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branches ::: fountain, the Fountain

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object:fountain
class:object
word class:noun

see also :::

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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
Faust
General_Principles_of_Kabbalah
Heart_of_Matter
Infinite_Library
Liber_157_-_The_Tao_Teh_King
The_Divine_Milieu
The_Fountainhead
The_Imitation_of_Christ
The_Practice_of_Psycho_therapy
The_Use_and_Abuse_of_History
The_Way_of_Perfection

IN CHAPTERS TITLE
1.17_-_AT_THE_FOUNTAIN
1.sjc_-_The_Fountain
1.ww_-_The_Fountain
3.01_-_The_Mercurial_Fountain

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
0_0.01_-_Introduction
00.05_-_A_Vedic_Conception_of_the_Poet
0.00_-_INTRODUCTION
01.02_-_Sri_Aurobindo_-_Ahana_and_Other_Poems
01.02_-_The_Creative_Soul
01.04_-_The_Secret_Knowledge
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
0_1962-07-11
0_1963-11-20
0_1967-08-30
03.04_-_The_Other_Aspect_of_European_Culture
03.04_-_The_Vision_and_the_Boon
03.09_-_Art_and_Katharsis
03.11_-_Modernist_Poetry
04.01_-_The_March_of_Civilisation
04.03_-_To_the_Heights_III
05.03_-_Of_Desire_and_Atonement
05.23_-_The_Base_of_Sincerity
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
09.01_-_Towards_the_Black_Void
09.02_-_The_Journey_in_Eternal_Night_and_the_Voice_of_the_Darkness
1.00_-_Main
1.00_-_PROLOGUE_IN_HEAVEN
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_BOOK_THE_FIRST
1.01_-_DOWN_THE_RABBIT-HOLE
1.01f_-_Introduction
1.01_-_Necessity_for_knowledge_of_the_whole_human_being_for_a_genuine_education.
1.01_-_NIGHT
1.01_-_The_Dark_Forest._The_Hill_of_Difficulty._The_Panther,_the_Lion,_and_the_Wolf._Virgil.
1.01_-_To_Watanabe_Sukefusa
1.02_-_BOOK_THE_SECOND
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_On_the_Knowledge_of_God.
1.02_-_Prayer_of_Parashara_to_Vishnu
1.02_-_The_Divine_Teacher
1.02_-_The_Human_Soul
1.02_-_THE_QUATERNIO_AND_THE_MEDIATING_ROLE_OF_MERCURIUS
1.02_-_The_Stages_of_Initiation
1.037_-_Preventing_the_Fall_in_Yoga
1.03_-_BOOK_THE_THIRD
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.040_-_Re-Educating_the_Mind
1.044_-_Smoke
1.04_-_ALCHEMY_AND_MANICHAEISM
1.04_-_Body,_Soul_and_Spirit
1.04_-_BOOK_THE_FOURTH
1.04_-_On_blessed_and_ever-memorable_obedience
1.04_-_On_Knowledge_of_the_Future_World.
1.04_-_The_Conditions_of_Esoteric_Training
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_Qabalah__The_Best_Training_for_Memory
1.05_-_AUERBACHS_CELLAR
1.05_-_BOOK_THE_FIFTH
1.05_-_CHARITY
1.05_-_Solitude
1.05_-_The_Ascent_of_the_Sacrifice_-_The_Psychic_Being
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.06_-_BOOK_THE_SIXTH
1.06_-_On_remembrance_of_death.
1.06_-_The_Sign_of_the_Fishes
1.077_-_The_Unleashed
1.07_-_A_MAD_TEA-PARTY
1.07_-_BOOK_THE_SEVENTH
1.07_-_Bridge_across_the_Afterlife
1.07_-_On_mourning_which_causes_joy.
1.07_-_The_Infinity_Of_The_Universe
1.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Historical_Significance_of_the_Fish
1.09_-_BOOK_THE_NINTH
1.09_-_Legend_of_Lakshmi
1.09_-_Saraswati_and_Her_Consorts
1.09_-_Talks
1.10_-_BOOK_THE_TENTH
1.10_-_Laughter_Of_The_Gods
1.10_-_The_Secret_of_the_Veda
1.11_-_BOOK_THE_ELEVENTH
1.12_-_BOOK_THE_TWELFTH
1.1.2_-_Commentary
1.12_-_The_Office_and_Limitations_of_the_Reason
1.12_-_The_Sacred_Marriage
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_Gnostic_Symbols_of_the_Self
1.14_-_FOREST_AND_CAVERN
1.15_-_Index
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.16_-_PRAYER
1.17_-_AT_THE_FOUNTAIN
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.20_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
1.20_-_The_Hound_of_Heaven
1.21_-_WALPURGIS-NIGHT
1.23_-_Conditions_for_the_Coming_of_a_Spiritual_Age
1.25_-_On_the_destroyer_of_the_passions,_most_sublime_humility,_which_is_rooted_in_spiritual_feeling.
1.25_-_Vanni_Fucci's_Punishment._Agnello_Brunelleschi,_Buoso_degli_Abati,_Puccio_Sciancato,_Cianfa_de'_Donati,_and_Guercio_Cavalcanti.
1.27_-_On_holy_solitude_of_body_and_soul.
1.28_-_Describes_the_nature_of_the_Prayer_of_Recollection_and_sets_down_some_of_the_means_by_which_we_can_make_it_a_habit.
1.30_-_Concerning_the_linking_together_of_the_supreme_trinity_among_the_virtues.
1.31_-_Continues_the_same_subject._Explains_what_is_meant_by_the_Prayer_of_Quiet._Gives_several_counsels_to_those_who_experience_it._This_chapter_is_very_noteworthy.
1.32_-_Expounds_these_words_of_the_Paternoster__Fiat_voluntas_tua_sicut_in_coelo_et_in_terra._Describes_how_much_is_accomplished_by_those_who_repeat_these_words_with_full_resolution_and_how_well
1.3.4.04_-_The_Divine_Superman
1.35_-_The_Tao_2
1.36_-_Human_Representatives_of_Attis
1.42_-_Treats_of_these_last_words_of_the_Paternoster__Sed_libera_nos_a_malo._Amen._But_deliver_us_from_evil._Amen.
1.439
1.43_-_The_Holy_Guardian_Angel_is_not_the_Higher_Self_but_an_Objective_Individual
1.56_-_The_Public_Expulsion_of_Evils
1.63_-_Fear,_a_Bad_Astral_Vision
17.11_-_A_Prayer
18.04_-_Modern_Poems
1.82_-_Epistola_Penultima_-_The_Two_Ways_to_Reality
1914_07_19p
1954-02-03_-_The_senses_and_super-sense_-_Children_can_be_moulded_-_Keeping_things_in_order_-_The_shadow
1.ac_-_The_Disciples
1.ac_-_The_Interpreter
1.ac_-_The_Quest
1.at_-_If_thou_wouldst_hear_the_Nameless_(from_The_Ancient_Sage)
1.bv_-_When_I_see_the_lark_beating
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Celephais
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Quest_of_Iranon
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Under_the_Pyramids
1.fs_-_Pompeii_And_Herculaneum
1.fs_-_The_German_Art
1.hs_-_Naked_in_the_Bee-House
1.hs_-_The_Great_Secret
1.is_-_Love
1.jk_-_A_Galloway_Song
1.jk_-_A_Song_About_Myself
1.jk_-_A_Thing_Of_Beauty_(Endymion)
1.jk_-_Endymion_-_Book_I
1.jk_-_Endymion_-_Book_II
1.jk_-_Endymion_-_Book_III
1.jk_-_Endymion_-_Book_IV
1.jk_-_Epistle_To_My_Brother_George
1.jk_-_Hyperion,_A_Vision_-_Attempted_Reconstruction_Of_The_Poem
1.jk_-_Ode._Written_On_The_Blank_Page_Before_Beaumont_And_Fletchers_Tragi-Comedy_The_Fair_Maid_Of_The_In
1.jk_-_On_Receiving_A_Curious_Shell
1.jk_-_Otho_The_Great_-_Act_V
1.jk_-_Sleep_And_Poetry
1.jk_-_Song_Of_Four_Faries
1.jlb_-_Limits
1.jr_-_Ah,_what_was_there_in_that_light-giving_candle_that_it_set_fire_to_the_heart,_and_snatched_the_heart_away?
1.jr_-_A_World_with_No_Boundaries_(Ghazal_363)
1.jr_-_come
1.jr_-_Did_I_Not_Say_To_You
1.jr_-_look_at_love
1.jr_-_Seeking_the_Source
1.jr_-_Two_Kinds_Of_Intelligence
1.jwvg_-_The_Wanderer
1.kbr_-_Poem_15
1.lb_-_Lament_for_Mr_Tai
1.lovecraft_-_Fact_And_Fancy
1.lovecraft_-_Nemesis
1.lovecraft_-_The_Poe-ets_Nightmare
1.ms_-_Clear_Valley
1.pbs_-_Adonais_-_An_elegy_on_the_Death_of_John_Keats
1.pbs_-_A_Fragment_-_To_Music
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_Arethusa
1.pbs_-_A_Vision_Of_The_Sea
1.pbs_-_Bigotrys_Victim
1.pbs_-_Chorus_from_Hellas
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Fragment_Of_A_Satire_On_Satire
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_From
1.pbs_-_From_Vergils_Fourth_Georgic
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_Homers_Hymn_To_Venus
1.pbs_-_Julian_and_Maddalo_-_A_Conversation
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Loves_Philosophy
1.pbs_-_Mont_Blanc_-_Lines_Written_In_The_Vale_of_Chamouni
1.pbs_-_On_The_Dark_Height_of_Jura
1.pbs_-_Orpheus
1.pbs_-_Prince_Athanase
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_V.
1.pbs_-_Rosalind_and_Helen_-_a_Modern_Eclogue
1.pbs_-_Scenes_From_The_Faust_Of_Goethe
1.pbs_-_Song._Cold,_Cold_Is_The_Blast_When_December_Is_Howling
1.pbs_-_Song._--_Fierce_Roars_The_Midnight_Storm
1.pbs_-_Song._To_[Harriet]
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Cyclops
1.pbs_-_The_Irishmans_Song
1.pbs_-_The_Pine_Forest_Of_The_Cascine_Near_Pisa
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Two_Spirits_-_An_Allegory
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_To_A_Skylark
1.pbs_-_To_Constantia
1.pbs_-_To_Jane_-_The_Invitation
1.pbs_-_With_A_Guitar,_To_Jane
1.poe_-_Al_Aaraaf-_Part_2
1.poe_-_Alone
1.poe_-_The_Forest_Reverie
1.poe_-_To_One_In_Paradise
1.rb_-_Cleon
1.rbk_-_Epithalamium
1.rb_-_Pauline,_A_Fragment_of_a_Question
1.rb_-_Sordello_-_Book_the_Third
1.rb_-_The_Glove
1.rt_-_Brahm,_Viu,_iva
1.rt_-_Broken_Song
1.rt_-_Stray_Birds_61_-_70
1.rwe_-_Art
1.rwe_-_Friendship
1.rwe_-_May-Day
1.rwe_-_Monadnoc
1.rwe_-_Ode_To_Beauty
1.rwe_-_Quatrains
1.rwe_-_The_Enchanter
1.rwe_-_Woodnotes
1.sdi_-_Have_no_doubts_because_of_trouble_nor_be_thou_discomfited
1.shvb_-_Columba_aspexit_-_Sequence_for_Saint_Maximin
1.shvb_-_O_ignis_Spiritus_Paracliti
1.sig_-_Thou_art_One
1.sig_-_Thou_art_the_Supreme_Light
1.sig_-_Thou_Livest
1.sig_-_Who_can_do_as_Thy_deeds
1.sig_-_You_are_wise_(from_From_Kingdoms_Crown)
1.sjc_-_Song_of_the_Soul_That_Delights_in_Knowing_God_by_Faith
1.sjc_-_The_Fountain
1.snk_-_You_are_my_true_self,_O_Lord
1.snt_-_How_are_You_at_once_the_source_of_fire
1.wby_-_A_Dramatic_Poem
1.wby_-_Meditations_In_Time_Of_Civil_War
1.wby_-_The_Gift_Of_Harun_Al-Rashid
1.wby_-_The_Shadowy_Waters_-_The_Shadowy_Waters
1.wby_-_The_Tower
1.wby_-_The_Wanderings_Of_Oisin_-_Book_I
1.whitman_-_Ashes_Of_Soldiers
1.whitman_-_Passage_To_India
1.whitman_-_Song_Of_The_Exposition
1.ww_-_0-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons_-_Dedication
1.ww_-_4-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_A_Complaint
1.ww_-_A_Jewish_Family_In_A_Small_Valley_Opposite_St._Goar,_Upon_The_Rhine
1.ww_-_A_Poet's_Epitaph
1.ww_-_Book_Eighth-_Retrospect--Love_Of_Nature_Leading_To_Love_Of_Man
1.ww_-_Book_Eleventh-_France_[concluded]
1.ww_-_Book_Fifth-Books
1.ww_-_Book_First_[Introduction-Childhood_and_School_Time]
1.ww_-_Book_Second_[School-Time_Continued]
1.ww_-_Book_Tenth_{Residence_in_France_continued]
1.ww_-_Book_Twelfth_[Imagination_And_Taste,_How_Impaired_And_Restored_]
1.ww_-_Hart-Leap_Well
1.ww_-_Laodamia
1.ww_-_Ode_on_Intimations_of_Immortality
1.ww_-_Ruth
1.ww_-_Song_Of_The_Wandering_Jew
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Fountain
1.ww_-_The_Recluse_-_Book_First
1.ww_-_The_Sparrow's_Nest
1.ww_-_The_Two_April_Mornings
1.ww_-_To--_On_Her_First_Ascent_To_The_Summit_Of_Helvellyn
1.ww_-_Written_In_A_Blank_Leaf_Of_Macpherson's_Ossian
1.ww_-_Written_in_March
2.01_-_Habit_1__Be_Proactive
2.01_-_Mandala_One
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.03_-_THE_ENIGMA_OF_BOLOGNA
2.05_-_Apotheosis
2.05_-_On_Poetry
2.05_-_Universal_Love_and_how_it_leads_to_Self-Surrender
2.06_-_ON_THE_RABBLE
2.06_-_WITH_VARIOUS_DEVOTEES
2.07_-_The_Release_from_Subjection_to_the_Body
2.09_-_THE_NIGHT_SONG
2.1.03_-_Man_and_Superman
2.12_-_THE_MASTERS_REMINISCENCES
2.12_-_The_Way_and_the_Bhakta
2.16_-_The_Integral_Knowledge_and_the_Aim_of_Life;_Four_Theories_of_Existence
2.2.03_-_The_Science_of_Consciousness
2.21_-_Towards_the_Supreme_Secret
2.2.4_-_Taittiriya_Upanishad
2.24_-_The_Message_of_the_Gita
2_-_Other_Hymns_to_Agni
30.04_-_Intuition_and_Inspiration_in_Art
30.15_-_The_Language_of_Rabindranath
30.17_-_Rabindranath,_Traveller_of_the_Infinite
3.01_-_Hymn_to_Matter
3.01_-_The_Mercurial_Fountain
3.02_-_King_and_Queen
3.02_-_The_Psychology_of_Rebirth
3.03_-_On_Thought_-_II
3.03_-_SULPHUR
3.03_-_The_Naked_Truth
3.04_-_Immersion_in_the_Bath
3.04_-_LUNA
3.05_-_SAL
3.06_-_Death
3.08_-_Purification
3.09_-_The_Return_of_the_Soul
3.10_-_The_New_Birth
3.1.19_-_Parabrahman
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
3.2.01_-_On_Ideals
3.4.1_-_The_Subconscient_and_the_Integral_Yoga
3.7.1.05_-_The_Significance_of_Rebirth
3.7.1.07_-_Involution_and_Evolution
4.01_-_Proem
4.02_-_Divine_Consolations.
4.02_-_GOLD_AND_SPIRIT
4.04_-_Conclusion
4.04_-_THE_REGENERATION_OF_THE_KING
4.05_-_The_Instruments_of_the_Spirit
4.0_-_The_Path_of_Knowledge
5.01_-_ADAM_AS_THE_ARCANE_SUBSTANCE
5.03_-_The_World_Is_Not_Eternal
5.04_-_Formation_Of_The_World
5.1.01.8_-_The_Book_of_the_Gods
5.1.02_-_Ahana
5.2.01_-_The_Descent_of_Ahana
5.4.01_-_Notes_on_Root-Sounds
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.03_-_Extraordinary_And_Paradoxical_Telluric_Phenomena
6.04_-_The_Plague_Athens
6.0_-_Conscious,_Unconscious,_and_Individuation
7.15_-_The_Family
Aeneid
APPENDIX_I_-_Curriculum_of_A._A.
Averroes_Search
BOOK_I._-_Augustine_censures_the_pagans,_who_attributed_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
Book_of_Proverbs
BOOK_VIII._-_Some_account_of_the_Socratic_and_Platonic_philosophy,_and_a_refutation_of_the_doctrine_of_Apuleius_that_the_demons_should_be_worshipped_as_mediators_between_gods_and_men
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_X._-_Porphyrys_doctrine_of_redemption
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
COSA_-_BOOK_I
COSA_-_BOOK_III
COSA_-_BOOK_IV
COSA_-_BOOK_IX
COSA_-_BOOK_VI
COSA_-_BOOK_VIII
COSA_-_BOOK_XII
COSA_-_BOOK_XIII
Ion
IS_-_Chapter_1
Jaap_Sahib_Text_(Guru_Gobind_Singh)
Liber
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
Medea_-_A_Vergillian_Cento
Prayers_and_Meditations_by_Baha_u_llah_text
Sayings_of_Sri_Ramakrishna_(text)
Tablets_of_Baha_u_llah_text
Talks_600-652
Talks_With_Sri_Aurobindo_1
The_Act_of_Creation_text
The_Book_of_Certitude_-_P1
The_Book_of_Joshua
The_Book_of_the_Prophet_Isaiah
The_Coming_Race_Contents
The_Divine_Names_Text_(Dionysis)
The_Dwellings_of_the_Philosophers
The_Epistle_of_James
the_Eternal_Wisdom
The_Hidden_Words_text
The_Pilgrims_Progress
The_Revelation_of_Jesus_Christ_or_the_Apocalypse
The_Second_Epistle_of_Peter
Timaeus

PRIMARY CLASS

object
SIMILAR TITLES
fountain
Liber 93 - The Fountain of Hyacinth
the Fountain
The Fountainhead
the Wish-granting Fountain

DEFINITIONS


TERMS STARTING WITH

fountain ::: 1. The source or origin of anything. 2. A jet or stream of water made by artificial means to spout or rise from an opening or structure, as to afford water for use, to cool the air, or to serve for ornament. fountain"s, fountains.

fountainless ::: a. --> Having no fountain; destitute of springs or sources of water.

fountain ::: n. --> A spring of water issuing from the earth.
An artificially produced jet or stream of water; also, the structure or works in which such a jet or stream rises or flows; a basin built and constantly supplied with pure water for drinking and other useful purposes, or for ornament.
A reservoir or chamber to contain a liquid which can be conducted or drawn off as needed for use; as, the ink fountain in a printing press, etc.



TERMS ANYWHERE

āb-i hayāt ::: water of life, immortality, fountain of life, spiritual discourse, inspired knowledge.

ageless ::: a. --> Without old age limits of duration; as, fountains of ageless youth.

ajutage ::: n. --> A tube through which water is discharged; an efflux tube; as, the ajutage of a fountain.

Alaya(Sanskrit) ::: A compound word: a, "not"; laya, from the verb-root li, "to dissolve"; hence "theindissoluble." The universal soul; the basis or root or fountain of all beings and things -- the universe,gods, monads, atoms, etc. Mystically identical with akasa in the latter's highest elements, and withmulaprakriti in the latter's essence as "root-producer" or "root-nature." (See also Akasa, Buddhi,Mulaprakriti)[NOTE: The Secret Doctrine (1:49) mentions Alaya in the Yogachara system, most probably referring toalaya-vijnana, but adds that with the "Esoteric 'Buddhists' . . . 'Alaya' has a double and even a triplemeaning." -- PUBLISHER]

al kauthar, Farsi/Urdu hauz-u al kausar: ocean of abundance, fountain of wine. (see also Kauthar)

Although our senses tell us nothing of these innumerable other planes, yet the inner and invisible higher spheres are inexpressibly important because they are the causal realms of which our physical universe is but the phenomenal production. But while these higher planes are the fountainhead, ultimately, of all the energies and matters of the whole physical world, yet to an entity inhabiting these inner and invisible worlds, these latter are as substantial and real to that entity as our physical world is to us. Just as we know in our physical world various grades or conditions of energy and matter, from the grossest to the most ethereal, so do the inhabitants of these other worlds know and cognize their own grossest and also most ethereal substances and energies.

Aries (The Ram): The first sign of the zodiac. Its symbol () represents the head and horns of the ram. In astrology, it is a symbol of offensive power—a weapon of the gods, hence an implement of the will. The Babylonians sacrificed rams during the period when the Sun occupied this sign, which occurs annually from March 21 to April 20. Astrologically and astronomically it is the first thirty-degree arc beginning at the point of the Spring Equinox. It is the “leading” quality of the element Fire: positive, diurnal, movable, dry, hot, fiery, choleric and violent. Ruler: Mars. Exaltation: Sun. Detriment: Venus. Fall: Saturn. Symbolic interpretation: Sprouting seed; fire in eruption; a fountain of water; a ram’s horns.

artificial ::: a. --> Made or contrived by art; produced or modified by human skill and labor, in opposition to natural; as, artificial heat or light, gems, salts, minerals, fountains, flowers.
Feigned; fictitious; assumed; affected; not genuine.
Artful; cunning; crafty.
Cultivated; not indigenous; not of spontaneous growth; as, artificial grasses.


As time went on certain deities became more prominent in theological thought and speculation, acquiring celestial attributes as well as earthly ones, such as Ba‘al, Astarte (made equivalent to Isis by Plutarch), and the Tyrian Melqarth (associated with Herakles). Originally each masculine deity had the title Ba‘al (“lord,” equivalent to Babylonian Bel), and the feminine deities had the title of ’Amma (mother), just as the ancient Hebrews spoke of their ’em or ’ammah (fountain, beginning, womb, mother). The gods were called ’elomim or ’elim, from the original Shemetic root ’el. The god of the moon was Sin, the deity of the flame or lightning was Resh Reshuf and Eshmun was the god of vital force or healing (worshiped especially at Sidon) — clearly ’Eshmun is from the Shemitic verbal root ’esh (fire, cosmic fire or vitality) — cosmic vital electricity or fohat. Blavatsky states that the Phoenicians also propitiated the kabeiroi, deities of Samothrace.

As universal space, it is also known as Aditi, in which lies inherent the eternal and continuously active ideation of the universe producing its ever-changing aspects on the planes of matter and objectivity; and from this ideation radiates the First Logos. This is why the Puranas state that akasa has but one attribute, namely sound, for sound is but the translated symbol of logos (speech) in its mystic sense. Akasa as primordial spatial substance is thus the upadhi (vehicle) of divine thought. Further, it is the playground of all the intelligent and semi-intelligent forces in nature, the fountainhead of all terrestrial life, and the abode of the gods.

Besides the Mabinogi, Lady Guest’s Mabinogion contains such stories as “Culhwch and Olwen” (a repository of relics of the lost mythology) and “The Dream of Rhonabwy,” both Arthurian, but Welsh and mythological. Other stories are “Peredur, the Lady of the Fountain,” “Geraint ab Erbin,” in which the Romance, Arthurianism, and Norman influence are beginning to appear. In “Peredur” we see the cauldron, symbol of initiation with the Druids, in process of becoming the Holy Grail: Peredur and Perceval are Pair-(g)edur and Pair-cyfaill — the “servant” and the “friend” of the cauldron.

fountain ::: 1. The source or origin of anything. 2. A jet or stream of water made by artificial means to spout or rise from an opening or structure, as to afford water for use, to cool the air, or to serve for ornament. fountain"s, fountains.

fountainless ::: a. --> Having no fountain; destitute of springs or sources of water.

fountain ::: n. --> A spring of water issuing from the earth.
An artificially produced jet or stream of water; also, the structure or works in which such a jet or stream rises or flows; a basin built and constantly supplied with pure water for drinking and other useful purposes, or for ornament.
A reservoir or chamber to contain a liquid which can be conducted or drawn off as needed for use; as, the ink fountain in a printing press, etc.


Brahman (Sanskrit) Brahman [from bṛh to expand] Sometimes Brahma or Brahm. The one reality, “the impersonal, supreme and uncognizable Principle of the Universe from the essence of which all emanates, and into which all returns, which is incorporeal, immaterial, unborn, eternal, beginningless and endless. It is all-pervading, animating the highest god as well as the smallest mineral atom” (TG 62). It involves both essential consciousness and substance, and is the spiritual background of the kosmos, the Cause of all Causes, what is commonly called the Unmanifest Logos: “Brahma, the Noumenon, never rests, as IT never changes and ever IS, though IT cannot be said to be anywhere” (SD 1:374). As the fundamental cosmic fountain of consciousness and spiritual substance, Brahman is the fundamental or cosmic self which, in the case of an individual being, becomes the kshetrajna, the spiritual sun within the individual. Thus the essential self of every being or entity from cosmos to physical atom is this Brahman itself, which is the cause of the familiar saying “tat tvam asi” (you are that).

brim ::: n. --> The rim, border, or upper edge of a cup, dish, or any hollow vessel used for holding anything.
The edge or margin, as of a fountain, or of the water contained in it; the brink; border.
The rim of a hat. ::: v. i.


canopy ::: n. --> A covering fixed over a bed, dais, or the like, or carried on poles over an exalted personage or a sacred object, etc. chiefly as a mark of honor.
An ornamental projection, over a door, window, niche, etc.
Also, a rooflike covering, supported on pillars over an altar, a statue, a fountain, etc. ::: v. t.


castalian ::: a. --> Of or pertaining to Castalia, a mythical fountain of inspiration on Mt. Parnassus sacred to the Muses.

castellated ::: a. --> Inclosed within a building; as, a fountain or cistern castellated.
Furnished with turrets and battlements, like a castle; built in the style of a castle.


Catoptromancy: An ancient Greek method of divination by observing images reflected in a mirror suspended in a fountain.

Elivagar (Icelandic) [from eli ice + vagar waves] In Norse mythology the “waves of ice” (glaciers) which flow from the fountain Hvergelmir into all the worlds and which provide the life forms for the embodiment of all beings. In the cosmogony of the Eddas, it was from elivagar, the glacier or unmoving waters of nonbeing, that the frost giant Ymir was formed: the void of non-existence in which there was “no soil, no sea, no waves” (cf Voluspa in the elder Edda).

emanate ::: v. i. --> To issue forth from a source; to flow out from more or less constantly; as, fragrance emanates from flowers.
To proceed from, as a source or fountain; to take origin; to arise, to originate. ::: a. --> Issuing forth; emanant.


emanation ::: n. --> The act of flowing or proceeding from a fountain head or origin.
That which issues, flows, or proceeds from any object as a source; efflux; an effluence; as, perfume is an emanation from a flower.


Farsi/Urdu al-khizr ::: legendary saint, prophet and teacher, often said to have been a companion of Moses (see Qur'an 18:65-82), considered to be a fountain of life and of spiritual understanding. Sometimes called the 'green man'because barren lands turned verdant in his presence.

Fons Vitae (Latin) Fount of life; Latin title of the chief work of Ibn Gebirol (Avicebron), the Arab Jewish philosopher of the 11th century, believed by many to be a profound Kabbalist. The Hebrew title is Meqor Hayyim (Fountain of Lives).

fontal ::: a. --> Pertaining to a font, fountain, source, or origin; original; primitive.

font ::: n. --> A complete assortment of printing type of one size, including a due proportion of all the letters in the alphabet, large and small, points, accents, and whatever else is necessary for printing with that variety of types; a fount.
A fountain; a spring; a source.
A basin or stone vessel in which water is contained for baptizing.


fount ::: 1. A source or origin. 2. A spring of water; fountain. Fount, founts.

fountful ::: a. --> Full of fountains.

fount ::: n. --> A font.
A fountain.


FREE MONADS Those who have attained the highest world have freed themselves from all involvation in matter and as free monads (primordial atoms) have come to know themselves as the ultimate selves they have always been. Their auras are like cosmic giant suns and they radiate energy as the fountainhead of all power.

They can, if they so wish, withdraw with a collectivity from out of their cosmos and begin building a new cosmos in the endless chaos of primordial matter. K 1.37.4f


FSO - Fountain-Source of Occultism, by G. de Purucker

girandole ::: n. --> An ornamental branched candlestick.
A flower stand, fountain, or the like, of branching form.
A kind of revolving firework.
A series of chambers in defensive mines.


headspring ::: n. --> Fountain; source.

hermogenian ::: n. --> A disciple of Hermogenes, an heretical teacher who lived in Africa near the close of the second century. He held matter to be the fountain of all evil, and that souls and spirits are formed of corrupt matter.

Higher Self The divine-spiritual essence or essential egoity overshadowing the human being, the atma-buddhi with the efflorescence of manas. The higher self is the god within, the source of all right motive, the fountain of intuition, and the voice of divine harmony seeking to control the individual’s life and to transform or transmute all the voices of personal desire.

hippocrene ::: n. --> A fountain on Mount Helicon in Boeotia, fabled to have burst forth when the ground was struck by the hoof of Pegasus. Also, its waters, which were supposed to impart poetic inspiration.

Ideation The faculty, power, or process of forming ideas. Cosmic ideation denotes an abstraction, being one aspect of cosmic egoity, and also the more concrete reality represented by mahat. Cosmic ideation, focused in a basis or upadhi, results as the abstract consciousness of space working through the monad or vehicle; and the manifestations vary according to the degree of the different upadhis. Cosmic ideation is sometimes called mahabuddhi or mahat, the universal world-soul, the cosmic or spiritual noumenon of matter. As mahat is the primordial essence or principle of cosmic consciousness and intelligence, it is the fountain of the seven prakritis — the seven planes or elements of the universe — and the guiding intelligence of manifested nature on all planes. Going deeper, we have precosmic ideation, which is an aspect of that metaphysical triad which is the root from which proceeds all manifestation.

In the earlier third root-races, the Sons of Wisdom produced by kriyasakti a progeny called the Sons of Ad, Sons of the Fire-mist, or Sons of Will and Yoga. This was not a race, but “at first a wondrous Being, called the ‘Initiator,’ and after him a group of semi-divine and semi-human beings. ‘Set apart’ in Archaic genesis for certain purposes, they are those in whom are said to have incarnated the highest Dhyanis, ‘Munis and Rishis from previous Manvantaras’ — to form the nursery for future human adepts, on this earth and during the present cycle” (SD 1:207). This Wondrous Being, who descended in the early part of the Third Age, is the tree from which have come the great historically known sages and hierophants, and it holds spiritual sway over the initiated adepts. “He is the ‘Initiator,’ called the ‘great sacrifice.’ For, sitting at the threshold of light, he looks into it from within the circle of Darkness, which he will not cross, nor will he quit his post till the last day of this life-cycle. Why does the solitary Watcher remain at his self-chosen post? Why does he sit by the fountain of primeval Wisdom, of which he drinks no longer, as he has naught to learn which he does not know . . .? Because the lonely, sore-footed pilgrims on their way back to their home are never sure to the last moment of not losing their way in this limitless desert of illusion and matter called Earth-Life. Because he would fain show the way to that region of freedom and light, from which he is a voluntary exile himself, to every prisoner who has succeeded in liberating himself from the bonds of flesh and illusion. Because, in short, he has sacrificed himself for the sake of mankind, though but a few Elect may profit by the great sacrifice” (SD 1:208).

Invisible Worlds ::: The ancient wisdom teaches that the universe is not only a living organism, but that physical humanbeings live in intimate connection, in intimate contact, with invisible spheres, with invisible andintangible realms, unknown to man because the physical senses are so imperfectly evolved that weneither see these invisible realms nor feel nor hear nor smell nor taste them, nor cognize them except bythat much more highly evolved and subtle sensorium which men call the mind. These inner realmsinterpenetrate our physical sphere, permeate it, so that in our daily affairs as we go about our duties weactually pass through the dwellings, through the mountains, through the lakes, through the very beings,mayhap, of the entities of and dwelling in these invisible realms. These invisible realms are built ofmatter just as this our physical world is, but of a more ethereal matter than ours is; but we cognize themnot at all with our physical senses. The explanation is that it is all a matter of differing rates of vibrationof substances.The reader must be careful not to confuse this theosophical teaching of inner worlds and spheres withwhat the modern Spiritism of the Occident has to say on the matter. The "Summerland" of the Spiritistsin no wise resembles the actuality which the theosophical philosophy teaches of, the doctrine concerningthe structure and operations of the visible and invisible kosmos. The warning seems necessary lest anunwary reader may imagine that the invisible worlds and spheres of the theosophical teachings areidentic with the Summerland of the Spiritists, for it is not so.Our senses tell us absolutely nothing of the far-flung planes and spheres which belong to the ranges andfunctionings of the invisible substances and energies of the universe; yet those inner and invisible planesand spheres are actually inexpressibly more important than what our physical senses tell us of thephysical world, because these invisible planes are the causal realms, of which our physical world oruniverse, however far extended in space, is but the effectual or phenomenal or resultant production.But while these inner and invisible worlds or planes or spheres are the fountainhead, ultimately, of all theenergies and matters of the whole physical world, yet to an entity inhabiting these inner and invisibleworlds or planes, these latter are as substantial and "real" -- using the popular word -- to that entity as ourgross physical world is to us. Just as we know in our physical world various grades or conditions ofenergy and matter, from the physically grossest to the most ethereal, precisely after the same general plando the inhabitants of these invisible and inner and to us superior worlds know and cognize their owngrossest and also most ethereal substances and energies.Man as well as all the other entities of the universe is inseparably connected with these worlds invisible.

Karanatman (Sanskrit) Kāraṇātman [from kāraṇa cause + ātman self] The causal self; the divine source of one’s being, from which flow forth in a descending scale in continuously less ethereal grades and qualities the various elements which form the human compound constitution. It is the causal self because from it as the primordial fountain of consciousness and being flow forth all the elements, principles, qualities, characteristics — the svabhava — of any entity undergoing its long evolutionary peregrination in the realms of the manifested universe. It is equivalent to atman, called in Hindu literature Isvara (Lord). The various monads in the human constitution — divine, spiritual, human, animal, and astral-vital — are derivatives from this fundamental or supreme atman in the constitution, its children or offspring. These various monads by their reproductive action actually are the causal principles or instruments of the various and unending series of reimbodiments that any entity during the kosmic manvantara is under karmic necessity of undergoing; and it is, therefore, these various monads in their outer or vehicular aspect which are the respective karanopadhis or karana-sarira.

Kelim (Hebrew) Kēlīm Vessels, utensils; in space the Qabbalists depicted a great source or fountain of life, which becomes the beginning of a number of cosmic vases or vessels — the kelim — which are the ten Sephiroth; through which all the energies, forms, and innumerable manifested objects come into being. This source of lives, the Crown or Kether, corresponds to the productive or generative Brahma, which just before the beginning of manvantaric manifestation was nonmanifest in the bosom of its higher essence, Brahman or parabrahman. When Brahma awakens to new activity and thus becomes what Western religion and philosophy call the Creator, the cosmic demiurge or former, then the various vessels or vases spring into being, and flow forth from Brahma, the Father-Mother. Being termed vessels simply signifies that the cosmic Sephiroth are the holders or containers of all the powers, faculties, forces, attributes, etc., which bring about the building of the manifested universe, enshrining as the Sephiroth do the unfolding of the energies of the Divine in the latter’s activity during manifestation.

Lebensborn ::: (The Fountain of Life).“An SS society founded in 1936.... Its main functions were to adopt suitable children for childless SS families, to succor racially sound pregnant women and their offspring, and in general to promote the racial policy of the SS..” (H Krausnick, M Broszat. Anatomy of the SS State. London: Paladin, 1973).

Logos(Greek) ::: In old Greek philosophy the word logos was used in many ways, of which the Christians oftensadly misunderstood the profoundly mystical meaning. Logos is a word having several applications inthe esoteric philosophy, for there are different kinds or grades of logoi, some of them of divine, some ofthem of a spiritual character; some of them having a cosmic range, and others ranges much morerestricted. In fact, every individual entity, no matter what its evolutionary grade on the ladder of life, hasits own individual logos. The divine-spiritual entity behind the sun is the solar logos of our solar system.Small or great as every solar system may be, each has its own logos, the source or fountainhead of almostinnumerable logoi of less degree in that system. Every man has his own spiritual logos; every atom hasits own logos; every atom likewise has its own paramatman and mulaprakriti, for every entityeverywhere has its own highest. These things and the words which express them are obviously relative.One meaning of the Greek logos is "word" -- a phrase or symbol taken from the ancient Mysteriesmeaning the "lost word," the "lost" logos of man's heart and brain. The logos of our own planetary chain,so far as this fourth round is concerned, is the Wondrous Being or Silent Watcher.The term, therefore, is a relative and not an absolute one, and has many applications.

Mary [sic]. . . . Thou art the fountain of

Medini (Sanskrit) Medinī [from medas fat, marrow] The earth; so called from its legendary creation from the marrow and fat of two demons who sprang from the ear of the sleeping Vishnu. Before they could kill Brahma, Vishnu awoke and killed them. Their bodies, thrown into the sea, produced so much fat and marrow that Narayana used it to form the earth. Here medas, while meaning fat or marrow, also signifies the stored-up richness of life or vitality, a treasury or fountain of vital power.

Mekhes ::: Customs duty. ::: Mekorot ::: Sources of Fountains; Israel's semiprivate water engineering company.

Monad ::: A spiritual entity which to us humans is indivisible; it is a divine-spiritual life-atom, but indivisiblebecause its essential characteristic, as we humans conceive it, is homogeneity; while that of the physicalatom, above which our consciousness soars, is divisible, is a composite heterogeneous particle.Monads are eternal, unitary, individual life-centers, conscious-ness-centers, deathless during any solarmanvantara, therefore ageless, unborn, undying. Consequently, each one such -- and their number isinfinite -- is the center of the All, for the divine or the All is THAT which has its center everywhere, andits circumference or limiting boundary nowhere.Monads are spiritual-substantial entities, self-motivated, self-impelled, self-conscious, in infinitelyvarying degrees, the ultimate elements of the universe. These monads engender other monads as one seedwill produce multitudes of other seeds; so up from each such monad springs a host of living entities inthe course of illimitable time, each such monad being the fountainhead or parent, in which all others areinvolved, and from which they spring.Every monad is a seed, wherein the sum total of powers appertaining to its divine origin are latent, that isto say unmanifested; and evolution consists in the growth and development of all these seeds or childrenmonads, whereby the universal life expresses itself in innumerable beings.As the monad descends into matter, or rather as its ray -- one of other innumerable rays proceeding fromit -- is propelled into matter, it secretes from itself and then excretes on each one of the seven planesthrough which it passes, its various vehicles, all overshadowed by the self, the same self in you and inme, in plants and in animals, in fact in all that is and belongs to that hierarchy. This is the one self, thesupreme self or paramatman of the hierarchy. It illumines and follows each individual monad and all thelatter's hosts of rays -- or children monads. Each such monad is a spiritual seed from the previousmanvantara, which manifests as a monad in this manvantara; and this monad through its rays throws outfrom itself by secretion and then excretion all its vehicles. These vehicles are, first, the spiritual ego, thereflection or copy in miniature of the monad itself, but individualized through the manvantaric evolution,"bearing" or "carrying" as a vehicle the monadic ray. The latter cannot directly contact the lower planes,because it is of the monadic essence itself, the latter a still higher ray of the infinite Boundless composedof infinite multiplicity in unity. (See also Individuality)

Monogenesis [from Greek monos single + genesis origin] The theory that all forms of life were developed from a single cell, or that all humanity is sprung from a single primitive stock or root; opposed to polygenesis. Monogenesis may also mean that any living stock of beings, such as the human, sprang from a single pair formerly living on some one part on the earth’s surface. Modern scientific theories of polygenesis are a far closer approximation to the theosophic view, which states that the earliest or primordial forms of the human stock on earth sprang more or less contemporaneously from seven different roots (imbodied groups of lunar monads) living more or less together in the regions surrounding what is now the north pole, which then enjoyed a tropic or semi-tropic climate. It was from the dispersion of these seven different root-stocks that later sprang the various human races known in legend, story, and history. In a cosmic sense it is possible to trace back all living forms to the original cosmic monad from which, as from a cosmic fountain, flowed forth into later manifestation the infinitely varied phenomena of the solar system. However, even this quasi-mongenetic origin of a solar system was brought about by polygenetic seeds of life cooperating to produce it.

Mulaprakriti(Sanskrit) ::: A compound containing mula, "root," prakriti, "nature," root-matter or root-nature.Corresponding to it as the other or active pole is parabrahman, from which Brahman (neuter), the first orunmanifest Logos, proceeds. Mulaprakriti, therefore, as the kosmic veil of parabrahman, may be calledhomogeneous or undifferentiated primordial substance. It is the fountain or root of akasa. (See alsoPrakriti)

naiad ::: n. --> A water nymph; one of the lower female divinities, fabled to preside over some body of fresh water, as a lake, river, brook, or fountain.
Any species of a tribe (Naiades) of freshwater bivalves, including Unio, Anodonta, and numerous allied genera; a river mussel.
One of a group of butterflies. See Nymph.
Any plant of the order Naiadaceae, such as eelgrass, pondweed, etc.


narcissus ::: n. --> A genus of endogenous bulbous plants with handsome flowers, having a cup-shaped crown within the six-lobed perianth, and comprising the daffodils and jonquils of several kinds.
A beautiful youth fabled to have been enamored of his own image as seen in a fountain, and to have been changed into the flower called Narcissus.


Nephthys (Greek) Nebt-het (Egyptian) Nebt-ḥet. Lady of the house; an Egyptian deity, especially associated with the Underworld. Generally regarded as the daughter of Seb and Nut, sister of Osiris, Isis, and Set. In earliest times she is always Set’s consort, giving birth of Anubis (Anpu). But more often she is mentioned with Isis, as the faithful sister. She was the personification of darkness; while Isis symbolized birth, growth, development, and vigor, Nephthys typified death, immobility, and the fountain of all. As in the case of Mut and Hathor, the darkness spoken of was the darkness of spirit as the womb of cosmic space, and hence the association of her name and attributes with death and the afterlife — death being the reservoir of all that has lived, and therefore the fountain of all that shall live in the future, the reproductions of the former. Isis represented the part of the world that is visible — hence the light or manifested part or day; Nephthys, or Neith, the part which is invisible — hence mystical, holy, and everlasting night, the precursor of day, and dark only because its mysteries in their fullness are utterly inscrutable to human intelligence. Thus one was associated with the things which are in manifestation, the other with those which are to come, or which forever are and produce what is to come.

origin ::: n. --> The first existence or beginning of anything; the birth.
That from which anything primarily proceeds; the fountain; the spring; the cause; the occasion.
The point of attachment or end of a muscle which is fixed during contraction; -- in contradistinction to insertion.


pegasus ::: n. --> A winged horse fabled to have sprung from the body of Medusa when she was slain. He is noted for causing, with a blow of his hoof, Hippocrene, the inspiring fountain of the Muses, to spring from Mount Helicon. On this account he is, in modern times, associated with the Muses, and with ideas of poetic inspiration.
A northen constellation near the vernal equinoctial point. Its three brightest stars, with the brightest star of Andromeda, form the square of Pegasus.


Pegomancy: Divination using the water of a fountain for source of divinatory omens.

pegomancy ::: n. --> Divination by fountains.

perennial ::: a. --> ing or continuing through the year; as, perennial fountains.
Continuing without cessation or intermission; perpetual; unceasing; never failing.
Continuing more than two years; as, a perennial steam, or root, or plant. ::: n.


puit ::: n. --> A well; a small stream; a fountain; a spring.

quote :::In spiritual terms, kauthar refers to the abundance of good, or abundant blessings, that Allah has promised to those who pray sincerely and devote their lives selflessly to the good of humanity. Esoterically, this is the Divine wine. Also, the name of Chapter 108 of the Qur'an. In the hadith, al-kauthar is variously likened, to a river, a lake, or a fountain, while also saying that these attributes are just a portion of the great goodness of al-kauthar. One of the sayings of Muhammad (hadith), as narrated by Sahl bin Sad, says: I heard the Prophet saying, "I am your predecessor at al-kauthar, and whoever will come to it, will drink from it, and whoever will drink from it, will never become thirsty after that."


reservoir ::: n. --> A place where anything is kept in store; especially, a place where water is collected and kept for use when wanted, as to supply a fountain, a canal, or a city by means of aqueducts, or to drive a mill wheel, or the like.
A small intercellular space, often containing resin, essential oil, or some other secreted matter.


Re’sh Hiwwar (Hebrew) Rē’sh Ḥiwwār Reisha’ Hiwwara’ (Aramaic) Rēishā’ Ḥiwwārā’ [from Hebrew rē’sh head, beginning, chief, supremacy + ḥiwwār white, colorless purity, the colorless compound glory emanating forth from the Rootless Root, the Qabbalistic Concealed of the Concealed] Beginning of purity, head of purity, White Head; a Qabbalistic term applied to the first emanation of the Sephirothal Tree, Kether (the Crown). Through this first Sephirah or Head flows the white hid fire (or colorless glory of the spirit) in 370 streams in all directions of the universe. This number means the 360 occult points of consciousness each emanating its own fiery energy, in addition to the ten basic hierarchical roots or fountains, thus forming 370. “But indeed it is not fire, but that splendor which is included in the subtile air” (Zohar, ’Idra’ Rabba’, col. 256). This fire is termed the Living Fire or Spirit of Light (SD 1:338). It is the full aggregate of the entire stream of consciousness-life-substance emanating from the ever Concealed of the Concealed and flowing forth in 360 streams, from ten hierarchical fountains or roots, and thus building up the full hierarchical structure of our universe. See also ANCIENT OF THE ANCIENT; FACE; HEAD OF ALL HEADS

source ::: n. --> The act of rising; a rise; an ascent.
The rising from the ground, or beginning, of a stream of water or the like; a spring; a fountain.
That from which anything comes forth, regarded as its cause or origin; the person from whom anything originates; first cause.


Speech, Splendor, Light, Sun, Fountain, Glory,

springhead ::: n. --> A fountain or source.

springy ::: superl. --> Resembling, having the qualities of, or pertaining to, a spring; elastic; as, springy steel; a springy step.
Abounding with springs or fountains; wet; spongy; as, springy land.


staple ::: n. --> A settled mart; an emporium; a city or town to which merchants brought commodities for sale or exportation in bulk; a place for wholesale traffic.
Hence: Place of supply; source; fountain head.
The principal commodity of traffic in a market; a principal commodity or production of a country or district; as, wheat, maize, and cotton are great staples of the United States.
The principal constituent in anything; chief item.


stream ::: n. --> A current of water or other fluid; a liquid flowing continuously in a line or course, either on the earth, as a river, brook, etc., or from a vessel, reservoir, or fountain; specifically, any course of running water; as, many streams are blended in the Mississippi; gas and steam came from the earth in streams; a stream of molten lead from a furnace; a stream of lava from a volcano.
A beam or ray of light.
Anything issuing or moving with continued succession of


Tass: Physical form of Quintessence, often coalescing around Nodes or in supernatural creatures, taking shapes that seem appropriate to the source in question (toadstools in a forest glade, water in a fountain, blood in a creature’s veins, etc.).

Tetraktys (Greek) The number four or a group of four, a tetrad or quaternary. The Tetraktys of Pythagoras, as an emblem, consisted of a triangle formed by ten dots, of which he says: “In what you conceive as four there are ten; then, a perfect triangle and the tetraktys [four] make seven.” and Proclus says: “the Father of the golden verses [Pythagoras] celebrates the Tetraktys as the fountain of perennial nature” (On the Timaeus 3).

The Demiourgos, however, is the deity in its creative aspect, the Second Logos — not a personal deity, but an abstract term denoting the host of creative powers. Later, the conception was anthropomorphized. It is the elohim of the Bible who make kosmos out of chaos; the universal mind, separated from its fountain-source; the four-faced Brahma; the seven principal dhyani-chohans. In the Qabbalah, Hokhmah (wisdom) becomes united with Binah (intelligence), which latter is Jehovah or the Demiourgos. But the Demiourgos itself is dual in the same sense as are those formative powers for which the name stands: acting on all planes from the highest to the lowest, the contrast between above and below, light and its shadow, is shown; added to which, it includes potencies which are symbolized by human minds as masculine and feminine. There was plenty of scope, then, for confusion as to the meaning and application of the word. See also ARCHITECTS; DHYANI-CHOHANS; LOGOS

The moon is the giver of one form of life, as well as of lower forms of mind, to our earth and its inhabitants; while the sun is the giver of life in general to the planetary system, as well as of the higher forms or aspects of mind. Remembering the extremely occult character of both moon and sun, when they are spoken of as givers this in no sense implies that they give to those who have it not, but rather give in the sense of being transmitters, nurses of, and producers of what already exists in those to whom the gifts are thus given. Thus a father or mother may be said to be the giver of life to the children, although the children themselves are in and from themselves a vital fountain: giving here means transmitting, fostering, producing, but not creating and donating.

Theodice, Theodicy [coined from Greek theos god + dike justice] A vindication of divine justice; a system or method of intellectual theorizing about the nature of so-called divine justice, having in view vindication of the justice and holiness of God, in connection with evil. Ancient philosophers all taught that the heart of things was divine harmony and that whatever evil, distortion, and obliquity might exist in the world is ultimately traceable back to the imperfect intelligence of evolving beings, who by their manifold conflicts of thought and will thus produce disharmony, relative confusion, and hence evil, in the scheme of things. This view was replaced during Christian ages by the attempt of many writers to rescue the reputation of the Christian God, who on the one hand is said to be the creator of everything and who yet is supposed to be the fountain of love, mercy, harmony, and goodness. In view of the evils and suffering in the world, such Christian attempts have been futile, for it is obvious that if God is the creator of all that is, He must have been either directly or indirectly the creator of all the disharmony, wickedness, and misery in the world, as was indeed alleged by many Jewish rabbis, following statements in the Hebrew scriptures. But this thought has been denied by Christians who refuse to accept their God of love and justice as the creator of evil, and thus they had recourse to the Devil, who himself must have been created by their omniscient God.

The original meaning is sublime, for Typhon in its prototypal significance is chaos, the unorganized womb or fountain of production, which calls forth the creative energy by resisting it, and is equally necessary with the former. When humanity falls into matter, then these dark-side potencies of nature acquire for mankind a distinctly evil connotation, and their names can be given to vast destructive forces which the misuse of the human will has engendered.

The three norns are pictured by the fountain of Urd who from that source (the past) waters one of the three roots of the Tree of Life. Of the other two roots one is watered by the spring of mother matter, the other by that from which flow the many rivers of lives: the forms taken by all the kingdoms of nature.

"This integral knowledge is the knowledge of the Divine present in the individual; it is the entire experience of the Lord secret in the heart of man, revealed now as the supreme Self of his existence, the Sun of all his illumined consciousness, the Master and Power of all his works, the divine Fountain of all his soul"s love and delight, the Lover and Beloved of his worship and adoration. It is the knowledge too of the Divine extended in the universe, of the Eternal from whom all proceeds and in whom all lives and has its being, of the Self and Spirit of the cosmos, of Vasudeva who has become all this that is, of the Lord of cosmic existence who reigns over the works of Nature. It is the knowledge of the divine Purusha luminous in his transcendent eternity, the form of whose being escapes from the thought of the mind but not from its silence; it is the entire living experience of him as absolute Self, supreme Brahman, supreme Soul, supreme Godhead: for that seemingly incommunicable Absolute is at the same time and even in that highest status the originating Spirit of the cosmic action and Lord of all these existences.” Essays on the Gita*

“This integral knowledge is the knowledge of the Divine present in the individual; it is the entire experience of the Lord secret in the heart of man, revealed now as the supreme Self of his existence, the Sun of all his illumined consciousness, the Master and Power of all his works, the divine Fountain of all his soul’s love and delight, the Lover and Beloved of his worship and adoration. It is the knowledge too of the Divine extended in the universe, of the Eternal from whom all proceeds and in whom all lives and has its being, of the Self and Spirit of the cosmos, of Vasudeva who has become all this that is, of the Lord of cosmic existence who reigns over the works of Nature. It is the knowledge of the divine Purusha luminous in his transcendent eternity, the form of whose being escapes from the thought of the mind but not from its silence; it is the entire living experience of him as absolute Self, supreme Brahman, supreme Soul, supreme Godhead: for that seemingly incommunicable Absolute is at the same time and even in that highest status the originating Spirit of the cosmic action and Lord of all these existences.” Essays on the Gita

“This is the Logos (the first), or Vajradhara, the Supreme Buddha (also called Dorjechang). As the Lord of all Mysteries he cannot manifest, but sends into the world of manifestation his heart — the ‘diamond heart,’ Vajrasattva (Dorjesempa)” (SD 1:571). Adi-buddha is the individualized monadic focus of adi-buddhi, primordial cosmic wisdom or intelligence, synonymous with mahabuddhi or mahat (universal mind). Otherwise expressed, adi-buddha is the supreme being heading the hierarchy of compassion and our solar universe; the fountain of light running through all subordinate hierarchies and thus the supreme lord and initiator of the wisdom side of our universe.

This profound system of philosophy traces all things back to an original cosmic fountain or identical source, as seeds from the world tree, out of which has grown the theosophical concept of universal brotherhood.

TOPS-10 ::: /tops-ten/ DEC's proprietary OS for the fabled PDP-10 machines, long a favourite of hackers but now effectively extinct. A fountain of hacker folklore. See also BOTS-10 (from bottoms-ten) as a comment on the inappropriateness of describing it as the top of anything.[Jargon File]

TOPS-10 /tops-ten/ DEC's proprietary OS for the fabled {PDP-10} machines, long a favourite of hackers but now effectively extinct. A fountain of hacker folklore. See also {ITS}, {TOPS-20}, {TWENEX}, {VMS}, {operating system}. TOPS-10 was sometimes called BOTS-10 (from "bottoms-ten") as a comment on the inappropriateness of describing it as the top of anything. [{Jargon File}]

tridacna ::: n. --> A genus of very large marine bivalve shells found on the coral reefs of the Indian and Pacific Oceans. One species (T. gigas) often weighs four or five hundred pounds, and is sometimes used for baptismal fonts. Called also paw shell, and fountain shell.

Udumbaragiri. A mountain in Sri Lanka and legendary abode of demons (P. yakkha; S. YAKsA), site of a monastery of forest-dwelling monks noted (according to the MahāvaMsatīkā) for their scholarship and piety; also known as Udumbarapabbata, Dhumarakkha, and Dimbulāgala. By the twelfth century CE, the Udumbaragiri monastery became the standard bearer of orthodoxy and played a central role in the monastic purifications of PARAKRĀMABĀHU I and his successors, Vijayabāhu III and Parakrāmabāhu II. The monastic reforms instituted by these three kings represented a watershed in Sinhalese Buddhist history, insofar as patterns of SAMGHA organization and saMgha-state relations were established that were to remain essentially unchanged from that period onward. These reforms were transmitted in stages to Burma (Myanmar) beginning in the twelfth century. In the fourteenth and fifteenth centuries, the Udumbaragiri monastery was again the fountainhead of a major THERAVĀDA revival that was propagated into the Thai kingdoms of AYUTHAYA, SUKHOTHAI, and Chiangmai and the Mon kingdom of PEGU.

Watcher or Silent Watcher, Wondrous Being Generically the dominant self or overlord of any hierarchy. Throughout a human being’s complex nature dwells his own spiritual Wondrous Being, the fountain and fundamental law of his whole nature; there is the Silent Watcher of the Brotherhood of Compassion, who is identical with the Watcher for our globe; the Watcher for our planetary chain; for our solar system, its habitat being the solar chain; for the Milky Way; and for the home-universe. At the other extreme there is a Silent Watcher for every atom, as for every other entity, whether large or small. The Watcher for individual people is the monad, the divine prototype at the upper rung of the ladder of being; an individual dhyani-chohan, the spiritual individuality during the manvantara, and as best it can it works through its “shadows” or incarnations.

waterwork ::: n. --> Painting executed in size or distemper, on canvas or walls, -- formerly, frequently taking the place of tapestry.
An hydraulic apparatus, or a system of works or fixtures, by which a supply of water is furnished for useful or ornamental purposes, including dams, sluices, pumps, aqueducts, distributing pipes, fountains, etc.; -- used chiefly in the plural.


wellhead ::: n. --> A source, spring, or fountain.

wellspring ::: n. --> A fountain; a spring; a source of continual supply.

well ::: v. i. --> An issue of water from the earth; a spring; a fountain.
A pit or hole sunk into the earth to such a depth as to reach a supply of water, generally of a cylindrical form, and often walled with stone or bricks to prevent the earth from caving in.
A shaft made in the earth to obtain oil or brine.
Fig.: A source of supply; fountain; wellspring.
An inclosure in the middle of a vessel&


xindi. (S. cintābhumikā; J. shinji; K. simji 心地). In Chinese, lit. "mind-ground" or "mind as ground"; a common metaphor used in MAHĀYĀNA literature to suggest that mind or thought is the source, or "ground," of all phenomena. The Dasheng bensheng xindi guan jing ("Sutra on the Great-Vehicle Contemplation of the Innate Mind Ground"), for example, metaphorically refers to the minds of the sentient beings of the three realms of existence as a "mind-ground," since all phenomena-whether mundane (LAUKIKA) or supramundane (LOKOTTARA), and including all virtuous and nonvirtuous dharmas, as well as the five rebirth destinies (GATI) and the states of a PRATYEKABUDDHA, BODHISATTVA, or even a buddha-are generated from the mind of sentient beings, just as all grains and fruits are generated from soil. A commentary to the MAHĀVAIROCANĀBHISAMBODHISuTRA (Dari jing shu) says that the mind is also metaphorically referred to as a "ground," since the practice of bodhisattvas relies on the mind, just as activities of ordinary people rely on the ground. In the FANWANG JING ("Brahmā's Net Sutra"), the mind-ground refers to the bodhisattva precepts (PUSA JIE), which help to restrain the activities of body, speech, and mind; the precepts are the mind-ground because the activities of mind, or thought, are the basis for actions performed via body and speech. The buddha Vairocana says in the sutra that he achieved complete, perfect enlightenment (SAMYAKSAMBODHI) only after cultivating the mind-ground over a hundred incalculable eons (ASAMKHYEYAKALPA). The Korean monk WoNHYO (617-686), in his Pommanggyong Posal kyebon sagi ("Personal Exposition on the Bodhisattva Precepts Text of the 'Brahmā's Net Sutra'"), described three different denotations of mind-ground in terms of the abider and the ground on which that abider resides. These are (1) the fifty stages of the bodhisattva path (the ten BODHISATTVABHuMI, plus the forty stages preliminary to the bhumis), which is the ground on which the thought of enlightenment (BODHICITTA) of the bodhisattva abides; (2) the three categories of precepts (sĪLATRAYA), which is the ground on which the enlightened mind abides; and (3) the realm of reality (DHARMADHĀTU), which is the ground on which the practitioner abides. In the CHAN ZONG, the mind that was transmitted by BODHIDHARMA, the putative founder of Chan, is termed the mind-ground, and his teaching of the one (enlightened) mind is called the dharma teaching of the mind-ground (xindi famen). HUANGBO XIYUN (d. 850) says in his CHUANXIN FAYAO that the "dharma teaching of the mind-ground means that all dharmas are constructed depending upon this mind." Finally, GUIFENG ZONGMI in his CHANYUAN CHUCHUANJI TUXU ("Prolegomenon to the Comprehensive References to the Fountainhead of Chan Collection") equates mind-ground with the buddha-nature (FOXING): "the originally enlightened true nature of sentient beings is called both buddha-nature and mind-ground."

Yu evidently refers to the primordial spiritual substance of the universe, which is at once intelligence and spiritual matter, life and consciousness, from which all proceeds as a fountain or source, and into which all will ultimately return when the great cosmic world period or manvantara reaches its end, and the cosmic pralaya begins. Yet this is not the highest in the cosmic hierarchical scale, because over, in, and throughout yu is the super-essential cosmic primordial abstract being, which the Pythagoreans spoke of as the all-embracing cosmic monad.



QUOTES [20 / 20 - 1500 / 1509]


KEYS (10k)

   4 Anonymous
   3 Sri Aurobindo
   2 Saint John Chrysostom
   1 Teresa of Avila
   1 Sunday Adelaja
   1 SRI ANANDAMAYI MA
   1 Sophia Loren
   1 Saint Marguerite Bourgeoys
   1 Saint Ambrose
   1 John Milton
   1 Esdras
   1 Swami Vivekananda
   1 Sri Ramakrishna
   1 Jalaluddin Rumi

NEW FULL DB (2.4M)

  157 Ben Fountain
   31 Anonymous
   20 Rick Riordan
   19 Charles Haddon Spurgeon
   15 Jonathan Edwards
   13 William Shakespeare
   13 Percy Bysshe Shelley
   11 Mark Twain
   11 Edgar Allan Poe
   10 Rumi
   10 John Piper
   9 Ray Bradbury
   9 Ralph Waldo Emerson
   9 John Muir
   8 C S Lewis
   8 Charles Dickens
   7 Jalaluddin Rumi
   7 Charles Baudelaire
   6 Swami Vivekananda
   6 John Locke

1:God is the source of love, the clear fountain of love that never runs dry. ~ Sunday Adelaja,
2:He who receives Light from above, from the fountain of light, No other doctrine needs. ~ John Milton,
3:For in them there is a source of intelligence, a fountain of wisdom and a flood of knowledge. ~ Esdras, the Eternal Wisdom
4:To say God is devoid of love and joy is an absurdity, which proves one has never realized the Supreme Being, the fountain of eternal love. ~ Sri Ramakrishna,
5:Before the silver cord be loosed, or the golden bowl be broken, or the pitcher be shattered at the fountain, or the wheel be broken at the cistern. ~ Anonymous, The Bible, Ecclesiastes, 12:6,
6:God has set apart India as the eternal fountain-head of holy spirituality, and He will never suffer that fountain to run dry. ~ Sri Aurobindo, Bande Mataram - II, Swaraj,
7:As Moses (that is, the prophet) threw wood into that fountain, so the priest utters over this font the proclamation of the 's cross, and the water is made sweet for the purpose of grace. ~ Saint Ambrose,
8:You can't until this know by listening to fairy tales. You have to do something inside yourself. The smallest fountain inside you is better than a raging river outside. ~ Jalaluddin Rumi,
9:There is a fountain of youth: it is your mind, your talents, the creativity you bring to your life and the lives of people you love. When you learn to tap this source, you will truly have defeated age." ~ Sophia Loren,
10:Go back, go back to the old days when there was strength and vitality. Be strong once more, drink deep of this fountain of yore, and that is the only condition of life in India. ~ Swami Vivekananda,
11:His Mercy is so great that he hinders no one from drinking from the fountain of life. Indeed, he calls us loudly to do so (Jn 7:37). But he is so good that he will not force us to drink of it. ~ Teresa of Avila, The Way of Perfection ch. 20,
12:Meditate on the Lord alone, on Him, the Fountain of Goodness. Pray to Him; depend on Him. Try to give more time to japa and meditation. Surrender your mind at His Feet. Endeavor to sustain japa and meditation without a break. ~ SRI ANANDAMAYI MA,
13:Moses struck the rock and brought forth streams of water; Christ touches his table, strikes the spiritual rock of the new covenant and draws forth the living water of the Spirit. This rock is like a fountain in the midst of Christ's table. ~ Saint John Chrysostom,
14:Since this fountain, this source of life, this table surrounds us with untold blessings and fills us with the gifts of the Spirit, let us approach it with sincerity of heart and purity of conscience to receive grace and mercy in our time of need. ~ Saint John Chrysostom,
15:And high Delight, a spirit infinite,
That is the fountain of this glorious world,
Delight that labours in its opposite,
Faints in the rose and on the rack is curled. ~ Sri Aurobindo, Collected Poems, Parabrahman,
16:Each leaned on the occult Inconscient's power,
The fountain of its needed Ignorance,
Archmason of the limits by which it lives. ~ Sri Aurobindo, Savitri, The Yoga of the King, The Yoga of the Spirit's Freedom and Greatness,
17:The only true voyage of discovery, the only fountain of Eternal Youth, would be not to visit strange lands but to possess other eyes, to behold the universe through the eyes of another, of a hundred others, to behold the hundred universes that each of them beholds, that each of them is. ~ Marcel Proust,
18:Light came and went and came again, the great plume of the fountain pulsed and winds of April sheeted it across the Square in a rainbow gossamer of spray. The fire department horses drummed on the floors with wooden stomp, most casually, and with dry whiskings of their clean, coarse tails. The street cars ground into the Square from every portion of the compass and halted briefly like wound toys in their familiar quarter-hourly formula. A dray, hauled by a boneyard nag, rattled across the cobbles on the other side before his father's shop. The courthouse bell boomed out its solemn warning of immediate three, and everything was just the same as it had always been. ~ Thomas Wolfe, The Lost Boy,
19:The Quest
A part, immutable, unseen,
Being, before itself had been,
Became. Like dew a triple queen
Shone as the void uncovered:
The silence of deep height was drawn
A veil across the silver dawn
On holy wings that hovered.
The music of three thoughts became
The beauty, that is one white flame,
The justice that surpasses shame,
The victory, the splendour,
The sacred fountain that is whirled
From depths beyond that older world
A new world to engender.
The kingdom is extended. Night
Dwells, and I contemplate the sight
That is not seeing, but the light
That secretly is kindled,
Though oft-time its most holy fire
Lacks oil, whene'er my own Desire
Before desire has dwindled.
I see the thin web binding me
With thirteen cords of unity
Toward the calm centre of the sea.
(O thou supernal mother!)
The triple light my path divides
To twain and fifty sudden sides
Each perfect as each other.
Now backwards, inwards still my mind
Must track the intangible and blind,
And seeking, shall securely find
Hidden in secret places
Fresh feasts for every soul that strives,
New life for many mystic lives,
And strange new forms and faces.
My mind still searches, and attains
By many days and many pains
To That which Is and Was and reigns
Shadowed in four and ten;
And loses self in sacred lands,
And cries and quickens, and understands
Beyond the first Amen.
~ Aleister Crowley,
20:Chapter LXXXII: Epistola Penultima: The Two Ways to Reality
Cara Soror,
Do what thou wilt shall be the whole of the Law.

How very sensible of you, though I admit somewhat exacting!

You write-Will you tell me exactly why I should devote so much of my valuable time to subjects like Magick and Yoga.

That is all very well. But you ask me to put it in syllogistic form. I have no doubt this can be done, though the task seems somewhat complicated. I think I will leave it to you to construct your series of syllogisms yourself from the arguments of this letter.

In your main question the operative word is "valuable. Why, I ask, in my turn, should you consider your time valuable? It certainly is not valuable unless the universe has a meaning, and what is more, unless you know what that meaning is-at least roughly-it is millions to one that you will find yourself barking up the wrong tree.

First of all let us consider this question of the meaning of the universe. It is its own evidence to design, and that design intelligent design. There is no question of any moral significance-"one man's meat is another man's poison" and so on. But there can be no possible doubt about the existence of some kind of intelligence, and that kind is far superior to anything of which we know as human.

How then are we to explore, and finally to interpret this intelligence?

It seems to me that there are two ways and only two. Imagine for a moment that you are an orphan in charge of a guardian, inconceivably learned from your point of view.

Suppose therefore that you are puzzled by some problem suitable to your childish nature, your obvious and most simple way is to approach your guardian and ask him to enlighten you. It is clearly part of his function as guardian to do his best to help you. Very good, that is the first method, and close parallel with what we understand by the word Magick.

We are bothered by some difficulty about one of the elements-say Fire-it is therefore natural to evoke a Salamander to instruct you on the difficult point. But you must remember that your Holy Guardian Angel is not only far more fully instructed than yourself on every point that you can conceive, but you may go so far as to say that it is definitely his work, or part of his work; remembering always that he inhabits a sphere or plane which is entirely different from anything of which you are normally aware.

To attain to the Knowledge and Conversation of the Holy Guardian Angel is consequently without doubt by far the simplest way by which you can yourself approach that higher order of being.

That, then, is a clearly intelligible method of procedure. We call it Magick.

It is of course possible to strengthen the link between him and yourself so that in course of time you became capable of moving and, generally speaking, operating on that plane which is his natural habitat.

There is however one other way, and one only, as far as I can see, of reaching this state.

It is at least theoretically possible to exalt the whole of your own consciousness until it becomes as free to move on that exalted plane as it is for him. You should note, by the way, that in this case the postulation of another being is not necessary. There is no way of refuting the solipsism if you feel like that. Personally I cannot accede to its axiom. The evidence for an external universe appears to me perfectly adequate.

Still there is no extra charge for thinking on those lines if you so wish.

I have paid a great deal of attention in the course of my life to the method of exalting the human consciousness in this way; and it is really quite legitimate to identify my teaching with that of the Yogis.

I must however point out that in the course of my instruction I have given continual warnings as to the dangers of this line of research. For one thing there is no means of checking your results in the ordinary scientific sense. It is always perfectly easy to find a subjective explanation of any phenomenon; and when one considers that the greatest of all the dangers in any line of research arise from egocentric vanity, I do not think I have exceeded my duty in anything that I have said to deter students from undertaking so dangerous a course as Yoga.

It is, of course, much safer if you are in a position to pursue in the Indian Jungles, provided that your health will stand the climate and also, I must say, unless you have a really sound teacher on whom you can safely rely. But then, if we once introduce a teacher, why not go to the Fountain-head and press towards the Knowledge and conversation of the Holy Guardian Angel?

In any case your Indian teacher will ultimately direct you to seek guidance from that source, so it seems to me that you have gone to a great deal of extra trouble and incurred a great deal of unnecessary danger by not leaving yourself in the first place in the hands of the Holy Guardian Angel.

In any case there are the two methods which stand as alternatives. I do not know of any third one which can be of any use whatever. Logically, since you have asked me to be logical, there is certainly no third way; there is the external way of Magick, and the internal way of Yoga: there you have your alternatives, and there they cease.

Love is the law, love under will.

Fraternally,

666 ~ Aleister Crowley, Magick Without Tears,

*** WISDOM TROVE ***

1:He is a perpetual fountain of good sense. ~ john-dryden, @wisdomtrove
2:The cistern contains: The fountain overflows. ~ william-blake, @wisdomtrove
3:The fountain of contentment must spring up in the mind. ~ samuel-johnson, @wisdomtrove
4:Greece appears to be the fountain of knowledge; Rome of elegance. ~ samuel-johnson, @wisdomtrove
5:May God keep fresh the fountain of our laughter and our tears! ~ aiden-wilson-tozer, @wisdomtrove
6:Possibility-thinking is the long sought-after fountain of youth. ~ robert-h-schuller, @wisdomtrove
7:The pitcher goes so often to the fountain that if gets broken. ~ miguel-de-cervantes, @wisdomtrove
8:Faith is the fountain, the foundation and the fosterer of obedience. ~ charles-spurgeon, @wisdomtrove
9:College is like a fountain of knowledge - and the students are there to drink ~ chuck-palahniuk, @wisdomtrove
10:That which the fountain sends forth returns again to the fountain. ~ henry-wadsworth-longfellow, @wisdomtrove
11:From such a gentle thing, from such a fountain of all delight, my every pain is born. ~ michelangelo, @wisdomtrove
12:Paris is the fountain-head of European civilisation, as Gomukhi is of the Ganga. ~ swami-vivekananda, @wisdomtrove
13:What is the Divine Spirit? Is the Holy Ghost any other than an Intellectual fountain? ~ william-blake, @wisdomtrove
14:Slang is a foul pool at which every dunce fills his bucket, and then sets up as a fountain. ~ ambrose-bierce, @wisdomtrove
15:We shall quench our thirst, for we shall drink deep at the bubbling fountain of Wisdom. ~ jiddu-krishnamurti, @wisdomtrove
16:If Christ were only a cistern we might soon exhaust his fullness but who can drain a fountain? ~ charles-spurgeon, @wisdomtrove
17:A kind heart is a fountain of gladness, making everything in its vicinity freshen into smiles. ~ washington-irving, @wisdomtrove
18:Look within. Within is the fountain of good, and it will ever bubble up, if thou wilt ever dig.  ~ marcus-aurelius, @wisdomtrove
19:Fancy restrained may be compared to a fountain, which plays highest by diminishing the aperture. ~ oliver-goldsmith, @wisdomtrove
20:The bible is a remarkable fountain: the more one draws and drinks of it, the more it stimulates thirst. ~ martin-luther, @wisdomtrove
21:Rocks and waters are words of God, and so are men. We all flow from one fountain Soul. All are expressions of one Love. ~ john-muir, @wisdomtrove
22:Quoting Scripture leads you to the fountain, but only if you plunge in and come up wet will I know that you are a Christian. ~ aiden-wilson-tozer, @wisdomtrove
23:Every uncorrected error and unrepented sin is, in its own right, a fountain of fresh error and fresh sin flowing on to the end of time. ~ c-s-lewis, @wisdomtrove
24:A beneficent person is like a fountain watering the earth, and spreading fertility; it is, therefore, more delightful to give than to receive. ~ epicurus, @wisdomtrove
25:For if joyful is the fountain that rises in the sun, its springs are in the wells of sorrow unfathomable at the foundations of the Earth. ~ j-r-r-tolkien, @wisdomtrove
26:In a nutshell, the fountain of happiness can be found in how you behave, what you think, and what goals you set every day of your life. ~ sonja-lyubomirsky, @wisdomtrove
27:Fountain of Love my source is in thee - Loving thy will my spirit is free - Beautiful day when all of us see - The hope of the world is Love! ~ peace-pilgrim, @wisdomtrove
28:God is the universal substance in existing things. He comprises all things. He is the fountain of all being. In Him exists everything that is. ~ giordano-bruno, @wisdomtrove
29:In the desert a fountain is springing, In the wide waste there still is a tree, And a bird in the solitude singing, Which speaks to my spirit of thee ~ lord-byron, @wisdomtrove
30:The conscious mind may be compared to a fountain playing in the sun and falling back into the great subterranean pool of subconscious from which it rises. ~ sigmund-freud, @wisdomtrove
31:It is one of the worst effects of prosperity to make a man a vortex instead of a fountain; so that, instead of throwing out, he learns only to draw in. ~ henry-ward-beecher, @wisdomtrove
32:The cry for love and communion and for recognition that rises from the hearts of people in need reveals the fountain of love in us and our capacity to give life. ~ jean-vanier, @wisdomtrove
33:I cannot conceive a rank more honorable, than that which flows from the uncorrupted choice of a brave and free people, the purest source and original fountain of all power. ~ george-washington, @wisdomtrove
34:The true unconscious is the well-head, the fountain of real motivity. The sex of which Adam and Eve became conscious derived fromthe very God who bade them be not conscious of it. ~ d-h-lawrence, @wisdomtrove
35:How easy is it for one benevolent being to diffuse pleasure around him, and how truly is a kind heart a fountain of gladness, making everything in its vicinity to freshen into smiles. ~ washington-irving, @wisdomtrove
36:There cannot be heaven without Christ. He is the sum total of bliss; the fountain from which heaven flows, the element of which heaven is composed. Christ is heaven and heaven is Christ. ~ charles-spurgeon, @wisdomtrove
37:My counsel is, that we draw water from the true source and fountain, that is, that we diligently search the Scriptures. He who wholly possesses the text of the Bible, is a consummate divine. ~ martin-luther, @wisdomtrove
38:If you think success is about so many more things and is so much more arbitrary, then you can be much more open to the idea that you can be Ben Fountain and publish your great book at forty-nine. ~ malcolm-gladwell, @wisdomtrove
39:The fabric of American empire ought to rest on the solid basis of THE CONSENT OF THE PEOPLE. The streams of national power ought to flow from that pure, original fountain of all legitimate authority. ~ alexander-hamilton, @wisdomtrove
40:The obligations of law and equity reach only to mankind; but kindness and beneficence should be extended to the creatures of every species, and these will flow from the breast of a true man, as streams that issue from the living fountain. ~ plutarch, @wisdomtrove
41:Will Supreme, Thy Will prevails. The Fountain of Goodness accomplishes everything when the time is ripe. To aspire to That which is Eternal Truth is right for everyone. Of Thee alone must be the spoken word, All else is but futility and pain. ~ anandamayi-ma, @wisdomtrove
42:Do not go for glass beads leaving the mine of diamonds. This life is a great chance. What, seekest thou the pleasures of the world? He is the fountain of all bliss. See for the highest, aim at that highest, and you shall reach the highest. ~ swami-vivekananda, @wisdomtrove
43:Other sound than the owl's voice there was none, save the falling of a fountain into its stone basin; for, it was one of those dark nights that hold their breath by the hour together, and then heave a long low sigh, and hold their breath again. ~ charles-dickens, @wisdomtrove
44:Nothing can produce so great a serenity of life as a mind free from guilt and kept untainted, not only from actions, but purposes that are wicked. By this means the soul will be not only unpolluted but also undisturbed. The fountain will run clear and unsullied. ~ plutarch, @wisdomtrove
45:Don't you need a fountain of love that won't run dry? You'll find one on a stone-cropped hill outside Jerusalem's walls where Jesus hangs, cross-nailed and thorn-crowned. When you feel unloved, ascend this mount. Meditate long and hard on heaven's love for you. ~ max-lucado, @wisdomtrove
46:Zen, in its essence is the art of seeing into the nature of one's own being, and it points the way from bondage to freedom. By making us drink right from the fountain of life it liberates us from all the yokes under which we finite beings are usually suffering in this world. ~ d-t-suzuki, @wisdomtrove
47:Talk not of wasted affection, affection never was wasted; If it enrich not the heart of another, its waters, returning Back to their springs, like the rain, shall fill them full of refreshment; That which the fountain sends forth returns again to the fountain. ~ henry-wadsworth-longfellow, @wisdomtrove
48:To feel the anguish of waiting for the next moment and of taking part in the complex current (of affairs) not knowing that we are headed toward ourselves, through millions of stone beings - of bird beings - of star beings - of microbe beings - of fountain beings toward ourselves. ~ frida-kahlo, @wisdomtrove
49:In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight. ~ ursula-k-le-guin, @wisdomtrove
50:When the heart is full of joy, it always allows its joy to escape. It is like the fountain in the marketplace; whenever it is full it runs away in streams, and so soon as it ceases to overflow, you may be quite sure that it has ceased to be full. The only full heart is the overflowing heart. ~ charles-spurgeon, @wisdomtrove
51:The water of the fountain ran, the swift river ran, the day ran into evening, so much life in the city ran into death according to rule, time and tide waited for no man, the rats were sleeping close together in their dark holes again, the Fancy Ball was lighted up at supper, all things ran their course. ~ charles-dickens, @wisdomtrove
52:One who has drunk at the fountain of spiritual happiness says good-by of his own accord to the satisfactions that come from a higher professional status ... What is the greatest sign of success for a teacher thus transformed? It is to be able to say, "The children are now working as if I did not exist. ~ maria-montessori, @wisdomtrove
53:If you accurately distinguish the intelligible objects you will call the beautiful the receptacle of ideas; but the good itself, which is superior, the fountain and principle of the beautiful; or, you may place the first beautiful and the good in the same principle, independent of the beauty which there subsists. ~ plotinus, @wisdomtrove
54:In the end, what would you gain from everlasting remembrance? Absolutely nothing. So, what is left worth living for? This alone: justice in thought, goodness in action, speech that cannot deceive, and a disposition glad of whatever comes, welcoming it as necessary, as familiar, as flowing from the same source and fountain as yourself. ~ marcus-aurelius, @wisdomtrove
55:The rich, sweet smell of the hayricks rose to his chamber window; the hundred perfumes of the little flower-garden beneath scented the air around; the deep-green meadows shone in the morning dew that glistened on every leaf as it trembled in the gentle air: and the birds sang as if every sparkling drop were a fountain of inspiration to them. ~ charles-dickens, @wisdomtrove
56:Pippin glanced in some wonder at the face now close beside his own, for the sound of that laugh had been gay and merry. Yet in the wizard's face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth. ~ j-r-r-tolkien, @wisdomtrove
57:It is the property of things seen for the first time, or for the first time after long, like the flowers in spring, to reawaken in us the sharp edge of sense and that impression of mystic strangeness which otherwise passes out of life with the coming of years; but the sight of a loved face is what renews a man's character from the fountain upwards. ~ robert-louis-stevenson, @wisdomtrove
58:Man's maker was made man that He, Ruler of the stars, might nurse at His mother's breast; that the Bread might hunger, the Fountain thirst, the Light sleep, the Way be tired on its journey; that Truth might be accused of false witnesses, the Teacher be beaten with whips, the Foundation be suspended on wood; that Strength might grow weak; that the Healer might be wounded; that Life might die. ~ saint-augustine, @wisdomtrove
59:There is in all visible things an invisible fecundity, a dimmed light, a meek namelessness, a hidden wholeness. This mysterious unity and integrity is wisdom, the mother of us all, "natura naturans." There is in all things an inexhaustible sweetness and purity, a silence that is a fountain of action and joy. It rises up in wordless gentleness, and flows out to me from the unseen roots of all created being. ~ thomas-merton, @wisdomtrove
60:There is in all visible things an invisible fecundity, a dimmed light, a meek namelessness, a hidden wholeness. This mysterious unity and integrity is wisdom, the mother of us all, "natura naturans."  There is in all things an inexhaustible sweetness and purity, a silence that is a fountain of action and joy. It rises up in wordless gentleness, and flows out to me from the unseen roots of all created being. ~ thomas-merton, @wisdomtrove
61:I was supremely happy, for I had seen. Nothing could ever be the same. I have drunk at the clear and pure waters and my thirst was appeased. ... I have seen the Light. I have touched compassion which heals all sorrow and suffering; it is not for myself, but for the world. ... Love in all its glory has intoxicated my heart; my heart can never be closed. I have drunk at the fountain of Joy and eternal Beauty. I am God-intoxicated. ~ jiddu-krishnamurti, @wisdomtrove
62:But is it such a bad thing to live like this for just a little while? Just for a few months of one's life, is it so awful to travel through time with no greater ambition than to find the next lovely meal? Or to learn how to speak a language for no higher purpose than that it pleases your ear to hear it? Or to nap in a garden, in a patch of sunlight, in the middle of the day, right next to your favourite fountain? And then to do it again the next day? ~ elizabeth-gilbert, @wisdomtrove
63:Love is the river of life in this world. Think not that ye know it who stand at the little tinkling rill, the first small fountain. Not until you have gone through the rocky gorges, and not lost the stream; not until you nave gone through the meadow, and the stream has widened and deepened until fleets could ride on its bosom; not until beyond the meadow you have come to the unfathomable ocean, and poured your treasures into its depths&
64:It is unnatural that a pure stream should flow from a foul fountain its vices are but a continuation of the vices of its origin. A man of moral honor and good political principles, cannot submit to the mean drudgery and disgraceful arts, by which such elections are carried. To be a successful candidate, he must be destitute of the qualities that constitute a just legislator: and being thus disciplined to corruption it is not to be expected that the representative should be better than the man. ~ thomas-paine, @wisdomtrove
65:GOOD MORNING," said the little prince. "Good Morning," said the salesclerk. This was a salesclerk who sold pills invented to quench thirst. Swallow one a week and you no longer feel any need to drink. "Why do you sell these pills?" "They save so much time," the salesclerk said. "Experts have calculated that you can save fifty-three minutes a week." "And what do you do with those fifty-three minutes?" "Whatever you like." "If I had fifty-three minutes to spend as I liked," the little prince said to himself, "I'd walk very slowly toward a water fountain. ~ antoine-de-saint-exupery, @wisdomtrove
66:Friend of fatherless! Fountain of happiness! Lord of the swill-bucket! Oh, how my soul is on Fire when I gaze at thy Calm and commanding eye. Like the sun in the sky, Comrade Napoleon! Thou are the giver of All thy creatures love, Full belly twice a day, clean straw to roll upon; Every beast great or small, Sleeps at peace in his stall, Thou watchest over all, Comrade Napoleon! Had I a sucking-pig, Ere he had grown as big Even as a pint bottle or a a rolling-pin He should have learned to be Faithful and true to thee, Yes, his first squeak should be Comrade Napoleon! ~ george-orwell, @wisdomtrove
67:And you, Ringbearer' she said, turning to Frodo. &
68:Now I behold as in a mirror, in an icon, in a riddle, life eternal, for that is naught other than that blessed regard wherewith Thou never ceasest most lovingly to behold me, yea, even the secret places of my soul. With Thee, to behold is to give life; 'tis unceasingly to impart sweetest love of Thee; 'tis to inflame me to love of Thee by love's imparting, and to feed me by inflaming, and by feeding to kindle my yearning, and by kindling to make me drink of gladness, and by drinking to infuse in me a fountain of life, and by infusing to make it increase and endure. &
69:The sensitive eye can never be able to survey, the orb of the sun, unless strongly endued with solar fire, and participating largely of the vivid ray. Everyone therefore must become divine, and of godlike beauty, before he can gaze upon a god and the beautiful itself. Thus proceeding in the right way of beauty he will first ascend into the region of intellect, contemplating every fair species, the beauty of which he will perceive to be no other than ideas themselves; for all things are beautiful by the supervening irradiations of these, because they are the offspring and essence of intellect. But that which is superior to these is no other than the fountain of good, everywhere widely diffusing around the streams of beauty, and hence in discourse called the beautiful itself because beauty is its immediate offspring. But if you accurately distinguish the intelligible objects you will call the beautiful the receptacle of ideas; but the good itself, which is superior, the fountain and principle of the beautiful; or, you may place the first beautiful and the good in the same principle, independent of the beauty which there subsists. ~ plotinus, @wisdomtrove
70:It is by participation of species that we call every sensible object beautiful. Thus, since everything void of form is by nature fitted for its reception, as far as it is destitute of reason and form it is base and separate from the divine reason, the great fountain of forms; and whatever is entirely remote from this immortal source is perfectly base and deformed. And such is matter, which by its nature is ever averse from the supervening irradiations of form. Whenever, therefore, form accedes, it conciliates in amicable unity the parts which are about to compose a whole; for being itself one it is not wonderful that the subject of its power should tend to unity, as far as the nature of a compound will admit. Hence beauty is established in multitude when the many is reduced into one, and in this case it communicates itself both to the parts and to the whole. But when a particular one, composed from similar parts, is received it gives itself to the whole, without departing from the sameness and integrity of its nature. Thus at one and the same time it communicates itself to the whole building and its several parts; and at another time confines itself to a single stone, and then the first participation arises from the operations of art, but the second from the formation of nature. And hence body becomes beautiful through the communion supernally proceeding from divinity. ~ plotinus, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:We all flow from one fountain. ~ John Muir,
2:Thought is the fountain of speech. ~ Chrysippus,
3:money shaves off a good ten years. ~ Ben Fountain,
4:A pure fountain gives pure water ~ Cassandra Clare,
5:I'll toss my coins in the fountain, ~ Tracy Chapman,
6:The Fountain of Youth is in your mind. ~ Sophia Loren,
7:The heart is the real fountain of youth. ~ Mark Twain,
8:God is a fountain flowing into itself. ~ Pope Dionysius,
9:He is a perpetual fountain of good sense. ~ John Dryden,
10:I'm a fountain of blood. In the shape of a girl. ~ Bjork,
11:I'm a fountain of blood. In the shape of a girl. ~ Bj rk,
12:I never listen to music when I'm writing. ~ Ben Fountain,
13:New hopes are a fountain of energy. ~ Richard Paul Evans,
14:A film is a petrified fountain of thought. ~ Jean Cocteau,
15:Where's the dam water fountain I'm thirsty? ~ Rick Riordan,
16:Mothers are the fountain of creation ~ Ernest Agyemang Yeboah,
17:My pen is an artery, my heart is a fountain ~ Jay Electronica,
18:The cistern contains: The fountain overflows. ~ William Blake,
19:The cistern contains: the fountain overflows. ~ William Blake,
20:We have enough youth—how about a fountain of smart? ~ Various,
21:have you not had your morning glass of shut up? ~ Ben Fountain,
22:Great sex is the key to the fountain of youth. ~ Tassa Desalada,
23:Helplessness was the one true fountain of youth. ~ Lydia Millet,
24:Some men make gain a fountain, whence proceeds ~ William Cowper,
25:When you drink water, don't forget the fountain. ~ Paulo Coelho,
26:Maybe the light's at the other end of the tunnel. ~ Ben Fountain,
27:Mind of a loving heart is the fountain of knowledge. ~ Toba Beta,
28:The real fountain of youth is to have a dirty mind. ~ Jerry Hall,
29:As water in a fountain flows as one stream, ~ Hazrat Inayat Khan,
30:Joy bubbles on a fountain of doubt."-Alison Croggon ~ Alison Croggon,
31:Late bloomer' is another way of saying 'slow learner. ~ Ben Fountain,
32:The worldly fountain does not breed spiritual depth. ~ Stephen Covey,
33:Mind is blocking the fountain of intelligence like a rock. ~ Rajneesh,
34:We have enough youth—how about a fountain of smart? ♦◊♦◊♦◊♦ ~ Various,
35:America is one big maill with a country attached to it. ~ Ben Fountain,
36:McPreachy’s Kool-Aid fountain of positive thinking. ~ Nadia Bolz Weber,
37:Se una pallottola ti deve colpire, è già stata sparata. ~ Ben Fountain,
38:If a bullet’s going to get you, it’s already been fired. ~ Ben Fountain,
39:From the mouths of our elders comes a fountain of wisdom. ~ Ransom Riggs,
40:The fountain of contentment must spring up in the mind. ~ Samuel Johnson,
41:Nutritional excellence is the only real fountain of youth. ~ Joel Fuhrman,
42:Bodybuilding is the closest we have to the fountain of youth. ~ Lee Labrada,
43:You’ve been lucky so far, right? […] So keep on being lucky. ~ Ben Fountain,
44:An inexhaustible imagination is the fountain of youth. ~ Richelle E Goodrich,
45:From the center of my life, there came a great fountain… ~ Elizabeth Gilbert,
46:He who can go to the fountain does not go to the water-jar. ~ Walter Isaacson,
47:The words of the godly are a life-giving fountain” (10:11 NLT). ~ Doug Fields,
48:When you're talking to the media, be a well, not a fountain. ~ Michael Deaver,
49:9For with you is the fountain of life; in your light we see light. ~ Anonymous,
50:Also, please charge my fountain pen and bring it with you. ~ Jonathan L Howard,
51:There is a fountain inside you. Don't walk around with an empty bucket. ~ Rumi,
52:the sound of the fountain wove its way through the arches. ~ Carlos Ruiz Zaf n,
53:It is sort of weird being honored for the worst day of your life. ~ Ben Fountain,
54:From the center of my life, there came a great fountain . . . ~ Elizabeth Gilbert,
55:Greece appears to be the fountain of knowledge; Rome of elegance ~ Samuel Johnson,
56:Teachers are no longer the fountain of knowledge; the internet is. ~ Don Tapscott,
57:We all flow from one fountain- Soul. All are expressions of one love. ~ John Muir,
58:Americans are incredibly polite as long as they get what they want. ~ Ben Fountain,
59:Are you a water fountain, Dominic? Because you’re getting me wet. ~ Suzanne Wright,
60:The Fountain of Joy still reminds locals that life in Siena is good. ~ Rick Steves,
61:We each keep an untouched life beneath the one we've been given. ~ Carrie Fountain,
62:America is various. It refuses to be all one thing or all the other. ~ Ben Fountain,
63:Coffee? Hell yes, coffee! Caffeine being one of the essential drugs. ~ Ben Fountain,
64:He who has access to the fountain does not go to the water-pot. ~ Leonardo da Vinci,
65:The fountain is ever flowing to cleanse us from our sins! ~ Charles Haddon Spurgeon,
66:The pitcher goes so often to the fountain that if gets broken. ~ Miguel de Cervantes,
67:The secret to the fountain of youth is to think youthful thoughts. ~ Josephine Baker,
68:The fountain of love is the rose and the lily, the sun and the dove. ~ Heinrich Heine,
69:The true leader must submerge himself in the fountain of the people. ~ Vladimir Lenin,
70:I like to kill my enemies and listen to the lamentations of their women ~ Ben Fountain,
71:No fountain so small but that Heaven may be imaged in its bosom. ~ Nathaniel Hawthorne,
72:Some men rob you with a six-gun -- others rob you with a fountain pen. ~ Woody Guthrie,
73:Some people drink from the fountain of knowledge. Others just gargle. ~ Robert Anthony,
74:Eruptions of talent continue to happen in Haiti, in spite of everything. ~ Ben Fountain,
75:Faith is the fountain, the foundation and the fosterer of obedience. ~ Charles Spurgeon,
76:[Rubinstein was] a fountain from which music spouted, not a recitalist. ~ Donal Henahan,
77:. . . Ted Cruz – a soft, smooth Texan with the skin of an avid indoorsman ~ Ben Fountain,
78:We are not fountains ourselves; but the Word of God is the true fountain. ~ Dwight L Moody,
79:Somewhere along the way America became a giant mall with a country attached. ~ Ben Fountain,
80:Studying French has been like drinking from a mental fountain of youth! ~ William Alexander,
81:The fear of the Lord is a fountain of life, to depart from the snares of death. ~ Anonymous,
82:Every sunny morning is a great fountain; we quaff ‘sweet hope’ from it. ~ Mehmet Murat ildan,
83:Drink from the fountain of youth and cloak yourself in the garments of wisdom. ~ Truth Devour,
84:Prayer is the root, the fountain, the mother of a thousand blessings. ~ Saint John Chrysostom,
85:Some drink from the fountain of knowledge, others just gargle.” -Robert Frost ~ Angela Roquet,
86:Wit is an intermittent fountain; kindness is a perennial spring. ~ Marie von Ebner Eschenbach,
87:Be like the fountain that overflows, not like the cistern that merely contains. ~ Paulo Coelho,
88:(The fear of the LORD is a fountain of life, to depart from the snares of death. ~ John Bunyan,
89:Water from the white fountain didn't taste any better than from the black fountain. ~ B B King,
90:Whatever the purpose of a fountain is, the purpose of wisdom is the same! ~ Mehmet Murat ildan,
91:Americans are children who must go somewhere else to grow up, and sometimes die. ~ Ben Fountain,
92:Billy offers small hums of agreement and waits for the momma-logue to wind down. ~ Ben Fountain,
93:College is like a fountain of knowledge - and the students are there to drink ~ Chuck Palahniuk,
94:It’s been hard times in America—how did we get this way? So scared all the time, ~ Ben Fountain,
95:That which the fountain sends forth returns again to the fountain. ~ Henry Wadsworth Longfellow,
96:The feminine values are the fountain of bliss. Know the masculine, Keep to the feminine. ~ Laozi,
97:What might be merely embarrassing in real life is made obscene and hostile by TV. ~ Ben Fountain,
98:Parents wonder why the streams are bitter, when they themselves poison the fountain. ~ John Locke,
99:The speech of God’s beautiful woman is a fountain of life to those around her. ~ Elizabeth George,
100:To the sick, indeed, nature is sick, but to the well, a fountain of health. ~ Henry David Thoreau,
101:God knows the war sucks, but he sees no great appeal in these tepid peacetime lives. ~ Ben Fountain,
102:Maybe we need a war now and then to get our priorities straight,” a second man says. ~ Ben Fountain,
103:From such a gentle thing, from such a fountain of all delight, my every pain is born. ~ Michelangelo,
104:I’ll drown him in that damn fountain and then I’ll CPR him back and drown him again. ~ Ilona Andrews,
105:Paris is the fountain-head of European civilisation, as Gomukhi is of the Ganga. ~ Swami Vivekananda,
106:Seeing the show is like a visit to the fountain of youth for parents and the children. ~ Cathy Rigby,
107:Halfway to the fountain a familiar dog came bounding over. “Lucy!” he said. “Down! ~ Franklin W Dixon,
108:For in them there is a source of intelligence, a fountain of wisdom and a flood of knowledge. ~ Esdras,
109:let us seek God, and seek Him as a fountain of holiness, as well as a fountain of happiness. ~ Various,
110:Society may not need you, strictly speaking, but some sort of use can usually be found. ~ Ben Fountain,
111:And he who lieth there was childless. I have dried the fountain of gentle race..
-Cain ~ Lord Byron,
112:Fake it till you make it, he reminds himself. This is how he’s survived Army life so far. ~ Ben Fountain,
113:He scattered his aitches as a fountain its sprays in a strong wind. He was very earnest. ~ P G Wodehouse,
114:Parents wonder why the streams are bitter, when they themselves have poisoned the fountain. ~ John Locke,
115:He picked up the fountain pen and clicked the top on and off a few times while he listened. ~ Hugh Laurie,
116:Night has come; now all fountains speak more loudly. And my soul too is a fountain. ~ Friedrich Nietzsche,
117:My mind is troubled, like a fountain stirr'd; And I myself see not the bottom of it. ~ William Shakespeare,
118:When you hear the voice of Rosa Ponselle, you hear a fountain of melody blessed by the Lord. ~ Mary Garden,
119:If the godly give in to the wicked,        it’s like polluting a fountain or muddying a spring. ~ Anonymous,
120:No country that lets its leaders lie like that deserves a single soldier to die for it.” She ~ Ben Fountain,
121:the gentle Kathryn thumps the engagement ring in his face, thumps it as you’d thump a spider ~ Ben Fountain,
122:Would the fountain of your mind were clear again,
that I might water an ass at it! ~ William Shakespeare,
123:Just as heart is a fountain of unspoken words,
the universe is a womb of wonder weird worlds. ~ Toba Beta,
124:She seems to have what I never saw in any woman before—a fountain of friendship towards men—a ~ George Eliot,
125:Slang is a foul pool at which every dunce fills his bucket, and then sets up as a fountain. ~ Ambrose Bierce,
126:We shall quench our thirst, for we shall drink deep at the bubbling fountain of Wisdom. ~ Jiddu Krishnamurti,
127:26 If the godly give in to the wicked,       it’s like polluting a fountain or muddying a spring. ~ Anonymous,
128:A woman moved is like a fountain troubled, Muddy, ill-seeming, thick, bereft of beauty. ~ William Shakespeare,
129:None of us can have as many virtues as the fountain-pen, or half its cussedness; but we can try. ~ Mark Twain,
130:...the Revolution had reached that classic mature stage where it existed only for its own sake. ~ Ben Fountain,
131:From such a gentle thing,from such a fountain of all delight,my every pain is born... ~ Michelangelo Buonarroti,
132:You are a fountain of the sun's light. I am a willow shadow on the ground. You make my raggedness silky. ~ Rumi,
133:Dig inside. Inside is the fountain of good, and it will forever flow, if you will forever dig. ~ Marcus Aurelius,
134:I’d love to see the Trevi Fountain,” she said. “There’s a fountain on every block,” Leo grumbled. ~ Rick Riordan,
135:In the midst of the fountain of wit there arises something bitter, which stings in the very flowers. ~ Lucretius,
136:I only wish to be the fountain of love from which you drink, every drop promising eternal passion. ~ Erich Fromm,
137:Look within. Within is the fountain of good, and it will ever bubble up, if you will ever dig. ~ Marcus Aurelius,
138:The night is given to us to take breath, to pray, to drink deep at the fountain of power. ~ Florence Nightingale,
139:Every teacher is a fountain; but you must know that not every fountain’s water is drinkable! ~ Mehmet Murat ildan,
140:If Christ were only a cistern we might soon exhaust his fullness but who can drain a fountain? ~ Charles Spurgeon,
141:Life is fountain of joy; but where the rabble also gather to drink, all wells are poisoned. ~ Friedrich Nietzsche,
142:Look within. Within is the fountain of good, and it will ever bubble up, if thou wilt ever dig. ~ Marcus Aurelius,
143:A kind heart is a fountain of gladness, making everything in its vicinity freshen into smiles. ~ Washington Irving,
144:Gli americani sono bambini che devono andare da qualche altra parte a crescere, e a volte a morire. ~ Ben Fountain,
145:Fancy restrained may be compared to a fountain, which plays highest by diminishing the aperture. ~ Oliver Goldsmith,
146:Before there was any water there were tides of fire, both our tones flow from the older fountain. ~ Robinson Jeffers,
147:If you could figure out how to live with family then you'd gone a long way toward finding your peace. ~ Ben Fountain,
148:Thought is the fount of action, life, and manifestation; make the fountain pure, and all will be pure. ~ James Allen,
149:When my heart drank water from your fountain it drowned in you, and the torrent snatched me away. - ~ Jalaluddin Rumi,
150:It's going to be a long, lonesome eleven months in Iraq, long and lonesome being the best-case scenario ~ Ben Fountain,
151:Schools are a fountain of knowledge: some students come to drink , some to sip and others just to gargle. ~ Shiv Khera,
152:The heart that once has been bathed in love's pure fountain retains the pulse of youth forever. ~ Walter Savage Landor,
153:There was really nothing pressing for me to do beyond pouring bubble bath in the fountain at City Hall. ~ Debra Dunbar,
154:Thought is the fountain of action, life and manifestation; make the fountain pure, and all will be pure. ~ James Allen,
155:From the heart of this fountain of delights wells up some bitter taste to choke them even amid the flowers. ~ Lucretius,
156:Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water. ~ Carl Sandburg,
157:The bible is a remarkable fountain: the more one draws and drinks of it, the more it stimulates thirst. ~ Martin Luther,
158:From the heart of the fountain of delight rises a jet of bitterness that tortures us among the very flowers. ~ Lucretius,
159:If Christ were only a cistern, we might soon exhaust His fullness—but who can drain a fountain? ~ Charles Haddon Spurgeon,
160:The fountain-head of rebellion, on the contrary, is the principle of
superabundant activity and energy. ~ Albert Camus,
161:for the springs both of good and evil flow from the prince, over a whole nation, as from a lasting fountain. ~ Thomas More,
162:Friendship is the medicine for all misfortune; but ingratitude dries up the fountain of all goodness. ~ Cardinal Richelieu,
163:He found at the foot of a large walnut-tree a fountain of clear and running water. He dismounted, fastened his ~ Anonymous,
164:I realized I was never going to have any peace with myself unless I made an honest stab at trying to write. ~ Ben Fountain,
165:Land is not merely soil, it is a fountain of energy flowing through a circuit of soils, plants and animals. ~ Aldo Leopold,
166:Next thing she knows she’s lying flat on her back and three grizzled Mexicans are standing over her, trying ~ Ben Fountain,
167:By the end of the first decade of writing, I considered myself a confirmed failure in the eyes of the world. ~ Ben Fountain,
168:From the very fountain of enchantment there arises a taste of bitterness to spread anguish amongst the flowers. ~ Lucretius,
169:Mathematics - the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to human affairs. ~ Isaac Barrow,
170:Thought is the fount of action, life, and manifestation; make the fountain pure, and all will be pure. Change ~ James Allen,
171:...for the springs of both good and evil flow from the prince over a whole nation, as from a lasting fountain. ~ Thomas More,
172:La società può anche non avere bisogno di te, in senso stretto, ma di solito un modo di utilizzarti lo trova. ~ Ben Fountain,
173:Exercise is roughly the only equivalent of a fountain of youth that exists today, and its free to everyone. ~ S Jay Olshansky,
174:He can feel it rising in him, this powerful if not quite choate sense of how to live a strong and decent life. ~ Ben Fountain,
175:I have often found a small stream at its fountain-head, that, when followed up, carried away the camel with his load. ~ Saadi,
176:Let me just say, we call Iraq the abnormal normal, 'cause over there the weirdest stuff is just everyday life. ~ Ben Fountain,
177:Must it ever be thus — that the source of our happiness must also be the fountain of our misery? ~ Johann Wolfgang von Goethe,
178:The thing that awakens the deepest fountain of gratitude in a human being is that God has forgiven his sin. ~ Oswald Chambers,
179:Though God is the fountain of grace—yet the saints are the pipes which transmit the living streams to others. ~ Thomas Watson,
180:My countrymen have commissioned a bust of the Republic. It will be placed on the fountain of my native town. ~ Camille Claudel,
181:Red brick exterior, fountain out front, pool and hot tub in back, more bedrooms and bathrooms than we’ll ever use. ~ Anonymous,
182:The Kessler Theater is one such gem, an Art Deco beauty … for a slice of real life, there’s always the Kessler. ~ Ben Fountain,
183:Water is the mother of the vine, the nurse and fountain of fecundity, the adorner and refresher of the world. ~ Charles Mackay,
184:Thought is the fountain of action, life, and manifestation; make the fountain (source) pure, and all will be pure ~ James Allen,
185:Writing for young readers is almost like dipping into a fountain of youth; for hours a day, I am a child again. ~ Iain Lawrence,
186:The stench of the trail of Ego in our History. It is ego - ego, the fountain cry, origin, sole source of war. ~ George Meredith,
187:What youth never understands is that the fountain of youth is not about age. It's about the mind and discipline. ~ Austin Dragon,
188:9For with You is the fountain of life [the fountain of life-giving water]; In Your light we see light. [John 4:10, 14 ~ Anonymous,
189:Are you burdened with this day’s sins? Here is a fountain filled with blood: Use it, saint, use it. Has ~ Charles Haddon Spurgeon,
190:Dal centro della mia vita venne una grande fontana… “From the center of my life, there came a great fountain… ~ Elizabeth Gilbert,
191:Don't be scared, Shroom said. Because you're going to be scared. So when you start to get scared, don't be scared. ~ Ben Fountain,
192:From the midst of the very fountain of pleasure, something of bitterness arises to vex us in the flower of enjoyment. ~ Lucretius,
193:It took me 10 years to write a story that pleased me - that I could look at after it was published and not cringe. ~ Ben Fountain,
194:Of all the animals, the boy is the most unmanageable, inasmuch as he has the fountain of reason in him not yet regulated. ~ Plato,
195:God alone is the Fountain of Life. Without Him there could be neither life nor joy, neither abundance nor delights. ~ Randy Alcorn,
196:It's amazing what happens when you stick yourself in a place and let things take their more or less natural course. ~ Ben Fountain,
197:She had kept the oath she had sworn before Myrddin; she had obeyed the Fountain’s will. So why did it hurt so much? ~ Jeff Wheeler,
198:Find the fountain of fuel of life!
When you do, then right next to it...
you'll see the best engine ever existed. ~ Toba Beta,
199:For love is of God. He is the fountain, author, parent, and commander of love; it is the sum of his law and gospel. ~ Matthew Henry,
200:I’m not talking giant like $7.99 all-you-can-eat Alaskan king crab. I’m talking giant like bigger than the fountain. ~ Rick Riordan,
201:This was extraordinary, as Mrs. Fountain was so cheap she washed out her old tinfoil to roll in a ball and use again, ~ Donna Tartt,
202:Hope is a gift. You can't choose to have it. To believe and yet to have no hope is to thirst beside a fountain. ~ Ann Marie MacDonald,
203:It is better to have one fountain that a thousand cisterns, one all-sufficient God than a thousand insufficient ones. ~ Matthew Henry,
204:Boeksplein was the heart of the university—four libraries built around a central courtyard and the Scholar’s Fountain. ~ Leigh Bardugo,
205:For tradition to be alive it has to be allowed to be a fountain of power for things undreamt of, things to come. ~ Jabra Ibrahim Jabra,
206:Like the dew on the mountain, like the foam on the river, like the bubble on the fountain, thou art gone, and for ever! ~ Walter Scott,
207:Ponce de Leon, who said when he discovered the Fountain of Youth, Where the hell are the paper cups? Never got a dinner! ~ Red Buttons,
208:Now as through this world I ramble, I see lots of funny men, Some rob you with a six gun, And some with a fountain pen. ~ Woody Guthrie,
209:A un certo punto non meglio identificato, l'America è diventata un gigantesco centro commerciale con una nazione accanto. ~ Ben Fountain,
210:Crafting a novel on cotton rag paper with an antique fountain pen is a sensuously rebellious act against modernity. ~ Khang Kijarro Nguyen,
211:The musings are the same I believe the fire to create burns so heavily that I am never far from a guitar or a fountain pen. ~ Shelby Lynne,
212:Indifference and neglect often do much more damage than outright dislike. . . . The fountain we destroyed tonight told a lie. ~ J K Rowling,
213:I think sometimes nothing is better than something. I mean, I’d rather have nothing than let this guy use me like his bitch. ~ Ben Fountain,
214:If I could only get people to rub my belly for good lucky and then throw money in my fountain, it'd be a perfect world. ~ Christopher Meloni,
215:More things are wrought by prayer Than this world dreams of. Wherefore, let thy voice Rise like a fountain for me night and day. ~ Anonymous,
216:There's like this great thing that Bette Davis said when someone asked her, "How do you get into Hollywood?" "Take Fountain!" ~ Winona Ryder,
217:Though the water running in the fountain be every ones, yet who can doubt, but that in the pitcher is his only who drew it out? ~ John Locke,
218:Conceiving God to be the fountain of wisdom, I thought it right and necessary to solicit his assistance for obtaining it. ~ Benjamin Franklin,
219:God!...If only I had not read so much Egyptology before coming to this land which is the fountain of all darkness and terror! ~ H P Lovecraft,
220:Nature intended you to be the fountain-spring of cheerfulness and social life, and not the mountain of despair and melancholy. ~ Arthur Helps,
221:Dust to the dust! but the pure spirit shall flow Back to the burning fountain whence it came, A portion of the Eternal. ~ Percy Bysshe Shelley,
222:I discovered something amazing, which has caused a lot of controversy - the fountain of youth. I have to keep it a secret! ~ David Copperfield,
223:Is this what they mean by courage? Simple doing all the things you were trained to do, albeit everything at once and very fast. ~ Ben Fountain,
224:The media, of course, loves to make claims about the fountain of youth. Don't believe it. No one has it. But we're getting close. ~ Michio Kaku,
225:To participate in mission is to participate in the movement of God's love toward people, since God is a fountain of sending love. ~ David Bosch,
226:As if sorrow is the true reality? Without ever putting his mind to it, he's come to believe that loss is the standard trajectory. ~ Ben Fountain,
227:God is an inexhaustible source of all we need. Our unbelief is discovered in how little we avail ourselves of this infinite fountain ~ Paul Washer,
228:Every uncorrected error and unrepented sin is, in its own right, a fountain of fresh error and fresh sin flowing on to the end of time. ~ C S Lewis,
229:I tried to find a place for this new pain, this brand-new baby grief, but there was nowhere to put it. I'd just have to carry it. ~ Carrie Fountain,
230:Like a fountain of refreshing water in the dusty, dry desert streets, a heart God fills with His love ministers life and health. ~ Elizabeth George,
231:Someone who thinks of possessing a fountain made of a winged baby with water shooting out of its mouth must not have too many troubles. ~ Anne Ursu,
232:Few people know so clearly what they want. Most people can't even think what to hope for when they throw a penny in a fountain. ~ Barbara Kingsolver,
233:Self knowers always dwell in El Dorado; they drink from the fountain of youth, and at all times owners of all they wish to enjoy. ~ Claude M Bristol,
234:He took that mental image and filed it away under Pleasant-Sounding Impossibilities. Right between “flying carriage” and “beer fountain. ~ Tessa Dare,
235:THE LITTLE MAN HURRIED into the Fountain and ordered a very large whisky. “Because,” he announced to the pub in general, “I deserve it. ~ Neil Gaiman,
236:I understood why Leo called the fountain Baby Niagara. Because once you see something big, you can't help seeing it in everything small. ~ Ally Condie,
237:I wished for Conrad on every birthday, every shooting star, every lost eyelash, every penny in a fountain was dedicated to the one I loved. ~ Jenny Han,
238:Love was something different. Love was pure delight, a fountain of emotions, sensual delights, and enjoying spending time together. ~ Sergei Lukyanenko,
239:Space. The continual becoming: invisible fountain from which all rhythms flow and to which they must pass. Beyond time or infinity ~ Frank Lloyd Wright,
240:He [William Harvey] bid me to goe to the Fountain-head, and read Aristotle, Cicero, Avicenna, and did call the Neoteriques shitt-breeches. ~ John Aubrey,
241:See yonder rock from which the fountain gushes; is it less compact of adamant, though waters flow from it? Firm hearts have moister eyes. ~ Walter Scott,
242:A beneficent person is like a fountain watering the earth, and spreading fertility; it is, therefore, more delightful to give than to receive. ~ Epicurus,
243:For if joyful is the fountain that rises in the sun, its springs are in the wells of sorrow unfathomable at the foundations of the Earth. ~ J R R Tolkien,
244:I wished for Conrad on every birthday, every shooting star, every lost eyelash, every penny in a fountain was dedicated to the one I loved... ~ Jenny Han,
245:The funny thing is, about the time I let go of any aspiration toward worldly success, that's about the time I started writing decent work. ~ Ben Fountain,
246:They want words. They want contact. They want pictures and autographs. Americans are incredibly polite as long as they get what they want. ~ Ben Fountain,
247:I find endless sustenance in the creative. I freely drink from the fountain of knowledge. I'm forever the student - considered the teacher. ~ Truth Devour,
248:I'm ashamed and embarrassed to say that I've read very little of David Foster Wallace's work. It's a huge gap in my education, one of many. ~ Ben Fountain,
249:Then he took that mental image and filed it away under Pleasant-Sounding Impossibilities. Right between “flying carriage” and “beer fountain. ~ Tessa Dare,
250:Enthusiasm! this is the sign that the creative fountain is in you. “Enthusiasm is the All in All,” said Blake. I must tell you this often.] ~ Brenda Ueland,
251:Fear is the mother of all emotion. Before love, hate, spite, grief, rage, and all the rest, there was fear, and fear gave birth to them all, ~ Ben Fountain,
252:Forget the fountain of youth, pal of mine. You can live to be a thousand, and it won't matter. Mediocrities like you deserve immortality. ~ Gary Shteyngart,
253:For know that all the inferior Creatures when hurt do cry and send forth the complaints to their Maker or grand Fountain whence they proceeded. ~ Tom Tryon,
254:If we have, through grace, an interest in Him who is the Fountain, we may rejoice in him when the streams of temporal mercies are dried up. ~ Matthew Henry,
255:In a nutshell, the fountain of happiness can be found in how you behave, what you think, and what goals you set every day of your life. ~ Sonja Lyubomirsky,
256:I think if you spend much time dwelling on influence you can get self-conscious about every line you write. That's a great way to freeze up. ~ Ben Fountain,
257:Mortal fear is the ghetto of the human soul, to be free of it something like the psychic equivalent of inheriting a hundred million dollars. ~ Ben Fountain,
258:I think we don’t deserve to have you guys die for us. No country that lets its leaders lie like that deserves a single soldier to die for it. ~ Ben Fountain,
259:I write very simple and very naked. That's why it wounds. I'm a grey and blue landscape. I rise in a dry fountain and in the cold light. ~ Clarice Lispector,
260:The Creator, the fountain of all wisdom, the approver of perpetual order, the eternal and superessential spring of geometry and harmonics. ~ Johannes Kepler,
261:The crests above the door lintels still have bumblebees carved into the oak; the ivy-covered fountain in the courtyard is shaped like a hive. ~ Anthony Doerr,
262:God is the universal substance in existing things. He comprises all things. He is the fountain of all being. In Him exists everything that is. ~ Giordano Bruno,
263:The fact is, we are leaky vessels, and we have to keep right under the fountain all the time to keep full of Christ, and so have fresh supply. ~ Dwight L Moody,
264:The recipe says 'stir until the dough holds together'. You'll have a better chance of finding the fountain of youth than stirring this batter. ~ Kristen Ashley,
265:You force all things to flow towards you and into you, so that they shall flow back again out of your fountain as the gifts of your love. ~ Friedrich Nietzsche,
266:Around us, the disembodied human limbs were piling up, forming a circle around the fountain, fusing themselves to each other like Satan’s LEGO set. ~ David Wong,
267:I quit law in 1988 to start writing, and it took me 17 years from that point to get a book contract. I guess you can say I was on the slow train. ~ Ben Fountain,
268:There is a vast asymmetry in the dynamic here that Billy can’t quite put his finger on, even though it’s the elephant shitting all over the room. ~ Ben Fountain,
269:And see the peaceful trees extend their myriad leaves in leisured dance- they bear the weight of sky and cloud upon the fountain of their veins. ~ Kathleen Raine,
270:That's illegal,' I say.

'I reject law,' she says. 'This fountain has no laws.'

'What about gravity?'

'That's just a good idea. ~ Amelia Gray,
271:Her heart - like every heart, if only its fallen sides were cleared away - was an inexhaustible fountain of love: she loved everything she saw. ~ George MacDonald,
272:In the desert a fountain is springing, In the wide waste there still is a tree, And a bird in the solitude singing, Which speaks to my spirit of thee ~ Lord Byron,
273:I think that when Evel Knievel crashed over the fountain at Caesars, it kind of gave you a credibility and then anticipation for everything he did. ~ David Blaine,
274:She gave me eyes, she gave me ears; And humble cares, and delicate fears; A heart, the fountain of sweet tears; And love and thought and joy. ~ William Wordsworth,
275:Fairy elves, Whose midnight revels by a forest side Or fountain some belated peasant sees, Or dreams he sees, while overhead the moon Sits arbitress. ~ John Milton,
276:[T]hey know they’re being good when they thank the troops and their eyes shimmer with love for themselves and this tangible proof of their goodness. ~ Ben Fountain,
277:I turned, ran, fired the shotgun into the air and shouted, “Bomb! There’s a bomb in the fountain! Everybody run for your lives! Please don’t not panic! ~ David Wong,
278:The secret of gospel change is being convinced that Jesus is the good life and the fountain of joy. Any alternative we might choose would be the letdown. ~ Tim Chester,
279:...That inner ecstasy of the mind is the secret fountain of perpetual youth and strength in any man. He who finds it finds onmipotence and onmiscience. ~ Walter Russell,
280:America loves to pray, God knows. America prays and prays and prays, it is the land of unchained prayer, and all this ceremonial praying is hard on Billy. ~ Ben Fountain,
281:Open the door, my princess dear, Open the door to thy true love here! And mind the words that thou and I said By the fountain cool, in the greenwood shade. ~ Jacob Grimm,
282:There is a fountain filled with blood drawn from Immanuel's Veins. And those plunged beneath that watery grave to drink of His blood will never be the same. ~ Ted Dekker,
283:Elton wanted a garden. They were building all afternoon while we were rehearsing. And then they built a fountain for Elton. And he said, I was only joking! ~ Maurice Gibb,
284:God has set apart India as the eternal fountain-head of holy spirituality, and He will never suffer that fountain to run dry. ~ Sri Aurobindo, Bande Mataram - II, Swaraj,
285:The conscious mind may be compared to a fountain playing in the sun and falling back into the great subterranean pool of subconscious from which it rises. ~ Sigmund Freud,
286:The lesson is never learned—there will always be those who persist in seeking the Fountain of Youth, or at least delaying what is irrevocably ordained. ~ Sherwin B Nuland,
287:We've become obsessed with beauty and the fountain of youth and, frankly, I'm really saddened by the way women mutilate their faces today in search of that. ~ Halle Berry,
288:Pray for my soul. More things are wrought by prayer
Than this world dreams of: Wherefore, let thy voice,
Rise like a fountain for me night and day. ~ Alfred Tennyson,
289:Pray for my soul. More things are wrought by prayer Than this world dreams of: Wherefore, let they voice, Rise like a fountain for me night and day. ~ Alfred Lord Tennyson,
290:There was no such thing as perfection in this world, only moments of such extreme transparency that you forgot yourself, a holy mercy if there ever was one. ~ Ben Fountain,
291:The secret of gospel change is being convinced that Jesus is the good life and the fountain of all joy. Any alternative we might choose would be the letdown. ~ Tim Chester,
292:It is one of the worst effects of prosperity to make a man a vortex instead of a fountain; so that, instead of throwing out, he learns only to draw in. ~ Henry Ward Beecher,
293:Rafe blinked hard. Then he took that mental image and filed it away under Pleasant-Sounding Impossibilities. Right between “flying carriage” and “beer fountain. ~ Tessa Dare,
294:They were all lawyers, all schooled in the authority of words, though as their words turned to dust a pall of impotence and futility settled over the mission. ~ Ben Fountain,
295:Without someone to talk to, every sight I saw - whether it was the Trevi Fountain or a canal in Amsterdam - felt simply like a box I'd needed to tick on a list. ~ Jojo Moyes,
296:A cat peeped in the window. It had one white paw. One night it had decided to dip it into the reflection of the moon in a fountain to see what would happen. ~ Heather O Neill,
297:A harsh thing for any young man to hear, but this is part of every youth's education in the world, learning the risks are never fully revealed until you commit. ~ Ben Fountain,
298:A harsh thing for any young man to hear, but this is part of every youth’s education in the world, learning the risks are never fully revealed until you commit. ~ Ben Fountain,
299:God is always messing everything up with rules. He gives us the fountain of youth, but makes it so we have to kill ourselves to get there. Very freaking clever. ~ Sarah Noffke,
300:'La Dolce Vita' made we want to go to Rome and, if not jump into the Trevi Fountain, at least watch someone else do it. Maybe that's why I married an Italian...! ~ Colin Firth,
301:The cry for love and communion and for recognition that rises from the hearts of people in need reveals the fountain of love in us and our capacity to give life. ~ Jean Vanier,
302:There is a fountain filled with blood drawn from Immanuel's veins. And those plunged beneath that watery grave to drink of his blood will never be the same. ~ Ted Dekker,
303:She couldn't save them, she couldn't save anyone but herself, which made her presence here the worst sort of self-indulgence, her mission a long-running fantasy. ~ Ben Fountain,
304:He could not comprehend what was happening to him, but it had to do with the casual cruelty of people who'd never missed a meal or had a gun stuck to their heads. ~ Ben Fountain,
305:Truth is compared in Scripture to a streaming fountain; if her waters flow not in perpetual progression, they sicken into a muddy pool of conformity and tradition. ~ John Milton,
306:And in the fountain squatted a giant crab. I’m not talking ‘giant’ like $7.99 all-you-can-eat Alaskan king crab. I’m talking ‘giant’ like bigger than the fountain. ~ Rick Riordan,
307:What is sure is that technological change is accelerating in all directions and, like children playing in a fountain, consumers are reveling in the experience. ~ Simon Mainwaring,
308:Without someone to talk to, every sight I saw—whether it was the Trevi Fountain or a canal in Amsterdam—felt simply like a name on a list that I needed to check off. ~ Jojo Moyes,
309:I don't want anything to do with anything mechanical between me and the paper, including a typewriter, and I don't even want a fountain pen between me and the paper. ~ Shelby Foote,
310:[When asked if the voice is an instrument:] Yes, of course. Some are violins, some are fountain pens and some are stethoscopes. And others are just washboards. ~ Marilyn vos Savant,
311:I spent about a year and a half doing technical post work on 'The Fountain'. Although I do like the process, I think my favorite part of filmmaking is the actors. ~ Darren Aronofsky,
312:So much of life consists of inertia and drift, the brief savory or sour of any particular day tends to blur into the next so that it all becomes one big flavorless wad. ~ Ben Fountain,
313:A monument of grace, A sinner saved by blood; The streams of love I trace Up to the Fountain, God; And in His sacred bosom see Eternal thoughts of Love to me. ~ Charles Haddon Spurgeon,
314:But the law of God came from heaven indeed. God wrote it with his finger, it is the fountain of all wisdom, and therefore shall it continue forever, and never have an end. ~ John Jewel,
315:Is it true you’re James Adams?’ a puffed-out little grey shirt holding a tennis racket asked. ‘The guy who started the food fight and had sex in the campus fountain? ~ Robert Muchamore,
316:I started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts. ~ Ben Fountain,
317:You make it happen by convincing everyone it’s happening, belief in the first instance being a vaporous construct of duplicity, puff, evasion, cant, and bald-faced lies. ~ Ben Fountain,
318:Before the silver cord be loosed, or the golden bowl be broken, or the pitcher be shattered at the fountain, or the wheel be broken at the cistern. ~ Anon, The Bible, Ecclesiastes 12:6,
319:What I didn't realize was how many doors the act of writing unlocks, as if my Dad's old fountain pen wasn't really a pen at all, but some strange variety of skeleton key. ~ Stephen King,
320:What I didn’t realize was how many doors the act of writing unlocks, as if my Dad’s old fountain pen wasn’t really a pen at all, but some strange variety of skeleton key. ~ Stephen King,
321:And in the fountain squatted a giant crab.

I’m not talking ‘giant’ like $7.99 all-you-can-eat Alaskan king crab. I’m talking ‘giant’ like bigger than the fountain. ~ Rick Riordan,
322:Music... will help dissolve your perplexities and purify your character and sensibilities, and in time of care and sorrow, will keep a fountain of joy alive in you. ~ Dietrich Bonhoeffer,
323:Within the nature of God is a strength that is fashioned in His perfection. Strength flows from the fountain of God’s integrity. Honest people are the strongest people. ~ James MacDonald,
324:I kept going back while I was writing the novel - which never sold, may it rest in peace - and by the time it was finished I had too many connections to Haiti to walk away. ~ Ben Fountain,
325:you can't untie this knot by listening to
fairy tales
you have to do something inside yourself
the smallest fountain inside of you
is better than a raging river outside ~ Rumi,
326:You can't until this know by listening to fairy tales. You have to do something inside yourself. The smallest fountain inside you is better than a raging river outside. ~ Jalaluddin Rumi,
327:From the respect paid to property flow, as from a poisoned fountain, most of the evils and vices which render this world such a dreary scene to the contemplative mind. ~ Mary Wollstonecraft,
328:She’d seen the fountain pen in his pocket; she knew his handwriting would be precise, elegant. It wasn’t, of course; it was scrambled and raw, a handy metaphor for his soul. ~ Ellen Herrick,
329:Without someone to talk to, every sight I saw - whether it was the Trevi Fountain or a canal in Amsterdam - felt simply like a box I'd needed to tick on a list.
- Lou Clark ~ Jojo Moyes,
330:For if you succeed in making this girl laugh, if you make her laughter ring in the air like a fountain of silver coins cascading to the floor, you will win her heart forever. ~ F lix J Palma,
331:For my part,' said the little prince to himself, 'if I had fifty-three minutes to spare, I would take my time walking slowly towards the nearest fountain of water. ~ Antoine de Saint Exup ry,
332:This is what he truly envies of these people, the luxury of terror as a talking point, and at this moment he feels so sorry for himself that he could break right down and cry. ~ Ben Fountain,
333:The stone angel did not swoop down from the fountain to carry her off, although honestly, being carried off by an angel did not seem like too terrible a fate at the moment. She ~ T Kingfisher,
334:Troward says, “Feeling is the law, and the law is the feeling,” Feeling is the fountain-head of power. We must charge our mental pictures with feeling in order to get results. ~ Joseph Murphy,
335:A river continually fed by a living fountain may as soon end its streams before it come to the ocean, as a stop be put to the course and progress of grace before it issue in glory. ~ John Owen,
336:I cannot conceive a rank more honorable, than that which flows from the uncorrupted choice of a brave and free people, the purest source and original fountain of all power. ~ George Washington,
337:I'm a fountain of blood in the shape of a girl . . . leave me now return tonight tide will show you the way if you forget my name you will go astray like a killer whale trapped in a bay ~ Bjork,
338:Just because an old fountain gives no more water, it cannot be despised because with the water it provided once, many trees grew up, many thirsty has quenched their thirsts! ~ Mehmet Murat ildan,
339:Someone stake that bastard, please, and for the sake of the gods, dust Benny off the table by the fountain. The powder’s disgusting and it’s getting into the blood. (Apollite) ~ Sherrilyn Kenyon,
340:The only fountain in the wilderness of life, where man drinks of water totally unmixed with bitterness, is that which gushes for him in the calm and shady recess of domestic life. ~ William Penn,
341:The true unconscious is the well-head, the fountain of real motivity. The sex of which Adam and Eve became conscious derived fromthe very God who bade them be not conscious of it. ~ D H Lawrence,
342:A kindly tongue is the lodestone of the hearts of men. It is the bread of the spirit, it clotheth the words with meaning, it is the fountain of the light of wisdom and understanding. ~ Bah u ll h,
343:Perhaps there are people in this world who love their fountain pens with every fiber of their being—and that's very sad. If you're not in love with him, you can understand him. ~ Banana Yoshimoto,
344:A system of cells interlinked within
Cells interlinked within cells interlinked
Within one stem. And dreadfully distinct
Against the dark, a tall white fountain played. ~ Vladimir Nabokov,
345:My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane. ~ Graham Greene,
346:Cos'è che vogliono? Si rendono conto di essere vivi? Come se la prolungata e intensa esposizione alla morte fosse la condizione necessaria per partecipare appieno della propria vita. ~ Ben Fountain,
347:The material came bubbling up inside like a geyser or an oil gusher. It streamed up of its own accord, down my arm and out of my fountain pen in a torrent of six thousand words a day. ~ C S Forester,
348:We say of some Nations, the People are lazy, but we should say only, they are poor; Poverty is the Fountain of all Manner of Idleness. —DANIEL DEFOE, A Plan of the English Commerce ~ Neal Stephenson,
349:When there is a fountain of colours, they add charm to your life. In ignorance, emotions are a bother; in knowledge, the same emotions add colours.. enjoy the day with Wisdom! ~ Sri Sri Ravi Shankar,
350:You are the fountain of the sun. I'm the shadow of a willow. You fall upon my forehead. I melt. You slip into my heart. It spills open. You surround me with such sweetness. I make it my home. ~ Rumi,
351:The people are the only legitimate fountain of power, and it is from them that the constitutional charter, under which the several branches of government hold their power, is derived. ~ James Madison,
352:Two young ladies, in toreador pants and mohair sweaters, whose swirling coiffures looked as though they had been squeezed from an icing gun, had ranged themselves at the fountain. They ~ S J Perelman,
353:A couple of the old ladies sat down on the bench near the fountain and the bronze washerwoman. Others had ambled into the cemetery—to check out the accommodations, Tyler guessed. ~ Thomas Olde Heuvelt,
354:But aren't all great quests folly? El Dorado and the Fountain of Youth and the search for intelligent life in the cosmos-- we know what's out there. It's what isn't that truly compels us. ~ Jess Walter,
355:Okay, so maybe they aren't the greatest generation by anyone's standard, but they are surely the best of the bottom third percentile of their own somewhat muddled and suspect generation. ~ Ben Fountain,
356:The only true voyage of discovery, the only fountain of Eternal Youth, would be not to visit strange lands but to possess other eyes, to behold the universe through the eyes of another. ~ Marcel Proust,
357:pr.16.22 Understanding is a fountain of life to one who has it, but the punishment of fools is their folly. pr.16.23 The heart of the wise instructs his mouth, and adds learning to his lips. ~ Anonymous,
358:Unfortunately complaining is one thing Eeyores are not afraid to do. They grudgingly carry their thimbles to the Fountain of Life, then mumble and grumble that they weren't given enough. ~ Benjamin Hoff,
359:How easy is it for one benevolent being to diffuse pleasure around him, and how truly is a kind heart a fountain of gladness, making everything in its vicinity to freshen into smiles. ~ Washington Irving,
360:There cannot be heaven without Christ. He is the sum total of bliss; the fountain from which heaven flows, the element of which heaven is composed. Christ is heaven and heaven is Christ. ~ Charles Spurgeon,
361:Divinity lies all around us, but society remains too hidebound to accept that fact...The mother sea and the fountain-head of all religions lies in the mystical experiences of the individual. ~ William James,
362:My counsel is, that we draw water from the true source and fountain, that is, that we diligently search the Scriptures. He who wholly possesses the text of the Bible, is a consummate divine. ~ Martin Luther,
363:I will go to campus alone dressed in antique silk slips and beat-up cowboy boots and gypsy beads, and I will study poetry. I will sit on the edge of the fountain in the plaza and write. ~ Francesca Lia Block,
364:The day before the day before my father killed himself he took my hand in his and said Yoli, it feels to me as though the lights are going out. We were sitting by a fountain in a park at soon. ~ Miriam Toews,
365:A pipe is the fountain of contemplation, the source of pleasure, the companion of the wise; and the man who smokes, thinks like a philosopher and acts like a Samaritan. ~ Edward Bulwer Lytton 1st Baron Lytton,
366:Holy Scripture is the source and norm of sound doctrine (2 Tim. 3:16; see Mark 7:7–8). Doctrine is drawn from Holy Scripture as from a fountain. Doctrine is measured by Holy Scripture as by a rule. ~ Anonymous,
367:I thought when I started writing that I'd have a book out in four or five years, and as it became apparent that that wasn't going to happen, I became increasingly frustrated and unsure of myself. ~ Ben Fountain,
368:We are slowly isolating the genes involved with the aging process. We do not have the fountain of youth, but I think, in the coming decades, we will unravel the aging process at the genetic level. ~ Michio Kaku,
369:This is a truth so brutally self-evident that he can't fathom why it's not more widely perceived, hence his contempt for the usual public shock and outrage when a particular situation goes to hell ~ Ben Fountain,
370:Everyone worries, everyone feels at least a little bit doomed basically all the time, even the richest, most successful, most secure among us live in perpetually anxious states of barely hanging on ~ Ben Fountain,
371:garden was inside a white picket fence. Most of the rosebushes had small buds on them. Some had early blossoms. The bushes were planted in a big circle around a fountain. A statue of a fish stood on its ~ Ron Roy,
372:I've always hated being hemmed in or seeing anybody being hemmed in. Even when I was the smallest child, I couldn't bear being told I couldn't drink at a so-called white drinking fountain. ~ Marian Wright Edelman,
373:everybody around here’s such a major conservative till they get sick, get screwed over by their insurance company, their job goes over to China or whatever, then they’re like, ‘Oooooh, what happened? ~ Ben Fountain,
374:If you think success is about so many more things and is so much more arbitrary, then you can be much more open to the idea that you can be Ben Fountain and publish your great book at forty-nine. ~ Malcolm Gladwell,
375:Well I took her over to a soda fountain over on Bo's She had an Ice Cream Sundae and a hot cup of Jo She leaned way back just to straighten up her hose Well the ice cream melted and the coffee froze. ~ Gene Vincent,
376:[…] Bravo can laugh and feel somewhat superior because they know they’re being used. Of course they do, manipulation is their air and element, for what is a soldier’s job but to be the pawn of higher? ~ Ben Fountain,
377:The ability to ignore the instant chatter of the mind and to recognize there is something beyond it. There is wisdom beyond it, from the fountain of silence. This is the only way to choose yourself. ~ James Altucher,
378:She laughed. ''You seem pretty normal.''
''You've never seen Ben snort Sprite up his nose and then spit it out of his mouth,'' I said.
''I look like a demented carbonated fountain,'' he deadpanned. ~ John Green,
379:If God contains the fullness of all good things in Himself like an inexhaustible fountain, nothing beyond Him is to be sought by those who strike after the highest good and all the elements of happiness. ~ John Calvin,
380:There is no fountain of youth, What you put into your body is what you get out of it. You would not feed your dog a coffee and doughnut for breakfast followed by a cigarette. You will kill the damn dog. ~ Jack LaLanne,
381:You ready to train tonight?" Kyrian
"Sure I can always use another butt-whipping. Stone didn't stuff me in a locker today or slam my head into a fountain. I was beginning to feel neglected." Nick ~ Sherrilyn Kenyon,
382:But a lot of the time that's how it works, life gets so dark until we think all the light's gone out of us. But it's there, it's always there. If we just open the door a crack the light comes pouring in. ~ Ben Fountain,
383:But a lot of the time that’s how it works, life gets so dark until we think all the light’s gone out of us. But it’s there, it’s always there. If we just open the door a crack the light comes pouring in. ~ Ben Fountain,
384:He walked on water. Perhaps. But could he have *swum* on land? In matching knickers and dark glasses? With his Fountain in a Love-in-Tokyo? In pointy shoes and a puff? Would he have had the imagination? ~ Arundhati Roy,
385:There might be fish in there, but if there were, they were living on the cigarette ends that were getting pushed around the surface by a sluggish fountain that burped and belched like an asthmatic cow. ~ William Meikle,
386:This-this was what made life: a moment of quiet, the water falling in the fountain, the girl's voice. . . a moment of captured beauty. Those who are truly wise will never permit such moments to escape. ~ Louis L Amour,
387:How does anyone ever know anything—the past is a fog that breathes out ghost after ghost, the present a freeway thunder run at 90 mph, which makes the future the ultimate black hole of futile speculation. ~ Ben Fountain,
388:So perhaps, it occurs to Billy, this is the whole point of civilization, the eating of beautiful meals and the taking of decorous dumps, in which case he is for it, having had a bellyful of the other way. ~ Ben Fountain,
389:The sergeant had been leaning, arms crossed, against one of the marble pillars encircling the fountain, but at seeing the tall dragon-masked figure he came near to toppling into the fountain behind him. ~ Steven Erikson,
390:But then self-doubt has always been there for Billy, self-doubt and its cousin the berating voice, these faithful companions have always been on call to help him through the critical junctures of his life. ~ Ben Fountain,
391:I always feel at home where the sugar maple grows.... glorious in autumn, a fountain of coolness in summer, sugar in its veins, gold in its foliage, warmth in its fibers, and health in it the year round. ~ John Burroughs,
392:The fabric of American empire ought to rest on the solid basis of THE CONSENT OF THE PEOPLE. The streams of national power ought to flow from that pure, original fountain of all legitimate authority. ~ Alexander Hamilton,
393:There is a fountain of youth: it is your mind, your talents, the creativity you bring to your life and the lives of the people you love. When you learn to tap this source, you will truly have defeated age. ~ Sophia Loren,
394:We were up the whole night just talking, walking the city. You can walk those blocks forever, take a break on the edge of the fountain, eat pizza and snow cones, awed by the human carnival all around you. ~ Marisha Pessl,
395:A fountain is the memory of nature, this marvelous sound of a little river in the mountains translated to the city. For me, a fountain doesn't mean a big jet of water. It means humidity, the origin of life. ~ Jaume Plensa,
396:And high Delight, a spirit infinite,
That is the fountain of this glorious world,
Delight that labours in its opposite,
Faints in the rose and on the rack is curled. ~ Sri Aurobindo, Collected Poems, Parabrahman,
397:Billy suspects his fellow Americans secretly know better, but something in the land is stuck on teenage drama, on extravagant theatrics of ravaged innocence and soothing mud wallows of self-justifying pity. ~ Ben Fountain,
398:Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in ~ Darren Aronofsky,
399:Very soon he’ll be well enough to roll about in mud, eat worms, and walk aimlessly around Nam Poo Fountain again.’ ‘I’m sure he doesn’t see it as aimless. We all have different goals. His are achievable. ~ Colin Cotterill,
400:...a bookworm-one of those men who are born to gnaw dead thoughts. His clothes, you see, are covered with the dust of libraries. He has no inward fountain of ideas..." - "Earth's Holocaust", Hawthorne ~ Nathaniel Hawthorne,
401:Hell is destruction from the presence of the Lord, Th2 1:9. It is a perpetual banishment from the fountain of all good. This is the choice of sinners; and so shall their doom be, to their eternal confusion. ~ Matthew Henry,
402:Thus parents, by humouring and cockering them when little, corrupt the principles of nature in their children, and wonder afterwards to taste the bitter waters, when they themselves have poison'd the fountain. ~ John Locke,
403:You've got the fountain of youth hidden in your pants."

