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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
Big_Mind,_Big_Heart
City_of_God
Collected_Poems
Enchiridion_text
Epigrams_from_Savitri
Evolution_II
Faust
General_Principles_of_Kabbalah
Heart_of_Matter
Infinite_Library
Integral_Life_Practice_(book)
Letters_On_Yoga
Letters_On_Yoga_III
Liber_157_-_The_Tao_Teh_King
Life_without_Death
Lord_of_the_Flies
Magick_Without_Tears
Meditation__The_First_and_Last_Freedom
My_Burning_Heart
Mysterium_Coniunctionis
Narcissus_and_Goldmund
Plotinus_-_Complete_Works_Vol_01
Process_and_Reality
Savitri
Sayings_of_Sri_Ramakrishna_(toc)
The_Act_of_Creation
The_Bible
The_Blue_Cliff_Records
the_Book
the_Book_of_God
The_Divine_Comedy
The_Divine_Companion
The_Divine_Milieu
The_Essential_Songs_of_Milarepa
The_Golden_Bough
The_Heros_Journey
The_Imitation_of_Christ
The_Republic
The_Seals_of_Wisdom
The_Secret_of_the_Golden_Flower
The_Tarot_of_Paul_Christian
The_Use_and_Abuse_of_History
The_Way_of_Perfection
The_Wit_and_Wisdom_of_Alfred_North_Whitehead
The_Yoga_Sutras
Thus_Spoke_Zarathustra
Toward_the_Future

IN CHAPTERS TITLE
0_1956-02-29_-_First_Supramental_Manifestation_-_The_Golden_Hammer
10.37_-_The_Golden_Bridge
11.02_-_The_Golden_Life-line
1.22_-_OBERON_AND_TITANIA's_GOLDEN_WEDDING
1.33_-_Count_Ugolino_and_the_Archbishop_Ruggieri._The_Death_of_Count_Ugolino's_Sons.
1.33_-_The_Golden_Mean
14.05_-_The_Golden_Rule
1.68_-_The_Golden_Bough
1.hs_-_A_Golden_Compass
1.hs_-_Arise_And_Fill_A_Golden_Goblet
1.jlb_-_The_Golem
1.lb_-_Gold_painted_jars_-_wines_worth_a_thousand
1.mm_-_Three_Golden_Apples_from_the_Hesperian_grove_(from_Atalanta_Fugiens)
1.okym_-_15_-_And_those_who_husbanded_the_Golden_Grain
1.pbs_-_Ugolino
1.rt_-_The_Gardener_LXIX_-_I_Hunt_For_The_Golden_Stag
1.rt_-_The_Golden_Boat
1.wby_-_The_Madness_Of_King_Goll
20.02_-_The_Golden_Journey
22.08_-_The_Golden_Chain
27.01_-_The_Golden_Harvest
4.02_-_GOLD_AND_SPIRIT
7.5.26_-_The_Golden_Light
The_Gold_Bug
The_Golden_Sentences_of_Democrates
The_Golden_Verses_of_Pythagoras

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
0_0.01_-_Introduction
00.01_-_The_Approach_to_Mysticism
00.02_-_Mystic_Symbolism
0_0.02_-_Topographical_Note
00.05_-_A_Vedic_Conception_of_the_Poet
0.00a_-_Introduction
0.00_-_INTRODUCTION
0.00_-_The_Book_of_Lies_Text
0.03_-_Letters_to_My_little_smile
01.01_-_The_One_Thing_Needful
01.01_-_The_Symbol_Dawn
01.02_-_Sri_Aurobindo_-_Ahana_and_Other_Poems
01.02_-_The_Issue
01.03_-_Mystic_Poetry
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.04_-_The_Poetry_in_the_Making
01.04_-_The_Secret_Knowledge
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
01.12_-_Three_Degrees_of_Social_Organisation
01.14_-_Nicholas_Roerich
0_1956-02-29_-_First_Supramental_Manifestation_-_The_Golden_Hammer
0_1956-09-12
0_1958-01-22
0_1958-02-03b_-_The_Supramental_Ship
0_1958-07-19
0_1958-08-30
0_1958-09-16_-_OM_NAMO_BHAGAVATEH
0_1958-11-08
0_1958-11-15
0_1958_12_-_Floor_1,_young_girl,_we_shall_kill_the_young_princess_-_black_tent
0_1959-01-06
0_1959-10-06_-_Sri_Aurobindos_abode
0_1960-03-03
0_1960-05-24_-_supramental_flood
0_1960-08-20
0_1960-09-20
0_1960-10-22
0_1960-10-30
0_1960-11-26
0_1960-12-02
0_1960-12-31
0_1961-02-18
0_1961-02-25
0_1961-04-12
0_1961-04-29
0_1961-06-17
0_1961-06-20
0_1961-06-24
0_1961-07-28
0_1961-08-02
0_1961-08-05
0_1961-09-16
0_1961-10-15
0_1961-10-30
0_1961-11-07
0_1961-12-20
0_1962-03-13
0_1962-08-11
0_1962-08-25
0_1962-11-10
0_1962-11-20
0_1962-11-27
0_1963-02-15
0_1963-02-19
0_1963-03-19
0_1963-05-11
0_1963-05-18
0_1963-06-22
0_1963-06-29
0_1963-07-06
0_1963-07-13
0_1963-07-17
0_1963-07-27
0_1963-08-31
0_1963-09-04
0_1963-09-18
0_1963-09-25
0_1963-10-19
0_1963-12-31
0_1964-01-15
0_1964-01-29
0_1964-03-04
0_1964-07-13
0_1964-07-18
0_1964-07-22
0_1964-08-11
0_1964-09-18
0_1964-10-14
0_1964-10-30
0_1964-11-21
0_1965-04-21
0_1965-06-18_-_supramental_ship
0_1965-06-23
0_1965-06-30
0_1965-07-14
0_1965-07-21
0_1965-08-04
0_1965-08-07
0_1965-10-16
0_1965-10-30
0_1965-12-10
0_1965-12-15
0_1965-12-25
0_1965-12-28
0_1966-01-19
0_1966-03-04
0_1966-04-16
0_1966-07-09
0_1966-08-03
0_1966-08-10
0_1966-10-08
0_1966-10-29
0_1966-11-19
0_1966-12-07
0_1967-01-28
0_1967-03-04
0_1967-04-27
0_1967-05-03
0_1967-07-22
0_1967-08-16
0_1967-08-30
0_1967-09-06
0_1967-09-20
0_1967-10-04
0_1967-10-11
0_1967-10-19
0_1968-02-03
0_1968-02-07
0_1968-02-20
0_1968-04-27
0_1968-05-22
0_1968-09-11
0_1968-10-05
0_1968-11-06
0_1969-01-01
0_1969-01-04
0_1969-02-05
0_1969-04-02
0_1969-04-09
0_1969-04-16
0_1969-04-30
0_1969-05-17
0_1969-06-11
0_1969-07-12
0_1969-07-19
0_1969-07-23
0_1969-07-26
0_1969-07-30
0_1969-08-20
0_1969-08-30
0_1969-09-03
0_1969-09-20
0_1969-11-15
0_1969-11-19
0_1970-01-03
0_1970-01-07
0_1970-01-10
0_1970-01-17
0_1970-04-04
0_1970-07-11
0_1971-03-05
0_1971-04-17
0_1971-04-21
0_1971-05-15
0_1971-08-14
0_1971-09-08
0_1971-09-22
0_1971-10-09
0_1971-12-11
0_1972-01-19
0_1972-04-26
0_1972-05-04
0_1972-05-06
0_1972-05-13
0_1972-05-17
0_1972-06-24
0_1972-08-02
0_1972-08-30
0_1972-10-21
02.01_-_The_World-Stair
02.02_-_The_Kingdom_of_Subtle_Matter
02.03_-_An_Aspect_of_Emergent_Evolution
02.03_-_The_Glory_and_the_Fall_of_Life
02.03_-_The_Shakespearean_Word
02.04_-_The_Kingdoms_of_the_Little_Life
02.05_-_Robert_Graves
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.07_-_George_Seftris
02.07_-_The_Descent_into_Night
02.08_-_The_World_of_Falsehood,_the_Mother_of_Evil_and_the_Sons_of_Darkness
02.09_-_The_Paradise_of_the_Life-Gods
02.09_-_Two_Mystic_Poems_in_Modern_French
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.11_-_New_World-Conditions
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.12_-_Mysticism_in_Bengali_Poetry
02.12_-_The_Heavens_of_the_Ideal
02.14_-_The_World-Soul
02.15_-_The_Kingdoms_of_the_Greater_Knowledge
03.02_-_The_Adoration_of_the_Divine_Mother
03.02_-_The_Philosopher_as_an_Artist_and_Philosophy_as_an_Art
03.02_-_Yogic_Initiation_and_Aptitude
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.04_-_The_Body_Human
03.04_-_The_Vision_and_the_Boon
03.04_-_Towardsa_New_Ideology
03.05_-_The_Spiritual_Genius_of_India
03.10_-_Hamlet:_A_Crisis_of_the_Evolving_Soul
03.10_-_The_Mission_of_Buddhism
03.12_-_Communism:_What_does_it_Mean?
03.13_-_Human_Destiny
03.14_-_From_the_Known_to_the_Unknown?
04.01_-_The_Birth_and_Childhood_of_the_Flame
04.02_-_The_Growth_of_the_Flame
04.03_-_The_Call_to_the_Quest
04.03_-_The_Eternal_East_and_West
04.04_-_The_Quest
04.05_-_The_Immortal_Nation
04.07_-_To_the_Heights_VII_(Mahakali)
04.13_-_To_the_HeightsXIII
04.29_-_To_the_Heights-XXIX
04.31_-_To_the_Heights-XXXI
04.32_-_To_the_Heights-XXXII
04.34_-_To_the_Heights-XXXIV
04.36_-_To_the_Heights-XXXVI
04.37_-_To_the_Heights-XXXVII
04.40_-_To_the_Heights-XL
04.47_-_To_the_Heights-XLVII
05.01_-_The_Destined_Meeting-Place
05.02_-_Gods_Labour
05.02_-_Satyavan
05.03_-_Satyavan_and_Savitri
05.08_-_True_Charity
05.14_-_The_Sanctity_of_the_Individual
05.20_-_The_Urge_for_Progression
05.27_-_The_Nature_of_Perfection
05.34_-_Light,_more_Light
06.01_-_The_Word_of_Fate
06.30_-_Sweet_Holy_Tears
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.03_-_The_Entry_into_the_Inner_Countries
07.04_-_The_Triple_Soul-Forces
07.05_-_The_Finding_of_the_Soul
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
07.39_-_The_Homogeneous_Being
08.03_-_Death_in_the_Forest
08.36_-_Buddha_and_Shankara
08.38_-_The_Value_of_Money
09.01_-_Towards_the_Black_Void
09.02_-_The_Journey_in_Eternal_Night_and_the_Voice_of_the_Darkness
09.17_-_Health_in_the_Ashram
100.00_-_Synergy
10.01_-_The_Dream_Twilight_of_the_Ideal
10.02_-_Beyond_Vedanta
10.02_-_The_Gospel_of_Death_and_Vanity_of_the_Ideal
1.002_-_The_Heifer
1.003_-_Family_of_Imran
10.03_-_Life_in_and_Through_Death
10.03_-_The_Debate_of_Love_and_Death
10.04_-_Lord_of_Time
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
1.009_-_Repentance
1.00a_-_Introduction
1.00b_-_Introduction
1.00c_-_DIVISION_C_-_THE_ETHERIC_BODY_AND_PRANA
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00_-_Main
1.00_-_Preface
10.11_-_Savitri
10.13_-_Go_Through
1.017_-_The_Night_Journey
1.018_-_The_Cave
1.01_-_Adam_Kadmon_and_the_Evolution
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_Asana
1.01_-_BOOK_THE_FIRST
1.01_-_DOWN_THE_RABBIT-HOLE
1.01_-_Economy
1.01f_-_Introduction
1.01_-_Foreward
1.01_-_Fundamental_Considerations
1.01_-_Historical_Survey
1.01_-_Isha_Upanishad
1.01_-_MAPS_OF_EXPERIENCE_-_OBJECT_AND_MEANING
1.01_-_MASTER_AND_DISCIPLE
1.01_-_Newtonian_and_Bergsonian_Time
1.01_-_NIGHT
1.01_-_On_knowledge_of_the_soul,_and_how_knowledge_of_the_soul_is_the_key_to_the_knowledge_of_God.
1.01_-_ON_THE_THREE_METAMORPHOSES
1.01_-_SAMADHI_PADA
1.01_-_the_Call_to_Adventure
1.01_-_The_Cycle_of_Society
1.01_-_The_Highest_Meaning_of_the_Holy_Truths
1.01_-_The_King_of_the_Wood
1.01_-_The_Mental_Fortress
1.01_-_THE_OPPOSITES
1.01_-_The_Path_of_Later_On
1.01_-_The_Rape_of_the_Lock
1.01_-_The_Three_Metamorphoses
1.01_-_The_Unexpected
1.01_-_To_Watanabe_Sukefusa
1.01_-_What_is_Magick?
1.020_-_The_World_and_Our_World
10.21_-_Short_Notes_-_4-_Ego
1.022_-_The_Pilgrimage
10.23_-_Prayers_and_Meditations_of_the_Mother
1.02.4.1_-_The_Worlds_-_Surya
10.24_-_Savitri
10.28_-_Love_and_Love
1.02.9_-_Conclusion_and_Summary
1.02_-_BEFORE_THE_CITY-GATE
1.02_-_BOOK_THE_SECOND
1.02_-_Groups_and_Statistical_Mechanics
1.02_-_IN_THE_COMPANY_OF_DEVOTEES
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_Pranayama,_Mantrayoga
1.02_-_Prayer_of_Parashara_to_Vishnu
1.02_-_Priestly_Kings
1.02_-_SADHANA_PADA
1.02_-_Skillful_Means
1.02_-_The_7_Habits__An_Overview
1.02_-_The_Development_of_Sri_Aurobindos_Thought
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Pit
1.02_-_THE_POOL_OF_TEARS
1.02_-_THE_QUATERNIO_AND_THE_MEDIATING_ROLE_OF_MERCURIUS
1.02_-_The_Refusal_of_the_Call
1.02_-_The_Stages_of_Initiation
1.02_-_The_Three_European_Worlds
1.02_-_The_Ultimate_Path_is_Without_Difficulty
1.02_-_The_Virtues
1.031_-_Intense_Aspiration
1.035_-_Originator
10.36_-_Cling_to_Truth
10.37_-_The_Golden_Bridge
1.03_-_A_Parable
1.03_-_A_Sapphire_Tale
1.03_-_BOOK_THE_THIRD
1.03_-_Concerning_the_Archetypes,_with_Special_Reference_to_the_Anima_Concept
1.03_-_Hymns_of_Gritsamada
1.03_-_Meeting_the_Master_-_Meeting_with_others
1.03_-_On_Knowledge_of_the_World.
1.03_-_Preparing_for_the_Miraculous
1.03_-_Questions_and_Answers
1.03_-_Reading
1.03_-_Some_Practical_Aspects
1.03_-_Sympathetic_Magic
1.03_-_The_Desert
1.03_-_The_Gods,_Superior_Beings_and_Adverse_Forces
1.03_-_The_House_Of_The_Lord
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_The_Sephiros
1.03_-_The_Syzygy_-_Anima_and_Animus
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.03_-_To_Layman_Ishii
1.03_-_VISIT_TO_VIDYASAGAR
1.043_-_Decorations
1.04_-_ADVICE_TO_HOUSEHOLDERS
1.04_-_BOOK_THE_FOURTH
1.04_-_GOD_IN_THE_WORLD
1.04_-_Homage_to_the_Twenty-one_Taras
1.04_-_Magic_and_Religion
1.04_-_On_blessed_and_ever-memorable_obedience
1.04_-_Reality_Omnipresent
1.04_-_Sounds
1.04_-_Te_Shan_Carrying_His_Bundle
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Crossing_of_the_First_Threshold
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_Gods_of_the_Veda
1.04_-_The_Paths
1.04_-_The_Praise
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_THE_STUDY_(The_Compact)
1.05_-_2010_and_1956_-_Doomsday?
1.052_-_Yoga_Practice_-_A_Series_of_Positive_Steps
1.05_-_Adam_Kadmon
1.05_-_BOOK_THE_FIFTH
1.05_-_Buddhism_and_Women
1.05_-_Character_Of_The_Atoms
1.05_-_CHARITY
1.05_-_Hymns_of_Bharadwaja
1.05_-_ON_ENJOYING_AND_SUFFERING_THE_PASSIONS
1.05_-_Prayer
1.05_-_The_Belly_of_the_Whale
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_THE_MASTER_AND_KESHAB
1.05_-_To_Know_How_To_Suffer
1.05_-_Vishnu_as_Brahma_creates_the_world
1.06_-_Agni_and_the_Truth
1.06_-_Being_Human_and_the_Copernican_Principle
1.06_-_BOOK_THE_SIXTH
1.06_-_Confutation_Of_Other_Philosophers
1.06_-_Dhyana
1.06_-_Hymns_of_Parashara
1.06_-_Iconography
1.06_-_Magicians_as_Kings
1.06_-_Man_in_the_Universe
1.06_-_On_Thought
1.06_-_Origin_of_the_four_castes
1.06_-_Quieting_the_Vital
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_The_Breaking_of_the_Limits
1.06_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES
1.06_-_The_Sign_of_the_Fishes
1.06_-_WITCHES_KITCHEN
1.07_-_A_MAD_TEA-PARTY
1.07_-_BOOK_THE_SEVENTH
1.07_-_Bridge_across_the_Afterlife
1.07_-_Incarnate_Human_Gods
1.07_-_Note_on_the_word_Go
1.07_-_On_mourning_which_causes_joy.
1.07_-_Raja-Yoga_in_Brief
1.07_-_Savitri
1.07_-_Standards_of_Conduct_and_Spiritual_Freedom
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_The_Fire_of_the_New_World
1.07_-_The_Fourth_Circle__The_Avaricious_and_the_Prodigal._Plutus._Fortune_and_her_Wheel._The_Fifth_Circle__The_Irascible_and_the_Sullen._Styx.
1.07_-_The_Magic_Wand
1.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
1.07_-_The_Three_Schools_of_Magick_2
1.07_-_TRUTH
1.08_-_Adhyatma_Yoga
1.08a_-_The_Ladder
1.08_-_Attendants
1.08_-_BOOK_THE_EIGHTH
1.08_-_Departmental_Kings_of_Nature
1.08_-_EVENING_A_SMALL,_NEATLY_KEPT_CHAMBER
1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras
1.08_-_Sri_Aurobindos_Descent_into_Death
1.08_-_The_Change_of_Vision
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Four_Austerities_and_the_Four_Liberations
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.08_-_The_Historical_Significance_of_the_Fish
1.08_-_THE_MASTERS_BIRTHDAY_CELEBRATION_AT_DAKSHINESWAR
1.08_-_The_Supreme_Discovery
1.08_-_The_Supreme_Will
1.08_-_The_Three_Schools_of_Magick_3
1.096_-_Powers_that_Accrue_in_the_Practice
1.09_-_ADVICE_TO_THE_BRAHMOS
1.09_-_A_System_of_Vedic_Psychology
1.09_-_BOOK_THE_NINTH
1.09_-_Civilisation_and_Culture
1.09_-_Concentration_-_Its_Spiritual_Uses
1.09_-_Legend_of_Lakshmi
1.09_-_Sleep_and_Death
1.09_-_Sri_Aurobindo_and_the_Big_Bang
1.09_-_The_Ambivalence_of_the_Fish_Symbol
1.09_-_The_Crown,_Cap,_Magus-Band
1.09_-_The_Greater_Self
1.09_-_The_Worship_of_Trees
1.1.01_-_Seeking_the_Divine
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
11.01_-_The_Opening_Scene_of_Savitri
11.02_-_The_Golden_Life-line
11.03_-_Cosmonautics
1.1.04_-_The_Self_or_Atman
11.06_-_The_Mounting_Fire
1.10_-_BOOK_THE_TENTH
1.10_-_Concentration_-_Its_Practice
1.10_-_Harmony
1.10_-_Laughter_Of_The_Gods
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_The_Image_of_the_Oceans_and_the_Rivers
1.10_-_The_Magical_Garment
1.10_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES_(II)
1.10_-_The_Methods_and_the_Means
1.10_-_The_Scolex_School
1.10_-_The_Secret_of_the_Veda
1.10_-_The_Three_Modes_of_Nature
1.10_-_THINGS_I_OWE_TO_THE_ANCIENTS
11.15_-_Sri_Aurobindo
1.11_-_BOOK_THE_ELEVENTH
1.11_-_Powers
1.11_-_The_Change_of_Power
1.11_-_The_Influence_of_the_Sexes_on_Vegetation
1.11_-_The_Kalki_Avatar
1.11_-_The_Master_of_the_Work
1.11_-_WITH_THE_DEVOTEES_AT_DAKSHINEWAR
1.12_-_BOOK_THE_TWELFTH
1.1.2_-_Commentary
1.12_-_GARDEN
1.12_-_God_Departs
1.12_-_THE_FESTIVAL_AT_PNIHTI
1.12_-_The_Herds_of_the_Dawn
1.12_-_The_Sacred_Marriage
1.12_-_The_Sociology_of_Superman
1.12_-_The_Superconscient
1.13_-_And_Then?
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_Conclusion_-_He_is_here
1.13_-_Dawn_and_the_Truth
1.13_-_Gnostic_Symbols_of_the_Self
1.13_-_Posterity_of_Dhruva
1.13_-_The_Kings_of_Rome_and_Alba
1.13_-_THE_MASTER_AND_M.
1.13_-_Under_the_Auspices_of_the_Gods
1.14_-_Bibliography
1.14_-_INSTRUCTION_TO_VAISHNAVS_AND_BRHMOS
1.14_-_On_the_clamorous,_yet_wicked_master-the_stomach.
1.14_-_Postscript
1.1.4_-_The_Physical_Mind_and_Sadhana
1.14_-_The_Sand_Waste_and_the_Rain_of_Fire._The_Violent_against_God._Capaneus._The_Statue_of_Time,_and_the_Four_Infernal_Rivers.
1.14_-_The_Secret
1.14_-_The_Structure_and_Dynamics_of_the_Self
1.14_-_The_Succesion_to_the_Kingdom_in_Ancient_Latium
1.14_-_The_Victory_Over_Death
1.15_-_Index
1.15_-_LAST_VISIT_TO_KESHAB
1.15_-_The_Supramental_Consciousness
1.15_-_The_Transformed_Being
1.15_-_The_Worship_of_the_Oak
1.16_-_Advantages_and_Disadvantages_of_Evocational_Magic
1.16_-_Dianus_and_Diana
1.16_-_Man,_A_Transitional_Being
1.16_-_On_Concentration
1.16_-_The_Season_of_Truth
1.16_-_WITH_THE_DEVOTEES_AT_DAKSHINESWAR
1.17_-_Astral_Journey__Example,_How_to_do_it,_How_to_Verify_your_Experience
1.17_-_M._AT_DAKSHINEWAR
1.17_-_The_Burden_of_Royalty
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.17_-_The_Transformation
1.18_-_Evocation
1.18_-_M._AT_DAKSHINESWAR
1.18_-_The_Perils_of_the_Soul
1.19_-_Equality
1.19_-_NIGHT
1.19_-_On_sleep,_prayer,_and_psalm-singing_in_chapel.
1.19_-_Tabooed_Acts
1.19_-_THE_MASTER_AND_HIS_INJURED_ARM
1.19_-_The_Practice_of_Magical_Evocation
1.19_-_The_Third_Bolgia__Simoniacs._Pope_Nicholas_III._Dante's_Reproof_of_corrupt_Prelates.
1.19_-_The_Victory_of_the_Fathers
1.201_-_Socrates
12.01_-_The_Return_to_Earth
12.04_-_Love_and_Death
12.07_-_The_Double_Trinity
12.09_-_The_Story_of_Dr._Faustus_Retold
1.20_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
1.20_-_Tabooed_Persons
1.20_-_Visnu_appears_to_Prahlada
12.10_-_The_Sunlit_Path
1.21_-_A_DAY_AT_DAKSHINESWAR
1.21_-_Families_of_the_Daityas
1.21_-_ON_FREE_DEATH
1.21_-_Tabooed_Things
1.21_-_WALPURGIS-NIGHT
1.22_-_ADVICE_TO_AN_ACTOR
1.22_-_OBERON_AND_TITANIA's_GOLDEN_WEDDING
1.22_-_ON_THE_GIFT-GIVING_VIRTUE
1.22_-_Tabooed_Words
1.22_-_THE_END_OF_THE_SPECIES
1.23_-_FESTIVAL_AT_SURENDRAS_HOUSE
1.23_-_Improvising_a_Temple
1.23_-_Our_Debt_to_the_Savage
1.240_-_Talks_2
1.24_-_PUNDIT_SHASHADHAR
1.24_-_The_Killing_of_the_Divine_King
1.25_-_ADVICE_TO_PUNDIT_SHASHADHAR
1.25_-_Fascinations,_Invisibility,_Levitation,_Transmutations,_Kinks_in_Time
1.25_-_Temporary_Kings
1.25_-_The_Knot_of_Matter
1.26_-_FESTIVAL_AT_ADHARS_HOUSE
1.26_-_Sacrifice_of_the_Kings_Son
1.26_-_The_Ascending_Series_of_Substance
1.27_-_AT_DAKSHINESWAR
1.27_-_Structure_of_Mind_Based_on_that_of_Body
1.27_-_Succession_to_the_Soul
1.28_-_Describes_the_nature_of_the_Prayer_of_Recollection_and_sets_down_some_of_the_means_by_which_we_can_make_it_a_habit.
1.28_-_Supermind,_Mind_and_the_Overmind_Maya
1.28_-_The_Killing_of_the_Tree-Spirit
1.28_-_The_Ninth_Bolgia__Schismatics._Mahomet_and_Ali._Pier_da_Medicina,_Curio,_Mosca,_and_Bertr_and_de_Born.
1.29_-_The_Myth_of_Adonis
1.2_-_Katha_Upanishads
1.300_-_1.400_Talks
13.01_-_A_Centurys_Salutation_to_Sri_Aurobindo_The_Greatness_of_the_Great
13.06_-_The_Passing_of_Satyavan
13.08_-_The_Return
1.30_-_Adonis_in_Syria
1.31_-_Adonis_in_Cyprus
1.32_-_The_Ritual_of_Adonis
1.33_-_Count_Ugolino_and_the_Archbishop_Ruggieri._The_Death_of_Count_Ugolino's_Sons.
1.33_-_The_Gardens_of_Adonis
1.33_-_The_Golden_Mean
1.34_-_The_Myth_and_Ritual_of_Attis
1.35_-_Attis_as_a_God_of_Vegetation
1.35_-_The_Tao_2
1.36_-_Human_Representatives_of_Attis
1.36_-_Treats_of_these_words_in_the_Paternoster__Dimitte_nobis_debita_nostra.
1.37_-_Oriential_Religions_in_the_West
1.38_-_The_Myth_of_Osiris
1.38_-_Woman_-_Her_Magical_Formula
1.39_-_The_Ritual_of_Osiris
1.3_-_Mundaka_Upanishads
1.400_-_1.450_Talks
14.03_-_Janaka_and_Yajnavalkya
14.04_-_More_of_Yajnavalkya
14.05_-_The_Golden_Rule
14.06_-_Liberty,_Self-Control_and_Friendship
14.08_-_A_Parable_of_Sea-Gulls
1.40_-_The_Nature_of_Osiris
1.41_-_Isis
1.42_-_Osiris_and_the_Sun
1.439
1.43_-_Dionysus
1.43_-_The_Holy_Guardian_Angel_is_not_the_Higher_Self_but_an_Objective_Individual
1.44_-_Demeter_and_Persephone
1.450_-_1.500_Talks
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.46_-_The_Corn-Mother_in_Many_Lands
1.47_-_Lityerses
1.48_-_Morals_of_AL_-_Hard_to_Accept,_and_Why_nevertheless_we_Must_Concur
1.48_-_The_Corn-Spirit_as_an_Animal
1.49_-_Ancient_Deities_of_Vegetation_as_Animals
15.03_-_A_Canadian_Question
15.06_-_Words,_Words,_Words...
1.50_-_Eating_the_God
1.51_-_Homeopathic_Magic_of_a_Flesh_Diet
1.51_-_How_to_Recognise_Masters,_Angels,_etc.,_and_how_they_Work
1.52_-_Family_-_Public_Enemy_No._1
1.52_-_Killing_the_Divine_Animal
1.53_-_The_Propitation_of_Wild_Animals_By_Hunters
1.54_-_Types_of_Animal_Sacrament
1.55_-_The_Transference_of_Evil
1.56_-_The_Public_Expulsion_of_Evils
1.57_-_Public_Scapegoats
1.58_-_Human_Scapegoats_in_Classical_Antiquity
1.59_-_Geomancy
1.59_-_Killing_the_God_in_Mexico
1.60_-_Between_Heaven_and_Earth
1.61_-_The_Myth_of_Balder
1.62_-_The_Fire-Festivals_of_Europe
1.63_-_The_Interpretation_of_the_Fire-Festivals
1.64_-_The_Burning_of_Human_Beings_in_the_Fires
1.65_-_Balder_and_the_Mistletoe
1.65_-_Man
1.66_-_The_External_Soul_in_Folk-Tales
1.66_-_Vampires
1.67_-_Faith
1.67_-_The_External_Soul_in_Folk-Custom
1.68_-_The_Golden_Bough
1.69_-_Farewell_to_Nemi
1.69_-_Original_Sin
17.05_-_Hymn_to_Hiranyagarbha
1.70_-_Morality_1
17.10_-_A_Hymn
17.11_-_A_Prayer
1.71_-_Morality_2
1.72_-_Education
1.73_-_Monsters,_Niggers,_Jews,_etc.
1.76_-_The_Gods_-_How_and_Why_they_Overlap
1.79_-_Progress
18.02_-_Ramprasad
18.04_-_Modern_Poems
18.05_-_Ashram_Poets
1914_02_22p
1914_07_21p
19.14_-_The_Awakened
1916_12_05p
1916_12_20p
1916_12_30p
1917_03_31p
19.17_-_On_Anger
19.24_-_The_Canto_of_Desire
1929-05-19_-_Mind_and_its_workings,_thought-forms_-_Adverse_conditions_and_Yoga_-_Mental_constructions_-_Illness_and_Yoga
1951-03-17_-_The_universe-_eternally_new,_same_-_Pralaya_Traditions_-_Light_and_thought_-_new_consciousness,_forces_-_The_expanding_universe_-_inexpressible_experiences_-_Ashram_surcharged_with_Light_-_new_force_-_vibrating_atmospheres
1951-04-23_-_The_goal_and_the_way_-_Learning_how_to_sleep_-_relaxation_-_Adverse_forces-_test_of_sincerity_-_Attitude_to_suffering_and_death
1951-05-03_-_Money_and_its_use_for_the_divine_work_-_problems_-_Mastery_over_desire-_individual_and_collective_change
1953-07-15
1953-08-12
1953-11-25
1954-03-03_-_Occultism_-_A_French_scientists_experiment
1954-07-14_-_The_Divine_and_the_Shakti_-_Personal_effort_-_Speaking_and_thinking_-_Doubt_-_Self-giving,_consecration_and_surrender_-_Mothers_use_of_flowers_-_Ornaments_and_protection
1954-07-28_-_Money_-_Ego_and_individuality_-_The_shadow
1955-02-16_-_Losing_something_given_by_Mother_-_Using_things_well_-_Sadhak_collecting_soap-pieces_-_What_things_are_truly_indispensable_-_Natures_harmonious_arrangement_-_Riches_a_curse,_philanthropy_-_Misuse_of_things_creates_misery
1955-03-09_-_Psychic_directly_contacted_through_the_physical_-_Transforming_egoistic_movements_-_Work_of_the_psychic_being_-_Contacting_the_psychic_and_the_Divine_-_Experiences_of_different_kinds_-_Attacks_of_adverse_forces
1955-09-21_-_Literature_and_the_taste_for_forms_-_The_characters_of_The_Great_Secret_-_How_literature_helps_us_to_progress_-_Reading_to_learn_-_The_commercial_mentality_-_How_to_choose_ones_books_-_Learning_to_enrich_ones_possibilities_...
1955-11-02_-_The_first_movement_in_Yoga_-_Interiorisation,_finding_ones_soul_-_The_Vedic_Age_-_An_incident_about_Vivekananda_-_The_imaged_language_of_the_Vedas_-_The_Vedic_Rishis,_involutionary_beings_-_Involution_and_evolution
1955-12-07_-_Emotional_impulse_of_self-giving_-_A_young_dancer_in_France_-_The_heart_has_wings,_not_the_head_-_Only_joy_can_conquer_the_Adversary
1956-02-08_-_Forces_of_Nature_expressing_a_higher_Will_-_Illusion_of_separate_personality_-_One_dynamic_force_which_moves_all_things_-_Linear_and_spherical_thinking_-_Common_ideal_of_life,_microscopic
1956-05-30_-_Forms_as_symbols_of_the_Force_behind_-_Art_as_expression_of_contact_with_the_Divine_-_Supramental_psychological_perfection_-_Division_of_works_-_The_Ashram,_idle_stupidities
1956-08-15_-_Protection,_purification,_fear_-_Atmosphere_at_the_Ashram_on_Darshan_days_-_Darshan_messages_-_Significance_of_15-08_-_State_of_surrender_-_Divine_Grace_always_all-powerful_-_Assumption_of_Virgin_Mary_-_SA_message_of_1947-08-15
1957-03-27_-_If_only_humanity_consented_to_be_spiritualised
1958-02-19_-_Experience_of_the_supramental_boat_-_The_Censors_-_Absurdity_of_artificial_means
1958-05-28_-_The_Avatar
1958-09-10_-_Magic,_occultism,_physical_science
1965_12_26?
1966_07_06
1970_02_01
1.ac_-_A_Birthday
1.ac_-_Adela
1.ac_-_Logos
1.ac_-_Lyric_of_Love_to_Leah
1.ac_-_On_-_On_-_Poet
1.ac_-_Power
1.ac_-_The_Garden_of_Janus
1.ac_-_The_Hawk_and_the_Babe
1.ac_-_The_Ladder
1.ac_-_The_Mantra-Yoga
1.ac_-_The_Priestess_of_Panormita
1.ac_-_The_Wizard_Way
1.ac_-_Ut
1.anon_-_Less_profitable
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_VIII
1.anon_-_The_Epic_of_Gilgamesh_Tablet_X
1.anon_-_The_Epic_of_Gilgamesh_Tablet_XI_The_Story_of_the_Flood
1.anon_-_The_Song_of_Songs
1.at_-_St._Agnes_Eve
1.bsf_-_Raga_Asa
1.bsv_-_The_Temple_and_the_Body
1f.lovecraft_-_A_Reminiscence_of_Dr._Samuel_Johnson
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Azathoth
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1f.lovecraft_-_Celephais
1f.lovecraft_-_Discarded_Draft_of
1f.lovecraft_-_Ex_Oblivione
1f.lovecraft_-_Facts_concerning_the_Late
1f.lovecraft_-_He
1f.lovecraft_-_Hypnos
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_Sweet_Ermengarde
1f.lovecraft_-_The_Alchemist
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Colour_out_of_Space
1f.lovecraft_-_The_Crawling_Chaos
1f.lovecraft_-_The_Curse_of_Yig
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Hoard_of_the_Wizard-Beast
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Hound
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Man_of_Stone
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Mystery_of_the_Grave-Yard
1f.lovecraft_-_The_Nameless_City
1f.lovecraft_-_The_Night_Ocean
1f.lovecraft_-_The_Quest_of_Iranon
1f.lovecraft_-_The_Secret_Cave
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Shunned_House
1f.lovecraft_-_The_Silver_Key
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_Terrible_Old_Man
1f.lovecraft_-_The_Transition_of_Juan_Romero
1f.lovecraft_-_The_Very_Old_Folk
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Under_the_Pyramids
1f.lovecraft_-_Winged_Death
1.fs_-_A_Funeral_Fantasie
1.fs_-_Carthage
1.fs_-_Cassandra
1.fs_-_Elegy_On_The_Death_Of_A_Young_Man
1.fs_-_Elysium
1.fs_-_Fantasie_--_To_Laura
1.fs_-_Feast_Of_Victory
1.fs_-_Fridolin_(The_Walk_To_The_Iron_Factory)
1.fs_-_Friendship
1.fs_-_Genius
1.fs_-_Hero_And_Leander
1.fs_-_Hope
1.fs_-_Hymn_To_Joy
1.fs_-_Longing
1.fs_-_Melancholy_--_To_Laura
1.fs_-_Ode_To_Joy
1.fs_-_Ode_To_Joy_-_With_Translation
1.fs_-_Parables_And_Riddles
1.fs_-_Pompeii_And_Herculaneum
1.fs_-_Punch_Song_(To_be_sung_in_the_Northern_Countries)
1.fs_-_The_Artists
1.fs_-_The_Celebrated_Woman_-_An_Epistle_By_A_Married_Man
1.fs_-_The_Complaint_Of_Ceres
1.fs_-_The_Count_Of_Hapsburg
1.fs_-_The_Dance
1.fs_-_The_Driver
1.fs_-_The_Eleusinian_Festival
1.fs_-_The_Fugitive
1.fs_-_The_Gods_Of_Greece
1.fs_-_The_Ideals
1.fs_-_The_Infanticide
1.fs_-_The_Lay_Of_The_Bell
1.fs_-_The_Lay_Of_The_Mountain
1.fs_-_The_Pilgrim
1.fs_-_The_Poetry_Of_Life
1.fs_-_The_Ring_Of_Polycrates_-_A_Ballad
1.fs_-_The_Sower
1.fs_-_The_Triumph_Of_Love
1.fs_-_The_Walk
1.gmh_-_The_Alchemist_In_The_City
1.gnk_-_Japji_38_-_Discipline_is_the_workshop
1.hcyc_-_60_-_The_remarkable_power_of_emancipation_(from_The_Shodoka)
1.hs_-_A_Golden_Compass
1.hs_-_Arise_And_Fill_A_Golden_Goblet
1.hs_-_Cypress_And_Tulip
1.hs_-_It_Is_Time_to_Wake_Up!
1.hs_-_The_Essence_of_Grace
1.hs_-_The_Rose_Is_Not_Fair
1.hs_-_The_Wild_Rose_of_Praise
1.ia_-_I_Laid_My_Little_Daughter_To_Rest
1.ia_-_With_My_Very_Own_Hands
1.jda_-_When_spring_came,_tender-limbed_Radha_wandered_(from_The_Gitagovinda)
1.jk_-_Acrostic__-_Georgiana_Augusta_Keats
1.jk_-_A_Draught_Of_Sunshine
1.jk_-_Answer_To_A_Sonnet_By_J.H.Reynolds
1.jk_-_Apollo_And_The_Graces
1.jk_-_A_Prophecy_-_To_George_Keats_In_America
1.jk_-_A_Thing_Of_Beauty_(Endymion)
1.jk_-_Calidore_-_A_Fragment
1.jk_-_Dedication_To_Leigh_Hunt,_Esq.
1.jk_-_Endymion_-_Book_I
1.jk_-_Endymion_-_Book_II
1.jk_-_Endymion_-_Book_III
1.jk_-_Endymion_-_Book_IV
1.jk_-_Epistle_To_John_Hamilton_Reynolds
1.jk_-_Epistle_To_My_Brother_George
1.jk_-_Extracts_From_An_Opera
1.jk_-_Fancy
1.jk_-_Fragment_Of_The_Castle_Builder
1.jk_-_Hymn_To_Apollo
1.jk_-_Hyperion,_A_Vision_-_Attempted_Reconstruction_Of_The_Poem
1.jk_-_Hyperion._Book_I
1.jk_-_Hyperion._Book_II
1.jk_-_Hyperion._Book_III
1.jk_-_Imitation_Of_Spenser
1.jk_-_Isabella;_Or,_The_Pot_Of_Basil_-_A_Story_From_Boccaccio
1.jk_-_I_Stood_Tip-Toe_Upon_A_Little_Hill
1.jk_-_King_Stephen
1.jk_-_Lamia._Part_I
1.jk_-_Lamia._Part_II
1.jk_-_Lines_On_The_Mermaid_Tavern
1.jk_-_Ode_To_Apollo
1.jk_-_Ode._Written_On_The_Blank_Page_Before_Beaumont_And_Fletchers_Tragi-Comedy_The_Fair_Maid_Of_The_In
1.jk_-_On_Receiving_A_Curious_Shell
1.jk_-_Otho_The_Great_-_Act_I
1.jk_-_Otho_The_Great_-_Act_II
1.jk_-_Otho_The_Great_-_Act_III
1.jk_-_Otho_The_Great_-_Act_IV
1.jk_-_Otho_The_Great_-_Act_V
1.jk_-_Sleep_And_Poetry
1.jk_-_Song_Of_Four_Faries
1.jk_-_Sonnet_-_Before_He_Went
1.jk_-_Sonnet._If_By_Dull_Rhymes_Our_English_Must_Be_Chaind
1.jk_-_Sonnet_I._To_My_Brother_George
1.jk_-_Sonnet_-_Oh!_How_I_Love,_On_A_Fair_Summers_Eve
1.jk_-_Sonnet_On_Sitting_Down_To_Read_King_Lear_Once_Again
1.jk_-_Sonnet_To_Byron
1.jk_-_Sonnet_To_Spenser
1.jk_-_Sonnet._Written_Before_Re-Read_King_Lear
1.jk_-_Sonnet._Written_In_Answer_To_A_Sonnet_By_J._H._Reynolds
1.jk_-_Sonnet_XII._On_Leaving_Some_Friends_At_An_Early_Hour
1.jk_-_Sonnet_XI._On_First_Looking_Into_Chapmans_Homer
1.jk_-_Staffa
1.jk_-_Teignmouth_-_Some_Doggerel,_Sent_In_A_Letter_To_B._R._Haydon
1.jk_-_The_Cap_And_Bells;_Or,_The_Jealousies_-_A_Faery_Tale_.._Unfinished
1.jk_-_The_Eve_Of_Saint_Mark._A_Fragment
1.jk_-_The_Eve_Of_St._Agnes
1.jk_-_To_......
1.jk_-_To_Charles_Cowden_Clarke
1.jk_-_To_George_Felton_Mathew
1.jk_-_To_Some_Ladies
1.jlb_-_Afterglow
1.jlb_-_The_Art_Of_Poetry
1.jlb_-_The_Cyclical_Night
1.jlb_-_The_Golem
1.jlb_-_Unknown_Street
1.jr_-_Book_1_-_Prologue
1.jr_-_come
1.jr_-_I_Closed_My_Eyes_To_Creation
1.jr_-_I_Will_Beguile_Him_With_The_Tongue
1.jr_-_Lord,_What_A_Beloved_Is_Mine!
1.jr_-_My_Mother_Was_Fortune,_My_Father_Generosity_And_Bounty
1.jr_-_Not_Here
1.jr_-_Seizing_my_life_in_your_hands,_you_thrashed_me_clean
1.jr_-_The_Ravings_Which_My_Enemy_Uttered_I_Heard_Within_My_Heart
1.jr_-_The_Self_We_Share
1.jwvg_-_Epiphanias
1.jwvg_-_Lover_In_All_Shapes
1.jwvg_-_Playing_At_Priests
1.jwvg_-_The_Drops_Of_Nectar
1.jwvg_-_True_Enjoyment
1.khc_-_this_autumn_scenes_worth_words_paint
1.lb_-_Ballads_Of_Four_Seasons:_Spring
1.lb_-_Before_The_Cask_of_Wine
1.lb_-_Bringing_in_the_Wine
1.lb_-_Confessional
1.lb_-_Endless_Yearning_by_Li_Po
1.lb_-_Exile's_Letter
1.lb_-_Gold_painted_jars_-_wines_worth_a_thousand
1.lb_-_Hard_Is_The_Journey
1.lb_-_His_Dream_Of_Skyland
1.lb_-_Ho_Chih-chang
1.lb_-_Lament_for_Mr_Tai
1.lb_-_Remembering_the_Springs_at_Chih-chou
1.lb_-_The_River_Song
1.lla_-_Drifter,_on_your_feet,_get_moving!
1.lovecraft_-_An_American_To_Mother_England
1.lovecraft_-_Astrophobos
1.lovecraft_-_Ex_Oblivione
1.lovecraft_-_Fungi_From_Yuggoth
1.lovecraft_-_Laeta-_A_Lament
1.lovecraft_-_Lifes_Mystery
1.lovecraft_-_Poemata_Minora-_Volume_II
1.lovecraft_-_Revelation
1.lovecraft_-_Sunset
1.lovecraft_-_The_City
1.lovecraft_-_The_House
1.lovecraft_-_The_Teutons_Battle-Song
1.lovecraft_-_To_Edward_John_Moreton_Drax_Plunkelt,
1.mb_-_Mira_is_Steadfast
1.mb_-_Unbreakable,_O_Lord
1.mm_-_The_devil_also_offers_his_spirit
1.mm_-_Three_Golden_Apples_from_the_Hesperian_grove_(from_Atalanta_Fugiens)
1.nmdv_-_Laughing_and_playing,_I_came_to_Your_Temple,_O_Lord
1.nmdv_-_The_drum_with_no_drumhead_beats
1.okym_-_15_-_And_those_who_husbanded_the_Golden_Grain
1.okym_-_43_-_The_Grape_that_can_with_Logic_absolute
1.pbs_-_A_Bridal_Song
1.pbs_-_Adonais_-_An_elegy_on_the_Death_of_John_Keats
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_A_New_National_Anthem
1.pbs_-_A_Tale_Of_Society_As_It_Is_-_From_Facts,_1811
1.pbs_-_A_Vision_Of_The_Sea
1.pbs_-_Charles_The_First
1.pbs_-_Chorus_from_Hellas
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Epipsychidion_-_Passages_Of_The_Poem,_Or_Connected_Therewith
1.pbs_-_Epithalamium
1.pbs_-_Epithalamium_-_Another_Version
1.pbs_-_Fragment_-_Satan_Broken_Loose
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_Fragment_-_Wedded_Souls
1.pbs_-_From_Vergils_Fourth_Georgic
1.pbs_-_Ginevra
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_Homers_Hymn_To_Minerva
1.pbs_-_Homers_Hymn_To_The_Moon
1.pbs_-_Homers_Hymn_To_The_Sun
1.pbs_-_Homers_Hymn_To_Venus
1.pbs_-_Hymn_To_Mercury
1.pbs_-_Invocation
1.pbs_-_Julian_and_Maddalo_-_A_Conversation
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Lines_To_A_Critic
1.pbs_-_Lines_Written_Among_The_Euganean_Hills
1.pbs_-_Lines_Written_On_Hearing_The_News_Of_The_Death_Of_Napoleon
1.pbs_-_Marenghi
1.pbs_-_Mariannes_Dream
1.pbs_-_Ode_To_Heaven
1.pbs_-_Ode_To_Liberty
1.pbs_-_Oedipus_Tyrannus_or_Swellfoot_The_Tyrant
1.pbs_-_One_sung_of_thee_who_left_the_tale_untold
1.pbs_-_Peter_Bell_The_Third
1.pbs_-_Prince_Athanase
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_I.
1.pbs_-_Queen_Mab_-_Part_II.
1.pbs_-_Queen_Mab_-_Part_III.
1.pbs_-_Queen_Mab_-_Part_IV.
1.pbs_-_Queen_Mab_-_Part_V.
1.pbs_-_Queen_Mab_-_Part_VI.
1.pbs_-_Queen_Mab_-_Part_VII.
1.pbs_-_Queen_Mab_-_Part_VIII.
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.pbs_-_Scene_From_Tasso
1.pbs_-_Scenes_From_The_Faust_Of_Goethe
1.pbs_-_Sister_Rosa_-_A_Ballad
1.pbs_-_Song
1.pbs_-_Sonnet_-_England_in_1819
1.pbs_-_The_Boat_On_The_Serchio
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Cloud
1.pbs_-_The_Cyclops
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Mask_Of_Anarchy
1.pbs_-_The_Question
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Sensitive_Plant
1.pbs_-_The_Sunset
1.pbs_-_The_Tower_Of_Famine
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Two_Spirits_-_An_Allegory
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_The_Woodman_And_The_Nightingale
1.pbs_-_The_Zucca
1.pbs_-_To_A_Skylark
1.pbs_-_To_The_Lord_Chancellor
1.pbs_-_To_The_Moonbeam
1.pbs_-_To_William_Shelley
1.pbs_-_Ugolino
1.poe_-_A_Dream_Within_A_Dream
1.poe_-_Al_Aaraaf-_Part_1
1.poe_-_Al_Aaraaf-_Part_2
1.poe_-_Alone
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_Lenore
1.poe_-_The_Bells
1.poe_-_The_Coliseum
1.poe_-_The_Haunted_Palace
1.poe_-_The_Power_Of_Words_Oinos.
1.poe_-_The_Sleeper
1.poe_-_To_--
1.poe_-_To_--_(2)
1.poe_-_To_--_(3)
1.poe_-_To_Isadore
1.rb_-_Abt_Vogler
1.rb_-_Aix_In_Provence
1.rb_-_A_Lovers_Quarrel
1.rb_-_Andrea_del_Sarto
1.rb_-_An_Epistle_Containing_the_Strange_Medical_Experience_of_Kar
1.rb_-_A_Pretty_Woman
1.rb_-_A_Toccata_Of_Galuppi's
1.rb_-_Bishop_Blougram's_Apology
1.rb_-_By_The_Fire-Side
1.rb_-_Childe_Roland_To_The_Dark_Tower_Came
1.rb_-_Cleon
1.rb_-_Evelyn_Hope
1.rb_-_In_A_Gondola
1.rb_-_In_A_Year
1.rb_-_In_Three_Days
1.rb_-_Introduction:_Pippa_Passes
1.rb_-_Love_Among_The_Ruins
1.rb_-_Master_Hugues_Of_Saxe-Gotha
1.rb_-_Mesmerism
1.rb_-_Old_Pictures_In_Florence
1.rb_-_Paracelsus_-_Part_II_-_Paracelsus_Attains
1.rb_-_Paracelsus_-_Part_I_-_Paracelsus_Aspires
1.rb_-_Paracelsus_-_Part_V_-_Paracelsus_Attains
1.rb_-_Parting_At_Morning
1.rb_-_Pauline,_A_Fragment_of_a_Question
1.rb_-_Pippa_Passes_-_Part_II_-_Noon
1.rb_-_Popularity
1.rb_-_Rabbi_Ben_Ezra
1.rb_-_Rhyme_for_a_Child_Viewing_a_Naked_Venus_in_a_Painting_of_'The_Judgement_of_Paris'
1.rb_-_Song
1.rb_-_Sordello_-_Book_the_Fifth
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Fourth
1.rb_-_Sordello_-_Book_the_Second
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_The_Englishman_In_Italy
1.rb_-_The_Flight_Of_The_Duchess
1.rb_-_The_Glove
1.rb_-_The_Italian_In_England
1.rb_-_The_Laboratory-Ancien_Rgime
1.rb_-_The_Lost_Leader
1.rb_-_The_Pied_Piper_Of_Hamelin
1.rb_-_Waring
1.rmpsd_-_Ma,_Youre_inside_me
1.rmr_-_Black_Cat_(Schwarze_Katze)
1.rmr_-_Rememberance
1.rmr_-_The_Alchemist
1.rmr_-_What_Survives
1.rt_-_(80)_I_am_like_a_remnant_of_a_cloud_of_autumn_(from_Gitanjali)
1.rt_-_A_Dream
1.rt_-_At_The_Last_Watch
1.rt_-_Babys_Way
1.rt_-_Benediction
1.rt_-_Brink_Of_Eternity
1.rt_-_Clouds_And_Waves
1.rt_-_Dream_Girl
1.rt_-_Fairyland
1.rt_-_Fireflies
1.rt_-_Gitanjali
1.rt_-_Innermost_One
1.rt_-_Kinu_Goalas_Alley
1.rt_-_Light
1.rt_-_Lord_Of_My_Life
1.rt_-_Lost_Star
1.rt_-_Lovers_Gifts_LIV_-_In_The_Beginning_Of_Time
1.rt_-_Lovers_Gifts_XLII_-_Are_You_A_Mere_Picture
1.rt_-_My_Present
1.rt_-_Passing_Breeze
1.rt_-_Patience
1.rt_-_Playthings
1.rt_-_Roaming_Cloud
1.rt_-_Shyama
1.rt_-_Silent_Steps
1.rt_-_The_Banyan_Tree
1.rt_-_The_Gardener_LIX_-_O_Woman
1.rt_-_The_Gardener_LXIX_-_I_Hunt_For_The_Golden_Stag
1.rt_-_The_Gardener_LXVIII_-_None_Lives_For_Ever,_Brother
1.rt_-_The_Gardener_XLVI_-_You_Left_Me
1.rt_-_The_Golden_Boat
1.rt_-_The_Home
1.rt_-_The_Homecoming
1.rt_-_The_Journey
1.rt_-_The_Last_Bargain
1.rt_-_The_Merchant
1.rt_-_The_Portrait
1.rt_-_Unyielding
1.rt_-_Urvashi
1.rvd_-_How_to_Escape?
1.rvd_-_When_I_existed
1.rvd_-_You_are_me,_and_I_am_You
1.rwe_-_A_Nations_Strength
1.rwe_-_Boston_Hymn
1.rwe_-_Celestial_Love
1.rwe_-_Character
1.rwe_-_Flower_Chorus
1.rwe_-_Guy
1.rwe_-_Initial_Love
1.rwe_-_Manners
1.rwe_-_May-Day
1.rwe_-_Monadnoc
1.rwe_-_Politics
1.rwe_-_Saadi
1.rwe_-_The_Adirondacs
1.rwe_-_The_Park
1.rwe_-_The_Problem
1.rwe_-_Threnody
1.rwe_-_Water
1.rwe_-_Wealth
1.rwe_-_Woodnotes
1.sb_-_Gathering_the_Mind
1.sca_-_When_You_have_loved,_You_shall_be_chaste
1.shvb_-_O_ignee_Spiritus_-_Hymn_to_the_Holy_Spirit
1.sig_-_Come_to_me_at_dawn,_my_beloved,_and_go_with_me
1.snk_-_In_Praise_of_the_Goddess
1.snt_-_The_fire_rises_in_me
1.srh_-_The_Royal_Song_of_Saraha_(Dohakosa)
1.srm_-_The_Necklet_of_Nine_Gems
1.ss_-_Outside_the_door_I_made_but_dont_close
1.stl_-_My_Song_for_Today
1.stl_-_The_Atom_of_Jesus-Host
1.sv_-_Song_of_the_Sanyasin
1.tm_-_Follow_my_ways_and_I_will_lead_you
1.tm_-_Song_for_Nobody
1.wb_-_Auguries_of_Innocence
1.wby_-_A_Coat
1.wby_-_A_Dramatic_Poem
1.wby_-_A_Dream_Of_A_Blessed_Spirit
1.wby_-_Aedh_Wishes_For_The_Cloths_Of_Heaven
1.wby_-_All_Souls_Night
1.wby_-_A_Lovers_Quarrel_Among_the_Fairies
1.wby_-_Among_School_Children
1.wby_-_Anashuya_And_Vijaya
1.wby_-_A_Song_From_The_Player_Queen
1.wby_-_Baile_And_Aillinn
1.wby_-_Blood_And_The_Moon
1.wby_-_Byzantium
1.wby_-_Colonel_Martin
1.wby_-_Colonus_Praise
1.wby_-_Cuchulains_Fight_With_The_Sea
1.wby_-_Fergus_And_The_Druid
1.wby_-_He_Gives_His_Beloved_Certain_Rhymes
1.wby_-_In_Taras_Halls
1.wby_-_Lullaby
1.wby_-_News_For_The_Delphic_Oracle
1.wby_-_Nineteen_Hundred_And_Nineteen
1.wby_-_Oil_And_Blood
1.wby_-_Sailing_to_Byzantium
1.wby_-_Symbols
1.wby_-_The_Blessed
1.wby_-_The_Delphic_Oracle_Upon_Plotinus
1.wby_-_The_Gift_Of_Harun_Al-Rashid
1.wby_-_The_Happy_Townland
1.wby_-_The_Lover_Tells_Of_The_Rose_In_His_Heart
1.wby_-_The_Madness_Of_King_Goll
1.wby_-_The_Man_Who_Dreamed_Of_Faeryland
1.wby_-_The_Mask
1.wby_-_The_Old_Stone_Cross
1.wby_-_The_Ragged_Wood
1.wby_-_The_Rose_In_The_Deeps_Of_His_Heart
1.wby_-_The_Secret_Rose
1.wby_-_The_Seven_Sages
1.wby_-_The_Shadowy_Waters_-_The_Shadowy_Waters
1.wby_-_The_Song_Of_Wandering_Aengus
1.wby_-_The_Unappeasable_Host
1.wby_-_The_Wanderings_Of_Oisin_-_Book_I
1.wby_-_The_Wanderings_Of_Oisin_-_Book_II
1.wby_-_The_Wanderings_Of_Oisin_-_Book_III
1.wby_-_The_Withering_Of_The_Boughs
1.wby_-_Those_Dancing_Days_Are_Gone
1.wby_-_Under_The_Moon
1.wby_-_Under_The_Round_Tower
1.wby_-_Vacillation
1.whitman_-_A_Broadway_Pageant
1.whitman_-_A_Carol_Of_Harvest_For_1867
1.whitman_-_American_Feuillage
1.whitman_-_As_A_Strong_Bird_On_Pinious_Free
1.whitman_-_As_I_Sat_Alone_By_Blue_Ontarios_Shores
1.whitman_-_Carol_Of_Occupations
1.whitman_-_Drum-Taps
1.whitman_-_On_The_Beach_At_Night
1.whitman_-_Passage_To_India
1.whitman_-_Salut_Au_Monde
1.whitman_-_Song_of_Myself
1.whitman_-_Song_Of_Myself-_XV
1.whitman_-_Song_Of_Myself-_XXIX
1.whitman_-_Song_Of_Myself-_XXXIII
1.whitman_-_Song_Of_The_Broad-Axe
1.whitman_-_Song_Of_The_Exposition
1.whitman_-_Song_Of_The_Redwood-Tree
1.whitman_-_Souvenirs_Of_Democracy
1.whitman_-_Sparkles_From_The_Wheel
1.whitman_-_Starting_From_Paumanok
1.whitman_-_The_World_Below_The_Brine
1.whitman_-_To_A_Locomotive_In_Winter
1.whitman_-_Warble_Of_Lilac-Time
1.whitman_-_When_Lilacs_Last_in_the_Dooryard_Bloomd
1.whitman_-_Year_Of_Meteors,_1859_60
1.ww_-_1-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_2-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_A_Farewell
1.ww_-_An_Evening_Walk
1.ww_-_Artegal_And_Elidure
1.ww_-_Avaunt_All_Specious_Pliancy_Of_Mind
1.ww_-_A_Whirl-Blast_From_Behind_The_Hill
1.ww_-_Book_Eighth-_Retrospect--Love_Of_Nature_Leading_To_Love_Of_Man
1.ww_-_Book_Eleventh-_France_[concluded]
1.ww_-_Book_Fifth-Books
1.ww_-_Book_Second_[School-Time_Continued]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
1.ww_-_Book_Tenth_{Residence_in_France_continued]
1.ww_-_Book_Third_[Residence_at_Cambridge]
1.ww_-_Book_Thirteenth_[Imagination_And_Taste,_How_Impaired_And_Restored_Concluded]
1.ww_-_Book_Twelfth_[Imagination_And_Taste,_How_Impaired_And_Restored_]
1.ww_-_Daffodils
1.ww_-_Epitaphs_Translated_From_Chiabrera
1.ww_-_Extempore_Effusion_upon_the_Death_of_James_Hogg
1.ww_-_Lines_Written_As_A_School_Exercise_At_Hawkshead,_Anno_Aetatis_14
1.ww_-_Matthew
1.ww_-_Repentance
1.ww_-_Stanzas_Written_In_My_Pocket_Copy_Of_Thomsons_Castle_Of_Indolence
1.ww_-_The_Excursion-_II-_Book_First-_The_Wanderer
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Excursion-_X-_Book_Ninth-_Discourse_of_the_Wanderer,_and_an_Evening_Visit_to_the_Lake
1.ww_-_The_Highland_Broach
1.ww_-_The_Idiot_Boy
1.ww_-_The_Oak_And_The_Broom
1.ww_-_The_Recluse_-_Book_First
1.ww_-_The_Trosachs
1.ww_-_The_Waggoner_-_Canto_Fourth
1.ww_-_To_Joanna
1.ww_-_To_Lady_Eleanor_Butler_and_the_Honourable_Miss_Ponsonby,
1.ww_-_To_Sir_George_Howland_Beaumont,_Bart_From_the_South-West_Coast_Or_Cumberland_1811
1.ww_-_To_The_Cuckoo
1.ww_-_To_The_Same_Flower_(Second_Poem)
1.ww_-_Translation_Of_Part_Of_The_First_Book_Of_The_Aeneid
1.ww_-_Vaudracour_And_Julia
1.ww_-_Vernal_Ode
1.ww_-_When_I_Have_Borne_In_Memory
1.ww_-_Written_With_A_Slate_Pencil_On_A_Stone,_On_The_Side_Of_The_Mountain_Of_Black_Comb
1.ww_-_Yarrow_Revisited
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
20.02_-_The_Golden_Journey
20.03_-_Act_I:The_Descent
20.04_-_Act_II:_The_Play_on_Earth
20.05_-_Act_III:_The_Return
20.06_-_Translations_in_French
2.00_-_BIBLIOGRAPHY
2.01_-_AT_THE_STAR_THEATRE
2.01_-_Mandala_One
2.01_-_Proem
2.01_-_THE_ARCANE_SUBSTANCE_AND_THE_POINT
2.01_-_The_Path
2.01_-_The_Road_of_Trials
2.01_-_The_Tavern
2.01_-_The_Yoga_and_Its_Objects
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_Meeting_With_the_Goddess
2.02_-_On_Letters
2.02_-_THE_DURGA_PUJA_FESTIVAL
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_The_Monstrance
2.02_-_THE_SCINTILLA
2.03_-_Atomic_Forms_And_Their_Combinations
2.03_-_Indra_and_the_Thought-Forces
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.03_-_On_Medicine
2.03_-_The_Altar
2.03_-_THE_MASTER_IN_VARIOUS_MOODS
2.03_-_The_Pyx
2.04_-_Absence_Of_Secondary_Qualities
2.04_-_ADVICE_TO_ISHAN
2.04_-_On_Art
2.04_-_Positive_Aspects_of_the_Mother-Complex
2.04_-_The_Scourge,_the_Dagger_and_the_Chain
2.05_-_Apotheosis
2.05_-_Habit_3__Put_First_Things_First
2.05_-_Infinite_Worlds
2.05_-_The_Cosmic_Illusion;_Mind,_Dream_and_Hallucination
2.05_-_The_Holy_Oil
2.05_-_The_Tale_of_the_Vampires_Kingdom
2.05_-_VISIT_TO_THE_SINTHI_BRAMO_SAMAJ
2.06_-_The_Wand
2.06_-_Two_Tales_of_Seeking_and_Losing
2.06_-_WITH_VARIOUS_DEVOTEES
2.07_-_BANKIM_CHANDRA
2.07_-_I_Also_Try_to_Tell_My_Tale
2.08_-_AT_THE_STAR_THEATRE_(II)
2.08_-_ON_THE_FAMOUS_WISE_MEN
2.08_-_The_Sword
2.09_-_On_Sadhana
2.09_-_THE_MASTERS_BIRTHDAY
2.1.01_-_God_The_One_Reality
21.01_-_The_Mother_The_Nature_of_Her_Work
21.02_-_Gods_and_Men
2.1.02_-_Love_and_Death
2.1.02_-_Nature_The_World-Manifestation
2.10_-_THE_DANCING_SONG
2.10_-_THE_MASTER_AND_NARENDRA
2.11_-_The_Crown
2.11_-_WITH_THE_DEVOTEES_IN_CALCUTTA
2.12_-_THE_MASTERS_REMINISCENCES
2.12_-_The_Robe
2.12_-_The_Way_and_the_Bhakta
2.13_-_Exclusive_Concentration_of_Consciousness-Force_and_the_Ignorance
2.13_-_Psychic_Presence_and_Psychic_Being_-_Real_Origin_of_Race_Superiority
2.13_-_The_Book
2.13_-_THE_MASTER_AT_THE_HOUSES_OF_BALARM_AND_GIRISH
2.14_-_AT_RAMS_HOUSE
2.14_-_The_Bell
2.1.5.4_-_Arts
2.15_-_CAR_FESTIVAL_AT_BALARMS_HOUSE
2.15_-_Reality_and_the_Integral_Knowledge
2.16_-_The_Magick_Fire
2.16_-_VISIT_TO_NANDA_BOSES_HOUSE
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.17_-_December_1938
2.17_-_THE_MASTER_ON_HIMSELF_AND_HIS_EXPERIENCES
2.18_-_January_1939
2.18_-_ON_GREAT_EVENTS
2.18_-_SRI_RAMAKRISHNA_AT_SYAMPUKUR
2.19_-_Feb-May_1939
2.19_-_THE_MASTER_AND_DR._SARKAR
2.2.01_-_Work_and_Yoga
2.2.04_-_Practical_Concerns_in_Work
22.05_-_On_The_Brink(2)
22.07_-_The_Ashram,_the_World_and_The_Individual[^4]
22.08_-_The_Golden_Chain
2.20_-_THE_MASTERS_TRAINING_OF_HIS_DISCIPLES
2.21_-_1940
2.21_-_IN_THE_COMPANY_OF_DEVOTEES_AT_SYAMPUKUR
2.22_-_THE_MASTER_AT_COSSIPORE
2.23_-_THE_MASTER_AND_BUDDHA
2.24_-_Gnosis_and_Ananda
2.2.4_-_Taittiriya_Upanishad
2.24_-_THE_MASTERS_LOVE_FOR_HIS_DEVOTEES
2.25_-_AFTER_THE_PASSING_AWAY
2.25_-_List_of_Topics_in_Each_Talk
2.26_-_The_Ascent_towards_Supermind
2.3.02_-_Opening,_Sincerity_and_the_Mother's_Grace
2.3.02_-_The_Supermind_or_Supramental
2.3.03_-_The_Mother's_Presence
2.3.05_-_Sadhana_through_Work_for_the_Mother
2.3.06_-_The_Mother's_Lights
2.3.07_-_The_Mother_in_Visions,_Dreams_and_Experiences
23.09_-_Observations_I
23.10_-_Observations_II
23.11_-_Observations_III
23.12_-_A_Note_On_The_Mother_of_Dreams
2.3.1_-_Ego_and_Its_Forms
2.3.2_-_Desire
24.02_-_Notes_on_Savitri_I
24.03_-_Notes_on_Savitri_II
24.05_-_Vision_of_Dante
2.4.2_-_Interactions_with_Others_and_the_Practice_of_Yoga
25.02_-_HYMN_TO_DAWN
25.08_-_THY_GRACE
26.09_-_Le_Periple_d_Or_(Pome_dans_par_Yvonne_Artaud)
27.01_-_The_Golden_Harvest
27.02_-_The_Human_Touch_Divine
27.04_-_A_Vision
27.05_-_In_Her_Company
29.08_-_The_Iron_Chain
2_-_Other_Hymns_to_Agni
30.01_-_World-Literature
30.02_-_Greek_Drama
3.00.2_-_Introduction
30.05_-_Rhythm_in_Poetry
3.00_-_Hymn_To_Pan
3.00_-_Introduction
30.13_-_Rabindranath_the_Artist
30.15_-_The_Language_of_Rabindranath
30.17_-_Rabindranath,_Traveller_of_the_Infinite
30.18_-_Boris_Pasternak
3.01_-_INTRODUCTION
3.01_-_Proem
3.01_-_The_Mercurial_Fountain
3.01_-_The_Principles_of_Ritual
3.02_-_King_and_Queen
3.02_-_SOL
3.02_-_The_Great_Secret
3.02_-_The_Psychology_of_Rebirth
3.03_-_SULPHUR
3.04_-_BEFORE_SUNRISE
3.04_-_LUNA
3.04_-_On_Thought_-_III
3.04_-_The_Formula_of_ALHIM
3.05_-_SAL
3.05_-_The_Formula_of_I.A.O.
3.06_-_Charity
3.06_-_The_Formula_of_The_Neophyte
3.06_-_Thought-Forms_and_the_Human_Aura
3.06_-_UPON_THE_MOUNT_OF_OLIVES
3.07_-_ON_PASSING_BY
3.07_-_The_Formula_of_the_Holy_Grail
3.08_-_Of_Equilibrium
3.08_-_Purification
3.09_-_Of_Silence_and_Secrecy
3.09_-_The_Return_of_the_Soul
3.0_-_THE_ETERNAL_RECURRENCE
3.1.01_-_Distinctive_Features_of_the_Integral_Yoga
31.01_-_The_Heart_of_Bengal
3.1.01_-_The_Problem_of_Suffering_and_Evil
3.1.02_-_Spiritual_Evolution_and_the_Supramental
31.04_-_Sri_Ramakrishna
3.1.04_-_Transformation_in_the_Integral_Yoga
3.10_-_Of_the_Gestures
3.10_-_ON_THE_THREE_EVILS
3.10_-_The_New_Birth
3.1.11_-_Appeal
3.1.12_-_A_Child.s_Imagination
3.1.18_-_Evening
3.11_-_Of_Our_Lady_Babalon
3.11_-_ON_THE_SPIRIT_OF_GRAVITY
3.11_-_Spells
3.1.23_-_The_Rishi
3.1.24_-_In_the_Moonlight
3.12_-_Of_the_Bloody_Sacrifice
3.12_-_ON_OLD_AND_NEW_TABLETS
3.13_-_THE_CONVALESCENT
3.14_-_Of_the_Consecrations
3.14_-_ON_THE_GREAT_LONGING
3.15_-_THE_OTHER_DANCING_SONG
3.16.1_-_Of_the_Oath
3.16.2_-_Of_the_Charge_of_the_Spirit
3.16_-_THE_SEVEN_SEALS_OR_THE_YES_AND_AMEN_SONG
3.17_-_Of_the_License_to_Depart
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
31_Hymns_to_the_Star_Goddess
3.2.02_-_The_Veda_and_the_Upanishads
3.2.03_-_Conservation_and_Progress
3.2.03_-_To_the_Ganges
3.2.04_-_Suddenly_out_from_the_wonderful_East
32.04_-_The_Human_Body
3.2.06_-_The_Adwaita_of_Shankaracharya
32.06_-_The_Novel_Alchemy
32.07_-_The_God_of_the_Scientist
3.20_-_Of_the_Eucharist
32.10_-_A_Letter
3.21_-_Of_Black_Magic
3.2.3_-_Dreams
33.01_-_The_Initiation_of_Swadeshi
3.3.01_-_The_Superman
33.02_-_Subhash,_Oaten:_atlas,_Russell
33.07_-_Alipore_Jail
33.08_-_I_Tried_Sannyas
33.10_-_Pondicherry_I
33.11_-_Pondicherry_II
33.16_-_Soviet_Gymnasts
34.03_-_Hymn_To_Dawn
34.06_-_Hymn_to_Sindhu
34.09_-_Hymn_to_the_Pillar
34.10_-_Hymn_To_Earth
35.02_-_Hymn_to_Hara-Gauri
35.06_-_Who_Seeks_Holy_Places?
3-5_Full_Circle
3.6.01_-_Heraclitus
36.07_-_An_Introduction_To_The_Vedas
37.01_-_Yama_-_Nachiketa_(Katha_Upanishad)
37.04_-_The_Story_Of_Rishi_Yajnavalkya
3.7.1.09_-_Karma_and_Freedom
38.03_-_Mute
3.8.1.04_-_Different_Methods_of_Writing
3_-_Commentaries_and_Annotated_Translations
40.02_-_The_Two_Chains_Of_The_Mother
4.01_-_Introduction
4.01_-_THE_COLLECTIVE_ISSUE
4.01_-_THE_HONEY_SACRIFICE
4.02_-_Autobiographical_Evidence
4.02_-_BEYOND_THE_COLLECTIVE_-_THE_HYPER-PERSONAL
4.02_-_Divine_Consolations.
4.02_-_GOLD_AND_SPIRIT
4.02_-_Humanity_in_Progress
4.02_-_THE_CRY_OF_DISTRESS
4.03_-_The_Meaning_of_Human_Endeavor
4.03_-_The_Senses_And_Mental_Pictures
4.03_-_The_Special_Phenomenology_of_the_Child_Archetype
4.03_-_THE_TRANSFORMATION_OF_THE_KING
4.04_-_Conclusion
4.04_-_THE_REGENERATION_OF_THE_KING
4.05_-_THE_DARK_SIDE_OF_THE_KING
4.05_-_The_Passion_Of_Love
4.06_-_Purification-the_Lower_Mentality
4.06_-_RETIRED
4.06_-_THE_KING_AS_ANTHROPOS
4.08_-_THE_VOLUNTARY_BEGGAR
4.09_-_REGINA
4.10_-_AT_NOON
4.13_-_ON_THE_HIGHER_MAN
4.16_-_AMONG_DAUGHTERS_OF_THE_WILDERNESS
4.19_-_THE_DRUNKEN_SONG
4.2.01_-_The_Mother_of_Dreams
4.2.02_-_An_Image
4.2.4_-_Time_and_CHange_of_the_Nature
4.2.5_-_Dealing_with_Depression_and_Despondency
4.2_-_Karma
4.3.1_-_The_Hostile_Forces_and_the_Difficulties_of_Yoga
4.3.2.09_-_Overmind_Experiences_and_the_Supermind
4.41_-_Chapter_One
4.42_-_Chapter_Two
4.43_-_Chapter_Three
4.4.4.07_-_The_Descent_of_Light
5.01_-_ADAM_AS_THE_ARCANE_SUBSTANCE
5.01_-_Proem
5.01_-_The_Dakini,_Salgye_Du_Dalma
5.02_-_THE_STATUE
5.03_-_ADAM_AS_THE_FIRST_ADEPT
5.04_-_Formation_Of_The_World
5.04_-_THE_POLARITY_OF_ADAM
5.04_-_Three_Dreams
5.05_-_Origins_Of_Vegetable_And_Animal_Life
5.06_-_THE_TRANSFORMATION
5.07_-_Beginnings_Of_Civilization
5.07_-_ROTUNDUM,_HEAD,_AND_BRAIN
5.08_-_ADAM_AS_TOTALITY
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.2_-_The_Book_of_the_Statesman
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.1.01.9_-_Book_IX
5.1.02_-_Ahana
5.1.02_-_The_Gods
5.4.01_-_Notes_on_Root-Sounds
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.01_-_THE_ALCHEMICAL_VIEW_OF_THE_UNION_OF_OPPOSITES
6.02_-_Great_Meteorological_Phenomena,_Etc
6.03_-_Extraordinary_And_Paradoxical_Telluric_Phenomena
6.04_-_THE_MEANING_OF_THE_ALCHEMICAL_PROCEDURE
6.05_-_THE_PSYCHOLOGICAL_INTERPRETATION_OF_THE_PROCEDURE
6.06_-_Remembrances
6.06_-_SELF-KNOWLEDGE
6.07_-_THE_MONOCOLUS
6.08_-_THE_CONTENT_AND_MEANING_OF_THE_FIRST_TWO_STAGES
6.09_-_Imaginary_Visions
6.0_-_Conscious,_Unconscious,_and_Individuation
6.10_-_THE_SELF_AND_THE_BOUNDS_OF_KNOWLEDGE
7.06_-_The_Simple_Life
7.08_-_Sincerity
7.09_-_Right_Judgement
7.11_-_Building_and_Destroying
7.13_-_The_Conquest_of_Knowledge
7.14_-_Modesty
7.15_-_The_Family
7.16_-_Sympathy
7.2.03_-_The_Other_Earths
7.2.04_-_Thought_the_Paraclete
7.2.05_-_Moon_of_Two_Hemispheres
7.2.06_-_Rose_of_God
7.5.26_-_The_Golden_Light
7.6.01_-_Symbol_Moon
7.6.02_-_The_World_Game
7.9.20_-_Soul,_my_soul
7_-_Yoga_of_Sri_Aurobindo
9.99_-_Glossary
Aeneid
A_God's_Labour
Appendix_4_-_Priest_Spells
APPENDIX_I_-_Curriculum_of_A._A.
Blazing_P1_-_Preconventional_consciousness
Blazing_P2_-_Map_the_Stages_of_Conventional_Consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
Book_1_-_The_Council_of_the_Gods
BOOK_I._-_Augustine_censures_the_pagans,_who_attributed_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_II._-_A_review_of_the_calamities_suffered_by_the_Romans_before_the_time_of_Christ,_showing_that_their_gods_had_plunged_them_into_corruption_and_vice
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
BOOK_IV._-_That_empire_was_given_to_Rome_not_by_the_gods,_but_by_the_One_True_God
BOOK_IX._-_Of_those_who_allege_a_distinction_among_demons,_some_being_good_and_others_evil
Book_of_Exodus
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
Book_of_Proverbs
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_X._-_Porphyrys_doctrine_of_redemption
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVII._-_The_history_of_the_city_of_God_from_the_times_of_the_prophets_to_Christ
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BOOK_XX._-_Of_the_last_judgment,_and_the_declarations_regarding_it_in_the_Old_and_New_Testaments
BS_1_-_Introduction_to_the_Idea_of_God
CASE_6_-_THE_BUDDHAS_FLOWER
Chapter_II_-_WHICH_TREATS_OF_THE_FIRST_SALLY_THE_INGENIOUS_DON_QUIXOTE_MADE_FROM_HOME
Chapter_I_-_WHICH_TREATS_OF_THE_CHARACTER_AND_PURSUITS_OF_THE_FAMOUS_GENTLEMAN_DON_QUIXOTE_OF_LA_MANCHA
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_I
COSA_-_BOOK_II
COSA_-_BOOK_IV
COSA_-_BOOK_V
COSA_-_BOOK_VI
COSA_-_BOOK_VII
COSA_-_BOOK_XI
Cratylus
Diamond_Sutra_1
DS2
ENNEAD_01.06_-_Of_Beauty.
ENNEAD_01.08_-_Of_the_Nature_and_Origin_of_Evils.
ENNEAD_02.01_-_Of_the_Heaven.
ENNEAD_02.04a_-_Of_Matter.
ENNEAD_04.07_-_Of_the_Immortality_of_the_Soul:_Polemic_Against_Materialism.
ENNEAD_05.05_-_That_Intelligible_Entities_Are_Not_External_to_the_Intelligence_of_the_Good.
ENNEAD_05.08_-_Concerning_Intelligible_Beauty.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
ENNEAD_06.06_-_Of_Numbers.
Ex_Oblivione
Gorgias
Guru_Granth_Sahib_first_part
Ion
IS_-_Chapter_1
Isha_Upanishads
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
Medea_-_A_Vergillian_Cento
Meno
MoM_References
Phaedo
Prayers_and_Meditations_by_Baha_u_llah_text
r1909_06_18
r1912_12_31
r1914_03_22
r1914_03_28
r1914_07_18
r1914_11_14
r1919_06_24
Sayings_of_Sri_Ramakrishna_(text)
Sophist
Story_of_the_Warrior_and_the_Captive
Symposium_translated_by_B_Jowett
Tablets_of_Baha_u_llah_text
Talks_001-025
Talks_026-050
Talks_076-099
Talks_176-200
Talks_225-239
Talks_600-652
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
Theaetetus
The_Aleph
The_Book_of_Certitude_-_P2
The_Book_of_Job
The_Book_of_Joshua
The_Book_of_the_Prophet_Isaiah
The_Book_of_Wisdom
The_Coming_Race_Contents
The_Dwellings_of_the_Philosophers
The_Epistle_of_James
the_Eternal_Wisdom
The_First_Epistle_of_Paul_to_the_Corinthians
The_First_Epistle_of_Paul_to_Timothy
The_First_Epistle_of_Peter
The_Five,_Ranks_of_The_Apparent_and_the_Real
The_Garden_of_Forking_Paths_2
The_Gold_Bug
The_Golden_Sentences_of_Democrates
The_Golden_Verses_of_Pythagoras
The_Gospel_According_to_John
The_Gospel_According_to_Luke
The_Gospel_According_to_Mark
The_Gospel_According_to_Matthew
The_Gospel_of_Thomas
The_Hidden_Words_text
The_Immortal
The_Letter_to_the_Hebrews
The_Lottery_in_Babylon
The_One_Who_Walks_Away
The_Pilgrims_Progress
The_Poems_of_Cold_Mountain
The_Revelation_of_Jesus_Christ_or_the_Apocalypse
The_Riddle_of_this_World
The_Second_Epistle_of_Paul_to_Timothy
The_Shadow_Out_Of_Time
The_Waiting
Thus_Spoke_Zarathustra_text
Timaeus
Ultima_Thule_-_Dedication_to_G._W._G.
Verses_of_Vemana

PRIMARY CLASS

Color
SIMILAR TITLES
gol
Gold
golden
Narcissus and Goldmund
The Golden Bough
The Secret of the Golden Flower

DEFINITIONS


TERMS STARTING WITH

gold-beaten ::: a. --> Gilded.

gold-beating ::: n. --> The art or process of reducing gold to extremely thin leaves, by beating with a hammer.

gold-bound ::: a. --> Encompassed with gold.

goldcrest ::: n. --> The European golden-crested kinglet (Regulus cristatus, or R. regulus); -- called also golden-crested wren, and golden wren. The name is also sometimes applied to the American golden-crested kinglet. See Kinglet.

goldcup ::: n. --> The cuckoobud.

golden age.” In Greek lore, daemons were

golde ::: n. --> Alt. of Goolde

golden ::: a. --> Made of gold; consisting of gold.
Having the color of gold; as, the golden grain.
Very precious; highly valuable; excellent; eminently auspicious; as, golden opinions.


golden Child ::: Sri Aurobindo: "I suppose the golden child is the Truth-Soul which follows after the silver light of the spiritual. When it plunges into the black waters of the subconscient, it releases from it the spiritual light and the sevenfold streams of the Divine Energy and, clearing itself of the stains of the subconscient, it prepares its flight towards the supreme Divine (the Mother).” (Reply to a question in the chapter Visions and Symbols.) Letters on Yoga

golden-eye ::: n. --> A duck (Glaucionetta clangula), found in Northern Europe, Asia, and America. The American variety (var. Americana) is larger. Called whistler, garrot, gowdy, pied widgeon, whiteside, curre, and doucker. Barrow&

golden house

goldening ::: covering with the appearance of gold.

golden ::: of, relating to, made of, or containing gold.

golden Path ::: also known as the sunlit path.

golden ::: [Probabaly from folklore's golden egg] When used to describe a magnetic medium (e.g. golden disk, golden tape), describes one containing a tested, up-to-spec, ready-to-ship software version. Compare platinum-iridium.[Jargon File]

golden [Probabaly from folklore's "golden egg"] When used to describe a magnetic medium (e.g. "golden disk", "golden tape"), describes one containing a tested, up-to-spec, ready-to-ship software version. Compare {platinum-iridium}. [{Jargon File}]

golden ratio: Given two quantities a and b, the ratio which is the same for both, the sum to the larger quantity and the larger to the smaller quantity.

golden rectangle: A rectangle whose dimensions (length and width) are in the ratio of the golden ratio.

golden-rod ::: n. --> A tall herb (Solidago Virga-aurea), bearing yellow flowers in a graceful elongated cluster. The name is common to all the species of the genus Solidago.

golden Sphinx

golden Sphinx ::: Sri Aurobindo: "…the luminous veiled Sphinx of the infinite Consciousness and eternal Wisdom.” The Life Divine

goldfinch ::: n. --> A beautiful bright-colored European finch (Carduelis elegans). The name refers to the large patch of yellow on the wings. The front of the head and throat are bright red; the nape, with part of the wings and tail, black; -- called also goldspink, goldie, fool&

goldfinny ::: n. --> One of two or more species of European labroid fishes (Crenilabrus melops, and Ctenolabrus rupestris); -- called also goldsinny, and goldney.

goldfish ::: n. --> A small domesticated cyprinoid fish (Carassius auratus); -- so named from its color. It is native of China, and is said to have been introduced into Europe in 1691. It is often kept as an ornament, in small ponds or glass globes. Many varieties are known. Called also golden fish, and golden carp. See Telescope fish, under Telescope.
A California marine fish of an orange or red color; the garibaldi.


gold-hammer ::: n. --> The yellow-hammer.

gold Hawk

goldie ::: n. --> The European goldfinch.
The yellow-hammer.


goldilocks ::: n. --> Same as Goldylocks.

golding ::: n. --> A conspicuous yellow flower, commonly the corn marigold (Chrysanthemum segetum).

goldin ::: n. --> Alt. of Golding

gold-leaf ::: gold beaten into extremely thin sheets used especially for gilding.

goldless ::: a. --> Destitute of gold.

gold ::: n. --> Alt. of Goolde ::: v. t. --> A metallic element, constituting the most precious metal used as a common commercial medium of exchange. It has a characteristic yellow color, is one of the heaviest substances known (specific gravity 19.32), is soft, and very malleable and ductile. It is quite

goldney ::: n. --> See Gilthead.

goldseed ::: n. --> Dog&

goldsinny ::: n. --> See Goldfinny.

goldsmith ::: n. --> An artisan who manufactures vessels and ornaments, etc., of gold.
A banker.


goldtit ::: n. --> See Verdin.

goldylocks ::: n. --> A plant of several species of the genus Chrysocoma; -- so called from the tufts of yellow flowers which terminate the stems; also, the Ranunculus auricomus, a kind of buttercup.

golet ::: n. --> The gullet.
A California trout. See Malma.


golf ball printer {IBM 2741}

golfer ::: n. --> One who plays golf.

golf ::: n. --> A game played with a small ball and a bat or club crooked at the lower end. He who drives the ball into each of a series of small holes in the ground and brings it into the last hole with the fewest strokes is the winner.

golgotha ::: n. --> Calvary. See the Note under Calvary.

goliardery ::: n. --> The satirical or ribald poetry of the Goliards.

goliard ::: n. --> A buffoon in the Middle Ages, who attended rich men&

goliath beetle ::: --> Any species of Goliathus, a genus of very large and handsome African beetles.

goll ::: n. --> A hand, paw, or claw.

goloe-shoe ::: n. --> A galoche.

goloka ::: the Vaishnava heaven of eternal beauty and bliss.

goloka ::: world of Love, beauty and ananda full of spiritual radiances; the vaisnava heaven of eternal Beauty and Bliss.

golore ::: n. --> See Galore.

goloshe ::: n. --> See Galoche.

goltschut ::: n. --> A small ingot of gold.
A silver ingot, used in Japan as money.


golyardeys ::: n. --> A buffoon. See Gollard.

Golab (“incendiaries”)—one of the adversaries

Golandes—an angel invoked in the exorcism

Golan Law ::: Proposed in 1981 by Israeli Prime Minister Menachem Begin, and later ratified by the Israeli parliament(Knesset), it officially annexed the Golan Heights to Israel.

Gola ::: See galut. ::: Golan Heights ::: Mountainous region in the northeastern part of Israel (part of Syria before the 1967 Six Day War). The Golan Heights are important for their strategic value and water supply.

Golden age: In occultism, the Satya Yuga (q.v.); an era of purity, simplicity of interests and pursuits and universal happiness.

Golden Age of Greece: 500 - 300 BC. A time known for its art, philosophy, architecture and literature.

Golden Age The first of the four Hesiodic Ages — Gold, Silver, Bronze, Iron — signifying the beginning of a new root-race and, on a smaller scale, the beginning of any subordinate racial period. This four-fold division applies not only to root-races but to all their subdivisions.

Golden Apples. See HESPERIDES; TREE

Golden Ass. See APULEIUS; ASS; SATURN

Golden Calf In the Old Testament, an object (Hebrew agel, egel, calf or globe) made in the wilderness by Aaron at the request of the Israelites when Moses had not returned from Mt. Sinai (BCW 3:130). Upon his return, Moses destroyed the idol by burning it, grinding it to powder, strewing it on water, and making the Israelites drink it (Ex 32:20) — which Blavatsky holds has an alchemical significance (BCW 11:44). In one sense the golden calf stands for the secret knowledge the Jews took from the Egyptians. In another sense it is “the sacred heifer, the symbol of the ‘Great Mother,’ first the planet Venus, and then the moon . . . as says G. Massey . . .:

Golden Chain (of Hermes or Homer). See HERMETIC CHAIN

Golden chain: See: Hermetic chain.

Golden Child

Golden Cow. See COW; DVIJA; HOLY OF HOLIES

Golden Dawn ::: The Hermetic Order of the Golden Dawn. An esoteric organization operating in the late 19th and early 20th centuries that set the stage for the revival of the Western occult tradition and which contributed much to current philosophy and approaches to magic, divination, and initiation.

Golden Dawn (The Hermetic Order of the): This Order was founded in1888 and largely dominated by S. Liddell MacGregor-Mathers. Crowley, Spare and Fortune were members of the G.'.D.'. at various stages of their careers. When the Order failed to maintain contact with the Invisible or Secret Chiefs of the Great White Brotherhood,

Golden Egg. See HIRANYAGARBHA; FOURFOLD CLASSIFICATION; WORLD EGG; DUCK

Golden Fleece In Greek mythology, the fleece of a ram sent by the gods to save Phrixus and Helle, son and daughter of Athamas and Nephele, from their stepmother Ino. Flying through the air, it bore them towards Asia Minor. Helle drowned in the sea (at the Hellespont), but Phrixus arrived at Colchis. There he sacrificed the ram to Zeus and presented the fleece to king Aeetes, who hung it in a grove of Ares. Later, a generation before the Trojan War, Jason and the Argonauts brought the fleece back to Greece with the aid of Aeetes’ daughter Medea.

Golden handcuffs - Contractual agreement almost virtually assuring that the stockbroker will stay with the brokerage firm for a speci­fied time period. The incentive may be in the form of high commission rates, bonuses, participation in a forthcoming IPO (Initial Public Offering) of the brokerage firm itself, or other attractive fringe benefits. The contract may specify a penalty the broker will incur such as forfeiting past commissions if he or she leaves the brokerage firm before a specified date.

Golden handshake - A clause in executive employment contracts that provides the executives with lucrative severance packages in the event of their termination. May include a continuation of salary, bonus, and/or certain benefits and perquisites, as well as accelerated vesting of stock options.

Golden Legend, Michael is the spirit of the planet

Golden Legend.

Golden Legend, The. Jacobus de Voragine. Dresden,

Golden light always means the light of Truth ; but the nature of the Truth varies according to the plane to which it belongs.

Golden light is a light from the Supermind but naturally it is modified in the plane in which h works. It becomes the light of Truth in the OvermInd, light of Truth in the intuition.

Golden light is usually a light from the supermind, a light of

Golden Light Sutra. See SUVARnAPRABHĀSOTTAMASuTRA.

Golden Light Sutra

GOLDEN LIGHT. ::: Tlic golden light is that of the Divine

Golden Path

Golden Rule In the West, applied to the moral teaching as voiced by Jesus in the Sermon on the Mount, and stated by him to be all the law and the prophets: “All things whatsoever ye would that men should do to you, do ye even so to them” (Matt 7:12); “As ye would that men should do to you, do ye also to them likewise” (Luke 6:31).

Golden rules of accounting - 1. debits = credits; and, 2. Assets = liabilities + owners equity (The accounting equation).

Golden Thread, Golden Cord. See SUTRATMAN

Golden-winged Herald, late hee saw /To a poor

Gold exchange standard - A monetary system in which U.S. currency is directly convertible into gold and other countries' currencies are indirectly convertible by being convertible into the gold-backed U.S. dollar at a fixed rate.

Goldin, Judah (ed., tr.). The Fathers According to Rabbi

Goldscheider. Phaidon Edition. New York: Oxford

Gold The king of metal, symbol of perfection, durability, and purity; of the real sun, the great masculine principle, the Father, the positive side of the solar cosmic life. Alchemists considered gold as being a deposit of solar light, regarding light as the emanative fire from the sun. The gold of human nature, which has to be purified by fire from its dross, is manas, the self-conscious element, when purified from contamination with the dross of the lower principles and united with buddhi. While divine alchemy seeks to purify the gold of human nature, physical alchemy seeks to derive gold by transmutation from baser metals. In contrast with gold, brass is mentioned as signifying the baser elements or the world of passional matter; and by another contrast, silver is the analog of the watery or feminine principle, whose planetary counterpart is the moon.

GOLD, vide Symbol.

Golem ::: A type of servitor with a physical base. Generally used for protection or offense. In myth they have been known to be active on the Physical Plane and could capable of all sorts of acts until disabled or deactivated. Generally not a type of servitor encountered in modern practice; most constructs have a physical base to their sigil or existence but that a golem does not make.

