which is the basis of all desires and passions in a man is the conviction of his indissoluble association with a male body. If he can inoculate himself thoroughly with the idea that he is a woman, he can get rid of the desires peculiar to his male body. Again, the idea that he is a woman may in turn be made to give way to another higher idea, namely, that he is neither man nor woman, but the Impersonal Spirit. The Impersonal Spirit alone can enjoy real communion with the Impersonal God. Hence the highest est realization of the Vaishnava draws close to the transcendental experience of the Vedantist.
A beautiful expression of the Vaishnava worship of God through love is to be found in the Vr indavan episode of the Bhagavata. The gopis, or milk-maids, of Vr indavan regarded the six-year-old Krishna as their Beloved. They sought no personal gain or happiness from this love. They surrendered to Krishna their bodies, m inds, and souls. Of all the gopis, Radhika, or Radha, because of her intense love for Him, was the closest to Krishna. She manifested mahabhava and was united with her Beloved. This union represents, through sensuous language, a supersensuous experience.
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Now one with Radha, he manifested the great ecstatic love, the mahabhava, which had found in her its fullest expression. Later Sri Ramakrishna said: "The manifestation in the same individual of the nineteen different k inds of emotion for God is called, in the books on bhakti, mahabhava. An ordinary man takes a whole lifetime to express even a single one of these. But in this body [meaning himself] there has been a complete manifestation of all nineteen."
The love of Radha is the precursor of the resplendent vision of Sri Krishna, and Sri Ramakrishna soon experienced that vision. The enchanting ing form of Krishna appeared to him and merged in his person. He became Krishna; he totally forgot his own individuality and the world; he saw Krishna in himself and in the universe. Thus he attained to the fulfilment of the worship of the Personal God. He drank from the fountain of Immortal Bliss. The agony of his heart vanished forever. He realized Amrita, Immortality, beyond the shadow of death.
One day, listening to a recitation of the Bhagavata on the verandah of the Radhakanta temple, he fell into a divine mood and saw the enchanting form of Krishna. He perceived the luminous rays issuing from Krishna's Lotus Feet in the form of a stout rope, which touched first the Bhagavata and then his own chest, connecting all three — God, the scripture, and the devotee. "After this vision", he used to say, "I came to realize that Bhagavan, Bhakta, and Bhagavata — God, Devotee, and Scripture — are in reality one and the same."
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Totapuri was the bearer of a philosophy new to Sri Ramakrishna, the non-dualistic Vedanta philosophy, whose conclusions Totapuri had experienced in his own life. This ancient H indu system designates the Ultimate Reality as Brahman, also described as Satchidananda, Existence-Knowledge-Bliss Absolute. Brahman is the only Real Existence. In It there is no time, no space, no causality, no multiplicity. But through maya, Its inscrutable Power, time, space, and causality are created and the One appears to break into the many. The eternal Spirit appears as a manifold of individuals endowed with form and subject to the conditions of time. The Immortal becomes a victim of birth and death. The Changeless undergoes change. The sinless Pure Soul, hypnotized by Its own maya, experiences the joys of heaven and the pains of hell. But these experiences based on the duality of the subject-object relationship are unreal. Even the vision of a Personal God
is, ultimately speaking, as illusory as the experience of any other object. Man attains his liberation, therefore, by piercing the veil of maya and rediscovering his total identity with Brahman. Knowing himself to be one with the Universal Spirit, he realizes ineffable Peace. Only then does he go beyond the fiction of birth and death; only then does he become immortal. 'And this is the ultimate goal of all religions — to dehypnotize the soul now hypnotized by its own ignorance.
The path of the Vedantic discipline is the path of negation, "neti", in which, by stern determination, all that is unreal is both negated and renounced. It is the path of jnana, knowledge, the direct method of realizing the Absolute. After the negation of everything relative, including the discriminating ego itself, the aspirant merges in the One without a Second, in the bliss of nirvikalpa samadhi, where subject and object are alike dissolved. The soul goes beyond the realm of thought. The domain of duality is transcended. Maya is left beh ind with all its changes and modifications. The Real Man towers above the delusions of creation, preservation, and destruction. An avalanche of indescribable Bliss sweeps away all relative ideas of pain and pleasure, good and evil. There shines in the heart the glory of the Eternal Brahman, Existence-Knowledge-Bliss Absolute. Knower, knowledge, and known are dissolved in the Ocean of one eternal Consciousness; love, lover, and beloved merge in the unbounded Sea of supreme Felicity; birth, growth, and death vanish in infinite Existence. All doubts and misgivings are quelled for ever; the oscillations of the m ind are stopped; the momentum of past actions is exhausted. Breaking down the ridge-pole of the tabernacle in which the soul has made its abode for untold ages, stilling the body, calming the m ind, drowning the ego, the sweet joy of Brahman wells up in that superconscious state. Space disappears into nothingness, time is swallowed in eternity, and causation becomes a dream of the past. Only Existence is. Ah! Who can describe what the soul then feels in its communion with the Self?
Even when man descends from this dizzy height, he is devoid of ideas of "I" and "mine"; he looks on the body as a mere shadow, an outer sheath encasing the soul. He does not dwell on the past, takes no thought for the future, and looks with indifference on the present. He surveys everything in the world with an eye of equality; he is no longer touched by the infinite variety of phenomena; he no longer reacts to pleasure and pain. He remains unmoved whether he — that is to say, his body — is worshipped by the good or tormented by the wicked; for he realizes that it is the one Brahman that manifests Itself through everything. The impact of such an experience devastates the body and m ind. Consciousness becomes blasted, as it were, with an excess of Light. In the Vedanta books it is said that after the experience of nirvikalpa samadhi the body drops off like a dry leaf. Only those who are born with a special mission for the world can return
from this height to the valleys of normal life. They live and move in the world for the welfare of mank ind. They are invested with a supreme spiritual power. A divine glory shines through them.
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Totapuri arrived at the Dakshineswar temple garden toward the end of 1864. Perhaps born in the Punjab, he was the head of a monastery in that province of india and claimed leadership of seven hundred sannyasis. Trained from early youth in the disciplines of the Advaita Vedanta, he looked upon the world as an illusion. The gods and goddesses of the dualistic worship were to him mere fantasies of the deluded m ind. Prayers, ceremonies, rites, and rituals had nothing to do with true religion, and about these he was utterly indifferent. Exercising self-exertion and unshakable will-power, he had liberated himself from attachment to the sense-objects of the relative universe. For forty years he had practised austere discipline on the bank of the sacred Narmada and had finally realized his identity with the Absolute. Thenceforward he roamed in the world as an unfettered soul, a lion free from the cage. Clad in a loin-cloth, he spent his days under the canopy of the sky alike in storm and sunshine, feeding his body on the slender pittance of alms. He had been visiting the estuary of the Ganges. On his return journey along the bank of the sacred river, led by the inscrutable Divine Will, he stopped at Dakshineswar.
Totapuri, discovering at once that Sri Ramakrishna was prepared to be a student of Vedanta, asked to initiate him into its mysteries. With the permission of the Divine Mother, Sri Ramakrishna agreed to the proposal. But Totapuri explained that only a sannyasi could receive the teaching of Vedanta. Sri Ramakrishna agreed to renounce the world, but with the stipulation that the ceremony of his initiation into the monastic order be performed in secret, to spare the feelings of his old mother, who had been living with him at Dakshineswar.
On the appointed day, in the small hours of the morning, a fire was lighted in the Panchavati. Totapuri and Sri Ramakrishna sat before it. The flame played on their faces. "Ramakrishna was a small brown man with a short beard and beautiful eyes, long dark eyes, full of light, obliquely set and slightly veiled, never very wide open, but seeing half-closed a great distance both outwardly and inwardly. His mouth was open over his white teeth in a bewitching smile, at once affectionate and mischievous. Of medium height, he was thin to emaciation and extremely delicate. His temperament was high-strung, for he was supersensitive to all the w inds of joy and sorrow, both moral and physical. He was indeed a living reflection of all that happened before the mirror of his eyes, a two-sided mirror, turned both out and in." (Romain Rolland, Prophets of the New india, pp. 38-9.) Facing him, the other rose like a rock. He was very tall and robust, a sturdy and tough oak. His constitution and m ind were of iron. He was the strong leader of men.
In the burning flame before him Sri Ramakrishna performed the rituals of destroying his attachment to relatives, friends, body, m ind, sense-organs, ego, and the world. The leaping flame swallowed it all, making the initiate free and pure. The sacred thread and the tuft of hair were consigned to the fire, completing his severance from caste, sex, and society. Last of all he burnt in that fire, with all that is holy as his witness, his desire for enjoyment here and hereafter. He uttered the sacred mantras giving assurance of safety and fearlessness to all beings, who were only manifestations of his own Self. The rites completed, the disciple received from the guru the loin-cloth and ochre robe, the emblems of his new life.
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From Sri Ramakrishna Totapuri had to learn the significance of Kali, the Great Fact of the relative world, and of maya, Her indescribable Power.
One day, when guru and disciple were engaged in an animated discussion about Vedanta, a servant of the temple garden came there and took a coal from the sacred fire that had been lighted by the great ascetic. He wanted it to light his tobacco. Totapuri flew into a rage and was about to beat the man. Sri Ramakrishna rocked with laughter. "What a shame!" he cried. "You are explaining to me the reality of Brahman and the illusoriness of the world; yet now you have so far forgotten yourself as to be about to beat a man in a fit of passion. The power of maya is indeed inscrutable!" Totapuri was embarrassed.
About this time Totapuri was suddenly laid up with a severe attack of dysentery. On account of this miserable illness he found it impossible to meditate. One night the pain became excruciating. He could no longer concentrate on Brahman. The body stood in the way. He became incensed with its demands. A free soul, he did not at all care for the body. So he determined to drown it in the Ganges. Thereupon he walked into the river. But, lo! He walks to the other bank." (This version of the incident is taken from the biography of Sri Ramakrishna by Swami Saradananda, one of the Master's direct disciples.) Is there not enough water in the Ganges? Standing dumbfounded on the other bank he looks back across the water. The trees, the temples, the houses, are silhouetted against the sky. Suddenly, in one dazzling moment, he sees on all sides the presence of the Divine Mother. She is in everything; She is everything. She is in the water; She is on land. She is the body; She is the m ind. She is pain; She is comfort. She is knowledge; She is ignorance. She is life; She is death. She is everything that one sees, hears, or imagines. She turns "yea" into "nay", and "nay" into "yea". Without Her grace no embodied being can go beyond Her realm. Man has no free will. He is not even free to die. Yet, again, beyond the body and m ind She resides in Her Transcendental, Absolute aspect. She is the Brahman that Totapuri had been worshipping all his life.
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Sri Ramakrishna accepted the divinity of Buddha and used to point out the similarity of his teachings to those of the Upanishads. He also showed great respect for the Tirthankaras, who founded Jainism, and for the ten Gurus of Sikhism. But he did not speak of them as Divine Incarnations. He was heard to say that the Gurus of Sikhism were the reincarnations of King Janaka of ancient india. He kept in his room at Dakshineswar a small statue of Tirthankara Mahavira and a picture of Christ, before which incense was burnt morning and evening.
Without being formally initiated into their doctrines, Sri Ramakrishna thus realized the ideals of religions other than H induism. He did not need to follow any doctrine. All barriers were removed by his overwhelming love of God. So he became a Master who could speak with authority regarding the ideas and ideals of the various religions of the world. "I have practised", said he, "all religions — H induism, Islam, Christianity — and I have also followed the paths of the different H indu sects. I have found that it is the same God toward whom all are directing their steps, though along different paths. You must try all beliefs and traverse all the different ways once. Wherever I look, I see men quarrelling in the name of religion — H indus, Mohammedans, Brahmos, Vaishnavas, and the rest. But they never reflect that He who is called Krishna is also called Siva, and bears the name of the Primal Energy, Jesus, and Allah as well — the same Rama with a thousand names. A lake has several ghats. At one the H indus take water in pitchers and call it 'jal'; at another the Mussalmans take water in leather bags and call it pani'. At a third the Christians call it 'water'. Can we imagine that it is not 'jal', but only 'pani' or 'water'? How ridiculous! The substance is One under different names, and everyone is seeking the same substance; only climate, temperament, and name create differences. Let each man follow his own path. If he sincerely and ardently wishes to know God, peace be unto him! He will surely realize Him."
In 1867 Sri Ramakrishna returned to Kamarpukur to recuperate from the effect of his austerities. The peaceful countryside, the simple and artless companions of his boyhood, and the pure air did him much good. The villagers were happy to get back their playful, frank, witty, k ind-hearted, and truthful Gadadhar, though they did not fail to notice the great change that had come over him during his years in Calcutta. His wife, Sarada Devi, now fourteen years old, soon arrived at Kamarpukur. Her spiritual development was much beyond her age and she was able to understand immediately her husband's state of m ind. She became eager to learn from him about God and to live with him as his attendant. The Master accepted her cheerfully both as his disciple and as his spiritual companion. Referring to the experiences of these few days, she once said: "I used to feel always as if a pitcher full of bliss were placed in my heart. The joy was indescribable."
--- PILGRIMAGE
On January 27, 1868, Mathur Babu with a party of some one hundred and twenty-five persons set out on a pilgrimage to the sacred places of northern india. At Vaidyanath in Behar, when the Master saw the inhabitants of a village reduced by poverty and starvation to mere skeletons, he requested his rich patron to feed the people and give each a piece of cloth. Mathur demurred at the added expense. The Master declared bitterly that he would not go on to Benares, but would live with the poor and share their miseries. He actually left Mathur and sat down with the villagers. Whereupon Mathur had to yield. On another occasion, two years later, Sri Ramakrishna showed a similar sentiment for the poor and needy. He accompanied Mathur on a tour to one of the latter's estates at the time of the collection of rents. For two years the harvests had failed and the tenants were in a state of extreme poverty. The Master asked Mathur to remit their rents, distribute help to them, and in addition give the hungry people a sumptuous feast. When Mathur grumbled, the Master said: "You are only the steward of the Divine Mother. They are the Mother's tenants. You must spend the Mother's money. When they are suffering, how can you refuse to help them? You must help them." Again Mathur had to give in. Sri Ramakrishna's sympathy for the poor sprang from his perception of God in all created beings. His sentiment was not that of the humanist or philanthropist. To him the service of man was the same as the worship of God.
The party entered holy Benares by boat along the Ganges. When Sri Ramakrishna's eyes fell on this city of Siva, where had accumulated for ages the devotion and piety of countless worshippers, he saw it to be made of gold, as the scriptures declare. He was visibly moved. During his stay in the city he treated every particle of its earth with utmost respect. At the Manikarnika Ghat, the great cremation ground of the city, he actually saw Siva, with ash-covered body and tawny matted hair, serenely approaching each funeral pyre and breathing into the ears of the corpses the mantra of liberation; and then the Divine Mother removing from the dead their bonds. Thus he realized the significance of the scriptural statement that anyone dying in Benares attains salvation through the grace of Siva. He paid a visit to Trailanga Swami, the celebrated monk, whom he later declared to be a real paramahamsa, a veritable image of Siva.
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In the nirvikalpa samadhi Sri Ramakrishna had realized that Brahman alone is real and the world illusory. By keeping his m ind six months on the plane of the non-dual Brahman, he had attained to the state of the vijnani, the knower of Truth in a special and very rich sense, who sees Brahman not only in himself and in the transcendental Absolute, but in everything of the world. In this state of vijnana, sometimes, bereft of body-consciousness, he would regard himself as one with Brahman; sometimes, conscious of the dual world, he would regard himself as God's devotee, servant, or child. In order to enable the Master to work for the welfare of humanity, the Divine Mother had kept in him a trace of ego, which he described — according to his mood — as the "ego of Knowledge", the "ego of Devotion", the "ego of a child", or the "ego of a servant". In any case this ego of the Master, consumed by the fire of the Knowledge of Brahman, was an appearance only, like a burnt string. He often referred to this ego as the "ripe ego" in contrast with the ego of the bound soul, which he described as the "unripe" or "green" ego. The ego of the bound soul identifies itself with the body, relatives, possessions, and the world; but the "ripe ego", illumined by Divine Knowledge, knows the body, relatives, possessions, and the world to be unreal and establishes a relationship of love with God alone. Through this "ripe ego" Sri Ramakrishna dealt with the world and his wife. One day, while stroking his feet, Sarada Devi asked the Master, "What do you think of me?" Quick came the answer: "The Mother who is worshipped in the temple is the mother who has given birth to my body and is now living in the nahabat, and it is She again who is stroking my feet at this moment. indeed, I always look on you as the personification of the Blissful Mother Kali."
Sarada Devi, in the company of her husband, had rare spiritual experiences. She said: "I have no words to describe my wonderful exaltation of spirit as I watched him in his different moods. Under the influence of divine emotion he would sometimes talk on abstruse subjects, sometimes laugh, sometimes weep, and sometimes become perfectly motionless in samadhi. This would continue throughout the night. There was such an extraordinary divine presence in him that now and then I would shake with fear and wonder how the night would pass. Months went by in this way. Then one day he discovered that I had to keep awake the whole night lest, during my sleep, he should go into samadhi — for it might happen at any moment —, and so he asked me to sleep in the nahabat."
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In March 1875, about a year before the death of his mother, the Master met Keshab Chandra Sen. The meeting was a momentous event for both Sri Ramakrishna and Keshab. Here the Master for the first time came into actual, contact with a worthy representative of modern india.
--- BRAHMO SAMAJ
Keshab was the leader of the Brahmo Samaj, one of the two great movements that, during the latter part of the nineteenth century, played an important part in shaping the course of the renascence of india. The founder of the Brahmo movement had been the great Raja Rammohan Roy (1774-1833). Though born in an orthodox brahmin family, Rammohan Roy had shown great sympathy for Islam and Christianity. He had gone to Tibet in search of the Buddhist mysteries. He had extracted from Christianity its ethical system, but had rejected the divinity of Christ as he had denied the H indu Incarnations. The religion of Islam influenced him, to a great extent, in the formulation of his monotheistic doctrines. But he always went back to the Vedas for his spiritual inspiration. The Brahmo Samaj, which he founded in 1828, was dedicated to the "worship and adoration of the Eternal, the Unsearchable, the Immutable Being, who is the Author and Preserver of the Universe". The Samaj was open to all without distinction of colour, creed, caste, nation, or religion.
The real organizer of the Samaj was Devendranath Tagore (1817-1905), the father of the poet Rab indranath. His physical and spiritual beauty, aristocratic aloofness, penetrating intellect, and poetic sensibility made him the foremost leader of the educated Bengalis. These addressed him by the respectful epithet of Maharshi, the "Great Seer". The Maharshi was a Sanskrit scholar and, unlike Raja Rammohan Roy, drew his inspiration entirely from the Upanishads. He was an implacable enemy of image worship ship and also fought to stop the infiltration of Christian ideas into the Samaj. He gave the movement its faith and ritual. Under his influence the Brahmo Samaj professed One Self-existent Supreme Being who had created the universe out of nothing, the God of Truth, Infinite Wisdom, Goodness, and Power, the Eternal and Omnipotent, the One without a Second. Man should love Him and do His will, believe in Him and worship Him, and thus merit salvation in the world to come.
By far the ablest leader of the Brahmo movement was Keshab Chandra Sen (1838-1884). Unlike Raja Rammohan Roy and Devendranath Tagore, Keshab was born of a middle-class Bengali family and had been brought up in an English school. He did not know Sanskrit and very soon broke away from the popular H indu religion. Even at an early age he came under the spell of Christ and professed to have experienced the special favour of John the Baptist, Christ, and St. Paul. When he strove to introduce Christ to the Brahmo Samaj, a rupture became inevitable with Devendranath. In 1868 Keshab broke with the older leader and founded the Brahmo Samaj of india, Devendra retaining leadership of the first Brahmo Samaj, now called the Adi Samaj.
Keshab possessed a complex nature. When passing through a great moral crisis, he spent much of his time in solitude and felt that he heard the voice of God, When a devotional form of worship was introduced into the Brahmo Samaj, he spent hours in singing kirtan with his followers. He visited England land in 1870 and impressed the English people with his musical voice, his simple English, and his spiritual fervour. He was entertained by Queen Victoria. Returning to india, he founded centres of the Brahmo Samaj in various parts of the country. Not unlike a professor of comparative religion in a European university, he began to discover, about the time of his first contact with Sri Ramakrishna, the harmony of religions. He became sympathetic toward the H indu gods and goddesses, explaining them in a liberal fashion. Further, he believed that he was called by God to dictate to the world God's newly revealed law, the New Dispensation, the Navavidhan.
In 1878 a schism divided Keshab's Samaj. Some of his influential followers accused him of infringing the Brahmo principles by marrying his daughter to a wealthy man before she had attained the marriageable age approved by the Samaj. This group seceded and established the Sadharan Brahmo Samaj, Keshab remaining the leader of the Navavidhan. Keshab now began to be drawn more and more toward the Christ ideal, though under the influence of Sri Ramakrishna his devotion to the Divine Mother also deepened. His mental oscillation between Christ and the Divine Mother of H induism found no position of rest. In Bengal and some other parts of india the Brahmo movement took the form of unitarian Christianity, scoffed at H indu rituals, and preached a crusade against image worship. Influenced by Western culture, it declared the supremacy of reason, advocated the ideals of the French Revolution, abolished the caste-system among its own members, stood for the emancipation of women, agitated for the abolition of early marriage, sanctioned the remarriage of widows, and encouraged various educational and social-reform movements. The immediate effect of the Brahmo movement in Bengal was the checking of the proselytizing activities of the Christian missionaries. It also raised indian culture in the estimation of its English masters. But it was an intellectual and eclectic religious ferment born of the necessity of the time. Unlike H induism, it was not founded on the deep inner experiences of sages and prophets. Its influence was confined to a comparatively few educated men and women of the country, and the vast masses of the H indus remained outside it. It sounded monotonously only one of the notes in the rich gamut of the Eternal Religion of the H indus.
--- ARYA SAMAJ
The other movement playing an important part in the nineteenth-century religious revival of india was the Arya Samaj. The Brahmo Samaj, essentially a movement of compromise with European culture, tacitly admitted the superiority of the West. But the founder of the Arya Samaj was a ' pugnacious H indu sannyasi who accepted the challenge of Islam and Christianity and was resolved to combat all foreign influence in india. Swami Dayananda (1824-1883) launched this movement in Bombay in 1875, and soon its influence was felt throughout western india. The Swami was a great scholar of the Vedas, which he explained as being strictly monotheistic. He preached against the worship of images and re-established the ancient Vedic sacrificial rites. According to him the Vedas were the ultimate authority on religion, and he accepted every word of them as literally true. The Arya Samaj became a bulwark against the encroachments of Islam and Christianity, and its orthodox flavour appealed to many H indu m inds. It also assumed leadership in many movements of social reform. The caste-system became a target of its attack. Women it liberated from many of their social disabilities. The cause of education received from it a great impetus. It started agitation against early marriage and advocated the remarriage of H indu widows. Its influence was strongest in the Punjab, the battle-ground of the H indu and Islamic cultures. A new fighting attitude was introduced into the slumbering H indu society. Unlike the Brahmo Samaj, the influence of the Arya Samaj was not confined to the intellectuals. It was a force that spread to the masses. It was a dogmatic movement intolerant of those who disagreed with its views, and it emphasized only one way, the Arya Samaj way, to the realization of Truth. Sri Ramakrishna met Swami Dayananda when the latter visited Bengal.
--- KESHAB CHANDRA SEN
Keshab Chandra Sen and Sri Ramakrishna met for the first time in the garden house of Jaygopal Sen at Belgharia, a few miles from Dakshineswar, where the great Brahmo leader was staying with some of his disciples. In many respects the two were poles apart, though an irresistible inner attraction was to make them intimate friends. The Master had realized God as Pure Spirit and Consciousness, but he believed in the various forms of God as well. Keshab, on the other hand, regarded image worship as idolatry and gave allegorical explanations of the H indu deities. Keshab was an orator and a writer of books and magazine articles; Sri Ramakrishna had a horror of lecturing and hardly knew how to write his own name, Keshab's fame spread far and wide, even reaching the distant shores of England; the Master still led a secluded life in the village of Dakshineswar. Keshab emphasized social reforms for india's regeneration; to Sri Ramakrishna God-realization was the only goal of life. Keshab considered himself a disciple of Christ and accepted in a diluted form the Christian sacraments and Trinity; Sri Ramakrishna was the simple child of Kali, the Divine Mother, though he too, in a different way, acknowledged Christ's divinity. Keshab was a householder holder and took a real interest in the welfare of his children, whereas Sri Ramakrishna was a paramahamsa and completely indifferent to the life of the world. Yet, as their acquaintance ripened into friendship, Sri Ramakrishna and Keshab held each other in great love and respect. Years later, at the news of Keshab's death, the Master felt as if half his body had become paralyzed. Keshab's concepts of the harmony of religions and the Motherhood of God were deepened and enriched by his contact with Sri Ramakrishna.
Sri Ramakrishna, dressed in a red-bordered dhoti, one end of which was carelessly thrown over his left shoulder, came to Jaygopal's garden house accompanied by Hriday. No one took notice of the unostentatious visitor. Finally the Master said to Keshab, "People tell me you have seen God; so I have come to hear from you about God." A magnificent conversation followed. The Master sang a thrilling song about Kali and forthwith went into samadhi. When Hriday uttered the sacred "Om" in his ears, he gradually came back to consciousness of the world, his face still radiating a divine brilliance. Keshab and his followers were amazed. The contrast between Sri Ramakrishna and the Brahmo devotees was very interesting. There sat this small man, thin and extremely delicate. His eyes were illumined with an inner light. Good humour gleamed in his eyes and lurked in the corners of his mouth. His speech was Bengali of a homely k ind with a slight, delightful stammer, and his words held men enthralled by their wealth of spiritual experience, their inexhaustible store of simile and metaphor, their power of observation, their bright and subtle humour, their wonderful catholicity, their ceaseless flow of wisdom. And around him now were the sophisticated men of Bengal, the best products of Western education, with Keshab, the idol of young Bengal, as their leader.
--
Shivanath, one day, was greatly impressed by the Master's utter simplicity and abhorrence of praise. He was seated with Sri Ramakrishna in the latter's room when several rich men of Calcutta arrived. The Master left the room for a few minutes. In the mean time Hriday, his nephew, began to describe his samadhi to the visitors. The last few words caught the Master's ear as he entered the room. He said to Hriday: "What a mean-spirited fellow you must be to extol me thus before these rich men! You have seen their costly apparel and their gold watches and chains, and your object is to get from them as much money as you can. What do I care about what they think of me? (Turning to the gentlemen) No, my friends, what he has told you about me is not true. It was not love of God that made me absorbed in God and indifferent to external life. I became positively insane for some time. The sadhus who frequented this temple told me to practise many things. I tried to follow them, and the consequence was that my austerities drove me to insanity." This is a quotation from one of Shivanath's books. He took the Master's words literally and failed to see their real import.
Shivanath vehemently criticized the Master for his other-worldly attitude toward his wife. He writes: "Ramakrishna was practically separated from his wife, who lived in her village home. One day when I was complaining to some friends about the virtual widowhood of his wife, he drew me to one side and whispered in my ear: 'Why do you complain? It is no longer possible; it is all dead and gone.' Another day as I was inveighing against this part of his teaching, and also declaring that our program of work in the Brahmo Samaj includes women, that ours is a social and domestic religion, and that we want to give education and social liberty to women, the saint became very much excited, as was his way when anything against his settled conviction was asserted — a trait we so much liked in him — and exclaimed, 'Go, thou fool, go and perish in the pit that your women will dig for you.' Then he glared at me and said: 'What does a gardener do with a young plant? Does he not surround it with a fence, to protect it from goats and cattle? And when the young plant has grown up into a tree and it can no longer be injured by cattle, does he not remove the fence and let the tree grow freely?' I replied, 'Yes, that is the custom with gardeners.' Then he remarked, 'Do the same in your spiritual life; become strong, be full-grown; then you may seek them.' To which I replied, 'I don't agree with you in thinking that women's work is like that of cattle, destructive; they are our associates and helpers in our spiritual struggles and social progress' — a view with which he could not agree, and he marked his dissent by shaking his head. Then referring to the lateness of the hour he jocularly remarked, 'It is time for you to depart; take care, do not be late; otherwise your woman will not admit you into her room.' This evoked hearty laughter."
Pratap Chandra Mazumdar, the right-hand man of Keshab and an accomplished Brahmo preacher in Europe and America, bitterly criticized Sri Ramakrishna's use of uncultured language and also his austere attitude toward his wife. But he could not escape the spell of the Master's personality. In the course of an article about Sri Ramakrishna, Pratap wrote in the "Theistic Quarterly Review": "What is there in common between him and me? I, a Europeanized, civilized, self-centred, semi-sceptical, so-called educated reasoner, and he, a poor, illiterate, unpolished, half-idolatrous, friendless H indu devotee? Why should I sit long hours to attend to him, I, who have listened to Disraeli and Fawcett, Stanley and Max Muller, and a whole host of European scholars and divines? . . . And it is not I only, but dozens like me, who do the same. . . . He worships Siva, he worships Kali, he worships Rama, he worships Krishna, and is a confirmed advocate of Vedantic doctrines. . . . He is an idolater, yet is a faithful and most devoted meditator on the perfections of the One Formless, Absolute, Infinite Deity. . . . His religion is ecstasy, his worship means transcendental insight, his whole nature burns day and night with a permanent fire and fever of a strange faith and feeling. . . . So long as he is spared to us, gladly shall we sit at his feet to learn from him the sublime precepts of purity, unworldliness, spirituality, and inebriation in the love of God. . . . He, by his childlike bhakti, by his strong conceptions of an ever-ready Motherhood, helped to unfold it [God as our Mother] in our m inds wonderfully. . . . By associating with him we learnt to realize better the divine attributes as scattered over the three hundred and thirty millions of deities of mythological india, the gods of the Puranas."
The Brahmo leaders received much inspiration from their contact with Sri Ramakrishna. It broadened their religious views and k indled in their hearts the yearning for God-realization; it made them understand and appreciate the rituals and symbols of H indu religion, convinced them of the manifestation of God in diverse forms, and deepened their thoughts about the harmony of religions. The Master, too, was impressed by the sincerity of many of the Brahmo devotees. He told them about his own realizations and explained to them the essence of his teachings, such as the necessity of renunciation, sincerity in the pursuit of one's own course of discipline, faith in God, the performance of one's duties without thought of results, and discrimination between the Real and the unreal.
This contact with the educated and progressive Bengalis opened Sri Ramakrishna's eyes to a new realm of thought. Born and brought up in a simple village, without any formal education, and taught by the orthodox holy men of india in religious life, he had had no opportunity to study the influence of modernism on the thoughts and lives of the H indus. He could not properly estimate the result of the impact of Western education on indian culture. He was a H indu of the H indus, renunciation being to him the only means to the realization of God in life. From the Brahmos he learnt that the new generation of india made a compromise between God and the world. Educated young men were influenced more by the Western philosophers than by their own prophets. But Sri Ramakrishna was not dismayed, for he saw in this, too, the hand of God. And though he expounded to the Brahmos all his ideas about God and austere religious disciplines, yet he bade them accept from his teachings only as much as suited their tastes and temperaments.