"What the fuck does that even mean?" Hook demanded, then held up a hand. "Never mind, I don't want to know."

"Means fucking keeps you young. ~ S E Jakes,
404:Living, there is no happiness in that. Living: carrying one’s painful self through the world. But being, being is happiness. Being: Becoming a fountain, a fountain on which the universe falls like warm rain. ~ Milan Kundera,
405:I swatted him. “Are you ever going to let it go? It was one time.” “She danced in the fountain on New Year’s Eve, America,” he said, a childish amusement in his eyes. “It was amazing, and I will never let it go. ~ Kiera Cass,
406:(Jer. 2:12-13). What is the essence of evil? It is forsaking a living fountain for broken cisterns. God gets derision and we get death. They are one: in choosing sugarcoated misery we mock the lifegiving God. It ~ John Piper,
407:What he'd like to say is that he's lived it, if not the entire breadth and depth of the Christian faith then certainly the central thrust of it. The mystery, the awe, that huge sadness and grief. Oh my people. ~ Ben Fountain,
408:In our opinion, Coke is great from a can, still good from a bottle, yet hard to get just right from the fountain. But oh, when they do get it right, it tastes good enough to be an eighth wonder of the world. ~ Alecia Whitaker,
409:A painting is merely the image of a tree, a man, or any other object reflected in a fountain. The difference between a painting and sculpture is the difference between a shadow and the thing which casts it. ~ Benvenuto Cellini,
410:He who receives
Light from above, from the Fountain of Light,
No other doctrine needs, though granted true;
But these are false, or little else but dreams,
Conjectures, fancies, built on nothing firm. ~ John Milton,
411:How does it taste?” Carter wondered. Zia smiled. “Stick out your tongue.” To answer Carter’s question, the tattoo tasted like burning car tires. “Ugh.” I spit a blue gob of “order and harmony” into the fountain. ~ Rick Riordan,
412:At some point Billy realized he was expecting the president to act, well, embarrassed? Ashamed? For how fucked up everything obviously was. But the commander in chief seemed well pleased with the state of things. ~ Ben Fountain,
413:The three witches and the knight set off down the hill together, arm in arm, and all four led long and happy lives, and none of them ever knew or suspected that the Fountain's waters carried no enchantment at all. ~ J K Rowling,
414:Walk with me to the edge of the city, / Take off your shoes and feel the earth. / Remember who you are. You are a star. / A mountain, that fountain in the sun. / Your heart is the velvet cave / Where birds sing. ~ Julia Cameron,
415:Blood-black nothingness began to spin. A system of cells interlinked, within cells interlinked, within cells interlinked within one stem. And dreadfully distinct against the dark, a tall white fountain played. ~ Vladimir Nabokov,
416:Each leaned on the occult Inconscient’s power,
The fountain of its needed Ignorance,
Archmason of the limits by which it lives. ~ Sri Aurobindo, Savitri, The Yoga of the King, The Yoga of the Spirit’s Freedom and Greatness,
417:All I have to say is, Love one another - that is the height of all philosophy. It is beyond all religions. It is the secret of joy - the fountain of Perpetual Youth - the only rainbow on life's dark cloud. ~ Robert Green Ingersoll,
418:Hip-hop is the fountain of youth. You just don't grow up if you were there. My son's 20. I'm on the same channel he's on. We wear the same clothes, we feel the same thing. It's a weird, weird generation we're in right now. ~ Ice T,
419:If you want to write, then write; if you don't want to write, then don't write. I fell into the former category, and I just made the decision that I'd keep on because I liked it and might someday do something decent. ~ Ben Fountain,
420:And blood-black nothingness began to spin. A system of cells interlinked, within cells interlinked, within cells interlinked within one stem. And dreadfully distinct against the dark, a tall white fountain played. ~ Vladimir Nabokov,
421:How could you not wish to see what tomorrow brings? How could you not want to feel the warmth of the sun on your skin, to eat ice cream in the Piazza Navona, to watch the children throwing coins into the fountain? ~ Anthony Horowitz,
422:I am a highly disciplined person. I get up at seven every morning and, still in my pajamas, sit down at my desk where my checkered ring binders and my fountain pen are ready for use. I try to write two pages every day. ~ Orhan Pamuk,
423:No man of sense in the whole world believes in devils any more than he does in mermaids, vampires, gorgons, hydras, naiads, dryads, nymphs, fairies, the Fountain of Youth, [or] the Philosopher's Stone. . . . ~ Robert Green Ingersoll,
424:The fountain of information lies at your fingertips and is accessible anywhere at anytime and schools need to emphasize this. We are no longer in a world where you need to go seek enlightenment, it is everywhere. ~ Christopher Myers,
425:Only in the realm of Praising should Lament walk, the naiad of the wept-for fountain, watching over the stream of our complaint, to keep it clear upon the very stone that bears the arch of triumph and the altar.— ~ Rainer Maria Rilke,
426:You are quaffing drink from a hundred fountains: whenever any of these hundred yields less, your pleasure is diminished. But when the sublime fountain gushes from within you, no longer need you steal from the other fountains. ~ Rumi,
427:A young man needs to know where he stands in the world, not just as a matter of basic human dignity but as determinants in the ways and means of survival, and what you might hope to gain by application of honest effort— ~ Ben Fountain,
428:Their marriage, I knew then, as I must have always known- their marriage was like a long drink of water so icy it turns the teeth to diamonds in your mouth. A drink of water from a frozen fountain, twenty years long. ~ Laura Kasischke,
429:From the sacred center of the world streams forth an irrepressible desire to overcome the silence between things. Art, the ever flowing fountain, reveals the secret of life through word and gesture, color and sound. The ~ Hermann Hesse,
430:How does it taste?” Carter wondered.
Zia smiled. “Stick out your tongue.”
To answer Carter’s question, the tattoo tasted like burning car tires.
“Ugh.” I spit a blue gob of “order and harmony” into the fountain. ~ Rick Riordan,
431:Jay lurched in one direction, jerked back, lurched in another, tripped for no reason. He finally made it through a gauntlet of invisible obstacles and crouched behind a water fountain shaped like a hippopotamous throwing up. ~ Adam Rex,
432:Oh, yes! They, like the lotus flower, make your trouble forgotten. It smell so like the waters of Lethe, and of that fountain of youth that the Conquistadores sought for in the Floridas, and find him all too late." Whilst ~ Bram Stoker,
433:The fountain of youth for me, let’s see…I guess it’s exercise, healthy diet, lots of water, lots of laughter, lots of sex — yes, sex, we need that as human beings. It’s healthy, it’s natural, it’s what we are here to do! ~ Cameron Diaz,
434:Uh, guys?” Jenks said, hovering at the window. “Fountain Square is on fire.”

“What?” I jumped to my feet and turned in one motion. Al rushed to the window, and we pressed our foreheads to the glass, looking down. ~ Kim Harrison,
435:Indifference and neglect often do much more damage than outright dislike. . . . The fountain we destroyed tonight told a lie. We wizards have mistreated and abused our fellows for too long, and we are now reaping our reward. ~ J K Rowling,
436:It is difficult to describe in short the enthusiasm and devotion provoked by and given to my research. We lived almost in poverty. I used pencils, two for a nickel, and could not buy a fountain pen, when I lost mine. ~ Immanuel Velikovsky,
437:She got a whole bunch of elephants and turtles everywhere. Some big, some little, some in the fountain, some up under the trees. Turtles and elephants. And all over her house. Curtains got elephants, bedspreads got turtles. ~ Alice Walker,
438:I tell you, deep inside you is a fountain of bliss, a fountain of joy. Deep inside your center core is truth, light, love, there is no guilt there, there is no fear there. Psychologists have never looked deep enough. ~ Sri Sri Ravi Shankar,
439:Once I got the open tunings for some reason, I began to get the harmonic sophistication that I heard that my musical fountain inside was excited by. Once I got some interesting chords to play with, my writing began to come. ~ Joni Mitchell,
440:The singing triggers a soft detonation at his core, molten parts of him are flying everywhere and his ears ring to the tune of blast harmonics that only he can hear, but what is “The Star Spangled Banner” if not a love song? ~ Ben Fountain,
441:Blessed be God, there is always healing for the broken heart; the fountain is ever flowing to cleanse us from our sins. Truly, O Lord, thou art a God "ready to pardon!" Therefore will we acknowledge our iniquities. ~ Charles Haddon Spurgeon,
442:Out of a clean heart comes a clean life and a clean body. Out of a defiled mind proceeds a defiled life and a corrupt body. Thought is the fount of action, life, and manifestation; make the fountain pure, and all will be pure. ~ James Allen,
443:Now what is Love, I pray thee tell?
It is that fountain and that well
Where pleasure and repentance dwell.
It is perhaps that saucy bell
That tolls all into heaven or hell-
And this is Love, as I hear tell. ~ Rosalind Miles,
444:And if a man shall lie with a woman having her sickness, and shall uncover her nakedness; he hath discovered her fountain, and she hath uncovered the fountain of her blood: and both of them shall be cut off from among their people. ~ Anonymous,
445:"If any man thirst, let him come and drink from the rivers of living water" (cf. John 7:38). Where shall he who thirsts come? To heretics where the fountain and river of water is in no way life-giving? Or to the Church, which is One? ~ Cyprian,
446:nodded to the birds, a dozen of them in a black line, wise-eyed and watching. The town-square ran red. Blood in the gutters, blood on the flagstones, blood in the fountain. The corpses posed as corpses do. Some comical, reaching ~ Mark Lawrence,
447:Prayer is an all-efficient panoply, a treasure undiminished, a mine which is never exhausted, a sky unobscured by clouds, a heaven unruffled by the storm. It is the root, the fountain, the mother of a thousand blessings. ~ Saint John Chrysostom,
448:I write everything with fountain pens. I don't know why. I've done it since I was bar mitzvahed. I was given a fountain pen, a Parker fountain pen, and I loved it, and I've never liked writing anything with pencils or ball-points. ~ Tony Kushner,
449:you may fall into error by fixing your minds so much upon the faith which is the channel of salvation as to forget the grace which is the fountain and source even of faith itself. Faith is the work of God’s grace in us. ~ Charles Haddon Spurgeon,
450:I personally would like to bring a tortoise onto the stage, turn it into a racehorse, then into a hat, a song, a dragoon and a fountain of water. One can dare anything in the theatre and it is the place where one dares the least. ~ Eugene Ionesco,
451:I really had to decide why I was writing. I had no interest in going back to law; I very briefly - for about six hours - considered going to get my MBA, but in the end, I realized that the only work I really wanted to do was write. ~ Ben Fountain,
452:"Living, there is not happiness in that. Living: carrying one's painful self through the world. But being, being is happiness. Being: becoming a fountain, a vessel of stone on which the universe falls like warm rain." ~ Milan Kundera"Immortality",
453:Even at this altitude, the substitute pilot's bathed in sweat, sweat running down his chin and neck. Fear must be the fountain of youth, because the substitute pilot now looks younger than any of us, doughy and flushed with horror. ~ Karen Russell,
454:Like the curved pipe of a fountain, your arching boughs
drive the sap
downward and up again: and almost without awakening
it bursts out of sleep, into its sweetest achievement.
Like the god stepping into the swan. ~ Rainer Maria Rilke,
455:The Bible is endlessly interesting because it is God's story, and God by nature is himself endlessly interesting. The Bible is an ever-flowing fountain. The more you read it, the more you find its truth and beauty to be inexhaustible. ~ D A Carson,
456:The Bible is endlessly interesting because it is God’s story, and God by nature is himself endlessly interesting. The Bible is an ever-flowing fountain. The more you read it, the more you find its truth and beauty to be inexhaustible. ~ D A Carson,
457:But if you do not wish to die of thirst in the desert, drink charity. This is the fountain the Lord has willed to place here, lest we faint on the way, and we shall drink it more abundantly when we come to the Fatherland. ~ Saint Augustine of Hippo,
458:The precepts of philosophy and of the Hebrew code, laid hold of actions only. (Jesus) pushed his scrutinies into the heart of man, erected his tribunal in the regions of his thoughts, and purified the waters at the fountain head. ~ Thomas Jefferson,
459:The obligations of law and equity reach only to mankind; but kindness and beneficence should be extended to the creatures of every species, and these will flow from the breast of a true man, as streams that issue from the living fountain. ~ Plutarch,
460:You must intensify and render continuous by repeatedly presenting with suggestive ideas and mental pictures of the feast of good things, and the flowing fountain, which awaits the successful achievement or attainment of the desires. ~ Robert Collier,
461:13    O LORD,  p the hope of Israel,          q all who forsake you shall be put to shame;     those who turn away from you [3]  r shall be written in the earth,         for  s they have forsaken  t the LORD, the fountain of living water. ~ Anonymous,
462:I am a Leo. I was born in August and I love the sunshine. I'm like a cat. We live in a very contemporary house with windows all around it. Wherever a sunspot is, I go to it with my yellow pad and my fountain pen and I write there. ~ Mary Ann Hoberman,
463:Lecturing is that mysterious process by means of which the contents of the note-book of the professor are transferred through the instrument of the fountain pen to the note-book of the student without passing through the mind of either. ~ Harry Lloyd,
464:The men, who lumber around with Cowboys jerseys hanging past their coattails and their pants bagged around the heels of their boots, a fatal foreshortening of vertical line that makes them look like a bunch of hulking twelve-year-olds. ~ Ben Fountain,
465:In the soft grey silence he could hear the bump of the balls: and from here and from there through the quiet air the sound of the cricket bats: pick, pack, pock, puck: like drops of water in a fountain falling softly in the brimming bowl. ~ James Joyce,
466:The rain continued. It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains. ~ Ray Bradbury,
467:18    Let your  o fountain be blessed,         and  s rejoice in  t the wife of your youth, 19        a lovely  u deer, a graceful doe.     Let her breasts  v fill you at all times with delight;         be intoxicated [4] always in her love. ~ Anonymous,
468:Ultimately, culture, secular and otherwise, is a collection of survival strategies. The things that look like decoration—poetry, novels, music, dancing—if you strip away all the layers, are mechanisms for coping, surviving, understanding. ~ Ben Fountain,
469:In the inner world, the spring of living symbols and accompanying presences is the source of dreams and visions, as well as the fountain of inspiration at the heart of poetry, art, ritual, mythology, and even religions. ~ Monika Wikman, Pregnant Darkness,
470:Mira sat down on the rim of the fountain. The marble ledge was damp, and mist sprinkled her skin. Coins shimmered under the water like fish scales.

She counted them, each one a wish, and wondered how love could be anything but good. ~ Sarah Cross,
471:Katsa kicked off her shoes, hitched up her skirt, and climbed into the fountain, sighing as the cold water ran between her toes and lapped at her ankles. it was a great improvement over her shoes. She would not put them on again tonight. ~ Kristin Cashore,
472:Where’s Simon?” she asked as they spun again around the champagne fountain. Clary saw Isabelle there, with Alec, both of them in royal blue. They were holding hands like Hansel and Gretel in the dark forest. “This place is for the living, ~ Cassandra Clare,
473:As Samuel Spaulding, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth. End of lecture. Besides, a mess of dandelion greens is good eating once in a while. ~ Ray Bradbury,
474:If you do not lend your car, your fountain pen or your wife to anyone, that is because these objects, according to the logic of jealously, are narcissistic equivalents of the ego: to lose them, or for them to be damaged, means castration. ~ Jean Baudrillard,
475:I got brilliant stories from people who'd never set foot in an MFA program and had published very little, and terrible stories from people who'd published a lot and had all the credentials. It was all over the map and that was part of the fun. ~ Ben Fountain,
476:Do not go for glass beads leaving the mine of diamonds. This life is a great chance. What, seekest thou the pleasures of the world? He is the fountain of all bliss. See for the highest, aim at that highest, and you shall reach the highest. ~ Swami Vivekananda,
477:Unlike a fountain that circulates the same water in an enclosed, perpetually recycling system, a human being circulates thoughts in an unlimited reservoir of self.

Don't limit yourself to being a mere fountain when you contain an ocean. ~ Vera Nazarian,
478:There has been more bloodshed in the name of God than for any other cause, because people never went to the fountain-head; they were content only to give a mental assent to the customs of their forefathers, and wanted others to do the same. ~ Swami Vivekananda,
479:Being young is feeling the pull of unlimited possibility. As long as there are books unread, seas uncharted, mountains unscaled, lands untouched, there remains endless opportunity. Therein lies the secret of youth. I will drink from her fountain. ~ Kambri Crews,
480:War, my friends, is a thing of beauty. Those as says otherwise are losing. If I’d bothered to go over to old Bovid, propped up against the fountain with his guts in his lap, he’d probably take a contrary view. But look where disagreeing got him. ~ Mark Lawrence,
481:And Capwell did feel it, a hot surge of power and vitality and elation. It was as if he’d just won a million bucks in a contest, had a triple orgasm, received a shot of a potent narcotic, drunk deeply from the Fountain of Youth. Simultaneously. ~ Chet Williamson,
482:Other sound than the owl's voice there was none, save the falling of a fountain into its stone basin; for, it was one of those dark nights that hold their breath by the hour together, and then heave a long low sigh, and hold their breath again. ~ Charles Dickens,
483:All the fakeness just rolls right off them, maybe because the nonstop sales job of American life has instilled in them exceptionally high thresholds for sham, puff, spin, bullshit, and outright lies, in other words for advertising in all its forms. ~ Ben Fountain,
484:Why does God allow us to spend so much of life in the heart of battle? Because He never meant for us to sip His Spirit like a proper cup of tea. He meant for us to hold our sweating hands over the fountain and lap up His life with unquenchable thirst. ~ Beth Moore,
485:The hours I spend with you I look upon as sort of a perfumed garden, a dim twilight, and a fountain singing to it. You and you alone make me feel that I am alive. Other men it is said have seen angels, but I have seen thee and thou art enough. ~ George Edward Moore,
486:The little boy I watched throwing pebbles into the empty fountain, he wasn't too old to climb trees. You could tell he had too much wisdom for his age. Probably he believed that he wasn't made for this world. I wanted to say to him: If not you, who? ~ Nicole Krauss,
487:He did not understand how such a short time in this house could have returned him to adolescence. He could package the place as hell’s interpretation of the Fountain of Youth and make a fortune: just walk in the door and you’re fifteen all over again. ~ Ann Patchett,
488:He'd say "I love you" to every man in the squad before rolling out, say it straight, with no joking or smart-ass lilt and no warbly Christian smarm in it either, just that brisk declaration like he was tightening the seat belts around everyone's soul. ~ Ben Fountain,
489:Passonate, irreverent, utterly relevant, Billy Lynn's Long Halftime Walk offers an unforgettable portrait of a reluctant hero. Ben Fountain writes like a man inspired and his razor sharp exploration of our contemporary ironies will break your heart. ~ Margot Livesey,
490:And I pray thee, loving Jesus, that as Thou hast graciously given me to drink in with delight the words of Thy knowledge, so Thou wouldst mercifully grant me to attain one day to Thee, the fountain of all wisdom and to appear forever before Thy face. ~ Venerable Bede,
491:A certain man placed a fountain by the wayside, and he hung up a cup near to it by a little chain. He was told some time after that a great art-critic had found much fault with its design. ‘But,’ said he, ‘do many thirsty persons drink at it? ~ Charles Haddon Spurgeon,
492:All true Christian love is one and the same in its principle. It comes from the same source or fountain and is communicated to the believer by the same Holy Spirit. In this love, both God and man are loved from the same motive, namely, for holiness' sake. ~ R C Sproul,
493:The Bible is an inexhaustible fountain of all truths. The existence of the Bible is the greatest blessing which humanity ever experienced. Few tremble at the Word of God, Few, in reading it, hear the voice of Jehovah, which is full of majesty. ~ Robert Murray M Cheyne,
494:The glories and the beauties of form, color and sound unite in the Grand Canyon - forms unrivaled even by the mountains, colors that vie with sunsets, and sounds that span the diapason from tempest to tinkling raindrop; from cataract to bubbling fountain. ~ John Wesley,
495:The great barrier to worship among God's people is not that we are always seeking our own satisfaction, but that our seeking is so weak and half-hearted that we settle for little sips at broken cisterns when the fountain of life is just over the next hill. ~ John Piper,
496:The owner of the Agut d'Avignon had the air of a 1920s dandy who had ruined himself with one mad night of gambling at baccarat and had only been saved by this restaurant, which he seemed to cherish as if it were his wife or a good fountain pen. ~ Manuel V zquez Montalb n,
497:War, my friends, is a thing of beauty. Those as says otherwise are losing. If I’d bothered to go over to old Bovid, propped up against the fountain with his guts in his lap, he’d probably take a contrary view. But look where disagreeing got him. “Shit-poor ~ Mark Lawrence,
498:For lunches he rode the elevator to the fourth-floor food court and ate Thai Town or Subway at a table tucked among potted tropicals, gazing past milling teenagers to the little penny-choked fountain where a copper salmon spat water into a chlorinated pool. ~ Anthony Doerr,
499:From about the age of 15 or 16 I'd had the notion that I wanted to write fiction, and I'd done enough in college to satisfy myself that I had a knack for it - I wouldn't call it "talent" - though I wondered if I'd ever have the guts to actually commit to it. ~ Ben Fountain,
500:Nothing can produce so great a serenity of life as a mind free from guilt and kept untainted, not only from actions, but purposes that are wicked. By this means the soul will be not only unpolluted but also undisturbed. The fountain will run clear and unsullied. ~ Plutarch,
501:The two weary but still talkative wizards sat in a pair of fan-backed chairs and pitched pebbles at the drunken satyr in the fountain. They talked about wars, enchantments, and obscure facts until the sky above the forest began to be fringed with pale blue. ~ John Bellairs,
502:Don't you need a fountain of love that won't run dry? You'll find one on a stone-cropped hill outside Jerusalem's walls where Jesus hangs, cross-nailed and thorn-crowned. When you feel unloved, ascend this mount. Meditate long and hard on heaven's love for you. ~ Max Lucado,
503:The fountain of content must spring up in the mind, and he who hath so little knowledge of human nature as to seek happiness by changing anything but his own disposition, will waste his life in fruitless efforts and multiply the grief he proposes to remove. ~ Samuel Johnson,
504:All Thy works with joy surround Thee, God of glory, Lord of Love; Stars and angels sing around Thee, Center of unbroken praise. Field and forest, vale and mountain, Flowery meadow, flashing sea, Chanting bird and flowing fountain, Call us to rejoice in Thee. ~ Henry Van Dyke,
505:His roving eyes began to moisten, and before the hymn was ended, scalding tears rolled out of a fountain that had long seemed dry, and followed each other down those cheeks that had oftener felt the storms of heaven, than any testimonials of weakness. ~ James Fenimore Cooper,
506:The fountain of content must spring up in the mind, and he who hath so little knowledge of human nature as to seek happiness by changing anything but his own disposition, will waste his life in fruitless efforts and multiply the grief he proposes to remove. ~ Stephen R Covey,
507:The smartest thing I did in law school: asking my future wife to go out dancing with me. The smartest thing I did when practicing law: quitting. The smartest thing I've done in writing: following my own head and writing what I wanted to write, and nothing but. ~ Ben Fountain,
508:To me the smart thing that governments in the Middle East would be doing right now is taking their oil and gas fountain - and the smartest ones are to some degree - and making sure they're investing in their people to unlock their potential - men and women. ~ Thomas Friedman,
509:I took two fiction-writing courses in college and majored in literature. I felt that I had a knack though I wouldn't go so far as to call it a talent. But it scared me. I felt it was a childish thing wanting to write and that I would forget about it eventually. ~ Ben Fountain,
510:Leah was more than beautiful. She was filled with some spirit, a high quality, which Peony admired and did not understand. The Chinese said of her, "She is heaven-good." They meant that her goodness was natural and that it flowed from a fountain within herself. ~ Pearl S Buck,
511:The Jew is that sacred being, who has brought down from Heaven the everlasting fire, and has illumined with it the entire world. He is the religious source, spring, and fountain out of which all the rest of the peoples have drawn their beliefs and their religions. ~ Leo Tolstoy,
512:What is the essence of evil? It is forsaking a living fountain for broken cisterns. God gets derision and we get death. They are one: choosing sugarcoated misery we mock the lifegiving God. It was meant to be another way: God's glory exalted in our everlasting joy. ~ John Piper,
513:Dear sensibility! Source inexhausted of all that's precious in our joys, or costly in our sorrows! Eternal fountain of our feelings! 'tis here I trace thee and this is thy divinity which stirs within me...All comes from thee, great-great SENSORIUM of the world! ~ Laurence Sterne,
514:If a person wants to be of any use to himself, he better insist on getting his fair share of beauty and pleasure, and if there's something about the system that's keeping him from getting his share, then I think he's well within his rights to fight to change that. ~ Ben Fountain,
515:Let me just say something that I forgot, I also hoped and this was very true in the beginning - that this would also be a place that people would be able to walk in to the fountain and use it in a nice way of reading and examining the quotations on the blocks. ~ Lawrence Halprin,
516:13Jesus answered and said to her, “Whoever drinks of this water will thirst again, 14but whoever drinks of the water that I shall give him will never thirst. But the water that I shall give him will become in him a fountain of water springing up into everlasting life. ~ Anonymous,
517:Two shlemiels were drinking tea. In time, one looked up and announced portentously: “Life! What is it? Life—is like a fountain!” The other pondered for a few minutes, then asked, “Why?” The first thought and thought, then sighed. “So okay: life isn’t like a fountain. ~ Leo Rosten,
518:If what we need to dream, to move our spirits most deeply and directly toward and through promise, is discounted as a luxury, then we give up the core -- the fountain -- of our power, our womanness; we give up the future of our worlds. (From "Poetry is Not a Luxury") ~ Audre Lorde,
519:There are three stages of boiling: the first boil is when the little bubbles like the eye of fishes swim on the surface; the second boil is when the bubbles are like crystal beads rolling in a fountain; the third boil is when the billows surge wildly in the kettle. ~ Kakuz Okakura,
520:He was certainly an intensely egotistical and unfeeling man, but the sight of his victim, his first victim, bloody and pitiful at his feet, may have released some long pent fountain of remorse which for a time may have flooded whatever scheme of action he had contrived. ~ H G Wells,
521:Fear is the mother of all emotion. Before love, hate, spite, grief, rage, and all the rest, there was fear, and fear gave birth to them all, and as every combat soldier knows there are as many incarnations and species of fear as the Eskimo language has words for snow. ~ Ben Fountain,
522:The fountain has not played itself out, the Flame still shines, the River still flows, the Spring still bubbles forth, the Light has not faded. But between us and It, there is a veil which is more like fifty feet of solid concrete. Deus absconditus. Or we have absconded. ~ R D Laing,
523:Fear is the mother of all emotion. Before love, hate, spite, grief, rage, and all the rest, there was fear, and fear gave birth to them all, and ask every combat soldier knows there are as many incarnations and species of fear as the Eskimo language has words for snow. ~ Ben Fountain,
524:I will be unneeded, and gladly so, when you realize that the vitality and reinforcement and joy are your own, and rise from the fountain of your own beings; when you realize that you do not need me for protection, for there is nothing you need protect yourself against. ~ Jane Roberts,
525:There is evil poured upon the earth from the overflowings of corruption-- Sickness, and poverty, and pain, and guilt, and madness, and sorrow; But, as the water from a fountain riseth and sinketh to its level, Ceaselessly toileth justice to equalize the lots of men. ~ William Hazlitt,
526:His blessed count’nance; here I could frequent, With worship, place by place where he voutsaf’d Presence Divine, and to my Sons relate; On this Mount he appeerd, under this Tree Stood visible, among these Pines his voice I heard, here with him at this Fountain talk’d: So ~ John Milton,
527:Haiti is unique - the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it's like nothing the world has ever seen. ~ Ben Fountain,
528:When Osiris was shut into the coffer, and cast into the river, he floated to Phenicia, and was there received under the name of Adonis. Isis (his mother, or wife) wandered in quest of him, came to Byblos, and seated herself by a fountain in silence and tears. She ~ Thomas William Doane,
529:Zen, in its essence is the art of seeing into the nature of one's own being, and it points the way from bondage to freedom. By making us drink right from the fountain of life it liberates us from all the yokes under which we finite beings are usually suffering in this world. ~ D T Suzuki,
530:. . . any one episode, or even moment, in a person’s life is so complex, with so many layers of past and present, desire and indifference, drift and drive, consciousness and unconsciousness, that language is the best means we’ve found of approaching that kind of complexity. ~ Ben Fountain,
531:Siamo tutti bravi a chiacchierare, questo l'ho capito, ma adesso basta. Siamo tutti bravi a chiacchierare m a l'unica voce che conta è quella dei soldi, il nostro paese è questo, ragazzi. E io ho paura per questo paese. Penso che dovremmo avere tutti paura per questo paese. ~ Ben Fountain,
532:Talk not of wasted affection, affection never was wasted; If it enrich not the heart of another, its waters, returning Back to their springs, like the rain, shall fill them full of refreshment; That which the fountain sends forth returns again to the fountain. ~ Henry Wadsworth Longfellow,
533:Billy ha il sospetto che i suoi connazionali in segreto la sappiano ben più lunga, ma nel paese si è creata una fissazione per il melodramma adolescenziale, per le più teatrali rappresentazioni di innocenza stuprata e i confortanti fanghi termali della pietà autoassolutoria. ~ Ben Fountain,
534:I started by making pilgrimages to see the originals in Milan, Florence, Paris, Seattle, Madrid, London, and Windsor Castle. That followed Leonardo’s injunction to begin any investigation by going to the source: “He who can go to the fountain does not go to the water-jar. ~ Walter Isaacson,
535:Music is a science, it heals depression, it awakens, most people don't know, they just take music for an entertainment, something to dance to, and enjoy yourself and you go to bed and forget it tomorrow, music must never be forgotten, it's like a fountain that keeps on flowing ~ Peter Tosh,
536:the fountain of content must spring up in the mind: and that he who has so little knowledge of human nature, as to seek happiness by changing any thing but his own dispositions, will waste his life in fruitless efforts, and multiply the griefs which he purposes to remove . ~ Samuel Johnson,
537:When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little. ~ Anita Ekberg,
538:From the purest principles of reason, as well as from the fountain of revealed truth, he demonstrates that the chief and ultimate end of the Supreme Being, in the works of creation and providence, was the manifestation of his own glory in the highest happiness of his creatures. ~ John Piper,
539:Hell wasn't a major reservoir of evil, any more than Heaven, in Crowley's opinion, was a fountain of goodness; they were just sides in the great cosmic chess game. Where you found the real McCoy, the real grace and the real heart-stopping evil, was right inside the human mind. ~ Neil Gaiman,
540:Juno MacGuff: Wise move. I know this girl who had a huge crazy freakout because she took too many behavioral meds at once. She took off all her clothes and jumped into the fountain at Ridgedale Mall and she was like, "Blaaaaah! I'm a kraken from the sea!" Su-Chin: That was you. ~ Diablo Cody,
541:They were dancing around the fountain, arm in arm, in an old Dutch dance, their cheeks touching, their hands entwined. They had no music; they hummed. And there was no reason for them to be dancing that Peter Lake could see, except that it was an exceptionally beautiful night. ~ Mark Helprin,
542:We all believe with the heart and confess with the mouth that there is one only simple and spiritual Being, which we call God; and that He is eternal, incomprehensible, invisible, immutable, infinite, almighty, perfectly wise, just, good, and the overflowing fountain of all good. ~ Anonymous,
543:Here is my fountain, and here is my cup: find fault if you please; but do drink of the water of life. I only care for this. I had rather bless the soul of the poorest crossing-sweeper, or rag-gatherer, than please a prince of the blood, and fail to convert him to God. ~ Charles Haddon Spurgeon,
544:To feel the anguish of waiting for the next moment and of taking part in the complex current (of affairs) not knowing that we are headed toward ourselves, through millions of stone beings - of bird beings - of star beings - of microbe beings - of fountain beings toward ourselves. ~ Frida Kahlo,
545:We’d also left lots of time unscheduled—the long stretches of hours we’d spend at the beach or walking around or just hanging out with no plan beyond maybe getting fountain Diet Cokes. It was Sloane—you usually didn’t need more than that to have the best Wednesday of your life. ~ Morgan Matson,
546:When she pushes the button, the secretary
will say, "Yes?" from a thousand miles away,
and Beverly will say, "Something violent
happened here," she among us
understanding this is one way
the violent get you: not by coming
for you, but by leaving you behind. ~ Carrie Fountain,
547:Hell wasn’t a major reservoir of evil, any more than Heaven, in Crowley’s opinion, was a fountain of goodness; they were just sides in the great cosmic chess game. Where you found the real McCoy, the real grace and the real heart-stopping evil, was right inside the human mind. ~ Terry Pratchett,
548:Hell wasn't a major reservoir of evil, any more then Heaven, in Crowley's opinion, was a fountain of goodness; they were just sides in the great cosmic chess game. Where you found the real McCoy, the real grace and the real heart-stopping evil, was right inside the human mind. ~ Terry Pratchett,
549:Noon was approaching and the shadows under the sycamores were thin and short. The surface of the blue-tiled fish-pond was glassily still and water splashed monotonously into the fountain’s basins. Khaemwaset held his fingers under the glittering flow and found it silky and warm. ~ Pauline Gedge,
550:Juno MacGuff: Wise move. I know this girl who had a huge crazy freakout because she took too many behavioral meds at once. She took off all her clothes and jumped into the fountain at Ridgedale Mall and she was like, "Blaaaaah! I'm a kraken from the sea!"
Su-Chin: That was you. ~ Diablo Cody,
551:You can borrow my Blackbird, if you like,' said Ben. This was his new fountain pen, which troubled him. It was guaranteed not to leak but writers and schoolchildren knew better. Ben wished to be relieved of the responsibility of the Blackbird, without losing his own dignity. ~ Penelope Fitzgerald,
552:The whole thrust of science and the medical profession is to try and prevent it from happening, to try to prolong life, to keep you from dying, to keep you from getting older, to rejuvenate you. I mean, that's everybody's wish. The fountain of youth is everybody's sought-after thing. ~ Woody Allen,
553:You can borrow my Blackbird, if you like,' said Ben. This was his new fountain pen, which troubled him. It was guaranteed not to leak, but writers and schoolchildren knew better. Ben wished to be relieved of the responsibility of the Blackbird, without losing his own dignity. ~ Penelope Fitzgerald,
554:E' la maledetta casualità che ti logora, il fatto che la differenza fra la vita, la morte e una ferita tremenda a volte è legata a cose minime come chinarsi ad allacciarsi una scarpa, scegliere il terzo cesso della fila invece del quarto, voltare la testa a sinistra anziché a destra. ~ Ben Fountain,
555:In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight. ~ Ursula K Le Guin,
556:Let me speak frankly: separate but equal is a fraud. It is the language that tried to push Rosa Parks to the back of the bus. It is the motif that determined that black and white people could not possibly drink from the same water fountain, eat at the same table or use the same toilets. ~ David Lammy,
557:Samuel Johnson observed: “The fountain of content must spring up in the mind, and he who hath so little knowledge of human nature as to seek happiness by changing anything but his own disposition, will waste his life in fruitless efforts and multiply the grief he proposes to remove. ~ Stephen R Covey,
558:The moral sense reappears today with the same morning newness that has been from of old the fountain of beauty and strength. You say there is no religion now. 'Tis like saying in rainy weather, There is no sun, when at that moment we are witnessing one of its superlative effects. ~ Ralph Waldo Emerson,
559:When we meditate, we go beyond the swirl of thoughts, memories and emotions that tend to keep us stuck in our ego's story of who we are. We enter an expanded state of awareness and discover our own inner fountain of joy, a source of happiness that isn't dependent on anyone or anything. ~ Deepak Chopra,
560:You are not Melusina, rising from a fountain to easy happiness. You will not be a beautiful woman at court with nothing to do but make magic. The road you have chosen will mean that you have to spend your life scheming and fighting. Our task, as your family, is to make sure you win. ~ Philippa Gregory,
561:I hadn’t thought to bring anything to wash down the blood. I wondered if they had a font for holy water, and whether anyone would object to me using it as a drinking fountain. Though given that I was trying to absorb vampire magic, using holy water as a chaser probably wasn’t a great idea. ~ Jim C Hines,
562:A person deprived of beauty and pleasure puts me in mind of the Haitian notion of a zombie - a person disconnected from his or her soul, a person who works for others' profit but never his own, a person who mindlessly does the bidding of the boss and exists in an emotional and mental limbo. ~ Ben Fountain,
563:Be cheerful [and grateful for the good that you have]: do not brood over fond hopes unrealized until a chain is fastened on each thought and wound around the heart. Nature intended you to be the fountain-spring of cheerfulness and social life, and not the mountain of despair and melancholy. ~ Arthur Helps,
564:It was, all in all, a grand example of interspecies lack of cooperation and the further illustration that might makes right. I stayed in the rest area, in my car, for another half an hour, until everything had settled down, and saw who emerged as the victor. The bees kept the water fountain. ~ Gary Paulsen,
565:But beyond confusion and rage, the strongest feeling I remember having that night was frustrated desire, because I would never be able to satisfy my need to run my hands over Rosa’s body, to penetrate her secrets, to release the green fountain of her hair and plunge into its deepest waters. ~ Isabel Allende,
566:God is the fountain of all blessing and prosperity, and he will be sought to for his blessing. I would therefore advise you not only to be constant in secret and family prayer, and in the public worship of God in his house, but also often to assemble yourselves in private praying societies. ~ Jonathan Edwards,
567:Samuel Johnson observed: “The fountain of content must spring up in the mind, and he who hath so little knowledge of human nature as to seek happiness by changing anything but his own disposition, will waste his life in fruitless efforts and multiply the grief he proposes to remove.” Knowing ~ Stephen R Covey,
568:Not that she means anything by it, he knows. This is simply her lifelong habit of moderation at work, her need to tamp everything down to the routine, the modest, the tepid everyday. He understands the whole concept of boundaries, but there’s a point where this mania for normalizing turns toxic. ~ Ben Fountain,
569:Silver key of the fountain of tears,
Where the spirit drinks till the brain is wild;
Softest grave of a thousand fears,
Where their mother, Care, like a drowsy child,
Is laid asleep in flowers.
Published in Poetical Works, 1839, 1st edition.
~ Percy Bysshe Shelley, A Fragment - To Music
,
570:The only true voyage, the only Fountain of Youth,” recited Orphu, “would be found not in traveling to strange lands but in having different eyes, in seeing the universe with the eyes of another person, of a hundred others, and seeing the hundred universes each of them sees, which each of them is. ~ Dan Simmons,
571:When the heart is full of joy, it always allows its joy to escape. It is like the fountain in the marketplace; whenever it is full it runs away in streams, and so soon as it ceases to overflow, you may be quite sure that it has ceased to be full. The only full heart is the overflowing heart. ~ Charles Spurgeon,
572:Reason is natural revelation, whereby the eternal father of light, and fountain of all knowledge, communicates to mankind that portion of truth which he has laid within the reach of their natural faculties: revelation is natural reason enlarged by a new set of discoveries communicated by God. . . . ~ John Locke,
573:She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery. ~ David Nicholls,
574:I had spent the previous summer and lunch hours during the school year working in my uncle Earl Edmund Sweet’s drugstore soda fountain in Oak Park. That was where I learned that you could influence people with a smile and enthusiasm and sell them a sundae when what they’d come for was a cup of coffee. ~ Ray Kroc,
575:13Jesus answered and told her, “Everyone who drinks of this water will thirst again; 14But whoever drinks from the water that I shall give him will most definitely never thirst, throughout the age;k rather the water that I shall give him will become in him a fountain springing up to the life of the Age. ~ Anonymous,
576:I can’t believe that you, a grown woman taller than me and beautiful enough to make my heart ache, will be the same girl I used to lift off the ground so you could reach the drinking fountain, the same girl who used to trundle out of my bedroom draped in a dress and hat and four scarves from my closet. ~ Ted Chiang,
577:Managing our emotions increases intuition and clarity. It helps us self-regulate our brain chemicals and internal hormones. It gives us natural highs, the real fountain of youth we've been searching for. It enables us to drink from elixirs locked within our cells, just waiting for us to discover them. ~ Doc Childre,
578:People are pushing, chesting up, there’s much half-assed shoving and garbled smack talk about who dissed who and who crossed whose line and of course everybody’s gotta have their boy’s back. A melee, you’d call it. A fracas. Not quite a throw-down brawl right here on the sacred turf of Texas Stadium. ~ Ben Fountain,
579:The First Meeting
The first fond meeting holy
Is like the woodbirds' trilling,
Is like a sea-song thrilling,
When red the sun sinks slowly,Is like a horn on mountain,
That wakes time's sleep thereunder
And summons to life's fountain
To meet in nature's wonder.
~ Bjornstjerne Bjornson,
580:These are the forgeries of jealousy; And never, since the middle summer's spring, Met we on hill, in dale, forest, or mead, By paved fountain or by rushy brook, Or in the beached margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturbed our sport. ~ William Shakespeare,
581:As Helena embroidered, the Count would tilt back his chair—balancing himself by resting a foot lightly on the lip of the fountain or the trunk of the tree—in order to read aloud from her favorite works of Pushkin. And hour upon hour, stanza upon stanza, her little needle would go round and round. “Where ~ Amor Towles,
582:Gentle reader, the Fountain of Youth is radioactive, and those who imbibe its poisonous heavy waters will suffer the hideous fate of decaying metal. Yet almost without exception, the wretched idiot inhabitants of our benighted planet would gulp down this radioactive excrement if it were offered. ~ William S Burroughs,
583:She wondered if there was a rule against shellans riding. Probably not... As long as she was sidesaddle, dressed in armor plating, and had a helmet made of reinforced, skid-resistant Kevlar, they'd probably let her go a few circles around the fountain in front of the house. Vroom-vroom. Fucking wheeeeeeee. ~ J R Ward,
584:Hummer with six doors to a side and black-tinted windows for maximum privacy. “What I’m talking a-bout!” cried Sergeant Dime as he pounced on the bar, everyone whooping over all the pimp finery, but after destroying all hopes for a quick recovery Billy subsides into a gnarled, secret funk. “Billy,” says ~ Ben Fountain,
585:The Anglo-Saxon world saw India as an underdeveloped country. The land of snake charmers, the cows on the street, that "ex-colony-backward-nation" kind of viewpoint, very condescending. Europe on the other hand, saw India in a more romantic, mystical, spiritual way, as a place that's a fountain of wisdom. ~ Kabir Bedi,
586:The more talented somebody is, the less they need the props. Meeting a person who wrote a masterpiece on the back of a deli menu would not surprise me. Meeting a person who wrote a masterpiece with a silver Cartier fountain pen on an antique writing table in an airy SoHo loft would seriously surprise me. ~ Hugh MacLeod,
587:My face is still marked with Henry's blood and I bend over this boy as if I'm taking a drink from a fountain in the park. I brush his nearly dead lips and they are dry as the back of my hand. His tongue barely touches mine and pulls away like a thief and oh Lucy if you had only asked me for this. ~ Will Christopher Baer,
588:Seek to be made holier every day; pray, strive, wrestle for the spirit, to make you like God. Be as much you can with God. I declare to you that I had rather be one hour with God than a thousand with the sweetest society on earth or in Heaven. All other joys are but streams; God is the fountain. ~ Robert Murray M Cheyne,
589:You know what I need?” I asked. “A chocolate fountain?” Ethan suggested. “A complete paper set of the Encyclopedia Britannica? A lifetime supply of grilled meat?” “I like all those ideas, but I was thinking a magical spray I can use on Mallory to wash the crazy off her.” “Like Lysol for evil?” Paige asked. ~ Chloe Neill,
590:From the living fountain of instinct flows everything that is creative; hence the unconscious is not merely conditioned by history, but is the very source of the creative impulse. It is like nature herself - prodigiously conservative, and yet transcending her own historical conditions in her acts of creation. ~ Carl Jung,
591:One who has drunk at the fountain of spiritual happiness says good-by of his own accord to the satisfactions that come from a higher professional status ... What is the greatest sign of success for a teacher thus transformed? It is to be able to say, "The children are now working as if I did not exist. ~ Maria Montessori,
592:The water of the fountain ran, the swift river ran, the day ran into evening, so much life in the city ran into death according to rule, time and tide waited for no man, the rats were sleeping close together in their dark holes again, the Fancy Ball was lighted up at supper, all things ran their course. ~ Charles Dickens,
593:Kenneth Hagin, the late father of the modern faith movement, stated: Prophecy is supernatural utterance in a known tongue. The Hebrew word “to prophesy” means “to flow forth.” It also carries with it the thought “to bubble forth like a fountain, to let drop, to lift up, to tumble forth, and to spring forth. ~ James W Goll,
594:Joy being of God was a living thing, a fountain not a cistern, one of those divine things that are possessed only as they overflow and flow away, and not easily come by because it must break into human life through the hard crust of sin and contingency. Joy came now here, now there, was held and escaped. ~ Elizabeth Goudge,
595:And may that Being who is supreme over all, the Patron of order, the Fountain of justice, and the Protector, in all ages of the world, of virtuous liberty, continue His blessing upon this nation and its government, and give it all possible success and duration, consistent with the ends of His providence. ~ John Quincy Adams,
596:I’d love to see the Trevi Fountain,” she said. “There’s a fountain on every block,” Leo grumbled. “Or the Spanish Steps,” Hazel said. “Why would you come to Italy to see Spanish steps?” Leo asked. “That’s like going to China for Mexican food, isn’t it?” “You’re hopeless,” Hazel complained. “So I’ve been told. ~ Rick Riordan,
597:I think I was lucky to come of age in a place and time - the American South in the 1960s and '70s - when the machine hadn't completely taken over life. The natural world was still the world, and machines - TV, telephone, cars - were still more or less ancillary, and computers were unheard of in everyday life. ~ Ben Fountain,
598:deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all. ~ Herman Melville,
599:I wanted to be the next Dana Carvey. This was my ultimate goal. If I ever cut into a birthday cake and made a wish, I would wish to be on 'Saturday Night Live.' If I threw a coin into a fountain, I would wish to be on 'Saturday Night Live.' If I saw a shooting star, I would wish to be on 'Saturday Night Live.' ~ Jimmy Fallon,
600:REV21.5 And he that sat upon the throne said, Behold, I make all things new. And he said unto me, Write: for these words are true and faithful. REV21.6 And he said unto me, It is done. I am Alpha and Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the water of life freely. ~ Anonymous,
601:The Divine rejoices in your being happy. God, or the Creation, is so happy when you are happy. When you dance, sing, and jump up and down happily, that is true prayer, that is true meditation. Meditation is a fountain of joy, an ecstasy; and Divine enjoys that more. Divine is not fond of your suffering. ~ Sri Sri Ravi Shankar,
602:the sense of being which in calm hours arises, we know not how, in the soul, is not diverse from things, from space, from light, from time, from man, but one with them and proceed obviously from the same source... Here is the fountain of action and of thought... We lie in the lap of immense intelligence. ~ Ralph Waldo Emerson,
603:I can’t believe that you, a
grown woman taller than me and beautiful enough to make my heart ache, will be the
same girl I used to lift off the ground so you could reach the drinking fountain, the
same girl who used to trundle out of my bedroom draped in a dress and hat and four
scarves from my closet. ~ Ted Chiang,
604:Not everyone is born a witch or a saint. Not everyone is born talented, or crooked, or blessed; some are born definite in no particular at all. We are a fountain of shimmering contradictions, most of us. Beautiful in the concept, if we're lucky, but frequently tedious or regrettable as we flesh ourselves out. ~ Gregory Maguire,
605:Not everyone is born a witch or a saint. Not everyone is born talented, or crooked, or blessed; some are born definite in no particular at all. We are a fountain of shimmering contradictions, most of us. Beautiful in the concept, if we’re lucky, but frequently tedious or regrettable as we flesh ourselves out. ~ Gregory Maguire,
606:The solicitor he selected, a Mr Makepeace, had demanded five thousand pounds up front, even before he took the top off his fountain pen, and then another five once he'd briefed Alex Redmayne, the barrister who would represent him in Court. Danny couldn't understand why he needed two lawyers to do the same job. ~ Jeffrey Archer,
607:the sense of being which in calm hours arises, we know not how, in the soul, is not diverse from things, from space, from light, from time, from man, but one with them and proceeds obviously from the same source.... Here is the fountain of action and of thought.... We lie in the lap of immense intelligence. ~ Ralph Waldo Emerson,
608:O holy Jesus, Gentle friend, Morning Star, Midday sun adorned, Brilliant flame of righteousness, life everlasting and eternity, Fountain ever-new, ever-living, ever-lasting. . . . Son of the merciful Father, without mother in heaven, Son of the true Virgin Mary, without father on earth, True and loving Brother. ~ Kenneth McIntosh,
609:We have now in our possession three instruments of civilization, unknown to antiquity. These are the art of printing; free representative government; and, lastly, a pure and spiritual religion, the deep fountain of generous enthusiasm, the mighty spring of bold and lofty designs, the great sanctuary of moral power. ~ Edward Everett,
610:religious lives are marked by a growing hunger after God Himself. They are eager for spiritual realities and will not be put off with words, nor will they be content with correct "interpretations" of truth. They are athirst for God, and they will not be satisfied till they have drunk deep at the Fountain of Living Water. ~ A W Tozer,
611:It is true that God can be known and enjoyed in every legitimate vocation; but when he deploys you from one place to the next, he offers fresh and deeper drinking at the fountain of his fellowship. God seldom calls us to an easier life, but always calls us to know more of him and drink more deeply of his sustaining grace. ~ John Piper,
612:It is the man of science, eager to have his every opinion regenerated, his every idea rationalized, by drinking at the fountain of fact, and devoting all the energies of his life to the cult of truth, not as he understands it, but as he does not yet understand it, that ought properly to be called a philosopher. ~ Charles Sanders Peirce,
613:We were walking toward the fountain, the epicenter of activity, when an older couple stopped and openly observed us. Robert enjoyed being noticed, and he affectionately squeezed my hand. "oh, take their picture," said the woman to her bemused husband, "I think they're artists." "Oh, go on," he shrugged. "They're just kids. ~ Patti Smith,
614:a bruise, blue
in the muscle, you
impinge upon me.
As bone hugs the ache home, so
I'm vexed to love you, your body

the shape of returns, your hair a torso
of light, your heat
I must have, your opening
I'd eat, each moment
of that soft-finned fruit,
inverted fountain in which I don't see me. ~ Li Young Lee,
615:Curran let our a ragged snarl and punched the other wall. It burst and the entire wreck of the house came down in a fountain of dust. He shook his hand, his knuckles bloody.
"Bricks are hard," I told him patiently, as if to a child. "Don't hit bricks. No, no."
Curran picked up a brick and snapped it in half.
Idiot ~ Ilona Andrews,
616:When God is so often spoken of as the last as well as the first, the end as well as the beginning, it is implied that as he is the first, efficient58 cause and fountain from whence all things originate; so, he is the last, final cause for which they are made; the final term to which they all tend in their ultimate issue. This ~ John Piper,
617:He wanted to know what I saw in you. I told him..." he paused again, and then continued almost shyly, "that you poured out honor like a fountain, all around you."

"That's weird. I don't feel full of honor, or anything else, except maybe confusion."

"Naturally not. Fountains keep nothing for themselves. ~ Lois McMaster Bujold,
618:I’ve heard of you,’ Leon said, as James Adams approached. ‘You’re the guy that started the epic food fight in the campus dining-room.’ James smirked. ‘Good to know my legend lives on.’ ‘I bow down before you,’ Alfie said. ‘You’re the guy that had sex in the campus fountain.’ Grace shook her head. ‘No, that was Dave Moss. ~ Robert Muchamore,
619:The color painted within the Green Room was known as "sweetdream" and would render you unconscious in twelve minutes and dead in sixteen, but during those twelve minutes every synapse in your brain would fire in a sparkling fountain of pleasure. The cries from the Green Room were never of pain or fear. They were of ecstasy. ~ Jasper Fforde,
620:We were walking toward the fountain, the epicenter of activity, when an older couple stopped and openly observed us. Robert enjoyed being noticed, and he affectionately squeezed my hand.
"oh, take their picture," said the woman to her bemused husband, "I think they're artists."
"Oh, go on," he shrugged. "They're just kids. ~ Patti Smith,
621:As we pushed off from the fountain, one of the washerwomen leaned forward, practically spilling out of her dress.
"If you ever get tired of skin and bones," she called to Mal," I've got something to tempt you."
I stiffened. Mal glanced over his shoulder. Slowly, he looked her up and down. "No," he said flatly. "You don't. ~ Leigh Bardugo,
622:La paura della morte è la favela dell'animo umano, esserne liberi è l'equivalente psicologico dell'ereditare cento milioni di dollari. Ecco cosa invidia davvero a questa gente, il lusso di considerare il terrorismo un argomento di conversazione, e in questo preciso momento si sente così sfigato che potrebbe scoppiare a piangere. ~ Ben Fountain,
623:You say, "There are men who have no money," and you apply the law. But the law is not a self-supplied fountain, whence every stream may obtain supplies independtly of society. Nothing can enter the public treasury, in favor of one citizen or one class, but what other citizens and other classes have been forced to send to it. ~ Fr d ric Bastiat,
624:I have done many movies that people hadn't seen. 'The Fountain,' I spent a year on that. 'The Prestige' with Chris Nolan, and 'Australia.' From my perspective it's very satisfying. Some movies people see and other movies they don't. 'Wolverine,' 'X Men,' I know that in some level people know me just for that and it's fine for me. ~ Hugh Jackman,
625:Life is a hard fight, a struggle, a wrestling with the principle of evil, hand to hand, foot to foot. Every inch of the way is disputed. The night is given us to take breath, to pray, to drink deep at the fountain of power. The day, to use the strength which has been given us, to go forth to work with it till the evening. ~ Florence Nightingale,
626:A song remembers a home, another conjures fear that home will fall to those who would destroy it. A poet places wine glasses on a fountain’s rim under stars. An artist sets his lost wife on a dome . . . amid stars. A dancer lets the music be what she is, until it stops. Someone made the music, someone plays it while she dances. ~ Guy Gavriel Kay,
627:The afternoon is bright, with spring in the air, a mild March afternoon, with the breath of April stirring, I am alone in the quiet patio looking for some old untried illusion - some shadow on the whiteness of the wall some memory asleep on the stone rim of the fountain, perhaps in the air the light swish of some trailing gown. ~ Antonio Machado,
628:Growing up emotionally neglected is like nearly dying of thirst outside the fenced off fountain of a parent’s warmth and interest. Emotional neglect makes children feel worthless, unlovable and excruciatingly empty. It leaves them with a hunger that gnaws deeply at the center of their being. They starve for human warmth and comfort. ~ Pete Walker,
629:I took one sip and literally spit it out. It was the grossest thing I’d ever tasted. I remember once getting a Diet Coke at a Subway without realizing that the fountain machine didn’t have enough Diet Coke syrup. That’s exactly what this fancy place’s “sparkling” water tasted like. “Something’s wrong with that water,” I protested. The ~ J D Vance,
630:You have the mainstream bourgeois life of the U.S., Europe, the "developed" world - the life of technology, education, mortgages, careers, a certain level of physical comfort - while on the other hand, several billion people on the planet exist on less than a dollar a day. That's a huge and terrible reality to get your head around. ~ Ben Fountain,
631:In a way it's so easy, all he has to do is say what they want to hear and they're happy, they love him, everybody gets along. Sometimes he has to remind himself there's no dishonor in it. He hasn't told any lies, he doesn't exaggerate, yet so often he comes away from these encounters with the sleazy, gamey aftertaste of having lied. ~ Ben Fountain,
632:In a way it’s so easy, all he has to do is say what they want to hear and they’re happy, they love him, everybody gets along. Sometimes he has to remind himself there’s no dishonor in it. He hasn’t told any lies, he doesn’t exaggerate, yet so often he comes away from these encounters with the sleazy, gamey aftertaste of having lied. ~ Ben Fountain,
633:Life in the Army is miserable that way. You fuck up, they scream at you, you fuck up some more and they scream some more, but overlying all the small, petty, stupid, basically foreordained fuckups looms the ever-present prospect of the life-fucking fuckup, a fuckup so profound and all-encompassing as to crush all hope of redemption. ~ Ben Fountain,
634:Mama Juanita. I remember her sitting at the kitchen table when she thought everyone was asleep. She had a cigarillo in one hand and her fountain pen in the other. Usually, a bruja writes their initials after an entry in the Book of Cantos. The map of Los Lagos, and the notes scrawled on the back, are unfinished, anonymous. “Wait, ~ Zoraida C rdova,
635:Before everything happened I wished i had double voice box like a song bird so I could sing two songs at once, the way a bird can harmonize with itself. I wanted to sing crystal clear notes. I wanted to sing them one after anther in ascending order. And at the same time I wanted to let another fountain of notes descend from my heart. ~ Karen Foxlee,
636:Stephen Colbert , whose "The Colbert Report" show ended its run on Comedy Central last week, might be off the airwaves temporarily - but he's back on the walls of the National Portrait Gallery. Friday, the gallery put up a new portrait of the comedian in a spot befitting the host: near some public bathrooms, just above a water fountain. ~ Anonymous,
637:Alla gente tutta quella falsità non fa né caldo né freddo, forse perché l'ininterrotta propaganda commerciale della vita americana le ha instillato soglie eccezionalmente alte di tolleranza per le simulazioni, le gonfiature, le distorsioni, le stronzate e le vere e proprie menzogne, in altre parole per la pubblicità in ogni sua forma. ~ Ben Fountain,
638:Bush, Cheney, Rove, all those guys, they just did what everybody else was doing and I was right there with ’em, chicken as anybody. My problem now is how tough and gung-ho they are, all that bring-it-on crap, I mean, Jesus, show a little humility, people. They ought to be just as careful of your young lives as they were with their own. ~ Ben Fountain,
639:I’ll wish for more wishes,” I offer. Morpheus laughs. “Oh, of course you would. Just like Alice did. She asked for an endless supply of wishes. Then her tears wouldn’t stop falling. That’s how the ocean was born in the first place. We almost never got that fountain stopped. If you try to outsmart magic, there’s always a price to be paid. ~ A G Howard,
640:Some make gods of their pleasures; some choose Mammon for their god; some make gods of their own supposed excellencies, or the outward advantages they have above their neighbors: some choose one thing for their god, and others another. But men can be happy in no other God but the God of Israel: he is the only fountain of happiness. ~ Jonathan Edwards,
641:Husbands take photographs of their wives and children in front of a fountain and call out to the boys who rush back and forth, carrying trays of tea and wrinkly, black dates. We sit at opposite ends of a large wooden bench covered in rugs and pillows; a spot more suited to a courting couple than the two of us who have nothing to say. ~ Jennifer Klinec,
642:In the end, what would you gain from everlasting remembrance? Absolutely nothing. So what is left worth living for? This alone: justice in thought, goodness in action, speech that cannot deceive, and a disposition glad of whatever comes, welcoming it as necessary, as familiar, as flowing from the same source and fountain as yourself. ~ Marcus Aurelius,
643:Ma certo che non sei malato di mente, solo un pazzo vorrebbe tornare in guerra. Invece che all'infermità, diciamo agli avvocati di appellarsi alla momentanea sanità mentale, che ne pensi? Sei troppo sano di mente per tornare in guerra, Billy Lynn ha ritrovato la lucidità. E' il resto del paese che è matto, a volerlo rispedire al fronte. ~ Ben Fountain,
644:Yes! the books - the generous friends who met me without suspicion - the merciful masters who never used me ill! The only years of my life that I can look back on with something like pride... Early and late, through the long winter nights and the quiet summer days, I drank at the fountain of knowledge, and never wearied of the draught. ~ Wilkie Collins,
645:Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise. ~ W H Auden,
646:Happiness is caused by things that happen around me, and circumstances will mar it; but joy flows right on through trouble; joy flows in the night as well as in the day; joy flows through persecution and opposition. It is an unceasing fountain bubbling up in the heart; a secret spring the world can't see and doesn't know anything about. ~ Dwight L Moody,
647:Italian in the mouth of Italians is a deep-voiced stream, with unexpected cataracts and boulders to preserve it from monotony. In Mr. Eager's mouth it resembled nothing so much as an acid whistling fountain which played ever higher and higher, and quicker and quicker, and more and more shrilly, till abruptly it was turned off with a click. ~ E M Forster,
648:He laughed, and he made me laugh, and it was because his relationship to his faith was not a do-or-die mission but something life-giving and fluid. Like a river. Like a fountain. It was in the generosity of his faith and his love that I found the rest I'd been hoping for when I filled out the applications and packed my bags for Minnesota. ~ Addie Zierman,
649:At first it had slashed up the little silk pockets of her purse. Then she found part of an old thermometer container that slipped over the head of the scalpel, capping it like a fountain pen. It was this cap she removed when the soldier moved into the seat beside her and stretched his arm along the armrest they were (absurdly) meant to share. ~ John Irving,
650:Fig tree, how long it's been full meaning for me, the way you almost entirely omit to flower and into the seasonably-resolute fruit uncelebratedly thrust your purest secret. Like the tube of a fountain, your bent bough drives the sap downwards and up: and it leaps from its sleep, scarce waking, into the joy of its sweetest achievement. ~ Rainer Maria Rilke,
651:I said, "You will have to find your answers without me," which made him tap his fountain pen so hard in frustration that it left a large blot of ink on his compulsive little page of notes. If I had not felt so sorry for him, I would have laughed out loud at his desire to pin everything down, at his naïveté, at his childish desire to know. ~ Charlotte Rogan,
652:The fountain in the village flowed unseen and unheard, and the fountain at the chateau dropped unseen and unheard—both melting away, like the minutes that were falling from the spring of Time—through three dark hours. Then, the grey water of both began to be ghostly in the light, and the eyes of the stone faces of the chateau were opened. ~ Charles Dickens,
653:The other dragons wheeled into formation around the one bearing the great dog, their long, graceful necks still arched as they sang. They brought their noses close to Nugget’s wet, battered body. Together they lifted the dog into the air so that he appeared to float atop the streams of a fountain, and then they bore him below the surface. ~ Andrew Peterson,
654:I'll stand next to that fountain and wait until the Official find me. And when she does and asks me what I'm doing, I'll tell her and everyone else that I know: t hey are giving us pieces of a real life instead of the whole thing. And I'll tell her that I don't want my life to be samples and scraps. A taste of everything but a meal of nothing. ~ Ally Condie,
655:He opened his palm and saw that the watch remained. Still there. Still real.
Varen looked up at the figure that stood atop the fountain.
With a howl of rage, he made it burst apart.
He fell to his knees amid the wreckage and floating dust.
Crumpling into himself, he released a choking sob, knowing that he, too, belonged to the ruin. ~ Kelly Creagh,
656:The rich, sweet smell of the hayricks rose to his chamber window; the hundred perfumes of the little flower-garden beneath scented the air around; the deep-green meadows shone in the morning dew that glistened on every leaf as it trembled in the gentle air: and the birds sang as if every sparkling drop were a fountain of inspiration to them. ~ Charles Dickens,
657:It was a cruben, the great one-horned scaled whale of Dara and sovereign of the seas: two hundred feet long and as large next to an elephant as an elephant would be next to a mouse. Its eyes were so dark that they sucked in all sunlight like deep wells, and when the great fish exhaled through its blowhole, the fountain shot as high as a hundred feet. ~ Ken Liu,
658:He takes no pleasure in human tears. He came and wept that He might stop forever the fountain of human tears. He came and bereaved His mother that He might heal all bereavement. He came and lost everything that He might heal the wounds that we have from losing things. And He wants us to take pleasure in Him. Let us put away our doubts and trust Him. ~ A W Tozer,
659:It's an important thing and a necessary thing as a writer to always be reaching outside of yourself. They say write what you know. But what you know is rarely enough. You need to know more. But you've got to approach it with a lot of respect and humility. You owe it to the people and experience you're trying to understand. It's not a casual thing. ~ Ben Fountain,
660:The operation of His life in us is in a true sense spontaneous, that is to say, it is without effort of ours. The all-important rule is not to “try,” but to “trust,” not to depend upon our own strength, but upon His. For it is the flow of life which reveals what we truly are “in Christ.” It is from the Fountain of Life that the sweet water issues. ~ Watchman Nee,
661:Heat without light is blind, as light without heat is cold. The Sun of Righteousness, like the natural luminary, becomes the fountain of life in his appropriate realm by giving heat through light. To the objection that didactic preaching is dry, I answer, that if it ever seems to be so, this is the fault of the preacher and not of the truth. ~ Robert Lewis Dabney,
662:I know your streets, sweet city, I know the demons and angels that flock and roost in your boughs like birds. I know you, river, as if you flowed through my heart. I am your warrior daughter. There are letters made of your body as a fountain is made of water. There are languages of which you are the blueprint and as we speak them the city rises … ~ Cassandra Clare,
663:We are guilty of many errors and many faults, but our worst crime is abandoning the children, neglecting the fountain of life. Many of the things we need can wait. The child cannot. Right now is the time his bones are being formed, his blood is being made, and his senses are being developed. To him we cannot answer ‘Tomorrow,’ his name is today. ~ Gabriela Mistral,
664:When faith is completely replaced by creed, worship by discipline, love by habit; when the crisis of today is ignored because of the splendor of the past; when faith becomes an heirloom rather than a living fountain; when religion speaks only in the name of authority rather than with the voice of compassion—its message becomes meaningless. ~ Abraham Joshua Heschel,
665:From........Witches' Song
The owl is abroad,the bat and the toad,
And so is the cat-a mountain,
The ant and the mole sit both in a hole,
And frog peeps out o'the fountain;
The dogs they do bay,and the timbrels play,
The spindle is now a-turning;
The moon it is red,and the stars are fled,
And all the sky is a-burning.
~ Ben Jonson,
666:it’s very clear to me that my ability to think and write at the same time depends on the flow of ink. The thing I enjoy most is the flow of my own ideas and getting them down on paper. I will not write with a ballpoint pen, because it doesn’t really flow. That’s why I use a fountain pen. And only a fountain pen that really works very well. ~ Mihaly Csikszentmihalyi,
667:The upheavals of adolescence silenced 'A Christmas Carol' for a few years. I became a firebrand atheist. Christmas - humbug! Too commercial! Then I became an agnostic. Christmas was a pro-forma affair, basically a chore. Buy mother a book, dad a new tie, my brother and sister small gifts. Pretend thanks for the fountain pens and shirts I received. ~ Whitley Strieber,
668:We are guilty of many errors and many faults, But our worst crime is abandoning the children, Neglecting the fountain of life. Many of the things we need can wait. The child cannot. Right now is the time his bones are being formed, His blood is being made, And his senses are being developed. To him we cannot answer 'Tomorrow.' His name is 'Today.' ~ Gabriela Mistral,
669:When faith is completely replaced by creed, worship by discipline, love by habit; when the crisis of today is ignored because of the splendors of the past; when faith becomes an heirloom rather than a living fountain; when religion speaks only in the name of authority rather than with the voice of compassion, its message becomes meaningless. ~ Abraham Joshua Heschel,
670:Areila walked like she had somewhere to go. I stood by the fountain and watched her pass, but I didn't speak. It was the lady's prerogative to pretend she didn't see me. She got to the edge of the park; I swear, her foot hovered right over the line, when she turned with military precision and marched back. She stopped in front of me and said, "Hello. ~ Christina Dodd,
671:Pippin glanced in some wonder at the face now close beside his own, for the sound of that laugh had been gay and merry. Yet in the wizard's face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth. ~ J R R Tolkien,
672:The heart is a gate-less gate to divinity. Move to the heart. We are all hung up, stuck in the head - that is our problem. The only problem is that we think too much. There is only one solution - get down from the head to the heart. All your problems will disappear. Problems are created by the head. The heart is innocent. The heart is a fountain of love. ~ Vasant Lad,
673:I'm a writer, not an editor, and though the editing rarely cut into my writing time, it did take away from that walking-around-thinking-about-it-when-you're-not-thinking-about-it time that I think is important for writers. When you're half-thinking about what you're working on while driving, cooking . . . just letting things sift and settle, come to you. ~ Ben Fountain,
674:1. From every depth of good and ill
The mystery which binds me still
From the torrent or the fountain
From the red cliff of the mountain
My heart to joy at the same tone....
And all I loved,
I Loved Alone...

২. একজন শিক্ষিত মানুষ দিয়ে কী হয় ? কিন্তু একশজন খাঁটি মানুষ দিয়ে একটা দেশ পাল্টে দেয়া যায় । - ড.মুহম্মদ জাফর ইকবাল স্যার ~ Edgar Allan Poe,
675:We are in front of a fountain, whose jet she seems to be watching. 'Those are your thoughts and mine. Look where they all start from, how high they reach, and then how it's still prettier when they fall back. And then they dissolve immediately, driven back up with the same strength, then there's that broken spurt again, that fall ... and so on indefinitely. ~ Andr Breton,
676:It is the property of things seen for the first time, or for the first time after long, like the flowers in spring, to reawaken in us the sharp edge of sense and that impression of mystic strangeness which otherwise passes out of life with the coming of years; but the sight of a loved face is what renews a man's character from the fountain upwards. ~ Robert Louis Stevenson,
677:The moonlight on the water outside the chamber window throws the reflection of ripples onto the whitewashed ceiling of the room, so they look as if they are underwater, floating with Melusina in the fountain. But I know that they are both gone from me, and our water mother is singing them on their journey down the sweet river to the deep springs of home. ~ Philippa Gregory,
678:You can deny him, he thought, watching his father across the table. You can hate him, love him, pity him, never speak to or look at him in the eye again, never deign even to be in his crabbed and bitter presence, but you're still stuck with the son of a bitch. One way or another he'll always be your daddy, not even all-powerful death was going to change that. ~ Ben Fountain,
679:And Billy, if it’ll ease your mind any, I want you to know you’ve got a standing offer to come work for me when you’re done with your military service. All you’ve got to do is say the word.” Now there was a depressing thought, although Billy could see how it might come to that, assuming best-case scenario he made it home with all his limbs and faculties intact. ~ Ben Fountain,
680:Do not make an excuse that you have not opportunities to do anything for the glory of God, for the interest of the Redeemer's kingdom, and for the spiritual benefit of your neighbors. If your heart is full of love, it will find vent; you will find or make ways enough to express your love in deeds. When a fountain abounds in water it will send forth streams. ~ Jonathan Edwards,
681:Must it ever be thus-that the source of our happiness must also be the fountain of our misery? The full and ardent sentiment which animated my heart with the love of nature, overwhelming me with a torrent of delight, and which brought all paradise before me, has now become an insupportable torment, a demon which perpetually pursues and harrasses me. ~ Johann Wolfgang von Goethe,
682:My philosophy is fundamentally sad, but I’m not a sad man, and I don’t believe I sadden anyone else. In other words, the fact that I don’t put my philosophy into practice saves me from its evil spell, or, rather, my faith in the human race is stronger then my intellectual analysis of it; there lies the fountain of youth in which my heart is continually bathing. ~ Antonio Machado,
683:Joy and happiness are the indicators of balance in a human machine...An inner joyousness, amounting to ecstasy, is the normal condition of the genius mind. Any lack of that joyousness develops body-destroying toxins. That inner ecstasy of the mind is the secret fountain of perpetual youth and strength in any man. He who finds it finds omnipotence and omniscience. ~ Walter Russell,
684:The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we do [with great artists]; with artists like these we do really fly from star to star. ~ Marcel Proust,
685:Inui’s insane laughter filled the sanctuary. The ceiling peeled off and shards of stained glass danced through the air. They turned into dead rats, German dictionaries, wineglasses, fountain pens, scorpions, cats’ heads, syringes, and a motley jumble of other objects that filled the space, flying around madly, swirling like a whirlwind, surging like a raging sea. ~ Yasutaka Tsutsui,
686:Louie grabbed the flare gun, loaded it, and fired. The flare shot straight at the bomber; for a moment, the men thought that it would hit the plane. But the flare missed, passing alongside the plane, making a fountain of red that looked huge from the raft. Louie reloaded and fired again. The plane turned sharply right. Louie fired two more flares, past the tail. ~ Laura Hillenbrand,
687:We were at the White House a couple of weeks ago," the man says, "they had a state dinner for Prince Charles and Camilla. Listen, those royals are just the finest people, no pretensions to them whatsoever. You can talk to Prince Charles about anything."
Billy nods. There's a silence. Just in time he asks, "What did you talk about?"
"Hunting," the man answers. ~ Ben Fountain,
688:/Farsi & Turkish come let's fall in love again let's turn all the dirt in this world to shiny gold come let's be a new spring a love reborn find our aroma from the essence of all who emit heavenly fragrance like a fresh tree bloom and spread all the blessings right from inside [2079.jpg] -- from Rumi: Fountain of Fire, Translated by Nader Khalili

~ Jalaluddin Rumi, come
,
689:For there upon a bed of soft wool lay the most splendid jewel, a jewel such as Dyson had never dreamed of, and within it shone the blue of far skies, and the green of the sea by the shore, and the red of the ruby, and deep violet rays, and in the middle of all it seemed aflame as if a fountain of fire rose up, and fell, and rose again with sparks like stars for drops. ~ Arthur Machen,
690:One of my favourite contemporary fiction writers is a Texan, Ben Fountain. His extraordinary novel, Billy Lynn's Long Half-Time Walk, all takes place within the half-time show at a Dallas Cowboys football game. No one has better summed up the American appetite for spectacle, the link between sports and politics, and the absolute madness of George W. Bush's Iraq War. ~ Adam Hochschild,
691:We all flow from one fountain- Soul. All are expressions of one love. God does not appear, and flow out, only from narrow chinks and round bored wells here and there in favored races and places, but He flows in grand undivided currents, shoreless and boundless over creeds and forms and all kinds of civilizations and peoples and beasts, saturating all and fountainizing all. ~ John Muir,
692:As Commander-in-Chief, I take pleasure in commending the reading of the Bible to all who serve in the Armed Forces of the United States. Throughout the centuries, men of many faiths and diverse origins have found in the Sacred Book words of wisdom, counsel, and inspiration. It is a fountain of strength...an aid in attaining the highest aspiration of the human soul. ~ Franklin D Roosevelt,
693:I knew—but I did know that I had crossed 700  The border. Everything I loved was lost But no aorta could report regret. A sun of rubber was convulsed and set; And blood-black nothingness began to spin A system of cells interlinked within Cells interlinked within cells interlinked Within one stem. And dreadfully distinct Against the dark, a tall white fountain played. I ~ Vladimir Nabokov,
694:In Heaven there will be no anguish and no duty of turning away from our earthly Beloveds. First, because we shall have turned already; from the portraits to the Original, from the rivulets to the Fountain, from the creatures He made lovable to Love Himself. But secondly, because we shall find them all in Him. By loving Him more than them we shall love them more than we now do. ~ C S Lewis,
695:Weeds could be pulled and new seeds planted, hardened soil tilled and watered to make a fertile bed. Water could be piped in to make an old fountain cascade for the first time. Perhaps my relationship with my mother could be tended in the same way, with care and patience used to rebuild the bedrock of a mother-child bond that had been broken nearly thirty-three years before. ~ Karen White,
696:I actually thought you would be kind," said the vampire.
"Go away!" screamed Devnee.
He did not answer.
"I didn't have to be kind," Devnee told him. "Victoria was kind for me."
He laughed.
"No one can be kind for you, my dear," said the vampire. "But I don't mind, of course. I have you now. There's no escape, my dear. You and I, Devnee Fountain, are a team. ~ Caroline B Cooney,
697:Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise. ~ W H Auden,
698:Because he is; that is, because he is an infinitely glorious, good, wise, holy, powerful, righteous, self-subsisting , self-sufficient , and all-sufficient being; the fountain and author of all being and good; the first cause, last end, and sovereign Lord of all; therefore, he is to be worshipped: therefore, are we to admire, adore, and love him; to praise, to trust and to fear him. ~ John Owen,
699:On a summer morning she woke to a sense of returning health. She had been lying like a waste shore, at low spring-tide, covered with dry seaweeds, withered jelly-fishes, and a multitudinous life that gasped for the ocean: at last the cook washing throb of the great sea of bliss, whose fountain is the heart of God, had stolen upon her consciousness, and she knew that she lived. ~ George MacDonald,
700:Even harder was describing his sense that Shroom’s death might have ruined him for anything else, because when he died? when I felt his soul pass through me? I loved him so much right then, I don’t think I can ever have that kind of love for anybody again. So what was the point of getting married, having kids, raising a family if you knew you couldn’t give them your very best love? ~ Ben Fountain,
701:My sins were the scourges which lacerated those blessed shoulders, and crowned with thorn those bleeding brows: my sins cried "Crucify him! crucify him!" and laid the cross upon his gracious shoulders. His being led forth to die is sorrow enough for one eternity: but my having been his murderer, is more, infinitely more, grief than one poor fountain of tears can express. ~ Charles Haddon Spurgeon,
702:Just what she needed. More filth in her soul. Someday, maybe, she would explode from it; someday, maybe, every rotten thing that had ever been done to her and every rotten thing she’d ever done would erupt from her in a fountain of sewage and sorrow, all those secrets she kept even from herself spilling out and adding to the muck she could never wash off no matter how hard she tried. ~ Stacia Kane,
703:This does it; they throw back their heads and roar. In a way it’s so easy, all he has to do is say what they want to hear and they’re happy, they love him, everybody gets along. Sometimes he has to remind himself there’s no dishonor in it. He hasn’t told any lies, he doesn’t exaggerate, yet so often he comes away from these encounters with the sleazy, gamey aftertaste of having lied. ~ Ben Fountain,
704:Rush like a river from the highest mountain, drink from the fountain and stop your counting. What kind of wine does he have in his tavern, oh so enchanted and sing like a mad man. Mad with the love of a wife for her husband, child or mother, sister or brother... sing for the Most High, sing for no other. We are all notes in this eternal song, God plays his flute and we all dance along. ~ Trevor Hall,
705:The mystery of sound is mysticism; the harmony of life is religion. The knowledge of vibrations is metaphysics, the analysis of atoms is science, and their harmonious grouping is art. The rhythm of form is poetry, and the rhythm of sound is music. This shows that music is the art of arts and the science of allsciences; and it contains the fountain of all knowledge within itself. ~ Hazrat Inayat Khan,
706:Why?' He kept asking in his sweetly belling voice, its tone as pure as marbles swirled around a crystal pail. Why him wun up the tree? Why him nest up theah? Why him gadder nuts? Why? Why? Why? And Billy answering every question to the best of his ability, as if anything less would disrespect the deep and maybe even divine force that drove his little nephew toward universal knowledge. ~ Ben Fountain,
707:The Creator is infinite. This means he has all possible existence, perfection, and excellence. This means he must also have all possible honor and respect. In every way God is first and supreme. His excellent qualities are the supreme beauty and glory, the original good, and the fountain of all good. This, of course, means that he must in every way have the highest regard and honor. ~ Jonathan Edwards,
708:When the boy begins to understand that the visible point is preceded by an invisible point, that the shortest distance between two points is conceived as a straight line before it is ever drawn with pencil and paper...the fountain of all thought has been opened to him...the philosopher can reveal him nothing new, as a geometrician he has discovered the basis of all thought. ~ Johann Wolfgang von Goethe,
709:I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree. ~ William Butler Yeats,
710:The mystery which binds me still—
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that ’round me rolled
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view. ~ Edgar Allan Poe,
711:The possibility of a question of this nature, proves the necessity of laying the foundations of our National Government deeper than in the mere sanction of delegated authority. The fabric of American Empire ought to rest on the solid basis of the consent of the People. The streams of National power ought to flow immediately from that pure original fountain of all legitimate authority. ~ Alexander Hamilton,
712:Another word found in Strong’s Concordance for prophetic impartation is nabiy’, which as we have already seen, is the action of “flowing forth,” or “bubbling forth like a fountain.” This perfectly describes the inspirational gift of prophecy we see so often in meetings, particularly in a setting of a plurality of elders and seasoned, gifted individuals working together as a coordinated team—the ~ James W Goll,
713:I think the themes of The Fountain, about this endless cycle of energy and matter, tracing back to the Big Bang... The Big Bang happened, and all this star matter turned into stars, and stars turned into planets, and planets turned into life. We’re all just borrowing this matter and energy for a little bit, while we’re here, until it goes back into everything else, and that connects us all. ~ Darren Aronofsky,
714:Man's maker was made man that He, Ruler of the stars, might nurse at His mother's breast; that the Bread might hunger, the Fountain thirst, the Light sleep, the Way be tired on its journey; that Truth might be accused of false witnesses, the Teacher be beaten with whips, the Foundation be suspended on wood; that Strength might grow weak; that the Healer might be wounded; that Life might die. ~ Saint Augustine,
715:Once, I ordered two thousand lady bugs from the local garden center and set them loose in the atrium. I sprinkled marigold seeds in the ficus planters and put gold fish in the lobby fountain. These are things I did with no consequences, no repercussions. My nineteen detentions were for smart answers and missed homework. There is no equivalent punishment for making the world a stranger place. ~ Brenna Yovanoff,
716:If thou hast ever come to the blood of sprinkling, thou wilt feel thy need of coming to it every day. He who does not desire to wash in it every day, has never washed in it at all. The believer ever feels it to be his joy and privilege that there is still a fountain opened. Past experiences are doubtful food for Christians; a present coming to Christ alone can give us joy and comfort. ~ Charles Haddon Spurgeon,
717:There in heaven this fountain of love, this eternal three in one, is set open
without any obstacle to hinder access to it. There this glorious God is manifested and shines forth in full glory, in beams of love; there the fountain overflows in streams and rivers of love and delight, enough for all to drink at, and to swim in, yea, so as to overflow the world as it were with a deluge of love. ~ Jonathan Edwards,
718:I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile? At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that. ~ Ben Fountain,
719:Over the years I've come to realize that in a broad sense I'm interested in power and politics. I'm interested in how individuals try to eke out some wiggle room within these large institutions . . . how they eke out some measure of freedom and personal space and integrity . . . trying to negotiate their way toward some sort of, if not happiness, then at least accommodation or peace with themselves. ~ Ben Fountain,
720:The Holy Spirit is the immediate source of all holiness. He is entirely sincere, and perfect in love. He is generous. He is pure in heart, free from selfishness, and never swerves from the path of duty. He is deep like a fountain. He sends forth his virtues in due season. He speaks, and men believe him; he acts, and men are gladdened by him. He possesses all heavenly virtues. He is one with Heaven. ~ Griffith John,
721:5 And he that sat upon the throne said, Behold, I make all things anew. And he said unto me, bWrite: for these cwords are true and faithful. 6 And he said unto me, It is done. aI am bAlpha and Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the cwater of life freely. 7 He that aovercometh shall binherit call things; and I will be his God, and he shall be my dson ~ Anonymous,
722:I told him that I loved him and that I'd always love him and I felt like a child who throws a centavo into a fountain and then she has to tell someone her most extraordinary wish even though she knows that the wish should be kept secret and that, in telling it, she is quite probably losing it. He replied that I was not to worry, that the penny could come out of the fountain again and again and again. ~ Colum McCann,
723:Comprehending at one bound the myth of Demeter and knowing that she was Demeter, that the fountain between her thighs was my own youth and I Persephone, who had come to her in spring and would come forever, for she was my youth, older than I and yet my youth, my ever-recurrent spring, and spring itself only a metaphor for the source, the waters, the hidden river, the tunnel of life between her thighs. ~ Kate Millett,
724:As her pace through the fountain intensified and her robing started to get soaked, she leaped out of the pool and jogged around, her fists up in front of her, the punches she threw out pumping the air. Being the good, dutiful Chosen was not in her hardwiring, and that was the root of all of the problems between her and her mother. Oh, the waste. Oh, the disappointment. Oh, do get over it, mother dear. Those ~ J R Ward,
725:Man's maker was made man that He, Ruler of the stars, might nurse at His mother's breast; that the Bread might hunger, the Fountain thirst, the Light sleep, the Way be tired on its journey; that Truth might be accused of false witnesses, the Teacher be beaten with whips, the Foundation be suspended on wood; that Strength might grow weak; that the Healer might be wounded; that Life might die. ~ Saint Augustine of Hippo,
726:The Christian hope is not for a gradually improving world any more than it is for a fountain of youth. But Christian hope overcomes the forces of despair and decay in the midst of this world, and provides foretastes of the coming kingdom where anyone who will receive the Lamb’s sacrifice will be raised to life, and where the glory and honor of the nations will be presented as offerings to the King of kings. ~ Andy Crouch,
727:There is in all visible things an invisible fecundity, a dimmed light, a meek namelessness, a hidden wholeness. This mysterious Unity and Integrity is Wisdom, the Mother of all, Natura Naturans. There is in all things an inexhaustible sweetness and purity, a silence that is a fountain of action and of joy. It rises up in wordless gentleness and flows out to me from the unseen roots of all created being... ~ Thomas Merton,
728:One receives as reward for much ennui, despondency, boredom -such as a solitude without friends, books, duties, passions must bring with it -those quarter-hours of profoundest contemplation within oneself and nature. He who completely entrenches himself against boredom also entrenches himself against himself: he will never get to drink the strongest refreshing draught from his own innermost fountain. ~ Friedrich Nietzsche,
729:The fountain that sprang with mingled blood and life in the Dark World, flows here with life only. We have passed the first cataracts, and from here onward the stream flows deep and turns in the direction of the sea. This is the Morning Star which He promised to those who conquer; this is the center of worlds. Till now, all has waited. But now the trumpet has sounded and the army is on the move. Blessed be He! ~ C S Lewis,
730:/Farsi Have no doubts because of trouble nor be thou discomfited; For the water of life's fountain springeth from a gloomy bed. Ah! ye brothers of misfortune! be not ye with grief oppressed, Many are the secret mercies which with the All-bounteous rest. [bk1sm.gif] -- from The Gulistan of Sadi: The Rose Garden, Translated by Edward B. Eastwick

~ Saadi, Have no doubts because of trouble nor be thou discomfited
,
731:There is mercy enough in God to admit an innumerable multitude into heaven. There is mercy enough for all, and there is merit enough in Christ to purchase heavenly happiness for millions of millions, for all men that ever were, are or shall be. And there is a sufficiency in the fountain of heaven’s happiness to supply and fill and satisfy all: and there is in all respects enough for the happiness of all. ~ Jonathan Edwards,
732:My grandfather's short employ at the Ford Motor Company marked the only time any Stephanides has ever worked in the automotive industry. Instead of cars, we could become manufacturers of hamburger platters and Greek salads, industrialists of spanakopita and grilled cheese sandwiches, technocrats of rice pudding and banana cream pie. Our assembly line was the grill; our heavy machinery, the soda fountain. ~ Jeffrey Eugenides,
733:There is in all visible things an invisible fecundity, a dimmed light, a meek namelessness, a hidden wholeness. This mysterious unity and integrity is wisdom, the mother of us all, "natura naturans." There is in all things an inexhaustible sweetness and purity, a silence that is a fountain of action and joy. It rises up in wordless gentleness, and flows out to me from the unseen roots of all created being. ~ Thomas Merton,
734:This Bitter Language I know your streets, sweet city,
I know the demons and angels that flock
and roost in your boughs like birds.
I know you, river, as if you flowed through my heart.
I am your warrior daughter.
There are letters made of your body
as a fountain is made of water.
There are languages
of which you are the blueprint
and as we speak them
the city rises. — Elka Cloke ~ Cassandra Clare,
735:Contemporary trends of thought have imagined art to be a fountain, whereas it is a sponge. They have decided that art ought to gush forth, whereas it should absorb and become saturated. They think it can be broken down into means of depiction, whereas it is composed of organs of perception. Its proper task is to be always among the spectators and to look more purely, receptively and faithfully than all others. ~ Boris Pasternak,
736:You'd think family would be the one sure thing in life, the gimme? Points you got just for being born? So much thick, meaty stuff bound you to these people, so many interlocking spirals of history, genetics, common cause, and struggle that it should be the most basic of all drives, that you would strive to protect and love one another, yet this bond that should be the big no-brainer was in fact the hardest thing. ~ Ben Fountain,
737:For the better part of my last semester at Garden City High, I constructed a physical pendulum and used it to make a "precision" measurement of gravity. The years of experience building things taught me skills that were directly applicable to the construction of the pendulum. Twenty-five years later, I was to develop a refined version of this measurement using laser-cooled atoms in an atomic fountain interferometer. ~ Steven Chu,
738:Scripture is the foundation for all we believe and the fountain from which we daily drink. It was the heart of the sixteenth-century Reformation, and it holds the message of eternal life for ourselves, our children, and our neighbors. It is the sacred Word of God given to us by human authors through the superintendence of the Holy Spirit, and it is our only inerrant and infallible authority for all of faith and life. ~ Anonymous,
739:Always, it seemed, men would overlook unpleasant things for the sake of those that went well. The statues’ eyes for the melodious sounds of the fountain. The deaths of their daughters for the bounty of their trade.
There was great beauty in this qasr, but there was also great ugliness and fear. I would not be like those men who turned their eyes from one to see the other. I would remember what those things cost. ~ E K Johnston,
740:In Fountain Court
The fountain murmuring of sleep,
A drowsy tune;
The flickering green of leaves that keep
The light of June;
Peace, through a slumbering afternoon,
The peace of June.
A waiting ghost, in the blue sky,
The white curved moon;
June, hushed and breathless, waits, and I
Wait too, with June;
Come, through the lingering afternoon,
Soon, love, come soon.
~ Arthur Symons,
741:No it was my choice. It's what I wanted to do. And I knew they'd probably send me to Iraq. It's not like anybody lied to me."
She groans. "Billy, all these mofos ever do is lie. You think if they halfway told the truth we'd even be in a fucking war? You know what I think, I think we don't deserve to have you guys die for us. No country that lets It's leaders lie like that deserves a single soldier to die for it. ~ Ben Fountain,
742:The wind, one brilliant day, called to my soul with an odor of jasmine. "In return for the odor of my jasmine, I'd like all the odor of your roses." "I have no roses; all the flowers in my garden are dead." "Well then, I'll take the withered petals and the yellow leaves and the waters of the fountain." the wind left. And I wept. And I said to myself: "What have you done with the garden that was entrusted to you? ~ Antonio Machado,
743:This revelation of the secrets of nature, long mercifully withheld from man, should arouse the most solemn reflections in the mind and conscience of every human being capable of comprehension. We must indeed pray that these awful agencies will be made to conduce to peace among the nations, and that instead of wreaking measureless havoc upon the entire globe, may become a perennial fountain of world prosperity. ~ Winston Churchill,
744:At the door to the locker room Dime asks [Ennis] to autograph his ball. Ennis rears back. He's chuckling but his eyes are wary.

'Why you want that? I'm just an old equipment hand, nobody cares about my autograph.'

'As far as I'm concerned you run the team,' Dime answers, so Ennis laughs and takes the Sharpie and signs his name to Dime's ball, and this will be the only autograph that Dime collects today. ~ Ben Fountain,
745:One of the old Church fathers said that we cannot better understand the Trinity than as a revelation of divine love—the Father, the loving One, the Fountain of love; the Son, the beloved one, the Reservoir of love, in whom the love was poured out; and the Spirit, the living love that united both and then overflowed into this world. The Spirit of Pentecost, the Spirit of the Father, and the Spirit of the Son, is love. ~ Andrew Murray,
746:. . . More things are wrought by prayer Than this world dreams of. Wherefore let thy voice Rise like a fountain for me night and day. For what are men better than sheeps or goats That nourish a blind life within the brain, If, knowing God, they lift not hands of prayer Not only for themselves but for those who call them friend? For so this whole round earth is every way Bound by gold chains about the feet of God. ~ Alfred Lord Tennyson,
747:The water that can't be muddied with any stick is deeper than depth The sky and the water are a single deepening blue If you really want to find the source of the Sixth Patriarch's fountain don't look for it on the one bank or the other or in the middle of the stream [2206.jpg] -- from Sun at Midnight: Muso Soseki - Poems and Sermons, Translated by W. S. Merwin / Translated by Soiku Shigematsu

~ Muso Soseki, Clear Valley
,
748:It has been a frustrating game thus far and [the natives] blow off steam by spending money. Happily there is retail at every turn so the crow doesn’t lack for buying opportunities, and it’s the same everywhere Bravo has been, the airports, the hotels, the arenas and convention centers, in the downtowns and the suburbs alike, retail dominates the land. Somewhere along the way America became a giant mall with a country attached. ~ Ben Fountain,
749:Anything's possible in Human Nature," Chacko said in his Reading Aloud voice. Talking to the darkness now, suddenly insensitive to his little fountain-haired niece. "Love. Madness. Hope. Infinite joy." Of the four things that were Possible in Human Nature, Rahel thought that Infinnate Joy sounded the saddest. Perhaps because of the way Chacko said it. Infinnate Joy. With a church sound to it. Like a sad fish with fins all over. ~ Arundhati Roy,
750:Many couples, many people, are not living with real human beings, but with their ghosts. Who has not followed for years the spell of a particular tone of voice, from voice to voice, as the fetishist follows a beautiful foot, scarcely seeing the woman herself? A voice, a mouth, an eye, all stemming from the original fountain of our first desire, directing it, enslaving us, until we choose to unravel the fatal web and free ourselves. ~ Anais Nin,
751:Many couples, many people, are not living with real human beings, but with their ghosts. Who has not followed for years the spell of a particular tone of voice, from voice to voice, as the fetishist follows a beautiful foot, scarcely seeing the woman herself? A voice, a mouth, an eye, all stemming from the original fountain of our first desire, directing it, enslaving us, until we choose to unravel the fatal web and free ourselves. ~ Ana s Nin,
752:No one knows what capacities for doing and suffering he has in himself, until something comes to rouse them to activity: just as in a pond of still water, lying there like a mirror, there is no sign of the roar and thunder with which it can leap from the precipice, and yet remain what it is; or again, rise high in the air as a fountain. When water is as cold as ice, you can have no idea of the latent warmth contained in it. ~ Arthur Schopenhauer,
753:The Holy Spirit becoming an inhabitant, is a vital principle in the soul: he, acting in, upon and with the soul, becomes a fountain of true holiness and joy, as a spring is of water, by the exertion and diffusion of itself: John iv. 14, “But whosoever drinketh of the water that I shall give him, shall never thirst; but the water that I shall give him, shall be in him a well of water springing up into everlasting life,”—compared ~ Jonathan Edwards,
754:I was supremely happy, for I had seen. Nothing could ever be the same. I have drunk at the clear and pure waters and my thirst was appeased. ...I have seen the Light. I have touched compassion which heals all sorrow and suffering; it is not for myself, but for the world. ...Love in all its glory has intoxicated my heart; my heart can never be closed. I have drunk at the fountain of Joy and eternal Beauty. I am God-intoxicated. ~ Jiddu Krishnamurti,
755:would go somewhere, we would seek that spot on earth, where the sun is brightest, the sky the bluest, where the trees are most luxuriant. We would love each other, we would pour our two souls into each other, and we would have a thirst for ourselves which we would quench in common and incessantly at that fountain of inexhaustible love." She interrupted with a terrible and thrilling laugh. "Look, father, you have blood on your fingers! ~ Victor Hugo,
756:Anything's possible in Human Nature," Chacko said in his Reading Aloud voice. Talking to the darkness now, suddenly insensitive to his little fountain-haired niece. "Love. Madness. Hope. Infinite joy."
Of the four things that were Possible in Human Nature, Rahel thought that Infinnate Joy sounded the saddest. Perhaps because of the way Chacko said it.
Infinnate Joy. With a church sound to it. Like a sad fish with fins all over. ~ Arundhati Roy,
757:Something very sinister happens to the people of a country when they begin to distrust their own reactions as deeply as they do here, and become as joyless as they have become. It is this individual uncertainty on the part of white American men and women, this inability to renew themselves at the fountain of their own lives, that makes the discussion, let alone elucidation, of any conundrum—that is, any reality—so supremely difficult. ~ James Baldwin,
758:For years I walked around with the phrase "Green River" because I had seen that on a soda fountain drink when I was probably 8 or 9 years old, and I went, 'Gee, I like that.' Another one was "Lodi", which I thought sounded really cool. I got this cheap little empty plastic notebook at my local drugstore, and bought a little slab of filler paper and the very first title I wrote in it was "Proud Mary". I had no idea what that title meant. ~ John Fogerty,
759:Nerve thy soul with doctrines noble
Nerve thy soul with doctrines noble,
Noble in the walks of time,
Time that leads to an eternal,
An eternal life sublime.
Life sublime in moral beauty,
Beauty that shall never be;
Ever be to lure thee onward,
Onward to the fountain free.
Free to every earnest seeker,
Seeker for the fount of youth;
Youth exultant in its beauty,
Beauty of the living truth.
~ Anonymous,
760:Alice dug into her pocket and pulled out her notebook, hurrying to make a note of the sensation and the day and the people in it, chewing on the end of her fountain pen as her gaze tripped over the sunlit house, the willow trees, the shimmering lake, and the yellow roses climbing on the iron gate. It was like the garden from a storybook- it 'was' the garden from a storybook- and Alice loved it. She was never going to leave Loeanneth. Never. ~ Kate Morton,
761:All this effort for a man who doesn’t even care,” Daisy muttered to herself, thinking dire thoughts about Matthew Swift.
Llandrindon sat a few yards away on the rim of a garden fountain, obediently holding still as she sketched his portrait. She had never been particularly talented at sketching, but she was running out of things to do with him.
“What was that?” the Scottish lord called out.
“I said you have a fine head of hair! ~ Lisa Kleypas,
762:I left my car in the garage, then followed the guard’s directions past a Spanish tile fountain in the lobby to the elevators, and then to the top floor. Another blazered gentleman smiled at me in the lobby, and a third just happened to be on the elevator. Both were polite and both, like the guard in the parking garage, had the corded necks of men who spent a lot of their time honing confrontational skills. Corded necks are a dead giveaway. ~ Robert Crais,
763:But if it is perfectly clear, from what was lately said, that the blood of Christ is the only satisfaction, expiation, and cleansing for the sins of believers, what remains but to hold that purgatory is mere blasphemy, horrid blasphemy against Christ? I say nothing of the sacrilege by which it is daily defended, the offenses which it begets in religion, and the other innumerable evils which we see teeming forth from that fountain of impiety. ~ John Calvin,
764:Like ghosts the children walked across the lawn on their bare feet. The moon was full. Above the damp grass hung a veil of mist, luminous with moonlight and spangled with fireflies. There was no wind, and the sound of the brook was very distinct, tinkling, splashing, running softly. It made Mona think of an ancient fountain, shaped like a shell, covered with moss, and set in a secluded garden. Something she half remembered, or imagined. ~ Elizabeth Enright,
765:It is not as if we had to seek to have more of the Spirit: we have Him in the fulness of the gift as it is. It is rather the Holy Spirit who must have more of us. As we yield ourselves entirely to Him He will entirely fill us. It is from WITHIN that the blessing must come: the fountain of living water is already there; the fountain has only to be open and every obstruction cleared and the water shall stream forth. It must spring from WITHIN. ~ Andrew Murray,
766:I write on a computer, but I've run the complete gambit. When I was very young, I wrote with a ballpoint pen in school notebooks. Then I got pretentious and started writing with a dip pen on parchment (I wrote at least a novel-length poem that way). Moved on to a fountain pen. Then a typewriter, then an electric self-correct. Then someone gave me a word processor and I was amazed at being able to fit ten pages on one of those floppy discs. ~ Charles de Lint,
767:Gazelles are leaping, feeding on the mountains. Near are lakes. Round their shores file shadows black of cedargroves. Aroma rises, a strong hair growth of resin. It burns, the orient, a sky of sapphire, cleft by the bronze flight of eagles. Under it lies the womancity, nude, white, still, cool, in luxury. A fountain murmurs among damask roses. Mammoth roses murmur of scarlet wine grapes. A wine of shame, lust, blood exudes, strangely murmuring. ~ James Joyce,
768:Everybody supports the troops," Dime woofs, "support the troops, support the troops, hell yeah we're so fucking PROUD of our troops, but when it comes to actual money? Like somebody might have to come out of pocket for the troops? Then all the sudden we're on everybody's tight-ass budget. Talk is cheap, I got that, but gimme a break. Talk is cheap but money screams, this is our country, guys. And I fear for it. I think we should all fear for it. ~ Ben Fountain,
769:Now we're in a recession, and at war, so people want to see this chihuahua movie, The Fountain. To be told to come to terms with death, that death is the road to all - it's a very intense subject. But as with movies that are very unusual, that have come to be thought of as very interesting, one finds out at the time that they were not understood. So who knows? We'll see. A lot of people really, really loved it, and a lot of people didn't get it. ~ Rachel Weisz,
770:December, 1919
Last night I heard your voice, mother,
The words you sang to me
When I, a little barefoot boy,
Knelt down against your knee.
And tears gushed from my heart, mother,
And passed beyond its wall,
But though the fountain reached my throat
The drops refused to fall.
'Tis ten years since you died, mother,
Just ten dark years of pain,
And oh, I only wish that I
Could weep just once again.
~ Claude McKay,
771:For, the sense of being which in calm hours rises, we know not how, in the soul, is not diverse from things, from space, from light, from time, from man, but one with them, and proceeds obviously from the same source whence their life and being also proceed. We first share the life by which things exist, and afterwards see them as appearances in nature, and forget that we have shared their cause. Here is the fountain of action and of thought. ~ Ralph Waldo Emerson,
772:The whole difference between a man of genius and other men, it has been said a thousand times, and most truly, is that the first remains in great part a child, seeing with the large eyes of children, in perpetual wonder, not conscious of much knowledge--conscious, rather of infinite ignorance, and yet infinite power; a fountain of eternal admiration, delight, and creative force within him meeting the ocean of visible and governable things around him. ~ John Ruskin,
773:11    Has a nation changed its gods,         even though they are no gods?     But my people have changed their glory         for that which does not profit. 12    Be appalled, O heavens, at this;         be shocked, be utterly desolate, declares the LORD, 13    for my people have committed two evils:     they have forsaken me,         the fountain of living waters,     and hewed out cisterns for themselves,         broken cisterns that can hold no water. ~ Anonymous,
774:The enjoyment of God is the only happiness with which our souls can be satisfied. To go to heaven, fully to enjoy God, is infinitely better than the most pleasant accommodations here. Fathers and mothers, husbands, wives, or children, or the company of earthly friends, are but shadows; but God is the substance. These are but scattered beams, but God is the sun. These are but streams, but God is the fountain. These are but drops; but God is the ocean.16 ~ Joel R Beeke,
775:The store was filled with hollow-eyed people standing in line: at the sandwich counter, at the soda fountain, at the register. All of them waiting, waiting, their hands full of candy, chips, cups of coffee, money. It was like purgatory, with snacks. Not just the customers; the employees, too. They worked the registers, squirted ketchup on hot dogs, piled limp lettuce onto flaccid lunch meat and waited for it to be over, waited until they could go home. ~ Kelly Braffet,
776:Perhaps the only people who need go thirsty through the street where there is a drinking fountain, are the fine ladies and gentlemen who are in their carriages. They are very thirsty—but cannot think of being so vulgar as to get out to drink. It would demean them, they think, to drink at a common drinking fountain—so they ride by with parched lips. Oh, how many there are who are rich in their own good works and cannot therefore come to Christ! ~ Charles Haddon Spurgeon,
777:Religion declined not because it was refuted, but because it became irrelevant, dull, oppressive, insipid. When faith is completely replaced by creed, worship by discipline, love by habit; when the crisis of today is ignored because of the splendor of the past; when faith becomes an heirloom rather than a living fountain; when religion speaks only in the name of authority rather than with the voice of compassion—its message becomes meaningless. ~ Abraham Joshua Heschel,
778:But is it such a bad thing to live like this for just a little while? Just for a few months of one's life, is it so awful to travel through time with no greater ambition than to find the next lovely meal? Or to learn how to speak a language for no higher purpose than that it pleases your ear to hear it? Or to nap in a garden, in a patch of sunlight, in the middle of the day, right next to your favourite fountain? And then to do it again the next day? ~ Elizabeth Gilbert,
779:I look forward serenely to the course of events, confident that the Fountain of supreme wisdom and virtue will provide for the happiness of his creatures... Whenever the present storm subsides, I shall rush with eagerness into the bosom of private life, but while it continues, and while my country calls for the exertion of that little share of abilities, which it has pleased God to bestow on me, I hold it my indispensable duty to give myself to her. ~ Gouverneur Morris,
780:So what does it mean for a person to devote himself or herself to, as you put it, “literary reading and thinking”? I would argue this is a person who’s trying to see things for what they are. Who’s interested in distinguishing the truth from the lies, the real from the fake, the solid from the cheap. Those are the people who want to think for themselves, and I really question whether we can make good lives for ourselves if we aren’t doing our own thinking. ~ Ben Fountain,
781:But is it such a bad thing to live like this for just a little while? Just for a few months of one’s life, is it so awful to travel through time with no greater ambition than to find the next lovely meal? Or to learn how to speak a language for no higher purpose than that it pleases your ear to hear it? Or to nap in a garden, in a patch of sunlight, in the middle of the day, right next to your favorite fountain? And then to do it again the next day? Of ~ Elizabeth Gilbert,
782:Upon finding the letter, I had one of those out of body experiences that come only after poring over archival material for nine hours straight, most of it dull as dust, but then something like this appears and you look around at the two or three other glaze-eyed researchers and want to go around the room and give everyone a high-five, but instead you just get up and quietly go to the water fountain, then make a notation for photocopy, and crack the next folder. ~ Jay Kirk,
783:The Founder-Director purposely designed the building in a U-shape, in the interior of which is a courtyard with a central fountain, to reflect the introspective nature of a true Muslim, a universal and perfect man. These interior parts of the building are hidden from the outside in contrast to secularized buildings which face the road and are exposed to the busy traffic of secular life and are therefore without real privacy and introspective spirit. ~ Wan Mohd Nor Wan Daud,
784:Father, I am empty, but you are full. I am hungry, but you are the Bread of Heaven. I am thirsty, but you are the Fountain of Life. I am weak, but you are strong. I am poor, but you are rich. I am foolish, but you are wise. I am broken, but you are whole. I am dying, but your steadfast love is better than life” (see Psalm63:3). When God sees this confession of need and this expression of trust, he acts, because the glory of his all-sufficient grace is at stake. ~ John Piper,
785:The foundation of the Christian's peace is everlasting; it is what no time, no change can destroy. It will remain when the body dies; it will remain when the mountains depart and the hills shall be removed, and when the heavens shall be rolled together as a scroll. The fountain of His comfort shall never be diminished, and the stream shall never be dried. His comfort and joy is a living spring in the soul, a well of water springing up to everlasting life. ~ Jonathan Edwards,
786:Thou livest, but not from determined time or known epoch. Thou livest, but not with soul or breath, for Thou art soul of the soul. Thou livest, but not as the life of man that is like vanity, its end in moths and worms. Thou livest, and whoever attains Thy secret will find eternal delight -- "and eat, and live for ever." [1568.jpg] -- from The Heart and the Fountain: An Anthology of Jewish Mystical Experiences, by Joseph Dan

~ Solomon ibn Gabirol, Thou Livest
,
787:Variations: II

Green light, from the moon,
Pours over the dark blue trees,
Green light from the autumn moon
Pours on the grass ...
Green light falls on the goblin fountain
Where hesitant lovers meet and pass.

They laugh in the moonlight, touching hands,
They move like leaves on the wind ...
I remember an autumn night like this,
And not so long ago,
When other lovers were blown like leaves,
Before the coming of snow. ~ Conrad Aiken,
788:Cleave ever to the sunnier side of doubt, And cling to faith beyond the forms of faith; She reels not at the storm of warring words; She brightens at the clash of "Yes" and "No"; She sees the best that glimmers through the worst; She feels the sun is hid for the night; She spies the summer through the winter bud; She tastes the fruit before the blossom falls; She hears the lark within the songless egg; She finds the fountain where they wailed "Mirage!" ~ Alfred Lord Tennyson,
789:The tuning knob continued to extract noises from the tiny box, then it settled down, it was a song, a song of no significance, but the blind internees slowly began gathering round, without pushing, they stopped the moment they felt a presence before them and there they remained, listening, their eyes wide open tuned in the direction of the voice that was singing, some were crying, as probably only the blind can cry, the tears simply flowing as from a fountain. ~ Jos Saramago,
790:A school she visited the month before had not even had a working water fountain. In the classroom she'd observed there, two windows had been patched with masking tape and cardboard. Halfway through the class, a scrawny, feral-looking cat had slipped beneath the cardboard and hissed at a boy seated near the window. The teacher remarked on none of it. He'd just gone on lecturing in a resigned monotone until the cat drew closer and the boy smacked it with a notebook. ~ Idra Novey,
791:From the accession of Henry the Seventh to the breaking out of the civil wars, England enjoyed much greater exemption from war, foreign and domestic, than for a long period before, and during the controversy between the houses of York and Lancaster. These years of peace were favorable to commerce and the arts. Commerce and the arts augmented general and individual knowledge; and knowledge is the only fountain, both of the love and the principles of human liberty. ~ Daniel Webster,
792:From the Heliconian Muses, let us now begin the song
Of those who hold the great and sacred hill of Helicon,
And dance on tender feet around the dark spring in a row,
And round about the altar of the son of Kronos go;
And when in the Permessos they have bathed their soft, young skin,
Or sacred stream Olmeios or the fountain Hippocrene,
They make their dancing chorus on the heights of Helicon­ --
So beautiful, beguiling, as their feet glide swiftly on. ~ Hesiod,
793:Just what she needed. More filth in her soul. Someday, maybe, she would explode from it, someday maybe, every rotten thing that had every been done to her and every rotten thing she’d ever done would erupt from her in a fountain of sewage and sorrow, all those secrets she kept even from herself spilling out and adding to the muck she could never wash off no matter how hard she tried.

She’d never been bound by magic to keep those secrets. Just by her own shame. ~ Stacia Kane,
794:Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all. ~ Herman Melville,
795:III. Happiness is nowhere else to be had, but in their God, and with their people. There are that are called gods many, and lords many. Some make gods of their pleasures; some choose Mammon for their god; some make gods of their own supposed excellencies, or the outward advantages they have above their neighbors: some choose one thing for their god, and others another. But men can be happy in no other God but the God of Israel: he is the only fountain of happiness. ~ Jonathan Edwards,
796:Smugglers are always going to be flush with cash as soon as they find a buyer for the eight cartons of fountain pen cartridges that write in illegal shades of green, but they never have money today. You should, if you are going to run a smugglers' hotel, get a big account book and assume that whatever you write in it, the reality is, you're going to get paid in fountain pen cartridges. If you're lucky. You could just as easily get paid with something even more useless. ~ Kate Milford,
797:I want to take the word Christianity back to Christ himself, back to that mighty heart whose pulse seems to throb through the world today, that endless fountain of charity out of which I believe has come all true progress and all civilization that deserves the name. I go back to that great Spirit which contemplated a sacrifice for the whole of humanity. That sacrifice is not one of exclusion, but of an infinite and endless and joyous inclusion. And I thank God for it. ~ Julia Ward Howe,
798:To the north of Armenia lies Zorzania Georgia, near the confines of which there is a fountain of oil which discharges so great a quantity as to furnish loading for many camels. The use made of it is not for the purpose of food, but as an unguent for the cure of cutaneous distempers in men and cattle, as well as other complaints, and it is also good for burning. In the surrounding country no other oil is used in their lamps, and people come from distant parts to procure it. ~ Marco Polo,
799:Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all. ~ Herman Melville,
800:The sword pulled free with a gruesome sucking sound that brought bile into Jason’s throat. The fellow collapsed, his eyes going dull as his bright blood spurted in a grotesque fountain that soaked Jason’s shirt and choked his nostrils with a salty, metallic stench. Stunned, he watched the blood pump hard then slow to a trickle—a spreading red puddle that seeped into the cracks between the stones. The dead man’s face drained of color, to match the white lace at his throat. ~ Lauren Royal,
801:How blessed to know that we dwell in the domains of grace  and not of law! When thinking of my state before God the question is  not, "Am I perfect in myself before the law?" but, "Am I perfect in  Christ Jesus?" That is a very different matter. We need not enquire,  "Am I without sin naturally?" but, "Have I been washed in the fountain  opened for sin and for uncleanness?" It is not "Am I in myself well  pleasing to God?" but it is "Am I accepted in the Beloved? ~ Charles Haddon Spurgeon,
802:Yet those who embrace Him, who believe in His name, find His Light, His I AM setting them free to become their true selves, free to live as children of God in the darkness, discovering their origin beyond their earthly parents in the Word in God. And so the Word became flesh and entered the darkness in person, and found His way within us. And we perceived His true identity, His glory as the only begotten out of the Father, an overflowing fountain of grace and truth. This ~ C Baxter Kruger,
803:I leaned back on my palms, looking at the Milky Way spilling in modest grandeur across the sky. A fountain of stars frothing over, surrounded by a mist of stardust. It looked like raw magic, like the glimmer I’d spy in a shadowy corner where the sun skimmed off invisible particles, reminding me there was a whole hidden world tucked inside this ordinary one. And it was up there every night, offering its mute beauty while we sat here with our heads down, tragically terrestrial. ~ Leah Raeder,
804:Manicured lawns and dozens of trees give it a peaceful, parklike atmosphere. The interior of the school is even more impressive. The main entrance has a huge fountain that is even LARGER than the one at the mall. There are tall columns, arched hallways, shiny marble floors, elegant chandeliers, and a courtyard with a fishpond and a rose garden! I feel like a traitor even thinking this, but NHH makes Westchester Country Day look like a basic, no-frills daycare center! ~ Rachel Ren e Russell,
805:Chose the wrong door, you see. No, that's not right. That's wrong. Reverse that. Strike that. Didn't choose the door. Should have gone through it but didn't. Didn't, didn't, didn't. Want to go back and walk through it, because I think it would be good, but I can't now. What's done is done. Over. Finished. I went the other way. Didn't even put my hand on the knob." Simon looked up, his gaze darting back and forth between Marcus and the fountain and his shoes. "Had my chance. ~ James L Rubart,
806:I am going to be Queen of England,' I protest. 'You make it sound like a battle to the death.'
'It is a battle to the death,' she says simply. 'That is what it means to be Queen of England. You are not Melusina, rising from a fountain to easy happiness. You will not be a beautiful woman at court with nothing to do but make magic. The road you have chosen will mean that you have to spend your life scheming and fighting. Our task, as your family, is to make sure you win. ~ Philippa Gregory,
807:It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains. It came by the pound and the ton, it hacked at the jungle and cut the trees like scissors and shaved the grass and tunneled the soil and molted the bushes. It shrank men’s hands into the hands of wrinkled apes; it rained a solid glassy rain, and it never stopped. ~ Ray Bradbury,
808:Soft sun shone down on a misty cathedral at the opposite end of a football-field length courtyard. The cathedral had a long pointed tower with beautiful rose and ivory stained glass windows. Pink-petal flowers and deep green ivy climbed the stones from the ground to it’s roof. A large fountain stood in the middle of the courtyard with water falling from several lion’s heads. Between the misty air and rolling slope of the earth, the grounds reminded me of a long lost fairy tale. ~ Priya Ardis,
809:When Pike reached home, he stretched in the parking lot to cool, then peeled off his sweatshirt, deactivated the alarms, and let himself in. His condo was austere and functional with little in the way of decoration. Dining room set off the kitchen; couch, chair, and coffee table in the living room; a flat-screen television for sports and news. A black stone meditation fountain burbled in the corner. Pike found peace in the natural sound, as if he were alone in the forest. Pike ~ Robert Crais,
810:Your love, O Lord, reaches to the heavens, Your faithfulness to the skies. Your righteousness is like the mighty mountains, Your justice like the great deep. O Lord, You preserve both man and beast. How priceless is Your unfailing love! Both high and low among men find refuge in the shadow of Your wings. I want to feast on the abundance of Your house; I want to drink from Your river of delights. For with You is the fountain of life; in Your light I want to see light (Ps. 36:5-9). ~ Beth Moore,
811:Your love, O Lord, reaches to the heavens, Your faithfulness to the skies. Your righteousness is like the mighty mountains, Your justice like the great deep. O Lord, You preserve both man and beast. How priceless is Your unfailing love! Both high and low among men find refuge in the shadow of Your wings. I want to feast on the abundance of Your house; I want to drink from Your river of delights. For with You is the fountain of life; in Your light I want to see light. (Ps. 36:5–9) ~ Beth Moore,
812:The true-life stories sound like jokes with the same punch line: Why did the man almost walk into a bear? Why did the woman tumble into a fountain? Why did the tourist fall off a pier? Because the man, the woman and the tourist were all so engrossed in their cell phones that they had ceased paying attention to their surroundings. With people more tethered than ever to smartphones, "distracted walking" is becoming enough of a problem that American cities are taking steps to curb it. ~ Anonymous,
813:Whereas there can be but one Baptism, they think they can Baptize; they have abandoned the fountain of life, yet promise the life and grace of the waters of salvation. It is not cleansing which men find there, but soiling; their sins are not washed away, but only added to. That being "born again" does not bring forth sons to God but to the Devil. Born of a lie, they cannot inherit the things which Truth has promised; begotten by the faithless, they are deprived of the grace of faith. ~ Cyprian,
814:Every successful man or great genius has three particular qualities in common. The most conspicuous of these is that they all produce a prodigious amount of work. The second is that they never know fatigue. And the third is that their minds grow more brilliant as they grow older, instead of less brilliant. Great men's lives begin at forty, where the mediocre man's life ends. The genius remains an ever-flowing fountain of creative achievement until the very last breath he draws. ~ Walter Russell,
815:The biggest surprise for me, without a doubt, was that the first black people who came to the United States weren't the 20 who arrived in Jamestown in 1619. All of us had been taught that. Well, guess what? The first African came to Florida in 1513. And the huge shock is we know his name, Juan Garrido, and that he wasn't a slave. He was free! This brother was a conquistador who came with Ponce de Leon. He was looking for the Fountain of Youth just like the white people were. ~ Henry Louis Gates,
816:Therefore, in reading profane authors, the admirable light of truth displayed in them should remind us, that the human mind, however much fallen and perverted from its original integrity, is still adorned and invested with admirable gifts from its Creator. If we reflect that the Spirit of God is the only fountain of truth, we will be careful, as we would avoid offering insult to him, not to reject or condemn truth wherever it appears. In
despising the gifts, we insult the Giver. ~ John Calvin,
817:He lied to you too, Sophie"

"I know," I said softly.

"You're risking that adorable little neck of yours for an asshole."

"I am," I admitted. The fountain was now a blur as the wind played with the carefully structured pattern of the water. "But here's the thing...he's my asshole."

"Is this about ownership?" Marcus asked incredulously, "Or is it about love?"

"It's about love," I whispered. "Marcus I...I love my asshole, okay? I love him so much. ~ Kyra Davis,
818:Love is the river of life in this world. Think not that ye know it who stand at the little tinkling rill, the first small fountain. Not until you have gone through the rocky gorges, and not lost the stream; not until you nave gone through the meadow, and the stream has widened and deepened until fleets could ride on its bosom; not until beyond the meadow you have come to the unfathomable ocean, and poured your treasures into its depths--not until then can you know what love is. ~ Henry Ward Beecher,
819:Let faith and life be put  together, and, like the two abutments of an arch, they will make our  piety enduring. Like light and heat streaming from the same sun, they  are alike full of blessing. Like the two pillars of the temple, they  are for glory and for beauty. They are two streams from the fountain of  grace; two lamps lit with holy fire; two olive trees watered by  heavenly care. O Lord, give us this day life within, and it will reveal  itself without to thy glory.  ~ Charles Haddon Spurgeon,
820:English version by Anonymous Incited by something external Is like a small lamp Whose flame is fed with oil, Or like a stream fed by rains, Where flows stop when the rains cease. But love whose object is God is like A fountain gushing forth From the earth. Its flow never ceases, For He Himself is the source of this love And also its food, Which never grows scarce. [1831.jpg] -- from Poetry for the Spirit: Poems of Universal Wisdom and Beauty, Edited by Alan Jacobs

~ Isaac of Stella, Love
,
821:The Bidet
In my cousin's mansion in California
my uncle and aunt, tourists
saw it separately.
At first, they didn't know what it was neither basin nor commode
neither bowl nor bathtub
they circled round it anxiously
and silently.
Could it be a drinking-water fountain?
Later, when they knew, they tried
it tentatively; the dwarflike jet of water sprang ceilingward
and surprised their secret regions.
[From St Cyril Road and other poems]
~ Amit Chaudhuri,
822:The Wind, One Brilliant Day
The wind, one brilliant day, called
to my soul with an odor of jasmine.
'In return for the odor of my jasmine,
I'd like all the odor of your roses.'
'I have no roses; all the flowers
in my garden are dead.'
'Well then, I'll take the withered petals
and the yellow leaves and the waters of the fountain.'
the wind left. And I wept. And I said to myself:
'What have you done with the garden that was entrusted to you?'
~ Antonio Machado,
823:Moreover, the very belief that Americans had somehow discovered the ultimate answer to mankind's eternal quandaries and were now poised to establish heaven on earth was a delusion that deserved to be ranked alongside the fables about the Holy Grail and the fountain of youth. "We may boast that we are one, the chosen people,: he (Adams) warned, " and we may even thank God that we are not like other men, but, after all, it would be but flattery, delusion, the self-deceit of the Pharisee. ~ Joseph J Ellis,
824:Through the Spirit of God the hope of heaven is the most powerful force for producing virtue; it is a fountain of joyful endeavor; it is the cornerstone of cheerful holiness. Those who have this hope in them go about their work with vigor, for the joy of the Lord is their strength. They fight hard against temptation, for the hope of the next world repels the fiery darts of the adversary. They can work without immediate reward, for they anticipate a reward in the world to come. ~ Charles Haddon Spurgeon,
825:He decides he wants both more or less. He’d like to hang with Beyonce in a nice way, get to know her by doing small pleasant things together like playing board games and going out for ice cream, or how about this, a three-week trial run in some tropical paradise where they can hang together in that nice way and possibly fall in love, and meanwhile fuck each other’s brains out in their spare time. He wants both, he wants the entire body-soul connect because anything less is just demeaning. ~ Ben Fountain,
826:In this hour of all-but-universal darkness one cheering gleam appears: within the fold of conservative Christianity there are to be found increasing numbers of persons whose religious lives are marked by a growing hunger after God Himself. They are eager for spiritual realities and will not be put off with words, nor will they be content with correct "interpretations" of truth. They are athirst for God, and they will not be satisfied till they have drunk deep at the Fountain of Living Water. ~ A W Tozer,
827:But at least he’d died at home and not some hospice. Who in their right mind wanted to die among the dying? Or surrounded by a load of caring, sharing hospice nurses hell-bent on making sure you’d drawn up a “good death plan.” If you were having an OK day, somebody might wheel you into the hospice garden and sit you on a wooden bench donated by relatives of a former dying person. From there you would, no doubt, have an uninterrupted view of the ornamental fountain and fiberglass flamingos. ~ Sue Margolis,
828:O, how wonderful is the human voice! It is indeed the organ of the soul! The intellect of man sits enthroned visibly upon his forehead and in his eye; and the heart of man is written upon his countenance. But the soul reveals itself in the voice only; as God revealed himself to the prophet of old in the still, small voice; and in a voice from the burning bush. The soul of man is audible, not visible. A sound alone betrays the flowing of the eternal fountain, invisible to man! ~ Henry Wadsworth Longfellow,
829:What really separates ordinary citizens from emperors, monsters, superstars and immortal leading brands? “Normal” people simply don’t have the huevos to withstand disgrace. They usually don’t use fire-hose blasts of negative attention as an opportunity to run out and court more negative attention, by throwing up on the prime minister, or purposefully running down the parking valet, or instigating an “ethnic cleansing” or “accidentally” shaving their crotch in a public water fountain. But, ~ Cintra Wilson,
830:Dread of returning to Iraq equals the direst poverty, and that's how he feels right now, poor, like a shabby homeless kid suddenly thrust into the company of millionaires. Mortal fear is the ghetto of the human soul, to be free of it something like the psychic equivalent of inheriting a hundred million dollars. This is what he truly envies of these people, the luxury of terror as a talking point, and at this moment he feels so sorry for himself that he could break right down and cry. ~ Ben Fountain,
831:We are apt to consider that invention is the result of spontaneous action of some heavenborn genius, whose advent we must patiently wait for, but cannot artificially produce. It is unquestionable, however, that education, legal enactments, and general social conditions have a stupendous influence on the development of the originative faculty present in a nation and determine whether it shall be a fountain of new ideas or become simply a purchaser from others of ready-made inventions. ~ John Ambrose Fleming,
832:You know, sometimes my bars feel like imaginary places I created in my mind. Castles in the air. I plant some flowers here, construct a fountain there, crafting everything with great care. People stop by, have drinks, listen to music, talk, and go home. People are willing to spend a lot of money to come all this way to have some drinks - and do you know why? Because everyone’s seeking the same thing: an imaginary place, their own castle in the air, and their very own special corner of it. ~ Haruki Murakami,
833:And thus the widow’s deep grief was softened, and a sweet balm was poured into the wound which she had thought nothing but death could heal. How much kinder is God to us than we are willing to be to ourselves! At the loss of every dear face, at the last going of every well-beloved one, we all doom ourselves to an eternity of sorrow, and look to waste ourselves away in an ever-running fountain of tears. How seldom does such grief endure! How blessed is the goodness which forbids it to do so ~ Anthony Trollope,
834:It is unnatural that a pure stream should flow from a foul fountain its vices are but a continuation of the vices of its origin. A man of moral honor and good political principles, cannot submit to the mean drudgery and disgraceful arts, by which such elections are carried. To be a successful candidate, he must be destitute of the qualities that constitute a just legislator: and being thus disciplined to corruption it is not to be expected that the representative should be better than the man. ~ Thomas Paine,
835:As the people are the only legitimate fountain of power, and it is from them that the constitutional charter, under which the several branches of government hold their power, is derived, it seems strictly consonant to the republican theory, to recur to the same original authority, not only whenever it may be necessary to enlarge, diminish, or new-model the powers of the government, but also whenever any one of the departments may commit encroachments on the chartered authorities of the others. ~ James Madison,
836:The house we were renting that spring belonged to Sara Mankiewicz, Herman Mankiewicz’s widow, who was traveling for six months, and although she had packed away the china she did not want used along with Herman Mankiewicz’s Academy Award for Citizen Kane (you’ll have friends over, she had said, they’ll get drunk, they’ll want to play with it) she had left out her Minton dinner plates, the same pattern as the Minton tiles that line the arcade south of Bethesda Fountain in Central Park, for me to use. ~ Anonymous,
837:This was my conversion to the baroque. Here under that high and insolent dome, under those tricky ceilings; here, as I passed through those arches and broken pediments to the pillared shade beyond and sat, hour by hour, before the fountain, probing its shadows, tracing its lingering echoes, rejoicing in all its clustered feats of daring and invention, I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring. ~ Evelyn Waugh,
838:Flowers—well—if Anybody
137
Flowers—Well—if anybody
Can the ecstasy define—
Half a transport—half a trouble—
With which flowers humble men:
Anybody find the fountain
From which floods so contra flow—
I will give him all the Daisies
Which upon the hillside blow.
Too much pathos in their faces
For a simple breast like mine—
Butterflies from St. Domingo
Cruising round the purple line—
Have a system of aesthetics—
Far superior to mine.
~ Emily Dickinson,
839:Lucy swayed in shock. A gust of wind moaned through the conservatory and blew out all but one of her candles. Simon must have done this. He’d destroyed his fairyland conservatory. Why? She sank to her knees, huddled on the cold floor, her one remaining
flame cradled in her numb palms. She’d seen how tenderly Simon had cared for his plants. Remembered the look of pride when she’d first discovered the dome and fountain. For him to have smashed all this . . .
He must have lost hope. All hope. ~ Elizabeth Hoyt,
840:Far Away From Here
This is the sanctuary
where the prettified young lady,
calm, and always ready,
fans her breasts, aglow,
elbow on the pillow,
hears the fountain’s flow:
it’s the room of Dorothea.
- The breeze and water distantly
sing their song, mingled here
with sobs to soothe the spoiled child’s fear.
From tip to toe, most thoroughly,
her delicate surfaces appear,
oiled with sweet perfumery.
- the flowers nearby swoon gracefully.
~ Charles Baudelaire,
841:So give me back that time again, When I was still ‘becoming’,    [185] When words gushed like a fountain In new, and endless flowing, Then for me mists veiled the world, In every bud the wonder glowed, A thousand flowers I unfurled,    [190] That every valley, richly, showed. I had nothing, yet enough: Joy in illusion, thirst for truth. Give every passion, free to move, The deepest bliss, filled with pain,    [195] The force of hate, the power of love, Oh, give me back my youth again! ~ Johann Wolfgang von Goethe,
842:...he wonders by what process virtually any discussion about the war seems to profane these ultimate matters of life and death. As if to talk of such things properly we need a mode of speech near the equal of prayer, otherwise just shut, shut your yap and sit on it, silence being truer to the experience than the star-spangled spasm, the bittersweet sob, the redeeming hug, or whatever this fucking closure is that everybody's always talking about. They want it to be easy and it's just not going to be. ~ Ben Fountain,
843:God was full of Wine last night, so full of wine that He let a great secret slip.
He said: There is no man on earth who needs a pardon from Me -
For there is really no such thing, no such thing as sin!
That Beloved has gone completely wild . He has poured Himself into me!
I am blissful and drunk and overflowing.
Dear world, draw life from my sweet body,
Dear wayfaring souls, come drink your fill of liquid rubies,
For God has made my heart
An Eternal Fountain!
~ Hafiz, The Great Secret
,
844:And if men come unto me I will show unto them their aweakness. I bgive unto men weakness that they may be humble; and my cgrace is sufficient for all men that dhumble themselves before me; for if they humble themselves before me, and have faith in me, then will I make eweak things become strong unto them. 28 Behold, I will show unto the Gentiles their weakness, and I will show unto them that afaith, hope and charity bringeth unto me—the fountain of all brighteousness. ~ The Church of Jesus Christ of Latter day Saints,
845:First, consider the pen you write with. It should be a fast-writing pen because your thoughts are always much faster than your hand. You don't want to slow up your hand even more with a slow pen. A ballpoint, a pencil, a felt tip, for sure, are slow. Go to a stationery store and see what feels good to you. Try out different kinds. Don't get too fancy and expensive. I mostly use a cheap Sheaffer fountain pen, about $1.95.... You want to be able to feel the connection and texture of the pen on paper. ~ Natalie Goldberg,
846:No matter their age or station in life, Billy can't help but regard his fellow Americans as children. They are bold and proud and certain in the way of clever children blessed with too much self-esteem, and no amount of lecturing will enlighten them as to the state of pure sin toward which war inclines. He pities them, scorns them, loves them, hates them, these children. These boys and girls. These toddlers, these infants. Americans are children who must go somewhere else to grow up, and sometimes die. ~ Ben Fountain,
847:The Humming Bird
A sudden whirr of eager sound—
And now a something throbs around
The flowers that watch the fountain. Look!
It touched the rose, the green leaves shook,
I think, and yet so lightly tost
That not a spark of dew was lost.
Tell me, O rose, what thing it is
That now appears, now vanishes?
Surely it took its fire-green hue
From day-breaks that it glittered through;
Quick, for this sparkle of the dawn
Glints through the garden and is gone.
~ Edwin Markham,
848:I like to think of it as ‘I’m trying to keep us calm.’ You’re dead certain we’re headed to Alcatraz.”

“Alcatraz isn’t a functioning prison anymore,” I say.

“You’re a functioning prison,” she says.

“That doesn’t make sense!”

“Neither does splashing and frolicking and groping your dick in the Bellagio fountain, but in case you hadn’t noticed, there’s a whole buffet of doesn’t make sense going on right now. So load up your plate, grab the crab legs before they run out, and eat. ~ Lila Monroe,
849:The townhouse was in a community called Waterview, a pretty green place with a common that had a gazebo and a fountain. The homes were red-brick colonial and beautiful. The townhouse Paxton had loved from the moment Kirsty showed it to her last year was in a cup-de-sac. Wisteria vines grew around the door, and Paxton remembered thinking how wonderful it would be to walk in and out in the springtime, when the wisteria would be in full bloom. It would be like walking through a wedding arch every day. ~ Sarah Addison Allen,
850:All the shall stand about the God of glory, the fountain of love, as it were opening their bosoms to be filled with those effusions of love which are poured forth from thence, as the flowers on the earth in a pleasant spring day open their bosoms to the sun to be filled with his warmth and light, and to flourish in beauty and fragrancy by his rays. Every saint is as a flower in the garden of God, and holy love is the fragrancy and sweet odor which they all send forth, with which they fill that paradise. ~ Jonathan Edwards,
851:Aliveness, he will teach, is a gift available to all by God's grace. It flows not from taking, but giving, not from fear but from faith, not from conflict but from reconciliation, not from domination but from service. It isn't found in the upper trappings of religion -rules and rituals, controversies and scruples, temples and traditions. No, it springs up from our innermost being like a fountain of living water. It intoxicates us lie the best wine ever and so turns life from disappointment into a banquet. ~ Brian D McLaren,
852:and it goes, the music just goes, without faltering, without hesitation, not depleted through repetition, but enriched; and as it goes- without faltering, without hesitation- the rapid-rushing piece instantly becomes the soundtrack to what I am looking at, regardless of what it may be: the varied tilts of oldsters' hats, wind-gusts corduroying the park's grass, the sparkling of pram wheels, children stepping onto the water fountain's access ledge and hunchbacking behind their button-pushing hand and jutting lips; ~ Evan Dara,
853:Do you remember the sight we saw, my soul, that soft summer morning round a turning in the path, the disgusting carcass on a bed scattered with stones, its legs in the air like a woman in need burning its wedding poisons like a fountain with its rhythmic sobs, I could hear it clearly flowing with a long murmuring sound, but I touch my body in vain to find the wound. I am the vampire of my own heart, one of the great outcasts condemned to eternal laughter who can no longer smile. Am I dead? I must be dead. ~ Charles Baudelaire,
854:English version by Ivan M. Granger You are my true self, O Lord. My pure awareness is your consort. My breath, my body are your handmaids. I am your holy ground. My every action is an offering to you. My rest is my melting into you. Every step I take circles you. Every word I speak is a song for you. Whatever work I do, that work is worship of you, O Fountain of Bliss! [2720.jpg] -- from This Dance of Bliss: Ecstatic Poetry from Around the World, Edited by Ivan M. Granger

~ Shankara, You are my true self, O Lord
,
855:We learn much through suffering,” she said. “But I think what we learn most is who we really are. I’ve known the true you for some time, Owen. But you were like a chick struggling to escape its shell. Now you’re free to grow and become what the Fountain intended you to become. You may have thought what the Fountain forced you to endure was unpleasant, even cruel. But now you know yourself. Now you know what you would have chosen without any foreknowledge of the consequences. That’s why I couldn’t tell you, Owen. ~ Jeff Wheeler,
856:The big swan—Apollo—was within ten feet of me; he swam in open water, clear of the others; no living thing touched him. Suddenly, uttering a cry that chilled my very blood, a cry that I never heard from a swan in my life, he rose in the air, his huge wings extended—like a tortured phantom, Sime; I can never forget it—six feet clear of the water. The uncanny wail became a stifled hiss, and sending up a perfect fountain of water—I was deluged—the poor old king-swan fell, beat the surface with his wings—and was still. ~ Sax Rohmer,
857:Christ is like a river in another respect. A river is continually flowing, there are fresh supplies of water coming from the fountain-head continually, so that a man may live by it, and be supplied with water all his life. So Christ is an ever-flowing fountain; he is continually supplying his people, and the fountain is not spent. They who live upon Christ, may have fresh supplies from him to all eternity; they may have an increase of blessedness that is new, and new still, and which never will come to an end. ~ Jonathan Edwards,
858:God is the highest good of the reasonable creature, and the enjoyment of him is the only happiness with which our souls can be satisfied. To go to heaven fully to enjoy God, is infinitely better than the most pleasant accommodations here. Fathers and mothers, husbands, wives, children, or the company of earthly friends, are but shadows. But the enjoyment of God is the substance. These are but scattered beams, but God is the sun. These are but streams, but God is the fountain. These are but drops, but God is the ocean. ~ Anonymous,
859: I hang up and don’t even need to look at Joshua. I know he’s shaking his head.

After a few minutes I glance at him, and he is staring at me. Imagine it’s two minutes before the biggest interview of your life, and you look down at your white shirt. Your peacock-blue fountain pen has leaked through your pocket. Your head explodes with an obscenity and your stomach is a spike of panic over the simmering nerves. You’re an idiot and everything’s ruined. That’s the exact color of Joshua’s eyes when he looks at me. ~ Sally Thorne,
860:But there are spirits of a yet more liberal culture, to whom no simplicity is barren. There are not only stately pines, but fragile flowers, like the orchises, commonly described as too delicate for cultivation, which derive their nutriment from the crudest mass of peat. These remind us, that, not only for strength, but for beauty, the poet must, from time to time, travel the logger's path and the Indian's trail, to drink at some new and more bracing fountain of the Muses, far in the recesses of the wilderness. ~ Henry David Thoreau,
861:God is the highest good of the reasonable creature, and the enjoyment of him is the only happiness with which our souls can be satisfied. To go to heaven fully to enjoy God, is infinitely better than the most pleasant accommodations here. Fathers and mothers, husbands, wives, children, or the company of earthly friends, are but shadows. But the enjoyment of God is the substance. These are but scattered beams, but God is the sun. These are but streams, but God is the fountain. These are but drops, but God is the ocean. ~ Randy Alcorn,
862:Was that too much too fast, he asks. I thought you wanted me to, I thought that's why you came-- why did you come?