Golem ::: (Heb. Cocoon) According to the Talmud and Jewish folklore, the golem is a clay automaton which can be created through a series of spells and incantations to protect an oppressed Jewish community.

Golem: In Jewish mystic lore, an android or homunculus (q.v.) made by the great medieval mystic Rabbi Loew of Prague, who wrote the ineffable name of God on a piece of parchment which he placed in the android’s mouth; the magic name gave the Golem life and it was alive until the parchment was removed, when it again became an empty, lifeless hulk.

Golf ::: A G-protein found uniquely in olfactory receptor neurons.

GOL ::: General Operating Language. Subsystem of DOCUS. [Sammet 1969, p.678].

GOL General Operating Language. Subsystem of {DOCUS}. [Sammet 1969, p.678].

Golgi tendon organs ::: Receptors located in muscle tendons that provide mechanosensory information to the central nervous system about muscle tension.

Golgotha [from Greek of Hebrew gulgoleth, Chald gulgalta skull; in Greek cranion; Latin calvaria, whence Calvary.] The site of Jesus’ alleged physical crucifixion; often used metaphorically to signify crucifixion or trial.

Gollancz, Hermann (ed., tr.). Book of the Key of Solomon

Gollancz Ltd., 1928.


TERMS ANYWHERE

  "1. ‘The Golden Embryo" in Hindu cosmology; the name given to the golden-hued Egg which floated on the surface of the primeval waters. In time the egg divided into two parts, the golden top half of the shell becoming the heavens and the silver lower half the earth. 2. ‘God imaginative and therefore creative"; the ‘Spirit in the middle or Dream State"; Lord of Dream-Life who takes from the ocean of subconsciously intelligent spiritual being the conscious psychic forces which He materializes or encases in various forms of gross living matter. (Enc. Br.; A)” Glossary and Index of Proper Names in Sri Aurobindo"s Works.

“1. ‘The Golden Embryo’ in Hindu cosmology; the name given to the golden-hued Egg which floated on the surface of the primeval waters. In time the egg divided into two parts, the golden top half of the shell becoming the heavens and the silver lower half the earth. 2. ‘God imaginative and therefore creative’; the ‘Spirit in the middle or Dream State’; Lord of Dream-Life who takes from the ocean of subconsciously intelligent spiritual being the conscious psychic forces which He materializes or encases in various forms of gross living matter. (Enc. Br.; A)” Glossary and Index of Proper Names in Sri Aurobindo’s Works.

1. To give light to; illuminate; shine on. 2. Make lighter or brighter. 3. To bestow spiritual enlightenment. 4. To enlighten, as with knowledge. 5. To make lucid or clear; throw light on (a subject). 6. To make resplendent or illustrious. 7. To decorate (a manuscript, book, etc.) with colours and gold or silver, as was often done in the Middle Ages. illumines, illumined, illumining, half-illumined.

1. Touchstone; a very smooth, fine-grained, black or dark-coloured variety of quartz or jasper (also called basanite), used for testing the quality of gold and silver alloys by the colour of the streak produced by rubbing them upon it; a piece of such stone used for this purpose. 2. *fig.* That which serves to test or try the genuineness or value of anything; a test, criterion.

aber-de-vine ::: n. --> The European siskin (Carduelis spinus), a small green and yellow finch, related to the goldfinch.

abuse ::: v. t. --> To put to a wrong use; to misapply; to misuse; to put to a bad use; to use for a wrong purpose or end; to pervert; as, to abuse inherited gold; to make an excessive use of; as, to abuse one&

agami ::: n. --> A South American bird (Psophia crepitans), allied to the cranes, and easily domesticated; -- called also the gold-breasted trumpeter. Its body is about the size of the pheasant. See Trumpeter.

age ::: n. **1. A great period or stage of the history of the Earth. 2. Hist. Any great period or portion of human history distinguished by certain characters real or mythical, as the Golden Age, the Patriarchal Age, the Bronze Age, the Age of the Reformation, the Middle Ages, the Prehistoric Age. 3. A generation or a series of generations. 4. Advanced years; old age. age"s, ages, ages". v. 5.** To grow old; to become aged.

algol ::: n. --> A fixed star, in Medusa&

algological ::: a. --> Of or pertaining to algology; as, algological specimens.

algologist ::: n. --> One learned about algae; a student of algology.

algology ::: n. --> The study or science of algae or seaweeds.

alchemy ::: n. --> An imaginary art which aimed to transmute the baser metals into gold, to find the panacea, or universal remedy for diseases, etc. It led the way to modern chemistry.
A mixed metal composed mainly of brass, formerly used for various utensils; hence, a trumpet.
Miraculous power of transmuting something common into something precious.


  A legendary treasure city of South America believed to contain an abundance of gold, sought by the early Spanish Conquistadors. 2. Any place offering great wealth.

"All birds of that region are relatives. But this is the bird of eternal Ananda, while the Hippogriff is the divinised Thought and the Bird of Fire is the Agni-bird, psychic and tapas. All that however is to mentalise too much and mentalising always takes most of the life out of spiritual things. That is why I say it can be seen but nothing said about it.” ::: "The question was: ‘In the mystical region, is the dragon bird any relation of your Bird of Fire with ‘gold-white wings" or your Hippogriff with ‘face lustred, pale-blue-lined"? And why do you write: ‘What to say about him? One can only see"?” Letters on Savitri

alloy ::: 1. A substance composed of two or more metals, or of a metal or metals with a nonmetal, intimately mixed, as by fusion or electrodeposition; a less costly metal mixed with a more valuable one, such as that which is added to gold and silver coinage. 2. Admixture, as with good with evil.

alloy ::: v. t. --> Any combination or compound of metals fused together; a mixture of metals; for example, brass, which is an alloy of copper and zinc. But when mercury is one of the metals, the compound is called an amalgam.
The quality, or comparative purity, of gold or silver; fineness.
A baser metal mixed with a finer.
Admixture of anything which lessens the value or detracts


amalgamation ::: n. --> The act or operation of compounding mercury with another metal; -- applied particularly to the process of separating gold and silver from their ores by mixing them with mercury.
The mixing or blending of different elements, races, societies, etc.; also, the result of such combination or blending; a homogeneous union.


Amal: “I believe this phrase—like ‘The sun-eyed Guardians and the Golden Sphinx’—refers to the denizens of the Supermind just as do the lines mentioning ‘the belt of the unchanging Truth’ and ‘the presence of the Ineffable’. The earlier words—‘The gold ridge of the world-dream’—point to the overmind. In the same context the words ‘Between the slayer and the saviour fires’ remind us of the closing lines of the sonnet ‘Nirvana’ which ends with lines:

Amal: “In occult vision the colour of the mind is either yellow or blue. The yellow intensifies into the gold of the Supramental and the blue into the Divine Mother’s compassionate infinity.”

Amal: “‘The gold Hawk’ is the spiritual-mental being.”

angola ::: n. --> A fabric made from the wool of the Angora goat.

angola pea ::: --> A tropical plant (Cajanus indicus) and its edible seed, a kind of pulse; -- so called from Angola in Western Africa. Called also pigeon pea and Congo pea.

angelet ::: n. --> A small gold coin formerly current in England; a half angel.

angelot ::: n. --> A French gold coin of the reign of Louis XI., bearing the image of St. Michael; also, a piece coined at Paris by the English under Henry VI.
An instrument of music, of the lute kind, now disused.
A sort of small, rich cheese, made in Normandy.


ant-eater ::: n. --> One of several species of edentates and monotremes that feed upon ants. See Ant-bear, Pangolin, Aard-vark, and Echidna.

aphrodite ::: n. --> The Greek goddess of love, corresponding to the Venus of the Romans.
A large marine annelid, covered with long, lustrous, golden, hairlike setae; the sea mouse.
A beautiful butterfly (Argunnis Aphrodite) of the United States.


apple ::: n. --> The fleshy pome or fruit of a rosaceous tree (Pyrus malus) cultivated in numberless varieties in the temperate zones.
Any tree genus Pyrus which has the stalk sunken into the base of the fruit; an apple tree.
Any fruit or other vegetable production resembling, or supposed to resemble, the apple; as, apple of love, or love apple (a tomato), balsam apple, egg apple, oak apple.
Anything round like an apple; as, an apple of gold.


A radiance of a golden artifice,

argolic ::: a. --> Pertaining to Argolis, a district in the Peloponnesus.

argol ::: n. --> Crude tartar; an acidulous salt from which cream of tartar is prepared. It exists in the juice of grapes, and is deposited from wines on the sides of the casks.

argal ::: n. --> Crude tartar. See Argol.
Alt. of Argali ::: adv. --> A ludicrous corruption of the Latin word ergo, therefore.


argive ::: a. --> Of or performance to Argos, the capital of Argolis in Greece. ::: n. --> A native of Argos. Often used as a generic term, equivalent to Grecian or Greek.

argonaut ::: n. --> Any one of the legendary Greek heroes who sailed with Jason, in the Argo, in quest of the Golden Fleece.
A cephalopod of the genus Argonauta.


argo ::: n. --> The name of the ship which carried Jason and his fifty-four companions to Colchis, in quest of the Golden Fleece.
A large constellation in the southern hemisphere, called also Argo Navis. In modern astronomy it is replaced by its three divisions, Carina, Puppis, and Vela.


ark ::: n. --> A chest, or coffer.
The oblong chest of acacia wood, overlaid with gold, which supported the mercy seat with its golden cherubs, and occupied the most sacred place in the sanctuary. In it Moses placed the two tables of stone containing the ten commandments. Called also the Ark of the Covenant.
The large, chestlike vessel in which Noah and his family were preserved during the Deluge. Gen. vi. Hence: Any place of refuge.


arrastre ::: n. --> A rude apparatus for pulverizing ores, esp. those containing free gold.

As in the gold mosaic of a wall,

assayer ::: n. --> One who assays. Specifically: One who examines metallic ores or compounds, for the purpose of determining the amount of any particular metal in the same, especially of gold or silver.

associate ::: v. t. --> To join with one, as a friend, companion, partner, or confederate; as, to associate others with us in business, or in an enterprise.
To join or connect; to combine in acting; as, particles of gold associated with other substances.
To connect or place together in thought.
To accompany; to keep company with.


“As the Sun is image and godhead of the golden Light of the divine Truth, so Dawn is image and godhead of the opening out of the supreme illumination on the night of our human ignorance. Dawn daughter of Heaven and Night her sister are obverse and reverse sides of the same eternal Infinite.” The Secret of the Veda

aurated ::: a. --> Resembling or containing gold; gold-colored; gilded.
Combined with auric acid.
Having ears. See Aurited.


aureate ::: a. --> Golden; gilded.

aureate ::: golden or gilded; brilliant or splendid.

aurelia ::: n. --> The chrysalis, or pupa of an insect, esp. when reflecting a brilliant golden color, as that of some of the butterflies.
A genus of jellyfishes. See Discophora.


auric ::: a. --> Of or pertaining to gold.
Pertaining to, or derived from, gold; -- said of those compounds of gold in which this element has its higher valence; as, auric oxide; auric chloride.


auriferous ::: a. --> Gold-bearing; containing or producing gold.

aurigraphy ::: n. --> The art of writing with or in gold.

auriphrygiate ::: a. --> Embroidered or decorated with gold.

aurivorous ::: a. --> Gold-devouring.

aurocephalous ::: a. --> Having a gold-colored head.

aurochloride ::: n. --> The trichloride of gold combination with the chloride of another metal, forming a double chloride; -- called also chloraurate.

aurocyanide ::: n. --> A double cyanide of gold and some other metal or radical; -- called also cyanaurate.

aurous ::: a. --> Containing gold.
Pertaining to, or derived from, gold; -- said of those compounds of gold in which this element has its lower valence; as, aurous oxide.


aurum ::: n. --> Gold.

aventurine ::: n. --> A kind of glass, containing gold-colored spangles. It was produced in the first place by the accidental (par aventure) dropping of some brass filings into a pot of melted glass.
A variety of translucent quartz, spangled throughout with scales of yellow mica.


baltimore oriole ::: --> A common American bird (Icterus galbula), named after Lord Baltimore, because its colors (black and orange red) are like those of his coat of arms; -- called also golden robin.

bangle ::: v. t. --> To waste by little and little; to fritter away. ::: n. --> An ornamental circlet, of glass, gold, silver, or other material, worn by women in India and Africa, and in some other countries, upon the wrist or ankle; a ring bracelet.

bar ::: n. --> A piece of wood, metal, or other material, long in proportion to its breadth or thickness, used as a lever and for various other purposes, but especially for a hindrance, obstruction, or fastening; as, the bars of a fence or gate; the bar of a door.
An indefinite quantity of some substance, so shaped as to be long in proportion to its breadth and thickness; as, a bar of gold or of lead; a bar of soap.
Anything which obstructs, hinders, or prevents; an


barwood ::: n. --> A red wood of a leguminous tree (Baphia nitida), from Angola and the Gaboon in Africa. It is used as a dyewood, and also for ramrods, violin bows and turner&

basanite ::: n. --> Lydian stone, or black jasper, a variety of siliceous or flinty slate, of a grayish or bluish black color. It is employed to test the purity of gold, the amount of alloy being indicated by the color left on the stone when rubbed by the metal.

base ::: a. --> Of little, or less than the usual, height; of low growth; as, base shrubs.
Low in place or position.
Of humble birth; or low degree; lowly; mean.
Illegitimate by birth; bastard.
Of little comparative value, as metal inferior to gold and silver, the precious metals.
Alloyed with inferior metal; debased; as, base coin; base


baudekin ::: n. --> The richest kind of stuff used in garments in the Middle Ages, the web being gold, and the woof silk, with embroidery : -- made originally at Bagdad.

bengola ::: n. --> A Bengal light.

benzine ::: n. --> A liquid consisting mainly of the lighter and more volatile hydrocarbons of petroleum or kerosene oil, used as a solvent and for cleansing soiled fabrics; -- called also petroleum spirit, petroleum benzine. Varieties or similar products are gasoline, naphtha, rhigolene, ligroin, etc.
Same as Benzene.


berberine ::: n. --> An alkaloid obtained, as a bitter, yellow substance, from the root of the barberry, gold thread, and other plants.

betterness ::: n. --> The quality of being better or superior; superiority.
The difference by which fine gold or silver exceeds in fineness the standard.


bezant ::: n. --> A gold coin of Byzantium or Constantinople, varying in weight and value, usually (those current in England) between a sovereign and a half sovereign. There were also white or silver bezants.
A circle in or, i. e., gold, representing the gold coin called bezant.
A decoration of a flat surface, as of a band or belt, representing circular disks lapping one upon another.


gold-beaten ::: a. --> Gilded.

gold-beating ::: n. --> The art or process of reducing gold to extremely thin leaves, by beating with a hammer.

gold-bound ::: a. --> Encompassed with gold.

goldcrest ::: n. --> The European golden-crested kinglet (Regulus cristatus, or R. regulus); -- called also golden-crested wren, and golden wren. The name is also sometimes applied to the American golden-crested kinglet. See Kinglet.

goldcup ::: n. --> The cuckoobud.

golde ::: n. --> Alt. of Goolde

golden ::: a. --> Made of gold; consisting of gold.
Having the color of gold; as, the golden grain.
Very precious; highly valuable; excellent; eminently auspicious; as, golden opinions.


golden Child ::: Sri Aurobindo: "I suppose the golden child is the Truth-Soul which follows after the silver light of the spiritual. When it plunges into the black waters of the subconscient, it releases from it the spiritual light and the sevenfold streams of the Divine Energy and, clearing itself of the stains of the subconscient, it prepares its flight towards the supreme Divine (the Mother).” (Reply to a question in the chapter Visions and Symbols.) Letters on Yoga

golden-eye ::: n. --> A duck (Glaucionetta clangula), found in Northern Europe, Asia, and America. The American variety (var. Americana) is larger. Called whistler, garrot, gowdy, pied widgeon, whiteside, curre, and doucker. Barrow&

golden house

goldening ::: covering with the appearance of gold.

golden ::: of, relating to, made of, or containing gold.

golden Path ::: also known as the sunlit path.

golden-rod ::: n. --> A tall herb (Solidago Virga-aurea), bearing yellow flowers in a graceful elongated cluster. The name is common to all the species of the genus Solidago.

golden Sphinx

golden Sphinx ::: Sri Aurobindo: "…the luminous veiled Sphinx of the infinite Consciousness and eternal Wisdom.” The Life Divine

goldfinch ::: n. --> A beautiful bright-colored European finch (Carduelis elegans). The name refers to the large patch of yellow on the wings. The front of the head and throat are bright red; the nape, with part of the wings and tail, black; -- called also goldspink, goldie, fool&

goldfinny ::: n. --> One of two or more species of European labroid fishes (Crenilabrus melops, and Ctenolabrus rupestris); -- called also goldsinny, and goldney.

goldfish ::: n. --> A small domesticated cyprinoid fish (Carassius auratus); -- so named from its color. It is native of China, and is said to have been introduced into Europe in 1691. It is often kept as an ornament, in small ponds or glass globes. Many varieties are known. Called also golden fish, and golden carp. See Telescope fish, under Telescope.
A California marine fish of an orange or red color; the garibaldi.


gold-hammer ::: n. --> The yellow-hammer.

gold Hawk

goldie ::: n. --> The European goldfinch.
The yellow-hammer.


goldilocks ::: n. --> Same as Goldylocks.

golding ::: n. --> A conspicuous yellow flower, commonly the corn marigold (Chrysanthemum segetum).

goldin ::: n. --> Alt. of Golding

gold-leaf ::: gold beaten into extremely thin sheets used especially for gilding.

goldless ::: a. --> Destitute of gold.

gold ::: n. --> Alt. of Goolde ::: v. t. --> A metallic element, constituting the most precious metal used as a common commercial medium of exchange. It has a characteristic yellow color, is one of the heaviest substances known (specific gravity 19.32), is soft, and very malleable and ductile. It is quite

goldney ::: n. --> See Gilthead.

goldseed ::: n. --> Dog&

goldsinny ::: n. --> See Goldfinny.

goldsmith ::: n. --> An artisan who manufactures vessels and ornaments, etc., of gold.
A banker.


goldtit ::: n. --> See Verdin.

goldylocks ::: n. --> A plant of several species of the genus Chrysocoma; -- so called from the tufts of yellow flowers which terminate the stems; also, the Ranunculus auricomus, a kind of buttercup.

golet ::: n. --> The gullet.
A California trout. See Malma.


golfer ::: n. --> One who plays golf.

golf ::: n. --> A game played with a small ball and a bat or club crooked at the lower end. He who drives the ball into each of a series of small holes in the ground and brings it into the last hole with the fewest strokes is the winner.

golgotha ::: n. --> Calvary. See the Note under Calvary.

goliardery ::: n. --> The satirical or ribald poetry of the Goliards.

goliard ::: n. --> A buffoon in the Middle Ages, who attended rich men&

goliath beetle ::: --> Any species of Goliathus, a genus of very large and handsome African beetles.

goll ::: n. --> A hand, paw, or claw.

goloe-shoe ::: n. --> A galoche.

golore ::: n. --> See Galore.

goloshe ::: n. --> See Galoche.

goltschut ::: n. --> A small ingot of gold.
A silver ingot, used in Japan as money.


golyardeys ::: n. --> A buffoon. See Gollard.

biddery ware ::: --> A kind of metallic ware made in India. The material is a composition of zinc, tin, and lead, in which ornaments of gold and silver are inlaid or damascened.

billet ::: n. --> A small paper; a note; a short letter.
A ticket from a public officer directing soldiers at what house to lodge; as, a billet of residence.
A small stick of wood, as for firewood.
A short bar of metal, as of gold or iron.
An ornament in Norman work, resembling a billet of wood either square or round.
A strap which enters a buckle.


billon ::: n. --> An alloy of gold and silver with a large proportion of copper or other base metal, used in coinage.

bimetallic ::: a. --> Of or relating to, or using, a double metallic standard (as gold and silver) for a system of coins or currency.

bimetallism ::: n. --> The legalized use of two metals (as gold and silver) in the currency of a country, at a fixed relative value; -- in opposition to monometallism.

bonanza ::: n. --> In mining, a rich mine or vein of silver or gold; hence, anything which is a mine of wealth or yields a large income.

broadpiece ::: n. --> An old English gold coin, broader than a guinea, as a Carolus or Jacobus.

brocade ::: a thick, rich fabric woven with a raised design, often using gold or silver threads. brocades.

brocaded ::: a. --> Woven or worked, as brocade, with gold and silver, or with raised flowers, etc.
Dressed in brocade.


brocade ::: n. --> Silk stuff, woven with gold and silver threads, or ornamented with raised flowers, foliage, etc.; -- also applied to other stuffs thus wrought and enriched.

broideries ::: embroidered needle-work designs in gold, silver, and other threads on cloth.

bullionist ::: n. --> An advocate for a metallic currency, or a paper currency always convertible into gold.

bullion ::: n. --> Uncoined gold or silver in the mass.
Base or uncurrent coin.
Showy metallic ornament, as of gold, silver, or copper, on bridles, saddles, etc.
Heavy twisted fringe, made of fine gold or silver wire and used for epaulets; also, any heavy twisted fringe whose cords are prominent.


bur marigold ::: --> See Beggar&

But such a form as Grecian goldsmiths make

buttercup ::: n. --> A plant of the genus Ranunculus, or crowfoot, particularly R. bulbosus, with bright yellow flowers; -- called also butterflower, golden cup, and kingcup. It is the cuckoobud of Shakespeare.

byzantine ::: n. --> A gold coin, so called from being coined at Byzantium. See Bezant.
A native or inhabitant of Byzantium, now Constantinople; sometimes, applied to an inhabitant of the modern city of Constantinople. C () C is the third letter of the English alphabet. It is from the Latin letter C, which in old Latin represented the sounds of k, and g (in go); its original value being the latter. In Anglo-Saxon words, or


cablelaid ::: a. --> Composed of three three-stranded ropes, or hawsers, twisted together to form a cable.
Twisted after the manner of a cable; as, a cable-laid gold chain.


calaverite ::: n. --> A bronze-yellow massive mineral with metallic luster; a telluride of gold; -- first found in Calaveras County California.

calendula ::: n. --> A genus of composite herbaceous plants. One species, Calendula officinalis, is the common marigold, and was supposed to blossom on the calends of every month, whence the name.

calendulin ::: n. --> A gummy or mucilaginous tasteless substance obtained from the marigold or calendula, and analogous to bassorin.

calmucks ::: n. pl. --> A branch of the Mongolian race inhabiting parts of the Russian and Chinese empires; also (sing.), the language of the Calmucks.

caracoly ::: n. --> An alloy of gold, silver, and copper, of which an inferior quality of jewelry is made.

caranx ::: n. --> A genus of fishes, common on the Atlantic coast, including the yellow or golden mackerel.

carat ::: n. --> The weight by which precious stones and pearls are weighed.
A twenty-fourth part; -- a term used in estimating the proportionate fineness of gold.


carolin ::: n. --> A former gold coin of Germany worth nearly five dollars; also, a gold coin of Sweden worth nearly five dollars.

carolus ::: n. --> An English gold coin of the value of twenty or twenty-three shillings. It was first struck in the reign of Charles I.

cassidony ::: n. --> The French lavender (Lavandula Stoechas)
The goldilocks (Chrysocoma Linosyris) and perhaps other plants related to the genus Gnaphalium or cudweed.


cassius ::: n. --> A brownish purple pigment, obtained by the action of some compounds of tin upon certain salts of gold. It is used in painting and staining porcelain and glass to give a beautiful purple color. Commonly called Purple of Cassius.

chalice ::: a cup or goblet often of gold or silver used esp. in religious services.

chekmak ::: n. --> A turkish fabric of silk and cotton, with gold thread interwoven.

Child, Golden

child, Golden

child, the Golden

chlorination ::: n. --> The act or process of subjecting anything to the action of chlorine; especially, a process for the extraction of gold by exposure of the auriferous material to chlorine gas.

chrysaniline ::: n. --> A yellow substance obtained as a by-product in the manufacture of rosaniline. It dyes silk a fine golden-yellow color.

chryselephantine ::: a. --> Composed of, or adorned with, gold and ivory.

chrysochlore ::: n. --> A South African mole of the genus Chrysochloris; the golden mole, the fur of which reflects brilliant metallic hues of green and gold.

chrysography ::: n. --> The art of writing in letters of gold.
A writing executed in letters of gold.


chrysosperm ::: n. --> The seed of gold; a means of creating gold.

chrysotype ::: n. --> A photographic picture taken upon paper prepared by the use of a sensitive salt of iron and developed by the application of chloride of gold.
2process, invented by Sir J.Herschel.


clinquant ::: a. --> Glittering; dressed in, or overlaid with, tinsel finery. ::: n. --> Tinsel; Dutch gold.

corkwing ::: n. --> A fish; the goldsinny.

coronet ::: 1. A crown worn by nobles or peers. 2. A crown-like ornament decorated with gold or jewels.

cosmic mind ::: Sri Aurobindo: "Nevertheless, the fact of this intervention from above, the fact that behind all our original thinking or authentic perception of things there is a veiled, a half-veiled or a swift unveiled intuitive element is enough to establish a connection between mind and what is above it; it opens a passage of communication and of entry into the superior spirit-ranges. There is also the reaching out of mind to exceed the personal ego limitation, to see things in a certain impersonality and universality. Impersonality is the first character of cosmic self; universality, non-limitation by the single or limiting point of view, is the character of cosmic perception and knowledge: this tendency is therefore a widening, however rudimentary, of these restricted mind areas towards cosmicity, towards a quality which is the very character of the higher mental planes, — towards that superconscient cosmic Mind which, we have suggested, must in the nature of things be the original mind-action of which ours is only a derivative and inferior process.” *The Life Divine

"If we accept the Vedic image of the Sun of Truth, . . . we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; . . . At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies, — not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality.” The Life Divine

"There is one cosmic Mind, one cosmic Life, one cosmic Body. All the attempt of man to arrive at universal sympathy, universal love and the understanding and knowledge of the inner soul of other existences is an attempt to beat thin, breach and eventually break down by the power of the enlarging mind and heart the walls of the ego and arrive nearer to a cosmic oneness.” *The Synthesis of Yoga

"[The results of the opening to the cosmic Mind:] One is aware of the cosmic Mind and the mental forces that move there and how they work on one"s mind and that of others and one is able to deal with one"s own mind with a greater knowledge and effective power. There are many other results, but this is the fundamental one.” Letters on Yoga

"The cosmic consciousness has many levels — the cosmic physical, the cosmic vital, the cosmic Mind, and above the higher planes of cosmic Mind there is the Intuition and above that the overmind and still above that the supermind where the Transcendental begins. In order to live in the Intuition plane (not merely to receive intuitions), one has to live in the cosmic consciousness because there the cosmic and individual run into each other as it were, and the mental separation between them is already broken down, so nobody can reach there who is still in the separative ego.” Letters on Yoga*


countermark ::: n. --> A mark or token added to those already existing, in order to afford security or proof; as, an additional or special mark put upon a package of goods belonging to several persons, that it may not be opened except in the presence of all; a mark added to that of an artificer of gold or silver work by the Goldsmiths&

cowslip ::: n. --> A common flower in England (Primula veris) having yellow blossoms and appearing in early spring. It is often cultivated in the United States.
In the United States, the marsh marigold (Caltha palustris), appearing in wet places in early spring and often used as a pot herb. It is nearer to a buttercup than to a true cowslip. See Illust. of Marsh marigold.


cruset ::: n. --> A goldsmith&

cuckoobud ::: n. --> A species of Ranunculus (R. bulbosus); -- called also butterflower, buttercup, kingcup, goldcup.

cupellation ::: n. --> The act or process of refining gold or silver, etc., in a cupel.

damasken ::: v. --> To decorate, as iron, steel, etc., with a peculiar marking or "water" produced in the process of manufacture, or with designs produced by inlaying or incrusting with another metal, as silver or gold, or by etching, etc., to damask.

daric ::: n. --> A gold coin of ancient Persia, weighing usually a little more than 128 grains, and bearing on one side the figure of an archer.
A silver coin of about 86 grains, having the figure of an archer, and hence, in modern times, called a daric.
Any very pure gold coin.


dendrite ::: n. --> A stone or mineral on or in which are branching figures resembling shrubs or trees, produced by a foreign mineral, usually an oxide of manganese, as in the moss agate; also, a crystallized mineral having an arborescent form, e. g., gold or silver; an arborization.

digging ::: p. pr. & vb. n. --> of Dig ::: n. --> The act or the place of excavating.
Places where ore is dug; especially, certain localities in California, Australia, and elsewhere, at which gold is obtained.
Region; locality.


dig ::: v. t. --> To turn up, or delve in, (earth) with a spade or a hoe; to open, loosen, or break up (the soil) with a spade, or other sharp instrument; to pierce, open, or loosen, as if with a spade.
To get by digging; as, to dig potatoes, or gold.
To hollow out, as a well; to form, as a ditch, by removing earth; to excavate; as, to dig a ditch or a well.
To thrust; to poke.
A plodding and laborious student.


dinar ::: n. --> A petty money of accounts of Persia.
An ancient gold coin of the East.


dodder ::: n. --> A plant of the genus Cuscuta. It is a leafless parasitical vine with yellowish threadlike stems. It attaches itself to some other plant, as to flax, goldenrod, etc., and decaying at the root, is nourished by the plant that supports it. ::: v. t. & i. --> To shake, tremble, or totter.

dollar ::: n. --> A silver coin of the United States containing 371.25 grains of silver and 41.25 grains of alloy, that is, having a total weight of 412.5 grains.
A gold coin of the United States containing 23.22 grains of gold and 2.58 grains of alloy, that is, having a total weight of 25.8 grains, nine-tenths fine. It is no longer coined.
A coin of the same general weight and value, though differing slightly in different countries, current in Mexico, Canada,


doubloon ::: a. --> A Spanish gold coin, no longer issued, varying in value at different times from over fifteen dollars to about five. See Doblon in Sup.

doucker ::: v. t. --> A grebe or diver; -- applied also to the golden-eye, pochard, scoter, and other ducks.

drachma ::: n. --> A silver coin among the ancient Greeks, having a different value in different States and at different periods. The average value of the Attic drachma is computed to have been about 19 cents.
A gold and silver coin of modern Greece worth 19.3 cents.
Among the ancient Greeks, a weight of about 66.5 grains; among the modern Greeks, a weight equal to a gram.


ducat ::: n. --> A coin, either of gold or silver, of several countries in Europe; originally, one struck in the dominions of a duke.

eagle ::: n. --> Any large, rapacious bird of the Falcon family, esp. of the genera Aquila and Haliaeetus. The eagle is remarkable for strength, size, graceful figure, keenness of vision, and extraordinary flight. The most noted species are the golden eagle (Aquila chrysaetus); the imperial eagle of Europe (A. mogilnik / imperialis); the American bald eagle (Haliaeetus leucocephalus); the European sea eagle (H. albicilla); and the great harpy eagle (Thrasaetus harpyia). The figure of the eagle, as the king of birds, is commonly used as an heraldic

ego ::: the "I” or self of any person; a person as thinking, feeling, and willing, and distinguishing itself from the selves of others and from objects of its thought. **ego, ego"s, egos, egoless, world-egos.

eidolon ::: Behind the gold eidolon of a Name

el dorado ::: --> A name given by the Spaniards in the 16th century to an imaginary country in the interior of South America, reputed to abound in gold and precious stones.
Any region of fabulous wealth; exceeding richness.


eldorado(s) ::: 1. A legendary treasure city of South America believed to contain an abundance of gold, sought by the early Spanish Conquistadors. 2. Any place offering great wealth.

electer ::: n. --> Amber. See Electrum.
A metallic substance compounded of gold and silver; an alloy.


electron ::: n. --> Amber; also, the alloy of gold and silver, called electrum.

electroplate ::: v. t. --> To plate or cover with a coating of metal, usually silver, nickel, or gold, by means of electrolysis.

electroplating ::: imp. & p. p. --> of Electroplate ::: n. --> The art or process of depositing a coating (commonly) of silver, gold, or nickel on an inferior metal, by means of electricity.

electrum ::: n. --> Amber.
An alloy of gold and silver, of an amber color, used by the ancients.
German-silver plate. See German silver, under German.


elixir ::: n. --> A tincture with more than one base; a compound tincture or medicine, composed of various substances, held in solution by alcohol in some form.
An imaginary liquor capable of transmuting metals into gold; also, one for producing life indefinitely; as, elixir vitae, or the elixir of life.
The refined spirit; the quintessence.
Any cordial or substance which invigorates.


enchase ::: v. t. --> To incase or inclose in a border or rim; to surround with an ornamental casing, as a gem with gold; to encircle; to inclose; to adorn.
To chase; to ornament by embossing or engraving; as, to enchase a watch case.
To delineate or describe, as by writing.


ephod ::: n. --> A part of the sacerdotal habit among Jews, being a covering for the back and breast, held together on the shoulders by two clasps or brooches of onyx stones set in gold, and fastened by a girdle of the same stuff as the ephod. The ephod for the priests was of plain linen; that for the high priest was richly embroidered in colors. The breastplate of the high priest was worn upon the ephod in front.

eskimo ::: n. --> One of a peculiar race inhabiting Arctic America and Greenland. In many respects the Eskimos resemble the Mongolian race.

eureka ::: --> The exclamation attributed to Archimedes, who is said to have cried out "Eureka! eureka!" (I have found it! I have found it!), upon suddenly discovering a method of finding out how much the gold of King Hiero&

extraneous ::: a. --> Not belonging to, or dependent upon, a thing; without or beyond a thing; not essential or intrinsic; foreign; as, to separate gold from extraneous matter.

filigree ::: n. --> Ornamental work, formerly with grains or breads, but now composed of fine wire and used chiefly in decorating gold and silver to which the wire is soldered, being arranged in designs frequently of a delicate and intricate arabesque pattern. ::: a. --> Relating to, composed of, or resembling, work in

fineness ::: a. --> The quality or condition of being fine.
Freedom from foreign matter or alloy; clearness; purity; as, the fineness of liquor.
The proportion of pure silver or gold in jewelry, bullion, or coins.
Keenness or sharpness; as, the fineness of a needle&


finns ::: n. pl. --> Natives of Finland; Finlanders.
A branch of the Mongolian race, inhabiting Northern and Eastern Europe, including the Magyars, Bulgarians, Permians, Lapps, and Finlanders.


fixedness ::: n. --> The state or quality of being fixed; stability; steadfastness.
The quality of a body which resists evaporation or volatilization by heat; solidity; cohesion of parts; as, the fixedness of gold.


florence ::: n. --> An ancient gold coin of the time of Edward III., of six shillings sterling value.
A kind of cloth.


floren ::: n. --> A cerain gold coin; a Florence.

folier ::: n. --> Goldsmith&

free-milling ::: a. --> Yielding free gold or silver; -- said of certain ores which can be reduced by crushing and amalgamation, without roasting or other chemical treatment.

frostbird ::: n. --> The golden plover.

fulguration ::: n. --> The act of lightening.
The sudden brightening of a fused globule of gold or silver, when the last film of the oxide of lead or copper leaves its surface; -- also called blick.


fungologist ::: n. --> A mycologist.

fungology ::: n. --> Mycology.

gage ::: n. --> A pledge or pawn; something laid down or given as a security for the performance of some act by the person depositing it, and forfeited by nonperformance; security.
A glove, cap, or the like, cast on the ground as a challenge to combat, and to be taken up by the accepter of the challenge; a challenge; a defiance.
A variety of plum; as, the greengage; also, the blue gage, frost gage, golden gage, etc., having more or less likeness to the


galloon ::: n. --> A narrow tapelike fabric used for binding hats, shoes, etc., -- sometimes made ornamental.
A similar bordering or binding of rich material, such as gold lace.


galvanize ::: v. t. --> To affect with galvanism; to subject to the action of electrical currents.
To plate, as with gold, silver, etc., by means of electricity.
To restore to consciousness by galvanic action (as from a state of suspended animation); hence, to stimulate or excite to a factitious animation or activity.
To coat, as iron, with zinc. See Galvanized iron.


gargol ::: n. --> A distemper in swine; garget.

garrot ::: n. --> A stick or small wooden cylinder used for tightening a bandage, in order to compress the arteries of a limb.
The European golden-eye.


george noble ::: --> A gold noble of the time of Henry VIII. See Noble, n.

gilded ::: 1. Made from or covered with gold. 2. Having a deep golden colour.

gilder ::: n. --> One who gilds; one whose occupation is to overlay with gold.
A Dutch coin. See Guilder.


gild ::: v. t. --> To overlay with a thin covering of gold; to cover with a golden color; to cause to look like gold.
To make attractive; to adorn; to brighten.
To give a fair but deceptive outward appearance to; to embellish; as, to gild a lie.
To make red with drinking.


gilthead ::: n. --> A marine fish.
The Pagrus, / Chrysophrys, auratus, a valuable food fish common in the Mediterranean (so named from its golden-colored head); -- called also giltpoll.
The Crenilabrus melops, of the British coasts; -- called also golden maid, conner, sea partridge.


goden ly ::: adv. --> In golden terms or a golden manner; splendidly; delightfully.

goff ::: n. --> A silly clown.
A game. See Golf.


Golden Child

Golden light always means the light of Truth ; but the nature of the Truth varies according to the plane to which it belongs.

Golden light is a light from the Supermind but naturally it is modified in the plane in which h works. It becomes the light of Truth in the OvermInd, light of Truth in the intuition.

Golden light is usually a light from the supermind, a light of

GOLDEN LIGHT. ::: Tlic golden light is that of the Divine

Golden Path

GOLD, vide Symbol.

.GOLOKA. ::: Vaikuntha and Goloka arc human conceptions of states of being that arc be)ond humanity. Goloka is evidently a world of Love, Beauty and Ananda full of spiritual radiances

goolde ::: n. --> An old English name of some yellow flower, -- the marigold (Calendula), according to Dr. Prior, but in Chaucer perhaps the turnsole.

gouland ::: n. --> See Golding.

gowden ::: a. --> Golden.

gowd ::: n. --> Gold; wealth.

gremial ::: a. --> Of or pertaining to the lap or bosom. ::: n. --> A bosom friend.
A cloth, often adorned with gold or silver lace, placed on the bishop&


guid ::: n. --> A flower. See Gold.

guilding ::: n. --> The art or practice of overlaying or covering with gold leaf; also, a thin coating or wash of gold, or of that which resembles gold.
Gold in leaf, powder, or liquid, for application to any surface.
Any superficial coating or appearance, as opposed to what is solid and genuine.


guinea ::: n. --> A district on the west coast of Africa (formerly noted for its export of gold and slaves) after which the Guinea fowl, Guinea grass, Guinea peach, etc., are named.
A gold coin of England current for twenty-one shillings sterling, or about five dollars, but not coined since the issue of sovereigns in 1817.


hall-mark ::: n. --> The official stamp of the Goldsmiths&

hammochrysos ::: n. --> A stone with spangles of gold color in it.

Hand, the golden

hendiadys ::: n. --> A figure in which the idea is expressed by two nouns connected by and, instead of by a noun and limiting adjective; as, we drink from cups and gold, for golden cups.

herds ::: gold horned herds trooped into earth’s cave-heart:

hesperides ::: n. pl. --> The daughters of Hesperus, or Night (brother of Atlas), and fabled possessors of a garden producing golden apples, in Africa, at the western extremity of the known world. To slay the guarding dragon and get some of these apples was one of the labors of Hercules. Called also Atlantides.
The garden producing the golden apples.


house of gold**

hydrastine ::: n. --> An alkaloid, found in the rootstock of the golden seal (Hydrastis Canadensis), and extracted as a bitter, white, crystalline substance. It is used as a tonic and febrifuge.

id ::: n. --> A small fresh-water cyprinoid fish (Leuciscus idus or Idus idus) of Europe. A domesticated variety, colored like the goldfish, is called orfe in Germany.

idolize ::: v. t. --> To make an idol of; to pay idolatrous worship to; as, to idolize the sacred bull in Egypt.
To love to excess; to love or reverence to adoration; as, to idolize gold, children, a hero. ::: v. i. --> To practice idolatry.


“If we accept the Vedic image of the Sun of Truth, . . . we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; . . . At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies,—not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality.” The Life Divine

illuminate ::: v. t. --> To make light; to throw light on; to supply with light, literally or figuratively; to brighten.
To light up; to decorate with artificial lights, as a building or city, in token of rejoicing or respect.
To adorn, as a book or page with borders, initial letters, or miniature pictures in colors and gold, as was done in manuscripts of the Middle Ages.
To make plain or clear; to dispel the obscurity to


imbrocado ::: n. --> Cloth of silver or of gold.

inaurate ::: a. --> Covered with gold; gilded. ::: v. t. --> To cover with gold; to gild.

inauration ::: n. --> The act or process of gilding or covering with gold.

In Book II, Canto II, ‘a golden artifice’

inconvertibility ::: n. --> The quality or state of being inconvertible; not capable of being exchanged for, or converted into, something else; as, the inconvertibility of an irredeemable currency, or of lead, into gold.

incorruptible ::: a. --> Not corruptible; incapable of corruption, decay, or dissolution; as, gold is incorruptible.
Incapable of being bribed or morally corrupted; inflexibly just and upright. ::: n. --> One of a religious sect which arose in Alexandria,


influx ::: n. --> The act of flowing in; as, an influx of light.
A coming in; infusion; intromission; introduction; importation in abundance; also, that which flows or comes in; as, a great influx of goods into a country, or an influx of gold and silver.
Influence; power.


ingot ::: n. --> That in which metal is cast; a mold.
A bar or wedge of steel, gold, or other malleable metal, cast in a mold; a mass of unwrought cast metal.


inoxidizable ::: a. --> Incapable of being oxidized; as, gold and platinum are inoxidizable in the air.

INTEGRAL YOGA ::: This yoga accepts the value of cosmic existence and holds it to be a reality; its object is to enter into a higher Truth-Consciousness or Divine Supramental Consciousness in which action and creation are the expression not of ignorance and imperfection, but of the Truth, the Light, the Divine Ānanda. But for that, the surrender of the mortal mind, life and body to the Higher Consciousnessis indispensable, since it is too difficult for the mortal human being to pass by its own effort beyond mind to a Supramental Consciousness in which the dynamism is no longer mental but of quite another power. Only those who can accept the call to such a change should enter into this yoga.

Aim of the Integral Yoga ::: It is not merely to rise out of the ordinary ignorant world-consciousness into the divine consciousness, but to bring the supramental power of that divine consciousness down into the ignorance of mind, life and body, to transform them, to manifest the Divine here and create a divine life in Matter.

Conditions of the Integral Yoga ::: This yoga can only be done to the end by those who are in total earnest about it and ready to abolish their little human ego and its demands in order to find themselves in the Divine. It cannot be done in a spirit of levity or laxity; the work is too high and difficult, the adverse powers in the lower Nature too ready to take advantage of the least sanction or the smallest opening, the aspiration and tapasyā needed too constant and intense.

Method in the Integral Yoga ::: To concentrate, preferably in the heart and call the presence and power of the Mother to take up the being and by the workings of her force transform the consciousness. One can concentrate also in the head or between the eye-brows, but for many this is a too difficult opening. When the mind falls quiet and the concentration becomes strong and the aspiration intense, then there is the beginning of experience. The more the faith, the more rapid the result is likely to be. For the rest one must not depend on one’s own efforts only, but succeed in establishing a contact with the Divine and a receptivity to the Mother’s Power and Presence.

Integral method ::: The method we have to pursue is to put our whole conscious being into relation and contact with the Divine and to call Him in to transform Our entire being into His, so that in a sense God Himself, the real Person in us, becomes the sādhaka of the sādhana* as well as the Master of the Yoga by whom the lower personality is used as the centre of a divine transfiguration and the instrument of its own perfection. In effect, the pressure of the Tapas, the force of consciousness in us dwelling in the Idea of the divine Nature upon that which we are in our entirety, produces its own realisation. The divine and all-knowing and all-effecting descends upon the limited and obscure, progressively illumines and energises the whole lower nature and substitutes its own action for all the terms of the inferior human light and mortal activity.

In psychological fact this method translates itself into the progressive surrender of the ego with its whole field and all its apparatus to the Beyond-ego with its vast and incalculable but always inevitable workings. Certainly, this is no short cut or easy sādhana. It requires a colossal faith, an absolute courage and above all an unflinching patience. For it implies three stages of which only the last can be wholly blissful or rapid, - the attempt of the ego to enter into contact with the Divine, the wide, full and therefore laborious preparation of the whole lower Nature by the divine working to receive and become the higher Nature, and the eventual transformation. In fact, however, the divine strength, often unobserved and behind the veil, substitutes itself for the weakness and supports us through all our failings of faith, courage and patience. It” makes the blind to see and the lame to stride over the hills.” The intellect becomes aware of a Law that beneficently insists and a Succour that upholds; the heart speaks of a Master of all things and Friend of man or a universal Mother who upholds through all stumblings. Therefore this path is at once the most difficult imaginable and yet in comparison with the magnitude of its effort and object, the most easy and sure of all.

There are three outstanding features of this action of the higher when it works integrally on the lower nature. In the first place, it does not act according to a fixed system and succession as in the specialised methods of Yoga, but with a sort of free, scattered and yet gradually intensive and purposeful working determined by the temperament of the individual in whom it operates, the helpful materials which his nature offers and the obstacles which it presents to purification and perfection. In a sense, therefore, each man in this path has his own method of Yoga. Yet are there certain broad lines of working common to all which enable us to construct not indeed a routine system, but yet some kind of Shastra or scientific method of the synthetic Yoga.

Secondly, the process, being integral, accepts our nature such as it stands organised by our past evolution and without rejecting anything essential compels all to undergo a divine change. Everything in us is seized by the hands of a mighty Artificer and transformed into a clear image of that which it now seeks confusedly to present. In that ever-progressive experience we begin to perceive how this lower manifestation is constituted and that everything in it, however seemingly deformed or petty or vile, is the more or less distorted or imperfect figure of some elements or action in the harmony of the divine Nature. We begin to understand what the Vedic Rishis meant when they spoke of the human forefathers fashioning the gods as a smith forges the crude material in his smithy.

Thirdly, the divine Power in us uses all life as the means of this integral Yoga. Every experience and outer contact with our world-environment, however trifling or however disastrous, is used for the work, and every inner experience, even to the most repellent suffering or the most humiliating fall, becomes a step on the path to perfection. And we recognise in ourselves with opened eyes the method of God in the world, His purpose of light in the obscure, of might in the weak and fallen, of delight in what is grievous and miserable. We see the divine method to be the same in the lower and in the higher working; only in the one it is pursued tardily and obscurely through the subconscious in Nature, in the other it becomes swift and selfconscious and the instrument confesses the hand of the Master. All life is a Yoga of Nature seeking to manifest God within itself. Yoga marks the stage at which this effort becomes capable of self-awareness and therefore of right completion in the individual. It is a gathering up and concentration of the movements dispersed and loosely combined in the lower evolution.

Key-methods ::: The way to devotion and surrender. It is the psychic movement that brings the constant and pure devotion and the removal of the ego that makes it possible to surrender.

The way to knowledge. Meditation in the head by which there comes the opening above, the quietude or silence of the mind and the descent of peace etc. of the higher consciousness generally till it envelops the being and fills the body and begins to take up all the movements.
Yoga by works ::: Separation of the Purusha from the Prakriti, the inner silent being from the outer active one, so that one has two consciousnesses or a double consciousness, one behind watching and observing and finally controlling and changing the other which is active in front. The other way of beginning the yoga of works is by doing them for the Divine, for the Mother, and not for oneself, consecrating and dedicating them till one concretely feels the Divine Force taking up the activities and doing them for one.

Object of the Integral Yoga is to enter into and be possessed by the Divine Presence and Consciousness, to love the Divine for the Divine’s sake alone, to be tuned in our nature into the nature of the Divine, and in our will and works and life to be the instrument of the Divine.

Principle of the Integral Yoga ::: The whole principle of Integral Yoga is to give oneself entirely to the Divine alone and to nobody else, and to bring down into ourselves by union with the Divine Mother all the transcendent light, power, wideness, peace, purity, truth-consciousness and Ānanda of the Supramental Divine.

Central purpose of the Integral Yoga ::: Transformation of our superficial, narrow and fragmentary human way of thinking, seeing, feeling and being into a deep and wide spiritual consciousness and an integrated inner and outer existence and of our ordinary human living into the divine way of life.

Fundamental realisations of the Integral Yoga ::: The psychic change so that a complete devotion can be the main motive of the heart and the ruler of thought, life and action in constant union with the Mother and in her Presence. The descent of the Peace, Power, Light etc. of the Higher Consciousness through the head and heart into the whole being, occupying the very cells of the body. The perception of the One and Divine infinitely everywhere, the Mother everywhere and living in that infinite consciousness.

Results ::: First, an integral realisation of Divine Being; not only a realisation of the One in its indistinguishable unity, but also in its multitude of aspects which are also necessary to the complete knowledge of it by the relative consciousness; not only realisation of unity in the Self, but of unity in the infinite diversity of activities, worlds and creatures.

Therefore, also, an integral liberation. Not only the freedom born of unbroken contact of the individual being in all its parts with the Divine, sāyujya mukti, by which it becomes free even in its separation, even in the duality; not only the sālokya mukti by which the whole conscious existence dwells in the same status of being as the Divine, in the state of Sachchidananda ; but also the acquisition of the divine nature by the transformation of this lower being into the human image of the divine, sādharmya mukti, and the complete and final release of all, the liberation of the consciousness from the transitory mould of the ego and its unification with the One Being, universal both in the world and the individual and transcendentally one both in the world and beyond all universe.

By this integral realisation and liberation, the perfect harmony of the results of Knowledge, Love and Works. For there is attained the complete release from ego and identification in being with the One in all and beyond all. But since the attaining consciousness is not limited by its attainment, we win also the unity in Beatitude and the harmonised diversity in Love, so that all relations of the play remain possible to us even while we retain on the heights of our being the eternal oneness with the Beloved. And by a similar wideness, being capable of a freedom in spirit that embraces life and does not depend upon withdrawal from life, we are able to become without egoism, bondage or reaction the channel in our mind and body for a divine action poured out freely upon the world.

The divine existence is of the nature not only of freedom, but of purity, beatitude and perfection. In integral purity which shall enable on the one hand the perfect reflection of the divine Being in ourselves and on the other the perfect outpouring of its Truth and Law in us in the terms of life and through the right functioning of the complex instrument we are in our outer parts, is the condition of an integral liberty. Its result is an integral beatitude, in which there becomes possible at once the Ānanda of all that is in the world seen as symbols of the Divine and the Ānanda of that which is not-world. And it prepares the integral perfection of our humanity as a type of the Divine in the conditions of the human manifestation, a perfection founded on a certain free universality of being, of love and joy, of play of knowledge and of play of will in power and will in unegoistic action. This integrality also can be attained by the integral Yoga.

Sādhanā of the Integral Yoga does not proceed through any set mental teaching or prescribed forms of meditation, mantras or others, but by aspiration, by a self-concentration inwards or upwards, by a self-opening to an Influence, to the Divine Power above us and its workings, to the Divine Presence in the heart and by the rejection of all that is foreign to these things. It is only by faith, aspiration and surrender that this self-opening can come.

The yoga does not proceed by upadeśa but by inner influence.

Integral Yoga and Gita ::: The Gita’s Yoga consists in the offering of one’s work as a sacrifice to the Divine, the conquest of desire, egoless and desireless action, bhakti for the Divine, an entering into the cosmic consciousness, the sense of unity with all creatures, oneness with the Divine. This yoga adds the bringing down of the supramental Light and Force (its ultimate aim) and the transformation of the nature.

Our yoga is not identical with the yoga of the Gita although it contains all that is essential in the Gita’s yoga. In our yoga we begin with the idea, the will, the aspiration of the complete surrender; but at the same time we have to reject the lower nature, deliver our consciousness from it, deliver the self involved in the lower nature by the self rising to freedom in the higher nature. If we do not do this double movement, we are in danger of making a tamasic and therefore unreal surrender, making no effort, no tapas and therefore no progress ; or else we make a rajasic surrender not to the Divine but to some self-made false idea or image of the Divine which masks our rajasic ego or something still worse.

Integral Yoga, Gita and Tantra ::: The Gita follows the Vedantic tradition which leans entirely on the Ishvara aspect of the Divine and speaks little of the Divine Mother because its object is to draw back from world-nature and arrive at the supreme realisation beyond it.

The Tantric tradition leans on the Shakti or Ishvari aspect and makes all depend on the Divine Mother because its object is to possess and dominate the world-nature and arrive at the supreme realisation through it.

This yoga insists on both the aspects; the surrender to the Divine Mother is essential, for without it there is no fulfilment of the object of the yoga.

Integral Yoga and Hatha-Raja Yogas ::: For an integral yoga the special methods of Rajayoga and Hathayoga may be useful at times in certain stages of the progress, but are not indispensable. Their principal aims must be included in the integrality of the yoga; but they can be brought about by other means. For the methods of the integral yoga must be mainly spiritual, and dependence on physical methods or fixed psychic or psychophysical processes on a large scale would be the substitution of a lower for a higher action. Integral Yoga and Kundalini Yoga: There is a feeling of waves surging up, mounting to the head, which brings an outer unconsciousness and an inner waking. It is the ascending of the lower consciousness in the ādhāra to meet the greater consciousness above. It is a movement analogous to that on which so much stress is laid in the Tantric process, the awakening of the Kundalini, the Energy coiled up and latent in the body and its mounting through the spinal cord and the centres (cakras) and the Brahmarandhra to meet the Divine above. In our yoga it is not a specialised process, but a spontaneous upnish of the whole lower consciousness sometimes in currents or waves, sometimes in a less concrete motion, and on the other side a descent of the Divine Consciousness and its Force into the body.

Integral Yoga and other Yogas ::: The old yogas reach Sachchidananda through the spiritualised mind and depart into the eternally static oneness of Sachchidananda or rather pure Sat (Existence), absolute and eternal or else a pure Non-exist- ence, absolute and eternal. Ours having realised Sachchidananda in the spiritualised mind plane proceeds to realise it in the Supramcntal plane.

The suprcfhe supra-cosmic Sachchidananda is above all. Supermind may be described as its power of self-awareness and W’orld- awareness, the world being known as within itself and not out- side. So to live consciously in the supreme Sachchidananda one must pass through the Supermind.

Distinction ::: The realisation of Self and of the Cosmic being (without which the realisation of the Self is incomplete) are essential steps in our yoga ; it is the end of other yogas, but it is, as it were, the beginning of outs, that is to say, the point where its own characteristic realisation can commence.

It is new as compared with the old yogas (1) Because it aims not at a departure out of world and life into Heaven and Nir- vana, but at a change of life and existence, not as something subordinate or incidental, but as a distinct and central object.

If there is a descent in other yogas, yet it is only an incident on the way or resulting from the ascent — the ascent is the real thing. Here the ascent is the first step, but it is a means for the descent. It is the descent of the new coosdousness attain- ed by the ascent that is the stamp and seal of the sadhana. Even the Tantra and Vaishnavism end in the release from life ; here the object is the divine fulfilment of life.

(2) Because the object sought after is not an individual achievement of divine realisation for the sake of the individual, but something to be gained for the earth-consciousness here, a cosmic, not solely a supra-cosmic acbievement. The thing to be gained also is the bringing of a Power of consciousness (the Supramental) not yet organised or active directly in earth-nature, even in the spiritual life, but yet to be organised and made directly active.

(3) Because a method has been preconized for achieving this purpose which is as total and integral as the aim set before it, viz., the total and integral change of the consciousness and nature, taking up old methods, but only as a part action and present aid to others that are distinctive.

Integral Yoga and Patanjali Yoga ::: Cilia is the stuff of mixed mental-vital-physical consciousness out of which arise the movements of thought, emotion, sensation, impulse etc.

It is these that in the Patanjali system have to be stilled altogether so that the consciousness may be immobile and go into Samadhi.

Our yoga has a different function. The movements of the ordinary consciousness have to be quieted and into the quietude there has to be brought down a higher consciousness and its powers which will transform the nature.


intrinsic ::: a. --> Inward; internal; hence, true; genuine; real; essential; inherent; not merely apparent or accidental; -- opposed to extrinsic; as, the intrinsic value of gold or silver; the intrinsic merit of an action; the intrinsic worth or goodness of a person.
Included wholly within an organ or limb, as certain groups of muscles; -- opposed to extrinsic. ::: n.


iridize ::: v. t. --> To point or tip with iridium, as a gold pen.
To make iridescent; as, to iridize glass.


iridosmium ::: n. --> The native compound of iridium and osmium. It is found in flattened metallic grains of extreme hardness, and is often used for pointing gold pens.

irredeemable ::: a. --> Not redeemable; that can not be redeemed; not payable in gold or silver, as a bond; -- used especially of such government notes, issued as currency, as are not convertible into coin at the pleasure of the holder.

isolable ::: a. --> Capable of being isolated, or of being obtained in a pure state; as, gold is isolable.

“I suppose the golden child is the Truth-Soul which follows after the silver light of the spiritual. When it plunges into the black waters of the subconscient, it releases from it the spiritual light and the sevenfold streams of the Divine Energy and, clearing itself of the stains of the subconscient, it prepares its flight towards the supreme Divine (the Mother).” (Reply to a question in the chapter Visions and Symbols.) Letters on Yoga

I -The’thousand'petalled lotus, sahasradala, commands the higher thinking mind, houses the still higher illumined mind and at the highest opens to the intuition through which or else by an over- flooding directness the ovennind can have with the rest com- munication or .an liramediate contact,, (Colour ::: .blue with' gold light around.) i. ' j i i . n ,•,,/! i, ,i i i

jacobus ::: n. --> An English gold coin, of the value of twenty-five shillings sterling, struck in the reign of James I.

Jhumur: “That is the god, the order of light, the Divine Presence. He [Sri Aurobindo] uses many images, the golden nimbus, the white spiritual ray, the secret voice. In so many ways the divine presence makes itself felt. Sometimes as a voice, sometimes as a nimbus, sometimes as a very much more concrete presence, according to one’s receptivity.”

johannes ::: n. --> A Portuguese gold coin of the value of eight dollars, named from the figure of King John which it bears; -- often contracted into joe; as, a joe, or a half joe.

kahau ::: n. --> A long-nosed monkey (Semnopithecus nasalis), native of Borneo. The general color of the body is bright chestnut, with the under parts, shoulders, and sides of the head, golden yellow, and the top of the head and upper part of the back brown. Called also proboscis monkey.

karob ::: n. --> The twenty-fourth part of a grain; -- a weight used by goldsmiths.

kincob ::: n. --> India silk brocaded with flowers in silver or gold. ::: a. --> Of the nature of kincob; brocaded.

kohnur ::: n. --> A famous diamond, surrendered to the British crown on the annexation of the Punjab. According to Hindoo legends, it was found in a Golconda mine, and has been the property of various Hindoo and Persian rulers.

kutch ::: n. --> The packet of vellum leaves in which the gold is first beaten into thin sheets.
See Catechu.


labarum ::: n. --> The standard adopted by the Emperor Constantine after his conversion to Christianity. It is described as a pike bearing a silk banner hanging from a crosspiece, and surmounted by a golden crown. It bore a monogram of the first two letters (CHR) of the name of Christ in its Greek form. Later, the name was given to various modifications of this standard.

lacewing ::: n. --> Any one of several species of neuropterous insects of the genus Chrysopa and allied genera. They have delicate, lacelike wings and brilliant eyes. Their larvae are useful in destroying aphids. Called also lace-winged fly, and goldeneyed fly.

lacwork ::: n. --> Ornamentation by means of lacquer painted or carved, or simply colored, sprinkled with gold or the like; -- said especially of Oriental work of this kind.

Lakshmi ::: “Lakshmi is usually golden, not white. Saraswati is white.” Letters on Yoga

lamaism ::: n. --> A modified form of Buddhism which prevails in Thibet, Mongolia, and some adjacent parts of Asia; -- so called from the name of its priests. See 2d Lama.

lama ::: n. --> See Llama.
In Thibet, Mongolia, etc., a priest or monk of the belief called Lamaism.


lamasery ::: n. --> A monastery or convent of lamas, in Thibet, Mongolia, etc. html{color:

lametta ::: n. --> Foil or wire made of gold, silver, or brass.

lapps ::: n. pl. --> A branch of the Mongolian race, now living in the northern parts of Norway, Sweden, and the adjacent parts of Russia.

laryngological ::: a. --> Of or pertaining to laryngology.

laryngologist ::: n. --> One who applies himself to laryngology.

laryngology ::: n. --> Systematized knowledge of the action and functions of the larynx; in pathology, the department which treats of the diseases of the larynx.

latten ::: n. --> A kind of brass hammered into thin sheets, formerly much used for making church utensils, as candlesticks, crosses, etc.; -- called also latten brass.
Sheet tin; iron plate, covered with tin; also, any metal in thin sheets; as, gold latten.


laurel ::: n. --> An evergreen shrub, of the genus Laurus (L. nobilis), having aromatic leaves of a lanceolate shape, with clusters of small, yellowish white flowers in their axils; -- called also sweet bay.
A crown of laurel; hence, honor; distinction; fame; -- especially in the plural; as, to win laurels.
An English gold coin made in 1619, and so called because the king&


lavatory ::: a. --> Washing, or cleansing by washing. ::: n. --> A place for washing.
A basin or other vessel for washing in.
A wash or lotion for a diseased part.
A place where gold is obtained by washing.


leaf ::: 1. A usually green, flattened, lateral structure attached to a stem and functioning as a principle organ of photosynthesis and transpiration in most plants. 2. A page of a book or manuscript. lotus-leaf. (See also gold-leaf.)

Light it becomes golden red. Deep red light is a light that comes down into the physical for its change.

loriot ::: n. --> The golden oriole of Europe. See Oriole.

Madhav: “Alchemy is changing base metal into gold. So heaven experiments in changing this creature called man into a godhead. And this experiment is done on the base of nature, earth.” The Book of the Divine Mother

Madhav: “Eidolon is an unsubstantial figure. The name we give is only such an unsubstantial label. The secret is not touched. Gold is to indicate that though the name as such may appear to be unsubstantial, there is some truth in it.” The Book of the Divine Mother

Madhav: “Gold represents Truth, Divinity. The Hawk is the high soaring bird, the soul embodied in higher nature.”

Madhav: “The Golden Child is the Divine Soul that is evolving in the universe; it has arrived at a stage where, as a result of the ingressions of the Light from the planes of Mind, the growing Soul is able to think and see.” The Book of the Divine Mother

MAHAKALI ::: Goddess of the supreme strength ; with her are all mights and spiritual force and severest austerity of lapas and swiftness to the battle and the victory and the laughter, the attahosya, that makes light of defeat and death and the powers of the ignorance. .*

Afa/ifliflh' and Kdh are not the same. Kali is a lesser form.

Mahakali in the higher planes appears usually with the golden colour.


malma ::: n. --> A spotted trout (Salvelinus malma), inhabiting Northern America, west of the Rocky Mountains; -- called also Dolly Varden trout, bull trout, red-spotted trout, and golet.

mangoldwurzel ::: n. --> See Mangel-wurzel.

mancus ::: n. --> An old Anglo Saxon coin both of gold and silver, and of variously estimated values. The silver mancus was equal to about one shilling of modern English money.

maneh ::: n. --> A Hebrew weight for gold or silver, being one hundred shekels of gold and sixty shekels of silver.

manis ::: n. --> A genus of edentates, covered with large, hard, triangular scales, with sharp edges that overlap each other like tiles on a roof. They inhabit the warmest parts of Asia and Africa, and feed on ants. Called also Scaly anteater. See Pangolin.

mannheim gold ::: --> A kind of brass made in imitation of gold. It contains eighty per cent of copper and twenty of zinc.

maravedi ::: n. --> A small copper coin of Spain, equal to three mils American money, less than a farthing sterling. Also, an ancient Spanish gold coin.

marc ::: n. --> The refuse matter which remains after the pressure of fruit, particularly of grapes.
A weight of various commodities, esp. of gold and silver, used in different European countries. In France and Holland it was equal to eight ounces.
A coin formerly current in England and Scotland, equal to thirteen shillings and four pence.
A German coin and money of account. See Mark.


marigold ::: n. --> A name for several plants with golden yellow blossoms, especially the Calendula officinalis (see Calendula), and the cultivated species of Tagetes.

marsh marigold ::: --> A perennial plant of the genus Caltha (C. palustris), growing in wet places and bearing bright yellow flowers. In the United States it is used as a pot herb under the name of cowslip. See Cowslip.

mary-bud ::: n. --> The marigold; a blossom of the marigold.

matted ::: imp. & p. p. --> of Mat ::: a. --> Having a dull surface; unburnished; as, matted gold leaf or gilding.
Covered with a mat or mats; as, a matted floor.
Tangled closely together; having its parts adhering closely


matte ::: n. --> A partly reduced copper sulphide, obtained by alternately roasting and melting copper ore in separating the metal from associated iron ores, and called coarse metal, fine metal, etc., according to the grade of fineness. On the exterior it is dark brown or black, but on a fresh surface is yellow or bronzy in color.
A dead or dull finish, as in gilding where the gold leaf is not burnished, or in painting where the surface is purposely deprived of gloss.


maximilian ::: n. --> A gold coin of Bavaria, of the value of about 13s. 6d. sterling, or about three dollars and a quarter.

Messengers, the golden

mixtion ::: n. --> Mixture.
A kind of cement made of mastic, amber, etc., used as a mordant for gold leaf.


mogul ::: n. --> A person of the Mongolian race.
A heavy locomotive for freight traffic, having three pairs of connected driving wheels and a two-wheeled truck.


mohur ::: n. --> A British Indian gold coin, of the value of fifteen silver rupees, or $7.21.

moidore ::: n. --> A gold coin of Portugal, valued at about 27s. sterling.

moly ::: n. --> A fabulous herb of occult power, having a black root and white blossoms, said by Homer to have been given by Hermes to Ulysses to counteract the spells of Circe.
A kind of garlic (Allium Moly) with large yellow flowers; -- called also golden garlic.


mongolian ::: a. --> Of or pertaining to Mongolia or the Mongols. ::: n. --> One of the Mongols.

mongolians ::: n. pl. --> One of the great races of man, including the greater part of the inhabitants of China, Japan, and the interior of Asia, with branches in Northern Europe and other parts of the world. By some American Indians are considered a branch of the Mongols. In a more restricted sense, the inhabitants of Mongolia and adjacent countries, including the Burats and the Kalmuks.

mongolic ::: a. --> See Mongolian.

mongol ::: n. --> One of the Mongols. ::: a. --> Of or pertaining to Mongolia or the Mongols.

mongoloid ::: a. --> Resembling a Mongol or the Mongols; having race characteristics, such as color, hair, and features, like those of the Mongols.

mongols ::: n. pl. --> Alt. of Mongolians

money ::: n. --> A piece of metal, as gold, silver, copper, etc., coined, or stamped, and issued by the sovereign authority as a medium of exchange in financial transactions between citizens and with government; also, any number of such pieces; coin.
Any written or stamped promise, certificate, or order, as a government note, a bank note, a certificate of deposit, etc., which is payable in standard coined money and is lawfully current in lieu of it; in a comprehensive sense, any currency usually and lawfully employed in


monometallism ::: n. --> The legalized use of one metal only, as gold, or silver, in the standard currency of a country, or as a standard of money values. See Bimetallism.

montgolfier ::: n. --> A balloon which ascends by the buoyancy of air heated by a fire; a fire balloon; -- so called from two brothers, Stephen and Joseph Montgolfier, of France, who first constructed and sent up a fire balloon.

moonie ::: n. --> The European goldcrest.

Moon ::: Spirituality, sometimes also spiritual Ananda. A golden moon means a form of spirituality full of the light of higher

mormon ::: n. --> A genus of sea birds, having a large, thick bill; the puffin.
The mandrill.
One of a sect in the United States, followers of Joseph Smith, who professed to have found an addition to the Bible, engraved on golden plates, called the Book of Mormon, first published in 1830. The Mormons believe in polygamy, and their hierarchy of apostles, etc., has control of civil and religious matters.


multiply ::: v. t. --> To increase in number; to make more numerous; to add quantity to.
To add (any given number or quantity) to itself a certain number of times; to find the product of by multiplication; thus 7 multiplied by 8 produces the number 56; to multiply two numbers. See the Note under Multiplication.
To increase (the amount of gold or silver) by the arts of alchemy.


mundil ::: n. --> A turban ornamented with an imitation of gold or silver embroidery.

nagyagite ::: n. --> A mineral of blackish lead-gray color and metallic luster, generally of a foliated massive structure; foliated tellurium. It is a telluride of lead and gold.

napoleon ::: n. --> A French gold coin of twenty francs, or about $3.86.

nemean ::: a. --> Of or pertaining to Nemea, in Argolis, where the ancient Greeks celebrated games, and Hercules killed a lion.

niblick ::: n. --> A kind of golf stick used to lift the ball out of holes, ruts, etc.

nimbus ::: “The golden Nimbus now is seen no more,”

noisette ::: n. --> A hybrid rose produced in 1817, by a French gardener, Noisette, of Charleston, South Carolina, from the China rose and the musk rose. It has given rise to many fine varieties, as the Lamarque, the Marechal (or Marshal) Niel, and the Cloth of gold. Most roses of this class have clustered flowers and are of vigorous growth.

Nolini: “Griffin-Golden Hawk + Winged Lion—The piercing eye of soaring aspiration + Upsurging energy of the pure vital—Remember Vishnu’s Garuda + Durga’s lion—With these twin powers you cross safely the borderland between the lower and the upper hemisphere—the twilight world (Night and Day)—Griffin is the guardian God of this passage—dvarapalaka. Mother India—Nolini’s reply to a question from Huta.

Nolini: “The hawk is a symbol of the vital; the ‘gold hawk’ is the vital soul transformed.”

Nolini: “This world of absolute light which Savitri names ‘everlasting day’ is what the Upanishadic Rishi sees and describes as the golden lid upon the face of the Sun. The Sun is the complete integral light of the Truth in its fullness. The golden covering has be removed if one is to see the Sun itself—to live the integral life, one has to possess the integral truth.” Collected Works, Vol. 4.

nonpareil ::: a. --> Something of unequaled excellence; a peerless thing or person; a nonesuch; -- often used as a name.
A size of type next smaller than minion and next larger than agate (or ruby).
A beautifully colored finch (Passerina ciris), native of the Southern United States. The male has the head and neck deep blue, rump and under parts bright red, back and wings golden green, and the tail bluish purple. Called also painted finch.


nugget ::: n. --> A lump; a mass, esp. a native lump of a precious metal; as, a nugget of gold.

occamy ::: n. --> An alloy imitating gold or silver.

Of hammered gold and gold enamelling

Om (golden) rising to the sky means the cosmic conscious- ness supramentalised and rising towards the transcendent Cons- ciousness.

opah ::: n. --> A large oceanic fish (Lampris quttatus), inhabiting the Atlantic Ocean. It is remarkable for its brilliant colors, which are red, green, and blue, with tints of purple and gold, covered with round silvery spots. Called also king of the herrings.

Orange or Red Gold ::: light of the supramenial in the physical.

orangeroot ::: n. --> An American ranunculaceous plant (Hidrastis Canadensis), having a yellow tuberous root; -- also called yellowroot, golden seal, etc.

ore ::: n. --> Honor; grace; favor; mercy; clemency; happy augry.
The native form of a metal, whether free and uncombined, as gold, copper, etc., or combined, as iron, lead, etc. Usually the ores contain the metals combined with oxygen, sulphur, arsenic, etc. (called mineralizers).
A native metal or its compound with the rock in which it occurs, after it has been picked over to throw out what is worthless.
Metal; as, the liquid ore.


orgal ::: n. --> See Argol.

orichalch ::: n. --> A metallic substance, resembling gold in color, but inferior in value; a mixed metal of the ancients, resembling brass; -- called also aurichalcum, orichalcum, etc.

oriole ::: n. --> Any one of various species of Old World singing birds of the family Oriolidae. They are usually conspicuously colored with yellow and black. The European or golden oriole (Oriolus galbula, or O. oriolus) has a very musical flutelike note.
In America, any one of several species of the genus Icterus, belonging to the family Icteridae. See Baltimore oriole, and Orchard oriole, under Orchard.


ormolu ::: n. --> A variety of brass made to resemble gold by the use of less zinc and more copper in its composition than ordinary brass contains. Its golden color is often heightened by means of lacquer of some sort, or by use of acids. Called also mosaic gold.

oroide ::: n. --> An alloy, chiefly of copper and zinc or tin, resembling gold in color and brilliancy.

orphrey ::: n. --> A band of rich embroidery, wholly or in part of gold, affixed to vestments, especially those of ecclesiastics.

orris ::: n. --> A plant of the genus Iris (I. Florentina); a kind of flower-de-luce. Its rootstock has an odor resembling that of violets.
A sort of gold or silver lace.
A peculiar pattern in which gold lace or silver lace is worked; especially, one in which the edges are ornamented with conical figures placed at equal distances, with spots between them.


Or set upon a golden bough to sing

ovenbird ::: n. --> Any species of the genus Furnarius, allied to the creepers. They inhabit South America and the West Indies, and construct curious oven-shaped nests.
In the United States, Seiurus aurocapillus; -- called also golden-crowned thrush.
In England, sometimes applied to the willow warbler, and to the long-tailed titmouse.


pactolian ::: a. --> Pertaining to the Pactolus, a river in ancient Lydia famous for its golden sands.

pagoda ::: n. --> A term by which Europeans designate religious temples and tower-like buildings of the Hindoos and Buddhists of India, Farther India, China, and Japan, -- usually but not always, devoted to idol worship.
An idol.
A gold or silver coin, of various kinds and values, formerly current in India. The Madras gold pagoda was worth about three and a half rupees.


palladium ::: n. --> Any statue of the goddess Pallas; esp., the famous statue on the preservation of which depended the safety of ancient Troy.
Hence: That which affords effectual protection or security; a sateguard; as, the trial by jury is the palladium of our civil rights.
A rare metallic element of the light platinum group, found native, and also alloyed with platinum and gold. It is a


pallet ::: n. --> A small and mean bed; a bed of straw.
Same as Palette.
A wooden implement used by potters, crucible makers, etc., for forming, beating, and rounding their works. It is oval, round, and of other forms.
A potter&


paltry ::: superl. --> Mean; vile; worthless; despicable; contemptible; pitiful; trifling; as, a paltry excuse; paltry gold.

pangolin ::: n. --> Any one of several species of Manis, Pholidotus, and related genera, found in Africa and Asia. They are covered with imbricated scales, and feed upon ants. Called also scaly ant-eater.

pan ::: n. --> A part; a portion.
The distance comprised between the angle of the epaule and the flanked angle.
A leaf of gold or silver.
The betel leaf; also, the masticatory made of the betel leaf, etc. See /etel.
The god of shepherds, guardian of bees, and patron of fishing and hunting. He is usually represented as having the head and trunk of


path, Golden ::: see **Golden Path.**

pegst ::: a native English form of the verb, to peg, now only in formal and poetic usage. To mark with pegs (pins of wood); esp. to mark the boundaries of (a piece of ground, a claim for mining or gold-digging, etc.) with pegs placed at the corners. Also fig. in the sense of marking one"s position, claim, etc.

pengolin ::: n. --> The pangolin.

pen ::: n. --> A feather.
A wing.
An instrument used for writing with ink, formerly made of a reed, or of the quill of a goose or other bird, but now also of other materials, as of steel, gold, etc. Also, originally, a stylus or other instrument for scratching or graving.
Fig.: A writer, or his style; as, he has a sharp pen.
The internal shell of a squid.


pennyweight ::: n. --> A troy weight containing twenty-four grains, or the twentieth part of an ounce; as, a pennyweight of gold or of arsenic. It was anciently the weight of a silver penny, whence the name.

pettychaps ::: n. --> Any one of several species of small European singing birds of the subfamily Sylviinae, as the willow warbler, the chiff-chaff, and the golden warbler (Sylvia hortensis).

petzite ::: n. --> A telluride of silver and gold, related to hessite.

pharyngolaryngeal ::: a. --> Of or pertaining both to pharynx and the larynx.

phatagin ::: n. --> The long-tailed pangolin (Manis tetradactyla); -- called also ipi.

phycology ::: n. --> The science of algae, or seaweeds; algology.

pinchbeck ::: n. --> An alloy of copper and zinc, resembling gold; a yellow metal, composed of about three ounces of zinc to a pound of copper. It is much used as an imitation of gold in the manufacture of cheap jewelry. ::: a. --> Made of pinchbeck; sham; cheap; spurious; unreal.

pioned ::: a. --> A Shakespearean word of disputed meaning; perh., "abounding in marsh marigolds."

pippin ::: n. --> An apple from a tree raised from the seed and not grafted; a seedling apple.
A name given to apples of several different kinds, as Newtown pippin, summer pippin, fall pippin, golden pippin.


pistole ::: n. --> The name of certain gold coins of various values formerly coined in some countries of Europe. In Spain it was equivalent to a quarter doubloon, or about $3.90, and in Germany and Italy nearly the same. There was an old Italian pistole worth about $5.40.

plate ::: n. --> A flat, or nearly flat, piece of metal, the thickness of which is small in comparison with the other dimensions; a thick sheet of metal; as, a steel plate.
Metallic armor composed of broad pieces.
Domestic vessels and utensils, as flagons, dishes, cups, etc., wrought in gold or silver.
Metallic ware which is plated, in distinction from that which is genuine silver or gold.


plater ::: n. --> One who plates or coats articles with gold or silver; as, a silver plater.
A machine for calendering paper.


platinum ::: n. --> A metallic element, intermediate in value between silver and gold, occurring native or alloyed with other metals, also as the platinum arsenide (sperrylite). It is heavy tin-white metal which is ductile and malleable, but very infusible, and characterized by its resistance to strong chemical reagents. It is used for crucibles, for stills for sulphuric acid, rarely for coin, and in the form of foil and wire for many purposes. Specific gravity 21.5. Atomic weight 194.3. Symbol Pt. Formerly called platina.

poachard ::: n. --> A common European duck (Aythya ferina); -- called also goldhead, poker, and fresh-water, / red-headed, widgeon.
The American redhead, which is closely allied to the European poachard.


ponderosity ::: n. --> The quality or state of being ponderous; weight; gravity; heaviness, ponderousness; as, the ponderosity of gold.

porporino ::: n. --> A composition of quicksilver, tin, and sulphur, forming a yellow powder, sometimes used by mediaeval artists, for the sake of economy, instead of gold.

portague ::: n. --> A Portuguese gold coin formerly current, and variously estimated to be worth from three and one half to four and one half pounds sterling.

Premature consolation is but the remembrancer of sorrow.—Goldsmith.

puncheon ::: n. --> A figured stamp, die, or punch, used by goldsmiths, cutlers, etc.
A short, upright piece of timber in framing; a short post; an intermediate stud.
A split log or heavy slab with the face smoothed; as, a floor made of puncheons.
A cask containing, sometimes 84, sometimes 120, gallons.


Purani: “He [Sri Aurobindo] does the same [improving spontaneously upon the original in the alchemy of his poetical process] with several Vedic symbols which he employs. It [gold-horned herds] indicates the descent of the ‘gold-horned’ Cows—symbolising the richly-laden Rays of Knowledge—into the Inconscient of the earth, its ‘cave-heart’. Generally in the Veda the action is that of breaking open the Cave of the inconscient and releasing the pen of Cows, the imprisoned Rays of Life for the conscious possessions by the seeker. Here is how a Vedic hymn speaks about it: ‘They drove upwards, the luminous ones,—the good milch-cows, in their stone-pen within the hiding cave.’ Rig Veda IV, 1-13. One sees in Savitri the process reversed and the Master’s vision lays open the original act of involution of the Light into the darkness of the Inconscient.” Sri Aurobindo’s”Savitri”: An Approach and a Study.

purfle ::: v. t. --> To decorate with a wrought or flowered border; to embroider; to ornament with metallic threads; as, to purfle with blue and white.
To ornament with a bordure of emines, furs, and the like; also, with gold studs or mountings. ::: n.


purl ::: v. t. --> To decorate with fringe or embroidery. ::: n. --> An embroidered and puckered border; a hem or fringe, often of gold or silver twist; also, a pleat or fold, as of a band.
An inversion of stitches in knitting, which gives to the work a ribbed or waved appearance.


quartation ::: n. --> The act, process, or result (in the process of parting) of alloying a button of nearly pure gold with enough silver to reduce the fineness so as to allow acids to attack and remove all metals except the gold; -- called also inquartation. Compare Parting.

quesal ::: n. --> The long-tailed, or resplendent, trogon (Pharomachus mocinno, formerly Trogon resplendens), native of Southern Mexico and Central America. Called also quetzal, and golden trogon.

quipu ::: n. --> A contrivance employed by the ancient Peruvians, Mexicans, etc., as a substitute for writing and figures, consisting of a main cord, from which hung at certain distances smaller cords of various colors, each having a special meaning, as silver, gold, corn, soldiers. etc. Single, double, and triple knots were tied in the smaller cords, representing definite numbers. It was chiefly used for arithmetical purposes, and to register important facts and events.

rattlewings ::: n. --> The golden-eye.

redcap ::: n. --> The European goldfinch.
A specter having long teeth, popularly supposed to haunt old castles in Scotland.


Red ; Deep red is the Divine Love. Deep red light is tlic light that comes down into the physical for its change. It is associated with the sunlight and the golden light. Golden red is the colour of the supramcntal physical light. The golden red light has a strong transforming power. Rosy red is the psychic love.

redeemable ::: a. --> Capable of being redeemed; subject to repurchase; held under conditions permitting redemption; as, a pledge securing the payment of money is redeemable.
Subject to an obligation of redemtion; conditioned upon a promise of redemtion; payable; due; as, bonds, promissory notes, etc. , redeemabble in gold, or in current money, or four months after date.


refined ::: imp. & p. p. --> of Refine ::: a. --> Freed from impurities or alloy; purifed; polished; cultured; delicate; as; refined gold; refined language; refined sentiments.

refine ::: v. t. --> To reduce to a fine, unmixed, or pure state; to free from impurities; to free from dross or alloy; to separate from extraneous matter; to purify; to defecate; as, to refine gold or silver; to refine iron; to refine wine or sugar.
To purify from what is gross, coarse, vulgar, inelegant, low, and the like; to make elegant or exellent; to polish; as, to refine the manners, the language, the style, the taste, the intellect, or the moral feelings.


rhigolene ::: n. --> A mixture of volatile hydrocarbons intermediate between gsolene and cymogene. It is obtained in the purification of crude petroleum, and is used as a refregerant.

rhino ::: n. --> Gold and silver, or money.

rial ::: n. --> A Spanish coin. See Real.
A gold coin formerly current in England, of the value of ten shillings sterling in the reign of Henry VI., and of fifteen shillings in the reign of Elizabeth. ::: a. --> Royal.


rigoll ::: n. --> A musical instrument formerly in use, consisting of several sticks bound together, but separated by beads, and played with a stick with a ball at its end.

rigol ::: n. --> A circle; hence, a diadem.

riffle ::: n. --> A trough or sluice having cleats, grooves, or steps across the bottom for holding quicksilver and catching particles of gold when auriferous earth is washed; also, one of the cleats, grooves, or steps in such a trough. Also called ripple.

rocker ::: n. --> One who rocks; specifically, one who rocks a cradle.
One of the curving pieces of wood or metal on which a cradle, chair, etc., rocks.
Any implement or machine working with a rocking motion, as a trough mounted on rockers for separating gold dust from gravel, etc., by agitation in water.
A play horse on rockers; a rocking-horse.
A chair mounted on rockers; a rocking-chair.


rose-rial ::: n. --> A name of several English gold coins struck in different reigns and having having different values; a rose noble.

ruble ::: n. --> The unit of monetary value in Russia. It is divided into 100 copecks, and in the gold coin of the realm (as in the five and ten ruble pieces) is worth about 77 cents. The silver ruble is a coin worth about 60 cents.

rubytail ::: n. --> A European gold wasp (Chrysis ignita) which has the under side of the abdomen bright red, and the other parts deep bluish green with a metallic luster. The larva is parasitic in the nests of other wasps and of bees.

ruddock ::: n. --> The European robin.
A piece of gold money; -- probably because the gold of coins was often reddened by copper alloy. Called also red ruddock, and golden ruddock.


ryder ::: n. --> A clause added to a document; a rider. See Rider.
A gold coin of Zealand [Netherlands] equal to 14 florins, about $ 5.60.


sacrifice ::: gold tongue of sacrifice

samite ::: a. --> A species of silk stuff, or taffeta, generally interwoven with gold.

sapajou ::: n. --> Any one of several species of South American monkeys of the genus Cebus, having long and prehensile tails. Some of the species are called also capuchins. The bonnet sapajou (C. subcristatus), the golden-handed sapajou (C. chrysopus), and the white-throated sapajou (C. hypoleucus) are well known species. See Capuchin.

saturnian ::: a. --> Of or pertaining to Saturn, whose age or reign, from the mildness and wisdom of his government, is called the golden age.
Hence: Resembling the golden age; distinguished for peacefulness, happiness, contentment.
Of or pertaining to the planet Saturn; as, the Saturnian year. ::: n.


Satyavan, as Sri Aurobindo writes,”…is the soul carrying the truth of being within itself but descended into the grip of death and ignorance;”. Descended into the grip of death and ignorance, the divine realized soul, does not become ignorance but descends into death and then is saved by Savitri, the Divine Mother. After leaving his body”this house of clay” and wandering”in far-off eternities”, all the while a captive in Savitri’s “golden hands” he returns and replies to his father,

schlich ::: n. --> The finer portion of a crushed ore, as of gold, lead, or tin, separated by the water in certain wet processes.

scorifier ::: n. --> One who, or that which, scorifies; specifically, a small flat bowl-shaped cup used in the first heating in assaying, to remove the earth and gangue, and to concentrate the gold and silver in a lead button.

scorify ::: v. t. --> To reduce to scoria or slag; specifically, in assaying, to fuse so as to separate the gangue and earthy material, with borax, lead, soda, etc., thus leaving the gold and silver in a lead button; hence, to separate from, or by means of, a slag.

scudo ::: n. --> A silver coin, and money of account, used in Italy and Sicily, varying in value, in different parts, but worth about 4 shillings sterling, or about 96 cents; also, a gold coin worth about the same.
A gold coin of Rome, worth 64 shillings 11 pence sterling, or about $ 15.70.


scute ::: n. --> A small shield.
An old French gold coin of the value of 3s. 4d. sterling, or about 80 cents.
A bony scale of a reptile or fish; a large horny scale on the leg of a bird, or on the belly of a snake.


senecio ::: n. --> A very large genus of composite plants including the groundsel and the golden ragwort.

sequin ::: n. --> An old gold coin of Italy and Turkey. It was first struck at Venice about the end of the 13th century, and afterward in the other Italian cities, and by the Levant trade was introduced into Turkey. It is worth about 9s. 3d. sterling, or about $2.25. The different kinds vary somewhat in value.

shamanism ::: n. --> The type of religion which once prevalied among all the Ural-Altaic peoples (Tungusic, Mongol, and Turkish), and which still survives in various parts of Northern Asia. The Shaman, or wizard priest, deals with good as well as with evil spirits, especially the good spirits of ancestors.

shiner ::: n. --> That which shines.
A luminary.
A bright piece of money.
Any one of numerous species of small freshwater American cyprinoid fishes, belonging to Notropis, or Minnilus, and allied genera; as the redfin (Notropis megalops), and the golden shiner (Notemigonus chrysoleucus) of the Eastern United States; also loosely applied to various other silvery fishes, as the dollar fish, or


shoder ::: n. --> A package of gold beater&

showbread ::: n. --> Bread of exhibition; loaves to set before God; -- the term used in translating the various phrases used in the Hebrew and Greek to designate the loaves of bread which the priest of the week placed before the Lord on the golden table in the sanctuary. They were made of fine flour unleavened, and were changed every Sabbath. The loaves, twelve in number, represented the twelve tribes of Israel. They were to be eaten by the priests only, and in the Holy Place.

Shruti: “The approach to the fiery aisle and the golden house.”

Shruti: “Vijnana maya purusha. The angel who holds and brings forth the occult mysteries of life, the mysterious truths of existence, the occult laws of Nature, the level of being. Hiranyagarbha, the golden embryo is also the Angel of mysterious ecstasies. He is also the man who has attained the state of Vijnana where he is now Mind, Life, Matter.”

siliqua ::: n. --> Same as Silique.
A weight of four grains; a carat; -- a term used by jewelers, and refiners of gold.


silverfish ::: n. --> The tarpum.
A white variety of the goldfish.


similor ::: n. --> An alloy of copper and zinc, resembling brass, but of a golden color.

smith ::: n. --> One who forges with the hammer; one who works in metals; as, a blacksmith, goldsmith, silversmith, and the like.
One who makes or effects anything.
To beat into shape; to forge.


solidago ::: n. --> A genus of yellow-flowered composite perennial herbs; golden-rod.

sol ::: n. --> The sun.
Gold; -- so called from its brilliancy, color, and value.
A syllable applied in solmization to the note G, or to the fifth tone of any diatonic scale.
The tone itself.
A sou.
A silver and gold coin of Peru. The silver sol is the unit of value, and is worth about 68 cents.


sonnish ::: a. --> Like the sun; sunny; golden.

sora ::: n. --> A North American rail (Porzana Carolina) common in the Eastern United States. Its back is golden brown, varied with black and white, the front of the head and throat black, the breast and sides of the head and neck slate-colored. Called also American rail, Carolina rail, Carolina crake, common rail, sora rail, soree, meadow chicken, and orto.

Sphinx, golden *See *golden Sphinx.

spur-royal ::: n. --> A gold coin, first made in the reign of Edward IV., having a star on the reverse resembling the rowel of a spur. In the reigns of Elizabeth and of James I., its value was fifteen shillings.

squamata ::: n. pl. --> A division of edentates having the body covered with large, imbricated horny scales. It includes the pangolins.

squawweed ::: n. --> The golden ragwort. See under Ragwort.

squealer ::: n. --> One who, or that which, squeals.
The European swift.
The harlequin duck.
The American golden plover.


*Sri Aurobindo: "Dawn always means an opening of some kind — the coming of something that is not yet fully there.” Letters on Yoga ::: "As the Sun is image and godhead of the golden Light of the divine Truth, so Dawn is image and godhead of the opening out of the supreme illumination on the night of our human ignorance. Dawn daughter of Heaven and Night her sister are obverse and reverse sides of the same eternal Infinite.” The Secret of the Veda

Sri Aurobindo: "I suppose the golden child is the Truth-Soul which follows after the silver light of the spiritual. When it plunges into the black waters of the subconscient, it releases from it the spiritual light and the sevenfold streams of the Divine Energy and, clearing itself of the stains of the subconscient, it prepares its flight towards the supreme Divine (the Mother).” (Reply to a question in the chapter Visions and Symbols.) Letters on Yoga

:::   Sri Aurobindo: "Lakshmi is usually golden, not white. Saraswati is white.” Letters on Yoga

Sri Aurobindo: “Lakshmi is usually golden, not white. Saraswati is white.” Letters on Yoga

stater ::: n. --> One who states.
The principal gold coin of ancient Grece. It varied much in value, the stater best known at Athens being worth about £1 2s., or about $5.35. The Attic silver tetradrachm was in later times called stater.


Sun is the direct light of the Truth ; when it gets fused into the vital, it takes the mi.Tcd colour — gold and green — just as in the phj'sical it becomes golden red or in the mental golden yellow.

*sun"s, suns, sun-beams, sun-beat, sun-blaze, sun-bright, sun-capped,, sun-clear, sun-dream, sun-eyed, sun-frank, sun-gaze, sun-gazing, sun-god"s, sun-gold, sun-held, sun-herds, sun-kissed, sun-laugh, sun-lift, sun-like, sun-march, sun-orb, sun-steppes, sun-stone, sun-thoughts, sun-vast, sun-veil, sun-white, sun-word, Sun-Word.

tailor ::: n. --> One whose occupation is to cut out and make men&

tartar ::: n. --> A reddish crust or sediment in wine casks, consisting essentially of crude cream of tartar, and used in marking pure cream of tartar, tartaric acid, potassium carbonate, black flux, etc., and, in dyeing, as a mordant for woolen goods; -- called also argol, wine stone, etc.
A correction which often incrusts the teeth, consisting of salivary mucus, animal matter, and phosphate of lime.
A native or inhabitant of Tartary in Asia; a member of any


tee ::: n. --> The mark aimed at in curling and in quoits.
The nodule of earth from which the ball is struck in golf.
A short piece of pipe having a lateral outlet, used to connect a line of pipe with a pipe at a right angle with the line; -- so called because it resembles the letter T in shape.


Tehmi: “A symbolic legend that the golden riches of the divine are buried in the subconscient, swallowed by the Panis and a Dasyu’s and must be retrieved again.”

tellurium ::: n. --> A rare nonmetallic element, analogous to sulphur and selenium, occasionally found native as a substance of a silver-white metallic luster, but usually combined with metals, as with gold and silver in the mineral sylvanite, with mercury in Coloradoite, etc. Symbol Te. Atomic weight 125.2.

testing ::: p. pr. & vb. n. --> of Test ::: n. --> The act of testing or proving; trial; proof.
The operation of refining gold or silver in a test, or cupel; cupellation.