^The term "woman and gold", which has been used throughout in a collective sense, occurs again and again in the teachings of Sri Ramakrishna to designate the chief impediments to spiritual progress. This favourite expression of the Master, "kaminikanchan", has often been misconstrued. By it he meant only "lust and greed", the baneful influence of which retards the aspirant's spiritual growth. He used the word "kamini", or "woman", as a concrete term for the sex instinct when addressing his man devotees. He advised women, on the other hand, to shun "man". "Kanchan", or "gold", symbolizes greed, which is the other obstacle to spiritual life.
--
Contact with the Brahmos increased Sri Ramakrishna's longing to encounter aspirants who would be able to follow his teachings in their purest form. "There was no limit", he once declared, "to the longing I felt at that time. During the day-time I somehow managed to control it. The secular talk of the worldly-m inded was galling to me, and I would look wistfully to the day when my own beloved companions would come. I hoped to f ind solace in conversing with them and relating to them my own realizations. Every little incident would rem ind me of them, and thoughts of them wholly engrossed me. I was already arranging in my m ind what I should say to one and give to another, and so on. But when the day would come to a close I would not be able to curb my feelings. The thought that another day had gone by, and they had not come, oppressed me. When, during the evening service, the temples rang with the sound of bells and conch-shells, I would climb to the roof of the kuthi in the garden and, writhing in anguish of heart, cry at the top of my voice: 'Come, my children! Oh, where are you? I cannot bear to live without you.' A mother never longed so intensely for the sight of her child, nor a friend for his companions, nor a lover for his sweetheart, as I longed for them. Oh, it was indescribable! Shortly after this period of yearning the devotees1 began to come."
In the year 1879 occasional writings about Sri Ramakrishna by the Brahmos, in the Brahmo magazines, began to attract his future disciples from the educated middle-class Bengalis, and they continued to come till 1884. But others, too, came, feeling the subtle power of his attraction. They were an ever shifting crowd of people of all castes and creeds: H indus and Brahmos, Vaishnavas and Saktas, the educated with university degrees and the illiterate, old and young, maharajas and beggars, journalists and artists, pundits and devotees, philosophers and the worldly-m inded, jnanis and yogis, men of action and men of faith, virtuous women and prostitutes, office-holders and vagabonds, philanthropists and self-seekers, dramatists and drunkards, builders-up and pullers-down. He gave to them all, without stint, from his illimitable store of realization. No one went away empty-handed. He taught them the lofty .knowledge of the Vedanta and the soul
--
For the householders Sri Ramakrishna did not prescribe the hard path of total renunciation. He wanted them to discharge their obligations to their families. Their renunciation was to be mental. Spiritual life could not be acquired by flying away from responsibilities. A married couple should live like brother and sister after the birth of one or two children, devoting their time to spiritual talk and contemplation. He encouraged the householders, saying that their life was, in a way, easier than that of the monk, since it was more advantageous to fight the enemy from inside a fortress than in an open field. He insisted, however, on their repairing into solitude every now and then to strengthen their devotion and faith in God through prayer, japa, and meditation. He prescribed for them the companionship of sadhus. He asked them to perform their worldly duties with one hand, while holding to God with the other, and to pray to God to make their duties fewer and fewer so that in the end they might cling to Him with both hands. He would discourage in both the householders and the celibate youths any lukewarmness in their spiritual struggles. He would not ask them to follow indiscriminately the ideal of non-resistance, which ultimately makes a coward of the unwary.
--- FUTURE MONKS
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Durgacharan Nag, also known as Nag Mahashay, was the ideal householder among the lay disciples of Sri Ramakrishna. He was the embodiment of the Master's ideal of life in the world, unstained by worldliness. In spite of his intense desire to become a sannyasi, Sri Ramakrishna asked him to live in the world in the spirit of a monk, and the disciple truly carried out this injunction. He was born of a poor family and even during his boyhood often sacrificed everything to lessen the sufferings of the needy. He had married at an early age and after his wife's death had married a second time to obey his father's command. But he once said to his wife: "Love on the physical level never lasts. He is indeed blessed who can give his love to God with his whole heart. Even a little attachment to the body endures for several births. So do not be attached to this cage of bone and flesh. Take shelter at the feet of the Mother and think of Her alone. Thus your life here and hereafter will be ennobled." The Master spoke of him as a "blazing light". He received every word of Sri Ramakrishna in dead earnest. One day he heard the Master saying that it was difficult for doctors, lawyers, and brokers to make much progress in spirituality. Of doctors he said, "If the m ind clings to the tiny drops of medicine, how can it conceive of the Infinite?" That was the end of Durgacharan's medical practice and he threw his chest of medicines into the Ganges. Sri Ramakrishna assured him that he would not lack simple food and clothing. He bade him serve holy men. On being asked where he would f ind real holy men, the Master said that the sadhus themselves would seek his company. No sannyasi could have lived a more austere life than Durgacharan.
--- GIRISH GHOSH
--
As time passed, Girish began to learn that the guru is the one who silently unfolds the disciple's inner life. He became a steadfast devotee of the Master. He often loaded the Master with insults, drank in his presence, and took liberties which astounded the other devotees. But the Master knew that at heart Girish was tender, faithful, and sincere. He would not allow Girish to give up the theatre. And when a devotee asked him to tell Girish to give up drinking, he sternly replied: "That is none of your business. He who has taken charge of him will look after him. Girish is a devotee of heroic type. I tell you, drinking will not affect him." The Master knew that mere words could not induce a man to break deep-rooted habits, but that the silent influence of love worked miracles. Therefore he never asked him to give up alcohol, with the result that Girish himself eventually broke the habit. Sri Ramakrishna had strengthened Girish's resolution by allowing him to feel that he was absolutely free.
One day Girish felt depressed because he was unable to submit to any routine of spiritual discipline. In an exalted mood the Master said to him: "All right, give me your power of attorney. Henceforth I assume responsibility for you. You need not do anything." Girish heaved a sigh of relief. He felt happy to think that Sri Ramakrishna had assumed his spiritual responsibilities. But poor Girish could not then realize that He also, on his part, had to give up his freedom and make of himself a puppet in Sri Ramakrishna's hands. The Master began to discipline him according to this new attitude. One day Girish said about a trifling matter, "Yes, I shall do this." "No, no!" the Master corrected him. "You must not speak in that egotistic manner. You should say, 'God willing, I shall do it.'" Girish understood. Thenceforth he tried to give up all idea of personal responsibility and surrender himself to the Divine Will. His m ind began to dwell constantly on Sri Ramakrishna. This unconscious meditation in time chastened his turbulent spirit.
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Sri Ramakrishna also became acquainted with a number of people whose scholarship or wealth entitled them everywhere to respect. He had met, a few years before, Devendranath Tagore, famous all over Bengal for his wealth, scholarship, saintly character, and social position. But the Master found him disappointing; for, whereas Sri Ramakrishna expected of a saint complete renunciation of the world, Devendranath combined with his saintliness a life of enjoyment. Sri Ramakrishna met the great poet Michael Madhusudan, who had embraced Christianity "for the sake of his stomach". To him the Master could not impart instruction, for the Divine Mother "pressed his tongue". In addition he met Maharaja Jat indra Mohan Tagore, a titled aristocrat of Bengal; Kristodas Pal, the editor, social reformer, and patriot; Iswar Vidyasagar, the noted philanthropist and educator; Pundit Shashadhar, a great champion of H indu orthodoxy; Aswini Kumar Dutta, a headmaster, moralist, and leader of indian Nationalism; and Bankim Chatterji, a deputy magistrate, novelist, and essayist, and one of the fashioners of modern Bengali prose. Sri Ramakrishna was not the man to be dazzled by outward show, glory, or eloquence. A pundit without discrimination he regarded as a mere straw. He would search people's hearts for the light of God, and if that was missing he would have nothing to do with them.
--- KRISTODAS PAL
The Europeanized Kristodas Pal did not approve of the Master's emphasis on renunciation and said; "Sir, this cant of renunciation has almost ruined the country. It is for this reason that the indians are a subject nation today. Doing good to others, bringing education to the door of the ignorant, and above all, improving the material conditions of the country — these should be our duty now. The cry of religion and renunciation would, on the contrary, only weaken us. You should advise the young men of Bengal to resort only to such acts as will uplift the country." Sri Ramakrishna gave him a searching look and found no divine light within, "You man of poor understanding!" Sri Ramakrishna said sharply. "You dare to slight in these terms renunciation and piety, which our scriptures describe as the greatest of all virtues! After reading two pages of English you think you have come to know the world! You appear to think you are omniscient. Well, have you seen those tiny crabs that are born in the Ganges just when the rains set in? In this big universe you are even less significant than one of those small creatures. How dare you talk of helping the world? The Lord will look to that. You haven't the power in you to do it." After a pause the Master continued: "Can you explain to me how you can work for others? I know what you mean by helping them. To feed a number of persons, to treat them when they are sick, to construct a road or dig a well — isn't that all? These, are good deeds, no doubt, but how trifling in comparison with the vastness of the universe! How far can a man advance in this line? How many people can you save from famine? Malaria has ruined a whole province; what could you do to stop its onslaught? God alone looks after the world. Let a man first realize Him. Let a man get the authority from God and be endowed with His power; then, and then alone, may he think of doing good to others. A man should first be purged of all egotism. Then alone will the Blissful Mother ask him to work for the world." Sri Ramakrishna mistrusted philanthropy that presumed to pose as charity. He warned people against it. He saw in most acts of philanthropy nothing but egotism, vanity, a desire for glory, a barren excitement to kill the boredom of life, or an attempt to soothe a guilty conscience. True charity, he taught, is the result of love of God — service to man in a spirit of worship.
--- MONASTIC DISCIPLES
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Narendra was born in Calcutta on January 12, 1863, of an aristocratic kayastha family. His mother was steeped in the great H indu epics, and his father, a distinguished attorney of the Calcutta High Court, was an agnostic about religion, a friend of the poor, and a mocker at social conventions. Even in his boyhood and youth Narendra possessed great physical courage and presence of m ind, a vivid imagination, deep power of thought, keen intelligence, an extraordinary memory, a love of truth, a passion for purity, a spirit of independence, and a tender heart. An expert musician, he also acquired proficiency in physics, astronomy, mathematics, philosophy, history, and literature. He grew up into an extremely handsome young man. Even as a child he practised meditation and showed great power of concentration. Though free and passionate in word and action, he took the vow of austere religious chastity and never allowed the fire of purity to be extinguished by the slightest defilement of body or soul.
As he read in college the rationalistic Western philosophers of the nineteenth century, his boyhood faith in God and religion was unsettled. He would not accept religion on mere faith; he wanted demonstration of God. But very soon his passionate nature discovered that mere Universal Reason was cold and bloodless. His emotional nature, dissatisfied with a mere abstraction, required a concrete support to help him in the hours of temptation. He wanted an external power, a guru, who by embodying perfection in the flesh would still the commotion of his soul. Attracted by the magnetic personality of Keshab, he joined the Brahmo Samaj and became a singer in its choir. But in the Samaj he did not f ind the guru who could say that he had seen God.
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The Master wanted to train Narendra in the teachings of the non-dualistic Vedanta philosophy. But Narendra, because of his Brahmo upbringing, considered it wholly blasphemous to look on man as one with his Creator. One day at the temple garden he laughingly said to a friend: "How silly! This jug is God! This cup is God! Whatever we see is God! And we too are God! Nothing could be more absurd." Sri Ramakrishna came out of his room and gently touched him. Spellbound, he immediately perceived that everything in the world was indeed God. A new universe opened around him. Returning home in a dazed state, he found there too that the food, the plate, the eater himself, the people around him, were all God. When he walked in the street, he saw that the cabs, the horses, the streams of people, the buildings, were all Brahman. He could hardly go about his day's business. His parents became anxious about him and thought him ill. And when the intensity of the experience abated a little, he saw the world as a dream. Walking in the public square, he would strike his head against the iron railings to know whether they were real. It took him a number of days to recover his normal self. He had a foretaste of the great experiences yet to come and realized that the words of the Vedanta were true.
At the beginning of 1884 Narendra's father suddenly died of heart-failure, leaving the family in a state of utmost poverty. There were six or seven mouths to feed at home. Creditors were knocking at the door. Relatives who had accepted his father's unstinted k indness now became enemies, some even bringing suit to deprive Narendra of his ancestral home. Actually starving and barefoot, Narendra searched for a job, but without success. He began to doubt whether anywhere in the world there was such a thing as unselfish sympathy. Two rich women made evil proposals to him and promised to put an end to his distress; but he refused them with contempt.
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In 1881 Hriday was dismissed from service in the Kali temple, for an act of indiscretion, and was ordered by the authorities never again to enter the garden. In a way the hand of the Divine Mother may be seen even in this. Having taken care of Sri Ramakrishna during the stormy days of his spiritual discipline, Hriday had come naturally to consider himself the sole guardian of his uncle. None could approach the Master without his knowledge. And he would be extremely jealous if Sri Ramakrishna paid attention to anyone else. Hriday's removal made it possible for the real devotees of the Master to approach him freely and live with him in the temple garden.
During the week-ends the householders, enjoying a respite from their office duties, visited the Master. The meetings on Sunday afternoons were of the nature of little festivals. Refreshments were often served. Professional musicians now and then sang devotional songs. The Master and the devotees sang and danced, Sri Ramakrishna frequently going into ecstatic moods. The happy memory of such a Sunday would linger long in the m inds of the devotees. Those whom the Master wanted for special instruction he would ask to visit him on Tuesdays and Saturdays. These days were particularly auspicious for the worship of Kali.
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Yet one is not sure whether the Master's soul actually was tortured by this agonizing disease. At least during his moments of spiritual exaltation — which became almost constant during the closing days of his life on earth — he lost all consciousness of the body, of illness and suffering. One of his attendants (Latu, later known as Swami Adbhutananda.) said later on: "While Sri Ramakrishna lay sick he never actually suffered pain. He would often say: 'O m ind! Forget the body, forget the sickness, and remain merged in Bliss.' No, he did not really suffer. At times he would be in a state when the thrill of joy was clearly manifested in his body. Even when he could not speak he would let us know in some way that there was no suffering, and this fact was clearly evident to all who watched him. People who did not understand him thought that his suffering was very great. What spiritual joy he transmitted to us at that time! Could such a thing have been possible if he had 'been suffering physically? It was during this period that he taught us again these truths: 'Brahman is always unattached. The three gunas are in It, but It is unaffected by them, just as the w ind carries odour yet remains odourless.' 'Brahman is Infinite Being, Infinite Wisdom, Infinite Bliss. In It there exist no delusion, no misery, no disease, no death, no growth, no decay.' 'The Transcendental Being and the being within are one and the same. There is one indivisible Absolute Existence.'"
The Holy Mother secretly went to a Siva temple across the Ganges to intercede with the Deity for the Master's recovery. In a revelation she was told to prepare herself for the inevitable end.
0.00 - Publishers Note C, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
His original writings in French have also been included here. We are grateful to the Government of india for a grant towards meeting the cost of publication of this volume.
31 March 1974
0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
indiscriminately...I have found in practice that the
secret of the O.T.O. cannot be used unworthily...."
--
six indeed.
Seven(6) are these Six that live not in the City of the
--
Krishna was the principal incarnation of the indian
Vishnu, the preserver, the principal expounder of
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chapter indicates a supreme magical method; but it is
really called eleven, because of Liber Legis, I, 60.
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described in Chapter 34. All individual existence is
tragic. Perception of this fact is the essence of comedy.
--
Death implies change and individuality if thou be
THAT which hath no person, which is beyond the
--
The bird of individuality is ecstasy; so also is its
death.
In love the individuality is slain; who loves not love?
Love death therefore, and long eagerly for it.
--
Vague and mysterious and all indefinite are the
contents of this new consciousness; yet they are
--
V.V.V.V.V. is indicated as one of these travellers; He is
described as a camel, not because of the connotation of the French
--
The blood is the life of the individual: offer then
blood!
--
of the Rosy Cross, the giving-up of the individuality,
as has been explained as nauseam in previous chapters.
--
the very sleep that it induces.
[101]
--
this jewel being the divine spark in man, and indeed in all
that "lives and moves and has its being". Note this phrase,
--
The last paragraph indicaed the precautions to be
taken to avoid this.
--
or to induce others to follow into the light. In para-
graph 1 he explains the sardonic laughter, for which he
--
In the interlocking is indicated the completion of the
work.
--
Lines 8-11 indicate that this fact is the essential one
about Shivadarshana.
--
This consciousness acquired individuality: a worse
bargain.
--
indicated in various chapters. It is quite conventional
mysticism.
--
Therefore is he glad indeed; for he hath finished THE
WORK; and the reward concerneth him no whit.
--
unconscious, perfectly indifferent, it obeys the laws of
Cohesion and of Gravitation.
--
gives no indication as to the result of this analysis, as
if to imply this: The final Mystery is always insoluble.
0.00 - THE GOSPEL PREFACE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"M", as the author modestly styles himself, was peculiarly qualified for his task. To a reverent love for his master, to a deep and experiential knowledge of that master's teaching, he added a prodigious memory for the small happenings of each day and a happy gift for recording them in an interesting and realistic way. Making good use of his natural gifts and of the circumstances in which he found himself, "M" produced a book unique, so far as my knowledge goes, in the literature of hagiography. No other saint has had so able and indefatigable a Boswell. Never have the small events of a contemplative's daily life been described with such a wealth of intimate detail. Never have the casual and unstudied utterances of a great religious teacher been set down with so minute a fidelity. To Western readers, it is true, this fidelity and this wealth of detail are sometimes a trifle disconcerting; for the social, religious and intellectual frames of reference within which Sri Ramakrishna did his thinking and expressed his feelings were entirely indian. But after the first few surprises and bewilderments, we begin to f ind something peculiarly stimulating and instructive about the very strangeness and, to our eyes, the eccentricity of the man revealed to us in "M's" narrative. What a scholastic philosopher would call the "accidents" of Ramakrishna's life were intensely H indu and therefore, so far as we in the West are concerned, unfamiliar and hard to understand; its "essence", however, was intensely mystical and therefore universal. To read through these conversations in which mystical doctrine alternates with an unfamiliar k ind of humour, and where discussions of the oddest aspects of H indu mythology give place to the most profound and subtle utterances about the nature of Ultimate Reality, is in itself a liberal, education in humility, tolerance and suspense of judgment. We must be grateful to the translator for his excellent version of a book so curious and delightful as a biographical document, so precious, at the same time, for what it teaches us of the life of the spirit.
--------------------
--
I have thought it necessary to write a rather lengthy Introduction to the book. In it I have given the biography of the Master, descriptions of people who came in contact with him, short explanations of several systems of indian religious thought intimately connected with Sri Ramakrishna's life, and other relevant matters which, I hope, will enable the reader better to understand and appreciate the unusual contents of this book. It is particularly important that the Western reader, unacquainted with H indu religious thought, should first read carefully the introductory chapter, in order that he may fully enjoy these conversations. Many indian terms and names have been retained in the book for want of suitable English equivalents. Their meaning is given either in the Glossary or in the foot-notes. The Glossary also gives explanations of a number of expressions unfamiliar to Western readers. The diacritical marks are explained under Notes on Pronunciation.
In the Introduction I have drawn much material from the Life of Sri Ramakrishna, published by the Advaita Ashrama, Myvati, india. I have also consulted the excellent article on Sri Ramakrishna by Swami Nirvednanda, in the second volume of the Cultural Heritage of india.
The book contains many songs sung either by the Master or by the devotees. These form an important feature of the spiritual tradition of Bengal and were for the most part written by men of mystical experience. For giving the songs their present form I am grateful to Mr. John Moffitt, Jr.
--
The life and teachings of Sri Ramakrishna have redirected the thoughts of the denationalized H indus to the spiritual ideals of their forefa thers. During the latter part of the nineteenth century his was the time-honoured role of the Saviour of the Eternal Religion of the H indus. His teachings played an important part in liberalizing the m inds of orthodox pundits and hermits. Even now he is the silent force that is moulding the spiritual destiny of india. His great disciple, Swami Vivekananda, was the first H indu missionary to preach the message of indian culture to the enlightened m inds of Europe and America. The full consequence of Swami Vivekn and work is still in the womb of the future.
May this translation of the first book of its k ind in the religious history of the world, being the record of the direct words of a prophet, help stricken humanity to come nearer to the Eternal Verity of life and remove dissension and quarrel from among the different faiths!
--
It did not take much time for M. to become very intimate with the Master, or for the Master to recognise in this disciple a divinely commissioned partner in the fulfilment of his spiritual mission. When M. was reading out the Chaitanya Bhagavata, the Master discovered that he had been, in a previous birth, a disciple and companion of the great Vaishnava Teacher, Sri Chaitanya Mahaprabhu, and the Master even saw him 'with his naked eye' participating in the ecstatic mass-singing of the Lord's name under the leadership of that Divine personality. So the Master told M, "You are my own, of the same substance as the father and the son," indicating thereby that M. was one of the chosen few and a part and parcel of his Divine mission.
There was an urge in M. to abandon the household life and become a Sannysin. When he communicated this idea to the Master, he forbade him saying," Mother has told me that you have to do a little of Her work you will have to teach Bhagavata, the word of God to humanity. The Mother keeps a Bhagavata Pandit with a bondage in the world!"
--
An appropriate allusion indeed! Bhagavata, the great scripture that has given the word of Sri Krishna to mank ind, was composed by the Sage Vysa under similar circumstances. When caught up in a mood of depression like that of M, Vysa was advised by the sage Nrada that he would gain peace of m ind only qn composing a work exclusively devoted to the depiction of the Lord's glorious attributes and His teachings on Knowledge and Devotion, and the result was that the world got from Vysa the invaluable gift of the Bhagavata Purana depicting the life and teachings of Sri Krishna.
From the mental depression of the modem Vysa, the world has obtained the Kathmrita (Bengali Edition) the Gospel of Sri Ramakrishna in English.
--
He was one of the earliest of the disciples to visit Kamarpukur, the birthplace of the Master, in the latter's lifetime itself; for he wished to practise contemplation on the Master's early life in its true original setting. His experience there is described as follows by Swami Nityatmananda: "By the grace of the Master, he saw the entire Kamarpukur as a holy place bathed in an effulgent Light. Trees and creepers, beasts and birds and men all were made of effulgence. So he prostrated to all on the road. He saw a torn cat, which appeared to him luminous with the Light of Consciousness. Immediately he fell to the ground and saluted it" (M The Apostle and the Evangelist by Swami Nityatmananda vol. I. P. 40.) He had similar experience in Dakshineswar also. At the instance of the Master he also visited Puri, and in the words of Swami Nityatmananda, "with indomitable courage, M. embraced the image of Jagannath out of season."
The life of Sdhan and holy association that he started on at the feet of the Master, he continued all through his life. He has for this reason been most appropriately described as a Grihastha-Sannysi (householder-Sannysin). Though he was forbidden by the Master to become a Sannysin, his reverence for the Sannysa ideal was whole-hearted and was without any reservation. So after Sri Ramakrishna's passing away, while several of the Master's householder devotees considered the young Sannysin disciples of the Master as inexperienced and inconsequential, M. stood by them with the firm faith that the Master's life and message were going to be perpetuated only through them. Swami Vivekananda wrote from America in a letter to the inmates of the Math: "When Sri Thkur (Master) left the body, every one gave us up as a few unripe urchins. But M. and a few others did not leave us in the lurch. We cannot repay our debt to them." (Swami Raghavananda's article on M. in Prabuddha Bharata vol. XXX P. 442.)
--
Besides the prompting of his inherent instinct, the main inducement for M. to keep this diary of his experiences at Dakshineswar was his desire to provide himself with a means for living in holy company at all times. Being a school teacher, he could be with the Master only on Sundays and other holidays, and it was on his diary that he depended for 'holy company' on other days. The devotional scriptures like the Bhagavata say that holy company is the first and most important means for the generation and growth of devotion. For, in such company man could hear talks on spiritual matters and listen to the glorification of Divine attri butes, charged with the fervour and conviction emanating from the hearts of great lovers of God. Such company is therefore the one certain means through which Sraddha (Faith), Rati (attachment to God) and Bhakti (loving devotion) are generated. The diary of his visits to Dakshineswar provided M. with material for re-living, through reading and contemplation, the holy company he had had earlier, even on days when he was not able to visit Dakshineswar. The wealth of details and the vivid description of men and things in the midst of which the sublime conversations are set, provide excellent material to re-live those experiences for any one with imaginative powers. It was observed by M.'s disciples and admirers that in later life also whenever he was free or alone, he would be pouring over his diary, transporting himself on the wings of imagination to the glorious days he spent at the feet of the Master.
During the Master's lifetime M. does not seem to have revealed the contents of his diary to any one. There is an unconfirmed tradition that when the Master saw him taking notes, he expressed apprehension at the possibility of his utilising these to publicise him like Keshab Sen; for the Great Master was so full of the spirit of renunciation and humility that he disliked being lionised. It must be for this reason that no one knew about this precious diary of M. for a decade until he brought out selections from it as a pamphlet in English in 1897 with the Holy Mother's blessings and permission. The Holy Mother, being very much pleased to hear parts of the diary read to her in Bengali, wrote to M.: "When I heard the Kathmrita, (Bengali name of the book) I felt as if it was he, the Master, who was saying all that." ( Ibid Part I. P 37.)
The two pamphlets in English entitled the Gospel of Sri Ramakrishna appeared in October and November 1897. They drew the spontaneous acclamation of Swami Vivekananda, who wrote on 24th November of that year from Dehra Dun to M.:"Many many thanks for your second leaflet. It is indeed wonderful. The move is quite original, and never was the life of a Great Teacher brought before the public untarnished by the writer's m ind, as you are doing. The language also is beyond all praise, so fresh, so pointed, and withal so plain and easy. I cannot express in adequate terms how I have enjoyed them. I am really in a transport when I read them. Strange, isn't it? Our Teacher and Lord was so original, and each one of us will have to be original or nothing.
I now understand why none of us attempted His life before. It has been reserved for you, this great work. He is with you evidently." ( Vednta Kesari Vol. XIX P. 141. Also given in the first edition of the Gospel published from Ramakrishna Math, Madras in 1911.)
And Swamiji added a post script to the letter: "Socratic dialogues are Plato all over you are entirely hidden. Moreover, the dramatic part is infinitely beautiful. Everybody likes it here or in the West." indeed, in order to be unknown, Mahendranath had used the pen-name M., under which the book has been appearing till now. But so great a book cannot remain obscure for long, nor can its author remain unrecognised by the large public in these modern times. M. and his book came to be widely known very soon and to meet the growing demand, a full-sized book, Vol. I of the Gospel, translated by the author himself, was published in 1907 by the Brahmavadin Office, Madras. A second edition of it, revised by the author, was brought out by the Ramakrishna Math, Madras in December 1911, and subsequently a second part, containing new chapters from the original Bengali, was published by the same Math in 1922. The full English translation of the Gospel by Swami Nikhilananda appeared first in 1942.
In Bengali the book is published in five volumes, the first part having appeared in 1902
0.00 - The Wellspring of Reality, #Synergetics - Explorations in the Geometry of Thinking, #R Buckminster Fuller, #Science
We are in an age that assumes the narrowing trends of specialization to be logical, natural, and desirable. Consequently, society expects all earnestly responsible communication to be crisply brief. Advancing science has now discovered that all the known cases of biological extinction have been caused by overspecialization, whose concentration of only selected genes sacrifices general adaptability. Thus the specialist's brief for pinpointing brevity is dubious. In the meantime, humanity has been deprived of comprehensive understanding. Specialization has bred feelings of isolation, futility, and confusion in individuals. It has also resulted in the individual's leaving responsibility for thinking and social action to others.
Specialization breeds biases that ultimately aggregate as international and ideological discord, which, in turn, leads to war.
--
We are able to assert that this rationally coordinating system bridge has been established between science and the humanities because we have made adequate experimental testing of it in a computerized world-resource-use-exploration system, which by virtue of the proper inclusion of all the parameters-as guaranteed by the synergetic start with Universe and the progressive differentiation out of all the parts-has demonstrated a number of alternate ways in which it is eminently feasible not only to provide full life support for all humans but also to permit all humans' individual enjoyment of all the Earth without anyone profiting at the expense of another and without any individuals interfering with others.
While it takes but meager search to discover that many well-known concepts are false, it takes considerable search and even more careful examination of one's own personal experiences and inadvertently spontaneous reflexing to discover that there are many popularly and even professionally unknown, yet nonetheless fundamental, concepts to hold true in all cases and that already have been discovered by other as yet obscure individuals. That is to say that many scientific generalizations have been discovered but have not come to the attention of what we call the educated world at large, thereafter to be incorporated tardily within the formal education processes, and even more tardily, in the ongoing political-economic affairs of everyday life. Knowledge of the existence and comprehensive significance of these as yet popularly unrecognized natural laws often is requisite to the solution of many of the as yet unsolved problems now confronting society. Lack of knowledge of the solution's existence often leaves humanity confounded when it need not be.
Intellectually advantaged with no more than the child's facile, lucid eagerness to understand constructively and usefully the major transformational events of our own times, it probably is synergetically advantageous to review swiftly the most comprehensive inventory of the most powerful human environment transforming events of our totally known and reasonably extended history. This is especially useful in winnowing out and understanding the most significant of the metaphysical revolutions now recognized as swiftly tending to reconstitute history. By such a comprehensively schematic review, we might identify also the unprecedented and possibly heretofore overlooked pivotal revolutionary events not only of today but also of those trending to be central to tomorrow's most cataclysmic changes.
--
Where else might society turn for advice? Unguided by science, society is allowed to go right on filling its childrens' brain banks with large inventories of competence-devastating misinformation. In order to emerge from its massive ignorance, society will probably have to rely exclusively upon its individuals' own m inds to survey the pertinent experimental data-as do all great scientist-artists. This, in effect, is what the intuition of world-around youth is beginning to do. M ind can see that reality is evoluting into weightless metaphysics. The wellspring of reality is the family of weightless generalized principles.
It is essential to release humanity from the false fixations of yesterday, which seem now to b ind it to a rationale of action leading only to extinction.
--
Children freed of the ignorantly founded educational traditions and exposed only to their spontaneously summoned, computer-stored and -distributed outflow of reliable-opinion-purged, experimentally verified data, shall indeed lead society to its happy egress from all misinformedly conceived, fearfully and legally imposed, and physically enforced customs of yesterday. They can lead all humanity into omnisuccessful survival as well as entrance into an utterly new era of human experience in an as-yet and ever-will-be fundamentally mysterious Universe.
And whence will come the wealth with which we may undertake to lead world man into his new and validly hopeful life? From the wealth of the m inds of world man-whence comes all wealth. Only m ind can discover how to do so much with so little as forever to be able to sustain and physically satisfy all humanity.
0.01f - FOREWARD, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
This is indeed a form of bondage, for which, however, a
unique and assured grandeur provides immediate compensation.