The fountain is in full flair, sending water down the terraces to froth in the lily pad pond below. From this point we can see all the way to the White House and all the buildings between, locked in place, unmoved. I came because you have showed me something inside me that I can't control, because now the world before with its rules and requirements is not enough, I want to say, but I cannot speak. ~ Uzodinma Iweala,
863:And now you ask in your heart, ‘How shall we distinguish that which is pleasurable from that which is not?’
Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee.
For to the bee, a flower is a fountain of life,
And to the flower, a bee is a messenger of love,
And to both, bee and flower, the giving and the receiving of
pleasure is a need and an ecstasy.” – Khalil Gibran ~ Brian Tracy,
864:After seventeen years of selling paper cups for Lily Tulip Cup Company and climbing to the top of the organization’s sales ladder, I saw opportunity appear in the form of an ugly, six-spindled milk shake machine called a Multimixer, and I grabbed it. It wasn’t easy to give up security and a well-paying job to strike out on my own. My wife was shocked and incredulous. But my success soon calmed her fears, and I plunged gleefully into my campaign to sell a Multimixer to every drug store soda fountain and dairy bar in the nation. ~ Ray Kroc,
865:Color
What is pink? a rose is pink
By a fountain's brink.
What is red? a poppy's red
In its barley bed.
What is blue? the sky is blue
Where the clouds float thro'.
What is white? a swan is white
Sailing in the light.
What is yellow? pears are yellow,
Rich and ripe and mellow.
What is green? the grass is green,
With small flowers between.
What is violet? clouds are violet
In the summer twilight.
What is orange? Why, an orange,
Just an orange!
~ Christina Georgina Rossetti,
866:If ever there was a prime-time trigger for PTSD you couldn't do much better than this, but lucky for Norm, the crowd, America, the forty-million-plus TV viewing audience, Bravos can deal, oh yes! Pupils dilated, pulse and blood pressure through the roof, limbs trembling with stress-reflex cortisol rush, but it's cool, it's good, their shit's down tight, no Vietnam-vet crackups for Bravo squad! You can march these boys straight into sound-and-light show hell and Bravos can deal, but damn, isn't it rude to put them through it. ~ Ben Fountain,
867:As they advanced (towards the fountain) one after another of Bastian's Fastastican gifts fell away from him. The strong, handsome, fearless hero became the small, fat, timid boy.
(...)
But then he jumped into the crystal-clear water... He drank till his thrist was quenched. And joy filled him from head to foot, the joy of living and the joy of being himself. He was new born. And the best part of it was that he was now the very person he wanted to be. If he had been free to choose, he would have chosen to be no one else. ~ Michael Ende,
868:It has taken me twenty-eight years to be able to admit that I'm glad I did not know my mother until now. Not because, as my father suspected, she would ruin my life, but because this way, I did not have to bear witness as she ruined hers.
My mother's sorrow is so powerful, it cracks the clay tile beneath her feet; it makes the water in the fountain behind us overflow. "Delia," she says, as her eyes fill with tears. "I'm trying."
"Me, too." I reach for her hand: a compromise, a good-bye. Maybe this is as good as it gets. ~ Jodi Picoult,
869:Facts," murmured Basil, like one mentioning some strange, far-off animals, "how facts obscure the truth. I may be silly—in fact, I'm off my head—but I never could believe in that man—what's his name, in those capital stories?—Sherlock Holmes. Every detail points to something, certainly; but generally to the wrong thing. Facts point in all directions, it seems to me, like the thousands of twigs on a tree. It's only the life of the tree that has unity and goes up—only the green blood that springs, like a fountain, at the stars. ~ G K Chesterton,
870:Material things have closed boundaries; they are not accessible, cannot be penetrated, by things outside themselves. But one's existence as a spiritual being involves being and remaining oneself and at the same time admitting and transforming into oneself the reality of the world. No other material thing can be present in the space occupied by a house, a tree, or a fountain pen. But where there is mind, the totality of things has room; it is "possible that in a single being the comprehensiveness of the whole universe may dwell. ~ Josef Pieper,
871:Where else but America could football flourish, America with its millions of fertile acres of corn, soy, and wheat, its lakes of dairy, its year-round gushers of fruits and vegetables, and such meats, that extraordinary pipline of beef, poultry, seafood, and pork, feedlot gorged, vitamin enriched, and hypodermically immunized, humming factories of high-velocity protein production, all of which culminate after several generations of epic nutrition in this strain of industrial-sized humans? Only America could produce such giants. ~ Ben Fountain,
872:And conceiving God to be the fountain of wisdom, I thought it right and necessary to solicit his assistance for obtaining it; to this end I formed the following little prayer, which was prefix'd to my tables of examination, for daily use. "O powerful Goodness! bountiful Father! merciful Guide! increase in me that wisdom which discovers my truest interest. strengthen my resolutions to perform what that wisdom dictates. Accept my kind offices to thy other children as the only return in my power for thy continual favors to me. ~ Benjamin Franklin,
873:And rural nature is full of the same quickening spirit-it is, in fact, the exhaustless mine from which the poet and the painter have brought such wondrous treasures-an unfailing fountain of intellectual enjoyment, where all may drink, and be awakened to a deeper feeling of the works of genius, and a keener perception of the beauty of our existence. For those whose days are all consumed in the low pursuits of avarice, or the gaudy frivolities of fashion, unobservant of nature's loveliness, are unconscious of the harmony of creation ~ Thomas Cole,
874:The summer came to life. It burst from gray to fierce blue and gold in the blink of an eye; the air pealed with grasshoppers and lawnmowers, swirled with branches and bees and dandelion seeds, it was soft and sweet as whipped cream, and over the wall the wood was calling us in the loudest of silent voices, it was shaking out all its best treasures to welcome us home. Summer tossed out a fountain of ivy tendrils, caught us straight under the breastbones and tugged; summer, redeemed and unfurling in front of us, a million years long. ~ Tana French,
875:They bewailed innocence maltreated, goodness persecuted, love bleeding, meekness about to die; but my heart has a deeper and more bitter cause to mourn. My sins were the scourges which lacerated those blessed shoulders, and crowned with thorn those bleeding brows: my sins cried “Crucify Him! Crucify Him!” and laid the cross upon His gracious shoulders. His being led forth to die is sorrow enough for one eternity: but my having been His murderer, is more, infinitely more, grief than one poor fountain of tears can express. ~ Charles Haddon Spurgeon,
876:For those who have never visited it, the downtown Powell’s takes up a whole city block. A giant concrete split-level sarcophagus of books. There is a ghost that haunts the water fountain. An urn of cremated remains that moves from room to room. The shelves spill books, used and new, and the aisles buzz with the kind of diversity you’ll only find at the DMV: dudes in suits and dudes in mud-caked cowboy boots, a woman with dreads and a woman with a tiara and a woman with bright blue hair. A carnival of wonders for a kid from the boonies. ~ Benjamin Percy,
877:The strange, wonderful stories of Doctor Olaf van Schuler's Brain introduce us to the tremendously gifted Kirsten Menger-Anderson, a writer whose subject is nothing less than the diagnosis and cure of the human malady. We follow twelve generations of New York City's Steenwycks family through their forays into phrenology, mesmerism, radium therapy and similar misadventures, a historically rich narrative that Menger-Anderson delivers in striking, elegant prose and with a sure eye for detail. This is a remarkable debut by a writer to watch. ~ Ben Fountain,
878:You could practically see the neurons firing in the kid’s skull. His body was all spring and torque, a bundle of fast-twitch muscles that exuded faint floral whiffs of ripe pear. So much perfection in such a compact little person — Billy had to tackle him from time to time, wrestle him squealing to the ground just to get that little rascal in his hands, just your basic adorable thirty-month old with big blue eyes clear as chlorine pools and Huggies poking out of his stretchy-waist jeans. So is this what they meant by the sanctity of life? ~ Ben Fountain,
879:Lawn Lovely is a store two blocks from our house. It’s the place where Dad buys his lawn ornaments. A lot of lawn ornaments.
Dad is as nuts about lawn ornaments as he is about gardening. We have so many lawn ornaments in our front yard, it’s impossible to mow the lawn!
What a crowd scene! We have two pink plastic flamingos. A cement angel with huge white wings. A chrome ball on a silver platform. A whole family of plaster skunks. A fountain with two kissing swans. A seal that balances a beach ball on its nose. And a chipped plaster deer. ~ R L Stine,
880:THIS IS NOT, to say the least, an appealing prospect. People naturally prefer to avoid the subject of their decrepitude. There have been dozens of bestselling books on aging, but they tend to have titles such as Younger Next Year, The Fountain of Age, Ageless, or—my favorite—The Sexy Years. Still, there are costs to averting our eyes from the realities. We put off dealing with the adaptations that we need to make as a society. And we blind ourselves to the opportunities that exist to change the individual experience of aging for the better. ~ Atul Gawande,
881:Your soul is a chosen landscape
Where charming masked and costumed figures go
Playing the lute and dancing and almost
Sad beneath their fantastic disguises.

All sing in a minor key
Of all-conquering love and careless fortune
They do not seem to believe in their happiness
And their song mingles with the moonlight.

The still moonlight, sad and beautiful,
Which gives the birds to dream in the trees
And makes the fountain sprays sob in ecstasy,
The tall, slender fountain sprays among the marble statues. ~ Paul Verlaine,
882:"Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam French fries." Even Thalia smiled at that. "And I need to use the dam restroom."... I started cracking up, and Thalia and Grover joined in, while Zoe just looked at us "I do not understand." "I want to use the dam water fountain," Grover said. "And..." Thalia tried to catch her breath. "I want to buy a dam T-shirt." ~ Rick Riordan,
883:The reflection and experience of many years have led me to consider the holy writings not only as the most authentic and instructive in themselves, but as the clue to all other history. They tell us what man is, and they alone tell us why he is what he is: a contradictory creature that seeing and approving of what is good, pursues and performs what is evil. All of private and public life is there displayed. ... From the same pure fountain of wisdom we learn that vice destroys freedom; that arbitrary power is founded on public immorality. ~ Gouverneur Morris,
884:I wanted to feel like I could open my mouth and fill it with Pepper's flesh, close my teeth on her skin and tear it away, making blood pump like a fountain over everything - rug, clothes, hair, face - both Violet and I stopped in midair. Pepper's eyes had flooded with tears. It was too easy, she was enjoying this. Her body softened like a sponge waiting to soak up my punches. Her lips smiled the same way Valerie's did. It was as if I had discovered maggots in her flesh. I recoiled from her where she lay on the bed like a piece of rotting meat. ~ Mary Woronov,
885:I would stand like this, yelling directions, for what seemed like hours without a break. One time I was dying for a drink of water, and I caught his attention as he was on his way to his office. “M-Mr. Batton?” He looked at me. “Mr. Batton … could I please use the water fountain? I’m thirsty.” He came at me like a tank. “Burnett!” Lord, he’s actually talking. “Yessir?” “Don’t you ever do that again!” “What should I do?” “You snap your fingers until you get my attention, and when you do, you open your mouth and point to the back of your throat! ~ Carol Burnett,
886:Without ever exactly putting his mind to it, he's come to believe that loss is standard trajectory. Something new appears in the world—a baby, say, or a car or a house, or an individual shows some special talent—with luck and huge expenditures of soul and effort you might keep the project stoked for a while, but eventually, ultimately, it's going down. This is a truth so brutally self-evident that he can't fathom why it's not more widely perceived, hence his contempt for the usual public shock and outrage when a particular situation goes to hell. ~ Ben Fountain,
887:To the Technocrats: Have mercy on us. Relax a bit, take time out for simple pleasures. For example, the luxuries of electricity, indoor plumbing, central heating, instant electronic communication and such, have taught me to relearn and enjoy the basic human satisfactions of dipping water from a cold clear mountain stream; of building a wood fire in a cast-iron stove; of using long winter nights for making music, making things, making love; of writing long letters, in longhand with a fountain pen, to the few people on this earth I truly care about. ~ Edward Abbey,
888:O virgin mother, daughter of thy Son,
humble beyond all creatures and more exalted;
predestined turning point of God's intention;

Thy merit so ennobled human nature
that its divine Creator did not scorn
to make Himself the creature of His creature.

The Love that was rekindled in Thy womb
sends for the warmth of the eternal peace
within whose ray this flower has come to bloom.

Here to us, thou art the noon and scope
of Love revealed; and among mortal men,
the living fountain of eternal hope. ~ Dante Alighieri,
889:Do you remember the sight we saw, my soul,
that soft summer morning
round a turning in the path,
the disgusting carcass on a bed scattered with stones,
its legs in the air like a woman in need
burning its wedding poisons
like a fountain with its rhythmic sobs,
I could hear it clearly flowing with a long murmuring sound,
but I touch my body in vain to find the wound.
I am the vampire of my own heart,
one of the great outcasts condemned to eternal laughter
who can no longer smile.
Am I dead?
I must be dead. ~ Charles Baudelaire,
890:the pursuit of our soul's satisfaction--our joy and delight and happiness--is not sin. Sin is the exact opposite: pursuing happiness where no lasting happiness can be found. "My people have committed two evils: they have forsaken me, the fountain of living waters, and hewed out cisterns for themselves, broken cisterns, that can hold no water" (Jer. 2:13, RSV). Sin is trying to quench our unquenchable soul-thirst anywhere but in God. Or, more subtly, sin is pursuing satisfaction in the right direction, but with lukewarm, halfhearted affections (Rev. 3:16). ~ John Piper,
891:Mexico admits you through an arched stone orifice into the tree-filled courtyard of its heart, where a dog pisses against a wall and a waiter hustles through a curtain of jasmine to bring a bowl of tortilla soup, steaming with cilantro and lime. Cats stalk lizards among the clay pots around the fountain, doves settle into the flowering vines and coo their prayers, thankful for the existence of lizards. The potted plants silently exhale, outgrowing their clay pots. Like Mexico's children they stand pinched and patient in last year's too-small shoes. ~ Barbara Kingsolver,
892:So the “continual thirst for fresh communications from the Fountain of life”—Christ himself—is at the heart of Christian life.44 “The hidden life of a Christian, as it consists in communion with God by Jesus Christ,” Newton says, is “a continual dependence on him for hourly supplies of wisdom, strength, and comfort.”45 The Christian life flows from hourly communion with Christ because “the more you know him, the better you will trust him; the more you trust him, the better you will love him; the more you love him, the better you will serve him.”46 But how ~ Tony Reinke,
893:That winter was a particularly tough one for the paper cup business. Everything slowed down except for the hospital and medical clinic sales, and I didn’t have any of those places for customers. I didn’t do very well, because I thought of the customer first. I didn’t try to force an order on a soda fountain operator when I could see that his business had fallen off because of cold weather and he didn’t need the damn cups. My philosophy was one of helping my customer, and if I couldn’t sell him by helping him improve his own sales, I felt I wasn’t doing my job. ~ Ray Kroc,
894:Bears are made of the same dust as we, and they breathe the same winds and drink of the same waters. A bear's days are warmed by the same sun, his dwellings are overdomed by the same blue sky, and his life turns and ebbs with heart pulsing like ours. He was poured from the same first fountain. And whether he at last goes to our stingy Heaven or not, he has terrestrial immortality. His life, not long, not short, knows no beginning , no ending. To him life unstinted, unplanned, is above the accidents of time, and his years, markless and boundless, equal eternity. ~ John Muir,
895:Jonathan Edwards said in a 1733 sermon, “God is the highest good of the reasonable creature, and the enjoyment of him is the only happiness with which our souls can be satisfied. To go to heaven fully to enjoy God, is infinitely better than the most pleasant accommodations here. Fathers and mothers, husbands, wives, children, or the company of earthly friends, are but shadows. But the enjoyment of God is the substance. These are but scattered beams, but God is the sun. These are but streams, but God is the fountain. These are but drops, but God is the ocean. ~ Randy Alcorn,
896:Thou art the supreme light, and the eyes of the pure soul shall see Thee, and clouds of sin shall hide Thee from the eyes of sinners. Thou art the light hidden in this world and revealed in the world of beauty, "In the mount of the Lord it shall be seen." Thou art the eternal light, and the inward eye yearns for Thee and is astonished -- she shall see but the utmost part of them, and shall not see them all. [1568.jpg] -- from The Heart and the Fountain: An Anthology of Jewish Mystical Experiences, by Joseph Dan

~ Solomon ibn Gabirol, Thou art the Supreme Light
,
897:The Men’s Central Jail is an anonymous building behind Central Station, less than ten minutes from the Criminal Courts Building in downtown L.A. I parked in a neat, modern underground parking structure, then walked up steps to a very nice plaza. Nicely dressed people were sipping lattes and strolling about the plaza, and no one seemed to mind that the plaza adjoined a place housing felons and gangbangers and the wild men of an otherwise civil society. Perhaps because this is L.A. and the jail is so nice. There’s a fountain in the plaza, and it’s very nice, too. ~ Robert Crais,
898:GOOD MORNING," said the little prince. "Good Morning," said the salesclerk. This was a salesclerk who sold pills invented to quench thirst. Swallow one a week and you no longer feel any need to drink. "Why do you sell these pills?" "They save so much time," the salesclerk said. "Experts have calculated that you can save fifty-three minutes a week." "And what do you do with those fifty-three minutes?" "Whatever you like." "If I had fifty-three minutes to spend as I liked," the little prince said to himself, "I'd walk very slowly toward a water fountain. ~ Antoine de Saint Exupery,
899:Let us find the dam snack bar," Zoe said. "We should eat while we can."
Grover cracked a smile. "The dam snack bar?"
Zoe blinked. "Yes. What is funny?"
"Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries."
Even Thalia smiled at that. "And I need to use the dam restroom."
...
I started cracking up, and Thalia and Grover joined in, while Zoe just looked at me. "I do not understand."
"I want to use the dam water fountain," Grover said.
"And..." Thalia tried to catch her breath. "I want to buy a dam t-shirt. ~ Rick Riordan,
900:Friend of fatherless! Fountain of happiness! Lord of the swill-bucket! Oh, how my soul is on Fire when I gaze at thy Calm and commanding eye. Like the sun in the sky, Comrade Napoleon! Thou are the giver of All thy creatures love, Full belly twice a day, clean straw to roll upon; Every beast great or small, Sleeps at peace in his stall, Thou watchest over all, Comrade Napoleon! Had I a sucking-pig, Ere he had grown as big Even as a pint bottle or a a rolling-pin He should have learned to be Faithful and true to thee, Yes, his first squeak should be Comrade Napoleon! ~ George Orwell,
901:Stuyvesants and Vanderbilts and Roosevelts and staid, respectable Washington Square. Trinity Church. Mrs. Astor’s famous ballroom, the Four Hundred, snobby Ward McAllister, that traitor Edith Wharton, Delmonico’s. Zany Zelda and Scott in the Plaza fountain, the Algonquin Round Table, Dottie Parker and her razor tongue and pen, the Follies. Cholly Knickerbocker, 21, Lucky Strike dances at the Stork, El Morocco. The incomparable Hildegarde playing the Persian Room at the Plaza, Cary Grant kneeling at her feet in awe. Fifth Avenue: Henri Bendel, Bergdorf’s, Tiffany’s. ~ Melanie Benjamin,
902:God is the highest good of the reasonable creature. The enjoyment of him is our proper; and is the only happiness with which our souls can be satisfied. To go to heaven, fully to enjoy God, is infinitely better than the most pleasant accommodations here. Better than fathers and mothers, husbands, wives, or children, or the company of any, or all earthly friends. These are but shadows; but the enjoyment of God is the substance. These are but scattered beams; but God is the sun. These are but streams; but God is the fountain. These are but drops, but God is the ocean. ~ Jonathan Edwards,
903:I never thought I'd get to see Rome," Hazel said. "When I was alive, I mean for the first time, Mussolini was in charge. We were at war." "Mussolini?" Leo frowned. "Wasn't he like BFF's with Hitler?" Hazel stared at him like he was an alien. "BFF's?" "Never mind." "I'd love to see the Trevi Fountain," she said. "There's a fountain on every block," Leo grumbled. "Or the Spanish Steps," Hazel said. "Why would you come to Italy to see Spanosh steps?" Leo asked. "That's like going to China for Mexican food, isn't it?" "You're hopeless," Hazel complained. "So I've been told. ~ Rick Riordan,
904:The water wasn't the same down here.

Water is what runs out of the kitchen taps or a playground drinking fountain. It fills bathubs and pools and yes, of course, the ocean- but at a certain depth, water becomes a barrier from all you remember, all you think you know.

You're trapped within it, a plaything of it.

Focus erodes. Your thoughts mutate. The pressure.

The pressure.

The soul can't cope with that. It shouldn't be expected to.

Humans weren't built for this. There's a reason nothing lives down here.

Or nothing should. ~ Nick Cutter,
905:And now you ask in your heart, ‘How shall we distinguish that which is good in pleasure from that which is not good?’ Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy. * People of Orphalese, be in your pleasures like the flowers and the bees. ~ Khalil Gibran,
906:I know that the Immovable comes down; I know that the Invisible appears to me; I know that he who is far outside the whole creation Takes me within himself and hides me in his arms, And then I find myself outside the whole world. I, a frail, small mortal in the world, Behold the Creator of the world, all of him, within myself; And I know that I shall not die, for I am within the Life, I have the whole of Life springing up as a fountain within me. He is in my heart, he is in heaven: Both there and here he shows himself to me with equal glory.22 St Symeon the New Theologian ~ Kallistos Ware,
907:Because God is not only infinitely greater and more excellent than all other being, but he is the head of the universal system of existence; the foundation and fountain of all being and all beauty; from whom all is perfectly derived, and on whom all is most absolutely and perfectly dependent; of whom, and through whom, and to whom is all being and all perfection; and whose being and beauty are, as it were, the sum and comprehension of all existence and excellence: much more than the sun is the fountain and summary comprehension of all the light and brightness of the day. ~ Jonathan Edwards,
908:When your soul is pricked by compunction and gradually changed, it becomes a fountain flowing with rivers of tears and compunction. ... If any one of you ever happens to communicate with tears, whether you weep before the Liturgy or in the course of the divine Liturgy, or at the very time that you receive the divine Gifts, and does not desire to do this for the rest of his days and nights, it will avail him nothing to have wept merely once. It is not this alone that at once purifies us and makes us worthy; it is daily compunction that does not cease until death. ~ Symeon the New Theologian,
909:In Rome, I really wanted an Audrey Hepburn Roman Holiday experience, but the Trevi Fountain was crowded, there was a McDonald's at the base of the Spanish Steps, and the ruins smelled like cat pee because of all the strays. The same thing happened in Prague, where I'd been yearning for some of the bohemianism of The Unbearable Lightness of Being. But no, there were no fabulous artists, no guys who looked remotely like a young Daniel Day-Lewis. I saw this one mysterious-looking guy reading Sartre in a cafe, but then his cell phone rang and he started talking in aloud Texan twang. ~ Gayle Forman,
910:He checked out his surrounding. More books. A drinking fountain. A poster showing a guy slam-dunking a basketball with one hand and holding a book in the other, urging kids to READ! Weird, thought Steve. How can he even see the hoop?

...

You see, Steven, Librarians are the most elite, best trained secret force in the United States of America. Probably in the world."
"No way."
"Yes way."
"What about the FBI?"
"Featherweights."
"The CIA?"
Mackintosh snorted. "Don't make me laugh. Those guys can't even dunk a basketball andd read a book at the same time. ~ Mac Barnett,
911:thou hast ravished my heart with one of thine eyes, with one chain of thy neck, thy lips drop as the honeycomb, honey and milk are under thy tongue, the smell of thy breath is of apples, thy two breasts are clusters of grapes, thy palate a heady wine that goes straight to my love and flows over my lips and teeth…. A fountain sealed, spikenard and saffron, calamus and cinnamon, myrrh and aloes, I have eaten my honeycomb with my honey, I have drunk my wine with my milk. Who was she, who was she who rose like the dawn, fair as the moon, clear as the sun, terrible as an army with banners? ~ Umberto Eco,
912:[It was at the fountain where I washed my curls]
It was at the fountain where I washed my curls,
Mother, and where I did loosen them
and me
oh lucent
It was at the spring where I rinsed my locks
Mother, and where I did loosen them
and me
Lucent
At the fountain where I did loosen my curls
there I knew — Mother — one to lord over them.
and me
Lucent oh
Before I from that place departed
Loosened was I in the words he d told me
and me
oh oh [lucent
[652] #689
Don Joham Soarez Coelho
« and so I did appease them »
~ Erin Mouré,
913:If you want to get warm you must stand near the fire: if you want to be wet you must get into the water. If you want joy, power, peace, eternal life, you must get close to, or even into, the thing that has them. They are not a sort of prize which God could, if He chose, hand out to anyone. They are a great fountain of energy and beauty spurting up at the very centre of reality. If you are close to it, the spray will wet you: if you are not,, you will remian dry. Once a man is united to God, how could he not live forever? Once a man is separated from God, what can he do but wither and die. ~ C S Lewis,
914:For lunch, Tsipis led them to Hassadar’s most exclusive locale—the official dining room of the Count’s Residence, overlooking the Square. The remarkable spread which the staff laid on hinted that Miles had sent down a few urgent behind-the-scenes instructions for the care and feeding of his . . . gardener. Mark confirmed this after dessert when Kareen led Enrique and the widow off to see the garden and fountain in the Residence’s inner courtyard, and he and Tsipis lingered over the exquisite vintage of Vorkosigan estate-bottled wine usually reserved for visits from Emperor Gregor. ~ Lois McMaster Bujold,
915:Aunty Ifeoma came the next day, in the evening, when the orange trees started to cast long, wavy shadows across the water fountain in the front yard. Her laughter floated upstairs into the living room, where I sat reading. I had not heard it in two years, but I would know that cackling, hearty sound anywhere. Aunty Ifeoma was as tall as Papa, with a well-proportioned body. She walked fast, like one who knew just where she was going and what she was going to do there. And she spoke the way she walked, as if to get as many words out of her mouth as she could in the shortest time. ~ Chimamanda Ngozi Adichie,
916:And then there will be the times when I see you laughing. Like the time you’ll be playing with the neighbor’s puppy, poking your hands through the chain-link fence separating our back yards, and you’ll be laughing so hard you’ll start hiccupping. The puppy will run inside the neighbor’s house, and your laughter will gradually subside, letting you catch your breath. Then the puppy will come back to the fence to lick your fingers again, and you’ll shriek and start laughing again. It will be the most wonderful sound I could ever imagine, a sound that makes me feel like a fountain, or a wellspring. ~ Ted Chiang,
917:And you, Ringbearer' she said, turning to Frodo. 'I come to you last who are not last in my thoughts. For you I have prepared this.' She held up a small crystal phial: it glittered as she moved it and rays of white light sprang from her hand. 'In this phial,' she said,' is caught the light of Earendil's star, set amid the waters of my fountain. It will shine still brighter when night is about you. May it be a light to you in dark places, when all other lights go out. Frodo took the phial, and for a moment as it shone between them, he saw her again standing like a queen, great and beautiful. ~ J R R Tolkien,
918:How soft and gentle her name sounds when I whisper it. It lingers on the tongue, insidious and slow, almost like poison, which is apt indeed. It passes from the tongue to the parched lips, and from the lips back to the heart. And the heart controls the body, and the mind also. Shall I be free of it one day? In forty, in fifty years? Or will some lingering trace of matter in the brain stay pallid and diseased? Some minuscule cell in the bloodstream fail to race with its fellows to the fountain heart? Perhaps, when all is said and done, I shall have no wish to be free. As yet, I cannot tell. ~ Daphne du Maurier,
919:I never thought I'd get to see Rome," Hazel said. "When I was alive, I mean for the first time, Mussolini was in charge. We were at war."
"Mussolini?" Leo frowned. "Wasn't he like BFF's with Hitler?"
Hazel stared at him like he was an alien. "BFF's?"
"Never mind."
"I'd love to see the Trevi Fountain," she said.
"There's a fountain on every block," Leo grumbled.
"Or the Spanish Steps," Hazel said.
"Why would you come to Italy to see Spanosh steps?" Leo asked. "That's like going to China for Mexican food, isn't it?"
"You're hopeless," Hazel complained.
"So I've been told. ~ Rick Riordan,
920:[Norm said,] 'To all those who argue this war is a mistake, I'd like to point out that we've removed from power one of history's most ruthless and belligerent tyrants. A man who cold-bloodedly murdered thousands of his own people. Who built palaces for his personal pleasure while schools decayed and his country's health care system collapsed. Who maintained one of the world's most expensive armies while he allowed his nation's infrastructure to crumble. Who channeled resources to his cronies and political allies, allowing them to siphon off much of the country's wealth for their own personal gain. ~ Ben Fountain,
921:He watched the early light of the new moon glint fretfully on the river, now silver slivers, now darkness, as the night breeze stirred the choked growth on the banks and lifted the tree branches. The watersteps were a deserted invitation, and he envied Hori who must surely even now be reclining on the bottom of his skiff, Antef beside him, their fishing lines tied to the boat whilst they watched the stars and gossiped. His fountain tinkled like music in the darkness, and the monkeys sighed and snuffled in their favourite warm spot under the stone basin, which still held the warmth of the day’s heat. ~ Pauline Gedge,
922:There was a little sketch pad with a pink paper cover, a packet of handwritten notes in what looked like my grandmother's handwriting, a silk scarf of water lilies on a blue background, a black fountain pen with an ornate silver hand on it, a book of poems by American poets with a number of pages dog-eared (I made a mental note to see if "Mending Wall" was in there), a magnifying glass with a carved wooden handle, a book called 'Native Flowers of New England' with a ragged cloth binding, another clothbound book called the 'Berry Farmer's Companion', and a stack of twenty faded black-and-white photographs. ~ Mary Simses,
923:Were government a mere manufacture or article of commerce, immaterial by whom it should be made or sold, we might as well employ her as another, but when we consider it as the fountain from whence the general manners and morality of a country take their rise, that the persons entrusted with the execution thereof are by their serious example an authority to support these principles, how abominably absurd is the idea of being hereafter governed by a set of men who have been guilty of forgery, perjury, treachery, theft and every species of villainy which the lowest wretches on earth could practice or invent. ~ Thomas Paine,
924:Sleeping On The Ceiling
It is so peaceful on the ceiling!
It is the Place de la Concorde.
The little crystal chandelier
is off, the fountain is in the dark.
Not a soul is in the park.
Below, where the wallpaper is peeling,
the Jardin des Plantes has locked its gates.
Those photographs are animals.
The mighty flowers and foliage rustle;
under the leaves the insects tunnel.
We must go under the wallpaper
to meet the insect-gladiator,
to battle with a net and trident,
and leave the fountain and the square
But oh, that we could sleep up there...
~ Elizabeth Bishop,
925:Health is normal. The human body is a self-repairing, self-defending, self-healing marvel. Disease is relatively difficult to induce, considering the body's powerful immune system. However, this complicated and delicate machinery can be damaged if fed the wrong fuel during the formative years. ... Healthy living with nutritional excellence throughout life can slow the decline of aging. It can prevent the years and years of suffering in ill health that is so common today as people get older and become dependent on medical treatments, drugs, and surgery. Nutritional excellence is the only real fountain of youth. ~ Joel Fuhrman,
926:Why is there so much disturbance, so much fighting and quarrelling in the name of God? There has been more bloodshed in the name of God than for any other cause, because people never went to the fountain-head; they were content only to give a mental assent to the customs of their forefathers, and wanted others to do the same. What right has a man to say he has a soul if he does not feel it, or that there is a God if he does not see Him? If there is a God we must see Him, if there is a soul we must perceive it; otherwise it is better not to believe. It is better to be an outspoken atheist than a hypocrite. ~ Swami Vivekananda,
927:Let us find the dam snack bar,” Zoë said. “We should eat while we can.” Grover cracked a smile. “The dam snack bar?” Zoë blinked. “Yes. What is funny?” “Nothing,” Grover said, trying to keep a straight face. “I could use some dam french fries.” Even Thalia smiled at that. “And I need to use the dam restroom.” Maybe it was the fact that we were so tired and strung out emotionally, but I started cracking up, and Thalia and Grover joined in, while Zoë just looked at us. “I do not understand.” “I want to use the dam water fountain,” Grover said. “And…” Thalia tried to catch her breath. “I want to buy a dam T-shirt. ~ Rick Riordan,
928:And Billy, if it'll ease your mind any, I want you to know you've got a standing offer to come work for me when you're done with your military service. All you've got to do is say the word.'
Now there was a depressing thought, although Billy could see how it might come to that, assuming best-case scenario he made it home with all his limbs and faculties in tact. He'd go to work for Whalers hauling oil-field pipe and blowout protectors all over the wind-scrappled barrens of Central Texas, busting his ass for slightly more than minimum wage and shitty benefits.
'Thank you, sir. I may be taking you up on that. ~ Ben Fountain,
929:Men In The Rough
Men in the rough--on the trails all new-broken-Those are the friends we remember with tears;
Few are the words that such comrades have spoken-Deeds are their tributes that last through the years.
Men in the rough--sons of prairie and mountain-Children of nature, warm-hearted, clear eyed;
Friendship with them is a never-sealed fountain;
Strangers are they to the altars of pride.
Men in the rough--curt of speech to their fellows-Ready in everything, save to deceive;
Theirs are the friendships that time only mellows,
And death cannot sever the bonds that they weave.
~ Arthur Chapman,
930:I am the twentieth century. I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government. the cafe-dansant, the clockwork figure, the jazz saxophone, the tourist-lady's hairpiece, the fairy's rubber breasts, the travelling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night. ~ Thomas Pynchon,
931:Not town can live peacefully, whatever its laws," Plato wrote, "when its citizens ... do nothing but feast and drink and tire themselves out in the cares of love."
But is it such a bad thing to live like this for just a little while? Just for a few months of one's life, is it so awful to travel through time with no greater ambition than to find the next lovely meal? Or to learn how to speak a language for no higher purpose than that it pleases your ear to hear it? Or to nap in a garden, in a patch of sunlight, in the middle of the day, right next to your favorite fountain? And then to do it again the next day? ~ Elizabeth Gilbert,
932:Song
Venus.
Frosty lies the winter-landscape,
In the twilight golden-green.
Down the Park's deserted alleys,
Naked elms stand stark and lean.
Dumb the murmur of the fountain,
Birds have flown from lawn and hill.
But while yonder star's ascendant,
Love triumphal reigneth still.
See the keen flame throb and tremble,
Brightening in the darkening night,
Breathing like a thing of passion,
In the sky's smooth chrysolite.
Not beneath the moon, oh lover,
Thou shalt gain thy heart's desire.
Speak to-night! The gods are with thee
Burning with a kindred fire.
~ Emma Lazarus,
933:This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.
Blessèd sister, holy mother, spirit of the fountain, spirit of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee. ~ T S Eliot,
934:He decides he wants both more and less. He’d like to hang out with Beyonce in a nice way, get to know her by doing small pleasant things like going out for icecream, or how about this, a three-week trial run in some tropical paradise where they can hang together in that nice way and possibly fall in love, and meanwhile fuck each other’s brains out in their spare time. He wants both, he wants the entire body-soul connect because anything less is just demeaning. Has the war done this to him, he wonders, inspired by these deeper sensitivities and yearnings of his? Or is it just because he’s going on his twentieth year of life? ~ Ben Fountain,
935:Out of the woman's great brown breast the milk gushed forth for the child, milk as white as snow, and when the child suckled at the one breast it flowed like a fountain from the other, ans she let it flow. There was more than enough for the child, greedy though he was, life enough for many children, and she let it flow out carelessly, conscious of her abundance. There was always more. Sometimes she lifted her breast and let it flow out upon the ground to save her clothing, and it sank into the earth and made a soft, dark, rich spot in the field. The child fat and good-natured and ate of the inexhaustible life his mother gave him. ~ Pearl S Buck,
936:It is customary to blame secular science and anti-religious philosophy for the eclipse of religion in modern society. It would be more honest to blame religion for its own defeats. Religion declined not because it was refuted, but because it became irrelevant, dull, oppressive, insipid. When faith is completely replaced by creed, worship by discipline, love by habit; when the crisis of today is ignored because of the splendor of the past; when faith becomes an heirloom rather than a living fountain; when religion speaks only in the name of authority rather than with the voice of compassion--its message becomes meaningless. ~ Abraham Joshua Heschel,
937:This fountain commemorates Luxembourg’s two national poets—Lentz and Dicks,’” Jeffrey reads. “That had to be a tough name to get through school with.” I scowl slightly as Jeffrey reads on. “Mr. Lentz wrote the national motto. ‘Mir wëlle bleiwe wat mir sin’ . . . ‘We wish to remain what we are.’” It really explains this strange place, I think, as Jeffrey considers the fountain. The gargoyles, the old men, the cobblestones. Maybe it’s trying with all its might not to change in any way. Maybe Luxembourg is stuck, just like us." (from "The Unchangeable Spots of Leopards: A Novel (Ala Notable Books for Adults)" by Kristopher Jansma) ~ Kristopher Jansma,
938:There are many moral principles, just as many drops fall from one fountain; but there is one stream that is at the source of all, and that is love. It is love that gives birth to hope, patience, endurance, forgiveness, tolerance, and to all moral principles. All deeds of kindness and beneficence take root in the soil of the loving heart. Generosity, charity, adaptability, an accommodating nature, even renunciation, are the offspring of love alone. The great, rare and chosen beings, who for ages have been looked up to as ideal in the world, are the possessors of hearts kindled with love. All evil and sin come from the lack of love. ~ Hazrat Inayat Khan,
939:Ian once suggested that in addition to the mystery stickers and the sci-fi and animal ones, there should be special stickers for books with happy endings, books with sad endings, books that will trick you into reading the next in the series. 'There should be ones with big teardrops,' he said, 'like for the side of Where the Red Fern Grows. Because otherwise it isn't fair. Like maybe you're accidentally reading it in public, and then everyone will make fun of you for crying.' But what could I affix to the marvelous and perplexing tale of Ian Drake? A little blue sticker with a question mark, maybe. Crossed fingers. A penny in a fountain. ~ Rebecca Makkai,
940:Thirst
My spirit wails for water, water now!
My tongue is aching dry, my throat is hot
For water, fresh rain shaken from a bough,
Or dawn dews heavy in some leafy spot.
My hungry body's burning for a swim
In sunlit water where the air is cool,
As in Trout Valley where upon a limb
The golden finch sings sweetly to the pool.
Oh water, water, when the night is done,
When day steals gray-white through the windowpane,
Clear silver water when I wake, alone,
All impotent of parts, of fevered brain;
Pure water from a forest fountain first,
To wash me, cleanse me, and to quench my thirst!
~ Claude McKay,
941:My family sat in their pool courtyard," Harah said, "in air bathed by the moisture that arose from the spray of a fountain. There was a tree of portyguls, round and deep in color, near at hand. There was a basket with mish mish and baklawa and mugs of liban—all manner of good things to eat. In our gardens and, in our flocks, there was peace . . . peace in all the land."

"Life was full with happiness until the raiders came," Alia said.

"Blood ran cold at the scream of friends," Jessica said. And she felt the memories rushing through her out of all those other pasts she shared.

"La, la, la, the women cried," said Harah. ~ Frank Herbert,
942:Then suddenly he was aware of a man clothed in white who watched him through the falling water of the fountain.
As their eyes met, a bird sang aloud in the branches of the tree. In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves: it seemed to him that he himself was a word spoken by the sunlight.
Then that moment passed, and he and the world were as before, or almost as before. He went forward to kneel before the Archmage, holding out to him the letter written by Ogion. ~ Ursula K Le Guin,
943:Don’t talk about shit you don’t know, Billy thinks, and therein lies the dynamic of all such encounters, the Bravos speak from the high ground of experience. They are authentic. They are the Real. They have dealt much death and received much death and smelled it and held it and slopped through it in their boots, had it spattered on their clothes and tasted it in their mouths. That is their advantage, and given the masculine standard America has set for itself it is interesting how few actually qualify. Why we fight, yo, who is this we? Here in the chicken-hawk nation of blowhards and bluffers, Bravo always has the ace of bloods up its sleeve. ~ Ben Fountain,
944:The father had long ago taken up his bundle and hidden himself away with it, when the women who had tended the bundle while it lay on the base of the fountain, sat there watching the running of the water and the rolling of the Fancy Ball—when the one woman who had stood conspicuous, knitting, still knitted on with the steadfastness of Fate. The water of the fountain ran, the swift river ran, the day ran into evening, so much life in the city ran into death according to rule, time and tide waited for no man, the rats were sleeping close together in their dark holes again, the Fancy Ball was lighted up at supper, all things ran their course. ~ Charles Dickens,
945:I.
The rose that drinks the fountain dew
In the pleasant air of noon,
Grows pale and blue with altered hue
In the gaze of the nightly moon;
For the planet of frost, so cold and bright
Makes it wan with her borrowed light.

II.
Such is my heartroses are fair,
And that at best a withered blossom;
But thy false care did idly wear
Its withered leaves in a faithless bosom;
And fed with love, like air and dew,
Its growth----
Dated 1817 by Mrs. Shelley, and printed by her in the Poetical Works, 1839, 1st edition. A copy exists amongst the Shelley manuscripts at the Bodleian.
~ Percy Bysshe Shelley, To Constantia
,
946:You see someone more interesting than me?" asked Simon. In the dream he was mysteriously an expert dance. He steered her through the crowd as if she were a leaf caught in a river current. He was wearing all black, like a shadow hunter, and it showed his coloring to a good advantage: dark hair, lighted brown skin,white teeth. He's handsome, Clary thought, with a jolt of surprise. "There's no one more interesting than you," Clary said. "It's just this place. I've never seen anything like it." She turned again as they passed a champagne fountain... She was now dancing with Jace, who was wearing white, the material of his shirt a thin cotton... ~ Cassandra Clare,
947:But aren’t all great quests folly? El Dorado and the Fountain of Youth and the search for intelligent life in the cosmos—we know what’s out there. It’s what isn’t that truly compels us. Technology may have shrunk the epic journey to a couple of short car rides and regional jet legs—four states and twelve hundred miles traversed in an afternoon—but true quests aren’t measured in time or distance anyway, so much as in hope. There are only two good outcomes for a quest like this, the hope of the serendipitous savant—sail for Asia and stumble on America—and the hope of scarecrows and tin men: that you find out you had the thing you sought all along. ~ Jess Walter,
948:But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face.
"I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone.
"So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?"
I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he? ~ Julie Kagawa,
949:Jaime Rivera gaped in disbelief as the cadreman took at least five direct hits and didn't go down. And then the trooper who should have been dead was coming straight at him, pistol in one hand and some sort of sword in the other.

The pistol came up, and Rivera recoiled as the first penetrator spalled his visor. It didn't punch through, but the incredible impact, less than ten centimeters in front of his eyes half-stunned him. It was only for an instant, no more than a single heartbeat, but that was long enough.

His vision had just begun to refocus when the force blade in Alicia DeVries' right hand decapitated him in a fountain of blood. ~ David Weber,
950:...true death, my friend and counselor, who was never again going to allow me to act like such a coward...He was not going to allow me to put off until tomorrow what I should be enjoying today. He was not going to let me flee from life's battles, and he was going to help me fight the good fight. Never again, ever, was I going to feel ridiculous about doing anything. Because he was there, saying that when he took me in hand to travel with me to other worlds, I should leave behind the greatest sin of all: regret. With the certainty of his presence and the gentleness of his face, I was sure that I was going to be able to drink from the fountain of life. ~ Paulo Coelho,
951:Ellingham was splendid in the sunshine. That was the only word for it. The light fell like rain in droplets that hung in the air. A cloud of them surrounded the fountain that gushed merrily on the green, creating its own ecosystem of rainbows. The light found every nook and crook of the bright redbrick buildings. It made the gargoyles seem to smile. It deepened the green of the trees. It made the statues - well, it didn't do anything to the statues except reveal just how many of them there were.
"Do you think these get less creepy with time?" Nate asked as they passed yet another cluster of naked Greeks or Romans.
"I hope not," Stevie replied. ~ Maureen Johnson,
952:Then they began saying, "Get hold of him. Put him in Mercury." Now as you know I have two sculptures by Brancusi and several pretty things and I did not want them to start getting rough, so I said, pacifically, "Dear sweet clodhoppers, if you knew anything of sexual psychology you would know that nothing could give me keener pleasure than to be manhandled by you meaty boys. It would be an ecstasy of the very naughtiest kind. So if any of you wishes to be my partner in joy come and seize me. If, on the other hand, you simply wish to satisfy some obscure and less easily classified libido and see me bathe, come with me quietly, dear louts, to the fountain. ~ Evelyn Waugh,
953:Most of all, there had been a time when honor meant something at the Colgan School, when school property was respected, when the faculty was revered—when the headmaster’s mint-condition 1958 Porsche Speedster would
never have been placed on top of the fountain in the quad with water shooting out of its headlights on an unusually warm evening in November. There had been a time when the girl responsible—the very one who had
lucked into that last-minute vacancy only a few months before—would have had the decency to admit what she’d done and quietly taken her leave of the school. But unfortunately, that era, much like the headmaster’s car, was finished. ~ Ally Carter,
954:The two armies separated; and we are told that Pyrrhus said to one who was congratulating him on his victory, “If we are victorious in one more battle with the Romans, we shall be utterly ruined.” 10 For he had lost a great part of the forces with which he came, and all his friends and generals except a few; moreover, he had no others whom he could summon from home, and he saw that his allies in Italy were becoming indifferent, while the army of the Romans, as if from a fountain gushing forth indoors, was easily and speedily filled up again, and they did not lose courage in defeat, nay, their wrath gave them all the more vigour and determination for the war. ~ Plutarch,
955:Because those things that are appointed of God as means are not used by them in their due place and order, — such as are praying, fasting, watching, meditation, and the like. These have their use in the business in hand; but whereas they are all to be looked on as streams, they look on them as the fountain. Whereas they effect and accomplish the end as means only, subordinate to the Spirit and faith, they look on them to do it by virtue of the work wrought. If they fast so much, and pray so much, and keep their hours and times, the work is done. As the apostle says of some in another case, “They are always learning, never coming to the knowledge of the truth; ~ John Owen,
956:whole realm was his. He plunged into the swimming tank or went hunting with the Judge's sons; he escorted Mollie and Alice, the Judge's daughters, on long twilight or early morning rambles; on wintry nights he lay at the Judge's feet before the roaring library fire; he carried the Judge's grandsons on his back, or rolled them in the grass, and guarded their footsteps through wild adventures down to the fountain in the stable yard, and even beyond, where the paddocks were, and the berry patches. Among the terriers he stalked imperiously, and Toots and Ysabel he utterly ignored, for he was king,—king over all creeping, crawling, flying things of Judge Miller's ~ Jack London,
957:The gospel gives it all. Justification for our guilt. Sanctification for deconstructing our false ideals. Adoption for the red face of our secret shame. And suddenly, in place of the raw emotions that continually joined forces against us, knocking us around like a nickel in a clothes dryer, the sun can now rise in the morning on a truly perfect storm, as God’s grace feeds in us a new passion for Him, and passion responds by feeding us even more grace—a revitalizing shower where the only water seeping into our hearts is from the fountain of living waters, replenishing our once-guilty, once-shameful hearts with sheer joy, acceptance, and freedom. Let it rain. ~ Matt Chandler,
958:Natural Theology
'Once CAGN was like a father, kind and good,
But He was spoiled by fighting many things;
He wars upon the lions in the wood,
And breaks the Thunder-bird's tremendous wings;
But still we cry to Him,--'We are thy brood O Cagn, be merciful!' and us He brings
To herds of elands, and great store of food,
And in the desert opens water-springs.'
So Qing, King Nqsha's Bushman hunter, spoke,
Beside the camp-fire, by the fountain fair,
When all were weary, and soft clouds of smoke
Were fading, fragrant, in the twilit air:
And suddenly in each man's heart there woke
A pang, a sacred memory of prayer.
~ Andrew Lang,
959:But aren't all great quests folly? El Dorado and the Fountain of Youth and the search for intelligent life in the cosmos-- we know what's out there. It's what isn't that truly compels us. Technology may have shrunk the epic journey to a couple of short car rides and regional jet lags-- four states and twelve hundred miles traversed in an afternoon-- but true quests aren't measured in time or distance anyway, so much as in hope. There are only two good outcomes for a quest like this, the hope of the serendipitous savant-- sail for Asia and stumble on America-- and the hope of scarecrows and tin men: that you find out you had the thing you sought all along. ~ Jess Walter,
960:Let us find the dam snack bar,” Zoë said. “We should eat while we can.” Grover cracked a smile. “The dam snack bar?” Zoë blinked. “Yes. What is funny?” “Nothing,” Grover said, trying to keep a straight face. “I could use some dam french fries.” Even Thalia smiled at that. “And I need to use the dam restroom.” Maybe it was the fact that we were so tired and strung out emotionally, but I started cracking up, and Thalia and Grover joined in, while Zoë just looked at us. “I do not understand.” “I want to use the dam water fountain,” Grover said. “And…” Thalia tried to catch her breath. “I want to buy a dam T-shirt.” I busted up, and I probably would’ve kept laughing all ~ Rick Riordan,
961:I did everything wrong," he said. "I misunderstood everything. Moon Child gave me so much, and all I did with it was harm, harm to myself and harm to Fantastica."

Dame Eyola gave him a long look.

No," she said. "I don't believe so. You went the way of wishes, and that is never straight. You went the long way around, but that was your way. And do you know why? Because you are one of those who can't go back until they have found the fountain from which springs the Water of Life. And that's the most secret place in Fantastica. There's no simple way of getting there."

After a short silence she added: "But every way that leads there is the right one. ~ Michael Ende,
962:When we see the face of God we shall know that we have always known it. He has been a party to, has made, sustained and moved moment by moment within, all our earthly experiences of innocent love. All that was true love in them was, even on earth, far more His than ours, and ours only because His. In Heaven there will be no anguish and no duty of turning away from our earthly Beloveds. First, because we shall have turned already; from the portraits to the Original, from the rivulets to the Fountain, from the creatures He made lovable to Love Himself. But secondly, because we shall find them all in Him. By loving Him more than them we shall love them more than we now do. ~ C S Lewis,
963:After a long while he sat upright with great effort, exhaled a sigh and reached for a clean sheet of lined paper, smoothing it out on the desk. He unscrewed the lid of his fountain pen, laid it perpendicular to his paper, and began to write. Often he compared his writing to white water. He had only to leap in to be dragged away on its rapids, thrown this way and that with his own will rendered impotent. While writing he found the words came from the muscles in his hands, the feel of the shaft of his pen, the locked joint of his elbow. the scratching noise of the nib marking paper and, underneath all that, some coordinating impulse in his guts. Certainly not from his mind. ~ Ali Shaw,
964:As a new creation, you have been liberated from the struggle of self-improvement. Absolutely flawless, our old fearful, sinful, blemished selves have been eradicated once and for all. Perfected once and for all by His sacrifice, we can drink daily from the fountain of our union with Him, no longer expecting defeat. As our mind changes regarding the truth of our identity, our outward lives bear corresponding fruit. No longer believing the false humility pop mantra of our times that we are “still sinners” bound to decay, poverty, disease or addiction. We are sons and daughters – our true identity shines from the inside out chock-full of inheritance. Right here. Right now. ~ John Crowder,
965:Still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.
Narcissism, the unstable self, the fractured ego, Maud thought, who am I? A matrix for a susurration of texts and codes?It was both a pleasant and an unpleasant idea, this requirement that she think of herself as intermittent and partial. There was the question of the awkward body. The skin, the breath, the eyes, the hair, their history, which did seem to exist. ~ A S Byatt,
966:Billy nods and turns to the window. He knows he will never see Faison again, but how can he know? How does anyone ever know anything—the past is a fog that breathes out ghost after ghost, the present a freeway thunder run at 90 mph, which makes the future the ultimate black hole of futile speculation. And yet he knows, at least he thinks he knows, he feels it seeded in the purest certainty of his grief as he finds his seat belt and snaps it shut, that snick like the final lock of a vast and complex system. He’s in. Bound for the war. Good-bye, good-bye, good night, I love you all. He sits back, closes his eyes, and tries to think about nothing as the limo takes them away. ~ Ben Fountain,
967:rumors. I’ll not say more on the subject. Cheese in your eggs?” “Yes, please.” * * * With Kendra gone, Seth got out the equipment he had bundled in his towel, including his emergency kit and the jar he had smuggled from the pantry. The jar was now empty, washed clean in the bathroom sink. Taking out his pocket knife, Seth used the awl to punch holes in the lid. Unscrewing the top, he gathered bits of grass, flower petals, a twig, and a pebble, and placed them in the jar. Then he wandered across the garden from the pool, leaving the skimmer behind. If skill failed, he would resort to cunning. He found a good spot not far from a fountain, then took the small mirror from his ~ Brandon Mull,
968:started writing Stardust in 1994, but mentally timeslipped about seventy years to do it. The mid-1920s seemed like a time when people enjoyed writing those sorts of things, before there were fantasy shelves in the bookshops, before trilogies and books ‘in the great tradition of The Lord of the Rings’. This, on the other hand, would be in the tradition of Lud-in-the-Mist and The King of Elfland’s Daughter. All I was certain of was that nobody had written books on computers back in the 1920s, so I bought a large book of unlined pages, and the first fountain pen I had owned since my schooldays and a copy of Katharine Briggs’s Dictionary of Fairies. I filled the pen and began. ~ Neil Gaiman,
969:The Empty Bowl
I held the golden vessel of my soul
And prayed that God would fill it from on high.
Day after day the importuning cry
Grew stronger-grew, a heaven-accusing dole
Because no sacred waters laved my bowl.
'So full the fountain, Lord, wouldst Thou deny
The little needed for a soul's supply?
I ask but this small portion of Thy whole.'
Then from the vast invisible Somewhere,
A voice, as one love-authorized by Him,
Spake, and the tumult of my heart was stilled.
'Who wants the waters must the bowl prepare;
Pour out the self, that chokes it to the brim,
But emptied vessels, from the Source are filled.'
~ Ella Wheeler Wilcox,
970:Afterwards
SHE opened her moist crimson lips to sing;
And from her throat that is so white and full
The notes leaped like a fountain. A smooth lull
Was o'er my heart: as when—a viol—string
Having been broken—the first musical ring
Once over, all the rest is but a dull
Crude dissonance, howe'er thou twist and pull
The sundered fragments. A most weary thing
It is within the perished heart to seek
Pain, and not find it, but a clinging pall
Like sleep upon the mind. The mere set plan
Of life then comes, and grief that is not weak
Because it has no tears. Life's all—in—all
Was certainly at end when this began.
~ Dante Gabriel Rossetti,
971:It is not much use to talk about religion until one has felt it. Why is there so much disturbance, so much fighting and quarrelling in the name of God? There has been more bloodshed in the name of God than for any other cause, because people never went to the fountain-head; they were content only to give a mental assent to the customs of their forefathers, and wanted others to do the same. What right has a man to say he has a soul if he does not feel it, or that there is a God if he does not see Him? If there is a God we must see Him, if there is a soul we must perceive it; otherwise it is better not to believe. It is better to be an outspoken atheist than a hypocrite. ~ Swami Vivekananda,
972:ROSALIND
Now tell me how long you would have her after you have possessed her.

ORLANDO
Forever and a day.

ROSALIND
Say “a day” without the “ever.” No, no, Orlando, men are April when they woo, December when they wed. Maids are May when they are maids, but the sky changes when they are wives. I will be more jealous of thee than a Barbary cock- pigeon over his hen, more clamorous than a parrot against rain, more newfangled than an ape, more giddy in my desires than a monkey. I will weep for nothing, like Diana in the fountain, and I will do that when you are disposed to be merry. I will laugh like a hyena, and that when thou art inclined to sleep. ~ William Shakespeare,
973:Light came and went and came again, the great plume of the fountain pulsed and winds of April sheeted it across the Square in a rainbow gossamer of spray. The fire department horses drummed on the floors with wooden stomp, most casually, and with dry whiskings of their clean, coarse tails. The street cars ground into the Square from every portion of the compass and halted briefly like wound toys in their familiar quarter-hourly formula. A dray, hauled by a boneyard nag, rattled across the cobbles on the other side before his father's shop. The courthouse bell boomed out its solemn warning of immediate three, and everything was just the same as it had always been. ~ Thomas Wolfe, The Lost Boy,
974:The cake booth has as much to do with my education as helping my mother bake the cake. When we come to the carnival I believe that the cake my mother carries in is as beautiful and perfect as anything I have ever seen. But when we set our cake down on the long wooden table, I know it is only in the middle of the pack. There are towering white cakes with roses the size of hens' eggs made out of frosting and a sculpted Bundt cake that looks like the base of an elaborate fountain. There must be fifty cakes on the table when the Cake Walk begins and I stand in front of each one of them for a minute and wonder about their ingredients. Did they all have vanilla? One smells like oranges. ~ Jeanne Ray,
975:The Enkindled Spring
This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering rushes.
I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that’s gone astray, and is lost.
~ David Herbert Lawrence,
976:Deeds
'Tis well with words, oh masters, ye have sought,
To turn men's eyes yearning to the great and true,
Yet first take heed to what your own hands do;
By deeds not words the souls of men are taught;
Good lives alone are fruitful; they are caught
Into the fountain of all life (wherethrough
Men's souls that drink are broken or made new)
Like drops of heavenly elixir, fraught
With the clear essence of eternal youth.
Even one little deed of weak untruth
Is like a drop of quenchless venom cast,
A liquid thread, into life's feeding stream,
Woven forever with its crystal gleam,
Bearing the seed of death and woe at last.
~ Archibald Lampman,
977:Owing its ratification to the law of a State, it has been contended that the same authority might repeal the law by which it was ratified. However gross a heresy it may be to maintain that a party to a compact has a right to revoke that compact, the doctrine itself has had respectable advocates. The possibility of a question of this nature, proves the necessity of laying the foundations of our National Government deeper than in the mere sanction of delegated authority. The fabric of American Empire ought to rest on the solid basis of the consent of the People. The streams of National power ought to flow immediately from that pure original fountain of all legitimate authority. ~ Alexander Hamilton,
978:The Fountain Of Blood
A fountain's pulsing sobs--like this my blood
Measures its flowing, so it sometimes seems.
I hear a gentle murmur as it streams;
Where the wound lies I've never understood.
Like water meadows, boulevards are flooded.
Cobblestones, crisscrossed by scarlet rills,
Are islands; creatures come and drink their fill.
Nothing in nature now remains unblooded.
I used to hope that wine could bring me ease,
Could lull asleep my deeply gnawing mind.
I was a fool: the senses clear with wine.
I looked to Love to cure my old disease.
Love led me to a thicket of IVs
Where bristling needles thirsted for each vein.
~ Charles Baudelaire,
979:Your good spirit moved over the waters. But he was not upheld by them as though he rested upon them, for when he is said to rest upon a man, it is he who gives that man rest in himself. It was your incorruptible and immutable will, which is sufficient in itself and to itself, that moved over the life which you had created. To that life living and living in happiness are not one and the same, because it lives even in its state of fluidity and darkness. To gain happiness it must still be turned from that state towards God, its Creator. It must live ever closer to the Fountain of life. In his light it must see the light; in him it must be given perfection, splendor, and bliss. ~ Saint Augustine of Hippo,
980:Sonnets To Orpheus, Part Two, XII

Want the change. Be inspired by the flame
where everything shines as it disappears.
The artist, when sketching, loves nothing so much
as the curve of the body as it turns away.

What locks itself in sameness has congealed.
Is it safer to be gray and numb?
What turns hard becomes rigid
and is easily shattered.

Pour yourself like a fountain.
Flow into the knowledge that what you are seeking
finishes often at the start, and, with ending, begins.

Every happiness is the child of a separation
it did not think it could survive. And Daphne, becoming a laurel,
dares you to become the wind.
~ Rainer Maria Rilke,
981:Sonnet Ci: The One Hope
When vain desire at last and vain regret
Go hand in hand to death, and all is vain,
What shall assuage the unforgotten pain
And teach the unforgetful to forget?
Shall Peace be still a sunk stream long unmet,—
Or may the soul at once in a green plain
Stoop through the spray of some sweet life-fountain
And cull the dew-drenched flowering amulet?
Ah! when the wan soul in that golden air
Between the scriptured petals softly blown
Peers breathless for the gift of grace unknown,—
Ah! let none other alien spell soe'er
But only the one Hope's one name be there,—
Not less nor more, but even that word alone.
~ Dante Gabriel Rossetti,
982:In The Temple
When Lilian comes I scarcely know
If Winter wraps the world in snow,
Or if 'tis Summer strikes a-glow
The fountain in the court below,
When Lilian comes.
Her flower-like eyes, her soft lips bring
The warmth and welcome of the Spring,
And round my room, a fairy ring,
See violets, violets blossoming,
When Lilion comes.
When Lilian goes I hear again
The infinite despair of rain
Drip on my darkening window-pane
The tears of Winter on the wane,
When Lilian goes.
Yet still about my lonely room
The visionary violets bloom,
And with her presence still perfume
The tedious page that I resume
When Lilian goes.
~ Arthur Symons,
983:God helps us in the obstacles of life. When you turn your obstacles over to the Lord, He acts. What will He do? Sometimes He overcomes the obstacles. God is with us in the hopeless places. How hopeless the Israelites were at the Red Sea! The enemy soldiers were behind them; the wilderness was around them; the sea was in front of them. But God opened a way to escape. Sometimes God removes the obstacles—the “hills” and the “mountains.” He just makes them skip and run away like animals. He also can turn the obstacles into blessings. He “turned the rock into a pool of water, the flint into a fountain of waters” (v. 8). If God doesn’t overcome or remove your obstacle, let Him turn it into a blessing. ~ Warren W Wiersbe,
984:In sum, disciples might do well to avoid the bibliolatry that characterizes scripture as unerring truth. Parley Pratt made this point himself in The Fountain of Knowledge, a small pamphlet he wrote in 1844. With elegant metaphor, he noted that scripture resulted from revelatory process and was thus the product of revealed truth, not the other way around. We do well to look to a stream for nourishing water, but we do better to secure the fountain. That fountain, Pratt noted, is “the gift of revelation,” which “the restoration of all things” heralds.21 Or, in George MacDonald’s metaphor, we should hold the scriptures as “the moon of our darkness, . . . not dear as the sun towards which we haste." p56 ~ Terryl L Givens,
985:A hidden mussel was blowing bubbles like a spring through the sand where his boot was teasing the water. It was the little pulse of bubbles and not himself or herself that was the moment for her then; and he could have already departed and she could have already wept, and it would have been the same, as she stared at the little fountain rising so gently out of the shimmering sand. A clear love is in the world - this came to her as insistently as the mussel's bubbles through the water. There it was, existing there where they came and were beside it now. It is in the bubble in the water in the river, and it has its own changing and its mysteries of days and nights, and it does not care how we come and go. ~ Eudora Welty,
986:I don’t know much about your principalities, but I know a lot about mine. Colossians 2:10 continues to tell us He is: The head of all principality and power (KJV). The fountain head from which all dominion and power proceed (KNOX). The authority over all authorities, and the supreme power over all powers (PHI). He is the highest ruler over every other power (TAY). This is the Godhead who lives right inside of you! You have an inexhaustible and eternal source of power, dominion and exhilarating joy living inside of you. All of God lives within you thanks to your union with Christ. The devil is not a bit scared of your shofars and worship banners, but the blood of Christ did a tremendous job of defeating him. ~ John Crowder,
987:As the departing president well understood, in this world there is only incremental progress. Only the willfully blind can ignore that the history of human existence is simultaneously the history of pain: of brutality, murder, mass extinction, every form of venality and cyclical horror. No land is free of it; no people are without their bloodstain; no tribe entirely innocent. But there is still this redeeming matter of incremental progress. It might look small to those with apocalyptic perspectives, but to she who not so long ago could not vote, or drink from the same water fountain as her fellow citizens, or marry the person she chose, or live in a certain neighborhood, such incremental change feels enormous. ~ Zadie Smith,
988:Dantis Tenebrae (In Memory Of My Father)
AND didst thou know indeed, when at the font
Together with thy name thou gav'st me his,
That also on thy son must Beatrice
Decline her eyes according to her wont,
Accepting me to be of those that haunt
The vale of magical dark mysteries
Where to the hills her poet's foot-track lies,
And wisdom's living fountain to his chaunt
Trembles in music? This is that steep land
Where he that holds his journey stands at gaze
Tow'rd sunset, when the clouds like a new height
Seem piled to climb. These things I understand:
For here, where day still soothes my lifted face,
On thy bowed head, my father, fell the night.
~ Dante Gabriel Rossetti,
989:The Sunset Of Romanticism
How beautiful a new sun is when it rises,
flashing out its greeting, like an explosion!
- Happy, whoever hails with sweet emotion
its descent, nobler than a dream, to our eyes!
I remember! I’ve seen all, flower, furrow, fountain,
swoon beneath its look, like a throbbing heart…
- Let’s run quickly, it’s late, towards the horizon,
to catch at least one slanting ray as it departs!
But I pursue the vanishing God in vain:
irresistible Night establishes its sway,
full of shudders, black, dismal, cold:
an odour of the tomb floats in the shadow,
at the swamp’s edge, feet faltering I go,
bruising damp slugs, and unexpected toads.
~ Charles Baudelaire,
990:How are You at once the source of fire, how also the fountain of dew? How at once burning and sweetness, how a remedy for all disease? How do You make gods of us men, how do You make darkness light? How do You make one reascend from Hell, how do You make us mortals imperishable? How do You draw darkness to light, how do You triumph over night? How do You illumine the heart? how do You transform me entirely? How do You become one with men, how do You make them sons of God? [bk1sm.gif] -- from Hymns of Divine Love: Songs of praise by one of the great mystics of all church history, by Symeon the New Theologian / Channeled by Gearoge A. Maloney, S.J.

~ Symeon the New Theologian, How are You at once the source of fire
,
991:Some of those are over a hundred years old,” Alessandro explained as he unlocked the door. “Dat’s older den you or mommy!” Will said. He stopped and looked at the white marble fountain in the middle of the walkway with a figurine that had water coming out of its mouth and falling into the fountain. He lifted on his tip toes to look inside of the vessel. “Der’s water in der. How come it don’ fall out?” Will asked. Bree pulled out a penny and handed it to him. “Here, make a wish.” Will closed his eyes tight. “I wish for lotsa presents fo’ my berfday,” he announced and tossed in the penny. Bree snorted. “You’re not supposed to say your wish out loud.” “Oh. Okay, gimme nudder one. I say it in my head dis time,” Will said. ~ E Jamie,
992:Sonnet-Vii
Our life is like a forest, where the sun
Glints down upon us through the throbbing leaves;
The full light rarely finds us. One by one,
Deep rooted in our souls, there springeth up
Dark groves of human passion, rich in gloom,
At first no bigger than an acorn-cup.
Hope threads the tangled labyrinth, but grieves
Till all our sins have rotted in their tomb,
And made the rich loam of each yearning heart
To bring forth fruits and flowers to new life.
We feel the dew from heaven, and there start
From some deep fountain little rills whose strife
Is drowned in music. Thus in light and shade
We live, and move, and die, through all this earthly glade.
~ Charles Sangster,
993:We do not (and will not) have the resources to properly care for our increasing elderly population, yet we insist on medical intervention to keep them alive. To allow them to die would signal the failure of our supposedly infallible modern medical system. The surgeon Atul Gawande wrote in a devastating New Yorker article on aging that “there have been dozens of best-selling books on aging but they tend to have titles like ‘Younger Next Year,’ ‘The Fountain of Age,’ ‘Ageless,’ ‘The Sexy Years.’ Still, there are costs to averting our eyes from the realities. For one thing, we put off changes that we need to make as a society. . . . In thirty years, there will be as many people over eighty as there are under five. ~ Caitlin Doughty,
994:MOTHER IS WATER

I wish I could
Shower your head with flowers
And anoint your feet with my tears,
For I know I have caused you
So much heartache, frustration and despair –
Throughout my youthful years.
I wish I could give you
The remainder of my life
To add to yours,
Or simply erase
The lines on your face,
And mend all that has been torn.
For next to God,
You are the fire
That has given light
To the flame in each of my eyes.
You are the fountain
That nourished my growth,
And from your chalice –
Gave me life.
Without the wetness of your love,
The fragrance of your water,
Or the trickling sounds of
Your voice,
I shall always feel
thirsty. ~ Suzy Kassem,
995:From childhood’s hour I have not been As others were; I have not seen As others saw; I could not bring My passions from a common spring. From the same source I have not taken My sorrow; I could not awaken My heart to joy at the same tone; And all I loved, I loved alone. Then — in my childhood, in the dawn Of a most stormy life — was drawn From every depth of good and ill The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that round me rolled In its autumn tint of gold, From the lightning in the sky As it passed me flying by, From the thunder and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view.   ~ Edgar Allan Poe,
996:Sonnet Lxxv.
WHERE the wild woods and pathless forests frown,
The darkling Pilgrim seeks his unknown way,
Till on the grass he throws him weary down,
To wait in broken sleep the dawn of day:
Through boughs just waving in the silent air,
With pale capricious light the summer moon
Chequers his humid couch; while Fancy there,
That loves to wanton in the night's deep noon,
Calls from the mossy roots and fountain edge
Fair visionary Nymphs that haunt the shade,
Or Naiads rising from the whispering sedge:
And, 'mid the beauteous group, his dear loved maid
Seems beckoning him with smiles to join the train:
Then, starting from his dream, he feels his woes again!
~ Charlotte Smith,
997:Before that, before it was ever a hotel at all, five full centuries ago, it was the home of a wealthy privateer who gave up raiding ships to study bees in the pastures outside Saint-Malo, scribbling in notebooks and eating honey straight from combs. The crests above the door lintels still have bumblebees carved into the oak; the ivy-covered fountain in the courtyard is shaped like a hive. Werner’s favorites are five faded frescoes on the ceilings of the grandest upper rooms, where bees as big as children float against blue backdrops, big lazy drones and workers with diaphanous wings—where, above a hexagonal bathtub, a single nine-foot-long queen, with multiple eyes and a golden-furred abdomen, curls across the ceiling. ~ Anthony Doerr,
998:People were patient with each other in the Grand Mosque, and communal—everyone washing his or her feet in the same fountain, with no shoving or prejudice. We were all Muslims in God’s house, and it was beautiful. It had a quality of timelessness. I think this is one reason Muslims believe that Islam means peace: because in a large, cool place full of kindness you do feel peaceful. But as soon as we left the mosque, Saudi Arabia meant intense heat and filth and cruelty. People had their heads cut off in public squares. Adults spoke of it. It was a normal, routine thing: after the Friday noon prayer you could go home for lunch, or you could go and watch the executions. Hands were cut off. Men were flogged. Women were stoned. ~ Ayaan Hirsi Ali,
999:put another way, electrons and all other particles are no more substantive or permanent than the form a geyser of water takes as it gushes out of a fountain. They are sustained by a constant influx from the implicate order, and when a particle appears to be destroyed, it is not lost. It has merely enfolded back into the deeper order from which it sprang. A piece of holographic film and the image it generates are also an example of an implicate and explicate order. The film is an implicate order because the image encoded in its interference patterns is a hidden totality enfolded throughout the whole. The hologram projected from the film is an explicate order because it represents the unfolded and perceptible version of the image. ~ Michael Talbot,
1000:Vivien
Her eyes under their lashes were blue pools
Fringed round with lilies; her bright hair unfurled
Clothed her as sunshine clothes the summer world.
Her robes were gauzes -- gold and green and gules,
All furry things flocked round her, from her hand
Nibbling their foods and fawning at her feet.
Two peacocks watched her where she made her seat
Beside a fountain in Broceliande.
Sometimes she sang. . . . Whoever heard forgot
Errand and aim, and knights at noontide here,
Riding from fabulous gestes beyond the seas,
Would follow, tranced, and seek . . . and find her not . . .
But wake that night, lost, by some woodland mere,
Powdered with stars and rimmed with silent trees.
~ Alan Seeger,
1001:The Confirmation
Yes, yours, my love, is the right human face.
I in my mind had waited for this long,
Seeing the false and searching for the true,
Then found you as a traveller finds a place
Of welcome suddenly amid the wrong
Valleys and rocks and twisting roads. But you,
What shall I call you? A fountain in a waste,
A well of water in a country dry,
Or anything that's honest and good, an eye
That makes the whole world seem bright. Your open heart,
Simple with giving, gives the primal deed,
The first good world, the blossom, the blowing seed,
The hearth, the steadfast land, the wandering sea.
Not beautiful or rare in every part.
But like yourself, as they were meant to be.
~ Edwin Muir,
1002:It's asking us our names," Falkor reported.

"I'm Atreyu!" Atreyu cried.

"I'm Falkor!" cried Falkor.

The boy without a name was silent.

Atreyu looked at him, then took him by the hand and cried: "He's Bastian Balthazar Bux!"

"It asks," Falkor translated, "why he doesn't speak for himself."

"He can't," said Atreyu. "He has forgotten everything."

Falkor listened again to the roaring of the fountain.

"Without memory, it says, he cannot come in. The snakes won't let him through."

Atreyu replied: "I have stored up everything he told us about himself and his world. I vouch for him."

Falkor listened.

"It wants to know by what right?"

"I am his friend," said Atreyu. ~ Michael Ende,
1003:Poet's Mood
Hence, all you vain delights,
As short as are the nights
Wherein you spend your folly!
There's nought in this life sweet,
If man were wise to see it,
But only melancholy;
Oh, sweetest melancholy!
Welcome folded arms, and fixed eyes,
A sigh that piercing mortifies,
A look that's fastened to the ground,
A tongue chained up, without a sound!
Fountain-head and pathless groves,
Places which pale passion loves!
Moonlight walks, when all the fowls
Are warmly housed, save bats and owls!
A midnight bell, a parting groan!
These are the sounds we feed upon;
Then stretch our bones in a still gloomy valley:
Nothing's so dainty sweet as lovely melancholy.
~ Beaumont and Fletcher,
1004:It was the sixties, exactly, all we wanted to do was to smoke a lot of dope and ball a lot of chicks. Vietnam, excuse me? Why would I wanna go get my ass shot off in some stinking rice paddy just so Nixon can have his four more years? Screw that, and I wasn't the only one who felt that way. All the big warmongers these days who took a pass on Vietnam, look, I'd be the last person on earth to start casting blame. Bush, Cheney, Rove, all those guys, they just did what everybody else was doing and I was right there with 'em, chicken as anybody. My problem now is how tough and gung-ho they are, all that bring it on crap, I mean, Jesus, show a little humility, people. They ought to be just as careful of your young lives as they were with their own. ~ Ben Fountain,
1005:Our Life Is Like A Forest, Where The Sun
Our life is like a forest, where the sun
Glints down upon us through the throbbing leaves;
The full light rarely finds us. One by one,
Deep rooted in our souls, there springeth up
Dark groves of human passion, rich in gloom,
At first no bigger than an acorn-cup.
Hope threads the tangled labyrinth, but grieves
Till all our sins have rotted in their tomb,
And made the rich loam of each yearning heart
To bring forth fruits and flowers to new life.
We feel the dew from heaven, and there start
From some deep fountain little rills whose strife
Is drowned in music. Thus in light and shade
We live, and move, and die, through all this earthly glade.
~ Charles Sangster,
1006:Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all. ~ Herman Melville,
1007:What strange hesitancy, fear, or apathy stops us from looking within ourselves, from trying to grasp the true essence of joy and sadness, desire and hatred? Fear of the unknown prevails, and the courage to explore that inner world fails at the frontier of our mind. A Japanese astronomer once confided to me: “It takes a lot of daring to look within.” This remark—made by a scientist at the height of his powers, a steady and open-minded man—intrigued me. Recently I also met a Californian teenager who told me: “I don’t want to look inside myself. I’m afraid of what I’d find there.” Why should he falter before what promised to be an absolutely fascinating research project? As Marcus Aurelius wrote: “Look within; within is the fountain of all good. ~ Matthieu Ricard,
1008:Genevieve was familiar with one of the duke's properties- Rosemont- as she'd gone to tour it once when he was away at one of his other vast tracts of lands. It was surprisingly modest by duke terms, a redbrick manor in West Sussex presiding over a collection of softly swelling hills, which surrounded a lake populated by enormous, irritable swans and overhung with willows. The garden had been brilliant with its namesake blooms and the fountain in the courtyard featured a lasciviously grinning stone satyr performing an arabesque and spitting water high into the air.
She'd found it delightful. Its pocket-sized, whimsical beauty hardly seemed to suit him, but then he normally spent his time in London and likely had all but forgotten he owned it. ~ Julie Anne Long,
1009:I practiced law for five years and that gives you insight into a certain mind-set that maybe a lot of writers haven’t had firsthand access to. There’s an almost casual cruelty, a very low level of overall awareness, but sometimes there’s also knowledge that real damage is being done—this attitude of “Oh, what the hell,” this kind of moral cognitive dissonance. These are people who have never missed a meal. It’s an unknowingness, an unawareness . . . Many people were operating from a very narrow range of experience, and yet they had complete faith in it. Their way was the correct way, the only way. They had virtually no awareness of any other way of life except in terms of demonizing things . . . It’s an extremely blindered experience of the world. ~ Ben Fountain,
1010:The Luxembourg is within five minutes’ walk of the rue Notre Dame des Champs, and there he sat under the shadow of a winged god, and there he had sat for an hour, poking holes in the dust and watching the steps which lead from the northern terrace to the fountain. The sun hung, a purple globe, above the misty hills of Meudon. Long streamers of clouds touched with rose swept low on the western sky, and the dome of the distant Invalides burned like an opal through the haze. Behind the Palace the smoke from a high chimney mounted straight into the air, purple until it crossed the sun, where it changed to a bar of smouldering fire. High above the darkening foliage of the chestnuts the twin towers of St. Sulpice rose, an ever-deepening silhouette. ~ Robert W Chambers,
1011:Allow me to give you this orange, Your Highness, along with my wishes for a swift recovery.”
“That’s very generous of you, Master Galen,” she replied, a faint light kindling in her eyes, “especially since they are my family’s oranges.” She took it from him, rolling it between her palms. “And considering that my illness if most likely a result of falling into the fountain the day we met.”
Galen winced. He had known she would remember that, but he had hoped she wouldn’t hold it against him. Although, judging by the faint smile on her pale lips, she didn’t mean it in earnest.
“Well, Your Highness, I know that I am indeed handsome, but I can hardly be blamed if my good looks overcame you so strongly that you fainted,” he said, striking a pose. ~ Jessica Day George,
1012:It was only after I grabbed MacKenzie’s waist and pulled with all my might that the three of us finally tumbled into a big heap on the marble floor next to the fountain. Hey, at least we weren’t IN the fountain! But somehow the force of us falling had launched Tiffany’s cell phone into the air. She watched in HORROR as it fell into the fountain with a big SPLASH and quickly sank to the bottom! “OH NO! MY PHONE!! MY PHONE!!” she screamed hysterically. Then she DOVE right into the fountain after it! Soon Tiffany’s shrieks echoed through the halls of the school. “OMG! MY CELL PHONE IS RUINED! HOW AM I SUPPOSED TO TAKE A SELFIE WITHOUT MY PHONE?!!” That’s when I whispered to MacKenzie, “Since Tiffany’s phone is all wet, I really think we should be nice and help ~ Rachel Ren e Russell,
1013:Milton puts it most profoundly when he says, Well knows he who uses to consider, that our faith and knowledge thrives by exercise, as well as our limbs and complexion. Truth is compared in Scripture to a streaming fountain; if her waters flow not in a perpetual progression, they sicken into a muddy pool of conformity and tradition. A man may be a heretic in the truth; and if he believe things only because his pastor says so, or the Assembly so determines, without knowing other reason, though his belief be true, yet the very truth he holds becomes his heresy. In other words, the power of truth lies not in abstract propositions but in the understanding and willful application of truth by living, breathing persons which can occur only in the context of liberty. ~ Karen Swallow Prior,
1014:One day I said, “Mac, the only way in this world that you can increase your soda fountain volume is to sell to people who don’t take up a stool. Look, I’ll tell you what I’m gonna do. I will give you 200 or 300 containers with covers, however many you need to try this for a month in your store down the street. Now most of your takeout customers will be Walgreen employees from headquarters here, and you can conduct your own marketing survey on them and see how they like it. You get the cups free, so it’s not going to cost you anything to try it.” Finally he agreed. I brought him the cups, and we set the thing up at one end of the soda fountain. It was a big success from the first day. It wasn’t long before McNamarra was more excited about the idea of takeouts than I was. ~ Ray Kroc,
1015:Noblesse Oblige
I hold it the duty of one who is gifted
And specially dowered I all men’s sight,
To know no rest till his life is lifted
Fully up to his great gifts’ height.
He must mould the man into rare completeness,
For gems are only in gold refined.
He must fashion his thoughts into perfect sweetness,
And cast out folly and pride from his mind.
For he who drinks from a god’s gold fountain
Of art of music or rhythmic song
Must sift from his soul the chaff of malice,
And weed from his heart the roots of wrong.
Great gifts should be worn, like a crown befitting,
And not like gems in a beggar’s hands!
And the toil must be constant and unremitting
Which lifts up the king to the crown’s demands.
~ Ella Wheeler Wilcox,
1016:From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain
From the red cliff of the mountain—
From the sun that ’round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view— ~ Edgar Allan Poe,
1017:One understands then why woman has no sexual parts, properly speaking. It is because she is herself a sexual part - a sexual part of man, to cumbersome for him to carry around permanently and therefore deposited outside himself for most of the time and taken up when needed. Moreover the quality that distinguishes man from animals is this very power of equipping himself at any moment with an instrument, tool or arm that he needs, but that he can get rid of straight away, whereas the lobster has to drag his two pincers about with him everywhere. And just as mans hand is a sort of grappling hook that enables him to grasp a hammer, sword or fountain pen according to his needs, so his sex is the sort of grappling hook of the sexual parts rather than the sexual part itslef. ~ Michel Tournier,
1018:Fierce roars the midnight storm
O'er the wild mountain,
Dark clouds the night deform,
Swift rolls the fountain--

See! o'er yon rocky height,
Dim mists are flying--
See by the moons pale light,
Poor Laura's dying!

Shame and remorse shall howl,
By her false pillow--
Fiercer than storms that roll,
O'er the white billow;

No hand her eyes to close,
When life is flying,
But she will find repose,
For Lauras dying!

Then will I seek my love,
Then will I cheer her,
Then my esteem will prove,
When no friend is near her.

On her grave I will lie,
When life is parted,
On her grave I will die,
For the false hearted.

DECEMBER, 1809.

~ Percy Bysshe Shelley, Song. -- Fierce Roars The Midnight Storm
,
1019:From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view. ~ Edgar Allan Poe,
1020:Herself A Rose Who Bore The Rose
Herself a rose, who bore the Rose,
She bore the Rose and felt its thorn.
All loveliness new-born
Took on her bosom its repose,
And slept and woke there night and morn.
Lily herself, she bore the one
Fair Lily; sweeter, whiter, far
Than she or others are:
The Sun of Righteousness her Son,
She was His morning star.
She gracious, He essential Grace,
He was the Fountain, she the rill:
Her goodness to fulfil
And gladness, with proportioned pace
He led her steps through good and ill.
Christ's mirror she of grace and love,
Of beauty and of life and death:
By hope and love and faith
Transfigured to His likeness, 'Dove,
Spouse, Sister, Mother,' Jesus saith.
~ Christina Georgina Rossetti,
1021:Mimicry flows like beauty from Mexico City’s faucets, space and time are relative, and instead of the usual floral-and-stone façade, there’s dahlia and obsidian. In the course of time, what was yesterday a lake of water becomes asphalt today, and the past is a perpetual duplication that drowns the future. Yesterday’s omens come back, the same substance in a different shape. The city is a nagual that becomes a wall of skulls, an intelligent domotique structure: the Huitzilopochtli temple in a cathedral and Castile roses in cactus bouquets. Time is measured simultaneously with the Aztec, Julian, and Gregorian calendars and the cesium fountain atomic clock; the heart of Mexico City is made of mud and green rocks, and the God of Rain continues to cry over the whole country. ~ Paco Ignacio Taibo II,
1022:She turned to him with wide, shocked eyes. "Why did he..."
His lips twitched. No coarse language in front of the infants limited the ability to discuss the fountain of baby piss that had just arced halfway across the room.
"Twasn't you, darling. It's one of their favorite bath-time games.
"Something about the cool air on their naked...berries," he substituted at the last second....
"Do I have piddle in my hair?" she whispered, her eyes sparkling with laughter above her flushed cheeks.
"Not much," he assured her with a straight face. "You look almost becoming."...
"Decades from now, when our children ask how I fell in love with their mother, I'll say 'twas her sweet, gentle compliments during bath-time, and her fleetness of foot whilst dodging a flow of --- ~ Erica Ridley,
1023:The cry for love and communion and for recognition that rises from the hearts of people in need reveals the fountain of love in us and our capacity to give life. At the same time, it can reveal our hardness of heart and are fears. Their cry is so demanding, and we are frequently seduced by wealth, power and the values of our societies. We want to climb the ladder of human promotion; we want to be recognized for our efficiency, power and virtue. The cry of the poor is threatening to the rich person within us.

We are sometimes prepared to give money and a little time, but we are frightened to give our hearts, to enter into a personal relationship of love and communion with them. For if we do so, we shall have to die to all our selfishness and to all the hardness of our heart. ~ Jean Vanier,
1024:Alone"

From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain
From the red cliff of the mountain—
From the sun that ’round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view— ~ Edgar Allan Poe,
1025:Horace Iii. 13
O fountain of Bandusia,
Whence crystal waters flow,
With garlands gay and wine I'll pay
The sacrifice I owe;
A sportive kid with budding horns
I have, whose crimson blood
Anon shall dye and sanctify
Thy cool and babbling flood.
O fountain of Bandusia,
The dog-star's hateful spell
No evil brings unto the springs
That from thy bosom well;
Here oxen, wearied by the plough,
The roving cattle here,
Hasten in quest of certain rest
And quaff thy gracious cheer.
O fountain of Bandusia,
Ennobled shalt thou be,
For I shall sing the joys that spring
Beneath yon ilex-tree;
Yes, fountain of Bandusia,
Posterity shall know
The cooling brooks that from thy nooks
Singing and dancing go!
~ Eugene Field,
1026:Immanuel, God with us-that He would leave the spiritual realm and be present in the flesh and blood in such an act of humility is a staggering notion. As it is, He willingly gave His blood, in the flesh, so that others might find life, for it is written: "He did not come by water only, but by blood," and "Without the shedding of blood there is no remission." Now blood is required to give new life to the dead.
I tell you, He did not give only a small amount to satisfy this requirement. He was beaten and crushed and pierced until that blood flowed like a river for the sake of love. It was for love, not religion, that He died.
There is a fountain filled with blood drawn from Immanuel's veins. And those plunged beneath that watery grave to drink of His blood will never be the same. ~ Ted Dekker,
1027:Stop.” She turned her face away. Slipping out from between him and the wall, Cass walked along a path of stepping-stones toward a bronze fountain at the back of the garden. Beyond the fountain was a wrought-iron fence, and beyond the fence was an alley. She rested one hand on the iron bars, feeling a bit like the caged bird Falco had once accused her of being.
He took her hand and led her back to the edge of the fountain, where she sat. Sitting beside her, he pressed his leg against her hip. “What is it?” he asked.
“We came out here to talk, remember?” she said.
“We can talk later.” He squeezed her hand, his fingers massaging the middle of her palm. Mannaggia. Why did every single touch have to make her want things? “When you’re not dressed like that,” he added. ~ Fiona Paul,
1028:Horace Ii, 13.
O fountain of Blandusia,
Whence crystal waters flow,
With garlands gay and wine I'll pay
The sacrifice I owe;
A sportive kid with budding horns
I have, whose crimson blood
Anon shall die and sanctify
Thy cool and babbling flood.
O fountain of Blandusia,
The dogstar's hateful spell
No evil brings unto the springs
That from thy bosom well;
Here oxen, wearied by the plow,
The roving cattle here,
Hasten in quest of certain rest
And quaff thy gracious cheer.
O fountain of Blandusia,
Ennobled shalt thou be,
For I shall sing the joys that spring
Beneath your ilex tree;
Yes, fountain of Blandusia,
Posterity shall know
The cooling brooks that from thy nooks
Singing and dancing go!
~ Eugene Field,
1029:Often when he was not working he had come here and sat an entire afternoon, lulled by the din and music from the other rooms into a state of vague ecstasy, while he contemplated the small sheet of water outside the window. It was that happy frame of mind into which his people could project themselves so easily - the mere absence of immediate unpleasant preoccupation could start it off, and a landscape which included the sea, a river, a fountain, or anything that occupied the eye without engaging the mind, was of use in sustaining it. It was the world behind the world, where reflection precludes the necessity for action, and the calm which all things seek in death appears briefly in the guise of contentment, the spirit at last persuaded that the still waters of perfection are reachable. ~ Paul Bowles,
1030:Please approach with care these figures in black.
Regard with care the weight they bear,
the scars that mark their hearts.
Do you think you can handle these bodies of graphite & coal dust?
This color might rub off. A drop of this red liquid
could stain your skin.
This black powder could blow you sky high.
No ordinary pigments blacken our blues.
Would you mop the floor with this bucket of blood?
Would you rinse your soiled laundry in this basin of tears?
Would you suckle hot milk from this cracked vessel?
Would you be baptized in this fountain of funky sweat?
Please approach with care
these bodies still waiting to be touched.
We invite you to come closer.
We permit you to touch & be touched.
We hope you will engage with care. ~ Harryette Mullen,
1031:Bakhchisarai
Still vast, but desolate, the dwelling of the Girey kings!
On stairs, in vestibules once brushed by Pashas' brows
And across sofas that were thrones of power, sanctuaries of love,
Grasshoppers veer and bounce, the serpent winds,
And rank vines crawl through myriad-colored windows
To invade mute vaults and voiceless halls, conquer
Man's labor in the name of nature, and inscribe
There in the letters of Balthazar: DESTRUCTION.
In the center of a hall, a basin hewn in marble:
The fountain of the harem, still intact,
Whispers its tearful pearls alone, as if to ask:
Where are they, grandeur, power and love? Their term
Was to have been forever, and the stream's, ephemeral,
But they have passed and the white fount is here.
~ Adam Mickiewicz,
1032:From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain
From the red cliff of the mountain—
From the sun that ’round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view— ~ Edgar Allan Poe,
1033:The Enchanter
In the deep heart of man a poet dwells
Who all the day of life his summer story tells;
Scatters on every eye dust of his spells,
Scent, form and color; to the flower and shells
Wins the believing child with wondrous tales;
Touches a cheek with colors of romance,
And crowds a history into a glance;
Gives beauty to the lake and fountain,
Spies oversea the fires of the mountain;
When thrushes ope their throat, 't is he
that sings,
And he that paints the oriole's fiery wings.
The little Shakspeare in the maiden's heart
Makes Romeo of a plough-boy on his cart;
Opens the eye to Virture's starlike meed
And gives persuasion to a gentle deed.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, The Enchanter
,
1034:Had it pleased heaven
To try me with affliction; had they rain'd
All kinds of sores and shames on my bare head.
Steep'd me in poverty to the very lips,
Given to captivity me and my utmost hopes,
I should have found in some place of my soul
A drop of patience: but, alas, to make me
A fixed figure for the time of scorn
To point his slow unmoving finger at!
Yet could I bear that too; well, very well:
But there, where I have garner'd up my heart,
Where either I must live, or bear no life;
The fountain from the which my current runs,
Or else dries up; to be discarded thence!
Or keep it as a cistern for foul toads
To knot and gender in! Turn thy complexion there,
Patience, thou young and rose-lipp'd cherubin,--
Ay, there, look grim as hell! ~ William Shakespeare,
1035:On the way to Washington Square she thought to herself that some kid would probably fall off the slide and cut his lip. Later, in the park, Matt fell from the swing and cut his lip. Cassandra held a Kleenex to the cut, fought back her own tears. What's the matter with me? What more do I want? God, let me just see the good things. She forced herself to look around, out of herself, and, in fact, the cherry blossoms were in bloom.They had been coming out little by little, but it was that day they were lovely. Then, as if because she saw the trees, the fountain turned on. Look, Mama! Matt cried and began to run. All the children and their mothers ran to the sparkling fountain. The postman walked right by it as usual. He seemed not to notice that it was on, got wet by the spray. One/two. One/two. ~ Lucia Berlin,
1036:LAMPS burn in every house, O blind one! and you cannot see them.
One day your eyes shall suddenly be opened, and you shall see: and the fetters of death will fall from you.
There is nothing to say or to hear, there is nothing to do: it is he who is living, yet dead, who shall never die again.

Because he lives in solitude, therefore the Yogi says that his home is far away.
Your Lord is near: yet you are climbing the palm-tree to seek Him.
The Brahman priest goes from house to house and initiates people into faith:
Alas! the true fountain of life is beside you, and you have set up a stone to worship.
Kabr says: "I may never express how sweet my Lord is. Yoga and the telling of beads, virtue and vicethese are naught to Him."
Translated by Rabindranath Tagore
~ Kabir, Poem 15
,
1037:Third Charm from Masque of Queens
The owl is abroad, the bat, and the toad,
And so is the cat-a-mountain,
The ant and the mole sit both in a hole,
And the frog peeps out o' the fountain;
The dogs they do bay, and the timbrels play,
The spindle is now a turning;
The moon it is red, and the stars are fled,
But all the sky is a-burning:
The ditch is made, and our nails the spade,
With pictures full, of wax and of wool;
Their livers I stick, with needles quick;
There lacks but the blood, to make up the flood.
Quickly, Dame, then bring your part in,
Spur, spur upon little Martin,
Merrily, merrily, make him fail,
A worm in his mouth, and a thorn in his tail,
Fire above, and fire below,
With a whip in your hand, to make him go.
~ Ben Jonson,
1038:To The Fountain Of Bandusia
O fountain of Bandusia!
Whence crystal waters flow,
With garlands gay and wine I'll pay
The sacrifice I owe;
A sportive kid with budding horns
I have, whose crimson blood
Anon shall dye and sanctify
Thy cool and babbling flood.
O fountain of Bandusia!
The Dog-star's hateful spell
No evil brings into the springs
That from thy bosom well;
Here oxen, wearied by the plow,
The roving cattle here
Hasten in quest of certain rest,
And quaff thy gracious cheer.
O fountain of Bandusia!
Ennobled shalt thou be,
For I shall sing the joys that spring
Beneath yon ilex-tree.
Yes, fountain of Bandusia,
Posterity shall know
The cooling brooks that from thy nooks
Singing and dancing go.
~ Eugene Field,
1039:In the seventies I used to work in the bedroom of my flat at a little table. I worked in longhand with a fountain pen. I'd type out a draft, mark up the typescript, type it out again. Once I paid a professional to type a final draft, but I felt I was missing things I would have changed if I had done it myself. In the mid-eighties I was a grateful convert to computers. Word processing is more intimate, more like thinking itself. In retrospect, the typewriter seems a gross mechanical obstruction. I like the provisional nature of unprinted material held in the computer's memory - like an unspoken thought. I like the way sentences or passages can be endlessly reworked, and the way this faithful machine remembers all your little jottings and messages to yourself. Until, of course, it sulks and crashes. ~ Ian McEwan,
1040:Flowers
Thank God I love the Flowers!
Mute voices of the Spring,
That gladden all her bowers
With their varied blossoming;
They weave a charm around them
On each summer dale and bough,
For a Fairy train has bound them
In wreaths upon her brow.
Far up along the mountain,
And in the valleys green,
In the field, and by the fountain,
The smiling ones are seen;
Some looking up to heaven,
With eyes of deepest blue;
Some stooping down at even
To quaff the sparkling dew.
And from them all there speaketh
A language sweet and pure,
Fitted for him who seeketh
A God's nomenclature.
As tidal pulses thrill the seas,
And moments build the hours,
Heaven breathes her unvoiced mysteries
In sermons from the Flowers.
~ Charles Sangster,
1041:Home"

It would take forever to get there
but I would know it anywhere:

My white horse grazing in my blossomy field.
Its soft nostrils. The petals
falling from the trees into the stream.

The festival would be about to begin
in the dusky village in the distance. The doe
frozen at the edge of the grove:

She leaps. She vanishes. My face—
She has taken it. And my name—

(Although the plaintive lark in the tall
grass continues to say and to say it.)

Yes. This is the place.
Where my shining treasure has been waiting.
Where my shadow washes itself in my fountain.

A few graves among the roses. Some moss
on those. An ancient

bell in a steeple down the road
making no sound at all
as the monk pulls and pulls on the rope. ~ Laura Kasischke,
1042:. Sometimes, but only for a moment, I saw a faint solitary
figure with a Rosa veiled face, and carrying a faint torch, flit among the dancers, but like a dream within a
dream, like a shadow of a shadow, and I knew by an understanding born from a deeper fountain than thought,
that it was Eros himself, and that his face was veiled because no man or woman from the beginning of the
world has ever known what love is, or looked into his eyes, for Eros alone of divinities is altogether a spirit,
and hides in passions not of his essence if he would commune with a mortal heart. So that if a man love nobly
he knows love through infinite pity, unspeakable trust, unending sympathy; and if ignobly through vehement
jealousy, sudden hatred, and unappeasable desire; but unveiled love he never knows. ~ W B Yeats,
1043:Thou art One, the beginning of all computation, the base of all construction. Thou art One, and in the mystery of Thy Oneness the wise of heart are astonished, for they know not what it is. Thou art One, and Thy Oneness neither diminishes nor increases, neither lacks nor exceeds. Thou art One, but not as the One that is counted or owned, for number and change cannot reach Thee, nor attribute, nor form. Thou art One, but my mind is too feeble to set Thee a law or a limit, and therefore I say: "I will take heed to my ways, that I sin not with my tongue." Thou art One, and Thou art exalted high above abasement and falling -- not like a man, who falls when he is alone. [1568.jpg] -- from The Heart and the Fountain: An Anthology of Jewish Mystical Experiences, by Joseph Dan

~ Solomon ibn Gabirol, Thou art One
,
1044:Inner peace—you need to know who you are, what you want out of life. You have to do your own thinking, and for that you better know who you are, and not just know but be secure in it, comfortable with yourself. Plus you gotta have discipline. Stamina. And luck sure helps. A little luck counts for a lot, including our great good luck of being born into the greatest economic system ever devised. It’s not a perfect system by any means, but overall it’s responsible for tremendous human progress. In just the past century alone, we’ve seen something like a seven-to-one improvement in the standard of living. I’m not saying we don’t have problems, we’ve got a helluva lot of problems, but that’s where the genius of the free market comes in, all the drive and talent and energy that goes into solving those problems. ~ Ben Fountain,
1045:Alone
From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
~ Edgar Allan Poe,
1046:It was my mother who bought me green ink for the first time, along with the fountain pen she gave me as a gift to mark my graduation from high school.
When I asked ‘Why green?’ she laughed and shrugged. ‘I don’t know, maybe just because it’s different from black and blue.’
My father smirked. ’It’s different from black and blue!’ Madam insists that all of her things be different from those of other people.’
My mother looked at him for a few moments and then turned to me. Nowadays she had to look up at me to meet my eyes, and I had to lean down to kiss her. She said, ‘Write something, see if you like it.’
On the corner of the Alik newspaper that was delivered to our house in the afternoon for my father, I wrote, ‘Green ink is different from all other inks. I like people and things that are different. ~ Zoya Pirzad,
1047:Watching the children, he noticed two things especially. A girl of about five, and her sister, who was no more than three, wanted to drink from the pebbled concrete fountain at the playground’s edge, but it was too high for either of them, so the five-year-old…jumped up and, resting her stomach on the edge and grasping the sides, began to drink. But she was neither strong enough nor oblivious enough of the pain to hand on, and she began to slip off backward. At this, the three-year-old…advanced to her sister and, also grasping the edge of the fountain, placed her forehead against her sister’s behind, straining to hold her in place, eyes closed, body trembling, curls spilling from her cap. Her sister drank for a long time, held in position by an act as fine as Harry had ever seen on the battlefields of Europe.” Pg 32 ~ Mark Helprin,
1048:I don't know how long I've been sitting on this park bench. The light is almost all gone, but when there was light I was able to admire the statuary. A bear, a hippo, something with cloven hooves I took to be a goat. On my way I passed a fountain. The basin was dry. I looked to see if there were any pennies at the bottom. But there were only dead leaves. They're everywhere now, falling and falling, turning the world back into earth. Sometimes I forget that the world is not on the same schedule as I. That everything is not dying, or that if it is dying it will return to life, what with a little sun and the usual encouragement. Sometimes I think: I am older than this tree, older than this bench, older than the rain. And yet. I'm not older than the rain. It's been falling for years and after I go it will keep on falling. ~ Nicole Krauss,
1049:Later that night, when we left the prayer room, we felt something in Upper Room shift. Couldn't explain it, something just felt different. We knew the walls of Upper Room like the walls of our own homes. We'd soft-stepped down hallways as the choir practiced, noticing that corner in front of the instrument closet where the paint had chipped, or the tile in the ladies' room that had been laid crooked. We'd spend decades studying the splotch that looked like an elephant's ear on the ceiling above the water fountain. And we knew the exact spot on the sanctuary carpet where Elise Turner had knelt the night before she killed herself. (The more spiritual of us even swore they could still see the indented curve from her knees.) Sometimes we joked that when we died, we'd all become part of these walls, pressed down flat like wallpaper. ~ Brit Bennett,
1050:Hi, you’ve reached Faison! I’m not able to take your call right now…"

It makes for an odd sensation, watching her real-time person in the middle distance while holding her disembodied voice to his ear. It puts a frame around the situation, gives it focus, perspective. It makes him aware of himself being aware of himself, and here is a mystery that seems worth thinking about, why this stacking of awareness should even matter. Ant the moment all he knows is that there’s structure in it, a pleasing sense of poise or mental ordering. A kind of knowledge, or maybe a bridge thereto–as if existence didn’t necessarily have to be a moron’s progress of lurching from one damn this to another? As if you might aspire to some sort of context in your life, a condition he associates with adultness. Then comes the beep, and he has to talk. ~ Ben Fountain,
1051:But I am scared. Everybody's scared."
"You know what I mean, like scared scared. Like coward scared, like if you never went to begin with. But with everything you've done nobody's going to doubt you." Then she made a somewhat frantic speech about a website she found that listed how certain people had avoided Vietnam. Cheney, Four education deferments, then a hardship 3-A. Limbaugh,4-F thanks to a cyst on his ass. Pat Buchanan, 4-F. Newt Gingrich, grad school deferment. Karl Rove, did not serve. Bill O'Reilly, did not serve. John Ashcroft, did not serve. Bush, AWOL from the Air National Guard, with a check mark in the "do not volunteer" box as to service overseas.
"You see where I'm going with this?'
"Well, yeah."
"I'm just saying, those people want a war so bad, they can fight it themselves. Billy Lynn's done his part. ~ Ben Fountain,
1052:Now he laughs for real, cackling with the wicked innocence of the bright and easily bored. Staff Sergeant David Dime is a twenty-four-year-old college dropout from North Carolina who subscribes to the Wall Street Journal, the New York Times, Maxim, Wired, Harper’s, Fortune, and DicE Magazine, all of which he reads in addition to three or four books a week, mostly used textbooks on history and politics that his insanely hot sister sends from Chapel Hill. There are stories that he went to college on a golf scholarship, which he denies. That he was a star quarterback in high school, which he claims not to remember, though one day a football surfaced at FOB Viper, and Dime, caught up in the moment, perhaps, nostalgia triggering some long-dormant muscle memory, uncorked a sixty-yard spiral that sailed over Day’s head into the base motor pool. ~ Ben Fountain,
1053:For the past two weeks he's been feeling so superior and smart because of all the things he knows from the war, but forget it, they are the ones in charge, these saps, these innocents, their homeland dream is the dominant force. His reality is their reality's bitch; what they don't know is more powerful than all the things he knows, and yet he's lived what he's lived and knows what he knows, which means what, something terrible and possibly fatal, he suspects. To learn what you have to learn at the war, to do what you have to do, does this make you the enemy of all that sent you to the war?

Their reality dominates, except for this: It can't save you. It won't stop any bombs or bullets. He wonders if there's a saturation point, a body count that will finally blow the homeland dream to smithereens. How much reality can unreality take? ~ Ben Fountain,
1054:There were people who called themselves Satanists who made Crowley squirm. It wasn't just the things they did, it was the way they blamed it all on Hell. They'd come up with some stomach-churning idea that no demon could have thought of in a thousand years, some dark and mindless unpleasantness that only a fully-functioning human brain could conceive, then shout "The Devil Made Me Do It" and get the sympathy of the court when the whole point was that the Devil hardly ever made anyone do anything. He didn't have to. That was what some humans found hard to understand. Hell wasn't a major reservoir of evil, any more than Heaven, in Crowley's opinion, was a fountain of goodness; they were just sides in the great cosmic chess game. Where you found the real McCoy, the real grace and the real heart-stopping evil, was right inside the human mind. ~ Terry Pratchett,
1055:Something very sinister happens to the people of a country when they begin to distrust their own reactions as deeply as they do here, and become as joyless as they have become. It is this individual uncertainty on the part of white American men and women, this inability to renew themselves at the fountain of their own lives, that makes the discussion, let alone elucidation, of any conundrum—that is, any reality—so supremely difficult. The person who distrusts himself has no touchstone for reality—for this touchstone can be only oneself. Such a person interposes between himself and reality nothing less than a labyrinth of attitudes. And these attitudes, furthermore, though the person is usually unaware of it (is unaware of so much!), are historical and public attitudes. They do not relate to the present anymore than they relate to the person. ~ James Baldwin,
1056:One might think that those who feast most often on communion with God are least hungry. They turn often from the innocent pleasures of the world to linger more directly in the presence of God through the revelation of his Word. And there they eat the Bread of Heaven and drink the Living Water by meditation and faith. But, paradoxically, it is not so that they are the least hungry saints. The opposite is the case. The strongest, most mature Christians I have ever met are the hungriest for God. It might seem that those who eat most would be least hungry. But that’s not the way it works with an inexhaustible fountain, and an infinite feast, and a glorious Lord. When you take your stand on the finished work of God in Christ, and begin to drink at the River of Life and eat the Bread of Heaven, and know that you have found the end of all your longings, ~ John Piper,
1057:author class:Jalaluddin Rumi
/Farsi & Turkish Ah, what was there in that light-giving candle that it set fire to the heart, and snatched the heart away? You who have set fire to my heart, I am consumed, O friend; come quickly, quickly! The form of the heart is not a created form, for the beauty of God manifested itself from the cheek of the heart. I have no succour save in his sugar, I have no profit save in his lip. Remember him who one dawn released this heart of mine from the chain of your tress. My soul, the first time I saw you my soul heard something from your soul. When my heart drank water from your fountain it drowned in you, and the torrent snatched me away. [1493.jpg] -- from Mystical Poems of Rumi: Volume 1, Translated by A. J. Arberry
~ what was there in that light-giving candle that it set fire to the heart, and snatched the heart away?
,
1058:Were government a mere manufacture or article of commerce, immaterial by whom it should be made or sold, we might as well employ her as another, but when we consider it as the fountain from whence the general manners and morality of a country take their rise, that the persons entrusted with the execution thereof are by their serious example an authority to support these principles, how abominably absurd is the idea of being hereafter governed by a set of men who have been guilty of forgery, perjury, treachery, theft and every species of villainy which the lowest wretches on earth could practice or invent. What greater public curse can befall any country than to be under such authority, and what greater blessing than to be delivered therefrom. The soul of any man of sentiment would rise in brave rebellion against them, and spurn them from the earth. ~ Thomas Paine,
1059:Much of life, fatherhood included, is the story of knowledge acquired too late: if only I’d known then what I know now, how much smarter, abler, stronger, I would have been. But nothing really prepares you for kids, for the swells of emotion that roll through your chest like the rumble of boulders tumbling downhill, nor for the all-enveloping labor of it, the sheer mulish endurance you need for the six or seven hundred discrete tasks that have to be done each and every day. Such a small person! Not much bigger than a loaf of bread at first, yet it takes so much to keep the whole enterprise going. Logistics, skills, materiel; the only way we really learn is by figuring it out as we go along, and even then it changes on us every day, so we’re always improvising, which is a fancy way of saying that we’re doing things we technically don’t know how to do. ~ Ben Fountain,
1060:We are conditioned to look for justice in life and when it doesn’t appear, we tend to feel anger, anxiety or frustration. Actually, it would be equally productive to search for the fountain of youth, or some such myth. Justice does not exist. It never has, and it never will. The world is simply not put together that way. Robins eat worms. That’s not fair to the worms. Spiders eat flies. That’s not fair to the flies. Cougars kill coyotes. Coyotes kill badgers. Badgers kill mice. Mice kill bugs. Bugs...You have only to look at nature to realize there is no justice in the world. Tornadoes, floods, tidal waves, draughts are all unfair. It is a mythological concept, this justice business. The world and the people in it go on being unfair every day. You can choose to be happy or unhappy, but it has nothing to do with the lack of justice you see around you. ~ Wayne W Dyer,
1061:Entering by a wide gateway, but without gates, into an inner court,
surrounded on all sides by great marble pillars supporting galleries
above, I saw a large fountain of porphyry in the middle, throwing
up a lofty column of water, which fell, with a noise as of the fusion
of all sweet sounds, into a basin beneath; overflowing which, it ran
into a single channel towards the interior of the building. Although
the moon was by this time so low in the west, that not a ray of her
light fell into the court, over the height of the surrounding buildings; yet was the court lighted by a second reflex from the sun of
other lands. For the top of the column of water, just as it spread to
fall, caught the moonbeams, and like a great pale lamp, hung high
in the night air, threw a dim memory of light (as it were) over the
court below. ~ George MacDonald,
1062:sábado, 2 de mayo de 2015 23:38:32 Red brick exterior, fountain out front, pool and hot tub in back, more bedrooms and bathrooms than we’ll ever use. ========== Mis recortes - Tu subrayado en la posición 73-74 | Añadido el sábado, 2 de mayo de 2015 23:38:54 That hurt was reserved just for her. I wondered if her nose was tiny, upturned and dotted with freckles like mine. ========== Mis recortes - Tu subrayado en la posición 71-72 | Añadido el sábado, 2 de mayo de 2015 23:39:07 But Avery arouses in me things I’ve never felt. It’s insane. She’s not even mine, and I’m acting like an over-protective alpha male. ========== Mis recortes - Tu subrayado en la posición 69-70 | Añadido el sábado, 2 de mayo de 2015 23:39:16 She’s also blessed with a flawless olive complexion, while I’m pale except for the fine dusting of freckles across the bridge of my nose and top of my ~ Anonymous,
1063:The Creator sat upon the throne, thinking. Behind him stretched the illimitable continent of heaven, steeped in a glory of light and color; before him rose the black night of Space, like a wall. His mighty bulk towered rugged and mountain-like into the zenith, and His divine head blazed there like a distant sun. At His feet stood three colossal figures, diminished to extinction, almost, by contrast -- archangels -- their heads level with His ankle-bone. When the Creator had finished thinking, He said, "I have thought. Behold!" He lifted His hand, and from it burst a fountain-spray of fire, a million stupendous suns, which clove the blackness and soared, away and away and away, diminishing in magnitude and intensity as they pierced the far frontiers of Space, until at last they were but as diamond nail heads sparkling under the domed vast roof of the universe. ~ Mark Twain,
1064:In this fallen world, and in their fallen lives, those who are alienated from God are a part of this age, which is now passing. It has no future and there are intimations of that in the depths of human consciousness where a tangle of contradictions lie, for we are made for meaning but find only emptiness, made as moral beings but are estranged from what is holy, made to understand but are thwarted in so many of our quests to know. These are the sure signs of a reality out of joint with itself. This is what, in fact, points to something else. These contradictions are unresolved in the absence of that age to come which is rooted in the triune God of whom Scripture speaks. He it is who not only sustains all of life, directing it all to its appointed end, but who also is the measure of what is enduringly true and right, and the fountain of all meaning, purpose, and hope. ~ John Piper,
1065:Without ever exactly putting his mind to it, he's come to believe that loss is the standard trajectory. Something new appears in the world-a baby, say, or a car or a house, or an individual shows some special talent-with luck and huge expenditures of soul and effort you might keep the project stoked for a while, but eventually, ultimately, its going down. This is a truth so brutally self-evident that he can't fathom why it's not more widely percieved, hence his contempt for the usual public shock and outrage when a particular situation goes to hell. The war is fucked? Well, duh. Nine-eleven? Slow train coming. They hate our freedoms? Yo, they hate our actual guts! Billy suspects his fellow Americans secretly know better, but something in the land is stuck on teenage drama, on extravagant theatrics of ravaged innocence and soothing mud wallows of self-justifying pity. ~ Ben Fountain,
1066:Hildegard. I am Sapientia. God’s Wisdom. A ray of light from her heart touched mine. Guda had grown into a beauty with her golden curls and emerald eyes, crowned like Adelheid. She offered me a cup overflowing with blood-red wine, her eyes brimming in joyful welcome. Know me, Hildegard. I am Ecclesia, the true and hidden Church. From between these two women, a third appeared, an utter stranger, and so beautiful. Crowned like the others, her long black hair swept to her waist. Her silk gown was as red as the Virgin’s beating heart, and her smile gleamed in tenderness as she stretched out her arms. Hildegard, seek me. My name is Caritas, Divine Love. Before me this trinity of women blazed, the sacred shimmering through them. My fever was broken by the vision of these three divine maidens dancing around a flowing fountain of pure grace. Three women who formed the face of God. ~ Mary Sharratt,
1067:The rats had crept out of their holes to look on, and they remained looking on for hours; soldiers and police often passing between them and the spectacle, and making a barrier behind which they slunk, and through which they peeped. The father had long ago taken up his bundle and hidden himself away with it, when the women who had tended the bundle while it lay on the base of the fountain, sat there watching the running of the water and the rolling of the Fancy Ball - when the one woman who had stood conspicuous, knitting, still knitted on with the steadfastness of Fate. The water of the fountain ran, the swift river ran, the day ran into evening, so much life ran in the city ran into death according to rule, time and tide waited for no man, the rats were sleeping close together in their dark holes again, the Fancy Ball was lighted up at supper, all things ran their course ~ Charles Dickens,
1068:Amans Amare
A cottage small be mine, with porch
Enwreathed with ivy green,
And brightsome flowers with dew-filled bells,
’Mid brown old wattles seen.
And one to wait at shut of eve,
With eyes as fountain clear,
And braided hair, and simple dress,
My homeward step to hear.
On summer eves to sing old songs,
And talk o’er early vows,
While stars look down like angels’ eyes
Amid the leafy boughs.
When Spring flowers peep from flossy cells,
And bright-winged parrots call,
In forest paths be ours to rove
Till purple evenings fall.
The curtains closed, by taper clear
To read some page divine,
On winter nights, the hearth beside,
Her soft, warm hand in mine.
And so to glide through busy life,
Like some small brook alone
That winds its way ’mid grassy knolls,
Its music all its own.
~ Daniel Henry Deniehy,
1069:With reference to the elect we might distinguish between three classes. First, there are those who are satisfied with God’s will, as it is, and do not murmur against God, but rather believe that they are elected. They do not want to be damned. Secondly, there are those who submit to God’s will and are satisfied with it in their hearts. At least they desire to be satisfied, if God does not wish to save, but reject them. Thirdly, there are those who really are ready to be condemned if God should will this. These are cleansed most of all of their own will and carnal wisdom. And these experience the truth of Canticles 8:6: “Set me as a seal upon thine heart, as a seal upon thine arm: for love is strong as death.” Such love is always joined with cross and tribulation, for without it the soul becomes lax, and does not seek after God, nor thirst after God, who is the Fountain of Life. ~ Martin Luther,
1070:Jim Brown
While I was handling Dom Pedro
I got at the thing that divides the race between men who are
For singing "Turkey in the straw" or "There is a fountain filled with blood" -(Like Rile Potter used to sing it over at Concord);
For cards, or for Rev. Peet's lecture on the holy land;
For skipping the light fantastic, or passing the plate;
For Pinafore, or a Sunday school cantata;
For men, or for money;
For the people or against them.
This was it:
Rev. Peet and the Social Purity Club,
Headed by Ben Pantier's wife,
Went to the Village trustees,
And asked them to make me take Dom Pedro
From the barn of Wash McNeely, there at the edge of town,
To a barn outside of the corporation,
On the ground that it corrupted public morals.
Well, Ben Pantier and Fiddler Jones saved the day -They thought it a slam on colts.
~ Edgar Lee Masters,
1071:Let’s make the world brighter for that is all we need to be better!
If I am bright and you are bright then the world will be brighter
If I am dark and you are dark then the world will be darker
Let’s make the world brighter for brightness is all we need to be better!


Let’s make the world relevant for that is all we need to be relevant
If I am relevant and you are relevant then we shall all be relevant
If I am irrelevant and you are relevant then I will disturb your relevance
Let’s make the world relevant for that is the epitome of life!

Let’s make the world faithful for faithfulness is all we need to be faithful!
If I am faithful and you are faithful then the world will be faithful
If I am unfaithful and you are faithful then I will disturb your faithfulness
Let’s make the world faithful for faithfulness is the fountain of peace ~ Ernest Agyemang Yeboah,
1072:Love In A Cottage
A cottage small be mine, with porch
Enwreathed with ivy green,
And brightsome flowers with dew-filled bells,
'Mid brown old wattles seen.
And one to wait at shut of eve,
With eyes as fountain clear,
And braided hair, and simple dress,
My homeward step to hear.
On summer eves to sing old songs,
And talk o'er early vows,
While stars look down like angels' eyes
Amid the leafy boughs.
When Spring flowers peep from flossy cells,
And bright-winged parrots call,
In forest paths be ours to rove
Till purple evenings fall.
The curtains closed, by taper clear
To read some page divine,
On winter nights, the hearth beside,
Her soft, warm hand in mine.
And so to glide through busy life,
Like some small brook alone,
That winds its way 'mid grassy knolls,
Its music all its own.
~ Daniel Henry Deniehy,
1073:To One In Paradise
Thou wast all that to me, love,
For which my soul did pineA green isle in the sea, love,
A fountain and a shrine,
All wreathed with fairy fruits and flowers,
And all the flowers were mine.
Ah, dream too bright to last!
Ah, starry Hope! that didst arise
But to be overcast!
A voice from out the Future cries,
'On! on!'- but o'er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast!
For, alas! alas! me
For me the light of Life is over!
'No more- no more- no more-'
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree
Or the stricken eagle soar!
And all my days are trances,
And all my nightly dreams
Are where thy grey eye glances,
And where thy footstep gleamsIn what ethereal dances,
By what eternal streams.
~ Edgar Allan Poe,
1074:THOU wast all that to me, love,
For which my soul did pine:
A green isle in the sea, love,
A fountain and a shrine
All wreathed with fairy fruits and flowers,
And all the flowers were mine.

Ah, dream too bright to last!
Ah, starry Hope, that didst arise
But to be overcast!
A voice from out the Future cries,
"On! on!"—but o'er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast.

For, alas! alas! with me
The light of Life is o'er!
No more—no more—no more—
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree,
Or the stricken eagle soar.

And all my days are trances,
And all my nightly dreams
Are where thy gray eye glances,
And where thy footstep gleams—
In what ethereal dances,
By what eternal streams. ~ Edgar Allan Poe,
1075:As the room filled with tart, pleasant fumes Esther had never smelled before, her head became light with joy. These paints and and brushes and canvases were the tools real artists used. In the short hour left, inspired by Van Gogh, she chose a corner of the room as her subject and began to paint in tiny, furious brush strokes. To her amazement, yellow and blue combined into a vibrant green, red and blue turned a pulsating purple, and yellow and red mixed into a glowing orange. But beyond the colors, some new magic took over. Esther's eyes, clear as if the cumin had never blinded her, captured shapes and shadows and threw them on the canvas without effort, without thought. The urge to paint was a fountain that coursed through her, her fingers only a conduit to something so big it was hard to imagine her little heart contained it. Surely, this was the work of God. He must be guiding her hand. ~ Talia Carner,
1076:Christianity is not only the revelation of truth, but also the fountain of holiness under the unceasing inspiration of the spotless example of its Founder, which is more powerful than all the systems of moral philosophy. It attests its divine origin as much by its moral workings as by its pure doctrines. By its own inherent energy, without noise and commotion, without the favor of circumstance—nay, in spite of all possible obstacles, it has gradually wrought the greatest moral reformation, we should rather say, regeneration of society which history has ever seen while its purifying, ennobling, and cheering effects upon the private life of countless individuals are beyond the reach of the historian, though recorded in God’s book of life to be opened on the day of judgment. To appreciate this work, we must first review the moral condition of heathenism in its mightiest embodiment in history. ~ Philip Schaff,
1077:Just say it, she thought. Say what everyone in this bunker is thinking. Say what we all know to be true. The truth that we are all going to die down here, and death is the end. Nobody wakes up to a heaven or paradise. Your life will be gone. You will be gone. Forever. Uncover the truth. Tear off the bandages of delusion. Open your hearts and minds to the real world. We were doomed the day we were born. We lived and we will die and the only immortals are the people who did something worth remembering while they lived. My genetics are prime. I am pleasing to the eyes of man and machine. A dripping fountain of pleasure. Their organic sanctuary. And in time? Aging. Fading. Graying. What am I? Who am I? What makes me human? Emotions? My conscience? The soul is an old testament myth. No one shall ascend anywhere except into annihilation. The dust of earth and stars are the only eternals, she said. ~ C J Anderson,
1078:Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.

Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!"

Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.

"You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--"

All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger.

"You dropped this," he said, totally poker-faced. ~ Rick Riordan,
1079:But it was the second guy who caught my eye. Like the girl, he, too, paused by the door, seeming even more wary than she looked. The sunlight streaming in through the windows highlighted the rich honey in his dark chocolate brown hair, even as it cast his face in shadow. The tan skin of his arms resembled marble—hard, but smooth and supple at the same time.
He must have passed through the mist spewed up by the fountain outside, because his black T-shirt was wet in places and the damp patches clung to his skin. The wetness allowed me to see just how muscled his chest was. Oh, yeah, I totally ogled that part of him, right up until I spotted the silver cuff on his right wrist.
Given the angle, I couldn’t tell what crest was stamped into the metal, but I glanced at the others, who also wore cuffs. I sighed. So they belonged to some Family then. Wonderful. This day just kept getting better. ~ Jennifer Estep,
1080:Men have a great deal of pleasure in human knowledge, in studies of natural things; but this is nothing to that joy which arises from divine light shining into the soul. This spiritual light is the dawning of the light of glory in the heart. There is nothing so powerful as this to support persons in affliction, and to give the mind peace and brightness in this stormy and dark world. This knowledge will wean from the world, and raise the inclination to heavenly things. It will turn the heart to God as the fountain of good, and to choose him for the only portion. This light, and this only, will bring the soul to a saving close with Christ. It conforms the heart to the gospel, mortifies its enmity and opposition against the scheme of salvation therein revealed: it causes the heart to embrace the joyful tidings, and entirely to adhere to, and acquiesce in the revelation of Christ as our Savior. ~ Jonathan Edwards,
1081:Noon
Noon! and in the garden bower
The hot air quivers o’er the grass,
The little lake is smooth as glass
And still so heavily the hour
Drags, that scarce the proudest flower
Pressed upon its burning bed
Has strength to lift a languid head:
—Rose and fainting violet
By the water’s margin set
Swoon and sink as they were dead
Though their weary leaves be fed
With the foam-drops of the pool
Where it trembles dark and cool
Wrinkled by the fountain spraying
O’er it. And the honey-bee
Hums his drowsy melody
And wanders in his course a-straying
Through the sweet and tangled glade
With his golden mead o’erladen,
Where beneath the pleasant shade
Of the darkling boughs a maiden
—Milky limb and fiery tress,
All at sweetest random laid—
Slumbers, drunken with the excess
Of the noontide’s loveliness.
~ Clive Staples Lewis,
1082:The stars may dissolve, and the fountain of light
May sink into ne'er ending chaos and night,
Our mansions must fall, and earth vanish away,
But thy courage O Erin! may never decay.

See! the wide wasting ruin extends all around,
Our ancestors' dwellings lie sunk on the ground,
Our foes ride in triumph throughout our domains,
And our mightiest heroes lie stretched on the plains.

Ah! dead is the harp which was wont to give pleasure,
Ah! sunk is our sweet country's rapturous measure,
But the war note is waked, and the clangour of spears,
The dread yell of Sloghan yet sounds in our ears.

Ah! where are the heroes! triumphant in death,
Convulsed they recline on the blood sprinkled heath,
Or the yelling ghosts ride on the blast that sweeps by,
And 'my countrymen! vengeance!' incessantly cry.

OCTOBER, 1809

~ Percy Bysshe Shelley, The Irishmans Song
,
1083:An Unmarked Festival
There's a feast undated, yet
Both our true lives hold it fast,-Even the day when we first met.
What a great day came and passed,
--Unknown then, but known at last.
And we met: You knew not me,
Mistress of your joys and fears;
Held my hand that held the key
Of the treasure of your years,
Of the fountain of your tears.
For you knew not it was I,
And I knew not it was you.
We have learnt, as days went by.
But a flower struck root and grew
Underground, and no one knew.
Day of days! Unmarked it rose,
In whose hours we were to meet;
And forgotten passed. Who knows,
Was earth cold or sunny, Sweet,
At the coming of your feet?
One mere day, we thought; the measure
Of such days the year fulfills.
Now, how dearly would we treasure
Something from its fields, its rills,
And its memorable hills.
~ Alice Meynell,
1084:Fontaine, Je Ne Boirai Pas De Ton Eau!
I know I might have lived in such a way
As to have suffered only pain:
Loving not man nor dog;
Not money, even; feeling
Toothache perhaps, but never more than an hour away
From skill and novocaine;
Making no contacts, dealing with life through Agents, drinking
one cocktail, betting two dollars, wearing raincoats in the
rain.
Betrayed at length by no one but the fog
Whispering to the wing of the plane.
"Fountain," I have cried to that unbubbling well, "I will not
drink of thy water!" Yet I thirst
For a mouthful of—not to swallow, only to rinse my mouth in
peace.
And while the eyes of the past condemn,
The eyes of the present narrow into assignation. And—
worst—
The young are so old, they are born with their fingers crossed;
I shall get no help from them.
~ Edna St. Vincent Millay,
1085:And every one of those wrong things is a corollary of ‘jealousy.’ Jubal, I couldn’t believe it. I still don’t grok ‘jealousy’ in fullness, it seems insanity to me. When I first learned what this ecstasy was, my first thought was that I wanted to share it, share it at once with all my water brothers—directly with those female, indirectly by inviting more sharing with those male. The notion of trying to keep this never-failing fountain to myself would have horrified me, had I thought of it. But I was incapable of thinking it. And in perfect corollary I had no slightest wish to attempt this miracle with anyone I did not already cherish and trust—Jubal, I am physically unable even to attempt love with a female who has not shared water with me. And this runs all through the Nest. Psychic impotence—unless spirits blend as flesh blends.” Jubal was thinking mournfully that it was a fine system—for angels— ~ Robert A Heinlein,
1086:[The] term ‘decide’ has always seemed to me to be quite wrong…A sinner does not ‘decide’ for Christ; the sinner ‘flies’ to Christ in utter helplessness and despair saying —
Foul, I to the fountain fly,
Wash me, Saviour, or I die.
No man truly comes to Christ unless he flies to Him as his only refuge and hope, his only way of escape from the accusations of conscience and the condemnation of God’s holy law. Nothing else is satisfactory. If a man says that having thought about the matter and having considered all sides he has on the whole decided for Christ, and if he has done so without any emotion or feeling, I cannot regard him as a man who has been regenerated. The convicted sinner no more ‘decides’ for Christ than the poor drowning man ‘decides’ to take hold of that rope that is thrown to him and suddenly provides him with the only means of escape. The term is entirely inappropriate. ~ D Martyn Lloyd Jones,
1087:SEEN ACROSS TEN MILES OF sunlit water, Lorbanery was green, green as the bright moss by a fountain’s rim. Nearby, it broke up into leaves, and tree-trunks, and shadows, and roads, and houses, and the faces and clothing of people, and dust, and all that goes to make up an island inhabited by men. Yet still, over all, it was green: for every acre of it that was not built or walked upon was given up to the low, round-topped hurbah trees, on the leaves of which feed the little worms that spin the silk that is made into thread and woven by the men and women and children of Lorbanery. At dusk the air there is full of small grey bats who feed on the little worms. They eat many, but are suffered to do so and are not killed by the silk-weavers, who indeed account it a deed of very evil omen to kill the grey-winged bats. For if human beings live off the worms, they say, surely small bats have the right to do so. ~ Ursula K Le Guin,
1088:Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.

Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!"

Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.

"You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--"

All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger.

"You dropped this," he said, totally poker-faced.
-Heroes of Olympus ~ Rick Riordan,
1089:Ah! sweet is the moonbeam that sleeps on yon fountain,
And sweet the mild rush of the soft-sighing breeze,
And sweet is the glimpse of yon dimly-seen mountain,
'Neath the verdant arcades of yon shadowy trees.

But sweeter than all was thy tone of affection,
Which scarce seemed to break on the stillness of eve,
Though the time it is past!--yet the dear recollection,
For aye in the heart of thy [Percy] must live.

Yet he hears thy dear voice in the summer winds sighing,
Mild accents of happiness lisp in his ear,
When the hope-winged moments athwart him are flying,
And he thinks of the friend to his bosom so dear.--

And thou dearest friend in his bosom for ever
Must reign unalloyed by the fast rolling year,
He loves thee, and dearest one never, Oh! never
Canst thou cease to be loved by a heart so sincere.

AUGUST, 1810.

~ Percy Bysshe Shelley, Song. To [Harriet]
,
1090:Spread over what must have been at least a hectare or two was the most beautiful garden he had ever seen.
There was an entire miniature forest of cedar, cypress, and other sweet-smelling pines that couldn't normally live in the hot and dry Agrabah. There were formal rows of roses and other delicately petaled flowers. There was a garden just of mountain plants. There was a pool filled with flowering white lilies and their pads, and pink lotuses taller than most men. There was a fountain as big as a house and shaped like an egg. There was a delicate white aviary that looked like a giant's birdcage. Strangely, there were no birds in it.
And everywhere, entwined around every tiny building and every balustrade and every topiary ball, was jasmine. White jasmine, pink jasmine, yellow jasmine, night-flowering jasmine... the smell was heady enough to make Aladdin feel a little drunk.
Jasmine.
This was her garden. ~ Liz Braswell,
1091:We weep for characters, and then we go brush our teeth and have to face the fact that the world is warming at such a rapid pace that a terrifying number of amphibians are vanishing every month. And so through plays, through soccer games, through novels, through movies, through video games, through political elections - through story - we rehearse feelings we might eventually need in our own lives. ... Through drama, in the moments of greatest suspense, when the hero is hanging by a support from above, swaying to and fro ... we rehearse anxiety and longing more profoundly than any other emotions. ... And longing is the reach, the extension, the wild desire to attain the next stable platform at the end of the high wire. It's the hope against hope that the water shooting out of the fountain will stay aloft forever. (Anthony Doerr, "The Sword of Damocles: On Suspense, Shower Murders, and Shooting People on the Beach") ~ Christopher R Beha,
1092:If she has her way ...

Willa Davis is wrangling puppies when Keane Winters stalks into her pet shop with frustration in his chocolate-brown eyes and a pink bedazzled cat carrier in his hand. He needs a kitty sitter, stat. But the last thing Willa needs is to rescue a guy who doesn’t even remember her ...

He’ll get nothing but coal in his stocking.

Saddled with his great-aunt’s Feline from Hell, Keane is desperate to leave her in someone else’s capable hands. But in spite of the fact that he’s sure he’s never seen the drop-dead-gorgeous pet shop owner before, she seems to be mad at him ...

Unless he tempers “naughty” with a special kind of nice ...