"The Adversary will disappear only when he is no longer necessary in the world. And we know very well that he is necessary, as the touch-stone for gold: to know if it is pure. But if one is really sincere, the Adversary can"t even approach him any longer; and he doesn"t try it, because that would be courting his own destruction.” Questions and Answers 1955, MCW Vol. 7.

“The Adversary will disappear only when he is no longer necessary in the world. And we know very well that he is necessary, as the touch-stone for gold: to know if it is pure. But if one is really sincere, the Adversary can’t even approach him any longer; and he doesn’t try it, because that would be courting his own destruction.” Questions and Answers 1955, MCW Vol. 7**

"The colours of the lotuses and the numbers of petals are respectively, from bottom to top: — (1) the Muladhara or physical consciousness centre, four petals, red; (2) the abdominal centre, six petals, deep purple red; (3) the navel centre, ten petals, violet; (4) the heart centre, twelve petals, golden pink; (5) the throat centre, sixteen petals, grey; (6) the forehead centre between the eye-brows, two petals, white; (7) the thousand-petalled lotus above the head, blue with gold light around. The functions are, according to our yoga, — (1) commanding the physical consciousness and the subconscient; (2) commanding the small vital movements, the little greeds, lusts, desires, the small sense-movements; (3) commanding the larger life-forces and the passions and larger desire-movements; (4) commanding the higher emotional being with the psychic deep behind it; (5) commanding expression and all externalisation of the mind movements and mental forces; (6) commanding thought, will, vision; (7) commanding the higher thinking mind and the illumined mind and opening upwards to the intuition and overmind. The seventh is sometimes or by some identified with the brain, but that is an error — the brain is only a channel of communication situated between the thousand-petalled and the forehead centre. The former is sometimes called the void centre, sunya , either because it is not in the body, but in the apparent void above or because rising above the head one enters first into the silence of the self or spiritual being.” Letters on Yoga*

“The colours of the lotuses and the numbers of petals are respectively, from bottom to top:—(1) the Muladhara or physical consciousness centre, four petals, red; (2) the abdominal centre, six petals, deep purple red; (3) the navel centre, ten petals, violet; (4) the heart centre, twelve petals, golden pink; (5) the throat centre, sixteen petals, grey; (6) the forehead centre between the eye-brows, two petals, white; (7) the thousand-petalled lotus above the head, blue with gold light around. The functions are, according to our yoga,—(1) commanding the physical consciousness and the subconscient; (2) commanding the small vital movements, the little greeds, lusts, desires, the small sense-movements; (3) commanding the larger life-forces and the passions and larger desire-movements; (4) commanding the higher emotional being with the psychic deep behind it; (5) commanding expression and all externalisation of the mind movements and mental forces; (6) commanding thought, will, vision; (7) commanding the higher thinking mind and the illumined mind and opening upwards to the intuition and overmind. The seventh is sometimes or by some identified with the brain, but that is an error—the brain is only a channel of communication situated between the thousand-petalled and the forehead centre. The former is sometimes called the void centre, sunya , either because it is not in the body, but in the apparent void above or because rising above the head one enters first into the silence of the self or spiritual being.” Letters on Yoga

The heart centre, hrdpadma or andJiata, commanding the high- er emotional being with the psychic deep behind it, governs the emotional being. (Colour: golden pinV ; petals: twelve.)

"The light outside means a touch or influence of the force indicated by the light (golden is Truth-light, blue some spiritual force from the upper plane) while the light within means that it has penetrated or is established or frequently active in the nature itself. Light above means a force descending upon the mind, light around a general enveloping influence.” Letters on Yoga

“The light outside means a touch or influence of the force indicated by the light (golden is Truth-light, blue some spiritual force from the upper plane) while the light within means that it has penetrated or is established or frequently active in the nature itself. Light above means a force descending upon the mind, light around a general enveloping influence.” Letters on Yoga

::: The Mother: "Of all the aspects of the Mother, Kali most powerfully expresses vibrant and active love, and despite her sometimes terrible aspect, she carries in herself the golden splendour of an all-powerful love.” Words of the Mother, MCW Vol. 15*.

The Mother: “Of all the aspects of the Mother, Kali most powerfully expresses vibrant and active love, and despite her sometimes terrible aspect, she carries in herself the golden splendour of an all-powerful love.” Words of the Mother, MCW Vol. 15.

“The question was: ‘In the mystical region, is the dragon bird any relation of your Bird of Fire with ‘gold-white wings’ or your Hippogriff with ‘face lustred, pale-blue-lined’? And why do you write: ‘What to say about him? One can only see’?” Letters on Savitri

thirst ::: n. --> A sensation of dryness in the throat associated with a craving for liquids, produced by deprivation of drink, or by some other cause (as fear, excitement, etc.) which arrests the secretion of the pharyngeal mucous membrane; hence, the condition producing this sensation.
Fig.: A want and eager desire after anything; a craving or longing; -- usually with for, of, or after; as, the thirst for gold.
To feel thirst; to experience a painful or uneasy sensation


thread ::: n. --> A very small twist of flax, wool, cotton, silk, or other fibrous substance, drawn out to considerable length; a compound cord consisting of two or more single yarns doubled, or joined together, and twisted.
A filament, as of a flower, or of any fibrous substance, as of bark; also, a line of gold or silver.
The prominent part of the spiral of a screw or nut; the rib. See Screw, n., 1.


thumbbird ::: n. --> The goldcrest.

tidley ::: n. --> The wren.
The goldcrest.


tinsel ::: n. --> A shining material used for ornamental purposes; especially, a very thin, gauzelike cloth with much gold or silver woven into it; also, very thin metal overlaid with a thin coating of gold or silver, brass foil, or the like.
Something shining and gaudy; something superficially shining and showy, or having a false luster, and more gay than valuable.


tissue ::: n. --> A woven fabric.
A fine transparent silk stuff, used for veils, etc.; specifically, cloth interwoven with gold or silver threads, or embossed with figures.
One of the elementary materials or fibres, having a uniform structure and a specialized function, of which ordinary animals and plants are composed; a texture; as, epithelial tissue; connective tissue.


toadhead ::: n. --> The golden plover.

touch-needle ::: n. --> A small bar of gold and silver, either pure, or alloyed in some known proportion with copper, for trying the purity of articles of gold or silver by comparison of the streaks made by the article and the bar on a touchstone.

touchstone ::: n. --> Lydian stone; basanite; -- so called because used to test the purity of gold and silver by the streak which is left upon the stone when it is rubbed by the metal. See Basanite.
Any test or criterion by which the qualities of a thing are tried.


Transcendent ::: “A Transcendent who is beyond all world and all Nature and yet possesses the world and its nature, who has descended with something of himself into it and is shaping it into that which as yet it is not, is the Source of our being, the Source of our works and their Master. But the seat of the Transcendent Consciousness is above in an absoluteness of divine Existence—and there too is the absolute Power, Truth, Bliss of the Eternal—of which our mentality can form no conception and of which even our greatest spiritual experience is only a diminished reflection in the spiritualised mind and heart, a faint shadow, a thin derivate. Yet proceeding from it there is a sort of golden corona of Light, Power, Bliss and Truth—a divine Truth-Consciousness as the ancient mystics called it, a Supermind, a Gnosis, with which this world of a lesser consciousness proceeding by Ignorance is in secret relation and which alone maintains it and prevents it from falling into a disintegrated chaos.” The Synthesis of Yoga

transcendent ::: Sri Aurobindo: "A Transcendent who is beyond all world and all Nature and yet possesses the world and its nature, who has descended with something of himself into it and is shaping it into that which as yet it is not, is the Source of our being, the Source of our works and their Master. But the seat of the Transcendent Consciousness is above in an absoluteness of divine Existence — and there too is the absolute Power, Truth, Bliss of the Eternal — of which our mentality can form no conception and of which even our greatest spiritual experience is only a diminished reflection in the spiritualised mind and heart, a faint shadow, a thin derivate. Yet proceeding from it there is a sort of golden corona of Light, Power, Bliss and Truth — a divine Truth-Consciousness as the ancient mystics called it, a Supermind, a Gnosis, with which this world of a lesser consciousness proceeding by Ignorance is in secret relation and which alone maintains it and prevents it from falling into a disintegrated chaos.” *The Synthesis of Yoga

"The Transcendent, the Universal, the Individual are three powers overarching, underlying and penetrating the whole manifestation; this is the first of the Trinities. In the unfolding of consciousness also, these are the three fundamental terms and none of them can be neglected if we would have the experience of the whole Truth of existence. Out of the individual we wake into a vaster freer cosmic consciousness; but out of the universal too with its complex of forms and powers we must emerge by a still greater self-exceeding into a consciousness without limits that is founded on the Absolute.” The Synthesis of Yoga

"We see then that there are three terms of the one existence, transcendent, universal and individual, and that each of these always contains secretly or overtly the two others. The Transcendent possesses itself always and controls the other two as the basis of its own temporal possibilities; that is the Divine, the eternal all-possessing God-consciousness, omnipotent, omniscient, omnipresent, which informs, embraces, governs all existences. The human being is here on earth the highest power of the third term, the individual, for he alone can work out at its critical turning-point that movement of self-manifestation which appears to us as the involution and evolution of the divine consciousness between the two terms of the Ignorance and the Knowledge.” The Life Divine

The Transcendent
This is what is termed the Adya Shakti; she is the Supreme Consciousness and Power above the universe and it is by her that all the Gods are manifested, and even the supramental Ishwara comes into manifestation through her — the supramental Purushottama of whom the Gods are Powers and Personalities.” Letters on Yoga
**Transcendent"s.**


transform ::: v. t. --> To change the form of; to change in shape or appearance; to metamorphose; as, a caterpillar is ultimately transformed into a butterfly.
To change into another substance; to transmute; as, the alchemists sought to transform lead into gold.
To change in nature, disposition, heart, character, or the like; to convert.
To change, as an algebraic expression or geometrical


tribolet ::: n. --> A goldsmith&

troutbird ::: n. --> The American golden plover.

tuft ::: n. --> A collection of small, flexible, or soft things in a knot or bunch; a waving or bending and spreading cluster; as, a tuft of flowers or feathers.
A cluster; a clump; as, a tuft of plants.
A nobleman, or person of quality, especially in the English universities; -- so called from the tuft, or gold tassel, on the cap worn by them.


tunguses ::: n. pl. --> A group of roving Turanian tribes occupying Eastern Siberia and the Amoor valley. They resemble the Mongols.

turanians ::: n. pl. --> An extensive division of mankind including the Mongols and allied races of Asia, together with the Malays and Polynesians.
A group of races or tribes inhabiting Asia and closely related to the Mongols.


turiole ::: n. --> The golden oriole.

tut ::: --> Be still; hush; -- an exclamation used for checking or rebuking. ::: n. --> An imperial ensign consisting of a golden globe with a cross on it.
A hassock.


ugrian ::: n. pl. --> A Mongolian race, ancestors of the Finns.

umbery ::: a. --> Of or pertaining to umber; like umber; as, umbery gold.

unbegilt ::: a. --> Not gilded; hence, not rewarded with gold.

underbear ::: v. t. --> To support; to endure.
To line; to guard; to face; as, cloth of gold underborne with blue tinsel.


unit ::: n. --> A single thing or person.
The least whole number; one.
A gold coin of the reign of James I., of the value of twenty shillings.
Any determinate amount or quantity (as of length, time, heat, value) adopted as a standard of measurement for other amounts or quantities of the same kind.
A single thing, as a magnitude or number, regarded as an


vase ::: n. --> A vessel adapted for various domestic purposes, and anciently for sacrificial uses; especially, a vessel of antique or elegant pattern used for ornament; as, a porcelain vase; a gold vase; a Grecian vase. See Illust. of Portland vase, under Portland.
A vessel similar to that described in the first definition above, or the representation of one in a solid block of stone, or the like, used for an ornament, as on a terrace or in a garden. See Illust. of Niche.


VAtKVNTHA. ::: Vide Goloka.

venturine ::: n. --> Gold powder for covering varnished surfaces.

verdin ::: n. --> A small yellow-headed bird (Auriparus flaviceps) of Lower California, allied to the titmice; -- called also goldtit.

vermeil ::: n. --> Vermilion; also, the color of vermilion, a bright, beautiful red.
Silver gilt or gilt bronze.
A liquid composition applied to a gilded surface to give luster to the gold.


vulturine ::: a. --> Of or pertaining to a vulture; resembling a vulture in qualities or looks; as, the vulturine sea eagle (Gypohierax Angolensis); vulturine rapacity.

water agrimony ::: --> A kind of bur marigold (Bidens tripartita) found in wet places in Europe.

—we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; for though we have applied that word for want of a better to any supra-intellectual direct way of knowing, yet what we actually know as intuition is only one special movement of self-existent knowledge. This new range is its origin; it imparts to our intuitions something of its own distinct character and is very clearly an intermediary of a greater Truth-Light with which our mind cannot directly communicate. At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies,—not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality. This then is the occult link we were looking for; this is the Power that at once connects and divides the supreme Knowledge and the cosmic Ignorance….

When it is golden red it mc.ins Ute same modified Supramcntal- physical Light, — the Light of Divine Truth in the physical. The golden red light has a strong iransformiog power.

Yeilow * charactensuc colour of the mind It is the light of the rmnd growmg bnghter as one goes higher till it meets the golden light of the Divine Truth

Yet still, a captive in her golden hands,



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NEW FULL DB (2.4M)

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*** WISDOM TROVE ***

*** NEWFULLDB 2.4M ***

1:Un prezent prea gol se cere umplut cu ceva. ~ Octavian Paler,
2:The dream is the progressive realization of worth vale gol. ~ Dexter R Yager Sr,
3:Între două lumi, sufletul gol se scufundă în nesfârșitul singurătății... ~ Liviu Rebreanu,
4:He felt great. spa'dassins digladiate; ziffidae and xebecs contend! gol-iard dunking! ~ Iain M Banks,
5:Deştept poţi să pari fără să fii, dar dacă nu eşti un prost autentic, te dai de gol. ~ Octavian Paler,
6:Il voia, il voia atat de mult incat simtea un gol pe dinauntru, de parca dorinta i-ar fi as maruntaiele. ~ Cassandra Clare,
7:Ce se intamplace in inima iubitei mele,ce gol ramasese acolo nestrabatut de patima mea si care o inghitea acum in intregime? ~ Mircea Eliade,
8:I have come here and will lead this passage to the farthest ends of the world " ~ Eiichiro Oda Gol D. Roger ~ Eiichiro Oda ~ Eiichiro Oda,
9:Apoi toate gândurile îi pieriră și sufletul rămase gol în fața ei. Numai pe ea o mai vedea, parcă ar fi dispărut lumea întreagă. ~ Liviu Rebreanu,
10:... gaura despre care incepea sa invete ca nu este exceptia in viata, ci regula. Gaura nu inseamna gol; golul exista in jurul ei. ~ Jonathan Safran Foer,
11:Ce dragă mi-ai fi,Noapte,când stelele s-ar stinge:lumina lor îngână un cântec cunoscut;iar eu vreau tot ce-i negru și gol și șters și mut! ~ Charles Baudelaire,
12:Un gol, el desahogo de los desahogos. Un gol, una tontería indescriptible, la tontería que separa, como ninguna otra cosa, la alegría de la tristeza. ~ Anonymous,
13:Inceputul si sfarsitul e Dumnezeu, fiindca habar n-avem de unde venim si unde mergem si, prin urmare, inlocium intunericul cu un cuvant mare si gol... ~ Liviu Rebreanu,
14:...govorili smo jedno mimo drugog. Igrali smo zapetljanu igru s loptom, prebogatu pravilima. Pucali smo i pucali ali nijedna od lopti nije ulazila u gol. ~ Jostein Gaarder,
15:Mă aruncam în gol cu o exaltare tulbure şi pe urmă mă întrebam de
ce-am făcut-o. Eu însumi nu ştiam prea bine ce vroiam ascultînd
cum fierbea sîngele în mine. ~ Octavian Paler,
16:Inherited Will, The Destiny of the Age, and The Dreams of the People. As long as people continue to pursue the meaning of Freedom, these things will never cease to be!" - Gol D. Roger ~ Eiichiro Oda,
17:Cand iubirea a disparut, viata devine oarecum conventionala si silnica; pastrezi o forma umana, comportamentele obisnuite, un soi de structura, dar sufletul, cum se spune, e gol. ~ Michel Houellebecq,
18:Canavarı görünce uçuruma doğru koşuyoruz, korkudan değil. Canavarla dövüşmek için sırtımızı uçuruma vermemiz lazım. Son dakikadaki kornere çıkıp karşı kalede gol arayan kalecilere sorun, Türkiye'nin ruhunu en iyi onlar bilir. ~ Emrah Serbes,
19:Voi ajunge în curând pe malul falezei și mă voi azvârli în gol. Ce fericire să plutești în aer și să cunoști, în sfârșit, acea senzație de lipsă de greutate pe care-o căutăm dintotdeuna! Îmi amintesc cu mare claritate de dimineața aceea, de strada aceea și de cerul de la capătul ei... ~ Patrick Modiano,
20:Descoperi ceea ce ştiai de la început,că aşteptarea are valoare câtă vreme aştepţi să se întâmple ceva,câtă vreme îţi poţi închipui că se va întâmpla ceva,chiar dacă nu se va întâmpla nimic.Altfel aşteptarea devine un timp gol.A aştepta aşteptarea?Ar fi absurd.Aşa ceva nu există.A aşteptarea e moarte. ~ Octavian Paler,
21:Viața însăși îndreaptă spre om o față goală, nepăsătoare, descurajantă, pe care nu se citește nimic, ca și pe pânza asta goală. Dar omul nu se sperie de acest gol, pășește plin de încredere și de curaj, se zbate, clădește, creează, și până la urmă, pânza nu va mai rămâne goală, ci se acoperă cu formele bogate ale vieții. ~ Irving Stone,
22:Jonathan nu prea știa să dialogheze. Considera că discuția era făcută pentru a servi ca vas comunicant. Există unul care știe ceva, vasul plin, și unul care nu știe, vasul gol, acesta fiind de obicei chiar el.
Cel care nu știe e numai urechi și ațâță din când în când râvna interlocutorului prin „și?”, „vorbește-mi de asta” și mișcări din cap. ~ Bernard Werber,
23:Pe treptele îndepărtate ale altarului cel mare, gol precum trupul domnului, preoții zac prosternați în șoptită rugăciune(...) Ea stă în picioare lângă mine, palidă și rece, înveșmântată în umbrelele naosului negru ca păcatul, cu cotul fragil la brațul meu (...)Îi văd ochii întunecați și plini de suferință, frumoși ca ochii unei antilope. O, rană nemiloasă! Dumnezeu libidinos! ~ James Joyce,
24:Numai în amintirea ei o să înflorească din nou florile sălbatice, dar dacă o asemenea fericire a trecut o dată prin viața ei, atunci fericirea asta s-ar putea întoarce într-o bună zi, poate chiar azi, și ea clatină din cap, e atât de obișnuită să întindă mâna spre un loc gol, degetele i s-au pierdut mereu în adâncurile buzunarului gol al vieții ei, și acum își bagă mâna în celălalt buzunar, și acela e plin ochi. ~ Zeruya Shalev,
25:A fost o greseala. Pentru ca adineauri am inteles ca intre mine si o insecta, intre o insecta si un rau, intre un rau si un strigat, care se arcuieste peste acesta, nu este nici o deosebire. Totul functioneaza gol si fara noima sub presiunea dependentei si a unui stravechi balans salbatic, astfel ca numai imaginatia, nicidecum esecul etern al simturilor, ne ispiteste neincetat cu credinta, ca sa putem iesi din viziunile mizeriei. ~ L szl Krasznahorkai,
26:Lord Antesh,” Uncle Sentes said. “I see no recognisable flag of truce, do you?” Antesh pursed his lips and shook his head. “Can’t say as I do, my lord.” “Well then.” “. . . swift transportation to any land of your choice,” the Volarian was saying, the scroll held in front of his eyes. “Plus one hundred pounds in gol—” He choked off as Antesh’s arrow punched through the scroll and the breastplate beyond. He tumbled from the saddle and lay still, the scroll pinned to his chest. “Right,” the Fief Lord said, turning away. “Let me know when the rest get here. ~ Anthony Ryan,
27:Los Refutadores de Leyendas han sostenido siempre que toda la Naturaleza puede expresarse en términos matemáticos. Lo poco que queda fuera no existe. (...) Cuando fracasaban, simplemente declaraban superstición lo que no conseguían encuadrar en sus estructuras científicas.
Existía un minucioso catálogo de cosas inexistentes que se actualizaba cada año. Allí figuraban los sueños, las esperanzas, el Hombre de la Bolsa, el alma, el ornitorrinco, el catorce de espadas, el Ángel Gris de Flores, el gol de Ernesto Grillo a los ingleses, la generala servida y la angustia. ~ Alejandro Dolina,
28:Modern dünyanın adaletsizliklerine en büyük korumayı sağlayan, bu adaletsizliklerin doğru olduğunu değil, kaçınılmaz olduğunu ileri süren görüştür; "Her zaman zenginler ve fakirler olacaktır," ya da "Her zaman üste çıkacak birileri olacaktır." Eski Roma'da insanların şöyle dediklerine eminim: "Kalabalıkları birbirlerini öldüren gladyatörleri seyretmekten alıkoyamazsınız; ne yapalım, insan doğası böyle. Demek istediğim, birbirini kılıçla doğramak yerine, birbirine gol atmaya çalışan insanları seyrederek eğlenecek bir toplum asla olmayacak! Böyle bir şeye siz inanabilir misiniz? ~ Mark Steel,
29:SPADASSINS DIGLADIATE! ZIFFIDAE AND XEBECS CONTEND! GOL-IARD DUNKING! Slogans, signs, announcements, odours and personal greeters vied for attention, advertising emporia and venues. Stunning ’scapes and scenes played out in sensorium bubbles bulging out into the centre of the street, putting you instantly into bedrooms, feast-halls, arenae, harems, seaships, fair rides, space battles, states of temporary ecstasy; tempting, prompting, suggesting, offering, providing entrance, stimulating appetites, prompting desires; suggesting, propositioning, pandering. RHYPAROGRAPHY! KELOIDAL ANAMNESIS! IVRESSE! ~ Iain M Banks,
30:Şi iar cuprins de trândăvie, Cu suflet gol şi răvăşit, Se-aşază lacom el să fie De minţi străine instruit. Înşiră cărţi pe etajere, Romane seci şi efemere, Cu conţinut şi sterp şi-anost Citeşte mult şi fără rost. Dar un urât de moarte-l paşte: Ici se agită-o pocitură, Colea o nouă secătură. Femei şi cărţi îl fac să caşte; Şi peste tomurile grele, Tronând în praf, a tras perdele. Scăpând de-a lumii grea povară, Ca el, fugind de vălmăşag, M-atrase prietenia-i rară Şi chipul său atât de drag: Cu însuşirea-i spre visare Şi înclinările-i bizare; La minte rece şi tăios, Eu învrăjbit, el neguros, Ne-am potrivit în patimi jocul. ~ Alexander Pushkin,
31:Ecco, è in quei pomeriggi che si è cementata un'amicizia che dura ancora oggi. Un'amicizia tra potenzialità e talenti inespressi, tra crisalidi di belle speranze che non sono mai riuscite a trasformarsi in farfalle, che per tutti questi anni hanno continuato a correre, in quel campo di calcio infinito con le porte che sparivano dietro l'orizzonte. Oggi tu finalmente hai tirato in porta, Cinghiale. Un tiro a effetto a due piedi con Christine, tipo quello dei gemelli coi dentoni. E avete segnato. Ed è giusto che voi due festeggiate, perché questo gol è vostro. Ma oggi festeggiamo anche noi, perché noi restiamo sempre la tua squadra. ~ Zerocalcare,
32:Așa evoluează intimitatea. La început, cineva oferă cea mai bună imagine despre sine, produsul final strălucitor, înfrumusețat prin exagerări, falsuri și umor. Apoi sînt cerute mai multe detalii, iar acela zugrăvește un al doilea portret, apoi un al treilea - nu după mult timp cele mai frumoase tușe dispar, iar secretul este în sfârșit dezvăluit. Planurile imaginii se amestecă și ne dau de gol și, cu toate că zugrăvim în continuare, tabloul nu ma e credibil. Sîntem siliți să ne mulțumim cu speranța că aceste autoportrete înfumurate ale noastre pe care le oferim soțiilor, copiilor și partenerilor de afaceri sînt luate de bune. ~ F Scott Fitzgerald,
33:Amish Baked Oatmeal

I would love to boast that I was taught how to make this breakfast dish by my Amish friend three farms over, but that isn’t the case. Instead, I learned how to make it from fellow homeschooling moms--which, if you don’t happen to live near an Amish community, is the next best thing. Homeschooling moms are rich with ideas for recipes that are quick, easy, nutritious, and gol-darn delicious…and that just so happens to be the exact Merriam-Webster definition for Amish Baked Oatmeal!
This is pretty much an oatmeal cookie that decided to defect to the breakfast category, and I’m so very glad it did. It’s super easy to make, too! ~ Ree Drummond,
34:Era, într-adevăr, surprinzător să dai cu ochii de un bătrân care-şi trăise de mult veleatul, rătăcind singuratic la voia întâmplării, cu atât mai mult cu cât după înfăţişare părea a fi un nebun scăpat dintr-un ospiciu. Era înspăimăntător de slab; trupul lui deşirat fusese de mult secătuit de orice vlagă, iar pielea-i părea încleiată pe oase. Ochii mari, stinşi, înţepeniţi în fundul găvanelor încercănate, te priveau totdeauna ţintă în faţă, niciodată în lături, fără a vedea însă nimic, lucru de care sunt absolut încredinţat: chiar dacă privirea îi era aţintită asupra ta, continua să înainteze de-a dreptul spre tine, ca şi cum ar fi avut în faţă un loc gol. ~ Fyodor Dostoyevsky,
35:Erau miliarde de frunze pe pamant: Montag se balacea in ele ca-ntr-un rau uscat care mirosea a praf cald si a mirodenii. Dar celelelte miresme! Pamantul rece si nins de razele lunii mirosea a cartofi cruzi! Mai mirosea si a muraturi si a patrunjel, si a mustar. Iar in vazduh plutea si parfumul garoafelor din curtea casei vecine. Montag intinse mana si simti cum o buruiana se inalta ca un copil, fecandu-si capul de el. Degetele lui miroseau acum a lemn dulce.
Se ridica in picioare si incepu sa respire adanc; cu cat respira mai adanc, cu atat se umplea de amanuntele vii ale acestui taram. Nu mai era gol pe dinauntru; gasea aici destula hrana ca sa-si sature sufletul. Totdeauna va fi destula hrana de acest fel in lume. ~ Ray Bradbury,
36:the Fian na h-Eireann were gone forever. Yet, though dead, they live. The lays of Oisin, the Dialogue of the Ancients, and innumerable other Finian poems and tales have kept, and will keep, their name and their fame imperishable.[23] Not only is the Fian in general immortalised, but the names, the qualities, and the characteristics of every one of Fionn’s trusted lieutenants — Oscar who never wronged bard or woman, Gol the mighty, Caoilte the sweet-tongued, Diarmuid Donn the beautiful, the bitter-tongued Conan, and the rest of them, have lived and will live. Even their hounds are with us, immortal. Bran, Sgeolan, and their famed fellows still follow the stag over the wooded hills of Eirinn, and wake the echoes of our mountain glens, by their bay melodious. ~ Seumas MacManus,
37:Atilio estaba acostumbrado a los hachazos. Le daban con todo, sus piernas eran un mapa de cicatrices. Aquelle tarde, en el camino al gol, recibió trancazos duros de Angeletti y Suarez, y el se dio el lujo de eludirlos dos veces. Valussi le desgarró la camisa, lo agarró de un brazo y le tiró una patada y el corpulento Ibañez se le planto delante en plena carrera, pero la pelota formaba parte del cuerpo de Atilio y nadie podía parar esa tromba que volteaba jugadores como si fueran muñecos de trapo, hasta que por fin Atilio se desprendió de la pelota y su disparo tremebundo sacudió la red. El aire olía a pólvora. Los jugadores de Boca rodearon al árbitro: le exigían que anulara el gol por las faltas que ELLOS habían cometido. Como el árbitro no les hizo caso, los jugadores se retiraron, indignados, de la cancha. ~ Anonymous,
38:Ei se aplecau din înaltul cerurilor ca să conducă oștirile; îi întîlneai pe marginea drumurilor, îi puteai avea în casă; - și această familiaritate diviniza viața.
Și viața n-avea alt țel decît de a fi liberă și frumoasă. Veșmintele largi ușurau noblețea atitudinilor. Vocea oratorului, exersată în vuietul mării, bătea cu valuri sonore în porticurile de marmură. Efebul, frecat cu ulei, lupta cu desăvîrșire gol sub văpaia soarelui. Acțiunea cea mai profund religioasă era aceea de a expune forme pure.
Și acești oameni își respectau soțiile, bătrînii, nevolnicii. În dosul templului lui Hercule era un altar consacrat Milosteniei.
Victimele erau jertifte avînd flori în jurul degetelor. Chiar și amintirea era izbăvită de putreziciunea morții. Căci din morți nu mai rămînea decît o mînă de cenușă. Sufletul, amestecat cu eterul fără margini, pleca spre zei. ~ Gustave Flaubert,
39:Nu ştiu. Îmi lipseşte un simţ, îmi lipseşte un tact
În viaţă, fie pentru amor, fie pentru glorie...
Şi la ce bună oricare istorie,
Sau orice alt fapt?

Sunt singur, singur cum nimeni niciodată n-a stat
Gol pe dinăuntru, fară mai devreme sau mai târziu
Clipele trec pe lângă mine şi par să nu mă ia-n seamă, dar ştiu
Că nu trec uşor, pasul lor este apăsat.

Încep să citesc. Deja mă oboseşte ceea ce n-am citit.
Mă gândesc la unele. Şi mă doare concluzia, oricare ar fi.
Somnul mă apasă înainte chiar să îl am. Ştiu că a simţi
E numai unul şi acelaşi lucru, pe care demult l-am văzut.

Să nu fii nimic, sau doar o figură dintr-un roman, imprecis,
Lipsit de viaţă, sau de moarte materială, doar o idee brută,
Ceva care să nu-şi găsească nici o utilitate, o închipuire urâtă,
Doar o umbră pe un pământ ireal, sau numai o transă în vis. ~ Fernando Pessoa,
40:Pentru el, universul nu era mai mare decat circumferinta matasoasa a fustei ei; isi reprosa ca n-o iubeste, i se facea dor s-o vada iar; si se intorcea repede, urca scara cu inima batand. Emma, in camera ei, isi facea toaleta; el intra cu pasi usori, o saruta pe spate, iar ea scotea un tipat. Nu se putea opri sa-i atinga tot timpul pieptenele, inelele, salul; uneori ii saruta zgomotos obrajii sau o coplesea cu un sirag de sarutari marunte de-a lungul bratului gol, din varful degetelor pana la umar; ea-l respingea, pe jumatate zambitoare si plictisita, ca pe un copil care se tine scai. Inainte sa se marite crezuse ca simtea iubire; dar fericirea care ar fi trebuit sa rezulte din aceasta iubire nefacandu-si aparitia, insemna ca s-a inselat, gandea ea. Si Emma incerca sa afle ce se intelegea de fapt in viata prin cuvinte ca desfatare, patima si betie, care i se parusera atat de frumoase in carti. ~ Gustave Flaubert,
41:Corpul nu doreşte nicotină. Numai creierul o doreşte. Dacă ai senzaţia aceea de „vreau o ţigară” în următoarele câteva zile, creierul tău pur şi simplu va avea de ales. O variantă este să interpreteze senzaţia drept ceea ce este – senzaţia de gol şi de nesiguranţă, declanşată de prima ţigară şi perpetuată de toate celelalte – şi să te facă să-ţi spui: „Bravo mie, sunt nefumător!”. Cealaltă variantă este să te îmbie să tânjeşti după o ţigară şi să înduri asta tot restul vieţii. Stai un pic şi gândeşte-te. N-ar fi o prostie monumentală? Să-ţi spui, „Nu mai vreau să fumez niciodată” şi să-ţi petreci restul vieţii gândind, „Mi-ar plăcea o ţigară…”? Este exact ce fac fumătorii care folosesc „Metoda voinţei”. Nu-l de mirare că se simt nefericiţi. Îşi petrec viaţa tânjind cu disperare la ceva ce au vrut cu disperare să nu mai aibă. Nu-l de mirare că atât de puţini reuşesc şi că acei puţini nu se simt niciodată complet eliberaţi. ~ Anonymous,
42:Dar sunt zile cand nu imi raspunde. Cum e atat de tanara, atat de frematanda, atat de atragatoare, atat de insetata de iubire si de mangaieri, isi primeste amantii in corpul meu si cateodata ramane inchisa acolo (cu amantii ei) zile si nopti, zile si nopti intregi. Iar eu o simt cum face dragoste cu amantii ei in corpul meu cald si stiu ca nu prea am dreptul sa o deranjez in acele clipe... Si, in plus, trebuie sa-mi inchid ochii, nu mai am dreptul de a-mi intoarce privirea spre mine insumi, orice privire introspectiva devine o forma de voaiorism pe care o consider nedemna, astfel ca incerc sa astept plecarea amantilor ei pentru a o putea aborda din noi si a-i spune
Dar ea, care a inceput sa ma tutuiasca, pentru ca acum nu ii mai este frica de nimic, imi spune (....)
E o nebunie dar felul ei de a ma tutui ma face sa ma topesc, toata hotararea mea se evapora, cand ma tutuieste viata mea personala se opreste, ma consider chiar fericit ca nu sunt doar un corp gol. ~ Matei Vi niec,
43:Și tocmai când limbajul se înfățișează gol, dar scapă totodată oricărui înțeles, ca și cum ar fi un mare sistem tiranic și gol, când Pofta domnește sălbatec, ca și când strășnicia legii ei ar fi nivelat orice împotrivire, când Moartea stăpânește orice funcție psihologică și stă deasupra-i ca o normă unică și pustiitoare - atunci dăm de nebunie sub forma ei actuală, nebunia așa cum o știe experiența modernă, ca adevărul și alteritatea ei. Și-n chipul acesta empiric, străin oricărei experiențe pe care am putea s-o facem (și străin și-nlăuntrul ei), conștiința noastră nu mai află ca-n veacul al XVI-lea urma unei alte lumi; nu mai dă decât de rațiunea rătăcită; vede cum îi vine în cale ceea ce ne este primejdios de aproape - ca și cum, dintr-odată, ar ieși în relief golul însuși al existenței noastre; finitul, de la care începem să ființăm și să cugetăm și să știm, ni se pune brusc în față, existență totodată adevărată și imposibilă, gând pe care nu-l putem gândi... ~ Nicolae Steinhardt,
44:Atunci când eram foarte tânăr și mă năpădea dorul de ducă, vârstnicii din jurul meu mă asigurau că, odată ajuns la maturitate, mă voi vindeca de această poftă nebună. Când am mai crescut, remediul prescris era vârsta mijlocie. La vârsta mijlocie primeam asigurări că o vârstă și mai înaintată îmi va calma febra de a călători și, acum, când am împlinit cincizeci și opt de ani, mă gândesc că poate doar senilitatea îmi va aduce vindecarea. Nimic n-a funcționat. Patru semnale răgușite de sirenă trase de un vapor sunt suficiente să simt cum mi se zbârlesc firele de păr pe ceafă și încep să zdupăi din picioare. Huruitul unui avion, al unui motor care se ambalează, chiar și numai tropotul copitelor unui cal pe pavaj îmi trezesc acel vechi fior, simt cum mi se usucă gura, încep să privesc în gol, palmele mi se înfierbântă și stomacul mi se frământă sus, sub coaste. Într-un cuvânt, lucrurile nu se schimbă deloc în bine; în și mai multe cuvinte, odată hoinar, pe veci hoinar. Mă tem că boala-i fără leac. ~ John Steinbeck,
45:Holul corpului central al Hotelului Okura era spaţios, întunecat, cu tavanul înalt şi te ducea cu gândul la o uriaşă şi elegantă peşteră. Glasurile oamenilor care stăteau de vorbă aşezaţi pe canapele rezonau gol, ca suspinul unei vietăţi eviscerate. Mocheta era groasă şi moale, aidoma unui covor de muşchi antic care îmbracă o insulă de la Polul Nord, absorbind paşii tuturor oamenilor care se perindaseră pe acolo de-a lungul timpului. Bărbaţii şi femeile care treceau prin hol arătau ca nişte fantome care îşi jucau rolul iar şi iar, legate din vremuri străvechi de acel loc printr-un blestem. Bărbaţi ferecaţi în costumele lor ca într-o armură, fete subţirele în rochii negre, şic, gătite ca pentru o ceremonie din sala de recepţii. Bijuteriile lor mititele dar scumpe tânjeau după un ochi de lumină care să le dea strălucire, aidoma unor lilieci însetaţi de sânge. Într-un colţ, doi străini în vârstă, mari de statură, ca un rege şi o regină trecuţi de mult de prima tinereţe, îşi odihneau pe tron trupurile obosite. ~ Haruki Murakami,
46:A doua zi și în zilele următoare, se așeza în același loc, interpretând amator, dar destul de bine, rolul singuraticului excentric: la ora obișnuită, în locul obișnuit. Sosirea fetei, răsuflarea ei, picioarele ei, părul ei, tot ce făcea, fie că se scărpina pe gamba cu degetele ce lăsau dâre albe, fie că arunca în sus o mingiuță neagră ori se freca de el cu un umar gol când se așeza pe bancă - toate astea (în timp ce el părea adâncit într-o conversație plăcuta) stârneau în el o senzație insuportabilă de comuniune cu ea, sangvină, dermică, multivasculară, ca și cum bisectoarea monstruoasă care pompa toate sucurile din adâncurile lui se extindea în ea ca o linie punctată pulsândă, ca și cum fata asta creștea din el, ca și cum, cu fiecare mișcare nepăsătoare, ea se trăgea brusc și își scutura rădăcinile vitale înfipte în măruntaiele ființei lui, astfel încât când iși schimba brusc poziția sau pleca în grabă, el simțea o zdruncinătura, o smucitură barbară, o pierdere momentană a echilibrului: ca și cum te-ai trezi deodată târât pe spate prin praf, dând cu capul de pămant, tras cu putere spre locul unde vei fi spânzurat de măruntaie. Și în tot timpul ăsta stătea și asculta calm, zâmbind, dând din cap... ~ Vladimir Nabokov,
47:Este un punct de vedere superficial (al unui om care probabil n-a văzut vreodată un om disperat, nici măcar pe sine însuşi) atunci când se spune despre un disperat, de parcă aceasta i-ar fi pedeapsa, că el se distruge pe sine. Căci tocmai aceasta vrea cu disperare şi, spre durerea sa, nu poate, fiindcă prin disperare a fost dat pradă flacărilor ceva ce nu poate arde sau nu poate să fie mistuit, sinele. O fetişcană disperă din dragoste, deci disperă pentru pierderea iubitului, care a murit sau i-a devenit infidel. Aceasta nu este o disperare care s-a manifestat, ci ea disperă pentru ea însăşi. Acest sine al ei, de care s-ar fi eliberat sau pe care l-ar fi pierdut la modul cel mai încântător cu putinţă dacă ar fi devenit iubita «lui». Acest sine este acum pentru ea o calamitate, pentru că trebuie să fie un sine fără «el»; acest sine care ar fi devenit comoara ei, deşi ar fi fost de altfel la fel de disperat, chiar dacă într-un alt sens, a devenit acum pentru ea respingător de gol, din moment ce «el» este mort sau i-a devenit odios, amintinu-şi că a înşelat-o. Încearcă acum să-i spui unei asemenea fete: «Te distrugi pe tine însăţi!» şi o vei auzi răspunzând: «O, nu, durerea mea este tocmai că nu o pot face.» ~ S ren Kierkegaard,
48:Plictiseala de ceea ce este în permanent nou,plictiseala de a descoperi,sub falsa diferenţă dintre lucruri şi idei,perena identitate a totului,similitudinea absolută existentă între moschee,templu şi biserică,egalitatea dintre o cocioabă şi un palat,acelaşi corp structurat să fie un rege îmbrăcat sau un sălbatic gol puşcă,eterna concordanţă a vieţii însăşi,stagnarea dintre toate cele pe care le trăiesc numai prin faptul că se agită,mi-au trecut.
Peisajele sunt nişte repetiţii.Repetiţii inutile şi angoasante.În timpul unei simple călătorii cu trenul mă împart inutil şi gust între neatenţia acordată peisajului şi neatenţia faţă de cartea care ar putea să mă distreze,dacă eu aş fi fost altul.Viaţa îmi produce un vag dezgust,iar mişcarea mi-l sporeşte.
Plictiseala lipseşte doar din peisajele care nu există şi din cărţile pe care nicicând nu le voi citi.Pentru mine,viaţa este o somnolenţă care nu reuşeşte să urce la creier.O păstrez în libertate să pot să fiu trist în ea.
Să călătorească,deci,cei care nu există!Pentru cei care nu sunt nimic,viaţa trebuie să fie o curgere,aşa cum viaţa este curgerea pentru un râu.Însă pe cei care gândesc sau simt,pe cei care sunt treji,oribila isterie a trenurilor,a automobilelor,a navelor nu-i lăsa nici să doarmă,nici să vegheze. ~ Fernando Pessoa,
49:Cuvintele lui Cioran răspândesc umezeala pivnițelor și putreziciunea mormintelor, dar sunt prea meschine. (...) Tot ce are comun un literat, fie el și de un mai mic calibru, cu Kafka, Conrad sau Mickiewicz, ceea ce este talent autentic sau autentică superioritate sau autentică maturitate - nu are ce căuta în ”pivnița” lui Cioran. Aș vrea să-i reamintesc lui Cioran că nu numai arta în exil, ci, în genere, orice fel de artă se află în cea mai strânsă relație cu descompunerea, se naște din decadență, este preschimbarea maladiei în sănătate. Și orice artă, în general, vine în atingere cu ridicolul, înfrângerea, umilința. Oare să existe un artist, care să nu fie, așa cum spune Cioran, ”o făptură plină de ambiție, agresivă în căderea sa, un ins dezamăgit dublat de un cuceritor”? Oare a văzut vreodată Cioran un artist, un scriitor, care să nu fie, să nu fie nevoit să fie un megaloman? Și arta, așa cum a spus cândva pe bună dreptate Boy, este un uriaș cimitir: din o mie de indivizi care n-au reușit să se realizeze, menținându-se în zona unei dureroase insuficiențe, doar unul sau doi vor reuși cu adevărat ”să existe”. Așadar, această murdărie, veninul acestor ambiții înșelate, zbaterea aceasta în gol, această catastrofă nu au prea multe în comun cu emigrarea, și destule cu arta - constituie trăsătura caracteristică a oricărei cafenele literare și este cu adevărat destul de indiferent în ce parte a lumii se chinuie niște scriitori, care nu sunt de ajuns de scriitori pentru a fi cu adevărat scriitori. ~ Witold Gombrowicz,
50:in momentul acela il preocupau cateva carti in care niste tineri deosebit de abili isi imaginau ca inalta, piatra cu piatra, o noua cultura, furand, intr'un limbaj catifelat, placut auzului, tot felul de odoare, frumoase si usor de transportat, cand de la Ruskin cand de la Nietzsche. cartile astea erau mult mai agreabile decat cele de Ruskin si Nietzsche, aveau un farmec cochet, generos in nuante fine, si o stralucire nobila, matasoasa. si unde miza era insemnata si impunea autoritate si pasiune, erau citati Dante si Zarathustra.

de aceea avea si Homburger fruntea innegurata, privirea ostenita, ca si cum ar fi strabatut spatii imense, iar pasul ii era agitat si inegal. simtea ca lumea obisnuita, searbada, care'l inconjura, era luata cu asalt, si ca venise vremea sa treaca de partea profetilor si a celor care aduceau noua mantuire. atunci frumusetea si spiritul ar inunda lumea si orice pas in ea ar musti de poezie si intelepciune.

de data asta, contrar obiceiului, domnul Homburger s'a trezit dimineata inaintea tuturor. vioi nu era. il durea capul de la cititul indelungat la lumina lampii. cand, in sfarsit, stinsese lumina, patul era deja prea incalzit si ravasit ca sa'i fie prielnic somnul si acum se scula stors de puteri, infrigurat, cu privirile sterse. simtea mai limpede ca oricand necesitatea unei renasteri, dar in clipa aceea nu avea nici un chef sa'si continue studiul. apoi a simtit un fel de gol launtric si a'nceput sa chibzuiasca daca nu cumva se va servi in curand cafeaua. ~ Hermann Hesse,
51:Would you buy a used car from your occupier? For the first six months of the intifada, Ehud Gol was the official Israeli Foreign Ministry spokesman. Every day he had to go before the world’s press and defend Israel’s treatment of the Palestinians. But in the spring of 1988, Gol was made the Israeli Consul General in Rio de Janeiro and he had to sell his car before he left the country. Practically the first place he went was to a Palestinian car dealer in the West Bank town of Ramallah. “Intifada or no intifada, this was business,” Gol explained to me. “The car dealer even came down to the Foreign Ministry and we went over all the papers in my office. There I was, the Foreign Ministry spokesman, and this guy, whose son was probably out throwing stones, was ready to buy from me—and it was a used car!” A Palestinian teacher I knew was driving from Ramallah to Jerusalem one afternoon when he saw a colleague of his from Bir Zeit University and offered to give him a lift. “This fellow came from a small village near Ramallah,” said my teacher friend. “The whole way into Jersualem he was talking to me about the intifada and how it had changed his village, how everyone was involved, and how the local committees of the uprising were running the village and they were getting rid of all the collaborators. He was really enthusiastic, and I was really impressed. As we got close to Jerusalem, I asked him where he wanted to be dropped off and he said, ‘The Hebrew University.’ I was really surprised, so I said, ‘What are you going there for?’ and he said, ‘I teach an Arabic class there.’ It simply didn’t occur to him that there was any contradiction between enthusiasm for the intifada and where he was going. ~ Thomas L Friedman,
52:Cunosc perioade de mari stagnări.Nu că aştept,cum face toată lumea,zile la rând până să răspund cu o simplă carte poştală unei scrisori urgente ce mi-a fost adresată.Nici că renunţ la nesfârşit să fac,ca nimeni altcineva,gestul uşor de făcut care mi-ar fi util sau gestul util care mi-ar fi agreabil.Intră mult mai multă subtilitate în felul meu de a fi neinteligent cu mine însumi.Eu stagnez în chiar sufletul meu.Se petrece în mine o suspendare a voinţei,a emoţiei,a gândirii,iar această suspendare durează zile nesfărşite;numai viaţă vegetativă a sufletului;cuvântul,gestul,înfăţişarea- mă mai poate exprima în raport cu alţii şi,prin intermediul lor,în raport cu mine.În aceste perioade impregnate de umbre,nu pot să gândesc,să simt,să am vreo dorinţă.Nu mai ştiu să scriu altceva decât cifre sau să mâzgălesc.Nu resimt nimic,iar moartea unei persoane iubite mi-ar da impresia că s-ar produce în altă limbă străină.Sunt incapabil:am impresia că dorm,iar gesturile,cuvintele,acţiunile mele cele mai judicoase par a nu fi decât o respiraţie periferică,instinctul ritmic al unui organism oarecare.
Trec aşa zile întregi şi,dacă ar fi să le socotesc,nu aş putea să spun cât din viaţa mea s-a scurs astfel.Uneori cred ,atunci când ajung să mă debarasez de această zacere,că nu rămân chiar gol puşcă,cum mi-aş imagina,că mai există văluri impalpabile care acoperă eterna absenţă a adevăratului meu suflet.Mi se mai întâmplă să constat că a gândi,a simţi,a dori pot să reprezinte tot atâtea stagnări,faţă de un gând şi mai intim,faţă de o voinţă pierdută undeva în labirintul a ceea ce sunt eu cu adevărat.
Fie ce-o fi,rămân aşa cum sunt.Iar dumnezeului sau dumnezeilor ce vor fi existând,cu mâna mea le arunc de la mine fiinţa mea ca pe o sfidare,aşa cum ordonă soarta,iar hazardul împlineşte,fidel unui jurământ uitat. ~ Fernando Pessoa,
53:Ashes On The Slide
When Jim and Bill and I were boys a many years ago,
How gayly did we use to hail the coming of the snow!
Our sleds, fresh painted red and with their runners round and bright,
Seemed to respond right briskly to our clamor of delight
As we dragged them up the slippery road that climbed the rugged hill
Where perched the old frame meetin'-house, so solemn-like and still.
Ah, coasting in those days--those good old days--was fun indeed!
Sleds at that time I 'd have you know were paragons of speed!
And if the hill got bare in spots, as hills will do, why then
We 'd haul on ice and snow to patch those bald spots up again;
But, oh! with what sad certainty our spirits would subside
When Deacon Frisbee sprinkled ashes where we used to slide!
The deacon he would roll his eyes and gnash his toothless gums,
And clear his skinny throat, and twirl his saintly, bony thumbs,
And tell you: 'When I wuz a boy, they taught me to eschew
The godless, ribald vanities which modern youth pursue!
The pathway that leads down to hell is slippery, straight, and wide;
And Satan lurks for prey where little boys are wont to slide!'
Now, he who ever in his life has been a little boy
Will not reprove me when he hears the language I employ
To stigmatize as wickedness the deacon's zealous spite
In interfering with the play wherein we found delight;
And so I say, with confidence, not unalloyed of pride:
'Gol durn the man who sprinkles ashes where the youngsters slide!'
But Deacon Frisbee long ago went to his lasting rest,
His money well invested in farm mortgages out West;
Bill, Jim, and I, no longer boys, have learned through years of strife
That the troubles of the little boy pursue the man through life;
That here and there along the course wherein we hoped to glide
Some envious hand has sprinkled ashes just to spoil our slide!
And that malicious, envious hand is not the deacon's now.
Grim, ruthless Fate, that evil sprite none other is than thou!
Riches and honors, peace and care come at thy beck and go;
The soul, elate with joy to-day, to-morrow writhes in woe;
58
And till a man has turned his face unto the wall and died,
He must expect to get his share of ashes on his slide!
~ Eugene Field,
54:Am socotit totdeauna ziua care m-a unit cu Thérèse ca fiind aceea care mi-a statornicit fiinţa morală. Blândul caracter al acestei fete bune mi se păru atât de potrivit cu al meu, că m-am unit cu ea printr-o legătură ce învingea timpul şi necazurile, şi pe care tot ceea ce ar fi trebuit să o rupă nu făcu decât să o întărească. Se va cunoaşte puterea acestei legături în cele ce urmează, când se va află că, după ce am făcut totul, după ce am înfruntat totul spre a nu ne despărţi, că după douăzeci şi cinci de ani trăiţi cu ea, în pofida soartei şi a oamenilor, am sfârşit la bătrâneţe prin a o lua în căsătorie, fără ca ea să se aştepte şi fără să ceară aceasta, fără vreun legământ sau făgăduială din partea mea; se va crede că o dragoste turbată, luându-mi din prima zi minţile, n-a făcut decât să mă ducă din treaptă în treaptă până la ultima nebunie, şi se va crede asta cu atât mai mult când se vor cunoaşte motivele personale şi temeinice care m-ar fi putut împiedica de la pasul acesta. Ce va gândi oare cititorul, când îi voi spune, cu tot adevărul, că din prima clipă când am văzut-o şi până în prezent, n-am simţit nici cea mai mică scânteie de dragoste pentru ea, că n-am dorit niciodată s-o posed mai mult ca pe doamna de Warens şi că nevoile simţurilor, pe care mi le-am satisfăcut cu ea, au fost pentru mine doar acelea ale sexului, fără a-mi răscoli cu nimic fiinţa? Va crede că, fiind alcătuit altfel decât ceilalţi oameni, n-am fost în stare să simt dragostea, deoarece ea nu intră în simţămintele ce mă legau de femeile care mi-au fost cele mai scumpe. Dar, o, cititorule, răbdare! Căci se apropie momentul fatal când nu vei fi decât foarte dezamăgit. Cea dintâi dintre nevoile mele, cea mai mare, cea mai puternică, cea mai arzătoare era sădită în inima mea: era nevoia unei tovarăşii intime, şi atât de intime pe cât putea fi cu putinţă; iar pentru aceasta îmi trebuia mai degrabă o femeie decât un bărbat, mai degrabă o prietenă decât un prieten. Această nevoie deosebită era de aşa natură, că cea mai strânsă unire a trupurilor nu-i putea fi de ajuns; mi-ar fi trebuit două suflete într-un singur trup; altfel, simţeam totdeauna un gol. Mă crezui pe cale să nu-l mai simt. Această tânără fată, drăgălaşă prin mii de minunate însuşiri, iar atunci chiar prin chipul ei, fără nici o umbră de fală sau prefăcătorie, mi-ar fi mărginit în ea însăşi întreaga existenţă, dacă eu aş fi putut să o mărginesc pe a ei într-a mea, aşa cum trăsesem nădejde. Nu aveam nici o temere în privinţa celorlalţi bărbaţi; sunt încredinţat că am fost singurul pe care ea l-a iubit cu adevărat, şi simţurile ei potolite n-au împins-o niciodată spre alţii, chiar atunci când eu am încetat de a mai fi pentru ea un bărbat în sensul acesta. ~ Jean Jacques Rousseau,
55:Eram într-o frizerie. Tin minte fiecare amanunt...[..] În timp ce frizerul ma tundea, vedeam în oglinda, la garderoba, o femeie cam de patruzeci de ani, cu un aer simplu, modest îmbracata si cu ceva blînd si casnic în atitudini. Una din acele femei care nu trebuie sa fie nici frumoase, nici bine îmbracate, care au un fel de maternitate elementara si o blîndete resemnata si tacuta, traind între gesturi mici. Statea la garderoba, în aceeasi pozitie, fara nici o miscare, fara nici o vorba, privind în gol. De fapt, aveam impresia ca nici macar nu se gîndea.[..] La un moment dat am vazut-o cum se îmbraca, si-a luat o punga de plastic si era gata sa se îndrepte spre usa cînd s-a întîmplat ceva. Probabil, unul dintre frizerii care lucrau de partea cealalta, si mai spre fund, i-a zis ceva ce nu auzisem. Eu o vedeam numai pe ea. A stat cîteva clipe fara sa spuna nimic, privind fix spre partea din fund a frizeriei. Apoi deodata s-a congestionat si a început sa strige. Si pe masura ce striga, vocea ei se subtia, devenea tipat, pîna cînd tipatul s-a sfarîmat. Ea îsi dadea seama ca vocea n-o mai ajuta si tipa atunci si mai tare. Nu întelegeam nimic din ce spunea, dar tipatul acela nesigur, ca o lama de cutit care se frînge, suna atît de strident încît era înfricosator. Nu mai era un tipat omenesc. Era un tipat animalic plin de disperare si de neputinta. Nu stiu cît a durat astfel, dar parca nu se mai termina si simteam ca nu mai puteam sa suport. Si poate si mai mult m-a înfricosat faptul ca în acest timp nimeni din frizerie n-a întors privirea spre locul acela. Ca si cum tot ce vedeam si auzeam erau nascociri ale imaginatiei mele. Pentru ceilalti, femeia aceea tacea în continuare la garderoba ei sau plecase. Întelegeti? Tipatul ei nu exista. În zadar tipa, nimeni nu vroia s-o auda. Inclusiv eu, de fapt. Caci în tot acest timp nu m-am sculat de pe scaun sa ma întorc. L-am lasat pe frizer sa ma tunda mai departe. Si numai dupa ce femeia s-a dus undeva în spatele frizeriei, unde îsi lasau frizerii halatele, caci i se facuse rau, l-am întrebat pe cel care ma tundea: "Ce s-a întîmplat?" Ca si cum eu nu fusesem de fata sau ma gîndisem la altceva, nu fusesem atent. Frizerul mi-a explicat atunci ca femeia lucra acolo de mai multa vreme si fusese concediata, iar ea, neavînd din ce trai, venea totusi si-si facea treaba mai departe fara nici un salariu, multumindu-se cu ceea ce primea bacsis. Unul dintre frizeri îi aruncase o vorba grosolana, adaugînd ca nu era nevoie de ea acolo, de ce venea...Îi auzeam înca gemetele cînd am platit si am plecat cît am putut mai repede. Simteam ca trebuia sa ajung afara. Sa n-o mai aud pe femeia aceea gemînd. Si parca tipatul ei plutea în continuare ca un tais de pumnal în aerul frizeriei, desi ceea ce se petrecuse nu zdruncinase nici un detaliu. Rumoarea era aceeasi ca deobicei. "Criza de isterie, a zis unul. Am mai vazut noi de-astea."Atît. Întelegeti? Acesta a fost singurul comentariu pe care l-am auzit...
[..]Tipatul dizgratios si disperat, aproape animalic, al acelei femei sfîsiase brutal tot ce tesusem eu cu grija ani de zile. Fericire? Lumina? Frumusete? Gogosi! Cacialma, domnilor. Nu exista decît tipatul si tacerea. Gemetele de animal înjunghiat si exclamatia: "Am mai vazut noi de-astea". Atunci am priceput prima oara ca traisem într-o minciuna aurita.
[..] Mi-am dat seama ca tipetele exista, însa nu le auzim.Nu vrem sa le auzim. Sîntem surzi, iar cei care tipa se chinuiesc sa tipe si mai tare vazînd ca nimeni nu-i aude. Toti îsi vad de treburile lor mai departe, ca si cînd nimic nu s-ar fi întîmplat, iar tu te simti atunci ca o papusa dezarticulata. ~ Octavian Paler,
56:1. ‘’Astfel, esenta lumanarii nu este ceara care lasa urme, ci lumina.’’

2. ‘’Cel ce iubeste doar aproprierea dragostei, nu va cunoaste niciodata intalnirea cu ea.’’

3. ‘’Caci am aflat ca omul este asemenea unei citadele. Rastoarna zidurile pentru a-si gasi libertatea, dar nu mai e decat fortareata nimicita, deschisa inspre stele. Atunci incepe spaima de a nu mai fi.’’

4. ‘’Si am inteles ca au nevoie de liniste. Caci numai in liniste adevarul fiecaruia se leaga si prinde radacini. Caci ceea ce e important, inainte de toate,…, este timpul.’’

5. ‘’ …limbajul nu contine nimic care sa fie vrednic de interes. Invata sa asculti nu zarva cuvintelor, nici rationamentele ce le permit sa se insele. Invata sa privesti mai departe.’’
‘’Iata pentru ce am dispretuit dintotdeauna, ca fiind zadarnica, zarva cuvintelor. Si nu m-am increzut in artificiile limbajului. ‘’

6. ‘’ Caci abilitatea nu este decat un cuvant gol. In creatie nu exista ocoluri. Creezi ceea ce faci si nimic mai mult. Iar daca pretinzi ca urmarind un scop, te indrepti spre un altul, deosebit de primul, doar cel pe care cuvintele il inseala te va crede abil.’’

7. ‘’Caci fiecare iubeste in felul sau aceeasi imagine. Doar un limbaj insuficient ii opune pe oameni unii altora, caci dorintele lor nu difera. N-am intalnit niciodata pe cel care sa doreasca dezordinea sau josnicia sau ruina. Imaginea care-i framanta si pe care ar vrea s-o intemeieze se aseamana de la un capat la celalat al universului, dar caile de atingere a ei difera.’’

8. ‘’ Desigur, cu cat munca pe care o consumi in numele dragostei este mai grea, cu atat mai mult te exalta. Cu cat dai mai mult, cu atat cresti mai mult. Dar trebuie sa existe cineva care sa primeasca. A pierde nu inseamna niciodata a darui.’’

9. ‘’ Caci, o data mai mult, am aflat ca logica ucide viata. Si ca nu contine nimic prin ea insasi… Dar facatorii de formule s-au inselat asupra omului. Au confundat formula, care este umbra plata a cedrului, cu cedrul, din volumul, greutatea si culoarea lui, cu incarcatura sa de pasari si frunzisul sau, care nu s-ar putea exprima si cuprinde in cuvinte firave…Caci aceia confunda formula care desemneaza, cu obiectul desemnat.
Si cum ar putea suporta ceea ce nu se poate formula, sau nu s-a implinit inca, sau intra in contradictie cu un alt adevar? Cum sa stie ca, intr-un limbaj care formuleaza dar nu cuprinde, doua adevaruri se pot opune?’’

10. ‘’ Dar daca nu te ating, te construiesc ca pe un templu. Si te inalt in lumina. Si tacerea ta inchide in ea campiile. Iar eu te iubesc dincolo de mine sau tine. Si inventez imnuri pentru a-ti celebra imperiul…Nu esti decat o treapta in drumul meu spre eternitate.’’

11. ‘’ Dar cei pe care ii numesc liberi si hotarand numai pentru ei insisi, inexorabil singuri, aceia nu sunt condusi, plutesc fara vant in panze, iar rezistenta lor nu este decat capriciu incoerent. Cei pe care ii urasc, sunt, mai ales, cei care nu exista cu adevarat. Rasa de caini ce se cred liberi, fiind liberi de a-si schimba opiniile, de a nega (cum ar putea sti ca neaga, de vreme ce ei insisi sunt judecatori?), liberi de a trisa, de a renega si de a se vinde , si pe care ii fac sa-si schimbe parerile doar aratandu-le troaca atunci cand le e foame.’’

12. ‘’Caci dragostea nu-ti e data ca un cadou al acestui obraz, la fel cum linistea si calmul nu sunt produs al privelistii, ci al ascensiunii reusite, al muntelui dominat, al instalarii tale in cer. La fel- dragostea. Iluzia este ca o intalnesti, cand de fapt se invata.Si se inseala cel care rataceste prin viata, pentru a fi cucerit, cunoscand prin scurte fioruri , gustul tumultului inimii si visand sa intalneasca marea febra ce il va incinge pentru totdeauna, desi ea nu este decat o desarta victorie a inimii sale. De asemenea, nu te odihnesti in dragoste, daca ea nu se transforma din zi in zi, ca in maternitate. ~ Antoine de Saint Exup ry,
57:13. ‘’Cel pe care mi-l arati, ce insemnatate are cate stie? E asemenea unui dictionar. Important este ceea ce este.’’
14. ‘’ Si, una cate una, dintr-o contradictie invinsa in alta, ma indrept spre tacerea intrebarilor si astfel, catre fericire. O, limbutilor! Intrebarile au stricat atat de mult oamenii! Nebun cel care spera in raspunsul providentei! ‘’
15. ‘’Iubesti fiindca iubesti! Nu exista ratiune pentru a iubi. ‘’
16. ‘’Te folosesti de trecutul tau ca de o priveliste, marginita aici de un munte, dincolo de un fluviu si dispui in libertate de orasele viitoare, tinand seama de ceea ce exista. Iar daca ceea ce exista n-ar exista, ai inventa cu usurinta orase de vis, caci visului nimic nu-i rezista, dar vor fi nu numai usor de imaginat, ci si pierdute in arbitrar.’’
17. ‘’ Iar desfraul se naste din spaima de a nu reusi sa fii…La fel despre acela sau aceea care nu vedeau decat golul din oameni, caci ei sunt goi daca nu sunt ferestre inspre eternitate. Iata pentru ce in dragostea vulgara nu iubesti decat ceea ce-ti scapa, caci altfel vei fi satul si scarbit de placerea ta. ‘’
18. ‘’Caci exista un timp al judecatii. Dar exista si un timp al devenirii.’’
19. ‘’Nu confunda dragostea cu delirul posesiei, care adduce cea mai crunta suferinta. Caci, in ciuda parerii commune, nu dragostea te face sa suferi, ci instinctual proprietatii, care este contrariul dragostei.’’
20. ‘’De-abia v-a fost acordata dragostea si voi, intocmai ca in falsele voastre prietenii, transformati acest dar liber in servitute si robie si, din clipa in care sunteti iubiti, incepeti sa va simtiti lezati. Si va impuneti, pentru a aservi mai bine spectacolul suferintei voastre.’’
21. ‘’Si-ti voi raspunde prin acest mare secret, ascuns sub cuvinte vulgare si simple, pe care intelepciunea m-a facut sa-l aflu, putin cate putin, de-a lungul vietii: ca a pregati viitorul nu inseamna decat a crea prezentul. Iar cei care urmaresc imagini indepartate, fruct al inventiei lor, se irosesc in utopia si himera.’’
22. ‘’Din distrugere in distrugere, aluneci spre vanitate, caci ea ramane singura culoare posibila, atunci cand tot ce mai exista este doar reziduu ce nu te poate hrani. …Iata ca esti obligat, in pustiul tau, sa fii satisfacut de tine insuti, caci nu mai exista nimeni in afara ta. Si esti condamnat sa strigi de-acum inainte: ‘’Eu, eu, eu’’ in gol, si nu vei primi niciodata raspuns.’’
23. ‘’Nu aceeasi este placerea pe care ti-o da un diamant fals si un diamant pur. Cea care tace in fata ta nu este aceeasi cu o alta, in profunzimea tacerii ei. Si nu vei fi niciodata inselat de la inceput…Ce inseamna diamantul daca nu este un bolovanis tare de scurmat, care-l ascunde? Ce inseamna o spade, daca nu exista dusmani? Ce inseamna o revenire fara absenta? Ce inseamna fidelitate daca nu exista tentatie?’’
24. ‘’Am cautat si am gasit, caci spiritul nu doreste decat ceea ce poseda. A gasi inseamna a vedea. Si cum as putea cauta ceea ce pentru mine inca nu are sens? Ti-am spus, regretful dragostei inseamna dragoste. Nimeni nu sufera de dorinta a ceea ce nu concepe.''
25. ‘’Nu incerca sa transformi omul in altceva decat este. Caci, fara indoiala, ratiuni puternice , impotriva carora nu poti sa faci nimic, il oblige sa fie asa cum este si nu altfel. Dar il poti transforma in ceea ce este, caci omul e greu de substanta. Tu esti cel care trebuie sa alegi din el ceea ce iti place. Si sa faci desenul a ceea ce ai ales, astfel incat sa para evident tuturor si lui insusi.’’
26. ‘’Iata de ce nu am dusmani. In dusman vad prietenul. Iar el imi devine prieten. Iau toate partile. Nu am de ce sa schimb partile. Ci le leg printr-un alt limbaj. Si aceeasi fiinta se poarta altfel.’’
27. ‘’Umilinta inimii iti cere nu sa te umilesti, ci sa te deschizi. Aceasta este cheia transformarilor. Doar atunci poti sa daruiesti si sa primesti.’’
28. ‘’Daca iubirea ta dispretuieste semnele iubirii sub pretextul de a atinge esenta, ea nu mai este decat vocabular. ~ Antoine de Saint Exup ry,
58:Our Lady Of The Mine
The Blue Horizon wuz a mine us fellers all thought well uv,
And there befell the episode I now perpose to tell uv;
'T wuz in the year uv sixty-nine,--somewhere along in summer,-There hove in sight one afternoon a new and curious comer;
His name wuz Silas Pettibone,--a' artist by perfession,-With a kit of tools and a big mustache and a pipe in his possession.
He told us, by our leave, he 'd kind uv like to make some sketches
Uv the snowy peaks, 'nd the foamin' crick, 'nd the distant mountain
stretches;
"You're welkim, sir," sez we, although this scenery dodge seemed to us
A waste uv time where scenery wuz already sooper-floo-us.
All through the summer Pettibone kep' busy at his sketchin',-At daybreak off for Eagle Pass, and home at nightfall, fetchin'
That everlastin' book uv his with spider-lines all through it;
Three-Fingered Hoover used to say there warn't no meanin' to it.
"Gol durn a man," sez he to him, "whose shif'less hand is sot at
A-drawin' hills that's full uv quartz that's pinin' to be got at!"
"Go on," sez Pettibone, "go on, if joshin' gratifies ye;
But one uv these fine times I'll show ye sumthin' will surprise ye!"
The which remark led us to think--although he didn't say it-That Pettibone wuz owin' us a gredge 'nd meant to pay it.
One evenin' as we sat around the Restauraw de Casey,
A-singin' songs 'nd tellin' yarns the which wuz sumwhat racy,
In come that feller Pettibone, 'nd sez, "With your permission,
I'd like to put a picture I have made on exhibition."
He sot the picture on the bar 'nd drew aside its curtain,
Sayin', "I reckon you'll allow as how that's art, f'r certain!"
And then we looked, with jaws agape, but nary word wuz spoken,
And f'r a likely spell the charm uv silence wuz unbroken-Till presently, as in a dream, remarked Three-Fingered Hoover:
"Onless I am mistaken, this is Pettibone's shef doover!"
It wuz a face--a human face--a woman's, fair 'nd tender-Sot gracefully upon a neck white as a swan's, and slender;
The hair wuz kind uv sunny, 'nd the eyes wuz sort uv dreamy,
The mouth wuz half a-smilin', 'nd the cheeks wuz soft 'nd creamy;
It seemed like she wuz lookin' off into the west out yonder,
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And seemed like, while she looked, we saw her eyes grow softer, fonder,-Like, lookin' off into the west, where mountain mists wuz fallin',
She saw the face she longed to see and heerd his voice a-callin';
"Hooray!" we cried,--"a woman in the camp uv Blue Horizon!
Step right up, Colonel Pettibone, 'nd nominate your pizen!"
A curious situation,--one deservin' uv your pity,-No human, livin', female thing this side of Denver City!
But jest a lot uv husky men that lived on sand 'nd bitters,-Do you wonder that that woman's face consoled the lonesome critters?
And not a one but what it served in some way to remind him
Of a mother or a sister or a sweetheart left behind him;
And some looked back on happier days, and saw the old-time faces
And heerd the dear familiar sounds in old familiar places,-A gracious touch of home. "Look here," sez Hoover, "ever'body
Quit thinkin' 'nd perceed at oncet to name his favorite toddy!"
It wuzn't long afore the news had spread the country over,
And miners come a-flockin' in like honey-bees to clover;
It kind uv did 'em good, they said, to feast their hungry eyes on
That picture uv Our Lady in the camp uv Blue Horizon.
But one mean cuss from Nigger Crick passed criticisms on 'er,-Leastwise we overheerd him call her Pettibone's madonner,
The which we did not take to be respectful to a lady,
So we hung him in a quiet spot that wuz cool 'nd dry 'nd shady;
Which same might not have been good law, but it wuz the right manoeuvre
To give the critics due respect for Pettibone's shef doover.
Gone is the camp,--yes, years ago the Blue Horizon busted,
And every mother's son uv us got up one day 'nd dusted,
While Pettibone perceeded East with wealth in his possession,
And went to Yurrup, as I heerd, to study his perfession;
So, like as not, you'll find him now a-paintin' heads 'nd faces
At Venus, Billy Florence, and the like I-talyun places.
But no sech face he'll paint again as at old Blue Horizon,
For I'll allow no sweeter face no human soul sot eyes on;
And when the critics talk so grand uv Paris 'nd the Loover,
I say, "Oh, but you orter seen the Pettibone shef doover!"
~ Eugene Field,
59:THE

OTHER DANCING

SONG

1

Into your eyes I looked recently, 0 life: I saw gold
blinking in your night-eye; my heart stopped in delight:
a golden boat I saw blinking on nocturnal waters, a
golden rocking-boat, sinking, drinking, and winking
again. At my foot, frantic to dance, you cast a glance, a
laughing, questioning, melting rocking-glance: twice
only you stirred your rattle with your small hands, and
my foot was already rocking with dancing frenzy.
My heels twitched, then my toes hearkened to understand you, and rose: for the dancer has his ear in his
toes.
I leaped toward you, but you fled back from my leap,
and the tongue of your fleeing, flying hair licked me in
its sweep.
Away from you I leaped, and from your serpents' ire;
and already you stood there, half turned, your eyes full
of desire.
225
With crooked glances you teach me-crooked ways;
on crooked ways my foot learns treachery.
I fear you near, I love you far; your flight lures me,
your seeking cures me: I suffer, but what would I not
gladly suffer for you?
You, whose coldness fires, whose hatred seduces,
whose flight binds, whose scorn inspires:
Who would not hate you, you great binder, entwiner,
temptress, seeker, and finder? Who would not love you,
you innocent, impatient, wind-swift, child-eyed sinner?
Whereto are you luring me now, you never-tame extreme? And now you are fleeing from me again, you
sweet wildcat and ingratel
I dance after you, I follow wherever your traces
linger. Where are you? Give me your hand! Or only one
finger
Here are caves and thickets; we shall get lost. Stop!
Stand still Don't you see owls and bats whirring past?
You owll You batl Intent to confound Where are we?
Such howling and yelping you have learned from a
hound.
Your lovely little white teeth are gnashing at me; out
of a curly little mane your evil eyes are flashing at me.
That is a dance up high and down low: I am the
hunter; would you be my dog or my doe?
Alongside me nowl And swift, you malicious leaping
belle! Now up and over there Alas, as I leaped I fell.
Oh, see me lying there, you prankster, suing for
grace. I should like to walk with you in a lovelier place.
Love's paths through silent bushes, past many-hued
plants. Or there along that lake: there goldfish swim
and dance.
You are weary now? Over there are sunsets and
sheep: when shepherds play on their flutes-is it not
lovely to sleep?
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You are so terribly weary? I'll carry you there; just
let your arms sink. And if you are thirsty-I have got
something, but your mouth does not want it to drink.
Oh, this damned nimble, supple snake and slippery
witch! Where are you? In my face two red blotches
from your hand itch.
I am verily weary of always being your sheepish
shepherd. You witch, if I have so far sung to you, now
you shall cry.
Keeping time with my whip, you shall dance and cryl
Or have I forgotten the whip? Not II
2

Then life answered me thus, covering up her delicate
ears: "O Zarathustra, don't crack your whip so frightfullyl After all, you know that noise murders thoughtand just now such tender thoughts are coming to me. We
are both two real good-for-nothings and evil-for-nothings. Beyond good and evil we found our island and
our green meadow-we two alone. Therefore we had
better like each other. And even if we do not love each
other from the heart-need we bear each other a
grudge if we do not love each other from the heart?
And that I like you, often too well, that you know; and
the reason is that I am jealous of your wisdom. Oh, this
mad old fool of a wisdom! If your wisdom ever ran
away from you, then my love would quickly run away
from you too."
Then life looked back and around thoughtfully and
said softly: "O Zarathustra, you are not faithful enough
to me. You do not love me nearly as much as you say;
I know you are thinking of leaving me soon. There is
an old heavy, heavy growl-bell that growls at night all
the way up to your cave; when you hear this bell strike
the hour at midnight, then you think between one and
227
twelve-you think, 0 Zarathustra, I know it, of how you
want to leave me soon."
"Yes," I answered hesitantly, "but you also know-"
and I whispered something into her ear, right through
her tangled yellow foolish tresses.
"You know that, 0 Zarathustra? Nobody knows that."
And we looked at each other and gazed on the green
meadow over which the cool evening was running just
then, and we wept together. But then life was dearer to
me than all my wisdom ever was.
Thus spoke Zarathustra.
3
One!
0 man, take care
Two!
What does the deep midnight declare?
Three
"I was asleepFour!
"From a deep dream I woke and swear:
Five!
"The world is deep,
Six!
"Deeper than day had been aware.
Seven!
"Deep is its woe;
Eight!
"Joy-deeper yet than agony:
Nine!
"Woe implores: Gol
Ten!
"But all joy wants eternity-
228
Eleven!
'Wants deep, wants deep eternity."
Twelve!
~ Friedrich Nietzsche, THE OTHER DANCING SONG
,
60:RETIRED

Not long, however, after Zarathustra had got away
from the magician, he again saw somebody sitting by
the side of his path: a tall man in black, with a gaunt
pale face; and this man displeased him exceedingly.
"Alas!" he said to his heart, "there sits muffled-up
melancholy, looking like the tribe of priests: what do
they want in my realm? How now? I have scarcely
escaped that magician; must another black artist cross
259
my way so soon-some wizard with laying-on of hands,
some dark miracle worker by the grace of God, some
anointed world-slanderer whom the devil should fetch?
But the devil is never where he should be: he always
comes too late, this damned dwarf and clubfoot!"
Thus cursed Zarathustra, impatient in his heart, and
he wondered how he might sneak past the black man,
looking the other way. But behold, it happened otherwise. For at the same moment the seated man had
already spotted him; and not unlike one on whom unexpected good fortune has been thrust, he jumped up
and walked toward Zarathustra.
"Whoever you may be, you wanderer," he said, "help
one who has lost his way, a seeker, an old man who
might easily come to grief here. This region is remote
and strange to me, and I have heard wild animals
howling; and he who might have offered me protection
no longer exists himself. I sought the last pious man, a
saint and hermit who, alone in his forest, had not yet
heard what all the world knows today."
"What does all the world know today?" asked Zarathustra. "Perhaps this, that the old god in whom all
the world once believed no longer lives?"
"As you say," replied the old man sadly. "And I
served that old god until his last hour. But now I am
retired, without a master, and yet not free, nor ever
cheerful except in my memories. That is why I climbed
these mountains, that I might again have a festival at
last, as is fitting for an old pope and church father-for
behold, I am the last pope-a festival of pious memories
and divine services. But now he himself is dead, the
most pious man, that saint in the forest who constantly
praised his god with singing and humming. I did not
find him when I found his cave; but there were two
wolves inside, howling over his death, for all animals
260
loved him. So I ran away. Had I then come to these
woods and mountains in vain? Then my heart decided
that I should seek another man, the most pious of all
those who do not believe in God-that I should seek
Zarathustral"
Thus spoke the old man, and he looked with sharp
eyes at the man standing before him; but Zarathustra
seized the hand of the old pope and long contemplated
it with admiration. "Behold, venerable one!" he said
then; "what a beautiful long hand! That is the hand of
one who has always dispensed blessings. But now it
holds him whom you seek, me, Zarathustra. It is I, the
godless Zarathustra, who speaks: who is more godless
than I, that I may enjoy his instruction?"
Thus spoke Zarathustra, and with his glances he
pierced the thoughts and the thoughts behind the
thoughts of the old pope. At last the pope began, "He
who loved and possessed him most has also lost him
most now; behold, now I myself am probably the more
godless of the two of us. But who could rejoice in that?"
"You served him to the last?" Zarathustra asked
thoughtfully after a long silence. "You know how he
died? Is it true what they say, that pity strangled him,
that he saw how man hung on the cross and that he
could not bear it, that love of man became his hell, and
in the end his death?"
The old pope, however, did not answer but looked
aside, shy, with a pained and gloomy expression. "Let
him go!" Zarathustra said after prolonged reflection,
still looking the old man straight in the eye. "Let him
gol He is gone. And although it does you credit that
you say only good things about him who is now dead,
you know as well as I who he was, and that his ways
were queer.
"Speaking in the confidence of three eyes," the old
261
pope said cheerfully (for he was blind in one eye), "in
what pertains to God, I am-and have the right to be
-more enlightened than Zarathustra himself. My love
served him many years, my will followed his will in
everything. A good servant, however, knows everything,
including even things that his master conceals from
himself. He was a concealed god, addicted to secrecy.
Verily, even a son he got himself in a sneaky way. At
the door of his faith stands adultery.
"Whoever praises him as a god of love does not have
a high enough opinion of love itself. Did this god not
want to be a judge too? But the lover loves beyond
reward and retri bution.
"When he was young, this god out of the Orient, he
was harsh and vengeful and he built himself a hell to
amuse his favorites. Eventually, however, he became
old and soft and mellow and pitying, more like a grandfa ther than a father, but most like a shaky old grandmo ther. Then he sat in his nook by the hearth, wilted,
grieving over his weak legs, weary of the world, weary
of willing, and one day he choked on his all-too-great
pity."
"You old pope," Zarathustra interrupted at this point,
"did you see that with your own eyes? Surely it might
have happened that way-that way, and also in some
other way. When gods die, they always die several
kinds of death. But-well then! This way or that, this
way and that-he is gone! He offended the taste of my
ears and eyes; I do not want to say anything worse
about him now that he is dead.
"I love all that looks bright and speaks honestly. But
he-you know it, you old priest, there was something
of your manner about him, of the priests manner: he
was equivocal. He was also indistinct. How angry he
got with us, this wrath-snorter, because we understood
262
him badly! But why did he not speak more cleanly?
And if it was the fault of our ears, why did he give us
ears that heard him badly? If there was mud in our
ears-well, who put it there? He bungled too much, this
potter who had never finished his apprenticeship. But
that he wreaked revenge on his pots and creations for
having bungled them himself, that was a sin against
good taste. There is good taste in piety too; and it was
this that said in the end, 'Away with such a god! Rather
no god, rather make destiny on one's own, rather be a
fool, rather be a god oneselfl"
"What is this I hear?" said the old pope at this
point, pricking up his ears. "0 Zarathustra, with such
disbelief you are more pious than you believe. Some
god in you must have converted you to your godlessness.
Is it not your piety itself that no longer lets you believe
in a god? And your overgreat honesty will yet lead you
beyond good and evil too. Behold, what remains to you?
You have eyes and hands and mouth, predestined for
blessing from all eternity. One does not bless with the
hand alone. Near you, although you want to be the
most godless, I scent a secret, sacred, pleasant scent of
long blessings: it gives me gladness and grief. Let me
be your guest, 0 Zarathustra, for one single night! Nowhere on earth shall I now feel better than with you."
"Amen! So be it!" said Zarathustra in great astonishment. "Up there goes the way, there lies Zarathustra's
cave. I should indeed like to accompany you there myself, you venerable one, for I love all who are pious. But
now a cry of distress urgently calls me away from you.
In my realm no one shall come to grief; my cave is a
good haven. And I wish that I could put everyone who
is sad back on firm land and firm legs.
"But who could take your melancholy off your shoulders? For that I am too weak. Verily, we might wait
263

long before someone awakens your god again. For this
old god lives no more: he is thoroughly dead."
Thus spoke Zarathustra.
~ Friedrich Nietzsche, RETIRED
,
61:THE CONVALESCENT
1

One morning, not long after his return to the cave,
Zarathustra jumped up from his resting place like a
madman, roared in a terrible voice, and acted as if
somebody else were still lying on his resting place who
refused to get up. And Zarathustra's voice resounded so
that his animals approached in a fright, while out of all
the caves and nooks that were near Zarathustra's cave
all animals fled-flying, fluttering, crawling, jumping,
according to the kind of feet or wings that were givert
to them. Zarathustra, however, spoke these words:
Up, abysmal thought, out of my depth! I am your
cock and dawn, sleepy worm. Up! Up! My voice shall
yet crow you awakel Unfasten the fetters of your ears:
listen For I want to hear you. Up! Up! Here is thunder
enough to make even tombs learn to listen. And wipe
sleep and all that is purblind and blind out of your eyes
Listen to me even with your eyes: my voice cures even
those born blind. And once you are awake, you shall
remain awake eternally. It is not my way to awaken
great-grandmo thers from their sleep to bid them sleep
on!
You are stirring, stretching, wheezing? Up! Up! You
shall not wheeze but speak to me. Zarathustra, the god-
216
less, summons youl I, Zarathustra, the advocate of life,
the advocate of suffering, the advocate of the circle; I
summon you, my most abysmal thought!
Hail to mel You are coming, I hear you. My abyss
speaks, I have turned my ultimate depth inside out into
the light. Hail to mel Come here Give me your handle
Huhl Let gol Huhhuhl Nausea, nausea, nausea-woe
unto mel
2

No sooner had Zarathustra spoken these words than
he fell down as one dead and long remained as one
dead. But when he regained his senses he was pale, and
he trembled and remained lying there, and for a long
time he wanted neither food nor drink. This behavior
lasted seven days; but his animals did not leave him by
day or night, except that the eagle flew off to get food.
And whatever prey he got together, he laid on Zarathustra's resting place; and eventually Zarathustra lay
among yellow and red berries, grapes, rose apples,
fragrant herbs, and pine cones. But at his feet two
lambs lay spread out, which the eagle had with difficulty robbed from their shepherds.
At last, after seven days, Zarathustra raised himself
on his resting place, took a rose apple into his hand,
smelled it, and found its fragrance lovely. Then his
animals thought that the time had come to speak to him.
"O Zarathustra," they said, 'it is now seven days that
you have been lying like this with heavy eyes; won't
you at last get up on your feet again? Step out of your
cave: the world awaits you like a garden. The wind is
playing with heavy fragrances that want to get to you,
and all the brooks would run after you. All things have
been longing for you, while you have remained alone foi
seven days. Step out of your cavel All things would be
your physicians. Has perhaps some new knowledge
come to you, bitter and hard? Like leavened dough you
have been lying; your soul rose and swelled over all its
rims."
"O my animals," replied Zarathustra, "chatter on like
this and let me listen. It is so refreshing for me to hear
you chattering: where there is chattering, there the
world lies before me like a garden. How lovely it is that
there are words and sounds Are not words and sounds
rainbows and illusive bridges between things which are
eternally apart?
"To every soul there belongs another world; for every
soul, every other soul is an afterworld. Precisely between what is most similar, illusion lies most beautifully; for the smallest cleft is the hardest to bridge.
"For me-how should there be any outside-myself?
There is no outside. But all sounds make us forget this;
how lovely it is that we forget. Have not names and
sounds been given to things that man might find things
refreshing? Speaking is a beautiful folly: with that man
dances over all things. How lovely is all talking, and all
the deception of sounds With sounds our love dances
on many-hued rainbows."
"O Zarathustra," the animals said, "to those who
think as we do, all things themselves are dancing: they
come and offer their hands and laugh and flee-and
come back. Everything goes, everything comes back;
eternally rolls the wheel of being. Everything dies,
everything blossoms again; eternally runs the year of
being. Everything breaks, everything is joined anew;
eternally the same house of being is built. Everything
parts, everything greets every other thing again; eternally the ring of being remains faithful to itself. In
218
every Now, being begins; round every Here rolls the
sphere There. The center is everywhere. Bent is the
path of eternity."
"O you buffoons and barrel organs" Zarathustra replied and smiled again. "How well you know what had
to be fulfilled in seven days, and how that monster
crawled down my throat and suffocated me. But I bit
off its head and spewed it out. And you, have you already made a hurdy-gurdy song of this? But now I lie
here, still weary of this biting and spewing, still sick
from my own redemption. And you watched all this? 0
my animals, are even you cruel? Did you want to watch
my great pain as men do? For man is the cruelest
animal.
"At tragedies, bullfights, and crucifixions he has so
far felt best on earth; and when he invented hell for
himself, behold, that was his heaven on earth.
"When the great man screams, the small man comes
running with his tongue hanging from lasciviousness.
But he calls it his 'pity.'
"The small man, especially the poet-how eagerly he
accuses life with words Hear him, but do not fail to
hear the delight that is in all accusation. Such accusers
of life-life overcomes with a wink. 'Do you love me?'
she says impudently. 'Wait a little while, just yet I
have no time for you.'
"Man is the cruelest animal against himself; and
whenever he calls himself 'sinner' and 'cross-bearer' and
'penitent,' do not fail to hear the voluptuous delight
that is in all such lamentation and accusation.
'And I myself-do I thus want to be man's accuser?
Alas, my animals, only this have I learned so far, that
man needs what is most evil in him for what is best in
him-that whatever is most evil is his best power and
219
the hardest stone for the highest creator; and that man
must become better and more evil.
"My torture was not the knowledge that man is evil
-but I cried as no one has yet cried: 'Alas, that his
greatest evil is so very small! Alas, that his best is so
very small'
"The great disgust with man-this choked me and
had crawled into my throat; and what the soothsayer
said: 'All is the same, nothing is worth while, knowledge chokes.' A long twilight limped before me, a sadness, weary to death, drunken with death, speaking
with a yawning mouth. 'Eternally recurs the man of
whom you are weary, the small man'-thus yawned my
sadness and dragged its feet and could not go to sleep.
Man's earth turned into a cave for me, its chest sunken;
all that is living became human mold and bones and
musty past to me. My sighing sat on all human tombs
and could no longer get up; my sighing and questioning
croaked and gagged and gnawed and wailed by day
and night: 'Alas, man recurs eternally! The small man
recurs eternally!
"Naked I had once seen both, the greatest man and
the smallest man: all-too-similar to each other, even the
greatest all-too-human. All-too-small, the greatestl-that
was my disgust with man. And the eternal recurrence
even of the smallest-that was my disgust with all
existence. Alasl Nausea! Nauseal Nauseal"
Thus spoke Zarathustra and sighed and shuddered,
for he remembered his sickness. But then his animals
would not let him go on.
"Do not speak on, 0 convalescent" thus his animals
answered him; "but go out where the world awaits you
like a garden. Go out to the roses and bees and dovecots. But especially to the songbirds, that you may learn
220
from them how to single For singing is for the convalescent; the healthy can speak. And when the healthy man
also wants songs, he wants different songs from the
convalescent."
"O you buffoons and barrel organs, be silent!" Zarathustra replied and smiled at his animals. "How well
you know what comfort I invented for myself in seven
days! That I must sing again, this comfort and convalescence I invented for myself. Must you immediately turn
this too into a hurdy-gurdy song?"
"Do not speak on!" his animals answered him again;
"rather even, 0 convalescent, fashion yourself a lyre
first, a new lyrel For behold, Zarathustra, new lyres are
needed for your new songs. Sing and overflow, 0 Zarathustra; cure your soul with new songs that you may
bear your great destiny, which has never yet been any
man's destiny. For your animals know well, 0 Zarathustra, who you are and must become: behold, you
are the teacher of the eternal recurrence-thatis your
destiny! That you as the first must teach this doctrinehow could this great destiny not be your greatest danger
and sickness too?
"Behold, we know what you teach: that all things
recur eternally, and we ourselves too; and that we have
already existed an eternal number of times, and all
things with us. You teach that there is a great year of
becoming, a monster of a great year, which must, like
an hourglass, turn over again and again so that it may
run down and run out again; and all these years are
alike in what is greatest as in what is smallest; and we
ourselves are alike in every great year, in what is greatest as in what is smallest.
"And if you wanted to die now, 0 Zarathustra, behold, we also know how you would then speak to yourself. But your animals beg you not to die yet. You
221

would speak, without trembling but breathing deeply
with happiness, for a great weight and sultriness would
be taken from you who are most patient.
"'Now I die and vanish,' you would say, 'and all at
once I am nothing. The soul is as mortal as the body.
But the knot of causes in which I am entangled recurs
and will create me again. I myself belong to the causes
of the eternal recurrence. I come again, with this sun,
with this earth, with this eagle, with this serpent-not
to a new life or a better life or a similar life: I come
back eternally to this same, selfsame life, in what is
greatest as in what is smallest, to teach again the eternal
recurrence of all things, to speak again the word of the
great noon of earth and man, to proclaim the overman
again to men. I spoke my word, I break of my word:
thus my eternal lot wants it; as a proclaimer I perish.
The hour has now come when he who goes under should
bless himself. Thus ends Zarathustra's going under.'"
When the animals had spoken these words they were
silent and waited for Zarathustra to say something to
them; but Zarathustra did not hear that they were silent.
Rather he lay still with his eyes closed, like one sleeping, although he was not asleep; for he was conversing
with his soul. The serpent, however, and the eagle,
when they found him thus silent, honored the great
stillness around him and cautiously stole away.
~ Friedrich Nietzsche, THE CONVALESCENT
,
62:THE

DRUNKEN SONG
1

Meanwhile one after the other had stepped out
into the open and into the cool reflective night; but
Zarathustra himself led the ugliest man by the hand to
show him his night-world and the big round moon and
the silvery waterfalls near his cave. There they stood together at last in silence, old people all of them, but with
comforted brave hearts and secretly amazed at feeling
so well on this earth; but the secrecy of the night came
closer and closer to their hearts. And again Zarathustra
thought to himself: "How well I like them now, these
higher men!" But he did not say it out loud, for he
respected their happiness and their silence.
But then that happened which, on that whole long
amazing day, was the most amazing thing of all: the
ugliest man began once more and for the last time to
gurgle and snort, and when he found words, behold, a
question jumped out of his mouth, round and clean, a
good, deep, clear question, which moved the hearts of
all who were listening to him.
"My friends, all of you," said the ugliest man, "what
do you think? For the sake of this day, I am for the
first time satisfied that I have lived my whole life. And
that I attest so much is still not enough for me. Living
on earth is worth while: one day, one festival with
Zarathustra, taught me to love the earth.
318
'Was that life?' I want to say to death. 'Well then!
Once more!'
"My friends, what do you think? Do you not want to
say to death as I do: Was that life? For Zarathustra's
sakel Well then! Once morel"
Thus spoke the ugliest man; but it was not long before midnight. And what do you suppose happened
then? As soon as the higher men had heard his question
they all at once became conscious of how they had
changed and convalesced and to whom they owed this:
then they jumped toward Zarathustra to thank, revere,
caress him, and kiss his hands, each according to his
own manner; and some were laughing and some were
crying. But the old soothsayer was dancing with joy; and
even if, as some of the chroniclers think, he was full of
sweet wine, he was certainly still fuller of the sweetness
of life and he had renounced all weariness. There are
even some who relate that the ass danced too, and that
it had not been for nothing that the ugliest man had
given him wine to drink before. Now it may have been
so or otherwise; and if the ass really did not dance that
night, yet greater and stranger wonders occurred than
the dancing of an ass would have been. In short, as the
proverb of Zarathustra says: "What does it matter?"
2