--
spectacle to himself. indeed for tens of centuries he has looked at
nothing but himself. Yet he has only just begun to take a scientific
--
articulating and spacing out, within a sphere of indefinite radius,
the orbits of the objects which press round us ;
--
remain indefinitely for us whatever is done to make us see
what he still represents to so many m inds : an erratic object in a
--
pronounced individuality conceals from our eyes the whole to
which he belongs ; as we look at him our m inds incline to break
0.01 - I - Sri Aurobindos personality, his outer retirement - outside contacts after 1910 - spiritual personalities- Vibhutis and Avatars - transformtion of human personality, #Evening Talks With Sri Aurobindo, #unset, #Zen
This period of outer retirement was one of intense Sadhana and of intellectual activity it was also one during which he acted on external events, though he was not dedicated outwardly to a public cause. About his own retirement he writes: "But this did not mean, as most people supposed, that he [Sri Aurob indo] had retired into some height of spiritual experience devoid of any further interest in the world or in the fate of india. It could not mean that, for the very principle of his Yoga was not only to realise the Divine and attain to a complete spiritual consciousness, but also to take all life and all world activity into the scope of this spiritual consciousness and action and to base life on the Spirit and give it a spiritual meaning. In his retirement Sri Aurob indo kept a close watch on all that was happening in the world and in india and actively intervened, whenever necessary, but solely with a spiritual force and silent spiritual action; for it is part of the experience of those who have advanced in yoga that besides the ordinary forces and activities of the m ind and life and body in Matter, there are other forces and powers that can and do act from beh ind and from above; there is also a spiritual dynamic power which can be possessed by those who are advanced in spiritual consciousness, though all do not care to possess or, possessing, to use it and this power is greater than any other and more effective. It was this force which, as soon as he attained to it, he used at first only in a limited field of personal work, but afterwards in a constant action upon the world forces."[1]
Twice he found it necessary to go out of his way to make public pronouncements on important world-issues, which shows distinctly that renunciation of life is not a part of his Yoga. "The first was in relation to the Second World War. At the beginning he did not actively concern himself with it, but when it appeared as if Hitler would crush all the forces opposed to him and Nazism dominate the world, he began to intervene."[2]
The second was with regard to Sir Stafford Cripps' proposal for the transfer of power to india.
Over and above Sadhana, writing work and rendering spiritual help to the world during his apparent retirement there were plenty of other activities of which the outside world has no knowledge. Many prominent as well as less known persons sought and obtained interviews with him during these years. Thus, among well-known persons may be mentioned C.R. Das, Lala Lajpat Rai, Sarala Devi, Dr. Munje, Khasirao Jadhav, Tagore, Sylvain Levy. The great national poet of Tamil Nadu, S. Subramanya Bharati, was in contact with Sri Aurob indo for some years during his stay at Pondicherry; so was V.V.S. Aiyar. The famous V. Ramaswamy Aiyangar Va Ra of Tamil literature[3] stayed with Sri Aurob indo for nearly three years and was influenced by him. Some of these facts have been already mentioned in The Life of Sri Aurob indo.
--
Sri Aurob indo has explained the mystery of personality in some of his writings. Ordinarily by personality we mean something which can be described as "a pattern of being marked out by a settled combination of fixed qualities, a determined character.... In one view personality is regarded as a fixed structure of recognisable qualities expressing a power of being"; another idea regards "personality as a flux of self-expressive or sensitive and responsive being.... But flux of nature and fixity of nature" which some call character "are two aspects of being neither of which, nor indeed both together, can be a definition of personality.... But besides this flux and this fixity there is also a third and occult element, the Person beh ind of whom the personality is a self-expression; the Person puts forward the personality as his role, character, persona, in the present act of his long drama of manifested existence. But the Person is larger than his personality, and it may happen that this inner largeness overflows into the surface formation; the result is a self-expression of being which can no longer be described by fixed qualities, normalities of mood, exact lineaments, or marked out by structural limits."[4]
The gospel of the Superm ind which Sri Aurob indo brought to man envisages a new level of consciousness beyond M ind. When this level is attained it imposes a complete and radical reintegration of the human personality. Sri Aurob indo was not merely the exponent but the embodiment of the new, dynamic truth of the Superm ind. While exploring and sounding the tremendous possibilities of human personality in his intense spiritual Sadhana, he has shown us that practically there are no limits to its expansion and ascent. It can reach in its growth what appears to man at present as a 'divine' status. It goes without saying that this attainment is not an easy task; there are conditions to be fulfilled for the transformation from the human to the divine.
The Gita in its chapters on the Vibhuti and the Avatar takes in general the same position. It shows that the present formula of our nature, and therefore the mental personality of man, is not final. A Vibhuti embodies in a human manifestation a certain divine quality and thus demonstrates the possibility of overcoming the limits of ordinary human personality. The Vibhuti the embodiment of a divine quality or power, and the Avatar the divine incarnation, are not to be looked upon as supraphysical miracles thrown at humanity without regard to the process of evolution; they are, in fact, indications of human possibility, a sign that points to the goal of evolution.
In his Essays on the Gita, Sri Aurob indo says about the Avatar: "He may, on the other hand, descend as an incarnation of divine life, the divine personality and power in its characteristic action, for a mission ostensibly social, ethical and political, as is represented in the story of Rama or Krishna; but always then this descent becomes in the soul of the race a permanent power for the inner living and the spiritual rebirth."[5]
--
It is clear that Sri Aurob indo interpreted the traditional idea of the Vibhuti and the Avatar in terms of the evolutionary possibilities of man. But more directly he has worked out the idea of the 'gnostic individual' in his masterpiece The Life Divine. He says: "A supramental gnostic individual will be a spiritual Person, but not a personality in the sense of a pattern of being marked out by a settled combination of fixed qualities, a determined character; he cannot be that since he is a conscious expression of the universal and the transcendent." Describing the gnostic individual he says: "We feel ourselves in the presence of a light of consciousness, a potency, a sea of energy, can distinguish and describe its free waves of action and quality, but not fix itself; and yet there is an impression of personality, the presence of a powerful being, a strong, high or beautiful recognisable Someone, a Person, not a limited creature of Nature but a Self or Soul, a Purusha."[8]
One feels that he was describing the feeling of some of us, his disciples, with regard to him in his inimitable way.
0.01 - Letters from the Mother to Her Son, #Some Answers From The Mother, #The Mother, #Integral Yoga
(not counting those who are scattered all over india); and I
have become responsible for all this; I am at the centre of the
--
departments (European and indian tailors, embroideresses, etc.),
a library and reading-room containing several thousand volumes, a photographic service, general stores containing a wide
--
outside india (in America, I believe) and has become completely
westernised; otherwise he would not give Gandhi and Tagore
as the two most popular figures in india. On the contrary it
is outside india that they are most popular; and for foreigners
these two men seem to be the only ones who represent indian
genius. This is very far from the truth, and if they are so well
--
I repeat, there is better, far better in india, but this india
does not care for international glory.
--
from outside feel as if they were in another world. It is indeed
something of another world, a world in which the inner life
--
to the minimum that is indispensable to organise the existence
of 110 to 120 people and to avoid movements that would be
--
always they f ind wills which they enslave and individuals whom
they turn into docile but nearly always unconscious puppets.
0.01 - Life and Yoga, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
HERE are two necessities of Nature's workings which seem always to intervene in the greater forms of human activity, whether these belong to our ordinary fields of movement or seek those exceptional spheres and fulfilments which appear to us high and divine. Every such form tends towards a harmonised complexity and totality which again breaks apart into various channels of special effort and tendency, only to unite once more in a larger and more puissant synthesis. Secondly, development into forms is an imperative rule of effective manifestation; yet all truth and practice too strictly formulated becomes old and loses much, if not all, of its virtue; it must be constantly renovated by fresh streams of the spirit revivifying the dead or dying vehicle and changing it, if it is to acquire a new life. To be perpetually reborn is the condition of a material immortality. We are in an age, full of the throes of travail, when all forms of thought and activity that have in themselves any strong power of utility or any secret virtue of persistence are being subjected to a supreme test and given their opportunity of rebirth. The world today presents the aspect of a huge cauldron of Medea in which all things are being cast, shredded into pieces, experimented on, combined and recombined either to perish and provide the scattered material of new forms or to emerge rejuvenated and changed for a fresh term of existence. indian Yoga, in its essence a special action or formulation of certain great powers of Nature, itself specialised, divided and variously formulated, is potentially one of these dynamic elements of the future life of humanity. The child of immemorial ages, preserved by its vitality and truth into our modern times, it is now emerging from the secret schools and ascetic retreats in which it had taken refuge and is seeking its place in the future sum of living human powers and utilities. But it has first to rediscover itself, bring to the surface
The Conditions of the Synthesis
--
In the right view both of life and of Yoga all life is either consciously or subconsciously a Yoga. For we mean by this term a methodised effort towards self-perfection by the expression of the secret potentialities latent in the being and - highest condition of victory in that effort - a union of the human individual with the universal and transcendent Existence we see partially expressed in man and in the Cosmos. But all life, when we look beh ind its appearances, is a vast Yoga of Nature who attempts in the conscious and the subconscious to realise her perfection in an ever-increasing expression of her yet unrealised potentialities and to unite herself with her own divine reality. In man, her thinker, she for the first time upon this Earth devises selfconscious means and willed arrangements of activity by which this great purpose may be more swiftly and puissantly attained.
Yoga, as Swami Vivekananda has said, may be regarded as a means of compressing one's evolution into a single life or a few years or even a few months of bodily existence. A given system of Yoga, then, can be no more than a selection or a compression, into narrower but more energetic forms of intensity, of the general methods which are already being used loosely, largely, in a leisurely movement, with a profuser apparent waste of material and energy but with a more complete combination by the great
--
Rajayoga, for instance, depends on this perception and experience that our inner elements, combinations, functions, forces, can be separated or dissolved, can be new-combined and set to novel and formerly impossible workings or can be transformed and resolved into a new general synthesis by fixed internal processes. Hathayoga similarly depends on this perception and experience that the vital forces and functions to which our life is normally subjected and whose ordinary operations seem set and indispensable, can be mastered and the operations changed or suspended with results that would otherwise be impossible and that seem miraculous to those who have not seized the rationale of their process. And if in some other of its forms this character of Yoga is less apparent, because they are more intuitive and less mechanical, nearer, like the Yoga of Devotion, to a supernal ecstasy or, like the Yoga of Knowledge, to a supernal infinity of consciousness and being, yet they too start from the use of some principal faculty in us by ways and for ends not contemplated in its everyday spontaneous workings. All methods grouped under the common name of Yoga are special psychological processes founded on a fixed truth of Nature and developing, out of normal functions, powers and results which were always latent but which her ordinary movements do not easily or do not often manifest.
But as in physical knowledge the multiplication of scientific processes has its disadvantages, as that tends, for instance, to develop a victorious artificiality which overwhelms our natural human life under a load of machinery and to purchase certain forms of freedom and mastery at the price of an increased servitude, so the preoccupation with Yogic processes and their exceptional results may have its disadvantages and losses. The
--
God. Therefore we see in india that a sharp incompatibility has been created between life in the world and spiritual growth and perfection, and although the tradition and ideal of a victorious harmony between the inner attraction and the outer demand remains, it is little or else very imperfectly exemplified. In fact, when a man turns his vision and energy inward and enters on the path of Yoga, he is popularly supposed to be lost inevitably to the great stream of our collective existence and the secular effort of humanity. So strongly has the idea prevailed, so much has it been emphasised by prevalent philosophies and religions that to escape from life is now commonly considered as not only the necessary condition, but the general object of Yoga. No synthesis of Yoga can be satisfying which does not, in its aim, reunite God and Nature in a liberated and perfected human life or, in its method, not only permit but favour the harmony of our inner and outer activities and experiences in the divine consummation of both. For man is precisely that term and symbol of a higher Existence descended into the material world in which it is possible for the lower to transfigure itself and put on the nature of the higher and the higher to reveal itself in the forms of the lower. To avoid the life which is given him for the realisation of that possibility, can never be either the indispensable condition or the whole and ultimate object of his supreme endeavour or of his most powerful means of self-fulfilment. It can only be a temporary necessity under certain conditions or a specialised extreme effort imposed on the individual so as to prepare a greater general possibility for the race. The true and full object and utility of Yoga can only be accomplished when the conscious
Yoga in man becomes, like the subconscious Yoga in Nature, outwardly conterminous with life itself and we can once more, looking out both on the path and the achievement, say in a more perfect and luminous sense: "All life is Yoga."
0.02 - II - The Home of the Guru, #Evening Talks With Sri Aurobindo, #unset, #Zen
Guru-griha-vsa staying in the home of the Guru is a very old indian ideal maintained by seekers through the ages. The Aranyakas the ancient teachings in the forest-groves are perhaps the oldest records of the institution. It was not for education in the modern sense of the term that men went to live with the Guru; for the Guru is not a 'teacher'. The Guru is one who is 'enlightened', who is a seer, a Rishi, one who has the vision of and has lived the Truth. He has, thus, the knowledge of the goal of human life and has learnt true values in life by living the Truth. He can impart both these to the willing seeker. In ancient times seekers went to the Guru with many questions, difficulties and doubts but also with earnestness. Their questions were preliminary to the quest.
The Master, the Guru, set at rest the puzzled human m ind by his illuminating answers, perhaps even more by his silent consciousness, so that it might be able to pursue unhampered the path of realisation of the Truth. Those ancient discourses answer the m ind of man today even across the ages. They have rightly acquired as everything of the past does a certain sanctity. But sometimes that very reverence prevents men from properly evaluating, and living in, the present. This happens when the m ind instead of seeking the Spirit looks at the form. For instance, it is not necessary for such discourses that they take place in forest-groves in order to be highly spiritual. Wherever the Master is, there is Light. And guru-griha the house of the Master can be his private dwelling place. So much was this feeling a part of Sri Aurob indo's nature and so particular was he to maintain the personal character of his work that during the first few years after 1923 he did not like his house to be called an 'Ashram', as the word had acquired the sense of a public institution to the modern m ind. But there was no doubt that the flower of Divinity had blossomed in him; and disciples, like bees seeking honey, came to him. It is no exaggeration to say that these Evening Talks were to the small company of disciples what the Aranyakas were to the ancient seekers. Seeking the Light, they came to the dwelling place of their Guru, the greatest seer of the age, and found it their spiritual home the home of their parents, for the Mother, his companion in the great mission, had come. And these spiritual parents bestowed upon the disciples freely of their Light, their Consciousness, their Power and their Grace. The modern reader may f ind that the form of these discourses differs from those of the past but it was bound to be so for the simple reason that the times have changed and the problems that puzzle the modern m ind are so different. Even though the disciples may be very imperfect representations of what he aimed at in them, still they are his creations. It is in order to repay, in however infinitesimal a degree, the debt which we owe to him that the effort is made to partake of the joy of his company the Evening Talks with a larger public.
0.02 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
month. Will you see if indeed the previous book is finished or
not, and act accordingly.
--
Guard against all individual decision (which can be arbitrary).
30 July 1932
--
It is good, it is indispensable that you should think that the work
will take only 30 days; otherwise it would extend over more than
--
the tape is not indispensable. But there is a dissatisfaction
somewhere in my being. I can't pinpoint this recalcitrant
--
of thoroughness, since this awareness allows you to make further progress. indeed, making progress, overcoming a difficulty,
learning something, seeing clearly into an element of unconsciousness - these are the things that make one truly happy.
--
Now that is indeed an imprudent prayer! It is as if you were
deliberately attracting an unpleasant experience to yourself.
--
For instance, Y once asked me whether it was indispensable
to learn French and I told him No. Others too are in the same
--
avoid all contact with X, direct or indirect, and (2) the
other which sees any harmonious dealings between us
--
Since I know all about it, I cannot remain indifferent; I
must tell him that it is not right. I followed the second
--
done should be considered in itself, independent of all personal
questions. If the thing is right and good, one should do it. If not,
--
directly or indirectly, I look and judge for myself without the
intervention of anyone's opinion.
--
meditation (discussions, accounts, etc.) really indispensable? To
keep one's self-control, one needs to have time enough to rest,
0.02 - The Three Steps of Nature, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
Matter, which, however the too ethereally spiritual may despise it, is our foundation and the first condition of all our energies and realisations, and the Life-Energy which is our means of existence in a material body and the basis there even of our mental and spiritual activities. She has successfully achieved a certain stability of her constant material movement which is at once sufficiently steady and durable and sufficiently pliable and mutable to provide a fit dwelling-place and instrument for the progressively manifesting god in humanity. This is what is meant by the fable in the Aitareya Upanishad which tells us that the gods rejected the animal forms successively offered to them by the Divine Self and only when man was produced, cried out, "This indeed is perfectly made," and consented to enter in. She has effected also a working compromise between the inertia of matter and the active Life that lives in and feeds on it, by which not only is vital existence sustained, but the fullest developments of mentality are rendered possible. This equilibrium constitutes the basic status of Nature in man and is termed in the language of Yoga his gross body composed
The Three Steps of Nature
--
If, then, this inferior equilibrium is the basis and first means of the higher movements which the universal Power contemplates and if it constitutes the vehicle in which the Divine here seeks to reveal Itself, if the indian saying is true that the body is the instrument provided for the fulfilment of the right law of our nature, then any final recoil from the physical life must be a turning away from the completeness of the divine Wisdom and a renunciation of its aim in earthly manifestation. Such a refusal may be, owing to some secret law of their development, the right attitude for certain individuals, but never the aim intended for mank ind. It can be, therefore, no integral Yoga which ignores the body or makes its annulment or its rejection indispensable to a perfect spirituality. Rather, the perfecting of the body also should be the last triumph of the Spirit and to make the bodily life also divine must be God's final seal upon His work in the universe. The obstacle which the physical presents to the spiritual is no argument for the rejection of the physical; for in the unseen providence of things our greatest difficulties are our best opportunities. A supreme difficulty is Nature's indication to us of a supreme conquest to be won and an ultimate problem to be solved; it is not a warning of an inextricable snare to be shunned or of an enemy too strong for us from whom we must flee.
Equally, the vital and nervous energies in us are there for a great utility; they too demand the divine realisation of their possibilities in our ultimate fulfilment. The great part assigned to this element in the universal scheme is powerfully emphasised by the catholic wisdom of the Upanishads. "As the spokes of a wheel in its nave, so in the Life-Energy is all established, the triple knowledge and the Sacrifice and the power of the strong and the purity of the wise. Under the control of the LifeEnergy is all this that is established in the triple heaven."2 It is therefore no integral Yoga that kills these vital energies, forces them into a nerveless quiescence or roots them out as the source
--
If the bodily life is what Nature has firmly evolved for us as her base and first instrument, it is our mental life that she is evolving as her immediate next aim and superior instrument. This in her ordinary exaltations is the lofty preoccupying thought in her; this, except in her periods of exhaustion and recoil into a reposeful and recuperating obscurity, is her constant pursuit wherever she can get free from the trammels of her first vital and physical realisations. For here in man we have a distinction which is of the utmost importance. He has in him not a single mentality, but a double and a triple, the m ind material and nervous, the pure intellectual m ind which liberates itself from the illusions of the body and the senses, and a divine m ind above intellect which in its turn liberates itself from the imperfect modes of the logically discriminative and imaginative reason. M ind in man is first emmeshed in the life of the body, where in the plant it is entirely involved and in animals always imprisoned. It accepts this life as not only the first but the whole condition of its activities and serves its needs as if they were the entire aim of existence. But the bodily life in man is a base, not the aim, his first condition and not his last determinant. In the just idea of the ancients man is essentially the thinker, the Manu, the mental being who leads the life and the body,3 not the animal who is led by them. The true human existence, therefore, only begins when the intellectual mentality emerges out of the material and we begin more and more to live in the m ind independent of the nervous and physical obsession and in the measure of that liberty are able to accept rightly and rightly to use the life of the body. For freedom and not a skilful subjection is the true means of mastery. A free, not a compulsory acceptance of the conditions, the enlarged and sublimated conditions of our physical being, is the high human ideal. But beyond this intellectual mentality is the divine.
The mental life thus evolving in man is not, indeed, a
manomayah. pran.asarraneta. Mundaka Upanishad II. 2. 8.
--
common possession. In actual appearance it would seem as if it were only developed to the fullest in individuals and as if there were great numbers and even the majority in whom it is either a small and ill-organised part of their normal nature or not evolved at all or latent and not easily made active.
Certainly, the mental life is not a finished evolution of Nature; it is not yet firmly founded in the human animal. The sign is that the fine and full equilibrium of vitality and matter, the sane, robust, long-lived human body is ordinarily found only in races or classes of men who reject the effort of thought, its disturbances, its tensions, or think only with the material m ind.
--
to this conclusion that mental life, far from being a recent appearance in man, is the swift repetition in him of a previous achievement from which the Energy in the race had undergone one of her deplorable recoils. The savage is perhaps not so much the first forefa ther of civilised man as the degenerate descendant of a previous civilisation. For if the actuality of intellectual achievement is unevenly distributed, the capacity is spread everywhere. It has been seen that in individual cases even the racial type considered by us the lowest, the negro fresh from the perennial barbarism of Central Africa, is capable, without admixture of blood, without waiting for future generations, of the intellectual culture, if not yet of the intellectual accomplishment of the dominant European. Even in the mass men seem to need, in favourable circumstances, only a few generations to cover ground that ought apparently to be measured in the terms of millenniums. Either, then, man by his privilege as a mental being is exempt from the full burden of the tardy laws of evolution or else he already represents and with helpful conditions and in the right stimulating atmosphere can always display a high level of material capacity for the activities of the intellectual life.
It is not mental incapacity, but the long rejection or seclusion from opportunity and withdrawal of the awakening impulse that creates the savage. Barbarism is an intermediate sleep, not an original darkness.
--
towards ideal social and economic conditions, by the labour of Science towards an improved health, longevity and sound physique in civilised humanity, the sense and drift of this vast movement translates itself in easily intelligible signs. The right or at least the ultimate means may not always be employed, but their aim is the right preliminary aim, - a sound individual and social body and the satisfaction of the legitimate needs and demands of the material m ind, sufficient ease, leisure, equal opportunity, so that the whole of mank ind and no longer only the favoured race, class or individual may be free to develop the emotional and intellectual being to its full capacity. At present the material and economic aim may predominate, but always, beh ind, there works or there waits in reserve the higher and major impulse.
And when the preliminary conditions are satisfied, when the great endeavour has found its base, what will be the nature of that farther possibility which the activities of the intellectual life must serve? If M ind is indeed Nature's highest term, then the entire development of the rational and imaginative intellect and the harmonious satisfaction of the emotions and sensibilities must be to themselves sufficient. But if, on the contrary, man is more than a reasoning and emotional animal, if beyond that which is being evolved, there is something that has to be evolved, then it may well be that the fullness of the mental life, the suppleness, flexibility and wide capacity of the intellect, the ordered richness of emotion and sensibility may be only a passage towards the development of a higher life and of more powerful faculties which are yet to manifest and to take possession of the lower instrument, just as m ind itself has so taken possession of the body that the physical being no longer lives only for its own satisfaction but provides the foundation and the materials for a superior activity.
The assertion of a higher than the mental life is the whole foundation of indian philosophy and its acquisition and organisation is the veritable object served by the methods of Yoga.
M ind is not the last term of evolution, not an ultimate aim, but, like body, an instrument. It is even so termed in the language of
--
Yoga, the inner instrument.4 And indian tradition asserts that this which is to be manifested is not a new term in human experience, but has been developed before and has even governed humanity in certain periods of its development. In any case, in order to be known it must at one time have been partly developed.
And if since then Nature has sunk back from her achievement, the reason must always be found in some unrealised harmony, some insufficiency of the intellectual and material basis to which she has now returned, some over-specialisation of the higher to the detriment of the lower existence.
--
The only approximate terms in the English language have other associations and their use may lead to many and even serious inaccuracies. The terminology of Yoga recognises besides the status of our physical and vital being, termed the gross body and doubly composed of the food sheath and the vital vehicle, besides the status of our mental being, termed the subtle body and singly composed of the m ind sheath or mental vehicle,5 a third, supreme and divine status of supra-mental being, termed the causal body and composed of a fourth and a fifth vehicle6 which are described as those of knowledge and bliss. But this knowledge is not a systematised result of mental questionings and reasonings, not a temporary arrangement of conclusions and opinions in the terms of the highest probability, but rather a pure self-existent and self-luminous Truth. And this bliss is not a supreme pleasure of the heart and sensations with the experience of pain and sorrow as its background, but a delight also selfexistent and independent of objects and particular experiences, a self-delight which is the very nature, the very stuff, as it were, of a transcendent and infinite existence.
antah.karan.a.
--
Do such psychological conceptions correspond to anything real and possible? All Yoga asserts them as its ultimate experience and supreme aim. They form the governing principles of our highest possible state of consciousness, our widest possible range of existence. There is, we say, a harmony of supreme faculties, corresponding roughly to the psychological faculties of revelation, inspiration and intuition, yet acting not in the intuitive reason or the divine m ind, but on a still higher plane, which see Truth directly face to face, or rather live in the truth of things both universal and transcendent and are its formulation and luminous activity. And these faculties are the light of a conscious existence superseding the egoistic and itself both cosmic and transcendent, the nature of which is Bliss. These are obviously divine and, as man is at present apparently constituted, superhuman states of consciousness and activity. A trinity of transcendent existence, self-awareness and self-delight7 is, indeed, the metaphysical description of the supreme Atman, the self-formulation, to our awakened knowledge, of the Unknowable whether conceived as a pure Impersonality or as a cosmic Personality manifesting the universe. But in Yoga they are regarded also in their psychological aspects as states of subjective existence to which our waking consciousness is now alien, but which dwell in us in a superconscious plane and to which, therefore, we may always ascend.
For, as is indicated by the name, causal body (karan.a), as opposed to the two others which are instruments (karan.a), this crowning manifestation is also the source and effective power of all that in the actual evolution has preceded it. Our mental activities are, indeed, a derivation, selection and, so long as they are divided from the truth that is secretly their source, a deformation of the divine knowledge. Our sensations and emotions have the same relation to the Bliss, our vital forces and actions to the aspect of Will or Force assumed by the divine consciousness, our physical being to the pure essence of that Bliss and
Consciousness. The evolution which we observe and of which
0.03 - III - The Evening Sittings, #Evening Talks With Sri Aurobindo, #unset, #Zen
Sri Aurob indo was never a social man in the current sense of the term and definitely he was not a man of the crowd. This was due to his grave temperament, not to any feeling of superiority or to repulsion for men. At Baroda there was an Officers' Club which was patronised by the Maharajah and though Sri Aurob indo enrolled himself as a member he hardly went to the Club even on special occasions. He rather liked a small congenial circle of friends and spent most of his evenings with them whenever he was free and not occupied with his studies or other works. After Baroda when he went to Calcutta there was hardly any time in the storm and stress of revolutionary politics to permit him to lead a 'social life'. What little time he could spare from his incessant activities was spent in the house of Raja Subodh Mallick or at the Grey Street house. In the Karmayogin office he used to sit after the office hours till late chatting with a few persons or trying automatic writing. Strange dictations used to be received sometimes: one of them was the following: "Moni [Suresh Chakravarty] will bomb Sir Edward Grey when he will come as the Viceroy of india." In later years at Pondicherry there used to be a joke that Sir Edward took such a fright at the prospect of Moni's bombing him that he never came to india!
After Sri Aurob indo had come to Pondicherry from Chandernagore, he entered upon an intense period of Sadhana and for a few months he refused to receive anyone. After a time he used to sit down to talk in the evening and on some days tried automatic writing. Yogic Sadhan, a small book, was the result. In 1913 Sri Aurob indo moved to Rue Franois Martin No. 41 where he used to receive visitors at fixed times. This was generally in the morning between 9 and 10.30.
But, over and above newcomers, some local people and the few inmates of the house used to have informal talks with Sri Aurob indo in the evening. In the beginning the inmates used to go out for playing football, and during their absence known local individuals would come in and wait for Sri Aurob indo. Afterwards regular meditations began at about 4 p.m. in which practically all the inmates participated. After the meditation all of the members and those who were permitted shared in the evening sitting. This was a very informal gathering depending entirely upon Sri Aurob indo's leisure.
When Sri Aurob indo and the Mother moved to No. 9 Rue de la Marine in 1922 the same routine of informal evening sittings after meditation continued. I came to Pondicherry for Sadhana in the beginning of 1923. I kept notes of the important talks I had with the four or five disciples who were already there. Besides, I used to take detailed notes of the Evening Talks which we all had with the Master. They were not intended by him to be noted down. I took them down because of the importance I felt about everything connected with him, no matter how insignificant to the outer view. I also felt that everything he did would acquire for those who would come to know his mission a very great significance.
--
These sittings, in fact, furnished Sri Aurob indo with an occasion to admit and feel the outer atmosphere and that of the group living with him. It brought to him the much-needed direct contact of the mental and vital make-up of the disciples, enabling him to act on the atmosphere in general and on the individual in particular. He could thus help to remould their mental make-up by removing the limitations of their m inds and opinions, and correct temperamental tendencies and formations. Thus, these sittings contributed at least partly to the creation of an atmosphere amenable to the working of the Higher Consciousness. Far more important than the actual talk and its content was the personal contact, the influence of the Master, and the divine atmosphere he emanated; for through his outer personality it was the Divine Consciousness that he allowed to act. All along beh ind the outer manifestation that appeared human, there was the influence and presence of the Divine.
What was talked in the small group informally was not intended by Sri Aurob indo to be the independent expression of his views on the subjects, events or the persons discussed. Very often what he said was in answer to the spiritual need of the individual or of the collective atmosphere. It was like a spiritual remedy meant to produce certain spiritual results, not a philosophical or metaphysical pronouncement on questions, events or movements. The net result of some talks very often was to point out to the disciple the inherent incapacity of the human intellect and its secondary place in the search for the ultimate Reality.
But there were occasions when he did give his independent, personal views on some problems, on events or other subjects. Even then it was never an authoritarian pronouncement. Most often it appeared to be a logically worked out and almost inevitable conclusion expressed quite impersonally though with firm and sincere conviction. This impersonality was such a prominent trait of his personality! Even in such matters as dispatching a letter or a telegram it would not be a command from him to a disciple to carry out the task. Most often during his usual passage to the dining room he would stop on the way, drop in on the company of four or five disciples and, holding out the letter or the telegram, would say in the most amiable and yet the most impersonal way: "I suppose this has to be sent." And it would be for someone in the group instantly to volunteer and take it. The expression he very often used was "It was done" or "It happened", not "I did."
From 1918 to 1922, we gathered at No. 41, Rue Franois Martin, called the Guest House, upstairs, on a broad verandah into which four rooms opened and whose main piece of furniture was a small table 3' x 1' covered with a blue cotton cloth. That is where Sri Aurob indo used to sit in a hard wooden chair beh ind the table with a few chairs in front for the visitors or for the disciples.
From 1922 to 1926, No. 9, Rue de la Marine, where he and the Mother had shifted, was the place where the sittings were held. There, also upstairs, was a less broad verandah than at the Guest House, a little bigger table in front of the central door out of three, and a broad Japanese chair, the table covered with a better cloth than the one in the Guest House, a small flower vase, an ash-tray, a block calendar indicating the date and an ordinary time-piece, and a number of chairs in front in a line. The evening sittings used to be after meditation at 4 or 4.30 p.m. After 24 November 1926, the sittings began to get later and later, till the limit of 1 o'clock at night was reached. Then the curtain fell. Sri Aurob indo retired completely after December 1926, and the evening sittings came to a close.
On 8 February 1927, Sri Aurob indo and the Mother moved to No. 28, Rue Franois Martin, a house on the north-east of the same block as No. 9, Rue de la Marine.
0.03 - Letters to My little smile, #Some Answers From The Mother, #The Mother, #Integral Yoga
Consecration is the wire that connects the individual battery to
the infinite reserve of forces.
--
help you make this indispensable progress.
11 January 1933
--
attached; the true attitude is one of complete indifference.