Willa can’t deny that Keane’s changed since high school: he’s less arrogant, for one thing—but can she trust him not to break her heart again? It’s time to throw a coin in the fountain, make a Christmas wish—and let the mistletoe do its work ... ~ Jill Shalvis,
1093:Inexorable Deities
Deities!
Inexorable revealers,
Give me strength to endure
The gifts of the Muses,
Daughters of Memory.
When the sky is blue as Minerva's eyes
Let me stand unshaken;
When the sea sings to the rising sun
Let me be unafraid;
When the meadow lark falls like a meteor
Through the light of afternoon,
An unloosened fountain of rapture,
Keep my heart from spilling
Its vital power;
When at the dawn
The dim souls of crocuses hear the calls
Of waking birds,
Give me to live but master the loveliness.
Keep my eyes unharmed from splendors
Unveiled by you,
And my ears at peace
Filled no less with the music
Of Passion and Pain, growth and change.
But O ye sacred and terrible powers,
Reckless of my mortality,
Strengthen me to behold a face,
To know the spirit of a beloved one
Yet to endure, yet to dare!
~ Edgar Lee Masters,
1094:/Farsi & Turkish a voice out of this world calls on our souls not to wait any more get ready to move to the original home your real home your real birth place is up here with the heavens let your soul take a flight like a happy phoenix you've been tied up your feet in the mud your body roped to a log break loose your ties get ready for the final flight make your last journey from this strange world soar for the heights where there is no more separation of you and your home God has created your wings not to be dormant as long as you are alive you must try more and more to use your wings to show you're alive these wings of yours are filled with quests and hopes if they are not used they will wither away they will soon decay you may not like what I'm going to tell you you are stuck now you must seek nothing but the source [2079.jpg] -- from Rumi: Fountain of Fire, Translated by Nader Khalili

~ Jalaluddin Rumi, Seeking the Source
,
1095:how many ghosts I was going to encounter. That Serra guy had to have a bunch of Native Americans mad at him—particularly considering that corporal punishment thing—and I hadn’t any doubt I was going to encounter all of them. And yet, when my mom and I walked through the school’s wide front archway into the courtyard around which the Mission had been constructed, I didn’t see a single person who looked as if he or she didn’t belong there. There were a few tourists snapping pictures of the impressive fountain, a gardener working diligently at the base of a palm tree—even at my new school there were palm trees—a priest walking in silent contemplation down the airy breezeway. It was a beautiful, restful place—especially for a building that was so old and had to have seen so much death. I couldn’t understand it. Where were all the ghosts? Maybe they were afraid to hang around the place. I was a little afraid, looking up at that crucifix. ~ Meg Cabot,
1096:...why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life... Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder. As Samuel Spaudling, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth. ~ Ray Bradbury,
1097:O Holy Jesus, Son of the most high God, Thou that wert scourged at a pillar, stretched and nailed upon a cross for the sins of the world, unite me to Thy cross, and fill my soul with Thy holy, humble, and suffering spirit. O Fountain of Mercy, Thou that didst save the thief upon the cross, save me from the guilt of a sinful life; Thou that didst cast seven devils out of Mary Magdalene, cast out of my heart all evil thoughts and wicked tempers. O Giver of Life, Thou that didst raise Lazarus from the dead, raise up my soul from the death and darkness of sin. Thou that didst give to Thy Apostles power over unclean spirits, give me power over mine own heart. Thou that didst appear unto Thy disciples when the doors were shut, do Thou appear to me in the secret apartment of my heart. Thou that didst cleanse the lepers, heal the sick, and give sight to the blind, cleanse my heart, heal the disorders of my soul, and fill me with heavenly light.19 ~ Anonymous,
1098:He knew it would take as many years as could think of now to forget the tracks, no matter how deeply buried. Some morning in autumn, spring, or winter he kn he’d wake and, if he didn’t go near the window, if he just lay deep and snug and warm, in his bed, he would hear it, faint and far away.
And around the bend of the morning street, up the avenue, between the even rows of sycamore, elm and maple, it the quietness before the start of living, past his house h would hear the familiar sounds. Like the ticking of a doe the rumble of a dozen metal barrels rolling, the hum of single immense dragonfly at dawn. Like a merry-go-round like a small electrical storm, the color of blue lightning, coming, here, and gone. The trolley’s chime! The hiss like a sc fountain spigot as it let down and took up its step, and starting of the dream again, as on it sailed along its way, traveling a hidden and buried track to some hidden and buried destination. ~ Ray Bradbury,
1099:OH HAPPY DAY when in you presence,
my ruler, I shall die!
When near the sugar-treasure melting
like sugar I shall die!
Out of my dust will grow a thousand
of centrifolias
When in the shade of yonder cypress
in gardens I shall die.
And when you pour into my goblet
the bitter drink of death,
I'll kiss the goblet full of joy, dear,
and drunken I shall die.
I may turn yellow like the autumn
when people speak of death,
Thanks to your smiling lip: like springtime
and smiling shall I die.
I have died many times, but your breath
made me alive again,
Should I die thus a hundred more times
I happily shall die!
A child that dies in mother's bosom,
that's how I am, my friend,
For in the bosom of His Mercy
and kindness, I shall die.
Say: Where would death be for the lovers?
Impossible is that!
For in the fountain of the Water
of Life - there I shall die! ~ Rumi,
1100:Brian stood by the fountain; his eyes locked on her while she inspected the plants and inhaled their sweet scents. He didn’t move as he watched her with a predatory hunger. She smiled as she walked back toward him; her fingers itching with the impulse to touch him. Her skin became electrified with her need for him. When she was only a foot away from him, he pulled something from his pocket and went down onto one knee before her. Abby froze, and her hand flew to her mouth as he opened the box to reveal the large diamond within. Tears burned in her eyes as the fading sun lit his hair and eyes and caressed his chiseled body. “I don’t know how long I’ll have to work with Ronan, but I can promise you that when it’s done, I will take you everywhere you ask to go and live out every one of your dreams with you. I will love you every second of every day for the rest of our lives, and I will protect and cherish our children with everything I am.” Her ~ Brenda K Davies,
1101:Does Britannia, when she sleeps, dream? Is America her dream?-- in which all that cannot pass in the metropolitan Wakefulness is allow'd Expression away in the restless Slumber of these Provinces, and on West-ward, wherever 'tis not yet mapp'd, nor written down, nor ever, by the majority of Mankind, seen,-- serving as a very Rubbish-Tip for subjunctive Hopes, for all that may yet be true,-- Earthly Paradise, Fountain of Youth, Realms of Prester John, Christ's Kingdom, ever behind the sunset, safe til the next Territory to the West be seen and recorded, measur'd and tied in, back into the Net-Work of Points already known, that slowly triangulates its Way into the Continent, changing all from subjunctive to declarative, reducing Possibilities to Simplicities that serve the ends of Governments,-- winning away from the realm of the Sacred, its Borderlands one by one, and assuming them unto the bare mortal World that is our home, and our Despair. ~ Thomas Pynchon,
1102:Let us find the dam snack bar," Zoe said. "We should eat while we can."
Grover cracked a smile. "The dam snack bar?"
Zoe blinked. "Yes. What is funny?"
"Nothing," Grover said, trying to keep a straight face. "I could use some dam french
fries."
Even Thalia smiled at that. "And I need to use the dam restroom."
Maybe it was the fact that we were so tired and strung out emotionally, but I started
cracking up, and Thalia and Grover joined in, while Zoe just looked at us. "I do not
understand."
"I want to use the dam water fountain," Grover said.
"And…" Thalia tried to catch her breath. "I want to buy a dam T-shirt."
I busted up, and I probably would've kept laughing all day, but then I heard a noise:
"Moooo."
The smile melted off my face. I wondered if the noise was just in my head, but Grover
had stopped laughing too. He was looking around, confused. "Did I just hear a cow?"
"A dam cow?" Thalia laughed. ~ Rick Riordan,
1103:To Edward Lear: On His Travels In Greece
Illyrian woodlands, echoing falls
Of water, sheets of summer glass,
The long divine Peneian pass,
The vast Akrokeraunian walls,
Tomohrit, Athos, all things fair,
With such a pencil, such a pen,
You shadow forth to distant men,
I read and felt that I was there:
And trust me while I turn'd the page,
And track'd you still on classic ground,
I grew in gladness till I found
My spirits in the golden age.
For me the torrent ever pour'd
And glisten'd -- here and there alone
The broad-limb'd gods at random thrown
By fountain urns; -- and Naiads oar'd
A glimmering shoulder under gloom
Of cavern pillars; on the swell
The silver lily heaved and fell;
And many a slope was rich in bloom
From him that on the mountain lea
By dancing rivulets fed his flocks,
To him who sat upon the rocks,
And fluted to the morning sea.
~ Alfred Lord Tennyson,
1104:The Fire Bug flared up at that. “You want to know what bugs me?” it said indignantly. “Nobodaddy’s friendly about fire. Oh, it’s fine in its place, people say, it makes a nice glow in a room, but keep an eye on it in case it gets out of control, and always put it out before you leave. Never mind how much it’s needed; a few forests burned by wildfires, the occasional volcanic eruption, and there goes our reputation. Water, on the other hand!—hah!—there’s no limit to the praise Water gets. Floods, rains, burst pipes, they make no difference. Water is everyone’s favorite. And when they call it the Fountain of Life!—bah!—well, that just bugs me to bits.” The Fire Bug dissolved briefly into a little cloud of angry, buzzing sparks, then came together again. “Fountain of Life, indeed,” it hissed. “What an idea. Life is not a drip. Life is a flame. What do you imagine the sun is made of? Raindrops? I don’t think so. Life is not wet, young man. Life burns. ~ Salman Rushdie,
1105:Every person who is Fountain-blessed demonstrates a remarkable power, and sometimes more than one. They keep their lore secret from the world, except for some general principles that I will speak on. The terms used to describe the two major ways in which they draw in power are “rigor” and “vigor.” The term “rigor” implies severity and strictness. The magic comes through meticulous and persistent adherence to some regimented craft or routine. These individuals are iron-willed and self-disciplined to a degree very uncommon amongst their fellows. The term “vigor” implies effort, energy, and enthusiasm. To do a task out of the love of it, not for ambition’s sake alone. These two concepts mark the twin horses by which the magic of the Fountain can be drawn. Why one individual may prefer one to the other or whether there is difference in the efficacy of these methods remains, to the rest of us, a mystery.   —Polidoro Urbino, Court Historian of Kingfountain ~ Jeff Wheeler,
1106:He knew it would take as many years as he could think of now to forget the tracks, no matter how deeply buried. Some morning in autumn, spring, or winter he knew he’d wake and, if he didn’t go near the window, if he just lay deep and snug and warm, in his bed, he would hear it, faint and far away.
And around the bend of the morning street, up the avenue, between the even rows of sycamore, elm and maple, it the quietness before the start of living, past his house he would hear the familiar sounds. Like the ticking of a clock, the rumble of a dozen metal barrels rolling, the hum of single immense dragonfly at dawn. Like a merry-go-round like a small electrical storm, the color of blue lightning, coming, here, and gone. The trolley’s chime! The hiss like a soda-fountain spigot as it let down and took up its step, and the starting of the dream again, as on it sailed along its way, traveling a hidden and buried track to some hidden and buried destination. ~ Ray Bradbury,
1107:If we hadn’t our bewitching autumn foliage, we should still have to credit the weather with one feature which compensates for all its bullying vagaries-the ice storm: when a leafless tree is clothed with ice from the bottom to the top – ice that is as bright and clear as crystal; when every bough and twig is strung with ice-beads, frozen dew-drops, and the whole tree sparkles cold and white, like the Shah of Persia’s diamond plume. Then the wind waves the branches and the sun comes out and turns all those myriads of beads and drops to prisms that glow and burn and flash with all manner of colored fires, which change and change again with inconceivable rapidity from blue to red, from red to green, and green to gold-the tree becomes a spraying fountain, a very explosion of dazzling jewels; and it stands there the acme, the climax, the supremest possibility in art or nature, of bewildering, intoxicating, intolerable magnificence. One cannot make the words too strong. ~ Mark Twain,
1108:The Song Of A Man Who Has Come Through
Not I, not I, but the wind that blows through me!
A fine wind is blowing the new direction of Time.
If only I let it bear me, carry me, if only it carry me!
If only I am sensitive, subtle, oh, delicate, a winged gift!
If only, most lovely of all, I yield myself and am borrowed
By the fine, fine wind that takes its course though the chaos of the world
Like a fine, and exquisite chisel, a wedge-blade inserted;
If only I am keen and hard like the sheer tip of a wedge
Diven by invisible split, we shall come at the wonder, we shall find the
Hesperides.
Oh, for the wonder that bubbles into my soul,
I would be a good fountain, a good well-head,
Would blur no whisper, spoil no expression.
What is the knocking?
What is the knocking at the door in the night?
It's somebody wants to do us harm.
No, no, it is the three strange angels.
Admit them, admit them.
~ David Herbert Lawrence,
1109:Permanence
Set within a desert lone,
Circled by an arid sea,
Stands a figure carved in stone,
Where a fountain used to be.
Two abraded, pleading hands
Held below a shapeless mouth,
Human-like the fragment stands,
Tortured by perpetual drouth.
Once the form was drenched with spray,
Deluged with the rainbow flushes;
Surplus water dashed away
To the lotus and the rushes.
Time was clothed in rippling fashion,.
Opulence of light and air,
Beauty changing into passion
Every hour and everywhere.
And the yearning of that race
Was for something deep and tender,
Life replete with power, with grace,
Touched with vision and with splendour.
Now no rain dissolves and cools,
Dew is even as a dream,
The enticing far-off pools
In a mirage only seem.
All the traces that remain,
Of the longings of that land,
Are two hands that plead in vain
Filled with burning sand.
~ Duncan Campbell Scott,
1110:For my nymphet I needed a diminutive with a lyrical lilt to it. One of the most limpid and luminous letters is "L". The suffix "-ita" has a lot of Latin tenderness, and this I required too. Hence: Lolita. However, it should not be pronounced as you and most Americans pronounce it: Low-lee-ta, with a heavy, clammy "L" and a long "o". No, the first syllable should be as in "lollipop", the "L" liquid and delicate, the "lee" not too sharp. Spaniards and Italians pronounce it, of course, with exactly the necessary note of archness and caress. Another consideration was the welcome murmur of its source name, the fountain name: those roses and tears in "Dolores." My little girl's heartrending fate had to be taken into account together with the cuteness and limpidity. Dolores also provided her with another, plainer, more familiar and infantile diminutive: Dolly, which went nicely with the surname "Haze," where Irish mists blend with a German bunny—I mean, a small German hare. ~ Vladimir Nabokov,
1111:For two days we explored Rome, a city that is both a living organism and a fossil. Bleached structures from antiquity lay like dried bones, embedded in pulsating cables and thrumming traffic, the arteries of modern life. We visited the Pantheon, the Roman Forum, the Sistine Chapel. My instinct was to worship, to venerate. That was how I felt toward the whole city: that it should be behind glass, adored from a distance, never touched, never altered. My companions moved through the city differently, aware of its significance but not subdued by it. They were not hushed by the Trevi Fountain; they were not silenced by the Colosseum. Instead, as we moved from one relic to the next, they debated philosophy—Hobbes and Descartes, Aquinas and Machiavelli. There was a kind of symbiosis in their relationship to these grand places: they gave life to the ancient architecture by making it the backdrop of their discourse, by refusing to worship at its altar as if it were a dead thing. ~ Tara Westover,
1112:Sometimes It Happens
And sometimes it happens that you are friends and then
You are not friends,
And friendship has passed.
And whole days are lost and among them
A fountain empties itself.
And sometimes it happens that you are loved and then
You are not loved,
And love is past.
And whole days are lost and among them
A fountain empties itself into the grass.
And sometimes you want to speak to her and then
You do not want to speak,
Then the opportunity has passed.
Your dreams flare up, they suddenly vanish.
And also it happens that there is nowhere to go and then
There is somewhere to go,
Then you have bypassed.
And the years flare up and are gone,
Quicker than a minute.
So you have nothing.
You wonder if these things matter and then
As soon you begin to wonder if these things matter
They cease to matter,
And caring is past.
And a fountain empties itself into the grass.
~ Brian Patten,
1113:The Dark Girl's Rhyme
Who was there had seen us
Wouldn't bid him run?
Heavy lay between us
All our sires had done.
There he was, a-springing
Of a pious race,
Setting hags a-swinging
In a market-place;
Sowing turnips over
Where the poppies lay;
Looking past the clover,
Adding up the hay;
Shouting through the Spring song,
Clumping down the sod;
Toadying, in sing-song,
To a crabbed god.
There I was, that came of
Folk of mud and nameI that had my name of
Them without a name.
Up and down a mountain
Streeled my silly stock;
Passing by a fountain,
Wringing at a rock;
Devil-gotten sinners,
Throwing back their heads,
Fiddling for their dinners,
Kissing for their beds.
Not a one had seen us
Wouldn't help him flee.
Angry ran between us
Blood of him and me.
155
How shall I be mating
Who have looked aboveLiving for a hating,
Dying of a love?
~ Dorothy Parker,
1114:Envelope me oh Lord envelope me
From the storms of life envelope me
That I may see your light as you envelope me
Through the thick and thin of life I beseech

Envelope me oh Lord, envelope me!


With thy cloud of glory, envelope me
In thy showers of fountain, envelope me!
Far from all evil I beseech that you shall envelope me
In thy abundant grace oh Lord, envelope me


Envelope me oh Lord, envelope me!


Envelope me oh Lord, envelope me
In the envelope of thy strong might
That my life shall be right in thy sight
Alluring deceptions I meet every time

Envelope me oh Lord, envelope me!


Up and down life goes; riches that take my time
In sorrow do l grow cold; joy that overtake my mind
Uncertainties of life that meet mankind
Before thy throne I beseech insight of all kind
That I may understand life composed of things of different kind


Envelope me oh lord, envelope me! ~ Ernest Agyemang Yeboah,
1115:Something very sinister happens to the people of a country when they begin to distrust their own reactions as deeply as they do here, and become as joyless as they have become. It is this individual uncertainty on the part of white American men and women, this inability to renew themselves at the fountain of their own lives, that makes the discussion, let alone elucidation, of any conundrum—that is, any reality—so supremely difficult. The person who distrusts himself has no touchstone for reality—for this touchstone can be only oneself. Such a person interposes between himself and reality nothing less than a labyrinth of attitudes. And these attitudes, furthermore, though the person is usually unaware of it (is unaware of so much!), are historical and public attitudes. They do not relate to the present any more than they relate to the person. Therefore, whatever white people do not know about Negroes reveals, precisely and inexorably, what they do not know about themselves. ~ James Baldwin,
1116:Who can do as Thy deeds, when under the throne of Thy glory Thou madest a place for the spirits of Thy saints? There is the abode of the pure souls, that are bound in the bundle of life. Those who are tired and weary, there will they restore their strength. There shall the weary be at rest, for they are deserving of repose. In it there is delight without end or limitation, for that is the world-to-come. There are stations and visions for the souls that stand by the mirrors assembled, to see the face of the Lord and to be seen, Dwelling in the royal palaces, standing by the royal table, Delighting in the sweetness of the fruit of the Intelligence, which yields royal dainties. This is the repose and the inheritance, whose good and beauty are without limit, and "surely it floweth with milk and honey; and this is the fruit of it." [1568.jpg] -- from The Heart and the Fountain: An Anthology of Jewish Mystical Experiences, by Joseph Dan

~ Solomon ibn Gabirol, Who can do as Thy deeds
,
1117:Not one but two great nations were to look back to Abraham as their father - two great nations, that is, two guided powers, two instruments to work the Will of Heaven, for God does not promise as a blessing that which is profane, nor is there any greatness before God except greatness in the Spirit. Abraham was thus the fountain-head of two spiritual streams which must not flow together, but each in its own course; and he entrusted Hagar and Ishmael to the blessing of God and the care of His Angels in the certainty that all would be well with them.

Two spiritual streams, two religions, two worlds for God; two circles, therefore two centres. A place is never holy through the choice of man, but because it has been chosen in Heaven. There were two holy centres within the orbit of Abraham: one of these was at hand, the other perhaps he did not get know; and it was to the other that Hagar and Ishmael were guided, in a barren valley of Arabia, some forty camel days south of Canaan. ~ Martin Lings,
1118:Perfect! Now we’re being chased by hoards of monkeys! Perhaps you would care to name their species as we’re attacked, just so I can appreciate the special traits of said monkey as it kills me!”
He ran along beside me. “At least when the monkeys are harassing you, you don’t have time to harass me!
The monkeys were getting close. I almost tripped over one as it darted in front of my legs. Ren leapt over a fountain with his tiger power. Show-off.
“Ren, you’re holding back. Just get out of here! Take the backpack and go.”
He laughed acerbically as he ran ahead of me; then, he turned to look at me while jogging backward. “Ha! You wish you could get rid of me that easily!”
He ran a bit farther ahead of me and switched to the tiger. Then he barreled back toward me and actually leapt over my running body into the throng of monkeys to slow them down.
I shouted back at him while still running, “Hey! Careful where you jump, Mister! You almost took my head off! ~ Colleen Houck,
1119:They had crossed the terrace where weeds, ivy, and goldenrod had run amuck in the flowerbeds that lined the weather-beaten stone balustrade. Mounds of blue hydrangeas nearly as tall as Lucien crowded the three mossy steps that led down into the formal garden. He went down them, and Alice followed him toward the circular fountain. As they approached, two doves that had perched on the stately stone fountain urn fluttered away, cooing. Alice stopped beside the fountain pool and gazed down with a faraway expression at the lily pads, driven with dreamlike slowness over the surface of the shallow water like tiny sailing vessels. She studied the scene as though memorizing it, while Lucien gazed at her, watching the wind toy with her clothes and the tendrils of her hair that it had worked free from her neat coif.
Her waving red-gold hair, blue eyes, and ivory skin, and the chaste, faraway serenity of her face, put him in mind of Botticelli's Venus, rising from the sea upon her scallop shell. ~ Gaelen Foley,
1120:A Light in the Moon"

A light in the moon the only light is on Sunday. What was the sensible decision. The sensible decision was that notwithstanding many declarations and more music, not even notwithstanding the choice and a torch and a collection, notwithstanding the celebrating hat and a vacation and even more noise than cutting, notwithstanding Europe and Asia and being overbearing, not even notwithstanding an elephant and a strict occasion, not even withstanding more cultivation and some seasoning, not even with drowning and with the ocean being encircling, not even with more likeness and any cloud, not even with terrific sacrifice of pedestrianism and a special resolution, not even more likely to be pleasing. The care with which the rain is wrong and the green is wrong and the white is wrong, the care with which there is a chair and plenty of breathing. The care with which there is incredible justice and likeness, all this makes a magnificent asparagus, and also a fountain. ~ Gertrude Stein,
1121:There is need, then, besides this first and fundamental rule the Word of God, of another, a second rule, by which the first may be rightly and duly proposed, applied and declared. And in order that we may not be subject to hesitation and uncertainty, it is necessary not only that the first rule, namely, the Word of God, but also the second, which proposes and applies this rule, be absolutely infallible; otherwise we shall always remain in suspense and in doubt as to whether we are not being badly directed and supported in our faith and belief, not now by any defect in the first rule but by error and defect in the proposition and application thereof. Certainly the danger is equal, either of getting out of rule for want of a right rule or getting out of rule for want of a regular and right application of the rule itself. But this infallibility which is required as well in the rule as in its proper application can have its source only in God, the living and original fountain of all truth. ~ Francis de Sales,
1122:There is need, then, besides this first and fundamental rule the Word of God, of another, a second rule, by which the first may be rightly and duly proposed, applied and declared. And in order that we may not be subject to hesitation and uncertainty, it is necessary not only that the first rule, namely, the Word of God, but also the second, which proposes and applies this rule, be absolutely infallible; otherwise we shall always remain in suspense and in doubt as to whether we are not being badly directed and supported in our faith and belief, not now by any defect in the first rule but by error and defect in the proposition and application thereof. Certainly the danger is equal, either of getting out of rule for want of a right rule or getting out of rule for want of a regular and right application of the rule itself. But this infallibility which is required as well in the rule as in its proper application can have its source only in God, the living and original fountain of all truth. ~ Saint Francis de Sales,
1123:Very slowly, using only two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.
Octavian made a squeaking sound. “What was that for? I didn’t say toss it! That could’ve been evidence. Or spoils of war!”
Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.
“You other two…” He pointed his blade at Hazel and Piper. “Put your weapons on the dock. No funny bus—”
All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth’s dagger.
“You dropped this,” he said, totally poker-faced.
Annabeth threw her arms around him. “I love you!”
“Guys,” Hazel interrupted. She had a little smile on her face. “We need to hurry. ~ Rick Riordan,
1124:...'I've never told you this, but when you were in your teens one of your teachers called us. He said you'd been fighting in the playground again. With two of the boys from the grade above, but this time it hadn't turned out so well--they'd had to send you to the hospital to have your lip sewn and a tooth taken out. I stopped your allowance, remember? Anyway, Øystein told me about the fight later. You flew at them because they'd filled Tresko's knapsack with water from the school fountain. If I remember correctly, you didn't even like Tresko much. Øystein said the reason you'd been hurt so badly was that you didn't give in. You got up time after time and in the end you were bleeding so much that the big boys became alarmed and went on their way.'
Olav Hole laughed quietly. 'I didn't think I could tell you that at the time--it would only have been asking for more fights--but I was so proud I could have wept. You were brave, Harry. You were scared of the dark, but that didn't stop you going there.'... ~ Jo Nesb,
1125:Shepherd sat next to him close to the front of the plane. As it taxied for take-off, Muller took a pair of reading glasses out of his jacket pocket, a sheaf of papers from a leather briefcase and began to read, occasionally making marks in the margin with a gold fountain pen. After an hour a stewardess in a tight-fitting green uniform handed out plastic trays with finger sandwiches, followed by a colleague offering coffee or tea. Shepherd passed on the food and the drink. Muller took a cheese sandwich and put away his paperwork. ‘This is your first time in Baghdad, right?’ he asked. ‘Yeah,’ said Shepherd. The lie came easily. He doubted that Yokely would want too many people knowing that he had been a passenger on a rendition flight. ‘Although I was in Afghanistan when I was with the Regiment. Another life.’ ‘Iraq’s not dissimilar,’ said Muller. ‘The difference is that before Saddam Iraq was a decent enough country. He ran it into the ground.’ ‘The Major said you were special forces. Delta Force, ~ Stephen Leather,
1126:For this boy destined to be the world’s greatest heir, money was so omnipresent as to be invisible—something “there, like air or food or any other element,” he later said—yet it was never easily attainable.11 As if he were a poor, rural boy, he earned pocket change by mending vases and broken fountain pens or by sharpening pencils. Aware of the rich children spoiled by their parents, Senior seized every opportunity to teach his son the value of money. Once, while Rockefeller was being shaved at Forest Hill, Junior entered with a plan to give away his Sunday-school money in one lump sum, for a fixed period, and be done with it. “Let’s figure it out first,” Rockefeller advised and made Junior run through calculations that showed he would lose eleven cents interest while the Sunday school gained nothing in return. Afterward, Rockefeller told his barber, “I don’t care about the boy giving his money in that way. I want him to give it. But I also want him to learn the lesson of being careful of the little things. ~ Ron Chernow,
1127:WAS THERE STILL SOMETHING MURMURING? WAS IT still the kind murmuring of Plotius, protecting and kind and strong? oh, Plotius, oh, that it might endure, oh, that it might endure murmuringly, quiet and quieting, welling up from the unfathomable depths within and without, now that the labor was over, now that the labor sufficed, now that nothing need follow, oh, that it might go on forever! and verily it went on, murmuring and murmuring, rolling in softly in endlessness, murmur-wave after murmur-wave, each of them tiny yet all of them radiating in a boundless cycle; it was simply there, no sort of hearkening, no effort whatsoever was needed to hold on to it, indeed this murmurousness was not to be held onto, for it strove onward, mingled with the trickling of the fountain, with the trickling of the waters, merged with them in the vast and colorless might of a rest-bearing stream, itself the thing carried, itself rest, itself a moving stream, softly lapping the keel and sides of the boat with slithering foam. ~ Hermann Broch,
1128:/Farsi & Turkish look at love how it tangles with the one fallen in love look at spirit how it fuses with earth giving it new life why are you so busy with this or that or good or bad pay attention to how things blend why talk about all the known and the unknown see how the unknown merges into the known why think separately of this life and the next when one is born from the last look at your heart and tongue one feels but deaf and dumb the other speaks in words and signs look at water and fire earth and wind enemies and friends all at once the wolf and the lamb the lion and the deer far away yet together look at the unity of this spring and winter manifested in the equinox you too must mingle my friends since the earth and the sky are mingled just for you and me be like sugarcane sweet yet silent don't get mixed up with bitter words my beloved grows right out of my own heart how much more union can there be [2079.jpg] -- from Rumi: Fountain of Fire, Translated by Nader Khalili

~ Jalaluddin Rumi, look at love
,
1129:I.
Ghosts of the dead! have I not heard your yelling
Rise on the night-rolling breath of the blast,
When oer the dark aether the tempest is swelling,
And on eddying whirlwind the thunder-peal passed?

II.
For oft have I stood on the dark height of Jura
Which frowns on the valley that opens beneath;
Oft have I braved the chill night-tempest's fury,
Whilst around me, I thought, echoed murmurs of death.

III.
And now, whilst the winds of the mountain are howling,
O father! thy voice seems to strike on mine ear;
In air whilst the tide of the night-storm is rolling,
It breaks on the pause of the elements' jar.

IV.
On the wing of the whirlwind which roars o'er the mountain
Perhaps rides the ghost of my sire who is dead:
On the mist of the tempest which hangs o'er the fountain,
Whilst a wreath of dark vapour encircles his head.
On the Dark, etc.: without title, 1811; The Fathers Spectre, Rossetti, 1870.
~ Percy Bysshe Shelley, On The Dark Height of Jura
,
1130:Billy tries to imagine the vast systems that support these athletes. They are among the best-cared for creatures in the history of the planet, beneficiaries of the best nutrition, the latest technologies, the finest medical care, they live at the very pinnacle of American innovation and abundance, which inspires an extraordinary thought - send them to fight the war! Send them just as they are this moment, well rested, suited up, psyched for brutal combat, send the entire NFL! Attack with all our bears and raiders, our ferocious redskins, our jets, eagles, falcons, chiefs, patriots, cowboys - how could a bunch of skinny hajjis in man-skits and sandals stand a chance against these all-Americans? Resistance is futile, oh Arab foes. Surrender now and save yourself a world of hurt, for our mighty football players cannot be stopped, they are so huge, so strong, so fearsomely ripped that mere bombs and bullets bounce off their bones of steel. Submit, lest our awesome NFL show you straight to the flaming gates of hell! ~ Ben Fountain,
1131:If I Ain't Got You"

Some people live for the fortune
Some people live just for the fame
Some people live for the power
Some people live just to play the game

Some people think that the physical things
Define what's within
And I've been there before
But that life's a bore
So full of the superficial

[Chorus:]
Some people want it all
But I don't want nothing at all
If it ain't you, baby
If I ain't got you, baby
Some people want diamond rings
Some just want everything
But everything means nothing
If I ain't got you

Some people search for a fountain
That promises "forever young"
Some people need three dozen roses
And that's the only way to prove you love them

Hand me the world on a silver platter
And what good would it be?
With no one to share
With no one who truly cares for me

[Chorus:]

If I ain't got you with me, baby
So nothing in this whole wide world don't mean a thing
If I ain't got you with me, baby ~ Alicia Keys,
1132:Between the fifteenth and nineteenth centuries, the New World opened by terrestrial explorers, adventurers, soldiers, and administrators joined forces with the scientific and technical new world that the scientists, the inventors, and the engineers explored and cultivated: they were part and parcel of the same movement. One mode of exploration was concerned with abstract symbols, rational systems, universal laws, repeatable and predictable events, objective mathematical measurements: it sought to understand, utilize, and control the forces that derive ultimately from the cosmos, and the solar system. The other model dwelt on the concrete and the organic, the adventurous, the tangible: to sail uncharted oceans, to conquer new lands, to subdue and overawe strange peoples, to discover new foods and medicines, perhaps to find the fountain of youth, or if not, to seize by shameless force of arms the wealth of the Indies. In both modes of exploration, there was from the beginning a touch of defiant pride and demonic frenzy. ~ Lewis Mumford,
1133:It is remarkable that circumcision, which is invariably practiced by thE
Mahometans, and forms a distinguishing rite of their faith, to which all
proselytes must conform, is neither mentioned in the Koran nor the
Sonna. It seems to have been a general usage in Arabia, tacitly adopted
from the Jews, and is even said to have been prevalent throughout the
East before the time of Moses.

It is said that the Koran forbids the making likenesses of any living
thing, which has prevented the introduction of portrait-painting among
Mahometans. The passage of the Koran, however, which is thought to
contain the prohibition, seems merely an echo of the second commandment, held sacred by Jews and Christians, not to form images or pictures
for worship. One of Mahomet's standards was a black eagle. Among the most distinguished Moslem ornaments of the Alhambra at Granada is a fountain supported by lions carved of stone, and some Moslem monarchs have had their effigies stamped on their coins. ~ Washington Irving,
1134:The force that through the green fuse drives the flower"

The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.

The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.
And I am dumb to mouth unto my veins
How at the mountain spring the same mouth sucks.

The hand that whirls the water in the pool
Stirs the quicksand; that ropes the blowing wind
Hauls my shroud sail.
And I am dumb to tell the hanging man
How of my clay is made the hangman’s lime.

The lips of time leech to the fountain head;
Love drips and gathers, but the fallen blood
Shall calm her sores.
And I am dumb to tell a weather’s wind
How time has ticked a heaven round the stars.

And I am dumb to tell the lover’s tomb
How at my sheet goes the same crooked worm. ~ Dylan Thomas,
1135:HOW ATTRACTION HAPPENS

Moses is talking to someone drunk with worshiping the golden calf. "What happened to your

doubt? You used to be so skeptical of me. The Red Sea parted. Food came every day in the

wilderness for forty years. A fountain sprang out of a rock. You saw these things

and still reject the idea of prophethood. Then the magician Samiri does a trick to make

the metal cow low, and immediately you kneel! What did that hollow statue say? Have you

heard a dullness like your own?" This is how attraction happens: people with nothing

they value delight in worthlessness. Someone who thinks there's no meaning or purpose

feels drawn to images of futility. Each moves to be with its own. The ox does not turn

toward a lion. Wolves have no interest in Joseph, unless to devour him. But if a wolf

is cured of wolfishness, it will sleep close by Joseph, like a dog in the presence of

meditators. Soul companionship gives safety and light to a cave full of friends. ~ Rumi,
1136:The Force That Through The Green Fuse Drives The
Flower
The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.
The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.
And I am dumb to mouth unto my veins
How at the mountain spring the same mouth sucks.
The hand that whirls the water in the pool
Stirs the quicksand; that ropes the blowing wind
Hauls my shroud sail.
And I am dumb to tell the hanging man
How of my clay is made the hangman's lime.
The lips of time leech to the fountain head;
Love drips and gathers, but the fallen blood
Shall calm her sores.
And I am dumb to tell a weather's wind
How time has ticked a heaven round the stars.
And I am dumb to tell the lover's tomb
How at my sheet goes the same crooked worm.
~ Dylan Thomas,
1137:In the soul where Christ savingly is, there He lives. He not only lives without it, so as violently to actuate it, but He lives in it, so that the soul also is alive. Grace in the soul is as much from Christ, as the light in a glass, held out in the sunbeams, is from the sun. But this represents the manner of the communication of grace to the soul only in part; because the glass remains as it was, the nature of it not being at all changed; it is as much without any lightsomeness in its nature as ever. But the soul of a saint receives light from the Sun of Righteousness, in such a manner that its nature is changed, and it becomes properly a luminous thing; not only does the sun shine in the saints, but they also become little suns, partaking of the nature of the Fountain of their light. In this respect, the manner of their derivation of light is like that of the lamps in the tabernacle, rather than that of a reflecting glass; which, though they were lit up by fire from heaven, yet thereby became themselves burning shining things. ~ Jonathan Edwards,
1138:Fragment
Faint white pillars that seem to fade
As you look from here are the first one sees
Of his house where it hides and dies in a shade
Of beeches and oaks and hickory trees.
Now many a man, given woods like these,
And a house like that, and the Briony gold,
Would have said, "There are still some gods to please,
And houses are built without hands, we're told.
There are the pillars, and all gone gray.
Briony's hair went white. You may see
Where the garden was if you come this way.
That sun-dial scared him, he said to me;
"Sooner or later they strike," said he,
But he knew too much for the life he led.
And who knows all knows everything
That a patient ghost at last retrieves;
There's more to be known of his harvesting
When Time the thresher unbinds the sheaves;
And there's more to be heard than a wind that grieves
For Briony now in this ageless oak,
Driving the first of its withered leaves
Over the stones where the fountain broke.
~ Edwin Arlington Robinson,
1139:When I started writing I wanted the best tools. I skipped right over chisels on rocks, stylus on wet clay plates, quills and fountain pens, even mechanical pencils, and went straight to one of the first popular spin-offs of the aerospace program: the ballpoint pen. They were developed for comber navigators in the war because fountain pens would squirt all over your leather bomber jacket at altitude. (I have a cherished example of the next generation ballpoint, a pressurized Space Pen cleverly designed to work in weightlessness, given to me by Spider Robinson. At least, I cherish it when I can find it. It is also cleverly designed to seek out the lowest point of your desk, roll off, then find the lowest point on the floor, under a heavy piece of furniture. That's because it is cylindrical and lacks a pocket clip to keep it from rolling. In space, I presume it would float out of your pocket and find a forgotten corner of your spacecraft to hide in. NASA spent $3 million developing it. Good job, guys. I'm sure it's around here somewhere.) ~ John Varley,
1140:Quincel de Morhban received me in his garden, something I never would have suspected, from either the man or the place. It was an inner sanctum, like Delaunay’s, like I had known in the Night Court, only vaster. It was shielded from the elements, warmed by a dozen braziers and torches, with mirrors set to gather the sun’s heat when it availed, and scrims of sheerest silk that could be drawn across the open roof to protect the delicate flora. In all defiance of the early spring chill, a riot of flowers bloomed: spikenard and foxglove, azalea, Lady’s slipper and Love-Not-Lost, orchids and phlox, lavender and roses. “You are pleased,” de Morhban said softly. He stood beside a small fountain, awaiting me; his eyes drank in the sight of me. “It costs me thousands of ducats to maintain this place. I have one master gardener from L’Agnace, and one from Namarre, and they are ever at odds with each other. But I reckon it worth the cost. I am D’Angeline. So we count the cost of pleasure.” He reached out one hand for me. “So I count your cost. ~ Jacqueline Carey,
1141:Is It Best?
O mother who sips sweetened liquors!
Look down at the child on your breast;
Think, think of the rough path before him,
And ask yourself then, 'Is it best?
Shall I foster a love for this poison,
Instil the thirst into his veins?
In the fountain he seeks at my bosom
Sow the rank seeds of death, grief, and pains?
'Shall I give him the thirst of the drunkard,
Bequeath him the weapons of crime?
Can we look for a glass of pure water
Dipped up from a fountain of slime?
Can we look for brave men, strong and noble,
Where the parents drink poison for food?
When the body and soul are corrupted,
Can we look for the works to be good?'
Oh! think of the future before him!
There are perils you cannot remove.
Yet this, the great highway of sorrowOh! guard him from this with your love.
There are rough paths enough in the future
For the feet of the child on your breast;
And lower the glass you are lifting,
And ask yourself, then, 'Is it best?'
~ Ella Wheeler Wilcox,
1142:He who cannot calmly leave his affairs in God's hand, but will carry his own burden, is very likely to be tempted to use wrong means to help himself. This sin leads to a forsaking of God as our counsellor, and resorting instead to human wisdom. This is going to the "broken cistern" instead of to the "fountain;" a sin which was laid against Israel of old. Anxiety makes us doubt God's lovingkindness, and thus our love to him grows cold; we feel mistrust, and thus grieve the Spirit of God, so that our prayers become hindered, our consistent example marred, and our life one of self-seeking. Thus want of confidence in God leads us to wander far from him; but if through simple faith in his promise, we cast each burden as it comes upon him, and are "careful for nothing" because he undertakes to care for us, it will keep us close to him, and strengthen us against much temptation. "Thou wilt keep him in perfect peace whose mind is stayed on thee, because he trusteth in thee."                                  ~ Charles Haddon Spurgeon,
1143:1. You CHEATED to WIN the avant-garde art competition!! 2. You totally RUINED my birthday party by SABOTAGING the chocolate fountain!! 3. You competed in the TALENT SHOW and landed a RECORD DEAL even though your application was INCOMPLETE (like, WHO names their band Actually, I’m Not Really Sure Yet?)!! 4. You WON the “Holiday on Ice” show, and EVERYBODY knows that you CAN’T ice-skate! 5. You TOILET-PAPERED my house!!!! 6. You tricked me into DIGGING through a DUMPSTER filled with GARBAGE in my designer dress at the Sweetheart Dance! 7. You actually KISSED my FBF (future boyfriend), BRANDON!! 8. You pretended to be seriously HURT during dodgeball so that I would get DETENTION (which, BTW, could totally RUIN my chances of getting into an Ivy League university)! 9. You put a nasty STINK BUG in my hair!! And the HORRIBLE THING that I just found out TODAY . . . 10. You’ve completely RUINED my reputation and HUMILIATED me, because now the ENTIRE school is passing around that AWFUL video of me having a meltdown about the bug that YOU put in my hair. ~ Rachel Ren e Russell,
1144:I’m looking for Fat Hoochie Prom Queen,” I declared.
He did not respond.
“It’s a book,” I said. “Not a person.”
Nope. Nothing.
“At the very least, can you tell me the author?”
He looked at his computer, as if it had some way to speak to me without any typing on his part.
“Are you wearing headphones that I can’t see?” I asked.
He scratched at the inside of his elbow.
“Do you know me?” I persisted. “Did I grind you to a pulp in kindergarten, and are you now getting sadistic pleasure from this petty revenge?
Stephen Little, is that you? Is it? I was much younger then, and foolish to have nearly drowned you in that water fountain. In my defense, your
prior destruction of my book report was a completely unwarranted act of aggression.”
Finally, a response. The information desk clerk shook his shaggy head.
“No?” I said.
“I am not allowed to disclose the location of Fat Hoochie Prom Queen,” he explained. “Not to you. Not to anyone. And while I am not Stephen
Little, you should be ashamed of what you did to him. Ashamed. ~ Rachel Cohn,
1145:The bottom drawer. Last chance. Camping equipment. Vuarnet sunglasses, three pairs without cases. She had three, six, ten of everything. Except! Except! And there it was.
There it was. The gold. His gold. At the bottom of the bottom drawer, where he should have begun in the first place, in among a jumble of old schoolbooks and more teddy bears, a simple Scotties box, design of white, liliac, and pale green flowers on a lemony-white background "Each box of Scotties offers the softness and strength you want for your family..." You're no fool, D. Handwritten label on the box read, "Recipes." You cunning girl. I love you. Recipes. I'll give you teddy bears up the gazoo!
Inside the Scotties box were her recipes - "Deborah's Sponge Cake," "Deborah's Brownies", "Deborah's Chocolate Chip Cookies," "Deborah's Divine Lemon Cake" - neatly written in blue ink in her hand. A fountain pen. The last kid in America to write with a fountain pen. You won't last five minutes in Bahia.
A short, very stout woman was standing in the doorway of Deborah's bedroom screaming. ~ Philip Roth,
1146:And it seems to me that life, this brief life, is nothing other than this: the incessant cry of these emotions that drive us, that we sometimes attempt to channel in the name of a god, a political faith, in a ritual that reassures us that, fundamentally, everything is in order, in a great and boundless love—and the cry is beautiful. Sometimes it is a cry of pain. Sometimes it is a song. And song, as Augustine observed, is the awareness of time. It is time. It is the hymn of the Vedas that is itself the flowering of time.131 In the Benedictus of Beethoven’s Missa Solemnis, the song of the violin is pure beauty, pure desperation, pure joy. We are suspended, holding our breath, feeling mysteriously that this must be the source of meaning. That this is the source of time. Then the song fades and ceases. “The silver thread is broken, the golden bowl is shattered, the amphora at the fountain breaks, the bucket falls into the well, the earth returns to dust.”132 And it is fine like this. We can close our eyes, rest. This all seems fair and beautiful to me. This is time. ~ Carlo Rovelli,
1147:Frida
Frida, I knew that thy life-years were counted.
If but before thee a lifting thought mounted,
Upward thy gaze turned all wistful to view it,
As wouldst thou pursue it.
Eyes that so clear saw the wonderful vision
Looked far away beyond earth's indecision.
Snow-white unfolded the pinions that later
Bore thee to the greater.
Speaking or asking thou broughtest me sorrow;
Eyes thine and words thine seemed wanting to borrow
Clearness more pure and thoughts, victory gaining
Beyond my attaining.
When thou wert dancing in all a child's lightness,
Shaking thy locks like a fountain in brightness,
Laughing till heaven was opened in gladness
Over thy gladness,Or when affliction in sternness had spoken,
So that thy heart in that moment seemed broken,
Far from thy thoughts in thy suffering riven
Were both earth and heaven,Then, oh, I saw then: thy joy and thy grieving
Ever the bounds of the mortal were cleaving.
All seems so little where silent we ponder,But room they have yonder.
~ Bjornstjerne Bjornson,
1148:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkn'd ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink. ~ John Keats,
1149:Then we were at the fountain - we stop and look up at the many illuminated windows of number 2.
"This is as far as you can walk me," she says. "Thanks for taking me home."
I bowed, not daring to say a word. I doffed my hat and stood bareheaded. I wondered if she would give me her hand.
"Why don't you ask me to walk back with you part of the way?" She says playfully. But she looks down at the tip of her shoe.
"Gee," I answer, "if only you would!"
"Sure, but only a little way."
And we turned around.
I was utterly bewildered, I didn't know which way was up anymore; this person turned all my thinking topsy-turvy. I was enchanted, wonderfully glad; I felt as though I were dying from happiness. She had expressly wanted to go back with me, it wasn't my idea, it was her own wish. I gaze and gaze at her, growing more and more cocky, and she encourages me, drawing me toward her by every word she speaks. I forget for a moment my poverty, my humble self, my whole miserable existence, I feel the blood coursing warmly through my body as in the old days, before I broke down. ~ Knut Hamsun,
1150:O Holy Spirit of Fire, life in the life of all life, holy are you, enlivening all things. Holy are you, a healing balm to the broken. Holy are you, washing blistered wounds. O Holy Breath, O Fire of Life, O Sweetness in my breast infusing my heart with the fine scent of truth. O Pure Fountain through which we know God unites strangers and gathers the lost. O Heart's Shield, guarding life and hope, joining the many members into one body; Belt of Truth, wrap them in beauty. Protect those ensnared by the enemy, and free the worthy from their fetters. O Great Way that runs through all, from the heights, across the earth, and in the depths, you encompass all and unify all. From you the clouds stream and the ether rises; from your stones precious water pours, springs well and birth waterways, and the earth sweats green with life. And eternally do you bring forth knowledge by the breath of wisdom. All praise to you, you who are the song of praise and the joy of life, you who are hope and the greatest treasure, bestowing the gift of Light.

~ Saint Hildegard von Bingen, O ignis Spiritus Paracliti
,
1151:Rumi
I escaped from the city
barefooted. I escaped from the fires
naked, except for the bag
of ancient books
slung over my back.
I ran into the desert. The horsemen
chased. Their torches
had coloured the tenements.
I ran for months. Finally
on a glorious night
I stopped. The raiders had given up
on me. I was alone
with the moon and the sand-dunes.
I looked down at my feet.
They were skinned.
I looked at my trace: red footprints
dark on the glowing plain.
I thought about my tribe
butchered as sacrificial beasts.
I remembered their smiles
before the flames. On the holy night
I knelt before the moon
and wept. In the desert
tears are elixir. From their pool
a fountain bubbled. I cleaned my scars
in the water. The books
67
weighed on my body. I took them out
and one by one
dipped them into the spring.
All knowledge, all art, and all history
drowned before my eyes. Freed
from the clutch of paper
words’ ink dissolved in the lake.
I then drank. I was saved.
~ Ali Alizadeh,
1152:The Party
THE house is bright with lights and lights,
Like a palace in the Arabian Nights,
Lights in festoons and lights in clusters,
In chandeliers and crystal lustres;
And all the length of the stairs' broad way,
Tapestries green and pink and gray
Tell a story of ladies' bowers
Hung with apples and paved with flowers;
And beyond, an open arch discloses
An inner garden of palms and roses,
With lines of lilies against the walls,
And a fountain that falls - and waits - and falls.
And from the ballroom comes the beat
Of dance music and dancing feet,
And through the doorways of gold and glass
Figures of dancers pass and pass,
Lovely creatures in dripping laces,
And all have sad, unhopeful faces.
One person only yields to joy,
And he is a footman - a round-faced boy Stiff in a livery of black and green,
And he laughs at something heard or seen,
Laughs with a loud and lonely gladness,
Laughs perhaps at the dancers' sadness;
He only seemed for an instant gay,
And he was instantly sent away.
~ Alice Duer Miller,
1153:Ballade Of Aucassin
Where smooth the southern waters run
By rustling leagues of poplars grey,
Beneath a veiled soft southern sun,
We wandered out of yesterday,
Went maying through that ancient May
Whose fallen flowers are fragrant yet,
And loitered by the fountain spray
With Aucassin and Nicolette.
The grass-grown paths are trod of none
Where through the woods they went astray.
The spider's traceries are spun
Across the darkling forest way.
There come no knights that ride to slay,
No pilgrims through the grasses wet,
No shepherd lads that sang their say
With Aucassin and Nicolette!
'Twas here by Nicolette begun
Her bower of boughs and grasses gay;
'Scaped from the cell of marble dun
'Twas here the lover found the fay,
Ah, lovers fond! ah, foolish play!
How hard we find it to forget
Who fain would dwell with them as they,
With Aucassin and Nicolette.
ENVOY.
Prince, 'tis a melancholy lay!
For youth, for love we both regret.
How fair they seem, how far away,
With Aucassin and Nicolette!
~ Andrew Lang,
1154:We wished to go to the Ambrosian Library, and we did that also. We saw a manuscript of Virgil, with annotations in the handwriting of Petrarch, the gentleman who loved another man's Laura, and lavished upon her all through life a love which was a clear waste of the raw material. It was sound sentiment, but bad judgment. It brought both parties fame, and created a fountain of commiseration for them in sentimental breasts that is running yet. But who says a word in behalf of poor Mr. Laura? (I do not know his other name.) Who glorifies him? Who bedews him with tears? Who writes poetry about him? Nobody. How do you suppose he liked the state of things that has given the world so much pleasure? How did he enjoy having another man following his wife every where and making her name a familiar word in every garlic-exterminating mouth in Italy with his sonnets to her pre-empted eyebrows? They got fame and sympathy--he got neither. This is a peculiarly felicitous instance of what is called poetical justice. It is all very fine; but it does not chime with my notions of right. It is too one-sided--too ungenerous. ~ Mark Twain,
1155:When my daughter was a toddler, I used to take her to a park not far from our apartment. One day as she was playing in a sandbox, an ice-cream salesman approached us. I purchased her a treat, and when I turned to give it to her, I saw her mouth was full of sand. Where I had intended to put a delicacy, she had put dirt.

Did I love her with dirt in her mouth? Absolutely. Was she any less of my daughter with dirt in her mouth? Of course not. Was I going to allow her to keep the dirt in her mouth? No way. I loved her right where she was, but I refused to leave her there. I carried her over to the water fountain and washed out her mouth. Why? Because I love her.

God does the same for us. He holds us over the fountain. "Spit out the dirt, honey," our Father urges. "I've got something better for you." And so he cleanses us of filth; immorality, dishonesty, prejudice, bitterness, greed. We don't enjoy the cleansing; sometimes we even opt for the dirt over the ice cream. "I can eat dirt if I want to!" we pout and proclaim. Which is true—we can. But if we do, the loss is ours. God has a better offer. ~ Max Lucado,
1156:61

TAKE my wine in my own cup, friend.

It loses its wreath of foam

when poured into that of others.

62

THE Perfect decks itself in beauty

for the love of the Imperfect.

63

GOD says to man,

"I heal you therefore I hurt,

love you therefore punish."

64

THANK the flame for its light,

but do not forget the lampholder

standing in the shade with constancy of patience.

65

TINY grass,

your steps are small,

but you possess the earth under your tread.

66

THE infant flower opens its bud and cries,

"Dear World, please do not fade."

67

GOD grows weary of great kingdoms,

but never of little flowers.

68

WRONG cannot afford defeat

but Right can.

69

"I GIVE my whole water in joy,

" sings the waterfall,

"though little of it is enough for the thirsty."

70

WHERE is the fountain

that throws up these flowers

in a ceaseless outbreak of ecstasy?

~ Rabindranath Tagore, Stray Birds 61 - 70
,
1157:The Hermit
To a hunter from the city,
Overtaken by the night,
Spake, in tones of tender pity
For himself, an aged wight:
'I have found the world a fountain
Of deceit and Life a sham.
I have taken to the mountain
And a Holy Hermit am.
'Sternly bent on Contemplation,
Far apart from human kind
In the hill my habitation,
In the Infinite my mind.
'Ten long years I've lived a dumb thing,
Growing bald and bent with dole.
Vainly seeking for a Something
To engage my gloomy soul.
'Gentle Pilgrim, while my roots you
Eat, and quaff my simple drink,
Please suggest whatever suits you
As a Theme for me to Think.'
Then the hunter answered gravely:
'From distraction free, and strife,
You could ponder very bravely
On the Vanity of Life.'
'O, thou wise and learned Teacher,
You have solved the Problem well
You have saved a grateful creature
From the agonies of hell.
'Take another root, another
Cup of water: eat and drink.
Now I have a Subject, brother,
Tell me What, and How, to think.'
489
~ Ambrose Bierce,
1158:In order to elucidate especially and most clearly the origination of this error (...) let us imagine a man who, while standing on the street, would say to himself:

"It is six o'clock in the evening, the working day is over. Now I can go for a walk, or I can go to the club; I can also climb up the tower to see the sunset; I can go to the theater; I can visit this friend or that one; indeed, I also can run out of the gate, into the wide world, and never return. All of this is strictly up to me, in this I have complete freedom. But still I shall do none of these things now , but with just as free a will I shall go home to my wife".

This is exactly as if water spoke to itself: "I can make high waves (yes! in the sea during a storm), I can rush down hill (yes! in the river bed), I can plunge down foaming and gushing (yes! in the waterfall), I can rise freely as a stream of water into the air (yes! in the fountain), I can, finally boil away and disappear (yes! at a certain temperature); but I am doing none of these things now, and am voluntaringly remaining quiet and clear water in the reflecting pond. ~ Arthur Schopenhauer,
1159:These look rather exotic."
Behind her, Vane studied the way her gown had pulled tight over the curves of her bottom- and didn't argue. Lips lifting in anticipation, he moved in- to spring his trap.
Her heart racing, tripping in double time, Patience straightened, and went to slide around the fountain, to place it between herself and the wolf she was trapped in the conservatory with. Instead, she ran into an arm.
She blinked at it. One faultless grey sleeve enclosing solid bone well covered with steely muscle, large fist locked over the scrolled rim of the basin, it stated very clearly that she wasn't going anywhere.
Patience whirled- and found her retreat similarly blocked. Swinging farther, she met Vane's gaze; standing on the tiled floor, one step below her, arms braced on the rim, his eyes were nearly level with hers. She studied them, read his intent in the silvered grey, in the hardening lines of his face, the brutally sensual line of those uncompromising lips.
She couldn't believe her eyes.
"Here?" The word, weak though it was, accurately reflected her disbelief.
"Right here. Right now. ~ Stephanie Laurens,
1160:It is the inattentive reader who loses my subject, not I. Some word about it will always be found off in a corner, which will not fail to be sufficient, though it takes little room. I seek out change indiscriminately and tumultuously. My style and my mine alike go roaming. A man must be a little mad if he does not want to be even more stupid, say the precepts of our masters, and even more so their examples.

A thousand poets drag and languish prosaically; but the best ancient prose — and I scatter it here indiscriminately as verse — shines throughout with the vigor and boldness of poetry, and gives the effect of its frenzy. To poetry we must certainly concede mastery and preeminence in speech. The poet, says Plato, seated on the tripod of the Muses, pours out in a frenzy whatever comes into his mouth, like the spout of a fountain, without ruminating and weighing it; and from him escape things of different colors and contradictory substance in an intermittent flow. He himself is utterly poetic, and the old theology is poetry, the scholars say, and the first philosophy. It is the original language of the Gods. ~ Michel de Montaigne,
1161:Psalm 114
When Israel came from Egypt’s coast,
And Goshen’s marshy plains,
And Jacob with his joyful host
From servitude and chains;
Then was it seen how much the Jews
Were holy in his sight,
And God did Israel’s kingdom choose
To manifest his might.
The sea beheld it, and with dread
Retreated to make way;
And Jordan to his fountain head
Ran backwards in dismay.
The mountains, like the rams that bound,
Exulted on their base;
Like lambs the little hills around
Skipt lightly from their place.
What is the cause, thou mighty sea,
That thou thyself should shun;
And Jordan, what is come to thee,
That thou should backward run?
Ye mountains that ye leaped so high
From off the solid rock,
Ye hills that ye should gambols try,
Like firstlings of the flock?
Earth, from the center to the sod
His fearful presence hail
The presence of Jeshurun’s God,
In whom our arms prevail.
Who beds of rocks in pools to stand
Can by his word compel,
And from the veiny flint command
The fountain and the well.
106
~ Christopher Smart,
1162:The freaking randomness is what wears on you, the difference between life, death, and horrible injury sometimes as slight as stooping to tie your bootlace on the way to chow, choosing the third shitter in line instead of the fourth, turning your head to the left instead of the right. Random. How that shit does twist your mind. Billy sense the true mindfucking potential of it on their first trip outside the wire, when Shroom advised him to place his feet one in front of the other instead of side by side, that way if an IED blew low through the Humvee Billy might lose only one foot instead of two. After a couple of weeks of aligning his feet just so, tucking his hands inside his body armor, always wearing eye pro and all the rest, he went to Shroom and asked how do you keep from going crazy! Shroom nodded like this was an eminently reasonable question to ask, then told him of an Inuit shaman he’d read about somewhere, how this man could supposedly look at you and know to the day when you were going to die. He wouldn’t tell you, though; he considered that impolite, an intrusion into matters that were none of his business. ~ Ben Fountain,
1163:You are wise, and wisdom is a fountain and source of life welling up from within you, and men are too coarse to know you. You are wise, and prime to all that's primeval, as though you were wisdom's tutor. You are wise, but your wisdom wasn't acquired and didn't derive from another. You are wise, and your wisdom gave rise to an endless desire in the world as within an artist or worker -- to bring out the stream of existence from Nothing, like light flowing from sight's extension -- drawing from the source of that light without vessel, giving it shape without tools, hewing and carving, refining and making it pure: He called to Nothing -- which split; to existence -- pitched like a tent; to the world -- as it spread beneath sky. With desire's span He established the heavens, as His hand coupled the tent of the planets with loops of skill, weaving creation's pavilions, the links of His will reaching the lowest rung of creation -- the curtain at the outermost edge of the spheres... [2610.jpg] -- from The Poetry of Kabbalah: Mystical Verse from the Jewish Tradition, Edited by Peter Cole

~ Solomon ibn Gabirol, You are wise (from From Kingdoms Crown)
,
1164:Poetry is the report of a nuance between two moments, when people say 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?'

Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water.

Poetry is a slipknot tightened around a time-beat of one thought, two thoughts, and a last interweaving thought there is not yet a number for.

Poetry is the journal of a sea animal living on land, wanting to fly the air.

Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams.

Poetry is a type-font design for an alphabet of fun, hate, love, death.

Poetry is the silence and speech between a wet struggling root of a flower and a sunlit blossom of that flower.

Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night.

Poetry is a packsack of invisible keepsakes.

Poetry is the establishment of a metaphorical link between white butterfly-wings and the scraps of torn-up love letters.

Poetry is the achievement of the synthesis of hyacinths and biscuits. ~ Carl Sandburg,
1165:You could fall suddenly into the void the dead go to: I would be comforted if you would bequeath me your hands. Only your hands would continue to exist, detached from you, unexplainable like those of marble gods turned into the dust and the limestone of their own tomb. They would survive your actions, the wretched bodies they caressed. They would no longer serve as intermediaries between you and things: they themselves would be changed into things. Innocent again now, since you would no longer be there to turn them into your accomplices, sad like greyhounds without masters, disconcerted like archangels to whom no god gives orders, your useless hands would rest on the lap of darkness. Your open hands incapable of giving or taking the slightest joy would have let me slump like a broken doll. I kiss the wrists of these indifferent hands you will no longer pull away from mine: I stroke the blue artery, the blood column that once spurted continuously like a fountain from the ground of your heart. With little sobs of contentment, I rest my head like a child between these palms filled with the stars, the crosses, the precipices of my previous fate. ~ Marguerite Yourcenar,
1166:At the first light of the dawn
the loner knight asked:
"Do you happen to know-
the abode of The Beloved?"

The skies went silent,
save their mournful clouds,
save their falling stars.

The pilgrim gave up his glowing twig-
to the gloom of the sands-
and replied:

“Don’t you see that poplar tree?
Well, right before the tree,
There is a lane that you’ll reckon, I deem.
For it is greener than a heavenly dream,
For it is generously shaded-
with the deep blue’s of love.

Well, if you See!

So walk down that lane,
You’ll arrive to the garden of sense;
Turn to the direction of the loner lake;
Listen to the genial hymn of leaves;
Watch the eternal fountain-
that flows from the spring of ancient myths-
till you fade away-
In a plain fear.

When a rigid noise-
Clatters into the fluid intimacy of the space,
you'll find a child-
on the top of a tree-
next to the nest of owls-
in hope of a golden egg.

Well, if you See.

You may be sure: The Child will show you the way.

Well,
If you just ask about-
The Abode of The Beloved. ~ Sohrab Sepehri,
1167:How well I know that flowing spring in black of night. The eternal fountain is unseen. How well I know where she has been in black of night. I do not know her origin. None. Yet in her all things begin in black of night. I know that nothing is so fair and earth and firmament drink there in black of night. I know that none can wade inside to find her bright bottomless tide in black of night. Her shining never has a blur; I know that all light comes from her in black of night. I know her streams converge and swell and nourish people, skies and hell in black of night. The stream whose birth is in this source I know has a gigantic force in black of night. The stream from but these two proceeds yet neither one, I know, precedes in black of night. The eternal fountain is unseen in living bread that gives us being in black of night. She calls on all mankind to start to drink her water, though in dark, for black is night. O living fountain that I crave, in bread of life I see her flame in black of night. [1508.jpg] -- from To Touch the Sky: Poems of Mystical, Spiritual & Metaphysical Light, Translated by Willis Barnstone

~ Saint John of the Cross, The Fountain
,
1168: Did I not say to you, Go not there, for I am your friend; in this
mirage of annihilation I am the fountain of life?
Even though in anger you depart a hundred thousand years
from me, in the end you will come to me, for I am your goal.
Did I not say to you, Be not content with worldly forms, for I
am the fashioner of the tabernacle of your contentment?
Did I not say to you, I am the sea and you are a single fish;
go not to dry land, for I am your crystal sea?
Did I not say to you, Go not like birds to the snare; come, for
I am the power of flight and your wings and feet?
Did I not say to you, They will waylay you and make you
cold, for I am the fire and warmth and heat of your desire?
Did I not say to you, They will implant in you ugly qualities
so that you will forget that I am the source of purity to you?
Did I not say to you, Do not say from what direction the ser-
vants affairs come into order? I am the Creator without
directions.
If you are the lamp of the heart, know where the road is to the
house; and if you are godlike of attribute, know that I am your
Maser.
~ Jalaluddin Rumi, Did I Not Say To You
,
1169:The Boy Mind
WISH I was only as bright as my boy,
Wish I could think of the things that he springs;
His is a wit without any alloy,
His are real jokes without venomous stings.
Laugh? When he speaks, from the tip of your toes
To the top of your head you will shake through and through,
As the soft breeze of summer oft shakes the red rose,
And the petals of pansies are thrilled by the dew.
Wish I was only as bright as my boy,
Wish I could think of such funny remarks,
His little mind is a fountain of joy,
Throwing off fun as an anvil sheds sparks.
He makes us laugh if we want to or not,
Never was jester of king quite so droll,
His are the shafts that go right to the spot,
His is a humor that tickles your soul.
None of the quips that your funny men say
Is equal to those that the child mind produces;
He has the power to drive sorrow away,
The flood gates of laughter he gayly unlooses.
Wise? As the wisest of brow wrinkled sages;
Quaint? As the quaintest of men on the earth;
Funny? Why, none of your funniest pages
Compare with a boy for real laughter and mirth.
~ Edgar Albert Guest,
1170:What to call it - the spark of God? Survival instinct? The souped-up computer of an apex brain evolved from eons in the R&D of natural selection? You could practically see the neurons firing in the kid’s skull. His body was all spring and torque, a bundle of fast-twitch muscles that exuded faint floral whiffs of ripe pear. So much perfection in such a compact little person - Billy had to tackle him from time to time, wrestle him squealing to the ground just to get that little rascal in his hands, just your basic adorable thirty-month-old with big blue eyes clear as chlorine pools and Huggies poking out of his stretchy-waist jeans. So is this what they mean by the sanctity of life? A soft groan escaped Billy when he thought about that, the war revealed in this fresh and gruesome light. Oh. Ugh. Divine spark, image of God, suffer the little children and all that - there’s real power when words attach to actual things. Made him want to sit right down and weep, as powerful as that. He got it, yes he did, and when he came home for good he’d have to meditate on this, but for now it was best to compartmentalize, as they said, or even better not to mentalize at all. ~ Ben Fountain,
1171:Adrian?"
Her voice was small, nearly lost in the dripping of waterfrom the fountain. But the power it carried - and the effect it had on me - was monumental. I'd heard the expression "weak-kneed" before but had never lived it until now. My muscles didn't feel as though they could sustain me, and there was a great swelling in my chest, the result of a tangle of emotions I couldn't even begin to describe. Love. Joy. Relief. Disbelief. And mixed in with all of them were the emotions that I'd endured these last few months as well: despair, fear, rossow. It spread out from my heart, and I felt tears form in my eyes. It wasn't possible that one person could make you experience so many emotions at once, that one person could trigger a universe of feelings, simply with the sound of your name.
I also knew then that they were wrong - all of them. My mom. My dad. Nina. Anyone who thought love could simply be built on shared goals alone had never, ever experienced anything like what I had with Sydney. I couldn't believe I'd almost lost this through my own ignorance. Until I looked into her eyes now, I didn't truly realize what a hollow life I'd been living.
"Sydney.. ~ Richelle Mead,
1172:He couldn’t bear to live, but he couldn’t bear to die. He couldn’t bear
the thought of her making love to someone else, but neither could he bear the absence of the thought. And as for the note, he couldn’t bear to keep it, but he couldn’t bear to destroy it either. So he tried to lose it. He left it by the wax-weeping candle holders, placed it between matzos every Passover, dropped it without regard among rumpled papers on his cluttered desk, hoping it wouldn’t be there when he returned. But it was always there. He tried to massage it out of his pocket while sitting on the bench in front of the fountain of the prostrate mermaid, but when he inserted his hand for his hanky, it was there. He hid it like a bookmark in one of the novels he most hated, but the note would appear several days later between the pages of one of the Western books that he alone in the shtetl read, one of the books that the note had now spoiled for him forever. But like his life, he couldn’t for the life of him lose the note. It kept returning to him. It stayed with him, like a part of him, like a birthmark, like a limb, it was on him, in him, him, his hymn: I had to do it for myself. ~ Jonathan Safran Foer,
1173:1002
The Way Of The World
IT'S ALL in the way that you look at the world,
It's all in the way that you do things,
With laughter or sorrow your lips may be curled,
But it's all in the way that you view things.
Yes, it's all in the way that you journey along
That makes life a plague or a pleasure,
The mind is the fountain of wailing or song
And a man is the judge of the measure.
It's all in the way that you look at your woe
And not in the woe that is sent you;
You may bear it with courage and smile as you go,
Or frown and let it discontent you.
For care is a creature that's born of the mind,
And gloom is a cloud we can scatter,
The thorn of the rose if we seek we can find,
But the thorn of the rose doesn't matter.
We can make our own sunshine and make our own mirth,
We can add to our trouble by moping;
We can make a grim graveyard of this glad old earth
By giving up loving and hoping.
For it's all in the way that we look at the world,
Yes, it's all in the way that we view things,
With sorrow or laughter our lips may be curled
For it's all in the way that we do things.
~ Edgar Albert Guest,
1174:Did I Not Say To You

Did I not say to you, “Go not there, for I am your friend; in this
mirage of annihilation I am the fountain of life?”
Even though in anger you depart a hundred thousand years
from me, in the end you will come to me, for I am your goal.
Did I not say to you, “Be not content with worldly forms, for I
am the fashioner of the tabernacle of your contentment?”
Did I not say to you, “I am the sea and you are a single fish;
go not to dry land, for I am your crystal sea?”
Did I not say to you, “ Go not like birds to the snare; come, for
I am the power of flight and your wings and feet?”
Did I not say to you, “ They will waylay you and make you
cold, for I am the fire and warmth and heat of your desire?”
Did I not say to you, “ They will implant in you ugly qualities
so that you will forget that I am the source of purity to you?”
Did I not say to you, “Do not say from what direction the ser-
vant’s affairs come into order?” I am the Creator without
directions.
If you are the lamp of the heart, know where the road is to the
house; and if you are godlike of attribute, know that I am your
Maser. ~ Rumi,
1175:The Christian’s New Year Prayer
Thou Christ of mine, Thy gracious ear low bending
Through these glad New Year days,
To catch the countless prayers to heaven ascending –
For e’en hard hearts do raise
Some secret wish for fame, or gold, or power,
Or freedom from all care –
Dear, patient Christ, who listeneth hour on hour,
Hear now a Christian’s prayer.
Let this young year, silent, walks beside me,
Be as a means of grace
To lead me up, no matter what betide me,
Nearer the Master’s face.
If it need be ere I reach the Fountain
Where living waters play,
My feet should bleed from sharp stones on the mountain,
Then cast them in my way.
If my vain soul needs blows and bitter losses
To shape it for Thy crown,
Then bruise it, burn it, burden it with crosses,
With sorrows bear it down.
Do what Thou wilt to mould me to Thy pleasure,
And if I should complain,
Heap full of anguish yet another measure
Until I smile at pain.
Send dangers – deaths! but tell me how to dare them;
Enfold me in Thy care.
Send trials, tears! but give me strength to bear them –
This is a Christian’s prayer.
~ Ella Wheeler Wilcox,
1176:Our faith may be strengthened by noticing what the blood has already accomplished. Heaven and hell bear witness to that. Faith will grow by exercising confidence in the fathomless fullness of the promises of God. Let us heartily expect that as we enter more deeply into the fountain, its cleansing, quickening, life-giving power, will be revealed more blessedly. We know that in bathing we enter into the most intimate relationship with the water, giving ourselves up to its cleansing effects. The blood of Jesus is described as a “fountain opened for sin and uncleanness.” (Zech. xiii, I). By the power of the Holy Spirit it streams through the heavenly Temple. By faith I place myself in closest touch with this heavenly stream, I yield myself to it, I let it cover me, and go through me. I bathe in the fountain. It cannot withhold its cleansing and strengthening power. I must in simple faith turn away from what is seen, to plunge into that spiritual fountain, which represents the Savior’s blood, with the assurance that it will manifest its blessed power in me. So let us with childlike, persevering, expectant faith, open our souls to an ever increasing experience of the wonderful power of the blood. ~ Andrew Murray,
1177:I Leave Thee For Awhile
I leave thee for awhile, my love, I leave thee with a sigh;
The fountain spring within my soul is playing in mine eye;
I do not blush to own the tear,--let, let it touch my cheek,
And what my lip has failed to tell, that drop perchance may speak.
Mavourneen! when again I seek my green isle in the West,
Oh, promise thou wilt share my lot, and set this heart at rest.
I leave thee for awhile, my love; but every hour will be
Uncheered and lonely till the one that brings me back to thee.
I go to make my riches more; but where is man to find
A vein of gold so rich and pure as that I leave behind?
Mavourneen! though my home might be the fairest earth possessed,
Till thou wouldst share and make it warm, this heart would know no rest.
I leave thee for awhile, my love; my cheek is cold and white,
But ah, I see a promise stand within thy glance of light;
When next I seek old, Erin's shore, thy step will bless it too,
And then the grass will seem more green, the sky will have more blue.
Mavourneen! first and dearest loved, there's sunshine in my breast,
For thou wilt share my future lot, and set this heart at rest.
~ Eliza Cook,
1178:Remember, dear Friends, that this day, as truly as on that early morning, a division must be made among us. Either you must this day accept Christ as your King, or else His blood will be on you. I bring my Master out before your eyes and say to you, “Behold your King.” Are you willing to yield obedience to Him? He claims, first, your implicit faith in His merit—will you yield to that? He claims, next, that you will take Him to be Lord of your heart and that, as He shall be Lord within, so He shall be Lord without. Which shall it be? Will you choose Him now? Does the Holy Spirit in your soul—for without Him you never will—does the Holy Spirit say, “Bow the knee and take Him as your king?” Thank God, then. But if not, His blood is on you, to condemn you. You crucified Him. Pilate, Caiaphas, Herod, the Jews and Romans, all meet in you. You scourged Him. You said, “Let Him be crucified.” Do not say it was not so. In effect you join their clamors when you refuse Him. When you go your way to your farm and to your merchandise, and despise His love and His blood—you do spiritually what they did literally—you despise the King of kings. Come to the fountain of His blood and wash and be clean, by His Grace. ~ Charles Haddon Spurgeon,
1179:I have just taught Soli to make borscht! Yesterday I bought beets with big, glossy leaves still caked with wet soil. Naneh washed them in the tub until her arthritis flared, but she's promised to make dolmas with the leaves. After we closed Soli tucked the beets under coals and roasted them all night. When I woke up I smelled caramel and winter and smoke. It made me so hungry, I peeled a hot, slippery one for breakfast and licked the ashes and charred juices off with my burnt fingertips. Noor, bruised from betrayal, remembered borscht, remembered stirring sour cream into the broth and making pink paisley shapes with the tip of her spoon, always surprised by the first tangy taste, each time anticipating sweetness. Her mother had called it a soup for the brokenhearted.
She marveled at her father's enthusiasm for borscht, when for thirty years each day had been a struggle. Another man would've untied his apron long ago and left the country for a softer life, but not Zod. He would not walk away from his courtyard with its turquoise fountain and rose-colored tables beneath the shade of giant mulberry trees, nor the gazebo, now overgrown with jasmine, where an orchestra once played and his wife sang into the summer nights. ~ Donia Bijan,
1180:Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!"

"I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room.

"Aaaaaah... did you love him, little baby Potter?"

Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!"

Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor.

"Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--! ~ J K Rowling,
1181:Ringleted Youth Of My Love
RINGLETED youth of my love,
With thy locks bound loosely behind thee,
You passed by the road above,
But you never came in to find me;
Where were the harm for you
If you came for a little to see me,
Your kiss is a wakening dew
Were I ever so ill or so dreamy.
If I had golden store
I would make a nice little boreen,
To lead straight up to his door,
The door of the house of my stóreen;
Hoping to God not to miss
The sound of his footfall in it,
I have waited so long for his kiss
That for days I have not slept a minute.
I thought, oh my love! you were so—
As the moon is, or the sun on a fountain,
And I thought after that you were snow,
The cold snow on the top of the mountain;
And I thought after that you were more
Like God’s lamp shining to find me,
Or the bright star of knowledge before,
And the star of knowledge behind me.
You promised me high-heeled shoes,
And satin and silk, my stóreen,
And to follow me, never to lose,
Though the ocean were round us roaring;
Like a bush in a gap in a wall
I am now left lonely without thee,
And this house I grow dead of, is all
That I see around or about me.
~ Douglas Hyde,
1182:A Dream Of The Orient
With a resplendent Eastern bride,
Like a houri at my side,
And music round us swelling,
’Mid odours of so rare a steam
That like a breath of love they seem,
Dwell I through a radiant dream
In an orient dwelling.
Near a fair fountain flashing high
In the pleasure court we lie,
Each on a gorgeous pillow;
The columned water mounting breaks
In outward curves and falling flakes,
Till the whole a picture makes
Of a crystal willow.
Wide round us galleried walls extend,
Pierced with arcs and aisles that bend
On wreathen pillars slender;
While hung in every vista—lo!
Such clouds of blazoned banners glow
As in very semblance show
A constant sunset splendour.
And virgin faces, darkly bright
Like the countenance of night
Seen in its starry glory,
All ministrant, around us throng,
And breathe their pathos into song,
Or in tones as rich prolong
Some wild melodious story.
Till, hark! Through many voices, one
Like a gush of gold doth run—
“Why, why should kindred sever?
Our life is this perpetual feast
Of being, from all care released—
Sunny souls are for the East;
Then dwell with us for ever.”
11
~ Charles Harpur,
1183:The Rhyme Of The O'sullivan
Pro Bono Publico
Went out the streets to scan,
And marching to and fro
He met a seedy man,
Who did a tale unfold
In solemn tones and slow
And this is what he told
Pro Bono Publico.
"For many years I led
The people's onward march;
I was the 'Fountain Head',
The 'Democratic Arch'.
"In more than regal state
I used to sit and smile,
And bridges I'd donate,
And railways by the mile.
"I pawned the country off
For many million quid,
And spent it like a toff -So hel me, Bob, I did.
"But now those times are gone,
The wind blows cold and keen;
I sit and think upon
The thing that I have been.
"And if a country town
Its obligation shirks,
I press for money down
To pay for water works.
"A million pounds or two
Was naught at all to me -And now I have to sue
For paltry £ s d!
445
"Alas, that such a fate
Should come to such a man,
Who once was called the Great -The great O'Sullivan!"
With weary steps and slow,
With tears of sympathy
Pro Bono Publico
Went sadly home to tea.
Remarking, as he went,
With sad and mournful brow,
"The cash that party spent -I wish I had it now!"
~ Banjo Paterson,
1184:The Quiet Eye
THE ORB I like is not the one
That dazzles with its lightning gleam;
That dares to look upon the sun,
As though it challenged brighter beam.
That orb may sparkle, flash, and roll;
Its fire may blaze, its shaft may fly;
But not for me: I prize the soul
That slumbers in a quiet eye.
There ’s something in its placid shade
That tells of calm, unworldly thought;
Hope may be crown’d, or joy delay’d—
No dimness steals, no ray is caught.
Its pensive language seems to say,
“I know that I must close and die;”
And death itself, come when it may,
Can hardly change the quiet eye.
There ’s meaning in its steady glance,
Of gentle blame or praising love,
That makes me tremble to advance
A word, that meaning might reprove.
The haughty threat, the fiery look,
My spirit proudly can defy,
But never yet could meet and brook
The upbraiding of a quiet eye.
There ’s firmness in its even light,
That augurs of a breast sincere:
And, oh! take watch how ye excite
That firmness till it yield a tear.
Some bosoms give an easy sigh,
Some drops of grief will freely start,
But that which sears the quiet eye
Hath its deep fountain in the heart.
~ Eliza Cook,
1185:For he has already borne in himself what we could never have borne and survived. He endured such hostility against himself because he was committed to our freedom from the power of sin. When I consider just how unfair it might have been for God to have created that tree in Eden that caused so much grief and pain, I only have to look at the cross. Why could he put the tree there? Because he had already determined that he would pay the greatest price for the stumbling block it would be for Adam and Eve. Even in giving us the freedom to trust him or trust ourselves, God already knew that he would suffer the most for that choice. Somehow to him, the glory of fellowship with his created ones outweighs any price he had to pay to experience it. By enduring to the end, sin was fully conquered in him. Its spell over humanity was broken and no longer does anyone have to be consumed by sin itself, nor God's wrath against it. The antidote had not only worked in him, by doing so it had produced in his blood a fountain of life as well. Transfused into any person who desires it, his blood can cleanse us of sin and reunite us with God himself--fulfilling the dream that he had when he first decided to create man and woman and place them in the center of his creation. ~ Wayne Jacobsen,
1186:The Blood Horse
GAMARRA is a dainty steed,
Strong, black, and of a noble breed,
Full of fire, and full of bone,
With all his line of fathers known;
Fine his nose, his nostrils thin,
But blown abroad by the pride within!
His mane is like a river flowing,
And his eyes like embers glowing
In the darkness of the night,
And his pace as swift as light.
Look,—how ’round his straining throat
Grace and shifting beauty float!
Sinewy strength is on his reins,
And the red blood gallops through his veins;
Richer, redder, never ran
Through the boasting heart of man.
He can trace his lineage higher
Than the Bourbon dare aspire,—
Douglas, Guzman, or the Guelph,
Or O’Brien’s blood itself!
He, who hath no peer, was born
Here, upon a red March morn:
But his famous fathers dead
Were Arabs all, and Arab bred,
And the last of that great line
Trod like one of a race divine!
And yet,—he was but friend to one
Who fed him at the set of sun,
By some lone fountain ’fringed with green:
With him, a roving Bedouin,
He liv’d,—(none else would he obey
Through all the hot Arabian day,)—
And died untam’d upon the sands
Where Balkh amidst the desert stands!
~ Barry Cornwall,
1187:You have been vitally and concretely grafted into the tangible bliss of the Godhead. Miracles. Healing. A flourishing, prosperous life. The daily enjoyment of His intoxicating presence. This is ours. Absolute freedom from sin as you recognize your true God-given righteousness. Not holy in theory alone … your entire old corrupted self was co-crucified with Him, as you shared a death with Him. I have been co-crucified with Christ and I no longer live, but Christ lives in me. The life I live in the body, I live by the faithfulness of the Son of God, who loved me and gave Himself for me (Gal. 2:20). As a new creation, you have been liberated from the struggle of self-improvement. Absolutely flawless, our old fearful, sinful, blemished selves have been eradicated once and for all. Perfected once and for all by His sacrifice, we can drink daily from the fountain of our union with Him, no longer expecting defeat. As our mind changes regarding the truth of our identity, our outward lives bear corresponding fruit. No longer believing the false humility pop mantra of our times that we are “still sinners” bound to decay, poverty, disease or addiction. We are sons and daughters – our true identity shines from the inside out chock-full of inheritance. Right here. Right now. ~ John Crowder,
1188:9:10). Since the fear of the Lord is the great treasure of life, Proverbs tries to woo us to it. It tries to make the fear of the Lord as attractive as possible. Those who fear the Lord will fear nothing else (19:23). The fear of the Lord adds length to life (10:27), it is a secure fortress for the one who fears and for his or her children (14:26). It is a fountain of life (15:16), it brings honor (22:4), and it should be praised when we see it (31:30). What does the fear of the Lord look like? It looks like loving good and hating evil. “The fear of the LORD is to hate evil” (8:13). It looks like trusting God (reverence) and obeying him. Can you see that the fear of the Lord is a blessing? Just imagine what it would be like to truly hate sin, first our own, then the sins of others (Matt. 7:3-5). What would happen to marital fights? They would be almost impossible. Spouses would be too busy listening and asking forgiveness for their own selfishness. What about the little cliques in the school yard? They would be telling good stories about somebody else. What about when someone sins against us? We would no longer have to murder the person in our own heart. Instead, we could cover the sin in humility and love, or we could confront the other person in the same spirit. ~ Edward T Welch,
1189:It's be when you first learn to walk that I get daily demonstrations of the asymmetry in our relationship. You'll be incessantly running off somewhere, and each time you walk into a door frame or scrape your knee, the pain feels like it's my own. It'll be like growing an errant limb, an extension of myself whose sensory nerves report pain just fine, but whose motor nerves don't convey my commands at all. It's so unfair: I'm going to give birth to an animated voodoo doll of myself. I didn't see this in the contract when I signed up. Was this part of the deal?
And then there will be the times when I see you laughing. Like the time you'll be playing with the neighbor's puppy, poking your hands through the chain-link fence separating our back yards, and you'll be laughing so hard you'll start hiccuping. The puppy will run inside the neighbor's house, and your laughter will gradually subside, letting you catch your breath. Then the puppy will come back to the fence to lick your fingers again, and you'll shriek and start laughing again. it will be the most wonderful sound I could ever imagine, a sound that makes me feel like a fountain, or a wellspring.
Now if only I can remember that sound the next time your blithe disregard for self-preservation gives me a heart attack. ~ Ted Chiang,
1190:We have resolved to know nothing but Christ and Him crucified. All revelation and experience flow out of this fountain. O the depths and the riches! God has forever poured Himself out in a concrete act of assuming our human nature and redeeming mankind completely from depravity, decay and alienation. This was not a limited act for a select few. For God was in Christ reconciling the cosmos to Himself (2 Cor. 5:19). There is no limited atonement any more than there is a limited incarnation. Fully man for all of humanity. Christ plunged headlong into the human condition. Sinless though He was, He assumed fallen flesh like ours at its most corrupted level. He baptized that same humanity in His death and brought it back to life in the will of the Father and the power of Holy Spirit. Such a mystical connection we have! Christ wove mankind into the Trinitarian life – there is forever a resurrected human being sitting in the middle of the Godhead. And there we sit in Him, fully united to God in heavenly places. In assuming the human form, He assumed and included all of humanity into Himself. As early Church father Gregory Nazianzen says, “the unassumed is the unredeemed.” And we know from the apostle Paul that “as in Adam all die, so in Christ all will be made alive” (1 Cor. 15:22). ~ John Crowder,
1191:Mary Arden
When a simple English maiden,
Nested warm in Wilmicote,
Sang forth like a lark uprising
Heavenward with its morning note,
Did no English ear that listened,
Even then, foretouched by fame,
Tremble to the prophet-music
Fountain-headed in thy name,
Mary Arden?
And to thee thyself, O tell me!
Shade of Shakespeare’s mother, tell me!
Did no dazzling vision come,
Banishing all thoughts of gloom,
Of the bardic grandeurs waiting
On thy matron fate, when He
Who in time should call thee mother
Should all time’s subjector be,
Mary Arden?
Then a mother we behold thee,
With that babe upon thy breast,
That great nascent soul, so bird-like,
Babbling in its fragrant nest:
O what spirit sweetly human,
O what instincts mildly wise,
Sucked he from those mother-fountains,
Drew he from those mother-eyes,
Mary Arden?
But shall we, now spirit-basking
In the noonblaze of his fame,
Fail to read a sign prophetic
In thy lovely maiden name?
No; it is the star that trembled
O’er a royal poet’s birth;
And amongst immortal Maries,
Second to but one on earth,
Mary Arden!
Glory to thee! Mary Arden!
102
Shakespeare’s mother! England’s Mary!
~ Charles Harpur,
1192:O, Pity The Slave Mother
I pity the slave mother, careworn and weary,
Who sighs as she presses her babe to her breast;
I lament her sad fate, all so hopeless and dreary,
I lament for her woes, and her wrongs unredressed.
O who can imagine her heart's deep emotion,
As she thinks of her children about to be sold;
You may picture the bounds of the rock-girdled ocean,
But the grief of that mother can never be known.
The mildew of slavery has blighted each blossom,
That ever has bloomed in her path-way below;
It has froze every fountain that gushed in her bosom,
And chilled her heart's verdure with pitiless woe;
Her parents, her kindred, all crushed by oppression;
Her husband still doomed in its desert to stay;
No arm to protect from the tyrant's aggressionShe must weep as she treads on her desolate way.
O, slave mother, hope! see-the nation is shaking!
The arm of the Lord is awake to thy wrong!
The slave-holder's heart now with terror is quaking,
Salvation and Mercy to Heaven belong!
Rejoice, O rejoice! for the child thou art rearing,
May one day lift up its unmanacled form,
While hope, to thy heart, like the rain-bow so cheering,
Is born, like the rain-bow, 'mid tempest and storm.
~ Anonymous Americas,
1193:For one moment, she stood stock-still, drinking in the simple beauty of the marble fountain, the base of its pedestal wreathed in delicate fronds, that stood, glowing lambently in the soft white light, in the center of a small, secluded, fern-shrouded clearing. Water poured steadily from the pitcher of the partially clad maiden frozen forever in her task of filling the wide, scroll-lipped basin.
The area had clearly been designed to provide the lady of the house with a private, refreshing, calming retreat in which to embroider, or simply rest and gather thoughts. In the moonlit night, surrounded by mysterious shadow and steeped in a silence rendered only more intense by the distant sighing of music and the silvery tinkle of the water, it was a hauntingly magical place.
For three heartbeats, the magic held Patience immobile.
Then, through the fine silk of her gown, she felt the heat of Vane's body. He did not touch her, but that heat, and the flaring awareness that raced through her, had her quickly stepping forward. Hauling in a desperate breath, she gestured to the fountain. "It's lovely."
"Hmm," came from close behind.
Too close behind. Patience found herself heading for a stone bench, shaded by a canopy of palms. Stifling a gasp, she veered away, toward the fountain. ~ Stephanie Laurens,
1194:If I had to tell you how humans made their way to Earth, it would go like this: In the beginning, there was nothing at all but the moon and the sun. And the moon wanted to come out during the day, but there was something so much brighter that seemed to fill up all those hours. The moon grew hungry, thinner and thinner, until she was just a slice of herself, and her tips were as sharp as a knife. By accident, because that is the way most things happen, she poked a hole in the night and out spilled a million stars, like a fountain of tears.

Horrified, the moon tried to swallow them up. And sometimes this worked, because she got fatter and rounder.. But mostly it didn't, because there were just so many. The stars kept coming, until they made the sky so bright that the sun got jealous. He invited the stars to his side of the world, where it was always bright. What he didn't tell them, though, was that in the daytime, they'd never be seen. So the stupid ones leaped from the sky to the ground, and they froze under the weight of their own foolishness.

The moon did her best. She carved each of these blocks of sorrow into a man or a woman. She spent the rest of her time watching out so that her other stars wouldn't fall. She spent the rest of her time holding onto whatever scraps she had left. ~ Jodi Picoult,
1195:Did your dad say anything about Nick and Daisy?"
"He-" I started. Then I caught a blur out of the corner of my eye, and something landed in the fountain with a resounding splash, drenching me and Jenna in a wave of pink water.
Nick surfaced, tossing his head back and sending dropets flying. If a demon and a vampire both staring at him with identical looks of "WTF,dude?" bothered him, he didn't show it.
Instead,he gave his usualy creepy grin and asked, "Did one of you lovely ladies say my name?"
"Yeah," I said,glaring at him as I wrung water out of my braid. "We were just saying, 'Man,I wish Nick would fling himself into the fountain like a nut job and totally ruin our clothes.' So thanks for that."
"Sophie's right," Daisy said, coming to stand next to the fountain. Apparently, wherever Nick was, she was right behind. "Tell them you're sorry." Her words might have sounded sterner if she hadn't been looking at Nick like he was something tasty to eat. God,they were weird.
Nick sloshed through the water until he was right in front of me and Jenna. "That's actually why I came out here, my darling," he said to Daisy. "Sophie, I was a jerk to you yesterday."
He didn't actually say 'jerk," but another word that was way more accurate. I just raised my eyebrows and waited for him to continue. ~ Rachel Hawkins,
1196:As there is an infinite fulness of all possible good in God — a fulness of every perfection, of all excellency and beauty, and of infinite happiness — and as this fulness is capable of communication, or emanation ad extra; so it seems a thing amiable and valuable in itself that this infinite fountain of good should send forth abundant streams. And as this is in itself excellent, so a disposition to this in the Divine Being, must he looked upon as an excellent disposition. Such an emanation of good is, in some sense, a multiplication of it. So far as the stream may be looked upon as any thing besides the fountain, so far it may be looked on as an increase of good. And if the fulness of good that is in the fountain, is in itself excellent, then the emanation, which is as it were an increase, repetition, or multiplication of it, is excellent. Thus it is fit, since there is an infinite fountain of light and knowledge, that this light should shine forth in beams of communicated knowledge and understanding; and, as there is an infinite fountain of holiness, moral excellence, and beauty, that so it should flow out in communicated holiness. And that, as there is an infinite fulness of joy and happiness, so these should have an emanation, and become a fountain flowing out in abundant streams, as beams from the sun. ~ Jonathan Edwards,
1197:STAY CLOSE, MY HEART

Stay close, my heart, to the one who knows your ways;
Come into the shade of the tree that allays has fresh flowers.
Don't stroll idly through the bazaar of the perfume-markers:
Stay in the shop of the sugar-seller.
If you don't find true balance, anyone can deceive you;
Anyone can trick out of a thing of straw,
And make you take it for gold
Don't squat with a bowl before every boiling pot;
In each pot on the fire you find very different things.
Not all sugarcanes have sugar, not all abysses a peak;
Not all eyes possess vision, not every sea is full of pearls.
O nightingale, with your voice of dark honey! Go on lamenting!
Only your drunken ecstasy can pierce the rock's hard heart!
Surrender yourself, and if you cannot be welcomes by the Friend,
Know that you are rebelling inwardly like a thread
That doesn't want to go through the needle's eye!
The awakened heart is a lamp; protect it by the him of your robe!
Hurry and get out of this wind, for the weather is bad.
And when you've left this storm, you will come to a fountain;
You'll find a Friend there who will always nourish your soul.
And with your soul always green, you'll grow into a tall tree
Flowering always with sweet light-fruit, whose growth is interior. ~ Rumi,
1198:LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed?

NOAKES: The hermitage, my lady?

LADY CROOM: It is a cowshed.

NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney --

LADY CROOM: And who is to live in it?

NOAKES: Why, the hermit.

LADY CROOM: Where is he?

NOAKES: Madam?

LADY CROOM: You surely do not supply an hermitage without a hermit?

NOAKES: Indeed, madam --

LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have?

NOAKES: I have no hermits, my lady.

LADY CROOM: Not one? I am speechless.

NOAKES: I am sure a hermit can be found. One could advertise.

LADY CROOM: Advertise?

NOAKES: In the newspapers.

LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence. ~ Tom Stoppard,
1199:For Dolly -- Who Does Not Learn Her Lessons
You see the fairies dancing in the fountain,
Laughing, leaping, sparkling with the spray;
You see the gnomes, at work beneath the mountain,
Make gold and silver and diamonds every day;
You see the angels, sliding down the moonbeams,
Bring white dreams like sheaves of lilies fair;
You see the imps, scarce seen against the moonbeams,
Rise from the bonfire's blue and liquid air.
All the enchantment, all the magic there is
Hid in trees and blossoms, to you is plain and true.
Dewdrops in lupin leaves are jewels for the fairies;
Every flower that blows is a miracle for you.
Air, earth, water, fire, spread their splendid wares for you.
Millions of magics beseech your little looks;
Every soul your winged soul meets, loves you and cares for you.
Ah! why must we clip those wings and dim those eyes with books?
Soon, soon enough the magic lights grow dimmer,
Marsh mists arise to cloud the radiant sky,
Dust of hard highways will veil the starry glimmer,
Tired hands will lay the folded magic by.
Storm winds will blow through those enchanted closes,
Fairies be crushed where weed and briar grow strong . . .
Leave her her crown of magic stars and roses,
Leave her her kingdom--she will not keep it long!
~ Edith Nesbit,
1200:The age old question, what is Love?

Isn't it the greatest gift from the holy one Above?

Is it pure and white like a new born Dove?

Does it cuddle you up,Like a hand in a Glove?



Answer this hard question that what is LOVE??

the force that propels you ,through pain and despair,

the benevolence,the blessings,from the heavens above,

the ray of sunshine that pierces the clouds, a perennial hope, that's what is love;

Its the glimmer of light at the end of the tunnel,

Its the mirth that ends melancholy's reign,
A fountain of glee,the elixir of life,

Its the drug that heals,and cures all the pain;

Its an eternal promise, never meant to be broken,

Its the bond that adheres two hearts together,

People may die and their stories may end,

But their love is immortal,it lives on forever;

Its the river that cuts through boulders and rocks,

and the stream that flows through our barren lives,

And on its long course,

it leaves behind a trail Of vivid fragrant flowers,and clear blue skies;

Love is felt by the heart,relished by the soul,

Blissful like the divine touch of the Gods,

I yearn for more ballads and more metaphors,

But i fall short of verses, can't bind love in words. ~ Anamika Mishra,
1201:Itzy Fisher?" Delia accused when I sat back down. "You like her?" And then she got up and ran out of the cafeteria.
Groaning, I flopped my head down on my arms. "I isn't make that card for Itzy. It was for Delia."
"Delia?" Fitz said.
"You wouldn't understand."
Fitz stared right at me. "What makes you think that?"
In the thousands of times I have replayed this moment over the years, I realize what that happened next could have gone a different way. That had Fitz been less of a best friend, or more competitive, or even more honest with himself, my life would have turned out very different. But instead, he asked me for a dollar.
"Why?"
"Because she's pissed at you," he said, as I finished into my lunch money. "And I can fix that."
He took a Sharpie from his binder and wrote something across George Washington's Face. Then he crested the bill the long way. He brought up the bottom edge and then the halves, turned it over, and tucked in both sides. A few more maneuvers and then he handed me a dollar folded into the shape of a heart.
When I found Delia, she was sitting underneath the water fountain near the gym. I handed her Fitz's heart. I watched her open it, read the message along with her: If all I could ever have is you, I'd be a billionaire.
"Itzy might get jealous," Delia said.
"Itzy and I broke up. ~ Jodi Picoult,
1202:If there was a religion of Annaism, and I had to tell you how humans made their way to Earth, it would go like this: In the beginning, there was nothing at all but the moon and the sun. And the moon wanted to come out during the day, but there was something so much brighter that seemed to fill up all those hours. The moon grew hungry, thinner and thinner, until she was just a slice of herself, and her tips were as sharp as a knife. By accident, because that is the way most things happen, she poked a hole in the night and out spilled a million stars, like a fountain of tears.

Horrified, the moon tried to swallow them up. And sometimes this worked, because she got fatter and rounder.. But mostly it didn't, because there were just so many. The stars kept coming, until they made the sky so bright that the sun got jealous. He invited the stars to his side of the world, where it was always bright. What he didn't tell them, though, was that in the daytime, they'd never be seen. So the stupid ones leaped from the sky to the ground, and they froze under the weight of their own foolishness.

The moon did her best. She carved each of these blocks of sorrow into a man or a woman. She spent the rest of her time watching out so that her other stars wouldn't fall. She spent the rest of her time holding onto whatever scraps she had left. ~ Jodi Picoult,
1203:A dove gazed in through a latticed window: there balm rained down on her face, raining from lucent Maximin. The heat of the sun blazed out to irradiate the dark: a bud burst open, jewel-like, in the temple of the heart (limpid and kind his heart). A tower of cypress is he, and of Lebanon's cedars -- rubies and sapphires frame his turrets -- a city passing the arts of all other artisans. A swift stag is he who ran to the fountain -- pure wellspring from a stone of power -- to water sweet-smelling spices. O perfumers! you who dwell in the luxuriance of royal gardens, climbing high when you accomplish the holy sacrifice with rams: Among you this architect is shining, a wall of the temple, he who longed for an eagle's wings as he kissed his foster-mother Wisdom in Ecclesia's garden. O Maximin, mountain and valley, on your towering height the mountain goat leapt with the elephant, and Wisdom was in rapture. Strong and sweet in the sacred rites and the shimmer of the altar, you rise like incense to the pillar of praise -- where you pray for your people who strive toward the mirror of light. Praise him! Praise in the highest! [1826.jpg] -- from Symphonia: A Critical Edition of the Symphonia armonie celstium revelationum, by Hildegard of Bingen / Translated by Barbara Newman

~ Saint Hildegard von Bingen, Columba aspexit - Sequence for Saint Maximin
,
1204:THREE BIG MISTAKES. But, of course, it’s never that simple. Before we even got to the third one, we were down and done. As much as our willingness to believe in the constant rise felled us, as much as our eagerness to conquer risk opened us up to more risk, as much as Greenspan stood by as Wall Street turned itself into Las Vegas, there was also Greece, and Iceland, and Nick Leeson, who took down Barings, and Brian Hunter, who tanked Amaranth, and Jérôme Kerviel and every other rogue trader who thought he—and it was always a he—could reverse his gut-churning, self-induced free fall with one swift, lucky strike; it was rising oil prices, global inflation, easy credit, the cowardice of Moody’s, the growing chasm of income inequality, the dot com boom and bust, the Fed’s rejection of regulation, the acceptance of “too big to fail,” the repeal of the Glass-Steagall Act, the feast of subprime debt; it was Clinton and Bush the second and senators vacationing with banking industry lobbyists, the Kobe earthquake, an infatuation with financial innovation, the forgettable Hank Paulson, the delicious hubris of ten, twenty, thirty times leverage, and, at the bottom of it, our own vicious, lingering self-doubt. Or was it our own willful, unbridled self-delusion? Doubt vs. delusion. The flip sides of our last lucky coin. We toss it in the fountain and pray. ~ Jade Chang,
1205:Love And Life
I.
AS some faint wisp of fragrance, floating wide—
A pennant-perfume on the evening air—
From a walled garden, flower-filled and fair,
To drape a sudden beauty long denied
Upon life's highway desolate and dried—
So come you to me, as I, unaware,
Bend my strict eyes upon my pathway bare;
But at your presence straight I turn aside,
And passing in the garden see uncurled
The heart of hidden beauty in the world,
And love as life's one blossom is revealed.
My backward glance your floating tresses blind,
About my struggling hopes your white arms wind,
And I have yielded—but how sweet to yield!
II.
Yet, in the prison of the garden bound,
The sluggish perfumes o'er my spirit fall,
And I lie languid in their sweetness' thrall,
Beneath the fragrance of much beauty drowned:
When through the fountain's murmur—lo, a sound
Insistent and reproachful! O'er the wall
Drops a faint echo of the Earth's deep call,
And I leap upright from the rose-strewn ground.
Outside the bracing wind sings, clean and chill;
Outside are tasks to do, blows to be struck;
And I must toil the dreary highway till
It broadens to the fields of death. Yet, ere
I leave for aye your perfumed close, I pluck
A shrivelled blossom that I kiss and wear.
~ Arthur Henry Adams,
1206:Jeremiah 9:1 OH that my head were waters, and mine eyes a fountain of tears, that I might weep day and night for the slain of the daughter of my people! Jeremiah 9:2   2  Oh that I had in the wilderness a lodging place of wayfaring men; that I might leave my people, and go from them! for they be all adulterers, an assembly of treacherous men. Jeremiah 9:3   3  And they bend their tongues like their bow for lies: but they are not valiant for the truth upon the earth; for they proceed from evil to evil, and they know not me, saith the LORD. Jeremiah 9:4   4  Take ye heed every one of his neighbour, and trust ye not in any brother: for every brother will utterly supplant, and every neighbour will walk with slanders. Jeremiah 9:5   5  And they will deceive every one his neighbour, and will not speak the truth: they have taught their tongue to speak lies, and weary themselves to commit iniquity. Jeremiah 9:6   6  Thine habitation is in the midst of deceit; through deceit they refuse to know me, saith the LORD. Jeremiah 9:7   7  Therefore thus saith the LORD of hosts, Behold, I will melt them, and try them; for how shall I do for the daughter of my people? Jeremiah 9:8   8  Their tongue is as an arrow shot out; it speaketh deceit: one speaketh peaceably to his neighbour with his mouth, but in heart he layeth his wait. ~ The Church of Jesus Christ of Latter day Saints,
1207:A slave in serving dress presented Kestrel with wine, then led the way to an open solarium with a low fountain and hothouse flowers. Musicians played discreetly behind an ebony screen as guests greeted each other, some chatting where they stood, others retreating for quiet conversations on the stone benches lining the fountain.
Kestrel turned to face Arin.
His eyes were dazed with anger, his hands clenched.
“Arin,” she began, concerned, but his gaze flicked away and settled on some point across the room. “Your friends are here,” he said.
She followed his line of sight to see Jess and Ronan laughing at something Benix had said.
“Dismiss me,” Arin said.
“What?” she said, though in fact he was the only escort in the room. The slaves who threaded through the crowd were servers, and Irex’s.
“Join your friends. I don’t want to stay here anymore. Send me to the kitchens.”
She took a breath, then nodded. He spun on his heel and was gone.
She felt instantly alone. She hadn’t expected this. But when she asked herself what she had expected, she had a foolish image of her and Arin sitting on a bench together.
Kestrel looked up at the glass roof, a pyramid of purple sky. She saw the sharp cut of the moon, and remembered Enai saying that it was best to recognize the things one cannot change.
She crossed the room to greet her friends. ~ Marie Rutkoski,
1208:Immediately beneath and about them the lines of the Gothic building plunged outwards into the void with a sickening swiftness akin to suicide. There is that element of Titan energy in the architecture of the Middle Ages that, from whatever aspect it be seen, it always seems to be rushing away, like the strong back of some maddened horse. This church was hewn out of ancient and silent stone, bearded with old fungoids and stained with the nests of birds. And yet, when they saw it from below, it sprang like a fountain at the stars; and when they saw it, as now, from above, it poured like a cataract into a voiceless pit. For these two men on the tower were left alone with the most terrible aspect of Gothic; the monstrous foreshortening and disproportion, the dizzy perspectives, the glimpses of great things small and small things great; a topsy-turvydom of stone in the mid-air. Details of stone, enormous by their proximity, were relieved against a pattern of fields and farms, pygmy in their distance. A carved bird or beast at a corner seemed like some vast walking or flying dragon wasting the pastures and villages below. The whole atmosphere was dizzy and dangerous, as if men were upheld in air amid the gyrating wings of colossal genii; and the whole of that old church, as tall and rich as a cathedral, seemed to sit upon the sunlit country like a cloudburst. ~ G K Chesterton,
1209:The world, he now perceived, was in fact a great, flat wheel with a myriad spokes of water, trees and grass, for ever turning and turning beneath the sun and moon. At each spoke was an animal-all the animals and birds he had ever known-horses, dogs, chaffinches, mice, hedgehogs,rabbits, cows, sheep, rooks and many more which he did not recognize-a huge, striped cat, and a monstrous fish spurting water in a fountain to the sky. At the centre, on the axle itself, stood a man, who ceaselessly lashed and lashed the creatures with a whip to make them drive the wheel round. Some shrieked aloud as they bled and struggled, others silently toppled and were trodden down beneath their comrades' stumbling feet. And yet, as he himself could see, the man had misconceived his task, for in fact the wheel turned of itself and all he needed to do was to keep it balanced upon its delicate axle by adjusting, as might be necessary, the numbers of animals upon this side and that. The great fish poured blood as the man pierced it with a flying spear which exploded within its body. The striped cat melted, diminishing slowly to the size of a mouse; and a great, grey beast with a long trunk cried piteously as the man tore its white tusks out of its face. Still on towards the wheel he circled, and between him and the wheel Mr. Ephraim called him silently to fellowship with the dead. ~ Richard Adams,
1210:All the royal tales got their own special festivals. In honor of the Sleeping Beauty tale, Ever After High held the yearly Beauty Sleep Festival. Everyone put on their pajamas and lay down on their beds, and a magical sleep spell rained over the castle, putting them into a restful slumber for two days.
Briar rolled her eyes. "I'd prefer my story got a dance festival with some kicky music and a chocolate fountain."
"It's kind of like a massive slumber party, so that's cool," said Ashlynn.
"Kinda," said Briar. "But the best part of a slumber party isn't the part where you're unconscious. I'm already facing a hundred years of sleep. Worst. Festival. Ever."
"You recall that the royal festival for the Cinderella story is basically just an excuse to get the students to clean the high school," said Ashlynn.
Briar laughed, putting her arm around Ashlynn. "That's true! But at least your Spring Cleaning Festival ends with a Ball."
Apple always enjoyed the Apple Festival in her story's honor- so many pies and turnovers and breads, and none of them poisoned. The whole school smelled of cinnamon and nutmeg for days. The Spring Cleaning Festival was an excellent opportunity to clean out her sock drawer and then wear a ball gown and dance till midnight. The Little Mermaid Festival took place every summer at Looking Glass Beach with swimming, beach volleyball, and a clam dig. ~ Shannon Hale,
1211:Since true life and sustenance are found in the presence of God, we must regularly drink deeply from the river of his delights. In our weariness, though, we often seek life from entertainment, empty friendships and ceaseless activity, which all fail to bring life. So many of our “recreational” activities fail to re-create the inner resources of our soul to face the challenges of each day. Like the Israelites before us, we forsake the river of God’s presence and hew out empty cisterns that do not hold water to satisfy our thirsts (Jer 2:13). Will we satisfy our soul at the fountain of living waters? Or will we hew out cisterns of putrid water that do not satisfy? The rivers of life flowing from the presence of God in Eden beckon us to the satisfaction and re-creation of these refreshing waters that are only found in the presence of God. We sacrifice for what satisfies. The soul-satisfying riches in the presence of God propel us out of our comfort zones, calling us out of the warm confines of our beds to our knees in early-morning prayer and meditation on God’s Word. Only these soul-satisfying riches can sustain us in the rigors of God’s calling on our lives as we move out to proclaim his name to the nations across the street and across the globe. A heart for mission grows out of a soul that finds satisfaction in God’s presence, the riches of which can be seen in the imagery of Eden. ~ G K Beale,
1212:Childhood
Childhood, sweet and sunny childhood,
With its careless, thoughtless air,
Like the verdant, tangled wildwood,
Wants the training hand of care.
See it springing all around us -Glad to know, and quick to learn;
Asking questions that confound us;
Teaching lessons in its turn.
Who loves not its joyous revel,
Leaping lightly on the lawn,
Up the knoll, along the level,
Free and graceful as a fawn?
Let it revel; it is nature
Giving to the little dears
Strength of limb, and healthful features,
For the toil of coming years.
He who checks a child with terror,
Stops its play, and stills its song,
Not alone commits an error,
But a great and moral wrong.
Give it play, and never fear it -Active life is no defect;
Never, never break its spirit -Curb it only to direct.
Would you dam the flowing river,
Thinking it would cease to flow?
Onward it must go forever -Better teach it where to go.
Childhood is a fountain welling,
Trace its channel in the sand,
And its currents, spreading, swelling,
Will revive the withered land.
Childhood is the vernal season;
Trim and train the tender shoot;
Love is to the coming reason,
As the blossom to the fruit.
Tender twigs are bent and folded -Art to nature beauty lends;
Childhood easily is moulded;
Manhood breaks, but seldom bends.
~ David Bates,
1213:Ho! Everyone That Thirsts, Draw Nigh
Ho! every one that thirsts, draw nigh!
('Tis God invites the fallen race)
Mercy and free salvation buy;
Buy wine, and milk, and gospel grace.
Come to the living waters, come!
Sinners, obey your Maker's call;
Return, ye weary wanderers, home,
And find my grace is free for all.
See from the Rock a fountain rise!
For you in healing streams it rolls;
Money ye need not bring, nor price,
Ye labouring, burdened, sin-sick souls.
Nothing ye in exchange shall give,
Leave all you have and are behind,
Frankly the gift of God receive,
Pardon and peace in Jesus find.
Why seek ye that which is not bread,
Nor can your hungry souls sustain?
On ashes, husks, and air ye feed;
Ye spend your little all in vain.
In search of empty joys below,
Ye toil with unavailing strife;
Whither, ah! whither would ye go?
I have the words of endless life.
Hearken to me with earnest care,
And freely eat substantial food,
The sweetness of my mercy share,
And taste that I alone am good.
I bid you all my goodness prove,
My promises for all are free,
Come, taste the manna of my love,
And let your souls delight in me.
12
Your willing ear and heart incline,
My words believingly receive;
Quickened your souls by faith divine
An everlasting life shall live.
~ Charles Wesley,
1214:Thus they were speaking when the thunderous voice came. So mighty it was that it filled every hall and chamber of the palace; and its first word dashed the pictures from the walls so that their crash and smash added to the roar, though they were lost in it. Its second word broke all the crockery in the palace and set the shards to sliding like screes of stones, so that they burst open cabinets and cupboards and descended to the floors in avalanches. Its third word toppled all the statues along the broad avenue that led up to the Great Gate; its fourth stopped the fountain and snapped off both arms of the marble nymph who blessed the waters; and its fifth cracked the basin itself. Its sixth, seventh, and eighth words maddened every cat in the place, struck dead seventeen bat-winged black rooks of the flock that swept the sky about the Grand Campanile, and set all the bells to ringing. Its ninth soured every cask in the cellars, while its tenth word stove them in. Its eleventh stopped the clocks and started the hounds to howling. Its twelfth and last (which was an especially big word) knocked the Dwarves off their feet and sent every one of them rolling and somersaulting amongst all their foulnesses while they held their ears and screeched. And what that voice said was, “What vermin are these who dare defile the body of a Giant?” Oh, my friends! Let us of this star, who are ourselves but Dwarves, heed well the warning. ~ Gene Wolfe,
1215:Plighted
Mine to the core of the heart, my beauty!
Mine, all mine, and for love, not duty:
Love given willingly, full and free,
Love for love's sake, - as mine to thee.
Duty's a slave that keeps the keys,
But Love, the master, goes in and out
Of his goodly chambers with song and shout,
Just as he please, - just as he please.
Mine, from the dear head's crown, brown-golden,
To the silken foot that's scarce beholden;
Give to a few friends hand or smile,
Like a generous lady, now and awhile,
But the sanctuary heart, that none dare win,
Keep holiest of holiest evermore;
The crowd in the aisles may watch the door,
The high-priest only enters in.
Mine, my own, without doubts or terrors,
With all thy goodnesses, all thy errors,
Unto me and to me alone revealed,
'A spring shut up, a fountain sealed.'
Many may praise thee, - praise mine as thine,
Many may love thee, - I'll love them too;
But thy heart of hearts, pure, faithful, and true,
Must be mine, mine wholly, and only mine.
Mine! - God, I thank Thee that Thou hast given
Something all mine on this side heaven:
Something as much myself to be
As this my soul which I lift to Thee:
Flesh of my flesh, bone of my bone,
Life of my life, whom Thou dost make
Two to the world for the world's work's sake, But each unto each, as in Thy sight, one.
~ Dinah Maria Mulock Craik,
1216:I am the wind and the wind is invisible, all the leaves tremble but I am invisible, blackbird over the dark field but I am invisible, what fills the balloon and what it moves through, knot without rope, bloom without flower, galloping without the horse, the spirit of the thing without the thing, location without dimension, without a within, song without throat, word without ink, wingless flight, dark boat in the dark night, shine without light, pure velocity, as the hammer is a hammer when it hits the nail and the nail is a nail when it meets the wood and the invisible table begins to appear out of mind, pure mind, out of nothing, pure thinking, hand of the mind, hand of the emperor, arm of the empire, void and vessel, sheath and shear, and wider, and deeper, more vast, more sure, through silence, through darkness, a vector, a violence, and even farther, and even worse, between, before, behind, and under, and even stronger, and even further, beyond form, beyond number, I labor, I lumber, I fumble forward through the valley as winter, as water, a shift in the river, I mist and frost, flexible and elastic to the task, a fountain of gravity, space curves around me, I thirst, I hunger, I spark, I burn, force and field, force and counterforce, agent and agency, push to your pull, parabola of will, massless mass and formless form, dreamless dream and nameless name, intent and rapturous, rare and inevitable, I am the thing that is hurtling towards you… ~ Richard Siken,
1217:Take away all the moral beauty and sweetness in the Word, and the Bible is left wholly a dead letter, a dry, lifeless, tasteless thing. By this is seen the true foundation of our duty, the worthiness of God to be so esteemed, honoured, loved, submitted to, and served, as He requires of us, and the amiableness of the duties themselves that are required of us. And by this is seen the true evil of sin; for he who sees the beauty of holiness must necessarily see the hatefulness of sin, its contrary. By this men understand the true glory of heaven, which consists in the beauty and happiness that is in holiness. By this is seen the amiableness and happiness of both saints and angels. He that sees beauty of holiness, or true moral good, sees the greatest and most important thing in the world, which is the fulness of all things, without which all the world is empty, no better than nothing, yea, worse than nothing. Unless this is seen, nothing is seen that is worth the seeing; for there is no other true excellency or beauty. Unless this be understood, nothing is understood that is worthy of the exercise of the noble faculty of understanding. This is the beauty of the Godhead, and the divinity of Divinity (if I may so speak), the good of the infinite Fountain of good; without which, God Himself (if that were possible) would be an infinite evil; without which we ourselves had better never have been; and without which there had better have been no being. ~ Jonathan Edwards,
1218:Ink was black, in inkwells and bottles, in the past. It would get all over your fingers because it would run and flow relentlessly. This inevitable messiness was the flip side of writing. I always felt caught between two kinds of black: that of the dirty and dirtying substance and that of the signs that miraculously emerged from it through the magic of wayward fountain pens, which, when dipped too deep in the inkwell, had a strong tendency to cover the paper with what used to be called “inkblots.” Oh, the miracle of a clear and possibly elegant sentence emerging from the sticky ink and wending its way between the blots! It is the black of meaning wrung from the black of matter. (…) Isn’t the most profound education the one that was afforded me at my childhood elementary school, the one that divides the ink sharply between thought become Letter and drive turned into splotches and blots? How will those who begin with the darkish gray on the palish gray of computer screens manage? Without the slightest inkblot? Won’t they think that thought is just another variation of formlessness, that the intellect is just a thin additional coat of gray over the gray of drive, and drive a mere stripping of the gray of the intellect? Everything in the world is the result of a creative and careful dosing of black as it is projected onto the formidable invariability of white. Anyone who hasn’t experienced this, and sooner rather than later, will never learn anything. ~ Alain Badiou,
1219:Meanwhile, God seeks to raise them higher, to draw them out of this miserable manner of loving to a higher state of the love of God, to deliver them from the low usage of the senses and meditation whereby they seek after God, as I said before,4 in ways so miserable and so unworthy of Him. He seeks to place them in the way of the spirit wherein they may the more abundantly, and more free from imperfections, commune with God now that they have been for some time tried in the way of goodness, persevering in meditation and prayer, and because of the sweetness they found therein have withdrawn their affections from the things of this world, and gained a certain spiritual strength in God, whereby they in some measure curb their love of the creature, and are able, for the love of God, to carry a slight burden of dryness, without going back to that more pleasant time when their spiritual exercises abounded in delights, and when the sun of the divine graces shone, as they think, more clearly upon them. God is now changing that light into darkness, and sealing up the door of the fountain of the sweet spiritual waters, which they tasted in God as often and as long as they wished. For when they were weak and tender, this door was then not shut, as it is written, “Behold, I have given before thee an opened door, which no man can shut; because thou hast a little strength, and hast kept My word, and hast not denied My name.”5 4. God thus leaves them in darkness so great ~ Juan de la Cruz,
1220:To M.L. Gray,
Come, dear old friend, and with us twain
To calm Digentian groves repair;
The turtle coos his sweet refrain
And posies are a-blooming there;
And there the romping Sabine girls
Bind myrtle in their lustrous curls.
I know a certain ilex-tree
Whence leaps a fountain cool and clear.
Its voices summon you and me;
Come, let us haste to share its cheer!
Methinks the rapturous song it sings
Should woo our thoughts from mortal things.
But, good old friend, I charge thee well,
Watch thou my brother all the while,
Lest some fair Lydia cast her spell
Round him unschooled in female guile.
Those damsels have no charms for me;
Guard thou that brother,--I'll guard thee!
And, lo, sweet friend! behold this cup,
Round which the garlands intertwine;
With Massic it is foaming up,
And we would drink to thee and thine.
And of the draught thou shalt partake,
Who lov'st us for our father's sake.
Hark you! from yonder Sabine farm
Echo the songs of long ago,
With power to soothe and grace to charm
What ills humanity may know;
With that sweet music in the air,
'T is Love and Summer everywhere.
So, though no grief consumes our lot
(Since all our lives have been discreet),
Come, in this consecrated spot,
Let's see if pagan cheer be sweet.
415
Now, then, the songs; but, first, more wine.
The gods be with you, friends of mine!
~ Eugene Field,
1221:A part, immutable, unseen,
Being, before itself had been,
Became. Like dew a triple queen
Shone as the void uncovered:
The silence of deep height was drawn
A veil across the silver dawn
On holy wings that hovered.

The music of three thoughts became
The beauty, that is one white flame,
The justice that surpasses shame,
The victory, the splendour,
The sacred fountain that is whirled
From depths beyond that older world
A new world to engender.

The kingdom is extended. Night
Dwells, and I contemplate the sight
That is not seeing, but the light
That secretly is kindled,
Though oft-time its most holy fire
Lacks oil, whene'er my own Desire
Before desire has dwindled.

I see the thin web binding me
With thirteen cords of unity
Toward the calm centre of the sea.
(O thou supernal mother!)
The triple light my path divides
To twain and fifty sudden sides
Each perfect as each other.

Now backwards, inwards still my mind
Must track the intangible and blind,
And seeking, shall securely find
Hidden in secret places
Fresh feasts for every soul that strives,
New life for many mystic lives,
And strange new forms and faces.

My mind still searches, and attains
By many days and many pains
To That which Is and Was and reigns
Shadowed in four and ten;
And loses self in sacred lands,
And cries and quickens, and understands
Beyond the first Amen.
~ Aleister Crowley, The Quest
,
1222:Well I know the fountain that runs and flows, though it is night! This eternal fountain is hidden deep. Well I know where it has its spring, Though it is night! In this life's dark night, Faith has taught where this cold fountain lies, Though it is night! Its origin I cannot know, it has none, And I know all origins come from it, Though it is night! And I know there can be nothing more fair, The heavens and earth drink there, Though it is night! And I know it has no bed, And I know no one can cross its depths, Though it is night! Its clarity is never clouded, And I know all light shines from it, Though it is night! I know her streams swell so abundantly, They water people, heaven and even hell, Though it is night! The current born of this fountain I know to be wide and mighty, Though it is night! And from these two another stream flows, And I know neither comes before, Though it is night! I know Three in only one water live, And each the other feeds, Though it is night! This eternal fountain is hiding from sight Within this living bread to give us life, Though it is night! He calls all creatures to this light, And of this water they drink, though in the dark, Though it is night! This living fountain I desire, I see it here within this living bread, Though it is night! [bk1sm.gif] -- from St. John of the Cross: Alchemist of the Soul: His Life, His Poetry (Bilingual), His Prose, by Antonio T. de Nicolas

~ Saint John of the Cross, Song of the Soul That Delights in Knowing God by Faith
,
1223:What I Have Seen #3
I saw two youths: both were fair in the face,
They had set out foot to foot in life's race;
But one said to the other, 'I say now, my brother,
You are going a little too slow;
The world will look on, and say, 'See Josy John,'
We must put on more style, now, you know.'
So he tipped a plug hat on one side of his pate,
And strutted along with a Jockey Club gait;
And he carried a cane, and said, 'It is plain,
I am too fine a fellow to toil.
I can gamble and bet, and a good living get;
But my hands are too pretty to soil.
'My friend in the rear, you are slow, I am fast;
I am up with the times-I am first, you are last.
So I guess I will leave you-aw, if it won't grieve you;
I'll wait for you when I get through;
Or, when up on the hill, I'll remem-bah you still,
And-aw, mayhap I'll come and help you.'
I saw him pass on with a strut through the street;
Saw him stopped by a score of 'good boys' for a treat.
While the calm 'Josy John' went quietly on,
And kept his lips free from the bowl;
Worked at whatever came, turned from sin and from shame,
And wrote 'Purity,' 'Truth,' in his soul.
I saw two men: one was fair to behold;
The other, a drunken sot, bloated and bold.
One stood on the mountain and drank of God's fountain,
The other drank beer in the street.
Yet both started alike; but one made a 'strike,'
Which ended, you see, in defeat.
893
~ Ella Wheeler Wilcox,
1224:The Quest
A part, immutable, unseen,
Being, before itself had been,
Became. Like dew a triple queen
Shone as the void uncovered:
The silence of deep height was drawn
A veil across the silver dawn
On holy wings that hovered.
The music of three thoughts became
The beauty, that is one white flame,
The justice that surpasses shame,
The victory, the splendour,
The sacred fountain that is whirled
From depths beyond that older world
A new world to engender.
The kingdom is extended. Night
Dwells, and I contemplate the sight
That is not seeing, but the light
That secretly is kindled,
Though oft-time its most holy fire
Lacks oil, whene'er my own Desire
Before desire has dwindled.
I see the thin web binding me
With thirteen cords of unity
Toward the calm centre of the sea.
(O thou supernal mother!)
The triple light my path divides
To twain and fifty sudden sides
Each perfect as each other.
Now backwards, inwards still my mind
Must track the intangible and blind,
And seeking, shall securely find
Hidden in secret places
Fresh feasts for every soul that strives,
New life for many mystic lives,
And strange new forms and faces.
My mind still searches, and attains
By many days and many pains
To That which Is and Was and reigns
Shadowed in four and ten;
And loses self in sacred lands,
And cries and quickens, and understands
Beyond the first Amen.
~ Aleister Crowley,
1225:John Quincy Adams on Islam: “In the seventh century of the Christian era, a wandering Arab of the lineage of Hagar [i.e., Muhammad], the Egyptian, combining the powers of transcendent genius, with the preternatural energy of a fanatic, and the fraudulent spirit of an impostor, proclaimed himself as a messenger from Heaven, and spread desolation and delusion over an extensive portion of the earth. Adopting from the sublime conception of the Mosaic law, the doctrine of one omnipotent God; he connected indissolubly with it, the audacious falsehood, that he was himself his prophet and apostle. Adopting from the new Revelation of Jesus, the faith and hope of immortal life, and of future retribution, he humbled it to the dust by adapting all the rewards and sanctions of his religion to the gratification of the sexual passion. He poisoned the sources of human felicity at the fountain, by degrading the condition of the female sex, and the allowance of polygamy; and he declared undistinguishing and exterminating war, as a part of his religion, against all the rest of mankind. THE ESSENCE OF HIS DOCTRINE WAS VIOLENCE AND LUST: TO EXALT THE BRUTAL OVER THE SPIRITUAL PART OF HUMAN NATURE…. Between these two religions, thus contrasted in their characters, a war of twelve hundred years has already raged. The war is yet flagrant…While the merciless and dissolute dogmas of the false prophet shall furnish motives to human action, there can never be peace upon earth, and good will towards men.” (Emphasis in the original) ~ Robert Spencer,
1226:The Hunchback In The Park
The hunchback in the park
A solitary mister
Propped between trees and water
From the opening of the garden lock
That lets the trees and water enter
Until the Sunday sombre bell at dark
Eating bread from a newspaper
Drinking water from the chained cup
That the children filled with gravel
In the fountain basin where I sailed my ship
Slept at night in a dog kennel
But nobody chained him up.
Like the park birds he came early
Like the water he sat down
And Mister they called Hey mister
The truant boys from the town
Running when he had heard them clearly
On out of sound
Past lake and rockery
Laughing when he shook his paper
Hunchbacked in mockery
Through the loud zoo of the willow groves
Dodging the park keeper
With his stick that picked up leaves.
And the old dog sleeper
Alone between nurses and swans
While the boys among willows
Made the tigers jump out of their eyes
To roar on the rockery stones
And the groves were blue with sailors
Made all day until bell time
A woman figure without fault
Straight as a young elm
Straight and tall from his crooked bones
145
That she might stand in the night
After the locks and chains
All night in the unmade park
After the railings and shrubberies
The birds the grass the trees the lake
And the wild boys innocent as strawberries
Had followed the hunchback
To his kennel in the dark.
~ Dylan Thomas,
1227:The Quest
A part, immutable, unseen,
Being, before itself had been,
Became. Like dew a triple queen
Shone as the void uncovered:
The silence of deep height was drawn
A veil across the silver dawn
On holy wings that hovered.
The music of three thoughts became
The beauty, that is one white flame,
The justice that surpasses shame,
The victory, the splendour,
The sacred fountain that is whirled
From depths beyond that older world
A new world to engender.
The kingdom is extended. Night
Dwells, and I contemplate the sight
That is not seeing, but the light
That secretly is kindled,
Though oft-time its most holy fire
Lacks oil, whene'er my own Desire
Before desire has dwindled.
I see the thin web binding me
With thirteen cords of unity
Toward the calm centre of the sea.
(O thou supernal mother!)
The triple light my path divides
To twain and fifty sudden sides
Each perfect as each other.
Now backwards, inwards still my mind
Must track the intangible and blind,
And seeking, shall securely find
Hidden in secret places
Fresh feasts for every soul that strives,
New life for many mystic lives,
And strange new forms and faces.
92
My mind still searches, and attains
By many days and many pains
To That which Is and Was and reigns
Shadowed in four and ten;
And loses self in sacred lands,
And cries and quickens, and understands
Beyond the first Amen.
~ Aleister Crowley,
1228:Now he reduced his progress to the rhythm of his boots -- he walked across the land until he came to the sea. Everything that impeded him had to be outweighed, even if only by a fraction, by all that drove him on. In one pan of the scales, his wound, thirst, the blister, tiredness, the heat, the aching in his feet and legs, the Stukas, the distance, the Channel; in the other, I'll wait for you, and the memory of when she had said it, which he had come to treat like a sacred site. Also, the fear of capture. His most sensual memories -- their few minutes in the library, the kiss in Whitehall -- was bleached colorless through overuse. He knew by heart certain passages from her letters, he had revisited their tussle with the vase by the fountain, he remembered the warmth from her arm at the dinner when the twins went missing. These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before war, before the sight of a corpse became a banality.

But these heresies died when he read her last letter. He touched his breast pocket. It was a kind of genuflection. Still there. Here was something new on the scales. That he could be cleared had all the simplicity of love. Merely tasting the possibility reminded him of how much had narrowed and died. His taste for life, no less, all the old ambitions and pleasures. The prospect was of rebirth, a triumphant return. ~ Ian McEwan,
1229:On A Drop Of Dew
See how the Orient Dew,
Shed from the Bosom of the Morn
Into the blowing Roses,
Yet careless of its Mansion new;
For the clear Region where 'twas born
Round in its self incloses:
And in its little Globes Extent,
Frames as it can its native Element.
How it the purple flow'r does slight,
Scarce touching where it lyes,
But gazing back upon the Skies,
Shines with a mournful Light;
Like its own Tear,
Because so long divided from the Sphear.
Restless it roules and unsecure,
Trembling lest it grow impure:
Till the warm Sun pitty it's Pain,
And to the Skies exhale it back again.
So the Soul, that Drop, that Ray
Of the clear Fountain of Eternal Day,
Could it within the humane flow'r be seen,
Remembring still its former height,
Shuns the sweat leaves and blossoms green;
And, recollecting its own Light,
Does, in its pure and circling thoughts, express
The greater Heaven in an Heaven less.
In how coy a Figure wound,
Every way it turns away:
So the World excluding round,
Yet receiving in the Day.
Dark beneath, but bright above:
Here disdaining, there in Love.
How loose and easie hence to go:
How girt and ready to ascend.
Moving but on a point below,
It all about does upwards bend.
Such did the Manna's sacred Dew destil;
White, and intire, though congeal'd and chill.
Congeal'd on Earth: but does, dissolving, run
108
Into the Glories of th' Almighty Sun.
~ Andrew Marvell,
1230:The Hunchback in the Park

The hunchback in the park
A solitary mister
Propped between trees and water
From the opening of the garden lock
That lets the trees and water enter
Until the Sunday sombre bell at dark

Eating bread from a newspaper
Drinking water from the chained cup
That the children filled with gravel
In the fountain basin where I sailed my ship
Slept at night in a dog kennel
But nobody chained him up.

Like the park birds he came early
Like the water he sat down
And Mister they called Hey mister
The truant boys from the town
Running when he had heard them clearly
On out of sound

Past lake and rockery
Laughing when he shook his paper
Hunchbacked in mockery
Through the loud zoo of the willow groves
Dodging the park keeper
With his stick that picked up leaves.

And the old dog sleeper
Alone between nurses and swans
While the boys among willows
Made the tigers jump out of their eyes
To roar on the rockery stones
And the groves were blue with sailors

Made all day until bell time
A woman figure without fault
Straight as a young elm
Straight and tall from his crooked bones
That she might stand in the night
After the locks and chains

All night in the unmade park
After the railings and shrubberies
The birds the grass the trees the lake
And the wild boys innocent as strawberries
Had followed the hunchback
To his kennel in the dark. ~ Dylan Thomas,
1231:A spring sun was shining on the rue St. Honore, as I ran down the church steps. On one corner stood a barrow full of yellow jonquils, pale violets from the Riviera, dark Russian violets, and white Roman hyacinths in a golden cloud of mimosa. The street was full of Sunday pleasure-seekers. I swung my cane and laughed with the rest. Someone overtook and passed me. He never turned, but there was the same deadly malignity in his white profile that there had been in his eyes. I watched him as long as I could see him. His lithe back expressed the same menace; every step that carried him away from me seemed to bear him on some errand connected with my destruction.

I was creeping along, my feet almost refusing to move. There began to dawn in me a sense of responsibility for something long forgotten. It began to seem as if I deserved that which he threatened: it reached a long way back - a long, long way back. It had lain dormant all these. years: it was there though, and presently it would rise and confront me. But I would try to escape; and I stumbled as best I could into the rue de Rivioli, across the Place de la Concorde and on to the Quai. I looked with sick eyes upon the sun, shining through the white foam of the fountain, pouring over the backs of the dusky bronze river-gods, on the far-away Arc, a structure of amethyst mist, on the countless vistas of grey stems and bare branches faintly green. Then I saw him again coming down one of the chestnut alleys of the Cours la Reine.

("In The Court of the Dragon") ~ Robert W Chambers,
1232:Trehill Well
There stood a low and ivied roof,
As gazing rustics tell,
In times of chivalry and song
'Yclept the holy well.
Above the ivies' branchlets gray
In glistening clusters shone;
While round the base the grass-blades bright
And spiry foxglove sprung.
The brambles clung in graceful bands,
Chequering the old gray stone
With shining leaflets, whose bright face
In autumn's tinting shone.
Around the fountain's eastern base
A babbling brooklet sped,
With sleepy murmur purling soft
Adown its gravelly bed.
Within the cell the filmy ferns
To woo the clear wave bent;
And cushioned mosses to the stone
Their quaint embroidery lent.
The fountain's face lay still as glassSave where the streamlet free
Across the basin's gnarled lip
Flowed ever silently.
Above the well a little nook
Once held, as rustics tell,
All garland-decked, an image of
The Lady of the Well.
They tell of tales of mystery,
Of darkling deeds of woe;
But no! such doings might not brook
The holy streamlet's flow.
149
Oh tell me not of bitter thoughts,
Of melancholy dreams,
By that fair fount whose sunny wall
Basks in the western beams.
When last I saw that little stream,
A form of light there stood,
That seemed like a precious gem,
Beneath that archway rude:
And as I gazed with love and awe
Upon that sylph-like thing,
Methought that airy form must be
The fairy of the spring.
Helston, 1835.
~ Charles Kingsley,
1233:Where was Bewcastle?
But then he was there, standing on the terrace some distance away, and such was the power of his presence that everyone seemed to sense it an fell back away from Alleyne even as they stopped talking. There was still all sorts of noise, of course - horses, carriage wheels, voices, the water spouting out of the fountain - but it seemed to Alleyne as if complete silence fell.
Bewcastle had already seen him. His gaze was steady and silver-eyed and inscrutable. His hand reached for the gold-handled, jewel-studded quizzing glass he always wore with formal attire and raised it halfway to his eyes in a characteristic gesture. Then he came striding along the terrace with uncharacteristic speed and did not stop coming until he had caught Alleyne up in a tight, wordless embrace that lasted perhaps a whole minute while Alleyne dipped his forehead to his brother's shoulder and felt at last that he was safe.
It was an extraordinary moment. He had been little more than a child when his father died, but Wulfric himself had been only seventeen. Alleyne had never thought of him as a father figure. Indeed, he had often resented the authority his brother wielded over them with such unwavering strictness, and often with apparant impersonality and lack of humor. He had always thought of his eldest brother as aloof, unfeeling, totally self sufficient. A cold fish. And yet it was in Wulfric's arm that he felt his homecoming most acutely. He felt finally and completely and unconditionally loved.
An extraordinary moment indeed. ~ Mary Balogh,
1234:You know, there’s no need for you to stay here against your will. You could come home.”
Kestrel splattered oil onto Cheat’s feet and smeared it into the rough skin. “No. There’s nothing there I want.”
She felt his gaze on her bowed head, on her hands moving over his feet. “Do you do this for Arin?”
“No.”
“What do you do for him?”
Kestrel straightened. Her palms were greasy. She rubbed them into her skirts, not caring that disgust was at least one of the things Cheat wanted to see.
Why, why would he want that?
She turned to leave.
“We’re not done,” he said.
“We are,” said Kestrel, “unless you’d like to see how much my father taught me about unarmed combat. I’ll drown you in that fountain. If I can’t, I’ll scream loud enough to bring every Herrani in this house running, and make them wonder what kind of man their leader is, that a Valorian girl so easily snapped his self-control.”
She walked away, and he didn’t follow, though she felt his eyes on her until she turned a corner. She found the kitchens, the most populated place in the house, and stood by a fire, listening to the metal clatter of kettles. She ignored the strange looks.
Then she was shaking, as much with fury as anything else.
Tell Arin.
Kestrel waved that thought away. What good would telling Arin do?
Arin was a black box hidden below a smooth tile. A trap door opening beneath her. He wasn’t what she’d thought he was.
Maybe Arin had known that this would happen, or something like it.
Maybe he wouldn’t even mind. ~ Marie Rutkoski,
1235:CONTIMENT’S END At the equinox when the earth was veiled in a late rain, wreathed with wet poppies, waiting spring, The ocean swelled for a far storm and beat its boundary, the ground-swell shook the beds of granite. I gazing at the boundaries of granite and spray, the established sea-marks, felt behind me Mountain and plain, the immense breadth of the continent, before me the mass and doubled stretch of water. I said: You yoke the Aleutian seal-rocks with the lava and coral sowings that flower the south, Over your flood the life that sought the sunrise faces ours that has followed the evening star. The long migrations meet across you and it is nothing to you, you have forgotten us, mother. You were much younger when we crawled out of the womb and lay in the sun’s eye on the tideline. It was long and long ago; we have grown proud since then and you have grown bitter; life retains Your mobile soft unquiet strength; and envies hardness, the insolent quietness of stone. The tides are in our veins, we still mirror the stars, life is your child, but there is in me Older and harder than life and more impartial, the eye that watched before there was an ocean. That watched you fill your beds out of the condensation of thin vapor and watched you change them, That saw you soft and violent wear your boundaries down, eat rock, shift places with the continents. Mother, though my song’s measure is like your surf-beat’s ancient rhythm I never learned it of you. Before there was any water there were tides of fire, both our tones flow from the older fountain. ~ Robinson Jeffers,
1236:A BRIEF FOR THE DEFENSE Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafes and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come. ~ Jack Gilbert,
1237:Taylor followed her out into a small garden, fully enclosed by the surrounding buildings. A pebble path wound through small patches of grass. A few carved statues sat unobtrusively in the four corners, a stone bench sat next to a burbling fountain. They took a seat, Thalia with her back straight and the same beatific smile she’d had on for the past five minutes. “This is my favorite place. It’s easy to think here.” A calm had stolen over Taylor, similar to the feeling she’d had inside the church. “I can understand why. Can you teach art if you’re a nun?” “Of course. Especially in our fast-paced world, where people don’t take time to read. Art can play a huge role in communication, especially to the young. There are certainly centuries of religious works to study.” They sat in silence for a few moments, then Thalia spoke again, her voiced tinged with sadness. “Jasmine called me. She told me to answer your questions. I don’t know everything about the secret society, but I know some. I’ll help in any way that I can.” “I appreciate that. Jasmine told me that there is a club of girls who are making sex tapes to be posted on the Internet. What can you tell me about them?” Thalia contemplated her hands, which were nestled in her lap. “It’s not what they make it out to be, for starters. It’s supposed to be this glamorous, exciting club that everyone wants to be a part of, and only the most beautiful and popular are tapped. You know what being tapped is, right?” “Yes. You’re chosen by the group, have to go through some awful ritual, then you’re a pledge of sorts. ~ J T Ellison,
1238:ways in which our smartphones are changing us and undermining our spiritual health: Our phones amplify our addiction to distractions (chapter 1) and thereby splinter our perception of our place in time (12). Our phones push us to evade the limits of embodiment (2) and thereby cause us to treat one another harshly (11). Our phones feed our craving for immediate approval (3) and promise to hedge against our fear of missing out (10). Our phones undermine key literary skills (4) and, because of our lack of discipline, make it increasingly difficult for us to identify ultimate meaning (9). Our phones offer us a buffet of produced media (5) and tempt us to indulge in visual vices (8). Our phones overtake and distort our identity (6) and tempt us toward unhealthy isolation and loneliness (7). But it’s not just about warnings. Along the way, I have also attempted to commend twelve life disciplines we need to preserve our spiritual health in the smartphone age: We minimize unnecessary distractions in life to hear from God (chapter 1) and to find our place in God’s unfolding history (12). We embrace our flesh-and-blood embodiment (2) and handle one another with grace and gentleness (11). We aim at God’s ultimate approval (3) and find that, in Christ, we have no ultimate regrets to fear (10). We treasure the gift of literacy (4) and prioritize God’s Word (9). We listen to God’s voice in creation (5) and find a fountain of delight in the unseen Christ (8). We treasure Christ to be molded into his image (6) and seek to serve the legitimate needs of our neighbors (7). ~ Tony Reinke,
1239:Ballade Adresse A Geoffrey Chaucer
O Socratès plains de philosophie,
Seneque en meurs, Auglius en pratique,
Ovides grans en ta poëtrie,
Briés en parler, saiges en rethorique . . .
Grant translateur, noble Geoffrey Chaucier.
O Socrates, filled with philosophy,
Seneca in morals, Aulus Gellius in practice,
Great Ovid of your poetry,
Brief in speech, wise in rhetoric,
Most high eagle, who by your science
Enlumined the realm of Æneas.
The Isle of giants, of Brut, who has
Sown the flowers and planted the rose bower
For those ignorant of French,
Great translator, noble Geoffrey Chaucer.
You are the god of earthly love in Albion,
And of the Rose - in the Angelic land,
Which, from the Saxoness Angelica, has flourished
Into Angle-land, from her whose name is applied
As the last in this etymology You have translated in good English;
And a garden for which you ask for plants
From those who compose in order to be authorities,
You have long since created,
Great translator, noble Geoffrey Chaucer.
From you therefore, from the fountain of Helicon,
I have asked to have an authentic drink,
From the stream that is entirely in your power,
In order to quench my fevered thirst,
I who shall be shall be paralyzed in Gaul
Until you send to give me drink.
I am Eustaces; you shall have some of my plants;
Take in good grace these works of a schoolboy
Which you will recieve from me by Clifford,
Great translator, noble Geoffrey Chaucer.
L'envoy
~ Eustache Deschamps,
1240:HOW SHOULD THE SOUL

How should the soul not take wings
when from the Glory of God
It hears a sweet, kindly call:
"Why are you here, soul? Arise!"
How should a fish not leap fast
into the sea form dry land
When from the ocean so cool
the sound of the waves reaches its
How should the falcon not fly
back to his king from the hunt
When from the falconer's drum
it hears to call: "Oh, come back"?
Why should not every Sufi
begin to dance atom-like
Around the Sun of duration
that saves from impermanence?
What graciousness and what beauty?
What life-bestowing! What grace!
If anyone does without that, woe-
what err, what suffering!
Oh fly , of fly, O my soul-bird,
fly to your primordial home!
You have escaped from the cage now-
your wings are spread in the air.
Oh travel from brackish water
now to the fountain of life!
Return from the place of the sandals
now to the high seat of souls!
Go on! Go on! we are going,
and we are coming, O soul,
From this world of separation
to union, a world beyond worlds!
How long shall we here in the dust-world
like children fill our skirts
With earth and with stones without value,
with broken shards without worth?
Let's take our hand from the dust grove,
let's fly to the heavens' high,
Let's fly from our childish behaviour
and join the banquet of men!
Call out, O soul, to proclaim now
that you are rules and king!
You have the grace of the answer,
you know the question as well! ~ Rumi,
1241:Steppingstone
Home (from Court Square Fountain—
where affluent ghosts still importune
a taciturn
slave to entertain
them with a slow barbarous tune
in his auctioned baritone—
to Hank Williams' headstone
atop a skeleton
loose in a pristine
white suit and bearing a pristine
white bible, to the black bloodstain
on Martin King's torn
white shirt and Jim Clark's baton,
which smashed black skulls to gelatin)
was home, at fifteen: brimstone
on Sunday morning, badminton
hot afternoons, and brimstone
again that night. Often,
as the preacher flailed the lectern,
the free grace I couldn't sustain
past lunch led to clandestine
speculation. Skeleton
and flesh, bone and protein
hold—or is it detain?—
my soul. Was my hometown
Montgomery's molten
sunlight or the internal nocturne
of my unformed soul? Was I torn
from time or was time torn
from me? Turn
on byzantine
turn, I entertain
possibilities still, and overturn
most. It's routine
now to call a hometown
a steppingstone—
and a greased, uncertain,
aleatory stone
at that. Metaphors attune
our ears to steppingstone,
as well a corner-, grind-, and millstone—
all obtain
and all also cartoon
history, which like a piston,
struck hard and often
that blood-dappled town
scrubbed with the acetone
of American inattention. Atone
me no atoning. We know the tune
and as we sing it, we attain
a slow, wanton,
and puritan
grace, grace can't contain.
~ Andrew Hudgins,
1242:A Brief for the Defense

Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come. ~ Jack Gilbert,
1243:His Sons, the fairest of her Daughters Eve. Under a tuft of shade that on a green Stood whispering soft, by a fresh Fountain side They sat them down, and after no more toil Of thir sweet Gardning labour then suffic’d To recommend coole Zephyr, and made ease More easie, wholsom thirst and appetite More grateful, to thir Supper Fruits they fell, Nectarine Fruits which the compliant boughes Yeilded them, side-long as they sat recline On the soft downie Bank damaskt with flours: The savourie pulp they chew, and in the rinde Still as they thirsted scoop the brimming stream; Nor gentle purpose, nor endearing smiles Wanted, nor youthful dalliance as beseems Fair couple, linkt in happie nuptial League, Alone as they. About them frisking playd All Beasts of th’ Earth, since wilde, and of all chase In Wood or Wilderness, Forrest or Den; Sporting the Lion rampd, and in his paw Dandl’d the Kid; Bears, Tygers, Ounces, Pards Gambold before them, th’ unwieldy Elephant To make them mirth us’d all his might, & wreathd His Lithe Proboscis; close the Serpent sly Insinuating, wove with Gordian twine His breaded train, and of his fatal guile Gave proof unheeded; others on the grass Coucht, and now fild with pasture gazing sat, Or Bedward ruminating: for the Sun Declin’d was hasting now with prone carreer To th’ Ocean Iles, and in th’ ascending Scale Of Heav’n the Starrs that usher Evening rose: When Satan still in gaze, as first he stood, Scarce thus at length faild speech recoverd sad. O Hell! what doe mine eyes with grief behold, Into our room of bliss thus high advanc’t Creatures of other mould, earth-born perhaps, Not ~ John Milton,
1244:I ask my readers to observe how deeply thankful we ought to be for the glorious gospel of the grace of God. There is a remedy revealed for mans need, as wide and broad and deep as mans disease. We need not be afraid to look at sin and study its nature, origin, power, extent and vileness, if we only look at the same time at the almighty medicine provided for us in the salvation that is in Jesus Christ. Though sin has abounded, grace has much more abounded. Yes: in the everlasting covenant of redemption, to which Father, Son and Holy Spirit are parties; in the Mediator of that covenant, Jesus Christ the righteous, perfect God and perfect Man in one Person; in the work that He did by dying for our sins and rising again for our justification; in the offices that He fills as our Priest, Substitute, Physician, Shepherd and Advocate; in the precious blood He shed which can cleanse from all sin; in the everlasting righteousness that He brought in; in the perpetual intercession that He carries on as our Representative at Gods right hand; in His power to save to the uttermost the chief of sinners, His willingness to receive and pardon the vilest, His readiness to bear with the weakest; in the grace of the Holy Spirit which He plants in the hearts of all His people, renewing, sanctifying and causing old things to pass away and all things to become newin all this (and oh, what a brief sketch it is!)in all this, I say, there is a full, perfect and complete medicine for the hideous disease of sin. No wonder that old Flavel ends many a chapter of his admirable Fountain of Life with the touching words: "Blessed be God for Jesus Christ. ~ Anonymous,
1245:HOW SHOULD THE SOUL not take wings
when from the Glory of God

It hears a sweet, kindly call:
"Why are you here, soul? Arise!"