But when this happened to the ugliest man, Zarathustra stood there like a drunkard: his eyes grew dim,
his tongue failed, his feet stumbled. And who could
guess what thoughts were then running over Zarathustra's soul? But his spirit fled visibly and flew ahead
and was in remote distances and, as it were, "on a high
ridge," as it is written, "between two seas, wandering
like a heavy cloud between past and future." But as
319
the higher men held him in their arms, he gradually
recovered his senses to some extent and with his hands
warded off the throng of the revering and worried; yet
he did not speak. All at once, however, he turned his
head quickly, for he seemed to be hearing something.
Then he put one finger to his mouth and said, "Comel"
And presently it became quiet and secret around; but
from the depth the sound of a bell came up slowly.
Zarathustra and the higher men listened for it; but then
he put one finger to his mouth another time and said
again, "Comel Come! Midnight approaches." And his
voice had changed. But still he did not stir from his
place. Then it grew still more quiet and secret, and
everything listened, even the ass and Zarathustra's animals of honor, the eagle and the serpent, as well as
Zarathustra's cave and the big cool moon and the night
itself. But Zarathustra put his hand to his mouth, for
the third time and said, "Comel Comel Let us wander
now! The hour has come: let us wander into the night!"
3
You higher men, midnight approaches: I want to
whisper something to you as that old bell whispers it
into my ears-as secretly, as terribly, as cordially as that
midnight bell, which has experienced more than any
man, says it to me. It has counted the beats even of
your fathers' hearts and smarts. Alas! Alasl How it
sighsl How it laughs in a dream! Old deep, deep midnightl
Still! Still Here things are heard that by day may not
become loud; but now in the cool air, when all the
noise of your hearts too has become still-now it speaks,
now it is heard, now it steals into nocturnal, overawake
souls. Alasl Alasl How it sighsl How it laughs in a dreamt
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Do you not hear how it speaks secretly, terribly, cordially to you-the old deep, deep midnight?
0 man, take care
4
Woe unto mel Where is time gone? Have I not sunk
into deep wells? The world sleeps. Alasl Alasl The dog
howls, the moon shines. Sooner would I die, die rather
than tell you what my midnight heart thinks now.
Now I have died. It is gone. Spider, what do you spin
around me? Do you want blood? Alasl Alasl The dew
falls, the hour approaches-the hour when I shiver and
freeze, which asks and asks and asks, "Who has heart
enough for it? Who shall be the lord of the earth? Who
will say: thus shall you run, you big and little rivers"
The hour approaches: 0 man, you higher man, take
care! This speech is for delicate ears, for your ears:
What does the deep midnight declare?
5
I am carried away, my soul dances. Day's work Day's
work! Who shall be the lord of the earth?
The moon is cool, the wind is silent. Alas! Alas! Have
you flown high enough yet? You have danced: but a leg
is no wing. You good dancers, now all pleasure is gone:
wine has become lees, every cup has become brittle,
the tombs stammer. You did not fly high enough: now
the tombs stammer, "Redeem the dead! Why does the
night last so long? Does not the moon make us
drunken?"
You higher men, redeem the tombs, awaken the
corpses! Alas, why does the worm still burrow? The
hour approaches, approaches; the bell hums, the heart
still rattles, the deathwatch, the heart-worm still burrows. Alas! Alasl The world is deep.
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6
Sweet lyrel Sweet lyre! I love your sound, your
drunken ranunculus' croaking. From how long ago, from
how far away your sound comes to me, from the distant
ponds of lovely You old bell, you sweet lyre! Every pain
has torn into your heart, father-pain, fathers' pain, fore-

fathers' pain; your speech grew ripe-ripe as golden
autumn and afternoon, as my hermit's heart; now you
say: the world itself has grown ripe, the grape is turning brown, now it would die, die of happiness. You
higher men, do you not smell it? A smell is secretly
welling up, a fragrance and smell of eternity, a roseblessed, brown gold-wine fragrance of old happiness, of
the drunken happiness of dying at midnight, that
sings. the world is deep, deeper than day had been
aware.
7
Leave me! Leave mel I am too pure for you. Do not
touch mel Did not my world become perfect just now?
My skin is too pure for your hands. Leave me, you stupid,
boorish, dumb dayl Is not the midnight brighter? The
purest shall be the lords of the earth-the most unknown, the strongest, the midnight souls who are
brighter and deeper than any day.
0 day, you grope for me? You seek my happiness? I
seem rich to you, lonely, a treasure pit, a gold-chamber?
0 world, you want me? Am I worldly to you? Am I
spiritual to you? Am I godlike to you? But day and
world, you are too ponderous; have cleverer hands, reach
for deeper happiness, for deeper unhappiness, reach for
any god, do not reach for me: my unhappiness, my
happiness is deep, you strange day, but I am yet no god,
no god's hell: deep is its woe.
322
8
God's woe is deeper, you strange world Reach for
God's woe, not for me! What am I? a drunken sweet
lyre-a midnight lyre, an ominous bell-frog that nobody
understands but that must speak, before the deaf, you
higher men. For you do not understand mel
Gone! Gonel 0 youth! 0 noonl 0 afternoon! Now
evening has come and night and midnight-the dog
howls, the wind: is not the wind a dog? It whines, it
yelps, it howls. Alasl Alasl How the midnight sighsl
How it laughs, how it rattles and wheezesl
How she speaks soberly now, this drunken poetessl
Perhaps she overdrank her drunkenness? She became
overawake? She ruminates? Her woe she ruminates in
a dream, the old deep midnight, and even more her joy.
For joy, even if woe is deep, joy is deeper yet than
agony.
9
You vinel Why do you praise me? Did I not cut you?
I am cruel, you bleed; what does your praise of my
drunken cruelty mean?
"What has become perfect, all that is ripe-wants to
die"-thus you speak. Blessed, blessed be the vintager's
knife But all that is unripe wants to live: woel
Woe entreats: Gol Away, woel But all that suffers
wants to live, that it may become ripe and joyous and
longing-longing for what is farther, higher, brighter.
"I want heirs"-thus speaks all that suffers; "I want
children, I do not want myself."
Joy, however, does not want heirs, or children-joy
wants itself, wants eternity, wants recurrence, wants
everything eternally the same.
Woe says, "Break, bleed, heart! Wander, legal Wing,
323
flyl Get onl Up! Pain!" Well then, old heart: Woe implores, "Gor'
10

You higher men, what do you think? Am I a
soothsayer? A dreamer? A drunkard? An interpreter of
dreams? A midnight bell? A drop of dew? A haze and
fragrance of eternity? Do you not hear it? Do you not
smell it? Just now my world became perfect; midnight
too is noon; pain too is a joy; curses too are a blessing;
night too is a sun-go away or you will learn: a sage
too is a fool.
Have you ever said Yes to a single joy? 0 my friends,
then you said Yes too to all woe. All things are entangled, ensnared, enamored; if ever you wanted one
thing twice, if ever you said, "You please me, happiness!
Abide, moment!" then you wanted all back. All anew,
all eternally, all entangled, ensnared, enamored-oh,
then you loved the world. Eternal ones, Jove it eternally
and evermore; and to woe too, you say: go, but return!
For all joy wants-eternity.
11

All joy wants the eternity of all things, wants honey,
wants lees, wants drunken midnight, wants tombs, wants
tomb-tears' comfort, wants gilded evening glow.
What does joy not want? It is thirstier, more cordial,
hungrier, more terrible, more secret than all woe; it
wants itself, it bites into itself, the ring's will strives in
it; it wants love, it wants hatred, it is overrich, gives,
throws away, begs that one might take it, thanks the
taker, it would like to be hated; so rich is joy that it
thirsts for woe, for hell, for hatred, for disgrace, for
the cripple, for world-this world, oh, you know itl
You higher men, for you it longs, joy, the intractable
324
blessed one-for your woe, you failures. All eternal joy
longs for failures. For all joy wants itself, hence it also
wants agony. 0 happiness, 0 pain! Oh, break, heart!
You higher men, do learn this, joy wants eternity. Joy
wants the eternity of all things, wants deep, wants deep
eternity.
12

Have you now learned my song? Have you guessed its
intent? Well then, you higher men, sing me now my
round. Now you yourselves sing me the song whose
name is "Once More" and whose meaning is "into all
eternity"-sing, you higher men, Zarathustra's round!
O man, take care!
What does the deep midnight declare?
"I was asleepFrom a deep dream I woke and swear:
The world is deep,
Deeper than day had been aware.
Deep is its woe;
Joy-deeper yet than agony:
Woe implores: Gol
But all joy wants eternityWants deep, wants deep eternity."
~ Friedrich Nietzsche, THE DRUNKEN SONG
,

IN CHAPTERS [300/1638]



  608 Poetry
  417 Integral Yoga
  181 Occultism
  118 Fiction
  100 Philosophy
   83 Mysticism
   67 Yoga
   58 Christianity
   54 Psychology
   20 Mythology
   18 Philsophy
   12 Hinduism
   8 Islam
   5 Baha i Faith
   3 Theosophy
   3 Sufism
   3 Buddhism
   2 Science
   2 Integral Theory
   1 Thelema
   1 Education
   1 Cybernetics
   1 Alchemy


  196 The Mother
  185 Sri Aurobindo
  172 Satprem
  136 Nolini Kanta Gupta
   72 Aleister Crowley
   71 Percy Bysshe Shelley
   69 James George Frazer
   60 H P Lovecraft
   58 John Keats
   55 Sri Ramakrishna
   50 Carl Jung
   47 William Butler Yeats
   44 William Wordsworth
   44 Robert Browning
   38 Friedrich Schiller
   37 Rabindranath Tagore
   25 Walt Whitman
   24 Friedrich Nietzsche
   22 Saint Augustine of Hippo
   18 Ralph Waldo Emerson
   17 Anonymous
   16 Edgar Allan Poe
   15 Lucretius
   13 Ovid
   13 Johann Wolfgang von Goethe
   12 Li Bai
   10 Plato
   9 Plotinus
   9 Nirodbaran
   9 Jalaluddin Rumi
   9 George Van Vrekhem
   8 Vyasa
   8 Swami Vivekananda
   8 Pierre Teilhard de Chardin
   8 Muhammad
   8 Jorge Luis Borges
   7 Joseph Campbell
   7 Franz Bardon
   7 A B Purani
   6 Sri Ramana Maharshi
   6 Hafiz
   6 Baha u llah
   4 Swami Krishnananda
   4 Saint John of Climacus
   4 Rainer Maria Rilke
   4 Jordan Peterson
   4 Aldous Huxley
   3 Saint Teresa of Avila
   3 Rudolf Steiner
   3 Ravidas
   3 Lewis Carroll
   3 Henry David Thoreau
   3 Bokar Rinpoche
   2 Thomas Merton
   2 Saint Therese of Lisieux
   2 Patanjali
   2 Omar Khayyam
   2 Namdev
   2 Mirabai
   2 Mahendranath Gupta
   2 Ken Wilber
   2 Italo Calvino
   2 H. P. Lovecraft
   2 Alice Bailey
   2 Al-Ghazali


   71 Shelley - Poems
   69 The Golden Bough
   60 Lovecraft - Poems
   58 Keats - Poems
   54 The Gospel of Sri Ramakrishna
   47 Yeats - Poems
   45 Savitri
   44 Wordsworth - Poems
   44 Browning - Poems
   38 Schiller - Poems
   36 Tagore - Poems
   35 Liber ABA
   29 Mysterium Coniunctionis
   28 Collected Poems
   27 Magick Without Tears
   27 Collected Works of Nolini Kanta Gupta - Vol 02
   25 Whitman - Poems
   25 Collected Works of Nolini Kanta Gupta - Vol 05
   24 Thus Spoke Zarathustra
   20 Collected Works of Nolini Kanta Gupta - Vol 07
   19 Words Of Long Ago
   19 Collected Works of Nolini Kanta Gupta - Vol 04
   19 Agenda Vol 10
   18 The Bible
   18 Emerson - Poems
   18 Collected Works of Nolini Kanta Gupta - Vol 06
   17 Agenda Vol 04
   16 City of God
   16 Agenda Vol 01
   15 Poe - Poems
   15 Of The Nature Of Things
   15 Agenda Vol 02
   14 Agenda Vol 06
   13 Metamorphoses
   13 Crowley - Poems
   12 The Synthesis Of Yoga
   12 On the Way to Supermanhood
   12 Li Bai - Poems
   11 Collected Works of Nolini Kanta Gupta - Vol 08
   11 Agenda Vol 08
   11 Agenda Vol 05
   10 Collected Works of Nolini Kanta Gupta - Vol 01
   10 Agenda Vol 13
   10 Agenda Vol 07
   9 Twelve Years With Sri Aurobindo
   9 The Life Divine
   9 Preparing for the Miraculous
   9 Faust
   9 Agenda Vol 12
   9 5.1.01 - Ilion
   8 Vishnu Purana
   8 The Archetypes and the Collective Unconscious
   8 Sri Aurobindo or the Adventure of Consciousness
   8 Quran
   8 Agenda Vol 09
   7 Vedic and Philological Studies
   7 The Secret Of The Veda
   7 The Hero with a Thousand Faces
   7 The Confessions of Saint Augustine
   7 Rumi - Poems
   7 Hymns to the Mystic Fire
   7 Evening Talks With Sri Aurobindo
   7 Aion
   7 A Garden of Pomegranates - An Outline of the Qabalah
   6 The Secret Doctrine
   6 The Practice of Psycho therapy
   6 The Practice of Magical Evocation
   6 Talks
   6 Record of Yoga
   6 Prayers And Meditations
   6 Anonymous - Poems
   6 Agenda Vol 11
   6 Agenda Vol 03
   5 Letters On Yoga IV
   5 Isha Upanishad
   5 Essays In Philosophy And Yoga
   4 The Study and Practice of Yoga
   4 The Perennial Philosophy
   4 The Mother With Letters On The Mother
   4 The Ladder of Divine Ascent
   4 Rilke - Poems
   4 Raja-Yoga
   4 Questions And Answers 1957-1958
   4 Questions And Answers 1955
   4 Maps of Meaning
   4 Letters On Yoga II
   4 Letters On Yoga I
   4 Kena and Other Upanishads
   4 Hymn of the Universe
   4 Hafiz - Poems
   4 Goethe - Poems
   4 Collected Works of Nolini Kanta Gupta - Vol 03
   4 Borges - Poems
   3 Walden
   3 The Lotus Sutra
   3 The Divine Comedy
   3 Tara - The Feminine Divine
   3 Questions And Answers 1956
   3 Questions And Answers 1953
   3 Questions And Answers 1950-1951
   3 Plotinus - Complete Works Vol 01
   3 On Thoughts And Aphorisms
   3 Labyrinths
   3 Essays Divine And Human
   3 Alice in Wonderland
   2 Writings In Bengali and Sanskrit
   2 The Phenomenon of Man
   2 The Interior Castle or The Mansions
   2 The Human Cycle
   2 The Castle of Crossed Destinies
   2 The Book of Certitude
   2 The Blue Cliff Records
   2 The Alchemy of Happiness
   2 The 7 Habits of Highly Effective People
   2 Symposium
   2 Sex Ecology Spirituality
   2 Questions And Answers 1954
   2 Questions And Answers 1929-1931
   2 Plotinus - Complete Works Vol 04
   2 Plotinus - Complete Works Vol 03
   2 Plotinus - Complete Works Vol 02
   2 Patanjali Yoga Sutras
   2 Letters On Yoga III
   2 Knowledge of the Higher Worlds
   2 Beating the Cloth Drum Letters of Zen Master Hakuin
   2 A Treatise on Cosmic Fire
   2 Agenda Vol 1
   2 Advanced Dungeons and Dragons 2E


0 0.01 - Introduction, #Agenda Vol 1, #The Mother, #Integral Yoga
  Thus had we mused in the heart of our ancient forest while we were still hesitating between unlikely flakes of gold and a civilization that seemed to us quite toxic and obsolete, however mathematical. But other mathematics were flowing through our veins, an equation as yet unformed between this mammoth world and a little point replete with a light air and immense forebodings.
  It was at this point that we met Mother, at this intersection of the anthropoid rediscovered and the 'something' that had set in motion this unfinished invention momentarily ensnared in a gilded machine. For nothing was finished, and nothing had been invented, really, that would instill peace and wideness in this heart of no species at all.
  --
  Yes, She was in the midst of a spiritual 'horde,' for the pioneer of a new species must always fight against the best of the old: the best is the obstacle, the snare that traps us in its old golden mire.
  As for the worst, we know that it is the worst. But then we come to realize that the best is only the pretty muzzle of our worst, the same old beast defending itself, with all its claws out, with its sanctity or its electronic gadgets. Mother was there for something else.
  --
  Day after day, for seventeen years, She sat with us to tell us of her impossible odyssey. Ah, how well we now understand why She needed such an 'outlaw' and an incorrigible heretic like us to comprehend a little bit of her impossible odyssey into 'nothing.' And how well we now understand her infinite patience with us, despite all our revolts, which ultimately were only the revolts of the old species against itself. The final revolt. 'It is not a revolt against the British government which any one can easily do. It is, in fact, a revolt against the whole universal Nature!' Sri Aurobindo had proclaimed fifty years earlier. She listened to our grievances, we went away and we returned. We wanted no more of it and we wanted still more. It was infernal and sublime, impossible and the sole possibility in this old, asphyxiating world. It was the only place one could go to in this barbedwired, mechanized world, where Cincinnati is just as crowded and polluted as Hong Kong. The new species is the last free place in the general Prison. It is the last hope for the earth. How we listened to her little faltering voice that seemed to return from afar, afar, after having crossed spaces and seas of the mind to let its little drops of pure, crystalline words fall upon us, words that make you see. We listened to the future, we touched the other thing. It was incomprehensible and yet filled with another comprehension. It eluded us on all sides, and yet it was dazzlingly obvious. The 'other species' was really radically other, and yet it was vibrating within, absolutely recognizable, as if it were THAT we had been seeking from age to age, THAT we had been invoking through all our illuminations, one after another, in Thebes as in Eleusis as everywhere we have toiled and grieved in the skin of a man. It was for THAT we were here, for that supreme Possible in the skin of a man at last. And then her voice grew more and more frail, her breath began gasping as though She had to traverse greater and greater distances to meet us. She was so alone to beat against the walls of the old prison. Many claws were out all around. Oh, we would so quickly have cut ourself free from all this fiasco to fly away with Her into the world's future. She was so tiny, stooped over, as if crushed beneath the 'spiritual' burden that all the old surrounding species kept heaping upon her. They didn't believe, no. For them, She was ninety-five years old + so many days. Can someone become a new species all alone? They even grumbled at Her: they had had enough of this unbearable Ray that was bringing their sordid affairs into the daylight. The Ashram was slowly closing over Her. The old world wanted to make a new, golden little Church, nice and quiet. No, no one wanted TO
  BECOME. To worship was so much easier. And then they bury you, solemnly, and the matter is settled - the case is closed: now, no one need bother any more except to print some photographic haloes for the pilgrims to this brisk little business. But they are mistaken. The real business will take place without them, the new species will fly up in their faces - it is already flying in the face of the earth, despite all its isms in black and white; it is exploding through all the pores of this battered old earth, which has had enough of shams - whether illusory little heavens or barbarous little machines.

00.01 - The Approach to Mysticism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The mystic's knowledge is a part and a formation of his life. That is why it is a knowledge not abstract and remote but living and intimate and concrete. It is a knowledge that pulsates with delight: indeed it is the radiance that is shed by the purest and intensest joy. For this reason it may be that in approaching through the heart there is a chance of one's getting arrested there and not caring for the still higher, the solar lights; but this need not be so. In the heart there is a golden door leading to the deepest delights, but there is also a diamond door opening up into the skies of the brightest luminosities.
   For it must be understood that the heart, the mystic heart, is not the external thing which is the seat of emotion or passion; it is the secret heart that is behind, the inner heartantarhdaya of the Upanishadwhich is the centre of the individual consciousness, where all the divergent lines of that consciousness meet and from where they take their rise. That is what the Upanishad means when it says that the heart has a hundred channels which feed the human vehicle. That is the source, the fount and origin, the very substance of the true personality. Mystic knowledge the true mystic knowledge which saves and fulfilsbegins with the awakening or the entrance into this real being. This being is pure and luminous and blissful and sovereignly real, because it is a portion, a spark of the Divine Consciousness and Nature: a contact and communion with it brings automatically into play the light and the truth that are its substance. At the same time it is an uprising flame that reaches out naturally to higher domains of consciousness and manifests them through its translucid dynamism.

00.02 - Mystic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   We can make a distinction here between two types of expression which we have put together indiscriminately, figures and symbols. Figures, we may say, are those that are constructed by the rational mind, the intellect; they are mere metaphors and similes and are not organically related to the thing experienced, but put round it as a robe that can be dropped or changed without affecting the experience itself. Thus, for example, when the Upanishad says, tmnam rathinam viddhi (Know that the soul is the master of the chariot who sits within it) or indriyi haynhu (The senses, they say, are the horses), we have here only a comparison or analogy that is common and natural to the poetic manner. The particular figure or simile used is not inevitable to the idea or experience that it seeks to express, its part and parcel. On the other hand, take this Upanishadic perception: hirayamayena patrea satyasyphitam mukham (The face of the Truth lies hidden under the golden orb). Here the symbol is not mere analogy or comparison, a figure; it is one with the very substance of the experience the two cannot be separated. Or when the Vedas speak of the kindling of the Fire, the rushing of the waters or the rise of the Dawn, the images though taken from the material world, are not used for the sake of mere comparison, but they are the embodiments, the living forms of truths experienced in another world.
   When a Mystic refers to the Solar Light or to the Fire the light, for example, that struck down Saul and transformed him into Saint Paul or the burning bush that visited Moses, it is not the physical or material object that he means and yet it is that in a way. It is the materialization of something that is fundamentally not material: some movement in an inner consciousness precipitates itself into the region of the senses and takes from out of the material the form commensurable with its nature that it finds there.

0 0.02 - Topographical Note, #Agenda Vol 1, #The Mother, #Integral Yoga
  From 1960, the Agenda took its final shape arid grew for thirteen years, until May 1973, filling thirteen volumes in all (some six thousand pages), with a change of setting in March 1962 at the time of the Great Turning in Mother's yoga when She permanently retired to her room upstairs, as had Sri Aurobindo in 1926. The interviews then took place high up in this large room carpeted in golden wool, like a ship's stateroom, amidst the rustling of the Copper Pod tree and the cawing of crows. Mother would sit in a low rosewood chair, her face turned towards Sri Aurobindo's tomb, as though She were wearing down the distance separating that world from our own. Her voice had become like that of a child, one could hear her laughter. She always laughed, this Mother. And then her long silences. Until the day the disciples closed her door on us. It was May 19, 1973. We did not want to believe it. She was alone, just as we were suddenly alone. Slowly, painfully, we had to discover the why of this rupture. We understood nothing of the jealousies of the old species, we did not yet realize that they were becoming the 'owners' of Mother - of the Ashram, of Auroville, of
  Sri Aurobindo, of everything - and that the new world was going to be denatured into a new

00.05 - A Vedic Conception of the Poet, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   'Kavi' is an invariable epithet of the gods. The Vedas mean by this attribute to bring out a most fundamental character, an inalienable dharma of the heavenly host. All the gods are poets; and a human being can become a poet only in so far as he attains to the nature and status of a god. Who is then a kavi? The Poet is he who by his poetic power raises forms of beauty in heavenkavi kavitv divi rpam sajat.1Thus the essence of poetic power is to fashion divine Beauty, to reveal heavenly forms. What is this Heaven whose forms the Poet discovers and embodies? HeavenDyaushas a very definite connotation in the Veda. It means the luminous or divine Mind 2the mind purified of its obscurity and limitations, due to subjection to the external senses, thus opening to the higher Light, receiving and recording faithfully the deeper and vaster movements and vibrations of the Truth, giving them a form, a perfect body of the right thought and the right word. Indra is the lord of this world and he can be approached only with an enkindled intelligence, ddhay man,3a faultless understanding, sumedh. He is the supreme Artisan of the poetic power,Tash, the maker of perfect forms, surpa ktnum.4 All the gods turn towards Indra and become gods and poets, attain their Great Names of Supreme Beauty.5 Indra is also the master of the senses, indriyas, who are his hosts. It is through this mind and the senses that the poetic creation has to be manifested. The mind spreads out wide the Poet's weaving;6 the poet is the priest who calls down and works out the right thinking in the sacrificial labour of creation.7 But that creation is made in and through the inner mind and the inner senses that are alive to the subtle formation of a vaster knowledge.8 The poet envisages the golden forms fashioned out of the very profundity of the consciousness.9 For the substance, the material on which the Poet works, is Truth. The seat of the Truth the poets guard, they uphold the supreme secret Names.10 The poet has the expressive utterance, the creative word; the poet is a poet by his poetic creation-the shape faultlessly wrought out that unveils and holds the Truth.11The form of beauty is the body of the Truth.
   The poet is a trinity in himself. A triune consciousness forms his personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara. He has the direct vision, the luminous intelligence, the immediate perception.12 A subtle and profound and penetrating consciousness is his,nigam, pracetas; his is the eye of the Sun,srya caku.13 He secures an increased being through his effulgent understanding.14 In the second place, the Poet is not only Seer but Doer; he is knower as well as creator. He has a dynamic knowledge and his vision itself is power, ncak;15 he is the Seer-Will,kavikratu.16 He has the blazing radiance of the Sun and is supremely potent in his self-Iuminousness.17 The Sun is the light and the energy of the Truth. Even like the Sun the Poet gives birth to the Truth, srya satyasava, satyya satyaprasavya. But the Poet as Power is not only the revealer or creator,savit, he is also the builder or fashioner,ta, and he is the organiser,vedh is personality. First of all, he is the Knower-the Seer of the Truth, kavaya satyadrara, of the Truth.18 As Savita he manifests the Truth, as Tashta he gives a perfected body and form to the Truth, and as Vedha he maintains the Truth in its dynamic working. The effective marshalling and organisation of the Truth is what is called Ritam, the Right; it is also called Dharma,19 the Law or the Rhythm, the ordered movement and invincible execution of the Truth. The Poet pursues the Path of the Right;20 it is he who lays out the Path for the march of the Truth, the progress of the Sacrifice.21 He is like a fast steed well-yoked, pressing forward;22 he is the charger that moves straight and unswerving and carries us beyond 23into the world of felicity.

0.00a - Introduction, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
  A good many attri butions in other symbolic areas, I feel are subject to the same criticism. The Egyptian Gods have been used with a good deal of carelessness, and without sufficient explanation of motives in assigning them as I did. In a recent edition of Crowley's masterpiece Liber 777 (which au fond is less a reflection of Crowley's mind as a recent critic claimed than a tabulation of some of the material given piecemeal in the golden Dawn knowledge lectures), he gives for the first time brief explanations of the motives for his attri butions. I too should have been far more explicit in the explanations I used in the case of some of the Gods whose names were used many times, most inadequately, where several paths were concerned. While it is true that the religious coloring of the Egyptian Gods differed from time to time during Egypt's turbulent history, nonetheless a word or two about just that one single point could have served a useful purpose.
  Some of the passages in the book force me today to emphasize that so far as the Qabalah is concerned, it could and should be employed without binding to it the partisan qualities of any one particular religious faith. This goes as much for Judaism as it does for Christianity. Neither has much intrinsic usefulness where this scientific scheme is concerned. If some students feel hurt by this statement, that cannot be helped. The day of most contemporary faiths is over; they have been more of a curse than a boon to mankind. Nothing that I say here, however, should reflect on the peoples concerned, those who accept these religions. They are merely unfortunate. The religion itself is worn out and indeed is dying.
  --
  The importance of the book to me was and is five-fold. 1) It provided a yardstick by which to measure my personal progress in the understanding of the Qabalah. 2) Therefore it can have an equivalent value to the modern student. 3) It serves as a theoretical introduction to the Qabalistic foundation of the magical work of the Hermetic Order of the golden Dawn. 4) It throws considerable light on the occasionally obscure writings of Aleister Crowley. 5) It is dedicated to Crowley, who was the Ankh-af-na-Khonsu mentioned in The Book of the Law -a dedication which served both as a token of personal loyalty and devotion to Crowley, but was also a gesture of my spiritual independence from him.
  In his profound investigation into the origins and basic nature of man, Robert Ardrey in African Genesis recently made a shocking statement. Although man has begun the conquest of outer space, the ignorance of his own nature, says Ardrey, "has become institutionalized, universalized and sanctified." He further states that were a brotherhood of man to be formed today, "its only possible common bond would be ignorance of what man is."

0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
   The main temple is dedicated to Kali, the Divine Mother, here worshipped as Bhavatarini, the Saviour of the Universe. The floor of this temple also is paved with marble. The basalt image of the Mother, dressed in gorgeous gold brocade, stands on a white marble image of the prostrate body of Her Divine Consort, Siva, the symbol of the Absolute. On the feet of the Goddess are, among other ornaments, anklets of gold. Her arms are decked with jewelled ornaments of gold. She wears necklaces of gold and pearls, a golden garland of human heads, and a girdle of human arms. She wears a golden crown, golden ear-rings, and a golden nose-ring with a pearl-drop. She has four arms. The lower left hand holds a severed human head and the upper grips a blood-stained sabre. One right hand offers boons to Her children; the other allays their fear. The majesty of Her posture can hardly be described. It combines the terror of destruction with the reassurance of motherly tenderness. For She is the Cosmic Power, the totality of the universe, a glorious harmony of the pairs of opposites. She deals out death, as She creates and preserves. She has three eyes, the third being the symbol of Divine Wisdom; they strike dismay into the wicked, yet pour out affection for Her devotees.
   The whole symbolic world is represented in the temple garden — the Trinity of the Nature Mother (Kali), the Absolute (Siva), and Love (Radhakanta), the Arch spanning heaven and earth. The terrific Goddess of the Tantra, the soul-enthralling Flute-Player of the Bhagavata, and the Self-absorbed Absolute of the Vedas live together, creating the greatest synthesis of religions. All aspects of Reality are represented there. But of this divine household, Kali is the pivot, the sovereign Mistress. She is Prakriti, the Procreatrix, Nature, the Destroyer, the Creator. Nay, She is something greater and deeper still for those who have eyes to see. She is the Universal Mother, "my Mother" as Ramakrishna would say, the All-powerful, who reveals Herself to Her children under different aspects and Divine Incarnations, the Visible God, who leads the elect to the Invisible Reality; and if it so pleases Her, She takes away the last trace of ego from created beings and merges it in the consciousness of the Absolute, the undifferentiated God. Through Her grace "the finite ego loses itself in the illimitable Ego — Atman — Brahman". (Romain Holland, Prophets of the New India, p. 11.)
  --
   The party entered holy Benares by boat along the Ganges. When Sri Ramakrishna's eyes fell on this city of Siva, where had accumulated for ages the devotion and piety of countless worshippers, he saw it to be made of gold, as the scriptures declare. He was visibly moved. During his stay in the city he treated every particle of its earth with utmost respect. At the Manikarnika Ghat, the great cremation ground of the city, he actually saw Siva, with ash-covered body and tawny matted hair, serenely approaching each funeral pyre and breathing into the ears of the corpses the mantra of liberation; and then the Divine Mother removing from the dead their bonds. Thus he realized the significance of the scriptural statement that anyone dying in Benares attains salvation through the grace of Siva. He paid a visit to Trailanga Swami, the celebrated monk, whom he later declared to be a real paramahamsa, a veritable image of Siva.
   Sri Ramakrishna visited Allahabad, at the confluence of the Ganges and the Jamuna, and then proceeded to Vrindavan and Mathura, hallowed by the legends, songs, and dramas about Krishna and the gopis. Here he had numerous visions and his heart overflowed with divine emotion. He wept and said: "O Krishna! Everything here is as it was in the olden days. You alone are absent." He visited the great woman saint, Gangamayi, regarded by Vaishnava devotees as the reincarnation of an intimate attendant of Radha. She was sixty years old and had frequent trances. She spoke of Sri Ramakrishna as an incarnation of Radha. With great difficulty he was persuaded to leave her.
  --
   In 1870 the Master went on a pilgrimage to Nadia, the birth-place of Sri Chaitanya. As the boat by which he travelled approached the sand-bank close to Nadia, Sri Ramakrishna had a vision of the "two brothers", Sri Chaitanya and his companion Nityananda, "bright as molten gold" and with haloes, rushing to greet him with uplifted hands. "There they come! There they come!" he cried. They entered his body and he went into a deep trance.
   --- RELATION WITH HIS WIFE
  --
   Gradually other Brahmo leaders began to feel Sri Ramakrishna's influence. But they were by no means uncritical admirers of the Master. They particularly disapproved of his ascetic renunciation and condemnation of "woman and gold".1 They measured him according to their own ideals of the householder's life. Some could not understand his samadhi and described it as a nervous malady. Yet they could not resist his magnetic personality.
   Among the Brahmo leaders who knew the Master closely were Pratap Chandra Mazumdar, Vijaykrishna Goswami, Trailokyanath Sannyal, and Shivanath Shastri.
   Shivanath, one day, was greatly impressed by the Master's utter simplicity and abhorrence of praise. He was seated with Sri Ramakrishna in the latter's room when several rich men of Calcutta arrived. The Master left the room for a few minutes. In the mean time Hriday, his nephew, began to describe his samadhi to the visitors. The last few words caught the Master's ear as he entered the room. He said to Hriday: "What a mean-spirited fellow you must be to extol me thus before these rich men! You have seen their costly apparel and their gold watches and chains, and your object is to get from them as much money as you can. What do I care about what they think of me? (Turning to the gentlemen) No, my friends, what he has told you about me is not true. It was not love of God that made me absorbed in God and indifferent to external life. I became positively insane for some time. The sadhus who frequented this temple told me to practise many things. I tried to follow them, and the consequence was that my austerities drove me to insanity." This is a quotation from one of Shivanath's books. He took the Master's words literally and failed to see their real import.
   Shivanath vehemently criticized the Master for his other-worldly attitude toward his wife. He writes: "Ramakrishna was practically separated from his wife, who lived in her village home. One day when I was complaining to some friends about the virtual widowhood of his wife, he drew me to one side and whispered in my ear: 'Why do you complain? It is no longer possible; it is all dead and gone.' Another day as I was inveighing against this part of his teaching, and also declaring that our program of work in the Brahmo Samaj includes women, that ours is a social and domestic religion, and that we want to give education and social liberty to women, the saint became very much excited, as was his way when anything against his settled conviction was asserted — a trait we so much liked in him — and exclaimed, 'Go, thou fool, go and perish in the pit that your women will dig for you.' Then he glared at me and said: 'What does a gardener do with a young plant? Does he not surround it with a fence, to protect it from goats and cattle? And when the young plant has grown up into a tree and it can no longer be injured by cattle, does he not remove the fence and let the tree grow freely?' I replied, 'Yes, that is the custom with gardeners.' Then he remarked, 'Do the same in your spiritual life; become strong, be full-grown; then you may seek them.' To which I replied, 'I don't agree with you in thinking that women's work is like that of cattle, destructive; they are our associates and helpers in our spiritual struggles and social progress' — a view with which he could not agree, and he marked his dissent by shaking his head. Then referring to the lateness of the hour he jocularly remarked, 'It is time for you to depart; take care, do not be late; otherwise your woman will not admit you into her room.' This evoked hearty laughter."
  --
   ^The term "woman and gold", which has been used throughout in a collective sense, occurs again and again in the teachings of Sri Ramakrishna to designate the chief impediments to spiritual progress. This favourite expression of the Master, "kaminikanchan", has often been misconstrued. By it he meant only "lust and greed", the baneful influence of which retards the aspirant's spiritual growth. He used the word "kamini", or "woman", as a concrete term for the sex instinct when addressing his man devotees. He advised women, on the other hand, to shun "man". "Kanchan", or " gold", symbolizes greed, which is the other obstacle to spiritual life.
   Sri Ramakrishna never taught his disciples to hate any woman, or womankind in general. This can be seen clearly by going through all his teachings under this head and judging them collectively. The Master looked on all women as so many images of the Divine Mother of the Universe. He paid the highest homage to womankind by accepting a woman as his guide while practising the very profound spiritual disciplines of Tantra. His wife, known and revered as the Holy Mother, was his constant companion and first disciple. At the end of his spiritual practice he literally worshipped his wife as the embodiment of the Goddess Kali, the Divine Mother. After his passing away the Holy Mother became the spiritual guide not only of a large number of householders, but also of many monastic members of the Ramakrishna Order.
  --
   But to the young men destined to be monks he pointed out the steep path of renunciation, both external and internal. They must take the vow of absolute continence and eschew all thought of greed and lust. By the practice of continence, aspirants develop a subtle nerve through which they understand the deeper mysteries of God. For them self-control is final, imperative, and absolute. The sannyasis are teachers of men, and their lives should be totally free from blemish. They must not even look at a picture which may awaken their animal passions. The Master selected his future monks from young men untouched by "woman and gold" and plastic enough to be cast in his spiritual mould. When teaching them the path of renunciation and discrimination, he would not allow the householders to be anywhere near them.
   --- RAM AND MANOMOHAN
  --
   Hariprasanna, a college student, visited the Master in the company of his friends Sashi and Sarat. Sri Ramakrishna showed him great favour by initiating him into spiritual life. As long as he lived, Hariprasanna remembered and observed the following drastic advice of the Master: "Even if a woman is pure as gold and rolls on the ground for love of God, it is dangerous for a monk ever to look at her."
   --- KALI

0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
    Gethsemane and golgotha must appear like whitlows.
     In paragraph 7 the agony is broken up by the
  --
     Lily of white and gold. In this Lily is all honey,
     in this Lily that flowereth at the midnight. In
  --
    that time and thought which gold could not have bought,
    or torture wrested.
  --
                 golD BRICKS
    Teach us Your secret, Master! yap my Yahoos.
  --
     how to make gold.
    But how much gold will you give me for the Secret
     of Infinite Riches?
  --
    88. gold Bricks.
    89. Unprofessional Conduct.

0.03 - Letters to My little smile, #Some Answers From The Mother, #The Mother, #Integral Yoga
  The Mother's name for a light golden-orange Hibiscus.
  Series Three - To "My little smile"
  --
  of water and underline them with a fine gold thread; then it will
  look as if it were done deliberately and it will be even lovelier.
  --
  I would rather start on the green sari with gold and
  silver dragons, for 21 February 1935 - if You ask someone to do the drawing. Because the green cloth and the

01.01 - The One Thing Needful, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
  To find the Divine is indeed the first reason for seeking the spiritual Truth and the spiritual life; it is the one thing indispensable and all the resit is nothing without it. The Divine once found, to manifest Him, - that is, first of all to transform one's own limited consciousness into the Divine Consciousness, to live in the infinite Peace, Light, Love, Strength, Bliss, to become that in one's essential nature and, as a consequence, to be its vessel, channel, instrument in one's active nature. To bring into activity the principle of oneness on the material plane or to work for humanity is a mental mistranslation of the Truth - these things cannot be the first true object of spiritual seeking. We must find the Self, the Divine, then only can we know what is the work the Self or the Divine demands from us. Until then our life and action can only be a help or a means towards finding the Divine and it ought not to have any other purpose. As we grow in inner consciousness, or as the spiritual Truth of the Divine grows in us, our life and action must indeed more and more flow from that, be one with that. But to decide beforeh and by our limited mental conceptions what they must be is to hamper the growth of the spiritual Truth within. As that grows we shall feel the Divine Light and Truth, the Divine Power and Force, the Divine Purity and Peace working within us, dealing with our actions as well as our consciousness, making use of them to reshape us into the Divine Image, removing the dross, substituting the pure gold of the Spirit. Only when the Divine Presence is there in us always and the consciousness transformed, can we have the right to say that we are ready to manifest the Divine on the material plane. To hold up a mental ideal or principle and impose that on the inner working brings the danger of limiting ourselves to a mental realisation or of impeding or even falsifying by a halfway formation the truth growth into the full communion and union with the Divine and the free and intimate outflowing of His will in our life. This is a mistake of orientation to which the mind of today is especially prone. It is far better to approach the Divine for the Peace or Light or Bliss that the realisation of Him gives than to bring in these minor things which can divert us from the one thing needful. The divinisation of the material life also as well as the inner life is part of what we see as the Divine Plan, but it can only be fulfilled by an ourflowing of the inner realisation, something that grows from within outwards, not by the working out of a mental principle.
  The realisation of the Divine is the one thing needful and the rest is desirable only in so far as it helps or leads towards that or when it is realised, extends and manifests the realisation. Manifestation and organisation of the whole life for the divine work, - first, the sadhana personal and collective necessary for the realisation and a common life of God-realised men, secondly, for help to the world to move towards that, and to live in the Light - is the whole meaning and purpose of my Yoga. But the realisation is the first need and it is that round which all the rest moves, for apart from it all the rest would have no meaning.

01.01 - The Symbol Dawn, #Savitri, #Sri Aurobindo, #Integral Yoga
  Fixed with gold panel and opalescent hinge
  A gate of dreams ajar on mystery's verge.
  --
  But long could keep not its gold heavenly hue
  Or stand upon this brittle earthly base.

01.02 - Sri Aurobindo - Ahana and Other Poems, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   O thou golden image,
   Miniature of bliss,

01.02 - The Issue, #Savitri, #Sri Aurobindo, #Integral Yoga
  Or golden temple-door to things beyond.
  3.34
  --
  Years like gold raiment of the gods that pass;
  Her youth sat throned in calm felicity.
  --
  And the gold Hawk can cross the skies no more.
  4.25
  --
  Or, finding all life's golden meanings robbed,
  Compound with earth, struck from the starry list,

01.03 - Mystic Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Blake had this wonderful gift of transmuting the baser metal of mundane experience into the gold of a deep mystic and spiritual experience:
   Bring me my bow of burning gold!
   Bring me my arrows of desire!
  --
   "The golden Boat."
   A.E.: "Desire."

01.03 - The Yoga of the King - The Yoga of the Souls Release, #Savitri, #Sri Aurobindo, #Integral Yoga
  Or slowly they fail as sets a golden day.
  The restless nether members tire of peace;
  --
  As if from a golden phial of the All-Bliss,
  A joy of light, a joy of sudden sight,
  --
  Disclosed stood up in a gold moment's blaze
  White sun-steppes in the pathless Infinite.
  --
  Above the golden Overmind's shimmering ridge.
  Even were caught as through a cunning veil
  --
  The golden shekels of the Eternal lie,
  Hoarded from touch and view and thought's desire,

01.04 - The Poetry in the Making, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   I said that the supreme artist is superconscious: his consciousness withdraws from the normal mental consciousness and becomes awake and alive in another order of consciousness. To that superior consciousness the artist's mentalityhis ideas and dispositions, his judgments and valuations and acquisitions, in other words, his normal psychological make-upserves as a channel, an instrument, a medium for transcription. Now, there are two stages, or rather two lines of activity in the processus, for they may be overlapping and practically simultaneous. First, there is the withdrawal and the in-gathering of consciousness and then its reappearance into expression. The consciousness retires into a secret or subtle worldWords-worth's "recollected in tranquillity"and comes back with the riches gathered or transmuted there. But the purity of the gold thus garnered and stalled in the artistry of words and sounds or lines and colours depends altogether upon the purity of the channel through which it has to pass. The mental vehicle receives and records and it can do so to perfection if it is perfectly in tune with what it has to receive and record; otherwise the transcription becomes mixed and blurred, a faint or confused echo, a poor show. The supreme creators are precisely those in whom the receptacle, the instrumental faculties offer the least resistance and record with absolute fidelity the experiences of the over or inner consciousness. In Shakespeare, in Homer, in Valmiki the inflatus of the secret consciousness, the inspiration, as it is usually termed, bears down, sweeps away all obscurity or contrariety in the recording mentality, suffuses it with its own glow and puissance, indeed resolves it into its own substance, as it were. And the difference between the two, the secret norm and the recording form, determines the scale of the artist's creative value. It happens often that the obstruction of a too critically observant and self-conscious brain-mind successfully blocks up the flow of something supremely beautiful that wanted to come down and waited for an opportunity.
   Artists themselves, almost invariably, speak of their inspiration: they look upon themselves more or less as mere instruments of something or some Power that is beyond them, beyond their normal consciousness attached to the brain-mind, that controls them and which they cannot control. This perception has been given shape in myths and legends. Goddess Saraswati or the Muses are, however, for them not a mere metaphor but concrete realities. To what extent a poet may feel himself to be a mere passive, almost inanimate, instrumentnothing more than a mirror or a sensitive photographic plateis illustrated in the famous case of Coleridge. His Kubla Khan, as is well known, he heard in sleep and it was a long poem very distinctly recited to him, but when he woke up and wanted to write it down he could remember only the opening lines, the rest having gone completely out of his memory; in other words, the poem was ready-composed somewhere else, but the transmitting or recording instrument was faulty and failed him. Indeed, it is a common experience to hear in sleep verses or musical tunes and what seem then to be very beautiful things, but which leave no trace on the brain and are not recalled in memory.
  --
   With the earth and the sky and the water, re-made, like a casket of gold
   For my dreams of your image that blossoms a rose in the deeps of my heart.2
  --
   Ifso long the poet was more or less a passive, a half-conscious or unconscious intermediary between the higher and the lower lights and delights, his role in the future will be better fulfilled when he becomes fully aware of it and consciously moulds and directs his creative energies. The poet is and has to be the harbinger and minstrel of unheard-of melodies: he is the fashioner of the creative word that brings down and embodies the deepest aspirations and experiences of the human consciousness. The poet is a missionary: he is missioned by Divine Beauty to radiate upon earth something of her charm and wizardry. The fullness of his role he can only play up when he is fully conscious for it is under that condition that all obstructing and obscuring elements lying across the path of inspiration can be completely and wholly eradicated: the instrument purified and tempered and transmuted can hold and express golden truths and beauties and puissances that otherwise escape the too human mould.
   "The Last Voyage" by Charles Williams-A Little Book of Modern Verse, (Faber and Faber).

01.04 - The Secret Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  In golden privacies of immortal fire.
  These signs are native to a larger self
  --
  Our golden fountain of the world's delight,
  An immortality cowled in the cape of death,
  --
  Aloof, resplendent like gold dazzling suns
  Veiled by the ray no mortal eye can bear,
  --
  In this gold dome on a black dragon base,
  The conscious Force that acts in Nature's breast,

01.05 - The Yoga of the King - The Yoga of the Spirits Freedom and Greatness, #Savitri, #Sri Aurobindo, #Integral Yoga
  Life its gestation of the golden Child.
  In the light flooding thought's blank vacancy,
  --
  A golden influx flowed through heart and brain;
  A Force came down into his mortal limbs,
  --
  Up a golden ladder carrying the soul,
  Tying with diamond threads the Spirit's extremes.
  --
  It grouped the golden links that they had lost
  And showed to them their divine unity,

01.12 - Three Degrees of Social Organisation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Here is the crux of the question. The dictum of utilitarian philosophers is a golden rule which is easy to formulate but not so to execute. For the line of demarcation between one's own rights and the equal rights of others is so undefinable and variable that a title suit is inevitable in each case. In asserting and establishing and even maintaining one's rights there is always the possibilityalmost the certaintyof encroaching upon others' rights.
   What is required is not therefore an external delimitation of frontiers between unit and unit, but an inner outlook of nature and a poise of character. And this can be cultivated and brought into action by learning to live by the sense of duty. Even then, even the sense of duty, we have to admit, is not enough. For if it leads or is capable of leading into an aberration, we must have something else to check and control it, some other higher and more potent principle. Indeed, both the conceptions of Duty and Right belong to the domain of mental ideal, although one is usually more aggressive and militant (Rajasic) and the other tends to be more tolerant and considerate (sattwic): neither can give an absolute certainty of poise, a clear guarantee of perfect harmony.

01.14 - Nicholas Roerich, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Here pilgrims roam, that strayed so far to seek In golgotha him dead who lives in heaven
   the pilgrim soul of Roerich declares with but equal vehemence and assurance:
  --
   Roerich is one of the prophets and seers who have ever been acclaiming and preparing the golden Age, the dream that humanity has been dreaming continuously since its very childhood, that is to say, when there will be peace and harmony on earth, when racial, cultural or ideological egoism will no longer divide man and mana thing that seems today a chimera and a hallucinationwhen there will be one culture, one civilisation, one spiritual life welding all humanity into a single unit of life luminous and beautiful. Roerich believes that such a consummation can arrive only or chiefly through the growth of the sense of beauty, of the aesthetic temperament, of creative labour leading to a wider and higher consciousness. Beauty, Harmony, Light, Knowledge, Culture, Love, Delight are cardinal terms in his vision of the deeper and higher life of the future.
   The stress of the inner urge to the heights and depths of spiritual values and realities found special and significant expression in his paintings. It is a difficult problem, a problem which artists and poets are tackling today with all their skill and talent. Man's consciousness is no longer satisfied with the customary and the ordinary actions and reactions of life (or thought), with the old-world and time-worn modes and manners. It is no more turned to the apparent and the obvious, to the surface forms and movements of things. It yearns to look behind and beyond, for the secret mechanism, the hidden agency that really drives things. Poets and artists are the vanguards of the age to come, prophets and pioneers preparing the way for the Lord.

0 1956-02-29 - First Supramental Manifestation - The Golden Hammer, #Agenda Vol 01, #unset, #Zen
  object:0_1956-02-29 - First Supramental Manifestation - The golden Hammer
  author class:The Mother
  --
   This evening the Divine Presence, concrete and material, was there present amongst you. I had a form of living gold, bigger than the universe, and I was facing a huge and massive golden door which separated the world from the Divine.
   As I looked at the door, I knew and willed, in a single movement of consciousness, that THE TIME HAS COME, and lifting with both hands a mighty golden hammer I struck one blow, one single blow1 on the door and the door was shattered to pieces.
   Then the supramental Light and Force and Consciousness rushed down upon earth in an uninterrupted flow.

0 1956-09-12, #Agenda Vol 01, #unset, #Zen
   A light, not like the golden light of the Supermind: rather a kind of phosphorescence. I felt that had it been night, it would have been physically visible.
   And it was denser than my physical body: the physical body seemed to me almost unrealas though crumblylike sand running through your fingers.

0 1958-01-22, #Agenda Vol 01, #unset, #Zen
   Whereas Joy is a golden rose color, a pale gold with a tinge of red, a very pale red. It is active, warm, fortifying, intensifying. The first is sweetness, the second is tenderness.
   And Blisswhat I spontaneously call Blissis the synthesis of both. It is found in the very heights of the supramental consciousness, in a diamond light, an uncolored, sparkling light containing all the colors. Joy and Felicity form two sides of a triangle that has Bliss at its apex.

0 1958-02-03b - The Supramental Ship, #Agenda Vol 01, #unset, #Zen
   I found myself upon an immense ship, which is the symbolic representation of the place where this work is being carried out. This ship, as big as a city, is thoroughly organized, and it had certainly already been functioning for quite some time, for its organization was fully developed. It is the place where people destined for the supramental life are being trained. These people (or at least a part of their being) had already undergone a supramental transformation because the ship itself and all that was aboard was neither material nor subtle-physical, neither vital nor mental: it was a supramental substance. This substance itself was of the most material supramental, the supramental substance nearest the physical world, the first to manifest. The light was a blend of red and gold, forming a uniform substance of luminous orange. Everything was like that the light was like that, the people were like thateverything had this color, in varying shades, however, which enabled things to be distinguished from one another. The overall impression was of a shadowless world: there were shades, but no shadows. The atmosphere was full of joy, calm, order; everything worked smoothly and silently. At the same time, I could see all the details of the education, the training in all domains by which the people on board were being prepared.
   This immense ship had just arrived at the shore of the supramental world, and a first batch of people destined to become the future inhabitants of the supramental world were about to disembark. Everything was arranged for this first landing. A certain number of very tall beings were posted on the wharf. They were not human beings and never before had they been men. Nor were they permanent inhabitants of the supramental world. They had been delegated from above and posted there to control and supervise the landing. I was in charge of all this since the beginning and throughout. I myself had prepared all the groups. I was standing on the bridge of the ship, calling the groups forward one by one and having them disembark on the shore. The tall beings posted there seemed to be reviewing those who were disembarking, allowing those who were ready to go ashore and sending back those who were not and who had to continue their training aboard the ship. While standing there watching everyone, that part of my consciousness coming from here became extremely interested: it wanted to see, to identify all the people, to see how they had changed and to find out who had been taken immediately as well as those who had to remain and continue their training. After awhile, as I was observing, I began to feel pulled backwards and that my body was being awakened by a consciousness or a person from here1and in my consciousness, I protested: No, no, not yet! Not yet! I want to see whos there! I was watching all this and noting it with intense interest It went on like that until, suddenly, the clock here began striking three, which violently jerked me back. There was the sensation of a sudden fall into my body. I came back with a shock, but since I had been called back very suddenly, all my memory was still intact. I remained quiet and still until I could bring back the whole experience and preserve it.
  --
   The tall beings on the shore were not of the same color, at least they did not have this orange tint; they were paler, more transparent. Except for a part of their bodies, only the outline of their forms could be seen. They were very tall, they did not seem to have a skeletal structure, and they could take on any form according to their needs. Only from their waists to their feet did they have a permanent density, which was not felt in the rest of their body. Their color was much more pallid and contained very little red, it verged rather on gold or even white. The parts of whitish light were translucid; they were not absolutely transparent, but less dense, more subtle than the orange substance.
   Just as I was called back, when I was saying, Not yet , I had a quick glimpse of myself, of my form in the supramental world. I was a mixture of what these tall beings were and the beings aboard the ship. The top part of myself, especially my head, was a mere silhouette of a whitish color with an orange fringe. The more it approached the feet, the more the color resembled that of the people on the ship, or in other words, orange; the more it went up towards the top, the more translucid and white it was, and the red faded. The head was only a silhouette with a brilliant sun at its center; from it issued rays of light which were the action of the will.

0 1958-07-19, #Agenda Vol 01, #unset, #Zen
   There are two such fruitspeaches and golden green plums. It is the same for both. You must take them warm from the tree, bite into them, and you are filled with the taste of paradise.
   Every fruit should be eaten in a special way.

0 1958-09-16 - OM NAMO BHAGAVATEH, #Agenda Vol 01, #unset, #Zen
   It rose up from here (Mother indicates the solar plexus), like this: Om Namo Bhagavateh OM NAMO BHAGAVATEH OM NAMO BHAGAVATEH. It was formidable. For the entire quarter of an hour that the meditation lasted, everything was filled with Light! In the deeper tones it was of golden bronze (at the throat level it was almost red) and in the higher tones it was a kind of opaline white light: OM NAMO BHAGAVATEH, OM NAMO BHAGAVATEH, OM NAMO BHAGAVATEH.
   The other day (I was in my bathroom upstairs), it came; it took hold of the entire body. It rose up in the same way, and all the cells were trembling. And with such a power! So I stopped everything, all movement, and I let the thing grow. The vibration went on expanding, ever widening, as the sound itself was expanding, expanding, and all the cells of the body were seized with an intensity of aspiration as if the entire body were swellingit became overwhelming. I felt that it would all burst.

0 1958-11-08, #Agenda Vol 01, #unset, #Zen
   And it was all-powerful, with an infinite richness. It did not have no, it didnt have any kind of form, and it had no limits (naturally, as I was identified with it I knew there was neither limit nor form). It was as if (because it was not visible), as if this vast were made of countless, imperceptible pointspoints that occupied no place in space (there was no sense of space), that were of a deep warm gold but this is only a feeling, a transcription. And all this was absolutely LIVING, living with a power that seemed infinite. And yet motionless.
   It lasted for quite some time, for the rest of the meditation.
  --
   I dont think I am mistaken, for there was such a superabundant feeling of power, of warmth, of gold It was not fluid, it was like a powdering. And each of these things (they cannot be called specks or fragments, nor even points, unless you understand it in the mathematical sense, a point that occupies no space) was something equivalent to a mathematical point, but like living gold, a powdering of warm gold. I cannot say it was sparkling, I cannot say it was dark, nor was it made of light, either: a multitude of tiny points of gold, nothing but that. They seemed to be touching my eyes, my face and with such an inherent power and warmthit was a splendor! And then, at the same time, the feeling of a plenitude, the PEACE of omnipotence It was rich, it was full. It was movement at its ultimate, infinitely swifter than all one can imagine, and at the same time it was absolute peace, perfect tranquillity.
   (Mother resumes her message)

0 1958-11-15, #Agenda Vol 01, #unset, #Zen
   The experience of November 7 was a further step in the building of the link between the two worlds. Where I was cast was clearly into the origin of the supramental creationall this warm gold, this tremendous living power, this sovereign peace. And once again I saw that the values governing the supramental world have nothing to do with our values here, even the values of our highest wisdom, even those we consider the most divine when we live constantly in a divine Presence: it is utterly different.
   Not only in our state of adoration and surrender to the Supreme, but even in our state of identification, the QUALITY of the identification is different depending upon whether we are on this side, progressing in this hemisphere, or have passed to the other side and have emerged into the other world, the other hemisphere, the higher hemisphere.
  --
   It can be expressed in this way (but its quite approximate, more than diminished or deformed): its as if our entire spiritual life were made of silver, whereas the supramental life is made of goldas if our entire spiritual life here were a vibration of silver, not gold but simply a light, a light that goes right to the summit, an absolutely pure light, pure and intense; but in the other, in the supramental world, there is a richness and a power that make all the difference. This whole spiritual life of the psychic being and of all our present consciousness that appears so warm, so full, so wonderful, so luminous to the ordinary consciousness, well, all this splendor seems poor in comparison to the splendor of the new world.
   I can explain the phenomenon like this: successive reversals such that an EVER NEW richness of creation will take place from stage to stage, making whatever came before seem so poor in comparison. What to us seems supremely rich compared to our ordinary life, appears so poor compared to this new reversal of consciousness. Such was my experience.

0 1958 12 - Floor 1, young girl, we shall kill the young princess - black tent, #Agenda Vol 01, #unset, #Zen
   Two or three days after I retired to my room upstairs,1 early in the night I fell into a very heavy sleep and found myself out of the body much more materially than I do usually. This degree of density in which you can see the material surroundings exactly as they are. The part that was out seemed to be under a spell and only half conscious. When I found myself at the first floor where everything was absolutely black, I wanted to go up again, but then I discovered that my hand was held by a young girl whom I could not see in the darkness but whose contact was very familiar. She pulled me by the hand telling me laughingly, No, come, come down with me, we shall kill the young princess. I could not understand what she meant by this young princess and, rather unwillingly, I followed her to see what it was. Arriving in the anteroom which is at the top of the staircase leading to the ground floor, my attention was drawn in the midst of all this total obscurity to the white figure of Kamala2 standing in the middle of the passage between the hall and Sri Aurobindos room. She was as it were in full light while everything else was black. Then I saw on her face such an expression of intense anxiety that to comfort her I said, I am coming back. The sound of my voice shook off from me the semi-trance in which I was before and suddenly I thought, Where am I going? and I pushed away from me the dark figure who was pulling me and in whom, while she was running down the steps, I recognized a young girl who lived with Sri Aurobindo and me for many years and died five years back. This girl during her life was under the most diabolical influence. And then I saw very distinctly (as through the walls of the staircase) down below a small black tent which could scarcely be perceived in the surrounding darkness and standing in the middle of the tent the figure of a man, head and face shaved (like the sannyasin or the Buddhist monks) covered from head to foot with a knitted outfit following tightly the form of his body which was tall and slim. No other cloth or garment could give an indication as to who he could be. He was standing in front of a black pot placed on a dark red fire which was throwing its reddish glow on him. He had his right arm stretched over the pot, holding between two fingers a thin gold chain which looked like one of mine and was unnaturally visible and bright. Shaking gently the chain he was chanting some words which translated in my mind, She must die the young princess, she must pay for all she has done, she must die the young princess.
   Then I suddenly realized that it was I the young Princess and as I burst into laughter, I found myself awake in my bed.

0 1959-10-06 - Sri Aurobindos abode, #Agenda Vol 01, #unset, #Zen
   Shortly before the 15th of August I had a unique experience that exemplifies all this.1 For the first time the supramental light entered directly into my body, without passing through the inner beings. It entered through the feet (a red and gold colormarvelous, warm, intense), and it climbed up and up. And as it climbed, the fever also climbed because the body was not accustomed to this intensity. As all this light neared the head, I thought I would burst and that the experience would have to be stopped. But then, I very clearly received the indication to make the Calm and Peace descend, to widen all this body-consciousness and all these cells, so that they could contain the supramental light. So I widened, and as the light was ascending, I brought down the vastness and an unshakable peace. And suddenly, there was a second of fainting.
   I found myself in another world, but not far away (I was not in a total trance). This world was almost as substantial as the physical world. There were roomsSri Aurobindos room with the bed he rests on and he was living there, he was there all the time: it was his abode. Even my room was there, with a large mirror like the one I have here, combs, all kinds of things. And the substance of these objects was almost as dense as in the physical world, but they shone with their own light. It was not translucent, not transparent, not radiant, but self-luminous. The various objects and the material of the rooms did not have this same opacity as the physical objects here, they were not dry and hard as in the physical world we know.

0 1960-03-03, #Agenda Vol 01, #unset, #Zen
   Only a few days ago, on the morning of the 29th, I had one of those experiences that mark ones life. It happened upstairs in my room. I was doing my japa, walking up and down with my eyes wide open, when suddenly Krishna camea gold Krishna, all golden, in a golden light that filled the whole room. I was walking, but I could not even see the windows or the rug any longer, for this golden light was everywhere with Krishna at its center. And it must have lasted at least fifteen minutes. He was dressed in those same clothes in which he is normally portrayed when he dances. He was all light, all dancing: You see, I will be there this evening during the Darshan.1 And suddenly, the chair I use for darshan came into the room! Krishna climbed up onto it, and his eyes twinkled mischievously, as if to say, I will be there, you see, and therell be no room for you.
   When I came down that evening for distribution,2 at first I was annoyed. I had said that I didnt want anybody in the hall, precisely because I wanted to establish an atmosphere of concentration, the immobility of the Spirit but there were at least thirty people in there, those who had decorated the hall, thirty of them stirring, stirring about, a mass of little vibrations. And before I could even say scat I had hardly taken my seatsomeone put the tray of medals on my lap and they started filing past.

0 1960-09-20, #Agenda Vol 01, #unset, #Zen
   When I got there, I felt a moment of anguish; my feeling was that nothing could be done. Not for him in particular, but universally, for all those in his categoryit seemed hopeless.6 If that was perfection, then nothing more could be done. This lasted only a second, but it was painful. And then I tried that is, I wanted to bring my consciousness down into the highest cubethis eternal, universal and infinite consciousness which is the first and foremost expression of the manifestation but nothing doing. It was impossible. I tried for several minutes and saw that it was absolutely impossible. So I had to make a curious movement (I couldnt get through it, it was impassable), I had to come back down into the so-called lower consciousness (not lower, actuallyit was vast and impersonal), and from there I came out and regained my equilibrium. This is what gave me that splitting headache I told you about. I came out of there as if I were carrying the weight the weight of an irreducible absoluteit was dreadful. Unfortunately, I was unable to rest afterwards, and as people were waiting to see me, I had to talkwhich is very tiring for me. And this produced a bubbling in my head, like a this dark blue light of power in matter was there, shot through with streaks of white and gold, and all this was flashing back and forth in my head, this way and that way I thought I was going to have a stroke! (Mother laughs)
   This lasted a good half hour before I could calm it down, make it quiet, quiet. And I saw that this came from the fact that he wanted to bring the Power down, to transmit the Power into the physical mind! But as soon as Im put in contact with the Power, you understand, it makes everything explode! (Mother laughs) It felt exactly like my head was going to explode!

0 1960-10-22, #Agenda Vol 01, #unset, #Zen
   Im going to tell you what I sawits very interesting. First, emanating from here (Mother indicates the chest), a florescence of every color like a peacocks tail spread wide; but it was made of light, and it was very, very delicate, very fine, like this (gesture). Then it rose up and formed what truly seemed like a luminous peacock, up above, and it remained like that. Then, from here (the chest), what looked like a sword of white light climbed straight up. It went up very high and formed a kind of expanse, a very vast expanse, which was like a callthis lasted the longest. And then, in response, a veritable rain, like (no, it was much finer than drops) a golden lightwhite and goldenwith various shades, at times more towards white, at times more golden, at times with a tinge of pink. And all this was descending, descending into you. And here (the chest), it changed into this same deep blue light, with a powdering of green light inside itemerald green. And at that moment, when it reached here (the level of the heart), a number of little divinities of living golda deep, living goldcame, like this, and then looked at you. And just as they looked at you, there was the image of the Mother right at the very center of younot as she is commonly portrayed but as she is in the Indian consciousness Very serene and pure and luminous. And then that changed into a temple, and inside the temple there seemed to be an image of Sri Aurobindo and an image of me but living images in a powdering of light. Then it grew into a magnificent edifice and settled in with an extraordinary power. And it remained motionless.
   That is the representation of your japa.

0 1960-10-30, #Agenda Vol 01, #unset, #Zen
   But then, just before that, there was this powdering of golden light coming down. And as it descended, it was white with a touch of gold (but it was white) and it came down in a column, with such POWER! And then, just at the end, this powdering of gold came and settled into this white light which had remained there the whole timeoh, it was so abundant. A great power of realization. I had a hard time coming out of it! At the start, I had decided to come out of it at half past, so I came out, but still not completely
   So there, my child. And you, what did you feel?
  --
   But its still not luminous in the dark. What is normally luminous in the dark is something else I had that when I was working with Theon (after returning to France, we had group meditationsthough he didnt call it meditation, he called it repose, and we used to do this in a darkened room), and there was it was like phosphorescence, exactly the color of phosphorescent light, like certain fish in the water at night. It would come out [of the body], spread forth, move about. But that is the vital, it originates in the vital. It is a force from above, but what manifests is vital. Whereas now it is absolutely, clearly the golden supramental light in an extraordinary pulsation, vibrant in intensity But probably it still lacks a what Theon used to call density, an agent that enables it to be seen in the dark and then it would be visibly gold, not phosphorescent.
   But it is very, very concrete, very material.
  --
   And the experience just now (during meditation) was somehow mixed with what I usually see at night (it was not a combinationor maybe it was a combination ), for it had that same light It was a kind of powdering, even finer than tiny dotsa powdering like an atomic dust, but with an EXTREMELY intense vibration but without any shifting of place. And yet its in constant motion Something shifting about within something that vibrates on the same spot without moving (something does move, but its subtler, like a current of tremendous power which passes through a milieu that doesnt move at all: rather, it vibrates on the same spot with an extreme intensity). But I dont exactly know how it is different from the present experience It becomes less golden at night, the gold is less visible, whereas the other colorswhite, blue and a sort of pinkare much more visible.
   Oh, now I remember! It was PINK during the second phase, just afterwards, after Egypt! Oh, it was like like at the end of a sunrise when it gets very clear and luminous. A magnificent color. And it kept coming down and down, in a flood that part was new. Its something I see very rarely. It was not there at all the last time we meditated together. And it came filled with such a joy! Oh! It was absolutely ecstatic. It lasted quite a long time. And from there I went into this trance where I saw (laughing) that man congratulating you! I heard him say (his voice is what roused me from my trance, and then I saw him), Congratulations, its a great success! (Mother laughs)

0 1960-11-26, #Agenda Vol 01, #unset, #Zen
   But immediately, the following dayDarshan dayas the thing developed (you see, something was working inside), I could again turn my attention to the people who were there. And oddly enough, just when you came, there was suddenly a kind of little shock, like an electric shock, and a spark leapt out. And at that moment the Power acted for perhaps a split second You see, there has been this bad karma, this old formation around you for a very long time, and it hadnt I recall telling you several years ago, I shall be able to cure such cases as yours only when the Supramental descends. And this feeling of incapacity, of something resisting, was still present, still aliveof not having the right power to dominate it. But just as you went by, for a second, there was this flash of like a spark when two electric wires touch. It was a golden spark, a resplendent lightzzzt! And it leapt out. Ah! I thought; its good.
   That was it.

0 1960-12-02, #Agenda Vol 01, #unset, #Zen
   A sort of unification is taking place [in you], as if you had become a more uniform whole within-without. I dont know how to explain thisit feels more unified, more organizeduniform. Not some parts more developed and others less so, some more luminous and others less so; its much more uniform, and uniform even in the vibration, a kind of really a uniformity in all its movements, responses, vibrations, light. And this kind of powdering of the new light which I see is much more widespread. Its as if everything, everything what is happening is really a work of unifyingstabilizing, unifying. And this powdering of golden light has completely enveloped you, with this same blue light in your japa, with different intensities of powerboth are there. Like a unifying of the consciousness, as if all the less receptive elements were starting to open, thereby creating a much more homogeneous whole. I dont know how your nights are, but
   Not very conscious.

0 1961-02-18, #Agenda Vol 02, #The Mother, #Integral Yoga
   Oh, what a treasure that isa gold mine!
   And part of The Secret of the Veda, as well as two other things because they contain many of Sri Aurobindos letters: I re-read Zs book on Sri Aurobindo, since there are many letters in it, and.

0 1961-02-25, #Agenda Vol 02, #The Mother, #Integral Yoga
   The Darshan went rather well, much better than I was expecting; but the following two days it was difficult here [in the body]. Then one night (I dont remember which), I I cant say grumbled, but (it wasnt my body grumbling, it is very docile and doesnt protest), but I sometimes find that well, I found it a little exaggerated that day. All the same, I said, this may be demanding a bit too much of it! And then (Mother laughs) the whole night through, each time I awoke and looked (not with my physical eyes), I saw serpents! They were drawn up straight in a circlemagnificent cobras with white bellies, pearl gray backs and flecks of gold on their hoods! They surrounded me, watching, exactly as though they were saying, All the necessary energy is there! You neednt worry! So I concluded that this whole affair11 must have its utilityit cant be simply the bodys lack of plasticity and incapacity to receive. It must have a usefulness but what? I havent understood. Perhaps I will get the explanation later, once its over.
   And the next afternoon, I closed my eyes while I was bathing and what did I see but an enormous, magnificent cobra! It gazed at me, almost smiling, and stuck out its tongue! Good, I said, then everything is all right! (laughing) I have only to hold on.

0 1961-04-12, #Agenda Vol 02, #The Mother, #Integral Yoga
   That one too was beautiful, with such a color! golden chestnut, I have never seen a cat like him. He is buried here beneath the tree I named Service. I put him beneath the roots myself. There had been an old mango tree there that was withering away. We replaced it with a little copper pod tree with yellow flowers.
   These animals are so nice when you know how to handle them.

0 1961-04-29, #Agenda Vol 02, #The Mother, #Integral Yoga
   I remember a good-hearted priest in Pau [Southern France] who was an artist and wanted to have his church decorateda tiny cathedral. He consulted a local anarchist (a great artist) about it. The anarchist was acquainted with Andrs father and me. He told the priest, I recommend these people to do the paintings they are true artists. He was doing the mural decorationsome eight panels in all, I believe. So I set to work on one of the panels. (The church was dedicated to San Juan de Compostello, a hero of Spanish history; he had appeared in a battle between the Christians and the Moors and his apparition vanquished the Moors. And he was magnificent! He appeared in golden light on a white horse, almost like Kalki.6) All the slaughtered and struggling Moors were depicted at the bottom of the painting, and it was I who painted them; it was too hard for me to climb high up on a ladder to paint, so I did the things at the bottom! But anyway, it all went quite well. Then, naturally, the priest received us and invited us to dinner with the anarchist. And he was so nicereally a kind-hearted man! I was already a vegetarian and didnt drink, so he scolded me very gently, saying, But its Our Lord who gives us all this, so why shouldnt you take it? I found him charming. And when he looked at the paintings, he tapped Morisset on the shoulder (Morisset was an unbeliever), and said, with the accent of Southern France, Say what you like, but you know Our Lord; otherwise you could never have painted like that!
   Well.

0 1961-06-17, #Agenda Vol 02, #The Mother, #Integral Yoga
   Yesterday I saw N. and he told me, Oh! X had an experience during the meditation with you this morning. Ah! I said to myself, This is going to be interesting. (I was wrong to think so, by the way, even for a quarter of a second.) Yes, he told me, he saw what seemed to be a transparent golden veil descending over you; and by your side were flowers like roses, or colored like roses, with the feet of a child upon them.
   All the psychics tell you such stories!

0 1961-06-20, #Agenda Vol 02, #The Mother, #Integral Yoga
   Yesterday, when I was in that immobility, suddenly I felt something obliging me to turn my head. I didnt turn my head, but the consciousness turned (gesture to the left), and then I saw myself standing there in the corridor (that kind of corridor separating the hall and Sri Aurobindos room) in my usual outdoor dress [Indian shirt and light trousers]. I was standing up very straight and holding a globe of light above my head and such a light! It was shining brighter than those strong electric bulbsdazzling. My own clothing seemed to be made of golden-pink light. I was standing very straight and carrying this globe (gesture above the head). When I saw that I said to myself, Now why on earth is he making me see this? And that was all. Nothing else happened except that. But near me there was a figure I didnt know, and it reminded me of Xs great guru,1 whom I had already seen once. There he was by my side, a tall figure, and he seemed to be the one who had tugged at me to make me see that vision.
   It was a large globe. Although no distinct rays could be seen, it appeared to be projecting innumerable rays like flashes of lightning. It was sparkling all over.

0 1961-06-24, #Agenda Vol 02, #The Mother, #Integral Yoga
   Not long ago M.s sister died (psychologically, she was in a terrible stateshe had no faith). Well, on that day,5 just when I came to know that she was passing away, I remember being upstairs in the bathroom communicating with Sri Aurobindo, having a sort of conversation with him (it happens very often), and I asked him, What happens to such people when they die here at the Ashram? Look, he replied, and I saw her passing away; and on her forehead, I saw Sri Aurobindos symbol in a SOLID golden light (not very luminous, but very concrete). There it was. And with the presence of this sign the psychological state no longer matterednothing touched her. And she departed tranquilly, tranquilly. Then Sri Aurobindo told me, All who have lived at the Ashram and who die there have automatically the same protection, whatever their inner state.
   I cant say I was surprised, but I admired the mighty power by which the simple fact of having been here and died here was sufficient to help you to the utmost in that transition.

0 1961-07-28, #Agenda Vol 02, #The Mother, #Integral Yoga
   All at once, as I gaze above me, I glimpse something roseate; I draw nearer and discern what appears to be a shrub, as large as a tree, held fast to a blue reef. The denizens of the waters glide to and fro, myriad and diverse. Now I find myself standing upon fine, shining sand. I gaze about me in wonder. There are mountains and valleys, fantastic forests, strange flowers that could as well be animals, and fish that might be flowersno separation, no gap is there between stationary beings and mobile. Colors everywhere, brilliant and shimmering, or subdued, but always harmonious and refined. I walk upon the golden sands and contemplate all this beauty bathed in a soft, pale blue radiance, tiny, luminous spheres of red, green and gold circulating through it.
   How marvelous are the depths of the sea! Everywhere the presence of the One in whom all harmonies reside is felt!
  --
   Standing there between two iridescent pillars is a very tall figure; his face, framed in short blond curls, is that of a very young man; his eyes are sea-green; he is clad in a pale blue tunic, and like wings upon his shoulders are great, snow-white fins. Beholding me, he steps aside against a pillar to let me pass. Scarcely have I crossed the threshold when an exquisite melody strikes my ears. The waters are all iridescent here, the ground aglow with glossy pearls; the portico and the vault, hung gracefully with stalactites, are opaline; delectable perfumes hover everywhere; galleries, niches and alcoves open out on all sides; but directly ahead of me I perceive a great light and towards it I turn my steps. There are great rays of gold, silver, sapphire, emerald and ruby, radiating outward in all directions, born from a center too distant for me to discern; to this center I feel drawn by a powerful attraction.
   Now I see that these rays emanate from a recumbent oval of white light encircled by a superb rainbow, and I sense that the one whom the light hides from my view is plunged into a profound repose. For long I remain at the outer edge of the rainbow, trying to pierce through the light and see the one who is sleeping encircled by such splendor. Unable to discern anything, I enter the rainbow, and thence into the white and shining oval. Here I see a marvelous being: stretched on what seems to be a mass of white eiderdown, his supple body, of incomparable beauty, is garbed in a long, white robe. His head rests on his folded arm, but of that I can see only his long hair, the hue of ripened wheat, flowing over his shoulders. A great and gentle emotion sweeps through me at this magnificent spectacle, and a deep reverence as well.
  --
   In Sri Aurobindo's terminology, the 'Overmind' represents the highest level of the mind, the world of the gods and origin of all the revelations and highest artistic creations the world that has ruled mental man till now. in his gradations of the worlds, Sri Aurobindo speaks of two hemispheres, the upper hemisphere and the lower. The Overmind is the line between these two hemispheres, 'This line is the intermediary overmind which, though luminous itself, keeps from us the full indivisible supramental Light, but in receiving it divides, distributes, breaks up into separated aspects, powers, multiplicities of all kinds.' In the words of the Upanishad, 'The face of the Truth is covered by a golden lid.'
   Mother is referring to the book Satprem will write on Sri Aurobindo, which prompted the questions posed in this conversation.

0 1961-08-02, #Agenda Vol 02, #The Mother, #Integral Yoga
   Shiva, on the other hand, refused. No, he said, I will come only when you have finished your work. I will not come into the world as it is now, but I am ready to help. He was standing in my room that day, so tall (laughing) that his head touched the ceiling! He was bathed in his own special light, a play of red and gold magnificent! Just as he is when he manifests his supreme consciousnessa formidable being! So I stood up and (I too must have become quite tall, because my head was resting on his shoulder, just slightly below his head) then he told me, No, Im not tying myself to a body, but I will give you ANYTHING you want. The only thing I said (it was all done wordlessly, of course) was: I want to be rid of the physical ego.
   Well, mon petit (laughing), it happened! It was extraordinary! After a while, I went to find Sri Aurobindo and said, See what has happened! I have a funny sensation (Mother laughs) of the cells no longer being clustered together! Theyre going to scatter! He looked at me, smiled and said, Not yet. And the effect vanished.

0 1961-08-05, #Agenda Vol 02, #The Mother, #Integral Yoga
   Three years later I had that experience Ive told you about itof the Light piercing through me; I physically saw it enter into me. It was obviously the descent of a Beingnot a past incarnation, but a Being from another plane. It was a golden light the incarnation of a divine consciousness. Which proves that she succeeded for both her children.
   But she
  --
   Nymphea (Water Lily), pure white with golden center.
   For the preparation of Satprem's book on Sri Aurobindo.

0 1961-09-16, #Agenda Vol 02, #The Mother, #Integral Yoga
   But Sri Aurobindo wants us to have the same simple joy as a blossoming rose: Be simple, be simple, be simple. And when I hear it or see it, its like a rivulet of golden light, like a fragrant gardenall, all, all is open. Be simple.
   So you see, mon petit

0 1961-10-15, #Agenda Vol 02, #The Mother, #Integral Yoga
   You know, he was so pleased the first day you read to me! I was seeing his force, his power inside it, and it was golden; a kind of power of propulsion was there. But of course, I know nothing at all about what you read to me yesterday; I was a bit overwhelmed by this experience! Its the first time Ive had it.
   For a long, long time I have been asking for. When I would say, Lord, take possession of this brain, I expected something of the sort, but I was expecting it with the supramental light (which, partially and momentarily, I have had). But this! It was really. I dont know what he did with my brainnot brain, my mental power. Probably during that period he absorbed it (I suppose thats what happened because there was no sense of difference). My impression was that as a result of this the physical cells were going to develop materially and be transformed (I think it will happen I had a sort of assurance that it will). Because now, as Im talking to you, Im looking at it and I see the effect is still there: no longer with the same overwhelming power, but the effect is there and it gives a sort of (it cant be compared to anything physical) a sort of warmth; its not heat, but warmth. Everything is seized by it, both ears (Mother touches her head), everythinghere, there, all around! Tremendous. And this immobility! As soon as one stops, it is immor (Mother cuts off her word), it is eternity.
  --
   I dont know, I didnt hear the beginning, but certainly everything dealing with physical events [of Sri Aurobindos life] will be expressed in a very reasonable and normal style so that there will be no danger of people saying, Hes a half-cracked visionary! I dont know, the first part of what you read to me was so good! Gusts of golden light kept coming. Perhaps you wanted to explain too much. You dont know what happened?
   Yes, its precisely this need to explain.

0 1961-10-30, #Agenda Vol 02, #The Mother, #Integral Yoga
   When I began to see this yesterday, I said, Ah, weve struck gold! I dont even know why, but it was the way you presented the thing, the way you explained that the most unconscious and the most conscious meet.1 That was the the thread or the key, I dont know. Then I followed the thread and came to this experience. And its still going on today.
   I mean that theres a feeling of being on the wrong track: ordinarily, when seeking the Supermind, one looks for it on the heights. But thats not it! Thats not it. And one always imagines a sort of subtilization, something etherealized, but its not that.
  --
   When he first read the Vedastranslated by Western Sanskritists or Indian pandits they appeared to Sri Aurobindo as an important document of [Indian] history, but seemed of scant value or importance for the history of thought or for a living spiritual experience.2 Fifteen years later, however, Sri Aurobindo would reread the Vedas in the original Sanskrit and find there a constant vein of the richest gold of thought and spiritual experience.3 Meanwhile, Sri Aurobindo had had certain psychological experiences of my own for which I had found no sufficient explanation either in European psychology or in the teachings of Yoga or of Vedanta, and which the mantras of the Veda illuminated with a clear and exact light.4 And it was through these experiences of his own that Sri Aurobindo came to discover, from within, the true meaning of the Vedas (and especially the most ancient of the four, the Rig-veda, which he studied with special care). What the Vedas brought him was no more than a confirmation of what he had received directly. But didnt the Rishis themselves speak of Secret words, clairvoyant wisdoms, that reveal their inner meaning to the seer (Rig-veda IV, 3.16)?
   It is not surprising, therefore, that exegetes have seen the Vedas primarily as a collection of propitiatory rites centered around sacrificial fires and obscure incantations to Nature divinities (water, fire, dawn, the moon, the sun, etc.), for bringing rain and rich harvests to the tribes, male progeny, blessings upon their journeys or protection against the thieves of the sunas though these shepherds were barbarous enough to fear that one inauspicious day their sun might no longer rise, stolen away once and for all. Only here and there, in a few of the more modern hymns, was there the apparently inadvertent intrusion of a few luminous passages that might have justifiedjust barely the respect which the Upanishads, at the beginning of recorded history, accorded to the Veda. In Indian tradition, the Upanishads had become the real Veda, the Book of Knowledge, while the Veda, product of a still stammering humanity, was a Book of Worksacclaimed by everyone, to be sure, as the venerable Authority, but no longer listened to. With Sri Aurobindo we might ask why the Upanishads, whose depth of wisdom the whole world has acknowledged, could claim to take inspiration from the Veda if the latter contained no more than a tapestry of primitive rites; or how it happened that humanity could pass so abruptly from these so-called stammerings to the manifold richness of the Upanishadic Age; or how we in the West were able to evolve from the simplicity of Arcadian shepherds to the wisdom of Greek philosophers. We cannot assume that there was nothing between the early savage and Plato or the Upanishads.5

0 1961-11-07, #Agenda Vol 02, #The Mother, #Integral Yoga
   I learned to do the same thing, and with great dexterity; I could halt on any plane, do what I had to do there, move around freely, see, observe, and then speak about what I had seen. And my last stage, which Theon called pathtisme,2 a very barbaric but very expressive word, bordered on the Formlesshe sometimes used the Jewish terminology, calling the Supreme The Formless. (From this last stage one passed to the Formless there was no further body to leave behind, one was beyond all possible forms, even all thoughtforms.) In this domain [the last stage before the Formless] one experienced total unityunity in something that was the essence of Love; Love was a manifestation more dense, he would always say (there were all sorts of different densities); and Love was a denser expression of That, the sense of perfect Unityperfect unity, identitywith no longer any forms corresponding to those of the lower worlds. It was a Light! An almost immaculate white light, yet with something of a golden-rose in it (words are crude). This Light and this Experience were truly wonderful, inexpressible in words.
   Well, one time I was there (Theon used to warn against going beyond this domain, because he said you wouldnt come back), but there I was, wanting to pass over to the other side, whenin a quite unexpected and astounding way I found myself in the presence of the principle, a principle of the human form. It didnt resemble man as we are used to seeing him, but it was an upright form, standing just on the border between the world of forms and the Formless, like a kind of standard.3 At that time nobody had ever spoken to me about it and Madame Theon had never seen itno one had ever seen or said anything. But I felt I was on the verge of discovering a secret.

0 1961-12-20, #Agenda Vol 02, #The Mother, #Integral Yoga
   Here, just to give you an example: when I first began to work (not with Theon personally but with an acquaintance of his in France, a boy4 who was a friend of my brother), well, I had a series of visions (I knew nothing about India, mind you, nothing, just as most Europeans know nothing about it: a country full of people with certain customs and religions, a confused and hazy history, where a lot of extraordinary things are said to have happened. I knew nothing.) Well, in several of these visions I saw Sri Aurobindo just as he looked physically, but glorified; that is, the same man I would see on my first visit, almost thin, with that golden-bronze hue and rather sharp profile, an unruly beard and long hair, dressed in a dhoti with one end of it thrown over his shoulder, arms and chest bare, and bare feet. At the time I thought it was vision attire! I mean I really knew nothing about India; I had never seen Indians dressed in the Indian way.
   Well, I saw him. I experienced what were at once symbolic visions and spiritual FACTS: absolutely decisive spiritual experiences and facts of meeting and having a united perception of the Work to be accomplished. And in these visions I did something I had never done physically: I prostrated before him in the Hindu manner. All this without any comprehension in the little brain (I mean I really didnt know what I was doing or how I was doing itnothing at all). I did it, and at the same time the outer being was asking, What is all this?!

0 1962-03-13, #Agenda Vol 03, #The Mother, #Integral Yoga
   L'Orpailleur (The gold-Seeker).
   ***

0 1962-08-11, #Agenda Vol 03, #The Mother, #Integral Yoga
   And I see nothing but THATthat Consciousness. Its a Consciousness, a Presence. And all, all is there, you see, all is there together, the Power, the Presence, the Consciousness, that joy and Love. And all of that together almost gives the impression of a Form, that Vibration of golden light, a crimson- gold which is the most material supramental lighta Form. A Form, and no formyet its a Form!
   (silence)
  --
   I should say so! Its a gold mine, a world!
   Good.

0 1962-08-25, #Agenda Vol 03, #The Mother, #Integral Yoga
   He came and put all sorts of things around you for you to write. All sorts of golden things.
   So they must be written. You can tell me about it on Tuesday. And again he repeated, No worry, no worry. Take it easy, take it easy. And it was as if he wanted to sit you down by a running river, as if you could see the water flowing, flowing, flowing, flowing so naturally along. As if you were sitting in a lovely flower-strewn meadow by a flowing stream. And he was saying, Dont worry, take it easy, take it easy.

0 1962-11-10, #Agenda Vol 03, #The Mother, #Integral Yoga
   Some people found it interesting, mon petit! First of all, Sri Aurobindo was there it was like a large hall: a very large room with scarcely any walls, just enough so it didnt seem wide open to everything. And then there was a kind of musical instrument, like a grand piano, but much bigger and higher, playing its own music: nobody was playing it. And its own music was the music of what you have written. It was taking the form of something like luminous, colored sheets of paper, tinged with gold, with pink, which were scattering in the air and then very slowly falling onto a floor that was scarcely a floor, with an almost birdlike movement. They were falling, fallingalmost square sheets of paper falling one upon another like feathersnothing heavy about it. And then from the left a being like a god from the overmind entered the room; he was both like a Hindu deity with a tiara, and a kind of angel in a long robe (a combination of the two), and he moved so lightly, without touching the groundhe was all lightness. And with a very lovely and harmonious movement (everything was so harmonious!), he gathered up all the sheets: he took them in his arms and they stayed therethey were weightless, you see. He gathered them up, smiling all the while, with a young and very, very luminous and happy face something very lovely. Then, when he had gathered them all up, he turned towards me (I was here; you were over there, the music was there and Sri Aurobindo was there), and said as he was leaving, I am taking all this to give to them, as if he were returning to the overmental world where they were greatly interested in it! (Mother laughs.)
   But it was all so lovely, so very lovely! There was a rhythm; it was all unfolding rhythmically, a rhythm of the falling sheets of paper; and a rhythm moving along very slowly, not in a straight line, and undulating.

0 1962-11-20, #Agenda Vol 03, #The Mother, #Integral Yoga
   Mother sent a special messenger to Delhi with a symbolic gift of 925 grams of gold (some from her own jewelry), as a contri bution to national defense.
   Indira Gandhi will come to power four years later, in January 1966.

0 1962-11-27, #Agenda Vol 03, #The Mother, #Integral Yoga
   Nothing was left but an immensity, without beginning, without end, neither in space nor in timeoutside time. Outside time and space: an immensity of light. It was something of the same nature as light, but not lightfar brighter, far not bright: far more intense than light. It was white, but not our physical white; it was a white at the time I couldnt define it. Afterwards, looking at it again in my consciousness, it seemed to be the light of a gold turned white, you understand: like when you bring something to white heat. Well, it was like gold becoming white through its intensity. It was ABSOLUTELY immobile that is, I had the feeling you get in Sat.2 Yet that immobility contained (how shall I put it?) yes, it actively containedalthough its action wasnt perceptiblea sort of infinite Power, which could be the creative Power. And directed by an unmanifest Consciousness. If you can make anything out of this, good for you!
   Everything was like that, and without thought I am now trying to put it into words. And at the center of that immensity was a concentration of white light as we know it (far more intense), but denser, forming a sort of cube that was relatively tiny in the immensity, but nonetheless quite perceptible. It was vibrant, fluid, condensed, concentrated, and tremendously active. And all that immensity converged there (how?) without moving. And from there, it was spreading everywhere, without going out.

0 1963-02-15, #Agenda Vol 04, #The Mother, #Integral Yoga
   The night before last, he had put on a sari of mine. He told me (laughing), Why not? Dont you find it suits me! I answered, It suits you beautifully! A sari of brown georgette, lustrous bronze, with big golden braid! It was a very beautiful sari (I used to have it, it was one of my saris), and he was wearing it. Then he asked me to do his hair. I remember seeing that the nape of his neck and his hair had become almost luminoushis hair was never quite white, there was an auburn shimmer to it, it was almost golden, and it stayed that way, very fine, not at all like the hair people have here. His hair was almost like mine. So while I was doing his hair, I saw the luminous nape of his neck, and his hair, so luminous! And he said to me, Why shouldnt I wear a sari!
   That opened up a whole new horizon. Were always so closed, you know.

0 1963-02-19, #Agenda Vol 04, #The Mother, #Integral Yoga
   They sent some papers to the Ashram, asking whether we had gold objects other than jewels! So, (laughing) I could just see a scene in the palaces of old: gold candelabra, the throne!
   So ridiculous!

0 1963-03-19, #Agenda Vol 04, #The Mother, #Integral Yoga
   Because at the start, there is usually that vibration with all the colors, though with blue strongly predominant (the color I have come to call the Tantric power in Matter); thats immediately with you, its a sort of normal state of concentration. Then afterwards, you seemed to recede or stretch out into a vast Immensity of very quiet silvery whitenessvery quiet and unbroken. Like a receding from outer life and a stretching out into that state. And then there comes downliterally comes downa very intense golden light, very intense, almost (what could I call it?) a colorful gold, really golden, very, very intense, and as though atomizeda powdering. The three in succession. Dont you feel that way?
   I feel the second movement: a sense of expanse, it is all white and open.