27 January 1933
--
Yes, my dear little child, you have indeed found the cause; and
weren't you a little annoyed that I didn't wear your embroidered
0.03 - The Threefold Life, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
The characteristic energy of bodily Life is not so much in progress as in persistence, not so much in individual selfenlargement as in self-repetition. There is, indeed, in physical Nature a progression from type to type, from the vegetable to the animal, from the animal to man; for even in inanimate Matter M ind is at work. But once a type is marked off physically, the chief immediate preoccupation of the terrestrial Mother seems to be to keep it in being by a constant reproduction. For Life always seeks immortality; but since individual form is impermanent and only the idea of a form is permanent in the consciousness that creates the universe, - for there it does not perish, - such constant reproduction is the only possible material immortality.
Self-preservation, self-repetition, self-multiplication are necessarily, then, the predominant instincts of all material existence.
--
In each of these forms Nature acts both individually and collectively; for the Eternal affirms Himself equally in the single form and in the group-existence, whether family, clan and nation or groupings dependent on less physical principles or the supreme group of all, our collective humanity. Man also may seek his own individual good from any or all of these spheres of activity, or identify himself in them with the collectivity and live for it, or, rising to a truer perception of this complex universe, harmonise the individual realisation with the collective aim. For as it is the right relation of the soul with the Supreme, while it is in the universe, neither to assert egoistically its separate being nor to blot itself out in the indefinable, but to realise its unity with the Divine and the world and unite them in the individual, so the right relation of the individual with the collectivity is neither to pursue egoistically his own material or mental progress or spiritual salvation without regard to his fellows, nor for the sake of the community to suppress or maim his proper development, but to sum up in himself all its best and completest possibilities and pour them out by thought, action and all other means on his surroundings so that the whole race may approach nearer to the attainment of its supreme personalities.
It follows that the object of the material life must be to fulfil, above all things, the vital aim of Nature. The whole aim of the material man is to live, to pass from birth to death with as much comfort or enjoyment as may be on the way, but anyhow to live.
He can subordinate this aim, but only to physical Nature's other instincts, the reproduction of the individual and the conservation of the type in the family, class or community. Self, domesticity, the accustomed order of the society and of the nation are the constituents of the material existence. Its immense importance in the economy of Nature is self-evident, and commensurate is the importance of the human type which represents it. He assures her of the safety of the framework she has made and of the orderly continuance and conservation of her past gains.
But by that very utility such men and the life they lead are condemned to be limited, irrationally conservative and earthbound. The customary routine, the customary institutions, the inherited or habitual forms of thought, - these things are the life-breath of their nostrils. They admit and jealously defend the changes compelled by the progressive m ind in the past, but combat with equal zeal the changes that are being made by it in the present. For to the material man the living progressive thinker is an ideologue, dreamer or madman. The old Semites who stoned the living prophets and adored their memories when dead, were the very incarnation of this instinctive and unintelligent principle in Nature. In the ancient indian distinction between the once born and the twice born, it is to this material man that the former description can be applied. He does Nature's inferior works; he assures the basis for her higher activities; but not to him easily are opened the glories of her second birth.
Yet he admits so much of spirituality as has been enforced on his customary ideas by the great religious outbursts of the past and he makes in his scheme of society a place, venerable though not often effective, for the priest or the learned theologian who can be trusted to provide him with a safe and ordinary spiritual pabulum. But to the man who would assert for himself the liberty of spiritual experience and the spiritual life, he assigns, if he admits him at all, not the vestment of the priest but the robe of the Sannyasin. Outside society let him exercise his dangerous freedom. So he may even serve as a human lightning-rod receiving the electricity of the Spirit and turning it away from the social edifice.
--
M ind f inds fully its force and action only when it casts itself upon life and accepts equally its possibilities and its resistances as the means of a greater self-perfection. In the struggle with the difficulties of the material world the ethical development of the individual is firmly shaped and the great schools of conduct are formed; by contact with the facts of life Art attains to vitality, Thought assures its abstractions, the generalisations of the philosopher base themselves on a stable foundation of science and experience.
This mixing with life may, however, be pursued for the sake of the individual m ind and with an entire indifference to the forms of the material existence or the uplifting of the race. This indifference is seen at its highest in the Epicurean discipline and is not entirely absent from the Stoic; and even altruism does the works of compassion more often for its own sake than for the sake of the world it helps. But this too is a limited fulfilment. The progressive m ind is seen at its noblest when it strives to elevate the whole race to its own level whether by sowing broadcast the image of its own thought and fulfilment or by changing the material life of the race into fresh forms, religious, intellectual, social or political, intended to represent more nearly that ideal of truth, beauty, justice, righteousness with which the man's own soul is illumined. Failure in such a field matters little; for the mere attempt is dynamic and creative. The struggle of M ind to elevate life is the promise and condition of the conquest of life by that which is higher even than M ind.
That highest thing, the spiritual existence, is concerned with what is eternal but not therefore entirely aloof from the transient. For the spiritual man the m ind's dream of perfect beauty is realised in an eternal love, beauty and delight that has no dependence and is equal beh ind all objective appearances; its dream of perfect Truth in the supreme, self-existent, self-apparent and eternal Verity which never varies, but explains and is the secret of all variations and the goal of all progress; its dream of perfect action in the omnipotent and self-guiding Law that is inherent for ever in all things and translates itself here in the rhythm of the worlds. What is fugitive vision or constant effort of creation in the brilliant Self is an eternally existing Reality in the Self that knows2 and is the Lord.
--
But the spiritual life, like the mental, may thus make use of this outward existence for the benefit of the individual with a perfect indifference to any collective uplifting of the merely symbolic world which it uses. Since the Eternal is for ever the same in all things and all things the same to the Eternal, since the exact mode of action and the result are of no importance compared with the working out in oneself of the one great realisation, this spiritual indifference accepts no matter what environment, no matter what action, dispassionately, prepared to retire as soon as its own supreme end is realised. It is so that many have understood the ideal of the Gita. Or else the inner love and bliss may pour itself out on the world in good deeds, in service, in compassion, the inner Truth in the giving of knowledge, without therefore attempting the transformation of a world which must by its inalienable nature remain a battlefield of the dualities, of sin and virtue, of truth and error, of joy and suffering.
But if Progress also is one of the chief terms of worldexistence and a progressive manifestation of the Divine the true sense of Nature, this limitation also is invalid. It is possible for the spiritual life in the world, and it is its real mission, to change the material life into its own image, the image of the Divine. Therefore, besides the great solitaries who have sought and attained their self-liberation, we have the great spiritual teachers who have also liberated others and, supreme of all, the great dynamic souls who, feeling themselves stronger in the might of the Spirit than all the forces of the material life banded together, have thrown themselves upon the world, grappled with it in a loving wrestle and striven to compel its consent to its own transfiguration. Ordinarily, the effort is concentrated on a mental and moral change in humanity, but it may extend itself also to the alteration of the forms of our life and its institutions so that they too may be a better mould for the inpourings of the Spirit. These attempts have been the supreme landmarks in the progressive development of human ideals and the divine preparation of the race. Every one of them, whatever its outward results, has left Earth more capable of Heaven and quickened in its tardy movements the evolutionary Yoga of Nature.
In india, for the last thousand years and more, the spiritual life and the material have existed side by side to the exclusion of the progressive m ind. Spirituality has made terms for itself with Matter by renouncing the attempt at general progress. It has obtained from society the right of free spiritual development for all who assume some distinctive symbol, such as the garb of the Sannyasin, the recognition of that life as man's goal and those who live it as worthy of an absolute reverence, and the casting of society itself into such a religious mould that its most customary acts should be accompanied by a formal rem inder of the spiritual symbolism of life and its ultimate destination. On the other hand, there was conceded to society the right of inertia and immobile self-conservation. The concession destroyed much of the value of the terms. The religious mould being fixed, the formal rem inder tended to become a routine and to lose its living sense. The constant attempts to change the mould by new sects and religions ended only in a new routine or a modification of the old; for the saving element of the free and active m ind had been exiled. The material life, handed over to the Ignorance, the purposeless and endless duality, became a leaden and dolorous yoke from which flight was the only escape.
The schools of indian Yoga lent themselves to the compromise. individual perfection or liberation was made the aim, seclusion of some k ind from the ordinary activities the condition, the renunciation of life the culmination. The teacher gave his knowledge only to a small circle of disciples. Or if a wider movement was attempted, it was still the release of the individual soul that remained the aim. The pact with an immobile society was, for the most part, observed.
The utility of the compromise in the then actual state of the world cannot be doubted. It secured in india a society which lent itself to the preservation and the worship of spirituality, a country apart in which as in a fortress the highest spiritual ideal could maintain itself in its most absolute purity unoverpowered by the siege of the forces around it. But it was a compromise, not an absolute victory. The material life lost the divine impulse to growth, the spiritual preserved by isolation its height and purity, but sacrificed its full power and serviceableness to the world. Therefore, in the divine Providence the country of the Yogins and the Sannyasins has been forced into a strict and imperative contact with the very element it had rejected, the element of the progressive M ind, so that it might recover what was now wanting to it.
We have to recognise once more that the individual exists not in himself alone but in the collectivity and that individual perfection and liberation are not the whole sense of God's intention in the world. The free use of our liberty includes also the liberation of others and of mank ind; the perfect utility of our perfection is, having realised in ourselves the divine symbol, to reproduce, multiply and ultimately universalise it in others.
Therefore from a concrete view of human life in its threefold potentialities we come to the same conclusion that we had drawn from an observation of Nature in her general workings and the three steps of her evolution. And we begin to perceive a complete aim for our synthesis of Yoga.
--
But what Nature aims at for the mass in a slow evolution, Yoga effects for the individual by a rapid revolution. It works by a quickening of all her energies, a sublimation of all her faculties. While she develops the spiritual life with difficulty and has constantly to fall back from it for the sake of her lower realisations, the sublimated force, the concentrated method of Yoga can attain directly and carry with it the perfection of the m ind and even, if she will, the perfection of the body. Nature seeks the Divine in her own symbols: Yoga goes beyond Nature to the Lord of Nature, beyond universe to the Transcendent and can return with the transcendent light and power, with the fiat of the Omnipotent.
But their aim is one in the end. The generalisation of Yoga in humanity must be the last victory of Nature over her own delays and concealments. Even as now by the progressive m ind in Science she seeks to make all mank ind fit for the full development of the mental life, so by Yoga must she inevitably seek to make all mank ind fit for the higher evolution, the second birth, the spiritual existence. And as the mental life uses and perfects the material, so will the spiritual use and perfect the material and the mental existence as the instruments of a divine self-expression.
0.04 - The Systems of Yoga, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
Yet it is always through something which she has formed in her evolution that Nature thus overpasses her evolution. It is the individual heart that by sublimating its highest and purest emotions attains to the transcendent Bliss or the ineffable Nirvana, the individual m ind that by converting its ordinary functionings into a knowledge beyond mentality knows its oneness with the
Ineffable and merges its separate existence in that transcendent unity. And always it is the individual, the Self conditioned in its experience by Nature and working through her formations, that attains to the Self unconditioned, free and transcendent.
In practice three conceptions are necessary before there can be any possibility of Yoga; there must be, as it were, three consenting parties to the effort, - God, Nature and the human soul or, in more abstract language, the Transcendental, the Universal
--
and the individual. If the individual and Nature are left to themselves, the one is bound to the other and unable to exceed appreciably her lingering march. Something transcendent is needed, free from her and greater, which will act upon us and her, attracting us upward to Itself and securing from her by good grace or by force her consent to the individual ascension.
It is this truth which makes necessary to every philosophy of Yoga the conception of the Ishwara, Lord, supreme Soul or supreme Self, towards whom the effort is directed and who gives the illuminating touch and the strength to attain. Equally true is the complementary idea so often enforced by the Yoga of devotion that as the Transcendent is necessary to the individual and sought after by him, so also the individual is necessary in a sense to the Transcendent and sought after by It. If the
Bhakta seeks and yearns after Bhagavan, Bhagavan also seeks and yearns after the Bhakta.1 There can be no Yoga of knowledge without a human seeker of the knowledge, the supreme subject of knowledge and the divine use by the individual of the universal faculties of knowledge; no Yoga of devotion without the human God-lover, the supreme object of love and delight and the divine use by the individual of the universal faculties of spiritual, emotional and aesthetic enjoyment; no Yoga of works without the human worker, the supreme Will, Master of all works and sacrifices, and the divine use by the individual of the universal faculties of power and action. However Monistic may be our intellectual conception of the highest truth of things, in practice we are compelled to accept this omnipresent Trinity.
For the contact of the human and individual consciousness with the divine is the very essence of Yoga. Yoga is the union of that which has become separated in the play of the universe with its own true self, origin and universality. The contact may take place at any point of the complex and intricately organised consciousness which we call our personality. It may be effected in the physical through the body; in the vital through the action of
Bhakta, the devotee or lover of God; Bhagavan, God, the Lord of Love and Delight.
--
For if, leaving aside the complexities of their particular processes, we fix our regard on the central principle of the chief schools of Yoga still prevalent in india, we f ind that they arrange themselves in an ascending order which starts from the lowest rung of the ladder, the body, and ascends to the direct contact between the individual soul and the transcendent and universal
Self. Hathayoga selects the body and the vital functionings as its instruments of perfection and realisation; its concern is with the gross body. Rajayoga selects the mental being in its different parts as its lever-power; it concentrates on the subtle body. The triple Path of Works, of Love and of Knowledge uses some part of the mental being, will, heart or intellect as a starting-point and seeks by its conversion to arrive at the liberating Truth,
--
Its method is a direct commerce between the human Purusha in the individual body and the divine Purusha who dwells in every body and yet transcends all form and name.
Hathayoga aims at the conquest of the life and the body whose combination in the food sheath and the vital vehicle constitutes, as we have seen, the gross body and whose equilibrium is the foundation of all Nature's workings in the human being. The equilibrium established by Nature is sufficient for the normal egoistic life; it is insufficient for the purpose of the Hathayogin.
For it is calculated on the amount of vital or dynamic force necessary to drive the physical engine during the normal span of human life and to perform more or less adequately the various workings demanded of it by the individual life inhabiting this frame and the world-environment by which it is conditioned.
34
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Prana indefinite, almost infinite in its quantity or intensity. In
Nature the equilibrium is based upon the individualisation of a limited quantity and force of the Prana; more than that the individual is by personal and hereditary habit unable to bear, use or control. In Hathayoga, the equilibrium opens a door to the universalisation of the individual vitality by admitting into the body, containing, using and controlling a much less fixed and limited action of the universal energy.
The chief processes of Hathayoga are asana and pran.ayama.
--
the powers of disorder. The preliminary movement of Rajayoga is a careful self-discipline by which good habits of m ind are substituted for the lawless movements that indulge the lower nervous being. By the practice of truth, by renunciation of all forms of egoistic seeking, by abstention from injury to others, by purity, by constant meditation and inclination to the divine
Purusha who is the true lord of the mental kingdom, a pure, glad, clear state of m ind and heart is established.
--
By Samadhi, in which the m ind acquires the capacity of withdrawing from its limited waking activities into freer and higher states of consciousness, Rajayoga serves a double purpose. It compasses a pure mental action liberated from the confusions of the outer consciousness and passes thence to the higher supra-mental planes on which the individual soul enters into its true spiritual existence. But also it acquires the capacity of that free and concentrated energising of consciousness on
The Systems of Yoga
--
differs also in this, - and here from the point of view of an integral Yoga there seems to be a defect, - that it is indifferent to mental and bodily perfection and aims only at purity as a condition of the divine realisation. A second defect is that as actually practised it chooses one of the three parallel paths exclusively and almost in antagonism to the others instead of effecting a synthetic harmony of the intellect, the heart and the will in an integral divine realisation.
The Path of Knowledge aims at the realisation of the unique and supreme Self. It proceeds by the method of intellectual reflection, vicara, to right discrimination, viveka. It observes and distinguishes the different elements of our apparent or phenomenal being and rejecting identification with each of them arrives at their exclusion and separation in one common term as constituents of Prakriti, of phenomenal Nature, creations of
Maya, the phenomenal consciousness. So it is able to arrive at its right identification with the pure and unique Self which is not mutable or perishable, not determinable by any phenomenon or combination of phenomena. From this point the path, as ordinarily followed, leads to the rejection of the phenomenal worlds from the consciousness as an illusion and the final immergence without return of the individual soul in the Supreme.
But this exclusive consummation is not the sole or inevitable result of the Path of Knowledge. For, followed more largely and with a less individual aim, the method of Knowledge may lead to an active conquest of the cosmic existence for the Divine no less than to a transcendence. The point of this departure is the realisation of the supreme Self not only in one's own being but in all beings and, finally, the realisation of even the phenomenal aspects of the world as a play of the divine consciousness and not something entirely alien to its true nature. And on the basis of this realisation a yet further enlargement is possible, the conversion of all forms of knowledge, however mundane, into activities of the divine consciousness utilisable for the perception of the one and unique Object of knowledge both in itself and through the play of its forms and symbols. Such a method might well lead to the elevation of the whole range of human intellect
The Systems of Yoga
--
But, here too, the exclusive result is not inevitable. The Yoga itself provides a first corrective by not confining the play of divine love to the relation between the supreme Soul and the individual, but extending it to a common feeling and mutual worship between the devotees themselves united in the same realisation of the supreme Love and Bliss. It provides a yet more general corrective in the realisation of the divine object of Love in all beings not only human but animal, easily extended to all forms whatsoever. We can see how this larger application of the Yoga of
Devotion may be so used as to lead to the elevation of the whole range of human emotion, sensation and aesthetic perception to the divine level, its spiritualisation and the justification of the cosmic labour towards love and joy in our humanity.
--
purifies the m ind and the will that we become easily conscious of the great universal Energy as the true doer of all our actions and the Lord of that Energy as their ruler and director with the individual as only a mask, an excuse, an instrument or, more positively, a conscious centre of action and phenomenal relation. The choice and direction of the act is more and more consciously left to this supreme Will and this universal Energy.
To That our works as well as the results of our works are finally abandoned. The object is the release of the soul from its bondage to appearances and to the reaction of phenomenal activities.
0.05 - Letters to a Child, #Some Answers From The Mother, #The Mother, #Integral Yoga
of knowledge which are indispensable to a man if he does not
want to be ignorant and uncultured.
--
disappear; they are indeed ugly, mean and ignorant things that
stop all progress.
--
qualities, which are absolutely indispensable if you want to do
anything in life?
--
since our help and protection are always there. indeed, you must
open yourself to this help and protection and learn to use them
--
believe what it says. Do not act according to its indications.
Then it will not be difficult to stop it.
0.05 - The Synthesis of the Systems, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
An undiscriminating combination in block would not be a synthesis, but a confusion. Nor would a successive practice of each of them in turn be easy in the short span of our human life and with our limited energies, to say nothing of the waste of labour implied in so cumbrous a process. Sometimes, indeed,
Hathayoga and Rajayoga are thus successively practised. And in a recent unique example, in the life of Ramakrishna Paramhansa, we see a colossal spiritual capacity first driving straight to the divine realisation, taking, as it were, the kingdom of heaven by violence, and then seizing upon one Yogic method after another and extracting the substance out of it with an incredible rapidity, always to return to the heart of the whole matter, the realisation and possession of God by the power of love, by the extension of inborn spirituality into various experience and by the spontaneous play of an intuitive knowledge. Such an example cannot be generalised. Its object also was special and temporal, to exemplify in the great and decisive experience of a master-soul the truth, now most necessary to humanity, towards which a world long divided into jarring sects and schools is with difficulty labouring, that all sects are forms and fragments of a single integral truth and all disciplines labour in their different ways towards one supreme experience. To know, be and possess
--
We observe, first, that there still exists in india a remarkable
Yogic system which is in its nature synthetical and starts from a great central principle of Nature, a great dynamic force of
--
- and Yoga is nothing but practical psychology, - is the conception of Nature from which we have to start. It is the selffulfilment of the Purusha through his Energy. But the movement of Nature is twofold, higher and lower, or, as we may choose to term it, divine and undivine. The distinction exists indeed for practical purposes only; for there is nothing that is not divine, and in a larger view it is as meaningless, verbally, as the distinction between natural and supernatural, for all things that are are natural. All things are in Nature and all things are in God.
But, for practical purposes, there is a real distinction. The lower
--
Yoga that we seek must also be an integral action of Nature, and the whole difference between the Yogin and the natural man will be this, that the Yogin seeks to substitute in himself for the integral action of the lower Nature working in and by ego and division the integral action of the higher Nature working in and by God and unity. If indeed our aim be only an escape from the world to God, synthesis is unnecessary and a waste of time; for then our sole practical aim must be to f ind out one path out of the thousand that lead to God, one shortest possible of short cuts, and not to linger exploring different paths that end in the same goal. But if our aim be a transformation of our integral being into the terms of God-existence, it is then that a synthesis becomes necessary.
The method we have to pursue, then, is to put our whole conscious being into relation and contact with the Divine and to call Him in to transform our entire being into His. Thus in a sense
--
There are three outstanding features of this action of the higher when it works integrally on the lower nature. In the first place it does not act according to a fixed system and succession as in the specialised methods of Yoga, but with a sort of free, scattered and yet gradually intensive and purposeful working determined by the temperament of the individual in whom it operates, the helpful materials which his nature offers and the obstacles which it presents to purification and perfection. In a sense, therefore, each man in this path has his own method of
Yoga. Yet are there certain broad lines of working common to all which enable us to construct not indeed a routine system, but
The Synthesis of the Systems
--
Nature, in the other it becomes swift and self-conscious and the instrument confesses the hand of the Master. All life is a Yoga of Nature seeking to manifest God within itself. Yoga marks the stage at which this effort becomes capable of self-awareness and therefore of right completion in the individual. It is a gathering up and concentration of the movements dispersed and loosely combined in the lower evolution.
An integral method and an integral result. First, an integral realisation of Divine Being; not only a realisation of the One in its indistinguishable unity, but also in its multitude of aspects which are also necessary to the complete knowledge of it by
48
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Therefore, also, an integral liberation. Not only the freedom born of unbroken contact and identification of the individual being in all its parts with the Divine, sayujya-mukti, by which it can become free2 even in its separation, even in the duality; not only the salokya-mukti by which the whole conscious existence dwells in the same status of being as the Divine, in the state of
Sachchidananda; but also the acquisition of the divine nature by the transformation of this lower being into the human image of the Divine, sadharmya-mukti, and the complete and final release of all, the liberation of the consciousness from the transitory mould of the ego and its unification with the One Being, universal both in the world and the individual and transcendentally one both in the world and beyond all universe.
By this integral realisation and liberation, the perfect harmony of the results of Knowledge, Love and Works. For there is attained the complete release from ego and identification in being with the One in all and beyond all. But since the attaining consciousness is not limited by its attainment, we win also the unity in Beatitude and the harmonised diversity in Love, so that all relations of the play remain possible to us even while we retain on the heights of our being the eternal oneness with the
--
Nor would the integrality to which we aspire be real or even possible, if it were confined to the individual. Since our divine perfection embraces the realisation of ourselves in being, in life and in love through others as well as through ourselves, the extension of our liberty and of its results in others would be the inevitable outcome as well as the broadest utility of our liberation and perfection. And the constant and inherent attempt of such an extension would be towards its increasing and ultimately complete generalisation in mank ind.
The divinising of the normal material life of man and of his great secular attempt of mental and moral self-culture in the individual and the race by this integralisation of a widely perfect
50
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spiritual existence would thus be the crown alike of our individual and of our common effort. Such a consummation being no other than the kingdom of heaven within reproduced in the kingdom of heaven without, would be also the true fulfilment of the great dream cherished in different terms by the world's religions.
The widest synthesis of perfection possible to thought is the sole effort entirely worthy of those whose dedicated vision perceives that God dwells concealed in humanity.
0.06 - INTRODUCTION, #Dark Night of the Soul, #Saint John of the Cross, #Christianity
from frailty or lukewarmness of spirit, or even from indisposition or 'humours' of the
body. The Saint is particularly effective here, and we may once more compare this
--
impresses indelibly upon the m ind the fundamental concept of this most sublime of
all purgations. Marvellous, indeed, are its effects, from the first enk indlings and
burnings of Divine love, which are greater beyond comparison than those produced
0.06 - Letters to a Young Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
I feel indignant, Mother, for I cannot f ind my "self", as
soon as I try to do so, I f ind nothing but this body, which
--
refuse to recognise the body as one's "self". indeed, what would
it be without the feelings and thoughts which animate it? An
--
This is, however, indispensable for yoga; and he who has so great
an aim as to be united with the Divine and to manifest Him, how
--
It may be that human life is indeed incapable of it; but for the
divine life nothing is impossible.
--
That's good. You are indeed always my child and I expect you to
become even more a good child who will be able to tell me in all
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is detached from everything, a great indifference reigns
there.
--
itself unhappy without any reason. I hope, indeed, that you will
soon become conscious of my presence always near you, and
--
transform yourself - making an effort to progress and becoming indifferent to all effort through fatigue - the true attitude
will not be there. All your observations should lead you to one
--
Our way is very long, and it is indispensable to advance calmly
without asking oneself at every step whether one is advancing.
--
insensible and indifferent to the misfortunes of the world and
Series Six - To a Young Sadhak
--
This is not at all correct; the experience of all recluses, all ascetics, proves indisputably the contrary. The difficulty comes
from oneself, from one's own nature, and one takes it along
--
It is just when one is innocent that one ought to be most indifferent to ill-treatment, because there is nothing to blame oneself
for and one has the approbation of one's conscience to console
--
wrong sides of the same thing and always indicate an attachment. One must persistently turn away one's thought from its
object.
--
realisation here below. Does it not follow that intellectual culture is indispensable for rising above the m ind to
f ind there the true knowledge?
Intellectual culture is indispensable for preparing a good mental
instrument, large, supple and rich, but its action stops there.
--
was responsible for the indiscipline of his students.
I hope you will give me precise instructions which will
0.07 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
To talk of surrender is easy, very easy indeed. To think of
surrender in all its complexity is not so easy, it is not so
--
I am getting tired of taking and taking, and giving nothing in return. It is almost indecent. But, then, I do not
know what I can do unless it is to pray to you to deliver
--
your m ind work at random. Doubt is not a sport to indulge in
Series Seven - To a Sadhak
0.08 - Letters to a Young Captain, #Some Answers From The Mother, #The Mother, #Integral Yoga
expression. By the psychic change one passes from the individual
Divine to the universal Divine and finally to the Transcendent.
--
time that one receives an indication from it, to follow it very
scrupulously and sincerely. To live in a great aspiration, to take
--
energy are indispensable to our realisation.
12 September 1959
--
itself independence of judgment and decision. But it thinks and
feels this way because it is ignorant, and gradually one has
--
The soul is the Divine made individual without ceasing to
be divine.
In the soul the individual and the Divine are eternally one;
therefore, to f ind one's soul is to f ind God; to identify with one's
--
In the individual evolution, one must develop in oneself
a zone corresponding to the overm ind and an overm ind consciousness, before one can rise above it, to the Superm ind, or
--
The individual being is made up of states of being corresponding
to cosmic zones or planes, and it is as these inner states of being
--
effort are needed merely to learn the things indispensable for
leading one's life properly, not to speak of "mastery", which is
0.09 - Letters to a Young Teacher, #Some Answers From The Mother, #The Mother, #Integral Yoga
and speak only when it is indispensable.
1 June 1960
--
The soul individualises itself and progressively transforms itself into a psychic being. What are the best
conditions for its rapid growth?
It would be more correct to say that the soul puts on a progressive individual form which becomes the psychic being. For since
the soul is itself a portion of the Supreme, it is immutable and
--
It is because an individual is not made up all of one piece, but
of many different entities which are sometimes even contrary to
01.01 - A Yoga of the Art of Life, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
When Sri Aurob indo said, Our Yoga is not for ourselves but for humanity, many heaved a sigh of relief and thought that the great soul was after all not entirely lost to the world, his was not one more name added to the long list of Sannyasins that india has been producing age after age without much profit either to herself or to the human society (or even perhaps to their own selves). People understood his Yoga to be a modern one, dedicated to the service of humanity. If service to humanity was not the very sum and substance of his spirituality, it was, at least, the fruitful end and consummation. His Yoga was a sort of art to explore and harness certain unseen powers that can better and ameliorate human life in a more successful way than mere rational scientific methods can hope to do.
Sri Aurob indo saw that the very core of his teaching was being missed by this common interpretation of his saying. So he changed his words and said, Our Yoga is not for humanity but for the Divine. But I am afraid this change of front, this volte-face, as it seemed, was not welcomed in many quarters; for thereby all hope of having him back for the work of the country or the world appeared to be totally lost and he came to be looked upon again as an irrevocable metaphysical dreamer, aloof from physical things and barren, even like the Immutable Brahman.
--
As regards the possibility of such a consummation,Sri Aurob indo says it is not a possibility but an inevitabilityone must remember that the force that will bring about the result and is already at work is not any individual human power, however great it may be, but the Divine himself, it is the Divine's own Shakti that is labouring for the destined end.
Here is the very heart of the mystery, the master-key to the problem. The advent of the superhuman or divine race, however stupendous or miraculous the phenomenon may appear to be, can become a thing of practical actuality, precisely because it is no human agency that has undertaken it but the Divine himself in his supreme potency and wisdom and love. The descent of the Divine into the ordinary human nature in order to purify and transform it and be lodged there is the whole secret of the sadhana in Sri Aurob indo's Yoga. The sadhaka has only to be quiet and silent, calmly aspiring, open and acquiescent and receptive to the one Force; he need not and should not try to do things by his independent personal effort, but get them done or let them be done for him in the dedicated consciousness by the Divine Master and Guide. All other Yogas or spiritual disciplines in the past envisaged an ascent of the consciousness, its sublimation into the consciousness of the Spirit and its fusion and dissolution there in the end. The descent of the Divine Consciousness to prepare its definitive home in the dynamic and pragmatic human nature, if considered at all, was not the main theme of the past efforts and achievements. Furthermore, the descent spoken of here is the descent, not of a divine consciousness for there are many varieties of divine consciousness but of the Divine's own consciousness, of the Divine himself with his Shakti. For it is that that is directly working out this evolutionary transformation of the age.
It is not my purpose here to enter into details as to the exact meaning of the descent, how it happens and what are its lines of activity and the results brought about. For it is indeed an actual descent that happens: the Divine Light leans down first into the m ind and begins its purificatory work therealthough it is always the inner heart which first recognises the Divine Presence and gives its assent to the Divine action for the m ind, the higher m ind that is to say, is the summit of the ordinary human consciousness and receives more easily and readily the Radiances that descend. From the M ind the Light filters into the denser regions of the emotions and desires, of life activity and vital dynamism; finally, it gets into brute Matter itself, the hard and obscure rock of the physical body, for that too has to be illumined and made the very form and figure of the Light supernal. The Divine in his descending Grace is the Master-Architect who is building slowly and surely the many-chambered and many-storeyed edifice that is human nature and human life into the mould of the Divine Truth in its perfect play and supreme expression. But this is a matter which can be closely considered when one is already well within the mystery of the path and has acquired the elementary essentials of an initiate.
Another question that troubles and perplexes the ordinary human m ind is as to the time when the thing will be done. Is it now or a millennium hence or at some astronomical distance in future, like the cooling of the sun, as someone has suggested for an analogy. In view of the magnitude of the work one might with reason say that the whole eternity is there before us, and a century or even a millennium should not be grudged to such a labour for it is nothing less than an undoing of untold millenniums in the past and the building of a far-flung futurity. However, as we have said, since it is the Divine's own work and since Yoga means a concentrated and involved process of action, effectuating in a minute what would perhaps take years to accomplish in the natural course, one can expect the work to be done sooner rather than later. indeed, the ideal is one of here and nowhere upon this earth of material existence and now in this life, in this very bodynot hereafter or elsewhere. How long exactly that will mean, depends on many factors, but a few decades on this side or the other do not matter very much.