How should a fish not leap fast
into the sea from dry land

When from the ocean so cool
the sound of the waves reaches its

How should the falcon not fly
back to his king from the hunt

When from the falconer's drum
it hears to call: "Oh, come back"?

Why should not every Sufi
begin to dance atom-like

Around the Sun of duration
that saves from impermanence?

What graciousness and what beauty?
What life-bestowing! What grace!

If anyone does without that, woe-
what err, what suffering!

Oh fly , of fly, O my soul-bird,
fly to your primordial home!

You have escaped from the cage now-
your wings are spread in the air.

Oh travel from brackish water
now to the fountain of life!

Return from the place of the sandals
now to the high seat of souls!

Go on! Go on! we are going,
and we are coming, O soul,

From this world of separation
to union, a world beyond worlds!

How long shall we here in the dust-world
like children fill our skirts

With earth and with stones without value,
with broken shards without worth?


Let's take our hand from the dust grove,
let's fly to the heavens' high,

Let's fly from our childish behaviour
and join the banquet of men!

Call out, O soul, to proclaim now
that you are rules and king!

You have the grace of the answer,
you know the question as well! ~ Rumi,
1246:After they buy their tickets, Emma pulls him to the concession line. "Galen, do you mind?" she says, drawing a distracting circle on his arm with her finger, sending fire pretty much everywhere inside him. He recognizes the mischief in her eyes but not the particular game she's playing.
"Get whatever you want, Emma," he tells her. With a coy smile, she orders seventy-five dollars worth of candy, soda, and popcorn. By the cashier's expression, seventy-five dollars must be a lot. If the game is to spend all his money, she'll be disappointed. He brought enough cash for five more armfuls of this junk. He helps Emma carry two large fountain drinks, two buckets of popcorn and four boxes of candy to the top row of the half-full theater.
When she's situated in her seat, she tears into a box and dumps the contents in her hand. "Look, sweet lips, I got your favorite, Lemonheads!" Sweet lips? What the- Before he can turn away, she forces three of them into his mouth.
His instant pucker elicits an evil snicker from her. She pops a straw into one of the cups and hands it to him. "Better drink this," she whispers. "To take the bite out of the candy."
He should have known better. The drink is so full of bubbles it turns clear up to his nostrils. Pride keeps him from coughing. Pride, and the Lemonhead lodged in his throat. Several more heaping gulps and he gets it down.
After a few minutes, a sample of greasy popcorn, and the rest of the soda, the lights finally dim, giving Galen a reprieve.
While Emma is engrossed in what she calls "stupid previews," Galen excuses himself to vomit in the bathroom. Emma wins this round. ~ Anna Banks,
1247:It Is The Sinners' Dust-Tongued Bell
It is the sinners' dust-tongued bell claps me to churches
When, with his torch and hourglass, like a sulpher priest,
His beast heel cleft in a sandal,
Time marks a black aisle kindle from the brand of ashes,
Grief with dishevelled hands tear out the altar ghost
And a firewind kill the candle.
Over the choir minute I hear the hour chant:
Time's coral saint and the salt grief drown a foul sepulchre
And a whirlpool drives the prayerwheel;
Moonfall and sailing emperor, pale as their tide-print,
Hear by death's accident the clocked and dashed-down spire
Strike the sea hour through bellmetal.
There is loud and dark directly under the dumb flame,
Storm, snow, and fountain in the weather of fireworks,
Cathedral calm in the pulled house;
Grief with drenched book and candle christens the cherub time
From the emerald, still bell; and from the pacing weather-cock
The voice of bird on coral prays.
Forever it is a white child in the dark-skinned summer
Out of the font of bone and plants at that stone tocsin
Scales the blue wall of spirits;
From blank and leaking winter sails the child in colour,
Shakes, in crabbed burial shawl, by sorcerer's insect woken,
Ding dong from the mute turrets.
I mean by time the cast and curfew rascal of our marriage,
At nightbreak born in the fat side, from an animal bed
In a holy room in a wave;
And all love's sinners in sweet cloth kneel to a hyleg image,
Nutmeg, civet, and sea-parsley serve the plagued groom and bride
Who have brought forth the urchin grief.
~ Dylan Thomas,
1248:Ma And Her Checkbook
Ma has a dandy little book that's full of narrow
slips,
An' when she wants to pay a bill a page from
it she rips;
She just writes in the dollars and the cents and
signs her name
An' that's as good as money, though it doesn't
look the same.
When she wants another bonnet or some
feathers for her neck,
She promptly goes an' gets 'em, an' she writes
another check.
I don't just understand it, but I know she
sputters when
Pa says to her at supper: 'Well! You're
overdrawn again!'
Ma's not a business woman, she is much too
kind of heart
To squabble over pennies or to play a selfish
part,
An' when someone asks for money, she's not
one to stop an' think
Of a little piece of paper an' the cost of pen
an' ink.
She just tells him very sweetly if he'll only
wait a bit
An' be seated in the parlor, she will write a
check for it.
She can write one out for twenty just as easily
as ten,
An' forgets that Pa may grumble: 'Well,
you're overdrawn again!'
Pa says it looks as though he'll have to start in
workin' nights
To gather in the money for the checks that
mother writes.
He says that every morning when he's summoned
447
to the phone,
He's afraid the bank is calling to make mother's
shortage known.
He tells his friends if ever anything our fortune
wrecks
They can trace it to the moment mother started
writing checks.
He's got so that he trembles when he sees her
fountain pen
An' he mutters: 'Do be careful! You'll be
overdrawn again!'
~ Edgar Albert Guest,
1249:Legends
CLOWNS DYINGFIVE circus clowns dying this year, morning newspapers told
their lives, how each one horizontal in a last gesture of hands arranged by an
undertaker, shook thousands into convulsions of laughter from behind rouge-red
lips and powder-white face.
STEAMBOAT BILLWhen the boilers of the Robert E. Lee exploded, a steamboat
winner of many races on the Mississippi went to the bottom of the river and
never again saw the wharves of Natchez and New Orleans.
And a legend lives on that two gamblers were blown toward the sky and during
their journey laid bets on which of the two would go higher and which would be
first to set foot on the turf of the earth again.
FOOT AND MOUTH PLAGUEWhen the mysterious foot and mouth epidemic
ravaged the cattle of Illinois, Mrs. Hector Smith wept bitterly over the
government killing forty of her soft-eyed Jersey cows; through the newspapers
she wept over her loss for millions of readers in the Great Northwest.
SEVENSThe lady who has had seven lawful husbands has written seven years for
a famous newspaper telling how to find love and keep it: seven thousand hungry
girls in the Mississippi Valley have read the instructions seven years and found
neither illicit loves nor lawful husbands.
PROFITEERI who saw ten strong young men die anonymously, I who saw ten old
mothers hand over their sons to the nation anonymously, I who saw ten
thousand touch the sunlit silver finalities of undistinguished human glory-why do
I sneeze sardonically at a bronze drinking fountain named after one who
participated in the war vicariously and bought ten farms?
~ Carl Sandburg,
1250:Grey-Eyed Mabel
I gazed on orbs of flashing black;
I met the glow of hazel light;
I marked the hue of laughing blue,
That sparkled in the festive night.
But none could fling a lasting spell
To hold me with unchanging power-The chains they cast were never fast
Beyond the gay and fleeting hour-Till Grey-eyed Mabel's gentle glance,
With blushing sense and beauty rife,
Bade my soul cry with burning sigh,
'I'm thine, and only thine, for life.'
Black, blue, and hazel stars have set,
But Mabel's grey eyes lead me yet.
What was it in sweet Mabel's eyes
That told me what no others told,
That roused the dull, that pleased the wise,
That charmed the young and cheered the old?
What was it held my world-worn breast
In holy thrall--unknown before?
What was it those grey eyes expressed
That made me worship and adore?
It was the pure and tender ray
That filled those eyes in joy or woe;
It was the beam that could not play
Without the fountain stream below;
It was the beam of simple truth,
Of Woman's faith and trusting Youth.
Those soft, grey eyes were watched by mine
With earnest, deep, and secret prayer;
I knew, I felt, my earthly shrine
Was found and fixed for ever--there.
I poured my heart one moonlit night
Into sweet Mabel's listening ear;
Our mutual vow, from then till now,
Bound each to each--fond, firm, and dear.
Our boys and girls are growing round,
And all give promise, brave and fair,
But one, young cherub form is found
First in my love, my hope, my care.
And why?--ah! why? My soul replies,
'She has dear Mabel's soft, grey eyes.'
~ Eliza Cook,
1251:Wallace Stevens On His Way To Work
He would leave early and walk slowly
     As if balancing books           
On the way to school, already expecting
To be tardy once again and heavy      
With numbers, the unfashionably rounded           
Toes of his shoes invisible beyond
The slope of his corporation. He would pause      
At his favorite fundamentally sound           
Park bench, which had been the birthplace
Of paeans and ruminations on other mornings,    
  And would turn his back to it, having gauged the distance  
 Between his knees and the edge of the hardwood
Almost invariably unoccupied     
 At this enlightened hour by the bums of nighttime          
 (For whom the owlish eye of the moon
Had been closed by daylight) , and would give himself wholly over      
Backwards and trustingly downwards          
 And be well seated there. He would remove
From his sinister jacket pocket a postcard     
 And touch it and retouch it with the point         
  Of the fountain he produced at his fingertips
And fill it with his never-before-uttered    
  Runes and obbligatos and pellucidly cryptic         
  Duets from private pageants, from broken ends
Of fandangos with the amoeba chaos chaos      
Couchant and rampant. Then he would rise        
   With an effort as heartfelt as a decision
To get out of bed on Sunday and carefully   
   Relocate his center of gravity      
     Above and beyond an imaginary axis
Between his feet and carry the good news
     Along the path and the sidewalk, well on his way  
         To readjusting the business of the earth.
~ David Wagoner,
1252:So much of the most important personal news I'd received in the last several years had come to me by smartphone while I was abroad in the city that I could plot on a map, could represent spatially the events, such as they were, of my early thirties. Place a thumbtack on the wall or drop a flag on Google Maps at Lincoln Center, where, beside the fountain, I took a call from Jon informing me that, for whatever complex of reasons, a friend had shot himself; mark the Noguchi Museum in Long Island City, where I read the message ("Apologies for the mass e-mail...") a close cousin sent out describing the dire condition of her newborn; waiting in line at the post office on Atlantic, the adhan issuing from the adjacent mosque, I received your wedding announcement and was shocked to be shocked, crushed, and started a frightening multi week descent, worse for being so embarrassingly cliched; while in the bathroom at the SoHo Crate and Barrel--the finest semipublic restroom in lower Manhattan--I learned I'd been awarded a grant that would take me overseas for a summer, and so came to associate the corner of Broadway and Houston with all that transpired in Morocco; at Zucotti Park I heard my then-girlfriend was not--as she'd been convinced--pregnant; while buying discounted dress socks at the Century 21 department store across from Ground Zero, I was informed by text that a friend in Oakland had been hospitalized after the police had broken his ribs. And so on: each of these experiences of reception remained, as it were, in situ, so that whenever I returned to a zone where significant news had been received, I discovered that the news and an echo of its attendant affect still awaited me like a curtain of beads. ~ Ben Lerner,
1253:Clear, With Light, Variable Winds
The fountain bent and straightened itself
In the night wind,
Blowing like a flower.
It gleamed and glittered,
A tall white lily,
Under the eye of the golden moon.
From a stone seat,
Beneath a blossoming lime,
The man watched it.
And the spray pattered
On the dim grass at his feet.
The fountain tossed its water,
Up and up, like silver marbles.
Is that an arm he sees?
And for one moment
Does he catch the moving curve
Of a thigh?
The fountain gurgled and splashed,
And the man's face was wet.
Is it singing that he hears?
A song of playing at ball?
The moonlight shines on the straight column of water,
And through it he sees a woman,
Tossing the water-balls.
Her breasts point outwards,
And the nipples are like buds of peonies.
Her flanks ripple as she plays,
And the water is not more undulating
Than the lines of her body.
'Come,' she sings, 'Poet!
Am I not more worth than your day ladies,
Covered with awkward stuffs,
Unreal, unbeautiful?
What do you fear in taking me?
Is not the night for poets?
I am your dream,
63
Recurrent as water,
Gemmed with the moon!'
She steps to the edge of the pool
And the water runs, rustling, down her sides.
She stretches out her arms,
And the fountain streams behind her
Like an opened veil.
*****
In the morning the gardeners came to their work.
'There is something in the fountain,' said one.
They shuddered as they laid their dead master
On the grass.
'I will close his eyes,' said the head gardener,
'It is uncanny to see a dead man staring at the sun.'
~ Amy Lowell,
1254:The Mower Against Gardens
Luxurious Man, to bring his Vice in use,
Did after him the World seduce:
And from the Fields the Flow'rs and Plants allure,
Where Nature was most plain and pure.
He first enclos'd within the Gardens square
A dead and standing pool of Air:
And a more luscious Earth for them did knead,
Which stupifi'd them while it fed.
The Pink grew then as double as his Mind;
The nutriment did change the kind.
With strange perfumes he did the Roses taint.
And Flow'rs themselves were taught to paint.
The Tulip, white, did for complexion seek;
And learn'd to interline its cheek:
Its Onion root they then so high did hold,
That one was for a Meadow sold.
Another World was search'd, through Oceans new,
To find the Marvel Of Peru.
And yet these Rarities might be allow'd,
To Man, that Sov'raign thing and proud;
Had he not dealt between the Bark and Tree,
Forbidden mixtures there to see.
No Plant now knew the Stock from which it came;
He grafts upon the Wild the Tame:
That the uncertain and adult'rate fruit
Might put the Palate in dispute.
His green Seraglio has its Eunuchs too;
Lest any Tyrant him out-doe.
And in the Cherry he does Nature vex,
To procreate without a Sex.
'Tis all enforc'd; the Fountain and the Grot;
While the sweet Fields do lye forgot:
Where willing Nature does to all dispence
A wild and fragrant Innocence:
And Fauns and Faryes do the Meadows till,
More by their presence then their skill.
Their Statues polish'd by some ancient hand,
May to adorn the Gardens stand:
But howso'ere the Figures do excel,
154
The Gods themselves with us do dwell.
~ Andrew Marvell,
1255:Ballade Of The Midnight Forest
Still sing the mocking fairies, as of old,
Beneath the shade of thorn and holly-tree;
The west wind breathes upon them, pure and cold,
And wolves still dread Diana roaming free
In secret woodland with her company.
'Tis thought the peasants' hovels know her rite
When now the wolds are bathed in silver light,
And first the moonrise breaks the dusky grey,
Then down the dells, with blown soft hair and bright,
And through the dim wood Dian threads her way.
With water-weeds twined in their locks of gold
The strange cold forest-fairies dance in glee,
Sylphs over-timorous and over-bold
Haunt the dark hollows where the dwarf may be,
The wild red dwarf, the nixies' enemy;
Then 'mid their mirth, and laughter, and affright,
The sudden Goddess enters, tall and white,
With one long sigh for summers pass'd away;
The swift feet tear the ivy nets outright
And through the dim wood Dian threads her way.
She gleans her silvan trophies; down the wold
She hears the sobbing of the stags that flee
Mixed with the music of the hunting roll'd,
But her delight is all in archery,
And naught of ruth and pity wotteth she
More than her hounds that follow on the flight;
The goddess draws a golden bow of might
And thick she rains the gentle shafts that slay.
She tosses loose her locks upon the night,
And through the dim wood Dian threads her way.
ENVOY.
Prince, let us leave the din, the dust, the spite,
The gloom and glare of towns, the plague, the blight:
Amid the forest leaves and fountain spray
There is the mystic home of our delight,
40
And through the dim wood Dian threads her way.
~ Andrew Lang,
1256:... What do you want, Ash?"
"Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her."
I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium.
"Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin.
"This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself."
"Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough."
"Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die."
"Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face.
"I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone.
"So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?"
I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he? ~ Julie Kagawa,
1257:49

Go thou to Rome,--at once the Paradise,
The grave, the city, and the wilderness;
And where its wrecks like shattered mountains rise,
And flowering weeds, and fragrant copses dress
The bones of Desolation's nakedness
Pass, till the spirit of the spot shall lead
Thy footsteps to a slope of green access
Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;

50

And gray walls moulder round, on which dull Time
Feeds, like slow fire upon a hoary brand;
And one keen pyramid with wedge sublime,
Pavilioning the dust of him who planned
This refuge for his memory, doth stand
Like flame transformed to marble; and beneath,
A field is spread, on which a newer band
Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath.

51

Here pause: these graves are all too young as yet
To have outgrown the sorrow which consigned
Its charge to each; and if the seal is set,
Here, on one fountain of a mourning mind,
Break it not thou! too surely shalt thou find
Thine own well full, if thou returnest home,
Of tears and gall. From the world's bitter wind
Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become?

52

The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments.--Die,
If thou wouldst be with that which thou dost seek!
Follow where all is fled!--Rome's azure sky,
Flowers, ruins, statues, music, words, are weak
The glory they transfuse with fitting truth to speak.

~ Percy Bysshe Shelley, From
,
1258:Dream-Love
Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there:
And round about him
The May-bushes are white.
Soft moss the pillow
For oh, a softer cheek;
Broad leaves cast shadow
Upon the heavy eyes:
There wind and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.
Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips;
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.
Burn odours round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For oh, in waking
The sights are no so fair,
And song and silence
Are not like these below.
Young Love lies dreaming
Till summer days are gone, Dreaming and drowsing
91
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep.
Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
Oh, poor the voices
Of earth from east to west,
And poor earth's stillness
Between her stately palms.
Young Love lies drowsing
Away to poppied death;
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm delicious breath;
And what hath autumn
To give us in its place?
Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere:
Here first the violets
Perhaps with bud unseen,
And a dove, may be,
Return to nestle here.
~ Dante Gabriel Rossetti,
1259:Dream-Love
Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there:
And round about him
The May-bushes are white.
Soft moss the pillow
For oh, a softer cheek;
Broad leaves cast shadow
Upon the heavy eyes:
There winds and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.
Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips;
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.
Burn odours round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For oh, in waking
The sights are not so fair,
And song and silence
Are not like these below.
Young Love lies dreaming
Till summer days are gone,—
Dreaming and drowsing
144
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep.
Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
Oh, poor the voices
Of earth from east to west,
And poor earth's stillness
Between her stately palms.
Young Love lies drowsing
Away to poppied death;
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm, delicious breath;
And what hath autumn
To give us in its place?
Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere:
Here the first violets
Perhaps will bud unseen,
And a dove, may be,
Return to nestle here.
~ Christina Georgina Rossetti,
1260:April 9 MORNING “And there followed Him a great company of people, and of women, which also bewailed and lamented Him.” — Luke 23:27 AMID the rabble rout which hounded the Redeemer to His doom, there were some gracious souls whose bitter anguish sought vent in wailing and lamentations — fit music to accompany that march of woe. When my soul can, in imagination, see the Saviour bearing His cross to Calvary, she joins the godly women and weeps with them; for, indeed, there is true cause for grief — cause lying deeper than those mourning women thought. They bewailed innocence maltreated, goodness persecuted, love bleeding, meekness about to die; but my heart has a deeper and more bitter cause to mourn. My sins were the scourges which lacerated those blessed shoulders, and crowned with thorn those bleeding brows: my sins cried “Crucify Him! crucify Him!” and laid the cross upon His gracious shoulders. His being led forth to die is sorrow enough for one eternity: but my having been His murderer, is more, infinitely more, grief than one poor fountain of tears can express. Why those women loved and wept it were not hard to guess: but they could not have had greater reasons for love and grief than my heart has. Nain’s widow saw her son restored — but I myself have been raised to newness of life. Peter’s wife’s mother was cured of the fever — but I of the greater plague of sin. Out of Magdalene seven devils were cast — but a whole legion out of me. Mary and Martha were favoured with visits — but He dwells with me. His mother bare His body — but He is formed in me the hope of glory. In nothing behind the holy women in debt, let me not be behind them in gratitude or sorrow. “Love and grief my heart dividing, With my tears His feet I’ll lave — Constant still in heart abiding, Weep for Him who died to save. ~ Charles Haddon Spurgeon,
1261:World's Desire
Love, there is a castle built in a country desolate,
On a rock above a forest where the trees are grim and great,
Blasted with the lightning sharp-giant boulders strewn between,
And the mountains rise above, and the cold ravine
Echoes to the crushing roar and thunder of a mighty river
Raging down a cataract. Very tower and forest quiver
And the grey wolves are afraid and the call of birds is drowned,
And the thought and speech of man in the boiling water's sound.
But upon the further side of the barren, sharp ravine
With the sunlight on its turrets is the castle seen,
Calm and very wonderful, white above the green
Of the wet and waving forest, slanted all away,
Because the driving Northern wind will not rest by night or day.
Yet the towers are sure above, very mighty is the stead,
The gates are made of ivory, the roofs of copper red.
Round and round the warders grave walk upon the walls for ever
And the wakeful dragons couch in the ports of ivory,
Nothing is can trouble it, hate of the gods nor man's endeavour,
And it shall be a resting-place, dear heart, for you and me.
Through the wet and waving forest with an age-old sorrow laden
Singing of the world's regret wanders wild the faerie maiden,
Through the thistle and the brier, through the tangles of the thorn,
Till her eyes be dim with weeping and her homeless feet are torn.
Often to the castle gate up she looks with vain endeavour,
For her soulless loveliness to the castle winneth never.
But within the sacred court, hidden high upon the mountain,
Wandering in the castle gardens lovely folk enough there be,
Breathing in another air, drinking of a purer fountain
And among that folk, beloved, there's a place for you and me
~ Clive Staples Lewis,
1262:A Fit Of Rhyme Against Rhyme
Rhyme, the rack of finest wits,
That expresseth but by fits
True conceit,
Spoiling senses of their treasure,
Cozening judgment with a measure,
But false weight;
Wresting words from their true calling,
Propping verse for fear of falling
To the ground;
Jointing syllabes, drowning letters,
Fast'ning vowels as with fetters
They were bound!
Soon as lazy thou wert known,
All good poetry hence was flown,
And art banish'd.
For a thousand years together
All Parnassus' green did wither,
And wit vanish'd.
Pegasus did fly away,
At the wells no Muse did stay,
But bewail'd
So to see the fountain dry,
And Apollo's music die,
All light failed!
Starveling rhymes did fill the stage;
Not a poet in an age
Worth crowning;
Not a work deserving bays,
Not a line deserving praise,
Pallas frowning;
Greek was free from rhyme's infection,
Happy Greek by this protection
Was not spoiled.
Whilst the Latin, queen of tongues,
Is not yet free from rhyme's wrongs,
But rests foiled.
Scarce the hill again doth flourish,
Scarce the world a wit doth nourish
To restore
Phœbus to his crown again,
And the Muses to their brain,
As before.
Vulgar languages that want
Words and sweetness, and be scant
Of true measure,
Tyrant rhyme hath so abused,
That they long since have refused
Other cæsure.
He that first invented thee,
May his joints tormented be,
Cramp'd forever.
Still may syllabes jar with time,
Still may reason war with rhyme,
Resting never.
May his sense when it would meet
The cold tumor in his feet,
Grow unsounder;
And his title be long fool,
That in rearing such a school
Was the founder.
~ Ben Jonson,
1263:It was blood which was of infinite merit and value in the sight of God. It was not the blood of one who was nothing more than a singularly holy man, but of one who was God’s own “Fellow”, very God of very God (Zechariah 13:7). It was not the blood of one who died involuntarily, as a martyr for truth, but of one who voluntarily undertook to be the Substitute and Proxy for mankind, to bear their sins and carry their iniquities. It made atonement for man’s transgressions; it paid man’s enormous debt to God; it provided a way of righteous reconciliation between sinful man and his holy Maker; it made a road from heaven to earth, by which God could come down to man, and show mercy; it made a road from earth to heaven, by which man could draw near to God, and yet not feel afraid. Without it there could have been no remission of sin. Through it God can be “just and yet the justifier” of the ungodly. From it a fountain has been formed, wherein sinners can wash and be clean to all eternity (Romans 3:26). This wondrous blood of Christ, applied to your conscience, can cleanse you from all sin. It matters nothing what your sins may have been, “Though they be as scarlet they may be made like snow. Though they be red like crimson they can be made like wool” (Isaiah 1:18). From sins of youth and sins of age, from sins of ignorance and sins of knowledge, from sins of open profligacy and sins of secret vice, from sins against law and sins against Gospel, from sins of head, and heart, and tongue, and thought, and imagination, from sins against each and all of the ten commandments, from all these the blood of Christ can set us free. To this end was it appointed; for this cause was it shed; for this purpose it is still a fountain open to all mankind. That thing which you cannot do for yourself can be done in a moment by this precious fountain ~ Anonymous,
1264:Of all the streets that blur in to the sunset,
There must be one (which, I am not sure)
That I by now have walked for the last time
Without guessing it, the pawn of that Someone

Who fixes in advance omnipotent laws,
Sets up a secret and unwavering scale
for all the shadows, dreams, and forms
Woven into the texture of this life.

If there is a limit to all things and a measure
And a last time and nothing more and forgetfulness,
Who will tell us to whom in this house
We without knowing it have said farewell?

Through the dawning window night withdraws
And among the stacked books which throw
Irregular shadows on the dim table,
There must be one which I will never read.

There is in the South more than one worn gate,
With its cement urns and planted cactus,
Which is already forbidden to my entry,
Inaccessible, as in a lithograph.

There is a door you have closed forever
And some mirror is expecting you in vain;
To you the crossroads seem wide open,
Yet watching you, four-faced, is a Janus.

There is among all your memories one
Which has now been lost beyond recall.
You will not be seen going down to that fountain
Neither by white sun nor by yellow moon.

You will never recapture what the Persian
Said in his language woven with birds and roses,
When, in the sunset, before the light disperses,
You wish to give words to unforgettable things.

And the steadily flowing Rhone and the lake,
All that vast yesterday over which today I bend?
They will be as lost as Carthage,
Scourged by the Romans with fire and salt.

At dawn I seem to hear the turbulent
Murmur of crowds milling and fading away;
They are all I have been loved by, forgotten by;
Space, time, and Borges now are leaving me. ~ Jorge Luis Borges,
1265:April 10 MORNING “The place which is called Calvary.” — Luke 23:33 THE hill of comfort is the hill of Calvary; the house of consolation is built with the wood of the cross; the temple of heavenly blessing is founded upon the riven rock — riven by the spear which pierced His side. No scene in sacred history ever gladdens the soul like Calvary’s tragedy. “Is it not strange, the darkest hour That ever dawned on sinful earth, Should touch the heart with softer power, For comfort, than an angel’s mirth? That to the Cross the mourner’s eye should turn, Sooner than where the stars of Bethlehem burn?” Light springs from the midday-midnight of Golgotha, and every herb of the field blooms sweetly beneath the shadow of the once accursed tree. In that place of thirst, grace hath dug a fountain which ever gusheth with waters pure as crystal, each drop capable of alleviating the woes of mankind. You who have had your seasons of conflict, will confess that it was not at Olivet that you ever found comfort, not on the hill of Sinai, nor on Tabor; but Gethsemane, Gabbatha, and Golgotha have been a means of comfort to you. The bitter herbs of Gethsemane have often taken away the bitters of your life; the scourge of Gabbatha has often scourged away your cares, and the groans of Calvary yields us comfort rare and rich. We never should have known Christ’s love in all its heights and depths if He had not died; nor could we guess the Father’s deep affection if He had not given His Son to die. The common mercies we enjoy all sing of love, just as the sea-shell, when we put it to our ears, whispers of the deep sea whence it came; but if we desire to hear the ocean itself, we must not look at every-day blessings, but at the transactions of the crucifixion. He who would know love, let him retire to Calvary and see the Man of sorrows die. ~ Charles Haddon Spurgeon,
1266:A Dream Of Sunshine - Excerpt

I'm weary of this weather and I hanker for the ways
Which people read of in the psalms and preachers paraphrase--
The grassy fields, the leafy woods, the banks where I can lie
And listen to the music of the brook that flutters by,
Or, by the pond out yonder, hear the redwing blackbird's call
Where he makes believe he has a nest, but hasn't one at all;
And by my side should be a friend--a trusty, genial friend,
With plenteous store of tales galore and natural leaf to lend;
Oh, how I pine and hanker for the gracious boon of spring--
For then I'm going a-fishing with John Lyle King!

How like to pigmies will appear creation, as we float
Upon the bosom of the tide in a three-by-thirteen boat--
Forgotten all vexations and all vanities shall be,
As we cast our cares to windward and our anchor to the lee;
Anon the minnow-bucket will emit batrachian sobs,
And the devil's darning-needles shall come wooing of our bobs;
The sun shall kiss our noses and the breezes toss our hair
(This latter metaphoric--we've no fimbriae to spare!);
And I--transported by the bliss--shan't do a plaguey thing
But cut the bait and string the fish for John Lyle King!

Or, if I angle, it will be for bullheads and the like,
While he shall fish for gamey bass, for pickerel, and for pike;
I really do not care a rap for all the fish that swim--
But it's worth the wealth of Indies just to be along with him
In grassy fields, in leafy woods, beside the water-brooks,
And hear him tell of things he's seen or read of in his books--
To hear the sweet philosophy that trickles in and out
The while he is discoursing of the things we talk about;
A fountain-head refreshing--a clear, perennial spring
Is the genial conversation of John Lyle King! ~ Eugene Field,
1267:A Dream Of Sunshine - Excerpt

I'm weary of this weather and I hanker for the ways
Which people read of in the psalms and preachers paraphrase--
The grassy fields, the leafy woods, the banks where I can lie
And listen to the music of the brook that flutters by,
Or, by the pond out yonder, hear the redwing blackbird's call
Where he makes believe he has a nest, but hasn't one at all;
And by my side should be a friend--a trusty, genial friend,
With plenteous store of tales galore and natural leaf to lend;
Oh, how I pine and hanker for the gracious boon of spring--
For _then_ I'm going a-fishing with John Lyle King!

How like to pigmies will appear creation, as we float
Upon the bosom of the tide in a three-by-thirteen boat--
Forgotten all vexations and all vanities shall be,
As we cast our cares to windward and our anchor to the lee;
Anon the minnow-bucket will emit batrachian sobs,
And the devil's darning-needles shall come wooing of our bobs;
The sun shall kiss our noses and the breezes toss our hair
(This latter metaphoric--we've no fimbriae to spare!);
And I--transported by the bliss--shan't do a plaguey thing
But cut the bait and string the fish for John Lyle King!

Or, if I angle, it will be for bullheads and the like,
While he shall fish for gamey bass, for pickerel, and for pike;
I really do not care a rap for all the fish that swim--
But it's worth the wealth of Indies just to be along with him
In grassy fields, in leafy woods, beside the water-brooks,
And hear him tell of things he's seen or read of in his books--
To hear the sweet philosophy that trickles in and out
The while he is discoursing of the things we talk about;
A fountain-head refreshing--a clear, perennial spring
Is the genial conversation of John Lyle King! ~ Eugene Field,
1268:On The Death Of Mrs. Martineau, Senr.
Ye who around this venerated bier
In pious anguish pour the tender tear,
Mourn not!—'Tis Virtue's triumph, Nature's doom,
When honoured Age, slow bending to the tomb,
Earth's vain enjoyments past, her transient woes,
Tastes the long sabbath of well-earned repose.
No blossom here, in vernal beauty shed,
No lover lies, warm from the nuptial bed;
Here rests “the full of days,”—each task fulfilled,
Each wish accomplished, and each passion stilled.
You raised her languid head, caught her last breath,
And cheered with looks of love the couch of death.
Yet mourn!—for sweet the filial sorrows flow,
When fond affection prompts the gush of woe;
No bitter drop, 'midst nature's kind relief,
Sheds gall into the fountain of your grief;
No tears you shed for patient love abused,
And counsel scorned, and kind restraints refused;
Not yours the pang the conscious bosom wrings,
When late Remorse inflicts her fruitless stings.
Living you honoured her, you mourn for dead;
Her God you worship, and her path you tread:
Your sighs shall aid reflection's serious hour,
And cherished virtues bless the kindly shower:
On the loved theme your lips unblamed shall dwell;
Your lives, more eloquent, her worth shall tell.—
Long may that worth, fair Virtue's heritage,
From race to race descend, from age to age!
Still purer with transmitted lustre shine,
The treasured birthright of the spreading line!
—For me, as o'er the frequent grave I bend,
And pensive down the vale of years descend;—
Companions, parents, kindred called to mourn,
Dropt from my side, or from my bosom torn;
A boding voice, methinks, in Fancy's ear
Speaks from the tomb, and cries “Thy friends are here!”
97
~ Anna Laetitia Barbauld,
1269:As Mrs. Armiger drew near, the fountain clerk put my sundae in front of me. “Here you are,” he said. “I made this one especially for you, Andrew. Plenty of chocolate sauce and whipped cream--just the way you like it.”
Glad Andrew and I had at least one thing in common, I scooped up a big spoonful of ice cream. My mouth was watering for chocolate, but before I had a chance to taste it, Mrs. Armiger pounced on me. “How wonderful to see you up and about, dear boy. I was just plain worried to death when I heard you’d come down with diphtheria.”
Her perfume hung around me in a cloud so dense I could hardly breathe. “Yes, ma’am,” I stammered, trying hard not to cough. “Thank you, ma’am.”
Laying a plump hand on my shoulder, Mrs. Armiger smiled. “Why, Andrew, I believe a touch of the dark angel’s wings has improved your manners.”
Theo gave me one of the sharp little kicks he specialized in. Blowing through his straw, he made loud bubbling sounds in his drink.
He expected me to do something outrageous too. They all did--the whole family was watching, waiting for me to mortify them. I could almost hear Mama holding her breath. I knew Andrew would never have sat as still as a stone, ears burning with embarrassment, but, unlike him, I couldn’t think what to do or say.
“That’s a very rude noise, Theodore,” Mrs. Armiger said.
Mama snatched Theo’s glass. “If you want to finish your phosphate, apologize to Mrs. Armiger.”
Without looking at anyone, Theo mumbled, “I’m sorry.”
Mama wasn’t satisfied. “Sorry for what, Theodore Aloysius?”
Theo kept his head down. Trying not to giggle, he said, “I’m sorry for making a rude noise, Mrs. Armiger.”
Mama gave him his phosphate. “That’s better.”
Theo kicked me again, harder this time. From the way he was scowling, I guessed he was mad that he’d gotten into trouble and I hadn’t. ~ Mary Downing Hahn,
1270:Dawn In The Mountains
It is the morning star, arising slow
Out of yon hill’s dark bulk, as she were born
Of its desire for day; then glides she forth
And into the dim sky, there leaving still
A whiteness in her wake that whitens more
As she ascends, till all the gloomy woods
Are touched along their multiformous lines
By a faint gleaming azure, creeping on:
A few thin stripes of fleecy clouds lie long
And motionless above the eastern steeps,
Like threads of silver lace; till suddenly,
Out from the flushing centre to the ends
On either hand, their lustrous layers become
Dipt all in crimson streaked with pink and gold;
And then at last are edged as with a band
Of crystal all on fire. Meanwhile the stars,
Those golden children of eternity,
Have all withdrawn within the Invisible;
That skiey gleam and azure prevalence
Which first bespoke the dawn works out and down
Ev’n to the grassy ground; till all the trees,
Clearly defined to their minutest sprays,
Stand in unspeakable beauty. Long before
The sun himself is seen, off towards the west
A range of mighty summits more and more
Blaze each like a huge cresset in the keen
Clear atmosphere. As if the spirit of light
Advancing swiftly thence, and eastward still,
Kept kindling them in quick succession, till
The universal company of cones
And peaks pyramidal stand burning all
With rosy fires like a wide-ranging circ
Of mighty altars, where the spirit of man
Can feel the presence of that greater soul
Which makes all nature, and of which itself
Is but an effluence, however far
Projected, or detached by tract of time;
Even as a sunbeam’s fountain in the sun,
Whether it hit the earth or glance away
50
Into infinitude—shooting on for ever.
~ Charles Harpur,
1271:Of all the streets that blur in to the sunset,
There must be one (which, I am not sure)
That I by now have walked for the last time
Without guessing it, the pawn of that Someone

Who fixes in advance omnipotent laws,
Sets up a secret and unwavering scale
for all the shadows, dreams, and forms
Woven into the texture of this life.

If there is a limit to all things and a measure
And a last time and nothing more and forgetfulness,
Who will tell us to whom in this house
We without knowing it have said farewell?

Through the dawning window night withdraws
And among the stacked books which throw
Irregular shadows on the dim table,
There must be one which I will never read.

There is in the South more than one worn gate,
With its cement urns and planted cactus,
Which is already forbidden to my entry,
Inaccessible, as in a lithograph.

There is a door you have closed forever
And some mirror is expecting you in vain;
To you the crossroads seem wide open,
Yet watching you, four-faced, is a Janus.

There is among all your memories one
Which has now been lost beyond recall.
You will not be seen going down to that fountain
Neither by white sun nor by yellow moon.

You will never recapture what the Persian
Said in his language woven with birds and roses,
When, in the sunset, before the light disperses,
You wish to give words to unforgettable things.

And the steadily flowing Rhone and the lake,
All that vast yesterday over which today I bend?
They will be as lost as Carthage,
Scourged by the Romans with fire and salt.

At dawn I seem to hear the turbulent
Murmur of crowds milling and fading away;
They are all I have been loved by, forgotten by;
Space, time, and Borges now are leaving me.

~ Jorge Luis Borges, Limits
,
1272:Good-bye," he muttered harshly. "Good-bye! Good-bye, mamma!" A wild, strange cry, like that of a beast in pain, was torn from his throat. His eyes were blind with tears; he tried to speak, to get into a word, a phrase, all the pain, the beauty, and the wonder of their lives—every step of that terrible voyage which his incredible memory and intuition took back to the dwelling of her womb. But no word came, no word could come; he kept crying hoarsely again and again, "Good-bye, good-bye." She understood, she knew all he felt and wanted to say, her small weak eyes were wet as his with tears, her face was twisted in the painful grimace of sorrow, and she kept saying:
"Poor child! Poor child! Poor child!" Then she whispered huskily, faintly: "We must try to love one another." The terrible and beautiful sentence, the last, the final wisdom that the earth can give, is remembered at the end, is spoken too late, wearily. It stands there, awful and untraduced, above the dusty racket of our lives. No forgetting, no forgiving, no denying, no explaining, no hating. O mortal and perishing love, born with this flesh and dying with this brain, your memory will haunt the earth forever. And now the voyage out. Where? XL The Square lay under blazing moonlight. The fountain pulsed with a steady breezeless jet: the water fell upon the pool with a punctual slap. No one came into the Square.
The chimes of the bank's clock struck the quarter after three as Eugene entered from the northern edge, by Academy Street.
He came slowly over past the fire department and the City Hall. On Gant's corner, the Square dipped sharply down toward Niggertown, as if it had been bent at the edge.
Eugene saw his father's name, faded, on the old brick in moonlight. On the stone porch of the shop, the angels held their marble posture. They seemed to have frozen, in the moonlight. ~ Thomas Wolfe,
1273:A Dedication
They are rhymes rudely strung with intent less
Of sound than of words,
In lands where bright blossoms are scentless,
And songless bright birds;
Where, with fire and fierce drought on her tresses,
Insatiable Summer oppresses
Sere woodlands and sad wildernesses,
And faint flocks and herds.
Where in drieariest days, when all dews end,
And all winds are warm,
Wild Winter's large floodgates are loosen'd,
And floods, freed by storm;
From broken-up fountain heads, dash on
Dry deserts with long pent up passion-Here rhyme was first framed without fashion,
Song shaped without form.
Whence gather'd?--The locust's glad chirrup
May furnish a stave;
The ring os rowel and stirrup,
The wash of a wave.
The chauntof a marsh frog in rushes
That chimes through the pauses and hushes
Of nightfall, the torrent that gushes,
The tempests that rave.
In the deep'ning of dawn, when it dapples
The dusk of the sky,
With streaks like the redd'ning of apples,
The ripening of rye.
To eastward, when cluster by cluster,
Dim stars and dull planets, that muster,
Wax wan in a world of white lustre
That spreads far and high.
In the gathering of night gloom o'er head, in
The still silent change,
All fire-flush'd when forest trees redden
On slopes of the range.
When the gnarl'd knotted trunks Eucalyptian
Seemed carved like weird columns Egyptian
With curious device--quaint inscription,
And heiroglyph strange.
In the Spring, when the wattle gold trembles
'Twixt shadow and shine,
When each dew-laden air draught resembles
A long draught of wine;
When the skyline's blue burnished resistance
Makes deeper the dreamiest distance,
Some song in all hearts hath existence,-Such songs have been mine.
~ Adam Lindsay Gordon,
1274:Let him that thinketh he standeth take heed lest he fall.” — 1 Corinthians 10:12 IT is a curious fact, that there is such a thing as being proud of grace. A man says, “I have great faith, I shall not fall; poor little faith may, but I never shall.” “I have fervent love,” says another, “I can stand, there is no danger of my going astray.” He who boasts of grace has little grace to boast of. Some who do this imagine that their graces can keep them, knowing not that the stream must flow constantly from the fountain head, or else the brook will soon be dry. If a continuous stream of oil comes not to the lamp, though it burn brightly to-day, it will smoke to-morrow, and noxious will be its scent. Take heed that thou gloriest not in thy graces, but let all thy glorying and confidence be in Christ and His strength, for only so canst thou be kept from falling. Be much more in prayer. Spend longer time in holy adoration. Read the Scriptures more earnestly and constantly. Watch your lives more carefully. Live nearer to God. Take the best examples for your pattern. Let your conversation be redolent of heaven. Let your hearts be perfumed with affection for men’s souls. So live that men may take knowledge of you that you have been with Jesus, and have learned of Him; and when that happy day shall come, when He whom you love shall say, “Come up higher,” may it be your happiness to hear Him say, “Thou hast fought a good fight, thou hast finished thy course, and henceforth there is laid up for thee a crown of righteousness which fadeth not away.” On, Christian, with care and caution! On, with holy fear and trembling! On, with faith and confidence in Jesus alone, and let your constant petition be, “Uphold me according to Thy word.” He is able, and He alone, “To keep you from falling, and to present you faultless before the presence of His glory with exceeding joy. ~ Charles Haddon Spurgeon,
1275:Our mathematics is a combination of invention and discoveries. The axioms of Euclidean geometry as a concept were an invention, just as the rules of chess were an invention. The axioms were also supplemented by a variety of invented concepts, such as triangles, parallelograms, ellipses, the golden ratio, and so on. The theorems of Euclidean geometry, on the other hand, were by and large discoveries; they were the paths linking the different concepts. In some cases, the proofs generated the theorems-mathematicians examined what they could prove and from that they deduced the theorems. In others, as described by Archimedes in The Method, they first found the answer to a particular question they were interested in, and then they worked out the proof.

Typically, the concepts were inventions. Prime numbers as a concept were an invention, but all the theorems about prime numbers were discoveries. The mathematicians of ancient Babylon, Egypt, and China never invented the concept of prime numbers, in spite of their advanced mathematics. Could we say instead that they just did not "discover" prime numbers? Not any more than we could say that the United Kingdom did not "discover" a single, codified, documentary constitution. Just as a country can survive without a constitution, elaborate mathematics could develop without the concept of prime numbers. And it did!

Do we know why the Greeks invented such concepts as the axioms and prime numbers? We cannot be sure, but we could guess that this was part of their relentless efforts to investigate the most fundamental constituents of the universe. Prime numbers were the basic building blocks of matter. Similarly, the axioms were the fountain from which all geometrical truths were supposed to flow. The dodecahedron represented the entire cosmos and the golden ratio was the concept that brought that symbol into existence. ~ Mario Livio,
1276:Composers do not remember this lost fatherland, but each of them remains all his life unconsciously attuned to it; he is delirious with joy when he sings in harmony with his native land, betrays it at times with his thirst for fame, but then, in seeking fame, turns his back on it, and it is only by scorning fame that he finds it when he breaks out into that distinctive strain the sameness of which—for whatever its subject it remains identical with itself—proves the permanence of the elements that compose his soul. But in that case is it not true that those elements—all the residuum of reality which we are obliged to keep to ourselves, which cannot be transmitted in talk, even from friend to friend, from master to disciple, from lover to mistress, that ineffable something which differentiates qualitatively what each of us has felt and what he is obliged to leave behind at the threshold of the phrases in which he can communicate with others only by limiting himself to externals, common to all and of no interest—are brought out by art, the art of a Vinteuil like that of an Elstir, which exteriorises in the colours of the spectrum the intimate composition of those worlds which we call individuals and which, but for art, we should never know? A pair of wings, a different respiratory system, which enabled us to travel through space, would in no way help us, for if we visited Mars or Venus while keeping the same senses, they would clothe everything we could see in the same aspect as the things of Earth. The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we can do with an Elstir, with a Vinteuil; with men like these we do really fly from star to star. ~ Marcel Proust,
1277:Can Vei La Lauzeta
When I see the lark joyfully moving its wings against the sun's rays, and falling
because of the sweetness that enters its heart, ah! a great envy comes upon me
of all those who I see happy. I am astonished that my heart does not melt with
desire.
Alas! I thought I knew so much about love, and I know so little, because I cannot
stop loving the one from whom I will never obtain anything. She has taken my
heart, myself, herself, and the whole world, and has left me with nothing but
yearning and a languishing heart.
I no longer have power over myself, and am no longer my own person, from the
moment when she lets me look into her eyes, that mirror that pleases me so.
Mirror, since I am mirrored in you, my sighs have caused my death, for I am lost
just as Narcissus lost himself in the fountain.
I despair of women; never more shall I trust them. As once I exalted them, now
shall I cast them down. Since I see that not one of them is for me against she
who destroys and confounds me, I doubt and mistrust them all, since I well know
they are all the same.
And in this I see that my lady is very much a woman, and that is why I criticize
her. For she does not want that which she should want, and that which she is
forbidden, she does. I am fallen very low, and I have acted like the fool on the
bridge. And I don't know why this has happened to me, unless it's because I tried
to mount too high.
Since nothing works any more with my lady - neither prayers nor pity nor my
rights concerning her; and since it no longer pleases her that I love her, I will
never more say it to her. And so I take my leave and go away from her. She has
killed me, and I respond to her with death. And I leave, since she doesn't retain
me, I the unhappy one, into exile, I know not where
~ Bernard de Ventadorn,
1278:I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it’ all right,
go ahead, enter their lives, I’ not jealous
because we’ never met. we got close once in
New Orleans, one half block, but never met, never
touched. so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame –– not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD. we know God is dead, they’ told
us, but listening to you I wasn’ sure. maybe
it was the upper case. you were one of the
best female poets and I told the publishers,
editors, “ her, print her, she’ mad but she’
magic. there’ no lie in her fire.” I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of. I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you piss in the bathroom,
but that didn’ happen. your letters got sadder.
your lovers betrayed you. kid, I wrote back, all
lovers betray. it didn’ help. you said
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you. I wrote back but never
heard again. a friend wrote me of your suicide
3 or 4 months after it happened. if I had met you
I would probably have been unfair to you or you
to me. it was best like this. ~ Charles Bukowski,
1279:Echoes From The Sabine Farm
TO THE FOUNTAIN OF BANDUSIA
O FOUNTAIN of Bandusia!
Whence crystal waters flow,
With garlands gay and wine I ’ll pay
The sacrifice I owe;
A sportive kid with budding horns
I have, whose crimson blood
Anon shall dye and sanctify
Thy cool and babbling flood.
O fountain of Bandusia!
The Dog-star’s hateful spell
No evil brings into the springs
That from thy bosom well;
Here oxen, wearied by the plow,
The roving cattle here
Hasten in quest of certain rest,
And quaff thy gracious cheer.
O fountain of Bandusia!
Ennobled shalt thou be,
For I shall sing the joys that spring
Beneath yon ilex-tree.
Yes, fountain of Bandusia,
Posterity shall know
The cooling brooks that from thy nooks
Singing and dancing go.
TO LEUCONÖE
WHAT end the gods may have ordained for me,
And what for thee,
Seek not to learn, Leuconöe,—we may not know.
Chaldean tables cannot bring us rest.
’T is for the best
To bear in patience what may come, or weal or woe.
122
If for more winters our poor lot is cast,
Or this the last,
Which on the crumbling rocks has dashed Etruscan seas,
Strain clear the wine; this life is short, at best.
Take hope with zest,
And, trusting not To-morrow, snatch To-day for ease!
TO LEUCONÖE
II
SEEK not, Leuconöe, to know how long you ’re going to live yet,
What boons the gods will yet withhold, or what they ’re going to give yet;
For Jupiter will have his way, despite how much we worry:—
Some will hang on for many a day, and some die in a hurry.
The wisest thing for you to do is to embark this diem
Upon a merry escapade with some such bard as I am.
And while we sport I ’ll reel you off such odes as shall surprise ye;
To-morrow, when the headache comes,—well, then I ’ll satirize ye!
~ Eugene Field,
1280:February 21 MORNING “He hath said.” — Hebrews 13:5 IF we can only grasp these words by faith, we have an all-conquering weapon in our hand. What doubt will not be slain by this twoedged sword? What fear is there which shall not fall smitten with a deadly wound before this arrow from the bow of God’s covenant? Will not the distresses of life and the pangs of death; will not the corruptions within, and the snares without; will not the trials from above, and the temptations from beneath, all seem but light afflictions, when we can hide ourselves beneath the bulwark of “He hath said”? Yes; whether for delight in our quietude, or for strength in our conflict, “He hath said” must be our daily resort. And this may teach us the extreme value of searching the Scriptures. There may be a promise in the Word which would exactly fit your case, but you may not know of it, and therefore you miss its comfort. You are like prisoners in a dungeon, and there may be one key in the bunch which would unlock the door, and you might be free; but if you will not look for it, you may remain a prisoner still, though liberty is so near at hand. There may be a potent medicine in the great pharmacopoeia of Scripture, and you may yet continue sick unless you will examine and search the Scriptures to discover what “He hath said.” Should you not, besides reading the Bible, store your memories richly with the promises of God? You can recollect the sayings of great men; you treasure up the verses of renowned poets; ought you not to be profound in your knowledge of the words of God, so that you may be able to quote them readily when you would solve a difficulty, or overthrow a doubt? Since “He hath said” is the source of all wisdom, and the fountain of all comfort, let it dwell in you richly, as “A well of water, springing up unto everlasting life.” So shall you grow healthy, strong, and happy in the divine life. ~ Charles Haddon Spurgeon,
1281:Until that morning most of the journey had been made in silence, our stops to eat and change horses--again, Renselaeus beneficence: all we had to do was mention their name, and the horses were instantly available--too brief for much converse. When we did stop, we were both too tired to talk. But that day the roads were too muddy for fast travel, and Branaric suddenly turned to me and asked for my story, so I gave him a detailed description of my adventures.
I had just reached the episode at the fountain with Debegri, and was grinning at the fluency and point of Bran’s curses, when we became aware of horses behind us.
Traffic had been nonexistent all day, which we had expected. No traders had been permitted to go up into Tlanth, well away from Vesingrui, the fortress that the Renselaeus forces supposedly held, so we didn’t expect any military traffic, either.
“Sounds like at least one riding,” I said, remembering that pattern well. Danger prickled along my nerves, and I wished I had a weapon.
“Something must have happened.” Bran sounded unconcerned. “They must need to tell us--“
“Who? What?”
Bran shrugged. “Escort. Shevraeth sent it along to keep us safe. Knew you would refuse, so they’ve been behind us the whole way.”
I was peering through the trees, anger and apprehension warring inside me. Annoyed as I was to be thus circumvented--and to have my reactions so accurately predicted--I realized I’d be well satisfied to find out that the approaching riders were indeed Renselaeus equerries.
The Renselaeus colors would have stood out, but the green-and-brown of Galdran’s people blended into the forest; they were almost on us before we saw them, and Bran yelled, “It’s a trap!”
“Halt!” The shout rang through the trees.
Of course we bolted.
“Halt, or we shoot,” came a second yell.
“Bend down, bend--ah!”
Bran’s body jerked, then he fell forward, an arrow in his back. ~ Sherwood Smith,
1282:I.
Dares the lama, most fleet of the sons of the wind,
The lion to rouse from his skull-covered lair?
When the tiger approaches can the fast-fleeting hind
Repose trust in his footsteps of air?
No! Abandoned he sinks in a trance of despair,
The monster transfixes his prey,
On the sand flows his life-blood away;
Whilst India's rocks to his death-yells reply,
Protracting the horrible harmony.

II.
Yet the fowl of the desert, when danger encroaches,
Dares fearless to perish defending her brood,
Though the fiercest of cloud-piercing tyrants approaches
Thirsting--ay, thirsting for blood;
And demands, like mankind, his brother for food;
Yet more lenient, more gentle than they;
For hunger, not glory, the prey
Must perish. Revenge does not howl in the dead.
Nor ambition with fame crown the murderers head.

III.
Though weak as the lama that bounds on the mountains,
And endued not with fast-fleeting footsteps of air,
Yet, yet will I draw from the purest of fountains,
Though a fiercer than tiger is there.
Though, more dreadful than death, it scatters despair,
Though its shadow eclipses the day,
And the darkness of deepest dismay
Spreads the influence of soul-chilling terror around,
And lowers on the corpses, that rot on the ground.

IV.
They came to the fountain to draw from its stream
Waves too pure, too celestial, for mortals to see;
They bathed for awhile in its silvery beam,
Then perished, and perished like me.
For in vain from the grasp of the Bigot I flee;
The most tenderly loved of my soul
Are slaves to his hated control.
He pursues me, he blasts me! 'Tis in vain that I fly:--
What remains, but to curse him,--to curse him and die?
Published (without title) by Hogg, 'Life of Shelley', 1858; dated 1809-10. The title is Rossetti's (1870).


~ Percy Bysshe Shelley, Bigotrys Victim
,
1283:1. TO YOU HE WHO SPOKE and wrote this message will be greatly disappointed if it does not lead many to the Lord Jesus. It is sent forth in childlike dependence upon the power of God the Holy Ghost, to use it in the conversion of millions, if so He pleases. No doubt many poor men and women will take up this little volume, and the Lord will visit them with grace. To answer this end, the very plainest language has been chosen, and many homely expressions have been used. But if those of wealth and rank should glance at this book, the Holy Ghost can impress them also; since that which can be understood by the unlettered is none the less attractive to the instructed. Oh that some might read it who will become great winners of souls! Who knows how many will find their way to peace by what they read here? A more important question to you, dear reader, is this- Will you be one of them? A certain man placed a fountain by the wayside, and he hung up a cup near to it by a little chain. He was told some time after that a great art-critic had found much fault with its design. "But," said he, "do many thirsty persons drink at it?" Then they told him that thousands of poor people, men, women, and children, slaked their thirst at this fountain; and he smiled and said, that he was little troubled by the critic's observation, only he hoped that on some sultry summer's day the critic himself might fill the cup, and he refreshed, and praise the name of the Lord. Here is my fountain, and here is my cup: find fault if you please; but do drink of the water of life. I only care for this. I had rather bless the soul of the poorest crossing-sweeper, or rag-gatherer, than please a prince of the blood, and fail to convert him to God. Reader, do you mean business in reading these pages? If so, we are agreed at the outset; but nothing short of your finding Christ and Heaven is the business aimed at here. Oh that we may seek this together! ~ Charles Haddon Spurgeon,
1284:The House Of Dust: Part 02: 05: Retrospect
Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.
And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.
The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.
Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.
He opened his book once more, beside the window,
And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.
'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
229
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'
~ Conrad Potter Aiken,
1285:A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street.
I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water.
"And under the water? You haven't thought what could be under the water."
A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots. ~ Jean Paul Sartre,
1286:April 17 MORNING “We are come to the blood of sprinkling, that speaketh better things than that of Abel.” — Hebrews 12:24 READER, have you come to the blood of sprinkling? The question is not whether you have come to a knowledge of doctrine, or an observance of ceremonies, or to a certain form of experience, but have you come to the blood of Jesus? The blood of Jesus is the life of all vital godliness. If you have truly come to Jesus, we know how you came — the Holy Spirit sweetly brought you there. You came to the blood of sprinkling with no merits of your own. Guilty, lost, and helpless, you came to take that blood, and that blood alone, as your everlasting hope. You came to the cross of Christ, with a trembling and an aching heart; and oh! what a precious sound it was to you to hear the voice of the blood of Jesus! The dropping of His blood is as the music of heaven to the penitent sons of earth. We are full of sin, but the Saviour bids us lift our eyes to Him, and as we gaze upon His streaming wounds, each drop of blood, as it falls, cries, “It is finished; I have made an end of sin; I have brought in everlasting righteousness.” Oh! sweet language of the precious blood of Jesus! If you have come to that blood once, you will come to it constantly. Your life will be “Looking unto Jesus.” Your whole conduct will be epitomized in this — “To whom coming.” Not to whom I have come, but to whom I am always coming. If thou hast ever come to the blood of sprinkling, thou wilt feel thy need of coming to it every day. He who does not desire to wash in it every day, has never washed in it at all. The believer ever feels it to be his joy and privilege that there is still a fountain opened. Past experiences are doubtful food for Christians; a present coming to Christ alone can give us joy and comfort. This morning let us sprinkle our door-post fresh with blood, and then feast upon the Lamb, assured that the destroying angel must pass us by. ~ Charles Haddon Spurgeon,
1287:Grace is the first and last moving cause of salvation; and faith, essential as it is, is only an important part of the machinery which grace employs. We are saved "through faith," but salvation is "by grace." Sound forth those words as with the archangel's trumpet: "By grace are ye saved." What glad tidings for the undeserving! Faith occupies the position of a channel or conduit pipe. Grace is the fountain and the stream; faith is the aqueduct along which the flood of mercy flows down to refresh the thirsty sons of men. It is a great pity when the aqueduct is broken. It is a sad sight to see around Rome the many noble aqueducts which no longer convey water into the city, because the arches are broken and the marvelous structures are in ruins. The aqueduct must be kept entire to convey the current; and, even so, faith must be true and sound, leading right up to God and coming right down to ourselves, that it may become a serviceable channel of mercy to our souls. Still, I again remind you that faith is only the channel or aqueduct, and not the fountainhead, and we must not look so much to it as to exalt it above the divine source of all blessing which lies in the grace of God. Never make a Christ out of your faith, nor think of as if it were the independent source of your salvation. Our life is found in "looking unto Jesus," not in looking to our own faith. By faith all things become possible to us; yet the power is not in the faith, but in the God upon whom faith relies. Grace is the powerful engine, and faith is the chain by which the carriage of the soul is attached to the great motive power. The righteousness of faith is not the moral excellence of faith, but the righteousness of Jesus Christ which faith grasps and appropriates. The peace within the soul is not derived from the contemplation of our own faith; but it comes to us from Him who is our peace, the hem of whose garment faith touches, and virtue comes out of Him into the soul. ~ Charles Haddon Spurgeon,
1288:BRIDE SONG

Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate;
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.

Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leaped,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.

Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair,
Now these are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?

We never saw her with a smile
Or with a frown;
Her bed seemed never soft to her,
Though tossed of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs showed in her locks
That used to be so brown.

We never heard her speak in haste;
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.

You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep today
That she is dead?
Lo we who love weep not today,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread. ~ Christina Rossetti,
1289:A Lament
Flowers in their freshness are flushing the earth,
And the voice-peopled forest is loud in its mirth,
And streams in their fulness are laughing at dearth—
Yet my bosom is aching.
There’s shadow on all things—the shadow of woe—
It falls from my spirit wherever I go,
As from a dark cloud drifting heavy and slow,
For my spirit is weary.
Ah! what can be flowers in their gladness to me,
Or the voices that people the green forest tree,
Or the full joy of streams—since my soul sighs, ah me!
O’er the grave of my Mary.
Under the glad face of nature, her face
Hath carried down with it all beauty and grace;
Pale is it there in that dark silent place—
Mary! oh Mary!
Children are by me—her children; oh God!
To see where their feet have unwittingly trod,
Tiny tracks in the loam of the new broken sod
Betwixt them and their mother!
Betwixt them and the true one who loved us in truth,
Who bore them, and died ’mid the hopes of her youth!
Who would live in a world where nor anguish nor ruth
May avail the bereaved ones.
Yet must I live, lest her spirit should say,
Meeting mine in its flight from this vesture of clay,
“Where are our little ones? Where do they stay?
And why did you leave them?”
If for them only, then, so must it be,
See, I remain with them, Mary! but see
How lonely we stand in a world without thee!
Mary! oh Mary!
16
I live, but death’s shadow is over me cast;
And even when wearied woe sleepeth at last,
Some dream of the dead, sighing out of the past,
Is alive in the darkness!
Could I but weep, it were comfort, though brief;
But the fountain of tears by the fire of my grief
Hath been dried to its dregs, and can shed no relief
On the thirst of my eyelids.
As music that wasteth away on the blast,
As the last ray by the sunken sun cast,
All my heart’s gladness hath died in the past,—
Mary! oh Mary!
~ Charles Harpur,
1290:The Prince's Progress (Excerpt)
"Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate.
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.
"Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leaped,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.
"Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair.
Now these are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?
"We never saw her with a smile
Or with a frown;
Her bed seemed never soft to her,
Though tossed of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
393
We think her white brows often ached
Beneath her crown,
Till silvery hairs showed in her locks
That used to be so brown.
"We never heard her speak in haste;
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.
"You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep to-day
That she is dead?
Lo we who love weep not to-day,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread."
~ Christina Georgina Rossetti,
1291:Bride Song
From 'The Prince's Progress'
TOO late for love, too late for joy,
Too late, too late!
You loiter'd on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate;
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.
Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leap'd,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.
Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair.
Now there are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?
We never saw her with a smile
Or with a frown;
Her bed seem'd never soft to her,
Though toss'd of down;
104
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs show'd in her locks
That used to be so brown.
We never heard her speak in haste:
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.
You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep to-day
That she is dead?
Lo, we who love weep not to-day,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread.
~ Christina Georgina Rossetti,
1292:Last Sonnets At Paris
Chins that might serve the new Jerusalem;
Streets footsore; minute whisking milliners,
Dubbed graceful, but at whom one's eye demurs,
Knowing of England; ladies, much the same;
Bland smiling dogs with manes—a few of them
At pains to look like sporting characters;
Vast humming tabbies smothered in their furs;
Groseille, orgeat, meringues à la crême—
Good things to study; ditto bad—the maps
Of sloshy colour in the Louvre; cinq-francs
The largest coin; and at the restaurants
Large Ibrahim Pachas in Turkish caps
To pocket them. Un million d'habitants:
Cast up, they'll make an Englishman—perhaps.
II
Tiled floors in bedrooms; trees (now run to seed—
Such seed as the wind takes) of Liberty;
Squares with new names that no one seems to see;
Scrambling Briarean passages, which lead
To the first place you came from; urgent need
Of unperturbed nasal philosophy;
Through Paris (what with church and gallery)
Some forty first-rate paintings,—or indeed
Fifty mayhap; fine churches; splendid inns;
Fierce sentinels (toy-size without the stands)
Who spit their oaths at you and grind their r's
If at a fountain you would wash your hands;
One Frenchman (this is fact) who thinks he spars:—
Can even good dinners cover all these sins?
III
Yet in the mighty French metropolis
Our time has not gone from us utterly
153
In waste. The wise man saith, “An ample fee
For toil, to work thine end.” Aye that it is.
Should England ask, “Was narrow prejudice
Stretched to its utmost point unflinchingly,
Even unto lying, at all times, by ye?”
We can say firmly: “Lord, thou knowest this,
Our soil may own us.” Having but small French,
Hunt passed for a stern Spartan all the while,
Uncompromising, of few words: for me—
I think I was accounted generally
A fool, and just a little cracked. Thy smile
May light on us, Britannia, healthy wench.
~ Dante Gabriel Rossetti,
1293:In Riverview, we stopped at Larkin’s Drugstore for a cold drink. Leaving the rest of us to scramble out unaided, John offered Hannah his hand. Although I’d just seen her leap out of a tree as fearless as a cat, she let him help her.
At the soda fountain, Hannah took a seat beside John. In her white dress, she was as prim and proper as any lady you ever saw. Quite frankly, I liked her better the other way.
I grabbed the stool on the other side of Hannah and spun around on it a couple of times, hoping to get her to spin with me, but the only person who noticed was Mama. She told me to sit still and behave myself. “You act like you have ants in your pants,” she said, embarrassing me and making Theo laugh.
While I was sitting there scowling at Theo in the mirror, John leaned around Hannah and grinned at me. “To celebrate your recovery, Andrew, I’m treating everyone to a lemon phosphate--everyone, that is, except you.”
He paused dramatically, and Hannah gave him a smile so radiant it gave me heartburn. She was going to marry John someday, I knew that. But while I was here, I wanted her all to myself, just Hannah and me playing marbles in the grove, talking, sharing secrets, climbing trees. She had the rest of her life to spend with stupid John Larkin.
“As the guest of honor,” John went on, “you may pick anything your heart desires.”
Slightly placated by his generosity, I stared at the menu. It was amazing what you could buy for a nickel or a dime in 1910.
“Choose a sundae,” Theo whispered. “It costs the most.”
“How about a root beer float?” Hannah suggested.
“Egg milk chocolate,” Mama said. “It would be good for you, Andrew.”
“Tonic water would be even better,” John said, “or, best of all, a delicious dose of cod-liver oil.”
When Hannah gave him a sharp poke in the ribs, John laughed. “Andrew knows I’m teasing. Come on, what will it be, sir?”
Taking Theo’s advice, I asked for a chocolate sundae.
“Good choice,” John said. “You’d have to go all the way to St. Louis to find better ice cream. ~ Mary Downing Hahn,
1294:The Wedding Of Peleus And Thetis
Merrily rose the bridal strain,
With the pipe of reed and the wild harp ringing,
With the Libyan flute, and the dancers' train,
And the bright-haired Muses singing.
On the turf elastic treading,
Up Pelion's steep with an airy bound
Their golden sandals they struck on the ground,
While the mighty gods were feasting round,
As they sped to Peleus' wedding.
They left Pierea's fountain,
On the leaf-crowned hill they stood,
They breathed their softest, sweetest lays
In the bride's and bridegroom's praise.
Reëchoed the Centaur's mountain,
Reëchoed Pelion's wood.
The golden goblets crowned the Page,
The Thunderer's darling boy,
In childhood's rosy age
Snatched from the plains of Troy.
Where on the silvery sand
The noontide sun was glancing,
The fifty Nereids, hand in hand,
Were in giddy circles dancing.
The Centaur's tramp rang up the hill,
To feast with the gods they trooped in haste,
And at the board by Bacchus graced,
The purpling bowl to fill.
Grassy wreath and larch's bough
Twined around each shaggy brow.
Daughter of Nereus, loud to thee
Chaunted the maids of Thessaly.
Their song was of a child unborn,
Whose light should beam like summer morn,
Whose praise by the Delian seer was sung,
And hymned by Chiron's tuneful tongue.
30
'Thetis, mark thy warrior son,
Gift with many a Myrmidon,
Armed with spear and flaming brand,
Wasting Priam's ancient land.
He shall ne'er to foeman quail;
He shall case his limbs in mail,
Casque, and greaves, and breastplate's fold,
All by Vulcan wrought of gold,
Moulded in the forge of heaven,
By his goddess-mother given.
He shall be a hero's name,
Godlike might, and deathless fame.'
Thus the gods propitious smiled
On Peleus and the ocean child;
Lady! not such nuptial wreath
Shall Argives bid thee wear,
But with the flowers of death
Entwine thy clustering hair.
~ Euripides,
1295:Comus.

The Star that bids the Shepherd fold,
Now the top of Heav'n doth hold,
And the gilded Car of Day, [ 95 ]
His glowing Axle doth allay
In the steep Atlantick stream,
And the slope Sun his upward beam
Shoots against the dusky Pole,
Pacing toward the other gole [ 100 ]
Of his Chamber in the East.
Mean while welcom Joy, and Feast,
Midnight shout, and revelry,
Tipsie dance and Jollity.
Braid your Locks with rosie Twine [ 105 ]
Dropping odours, dropping Wine.
Rigor now is gone to bed,
And Advice with scrupulous head,
Strict Age, and sowre Severity,
With their grave Saws in slumber ly. [ 110 ]
We that are of purer fire
Imitate the Starry Quire,
Who in their nightly watchfull Sphears,
Lead in swift round the Months and Years.
The Sounds, and Seas with all their finny drove [ 115 ]
Now to the Moon in wavering Morrice move,
And on the Tawny Sands and Shelves,
Trip the pert Fairies and the dapper Elves;
By dimpled Brook, and Fountain brim,
The Wood-Nymphs deckt with Daisies trim, [ 120 ]
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove,
Venus now wakes, and wak'ns Love.
Com let us our rights begin, [ 125 ]
Tis onely day-light that makes Sin,
Which these dun shades will ne're report.
Hail Goddesse of Nocturnal sport
Dark vaild Cotytto, t' whom the secret flame
Of mid-night Torches burns; mysterious Dame [ 130 ]
That ne're art call'd, but when the Dragon woom
Of Stygian darknes spets her thickest gloom,
And makes one blot of all the ayr,
Stay thy cloudy Ebon chair,
Wherin thou rid'st with Hecat', and befriend [ 135 ]
Us thy vow'd Priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing Eastern scout,
The nice Morn on th' Indian steep
From her cabin'd loop hole peep, [ 140 ]
And to the tel-tale Sun discry
Our conceal'd Solemnity.
Com, knit hands, and beat the ground,
In a light fantastick round. ~ John Milton,
1296:Haunts Of A Demon (Extract From Saul)
The Jewish king now walks at large and sound,
Yet of our emissary Malzah hear we nothing:
Go now, sweet spirit, and, if need be, seek
This world all lover for him:--find him out,
Be he within the bounds of earth and hell.
He is a most erratic spirit, so
May give thee trouble (as I give thee time)
To find him, for he may be now diminished,
And at the bottom of some silken flower,
Wherein, I know, he loves, when evening comes,
To creep and lie all night, encanopied
Beneath the manifold and scented petals;
Fancying, he says, he bids the world adieu,
And is again a slumberer in heaven:
Or, in some other vein, perchance thou'lt find him
Within the halls or dens of some famed city.
Give thou a general search, in open day,
I' th' town and country's ample field; and next
Seek him in dusky cave, and in dim grot;
And in the shadow of the precipice,
Prone or supine extended motionless;
Or, in the twilight of o'erhanging leaves,
Swung at the nodding arm of some vast beech.
By moonlight seek him on the mountain, and
At noon in the translucent waters salt or fresh;
Or near the dank-marged fountain, or clear well,
Watching the tad-pole thrive on suck of venom;
Or where the brook runs O'er the stones, and smooths
Their green locks with its current's crystal comb.
Seek him in rising vapours, and in clouds
Crimson or dun; and often on the edge
Of the gray morning and the tawny eve:
Search in the rocky alcove and woody bower;
And in the crow's-nest look, and every
Pilgrim-crowd-drawing Idol, wherein he
Is wont to sit in darkness and be worshipped.
If thou shouldst find him not in these, search for him
By the lone melancholy tarns of bitterns;
And in the embosomed dells, whereunto maidens
Resort to bathe within the tepid pool.
Look specially there, and, if thou seest peeping
Satyr or faun, give chase and call out 'Malzah!'
For he shall know thy voice and his own name.
~ Charles Heavysege,
1297:A Royal Home-Coming
Welcome, right welcome home, to these blest Isles,
Where, unforgotten, loved Victoria sleeps,
But now with happy pride your Father smiles,
Your Mother weeps.
You went as came the swallow, homeward draw
Now it hath winged its way to winters green;
But never swallow or wandering sea-bird saw
What You have seen.
For You have circled the earth with pinions fleet,
The seasons through, and everywhere a throng
Of glowing hearts your coming trooped to greet
With flowers and song.
Over the unchanging sea eight changeful moons
Have moved from shield to sickle, seed to sheaves,
And twice a hundred dawns, a hundred noons,
A hundred eves,
Waned to their slumber in the star-lit night,
And ever from land or lake, from wave or crag,
From fixed or floating fort, You had in sight
The British Flag.
And wider, further, onward round the world,
Scouring the field or furrowing the sea,
You found that Emblem, which, where'er unfurled,
Floats o'er the Free:
So that on man, and man's laborious hand,
Nor manacle nor hindrance shall be laid,
But mind with mind, and strand with generous strand,
Contend and trade.
And, though the shade of treasonable strife
Falls on our homes and theirs, You, wandering, saw,
Young Commonwealths You found, surging with life,
Yet ruled by Law:
82
Whose blood, infused in ours in War's emprise,
To vindicate one Sceptre, sword, and tongue,As ours perchance may help to keep them wise,Hath made us young.
Fountain of Youth England in mellower years
Hath found and drained, so that She ne'er need know
What Nature feels when Autumn stacks and seres,
Or Yule-gusts blow.
You sailed from us to them, from them to us,
Love at the prow and wisdom at the helm,
August Ambassadors, who strengthen thus
Her Rule and Realm.
Round You to-day a People stand arrayed,
That fain with Peace two wedded worlds would dower,
Therefore rejoicing mightier hath been made
Imperial Power.
~ Alfred Austin,
1298:Shoveling Snow With Buddha
In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.
Sitting is more his speed, if that is the word
for what he does, or does not do.
Even the season is wrong for him.
In all his manifestations, is it not warm or slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?
But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.
This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.
He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.
All morning long we work side by side,
me with my commentary
50
and he inside his generous pocket of silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.
After this, he asks,
can we go inside and play cards?
Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck.
and our boots stand dripping by the door.
Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.
~ Billy Collins,
1299:Arabesque
On a background of pale gold
I would trace with quaint design,
Penciled fine,
Brilliant-colored, Moorish scenes,
Mosques and crescents, pages, queens,
Line on line,
That the prose-world of to-day
Might the gorgeous Past's array
Once behold.
On the magic painted shield
Rich Granada's Vega green
Should be seen;
Crystal fountains, coolness flinging,
Hanging gardens' skyward springing
Emerald sheen;
Ruddy when the daylight falls,
Crowned Alhambra's beetling walls
Stand revealed;
Balconies that overbrow
Field and city, vale and stream.
In a dream
Lulled the drowsy landscape basks;
Mark the gleam
Silvery of each white-swathed peak!
Mountain-airs caress the cheek,
Fresh from the snow.
Here in Lindaraxa's bower
The immortal roses bloom;
In the room
Lion-guarded, marble-paven,
Still the fountain leaps to heaven.
But the doom
Of the banned and stricken race
Overshadows every place,
Every hour.
39
Where fair Lindaraxa dwelt
Flits the bat on velvet wings;
Mute the strings
Of the broken mandoline;
The Pavilion of the Queen
Widely flings
Vacant windows to the night;
Moonbeams kiss the floor with light
Where she knelt.
Through these halls that people stepped
Who through darkling centuries
Held the keys
Of all wisdom, truth, and art,
In a Paradise apart,
Lapped in ease,
Sagely pondering deathless themes,
While, befooled with monkish dreams,
Europe slept.
Where shall they be found today?
Yonder hill that frets the sky
'The last Sigh
Of the Moor' is named still.
There the ill-starred Boabdil
Bade good-by
To Granada and to Spain,
Where the Crescent ne'er again
Holdeth sway.
Vanished like the wind that blows,
Whither shall we seek their trace
On earth's face?
The gigantic wheel of fate,
Crushing all things soon or late,
Now a race,
Now a single life o'erruns,
Now a universe of suns,
Now a rose.
~ Emma Lazarus,
1300:After The Funeral (In Memory Of Ann Jones)
After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave's foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout'
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,
I stand, for this memorial's sake, alone
In the snivelling hours with dead, humped Ann
Whose hodded, fountain heart once fell in puddles
Round the parched worlds of Wales and drowned each sun
(Though this for her is a monstrous image blindly
Magnified out of praise; her death was a still drop;
She would not have me sinking in the holy
Flood of her heart's fame; she would lie dumb and deep
And need no druid of her broken body).
But I, Ann's bard on a raised hearth, call all
The seas to service that her wood-tongud virtue
Babble like a bellbuoy over the hymning heads,
Bow down the walls of the ferned and foxy woods
That her love sing and swing through a brown chapel,
Blees her bent spirit with four, crossing birds.
Her flesh was meek as milk, but this skyward statue
With the wild breast and blessed and giant skull
Is carved from her in a room with a wet window
In a fiercely mourning house in a crooked year.
I know her scrubbed and sour humble hands
Lie with religion in their cramp, her threadbare
Whisper in a damp word, her wits drilled hollow,
Her fist of a face died clenched on a round pain;
And sculptured Ann is seventy years of stone.
These cloud-sopped, marble hands, this monumental
Argument of the hewn voice, gesture and psalm
Storm me forever over her grave until
The stuffed lung of the fox twitch and cry Love
27
And the strutting fern lay seeds on the black sill.
~ Dylan Thomas,
1301:But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-"
Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves.
Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself.
"Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist.
"What?" he asked once he laid a smacking kiss on her cheek. "They look better like that."
Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this."
I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit.
Then I was in a bikini.
So Nick was wearing a particularly poofy purple prom dress.
By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling. ~ Rachel Hawkins,
1302:Our Secret Selves
The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.
The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.
One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.
Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . . We spread out swiftly;
Trees are above us, and darkness. The canyon fades . . .
And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.
We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
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We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.
And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.
~ Conrad Potter Aiken,
1303:
XVII - AT THE FOUNTAIN

MARGARET and LISBETH With pitchers.

LISBETH

Hast nothing heard of Barbara?

MARGARET

No, not a word. I go so little out.

LISBETH

It's true, Sibylla said, to-day.
She's played the fool at last, there's not a doubt.
Such taking-on of airs!

MARGARET

How so?
LISBETH

It stinks!
She's feeding two, whene'er she eats and drinks.

MARGARET

Ah!

LISBETH

   And so, at last, it serves her rightly.
She clung to the fellow so long and tightly!
That was a promenading!
At village and dance parading!
As the first they must everywhere shine,
And he treated her always to pies and wine,
And she made a to-do with her face so fine;
So mean and shameless was her behavior,
She took all the presents the fellow gave her.
'Twas kissing and coddling, on and on!
So now, at the end, the flower is gone.

MARGARET

The poor, poor thing!

LISBETH

Dost pity her, at that?
When one of us at spinning sat,
And mother, nights, ne'er let us out the door
She sported with her paramour.
On the door-bench, in the passage dark,
The length of the time they'd never mark.
So now her head no more she'll lift,
But do church-penance in her sinner's shift!

MARGARET

He'll surely take her for his wife.

LISBETH

He'd be a fool! A brisk young blade
Has room, elsewhere, to ply his trade.
Besides, he's gone.

MARGARET

That is not fair!
LISBETH

If him she gets, why let her beware!
The boys shall dash her wreath on the floor,
And we'll scatter chaff before her door!

[Exit.

MARGARET (returning home)

How scornfully I once reviled,
When some poor maiden was beguiled!
More speech than any tongue suffices
I craved, to censure others' vices.
Black as it seemed, I blackened still,
And blacker yet was in my will;
And blessed myself, and boasted high,
And nowa living sin am I!
Yetall that drove my heart thereto,
God! was so good, so dear, so true!
Faust
~ Johann Wolfgang von Goethe, AT THE FOUNTAIN
,
1304:Cold, cold is the blast when December is howling,
Cold are the damps on a dying man's brow,--
Stern are the seas when the wild waves are rolling,
And sad is the grave where a loved one lies low;
But colder is scorn from the being who loved thee,
More stern is the sneer from the friend who has proved thee,
More sad are the tears when their sorrows have moved thee,
Which mixed with groans anguish and wild madness flow--

And ah! poor has felt all this horror,
Full long the fallen victim contended with fate:
Till a destitute outcast abandoned to sorrow,
She sought her babe's food at her ruiner's gate--
Another had charmed the remorseless betrayer,
He turned laughing aside from her moans and her prayer,
She said nothing, but wringing the wet from her hair,
Crossed the dark mountain side, though the hour it was late.
'Twas on the wild height of the dark Penmanmawr,
That the form of the wasted -- reclined;
She shrieked to the ravens that croaked from afar,
And she sighed to the gusts of the wild sweeping wind.--
I call not yon rocks where the thunder peals rattle,
I call not yon clouds where the elements battle,
But thee, cruel -- I call thee unkind!'--

Then she wreathed in her hair the wild flowers of the mountain,
And deliriously laughing, a garland entwined,
She bedewed it with tears, then she hung o'er the fountain,
And leaving it, cast it a prey to the wind.
'Ah! go,' she exclaimed, 'when the tempest is yelling,
'Tis unkind to be cast on the sea that is swelling,
But I left, a pitiless outcast, my dwelling,
My garments are torn, so they say is my mind--'

Not long lived --, but over her grave
Waved the desolate form of a storm-blasted yew,
Around it no demons or ghosts dare to rave,
But spirits of peace steep her slumbers in dew.
Then stay thy swift steps mid the dark mountain heather,
Though chill blow the wind and severe is the weather,
For perfidy, traveller! cannot bereave her,
Of the tears, to the tombs of the innocent due.--

JULY, 1810.

~ Percy Bysshe Shelley, Song. Cold, Cold Is The Blast When December Is Howling
,
1305:To Poesy
Yet do not thou forsake me now,
Poesy, with Peace-together!
Ere this last disastrous blow
Did lay my struggling fortunes low,
In love unworn have we not borne
Much wintry weather?
The storm is past, perhaps the last,
Its rainy skirts are wearing over
But though yet a sunnier glow
Should give my ice-bound hopes to flow,
Forlorn of thee, ’twere nought to me
A lonely rover!
Ah, misery! what were then my lot
Amongst a race of unbelievers
Sordid men who all declare
That earthly gain alone is fair,
And they who pore on bardic lore
Deceived deceivers.
That all the love I’ve felt to move
Round beauty in thy fountain laving,
Move in music through the air,
Gathering increase everywhere,
The more to bless her loveliness,
Was Folly raving!
That to believe thought yet shall weave,—
Although with arm’d oppression coping,
Truth-bright banners which, unfurled,
Shall herald freedom through the world,
And give to man her kindly plan,
Is Folly hoping!
On thy breast in sabbath rest
How often have I lain, deep musing
In the golden eventide,
Till all the dead, for truth that died,
Looked from the skies with starry eyes,
268
Great thoughts infusing!
But can it be life’s mystery
Is but a baseless panorama,
Peopled thick with passing dreams,
Wild writhing glooms, and wandering gleams,
And soul a breath exhaled by death,
Which ends the drama?
Then is the scope of this world’s hope
No more than worldlings deem it ever,
Earth and sky, with nought between
Of spiritual truth serene:
And if so, fly! for thou and I
At once should sever.
But if there lives, as love believes,
All underneath this silent heaven,
In yon shades, and by yon streams,
As we have seen them in our dreams,
A deathless race; still let thy grace
My being leaven!
Thy mystic grace! that face to face
Full converse I may hold with nature,
Seeing published everywhere
In forms, the soul that makes her fair,
And grow the while to her large style
In mental stature.
~ Charles Harpur,
1306:If thou would'st hear the Nameless, and wilt dive Into the Temple-cave of thine own self, There, brooding by the central altar, thou May'st haply learn the Nameless hath a voice, By which thou wilt abide, if thou be wise, As if thou knewest, tho' thou canst not know; For Knowledge is the swallow on the lake That sees and stirs the surface-shadow there But never yet hath dipt into the abysm, The Abysm of all Abysms, beneath, within The blue of sky and sea, the green of earth, And in the million-millionth of a grain Which cleft and cleft again for evermore, And ever vanishing, never vanishes, To me, my son, more mystic than myself, Or even than the Nameless is to me. And when thou sendest thy free soul thro' heaven, Nor understandest bound nor boundlessness, Thou seest the Nameless of the hundred names. And if the Nameless should withdraw from all Thy frailty counts most real, all thy world Might vanish like thy shadow in the dark. 'And since -- from when this earth began -- The Nameless never came Among us, never spake with man, And never named the Name' -- Thou canst not prove the Nameless, O my son, Nor canst thou prove the world thou movest in, Thou canst not prove that thou art body alone, Nor canst thou prove that thou art spirit alone, Nor canst thou prove that thou art both in one: Thou canst not prove thou art immortal, no Nor yet that thou art mortal -- nay my son, Thou canst not prove that I, who speak with thee, Am not thyself in converse with thyself, For nothing worthy proving can be proven, Nor yet disproven: wherefore thou be wise, Cleave ever to the sunnier side of doubt, And cling to Faith beyond the forms of Faith She reels not in the storm of warring words, She brightens at the clash of 'Yes' and 'No', She sees the Best that glimmers thro' the Worst, She feels the Sun is hid but for a night, She spies the summer thro' the winter bud, She tastes the fruit before the blossom falls, She hears the lark within the songless egg, She finds the fountain where they wail'd 'Mirage'! [2490.jpg] -- from The Oxford Book of English Mystical Verse, Edited by D. H. S. Nicholson / Edited by A. H. E. Lee

~ Alfred Tennyson, If thou wouldst hear the Nameless (from The Ancient Sage)
,
1307:The Mermaid
Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?
II
I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I comb'd I would sing and say,
'Who is it loves me? who loves not me?'
I would comb my hair till my ringlets would fall
Low adown, low adown,
From under my starry sea-bud crown
Low adown and around,
And I should look like a fountain of gold
Springing alone
With a shrill inner sound
Over the throne
In the midst of the hall;
Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
And all the mermen under the sea
Would feel their immortality
Die in their hearts for the love of me.
III
But at night I would wander away, away,
688
I would fling on each side my low-flowing locks,
And lightly vault from the throne and play
With the mermen in and out of the rocks;
We would run to and fro, and hide and seek,
On the broad sea-wolds in the crimson shells,
Whose silvery spikes are nighest the sea.
But if any came near I would call and shriek,
And adown the steep like a wave I would leap
From the diamond-ledges that jut from the dells;
For I would not be kiss'd by all who would list
Of the bold merry mermen under the sea.
They would sue me, and woo me, and flatter me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, and win me, and marry me,
In the branching jaspers under the sea.
Then all the dry-pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud, from aloft
All things that are forked, and horned, and soft
Would lean out from the hollow sphere of the sea,
All looking down for the love of me.
~ Alfred Lord Tennyson,
1308:The House Of Dust: Part 01: 05: The Snow Floats
Down Upon Us, Mingled With Rain
The snow floats down upon us, mingled with rain...
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.
The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow...
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.
One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream... a dream that will not stay.
Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us... We spread out swiftly;
Trees are above us, and darkness. The canyon fades...
And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills...
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.
We flow to the east, to the white-lined shivering sea;
213
We
We
We
We
reach to the west, where the whirling sun went down;
close our eyes to music in bright cafes.
diverge from clamorous streets to streets that are silent.
loaf where the wind-spilled fountain plays.
And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.
~ Conrad Potter Aiken,
1309:Sîva
Mors Janua Vitae.
I am the God of the sensuous fire
That moulds all Nature in forms divine;
The symbols of death and of man’s desire,
The springs of change in the world, are mine;
The organs of birth and the circlet of bones,
And the light loves carved on the temple stones.
I am the lord of delights and pain,
Of the pest that killeth, of fruitful joys;
I rule the currents of heart and vein;
A touch gives passion, a look destroys;
In the heat and cold of my lightest breath
Is the might incarnate of Lust and Death.
If a thousand altars stream with blood
Of the victims slain by the chanting priest,
Is a great God lured by the savoury food?
I reck not of worship, or song, or feast;
But that millions perish, each hour that flies,
Is the mystic sign of my sacrifice.
Ye may plead and pray for the millions born;
They come like dew on the morning grass;
Your vows and vigils I hold in scorn,
The soul stays never, the stages pass;
All life is the play of the power that stirs
In the dance of my wanton worshippers.
And the strong swift river my shrine below
It runs, like man, its unending course
To the boundless sea from eternal snow;
Mine is the Fountain—and mine the Force
That spurs all nature to ceaseless strife;
And my image is Death at the gates of Life.
In many a legend and many a shape,
In the solemn grove and the crowded street,
I am the Slayer, whom none escape;
I am Death trod under a fair girl’s feet;
I govern the tides of the sentient sea
That ebbs and flows to eternity.
And the sum of the thought and the knowledge of man
Is the secret tale that my emblems tell;
Do ye seek God’s purpose, or trace his plan?
Ye may read your doom in my parable:
For the circle of life in its flower and its fall
Is the writing that runs on my temple wall.…
Let my temples fall, they are dark with age,
Let my idols break, they have stood their day;
On their deep hewn stones the primeval sage
Has figured the spells that endure alway;
My presence may vanish from river and grove,
But I rule for ever in Death and Love.
~ Alfred Comyn Lyall,
1310:Husband?” “I told them we were betrothed.” Cam took her arm in a gentle but adamant grip and guided her around to the other side of the yew, where they could not be observed from the house. “Why?” “Because we are.” “What?” They stopped in the concealment of the hedge. Aghast, Amelia looked up into his warm hazel eyes. “Are you mad?” Taking her hand, Cam lifted it until the ring gleamed in the daylight. “You’re wearing my ring. You slept with me. You made promises. Many in the Rom would say that constitutes full-blown marriage. But just to make certain it’s legal, we’ll do it the way of the gadjos as well.” “We’ll do no such thing!” Amelia snatched her hand from his and backed away. “I’m only wearing this ring because I can’t get the blasted thing off. And what do you mean, I made promises? Were those Romany words you asked me to repeat some kind of vow? You tricked me! I didn’t mean what I said.” “But you did sleep with me.” She flushed in shame and outrage, and dragged a sleeve across her sweating brow. Whirling away from him, she strode rapidly along a graveled path that led deeper into the garden. “That didn’t mean anything, either,” she said over her shoulder. He kept pace with her easily. “It meant something to me. The sexual act is sacred to a Roma.” She made a scornful sound. “What about all the ladies you seduced in London? Was it sacred when you slept with them, too?” “For a while I fell into the impure ways of the gadjo,” he said innocently. “Now I’ve reformed.” Amelia sent him a sideways glare. “You don’t want this. You don’t want me. One night can’t change the entire course of someone’s life.” “Of course it can.” He reached for her, and Amelia skittered away, passing a mermaid fountain surrounded by stone benches. Cam caught her from behind and jerked her back against him. “Stop running from me and listen. I do want you. I want you even knowing if I marry you, I’ve got an instant family, complete with a suicidal brother-in-law and a Gypsy houseboy with the temperament of a poked bear.” “Merripen is not a houseboy.” “Call him what you like. He comes with the Hathaways. I accept that.” “They won’t accept you,” she said desperately. “There’s no place for you in our family.” “Yes there is. Right by your side. ~ Lisa Kleypas,
1311:The Lost Garden
There was a fair green garden sloping
From the south-east side of the mountain-ledge;
And the earliest tint of the dawn came groping
Down through its paths, from the day's dim edge.
The bluest skies and the reddest roses
Arched and varied its velvet sod;
And the glad birds sang, as the soul supposes
The angels sing on the hills of God.
I wandered there when my veins seemed bursting
With life's rare rapture and keen delight,
And yet in my heart was a constant thirsting
For something over the mountain-height.
I wanted to stand in the blaze of glory
That turned to crimson the peaks of snow,
And the winds from the west all breathed a story
Of realms and regions I longed to know.
I saw on the garden's south side growing
The brightest blossoms that breathe of June;
I saw in the east how the sun was glowing,
And the gold air shook with a wild bird's tune;
I heard the drip of a silver fountain,
And the pulse of a young laugh throbbed with glee
But still I looked out over the mountain
Where unnamed wonders awaited me.
I came at last to the western gateway,
That led to the path I longed to climb;
But a shadow fell on my spirit straightway,
For close at my side stood gray-beard Time.
I paused, with feet that were fain to linger,
Hard by that garden's golden gate,
But Time spoke, pointing with one stern finger;
'Pass on,' he said, 'for the day groes late.'
And now on the chill giay cliffs I wander,
The heights recede which I thought to find,
And the light seems dim on the mountain yonder,
When I think of the garden I left behind.
Should I stand at last on its summit's splendor,
I know full well it would not repay
For the fair lost tints of the dawn so tender
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That crept up over the edge o' day.
I would go back, but the ways are winding,
If ways there are to that land, in sooth,
For what man succeeds in ever finding
A path to the garden of his lost youth?
But I think sometimes, when the June stars glisten,
That a rose scent dufts from far away,
And I know, when I lean from the cliffs and listen,
That a young laugh breaks on the air like spray.
~ Ella Wheeler Wilcox,
1312:The Two Glasses
There sat two glasses, filled to the brim,
On a rich man's table, rim to rim.
One was ruddy and red as blood,
And one was clear as the crystal flood.
Said the glass of wine to his paler brother,
"Let us tell tales of the past to each other;
I can tell of banquet, and revel, and mirth,
Where I was a king, for I ruled in might;
For the proudest and grandest souls on earth
Fell under my touch, as though struck with blight.
From the heads of kings I have torn the crown;
From the heights of fame I have hurled men down.
I have blasted many an honored name;
I have taken virtue and given shame;
I have tempted the youth with a sip, a taste,
That has made his future a barren waste.
Far greater than any king am I,
Or than any army beneath the sky.
I have made the arm of the driver fail,
And sent the train from the iron rail.
I have made good ships go down at sea,
And the shrieks of the lost were sweet to me.
Fame, strength, wealth, genius before me fall;
Ho, ho! pale brother," said the wine,
"Can you boast of deeds as great as mine?"
Said the water-glass: "I cannot boast
Of a king dethroned, or a murdered host,
But I can tell of hearts that were sad
By my crystal drops made bright and glad;
Of thirsts I have quenched, and brows I have laved;
Of hands I have cooled, and souls I have saved.
I have leaped through the valley, dashed down the mountain,
Slept in the sunshine, and dripped from the fountain.
I have burst my cloud-fetters, and dropped from the sky,
And everywhere gladdened the prospect and eye;
I have eased the hot forehead of fever and pain;
I have made the parched meadows grow fertile with grain.
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I can tell of the powerful wheel of the mill,
That ground out the flower, and turned at my will.
I can tell of manhood debased by you,
That I have uplifted and crowned anew;
I cheer, I help, I strengthen and aid;
I gladden the heart of man and maid;
I set the wine-chained captive free,
And all are better for knowing me."
These are the tales they told each other,
The glass of wine and its paler brother,
As they sat together, filled to the brim,
On a rich man's table, rim to rim.
~ Ella Wheeler Wilcox,
1313:Moving Through The Dew
Moving through the dew, moving through the dew,
Ere I waken in the city—Life, thy dawn makes all things new!
And up a fir-clad glen, far from all the haunts of men,
Up a glen among the mountains, oh my feet are wings again!
Moving through the dew, moving through the dew,
O mountains of my boyhood, I come again to you,
By the little path I know, with the sea far below,
And above, the great cloud-galleons with their sails of rose and snow
As of old, when all was young, and the earth a song unsung
And the heather through the crimson dawn its Eden incense flung
From the mountain-heights of joy, for a careless-hearted boy,
And the lavrocks rose like fountain sprays of bliss that ne’er could cloy,
From their little beds of bloom, from the golden gorse and broom,
With a song to God the Giver, o’er that waste of wild perfume;
Blowing from height to height, in a glory of great light,
While the cottage-clustered valleys held the lilac last of night,
So, when dawn is in the skies, in a dream, a dream, I rise,
And I follow my lost boyhood to the heights of Paradise.
Life, thy dawn makes all things new! Hills of Youth, I come to you,
Moving through the dew, moving through the dew.
II
Moving through the dew, moving through the dew,
Floats a brother’s face to meet me! Is it you? Is it you?
For the night I leave behind keeps these dazzled eyes still blind!
But oh, the little hill-flowers, their scent is wise and kind;
58
And I shall not lose the way from the darkness to the day,
While dust can cling as their scent clings to memory for aye;
And the least link in the chain can recall the whole again,
And heaven at last resume its far-flung harvests, grain by grain.
To the hill-flowers clings my dust, and tho’ eyeless Death may thrust
All else into the darkness, in their heaven I put my trust;
And a dawn shall bid me climb to the little spread of thyme
Where first I heard the ripple of the fountain-heads of rhyme.
And a fir-wood that I know, from dawn to sunset-glow,
Shall whisper to a lonely sea, that swings far, far below.
Death, thy dawn makes all things new. Hills of Youth, I come to you,
Moving through the dew, moving through the dew.
~ Alfred Noyes,
1314:The Road To Avignon
A Minstrel stands on a marble stair,
Blown by the bright wind, debonair;
Below lies the sea, a sapphire floor,
Above on the terrace a turret door
Frames a lady, listless and wan,
But fair for the eye to rest upon.
The minstrel plucks at his silver strings,
And looking up to the lady, sings: -Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
The octagon tower casts a shade
Cool and gray like a cutlass blade;
In sun-baked vines the cicalas spin,
The little green lizards run out and in.
A sail dips over the ocean's rim,
And bubbles rise to the fountain's brim.
The minstrel touches his silver strings,
And gazing up to the lady, sings: -Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Slowly she walks to the balustrade,
Idly notes how the blossoms fade
In the sun's caress; then crosses where
The shadow shelters a carven chair.
Within its curve, supine she lies,
And wearily closes her tired eyes.
The minstrel beseeches his silver strings,
And holding the lady spellbound, sings: -Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
394
Clouds sail over the distant trees,
Petals are shaken down by the breeze,
They fall on the terrace tiles like snow;
The sighing of waves sounds, far below.
A humming-bird kisses the lips of a rose
Then laden with honey and love he goes.
The minstrel woos with his silver strings,
And climbing up to the lady, sings: -Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Step by step, and he comes to her,
Fearful lest she suddenly stir.
Sunshine and silence, and each to each,
The lute and his singing their only speech;
He leans above her, her eyes unclose,
The humming-bird enters another rose.
The minstrel hushes his silver strings.
Hark! The beating of humming-birds' wings!
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
~ Amy Lowell,
1315:His readiness to answer my questions caused my mind to glitter with new ideas, like a fountain in the sunlight. I was suddenly eager to try my own theories of government, formed during my half year of reading. I launched a barrage of questions related to the merits of an all volunteer army paid from crown revenues, versus each noble being responsible for a certain number of trained and equipped soldiers should the need arise. To each question Shevraeth readily responded, until we had a conversation--not quite a debate--going about the strengths and weaknesses of each method of keeping the country safe.
Very soon I began to see where my lapses of knowledge were, for he knew the books I quoted from. Further, he knew the sources’ strengths and weaknesses, whereas I had taken them as authorities. Still, I was enjoying myself, until I remembered what he’d said about listening to busybodies. Immediately full of self-doubt at the thought, I wondered if I sounded like one of those busybodies. Or worse, had I betrayed my secret quest?
Abruptly I stopped talking and turned my attention to my dinner, which lay cold and untouched on my plate. Stealing a quick glance up, I realized that I’d also kept Shevraeth talking so that his dinner was equally cold. I picked up my fork, fighting against another surge of those old feelings of helpless anger.
Into the sudden silence Branaric laughed, then said, “You’ve left me behind. What have you been reading, Mel? Life! You should go up to Erev-li-Erval and help take the field against the Djurans. Unless you’re planning another revolution here!”
“Were you thinking of taking the field against me?” the Marquis addressed me in his usual drawl.
Aghast, I choked on a bite of food. Then I saw the gleam of humor in his eyes, and realized he’d been joking. “But I’m not,” I squawked. “Not at all! I just like, well, reading and thinking about these things.”
“And testing your knowledge, Danric,” Bran added.
“Whether you are testing mine or your own, you really will get your best information firsthand,” Shevraeth said to me. “Come to Athanarel. Study the records. Ask questions.”
Was he really inviting me straight out to do what I’d resolved so secretly? I had no idea what to make of this. “I promised Nimiar I’d come,” I mumbled, and that ended the subject. ~ Sherwood Smith,
1316:When I see the lark beating Its wings in joy against the rays of the sun That it forgets itself and lets itself fall Because of the sweetness that comes to its heart, Alas! Such great envy then overwhelms me Of all those whom I see rejoicing, I wonder that my heart, at that moment, Does not melt from desire. Alas! How much I thought I knew About love, and how little I know, Because I cannot keep myself from loving The one from whom I will gain nothing. She has all my heart, and my soul, And herself and the whole world; And when she left, nothing remained But desire and a longing heart. I have never had power over myself Nor been by own man from the very hour When she let me see into her eyes, Into a mirror that pleases me so much. Mirror, since I saw myself in you, I have been slain by deep sighs, That I have lost myself just as the handsome Narcissus did in the fountain. I despair of ladies; I will never trust them again; As I used to defend them Now I shall abandon them, Because I see no one who does any good for me Against her who destroys and confounds me, I fear and distrust them all, Because I know very well that they are all alike. She really shows herself to be a woman in this, My lady, for which I condemn her; Because she does not want what she should want, And what she shouldn't do, she does. I have fallen on an evil grace, And I have indeed acted like the fool on the bridge And I do not know how this happened to me, Unless I tried to climb too high on the mountain. Mercy is indeed lost, And I never knew it, Because she, who ought to have most of it, Has none, and where will I look for it? Ah! It would never seem, when looking at her, That she would let this love-sick wretch, Who will never be well without her, To die, without helping him. Since these things will never bring me good from my lady, Neither prayers, pity, nor the rights I have, Nor is it a pleasure to her That I love her, I will never tell her again. Thus I part from her and give her up. She has slain me, and through death I will respond, And I go away, since she does not ask me to stay, Wretched, into exile, I know not where. Tristan, you will have nothing more from me, For I go away, wretched, I know not where. I will withdraw from singing and renounce it, And I hide myself from joy and love.

~ Bernart de Ventadorn, When I see the lark beating
,
1317: Parabrahman
These wanderings of the suns, these stars at play
In the due measure that they chose of old,
Nor only these, but all the immense array
Of objects that long Time, far Space can hold,

Poems from Ahana and Other Poems
Are divine moments. They are thoughts that form,
They are vision in the Self of things august
And therefore grandly real. Rule and norm
Are processes that they themselves adjust.

The Self of things is not their outward view,
A Force within decides. That Force is He;
His movement is the shape of things we knew,
Movement of Thought is Space and Time. A free
And sovereign master of His world within,
He is not bound by what He does or makes,
He is not bound by virtue or by sin,
Awake who sleeps and when He sleeps awakes.

He is not bound by waking or by sleep;
He is not bound by anything at all.

Laws are that He may conquer them. To creep
Or soar is at His will, to rise or fall.

One from of old possessed Himself above
Who was not anyone nor had a form,
Nor yet was formless. Neither hate nor love
Could limit His perfection, peace nor storm.

He is, we cannot say; for Nothing too
Is His conception of Himself unguessed.

He dawns upon us and we would pursue,
But who has found Him or what arms possessed?
He is not anything, yet all is He;
He is not all but far exceeds that scope.

Both Time and Timelessness sink in that sea:
Time is a wave and Space a wandering drop.
217

218

Baroda and Bengal, c. 1900 - 1909
Within Himself He shadowed Being forth,
Which is a younger birth, a veil He chose
To half-conceal Him, Knowledge, nothing worth
Save to have glimpses of its mighty cause,
And high Delight, a spirit infinite,
That is the fountain of this glorious world,
Delight that labours in its opposite,
Faints in the rose and on the rack is curled.

This was the triune playground that He made
And One there sports awhile. He plucks His flowers
And by His bees is stung; He is dismayed,
Flees from Himself or has His sullen hours.

The Almighty One knew labour, failure, strife;
Knowledge forgot divined itself again:
He made an eager death and called it life,
He stung Himself with bliss and called it pain.
~ Sri Aurobindo, - Parabrahman
,
1318:We are focus-points of consciousness, [...] enormously creative. When we enter the self-constructed hologrammetric arena we call spacetime, we begin at once to generate creativity particles, imajons, in violent continuous pyrotechnic deluge. Imajons have no charge of their own but are strongly polarized through our attitudes and by the force of our choice and desire into clouds of conceptons, a family of very-high-energy particles which may be positive, negative or neutral. [...] Some common positive conceptions are exhilarons, excytons, rhapsodons, jovions. Common negative conceptions include gloomons, tormentons, tribulons, agonons, miserons.
"Indefinite numbers of conceptions are created in nonstop eruption, a thundering cascade of creativity pouring from every center of personal consciousness. They mushroom into conception clouds, which can be neutral or strongly charged - buoyant, weightless or leaden, depending on the nature of their dominant particles.
"Every nanosecond an indefinite number of conception clouds build to critical mass, then transform in quantum bursts to high-energy probability waves radiating at tachyon speeds through an eternal reservoir of supersaturated alternate events. Depending on their charge and nature, the probability waves crystallize certain of these potential events to match the mental polarity of their creating consciousness into holographic appearance. [...]
"The materialized events become that mind's experience, freighted with all the aspects of physical structure necessary to make them real and learningful to the creating consciousness. This autonomic process is the fountain from which springs every object and event in the theater of spacetime.
"The persuasion of the imajon hypothesis lies in its capacity for personal verification. The hypothesis predicts that as we focus our conscious intention on the positive and life-affirming, as we fasten our thought on these values, we polarize masses of positive conceptions, realize beneficial probability-waves, bring useful alternate events to us that otherwise would not have appeared to exist.
"The reverse is true in the production of negative events, as is the mediocre in-between. Through default or intention, unaware or by design, we not only choose but create the visible outer conditions that are most resonant to our inner state of being [...] ~ Richard Bach,
1319:She came to a complete stop when she realized that the fountain, one that sported stone mermaids spouting water out of their mouths, seemed to have acquired additional statues. These statues, however, did not fit in with the mermaids but instead seemed to be mud-covered blobs with lily pads stuck all over them. When one of the blobs suddenly raised a hand and rubbed what surely had to be a nose, Millie moved forward again as amusement bubbled up inside her. “How absolutely brilliant!” she exclaimed as she stopped right next to the fountain, earning a smile from little James, his teeth looking remarkably bright against the mud he’d used to cover his face. The blob next to him, six-year-old Edith, rose to her feet and let out a dramatic sigh. “Mother ruined everything by pointing us out to you.” She pulled a lily pad from her arm and dropped it into the shallow water pooling in the bottom of the fountain. “It’s a good thing she did point me in the right direction, or I could have been searching for the two of you for hours.” Millie grinned. “I’ve played many a game of hide-and-seek, and yet I’ve never seen children use such inventive means to disguise themselves. It was completely ingenious—which means clever, by the way—to choose the fountain to hide in.” “It was nothing of the sort,” Mrs. Cutling argued, marching up to join them, apparently unimpressed with Millie’s attempt at broadening the children’s vocabulary. She leveled a stern look at her children before turning her disapproval on Millie. “I’m holding you responsible for their current condition.” “It wasn’t Miss Longfellow’s fault, Mother,” James hurried to say. “It was my idea to hide here, so you shouldn’t be cross with her.” “And it’s been great fun,” Edith added. Mrs. Cutling drew herself up. “I see nothing fun about this, Edith. In fact, you and your brother have embarrassed me no small amount this afternoon. Because of that, the two of you will be spending the rest of your day in your rooms—after you bathe, of course—contemplating the ridiculousness of your actions.” She pointed a finger to the dry courtyard. “Both of you . . . out . . . now.” Millie watched as the two children scrambled out of the fountain, lily pads and slime dripping off them, which earned them a thinning of the lips from their mother. They sent Millie pitiful looks that clearly begged for help, but then two sets of little shoulders sagged when it evidently became clear Millie had no help to offer them. A ~ Jen Turano,
1320:Heartened up by this story, I began to draw upon his more comprehensive knowledge as to the ages of the pictures and as to certain of the stories connected with them, upon which I was not clear; and I likewise inquired into the causes of the decadence of the present age, in which the most refined arts had perished, and among them painting, which had not left even the faintest trace of itself behind. "Greed of money," he replied, "has brought about these unaccountable changes. In the good old times, when virtue was her own reward, the fine arts flourished, and there was the keenest rivalry among men for fear that anything which could be of benefit to future generations should remain long undiscovered. Then it was that Democritus expressed the juices of all plants and spent his whole life in experiments, in order that no curative property should lurk unknown in stone or shrub. That he might understand the movements of heaven and the stars, Eudoxus grew old upon the summit of a lofty mountain: three times did Chrysippus purge his brain with hellebore, that his faculties might be equal to invention. Turn to the sculptors if you will; Lysippus perished from hunger while in profound meditation upon the lines of a single statue, and Myron, who almost embodied the souls of men and beasts in bronze, could not find an heir. And we, sodden with wine and women, cannot even appreciate the arts already practiced, we only criticise the past! We learn only vice, and teach it, too. What has become of logic? of astronomy? Where is the exquisite road to wisdom? Who even goes into a temple to make a vow, that he may achieve eloquence or bathe in the fountain of wisdom? And they do not pray for good health and a sound mind; before they even set foot upon the threshold of the temple, one promises a gift if only he may bury a rich relative; another, if he can but dig up a treasure, and still another, if he is permitted to amass thirty millions of sesterces in safety! The Senate itself, the exponent of all that should be right and just, is in the habit of promising a thousand pounds of gold to the capitol, and that no one may question the propriety of praying for money, it even decorates Jupiter himself with spoils'. Do not hesitate, therefore, at expressing your surprise at the deterioration of painting, since, by all the gods and men alike, a lump of gold is held to be more beautiful than anything ever created by those crazy little Greek fellows, Apelles and Phydias! ~ Petronius,
1321:and is quoted as saying:
~ Bruce Beaver



is one of Australia's greatest and most magical poets. I have
been carrying his book Charmed Lives(UQP) around in my bag like an amulet. His
poetry is pungent, discursive, feral, disturbing, wise and very funny. Charmed
Lives is out of print. It shouldn't be.

Cat Lady
Outside the cathedral at five
the cats congregated and I was fulfilled
feeding them. I would shuffle
in my modest skirt and tatty shawl
towards the drinking fountain, its base
sprayed with the territorial signatures
of toms warmed by the effusions
of tabbies. The air charmed by a broken
mewing, the cheap scraps replaced
by a glottal monotone of purring —
my poor ones — so many types
of the single need. So many desperate
appetites. An insane male
human once accosted me
and asked why didn’t I think of the starving
children in South East Asia, Western Africa.
I said what if I did?
What good would it do them?
He jumped up and down and tried to kick
my cats. I am known as the Cat Lady
and not the patron saint of the world’s
starving, or this city’s.
It’s all because the sexes cannot
cease from procreating. I saw
on the television frogs copulating
in their green myriads. Sometimes the female
would die underneath the onslaught
but another male would mount her dead
body. In the park the other
day I watched a sick pigeon
collapse beneath the weight of another
then with her last life surge
somersault backwards and lie dead
while the male moved on uninterruptedly
pecking towards another breeding bird
I have no argument with people in other ways;
I move among them in no deliberate disguise
I am no cleaner than my cats. It is
my work to feed them, not to breed them.
Nobody else will help to keep them alive.
Every epochal now and then
I know who I am actually. I think
I know who I was in a personal sense. I recreate
thoughts of the past under the shade
of the cathedral’s walls.
I think merely of our breathing sanely together.
Only not here, not in this sometime city
of madmen and deprived cats,
where values are all equated with money
and the highest prayer is for power.
I have no prescriptions, interpretations, prophecies.
With no comment other than Share
I waddle towards my first three thousand years.
~ Bruce Beaver,
1322:Ceremony After A Fire Raid
Myselves
The grievers
Grieve
Among the street burned to tireless death
A child of a few hours
With its kneading mouth
Charred on the black breast of the grave
The mother dug, and its arms full of fires.
Begin
With singing
Sing
Darkness kindled back into beginning
When the caught tongue nodded blind,
A star was broken
Into the centuries of the child
Myselves grieve now, and miracles cannot atone.
Forgive
Us forgive
Us your death that myselves the believers
May hold it in a great flood
Till the blood shall spurt,
And the dust shall sing like a bird
As the grains blow, as your death grows, through our heart.
Crying
Your dying
Cry,
Child beyond cockcrow, by the fire-dwarfed
Street we chant the flying sea
In the body bereft.
Love is the last light spoken. Oh
Seed of sons in the loin of the black husk left.
II
50
I know not whether
Adam or Eve, the adorned holy bullock
Or the white ewe lamb
Or the chosen virgin
Laid in her snow
On the altar of London,
Was the first to die
In the cinder of the little skull,
O bride and bride groom
O Adam and Eve together
Lying in the lull
Under the sad breast of the head stone
White as the skeleton
Of the garden of Eden.
I know the legend
Of Adam and Eve is never for a second
Silent in my service
Over the dead infants
Over the one
Child who was priest and servants,
Word, singers, and tongue
In the cinder of the little skull,
Who was the serpent's
Night fall and the fruit like a sun,
Man and woman undone,
Beginning crumbled back to darkness
Bare as nurseries
Of the garden of wilderness.
III
Into the organpipes and steeples
Of the luminous cathedrals,
Into the weathercocks' molten mouths
Rippling in twelve-winded circles,
Into the dead clock burning the hour
Over the urn of sabbaths
Over the whirling ditch of daybreak
Over the sun's hovel and the slum of fire
51
And the golden pavements laid in requiems,
Into the bread in a wheatfield of flames,
Into the wine burning like brandy,
The masses of the sea
The masses of the sea under
The masses of the infant-bearing sea
Erupt, fountain, and enter to utter for ever
Glory glory glory
The sundering ultimate kingdom of genesis' thunder.
~ Dylan Thomas,
1323:/Farsi & Turkish With every breath the sound of love surrounds us, and we are bound for the depths of space, without distraction. We've been in orbit before and know the angels there. Let's go there again, Master, for that is our land. Yet we are beyond all of that and more than angels. Out beyond duality, we have a home, and it is Majesty. That pure substance is different from this dusty world. What kind of place is this? We once came down; soon we'll return. A new happiness befriends us as we work at offering our lives. Muhammad, the jewel of the world, is our caravan's chosen guide. The sweetness we breathe on the wind is from the scent of his hair, and the radiance of our thought is from the light of his day. His face once caused the moon to split in two. She couldn't endure the sight of him. Yet how lucky she was, she who humbly received him. Look into your heart and see the splitting moon within each breath. Having seen that vision, how can you still dream? When the wave of "Am I not?" struck, it wrecked the body's ship; when the ship wrecks again, it will be the time of union. The Human Being, like a bird of the sea, emerged from the ocean of the soul. Earth is not the final place of rest for a bird born from the sea. No, we are pearls of that ocean; all of us live in it; and if it weren't so, why would wave upon wave arrive? This is the time of union, the time of eternal beauty. It is the time of luck and kindness; it is the ocean of purity. The wave of bestowal has come. The roar of the sea is here. The morning of happiness has dawned. No, it is the light of God. Whose face is pictured here? Who is this shah or prince? Who is this ancient intelligence? They are all masks . . . and the only remedy is this boiling ecstasy of the soul. A fountain of refreshment is in the head and the eyes -- not this bodily head but another pure spiritual one. Many a pure head has been spilled in the dust. Know the one from the other! Our original head is hidden, while this other is visible. Beyond this world is a world that has no boundaries. Put your water skin away, brother, and draw some wine from our cask! The clay jug of perception has such a narrow spout. The sun appeared from the direction of Tabriz, and I said, "This light is at once joined with all things, and yet apart from everything." [2295.jpg] -- from Love is a Stranger: Selected Lyric Poetry by Jelaluddin Rumi and Kabir, Translated by Kabir Helmiski

~ Jalaluddin Rumi, A World with No Boundaries (Ghazal 363)
,
1324:Blue
The earth again like a ship steams out of the dark sea over
The edge of the blue, and the sun stands up to see us glide
Slowly into another day; slowly the rover
Vessel of darkness takes the rising tide.
I, on the deck, am startled by this dawn confronting
Me who am issued amazed from the darkness, stripped
And quailing here in the sunshine, delivered from haunting
The night unsounded whereon our days are shipped.
Feeling myself undawning, the day’s light playing upon me,
I who am substance of shadow, I all compact
Of the stuff of the night, finding myself all wrongly
Among the crowds of things in the sunshine jostled and racked.
I with the night on my lips, I sigh with the silence of death;
And what do I care though the very stones should cry me unreal, though the
clouds
Shine in conceit of substance upon me, who am less than the rain.
Do I know the darkness within them? What are they but shrouds?
The clouds go down the sky with a wealthy ease
Casting a shadow of scorn upon me for my share in death; but I
Hold my own in the midst of them, darkling, defy
The whole of the day to extinguish the shadow I lift on the breeze.
Yea, though the very clouds have vantage over me,
Enjoying their glancing flight, though my love is dead,
I still am not homeless here, I’ve a tent by day
Of darkness where she sleeps on her perfect bed.
And I know the host, the minute sparkling of darkness
Which vibrates untouched and virile through the grandeur of night,
But which, when dawn crows challenge, assaulting the vivid motes
Of living darkness, bursts fretfully, and is bright:
Runs like a fretted arc-lamp into light,
Stirred by conflict to shining, which else
Were dark and whole with the night.
30
Runs to a fret of speed like a racing wheel,
Which else were aslumber along with the whole
Of the dark, swinging rhythmic instead of a-reel.
Is chafed to anger, bursts into rage like thunder;
Which else were a silent grasp that held the heavens
Arrested, beating thick with wonder.
Leaps like a fountain of blue sparks leaping
In a jet from out of obscurity,
Which erst was darkness sleeping.
Runs into streams of bright blue drops,
Water and stones and stars, and myriads
Of twin-blue eyes, and crops
Of floury grain, and all the hosts of day,
All lovely hosts of ripples caused by fretting
The Darkness into play.
~ David Herbert Lawrence,
1325:Fig-tree, for such a long time I have found meaning
in the way you almost completely omit your blossoms
and urge your pure mystery, unproclaimed,
into the early ripening fruit.
Like a curved pipe of a fountain, your arching boughs drive the sap
downward and up again: and almost without awakening
it bursts out of sleep, into its sweetest achievement.
Like the god stepping into the swan.

......But we still linger, alas,
we, whose pride is in blossoming; we enter the overdue
interior of our final fruit and are already betrayed.
In only a few does the urge to action rise up
so powerfully the they stop, glowing in their heart's abundance,
while, like the soft night air , the temptation to blossom
touches their tender mouths, touches their eyelids, softly:
heroes perhaps, and those chosen to disappear early,
whose veins Death the gardener twists into a different pattern.
These plunge on ahead: in advance of their own smile
like the team of galloping horses before the triumphant
pharaoh in the mildly hollowed reliefs at Karnak.

The hero is strangely close to those who died young. Permanence
does not concern him. He lives in continual ascent,
moving on into the ever-changed constellation
of perpetual danger. Few could find him there. But
Fate, which is silent about us, suddenly grows inspired
and sings him into the storm of his onrushing world.
I hear no one like him. All at once I am pierced
by his darkened voice, carried on the streaming air.

Then how gladly I would hide from the longing to be once again
oh a boy once again, with my life before me, to sit
leaning on future arms and reading of Samson,
how from his mother first nothing, then everything, was born.

Wasn't he a hero inside you mother? didn't
his imperious choosing already begin there, in you?
Thousands seethed in your womb, wanting to be him,
but look: he grasped and excluded—, chose and prevailed.
And if he demolished pillars, it was when he burst
from the world of your body into the narrower world, where again
he chose and prevailed. O mothers of heroes, O sources
of ravaging floods! You ravines into which
virgins have plunged, lamenting,
from the highest rim of the heart, sacrifices to the son.
For whenever the hero stormed through the stations of love,
each heartbeat intended for him lifted him up, beyond it;
and, turning away, he stood there, at the end of all smiles,—transfigured. ~ Rainer Maria Rilke,
1326:Drat. Daisy pulled back with a frown. She felt guilty that she had enjoyed the kiss so little. And it made her feel even worse when it appeared Llandrindon had enjoyed it quite a lot.
“My dear Miss Bowman,” Llandrindon murmured flirtatiously. “You didn’t tell me you tasted so sweet.”
He reached for her again, and Daisy danced backward with a little yelp. “My lord, control yourself!”
“I cannot.” He pursued her slowly around the fountain until they resembled a pair of circling cats. Suddenly he made a dash for her, catching at the sleeve of her gown. Daisy pushed hard at him and twisted away, feeling the soft white muslin rip an inch or two at the shoulder seam.
There was a loud splash and a splatter of water drops.
Daisy stood blinking at the empty spot where Llandrindon had been, and then covered her eyes with her hands as if that would somehow make the entire situation go away.
“My lord?” she asked gingerly. “Did you… did you just fall into the fountain?”
“No,” came his sour reply. “You pushed me into the fountain.”
“It was entirely unintentional, I assure you.” Daisy forced herself to look at him.
Llandrindon rose to his feet, water streaming from his hair and clothes, his coat pockets filled to the brim. It appeared the dip in the fountain had cooled his passions considerably.
He glowered at her in affronted silence. Suddenly his eyes widened, and he reached into one of his water-laden coat pockets. A tiny frog leaped from the pocket and returned to the fountain with a quiet plunk.
Daisy tried to choke back her amusement, but the harder she tried the worse it became, until she finally burst out laughing. “I’m sorry,” she gasped, clapping her hands over her mouth, while irrepressible giggles slipped out. “I’m so— oh dear—” And she bent over laughing until tears came to her eyes.
The tension between them disappeared as Llandrin don began to smile reluctantly. He stepped from the fountain, dripping from every surface. “I believe when you kiss the toad,” he said dryly, “he is supposed to turn into a prince. Unfortunately in my case it doesn’t seem to have worked.”
Daisy felt a rush of sympathy and kindness, even as she snorted with a few last giggles. Approaching him carefully, she placed her small hands on either side of his wet face and pressed a friendly, fleeting kiss on his lips.
His eyes widened at the gesture.
“You are someone’s handsome prince,” Daisy said, smiling at him apologetically. “Just not mine. But when the right woman finds you… how lucky she’ll be. ~ Lisa Kleypas,
1327:We didn't finish that dance."
"Here?"
"Why not?"
Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
"Do you hear that?" I aked.
Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?"
I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music."
Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing."
"Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me.
She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing.
My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air.
I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster.
A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.
I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer.
She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire.
Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo.
Her eyes met mine again. "So what does this mean for us?"
I lowered my forehead to hers. "It means you 're mine. ~ Katie McGarry,
1328:28. Experts Should Be On Tap, Not On Top

This is another piece of advice from Winston Churchill (he was a fountain of great one-liners):

Experts should be on tap, not on top.

I have made the mistake all too often in the past of taking experts’ advice as gold, as the only ‘right’ option. It has often been against my instinct, and it has all too frequently landed me in trouble.

To let yourself be guided purely by experts is always a recipe for disaster.

So-called experts might know their field, but they don’t always know the whole picture of what’s right. Especially for you.

I know some very wealthy people who don’t even live where they want to because their accountant told them they could pay less tax if they bought a home in Monaco. It is as if their accountant has more of a say over their lives than their kids or partners do - and that is always a ‘false’ economy.

Experts are experts because they specialize in one small part of a field. A leader’s job is to see beyond that, to see the whole picture and then to make a considered decision. The expert advice should be there to serve you: to be ‘on tap’, when you need it, but not as your only option.

So when you need guidance, ‘listen’ to all the experts, assemble the knowledge in your head, sleep on it, trust your instinct (more of that later!), then make an informed, not hasty decision.

By the way, the only thing worse than making a bad decision? Making no decision! So many people fail to get ahead because they can’t decide. They dither.

It is natural. We all get fearful of making a bad decision - but really that is back to being scared of failing, and we know how to deal with that now, don’t we?

Failing is OK. A bad decision is better than no decision.

So learn to make decisions - informed, good decisions, based on good advice, but not dictated solely by the advisors. Trust your instincts, and commit to your decision.

And if it proves wrong, then learn from the error, have the humility to acknowledge it, then move on - wiser and smarter.

And remember, like so many things, the more you practice making decisions, the better you will become at making good decisions.

You’ll never have a 100 per cent gold strike rate, but some people get pretty darned close, and if you study their habits I bet you will see some clear patterns in their decision-making.

So, listen to the experts, keep them on tap, but know your own mind, know your own heart - and let these lead you to the right choices to keep you on top. ~ Bear Grylls,
1329:At the unexpected sight of Spence, Colbie startled hard. How was it that he was the one who needed glasses and yet she’d not seen him standing against the window? “No, I don’t kill a lot of people,” she said cautiously because she was wearing only a towelin front of a strange man. “But I’m happy to make an exception.”
He laughed, a rough rumble that was more than a little contagious but she controlled herself because, hello, she was once again dripping wet before the man who seemed to make her knees forget to hold her up.
“I didn’t mean to scare you,” he said and pushed off the wall to come close.
She froze, but he held up his hands like, I come in peace, and crouched at her feet to scoop up the clothes she hadn’t realized she’d dropped.
Leggings, a long forgiving tee, and the peach silk bra-and-panty set that hadn’t gotten so much as a blink from the TSA guy.
But it got one out of Spence. He also swallowed hard as she snatched them back from him.
“Hold on,” he said and caught her arm, pulling it toward him to look at her bleeding elbow.
“Sit,” he said and gently pushed her down to a weight bench. He vanished into the bathroom and came back out with a first aid kit.
It took him less than two minutes to clean and bandage the scrape. Then, easily balanced at her side on the balls of his feet, he did the same for both her knees, which she hadn’t noticed were also scraped up.
“You must’ve hit the brick coping as you fell in the fountain,” he said and let his thumb slide over the skin just above one bandaged knee.
She shivered, and not from the cold either. “Not going to kiss it better?” she heard herself ask before biting her tongue for running away with her good sense.
She’d raised her younger twin brothers. Scrappy, roughhouse wild animals, the both of them, so there’d been plenty of injuries she’d kissed over the years.
But no one had ever kissed hers. Not surprising, since most of her injuries tended to be on the inside, where they didn’t show. Still, she was horrified she’d said anything at all. “I didn’t mean—”
She broke off, frozen like a deer in the headlights as Spence slowly lowered his head, brushing his lips over the Band-Aid on her elbow, then her knees. When he lifted his head, he pushed his glasses higher on his nose, those whiskey eyes warm and amused behind his lenses. “Better?”
Shockingly better. Since she didn’t quite trust her voice at the moment, she gave a jerky nod and took her clothes back into the bathroom. She shut the door and then leaned against it, letting out a slow, deliberate breath. Holy cow, she was out of her league. He was somehow both cute and hot, and those glasses . ~ Jill Shalvis,
1330:L'union libre [Freedom of Love]"

My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire ~ Andr Breton,
1331:Peace On Earth
He took a frayed hat from his head,
And “Peace on Earth” was what he said.
“A morsel out of what you’re worth,
And there we have it: Peace on Earth.
Not much, although a little more
Than what there was on earth before
I’m as you see, I’m Ichabod,—
But never mind the ways I’ve trod;
I’m sober now, so help me God.”
I could not pass the fellow by.
“Do you believe in God?” said I;
“And is there to be Peace on Earth?”
“Tonight we celebrate the birth,”
He said, “of One who died for men;
The Son of God, we say. What then?
Your God, or mine? I’d make you laugh
Were I to tell you even half
That I have learned of mine today
Where yours would hardly seem to stay.
Could He but follow in and out
Some anthropoids I know about,
The god to whom you may have prayed
Might see a world He never made.”
“Your words are flowing full,” said I;
“But yet they give me no reply;
Your fountain might as well be dry.”
“A wiser One than you, my friend,
Would wait and hear me to the end;
And for his eyes a light would shine
Through this unpleasant shell of mine
That in your fancy makes of me
A Christmas curiosity.
All right, I might be worse than that;
And you might now be lying flat;
I might have done it from behind,
231
And taken what there was to find.
Don’t worry, for I’m not that kind.
‘Do I believe in God?’ Is that
The price tonight of a new hat?
Has he commanded that his name
Be written everywhere the same?
Have all who live in every place
Identified his hidden face?
Who knows but he may like as well
My story as one you may tell?
And if he show me there be Peace
On Earth, as there be fields and trees
Outside a jail-yard, am I wrong
If now I sing him a new song?
Your world is in yourself, my friend,
For your endurance to the end;
And all the Peace there is on Earth
Is faith in what your world is worth,
And saying, without any lies,
Your world could not be otherwise.”
“One might say that and then be shot,”
I told him; and he said: “Why not?”
I ceased, and gave him rather more
Than he was counting of my store.
“And since I have it, thanks to you,
Don’t ask me what I mean to do,”
Said he. “Believe that even I
Would rather tell the truth than lie—
On Christmas Eve. No matter why.”
His unshaved, educated face,
His inextinguishable grace.
And his hard smile, are with me still,
Deplore the vision as I will;
For whatsoever he be at,
So droll a derelict as that
Should have at least another hat.
~ Edwin Arlington Robinson,
1332:The Garden"

How vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown’d from some single herb or tree,
Whose short and narrow verged shade
Does prudently their toils upbraid;
While all flow’rs and all trees do close
To weave the garlands of repose.

Fair Quiet, have I found thee here,
And Innocence, thy sister dear!
Mistaken long, I sought you then
In busy companies of men;
Your sacred plants, if here below,
Only among the plants will grow.
Society is all but rude,
To this delicious solitude.

No white nor red was ever seen
So am’rous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name;
Little, alas, they know or heed
How far these beauties hers exceed!
Fair trees! wheres’e’er your barks I wound,
No name shall but your own be found.

When we have run our passion’s heat,
Love hither makes his best retreat.
The gods, that mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so,
Only that she might laurel grow;
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.

What wond’rous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnar’d with flow’rs, I fall on grass.

Meanwhile the mind, from pleasure less,
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find,
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.

Here at the fountain’s sliding foot,
Or at some fruit tree’s mossy root,
Casting the body’s vest aside,
My soul into the boughs does glide;
There like a bird it sits and sings,
Then whets, and combs its silver wings;
And, till prepar’d for longer flight,
Waves in its plumes the various light.

Such was that happy garden-state,
While man there walk’d without a mate;
After a place so pure and sweet,
What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises ’twere in one
To live in paradise alone.

How well the skillful gard’ner drew
Of flow’rs and herbs this dial new,
Where from above the milder sun
Does through a fragrant zodiac run;
And as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d but with herbs and flow’rs! ~ Andrew Marvell,
1333:The Feast Of Stephen
The coltish horseplay of the locker room,
Moist with the steam of the tiled shower stalls,
With shameless blends of civet, musk and sweat,
Loud with the cap-gun snapping of wet towels
Under the steel-ribbed cages of bare bulbs,
In some such setting of thick basement pipes
And janitorial realities
Boys for the first time frankly eye each other,
Inspect each others’ bodies at close range,
And what they see is not so much another
As a strange, possible version of themselves,
And all the sparring dance, adrenal life,
Tense, jubilant nimbleness, is but a vague,
Busy, unfocused ballet of self-love.
II
If the heart has its reasons, perhaps the body
Has its own lumbering sort of carnal spirit,
Felt in the tingling bruises of collision,
And known to captains as esprit de corps.
What is this brisk fraternity of timing,
Pivot and lobbing arc, or indirection,
Mens sana in men’s sauna, in the flush
Of health and toilets, private and corporal glee,
These fleet caroms, plies and genuflections
Before the salmon-leap, the leaping fountain
All sheathed in glistening light, flexed and alert?
From the vast echo-chamber of the gym,
Among the stumbled shouts and shrill of whistles,
The bounced basketball sound of a leather whip.
III
42
Think of those barren places where men gather
To act in the terrible name of rectitude,
Of acned shame, punk’s pride, muscle or turf,
The bully’s thin superiority.
Think of the Sturm-Abteilungs Kommandant
Who loves Beethoven and collects Degas,
Or the blond boys in jeans whose narrowed eyes
Are focussed by some hard and smothered lust,
Who lounge in a studied mimicry of ease,
Flick their live butts into the standing weeds,
And comb their hair in the mirror of cracked windows
Of an abandoned warehouse where they keep
In darkened readiness for their occasion
The rope, the chains, handcuffs and gasoline.
IV
Out in the rippled heat of a neighbor’s field,
In the kilowatts of noon, they’ve got one cornered.
The bugs are jumping, and the burly youths
Strip to the waist for the hot work ahead.
They go to arm themselves at the dry-stone wall,
Having flung down their wet and salty garments
At the feet of a young man whose name is Saul.
He watches sharply these superbly tanned
Figures with a swimmer’s chest and shoulders,
A miler’s thighs, with their self-conscious grace,
And in between their sleek, converging bodies,
Brilliantly oiled and burnished by the sun,
He catches a brief glimpse of bloodied hair
And hears an unintelligible prayer.
~ Anthony Evan Hecht,
1334:Mi Musa Triste
Spanish
Vagos preludios. En la noche espléndida
Su voz de perlas una fuente calla,
Cuelgan las brisas sus celestes pifanos
En el follaje. Las cabezas pardas
De los búhos acechan.
Las flores se abren más, como asombradas.
Los cisnes de marfil tienden los cuellos
En las lagunas pálidas.
Selene mira del azul. Las frondas
Tiemblan... y todo! hasta el silencio, calla...
Es que ella pasa con su boca triste
Y el gran misterio de sus ojos de ámbar,
A través de la noche, hacia el olvido,
Como una estrella fugitiva y blanca.
Como una destronada reina exótica
De bellos gestos y palabras raras.
Horizontes violados sus ojeras
Dentro sus ojos–dos estrellas de ámbar–
Se abren cansados y húmedos y tristes
Como llagas de luz que quejaran.
Es un dolor que vive y que no espera,
Es una aurora gris que se levanta
Del gran lecho de sombras de la noche,
Cansada ya, sin esplendor, sin ansias
Y sus canciones son como hadas tristes
Alhajadas de lágrimas...
English
Murmuring preludes. On this resplendent night
Her pearled voice quiets a fountain.
The breezes hang their celestial fifes
In the foliage. The gray heads
Of the owls keep watch.
20
Flowers open themselves, as if surprised.
Ivory swans extend their necks
In the pallid lakes.
Selene watches from the blue. Fronds
Tremble...and everything! Even the silence, quiets.
She wanders with her sad mouth
And the grand mystery of amber eyes,
Across the night, toward forgetfulness
Like a star, fugitive and white.
Like a dethroned exotic queen
With comely gestures and rare utterings.
Her undereyes are violated horizons
And her irises–two stars of amber–
Open wet and weary and sad
Like ulcers of light that weep.
She is a grief which thrives and does not hope,
She is a gray aurora rising
From the shadowy bed of night,
Exhausted, without splendor, without anxiousness.
And her songs are like dolorous fairies
Jeweled in teardrops...
The strings of lyres
Are the souls' fibers.–
The blood of bitter vineyards, noble vineyards,
In goblets of regal beauty, rises
To her marble hands, to lips carved
Like the blazon of a great lineage.
Strange Princes of Fantasy! They
Have seen her languid head, once erect,
And heard her laugh, for her eyes
Tremble with the flower of aristocracies!
And her soul clean as fire, like a star,
Burns in those pupils of amber.
But with a mere glance, scarcely an intimacy,
Perhaps the echo of a profane voice,
21
This white and pristine soul shrinks
Like a luminous flower, folding herself up!
~ Delmira Agustini,
1335:Did you ever think much about jobs? I mean, some of the jobs people land in? You see a guy giving haircuts to dogs, or maybe going along the curb with a shovel, scooping up horse manure. And you think, now why is the silly bastard doing that? He looks fairly bright, about as bright as anyone else. Why the hell does he do that for living?
You kind grin and look down your nose at him. You think he’s nuts, know what I mean, or he doesn’t have any ambition. And then you take a good look at yourself, and you stop wondering about the other guy…

You’ve got all your hands and feet. Your health is okay, and you make a nice appearance, and ambition-man! You’ve got it. You’re young, I guess: you’d call thirty young, and you’re strong. You don’t have much education, but you’ve got more than plenty of other people who go to the top. And yet with all that, with all you’ve had to do with this is as far you’ve got And something tellys you, you’re not going much farther if any.

And there is nothing to be done about it now, of course, but you can’t stop hoping. You can’t stop wondering…

…Maybe you had too much ambition. Maybe that was the trouble. You couldn’t see yourself spending forty years moving from office boy to president. So you signed on with a circulation crew; you worked the magazines from one coast to another. And then you ran across a little brush deal-it sounded nice, anyway. And you worked that until you found something better, something that looked better. And you moved from that something to another something. Coffee-and-tea premiums, dinnerware, penny-a-day insurance, photo coupons, cemetery lots, hosiery, extract, and God knows what all. You begged for the charities, You bought the old gold. You went back to the magazines and the brushes and the coffee and tea. You made good money, a couple of hundred a week sometimes. But when you averaged it up, the good weeks with the bad, it wasn’t so good. Fifty or sixty a week, maybe seventy. More than you could make, probably, behind agas pump or a soda fountain. But you had to knock yourself out to do it, and you were standing stil. You were still there at the starting place. And you weren’t a kid any more.