0 1963-05-11, #Agenda Vol 04, #The Mother, #Integral Yoga
   A mantra given by a guru is only the power to realize the experience of the discoverer of the mantra. The power is automatically there, because the sound contains the experience. I saw that once in Paris, at a time when I knew nothing of India, absolutely nothing, only the usual nonsense. I didnt even know what a mantra was. I had gone to a lecture given by some fellow who was supposed to have practiced yoga for a year in the Himalayas and recounted his experience (none too interesting, either). All at once, in the course of his lecture, he uttered the sound OM. And I saw the entire room suddenly fill with light, a golden, vibrating light. I was probably the only one to notice it. I said to myself, Well! Then I didnt give it any more thought, I forgot about the story. But as it happened, the experience recurred in two or three different countries, with different people, and every time there was the sound OM, I would suddenly see the place fill with that same light. So I understood. That sound contains the vibration of thousands and thousands of years of spiritual aspiration there is in it the entire aspiration of men towards the Supreme. And the power is automatically there, because the experience is there.
   Its the same with my mantra. When I wanted to translate the end of my mantra, Glory to You, O Lord, into Sanskrit, I asked for Nolinis help. He brought his Sanskrit translation, and when he read it to me, I immediately saw that the power was therenot because Nolini put his power into it (!), God knows he had no intention of giving me a mantra! But the power was there because my experience was there. We made a few adjustments and modifications, and thats the japa I do now I do it all the time, while sleeping, while walking, while eating, while working, all the time.1 And thats how a mantra has life: when it wells up all the time, spontaneously, like the cry of your beingthere is no need of effort or concentration: its your natural cry. Then it has full power, it is alive. It must well up from within. No guru can give you that.
  --
   The drawing starts here (Mother draws the first half of the 8): its the Supreme leaning forward. Then, Nature in its base, Nature in sleep (the base of the 8). And here (the top of the 8), I put two little drawings (as if to symbolize an eye, a nose and a mouth) to evoke the summit of consciousness. So the Supreme is leaning forward like this and Nature rises like this (Mother draws the second half of the 8). All this (the top of the 8) is golden, then it becomes prismatic (the middle of the 8), and deep blue here (the base of the 8), in the most material part of the creation, and the blue becomes lighter and lighter (going upward again), and finally golden. Perpetually.
   Eight is the symbol of infinity for mathematicians ().

0 1963-05-18, #Agenda Vol 04, #The Mother, #Integral Yoga
   Of course, all these things are lights, so you cant reproduce them. But still, it must be a violet that is not dull and not dark (Mother starts from the most material Nature). What she has put is too red, but if its too blue, it wont be good eitheryou understand the difficulty? Then after violet there is blue, which must be truly blue, not too light, but it must be a bright blue. Not too light because there are three consecutive blues: there is the blue of the Mind, and then comes the Higher Mind, which is paler, and then the Illumined Mind, which is the color of the flag [Mothers flag], a silver blue, but naturally paler than that. And after this comes yellow, a yellow that is the yellow of the Intuitive Mind; it must not be golden, it must be the color of cadmium. Then after this yellow, which is pale, we have the Overmind with all the colors they must all be bright colors, not dark: blue, red, green, violet, purple, yellow, all of them, all the colors. And after that, we then have all the golds of the Supermind, with its three layers. And then, after that, there is one layer of golden whiteit is white, but a golden white. After this golden white, there is silver whitesilver white: how can I explain that? (H. has sent me some ridiculous pictures of a sun shining on waterit has nothing to do with that.) If you put silver, silver gray (Mother shows a silver box nearby shining brilliantly in the sun), silver gray together with white that is, it is white, but if you put the four whites together you see the difference. There is a white white, then there is a white with a touch of pink, then a silvery white and a golden white. It makes four worlds.
   I have explained this [to H.] as I am explaining it to you, but H. has not seen it so she cant understand. I want to show her on paper. It is twelve different things [or twelve worlds], one after another.1
  --
   Mother seems to have forgotten the red of the vital, which comes between material Nature's violet and the Mind's blue. Thus we have twelve worlds: violet, red, blue (the Mind's three blues), yellow, then the Overmind's prismatic colors, which makes five lower worlds, then finally the three golds of the Supermind and the four whites of the supreme creative Joy or Ananda.
   Mother means that there is no proof that the order was restored because of the Lord's intervention rather than by some other, "natural" mechanism.

0 1963-06-22, #Agenda Vol 04, #The Mother, #Integral Yoga
   I had a rather amusing experience while walking [during japa]. I was looking at peoples attitude (I mean those who think they lead a spiritual life, who think they have made a surrender), and how they are utterly vexed when things dont happen the way they want! (They dont always admit it, they dont always say it to themselves, but its a fact.) Then all at once, I saw a huge robothuge, magnificent, resplendent, covered with gold and jewelsa huge being but a robot. And all-powerfulall-powerful, capable of doing anything, anything at all; anything you could imagine, he could do it: you had only to press a button and he did it. And it was (laughing) as if the Lord were telling me, See, here is what I am to them!
   I couldnt have recounted the experience just like that, but I made a note of it. He said, See, this is what I am to them. So I wrote it down.

0 1963-06-29, #Agenda Vol 04, #The Mother, #Integral Yoga
   But clay, that was something really newand lovely! Pink. Pink, a warm, golden pink. They were cutting out [of the clay] rooms, stairways, ship decks and funnels, captains cabins. Sri Aurobindo himself is as he was, but more with a harmony of form: very, very broad here (in the chest), broad and solid. And very agile: he comes and goes, sits down, gets up, always with great majesty. His color is a sort of golden bronze, a color like the coagulation of his supramental gold, of his golden supramental being; as if it were very concentrated and coagulated to fashion his appearance; and it doesnt reflect light: it seems as if lit from within (but it doesnt radiate), and it doesnt cast any shadows. But perfectly natural, it doesnt surprise you, the most natural thing in the world: thats the way he is. Ageless; his hair has the same color as his body: he has hair, but you cant say if its hair, its the same color; the eyes too: a golden look. Yet its perfectly natural, nothing surprising. He sits down just as he used to, with his leg as he used to put it [the right leg in front], and at the same time, when he gets up, he is agile: he comes and goes. Then when he went out of the house (he had told me he would have to go, he had an appointment with someone: he had promised to see two people, he had to go), he went out into a big garden, and down to the boatwhich wasnt exactly a boat, it was a flat boatand he had to go to the captains cabin (he had to see the captain about some work), but it was with that boat that he was returning to his room elsewherehe has a room elsewhere. Then after a while I thought, Ill follow him so I can see. So I followed him; as long as I saw him in front of me I followed him. And when I came to the boat, I saw it was entirely built out of pink clay! Some workmen were working thereadmirable workmen. So Sri Aurobindo went down quite naturally, down into the ship under construction, without (I dont think there were any stairs), and I followed him down. Then I saw him enter the captains room; as he had told me he had some work to do, I thought (laughing), I dont want to meddle in others business! Ill go back home (and I did well, I was already late in waking up!), Ill go back home. And I saw one of the workmen leaving (as Sri Aurobindo had come back to the ship, they stopped the work). He was leaving. I called him, but he didnt know my language or any of the languages I know; so I called him in thought and asked him to pull me up, as I was below and there was a sheer wall of slippery clay. Then he smiled and with his head he said, I certainly dont mind helping you, but it isnt necessary! You can climb up all by yourself. And indeed he held out his hand, I took it (I only touched him slightly), and climbed up all by myself without the slightest difficulty I was weightless! I didnt have to pull at his hand, he didnt pull me up. And as soon as I was up, I went back home I woke up and found myself in my bed five minutes later than my usual time.
   But what struck me was the clayit means something very material, doesnt it? And pink! A pink, oh, lovely! A golden pink.
   They are building something.

0 1963-07-06, #Agenda Vol 04, #The Mother, #Integral Yoga
   You know, the next day, I saw Sri Aurobindo againit was Sri Aurobindo, he was with me, but a bit taller than the previous time, a bit slimmer, with his skin almost white, almost like mine (not the white of northern people but a kind of golden white). So I looked at him and smiled (because it had changed, you see!), I didnt say anything, but (laughing) he told me: Yes, to meet all tastes! I found that admirable!
   That day, he was very busy with the external organization; he asked me for some information and made remarks about everything. Then there was an incident (I dont yet know what it means), and he said, Oh, there (but I cant remember which country that waswe were dealing with countries and governments), oh, there, all is all right, isnt it? And I answered him, Yes, certainly, all is all right since all the people in the government are our people. And he seemed to be showing me (at night, Europe is always to my left, and America is always to my right, as if I were always facing north), he was showing me the left side and I too was pointing to the left, and it was there, all the people were ours: Everything is quite smooth. But I cant remember (probably on purpose); the name of the country or place or whatever has been wiped out I could not remember it.

0 1963-07-13, #Agenda Vol 04, #The Mother, #Integral Yoga
   It was very interesting. I had to see someone before him, and I wanted enough time to prepare the atmosphere, but it didnt last too long. Then it condensed and accumulated. It made an absolutely still atmosphere, with only the internal vibration I dont know how to explain. Ive said this a few times already: there is a Force which doesnt move and consequently can be said to be absolutely still, yet has an INNER intensity of vibration far more considerable than the vibration of motion. And its a PALE golden light: it isnt white at all, its golden. But not an intense gold: a pale color. It filled everything (there were no more walls in the room), and it was condensed, so condensed, as if tight as if under pressure, you know. There was nothing left but the inner vibration.
   He came in, and there was only the ripple of his coming in. It took him maybe a minute or two to adapt. I dont know what his first impression was, but he looked visibly somewhat embarrassednot ill at ease, but almost surprised, as if wondering, Whats going on? Then after not even two minutes, he made his usual movement and stayed exactly twenty-two minutes without ANYTHING stirring. Nothing stirred. The atmosphere was absolutely still, without a thought, a movement, a reaction or anything.

0 1963-07-17, #Agenda Vol 04, #The Mother, #Integral Yoga
   And along with this, theres a vast, dead-calm rest (if you know what I mean?) in that Lightprobably the Light as it will manifest. Its a golden Light, not very intense or very pale either; a little less pale than the one that I said comes when I concentrate3; a little more intense than that, though not darka golden Light, absolutely immobile, with such an inner intensity of vibration that its beyond all perception. And then its perfect restinstantly. So as soon as I complain, the same ironic remark always comes: Oh, when one can have that in the midst of work, one ought not to complain! The two states are I cant say simultaneous (naturally its not one after the other, both are there together), but its not like two things next to each other, its two ways of looking, I could say, two pointsnot points of view a horizontal look, and a look thats or rather, a specific look and an overall look. A specific look, that of the immediate activity, and an overall and constant look, that of the whole; and as soon as you look at the whole, its (dead-calm gesture) immutable peace, unvarying rest. And then things seem to become swollenswollen with an infinite content.
   It requires no preparation, it isnt something you have to attain: its ALWAYS there. Only, it also stems from the fact that I am not here (thats so clear, so clear, it needs no reflection or observation, its such a well-established fact) I am not here for anything, anything whatsoever, any satisfaction of any sort, on any level, any pointnone of that exists any more, that has no more reality, no more existence. The only thing I still FEEL is a sort of not an aspiration, not a will, not an adherence or enthusiasm, but something that is maybe its more like a power: to do the Lords Work. At the same time, I feel the Lord you understand, He isnt in front of me or outside of me! Thats not it, He is everywhere and He is everywhere and I am everywhere with Him. But what holds these cells together in a permanent form is that something which is at once the will and power (and something more than both) to do the Lords work. It contains something which probably is translated in peoples consciousnesses as Bliss, Ananda (I must say its an aspect of the problem I am not concerned with). Something like the intensity of a superlove as yet unmanifestits impossible to say.

0 1963-07-27, #Agenda Vol 04, #The Mother, #Integral Yoga
   A little before his death he had asked me for a new name. He had nearly died twice, but he was saved (the doctors were sure he would die), he was saved by his faith; he had such faith, such an irresistible faith that twice it pulled him through: he was paralyzed, couldnt see any more, it was terrible. And twice all his faculties came back (his eyes werent too good, but anyway he could talk and move around). The third time, he wanted to get completely cured, because he was a businessman and had made a resolve to earn ten lakhs1 of rupees for me (he had already given me four lakhs in the past, but he wanted to give me ten). So he absolutely wanted to live, but as he found himself not too well (he was quite deteriorated!), he called for one of those kaviraj (you know, those self-styled doctors), who finished him off: he couldnt eat or sleep any more. And the doctor went on telling him, Youre much better! While the poor man was sitting up all night in a chair. Finally, he was rushed to the hospital and died there. And the day of his death, about an hour later, I was informed that his son (hes not a child, hes a man) absolutely HAD to see me immediately. It was the time when I dont see people, but I said all right (I felt there was something to it), I said all right and went to receive him. It was 11:00 A.M. (I think he died at 9:30 A.M.). I go there (I dont remember if it was in the morning or early in the afternoon, anyhow it was very soon after his death), I sit down, the son is ushered in, and along with him comes a small boy, no taller than this (gesture), all golden, joyous, alive, happy! And he rushed to me. He stayed like that, leaning against me, quite still. And how he laughed! How happy he was!
   It was M., his psychic being.
   Ever so lovely! All luminousluminous with a golden lightand so happy, so glad! Like a baby, no bigger than this (gesture). Waving his arms and legs about, so happy! He stayed therestayed put. So naturally, I received him and did the needful.
   Ive seen thousands of cases, you know, but its the first time Ive seen that! And he had a remarkable knowledge, because in order not to risk any hitch, he clung to his son and urged him to come to me so as to make sure of reaching me without mishap, without any interference from the adverse forces, from currents and all sorts of things. He clung to his son, who was quite unaware of it, except that something in him WANTED him to come to me. And the poor son was crying; I told him, Dont worry, he is very happy! (Mother laughs)

0 1963-08-31, #Agenda Vol 04, #The Mother, #Integral Yoga
   You were in a sort of golden light, rather solid, and then from here (the throat) down to here (the solar plexus), there were all the Tantric colors, you know, all the shades. I dont know if you have ever seen them: the Tantrics have an atmosphere with all the colors, not mixed together but side by side. Its a kind of chart of powers, and according to the color they select and pick out, or use, it serves one purpose or another: one is for health, another for progress, another for understanding, and so forth. That chart was with you, and I saw your hand moving as if you were writing.
   I see those colors, I always see them in association with those who have practiced Tantrism. X always has them with him, and with his guru,1 its even much more, very strong and very intense.

0 1963-09-04, #Agenda Vol 04, #The Mother, #Integral Yoga
   I again saw a square shape, like last time, in front of you, but this time it was different: there was a bright golden light, and that square shape was here (gesture between the throat and the solar plexus), in front of you, then it rose and rose and rose like that, slowly, very slowly, above your head, and there it spread out into a great light a very quiet light.
   I think its the symbol of your meditation. A squarea perfect square, I mean, about this size, from there to there (from the top of the head to the solar plexus): thats you when you meditate. Its quite established, like something firmly established, and then slowly, very slowly, it rose and rose and rose above your head, and there not violently, of course, it didnt burst out, but it spread out into an Immensity of light.
  --
   Last time, I told you there were those Tantric lights; this time, there was a pale gold, very luminous, very tranquil, and the shape [of the square] was like a somewhat more golden vibration, a little darker (but not dark), and it stayed still a very long time, till suddenly I felt in your consciousness as if something were opening out, relaxing and opening out, like a sort of well-being in your consciousness. And no sooner did that happen than the square began to rise and rise and rise above your head, and there
   Is it the symbol of your meditation or the symbol of your consciousness?The symbol of your consciousness.

0 1963-09-18, #Agenda Vol 04, #The Mother, #Integral Yoga
   Because NOTHING in the consciousness budged during those changeovers [back and forth from the true to the false movement]; the consciousness is like that, turned not upward, not inward, turned simply turned to the Lord, living in His Light, which, in the physical world, becomes a golden splendor. The consciousness is turned to That. There is nothing but That, its the sole reality, the sole truth. And It vibrates like this (Mother touches her hands, her arms), It vibrates in all the cells, everywhere. I go like this (Mother makes a gesture of collecting it in the air around), as if I picked it up. It isnt ethereal, its very material; it feels like an air that is thick but vibrant, very vibrant. The consciousness is like that. And all this goes on in the body. But with the presence of that old idiot which is immediately pessimistic, catastrophic, defeatisthow defeatist, oh it sees everything as a calamity. And then that wonderful character, after imagining the worse (in the space of a second, of course), it submits it all to the Lord and tells Him, Here, Lord, here is Your work, its all Yours, do what You will with it! The silly idiot, why did it have to prepare its catastrophes! A catastrophe, invariably a catastrophe, everything is catastrophic but it offers its catastrophe to the Lord!
   And the answer is invariably a smile full of such patience, oh! That patience gives me a sense of wonder every second.

0 1963-09-25, #Agenda Vol 04, #The Mother, #Integral Yoga
   But the night before, I was with Sri Aurobindo, who gave me a revelation. I was with him, he was reclining (not stretched out but on a sort of chaise longue) and I was supposed to bring him something to eat (not at all like physical food, its something else I dont know what it is its rather different in that world the subtle physical), and it was expressed to me (there were no words in my consciousness; I dont know why, no words), he told me something which I understood perfectly, not only understood but it made me very happy, a joy came into me, and I answered, Yes, exactly! It corresponds to the experience I had today and which is??? (Mother leaves her sentence hanging) You see, I was conscious while I was having all the activity, but it was expressed in words [there] that arent words [here], so I dont know what to do! And he told me in the tone you take when expressing a definitive and overwhelming experience (his tone was one of absolute power) something that was translated like this: Now, the nourishment (it wasnt nourishment but food) comes from the whole of Nature at once. (Mother utters those words like a riddle or an open sesame that has not yet opened the door) And he told me to bring it to him (that too was a translation): Yes, you will bring it (the it was that food coming from the whole Nature at onceits a seemingly silly transcription, but anyway), you will bring it in this translucent bowl. And I replied, Yes, I knew, I knew that I had to use this translucent bowl to bring you the food. But what on earth does that correspond to?? Yet it was so evident! There was such a joy! (Because as I was conscious, I thought, Well, all the same, I am still following him closely in his development, its going on as when he was here: when he wins a victory, it is materialized in me.) Thus I was perfectly conscious and I told him, Ah, I am glad! (I am faltering, of course, it wasnt that at allit was admirable.) Oh, I am glad, I knew that I had to bring you the food in this translucent bowl. And the translucent bowl was a marvel! I had it, you see, it was beautiful! It was like opaline, living glass, all luminous but with all the lights alive and moving, and what colors! Pink, mauve, silver and gold, oh, it was so very beautiful. And I brought it to him.
   It impressed me very strongly. Very strongly: I was under a spell, probably because the experience was still too strong and powerful for the material brain. And I saw it immediately; at the very moment of the experience, I saw it was a transcription, and an extraordinarily poor transcription, but nothing better could be done.

0 1963-10-19, #Agenda Vol 04, #The Mother, #Integral Yoga
   And there is absolutely nothing vital about itnow I find vital power quite crude, almost repugnant. Theres nothing vital about it: its something from on high. It always comes with a golden Vibration, very strong, and so massive!
   But it comes only when the situation is extremely tense; which might explain that it is probably necessary to shake up all that Matter a bit, and that it can come only when all the other means wont do any more.
   You know, at those times, I feel such a force in me, even a physical strength, greater than I have ever felt in my life, even when I was young and strong enough, and it makes me feel that peoples physical strength is nothing! The first time it came after my illness (I wasnt on my guard), it did so for no apparent reason (possibly as a test) and there was this instrument on my table (Mother points to a penholder mounted on a steel pivot). So the Force came, and for some reason or other I wanted to push this thing down. I put my hand on it without any effort, any force (but the Force was there, it was in my arm): snapped off! (It isnt easy to break.) Snapped clean off! Without the shadow of an effort. The doctor was here, he asked me Why? I told him, Oh, I didnt do it deliberately, a force took hold of my arm and went snap! And I did it consciously; I saw, I saw the Force, saw a sort of golden bolt of lightning, very strong, that came andsnap! I didnt make the slightest effort. The doctor was upset! (He is a man with a sattvic nature.) He told me, That is stupid, it breaks your things Ill get others!
   That was the first time. Afterwards, I was on my guard.

0 1963-12-31, #Agenda Vol 04, #The Mother, #Integral Yoga
   Its a golden power [a hibiscus], lovely, isnt it!
   What did the music evoke in you? I dont want you to say good or bad, but did it suggest anything?

0 1964-01-15, #Agenda Vol 05, #The Mother, #Integral Yoga
   Immediately afterwards, I had a visit from the Pope! The Pope [Paul VI] had come to Pondicherry (he does intend to visit India), he had come to Pondicherry and asked to see me (quite impossible things materially, of course, but they were perfectly simple and straightforward). So I saw him. He came, we met each other over there (in the music room), and we actually did speak to each other. I really felt the man in front of me (gesture of feeling), felt what he was. And he was very worried at the thought of what I was going to say to people about his visit: the revelation I would give of his visit. I saw that, but I didnt say anything. Finally he said (we were speaking in French, he had an Italian accent; but all this, you see, doesnt correspond to any thought: its like pictures in a film), he said, What will you tell people about my visit? So I looked at him (inner contacts are more concrete than pictures or words) and I simply answered him, after staring at him intently, I will tell them that we have been in communion in our love for the Lord. And there was in it the warmth of a golden lightextraordinary! Then I saw something relax in him, as if an anxiety were leaving him, and he left like that, in a great concentration.
   Why did that come? I dont know.

0 1964-01-29, #Agenda Vol 05, #The Mother, #Integral Yoga
   And now its something as solid as cement (which means its material) and ab-so-lute-ly EVEN, you know, even, not one ripple of form, absolutely flat as a slab of marble, and without beginning or endlimitless, you cant see its end: its everywhere. Everywhere, and everywhere the same. Everywhere the same. A color like a sort of gray (a gray, the gray of Matter) that would contain a golden light, yet doesnt shine: it doesnt shine, it doesnt have a luminosity of its own, but it contains light. It doesnt radiate, it isnt luminous, yet its a gray with a golden light in it the gray of the most material Matter, of stone; gray, you know. But it contains that light: its not inert, not insensitive, not unconscious, yet it is MATTER.
   I have never seen that before.

0 1964-03-04, #Agenda Vol 05, #The Mother, #Integral Yoga
   I did see something, but I dont think its very interesting, or collective either. I seemed to kind myself in an enormous plane, a very powerful one, which managed to take off (a takeoff which, besides, gave me a very pleasant sensation). It took off, but it was hedgehopping, that was dangerous. At first, the space before us was clear anyway, but we were flying very low and skimming the trees. Then, suddenly there were all kinds of buildings that stood in the way, in particular a huge tower, like a church steeple, of a very black color. I dont know how it happened, but the plane (or the force) entered itoddly enough and inside it was completely dark; there was only a sort of opening in a watt, and beyond it, a patch of blue sky. It sounds impossible, but the plane tried to go through that hose, and when we tried to, that sort of opening turned out to be covered with very thick glass that stopped us from going through. So I remember that with a pointed instrument I broke the entire window to enable us to go through. We did, but it was too small, the opening was too narrow for such an enormous plane. Afterwards, its very confused; I only remember that in a hidden place, there was a sort of huge gold ciborium, very beautifulit was hidden. But all the rest is quite confused.
   Oh, but its interesting.
  --
   It was very black, and it was a church like a church steeple. But the gold ciborium, what is that? It was very pretty, besides; it was beautiful, but hidden.
   But its true, thats indeed how it is.
  --
   When I saw that gold ciborium, it was very confused, but some one was there with me (I dont know who, I didnt see him), and I said to him, Have you seen this beautiful ciborium! He replied, No, but I KNEW he had seen it. Then I understood that if he said he had seen it, something bad would occur,5 people would come or whatever, anyway it was important that people shouldnt know he had also seen it.
   It was important that people shouldnt know it was there.

0 1964-07-13, #Agenda Vol 05, #The Mother, #Integral Yoga
   Did you get my last note on the golden card?
   Yes, I did. But you know, I had an amusing experience. When I came back to Brittany from my trip to Savoy, I was in a car with my brother, and as we approached the Quiberon peninsula, I saw in the sky two extraordinary, immense wings, two clouds that were like immense wings. I said to my brother, Look! It really struck me: Look at those immense wings, look at that victorious angel welcoming us! It was wonderful. Then I went into the house, and found your letter: Open your wings and soar Its wonderful!

0 1964-07-18, #Agenda Vol 05, #The Mother, #Integral Yoga
   And this is a photo of my friend the publisher, who helped me for the publication of The gold-Washer and the book on Sri Aurobindo.
   Oh, a familiar face.2

0 1964-07-22, #Agenda Vol 05, #The Mother, #Integral Yoga
   Then, immediately, without transition, it was as if I was plunged in a bath of the Supremes Love with the sensation of something limitless; in other words, when you have the perception of space, that something is everywhere (its beyond the perception of space, but if you have the perception of space, its everywhere). And its a kind of homogenous vibratory mass, IMMOBILE, yet with an unparalleled intensity of vibration, which can be described as a warm, golden light (but its not that, its much more marvelous than that!). And then, its everywhere at once, everywhere always the same, without alternations of high and low, unchanging, in an unvarying intensity of sensation. And that something which is characteristic of divine nature (and is hard to express with words) is at the same time absolute immobility and absolute intensity of vibration. And That loves. There is no Lord, there are no things; there is no subject, no object. And That loves. But how can you say what That is? Its impossible. And That loves everywhere and everything, all the time, all at the same time.
   All those stories those so-called saints and sages told about Gods Love coming and going, oh, its unspeakably stupid!Its THERE, eternally; It has always been there, eternally; It will always be there, eternally, always the same and at the highest of its possibility.

0 1964-08-11, #Agenda Vol 05, #The Mother, #Integral Yoga
   Those oppositions are really what gives the consciousness an interesting knowledge. Because I have a feeling that that Action wasnt at all limited to the moment when the consciousness that acts here took part in it: its going on all the time. If for just a second (gesture of interiorization) I stop speaking or acting, I feel that golden Glory behindbehind, its not behind, not within, its supporting everythingit is there. But in that experience, I was given two hours of TOTAL participation: there was nothing left but That, nothing existed anymore but That. And all the cells were given an unforgettable joy: they had become That.
   What I dont know is, if someone had been looking, what would he have seen? I dont know.
  --
   There is a part of your being (not far: it isnt something very far away, its very close), a part of your being which is on the contrary extremely conscious and LUMINOUSLY conscious, and not only conscious but responsive: it receives and respondsit vibrates. I can see very clearly that you arent conscious of itoh, in the first place, you wouldnt be pulling that sour face, youd be laughing all the time if you were conscious of it! Because its very luminous and golden, very joyful. Its just about the opposite of the grumbler! But it isnt far away! It isnt miles away: its there. But there is a sort of thin film. Its an onion skin: all our difficulties are onion skins. An onion skin, you know: its terribly thin, but nothing can get through.
   We have to be patient.

0 1964-09-18, #Agenda Vol 05, #The Mother, #Integral Yoga
   Theres a question I have been asking myself for some time, and I would like you to solve it for me. I am supposed to write a sequel to The gold-Washeror rather, theyre expecting it, and also I thought I should do so. But I really wouldnt like to do it from an arbitrary decision. I would like You understand, I wouldnt like it to be me who decides.
   You told me that some time ago! [in the dream state]

0 1964-10-14, #Agenda Vol 05, #The Mother, #Integral Yoga
   These last few nights, an experience has been developing. There is a sort of objectification, like scenes unfolding in which I am one of the characters; but it isnt me, it is some character or other that I play in order to have the double consciousness, the ordinary consciousness and the true consciousness at the same time. There was a whole series of experiences to show simultaneously the True Thing and the sort of half-death (its his word that makes me think of this I am too dead), the half-death of the mind. In those experiences, the state of ordinary mentality is something dry (not exactly hard because its crumbly), lifeless, without vibrationdry, cold; and as a color, its always grayish. And then, there is a maximum tension, an effort to understand and remember and knowknow what you should do; when you go somewhere, know how you should go there; know what people are going to do, know Everything, you see, is a perpetual question of the mind (its subconscious in the mindsome are conscious of it, but even in those who are apparently quiet, its there constantly that tension to know). And its a sort of superficial thing, shallow, cold and dry, WITHOUT VIBRATION. At the same time, as if in gusts, the true consciousness comes, as a contrast. And it happens in almost cinematographic circumstances (there is always a story, to make it more living). For instance, last night (its one story among many, many others), the I that was conscious then (which isnt me, you understand), the I that was playing had to go somewhere: it was with other people in a certain place and had to go through the town to another place. And she knew nothing, neither the way nor the name of the place she was going to, nor the person she had to seeshe knew nothing. She knew nothing, but she knew she had to go. So then, that tension: how, how can you know? How can you know? And questioning people, asking questions, trying to explain, You know, its like this and like that, innumerable details (it lasts for hours). And now and then, a flood of lighta warm, golden, living, comfortable lightand the feeling that everything is prearranged, that all that will have to be known will be known, that the way has been prepared beforeh and that all you have to do is let yourself live! It comes like that, in gusts. But then, there is an intensity of contrast between that constant effort of the mind, which is an enormous effort of tension and concentrated will, and then and then that glory. That comfortable glory, you know, in which you let yourself go in trusting happiness: But everything is ready, everything is luminous, everything is known! All you have to do is let yourself live. All you have to do is let yourself live.
   Its as if a play were performed to make it more living, more realone subject, another subject, this, that. If you enter a certain state, then another time enter the other state, you can remember the difference and its useful, but in this form of a play, with the double consciousness, the opposition becomes so real, so concrete that you come out of it wondering, How can you go on living in this aberration when you have once TOUCHEDtouched, experienced the True Thing?
  --
   You try out a number of landmarks in order to build yourself a cage. And then, suddenly, a breatha luminous, golden, warm, relaxed, comfortable breath: Oh, but its obvious, thats how it is! But I will be CARRIED quite naturally to the placewhats all this complication!?
   It is the body learning its lesson. Its learning its lesson.

0 1964-10-30, #Agenda Vol 05, #The Mother, #Integral Yoga
   Yes, what it still has is the fear of joynot positively fear, but a timidity in the face of joy. Sometimes waves of an intense Bliss come to it, waves of Ananda, in which all the cells begin to swell with a joyous golden light, and then its as if one dared notone dare not. Thats the difficulty.
   The people around me dont help. Those immediately around me have no faith.

0 1964-11-21, #Agenda Vol 05, #The Mother, #Integral Yoga
   Mon petit, thats because what you call aspiration is a movement of your psychic consciousness, mentally formulated and supported by the vital but it ISNT YOUR BODY. And its only if you are very attentive to the vibration of the cells, if you are accustomed to observing them and feeling them that you can see. Well, I dont know, but I cant complain about my bodys cells. You know, it isnt a perception, it isnt a sensation, it is a LIVED FAITH in the existence of the Supreme aloneyou know, a faith that its the only Reality and the only Existence. Just that, and everything seems to swell up, as if all these cells were swelling up with such joy! Only, it doesnt take the form of a feeling, not even of a sensation, even less of a thought; so if you arent very attentive, you dont notice it. But, for instance, when I repeat the mantra, its repeated by that famous physical mind, which is so stupid (the mantra is the only thing that can keep a rein on it), and now it has become so identified that the mantra is its whole life, it is like a pulsation of its being; but then when I come to the invocation (there is a series of invocations: each one has its own effect on the body), when I come to Manifest Your Love, I see a sort of twinkling of a golden light, which represents an intense joy in all the cells.
   It isnt easy to observe, you must be very, very, very detached from the movement of thought, otherwise you dont notice it. But if you see it, you see that even those cells are there waiting for the Thing.

0 1965-04-21, #Agenda Vol 06, #The Mother, #Integral Yoga
   Lets take the sense of form, for example (I am giving one example among many others). Evolution is openly moving towards diminishing the difference between the female and the male forms: the ideal thats being created makes female forms more masculine and gives male forms a certain grace and suppleness, with the result that they increasingly resemble what I had seen all the way up, beyond the worlds of the creation, on the threshold, if I can call it that, of the world of form. At the beginning of the century, I had seen, before even knowing of Sri Aurobindos existence and without having ever heard the word supramental or the idea of it or anything, I had seen there, all the way up, on the threshold of the Formless, at the extreme limit, an ideal form that resembled the human form, which was an idealized human form: neither man nor woman. A luminous form, a form of golden light. When I read what Sri Aurobindo wrote, I said, But what I saw was the supramental form! Without having the faintest idea that it might exist. Well, the ideal of form we are now moving towards resembles what I saw. Thats why I said: since there is an evolutionary concentration on this point, on the physical, bodily form, it must mean that Nature is preparing something for that Descent and that embodimentit seems logical to me. Thats what I meant by an improved physical form.
   The other point is quite secondary, its incidental, it isnt in the line of evolution. I am only saying that its a method that CAN be used, and it has been used in the past.

0 1965-06-18 - supramental ship, #Agenda Vol 06, #The Mother, #Integral Yoga
   Last night, for a long time, we went to all sorts of places unknown to me: towns, countrysides, forests, etc. It lasted a very long time. And once, we were there, near a forest (near a road that crossed the forest) and we were busy and talking when all of a sudden, he leaped to his feet. You know, he never wears any clothes, so to speak; when I saw him the first time in his house (his supramental house), in the subtle physical, he was without clothes; but its a kind of vibrant matter: its very material, very concrete, and it has a sort of color that isnt a color, which is a bit golden and radiantit doesnt send out rays, but it vibrates with a radiant light. And at least nine times out of ten he is that way; generally, when we are together for some work, he is that way. Last night he was that way. So then I was busy (we had arranged something and I was busy) when, suddenly, I see him leap to his feet and run a hundred-meter sprint. At first I was shocked, I said to myself, Whats this?! And with great ease, you know: he darted off, then stopped a few minutes, and then ran back. Then he stopped again, and went off a third time on a sprint: like the 100-meter race they run. But the third time, he had grown tall, with a slim body. Grown tall as if to demonstrate to me: this is the way the body will be transformed. He had grown very tall, very strong.
   It was very interesting and absolutely unexpected.
  --
   And probably a matter that will undergo some transformations, I dont know. That cloak I put on was perhaps the symbol of It was white with golden threads and red embroidery designs (it was very beautiful), and I wrapped myself in it so that the mud wasnt bothersome.
   What was it the symbol of?

0 1965-06-23, #Agenda Vol 06, #The Mother, #Integral Yoga
   Outside the walls, in my first formation there was on one side the industrial estate, and on the other the fields, farms, etc., that were to supply the city. But that really meant a countrynot a large one, but a country. Now its much more limited; its not my symbol anymore, there are only four zones, and no walls. And there will be money. The other formation, you know, was really an ideal attempt. But I reckoned it would take many years before we began: at the time, I expected to begin only after twenty-four years. But now, its much more modest, its a transitional experiment, and its much more realizable the other plan was I nearly had the land: it was at the time of Sir Akbar (you remember?) of Hyderabad. They sent me photographs of Hyderabad State, and there, among those photos, I found my ideal place: an isolated hill (a rather large hill), below which a big river flowed. I told him, I would like to have this place, and he arranged the whole thing (it was all arranged, they had sent me the plans, and the papers and everything declaring it to be donated to the Ashram). But they set a condition (the area was a virgin forest and uncultivated lands): they would give the place on condition, naturally, that we would cultivate it, but the products had to be used on the spot; for instance the crops, the timber had to be used on the spot, not transported away, we werent allowed to take anything out of Hyderabad State. There was even N. who was a sailor and who said he would obtain a sailing boat from England to sail up the river, collect all the products and bring them back to us hereeverything was very well seen to! Then they set that condition. I asked if it was possible to remove it, then Sir Akbar died and it was over, the whole thing fell through. Afterwards I was glad it hadnt worked out because, with Sri Aurobindo gone, I could no longer leave Pondicherry I could leave Pondicherry only with him (provided he agreed to go and live in his ideal city). At the time I told Antonin Raymond, who built golconde, about the project, and he was enthusiastic, he told me, As soon as you start building, call me and I will come. I showed him my plan (it was on the model of my symbol, enlarged), and he was quite enthusiastic, he found it magnificent.
   It fell through. But the other project, which is just a small intermediate attempt, we can try.

0 1965-06-30, #Agenda Vol 06, #The Mother, #Integral Yoga
   My tea, as I pictured it, was very goldenclear and golden; and I wanted to give him something with it, I dont remember what.
   All this is symbolic, probably.

0 1965-07-14, #Agenda Vol 06, #The Mother, #Integral Yoga
   This morning I was in a sort of zonea zone or a vein. You know, the veins of gold inside the earth? It was like that. In the mental banality of the world, there was a sort of luminous vein going past and in which I found myself plungedit felt pleasant, it felt very comfortable. And I started noting things down, when those people came with all the usual ineptitudes, each one asking something, each one shut in like this (gesture with blinkers), so it went away.
   I called it, A few definitions.
  --
   The inspiration of it all was that vein of gold?
   Yes. It was light, not gold. It was a light like a strip (gesture). Then one is bathed in that and one is very happy.
   And it brought me (what I have just said is nothing, it was the end) a clear vision of whats necessary for the world, the necessary transformations in the mental atmosphere of the earth to put an end to wars, for instance. The end to wars was one of the consequences. And each thing was in its place in relation to the other (Mother draws a sort of chessboard), and there was such a clear, clear vision of all the relationships, of all the positions, of all that.

0 1965-07-21, #Agenda Vol 06, #The Mother, #Integral Yoga
   It started with disgusta disgust a sickening disgustat all this misery, all this weakness, all this fatigue, all this discomfort, all this friction and grating, oof! And it was very interesting because there was that disgust, and along with it came a sort of suggestion of Annihilation, of Nothingness: of eternal Peace, you understand. And it swept all that away, as if the whole body straightened up: Hey, but thats not it! Thats not what I want. I want (and then there was a dazzling burst of lighta dazzling golden light) I want the splendor of Your Consciousness.
   That was an experience.

0 1965-08-04, #Agenda Vol 06, #The Mother, #Integral Yoga
   It comes like this (Mother bangs her fist down as if into Matter). But its rather interesting because it comes straight from above and when it reaches the earth atmosphere, it gathers there all the energies of the earth, and then it enters (same gesture). Now it has become like that. A rather strong golden light, which comes massively, then touches the earth atmosphere and ATTRACTS and gathers the vital energies of the earth, and then it goes like this (same gesture banging down). I see it I see the thing and it goes through my arms, my hands. (With an ironic smile:) Do you feel something or not?
   Oh, yes, I feel the Force!

0 1965-08-07, #Agenda Vol 06, #The Mother, #Integral Yoga
   Sri Aurobindo opens a door in this world stifled by its material or heavenly excesses. He tells us, first, that there is something to be discovered and that we are rich, richer than we may ever think with our headswe are like beggars sitting on a gold mine. But we must get down into the mine. And he tells us that we have the power, if only we are pure enough to seize it. The power over Death and over Life and over Matter, for the Spirit is in us and it is here below that It wants to conquer:
   Heavens touch fulfils but cancels not our earth.4

0 1965-10-16, #Agenda Vol 06, #The Mother, #Integral Yoga
   That bust was made by a German woman (Else Fraenkel) and installed in Sri Aurobindo's room in 1958 at the disciples' instance. (One wonders why a bust, with golden illumination, was needed in this room.)
   ***

0 1965-10-30, #Agenda Vol 06, #The Mother, #Integral Yoga
   Something amusing has happened. You know that there is a new comet?1 This morning around four, I saw the comet, and suddenly I found myself in a state above the earth, and I saw a being who seemed to be associated with this comet. He had red hair (but not an aggressive red), a white body, but not pure white: a golden white, as if he were naked, but he didnt give an impression of being naked, or of wearing any clothes either (I have noticed this several times already), sexlessnei ther man nor woman. And it was a young being, charming, full of a sort of joy, like the joy that came a little in the music just now, and he was spreading in the earth atmosphere a sort of substance that was heavier than Matternot heavier, but denser and jelly-like. It was as though he had taken advantage of the comet passing near the earth to spread that substance. And at the same time, I was told it was to help for the transformation of the earth. And he showed me how to make that substance circulate in the atmosphere.
   It was charming: a young being, full of joy, as if dancing, and spreading that substance everywhere.

0 1965-12-10, #Agenda Vol 06, #The Mother, #Integral Yoga
   A gold Washer.
   But youve had many friends in life, havent you?
  --
   (Mother looks at the letter) He doesnt sign his name, he writes, Your brother, the gold washer.
   Yes.
  --
   Then Mother returns to the gold Washers suicide:
   Petit, its to help you take a step forward.

0 1965-12-15, #Agenda Vol 06, #The Mother, #Integral Yoga
   But this king1 is a remarkable man. He has a remarkable history, but it would be too long to tell. I was in contact with him before (gesture of mental communication), and I had said, I wont speak and I didnt speak. When he came he looked at me, then suddenly (he was standing), he remained standing in meditation, he closed his eyes and remained motionless. And then he asked me his questions mentally I received them. And the answer came from up above, magnificent. An answer with a golden, superb force, and a power telling him that he had a great role to play and had to be strong and so on.
   A very, very intelligent man.

0 1965-12-25, #Agenda Vol 06, #The Mother, #Integral Yoga
   But she is sweet, your mother. She is going to have the joy of her soul. You know, there is a joy in being more conscious of ones soul than of the material worldyou may keep yourself busy, you may see clearly, you may understand, you may do what you have to do, all that remains, its very fine, but, behind, there is a Light. A light, something warm, warm with a luminous, golden warmth. Its really the sense of immortality, of something that doesnt depend on a form or on circumstances. Its a consciousness in which one instantly has the feeling that there was no beginning, there is no end. And a sort of very strong sweetness, very strong, behind everything. It takes you through life; even all the difficulties dont matter when you have caught hold of that. Its something very intimate, which expresses itself with difficulty, but which is like a support, something that holds you up always, in any circumstances.
   Thats what your mother will have.

0 1965-12-28, #Agenda Vol 06, #The Mother, #Integral Yoga
   Take Purani,1 for instance: I used to see him almost every night, and then some fifteen days ago (ten to fifteen days ago, I think2), before he left his body here, like that, I saw him in a place Its a place which is entirely made of a sort of pinkish gray clayits sticky, gluey, and rather liquid (Mother makes the gesture of stretching chewing gum). There were lots of people. It was a place where lots of people were going to prepare themselves there for the supramental life but not in their present bodies, which means they were preparing something in order to be ready for the supramental life in a future existence. And I had been taken there; there was a good number of people who had taken me there so I would see (so I would have an action of control there). But as for me, great care was taken to prevent me from being touched by that substance (it was important that I shouldnt be touched), so they wrapped me in golden veils and all sorts of things, and I was walking along. And I saw him I was walking on a sort of verandah (but it all had a very peculiar character, all was made of a bizarre matter), and there was a sort of large courtyard which was entirely made of that semiliquid, semigluey matter which looked like very diluted but very sticky clay (same elastic gesture like chewing gum). And suddenly I saw Purani rushing into it. From the far end he comes to me covered all over in that and sweeping through it with such strokes! He had it all over his face, all over everywhere! You could see nothing but that. I told him (laughing), Oh, you like it! He told me, Oh, its very nice, very nice!
   Since that evening I havent seen him again. And then, some twelve or fifteen days later, I dont remember, he left his body.

0 1966-01-19, #Agenda Vol 07, #The Mother, #Integral Yoga
   And when I concentrate on someone while calling the Lord, then, generally, near the shoulder (gesture between the persons head and shoulder), there is a great golden light, like that, which sparkles and sparkles, shines and shines, very brightly, all the while. And when the light goes, the concentration goes.
   But just now, it was amusing, it was quite small like this, moving along with my pen. Now its finished, gone! (Mother laughs)

0 1966-03-04, #Agenda Vol 07, #The Mother, #Integral Yoga
   And the strange thing the strange thingis that outwardly you go on living automatically according to certain ways of life, which no longer even have the virtue of appearing necessary, which no longer even have the force of being that habits have, but which are accepted and lived almost automatically with the sense (a kind of feeling, of sensation, but its neither feeling nor sensation, its a sort of very subtle perception) that Something, so immense that its undefinable, wants it so. I say wants it so or I say chooses it so, but its wants it so; its a Will that doesnt function like the human will, but that wants it sowants it or sees it or decides it so. And in each thing, there is that luminous, golden, imperative Vibration which is necessarily all-powerful. And it results in a background of perfect well-being of Certitude, which, a little lower down in the consciousness, is expressed as a benevolent and amused smile.
   I feel like asking you a question. A little further on, Sri Aurobindo speaks of the worlds having neither beginning nor end, and he says that their creation and destruction is a play of hide and seek with our outward consciousness.2
  --
   The way all those experiences occur is truly interesting. I was wondering a few days ago, Why do they come like this? Whats the law that governs the order in which these experiences come? (They come abruptly I can see that they come from outside: they dont come from within, they come like a wave.) And there is always that golden, smiling Force behind everything. Even when the experience is expressed by something not very pleasant physically, It always smiles, and It says, Come on, dont make a fuss. But its contagious, and you smile. You know, for the body, as soon as something comes, a vibration it isnt used to, the first contact is discomfort, and it has to be told, Stay still, dont be afraid, all will be well. Strange, we are very small thingsvery small poor things. But we must laugh.
   There, mon petit. And you are very closely associated with those experiences, even in your physical body, and several times these last few days, I have had the opportunity to tell you, See, dont worry.3 Those things are really appearances, which human thought crystallizes and hardens, but if they are seen with the fluidity of the true consciousness, they come and go and passand they may not leave any trace, if we are supple enough to adapt ourselves. Thats how it is. We must be supple and plastic enough to adapt to all those vibrations that come in and disrupt the so-called natural functioning. When something changes, that thought (a habitual, subconscious thought4) is so stupid that it spoils everything.

0 1966-04-16, #Agenda Vol 07, #The Mother, #Integral Yoga
   When that is there, everything seems to swell with a golden, luminous, radiating Power: its so intense as to have volume! If that isnt there, everything is dust.
   So, naturally, there is constantly in all the cells the aspiration, the intense will for there to remain nothing but That.

0 1966-07-09, #Agenda Vol 07, #The Mother, #Integral Yoga
   Every time I have been conscious of the Power, the experience has been similar. The Will from above is expressed by a vibration, which certainly gets clothed in vital power but acts in a subtle physical. There is a perception of a certain quality of vibration, which is difficult to describe but gives a sense of something coagulated (not broken up), something that feels denser than air, extremely homogeneous, with a golden luminosity, an AWESOME power of propulsion, and which expresses a certain willit doesnt have the nature of human will but more the nature of vision than that of thought: its like a vision imposing itself in order to be realized, in a domain very close to material Matter, but invisible except to the inner vision. And That, that Vibration, exerts a pressure on people, on things, on circumstances, in order to fashion them according to its vision. And its irresistible. Even people who think the opposite, who want the opposite, do what is willed without wanting it; even things that are opposed in their very nature are turned around.
   For national events, relations between nations, terrestrial circumstances, thats how it acts, constantly, constantly, like an AWESOME Power. So then, if you are yourself in a state of union with the divine Will, without the thought and all the conceptions and ideas interfering, you follow, see, and know.

0 1966-08-03, #Agenda Vol 07, #The Mother, #Integral Yoga
   Thats how the present moment is: the will may be like this (Mother raises a finger upward), or it may be like that (finger downward). Like that, it means dissolution; like this, it means continuation and progresscontinuation with the necessity of progress. There is something which is the consciousness of the cells (a consciousness that observes, and which, when it is awakened, is a wonderful witness), and that consciousness is the one which goes like this (same gesture) or like that. This is expressed by a will to endure or to last, or by a need for the annihilation of rest. And then, when these cells are full of that light that golden light, that splendor of divine Lovethere is a sort of thirst, a need to participate in That, which takes away all that is or can be difficult in the endurance: that disappears, it becomes a glory. Then
   Thats what is being learned.

0 1966-08-10, #Agenda Vol 07, #The Mother, #Integral Yoga
   Its very amusing: you have here (gesture to chest level), like this, a big lotus bud bowing down (gesture turned downward), and surrounded by a sparkle of golden light, then by another row of light; there are three, four, five rows of light of different colors. Its here (same gesture), like this, bowing down.
   (Mother resumes her contemplation)

0 1966-10-08, #Agenda Vol 07, #The Mother, #Integral Yoga
   But I saw those curves, I began seeing them. I know them, I have seen them since the beginning of the month and they are growing more precise. And they are quite prettyvery pretty, very elegant. And this one [the new one] is like a magnificent spout of watermuch lovelier than that! And it keeps rising, it doesnt fall back, but it sprays a golden rain on the earth.
   Its good.

0 1966-10-29, #Agenda Vol 07, #The Mother, #Integral Yoga
   Its going to be a good year. A very clear yearvery clear, very vastvast and clear. I dont know whats going to happen here. Circumstances appear to be increasingly difficult, but I must say that leaves me very calm. They are difficult. In the country, in the world, its difficult, things grate. But it seems to be a mere appearance: its the great pressure of the Lighta warm, golden, powerful, supramental lightand it goes on increasing and increasing and increasing.
   Also, since the day I saw those two curves for you, they have been asserting themselves, establishing themselves, and the soaring towards the future is magnificentvery strong, very powerful, and at the same time very luminous (luminous, it has always been so: luminous, even crystalline on the intellectual level), but now it has great force. A great force.

0 1966-11-19, #Agenda Vol 07, #The Mother, #Integral Yoga
   Its true tenderness: that of the Divine. People dont know, they always think of something very human. But its not human (Mother closes her eyes and remains standing in concentration) Its extremely luminous, rose-colored, slightly golden always smiling. Its a very particular sensation. (After a long silence) Everything is like a beautiful pink rosea beautiful rose. Its better than that, much better (how can I put it?). No difficulties can existthey dont exist [when one is in that Tenderness]. Its the side of life (of life, I mean of the manifestation) which is all beauty, smile, peace and lightspontaneously, effortlessly, with an impossibility for anything else to exist. Its very particular. And its very high up, very high up. Yet, now and then I see a drop of it here. The first time I saw it (Mother wobbles on her feet). I must sit down because Im going away!
   (Mother sits down and resumes) It can only be realized in a world devoid of egoism. Which means that when the whole action of individualization is over and there is no more need for the element of egoism, then it will be possible for that to be fully manifested.
  --
   Has one of the new pieces of Ashram gossip reached you two? I am supposed to have said that Maheshwari1 has manifested in a golden light, that Sri Aurobindo has come (where from, I dont know!) and said that the world wasnt ready and that was why there are catastrophes and cycloneshavent you heard the story? Anyway, I denied it. First, I said, Where could Sri Aurobindo come from? He is always here, so he doesnt need to come!
   The story is unimportant, except that some people were distraught: they were expecting the end of the world! Sri Aurobindo saying the world isnt ready means its coming to an end!
  --
   Its again the quality of the vibration: sans sy attendre [without expecting it] is fullerits fuller, more golden. The other, dune faon inattendue [in an unexpected way] is a bit cold and dry.
   Et sans sy attendre, la Terre deviendra divine

0 1966-12-07, #Agenda Vol 07, #The Mother, #Integral Yoga
   But in what Ive read of yours (I set apart the book on Sri Aurobindo because that was a very special case: all sensitive people have instantly been brought into contact with Sri Aurobindo; that was a very special case), but in your first book [The goldwasher] which I read, I felt it came from above. I feel that. Only, of course, it would be unreadable: it has to be concretized, materialized. But if one has oneself a relationship with this plane above, one must feel it in what is written: many people feel a something that suffuses the whole thing. Thats why I want you to read me your new book, its to see if that is there. You know, I am like this (gesture to the forehead showing a vast stillness), it has become a constant state: a screen. A screen for absolutely everything. And really nothing comes from within: its either this way (horizontal gesture around Mother) or this way (gesture from above); horizontally from outside, or the response from above. Here (gesture to the level of the emotive heart), its something so neutral as to be nonexistent; and here (gesture to the forehead), its vast, even, still. So if I stop (gesture turned upward), right away, instantly, it comes in waves: a continuous light which comes down and through, comes down and through, comes down (gesture of a circulation through Mother as through a transmitter-receiver device). When something is read out to me or people ask me questions or they tell me about some matter or other, its always like that (a screen). And whats very interesting is that when its a question that deserves no answer or a matter that doesnt require my intervention, or anyway anything that can be expressed by Its no concern of mine, its none of my business, then theres an absolute blank: absolutely empty, neutral, without answer. I am obliged to say that there is no answer (if I were to tell the truth I should say, I cant hear anything, I dont understand). So its absolutely still and neutral, and if it remains like that, it means theres nothing, I have nothing to do with it. Otherwise, when there is an answer no time even elapses, theres hardly any lapse of time: the answer seems to come even as I am spoken to. Then I take the paper or letter right away and answer. Its automatic. The whole work is done like that. Theres nothing here (gesture to the forehead).
   Obviously we have to reconcile ourselves to it. The world is in a state of considerable imperfection, so everything that manifests in the world partakes of that imperfectionwhat can we do about it? The only thing we can do is to slowly try and transform but thats slow, so slow, unceasingtransform this body.

0 1967-01-28, #Agenda Vol 08, #The Mother, #Integral Yoga
   Not very diplomatically, by the way. I said it had nothing to do with Tantrism. But the strange thing is that despite all this sexual atmosphere, the man still has an opening: one day, about twelve years ago, as he had a problem, instead of writing to Sri Aurobindo (he had read Sri Aurobindo), he said to himself, But why dont I concentrate on Sri Aurobindo to get the answer to my problem? He concentrated, and in the night he suddenly saw a big golden disk come and fill him, and a voice of extraordinary force told him the words he was waiting for, words of revelation. So the man has an opening.
   Oh, yes.

0 1967-03-04, #Agenda Vol 08, #The Mother, #Integral Yoga
   Lovely, beautiful! Grapes turning golden, you knowtransparent and golden when theyre ripe. Each grape was this big (gesture: about five centimetres).
   (silence)

0 1967-04-27, #Agenda Vol 08, #The Mother, #Integral Yoga
   And there was the consciousness the Total Consciousness, in a light a light without any equivalent here, yet it was quite material. If you like, it was like molten goldmolten and luminous. It was very thick. And it had a powera weight, you know, like that, it was astonishing. And then, no more body, nothing anymorenothing anymore, nothing but That. And the vision of That, like this (gesture widening out above the head), in its immediate action, its action on the country, and its action on the whole earth. An action that doesnt cause any movement, I dont know how to explain it. A sort of pressurea pressure in which nothing is displaced.
   The pressure went away after the meditation, but the effect has remained, and when, out of the old habit, I got up afterwards to take something on the table over there, I nearly fell! The body no longer knew how to walk! I had to concentrate, then it came back.

0 1967-05-03, #Agenda Vol 08, #The Mother, #Integral Yoga
   (Mother gives Satprem a new booklet, brown-coloured with the title in gold lettering: "God.")
   I have a very nice little story The day before yesterday some people came (yesterday morning, I saw fifty-five people in the room over there fifty-five! The day before there were less, maybe forty-five), and there was a little child, less than a year old, carried by his father. He was sleepy, leaning on his fathers shoulder, like that. The father came in; when he came near me, the child saw mehe opened his eyes, a mans eyes! It wasnt a child anymore, you understand. Then he looked at me. He had a blissful smile and held his hand out to me! He caught hold of my hand, I gave him my handhow happy he was! But the father wanted to do pranam [prostration], so he put him down. There was a large tray beside me with about fifty of these small books (which contain all the quotations of the passages in which Sri Aurobindo spoke of God). The child looked; he took a book, looked at it, fingered it, tried to open itwithout a word, nothing. Naturally, the parents, who think they are very wise, the father who thinks he is a wise man, said, We cant leave this book in the childs hands, and he took it to put it back in its place the child howled! Then C. took the book and gave it to the little one, and while the others did pranam (there were a dozen people), all the while he kept looking at the golden letters, feeling them.
   He is certainly one of the most remarkable, but not the only one. All the children less than a year old who are brought to me are like that (more or less). This one is very, very conscious. Such eyes, you knowfully conscious eyes.

0 1967-07-22, #Agenda Vol 08, #The Mother, #Integral Yoga
   I have seen something. In its totality, it is luminous, but not radiant; its extremely peaceful, and as if golden, but not dazzling (I dont know how to explain), like a creamy and golden light. Very, very peaceful. But in it there were patches (as they say in English) of three VERY bright colours that were grouped together, as it were, and as though organized. There was a dazzling red, ruby red; a bluish white, almost like a pearl-grey, very luminous too; and (Mother tries to remember) Its gone, I dont remember if it was. Yes, it was green, but an emerald green that was also luminousluminous and transparent. They were like defined groups, but their positions were changing (Mother makes a rotating gesture, like the lights in a kaleidoscope). They were almost like entities. And it was in your atmosphere. Like formations moving about and organizing themselves (same gesture), made up of those three colours.
   The grey is the grey of spiritual light, spiritual aspiration; the red is the ruby red of the physical; and that emerald green 3
  --
   And the whole thing was like a nimbus, like the haloes they paint, you know? It was all a nimbus of golden light, not bright but golden.
   Did you feel anything special?

0 1967-08-16, #Agenda Vol 08, #The Mother, #Integral Yoga
   Do you know, I sat down, when it was nearly time, maybe half a minute before, and instantly, without warning like that, like a staggering blow: such a powerful descent (I was completely immobilised) of something. At the same time, it was as if Sri Aurobindo was telling me (because the definition came along with the thingit was a vision which wasnt a vision, which was absolutely concrete), and the word was: golden peace. But so strong! And it didnt budge at all. For the entire half-hour it didnt budge. Never before Its something new, I had never felt that before. I cant say. It was perceived, but not like an objective vision. And other people spontaneously told me that as soon as they sat down for the meditation (gesture of a massive descent), something came with a tremendous power and immobilised everything, with a sense of peace as they had never felt before in their life.
   golden peace
   And indeed it gave a sense of the golden supramental light, but it was such a peace! A solid peace, you know, not the negation of disorder and activity, no: solid, a solid peace. I didnt want to stop: they sounded the gong, but I stayed on for two or three minutes. When I did stop, it withdrew. And it made such a difference for the body the body itselfsuch a difference that when the experience went away I felt a great uneasiness and it took me half a minute to find my balance again.
   It came and then withdrew. It came for the meditation, then withdrew. For more than half an hour: thirty-five minutes.
   golden peace.
   And in the evening (at the balcony), there was a crowd (I think it was the largest crowd weve ever had, it filled all the streets; the streets were full of people as far as the eye could see), so I came out. And when I came out, there arose from that whole crowd a sort of something in between an entreaty, a prayer and a protest, for the worlds condition, and particularly the countrys. And it rose up in waves. I looked at it (it was extremely insistent), then said to myself, Today isnt my day, its Sri Aurobindos day, and I did like this (gesture of withdrawal) and put Sri Aurobindo in front. Then, when he came to the fore, while bringing himself to the fore, he simply said, very simply, The Lord knows better what He is doing. (Mother laughs) I immediately started smiling (I didnt laugh, but started smiling), and there came the same peace as in the morning.

0 1967-08-30, #Agenda Vol 08, #The Mother, #Integral Yoga
   And its character is such that if you kept the consciousness of it when you woke up, youd look a little mad. I had that experience two days ago, and it taught me a lot I looked, studied and studied until I had understood. It was during the afternoon rest (I dont sleep at all in the afternoon, but just enter the inner consciousness), and I had decided beforeh and that I would wake up, that is, get up, at such and such a time. When the time came, I was still very much in my action and it went on, the state of consciousness went on with open eyes; and in that state of consciousness there was (I cant say I because its not the same I, you understand; at such times I am many people), but the I of that moment was in the habit (not here materially but up there) of wearing a gold watch (gesture to the wrist) and had forgotten to put that watch on; and looked and noticed it: Ah, I forgot to put my watch on, whats happened to it? Why did I forget? Like that. So then, when I woke up (I dont wear any watch here, as you know), when I came back, the two consciousnesses were simultaneous, and I said aloud, Where is my watch? I forgot to put my watch on. And its only when I had said that (laughing) that I realized! So it left me thinking, I studied carefully, looked carefully, and clearly saw that at that moment the two consciousnesses were absolutely (Mother closely superposes her two hands), but absolutely simultaneous.
   Its very interesting. Oh, all kinds of problems have been solved with that experience. For instance, the problem of many people who are called mad, and who are simply in that subtle consciousness (same superposed gesture): at certain times it prevails, which makes them say things that are meaningless here but have a very clear meaning over there, and so the consciousness is like this (superposed gesture, almost merged). That explains many cases of so-called madness. Certain cases of apparent insincerity are also like that, because the consciousness sees clearly in that region, and that region is so close that you can give things the same names (they seem to have the same shapes or very similar ones), but its not what is conventionally called here tangible reality: materially, outwardly, things arent exactly like that. And so, there are cases of so-called insincerity that are simply too close a mingling of the two consciousness estoo close for an active discernment.

0 1967-09-06, #Agenda Vol 08, #The Mother, #Integral Yoga
   A head as big as this He was smiling, and showing us both something that was the symbolic image of these Talks. It was very interesting! His head was big like this (about fifty centimetres), wholly luminous with that supramental light which is its golden, but with red in itnot red: pink, but its inexpressible. Its almost like a flame, but not dazzling; and it gives the sense of a forcea really all-powerful force. He was there like this (gesture between Mother and Satprem), between the two of us, with his hand outstretched (it was all the same colour), and in his hand was a cube. And that cube was all those Talks. So he showed the cube, which was of a transparent light (how can I put it?) a steady transparent lightnot still, but steady. And there were kinds of veins in it: blue veins, silvery veins It was a cube, you see, a perfect cube, but it was all moving about: blue, silvery, red veins, and sometimes too, a small dark line. And he was showing it as if to say, Here is how it is. The whole thing was a cube of colourless, transparent lightpurely transparent and purely luminous; and there were kinds of currents passing through it: sometimes in one corner (but it was shifting about, not still), and it was now dark blue (not dark, but bluereally blue), now silvery, now white, and in places, from time to time, here or there (gesture to various points), there was in a corner or at an edge (laughing), a small black line!
   He held it out in his hand and laughed!

0 1967-10-04, #Agenda Vol 08, #The Mother, #Integral Yoga
   Power to heal? I saw in Plante the story of a man born in 1905, who for thirty-five years has been healing people by the laying on of hands!1 His father was Italian, his mother Spanish, and he was born in France, he is French. For thirty-five years he has been practicing the laying on of hands; he has treated five million peoplefive million. Out of them two-thirds were cured, and he has been taken to court countless times by doctors, naturally: he had no right to heal people because he wasnt under oath! At one of the hearings (Ill tell you the beginning of the story after the beginning at the end!), maybe one of the last hearings, suddenly his lawyer arrived very ill, with an attack of sciatica that prevented him from moving one leg, he was in acute pain. The judge, thinking himself very clever, told him, Well, why dont you cure your lawyer to begin with? The man got up, laid his hands on his lawyer, and five minutes later the lawyer was cured: Oh, but I am cured! (Mother laughs) He was convicted just the same. Wonderful. Anyhow, when he was quite small, that is, five or six, he had stolen a fish from his father who had gone fishing, and the fish couldnt be found. Fifteen days later, his parents found the fish among his things, with his toys absolutely dry and perfectly intact! Then the father tried an experiment to see: they had a fishbowl with goldfish; he took out two goldfish and gave one to his son, putting it in the hollow of his sons hand the fish started drying up. As for the second fish, a few hours later it was rotten. Then they mentioned it to doctors (they were living in Toulouse, that was a little later, when he was twelve or thirteen). One doctor had in his hospital a patient whose wound he had been trying to heal for weeks and weeks in vain: it was horrible, purulent. The doctor called the child, who laid on his handstwenty four hours later, the wound was healed.
   And this man (I saw his photo, he has a magnificent head) says, I live in Gods presence. Thats what he says, and I dont think he makes any fussbesides he doesnt have the time because he goes to bed after midnight and gets up at five every day, starts work at five-thirty and spends the whole day working, that is, seeing people and people and more people (when that was read out to me, I thought, And I complain!). Its admirable. He did some studies, but he isnt a philosopher, he doesnt have any theories: he seems to have been born like that, with healing hands. He probably gets rid of infections by dehydrating them, so he cures all the diseases of that nature. And they did (poor man, they must have made his life impossible!), they did encephalograms, cardiograms and so on, and they noticed that just when he lays his hands (for a few seconds, two or three minutes at the most), at that moment his heartbeats suddenly go up from sixty to eighty, then fall back to normal. And he doesnt seem to be making any fuss, unlike that German I told you aboutnothing at all, very simple, very nice.

0 1967-10-11, #Agenda Vol 08, #The Mother, #Integral Yoga
   I also have deities (Mother catches hold of three bronze statuettes, immersed with some others under a flood of papers): this is a standing Ganesh; this is Garuda, Vishnus attendant; and this is Shivas bull. And there (a little farther on the table), I keep three Ganeshas: a tiny little silver Ganesh, between the legs of this deity (a modern-looking one), then another Ganesh, I dont know what its made of, and finally a bronze Ganesh. And in there (Mother points to a drawer in which she keeps money), I have three other Ganeshas: a bronze one, a silver one and a gold one! Its because he promised me that he would give me all the money I need, so this way (laughing) he cant say I forget him (or his promise either!).
   This particular Ganesh (on the table) was given to me by a little boy maybe two and a half years old. When that little boy was a few months old and till the age of one, his mother always brought him to me and he would cry and scream and make scenes the parents were desperate. Each time I would tell them, Dont worry, all will be well, well be very good friends. Then the parents would look at me in disbelief. Now he is two and half or three, and as soon as he is in the stairway, waitingMo ther, Mother, Mother! (or Ma, I dont know). But when he comes in (he is the first of the family to enter the room), he comes with a flower; and it was he who gave me this Ganesh, but with such consciousness! He is wonderful. Yesterday, he was absolutely exquisite: he comes in first, so self-assured, so joyful, then gestures to me as if to say, Everything is just fine, dont worry! And I speak to himhe doesnt understand a thing of what I say, but he approves gravely. Absolutely exquisite.

0 1967-10-19, #Agenda Vol 08, #The Mother, #Integral Yoga
   This is a time of extremes, even extremes in the downright material. Did I tell you both the other day that I had received the first flower of a plant which visibly was supramental powera flower like this (gesture), a hibiscus? And yesterday there was the first flower of another plant, also a hibiscus, this big, snow-white, with such a colour at the centre! An indefinable colour, it cant be described. Its golden pink, but so beautiful that you wonder how such colours can be physical. A flower this big (gesture, about fifteen centimetres), the first flower was yesterday. And that was VISIBLY (it expressed itself, you know) the Victory of Love, the Power of Love. Its as if all this physical Nature were, oh, like this (gesture of intense aspiration), tryingshe tries, and there is a Response. They are blessed not to have a mind.
   It was beautiful. It doesnt keep, otherwise I would have kept it to show it to you. How beautiful it was! Like this (same gesture of ardent aspiration): a thirst, a thirst for the Divine, a thirst for the Divine. All those mental ratiocinations and mental complications, it all goes round and round in circles. Yes, it does bring about whats now happening: a sordid conflict, really sordid, between Falsehood and Truth.

0 1968-02-03, #Agenda Vol 09, #The Mother, #Integral Yoga
   But now it has become clear, conscious, and the body I just have to stop my activities even two or three seconds, one or two minutes at the most, for the body to feel as if its floating, floating like that, floating. You see an immensity, like an ocean of this vibrating, luminous, golden, powerful Consciousness, and the body floats in it. I tell you, its still somewhat like a piece of bark, but some parts are crumbling away. Its like a piece of bark that clumsily covers certain spots: they are the things that still feel the identification; its not perfect identification because its still felt but felt in such a bliss!
   From a practical point of view, if something goes wrong anywhere for any reason (most often under the influence of something coming from outside unexpectedly: a pain here, something wrong there, and so on), with that, almost instantlyalmost instantly the trouble disappears, and if I patiently remain in that state, the MEMORY of the trouble disappears. And thats how disorders which had become habits gradually disappear.

0 1968-02-07, #Agenda Vol 09, #The Mother, #Integral Yoga
   There is someone to whom I send flowers and who sends me flowers every day, someone who does the yoga in earnest. He wrote to me (he sends me some of these golden hibiscuses, Supramental Beauty), he wrote to me that he told one of these flowers, You are going to see Mother, and the flower smiled. It opened out, it was happy, and it smiled. It smiled at me, he said.
   I dont know if its our perception that progresses, or if really, as Sri Aurobindo said, When the supramental Force comes on the earth, there will be a response EVERYWHERE. It seems to me to be that, because these flowers are so, so vibrant, full of life. In the morning I always arrange them (its a work that takes me at least three quarters of an hour, there are more than a hundred flowers in different vases that I have to arrange, and to each person I give a special sort of flower I arrange all that), and in the vases, some flowers say, Me! And indeed they are just what I need. They call out to me to say, Me!But thats not new, because when I was in Japan, I had a large garden and I had cultivated part of it to grow vegetables; in the morning I would go down to the garden to get the vegetables to be eaten that day, and some of them here, there, there (scattered gesture) would say, Me! Me! Me! Like that. So I would go and pick them. They literally called me, they called me.

0 1968-02-20, #Agenda Vol 09, #The Mother, #Integral Yoga
   You have before you, here (gesture at chest level), Sri Aurobindos symbol. The descending triangle is of an almost white light, but with a golden hue, and the ascending part is of an intense dark violet I dont know why. The ascending triangle is dark violet (the color of vital power), an intense dark violet, very, very strong, and with the descending triangle, that makes Sri Aurobindos symbol, here, in front of you, like that.
   Its not luminous, but not dark: it has a rich and very intense color, a very intense violet.

0 1968-04-27, #Agenda Vol 09, #The Mother, #Integral Yoga
   What I see is this: let him come here, well put him up at golconde.1 Lets send this Monsignor a telegram along that line.
   And inform P. L. that he will be put up at golcondelet him be told in advance.
   Oh, yes.
  --
   I think thats the only thing to do: to ask J. to wire that he will be put up at golconde. And well see. We shouldnt ask her to receive him, its better if he doesnt go and stay with her. I wouldnt want them to have a relationship. That would be very undesirableit shouldnt take place here, you understand; it would right away take him out of the protection, so If what makes him come back here is a desire of this order, it will take him out of the protection.
   But the two are there! Theres his passion for J., and theres Sri Aurobindo and Mother.

0 1968-05-22, #Agenda Vol 09, #The Mother, #Integral Yoga
   With this latest adventure [the attack on Mother], this body has learned trust. It was very much steeped in pessimism because of its material antecedents. Certain antecedents, that is, father and mother, had been chosen for their great practicality and a very concrete material honesty, but no mysticism, nothing of the sortdeliberately. But then, it gave a kind of not exactly pessimism, but a very sharp vision of how things go wrong. The body had that, and its faith had to struggle against a habit of expecting difficulty, obstacles, resistance; although it had complete faith in the final Victory, it couldnt overcome the habit of expecting difficulties on the path. This latest adventure has given it a good push forward: its trust is much more smiling. And the general vision is as I told you. And constantly, all the time, even at the time of the worst difficulties, all the time there is it wells up from the cells, like a golden hymn: an incantation, you know, a call, an incantation to the supreme Power. And with such faith! A marvelous faith.
   (silence)

0 1968-09-11, #Agenda Vol 09, #The Mother, #Integral Yoga
   The Power comes from above. And the Power is something (what should I say?) as if warm, golden. And it gives the impression of being (smiling) more compact.
   ***

0 1968-10-05, #Agenda Vol 09, #The Mother, #Integral Yoga
   Oh, the other day, on Durgas day,2 I went over there [to the music room where Mother sees people]. I told you last year that she had come and made her surrender. This time, I went there (it was the first time Id come out); as soon as I entered the room, I felt there was something, an impending attack. So I sat down, kept very still, and called the Lord as usual so He would fill the room with his light. And it was She who came in a golden lighta glory of adoration and consecration! She stood there (immense gesture). It was magnificent! Magnificent. And the whole morning was very good. Then, in the afternoon, things went wrong again.
   Couldnt you strike at these people a little?

0 1968-11-06, #Agenda Vol 09, #The Mother, #Integral Yoga
   V. has again seen something. Something unexpected. Every evening, he comes to meditate at the Samadhi, and there he has never seen anything in his whole life: for years there has just been Sri Aurobindo, thats all, never anything else. The other day he came, and all of a sudden he had a vision: he saw Kali coming out of the Samadhi from the spot where Sri Aurobindos head isan all-blue Kali, covered with gold ornaments.
   On which day?
  --
   What surprised him was that instead of being naked, she was covered with gold.
   What?
  --
   What surprised him was that she was covered with gold instead of being naked.
   She was coming out of the Samadhi?
  --
   Let us recall that gold is the color of the supramental.
   ***

0 1969-01-01, #Agenda Vol 10, #The Mother, #Integral Yoga
   Yes, there was It came slowly in the night, and this morning when I woke up, there was a golden Dawn, as it were, and the atmosphere was very light. The body felt, Oh, its really truly new. A light, golden Light and benevolent. Benevolent in the sense of a certitudea harmonious certitude.3
   It was new.

0 1969-01-04, #Agenda Vol 10, #The Mother, #Integral Yoga
   On the 1st, something really strange took place. And I wasnt the only one to feel it, a few people felt it too. It began just after midnight, but I felt it at 2, and others at 4 in the morning. It was I told you a few words about it last time, but the surprising thing is that it didnt correspond to anything I expected (I didnt expect anything), or to any of the things I had felt. It was something very material, I mean it was very externalvery outward and luminous, with a golden light. It was very strong, powerful. But its character was a smiling benevolence, a peaceful joy, and a sort of blossoming in the joy and the light. And it was like a happy new year, like a wish. I must say it took me by surprise.
   It lasted I felt it for at least three hours. Afterwards, I stopped concerning myself with it, I dont know what happened. But I told you a few words about it, and I spoke to two or three others: they had all felt it. Which means it was VERY material. They had all felt a sort of joy like that, but an amiable, powerful joy, and oh, so sweet, very smiling, VERY BENEVOLENT something I dont know what it is. I dont know what it is, but its a kind of benevolence; so it was something very close to the human. And so concrete! So concrete. As if it had a taste, so concrete was it. Afterwards, I didnt concern myself with it anymore, except that I told two or three people about it: they had all felt it. Now, I dont know whether it has mingled or It hasnt gone, it doesnt give the feeling of something that comes only to go away.

0 1969-02-05, #Agenda Vol 10, #The Mother, #Integral Yoga
   There were different groups of figures (Mother tries to remember), yes, there were two groups: some were blue (dark blue), and others golden yellow, and (how can I explain?) they werent male-female, but they were two principles, the two principles-the principle of not creation, but conception (gesture coming down from above), and the principle of realization.
   When I do that I am wholly conscious: its not a dream (I dont sleep in the ordinary way; I am as if asleep, but I dont sleep; and I dont dream: I ACT), I am wholly conscious, with the same kind of consciousness as the waking consciousness its not a dream. I was doing that, and explaining to you how all those figures were organizing themselves and determining future events.
  --
   It went on for several hours. It wasnt the conception of a work, it was THE work itself, like like when there are levers and things you move to set other things in motion (Mother draws a big control panel in an electronic room), it was something like that, but it wasnt that at all! It was the organization of those groups of figures that determined the events and the ORDER of events (especially the order of events) and their location on earth. And probably, while I was doing it, something wanted me to tell you, and left an impression that I had something to tell you; then everything went away. When I come back to this life, everything goes away; and its only because I now tried to remember that I could (gesture of contact with the memory) catch it: I tried, and it came back. But I realize (almost with surprise) that it must have lasted at least two hours, or moretwo to two and a half hours. I dont sleep at all, but I am active, absolutely active in the (Mother tries to situate the zone)whats being prepared to manifest on earth, I dont know if we should call it subtle physical or Its the creative zone of the physical, its there. And as I cant run from one place to another, what I do is linked through figures, like thatliving figures. Living figures: I organize them, group them together, and I remember what I did the previous day; I say, No, yesterday it was that way, but now it has to be this way, and with the knowledge that it will have to be changed again tomorrow. And thats what determines events. But the consciousness (the waking or ordinary consciousness) MUST NOT know whats decided there; it must know only a part necessary to the execution. Thats why there is a breakit remains, it keeps on living there like that (gesture behind the head), but it doesnt come through. Its wholly because at that time [during the dream] I made the decision to tell you about it that I could catch the memory, otherwise Although I SEE; I see those figures, thats why I can describe them, but they no longer mean anything for me. And I am not sure whether they are figures or letters. They were figures, I know they were; some figures were golden, others were blue (but those arent our material colors, neither our substance nor our material colors), and I kept arranging them: one group like this, another group like that (gesture like a moving puzzle), then I would choose. Strange. And I must have been very tall, because the figures were big; I would take them and place them (it was on a large surface), and as I placed them, it established a communication and organized the events immediately ahead.
   Perhaps I do remember
  --
   Yes And this vision [with the big control panel], it was like an application of scientific means, but quite different! And it was entirely based on There was no thought, no reasoning, nothing of all that: it was a force going like this (gesture of a descent imposing itself), as it always does, and it impelled the action. So I saw; I saw, I knew I had to do this or that, and though I didnt think at all, I was able to explain why, that is to say, I was able to say in advance that it was FOR such and such a thing. It was the combination of these two colors of figures (maybe its a translation in my consciousness? Anyway), the blue figures and the golden ones. And the priority for action was always the golden figures; the blue ones came as if to fill a gap. It had a shape (same gesture like a moving puzzle), it had a shape. Its odd. its odd, it was so natural, so spontaneous and HABITUAL: nothing in the being remembered it with surprise, that is to say, it didnt remember as one would remember having dreamt and done somethingnothing of the sort, it was quite natural: I did it like that and was quite aware that I was doing it every night. And if I remember right, it was between midnight and 3 in the morning (a little earlier or later).
   But it has a strong action, I mean it COMMANDS the action on earth, and its not subjected in any way or tied down to anything below: its like this (gesture of a descent imposing itself). And it constantly receives the Will or the Power of action from abovenot above, its not above, its (Mother makes a sort of gesture meaning it is everywhere inside) superior in the true sense.

0 1969-04-02, #Agenda Vol 10, #The Mother, #Integral Yoga
   Its wonderful, this Consciousness, it has such a way of seeing things! Really really unique. I could say that my vision and my understanding of the world, of life, of everything, have completely changed, in a widening Of course, I had worked constantly to get the widening, but this widening has shown itself to be full of something completely new, completely. And there are two things mingled together: one is this sort of understanding and benevolent Smile, which is CONSTANT, whatever may be there, even the most stupid negations; and at the same time, underneath this benevolence (but benevolence is a weak word), theres such a power! A tremendous power. Tremendous As if it were swollen with power. An almost concrete power, I dont know (Mother feels the air) its a light, but a light you could touch, as it were: if it goes through your fingers, its so concrete that you feel it go through. A deep golden light.
   In the space of a few days, I had two cases of people who behaved like fools and ninnies (that often happens!), but those two realized it, felt it, and wrote to me accusing themselves of the very thing that had been seen in this light. So thats new. There was one letter yesterday, and another today; one is a Frenchman, the other an American. Both had behaved absolutely like silly fools, but ordinarily they would have excused their behavior with all sorts of good reasons, while both accused themselves: Ive behaved like a fool. Thats new.

0 1969-04-09, #Agenda Vol 10, #The Mother, #Integral Yoga
   Just fall asleep in this Consciousness just call it, call it (Mother makes a gesture of wrapping herself in it), its very comfortable, oh! Its a kind of golden softnessvery comfortable and the body feels it very clearly.
   ***

0 1969-04-16, #Agenda Vol 10, #The Mother, #Integral Yoga
   One day, I received someone here (it was R., in fact), and the body asked this Consciousness, like that, it asked, How, how to make sure there is no mixture of all the lower movements with this light? Then (I was sitting here), there came down a sort of column wide like this (gesture of about five feet), here (gesture in front of Mother), like a column of light. But it came down IN THE ROOM, mon petit! It wasnt elsewhere it was here. To such a point that I saw it with my own eyes. A light indefinable, dazzling, but I dont know, so tranquil! I cant say, I dont know how to explain so steady, so tranquil. Dazzling. And without any vibrations. And its color indefinable, in the sense that it was neither white nor golden nor It was as if EVERYTHING were there. It cant be described. Wonderful. Then this Consciousness took my consciousness and went like this (gesture in a circle starting from Mother on her left, going through the column of light, then returning to Mother on her right). I felt it [the column of light, when Mothers consciousness went through it]. I felt it, but I didnt see anything [i.e., no shadow]. I didnt see anything, I only saw a slight movement, but It was like a slight movement, but it was the same light.2 Then it went through the column, and came back [into Mother]. And then it took R.s consciousness (same gesture in a circle starting from R., taking her consciousness through the column, and coming back to R.), it went through, and there was an outline [while crossing through the column of light], an outline, and in the place of the head, it was blue, it had become blue [i.e., a shadow in the light]. That was R.s effect: an outline. Then it said something to me (wordlessly, but it was instantly translated into words, in English):
   When you stand in the light of the Supreme Consciousness you must not make a shadow.

0 1969-04-30, #Agenda Vol 10, #The Mother, #Integral Yoga
   Its constantly like that. Its a relentless struggle against ALL possible conventions. At the same time, this consciousness seems to inculcate the sense of an irresistible power. Which isnt a personal power, not at all, it has nothing to do with the person; only one must be in accord with the Consciousness that rules the world, and this Consciousness has irresistible power. But it sweeps away all notionsALL notionsand makes you see the stupidity of the notions you hold together [within the same consciousness], naturally in contradiction with one another. All that. And then, as soon as you are tranquil (after an experience like that serpent: it lasts for one minute, or two, or ten minutes, five minutesit depends on the case), but once you remain like that, peaceful, there comes a sort of sense of limitless immensity, of in English they say ease, that is, something extremely peaceful, and at the same time vibrant, in which you feel that everything, but everything, is harmonious, like thateverything. And its like that in a great intensity of light which tends to be golden (its not golden, I dont know what that color is, but it tends to be like that), a light like that. Then, if you remain there, everything is fineEVERYTHING is fine: the body is fine, everything is fine. And as soon as you go out of that state and get into other movements, you see that all, but all is a world of contradictions, everything is a contradiction: chaos and contradiction. But there, everything is perfectly harmonious.
   This poor body, it takes its lessons like that.

0 1969-06-11, #Agenda Vol 10, #The Mother, #Integral Yoga
   (Later, regarding a letter from the Raymonds, friends of Pavitras and the architects who built golconde, the Ashrams guest house.)
   Have you seen the Raymonds letter? Theyve written a very sweet letter. In their letter, they write something I didnt know, which Pavitra had never told me; they say that when Pavitra put them in contact with here, it completely changed their lives, the aim of their lives and everything.
   Raymond is a great architect. When they came here1 and built golconde, I asked Raymond to prepare the plan for the first Auroville I had conceived (that was when Sri Aurobindo was still alive), and it was magnificent! He didnt leave it here.
   But it was an Auroville with, at the center, Sri Aurobindos house (gesture on a hilltop). Sri Aurobindo was alive, so we had put him at the center.

0 1969-07-12, #Agenda Vol 10, #The Mother, #Integral Yoga
   Oh, and this this I must have had for at least seventy years! (laughter) Its a copper thing that served as a letter opener; it lost its handle, but I kept it and used it. But theres a mirror somewhere, I dont know where (a mirror with a golden frame, very pretty, a folding pocket mirror); it belonged to my grandmo ther, who gave it to me; and she had got it when she was twelve years old. She was given it when she was twelve; she gave it to me and I kept it, and I still have it, which means that it must be much more than a hundred years old! Its downstairs, in the cupboard. But this is a letter opener. Its, oh, very, very old: I had it in France before coming here, I brought it with me when I came here; I took it to Japan and used it there [to open Sri Aurobindos letters], and I brought it back here. So it must be I had it at the beginning of the centuryits much older than you! Do you want it? To open letters
   (Mother gives the letter opener to Satprem and goes on looking through the boxes)

0 1969-07-19, #Agenda Vol 10, #The Mother, #Integral Yoga
   Chandulal is the engineer who built golconde. He left his body in November 1945... twenty-four years earlier.
   Purani left his body in December 1965.
   Mother described a similar phenomenon two years earlier (the story of a golden watch). See Agenda VIII of August 30, 1967.
   Also in 1967, about the story of a diplomat's son killed during the war who had merged with Pavitra, Mother said, "It's a knowledge of the CELLS' consciousness." See Agenda VIII of March 7, 1967.

0 1969-07-23, #Agenda Vol 10, #The Mother, #Integral Yoga
   But he looked much more agile, if you like, and his skin had a golden red color, golden pinkish red.
   Yes.

0 1969-07-26, #Agenda Vol 10, #The Mother, #Integral Yoga
   Life its gestation of the golden Child.
   (I.V.76)

0 1969-07-30, #Agenda Vol 10, #The Mother, #Integral Yoga
   You know that I sent my Sannyasin to Paris, and the publisher of the gold-Washer didnt want it. He found it was speculations, abstractions.2
   Oh! Is this gentleman of yours an idiot?

0 1969-08-20, #Agenda Vol 10, #The Mother, #Integral Yoga
   Yes, he has had a vision of a much more general order. All of a sudden he had the sensation that the Pope was dead. It was the same atmosphere as at the time of Pius XIIs death and John XXIIIs death: The Pope is dead. Then all the cardinals met in a conclave closeted to elect a new Pope as usual. And they couldnt manage to elect a new Pope; time was passing, but they couldnt manage to elect a new Pope the Pope was dead, but they couldnt elect one. Then, suddenly, on the Vatican fell a bomball the cardinals were crushed, the whole Vatican was crushed by that bomb. And all at once, he saw that bomb turn into a sort of golden sun, or golden ball, and out of all the Vaticans museums (which had been crushedthose places where there were Michelangelos and all those treasures), there came an army of rats!
   (Mother laughs)

0 1969-08-30, #Agenda Vol 10, #The Mother, #Integral Yoga
   No Its a pink with a golden glow, you understand. So the two are seen together, like this (gesture of fusing together).
   (long silence)

0 1969-09-03, #Agenda Vol 10, #The Mother, #Integral Yoga
   Yes, all those beasts came from every side and looked at that (Mother stares wide-eyed), almost with respect and admiration; it was very odd, like something marvelous they had never seen. You know, it was extraordinary, and so, so vivid, so real! And God knows I didnt think about it I saw. I looked at that, and the sort of admiration of those beasts for this extraordinary animal. A silky fur (Mother feels it), very silky, a thick fura heavy, thick fur, golden brown. And it was a female. She sat like that, peaceful, as if conscious of her superiority!
   Very amusing.

0 1969-09-20, #Agenda Vol 10, #The Mother, #Integral Yoga
   Ah, it was in English thats it (I was trying to remember in French!), Let us all work for the greatness of India. You understand, its a platitudeit became a revelation. I notice this: when it makes me say something and I see it later with the ordinary consciousness, I find it such a platitude! Or something perfectly obvious, or which isnt worth saying. But when it descends, it takes such a force! And it HAS a force (Mother brings down her two fists). It has told me all kinds of things like that; it told me, If this person (Indira, for instance), if this person had said this (in her meeting, when she is in difficulty), everyone would have been won over. And its such a compact Power that you feel as if you could cut slices out of it, you understand, so material it is! Its a rather deep golden color (rather deep when it comes like that), and then it goes like this (gesture of pressure on the head), you feel it might very well crush you (!) And it has an extraordinary action on people.
   On that day, it was really remarkable.

0 1969-11-15, #Agenda Vol 10, #The Mother, #Integral Yoga
   Have you brought anything special? Me, I have nothing, except a very small thing, which is that last night, for the first time, for about two hours continuously (I was simply as I always am, like that, quiet), the Force I seemed to be like a sponge. I dont know how to explain: its not that it was coming from above, or like this (horizontal gesture), but it was coming in I was like a pipe and then going out ceaselessly, ceaselessly. For one hour, the Force, with an intense golden color, went out like that, and then spread over the world. Its the first time I have felt it physically I felt physically. And it had such extraordinary power! And this [the body], it was as if I were a water tap or a pipe, you understand,but it didnt come from a precise spot: it was as though I were immersed in it, and, through me, it flowed and flowed (gesture through Mother and spreading out everywhere). It went on for more than two hours early this morning, that is, between one and four (I dont know exactly); my impression is that it lasted for more than two and a half hours like that. And I saw the Force. The body only acted as a way to touch the earth the Force came, then it went out and spread. And it went I saw that, I saw it go towards all those who call. It was directed by a wholly conscious consciousness, while I was quiet, (laughing) I just was the pipe!
   Its the only thing I had to say.

0 1969-11-19, #Agenda Vol 10, #The Mother, #Integral Yoga
   It was the vision of the creation: the vision, the understanding, the why, the how, the whither, everything was there, everything together, and clear, clear, clear. I tell you, I was in a golden gloryluminous, dazzling.
   You see, there was the earth as representative center of the creation, and there was the identity of the inertia of the stone (of whats most inert) and (Mother again tries to read)
  --
   I do hope it wont come back. Thats really thats what I understand to be a transformation! You are conscious in a golden immensity (its wonderful, mon petit!), luminous, golden, peaceful, eternal, all-powerful.
   How did it come? There are really no words to express it, that sense of wonder towards the Grace. The Grace, the Grace is a thing that exceeds all understanding in its clear-sighted goodness.

0 1970-01-03, #Agenda Vol 11, #The Mother, #Integral Yoga
   It was there (gesture of vision above), I still see it when I talk about it I SEE. As I see it, its very beautiful, really very beautiful. A sort of half-light: you can see, but its very peaceful, and with very clear and strong beams of light on that globe (the projected, artificial light will have to be slightly golden, it shouldnt be coldit will depend on the spotlights). A globe that will be made of plastic or I dont know.
   Crystal?

0 1970-01-07, #Agenda Vol 11, #The Mother, #Integral Yoga
   If you knew how COMPACT with golden light it was when it came! And I did not remember at all what was written.
   But thats almost triumphant!

0 1970-01-10, #Agenda Vol 11, #The Mother, #Integral Yoga
   And then, no furniture, but first a wooden floor, probably (like here), then over the wooden floor, a thick foam rubber, and over it, a carpet, like here. We have to choose the color. The whole thing will be white. I am not sure if Sri Aurobindos symbols will be white I dont think so. I didnt see them white, I saw them with an undefinable color, between gold and orange. A color of that sort. They will stand upright, carved in stone. And a globe not transparent but translucent. Then, at the bottom [of the globe], a light will be projected upward and will enter the globe diffusely. And from outside, rays of light will fall onto the center. No other lights: no windows, an electric ventilation. And no furniture, nothing. A place to try and find ones consciousness.
   Outside, it will be something like this (Mother unrolls another plan). We dont know if the roof will have a pointed shape or
  --
   Its like those symbols of Sri Aurobindo. When I speak of the Center, I still see those four symbols of Sri Aurobindo joined at their angles, like this, and that color strange color I dont know where well be able to find that. Its an orange gold, very warm. And its the only color in the place: all the rest is white.
   Paolo said he would inquire right now in Italy, at Murano where they make large crystals, whether they can make a one-foot globe, say, in crystal.

0 1970-01-17, #Agenda Vol 11, #The Mother, #Integral Yoga
   N. and Paolo realized that if Auroville or the construction of this Center is left to Aurovilles people as separate from the Ashram, it will never work: the true force will never be there, those who are there arent receptive enough to do the work. If there is that break between the Ashram and Auroville, it will never work, it will be one more construction but not something new. According to them, the only hope is for that Center to be built not by Aurovilians but by all the Ashram people, without distinction between Aurovilians and non-Aurovilians; for the whole force to be united in the construction of this Center, rather than abandon the Aurovilians to an outer break. Just as the disciples built golconde [a guest-house at the Ashram], in the same way all the disciples should build Aurovilles Center, without outside manpower.
   At golconde there was outside manpower.
   Anyhow with as little as possible of the outside element, so it may be a work of consecration. Otherwise, they told me (N. especially), Aurovilles people are all full of arrogance and incomprehension, they see the outside of things. The force of the people here should be mixed into it. If the Ashram people do not mix with them, do not brea the the force into it, it will never work. Right now, Paolo told me, Auroville as it appears from outside looks like a necropolis.
  --
   When they say that all the disciples here should take part in Auroville s construction, as was done for golconde, they mean that you are the one who gives the disciples the impulse to come and participate in the work. That was the idea. But you say there should be a separation on the contraryno mixture.
   (Laughing) If you knew things as they are! Auroville people bring drugs here, they bring all kinds of things.

0 1970-04-04, #Agenda Vol 11, #The Mother, #Integral Yoga
   There was a luminosity. The substance was not radiant but I cant say luminescent because it was a golden color, but like luminescent bodies: it was a kind of golden mist coming out of his body.
   What I meant was: is it an element (I who dont see anything), an element not present now, or not yet present, or what?