As to the extent of realisation, we say again that that is not a matter of primary consideration. It is not the quantity but the substance that counts. Even if it were a small nucleus it would be sufficient, at least for the beginning, provided it is the real, the genuine thing
01.01 - Sri Aurobindo - The Age of Sri Aurobindo, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
Apart from the well-recognised fact that only in distress does the normal man think of God and non-worldly things, the real matter, however, is that the inner life is a thing apart and follows its own line of movement, does not depend upon, is not subservient to, the k ind of outer life that one may happen to live under. The Bible says indeed, "Blessed are the poor, blessed are they that mourn"... But the Upanishad declares, on the other hand, that even as one lies happily on a royal couch, bathes and anoints himself with all the perfumes of the world, has attendants all around and always to serve him, even so, one can be full of the divine consciousness from the crown of the head to the tip of his toe-nail. In fact, a poor or a prosperous life is in no direct or even indirect ratio to a spiritual life. All the miseries and immediate needs of a physical life do not and cannot detain or delay one from following the path of the ideal; nor can all your riches be a burden to your soul and overwhelm it, if it chooses to walk onit can not only walk, but soar and fly with all that knapsack on its back.
If one were to be busy about reforming the world and when that was done then alone to turn to other-worldly things, in that case, one would never take the turn, for the world will never be reformed totally or even considerably in that way. It is not that reformers have for the first time appeared on the earth in the present age. Men have attempted social, political, economic and moral reforms from times immemorial. But that has not barred the spiritual attempt or minimised its importance. To say that because an ideal is apparently too high or too great for the present age, it must be kept in cold storage is to set a premium on the present nature of humanity arid eternise it: that would b ind the world to its old moorings and never give it the opportunity to be free and go out into the high seas of larger and greater realisations.
The ideal or perhaps one should say the policy of Real-politick is the thing needed in this world. To achieve something actually in the physical and material field, even a lesser something, is worth much more than speculating on high flaunting chimeras and indulging in day-dreams. Yes, but what is this something that has to be achieved in the material world? It is always an ideal. Even procuring food for each and every person, clothing and housing all is not less an ideal for all its concern about actuality. Only there are ideals and ideals; some are nearer to the earth, some seem to be in the background. But the mystery is that it is not always the ideal nearest to the earth which is the easiest to achieve or the first thing to be done first. Do we not see before our very eye show some very simple innocent social and economic changes are difficult to carry outthey bring in their train quite disproportionately gestures and movements of violence and revolution? That is because we seek to cure the symptoms and not touch the root of the disease. For even the most innocent-looking social, economic or political abuse has at its base far-reaching attitudes and life-urgeseven a spiritual outlook that have to be sought out and tackled first, if the attempt at reform is to be permanently and wholly successful. Even in mundane matters we do not dig deep enough, or rise high enough.
indeed, looking from a standpoint that views the working of the forces that act and achieve and not the external facts and events and arrangements aloneone f inds that things that are achieved on the material plane are first developed and matured and made ready beh ind the veil and at a given moment burst out and manifest themselves often unexpectedly and suddenly like a chick out of the shell or the young butterfly out of the cocoon. The Gita points to that truth of Nature when it says: "These beings have already been killed by Me." It is not that a long or strenuous physical planning and preparation alone or in the largest measure brings about a physical realisation. The deeper we go within, the farther we are away from the surface, the nearer we come to the roots and sources of things even most superficial. The spiritual view sees and declares that it is the Brahmic consciousness that holds, inspires, builds up Matter, the physical body and form of Brahman.
The highest ideal, the very highest which God and Nature and Man have in view, is not and cannot be kept in cold storage: it is being worked out even here and now, and it has to be worked out here and now. The ideal of the Life Divine embodies a central truth of existence, and however difficult or chimerical it may appear to be to the normal m ind, it is the preoccupation of the inner being of manall other ways or attempts of curing human ills are faint echoes, masks, diversions of this secret urge at the source and heart of things. That ideal is a norm and a force that is ever dynamic and has become doubly so since it has entered the earth atmosphere and the waking human consciousness and is labouring there. It is always safer and wiser to recognise that fact, to help in the realisation of that truth and be profited by it.
01.01 - The New Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Not that this sovereign power will have anything to do with aggression or over-bearingness. It will not be a power that feels itself only by creating an eternal opponentErbfe indby coming in constant clash with a rival that seeks to gain victory by subjugating. It will not be Nietzschean "will to power," which is, at best, a supreme Asuric power. It will rather be a Divine Power, for the strength it will exert and the victory it will achieve will not come from the egoit is the ego which requires an object outside and against to feel and affirm itself but it will come from a higher personal self which is one with the cosmic soul and therefore with other personal souls. The Asura, in spite of, or rather, because of his aggressive vehemence betrays a lack of the sovereign power that is calm and at ease and self-sufficient. The Devic power does not assert hut simply accomplishes; the forces of the world act not as its opponent but as its instrument. Thus the New Man shall affirm his individual sovereignty and do so to perfection by expressing through it his unity with the cosmic powers, with the infinite godhead. And by being Swarat, Self-Master, he will become Samrat, world-master.
This mastery will be effected not merely in will, but in m ind and heart also. For the New Man will know not by the intellect which is egocentric and therefore limited, not by ratiocination which is an indirect and doubtful process, but by direct vision, an inner communion, a soul revelation. The new knowledge will be vast and profound and creative, based as it will be upon the reality of things and not upon their shadows. Truth will shine through every experience and every utterance"a truth shall have its seat on our speech and m ind and hearing", so have the Vedas said. The m ind and intellect will not be active and constructive agents but the luminous channel of a self-luminous knowledge. And the heart too which is now the field of passion and egoism will be cleared of its noise and obscurity; a serener sky will shed its pure warmth and translucent glow. The knot will be rent asunderbhidyate hridaya granthih and the vast and mighty streams of another ocean will flow through. We will love not merely those to whom we are akin but God's creatures, one and all; we will love not with the yearning and hunger of a mortal but with the wide and intense Rasa that lies in the divine identity of souls.
And the new society will be based not upon competition, nor even upon co-operation. It will not be an open conflict, neither will it be a convenient compromise of rival individual interests. It will be the organic expression of the collective soul of humanity, working and achieving through each and every individual soul its most wide-winging freedom, manifesting the godhead that is, proper to each and every one. It will be an organisation, most delicate and subtle and supple, the members of which will have no need to live upon one another but in and through one another. It will be, if you like, a henotheistic hierarchy in which everyone will be the greatest, since everyone is all and all everyone simultaneously.
The New Humanity will be something in the mould that we give to the gods. It will supply the link that we see missing between gods and men; it will be the race of embodied gods. Man will attain that thing which has been his first desire and earliest dream, for which he coveted the gods Immortality, amritatwam. The mortalities that cut and divide, limit and b ind man make him the sorrowful being he is. These are due to his ignorance and weakness and egoism. These are due to his soul itself. It is the soul that requires change, a new birth, as Christ demanded. Ours is a little soul that has severed itself from the larger and mightier self that it is. And therefore does it die every moment and even while living is afraid to live and so lives poorly and miserably. But the age is now upon us when the god-like soul anointed with its immortal royalties is ready to emerge and claim our salutation.
01.01 - The One Thing Needful, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
To f ind the Divine is indeed the first reason for seeking the spiritual Truth and the spiritual life; it is the one thing indispensable and all the resit is nothing without it. The Divine once found, to manifest Him, - that is, first of all to transform one's own limited consciousness into the Divine Consciousness, to live in the infinite Peace, Light, Love, Strength, Bliss, to become that in one's essential nature and, as a consequence, to be its vessel, channel, instrument in one's active nature. To bring into activity the principle of oneness on the material plane or to work for humanity is a mental mistranslation of the Truth - these things cannot be the first true object of spiritual seeking. We must f ind the Self, the Divine, then only can we know what is the work the Self or the Divine demands from us. Until then our life and action can only be a help or a means towards f inding the Divine and it ought not to have any other purpose. As we grow in inner consciousness, or as the spiritual Truth of the Divine grows in us, our life and action must indeed more and more flow from that, be one with that. But to decide beforeh and by our limited mental conceptions what they must be is to hamper the growth of the spiritual Truth within. As that grows we shall feel the Divine Light and Truth, the Divine Power and Force, the Divine Purity and Peace working within us, dealing with our actions as well as our consciousness, making use of them to reshape us into the Divine Image, removing the dross, substituting the pure Gold of the Spirit. Only when the Divine Presence is there in us always and the consciousness transformed, can we have the right to say that we are ready to manifest the Divine on the material plane. To hold up a mental ideal or principle and impose that on the inner working brings the danger of limiting ourselves to a mental realisation or of impeding or even falsifying by a halfway formation the truth growth into the full communion and union with the Divine and the free and intimate outflowing of His will in our life. This is a mistake of orientation to which the m ind of today is especially prone. It is far better to approach the Divine for the Peace or Light or Bliss that the realisation of Him gives than to bring in these minor things which can divert us from the one thing needful. The divinisation of the material life also as well as the inner life is part of what we see as the Divine Plan, but it can only be fulfilled by an ourflowing of the inner realisation, something that grows from within outwards, not by the working out of a mental principle.
The realisation of the Divine is the one thing needful and the rest is desirable only in so far as it helps or leads towards that or when it is realised, extends and manifests the realisation. Manifestation and organisation of the whole life for the divine work, - first, the sadhana personal and collective necessary for the realisation and a common life of God-realised men, secondly, for help to the world to move towards that, and to live in the Light - is the whole meaning and purpose of my Yoga. But the realisation is the first need and it is that round which all the rest moves, for apart from it all the rest would have no meaning.
01.01 - The Symbol Dawn, #Savitri, #Sri Aurobindo, #Integral Yoga
Amid the Night's forlorn indifference.
As if solicited in an alien world
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Outspread beneath some large indifferent gaze,
Impartial witness of our joy and bale,
01.02 - Natures Own Yoga, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
For, till now M ind has been the last term of the evolutionary consciousness M ind as developed in man is the highest instrument built up and organised by Nature through which the self-conscious being can express itself. That is why the Buddha said: M ind is the first of all principles, M ind is the highest of all principles: indeed M ind is the constituent of all principlesmana puvvangam dhamm1. The consciousness beyond m ind has not yet been made a patent and dynamic element in the life upon earth; it has been glimpsed or entered into in varying degrees and modes by saints and seers; it has cast its derivative illuminations in the creative activities of poets and artists, in the finer and nobler urges of heroes and great men of action. But the utmost that has been achieved, the summit reached in that direction, as exampled in spiritual disciplines, involves a withdrawal from the evolutionary cycle, a merging and an absorption into the static status that is altogether beyond it, that lies, as it were, at the other extreme the Spirit in itself, Atman, Brahman, Sachchidananda, Nirvana, the One without a second, the Zero without a first.
The first contact that one has with this static supra-reality is through the higher ranges of the m ind: a direct and closer communion is established through a plane which is just above the m ind the Overm ind, as Sri Aurob indo calls it. The Overm ind dissolves or transcends the ego-consciousness which limits the being to its individualised formation bounded by an outward and narrow frame or sheath of m ind, life and body; it reveals the universal Self and Spirit, the cosmic godhead and its myriad forces throwing up myriad forms; the world-existence there appears as a play of ever-shifting veils upon the face of one ineffable reality, as a mysterious cycle of perpetual creation and destructionit is the overwhelming vision given by Sri Krishna to Arjuna in the Gita. At the same time, the initial and most intense experience which this cosmic consciousness brings is the extreme relativity, contingency and transitoriness of the whole flux, and a necessity seems logically and psychologically imperative to escape into the abiding substratum, the ineffable Absoluteness.
This has been the highest consummation, the supreme goal which the purest spiritual experience and the deepest aspiration of the human consciousness generally sought to attain. But in this view, the world or creation or Nature came in the end to be looked upon as fundamentally a product of Ignorance: ignorance and suffering and incapacity and death were declared to be the very hallmark of things terrestrial. The Light that dwells above and beyond can be made to shed for a while some k ind of lustre upon the mortal darkness but never altogether to remove or change itto live in the full light, to be in and of the Light means to pass beyond. Not that there have not been other strands and types of spiritual experiences and aspirations, but the one we are considering has always struck the major chord and dominated and drowned all the rest.
But the initial illusory consciousness of the Overm ind need not at all lead to the static Brahmic consciousness or Sunyam alone. As a matter of fact, there is in this particular processes of consciousness a hiatus between the two, between Maya and Brahman, as though one has to leap from the one into the other somehow. This hiatus is filled up in Sri Aurob indo's Yoga by the principle of Superm ind, not synthetic-analytic2 in knowledge like Overm ind and the highest mental intelligence, but inescapably unitarian even in the utmost diversity. Superm ind is the Truth-consciousness at once static and dynamic, self-existent and creative: in Superm ind the Brahmic consciousness Sachchidanandais ever self-aware and ever manifested and embodied in fundamental truth-powers and truth-forms for the play of creation; it is the plane where the One breaks out into the Many and the Many still remain one, being and knowing themselves to be but various self-expressions of the One; it develops the spiritual archetypes, the divine names and forms of all individualisations of an evolving existence.
SRI AUROB indO
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In the Superm ind things exist in their perfect spiritual reality; each is consciously the divine reality in its transcendent essence, its cosmic extension, its, spiritual individuality; the diversity of a manifested existence is there, but the mutually exclusive separativeness has not yet arisen. The ego, the knot of separativity, appears at a later and lower stage of involution; what is here is indivisible nexus of individualising centres of the one eternal truth of being. Where Superm ind and Overm ind meet, one can see the multiple godheads, each distinct in his own truth and beauty and power and yet all together forming the one supreme consciousness infinitely composite and inalienably integral. But stepping back into Superm ind one sees something moreOneness gathering into itself all diversity, not destroying it, but annulling and forbidding the separative consciousness that is the beginning of Ignorance. The first shadow of the Illusory Consciousness, the initial possibility of the movement of Ignorance comes in when the supramental light enters the penumbra of the mental sphere. The movement of Superm ind is the movement of light without obscurity, straight, unwavering, unswerving, absolute. The Force here contains and holds in their oneness of Reality the manifold but not separated lines of essential and unalloyed truth: its march is the inevitable progression of each one assured truth entering into and upholding every other and therefore its creation, play or action admits of no trial or stumble or groping or deviation; for each truth rests on all others and on that which harmonises them all and does not act as a Power diverging from and even competing with other Powers of being. In the Overm ind commences the play of divergent possibilities the simple, direct, united and absolute certainties of the supramental consciousness retire, as it were, a step beh ind and begin to work themselves out through the interaction first of separately individualised and then of contrary and contradictory forces. In the Overm ind there is a conscious underlying Unity but yet each Power, Truth, Aspect of that Unity is encouraged to work out its possibilities as if it were sufficient to itself and the others are used by it for its own enhancement until in the denser and darker reaches below Overm ind this turns out a thing of bl ind conflict and battle and, as it would appear, of chance survival. Creation or manifestation originally means the concretisation or devolution of the powers of Conscious Being into a play of united diversity; but on the line which ends in Matter it enters into more and more obscure forms and forces and finally the virtual eclipse of the supreme light of the Divine Consciousness. Creation as it descends' towards the Ignorance becomes an involution of the Spirit through M ind and Life into Matter; evolution is a movement backward, a return journey from Matter towards the Spirit: it is the unravelling, the gradual disclosure and deliverance of the Spirit, the ascension and revelation of the involved consciousness through a series of awakeningsMatter awakening into Life, Life awakening into M ind and M ind now seeking to awaken into something beyond the M ind, into a power of conscious Spirit.
The apparent or actual result of the movement of Nescienceof Involutionhas been an increasing negation of the Spirit, but its hidden purpose is ultimately to embody the Spirit in Matter, to express here below in cosmic Time-Space the splendours of the timeless Reality. The material body came into existence bringing with it inevitably, as it seemed, mortality; it appeared even to be fashioned out of mortality, in order that in this very frame and field of mortality, Immortality, the eternal Spirit Consciousness which is the secret truth and reality in Time itself as well as beh ind it, might be established and that the Divine might be possessed, or rather, possess itself not in one unvarying mode of the static consciousness, as it does even now beh ind the cosmic play, but in the play itself and in the multiple mode of the terrestrial existence.
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An organ in the human being has been especially developed to become the effective instrument of this accelerated Yogic process the self-consciousness which I referred to as being the distinctive characteristic of man is a function of this organ. It is his soul, his psychic being; originally it is the spark of the Divine Consciousness which came down and became involved in Matter and has been endeavouring ever since to release itself through the upward march of evolution. It is this which presses on continually as the stimulus to the evolutionary movement; and in man it has attained sufficient growth and power and has come so far to the front from beh ind the veil that it can now lead and mould his external consciousness. It is also the channel through which the Divine Consciousness can flow down into the inferior levels of human nature. It is the being no bigger than the thumb ever seated within the heart, spoken of in the Upanishads. It is likewise the basis of true individuality and personal identity. It is again the reflection or expression in evolutionary Nature of one's essential selfjivtman that is above, an eternal portion of the Divine, one with the Divine and yet not dissolved and lost in it. The psychic being is thus on the one hand in direct contact with the Divine and the higher consciousness, and on the other it is the secret upholder and controller' (bhart, antarymin) of the inferior consciousness, the hidden nucleus round which the body and the life and the m ind of the individual are built up and organised.
The first decisive step in Yoga is taken when one becomes conscious of the psychic being, or, looked at from the other side, when the psychic being comes forward and takes possession of the external being, begins to initiate and influence the movements of the m ind and life and body and gradually free them from the ordinary round of ignorant nature. The awakening of the psychic being means, as I have said, not only a deepening and heightening of the consciousness and its release from the obscurity and limitation of the inferior Prakriti, confined to the lower threefold status, into what is beh ind and beyond; it means also a return of the deeper and higher consciousness upon the lower hemisphere and a consequent purification and illumination and regeneration of the latter. Finally, when the psychic being is in full self-possession and power, it can be the vehicle of the direct supramental consciousness which will then be able to act freely and absolutely for the entire transformation of the external nature, its transfiguration into a perfect body of the Truth-consciousness in a word, its divinisation.
01.02 - Sri Aurobindo - Ahana and Other Poems, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
What is the world that Sri Aurob indo sees and creates? Poetry is after all passion. By passion I do not mean the fury of emotion nor the fume of sentimentalism, but what lies beh ind at their source, what lends them the force they have the sense of the "grandly real," the vivid and pulsating truth. What then is the thing that Sri Aurob indo has visualised, has endowed with a throbbing life and made a poignant reality? Victor Hugo said: Attachez Dieu au gibet, vous avez la croixTie God to the gibbet, you have the cross. Even so, infuse passion into a thing most prosaic, you create sublime poetry out of it. What is the dead matter that has found life and glows and vibrates in Sri Aurob indo's passion? It is something which appears to many poetically intractable, not amenable to aesthetic treatment, not usually, that is to say, nor in the supreme manner. Sri Aurob indo has thrown such a material into his poetic fervour and created a sheer beauty, a stupendous reality out of it. Herein lies the greatness of his achievement. Philosophy, however divine, and in spite of Milton, has been regarded by poets as "harsh and crabbed" and as such unfit for poetic delineation. Not a few poets indeed foundered upon this rock. A poet in his own way is a philosopher, but a philosopher chanting out his philosophy in sheer poetry has been one of the rarest spectacles.1 I can think of only one instance just now where a philosopher has almost succeeded being a great poet I am referring to Lucretius and his De Rerum Natura. Neither Shakespeare nor Homer had anything like philosophy in their poetic creation. And in spite of some inclination to philosophy and philosophical ideas Virgil and Milton were not philosophers either. Dante sought perhaps consciously and deliberately to philosophise in his Paradiso I Did he? The less Dante then is he. For it is his Inferno, where he is a passionate visionary, and not his Paradiso (where he has put in more thought-power) that marks the nee plus ultra of his poetic achievement.
And yet what can be more poetic in essence than philosophy, if by philosophy we mean, as it should mean, spiritual truth and spiritual realisation? What else can give the full breath, the integral force to poetic inspiration if it is not the problem of existence itself, of God, Soul and Immortality, things that touch, that are at the very root of life and reality? What can most concern man, what can strike the deepest fount in him, unless it is the mystery of his own being, the why and the whither of it all? But mank ind has been taught and trained to live merely or mostly on earth, and poetry has been treated as the expression of human joys and sorrows the tears in mortal things of which Virgil spoke. The savour of earth, the thrill of the flesh has been too sweet for us and we have forgotten other sweetnesses. It is always the human element that we seek in poetry, but we fail to recognise that what we obtain in this way is humanity in its lower degrees, its surface formulations, at its minimum magnitude.
We do not say that poets have never sung of God and Soul and things transcendent. Poets have always done that. But what I say is this that presentation of spiritual truths, as they are in their own home, in other words, treated philosophically and yet in a supreme poetic manner, has always been a rarity. We have, indeed, in india the Gita and the Upanishads, great philosophical poems, if there were any. But for one thing they are on dizzy heights out of the reach of common man and for another they are idolised more as philosophy than as poetry. Doubtless, our Vaishnava poets sang of God and Love Divine; and Rab indranath, in one sense, a typical modern Vaishnava, did the same. And their songs are masterpieces. But are they not all human, too human, as the mad prophet would say? In them it is the human significance, the human manner that touches and moves us the spiritual significance remains esoteric, is suggested, is a matter of deduction. Sri Aurob indo has dealt with spiritual experiences in a different way. He has not clothed them in human symbols and allegories, in images and figures of the mere earthly and secular life: he presents them in their nakedness, just as they are seen and realised. He has not sought to tone down the rigour of truth with contrivances that easily charm and captivate the common human m ind and heart. Nor has he indulged like so many poet philosophers in vague generalisations and colourless or too colourful truisms that do not embody a clear thought or rounded idea, a radiant judgment. Sri Aurob indo has given us in his poetry thoughts that are clear-cut, ideas beautifully chiselledhe is always luminously forceful.
Take these Vedantic lines that in their limpidity and harmonious flow beat anything found in the fine French poet Lamartine:
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indeed it would be wrong to associate any cold ascetic nudity to the spiritual body of Sri Aurob indo. His poetry is philosophic, abstract, no doubt, but every philosophy has its practice, every abstract thing its concrete application,even as the soul has its body; and the fusion, not mere union, of the two is very characteristic in him. The deepest and unseizable flights of thought he knows how to clo the with a Kalidasian richness of imagery, or a Keatsean gusto of sensuousness:
. . . . .O flowers, O delight on the tree-tops burning!
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And here, let me point out, the capital difference between the European or rather the Hellenic spirit and the indian spirit. It is the indian spirit to take stand upon divinity and thence to embrace and mould what is earthly and human. The Greek spirit took its stand pre-eminently on earth and what belongs to earth. In Europe Dante's was a soul spiritualised more than perhaps any other and yet his is not a H indu soul. The utmost that he could say after all the experience of the tragedy of mortality was:
Io no piangeva, sidentro impietrai13
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The Greek sings of the humanity of man, the indian the divinity of man. It is the Hellenic spirit that has very largely moulded our taste and we have forgotten that an equally poetic world exists in the domain of spiritual life, even in its very severity, as in that of earthly life and its sweetness. And as we are passionate about the earthly life, even so Sri Aurob indo has made a passion of the spiritual life. Poetry after all has a mission; the phrase "Art for Art's sake" may be made to mean anything. Poetry is not merely what is pleasing, not even what is merely touching and moving but what is at the same time, inspiring, invigorating, elevating. Truth is indeed beauty but it is not always the beauty that captivates the eye or the mere aesthetic sense.
And because our Vedic poets always looked beyond humanity, beyond earth, therefore could they make divine poetry of humanity and what is of earth. Therefore it was that they were pervadingly so grandiose and sublime and puissant. The heroic, the epic was their natural element and they could not but express themselves in the grand manner Sri Aurob indo has the same outlook and it is why we f ind in him the ring of the old-world manner.
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This is poetry salutary indeed if there were any. We are so often and so much enamoured of the feminine languidness of poetry; the clear, the sane, the virile, that is a type of poetry that our nerves cannot always or for long stand. But there is poetry that is agrable and there is poetry that is grand, as Sainte Beuve said. There are the pleasures of poetry and there are the "ardours of poetry". And the great poets are always grand rather than agrable, full of the ardours of poetry rat her than the pleasures of poetry.
And if there is something in the creative spirit of Sri Aurob indo which tends more towards the strenuous than the genial, the arduous than the mellifluous, and which has more of the austerity of Vyasa than the easy felicity of Valmiki, however it might have affected the ultimate value of his creation, according to certain standards,14 it has illustrated once more that poetry is not merely beauty but power, it is not merely sweet imagination but creative visionit is even the Rik, the mantra that impels the gods to manifest upon earth, that fashions divinity in man.
01.02 - The Creative Soul, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
So the problem that concerns man, the riddle that humanity has to solve is how to f ind out and follow the path of creativity. If we are not to be dead matter nor mere shadowy illusions we must be creative. A misconception that has vitiated our outlook in general and has been the most potent cause of a sterilising atavism in the moral evolution of humanity is that creativity is an aristocratic virtue, that it belongs only to the chosen few. A great poet or a mighty man of action creates indeed, but such a creator does not appear very frequently. A Shakespeare or a Napoleon is a rare phenomenon; they are, in reality, an exception to the general run of mank ind. It is enough if we others can understand and follow themMahajano yena gatahlet the great souls initiate and create, the common souls have only to repeat and imitate.
But this is not as it should be, nor is it the truth of the matter. Every individual soul, however placed it may be, is by nature creative; every individual being lives to discover and to create.
The inmost reality of man is not a passive receptacle, a mere responsive medium but it is a dynamoa power-station generating and throwing out energy that produces and creates.
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In one's own soul lies the very height and profundity of a god-head. Each soul by bringing out the note that is his, makes for the most wondrous symphony. Once a man knows what he is and holds fast to it, refusing to be drawn away by any necessity or temptation, he begins to uncover himself, to do what his inmost nature demands and takes joy in, that is to say, begins to create. indeed there may be much difference in the forms that different souls take. But because each is itself, therefore each is grounded upon the fundamental equality of things. All our valuations are in reference to some standard or other set up with a particular end in view, but that is a question of the practical world which in no way takes away from the intrinsic value of the greatness of the soul. So long as the thing is there, the how of it does not matter. Infinite are the ways of manifestation and all of them the very highest and the most sublime, provided they are a manifestation of the soul itself, provided they rise and flow from the same level. Whether it is Agni or indra, Varuna, Mitra or the Aswins, it is the same supreme and divine inflatus.
The cosmic soul is true. But that truth is borne out, effectuated only by the truth of the individual soul. When the individual soul becomes itself fully and integrally, by that very fact it becomes also the cosmic soul. The individuals are the channels through which flows the Universal and the Infinite in its multiple emphasis. Each is a particular figure, aspectBhava, a particular angle of vision of All. The vision is entire and the figure perfect if it is not refracted by the lower and denser parts of our being. And for that the individual must first come to itself and shine in its opal clarity and translucency.
Not to do what others do, but what your soul impels you to do. Not to be others but your own self. Not to be anything but the very cosmic and infinite divinity of your soul. Therein lies your highest freedom and perfect delight. And there you are supremely creative. Each soul has a consortPrakriti, Naturewhich it creates out of its own rib. And in this field of infinite creativity the soul lives, moves and has its being.
01.02 - The Object of the Integral Yoga, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
To come to this Yoga merely with the idea of being a superman would be an act of vital egoism which would defeat its own object. Those who put this object in the front of their preoccupations invariably come to grief, spiritually and otherwise. The aim of this Yoga is, first, to enter into the divine consciousness by merging into it the separative ego (incidentally, in doing so one f inds one's true individual self which is not the limited, vain and selfish human ego but a portion of the Divine) and, secondly, to bring down the supramental consciousness on earth to transform m ind, life and body. All else can be only a result of these two aims, not the primary object of the Yoga.
The only creation for which there is any place here is the supramental, the bringing of the divine Truth down on the earth, not only into the m ind and vital but into the body and into
Matter. Our object is not to remove all "limitations" on the expansion of the ego or to give a free field and make unlimited room for the fulfilment of the ideas of the human m ind or the desires of the ego-centred life-force. None of us are here to "do as we like", or to create a world in which we shall at last be able to do as we like; we are here to do what the Divine wills and to create a world in which the Divine Will can manifest its truth no longer deformed by human ignorance or perverted and mistranslated by vital desire. The work which the sadhak of the supramental Yoga has to do is not his own work for which he can lay down his own conditions, but the work of the Divine which he has to do according to the conditions laid down by the Divine. Our Yoga is not for our own sake but for the sake of the Divine. It is not our own personal manifestation that we are to seek, the manifestation of the individual ego freed from all bounds and from all bonds, but the manifestation of the Divine. Of that manifestation our own spiritual liberation, perfection, fullness is to be a result and a part, but not in any egoistic sense or for any ego-centred or self-seeking purpose.
This liberation, perfection, fullness too must not be pursued for our own sake, but for the sake of the Divine.
01.03 - Mystic Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
there is nothing in the matter or manner which can indicate, to the uninitiated, any reference to the Spirit or the Divine. Or this again,
I have gazed upon beauty from my very birth
--
This is spiritual matter and spiritual manner that can never be improved upon. This is spiritual poetry in its quintessence. I am referring naturally here to the original and not to the translation which can never do full justice, even at its very best, to the poetic value in question. For apart from the individual genius of the poet, the greatness of the language, the instrument used by the poet, is also involved. It may well be what is comparatively easy and natural in the language of the gods (devabhasha) would mean a tour de force, if not altogether an impossibility, in a human language. The Sanskrit language was moulded and fashioned in the hands of the Rishis, that is to say, those who lived and moved and had their being in the spiritual consciousness. The Hebrew or even the Zend does not seem to have reached that peak, that absoluteness of the spiritual tone which seems inherent in the indian tongue, although those too breathed and grew in a spiritual atmosphere. The later languages, however, Greek or Latin or their modern descendants, have gone still farther from the source, they are much nearer to the earth and are suffused with the smell and effluvia of this vale of tears.
Among the ancients, strictly speaking, the later classical Lucretius was a remarkable phenomenon. By nature he was a poet, but his mental interest lay in metaphysical speculation, in philosophy, and unpoetical business. He turned away from arms and heroes, wrath and love and, like Seneca and Aurelius, gave himself up to moralising and philosophising, delving 'into the mystery, the why and the how and the whither of it all. He chose a dangerous subject for his poetic inspiration and yet it cannot be said that his attempt was a failure. Lucretius was not a religious or spiritual poet; he was rather Marxian,atheistic, materialistic. The dialectical materialism of today could f ind in him a lot of nourishment and support. But whatever the content, the manner has made a whole difference. There was an idealism, a clarity of vision and an intensity of perception, which however scientific apparently, gave his creation a note, an accent, an atmosphere high, tense, aloof, ascetic, at times bordering on the supra-sensual. It was a high light, a force of consciousness that at its highest pitch had the ring and vibration of something almost spiritual. For the basic principle of Lucretius' inspiration is a large thought-force, a tense perception, a taut nervous reactionit is not, of course, the identity in being with the inner realities which is the hallmark of a spiritual consciousness, yet it is something on the way towards that.