So you come to this town, and you see this ad. Man for outside sales and collections. Good deal for hard worker. And you think maybe this is it. This sounds like a right town. So you take the job, and you settle down in the town. And, of course, neither one of ‘em is right, they’re just like all the others. The job stinks. The town stinks. You stink. And there’s not a goddamned thing you can do about it. All you can do is go on like this other guys go on. The guy giving haircuts to dogs, and the guy sweeping up horse manute Hating it. Hating yourself.
And hoping. ~ Jim Thompson,
1336:Freedom Of Love
(Translated from the French by Edouard Rodti)
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
~ Andre Breton,
1337:Thoughts In A Garden
HOW vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown'd from some single herb or tree,
Whose short and narrow-verged shade
Does prudently their toils upbraid;
While all the flowers and trees do close
To weave the garlands of repose!
Fair Quiet, have I found thee here,
And Innocence thy sister dear?
Mistaken long, I sought you then
In busy companies of men:
Your sacred plants, if here below,
Only among the plants will grow:
Society is all but rude
To this delicious solitude.
No white nor red was ever seen
So amorous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress' name:
Little, alas! they know or heed
How far these beauties hers exceed!
Fair trees! wheres'e'er your barks I wound,
No name shall but your own be found.
When we have run our passions' heat,
Love hither makes his best retreat:
The gods, that mortal beauty chase,
Still in a tree did end their race;
Apollo hunted Daphne so
Only that she might laurel grow;
And Pan did after Syrinx speed
Not as a nymph, but for a reed.
What wondrous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
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Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons, as I pass,
Ensnared with flowers, I fall on grass.
Meanwhile the mind from pleasure less
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find;
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that 's made
To a green thought in a green shade.
Here at the fountain's sliding foot,
Or at some fruit-tree's mossy root,
Casting the body's vest aside,
My soul into the boughs does glide;
There, like a bird, it sits and sings,
Then whets and combs its silver wings,
And, till prepared for longer flight,
Waves in its plumes the various light.
Such was that happy Garden-state
While man there walk'd without a mate:
After a place so pure and sweet,
What other help could yet be meet!
But 'twas beyond a mortal's share
To wander solitary there:
Two paradises 'twere in one,
To live in Paradise alone.
How well the skilful gard'ner drew
Of flowers and herbs this dial new!
Where, from above, the milder sun
Does through a fragrant zodiac run:
And, as it works, th' industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon'd, but with herbs and flowers!
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~ Andrew Marvell,
1338:To My Father (Upon His Retirement)
In all the land our race was once excelling.
In richer regions it e'en now possesses
Broad seats and fruitful; but by fate's hard stresses
Our
branch was bent and bowed to blows compelling.
Now toward the light again it lifts aloft
Its top, and fresh buds crown it, fair and soft.
The flowing fountain of
your
faith has laved it,
To life's late evening thus your strength has saved it.
As rests the race in time of chill and rigor,
And from the deeps that lie within its being
Draws to it what alone can nourish, freeing
Its powers to full prophecy of vigor,So I divined the unseen stir in you
Of nature's might that you could not subdue;
It was so strong, from sire to son surviving,
In mystery mute descends this power's striving.
Upon this poured its radiant warmth pervading
My mother's soul; of wedded joy the glory
Crowns not alone your aged heads and hoary;
But it shall death outlive in light unfading.
And if my people ever truly prize
The pictured home that in my writings lies,
Honor of love and faith serene, unbroken,Of father, mother, both, shall praise be spoken.
If men remember the Norwegian peasant,
As from the field of toil or saga fateful
I conjured him; to you they shall be grateful,
Father, in whom love let me find him present.
And if the woman whom I made them view
In sun-like splendid faith and spirit true,
By women is approved, it is the other
Who has their homage, my sweet-natured mother.
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And now you'll rest the evening long and cheery
From the day's work in fair or troubled weather,
And of the by-gone time you'll talk together,
Of many a mile you trod with footsteps weary,Now will as sunlight on the winter's snow,
A warmth of thanks in through the window glow,
Harsh memories mellow with its golden shining,
Your life in faith complete find its refining.
But none gives thanks as now that son in gladness,
For whom you lived in anxious fear unceasing,
Since forth he flew with strength of wing increasing,
For whom to God you prayed in joy and sadness.
Oh, know, when hot my blood burned over-much,
I felt your soothing hands my forehead touch,
And oft, my heart in mute repentance bleeding,
In thoughts of you I heard God's gentle pleading.
And so I pray that I may have the power
(Since we again for life shall be united,
And hope 'mid mirthful mem'ries be relighted),
To brighten now their every evening-hour!
When children's children in their arms shall be,
Oh, let them morning in their evening see!
So shall they gladly lay, when death gives warning,
Their gray heads down to greet the dawning morning.
~ Bjornstjerne Bjornson,
1339:A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms.
“Sister or lover?” Kestrel said.
The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?”
“Are you his sister or lover?”
She walked up to Kestrel and slapped her across the face.
“Sarsine!” Arin hauled her back.
“His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.”
Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control.
“Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--”
“I don’t care,” Kestrel said.
His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown.
He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--”
“Arin! Have you lost your mind?”
“Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.”
“In the east wing.” Sarsine’s voice was thick with disgust.
“She’s the general’s daughter.”
“Oh, I know.”
“A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.”
“Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?”
“It will change how we see ourselves.”
“No, Arin. It will change how everyone sees you.
He shook his head. “She’s mine to do with as I see fit.”
There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest.
Arin let Kestrel go. “Please, Sarsine. Take her.”
His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous. ~ Marie Rutkoski,
1340:Before he knew it, he’d reached his destination, and without bothering to kick off his shoes, he jumped into the large stone fountain that was situated halfway between the house and the cliffs that led to the sea. Splashing his way through the water, he reached the waterfall that had been built in the very middle of the fountain and stuck Thaddeus right into it. Shrieking with clear delight, Thaddeus began to wiggle, the paste that still covered him making him remarkably slippery. Afraid of dropping him, Everett set him down and then straightened, discovering that while he’d been busy with Thaddeus, Elizabeth had joined them in the fountain. Without so much as a by-your-leave, she sent water flying his way. And when Rose suddenly appeared in the fountain as well, he found himself splashed from all sides as the children went about the business of being children. Stumbling his way to the side of the fountain, he was just about to announce his surrender when a wave of water smacked him in the face, leaving him sputtering. When he finally caught his breath and pushed his hair out of his eyes, he found Millie grinning back at him, even as she scooped more water up into a bucket she’d somehow managed to procure. War was immediate, and one he knew he couldn’t win. The children continued splashing him as Millie threw bucketful after bucketful of water his way. When Millie slipped and fell, he saw an opportunity he couldn’t resist. Grabbing the bucket, which was floating beside her, he scooped up water and aimed it at Thaddeus, who’d abandoned his purple frock and was splashing around in nothing but his drawers. Drawing the bucket back, he let the water fly, but Thaddeus ducked out of the way—which had the water winging out of the fountain to land directly on . . . his mother. Even the peacocks that had been screeching just as loudly as the children had been shrieking seemed to realize the gravity of the situation. They stopped screeching, the children stopped shrieking, but Millie pushed soggy curls out of her eyes and simply smiled at his mother. “You’re more than welcome to join us, Mrs. Mulberry, now that you’re all wet.” For the briefest of seconds, Everett thought he caught a glimpse of longing in his mother’s eyes, but then she lifted her chin. “It would hardly be proper for me to frolic in a fountain, Miss Longfellow, nor is it proper for you to be in there, either.” She lifted her chin another notch as she glanced his way. “You’ve ruined my hat as well as soaked me to the skin.” With amusement tickling his throat, he looked his mother up and down. “I’ll buy you a new hat, Mother, but all I can suggest about you being soaked to the skin is to perhaps recommend you either search out a towel or, as Millie suggested, join us. It’s rather fun to frolic about in a fountain, even if society wouldn’t approve.” Dorothy ~ Jen Turano,
1341:Out Of The Fulness Of The Heart The Mouth Speaketh
In answer to those who have said that English Poets
give no personal love to their country.
ENGLAND, my country, austere in the clamorous council of nations,
Set in the seat of the mighty, wielding the sword of the strong,
Have we but sung of your glory, firm in eternal foundations?
Are not your woods and your meadows the core of our heart and our song?
O dear fields of my country, grass growing green, glowing golden,
Green in the patience of winter, gold in the pageant of spring,
Oaks and young larches awaking, wind-flowers and violets blowing,
What, if God sets us to singing, what save you shall we sing?
Who but our England is fair through the veil of her poets' praises,
What but the pastoral face, the fruitful, beautiful breast?
Are not your poets' meadows starred with the English daisies?
Were not the wings of their song-birds fledged in an English nest?
Songs of the leaves in the sunlight, songs of the fern-brake in shadow,
Songs of the world of the woods and songs of the marsh and the mere,
Are they not English woods, dear English marshland and meadow?
Have not your poets loved you? England, are you not dear?
Shoulders of upland brown laid dark to the sunset's bosom,
Living amber of wheat, and copper of new-ploughed loam,
Downs where the white sheep wander, little gardens in blossom,
Roads that wind through the twilight up to the lights of home.
Lanes that are white with hawthorn, dykes where the sedges shiver,
Hollows where caged winds slumber, moorlands where winds wake free,
Sowing and reaping and gleaning, spring and torrent and river,
Are they not more, by worlds, than the whole of the world can be?
Is there a corner of land, a furze-fringed rag of a by-way,
Coign of your foam-white cliffs or swirl of your grass-green waves,
Leaf of your peaceful copse, or dust of your strenuous highway,
But in our hearts is sacred, dear as our cradles, our graves?
Is not each bough in your orchards, each cloud in the skies above you,
Is not each byre or homestead, furrow or farm or fold,
Dear as the last dear drops of the blood in the hearts that love you,
Filling those hearts till the love is more than the heart can hold?
Therefore the song breaks forth from the depths of the hidden fountain
Singing your least frail flower, your raiment of seas and skies,
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Singing your pasture and cornfield, fen and valley and mountain,
England, desire of my heart, England, delight of mine eyes!
Take my song too, my country: many a son and debtor
Pays you in praise and homage out of your gifts' full store;
Life of my life, my England, many will praise you better,
None, by the God that made you, ever can love you more!
~ Edith Nesbit,
1342:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.

Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old, and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast
That, whether there be shine or gloom o'ercast,
They always must be with us, or we die.

Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own valleys: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimmed and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end!
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.
by owner. provided at no charge for educational purposes

~ John Keats, A Thing Of Beauty (Endymion)
,
1343:Juventus Mundi
List a tale a fairy sent us
Fresh from dear Mundi Juventus.
When Love and all the world was young,
And birds conversed as well as sung;
And men still faced this fair creation
With humour, heart, imagination.
Who come hither from Morocco
Every spring on the sirocco?
In russet she, and he in yellow,
Singing ever clear and mellow,
'Sweet, sweet, sweet, sweet, sweet you, sweet you,
Did he beat you? Did he beat you?'
Phyllopneustes wise folk call them,
But don't know what did befall them,
Why they ever thought of coming
All that way to hear gnats humming,
Why they built not nests but houses,
Like the bumble-bees and mousies.
Nor how little birds got wings,
Nor what 'tis the small cock singsHow should they know-stupid fogies?
They daren't even believe in bogies.
Once they were a girl and boy,
Each the other's life and joy.
He a Daphnis, she a Chloe,
Only they were brown, not snowy,
Till an Arab found them playing
Far beyond the Atlas straying,
Tied the helpless things together,
Drove them in the burning weather,
In his slave-gang many a league,
Till they dropped from wild fatigue.
Up he caught his whip of hide,
Lashed each soft brown back and side
Till their little brains were burst
With sharp pain, and heat, and thirst,
Over her the poor boy lay,
Tried to keep the blows away,
Till they stiffened into clay,
53
And the ruffian rode away:
Swooping o'er the tainted ground,
Carrion vultures gathered round,
And the gaunt hyenas ran
Tracking up the caravan.
But-ah, wonder! that was gone
Which they meant to feast upon.
And, for each, a yellow wren,
One a cock, and one a hen,
Sweetly warbling, flitted forth
O'er the desert toward the north.
But a shade of bygone sorrow,
Like a dream upon the morrow,
Round his tiny brainlet clinging,
Sets the wee cock ever singing,
'Sweet, sweet, sweet, sweet, sweet you, sweet you,
Did he beat you? Did he beat you?'
Vultures croaked, and hopped, and flopped,
But their evening meal was stopped.
And the gaunt hyenas foul
Sat down on their tails to howl.
Northward towards the cool spring weather,
Those two wrens fled on together,
On to England o'er the sea,
Where all folks alike are free.
There they built a cabin, wattled
Like the huts where first they prattled,
Hatched and fed, as safe as may be,
Many a tiny feathered baby.
But in autumn south they go
Past the Straits and Atlas' snow,
Over desert, over mountain,
To the palms beside the fountain,
Where, when once they lived before, he
Told her first the old, old story.
'What do the doves say? Curuck Coo,
You love me and I love you.'
1872.
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~ Charles Kingsley,
1344:When the psalmist saw the transgression of the wicked his heart told him how it could be. ”There is no fear of God before his eyes,” he explained, and in so saying revealed to us the psychology of sin. When men no longer fear God, they transgress His laws without hesitation. The fear of consequences is not deterrent when the fear of God is gone. In olden days men of faith were said to ”walk in the fear of God” and to ”serve the Lord with fear.” However intimate their communion with God, however bold their prayers, at the base of their religious life was the conception of God as awesome and dreadful. This idea of God transcendent rims through the whole Bible and gives color and tone to the character of the saints. This fear of God was more than a natural apprehension of danger; it was a nonrational dread, an acute feeling of personal insufficiency in the presence of God the Almighty. Wherever God appeared to men in Bible times the results were the same - an overwhelming sense of terror and dismay, a wrenching sensation of sinfulness and guilt. When God spoke, Abram stretched himself upon the ground to listen. When Moses saw the Lord in the burning bush, he hid his face in fear to look upon God. Isalah’s vision of God wrung from him the cry, ”Woe is me!” and the confession, ”I am undone; because I am a man of unclean lips.” Daniel’s encounter with God was probably the most dreadful and wonderful of them all. The prophet lifted up his eyes and saw One whose ”body also was like the beryl, and his face as the appearance of lightning, and his eyes as lamps of fire, and his arms and his feet like in colour to polished brass, and the voice of his words like the voice of a multitude.” ”I Daniel alone saw the vision” he afterwards wrote, ”for the men that were with me saw not the vision; but a great quaking fell upon them, so that they fled to hide themselves. Therefore I was left alone, and saw this great vision, and there remained no strength in me: for my comeliness was turned in me into corruption, and I retained no strength. Yet heard I the voice of his words: and when I heard the voice of his words, then was I in a deep sleep on my face, and my face toward the ground.” These experiences show that a vision of the divine transcendence soon ends all controversy between the man and his God. The fight goes out of the man and he is ready with the conquered Saul to ask meekly, ”Lord, what wilt thou have me to do?”  Conversely, the self-assurance of modern Christians, the basic levity present in so many of our religious gatherings, the shocking disrespect shown for the Person of God, are evidence enough of deep blindness of heart.  Many call themselves by the name of Christ, talk much about God, and pray to Him sometimes, but evidently do not know who He is. ”The fear of the Lord is a fountain of life,” but this healing fear is today hardly found among Christian men. ~ A W Tozer,
1345:Loud Without The Wind Was Roaring
Loud without the wind was roaring
Through th' autumnal sky;
Drenching wet, the cold rain pouring,
Spoke of winter nigh.
All too like that dreary eve,
Did my exiled spirit grieve.
Grieved at first, but grieved not long,
Sweet—how softly sweet!—it came;
Wild words of an ancient song,
Undefined, without a name.
'It was spring, and the skylark was singing';
Those words they awakened a spell;
They unlocked a deep fountain, whose springing,
Nor absence, nor distance can quell.
In the gloom of a cloudy November
They uttered the music of May;
They kindled the perishing ember
Into fervour that could not decay.
Awaken, o'er all my dear moorland,
West-wind, in thy glory and pride!
Oh! call me from valley and lowland,
To walk by the hill-torrent's side!
It is swelled with the first snowy weather;
The rocks they are icy and hoar,
And sullenly waves the long heather,
And the fern leaves are sunny no more.
There are no yellow stars on the mountain
The bluebells have long died away
From the brink of the moss-bedded fountain
From the side of the wintry brae.
But lovelier than corn-fields all waving
In emerald, and vermeil, and gold,
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Are the heights where the north-wind is raving,
And the crags where I wandered of old.
It was morning: the bright sun was beaming;
How sweetly it brought back to me
The time when nor labour nor dreaming
Broke the sleep of the happy and free!
But blithely we rose as the dawn-heaven
Was melting to amber and blue,
And swift were the wings to our feet given,
As we traversed the meadows of dew.
For the moors! For the moors, where the short grass
Like velvet beneath us should lie!
For the moors! For the moors, where each high pass
Rose sunny against the clear sky!
For the moors, where the linnet was trilling
Its song on the old granite stone;
Where the lark, the wild sky-lark, was filling
Every breast with delight like its own!
What language can utter the feeling
Which rose, when in exile afar,
On the brow of a lonely hill kneeling,
I saw the brown heath growing there?
It was scattered and stunted, and told me
That soon even that would be gone:
It whispered, 'The grim walls enfold me,
I have bloomed in my last summer's sun.'
But not the loved music, whose waking
Makes the soul of the Swiss die away,
Has a spell more adored and heartbreaking
Than, for me, in that blighted heath lay.
The spirit which bent 'neath its power,
How it longed—how it burned to be free!
If I could have wept in that hour,
Those tears had been heaven to me.
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Well—well; the sad minutes are moving,
Though loaded with trouble and pain;
And some time the loved and the loving
Shall meet on the mountains again!
~ Emily Jane Brontë,
1346:The View From Chinchpokli
A fouled Sun rises from behind the textile mills
As I crawl out of my nightmares and hobble
To the sink. Then I luxuriate in the toilet
While my unprivileged compatriots of Parel Road Cross Lane
Defecate along the stone wall of Byculla Goods Depot.
I shudder at the thought of going out of this lane
Towards the main road. Hundreds of workers are already returning
From the night-shift, crossing the railway lines.
The bus stop is already crowded. I begin to read
The morning's papers and cover my naked mind
With global events. The ceiling fan whirs, but I sweat.
I breathe in the sulphur dioxide emitted
By the Bombay Gas Company, blended with specks of cotton
And carbon particles discharged by the mills
That clothe millions of loins. Then I shave and shower,
Dismissing all untouchables from my mind, fearing
More palpable pollution. On my way out
I shall throw a used condom and a crumpled pack of cigarettes
Into the garbage. And like a glorious Hindu hero,
Reluctantly riding his chariot to the centre of the battlefield,
I will take a cab to the Manhattan-like
Unreality of Nariman Point. There I will shape India's destiny
Using my immaculate gift. I will ride in a taxi.
I will pass the Victoria Gardens Zoo without blinking.
Byculla Bridge will give me the first line of a poem,
And the Christians, Jews, and Muslims on my way
Will inspire a brilliant critique of contemporary
Indian culture. Of course, I will ignore
The junk-shops, the tea-houses, the restaurants, the markets
I zig-zag through. I shall smoothly go past
The Institute of Art, Anjuman-e-Islam, The Times of India,
The Bombay Municipal Corporation, and Victoria Terminus.
If I glance at Flora Fountain or the Bombay High Court,
It will be an absent-minded observation
And if I seem to look at the University of Bombay's
Clock-tower and buildings it will only be the sulking
Stare of a dirty-minded alma mater-fucker at the old hag herself.
But beyond all lies my daily sigh of relief
Because the gross millions are temporarily out of sight.
23
Some culture is possible in that half a square mile
Where the wall of India cracks open and the sea is visible.
At Chinchpokli, once I return in the evening,
I plot seductions and rapes, plan masterpieces
Of evasion. The loudspeakers blare at me.
Bedbugs bite me. Cockroaches hover about my soul.
Mice scurry around my metaphysics, mosquitoes sing among my lyrics
Lizards crawl over my religion, spiders infest my politics.
I itch. I become horny. I booze. I want to get smashed.
And I do. It comes easy at Chinchpokli,
Where, like a minor Hindu god, I am stoned
By the misery of my worshippers and by my own
Triumphant impotence.
[Translated by Viju Chitre, from: As Is Where Is: Selected Poems ]
~ Dilip Chitre,
1347:The Owl And The Lark
A grizzled owl at midnight moped
Where thick the ivy glistened;
So I, who long have vainly groped
For wisdom, leaned and listened.
Its perch was firm, its aspect staid,
Its big eyes gleamed and brightened;
Now, now at last, will doubt be laid,
Now yearning be enlightened.
``Tu-whit! Tu-whoo!'' the bird discoursed,
``Tu-whoo! Tu-whit!'' repeated:
Showing how matter was, when forced
Through space, condensed and heated;
How rent, but spinning still, 'twas sphered
In star, and orb, and planet,
Where, as it cooled, live germs appeared
In lias, sand, and granite:
And, last, since nothing 'neath the sun
Avoids material tether,
How life must end, when once begun,
In scale, and hoof, and feather.
Then, flapping from the ivy-tod,
It slouched around the gable,
And, perching there, discussed if God
Be God, or but a fable.
In pompous scales Free Will and Fate
Were placed, and poised, and dangled,
And riddles small from riddles great
Expertly disentangled.
It drew betwixt ``Tu-whit,'' ``Tu-whoo,''
Distinctions nice and nicer:
The bird was very wise, I knew,
But I grew no whit wiser.
531
Then, letting metaphysics slip,
It mumbled moral thunder;
Showing how Virtue's self will trip
If Reason chance to blunder.
Its pleated wings adown its breast
Were like a surplice folded;
And, if the truth must be confessed,
It threatened me and scolded.
I thought the lecture somewhat long,
Impatient for its ending;
When, sudden, came a burst of song!
It was the lark ascending.
Dew gleamed in many a jewelled cup,
The air was bright and gracious;
And away the wings and the song went up,
Up through the ether spacious.
They bubbled, rippled, up the dome,
In sprays of silvery trilling;
Like endless fountain's lyric foam,
Still falling, still refilling.
And when I could no more descry
The bird, I still could hear it;
For sight, but not for soul, too high,
Unseen but certain Spirit.
All that the perched owl's puckered brow
Had vainly bid me ponder,
The lark's light wings were solving now
In the roofless dome up yonder.
Then brief as lightning-flash,-no more,I passed beyond the Finite;
And, borne past Heaven's wide-open door,
Saw everything within it.
Slow showering down from cloudless sphere,
532
The wanderer Elysian
Dropped nearer, clearer, to the ear,
Then back into the vision.
On his own song he seemed to swim;
Diving through song, descended:
Since I had been to Heaven with him,
Earth now was apprehended.
O souls perplexed by hood and cowl,
Fain would you find a teacher,
Consult the lark and not the owl,
The poet, not the preacher.
While brains mechanic vainly weave
The web and woof of thinking,
Go, mount up with the lark, and leave
The bird of wisdom blinking.
~ Alfred Austin,
1348:Hast thou from the caves of Golconda, a gem
Pure as the ice-drop that froze on the mountain?
Bright as the humming-bird's green diadem,
When it flutters in sun-beams that shine through a fountain?

Hast thou a goblet for dark sparkling wine?
That goblet right heavy, and massy, and gold?
And splendidly mark'd with the story divine
Of Armida the fair, and Rinaldo the bold?

Hast thou a steed with a mane richly flowing?
Hast thou a sword that thine enemy's smart is?
Hast thou a trumpet rich melodies blowing?
And wear'st thou the shield of the famd Britomartis?

What is it that hangs from thy shoulder, so brave,
Embroidered with many a spring peering flower?
Is it a scarf that thy fair lady gave?
And hastest thou now to that fair lady's bower?

Ah! courteous Sir Knight, with large joy thou art crown'd;
Full many the glories that brighten thy youth!
I will tell thee my blisses, which richly abound
In magical powers to bless, and to sooth.

On this scroll thou seest written in characters fair
A sun-beamy tale of a wreath, and a chain;
And, warrior, it nurtures the property rare
Of charming my mind from the trammels of pain.

This canopy mark: 'tis the work of a fay;
Beneath its rich shade did King Oberon languish,
When lovely Titania was far, far away,
And cruelly left him to sorrow, and anguish.

There, oft would he bring from his soft sighing lute
Wild strains to which, spell-bound, the nightingales listened;
The wondering spirits of heaven were mute,
And tears 'mong the dewdrops of morning oft glistened.

In this little dome, all those melodies strange,
Soft, plaintive, and melting, for ever will sigh;
Nor e'er will the notes from their tenderness change;
Nor e'er will the music of Oberon die.

So, when I am in a voluptuous vein,
I pillow my head on the sweets of the rose,
And list to the tale of the wreath, and the chain,
Till its echoes depart; then I sink to repose.

Adieu, valiant Eric! with joy thou art crown'd;
Full many the glories that brighten thy youth,
I too have my blisses, which richly abound
In magical powers, to bless and to sooth.
On Receiving A Curious Shell, And A Copy Of Verses, From The Same Ladies : The very same as in the poem 'To Some Ladies'

'Leigh Hunt calls these verses a "string of magistrate-interrogatories about a shell and a copy of verses." In Tom Keats's book of transcripts,... the poem is headed merely "On receiving a curious shell and a copy of verses;" but another transcript, in the hand-writing of George Keats, is subscribed (not headed) "Written on receiving a copy of Tom Moore's 'Golden Chain,' and a most beautiful Dome shaped shell from a Lady." The reference is no doubt to The Wreath and the Chain; and this small revelation is satisfactory as accounting for the Tom Moorish triviality of the two pieces.' ~ John Keats, On Receiving A Curious Shell
,
1349:longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible ~ Charles Dickens,
1350:One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.

Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.

Silver and blue, blue and silver.

Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.

The voice of Volkheimer: What you could be.

Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.

“Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass.

The wind moves through his undershirt. He is a kite, a balloon.

Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater.

“It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.”

Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it?

The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass.

Why doesn’t the wind move the light?

Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand.

“Stop,” he calls.

“Halt,” he calls.

But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth. ~ Anthony Doerr,
1351:Who gave thee, O Beauty!
The keys of this breast,
Too credulous lover
Of blest and unblest?
Say when in lapsed ages
Thee knew I of old;
Or what was the service
For which I was sold?
When first my eyes saw thee,
I found me thy thrall,
By magical drawings,
Sweet tyrant of all!
I drank at thy fountain
False waters of thirst;
Thou intimate stranger,
Thou latest and first!
Thy dangerous glances
Make women of men;
New-born we are melting
Into nature again.
Lavish, lavish promiser,
Nigh persuading gods to err,
Guest of million painted forms
Which in turn thy glory warms,
The frailest leaf, the mossy bark,
The acorn's cup, the raindrop's arc,
The swinging spider's silver line,
The ruby of the drop of wine,
The shining pebble of the pond,
Thou inscribest with a bond
In thy momentary play
Would bankrupt Nature to repay.

Ah! what avails it
To hide or to shun
Whom the Infinite One
Hath granted his throne?
The heaven high over
Is the deep's lover,
The sun and sea
Informed by thee,
Before me run,
And draw me on,
Yet fly me still,
As Fate refuses
To me the heart Fate for me chooses,
Is it that my opulent soul
Was mingled from the generous whole,
Sea valleys and the deep of skies
Furnished several supplies,
And the sands whereof I'm made
Draw me to them self-betrayed?
I turn the proud portfolios
Which hold the grand designs
Of Salvator, of Guercino,
And Piranesi's lines.
I hear the lofty Pans
Of the masters of the shell,
Who heard the starry music,
And recount the numbers well:
Olympian bards who sung
Divine Ideas below,
Which always find us young,
And always keep us so.
Oft in streets or humblest places
I detect far wandered graces,
Which from Eden wide astray
In lowly homes have lost their way.

Thee gliding through the sea of form,
Like the lightning through the storm,
Somewhat not to be possessed,
Somewhat not to be caressed,
No feet so fleet could ever find,
No perfect form could ever bind.
Thou eternal fugitive
Hovering over all that live,
Quick and skilful to inspire
Sweet extravagant desire,
Starry space and lily bell
Filling with thy roseate smell,
Wilt not give the lips to taste
Of the nectar which thou hast.

All that's good and great with thee
Stands in deep conspiracy.
Thou hast bribed the dark and lonely
To report thy features only,
And the cold and purple morning
Itself with thoughts of thee adorning,
The leafy dell, the city mart,
Equal trophies of thine art,
E'en the flowing azure air
Thou hast touched for my despair,
And if I languish into dreams,
Again I meet the ardent beams.
Queen of things! I dare not die
In Being's deeps past ear and eye,
Lest there I find the same deceiver,
And be the sport of Fate forever.
Dread power, but dear! if God thou be,
Unmake me quite, or give thyself to me.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Ode To Beauty
,
1352:Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried -

"My heart will break!"

What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept.

"Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck.

To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving.

"Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke.

"But this will never do," said Madame, with sternness. More sternly rejoined her kinsman -

"Sortez d'ici!"

"I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously.

"Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!"

He was roused, and I loved him in his wrath with a passion beyond what I had yet felt.

"What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character."

"You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!"

This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second.

The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death.

"It made you very sad then to lose your friend?" said he.

"It kills me to be forgotten, Monsieur," I said. ~ Charlotte Bront,
1353:The Spectral Attitudes
I attach no importance to life
I pin not the least of life's butterflies to importance
I do not matter to life
But the branches of salt the white branches
All the shadow bubbles
And the sea-anemones
Come down and breathe within my thoughts
They come from tears that are not mine
From steps I do not take that are steps twice
And of which the sand remembers the flood-tide
The bars are in the cage
And the birds come down from far above to sing before these bars
A subterranean passage unites all perfumes
A woman pledged herself there one day
This woman became so bright that I could no longer see her
With these eyes which have seen my own self burning
I was then already as old as I am now
And I watched over myself and my thoughts like a night watchman in an
immense factory Keeping watch alone
The circus always enchants the same tramlines
The plaster figures have lost nothing of their expression
They who bit the smile's fig
I know of a drapery in a forgotten town
If it pleased me to appear to you wrapped in this drapery
You would think that your end was approaching
Like mine
At last the fountains would understand that you must not say Fountain
The wolves are clothed in mirrors of snow
I have a boat detached from all climates
I am dragged along by an ice-pack with teeth of flame
I cut and cleave the wood of this tree that will always be green
A musician is caught up in the strings of his instrument
The skull and crossbones of the time of any childhood story
Goes on board a ship that is as yet its own ghost only
Perhaps there is a hilt to this sword
But already there is a duel in this hilt
During the duel the combatants are unarmed
Death is the least offence
The future never comes
12
The curtains that have never been raised
Float to the windows of houses that are to be built
The beds made of lilies
Slide beneath the lamps of dew
There will come an evening
The nuggets of light become still underneath the blue moss
The hands that tie and untie the knots of love and of air
Keep all their transparency for those who have eyes to see
They see the palms of hands
The crowns in eyes
But the brazier of crown and palms
Can scarcely be lit in the deepest part of the forest
There where the stags bend their heads to examine the years
Nothing more than a feeble beating is heard
From which sound a thousand louder or softer sounds proceed
And the beating goes on and on
There are dresses that vibrate
And their vibration is in unison with the beating
When I wish to see the faces of those that wear them
A great fog rises from the ground
At the bottom of the steeples behind the most elegant reservoirs of life and of
wealth
In the gorges which hide themselves between two mountains
On the sea at the hour when the sun cools down
Those who make signs to me are separated by stars
And yet the carriage overturned at full speed
Carries as far as my last hesitation
That awaits me down there in the town where the statues of bronze
and of stone have changed places with statues of wax Banyans banyans.
~ Andre Breton,
1354:What wonder this?we ask the lympid well,
O earth! of theeand from thy solemn womb
What yieldest thou?is there life in the abyss
Doth a new race beneath the lava dwell?
Returns the past, awakening from the tomb?
RomeGreece!Oh, come!Beholdbehold! for this!
Our living worldthe old Pompeii sees;
And built anew the town of Dorian Hercules!
House upon houseits silent halls once more
Opes the broad portico!Oh, haste and fill
Again those halls with life!Oh, pour along
Through the seven-vista'd theatre the throng!
Where are ye, mimes?Come forth, the steel prepare
For crowned Atrides, or Orestes haunt,
Ye choral Furies, with your dismal chant!
The arch of triumph!whither leads it?still
Behold the forum!on the curule chair
Where the majestic image? Lictors, where
Your solemn fasces?Place upon his throne
The Praetorhere the witness lead, and there
Bid the accuser stand

O God! how lone
The clear streets glitter in the quiet day
The footpath by the doors winding its lifeless way!
The roofs arise in shelter, and around
The desolate Atriumevery gentle room
Wears still the dear familiar smile of home!
Open the doorsthe shopson dreary night
Let lusty day laugh down in jocund light!

See the trim benches ranged in order!See
The marble-tesselated floorand there
The very walls are glittering livingly
With their clear colors. But the artist, where!
Sure but this instant he hath laid aside
Pencil and colors!Glittering on the eye
Swell the rich fruits, and bloom the flowers!See all
Art's gentle wreaths still fresh upon the wall!
Here the arch Cupid slyly seems to glide
By with bloom-laden basket. There the shapes
Of genii press with purpling feet the grapes,
Here springs the wild Bacchante to the dance,
And there she sleeps [while that voluptuous trance
Eyes the sly faun with never-sated glance]
Now on one knee upon the centaur-steeds
Hoveringthe Thyrsus plies.Hurrah!away she speeds!

Comecome, why loiter ye?Here, here, how fair
The goodly vessels still! Girls, hither turn,
Fill from the fountain the Etruscan urn!
On the winged sphinxes see the tripod. Ho!
Quickquick, ye slaves, comefire!the hearth prepare!
Ha! wilt thou sell?this coin shall pay theethis,
Fresh from the mint of mighty Titus!Lo!
Here lie the scales, and not a weight we miss
Sobring the light! The delicate lamp!what toil
Shaped thy minutest grace!quick pour the oil!
Yonder the fairy chest!come, maid, behold
The bridegroom's giftsthe armletsthey are gold,
And paste out-feigning jewels!lead the bride
Into the odorous bathlo! unguents still
And still the crystal vase the arts for beauty fill!

But where the men of oldperchance a prize
More precious yet in yon papyrus lies,
And see ev'n still the tokens of their toil
The waxen tabletsthe recording style.
The earth, with faithful watch, has hoarded all!
Still stand the mute penates in the hall;
Back to his haunts returns each ancient god.
Why absent only from their ancient stand
The priests?waves Hermes his Caducean rod,
And the winged victory struggles from the hand.
Kindle the flamebehold the altar there!
Long hath the god been worshiplessto prayer.
~ Friedrich Schiller, Pompeii And Herculaneum
,
1355:The Day Of Wrath / Dies Iræ
Day of Satan's painful duty! Dies iræ! dies illa!
Earth shall vanish, hot and sooty; Solvet sæclum in favilla
So says Virtue, so says Beauty. Teste David cum Sibylla.
Ah! what terror shall be shaping Quantus tremor est futurus,
When the Judge the truth's undraping- Quando Judex est venturus.
Cats from every bag escaping! Cuncta stricte discussurus.
Now the trumpet's invocation Tuba mirum spargens sonum
Calls the dead to condemnation; Per sepulchra regionem,
All receive an invitation. Coget omnes ante thronum
Death and Nature now are quaking, Mors stupebit, et Natura,
And the late lamented, waking, Quum resurget creatura
In their breezy shrouds are shaking. Judicanti responsura.
Lo! the Ledger's leaves are stirring, Liber scriptus proferetur,
And the Clerk, to them referring, In quo totum continetur,
Makes it awkward for the erring. Unde mundus judicetur.
When the Judge appears in session, Judex ergo quum sedebit,
We shall all attend confession, Quicquid latet apparebit,
Loudly preaching non-suppression. Nil inultum remanebit.
How shall I then make romances Quid sum miser tunc dicturus,
Mitigating circumstances? Quem patronem rogaturus,
Even the just must take their chances. Quum vix justus sit securus?
King whose majesty amazes, Rex tremendæ majestatis,
Save thou him who sings thy praises; Qui salvandos salvas gratis;
Fountain, quench my private blazes. Salva me, Fons pietatis.
Pray remember, sacred Saviour, Recordare, Jesu pie,
Mine the playful hand that gave your Quod sum causa tuæ viæ;
Death-blow. Pardon such behavior. Ne me perdas illa die.
Seeking me, fatigue assailed thee, Quærens me sedisti lassus
Calvary's outlook naught availed thee; Redemisti crucem passus,
Now 'twere cruel if I failed thee. Tantus labor non sit cassus.
Righteous judge and learnèd brother, Juste Judex ultionis,
Pray thy prejudices smother Donum fac remissionis
Ere we meet to try each other. Ante diem rationis.
Sighs of guilt my conscience gushes, Ingemisco tanquam reus,
And my face vermilion flushes; Culpa rubet vultus meus;
Spare me for my pretty blushes. Supplicanti parce, Deus.
Thief and harlot, when repenting, Qui Mariam absolvisti,
Thou forgavest-complimenting Et latronem exaudisti,
Me with sign of like relenting. Mihi quoque spem dedisti.
464
If too bold is my petition Preces meæ non sunt dignæ,
I'll receive with due submission Sed to bonus fac benigne
My dismissal-from perdition. Ne perenni cremer igne.
When thy sheep thou hast selected Inter oves locum præsta.
From the goats, may I, respected, Et ab hædis me sequestra,
Stand amongst them undetected. Statuens in parte dextra.
When offenders are indited, Confutatis maledictis,
And with trial-flames ignited, Flammis acribus addictis,
Elsewhere I'll attend if cited. Voca me cum benedictis.
Ashen-hearted, prone and prayerful, Oro supplex et acclinis,
When of death I see the air full, Cor contritum quasi cinis;
Lest I perish too be careful. Gere curam mei finis.
On that day of lamentation, Lacrymosa dies illa
When, to enjoy the conflagration, Qua resurget et favilla,
Men come forth, O be not cruel: Judicandus homo reus,
Spare me, Lord-make them thy fuel. Huic ergo parce, Deus!
~ Ambrose Bierce,
1356: THE

NIGHT SONG

Night has come; now all fountains speak more loudly.
And my soul too is a fountain.
Night has come; only now all the songs of lovers
awaken. And my soul too is the song of a lover.
Something unstilled, unstillable is within me; it wants
to be voiced. A craving for love is within me; it speaks
the language of love.
Light am I; ah, that I were nightly But this is my
loneliness that I am girt with light. Ah, that I were dark
and nocturnal How I would suck at the breasts of lightly
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And even you would I bless, you little sparkling stars
and glowworms up there, and be overjoyed with your
gifts of light.
But I live in my own light; I drink back into myself
the flames that break out of me. I do not know the
happiness of those who receive; and I have often
dreamed that even stealing must be more blessed than
receiving. This is my poverty, that my hand never rests
from giving; this is my envy, that I see waiting eyes and
the lit-up nights of longing. Oh, wretchedness of all
givers Oh, darkening of my sunl Oh, craving to craven
Oh, ravenous hunger in satiation!
They receive from me, but do I touch their souls?
There is a cleft between giving and receiving; and the
narrowest cleft is the last to be bridged. A hunger grows
out of my beauty: I should like to hurt those for whom
I shine; I should like to rob those to whom I give; thus
do I hunger for malice. To withdraw my hand when
the other hand already reaches out to it; to linger like
the waterfall, which lingers even while it plunges: thus
do I hunger for malice. Such revenge my fullness plots:
such spite wells up out of my loneliness. My happiness
in giving died in giving; my virtue tired of itself in its
overflow.
The danger of those who always give is that they
lose their sense of shame; and the heart and hand of
those who always mete out become callous from always
meting out. My eye no longer wells over at the shame
of those who beg; my hand has grown too hard for the
trembling of filled hands. Where have the tears of my
eyes gone and the down of my heart? Oh, the loneliness
of all givers! Oh, the taciturnity of all who shine
Many suns revolve in the void: to all that is dark
they speak with their light-to me they are silent. Oh,
this is the enmity of the light against what shines:
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merciless it moves in its orbit. Unjust in its heart against
all that shines, cold against suns-thus moves every sun.
The suns fly like a storm in their orbits: that is their
motion. They follow their inexorable will: that is their
coldness.
Oh, it is only you, you dark ones, you nocturnal ones,
who create warmth out of that which shines. It is only
you who drink milk and refreshment out of the udders
of light.
Alas, ice is all around me, my hand is burned by the
icy. Alas, thirst is within me that languishes after your
thirst.
Night has come: alas, that I must be lightly And thirst
for the nocturnal And loneliness!
Night has come: now my craving breaks out of me
like a well; to speak I crave.
Night has come; now all fountains speak more loudly.
And my soul too is a fountain.
Night has come; now all the songs of lovers awaken.
And my soul too is the song of a lover.
Thus sang Zarathustra.
~ Friedrich Nietzsche, THE NIGHT SONG
,
1357:Damon The Mower
Heark how the Mower Damon Sung,
With love of Juliana stung!
While ev'ry thing did seem to paint
The Scene more fit for his complaint.
Like her fair Eyes the day was fair;
But scorching like his am'rous Care.
Sharp like his Sythe his Sorrow was,
And wither'd like his Hopes the Grass.
Oh what unusual Heats are here,
Which thus our Sun-burn'd Meadows sear!
The Grass-hopper its pipe gives ore;
And hamstring'd Frogs can dance no more.
But in the brook the green Frog wades;
And Grass-hoppers seek out the shades.
Only the Snake, that kept within,
Now glitters in its second skin.
This heat the Sun could never raise,
Nor Dog-star so inflame's the dayes.
It from an higher Beauty grow'th,
Which burns the Fields and Mower both:
Which made the Dog, and makes the Sun
Hotter then his own Phaeton.
Not July causeth these Extremes,
But Juliana's scorching beams.
Tell me where I may pass the Fires
Of the hot day, or hot desires.
To what cool Cave shall I descend,
Or to what gelid Fountain bend?
Alas! I look for Ease in vain,
When Remedies themselves complain.
No moisture but my Tears do rest,
Nor Cold but in her Icy Breast.
How long wilt Thou, fair Shepheardess,
Esteem me, and my Presents less?
To Thee the harmless Snake I bring,
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Disarmed of its teeth and sting.
To Thee Chameleons changing-hue,
And Oak leaves tipt with hony due.
Yet Thou ungrateful hast not sought
Nor what they are, nor who them brought.
I am the Mower Damon, known
Through all the Meadows I have mown.
On me the Morn her dew distills
Before her darling Daffadils.
And, if at Noon my toil me heat,
The Sun himself licks off my Sweat.
While, going home, the Ev'ning sweet
In cowslip-water bathes my feet.
What, though the piping Shepherd stock
The plains with an unnum'red Flock,
This Sithe of mine discovers wide
More ground then all his Sheep do hide.
With this the golden fleece I shear
Of all these Closes ev'ry Year.
And though in Wooll more poor then they,
Yet am I richer far in Hay.
Nor am I so deform'd to sight,
If in my Sithe I looked right;
In which I see my Picture done,
As in a crescent Moon the Sun.
The deathless Fairyes take me oft
To lead them in their Danses soft:
And, when I tune my self to sing,
About me they contract their Ring.
How happy might I still have mow'd,
Had not Love here his Thistles sow'd!
But now I all the day complain,
Joyning my Labour to my Pain;
And with my Sythe cut down the Grass,
Yet still my Grief is where it was:
But, when the Iron blunter grows,
Sighing I whet my Sythe and Woes.
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While thus he threw his Elbow round,
Depopulating all the Ground,
And, with his whistling Sythe, does cut
Each stroke between the Earth and Root,
The edged Stele by careless chance
Did into his own Ankle glance;
And there among the Grass fell down,
By his own Sythe, the Mower mown.
Alas! said He, these hurts are slight
To those that dye by Loves despight.
With Shepherds-purse, and Clowns-all-heal,
The Blood I stanch, and Wound I seal.
Only for him no Cure is found,
Whom Julianas Eyes do wound.
'Tis death alone that this must do:
For Death thou art a Mower too.
~ Andrew Marvell,
1358:The Undivided Wholeness of All Things
Most mind-boggling of all are Bohm's fully developed ideas about wholeness. Because everything in the cosmos is made out of the seamless holographic fabric of the implicate order, he believes it is as meaningless to view the universe as composed of "parts, " as it is to view the different geysers in a fountain as separate from the water out of which they flow. An electron is not an "elementary particle. " It is just a name given to a certain aspect of the holomovement. Dividing reality up into parts and then naming those parts is always arbitrary, a product of convention, because subatomic particles, and everything else in the universe, are no more separate from one another than different patterns in an ornate carpet. This is a profound suggestion. In his general theory of relativity Einstein astounded the world when he said that space and time are not separate entities, but are smoothly linked and part of a larger whole he called the space-time continuum. Bohm takes this idea a giant step further. He says that everything in the universe is part of a continuum. Despite the apparent separateness of things at the explicate level, everything is a seamless extension of everything else, and ultimately even the implicate and explicate orders blend into each other. Take a moment to consider this. Look at your hand. Now look at the light streaming from the lamp beside you. And at the dog resting at your feet. You are not merely made of the same things. You are the same thing. One thing. Unbroken. One enormous something that has extended its uncountable arms and appendages into all the apparent objects, atoms, restless oceans, and twinkling stars in the cosmos. Bohm cautions that this does not mean the universe is a giant undifferentiated mass. Things can be part of an undivided whole and still possess their own unique qualities. To illustrate what he means he points to the little eddies and whirlpools that often form in a river. At a glance such eddies appear to be separate things and possess many individual characteristics such as size, rate, and direction of rotation, et cetera. But careful scrutiny reveals that it is impossible to determine where any given whirlpool ends and the river begins. Thus, Bohm is not suggesting that the differences between "things" is meaningless. He merely wants us to be aware constantly that dividing various aspects of the holomovement into "things" is always an abstraction, a way of making those aspects stand out in our perception by our way of thinking. In attempts to correct this, instead of calling different aspects of the holomovement "things, " he prefers to call them "relatively independent subtotalities. "10 Indeed, Bohm believes that our almost universal tendency to fragment the world and ignore the dynamic interconnectedness of all things is responsible for many of our problems, not only in science but in our lives and our society as well. For instance, we believe we can extract the valuable parts of the earth without affecting the whole. We believe it is possible to treat parts of our body and not be concerned with the whole. We believe we can deal with various problems in our society, such as crime, poverty, and drug addiction, without addressing the problems in our society as a whole, and so on. In his writings Bohm argues passionately that our current way of fragmenting the world into parts not only doesn't work, but may even lead to our extinction. ~ Michael Talbot,
1359:An Apology For My Fearfull Temper
Tis true of courage I'm no mistress
No Boadicia nor Thalestriss
Nor shall I e'er be famed hereafter
For such a Soul as Cato's Daughter
Nor active valour nor enduring
Nor leading troops nor forts securing
Like Teckley's wife or Pucell valiant
Will e'er be reckonded for my talent
Who all things fear whilst day is shining
And my own shadow light declining
And from the Spleen's prolifick fountain
Can of a mole hill make a mountain
And if a Coach that was invented
Since Bess on Palfrey rode contented
Threatens to tumble topsy turvy
With screeches loud and faces scurvey
I break discourse whilst some are laughing
Some fall to chear me some to chaffing
As secretly the driver curses
And whips my fault upon the horses
These and ten thousand are the errours
Arising from tumultuous terrours
Yet can't I understand the merit
In Female's of a daring spirit
Since to them never was imparted
In manly strengh tho' manly hearted
Nor need that sex be self defending
Who charm the most when most depending
And by sweet plaints and soft distresses
First gain asistance then adresses
As our fourth Edward (beauty suing)
From but releiving fell to wooing
Who by Heroick speech or ranting
Had ne'er been melted to galanting
Nor had th'Egyptian Queen defying
Drawn off that fleet she led by flying
Whilst Cesar and his ships crew hollow'd
To see how Tony row'd and follow'd
Oh Action triumph of the Ladies
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And plea for her who most afraid is
Then let my conduct work no wonder
When fame who cleaves the air asunder
And every thing in time discovers
Nor council keeps for Kings or Lovers
Yet stoops when tired with States and battles
To Gossips chats and idler tattles
When she I say has given no knowledge
Of what has happen'd at Wye College
Think it not strange to save my Person
I gave the family diversion
'Twas at an hour when most were sleeping
Some chimnies clean some wanted sweeping
Mine thro' good fires maintain'd this winter
(Of which no FINCH was e'er a stinter)
Pour'd down such flakes not Etna bigger
Throws up as did my fancy figure
Nor does a Cannon ram'd with Powder
To others seem to Bellow louder
All that I thought or spoke or acted
Can't in a letter be compacted
Nor how I threatn'd those with burning
Who thoughtless on their beds were turning
As Shakespear says they serv'd old Prium
When that the Greeks were got too nigh'em
And such th'effect in spite of weather
Our Hecuba's all rose together
I at their head half cloath'd and shaking
Was instantly the house forsaking
And told them 'twas no time for talking
But who'd be safe had best be walking
This hasty councel and conclusion
Seem'd harsh to those who had no shoes on
And saw no flames and heard no clatter
But as I had rehears'd the matter
And wildly talk't of fire and water
For sooner then 'thas took to tell it
Right applications did repell it
And now my fear our mirth creating
Affords still subject for repeating
Whilst some deplore th'unusual folly
Some (kinder) call it melancholy
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Tho' certainly the spirits sinking
Comes not from want of wit or thinking
Since Rochester all dangers hated
And left to those were harder pated.
~ Anne Kingsmill Finch,
1360:I Make This In A Warring Absence
I make this in a warring absence when
Each ancient, stone-necked minute of love's season
Harbours my anchored tongue, slips the quaystone,
When, praise is blessed, her pride in mast and fountain
Sailed and set dazzling by the handshaped ocean,
In that proud sailing tree with branches driven
Through the last vault and vegetable groyne,
And this weak house to marrow-columned heaven,
Is corner-cast, breath's rag, scrawled weed, a vain
And opium head, crow stalk, puffed, cut, and blown,
Or like the tide-looped breastknot reefed again
Or rent ancestrally the roped sea-hymen,
And, pride is last, is like a child alone
By magnet winds to her blind mother drawn,
Bread and milk mansion in a toothless town.
She makes for me a nettle's innocence
And a silk pigeon's guilt in her proud absence,
In the molested rocks the shell of virgins,
The frank, closed pearl, the sea-girls' lineaments
Glint in the staved and siren-printed caverns,
Is maiden in the shameful oak, omens
Whalebed and bulldance, the gold bush of lions,
Proud as a sucked stone and huge as sandgrains.
These are her contraries: the beast who follows
With priest's grave foot and hand of five assassins
Her molten flight up cinder-nesting columns,
Calls the starved fire herd, is cast in ice,
Lost in a limp-treed and uneating silence,
Who scales a hailing hill in her cold flintsteps
Falls on a ring of summers and locked noons.
I make a weapon of an ass's skeleton
And walk the warring sands by the dead town.
Cudgel great air, wreck east, and topple sundown,
Storm her sped heart, hang with beheaded veins
Its wringing shell, and let her eyelids fasten.
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Destruction, picked by birds, brays through the jaw-bone,
And, for that murder's sake, dark with contagion
Like an approaching wave I sprawl to ruin.
Ruin, the room of errors, one rood dropped
Down the stacked sea and water-pillared shade,
Weighed in rock shroud, is my proud pyramid;
Where, wound in emerald linen and sharp wind,
The hero's head lies scraped of every legend,
Comes love's anatomist with sun-gloved hand
Who picks the live heart on a diamond.
'His mother's womb had a tongue that lapped up mud,'
Cried the topless, inchtaped lips from hank and hood
In that bright anchorground where I lay linened,
'A lizard darting with black venom's thread
Doubled, to fork him back, through the lockjaw bed
And the breath-white, curtained mouth of seed.'
'See,' drummed the taut masks, 'how the dead ascend:
In the groin's endless coil a man is tangled.'
These once-blind eyes have breathed a wind of visions,
The cauldron's root through this once-rindless hand
Fumed like a tree, and tossed a burning bird;
With loud, torn tooth and tail and cobweb drum
The crumpled packs fled past this ghost in bloom,
And, mild as pardon from a cloud of pride,
The terrible world my brother bares his skin.
Now in the cloud's big breast lie quiet countries,
Delivered seas my love from her proud place
Walks with no wound, nor lightning in her face,
A calm wind blows that raised the trees like hair
Once where the soft snow's blood was turned to ice.
And though my love pulls the pale, nippled air,
Prides of to-morrow suckling in her eyes,
Yet this I make in a forgiving presence.
~ Dylan Thomas,
1361:Description Of A Tropical Island
Behold an Indian isle, reposed
Upon the deep’s enamoured breast,
Even like a royal bride, be-rosed
With passion in her happy rest.
Or, when the morn is there disclosed,
Or eve is robing in the west,
The deep, as by that isle embossed
With central gauds of sumless cost,
And else outspread in circuit—wide
And round as heaven from side to side—
Might figure to a fancy bold
A wide vast shield of fretted gold,
Dropped by some conquer’d elder god,
When on his track, where’er he trod,
Jove’s chasing thunders rolled.
Or in the broad noon domed with heaven,
A world-wide temple’s marble floor
It seemeth, with one alter graven
From the rude mass of things terrene,
By Time inspired with Eden lore;—
An isle-like alter, sculptured o’er
With craggy hills and valleys green,
And heaping forests hung between:
By Time, with an old love enthralled,
Wrought thus in living emerald;—
And after nature’s earliest style
Is shaped that wondrous Indian isle.
Or circling out beneath the moon,
Or sowed with all the stars of night,
And by the lamp-like planets strewn
With long and flame-like tracks of light,
Might seem it to a watcher fond,
Grey Time’s broad seal of diamond,
Enchased by nature, memory-taught,
With one most rich and rare device,
A haunting isolated thought
Of her sin-ruined Paradise.
A summer island! There the trees,
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Of glorious forms, unseen elsewhere,
Hang forth in golden congeries
Their fruit through all the purple year;
And flowers of every sunset hue,
And peerless plants of stateliest stem,
Fresh-showered each morn with honey-dew,
Voluptuously impave and gem
The pillary aisles of primal groves
That skirt the sunny sea-board coves,
Or hang in their umbrageous crowds
From coasting slopes like verdant clouds:
While from the craggy midland hills,
Out of their gelid springs, the rills
Leap, as exulting to be free,
And thence in their bright liberty
Through glades and cultured valleys vast,
And many a wide pasture lea,
Come murmurously winding, fast
And flashing to the sea.
There, too, what birds on plain and mountain,
The fairest creatures of the earth,
The deepest dipt in beauty’s fountain,
(The summer’s loveliest birth),
Flock round, and vividly unfold
Their fulgent wings of feathery gold;
Bedropt with gem-like lustres, which
All interbeaming in their flight
Break, as they pass, into a rich
Flame-vision on the sight.
Thus fly they, and with splendours rare
Emblaze the warm and genial air.
Such is the summer wealth and worth
Of that bright isle I’d picture forth:
Nor wants it fields that well afford
The yellow grain and mellow gourd;
With many a cultivated plain
Prolific of the luscious cane
And mealy root: for all things there
Are bounteous in their kind, and fair
And genial; all but the bad mind
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Of recreant man! And this hath made
Its very beauty seem designed
To deepen Evil’s deadly shade,
And given its repute to be
Borne far abroad by every wind
That wafts a white sail o’er the sea,
Even like the savour, damp with doom,
Of some o’ergorged though costly tomb.
O learn how, like a Upas-tree,
(Not fabled) his dread cruelty
Can make a scene that else might tell
Of Paradise, a type of hell!
~ Charles Harpur,
1362:The Divine Dance Christianity, alone among the world faiths, teaches that God is triune. The doctrine of the Trinity is that God is one being who exists eternally in three persons: Father, Son and Holy Spirit. The Trinity means that God is, in essence, relational. The Gospel writer John describes the Son as living from all eternity in the ‘bosom of the Father’ (John 1:18), an ancient metaphor for love and intimacy. Later in John’s Gospel, Jesus, the Son, describes the Spirit as living to ‘glorify’ him (John 16:14). In turn, the Son glorifies the Father (17:4) and the Father, the Son (17:5). This has been going on for all eternity (17:5b). What does the term ‘glorify’ mean? To glorify something or someone is to praise, enjoy and delight in them. When something is useful you are attracted to it for what it can bring you or do for you. But if it is beautiful, then you enjoy it simply for what it is. Just being in its presence is its own reward. To glorify someone is also to serve or defer to him or her. Instead of sacrificing their interests to make yourself happy, you sacrifice your interests to make them happy. Why? Your ultimate joy is to see them in joy. What does it mean, then, that the Father, Son and Holy Spirit glorify one another? If we think of it graphically, we could say that self-centredness is to be stationary, static. In self-centredness we demand that others orbit around us. We will do things and give affection to others, as long as it helps us meet our personal goals and fulfils us. The inner life of the triune God, however, is utterly different. The life of the Trinity is characterised not by self-centredness but by mutually self-giving love. When we delight and serve someone else, we enter into a dynamic orbit around him or her, we centre on the interests and desires of the other. That creates a dance, particularly if there are three persons, each of whom moves around the other two. So it is, the Bible tells us. Each of the divine persons centres upon the others. None demands that the others revolve around him. Each voluntarily circles the other two, pouring love, delight and adoration into them. Each person of the Trinity loves, adores, defers to and rejoices in the others. That creates a dynamic, pulsating dance of joy and love. The early leaders of the Greek church had a word for this – perichoresis. Notice the root of our word ‘choreography’ within it. It means literally to ‘dance or flow around’.1 The Father. . . Son . . . and Holy Spirit glorify each other. . . . At the center of the universe, self-giving love is the dynamic currency of the Trinitarian life of God. The persons within God exalt, commune with, and defer to one another. . . . When early Greek Christians spoke of perichoresis in God they meant that each divine person harbors the others at the center of his being. In constant movement of overture and acceptance each person envelops and encircles the others.2 In Christianity God is not an impersonal thing nor a static thing – not even just one person – but a dynamic pulsating activity, a life, a kind of drama, almost, if you will not think me irreverent, a kind of dance. . . . [The] pattern of this three-personal life is . . . the great fountain of energy and beauty spurting up at the very centre of reality.3 The doctrine of the Trinity overloads our mental circuits. Despite its cognitive difficulty, however, this astonishing, dynamic conception of the triune God is bristling with profound, wonderful, life-shaping, world-changing implications.4 ~ Timothy J Keller,
1363:Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy. ~ Alan Lightman,
1364:A Vision Of Repentance
I saw a famous fountain, in my dream,
Where shady path-ways to a valley led;
A weeping willow lay upon that stream,
And all around the fountain brink were spread
Wide branching trees, with dark green leaf rich clad,
Forming a doubtful twilight-desolate and sad.
The place was such, that whoso enter'd in,
Disrobed was of every earthly thought,
And straight became as one that knew not sin,
Or to the world's first innocence was brought;
Enseem'd it now, he stood on holy ground,
In sweet and tender melancholy wrapt around.
A most strange calm stole o'er my soothed sprite;
Long time I stood, and longer had I staid,
When, lo! I saw, saw by the sweet moon-light,
Which came in silence o'er that silent shade,
Where, near the fountain, something like despair
Made, of that weeping willow, garlands for her hair.
And eke with painful fingers she inwove
Many an uncouth stem of savage thorn'The willow garland, that was for her love,
And these her bleeding temples would adorn.'
With sighs her heart nigh burst, salt tears fast fell,
As mournfully she bended o'er that sacred well.
To whom when I addrest myself to speak,
She lifted up her eyes, and nothing said;
The delicate red came mantling o'er her cheek,
And, gath'ring up her loose attire, she fled
To the dark covert of that woody shade,
And in her goings seem'd a timid gentle maid.
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Revolving in my mind what this should mean,
And why that lovely lady plained so;
Perplex'd in thought at that mysterious scene,
And doubting if 'twere best to stay or go,
I cast mine eyes in wistful gaze around,
When from the shades came slow a small and plaintive sound.
'Psyche am I, who love to dwell
In these brown shades, this woody dell,
Where never busy mortal came,
Till now, to pry upon my shame.
At thy feet what thou dost see
The waters of repentance be,
Which, night and day, I must augment
With tears, like a true penitent,
If haply so my day of grace
Be not yet past; and this lone place,
O'er-shadowy, dark, excludeth hence
All thoughts but grief and penitence.'
'Why dost thou weep, thou gentle maid!
And wherefore in this barren shade
Thy hidden thoughts with sorrow feed?
Can thing so fair repentance need?'
'O! I have done a deed of shame,
And tainted is my virgin fame,
And stain'd the beauteous maiden white,
In which my bridal robes were dight.'
'And who the promised spouse, declare:
And what those bridal garments were.'
18
'Severe and saintly righteousness
Compos'd the clear white bridal dress;
Jesus, the son of Heaven's high king,
Bought with his blood the marriage ring.
A wretched sinful creature, I
Deem'd lightly of that sacred tie,
Gave to a treacherous world my heart,
And play'd the foolish wanton's part.
Soon to these murky shades I came,
To hide from the sun's light my shame.
And still I haunt this woody dell,
And bathe me in that healing well,
Whose waters clear have influence
From sin's foul stains the soul to cleanse;
And, night and day, I them augment,
With tears, like a true penitent,
Until, due expiation made,
And fit atonement fully paid,
The lord and bridegroom me present,
Where in sweet strains of high consent,
God's throne before, the Seraphim
Shall chaunt the extatic marriage hymn.'
'Now Christ restore thee soon'-I said,
And thenceforth all my dream was fled.
~ Charles Lamb,
1365:At Vaucluse
By Avignon's dismantled walls,
Where cloudless mid-March sunshine falls,
Rhone, through broad belts of green,
Flecked with the light of almond groves,
Upon itself reverting, roves
Reluctant from the scene.
Yet from stern moat and storied tower,
From sprouting vine, from spreading flower,
My footsteps cannot choose
But turn aside, as though some friend
Were waiting for my voice, and wend
Unto thy vale, Vaucluse!
For here, by Sorgue's sequestered stream,
Did Petrarch fly from fame, and dream
Life's noonday light away;
Here build himself a studious home,
And, careless of the crowns of Rome,
To Laura lend his lay:
Teaching vain tongues that would reward
With noisy praise the shrinking bard,
Reminding thus the proud,
Love's sympathy, to him that sings,
Is more than smiles of courts and kings,
Or plaudits of the crowd.
For poor though love that doth not rouse
To deeds of glory dreaming brows,
What but a bitter sweet
Is loftiest fame, unless it lay
The soldier's sword, the poet's bay,
Low at some loved one's feet?
Where are his books? His garden, where?
I mount from flowery stair to stair,
While fancy fondly feigns
Here rose his learned lintel, here
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He pondered, till the text grew clear,
Of long-forgotten strains.
On trackless slopes and brambled mounds
The laurel still so thick abounds,
That Nature's self, one deems,
Regretful of his vanished halls,
Still plants the tree whose name recalls
The lady of his dreams.
Aught more than this I cannot trace.
There is no footstep, form, nor face
To vivify the scene;
Save where, but culled to fling away,
Posies of withering wildflowers say,
``Here children's feet have been.''
Yet there's strange softness in the skies:
The violet opens limpid eyes,
The woodbine tendrils start;
Like childhood, winning without guile,
The primrose wears a constant smile,
And captive takes the heart.
All things remind of him, of her.
Stripped are the slopes of beech and fir,
Bare rise the crags above;
But hillside, valley, stream, and plain,
The freshness of his muse retain,
The fragrance of his love.
Why did he hither turn? Why choose
Thy solitary gorge, Vaucluse?
Thy Fountain makes reply,
That, like the muse, its waters well
From source none ne'er can sound, and swell
From springs that run not dry.
Or was it he might drink the air
That Laura breathed in surging prayer
Or duty's stifled sigh;
Feel on his cheek the self-same gale,
185
And listen to the same sweet wail
When summer nights are nigh?
May-be. Of Fame he deeply quaffed:
But thirsting for the sweeter draught
Of Love, alas for him!
Though draining glory to the dregs,
He was like one that vainly begs,
And scarcely sips the brim.
Is it then so, that glory ne'er
Its throne with happiness will share,
But, baffling half our aim,
Grief is the forfeit greatness pays,
Lone places grow the greenest bays,
And anguish suckles fame?
Let this to lowlier bards atone,
Whose unknown Laura is their own,
Possessing and possest;
Of whom if sooth they do not sing,
'Tis that near her they fold their wing,
To drop within her nest.
Adieu, Vaucluse! Swift Sorgue, farewell!
Thy winding waters seem to swell
Louder as I depart;
But evermore, where'er I go,
Thy stream will down my memory flow
And murmur through my heart.
~ Alfred Austin,
1366:Young Bicham
In London city was Bicham born,
He longd strange countries for to see,
But he was taen by a savage Moor,
Who handld him right cruely.
For thro his shoulder he put a bore,
An thro the bore has pitten a tree,
And he's gard him draw the carts o wine,
Where horse and oxen had wont to be.
He's casten [him] in a dungeon deep,
Where he coud neither hear nor see;
He's shut him up in a prison strong,
An he's handld him right cruely.
O this Moor he had but ae daughter,
I wot her name was Shusy Pye;
She's doen her to the prison-house,
And she's calld young Bicham one word by.
'O hae ye ony lands or rents,
Or citys in your ain country,
Coud free you out of prison strong,
An coud maintain a lady free?'
O London city is my own,
An other citys twa or three,
Coud loose me out o prison strong,
An could maintain a lady free.'
O she has bribed her father's men
Wi meikle goud and white money,
She's gotten the key o the prison doors,
And she has set Young Bicham free.
She's gi'n him a loaf o good white bread,
But an a flask o Spanish wine,
An she bad him mind on the ladie's love
That sae kindly freed him out o pine.
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'Go set your foot on good ship-board,
An haste you back to your ain country,
An before that seven years has an end,
Come back again, love, and marry me.'
It was long or seven years had an end
She longd fu sair her love to see;
She's set her foot on good ship-board,
An turnd her back on her ain country.
She's saild up, so has she down,
Till she came to the other side;
She's landed at Young Bicham's gates,
An I hop this day she sal be his bride.
'Is this Young Bicham's gates?' says she.
'Or is that noble prince within?'
'He's up the stair wi his bonny bride,
An monny a lord and lady wi him.'
'O has he taen a bonny bride,
An has he clean forgotten me?'
An sighing said that gay lady,
'I wish I were in my ain country!'
She's pitten her ban in her pocket,
An gin the porter guineas three;
Says, 'Take ye that, ye proud porter,
An bid the bridegroom speak to me.'
O whan the porter came up the stair,
He's fa'n low down upon his knee:
'Won up, won up, ye proud porter,
And what makes a' this courtesy?'
'O I've been porter at your gates
This mair nor seven years an three,
But there is a lady at them now
The like of whom I never did see.
'For on every finger she has a ring,
260
An on the mid-finger she has three,
An there's as meikle goud aboon her brow
As woud buy an earldom o lan to me.'
Then up it started Young Bicham,
An sware so loud by Our Lady,
'It can be nane but Shusy Pye
That has come oor the sea to me.'
O quickly ran he down the stair,
O fifteen steps he has made but three,
He's tane his bonny love in his arms
An a wot he kissd her tenderly.
'O hae you tane a bonny bride?
An hae you quite forsaken me?
An hae ye quite forgotten her
That gae you life an liberty?'
She's lookit oer her left shoulder
To hide the tears stood in her ee;
'Now fare thee well, Young Bicham,' she says,
'I'll strive to think nae mair on thee.'
'Take back your daughter, madam,' he says,
'An a double dowry I'll gie her wi;
For I maun marry my first true love,
That's done and suffered so much for me.'
He's tak his bonny love by the han,
And led her to yon fountain stane;
He's changed her name frae Shusy Pye,
An he's cald her his bonny love, Lady Jane.
~ Andrew Lang,
1367:/Farsi Being humble is right for you now. Don't thrash around showing your strength. You're naked in the bee-house! It doesn't matter how powerful your arms and legs are. To God, that is more of a lie than your weakness is. In his doorway your prestige and your physical energy are just dust on your face. Be helpless and completely poor. And don't try to meet his eye! That's like signing a paper that honors yourself. If you can take care of things, do so! But when you're living at home with God, you neither sew the world together with desires nor tear it apart with disappointments. In that place existence itself is illusion. All that is, is one. Lost in that, your personal form becomes a vast, empty mosque. When you hold on to yourself, you're a fire-worshipping temple. Dissolve, and let everything get done. When you don't, you're an untrained colt, full of erratic loving and biting. Loyal sometimes, then treacherous. Be more like the servant who owns nothing and is neither hungry nor satisfied, who has no hopes for anything, and no fear of anyone. An owl living near the king's palace is considered a bird of misfortune, ragged and ominous. But off in the woods, sitting alone, its feathers grow splendid and sleek like the Phoenix restored. Musk should not be kept near water or heat. The dampness and the dryness spoil its fragrance. But when the musk is at home in the musk bladder, fire and wetness mean nothing. In God's doorway your guilt and your virtue don't count. Whether you're Muslim, or Christian, or fire-worshipper, the categories disappear. You're seeking, and God is what is sought, the essence beyond any cause. External theological learning moves like a moon and fades when the sun of experience rises. We are here for a week, or less. We arrive and leave almost simultaneously. To be is not to be. The Qur'an says, "They go hastening, with the Light running on before them." Clear the way! Muhammed says, "How fine!" A sigh goes out, and there is union. Forget how you came to this gate, your history. Let that be as if it had not been. Do you think the day plans its course by what the rooster says? God does not depend on any of his creatures. Your existence or non-existence is insignificant. Many like you have come here before. When the fountain of light is pouring, there's no need to urge it on! That's like a handful of straw trying to help the sun. "This way! Please, let this light through!" The sun doesn't need an announcer. The lamp you carry is your self-reliance. The sun is something else! Half a sneeze might extinguish your lantern, whereas all a winter's windiness cannot put That out. The road you must take has no particular name. It's the one composed of your own sighing and giving up. What you've been doing is not devotion. Your hoping and worrying are like donkeys wandering loose, sometimes docile, or suddenly mean. Your face looks wise at times, and ashamed at others. There is another way, a pure blankness where those are one expression. Omar once saw a group of boys on the road challenging each other to wrestle. They were all claiming to be champions, but when Omar, the fierce and accomplished warrior, came near, they scattered. All but one, Abdullah Zubair. Omar asked, "Why didn't you run?" "Why should I? You are not a tyrant, and I am not guilty." When someone knows his own inner value, he doesn't care about being accepted or rejected by anyone else. The prince here is strong and just. Stand wondering in his presence. There is nothing but That. [1841.jpg] -- from The Hand of Poetry: Five Mystic Poets of Persia, with Lectures by Inayat Khan, Translated by Coleman Barks

~ Hakim Sanai, Naked in the Bee-House
,
1368:I hopped over a little flower border. The blooms--ghostly white in the soft glow from the lamps around the park’s circumference--ran up the brick walkway and gripped the stone lip of the fountain. I opened my mouth, leaned in, and took a deep gulp.
And heard hooves. Boots.
“You, there, girl! Halt!”
Who in the universe ever halts when the enemy tells them to?
Of course I took off in the opposite direction, as fast as I could: running across grass, leaping neatly tended flowers. But the park was a circle, which made it easy for the riders to gallop around both ways and cut me off. I stopped, looked back. No retreat.
Meanwhile another group came running across the lawns, swords drawn. I backed up a step, two; looked this way and that; tried to break for it in the largest space, which of course was instantly closed.
There must have been a dozen of them ringing me, all with rapiers and heavier weapons gleaming gold tipped in the light from the iron-posted glowglobes and the windows of the houses.
“Report,” someone barked; and then to me, “Who are you? Don’t you know there is a sunset curfew?”
“Ah, I didn’t know.” I smoothed my skirts nervously. “Been sick. No one mentioned it…”
“Who are you?” came the question again.
“I just wanted a drink. I was sick, I think I mentioned, and didn’t get any water…”
“Who are you.” This time it wasn’t even a question.
The game was up, of course, but who said I had to surrender meekly? “Just call me Ranisia.” I named my mother, using my hardest voice. “I’m a ghost, one of Galdran Merindar’s many victims.”
Noises from behind caused the ring to tighten, the weapons all pointing a finger’s breadth from my throat. My empty hands were at my sides, but these folks were taking no chances. Maybe they thought I was a ghost.
No one spoke, or moved, until the sound of heels striking the brick path made the soldiers withdraw silently.
Baron Debegri strode up, his rain cape billowing. Under his foppish mustache his teeth gleamed in a very cruel grin. He stopped within a pace of me, and with no warning whatever, backhanded me right across the face. I went flying backward, landing flat in a flower bed. The Baron stepped onto my left knee and motioned a torch bearer over. He stared down at the half-healed marks on my ankle and laughed, then jerked his thumb in a gesture of command. Two soldiers sprang to either side of me, each grabbing an arm and pulling me to my feet.
“What have you to say now, my little hero?” the Baron gloated.
“That you are a fool, the son of a fool, and the servant of the biggest--“
He swung at me again, and I tried to duck, but he grabbed me by the hair and then hit me. The world seemed to explode in stars--for a long time all I could do was gasp for breath and fight against dizziness.
When I came out of it, someone was binding my hands; then two more someones grabbed my arms again, and I was half carried back to the street. My vision was blurry. I realized hazily that a gem on his embroidered gloves must have cut my forehead, for a warm trickle ran nastily down the side of my face, which throbbed even worse than my ankle.
I got thrown over the back of a horse, my hands and feet bound to stirrups. From somewhere I heard Debegri’s harsh voice: “Lift the curfew, but tell those smug-faced Elders that if anyone harbored this criminal, the death penalty still holds. You. Tell his lordship the Marquis that his aid is no longer necessary, and he can return to Remalna-city, or wherever he wants.”
Quick footsteps ran off, and then the Baron said, “Now, to Chovilun. And don’t dawdle.”
Chovilun…
One of the four Merindar fortresses.
I closed my eyes. ~ Sherwood Smith,
1369:The Poet's Song
There came no change from week to week
On all the land, but all one way,
Like ghosts that cannot touch nor speak,
Day followed day.
Within the palace court the rounds
Of glare and shadow, day and night,
Went ever with the same dull sounds,
The same dull flight:
The motion of slow forms of state,
The far-off murmur of the street,
The din of couriers at the gate,
Half-mad with heat;
Sometimes a distant shout of boys
At play upon the terrace walk,
The shutting of great doors, and noise
Of muttered talk.
In one red corner of the wall,
That fronted with its granite stain
The town, the palms, and, beyond all,
The burning plain,
As listless as the hour, alone,
The poet by his broken lute
Sat like a figure in the stone,
Dark-browed and mute.
He saw the heat on the thin grass
Fall till it withered joint by joint,
The shadow on the dial pass
From point to point.
He saw the midnight bright and bare
Fill with its quietude of stars
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The silence that no human prayer
Attains or mars.
He heard the hours divide, and still
The sentry on the outer wall
Make the night wearier with his shrill
Monotonous call.
He watched the lizard where it lay,
Impassive as the watcher's face;
And only once in the long day
It changed its place.
Sometimes with clank of hoofs and cries
The noon through all its trance was stirred;
The poet sat with half-shut eyes,
Nor saw, nor heard.
And once across the heated close
Light laughter in a silver shower
Fell from fair lips: the poet rose
And cursed the hour.
Men paled and sickened; half in fear,
There came to him at dusk of eve
One who but murmured in his ear
And plucked his sleeve:
'The king is filled with irks, distressed,
And bids thee hasten to his side;
For thou alone canst give him rest.'
The poet cried:
'Go, show the king this broken lute!
Even as it is, so am I!
The tree is perished to its root,
The fountain dry.
'What seeks he of the leafless tree,
The broken lute, the empty spring?
Yea, tho' he give his crown to me,
I cannot sing!'
219
II
That night there came from either hand
A sense of change upon the land;
A brooding stillness rustled through
With creeping winds that hardly blew;
A shadow from the looming west,
A stir of leaves, a dim unrest;
It seemed as if a spell had broke.
And then the poet turned and woke
As from the darkness of a dream,
And with a smile divine supreme
Drew up his mantle fold on fold,
And strung his lute with strings of gold,
And bound the sandals to his feet,
And strode into the darkling street.
Through crowds of murmuring men he hied,
With working lips and swinging stride,
And gleaming eyes and brow bent down;
Out of the great gate of the town
He hastened ever and passed on,
And ere the darkness came, was gone,
A mote beyond the western swell.
And then the storm arose and fell
From wheeling shadows black with rain
That drowned the hills and strode the plain;
Round the grim mountain-heads it passed,
Down whistling valleys blast on blast,
Surged in upon the snapping trees,
And swept the shuddering villages.
That night, when the fierce hours grew long,
Once more the monarch, old and grey,
Called for the poet and his song,
And called in vain. But far away,
By the wild mountain-gorges, stirred,
220
The shepherds in their watches heard,
Above the torrent's charge and clang,
The cleaving chant of one that sang.
~ Archibald Lampman,
1370:Amphion
MY father left a park to me,
But it is wild and barren,
A garden too with scarce a tree,
And waster than a warren:
Yet say the neighbours when they call,
It is not bad but good land,
And in it is the germ of all
That grows within the woodland.
O had I lived when song was great
In days of old Amphion,
And ta'en my fiddle to the gate,
Nor cared for seed or scion!
And had I lived when song was great,
And legs of trees were limber,
And ta'en my fiddle to the gate,
And fiddled in the timber!
'Tis said he had a tuneful tongue,
Such happy intonation,
Wherever he sat down and sung
He left a small plantation;
Wherever in a lonely grove
He set up his forlorn pipes,
The gouty oak began to move,
And flounder into hornpipes.
The mountain stirr'd its bushy crown,
And, as tradition teaches,
Young ashes pirouetted down
Coquetting with young beeches;
And briony-vine and ivy-wreath
Ran forward to his rhyming,
And from the valleys underneath
Came little copses climbing.
The linden broke her ranks and rent
The woodbine wreaths that bind her,
And down the middle, buzz! she went
19
With all her bees behind her:
The poplars, in long order due,
With cypress promenaded,
The shock-head willows two and two
By rivers gallopaded.
Came wet-shod alder from the wave,
Came yews, a dismal coterie;
Each pluck'd his one foot from the grave,
Poussetting with a sloe-tree:
Old elms came breaking from the vine,
The vine stream'd out to follow,
And, sweating rosin, plump'd the pine
From many a cloudy hollow.
And wasn't it a sight to see,
When, ere his song was ended,
Like some great landslip, tree by tree,
The country-side descended;
And shepherds from the mountain-eaves
Look'd down, half-pleased, half-frighten'd,
As dash'd about the drunken leaves
The random sunshine lighten'd!
Oh, nature first was fresh to men,
And wanton without measure;
So youthful and so flexile then,
You moved her at your pleasure.
Twang out, my fiddle! shake the twigs'
And make her dance attendance;
Blow, flute, and stir the stiff-set sprigs,
And scirrhous roots and tendons.
'Tis vain ! in such a brassy age
I could not move a thistle;
The very sparrows in the hedge
Scarce answer to my whistle;
'Or at the most, when three-parts-sick
With strumming and with scraping,
A jackass heehaws from the rick,
The passive oxen gaping.
20
But what is that I hear ? a sound
Like sleepy counsel pleading;
O Lord !--'tis in my neighbour's ground,
The modern Muses reading.
They read Botanic Treatises,
And Works on Gardening thro' there,
And Methods of transplanting trees
To look as if they grew there.
The wither'd Misses! how they prose
O'er books of travell'd seamen,
And show you slips of all that grows
From England to Van Diemen.
They read in arbours clipt and cut,
And alleys, faded places,
By squares of tropic summer shut
And warm'd in crystal cases.
But these, tho' fed with careful dirt,
Are neither green nor sappy;
Half-conscious of the garden-squirt,
The spindlings look unhappy.
Better to me the meanest weed
That blows upon its mountain,
The vilest herb that runs to seed
Beside its native fountain.
And I must work thro' months of toil,
And years of cultivation,
Upon my proper patch of soil
To grow my own plantation.
I'll take the showers as they fall,
I will not vex my bosom:
Enough if at the end of all
A little garden blossom.
~ Alfred Lord Tennyson,
1371:The Deodand
What are these women up to? They’ve gone and strung
Drapes over the windows, cutting out light
And the slightest hope of a breeze here in mid-August.
Can this be simply to avoid being seen
By some prying femme-de-chambre across the boulevard
Who has stepped out on a balcony to disburse
Her dustmop gleanings on the summer air?
And what of these rugs and pillows, all haphazard,
Here in what might be someone’s living room
In the swank, high-toned sixteenth arrondissement?
What would their fathers, husbands, fiancés,
Those pillars of the old haute-bourgeoisie,
Think of the strange charade now in the making?
Swathed in exotic finery, in loose silks,
Gauzy organzas with metallic threads,
Intricate Arab vests, brass ornaments
At wrist and ankle, those small sexual fetters,
Tight little silver chains, and bangled gold
Suspended like a coarse barbarian treasure
From soft earlobes pierced through symbolically,
They are preparing some tableau vivant.
One girl, consulting the authority
Of a painting, perhaps by Ingres or Delacroix,
Is reporting over her shoulder on the use
Of kohl to lend its dark, savage allurements.
Another, playing the slave-artisan’s role,
Almost completely naked, brush in hand,
Attends to these instructions as she prepares
To complete the seductive shadowing of the eyes
Of the blonde girl who appears the harem favorite,
And who is now admiring these effects
In a mirror held by a fourth, a well-clad servant.
The scene simmers with Paris and women in heat,
Darkened and airless, perhaps with a faint hum
Of trapped flies, and a strong odor of musk.
For whom do they play at this hot indolence
And languorous vassalage? They are alone
With fantasies of jasmine and brass lamps,
Melons and dates and bowls of rose-water,
37
A courtyard fountain’s firework blaze of prisms,
Its basin sown with stars and poissons d’or,
And a rude stable smell of animal strength,
Of leather thongs, hinting of violations,
Swooning lubricities and lassitudes.
What is all this but crude imperial pride,
Feminized, scented and attenuated,
The exploitation of the primitive,
Homages of romantic self-deception,
Mimes of submission glamorized as lust?
Have they no intimation, no recall
Of the once queen who liked to play at milkmaid,
And the fierce butcher-reckoning that followed
Her innocent, unthinking masquerade?
Those who will not be taught by history
Have as their curse the office to repeat it,
And for this little spiritual debauch
(Reported here with warm, exacting care
By Pierre Renoir in 1872—
Apparently unnoticed by the girls,
An invisible voyeur, like you and me)
Exactions shall be made, an expiation,
A forfeiture. Though it take ninety years,
All the retributive iron of Racine
Shall answer from the raging heat of the desert.
In the final months of the Algerian war
They captured a very young French Legionnaire.
They shaved his head, decked him in a blonde wig,
Carmined his lips grotesquely, fitted him out
With long, theatrical false eyelashes
And a bright, loose-fitting skirt of calico,
And cut off all the fingers of both hands.
He had to eat from a fork held by his captors.
Thus costumed, he was taken from town to town,
Encampment to encampment, on a leash,
And forced to beg for his food with a special verse
Sung to a popular show tune of those days:
“Donnez moi à manger de vos mains
Car c’est pour vous que je fais ma petite danse;
Car je suis Madeleine, la putain,
38
Et je m’en vais le lendemain matin,
Car je suis La Belle France.”
~ Anthony Evan Hecht,
1372:Patterns
I walk down the garden-paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jeweled fan,
I too am a rare
Pattern. As I wander down
The garden-paths.
My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.
Not a softness anywhere about me,
Only whalebone and brocade.
And I sink on a seat in the shade
Of a lime tree. For my passion
Wars against the stiff brocade.
The daffodils and squills
Flutter in the breeze
As they please.
And I weep;
For the lime-tree is in blossom
And one small flower has dropped upon my bosom.
And the plashing of waterdrops
In the marble fountain
Comes down the garden-paths.
The dripping never stops.
Underneath my stiffened gown
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
168
Hand upon her.
What is Summer in a fine brocaded gown!
I should like to see it lying in a heap upon the ground.
All the pink and silver crumpled up on the ground.
I would be the pink and silver as I ran along the paths,
And he would stumble after,
Bewildered by my laughter.
I should see the sun flashing from his sword-hilt and the
buckles on his shoes.
I would choose
To lead him in a maze along the patterned paths,
A bright and laughing maze for my heavy-booted lover.
Till he caught me in the shade,
And the buttons of his waistcoat bruised my body as he
clasped me,
Aching, melting, unafraid.
With the shadows of the leaves and the sundrops,
And the plopping of the waterdrops,
All about us in the open afternoon-I am very like to swoon
With the weight of this brocade,
For the sun sifts through the shade.
Underneath the fallen blossom
In my bosom,
Is a letter I have hid.
It was brought to me this morning by a rider from the
Duke.
"Madam, we regret to inform you that Lord Hartwell
Died in action Thursday se'nnight."
As I read it in the white, morning sunlight,
The letters squirmed like snakes.
"Any answer, Madam," said my footman.
"No," I told him.
"See that the messenger takes some refreshment.
No, no answer."
And I walked into the garden,
Up and down the patterned paths,
In my stiff, correct brocade.
The blue and yellow flowers stood up proudly in the sun,
Each one.
169
I stood upright too,
Held rigid to the pattern
By the stiffness of my gown.
Up and down I walked,
Up and down.
In a month he would have been my husband.
In a month, here, underneath this lime,
We would have broke the pattern;
He for me, and I for him,
He as Colonel, I as Lady,
On this shady seat.
He had a whim
That sunlight carried blessing.
And I answered, "It shall be as you have said."
Now he is dead.
In Summer and in Winter I shall walk
Up and down
The patterned garden-paths
In my stiff, brocaded gown.
The squills and daffodils
Will give place to pillared roses, and to asters, and to snow.
I shall go
Up and down
In my gown.
Gorgeously arrayed,
Boned and stayed.
And the softness of my body will be guarded from embrace
By each button, hook, and lace.
For the man who should loose me is dead,
Fighting with the Duke in Flanders,
In a pattern called a war.
Christ! What are patterns for?
~ Amy Lowell,
1373:Intima (Intimate)
Spanish
Yo te diré los sueños de mi vida
En lo más hondo de la noche azul...
Mi alma desnuda temblará en tus manos,
Sobre tus hombros pesará mi cruz.
Las cumbres de la vida son tan solas,
Tan solas y tan frías! Y encerré
Mis ansias en mí misma, y toda entera
Como una torre de marfil me alcé.
Hoy abriré a tu alma el gran misterio;
Tu alma es capaz de penetrar en mí.
En el silencio hay vértigos de abismo:
Yo vacilaba, me sostengo en ti.
Muero de ensueños; beberé en tus fuentes
Puras y frescas la verdad, yo sé
Que está en el fondo magno de tu pecho
El manantial que vencerá mi sed.
Y sé que en nuestras vidas se produjo
El milagro inefable del reflejo...
En el silencio de la noche mi alma
Llega a la tuya como a un gran espejo.
Imagina el amor que habré soñado
En la tumba glacial de mi silencio!
Más grande que la vida, más que el sueño,
Bajo el azur sin fin se sintió preso.
Imagina mi amor, amor que quiere
Vida imposible, vida sobrehumana,
Tú que sabes si pesan, si consumen
Alma y sueños de Olimpo en carne humana.
Y cuando frente al alma que sentia
Poco el azur para bañar sus alas,
16
Como un gran horizonte aurisolado
O una playa de luz se abrió tu alma:
Imagina! Estrecha vivo, radiante
El Imposible! La ilusión vivida!
Bendije a Dios, al sol, la flor, el aire,
La vida toda porque tú eras vida!
Si con angustia yo compré esta dicha,
Bendito el llanto que manchó mis ojos!
¡Todas las llagas del pasado ríen
Al sol naciente por sus labios rojos!
¡Ah! tú sabrás mi amor, mas vamos lejos
A través de la noche florecida;
Acá lo humano asusta, acá se oye,
Se ve, se siente sin cesar la vida.
Vamos más lejos en la noche, vamos
Donde ni un eco repercuta en mí,
Como una flor nocturna allá en la sombra
Y abriré dulcemente para ti.
English
I will tell you the dreams of my life
On this deepest of blue nights.
In your hands my soul will tremble,
On your shoulders my cross will rest.
The summits of life are lonely,
So lonely and so cold! I locked
My yearnings inside, and all reside
In the ivory tower I raised.
Today I will reveal a great mystery;
Your soul has the power to penetrate me.
In silence are vertigos of the abyss:
I hesitate, I am sustained in you.
I die of dreams; I will drink truth,
17
Pure and cool, from your springs.
I know in the well of your breast
Is a fountain that vanquishes my thirst.
And I know that in our lives, this
Is the inexpressible miracle of reflection…
In the silence, my soul arrives at yours
As to a magnificent mirror.
Imagine the love I dreamed
In the glacial tomb of silence!
Larger than life, larger than dream,
A love imprisoned beneath an azure without end.
Imagine my love, love which desires
Impossible life, superhuman life,
You who know how it burdens and consumes,
Dreams of Olympus bound by human flesh.
And when met with a soul which found
A bit of azure to bathe its wings,
Like a great, golden sun, or a shore
Made of light, your soul opened:
Imagine! To embrace the Impossible!
Radiant! The lived illusion!
Blessed be God, the sun, the flower, the air,
And all of life, because you are life!
If I bought this happiness with my anguish,
Bless the weeping that stains my eyes!
All the ulcers of the past laugh
At the sun rising from red lips!
Ah you will know, My Love,
We will travel far across the flowery night;
There what is human frightens, there you can hear it,
See it, feel it, life without end.
We go further into night, we go
Where in me not an echo reverberates,
Like a nocturnal flower in the shade,
18
I will open sweetly for you.
~ Delmira Agustini,
1374:Intima (Intimate)
Spanish
Yo te diré los sueños de mi vida
En lo más hondo de la noche azul...
Mi alma desnuda temblará en tus manos,
Sobre tus hombros pesará mi cruz.
Las cumbres de la vida son tan solas,
Tan solas y tan frías! Y encerré
Mis ansias en mí misma, y toda entera
Como una torre de marfil me alcé.
Hoy abriré a tu alma el gran misterio;
Tu alma es capaz de penetrar en mí.
En el silencio hay vértigos de abismo:
Yo vacilaba, me sostengo en ti.
Muero de ensueños; beberé en tus fuentes
Puras y frescas la verdad, yo sé
Que está en el fondo magno de tu pecho
El manantial que vencerá mi sed.
Y sé que en nuestras vidas se produjo
El milagro inefable del reflejo...
En el silencio de la noche mi alma
Llega a la tuya como a un gran espejo.
Imagina el amor que habré soñado
En la tumba glacial de mi silencio!
Más grande que la vida, más que el sueño,
Bajo el azur sin fin se sintió preso.
Imagina mi amor, amor que quiere
Vida imposible, vida sobrehumana,
Tú que sabes si pesan, si consumen
Alma y sueños de Olimpo en carne humana.
Y cuando frente al alma que sentia
Poco el azur para bañar sus alas,
16
Como un gran horizonte aurisolado
O una playa de luz se abrió tu alma:
Imagina! Estrecha vivo, radiante
El Imposible! La ilusión vivida!
Bendije a Dios, al sol, la flor, el aire,
La vida toda porque tú eras vida!
Si con angustia yo compré esta dicha,
Bendito el llanto que manchó mis ojos!
¡Todas las llagas del pasado ríen
Al sol naciente por sus labios rojos!
¡Ah! tú sabrás mi amor, mas vamos lejos
A través de la noche florecida;
Acá lo humano asusta, acá se oye,
Se ve, se siente sin cesar la vida.
Vamos más lejos en la noche, vamos
Donde ni un eco repercuta en m��,
Como una flor nocturna allá en la sombra
Y abriré dulcemente para ti.
English
I will tell you the dreams of my life
On this deepest of blue nights.
In your hands my soul will tremble,
On your shoulders my cross will rest.
The summits of life are lonely,
So lonely and so cold! I locked
My yearnings inside, and all reside
In the ivory tower I raised.
Today I will reveal a great mystery;
Your soul has the power to penetrate me.
In silence are vertigos of the abyss:
I hesitate, I am sustained in you.
I die of dreams; I will drink truth,
17
Pure and cool, from your springs.
I know in the well of your breast
Is a fountain that vanquishes my thirst.
And I know that in our lives, this
Is the inexpressible miracle of reflection…
In the silence, my soul arrives at yours
As to a magnificent mirror.
Imagine the love I dreamed
In the glacial tomb of silence!
Larger than life, larger than dream,
A love imprisoned beneath an azure without end.
Imagine my love, love which desires
Impossible life, superhuman life,
You who know how it burdens and consumes,
Dreams of Olympus bound by human flesh.
And when met with a soul which found
A bit of azure to bathe its wings,
Like a great, golden sun, or a shore
Made of light, your soul opened:
Imagine! To embrace the Impossible!
Radiant! The lived illusion!
Blessed be God, the sun, the flower, the air,
And all of life, because you are life!
If I bought this happiness with my anguish,
Bless the weeping that stains my eyes!
All the ulcers of the past laugh
At the sun rising from red lips!
Ah you will know, My Love,
We will travel far across the flowery night;
There what is human frightens, there you can hear it,
See it, feel it, life without end.
We go further into night, we go
Where in me not an echo reverberates,
Like a nocturnal flower in the shade,
18
I will open sweetly for you.
~ Delmira Agustini,
1375:The Psoriad
The King of Scotland, years and years ago,
Convened his courtiers in a gallant row
And thus addressed them:
'Gentle sirs, from you
Abundant counsel I have had, and true:
What laws to make to serve the public weal;
What laws of Nature's making to repeal;
What old religion is the only true one,
And what the greater merit of some new one;
What friends of yours my favor have forgot;
Which of your enemies against me plot.
In harvests ample to augment my treasures,
Behold the fruits of your sagacious measures!
The punctual planets, to their periods just,
Attest your wisdom and approve my trust.
Lo! the reward your shining virtues bring:
The grateful placemen bless their useful king!
But while you quaff the nectar of my favor
I mean somewhat to modify its flavor
By just infusing a peculiar dash
Of tonic bitter in the calabash.
And should you, too abstemious, disdain it,
Egad! I'll hold your noses till you drain it!
'You know, you dogs, your master long has felt
A keen distemper in the royal pelt
A testy, superficial irritation,
Brought home, I fancy, from some foreign nation.
For this a thousand simples you've prescribed
Unguents external, draughts to be imbibed.
You've plundered Scotland of its plants, the seas
You've ravished, and despoiled the Hebrides,
To brew me remedies which, in probation,
Were sovereign only in their application.
In vain, and eke in pain, have I applied
Your flattering unctions to my soul and hide:
Physic and hope have been my daily food
I've swallowed treacle by the holy rood!
545
'Your wisdom, which sufficed to guide the year
And tame the seasons in their mad career,
When set to higher purposes has failed me
And added anguish to the ills that ailed me.
Nor that alone, but each ambitious leech
His rivals' skill has labored to impeach
By hints equivocal in secret speech.
For years, to conquer our respective broils,
We've plied each other with pacific oils.
In vain: your turbulence is unallayed,
My flame unquenched; your rioting unstayed;
My life so wretched from your strife to save it
That death were welcome did I dare to brave it.
With zeal inspired by your intemperate pranks,
My subjects muster in contending ranks.
Those fling their banners to the startled breeze
To champion some royal ointment; these
The standard of some royal purge display
And 'neath that ensign wage a wasteful fray!
Brave tongues are thundering from sea to sea,
Torrents of sweat roll reeking o'er the lea!
My people perish in their martial fear,
And rival bagpipes cleave the royal ear!
'Now, caitiffs, tremble, for this very hour
Your injured sovereign shall assert his power!
Behold this lotion, carefully compound
Of all the poisons you for me have found
Of biting washes such as tan the skin,
And drastic drinks to vex the parts within.
What aggravates an ailment will produceI mean to rub you with this dreadful juice!
Divided counsels you no more shall hatch
At last you shall unanimously scratch.
Kneel, villains, kneel, and doff your shirts-God bless us!
They'll seem, when you resume them, robes of Nessus!'
The sovereign ceased, and, sealing what he spoke,
From Arthur's Seat[1] confirming thunders broke.
The conscious culprits, to their fate resigned,
Sank to their knees, all piously inclined.
546
This act, from high Ben Lomond where she floats,
The thrifty goddess, Caledonia, notes.
Glibly as nimble sixpence, down she tilts
Headlong, and ravishes away their kilts,
Tears off each plaid and all their shirts discloses,
Removes each shirt and their broad backs exposes.
The king advanced-then cursing fled amain
Dashing the phial to the stony plain
(Where't straight became a fountain brimming o'er,
Whence Father Tweed derives his liquid store)
For lo! already on each back _sans_ stitch
The red sign manual of the Rosy Witch!
~ Ambrose Bierce,
1376:The Fountain Refilled
Of Hans Pietro Shanahan
(Who was a most ingenious man)
The Muse of History records
That he'd get drunk as twenty lords.
He'd get so truly drunk that men
Stood by to marvel at him when
His slow advance along the street
Was but a vain cycloidal feat.
And when 'twas fated that he fall
With a wide geographical sprawl,
They signified assent by sounds
Heard (faintly) at its utmost bounds.
And yet this Mr. Shanahan
(Who was a most ingenious man)
Cast not on wine his thirsty eyes
When it was red or otherwise.
All malt, or spirituous, tope
He loathed as cats dissent from soap;
And cider, if it touched his lip,
Evoked a groan at every sip.
But still, as heretofore explained,
He not infrequently was grained.
(I'm not of those who call it 'corned.'
Coarse speech I've always duly scorned.)
Though truth to say, and that's but right,
Strong drink (it hath an adder's bite!)
Was what had put him in the mud,
The only kind he used was blood!
Alas, that an immortal soul
Addicted to the flowing bowl,
The emptied flagon should again
Replenish from a neighbor's vein.
477
But, Mr. Shanahan was so
Constructed, and his taste that low.
Nor more deplorable was he
In kind of thirst than in degree;
For sometimes fifty souls would pay
The debt of nature in a day
To free him from the shame and pain
Of dread Sobriety's misreign.
His native land, proud of its sense
Of his unique inabstinence,
Abated something of its pride
At thought of his unfilled inside.
And some the boldness had to say
'Twere well if he were called away
To slake his thirst forevermore
In oceans of celestial gore.
But Hans Pietro Shanahan
(Who was a most ingenious man)
Knew that his thirst was mortal; so
Remained unsainted here below
Unsainted and unsaintly, for
He neither went to glory nor
To abdicate his power deigned
Where, under Providence, he reigned,
But kept his Boss's power accurst
To serve his wild uncommon thirst.
Which now had grown so truly great
It was a drain upon the State.
Soon, soon there came a time, alas!
When he turned down an empty glass
All practicable means were vain
His special wassail to obtain.
In vain poor Decimation tried
478
To furnish forth the needful tide;
And Civil War as vainly shed
Her niggard offering of red.
Poor Shanahan! his thirst increased
Until he wished himself deceased,
Invoked the firearm and the knife,
But could not die to save his life!
He was so dry his own veins made
No answer to the seeking blade;
So parched that when he would have passed
Away he could not breathe his last.
'Twas then, when almost in despair,
(Unlaced his shoon, unkempt his hair)
He saw as in a dream a way
To wet afresh his mortal clay.
Yes, Hans Pietro Shanahan
(Who was a most ingenious man)
Saw freedom, and with joy and pride
'Thalassa! (or Thalatta!)' cried.
Straight to the Aldermen went he,
With many a 'pull' and many a fee,
And many a most corrupt 'combine'
(The Press for twenty cents a line
Held out and fought him-O, God, bless
Forevermore the holy Press!)
Till he had franchises complete
For trolley lines on every street!
The cars were builded and, they say,
Were run on rails laid every way
Rhomboidal roads, and circular,
And oval-everywhere a car
Square, dodecagonal (in great
Esteem the shape called Figure 8)
And many other kinds of shapes
479
As various as tails of apes.
No other group of men's abodes
E'er had such odd electric roads,
That winding in and winding out,
Began and ended all about.
No city had, unless in Mars,
That city's wealth of trolley cars.
They ran by day, they flew by night,
And O, the sorry, sorry sight!
And Hans Pietro Shanahan
(Who was a most ingenious man)
Incessantly, the Muse records,
Lay drunk as twenty thousand lords!
~ Ambrose Bierce,
1377:Sisyphus
Midway his upward unavailing course
Sate Sisyphus, his back against his load,
Halting a moment from that task of doom.
Adown his swollen cheeks ran streams of sweat
Dripping from thick-drenched locks; and watery beads
Gathered and stood on his stupendous limbs.
The sinews of his arm, like gnarled knots
On hollow bark of legendary oak,
Credentials of incalculable years,
Bulged up, and in his horny hands outspread
Upon his wrinkled knees, the arching veins
Glittered like tempered steel. His stertorous breath
Moaned like to bellows in cyclopean forge,
Wherewith in smithy subterranean
Against the Gods rebellious demigods
Fashion their molten ineffectual bolts.
But when, asudden, swift on angry flash,
Rumbled imperious thunder overhead,
At the commanding mandate, Sisyphus,
Bulkily rising, straightened limbs relaxed,
And turned him yet again unto his task,
Mumbling the while habitual lament.
``Why was I chosen for this hateful task,
Fantastically futile, which the Gods
Lay on their victim, for their own disport?
Rather a thousand times upon the wheel
Would I, Ixion-like, be racked, or lift
The tantalising gourd-cup to my lips.
I was no wickeder than they, and I
Founded Ephyra in a stony land,
Raised monolithic temples to the Gods,
And made the name of Corinth glorious from
Peloponnesus unto Attica.
Was it a crime to be Ulysses' sire
By sportive Anticlea ere she wed
Laertes, bringing him a Royal heir?
Yearning for whom, when Circe and her lures
398
From Ithaca withheld his bark, she died.
If such to me imputed be a crime,
Then all the Gods are bestial criminals,
Lustful, adulterous, meretricious Gods.
What more was my offence? Was it because
I from the clustered sister-Pleiades
Lured Merope to earth to share my love,
Not an ephemeral, but strong-nuptialled love?
Whereat the Gods, envying a mortal's joy,
Darkened her light in Heaven, and vengefully
In me infused her immortality,
That I might strain for ever at the task
Of aiding upward downward-destined world.
``If mortals were but once by doom allowed
To limit their ambition, and abide
On some material or majestic height!
But onward, upward, ever are they urged
By the half-God within their blood to pass
Beyond the flaming barriers of the world,
Where the inexorable sentries stand
To drive them back, and me, unwilling drudge,
Forced downward by the weight I upward rolled.
When to the very pinnacle of Art,
Majestically lovely, for restrained,
Hellenic minds from barbarous gropings towered,
The beast in mortals sensuously craved
For craft more carnal, Goddesses undraped
In marble, to such use recalcitrant,
Satyrs and fauns, licentious comedy,
Provocative of laughter or of lust,
Dethroning the Ideal for the Real.
When the stern Roman on the world imposed
By forceful dominance the Reign of Law,
Then did the East with tribute undermine
The male-won Empire, and barbarian hordes
Rent the Imperial marble from its limbs,
And revelled in the wreck of its decline.
``O, but now! now! now!
Heavier the load, weightier than ever yet,
For men, infatuated, now conceive,
399
Eliminating Spirit, they will find
In matter immaterialised the germ,
Fountain, and origin of all that moves.
But behind Fate there is another Fate,
And yet another, undiscoverable.
Yet Man, again illusioned, presses on,
Fondling the fancy he will shortly pierce
Unto the generating source of things,
The Atom atomless: whereat the Gods
Shake with ironic laughter, since themselves
Know it not, neither do they seek to know,
Aware, above them there are other Gods,
May-be one sole impenetrable God,
Never created, never dying, One
With the unbounded Universe, Himself
The soul and substance of Eternity.
That is my one last hope, that He will free
My body from this pagan servitude,
And with omnipotent mercifulness merge
My Being into His!''
~ Alfred Austin,
1378:The Dream By The Fountain
Thought-weary and sad, I reclined by a fountain
At the head of a white-cedar-shaded ravine,
And the breeze that fell over the high glooming mountain
Sang a lullaby low as I gazed o’er the scene.
Long I’d reclined not till slumber came o’er me,
Grateful as balm to a suffering child:
When a glorious maiden seemed standing before me
With a lyre in her hand—O so sounding and wild!
Bright was her brow, not the morning’s brow brighter,
But her eyes were two midnights of passionate thought;
Light was her motion, the breeze’s not lighter,
And her looks were like sunshine and shadow in-wrought.
Never before did my bosom inherit
Emotion so thrilling, such exquisite awe!
Never such wonder exalted my spirit
Before, as did now, through the vision I saw.
Robed for the chase like a nymph of Diana,
Her ivory limbs were half given below—
Bare, that the pure breath of heaven might fan her,
Bare was her bosom of roseate snow.
Then lifting the lyre, and with every feeling
Sublimed as with love, she awakened the strings,
And the while, as it seemed, into being came stealing
The motion and light of angelical wings.
Divine were the measure! Each voice of the wold-wood
Seemed gathering power in their musical thrills—
The loud joy of streams in their strong mountain childhood,
The shouting of echoes that break from the hills;
The moaning of trees all at midnight in motion,
When the breezes seem lost in the dark, with a rare
And sweet soaring spirit of human devotion
All blended and woven together were there.
170
Then she smiled with a look like the radiance of morning,
When flushing the crystal of heaven’s serene,
Blent with that darkness of beauty, adorning
The world, when the moon just arising is seen.
And repressing, it seemed, many fonder suggestions,
Calmly she spake;—I arose to my knees,
Expectantly glad, while, to quiet my questions,
The wild warbled words that she uttered were these:
“I am the muse of the evergreen forest,
I am the spouse of thy spirit, lone bard!
Ev’n in the days when thy boyhood thou worest,
Thy pastimes drew on thee my dearest regard.
“For I knew thee, ev’n then, in thy ecstacy musing
Of glory and grace by old Hawkesbury’s side—
Scenes that spread recordless round thee, suffusing
With the purple of love—I beheld thee, and sighed.
“Sighed—for the fire-robe of thought had enwound thee,
Betok ning how much that the happy most dread,
And whence there should follow, howe’er it renowned thee,
What sorrows of heart, and what labours of head!
“Signed—though thy dreams did the more but endear thee.
It seemed of the breeze, or a sigh of thine own,
When I swept o’er this lyre, still unseen gliding near thee,
To give thy emotions full measure and tone.
“Since have I tracked thee through less lovely places,
And seen thee with sorrow long herd with the vain,
Lured into error by false-smiling faces,
Chained by dull fashion though scorning her chain.
“Then would I prompt, in the still hour of dreaming,
Some thought of thy beautiful country again,
Of her yet to be famed streams, through dark woods far-gleaming
Of her bold shores that throb to the beat of the main.
“Till at last I beheld thee arise in devotion,
To shake from thy heart the vile bondage it bore,
171
And my joy gloried out like a morning-lit ocean,
When thy footfall I heard in the mountains once more!
“Listen, belov’d one! I promise thee glory
Such as shall rise like the day-star apart,
To brighten the source of Australia’s broad story,
But for this thou must give to the future thy heart!—
“Be then the bard of thy country! O rather
Should such be thy choice than a monarchy wide!
Lo! ’Tis the land of the grave of thy father!
’Tis the cradle of liberty! Think and decide.”
Joy glowed in my heart as she ceased. Unreplying,
I gazed, mute with love, on her soul-moulded charms.
Deeper they glowed, her lips trembled, and sighing,
She rushed to my heart and dissolved in my arms!
~ Charles Harpur,
1379:I THE DARK

In a worldless timeless lightless great emptiness
   Four-faced Brahma broods.

nasad asin, no sad asit tadanim;
nasid raja no vioma paro yat.
kim avarivah? kuha? kasya sarmann?
Ambhah kim asid, gahanam gabhiram?

na mytur asid, amrtam na tarhi.
na ratria ahna asit pratekh.
anid avatam svadhaya tad ekam.
tasmad dhanyan na parah kim canasa.

tama asit tamasa gudham agre;
apraketam salilam sarvam a idam.
tuchyenabhu apihitam yad asit,
tapasas tan mahinajayataikam.

Of a sudden sea of joy surges through his heart
   The ur-god opens his eyes.
   Speech from four mouths
   Speeds from each quarter.
   Through infinite dark,
   Through limitless sky,
   Like a growing sea-storm,
   Like hope never sated,
   His Word starts to move.

Stirred by joy         his breathing quickens,
   His eight eyes quiver with flame.
His fire-matted hair    sweeps the horizon,
   Bright as a million suns.

From the towering source of the world
   In a thousand streams
Cascades the primeval blazing fountain,
   Fragmenting silence,
   Splitting its stone heart.

kamas tad agre sam avartatadhi
manaso retah prathamam yad asit?
sato bandhum asati nir avindan
hrdi pratisya kavayo manisa

II THE MUSIC

   In a universe rampant
   With new life exhalant,
   With new life exultant,
   Vishnu spreads wide
   His four-handed blessing.
   He raises his conch
   And all things quake
   At its booming sound.
   The frenzy dies down,
   The furnace expires,
   The planets douse
   Their flames with tears,
   The worlds Divine Poet
   Constructs its history,
   From wild cosmic song
   Its epic is formed.
   Stars in their orbits,
   Moon sun and planets
   He binds with his mace
   All things to Law,
   Imposes the discipline
   Of metre and rhyme.

   In the Manasa depths
   Vishnu watches -
   Beauties arise
   From the light of lotuses.
   Lakshmi strews smiles -
   Clouds show a rainbow,
   Gardens show flowers.
   The roar of Creation
   Resolves into music.
   Softness hides rigour,
   Forms cover power.

tirascino vitato rasmir esam:
adhah svid asid, upari svid asit?
retodha asan, mahimana asan;
svadha avasat, prayatih parastat.

Age after age after age is slave to a mighty rhythm
   At last the world-frame
   Tires in its body,
   Sleep in its eyes
   Slackens its structure,
   Diffuses its energy.
   From the heart of all matter
   Comes the anguished cry
   Wake, wake, great Shiva,
   Our body grows weary
   Of its law-fixed path,
   Give us new form.
   Sing our destruction,
   That we gain new life.

III THE FIRE

   The great god awakes,
   His three eyes open,
   He surveys all horizons.
He lifts his bow,      his fell pinaka,
   He pounds the world with his tread.
From first things to last  it trembles and shakes
         And shudders.
The bonds of nature are ripped.
The sky is rocked by the roar
Of a wave of ecstatic release.
   An inferno soars
   The pyre of the universe.

Shattered sun and moon, smashed stars and planets,
   Rain down from all angles,
   A blackness of all particles
   To be swallowed by flame,
   Absorbed in an instant.
   At the start of Creation
   There was a dark without origin,
   At the breaking of Creation
   There is fire without end
In an all-pervading sky-engulfing sea of burning
   Shiva shuts his three eyes.
   He begins his great trance.

ko adha veda? Ka iha pravocat,
kuta ajata, kuta iyam visrstih?
arvag deva asya visajanena:
atha ko veda yata ababhuva?

iyam visrstir yata ababhuva;
yadi vasa dadhe yadi van na:
yo asyadhyaksah parame vioman
so anga veda, yadi va na veda.

~ Rabindranath Tagore, Brahm, Viu, iva
,
1380:Bricks
Dear Ned, I now take up my pen to write
you these few lines,
And hopin' how they find you fit. Gorbli',
it seems an age
Since Jumbo ducked the Port, 'n' drilled 'n'
polished to the nines,
He walked his pork on Collins like a hero off
the stage,
Then hiked a rifle 'cross the sea this bleedin'
war to wage.
The things what's 'appened lately calls to
Jumbo's mind that day
Our push took on the Peewee pack, 'n'
belted out their lard,
With twenty cops to top it off. But now I'm
stowed away,
A bullet in me gizzard where I took it good
and hard,
A-dealin'-stoush 'n' mullock to the Prussian
flamin' Guard.
At Bullcoor mortal charnce had dumped a
mutton-truck of us
From good ole Port ker-flummox where we
didn't orter be,
All in a 'elpless hole-the Pug, Bill Carkeek,
Son, 'n' Gus,
Don, Steve, 'n' Jack, 'n' seven more, 'n', as
it 'appens, me,
With nothin' in since breakfast, 'n' a week
to go for tea.
Worked loose from Caddy's bunch, we went
it gay until we found
We'd took to 'arf the ragin' German Hempire
on our own.
Then down we went so 'umble, with our noses
in the ground,
32
Takin' cover in the rubble. If a German head
was shown
It was fare-the-well to Herman with a bullet
through the bone.
We slogged the cows remorseless, 'n' they
laid for us a treat.
We held that stinkin' cellar, though, 'n' when
the day was done
Son pussied on his bingie where a Maxie trim
'n' neat
Had spit out loaded lightnin', and he slugged
a tubby Hun,
Then choked a Fritzie with his dukes, 'n'
pinched the sooner's gun!
We rigged her on her knuckle-bones. Cri',
how she lapped 'em up!
We hosed 'em out with livin' lead. That was
the second day.
Me left eye I'd 'ave give for jest a bubble in a
cup,
Three fingers I'd 'ave parted for a bone I've
flung away;
But the butcher wasn't callin', 'n' the fountain
didn't play.
T'was rotten mozzle, Neddo. We had blown
out ever clip,
'N' 'blooed the hammunition for the little box
of tricks.
Each took a batten in his fist. Sez Billy
“Let 'er rip!”
But Son he claws his stubble. Sez—he:
“Hold a brace of ticks.”
Then “Yow!” he pipes 'n' “Strewth!” he
sez, “it's bricks, you blighters,
bricks!”
There's more than 'arf a million spilt where
somethin' hit a pub;
We creeps among 'n' sorts 'em, stack afore,
33
'n' stack behind;
The Hun is comin' at us with his napper like
a tub—
You couldn't 'ope to miss it, pickled, paralysed, 'n' blind.
Sez Sonny: “Lay 'em open! Give 'em
blotches on the rind!”
Then bricks was flyin' in the wind. Mine
dinted Otto's chin;
Ole Nosey got his brother, which he never
more will roam.
When Ulrich stopped a Port bookay he rolled
his alley in.
Their fire was somethin' fierce. Poor Son
was blowin' blood 'n' foam,
“Fill up,” he coughs, “'n' plug 'em! S'elp
me Gord, we're goin' 'ome!”
With bricks we drove right at 'em 'n' we
wanged 'em best we could.
'Twas either bed 'n' breakfast or a scribble
and a wreath.
Haynes bust a Prussian's almond, took the
bay'net where he stood,
Then heaved his last 'arf-Brunswick, split
the demon's grinnin' teeth,
And Son went down in glory, with a German
underneath!
We'd started out with gibbers in our clobber
and our 'ats.
They gave us floatin' lead enough to stop an
army cor.
We yelled like fiends, 'n' countered with a
lovely flight of bats,
Then rushed in close formation, heavin' cottages, n' tore
Through blinded, bleedin' Bosches, 'n' lor
love yeh, it was war!
We came peltin', headfirst, 'elpless, in a drain
34
among a lot
Of dirty, damned old Tommies (Gord! The
best that ever blew!)
Eight left of us, all punctured, each man
holdin' what he'd got.
Me wild, a rat hole in me lung, but in me
mauley, too,
A bull-nosed brick with whiskers where no
whiskers ever grew.
There's nothin' doin' now. I wear me blankets like a toff.
The way this fat nurse pets me, strewth, it's
well to be so sick,
A-dreamin' of our contract 'n' the way we
pulled it off.
I reckon Haig is phonin' Hughes: “Hullo,
there, Billy. Quick—
A dozen of the pushes and a thousan' tons
of brick!”
~ Edward George Dyson,
1381:Dear Keats
Already six years past your age!
The steps in Rome,
the house near Hampstead Heath,
& all your fears
that you might cease to be
before your pen had glean'd. . . .
My dear dead friend,
you were the first to teach me
how the dust could sing.
I followed in your footsteps
up the Heath.
I listened hard
for Lethe's nightingale.
& now at 31, I want to live.
Oblivion holds no adolescent charms.
& all the 'souls of poets
dead & gone,'
& all the 'Bards
of Passion & Mirth'
cannot make deathits echo, its damp earthresemble birth.
You died in Romein faltering sunlightBernini's watery boat still sinking
in the fountain in the square below.
When Severn came to say
the roses bloomed,
you did not 'glut thy sorrow,'
but you weptyou wept for them
& for your posthumous life.
& yet we all lead posthumous lives somehow.
The broken lyre,
the broken lung,
49
the broken love.
Our names are writ in newsprint
if not water.
'Don't breathe on me-' you cried,
'it comes like ice.'
Last words.
(I can't imagine mine.
Perhaps some muttered dream,
some poem, some curse.)
Three months past 25,
you lived on milk.
They reeled you backward
in the womb of love.
A tepid February Roman Spring.
Fruit trees in bloom
& Hampstead still in snow
& Fanny Brawne receives a hopeful note
when you are two weeks dead.
A poet's life:
always awaiting mail.
For God's sake
kick against the pricks!
There aren't very many roses.
Your life was like an hourglass
with no sand.
The words slid through
& rested under glass;
the flesh decayed
to moist Italian clay.
50
×
At autopsy,
your lungs were wholly gone.
Was that from too much singing?
Too many rifts of ore?
You spent your life breath
breathing life in words.
But words return no breath
to those who write.
Letters, Life, & Literary Remains . . .
'I find that I cannot exist without poetry. . . .'
'O for a Life of Sensations rather than of Thoughts!'
'What the imagination seizes as Beauty must be truth. . . .'
'We hate poetry that has a palpable design upon us. . . .'
'Sancho will invent a Journey heavenwards as well as anybody. . . .'
'Poetry should be great and unobtrusive, a thing which enters into one's soul.'
'Why should we kick against the Pricks when we can walk on the Roses?'
'Axioms in philosophy are not axioms until they are proved upon our pulses. . . .'
'Until we are sick, we understand not. . . .'
'Sorrow is Wisdom. . . .'
'Wisdom is folly. . . .'
Too wise
& yet not wise enough
at 25.
Sick, you understood
& understanding
51
were too weak to write.
Proved on the pulse: poetry.
If sorrow is wisdom
& wisdom is folly
then too much sorrow
is folly.
I find that I cannot exist without sorrow
& I find that sorrow
cannot exist without poetry. . . .
What the imagination seizes as beauty
must be poetry. . . .
What the imagination seizes must be. . . .
You claimed no lust for fame
& yet your burned.
'The faint conceptions I have of poems to come brings
the blood frequently into my forehead.'
I burn like you
until it often seems
my blood will break
the boundaries of my brain
& issue forth in one tall fountain
from my skull.
A spume of blood from the forehead: poetry.
A plume of blood from the heart: poetry.
Blood from the lungs: alizarin crimson words.
52
'I will not spoil my love of gloom
by writing an Ode to Darkness. . . .'
The blood turns dark;
it stiffens on the sheet.
At night the childhood walls
are streaked with blooduntil the darkness seems awash with red
& children sleep behind two blood-branched lids.
'My imagination is a monastery
& I am its monk . . .'
At five & twenty,
very far from home,
death picked you up
& sorted to a pip.
& 15 decades later,
your words breathe:
syllables of blood.
A strange transfusion
for my feverish verse.
I suck your breath,
your rhythms & your blood,
& all my fiercest dreams are sighed away.
I send you love,
dear Keats,
I send you peace.
Since flesh can't stay
we keep the breath aloft.
Since flesh can't stay,
we pass the words along.
~ Erica Jong,
1382:For Howard Moss
Already six years past your age!
The steps in Rome,
the house near Hampstead Heath,
& all your fears
that you might cease to be
before your pen had glean'd. . . .
My dear dead friend,
you were the first to teach me
how the dust could sing.
I followed in your footsteps
up the Heath.
I listened hard
for Lethe's nightingale.
& now at 31, I want to live.
Oblivion holds no adolescent charms.
& all the 'souls of poets
dead & gone,'
& all the 'Bards
of Passion & Mirth'
cannot make deathits echo, its damp earthresemble birth.
You died in Romein faltering sunlightBernini's watery boat still sinking
in the fountain in the square below.
When Severn came to say
the roses bloomed,
you did not 'glut thy sorrow,'
but you weptyou wept for them
& for your posthumous life.
& yet we all lead posthumous lives somehow.
The broken lyre,
the broken lung,
72
the broken love.
Our names are writ in newsprint
if not water.
'Don't breathe on me-' you cried,
'it comes like ice.'
Last words.
(I can't imagine mine.
Perhaps some muttered dream,
some poem, some curse.)
Three months past 25,
you lived on milk.
They reeled you backward
in the womb of love.
A tepid February Roman Spring.
Fruit trees in bloom
& Hampstead still in snow
& Fanny Brawne receives a hopeful note
when you are two weeks dead.
A poet's life:
always awaiting mail.
For God's sake
kick against the pricks!
There aren't very many roses.
Your life was like an hourglass
with no sand.
The words slid through
& rested under glass;
the flesh decayed
to moist Italian clay.
73
×
At autopsy,
your lungs were wholly gone.
Was that from too much singing?
Too many rifts of ore?
You spent your life breath
breathing life in words.
But words return no breath
to those who write.
Letters, Life, & Literary Remains . . .
'I find that I cannot exist without poetry. . . .'
'O for a Life of Sensations rather than of Thoughts!'
'What the imagination seizes as Beauty must be truth. . . .'
'We hate poetry that has a palpable design upon us. . . .'
'Sancho will invent a Journey heavenwards as well as anybody. . . .'
'Poetry should be great and unobtrusive, a thing which enters into one's soul.'
'Why should we kick against the Pricks when we can walk on
the Roses?'
'Axioms in philosophy are not axioms until they are proved upon our pulses. . . .'
'Until we are sick, we understand not. . . .'
'Sorrow is Wisdom. . . .'
'Wisdom is folly. . . .'
Too wise
& yet not wise enough
at 25.
Sick, you understood
74
& understanding
were too weak to write.
Proved on the pulse: poetry.
If sorrow is wisdom
& wisdom is folly
then too much sorrow
is folly.
I find that I cannot exist without sorrow
& I find that sorrow
cannot exist without poetry. . . .
What the imagination seizes as beauty
must be poetry. . . .
What the imagination seizes must be. . . .
You claimed no lust for fame
& yet your burned.
'The faint conceptions I have of poems to come brings
the blood frequently into my forehead.'
I burn like you
until it often seems
my blood will break
the boundaries of my brain
& issue forth in one tall fountain
from my skull.
A spume of blood from the forehead: poetry.
A plume of blood from the heart: poetry.
Blood from the lungs: alizarin crimson words.
75
'I will not spoil my love of gloom
by writing an Ode to Darkness. . . .'
The blood turns dark;
it stiffens on the sheet.
At night the childhood walls
are streaked with blooduntil the darkness seems awash with red
& children sleep behind two blood-branched lids.
'My imagination is a monastery
& I am its monk . . .'
At five & twenty,
very far from home,
death picked you up
& sorted to a pip.
& 15 decades later,
your words breathe:
syllables of blood.
A strange transfusion
for my feverish verse.
I suck your breath,
your rhythms & your blood,
& all my fiercest dreams are sighed away.
I send you love,
dear Keats,
I send you peace.
Since flesh can't stay
we keep the breath aloft.
Since flesh can't stay,
we pass the words along.
~ Erica Jong,
1383:Franciscae Meae Laudes (Praises Of My Francesca)
Novis te cantabo chordis,
O novelletum quod ludis
In solitudine cordis.
Esto sertis implicata,
Ô femina delicata
Per quam solvuntur peccata!
Sicut beneficum Lethe,
Hauriam oscula de te,
Quae imbuta es magnete.
Quum vitiorum tempegtas
Turbabat omnes semitas,
Apparuisti, Deitas,
Velut stella salutaris
In naufragiis amaris.....
Suspendam cor tuis aris!
Piscina plena virtutis,
Fons æternæ juventutis
Labris vocem redde mutis!
Quod erat spurcum, cremasti;
Quod rudius, exaequasti;
Quod debile, confirmasti.
In fame mea taberna
In nocte mea lucerna,
Recte me semper guberna.
Adde nunc vires viribus,
Dulce balneum suavibus
Unguentatum odoribus!
Meos circa lumbos mica,
O castitatis lorica,
Aqua tincta seraphica;
179
Patera gemmis corusca,
Panis salsus, mollis esca,
Divinum vinum, Francisca!
In Praise of My Frances
I'll sing to you on a new note,
O young hind that gambols gaily
In the solitude of my heart.
Be adorned with wreaths of flowers,
O delightful woman
By whom our sins are washed away!
As from a benign Lethe,
I shall drink kisses from you,
Who were given a magnet's strength.
When a tempest of vices
Was sweeping down on every path,
You appeared, O divinity!
Like the star of salvation
Above a disastrous shipwreck...
I shall place my heart on your altar!
Reservoir full of virtue,
Fountain of eternal youth,
Restore the voice to my mute lips!
You have burned that which was filthy,
Made smooth that which was rough,
Strengthened that which was weak.
In my hunger you are the inn,
In the darkness my lamp,
Lead me always on virtue's path.
Add your strength now to my strength,
Sweet bath scented
With pleasant perfumes!
180
Shine forth from my loins,
O cuirass of chastity,
That was dipped in seraphic water,
Cup glittering with precious stones,
Bread seasoned with salt, delectable dish,
Heavenly wine — My Frances.
— Translated by William Aggeler
Praises of My Francesca
(Verses to a learned and devout Milliner)
Upon new chords of you I sing.
And the new-born bud you bring
From solitude, the pure heart's Spring.
Your brows should be with garlands twined
Woman of delightful mind,
Who our trespasses unbind.
As the wondrous balm of Lethe,
Through thy kisses, I will breathe thee.
All are magnetised who see thee.
When my vices, wild and stormy,
From my wonted courses bore me
It was You appeared before me,
Star of Oceans! you that alter
Courses, when the pilots falter —
Take my heart upon your altar.
Cistern full of virtuous ruth,
Fountain of eternal youth,
Give to dumbness speech and truth!
181
What was dirty, you cremated,
What uneven — you equated,
What was weak you re-created.
Inn, on the hungry roads I tramp,
And, in the dark, a guiding lamp
To steer the lost one back to camp.
To my strength add strength, O sweet
Bath, where scents and unguents meet!
Anoint me for some peerless feat!
Holy water most seraphic,
On the lusts in which I traffic
Flash your chastity ecstatic.
Bowl of gems where radiance dances.
Salt that the holy bread enhances,
And sacred wine — your name is Frances!
— Translated by Roy Campbell
Francescae Meae Laudes
I shall sing new chords, O hind,
As you gambol unconfined
Through my solitary mind.
Rest, adorned with wreaths of flowers,
Comely woman whose vast powers
Wash away these sins of ours
As from Lethe's stream I shall
Drink your kisses, one and all,
Magnet-like and magical.
When our vices stormily
Swept down every path with glee,
You approved, O Deity!
Like the bright star of salvation
182
Amid shipwreck's desolation —
Take my heart in rapt oblation.
Source of every good and store
Of eternal youth, restore
Song to my mute lips once more.
What was foul you calcinated
What was rough you Ievigated,
What was weak you stimulated.
In my hunger, you the inn,
In my dark, the lamp; and in
Your pale hands, an end to sin.
Add your strength to mine, new-sent,
Sweet bath ever redolent
Of the suaver perfumes blent.
From my loins, gleam radiantly
O cuirass of chastity
Steeped in balm seraphically.
Cup with precious gems ashine,
Savory bread, celestial wine,
Blessed food, Francesca mine!
— Translated by Jacques LeClercq
~ Charles Baudelaire,
1384:A Dream Of Sunshine
I'm weary of this weather and I hanker for the ways
Which people read of in the psalms and preachers paraphrase-The grassy fields, the leafy woods, the banks where I can lie
And listen to the music of the brook that flutters by,
Or, by the pond out yonder, hear the redwing blackbird's call
Where he makes believe he has a nest, but hasn't one at all;
And by my side should be a friend--a trusty, genial friend,
With plenteous store of tales galore and natural leaf to lend;
Oh, how I pine and hanker for the gracious boon of spring-For _then_ I'm going a-fishing with John Lyle King!
How like to pigmies will appear creation, as we float
Upon the bosom of the tide in a three-by-thirteen boat-Forgotten all vexations and all vanities shall be,
As we cast our cares to windward and our anchor to the lee;
Anon the minnow-bucket will emit batrachian sobs,
And the devil's darning-needles shall come wooing of our bobs;
The sun shall kiss our noses and the breezes toss our hair
(This latter metaphoric--we've no fimbriae to spare!);
And I--transported by the bliss--shan't do a plaguey thing
But cut the bait and string the fish for John Lyle King!
Or, if I angle, it will be for bullheads and the like,
While he shall fish for gamey bass, for pickerel, and for pike;
I really do not care a rap for all the fish that swim-But it's worth the wealth of Indies just to be along with him
In grassy fields, in leafy woods, beside the water-brooks,
And hear him tell of things he's seen or read of in his books-To hear the sweet philosophy that trickles in and out
The while he is discoursing of the things we talk about;
A fountain-head refreshing--a clear, perennial spring
Is the genial conversation of John Lyle King!
Should varying winds or shifting tides redound to our despite-In other words, should we return all bootless home at night,
I'd back him up in anything he had a mind to say
Of mighty bass he'd left behind or lost upon the way;
I'd nod assent to every yarn involving piscine game-I'd cross my heart and make my affidavit to the same;
For what is friendship but a scheme to help a fellow out-And what a paltry fish or two to make such bones about!
Nay, Sentiment a mantle of sweet charity would fling
O'er perjuries committed for John Lyle King.
At night, when as the camp-fire cast a ruddy, genial flame,
He'd bring his tuneful fiddle out and play upon the same;
No diabolic engine this--no instrument of sin-No relative at all to that lewd toy, the violin!
But a godly hoosier fiddle--a quaint archaic thing
Full of all the proper melodies our grandmas used to sing;
With 'Bonnie Doon,' and 'Nellie Gray,' and 'Sitting on the Stile,'
'The Heart Bowed Down,' the 'White Cockade,' and 'Charming Annie Lisle'
Our hearts would echo and the sombre empyrean ring
Beneath the wizard sorcery of John Lyle King.
The subsequent proceedings should interest me no more-Wrapped in a woolen blanket should I calmly dream and snore;
The finny game that swims by day is my supreme delight-And _not_ the scaly game that flies in darkness of the night!
Let those who are so minded pursue this latter game
But not repine if they should lose a boodle in the same;
For an example to you all one paragon should serve-He towers a very monument to valor and to nerve;
No bob-tail flush, no nine-spot high, no measly pair can wring
A groan of desperation from John Lyle King!
A truce to badinage--I hope far distant is the day
When from these scenes terrestrial our friend shall pass away!
We like to hear his cheery voice uplifted in the land,
To see his calm, benignant face, to grasp his honest hand;
We like him for his learning, his sincerity, his truth,
His gallantry to woman and his kindliness to youth,
For the lenience of his nature, for the vigor of his mind,
For the fulness of that charity he bears to all mankind-That's why we folks who know him best so reverently cling
(And that is why I pen these lines) to John Lyle King.
And now adieu, a fond adieu to thee, O muse of rhyme-I do remand thee to the shades until that happier time
When fields are green, and posies gay are budding everywhere,
And there's a smell of clover bloom upon the vernal air;
When by the pond out yonder the redwing blackbird calls,
And distant hills are wed to Spring in veils of water-falls;
When from his aqueous element the famished pickerel springs
Two hundred feet into the air for butterflies and things-_Then_ come again, O gracious muse, and teach me how to sing
The glory of a fishing cruise with John Lyle King!
~ Eugene Field,
1385: ON

THE RABBLE

Life is a well of joy; but where the rabble drinks too,
all wells are poisoned. I am fond of all that is clean, but
I have no wish to see the grinning snouts and the thirst
of the unclean. They cast their eye into the well: now
their revolting smile shines up out of the well. They
have poisoned the holy water with their lustfulness; and
when they called their dirty dreams "pleasure," they
poisoned the language too. The flame is vexed when
97
their moist hearts come near the fire; the spirit itself
seethes and smokes where the rabble steps near the fire.
In their hands all fruit grows sweetish and overmellow;
their glance makes the fruit tree a prey of the wind and
withers its crown.
And some who turned away from life only turned
away from the rabble: they did not want to share well
and flame and fruit with the rabble.
And some who went into the wilderness and suffered
thirst with the beasts of prey merely did not want to sit
around the cistern with filthy camel drivers.
And some who came along like annihilators and like
a hailstorm to all orchards merely wanted to put a foot
into the gaping jaws of the rabble to plug up its throat.
The bite on which I gagged the most is not the
knowledge that life itself requires hostility and death
and torture-crosses-but once I asked, and I was almost
choked by my question: What? does life require even
the rabble? Are poisoned wells required, and stinking
fires and soiled dreams and maggots in the bread of life?
Not my hatred but my nausea gnawed hungrily at my
life. Alas, I often grew weary of the spirit when I found
that even the rabble had esprit. And I turned my back
on those who rule when I saw what they now call ruling: higgling and haggling for power-with the rabble.
I have lived with closed ears among people with foreign
tongues: would that the tongue of their higgling and
their haggling for power might remain foreign to me.
And, holding my nose, I walked disgruntled through all
of yesterday and today: verily, all of yesterday and today smells foul of the writing rabble.
Like a cripple who has become deaf and blind and
dumb: thus have I lived for many years lest I live with
the power-, writing- and pleasure-rabble. Laboriously
and cautiously my spirit climbed steps; alms of pleasure
98
were its refreshment; and life crept along for the blind
as on a cane.
What was it that happened to me? How did I redeem
myself from nausea? Who rejuvenated my sight? How
did I fly to the height where no more rabble sits by the
well? Was it my nausea itself which created wings for
me and water-divining powers? Verily, I had to fly to
the highest spheres that I might find the fount of pleasure again.
Oh, I found it, my brothers! Here, in the highest
spheres, the fount of pleasure wells up for me! And here
is a life of which the rabble does not drink.
You flow for me almost too violently, fountain of
pleasure. And often you empty the cup again by wanting to fill it. And I must still learn to approach you more
modestly: all-too-violently my heart still flows Toward
you-my heart, upon which my summer bums, short,
hot, melancholy, overblissful: how my summer-heart
craves your coolness!
Gone is the hesitant gloom of my spring Gone the
malice of my snowflakes in Junel Summer have I become entirely, and summer noonl A summer in the
highest spheres with cold wells and blissful silence: oh,
come, my friends, that the silence may become still
more blissful
For this is our height and our home: we live here too
high and steep for all the unclean and their thirst. Cast
your pure eyes into the well of my pleasure, friends
How should that make it muddy? It shall laugh back at
you in its own purity.
On the tree, Future, we build our nest; and in our
solitude eagles shall bring us nourishment in their beaks.
Verily, no nourishment which the unclean might share:
they would think they were devouring fire and they
would burn their mouths. Verily, we keep no homes
99

here for the unclean: our pleasure would be an ice cave
to their bodies and their spirits.
And we want to live over them like strong winds,
neighbors of the eagles, neighbors of the snow, neighbors of the sun: thus live strong winds. And like a wind
I yet want to blow among them one day, and with my
spirit take the breath of their spirit: thus my future
wills it.
Verily, a strong wind is Zarathustra for all who are
low; and this counsel he gives to all his enemies and all
who spit and spew: "Beware of spitting against the
wind!"
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON THE RABBLE
,
1386:Kasinath the new young singer fills the hall with sound:
The seven notes dance in his throat like seven tame birds.
His voice is a sharp sword slicing and thrusting everywhere,
It darts like lightening - no knowing where it will go when.
He sets deadly traps for himself, then cuts them away:
The courtiers listen in amazement, give frequent gasps of praise.
Only the old king Pratap Ray sits like wood, unmoved.
Haraj Lal is the only singer he likes, all others leave him cold.
From childhood he has spent so long listening to him sing -
Rag Kafi during holi, cloud-songs during the rains,
Songs for Durga at dawn in autumn, songs to bid her farewell -
His heart swelled when he heard them and his eyes swam with tears.
And on days when friends gathered and filled the hall
There were cowherds' songs of Krsna, in raags Bhupali and Multan.

So many nights of wedding-festivity have passed in that royal house:
Servants dressed in red, hundreds of lamps alight:
The bridegroom sitting shyly in his finery and jewels,
Young friends teasing him and whispering in his ear:
Before him, singing raag Sahana, sits Baraj Lal.
The king's heart is full of all those days and songs.
When he hears some other singer, he feels no chord inside,
No sudden magical awakening of memories of the past.
When Pratap Ray watches Kasinath he just sees his wagging head:
Tune after tune after tune, bu none with any echo in the heart.

Kasinath asks for a rest and the singing stops for a space.
Pratap Ray smilingly turns his eyes to Baraj Lal.
He puts his mouth to his ear and says, 'Dear ustad,
Give us a song as songs ought to be, this is no song at all.
It's all tricks and games, like a cat hunting a bird.
We used to hear songs in the old days, today they have no idea.'

Old Baraj Lal, white-haired, white turban on his head,
Bows to the assembled courtiers and slowly takes his seat.
He takes the tanpura in his wasted, heavily veined hand
And with lowered head and closed eyes begins raag Yaman-kalyap.
His quavering voice is swallowed by the enormous hall,
Is like a tiny bird in a storm, unable to fly for all it tries.
Pratap Ray, sitting to the left, encourages him again and again:
'Superb, bravo!' he says in his ear, 'sing out loud.'

The courtiers are inattentive, some whisper amongst themselves,
Some of them yawn, some doze, some go off to their rooms;
Some of them call to servants, 'Bring the bookah, bring some pan.'
Some fan themselves furiously and complain of the heat.
They cannot keep still for a minute, they shuffle or walk about -
The hall was quiet before, but every sort of noise has grown.
The old man's singing is swamped, like a frail boat in a typhoon:
Only his shaky fingering of the tanpura shows it is there.

Music that should rise on its own joy from the depths of the heart
Is crushed by heedless clamour, like a fountain under a stone.
The song and Baraj Lal's feelings go separate ways,
But he sings for all he is worth, to keep up the honour of his king.

One of the verses of the song has somehow slipped from his mind.
He quickly goes back, tries to get it right this time.
Again he forgets, it is lost, he shakes his head at the shame;
He starts the song at the beginning - again he has to stop.
His hand trembles doubly as he prays to his teachers name.
His voice quakes with distress, like a lamp guttering in a breeze.
He abandons the words of the song and tries to salvage the tune,
But suddenly his wide-mouthed singing breaks into loud cries.
The intricate melody goes to the winds, the rhythm is swept away -
Tears snap the thread of the song, cascade like pearls.
In shame he rests his head on the old tanpura in his lap -
He has failed to remember a song: he weeps as he did as a child.
With brimming eyes king Pratap Ray tenderly touches his friend:
'Come, let us go from here,' he says with kindness and love.
They leave that festive hall with its hundreds of blinding lights.
The two old friends go outside, holding each other's hands.

Baraj says with hands clasped, 'Master, our days are gone.
New men have come now, new styles and customs in the world.
The court we kept is deserted - only the two of us are left.
Don't ask anyone to listen to me now, I beg you at your feet, my lord.
The singer along does not make a song, there has to be someone who hears:
One man opens his throat to sing, the other sings in his mind.
Only when waves fall on the shore do they make a harmonious sound;
Only when breezes shake the woods do we hear a rustling in the leaves.
Only from a marriage of two forces does music arise in the world.
Where there is no love, where listeners are dumb, there never can be song.'