0 1970-07-11, #Agenda Vol 11, #The Mother, #Integral Yoga
   O my unique Love which sprang from my heart and filled it so much that it made my life blossom. O my Lord of unique Love who has given himself to me wholly and by the Grace-Light has transmuted me. My Love that has entered and unified with me in my heart, so as to transform my body into a golden body. The skin has become supple, the influx of the nervous current all over the body is vibrating, with pauses in between; the bones have become pliable and plastic in their nature; the soft muscles have become truly loosened; the blood has become condensed within; the semen has become concentrated into a single drop and confined in the chest; the petals of the brain2 have blossomed or expanded; amrita [nectar of immortality] is welling up into springs all over the body and filling it up; the luminous forehead perspires; the luminous face brightens up; the breath full of peace becomes cool and refreshing; the inner smile beams up; the hair stands on end; tears of joy flow down towards the feet; the mouth vibrates into the passionate calling [of the Divine]; the ear tubes ring with the sense of musically humming sound; the body has become cool; the soft chest moves; the hands join [as in prayer]; the legs revolve or spin round; the mind melts sweetly, the intelligence becomes full of light; the will becomes full of joy and harmony; the individuality has enlarged itself everywhere; the heart has blossomed into the universality of feeling so as to be felt by the world outwardly; the whole knowledge-body has become blissful; even the spiritual egoism of the senses has gone away; the senses (tattva) have been replaced wholly by the truth (sattva), the truth-principle or truth-substance which alone prevails now uniquely; attachment to objects of the senses and to things of the world has dissolved away, and only the aspiration and will towards the illimitable Grace grows and intensifies.3
   And how long did he live like this?
  --
   You see, its a light with several degrees, and in the most material its slightly it must be the supramental force, because its slightly golden, slightly pinkish (you know that light), but very, very pale. One of them (gesture pointing to another, higher layer) is white like milk, opaqueits very strong. And theres another (gesture very high) which is white like its transparent light. With that one, its strange: one drop of it on the hostile forces, and theyre dissolved. They melt like this (gesture before ones very eyes). I said all that to Sri Aurobindo, he completely confirmed it. Thats essentially the Grace in its (gesture very high) supreme state. Its a Light it has no color, you know, its transparent, and that Light (I have experienced that, I mention it because I know it), if you put it on a hostile being it melts like that. Its extraordinary. And then, in its benevolent form, as we might call it (that is to say, the Grace helping and assisting and healing), its white like milk. And if I want a wholly material action (but this is quite recentits since this new Consciousness came), then in its physical action, on the physical, its become slightly colored: its luminous, golden with some pink in it, but its not pink (Mother takes a hibiscus next to her). Its like this.
   Like Aurovilles flower?
  --
   But there is this Consciousness all of a sudden, when you no longer ARE, when theres nothing but That, this Consciousness there (gesture around the head), a slightly golden Consciousness, you REALLY get the impression of omnipotence and And here you know NOTHING! Nothing, nothing at all, you cant explain anything. All that is what I call mental imaginings.
   Now, when I am asked a question, nothing, nothing responds, and then all of a sudden the answer comes (gesture of descent) in words; but if I am not very attentive, prrt! nothing remains, I cant even recapture the words. The consciousness of the answer is there (gesture above), it doesnt budge, its always there, this consciousness, but the materialization of it is very fleeting.

0 1971-03-05, #Agenda Vol 12, #The Mother, #Integral Yoga
   A warm, golden light emanates from Mothers eyes. It enters me.
   ***

0 1971-04-17, #Agenda Vol 12, #The Mother, #Integral Yoga
   Its as if our entire spiritual life were made of silver, whereas the supramental life is made of goldas if our entire spiritual life here were a silvery vibration, not cold but simply a light, a light that goes right to the summit, an absolutely pure lightpure and intense but in the other, in the supramental world, there is a richness and a power that makes all the difference. This whole spiritual life of the psychic being and of all our present consciousness, which seems so warm, so full, so wonderful, so luminous to the ordinary consciousness, well, all this splendor seems poor in comparison to the splendor of the new world.
   I can explain the phenomenon like this: successive reversals will bring about such an EVER-NEW richness of creation from stage to stage, that it will make whatever came before seem very poor in comparison. What to us seems supremely rich compared to our ordinary life appears very poor when compared to this new reversal of consciousness.

0 1971-04-21, #Agenda Vol 12, #The Mother, #Integral Yoga
   Ive received some news from my friend in Paris who looked after The gold-Washer and The Adventure of Consciousness. I mentioned The Sannyasin to him, or rather the difficulties of the Sannyasin, and also Supermanhood.
   On the Way to Supermanhood is the important one.

0 1971-05-15, #Agenda Vol 12, #The Mother, #Integral Yoga
   Behind the jostle of temporary points of view and instant interests there are the Eternal Landmarks. To lose sight of them is to lose ones very way and steer onto the reefs of expediency and comfortable compromise upon which we shall founder a moment later. Behind the little frontal events is the greater tide of history and to lose sight of it is to lose ones direction and the golden thread that leads to our perfect fulfillment, be it individual or national. Those who have left their unique mark upon the labyrinth of history are the very ones who have seized the golden thread and affirmed the Greater History and the Greater Meaning against all the instant arguments and fleeting expediencies.
   The Greater History tells us that the whole earth is a single body with a single destiny, but that within that single destiny each part of the greater body, each nation, has its special role to play and its rare moments of choice when it must make the decisive gesture, its true gesture in the total movement of the great Eternal History. Each nation is a symbol. Each gesture of each nation potentially represents a little victory in the total victory or a little defeat in the total defeat. And sometimes the whole of our history is at stake at a symbolic point of the earth; and, a little gesture, a tiny turn to the right or left, has repercussions, either good or bad, down the ages and over the entire earth body.

0 1971-08-14, #Agenda Vol 12, #The Mother, #Integral Yoga
   Several days ago I saw Sri Aurobindo and he was busy with moneyhe was receiving money, he was even receiving things in gold.1
   (Mother laughs)

0 1971-09-08, #Agenda Vol 12, #The Mother, #Integral Yoga
   Yes, it makes the body pray. It fills it with a Power that. I dont know, its like a warm gold lifting everything up.
   Yes, thats how my body feels all the time.
  --
   Yes, that goes for me too! I am like this (gesture at the forehead): nothing, nothing, empty, empty, empty. Here (gesture high and wide) here its yes, its a golden immensity.
   Yes.

0 1971-09-22, #Agenda Vol 12, #The Mother, #Integral Yoga
   (Sujata:) Mother, what does a white peacock with a golden tail mean?
   Ooh! That must be the supramental victory. A white peacock is the integral victory; a golden tail is the supramental realization. Did you see that?
   Satprem saw it.

0 1971-10-09, #Agenda Vol 12, #The Mother, #Integral Yoga
   Yes, just the day before I received his card, at night I saw a being dressed in golden clothes, all golden, and he was even wearing a golden turban. And he came to me and offered me something on a tray. But the clothes were very important! And he was quite handsome. With a turban!1
   (Mother laughs much)

0 1971-12-11, #Agenda Vol 12, #The Mother, #Integral Yoga
   Sometimes a great wandering Thought sees the ages still unaccomplished, seizes the Force in its eternal flow and precipitates upon earth the powerful vision, which is like a power of realizing what it sees. The world is a vision becoming real. Indeed its past and its present are not the result of an obscure impulse coming from the womb of time, of a slow accumulation of sediments which little by little mold usand stifle us and imprison us. It is the powerful golden attraction of the future which draws us in spite of ourselves, as the sun draws the lotus from the mud, and forces us to a glory greater than any our mud or efforts or present triumphs could have foreseen or created.
   Sri Aurobindo is this vision and this power of precipitating the future into the present. What he saw in an instant the ages and millions of men will unwittingly accomplish. Unknowingly they will seek the new imperceptible quiver that has entered the earths atmosphere. From age to age great beings come amongst us to hew a great opening of Truth in the sepulchre of the past. And in actuality, these beings are the great destroyers of the past. They come with the sword of Knowledge to shatter our fragile empires.
  --
   But if this new consciousness is not to be found on the peaks of the human, where then, are we to find it? Perhaps, quite simply in that which we have most neglected since we entered the mental cycle, in the body. The body is our base, our evolutionary foundation, the old stock to which we always return, and which painfully compels our attention by making us suffer, age and die. In that imperfection, Sri Aurobindo assures us, is the urge towards a higher and more many-sided perfection. It contains the last finite which yet yearns to the Supreme Infinite. God is pent in the mire but the very fact imposes a necessity to break through that prison.8 That is the old, uncured Illness, the unchanged root, the dark matrix of our misery, hardly different now from what it was in the time of Lemuria. It is this physical substance which we must transform, otherwise it will topple, one after another, all the human or superhuman devices we try to graft on it. This body, this physical cellular substance contains almighty powers,9 a dumb consciousness that harbors all the lights and all the infinitudes, just as much as the mental and spiritual immensities do. For, in truth, all is Divine and unless the Lord of all the universe resides in a single little cell he resides nowhere. It is this original, dark cellular Prison which we must break open; for as long as we have not broken it, we will continue to turn vainly in the golden or iron circles of our mental prison. These laws of Nature, says Sri Aurobindo, that you call absolute merely mean an equilibrium established to work in order to produce certain results. But, if you change the consciousness, then the groove also is bound to change.10
   Such is the new adventure to which Sri Aurobindo invites us, an adventure into mans unknown. Whether we like it or not, the whole earth is moving into a new groove, but why shouldnt we like it? Why shouldnt we collaborate in this great, unprecedented adventure? Why shouldnt we collaborate in our own evolution, instead of repeating endlessly the same old story, instead of chasing hallucinatory paradises which will never quench our thirst or otherworldly paradises which leave the earth to rot along with our bodies? Why be born if it is to get out at the end? exclaims the Mother, who continues Sri Aurobindos work. What is the use of having struggled so much, suffered so much, of having created something which, in its outer appearance at least, is so tragic and dramatic, if it is only to learn how to get out of itit would have been better not to start at all. Evolution is not a tortuous course that brings us back, somewhat battered, to the starting point. Quite the contrary, it is meant, says Mother, to teach the whole of creation the joy of being, the beauty of being, the grandeur of being, the majesty of a sublime life, and the perpetual development, perpetually progressive, of this joy, this beauty, this grandeur. Then everything has a meaning.11

0 1972-01-19, #Agenda Vol 13, #The Mother, #Integral Yoga
   If white is not convenient, the center may be gold (powder).
   March 20, 1934
   The center is gold.
   But what did you need these twelve attri butes for?
  --
   It may interest the reader to know that according to Sri Aurobindo, these colours generally have the following significances, though the exact meaning may vary "with the field, the combinations, the character and shades of the colour, the play of forces": red = physical; orange = supramental in the physical; yellow = thinking mind; green = life; blue = higher mind; violet = divine compassion or grace; gold = divine Truth; white = the light of the Mother, or the Divine Consciousness. (See also Agenda IV, May 18, 1963.)
   March 30, 1935. (Question:) Sri Aurobindo is bound to be wholly supramental and is being supramentalised in parts. If that is true and it iswell, he can't die till he is supramental and once he is so he is immortal. (Answer:) "It looks very much like a non-sequitur. The first part and the last are all right but the link is fragile. How do you know I won't take a fancy to die in between as a joke?" (Question:) Some people say that yourself and the Mother would have been supramentalised long ago if only we had not kept you down. Is it really true? (Answer:) "I can't say there is no truth in it."

0 1972-04-26, #Agenda Vol 13, #The Mother, #Integral Yoga
   Oh! Did you go to the performance of The gold Washer?7
   Yes, Mother.

0 1972-05-04, #Agenda Vol 13, #The Mother, #Integral Yoga
   Strange feeling. Since last night, a strange impression that the Divine has become (how to formulate it?) like a golden Force pressing down like this (gesture of pressure on the earth). They alone, who by their aspiration are able to pass through to the Divine Origin, will escape catastrophes.
   There was a catastrophe in Madras: one of our best cars was in a very serious accident.
   Only those who have an aspiration, a sincere and unconditional aspiration towards the Divine, only they will escape they will stand in a golden glory.
   Extremely interesting.1

0 1972-05-06, #Agenda Vol 13, #The Mother, #Integral Yoga
   I think I already told you, theres a kind of golden Force pressing down (gesture); it has no material substantiality, and yet it feels terribly heavy.
   Yes, yes.

0 1972-05-13, #Agenda Vol 13, #The Mother, #Integral Yoga
   The other day you spoke of that golden Pressure becoming stronger and stronger
   Yes, yes.

0 1972-05-17, #Agenda Vol 13, #The Mother, #Integral Yoga
   Then, I really looked, and on the branch of a tree (a coconut tree, I think, or a palm tree), I saw a bird it was mostly white, a bird much like a pigeon but with a very long tail and a kind of golden circle on its breast, I think.
   Oh!

0 1972-06-24, #Agenda Vol 13, #The Mother, #Integral Yoga
   (Mother has not been well lately. She listens to Satprem read the conversation of May 6, 1972 for the next Bulletin: "A golden force pressing down on the earth.... An absolutely material Power, but with no need for any material means.... A world is trying to be born into this world")
   What youve written is very good, its far better than what I said!

0 1972-08-02, #Agenda Vol 13, #The Mother, #Integral Yoga
   Blue or all golden? golds better!
   (silence)

0 1972-08-30, #Agenda Vol 13, #The Mother, #Integral Yoga
   Mon petit, I dont want you to feel (Mother makes a gesture of strutting), I dont mean to compliment you, thats not my intention. But youre always youre like a luminous garden with a distinct form (Mother draws a kind of rectangle in the air), its luminous and ranges from vivid pink to golden light. Exactly. And thats you thats how I see you. Always.
   There is a vast atmospherea vast atmosphere. A vast atmosphere enveloped in Sri Aurobindos aura: the blue, the luminous light blue which is his color. I see you in that youre like a distinct garden (same gesture) with colors it goes from vivid pink to a luminous, golden atmosphere. A lovely garden. Thats what I see I see it eyes open (Mother touches her open eyes). And thats very good.
   There remain a few spots of rigidity, I mean (what can I say?) fixities of a personal nature, but gradually, gradually, they are disappearing, they are being transformed. There. Thats what I see.

0 1972-10-21, #Agenda Vol 13, #The Mother, #Integral Yoga
   David, the young Italian who made a documentary on Sri Aurobindo, now wants to film The gold Washer. But he wants to do it in the true spirit, with your help, showing how it inevitably leads to Sri Aurobindo and you.
   Oh, very good! Very good.

02.01 - The World-Stair, #Savitri, #Sri Aurobindo, #Integral Yoga
    Earth by this golden superfluity
    Bore thinking man and more than man shall bear;

02.02 - The Kingdom of Subtle Matter, #Savitri, #Sri Aurobindo, #Integral Yoga
  The golden issue of mind's labyrinth plots,
  The riches unfound or still uncaught by our lives,
  --
  Or fragrant circuits through gold lattices;
  It shields our ceiling of terrestrial mind
  --
  As if a slain god left a golden trust
  To a blind force and an imprisoned soul.
  --
  A radiance of a golden artifice,
  A masterpiece of inspired device and rule,
  --
  Childlike she swung in her gold cradle of joy.
  The spaces' call reached not her charmed abode,

02.03 - An Aspect of Emergent Evolution, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   In Indian terminology, it would be the advent of the Purna Bhagavan in the human bodymnusm tanumsritam. All previous Avatars are only a preparation for the coming of this Supreme Divine. It is said also that the present epoch marks a crucial turn and transition. We await the Kalki Avatar who will wipe off the past, the Iron Age, and bring in the golden Age, Satya Yuga.
   A question inevitably arises herewhat next? Once the evolutionary movement has reached the apex, does it stop there? After the apex, the Void? I t need not be so. The completion of the pyramid would mean simply the end of a particular order of creation, the creation in Ignorance. This is, indeed, what Sri Aurobindo envisages in his conception of the creation in supramental Gnosis. The evolutionary nisus, on its arrival at the apex, according to him crosses a borderland, leaps into another order of the world, of infinite Truth-Consciousness. Thereafter another new creation starts the building perhaps of another pyramid (if we want to continue the metaphor). The progression Of the evolutionary course is naturally expected to be an unending series. The pyramids rise tier upon tier ad infinitum. Only it is to be noted that in the basic pyramid the evolution starts from inconscience and moves from more ignorance to less ignorance through a gradually lessening density of darkness until the apex is reached where all shade of darkness is eliminated for ever. Beyond there is no mixture, however thin and diluted: it is a movement from light to light, from one expression of it to another, perhaps richer, but of the same quality.

02.03 - The Glory and the Fall of Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  And the swift fire-heart's golden liberty.
  There was no falsehood of soul-severance,

02.03 - The Shakespearean Word, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Showers on her kings barbaric pearl and gold,
   Satan exalted sat, by merit raised
  --
   A host, of golden daffodils,
   Beside the lake, beneath the trees,
  --
   Built is the golden tower, the flame-child born. ||154.44||
   Paradise Lost, Bk. II. 1-6.

02.04 - The Kingdoms of the Little Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  No golden distances of wide release.
  42.36

02.05 - Robert Graves, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Robert graves is not a major poet, and certainly not a great poet. He is a minor poet. But in spite of his minor rank he is a good poet: here he presents up a jewel, a beautiful poem 1 both in form and substance. He has indeed succeeded, as we shall see, in removing the veil, the mystic golden lid, partially at least and revealed to our mortal vision a glimpse of light and beauty and truth, made them delightfully sink into and seep through our aesthetic sense.
   Like the poet his idol also is of a lower rank or of a plebeian status. He keeps away from such high gods as Indra and Agni and Varuna and Mitra: great poets will sing their praises. He will take care of the lesser ones, those who are moving in the shadow of the great ones and are hardly noticed. Even in these modern days, goddess Shitala, the healing goddess of epidemics, lives side by side with Durga.
  --
   In intricate golden chains paid out
   Slowly across brocaded cramoisy,

02.05 - The Godheads of the Little Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  There too the golden Messengers can come:
  A door is cut in the mud wall of self;
  --
  Then kindling the gold tongue of sacrifice,
  Calling the powers of a bright hemisphere,

02.06 - The Kingdoms and Godheads of the Greater Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  A glimmer of blue and gold and scarlet fire.
  In her covert lanes, bordering her chance field-paths
  --
  He found the glow of her golden fruits of bliss
  And the beauty of her flowers of dream and muse.
  --
  Truth's last epitome, Time's golden best.
  But nothing has been achieved of infinite worth:
  --
  Her realm of golden ease and glad desire
  And the beauty and strength and happiness that were hers
  --
  Looking for the golden Hand that never came,
  The advent for which all creation waits,

02.07 - George Seftris, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   A trumpet of gold and rose: the approaching dusk.
   In the scanty grass and among the thorns there roamed
  --
   Seferis is a being of this in-between world, his consciousness a golden seam joining two hemispheres.
   "Santorin" aGymnopaedia, in Poems, by George Seferis translated from the Greek by Rex Warner (The Bodley Head, London).
  --
   I quote here the whole passage in Warner's translation: "The glorious animal of Queen Eleanor. Against her belly those eperons of gold, On her saddle those insatiable loins, In her amble tottering those breasts Bursting like pomegranates, with murder. And when Neapolitans, Genoese and Lombards Brought to the royal table on a silver tray The shirt all bloody of the murdered King And made away with his pitiable brother, I can imagine how she neighed that night, Something beyond the impassivity of her race Like the howling of a dog, Doubly caparisoned, golden-rump ed, in the stable, Margarita, that mule."
   "Helen".

02.07 - The Descent into Night, #Savitri, #Sri Aurobindo, #Integral Yoga
    He saw her gold sunlight and her far blue sky,
    Her green of leaves and hue and scent of flowers

02.08 - The World of Falsehood, the Mother of Evil and the Sons of Darkness, #Savitri, #Sri Aurobindo, #Integral Yoga
  The golden Nimbus now is seen no more,
  No longer burns the white spiritual ray

02.09 - The Paradise of the Life-Gods, #Savitri, #Sri Aurobindo, #Integral Yoga
  It held in the splendour of its golden laugh
  Regions of the heart's happiness set free,
  --
  There Love fulfilled her gold and roseate dreams
  And Strength her crowned and mighty reveries;

02.09 - Two Mystic Poems in Modern French, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   My blood is now captured. It is the willing prey, the victim of its hunter. It is living only because it is dead. There is now no endeavour to seek and to hear, to run after the golden treasure, for now it is a child's consciousness made of a darkness, a forgetfulness crowded with marvels.
   The earthly blood that loses its way is heavy because it treads here below. Here there are stagnant waters, dead ashes. The arm from on high must extend here too. Here all forms are walking statues. They delay and delay in a death that is yet warmonly lukewarm but lifeless. The earthly love I bear is my enemy. Its fire ends in dust and I go to sleep into the unconsciousness. My home here is a mourning hall; how can it be changed into a hall of beauty and living and moving shapes? Yes, my mouth is empty and full of dust, yes, it cries bitten by a corrosive acid thrown upon an increasing silence. It is a fire that comes from the chill snowy heights.

02.10 - The Kingdoms and Godheads of the Little Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  Tied up the spirit to golden posts of bliss.
  It could not house the wideness of a soul
  --
  Its gold-horned herds trooped into earth's cave-heart.
  66.40
  --
  The golden Child began to think and see.
  

  --
  Ardent and golden-gleamed with sunrise fires,
  Alert it lives upon invention's verge.
  --
  A huge chameleon gold and blue and red
  Turning to black and grey and lurid brown,
  --
  It cherished golden nothings born of wish,
  It snatched at the unreal for provender.

02.11 - The Kingdoms and Godheads of the Greater Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  Across a gleaming ether's golden laugh
  A light falls on our vexed unsatisfied lives,
  --
  A gold supernal sun of timeless Truth
  Poured down the mystery of the eternal Ray
  --
  Bare steps climbed up like flaming rocks of gold
  Burning their way to a pure absolute sky.
  --
  Truth smiled upon the gracious golden game.
  Out of her hushed eternal spaces leaned

02.12 - Mysticism in Bengali Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Bengali poetry was born some time towards the end of an era of decline in the Indian consciousness, almost towards the close of what is called the Buddhist period, but it was born with a veritable crown on its head. For it was sheer mystic poetry, mystic in substance, mystic in manner and expression. The poets were themselves mystics, that is to say spiritual seekers, sadhaks they were called Siddhas or Siddhacharyas. They told of their spiritual, rather occult experiences in an occult or oblique manner, the very manner of the ancient Vedic Rishis, in figures and symbols and similes. It was a form of beauty, not merely of truthof abstract metaphysical truth that rose all on a sudden, as it were, out of an enveloping darkness. It shone for a time and then faded slowly, perhaps spread itself out in the common consciousness of the people and continued to exist as a backwash in popular songs and fables and proverbs. But it was there and came up again a few centuries later and the crest is seen once more in a more elevated, polished and dignified form with a content of mental illumination. I am referring to Chandidasa, who was also a sadhak poet and is usually known as the father of Bengali poetry, being the creator of modern Bengali poetry. He flourished somewhere in the fourteenth century. That wave too subsided and retired into the background, leaving in interregnum again of a century or more till it showed itself once more in another volume of mystic poetry in the hands of a new type of spiritual practitioners. They were the Yogis and Fakirs, and although of a popular type, yet possessing nuggets of gold in their utterances, and they formed a large family. This almost synchronised with the establishment and consolidation of the Western Power, with its intellectual and rational enlightenment, in India. The cultivation and superimposition of this Western or secular light forced the native vein of mysticism underground; it was necessary and useful, for it added an element which was missing before; a new synthesis came up in a crest with Tagore. It was a neo-mysticism, intellectual, philosophical, broad-based, self-conscious. Recently however we have been going on the downward slope, and many, if not the majority among us, have been pointing at mysticism and shouting: "Out, damned spot!" But perhaps we have struck the rock-bottom and are wheeling round.
   For in the present epoch we are rising on a new crest and everywhere, in all literatures, signs are not lacking of a supremely significant spiritual poetry being born among us.
  --
   Hymns limned in her petalled gold!
   or these almost surrealistic lines:
   The Dark One has put on a golden garland,
   And on her delicate forehead burns the flame of

02.12 - The Heavens of the Ideal, #Savitri, #Sri Aurobindo, #Integral Yoga
  Flowers goldening our earth of red desire.
  73.13
  --
  The blaze of godlike thought and golden bliss,
  The rapt idealism of heavenly sense;
  --
  And the mysteried vineyards of the gold moon-wine,
  All the fire and sweetness of which hardly here
  --
  Time's sun-flowers' gaze at gold Eternity:
  There are the imperishable beatitudes.
  --
  Towards some gold Infinite's apocalypse.
  73.29
  --
  Persuaded all action to one golden sense,
  All powers subjected to a single power

02.14 - The World-Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  Drunk with a deep golden spiritual wine,
  He cast from the rent stillness of his soul

02.15 - The Kingdoms of the Greater Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  And mounted the gold ridge of the world-dream
  Between the slayer and the saviour fires;
  --
  The sun-eyed Guardians and the golden Sphinx
  And the tiered planes and the immutable Lords.

03.02 - The Adoration of the Divine Mother, #Savitri, #Sri Aurobindo, #Integral Yoga
  The smile that saves, the golden peak of things?
  This too is Truth at the mystic fount of Life.
  --
  Behind the gold eidolon of a Name.
  A large white line has figured as a goal,
  --
  And built a golden passage to his heart
  Touching through him all longing sentient things.
  --
  She is the golden bridge, the wonderful fire.
  The luminous heart of the Unknown is she,

03.02 - The Philosopher as an Artist and Philosophy as an Art, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   This golden core of truth comes from elsewhere it is beyond the myic circle of art and philosophy. To have access to it, a lid overhead is to be broken throughra ther, as it is said, it is that that breaks through of its own accord and reveals its identity.
   Plato would not tolerate the poets in his ideal society since they care too much for beauty and very little for the true and good. He wanted it all to be a kingdom of philosophers. I am afraid Plato's philosopher is not true to type, the type set up by his great disciple. Plato's philosopher is no longeran artist, he has become a mystica Rishi in our language.

03.02 - Yogic Initiation and Aptitude, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   The inner soul the psychicvery often undergoes a secret preparation, develops and comes forward but just waits, as it were, behind the thin though opaque screen; and because of that it gives no objective indication of its growth and readiness. We see no patent sign of what is usually known as fitness or aptitude or capacity. Otherwise how to explain the conversion of a profligate and dilettante like Augustine, or of a rebel like Paul, or of scamps like Jagai-Madhai. Often the purest gold hides in the basest ore, the diamond is coal turned, as it were, inside out. This, one would say, is the Divine Grace that blows where it listsmakes of the dumb a prattler, of the lame a mountain-climber. Yet, but what is this Divine Grace and how does it move and act? It does not act on all and sundry, it does not act on all equally. What is the reason? Appearances often belie the reality: a contrary mask is put on, it would appear, deliberately, with a set purpose. The: sense and significance of this mystery? The hard, obscure, obstinate, rebel outer crust may continue long but it is corroded from within and one day, all on a sudden, it crumbles and dissolves and becomes in a new avatar the vehicle and receptacle of the very thing it opposed and denied.
   Virtues are not indications of the fire of the inner soul, nor are vices irremediable obstacles to its growth. The inner soul, we have said, feeds upon allit is indeed fire, the omnivorous, sarvabhuk,virtues and vices and everything else and gather strength from everywhere. The mystery of miracles, of a sudden change or reversal or revolution in consciousness and way of life lies in the omnipotency of the psychic being. The psychic being has the power of making the apparently impossible, for this reason that it is a portion of the almighty Divine, it is the supreme Conscious-Power crystallised and canalised in a centre for the sake of manifestation. It is a particle from the Being, a spark of the Consciousness, a ripple from the Delight cast into the fastnesses of Matter and the, material body. Now, it is the irresistible urge of this particle, this spark, this ripple to grow and expand, to become in the end the Vast the Ocean and the Sun and the sphere of Infinityto become that not merely in an essential status but in a dynamic and apparent becoming also. The little soul, originally no bigger than a thumb, goes forward through one life after another enlarging and intensifying itself till it recovers and establishes its parent reality in this material body here below, till it unveils what is latent within itself, what is its own, what is itself,its integral self-fulfilment, the Divine integrality.

03.03 - The House of the Spirit and the New Creation, #Savitri, #Sri Aurobindo, #Integral Yoga
  Outspread luxuriantly in golden air
  Truth's iris-coloured wings of fantasy,

03.04 - The Body Human, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Vaishnavism sees the Divine as a human person, the human person par excellence. Krishna's body is a radiant form of consciousness (cinmaya), no doubt, but it is as definite, determinate, and concrete as the physical body, it is the physical itself but in its true substance. And its exquisiteness consists in its being human in form. The Vedantin's Maya does not touch it, it is beyond the illusory consciousness. For they say goloka stands above Brahmaloka.
   The Christian conception of God-man is also extremely beautiful and full of meaning. God became man: He sent down upon earth his own and only Son to live among men as man. This indeed is His supreme Grace, His illimitable love for mankind. It is thus, in the words of the Offertory, that He miraculously created the dignity of human substance, holding Himself worthy to partake of our humanity. This carnal sinful body has been sanctified by the Christ having assumed it. In and through Himhis divine consciousness it has been strained and purified, uplifted and redeemed. He has anointed it and given it a place in Heaven even by the side of the Father. Again, Marysymbolising the earth or body consciousness, as Christian mystics themselves declarewas herself taken up bodily into the heavenly abode. The body celestial is this very physical human body cleared of its dross and filled with the divine substance. This could have been so precisely because it was originally the projection, the very image of God here below in the world of Matter. The mystery of Transubstantiation repeats and confirms the same symbology. The bread and wine of our secular body become the flesh and blood of the God-Man's body. The human frame is, as it were, woven into the very fabric of God's own truth and substance. The human form is inherent in the Divine's own personality. Is it mere anthropomorphism to say like this? We know the adage that the lion were he self-conscious and creative, would paint God as a super-lion, that is to say, in his own image. Well, the difference is precisely here, that the lion is not self-conscious and creative. Man createsnot man the mere imaginative artist but man the seer, the Rishihe expresses and embodies, represents faithfully the truth that he sees, the truth that he is. It is because of this conscious personality, referred to in the parable of the Aitareya Upanishad,-that God has chosen the human form to inhabit.

03.04 - The Vision and the Boon, #Savitri, #Sri Aurobindo, #Integral Yoga
  A borrower of Supernature's gold,
  He paves his road to Immortality.
  --
  A golden vessel of the incarnate Truth,
  The executor of the divine attempt
  --
  And dancers within rapture's golden doors,
  Their tread one day shall change the suffering earth
  --
  Pressed vainly on one golden bar of Time,
  As if Time dare not open its heart to God.
  --
  Her limbs his golden jars of ecstasy,
  Her breasts the rapture-flowers of Paradise.

03.04 - Towardsa New Ideology, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   We had in India a fairer word than "duty", a deeper and more luminous mantra: it is dharma. The expression has certainly "'fallen on evil days and on evil tongues"; it smells today of medievalism and obscurantism and whatever is not "forward" and "radical". Still we hark back to it: it is high time that we should resuscitate the old word mantrain spite of its musty covering, it carries the purest nugget of gold.
   Indeed, Right, Duty and Dharma are three terms that represent the three stages of an ascending consciousness in its play of forces. At the base and beginning the original and primary state of consciousness is dominated by the mode of inertia (tamas); in that state things are an inchoate mass and are simply jumbled together; they are moved and acted upon helplessly by forces that are outside them. A rise in the scale of growth and evolution occurs when things begin to be organised, that is to say, differentiated and coordinated. And this means at the outset the self-assertion of each and every unit, the claim and the right of the individual to be itself first and foremost. It is a necessary development, for it signifies the growth of self-conscious units out of a general unconsciousness. It is the appearance of rajas, the mode of life and activity. Right belongs to this field and level: it is the lever that serves to bring out the individual nuclei from a general formlessness, it is the force that crystallises and organises the separative centres for separate fulfilment in life. And naturally it is the field also of competition and conflict. This is a stage and has to be transcended, from the domain of differentiation and contrariety one has to rise to the domain of co-ordination and co-operation. Here comes in the concept of duty which seeks to remedy the ills of the modus of rights in two ways, first, by replacing the movement of taking by that of giving, orienting the consciousness from the sense of self-sufficiency and self-importance towards that of submission and humbleness; secondly, by the recognition of the just rights of others also against one's own. Duty represents the mode of sattwa in action.

03.05 - The Spiritual Genius of India, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   That is not to say that other peoples of the world are soulless, and that India alone may claim to possess the treasure. But no other people has lived so much in and from the soul, none other has sacrificed so much for the sake of this one thing needful. The soul-consciousness in other nations lies veiled behind the more pressing activities and immediate occupations of the external nature; at the most, what is characteristic in them is the soul, not in its pure and fundamental being, but expressed, and therefore encased and limited, within some particular mode of becoming. In India, on the other hand, the external activities and operations have never altogether swamped or clouded this soul-consciousness; they have been either subjugated to it as minor auxiliaries or totally sacrificed as obstacles. The Indian's soul is not imbedded in some far-off region of his unconscious nature; he has succeeded in raising it up and bringing it forward to the level of his waking consciousnessas the gold-tusked Divine Boar lifted the Earth out of the dark depths of the primeval deluge to the light of the Day.
   The French, for example, have developed as a people a special characteristic and mental turn that has set its pervading impress upon their culture and civilisation, upon their creations and activities; that which distinguishes them is a fine, clear and subtle, rational, logical, artistic and literary mind. France, it has often been said, is the head of modern Europe. The Indians are not in the same way a predominantly intellectual race, in spite of the mighty giants of intellect India has always produced, and still produces. Nor are they a literary race, although a rich and grandiose literature, unrivalled in its own great qualities, is their patrimony. It was the few, a small minority, almost a closed circle, that formed in India the elite whose interest and achievement lay in this field; the characteristic power, the main life-current of the nation, did not flow this way, but followed a different channel. Among the ancients the Greeks, and among the moderns the French alone, can rightfully claim as their special genius, as the hallmark of their corporate life, a high intellectual and literary culture. It is to this treasure,a serene and yet vigorous and organized rational mind, coupled with a wonderful felicity of expression in speech,that one turns when one thinks of the special gift that modern France and ancient Greece have brought to the heritage of mankind.

03.10 - Hamlet: A Crisis of the Evolving Soul, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The crisis then is the revelation to the aspiring dream-lifted soul that the original and aboriginal humanity that seemed to have been traversed and transcended and left far behind is not wholly obliterated; indeed it is still there in its stark reality. The light and air and space and colour of the high dreaml and are reared upon dark and dingy abysses, "this brave oerhanging firmament, this majestical roof fretted with golden fire" is none other than" a foul and pestilent congregation of vapours 2 . All the wisdom and culture and virtue and apparent beauty in human nature cannot prevent a man from becoming an arrant knave and a woman from being a whore, even if she were one's own mother.
   This disillusionment is the crisis at which the soul has arrivedthis tearing down of the painted arras that hid the naked horror of man's beastly nature and the ugly vanity and stagy show that the world is. The revelation was so sudden and stunning to the innocent and aspiring soul that it lost for the moment all its bearings, its natural strength and capacity and will, and fell from its high status into the slough of dark and despondent impotency.
  --
   In these latter the human consciousness has reached its high water-mark of normal development. They are the finest expression of mans capacities and powers in the ordinary nature. Here we have the play of the higher, even perhaps the highest ranges of the Mind the mind, that is to say, of the poet and the philosopher. But here also stands revealed the counterfoil, the obverse of that high achievement the feet of clay on which is reared the head of gold, the flesh that is tied irrevocably to the spirit.
   The human soul, as represented in Hamlet, has evolved so far as to stand on a summit from where it can contemplate the entire creation. It has attained a kind of universal consciousness and has the vision of a global movement of natureeven as Arjuna had of the Lord's universal body, and like him is awed and overwhelmeda harsh world, in which one draws one's breath in pain. But this is a mental summit, and the contradiction that is revealed here can be resolved only by passing beyond into a higher domain of consciousness.

03.10 - The Mission of Buddhism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Yes, it was the age, almost a golden age, when man lived with his sense married to the Dawn, spontaneous in his reflexes, prime-sautier, intuitive and imaginative, full of a natural, unspoilt, unsophisticated happiness and hopefulness. But the Age of Reason had to come, and man's maturer nature, perhaps some "sicklied o'er with the pale cast of thought". Such an age of Reason and Ratiocination and pure brain power was ushered in by Buddha in India, and almost contemporaneously by Socrates in Greece and Confucius in China. The rational, that is to say, the scientific or analytical attitude to things appeared in the human consciousness for the first time in its fullness and almost exclusive sway. Neither the Vedas nor the Upanishads knew of logic as an instrumenta necessary instrument for knowledge and expression. The old-world method was, as I said, intuitive, experiential, empirical, dogmatic. Also the atmosphere of that world, the stress of the consciousness was theocratic; what the new world brought in was what is called humanistic.
   We say then that it was a necessity: it was a necessity that the rational, logical, ratiocinative, analytic mentality should be brought out and given its play and place. It is perhaps an inferior power of the mind or consciousness, but it is a strong power and has its use and utility. It is the power that gives the form and pattern for the display of consciousness and intelligence in outward expression and external living; it is a firm weapon that gives control over these inferior ranges of consciousness. The leap from the sense-consciousness or the elements of consciousness, from a mental growth just adequate and not too specialised, straight into the supra-sensuous and the transcendent had been an inevitable necessity, so that the human consciousness might get the first taste of its supreme status and value: a similar necessity brought to the fore this element of the mind, the mind's own powerof judgement and willso that there might be a greater and wider integration of human nature and also that the higher realities may be captured in our normal consciousness. Even for the withdrawal of the mind from the outer objects to the inner sources, the mind itself can be used with much effect. And Buddha showed it magnificently. And of course, Shankara too who followed in his footsteps.

03.12 - Communism: What does it Mean?, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Whatever the immediate necessity of such drastic negative procedures, true and abiding social welfare depends upon a deeper and wider planning. The aim should not be merely to look for grievances and deal with them piecemeal, but to create conditions in which such grievances do not arise at all, or are reduced to a minimum. For the economic well-being of the society, a just and equitable distribution of wealth is a sound policy, no doubt, but before that one must have wealth and enough of it. The stress should therefore be on increased production, "grow-more-food". The workers must consider themselves ministers to the goddess Lakshmi. To bring prosperity to the commonwealth, to discover and marshal the resources, increase the output and thus help to raise the standard of life that is the true role of loyal workers. But as it is, in the way they behave and act, at present they are consumers more than producers. To concentrate all attention and energy upon solely decreasing the hours of work and increasing the wages can have no other meaning. Leisure, rest, recreation are necessary, but that should not mean laziness, unwillingness to work, dissipation. One should be decently paid for one's labour, one must not be overworked, yes, but one must look to the other side also, one must bear in mind the capacity of the payer and the needs of the others in the society. Necessity is one thing, greed or selfishness is another. The greed to possess all the golden eggs at once sometimes leads to a disastrous procedure.
   The farmer proprietor, the bourgeois, the capitalist in a modern society, whatever charges of exploitation may be brought against them, are, each in his own way, precisely centres of production, of wealth increment. They are not merely and not always blood-suckers, and heartless profiteers. One need not rob, burn, kill them in a mad rush; they too can be utilised, their services placed at the disposal of the commonwealth. These are names which we may not like because of unhappy associations in the past, but the realities, the types of forces they represent are, many of them, permanent features of Nature's economy. They come up in other forms and names. They have suppressed bourgeois bureaucracy in Russia, but it has reappeared in what is termed nowadays as the "managerial" system.

03.13 - Human Destiny, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Anthropologists1 speak of a very interesting, if not strange biological phenomenon. A baby monkey's face, it seems, is much nearer to the adult human face than to its own form when adult and grown-up. Also the characteristic accentuations that mark out the grown-up ape come in its case too soon, but the human being continues, generally and on the whole, the stamp of his early, i.e., immature animality through-out his life. The rough and gold blotches, the rude and crude structures that make up the adult simian face, meaning all the specialisation of its character are not inherited by man; man retains always something of the fragility and effeminacy of the child. Reference is made to the fore cranium proportion, delicate jaws corresponding smaller teeth, shortened cranial base, expanding brain, bulging forehead, face retracted neatly beneath the brow which are characteristics of the simian baby. There is a lack of a certain forceful hard masculinity that becomes so dominant in the ultimate phase.
   This phenomenon is akin and may be linked to the other one also pointed out by anthropologists. A new species, it is said, grows not out of a mature, fully developed, that is to say, specialised type, but out of an earlier, somewhat immature, undeveloped, non-specialised type. The new shoot of the genealogical tree branches out not from the topmost, the latest stem, but from one just below it, an earlier stock. The latest means the most developed, that is to say, the most specialised, and that means fossilisedbarren; nothing new can be produced out of that; it can repeat only what was before so long as it does not die out and perish.

03.14 - From the Known to the Unknown?, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   From the known to the unknown: that is a well-known principle of procedure in the matter of knowledge, of action and of life generally. It is a golden rule that one should never take a step forward unless and until the previous step has been held firm and secure. But after all is this counsel the supreme counsel of perfection or even in point of fact does this represent an actuality? We have our misgivings.
   For may not the contrary motto" from the unknown to the known"be equally valid, both as a matter of fact and as a matter of principle? Do we not, sometimes at least, take for granted and start with the unknown number x to find out the solution to our problem? Why go far, the very first step that the child takes in his adventurous journey of life, is it not a veritable step into the unknown? Indeed, many, in fact most of the scientific laws the Laws of Natureare they strictly the result of calculation and deduction from known and observed data or are they not rather "brilliant surmises", "sudden revelations" that overwhelm by their un-expected appearance? Newton did not arrive at his Law of Gravitation in the trail of a logical argument from given premises towards unforeseen conclusions. Nor did Einstein discover his version of the Law in any syllogistic way either. The fact seems to be more often true that the unknown reveals itself all on a sudden and is not reached through a continuous series of known steps. Examples could be easily multiplied from the history of scientific discoveries.

04.01 - The Birth and Childhood of the Flame, #Savitri, #Sri Aurobindo, #Integral Yoga
  Or from the gold eye of her paramour
  Covered with packed cloud-veils the earth's brown face.
  --
  The sunlight was a great god's golden smile.
  All Nature was at beauty's festival.
  --
  Bright like the crescent horn of a gold moon
  Returning in a faint illumined eve.
  --
  The ideal goddess in her house of gold.
  Aware of forms to which our eyes are closed,
  --
  A golden bridge spanning a faery flood,
  A moon-touched palm-tree single by a lake

04.02 - The Growth of the Flame, #Savitri, #Sri Aurobindo, #Integral Yoga
  A rainbow dream, a hope of golden change;
  Some secret wing of expectation beat,
  --
  Her mind sat high pouring its golden beams,
  Her heart was a crowded temple of delight.

04.03 - The Call to the Quest, #Savitri, #Sri Aurobindo, #Integral Yoga
  A gold-leaf palimpsest of sacred births,
  A grave world-symbol chiselled out of life.
  --
  As in a golden vase's poignant line
  They seemed to carry the rhythmic sob of bliss
  --
  And limbs like fine-linked poems made of gold
  Stanzaed to glimmering curves by artist gods,
  --
  Day sank into the burning gold of eve;
  

04.03 - The Eternal East and West, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The East is no longer the traditional East of the poet who viewed it as eternally static and meditative, drowned in an "eyeless muse" away and aloof from earth and world. Even if it had and has still in its essential nature a nostalgia for the transcendence, yet it seeks today more and more for a hold upon the physical realities: it seems to remember again what the Upanishadic Rishi sought the Rishi being asked whether he came for the mundane wealth of a thousand heads of cattle, with golden rings round their horns, or for the knowledge of the Transcendent Reality, replied that he had come for both. And the hidebound materialist West, the positivist scientific West, finds this day many fissures and loopholes in the solid Laplacian scheme; as it dives down and enters into the secrecies of even the most material things, curious mysteries surge up and its eyes demand another look and another vision than those to which the mere senses have accustomed them. Physical Scientists bending towards or being compelled to bend towards metaphysics and even mysticism are no longer an anomaly in the scientific world.
   The Spirit is not the static transcendent absolute entity only. It is dynamic Force, creative conscious Energy. The spiritual is not mere silence and status it is expression and movement also. Any silence and any status are not the silence and the status of the Spirit the silence and status of death, for example; so too any expression and movement are not of the Spirit either but this does not mean that the Spirit cannot have its own expression and movement. God too likewise is not a mere supracosmic beinga somewhat aggrandised human beingtreating and dominating man and the world as something foreign and essentially antagonistic to his nature. God himself has made himself all creatures and all worlds. He is That and He is This fundamentally and integrally. Again, at the other end, Matter is not mere dead mechanical matter. It is vibrant energy, but energy that conceals within it life and consciousness. Besides, the whirl and motion of energies is not all, something inherently static looms large behind: you call it ether, field, space or substratumit is being, one would like to say, infused with a secret consciousness and will.

04.04 - The Quest, #Savitri, #Sri Aurobindo, #Integral Yoga
  Hastened the chariot of the golden bride.
  
  --
  The golden virgin in her carven car
  Came gliding among meditation's seats.

04.05 - The Immortal Nation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Gibbon's Decline and Fall of the Roman Empire must have been the original source of the inspiration that moved later on Spengler and Toynbee and others to posit a life-line for nations and races and mark its various stages of growth and evolution. The general theory put in a nutshell would be like this: mankind is composed of groups or aggregates of individuals and each has a life-history of its own even like an individual human being, in other words, an inescapable cycle of birth, growth, maturity, decline and disintegration. All groupspeoples; races, nationshave to pass through these destined stages, although, naturally, at different times and with a varying tempo. The view implies two conclusions or rather postulates:(l) that whatever is born must die, there is no resurrection or rejuvenation, neither in the individual nor in the collective life and (2) that humanity remains on the whole more or less the same, there is no global progress: there is no continued march forward towards a kingdom of heaven upon earth, even as there has not been a decline and deterioration from some golden Age in the past.
   Is this so, in point of fact or is it bound to be so, in point of theory? What are the facts? There are at least two human groups or peoples extant that seem to point to a different conclusion. I speak of China and especially of India. Egypt and Greece and Rome, the Minoans, the early Mesopotamians had their day. They rose, they lived, they died and are no more. But India and China, although almost contemporaneous with any of those earliest civilisations, have not vanished; they continue still today. In respect of India at least it cannot be said that she is not today, is totally different from what she was in her Vedic epoch or even in her Harappa and Mohenjo-daro days, in the sense that modern Egypt is not the Egypt of the Pharaohs, nor the Greece of Venizelos the Greece of Pericles.

04.07 - To the Heights VII (Mahakali), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The sooner to burn out the dross and free the gold
   The sooner to smother them with her passionate bliss!

04.13 - To the HeightsXIII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The sheen of gold pales before thy hue that enthrals my soul,
   O Mother of Light, Mother victorious!

04.29 - To the Heights-XXIX, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Grace is the golden lining to the dark cloud:
   it is the touch of love that rounds off all our faults,

04.31 - To the Heights-XXXI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   To fulfil, the golden day is come!
   September 6, 1936

04.32 - To the Heights-XXXII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The golden trail of Her footsteps has kindled a quenchless Fire in my heart,
   And all my life is now a volcano with its thousand tongues of flame

04.34 - To the Heights-XXXIV, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   beauty, When I gaze beyond where the golden sun-gate opens......
   It dims and fades as its rays descend and are scattered and dispersed here .

04.36 - To the Heights-XXXVI, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Lo! I have grown golden wings,
   And I soar into the blue of the high heaven,

04.37 - To the Heights-XXXVII, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   It burns the dross, but illumines the core of gold;
   It tears and tortures the obdurate and the unwilling,

04.40 - To the Heights-XL, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Let it drink in and be satiate with the golden light of the sun.
   October 3, 1936

05.01 - The Destined Meeting-Place, #Savitri, #Sri Aurobindo, #Integral Yoga
  The gold and sapphire of her warmth and blaze.
  Magician of her rapt felicities,
  --
  The wings that murmur in the golden house,
  The temple of sweetness and the fiery aisle.

05.02 - Gods Labour, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The Divine brings down with himself his shaft of light, and the light, as it spreads, begins to scatter and dissolve the clouds of ignorance. The Divine comes here below and as he formulates and concentrates his consciousness in or as an individualised channel, the power of the consciousness becomes dynamic and concrete and works out the desired change in th material plane. In the descent the Divine has to assume the lower potentials on the inferior levels and this involves an apparent veiling and lessening of his higher and divine degrees. In other words, the Divine in becoming human accepts and embraces in that embodiment all that humanity normally means, its weaknesses and frailties, its obstacles and difficulties, all the ignorance and inconscience. This sacrifice he has agreed to, has undertaken in order to create out of it a golden body, a radiant matter, a heavenly or divinised earth.
   God made man, the spirit become flesh: this is Grace, the benediction of the Holy One upon the sinful earth. The working of Grace in one of its characteristic movements has been beautifully envisaged in esoteric Christianity. The burden of sin that is to say, of weakness, impurity and ignorancelies so heavy upon man, the force of gravitation is so absolute, that it is divine intervention alone, and in the most physical sense, which can save him. God takes upon himself man's load and relieves him of it: thus freed he can soar up easily and join the company of the Happy in heaven alongside God. This is the ransom paid by God to His Enemy, the vicarious atonement suffered by the Divine, the cross he has to bear when he comes upon this earth, into this vale of tears. I t is said, in terms of human feeling, pity so moved him that he left the happy abode of heaven, came down among men and lived like one of them, sharing their sorrow and pain and, what is divine, taking up the evil into himself, drinking, as it were, out of the poisoned bowl, so that man, frail mortal creature, may escape his doom.

05.02 - Satyavan, #Savitri, #Sri Aurobindo, #Integral Yoga
  Over slumbrous grasses pranked with green and gold.
  Hidden in the forest's bosom of loneliness
  --
  Inset twixt green relief and golden ray.
  As if a weapon of the living Light,
  --
  Invaded by a swarm of golden gods:
  Arising to a hymn of wonder's priests
  --
  Marvelling he came across the golden sward:
  Gaze met close gaze and clung in sight's embrace.
  --
  This golden figure given to his grasp
  Hid in its breast the key of all his aims,

05.03 - Satyavan and Savitri, #Savitri, #Sri Aurobindo, #Integral Yoga
  O sunlight moulded like a golden maid?
  I know that mighty gods are friends of earth.
  --
  Or the gold desert of the sunlight crossed
  Traversing great wastes of splendour and of fire,
  --
  Thy golden body, dally with fatigue
  Oppressing with its grace our terrain, while
  --
  Apparelled are the morns in gold and green,
  Sunlight and shadow tapestry the walls
  --
  I shall feel the World-Mother in thy golden limbs
  And hear her wisdom in thy sacred voice.
  --
  Across the golden spaces of my life."
  And Satyavan like a replying harp
  --
  "O golden princess, perfect Savitri,
  More I would tell than failing words can speak,
  --
  But now the gold link comes to me with thy feet
  And His gold sun has shone on me from thy face.
  For now another realm draws near with thee

05.14 - The Sanctity of the Individual, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   To be a person, it is said, one must be apart from the crowd. A person is the "single one", one who has attained his singularity, his individual wholeness. And the life's work for each individual person is to make the crowd no longer a crowd, but an association of single ones. But how can this be done? It is not simply by separating oneself from the crowd, by dwelling upon oneself that one can develop into one's true person. The individuals, even when perfect single ones, do not exist by themselves or in and through one another. The mystic or spiritual perception posits the Spirit or God, the All-self as the background and substance of all the selves. Indeed, it is only when one finds and is identified with the Divine in oneself that one is in a position to attain one's true selfhood and find oneself in other selves. And the re-creation of a crowd into such divine individuals is a cosmic work in which the individual is at best a collaborator, not the master and dispenser. Anyway, one has to come out of the human relationship, rise above the give-and-take of human individualshowever completely individual each one may beand establish oneself in the Divine's consciousness which is the golden thread upon which is strung all the assembly of individuals. It is only in and through the Divine, the Spiritual Reality and Person, that one enters into true relation and dynamic harmony with others.
   The truth of the personality is not to be found in its horizontal, but vertical dimension. The Existentialist speaks of the existence (standing out) of the human person as a transcendence. But real transcendence is not so much in coming out as in going up and beyond. To be outside oneself is not always to transcend oneself: to be above oneself is the real transcendence. Man is a true and free person only when he is lord of Prakriti, dominating and commanding Nature, when he is identified with Ishwara, the supreme Person, the Master, and becomes an incarnate will and consciousness of His. The soul in ignorance and in ignorant relation with others must rise and envisage its archetype in the Supreme Divine, as a free formulation of an Idea-Force of the Infinite.

05.20 - The Urge for Progression, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   In the process of the expression and embodiment of this innermost truth, the first necessary condition is, as we have said, sincerity, that is to say, a constant reference to the demand of that truth, putting everything and judging everything in the light of that truth, a vigilant wakefulness to it. The second condition is progression. It is the law of the Truth that it is expressing itself, seeking to express itself continually and continuously in the march of life; it is always unfolding new norms and forms of its light and power, ever new degrees of realisation. The individual human consciousness has to recognise that progressive flux and march along with it. Human consciousness, the complex of external mind and life and body consciousness, has the habit of halting, clinging to the forms, experiences and gains of the past, storing them in memory, agreeing to a minimum change only just to be able to pour the new into the old. But this conservatism, which is another name for tamasis fatal to the living truth within. Even like the lan vitalso gloriously hymned by Bergson, the inmost consciousness, the central truth of being, the soul lanhas always a forward-looking reference. And it is precisely because the normal instrument of the body and life and mind has always a backward reference, because it slings ,back and cannot keep pace with the march of the soul-consciousness that these members stagnate, wear away, decay and death ends it all. The past has its utility: it marks the stages of progress. It means assimilation, but must not mean stagnation. It may supply the present basis but must always open out to what is coming or may come. If one arrives at a striking realisation, a light is revealed, a Voice, a mantra heard, a norm disclosed, it is simply to be noted, taken in the stuff of the being, made part and parcel of the consciousness; you leave it at that and pass and press on. You must not linger at wayside illuminations however beautiful or even useful some may be. The ideal of the paryataka the wanderermay be taken as a concrete symbol of this principle. The Brahmanas described it graphically in the famous phrase, caraivete, "move on". The Vedic Rishi sang of it in the memorable hymn to Dawn, the goddess who comes today the last of a succession of countless dawns in the immemorial past and the first of a never-ending series of the future. The soul is strung with a golden chain to the Great Fulfilment that moves ahead: even when fulfilled the soul does not rest or come to the end of its mission, it continues to be an ever new expression or instrumentation of the Infinite.
   ***

05.27 - The Nature of Perfection, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   How is the harmony to be brought about in the human system composed of so many different and discordant factors, forms and forces of consciousness? It is not possible if one tries to make them accommodate each other, tone down the individual acuities and angularities, blunt or cut out the extreme expressions and effect some sort of a compromise or a pact of goodwill. It is not the Greek ideal of the golden mean nor is it akin to the modern democratic ideal which lays down that each element is freeto grow and possessto the extent that it allows the same freedom to every other element. No, for true harmony one has to go behind and beyond the apparent divergences to a secret being or status of consciousness, the bed-rock of existence where all divergences are resolved and find their inherent and inalienable unity, their single origin and basis. If one gets there and takes one's stand upon that absolute oneness, then and then only the perfect harmony of all the diversities that naturally rise out of it as its self-expression becomes possible, not only possible but inevitable.
   That bed-rock is one's inmost spiritual being, the divine consciousness which is at once an individual centre, a cosmic or universal field of existence and a transcendent truth and reality. With that as the nucleus and around it the whole system has to be arranged and organised: according to the demand of the will and vision composing that consciousness, life has to manifest itself and play out its appointed role. Its configuration or disposition will be wholly determined by the Divine Purpose working in and through it; its fullness will be the fullness of the Divine Presence and intention. The mind will be wholly illumined, the vital with it will become the pure energy of Consciousness and the physical body will be made out of the substance of the divine being: our humanity will be the home and sanctuary of the Divine.

05.34 - Light, more Light, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   But where is to be found this inner light? How is it to be recognised? 'Does it truly require no introduction like the outer light? What are its characters and attributes, its signs and signals? The light is in one's own consciousness, one has simply to become aware of it. It is mixed p with darkness, imbedded in obscurity, as diamond or gold lies concealed in its ore. But, as I have said, light carries its own au thenticity. One cannot fail to recognise it, provided and that is the sole arid sufficient provisionone is genuinely willing to recognise. A sincere good-will is all that is required in this apparently arduous labour.
   Here is a significant mystery and of capital importance. We refer to an activity of the consciousness which is not completely .hidden or behind the veil: it appears covered, because we do not care to look at it, because it is likely to be of an uncomfortable kind and that because we feel safe and cosy at the lowest level of our consciousness and to mount and rise or to be vigilant and straight means effort and trouble.

06.01 - The Word of Fate, #Savitri, #Sri Aurobindo, #Integral Yoga
  Attracted by the golden summer-earth
  That lay beneath him like a glowing bowl
  --
  Earth has gold-hued expanses, shadowy hills
  That cowl their dreaming phantom heads in night,
  --
  A soul alone in a golden house of thought
  Has lived walled in by the safety of thy dreams.
  --
  If thy heart could live locked in the ideal's gold,
  As high, as happy might thy waking be!
  --
  Perfectly rhymed, a pillared ripple of gold!
  Her body like a brimmed pitcher of delight
  Shaped in a splendour of gold-coloured bronze
  As if to seize earth's truth of hidden bliss.
  --
  As grows the great and golden bounteous tree
  Flowering by Alacananda's murmuring waves,
  --
  A living knot of golden Paradise,
  A blue Immense he leans to the longing world,

07.01 - The Joy of Union; the Ordeal of the Foreknowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  Each day a golden leaf torn cruelly out
  From her too slender book of love and joy.
  --
  Bound all to all with her as golden tie.
  But when her grief to the surface pressed too close,

07.02 - The Parable of the Search for the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  And rigid golden statue of motionless trance,
  A stone of God lit by an amethyst soul.
  --
  And lead man to Truth's wide and golden road
  That runs through finite things to eternity?
  --
  Still rigid in her golden motionless pose,
  A statue of the fire of the inner sun.

07.03 - The Entry into the Inner Countries, #Savitri, #Sri Aurobindo, #Integral Yoga
  And opens the Immortal's golden door.
  Man, human, follows in God's human steps.
  --
  And felt as celestial rapture's golden sting.
  The cycles of the infinity of desire
  --
  Great moon-hued visions gliding through gold air,
  Aspiration's sun-dream head and star-carved limbs,

07.04 - The Triple Soul-Forces, #Savitri, #Sri Aurobindo, #Integral Yoga
  A Woman sat in gold and purple sheen,
  Armed with the trident and the thunderbolt,
  --
  And bear my golden commerce on its back:
  It laughs cloven by my pleasure's gliding keel,
  --
  Or slowly transmute it into heaven's gold.
  He is the Good for which men fight and die,
  --
  But not by showering heaven's golden rain
  Upon the intellect's hard and rocky soil

07.05 - The Finding of the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  Two golden serpents round the lintel curled,
  Enveloping it with their pure and dreadful strength,
  --
  In the last chamber on a golden seat
  One sat whose shape no vision could define;

07.06 - Nirvana and the Discovery of the All-Negating Absolute, #Savitri, #Sri Aurobindo, #Integral Yoga
  The night's gold treasure of autumnal moons
  Came floating shipped through ripples of faery air.
  --
  A golden circle round a mystic sun
  Disclosed to her new-born predicting sight
  --
  Thus for a while she trod the golden Path;
  This was the sun before abysmal Night.
  --
  Laughed in a golden vase one living rose.
  A thaumaturgist sat in her heart's deep,
  --
  Like golden fishes from a hidden sea.
  This world is a vast unbroken totality,
  --
  Comes to him wrapped in golden coverings;
  He listens for Inspiration's postman knock

07.39 - The Homogeneous Being, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   It is a very interesting exercise in which you can engage yourself. If you take it up and follow it regularly and assiduously, you will amuse yourself immensely and with profit. Time will never hang heavy, it will bear golden fruits. At the end, say of two or three years, you will see, if you look back, how much you have changed; you wonder how you could have thought or acted as you did. You find yourself a considerably changed personality. You can start the experiment from today itself and see how life becomes more and more amusing, interesting and significant.
   ***

08.03 - Death in the Forest, #Savitri, #Sri Aurobindo, #Integral Yoga
  NOW it was here in this great golden dawn.
  By her still sleeping husb and lain she gazed
  --
  The miser of his poor remaining gold.
  But Satyavan wielded a joyous axe.
  --
  His cheek pressed down her golden arm. She sought
  His mouth still with her living mouth, as if

08.36 - Buddha and Shankara, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   In the more ancient wisdom, however, if one goes back to the teaching of the Vedic Rishis, for example, one finds no idea of escape from the world; they sought a realisation upon earth and they even conceived of a golden age when this realisation would be achieved.
   It is without doubt since the teaching of Buddha that the idea of escape came in; and that has gradually undermined the vitality of the country for it meant an endeavour to cut oneself away from life. The outward reality became a false illusion and one should have nothing to do with it. The natural result was that one cut oneself away from the universal energy and so vitality went on diminishing, and with diminishing vitality, all possibility of terrestrial realisation also diminished.

08.38 - The Value of Money, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   As a matter of fact, money has value only so far as it is in circulation. For each and everyone money has worth only if and when it is spent. Man has taken care to choose for money a material that does not deteriorate, gold and silver, for example, but all the same it rots, from the moral point of view, if it does not circulate. Nowadays paper is used in place of metal, but if you keep the bundle of paper in your drawer, you will find in course of time all your hoarding worn out, eaten up. Worms and insects would present you with a lace-work that your banks would refuse to accept!
   There are peoples and religions who say that God makes those poor whom he loves. I do not know if it is true, but one thing that is true is this that when one is born rich or when one becomes rich, in any case when one has much, that is to say, in material wealth, it is certainly not a sign that the Divine has chosen him for His Grace; he must needs make a good deal of amende honorable if he is to walk on the straight road, the true path towards the Divine.

09.01 - Towards the Black Void, #Savitri, #Sri Aurobindo, #Integral Yoga
  Sunlight arriving to its golden noon,
  And the blue heavens and the caressing soil.
  --
  Outwinging like a mass of golden fire.
  So on a spirit's flaming outrush borne

09.02 - The Journey in Eternal Night and the Voice of the Darkness, #Savitri, #Sri Aurobindo, #Integral Yoga
  As disappears a golden lamp in gloom
  Borne into distance from the eyes' desire,
  --
  Love's golden wings have power to fan thy void:
  The eyes of love gaze starlike through death's night,

100.00 - Synergy, #Synergetics - Explorations in the Geometry of Thinking, #R Buckminster Fuller, #Science
  reward and punishment. By the word reward they do not refer to a gold medal.
  And their word punishment does not refer to whipping. The animal behavior

10.01 - The Dream Twilight of the Ideal, #Savitri, #Sri Aurobindo, #Integral Yoga
  A golden fire came in and burned Night's heart;
  Her dusky mindlessness began to dream;
  --
  These only touched a golden hem of bliss,
  The gleaming shoulder of some godlike hope,

10.02 - Beyond Vedanta, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   An earlier form of this humanised love was given in Buddha's Compassion. The transcendent Delight (Ananda) was made terrestrial and human in Buddha. But Buddha's compassion was a universal feeling and had no personal frame as it were. Vaishnavism gave it a personal frame and a human form. Radha and Krishna are not figures of an allegory but concrete realities. Vrindavan is not merely the land of heart's desire, a garden of paradise but real habitation in a real and concrete consciousness and life. The human frame assumed by Radha and Krishna is not merely an assumption, an illusion but an eternal reality in an eternal domain. The gradation of the spiritual domains is thus sometimes given as (1) Brahmaloka of the Vedantin, (2) Shivaloka of the Tantrik and finally (3) goloka of the Vaishnava.
   The relation between the Supreme (over and above the creation) and the individual in the creation representing the creation is sometimes described in human terms to give it a concrete and graphic form. This relationship characteristically indicates the fundamental nature of the Reality it deals with. Thus in the Vedantic tradition the Supreme is worshipped as the Father (pit no asi). It is also a relation of Master and disciple, the leader and the led. Ii brings out into prominence the Purusha aspect of the Reality. In the Tantra the relation is as between Mother and child. The supreme Reality is the Divine Mother holding the universe in her arms. The individual worships and adores the Supreme Prakriti as a human child does. The Vaishnava makes the relation as between the lover and the beloved, and the love depicted is intensely vital and even physical, as intense and poignant as the ordinary ignorant human passion. It is to show that the Love Divine can beat the human love on its own ground, that is to say, it can be or it is as passionately sweet and as intensely intimate as any human love. It is why Bhakta Prahlad said to his beloved Vishnu "O Lord, what ordinary men feel and enjoy in and through their physical senses, may I have the same enjoyment in and through Thee."

10.02 - The Gospel of Death and Vanity of the Ideal, #Savitri, #Sri Aurobindo, #Integral Yoga
  Abolishing hope, cancelling life's golden truths,
  Fatal its accents smote the trembling air.
  --
  A golden bridge across the roar of the years,
  A cord tying thee to eternity.
  --
  And seized me with his glorious golden leap!
  Unsatisfied he yearned for me through time,
  --
  They draw their gold from a celestial mine,
  His acts work painfully a common ore.

1.002 - The Heifer, #Quran, #unset, #Zen
  249. When Saul set out with the troops, he said, “God will be testing you with a river. Whoever drinks from it does not belong with me. But whoever does not drink from it, does belong with me, except for whoever scoops up a little with his hand.” But they drank from it, except for a few of them. Then, when he crossed it, he and those who believed with him, they said, “We have no strength to face goliath and his troops today.” But those who knew that they would meet God said, “How many a small group has defeated a large group by God’s will. God is with the steadfast.”
  250. And when they confronted goliath and his troops, they said, “Our Lord, pour down patience on us, and strengthen our foothold, and support us against the faithless people.”
  251. And they defeated them by God’s leave, and David killed goliath, and God gave him sovereignty and wisdom, and taught him as He willed. Were it not for God restraining the people, some by means of others, the earth would have gone to ruin. But God is gracious towards mankind.
  252. These are God’s revelations, which We recite to you in truth. You are one of the messengers.

1.003 - Family of Imran, #Quran, #unset, #Zen
  14. Adorned for the people is the love of desires, such as women, and children, and piles upon piles of gold and silver, and branded horses, and livestock, and fields. These are the conveniences of the worldly life, but with God lies the finest resort.
  15. Say, “Shall I inform you of something better than that? For those who are righteous, with their Lord are Gardens beneath which rivers flow, where they will remain forever, and purified spouses, and acceptance from God.” God is Observant of the servants.
  --
  75. Among the People of the Book is he, who, if you entrust him with a heap of gold, he will give it back to you. And among them is he, who, if you entrust him with a single coin, he will not give it back to you, unless you keep after him. That is because they say, “We are under no obligation towards the gentiles.” They tell lies about God, and they know it.
  76. Indeed, whoever fulfills his commitments and maintains piety—God loves the pious.
  --
  91. As for those who disbelieve and die disbelievers, even the earth full of gold would not be accepted from any of them, were he to offer it for ransom. These will have a painful torment, and will have no saviors.
  92. You will not attain virtuous conduct until you give of what you cherish. Whatever you give away, God is aware of it.

10.03 - Life in and Through Death, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   The gold is there, the purest gold, but it is crusted over with dross. The dross is to be eliminated and the noble metal freed. Indeed each element of the being wherever and whatever it is, each corpuscle, mental, vital or physical is ambivalentit is a polarised entity consisting of two parts or two ends, one pure, the other impure. The ancients thought that the whole creation is impure; the only pure substance is the Divine. The Sankhya posited clearly the demarcation between Purusha, the Conscious Being secreted above and behind and the entire Prakriti which is absolute unconsciousness. But as we have said, a new revelation has been slowly coming up which speaks of a different conclusion 'and a different destiny for man and the universe. Each element of the created universe has a double nature, it is both conscious and unconscious, it is both immortal and mortal. And furthermore, the two are not united or soldered together inextricably so that if one is eliminated the other gets eliminated automatically. Life and death appear to be bound together absolutely and eternally; in fact, however, it is not so. Even in life, Life can be established in its single pure reality free from the normal counterpoint of Death. Purusha is not the only conscious element in or above creation. Prakriti is not merely the unconscious being. The unconscious Prakriti is only the apparent aspect of the Higher Prakriti, the Para Prakriti, which is supremely conscious, for it is one with the Supreme Purusha.
   This Higher Prakriti is the inner reality of each created cell of the universe. And it is always insisting and working for the elimination of its counterpart, the inferior Prakriti; and evolution, human or cosmic is nothing but the gradual corroding of the inferior Prakriti by the pressure of the Light-Energy of the Higher Prakriti. One day when this lower Prakriti is dissolved in this way in each cell, the fullness of the radiant manifestation, an embodiment of the Divine Reality will be realised upon this material earth made spiritual, in this human body made Divine.

10.03 - The Debate of Love and Death, #Savitri, #Sri Aurobindo, #Integral Yoga
  A glory is the gold and glimmering moon,
  A glory is his dream of purple sky.
  --
  In the field of the golden promenade of the sun
  And the vigil of the dream-light of the stars,
  --
  Flatter and foster it with golden beams;
  It grows towards the Titan and the God.
  --
  In the crown of gold and in the crown of thorns,
  In life's nectar of sweetness and its bitter wine.
  --
  In the vast golden laughter of Truth's sun
  Like a great heaven-bird on a motionless sea

10.04 - Lord of Time, #Writings In Bengali and Sanskrit, #Sri Aurobindo, #Integral Yoga
  Wearing golden glow, in the fields in the woods
  The world is overwhelmed by the bright army,

10.04 - The Dream Twilight of the Earthly Real, #Savitri, #Sri Aurobindo, #Integral Yoga
  Each thought is a gold coin with bright alloy
  And error and truth are its obverse and reverse:
  --
  In thoughts and largenesses and golden powers?
  Far Heaven can wait our coming in its calm.
  --
  All here gathers beneath one golden sky:
  The Powers that build the cosmos station take
  --
  In a golden country keeps her measureless house;
  In its corridor she hears the tread that comes
  --
  Its substance a pure gold ever the same
  But shaped into vessels for the spirit's use,
  Its gold becomes the wine jar and the vase.
  All there is a supreme epiphany:
  --
  When Light with a golden ecstasy fills his brain
  And the Eternal's wisdom drives his choice

1.009 - Repentance, #Quran, #unset, #Zen
  34. O you who believe! Many of the rabbis and priests consume people's wealth illicitly, and hinder from God’s path. Those who hoard gold and silver, and do not spend them in God’s cause, inform them of a painful punishment.
  35. On the Day when they will be heated in the Fire of Hell, then their foreheads, and their sides, and their backs will be branded with them: “This is what you hoarded for yourselves; so taste what you used to hoard.”

1.00a - Introduction, #Magick Without Tears, #Aleister Crowley, #Philosophy
  Then again, you ask me questions like "What is purity?" that can be answered in a dozen different ways; and you must understand what is meant by a "universe of discourse." If you asked me "Is this sample of cloride of gold a pure sample?" I can answer you. You must understand the value of precision in speech. I could go on rambling about purity and selflessness for years, and no one would be a penny the better.
  P.S. or rather, I did not want to dictate this bit Your ideas about the O.T.O. remind me of some women's idea of shopping. You want to maul about the stock and then walk out with a proud glad smile: NO. Do you really think that I should muster all the most distinguished people alive for your inspection and approval?

1.00b - Introduction, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  Above the magicians head, with an invisible ribbon for a crown, there is a goldedged silvery white lotus flower as a sign of the divinity. In the inside there is the ruby red philosophers stone symbolizing the quintessence of the whole hermetic science. On the right side in the background there is the sun, yellow like gold and on the left side we see the moon, silvery-white, expressing plus and minus in the macro and microcosm, the electrical and magnetical fluids.
  Above the lotus flower, Creation has been symbolized by a ball, in the interior of which are represented the procreative positive and negative forces which stand for the creating act of the universe.

1.00c - DIVISION C - THE ETHERIC BODY AND PRANA, #A Treatise on Cosmic Fire, #Alice Bailey, #Occultism
  The etheric body has been described as a network, permeated with fire, or as a web, animated with golden light. It is spoken of in the Bible as the " golden bowl." [80] It is a composition of that matter of the physical plane which we call etheric, and its shape is brought about by the fine interlacing strands of this matter being built by the action of the lesser Builders into the form or mould upon which later the dense physical body can be moulded. Under the Law of Attraction, the denser matter of the physical plane is made to cohere to this vitalised form, and is gradually built up around it, and within it, until the interpenetration is so complete that the two forms make but one unit; the pranic emanations of the etheric body itself play upon the dense physical body in the same manner as the pranic emanations of the sun play upon the etheric body. It is all one vast system of transmission and of interdependence within the system. All receive in order to give, and to pass on to that which is lesser or not so evolved. Upon every plane this process can be seen.
  Thus the etheric body forms the archetypal plane in relation to the dense physical body. The thinker on his own plane stands, in relation to the physical, as the Logos to His system. In the synthesis of thought it might be expressed thus: The thinker on the astral plane, the plane of desire and of necessity, stands to the physical body as the Logos on the cosmic astral plane stands to His system.
  --
  This is that vital and magnetic fluid which radiates from the sun, and which is transmitted to man's etheric body through the agency of certain deva entities of a very high order, and of a golden hue. It is passed through their bodies and emitted as powerful radiations, which are applied direct through certain plexi in the uppermost part of the etheric body, the head and shoulders, and passed down to the etheric correspondence of the physical organ, the spleen, and from thence forcibly transmitted into the spleen itself. These golden hued pranic entities are in the air above us, and are specially active in such parts of the world as California, in those tropical countries where the air is pure and dry, and the rays of the sun are recognised as being specially beneficial. Relations between man and this group of devas are very close, but fraught as yet with much danger to man. These devas are of a very powerful order, and, along their own line, are further evolved than man himself. Unprotected man lies at their mercy, and in this lack of protection, and man's failure to understand the laws of magnetic resistance, or of solar repulsion comes, for instance, the menace of sunstroke. When the etheric body and its assimilative processes are comprehended scientifically, man will then be immune from dangers due to solar radiation. He will protect himself by the application of the laws governing [91] magnetic repulsion and attraction, and not so much by clothing and shelter. It is largely a question of polarisation. One hint might here be given: When men understand the deva evolution somewhat more correctly and recognise their work along certain lines in connection with the Sun and realise that they represent the feminine pole as they themselves represent the masculine (the fourth Creative Hierarchy being male) [xxxix]39 they will comprehend the mutual relationship, and govern that relationship by law.
  These solar devas take the radiatory rays of the sun which reach from its centre to the periphery along one of the three channels of approach, pass them through their organism and focalise them there. They act almost as a burning glass acts. These rays are then reflected or transmitted to man's etheric body, and caught up by him and again assimilated. When the etheric body is in good order and functioning correctly, enough of this prana is absorbed to keep the form organised. This is the whole object of the etheric body's functioning, and is a point which cannot be sufficiently emphasised. The remainder is cast off in the form of animal radiation, or physical magnetismall terms expressing the same idea. Man therefore repeats on a lesser scale the work of the great solar devas, and in his turn adds his quota of repolarised or remagnetised emanation to the sumtotal of the planetary aura.

1.00e - DIVISION E - MOTION ON THE PHYSICAL AND ASTRAL PLANES, #A Treatise on Cosmic Fire, #Alice Bailey, #Occultism
  3. The heart centre, twelve petals glowing golden.
  4. The throat centre, sixteen petals of a silvery blue, with blue predominating.
  --
  b. The very top of the head. A centre consisting of twelve major petals of white and gold, and nine hundred and sixty secondary petals arranged around the central twelve. This makes a total of ten hundred and sixty-eight petals in the two head centres (making the one centre) or three hundred and fifty-six triplicities. All these figures have an occult significance.
  Just as the Monad is the sumtotal of all the three aspects, and of the seven principles of man, so is the head centre a replica of this, and has within its sphere of influence seven other centres with itself for synthesis. These seven centres are likewise divided into the three major and the four minor centres, with their union and consummation seen in the gorgeous centre surmounting and enveloping them all. There are also three physical centres, called
  --
  The first period is by far the longest, and covers the vast progression of the centuries wherein the activity aspect of the threefold self is being developed. Life after life slips away during which the aspect of manas or mind is being slowly wrought out, and the human being comes more and more under the control of his intellect, operating through his physical brain. This might be looked upon as corresponding to the period of the first solar system, wherein the third aspect logoic, that of Brahma, Mind, or Intelligence, was being brought to the point of achievement. [lxxvi]74 Then the second aspect began in [175] this present solar system to be blended with, and wrought out through it. Centuries go by and the man becomes ever more actively intelligent, and the field of his life more suitable for the coming in of this second aspect. The correspondence lies in similitude and not in detail as seen in time and space. It covers the period of the first three triangles dealt with earlier. We must not forget that, for the sake of clarity, we are here differentiating between the different aspects, and considering their separated development, a thing only permissible in time and space or during the evolutionary process, but not permissible from the standpoint of the Eternal Now, and from the Unity of the All-Self. The Vishnu or the Love-Wisdom aspect is latent in the Self, and is part of the monadic content, but the Brahma aspect, the Activity-Intelligence aspect precedes its manifestation in time. The Tabernacle in the Wilderness preceded the building of the Temple of Solomon; the kernel of wheat has to lie in the darkness of mother Earth before the golden perfected ear can be seen, and the Lotus has to cast its roots down into the mud before the beauty of the blossom can be produced.
  The second period, wherein the egoic ray holds sway, is not so long comparatively; it covers the period wherein the fourth and fifth triangles are being vivified, and marks the lives wherein the man throws his forces on the side of evolution, disciplines his life, steps upon the Probationary Path, and continues up to the third Initiation. Under the regime of the Personality Ray, the man proceeds upon the five Rays to work consciously with Mind, the sixth sense, passing first upon the four minor Rays and eventually upon the third. He works [176] upon the third Ray, or that of active Intelligence, and from thence proceeds to one of the subrays of the two other major Rays, if the third is not his egoic Ray.

1.00 - Main, #The Book of Certitude, #Baha u llah, #Baha i
  Thou speakest false! By God! What thou dost possess is naught but husks which We have left to thee as bones are left to dogs. By the righteousness of the one true God! Were anyone to wash the feet of all mankind, and were he to worship God in the forests, valleys, and mountains, upon high hills and lofty peaks, to leave no rock or tree, no clod of earth, but was a witness to his worship-yet, should the fragrance of My good pleasure not be inhaled from him, his works would never be acceptable unto God. Thus hath it been decreed by Him Who is the Lord of all. How many a man hath secluded himself in the climes of India, denied himself the things that God hath decreed as lawful, imposed upon himself austerities and mortifications, and hath not been remembered by God, the Revealer of Verses. Make not your deeds as snares wherewith to entrap the object of your aspiration, and deprive not yourselves of this Ultimate Objective for which have ever yearned all such as have drawn nigh unto God. Say: The very life of all deeds is My good pleasure, and all things depend upon Mine acceptance. Read ye the Tablets that ye may know what hath been purposed in the Books of God, the All-Glorious, the Ever-Bounteous. He who attaineth to My love hath title to a throne of gold, to sit thereon in honour over all the world; he who is deprived thereof, though he sit upon the dust, that dust would seek refuge with God, the Lord of all Religions.
  Whoso layeth claim to a Revelation direct from God, ere the expiration of a full thousand years, such a man is assuredly a lying impostor. We pray God that He may graciously assist him to retract and repudiate such claim. Should he repent, God will, no doubt, forgive him. If, however, he persisteth in his error, God will, assuredly, send down one who will deal mercilessly with him. Terrible, indeed, is God in punishing! Whosoever interpreteth this verse otherwise than its obvious meaning is deprived of the Spirit of God and of His mercy which encompasseth all created things. Fear God, and follow not your idle fancies. Nay, rather, follow the bidding of your Lord, the Almighty, the All-Wise. Erelong shall clamorous voices be raised in most lands. Shun them, O My people, and follow not the iniquitous and evil-hearted. This is that of which We gave you forewarning when We were dwelling in Iraq, then later while in the Land of Mystery, and now from this Resplendent Spot.
  --
  Whoso wisheth to make use of vessels of silver and gold is at liberty to do so. Take heed lest, when partaking of food, ye plunge your hands into the contents of bowls and platters. Adopt ye such usages as are most in keeping with refinement. He, verily, desireth to see in you the manners of the inmates of Paradise in His mighty and most sublime Kingdom. Hold ye fast unto refinement under all conditions, that your eyes may be preserved from beholding what is repugnant both to your own selves and to the dwellers of Paradise. Should anyone depart therefrom, his deed shall at that moment be rendered vain; yet should he have good reason, God will excuse him. He, in truth, is the Gracious, the Most Bountiful.
  He Who is the Dawning-place of God's Cause hath no partner in the Most Great Infallibility. He it is Who, in the kingdom of creation, is the Manifestation of "He doeth whatsoever He willeth". God hath reserved this distinction unto His own Self, and ordained for none a share in so sublime and transcendent a station. This is the Decree of God, concealed ere now within the veil of impenetrable mystery. We have disclosed it in this Revelation, and have thereby rent asunder the veils of such as have failed to recognize that which the Book of God set forth and who were numbered with the heedless.
  --
  God hath imposed a fine on every adulterer and adulteress, to be paid to the House of Justice: nine mithqals of gold, to be doubled if they should repeat the offence. Such is the penalty which He Who is the Lord of Names hath assigned them in this world; and in the world to come He hath ordained for them a humiliating torment. Should anyone be afflicted by a sin, it behoveth him to repent thereof and return unto his Lord. He, verily, granteth forgiveness unto whomsoever He willeth, and none may question that which it pleaseth Him to ordain. He is, in truth, the Ever-Forgiving, the Almighty, the All-Praised.
  Beware lest ye be hindered by the veils of glory from partaking of the crystal waters of this living Fountain. Seize ye the chalice of salvation at this dawntide in the name of Him Who causeth the day to break, and drink your fill in praise of Him Who is the All-Glorious, the Incomparable.
  --
  No marriage may be contracted without payment of a dowry, which hath been fixed for city-dwellers at nineteen mithqals of pure gold, and for village-dwellers at the same amount in silver. Whoso wisheth to increase this sum, it is forbidden him to exceed the limit of ninety-five mithqals. Thus hath the comm and been writ in majesty and power. If he content himself, however, with a payment of the lowest level, it shall be better for him according to the Book. God, verily, enricheth whomsoever He willeth through both heavenly and earthly means, and He, in truth, hath power over all things.
  It hath been decreed by God that, should any one of His servants intend to travel, he must fix for his wife a time when he will return home. If he return by the promised time, he will have obeyed the bidding of his Lord and shall be numbered by the Pen of His behest among the righteous; otherwise, if there be good reason for delay, he must inform his wife and make the utmost endeavour to return to her. Should neither of these eventualities occur, it behoveth her to wait for a period of nine months, after which there is no impediment to her taking another husband; but should she wait longer, God, verily, loveth those women and men who show forth patience. Obey ye My commandments, and follow not the ungodly, they who have been reckoned as sinners in God's Holy Tablet. If, during the period of her waiting, word should reach her from her husband, she should choose the course that is praiseworthy. He, of a truth, desireth that His servants and His handmaids should be at peace with one another; take heed lest ye do aught that may provoke intransigence amongst you. Thus hath the decree been fixed and the promise come to pass. If, however, news should reach her of her husband's death or murder, and be confirmed by general report, or by the testimony of two just witnesses, it behoveth her to remain single; then, upon completion of the fixed number of months, she is free to adopt the course of her choosing. Such is the bidding of Him Who is mighty and powerful in His command.
  --
  Should anyone acquire one hundred mithqals of gold, nineteen mithqals thereof are God's and to be rendered unto Him, the Fashioner of earth and heaven. Take heed, O people, lest ye deprive yourselves of so great a bounty. This We have commanded you, though We are well able to dispense with you and with all who are in the heavens and on earth; in it there are benefits and wisdoms beyond the ken of anyone but God, the Omniscient, the All-Informed. Say: By this means He hath desired to purify what ye possess and to enable you to draw nigh unto such stations as none can comprehend save those whom God hath willed. He, in truth, is the Beneficent, the Gracious, the Bountiful. O people! Deal not faithlessly with the Right of God, nor, without His leave, make free with its disposal. Thus hath His commandment been established in the holy Tablets, and in this exalted Book. He who dealeth faithlessly with God shall in justice meet with faithlessness himself; he, however, who acteth in accordance with God's bidding shall receive a blessing from the heaven of the bounty of his Lord, the Gracious, the Bestower, the Generous, the Ancient of Days. He, verily, hath willed for you that which is yet beyond your knowledge, but which shall be known to you when, after this fleeting life, your souls soar heavenwards and the trappings of your earthly joys are folded up. Thus admonisheth you He in Whose possession is the Guarded Tablet.
  Various petitions have come before Our throne from the believers, concerning laws from God, the Lord of the seen and the unseen, the Lord of all worlds. We have, in consequence, revealed this Holy Tablet and arrayed it with the mantle of His Law that haply the people may keep the commandments of their Lord.
  --
  Ye have been forbidden in the Book of God to engage in contention and conflict, to strike another, or to commit similar acts whereby hearts and souls may be saddened. A fine of nineteen mithqals of gold had formerly been prescribed by Him Who is the Lord of all mankind for anyone who was the cause of sadness to another; in this Dispensation, however, He hath absolved you thereof and exhorteth you to show forth righteousness and piety. Such is the commandment which He hath enjoined upon you in this resplendent Tablet. Wish not for others what ye wish not for yourselves; fear God, and be not of the prideful. Ye are all created out of water, and unto dust shall ye return. Reflect upon the end that awaiteth you, and walk not in the ways of the oppressor. Give ear unto the verses of God which He Who is the sacred Lote-Tree reciteth unto you. They are assuredly the infallible balance, established by God, the Lord of this world and the next. Through them the soul of man is caused to wing its flight towards the Dayspring of Revelation, and the heart of every true believer is suffused with light. Such are the laws which God hath enjoined upon you, such His commandments prescribed unto you in His Holy Tablet; obey them with joy and gladness, for this is best for you, did ye but know.
  149
  --
  Should anyone unintentionally take another's life, it is incumbent upon him to render to the family of the deceased an indemnity of one hundred mithqals of gold. Observe ye that which hath been enjoined upon you in this Tablet, and be not of those who overstep its limits.
  189

1.00 - Preface, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
  BASED on the versicle in the Song of Songs, " Thy plants are an orchard of Pomegranates ", a book entitled Pardis Rimonim came to be written by Rabbi Moses Cordovero in the sixteenth century. By some authorities this philosopher is considered as the greatest lamp in post-Zoharic days of that spiritual Menorah, the Qabalah, which, with so rare a grace and so profuse an irradiation of the Supernal Light, illuminated the literature and religious philosophy of the Jewish people as well as their immediate and subsequent neighbours in the Dias- pora. The English equivalent of Pardis Rimonim - A Garden of Pomegranates - I have adopted as the title of my own modest work, although I am forced to confess that this latter has but little connection either in actual fact or in historicity with that of Cordovero. In the golden harvest of purely spiritual intimations which the Holy Qabalah brings, I truly feel that a veritable garden of the soul may be builded ; a garden of immense magnitude and lofty significance, wherein may be discovered by each one of us all manner and kind of exotic fruit and gracious flower of exquisite colour. The pomegranate, may I add, has always been for mystics everywhere a favourable object for recon- dite symbolism. The garden or orchard has likewise pro- duced in that book named The Book of Splendour an almost inexhaustible treasury of spiritual imagery of superb and magnificent taste.
  This book goes forth then in the hope that, as a modern writer has put it:

10.11 - Savitri, #Writings In Bengali and Sanskrit, #Sri Aurobindo, #Integral Yoga
  Vasil Gagan is a charming golden smile
  Anandalahari is like the waves of the army
  --
  The day of Pranesh's death is in this golden wave
  ***

10.13 - Go Through, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   The best way to tackle the thing is, as the Mother says, to go through it. To go through means to stand and face it and not run away from it. To go through does not mean, however, to satisfy or to indulge the urge that makes you a slave of it more and more; you get all the more entangled and can never hope to be free. You stand and face in order to seize the truth, the reality of the thing you have to deal with. You have to purify it and clean it in order to remove the dust that covers the gold. If it is human love, to purify means to free it from selfishness, from egoistic desire, the sense of possession. Instead, you love simply for the joy of loving without any expectation or demand of return. You find in the end that this way of loving brings to you a greater delight, a new thrill and poignancy, proper to a pure feeling.
   Indeed not only love but all human impulses and urges are to be dealt with in the same way. The Gita furnishes a beautiful and crucial example. The Gita teaches man to go through the field of activity and not to reject or avoid it. The whole of the Gita is an ideal lesson in the technique of going through. The Gita says, do not renounce work but dedicate itnot karmatyga but karmanysa. What does this dedication mean? The first step in the process of dedication is desirelessnessto do work without desire. It is usually thought that desire is the source and origin of work. If you have no desire, you have no need or impulse to work. But this is a very superficial view of things. The impulse for work springs from elsewhere, from a deeper and impersonal source. The true spirit in which you should work is, as the Gita enjoins, to do a work because it is a thing to be done, not because you desire it. So naturally you do not hanker for the fruit of your action. First then, no attachment to the action itself, then no attachment to the fruit that it brings. This can be done only when you are unselfish. Not only unselfishness but you have to go a step farther, to selflessness. So then there are these three stages in the process of dedication or purification. First to work without desire, without attachment to the result of the work. Then you will be able to see that you are an instrument only, the work is being done through you. At the beginning you are a desireless, unselfish doer of works, next you see yourself as a detached witness of your action and finally you see that the action happening in you is Nature working in you, Nature the instrument of the Divine. Finally yourself is no longer there, it is the Divine alone that is and acts.

1.017 - The Night Journey, #Quran, #unset, #Zen
  93. Or you possess a house of gold. Or you ascend into the sky. Even then, we will not believe in your ascension, unless you bring down for us a book that we can read.” Say, “Glory be to my Lord. Am I anything but a human messenger?”
  94. Nothing prevented the people from believing, when guidance has come to them, except that they said, “Did God send a human messenger?”

1.018 - The Cave, #Quran, #unset, #Zen
  31. These will have the Gardens of Eden, beneath which rivers flow. Reclining on comfortable furnishings, they will be adorned with bracelets of gold, and will wear green garments of silk and brocade. What a wonderful reward, and what an excellent resting-place.
  32. And cite for them the parable of two men. To one of them We gave two gardens of vine, and We surrounded them with palm-trees, and We placed between them crops.

1.01 - Adam Kadmon and the Evolution, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  lustration is this passage from Apuleius golden Ass: So
  listen, and be sure to believe that what you hear is true. I

1.01 - Archetypes of the Collective Unconscious, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  32 "Bilder und Symbole aus E. T. A. Hoffmanns Marchen 'Der goldne Topf.' "
  28

1.01 - Asana, #Liber ABA, #Aleister Crowley, #Philosophy
  On the other hand, if the student pay no attention, fail to watch the body, an opposite phenomenon may occur. He shifts to ease himself without knowing that he has done so. To avoid this, choose a position which naturally is rather cramped and awkward, and in which slight changes are not sufficient to bring ease. Otherwise, for the first few days, the student may even imagine that he has conquered the position. In fact, in all these practices their apparent simplicity is such that the beginner is likely to wonder what all the fuss is about, perhaps to think that he is specially gifted. Similarly a man who has never touched a golf club will take his umbrella and carelessly hole a putt which would frighten the best putter alive.
  In a few days, however, in all cases, the discomforts will begin. As you go on, they will begin earlier in the course of the hour's exercise. The disinclination to practise at all may become almost unconquerable. One must warn the student against imagining that some other position would be easier to master than the one he has selected. Once you begin to change about you are lost.

1.01 - BOOK THE FIRST, #Metamorphoses, #Ovid, #Poetry
  The golden Age
  The golden age was first; when Man yet new,
  No rule but uncorrupted reason knew:
  --
  Excelling brass, but more excell'd by gold.
  Then summer, autumn, winter did appear:
  --
  Thus cursed steel, and more accursed gold,
  Gave mischief birth, and made that mischief bold:
  --
  By steel assaulted, and by gold betray'd,
  Now (brandish'd weapons glittering in their hands)
  --
  One shaft is pointed with refulgent gold:
  To bribe the love, and make the lover bold:
  --
  But that the goddess bore a golden bow:
  Distinguish'd thus, the sight she cheated too.

1.01 - DOWN THE RABBIT-HOLE, #Alice in Wonderland, #Lewis Carroll, #Fiction
  Suddenly she came upon a little table, all made of solid glass. There was nothing on it but a tiny golden key, and Alice's first idea was that this might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but, at any rate, it would not open any of them. However, on the second time 'round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high. She tried the little golden key in the lock, and to her great delight, it fitted!
  Alice opened the door and found that it led into a small passage, not much larger than a rat-hole; she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway. "Oh," said Alice, "how I wish I could shut up like a telescope!
  --
  After awhile, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! When she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass and she tried her best to climb up one of the legs of the table, but it was too slippery, and when she had tired herself out with trying, the poor little thing sat down and cried.
  "Come, there's no use in crying like that!" said Alice to herself rather sharply. "I advise you to leave off this minute!" She generally gave herself very good advice (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes.