--
The philosophical trend in poetry has an interesting history with a significant role: it has acted as a force of purification, of sublimation, of katharsis. As man has risen from his exclusively or predominantly vital nature into an increasing mental poise, in the same way his creative activities too have taken this new turn and status. In the earlier stages of evolution the mental life is secondary, subordinate to the physico-vital life; it is only subsequently that the mental f inds an independent and self-sufficient reality. A similar movement is reflected in poetic and artistic creation too: the thinker, the philosopher remains in the background at the outset, he looks out; peers through chinks and holes from time to time; later he comes to the forefront, assumes a major role in man's creative activity.
Man's consciousness is further to rise from the mental to over-mental regions. Accordingly, his life and activities and along with that his artistic creations too will take on a new tone and rhythm, a new mould and constitution even. For this transition, the higher mentalwhich is normally the field of philosophical and idealistic activitiesserves as the Paraclete, the Intercessor; it takes up the lower functionings of the consciousness, which are intense in their own way, but narrow and turbid, and gives, by purifying and enlarging, a wider frame, a more luminous pattern, a more subtly articulated , form for the higher, vaster and deeper realities, truths and harmonies to express and manifest. In the old-world spiritual and mystic poets, this intervening medium was overlooked for evident reasons, for human reason or even intelligence is a double-edged instrument, it can make as well as mar, it has a light that most often and naturally shuts off other higher lights beyond it. So it was bypassed, some k ind of direct and immediate contact was sought to be established between the normal and the transcendental. The result was, as I have pointed out, a pure spiritual poetry, on the one hand, as in the Upanishads, or, on the other, religious poetry of various grades and denominations that spoke of the spiritual but in the terms and in the manner of the mundane, at least very much coloured and dominated by the latter. Vyasa was the great legendary figure in india who, as is shown in his Mahabharata, seems to have been one of the pioneers, if not the pioneer, to forge and build the missing link of Thought Power. The exemplar of the manner is the Gita. Valmiki's represented a more ancient and primary inspiration, of a vast vital sensibility, something of the k ind that was at the basis of Homer's genius. In Greece it was Socrates who initiated the movement of speculative philosophy and the emphasis of intellectual power slowly began to f ind expression in the later poets, Sophocles and Euripides. But all these were very simple beginnings. The moderns go in for something more radical and totalitarian. The rationalising element instead of being an additional or subordinate or contri buting factor, must itself give its norm and form, its own substance and manner to the creative activity. Such is the present-day demand.
The earliest preoccupation of man was religious; even when he concerned himself with the world and worldly things, he referred all that to the other world, thought of gods and goddesses, of after-death and other where. That also will be his last and ultimate preoccupation though in a somewhat different way, when he has passed through a process of purification and growth, a "sea-change". For although religion is an aspiration towards the truth and reality beyond or beh ind the world, it is married too much to man's actual worldly nature and carries always with it the shadow of profanity.
--
And a considerable impact of it is vibrant and aglow in these lines of a contemporary indian poet:
Sky-lucent Bliss untouched by earthiness!
--
This, I say, is something different from the religious and even from the mystic. It is away from the merely religious, because it is naked of the vesture of humanity (in spite of a human face that masks it at times) ; it is something more than the merely mystic, for it does not stop being a signpost or an indication to the Beyond, but is itself the presence and embodiment of the Beyond. The mystic gives us, we can say, the magic of the Infinite; what I term the spiritual, the spiritual proper, gives in addition the logic of the Infinite. At least this is what distinguishes modern spiritual consciousness from the ancient, that is, Upanishadic spiritual consciousness. The Upanishad gives expression to the spiritual consciousness in its original and pristine purity and perfection, in its essential simplicity. It did not buttress itself with any logic. It is the record of fundamental experiences and there was no question of any logical exposition. But, as I have said, the modern m ind requires and demands a logical element in its perceptions and presentations. Also it must needs be a different k ind of logic that can satisfy and satisfy wholly the deeper and subtler movements of a modern consciousness. For the philosophical poet of an earlier age, when he had recourse to logic, it was the logic of the finite that always gave him the frame, unless he threw the whole thing overboard and leaped straight into the occult, the illogical and the a logical, like Blake, for instance. Let me illustrate and compare a little. When the older poet explains indriyani hayan ahuh, it is an allegory he resorts to, it is the logic of the finite he marshals to point to the infinite and the beyond. The stress of reason is apparent and effective too, but the pattern is what we are normally familiar with the movement, we can say, is almost Aristotelian in its rigour. Now let us turn to the following:
Our life is a holocaust of the Supreme. ||26.15||
01.03 - Rationalism, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Does this mean that real knowledge is irrational or against Reason? Not so necessarily. There is a super-rational power for knowledge and Reason may either be a channel or an obstacle. If we take our stand upon Reason and then proceed to know, if we take the forms and categories of Reason as the inviolable schemata of knowledge, then indeed Reason becomes an obstacle to that super-rational power. If, on the other hand, Reason does not offer any set-form from beforehand, does not insist upon its own conditions, is passive and simply receives and reflects what is given to it, then it becomes a luminous and sure channel for that higher and real knowledge.
The fact is that Reason is a lower manifestation of knowledge, it is an attempt to express on the mental level a power that exceeds it. It is the section of a vast and unitarian Consciousness-Power; the section may be necessary under certain conditions and circumstances, but unless it is viewed in its relation to the ensemble, unless it gives up its exclusive absolutism, it will be perforce arbitrary and misleading. It would still remain helpful and useful, but its help and use would be always limited in scope and temporary in effectivity.
01.03 - Sri Aurobindo and his School, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
A considerable amount of vague misunderstanding and misapprehension seems to exist in the m inds of a certain section of our people as to what Sri Aurob indo is doing in his retirement at Pondicherry. On the other hand, a very precise exposition, an exact formula of what he is not doing has been curiously furnished by a well-known patriot in his indictment of what he chooses to call the Pondicherry School of contemplation. But he has arrived at this formula by openly and fearlessly affirming what does not exist; for the things that Sri Aurob indo is accused of doing are just the things that he is not doing. In the first place, Sri Aurob indo is not doing peaceful contemplation; in the second place, he is not doing active propaganda either; in the third place, he is not doing prnyma or even dhyna in the ordinary sense of the word; and, lastly, he is not proclaiming or following the maxim that although action may be tolerated as good, his particular brand of Yoga is something higher and better.
Evidently the eminent politician and his school of activism are labouring under a Himalayan confusion: when they speak of Sri Aurob indo, they really have in their m ind some of the old schools of spiritual discipline. But one of the marked aspects of Sri Aurob indo's teaching and practice has been precisely his insistence on putting aside the inert and life-shunning quietism, illusionism, asceticism and monasticism of a latter-day and decadent india. These ideals are perhaps as much obstacles in his way as in the way of the activistic school. Only Sri Aurob indo has not had the temerity to say that it is a weakness to seek refuge in contemplation or to suggest that a Buddha was a weakling or a Shankara a poltroon.
This much as regards what Sri Aurob indo is not doing; let us now turn and try to understand what he is doing. The distinguished man of action speaks of conquering Nature and fighting her. Adopting this war-like imagery, we can affirm that Sri Aurob indo's work is just such a battle and conquest. But the question is, what is nature and what is the k ind of conquest that is sought, how are we to fight and what are the required arms and implements? A good general should foresee all this, frame his plan of campaign accordingly and then only take the field. The above-mentioned leader proposes ceaseless and unselfish action as the way to fight and conquer Nature. He who speaks thus does not know and cannot mean what he says.
01.03 - The Yoga of the King - The Yoga of the Souls Release, #Savitri, #Sri Aurobindo, #Integral Yoga
He abode at rest in indivisible Time.
As if a story long written but acted now,
--
Shadowed the indeterminable line
That carries the Everlasting through the years.
--
The calm indulgence and maternal breasts
Of Wisdom suckling the child-laughter of Chance,
01.03 - Yoga and the Ordinary Life, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
The best way to prepare oneself for the spiritual life when one has to live in the ordinary occupations and surroundings is to cultivate an entire equality and detachment and the samata of the Gita with the faith that the Divine is there and the Divine Will at work in all things even though at present under the conditions of a world of Ignorance. Beyond this are the Light and Ananda towards which life is working, but the best way for their advent and foundation in the individual being and nature is to grow in this spiritual equality. That would also solve your difficulty about things unpleasant and disagreeable. All unpleasantness should be faced with this spirit of samata.
I may say briefly that there are two states of consciousness in either of which one can live. One is a higher consciousness which stands above the play of life and governs it; this is variously called the Self, the Spirit or the Divine. The other is the normal consciousness in which men live; it is something quite superficial, an instrument of the Spirit for the play of life. Those who live and act in the normal consciousness are governed entirely by the common movements of the m ind and are naturally subject to grief and joy and anxiety and desire or to everything else that makes up the ordinary stuff of life.
01.04 - Motives for Seeking the Divine, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
The pull of that is indeed a categorical imperative, the self in us drawn to the Divine because of the imperative call of its greater Self, the soul ineffably drawn towards the object of its adoration, because it cannot be otherwise, because it is it and
He is He. That is all about it.
--- Grep of noun ind
amerind
antitrade wind
bacon rind
behind
bind
blind
breaking wind
broken wind
catabatic wind
change of mind
cheese rind
chinook wind
crosswind
double bind
double blind
east wind
find
frame of mind
gentle wind
grind
headwind
high wind
hind
humankind
indaba
indapamide
indebtedness
indecency
indecent exposure
indecision
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indecorousness
indecorum
indefatigability
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indefinite article
indefinite integral
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indelible ink
indelicacy
indemnification
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indene
indent
indentation
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independence day
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independent agency
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independent state of papua new guinea
independent state of samoa
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inderal
indestructibility
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indeterminacy principle
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indetermination
index
index case
index finger
index fossil
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index number
index of refraction
index register
indexation
indexer
indexing
india
india-rubber fig
india-rubber plant
india-rubber tree
india ink
india paper
india rubber
indiaman
indian
indian agent
indian arrowroot
indian banyan
indian bean
indian beech
indian beet
indian blackwood
indian blanket
indian breadroot
indian buffalo
indian button fern
indian capital
indian cherry
indian chickweed
indian chief
indian chieftain
indian chocolate
indian cholera
indian club
indian cobra
indian coral tree
indian corn
indian cress
indian crocus
indian currant
indian elephant
indian file
indian giver
indian grackle
indian hemp
indian lettuce
indian lodge
indian lotus
indian madder
indian mallow
indian meal
indian millet
indian monetary unit
indian mongoose
indian mustard
indian mutiny
indian ocean
indian paint
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indian pea
indian pink
indian pipe
indian plantain
indian poke
indian pony
indian potato
indian python
indian race
indian rat snake
indian rattlebox
indian red
indian relish
indian reservation
indian rhinoceros
indian rhododendron
indian rhubarb
indian rice
indian rosewood
indian rupee
indian salad
indian senna
indian shot
indian summer
indian tapir
indian tick fever
indian tobacco
indian trail
indian turnip
indiana
indianan
indianapolis
indic
indicant
indication
indicative
indicative mood
indicator
indicator lamp
indicatoridae
indictability
indiction
indictment
indie
indifference
indigen
indigence
indigene
indigenous language
indigenousness
indigestibility
indigestibleness
indigestion
indigirka
indigirka river
indignation
indignity
indigo
indigo bird
indigo broom
indigo bunting
indigo finch
indigo plant
indigo snake
indigo squill
indigofera
indigofera anil
indigofera suffruticosa
indigofera tinctoria
indigotin
indinavir
indira gandhi
indira nehru gandhi
indirect antonym
indirect correlation
indirect discourse
indirect evidence
indirect expression
indirect fire
indirect immunofluorescence
indirect lighting
indirect object
indirect request
indirect tax
indirect transmission
indirection
indirectness
indiscipline
indiscreetness
indiscretion
indispensability
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indisposition
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indistinctness
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indium
individual
individual retirement account
individualisation
individualism
individualist
individuality
individualization
individuation
indo-aryan
indo-european
indo-european language
indo-hittite
indo-iranian
indo-iranian language
indochina
indochinese peninsula
indocin
indoctrination
indoleacetic acid
indolebutyric acid
indolence
indomethacin
indomitability
indonesia
indonesian
indonesian borneo
indonesian monetary unit
indoor garden
indorsement
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indra
indri
indri brevicaudatus
indri indri
indriidae
indris
indubitability
induced abortion
inducement
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induction accelerator
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inductor
indulgence
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indument
indumentum
indurated clay
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indus
indus civilization
indus river
indusium
industrial air pollution
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industrial bank
industrial disease
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industrial enterprise
industrial loan company
industrial management
industrial park
industrial plant
industrial process
industrial psychology
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industrialisation
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industrialist
industrialization
industriousness
industry
industry analyst
indweller
jenny lind
katabatic wind
kind
lemon rind
lind
manila tamarind
mankind
mastermind
mind
north wind
northwest wind
orange rind
paleo-amerind
peace of mind
presence of mind
prevailing wind
rind
rock hind
roller blind
second wind
sind
single-reed woodwind
solar wind
south wind
spanish tamarind
state of mind
subconscious mind
sunblind
tailwind
tamarind
time out of mind
trade wind
unconscious mind
venetian blind
west wind
whirlwind
wild tamarind
wind
window blind
womankind
woodwind
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Wikipedia - Badla (2019 film) -- 2019 Indian Hindi language film by Sujoy Ghosh
Wikipedia - Badli -- Village in Delhi, India
Wikipedia - Badluram ka Badan -- Indian military regimental song
Wikipedia - Badman Recording Co. -- US Independent record label
Wikipedia - Badnam Basti -- 1971 Indian neorealistic drama film by Prem Kapoor
Wikipedia - Badodar railway station -- Railway station in Gujarat, India
Wikipedia - Badri (2001 film) -- 2001 Indian Tamil-language sports action film
Wikipedia - Badri (director) -- Indian film director and screenwriter
Wikipedia - Badri Lal Chitrakar -- Indian painter
Wikipedia - Badrinath (film) -- 2011 Indian action film
Wikipedia - Badrinath Temple -- Hindu temple of Vishnu in Uttarakhand, India
Wikipedia - Badri Prasad Bajoria -- Indian social worker
Wikipedia - Badroon -- Village in Jammu and Kashmir, India
Wikipedia - Badruddin Ajmal -- Indian Parliament member
Wikipedia - Badruddin Shaikh -- Indian politician
Wikipedia - Badshahnagar railway station -- Railway station in Uttar Pradesh, India
Wikipedia - Badshah Nagar -- Residential area of Lucknow, in India
Wikipedia - Badshahpur (Vidhan Sabha constituency) -- Constituency of the Haryana legislative assembly in India
Wikipedia - Badshah (rapper) -- Indian Rapper
Wikipedia - Bad Suns -- American indie rock band
Wikipedia - Bad Windsheim
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Wikipedia - Baffles (submarine) -- Areas behind a submarine or ship where sonar cannot hear
Wikipedia - Baga Beach (film) -- 2013 Indian film in Konkani
Wikipedia - Bagavathi -- 2002 Indian Tamil-language action film
Wikipedia - Bagdah High School -- School in Kolkata, India
Wikipedia - Bagdehi railway station -- Railway station in India
Wikipedia - Bagdogra Airport -- Airport near Siliguri, West Bengal, India
Wikipedia - Bagdogra -- Census Town/ City in West Bengal, India
Wikipedia - Bagha Jatin -- Indian revolutionary freedom fighter
Wikipedia - Baghdad Ansar -- Village in Uttar Pradesh, India
Wikipedia - Bagheli language -- Indo-Aryan language spoken in India
Wikipedia - Bagh Express -- Indian express train route
Wikipedia - Bagh print -- A traditional wood block printing an Indian handicraft originating in Bagh, Dhar district of Madhya Pradesh, India.
Wikipedia - Bagicha Singh Minhas -- Indian economist
Wikipedia - Baglan (Vidhan Sabha constituency) -- Constituency of the Maharashtra legislative assembly in India
Wikipedia - Bagmar -- Village in Madhya Pradesh, India
Wikipedia - Bagnan College -- College of West Bengal, India
Wikipedia - Bagnan railway station -- Railway station in West Bengal, India
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Wikipedia - Bagpat (Assembly constituency) -- Constituency of the Uttar Pradesh legislative assembly in India
Wikipedia - Bagpat district -- District of Uttar Pradesh in India
Wikipedia - Bagri language -- Indian language
Wikipedia - Baguiati -- Neighbourhood of Kolkata, India
Wikipedia - Bahadur (character) -- Hindi literary character.
Wikipedia - Bahadur (comics) -- Indian comic strip
Wikipedia - Bahadur Fort -- Ancient Indian fort
Wikipedia - Bahadurganj, Kishanganj -- Town in Kishanganj, Bihar, India
Wikipedia - Bahadurpura (Assembly constituency) -- Constituency of the Telangana legislative assembly in India
Wikipedia - Bahadur Shah Zafar Marg -- Road in Delhi, India
Wikipedia - Bahadur Singh Chouhan -- Indian athlete
Wikipedia - Bahadur Singh Sagoo -- Indian shot putter
Wikipedia - BahaM-JM- -- Central doctrine of the BahaM-JM-
Wikipedia - Bahar bin Smith -- Indonesia Islamist scholar
Wikipedia - Baharon Ki Manzil (1968 film) -- Hindi film
Wikipedia - Baharul Islam (actor) -- Indian theatre/film actor & director
Wikipedia - Bahder Djohan -- Indonesian politician
Wikipedia - Baheri railway station -- Rail station in Uttar Pradesh, India
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Wikipedia - Bahmani Sultanate -- Former Muslim state in Southern India
Wikipedia - B. Ahmed Hajee Mohiudeen -- Indian businessman
Wikipedia - Bahonsuai language -- Austronesian language spoken on Sulawesi, Indonesia
Wikipedia - Bahraich (Lok Sabha constituency) -- Lok Sabha Constituency in Uttar Pradesh, India
Wikipedia - Bahraich railway station -- Railway Station in Uttar Pradesh, India
Wikipedia - Bahrain at the 2009 Asian Indoor Games -- Competitor in an Asian indoor sporting event
Wikipedia - Bahrot Caves -- Zoroastrian cave temple in Gujarat, India
Wikipedia - Bahtiar Effendy -- Indonesian Muslim scholar
Wikipedia - Bahu Begum (2019 TV series) -- Indian romantic drama television series
Wikipedia - Bahujan Mukti Party -- Political party of India
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Wikipedia - Baidyanath Misra -- Indian economist, educationist, administrator
Wikipedia - Baidyanath Prasad Mahto -- Indian politician
Wikipedia - Baidyanath Temple -- Temple in Jharkhand, India
Wikipedia - Baijayant Panda -- Indian politician
Wikipedia - Baijnath Kureel -- Indian politician
Wikipedia - Baiju N. Nair -- Indian television host
Wikipedia - Bail bondsman -- Agent that secures an individual's release in court
Wikipedia - Bailout bottle -- Emergency gas supply cylinder carried by a diver
Wikipedia - Bailout cylinder -- Emergency gas supply cylinder carried by a diver
Wikipedia - Bainkuan -- Village in India
Wikipedia - Bairagi Dwibedy -- Indian politician
Wikipedia - Bairat Temple -- Buddhist temple near Bairat, Rajasthan, India
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Wikipedia - Baishnab Charan Patnaik -- Indian politician
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Wikipedia - Bais (Rajput clan) -- Rajput clan of India
Wikipedia - Baiturrahim Mosque -- Mosque in Indonesia
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Wikipedia - Bajaj Allianz General Insurance -- Indian private insurance company
Wikipedia - Bajaj Allianz Life Insurance -- Indian life insurance company
Wikipedia - Bajaj Auto -- Indian two-wheeler and three-wheeler manufacturing company
Wikipedia - Bajaj Finance -- Indian non-banking financial company
Wikipedia - Bajaj Finserv -- Indian financial services company
Wikipedia - Bajaj Group -- Indian comglomerate
Wikipedia - Bajaj Hindusthan -- Sugar factory in India
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Wikipedia - Baji Rao I -- General of the Maratha Empire in India
Wikipedia - Bajirao Mastani -- 2015 Indian epic historical romance film
Wikipedia - Baji Rout -- Indian victim of British police violence (1926-1938)
Wikipedia - B. Ajithkumar -- Indian film editor and director
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Wikipedia - Bajrangi Bhaijaan -- 2015 Indian adventure comedy-drama film
Wikipedia - Baju Ban Riyan -- Indian politician
Wikipedia - Baju Empurau -- Traditional war jacket of Indonesia
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Wikipedia - Bakasura -- Rakshasa (demon) in the HIndu epic Mahabharata
Wikipedia - BakatiM-JM-< language -- Austronesian language spoken in Kalimantan, Indonesia
Wikipedia - Bakauheni-Terbanggi Besar Toll Road -- Toll road in Indonesia
Wikipedia - Baked (web series) -- Indian fiction web series
Wikipedia - Bakersfield Ice Sports Center -- Indoor ice rink in California, U.S.
Wikipedia - Bakeys -- Indian edible cutlery
Wikipedia - Bakhira Sanctuary -- Protected wetland in India
Wikipedia - Bakhshish Singh Virk -- Indian politician
Wikipedia - Bakhtiyaar Irani -- Indian film and television actor
Wikipedia - Bakhtiyarpur-Tajpur Bridge -- Bridge in India
Wikipedia - Bakhtiyarpur-Tilaiya line -- Railway line in India
Wikipedia - Bakht Khan -- Indian revolutionary (1797-1859)
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Wikipedia - Bakrie Group -- Public company in Indonesia
Wikipedia - Bakri Wahab -- Indonesian politician
Wikipedia - Bakshi Stadium -- Stadium in India
Wikipedia - Baksi Nayak -- Indian politician
Wikipedia - Bakumatsu Gijinden Roman
Wikipedia - Bakumpai language -- Austronesian language spoken in Kalimantan, Indonesia
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Wikipedia - Bakwan -- Indonesian vegetable fritter
Wikipedia - Bala (2019 film) -- 2019 Hindi-language social problem comedy film
Wikipedia - Bala Bachchan -- Indian politician
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Wikipedia - Balaesang language -- Austronesian language spoken on Sulawesi, Indonesia
Wikipedia - Balagarh Bijoy Krishna Mahavidyalaya -- College in Jirat, West Bengal, India
Wikipedia - Balai Gadang Mungo Grand Mosque -- Mosque in Indonesia
Wikipedia - Balajied Kupar Synrem -- Indian politician
Wikipedia - Balaji Mandir, Pune -- Temple in Pashan, Pune, India
Wikipedia - Balaji Pant Natu -- Indian Nationalist
Wikipedia - Balaji Sakthivel -- Indian film director (born 1964)
Wikipedia - Balaji Telefilms -- Indian company which produces soap operas, reality TV show, comedy, game shows, entertainment and factual programming
Wikipedia - Balaji Temple San Jose -- Hindu temple
Wikipedia - Balaji Wafers -- Indian Food & products company
Wikipedia - Balaka (Bengali poetry) -- Bengali poetry book written by Rabindranath Tagore
Wikipedia - Balaknama -- Indian newspaper run by children
Wikipedia - Balakrishna Memorial Vayanasala -- Public Library in India
Wikipedia - Balakumaran -- Indian Tamil writer
Wikipedia - Balakun -- Mountain in Uttarakhand, India
Wikipedia - Bala Murali -- Indian cricket umpire
Wikipedia - Balan K. Nair -- Indian actor
Wikipedia - Balantak language -- Austronesian language spoken in Sulawesi, Indonesia
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Wikipedia - Balarama -- Hindu god and brother of Krishna
Wikipedia - Balaram Hazarika -- Indian animal tracker
Wikipedia - Balasaheb Hanumantrao Khardekar -- Indian politician
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Wikipedia - Balatkara Gana -- Ancient Jain monastic order in India
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Wikipedia - Baldeo Das Birla -- Indian businessman and philanthropist
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Wikipedia - Balekundri (K.H.) -- Village in Karnataka, India
Wikipedia - Balendu Dwivedi -- Indian writer
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Wikipedia - Bal Gangadhar Tilak -- Indian independence activist
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Wikipedia - Balichapori -- Village in Majuli district, Assam, India
Wikipedia - Bali, Indonesia
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Wikipedia - Balinese language -- Malayo-Polynesian language spoken by people on the Indonesian island of Bali
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Wikipedia - Bali -- Province of and island in Indonesia
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Wikipedia - Bal Khurd -- Village in India
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Wikipedia - Balkrishna Ramchandra Wasnik -- Indian politician
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Wikipedia - Ballaleshwar Pali -- Temple in Raigad district, in India
Wikipedia - Balla Linda -- 1968 song by Lucio Battisti
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Wikipedia - Ballia Nagar (Assembly constituency) -- Assembly constituency in Uttar Pradesh, India
Wikipedia - Ballia railway station -- Railway Station in Uttar Pradesh, India
Wikipedia - Ballia -- City in Uttar Pradesh, India
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Wikipedia - Ballindoon Friary
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Wikipedia - Ball State University -- University in Indiana, United States
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Wikipedia - Balmikism -- sect of Hinduism
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Wikipedia - Balraj Khanna -- Indian author and painter
Wikipedia - Balraj Madhok -- Indian politician
Wikipedia - Balraj Pasi -- Indian politician (born 1960)
Wikipedia - Balram Bhargava -- Indian science administrator
Wikipedia - Balram Das -- Indian politician
Wikipedia - Balrampur gang rape -- Gang rape incident in India
Wikipedia - Balram Shukla -- Indian poet and academic
Wikipedia - Balram Singh Yadav -- Indian politician from Uttar Pradesh
Wikipedia - Balsam -- The resinous exudate which forms on certain kinds of trees and shrubs
Wikipedia - Balsokra -- Village in Jharkhand, India
Wikipedia - Bal Thackeray -- Indian politician
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Wikipedia - Baluchistan (Chief Commissioner's Province) -- Province of British Empire in India
Wikipedia - Balurghat-Siliguri Intercity Express -- Train of India
Wikipedia - Bal Vidyalaya (Kota) -- Private school in Rajasthan, India
Wikipedia - Balwant Baswant Wankhade -- Indian politician
Wikipedia - Balwant Sharma -- Indian cricket umpire
Wikipedia - Balwant Singh (Punjab politician) -- Indian politician
Wikipedia - Balwinder Singh Bhunder -- Indian politician
Wikipedia - Balwinder Singh -- Indian kabaddi player
Wikipedia - Bamapada Mukherjee -- Indian politician
Wikipedia - Bamba Dhura -- Mountain in Uttarakhand, India
Wikipedia - Bambam language -- Austronesian language spoken in Sulawesi, Indonesia
Wikipedia - Bambang Brodjonegoro -- Indonesian economist and politician
Wikipedia - Bambang Dwi Hartono -- Indonesian politician
Wikipedia - Bambang Hidayat -- Indonesian scientist
Wikipedia - Bamchu -- Mountain in Uttarakhand, India
Wikipedia - Bamfaad -- Indian Hindi Language Romantic Action film
Wikipedia - Bamra railway station -- Railway station in India
Wikipedia - Bamseom Pirates -- Defunct South Korean grindcore band
Wikipedia - Bamur railway station -- Railway station in Odisha, India
Wikipedia - Banach algebra -- Particular kind of algebraic structure
Wikipedia - Banamali Maharana -- Percussionist from Odisha, India
Wikipedia - Banaras Hindu University -- University in Varanasi, Uttar Pradesh, India
Wikipedia - Banaras Locomotive Works -- Locomotive manufacturer in India
Wikipedia - Banaras railway station -- Railway Station in Uttar Pradesh, India
Wikipedia - Banarsidas Chaturvedi -- Indian Hindi-language writer
Wikipedia - Banarsi Prasad Jhunjhunwala -- Indian politician
Wikipedia - Banasthali Niwai railway station -- Railway station in Rajasthan, India
Wikipedia - Banda language (Maluku) -- Austronesian language spoken in Maluku, Indonesia
Wikipedia - Bandana Singh -- Indian politician
Wikipedia - Band and Battalion of the U.S. Indian School -- 1901 silent film
Wikipedia - Banda railway station -- Railway Station in Uttar Pradesh, India
Wikipedia - Bandar Baru -- Village in Indonesia
Wikipedia - Bandarpunch -- Mountain in Uttarakhand, India
Wikipedia - Bandaru Acchamamba -- Indian-born feminist historian
Wikipedia - Bandaru Dattatreya -- Indian politician
Wikipedia - Banda Sea Triple Junction -- Point where the boundaries of the Indo-Australian Plate, the Pacific Plate and the Eurasian Plate meet
Wikipedia - Banda, Uttar Pradesh -- City in India
Wikipedia - Banda Yeh Bindaas Hai -- Unreleased film by Ravi Chopra
Wikipedia - Bandbudh Aur Budbak -- Indian animated TV series produced by Paperboat Animation Studio
Wikipedia - Bandel cheese -- Cheese that originated in the erstwhile Portuguese colony Bandel in eastern India
Wikipedia - Bandel Thermal Power Station -- Thermal plant in India
Wikipedia - Bande Nawaz -- 14th and 15th-century Indian Sufi saint
Wikipedia - Bandhabahal -- Town in Jharsuguda, Odisha, India
Wikipedia - Bandhan Bank -- Indian private sector bank
Wikipedia - Bandhani -- Tie-dyeing technique of India
Wikipedia - Bandhu (1992 film) -- 1992 Hindi film
Wikipedia - Bandhu Mahto -- Indian politician
Wikipedia - Bandhu Tirkey -- Indian politician
Wikipedia - Bandia -- Census town in Udham Singh Nagar, Uttarakhand, India
Wikipedia - Bandi Sanjay Kumar -- Indian politician (born 1971)
Wikipedia - Bandish Bandits -- Indian Television web series
Wikipedia - Bandolier -- Pocketed belt worn to hold either individual bullets, or belts of ammunition
Wikipedia - Bandra Kurla Complex -- Business district in Mumbai, India
Wikipedia - Bandra Terminus-Bhagat Ki Kothi Express -- Train in India
Wikipedia - Bandra Terminus-Bhavnagar Terminus Express -- Train in India
Wikipedia - Bandra Terminus-Bhavnagar Terminus Weekly Superfast Express -- Indian train route
Wikipedia - Bandra Terminus-Bikaner Superfast Express -- Train in India
Wikipedia - Bandra Terminus-Dehradun Express -- Train in India
Wikipedia - Bandra Terminus-Delhi Sarai Rohilla Express -- Train in India
Wikipedia - Bandra Terminus-Gandhidham Weekly Superfast Express -- Train in India
Wikipedia - Bandra Terminus-Ghazipur City Weekly Express -- Train in India
Wikipedia - Bandra Terminus-Gorakhpur Antyodaya Express -- Indian express train route
Wikipedia - Bandra Terminus-Gorakhpur Avadh Express -- Train in India
Wikipedia - Bandra Terminus-Haridwar Express -- Train in India
Wikipedia - Bandra Terminus-Hisar Superfast Express -- Train in India
Wikipedia - Bandra Terminus-Jaipur Weekly Superfast Express -- Train in India
Wikipedia - Bandra Terminus-Jaisalmer Superfast Express -- Train in India
Wikipedia - Bandra Terminus-Jamnagar Saurashtra Janta Express -- Train in India
Wikipedia - Bandra Terminus-Lucknow Weekly Express -- Train in India
Wikipedia - Bandra Terminus-Mahuva Express -- Train in India
Wikipedia - Bandra Terminus-Mahuva Superfast Express -- Train in India
Wikipedia - Bandra Terminus-Muzaffarpur Avadh Express -- Train in India
Wikipedia - Bandra Terminus-Palitana Express -- Train in India
Wikipedia - Bandra Terminus-Patna Weekly Express -- Train in India
Wikipedia - Bandra Terminus-Ramnagar Express -- Train in India
Wikipedia - Bandra Terminus-Udaipur Express -- Train in India
Wikipedia - Bandra Terminus-Udaipur Superfast Express -- Train in India
Wikipedia - Bandra Terminus-Vapi Passenger -- Train in India
Wikipedia - Bandra Terminus-Veraval Superfast Express -- Train in India
Wikipedia - Bandra-Worli Sea Link -- Bridge connecting Bandra and Worli, Mumbai, India
Wikipedia - Bandu Bhosle -- Indian gymnast
Wikipedia - Bandung High Tech Valley -- Indonesian technology initiative
Wikipedia - Bandung railway station -- railway station in Indonesia
Wikipedia - Bandung Sea of Fire -- Burning of Bandung, Indonesia, in 1946
Wikipedia - Banerjee -- Brahmin surname from the Indian subcontinent
Wikipedia - Banff-Windermere Highway -- Mountain pass road in Alberta and British Columbia
Wikipedia - Bangabasi College -- College in Kolkata, India
Wikipedia - Bangabasi Evening College -- College in Kolkata, India
Wikipedia - Bangabasi Morning College -- Undergraduate college affiliated with the University of Calcutta, India
Wikipedia - Banga, India -- Town in Punjab, India
Wikipedia - Bangalore City-Hubli Jan Shatabdi Express -- Indian express train
Wikipedia - Bangalore City-Kannur Express -- Train in India
Wikipedia - Bangalore City-Karwar Express -- Train in India
Wikipedia - Bangalore City railway station -- Railway station in Bangalore, India
Wikipedia - Bangalore Hockey Stadium -- Field hockey stadium in Karnataka, India
Wikipedia - Bangalore Institute of Technology -- Engineering college in Bangalore, India
Wikipedia - Bangalore Latha -- Indian playback singer
Wikipedia - Bangalore Medical College and Research Institute -- Indian medical college in Bangalore, Karnataka
Wikipedia - Bangalore Nagarathnamma -- Indian singer
Wikipedia - Bangalore Open Air -- Indian music festival
Wikipedia - Bangalore Queer Film Festival -- LGBT film festival in Bangalore, India
Wikipedia - Bangalore South (Vidhana Sabha constituency) -- Vidhana Sabha constituency in Karnataka, India
Wikipedia - Bangalore -- Capital of Karnataka, India
Wikipedia - Banganga River (Jammu and Kashmir) -- River in India
Wikipedia - Bangarapet-Bangalore City Express -- Train in India
Wikipedia - Bangarra Dance Theatre -- Indigenous Australian dance company
Wikipedia - Bangaru Adigalar -- South Indian spiritual guru
Wikipedia - Banggai language -- Austronesian language spoken in Sulawesi, Indonesia
Wikipedia - Bangladesh Council of Scientific and Industrial Research -- Research Organization in Bangladesh
Wikipedia - Bangladesh Independent Garment Workers Union Federation -- National trade union federation of garment workers in Bangladesh
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Wikipedia - Bangladesh Sugar and Food Industries Corporation -- Government owned corporation in Bangladesh
Wikipedia - Bangladesh Women Chamber of Commerce and Industry -- Chamber of commerce in Bangladesh
Wikipedia - Bangriposi-Bhubaneswar Superfast Express -- Train in India
Wikipedia - Bangriposi railway station -- Railway station in Odisha, India
Wikipedia - Bangshi Badan Barman -- Indian politician
Wikipedia - Bania (caste) -- An Indian sub-caste
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Wikipedia - Banikanta Kakati -- Indian linguist and writer
Wikipedia - Banjara (film) -- 2018 Indian Punjabi-language film
Wikipedia - Banjar Agung, Tulang Bawang -- District of Indonesia
Wikipedia - Banjara -- Nomadic community from the Indian subcontinent
Wikipedia - Banjar Baru, Tulang Bawang -- District of Indonesia
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Wikipedia - Bankim Chandra Chatterjee -- Indian writer, poet and journalist from Bengal
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Wikipedia - Banking in India -- A brief account of Indian banking
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Wikipedia - Bank of Hindostan -- 18th century bank
Wikipedia - Bank of India -- Indian public sector bank
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Wikipedia - Bankura horse -- Horse made from terracotta or clay in Panchmura Village, West Bengal, India. Originally used for ritual purposes, now used for decoration.