Translated by William Radice
~ Rabindranath Tagore, Broken Song
,
1387:Waiting For Water
’TWAS old Flynn, the identity, told us
That the creek always ran pretty high,
But that fossicking veteran sold us,
And he lied as his quality lie.
Through a tangle of ranges and ridges,
Down a track that is blazed with our hide,
Over creeks minus crossings and bridges,
High and low, mere impertinent midges
Trying falls with the mighty Divide,
We came, hauling the boxes and stampers,
Or just nipping them in with a winch;
Now and then in unfortunate scampers
Missing smash by the eighth of an inch;
Round the spurs very daintily crawling,
With one team pulling out in a row,
And another lot heavenward hauling,
Lest the whole bag-of-tricks should go sprawling
Into regions unheard of below,
We came through with the shanks and the shafting,
And the frames, and the wonderful wheel;
Then we put in a month of hard grafting
Ere we nailed down the last scrap of deal.
She beat true, and with scarce a vibration,
And we voted her queen of the mills,
And a push from the wide desolation
Drifted in to our jollification
When her drumming was heard in the hills.
Now the discs by the cam-shaft are rusting,
And the stamps in the boxes are still,
And a silence that’s deep and disgusting
Seems to hang like a pall on the mill.
Just a fortnight she ran—then she rested,
And we’ve little to do but complain;
For a bird in the feed-pipe has nested,
And we’ve spent every stiver invested,
And are praying for tucker and rain.
177
Billy’s Creek—theme of eloquent fables—
Drips like sweat on the breast of the wheel,
And the blankets are dry on the tables,
And the sluice-box is warped like an eel;
Sudden dust-clouds run lunatic races
In the red, rocky bed down below,
And the porcupine scrambles in places
Where Flinn swears by the faith he embraces,
Fourteen inches of water should flow.
For a time we were proof against sorrow,
And we harboured a cheerful belief
In the plenteous rains of to-morrow
As we belted away at the reef.
We piled quartz in the paddocks and hopper,
And the pack-horse came in once a week:
Now our credit is not worth a copper
At the township, and highly improper
Is the language the storekeepers speak.
We no longer talk brightly, or snivel
Of our luck, but we loaf very hard,
Too disgusted to care to be civil,
And too lazy to look at a card.
Only George finds some slight consolation
Crushing prospects—a couple a day—
And then proving by multiplication
How much metal is in the formation,
And the ‘divvies’ she’ll probably pay.
But our leisure is qualified slightly
By the cattle from over the Fly—
Who have taken to pegging out nightly
In our limited water supply.
And the snakes have assisted in keeping
Things alive, for the man, you’ll agree,
Will be spry who may find he’s been sleeping
With a tiger—or chance on one creeping
In the water he wanted for tea.
Though our sweltering sky never changes,
178
Squatter Clark, up at Crowfoot, complains
That prospectors out over the ranges
Have been chased out of camp by the rains.
Veal, the Methodist preacher at Spence’s,
Who the Cousin Jacks say is ‘some tuss’
As a rain-making parson commences
To enlarge on our sins and offences,
And to blame all his failures on us.
We don’t go to his church down the mountain:
Seven miles is a wearisome trot,
With the glass playing up like a fountain,
And the prayers correspondingly hot.
So on Sunday each suffering sinner
Has a simple, convivial spree,—
A roast porcupine, maybe, for dinner;
For we daily grow thinner and thinner
On the week’s bread and treacle and tea.
We’ve been scared, too, of late by Golightly,
Him who kept up his chin best of all,
And predicted with confidence nightly
Heavy rains that neglected to fall,
And enlarged on the sure indications
(While we listened, and wearily groaned)
Of tremendous climatic sensations,
Fearful tempests, and great inundations,
That, it happened, were always postponed.
He’s gone daft through our many reverses,
Or the sun has got on to his brain,
For he cowers all day, and he curses
To a fretful and wearing refrain;
And at midnight he dolefully screeches
In the gloom of the desolate mill;
Or he goes in his shirt, making speeches
To the man in the moon, whom he reaches
From the summit of Poverty Hill.
So we’re waiting, and watching, and longing
With an impotent, bitter desire,
And new troubles and old ones come thronging,
179
Drought, and fever, and famine, and fire;
And we know—our misfortunes reviewing—
All the pangs that in Hades betide,
Where the damned sit eternally stewing,
And, through days never ending, are suing
For the water that’s ever denied.
~ Edward George Dyson,
1388:The Bombardment
Slowly, without force, the rain drops into the city. It stops a moment
on the carved head of Saint John, then slides on again, slipping and trickling
over his stone cloak. It splashes from the lead conduit of a gargoyle,
and falls from it in turmoil on the stones in the Cathedral square.
Where are the people, and why does the fretted steeple sweep about in the sky?
Boom! The sound swings against the rain. Boom, again! After it, only water
rushing in the gutters, and the turmoil from the spout of the gargoyle.
Silence. Ripples and mutters. Boom!
The room is damp, but warm. Little flashes swarm about from the firelight.
The lustres of the chandelier are bright, and clusters of rubies
leap in the bohemian glasses on the `etagere'. Her hands are restless,
but the white masses of her hair are quite still. Boom! Will it never cease
to torture, this iteration! Boom! The vibration shatters a glass
on the `etagere'. It lies there, formless and glowing,
with all its crimson gleams shot out of pattern, spilled, flowing red,
blood-red. A thin bell-note pricks through the silence. A door creaks.
The old lady speaks: 'Victor, clear away that broken glass.' 'Alas!
Madame, the bohemian glass!' 'Yes, Victor, one hundred years ago
my father brought it -' Boom! The room shakes, the servitor quakes.
Another goblet shivers and breaks. Boom!
It rustles at the window-pane, the smooth, streaming rain, and he is shut
within its clash and murmur. Inside is his candle, his table, his ink,
his pen, and his dreams. He is thinking, and the walls are pierced with
beams of sunshine, slipping through young green. A fountain tosses itself
up at the blue sky, and through the spattered water in the basin he can see
copper carp, lazily floating among cold leaves. A wind-harp in a cedar-tree
grieves and whispers, and words blow into his brain, bubbled, iridescent,
shooting up like flowers of fire, higher and higher. Boom!
The flame-flowers snap on their slender stems. The fountain rears up
in long broken spears of dishevelled water and flattens into the earth. Boom!
And there is only the room, the table, the candle, and the sliding rain.
Again, Boom! - Boom! - Boom! He stuffs his fingers into his ears.
He sees corpses, and cries out in fright. Boom! It is night,
and they are shelling the city! Boom! Boom!
246
A child wakes and is afraid, and weeps in the darkness. What has made
the bed shake? 'Mother, where are you? I am awake.' 'Hush, my Darling,
I am here.' 'But, Mother, something so queer happened, the room shook.'
Boom! 'Oh! What is it? What is the matter?' Boom! 'Where is Father?
I am so afraid.' Boom! The child sobs and shrieks. The house
trembles and creaks. Boom!
Retorts, globes, tubes, and phials lie shattered. All his trials
oozing across the floor. The life that was his choosing, lonely, urgent,
goaded by a hope, all gone. A weary man in a ruined laboratory,
that is his story. Boom! Gloom and ignorance, and the jig of drunken brutes.
Diseases like snakes crawling over the earth, leaving trails of slime.
Wails from people burying their dead. Through the window, he can see
the rocking steeple. A ball of fire falls on the lead of the roof,
and the sky tears apart on a spike of flame. Up the spire,
behind the lacings of stone, zigzagging in and out of the carved tracings,
squirms the fire. It spouts like yellow wheat from the gargoyles, coils round
the head of Saint John, and aureoles him in light. It leaps into the night
and hisses against the rain. The Cathedral is a burning stain on the white,
wet night.
Boom! The Cathedral is a torch, and the houses next to it begin to scorch.
Boom! The bohemian glass on the `etagere' is no longer there.
Boom! A stalk of flame sways against the red damask curtains.
The old lady cannot walk. She watches the creeping stalk and counts.
Boom! - Boom! - Boom!
The poet rushes into the street, and the rain wraps him in a sheet of silver.
But it is threaded with gold and powdered with scarlet beads. The city burns.
Quivering, spearing, thrusting, lapping, streaming, run the flames.
Over roofs, and walls, and shops, and stalls. Smearing its gold on the sky,
the fire dances, lances itself through the doors, and lisps and chuckles
along the floors.
The child wakes again and screams at the yellow petalled flower
flickering at the window. The little red lips of flame creep along
the ceiling beams.
247
The old man sits among his broken experiments and looks at
the burning Cathedral. Now the streets are swarming with people.
They seek shelter and crowd into the cellars. They shout and call,
and over all, slowly and without force, the rain drops into the city.
Boom! And the steeple crashes down among the people. Boom! Boom, again!
The water rushes along the gutters. The fire roars and mutters. Boom!
~ Amy Lowell,
1389:S. H.

With beams December planets dart
His cold eye truth and conduct scanned,
July was in his sunny heart,
October in his liberal hand.
A. H.

High was her heart, and yet was well inclined,
Her manners made of bounty well refined;
Far capitals, and marble courts, her eye still seemed to see,
Minstrels, and kings, and high-born dames, and of the best that be.
"SUUM CUIQUE."

Wilt thou seal up the avenues of ill?
Pay every debt, as if God wrote the bill.
HUSH!

Every thought is public,
Every nook is wide;
Thy gossips spread each whisper,
And the gods from side to side.
ORATOR.

He who has no hands
Perforce must use his tongue;
Foxes are so cunning
Because they are not strong.
ARTIST.

Quit the hut, frequent the palace,
Reck not what the people say;
For still, where'er the trees grow biggest,
Huntsmen find the easiest way.
POET.

Ever the Poet from the land
Steers his bark, and trims his sail;
Right out to sea his courses stand,
New worlds to find in pinnace frail.
POET.

To clothe the fiery thought
In simple words succeeds,
For still the craft of genius is
To mask a king in weeds.
BOTANIST.

Go thou to thy learned task,
I stay with the flowers of spring:
Do thou of the ages ask
What me the flowers will bring.
GARDENER.

True Bramin, in the morning meadows wet,
Expound the Vedas of the violet,
Or, hid in vines, peeping through many a loop,
See the plum redden, and the beurre stoop.
FORESTER.

He took the colour of his vest
From rabbit's coat or grouse's breast;
For, as the wood-kinds lurk and hide,
So walks the woodman, unespied.
NORTHMAN.

The gale that wrecked you on the sand,
It helped my rowers to row;
The storm is my best galley hand,
And drives me where I go.
FROM ALCUIN.

The sea is the road of the bold,
Frontier of the wheat-sown plains,
The pit wherein the streams are rolled,
And fountain of the rains.
EXCELSIOR.

Over his head were the maple buds,
And over the tree was the moon,
And over the moon were the starry studs,
That drop from the angel's shoon.
BORROWING.
FROM THE FRENCH.

Some of your hurts you have cured,
And the sharpest you still have survived,
But what torments of grief you endured
From evils which never arrived!
NATURE.

Boon Nature yields each day a brag which we now first behold,
And trains us on to slight the new, as if it were the old:
But blest is he, who, playing deep, yet haply asks not why,
Too busied with the crowded hour to fear to live or die.
FATE.

Her planted eye to-day controls,
Is in the morrow most at home,
And sternly calls to being souls
That curse her when they come.
HOROSCOPE.

Ere he was born, the stars of fate
Plotted to make him rich and great:
When from the womb the babe was loosed,
The gate of gifts behind him closed.
POWER.

Cast the bantling on the rocks,
Suckle him with the she-wolf's teat,
Wintered with the hawk and fox,
Power and speed be hands and feet.
CLIMACTERIC.

I am not wiser for my age,
Nor skilful by my grief;
Life loiters at the book's first page,--
Ah! could we turn the leaf.
HERI, CRAS, HODIE.

Shines the last age, the next with hope is seen,
To-day slinks poorly off unmarked between:
Future or Past no richer secret folds,
O friendless Present! than thy bosom holds.
MEMORY.

Night-dreams trace on Memory's wall
Shadows of the thoughts of day,
And thy fortunes, as they fall,
The bias of the will betray.
LOVE.

Love on his errand bound to go
Can swim the flood, and wade through snow,
Where way is none, 'twill creep and wind
And eat through Alps its home to find.
SACRIFICE.

Though love repine, and reason chafe,
There came a voice without reply,--
''Tis man's perdition to be safe,
When for the truth he ought to die.'
PERICLES.

Well and wisely said the Greek,
Be thou faithful, but not fond;
To the altar's foot thy fellow seek,
The Furies wait beyond.
CASELLA.

Test of the poet is knowledge of love,
For Eros is older than Saturn or Jove;
Never was poet, of late or of yore,
Who was not tremulous with love-lore.
SHAKSPEARE.

I see all human wits
Are measured but a few,
Unmeasured still my Shakspeare sits,
Lone as the blessed Jew.
HAFIZ.

Her passions the shy violet
From Hafiz never hides;
Love-longings of the raptured bird
The bird to him confides.
NATURE IN LEASTS.

As sings the pine-tree in the wind,
So sings in the wind a sprig of the pine;
Her strength and soul has laughing France
Shed in each drop of wine.
[GREEK TITLE].

'A new commandment,' said the smiling Muse,
'I give my darling son, Thou shalt not preach;'--
Luther, Fox, Behmen, Swedenborg, grew pale,
And, on the instant, rosier clouds upbore
Hafiz and Shakspeare with their shining choirs.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Quatrains
,
1390:Spring - The First Pastoral ; Or Damon
First in these fields I try the sylvan strains,
Nor blush to sport on Windsor's blissful plains:
Fair Thames, flow gently from thy sacred spring,
While on thy banks Sicilian Muses sing;
Let vernal airs tho' trembling osiers play,
And Albion's cliffs resound the rural lay.
You, that too wise for pride, too good for pow'r,
Enjoy the glory to be great no more,
And carrying with you all the world can boast,
To all the world illustriously are lost!
O let my Muse her slender reed inspire,
Till in your native shades you tune the lyre:
So when the Nightingale to rest removes,
The Thrush may chant to the forsaken groves,
But, charm'd to silence, listens while she sings,
And all th' aerial audience clap their wings.
Soon as the flocks shook off the nightly dews,
Two Swains, whom Love kept wakeful, and the Muse
Pour'd o'er the whitening vale their fleecy care,
Fresh as the morn, and as the season fair:
The dawn now blushing on the mountain's side,
Thus Daphnis spoke, and Strephon thus reply'd.
Daphnis.
Hear how the birds, on ev'ry bloomy spray,
With joyous musick wake the dawning day!
Why sit we mute when early linnets sing,
When warbling Philomel salutes the spring?
Why sit we sad when Phosphor shines so clear,
And lavish nature paints the purple Year?
Strephon.
Sing, then, and Damon shall attend the strain,
While yon' slow oxen turn the furrow'd Plain.
Here the bright crocus and blue vi'let glow;
Here western winds on breathing roses blow.
I'll stake yon' lamb, that near the fountain plays,
And from the brink his dancing shade surveys.
158
Daphnis.
And I this bowl, where wanton Ivy twines,
And swelling clusters bend the curling vines:
Four figures rising from the work appear,
The various seasons of the rolling year;
And what is that, which binds the radiant sky,
Where twelve fair Signs in beauteous order lie?
Damon.
Then sing by turns, by turns the Muses sing,
Now hawthorns blossom, now the daisies spring,
Now leaves the trees, and flow'rs adorn the ground,
Begin, the vales shall ev'ry note rebound.
Inspire me, Phoebus, in my Delia's praise
With Waller's strains, or Granville's moving lays!
A milk-white bull shall at your altars stand,
That threats a fight, and spurns the rising sand.
Daphnis.
O Love! for Sylvia let me gain the prize,
And make my tongue victorious as her eyes;
No lambs or sheep for victims I'll impart,
Thy victim, Love, shall be the shepherd's heart.
Strephon.
Me gentle Delia beckons from the plain,
Then hid in shades, eludes her eager swain;
But feigns a laugh, to see me search around,
And by that laugh the willing fair is found.
Daphnis.
The sprightly Sylvia trips along the green,
She runs, but hopes she does not run unseen;
While a kind glance at her pursuer flies,
How much at variance are her feet and eyes!
Strephon.
O'er golden sands let rich Pactolus flow,
And trees weep amber on the banks of Po;
Blest Thames's shores the brightest beauties yield,
Feed here my lambs, I'll seek no distant field.
159
Daphnis.
Celestial Venus haunts Idalia's groves;
Diana Cynthus, Ceres Hybla loves;
If Windsor-shades delight the matchless maid,
Cynthus and Hybla yield to Windsor-shade.
Strephon.
All nature mourns, the Skies relent in show'rs,
Hush'd are the birds, and clos'd the drooping flow'rs;
If Delia smile, the flow'rs begin to spring,
The skies to brighten, and the birds to sing.
Daphnis.
All nature laughs, the groves are fresh and fair,
The Sun's mild lustre warms the vital air;
If Sylvia smiles, new glories gild the shore,
And vanquish'd nature seems to charm no more.
Strephon.
In spring the fields, in autumn hills I love,
At morn the plains, at noon the shady grove,
But Delia always; absent from her sight,
Nor plains at morn, nor groves at noon delight.
Daphnis.
Sylvia's like autumn ripe, yet mild as May,
More bright than noon, yet fresh as early day;
Ev'n spring displeases, when she shines not here;
But blest with her, 'tis spring throughout the year.
Strephon.
Say, Daphnis, say, in what glad soil appears,
A wond'rous Tree that sacred Monarchs bears:
Tell me but this, and I'll disclaim the prize,
And give the conquest to thy Sylvia's eyes.
Daphnis.
Nay tell me first, in what more happy fields
The Thistle springs, to which the Lily yields:
And then a nobler prize I will resign;
For Sylvia, charming Sylvia, shall be thine.
160
Damon.
Cease to contend, for, Daphnis, I decree,
The bowl to Strephon, and the lamb to thee:
Blest Swains, whose Nymphs in ev'ry grace excel;
Blest Nymphs, whose Swains those graces sing so well!
Now rise, and haste to yonder woodbine bow'rs,
A soft retreat from sudden vernal show'rs,
The turf with rural dainties shall be crown'd,
While op'ning blooms diffuse their sweets around.
For see! the gath'ring flocks to shelter tend,
And from the Pleiads fruitful show'rs descend.
~ Alexander Pope,
1391:The Progress Of Spring
THE groundflame of the crocus breaks the mould,
Fair Spring slides hither o'er the Southern sea,
Wavers on her thin stem the snowdrop cold
That trembles not to kisses of the bee:
Come Spring, for now from all the dripping eaves
The spear of ice has wept itself away,
And hour by hour unfolding woodbine leaves
O'er his uncertain shadow droops the day.
She comes! The loosen'd rivulets run;
The frost-bead melts upon her golden hair;
Her mantle, slowly greening in the Sun,
Now wraps her close, now arching leaves her bar
To breaths of balmier air;
Up leaps the lark, gone wild to welcome her,
About her glance the tits, and shriek the jays,
Before her skims the jubilant woodpecker,
The linnet's bosom blushes at her gaze,
While round her brows a woodland culver flits,
Watching her large light eyes and gracious looks,
And in her open palm a halcyon sits
Patient--the secret splendour of the brooks.
Come Spring! She comes on waste and wood,
On farm and field: but enter also here,
Diffuse thyself at will thro' all my blood,
And, tho' thy violet sicken into sere,
Lodge with me all the year!
Once more a downy drift against the brakes,
Self-darken'd in the sky, descending slow!
But gladly see I thro' the wavering flakes
Yon blanching apricot like snow in snow.
These will thine eyes not brook in forest-paths,
On their perpetual pine, nor round the beech;
They fuse themselves to little spicy baths,
Solved in the tender blushes of the peach;
They lose themselves and die
On that new life that gems the hawthorn line;
Thy gay lent-lilies wave and put them by,
814
And out once more in varnish'd glory shine
Thy stars of celandine.
She floats across the hamlet. Heaven lours,
But in the tearful splendour of her smiles
I see the slowl-thickening chestnut towers
Fill out the spaces by the barren tiles.
Now past her feet the swallow circling flies,
A clamorous cuckoo stoops to meet her hand;
Her light makes rainbows in my closing eyes,
I hear a charm of song thro' all the land.
Come, Spring! She comes, and Earth is glad
To roll her North below thy deepening dome,
But ere thy maiden birk be wholly clad,
And these low bushes dip their twigs in foam,
Make all true hearths thy home.
Across my garden! and the thicket stirs,
The fountain pulses high in sunnier jets,
The blackcap warbles, and the turtle purrs,
The starling claps his tiny castanets.
Still round her forehead wheels the woodland dove,
And scatters on her throat the sparks of dew,
The kingcup fills her footprint, and above
Broaden the glowing isles of vernal blue.
Hail ample presence of a Queen,
Bountiful, beautiful, apparell'd gay,
Whose mantle, every shade of glancing green,
Flies back in fragrant breezes to display
A tunic white as May!
She whispers, 'From the South I bring you balm,
For on a tropic mountain was I born,
While some dark dweller by the coco-palm
Watch'd my far meadow zoned with airy morn;
From under rose a muffled moan of floods;
I sat beneath a solitude of snow;
There no one came, the turf was fresh, the woods
Plunged gulf on gulf thro' all their vales below
I saw beyond their silent tops
The steaming marshes of the scarlet cranes,
The slant seas leaning oll the mangrove copse,
815
And summer basking in the sultry plains
About a land of canes;
'Then from my vapour-girdle soaring forth
I scaled the buoyant highway of the birds,
And drank the dews and drizzle of the North,
That I might mix with men, and hear their words
On pathway'd plains; for--while my hand exults
Within the bloodless heart of lowly flowers
To work old laws of Love to fresh results,
Thro' manifold effect of simple powers-I too would teach the man
Beyond the darker hour to see the bright,
That his fresh life may close as it began,
The still-fulfilling promise of a light
Narrowing the bounds of night.'
So wed thee with my soul, that I may mark
The coming year's great good and varied ills,
And new developments, whatever spark
Be struck from out the clash of warring wills;
Or whether, since our nature cannot rest,
The smoke of war's volcano burst again
From hoary deeps that belt the changeful West,
Old Empires, dwellings of the kings of men;
Or should those fail, that hold the helm,
While the long day of knowledge grows and warms,
And in the heart of this most ancient realm
A hateful voice be utter'd, and alarms
Sounding 'To arms! to arms!'
A simpler, saner lesson might he learn
Who reads thy gradual process, Holy Spring.
Thy leaves possess the season in their turn,
And in their time thy warblers rise on wing.
How surely glidest thou from March to May,
And changest, breathing it, the sullen wind,
Thy scope of operation, day by day,
Larger and fuller, like the human mind '
Thy warmths from bud to bud
Accomplish that blind model in the seed,
And men have hopes, which race the restless blood
816
That after many changes may succeed
Life, which is Life indeed.
~ Alfred Lord Tennyson,
1392:Craving For Spring
I wish it were spring in the world.
Let it be spring!
Come, bubbling, surging tide of sap!
Come, rush of creation!
Come, life! surge through this mass of mortification!
Come, sweep away these exquisite, ghastly first-flowers,
which are rather last-flowers!
Come, thaw down their cool portentousness, dissolve them:
snowdrops, straight, death-veined exhalations of white and purple crocuses,
flowers of the penumbra, issue of corruption, nourished in mortification,
jets of exquisite finality;
Come, spring, make havoc of them!
I trample on the snowdrops, it gives me pleasure to tread down the jonquils,
to destroy the chill Lent lilies;
for I am sick of them, their faint-bloodedness,
slow-blooded, icy-fleshed, portentous.
I want the fine, kindling wine-sap of spring,
gold, and of inconceivably fine, quintessential brightness,
rare almost as beams, yet overwhelmingly potent,
strong like the greatest force of world-balancing.
This is the same that picks up the harvest of wheat
and rocks it, tons of grain, on the ripening wind;
the same that dangles the globe-shaped pleiads of fruit
temptingly in mid-air, between a playful thumb and finger;
oh, and suddenly, from out of nowhere, whirls the pear-bloom,
upon us, and apple- and almond- and apricot- and quince-blossom,
storms and cumulus clouds of all imaginable blossom
about our bewildered faces,
though we do not worship.
I wish it were spring
cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire,
and kindling shapely little conflagrations
curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.
37
I wish that spring
would start the thundering traffic of feet
new feet on the earth, beating with impatience.
I wish it were spring, thundering
delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption
were not yet to come still more from the still-flickering discontent.
Oh, in the spring, the bluebell bows him down for very exuberance,
exulting with secret warm excess,
bowed down with his inner magnificence!
Oh, yes, the gush of spring is strong enough
to toss the globe of earth like a ball on a water-jet
dancing sportfully;
as you see a tiny celluloid ball tossing on a squirt of water
for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough
to play with the globe of earth like a ball on a fountain;
At the same time it opens the tiny hands of the hazel
with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth
and heave it off among the stars, into the invisible;
the same sets the throstle at sunset on a bough
singing against the blackbird;
comes out in the hesitating tremor of the primrose,
and betrays its candour in the round white strawberry flower,
is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring!
come and lift us towards our culmination, we myriads;
we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer
we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy,
come and soften the willow buds till they are puffed and furred,
then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us.
38
against too much death.
Come quickly, and stir the rotten globe of the world from within,
burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable,
but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption,
no more narcissus perfume, lily harlots, the blades of sensation
piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business
of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike,
O soon, soon!
Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet,
incipient purpling towards summer in the world of the heart of man.
Are the violets already here!
Show me! I tremble so much to hear it, that even now
on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the blood of man is purpling with
violets,
if the violets are coming out from under the rack of men, winter-rotten and
fallen,
we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man
it will be spring in the world,
it will be spring in the world of the living;
wonderment organising itself, heralding itself with the violets,
stirring of new seasons.
Ah, do not let me die on the brink of such anticipation!
Worse, let me not deceive myself.
~ David Herbert Lawrence,
1393:The Resurrection
I thought I had forever lost,
Alas, though still so young,
The tender joys and sorrows all,
That unto youth belong;
The sufferings sweet, the impulses
Our inmost hearts that warm;
Whatever gives this life of ours
Its value and its charm.
What sore laments, what bitter tears
O'er my sad state I shed,
When first I felt from my cold heart
Its gentle pains had fled!
Its throbs I felt no more; my love
Within me seemed to die;
Nor from my frozen, senseless breast
Escaped a single sigh!
I wept o'er my sad, hapless lot;
The life of life seemed lost;
The earth an arid wilderness,
Locked in eternal frost;
The day how dreary, and the night
How dull, and dark, and lone!
The moon for me no brightness had,
No star in heaven shone.
And yet the old love was the cause
Of all the tears I shed;
Still in my inmost breast I felt
The heart was not yet dead.
My weary fancy still would crave
The images it loved,
And its capricious longings still
A source of sorrow proved.
99
But e'en that lingering spark of grief
Was soon within me spent,
And I the strength no longer had
To utter a lament.
And there I lay, stunned, stupefied,
Nor asked for comfort more;
My heart to hopeless, blank despair
Itself had given o'er.
How changed, alas, was I from him
Who once with passion thrilled,
Whose ardent soul was ever, once,
With sweet illusions filled!
The swallow to my window, still,
Would come, to greet the dawn;
But his sweet song no echo found
In my poor heart, forlorn.
Nor pleased me more, in autumn gray,
Upon the hill-side lone,
The cheerful vesper-bell, or light
Of the departing sun.
In vain the evening star I saw
Above the silent vale,
And vainly warbled in the grove
The plaintive nightingale.
And you, ye furtive glances, bright,
From gentle eyes that rove,
The sweet, the gracious messages
Of first immortal Love;
The soft, white hand, that tenderly
My own hand seemed to woo;
All, all your magic spells were vain,
My torpor to subdue.
Of every pleasure quite bereft,
100
Sad but of tranquil mien;
A state of perfect littleness,
Yet with a face serene;
Save for the lingering wish, indeed,
In death to sink to rest,
The force of all desire was spent
In my exhausted breast.
As some poor, feeble wanderer,
With age and sorrow bent,
The April of my years, alas,
Thus listlessly I spent;
Thus listlessly, thus wearily,
Didst thou consume, O heart,
Those golden days, ineffable,
So swiftly that depart.
_Who_, from this heavy, heedless rest
Awakens me again?
What new, what magic power is this,
I feel within me reign?
Ye motions sweet, ye images,
Ye throbs, illusions blest,
Ah, no,--ye are not then shut out
Forever from this breast?
The glorious light of golden days
Do ye again unfold?
The old affections that I lost,
Do I once more behold?
Now, as I gaze upon the sky,
Or on the verdant fields,
Each thing with sorrow me inspires,
And each a pleasure yields.
The mountain, forest, and the shore
Once more my heart rejoice;
The fountain speaks to me once more,
101
The sea hath found a voice.
Who, after all this apathy,
Restores to me my tears?
Each moment, as I look around,
How changed the world appears!
Hath hope, perchance, O my poor heart,
Beguiled thee of thy pain?
Ah, no, the gracious smile of hope
I ne'er shall see again.
Nature bestowed these impulses,
And these illusions blest;
Their inborn influence, in me,
By suffering was suppressed;
But not annulled, not overcome
By cruel blows of Fate;
Nor by the inauspicious frown
Of Truth, importunate!
I know she has no sympathy
For fond imaginings;
I know that Nature, too, is deaf,
Nor heeds our sufferings;
That for our _good_ she nothing cares,
Our _being_, only heeds;
And with the sight of our distress
Her wild caprices feeds.
I know the poor man pleads in vain,
For others' sympathy;
That scornfully, or heedlessly,
All from his presence flee;
That both for genius and for worth,
This age has no respect;
That all who cherish lofty aims
Are left to cold neglect.
102
And you, ye eyes so tremulous
With lustre all divine,
I know how false your splendors are,
Where no true love doth shine.
No love mysterious and profound
Illumes you with its glow;
Nor gleams one spark of genial fire
Beneath that breast of snow.
Nay, it is wont to laugh to scorn
Another's tender pain;
The fervent flame of heavenly love
To treat with cold disdain.
Yet I with thankfulness once more
The old illusions greet,
And feel, with shock of pleased surprise,
The heart within me beat.
To thee alone this force renewed,
This vital power I owe;
From thee alone, my faithful heart,
My only comforts flow.
I feel it is the destiny
Of every noble mind,
In Fate, in Fortune, Beauty, and the World,
An enemy to find:
But while thou liv'st, nor yield'st to Fate,
Contending without fear,
I will not tax with cruelty
The power that placed me here.
~ Count Giacomo Leopardi,
1394:WANDERER.

YOUNG woman, may God bless thee,
Thee, and the sucking infant
Upon thy breast!
Let me, 'gainst this rocky wall,
Neath the elm-tree's shadow,
Lay aside my burden,
Near thee take my rest.

WOMAN.

What vocation leads thee,
While the day is burning,
Up this dusty path?
Bring'st thou goods from out the town
Round the country?
Smil'st thou, stranger,
At my question?

WANDERER.

From the town no goods I bring.
Cool is now the evening;
Show to me the fountain
'Whence thou drinkest,
Woman young and kind!

WOMAN.

Up the rocky pathway mount;
Go thou first! Across the thicket
Leads the pathway tow'rd the cottage
That I live in,
To the fountain
Whence I drink.

WANDERER.

Signs of man's arranging hand
See I 'mid the trees!
Not by thee these stones were join'd,
Nature, who so freely scatterest!

WOMAN.

Up, still up!

WANDERER.

Lo, a mossy architrave is here!
I discern thee, fashioning spirit!
On the stone thou hast impress'd thy seal.

WOMAN.

Onward, stranger!

WANDERER.

Over an inscription am I treading!
'Tis effaced!
Ye are seen no longer,
Words so deeply graven,
Who your master's true devotion
Should have shown to thousand grandsons!

WOMAN.

At these stones, why
Start'st thou, stranger?
Many stones are lying yonder
Round my cottage.

WANDERER.

Yonder?

WOMAN.

Through the thicket,
Turning to the left,
Here!

WANDERER.

Ye Muses and ye Graces!

WOMAN.

This, then, is my cottage.

WANDERER.

'Tis a ruin'd temple!

WOMAN.

Just below it, see,
Springs the fountain
Whence I drink.

WANDERER.

Thou dost hover
O'er thy grave, all glowing,
Genius! while upon thee
Hath thy master-piece
Fallen crumbling,
Thou Immortal One!

WOMAN.

Stay, a cup I'll fetch thee
Whence to drink.

WANDERER.

Ivy circles thy slender
Form so graceful and godlike.
How ye rise on high
From the ruins,
Column-pair
And thou, their lonely sister yonder,--
How thou,
Dusky moss upon thy sacred head,--
Lookest down in mournful majesty
On thy brethren's figures
Lying scatter'd
At thy feet!
In the shadow of the bramble
Earth and rubbish veil them,
Lofty grass is waving o'er them
Is it thus thou, Nature, prizest
Thy great masterpiece's masterpiece?
Carelessly destroyest thou
Thine own sanctuary,
Sowing thistles there?

WOMAN.

How the infant sleeps!
Wilt thou rest thee in the cottage,
Stranger? Wouldst thou rather
In the open air still linger?
Now 'tis cool! take thou the child
While I go and draw some water.
Sleep on, darling! sleep!

WANDERER.

Sweet is thy repose!
How, with heaven-born health imbued,
Peacefully he slumbers!
Oh thou, born among the ruins
Spread by great antiquity,
On thee rest her spirit!
He whom it encircles
Will, in godlike consciousness,
Ev'ry day enjoy.
Full, of germ, unfold,
As the smiling springtime's
Fairest charm,
Outshining all thy fellows!
And when the blossom's husk is faded,
May the full fruit shoot forth
From out thy breast,
And ripen in the sunshine!

WOMAN.

God bless him!--Is he sleeping still?
To the fresh draught I nought can add,
Saving a crust of bread for thee to eat.

WANDERER.

I thank thee well.
How fair the verdure all around!
How green!

WOMAN.

My husband soon
Will home return
From labour. Tarry, tarry, man,
And with us eat our evening meal.

WANDERER.

Is't here ye dwell?

WOMAN.

Yonder, within those walls we live.
My father 'twas who built the cottage
Of tiles and stones from out the ruins.
'Tis here we dwell.
He gave me to a husbandman,
And in our arms expired.--
Hast thou been sleeping, dearest heart
How lively, and how full of play!
Sweet rogue!

WANDERER.

Nature, thou ever budding one,
Thou formest each for life's enjoyments,
And, like a mother, all thy children dear,
Blessest with that sweet heritage,--a home
The swallow builds the cornice round,
Unconscious of the beauties
She plasters up.
The caterpillar spins around the bough,
To make her brood a winter house;
And thou dost patch, between antiquity's
Most glorious relics,
For thy mean use,
Oh man, a humble cot,--
Enjoyest e'en mid tombs!--
Farewell, thou happy woman!

WOMAN.

Thou wilt not stay, then?

WANDERER.

May God preserve thee,
And bless thy boy!

WOMAN.

A happy journey!

WANDERER.

Whither conducts the path
Across yon hill?

WOMAN.

To Cuma.

WANDERER.

How far from hence?

WOMAN.

'Tis full three miles.

WANDERER.

Farewell!
Oh Nature, guide me on my way!
The wandering stranger guide,
Who o'er the tombs
Of holy bygone times
Is passing,
To a kind sheltering place,
From North winds safe,
And where a poplar grove
Shuts out the noontide ray!
And when I come
Home to my cot
At evening,
Illumined by the setting sun,
Let me embrace a wife like this,
Her infant in her arms!
~ Johann Wolfgang von Goethe, The Wanderer
,
1395:Chapter LXXXII: Epistola Penultima: The Two Ways to Reality
Cara Soror,
Do what thou wilt shall be the whole of the Law.

How very sensible of you, though I admit somewhat exacting!

You write-Will you tell me exactly why I should devote so much of my valuable time to subjects like Magick and Yoga.

That is all very well. But you ask me to put it in syllogistic form. I have no doubt this can be done, though the task seems somewhat complicated. I think I will leave it to you to construct your series of syllogisms yourself from the arguments of this letter.

In your main question the operative word is "valuable. Why, I ask, in my turn, should you consider your time valuable? It certainly is not valuable unless the universe has a meaning, and what is more, unless you know what that meaning is-at least roughly-it is millions to one that you will find yourself barking up the wrong tree.

First of all let us consider this question of the meaning of the universe. It is its own evidence to design, and that design intelligent design. There is no question of any moral significance-"one man's meat is another man's poison" and so on. But there can be no possible doubt about the existence of some kind of intelligence, and that kind is far superior to anything of which we know as human.

How then are we to explore, and finally to interpret this intelligence?

It seems to me that there are two ways and only two. Imagine for a moment that you are an orphan in charge of a guardian, inconceivably learned from your point of view.

Suppose therefore that you are puzzled by some problem suitable to your childish nature, your obvious and most simple way is to approach your guardian and ask him to enlighten you. It is clearly part of his function as guardian to do his best to help you. Very good, that is the first method, and close parallel with what we understand by the word Magick.

We are bothered by some difficulty about one of the elements-say Fire-it is therefore natural to evoke a Salamander to instruct you on the difficult point. But you must remember that your Holy Guardian Angel is not only far more fully instructed than yourself on every point that you can conceive, but you may go so far as to say that it is definitely his work, or part of his work; remembering always that he inhabits a sphere or plane which is entirely different from anything of which you are normally aware.

To attain to the Knowledge and Conversation of the Holy Guardian Angel is consequently without doubt by far the simplest way by which you can yourself approach that higher order of being.

That, then, is a clearly intelligible method of procedure. We call it Magick.

It is of course possible to strengthen the link between him and yourself so that in course of time you became capable of moving and, generally speaking, operating on that plane which is his natural habitat.

There is however one other way, and one only, as far as I can see, of reaching this state.

It is at least theoretically possible to exalt the whole of your own consciousness until it becomes as free to move on that exalted plane as it is for him. You should note, by the way, that in this case the postulation of another being is not necessary. There is no way of refuting the solipsism if you feel like that. Personally I cannot accede to its axiom. The evidence for an external universe appears to me perfectly adequate.

Still there is no extra charge for thinking on those lines if you so wish.

I have paid a great deal of attention in the course of my life to the method of exalting the human consciousness in this way; and it is really quite legitimate to identify my teaching with that of the Yogis.

I must however point out that in the course of my instruction I have given continual warnings as to the dangers of this line of research. For one thing there is no means of checking your results in the ordinary scientific sense. It is always perfectly easy to find a subjective explanation of any phenomenon; and when one considers that the greatest of all the dangers in any line of research arise from egocentric vanity, I do not think I have exceeded my duty in anything that I have said to deter students from undertaking so dangerous a course as Yoga.

It is, of course, much safer if you are in a position to pursue in the Indian Jungles, provided that your health will stand the climate and also, I must say, unless you have a really sound teacher on whom you can safely rely. But then, if we once introduce a teacher, why not go to the Fountain-head and press towards the Knowledge and conversation of the Holy Guardian Angel?

In any case your Indian teacher will ultimately direct you to seek guidance from that source, so it seems to me that you have gone to a great deal of extra trouble and incurred a great deal of unnecessary danger by not leaving yourself in the first place in the hands of the Holy Guardian Angel.

In any case there are the two methods which stand as alternatives. I do not know of any third one which can be of any use whatever. Logically, since you have asked me to be logical, there is certainly no third way; there is the external way of Magick, and the internal way of Yoga: there you have your alternatives, and there they cease.

Love is the law, love under will.

Fraternally,

666 ~ Aleister Crowley, Magick Without Tears,
1396:Nocturne Of Remembered Spring
I.
Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain hoar and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:
This is the moonlit night that will never die.
Through the grey streets our memories retain
Let us go back again.
II.
Mist goes up from the river to dim the stars,
The river is black and cold; so let us dance
To flare of horns, and clang of cymbals and drums;
And strew the glimmering floor with roses,
And remember, while the rich music yawns and closes,
With a luxury of pain, how silence comes.
Yes, we loved each other, long ago;
We moved like wind to a music's ebb and flow.
At a phrase from violins you closed your eyes,
And smiled, and let me lead you how young we were!
Your hair, upon that music, seemed to stir.
Let us return there, let us return, you and I;
Through changeless streets our memories retain
Let us go back again.
III.
Mist goes up from the rain steeped earth, and clings
Ghostly with lamplight among drenched maple trees.
95
We walk in silence and see how the lamplight flings
Fans of shadow upon it the music's mournful pleas
Die out behind us, the door is closed at last,
A net of silver silence is softly cast
Over our thought slowly we walk,
Quietly with delicious pause, we talk,
Of foolish trivial things; of life and death,
Time, and forgetfulness, and dust and truth;
Lilacs and youth.
You laugh, I hear the after taken breath,
You darken your eyes and turn away your head
At something I have said
Some intuition that flew too deep,
And struck a plageant chord.
Tonight, tonight you will remember it as you fall asleep,
Your dream will suddenly blossom with sharp delight,
Goodnight! You say.
The leaves of the lilac dip and sway;
The purple spikes of bloom
Nod their sweetness upon us, lift again,
Your white face turns, I am caught with pain
And silence descends, and dripping of dew from eaves,
And jeweled points of leaves.
IV.
I walk in a pleasure of sorrow along the street
And try to remember you; slow drops patter;
Water upon the lilacs has made them sweet;
I brush them with my sleeve, the cool drops scatter;
And suddenly I laugh and stand and listen
As if another had laughed a gust
Rustles the leaves, the wet spikes glisten;
And it seems as though it were you who had shaken the bough,
And spilled the fragrance I pursue your face again,
It grows more vague and lovely, it eludes me now.
I remember that you are gone, and drown in pain.
Something there was I said to you I recall,
Something just as the music seemed to fall
That made you laugh, and burns me still with pleasure.
What were those words the words like dripping fire?
I remember them now, and in sweet leisure
96
Rehearse the scene, more exquisite than before,
And you more beautiful, and I more wise.
Lilacs and spring, and night, and your clear eyes,
And you, in white, by the darkness of a door:
These things, like voices weaving to richest music,
Flow and fall in the cool night of my mind,
I pursue your ghost among green leaves that are ghostly,
I pursue you, but cannot find.
And suddenly, with a pang that is sweetest of all,
I become aware that I cannot remember you;
The ghost I knew
Has silently plunged in shadows, shadows that stream and fall.
V.
Let us go in and dance once more
On the dream's glimmering floor,
Beneath the balcony festooned with roses.
Let us go in and dance once more.
The door behind us closes
Against an evening purple with stars and mist.
Let us go in and keep our tryst
With music and white roses, and spin around
In swirls of sound.
Do you foresee me, married and grown old?
And you, who smile about you at this room,
Is it foretold
That you must step from tumult into gloom,
Forget me, love another?
No, you are Cleopatra, fiercely young,
Laughing upon the topmost stair of night;
Roses upon the desert must be flung;
Above us, light by light,
Weaves the delirious darkness, petal fall,
And music breaks in waves on the pillared wall;
And you are Cleopatra, and do not care.
And so, in memory, you will always be
Young and foolish, a thing of dream and mist;
And so, perhaps when all is disillusioned,
And eternal spring returns once more,
Bringing a ghost of lovelier springs remembered,
You will remember me.
97
VI.
Yet when we meet we seem in silence to say,
Pretending serene forgetfulness of our youth,
"Do you remember but then why should you remember!
Do you remember a certain day,
Or evening rather, spring evening long ago,
We talked of death, and love, and time, and truth,
And said such wise things, things that amused us so
How foolish we were, who thought ourselves so wise!"
And then we laugh, with shadows in our eyes.
~ Conrad Potter Aiken,
1397:Narcissus
THE MIND IS AN ANCIENT AND FAMOUS CAPITAL
The mind is a city like London,
Smoky and populous: it is a capital
Like Rome, ruined and eternal,
Marked by the monuments which no one
Now remembers. For the mind, like Rome, contains
Catacombs, aqueducts, amphitheatres, palaces,
Churches and equestrian statues, fallen, broken or soiled.
The mind possesses and is possessed by all the ruins
Of every haunted, hunted generation’s celebration.
“Call us what you will: we are made such by love.”
We are such studs as dreams are made on, and
Our little lives are ruled by the gods, by Pan,
Piping of all, seeking to grasp or grasping
All of the grapes; and by the bow-and-arrow god,
Cupid, piercing the heart through, suddenly and forever.
Dusk we are, to dusk returning, after the burbing,
After the gold fall, the fallen ash, the bronze,
Scattered and rotten, after the white null statues which
Are winter, sleep, and nothingness: when
Will the houselights of the universe
Light up and blaze?
For it is not the sea
Which murmurs in a shell,
And it is not only heart, at harp o’clock,
It is the dread terror of the uncontrollable
Horses of the apocalypse, running in wild dread
Toward Arcturus—and returning as suddenly ...
THE FEAR AND DREAD OF THE MIND OF THE OTHERS
—The others were the despots of despair—
41
The river’s freshness sailed from unknown sources—
... They snickered giggled, laughed aloud at last,
They mocked and marvelled at the statue which was
A caricature, as strained and stiff, and yet
A statue of self-love!—since self-love was
To them, truly my true love, how, then, was I a stillness of nervousness
So nervous a caricature: did they suppose
Self-love was unrequited, or betrayed?
They thought I had fallen in love with my own face,
And this belief became the night-like obstacle
To understanding all my unbroken suffering,
My studious self-regard, the pain of hope,
The torment of possibility:
How then could I have expected them to see me
As I saw myself, within my gaze, or see
That being thus seemed as a toad, a frog, a wen, a mole.
Knowing their certainty that I was only
A monument, a monster who had fallen in love
With himself alone, how could I have
Told them what was in me, within my heart, trembling and passionate
Within the labyrinth and caves of my mind, which is
Like every mind partly or wholly hidden from itself?
The words for what is in my heart and in my mind
Do not exist. But I must seek and search to find
Amid the vines and orchards of the vivid world of day
Approximate images, imaginary parallels
For what is my heart and dark within my mind:
Comparisons and mere metaphors: for all
Of them are substitutes, both counterfeit and vague:
They are, at most, deceptive resemblances,
False in their very likeness, like the sons
Who are alike and kin and more unlike and false
Because they seem the father’s very self: but each one is
—Although begotten by the same forbears—himself,
The unique self, each one is unique, like every other one,
And everything, older or younger, nevertheless
A passionate nonesuch who has before has been.
Do you hear, do you see? Do you understand me now, and how
42
The words for what is my heart do not exist?
THE RIVER WAS THE EMBLEM OF ALL BEAUTY: ALL
...
The river was the abundant belly of beauty itself
The river was the dream space where I walked,
The river was itself and yet it was—flowing and freshening—
A self anew, another self, or self renewed
At every tick of eternity, and by each glint of light
Mounting or sparkling, descending to shade and black
—Had I but told them my heart, told how it was
Taunted at noon and pacified at dusk, at starfall midnight
Strong in hope once more, ever in eagerness
Jumping like joy, would they have heard? How could they?
How, when what they knew was, like the grass,
Simple and certain, known through the truth of touch, another form and fountain
of falsehood’s fecundity—
Gazing upon their faces as they gazed
Could they have seen my faces as whores who are
Holy and deified as priestesses of hope
—the sacred virgins of futurity—
Promising dear divinity precisely because
They were disfigured ducks who might become
And be, and ever beloved, white swans, noble and beautiful.
Could they have seen how my faces were
Bonfires of worship and vigil, blazes of adoration and hope
—Surely they would have laughed again, renewed their scorn,
Giggled and snickered, cruel. Surely have said
This is the puerile mania of the obsessed,
The living logic of the lunatic:
I was the statue of their merriment,
Dead and a death, Pharoah and monster forsaken and lost.
...
My faces were my apes: my apes became
Performers in the Sundays of their parks,
Buffoons or clowns in the farce or comedy
When they took pleasure in knowing that they were not like me.
43
...
I waited like obsession in solitude:
The sun’s white terror tore and roared at me,
The moonlight, almond white, at night,
Whether awake or sleeping, arrested me
And sang, softly, haunted, unlike the sun
But as the sun. Withheld from me or took away
Despair or peace, making me once more
With thought of what had never been before——
~ Delmore Schwartz,
1398:
PROLOGUE IN HEAVEN
THE LORD === THE HEAVENLY HOST
Afterwards
MEPHISTOPHELES

(The THREE ARCHANGELS come forward.)
RAPHAEL

The sun-orb sings, in emulation,
'Mid brother-spheres, his ancient round:
His path predestined through Creation
He ends with step of thunder-sound.
The angels from his visage splendid
Draw power, whose measure none can say;
The lofty works, uncomprehended,
Are bright as on the earliest day.
GABRIEL

And swift, and swift beyond conceiving,
The splendor of the world goes round,
Day's Eden-brightness still relieving
The awful Night's intense profound:
The ocean-tides in foam are breaking,
Against the rocks' deep bases hurled,
And both, the spheric race partaking,
Eternal, swift, are onward whirled!
MICHAEL

And rival storms abroad are surging
From sea to land, from land to sea.
A chain of deepest action forging
Round all, in wrathful energy.
There flames a desolation, blazing
Before the Thunder's crashing way:
Yet, Lord, Thy messengers are praising
The gentle movement of Thy Day.
THE THREE

Though still by them uncomprehended,
From these the angels draw their power,
And all Thy works, sublime and splendid,
Are bright as in Creation's hour.
MEPHISTOPHELES

Since Thou, O Lord, deign'st to approach again
And ask us how we do, in manner kindest,
And heretofore to meet myself wert fain,
Among Thy menials, now, my face Thou findest.
Pardon, this troop I cannot follow after
With lofty speech, though by them scorned and spurned:
My pathos certainly would move Thy laughter,
If Thou hadst not all merriment unlearned.
Of suns and worlds I've nothing to be quoted;
How men torment themselves, is all I've noted.
The little god o' the world sticks to the same old way,
And is as whimsical as on Creation's day.
Life somewhat better might content him,
But for the gleam of heavenly light which Thou hast lent
him:
He calls it Reason thence his power's increased,
To be far beastlier than any beast.
Saving Thy Gracious Presence, he to me
A long-legged grasshopper appears to be,
That springing flies, and flying springs,
And in the grass the same old ditty sings.
Would he still lay among the grass he grows in!
Each bit of dung he seeks, to stick his nose in.
THE LORD

Hast thou, then, nothing more to mention?
Com'st ever, thus, with ill intention?
Find'st nothing right on earth, eternally?
MEPHISTOPHELES

No, Lord! I find things, there, still bad as they can be.
Man's misery even to pity moves my nature;
I've scarce the heart to plague the wretched creature.
THE LORD

Know'st Faust?
MEPHISTOPHELES

The Doctor Faust?
THE LORD

My servant, he!
MEPHISTOPHELES

Forsooth! He serves you after strange devices:
No earthly meat or drink the fool suffices:
His spirit's ferment far aspireth;
Half conscious of his frenzied, crazed unrest,
The fairest stars from Heaven he requireth,
From Earth the highest raptures and the best,
And all the Near and Far that he desireth
Fails to subdue the tumult of his breast.
THE LORD

Though still confused his service unto Me,
I soon shall lead him to a clearer morning.
Sees not the gardener, even while buds his tree,
Both flower and fruit the future years adorning?
MEPHISTOPHELES

What will you bet? There's still a chance to gain him,
If unto me full leave you give,
Gently upon my road to train him!
THE LORD

As long as he on earth shall live,
So long I make no prohibition.
While Man's desires and aspirations stir,
He cannot choose but err.
MEPHISTOPHELES

My thanks! I find the dead no acquisition,
And never cared to have them in my keeping.
I much prefer the cheeks where ruddy blood is leaping,
And when a corpse approaches, close my house:
It goes with me, as with the cat the mouse.
THE LORD

Enough! What thou hast asked is granted.
Turn off this spirit from his fountain-head;
To trap him, let thy snares be planted,
And him, with thee, be downward led;
Then stand abashed, when thou art forced to say:
A good man, through obscurest aspiration,
Has still an instinct of the one true way.
MEPHISTOPHELES

Agreed! But 'tis a short probation.
About my bet I feel no trepidation.
If I fulfill my expectation,
You'll let me triumph with a swelling breast:
Dust shall he eat, and with a zest,
As did a certain snake, my near relation.
THE LORD

Therein thou'rt free, according to thy merits;
The like of thee have never moved My hate.
Of all the bold, denying Spirits,
The waggish knave least trouble doth create.
Man's active nature, flagging, seeks too soon the level;
Unqualified repose he learns to crave;
Whence, willingly, the comrade him I gave,
Who works, excites, and must create, as Devil.
But ye, God's sons in love and duty,
Enjoy the rich, the ever-living Beauty!
Creative Power, that works eternal schemes,
Clasp you in bonds of love, relaxing never,
And what in wavering apparition gleams
Fix in its place with thoughts that stand forever!
(Heaven closes: the ARCHANGELS separate.)
MEPHISTOPHELES (solus)

I like, at times, to hear The Ancient's word,
And have a care to be most civil:
It's really kind of such a noble Lord
So humanly to gossip with the Devil!

Faust



Faust

FIRST PART OF THE TRAGEDY


I

~ Johann Wolfgang von Goethe, PROLOGUE IN HEAVEN
,
1399:The Disappointment
1.
One Day the Amarous Lisander,
By an impatient Passion sway'd,
Surpris'd fair Cloris, that lov'd Maid,
Who cou'd defend her self no longer;
All things did with his Love conspire,
The gilded Planet of the Day,
In his gay Chariot, drawn by Fire,
War now descending to the Sea,
And left no Light to guide the World,
But what from Cloris brighter Eves was hurl'd.
2.
In alone Thicket, made for Love,
Silent as yielding Maids Consent,
She with a charming Languishment
Permits his force, yet gently strove?
Her Hands his Bosom softly meet,
But not to put him back design'd,
Rather to draw him on inclin'd,
Whilst he lay trembling at her feet;
Resistance 'tis to late to shew,
She wants the pow'r to sav - Ah! what do you do?
3.
Her bright Eyes sweat, and yet Severe,
Where Love and Shame confus'dly strive,
Fresh Vigor to Lisander give:
And whispring softly in his Ear,
She Cry'd - Cease - cease - your vain desire,
Or I'll call out - What wou'd you do?
My dearer Honour, ev'n to you,
I cannot - must not give - retire,
Or take that Life whose chiefest part
I gave you with the Conquest of my Heart.
17
4.
But he as much unus'd to fear,
As he was capable of Love,
The blessed Minutes to improve,
Kisses her Lips, her Neck, her Hair!
Each touch her new Desires alarms!
His burning trembling Hand he prest
Upon her melting Snowy Breast,
While she lay panting in his Arms!
All her unguarded Beauties lie
The Spoils and Trophies of the Enemy.
5.
And now, without Respect or Fear,
He seeks the Objects of his Vows;
His Love no Modesty allows:
By swift degrees advancing where
His daring Hand that Alter seiz'd,
Where Gods of Love do Sacrifice;
That awful Throne, that Paradise,
Where Rage is tam'd, and Anger pleas'd;
That Living Fountain, from whose Trills
The melted Soul in liquid Drops distils.
6.
Her balmy Lips encountring his,
Their Bodies as their Souls are joyn'd,
Where both in Transports were confin'd,
Extend themselves upon the Moss.
Cloris half dead and breathless lay,
Her Eyes appear'd like humid Light,
Such as divides the Day and Night;
Or falling Stars, whose Fires decay;
And now no signs of Life she shows,
But what in short-breath-sighs returns and goes.
7.
He saw how at her length she lay,
18
He saw her rising Bosom bare,
Her loose thin Robes, through which appear
A Shape design'd for Love and Play;
Abandon'd by her Pride and Shame,
She do's her softest Sweets dispence,
Offring her Virgin-Innocence
A Victim to Loves Sacred Flame;
Whilst th' or'e ravish'd Shepherd lies,
Unable to perform the Sacrifice.
8.
Ready to taste a Thousand Joys,
Thee too transported hapless Swain,
Found the vast Pleasure turn'd to Pain:
Pleasure, which too much Love destroys!
The willing Garments by he laid,
And Heav'n all open to his view;
Mad to possess, himself he threw
On the defenceless lovely Maid.
But oh! what envious Gods conspire
To snatch his Pow'r, yet leave him the Desire!
9.
Natures support, without whose Aid
She can no humane Being give,
It self now wants the Art to live,
Faintness it slacken'd Nerves invade:
In vain th' enraged Youth assaid
To call his fleeting Vigour back,
No Motion 'twill from Motion take,
Excess of Love his Love betray'd;
In vain he Toils, in vain Commands,
Th' Insensible fell weeping in his Hands.
10.
In this so Am'rous cruel strife,
Where Love and Fate were too severe,
The poor Lisander in Despair,
Renounc'd his Reason with his Life.
19
Now all the Brisk and Active Fire
That should the Nobler Part inflame,
Unactive Frigid, Dull became,
And left no Spark for new Desire;
Not all her Naked Charms cou'd move,
Or calm that Rage that had debauch'd his Love.
11.
Cloris returning from the Trance
Which Love and soft Desire had bred,
Her tim'rous Hand she gently laid,
Or guided by Design or Chance,
Upon that Fabulous Priapus,
That Potent God (as Poets feign.)
But never did young Shepherdess
(Garth'ring of Fern upon the Plain)
More nimbly draw her Fingers back,
Finding beneath the Verdant Leaves a Snake.
12.
Then Cloris her fair Hand withdrew,
Finding that God of her Desires
Disarm'd of all his pow'rful Fires,
And cold as Flow'rs bath'd in the Morning-dew.
Who can the Nymphs Confusion guess?
The Blood forsook the kinder place,
And strew'd with Blushes all her Face,
Which both Disdain and Shame express;
And from Lisanders Arms she fled,
Leaving him fainting on the gloomy Bed.
13.
Like Lightning through the Grove she hies,
Or Daphne from the Delphick God;
No Print upon the Grassie Road
She leaves, t' instruct pursuing Eyes.
The Wind that wanton'd in her Hair,
And with her ruffled Garments plaid,
Discover'd in the flying Maid
20
All that the Gods e're made of Fair.
So Venus, when her Love was Slain,
With fear and haste flew o're the fatal Plain.
14.
The Nymphs resentments, none but I
Can well imagin, and Condole;
But none can guess Lisander's Soul,
But those who sway'd his Destiny:
His silent Griefs, swell up to Storms,
And not one God, his Fury spares,
He Curst his Birth, his Fate, his Stars,
But more the Shepherdesses Charms;
Whose soft bewitching influence,
Had Damn'd him to the Hell of Impotence.
~ Aphra Behn,
1400:Recollection Of The Arabian Nights
WHEN the breeze of a joyful dawn blew free
In the silken sail of infancy,
The tide of time flow'd back with me,
The forward-flowing tide of time;
And many a sheeny summer-morn,
Adown the Tigris I was borne,
By Bagdat's shrines of fretted gold,
High-walled gardens green and old;
True Mussulman was I and sworn,
For it was in the golden prime
Of good Haroun Alraschid.
Anight my shallop, rustling thro'
The low and bloomed foliage, drove
The fragrant, glistening deeps, and clove
The citron-shadows in the blue:
By garden porches on the brim,
The costly doors flung open wide,
Gold glittering thro' lamplight dim,
And broider'd sofas on each side:
In sooth it was a goodly time,
For it was in the golden prime
Of good Haroun Alraschid.
Often where clear-stemm'd platans guard
The outlet, did I turn away
The boat-head down a broad canal
From the main river sluiced, where all
The sloping of the moon-lit sward
Was damask-work, and deep inlay
Of braided blooms unmown, which crept
Adown to where the water slept.
A goodly place, a goodly time,
For it was in the golden prime
Of good Haroun Alraschid.
A motion from the river won
Ridged the smooth level, bearing on
My shallop thro' the star-strown calm,
540
Until another night in night
I enter'd, from the clearer light,
Imbower'd vaults of pillar'd palm,
Imprisoning sweets, which, as they clomb
Heavenward, were stay'd beneath the dome
Of hollow boughs.--A goodly time,
For it was in the golden prime
Of good Haroun Alraschid.
Still onward; and the clear canal
Is rounded to as clear a lake.
From the green rivage many a fall
Of diamond rillets musical,
Thro' little crystal arches low
Down from the central fountain's flow
Fall'n silver-chiming, seemed to shake
The sparkling flints beneath the prow.
A goodly place, a goodly time,
For it was in the golden prime
Of good Haroun Alraschid.
Above thro' many a bowery turn
A walk with vary-colour'd shells
Wander'd engrain'd. On either side
All round about the fragrant marge
From fluted vase, and brazen urn
In order, eastern flowers large,
Some dropping low their crimson bells
Half-closed, and others studded wide
With disks and tiars, fed the time
With odour in the golden prime
Of good Haroun Alraschid.
Far off, and where the lemon grove
In closest coverture upsprung,
The living airs of middle night
Died round the bulbul as he sung;
Not he: but something which possess'd
The darkness of the world, delight,
Life, anguish, death, immortal love,
Ceasing not, mingled, unrepress'd,
Apart from place, withholding time,
541
But flattering the golden prime
Of good Haroun Alraschid.
Black the garden-bowers and grots
Slumber'd: the solemn palms were ranged
Above, unwoo'd of summer wind:
A sudden splendour from behind
Flush'd all the leaves with rich gold-green,
And, flowing rapidly between
Their interspaces, counterchanged
The level lake with diamond-plots
Of dark and bright. A lovely time,
For it was in the golden prime
Of good Haroun Alraschid.
Dark-blue the deep sphere overhead,
Distinct with vivid stars inlaid,
Grew darker from that under-flame:
So, leaping lightly from the boat,
With silver anchor left afloat,
In marvel whence that glory came
Upon me, as in sleep I sank
In cool soft turf upon the bank,
Entranced with that place and time,
So worthy of the golden prime
Of good Haroun Alraschid.
Thence thro' the garden I was drawn-A realm of pleasance, many a mound,
And many a shadow-chequer'd lawn
Full of the city's stilly sound,
And deep myrrh-thickets blowing round
The stately cedar, tamarisks,
Thick rosaries of scented thorn,
Tall orient shrubs, and obelisks
Graven with emblems of the time,
In honour of the golden prime
Of good Haroun Alraschid.
With dazed vision unawares
From the long alley's latticed shade
Emerged, I came upon the great
542
Pavilion of the Caliphat.
Right to the carven cedarn doors,
Flung inward over spangled floors,
Broad-based flights of marble stairs
Ran up with golden balustrade,
After the fashion of the time,
And humour of the golden prime
Of good Haroun Alraschid.
The fourscore windows all alight
As with the quintessence of flame,
A million tapers flaring bright
From twisted silvers look'd to shame
The hollow-vaulted dark, and stream'd
Upon the mooned domes aloof
In inmost Bagdat, till there seem'd
Hundreds of crescents on the roof
Of night new-risen, that marvellous time
To celebrate the golden prime
Of good Haroun Alraschid.
Then stole I up, and trancedly
Gazed on the Persian girl alone,
Serene with argent-lidded eyes
Amorous, and lashes like to rays
Of darkness, and a brow of pearl
Tressed with redolent ebony,
In many a dark delicious curl,
Flowing beneath her rose-hued zone;
The sweetest lady of the time,
Well worthy of the golden prime
Of good Haroun Alraschid.
Six columns, three on either side,
Pure silver, underpropt a rich
Throne of the massive ore, from which
Down-droop'd, in many a floating fold,
Engarlanded and diaper'd
With inwrought flowers, a cloth of gold.
Thereon, his deep eye laughter-stirr'd
With merriment of kingly pride,
Sole star of all that place and time,
543
I saw him--in his golden prime,
The good Haroun Alraschid.
~ Alfred Lord Tennyson,
1401:A:
Not far from hence. From yonder pointed hill,
Crowned with a ring of oaks, you may behold
A dark and barren field, through which there flows,
Sluggish and black, a deep but narrow stream,
Which the wind ripples not, and the fair moon
Gazes in vain, and finds no mirror there.
Follow the herbless banks of that strange brook
Until you pause beside a darksome pond,
The fountain of this rivulet, whose gush
Cannot be seen, hid by a rayless night
That lives beneath the overhanging rock
That shades the poolan endless spring of gloom,
Upon whose edge hovers the tender light,
Trembling to mingle with its paramour,--
But, as Syrinx fled Pan, so night flies day,
Or, with most sullen and regardless hate,
Refuses stern her heaven-born embrace.
On one side of this jagged and shapeless hill
There is a cave, from which there eddies up
A pale mist, like aereal gossamer,
Whose breath destroys all life--awhile it veils
The rockthen, scattered by the wind, it flies
Along the stream, or lingers on the clefts,
Killing the sleepy worms, if aught bide there.
Upon the beetling edge of that dark rock
There stands a group of cypresses; not such
As, with a graceful spire and stirring life,
Pierce the pure heaven of your native vale,
Whose branches the air plays among, but not
Disturbs, fearing to spoil their solemn grace;
But blasted and all wearily they stand,
One to another clinging; their weak boughs
Sigh as the wind buffets them, and they shake
Beneath its blastsa weatherbeaten crew!

CHORUS:

What wondrous sound is that, mournful and faint,
But more melodious than the murmuring wind
Which through the columns of a temple glides?

A:

It is the wandering voice of Orpheus lyre,
Borne by the winds, who sigh that their rude king
Hurries them fast from these air-feeding notes;
But in their speed they bear along with them
The waning sound, scattering it like dew
Upon the startled sense.

CHORUS:

Does he still sing?
Methought he rashly cast away his harp
When he had lost Eurydice.

A:

Ah, no!
Awhile he paused. As a poor hunted stag
A moment shudders on the fearful brink
Of a swift streamthe cruel hounds press on
With deafening yell, the arrows glance and wound,--
He plunges in: so Orpheus, seized and torn
By the sharp fangs of an insatiate grief,
Maenad-like waved his lyre in the bright air,
And wildly shrieked Where she is, it is dark!
And then he struck from forth the strings a sound
Of deep and fearful melody. Alas!
In times long past, when fair Eurydice
With her bright eyes sat listening by his side,
He gently sang of high and heavenly themes.
As in a brook, fretted with little waves
By the light airs of springeach riplet makes
A many-sided mirror for the sun,
While it flows musically through green banks,
Ceaseless and pauseless, ever clear and fresh,
So flowed his song, reflecting the deep joy
And tender love that fed those sweetest notes,
The heavenly offspring of ambrosial food.
But that is past. Returning from drear Hell,
He chose a lonely seat of unhewn stone,
Blackened with lichens, on a herbless plain.
Then from the deep and overflowing spring
Of his eternal ever-moving grief
There rose to Heaven a sound of angry song.
Tis as a mighty cataract that parts
Two sister rocks with waters swift and strong,
And casts itself with horrid roar and din
Adown a steep; from a perennial source
It ever flows and falls, and breaks the air
With loud and fierce, but most harmonious roar,
And as it falls casts up a vaporous spray
Which the sun clothes in hues of Iris light.
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy. Unlike all human works,
It never slackens, and through every change
Wisdom and beauty and the power divine
Of mighty poesy together dwell,
Mingling in sweet accord. As I have seen
A fierce south blast tear through the darkened sky,
Driving along a rack of winged clouds,
Which may not pause, but ever hurry on,
As their wild shepherd wills them, while the stars,
Twinkling and dim, peep from between the plumes.
Anon the sky is cleared, and the high dome
Of serene Heaven, starred with fiery flowers,
Shuts in the shaken earth; or the still moon
Swiftly, yet gracefully, begins her walk,
Rising all bright behind the eastern hills.
I talk of moon, and wind, and stars, and not
Of song; but, would I echo his high song,
Nature must lend me words neer used before,
Or I must borrow from her perfect works,
To picture forth his perfect attributes.
He does no longer sit upon his throne
Of rock upon a desert herbless plain,
For the evergreen and knotted ilexes,
And cypresses that seldom wave their boughs,
And sea-green olives with their grateful fruit,
And elms dragging along the twisted vines,
Which drop their berries as they follow fast,
And blackthorn bushes with their infant race
Of blushing rose-blooms; beeches, to lovers dear,
And weeping willow trees; all swift or slow,
As their huge boughs or lighter dress permit,
Have circled in his throne, and Earth herself
Has sent from her maternal breast a growth
Of starlike flowers and herbs of odour sweet,
To pave the temple that his poesy
Has framed, while near his feet grim lions couch,
And kids, fearless from love, creep near his lair.
Even the blind worms seem to feel the sound.
The birds are silent, hanging down their heads,
Perched on the lowest branches of the trees;
Not even the nightingale intrudes a note
In rivalry, but all entranced she listens.
Published by Dr. Garnett, Relics of Shelley, 1862; revised and enlarged by Rossetti, Complete Poetical Works of P. B. S., 1870.
~ Percy Bysshe Shelley, Orpheus
,
1402:La Géante (The Giantess)
Du temps que la Nature en sa verve puissante
Concevait chaque jour des enfants monstrueux,
J'eusse aimé vivre auprès d'une jeune géante,
Comme aux pieds d'une reine un chat voluptueux.
J'eusse aimé voir son corps fleurir avec son âme
Et grandir librement dans ses terribles jeux;
Deviner si son coeur couve une sombre flamme
Aux humides brouillards qui nagent dans ses yeux;
Parcourir à loisir ses magnifiques formes;
Ramper sur le versant de ses genoux énormes,
Et parfois en été, quand les soleils malsains,
Lasse, la font s'étendre à travers la campagne,
Dormir nonchalamment à l'ombre de ses seins,
Comme un hameau paisible au pied d'une montagne.
The Giantess
At the time when Nature with a lusty spirit
Was conceiving monstrous children each day,
I should have liked to live near a young giantess,
Like a voluptuous cat at the feet of a queen.
I should have liked to see her soul and body thrive
And grow without restraint in her terrible games;
To divine by the mist swimming within her eyes
If her heart harbored a smoldering flame;
To explore leisurely her magnificent form;
To crawl upon the slopes of her enormous knees,
And sometimes in summer, when the unhealthy sun
Makes her stretch out, weary, across the countryside,
To sleep nonchalantly in the shade of her breasts,
Like a peaceful hamlet below a mountainside.
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— Translated by William Aggeler
The Giantess
Of old when Nature, in her verve defiant,
Conceived each day some birth of monstrous mien,
I would have lived near some young female giant
Like a voluptuous cat beside a queen;
To see her body flowering with her soul
Freely develop in her mighty games,
And in the mists that through her gaze would roll
Guess that her heart was hatching sombre flames;
To roam her mighty contours as I please,
Ramp on the cliff of her tremendous knees,
And in the solstice, when the suns that kill
Make her stretch out across the land and rest,
To sleep beneath the shadow of her breast
Like a hushed village underneath a hill.
— Translated by Roy Campbell
The Giantess
In times of old when Nature in her glad excess
Brought forth such living marvels as no more are seen,
I should have loved to dwell with a young giantess,
Like a voluptuous cat about the feet of a queen;
To run and laugh beside her in her terrible games,
And see her grow each day to a more fearful size,
And see the flowering of her soul, and the first flames
Of passionate longing in the misty depths of her eyes;
To scale the slopes of her huge knees, explore at will
The hollows and the heights of her — and when, oppressed
By the long afternoons of summer, cloudless and still,
She would stretch out across the countryside to rest,
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I should have loved to sleep in the shadow of her breast,
Quietly as a village nestling under a hill.
— Translated by George Dillon
The Giantess
In times when Nature, lusty to excess,
Bred monstrous children, would that I had been
Living beside a youthful giantess,
Like a voluptuous cat beside a queen;
To see her soul and body gain full size
Blossoming freely in her fearsome games,
And by the damp mists swimming in her eyes
To watch her heart nursing what somber flames!
To roam her mighty form at my sweet ease,
To crawl along the slopes of her vast knees,
And, summers, when the sun's unhealthy heats
Made her sprawl, tired, across the countryside
To sleep at leisure, shaded by her teats,
Like a calm hamlet by the mountainside.
— Translated by Jacques LeClercq
Giantess
When Nature once in lustful hot undress
Conceived gargantuan offspring, then would I
Have loved to live near a young giantess,
Like a voluptuous cat at a queen's feet.
To see her body flower with her desire
And freely spread out in its dreadful play,
Guess if her heart concealed some heavy fire
Whose humid smokes would swim upon her eye.
To feel at leisure her stupendous shapes,
Crawl on the cliffs of her enormous knees,
And, when in summer the unhealthy suns
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Have stretched her out across the plains, fatigued,
Sleep in the shadows of her breasts at ease
Like a small hamlet at a mountain's base.
— Translated by Karl Shapiro
La Géante
From the time when Nature in her furious fancy
Conceived each day monstrosities obscene,
I had loved to live near a young Giantess of Necromancy,
Like a voluptuous cat before the knees of a Queen.
I had loved to see her body mix with her Soul's shame
And greaten in these terrible games of Vice,
And to divine if in her heart brooded a somber flame,
Before the moist sea-mists which swarm in her great eyes;
To wander over her huge forms — nature deforms us —
And to crawl over the slopes of her knees enormous,
And in summer when the unwholesome suns from the West's
Winds, weary, made her slumber hard by a fountain,
To sleep listlessly in the shadow of her superb breasts,
Like an hamlet that slumbers at the foot of a mountain.
— Translated by Arthur Symons
The Giantess
In those times when Nature in powerful zest
Conceived each day monstrous children,
I would have loved to live near a young giantess,
A voluptuous cat at the feet of a queen.
I would have loved to see her body flower with her soul,
To grow up freely in her prodigious play;
To find if her heart bred some dark flame
Amongst the humid mists swimming in her eyes;
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To run leisurely over her marvelous lines;
To creep along the slopes of her enormous knees,
And sometimes in summer, when impure suns
Made her wearily stretch out across the countryside,
To sleep carelessly in the shadow of her breasts,
Like a peaceful village at the foot of a mountain.
--Translated by Geoffrey Wagner
~ Charles Baudelaire,
1403:Spring On Mattagmi
Far in the east the rain-clouds sweep and harry,
Down the long haggard hills, formless and low,
Far in the west the shell-tints meet and marry,
Piled gray and tender blue and roseate snow;
East--like a fiend, the bolt-breasted, streaming
Storm strikes the world with lightning and with hail;
West--like the thought of a seraph that is dreaming,
Venus leads the young moon down the vale.
Through the lake furrow between the gloom and bright'ning
Firm runs our long canoe with a whistling rush,
While Potàn the wise and the cunning Silver Lightning
Break with their slender blades the long clear hush;
Soon shall I pitch my tent amid the birches,
Wise Potàn shall gather boughs of balsam fir,
While for bark and dry wood Silver Lightning searches;
Soon the smoke shall hang and lapse in the moist air.
Soon shall I sleep--if I may not remember
One who lives far away where the storm-cloud went;
May it part and starshine burn in many a quiet ember,
Over her towered city crowned with large content;
Dear God, let me sleep, here where deep peace is,
Let me own a dreamless sleep once for all the years,
Let me know a quiet mind and what heart ease is,
Lost to light and life and hope, to longing and to tears.
Here in the solitude less her memory presses,
Yet I see her lingering where the birches shine,
All the dark cedars are sleep-laden like her tresses,
The gold-moted wood-pools pellucid as her eyen;
Memories and ghost-forms of the days departed
People all the forest lone in the dead of night;
While Potàn and Silver Lightning sleep, the happy-hearted,
Troop they from their fastnesses upon my sight.
Once when the tide came straining from the Lido,
In a sea of flame our gondola flickered like a sword,
Venice lay abroad builded like beauty's credo,
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Smouldering like a gorget on the breast of the Lord:
Did she mourn for fame foredoomed or passion shattered
That with a sudden impulse she gathered at my side?
But when I spoke the ancient fates were flattered,
Chill there crept between us the imperceptible tide.
Once I well remember in her twilight garden,
She pulled a half-blown rose, I thought it meant for me,
But poising in the act, and with half a sigh for pardon,
She hid it in her bosom where none may dare to see:
Had she a subtle meaning?--would to God I knew it,
Where'er I am I always feel the rose leaves nestling there,
If I might know her mind and the thought which then flashed through it,
My soul might look to heaven not commissioned to despair.
Though she denied at parting the gift that I besought her,
Just a bit of ribbon or a strand of her hair;
Though she would not keep the token that I brought her,
Proud she stood and calm and marvellously fair;
Yet I saw her spirit--truth cannot dissemble-Saw her pure as gold, staunch and keen and brave,
For she knows my worth and her heart was all atremble,
Lest her will should weaken and make her heart a slave.
If she could be here where all the world is eager
For dear love with the primal Eden sway,
Where the blood is fire and no pulse is thin or meagre,
All the heart of all the world beats one way!
There is the land of fraud and fame and fashion,
Joy is but a gaud and withers in an hour,
Here is the land of quintessential passion,
Where in a wild throb Spring wells up with power.
She would hear the partridge drumming in the distance,
Rolling out his mimic thunder in the sultry noons;
Hear beyond the silver reach in ringing wild persistence
Reel remote the ululating laughter of the loons;
See the shy moose fawn nestling by its mother,
In a cool marsh pool where the sedges meet;
Rest by a moss-mound where the twin-flowers smother
With a drowse of orient perfume drenched in light and heat:
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She would see the dawn rise behind the smoky mountain,
In a jet of colour curving up to break,
While like spray from the iridescent fountain,
Opal fires weave over all the oval of the lake:
She would see like fireflies the stars alight and spangle
All the heaven meadows thick with growing dusk,
Feel the gipsy airs that gather up and tangle
The woodsy odours in a maze of myrrh and musk:
There in the forest all the birds are nesting,
Tells the hermit thrush the song he cannot tell,
While the white-throat sparrow never resting,
Even in the deepest night rings his crystal bell:
O, she would love me then with a wild elation,
Then she must love me and leave her lonely state,
Give me love yet keep her soul's imperial reservation,
Large as her deep nature and fathomless as fate:
Then, if she would lie beside me in the even,
On my deep couch heaped of balsam fir,
Fragrant with sleep as nothing under heaven,
Let the past and future mingle in one blur;
While all the stars were watchful and thereunder
Earth breathed not but took their silent light,
All life withdrew and wrapt in a wild wonder
Peace fell tranquil on the odorous night:
She would let me steal,--not consenting or denying-One strong arm beneath her dusky hair,
She would let me bare, not resisting or complying,
One sweet breast so sweet and firm and fair;
Then with the quick sob of passion's shy endeavour,
She would gather close and shudder and swoon away,
She would be mine for ever and for ever,
Mine for all time and beyond the judgment day.
Vain is the dream, and deep with all derision-Fate is stern and hard--fair and false and vain-But what would life be worth without the vision,
Dark with sordid passion, pale with wringing pain?
What I dream is mine, mine beyond all cavil,
Pure and fair and sweet, and mine for evermore,
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And when I will my life I may unravel,
And find my passion dream deep at the red core.
Venus sinks first lost in ruby splendour,
Stars like wood-daffodils grow golden in the night,
Far, far above, in a space entranced and tender,
Floats the growing moon pale with virgin light.
Vaster than the world or life or death my trust is
Based in the unseen and towering far above;
Hold me, O Law, that deeper lies than Justice,
Guide me, O Light, that stronger burns than Love.
~ Duncan Campbell Scott,
1404:Margaery
'Truth lights our minds as sunrise lights the world.
The heart that shuts out truth, excludes the light
That wakes the love of beauty in the soul;
And being foe to these, despises God,
The sole Dispenser of the gracious bliss
That brings us nearer the celestial gate.
They who might feed on rose-leaves of the True,
And grow in loveliness of heart and soul,
Catch at Deception's airy gossamers,
As children clutch at stars. To some, the world
Is a bleak desert, parched with blinding sand,
With here and there a mirage, fair to view,
But insubstantial as the visions born
Of Folly and Despair. Could we but know
How nigh we are to the true light of heaven;
In what a world of love we live and breathe;
On what a tide of truth our souls are borne!
Yet we're but bubbles in the whirl of life,
Mere flecks upon its ever-restless sea,
Meteors in its ever-changing sky.
Eternity alone is worth the thought
That we expend upon the passing hour,
Chasing the gaudy butterflies that lure
Our footsteps from the path that leads us home.
We will not see the beacon on the rock;
The prompter is unheeded; and the spark
Of the true spirit quenched in utter night,
As we rush headlong, wrecked on Error's shoals.
Some hearts will never open; all their wards
Have grown so rusty, that the golden key
Of Love Divine must fail to move the bolt
That Self has drawn to keep God's angels out.'
So spake the merry Margery, the while
Her fingers lengthened out a filigree,
That seemed to me so many golden threads
Of thought between her fingers and her brain,
Bestrung with priceless pearls; her lightsome mood,
Worn as occasion might necessitate,
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Replaced to-night by sober-sided Sense,
That made her beauty like an eve in June,
Just as the moon is risen. I, to mark
My approbation of her present mood,
Rehearsed a rambling lyric of my own,
That seemed prophetic of her thoughts to-night:
Within my mind there ever lives
A yearning for the True,
The Beautiful and Good. God gives
These, as He gives the dew
That falls upon the flowers at night,
The grass, the thirsty trees,
Because 'tis needful; and the light
That suns my mind from theseTruth-Beauty-Goodness, doth but fill
A void within my soul;
And I fall prone before the Will
Of Him who gave the wholeThe wondrous life-the power to think,
And love, and act, and speak.
Standing, half-poised, upon the brink
Of being-strong, yet weakStrong in vast hopes, but weak in deeds,
I lift my heart and pray,
That where the tangled skein of creeds
Excludes the light of day
From human minds, God's purposes
May be made plain, that all
May walk in truth's and wisdom's ways,
And lay aside the thrall
Of enmity, whose clouds have kept
Their souls as dark as night;
That they whose love and hope have slept,
May come into the light,
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And live as men, with minds to grasp
Within the sphere of thought
The boundless universe, and clasp
The good the wise have sought,
As if it were a long-lost dove,
Or a stray soul returned
To worship in the fane of love,
That it so long had spurned.
Where'er I gaze, my eyes behold
Nought but the beautiful.
The world is grand as it is old;
The only fitting school
For man, where he may learn to live,
And live to learn that what
He needs heaven will in mercy give.
Whatever be his lot,
He shapes it for himself; his mind
Is his own heaven or hell:
Just as he peoples it, he'll find
Himself compelled to dwell
With good or evil. Good abounds
In this delightful sphere;
But man will walk his daily rounds,
And evermore give ear
To the false promptings that waylay
His steps at every turn;
Flinging the true and good away
For joys that he should spurn,
As being all unworthy of
His greatness as a man.
Why, man!-why tremble at the scoff
Of fools and bigots? Scan
The mental firmament, and see
How men in every age,
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Who strove for immortalityWhose errand was to wage
Not War, but Peace-men of pure minds,
Who sought and found the truth,
And treasured it, as one who finds
The secret of lost Youth
Restored and made immortal-see
How they were scorned, because
Their Sphinx-lives spake of mystery
To those to whom the laws
Of nature are as clasped books!Poets, who ruled the world
Of Thought; in whose prophetic looks
And minds there lay impearled,
But hidden from the vulgar sight,
Such universal truths,
That many, blinded by the lightGray-haired, green-gosling youths,
With whips of satire, looks of scorn,
And finger of disdain,
Have crushed these harbingers of morn,
But could not kill the strain
That was a part of nature's mind,
And therefore can not die.
That which men spurned, angels have shrined
Among God's truths on high.
And so 't will ever be, till man
Knows more of Goodness, Truth,
And Beauty-more of nature's plan,
And Love that brings back youth
To hearts that have grown frail and old
By groping in the dark
With blinded eyes; their idol, Gold,
And Gain, their Pleasure-bark!
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''Tis well that nature hath her ministers,'
She said, her voice and looks so passing sweet;
'Great-hearts that let in love, and keep it there,
Like the true flame within the diamond's heart,
Informing, blessing, chastening their lives.
Man has but one great love-his love for God;
All other loves are lesser and more less
As they recede from Him, as are the streams
The farthest from the fountain. God is Love.
Who loves God most, loves most his fellow-men;
Sees the Creator in the creature's form
Where others see but man-and he, so frail
The very devils are akin to him!
There is no light that is not born of love;
No truth where love is not its guiding star;
Faith without love is noonday without sun,
For love begetteth works both good and true,
And these give faith its immortality.'
We parted at the outer door. The stars
Seemed never half so bright or numberless
As they appeared to-night. Margery's laugh
Tripped after me in merry cadences,
Like the quick steps of fairies in the air
United to the chorus of their hearts
Breathed into silvery music. Happy soul!
Nature's epitome in all her moods.
~ Charles Sangster,
1405:Brother Benedict
Brother Benedict rose and left his cell
With the last slow swing of the evening bell.
In his hand he carried his only book,
And he followed the path to the Abbey brook,
And, crossing the stepping-stones, paused midway,
For the journeying water seemed to say,
Benedicite.
But when he stood on the other bank,
The flags rose tall, and the grass grew rank,
And the sorrel red and the white meadow-sweet
Shook their dust on his sandalled feet,
And, lifting their heads where his girdle hung,
Would surely have said had they found a tongue,
Benedicite.
Onward and upward he clomb and wound,
Bruising the thyme on the nibbled ground
Here and there, in the untrimmed brake,
The dog-rose bloomed for its own sweet sake;
The woodbine clambered up out of reach,
But the scent of them all breathed as plain as speech,
Benedicite.
Shortly he came to a leafy nook,
Where wind never entered nor branch ever shook.
Itself was the only thing in sight,
And the rest of the world was shut out quite.
'Twas as self-contained as the holy place
Where the children quire with upturned face,
Benedicite.
A dell so curtained with trunks and boughs,
That in hours when the ringdove coos to his spouse,
The sun to its heart scarce a way could win.
But the trees now had drawn all their shadows in;
There was nothing but scent in the dewy air,
And the silence seemed saying in mental prayer,
Benedicite.
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'Gainst the trunk of a beech, round, smooth, and gray,
Brother Benedict leaned, with intent to pray,
And opened his book: with vellum bound;
Within, red letters on faded ground;
Pater, and Ave, and saving Creed:But look where you would, you seemed to read,
Benedicite.
He scarce had a verse of his office said,
Ere a bird in the branches overhead
Began to warble so sweet a strain,
That, strive as he would, still he strove in vain
To close his ears; so he closed his book,
While the unseen throat to the air outshook
Benedicite.
'Twas a song that rippled, and revelled, and ran
Ever back to the note whence it began;
Rising, and falling, and never did stay,
Like a fountain that feeds on itself all day,
Wanting no answer, answering none,
But beginning again as each verse was done,
Benedicite.
It brought an ecstasy into his face,
It weaned his senses from time and space,
It carried him off to worlds unseen,
And showed him what is not and ne'er has been,
Transporting his soul to those realms of calm,
More blessëd and blessing than even the psalm,
Benedicite.
Then, carolling still, it drew him thence
Slowly back to the spheres of sense,
But held him awhile where self expires,
And vague recollections and vague desires
Banish the burden of things that are,
And angels seem canticling, faint and far,
Benedicite.
Then across him there flitted the days that are dead,
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And those that will follow when these are fled;
Generations of sorrow, wave after wave,
With their samesome journey from womb to grave;
Men's love of the fleshly sweets that sting,
And the comfort that comes when we kneel and sing,
Benedicite.
He suddenly started and gazed around,
For silence can waken as well as sound,
And the bird had ceased singing. The dewy air
Still was immersed in mental prayer.
Time seemed to have stopped. So he quickened pace,
But forgot not to say ere he left the lone place,
Benedicite.
Downward he wended, and under his feet,
As on mounting, the bruised thyme answered sweet;
As before, in the brake the dog-rose bloomed,
And the woodbine with fragrance the hedge perfumed;
And the white meadow-sweet and the sorrel red,
Had they found a tongue, would still surely have said,
Benedicite.
But where were the flags and the tall rank grass,
And the stepping-stones smooth for his feet to pass?
Were they swept away? Did he wake or dream?
A bridge that he knew not spanned the stream;
Though under its archway he still could hear
The journeying water purling clear,
Benedicite.
Where had he wandered? This never could
Be the spot where the Abbey orchard stood?
Where the filberts once mellowed, lay tumbled blocks,
And cherry stumps peered through tares and docks;
A rough plot stretched where in times gone by
The plump apples dropped to the joyous cry,
Benedicite.
The gateway had vanished, the portal flown,
The walls of the Abbey were ivy-grown;
The arches were shattered, the roof was gone,
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The mullions were mouldering one by one;
Wrecked was the oriel's tracery light
That the sun streamed through when they met to recite
Benedicite.
Chancel and choir and nave and aisle
Were but one ruinous vacant pile.
So utter the havoc, you could not tell
Which was corridor, cloister, cell.
Cow-grass, and foxglove, and waving weed,
Covered the scrolls where you used to read,
Benedicite.
High up where of old the belfry towered,
An elder had rooted and whitely flowered:
Surviving ruin and rain and wind,
Below it a lichened gurgoyle grinned.
Though birds were chirping and flitting about,
They paused not to treble the anthem devout,
Benedicite.
Then he went where the Abbot was wont to lay
His children to rest till the Judgment Day,
And at length in the grass the name he found
Of a friar he fancied alive and sound.
The slab was hoary, the carving blurred,
And he rather guessed than could read the word,
Benedicite.
He sate him down on a fretted stone,
Where rains had beaten and winds had blown,
And opened his office-book, and read
The prayers that we read for our loved ones dead,
While nightfall crept on the twilight air,
And darkened the page of the final prayer,
Benedicite.
But to murkiest gloom when the gloaming did wane,
In the air there still floated a shadowy strain.
'Twas distilled with the dew, it was showered from the star,
It was murmuring near, it was tingling afar;
In silence it sounded, in darkness it shone,
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And in sleep that is deepest it wakeful dreamed on,
Benedicite.
Do you ask what had witched Brother Benedict's ears?
The bird had been singing a thousand years:
Sweetly confounding in its sweet lay
To-day, to-morrow, and yesterday.
Time? What is Time but a fiction vain,
To him that o'erhears the Eternal strain,
Benedicite?
~ Alfred Austin,
1406:Paradiso: Canto Ii
Paradiso Canto 2
O Ye, who in some pretty little boat,
Eager to listen, have been following
Behind my ship, that singing sails along,
Turn back to look again upon your shores;
Do not put out to sea, lest peradventure,
In losing me, you might yourselves be lost.
The sea I sail has never yet been passed;
Minerva breathes, and pilots me Apollo,
And Muses nine point out to me the Bears.
Ye other few who have the neck uplifted
Betimes to th' bread of Angels upon which
One liveth here and grows not sated by it,
Well may you launch upon the deep salt-sea
Your vessel, keeping still my wake before you
Upon the water that grows smooth again.
Those glorious ones who unto Colchos passed
Were not so wonder-struck as you shall be,
When Jason they beheld a ploughman made!
The con-created and perpetual thirst
For the realm deiform did bear us on,
As swift almost as ye the heavens behold.
Upward gazed Beatrice, and I at her;
And in such space perchance as strikes a bolt
And flies, and from the notch unlocks itself,
Arrived I saw me where a wondrous thing
Drew to itself my sight; and therefore she
From whom no care of mine could be concealed,
Towards me turning, blithe as beautiful,
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Said unto me: 'Fix gratefully thy mind
On God, who unto the first star has brought us.'
It seemed to me a cloud encompassed us,
Luminous, dense, consolidate and bright
As adamant on which the sun is striking.
Into itself did the eternal pearl
Receive us, even as water doth receive
A ray of light, remaining still unbroken.
If I was body, (and we here conceive not
How one dimension tolerates another,
Which needs must be if body enter body,)
More the desire should be enkindled in us
That essence to behold, wherein is seen
How God and our own nature were united.
There will be seen what we receive by faith,
Not demonstrated, but self-evident
In guise of the first truth that man believes.
I made reply: 'Madonna, as devoutly
As most I can do I give thanks to Him
Who has removed me from the mortal world.
But tell me what the dusky spots may be
Upon this body, which below on earth
Make people tell that fabulous tale of Cain?'
Somewhat she smiled; and then, 'If the opinion
Of mortals be erroneous,' she said,
'Where'er the key of sense doth not unlock,
Certes, the shafts of wonder should not pierce thee
Now, forasmuch as, following the senses,
Thou seest that the reason has short wings.
But tell me what thou think'st of it thyself.'
And I: 'What seems to us up here diverse,
Is caused, I think, by bodies rare and dense.'
283
And she: 'Right truly shalt thou see immersed
In error thy belief, if well thou hearest
The argument that I shall make against it.
Lights many the eighth sphere displays to you
Which in their quality and quantity
May noted be of aspects different.
If this were caused by rare and dense alone,
One only virtue would there be in all
Or more or less diffused, or equally.
Virtues diverse must be perforce the fruits
Of formal principles; and these, save one,
Of course would by thy reasoning be destroyed.
Besides, if rarity were of this dimness
The cause thou askest, either through and through
This planet thus attenuate were of matter,
Or else, as in a body is apportioned
The fat and lean, so in like manner this
Would in its volume interchange the leaves.
Were it the former, in the sun's eclipse
It would be manifest by the shining through
Of light, as through aught tenuous interfused.
This is not so; hence we must scan the other,
And if it chance the other I demolish,
Then falsified will thy opinion be.
But if this rarity go not through and through,
There needs must be a limit, beyond which
Its contrary prevents the further passing,
And thence the foreign radiance is reflected,
Even as a colour cometh back from glass,
The which behind itself concealeth lead.
Now thou wilt say the sunbeam shows itself
284
More dimly there than in the other parts,
By being there reflected farther back.
From this reply experiment will free thee
If e'er thou try it, which is wont to be
The fountain to the rivers of your arts.
Three mirrors shalt thou take, and two remove
Alike from thee, the other more remote
Between the former two shall meet thine eyes.
Turned towards these, cause that behind thy back
Be placed a light, illuming the three mirrors
And coming back to thee by all reflected.
Though in its quantity be not so ample
The image most remote, there shalt thou see
How it perforce is equally resplendent.
Now, as beneath the touches of warm rays
Naked the subject of the snow remains
Both of its former colour and its cold,
Thee thus remaining in thy intellect,
Will I inform with such a living light,
That it shall tremble in its aspect to thee.
Within the heaven of the divine repose
Revolves a body, in whose virtue lies
The being of whatever it contains.
The following heaven, that has so many eyes,
Divides this being by essences diverse,
Distinguished from it, and by it contained.
The other spheres, by various differences,
All the distinctions which they have within them
Dispose unto their ends and their effects.
Thus do these organs of the world proceed,
As thou perceivest now, from grade to grade;
Since from above they take, and act beneath.
285
Observe me well, how through this place I come
Unto the truth thou wishest, that hereafter
Thou mayst alone know how to keep the ford
The power and motion of the holy spheres,
As from the artisan the hammer's craft,
Forth from the blessed motors must proceed.
The heaven, which lights so manifold make fair,
From the Intelligence profound, which turns it,
The image takes, and makes of it a seal.
And even as the soul within your dust
Through members different and accommodated
To faculties diverse expands itself,
So likewise this Intelligence diffuses
Its virtue multiplied among the stars.
Itself revolving on its unity.
Virtue diverse doth a diverse alloyage
Make with the precious body that it quickens,
In which, as life in you, it is combined.
From the glad nature whence it is derived,
The mingled virtue through the body shines,
Even as gladness through the living pupil.
From this proceeds whate'er from light to light
Appeareth different, not from dense and rare:
This is the formal principle that produces,
According to its goodness, dark and bright.'
~ Dante Alighieri,
1407:At Delphi
Apollo! Apollo! Apollo!
II
Where hast thou, Apollo, gone?
I have wandered on and on,
Through the shaggy Dorian gorges,
Down from where Parnassus forges
Thunder for the Phocian valleys;
Where the Pleistus springs and sallies
Past ravines and caverns dread,
Have, like it, meanderëd;
But I cannot see thee, hear thee,
Find thee, feel thee, get anear thee.
Though in quest of thee I go where
Thou didst haunt, I find thee nowhere,
Apollo! Apollo! Apollo!
III
Still no answer comes. . . . Apollo!
Vainly do I call and holloa
Into each Crissoean cleft
Where the last year's leaves are left.
Deem not I have pushed my way
But from stony Amphissà.
I have come from far-off land,
Traversed foam, traversed sand,
From green pastures sea-surrounded,
Where thy phorminx never sounded;
O'er the broad and barren acres
Of the vainly furrowed breakers,
Across mountains loftier far
Than the peaks of Pindus are;
Skirted groves of pine and fir
Denser than lone Tempe's were,
With no selfish tread, but only
I might find thee, lovely, lonely,
Lingering by thy sacred city:
On me wilt thou not have pity?
152
Sun-god! Song-god! I implore thee!
Glow, and let me pale before thee,
Apollo! Apollo! Apollo!
IV
Fallen tablet, prostrate column,
Solitude and silence solemn!
Half-tilled patches, squalid hovels,
Where life multiplies and grovelsIs this Delphi, this the shrine
Of the Musagete divine?
This the cavern, this the cell,
Of the Pythian oracle!
Where the tripod, where the altar,
Incense, embassy, and psalter?
Can this pool of cresses be
Cradle of pure Castaly?
From the rock though still it bubbles,
Travels onwards, halts, and doubles,
Where the Muses wont to lave
Limbs as vestal as its wave,
'Mong the flashing waters flashing,Gaunt and withered crones are washing.
Not a note of lyre or zittern,
But, below, the booming bittern
Waits his quarry to inveigle,
While o'erhead the silent eagle,
Blinking, stares at the blank sunAll of thee that is not gone,
Apollo! Apollo!
Who art thou, intruder weird!
With the fine and flowing beard?
Whom no snowy robes encumber,
But a habit black and sombre,
Yet in whose composëd eyes
Lurks the light of mysteries.
Priest thou seemest, but not one
Of the loved Latona's son.
In thy aspect is no gladness,
Glance nor gleam of joyous madness,
153
Only gloom, only sadness.
Underneath thy knotted girdle
Thoughts congeal and passions curdle,
And about thy brow ascetic
Lives nor light nor line prophetic.
Priest, but priest not of Apollo,
Whither wouldst thou have me follow?
Lead but onward, I will enter
Where thy cold gaze seems to centre,
Underneath yon portal dismal,
Into dusk and chill abysmal.
Hast thou pent him? Is He lying
There within, dethroned and dying?
If thou breathest, hear me crying,
``Apollo! Apollo! Apollo!''
VI
No, but here He cannot be,
God of light and poesy!
What are these I see around,
Gloomy upon gloomy ground,
Making wall and roof to seem
Sepulchre of morbid dream?
Visages with aspect stony,
Bodies lean, and lank, and bony,
In whose lineaments I trace
Neither love, nor joy, nor grace:
Youth with limbs disused and old,
Maidens pale, contorted, cold,
Flames devouring, pincers wrenching
Muscles naked but unblenching,
Writhing snakes forked venom darting
Into flesh-wounds, gaping, smarting,
Furies shagged with tresses fell,
Ghouls and ghosts of nether hell!
Priest of beauty! Priest of song!
Aid me, if thou still art strong!
See me! save me! bear me whither
Glows thy light that brought me hither,
Apollo! Apollo! Apollo!
VII
154
O the sunshine once again!
O to stand a man 'mong men!
Lo! the horrid nightmare pales
In the light of flowing vales,
In the gaze of steadfast mountains,
Sidelong runnels, forward fountains,
Spacious sky, receding air,
Breadth and bounty everywhere.
What if all the gods be dead,
Nature reigneth in their stead.
Let me dream the noon away
Underneath this full-blown bay,
Where the yellow bees are busy,
Till they stagger, drowsy, dizzy,
From the honeyed wine that wells
Up the branches to the cells
Of the myriad-clustered flowers
Dropping golden flakes in showers.
Here reclined, I will surrender
Sense and soul unto the tender
Mingling of remote and close:
Gods voluptuous, gods morose;
Altars at whose marble meet
Downcast eyes and dancing feet;
Awful dirges, glad carouse,
Unveiled bosoms, shaded brows,
Wreathëd steer and tonsured skull,
Shapes austere with beautiful;
Till the past and present swim
In an ether distant, dim,
And the Delphic fumes rise denser
From a silver-swinging censer,
And in one harmonious dream,
Through a heavenly nimbus, gleam
Lovely limbs and longings saintly,
And pale virgins murmur faintly,
``Apollo! Apollo! Apollo!''
VIII
Priest, but priest not of Apollo,
Why dost thou my footsteps follow
From the deep dark shrine down there
155
To this temple of the air?
What, profaner! wouldst thou lay
Hands upon the sacred bay,
Tearing Daphne limb from limb!
Hast thou, then, no dread of Him?
How? For me? Avaunt, and pass!
I am not fool Marsyas.
Stay! Then to my forehead bind it,
Round my temples wreathe and wind it;
'Chance the Avenger then will come,
Haunt and grot no more be dumb,
But the rills and steeps be ringing,
And a long array come singing,
``Apollo! Apollo! Apollo!''
IX
All in vain! Nor prayer nor taunt
Tempts him back to his loved haunt.
Fretted tablet, fallen column,
Solitude and silence solemn!
He again from Peneus ne'er
Will to Castaly repair;
Never more in cavern dread
Will his oracles be read;
Now I know that Thou art dead,
Apollo!
Then like fountain in mine ear
Spake the god aloud and clear:
``Take it! Wear it! Tis for thee,
Singer from the Northern Sea.
If the least, not last of those,
Suckled 'mong the genial snows.
Though the Muses may have left
Tempe's glen and Delphi's cleft,
Wanderer! they have only gone
Hence to murmuring Albion.
Need was none to travel hither:
Child of England, go back thither.
Traverse foam, traverse sand;
Back, and in thy native land
156
Thou wilt find what thou dost seek.
There the oracles still speak;
There the mounting fumes inspire
Glowing brain and living lyre.
There the Muses prompt the strain,
There they renovate my reign;
There thou wilt not call in vain,
`Apollo! Apollo! Apollo!'''
~ Alfred Austin,
1408:A Letter From Italy
Lately, when we wished good-bye
Underneath a gloomy sky,
``Bear,'' you said, ``my love in mind,
Leaving me not quite behind;
And across the mountains send
News and greeting to your friend.''
II
Swiftly though we did advance
Through the rich flat fields of France,
Still the eye grew tired to see
Patches of equality.
Nothing wanton, waste, or wild;
Women delving, lonely child
Tending cattle lank and lean;
Not a hedgerow to be seen,
Where the eglantine may ramble,
Or the vagrant unkempt bramble
Might its flowers upon you press
Simple-sweet but profitless:
Jealous ditches, straight and square
Sordid comfort everywhere.
Pollard poplars, stunted vine,
Nowhere happy-pasturing kine
Wandering in untended groups
Through the uncut buttercups.
All things pruned to pile the shelf
Nothing left to be itself:
Neither horn, nor hound, nor stirrup,
Not a carol, not a chirrup;
Every idle sound repressed,
Like a Sabbath without rest.
III
O the sense of freedom when
Kingly mountains rose again!
Congregated, but alone,
Each upon his separate throne;
56
Like to mighty minds that dwell,
Lonely, inaccessible,
High above the human race,
Single and supreme in space:
Soaring higher, higher, higher,
Carrying with them our desire,
Irrepressible if fond,
To push on to worlds beyond!
Many a peak august I saw,
Crowned with mist and girt with awe,
Fertilising, as is fit,
Valleys that look up to it,
With the melted snows down-driven,
Which itself received from Heaven.
Then, to see the torrents flashing,
Leaping, twisting, foaming, crashing,
Like a youth who feels, at length,
Freedom ample as his strength,
Hurrying from the home that bore him,
With the whole of life before him!
IV
As, when summer sunshine gleams,
Glaciers soften into streams,
So to liquid, flowing vowels,
As we pierced the mountains' bowels,
Teuton consonants did melt
When Italian warmth was felt.
Gloomy fir and pine austere,
Unto precipices sheer
Clinging, as one holds one's breath,
Half-way betwixt life and death,
Changed to gently-shelving slope,
Where man tills with faith and hope,
And the tenderest-tendrilled tree
Prospers in security.
Softer outlines, balmier air,
Belfries unto evening prayer
Calling, as the shadows fade,
Halting crone, and hurrying maid,
With her bare black tresses twined
Into massive coils behind,
57
And her snowy-pleated vest
Folded o'er mysterious breast,
Like the dove's wings chastely crossed
At the Feast of Pentecost.
Something, in scent, sight, and sound,
Elsewhere craved for, never found,
Underneath, around, above,
Moves to tenderness and love.
But three nights I halted where
Stands the temple, vowed to prayer,
That surmounts the Lombard plain,
Green with strips of grape and grain.
There, Spiaggiascura's child,
By too hopeful love beguiled,
Yet resolved, save faith should flow
Through his parched heart, to forego
Earthly bliss for heavenly pain,
Prayed for Godfrid, prayed in vain.
VI
How looked Florence? Fair as when
Beatrice was nearly ten:
Nowise altered, just the same
Marble city, mountain frame,
Turbid river, cloudless sky,
As in days when you and I
Roamed its sunny streets, apart,
Ignorant of each other's heart,
Little knowing that our feet
Slow were moving on to meet,
And that we should find, at last,
Kinship in a common Past.
But a shadow falls athwart
All her beauty, all her art.
For alas! I vainly seek
Outstretched hand and kindling cheek,
Such as, in the bygone days,
Sweetened, sanctified, her ways.
When, as evening belfries chime,
I to Bellosguardo climb,
58
Vaguely thinking there to find
Faces that still haunt my mind,
Though the doors stand open wide,
No one waits for me inside;
Not a voice comes forth to greet,
As of old, my nearing feet.
So I stand without, and stare,
Wishing you were here to share
Void too vast alone to bear.
To Ricorboli I wend:
But where now the dear old friend,
Heart as open as his gate,
Song, and jest, and simple state?
They who loved me all are fled;
Some are gone, and some are dead.
So, though young and lovely be
Florence still, it feels to me,
Thinking of the days that were,
Like a marble sepulchre.
VII
Yet, thank Heaven! he liveth still,
Now no more upon the hill
Where was perched his Tuscan home,
But in liberated Rome:
Hale as ever; still his stride
Keeps me panting at his side.
Would that you were here to stray
With me up the Appian Way,
Climb with me the Coelian mount,
With me find Egeria's fount,
See the clear sun sink and set
From the Pincian parapet,
Or from Sant' Onofrio watch
Shaggy Monte Cavo catch
Gloomy glory on its face,
As the red dawn mounts apace.
Twenty years and more have fled
Since I first with youthful tread
Wandered 'mong these wrecks of Fate,
Lonely but not desolate,
Proud to ponder and to brood,
59
Satisfied with solitude.
But as fruit that, hard in Spring,
Tender grows with mellowing,
So one's nature, year by year,
Softens as it ripens, dear,
And youth's selfish strain and stress
Sweeten into tenderness.
Therefore is it that I pine
For a gentle hand in mine,
For a voice to murmur clear
All I know but love to hear,
Crave to feel, think, hear, and see,
Through your lucid sympathy.
VIII
Shortly, shortly, we shall meet.
Southern skies awhile are sweet;
But in whatso land I roam,
Half my heart remains at home.
Tell me, for I long to hear,
Tidings of our English year.
Was the cuckoo soon or late?
Beg the primroses to wait,
That their homely smile may greet
Faithfully returning feet.
Have the apple blossoms burst?
Is the oak or ash the first?
Are there snowballs on the guelder?
Can you scent as yet the elder?
On the bankside that we know,
Is the golden gorse ablow,
Like love's evergreen delight
Never out of season quite,
But most prodigal in Spring,
When the whitethroats pair and sing?
Tell me, tell me, most of all,
When you hear the thrushes call,
When you see soft shadows fleeting
O'er the grass where lambs are bleating.
When the lyric lark, returning
From the mirage of its yearning,Like a fountain that in vain
60
Rises but to fall again,Seeks its nest with drooping wing,
Do you miss me from the Spring?
IX
Quickly then I come. Adieu,
Mouldering arch and ether blue!
For in you I sure shall find
All that here I leave behind:
Steadfastness of Roman rays
In the candour of your gaze;
In your friendship comfort more
Than in warmth of Oscan shore;
In the smiles that light your mouth,
All the sunshine of the South.
~ Alfred Austin,
1409:I
WHAT shall I do with this absurdity -
O heart, O troubled heart - this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible -
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.

II
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.

Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.

Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.

And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day -
Music had driven their wits astray -
And one was drowned in the great bog of Cloone.

Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.

And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:

Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards -

O towards I have forgotten what - enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.

Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.

As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.

Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.

Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;

Does the imagination dwell the most
Upon a woman won or woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.

III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse -
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.

As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.

I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.

Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come -
The death of friends, or death
Of every brilliant eye
That made a catch in the breath - .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
First published in the 'New Republic,' 29th June 1927
~ William Butler Yeats, The Tower
,
1410:A Storm In The Mountains
A lonely boy, far venturing from home
Out on the half-wild herd’s faint tracks I roam;
Mid rock-browned mountains, which with stony frown
Glare into haggard chasms deep adown;
A rude and craggy world, the prospect lies
Bounded in circuit by the bending skies.
Now at some clear pool scooped out by the shocks
Of rain-floods plunging from the upper rocks
Whose liquid disc in its undimpled rest
Glows like a mighty gem brooching the mountain’s breast,
I drink and must, or mark the wide-spread herd,
Or list the thinking of the dingle-bird;
And now towards some wild-hanging shade I stray,
To shun the bright oppression of the day;
For round each crag, and o’er each bosky swell,
The fierce refracted heat flares visible,
Lambently restless, like the dazzling hem
Of some else viewless veil held trembling over them.
Why congregate the swallows in the air,
And northward then in rapid flight repair?
With sudden swelling din, remote yet harsh,
Why roar the bull-frogs in the tea-tree marsh?
Why cease the locusts to throng up in flight
And clap their gay wings in the fervent light?
Why climb they, bodingly demure, instead
The tallest spear-grass to the bending head?
Instinctively, along the sultry sky,
I turn a listless, yet inquiring, eye;
And mark that now with a slow gradual pace
A solemn trance creams northward o’er its face;
Yon clouds that late were labouring past the sun,
Reached by its sure arrest, one after one,
Come to a heavy halt; the airs that played
About the rugged mountains all are laid:
While drawing nearer far-off heights appear,
As in a dream’s wild prospect, strangely near!
Till into wood resolves their robe of blue,
And the grey crags rise bluffly on the view.
Such are the signs and tokens that presage
25
A summer hurricane’s forthcoming rage.
At length the south sends out her cloudy heaps
And up the glens at noontide dimness creeps;
The birds, late warbling in the hanging green
Off steep-set brakes, seek now some safer screen;
The herd, in doubt, no longer wanders wide,
But fast ingathering throngs yon mountain’s side,
Whose echoes, surging to its tramp, might seem
The muttered troubles of some Titan’s dream.
Fast the dim legions of the muttering storm
Throng denser, or protruding columns form;
While splashing forward from their cloudy lair,
Convolving flames, like scouting dragons, glare:
Low thunders follow, labouring up the sky;
And as fore-running blasts go blaring by,
At once the forest, with a mighty stir,
Bows, as in homage to the thunderer!
Hark! From the dingoes blood-polluted dens
In the gloom-hidden chasms of the glens,
Long fitful howls wail up; and in the blast
Strange hissing whispers seem to huddle past;
As if the dread stir had aroused from sleep
Weird spirits, cloistered in yon cavy steep
(On which, in the grim past, some Cain’s offence
Hath haply outraged heaven!) Who rising thence
Wrapped in the boding vapours, laughed again
To wanton in the wild-willed hurricane.
See in the storm’s front, sailing dark and dread,
A wide-winged eagle like a black flag spread!
The clouds aloft flash doom! Short stops his flight!
He seems to shrivel in the blasting light!
The air is shattered with a crashing sound,
And he falls stonelike, lifeless, to the ground.
Now, like a shadow at great nature’s heart,
The turmoil grows. Now wonder, with a start,
Marks where right overhead the storm careers,
Girt with black horrors and wide-flaming fears!
Arriving thunders, mustering on his path,
26
Swell more and more the roarings of his wrath,
As out in widening circles they extend,
And then—at once—in utter silence end.
Portentous silence! Time keeps breathing past,
Yet it continues! May this marvel last?
This wild weird silence in the midst of gloom
So manifestly big with coming doom?
Tingles the boding ear; and up the glens
Instinctive dread comes howling from the wild-dogs dens.
Terrific vision! Heaven’s great ceiling splits,
And a vast globe of writhing fire emits,
Which pouring down in one continuous stream,
Spans the black concave like a burning beam,
A moment;—then from end to end it shakes
With a quick motion—and in thunder breaks!
Peal rolled on peal! While heralding the sound,
As each concussion thrills the solid ground,
Fierce glares coil, snake-like, round the rocky wens
Of the red hills, or hiss into the glens,
Or thick through heaven like flaming falchions swarm,
Cleaving the teeming cisterns of the storm,
From which rain-torrents, searching every gash,
Split by the blast come sheeting with a dash.
On yon grey peak, from rock-encrusted roots,
The mighty patriarch of the wood upshoots,
In whose proud-spreading top’s imperial height,
The mountain-eagle loveth most to light:
Now dimly seen through the tempestuous air,
His form seems harrowed by a mad despair,
As with his ponderous arms uplifted high,
He wrestles with the storm and threshes at the sky!
A swift bolt hurtles through the lurid air,
Another thundering crash! The peak is bare!
Huge hurrying fragments all around are cast,
The wild-winged, mad-limbed monsters of the blast.
The darkness thickens! With despairing cry
From shattering boughs the rain-drenched parrtos fly;
Loose rocks roll rumbling from the mountains round,
27
And half the forest strews the smoking ground;
To the bared crags the blasts now wilder moan,
And the caves labour with a ghostlier groan.
Wide raging torrents down the gorges flow
Swift bearing with them to the vale below
Those sylvan wrecks that littered late the path
Of the loud hurricane s all-trampling wrath.
The storm is past. Yet booming on afar
Is heard the rattling of the thunder-car,
And that low muffled moaning, as of grief,
Which follows with a wood-sigh wide and brief.
The clouds break up; the sun s forth-bursting rays
Clothe the wet landscape with a dazzling blaze;
The birds begin to sing a lively strain,
And merry echoes ring it o’er again;
The clustered herd is spreading out to graze,
Though lessening torrents still a hundred ways
Flash downward, and from many a rock ledge
A mantling gush comes quick and shining o er the edge.
’Tis evening; and the torrent’s furious flow
Runs gentlier now into the lake below,
O’er all the freshened scene no sound is heard,
Save the short twitter of some busied bird,
Or a faint rustle made amongst the trees
By wasting fragments of a broken breeze.
Along the wild and wreck-strewed paths I wind,
Watching earth’s happiness with quiet mind,
And see a beauty all unmarked till now
Flushing each flowery nook and sunny brow;
Wished peace returning like a bird of calm,
Brings to the wounded world its blessed healing balm.
On nerveless, tuneless lines how sadly
Ringing rhymes may wasted be,
While blank verse oft is mere prose madly
Striving to be poetry:
While prose that’s craggy as a mountain
May Apollo’s sun-robe don,
Or hold the well-spring of a fountain
Bright as that in Helicon.
28
~ Charles Harpur,
1411:Recollections
Ye dear stars of the Bear, I did not think
I should again be turning, as I used,
To see you over father's garden shine,
And from the windows talk with you again
Of this old house, where as a child I dwelt,
And where I saw the end of all my joys.
What charming images, what fables, once,
The sight of you created in my thought,
And of the lights that bear you company!
Silent upon the verdant clod I sat,
My evening thus consuming, as I gazed
Upon the heavens, and listened to the chant
Of frogs that in the distant marshes croaked;
While o'er the hedges, ditches, fire-flies roamed,
And the green avenues and cypresses
In yonder grove were murmuring to the wind;
While in the house were heard, at intervals,
The voices of the servants at their work.
What thoughts immense in me the sight inspired
Of that far sea, and of the mountains blue,
That yonder I behold, and which I thought
One day to cross, mysterious worlds and joys
Mysterious in the future fancying!
Of my hard fate unconscious, and how oft
This sorrowful and barren life of mine
I willingly would have for death exchanged!
Nor did my heart e'er tell me, I should be
Condemned the flower of my youth to spend
In this wild native region, and amongst
A wretched, clownish crew, to whom the names
Of wisdom, learning, are but empty sounds,
Or arguments of laughter and of scorn;
Who hate, avoid me; not from envy, no;
For they do not esteem me better than
Themselves, but fancy that I, in my heart,
That feeling cherish; though I strive, indeed,
No token of such feeling to display.
And here I pass my years, abandoned, lost,
72
Of love deprived, of life; and rendered fierce,
'Mid such a crowd of evil-minded ones,
My pity and my courtesy I lose,
And I become a scorner of my race,
By such a herd surrounded; meanwhile, fly
The precious hours of youth, more precious far
Than fame, or laurel, or the light of day,
Or breath of life: thus uselessly, without
One joy, I lose thee, in this rough abode,
Whose only guests are care and suffering,
O thou, the only flower of barren life!
The wind now from the tower of the town
The deep sound of the bell is bringing. Oh,
What comfort was that sound to me, a child,
When in my dark and silent room I lay,
Besieged by terrors, longing for the dawn!
Whate'er I see or hear, recalls to mind
Some vivid image, recollection sweet;
Sweet in itself, but O how bitter made
By painful sense of present suffering,
By idle longing for the past, though sad,
And by the still recurring thought, '_I was_'!
Yon gallery that looks upon the west;
Those frescoed walls, these painted herds, the sun
Just rising o'er the solitary plain,
My idle hours with thousand pleasures filled,
While busy Fancy, at my side, still spread
Her bright illusions, wheresoe'er I went.
In these old halls, when gleamed the snow without,
And round these ample windows howled the wind,
My sports resounded, and my merry words,
In those bright days, when all the mysteries
And miseries of things an aspect wear,
So full of sweetness; when the ardent youth
Sees in his untried life a world of charms,
And, like an unexperienced lover, dotes
On heavenly beauty, creature of his dreams!
O hopes, illusions of my early days!-Of you I still must speak, to you return;
For neither flight of time, nor change of thoughts,
73
Or feelings, can efface you from my mind.
Full well I know that honor and renown
Are phantoms; pleasures but an idle dream;
That life, a useless misery, has not
One solid fruit to show; and though my days
Are empty, wearisome, my mortal state
Obscure and desolate, I clearly see
That Fortune robs me but of little. Yet,
Alas! as often as I dwell on you,
Ye ancient hopes, and youthful fancy's dreams,
And then look at the blank reality,
A life of ennui and of wretchedness;
And think, that of so vast a fund of hope,
Death is, to-day, the only relic left,
I feel oppressed at heart, I feel myself
Of every comfort utterly bereft.
And when the death, that I have long invoked,
Shall be at hand, the end be reached of all
My sufferings; when this vale of tears shall be
To me a stranger, and the future fade,
Fade from sight forever; even then, shall I
Recall you; and your images will make
Me sigh; the thought of having lived in vain,
Will then intrude, with bitterness to taint
The sweetness of that day of destiny.
Nay, in the first tumultuous days of youth,
With all its joys, desires, and sufferings,
I often called on death, and long would sit
By yonder fountain, longing, in its waves
To put an end alike to hope and grief.
And afterwards, by lingering sickness brought
Unto the borders of the grave, I wept
O'er my lost youth, the flower of my days,
So prematurely fading; often, too,
At late hours sitting on my conscious bed,
Composing, by the dim light of the lamp,
I with the silence and the night would moan
O'er my departing soul, and to myself
In languid tones would sing my funeral-song.
Who can remember you without a sigh,
74
First entrance into manhood, O ye days
Bewitching, inexpressible, when first
On the enchanted mortal smiles the maid,
And all things round in emulation smile;
And envy holds its peace, not yet awake,
Or else in a benignant mood; and when,
--O marvel rare!--the world a helping hand
To him extends, his faults excuses, greets
His entrance into life, with bows and smiles
Acknowledges his claims to its respect?
O fleeting days! How like the lightning's flash,
They vanish! And what mortal can escape
Unhappiness, who has already passed
That golden period, his own _good_ time,
That comes, alas, so soon to disappear?
And thou, Nerina, does not every spot
Thy memory recall? And couldst thou e'er
Be absent from my thought? Where art thou gone,
That here I find the memory alone,
Of thee, my sweet one? Thee thy native place
Beholds no more; that window, whence thou oft
Wouldst talk with me, which sadly now reflects
The light of yonder stars, is desolate.
Where art thou, that I can no longer hear
Thy gentle voice, as in those days of old,
When every faintest accent from thy lips
Was wont to turn me pale? Those days have gone.
They _have been_, my sweet love! And thou with them
Hast passed. To others now it is assigned
To journey to and fro upon the earth,
And others dwell amid these fragrant hills.
How quickly thou hast passed! Thy life was like
A dream. While dancing there, joy on thy brow
Resplendent shone, anticipations bright
Shone in thy eyes, the light of youth, when Fate
Extinguished them, and thou didst prostrate lie.
Nerina, in my heart the old love reigns.
If I at times still go unto some feast,
Or social gathering, unto myself
I say: 'Nerina, thou no more to feast
Dost go, nor for the ball thyself adorn.'
75
If May returns, when lovers offerings
Of flowers and of songs to maidens bring,
I say: 'Nerina mine, to thee spring ne'er
Returns, and love no more its tribute brings.'
Each pleasant day, each flowery field that I
Behold, each pleasure that I taste, the thought
Suggest: 'Nerina pleasure knows no more,
The face of heaven and earth no more beholds.'
Ah, thou hast passed, for whom I ever sigh!
Hast passed; and still the memory of thee
Remains, and with each thought and fancy blends
Each varying emotion of the heart;
And _will_ remain, so bitter, yet so sweet!
~ Count Giacomo Leopardi,
1412:(PETER RONSARD loquitur.)

``Heigho!'' yawned one day King Francis,
``Distance all value enhances!
``When a man's busy, why, leisure
``Strikes him as wonderful pleasure:
`` 'Faith, and at leisure once is he?
``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm
``Caught thinking war the true pastime.
``Is there a reason in metre?
``Give us your speech, master Peter!''
I who, if mortal dare say so,
Ne'er am at loss with my Naso,
``Sire,'' I replied, ``joys prove cloudlets:
``Men are the merest Ixions''-
Here the King whistled aloud, ``Let's
``-Heigho-go look at our lions!''
Such are the sorrowful chances
If you talk fine to King Francis.

And so, to the courtyard proceeding,
Our company, Francis was leading,
Increased by new followers tenfold
Before be arrived at the penfold;
Lords, ladies, like clouds which bedizen
At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost
With the dame he professed to adore most.
Oh, what a face! One by fits eyed
Her, and the horrible pitside;
For the penfold surrounded a hollow
Which led where the eye scarce dared follow,
And shelved to the chamber secluded
Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab
As glossy and black as a scarab,

And bade him make sport and at once stir
Up and out of his den the old monster.
They opened a hole in the wire-work
Across it, and dropped there a firework,
And fled: one's heart's beating redoubled;
A pause, while the pit's mouth was troubled,
The blackness and silence so utter,
By the firework's slow sparkling and sputter;
Then earth in a sudden contortion
Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot
(Whose experience of nature's but narrow,
And whose faculties move in no small mist
When he versifies David the Psalmist)
I should study that brute to describe you
Illim Juda Leonem de Tribu.
One's whole blood grew curdling and creepy
To see the black mane, vast and heapy,
The tail in the air stiff and straining,
The wide eyes, nor waxing nor waning,
As over the barrier which bounded
His platform, and us who surrounded
The barrier, they reached and they rested
On space that might stand him in best stead:
For who knew, he thought, what the amazement,
The eruption of clatter and blaze meant,
And if, in this minute of wonder,
No outlet, 'mid lightning and thunder,
Lay broad, and, his shackles all shivered,
The lion at last was delivered?
Ay, that was the open sky o'erhead!
And you saw by the flash on his forehead,
By the hope in those eyes wide and steady,
He was leagues in the desert already,
Driving the flocks up the mountain,
Or catlike couched hard by the fountain
To waylay the date-gathering negress:
So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear,
(``No novice, we've won our spurs elsewhere
``And so can afford the confession,)
``We exercise wholesome discretion
``In keeping aloof from his threshold;
``Once hold you, those jaws want no fresh hold,
``Their first would too pleasantly purloin
``The visitor's brisket or surloin:
``But who's he would prove so fool-hardy?
``Not the best man of Marignan, pardie!''

The sentence no sooner was uttered,
Than over the rails a glove flattered,
Fell close to the lion, and rested:
The dame 'twas, who flung it and jested
With life so, De Lorge had been wooing
For months past; he sat there pursuing
His suit, weighing out with nonchalance
Fine speeches like gold from a balance.

Sound the trumpet, no true knight's a tarrier!
De Lorge made one leap at the barrier,
Walked straight to the glove,-while the lion
Neer moved, kept his far-reaching eye on
The palm-tree-edged desert-spring's sapphire,
And the musky oiled skin of the Kaffir,-
Picked it up, and as calmly retreated,
Leaped back where the lady was seated,
And full in the face of its owner
Flung the glove.

``Your heart's queen, you dethrone her?
``So should I!''-cried the King-``'twas mere vanity,
``Not love, set that task to humanity!''
Lords and ladies alike turned with loathing
From such a proved wolf in sheep's clothing.

Not so, I; for I caught an expression
In her brow's undisturbed self-possession
Amid the Court's scoffing and merriment,-
As if from no pleasing experiment
She rose, yet of pain not much heedful
So long as the process was needful,-
As if she had tried in a crucible,
To what ``speeches like gold'' were reducible,
And, finding the finest prove copper,
Felt the smoke in her face was but proper;
To know what she had not to trust to,
Was worth all the ashes and dust too.
She went out 'mid hooting and laughter;
Clement Marot stayed; I followed after,
And asked, as a grace, what it all meant?
If she wished not the rash deed's recalment?
``For I''-so I spoke-``am a poet:
``Human nature,-behoves that I know it!''

She told me, ``Too long had I heard
``Of the deed proved alone by the word:
``For my love-what De Lorge would not dare!
``With my scorn-what De Lorge could compare!
``And the endless descriptions of death
``He would brave when my lip formed a breath,
``I must reckon as braved, or, of course,
``Doubt his word-and moreover, perforce,
``For such gifts as no lady could spurn,
``Must offer my love in return.
``When I looked on your lion, it brought
``All the dangers at once to my thought,
``Encountered by all sorts of men,
``Before he was lodged in his den,-
``From the poor slave whose club or bare hands
``Dug the trap, set the snare on the sands,
``With no King and no Court to applaud,
``By no shame, should he shrink, overawed,
``Yet to capture the creature made shift,
``That his rude boys might laugh at the gift,
``-To the page who last leaped o'er the fence
``Of the pit, on no greater pretence
``Than to get back the bonnet he dropped,
``Lest his pay for a week should be stopped.
``So, wiser I judged it to make
``One trial what `death for my sake'
``Really meant, while the power was yet mine,
``Than to wait until time should define
``Such a phrase not so simply as I,
``Who took it to mean just `to die.'
``The blow a glove gives is but weak:
``Does the mark yet discolour my cheek?
``But when the heart suffers a blow,
``Will the pain pass so soon, do you know?''

I looked, as away she was sweeping,
And saw a youth eagerly keeping
As close as he dared to the doorway.
No doubt that a noble should more weigh
His life than befits a plebeian;
And yet, had our brute been Nemean-
(I judge by a certain calm fervour
The youth stepped with, forward to serve her)
-He'd have scarce thought you did him the worst turn
If you whispered ``Friend, what you'd get, first earn!''
And when, shortly after, she carried
Her shame from the Court, and they married,
To that marriage some happiness, maugre
The voice of the Court, I dared augur.

For De Lorge, he made women with men vie,
Those in wonder and praise, these in envy;
And in short stood so plain a head taller
That he wooed and won how do you call her?
The beauty, that rose in the sequel
To the King's love, who loved her a week well.
And 'twas noticed he never would honour
De Lorge (who looked daggers upon her)
With the easy commission of stretching
His legs in the service, and fetching
His wife, from her chamber, those straying
Sad gloves she was always mislaying,
While the King took the closet to chat in,-
But of course this adventure came pat in.
And never the King told the story,
How bringing a glove brought such glory,
But the wife smiled-``His nerves are grown firmer:
``Mine he brings now and utters no murmur.''

Venienti occurrite morbo!
With which moral I drop my theorbo.
A beetle.


~ Robert Browning, The Glove
,
1413:Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remain'd a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea,
Cradled and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Wash'd by the soft blue Oceans of young air.
It is a favour'd place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt not seen
O'er the gray rocks, blue waves and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Rear'd it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were, Titanic; in the heart
Of Earth having assum'd its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been eras'd, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.

This isle and house are mine, and I have vow'd
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap
Their wither'd hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea,
Trembles and sparkles as with ecstasy--
Possessing and possess'd by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one: or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expir'd night asleep,
Through which the awaken'd day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confus'd in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigur'd; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbu'd
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire--
I pant, I sink, I tremble, I expire!

~ Percy Bysshe Shelley, Epipsychidion (Excerpt)
,
1414:Monodies
I.
I stand in thought beside my father’s grave:
The grave of one who, in his old age, died
Too late perhaps, since he endured so much
Of corporal anguish, sweating bloody sweat;
But not an hour too soon—no, not an hour!
Even if through all his many years, he ne’er
Had known another ailment than decay,
Or felt one bodily pang. For his bruised heart
And wounded goodwill, wounded through its once
Samsonian vigour and too credulous trust
In that great Delilah, the harlot world,
Had done with fortune;—nay, his very tastes,
Even the lowliest, had by blast on blast
Of sorrow and mischance, been blown like leaves
Deciduous, when the year is withering out,
From every living hold on what we here
Call nature; he but followed in their wake.
Nor was there in the lives of those he loved,
Even had he been susceptible of cheer,
Enough of fortune to warm into peace
A little longer ere he passed away
The remnant of his chilled humanity.
Wet are mine eyes, and my heart aches, to think
How much of evil ridged his course of time
And earthly pilgrimage. Alas! Enough
(However bravely struggled with throughout,
Or passively accepted) to have slain
In almost any other human heart,
All comforting reliance on the sure
Though still reserved supremecy of good!
For few are they, who, on this stormy ball,
Can live a long life full of loss and pain,
And yet through doubts, dull clouds, uplooking, see
In that wide dome which roofs the apparent whole
Without or seam or flaw, a visible type
Of heaven’s intact infinitude of love.
Yet died he a believer in the truth
And fatherhood of the Holy One—a God
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Help-mighty, nor unmindful of mankind;
Yea, in the heavenward reaching light of faith
His soul went forth, as in a sunbeam’s track
Some close-caged bird, from a long bondage freed,
Goes winging up—up through the open sky,
Rejoicing in the widening glow that paths
The final victory of its native wings!
And whether all was triumph as it went
Piercing eternity, or whether clouds
Of penal terror gathered in the way,
Not less must death the great inductor be
To much that far transcends time’s highest lore,
Must be at worst a grimly grateful thing,
If only through deliverance from doubt,
The clinging curse of mortals. In the flesh
What own we but the present, with its scant
Assurance of a secular permanence
Even in the fact of being? While all that lies
Beyond it, lies or in the casual drifts
Of embryon needs that, lurking dark, project
To-morrow’s world,—or worse, at the wild will
Of a demoniac fortune! But the dead
Have this immunity at least—a lot
Final and fixed, as evermore within
The gates of the Eternal! For the past
Is wholly God s, and therefore, like himself,
Knows no reverse, no change,—but lies for eye
Stretched in the sabbath of its vast repose.
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II.

My dear, dear Charley! Can it be that thou

Art gone from us for ever! Whilst I sit

Amid these forest shadows that now fall

In sombre masses mixed with sunny gleams

Upon thy early grave, and think of all

The household love that was our mutual lot

So late, and during all thy little life—

Thy thirteen years of sonhood,—it is hard

107

(So dreamlike wild it seems) to realize

The shuddering certainty, that thou art now

In the eternal world, and reft away

In one dread moment from thy father’s heart!

Thy young intelligence from his lonely side

So reft for ever, leaving him, alas!

Thus sitting here forlorn—here by thy grave

New-made and bare, as upon life’s bleak brink,

To stare out deathward through his blinding tears.

And they, thy brothers and thy sisters, Charley,

They miss their vanished playmate so beloved,

And so endeared by years of happy help,

And many a pleasant old-faced memory!

I see them often when thy name is breathed

Look away askingly out into space,

As if they thought thy spirit might be there,
Still yearning towards them with a saddened love
Like that in their own hearts. And an! To him
Who at thy side, when death came swift upon thee,
Sent out through the wild forest such a shriek
As never until then might break the peace
That nestles in its lairs—ah! When to him
Shall the drear haggard memory of that day
Be other than a horror—such as, clothed
In terrible mystery, for ever keeps
Stalking beside us in some ghastly dream.
But most I pity her who bore thee, Charley,
Whose mother-bosom was at once the next
And fountain of thy infant life, and who,
Through all thy after years, was ever wont
To shield thee with her love, and doat the while
(Though with some fear) upon those spirited ways
And nascent self-reliance, that seemed
The promise of a manhood strong and brave;
Loving thee more perhaps than ever I—
If that be possible; and to whom ’tis plain
All things are changed now through the loss of thee!
All home consuetudes, and household wonts,
And motherly providences, which before
Did fill the passing hour so pleasantly,
Changed now and irksome, as if life itself
With all its motives suddenly had grown
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Delusive as a dream. Then will she come,
And gaze out hitherward, and up to heaven,
With eyes so asking that they seem to say,
Where is my darling, and why was he torn
Away so rudely from a love like mine?
In vain! In vain! Art thou so vacant then,
O thou wide heaven! That no pitying star
May seem to breathe down through the forest trees,
With mystical assurance that the past
Is living and not dead? That no refrain
Of lingering spirit-sympathy may for once
Intone the melancholy wind, as thus
Its waves surge overhead, with what might seem
Some imtimation from beyond the grave
That love can never cease?
We ask in vain!
Voiceless is that dread gulf twixt life and death!
And is it wholly well it should be so?
That even love (though in the morning glow
Of human faith once visioned to have moved
The inexorable profound of hell itself)
May stare tear-blinded from its hither shore
And shriek to it in vain? That from beyond
No quieting whisper may across it breathe
Of peace from the immortals? Not a glimpse
Of that Elysian beauty which enrobes,
As with the garment of the Deity,
Its heavenward coast, e’er reach us? While we here
Sit groaning—full of wild misgivings—full
Of mournful memories and embittered wonts,
And so engloomed, so overcast by dark
Disquieting doubts, that we are often fain
To leap from them at once, though out of life,
Madly desirous to have done with time?
Ah! Whither has emotion, wild with loss,
Carried me doubtward? Broken as I am,
Let me strive rather to believe that God
Has ordered nothing otherwise than well;
And thereby strengthened, let me teach my heart
That he who now in this bleak world to us
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Is lost for ever—the bright boy we loved—
The Charley of our memory, whose death
Came down amongst us in a guise so fierce,
Was taken yet in mercy, and is now
At home with Him.
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III.

Since thou art dead—since thou art dead,

Though to look up is still to see

The blue heaven bending o’er my head

So big with good, showered bounteously;

Though scenes of love he round me spread,

And o’er the hills, as once with thee,

My brother, still with venturous tread

I wander where broad rivers fret

And lighten onward to the sea,

As erst unchanged, unchanging; yet

How different is the world to me.