1.01 - Economy, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  I do not mean to prescribe rules to strong and valiant natures, who will mind their own affairs whether in heaven or hell, and perchance build more magnificently and spend more lavishly than the richest, without ever impoverishing themselves, not knowing how they live,if, indeed, there are any such, as has been dreamed; nor to those who find their encouragement and inspiration in precisely the present condition of things, and cherish it with the fondness and enthusiasm of lovers,and, to some extent, I reckon myself in this number; I do not speak to those who are well employed, in whatever circumstances, and they know whether they are well employed or not;but mainly to the mass of men who are discontented, and idly complaining of the hardness of their lot or of the times, when they might improve them. There are some who complain most energetically and inconsolably of any, because they are, as they say, doing their duty. I also have in my mind that seemingly wealthy, but most terribly impoverished class of all, who have accumulated dross, but know not how to use it, or get rid of it, and thus have forged their own golden or silver fetters.
  If I should attempt to tell how I have desired to spend my life in years past, it would probably surprise those of my readers who are somewhat acquainted with its actual history; it would certainly astonish those who know nothing about it. I will only hint at some of the enterprises which I have cherished.
  --
  I certain it is desirable that there should be. However, _I_ should never have broken a horse or bull and taken him to board for any work he might do for me, for fear I should become a horse-man or a herds-man merely; and if society seems to be the gainer by so doing, are we certain that what is one mans gain is not anothers loss, and that the stable-boy has equal cause with his master to be satisfied? Granted that some public works would not have been constructed without this aid, and let man share the glory of such with the ox and horse; does it follow that he could not have accomplished works yet more worthy of himself in that case? When men begin to do, not merely unnecessary or artistic, but luxurious and idle work, with their assistance, it is inevitable that a few do all the exchange work with the oxen, or, in other words, become the slaves of the strongest. Man thus not only works for the animal within him, but, for a symbol of this, he works for the animal without him. Though we have many substantial houses of brick or stone, the prosperity of the farmer is still measured by the degree to which the barn overshadows the house. This town is said to have the largest houses for oxen, cows, and horses hereabouts, and it is not behindh and in its public buildings; but there are very few halls for free worship or free speech in this county. It should not be by their architecture, but why not even by their power of abstract thought, that nations should seek to commemorate themselves? How much more admirable the Bhagvat-Geeta than all the ruins of the East! Towers and temples are the luxury of princes. A simple and independent mind does not toil at the bidding of any prince. Genius is not a retainer to any emperor, nor is its material silver, or gold, or marble, except to a trifling extent. To what end, pray, is so much stone hammered? In
  Arcadia, when I was there, I did not see any hammering stone. Nations are possessed with an insane ambition to perpetuate the memory of themselves by the amount of hammered stone they leave. What if equal pains were taken to smooth and polish their manners? One piece of good sense would be more memorable than a monument as high as the moon. I love better to see stones in place. The grandeur of Thebes was a vulgar grandeur. More sensible is a rod of stone wall that bounds an honest mans field than a hundred-gated Thebes that has wandered farther from the true end of life. The religion and civilization which are barbaric and hea thenish build splendid temples; but what you might call

1.01f - Introduction, #The Lotus Sutra, #Anonymous, #Various
  Which shimmer like gold,
  And, throughout all these worlds,
  --
  Joyfully giving gold, silver, coral, pearls,
  Jewels, conch shells, agates, diamonds,
  --
  With bodies like golden mountains.
  Each Bhagavat appeared like a golden image
  In the midst of lapis lazuli,

1.01 - Foreward, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  the Truth is covered with a golden lid. O Pushan, that remove for
  the vision of the law of the Truth.6 O Pushan (fosterer), sole seer,

1.01 - Isha Upanishad, #Isha Upanishad, #unset, #Zen
  15. The face of Truth is covered with a brilliant golden lid; that do thou remove, O Fosterer,10 for the law of the Truth, for sight.
  16. O Fosterer, O sole Seer, O Ordainer, O illumining Sun, O power of the Father of creatures, marshal thy rays, draw together thy light; the Lustre which is thy most blessed form of all, that in Thee I behold. The Purusha there and there, He am I.
  --
  Mind. They form there the golden lid which covers the face of the Truth. The Seer prays to Surya to cast them into right order and relation and then draw them together into the unity of revealed truth. The result of this inner process is the perception of the oneness of all beings in the divine Soul of the Universe.
  11 Vayu, called elsewhere Matarishwan, the Life-Energy in the universe. In the light of

1.01 - MAPS OF EXPERIENCE - OBJECT AND MEANING, #Maps of Meaning, #Jordan Peterson, #Psychology
  ... the sun signifies first of all gold, whose [alchemical] sign it shares. But just as the philosophical
   gold is not the common gold, so the sun is neither just the metallic gold nor the heavenly orb.
  Sometimes the sun is an active substance hidden in the gold and is extracted [alchemically] as the
  tinctura rubea (red tincture). Sometimes, as the heavenly body, it is the possessor of magically effective
  and transformative rays. As gold and a heavenly body it contains an active sulphur of a red colour, hot
  and dry. Because of this red sulphur the alchemical sun, like the corresponding gold, is red. As every
  alchemist knew, gold owes its red color to the admixture of Cu (copper), which he interpreted as Kypris
  (the Cyprian, Venus), mentioned in Greek alchemy as the transformative substance. Redness, heat, and
  --
  and produces lemons, oranges, wine, and, in the mineral kingdom, gold.10
  We can barely understand such a description, contaminated as it is in its entirety by imaginative and

1.01 - MASTER AND DISCIPLE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  "Further, by meditating on God in solitude the mind acquires knowledge, dispassion, and devotion. But the very same mind goes downward if it dwells in the world. In the world there is only one thought: 'woman and gold'.2
  "The world is water and the mind milk. If you pour milk into water they become one; you cannot find the pure milk any more. But turn the milk into curd and churn it into butter. Then, when that butter is placed in water, it will float. So, practise spiritual discipline in solitude and obtain the butter of knowledge and love. Even if you keep that butter in the water of the world the two will not mix. The butter will float.
  --
  'Woman and gold' is
  impermanent. God is the only Eternal Substance. What does a man get with money?
  --
  "The liberated souls, such as the sadhus and mahatmas, are not entangled in the world, in 'woman and gold'. Their minds are free from worldliness. Besides, they always meditate on the Lotus Feet of God.
  "Suppose a net has been cast into a lake to catch fish. Some fish are so clever that they are never caught in the net. They are like the ever-free. But most of the fish are entangled in the net. Some of them try to free themselves from it, and they are like those who seek liberation. But not all the fish that struggle succeed. A very few do jump out of the net, making a big splash in the water. Then the fishermen shout, 'Look!
  --
  "The bound souls are tied to the world by the fetters of 'woman and gold'. They are bound hand and foot. Thinking that 'woman and gold' will make them happy and give them security, they do not realize that it will lead them to annihilation. When a man thus bound to the world is about to die, his wife asks, 'You are about to go; but what have you done for me?' Again, such is his attachment to the things of the world that, when he sees the lamp burning brightly, he says: 'Dim the light. Too much oil is being used.' And he is on his death-bed!
  "The bound souls never think of God. If they get any leisure they indulge in idle gossip and foolish talk, or they engage in fruitless work. If you ask one of them the reason, he answers, 'Oh, I cannot keep still; so I am making a hedge.' When time hangs heavy on their hands they perhaps start playing cards."
  --
  A naughty boy seems very gentle when with his father. But he is quite another person when he plays in the chandni. Narendra and people of his type belong to the class of the ever-free. They are never entangled in the world. When they grow a little older they feel the awakening of inner consciousness and go directly toward God. They come to the world only to teach others. They never care for anything of the world. They are never attached to 'woman and gold'.
  "The Vedas speak of the homa bird. It lives high up in the sky and there it lays its egg.

1.01 - Newtonian and Bergsonian Time, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  have the bizarre and sinister concept of the golem, that figure
  of clay into which the Rabbi of Prague breathed life with the

1.01 - NIGHT, #Faust, #Johann Wolfgang von Goethe, #Poetry
  Then, too, I've neither lands nor gold,
  Nor the world's least pomp or honor hold
  --
  Their golden urns reciprocally lending,
  With wings that winnow blessing

1.01 - On knowledge of the soul, and how knowledge of the soul is the key to the knowledge of God., #The Alchemy of Happiness, #Al-Ghazali, #Sufism
  There are, however, in our times certain weak persons and indifferent to religious truth for the most part, who in the guise of soofees,1 after learning a few of their obscure phrases and ornamenting themselves with their cap and robes, treat knowledge and the doctors of the law2 as inimical to themselves, and continually find fault with them. They are devils and deserve judicial death. They are enemies of God, and of the apostle of God. For God has extolled knowledge and the doctors of the law; and the [33] established way of salvation, with which God has inspired the prophets, has its basis in external knowledge. These miserable and weak men, since they have no acquaintance with science, and no education, and knowledge of external things, why should they indulge in such corrupt fancies, and unfounded language? They resemble, beloved, a person who having heard it said that alchemy was of more value than gold, because that whatsoever thing should be touched with the philosophers' stone would turn to gold, should be proud of the idea and should be carried away with a passion for alchemy. And when gold in full bags is offered him, he replies : "Shall I turn my attention to gold, when I am dissolving the philosophers' stone?" And he finishes with being deprived of the gold, and with only hearing the name of the philosophers' stone. He becomes forever a miserable, destitute, and naked vagabond, who wastes his life upon alchemy.
  The science then of revelation, or of infused spiritual knowledge, resembles alchemy, and the science of the doctors of the law resembles gold; but it is folly and pure loss not to accept and be satisfied with solid gold, on account of one's ardor to discover the philosophers' stone, which latter knowledge is not acquired by one in a thousand.
  There is still one farther observation that deserves to be made. If a person by the payment of a thousand pieces of gold, could become master of alchemy, yet the condition of the man who is absolutely master of ten thousand pieces of gold would be better and preferable. And this illustrates the position of the soofees. If a person follow their method and attain to the knowledge of some things, he still does not equal in excellence, the doctors of the law. Just as we see, that books on alchemy, and students of alchemy are very numerous, while those who are successful are the least of few, so the path of mysticism is sought for by all men, and longed for by all classes of society, yet those who [34] attain to the end are exceedingly rare. Perhaps, as in the case of alchemy, it only exists now in name and form. The greater part of the notions and fancies of most of the mystics, which they esteem as revelations and mysteries, are nothing but vain triflings and pure self complacency; just as that while visions are a reality, still mere confused dreams are very abundant. The mystic, however, who by spiritual revelation has learned all that a doctor of the law has been able to learn after many years of study, and who has no remaining doubts in matters of internal or external knowledge, is certainly more excellent than the doctor of the law who is learned only in external knowledge, and this should not be denied. And it follows that the way of the mystics must be acknowledged to be a true one, and that you must not destroy the belief of those weak minded and vain persons who follow them; for, the reason why they cast reproaches upon knowledge and calumniate the doctors of law is that they have no acquirements or knowledge themselves.
  O, inquirer after divine mysteries! do you ask how it is known that the happiness of man consists in the knowledge of God, and that his enjoyment consists in the love of God ? We observe in reply, that every man's happiness is found in the place where he obtains enjoyment and tranquility. Thus sensual enjoyment is found in eating and drinking and the like. The enjoyment of anger is derived from taking revenge and from violence. The enjoyment of the eye consists in the view of correct images and agreeable objects. The enjoyment of the ear is secured in listening to harmonious voices. In the same way the enjoyment of the heart depends upon its being employed in that for which it was created, in learning to know every thing in its reality and truth. Hence, every man glories in what he knows, even if the thing is but of little importance. He [35] who knows how to play chess, boasts over him who does not know: and if he is looking on while a game of chess is played, it is of no use to tell him not to speak, for as soon as he sees an improper move, he has not patience to restrain himself from showing his skill, and glorying in his knowledge, by pointing it out....

1.01 - ON THE THREE METAMORPHOSES, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  will." 'Thou shalt" lies in his way, sparkling like gold,
  an animal covered with scales; and on every scale
  shines a golden "thou shalt."
  Values, thousands of years old, shine on these scales;

1.01 - SAMADHI PADA, #Patanjali Yoga Sutras, #Swami Vivekananda, #Hinduism
  used with gold to take off the dirt and alloy. When the ore is
  smelted down, the dross is burnt along with the alloy. So this

1.01 - the Call to Adventure, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  take a golden ball, toss it up and catch it; and this was her
  favorite plaything.
  "Now it so happened one day that the golden ball of the
  princess did not fall into the little hand lifted into the air, but
  --
  Water Plopper,' she said. 'I am crying over my golden ball,
  "LONG
  --
  even the golden crown that I wear.' The frog replied, 'Your
  clothes, your pearls and jewels, and your golden crown, I do not
  want; but if you will care for me and let me be your companion
  --
  your little golden plate, drink from your little cup, sleep in your
  little bed: if you will promise me that, I will go straight down
  and fetch your golden ball.' 'All right,' she said. 'I promise you
  anything you want, if you will only bring me back the ball.' But
  --
  bosom of immortal night. Those are the nuggets in the gold
  hoard of the dragon; the guarded apples of the Hesperides; the
  filaments of the golden Fleece. The herald or announcer of the
  adventure, therefore, is often dark, loathly, or terrifying, judged
  --
  disappearance into the well of the golden ball. Thereafter, even
  though the hero returns for a while to his familiar occupations,

1.01 - The Cycle of Society, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
  The tendency of the conventional age of society is to fix, to arrange firmly, to formalise, to erect a system of rigid grades and hierarchies, to stereotype religion, to bind education and training to a traditional and unchangeable form, to subject thought to infallible authorities, to cast a stamp of finality on what seems to it the finished life of man. The conventional period of society has its golden age when the spirit and thought that inspired its forms are confined but yet living, not yet altogether walled in, not yet stifled to death and petrified by the growing hardness of the structure in which they are cased. That golden age is often very beautiful and attractive to the distant view of posterity by its precise order, symmetry, fine social architecture, the admirable subordination of its parts to a general and noble plan. Thus at one time the modern litterateur, artist or thinker looked back often with admiration and with something like longing to the mediaeval age of Europe; he forgot in its distant appearance of poetry, nobility, spirituality the much folly, ignorance, iniquity, cruelty and oppression of those harsh ages, the suffering and revolt that simmered below these fine surfaces, the misery and squalor that was hidden behind that splendid faade. So too the Hindu orthodox idealist looks back to a perfectly regulated society devoutly obedient to the wise yoke of the Shastra, and that is his golden age,a nobler one than the European in which the apparent gold was mostly hard burnished copper with a thin gold-leaf covering it, but still of an alloyed metal, not the true Satya Yuga. In these conventional periods of society there is much indeed that is really fine and sound and helpful to human progress, but still they are its copper age and not the true golden; they are the age when the Truth we strive to arrive at is not realised, not accomplished,4 but the exiguity of it eked out or its full appearance imitated by an artistic form, and what we have of the reality has begun to fossilise and is doomed to be lost in a hard mass of rule and order and convention.
  For always the form prevails and the spirit recedes and diminishes. It attempts indeed to return, to revive the form, to modify it, anyhow to survive and even to make the form survive; but the time-tendency is too strong. This is visible in the history of religion; the efforts of the saints and religious reformers become progressively more scattered, brief and superficial in their actual effects, however strong and vital the impulse. We see this recession in the growing darkness and weakness of India in her last millennium; the constant effort of the most powerful spiritual personalities kept the soul of the people alive but failed to resuscitate the ancient free force and truth and vigour or permanently revivify a conventionalised and stagnating society; in a generation or two the iron grip of that conventionalism has always fallen on the new movement and annexed the names of its founders. We see it in Europe in the repeated moral tragedy of ecclesiasticism and Catholic monasticism. Then there arrives a period when the gulf between the convention and the truth becomes intolerable and the men of intellectual power arise, the great swallowers of formulas, who, rejecting robustly or fiercely or with the calm light of reason symbol and type and convention, strike at the walls of the prison-house and seek by the individual reason, moral sense or emotional desire the Truth that society has lost or buried in its whited sepulchres. It is then that the individualistic age of religion and thought and society is created; the Age of Protestantism has begun, the Age of Reason, the Age of Revolt, Progress, Freedom. A partial and external freedom, still betrayed by the conventional age that preceded it into the idea that the Truth can be found in outsides, dreaming vainly that perfection can be determined by machinery, but still a necessary passage to the subjective period of humanity through which man has to circle back towards the recovery of his deeper self and a new upward line or a new revolving cycle of civilisation.
  --
    The Indian names of the golden age are Satya, the Age of the Truth, and Krita, the Age when the law of the Truth is accomplished.
  ***

1.01 - The King of the Wood, #The Golden Bough, #James George Frazer, #Occultism
  WHO does not know Turner's picture of the golden Bough? The scene,
  suffused with the golden glow of imagination in which the divine
  mind of Turner steeped and transfigured even the fairest natural
  --
  fateful branch was that golden Bough which, at the Sibyl's bidding,
  Aeneas plucked before he essayed the perilous journey to the world

1.01 - The Mental Fortress, #On the Way to Supermanhood, #Satprem, #Integral Yoga
  That is where we are. The illusion is not dead; it even rages with unprecedented violence, equipped with all the arms we have so obligingly polished up for it. But these are the last convulsions of a colossus with feet of clay which is actually a gnome, an oversized, overoutfitted gnome. The ancient sages of India knew it well. They divided human evolution into four concentric circles: that of the men of knowledge (Brahmins), who lived at the beginning of humanity, in the age of truth; that of the nobles and warriors (Kshatriya), when only three fourths of the truth was left; that of the merchants and middle class (Vaishya), who had only half of the truth; and finally ours, the age of the little men, the Shudra, the servants (of the machine, of the ego, of desire), the great proletariat of regimented liberties the Dark Age, Kali Yuga, when no truth is left at all. But because this circle is the most extreme, because all the truths have been tried and exhausted, and all possible roads explored, we are nearing the right solution, the true solution, the emergence of a new age of truth, the supramental age Sri Aurobindo spoke of, like the buttercup breaking its last envelope to free its golden fruit. If the parallel holds true between the collective body and our human body, we could say that the center governing the age of the sages was located at the level of the forehead, while that of the age of the nobles was at the level of the heart, that of the age of the merchants, at the stomach, and the one governing our age is at the level of sex and matter. The descent is complete. But that descent has a meaning a meaning for matter. Had we stayed forever at the forehead level of the divine truths of the mind, this earth and body would never have been changed, and we would have probably ended up escaping into some spiritual heaven or nirvana. Now, everything must be transformed, even the body and matter, since we are right in it. Ironically, this is the greatest service this dark, materialistic and scientific age may have rendered us: to compel such a plunge of the spirit into matter that it had either to lose itself in it or to be transformed with it. Absolute darkness is but the shadow of a greater Sun, which digs its abysses in order to raise up a more stable beauty, founded on the purified base of our earthly subconscious and seated erect in truth down to the very cells of our bodies.
  O Force-compelled, Fate-driven earth-born race,

1.01 - THE OPPOSITES, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [2] The opposites and their symbols are so common in the texts that it is superfluous to cite evidence from the sources. On the other hand, in view of the ambiguity of the alchemists language, which is tam ethice quam physice (as much ethical as physical), it is worth while to go rather more closely into the manner in which the texts treat of the opposites. Very often the masculine-feminine opposition is personified as King and Queen (in the Rosarium philosophorum also as Emperor and Empress), or as servus (slave) or vir rubeus (red man) and mulier candida (white woman);5 in the Visio Arislei they appear as Gabricus (or Thabritius) and Beya, the Kings son and daughter.6 Theriomorphic symbols are equally common and are often found in the illustrations.7 I would mention the eagle and toad (the eagle flying through the air and the toad crawling on the ground), which are the emblem of Avicenna in Michael Maier,8 the eagle representing Luna or Juno, Venus, Beya, who is fugitive and winged like the eagle, which flies up to the clouds and receives the rays of the sun in his eyes. The toad is the opposite of air, it is a contrary element, namely earth, whereon alone it moves by slow steps, and does not trust itself to another element. Its head is very heavy and gazes at the earth. For this reason it denotes the philosophic earth, which cannot fly [i.e., cannot be sublimated], as it is firm and solid. Upon it as a foundation the golden house9 is to be built. Were it not for the earth in our work the air would fly away, neither would the fire have its nourishment, nor the water its vessel.10
  [3] Another favourite theriomorphic image is that of the two birds or two dragons, one of them winged, the other wingless. This allegory comes from an ancient text, De Chemia Senioris antiquissimi philosophi libellus.11 The wingless bird or dragon prevents the other from flying. They stand for Sol and Luna, brother and sister, who are united by means of the art.12 In Lambspringks Symbols13 they appear as the astrological Fishes which, swimming in opposite directions, symbolize the spirit / soul polarity. The water they swim in is mare nostrum (our sea) and is interpreted as the body.14 The fishes are without bones and cortex.15 From them is produced a mare immensum, which is the aqua permanens (permanent water). Another symbol is the stag and unicorn meeting in the forest.16 The stag signifies the soul, the unicorn spirit, and the forest the body. The next two pictures in Lambspringks Symbols show the lion and lioness,17 or the wolf and dog, the latter two fighting; they too symbolize soul and spirit. In Figure VII the opposites are symbolized by two birds in a wood, one fledged, the other unfledged. Whereas in the earlier pictures the conflict seems to be between spirit and soul, the two birds signify the conflict between spirit and body, and in Figure VIII the two birds fighting do in fact represent that conflict, as the caption shows. The opposition between spirit and soul is due to the latter having a very fine substance. It is more akin to the hylical body and is densior et crassior (denser and grosser) than the spirit.

1.01 - The Path of Later On, #Words Of Long Ago, #The Mother, #Integral Yoga
  BY THE wayside, many-coloured flowers delight the eye, red berries gleam on small trees with knotty branches, and in the distance a brilliant sun shines gold upon the ripe corn.
  A young traveller is walking briskly along, happily breathing in the pure morning air; he seems joyful, without a care for the future. The way he is following comes to a cross-roads, where innumerable paths branch off in all directions.

1.01 - The Rape of the Lock, #The Rape of the Lock, #unset, #Zen
  With golden crowns and wreaths of heav'nly flow'rs,
  Hear and believe! thy own importance know,

1.01 - The Three Metamorphoses, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  15:"Thou-shalt," lieth in its path, sparkling with gold--a scale-covered beast; and on every scale glittereth golden, "Thou shalt!"
  16:The values of a thousand years glitter on those scales, and thus speaketh the mightiest of all dragons: "All the values of things--glitter on me.

1.01 - The Unexpected, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  When we other doctors came up, we saw Dr. Manilal examining Sri Aurobindo's injured leg. The Mother was sitting by Sri Aurobindo's side, fanning him gently. I could not believe what I saw: on the one hand Sri Aurobindo lying helplessly, on the other, a deep divine sorrow on the Mother's face. But I soon regained my composure and helped the doctor in the examination. My medical eye could not help taking in at a glance Sri Aurobindo's entire body and appreciating the robust manly frame. His right knee was flexed, his face bore a perplexed smile as if he did not know what was wrong with him; the chest was bare, well-developed and the finely pressed snow-white dhoti drawn up contrasted with the shining golden thighs, round and marble-smooth, reminiscent of Yeats's line, "World-famous golden-thighed Pythagoras". A sudden fugitive vision of the golden Purusha of the Vedas!
  Each gentle movement of the leg by the doctor made Sri Aurobindo let out a short "Ah!" which prompted the Mother to ask, "Is it hurting you?" Throughout the investigation he uttered very few words, only to answer the doctor's questions. Finally the doctor pronounced that there was a fracture of the thigh bone. Sri Aurobindo simply heard the verdict and made no comment.

1.01 - To Watanabe Sukefusa, #Beating the Cloth Drum Letters of Zen Master Hakuin, #unset, #Zen
  In contrast to these terrible tales of retri bution, there are also accounts of children who thanks to heaven's miraculous intervention were enabled to carry out acts of great filial devotion: the story of a rare medicinal stone suddenly appearing in the garden of a son who needed it to cure an ailing father; of midwinter ice breaking up and fresh carp leaping into the arms of a son whose stepmo ther had a craving for minced fish; of a poor man whose shovel struck a cauldron filled with gold as he was about to bury his child alive to ensure his mother would be adequately fed; of bamboo shoots emerging in midwinter for a son anxious to feed them to his mother; of a carp-filled fountain gushing up in the garden of a son who wanted to satisfy his mother's yearning for fine water and minced fish.
  But even if you don't perform acts of filial devotion like these, of a caliber that elicits heavenly intervention, I devoutly hope you do not commit acts of an unfilial nature that will bring punishment down upon you. A person who ignores or refuses to acknowledge what takes place right under his nose and insists on merely doing as he pleases must be either a stupid man or an evil one.

1.01 - What is Magick?, #Magick Without Tears, #Aleister Crowley, #Philosophy
    (Illustration: I wish to prepare an ounce of Chloride of gold. I must take the right kind of acid, nitro-hydrochloric and no other, in sufficient quantity and of adequate strength, and place it, in a vessel which will not break, leak or corrode, in such a manner as will not produce undesirable results, with the necessary quantity of gold, and so forth. Every Change has its own conditions.
    In the present state of our knowledge and power some changes are not possible in practice; we cannot cause eclipses, for instance, or transform lead into tin, or create men from mushrooms. But it is theoretically possible to cause in any object any change of which that object is capable by nature; and the conditions are covered by the above postulate.)
  --
    (Illustration: A golf club is intended to move a special ball in a special way in special circumstances. A Niblick should rarely be used on the tee, or a Brassie under the bank of a bunker. But, also, the use of any club demands skill and experience.)
    24. Every man has an indefeasible right to be what he is.
  --
    (Illustration: The least gesture causes a change in a man's own body and in the air around him: it disturbs the balance of the entire universe and its effects continue eternally throughout all space. Every thought, however swiftly suppressed, has its effect on the mind. It stands as one of the causes of every subsequent thought, and tends to influence every subsequent action. A golfer may lose a few yards on his drive, a few more with his second and third, he may lie on the green six bare inches too far from the hole; but the net result of these trifling mishaps is the difference of a whole stroke, and so probably between having and losing the hole.)
    26. Every man has a right, the right of self-preservation, to ful- fill himself to the utmost.[AC6]

1.020 - The World and Our World, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
  But Ishvara srishti is pure existence of things. A lump of gold is a lump of gold; but, that it is a valuable substance, that it has great worth and, therefore, can be taken away or stolen these ideas are projections of the mind of the individual. So in the perception of any given object, two factors are supposed to be involved jiva shrishti and Ishvara srishti. This is a conclusion safely arrived at to obviate any kind of extreme position that people generally take, either from the objective side or from the subjective side.
  There are those who think that the object alone is real and the mind is only a stupid something, which merely reflects the nature of an object as it is. This is the realistic, materialistic attitude. They do not give any place for mind in the scheme of things. It is only a kind of exudation of material existences. This is one extreme view - where the objective world alone is the determining factor of every situation in life, and the mind has no place in the scheme of things. The other extreme is that the mind alone is the determining factor of everything and the object has no place in the scheme of things everything is on account of our thought. This is the extreme idealistic point of view, contrary to the extreme materialistic point of view of certain others. The via-media, the middle course, would be that both contri bute a percentage of meaning in the perception of objects. And so the act of mind-control, the restraining of the modifications of the mind, would not mean an abolition of the existence of objects at least according to thinkers such as the author of the Panchadasi - but is a withdrawal of those special modifications of the mind, on account of which the mind reads particular subjective meanings in objects.

1.022 - The Pilgrimage, #Quran, #unset, #Zen
  23. But God will admit those who believe and do good deeds into Gardens beneath which rivers flow. They will be decorated therein with bracelets of gold and pearls, and their garments therein will be of silk.
  24. They were guided to purity of speech. They were guided to the path of the Most Praised.

10.23 - Prayers and Meditations of the Mother, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   Between the gold and the blue
   And wrapped them softly and left them there
  --
   When I was a childabout the age of thirteen and for about a yearevery night as soon as I was in bed, it seemed to me that I came out of my body and rose straight up above the house, then above the town, very high. I saw myself then, clad in a magnificent golden robe, longer than myself; and as I rose, that robe leng thened, spreading in a circle around me to form, as it were, an immense roof over the town. Then I would see coming out from all sides, men, women, children, the old, the sick, the unhappy; they gathered under the outspread robe, imploring help, recounting their miseries, their sufferings, their pains. In reply, the robe, supple and living, stretched out to them individually, and as soon as they touched it, they were consoled or healed, and entered back into their body happier and stronger than they had ever been before coming out of it.
   I thank them with gratitude for all the charm they have been able to impart from the outside to our life; I wish, if they are destined to pass for a long or a brief period into other hands than ours, that these hands may be gentle to them and may feel all the respect that is due to what Thy divine Love, O Lord, has made to emerge from the dark inconscience of chaos. (3.3.1914)

1.02.4.1 - The Worlds - Surya, #Isha Upanishad, #unset, #Zen
  * 15. The face of Truth is covered with a brilliant golden lid; that do thou remove, O
  Fosterer, for the law of the Truth, for sight.
  --
  with a golden lid; covered, that is to say, from the view of our
  human consciousness. For we are mental beings and our highest

10.24 - Savitri, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   Pressed vainly on one golden bar of Time. .||90.36||
   Let a great word be spoken from the heights
  --
   The Rishi of the Upanishad declared: they who worship only Ignorance enter into darkness, but they who worship knowledge alone enter into a still darker darkness. This world of absolute light which Savitri names 'everlasting day' is what the Upanishadic Rishi sees and describes as the golden lid upon the face of the Sun. The Sun is the complete integral light of the Truth in its fullness. The golden covering has to be removed if one is to see the Sun itselfto live the integral life, one has to possess the integral truth.
   So it is that Savitri comes down upon earth and standing upon its welcoming soil speaks to Satyavan as though consoling him for having abandoned their own abode in heaven to dwell among mortal men:

10.28 - Love and Love, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   We do not regard love, even human love, as an error but a power, a force and energy. Love, even human love, is not to be amputated or rooted out but like gold as ore, it has to be purified. The work is hard but it is worth the trouble.
   As a matter of fact, however, all the divine qualitiessupernals as they have been sometimes calledare of that nature, that is to say, all are universal; they are never non -existent, they are never and can never be negatived. Divine Consciousness, Divine Delight, Divine Power, indeed, Divine Beingthey each and all exist as absolute and unitary realities, that is to say, one without a second. Even like Divine Love, there is only one Divine Consciousness, one Divine Power, one Divine Bliss, one Divine Being, however various they may appear in outward name and form.

1.02.9 - Conclusion and Summary, #Isha Upanishad, #unset, #Zen
  a golden lid placed over the face of the Truth, the Sight, the
  divine Ideation, the Truth-Consciousness. When that is removed,

1.02 - BEFORE THE CITY-GATE, #Faust, #Johann Wolfgang von Goethe, #Poetry
  The silver brook to golden rivers flowing.
  The mountain-chain, with all its gorges deep,
  --
  Let them drop down the golden atmosphere,
  And bear me forth to new and varied being!

1.02 - BOOK THE SECOND, #Metamorphoses, #Ovid, #Poetry
  With burnish'd gold and flaming jewels blaz'd;
  The folding gates diffus'd a silver light,
  --
  A golden axle did the work uphold,
   gold was the beam, the wheels were orb'd with gold.
  The spokes in rows of silver pleas'd the sight,
  --
  And Tagus floating in his melted gold.
  The swans, that on Cayster often try'd
  --
  The golden edging on the seam below;
  Adjusts his flowing curls, and in his hand

1.02 - IN THE COMPANY OF DEVOTEES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  God and His glory & Dangers of worldly life MASTER: "God and His glory. This universe is His glory. People see His glory and forget everything. They do not seek God, whose glory is this world. All seek to enjoy 'woman and gold'. But there is too much misery and worry in that. This world is like the whirlpool of the Vilki. Once a boat gets into it there is no hope of its rescue. Again, the world is like a thorny bush: you have hardly freed yourself from one set of thorns before you find yourself entangled in another. Once you enter a labyrinth you find it very difficult to get out. Living in the world, a man becomes seared, as it were."
  A DEVOTEE: "Then what is the way, sir?"
  --
  "Wicked people are needed too. At one time the tenants of an estate became unruly. The landlord had to send golak Choudhury, who was a ruffian. He was such a harsh administrator that the tenants trembled at the very mention of his name.
  "There is need of everything. Once Sita said to her Husband: 'Rama, it would be grand if every house in Ayhodhya were a mansion! I find many houses old and dilapidated.' 'But, my dear,' said Rama, 'if all the houses were beautiful ones, what would the masons do?'

1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
  Sokolov, O. Vinogradova, A.R. Luria (and, more recently, E. goldberg) who adopted an approach to
  human function that is in many ways unique. Their tradition apparently stems from Pavlov, who viewed the
  --
  perfection of the golden Age. Since it constitutes the very foundation of the cosmos and life, ma at can
  be known by each individual separately. In texts of different origins and periods, there are such
  --
  trauma. She is the molestor of children, the golem, the bogey-man, the monster in the swamp, the rotting
  cadaverous zombie who threatens the living. She is progenitor of the devil, the strange son of chaos. She
  --
  because all gold is but a little sand in her sight,
  and silver will be accounted as clay before her.
  --
  bringing him a golden scepter and a gorgeous crown and shouting:
  Long live King Nitechka! Long live he! Long live he! And let him be the Princess husb and and let
  --
  After a time three wagonloads of gold and precious stones came to the King for his youngest son. They
  were sent by the kings who had been saved by the Princes sword and miraculous loaf, and who now
  --
   had caused a road to be made of pure shining gold leading straight to her castle, and told her people
  that whoever came riding straight along it would be her true bridegroom, and they were to admit him.
  --
  when he saw the beautiful golden road he thought it would be a thousand pities to ride upon it, so he
  turned aside and rode to the right of it. But when he reached the gate the people told him that he was not
  --
  Soon after the second Prince came, and when he saw the golden road he thought it would be a
  thousand pities for his horse to tread upon it, so he turned and rode up on the left of it. But when he
  --
  concentrate on what is of true importance. Because of their great respect for the gold that makes up the
  road, they miss a great opportunity. Their over-arching admiration for material goods blinds them to the
  --
  her, and he never even saw the golden road. His horse cantered right along the middle of it, and when he
  reached the gate it was flung open and the Princess received him joyfully, and called him her deliverer

WORDNET












--- Grep of noun gol
algol
gogol
golan
golan heights
golconda
gold
gold-beater
gold-crowned kinglet
gold-tail moth
gold-worker
gold braid
gold coast
gold digger
gold dust
gold fern
gold fever
gold foil
gold leaf
gold medal
gold mine
gold miner
gold of pleasure
gold panner
gold plate
gold rush
gold standard
golda meir
goldbeater
goldberg
goldbrick
goldbricking
goldcrest
goldcup
golden-beard penstemon
golden-crested kinglet
golden-eyed fly
golden age
golden ager
golden algae
golden aster
golden barrel cactus
golden boy
golden buttons
golden calf
golden calla
golden chain
golden chinkapin
golden clematis
golden club
golden crown beard
golden crownbeard
golden cup
golden delicious
golden eagle
golden everlasting
golden fairy lantern
golden fern
golden fig
golden fleece
golden gate
golden gate bridge
golden glow
golden gram
golden groundsel
golden hamster
golden handshake
golden heather
golden honey plant
golden horde
golden ironweed
golden larch
golden maidenhair
golden marguerite
golden mean
golden mole
golden oak mushroom
golden oldie
golden oriole
golden parachute
golden pea
golden pheasant
golden pholiota
golden plover
golden polypody
golden pothos
golden potto
golden ragwort
golden rain
golden retriever
golden rule
golden saxifrage
golden seal
golden section
golden shiner
golden shower tree
golden spleen
golden star
golden stars
golden state
golden syrup
golden thistle
golden thread
golden trumpet
golden warbler
golden wattle
golden wedding anniversary
golden willow
golden wonder millet
golden yarrow
golden years
goldenbush
goldeneye
goldenrod
goldenseal
goldfield
goldfields
goldfinch
goldfish
goldfish bowl
goldie's fern
goldie's shield fern
goldie's wood fern
goldilocks
goldilocks aster
golding
goldman
goldmark
goldmine
goldoni
goldsboro
goldsmith
goldstone
goldthread
goldworker
goldwyn
golem
golf
golf-club
golf-club head
golf bag
golf ball
golf caddie
golf cap
golf cart
golf club
golf course
golf equipment
golf game
golf glove
golf hole
golf lesson
golf links
golf player
golf pro
golf range
golf shot
golf stroke
golf tee
golf widow
golfcart
golfer
golfing
golfo de campeche
golfo de mexico
golgi
golgi's cell
golgi apparatus
golgi body
golgi cell
golgi complex
golgotha
goliard
goliath
goliath frog
golliwog
golliwogg
golosh
googol
mongol
nei monggol
nikolai vasilievich gogol