Wikipedia - Bankura-Masagram line -- Railway line in India
Wikipedia - Bankura University -- A Public University in Bankura, West Bengal, India
Wikipedia - Bannanje Govindacharya -- Indian scholar
Wikipedia - Banner blindness -- Tendency to ignore banner-size notices
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Wikipedia - Banoo Jehangir Coyaji -- Indian physician
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Wikipedia - Bansdih (Assembly constituency) -- Assembly constituency in Uttar Pradesh, India
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Wikipedia - Banswara State -- Former kingdom in present-day India
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Wikipedia - Banyuurip, Purworejo -- District in Purworejo Regency, Central Java, Indonesia
Wikipedia - Bapatla (Assembly constituency) -- political constituency in Andhra Pradesh, India
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Wikipedia - Bapatla mandal -- administrative division of Andhra Pradesh, India
Wikipedia - Bapatla railway station -- railway station in Andhra Pradesh, India
Wikipedia - Bapatla (SC) (Lok Sabha constituency) -- political constituency in Andhra Pradesh, India
Wikipedia - Baptist Church of Mizoram -- Church in Mizoram, India
Wikipedia - Bapu Dham Superfast Express -- Train in India
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Wikipedia - Bapulal Malviya -- Indian politician
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Wikipedia - Bara culture -- A culture of the Indus Valley Civilization
Wikipedia - Baradwaj Rangan -- Indian film critic and journalist
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Wikipedia - Baratang Island -- Indian island of the Andaman chain
Wikipedia - Barauni-Gondia Express -- Train in India
Wikipedia - Barauni-Guwahati line -- Railway section in India
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Wikipedia - Bareilly International University -- University in Bareilly, Uttar Pradesh, India
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Wikipedia - Barindra Kumar Ghosh
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Wikipedia - Barjinder Singh Hamdard
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Wikipedia - Caboclo -- Person of mixed Indigenous Brazilian and European ancestry
Wikipedia - Cacaopera people -- Central American indigenous group
Wikipedia - CAC Small -- French small-cap stock market index, part of the CAC All-Tradable composite index.
Wikipedia - Cadambathur Tiruvenkatacharlu Rajagopal -- Indian mathematician
Wikipedia - Cadila Healthcare -- Indian multinational pharmaceutical company
Wikipedia - Caguana Ceremonial Ball Courts Site -- Indigenous historic site in Utuado, Puerto Rico
Wikipedia - Cahill Gordon & Reindel -- Law firm
Wikipedia - Caimpiyarganj (Assembly constituency) -- Assembly constituency in Uttar Pradesh, India
Wikipedia - Ca (Indic) -- Sixth consonant in many Brahmi-derived abugidas
Wikipedia - Cairo Stadium Indoor Halls Complex -- Sports venue
Wikipedia - Cairo Trindade -- Brazilian writer (b. 1946)
Wikipedia - Cakung railway station -- railway station in Indonesia
Wikipedia - Caladium lindenii -- Species of plant
Wikipedia - Calallen Independent School District -- School district in Corpus Christi, Texas, United States
Wikipedia - Calcium-induced calcium release -- A biological process
Wikipedia - Calcium sulfate -- Laboratory and industrial chemical
Wikipedia - Calculated Industries
Wikipedia - Calculation in kind
Wikipedia - Calculator (Windows)
Wikipedia - Calcutta Club -- Social club in Kolkata, India
Wikipedia - Calcutta flag -- Unofficial flags of India
Wikipedia - Calcutta Girls' College -- Women's undergraduate college in Kolkata, India
Wikipedia - Calcutta, India
Wikipedia - Calcutta Jain Temple -- Jain temple in Kolkata, India
Wikipedia - Calcutta School of Tropical Medicine -- Medical Research Institution located in Kolkata, India
Wikipedia - Caldwell & Drake -- Indiana construction company
Wikipedia - Calendar (Windows)
Wikipedia - Calicut International Airport -- Airport in Karipur, Malappuram, Kerala, India
Wikipedia - California dairy industry -- Overview of the milk producing industry in California
Wikipedia - California Exposition -- Independent state agency in California
Wikipedia - California fuchsia -- Plant set index article
Wikipedia - California Independent System Operator -- Oversees the operation of the U.S. state's electric power grid
Wikipedia - California mission clash of cultures -- Consequences of Spanish occupation to the indigenous cultures and populations
Wikipedia - Caligula lindia -- Species of moth
Wikipedia - Calintaan -- Municipality of the Philippines in the province of Occidental Mindoro
Wikipedia - Callao affair -- Series of naval incidents between Spain and the U.S. during the Peruvian War of Independence
Wikipedia - Calophyllum austroindicum -- Species of plant of the family Calophyllaceae
Wikipedia - Camac Street -- Road in Kolkata, India
Wikipedia - Camara Nacional de la Industria de Radio y Television -- Mexican broadcasters' association
Wikipedia - Cambria and Indiana Railroad -- American transport company
Wikipedia - Cambria Press -- Independent academic publisher based in Amherst, New York
Wikipedia - Cambridge Museum of Technology -- Industrial heritage museum in Cambridge, England
Wikipedia - Cambridge Rindge and Latin School
Wikipedia - Camelia Malik -- Indonesian singer and actress (born 1955)
Wikipedia - Came -- Stained glass window divider
Wikipedia - Camilla Lindberg -- Swedish politician
Wikipedia - Camille Gutt -- Economist, industrialist, politician (1884-1971)
Wikipedia - Camille Rewinds -- 2012 film
Wikipedia - Campal Indoor Complex -- Multi-purpose stadium in Goa, India
Wikipedia - Campbell Adamson -- Scottish industralist
Wikipedia - Campbell Bay National Park -- On Great Nicobar, India
Wikipedia - Campbell Foster -- West Indian cricket umpire
Wikipedia - Campion Anglo-Indian Higher Secondary School
Wikipedia - Camp Morton -- Civil War training area in Indianapolis, IN, US
Wikipedia - C&NC Railroad -- Short-line railroad in Indiana, United States
Wikipedia - Camponotus indeflexus -- Species of ant
Wikipedia - Campus violence in India -- Violence at universities and colleges in India
Wikipedia - Camstrap -- Webbing strap and cam action buckle used to secure a diving cylinder to a buoyancy compensator or backplate
Wikipedia - Canadian Aboriginal syllabics -- Writing systems for indigenous North American languages created in 1840 CE
Wikipedia - Canadian English Language Proficiency Index Program -- English language assessment tool
Wikipedia - Canadian Indian residential school system -- Schools established to assimilate Indigenous children into Canadian culture.
Wikipedia - Canadian Network Operators Consortium -- Independent telecommunications providers lobby group
Wikipedia - Canadian Recording Industry Association
Wikipedia - Canadians in India -- Ethnic group in India
Wikipedia - Canadian Wood Council -- Canadian trade organization for wood products industry
Wikipedia - Canara Bank -- Indian public sector bank
Wikipedia - Canary Current -- A wind-driven surface current that is part of the North Atlantic Gyre
Wikipedia - Canary Islanders -- Ethnic group indigenous to the Canary Islands
Wikipedia - Cancel character -- Either of two control codes used to delete or rescind preceding data or characters
Wikipedia - Cancer Hospital & Research Centre, Gwalior -- Hospital in India
Wikipedia - Candere -- Indian jewelry company
Wikipedia - Candi bentar -- Type of gate in Indonesian architecture
Wikipedia - Candid Records -- British independent music label
Wikipedia - Candi of Indonesia
Wikipedia - Candle in the Wind 1997
Wikipedia - Candra Naya -- Historic building in Jakarta, Indonesia
Wikipedia - CandyFlip -- Indian psychedelic thriller film
Wikipedia - Cane cholla -- Cactus set index
Wikipedia - Caner Cindoruk -- Turkish actor
Wikipedia - Canindea -- Genus of beetles
Wikipedia - Canine Companions for Independence -- Assistance dog training organization
Wikipedia - Cannabis industry -- Legal cultivators, producers, consumers, and associated services
Wikipedia - Cannabis in Indonesia -- Use of cannabis in Indonesia
Wikipedia - Cannelloni -- Cylindrical pasta baked with a filling and covered by a sauce
Wikipedia - Cannibalism -- Consuming another individual of the same species as food
Wikipedia - Canning railway station (India) -- Railway Station in West Bengal, India
Wikipedia - Can't Find My Way Home -- 1969 song by Blind Faith
Wikipedia - Canton Independent School District -- Public school district in Canton, Texas
Wikipedia - Capacity building -- Process by which individuals and organizations obtain, improve, and retain the skills and knowledge needed to do their jobs competently
Wikipedia - Cap binding complex -- Formation on 5' ends of mRNAs
Wikipedia - Cape Doctor -- South-easterly wind in Western Cape, South Africa
Wikipedia - Caper Clowns -- Danish indie pop band
Wikipedia - Cape Verde-India relations -- Diplomatic relations between the Republic of India and the Republic of Cabo Verde
Wikipedia - CAPEX (cooperative) -- Kerala organization promoting cashew industry
Wikipedia - Capgras delusion -- Psychiatric disorder involving belief that a close individual has been replaced by an identical imposter
Wikipedia - Capital Center South Tower -- High-rise office building in Indianapolis, Indiana, United States
Wikipedia - Capital Express (India) -- Train in India
Wikipedia - Capital First Ltd. -- Indian financial institution
Wikipedia - Capital gains tax in the United Kingdom -- UK tax on the gains on capital assets by British individuals
Wikipedia - Capital Index -- International financial brokerage service offering online trading in contracts for difference and spread betting
Wikipedia - Capitalization-weighted index -- Stock market index whose components are weighted by total market value
Wikipedia - Capital markets index -- Investment tool
Wikipedia - Capitan Petchyindee Academy -- Thai Muay Thai fighter
Wikipedia - Capo dei capi -- Phrase used to indicate extremely powerful Mafia boss
Wikipedia - Capricorn Plate -- Proposed minor tectonic plate under the Indian Ocean
Wikipedia - Capricorn Ridge Wind Farm -- Wind farm in Texas, USA
Wikipedia - Capstan equation -- Relates the hold-force to the load-force if a flexible line is wound around a cylinder
Wikipedia - Captain Abhimanyu -- Indian politician
Wikipedia - Captaincy of the Malindi coast -- Captaincy in the Portuguese Period in East Africa
Wikipedia - Captain House -- Indian television series
Wikipedia - Captain of industry
Wikipedia - Captain TV -- Indian Tamil-language television channel
Wikipedia - Captive Hearts, Captive Minds -- 1994 anti-cult book
Wikipedia - Captivity of Mangalorean Catholics at Seringapatam -- Imprisonment of Mangalorean Catholics in southwest India (1784-1799)
Wikipedia - Capture of Berwick (1296) -- Battle of the First War of Scottish Independence
Wikipedia - Capture of Ceylon Medal -- East India Company medal for 1795 invasion of Ceylon
Wikipedia - Capture of Valdivia -- 1820 battle in the Chilean War of Independence
Wikipedia - CaratLane -- Indian jewelry company
Wikipedia - Carbon footprint -- Total set of greenhouse gas emissions caused by an individual, event, organisation, or product, expressed as carbon dioxide equivalent
Wikipedia - Carbon nanotube -- Allotropes of carbon with a cylindrical nanostructure
Wikipedia - Cardinal mark -- Sea mark indicating where safe water is near to a hazard
Wikipedia - Cardinal voting -- Electoral system which allows the voter to give each candidate an independent rating or grade
Wikipedia - Career -- An individual's journey through learning, work, and other aspects of life
Wikipedia - Carey Hamilton -- American politician from Indiana
Wikipedia - Cargo (2019 film) -- 2019 Indian science fiction film
Wikipedia - Carian language -- Language of the Luwian subgroup of the Anatolian branch of the Indo-European language family
Wikipedia - Caribbean Hindustani -- Form of the Bhojpuri and Awadhi dialects of Hindustani
Wikipedia - Carioca Arena 3 -- Indoor stadium in Barra da Tijuca in the west zone of Rio de Janeiro
Wikipedia - Carl Barcklind -- Swedish actor
Wikipedia - Carl Binder -- Canadian television writer and producer
Wikipedia - Carl Christian Reindorf -- Ghanaian pastor and historian
Wikipedia - Carl Degenkolb -- German industrialist
Wikipedia - Carl-Gustaf Lindstedt -- Swedish actor
Wikipedia - Carl Gustaf Lindstrom -- Swedish opera singer
Wikipedia - Carl Hindenburg -- German mathematician
Wikipedia - Carl Linder -- American athlete
Wikipedia - Carl Lindquist (judge) -- American Chief Justice
Wikipedia - Carl Lindstrom Company -- German record company founded by Swedish industrialist Carl Lindstrom
Wikipedia - Carl L. Linde -- German-born American architect
Wikipedia - Carl Oscar Hovind -- Norwegian chess player
Wikipedia - Carlos Espinola (sailor) -- Argentine windsurfer and politician
Wikipedia - Carlos G. Valles -- Spanish-Indian Jesuit priest and author
Wikipedia - Carlos Iniesta -- Spanish windsurfer
Wikipedia - Carlos Julio Flores -- Venezuelan windsurfer
Wikipedia - Carlos Velez Rieckehoff -- Puerto Rican politician and independence advocate
Wikipedia - Carlsberg Ridge -- The northern section of the Central Indian Ridge between the African Plate and the Indo-Australian Plate
Wikipedia - Carl Schindler -- Austrian painter
Wikipedia - Carlton John -- West Indian cricket umpire
Wikipedia - Carmel Clay Public Library -- Public library in Carmel, Indiana
Wikipedia - Carmel College, Mala -- College in Kerala, India
Wikipedia - Carmel Convent School -- Group of Catholic schools in India
Wikipedia - Carmel Monon Depot -- Historic train station at Carmel, Hamilton County, Indiana, United States
Wikipedia - Carnatic music -- Music genre originating in southern India
Wikipedia - Carolco Pictures -- Defunct independent film production company
Wikipedia - Carol Couchie -- Indigenous midwife and advocate
Wikipedia - Caroline Gotzens -- German-Swiss industrial heiress
Wikipedia - Caroline Haslett -- British electrical engineer and electricity industry administrator, editor
Wikipedia - Caroll-Ann Alie -- Canadian windsurfer
Wikipedia - Carowinds -- Amusement park in North and South Carolina
Wikipedia - Carriage Repair Workshop, Harnaut -- Indian rail repair facility
Wikipedia - Carried by the Wind: Tsukikage Ran -- Television series
Wikipedia - Carrying capacity -- The maximum population size of the species that the environment can support indefinitely
Wikipedia - Carry On Behind -- 1975 film by Gerald Thomas
Wikipedia - Car Seat Headrest -- American indie rock band
Wikipedia - Carstairs index -- Epidemiological index
Wikipedia - Cartagena de Indias
Wikipedia - Carter Page -- American oil industry consultant
Wikipedia - Cartier Wind Energy -- Wind farm operator in Quebec
Wikipedia - Cartoon Network (Indian TV channel) -- Indian television channel
Wikipedia - Caruban railway station -- railway station in Indonesia
Wikipedia - Casa Sindical -- Building in Madrid, Spain
Wikipedia - Cascadia (independence movement) -- Bioregion, proposed country in North America
Wikipedia - Case citation -- A system for uniquely identifying individual rulings of a court
Wikipedia - Case Jaundice -- Indian web series
Wikipedia - Cashbox (magazine) -- Music industry trade magazine
Wikipedia - Casimiro Berenguer -- Puerto Rican independence advocate
Wikipedia - Casper Bouman -- Dutch windsurfer
Wikipedia - Castella de Aguada -- Historic fort in India
Wikipedia - Castes in India: Their Mechanism, Genesis and Development
Wikipedia - Caste system in Goa -- Hindu and Christian caste system in the Indian state of Goa
Wikipedia - Caste system in India -- Caste system in India
Wikipedia - Castizo -- Mixed-race individuals in the Spanish Empire
Wikipedia - Cast Your Fate to the Wind -- 1962 song by Vince Guaraldi and Carel Werber
Wikipedia - Catalan declaration of independence -- Internationally unrecognised October 2017 announcement by which the Parliament of Catalonia unilaterally declared the independence of Catalonia from Spain
Wikipedia - Catalina Walther -- Argentine windsurfer
Wikipedia - Catalogue of Life -- Online database and index of taxa
Wikipedia - Catalogue of life -- Online database and index of taxa
Wikipedia - Catalogues of classical compositions -- Indexing methodologies for classical music
Wikipedia - Catawba Indian Nation
Wikipedia - Catbird Records -- American independent record label
Wikipedia - Catch the Wind (2017 film) -- 2017 film
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Wikipedia - Commando (film series) -- Indian Hindi language film series
Wikipedia - Commercial diver training -- Processes by which people develop the skills and knowledge to dive safely for industrial applications
Wikipedia - Commercial diving -- Professional diving on industrial projects
Wikipedia - Commercial offshore diving -- Professional diving in support of the oil and gas industry
Wikipedia - Commercial Spaceflight Federation -- Private spaceflight industry group
Wikipedia - Commission (document) -- Document appointing an individual as an officer, used by the government, military and organizations
Wikipedia - Commissioner for the British Indian Ocean Territory -- Head of government in the United Kingdom's overseas territory of the British Indian Ocean Territory
Wikipedia - Commissioner Karachi -- Position in the Government of Sindh
Wikipedia - Commissioner -- Title given to a member of a commission or to an individual who has been given a commission
Wikipedia - Commission of Railway Safety -- Government commission of India
Wikipedia - Commissions for Protection of Child Rights Act, 2005 -- Act of the Parliament of India
Wikipedia - CommitMental -- Indian web series
Wikipedia - Committee on Public Information -- Former independent agency of the government of the United States
Wikipedia - Commodity chemicals -- Group of industrial chemical compounds
Wikipedia - Common Admission Test -- Computer based test held in India
Wikipedia - Common Industrial Protocol -- Protocol for industrial automation applications
Wikipedia - Commonwealth of Independent States -- Regional intergovernmental organization of post-Soviet republics
Wikipedia - Commonwealth Scientific and Industrial Research Organisation
Wikipedia - Communes of the Indre-et-Loire department -- Wikimedia list article
Wikipedia - Communications in Indonesia -- Overview of telecommunications in Indonesia
Wikipedia - Communion under both kinds -- In Christianity, reception of both the consecrated bread and wine of the Eucharist
Wikipedia - Communist League of Indochina -- Political party in Southeast Asia
Wikipedia - Communist Party of India (Maoist) -- Illegal Maoist political party and militant group in India
Wikipedia - Communist Party of India (Marxist) -- Political party in India
Wikipedia - Communist Party of India -- Political party in India
Wikipedia - Communist Party of Indochina -- Political party in Southeast Asia
Wikipedia - Communist Party of Indonesia -- Former political party in Indonesia
Wikipedia - Community development blocks in India -- Rural area earmarked for administration and development in India
Wikipedia - Community Development Exchange -- Non-profit organization for individuals, organisations and networks involve in communities and/or community develpement
Wikipedia - Comoros -- Federal republic in the Indian Ocean
Wikipedia - Company rule in India -- Rule or dominion of the British East India Company on the Indian subcontinent
Wikipedia - Company -- Association or collection of individuals
Wikipedia - Comparative Tracking Index
Wikipedia - Comparison of acceptance of Buddhism in India and China -- Comparison of reception and integration of Buddhism in India and later in China
Wikipedia - Comparison of Indonesian and Standard Malay -- Linguistic comparison
Wikipedia - Comparison of X window managers
Wikipedia - Comparison of X Window System desktop environments -- Wikimedia list article
Wikipedia - Compiz -- Compositing window manager for the X Window System
Wikipedia - Complexometric indicator -- Chemical detector for metal ions in complexometric titrations
Wikipedia - Composite nationalism -- A concept arguing that the Indian nation is made of up people of diverse cultures, castes, communities, and faiths
Wikipedia - Compositing window manager
Wikipedia - Compressed Gas Association -- American trade association for industrial and medical gas industries
Wikipedia - Compressor diving -- Crude surface-supplied diving using unregulated air through plastic hoses from an industrial low-pressure air compressor
Wikipedia - Compton Vyfhuis -- West Indian cricket umpire
Wikipedia - Comptroller and Auditor General of India -- Comptroller and auditor general of India
Wikipedia - Computationally indistinguishable
Wikipedia - Computational-representational understanding of mind
Wikipedia - Computational theory of mind
Wikipedia - Computer-aided industrial design
Wikipedia - Computer Baba -- Indian ascetic and environmentalist
Wikipedia - Computer form factor -- Indication of size and mounting options of a computer or its components
Wikipedia - Computer industry
Wikipedia - Computer Society of India
Wikipedia - Conan the Indomitable -- Book by Steve Perry
Wikipedia - Conasprella lindapowersae -- Species of mollusc
Wikipedia - Concanavalin A -- A lectin (carbohydrate-binding protein) originally extracted from the jack-bean,
Wikipedia - Concentration of media ownership -- A process whereby progressively fewer individuals or organizations control increasing shares of the mass media
Wikipedia - Concepcion Ramirez -- Guatemalan indigenous woman
Wikipedia - Concert for Linda -- 1999 beneift concert by Paul McCartney
Wikipedia - Concerto for Constantine -- Irish indie rock band
Wikipedia - Conchita Caroline -- Indonesian actress and TV presenter
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Wikipedia - Concordia, Ede -- Dutch windmill
Wikipedia - Concrete grinder -- Machine for polishing or grinding hardened concrete
Wikipedia - Conditional independence
Wikipedia - Conductor gallop -- High-amplitude, low-frequency oscillation of overhead power lines due to wind
Wikipedia - Confederated Tribes of Coos, Lower Umpqua and Siuslaw Indians
Wikipedia - Confederated Tribes of Siletz Indians -- Confederation of Native American tribal bands
Wikipedia - Confederate Soldiers and Sailors Monument (Indianapolis) -- Monument to the Confederate POWs in Indianapolis
Wikipedia - Confederation Liberty and Independence -- Polish political party
Wikipedia - Confederation of European Paper Industries -- Pan-European association
Wikipedia - Confederation of Forest Industries
Wikipedia - Confederation of Indian Industry -- Industry association in India
Wikipedia - Conference Board Leading Economic Index -- Index intended to forecast economic activity
Wikipedia - Confessions of a Dangerous Mind (film) -- 2002 film directed by George Clooney
Wikipedia - Confessions of a Dangerous Mind (song) -- Single by American rapper Logic
Wikipedia - Confessions of a Window Cleaner -- 1974 film by Val Guest
Wikipedia - Confucianism in Indonesia
Wikipedia - Confusion -- State of being bewildered or unclear in oneM-bM-^@M-^Ys mind about something
Wikipedia - Conglomerate (company) -- Large company involved in many industries
Wikipedia - Congregation for Indulgences and Sacred Relics
Wikipedia - Congregation of the Index
Wikipedia - Congregation of Windesheim
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Wikipedia - Congress Party for the Independence of Madagascar -- Political party in Madagascar
Wikipedia - Congress Working Committee -- Executive committee of the Indian National Congress
Wikipedia - Connally Independent School District -- Public schooling administrative division of Texas, U.S.
Wikipedia - Connect2India -- Indian international trading platform
Wikipedia - Connection (film) -- 2017 Indian film in Konkani
Wikipedia - Conn Findlay -- American rower and sailor
Wikipedia - Connie M. Borror -- American statistician and industrial engineer
Wikipedia - Connor Freff Cochran -- American author and illustrator, computer and music industry journalist, publisher, producer, and business manager
Wikipedia - Conrad Baker -- American lawyer and politician from Indiana
Wikipedia - Conrad Sangma -- Indian politician
Wikipedia - Conrad Shindler -- American golfer
Wikipedia - Conservation status -- Indication of the chance of a species' extinction, regardless of authority used
Wikipedia - Conservatism in India
Wikipedia - Consilience -- The principle that evidence from independent, unrelated sources can "converge" on strong conclusions
Wikipedia - Console window
Wikipedia - Consolidated Building (Indianapolis) -- Office building in Indianapolis, IN, USA
Wikipedia - Constantino Saragoza -- Dutch Antillean windsurfer
Wikipedia - Constant of integration -- Constant expressing ambiguity from indefinite integrals
Wikipedia - Constituency PSW-132 -- Legislative district in Sindh, Pakistan
Wikipedia - Constituency PSW-140 -- Constituency in the Provincial Assembly of Sindh
Wikipedia - Constituent Assembly of India -- Unicameral assembly for making the Constitution of India
Wikipedia - Constitutional body (India) -- Body or institute established by the Constitution of India
Wikipedia - Constitution Day (India) -- Day celebrating the adoption of the Constitution of India
Wikipedia - Constitution of India -- Supreme law of India
Wikipedia - Constraint-induced movement therapy -- Rehabilitation program for cases of CNS damage
Wikipedia - Constructed script -- New writing system specifically created by an individual or group, rather than having evolved as part of a language or culture like a natural script
Wikipedia - Constructed wetland -- An artificial wetland to treat municipal or industrial wastewater, greywater or stormwater runoff
Wikipedia - Constructing Post-Colonial India -- Book by Sanjay Srivastava
Wikipedia - Construction industry of India
Wikipedia - Construction industry of Iran
Wikipedia - Construction industry of Japan
Wikipedia - Construction industry of Romania
Wikipedia - Construction industry of the United Kingdom
Wikipedia - Construction industry
Wikipedia - Consumer behaviour -- The study of individuals, groups, or organizations and all the activities associated with consuming
Wikipedia - Consumer price index -- Statistic to indicate the change in typical household expenditure
Wikipedia - Container Corporation of India -- Indian public sector container transport company
Wikipedia - Contax II -- 35 mm rangefinder camera
Wikipedia - Continental AG -- German multinational company in the automotive component supplier industry
Wikipedia - Continental IO-346 -- Fuel-injected four-cylinder aircraft engine
Wikipedia - Contract -- Legally binding document establishing rights and duties between parties
Wikipedia - Contrail -- Long, thin artificial clouds that sometimes form behind aircraft
Wikipedia - Contraindicated
Wikipedia - Contraindication
Wikipedia - Controlling the Famous -- A Los Angeles, California-based indie rock band
Wikipedia - Control Panel (Windows)
Wikipedia - Conus cylindraceus -- Species of sea snail
Wikipedia - Conus indomaris -- Species of sea snail
Wikipedia - Conus lindae -- Species of sea snail
Wikipedia - Conus rosalindensis -- Species of sea snail
Wikipedia - Convergent evolution -- Independent evolution of similar features in species of different lineages which creates analogous structures
Wikipedia - Convicted Woman -- 1940 film by Nick Grinde
Wikipedia - Convolutindole A
Wikipedia - Convolvulus -- Genus of flowering plants in the bindweed family Convolvulaceae
Wikipedia - Cooch Behar (Lok Sabha constituency) -- Lok Sabha Constituency in West Bengal, India
Wikipedia - Cooch Behar State -- Former kingdom located south of Bhutan, now in West Bengal, India
Wikipedia - Cook Partisan Voting Index -- Political statistical index
Wikipedia - Coolie No. 1 (1995 film) -- 1995 Indian comedy film by David Dhawan
Wikipedia - Coolie No. 1 (2019 film) -- 2019 Indian Bhojpuri language film
Wikipedia - Coolie No. 1 (2020 film) -- 2020 Indian comedy film by David Dhawan
Wikipedia - Coolitude -- Term for cultural interaction of the Indian or Chinese "coolie" diaspora
Wikipedia - Cool Suresh -- Indian actor
Wikipedia - Coomera Indoor Sports Centre -- Arena in Gold Coast, Queensland, Australia
Wikipedia - Cooney Sisters -- Three Irish sisters involved in the War of Independence and the Easter Rising
Wikipedia - Co-op Place -- Multi-use indoor arena in Medicine Hat, Alberta
Wikipedia - Coordinadora Arauco-Malleco -- Indigenist organization
Wikipedia - Coordinating Ministry for Maritime and Investments Affairs (Indonesia) -- Indonesian government ministry
Wikipedia - Coordinating Ministry for Political, Legal, and Security Affairs (Indonesia) -- Indonesian government ministry
Wikipedia - Coorg Medal -- East India medal for loyal Coorgs during 1837 Coorg rebellion
Wikipedia - Coorg Province -- Province of British India
Wikipedia - Cophasing -- segmented mirror/telescope-related individual segment-controlling process in astronomy
Wikipedia - Copper Box Arena -- Indoor sporting arena located in United Kingdom
Wikipedia - Copper indium gallium selenide
Wikipedia - Copts -- An ethnoreligious group indigenous to North Africa
Wikipedia - Coquille Indian Tribe
Wikipedia - Cora Barbara Hennel -- Indiana mathematician
Wikipedia - Coral Triangle -- A roughly triangular area of the tropical marine waters of Indonesia, Malaysia, Papua New Guinea, Philippines, Solomon Islands and Timor-Leste
Wikipedia - Cor anglais -- Woodwind musical instrument
Wikipedia - Core competency -- Management concept of identifying the basis of competitiveness in an industry
Wikipedia - Core drill -- Drill specifically designed to remove a cylinder of material
Wikipedia - Core Education & Technologies -- Indian education company
Wikipedia - Corinda State High School -- High school in Corinda, Australia
Wikipedia - Coriolis-Stokes force -- A forcing of the mean flow in a rotating fluid due to interaction of the Coriolis effect and wave-induced Stokes drift
Wikipedia - Cornershop -- British indie rock band
Wikipedia - Cornish Griffin Round Barn -- Historic building in Indiana, US
Wikipedia - Coromandel International -- Indian agricultural products company
Wikipedia - Corona Rintawan -- Indonesian emergency medicine physician
Wikipedia - Coroner -- Government official who confirms and certifies the death of an individual
Wikipedia - Corporal Nym -- character in The Merry Wives of Windsor and Henry V
Wikipedia - Corporation Bank -- Indian public-sector banking company
Wikipedia - Corrhenispia cylindrica -- Genus of beetles
Wikipedia - Corruption in India -- Institutional corruption in the country
Wikipedia - Corruption in Indonesia -- Institutional corruption in the country
Wikipedia - Corruption Perceptions Index -- Wikimedia list article
Wikipedia - Cort van der Linden cabinet -- Cabinet of Netherlands 1913 -1918
Wikipedia - Cosmas Batubara -- Indonesian politician
Wikipedia - Cosmas Indicopleustes -- 6th-century Greek traveller and merchant
Wikipedia - Cosmas Michael Angkur -- 20th and 21st-century Indonesian Catholic bishop
Wikipedia - Cosmetic industry -- Industry that manufactures and distributes cosmetic products
Wikipedia - Cosmic Consciousness: A Study in the Evolution of the Human Mind
Wikipedia - Cosmopterix anadoxa -- Species of moth from India
Wikipedia - Cosmopterix ancalodes -- Species of moth from India
Wikipedia - Cosmopterix asiatica -- Species of moth from India
Wikipedia - Costoanachis indistincta -- Species of sea snail
Wikipedia - Cotai Arena -- An indoor arena, located in Macao
Wikipedia - Cotton industry
Wikipedia - Cotton University -- University in Guwahati, India
Wikipedia - Council for Scientific and Industrial Research -- South Africa's central and premier scientific research and development organisation
Wikipedia - Council of Independent Colleges
Wikipedia - Council of Indigenous Peoples -- ministry-level body of the Taiwanese government
Wikipedia - Council of Schools and Services for the Blind -- Consortium of specialized schools in Canada and the United States
Wikipedia - Council of Scientific and Industrial Research
Wikipedia - Council of the Indies
Wikipedia - Countdown -- Decreasing count indicating the time (typically in seconds) remaining before an event is scheduled to occur
Wikipedia - Counterprogramming (film distribution) -- Film indutstry marketing strategy
Wikipedia - Counting -- Finding the number of elements of a finite set
Wikipedia - CountryMinded -- Australian political party
Wikipedia - Country Music Association -- US music industry organization
Wikipedia - Countrywide Legal Indemnities -- Title insurance company based in Norwich, England
Wikipedia - County borough -- Borough or city independent of county council control
Wikipedia - County of Oneida v. Oneida Indian Nation of New York State
Wikipedia - Coureur des bois -- French-Canadian independent fur traders
Wikipedia - Course deviation indicator
Wikipedia - Court cases related to reservation in India -- List of reservation court cases in India
Wikipedia - Court Martial (2020 film) -- 2020 Indian television drama film directed by Sourabh Srivastava
Wikipedia - Courtney Terrell -- British Indian judge
Wikipedia - Courts of Judicial Magistrate of First Class -- Judicial structure in India
Wikipedia - Courts of Judicial Magistrate of Second Class -- Judicial structure in India
Wikipedia - Cove lighting -- Form of indirect lighting
Wikipedia - Covenant Christian High School (Indianapolis) -- Private Christian high school in Indianapolis, founded in 1996
Wikipedia - Covenant marriage -- A legally distinct kind of marriage in three states of the United States
Wikipedia - Coveris -- American industrial company
Wikipedia - COVID-19 lockdown in India -- Details of ongoing lockdown in India
Wikipedia - COVID-19 pandemic in Andhra Pradesh -- Ongoing COVID-19 viral pandemic in Andhra Pradesh, India
Wikipedia - COVID-19 pandemic in Arunachal Pradesh -- Ongoing COVID-19 viral pandemic in Arunachal Pradesh, India
Wikipedia - COVID-19 pandemic in Assam -- Ongoing COVID-19 viral pandemic in Assam, India
Wikipedia - COVID-19 pandemic in Bihar -- Ongoing COVID-19 viral pandemic in Bihar, India
Wikipedia - COVID-19 pandemic in Chandigarh -- Ongoing COVID-19 viral pandemic in Chandigarh, India
Wikipedia - COVID-19 pandemic in Chhattisgarh -- Ongoing COVID-19 viral pandemic in Chhattisgarh, India
Wikipedia - COVID-19 pandemic in Dadra and Nagar Haveli and Daman and Diu -- Ongoing COVID-19 viral pandemic in Dadra and Nagar Haveli and Daman and Diu, India
Wikipedia - COVID-19 pandemic in Delhi -- Ongoing COVID-19 viral pandemic in Delhi, India
Wikipedia - COVID-19 pandemic in Goa -- Ongoing COVID-19 viral pandemic in Goa, India
Wikipedia - COVID-19 pandemic in Gujarat -- Ongoing COVID-19 viral pandemic in Gujarat, India
Wikipedia - COVID-19 pandemic in Haryana -- Ongoing COVID-19 viral pandemic in Haryana, India
Wikipedia - COVID-19 pandemic in Himachal Pradesh -- Ongoing COVID-19 viral pandemic in Himachal Pradesh, India
Wikipedia - COVID-19 pandemic in Indiana -- Ongoing COVID-19 viral pandemic in Indiana, United States
Wikipedia - COVID-19 pandemic in India -- Ongoing COVID-19 viral pandemic in India
Wikipedia - COVID-19 pandemic in Indonesia -- Ongoing COVID-19 viral pandemic in Indonesia
Wikipedia - COVID-19 pandemic in Jammu and Kashmir -- Ongoing COVID-19 viral pandemic in Jammu & Kashmir, India
Wikipedia - COVID-19 pandemic in Jharkhand -- Ongoing COVID-19 viral pandemic in Jharkhand, India
Wikipedia - COVID-19 pandemic in Karnataka -- Ongoing COVID-19 viral pandemic in Karnataka, India
Wikipedia - COVID-19 pandemic in Ladakh -- Ongoing COVID-19 viral pandemic in Ladakh, India
Wikipedia - COVID-19 pandemic in Madhya Pradesh -- Ongoing COVID-19 viral pandemic in Madhya Pradesh, India
Wikipedia - COVID-19 pandemic in Maharashtra -- Ongoing COVID-19 viral pandemic in Maharashtra, India
Wikipedia - COVID-19 pandemic in Manipur -- Ongoing COVID-19 viral pandemic in Manipur, India
Wikipedia - COVID-19 pandemic in Meghalaya -- Ongoing COVID-19 viral pandemic in Meghalaya, India
Wikipedia - COVID-19 pandemic in Mizoram -- Ongoing COVID-19 viral pandemic in Mizoram, India
Wikipedia - COVID-19 pandemic in Northern Mindanao -- Ongoing COVID-19 viral pandemic in Northern Mindanao, the Philippines
Wikipedia - COVID-19 pandemic in Odisha -- Ongoing COVID-19 viral pandemic in Odisha, India
Wikipedia - COVID-19 pandemic in Puducherry -- Ongoing COVID-19 viral pandemic in Puducherry, India
Wikipedia - COVID-19 pandemic in Punjab, India -- Ongoing COVID-19 viral pandemic in Punjab, India
Wikipedia - COVID-19 pandemic in Rajasthan -- Ongoing COVID-19 viral pandemic in Rajasthan, India
Wikipedia - COVID-19 pandemic in Sikkim -- Ongoing COVID-19 viral pandemic in Sikkim, India
Wikipedia - COVID-19 pandemic in Telangana -- Ongoing COVID-19 viral pandemic in Telangana, India
Wikipedia - COVID-19 pandemic in the Andaman and Nicobar Islands -- Ongoing COVID-19 viral pandemic in the Andaman and Nicobar Islands, India
Wikipedia - COVID-19 pandemic in Tripura -- Ongoing COVID-19 viral pandemic in Tripura, India
Wikipedia - COVID-19 pandemic in Uttarakhand -- Ongoing COVID-19 viral pandemic in Uttarakhand, India
Wikipedia - COVID-19 pandemic in Uttar Pradesh -- Ongoing COVID-19 viral pandemic in Uttar Pradesh, India
Wikipedia - COVID-19 pandemic in West Bengal -- Ongoing COVID-19 viral pandemic in West Bengal, India
Wikipedia - COVID-19 vaccination in India
Wikipedia - Cowaszee Nanabhoy Davar -- Indian businessman known for his pioneering efforts laying the foundation of the cotton industry in India.
Wikipedia - Cow Creek Band of Umpqua Tribe of Indians
Wikipedia - Cow vigilante violence in India -- Mob attacks in the name of cow protection
Wikipedia - Coyote Valley Band of Pomo Indians
Wikipedia - CPC Cine Awards -- Malayalam film industry annual awards
Wikipedia - C. P. Krishnan Nair -- Indian businessman (1922-2014)
Wikipedia - C. P. Ramaswami Iyer -- Indian politician
Wikipedia - C. P. Sadashivaiah -- Indian freedom fighter
Wikipedia - C. P. Sinha -- Indian politician
Wikipedia - C. P. Thakur -- Indian politician
Wikipedia - C. P. Thirunavukkarasu -- Indian politician
Wikipedia - Crackdown (web series) -- 2020 Indian Action Thriller series
Wikipedia - Crack Fighter -- 2019 Indian Bhojpuri language action romance drama film
Wikipedia - Cradleboard -- Indigenous baby carrier
Wikipedia - Cradle of Humankind -- Paleoanthropological site near Johannesburg, South Africa
Wikipedia - Craig retroazimuthal projection -- Map projection intended to help Muslims find their qibla
Wikipedia - Crane Manohar -- Indian actor
Wikipedia - Cranganore Fort -- Fort in Kottappuram, Kodungallur, Kerala, India
Wikipedia - Crash position indicator -- Radio beacon
Wikipedia - Craterostigma -- Genus of Linderniaceae plants
Wikipedia - Cratotragus indiator -- Genus of beetles
Wikipedia - Crawford Market Fountain -- Historic fountain in Mumbai, India
Wikipedia - Crawfordsville Regional Airport -- Airport in Crawfordsville, Indiana
Wikipedia - Crawl (video game) -- 2017 brawler indie video game
Wikipedia - Crazy Blind Date -- Dating service
Wikipedia - Crazy Colonel -- Comedy television series in India
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Wikipedia - C. R. Basappa -- Indian politician
Wikipedia - Creamed honey -- Honey with hindered crystallization
Wikipedia - Cream Stone -- Indian ice cream parlor chain
Wikipedia - Created kind -- Purported to be the original forms of life as they were created by God, possibly evolving but only within their kind
Wikipedia - CreateSpace Independent Publishing Platform
Wikipedia - CreateSpace Independent Publishing
Wikipedia - Creative Commercials -- Indian film production house
Wikipedia - Creative industries
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Wikipedia - CREB-binding protein -- Nuclear protein that binds to CREB
Wikipedia - Credit Union iPlex -- Multi-use indoor arena in Swift Current, Saskatchewan
Wikipedia - Creech Air Force Base -- US Air Force base near Indian Springs, Nevada, United States
Wikipedia - Creeper Lagoon -- American indie rock band
Wikipedia - Cremastobombycia grindeliella -- Species of insect
Wikipedia - Crescent Star Party (Indonesia) -- political party in Indonesia
Wikipedia - C. R. formula -- Proposal formulated by Chakravarthi Rajagopalachari to solve the political deadlock between the All India Muslim League and Indian National Congress on independence of India from the British
Wikipedia - Cricinfo Magazine -- Defunct monthly cricket magazine published by the Wisden Group in India 2006-2007
Wikipedia - Cricket Fever: Mumbai Indians -- 2019 Indian documentary television series
Wikipedia - Cricket West Indies -- The governing body for cricket in the West Indies
Wikipedia - Crickheath Tramway -- Former industrial railroad
Wikipedia - Crime harm index -- Crime rates measurement
Wikipedia - Crime in India
Wikipedia - Criminal (1994 film) -- 1994 Indian film in Telugu and Hindi directed by Mahesh Bhatt
Wikipedia - Criminal defense lawyer -- Lawyer specializing in the defense of individuals and companies charged with criminal conduct
Wikipedia - Criminal Justice: Behind Closed Doors -- Indian web series streaming on Hotstar
Wikipedia - Criminal Justice (Indian TV series) -- Indian web series streaming on Hotstar
Wikipedia - Criminal Minds: Beyond Borders (season 1) -- Season of television series Criminal Minds: Beyond Borders
Wikipedia - Criminal Minds: Beyond Borders (season 2) -- Season of television series Criminal Minds: Beyond Borders
Wikipedia - Criminal Minds (season 10) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 11) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 12) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 13) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 14) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 15) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 1) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 2) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 3) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 4) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 5) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 6) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 7) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 8) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (season 9) -- Season of television series Criminal Minds
Wikipedia - Criminal Minds (South Korean TV series) -- 2017 South Korean television series
Wikipedia - Criminal Minds: Suspect Behavior -- 2011 American television series
Wikipedia - Criminal Minds -- American police drama series
Wikipedia - Criminal Tribes Act -- Legislation in British India
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Wikipedia - Cristian Ruata -- Guatemalan windsurfer
Wikipedia - Critical community size -- Minimum size of a closed population within which a pathogen can persist indefinitely
Wikipedia - Criticism of Hinduism
Wikipedia - Criticism of Microsoft Windows
Wikipedia - Criticism of Windows 10
Wikipedia - Criticism of Windows Vista
Wikipedia - Criticism of Windows XP
Wikipedia - C. R. Mohite -- Indian cricketer and umpire
Wikipedia - Croatian Independent Democrats -- Defunct political party in Croatia
Wikipedia - Croatian War of Independence in film -- Wikipedia list article
Wikipedia - Croatian War of Independence -- War of independence following the breakup of Yugoslavia
Wikipedia - Crocotta -- Mythical dog-wolf of India or Ethiopia
Wikipedia - Cromwell at Windsor Castle -- 1828 painting by Eugene Delacroix
Wikipedia - Crook (film) -- 2010 Indian action thriller film
Wikipedia - Crore -- 100 lakh in the Indian numbering system (10 million)
Wikipedia - Crosby Independent School District
Wikipedia - Crossbencher -- Independent or minor party member of a legislature
Wikipedia - Cross Industry Standard Process for Data Mining
Wikipedia - Cross-industry standard process for data mining
Wikipedia - Crossing of the Andes -- Feat in the South American wars of independence
Wikipedia - Crossrail Place -- Structure in the West India Docks, Canary Wharf, London
Wikipedia - Crossroads of America -- Nickname of Indiana, United States
Wikipedia - Cross window
Wikipedia - Crosswinds (film) -- 1951 adventure film by Lewis R. Foster
Wikipedia - Crown glass (window) -- Early type of window glass
Wikipedia - Crow people -- Indigenous ethnic group in North America
Wikipedia - Crow religion -- Indigenous religion of the Crow people
Wikipedia - C. R. Rao -- Indian-American mathematician
Wikipedia - Cruden's Concordance -- A verbal index to the King James Bible created by Alexander Cruden
Wikipedia - Crumhorn -- Double reed musical instrument of the woodwind family
Wikipedia - Crunchies -- Former technology industry awards
Wikipedia - Cry of Dolores -- Call to arms triggering the Mexican War of Independence
Wikipedia - CrystalDiskMark -- Disk benchmark tool Microsoft Windows
Wikipedia - C. S. Dias -- Indian judge of Kerala High Court
Wikipedia - CSIRO Oceans and Atmosphere -- A unit of the Commonwealth Scientific and Industrial Research Organisation of Australia
Wikipedia - C. S. Jayaraman -- Indian Tamil singer, actor, and director
Wikipedia - CSKA Arena -- An indoor sporting arena located in Russia
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Wikipedia - C. S. Seshadri -- Indian mathematician
Wikipedia - C. Tadulinga Mudaliar -- Indian botanist
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Wikipedia - C. T. Mudaliar -- Indian botanist and civil servant
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Wikipedia - Cube Life: Island Survival -- 2015 indie sandbox video game
Wikipedia - Cubital index -- Ratio of two of the wing vein segments of honeybees
Wikipedia - Cuckoo clock in culture -- The cuckoo clock, more than any other kind of timepiece, has often featured in literature, music, cinema, television, etc.
Wikipedia - Cuddle+kind -- Doll company
Wikipedia - Cue mark -- Visual indicator on motion picture films
Wikipedia - Cueva del Indio -- Historic place and cave in Las Piedras, Puerto Rico
Wikipedia - Cueva de Los Indios -- Historic place in Loiza, Puerto Rico
Wikipedia - CU Independent
Wikipedia - Cuisine of Karnataka -- Cuisine from the state of Karnataka, India
Wikipedia - Cukkemane -- Hindu surname
Wikipedia - Cultural Hindus
Wikipedia - Cultural industry
Wikipedia - Cultural Properties of Indonesia
Wikipedia - Culture industry -- Expression suggesting that popular culture is used to manipulate mass society into passivity
Wikipedia - Culture of India -- Overview of the culture of India
Wikipedia - Culture of Indonesia -- Overview of the culture in Indonesia
Wikipedia - Culture of Jharkhand -- Cultural overview of a state in India
Wikipedia - Culture of Sindh -- Culture in the Indus Valley
Wikipedia - Culture of Telangana -- Cultural history of an Indian state
Wikipedia - Culver Academies -- College preparatory boarding school and summer camp in northern Indiana
Wikipedia - Currency Building -- 19th-century building in Kolkata, India
Wikipedia - Currency strength index -- Value of currency
Wikipedia - Currey Road Bridge -- Bridge in India
Wikipedia - Curry -- Dish from Indian subcontinent
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Wikipedia - Cusabo -- Group of American Indian tribes
Wikipedia - Cushitic peoples -- People primarily indigenous to Northeast Africa
Wikipedia - Customs and etiquette in Indian dining -- Indian dining norms and practices
Wikipedia - Cuthbert of Lindisfarne
Wikipedia - Cuthbert -- 7th-century Bishop of Lindisfarne, Bishop of Hexham, and saint
Wikipedia - Cutheard of Lindisfarne -- 10th-century Bishop of Lindisfarne
Wikipedia - Cut Mutiah Mosque -- Mosque in Indonesia
Wikipedia - Cutting room floor -- Term used in film industry to refer to unused footage not included in the finished film
Wikipedia - Cutting sequence -- Records individual grid lines crossed ("cut") as a curve crosses a square grid
Wikipedia - CUZ (band) -- American indie rock band
Wikipedia - C. V. Kumar -- Indian film producer, director, and distributor
Wikipedia - C. V. Kunhiraman -- Indian journalist and social reformer
Wikipedia - C. V. Rajendran -- Indian film director and producer
Wikipedia - C. V. Raman -- Indian physicist and Nobel laureate
Wikipedia - C. V. Sridhar -- Indian screenwriter and film director (1933-2008)
Wikipedia - C. V. Subramanian -- Indian mycologist, taxonomist and plant pathologist
Wikipedia - C. Washington Eves -- Merchant in the UK-West Indies trade
Wikipedia - Cwm (window manager)
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Wikipedia - Cyclic AMP response element-binding protein
Wikipedia - Cyclic salt -- Salt carried by the wind from breaking waves and deposited on land
Wikipedia - Cycling at the 1936 Summer Olympics - Men's individual road race -- Cycling at the Olympics
Wikipedia - Cycling at the 1960 Summer Olympics - Men's individual road race -- Cycling at the Olympics
Wikipedia - Cycling at the 1964 Summer Olympics - Men's individual road race -- Cycling at the Olympics
Wikipedia - Cycling at the 1996 Summer Olympics - Men's individual pursuit -- Cycling at the Olympics
Wikipedia - Cycling at the 1996 Summer Olympics - Men's individual road race -- Cycling at the Olympics
Wikipedia - Cycling at the 1996 Summer Olympics - Women's individual road race -- Cycling at the Olympics
Wikipedia - Cycling at the 2000 Summer Olympics - Men's individual pursuit -- Cycling at the Olympics
Wikipedia - Cycling at the 2000 Summer Olympics - Men's individual road race -- Cycling at the Olympics
Wikipedia - Cycling at the 2000 Summer Olympics - Women's individual pursuit -- Cycling at the Olympics
Wikipedia - Cycling at the 2000 Summer Olympics - Women's individual road race -- Cycling at the Olympics
Wikipedia - Cycling at the 2004 Summer Olympics - Men's individual pursuit -- Cycling at the Olympics
Wikipedia - Cycling at the 2004 Summer Olympics - Men's individual road race -- Cycling at the Olympics
Wikipedia - Cycling at the 2004 Summer Olympics - Women's individual pursuit -- Cycling at the Olympics
Wikipedia - Cycling at the 2004 Summer Olympics - Women's individual road race -- Cycling at the Olympics
Wikipedia - Cycling at the 2008 Summer Olympics - Men's individual road race -- Cycle race at the Beijing Olympics
Wikipedia - Cycling at the 2008 Summer Olympics - Women's individual road race -- Cycle race at the Beijing Olympics
Wikipedia - Cyclone Akash -- North Indian cyclone in 2007
Wikipedia - Cyclone Amphan -- North Indian Ocean cyclone in 2020
Wikipedia - Cyclone Ava -- South-West Indian Ocean cyclone in 2017
Wikipedia - Cyclone Belna -- South-West Indian cyclone in 2019
Wikipedia - Cyclone Berit -- A very strong European windstorm in mid-November 2011
Wikipedia - Cyclone Bijli -- North Indian cyclone in 2009
Wikipedia - Cyclone Bondo -- South-West Indian cyclone in 2006
Wikipedia - Cyclone Burevi -- North Indian Ocean cyclone in 2020
Wikipedia - Cyclone Chapala -- North Indian cyclone in 2015
Wikipedia - Cyclone Elita -- South-West Indian cyclone in 2004
Wikipedia - Cyclone Fani -- North Indian Ocean cyclone in 2019
Wikipedia - Cyclone Gafilo -- South-West Indian cyclone in 2004
Wikipedia - Cyclone Gamede -- South-West Indian cyclone in 2007
Wikipedia - Cyclone Gati -- North Indian Ocean cyclone in 2020
Wikipedia - Cyclone Gonu -- North Indian cyclone in 2007
Wikipedia - Cyclone Indlala -- South-West Indian cyclone in 2007
Wikipedia - Cyclone Komen -- North Indian cyclone in 2015
Wikipedia - Cyclone Nilofar -- North Indian cyclone in 2014
Wikipedia - Cyclone Nisarga -- North Indian Ocean cyclone in 2020
Wikipedia - Cyclone Nivar -- North Indian Ocean cyclone in 2020
Wikipedia - Cyclone Ockhi -- Category 3 tropical cyclone that struck Sri Lanka and India in 2017
Wikipedia - Cyclone Quimburga -- 1972 European windstorm
Wikipedia - Cyclone Thane -- North Indian cyclone in 2011
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Wikipedia - Cyclone Xynthia -- 2010 violent European windstorm
Wikipedia - Cydia indivisa -- Species of moth
Wikipedia - Cylindera -- Genus of beetles
Wikipedia - Cylinder chess
Wikipedia - Cylinder desk -- Writing table with small stacked shelves
Wikipedia - Cylinder (engine)
Wikipedia - Cylinder (firearms) -- The cylindrical, rotating part of a revolver containing multiple chambers, each of which is capable of holding a single cartridge.
Wikipedia - Cylinder (geometry)
Wikipedia - Cylinder-head-sector
Wikipedia - Cylinder head -- Component of a cylinder of an internal combustion engine
Wikipedia - Cylinder (locomotive)
Wikipedia - Cylinder seal
Wikipedia - Cylindilla -- Genus of beetles
Wikipedia - Cylindrarctus -- Genus of beetles
Wikipedia - Cylindrecamptus -- Genus of beetles
Wikipedia - Cylindrepomus -- Genus of beetles
Wikipedia - Cylindrical algebraic decomposition -- Decomposing n-space into cells in which each of a set of polynomials has constant sign
Wikipedia - Cylindric numbering -- Special kind of numbering first introduced by Yuri L. Ershov in 1973
Wikipedia - Cylindridia -- Genus of beetles
Wikipedia - Cylindrobasidium laeve -- Species of fungus used as a mycoherbicide to control Acacia mearnsii (black wattle) in South Africa
Wikipedia - Cylindrocerus -- Genus of beetles
Wikipedia - Cylindrocopturinus -- Genus of beetles
Wikipedia - Cylindrocopturus -- Genus of beetles
Wikipedia - Cylindrocranius -- Genus of beetles
Wikipedia - Cylindrommata -- Genus of beetles
Wikipedia - Cylindromorphoides -- Genus of beetles
Wikipedia - Cylindromorphus -- Genus of beetles
Wikipedia - Cylindromyrmex -- Genus of ants
Wikipedia - Cylindronotum -- Genus of beetles
Wikipedia - Cylindropectus -- Genus of beetles
Wikipedia - Cylindrophelipara -- Genus of beetles
Wikipedia - Cylindrophora -- Genus of beetles
Wikipedia - Cylindropuntia fosbergii -- Species of plant
Wikipedia - Cylindrospermum -- Genus of filamentous cyanobacteria found in terrestrial and aquatic environments
Wikipedia - Cylindrosybra -- Genus of beetles
Wikipedia - Cylindrothorax balteatus -- Genus of beetles
Wikipedia - Cylindrotoma -- Genus of flies
Wikipedia - Cylindrotominae -- Subfamily of flies
Wikipedia - Cymbals Eat Guitars -- American indie rock band
Wikipedia - Cymindis abbreviata -- Species of ground beetle
Wikipedia - Cymindis abeillei -- Species of ground beetle
Wikipedia - Cymindis accentifera -- Species of ground beetle
Wikipedia - Cymindis adusta -- Species of ground beetle
Wikipedia - Cymindis afgana -- Species of ground beetle
Wikipedia - Cymindis akserai -- Species of ground beetle
Wikipedia - Cymindis alluaudi -- Species of ground beetle
Wikipedia - Cymindis altaica -- Species of ground beetle
Wikipedia - Cymindis alternans -- Species of ground beetle
Wikipedia - Cymindis americana -- Species of ground beetle
Wikipedia - Cymindis amicta -- Species of ground beetle
Wikipedia - Cymindis ampliata -- Species of ground beetle
Wikipedia - Cymindis anchomenoides -- Species of ground beetle
Wikipedia - Cymindis andreae -- Species of ground beetle
Wikipedia - Cymindis angularis -- Species of ground beetle
Wikipedia - Cymindis angustior -- Species of ground beetle
Wikipedia - Cymindis antonowi -- Species of ground beetle
Wikipedia - Cymindis aradensis -- Species of ground beetle
Wikipedia - Cymindis arcana -- Species of ground beetle
Wikipedia - Cymindis arctica -- Species of ground beetle
Wikipedia - Cymindis arizonensis -- Species of ground beetle
Wikipedia - Cymindis arnoldii -- Species of ground beetle
Wikipedia - Cymindis atrolucens -- Species of ground beetle
Wikipedia - Cymindis avenae -- Species of ground beetle
Wikipedia - Cymindis axillaris -- Species of ground beetle
Wikipedia - Cymindis leachi -- Species of ground beetle
Wikipedia - Cymindis lindbergi -- Species of ground beetle
Wikipedia - Cymindis purkynei -- Species of insect
Wikipedia - Cymindis subcarinata -- Beetle species
Wikipedia - Cymindis -- Genus of beetles
Wikipedia - Cymindoidea -- Genus of beetles
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Wikipedia - Cyrtodactylus hitchi -- A species of gecko endemic to Indonesia
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Wikipedia - Cyrus Cylinder
Wikipedia - Cyrus cylinder
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Wikipedia - Daana Chintamani Attimabbe Award -- Indian literary award
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Wikipedia - Dabangg (film series) -- Indian action film series
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Wikipedia - Dacians -- Indo-European people
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Wikipedia - Dadar Central-Ratnagiri Passenger -- Train in India
Wikipedia - Dadasaheb Phalke Award -- India's highest cinema award.
Wikipedia - Dadasaheb Phalke -- 20th-century Indian producer-director-screenwriter
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Wikipedia - Dadra and Nagar Haveli and Daman and Diu -- Union territory of India
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Wikipedia - Daewoo Precision Industries K2 -- Assault rifle
Wikipedia - Daewoo Precision Industries K3 -- Light machine gun
Wikipedia - Daewoo Precision Industries K5 -- Semi-automatic pistol
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Wikipedia - Dalit saints of Hinduism
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Wikipedia - Dal Singh (politician) -- Indian politician
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Wikipedia - Dangerous Minds (TV series) -- American drama television series
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Wikipedia - Danske Kvinders Forsvarsforening -- Danish women's organization
Wikipedia - Danske Kvinders FredskM-CM-&de -- Danish women's peace organization
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Wikipedia - Dardic languages -- Sub-group of the Indo-Aryan languages natively spoken in northern Pakistan's Gilgit Baltistan and Khyber Pakhtunkhwa, northern India's Jammu and Kashmir, and eastern Afghanistan
Wikipedia - Dardic peoples -- Group of Indo-Aryan peoples
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