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Wikipedia - Andreas Harto -- Danish professional golfer
Wikipedia - Andre Bossert -- Swiss professional golfer
Wikipedia - Andrei Golban -- Moldovan judoka
Wikipedia - Andre Lufwa -- Congolese sculptor
Wikipedia - Andre-RaphaM-CM-+l Loemba -- Congolese politician (RC)
Wikipedia - Andres Gonzales -- American golfer
Wikipedia - Andres Romero -- Argentine golfer
Wikipedia - Andre Stolz -- Australian professional golfer
Wikipedia - Andrew Buckle -- Australian professional golfer
Wikipedia - Andrew Butterfield -- English professional golfer
Wikipedia - Andrew Campbell (golfer) -- Scottish golfer
Wikipedia - Andrew Coltart -- Scottish golfer and television commentator
Wikipedia - Andrew D. Goldstein -- American prosecutor
Wikipedia - Andrew Dodt -- Australian professional golfer
Wikipedia - Andrew Goldberg (surgeon) -- British orthopaedic surgeon
Wikipedia - Andrew Goldberg (writer) -- American writer
Wikipedia - Andrew Goldman -- American sailor
Wikipedia - Andrew Gold -- American singer, musician and songwriter
Wikipedia - Andrew Johnson (golfer) -- American golfer
Wikipedia - Andrew Kirkaldy (golfer) -- Scottish golfer
Wikipedia - Andrew Landry -- American professional golfer
Wikipedia - Andrew Loupe -- American golfer
Wikipedia - Andrew Magee -- American professional golfer
Wikipedia - Andrew Marshall (golfer) -- English golfer
Wikipedia - Andrew McArthur -- Scottish golfer
Wikipedia - Andrew Murray (golfer) -- English golfer
Wikipedia - Andrew Oldcorn -- Scottish golfer
Wikipedia - Andrew Scott (golfer) -- Scottish golfer
Wikipedia - Andrew Shaw (golfer) -- New Zealand golfer
Wikipedia - Andrew Sherborne -- English golfer
Wikipedia - Andrew Strath -- Scottish professional golfer
Wikipedia - Andrew Svoboda -- American professional golfer
Wikipedia - Andrew V. Goldberg
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Wikipedia - Andrey Bogolyubsky
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Wikipedia - Andy Bean -- American professional golfer
Wikipedia - Andy Miller (golfer) -- American golfer
Wikipedia - Andy Morse -- American golfer
Wikipedia - Andy North -- American professional golfer
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Wikipedia - Angela Stanford -- American golfer
Wikipedia - Angel (coin) -- Medieval gold coin in England
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Wikipedia - Angelina Golikova -- Russian speed skater
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Wikipedia - Angel Yin -- American golfer
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Wikipedia - Angolan Civil War
Wikipedia - Angolan genet -- Species of mammal
Wikipedia - Angolan kusimanse -- Species of mongoose from Africa
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Wikipedia - Angolan slender mongoose -- Species of mongoose from Africa
Wikipedia - Angolan Union for Peace, Democracy and Development -- Political party in Angola
Wikipedia - Angolan waxbill -- Species of bird
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Wikipedia - Anthony Kang -- Korean-American professional golfer
Wikipedia - Anthony Kim -- American golfer
Wikipedia - Anthony Painter -- Australian professional golfer
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Wikipedia - Anti-Mongolianism
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Wikipedia - Argolamprotes micella -- Species of moth
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Wikipedia - Argolid
Wikipedia - Argol Parish close
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Wikipedia - Aria, Argolis -- municipal community
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Wikipedia - Arielle Gold -- American snowboarder
Wikipedia - Ari Gold (musician) -- American singer-songwriter
Wikipedia - Ariya Jutanugarn -- Thai professional golfer
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Wikipedia - Arnold Blyth -- Scottish golfer
Wikipedia - Arnold Goldberg
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Wikipedia - Arnold Palmer (drink) -- Beverage of iced tea and lemonade, named after the American golfer
Wikipedia - Arnold Palmer -- American golfer
Wikipedia - Arnold Stickley -- English golfer
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Wikipedia - Art Doering -- American golfer
Wikipedia - Arthur Campbell-Walker -- Scottish soldier, politician and golfer
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Wikipedia - Arthur E. Goldman
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Wikipedia - Arthur Goldreich
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Wikipedia - Arthur Havers -- English golfer
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Wikipedia - Arthur Housman -- American actor in films during both the silent film era and the Golden Age of Hollywood (1889-1942)
Wikipedia - Arthur Hussey -- American golfer
Wikipedia - Arthur Lord -- American golfer
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Wikipedia - Ashley Hall (golfer) -- Australian professional golfer
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Wikipedia - Augusto NuM-CM-1ez -- Argentine golfer
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Wikipedia - Austin Eaton III -- American golfer
Wikipedia - Austin Ernst -- American golfer
Wikipedia - Austin Powers in Goldmember -- 2002 American spy comedy film directed by Jay Roach
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Wikipedia - Autumn Gold -- 2010 film
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Wikipedia - Ayako Uehara (golfer) -- Japanese professional golfer
Wikipedia - Ayanga -- Chinese musical theater actor and singer from Inner Mongolia
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Wikipedia - A Yoke of Gold -- 1916 film
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Wikipedia - Azahara MuM-CM-1oz -- Spanish golfer
Wikipedia - Azuma Yano -- Japanese golfer
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Wikipedia - Baatarzorig Batjargal -- Mongolian painter
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Wikipedia - Back to the Woods (1918 Goldwyn film) -- 1918 American silent comedy film
Wikipedia - Bactrian Gold
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Wikipedia - Bailey (dog) -- Golden retriever owned by Elizabeth Warren
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Wikipedia - Baixa de Cassanje revolt -- 1961 revolt against Portuguese rule of Angola
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Wikipedia - Bakhvain Buyadaa -- Mongolian judoka
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Wikipedia - Barbara Romack -- American golfer
Wikipedia - Barb Bunkowsky -- Canadian professional golfer
Wikipedia - Barb Mucha -- American golfer
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Wikipedia - Barend Bispinck -- Dutch Golden Age painter
Wikipedia - Barend van Eijsen -- Dutch Golden Age painter and sculptor
Wikipedia - Barent Gael -- Dutch Golden Age painter (1630-1698)
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Wikipedia - Barrick Gold -- Canadian mining company
Wikipedia - Barrow's goldeneye -- Species of bird
Wikipedia - Barry Cheesman -- American professional golfer
Wikipedia - Barry Goldwater Jr. -- American politician
Wikipedia - Barry Goldwater -- Republican nominee for President, 1964; U.S. Senator from Arizona
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Wikipedia - Barry M. Goldwater Air Force Range -- Bombing range in Arizona, United States
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Wikipedia - Bart Bryant -- American professional golfer
Wikipedia - Bartholomeus van Bassen -- Dutch Golden Age painter and architect
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Wikipedia - Battle of Goliad -- Second skirmish of the Texas Revolution
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Wikipedia - Battle of Grobnik Field -- 1242 Croat-Mongol battle
Wikipedia - Battle of Heligoland (1864) -- Battle of theM-BM- Second War of Schleswig
Wikipedia - Battle of Khalkhyn Temple -- Border skirmish between Mongolia and Japan
Wikipedia - Battle of Naulila -- Battle of the German campaign in Angola
Wikipedia - Battle of Ringgold Gap -- Battle of the American Civil War
Wikipedia - Battle of the Heligoland Bight (1939) -- First major aerial battle of the Second World War
Wikipedia - Battle of the Kalka River -- Middle ages battle between the Mongol Empire and a Rus' coalition
Wikipedia - Battle of the Sit River -- Battle between the invading Mongol Empire and the defending Principality of Vladimir-Suzdal
Wikipedia - Battle of Yamen -- 1279 naval battle between the Song dynasty and the Mongol Yuan dynasty; decisive Yuan victory
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Wikipedia - Battulgyn Oktyabri -- Mongolian speed skater
Wikipedia - Battulgyn Temuulen -- Mongolian judoka
Wikipedia - Bavaria-Ingolstadt -- Duchy in the Holy Roman Empire
Wikipedia - Bayanjavyn Damdinjav -- Mongolian biathlete
Wikipedia - Bayan Shireh Formation -- Geological formation in Mongolia
Wikipedia - Baynes Hydroelectric Power Station -- Proposed power station in Angola and Namibia
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Wikipedia - Beau Hossler -- American professional golfer
Wikipedia - Becky Iverson -- American golfer
Wikipedia - Becky Pearson -- American golfer
Wikipedia - Bedfordshire Golf Club -- Golf club in Bedfordshire, England
Wikipedia - Beilu Yiyu -- Mongol-Chinese dictionary
Wikipedia - Belen Mozo -- Spanish golfer
Wikipedia - Belgo-Congolese Round Table Conference -- 1960 meeting between Belgian and Congolese leaders
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Wikipedia - Belle Robertson -- Scottish golfer
Wikipedia - Ben Bates -- American professional golfer
Wikipedia - Ben Campbell (golfer) -- Scottish golfer
Wikipedia - Ben Crane -- American professional golfer
Wikipedia - Ben Evans (golfer) -- English golfer
Wikipedia - Ben Finegold -- American chess grandmaster
Wikipedia - Ben Goldacre -- British physician, academic and science writer (born 1974)
Wikipedia - Bengo Province -- province of Angola
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Wikipedia - Benguela Province -- province of Angola
Wikipedia - Ben Hogan -- American golfer
Wikipedia - Benin Golf Air -- Defunct African airllne (2001-2012)
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Wikipedia - Ben Smith (golfer) -- American golfer
Wikipedia - Benton Township, Ringgold County, Iowa -- Township in Iowa, USA
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Wikipedia - Bernard Edmunds -- American golfer
Wikipedia - Bernard Gallacher -- Scottish professional golfer
Wikipedia - Bernard Goldberg (businessman) -- American businessman
Wikipedia - Bernard Goldberg -- American journalist
Wikipedia - Bernard Goldstein (casino owner) -- American attorney and entrepreneur
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Wikipedia - Bernard Williams (sprinter) -- American track and field athlete, sprinter, Olympic gold medalist
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Wikipedia - Bernd Wiesberger -- Austrian professional golfer
Wikipedia - Bernhard Langer -- German golfer
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Wikipedia - Bert Gadd -- English golfer
Wikipedia - Bert Greene (golfer) -- American golfer
Wikipedia - Bertie Austin -- Canadian golfer
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Wikipedia - Bert Seymour -- English golfer
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Wikipedia - Bet365 Gold Cup -- Steeplechase horse race in Britain
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Wikipedia - Beth Bader -- American professional golfer
Wikipedia - Beth Bauer -- American professional golfer
Wikipedia - Beth Daniel -- American professional golfer
Wikipedia - Beth Solomon -- American golfer
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Wikipedia - Bettina Hauert -- German professional golfer
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Wikipedia - Betty Dodd -- American professional golfer
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Wikipedia - Beverly Hanson -- American golfer
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Wikipedia - Bill Brask -- American professional golfer
Wikipedia - Bill Britton -- American professional golfer
Wikipedia - Bill Bryant (golf executive) -- American golf executive
Wikipedia - Bill Collins (golfer) -- American golfer
Wikipedia - Bill Cox (golfer) -- English golfer
Wikipedia - Bill Davies (golfer) -- English golfer
Wikipedia - Bill Dunk -- Australian professional golfer
Wikipedia - Bill Eggers -- American golfer
Wikipedia - Bill Garrett (golfer) -- American golfer
Wikipedia - Bill Gold -- American graphic designer
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Wikipedia - Bill Hyndman -- American golfer
Wikipedia - Billie Jean Theide -- American sculptor and goldsmith
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Wikipedia - Bill Laidlaw -- Scottish golfer
Wikipedia - Bill Large -- English golfer
Wikipedia - Bill Loeffler -- American golfer
Wikipedia - Bill Lunde -- American professional golfer
Wikipedia - Bill Malley (golfer) -- American golfer
Wikipedia - Bill Mallon -- American orthopedic surgeon, golfer, and historian
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Wikipedia - Bill Murchison -- American golfer
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Wikipedia - Bill Rogers (golfer) -- American professional golfer
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Wikipedia - Binary Golay code
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Wikipedia - Bingol massacre -- Massacre in Turkey
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Wikipedia - Bnei Yehuda, Golan Heights -- Israeli settlement in the Golan Heights
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Wikipedia - Bob Burns (golfer) -- American professional golfer
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Wikipedia - Bob Golub -- Comedian from the United States
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Wikipedia - Bob May (golfer) -- American professional golfer
Wikipedia - Bob McCallister -- American professional golfer
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Wikipedia - Gold Base -- International headquarters of the Church of Scientology
Wikipedia - Gold Beach -- Code name for one of the zones for amphibious landings in Northern France on D-Day, 6 June 1944
Wikipedia - Goldbeater's skin -- Processed outer membrane of the intestine of an animal
Wikipedia - Goldbeat -- Former AM radio station in Northern Ireland
Wikipedia - Goldberg polyhedron
Wikipedia - Goldberg Variations -- Keyboard work by Johann Sebastian Bach
Wikipedia - Goldbeter-Koshland kinetics -- Steady-state solution for a 2-state biological system
Wikipedia - Gold (Bob Marley and the Wailers album) -- 2005 greatest hits album by Bob Marley and the Wailers
Wikipedia - Gold Box
Wikipedia - Gold (British TV channel) -- Classic comedy channel from the UKTV network
Wikipedia - Gold (Britt Nicole song) -- 2012 song by Britt Nicole
Wikipedia - Goldbug (comics)
Wikipedia - Goldbug Hot Springs -- Thermal spring and recreation area
Wikipedia - Gold business in Thrissur
Wikipedia - Gold Circle Films -- Independent film company
Wikipedia - Goldcliff, Newport -- Village in the city of Newport, South Wales
Wikipedia - Gold Coast Art Festival -- Australian art festival
Wikipedia - Gold Coast (British colony) -- Former British colony from 1867 until 1957, now Ghana
Wikipedia - Gold Coast Chargers -- Former Australian rugby league team
Wikipedia - Gold Coast Convention and Exhibition Centre -- Convention centre in Queensland, Australia
Wikipedia - Gold Coast Euro-Africans -- Historical ethnic group in Ghana
Wikipedia - Gold Coast (Florida) -- Region in Florida
Wikipedia - Gold Cobra -- album by Limp Bizkit
Wikipedia - Gold coin
Wikipedia - Gold Collar -- Sports
Wikipedia - Gold (color) -- Color
Wikipedia - Gold Country -- Historic gold-mining region in Northern California
Wikipedia - Gold Creek, Arkansas -- Human settlement in Arkansas, United States of America
Wikipedia - Goldcrest -- Small passerine bird in the kinglet family
Wikipedia - Gold Derby -- American awards prediction and entertainment news website
Wikipedia - Gold Digger (horse) -- American thoroughbred racehorse
Wikipedia - Gold Digger (Kanye West song) -- 2005 single by Kanye West
Wikipedia - Gold Diggers in Paris -- 1938 film
Wikipedia - Gold Diggers of 1933 -- 1933 film by Mervyn LeRoy, Busby Berkeley
Wikipedia - Gold Diggers of 1937 -- 1936 film by Busby Berkeley, Lloyd Bacon
Wikipedia - Gold Diggers of '49 -- 1935 animated film in Warner Bros.' Looney Tunes series
Wikipedia - Gold Diggers of Broadway -- Partially lost 1929 pre-Code American musical film
Wikipedia - Gold digger -- Type of relationship in which a person engages in relationships for money rather than love
Wikipedia - Gold dollar -- U.S. one-dollar coin (1849-1889)
Wikipedia - Gold Dome
Wikipedia - Gold Dust (DJ Fresh song) -- 2008 single by DJ Fresh
Wikipedia - Gold Dust Gertie -- 1931 film
Wikipedia - Gold Dust (magazine) -- Twice-yearly literary arts magazine
Wikipedia - Gold Dust (The Dirty Youth album) -- album by The Dirty Youth
Wikipedia - Gold Dust (Tori Amos album) -- album by Tori Amos
Wikipedia - Gold Dust Trio -- Group of professional wrestling promoters
Wikipedia - Gold Dust Twins -- Name of 19th century marketing icons now eponymous with two closely entwined individuals.
Wikipedia - Gold (East 17 song) -- 1992 single by East 17
Wikipedia - Golden Acre (Cape Town) -- Commercial centre in Cape Town
Wikipedia - Golden age hip hop -- Name given to mainstream hip hop music created in the mid/late 1980s and early 1990s, particularly by artists and musicians originating from the New York metropolitan area
Wikipedia - Golden age (metaphor)
Wikipedia - Golden age of American animation -- Period of U.S. animation where theatrical sound cartoons were common and popular
Wikipedia - Golden age of arcade video games
Wikipedia - Golden Age of Comic Books -- Comic books published between 1938 and 1956
Wikipedia - Golden Age of Detective Fiction -- The Peak of Detective Fiction's Popularity
Wikipedia - Golden age of Jewish culture in Spain
Wikipedia - Golden Age of Mexican cinema -- Period in Mexican cinema history
Wikipedia - Golden Age of Nigerian Cinema -- Motion used in Nigeria cinema pictures
Wikipedia - Golden Age of Piracy -- Maritime piracy from the 1650s to the 1730s
Wikipedia - Golden Age of Porn -- 15-year period in which sexually explicit films experienced mainstream success
Wikipedia - Golden Age of Radio -- An era of popular entertainment in the United States centered on radio productions
Wikipedia - Golden Age of Roller Skating -- Period in American history (1937-1959)
Wikipedia - Golden Age of Russian Poetry
Wikipedia - Golden Age of Science Fiction
Wikipedia - Golden Age of Television (2000s-present) -- Period beginning in the late 1990s or early 2000s, seeing a large number of internationally-acclaimed television programs, particularly from the United States
Wikipedia - Golden Age of Television -- 1940s and 1950s in American television
Wikipedia - Golden age of video arcade games
Wikipedia - Golden Age
Wikipedia - Golden age
Wikipedia - Golden Airport -- Airport in British Columbia, Canada
Wikipedia - Golden algae -- Class of algae
Wikipedia - Golden Ambrosian Republic -- Milanese republic
Wikipedia - Golden Apple (TV series) -- South Korean television series
Wikipedia - Golden Ariel -- Mexican film award
Wikipedia - Golden Arrow Bus Services -- Public transport bus service operator for Cape Town, South Africa,
Wikipedia - Golden Attraction -- American Thoroughbred racemare
Wikipedia - Golden Axe -- Video game series
Wikipedia - Golden-backed tree-rat -- Species of mammal
Wikipedia - Golden Ballet -- American thoroughbred racehorse
Wikipedia - Golden Bay -- bay in New Zealand
Wikipedia - Golden Beach (Hong Kong) -- Beach in Tuen Mun, New Territories, Hong Kong
Wikipedia - Golden Beak -- 1928 film
Wikipedia - Golden Bear Tour -- Professional golf tour
Wikipedia - Golden Bear
Wikipedia - Golden-bellied starfrontlet -- Species of bird
Wikipedia - Golden Book-Owl -- Belgian award for Dutch literature
Wikipedia - Golden Boy (1925 film) -- 1925 film
Wikipedia - Golden Boy (1939 film) -- 1939 film by Rouben Mamoulian
Wikipedia - Golden Boy (Kylie Minogue song) -- 2014 song by Kylie Minogue
Wikipedia - Golden Brain Award
Wikipedia - Golden-breasted puffleg -- Species of bird
Wikipedia - Goldenbridge Luas stop -- Tram stop in Dublin, Ireland
Wikipedia - Golden Bridge (Vietnam) -- Vietnamese pedestrian bridge
Wikipedia - Golden Brooks -- American actress
Wikipedia - Golden Bull of 1242 -- Edict proclaiming Gradec (Zagreb) a royal free city
Wikipedia - Golden Bull of 1356
Wikipedia - Golden Bull of Rimini -- 13th-century imperial decree, that conformed the territorial acquisition of the Teutonic Order
Wikipedia - Golden Bull of Sicily
Wikipedia - Golden Calf (award) -- Dutch film award
Wikipedia - Golden calf -- idol (a cult image) made by the Israelites when Moses went up to Mount Sina
Wikipedia - Golden CaM-CM-1edo -- Filipino singer
Wikipedia - Golden Chain (Naqshbandi)
Wikipedia - Golden Chameleon -- 1967 film
Wikipedia - Golden-cheeked woodpecker -- Species of bird
Wikipedia - Golden Chicken 2 -- 2003 Hong Kong film directed by Samson Chiu
Wikipedia - Golden Chicken 3 -- 2014 Hong Kong comedy film directed by Matt Chow
Wikipedia - Golden Chicken -- 2002 Hong Kong film directed by Samson Chiu
Wikipedia - Golden Child (band) -- South Korean boy band
Wikipedia - Golden-collared woodpecker -- Species of bird
Wikipedia - Golden, Colorado
Wikipedia - Golden Cone of Ezelsdorf-Buch -- Bronze Age gold artefact
Wikipedia - Golden Corn -- English thoroughbred
Wikipedia - Golden cownose ray -- Species of ray
Wikipedia - Golden-crowned emerald -- Species of bird
Wikipedia - Golden-crowned sifaka -- A medium-sized lemur with mostly white fur, prominent furry ears, and a golden-orange crown
Wikipedia - Golden Cygnet Novice Hurdle -- Hurdle horse race in Ireland
Wikipedia - Golden Daffodil Stakes -- Discontinued flat horse race in Wales
Wikipedia - Goldendale Sentinel -- US newspaper covering Goldendale Washington and Klicktat County
Wikipedia - Golden Dawn (film) -- 1930 film
Wikipedia - Golden Delicious -- Apple cultivar
Wikipedia - GoldenDict -- Multilingual dictionary free software
Wikipedia - Golden Disc Awards -- Annual South Korean music awards
Wikipedia - Golden Divas Baatein With Badshah -- Indian television chat show
Wikipedia - Golden Dome (Monaca) -- Multipurpose arena in Monaca, Pennsylvania
Wikipedia - Golden Dragon massacre -- Gang-related shooting that took place in a San Francisco Chinatown restaurant
Wikipedia - Golden Dreams -- 2001 film by Agnieszka Holland
Wikipedia - Golden Duck Award
Wikipedia - Golden Ears Way -- Road in Vancouver
Wikipedia - Golden Eggs (film) -- 1941 Donald Duck cartoon
Wikipedia - Golden Eighties -- 1986 film by Chantal Akerman
Wikipedia - Golden Era Productions -- organization operated by the Church of Scientology which produces its promotional material
Wikipedia - Golden Eurydice Award
Wikipedia - Golden Exits -- 2017 film by Alex Ross Perry
Wikipedia - Goldeneye (duck) -- Genus of birds
Wikipedia - GoldenEye (song) -- Theme from the 1995 James Bond film GoldenEye
Wikipedia - GoldenEye -- 1995 James Bond film by Martin Campbell
Wikipedia - Golden Features -- Australian deep house/dance producer
Wikipedia - Golden Films -- American production studio
Wikipedia - Golden Film -- Dutch film box office achievement
Wikipedia - Golden Fingernails -- 1989 film
Wikipedia - Golden Fish (TV series) -- Television series
Wikipedia - Golden Fleece -- Artefact in Greek mythology, part of the Argonauts' tale
Wikipedia - Golden-fronted woodpecker -- Species of bird
Wikipedia - Golden fruit dove -- Species of bird
Wikipedia - Golden Gate Bridge -- Suspension bridge on the San Francisco Bay
Wikipedia - Golden Gate Canyon State Park -- State Park in Colorado
Wikipedia - Golden Gate Canyon -- Canyon in Yellowstone National Park
Wikipedia - Golden Gate Capital -- American investment management firm
Wikipedia - Golden Gate Girl -- 1941 film by Esther Eng
Wikipedia - Golden Gate Highlands National Park -- National park in the Free State, South Africa, near the Lesotho border
Wikipedia - Golden Gate (Jerusalem) -- Gate of ancient city wall of Jerusalem
Wikipedia - Golden Gate Park
Wikipedia - Golden Gate Quartet -- American gospel vocal group
Wikipedia - Golden Gate University -- Private university in San Francisco, California, United States
Wikipedia - Golden ghost crab -- Species of crustacean
Wikipedia - Golden Globe Award for Best Actress in a Motion Picture - Drama -- Film award presented by the Hollywood Foreign Press Association
Wikipedia - Golden Globe Award for Best Actress - Television Series Musical or Comedy -- Award that honors the best lead actresses in a television series musical or comedy
Wikipedia - Golden Globe Award for Best Original Song
Wikipedia - Golden Globe Awards -- Award of the Hollywood Foreign Press Association
Wikipedia - Golden Globe Award
Wikipedia - Golden Globe Cecil B. DeMille Award -- Honorary Golden Globe Award
Wikipedia - Golden Globes (Portugal) -- Award of the Hollywood Foreign Press Association
Wikipedia - Golden Glory -- Muay Thai, kickboxing and MMA based in the Netherlands.
Wikipedia - Golden Gloves (1940 film) -- 1940 film by Edward Dmytryk
Wikipedia - Golden Gloves (1961 film) -- 1961 documentary directed by Gilles Groulx
Wikipedia - Golden Gloves -- Annual competitions for amateur boxing
Wikipedia - Golden Goddess of Rio Beni -- 1964 film
Wikipedia - Golden Goose Award -- American price for basic research
Wikipedia - Golden Goose (company) -- Italian footwear brand
Wikipedia - Golden Green
Wikipedia - Golden-green woodpecker -- Species of bird
Wikipedia - Golden Gryphon Press -- Defunct American small press
Wikipedia - Golden handshake
Wikipedia - Golden Harp -- Dutch music award
Wikipedia - Golden (Harry Styles song) -- 2020 single by Harry Styles
Wikipedia - Goldenhar syndrome -- Autosomal dominant condition characterised by hemifacial incomplete development
Wikipedia - Golden Harvest (film) -- 1933 film by Ralph Murphy
Wikipedia - Golden Hat of Schifferstadt -- Bronze Age artefact
Wikipedia - Golden hat -- Bronze Age artefacts
Wikipedia - Golden-headed cisticola -- Species of bird
Wikipedia - Golden Hill (novel) -- 2016 novel by English writer Francis Spufford
Wikipedia - Golden Hinde (mountain) -- Mountain of the Vancouver Island Ranges in British Columbia, Canada
Wikipedia - Golden Hind -- 1577 galleon, flagship of Francis Drake's circumnavigation
Wikipedia - Golden Hoofs -- 1941 film
Wikipedia - Golden Horde -- Mongol khanate
Wikipedia - Golden Horizon -- 5-masted French sailing ship
Wikipedia - Golden Horn -- Primary inlet of the Bosphorus in Istanbul, Turkey
Wikipedia - Golden Horseshoe Saloon -- Theme park attraction in Disneyland, Anaheim, California
Wikipedia - Golden Horseshoes -- 1989 film
Wikipedia - Golden Hotel (O'Neill, Nebraska) -- United States historic place
Wikipedia - Golden Hour (Kacey Musgraves album) -- 2018 studio album by Kacey Musgraves
Wikipedia - Golden hour (photography) -- First and last hour of sunlight during the day
Wikipedia - Golden House (TV series) -- South Korean television series
Wikipedia - Goldenisland (Kilmaine) -- Townland, Athlone, County Westmeath, Ireland
Wikipedia - Golden Island Shopping Centre -- Retail facility on the edge of Athlone, Ireland
Wikipedia - Goldenisland (St. George) -- Townland, Athlone, County Westmeath, Ireland
Wikipedia - Goldenisland -- Townland, Athlone, County Westmeath, Ireland
Wikipedia - Golden-i
Wikipedia - Golden jackal -- wolf-like canid that is native to Southeast Europe, Asia and Arabia
Wikipedia - Golden Joystick Awards
Wikipedia - Golden Jubilee of Elizabeth II -- 50th Anniversary Of The Accession Of Queen Elizabeth II
Wikipedia - Golden jubilee
Wikipedia - Golden Kamuy (season 1) -- Season of television series
Wikipedia - Golden Kamuy (season 2) -- Season of television series
Wikipedia - Golden Kamuy (season 3) -- Season of television series
Wikipedia - Golden Kamuy -- Japanese manga series
Wikipedia - Goldenke -- River in Germany
Wikipedia - Golden-Kilfeacle GAA -- Gaelic games club in County Tipperary, Ireland
Wikipedia - Golden Krust -- Caribbean cuisine fast food chain, and manufacturer and distributor of Caribbean food products, based in The Bronx, NYC
Wikipedia - Golden Legend -- Medieval collection of hagiographies by Jacobus da Varagine
Wikipedia - Golden Liberty -- Former political system in Poland and Poland-Lithuania
Wikipedia - Golden Light Sutra
Wikipedia - Golden Lilac -- Irish-bred Thoroughbred racehorse
Wikipedia - Golden Lion -- The highest prize given to a film at the Venice Film Festival
Wikipedia - Golden Lovers -- Professional wrestling tag team
Wikipedia - Golden Madonna of Essen -- Gold-covered statue of the Virgin and Child in Essen Cathedral, Germany
Wikipedia - Golden-mantled racket-tail -- Species of parrot
Wikipedia - Golden mean (philosophy)
Wikipedia - Golden Miller Novices' Chase -- Steeplechase horse race in Britain
Wikipedia - Golden mole -- Family of blind, burrowing moles endemic to South Africa
Wikipedia - Golden Mountain (Canada) -- Mountain in AB/BC, Canada
Wikipedia - Golden Mountains (film) -- 1931 film
Wikipedia - Golden Mountains of Altai -- UNESCO World Heritage Site in Russia
Wikipedia - Golden-naped woodpecker -- Species of bird
Wikipedia - Golden nightjar -- Species of bird
Wikipedia - Golden Night -- 1976 film
Wikipedia - Golden Nugget Atlantic City -- Hotel and casino
Wikipedia - Golden Nugget (video game) -- 1997 video game
Wikipedia - Golden Oak Ranch
Wikipedia - Golden Oldies (TV program) -- South Korean television series
Wikipedia - Golden-olive woodpecker -- Species of bird
Wikipedia - Golden Pagoda, Namsai -- Burmese-style Buddhist temple in India
Wikipedia - Golden parachute
Wikipedia - Golden parrotbill -- Species of bird
Wikipedia - GoldenPass Line -- Train route in the Swiss Alps
Wikipedia - Golden pheasant -- Species of bird
Wikipedia - Golden plates
Wikipedia - Golden poison frog (disambiguation) -- Animal common name disambiguation page
Wikipedia - Golden Prague Hotel -- Hotel in Prague, Czech
Wikipedia - Golden Prairie -- Protected area of tallgrass prairie in Missouri
Wikipedia - Golden Press
Wikipedia - Golden Princess (2020 film) -- 2020 Burmese film
Wikipedia - Golden Quadrilateral
Wikipedia - Golden Raspberry Award for Worst Director -- Award to the worst director of the previous year
Wikipedia - Golden Raspberry Award for Worst New Star -- Award
Wikipedia - Golden Raspberry Award for Worst Picture -- Award for worst film of the past year
Wikipedia - Golden Raspberry Award for Worst Screen Combo -- Award for worst movie pairing or cast of the past year
Wikipedia - Golden Raspberry Award for Worst Screenplay -- Award for worst film screenplay of the past year
Wikipedia - Golden Raspberry Awards -- Award presented in recognition of the worst in film
Wikipedia - Golden ratio base -- Positional numeral system
Wikipedia - Golden ratio -- Ratio between two quantities whose sum is at the same ratio to the larger one
Wikipedia - Golden Records -- American children's music record label
Wikipedia - Golden rectangle
Wikipedia - Golden redhorse -- Species of fish
Wikipedia - Golden Reel Award for Outstanding Achievement in Sound Editing - Dialogue and ADR for Feature Film -- Annual award given by the Motion Picture Sound Editors
Wikipedia - Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects and Foley for Feature Film -- Annual award
Wikipedia - Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media -- Sound editing award
Wikipedia - Golden Retriever -- Dog breed
Wikipedia - Golden Rice
Wikipedia - Golden Ring of Russia -- Region in Russia
Wikipedia - Golden rivet -- Naval folklore
Wikipedia - Golden Road (album) -- album by Keith Urban
Wikipedia - Goldenrod, Florida -- CDP in Orange and Seminole counties, Florida, United States
Wikipedia - Golden-rod pug -- Species of moth
Wikipedia - Golden Rose Stakes (Great Britain) -- Flat horse race in Britain
Wikipedia - Golden Rose -- Papal award
Wikipedia - Golden Rule Kate -- 1917 film by Reginald Barker
Wikipedia - Golden rule (law) -- Traditional rule of statutory interpretation in English law
Wikipedia - Golden rule
Wikipedia - Golden Rule -- Principle of treating others as oneself would wish to be treated, found in most religions and cultures
Wikipedia - Golden Sands (film) -- 1984 Icelandic film by M-CM-^Agust GuM-CM-0mundsson
Wikipedia - Golden-section search
Wikipedia - Golden Shackles -- 1928 film
Wikipedia - Golden Shell -- Best Film award at San Sebastian Film Festival
Wikipedia - Golden (singer) -- South Korean singer
Wikipedia - Golden Skans -- 2007 single by Klaxons
Wikipedia - Golden-spangled piculet -- Species of bird
Wikipedia - Golden spike
Wikipedia - Golden spiral
Wikipedia - Golden-spotted ground dove -- Species of bird
Wikipedia - Golden starfrontlet -- Subspecies of bird
Wikipedia - Golden Staters -- Barbershop quartet
Wikipedia - Golden Sun (video game) -- 2001 video game
Wikipedia - Golden-tailed sapphire -- Species of bird
Wikipedia - Golden-tailed woodpecker -- Species of bird
Wikipedia - Golden tail sugar ant -- Species of Australian ant (Camponotus aeneopilosus)
Wikipedia - Golden Temple Mail -- express train in India
Wikipedia - Golden Temple Park -- Taoist temple in Yunnan, China
Wikipedia - Golden Temple, Sripuram -- Hindu temple complex in Vellore, Tamil Nadu, India
Wikipedia - Golden Temple -- Temple in Amritsar, India; the most sacred site in Sikhism
Wikipedia - Golden Thread Gallery -- Contemporary art gallery in Belfast, Northern Ireland
Wikipedia - Goldenthroat -- Genus of birds
Wikipedia - Golden tiger -- Color variation of Tiger
Wikipedia - Golden Time (novel series) -- Japanese light novel series
Wikipedia - Golden Torch -- Former nightclub in England
Wikipedia - Golden Touch (song) -- 2004 single by Razorlight
Wikipedia - Golden Tours -- English open top bus operator and coach tour operator based in London.
Wikipedia - Golden Trailer Awards -- Annual awards show that honors achievements in motion picture marketing, especially film trailers
Wikipedia - GoldenTree Asset Management -- American asset management firm
Wikipedia - Golden Triangle (Norwich) -- Area within the south western suburbs Norwich, England
Wikipedia - Golden triangle (universities) -- Unofficial grouping of universities in the English cities of Oxford, Cambridge and London
Wikipedia - Golden Triangle (Yorkshire) -- Informal name for an area of West and North Yorkshire, England
Wikipedia - Golden Urn
Wikipedia - Golden Valley High School (Santa Clarita, California) -- High school in California, USA
Wikipedia - Golden Valley, Minnesota -- City in Minnesota, United States
Wikipedia - Golden Village -- Cinema chain in Singapore
Wikipedia - Golden Voyages
Wikipedia - Golden Week (China) -- National public holidays in China
Wikipedia - Golden West Broadcasting (Canada) -- Canadian radio broadcasting company
Wikipedia - Golden West College -- Community college in Huntington Beach, California
Wikipedia - Golden white-eye -- A bird in the white-eye family from the Northern Mariana Islands
Wikipedia - Golden Wind (manga) -- The fifth story arc of the Japanese manga series JoJo's Bizarre Adventure, written and illustrated by Hirohiko Araki
Wikipedia - Golden-winged warbler -- Species of bird
Wikipedia - Golden Witchbreed -- 1983 science fiction novel by Mary Gentle
Wikipedia - Golden Wreath of Struga Poetry Evenings
Wikipedia - Golden Years (2016 film) -- 2015 comedy heist movie by John Miller
Wikipedia - Golden Years (2017 film) -- 2017 film
Wikipedia - Golden Years (Ruel and M-Phazes song) -- 2017 single by M-Phazes and Ruel
Wikipedia - Golden Years (song) -- Song by David Bowie
Wikipedia - Golden Youth (film) -- 2019 film
Wikipedia - Goldersbach -- River in Germany
Wikipedia - Golders Green Crematorium
Wikipedia - Golders Green tube station -- London Underground station
Wikipedia - Golders Green
Wikipedia - Gold farming
Wikipedia - Gold Fever (Documentary) -- 2000 BBC documentary
Wikipedia - Gold Fields -- South African mining company
Wikipedia - Goldfinder (horse) -- 18th-century British Thoroughbred racehorse
Wikipedia - Goldfinder -- Autobiography of British diver and treasure hunter Keith Jessop
Wikipedia - Goldfinger (film) -- 1964 British film by Guy Hamilton
Wikipedia - Goldfinger (novel) -- Novel by Ian Fleming
Wikipedia - Gold Fire (2020) -- 2020 wildfire in Lassen County, California
Wikipedia - Goldfish-class ROUV -- A light class of Chinese remotely operated underwater vehicle
Wikipedia - Goldfish (cracker) -- fish-shaped cheese-flavored snack
Wikipedia - Goldfish Street -- Section of Tung Choi Street that mainly sells marine species as pets, located in Hong Kong
Wikipedia - Goldfish -- freshwater fish, common in aquariums
Wikipedia - Gold Flake -- Indian cigarette brand
Wikipedia - Gold Flex
Wikipedia - Gold foil
Wikipedia - Gold Forever -- 2011 single by The Wanted
Wikipedia - Gold for the Tough Guys of the Prairie -- 1971 film
Wikipedia - Gold, Frankincense and Myrrh -- 1971 film
Wikipedia - Goldfrapp -- English electronic music duo
Wikipedia - Gold from Weepah -- 1927 film
Wikipedia - Gold grave goods at Grave Circles A and B -- Gold grave goods in the Bronze Age city of Mycenae, Greece
Wikipedia - Goldhawk Road tube station -- London Underground station
Wikipedia - Gold Heels (film) -- 1924 film by W. S. Van Dyke
Wikipedia - Gold Hill, Nevada -- Town in Nevada
Wikipedia - Goldhorn -- Fictional animal character
Wikipedia - Goldhouse -- American DJ, producer, singer, and songwriter
Wikipedia - Goldie and the Gingerbreads -- American all-female rock band
Wikipedia - Goldie Behl -- Indian film director
Wikipedia - Goldie (film) -- 1931 film
Wikipedia - Goldie Gets Along -- 1933 film by Malcolm St. Clair
Wikipedia - Goldie Gold and Action Jack
Wikipedia - Goldie Harvey -- Nigerian professional singer
Wikipedia - Goldie Hawn -- American entertainer
Wikipedia - Goldie Lookin Chain -- Welsh comedic rap music group
Wikipedia - Goldie (song) -- 2012 single by ASAP Rocky
Wikipedia - Goldie Taylor -- American author and opinion writer
Wikipedia - Goldie Vance -- Comic book series
Wikipedia - Gold(III) chloride
Wikipedia - Goldilocks and the Three Bears -- Fable
Wikipedia - Goldilocks conditions
Wikipedia - Goldilocks principle -- Analogy for optimal conditions
Wikipedia - Goldin Finance 117 -- Unfinished skyscraper in Tianjin, China
Wikipedia - Golding Bird -- British medical doctor
Wikipedia - Goldington Bury -- Cricket ground in Bedford, in England
Wikipedia - Gold in New Frisco -- 1939 film
Wikipedia - Gold in the Hand -- 1943 film by Adelqui Migliar
Wikipedia - Gold Is Not All -- 1913 short film by Wilfred Lucas
Wikipedia - Gold Is the Metal (With the Broadest Shoulders)
Wikipedia - Gold Is Where You Find It -- 1938 film
Wikipedia - Gold Key: Alliance -- Comic book series
Wikipedia - Gold Key Comics -- American comic book publisher
Wikipedia - Gold Leaf Awards of 1970 -- (Canadian music industry awards known as Juno Awards
Wikipedia - Gold-leaf electroscope
Wikipedia - Gold leafing
Wikipedia - Gold Line (Capital Metro)
Wikipedia - Gold Line Foothill Extension -- Northeastern extension of the Los Angeles Metro Gold Line
Wikipedia - Gold (linker)
Wikipedia - GoldLink -- American rapper
Wikipedia - Goldmann (publisher) -- German publishing house
Wikipedia - Goldman Sachs Capital Partners -- Private equity firm
Wikipedia - Goldman Sachs -- U.S. multinational investment bank
Wikipedia - Goldman School of Public Policy
Wikipedia - Goldman's water mouse -- Species of rodent
Wikipedia - Gold Mass
Wikipedia - Gold Medal Award for Distinguished Archaeological Achievement -- Archaeological award
Wikipedia - Gold Medalist (company) -- South Korean entertainment management company
Wikipedia - Gold Medal of Military Valour
Wikipedia - Gold Medal of the Royal Astronomical Society
Wikipedia - Gold Medal Park -- park in Minneapolis, Minnesota, United States
Wikipedia - Gold Medal (RGS) -- Award presented by the Royal Geographical Society
Wikipedia - Gold Mine in the Sky -- 1938 film by Joseph Kane, Betty Burbridge
Wikipedia - Goldmine (Kimbra song) -- 2015 single by Kimbra
Wikipedia - Gold mining in Alaska -- Overview of gold mining in Alaska
Wikipedia - Gold mining in China -- Overview of gold mining in the People's Republic of China
Wikipedia - Gold mining in Colorado -- Overview of gold mining in Colorado
Wikipedia - Gold mining in Nevada -- Overview of gold mining in Nevada
Wikipedia - Gold mining in the United States -- Overview of gold mining in the United States of America
Wikipedia - Gold mining -- Process of extracting gold from the ground
Wikipedia - Goldmont Plus
Wikipedia - Goldmont
Wikipedia - Gold Mother -- album by James
Wikipedia - Gold nanoparticle
Wikipedia - Goldney River -- River in New Zealand
Wikipedia - Gold nugget -- Piece of gold
Wikipedia - Gold of Rome -- 1961 Italian war drama film by Carlo Lizzani
Wikipedia - Gold on the Ceiling -- 2012 single by The Black Keys
Wikipedia - Gold panning -- Form of placer mining
Wikipedia - Gold Peak -- Hong-Kong based battery manufacturer
Wikipedia - Gold penny -- Medieval English coin
Wikipedia - Gold (radio network) -- United Kingdom oldies radio network
Wikipedia - Gold Reserves (film) -- 1925 film
Wikipedia - Gold (Ricky Dillon album) -- album by Ricky Dillon
Wikipedia - Goldried quintett -- Austrian folk music band
Wikipedia - Goldring / Woldenberg Institute of Southern Jewish Life -- Non-profit Jewish organization
Wikipedia - Gold Rush Daze -- 1939 film
Wikipedia - Gold rush
Wikipedia - Gold Rush! -- 1988 video game
Wikipedia - Goldsaddle goatfish -- Species of fish
Wikipedia - Gold salts -- Ionic chemical compounds of the element
Wikipedia - Goldsboro, North Carolina
Wikipedia - Goldsborough Hall -- Stately home in Goldsborough, North Yorkshire, England
Wikipedia - Goldsborough railway station -- Disused railway station in North Yorkshire, England
Wikipedia - GoldschlM-CM-$ger -- Swiss cinnamon schnapps
Wikipedia - Goldschmidt classification -- Geochemical classification grouping the chemical elements according to their preferred host phases
Wikipedia - Goldschmidt division
Wikipedia - Goldschmidt tolerance factor -- Factor used to determine the compatibility of an ion with a crystal structure
Wikipedia - Gold (Scorpions album) -- 2006 greatest hits album by Scorpions
Wikipedia - Gold sink
Wikipedia - Goldsmithing
Wikipedia - Goldsmiths College London
Wikipedia - Goldsmiths University of London
Wikipedia - Goldsmiths, University of London -- Public research university in London, UK
Wikipedia - Goldsmith -- Metalworker who specializes in working with gold and other precious metals
Wikipedia - Gold spangle -- Species of moth
Wikipedia - GoldSrc
Wikipedia - Gold Standard Laboratories -- Defunct independent record label
Wikipedia - Gold standard (test) -- Diagnostic test or benchmark that is the best available under reasonable conditions
Wikipedia - Gold standard -- Monetary system where the standard economic unit of account is based on a fixed quantity of gold
Wikipedia - Gold Star -- Medal awarded by several countries
Wikipedia - Goldstone Deep Space Communications Complex -- US observatory near Barstow, California
Wikipedia - Goldstone (film) -- 2016 film directed by Ivan Sen
Wikipedia - Gold Strike Hot Springs -- Thermal spring
Wikipedia - Goldstrike mine -- Gold mine in Eureka County in north-eastern Nevada
Wikipedia - Gold-striped gecko -- Species of reptile
Wikipedia - Gold swift -- Species of moth
Wikipedia - Goldsworthy Gurney -- English surgeon, chemist, and architect (1793-1875)
Wikipedia - Gold (The Moody Blues album) -- compilation album by the Moody Blues
Wikipedia - Gold Toe Brands -- Socks company
Wikipedia - Gold-Tree and Silver-Tree -- Scottish fairy tale
Wikipedia - Gold Turkey -- album by National Lampoon
Wikipedia - Gold (Victoria Justice song) -- 2013 single by Victoria Justice
Wikipedia - Gold Watch and Chain: Their Complete Victor Recordings (1933-1934) -- compilation album
Wikipedia - Goldwater Institute -- Conservative and libertarian public policy think tank
Wikipedia - Goldwell Open Air Museum -- Sculpture park and artist residency program
Wikipedia - Gold -- chemical element with atomic number 79
Wikipedia - Goldwind -- Chinese state-owned wind turbine manufacturer
Wikipedia - Goldwin Smith -- British historian and journalist
Wikipedia - Goldwyn Pictures -- Former American motion picture production company
Wikipedia - Goldy McJohn -- Canadian musician
Wikipedia - Golegaon -- Village in Maharashtra
Wikipedia - Golem (Casken opera) -- 1989 opera by John Casken
Wikipedia - Golem (Dungeons > Dragons)
Wikipedia - Golem Grad -- Island in Lake Prespa in North Macedonia
Wikipedia - Golem (ILP)
Wikipedia - Golem (short story) -- Comical short story by Lee Yeongdo
Wikipedia - Golem -- animated anthropomorphic being created from clay or mud
Wikipedia - Golem XIV
Wikipedia - Golestan Metro Station (Isfahan) -- Metro station in Isfahan, Iran
Wikipedia - Golestan Province -- Province of Iran
Wikipedia - Goleta, California
Wikipedia - Golet v udoli -- 1995 film
Wikipedia - Golf (1984 video game) -- 1984 sports video game published by Nintendo
Wikipedia - Golf (Atari 2600) -- 1980 video game
Wikipedia - Golf at the 1900 Summer Olympics - Men's individual -- Golf at the Olympics
Wikipedia - Golf at the 1900 Summer Olympics -- Golf at the Olympics
Wikipedia - Golf at the 1900 Summer Olympics - Women's individual -- Golf at the Olympics
Wikipedia - Golf at the 1904 Summer Olympics - Men's individual -- Golf at the Olympics
Wikipedia - Golf at the 1904 Summer Olympics -- Golf at the Olympics
Wikipedia - Golf at the 2019 Pan American Games - Qualification -- Golf competition
Wikipedia - Golf at the 2019 Pan American Games -- The golf competitions at the 2019 Pan American Games
Wikipedia - Golf ball
Wikipedia - Golf cart -- Small vehicle designed originally to carry golfers
Wikipedia - Golf Channel -- American television channel
Wikipedia - Golf-class submarine -- Diesel electric ballistic missile submarine class
Wikipedia - Golf Club of Tennessee -- Golf complex in Tennessee, USA
Wikipedia - Golf Course Allotments -- Allotments in the Muswell Hill area of North London
Wikipedia - Golf Course Superintendents Association of America -- Golf organization that has its focus on golf course management
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Wikipedia - Guerra del Golfo (2013) -- 2013 International Wrestling Revolution Group event
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Wikipedia - Iowa State Cyclones men's golf
Wikipedia - Iowa State Cyclones women's golf
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Wikipedia - Irish Golden Age
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Wikipedia - Islamic golden age
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Wikipedia - Ivo Giner -- Spanish golfer
Wikipedia - IWRG Guerra del Golfo -- International Wrestling Revolution Group event series
Wikipedia - Jace Bugg -- American golfer
Wikipedia - Jack Allan (golfer) -- Scottish golfer
Wikipedia - Jack and His Golden Snuff-Box -- Romani fairy tale
Wikipedia - Jack Burke Jr. -- American golfer
Wikipedia - Jack Burke Sr. -- American golfer
Wikipedia - Jack Burns (golfer) -- Scottish golfer
Wikipedia - Jack Busson -- English golfer
Wikipedia - Jack Campbell (golfer) -- Scottish golfer
Wikipedia - Jack Ferguson (golfer) -- Scottish golfer
Wikipedia - Jack Fleck -- American professional golfer
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Wikipedia - Jack Gaudin -- British professional golfer
Wikipedia - Jack Goldman
Wikipedia - Jack Golson
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Wikipedia - Jack Hobens -- Scottish-American golfer
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Wikipedia - Jack Kay Jr. -- Canadian professional golfer
Wikipedia - Jack Kiefer (golfer) -- American professional golfer
Wikipedia - Jack Kirkaldy -- Scottish golfer
Wikipedia - Jack Maguire (golfer) -- American golfer
Wikipedia - Jack McGowan (golfer) -- American golfer
Wikipedia - Jack Nicklaus -- American golfer
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Wikipedia - Jack Renner (golfer) -- American golfer
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Wikipedia - Jack Rule Jr. -- American golfer
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Wikipedia - Jack Simpson -- Scottish golfer
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Wikipedia - Jack Westland -- U.S. Congressman, amateur golfer
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Wikipedia - Jacob Golomb
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Wikipedia - James Hepburn (golfer) -- Scottish professional golfer
Wikipedia - James Hepworth -- English golfer
Wikipedia - James Kay (golfer) -- Scottish golfer
Wikipedia - James Kinnell -- Scottish golfer
Wikipedia - James Knight (golfer) -- Scottish golfer
Wikipedia - James Lepp -- Canadian professional golfer
Wikipedia - James Mangold -- American film director, screenwriter
Wikipedia - James Mansfield (golfer) -- Scottish golfer
Wikipedia - James Mason (golfer) -- American golfer
Wikipedia - James McLean (golfer) -- Australian professional golfer
Wikipedia - James Miller (golfer) -- Scottish golfer
Wikipedia - James Morris (golfer) -- Scottish professional golfer
Wikipedia - James Morrison (golfer) -- English golfer
Wikipedia - James Nitties -- Australian professional golfer
Wikipedia - James Ockenden -- English golfer
Wikipedia - James Ogilvie Fairlie -- Scottish golfer and landowner
Wikipedia - James Oh -- American golfer
Wikipedia - James Paxton (golfer) -- Scottish golfer
Wikipedia - James Rennie (golfer) -- Scottish golfer
Wikipedia - James Robb (golfer) -- Scottish golfer
Wikipedia - James Ruth -- English golfer
Wikipedia - James Sherlock (golfer) -- English golfer
Wikipedia - James Stack (golfer) -- American golfer
Wikipedia - James Sugrue -- Irish golfer
Wikipedia - James West (golfer) -- English professional golfer
Wikipedia - James W. Marshall -- Carpenter, 1848 gold discovery, California Gold Rush
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Wikipedia - Jamie Anderson (golfer) -- Scottish golfer
Wikipedia - Jamie Elson -- English golfer
Wikipedia - Jamie Lovemark -- American professional golfer
Wikipedia - Jamie McLeary -- Scottish professional golfer
Wikipedia - Jamie Moul -- English professional golfer
Wikipedia - Jamie Spence -- English golfer
Wikipedia - Jamsrangiin Dorjderem -- Mongolian judoka
Wikipedia - Jamthi Budruk -- Village in Hingoli District, Maharashtra, India
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Wikipedia - Jamukha -- Mongol Khan, rival of Temujin
Wikipedia - Jamyangiin Monkhbat -- Mongolian politician
Wikipedia - Jan Adriaensz van Staveren -- Dutch Golden Age painter
Wikipedia - Jan-Are Larsen -- Norwegian golfer
Wikipedia - Jane Blalock v. Ladies Professional Golf Association -- Sports controversy that took place in the US
Wikipedia - Jane Connachan -- Scottish golfer
Wikipedia - Jane E. Clerk -- Gold Coast educator
Wikipedia - Jane Geddes -- American professional golfer
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Wikipedia - Jane Goldman (speed skater) -- American speed skater
Wikipedia - Janet Anderson (golfer) -- American professional golfer
Wikipedia - Janet Coles -- American professional golfer
Wikipedia - Janet Goldner -- American artist
Wikipedia - Jane Weiller -- American golfer
Wikipedia - Jan Ferraris -- American professional golfer
Wikipedia - Jang Dong-kyu -- South Korean golfer
Wikipedia - Jang Ha-na -- South Korean golfer
Wikipedia - Jang Ik-jae -- South Korean golfer
Wikipedia - Jang Jeong -- South Korean golfer
Wikipedia - Jan Golian -- Czechoslovak general
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Wikipedia - Janis Gold -- Fictional tv character
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Wikipedia - Japan Gold Disc Award -- Award
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Wikipedia - Jared Golden -- U.S. Representative from Maine
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Wikipedia - Jargaltulgyn Erdenebat -- Mongolian politician
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Wikipedia - Jarrod Moseley -- Australian professional golfer
Wikipedia - Jason Bohn -- American professional golfer
Wikipedia - Jason Buha -- American professional golfer
Wikipedia - Jason Day -- Australian professional golfer
Wikipedia - Jason Dufner -- American golfer
Wikipedia - Jason Enloe -- American professional golfer
Wikipedia - Jason Goldberg (entrepreneur) -- American entrepreneur
Wikipedia - Jason Goldwatch -- American director
Wikipedia - Jason Gore -- American professional golfer
Wikipedia - Jason Hill (golfer) -- American golfer
Wikipedia - Jason Knutzon -- American golfer
Wikipedia - Jason Kokrak -- American professional golfer
Wikipedia - Jason Millard -- American golfer
Wikipedia - Jason Norris -- Australian professional golfer
Wikipedia - Jason Palmer (golfer) -- English golfer
Wikipedia - Jason Schultz (golfer) -- American golfer
Wikipedia - Jason Scrivener -- Australian professional golfer
Wikipedia - Jason Sendwe -- Congolese politician
Wikipedia - Jay Choi -- American professional golfer
Wikipedia - Jay Delsing -- American professional golfer
Wikipedia - Jay Don Blake -- American professional golfer
Wikipedia - Jay Sigel -- American professional golfer
Wikipedia - Jay Williamson -- American golfer
Wikipedia - Jazz Janewattananond -- Thai professional golfer
Wikipedia - J. C. Ritchie -- South African professional golfer
Wikipedia - Jean-Baptiste Gonnet -- French professional golfer
Wikipedia - Jean Bolikango -- Congolese educator, writer, and conservative politician (1909-1982)
Wikipedia - Jean Charles (film) -- 2009 film directed by Henrique Goldman
Wikipedia - Jean Chua -- Malaysian professional golfer
Wikipedia - Jean-Claude Bastos de Morais -- Swiss-Angolan businessman
Wikipedia - Jean-Claude Ganga -- Congolese sports administrator
Wikipedia - Jean Claude Kifwa -- Congolese general
Wikipedia - Jean-Francois Lucquin -- French professional golfer
Wikipedia - Jean GaraM-CM-/alde -- French professional golfer
Wikipedia - Jean Golding -- Epidemiologist and founder of the Children of the 90s project
Wikipedia - Jean Gol -- Belgian politician
Wikipedia - Jean-Jacques Goldman
Wikipedia - Jean-Louis Guepy -- French professional golfer
Wikipedia - Jean Luc Herbulot -- Congolese film director and screenwriter
Wikipedia - Jean-Michel Tchissoukou -- Congolese film director
Wikipedia - Jeanne Dambendzet -- Congolese politician
Wikipedia - Jeanne-Marie Busuttil -- French professional golfer
Wikipedia - Jean-Pierre Lola Kisanga -- Congolese politician
Wikipedia - Jean St. Charles -- American golfer
Wikipedia - Jebe -- Mongol general under Genghis Khan
Wikipedia - J. E. Casely Hayford -- Gold Coast journalist, lawyer and politician
Wikipedia - Jeev Milkha Singh -- Indian professional golfer
Wikipedia - Jeff Brehaut -- American professional golfer
Wikipedia - Jeff Cook (golfer) -- American golfer
Wikipedia - Jeff Coston -- American professional golfer
Wikipedia - Jefferson Township, Ringgold County, Iowa -- Township in Iowa, USA
Wikipedia - Jeff Gallagher -- American golfer
Wikipedia - Jeff Goldberg (writer) -- American science and medical writer
Wikipedia - Jeff Goldblum -- American actor and musician
Wikipedia - Jeff Gove -- American golfer
Wikipedia - Jeff Hall (golfer) -- English golfer
Wikipedia - Jeff Hart (golfer) -- American professional golfer
Wikipedia - Jeff Julian (golfer) -- American golfer
Wikipedia - Jeff Klauk -- American golfer
Wikipedia - Jeff Knox -- American golfer
Wikipedia - Jeff Maggert -- American professional golfer
Wikipedia - Jeff Mitchell (golfer) -- American golfer and coach
Wikipedia - Jeff Overton -- American professional golfer
Wikipedia - Jeff Quinney -- American professional golfer
Wikipedia - Jeffrey Goldberg -- American journalist
Wikipedia - Jeffrey Goldstein
Wikipedia - Jeffrey Goldstone
Wikipedia - Jeff Sluman -- American professional golfer
Wikipedia - Jeff Van Wagenen -- American golfer
Wikipedia - Jeff Winther -- Danish professional golfer
Wikipedia - Jelena Lengold
Wikipedia - Jen Golbeck -- American computer scientist
Wikipedia - Jennifer Bermingham -- American golfer
Wikipedia - Jennifer Grandis -- American otolaryngologist
Wikipedia - Jennifer Johnson (golfer) -- American golfer
Wikipedia - Jennifer Kupcho -- American professional golfer
Wikipedia - Jennifer Rosales -- Professional golfer
Wikipedia - Jennifer Song -- American professional golfer
Wikipedia - Jennifer Wyatt -- Canadian professional golfer
Wikipedia - Jenny Chuasiriporn -- American golfer
Wikipedia - Jenny Lee Smith -- English golfer
Wikipedia - Jenny Shin -- South Korean golfer
Wikipedia - Jens Dantorp -- Swedish professional golfer
Wikipedia - Jens Fahrbring -- Swedish professional golfer
Wikipedia - Jeongol -- Korean stew varieties
Wikipedia - Jeppe Huldahl -- Danish professional golfer
Wikipedia - Jeremy Robinson (golfer) -- English golfer
Wikipedia - Jerilyn Britz -- American golfer
Wikipedia - Jerod Turner -- American golfer
Wikipedia - Jerry Anderson (golfer) -- Canadian professional golfer
Wikipedia - Jerry Barber -- American professional golfer
Wikipedia - Jerry Bruner -- American professional golfer
Wikipedia - Jerry Foltz -- American professional golfer
Wikipedia - Jerry Goldsmith -- Film composer
Wikipedia - Jerry Kelly -- American professional golfer
Wikipedia - Jerry McGee -- American professional golfer
Wikipedia - Jerry Pittman -- American golfer
Wikipedia - Jerry Slack -- American golf course designer
Wikipedia - Jerry Smith (golfer) -- American golfer
Wikipedia - Jerry Steelsmith -- American golfer
Wikipedia - Jesper Parnevik -- Swedish professional golfer
Wikipedia - Jesse Carleton -- American golfer
Wikipedia - Jessica Korda -- American professional golfer
Wikipedia - Jessica Shepley -- Canadian professional golfer
Wikipedia - Jessie Valentine -- Scottish golfer
Wikipedia - Jesus Amaya -- Colombian professional golfer
Wikipedia - J. F. Johnston -- English golfer
Wikipedia - Ji Eun-hee -- South Korean golfer
Wikipedia - Jikin goldfish -- Japanese goldfish variety
Wikipedia - Jill Golick -- Canadian screenwriter
Wikipedia - Jill McGill -- American golfer
Wikipedia - Jim Ahern -- American professional golfer
Wikipedia - Jim Albus -- American professional golfer
Wikipedia - Jim Benepe -- American professional golfer
Wikipedia - Jim Booros -- American professional golfer
Wikipedia - Jim Carter (golfer) -- American professional golfer
Wikipedia - Jim Colbert -- American professional golfer
Wikipedia - Jim Crooker -- American golfer
Wikipedia - Jim Dent -- American professional golfer
Wikipedia - Jim Draper -- Scottish golfer
Wikipedia - Jim Estes -- American professional golfer
Wikipedia - Jim Ferree -- American professional golfer
Wikipedia - Jim Forrester -- Scottish golfer
Wikipedia - Jim Foulis -- American golfer
Wikipedia - Jim Furyk's round of 58 -- Golf round on August 7, 2016
Wikipedia - Jim Furyk -- American professional golfer
Wikipedia - Jim Hallet -- American professional golfer
Wikipedia - Jim Herman -- American professional golfer
Wikipedia - Jim Holtgrieve -- American golfer
Wikipedia - Jim Jamieson -- American professional golfer
Wikipedia - Jim Margolis (producer) -- American television producer and director
Wikipedia - Jimmy Adams (golfer) -- Scottish golfer
Wikipedia - Jimmy Clark (golfer) -- American professional golfer
Wikipedia - Jimmy Green (golfer) -- American golfer
Wikipedia - Jimmy Gunn (golfer) -- Scottish golfer
Wikipedia - Jimmy Hazen -- American golfer
Wikipedia - Jimmy Hitchcock (golfer) -- English golfer
Wikipedia - Jimmy Johnston (golfer) -- American golfer
Wikipedia - Jimmy McDowall -- Scottish golfer
Wikipedia - Jimmy Mullen (golfer) -- English golfer
Wikipedia - Jimmy Powell (golfer) -- American professional golfer
Wikipedia - Jimmy Prentice -- Scottish golfer
Wikipedia - Jimmy Thomson (golfer) -- Scottish-American golfer
Wikipedia - Jim Nelford -- Canadian professional golfer
Wikipedia - Jim Payne (golfer) -- English golfer
Wikipedia - Jim Renner -- American golfer
Wikipedia - Jim Rhodes (golfer) -- English golfer
Wikipedia - Jim Simons (golfer) -- American professional golfer
Wikipedia - Jim Thorpe (golfer) -- American professional golfer
Wikipedia - Jim Wiechers -- American golfer
Wikipedia - Jin Cheng -- Chinese golfer
Wikipedia - Jin Jeong -- South Korean golfer
Wikipedia - Jinong -- Mongolian honorific title
Wikipedia - Jin Park -- South Korean golfer
Wikipedia - Jiyai Shin -- South Korean golfer
Wikipedia - J. J. Killeen -- American golfer
Wikipedia - J. J. O'Brien (golfer) -- American golfer
Wikipedia - J. J. Spaun -- American professional golfer
Wikipedia - J. Lewis Wyckoff -- American businessman and golfer (b. 1864, d. 1931)
Wikipedia - J. L. Lewis -- American golfer
Wikipedia - Joachim Mbadu Kikhela Kupika -- Congolese catholic priest
Wikipedia - Joachim Yhombi-Opango -- Congolese politician
Wikipedia - Joakim BM-CM-$ckstrom -- Swedish professional golfer
Wikipedia - Joakim Gronhagen -- Swedish professional golfer
Wikipedia - Joakim Haeggman -- Swedish professional golfer
Wikipedia - Joakim Lagergren -- Swedish professional golfer
Wikipedia - Joakim Rask -- Swedish professional golfer
Wikipedia - Joan Armengol -- Andorran politician
Wikipedia - Joanna Klatten -- French professional golfer
Wikipedia - Joanna Zylinska -- Media academic at Goldsmiths in the UK
Wikipedia - JoAnne Carner -- American professional golfer
Wikipedia - Joanne Mills -- Australian golfer
Wikipedia - Joanne Morley -- English golfer
Wikipedia - Jo Ann Prentice -- American golfer
Wikipedia - Jo Ann Washam -- American professional golfer
Wikipedia - Joan of Arc of Mongolia -- 1989 film
Wikipedia - Joan Pitcock -- American golfer
Wikipedia - Joao Bernardo de Miranda -- Angolan politician
Wikipedia - Joao de Souza -- Angolan judoka
Wikipedia - Joao Frederico Ludovice -- German architect and goldsmith
Wikipedia - Joao Lourenco -- Angolan politician
Wikipedia - Joao Neto (sailor) -- Angolan sailor
Wikipedia - Joao Paulo de Silva -- Angolan sports shooter
Wikipedia - Joao Roque -- Angolan mixed martial arts fighter
Wikipedia - Joaquin Estevez -- Argentine golfer
Wikipedia - Joaquin Niemann -- Chilean professional golfer
Wikipedia - Jocelyne Bourassa -- Canadian professional golfer
Wikipedia - Jocelyn Goldfein -- American technology executive and investor
Wikipedia - Jodie Gold -- Fictional character from the BBC soap opera EastEnders
Wikipedia - Jodi Ewart Shadoff -- English professional golfer
Wikipedia - Jody Anschutz -- American professional golfer
Wikipedia - Joe Affrunti -- American professional golfer
Wikipedia - Joe Carr -- Irish golfer
Wikipedia - Joe Cheves -- American golfer
Wikipedia - Joe Durant -- American professional golfer
Wikipedia - Joe Golem -- Novel and comic book series created by Mike Mignola and Christopher Golden
Wikipedia - Joe Inman -- American golfer
Wikipedia - Joe Jimenez -- American golfer
Wikipedia - Joe Juneau (prospector) -- American gold prospector
Wikipedia - Joel Dahmen -- American professional golfer
Wikipedia - Joel Edwards (golfer) -- American professional golfer
Wikipedia - Joe Lloyd -- English golfer
Wikipedia - Joel S. Goldsmith
Wikipedia - Joe McDermott (golfer) -- Irish-American golfer
Wikipedia - Joe Miller (golfer) -- British golfer
Wikipedia - Joe Stansberry -- American golfer
Wikipedia - Joe Turnesa -- American golfer
Wikipedia - Joey Snyder III -- American golfer
Wikipedia - Johan Axgren -- Swedish professional golfer
Wikipedia - Johan Carlsson (golfer) -- Swedish professional golfer
Wikipedia - Johan de Wael -- Dutch Golden Age mayor of Haarlem
Wikipedia - Johan Edfors -- Swedish professional golfer
Wikipedia - Johanna Gustavsson -- Swedish professional golfer
Wikipedia - Johanna Head -- English golfer
Wikipedia - Johanna Johansson -- Swedish golfer
Wikipedia - Johannes Gutenberg -- German blacksmith, goldsmith, printer and publisher
Wikipedia - Johann Goldammer -- Senior scientist at the Max Planck Society for Chemistry, Biogeochemistry Department
Wikipedia - Johann Schnitzler -- Austrian laryngologist and professo
Wikipedia - Johan Rystrom -- Swedish professional golfer
Wikipedia - John Adams (golfer) -- American golfer
Wikipedia - John Allan (golfer) -- Scottish golfer
Wikipedia - John Augenstein -- American professional golfer
Wikipedia - John Axelsen -- Danish amateur golfer
Wikipedia - John Barnum -- American golfer
Wikipedia - John Beck (golfer) -- English golfer
Wikipedia - John Benda -- American golfer
Wikipedia - John Bickerton -- English golfer
Wikipedia - John Bigelow IV -- American golfer
Wikipedia - John Black (golfer) -- Scottish golfer
Wikipedia - John Bland (golfer) -- South African professional golfer
Wikipedia - John Bogolo Erzuah -- Ghanaian diplomat (b. 1914)
Wikipedia - John Brandt -- American golfer
Wikipedia - John Buczek -- American professional golfer
Wikipedia - John Burton (golfer) -- English golfer
Wikipedia - John Cady (golfer) -- American golfer
Wikipedia - John Catlin (golfer) -- American professional golfer
Wikipedia - John Chillas -- Scottish golfer
Wikipedia - John Cook (golfer) -- American professional golfer
Wikipedia - John Daly (golfer) -- American professional golfer
Wikipedia - John Daunt (golfer) -- British golfer
Wikipedia - John de Forest -- English golfer
Wikipedia - John Dowdall -- American golfer
Wikipedia - John Ebong Ngole -- Cameroonian governor, and minister
Wikipedia - John Elliott (golfer) -- American golfer
Wikipedia - John Ellis (golfer) -- American professional golfer
Wikipedia - John E. Morgan -- English golfer
Wikipedia - John Erickson (golfer) -- American professional golfer
Wikipedia - John Fallon (golfer) -- Scottish golfer
Wikipedia - John Flannery (golfer) -- American professional golfer
Wikipedia - John Fought -- American professional golfer
Wikipedia - John Fourie -- South African professional golfer
Wikipedia - John Gallagher (golfer) -- Scottish golfer
Wikipedia - John Garner (golfer) -- English professional golfer
Wikipedia - John Goldkamp -- American criminologist
Wikipedia - John Goldney -- British barrister
Wikipedia - John Goldschmidt -- British-Austrian film director and producer
Wikipedia - John Goldsmith (linguist)
Wikipedia - John Goldwyn -- American film producer
Wikipedia - John Goligher -- British surgeon
Wikipedia - John Graham Jr. (golfer) -- Scottish golfer
Wikipedia - John Hahn (golfer) -- American golfer
Wikipedia - John Harland (golfer) -- English golfer
Wikipedia - John Harris (golfer) -- American professional golfer
Wikipedia - John Hawksworth (golfer) -- English golfer
Wikipedia - John Hudson (golfer) -- English golfer
Wikipedia - John Hunter (golfer) -- Scottish professional golfer
Wikipedia - John Jacobs (American golfer) -- American professional golfer
Wikipedia - John Jones (golfer) -- English golfer
Wikipedia - John Kelly (golfer) -- American golfer
Wikipedia - John Kimbell -- American golfer
Wikipedia - John Lister (golfer) -- New Zealand golfer
Wikipedia - John Maginnes -- American golfer and analyst
Wikipedia - John Mallinger -- American golfer
Wikipedia - John Mashego -- South African professional golfer
Wikipedia - John Maxwell (golfer) -- American golfer
Wikipedia - John McMullin (golfer) -- American golfer
Wikipedia - John Montague (golfer) -- American golfer
Wikipedia - John Morgan (golfer) -- English golfer
Wikipedia - John Morris (curler) -- Canadian curler and Olympic gold medallist
Wikipedia - Johnny Eduardo Pinnock -- Angolan politician
Wikipedia - Johnny Fischer -- American golfer
Wikipedia - Johnny Goldstein -- Israeli record producer and songwriter
Wikipedia - Johnny Laidlay -- Scottish golfer
Wikipedia - Johnny Palmer -- American golfer
Wikipedia - John O'Leary (golfer) -- Irish golfer
Wikipedia - John Pak -- American amateur golfer
Wikipedia - John Panton -- Scottish golfer
Wikipedia - John Parry (golfer) -- English golfer
Wikipedia - John Patrick (golfer) -- Scottish golfer
Wikipedia - John Paul Cain -- American golfer
Wikipedia - John Peterson (golfer) -- American golfer
Wikipedia - John Pritchett (golfer) -- English golfer
Wikipedia - John Rahm -- American golfer
Wikipedia - John Reid (golfer) -- Scottish golfer
Wikipedia - John Richard Hardy -- English-born Australian pastoralist and gold commissioner
Wikipedia - John Riegger -- American professional golfer
Wikipedia - John Schlee -- American golfer
Wikipedia - John Schroeder (golfer) -- American golfer
Wikipedia - John Senden -- Australian professional golfer
Wikipedia - John Shippen -- American golfer
Wikipedia - John Stanton Fleming Morrison -- British golf course architect
Wikipedia - John van der Puije -- Gold Coast merchant, newspaper publisher, traditional ruler and politician
Wikipedia - John Verelst -- Dutch Golden Age painter
Wikipedia - John Watson (golfer) -- American golfer
Wikipedia - John Wilson (golfer) -- American golfer
Wikipedia - JoJo's Bizarre Adventure: Golden Wind -- Fourth season of the Japanese anime series Joe Bizarre Adventure
Wikipedia - JoM-CM-+l Stalter -- French golfer
Wikipedia - Jonah Goldberg -- American political writer and pundit
Wikipedia - Jonas Blixt -- Swedish professional golfer
Wikipedia - Jonas Savimbi -- Angolan political and military leader
Wikipedia - Jonathan Byrd (golfer) -- American professional golfer
Wikipedia - Jonathan Goldstein (actor) -- American actor
Wikipedia - Jonathan Gold -- American journalist (1960-2018)
Wikipedia - Jonathan L. Goldstein -- American lawyer
Wikipedia - Jonathan Lomas -- English golfer
Wikipedia - Jonathan Mboyo Esole -- Congolese mathematician
Wikipedia - Jonathan Moore (golfer) -- American golfer
Wikipedia - Jonathan Randolph -- American golfer
Wikipedia - Jon Bevan -- English golfer
Wikipedia - Jon Curran -- American professional golfer
Wikipedia - Jon Gustin -- American golfer
Wikipedia - Jon Mills -- Canadian golfer
Wikipedia - Jonny's Golden Quest -- 1993 television film directed by Don Lusk
Wikipedia - Jon Rahm -- Spanish golfer
Wikipedia - Joonas Granberg -- Finnish professional golfer
Wikipedia - Jordan Smith (golfer) -- English golfer
Wikipedia - Jordan Spieth -- American golfer
Wikipedia - Jordan Zunic -- Australian professional golfer
Wikipedia - Jordi Garcia Pinto -- Spanish golfer
Wikipedia - Jorge Berendt -- Argentine golfer
Wikipedia - Jorge Campillo (golfer) -- Spanish professional golfer
Wikipedia - Jorge Cohen -- Angolan film producer
Wikipedia - Jorge Fernandez-Valdes -- Argentine golfer
Wikipedia - Jorge Ledesma -- Argentine golfer
Wikipedia - Jorge Soto (golfer) -- Argentine golfer
Wikipedia - Jose Antonio Inacio -- Angolan judoka
Wikipedia - Jose Cantero -- Argentine golfer
Wikipedia - Jose Coceres -- Argentine golfer
Wikipedia - Jose Eduardo dos Santos -- Angolan politician
Wikipedia - Josef Gingold -- Belarusian-Jewish-born classical violinist and teacher
Wikipedia - Jose-Filipe Lima -- Portuguese professional golfer
Wikipedia - Jose Goldschmied -- Mexican judoka
Wikipedia - Jose Manuel Carriles -- Spanish professional golfer
Wikipedia - Jose Manuel Lara -- Spanish professional golfer
Wikipedia - Jose Maria CaM-CM-1izares -- Spanish professional golfer
Wikipedia - Jose Maria de Jesus -- Angolan judoka
Wikipedia - Jose Maria Olazabal -- Spanish professional golfer
Wikipedia - Jose Maria Pimentel -- Portuguese-Angolan writer and illustrator
Wikipedia - Joseph Amedokpo -- Togolese painter
Wikipedia - Joseph Badiabio -- Congolese politician
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Wikipedia - Joseph-Bernard de Chabert-Cogolin -- French Navy officer of the War of American Independence
Wikipedia - Joseph Bramlett -- American professional golfer
Wikipedia - Joseph Feingold -- Holocaust survivor who was subject of the documentary Joe's Violin
Wikipedia - Joseph Goldstein (legal scholar)
Wikipedia - Joseph Goldstein (writer) -- American Vipassana teacher
Wikipedia - Joseph Golinkin -- American artist
Wikipedia - Joseph Howard (golfer) -- American golfer
Wikipedia - Joseph Kokou Koffigoh -- Togolese politician and former Prime Minister
Wikipedia - Joseph Krumgold -- American writer
Wikipedia - Joseph L. Goldstein
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Wikipedia - Joseph-Michel Montgolfier
Wikipedia - Joseph Okito -- Congolese politician
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Wikipedia - Jose Sayovo -- Angolan Paralympic athlete
Wikipedia - Josh Geary -- Australian professional golfer
Wikipedia - Josh Taylor (golfer) -- English golfer
Wikipedia - Josh Teater -- American golfer
Wikipedia - Joshua N. Goldberg -- American Physicist and Educator
Wikipedia - Joshua Ryne Goldberg -- American criminal
Wikipedia - Joshua S. Goldstein -- Academic
Wikipedia - Josiah Begole -- American politician
Wikipedia - Jovan Rebula -- South African amateur golfer
Wikipedia - Joyce Kazmierski -- American golfer
Wikipedia - Joyce Ziske -- American professional golfer
Wikipedia - J. T. Poston -- American professional golfer
Wikipedia - Juan Antonio de Frias y Escalante -- Spanish Baroque Golden Age painter (1633-1669)
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Wikipedia - Judeo-Golpaygani language
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Wikipedia - Julius Boros -- American professional golfer
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Wikipedia - June Beebe -- American golfer
Wikipedia - Jun Kikuchi -- Japanese professional golfer
Wikipedia - Jupiter Bokondji -- Congolese musician
Wikipedia - Jure GolM-DM-^Mer -- Slovenian road bicycle racer
Wikipedia - Just a Gigolo (1931 film) -- 1931 film by Jack Conway
Wikipedia - Just a Gigolo (song) -- Austrian 1929 song
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Wikipedia - Just Gold -- 1913 film
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Wikipedia - Justin Hicks -- American golfer
Wikipedia - Justin James (golfer) -- American golfer
Wikipedia - Justin Kehoe -- Irish golfer
Wikipedia - Justin Leonard -- American professional golfer
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Wikipedia - Jyoti Randhawa -- Indian golfer
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Wikipedia - Kaidu -- Grandson of Mongol Khagan Ogedei Khan and leader of the House of M-CM-^Vgedei (c.1230-1301)
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Wikipedia - Kalle Samooja -- Finnish professional golfer
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Wikipedia - Karin Sjodin -- Swedish professional golfer
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Wikipedia - Karl Ingold -- German aviator and bicycle racer
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Wikipedia - Karsten Solheim -- golf club designer and businessman
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Wikipedia - Kathleen Goligher
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Wikipedia - Kathy Ahern -- American golfer
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Wikipedia - Kathy Guadagnino -- American professional golfer
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Wikipedia - Katsumasa Miyamoto -- Japanese professional golfer
Wikipedia - Katsumune Imai -- Japanese golfer
Wikipedia - Katsunari Takahashi -- Japanese golfer
Wikipedia - Katsunori Kuwabara -- Japanese professional golfer
Wikipedia - Katsuyoshi Tomori -- Japanese professional golfer
Wikipedia - Katy Jarochowicz -- Australian golfer
Wikipedia - Katzrin ancient village and synagogue -- Museum and archaeological site in the Golan Heights
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Wikipedia - Kavangoland -- Former bantustan in South-West Africa (now Namibia)
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Wikipedia - Kazakh Khanate - Golden Throne -- 2019 film
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Wikipedia - KEGS (TV) -- Defunct TV station in Goldfield, Nevada
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Wikipedia - Keith Clearwater -- American professional golfer
Wikipedia - Keith Fergus -- American professional golfer
Wikipedia - Keith Mitchell (golfer) -- American golfer
Wikipedia - Keith Nolan (golfer) -- Irish professional golfer
Wikipedia - Kela Alon -- Israeli settlement in the Golan Heights
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Wikipedia - Kelli Shean -- South African golfer
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Wikipedia - Kelly Robbins -- American golfer
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Wikipedia - Ken Climo -- American disc golfer
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Wikipedia - Ken Green (golfer) -- American professional golfer
Wikipedia - Kenichi Kuboya -- Japanese professional golfer
Wikipedia - Kenichi Yamada -- Japanese golfer
Wikipedia - Kenji Hosoishi -- Japanese professional golfer
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Wikipedia - Kenneth Golding -- Singaporean sailor
Wikipedia - Kenneth M. Golden
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Wikipedia - Kenny Perry -- American professional golfer
Wikipedia - Ken Staton -- American golfer
Wikipedia - Ken Still -- American golfer
Wikipedia - Kent Bulle -- American professional golfer
Wikipedia - Kent Eger -- Canadian professional golfer
Wikipedia - Kent Jones (golfer) -- American golfer
Wikipedia - Keoke Cotner -- American professional golfer
Wikipedia - Kerry Golding -- Australian tandem cycling pilot
Wikipedia - Keshet, Golan Heights -- Israeli settlement in the Golan Heights
Wikipedia - Kevin Chappell -- American professional golfer
Wikipedia - Kevin Coates -- British Artist Goldsmith
Wikipedia - Kevin Foley (golfer) -- American professional golfer
Wikipedia - Kevin Johnson (golfer) -- American golfer
Wikipedia - Kevin Kisner -- American professional golfer
Wikipedia - Kevin Mangold -- American actor and horse jockey
Wikipedia - Kevin Na -- Korean American golfer
Wikipedia - Kevin Ngapoula-Mbembo -- Congolese judoka
Wikipedia - Kevin Stadler -- American professional golfer
Wikipedia - Kevin Streelman -- American professional golfer
Wikipedia - Kevin Sutherland -- American professional golfer
Wikipedia - Kevin Techakanokboon -- American professional golfer
Wikipedia - Kevin Warrick -- American golfer
Wikipedia - Kfar Haruv -- Israeli settlement in the Golan Heights
Wikipedia - KGFN -- Radio station in Goldfield, Nevada
Wikipedia - Khagan -- Imperial title of Turco-Mongol societies
Wikipedia - Khajidsuren Bolormaa -- Mongolian mineralogist
Wikipedia - Khaliuny Boldbaatar -- Mongolian judoka
Wikipedia - Khalkha Mongolian
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Wikipedia - Khanbumbat Airport -- Airport in Khanbogd, M-CM-^Vmnogovi, Mongolia
Wikipedia - Khas-Ochiryn Luvsandorj -- Mongolian politician
Wikipedia - Khishigbatyn Erdenet-Od -- Mongolian Olympic judoka
Wikipedia - Khoit Tsenkher Cave Rock Art -- Cave and archaeological site in Mongolia
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Wikipedia - Khorloogiin Choibalsan -- Mongolian leader and general
Wikipedia - Khoton Lake -- Lake in Mongolia
Wikipedia - Khotons -- Turkic ethnic group in Mongolia
Wikipedia - Khurelbaataryn Bulgantuya -- Mongolian politician
Wikipedia - Khutulun -- Mongol noblewoman, wrestler, and warrior (1260-1306
Wikipedia - Kidmat Tzvi -- Israeli settlement in the Golan Heights
Wikipedia - Kieran Pratt -- Australian professional golfer
Wikipedia - Kijang Emas -- Official gold bullion coin of Malaysia
Wikipedia - Kikuo Arai -- Japanese professional golfer
Wikipedia - Killer Instinct Gold -- 1996 video game
Wikipedia - Kim A-lim -- Korean professional golfer
Wikipedia - Kimberly Kim -- American golfer
Wikipedia - Kim Bi-o -- South Korean golfer
Wikipedia - Kim Dae-sub -- South Korean golfer
Wikipedia - Kim Do-hoon (golfer, born April 1989) -- South Korean golfer
Wikipedia - Kim Do-hoon (golfer, born March 1989) -- South Korean golfer
Wikipedia - Kim Felton -- Australian professional golfer
Wikipedia - Kim Graham -- American athlete and Olympic gold medallist
Wikipedia - Kim Ha-neul (golfer) -- South Korean golfer
Wikipedia - Kim Hyo-joo -- South Korean golfer
Wikipedia - Kim Hyung-sung -- South Korean golfer
Wikipedia - Kim Jong-duck -- South Korean golfer
Wikipedia - Kim Joo-hyung -- South Korean professional golfer
Wikipedia - Kim Joo-mi -- South Korean golfer
Wikipedia - Kim Koivu -- Finnish professional golfer
Wikipedia - Kim Kyung-tae -- South Korean golfer
Wikipedia - Kim Meen-whee -- South Korean golfer
Wikipedia - Kim Min-kyu (golfer) -- South Korean golfer
Wikipedia - Kim Ran-kyung -- South Korean golfer
Wikipedia - Kim Saiki -- American professional golfer
Wikipedia - Kim Sei-young -- South Korean golfer
Wikipedia - Kim Seung-hyuk -- South Korean golfer
Wikipedia - Kim Si-woo -- South Korean golfer
Wikipedia - Kim Tae-hoon (golfer) -- South Korean professional golfer
Wikipedia - Kim Young (American golfer) -- American golfer
Wikipedia - Kim Young -- South Korean golfer
Wikipedia - King Goldemar
Wikipedia - King Golf -- Manga
Wikipedia - King of Na gold seal -- Chinese gold seal found in Japan.
Wikipedia - Kingsman: The Golden Circle -- 2017 film by Matthew Vaughn
Wikipedia - Kinpachi Yoshimura -- Japanese golfer
Wikipedia - Kinrande -- A Japanese porcelain style where gold is applied on the surface
Wikipedia - Kintsugi -- Japanese art of repairing broken pottery with lacquer dusted or mixed with powdered gold, silver, or platinum
Wikipedia - Kiradech Aphibarnrat -- Thai professional golfer
Wikipedia - Kira Golovko -- Soviet and Russian actress
Wikipedia - Kiran Matharu -- English golfer
Wikipedia - Kirk Hanefeld -- American golfer
Wikipedia - Kirk Triplett -- American professional golfer
Wikipedia - Kirsty Taylor -- English professional golfer
Wikipedia - Kitbuqa -- Mongol general
Wikipedia - Kitrina Douglas -- English golfer
Wikipedia - Kiyoshi Maita -- Japanese professional golfer
Wikipedia - Kiyoshi Miyazato -- Japanese professional golfer
Wikipedia - Kiyoshi Murota -- Japanese professional golfer
Wikipedia - K. J. Choi -- South Korean golfer
Wikipedia - Kjell Ingolf Ropstad -- Norwegian politician
Wikipedia - KKCL (AM) -- Radio station in Golden, Colorado
Wikipedia - Klara Spilkova -- Czech professional golfer
Wikipedia - Klas Eriksson -- Swedish professional golfer
Wikipedia - Klondike Gold Rush -- 1890s migration
Wikipedia - KM-CM-$rstin Ehrnlund -- Swedish golfer
Wikipedia - KM-CM-$the Gold -- Austrian actress
Wikipedia - KM-EM-^Mki Idoki -- Japanese golfer
Wikipedia - Knight and Day -- 2010 film by James Mangold
Wikipedia - Knut Borsheim -- Norwegian professional golfer
Wikipedia - Kocagol, Manyas -- Village in Turkey
Wikipedia - Kodai Ichihara -- Japanese professional golfer
Wikipedia - Kodandarama Temple, Gollala Mamidada -- Hindu temple in India
Wikipedia - Kodjo Menan -- Togolese diplomat
Wikipedia - Koffi Sama -- Togolese politician and former Prime Minister
Wikipedia - Kofi Esaw -- Togolese politician and diplomat
Wikipedia - Koichi Ono -- Japanese professional golfer
Wikipedia - Koichiro Kawano -- Japanese professional golfer
Wikipedia - Koichi Suzuki -- Japanese professional golfer
Wikipedia - Koichi Uehara -- Japanese professional golfer
Wikipedia - Ko Jin-young -- South Korean golfer
Wikipedia - Komi Selom Klassou -- Togolese politician and prime minister
Wikipedia - Komlan Mally -- Togolese politician and former Prime Minister
Wikipedia - Kommissar X - Drei goldene Schlangen -- 1969 film by Roberto Mauri
Wikipedia - Kongo people -- The largest ethnic group of the Democratic Republic of Congo, also found in Angola and ROC
Wikipedia - Kosaku Shimada -- Japanese golfer
Wikipedia - Kouame Aholou -- Togolese athlete
Wikipedia - Kouami Sacha Denanyoh -- Togolese judoka
Wikipedia - Kouichi Inoue -- Japanese golfer
Wikipedia - Koumei Oda -- Japanese professional golfer
Wikipedia - KQRS-FM -- Classic rock radio station in Golden Valley, Minnesota
Wikipedia - Kramer Hickok -- American professional golfer
Wikipedia - KregoliM-EM-!M-DM-^Me -- Slovenian village near the Mediterranean Sea
Wikipedia - Kresson Golf Course -- public golf course in Voorhees Township, New Jersey
Wikipedia - Kris Blanks -- American professional golfer
Wikipedia - Kris Cox -- American professional golfer
Wikipedia - Krishna Singh (golfer) -- Fijian golfer
Wikipedia - Kris Monaghan -- American golfer
Wikipedia - Kris Tamulis -- American golfer
Wikipedia - Kristi Albers -- American professional golfer
Wikipedia - Kristijan Golubovic -- Public personality and martial artist
Wikipedia - Kristina Tucker -- Swedish golfer
Wikipedia - Kristin Ingolfsdottir -- Icelandic pharmaceutical scientist
Wikipedia - Kristoffer Broberg -- Swedish professional golfer
Wikipedia - Kristoffer Reitan -- Norwegian professional golfer
Wikipedia - Kristoffer Ventura -- Norwegian professional golfer
Wikipedia - Krokhol Disc Golf Course -- Disc golf course in Norway
Wikipedia - Kuchuk Muhammad -- Mongol Khan of the Golden Horde
Wikipedia - Kuduro -- Music genre from Angola
Wikipedia - KUHN -- Radio station of the United Houma Nation in Golden Meadow, Louisiana
Wikipedia - Kumbira Forest -- Forest in Angola
Wikipedia - Ku Ok-hee -- South Korean golfer
Wikipedia - Kurt Angle -- American professional wrestler and 1996 Olympic gold medalist
Wikipedia - Kurt Barnes -- Australian professional golfer
Wikipedia - Kurt Cox -- American professional golfer
Wikipedia - Kurt Goldstein
Wikipedia - Kurt Julius Goldstein -- German journalist
Wikipedia - Kurt Kitayama -- American professional golfer
Wikipedia - Kurultai -- A term given to political and military councils of Turkic and Mongolic peoples
Wikipedia - Kwassi Klutse -- Togolese politician and former Prime Minister
Wikipedia - Kwesi Ahoomey-Zunu -- Togolese politician and former Prime Minister
Wikipedia - KYET -- Radio station in Golden Valley, Arizona
Wikipedia - Ky Laffoon -- American golfer
Wikipedia - Kyle Reifers -- American golfer
Wikipedia - Kyle Thompson -- American golfer
Wikipedia - Kylie Henry -- Scottish golfer
Wikipedia - Kylie InGold -- Australian artist
Wikipedia - Kym Goldsworthy -- Australian screenwriter and script editor
Wikipedia - Labron Harris Jr. -- American golfer
Wikipedia - Labron Harris -- American golfer and golf coach
Wikipedia - Lacena Golding-Clarke -- Jamaican athlete
Wikipedia - Ladies European Tour -- a professional golf tour for women
Wikipedia - Ladies' Golf Union -- Former governing body for female amateur golf in the UK and Ireland
Wikipedia - Ladies of Llangollen -- Eleanor Butler and Sarah Ponsonby
Wikipedia - Laetitia Beck -- Israeli professional golfer
Wikipedia - Lake Engolasters -- Lake in Andorra
Wikipedia - Lake Merced Golf Club -- Golf club in Daly City, California,US
Wikipedia - Lakhumal Hiranand Hiranandani -- Indian otorhinolaryngologist, social activist and philanthropist
Wikipedia - Lakshman Singh (golfer) -- Indian golfer
Wikipedia - Lalgola College -- College of West Bengal, India
Wikipedia - Lally Segard -- French amateur golfer
Wikipedia - Lam Chih Bing -- Singaporean professional golfer
Wikipedia - Lana Lawless -- American golfer
Wikipedia - Lance Ten Broeck -- American golfer
Wikipedia - Langley Gold Medal
Wikipedia - Langola Township, Benton County, Minnesota -- Township in Minnesota, United States
Wikipedia - Lankantien Lamboni -- Togolese hurdler
Wikipedia - La pM-CM-)rgola de las flores -- 1965 film
Wikipedia - La Pocita de las Golondrinas Beach -- Beach in Isabela, Puerto Rico
Wikipedia - LARGE -- Human enzyme present in the golgi body
Wikipedia - Larry Beck -- American golfer
Wikipedia - Larry Gilbert -- American golfer
Wikipedia - Larry Goldings -- American musician, composer and arranger
Wikipedia - Larry Hinson -- American golfer
Wikipedia - Larry Laoretti -- American golfer
Wikipedia - Larry Mize -- American professional golfer
Wikipedia - Larry Mowry -- American professional golfer
Wikipedia - Larry Nabholtz -- American golfer
Wikipedia - Larry Nelson -- American professional golfer
Wikipedia - Larry Rinker -- American golfer
Wikipedia - Larry Silveira -- American golfer
Wikipedia - Larry Ziegler -- American golfer
Wikipedia - La Semaine Africaine -- Congolese newspaper
Wikipedia - Lasse Jensen (golfer) -- Danish golfer
Wikipedia - Latrobe Country Club -- Golf club near Latrobe, Pennsylvania, United States
Wikipedia - Lauca Hydroelectric Power Station -- Power station in Angola
Wikipedia - Laura Baugh -- American professional golfer
Wikipedia - Laura Brown (golfer) -- American golfer
Wikipedia - Laura Davies -- English professional golfer
Wikipedia - Laura Diaz -- American professional golfer
Wikipedia - Laura Funfstuck -- German professional golfer
Wikipedia - Laura H. Goldstein -- British psychologist
Wikipedia - Laurel Kean -- American golfer
Wikipedia - Laure-Marie Kawanda -- Congolese politician
Wikipedia - Laurence Goldstein
Wikipedia - Lauren Howe -- American golfer
Wikipedia - Lauren Stephenson -- American golfer
Wikipedia - Lauren Taylor (golfer) -- English golfer
Wikipedia - Laurent Eketebi -- Congolese politician
Wikipedia - Laurette la Perle -- Congolese singer (b. 1989)
Wikipedia - Laurette Maritz -- South African golfer
Wikipedia - Laurie Auchterlonie -- Scottish golfer
Wikipedia - Laurie Ayton Jnr -- Scottish golfer
Wikipedia - Laurie Ayton Snr -- Scottish professional golfer
Wikipedia - Laurie Canter -- English professional golfer
Wikipedia - Laurie Rinker -- American golfer
Wikipedia - Lauri Merten -- American golfer
Wikipedia - Lawrence S.B. Goldstein
Wikipedia - Lawrence S. Margolis -- American judge
Wikipedia - Leader Board -- 1986 golf video game
Wikipedia - Lea Golda Holterman -- Israeli photographer
Wikipedia - Leah Goldberg
Wikipedia - Lee-Anne Pace -- South African professional golfer
Wikipedia - Lee Bo-mee -- South Korean golfer
Wikipedia - Lee Dong-hwan -- South Korean golfer
Wikipedia - Lee Goldberg -- American writer
Wikipedia - Lee In-woo -- South Korean golfer
Wikipedia - Lee Jee-young -- South Korean golfer
Wikipedia - Lee Jeong-eun (golfer, born 1988) -- South Korean golfer
Wikipedia - Lee Jeong-eun (golfer, born 1996) -- South Korean golfer
Wikipedia - Lee Jones (golfer) -- American golfer
Wikipedia - Leekfrith torcs -- Archaeological find in Staffordshire, England, in 2016, comprising four iron age gold torcs
Wikipedia - Lee Kyoung-hoon -- South Korean golfer
Wikipedia - Lee McCoy -- American professional golfer
Wikipedia - Lee Mi-hyang -- South Korean golfer
Wikipedia - Lee Rinker -- American professional golfer
Wikipedia - Lee Seon-hwa -- South Korean golfer
Wikipedia - Lee S. James -- English golfer
Wikipedia - Lee Soo-min (golfer) -- South Korean golfer
Wikipedia - Lee Sung -- South Korean golfer
Wikipedia - Lee Trevino -- American golfer
Wikipedia - Lee Williams (golfer) -- American professional golfer
Wikipedia - Legend of the Gold of Babylon
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Wikipedia - Legoland California -- Theme park in Carlsbad, California, United States
Wikipedia - Legoland Windsor Resort -- Lego theme park in Windsor, Berkshire, England
Wikipedia - Legolas -- Fictional elf from Tolkien's legendarium
Wikipedia - Leif Olson -- American professional golfer
Wikipedia - Leif Westerberg -- Swedish professional golfer
Wikipedia - Leigh McKechnie -- Australian professional golfer
Wikipedia - Leila Lopes (Angolan actress) -- Angolan model, actress, presenter, and beauty queen
Wikipedia - Lejla Agolli -- Albanian composer
Wikipedia - Lelia Goldoni -- American actress
Wikipedia - Lena Goldi -- Swiss judoka
Wikipedia - Len Holland -- English golfer
Wikipedia - Lennie Clements -- American professional golfer
Wikipedia - Lenore Muraoka -- American golfer
Wikipedia - Leo Goldberger
Wikipedia - Leo Goldberg
Wikipedia - Leo Margolis
Wikipedia - Leona Maguire -- Irish professional golfer
Wikipedia - Leonard Dodson -- American golfer
Wikipedia - Leonard Goldberg -- American film and television producer
Wikipedia - Leonard Thompson (golfer) -- American professional golfer
Wikipedia - Leon Goldensohn
Wikipedia - Leon Hazelton -- American golfer
Wikipedia - Leonie Harm -- German professional golfer
Wikipedia - Leonora Wray -- Australian golfer
Wikipedia - Leopold Heinrich von der Goltz -- Prussian diplomat
Wikipedia - Leopoldo Ruiz -- Argentine golfer
Wikipedia - Leo the Lion (MGM) -- Mascot of Metro-Goldwyn-Mayer
Wikipedia - Leslie Margolis -- American writer
Wikipedia - Leslie Penfold Hyland -- Australian businessman and golfer
Wikipedia - Leslie Spalding -- American golfer and coach
Wikipedia - Leta Lindley -- American professional golfer
Wikipedia - Lewis and Clark Exposition gold dollar -- Commemorative United States coin
Wikipedia - Lewis Goldberg -- American psychologist
Wikipedia - Lexi Thompson -- American professional golfer
Wikipedia - Lex Robson -- Scottish-Canadian golfer
Wikipedia - Liam Bond -- Welsh professional golfer
Wikipedia - Liang Wenchong -- Chinese golfer
Wikipedia - Liberal Democratic Party (Angola) -- Political party in Angola
Wikipedia - Liberal Socialist Party (Angola) -- Political party in Angola
Wikipedia - Liberty (dog) -- Golden Retriever owned by Gerald Ford and family
Wikipedia - Liberty Head double eagle -- American twenty-dollar gold piece
Wikipedia - Liberty Township, Ringgold County, Iowa -- Township in Iowa, USA
Wikipedia - Li Chao (golfer) -- Chinese golfer
Wikipedia - Li Haotong -- Chinese golfer
Wikipedia - Likulia Bolongo -- Congolese former politician and general
Wikipedia - Lili Golestan
Wikipedia - Lillian Burkhart Goldsmith -- Vaudeville performer, clubwoman, and businesswoman
Wikipedia - Lilongwe Golf Club -- Cricket ground
Wikipedia - Lina Boqvist -- Swedish professional golfer
Wikipedia - Lincoln Birch -- English golfer
Wikipedia - Lincoln Township, Ringgold County, Iowa -- Township in Iowa, USA
Wikipedia - Linda S. Goldberg -- Economist
Wikipedia - Lindsay Goldberg -- American private equity firm
Wikipedia - Lindsey Wright -- Australian golfer
Wikipedia - Lindy Miller -- American golfer
Wikipedia - Line Vedel Hansen -- Danish professional golfer
Wikipedia - Links (golf) -- Style of golf course
Wikipedia - Linnea Strom -- Swedish professional golfer
Wikipedia - Linn Grant -- Swedish golfer
Wikipedia - Lin Wen-tang -- Taiwanese professional golfer
Wikipedia - Lin Xiyu -- Chinese golfer
Wikipedia - Lionel Platts -- English golfer
Wikipedia - Lisa Fernandez -- American Olympic gold medalist
Wikipedia - Lisa Ferrero -- American professional golfer
Wikipedia - Lisa Goldberg -- Mathematical finance scholar and statistician
Wikipedia - Lisa Hall -- English golfer
Wikipedia - Lisa Hed -- Swedish professional golfer
Wikipedia - Lisa Holm Sorensen -- Danish professional golfer
Wikipedia - Lisa Kiggens -- American golfer
Wikipedia - Lisa Maguire -- Irish professional golfer
Wikipedia - Lisa Walters -- Canadian professional golfer
Wikipedia - Liselotte Neumann -- Swedish professional golfer
Wikipedia - List of active gold mines in Nevada -- Wikipedia list article
Wikipedia - List of active gold mines in Western Australia -- Wikipedia list article
Wikipedia - List of administrative divisions of Inner Mongolia -- Administrative divisions of Inner Mongolio, an autonomous region of the People's Republic of China
Wikipedia - List of African golfers -- Wikimedia list article
Wikipedia - List of airlines of Angola -- Wikipedia list article
Wikipedia - List of airlines of Mongolia -- Wikipedia list article
Wikipedia - List of airports in Angola -- Wikipedia list article
Wikipedia - List of airports in Mongolia -- Wikipedia list article
Wikipedia - List of AL Gold Glove Winners at Catcher
Wikipedia - List of AL Gold Glove Winners at First Base
Wikipedia - List of AL Gold Glove Winners at Outfield
Wikipedia - List of AL Gold Glove Winners at Pitcher
Wikipedia - List of AL Gold Glove Winners at Second Base
Wikipedia - List of AL Gold Glove Winners at Shortstop
Wikipedia - List of AL Gold Glove Winners at Third Base
Wikipedia - List of American Arnold Palmer Cup golfers -- Wikimedia list article
Wikipedia - List of American Curtis Cup golfers -- Wikimedia list article
Wikipedia - List of American Presidents Cup golfers -- Wikimedia list article
Wikipedia - List of American Ryder Cup golfers -- Wikimedia list article
Wikipedia - List of American Solheim Cup golfers -- Wikimedia list article
Wikipedia - List of American Walker Cup golfers -- Wikimedia list article
Wikipedia - List of Angolan co-produced films -- Wikipedia list article
Wikipedia - List of Angolan films -- Wikipedia list article
Wikipedia - List of Angolan records in athletics -- Wikipedia list article
Wikipedia - List of Angolan records in swimming -- Wikipedia list article
Wikipedia - List of Angolans -- Wikipedia list article
Wikipedia - List of Angolan writers -- Wikipedia list article
Wikipedia - List of Angola women's national handball team players -- Wikimedia list article
Wikipedia - List of Arkansas state high school golf champions -- Wikipedia list article
Wikipedia - List of Asian Games medalists in golf -- Wikimedia list article
Wikipedia - List of awards and nominations received by The Golden Girls -- Wikipedia list article
Wikipedia - List of banks in Angola -- Wikipedia list article
Wikipedia - List of banks in Mongolia -- Wikipedia list article
Wikipedia - List of BECK: Mongolian Chop Squad episodes -- Wikipedia list article
Wikipedia - List of birds of Angola -- Wikipedia list article
Wikipedia - List of birds of Mongolia -- Wikipedia list article
Wikipedia - List of butterflies of Angola -- Wikipedia list article
Wikipedia - List of California Golden Bears bowl games -- Wikipedia list article
Wikipedia - List of California Golden Bears starting quarterbacks -- Wikimedia list article
Wikipedia - List of California Golden Seals draft picks -- Wikipedia list article
Wikipedia - List of California Golden Seals head coaches -- Wikipedia list article
Wikipedia - List of California Golden Seals players -- Wikipedia list article
Wikipedia - List of Canadian Summer Olympics gold medallists -- Wikimedia list article
Wikipedia - List of Cargolux destinations -- Wikipedia list article
Wikipedia - List of cities and towns in Angola -- Wikimedia list article
Wikipedia - List of colonial governors of Angola -- Wikipedia list article
Wikipedia - List of colonial governors of the Dutch Gold Coast -- Wikipedia list article
Wikipedia - List of companies listed on the Mongolian Stock Exchange -- Wikipedia list article
Wikipedia - List of companies of Angola -- Wikipedia list article
Wikipedia - List of companies of Mongolia -- Wikipedia list article
Wikipedia - List of compositions by Erich Wolfgang Korngold -- Wikipedia list article
Wikipedia - List of conflicts in Eastern Europe during Turco-Mongol rule
Wikipedia - List of Congressional Gold Medal recipients -- Wikipedia list article
Wikipedia - List of Continental Europe Seve Trophy golfers -- Wikimedia list article
Wikipedia - List of countries by foreign-exchange reserves (excluding gold) -- Wikipedia list article
Wikipedia - List of countries by gold exports -- Wikipedia list article
Wikipedia - List of countries by gold production -- Wikipedia list article
Wikipedia - List of defunct airlines of Angola -- Wikipedia list article
Wikipedia - List of diplomatic missions in Angola -- Wikipedia list article
Wikipedia - List of diplomatic missions in Mongolia -- Wikipedia list article
Wikipedia - List of diplomatic missions of Angola -- Wikipedia list article
Wikipedia - List of diplomatic missions of Mongolia -- Wikipedia list article
Wikipedia - List of disc golf brands and manufacturers -- Wikimedia list article
Wikipedia - List of disc golf courses in Alberta -- Wikimedia list article
Wikipedia - List of disc golf courses in Austria -- Wikimedia list article
Wikipedia - List of disc golf courses in British Columbia -- Wikimedia list article
Wikipedia - List of disc golf courses in Canada -- Wikimedia list article
Wikipedia - List of disc golf courses in Norway -- Wikimedia list article
Wikipedia - List of disc golf courses in Ontario -- Wikimedia list article
Wikipedia - List of disc golf courses in Quebec -- Wikimedia list article
Wikipedia - List of disc golf players -- Wikipedia list article
Wikipedia - List of ecoregions in Angola -- Wikipedia list article
Wikipedia - List of ecoregions in Mongolia -- Wikipedia list article
Wikipedia - List of ESPN/ABC golf commentators -- Wikipedia list article
Wikipedia - List of European Ryder Cup golfers -- Wikimedia list article
Wikipedia - List of European Solheim Cup golfers -- Wikimedia list article
Wikipedia - List of FC Gold Pride players -- Wikimedia list article
Wikipedia - List of female golfers -- Wikimedia list article
Wikipedia - List of films about gold mining -- Wikipedia list article
Wikipedia - List of films shot on the Gold Coast -- Wikipedia list article
Wikipedia - List of films that received the Golden Film -- Wikipedia list article
Wikipedia - List of flag bearers for Angola at the Olympics -- Wikimedia list article
Wikipedia - List of flag bearers for Mongolia at the Olympics -- Wikimedia list article
Wikipedia - List of Florida State Seminoles men's golfers -- Wikimedia list article
Wikipedia - List of Garo: Gold Storm Sho episodes -- Wikipedia list article
Wikipedia - List of geodesic polyhedra and Goldberg polyhedra -- Wikipedia list article
Wikipedia - List of Gold Coast Chargers players -- Wikimedia list article
Wikipedia - List of Gold Coast Chargers records -- Wikipedia list article
Wikipedia - List of Gold Coast Suns captains -- Wikimedia list article
Wikipedia - List of Gold Coast Suns coaches -- Wikipedia list article
Wikipedia - List of Gold Coast Suns leading goalkickers -- Wikipedia list article
Wikipedia - List of Gold Coast Suns players -- Wikimedia list article
Wikipedia - List of Gold Coast Suns records -- Wikipedia list article
Wikipedia - List of Gold Coast Titans players -- Wikimedia list article
Wikipedia - List of Gold Coast Titans records -- Wikipedia list article
Wikipedia - List of Gold Coast Titans representatives -- Wikimedia list article
Wikipedia - List of Gold Coast Titans results -- Wikipedia list article
Wikipedia - List of Gold Coast United FC players -- Wikimedia list article
Wikipedia - List of Gold Coast United FC seasons -- Wikipedia list article
Wikipedia - List of Golden Gate Transit routes -- Wikipedia list article
Wikipedia - List of Golden Gate University people -- Wikipedia list article
Wikipedia - List of Golden Globe Awards received by Netflix -- Wikipedia list article
Wikipedia - List of Golden Globe Award winning films -- Wikipedia list article
Wikipedia - List of Golden Globe winners -- Wikimedia list article
Wikipedia - List of Golden Harvest productions -- Wikipedia list article
Wikipedia - List of Golden Kamuy episodes -- Wikipedia list article
Wikipedia - List of Golden Martin Fierro Award winners -- Wikipedia list article
Wikipedia - List of Golden State Warriors head coaches -- Wikipedia list article
Wikipedia - List of Golden State Warriors seasons -- Wikipedia list article
Wikipedia - List of Golden Time episodes -- Wikipedia list article
Wikipedia - List of goldfish varieties -- Wikimedia list article
Wikipedia - List of Gold Glove Award winners at catcher -- Wikipedia list article
Wikipedia - List of Gold Glove Award winners at first base -- Wikipedia list article
Wikipedia - List of Gold Glove Award winners at outfield -- Wikipedia list article
Wikipedia - List of Gold Glove Award winners at pitcher -- Wikipedia list article
Wikipedia - List of Gold Glove Award winners at second base -- Wikipedia list article
Wikipedia - List of Gold Glove Award winners at shortstop -- Wikipedia list article
Wikipedia - List of Gold Glove Award winners at third base -- Wikipedia list article
Wikipedia - List of Goldie & Bear episodes -- Wikipedia list article
Wikipedia - List of gold medal awards -- Wikipedia list article
Wikipedia - List of gold mines in Australia -- Wikipedia list article
Wikipedia - List of gold mines in Canada -- Wikipedia list article
Wikipedia - List of gold mines in Georgia -- Wikipedia list article
Wikipedia - List of gold mines in Japan -- Wikipedia list article
Wikipedia - List of gold mines in the United States -- Wikipedia list article
Wikipedia - List of gold mining disasters -- Wikipedia list article
Wikipedia - List of gold nuggets by size -- Piece of gold
Wikipedia - List of Goldsmiths College people -- Wikipedia list article
Wikipedia - List of GoldSrc mods -- Wikipedia list article
Wikipedia - List of golf awards -- Wikipedia list article
Wikipedia - List of golf course architects -- Wikipedia list article
Wikipedia - List of golf courses designed by A. W. Tillinghast -- Wikimedia list article
Wikipedia - List of golf courses designed by Donald Ross -- Wikimedia list article
Wikipedia - List of golf courses in Canada -- Wikimedia list article
Wikipedia - List of golf courses in Iceland -- Wikimedia list article
Wikipedia - List of golf courses in India -- Wikimedia list article
Wikipedia - List of golf courses in Malta -- Wikimedia list article
Wikipedia - List of golf courses in North Dakota -- Wikipedia list article
Wikipedia - List of golf courses in Ontario -- Wikipedia list article
Wikipedia - List of golf courses in Portugal -- Wikimedia list article
Wikipedia - List of golf courses in Saskatchewan -- Wikipedia list article
Wikipedia - List of golf courses in Sweden -- Wikimedia list article
Wikipedia - List of golf courses in the United Kingdom -- Wikimedia list article
Wikipedia - List of golf equipment manufacturers -- Wikimedia list article
Wikipedia - List of golfers to achieve a three-win promotion from the Korn Ferry Tour -- Wikimedia list article
Wikipedia - List of golfers with most Asian Tour wins -- Wikimedia list article
Wikipedia - List of golfers with most Challenge Tour wins -- Wikimedia list article
Wikipedia - List of golfers with most European Senior Tour wins -- Wikimedia list article
Wikipedia - List of golfers with most European Tour wins -- Wikimedia list article
Wikipedia - List of golfers with most Japan Golf Tour wins -- Wikimedia list article
Wikipedia - List of golfers with most Korn Ferry Tour wins -- Wikimedia list article
Wikipedia - List of golfers with most Ladies European Tour wins -- Wikimedia list article
Wikipedia - List of golf video games -- Wikipedia list article
Wikipedia - List of Golgo 13 episodes -- Wikipedia list article
Wikipedia - List of Governors of Gongola State -- Wikipedia list article
Wikipedia - List of governors of the Gold Coast -- Wikimedia list article
Wikipedia - List of Great Britain and Ireland Curtis Cup golfers -- Wikimedia list article
Wikipedia - List of Great Britain and Ireland Seve Trophy golfers -- Wikimedia list article
Wikipedia - List of Great Britain and Ireland Walker Cup golfers -- Wikimedia list article
Wikipedia - List of high schools producing multiple Olympic gold medalists -- Wikimedia list article
Wikipedia - List of historic properties in Goldfield, Arizona -- Wikipedia list article
Wikipedia - List of instruments used in otorhinolaryngology, head and neck surgery -- Wikipedia list article
Wikipedia - List of International Arnold Palmer Cup golfers -- Wikimedia list article
Wikipedia - List of International Presidents Cup golfers -- Wikimedia list article
Wikipedia - List of islands of Angola -- Wikimedia list article
Wikipedia - List of Knights of the Golden Fleece -- Wikipedia list article
Wikipedia - List of largest gold mines by production -- Wikipedia list article
Wikipedia - List of Lepidoptera that feed on goldenrods -- Wikipedia list article
Wikipedia - List of libraries in Angola
Wikipedia - List of lighthouses in Angola -- Wikipedia list article
Wikipedia - List of links golf courses -- Wikimedia list article
Wikipedia - List of living actors from the Golden Age of Hollywood -- Wikipedia list article
Wikipedia - List of major power stations in Inner Mongolia -- Wikipedia list article
Wikipedia - List of male golfers who have been in the world top 10 -- Wikimedia list article
Wikipedia - List of male golfers -- Wikimedia list article
Wikipedia - List of mammals of Angola -- Wikipedia list article
Wikipedia - List of mammals of Mongolia -- Wikipedia list article
Wikipedia - List of marine molluscs of Angola -- Wikipedia list article
Wikipedia - List of Marvel Comics Golden Age characters -- Wikipedia list article
Wikipedia - List of medieval Mongol tribes and clans -- Wikipedia list article
Wikipedia - List of Metro-Goldwyn-Mayer cartoon studio films -- Wikipedia list article
Wikipedia - List of Metro-Goldwyn-Mayer films -- Wikipedia list article
Wikipedia - List of Metro-Goldwyn-Mayer theatrical animated feature films -- Wikipedia list article
Wikipedia - List of MIAT Mongolian Airlines destinations -- Wikipedia list article
Wikipedia - List of mines in Angola -- Wikipedia list article
Wikipedia - List of Minnesota Golden Gophers bowl games -- Wikipedia list article
Wikipedia - List of Mongol consorts -- Wikipedia list article
Wikipedia - List of Mongolian composers -- Wikipedia list article
Wikipedia - List of Mongolian films -- Wikipedia list article
Wikipedia - List of Mongolian records in athletics -- Wikipedia list article
Wikipedia - List of Mongolian records in speed skating -- Wikipedia list article
Wikipedia - List of Mongolian records in swimming -- Wikipedia list article
Wikipedia - List of Mongolian submissions for the Academy Award for Best International Feature Film -- Wikipedia list article
Wikipedia - List of Mongolians -- Wikipedia list article
Wikipedia - List of Mongolic languages
Wikipedia - List of Mongol khatuns -- Wikipedia list article
Wikipedia - List of Mongol rulers -- Wikimedia list article
Wikipedia - List of Mongol states -- Wikimedia list article
Wikipedia - List of mountains in Golden Valley County, Montana -- Wikipedia list article
Wikipedia - List of mountains in Mongolia -- Wikipedia list article
Wikipedia - List of multiple Olympic gold medalists at a single Games -- Wikimedia list article
Wikipedia - List of multiple Olympic gold medalists in one event -- Wikimedia list article
Wikipedia - List of multiple Olympic gold medalists -- Wikimedia list article
Wikipedia - List of multiple Paralympic gold medalists at a single Games -- Wikimedia list article
Wikipedia - List of multiple Paralympic gold medalists -- Wikimedia list article
Wikipedia - List of municipalities of Angola -- Wikipedia list article
Wikipedia - List of museums in Angola -- Wikipedia list article
Wikipedia - List of museums in Mongolia -- Wikipedia list article
Wikipedia - List of National Rugby League golden point games -- Wikipedia list article
Wikipedia - List of NBC Sports golf commentators -- Wikipedia list article
Wikipedia - List of newspapers in Angola -- Wikipedia list article
Wikipedia - List of newspapers in Mongolia -- Wikipedia list article
Wikipedia - List of Ngolas of Ndongo -- Wikipedia list article
Wikipedia - List of NL Gold Glove Winners at Catcher
Wikipedia - List of NL Gold Glove Winners at First Base
Wikipedia - List of NL Gold Glove Winners at Outfield
Wikipedia - List of NL Gold Glove Winners at Pitcher
Wikipedia - List of NL Gold Glove Winners at Second Base
Wikipedia - List of NL Gold Glove Winners at Shortstop
Wikipedia - List of NL Gold Glove Winners at Third Base
Wikipedia - List of Olympic medalists in golf -- Wikimedia list article
Wikipedia - List of Olympic venues in golf -- Wikimedia list article
Wikipedia - List of one-shot Metro-Goldwyn-Mayer animated shorts -- Wikipedia list article
Wikipedia - List of people associated with the California Gold Rush -- Wikimedia list article
Wikipedia - List of people from the Dutch Golden Age -- Wikipedia list article
Wikipedia - List of people on the postage stamps of Angola -- Wikipedia list article
Wikipedia - List of people who have accepted Golden Raspberry Awards -- Wikimedia list article
Wikipedia - List of Persona 4: The Golden Animation episodes -- Wikipedia list article
Wikipedia - List of political parties in Angola -- Wikipedia list article
Wikipedia - List of political parties in Mongolia -- Wikipedia list article
Wikipedia - List of power stations in Angola -- Wikipedia list article
Wikipedia - List of power stations in Mongolia -- Wikipedia list article
Wikipedia - List of presidents of the National Assembly of Angola -- Wikipedia list article
Wikipedia - List of prime ministers of Mongolia -- Wikipedia list article
Wikipedia - List of programs broadcast by Comedy Gold -- Wikipedia list article
Wikipedia - List of reptiles of Mongolia -- Wikipedia list article
Wikipedia - List of Rhagoletis species -- Wikipedia list article
Wikipedia - List of schools in Angola -- Wikipedia list article
Wikipedia - List of schools in Gold Coast, Queensland -- Wikipedia list article
Wikipedia - List of settlements in Argolis -- multiple settlements
Wikipedia - List of ships in Gold Bombardment Group -- Bombardment group at Gold Beach on June 6, 1944 ("D-Day")
Wikipedia - List of ships named Golconda -- Wikipedia list article
Wikipedia - List of supermarket chains in Mongolia -- Wikipedia list article
Wikipedia - List of Swedish professional golfers -- Wikimedia list article
Wikipedia - List of TAAG Angola Airlines destinations -- Wikipedia list article
Wikipedia - List of The Goldbergs episodes -- Wikipedia list article
Wikipedia - List of The Golden Girls episodes -- Wikipedia list article
Wikipedia - List of The Golden Path characters -- Wikipedia list article
Wikipedia - List of The Mysterious Cities of Gold episodes -- Wikipedia list article
Wikipedia - List of Togolese records in athletics -- Wikipedia list article
Wikipedia - List of Togolese records in swimming -- Wikipedia list article
Wikipedia - List of Togolese writers -- Wikipedia list article
Wikipedia - List of Tohoku Rakuten Golden Eagles managers -- Wikipedia list article
Wikipedia - List of top Olympic gold medalists in swimming -- Wikipedia list article
Wikipedia - List of universities and colleges in Inner Mongolia -- Wikipedia list article
Wikipedia - List of universities in Angola -- Wikipedia list article
Wikipedia - List of universities in Mongolia -- Wikipedia list article
Wikipedia - List of US national Golden Gloves bantamweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves featherweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves flyweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves heavyweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves light flyweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves light heavyweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves light middleweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves light welterweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves middleweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves super heavyweight champions -- Wikimedia list article
Wikipedia - List of US national Golden Gloves welterweight champions -- Wikimedia list article
Wikipedia - List of U.S. Open (golf) champions -- Wikimedia list article
Wikipedia - List of Vegas Golden Knights award winners -- Wikipedia list article
Wikipedia - List of Vegas Golden Knights broadcasters -- Wikipedia list article
Wikipedia - List of Vegas Golden Knights draft picks -- Wikipedia list article
Wikipedia - List of Vegas Golden Knights head coaches -- Wikipedia list article
Wikipedia - List of Vegas Golden Knights players -- Wikimedia list article
Wikipedia - List of Vegas Golden Knights seasons -- Wikipedia list article
Wikipedia - List of Victor Magtanggol episodes -- Wikipedia list article
Wikipedia - List of wars involving Angola -- Wikipedia list article
Wikipedia - List of wars involving Mongolia -- Wikipedia list article
Wikipedia - List of works by Nikolay Bogolyubov -- Wikipedia list article
Wikipedia - List of works designed with the golden ratio
Wikipedia - List of world number one male golfers -- Wikipedia list article
Wikipedia - List of Youth Olympic Games gold medalists who won Olympic gold medals -- Wikimedia list article
Wikipedia - Lists of golfers -- Wikipedia list article
Wikipedia - Liudhard medalet -- 6th-century Anglo-Saxon gold object from England
Wikipedia - Liv Wollin -- Swedish golfer
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Wikipedia - Llangollen Canal Museum -- Grade II listed building in Denbighshire
Wikipedia - Lloyd Park Disc Golf Course (Alberta) -- Disc golf course in Alberta, Canada
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Wikipedia - Martin Charles Golumbic
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Wikipedia - Martin Flores -- American professional golfer
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Wikipedia - Martin Laird -- Scottish professional golfer
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Wikipedia - Masanobu Kimura -- Japanese professional golfer
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Wikipedia - Masdevallia goliath -- Species of plant
Wikipedia - Mask of Tutankhamun -- Gold mask of Egyptian Pharaoh Tutankhamun
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Wikipedia - Mass wasting -- Geomorphic process by which soil, sand, regolith, and rock move downslope
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Wikipedia - McKinley Birthplace Memorial gold dollar -- Commemorative gold coin featuring President McKinley
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Wikipedia - Megachile angolensis -- Species of leafcutter bee (Megachile)
Wikipedia - Megachile mongoliae -- Species of leafcutter bee (Megachile)
Wikipedia - Megachile mongolica -- Species of leafcutter bee (Megachile)
Wikipedia - Mega Man (1995 video game) -- 1995 action-platform video game published by U.S. Gold
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Wikipedia - Meghan MacLaren -- English professional golfer
Wikipedia - Meg Mallon -- American professional golfer
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Wikipedia - Metro-Goldwyn-Mayer -- American media company
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Wikipedia - Mevo Hama -- Israeli settlement in the Golan Heights
Wikipedia - MGM Holdings -- Holding company of Metro-Goldwyn-Mayer
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Wikipedia - Michael B. Goldman -- American diplomat
Wikipedia - Michael Borgolte -- German Historian
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Wikipedia - Michael Buttacavoli -- American professional golfer
Wikipedia - Michael Campbell -- New Zealand golfer
Wikipedia - Michael Christie (golfer) -- American professional golfer
Wikipedia - Michael Clark II -- American golfer
Wikipedia - Michael Connell (golfer) -- American professional golfer
Wikipedia - Michael Goldsmith (computer scientist) -- British computer scientist
Wikipedia - Michael Goleniewski
Wikipedia - Michael Golomb -- American mathematician
Wikipedia - Michael Jonzon -- Swedish professional golfer
Wikipedia - Michael King (golfer) -- English golfer
Wikipedia - Michael Letzig -- American golfer
Wikipedia - Michael Long (golfer) -- New Zealand golfer
Wikipedia - Michael Lunt -- English golfer
Wikipedia - Michael McLean (golfer) -- English golfer
Wikipedia - Michael Putnam -- American golfer
Wikipedia - Michael Sim -- Australian professional golfer
Wikipedia - Michael Thompson (golfer) -- American professional golfer
Wikipedia - Michael Thorbjornsen -- American amateur golfer
Wikipedia - Michael Weaver (golfer) -- American golfer
Wikipedia - Michael Zinni -- American golf coach
Wikipedia - Michal GolaM-EM-^[ -- Polish road bicycle racer
Wikipedia - Michel Bidimbou -- Congolese politician
Wikipedia - Michele Reale -- Italian professional golfer
Wikipedia - Michele Redman -- American professional golfer
Wikipedia - Michelle Estill -- American professional golfer
Wikipedia - Michelle Koh -- Malaysian professional golfer
Wikipedia - Michelle McGann -- American golfer
Wikipedia - Michelle Wie -- American professional golfer
Wikipedia - Michiel Bothma -- South African professional golfer
Wikipedia - Michiko Hattori -- Japanese professional golfer
Wikipedia - Michiko Okada -- Japanese professional golfer
Wikipedia - Michio Matsumura -- Japanese professional golfer
Wikipedia - Mickey Walker (golfer) -- English professional golfer
Wikipedia - Mickey Wright -- American professional golfer
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Wikipedia - MicroProse Golf -- Golf video game
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Wikipedia - Miguel Guzman (golfer) -- Argentine golfer
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Wikipedia - Miguel M-CM-^Angel Martin (golfer) -- Spanish golfer
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Wikipedia - Miguel Tabuena -- Filipino professional golfer
Wikipedia - Mi-Hyun Kim -- South Korean golfer
Wikipedia - Mikaela Parmlid -- Swedish professional golfer
Wikipedia - Mikael Hogberg -- Swedish professional golfer
Wikipedia - Mikael Krantz -- Swedish professional golfer
Wikipedia - Mikael Lundberg -- Swedish professional golfer
Wikipedia - Mika Miyazato -- Japanese professional golfer
Wikipedia - Mike Brady (golfer) -- American professional golfer
Wikipedia - Mike Brannan -- American golfer
Wikipedia - Mike Brisky -- American professional golfer
Wikipedia - Mike Clayton (golfer) -- Australian professional golfer
Wikipedia - Mike Cunning -- American professional golfer
Wikipedia - Mike Dobbyn -- American golfer
Wikipedia - Mike Donald -- American professional golfer
Wikipedia - Mike Ferguson (golfer) -- Australian professional golfer
Wikipedia - Mike Fetchick -- American golfer
Wikipedia - Mike Goldberg -- American sports commentator
Wikipedia - Mike Gold -- American writer
Wikipedia - Mike Goodes -- American golfer
Wikipedia - Mike Grob -- American golfer
Wikipedia - Mike Heinen -- American golfer
Wikipedia - Mike Hill (golfer) -- American professional golfer
Wikipedia - Mike Holder -- American college athletics administrator and golf coach
Wikipedia - Mike Holland (golfer) -- American golfer
Wikipedia - Mike Joyce (golfer) -- American golfer
Wikipedia - Mike Mangold
Wikipedia - Mike McCoy (golfer) -- American golfer
Wikipedia - Mike McCullough (golfer) -- American golfer
Wikipedia - Mike Miller (golfer) -- Scottish golfer
Wikipedia - Mike Nicolette -- American golfer
Wikipedia - Mike Reilly (golfer) -- American golfer
Wikipedia - Mike Small (golfer) -- American professional golfer, college golf coach
Wikipedia - Mike Sposa -- American golfer
Wikipedia - Mike Springer -- American golfer
Wikipedia - Mike Standly -- American golfer
Wikipedia - Mike Turnesa -- American golfer
Wikipedia - Mike Weir -- Canadian professional golfer
Wikipedia - Mikhail Igolnikov -- Russian judoka
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Wikipedia - Mikko Korhonen -- Finnish professional golfer
Wikipedia - Miles Tunnicliff -- English golfer
Wikipedia - Millennialism -- Belief that a Golden Age or Paradise will occur prior to the final judgment
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Wikipedia - Minami Katsu -- Japanese professional golfer
Wikipedia - Miniature golf -- Offshoot of the sport of golf focusing solely on the putting aspect of its parent game
Wikipedia - Mining industry of Angola -- Overview of the mining industry in Angola
Wikipedia - Ministry of Justice and Internal Affairs (Mongolia) -- Government ministry in Mongolia
Wikipedia - Minjee Lee -- Australian professional golfer
Wikipedia - Min Na-on -- South Korean golfer
Wikipedia - Min Woo Lee -- Australian golfer
Wikipedia - Miriam A. Golden -- Political economist
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Wikipedia - Mirim Lee -- South Korean golfer
Wikipedia - Miroslava Dagbaeva -- Mongolian archer
Wikipedia - Missa Luba -- Setting of the Latin Mass in Congolese style
Wikipedia - Miss Angola -- National beauty pageant competition in Angola
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Wikipedia - Missie McGeorge -- American golfer
Wikipedia - Misuzu Narita -- Japanese professional golfer
Wikipedia - Mitchel P. Goldman -- American dermatologic surgeon (born 1955)
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Wikipedia - Mitsuhiko Masuda -- Japanese golfer
Wikipedia - Mitsuhiro Kitta -- Japanese professional golfer
Wikipedia - Mitsuo Harada -- Japanese professional golfer
Wikipedia - Mitsuo Komatsubara -- Japanese golfer
Wikipedia - Mitsutaka Kusakabe -- Japanese professional golfer
Wikipedia - Miyeegombyn Enkhbold -- Mongolian politician
Wikipedia - M. J. Hur -- South Korean golfer
Wikipedia - MM-CM-%rten Olander -- Swedish professional golfer
Wikipedia - Moe Norman -- Canadian professional golfer
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Wikipedia - Mohur -- Indian gold coin
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Wikipedia - Moira Milton -- Scottish golfer
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Wikipedia - Moj golube -- Folk song from former Yugoslavia
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Wikipedia - Mongke Khan -- Fourth Great Khan of the Mongol Empire
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Wikipedia - Mongol Armenia
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Wikipedia - Mongol conquest of Eastern Xia -- Mongol invasions against Eastern Xia, part of the Mongol conquest of China
Wikipedia - Mongol conquest of the Khwarazmian Empire -- Mongol invasion of Iran (1219-1221)
Wikipedia - Mongol conquests
Wikipedia - Mongol Daguur Biosphere Reserve -- Nature reserve in Mongolia
Wikipedia - Mongol Empire -- 13th and 14th century empire originating in Mongolia
Wikipedia - Mongolia at the 2016 Summer Paralympics -- None
Wikipedia - Mongolia at the 2020 Summer Olympics -- Mongolia at the Games of the XXXII Olympiad in Tokyo
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Wikipedia - Mongolian Americans -- Americans of Mongolian birth or descent
Wikipedia - Mongolian and Tibetan Cultural Center
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Wikipedia - Mongolian calendar
Wikipedia - Mongolian cuisine -- Culinary traditions of Mongolia
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Wikipedia - Mongolian Cyrillic script
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Wikipedia - Mongolian history
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Wikipedia - Mongolian name
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Wikipedia - Mongolian script -- writing system used for the Mongolian language
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Wikipedia - Mongolian tgrg
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Wikipedia - Mongolia under Qing rule
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Wikipedia - Mongol Invasions of Japan
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Wikipedia - Mongol-Tatars
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Wikipedia - Mr. Gold
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Wikipedia - Naqshbandi-Haqqani Golden Chain
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Wikipedia - Natalie Gulbis -- American professional golfer
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Wikipedia - Nathaniel L. Goldstein -- New York politician and Attorney General
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Wikipedia - Native gold
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Wikipedia - Rafferty and the Gold Dust Twins -- 1975 film by Dick Richards
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Wikipedia - Rally for Congolese Democracy -- Political party in the Democratic Republic of the Congo
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Wikipedia - Rebecca Goldstein -- American novelist, short story writer, biographer, philosopher
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Wikipedia - Regolith -- A layer of loose, heterogeneous superficial deposits covering solid rock
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Wikipedia - Rick Fehr -- American professional golfer
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Wikipedia - Rick Price (golfer) -- American golfer
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Wikipedia - Rigoletto (1956 film) -- 1956 film
Wikipedia - Rigoletto -- Opera by Giuseppe Verdi
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Wikipedia - Ringo and His Golden Pistol -- 1966 film directed by Sergio Corbucci
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Wikipedia - River of Gold -- 1998 film
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Wikipedia - Robert Ajavon -- Togolese politician
Wikipedia - Robert Allenby -- Australian professional golfer
Wikipedia - Roberta Michnick Golinkoff -- American academic
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Wikipedia - Robert Dussey -- Togolese politician and minister
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Wikipedia - Robert McAndrews -- Scottish golfer
Wikipedia - Roberto Bernardini -- Italian professional golfer
Wikipedia - Roberto Castro -- American professional golfer
Wikipedia - Roberto De Vicenzo -- Argentine golfer
Wikipedia - Roberto Diaz (golfer) -- Mexican professional golfer
Wikipedia - Roberto Francisco de Almeida -- Angolan politician
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Wikipedia - Robin Hood and the Golden Arrow -- Traditional song
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Wikipedia - Robin Hood's Golden Prize -- Traditional song
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Wikipedia - Rocky Walcher -- American golfer
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Wikipedia - Rodger Davis -- Australian professional golfer
Wikipedia - Rodney Butcher -- American professional golfer
Wikipedia - Rodney Foster -- English golfer
Wikipedia - Rodnomyn Erkhembayar -- Mongolian judoka
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Wikipedia - Rod Pampling -- Australian professional golfer
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Wikipedia - Rodrigue Ossandza -- Congolese judoka
Wikipedia - Rodrigues Mingas -- Angolan rebel
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Wikipedia - Roger Goldsworthy -- British colonial administrator
Wikipedia - Roger Mackay -- Australian professional golfer
Wikipedia - Roger Sloan -- Canadian golfer
Wikipedia - Roger Tambellini -- American professional golfer
Wikipedia - Rohan Blizard -- Australian professional golfer
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Wikipedia - Romain Wattel -- French professional golfer
Wikipedia - Roman Catholic Diocese of Macerata-Tolentino-Recanati-Cingoli-Treia
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Wikipedia - Roman Catholicism in Mongolia
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Wikipedia - Ron Cerrudo -- American professional golfer
Wikipedia - Ron Goldman (mathematician)
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Wikipedia - Ronnie MacAskill -- Scottish golfer and director of golf
Wikipedia - Ronnie Shade -- Scottish golfer
Wikipedia - Ronnie White (golfer) -- English golfer
Wikipedia - Ron Streck -- American golfer
Wikipedia - Ron Whittaker -- American golfer
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Wikipedia - Rory Hie -- Indonesian professional golfer
Wikipedia - Rory McIlroy -- Northern Irish professional golfer
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Wikipedia - Rosalyn Gold-Onwude -- American-Nigerian sports broadcaster
Wikipedia - Rosa 'Oregold' -- Golden yellow hybrid tea rose cultivar
Wikipedia - Rosa 'Red Gold' -- Yellow and orange-red Floribunda rose cultivar
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Wikipedia - Rose Ladies Series -- Ladies professional golf series
Wikipedia - Rosemary Goldie
Wikipedia - Rose of the Golden West -- 1927 film by George Fitzmaurice
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Wikipedia - Rosie Jones -- American golfer
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Wikipedia - Ross Drummond -- Scottish professional golfer
Wikipedia - Ross McFarlane -- English golfer
Wikipedia - Ross Metherell -- Australian professional golfer
Wikipedia - Ross Murray (golfer) -- New Zealand amateur golfer
Wikipedia - Ross Newdick -- New Zealand professional golfer
Wikipedia - Ross Somerville -- Canadian amateur golfer
Wikipedia - Ross Whitehead -- English golfer
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Wikipedia - Royal Artillery Gold Cup -- Steeplechase horse race in Britain
Wikipedia - Royal Calcutta Golf Club
Wikipedia - Royal Gold Cup -- Gold cup decorated with enamel and pearls made for the French royal family at the end of the 14th century
Wikipedia - Royal Golden Eagle -- Indonesian company
Wikipedia - RTHK Top 10 Gold Songs Awards -- Music award from Hong Kong
Wikipedia - Ruanruan language -- Unclassified extinct language of 4th-6th-century Mongolia and northern China
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Wikipedia - Rube Goldberg -- American cartoonist
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Wikipedia - Rujm el-Hiri -- Stone-age monument in the Golan Heights
Wikipedia - Russ Cochran -- American professional golfer
Wikipedia - Russell Beiersdorf -- American professional golfer
Wikipedia - Russell Claydon -- English golfer
Wikipedia - Russell Henley -- American professional golfer
Wikipedia - Russell Knox -- Scottish golfer
Wikipedia - Russ Feingold -- Wisconsin politician; three-term U.S. Senator
Wikipedia - Russ Howard -- Canadian curler and Olympic gold medalist
Wikipedia - R. W. Dromgold -- businessman and city councilman
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Wikipedia - Ryanair Gold Cup -- Steeplechase horse race in Ireland
Wikipedia - Ryan Armour -- American professional golfer
Wikipedia - Ryan Blaum -- American professional golfer
Wikipedia - Ryan Brehm -- American professional golfer
Wikipedia - Ryan Cairns -- Zimbabwean professional golfer
Wikipedia - Ryan Eggold -- American actor
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Wikipedia - Ryan Hietala -- American golfer
Wikipedia - Ryan Howison -- American golfer
Wikipedia - Ryan Moore (golfer) -- American professional golfer
Wikipedia - Ryann O'Toole -- American professional golfer
Wikipedia - Ryan Palmer -- American professional golfer
Wikipedia - Ryan Ruffels -- Australian professional golfer
Wikipedia - Ryan Sullivan (golfer) -- American golfer
Wikipedia - Ryan Vermeer -- American golfer
Wikipedia - Ryan Yip -- Canadian golfer
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Wikipedia - Ryenchinii Choinom -- Mongolian poet
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Wikipedia - Ryoken Kawagishi -- Japanese professional golfer
Wikipedia - Ryu Hyun-woo -- South Korean golfer
Wikipedia - Ryuichi Oda -- Japanese professional golfer
Wikipedia - Ryuji Imada -- Japanese professional golfer
Wikipedia - Ryuko Tokimatsu -- Japanese golfer
Wikipedia - Ryu So-yeon -- South Korean golfer
Wikipedia - Sabine Huth -- German female curler and Olympic gold medalist
Wikipedia - Saburo Fujiki -- Japanese golfer
Wikipedia - Sacha Golob -- British philosopher
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Wikipedia - Saeid Mollaei -- Mongolian judoka
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Wikipedia - Sagola (beetle) -- Genus of beetles
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Wikipedia - Sail for Gold -- Annual sailing regatta in Weymouth
Wikipedia - Sainjargalyn Nyam-Ochir -- Mongolian judoka
Wikipedia - Saint Ermengol
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Wikipedia - Sale of UK gold reserves, 1999-2002 -- The sale of half of the UK's gold reserves between 1999-2002
Wikipedia - S-algol
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Wikipedia - Sally Sessions -- American golfer
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Wikipedia - Salvador Goldschmied -- Mexican judoka
Wikipedia - Salvatore Fergola -- Italian painter
Wikipedia - Sam Adams (golfer) -- American professional golfer
Wikipedia - Samantha Head -- English golfer
Wikipedia - Samba Gold -- Award
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Wikipedia - Sam Burns -- American professional golfer
Wikipedia - Sambuugiin Dashdulam -- Mongolian judoka
Wikipedia - Sambuugiin Oyuuntsetseg -- Mongolian archer
Wikipedia - Sambuugiin Serchmaa -- Mongolian singer
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Wikipedia - SaM-EM-!a Golob -- Slovenian artistic gymnast
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Wikipedia - Sam Horsfield -- English golfer
Wikipedia - Sam Hutsby -- English golfer
Wikipedia - Sami Tchak -- Togolese writer
Wikipedia - Sami VM-CM-$limM-CM-$ki -- Finnish professional golfer
Wikipedia - Sam King -- English golfer
Wikipedia - Sam Locke (golfer) -- Scottish golfer
Wikipedia - Sammy Rachels -- American golfer
Wikipedia - Sammy Schmitz -- American golfer
Wikipedia - Sam Randolph -- American professional golfer
Wikipedia - Sam Ryder -- American golfer
Wikipedia - Sam Snead -- American golfer
Wikipedia - Samson & Goliath -- American animated television series
Wikipedia - Samson and Goliath (cranes) -- Shipbuilding gantry cranes in Belfast
Wikipedia - Sam Torrance -- Scottish golfer
Wikipedia - Samuel Goldman
Wikipedia - Samuel Goldwyn Estate -- Detached house in Beverly Hills, Los Angeles
Wikipedia - Samuel Goldwyn Jr. -- American film producer
Wikipedia - Samuel Goldwyn
Wikipedia - Samuel Mure Fergusson -- Scottish golfer
Wikipedia - Samuel Ringgold (United States Army officer) -- American Army artillery officer
Wikipedia - Samuel Tucker (golfer) -- English golfer
Wikipedia - Sam Urzetta -- American golfer
Wikipedia - Sam Walker (golfer) -- English golfer
Wikipedia - Samy Badibanga -- Congolese politician
Wikipedia - Sandagdorj Handsuren -- Mongolian chess player
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Wikipedia - San Diego Country Club -- Private golf club in Chula Vista, California
Wikipedia - Sandra Gal -- German professional golfer
Wikipedia - Sandra Post -- Canadian professional golfer
Wikipedia - Sandra Spuzich -- American golfer
Wikipedia - Sandrine Mendiburu -- French golfer
Wikipedia - Sandy Herd -- Scottish golfer
Wikipedia - Sandy Lyle -- Scottish golfer
Wikipedia - Sandy Saddler (golfer) -- Scottish amateur golfer
Wikipedia - San Francisco Golden Gate Gales -- A soccer team based in San Francisco that played in the United Soccer Association
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Wikipedia - Sangidorjiin Sansargereltekh -- Mongolian composer
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Wikipedia - Sangolli Rayanna
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Wikipedia - San Joaquin City, California -- Former Gold Rush era river port
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Wikipedia - San Paolo alla Regola -- Catholic church in Rome
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Wikipedia - Santogold (album) -- album by Santigold
Wikipedia - Sara Eklund -- Swedish professional golfer
Wikipedia - Sarah Goldberg -- Canadian actress
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Wikipedia - Sarah Lee (golfer) -- South Korean golfer
Wikipedia - Sarah Nilsson -- Swedish professional golfer
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Wikipedia - Savitzky-Golay filter -- Algorithm to smooth data points
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Wikipedia - Schmitten Discgolf Parcours -- Disc golf course in Austria
Wikipedia - Science and technology in Angola
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Wikipedia - Scott Arnold (golfer) -- Australian professional golfer
Wikipedia - Scott Brown (golfer) -- American professional golfer
Wikipedia - Scott Dunlap -- American professional golfer
Wikipedia - Scott Gardiner -- Australian professional golfer
Wikipedia - Scott Gordon (golfer) -- American golfer
Wikipedia - Scott Gregory (golfer) -- English professional golfer
Wikipedia - Scott Gump -- American golfer
Wikipedia - Scott Gutschewski -- American golfer
Wikipedia - Scott Harvey -- American golfer
Wikipedia - Scott Henderson (golfer) -- Scottish golfer
Wikipedia - Scott Henry (golfer) -- Scottish golfer
Wikipedia - Scottie Scheffler -- American professional golfer
Wikipedia - Scott Jamieson (golfer) -- Scottish golfer
Wikipedia - Scott Langley -- American golfer
Wikipedia - Scott Laycock -- Australian professional golfer
Wikipedia - Scott McCarron -- American professional golfer
Wikipedia - Scott Parel -- American golfer
Wikipedia - Scott Petersen (golfer) -- American golfer
Wikipedia - Scott Piercy -- American professional golfer
Wikipedia - Scott Pinckney -- American professional golfer
Wikipedia - Scottsdale National Golf Club -- A private golf club in Scottsdale, Arizona
Wikipedia - Scott Simpson (golfer) -- American professional golfer
Wikipedia - Scott Stallings -- American professional golfer
Wikipedia - Scott Sterling (golfer) -- American golfer
Wikipedia - Scott Stokely -- American disc golfer (born 1969)
Wikipedia - Scott Strange -- Australian professional golfer
Wikipedia - Scott Vincent (golfer) -- Zimbabwean golfer
Wikipedia - Sean Crocker -- American professional golfer
Wikipedia - Sean Fister -- American golfer
Wikipedia - Sean Foley (golf instructor) -- Canadian golf instructor
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Wikipedia - Sean Pappas -- South African golfer
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Wikipedia - Sebastian Fernandez (golfer) -- Argentine golfer
Wikipedia - Sebastian Heisele -- German professional golfer
Wikipedia - Sebastian Miguel -- Spanish golfer
Wikipedia - Sebastian MuM-CM-1oz -- Colombian professional golfer
Wikipedia - Sebastian Soderberg -- Swedish professional golfer
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Wikipedia - Second Mongol invasion of Poland
Wikipedia - Secret of the Golden Flower
Wikipedia - Segol Mann -- Swedish actor
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Wikipedia - Seiji Ebihara -- Japanese professional golfer
Wikipedia - Seiki Okuda -- Japanese professional golfer
Wikipedia - Selma Fine Goldsmith -- American economic statistician
Wikipedia - Sengiin Erdene -- Mongolian novelist and writer
Wikipedia - Seong Eun-jeong -- South Korean golfer
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Wikipedia - Sergei Golovin -- Russian actor
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Wikipedia - Sergey Golubev -- Russian bobsledder
Wikipedia - Sergey Golyaev -- Russian mixed martial arts fighter
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Wikipedia - Sergius Golowin
Wikipedia - Sergolexole
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Wikipedia - Seve Ballesteros -- Spanish professional golfer
Wikipedia - Seve Benson -- English golfer
Wikipedia - Seymour Johnson Air Force Base -- US Air Force base at Goldsboro, North Carolina, United States
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Wikipedia - Shackles of Gold -- 1922 film by Herbert Brenon
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Wikipedia - Shagdaryn Chanrav -- Mongolian judoka
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Wikipedia - Shane Bertsch -- American professional golfer
Wikipedia - Shane Lowry (golfer) -- Irish professional golfer
Wikipedia - Shani Waugh -- Australian professional golfer
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Wikipedia - Sharon Anderson-Gold -- American educator
Wikipedia - Sharon Barrett -- American professional golfer
Wikipedia - Sharon Feingold -- American voice actress
Wikipedia - Sharon Miller -- American golfer
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Wikipedia - Shaun Norris (golfer) -- South African professional golfer
Wikipedia - Shawn Johnson East -- US Olympic gymnast and gold medalist
Wikipedia - Shawn Stefani -- American golfer
Wikipedia - Sheats-Goldstein Residence -- House in Beverly Crest, Los Angeles, California, US
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Wikipedia - Shelikhov-Golikov Company
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Wikipedia - Shell gold -- Gilding product
Wikipedia - Sherlock Holmes (2010 film) -- 2010 film by Rachel Lee Goldenberg
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Wikipedia - Shigeki Maruyama -- Japanese professional golfer
Wikipedia - Shigemasa Higaki -- Japanese golfer
Wikipedia - Shigenori Mori -- Japanese professional golfer
Wikipedia - Shigeru Nonaka -- Japanese professional golfer
Wikipedia - Shigeru Uchida -- Japanese professional golfer
Wikipedia - Shiho Oyama -- Japanese professional golfer
Wikipedia - Shingo Katayama -- Japanese golfer
Wikipedia - Shinichi Yokota -- Japanese golfer
Wikipedia - Shinsaku Maeda -- Japanese professional golfer
Wikipedia - Shintaro Kai -- Japanese golfer
Wikipedia - Shir Ali Oglan -- Mongol prince
Wikipedia - Shirley Englehorn -- American professional golfer
Wikipedia - Shirley Furlong -- American professional golfer
Wikipedia - Shirley's Gold Coast expedition -- British operation in the Fourth Anglo-Dutch War (1781)
Wikipedia - Shirley Spork -- American golfer
Wikipedia - Shiv Chawrasia -- Indian golfer
Wikipedia - Shiv Kapur -- Indian golfer
Wikipedia - Shoal Creek Club -- Private golf club near Birmingham, AL, US
Wikipedia - Shockwave (Dreamworld) -- Disk'O Coaster in the Dreamworld theme park on the Gold Coast, Australia
Wikipedia - Shoichi Kuwabara -- Japanese professional golfer
Wikipedia - Shoichi Sato -- Japanese golfer
Wikipedia - Shoji Kikuchi -- Japanese professional golfer
Wikipedia - Shooting War -- Future history webcomic and graphic novel by writer Anthony LappM-CM-) and artist Dan Goldman
Wikipedia - Shota Akiyoshi -- Japanese professional golfer
Wikipedia - Shozo Miyamoto -- Japanese golfer
Wikipedia - Shravanabelagola
Wikipedia - Shropshire bulla -- Late Bronze Age gold pendant discovered in 2018
Wikipedia - Shubhankar Sharma -- Indian golfer
Wikipedia - Shugo Imahira -- Japanese golfer
Wikipedia - Shulamit Goldstein -- Israeli rhythmic gymnast
Wikipedia - Shunsuke Sonoda -- Japanese golfer
Wikipedia - Shuofang Commandery -- Ancient Chinese commandery that situated in Hetao, modern-day Inner Mongolia
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Wikipedia - Sid Meier's SimGolf
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Wikipedia - Siege of Maymun-Diz -- Mongol siege against the Nizari fortress of Maymun-Diz (1256)
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