The light, a with a living robe,

Doth clothe all nature as of yore;

The sun with his great golden globe

Doth crown yon hill when night is o’er;

The moon and stars o’erwatch the earth

As I have seen them from my birth;

But O! Thou light, and sun, and moon,

And O! Ye stars so bright and boon,

Though I as fervently may feel

All the great glories you reveal

As ever I have felt before—

Your genial warmth, your mystic sheen—

Yet all to me that you have been

You never can be more.
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~ Charles Harpur,
1415:P. A. Munch
Many forms belong to greatness.
He who now has left us bore it
As a doubt that made him sleepless,
But at last gave revelation,As a sight-enhancing power,
That gave visions joined with anguish
Over all beyond our seeing,As a flight on labor's pinions
From the thought unto the certain,
Thence aloft to intuition,Restless haste and changeful ardor,
God-inspired and unceasing,
Through the wide world ever storming,
Took its load of thoughts and doubtings,
Bore them, threw them off,-and took them,
Never tired, never listless.
Still! for he had one haven of rest:
Family-life peace-bestowing!
Powers of light gave repose to his breast,
Calm 'mid the strife of his knowing.
Softly with music his wife led him in
Unto the sweet-smelling birches!
Unto the flowers and still deeper in
Under the fir-forest's churches!
Daughters drew near him in love secure
Cooling his forehead's hot fever;
Gently their message of innocence pure
Made him a childlike believer.
Or he joined glad in their light-hearted game,
Colors and music surrounding,Gone were the clouds, in the heavens came
Sparkling of star-light abounding.
But as in an autumn evening
Silent, dreamy, dark, sheet-lightning
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Wakens thought and feeling stormward,Or as in a boat a sudden
Stroke when gliding as in slumber
On between the cliffs that tower
In a quiet, balmy spring night,But a single stroke and soft, then
Echo takes it up and tosses
To and fro 'mid walls of mountains,
Thrush and grouse send forth their wood-calls
Deer rise up and listen keenly,
Stones are rolling, all are up now,
Dogs are barking, bells are clanging,
Ushering in the strife of daytime,Thus could oft a recollection
Down-light falling in that playtime,
Waken all his thought and doubting!
Then it roved the wide world over,
Then it hottest burned within him,But it lavished light for others!
Rise of races, spread of language,
Birth of names, all laws' close kinship,
Small and great in equal passion,
Equal haste and doubting goal-ward!There where others stones saw only,
He saw precious gems that glistened,
Sunk his shaft the mine to deepen.
And where others thought the treasure
Sure and safe for years a hundred,
Doubt possessed him as he burrowed
Day and night - and saw it vanish!
But the unrest that gave power
Made him oft the goal pass over;
While to others he gave clearness,
Intuitions new deceived him.
Therefore: where he once had striven,
Thither he would turn him never,
Changed his ground and shifted labor,
From his own thought-conquests fleeing.
But his thoughts pursued, untiring,
Followed, growing, as the fire,
113
Kindled in Brazilian forests,
Storm-wind makes and storm-wind follows!
Where before no foot had trodden,
Ways were burned for many millions!
Northward stretches Scandinavia
'Mid the fog that dims the Ice-sea,
Darkness of the months of winter
Lays its weight on sea and mountain.
Like our lands are too our peoples.
Their beginnings prehistoric
Stretch afar in fog and darkness.
But as through the fog a lighthouse,
Or as Northern Lights o'er darkness,
Gleamed his thought with light and guidance.
When with filial fond remembrance
Tenderly he sought and questioned,
Searching for his people's pathwaysNames and graves and rusty weapons,
Stones and tools their answer gave him.
Through primeval Asian forests,
Over steppes and sands of deserts,
'Neath a thousand years that moldered,
Saw he caravan-made footsteps
Seek a new home in the Northland.
And as they the rivers followed,
Followed them his thought abundant,
Into Nature's All full-flowing.See his restless soul's creation!
Harmony of truth he yearned for,
Found it not, but wonder-working
New discoveries and pathways,
-Like those alchemists aforetime
Who, though gold was all their seeking,
Found not that, but mighty forces,
Which to-day the world are moving.**
Deepest ground of all his being
Was the polar power of contrast,
114
For his thought, to music wakened
By the touch of
Northern Saga
Vibrated melodious longing,
Toward the
South
forever tending.
In his eye the lambent fire,
Of his thought the glint, showed kinship
With the free improvisator
In the land of warmth and vineyards.
And his swiftly changing feeling
And his all-consuming ardor,
That could toil the livelong winter
Till caprice the fruit discarded,That immeasurable richness
Wherein thoughts and moods and music,
Joy and sorrow, jest and earnest,
Gleamed and played without cessation,All a Southern day resembled!
Therefore was his life a journey,
Towards the South in constant movement,Through the mists of intuition,
From the darker to the brighter,
From the colder to the warmer,On the bridge of ceaseless labor
Bearing over sea and mountain!
Oh, the time with wife beside him
And his bonny playmate-sisters
(Gladsome children, winsome daughters),
When he stood, where evening sunshine
Glowed on Capitol and Forum,Stood where from the great world-city,
As from history's very fountain,
Knowledge wells in streams of fullness;Where a clearness large and cloudless
Falls upon the bygone ages
That have laid them down to rest here;Where to him, the Northern searcher,
115
It would seem, he had been straying
Too long lost in history's fogland,
Rowing round the deep fjords' surface;Stood where dead men burst the earth-clods
And themselves come forth for witness
In their heavy marble togas;Where the goddesses of Delos
In the frescoed halls are dancing,
As two thousand years before now;Pantheon and Coliseum
In their spacious fate have sheltered
All the world's swift evolution;Where a Hermes from that corner
Saw the footsteps firm of Cato,
Pontifex in the procession,Saw then Nero as Apollo
Lifted up take sacrifices,
Saw then Gregory, the wrathful,
Riding forth to rule in spirit
Over all the known world's kingdoms,Saw then Cola di Rienzi
Homage pay to freedom's goddess
'Mid the Roman people's paeans,Saw Pope Leo and his princes
Choose instead of the Lord Jesus
Aristotle dead and Plato;Saw again how stouter epochs
Raised the Church of Papal power,
Till the Frenchman overthrew it
And exalted Nature's Godhead;
Saw anew then wonted custom
In its pious, still processions
With a Lamb the great world's ruler!All this saw the little Hermes
On the corner near the temple,
And the wise man from the Northland
Saw that Hermes and his visions.
Yes, when over Rome he stood there
In that high, historic clearness,
And his eye the mountain-ridges
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Followed toward the red of evening,Then all beams of longing focused
In a blessed intuition,
And - he saw a church before him
Greater far than that of nature,
And he felt a peace descending,
Larger far than all the present.
When the second time he came there,
After days and nights of labor,
Hard as were it for redemption,Then the Lord Himself gave welcome,
Led him gently thither, saying:
'Peace be with thee! Thou hast conquered!'
But to us with sorrow stricken
Turned the Lord with comfort, saying:
'When
call, who then dares murmur,
That the called man had not finished?'
Whoso dies, he here had finished!
Spite our sorrow we believe it,
Hold that He, who unrest giveth
(The discoverer's disquiet,
That drove Newton, drove Columbus),
Also knows when rest is needed.
But we question, while reviewing
All that mighty thought-armada
Now disbanded, home-returning:
Who again shall reunite it?
For when
he
cut his war-arrow,
Lords and liegemen soon were mustered,
And to aid from Sweden, Denmark,
England, France, swift-flying vessels
Coursed the sea-ways toward his standard.
117
Royal was that fleet and mighty,
By our shore at anchor lying;
We were wont to see it near us
Or to hear the wondrous tidings
Of its cruises and its conquests.
What it won we own forever;
But the fleet is sailing homeward.
Here we stand the last sail watching
As it sinks on the horizon.
Then we turn and breathe the question:
Who again shall reunite it?
~ Bjornstjerne Bjornson,
1416:KUSTA BEN LUKA is my name, I write
To Abd Al-Rabban; fellow-roysterer once,
Now the good Caliph's learned Treasurer,
And for no ear but his.
Carry this letter
Through the great gallery of the Treasure House
Where banners of the Caliphs hang, night-coloured
But brilliant as the night's embroidery,
And wait war's music; pass the little gallery;
Pass books of learning from Byzantium
Written in gold upon a purple stain,
And pause at last, I was about to say,
At the great book of Sappho's song; but no,
For should you leave my letter there, a boy's
Love-lorn, indifferent hands might come upon it
And let it fall unnoticed to the floor.
pause at the Treatise of parmenides
And hide it there, for Caiphs to world's end
Must keep that perfect, as they keep her song,
So great its fame.
When fitting time has passed
The parchment will disclose to some learned man
A mystery that else had found no chronicler
But the wild Bedouin. Though I approve
Those wanderers that welcomed in their tents
What great Harun Al-Rashid, occupied
With Persian embassy or Grecian war,
Must needs neglect, I cannot hide the truth
That wandering in a desert, featureless
As air under a wing, can give birds' wit.
In after time they will speak much of me
And speak but fantasy. Recall the year
When our beloved Caliph put to death
His Vizir Jaffer for an unknown reason:
"If but the shirt upon my body knew it
I'd tear it off and throw it in the fire.'
That speech was all that the town knew, but he
Seemed for a while to have grown young again;
Seemed so on purpose, muttered Jaffer's friends,
That none might know that he was conscience-struck
But that s a traitor's thought. Enough for me
That in the early summer of the year
The mightiest of the princes of the world
Came to the least considered of his courtiers;
Sat down upon the fountain's marble edge,
One hand amid the goldfish in the pool;
And thereupon a colloquy took place
That I commend to all the chroniclers
To show how violent great hearts can lose
Their bitterness and find the honeycomb.
"I have brought a slender bride into the house;
You know the saying, ""Change the bride with spring.''
And she and I, being sunk in happiness,
Cannot endure to think you tread these paths,
When evening stirs the jasmine bough, and yet
Are brideless.'
"I am falling into years.'
"But such as you and I do not seem old
Like men who live by habit. Every day
I ride with falcon to the river's edge
Or carry the ringed mail upon my back,
Or court a woman; neither enemy,
Game-bird, nor woman does the same thing twice;
And so a hunter carries in the eye
A mimic of youth. Can poet's thought
That springs from body and in body falls
Like this pure jet, now lost amid blue sky,
Now bathing lily leaf and fish's scale,
Be mimicry?'
"What matter if our souls
Are nearer to the surface of the body
Than souls that start no game and turn no rhyme!
The soul's own youth and not the body's youth
Shows through our lineaments. My candle's bright,
My lantern is too loyal not to show
That it was made in your great father's reign,
And yet the jasmine season warms our blood.'
"Great prince, forgive the freedom of my speech:
You think that love has seasons, and you think
That if the spring bear off what the spring gave
The heart need suffer no defeat; but I
Who have accepted the Byzantine faith,
That seems unnatural to Arabian minds,
Think when I choose a bride I choose for ever;
And if her eye should not grow bright for mine
Or brighten only for some younger eye,
My heart could never turn from daily ruin,
Nor find a remedy.'
"But what if I
Have lit upon a woman who so shares
Your thirst for those old crabbed mysteries,
So strains to look beyond Our life, an eye
That never knew that strain would scarce seem bright,
And yet herself can seem youth's very fountain,
Being all brimmed with life?'
"Were it but true
I would have found the best that life can give,
Companionship in those mysterious things
That make a man's soul or a woman's soul
Itself and not some other soul.'
"That love
Must needs be in this life and in what follows
Unchanging and at peace, and it is right
Every philosopher should praise that love.
But I being none can praise its opposite.
It makes my passion stronger but to think
Like passion stirs the peacock and his mate,
The wild stag and the doe; that mouth to mouth
Is a man's mockery of the changeless soul.'
And thereupon his bounty gave what now
Can shake more blossom from autumnal chill
Than all my bursting springtime knew. A girl
Perched in some window of her mother's housc
Had watched my daily passage to and fro;
Had heard impossible history of my past;
Imagined some impossible history
Lived at my side; thought time's disfiguring touch
Gave but more reason for a woman's care.
Yet was it love of me, or was it love
Of the stark mystery that has dazed my sight,
perplexed her fantasy and planned her care?
Or did the torchlight of that mystery
Pick out my features in such light and shade
Two contemplating passions chose one theme
Through sheer bewilderment? She had not paced
The garden paths, nor counted up the rooms,
Before she had spread a book upon her knees
And asked about the pictures or the text;
And often those first days I saw her stare
On old dry writing in a learned tongue,
On old dry ****s that could never please
The extravagance of spring; or move a hand
As if that writing or the figured page
Were some dear cheek.
Upon a moonless night
I sat where I could watch her sleeping form,
And wrote by candle-light; but her form moved.
And fearing that my light disturbed her sleep
I rose that I might screen it with a cloth.
I heard her voice, "Turn that I may expound
What's bowed your shoulder and made pale your cheek
And saw her sitting upright on the bed;
Or was it she that spoke or some great Djinn?
I say that a Djinn spoke. A livelong hour
She seemed the learned man and I the child;
Truths without father came, truths that no book
Of all the uncounted books that I have read,
Nor thought out of her mind or mine begot,
Self-born, high-born, and solitary truths,
Those terrible implacable straight lines
Drawn through the wandering vegetative dream,
Even those truths that when my bones are dust
Must drive the Arabian host.
The voice grew still,
And she lay down upon her bed and slept,
But woke at the first gleam of day, rose up
And swept the house and sang about her work
In childish ignorance of all that passed.
A dozen nights of natural sleep, and then
When the full moon swam to its greatest height
She rose, and with her eyes shut fast in sleep
Walked through the house. Unnoticed and unfelt
I wrapped her in a hooded cloak, and she,
Half running, dropped at the first ridge of the desert
And there marked out those emblems on the sand
That day by day I study and marvel at,
With her white finger. I led her home asleep
And once again she rose and swept the house
In childish ignorance of all that passed.
Even to-day, after some seven years
When maybe thrice in every moon her mouth
Murmured the wisdom of the desert Djinns,
She keeps that ignorance, nor has she now
That first unnatural interest in my books.
It seems enough that I am there; and yet,
Old fellow-student, whose most patient ear
Heard all the anxiety of my passionate youth,
It seems I must buy knowledge with my peace.
What if she lose her ignorance and so
Dream that I love her only for the voice,
That every gift and every word of praise
Is but a payment for that midnight voice
That is to age what milk is to a child?
Were she to lose her love, because she had lost
Her confidence in mine, or even lose
Its first simplicity, love, voice and all,
All my fine feathers would be plucked away
And I left shivering. The voice has drawn
A quality of wisdom from her love's
Particular quality. The signs and shapes;
All those abstractions that you fancied were
From the great Treatise of parmenides;
All, all those gyres and cubes and midnight things
Are but a new expression of her body
Drunk with the bitter sweetness of her youth.
And now my utmost mystery is out.
A woman's beauty is a storm-tossed banner;
Under it wisdom stands, and I alone
Of all Arabia's lovers I alone
Nor dazzled by the embroidery, nor lost
In the confusion of its night-dark folds,
Can hear the armed man speak.

~ William Butler Yeats, The Gift Of Harun Al-Rashid
,
1417:I
Ancestral Houses
SURELY among a rich man s flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?

II
My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwindling score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.

III
My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.

IV
My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V
The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.

VI
The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no cleat fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.

VII
I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist
sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
"Vengeance upon the murderers,' the cry goes up,
"Vengeance for Jacques Molay.' In cloud-pale rags, or
in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading
wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their
eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or
of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the
moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my
worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.

~ William Butler Yeats, Meditations In Time Of Civil War
,
1418:The Mosque Of Cordoba
The succession of day and night
Is the architect of events.
The succession of day and night
Is the fountain-head of life and death.
The succession of day and night
Is a two-tone silken twine,
With which the Divine Essence
Prepares Its apparel of Attributes.
The succession of day and night
Is the reverberation of the symphony of
Creation.
Through its modulations, the Infinite
demonstrates
The parameters of possibilities.
The succession of day and night
Is the touchstone of the universe;
Now sitting in judgement on you,
Now setting a value on me.
But what if you are found wanting.
What if I am found wanting.
Death is your ultimate destiny.
Death is my ultimate destiny.
What else is the reality of your days
and nights,
Besides a surge in the river of time,
Sans day, sans night.
Frail and evanescent, all miracles of
ingenuity,
Transient, all temporal attainments;
Ephemeral, all worldly accomplishments.
Annihilation is the end of all
beginnings.
Annihilation is the end of all ends.
56
Extinction, the fate of everything;
Hidden or manifest, old or new.
Yet in this very scenario
Indelible is the stamp of permanence
On the deeds of the good and godly.
Deeds of the godly radiate with Love,
The essence of life,
Which death is forbidden to touch.
Fast and free flows the tide of time,
But Love itself is a tide that stems all tides.
In the chronicle of Love there are times
Other than the past, the present and the
future;
Times for which no names have yet
been coined.
Love
Love
Love
Love
is
is
is
is
the
the
the
the
breath of Gabriel.
heart of Mustafa.
messenger of God.
Word of God.
Love is ecstasy lends luster to earthly
forms.
Love is the heady wine,
Love is the grand goblet.
Love is the commander of marching troops.
Love is a wayfarer with many a way-side
abode.
Love is the plectrum that brings
Music to the string of life.
Love is the light of life.
Love is the fire of life.
To Love, you owe your being,
O, Harem of Cordoba,
To Love, that is eternal;
57
Never waning, never fading.
Just the media these pigments, bricks
and stones;
This harp, these words and sounds, just
the media.
The miracle of art springs from the
lifeblood of the artist!
A droplet of the lifeblood
Transforms a piece of dead rock into a living
heart;
An impressive sound, into a song of
solicitude,
A refrain of rapture or a melody of mirth.
The aura you exude, illumines the
heart.
My plaint kindles the soul.
You draw the hearts to the Presence
Divine,
I inspire them to bloom and blossom.
No less exalted than the Exalted Throne,
Is the throne of the heart, the human breast!
Despite the limit of azure skies,
Ordained for this handful of dust.
Celestial beings, born of light,
Do have the privilege of supplication,
But unknown to them
Are the verve and warmth of
prostration.
An Indian infidel, perchance, am I;
But look at my fervour, my ardour.
‘Blessings and peace upon the Prophet,' sings
my heart.
‘Blessings and peace upon the Prophet,' echo
my lips.
My song is the song of aspiration.
58
My lute is the serenade of longing.
Every fibre of my being
Resonates with the refrains of Allah hoo!
Your beauty, your majesty,
Personify the graces of the man of faith.
You are beautiful and majestic.
He too is beautiful and majestic.
Your foundations are lasting,
Your columns countless,
Like the profusion of palms
In the plains of Syria.
Your arches, your terraces, shimmer with the
light
That once flashed in the valley of Aiman
Your soaring minaret, all aglow
In the resplendence of Gabriel's glory.
The Muslim is destined to last
As his Azan holds the key to the
mysteries
Of the perennial message of Abraham
and Moses.
His world knows no boundaries,
His horizon, no frontiers.
Tigris, Danube and Nile:
Billows of his oceanic expanse.
Fabulous, have been his times!
Fascinating, the accounts of his
achievements!
He it was, who bade the final adieu
To the outworn order.
A cup-bearer is he,
With the purest wine for the connoisseur;
A cavalier in the path of Love
With a sword of the finest steel.
59
A combatant, with la ilah
As his coat of mail.
Under the shadow of flashing
scimitars,
'La ilah' is his protection.
Your edifice unravels
The mystery of the faithful;
The fire of his fervent days,
The bliss of his tender nights.
Your grandeur calls to mind
The loftiness of his station,
The sweep of his vision,
His rapture, his ardour, his pride, his
humility.
The might of the man of faith
Is the might of the Almighty:
Dominant, creative, resourceful, consummate.
He is terrestrial with celestial aspect;
A being with the qualities of the
Creator.
His contented self has no demands
On this world or the other.
His desires are modest; his aims exalted;
His manner charming; his ways winsome.
Soft in social exposure,
Tough in the line of pursuit.
But whether in fray or in social
gathering,
Ever chaste at heart, ever clean in
conduct.
In the celestial order of the macrocosm,
His immutable faith is the centre of the Divine
Compass.
All else: illusion, sorcery, fallacy.
60
He is the journey's end for reason,
He is the raison d 'etre of Love.
An inspiration in the cosmic
communion.
O, Mecca of art lovers,
You are the majesty of the true tenet.
You have elevated Andalusia
To the eminence of the holy Harem.
Your equal in beauty,
If any under the skies,
Is the heart of the Muslim
And no one else.
Ah, those men of truth,
Those proud cavaliers of Arabia;
Endowed with a sublime character,
Imbued with candour and conviction.
Their reign gave the world an
unfamiliar concept;
That the authority of the brave and
spirited
Lay in modesty and simplicity,
Rather than pomp and regality.
Their sagacity guided the East and the West.
In the dark ages of Europe,
It was the light of their vision
That lit up the tracks.
A tribute to their blood it is,
That the Andalusians, even today,
Are effable and warm-hearted,
Ingenuous and bright of countenance.
Even today in this land,
Eyes like those of gazelles are a common
sight.
And darts shooting out of those eyes,
Even today, are on target.
61
Its breeze, even today,
Is laden with the fragrance of Yemen.
Its music, even today,
Carries strains of melodies from Hijaz.
Stars look upon your precincts as a piece of
heaven.
But for centuries, alas!
Your porticoes have not resonated
With the call of the muezzin.
What distant valley, what way-side abode
Is holding back
That valiant caravan of rampant Love.
Germany witnessed the upheaval of religious
reforms
That left no trace of the old perspective.
Infallibility of the church sage began to
ring false.
Reason, once more, unfurled its sails.
France too went through its revolution
That changed the entire orientation of
Western life.
Followers of Rome,
Feeling antiquated worshipping the
ancientry,
Also rejuvenated themselves
With the relish of novelty.
The same storm is raging today
In the soul of the Muslim.
A Divine secret it is,
Not for the lips to utter.
Let us see what surfaces
From the depths of the deep.
Let us see what colour
62
The blue sky changes into.
Clouds in the yonder valley
Are drenched in roseate twilight.
The parting sun has left behind
Mounds and mounds of rubies, the best from
Badakhshan.
Simple and doleful is the song
Of the peasant's daughter:
Tender feelings adrift in the tide of
youth.
O, the ever-flowing waters of Guadalquivir1,
Someone on your banks
Is seeing a vision of some other period of
time.
Tomorrow is still in the womb of
intention,
But its dawn is flashing before my
mind's eye.
Were I to lift the veil
From the profile of my reflections,
The West would be dazzled by its brilliance.
Life without change is death.
The tumult and turmoil of revolution
Keep the soul of a nation alive.
Keen, as a sword in the hands of Destiny
Is the nation
That evaluates its actions at each step.
Incomplete are all creations
Without the lifeblood of the creator.
Soulless is the melody
Without the lifeblood of the maestro.
[Translated by Saleem A. Gilani]
63
Not: This poem was written in in Spain, especially Cordoba
~ Allama Muhammad Iqbal,
1419:Alexander And Zenobia
Fair was the evening and brightly the sun
Was shining on desert and grove,
Sweet were the breezes and balmy the flowers
And cloudless the heavens above.
It was Arabia's distant land
And peaceful was the hour;
Two youthful figures lay reclined
Deep in a shady bower.
One was a boy of just fourteen
Bold beautiful and bright;
Soft raven curls hung clustering round
A brow of marble white.
The fair brow and ruddy cheek
Spoke of less burning skies;
Words cannot paint the look that beamed
In his dark lustrous eyes.
The other was a slender girl,
Blooming and young and fair.
The snowy neck was shaded with
The long bright sunny hair.
And those deep eyes of watery blue,
So sweetly sad they seemed.
And every feature in her face
With pensive sorrow teemed.
The youth beheld her saddened air
And smiling cheerfully
He said, 'How pleasant is the land
Of sunny Araby!
'Zenobia, I never saw
A lovelier eve than this;
I never felt my spirit raised
With more unbroken bliss!
27
'So deep the shades, so calm the hour,
So soft the breezes sigh,
So sweetly Philomel begins
Her heavenly melody.
'So pleasant are the scents that rise
From flowers of loveliest hue,
And more than all -- Zenobia,
I am alone with you!
Are we not happy here alone
In such a healthy spot?'
He looked to her with joyful smile
But she returned it not.
'Why are you sorrowful?' he asked
And heaved a bitter sigh,
'O tell me why those drops of woe
Are gathering in your eye.'
'Gladly would I rejoice,' she said,
'But grief weighs down my heart.
'Can I be happy when I know
Tomorrow we must part?
'Yes, Alexander, I must see
This happy land no more.
At break of day I must return
To distant Gondal's shore.
'At morning we must bid farewell,
And at the close of day
You will be wandering alone
And I shall be away.
'I shall be sorrowing for you
On the wide weltering sea,
And you will perhaps have wandered here
To sit and think of me.'
'And shall we part so soon?' he cried,
'Must we be torn away?
28
Shall I be left to mourn alone?
Will you no longer stay?
'And shall we never meet again,
Hearts that have grown together?
Must they at once be rent away
And kept apart for ever?'
'Yes, Alexander, we must part,
But we may meet again,
For when I left my native land
I wept in anguish then.
'Never shall I forget the day
I left its rocky shore.
We thought that we had bid adieu
To meet on earth no more.
'When we had parted how I wept
To see the mountains blue
Grow dimmer and more distant -- till
They faded from my view.
'And you too wept -- we little thought
After so long a time,
To meet again so suddenly
In such a distant clime.
'We met on Grecia's classic plain,
We part in Araby.
And let us hope to meet again
Beneath our Gondal's sky.'
'Zenobia, do you remember
A little lonely spring
Among Exina's woody hills
Where blackbirds used to sing,
'And when they ceased as daylight faded
From the dusky sky
The pensive nightingale began
Her matchless melody?
29
'Sweet bluebells used to flourish there
And tall trees waved on high,
And through their ever sounding leaves
The soft wind used to sigh.
'At morning we have often played
Beside that lonely well;
At evening we have lingered there
Till dewy twilight fell.
'And when your fifteenth birthday comes,
Remember me, my love,
And think of what I said to you
In this sweet spicy grove.
'At evening wander to that spring
And sit and wait for me;
And 'ere the sun has ceased to shine
I will return to thee.
'Two years is a weary time
But it will soon be fled.
And if you do not meet me -- know
I am not false but dead.'
Sweetly the summer day declines
On forest, plain, and hill
And in that spacious palace hall
So lonely, wide and still.
Beside a window's open arch,
In the calm evening air
All lonely sits a stately girl,
Graceful and young and fair.
The snowy lid and lashes long
Conceal her downcast eye,
She's reading and till now I have
Passed unnoticed by.
30
But see she cannot fix her thoughts,
They are wandering away;
She looks towards a distant dell
Where sunny waters play.
And yet her spirit is not with
The scene she looks upon;
She muses with a mournful smile
On pleasures that are gone.
She looks upon the book again
That chained her thoughts before,
And for a moment strives in vain
To fix her mind once more.
Then gently drops it on her knee
And looks into the sky,
While trembling drops are shining in
Her dark celestial eye.
And thus alone and still she sits
Musing on years gone by.
Till with a sad and sudden smile
She rises up to go;
And from the open window springs
On to the grass below.
Why does she fly so swiftly now
Adown the meadow green,
And o'er the gently swelling hills
And the vale that lies between?
She passes under giant trees
That lift their arms on high
And slowly wave their mighty boughs
In the clear evening sky,
And now she threads a path that winds
Through deeply shaded groves
Where nought is heard but sighing gales
And murmuring turtle doves.
31
She hastens on through sunless gloom
To a vista opening wide;
A marble fountain sparkles there
With sweet flowers by its side.
At intervals in the velvet grass
A few old elm trees rise,
While a warm flood of yellow light
Streams from the western skies.
Is this her resting place? Ah, no,
She hastens onward still,
The startled deer before her fly
As she ascends the hill.
She does not rest till she has gained
A lonely purling spring,
Where zephyrs wave the verdant trees
And birds in concert sing.
And there she stands and gazes round
With bright and searching eye,
Then sadly sighing turns away
And looks upon the sky.
She sits down on the flowery turf
Her head drooped on her hand;
Her soft luxuriant golden curls
Are by the breezes fanned.
A sweet sad smile plays on her lips;
Her heart is far away,
And thus she sits till twilight comes
To take the place of day.
But when she looks towards the west
And sees the sun is gone
And hears that every bird but one
To its nightly rest is flown,
And sees that over nature's face
32
A sombre veil is cast
With mournful voice and tearful eye
She says, 'The time is past!
'He will not come! I might have known
It was a foolish hope;
But it was so sweet to cherish
I could not yield it up.
'It may be foolish thus to weep
But I cannot check my tears
To see in one short hour destroyed
The darling hope of years.
'He is not false, but he was young
And time rolls fast away.
Has he forgotten the vow he made
To meet me here today?
'No. If he lives he loves me still
And still remembers me.
If he is dead -- my joys are sunk
In utter misery.
'We parted in the spicy groves
Beneath Arabia's sky.
How could I hope to meet him now
Where Gondal's breezes sigh?
'He was a shining meteor light
That faded from the skies,
But I mistook him for a star
That only set to rise.
'And with a firm yet trembling hand
I've clung to this false hope;
I dared not surely trust in it
Yet would not yield it up.
'And day and night I've thought of him
And loved him constantly,
And prayed that Heaven would prosper him
33
Wherever he might be.
'He will not come; he's wandering now
On some far distant shore,
Or else he sleeps the sleep of death
And cannot see me more!
'O, Alexander, is it thus?
Did we but meet to part?
Long as I live thy name will be
Engraven on my heart.
'I shall not cease to think of thee
While life and thought remain,
For well I know that I can never
See thy like again!'
She ceases now and dries her tears
But still she lingers there
In silent thought till night is come
And silver stars appear.
But lo! a tall and stately youth
Ascends the grassy slope;
His bright dark eyes are glancing round,
His heart beats high with hope.
He has journyed on unweariedly
From dawn of day till now,
The warm blood kindles in his cheek,
The sweat is on his brow.
But he has gained the green hill top
Where lies that lonely spring,
And lo! he pauses when he hears
Its gentle murmuring.
He dares not enter through the trees
That veil it from his eye;
He listens for some other sound
In deep anxiety.
34
But vainly -- all is calm and still;
Are his bright day dreams o'er?
Has he thus hoped and longed in vain,
And must they meet no more?
One moment more of sad suspense
And those dark trees are past;
The lonely well bursts on his sight
And they are met at last!
~ Anne Brontë,
1420:The Star-Apple Kingdom
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
'Herefords at Sunset in the valley of the Wye.'
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
'Herefords at Sunset in the Valley of the Wye.'
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
74
the tenants, the good Negroes down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
75
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside. He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name. No vowels left
in the mill wheel, the river. Rock stone. Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
76
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
'San Salvador, pray for us,St. Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes,' and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
'Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.'
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
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raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls. Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth. He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,'I am powerless, except for love.'
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain. He rose in his dream.
~ Derek Walcott,
1421:At The Gate Of The Convent
Beside the Convent Gate I stood,
Lingering to take farewell of those
To whom I owed the simple good
Of three days' peace, three nights' repose.
My sumpter-mule did blink and blink;
Was nothing more to munch or quaff;
Antonio, far too wise to think,
Leaned vacantly upon his staff.
It was the childhood of the year:
Bright was the morning, blithe the air;
And in the choir I plain could hear
The monks still chanting matin prayer.
The throstle and the blackbird shrilled,
Loudly as in an English copse,
Fountain-like note that, still refilled,
Rises and falls, but never stops.
As lush as in an English chase,
The hawthorn, guessed by its perfume,
With folds on folds of snowy lace
Blindfolded all its leaves with bloom.
Scarce seen, and only faintly heard,
A torrent, 'mid far snow-peaks born,
Sang kindred with the gurgling bird,
Flowed kindred with the foaming thorn.
The chanting ceased, and soon instead
Came shuffling sound of sandalled shoon;
Each to his cell and narrow bed
Withdrew, to pray and muse till noon.
Only the Prior-for such their RuleInto the morning sunshine came.
Antonio bared his locks; the mule
Kept blinking, blinking, just the same.
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I thanked him with a faltering tongue;
I thanked him with a flowing heart.
``This for the poor.'' His hand I wrung,
And gave the signal to depart.
But still in his he held my hand,
As though averse that I should go.
His brow was grave, his look was bland,
His beard was white as Alpine snow.
And in his eye a light there shone,
A soft, subdued, but steadfast ray,
Like to those lamps that still burn on
In shrines where no one comes to pray.
And in his voice I seemed to hear
The hymns that novice-sisters sing,
When only anguished Christ is near,
And earth and life seem vanishing.
``Why do you leave us, dear my son?
Why from calm cloisters backward wend,
Where moil is much and peace is none,
And journeying hath nor bourne nor end?
``Read I your inmost soul aright,
Heaven hath to you been strangely kind;
Gave gentle cradle, boyhood bright,
A fostered soul, a tutored mind.
``Nor wealth did lure, nor penury cramp,
Your ripening soul; it lived and throve,
Nightly beside the lettered lamp,
Daily in field, and glade, and grove.
``And when the dawn of manhood brought
The hour to choose to be of those
Who serve for gold, or sway by thought,
You doubted not, and rightly chose.
``Loving your Land, you face the strife;
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Loved by the Muse, you shun the throng;
And blend within your dual life
The patriot's pen, the poet's song.
``Hence now, in gaze mature and wise,
Dwells scorn of praise, dwells scorn of blame;
Calm consciousness of surer prize
Than dying noise of living fame.
``Have you not loved, been loved, as few
Love, or are loved, on loveless earth?
How often have you felt its dew?
Say, have you ever known its dearth?
``I speak of love divorced from pelf,
I speak of love unyoked and free,
Of love that deadens sense of self,
Of love that loveth utterly.
``And this along your life hath flowed
In full and never-failing stream,
Fresh from its source, unbought, unowed,
Beyond your boyhood's fondest dream.''
He paused. The cuckoo called. I thought
Of English voices, English trees.
The far-off fancy instant brought
The tears; and he, misled by these,
With hand upon my shoulder, said,
``You own 'tis true. The richest years
Bequeath the beggared heart, when fled,
Only this legacy of tears.
``Why is it that all raptures cloy?
Though men extol, though women bless,
Why are we still chagrined with joy,
Dissatisfied with happiness?
``Yes, the care-flouting cuckoo calls,
And yet your smile betokens grief,
Like meditative light that falls
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Through branches fringed with autumn leaf.
``Whence comes this shadow? You are now
In the full summer of the soul.
The answer darkens on your brow:
`Winter the end, and death the goal.'
``Yes, vain the fires of pride and lust
Fierce in meridian pulses burn:
Remember, Man, that thou art dust,
And unto dust thou shalt return.
``Rude are our walls, our beds are rough,
But use is hardship's subtle friend.
He hath got all that hath enough;
And rough feels softest, in the end.
``While luxury hath this disease,
It ever craves and pushes on.
Pleasures, repeated, cease to please,
And rapture, once 'tis reaped, is gone.
``My flesh hath long since ceased to creep,
Although the hairshirt pricketh oft.
A plank my couch; withal, I sleep
Soundly as he that lieth soft.
``And meagre though may be the meal
That decks the simple board you see,
At least, my son, we never feel
The hunger of satiety.
``You have perhaps discreetly drunk:
O, then, discreetly, drink no more!
Which is the happier, worldling, monk,
When youth is past, and manhood o'er?
``Of life beyond I speak not yet.
'Tis solitude alone can e'er,
By hushing controversy, let
Man catch earth's undertone of prayer.
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``Your soul which Heaven at last must reap,
From too much noise hath barren grown;
Long fallow silence must it keep,
Ere faith revive, and grace be sown.
``Let guide and mule alone return.
For you I will prepare a cell,
In whose calm silence you will learn,
Living or dying, All is well!''
Again the cuckoo called; again
The merle and mavis shook their throats;
The torrent rambled down the glen,
The ringdove cooed in sylvan cotes.
The hawthorn moved not, but still kept
As fixedly white as far cascade;
The russet squirrel frisked and leapt
From breadth of sheen to breadth of shade.
I did not know the words had ceased,
I thought that he was speaking still,
Nor had distinguished sacred priest
From pagan thorn, from pagan rill.
Not that I had not harked and heard;
But all he bade me shun or do,
Seemed just as sweet as warbling bird,
But not more grave and not more true.
So deep yet indistinct my bliss,
That when his counsels ceased to sound,
That one sweet note I did not miss
From other sweet notes all around.
But he, misreading my delight,
Again with urging accents spoke.
Then I, like one that's touched at night,
From the deep swoon of sweetness woke.
And just as one that, waking, can
Recall the thing he dreamed, but knows
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'Twas of the phantom world that man
Visits in languors of repose;
So, though I straight repictured plain
All he had said, it seemed to me,
Recalled from slumber, to retain
No kinship with reality.
``Father, forgive!'' I said; ``and look!
Who taught its carolling to the merle?
Who wed the music to the brook?
Who decked the thorn with flakes of pearl?
``'Twas He, you answer, that did make
Earth, sea, and sky: He maketh all;
The gleeful notes that flood the brake,
The sad notes wailed in Convent stall.
``And my poor voice He also made;
And like the brook, and like the bird,
And like your brethren mute and staid,
I too can but fulfil His word.
``Were I about my loins to tie
A girdle, and to hold in scorn
Beauty and Love, what then were I
But songless stream, but flowerless thorn?
``Why do our senses love to list
When distant cataracts murmur thus?
Why stealeth o'er your eyes a mist
When belfries toll the Angelus?
``It is that every tender sound
Art can evoke, or Nature yield,
Betokens something more profound,
Hinted, but never quite revealed.
``And though it be the self-same Hand
That doth the complex concert strike,
The notes, to those that understand,
Are individual, and unlike.
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``Allow my nature. All things are,
If true to instinct, well and wise.
The dewdrop hinders not the star;
The waves do not rebuke the skies.
``So leave me free, good Father dear,
While you on humbler, holier chord
Chant your secluded Vespers here,
To fling my matin notes abroad.
``While you with sacred sandals wend
To trim the lamp, to deck the shrine,
Let me my country's altar tend,
Nor deem such worship less divine.
``Mine earthly, yours celestial love:
Each hath its harvest; both are sweet.
You wait to reap your Heaven, above;
I reap the Heaven about my feet.
``And what if I-forgive your guest
Who feels, so frankly speaks, his qualmThough calm amid the world's unrest,
Should restless be amid your calm?
``But though we two be severed quite,
Your holy words will sound between
Our lives, like stream one hears at night,
Louder, because it is not seen.
``Father, farewell! Be not distressed;
And take my vow, ere I depart,
To found a Convent in my breast,
And keep a cloister in my heart.''
The mule from off his ribs a fly
Flicked, and then zigzagged down the road.
Antonio lit his pipe, and I
Behind them somewhat sadly strode.
Just ere the Convent dipped from view,
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Backward I glanced: he was not there.
Within the chapel, well I knew,
His lips were now composed in prayer.
But I have kept my vow. And when
The cuckoo chuckleth o'er his theft,
When throstles sing, again, again,
And runnels gambol down the cleft,
With these I roam, I sing with those,
And should the world with smiles or jeers
Provoke or lure, my lids I close,
And draw a cowl about my ears.
~ Alfred Austin,
1422:Love Sonnets
I.
HOW beautiful doth the morning rise
O’er the hills, as from her bower a bride
Comes brightened—blushing with the shame-faced pride
Of love that now consummated supplies
All her full heart can wish, and to the eyes
Dear are the flowers then, in their green haunts spied,
Glist ning with dew: pleasant at noon the side
Of shadowy mountains ridging to the skies:
At eve ’tis sweet to hear the breeze advance
Through the responding forest dense and tall;
And sweeter in the moonlight is the dance
And natural music of the waterfall:
And yet we feel not the full charm of all,
Till love be near us with his magic glance.
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II.

WHY tower my spirits, and what means this wild

Commotion at my heart—this dreamy chase

Of possible joys that glow like stars in space?

Now feel I even to all things reconciled,

As all were one in spirit. Rudely up-piled

Brown hills grow beautiful; a novel grace

Exalts the moorland’s once unmeaning face;

The river that, like a pure mind beguiled,

Grows purer for its errors, and the trees

That fringe its margin with a dusky shade,

Seem robed in fairy wonder; and are these

Exalted thus because with me surveyed

By one sweet sould whom well they seem to please

Here at my side—an almost stranger maid?

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III.

NOW sunny, as the noontide heavens, are

The eyes of my sweet friend, and now serene

And chastely shadowy in their maiden mien;

Or dream-power, sparkling like a brilliant star

Fills all their blue depths, taking me afar

To where, in the rich past, through song is seen

Some sovereign beauty, knighthood’s mystic queen,

Pluming with love the iron brows of war!

Bright eyes before, with subtle lightning glance

Have kindled all my being into one

Wild tumult; but a charm thus to enhance

My heart’s love-loyalty till now had none!

And can this witchery be the work of chance?

I know not—I but know my rest is gone.

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IV.

A VAST and shadowy hope breaks up my rest

Unspoken; nor dares even my pen to write

How my pent spirit pineth day and night

For one fair love with whom I might be blest!

And ever with vague jealousies possessed

The more I languish, feeling these may so

Oppress affection that for very woe

She longs at last to die deep buried in my breast!

O for a beaker of the wine of love,

Or a deep draught of the Lethèan wave!

The power a mutual passion to emove,

Or that repose which sealeth up the grave!

Yet these my bonds are blameless; one more wise

Had dreamt away his freedom, dreaming of her eyes.

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V.

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HER image haunts me! Lo! I muse at even,

And straight it gathers from the gloom, to make

My soul its mirror; which (as some still lake

Holds pictured in its depths the face of heaven)

Through the hushed night retains it: when ’tis given

To take a warmer presence and incline

A glowing cheek burning with love to mine,

Saying—“The heart for which thou long hast stiven

With looks so fancy-pale, I grant thee now;

And if for ruth, yet more for love’s sweet sake,

My lips shall seal this promise on thy brow. ”

Thus blest in sleep—oh! Who would care to wake,

When the cold real from his belief must shake

Such vows, like blossoms from a shattered bough?

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VI.

SHE loves me! From her own bliss-breathing lips

The live confession came, like rich perfume

From crimson petals bursting into bloom!

And still my heart at the remembrance skips

Like a young lion, and my tongue too trips

As drunk with joy! While very object seen

In life’s diurnal round wears in its mien

A clear assurance that no doubts eclipse.

And if the common things of nature now

Are like old faces flushed with new delight,

Much more the consciousness of that rich vow

Deepens the beauteous, and refines the bright,

While throned I seem on love’s divinest height

Mid all the glories glowing round its brow.

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VII.

FAIR as the day—a genial day serene

Of early summer, when the vital air

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Breathes as ’twere God’s own breath, and blossoms rare

Fill many a bush, or nestle in between

The heapy folds of nature’s mantle green,

As they were happier for the joint joy there

Of birds and bees;—so genial, and so fair

And rich in pleasure, is my life’s sole queen.

My spirit in the sunshine of her grace

Glows with intenser being, and my veins

Fill as with nectar! In your pride of place

Ye mighty, boast! Ye rich, heap gold space!

I envy nor your grandeur nor your gains,

Thus gazing at the heaven of her face!

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VIII.

FAIR as the night—when all the astral fires

Of heaven are burning in the clear expanse,

My love is, and her eyes like star-depths glance

Lustrous with glowing thoughts and pure desires,

And that mysterious pathos which inspires

All moods divine in mortal passion’s trance—

All that its earthly music doth enhance

As with the rapture of seraphic lyres!

I gaze upon her till the atmosphere

Sweetens intensely, and to my charmed sight

All fair associated forms appear

Swimming in joy, as swim yon orbs in light—

And all sweet sounds, though common, to mine ear

Chime up like silver-winged dreams in flight.

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IX.

TO-DAY we part! I far away to dwell

From this the scene that saw our bud of love

Bloom into rosehood. The blue heavens above—

These hills and valleys, with each rocky dell,

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Echo’s dim hold,—shall these retain no spell

Of foregone passion? Shall they speak no tale

Of grief they shrouded in this shaded vale?

Shall they of all our joy the story tell?

To-morrow—and the sun shall climb yon hill

Bright as before; all winged things shall wake

To song as glad as if we listened still;

The stream as mirthfully its wild way make.

But I, pursuing fortune’s wandering star,

Shall see and hear them not—from thee and them afar.

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X.

ABSENCE

NIGHTLY I watch the moon with silvery sheen

Flaking the city house-tops—till I feel

Thy memory, dear one, like a presence steal

Down in her light; for always in her mien

Thy soul’s similitude my soul hath seen!

And as she seemeth now—a guardian seal

On heaven’s far bliss, upon my future weal

Even such thy truth is—radiantly serene.

But long my fancy may not entertain

These bright resemblances—for lo! A cloud

Blots her away! And in my breast the pain

Of absent love recurring pines aloud!

When shall I look in thy bright eyes again?

O my beloved with like sadness bowed!

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XI.

THERE is a trying spirit in the drift

Of human life, apportioning the prize

(In that true quality wherein it lies)

That each one seeketh, to that seeker’s gift.

Hence must he suffer many a perilous shift

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Who unto fame by martial deeds would rise;

Hence look at liberty with lion-eyes

Must he who’d make the march of man more swift:

Hence heaven’s best crown, more glorious than the sun,

Is only gained by dying for our kind;

And hence, too, true love’s highest meed is won

Only through agonies of heart and mind.

Such, dear one, is the fate (and therefore ours)

Of all whom love would crown with faith’s divinest flowers.

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XII.

THE VOYAGE to that haven of true love

Was ever stormy since the world began,

Or story from its earliest fountain ran;

Teaching us truly that the gods approve,

In the superior destinies of man,

Only what most the noblest hearts shall move:

Hence was Leander’s life so brief a span,

Who, weltering a mortal while above

The bursting wave, sent on his soul to where

The Maid of Sestos from her watch-tower’s height

Looked for his coming through the troubled air,

Nor knew that he had died for her that night!

Hence Sappho’s fatal leap! (The cause the same)

Hence too was Petrarch’s heart the martyr of his flame!

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XIII.

LOSS follows gain, and sadness waits on mirth,

And much is wasted where too much is given;

We cannot fully have our joy on earth

Without diminishing our joy in heaven.

Envy dogs merit; madness neighbours wit;

Stale is their gladness who were never sad;

And Dives in this fleshly life, ’tis writ,

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Received his good things, Lazarus his bad.

Thus, dearest, o’er the waves of many things

My troubled mind, even like a ship, is tossed,

And from the quest this only inference brings:

That true love in its earthly course is crossed,

Lest by dull worldly usage it should be

Too worldly cramped to soar in large eternity.

~ Charles Harpur,
1423:Epistles To Several Persons: Epistle Iv, To Richard
Boyle,
Est brevitate opus, ut currat sententia, neu se
Impediat verbis lassas onerantibus aures:
Et sermone opus est modo tristi, saepe jocoso,
Defendente vicem modo Rhetoris atque Poetae,
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22)
'Tis strange, the miser should his cares employ
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth to purchase what he ne'er can taste?
Not for himself he sees, or hears, or eats;
Artists must choose his pictures, music, meats:
He buys for Topham, drawings and designs,
For Pembroke, statues, dirty gods, and coins;
Rare monkish manuscripts for Hearne alone,
And books for Mead, and butterflies for Sloane.
Think we all these are for himself? no more
Than his fine wife, alas! or finer whore.
For what his Virro painted, built, and planted?
Only to show, how many tastes he wanted.
What brought Sir Visto's ill got wealth to waste?
Some daemon whisper'd, "Visto! have a taste."
Heav'n visits with a taste the wealthy fool,
And needs no rod but Ripley with a rule.
See! sportive fate, to punish awkward pride,
Bids Bubo build, and sends him such a guide:
A standing sermon, at each year's expense,
That never coxcomb reach'd magnificence!
You show us, Rome was glorious, not profuse,
And pompous buildings once were things of use.
Yet shall (my Lord) your just, your noble rules
Fill half the land with imitating fools;
Who random drawings from your sheets shall take,
And of one beauty many blunders make;
Load some vain church with old theatric state,
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Turn arcs of triumph to a garden gate;
Reverse your ornaments, and hang them all
On some patch'd dog-hole ek'd with ends of wall;
Then clap four slices of pilaster on't,
That lac'd with bits of rustic, makes a front.
Or call the winds through long arcades to roar,
Proud to catch cold at a Venetian door;
Conscious they act a true Palladian part,
And, if they starve, they starve by rules of art.
Oft have you hinted to your brother peer,
A certain truth, which many buy too dear:
Something there is more needful than expense,
And something previous ev'n to taste--'tis sense:
Good sense, which only is the gift of Heav'n,
And though no science, fairly worth the sev'n:
A light, which in yourself you must perceive;
Jones and Le Notre have it not to give.
To build, to plant, whatever you intend,
To rear the column, or the arch to bend,
To swell the terrace, or to sink the grot;
In all, let Nature never be forgot.
But treat the goddess like a modest fair,
Nor overdress, nor leave her wholly bare;
Let not each beauty ev'rywhere be spied,
Where half the skill is decently to hide.
He gains all points, who pleasingly confounds,
Surprises, varies, and conceals the bounds.
Consult the genius of the place in all;
That tells the waters or to rise, or fall;
Or helps th' ambitious hill the heav'ns to scale,
Or scoops in circling theatres the vale;
Calls in the country, catches opening glades,
Joins willing woods, and varies shades from shades,
Now breaks, or now directs, th' intending lines;
Paints as you plant, and, as you work, designs.
Still follow sense, of ev'ry art the soul,
Parts answ'ring parts shall slide into a whole,
Spontaneous beauties all around advance,
87
Start ev'n from difficulty, strike from chance;
Nature shall join you; time shall make it grow
A work to wonder at--perhaps a Stowe.
Without it, proud Versailles! thy glory falls;
And Nero's terraces desert their walls:
The vast parterres a thousand hands shall make,
Lo! Cobham comes, and floats them with a lake:
Or cut wide views through mountains to the plain,
You'll wish your hill or shelter'd seat again.
Ev'n in an ornament its place remark,
Nor in an hermitage set Dr. Clarke.
Behold Villario's ten years' toil complete;
His quincunx darkens, his espaliers meet;
The wood supports the plain, the parts unite,
And strength of shade contends with strength of light;
A waving glow his bloomy beds display,
Blushing in bright diversities of day,
With silver-quiv'ring rills meander'd o'er-Enjoy them, you! Villario can no more;
Tir'd of the scene parterres and fountains yield,
He finds at last he better likes a field.
Through his young woods how pleas'd Sabinus stray'd,
Or sat delighted in the thick'ning shade,
With annual joy the redd'ning shoots to greet,
Or see the stretching branches long to meet!
His son's fine taste an op'ner vista loves,
Foe to the dryads of his father's groves;
One boundless green, or flourish'd carpet views,
With all the mournful family of yews;
The thriving plants ignoble broomsticks made,
Now sweep those alleys they were born to shade.
At Timon's villa let us pass a day,
Where all cry out, "What sums are thrown away!"
So proud, so grand of that stupendous air,
Soft and agreeable come never there.
Greatness, with Timon, dwells in such a draught
As brings all Brobdingnag before your thought.
To compass this, his building is a town,
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His pond an ocean, his parterre a down:
Who but must laugh, the master when he sees,
A puny insect, shiv'ring at a breeze!
Lo, what huge heaps of littleness around!
The whole, a labour'd quarry above ground.
Two cupids squirt before: a lake behind
Improves the keenness of the Northern wind.
His gardens next your admiration call,
On ev'ry side you look, behold the wall!
No pleasing intricacies intervene,
No artful wildness to perplex the scene;
Grove nods at grove, each alley has a brother,
And half the platform just reflects the other.
The suff'ring eye inverted Nature sees,
Trees cut to statues, statues thick as trees;
With here a fountain, never to be play'd;
And there a summerhouse, that knows no shade;
Here Amphitrite sails through myrtle bow'rs;
There gladiators fight, or die in flow'rs;
Unwater'd see the drooping sea horse mourn,
And swallows roost in Nilus' dusty urn.
My Lord advances with majestic mien,
Smit with the mighty pleasure, to be seen:
But soft--by regular approach--not yet-First through the length of yon hot terrace sweat;
And when up ten steep slopes you've dragg'd your thighs,
Just at his study door he'll bless your eyes.
His study! with what authors is it stor'd?
In books, not authors, curious is my Lord;
To all their dated backs he turns you round:
These Aldus printed, those Du Sueil has bound.
Lo, some are vellum, and the rest as good
For all his Lordship knows, but they are wood.
For Locke or Milton 'tis in vain to look,
These shelves admit not any modern book.
And now the chapel's silver bell you hear,
That summons you to all the pride of pray'r:
Light quirks of music, broken and uneven,
Make the soul dance upon a jig to heaven.
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On painted ceilings you devoutly stare,
Where sprawl the saints of Verrio or Laguerre,
On gilded clouds in fair expansion lie,
And bring all paradise before your eye.
To rest, the cushion and soft dean invite,
Who never mentions Hell to ears polite.
But hark! the chiming clocks to dinner call;
A hundred footsteps scrape the marble hall:
The rich buffet well-colour'd serpents grace,
And gaping Tritons spew to wash your face.
Is this a dinner? this a genial room?
No, 'tis a temple, and a hecatomb.
A solemn sacrifice, perform'd in state,
You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear
Sancho's dread doctor and his wand were there.
Between each act the trembling salvers ring,
From soup to sweet wine, and God bless the King.
In plenty starving, tantaliz'd in state,
And complaisantly help'd to all I hate,
Treated, caress'd, and tir'd, I take my leave,
Sick of his civil pride from morn to eve;
I curse such lavish cost, and little skill,
And swear no day was ever pass'd so ill.
Yet hence the poor are cloth'd, the hungry fed;
Health to himself, and to his infants bread
The lab'rer bears: What his hard heart denies,
His charitable vanity supplies.
Another age shall see the golden ear
Embrown the slope, and nod on the parterre,
Deep harvests bury all his pride has plann'd,
And laughing Ceres reassume the land.
Who then shall grace, or who improve the soil?
Who plants like Bathurst, or who builds like Boyle.
'Tis use alone that sanctifies expense,
And splendour borrows all her rays from sense.
His father's acres who enjoys in peace,
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Or makes his neighbours glad, if he increase:
Whose cheerful tenants bless their yearly toil,
Yet to their Lord owe more than to the soil;
Whose ample lawns are not asham'd to feed
The milky heifer and deserving steed;
Whose rising forests, not for pride or show,
But future buildings, future navies, grow:
Let his plantations stretch from down to down,
First shade a country, and then raise a town.
You too proceed! make falling arts your care,
Erect new wonders, and the old repair;
Jones and Palladio to themselves restore,
And be whate'er Vitruvius was before:
Till kings call forth th' ideas of your mind,
Proud to accomplish what such hands design'd,
Bid harbours open, public ways extend,
Bid temples, worthier of the God, ascend;
Bid the broad arch the dang'rous flood contain,
The mole projected break the roaring main;
Back to his bounds their subject sea command,
And roll obedient rivers through the land;
These honours, peace to happy Britain brings,
These are imperial works, and worthy kings.
~ Alexander Pope,
1424:Ye Idyll Of Ye Hippopopotamus
With a Methodist hymn in his musical throat,
The Sun was emitting his ultimate note;
His quivering larynx enwrinkled the sea
Like an Ichthyosaurian blowing his tea;
When sweetly and pensively rattled and rang
This plaint which an Hippopopotamus sang:
'O, Camomile, Calabash, Cartilage-pie,
Spread for my spirit a peppermint fry;
Crown me with doughnuts, and drape me with cheese,
Settle my soul with a codliver sneeze.
Lo, how I stand on my head and repineLollipop Lumpkin can never be mine!'
Down sank the Sun with a kick and a plunge,
Up from the wave rose the head of a Sponge;
Ropes in his ringlets, eggs in his eyes,
Tip-tilted nose in a way to surprise.
These the conundrums he flung to the breeze,
The answers that Echo returned to him these:
'Cobblestone, Cobblestone, why do you sighWhy do you turn on the tears?'
'My mother is crazy on strawberry jam,
And my father has petrified ears.'
'Liverwort, Liverwort, why do you droopWhy do you snuffle and scowl?'
'My brother has cockle-burs into his eyes,
And my sister has married an owl.'
'Simia, Simia, why do you laughWhy do you cackle and quake?'
'My son has a pollywog stuck in his throat,
And my daughter has bitten a snake.'
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Slow sank the head of the Sponge out of sight,
Soaken with sea-water-then it was night.
The Moon had now risen for dinner to dress,
When sweetly the Pachyderm sang from his nest;
He sang through a pestle of silvery shape,
Encrusted with custard-empurpled with crape;
And this was the burden he bore on his lips,
And blew to the listening Sturgeon that sips
From the fountain of opium under the lobes
Of the mountain whose summit in buffalo robes
The winter envelops, as Venus adorns
An elephant's trunk with a chaplet of thorns:
'Chasing mastodons through marshes upon stilts of light ratan,
Hunting spiders with a shotgun and mosquitoes with an axe,
Plucking peanuts ready roasted from the branches of the oak,
Waking echoes in the forest with our hymns of blessed bosh,
We roamed-my love and I.
By the margin of the fountain spouting thick with clabbered milk,
Under spreading boughs of bass-wood all alive with cooing toads,
Loafing listlessly on bowlders of octagonal design,
Standing gracefully inverted with our toes together knit,
We loved-my love and I.'
Hippopopotamus comforts his heart
Biting half-moons out of strawberry tart.
Epitaph on George Francis Train.
(Inscribed on a Pork-barrel.)
Beneath this casket rots unknown
A Thing that merits not a stone,
Save that by passing urchin cast;
Whose fame and virtues we express
By transient urn of emptiness,
With apt inscription (to its past
Relating-and to his): 'Prime Mess.'
No honour had this infidel,
That doth not appertain, as well,
To altered caitiff on the drop;
No wit that would not likewise pass
For wisdom in the famished ass
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Who breaks his neck a weed to crop,
When tethered in the luscious grass.
And now, thank God, his hateful name
Shall never rescued be from shame,
Though seas of venal ink be shed;
No sophistry shall reconcile
With sympathy for Erin's Isle,
Or sorrow for her patriot dead,
The weeping of this crocodile.
Life's incongruity is past,
And dirt to dirt is seen at last,
The worm of worm afoul doth fall.
The sexton tolls his solemn bell
For scoundrel dead and gone to-well,
It matters not, it can't recall
This convict from his final cell.
Jerusalem, Old and New.
Didymus Dunkleton Doty Don John
Is a parson of high degree;
He holds forth of Sundays to marvelling crowds
Who wonder how vice can still be
When smitten so stoutly by Didymus DonDisciple of Calvin is he.
But sinners still laugh at his talk of the New
Jerusalem-ha-ha, te-he!
And biting their thumbs at the doughty Don-John
This parson of high degreeThey think of the streets of a village they know,
Where horses still sink to the knee,
Contrasting its muck with the pavement of gold
That's laid in the other citee.
They think of the sign that still swings, uneffaced
By winds from the salt, salt sea,
Which tells where he trafficked in tipple, of yoreDon Dunkleton Johnny, D. D.
Didymus Dunkleton Doty Don John
Still plays on his fiddle-D. D.,
His lambkins still bleat in full psalmody sweet,
And the devil still pitches the key.
Communing with Nature.
One evening I sat on a heavenward hill,
The winds were asleep and all nature was still,
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Wee children came round me to play at my knee,
As my mind floated rudderless over the sea.
I put out one hand to caress them, but held
With the other my nose, for these cherubim smelled.
I cast a few glances upon the old sun;
He was red in the face from the race he had run,
But he seemed to be doing, for aught I could see,
Quite well without any assistance from me.
And so I directed my wandering eye
Around to the opposite side of the sky,
And the rapture that ever with ecstasy thrills
Through the heart as the moon rises bright from the hills,
Would in this case have been most exceedingly rare,
Except for the fact that the moon was not there.
But the stars looked right lovingly down in the sea,
And, by Jupiter, Venus was winking at me!
The gas in the city was flaring up bright,
Montgomery Street was resplendent with light;
But I did not exactly appear to advance
A sentiment proper to that circumstance.
So it only remains to explain to the town
That a rainstorm came up before I could come down.
As the boots I had on were uncommonly thin
My fancy leaked out as the water leaked in.
Though dampened my ardour, though slackened my strain,
I'll 'strike the wild lyre' who sings the sweet rain!
Conservatism and Progress.
Old Zephyr, dawdling in the West,
Looked down upon the sea,
Which slept unfretted at his feet,
And balanced on its breast a fleet
That seemed almost to be
Suspended in the middle air,
As if a magnet held it there,
Eternally at rest.
Then, one by one, the ships released
Their folded sails, and strove
Against the empty calm to press
North, South, or West, or East,
In vain; the subtle nothingness
Was impotent to move.
Ten Zephyr laughed aloud to see:
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'No vessel moves except by me,
And, heigh-ho! I shall sleep.'
But lo! from out the troubled North
A tempest strode impatient forth,
And trampled white the deep;
The sloping ships flew glad away,
Laving their heated sides in spray.
The West then turned him red with wrath,
And to the North he shouted:
'Hold there! How dare you cross my path,
As now you are about it?'
The North replied with laboured breathHis speed no moment slowing:'My friend, you'll never have a path,
Unless you take to blowing.'
Inter Arma Silent Leges.
(An Election Incident.)
About the polls the freedmen drew,
To vote the freemen down;
And merrily their caps up-flew
As Grant rode through the town.
From votes to staves they next did turn,
And beat the freemen down;
Full bravely did their valour burn
As Grant rode through the town.
Then staves for muskets they forsook,
And shot the freemen down;
Right royally their banners shook
As Grant rode through the town.
Hail, final triumph of our cause!
Hail, chief of mute renown!
Grim Magistrate of Silent Laws,
A-riding freedom down!
Quintessence.
'To produce these spicy paragraphs, which have been unsuccessfully imitated by
every newspaper in the State, requires the combined efforts of five able-bodied
persons associated on the editorial staff of this journal.'-New York Herald.
Sir Muscle speaks, and nations bend the ear:
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'Hark ye these Notes-our wit quintuple hear;
Five able-bodied editors combine
Their strength prodigious in each laboured line!'
O wondrous vintner! hopeless seemed the task
To bung these drainings in a single cask;
The riddle's read-five leathern skins contain
The working juice, and scarcely feel the strain.
Saviours of Rome! will wonders never cease?
A ballad cackled by five tuneful geese!
Upon one Rosinante five stout knights
Ride fiercely into visionary fights!
A cap and bells five sturdy fools adorn,
Five porkers battle for a grain of corn,
Five donkeys squeeze into a narrow stall,
Five tumble-bugs propel a single ball!
Resurgam.
Dawns dread and red the fateful morn
Lo, Resurrection's Day is born!
The striding sea no longer strides,
No longer knows the trick of tides;
The land is breathless, winds relent,
All nature waits the dread event.
From wassail rising rather late,
Awarding Jove arrives in state;
O'er yawning graves looks many a league,
Then yawns himself from sheer fatigue.
Lifting its finger to the sky,
A marble shaft arrests his eye
This epitaph, in pompous pride,
Engraven on its polished side:
'Perfection of Creation's plan,
Here resteth Universal Man,
Who virtues, segregated wide,
Collated, classed, and codified,
Reduced to practice, taught, explained,
And strict morality maintained.
Anticipating death, his pelf
He lavished on this monolith;
Because he leaves nor kin nor kith
He rears this tribute to himself,
That Virtue's fame may never cease.
Hic jacet-let him rest in peace!'
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With sober eye Jove scanned the shaft,
Then turned away and lightly laughed
'Poor Man! since I have careless been
In keeping books to note thy sin,
And thou hast left upon the earth
This faithful record of thy worth,
Thy final prayer shall now be heard:
Of life I'll not renew thy lease,
But take thee at thy carven word,
And let thee rest in solemn peace!'
~ Ambrose Bierce,
1425:Vesalius In Zante
Set wide the window. Let me drink the day.
I loved light ever, light in eye and brain—
No tapers mirrored in long palace floors,
Nor dedicated depths of silent aisles,
But just the common dusty wind-blown day
That roofs earth’s millions.
O, too long I walked
In that thrice-sifted air that princes breathe,
Nor felt the heaven-wide jostling of the winds
And all the ancient outlawry of earth!
Now let me breathe and see.
This pilgrimage
They call a penance—let them call it that!
I set my face to the East to shrive my soul
Of mortal sin? So be it. If my blade
Once questioned living flesh, if once I tore
The pages of the Book in opening it,
See what the torn page yielded ere the light
Had paled its buried characters—and judge!
The girl they brought me, pinioned hand and foot
In catalepsy—say I should have known
That trance had not yet darkened into death,
And held my scalpel. Well, suppose I knew?
Sum up the facts—her life against her death.
Her life? The scum upon the pools of pleasure
Breeds such by thousands. And her death? Perchance
The obolus to appease the ferrying Shade,
And waft her into immortality.
Think what she purchased with that one heart-flutter
That whispered its deep secret to my blade!
For, just because her bosom fluttered still,
It told me more than many rifled graves;
Because I spoke too soon, she answered me,
Her vain life ripened to this bud of death
As the whole plant is forced into one flower,
All her blank past a scroll on which God wrote
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His word of healing—so that the poor flesh,
Which spread death living, died to purchase life!
Ah, no! The sin I sinned was mine, not theirs.
Not that they sent me forth to wash away—
None of their tariffed frailties, but a deed
So far beyond their grasp of good or ill
That, set to weigh it in the Church’s balance,
Scarce would they know which scale to cast it in.
But I, I know. I sinned against my will,
Myself, my soul—the God within the breast:
Can any penance wash such sacrilege?
When I was young in Venice, years ago,
I walked the hospice with a Spanish monk,
A solitary cloistered in high thoughts,
The great Loyola, whom I reckoned then
A mere refurbisher of faded creeds,
Expert to edge anew the arms of faith,
As who should say, a Galenist, resolved
To hold the walls of dogma against fact,
Experience, insight, his own self, if need be!
Ah, how I pitied him, mine own eyes set
Straight in the level beams of Truth, who groped
In error’s old deserted catacombs
And lit his tapers upon empty graves!
Ay, but he held his own, the monk—more man
Than any laurelled cripple of the wars,
Charles’s spent shafts; for what he willed he willed,
As those do that forerun the wheels of fate,
Not take their dust—that force the virgin hours,
Hew life into the likeness of themselves
And wrest the stars from their concurrences.
So firm his mould; but mine the ductile soul
That wears the livery of circumstance
And hangs obsequious on its suzerain’s eye.
For who rules now? The twilight-flitting monk,
Or I, that took the morning like an Alp?
He held his own, I let mine slip from me,
The birthright that no sovereign can restore;
And so ironic Time beholds us now
Master and slave—he lord of half the earth,
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I ousted from my narrow heritage.
For there’s the sting! My kingdom knows me not.
Reach me that folio—my usurper’s title!
Fallopius reigning, vice—nay, not so:
Successor, not usurper. I am dead.
My throne stood empty; he was heir to it.
Ay, but who hewed his kingdom from the waste,
Cleared, inch by inch, the acres for his sowing,
Won back for man that ancient fief o’ the Church,
His body? Who flung Galen from his seat,
And founded the great dynasty of truth
In error’s central kingdom?
Ask men that,
And see their answer: just a wondering stare
To learn things were not always as they are—
The very fight forgotten with the fighter;
Already grows the moss upon my grave!
Ay, and so meet—hold fast to that, Vesalius.
They only, who re-conquer day by day
The inch of ground they camped on over-night,
Have right of foothold on this crowded earth.
I left mine own; he seized it; with it went
My name, my fame, my very self, it seems,
Till I am but the symbol of a man,
The sign-board creaking o’er an empty inn.
He names me—true! Oh, give the door its due
I entered by. Only, I pray you, note,
Had door been none, a shoulder-thrust of mine
Had breached the crazy wall”—he seems to say.
So meet—and yet a word of thanks, of praise,
Of recognition that the clue was found,
Seized, followed, clung to, by some hand now dust—
Had this obscured his quartering of my shield?
How the one weakness stirs again! I thought
I had done with that old thirst for gratitude
That lured me to the desert years ago.
I did my work—and was not that enough?
No; but because the idlers sneered and shrugged,
The envious whispered, the traducers lied,
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And friendship doubted where it should have cheered
I flung aside the unfinished task, sought praise
Outside my soul’s esteem, and learned too late
That victory, like God’s kingdom, is within.
(Nay, let the folio rest upon my knee.
I do not feel its weight.) Ingratitude?
The hurrying traveller does not ask the name
Of him who points him on his way; and this
Fallopius sits in the mid-heart of me,
Because he keeps his eye upon the goal,
Cuts a straight furrow to the end in view,
Cares not who oped the fountain by the way,
But drinks to draw fresh courage for his journey.
That was the lesson that Ignatius taught—
The one I might have learned from him, but would not—
That we are but stray atoms on the wind,
A dancing transiency of summer eves,
Till we become one with our purpose, merged
In that vast effort of the race which makes
Mortality immortal.
“He that loseth
His life shall find it”: so the Scripture runs.
But I so hugged the fleeting self in me,
So loved the lovely perishable hours,
So kissed myself to death upon their lips,
That on one pyre we perished in the end—
A grimmer bonfire than the Church e’er lit!
Yet all was well—or seemed so—till I heard
That younger voice, an echo of my own,
And, like a wanderer turning to his home,
Who finds another on the hearth, and learns,
Half-dazed, that other is his actual self
In name and claim, as the whole parish swears,
So strangely, suddenly, stood dispossessed
Of that same self I had sold all to keep,
A baffled ghost that none would see or hear!
“Vesalius? Who’s Vesalius? This Fallopius
It is who dragged the Galen-idol down,
Who rent the veil of flesh and forced a way
Into the secret fortalice of life”—
Yet it was I that bore the brunt of it!
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Well, better so! Better awake and live
My last brief moment as the man I was,
Than lapse from life’s long lethargy to death
Without one conscious interval. At least
I repossess my past, am once again
No courtier med’cining the whims of kings
In muffled palace-chambers, but the free
Friendless Vesalius, with his back to the wall
And all the world against him. O, for that
Best gift of all, Fallopius, take my thanks—
That, and much more. At first, when Padua wrote:
“Master, Fallopius dead, resume again
The chair even he could not completely fill,
And see what usury age shall take of youth
In honours forfeited”—why, just at first,
I was quite simply credulously glad
To think the old life stood ajar for me,
Like a fond woman’s unforgetting heart.
But now that death waylays me—now I know
This isle is the circumference of my days,
And I shall die here in a little while—
So also best, Fallopius!
For I see
The gods may give anew, but not restore;
And though I think that, in my chair again,
I might have argued my supplanters wrong
In this or that—this Cesalpinus, say,
With all his hot-foot blundering in the dark,
Fabricius, with his over-cautious clutch
On Galen (systole and diastole
Of Truth’s mysterious heart!)—yet, other ways,
It may be that this dying serves the cause.
For Truth stays not to build her monument
For this or that co-operating hand,
But props it with her servants’ failures—nay,
Cements its courses with their blood and brains,
A living substance that shall clinch her walls
Against the assaults of time. Already, see,
Her scaffold rises on my hidden toil,
I but the accepted premiss whence must spring
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The airy structure of her argument;
Nor could the bricks it rests on serve to build
The crowning finials. I abide her law:
A different substance for a different end—
Content to know I hold the building up;
Though men, agape at dome and pinnacles,
Guess not, the whole must crumble like a dream
But for that buried labour underneath.
Yet, Padua, I had still my word to say!
Let others say it!—Ah, but will they guess
Just the one word—? Nay, Truth is many-tongued.
What one man failed to speak, another finds
Another word for. May not all converge
In some vast utterance, of which you and I,
Fallopius, were but halting syllables?
So knowledge come, no matter how it comes!
No matter whence the light falls, so it fall!
Truth’s way, not mine—that I, whose service failed
In action, yet may make amends in praise.
Fabricius, Cesalpinus, say your word,
Not yours, or mine, but Truth’s, as you receive it!
You miss a point I saw? See others, then!
Misread my meaning? Yet expound your own!
Obscure one space I cleared? The sky is wide,
And you may yet uncover other stars.
For thus I read the meaning of this end:
There are two ways of spreading light: to be
The candle or the mirror that reflects it.
I let my wick burn out—there yet remains
To spread an answering surface to the flame
That others kindle.
Turn me in my bed.
The window darkens as the hours swing round;
But yonder, look the other casement glows!
Let me face westward as my sun goes down.
~ Edith Wharton,
1426:The Princess (Prologue)
Sir Walter Vivian all a summer's day
Gave his broad lawns until the set of sun
Up to the people: thither flocked at noon
His tenants, wife and child, and thither half
The neighbouring borough with their Institute
Of which he was the patron. I was there
From college, visiting the son,--the son
A Walter too,--with others of our set,
Five others: we were seven at Vivian-place.
And me that morning Walter showed the house,
Greek, set with busts: from vases in the hall
Flowers of all heavens, and lovelier than their names,
Grew side by side; and on the pavement lay
Carved stones of the Abbey-ruin in the park,
Huge Ammonites, and the first bones of Time;
And on the tables every clime and age
Jumbled together; celts and calumets,
Claymore and snowshoe, toys in lava, fans
Of sandal, amber, ancient rosaries,
Laborious orient ivory sphere in sphere,
The cursed Malayan crease, and battle-clubs
From the isles of palm: and higher on the walls,
Betwixt the monstrous horns of elk and deer,
His own forefathers' arms and armour hung.
And 'this' he said 'was Hugh's at Agincourt;
And that was old Sir Ralph's at Ascalon:
A good knight he! we keep a chronicle
With all about him'--which he brought, and I
Dived in a hoard of tales that dealt with knights,
Half-legend, half-historic, counts and kings
Who laid about them at their wills and died;
And mixt with these, a lady, one that armed
Her own fair head, and sallying through the gate,
Had beat her foes with slaughter from her walls.
'O miracle of women,' said the book,
'O noble heart who, being strait-besieged
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By this wild king to force her to his wish,
Nor bent, nor broke, nor shunned a soldier's death,
But now when all was lost or seemed as lost-Her stature more than mortal in the burst
Of sunrise, her arm lifted, eyes on fire-Brake with a blast of trumpets from the gate,
And, falling on them like a thunderbolt,
She trampled some beneath her horses' heels,
And some were whelmed with missiles of the wall,
And some were pushed with lances from the rock,
And part were drowned within the whirling brook:
O miracle of noble womanhood!'
So sang the gallant glorious chronicle;
And, I all rapt in this, 'Come out,' he said,
'To the Abbey: there is Aunt Elizabeth
And sister Lilia with the rest.' We went
(I kept the book and had my finger in it)
Down through the park: strange was the sight to me;
For all the sloping pasture murmured, sown
With happy faces and with holiday.
There moved the multitude, a thousand heads:
The patient leaders of their Institute
Taught them with facts. One reared a font of stone
And drew, from butts of water on the slope,
The fountain of the moment, playing, now
A twisted snake, and now a rain of pearls,
Or steep-up spout whereon the gilded ball
Danced like a wisp: and somewhat lower down
A man with knobs and wires and vials fired
A cannon: Echo answered in her sleep
From hollow fields: and here were telescopes
For azure views; and there a group of girls
In circle waited, whom the electric shock
Dislinked with shrieks and laughter: round the lake
A little clock-work steamer paddling plied
And shook the lilies: perched about the knolls
A dozen angry models jetted steam:
A petty railway ran: a fire-balloon
Rose gem-like up before the dusky groves
And dropt a fairy parachute and past:
And there through twenty posts of telegraph
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They flashed a saucy message to and fro
Between the mimic stations; so that sport
Went hand in hand with Science; otherwhere
Pure sport; a herd of boys with clamour bowled
And stumped the wicket; babies rolled about
Like tumbled fruit in grass; and men and maids
Arranged a country dance, and flew through light
And shadow, while the twangling violin
Struck up with Soldier-laddie, and overhead
The broad ambrosial aisles of lofty lime
Made noise with bees and breeze from end to end.
Strange was the sight and smacking of the time;
And long we gazed, but satiated at length
Came to the ruins. High-arched and ivy-claspt,
Of finest Gothic lighter than a fire,
Through one wide chasm of time and frost they gave
The park, the crowd, the house; but all within
The sward was trim as any garden lawn:
And here we lit on Aunt Elizabeth,
And Lilia with the rest, and lady friends
From neighbour seats: and there was Ralph himself,
A broken statue propt against the wall,
As gay as any. Lilia, wild with sport,
Half child half woman as she was, had wound
A scarf of orange round the stony helm,
And robed the shoulders in a rosy silk,
That made the old warrior from his ivied nook
Glow like a sunbeam: near his tomb a feast
Shone, silver-set; about it lay the guests,
And there we joined them: then the maiden Aunt
Took this fair day for text, and from it preached
An universal culture for the crowd,
And all things great; but we, unworthier, told
Of college: he had climbed across the spikes,
And he had squeezed himself betwixt the bars,
And he had breathed the Proctor's dogs; and one
Discussed his tutor, rough to common men,
But honeying at the whisper of a lord;
And one the Master, as a rogue in grain
Veneered with sanctimonious theory.
But while they talked, above their heads I saw
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The feudal warrior lady-clad; which brought
My book to mind: and opening this I read
Of old Sir Ralph a page or two that rang
With tilt and tourney; then the tale of her
That drove her foes with slaughter from her walls,
And much I praised her nobleness, and 'Where,'
Asked Walter, patting Lilia's head (she lay
Beside him) 'lives there such a woman now?'
Quick answered Lilia 'There are thousands now
Such women, but convention beats them down:
It is but bringing up; no more than that:
You men have done it: how I hate you all!
Ah, were I something great! I wish I were
Some might poetess, I would shame you then,
That love to keep us children! O I wish
That I were some great princess, I would build
Far off from men a college like a man's,
And I would teach them all that men are taught;
We are twice as quick!' And here she shook aside
The hand that played the patron with her curls.
And one said smiling 'Pretty were the sight
If our old halls could change their sex, and flaunt
With prudes for proctors, dowagers for deans,
And sweet girl-graduates in their golden hair.
I think they should not wear our rusty gowns,
But move as rich as Emperor-moths, or Ralph
Who shines so in the corner; yet I fear,
If there were many Lilias in the brood,
However deep you might embower the nest,
Some boy would spy it.'
At this upon the sward
She tapt her tiny silken-sandaled foot:
'That's your light way; but I would make it death
For any male thing but to peep at us.'
Petulant she spoke, and at herself she laughed;
A rosebud set with little wilful thorns,
And sweet as English air could make her, she:
But Walter hailed a score of names upon her,
And 'petty Ogress', and 'ungrateful Puss',
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And swore he longed at college, only longed,
All else was well, for she-society.
They boated and they cricketed; they talked
At wine, in clubs, of art, of politics;
They lost their weeks; they vext the souls of deans;
They rode; they betted; made a hundred friends,
And caught the blossom of the flying terms,
But missed the mignonette of Vivian-place,
The little hearth-flower Lilia. Thus he spoke,
Part banter, part affection.
'True,' she said,
'We doubt not that. O yes, you missed us much.
I'll stake my ruby ring upon it you did.'
She held it out; and as a parrot turns
Up through gilt wires a crafty loving eye,
And takes a lady's finger with all care,
And bites it for true heart and not for harm,
So he with Lilia's. Daintily she shrieked
And wrung it. 'Doubt my word again!' he said.
'Come, listen! here is proof that you were missed:
We seven stayed at Christmas up to read;
And there we took one tutor as to read:
The hard-grained Muses of the cube and square
Were out of season: never man, I think,
So mouldered in a sinecure as he:
For while our cloisters echoed frosty feet,
And our long walks were stript as bare as brooms,
We did but talk you over, pledge you all
In wassail; often, like as many girls-Sick for the hollies and the yews of home-As many little trifling Lilias--played
Charades and riddles as at Christmas here,
And ~what's my thought~ and ~when~ and ~where~ and ~how~,
As here at Christmas.'
She remembered that:
A pleasant game, she thought: she liked it more
Than magic music, forfeits, all the rest.
But these--what kind of tales did men tell men,
She wondered, by themselves?
A half-disdain
Perched on the pouted blossom of her lips:
802
And Walter nodded at me; '~He~ began,
The rest would follow, each in turn; and so
We forged a sevenfold story. Kind? what kind?
Chimeras, crotchets, Christmas solecisms,
Seven-headed monsters only made to kill
Time by the fire in winter.'
'Kill him now,
The tyrant! kill him in the summer too,'
Said Lilia; 'Why not now?' the maiden Aunt.
'Why not a summer's as a winter's tale?
A tale for summer as befits the time,
And something it should be to suit the place,
Heroic, for a hero lies beneath,
Grave, solemn!'
Walter warped his mouth at this
To something so mock-solemn, that I laughed
And Lilia woke with sudden-thrilling mirth
An echo like a ghostly woodpecker,
Hid in the ruins; till the maiden Aunt
(A little sense of wrong had touched her face
With colour) turned to me with 'As you will;
Heroic if you will, or what you will,
Or be yourself you hero if you will.'
'Take Lilia, then, for heroine' clamoured he,
'And make her some great Princess, six feet high,
Grand, epic, homicidal; and be you
The Prince to win her!'
'Then follow me, the Prince,'
I answered, 'each be hero in his turn!
Seven and yet one, like shadows in a dream.-Heroic seems our Princess as required-But something made to suit with Time and place,
A Gothic ruin and a Grecian house,
A talk of college and of ladies' rights,
A feudal knight in silken masquerade,
And, yonder, shrieks and strange experiments
For which the good Sir Ralph had burnt them all-This ~were~ a medley! we should have him back
Who told the "Winter's tale" to do it for us.
No matter: we will say whatever comes.
And let the ladies sing us, if they will,
803
From time to time, some ballad or a song
To give us breathing-space.'
So I began,
And the rest followed: and the women sang
Between the rougher voices of the men,
Like linnets in the pauses of the wind:
And here I give the story and the songs.
~ Alfred Lord Tennyson,
1427:Marjory
Spring Stornelli.
THE RIVULET.
OH clear smooth rivulet, creeping through our bridge
With backward waves that cling around the shore,
And is thy world beyond the dim blue ridge
More dear than this, or does it need thee more?
Oh lingering stream, upon thy ceaseless way
Glide to to-morrow; yet 'tis fair to-day:
Beyond the hills and haze to-morrows hide;
To-day is fair; glide lingering, ceaseless tide.
SPRING AND SUMMER.
And summer time is good; but at its heat
The fair poor blossoms wither for the fruit,
And song-birds go that made our valley sweet
With useless ecstasies, and the boughs are mute.
And I would keep the blossoms and the song,
And I would have it spring the whole year long:
And I would have my life a year-long spring
To never pass from hopes and blossoming.
THE PRIMROSE.
Dear welcome, sweet pale stars of hope and spring,
Young primroses, blithe with the April air;
My darlings, waiting for my gathering,
Sit in my bosom, nestle in my hair.
But, oh! the fairest laughs behind the brook,
I cannot have it, I can only look:
Oh happy primrose on the further beach,
One can but look on thee, one cannot reach.
LINNET AND LARK.
Oh buoyant linnet in the flakes of thorn,
Sing thy loud lay; for joy and song are one.
100
Oh skylark floating upwards into morn,
Pour out thy carolling music of the sun.
Sing, sing; be voices of the life-ful air,
Glad things that never knew the cage nor snare:
Be voices of the air, and fill the sky,
Glad things that have no heed of by-and-by.
Summer Stornelli.
THE BEES IN THE LIME.
AMID the thousand blossoms of the lime,
The gossip bees go humming to and fro:
And oh the busy joy of working time!
And oh the fragrance when the lime trees blow!
Take the sweet honeys deftly, happy bees,
And store them for the later days than these:
Store, happy bees, these honeys for the frost,
That sweetness of the blossom be not lost.
THE CORNFLOWER.
A field-plant in my sheltered garden bed,
And I have set it there to love it dear;
It makes blue flowers to match skies overhead,
Blue flowers for all the while the summer's here.
Sky-blooms that woke and budded with the wheat,
Ye last and make the livelong summer sweet:
Spread while the green wheat passes into gold,
Sky-blooms I planted in the garden-mould.
THE FLOWING TIDE.
The slow green wave comes curling from the bay
And leaps in spray along the sunny marge,
And steals a little more and more away,
And drowns the dulse, and lifts the stranded barge.
Leave me, strong tide, my smooth and yellow shore;
But the clear waters deepen more and more:
Leave me my pathway of the sands, strong tide;
Yet are the waves more fair than all they hide.
101
THE WHISPER.
Some one has said a whispered word to me;
The whisper whispers on within my ear.
Oh little word, hush, hush, and let me be;
Hush, little word, too vexing sweet to hear.
And, if it will not hush, what must I do?
The word was 'Love'; perchance the word was true:
And, if it will not hush, must I repine?
I am his love; perchance then he is mine.
THE HEART THAT LACKS ROOM.
I love him, and I love him, and I love:
Oh heart, my love goes welling o'er the brim.
He makes my light more than the sun above,
And what am I save what I am to him?
All will, all hope I have, to him belong;
Oh heart, thou art too small for love so strong:
Oh heart, grow large, grow deeper for his sake;
Oh love him better, heart, or thou wilt break!
THE LOVERS.
And we are lovers, lovers he and I:
Oh sweet dear name that angels envy us;
Lovers for now, lovers for by and by,
And God to hear us call each other thus.
Flow softly, river of our life, and fair;
We float together to the otherwhere:
Storm, river of our life, if storm must be,
We brunt thy tide together to that sea.
THE NIGHTINGALE.
From the dusk elm rings out a changing lay;
The human-hearted nightingale sings there.
Why not, like little minstrels of the day,
Sweet voice, fling only raptures on the air?
'Tis that she's kin to us and has our woe,
Something that's lost or something yet to know:
102
'Tis that she's kin to us and sings our bliss,
Loving, to know love is yet more than this.
THE STORM.
Storm in the dimness of the purpled sky,
And the sharp flash leaps out from cloud to cloud:
But the blue, lifted, corner spreads more high,
Brightness, and brightness, bursts the gathered shroud.
Aye, pass, black storm, thou hadst thy threatening hour;
freed beams make rainbows of the shower:
Now the freed sunbeams break into the air;
Pass, and the sky forgets thee and is fair.
BABY EYES.
Blue baby eyes, they are so sweetest sweet,
And yet they have not learned love's dear replies;
They beg not smiles, nor call for me, nor greet,
But clear, unshrinking, note me with surprise.
But, eyes that have your father's curve of lid,
You'll learn the look that he keeps somewhere hid:
You'll smile, grave baby eyes, and I shall see
The look your father keeps for only me.
THE BINDWEED.
In all fair hues from white to mingled rose,
Along the hedge the clasping bindweed flowers;
And when one chalice shuts a new one blows,
There's blooming for all minutes of the hours.
Along the hedge beside the trodden lane
Where day by day we pass and pass again:
Rosy and white along the busy mile,
A flower for every step and all the while.
Autumn Stornelli.
THE HEATHER.
THE leagues of heather lie on moor and hill,
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And make soft purple dimness and red glow;
No butterfly may call the blithe wind chill
That brings the ruddy heather-bells a-blow.
The song-birds half forget the world is fair,
And pipe no lays because the heather's there:
Oh foolish birds that have no joyous lay,
With hill and moor a garden ground to-day!
LATE ROSES.
The swallows went last week, but 'twas too soon;
For, look, the sunbeams streaming on their eaves;
And, look, my rose, a very child of June,
Spreading its crimson coronet of leaves.
Was it too late, my rose, to bud and blow?
For when the summer wanes her roses go:
Bloom, rose, there are more roses yet to wake,
With hearts of sweetness for the summer's sake.
THE BRAMBLES.
So tall along the dusty highway row,
So wide on the free heath the brambles spread;
Here's the pink bud, and here the full white blow,
And here the black ripe berry, here the red.
Bud, flower, and fruit, among the mingling thorns;
And dews to feed them in the autumn morns:
Fruit, flower, and bud, together, thou rich tree!
And oh but life's a happy time for me!
WE TWO.
The road slopes on that leads us to the last,
And we two tread it softly, side by side;
'Tis a blithe count the milestones we have passed,
Step fitting step, and each of us for guide.
My love, and I thy love, our road is fair,
And fairest most because the other's there:
Our road is fair, adown the harvest hill,
But fairest that we two are we two still.
WE TWO.
104
We two, we two! the children's smiles are dear—
Thank God how dear the bonny children's smiles!—
But 'tis we two among our own ones here,
We two along life's way through all the whiles.
To think if we had passed each other by;
And he not he apart, and I not I!
And oh to think if we had never known;
And I not I and he not he alone!
THE APPLE ORCHARD.
The apple branches bend with ripening weight,
The apple branches rosy as with flowers;
You'd think red giant fuchsias blooming late
Within this sunny orchard ground of ours.
Give us your shade, fair fountain trees of fruits;
We rest upon the mosses at your roots:
Fair fountain trees of fruits, drop windfalls here;
Lo, ripening store for all the coming year.
Winter Stornelli.
THE SNOWS.
THE green and happy world is hidden away;
Cold, cold, the ghostly snows lie on its breast;
The white miles reach the shadows wan and grey
'Neath wan grey skies unchanged from east to west.
Sleep on beneath the snows, chilled, barren, earth;
There are no blossoms for thy winter dearth:
Break not nor melt, fall still from heaven, wan snows;
Hide the spoiled earth, and numb her to repose.
THE HOLLY.
'Tis a brave tree. While round its boughs in vain
The warring wind of January bites and girds,
It holds the clusters of its crimson grain,
A winter pasture for the shivering birds.
Oh patient holly, that the children love,
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No need for thee of smooth blue skies above:
Oh green strong holly, shine amid the frost;
Thou dost not lose one leaf for sunshine lost.
THE GRAVEYARD.
They sleep here well who have forgotten to-day,
They weep not while we weep, nor wake each morn
To bitter new surprise, as mourners may
That knew not in their rest they were forlorn.
Calm graveyard, 'tis more pleasant to sit here
Than where loud life pretends its eager cheer:
Calm graveyard, where he waits and I shall be,
Thou hast the spot of earth most dear to me.
THE FROZEN RIVER.
Dead stream beneath the icy silent blocks
That motionless stand soddening into grime,
Thy fretted falls hang numb, frost pens the locks;
Dead river, when shall be thy waking time?
'Not dead;' the river spoke and answered me,
'My burdened current, hidden, finds the sea'
'Not dead, not dead;' my heart replied at length,
'The frozen river holds a hidden strength.'
THE DAUGHTER.
Go forth, my darling, in the wreath and veil;
My hand shall place them for thee; so goodbye.
Thou hast Love's rose, and tend it without fail;
It withers, dear, if lovers let it lie.
Go, my own singing bird, and be his now;
And I am more than half as glad as thou.
Ah me! the singing birds that were our own
Fly forth and mate: and 'tis long life alone.
WE TWO.
We two that could not part are parted long;
He in the far-off Heaven, and I to wait.
A fair world once, all blossom-time and song;
106
But to be lonely tires, and I live late.
To think we two have not a word to change:
And one without the other here is strange!
To think we two have nothing now to share:
I wondering here, and he without me there!
WE TWO.
We two, we two! we still are linked and nigh:
He could not have forgotten in any bliss;
Surely he feels my being yet; and I,
I have no thought but seems some part of his.
Oh love gone out of reach of yearning eyes,
Our hearts can meet to gather-in replies:
Oh love past touch of lip and clasp of hand,
Thou canst not be too far to understand.
THE FLOWERS TO COME.
The drift is in the hollows of the hill,
Yet primrose leaves uncurl beneath the hedge;
Frosts pierce the dawn, and the north wind blows chill,
Yet snowdrop spikelets rim the garden edge.
Dear plants that will make bud in coming spring,
Ye were not for one only blossoming:
More than one blossoming for all fair flowers;
And God keeps mine till spring is somewhere ours.
~ Augusta Davies Webster,
1428:Lines In Memory Of Edmund Morris
Dear Morris--here is your letter-Can my answer reach you now?
Fate has left me your debtor,
You will remember how;
For I went away to Nantucket,
And you to the Isle of Orleans,
And when I was dawdling and dreaming
Over the ways and means
Of answering, the power was denied me,
Fate frowned and took her stand;
I have your unanswered letter
Here in my hand.
This--in your famous scribble,
It was ever a cryptic fist,
Cuneiform or Chaldaic
Meanings held in a mist.
Dear Morris, (now I'm inditing
And poring over your script)
I gather from the writing,
The coin that you had flipt,
Turned tails; and so you compel me
To meet you at Touchwood Hills:
Or, mayhap, you are trying to tell me
The sum of a painter's ills:
Is that Phimister Proctor
Or something about a doctor?
Well, nobody knows, but Eddie,
Whatever it is I'm ready.
For our friendship was always fortunate
In its greetings and adieux,
Nothing flat or importunate,
Nothing of the misuse
That comes of the constant grinding
Of one mind on another.
So memory has nothing to smother,
But only a few things captured
On the wing, as it were, and enraptured.
51
Yes, Morris, I am inditing-Answering at last it seems,
How can you read the writing
In the vacancy of dreams?
I would have you look over my shoulder
Ere the long, dark year is colder,
And mark that as memory grows older,
The brighter it pulses and gleams.
And if I should try to render
The tissues of fugitive splendour
That fled down the wind of living,
Will they read it some day in the future,
And be conscious of an awareness
In our old lives, and the bareness
Of theirs, with the newest passions
In the last fad of the fashions?
*****
How often have we risen without daylight
When the day star was hidden in mist,
When the dragon-fly was heavy with dew and sleep,
And viewed the miracle pre-eminent, matchless,
The prelusive light that quickens the morning.
O crystal dawn, how shall we distill your virginal freshness
When you steal upon a land that man has not sullied with his
intrusion,
When the aboriginal shy dwellers in the broad solitudes
Are asleep in their innumerable dens and night haunts
Amid the dry ferns, in the tender nests
Pressed into shape by the breasts of the Mother birds?
How shall we simulate the thrill of announcement
When lake after lake lingering in the starlight
Turn their faces towards you,
And are caressed with the salutation of colour?
How shall we transmit in tendril-like images,
The tenuous tremor in the tissues of ether,
Before the round of colour buds like the dome of a shrine,
The preconscious moment when love has fluttered in the bosom,
Before it begins to ache?
52
How often have we seen the even
Melt into the liquidity of twilight,
With passages of Titian splendour,
Pellucid preludes, exquisitely tender,
Where vanish and revive, thro' veils of the ashes of roses,
The crystal forms the breathless sky discloses.
The new moon a slender thing,
In a snood of virgin light,
She seemed all shy on venturing
Into the vast night.
Her own land and folk were afar,
She must have gone astray,
But the gods had given a silver star,
To be with her on the way.
*****
I can feel the wind on the prairie
And see the bunch-grass wave,
And the sunlights ripple and vary
The hill with Crowfoot's grave,
Where he 'pitched off' for the last time
In sight of the Blackfoot Crossing,
Where in the sun for a pastime
You marked the site of his tepee
With a circle of stones. Old Napiw
Gave you credit for that day.
And well I recall the weirdness
Of that evening at Qu'Appelle,
In the wigwam with old Sakimay,
The keen, acrid smell,
As the kinnikinick was burning;
The planets outside were turning,
And the little splints of poplar
Flared with a thin, gold flame.
He showed us his painted robe
Where in primitive pigments
He had drawn his feats and his forays,
And told us the legend
53
Of the man without a name,
The hated Blackfoot,
How he lured the warriors,
The young men, to the foray
And they never returned.
Only their ghosts
Goaded by the Blackfoot
Mounted on stallions:
In the night time
He drove the stallions
Reeking into the camp;
The women gasped and whispered,
The children cowered and crept,
And the old men shuddered
Where they slept.
When Sakimay looked forth
He saw the Blackfoot,
And the ghosts of the warriors,
And the black stallions
Covered by the night wind
As by a mantle.
*****
I remember well a day,
When the sunlight had free play,
When you worked in happy stress,
While grave Ne-Pah-Pee-Ness
Sat for his portrait there,
In his beaded coat and his bare
Head, with his mottled fan
Of hawk's feathers, A Man!
Ah Morris, those were the times
When you sang your inconsequent rhymes
Sprung from a careless fountain:
'_He met her on the mountain,
He gave her a horn to blow,
And the very last words he said to her
Were, 'Go 'long, Eliza, go.'_'
Foolish,--but life was all,
54
And under the skilful fingers
Contours came at your call-Art grows and time lingers;-But now the song has a change
Into something wistful and strange.
And one asks with a touch of ruth
What became of the youth
And where did Eliza go?
He met her on the mountain,
He gave her a horn to blow,
The horn was a silver whorl
With a mouthpiece of pure pearl,
And the mountain was all one glow,
With gulfs of blue and summits of rosy snow.
The cadence she blew on the silver horn
Was the meaning of life in one phrase caught,
And as soon as the magic notes were born,
She repeated them once in an afterthought.
They heard in the crystal passes,
The cadence, calling, calling,
And faint in the deep crevasses,
The echoes falling, falling.
They stood apart and wondered;
Her lips with a wound were aquiver,
His heart with a sword was sundered,
For life was changed forever
When he gave her the horn to blow:
But a shadow arose from the valley,
Desolate, slow and tender,
It hid the herdsmen's chalet,
Where it hung in the emerald meadow,
(Was death driving the shadow?)
It quenched the tranquil splendour
Of the colour of life on the glow-peaks,
Till at the end of the even,
The last shell-tint on the snow-peaks
Had passed away from the heaven.
And yet, when it passed, victorious,
The stars came out on the mountains,
And the torrents gusty and glorious,
Clamoured in a thousand fountains,
And even far down in the valley,
55
A light re-discovered the chalet.
The scene that was veiled had a meaning,
So deep that none might know;
Was it here in the morn on the mountain,
That he gave her the horn to blow?
*****
Tears are the crushed essence of this world,
The wine of life, and he who treads the press
Is lofty with imperious disregard
Of the burst grapes, the red tears and the murk.
But nay! that is a thought of the old poets,
Who sullied life with the passional bitterness
Of their world-weary hearts. We of the sunrise,
Joined in the breast of God, feel deep the power
That urges all things onward, not to an end,
But in an endless flow, mounting and mounting,
Claiming not overmuch for human life,
Sharing with our brothers of nerve and leaf
The urgence of the one creative breath,-All in the dim twilight--say of morning,
Where the florescence of the light and dew
Haloes and hallows with a crown adorning
The brows of life with love; herein the clue,
The love of life--yea, and the peerless love
Of things not seen, that leads the least of things
To cherish the green sprout, the hardening seed;
Here leans all nature with vast Mother-love,
Above the cradled future with a smile.
Why are there tears for failure, or sighs for weakness,
While life's rhythm beats on? Where is the rule
To measure the distance we have circled and clomb?
Catch up the sands of the sea and count and count
The failures hidden in our sum of conquest.
Persistence is the master of this life;
The master of these little lives of ours;
To the end--effort--even beyond the end.
*****
Here, Morris, on the plains that we have loved,
56
Think of the death of Akoose, fleet of foot,
Who, in his prime, a herd of antelope
From sunrise, without rest, a hundred miles
Drove through rank prairie, loping like a wolf,
Tired them and slew them, ere the sun went down.
Akoose, in his old age, blind from the smoke
Of tepees and the sharp snow light, alone
With his great grandchildren, withered and spent,
Crept in the warm sun along a rope
Stretched for his guidance. Once when sharp autumn
Made membranes of thin ice upon the sloughs,
He caught a pony on a quick return
Of prowess and, all his instincts cleared and quickened,
He mounted, sensed the north and bore away
To the Last Mountain Lake where in his youth
He shot the sand-hill-cranes with his flint arrows.
And for these hours in all the varied pomp
Of pagan fancy and free dreams of foray
And crude adventure, he ranged on entranced,
Until the sun blazed level with the prairie,
Then paused, faltered and slid from off his pony.
In a little bluff of poplars, hid in the bracken,
He lay down; the populace of leaves
In the lithe poplars whispered together and trembled,
Fluttered before a sunset of gold smoke,
With interspaces, green as sea water,
And calm as the deep water of the sea.
There Akoose lay, silent amid the bracken,
Gathered at last with the Algonquin Chieftains.
Then the tenebrous sunset was blown out,
And all the smoky gold turned into cloud wrack.
Akoose slept forever amid the poplars,
Swathed by the wind from the far-off Red Deer
Where dinosaurs sleep, clamped in their rocky tombs.
Who shall count the time that lies between
The sleep of Akoose and the dinosaurs?
Innumerable time, that yet is like the breath
Of the long wind that creeps upon the prairie
And dies away with the shadows at sundown.
*****
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What we may think, who brood upon the theme,
Is, when the old world, tired of spinning, has fallen
Asleep, and all the forms, that carried the fire
Of life, are cold upon her marble heart-Like ashes on the altar--just as she stops,
That something will escape of soul or essence,-The sum of life, to kindle otherwhere:
Just as the fruit of a high sunny garden,
Grown mellow with autumnal sun and rain,
Shrivelled with ripeness, splits to the rich heart,
And looses a gold kernel to the mould,
So the old world, hanging long in the sun,
And deep enriched with effort and with love,
Shall, in the motions of maturity,
Wither and part, and the kernel of it all
Escape, a lovely wraith of spirit, to latitudes
Where the appearance, throated like a bird,
Winged with fire and bodied all with passion,
Shall flame with presage, not of tears, but joy.
~ Duncan Campbell Scott,
1429:Inferno Canto 01
Nel mezzo del cammin di nostra vita
mi ritrovai per una selva oscura
ché la diritta via era smarrita .
When I had journeyed half of our life's way,
I found myself within a shadowed forest,
for I had lost the path that does not stray.
Ahi quanto a dir qual era è cosa dura
esta selva selvaggia e aspra e forte
che nel pensier rinova la paura !
Ah, it is hard to speak of what it was,
that savage forest, dense and difficult,
which even in recall renews my fear:
Tant'è amara che poco è più morte;
ma per trattar del ben ch'i' vi trovai,
dirò de l'altre cose ch'i' v'ho scorte .
so bitter-death is hardly more severe!
But to retell the good discovered there,
I'll also tell the other things I saw.
Io non so ben ridir com'i' v'intrai,
tant'era pien di sonno a quel punto
che la verace via abbandonai .
I cannot clearly say how I had entered
the wood; I was so full of sleep just at
the point where I abandoned the true path.
Ma poi ch'i' fui al piè d'un colle giunto,
là dove terminava quella valle
che m'avea di paura il cor compunto ,
241
But when I'd reached the bottom of a hillit rose along the boundary of the valley
that had harassed my heart with so much fear-
guardai in alto, e vidi le sue spalle
vestite già de' raggi del pianeta
che mena dritto altrui per ogne calle .
I looked on high and saw its shoulders clothed
already by the rays of that same planet
which serves to lead men straight along all roads.
Allor fu la paura un poco queta
che nel lago del cor m'era durata
la notte ch'i' passai con tanta pieta .
At this my fear was somewhat quieted;
for through the night of sorrow I had spent,
the lake within my heart felt terror present.
E come quei che con lena affannata
uscito fuor del pelago a la riva
si volge a l'acqua perigliosa e guata ,
And just as he who, with exhausted breath,
having escaped from sea to shore, turns back
to watch the dangerous waters he has quit,
così l'animo mio, ch'ancor fuggiva,
si volse a retro a rimirar lo passo
che non lasciò già mai persona viva .
so did my spirit, still a fugitive,
turn back to look intently at the pass
that never has let any man survive.
242
Poi ch'èi posato un poco il corpo lasso,
ripresi via per la piaggia diserta,
sì che 'l piè fermo sempre era 'l più basso .
I let my tired body rest awhile.
Moving again, I tried the lonely slopemy firm foot always was the one below.
Ed ecco, quasi al cominciar de l'erta,
una lonza leggera e presta molto,
che di pel macolato era coverta ;
And almost where the hillside starts to riselook there!-a leopard, very quick and lithe,
a leopard covered with a spotted hide.
e non mi si partia dinanzi al volto,
anzi 'mpediva tanto il mio cammino,
ch'i' fui per ritornar più volte vòlto .
He did not disappear from sight, but stayed;
indeed, he so impeded my ascent
that I had often to turn back again.
Temp'era dal principio del mattino,
e 'l sol montava 'n sù con quelle stelle
ch'eran con lui quando l'amor divino
The time was the beginning of the morning;
the sun was rising now in fellowship
with the same stars that had escorted it
mosse di prima quelle cose belle;
sì ch'a bene sperar m'era cagione
di quella fiera a la gaetta pelle
when Divine Love first moved those things of beauty;
so that the hour and the gentle season
243
gave me good cause for hopefulness on seeing
l'ora del tempo e la dolce stagione;
ma non sì che paura non mi desse
la vista che m'apparve d'un leone .
that beast before me with his speckled skin;
but hope was hardly able to prevent
the fear I felt when I beheld a lion.
Questi parea che contra me venisse
con la test'alta e con rabbiosa fame,
sì che parea che l'aere ne tremesse .
His head held high and ravenous with hungereven the air around him seemed to shudderthis lion seemed to make his way against me.
Ed una lupa, che di tutte brame
sembiava carca ne la sua magrezza,
e molte genti fé già viver grame ,
And then a she-wolf showed herself; she seemed
to carry every craving in her leanness;
she had already brought despair to many.
questa mi porse tanto di gravezza
con la paura ch'uscia di sua vista,
ch'io perdei la speranza de l'altezza .
The very sight of her so weighted me
with fearfulness that I abandoned hope
of ever climbing up that mountain slope.
E qual è quei che volontieri acquista,
e giugne 'l tempo che perder lo face,
che 'n tutt'i suoi pensier piange e s'attrista ;
244
Even as he who glories while he gains
will, when the time has come to tally loss,
lament with every thought and turn despondent,
tal mi fece la bestia sanza pace,
che, venendomi 'ncontro, a poco a poco
mi ripigneva là dove 'l sol tace .
so was I when I faced that restless beast
which, even as she stalked me, step by step
had thrust me back to where the sun is speechless.
Mentre ch'i' rovinava in basso loco,
dinanzi a li occhi mi si fu offerto
chi per lungo silenzio parea fioco .
While I retreated down to lower ground,
before my eyes there suddenly appeared
one who seemed faint because of the long silence.
Quando vidi costui nel gran diserto,
«Miserere di me», gridai a lui,
«qual che tu sii, od ombra od omo certo !».
When I saw him in that vast wilderness,
"Have pity on me," were the words I cried,
"whatever you may be-a shade, a man."
Rispuosemi: «Non omo, omo già fui,
e li parenti miei furon lombardi,
mantoani per patria ambedui .
He answered me: "Not man; I once was man.
Both of my parents came from Lombardy,
and both claimed Mantua as native city.
245
Nacqui sub Iulio, ancor che fosse tardi,
e vissi a Roma sotto 'l buono Augusto
nel tempo de li dèi falsi e bugiardi .
And I was born, though late, sub Julio,
and lived in Rome under the good Augustusthe season of the false and lying gods.
Poeta fui, e cantai di quel giusto
figliuol d'Anchise che venne di Troia,
poi che 'l superbo Ilión fu combusto .
I was a poet, and I sang the righteous
son of Anchises who had come from Troy
when flames destroyed the pride of Ilium.
Ma tu perché ritorni a tanta noia?
perché non sali il dilettoso monte
ch'è principio e cagion di tutta gioia? ».
But why do you return to wretchedness?
Why not climb up the mountain of delight,
the origin and cause of every joy?"
«Or se' tu quel Virgilio e quella fonte
che spandi di parlar sì largo fiume?»,
rispuos'io lui con vergognosa fronte .
"And are you then that Virgil, you the fountain
that freely pours so rich a stream of speech?"
I answered him with shame upon my brow.
«O de li altri poeti onore e lume
vagliami 'l lungo studio e 'l grande amore
che m'ha fatto cercar lo tuo volume .
"O light and honor of all other poets,
may my long study and the intense love
246
that made me search your volume serve me now.
Tu se' lo mio maestro e 'l mio autore;
tu se' solo colui da cu' io tolsi
lo bello stilo che m'ha fatto onore .
You are my master and my author, youthe only one from whom my writing drew
the noble style for which I have been honored.
Vedi la bestia per cu' io mi volsi:
aiutami da lei, famoso saggio,
ch'ella mi fa tremar le vene e i polsi ».
You see the beast that made me turn aside;
help me, o famous sage, to stand against her,
for she has made my blood and pulses shudder,"
«A te convien tenere altro viaggio»,
rispuose poi che lagrimar mi vide,
«se vuo' campar d'esto loco selvaggio :
"It is another path that you must take,"
he answered when he saw my tearfulness,
"if you would leave this savage wilderness;
ché questa bestia, per la qual tu gride,
non lascia altrui passar per la sua via,
ma tanto lo 'mpedisce che l'uccide ;
the beast that is the cause of your outcry
allows no man to pass along her track,
but blocks him even to the point of death;
e ha natura sì malvagia e ria,
che mai non empie la bramosa voglia,
e dopo 'l pasto ha più fame che pria .
247
her nature is so squalid, so malicious
that she can never sate her greedy will;
when she has fed, she's hungrier than ever.
Molti son li animali a cui s'ammoglia,
e più saranno ancora, infin che 'l veltro
verrà, che la farà morir con doglia .
She mates with many living souls and shall
yet mate with many more, until the Greyhound
arrives, inflicting painful death on her.
Questi non ciberà terra né peltro,
ma sapienza, amore e virtute,
e sua nazion sarà tra feltro e feltro .
That Hound will never feed on land or pewter,
but find his fare in wisdom, love, and virtue;
his place of birth shall be between two felts.
Di quella umile Italia fia salute
per cui morì la vergine Cammilla,
Eurialo e Turno e Niso di ferute .
He will restore low-lying Italy for which
the maid Camilla died of wounds,
and Nisus, Turnus, and Euryalus.
Questi la caccerà per ogne villa,
fin che l'avrà rimessa ne lo 'nferno,
là onde 'nvidia prima dipartilla .
And he will hunt that beast through every city
until he thrusts her back again to Hell,
for which she was first sent above by envy.
248
Ond'io per lo tuo me' penso e discerno
che tu mi segui, e io sarò tua guida,
e trarrotti di qui per loco etterno ,
Therefore, I think and judge it best for you
to follow me, and I shall guide you, taking
you from this place through an eternal place,
ove udirai le disperate strida,
vedrai li antichi spiriti dolenti,
ch'a la seconda morte ciascun grida ;
where you shall hear the howls of desperation
and see the ancient spirits in their pain,
as each of them laments his second death;
e vederai color che son contenti
nel foco, perché speran di venire
quando che sia a le beate genti .
and you shall see those souls who are content
within the fire, for they hope to reachwhenever that may be-the blessed people.
A le quai poi se tu vorrai salire,
anima fia a ciò più di me degna:
con lei ti lascerò nel mio partire ;
If you would then ascend as high as these,
a soul more worthy than I am will guide you;
I'll leave you in her care when I depart,
ché quello imperador che là sù regna,
perch'i' fu' ribellante a la sua legge,
non vuol che 'n sua città per me si vegna .
because that Emperor who reigns above,
since I have been rebellious to His law,
249
will not allow me entry to His city.
In tutte parti impera e quivi regge;
quivi è la sua città e l'alto seggio:
oh felice colui cu' ivi elegge! ».
He governs everywhere, but rules from there;
there is His city, His high capital:
o happy those He chooses to be there!"
E io a lui: «Poeta, io ti richeggio
per quello Dio che tu non conoscesti,
acciò ch'io fugga questo male e peggio ,
And I replied: "O poet-by that God
whom you had never come to know-I beg you,
that I may flee this evil and worse evils,
che tu mi meni là dov'or dicesti,
sì ch'io veggia la porta di san Pietro
e color cui tu fai cotanto mesti ».
to lead me to the place of which you spoke,
that I may see the gateway of Saint Peter
and those whom you describe as sorrowful."
Allor si mosse, e io li tenni dietro.
Then he set out, and I moved on behind him.
~ Dante Alighieri,
1430:Since body of earth and water, air's light breath,
And fiery exhalations (of which four
This sum of things is seen to be compact)
So all have birth and perishable frame,
Thus the whole nature of the world itself
Must be conceived as perishable too.
For, verily, those things of which we see
The parts and members to have birth in time
And perishable shapes, those same we mark
To be invariably born in time
And born to die. And therefore when I see
The mightiest members and the parts of this
Our world consumed and begot again,
'Tis mine to know that also sky above
And earth beneath began of old in time
And shall in time go under to disaster.
And lest in these affairs thou deemest me
To have seized upon this point by sleight to serve
My own caprice- because I have assumed
That earth and fire are mortal things indeed,
And have not doubted water and the air
Both perish too and have affirmed the same
To be again begotten and wax big-
Mark well the argument: in first place, lo,
Some certain parts of earth, grievously parched
By unremitting suns, and trampled on
By a vast throng of feet, exhale abroad
A powdery haze and flying clouds of dust,
Which the stout winds disperse in the whole air.
A part, moreover, of her sod and soil
Is summoned to inundation by the rains;
And rivers graze and gouge the banks away.
Besides, whatever takes a part its own
In fostering and increasing aught

Is rendered back; and since, beyond a doubt,
Earth, the all-mother, is beheld to be
Likewise the common sepulchre of things,
Therefore thou seest her minished of her plenty,
And then again augmented with new growth.

And for the rest, that sea, and streams, and springs
Forever with new waters overflow
And that perennially the fluids well.
Needeth no words- the mighty flux itself
Of multitudinous waters round about
Declareth this. But whatso water first
Streams up is ever straightway carried off,
And thus it comes to pass that all in all
There is no overflow; in part because
The burly winds (that over-sweep amain)
And skiey sun (that with his rays dissolves)
Do minish the level seas; in part because
The water is diffused underground
Through all the lands. The brine is filtered off,
And then the liquid stuff seeps back again
And all re-gathers at the river-heads,
Whence in fresh-water currents on it flows
Over the lands, adown the channels which
Were cleft erstwhile and erstwhile bore along
The liquid-footed floods.
Now, then, of air
I'll speak, which hour by hour in all its body
Is changed innumerably. For whatso'er
Streams up in dust or vapour off of things,
The same is all and always borne along
Into the mighty ocean of the air;
And did not air in turn restore to things
Bodies, and thus recruit them as they stream,
All things by this time had resolved been
And changed into air. Therefore it never
Ceases to be engendered off of things
And to return to things, since verily
In constant flux do all things stream.
Likewise,
The abounding well-spring of the liquid light,
The ethereal sun, doth flood the heaven o'er
With constant flux of radiance ever new,
And with fresh light supplies the place of light,
Upon the instant. For whatever effulgence
Hath first streamed off, no matter where it falls,
Is lost unto the sun. And this 'tis thine
To know from these examples: soon as clouds
Have first begun to under-pass the sun,
And, as it were, to rend the days of light
In twain, at once the lower part of them
Is lost entire, and earth is overcast
Where'er the thunderheads are rolled along-
So know thou mayst that things forever need
A fresh replenishment of gleam and glow,
And each effulgence, foremost flashed forth,
Perisheth one by one. Nor otherwise
Can things be seen in sunlight, lest alway
The fountain-head of light supply new light.
Indeed your earthly beacons of the night,
The hanging lampions and the torches, bright
With darting gleams and dense with livid soot,
Do hurry in like manner to supply
With ministering heat new light amain;
Are all alive to quiver with their fires,-
Are so alive, that thus the light ne'er leaves
The spots it shines on, as if rent in twain:
So speedily is its destruction veiled
By the swift birth of flame from all the fires.
Thus, then, we must suppose that sun and moon
And stars dart forth their light from under-births
Ever and ever new, and whatso flames
First rise do perish always one by one-
Lest, haply, thou shouldst think they each endure
Inviolable.
Again, perceivest not
How stones are also conquered by Time?-
Not how the lofty towers ruin down,
And boulders crumble?- Not how shrines of gods
And idols crack outworn?- Nor how indeed
The holy Influence hath yet no power
There to postpone the Terminals of Fate,
Or headway make 'gainst Nature's fixed decrees?
Again, behold we not the monuments
Of heroes, now in ruins, asking us,
In their turn likewise, if we don't believe
They also age with eld? Behold we not
The rended basalt ruining amain
Down from the lofty mountains, powerless
To dure and dree the mighty forces there
Of finite time?- for they would never fall
Rended asudden, if from infinite Past
They had prevailed against all engin'ries
Of the assaulting aeons, with no crash.
Again, now look at This, which round, above,
Contains the whole earth in its one embrace:
If from itself it procreates all things-
As some men tell- and takes them to itself
When once destroyed, entirely must it be
Of mortal birth and body; for whate'er
From out itself giveth to other things
Increase and food, the same perforce must be
Minished, and then recruited when it takes
Things back into itself.
Besides all this,
If there had been no origin-in-birth
Of lands and sky, and they had ever been
The everlasting, why, ere Theban war
And obsequies of Troy, have other bards
Not also chanted other high affairs?
Whither have sunk so oft so many deeds
Of heroes? Why do those deeds live no more,
Ingrafted in eternal monuments
Of glory? Verily, I guess, because
The Sum is new, and of a recent date
The nature of our universe, and had
Not long ago its own exordium.
Wherefore, even now some arts are being still
Refined, still increased: now unto ships
Is being added many a new device;
And but the other day musician-folk
Gave birth to melic sounds of organing;
And, then, this nature, this account of things
Hath been discovered latterly, and I
Myself have been discovered only now,
As first among the first, able to turn
The same into ancestral Roman speech.
Yet if, percase, thou deemest that ere this
Existed all things even the same, but that
Perished the cycles of the human race
In fiery exhalations, or cities fell
By some tremendous quaking of the world,
Or rivers in fury, after constant rains,
Had plunged forth across the lands of earth
And whelmed the towns- then, all the more must thou
Confess, defeated by the argument,
That there shall be annihilation too
Of lands and sky. For at a time when things
Were being taxed by maladies so great,
And so great perils, if some cause more fell
Had then assailed them, far and wide they would
Have gone to disaster and supreme collapse.
And by no other reasoning are we
Seen to be mortal, save that all of us
Sicken in turn with those same maladies
With which have sickened in the past those men
Whom Nature hath removed from life.
Again,
Whatever abides eternal must indeed
Either repel all strokes, because 'tis made
Of solid body, and permit no entrance
Of aught with power to sunder from within
The parts compact- as are those seeds of stuff
Whose nature we've exhibited before;
Or else be able to endure through time
For this: because they are from blows exempt,
As is the void, the which abides untouched,
Unsmit by any stroke; or else because
There is no room around, whereto things can,
As 'twere, depart in dissolution all-
Even as the sum of sums eternal is,
Without or place beyond whereto things may
Asunder fly, or bodies which can smite,
And thus dissolve them by the blows of might.
But not of solid body, as I've shown,
Exists the nature of the world, because
In things is intermingled there a void;
Nor is the world yet as the void, nor are,
Moreover, bodies lacking which, percase,
Rising from out the infinite, can fell
With fury-whirlwinds all this sum of things,
Or bring upon them other cataclysm
Of peril strange; and yonder, too, abides
The infinite space and the profound abyss-
Whereinto, lo, the ramparts of the world
Can yet be shivered. Or some other power
Can pound upon them till they perish all.
Thus is the door of doom, O nowise barred
Against the sky, against the sun and earth
And deep-sea waters, but wide open stands
And gloats upon them, monstrous and agape.
Wherefore, again, 'tis needful to confess
That these same things are born in time; for things
Which are of mortal body could indeed
Never from infinite past until to-day
Have spurned the multitudinous assaults
Of the immeasurable aeons old.

Again, since battle so fiercely one with other
The four most mighty members the world,
Aroused in an all unholy war,
Seest not that there may be for them an end
Of the long strife?- Or when the skiey sun
And all the heat have won dominion o'er
The sucked-up waters all?- And this they try
Still to accomplish, though as yet they fail,-
For so aboundingly the streams supply
New store of waters that 'tis rather they
Who menace the world with inundations vast
From forth the unplumbed chasms of the sea.
But vain- since winds (that over-sweep amain)
And skiey sun (that with his rays dissolves)
Do minish the level seas and trust their power
To dry up all, before the waters can
Arrive at the end of their endeavouring.
Breathing such vasty warfare, they contend
In balanced strife the one with other still
Concerning mighty issues- though indeed
The fire was once the more victorious,
And once- as goes the tale- the water won
A kingdom in the fields. For fire o'ermastered
And licked up many things and burnt away,
What time the impetuous horses of the Sun
Snatched Phaethon headlong from his skiey road
Down the whole ether and over all the lands.
But the omnipotent Father in keen wrath
Then with the sudden smite of thunderbolt
Did hurl the mighty-minded hero off
Those horses to the earth. And Sol, his sire,
Meeting him as he fell, caught up in hand
The ever-blazing lampion of the world,
And drave together the pell-mell horses there
And yoked them all a-tremble, and amain,
Steering them over along their own old road,
Restored the cosmos- as forsooth we hear
From songs of ancient poets of the Greeks-
A tale too far away from truth, meseems.
For fire can win when from the infinite
Has risen a larger throng of particles
Of fiery stuff; and then its powers succumb,
Somehow subdued again, or else at last
It shrivels in torrid atmospheres the world.
And whilom water too began to win-
As goes the story- when it overwhelmed
The lives of men with billows; and thereafter,
When all that force of water-stuff which forth
From out the infinite had risen up
Did now retire, as somehow turned aside,
The rain-storms stopped, and streams their fury checked.


author class:Lucretius
~ , The World Is Not Eternal
,
1431:Œnone
. There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
514
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,
And dewy-dark aloft the mountain pine:
Beautiful Paris, evil-hearted Paris,
Leading a jet-black goat white-horn'd, white-hooved,
Came up from reedy Simois all alone.
'O mother Ida, harken ere I die.
Far-off the torrent call'd me from the cleft:
Far up the solitary morning smote
The streaks of virgin snow. With down-dropt eyes
I sat alone: white-breasted like a star
Fronting the dawn he moved; a leopard skin
Droop'd from his shoulder, but his sunny hair
Cluster'd about his temples like a God's:
And his cheek brighten'd as the foam-bow brightens
When the wind blows the foam, and all my heart
Went forth to embrace him coming ere he came.
'Dear mother Ida, harken ere I die.
He smiled, and opening out his milk-white palm
Disclosed a fruit of pure Hesperian gold,
That smelt ambrosially, and while I look'd
And listen'd, the full-flowing river of speech
Came down upon my heart. `My own Œnone,
Beautiful-brow'd Œnone, my own soul,
Behold this fruit, whose gleaming rind ingrav'n
'For the most fair,' would seem to award it thine,
As lovelier than whatever Oread haunt
The knolls of Ida, loveliest in all grace
Of movement, and the charm of married brows.'
'Dear mother Ida, harken ere I die.
515
He prest the blossom of his lips to mine,
And added 'This was cast upon the board,
When all the full-faced presence of the Gods
Ranged in the halls of Peleus; whereupon
Rose feud, with question unto whom 'twere due:
But light-foot Iris brought it yester-eve,
Delivering that to me, by common voice
Elected umpire, Herè comes to-day,
Pallas and Aphroditè, claiming each
This meed of fairest. Thou, within the cave
Behind yon whispering tuft of oldest pine,
Mayst well behold them unbeheld, unheard
Hear all, and see thy Paris judge of Gods.'
'Dear mother Ida, harken ere I die.
It was the deep midnoon: one silvery cloud
Had lost his way between the piney sides
Of this long glen. Then to the bower they came,
Naked they came to that smooth-swarded bower,
And at their feet the crocus brake like fire,
Violet, amaracus, and asphodel,
Lotos and lilies: and a wind arose,
And overhead the wandering ivy and vine,
This way and that, in many a wild festoon
Ran riot, garlanding the gnarled boughs
With bunch and berry and flower thro' and thro'.
'O mother Ida, harken ere I die.
On the tree-tops a crested peacock lit,
And o'er him flow'd a golden cloud, and lean'd
Upon him, slowly dropping fragrant dew.
Then first I heard the voice of her, to whom
Coming thro' Heaven, like a light that grows
Larger and clearer, with one mind the Gods
Rise up for reverence. She to Paris made
Proffer of royal power, ample rule
Unquestion'd, overflowing revenue
Wherewith to embellish state, 'from many a vale
And river-sunder'd champaign clothed with corn,
Or labour'd mine undrainable of ore.
Honour,' she said, 'and homage, tax and toll,
516
From many an inland town and haven large,
Mast-throng'd beneath her shadowing citadel
In glassy bays among her tallest towers.'
'O mother Ida, harken ere I die.
Still she spake on and still she spake of power,
'Which in all action is the end of all;
Power fitted to the season; wisdom-bred
And throned of wisdom-from all neighbour crowns
Alliance and allegiance, till thy hand
Fail from the sceptre-staff. Such boon from me,
From me, Heaven's Queen, Paris, to thee king-born,
A shepherd all thy life but yet king-born,
Should come most welcome, seeing men, in power
Only, are likest Gods, who have attain'd
Rest in a happy place and quiet seats
Above the thunder, with undying bliss
In knowledge of their own supremacy.'
'Dear mother Ida, harken ere I die.
She ceased, and Paris held the costly fruit
Out at arm's-length, so much the thought of power
Flatter'd his spirit; but Pallas where she stood
Somewhat apart, her clear and bared limbs
O'erthwarted with the brazen-headed spear
Upon her pearly shoulder leaning cold,
The while, above, her full and earnest eye
Over her snow-cold breast and angry cheek
Kept watch, waiting decision, made reply.
'`Self-reverence, self-knowledge, self-control,
These three alone lead life to sovereign power.
Yet not for power (power of herself
Would come uncall'd for) but to live by law,
Acting the law we live by without fear;
And, because right is right, to follow right
Were wisdom in the scorn of consequence.'
517
'Dear mother Ida, harken ere I die.
Again she said: 'I woo thee not with gifts.
Sequel of guerdon could not alter me
To fairer. Judge thou me by what I am,
So shalt thou find me fairest. Yet, indeed,
If gazing on divinity disrobed
Thy mortal eyes are frail to judge of fair,
Unbias'd by self-profit, oh! rest thee sure
That I shall love thee well and cleave to thee,
So that my vigour, wedded to thy blood,
Shall strike within thy pulses, like a God's,
To push thee forward thro' a life of shocks,
Dangers, and deeds, until endurance grow
Sinew'd with action, and the full-grown will,
Circled thro' all experiences, pure law,
Commeasure perfect freedom.' Here she ceas'd
And Paris ponder'd, and I cried, 'O Paris,
Give it to Pallas!' but he heard me not,
Or hearing would not hear me, woe is me!
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Italian Aphroditè beautiful,
Fresh as the foam, new-bathed in Paphian wells,
With rosy slender fingers backward drew
From her warm brows and bosom her deep hair
Ambrosial, golden round her lucid throat
And shoulder: from the violets her light foot
Shone rosy-white, and o'er her rounded form
Between the shadows of the vine-bunches
Floated the glowing sunlights, as she moved.
'Dear mother Ida, harken ere I die.
She with a subtle smile in her mild eyes,
The herald of her triumph, drawing nigh
Half-whisper'd in his ear, 'I promise thee
The fairest and most loving wife in Greece.'
She spoke and laugh'd: I shut my sight for fear:
But when I look'd, Paris had raised his arm,
And I beheld great Herè's angry eyes,
518
As she withdrew into the golden cloud,
And I was left alone within the bower;
And from that time to this I am alone,
And I shall be alone until I die.
'Yet, mother Ida, harken ere I die.
Fairest-why fairest wife? am I not fair?
My love hath told me so a thousand times.
Methinks I must be fair, for yesterday,
When I past by, a wild and wanton pard,
Eyed like the evening star, with playful tail
Crouch'd fawning in the weed. Most loving is she?
Ah me, my mountain shepherd, that my arms
Were wound about thee, and my hot lips prest
Close, close to thine in that quick-falling dew
Of fruitful kisses, thick as Autumn rains
Flash in the pools of whirling Simois!
'O mother, hear me yet before I die.
They came, they cut away my tallest pines,
My tall dark pines, that plumed the craggy ledge
High over the blue gorge, and all between
The snowy peak and snow-white cataract
Foster'd the callow eaglet-from beneath
Whose thick mysterious boughs in the dark morn
The panther's roar came muffled, while I sat
Low in the valley. Never, never more
Shall lone Œnone see the morning mist
Sweep thro' them; never see them overlaid
With narrow moon-lit slips of silver cloud,
Between the loud stream and the trembling stars.
'O mother, hear me yet before I die.
I wish that somewhere in the ruin'd folds,
Among the fragments tumbled from the glens,
Or the dry thickets, I could meet with her
The Abominable, that uninvited came
Into the fair Pele{:i}an banquet-hall,
And cast the golden fruit upon the board,
519
And bred this change; that I might speak my mind,
And tell her to her face how much I hate
Her presence, hated both of Gods and men.
'O mother, hear me yet before I die.
Hath he not sworn his love a thousand times,
In this green valley, under this green hill,
Ev'n on this hand, and sitting on this stone?
Seal'd it with kisses? water'd it with tears?
O happy tears, and how unlike to these!
O happy Heaven, how canst thou see my face?
O happy earth, how canst thou bear my weight?
O death, death, death, thou ever-floating cloud,
There are enough unhappy on this earth,
Pass by the happy souls, that love to live:
I pray thee, pass before my light of life,
And shadow all my soul, that I may die.
Thou weighest heavy on the heart within,
Weigh heavy on my eyelids: let me die.
'O mother, hear me yet before I die.
I will not die alone, for fiery thoughts
Do shape themselves within me, more and more,
Whereof I catch the issue, as I hear
Dead sounds at night come from the inmost hills,
Like footsteps upon wool. I dimly see
My far-off doubtful purpose, as a mother
Conjectures of the features of her child
Ere it is born: her child!-a shudder comes
Across me: never child be born of me,
Unblest, to vex me with his father's eyes!
'O mother, hear me yet before I die.
Hear me, O earth. I will not die alone,
Lest their shrill happy laughter come to me
Walking the cold and starless road of death
Uncomforted, leaving my ancient love
With the Greek woman. I will rise and go
Down into Troy, and ere the stars come forth
520
Talk with the wild Cassandra, for she says
A fire dances before her, and a sound
Rings ever in her ears of armed men.
What this may be I know not, but I know
That, wheresoe'er I am by night and day,
All earth and air seem only burning fire.'
~ Alfred Lord Tennyson,
1432:'Thus do the generations of the earth
Go to the grave and issue from the womb,
Surviving still the imperishable change
That renovates the world; even as the leaves
Which the keen frost-wind of the waning year
Has scattered on the forest-soil and heaped
For many seasons therethough long they choke,
Loading with loathsome rottenness the land,
All germs of promise, yet when the tall trees
From which they fell, shorn of their lovely shapes,
Lie level with the earth to moulder there,
They fertilize the land they long deformed;
Till from the breathing lawn a forest springs
Of youth, integrity and loveliness,
Like that which gave it life, to spring and die.
Thus suicidal selfishness, that blights
The fairest feelings of the opening heart,
Is destined to decay, whilst from the soil
Shall spring all virtue, all delight, all love,
And judgment cease to wage unnatural war
With passion's unsubduable array.
Twin-sister of Religion, Selfishness!
Rival in crime and falsehood, aping all
The wanton horrors of her bloody play;
Yet frozen, unimpassioned, spiritless,
Shunning the light, and owning not its name,
Compelled by its deformity to screen
With flimsy veil of justice and of right
Its unattractive lineaments that scare
All save the brood of ignorance; at once
The cause and the effect of tyranny;
Unblushing, hardened, sensual and vile;
Dead to all love but of its abjectness;
With heart impassive by more noble powers
Than unshared pleasure, sordid gain, or fame;
Despising its own miserable being,
Which still it longs, yet fears, to disenthrall.

'Hence commerce springs, the venal interchange
Of all that human art or Nature yield;
Which wealth should purchase not, but want demand,
And natural kindness hasten to supply
From the full fountain of its boundless love,
Forever stifled, drained and tainted now.
Commerce! beneath whose poison-breathing shade
No solitary virtue dares to spring,
But poverty and wealth with equal hand
Scatter their withering curses, and unfold
The doors of premature and violent death
To pining famine and full-fed disease,
To all that shares the lot of human life,
Which, poisoned body and soul, scarce drags the chain
That lengthens as it goes and clanks behind.

'Commerce has set the mark of selfishness,
The signet of its all-enslaving power,
Upon a shining ore, and called it gold;
Before whose image bow the vulgar great,
The vainly rich, the miserable proud,
The mob of peasants, nobles, priests and kings,
And with blind feelings reverence the power
That grinds them to the dust of misery.
But in the temple of their hireling hearts
Gold is a living god and rules in scorn
All earthly things but virtue.

'Since tyrants by the sale of human life
Heap luxuries to their sensualism, and fame
To their wide-wasting and insatiate pride,
Success has sanctioned to a credulous world
The ruin, the disgrace, the woe of war.
His hosts of blind and unresisting dupes
The despot numbers; from his cabinet
These puppets of his schemes he moves at will,
Even as the slaves by force or famine driven,
Beneath a vulgar master, to perform
A task of cold and brutal drudgery;
Hardened to hope, insensible to fear,
Scarce living pulleys of a dead machine,
Mere wheels of work and articles of trade,
That grace the proud and noisy pomp of wealth!

'The harmony and happiness of man
Yields to the wealth of nations; that which lifts
His nature to the heaven of its pride,
Is bartered for the poison of his soul;
The weight that drags to earth his towering hopes,
Blighting all prospect but of selfish gain,
Withering all passion but of slavish fear,
Extinguishing all free and generous love
Of enterprise and daring, even the pulse
That fancy kindles in the beating heart
To mingle with sensation, it destroys,
Leaves nothing but the sordid lust of self,
The grovelling hope of interest and gold,
Unqualified, unmingled, unredeemed
Even by hypocrisy.

           And statesmen boast
Of wealth! The wordy eloquence that lives
After the ruin of their hearts, can gild
The bitter poison of a nation's woe;
Can turn the worship of the servile mob
To their corrupt and glaring idol, fame,
From virtue, trampled by its iron tread,
Although its dazzling pedestal be raised
Amid the horrors of a limb-strewn field,
With desolated dwellings smoking round.
The man of ease, who, by his warm fireside,
To deeds of charitable intercourse
And bare fulfilment of the common laws
Of decency and prejudice confines
The struggling nature of his human heart,
Is duped by their cold sophistry; he sheds
A passing tear perchance upon the wreck
Of earthly peace, when near his dwelling's door
The frightful waves are driven,when his son
Is murdered by the tyrant, or religion
Drives his wife raving mad. But the poor man
Whose life is misery, and fear and care;
Whom the morn wakens but to fruitless toil;
Who ever hears his famished offspring's scream;
Whom their pale mother's uncomplaining gaze
Forever meets, and the proud rich man's eye
Flashing command, and the heart-breaking scene
Of thousands like himself;he little heeds
The rhetoric of tyranny; his hate
Is quenchless as his wrongs; he laughs to scorn
The vain and bitter mockery of words,
Feeling the horror of the tyrant's deeds,
And unrestrained but by the arm of power,
That knows and dreads his enmity.

'The iron rod of penury still compels
Her wretched slave to bow the knee to wealth,
And poison, with unprofitable toil,
A life too void of solace to confirm
The very chains that bind him to his doom.
Nature, impartial in munificence,
Has gifted man with all-subduing will.
Matter, with all its transitory shapes,
Lies subjected and plastic at his feet,
That, weak from bondage, tremble as they tread.
How many a rustic Milton has passed by,
Stifling the speechless longings of his heart,
In unremitting drudgery and care!
How many a vulgar Cato has compelled
His energies, no longer tameless then,
To mould a pin or fabricate a nail!
How many a Newton, to whose passive ken
Those mighty spheres that gem infinity
Were only specks of tinsel fixed in heaven
To light the midnights of his native town!

'Yet every heart contains perfection's germ.
The wisest of the sages of the earth,
That ever from the stores of reason drew
Science and truth, and virtue's dreadless tone,
Were but a weak and inexperienced boy,
Proud, sensual, unimpassioned, unimbued
With pure desire and universal love,
Compared to that high being, of cloudless brain,
Untainted passion, elevated will,
Which death (who even would linger long in awe
Within his noble presence and beneath
His changeless eye-beam) might alone subdue.
Him, every slave now dragging through the filth
Of some corrupted city his sad life,
Pining with famine, swoln with luxury,
Blunting the keenness of his spiritual sense
With narrow schemings and unworthy cares,
Or madly rushing through all violent crime
To move the deep stagnation of his soul,
Might imitate and equal.

              But mean lust
Has bound its chains so tight about the earth
That all within it but the virtuous man
Is venal; gold or fame will surely reach
The price prefixed by Selfishness to all
But him of resolute and unchanging will;
Whom nor the plaudits of a servile crowd,
Nor the vile joys of tainting luxury,
Can bribe to yield his elevated soul
To Tyranny or Falsehood, though they wield
With blood-red hand the sceptre of the world.

'All things are sold: the very light of heaven
Is venal; earth's unsparing gifts of love,
The smallest and most despicable things
That lurk in the abysses of the deep,
All objects of our life, even life itself,
And the poor pittance which the laws allow
Of liberty, the fellowship of man,
Those duties which his heart of human love
Should urge him to perform instinctively,
Are bought and sold as in a public mart
Of undisguising Selfishness, that sets
On each its price, the stamp-mark of her reign.
Even love is sold; the solace of all woe
Is turned to deadliest agony, old age
Shivers in selfish beauty's loathing arms,
And youth's corrupted impulses prepare
A life of horror from the blighting bane
Of commerce; whilst the pestilence that springs
From unenjoying sensualism, has filled
All human life with hydra-headed woes.

'Falsehood demands but gold to pay the pangs
Of outraged conscience; for the slavish priest
Sets no great value on his hireling faith;
A little passing pomp, some servile souls,
Whom cowardice itself might safely chain
Or the spare mite of avarice could bribe
To deck the triumph of their languid zeal,
Can make him minister to tyranny.
More daring crime requires a loftier meed.
Without a shudder the slave-soldier lends
His arm to murderous deeds, and steels his heart,
When the dread eloquence of dying men,
Low mingling on the lonely field of fame,
Assails that nature whose applause he sells
For the gross blessings of the patriot mob,
For the vile gratitude of heartless kings,
And for a cold world's good word,viler still!

'There is a nobler glory which survives
Until our being fades, and, solacing
All human care, accompanies its change;
Deserts not virtue in the dungeon's gloom,
And in the precincts of the palace guides
Its footsteps through that labyrinth of crime;
Imbues his lineaments with dauntlessness,
Even when from power's avenging hand he takes
Its sweetest, last and noblest titledeath;
The consciousness of good, which neither gold,
Nor sordid fame, nor hope of heavenly bliss,
Can purchase; but a life of resolute good,
Unalterable will, quenchless desire
Of universal happiness, the heart
That beats with it in unison, the brain
Whose ever-wakeful wisdom toils to change
Reason's rich stores for its eternal weal.
'This commerce of sincerest virtue needs
No meditative signs of selfishness,
No jealous intercourse of wretched gain,
No balancings of prudence, cold and long;
In just and equal measure all is weighed,
One scale contains the sum of human weal,
And one, the good man's heart.

                 How vainly seek
The selfish for that happiness denied
To aught but virtue! Blind and hardened, they,
Who hope for peace amid the storms of care,
Who covet power they know not how to use,
And sigh for pleasure they refuse to give,
Madly they frustrate still their own designs;
And, where they hope that quiet to enjoy
Which virtue pictures, bitterness of soul,
Pining regrets, and vain repentances,
Disease, disgust and lassitude pervade
Their valueless and miserable lives.

'But hoary-headed selfishness has felt
Its death-blow and is tottering to the grave;
A brighter morn awaits the human day,
When every transfer of earth's natural gifts
Shall be a commerce of good words and works;
When poverty and wealth, the thirst of fame,
The fear of infamy, disease and woe,
War with its million horrors, and fierce hell,
Shall live but in the memory of time,
Who, like a penitent libertine, shall start,
Look back, and shudder at his younger years.'



~ Percy Bysshe Shelley, Queen Mab - Part V.
,
1433:The Kalevala - Rune Xxxvi
KULLERWOINEN'S VICTORY AND DEATH.
Kullerwionen, wicked wizard,
In his purple-colored stockings,
Now prepares himself for battle;
Grinds a long time on his broadsword,
Sharpens well his trusty weapon,
And his mother speaks as follows:
'Do not go, my son beloved,
Go not to the wars, my hero,
Struggle not with hostile spearsmen.
Whoso goes to war for nothing,
Undertakes a fearful combat,
Undertakes a fatal issue;
Those that war without a reason
Will be slaughtered for their folly,
Easy prey to bows and arrows.
Go thou with a goat to battle,
Shouldst thou go to fight the roebuck,
'Tis the goat that will be vanquished,
And the roebuck will be slaughtered;
With a frog thou'lt journey homeward,
Victor, with but little honor!'
These the words of Kullerwoinen:
'Shall not journey through the marshes,
Shall not sink upon the heather,
On the home-land of the raven,
Where the eagles scream at day-break.
When I yield my life forever,
Bravely will I fall in battle,
Fall upon the field of glory,
Beautiful to die in armor,
And the clang and clash of armies,
Beautiful the strife for conquest!
Thus Kullervo soon will hasten
To the kingdom of Tuoni,
To the realm of the departed,
Undeformed by wasting sickness.'
553
This the answer of the mother:
'If thou diest in the conflict,
Who will stay to guard thy father,
Who will give thy sire protection?'
These the words of Kullerwoinen:
'Let him die upon the court-yard,
Sleeping out his life of sorrow!'
'Who then will protect thy mother,
Be her shield in times of danger?'
'Let her die within the stable,
Or the cabin where she lingers!'
'Who then will defend thy brother,
Give him aid in times of trouble?'
'Let him die within the forest,
Sleep his life away unheeded!'
'Who will comfort then thy sister,
Who will aid her in affliction?'
'Let her sink beneath the waters,
Perish in the crystal fountain,
Where the brook flows on in beauty,
Like a silver serpent winding
Through the valley to the ocean!'
Thereupon the wild Kullervo
Hastens from his home to battle,
To his father speaks, departing:
'Fare thou well, my aged father!
Wilt thou weep for me, thy hero,
When thou hearest I have perished,
Fallen from thy tribe forever,
Perished on the field of glory?'
Thus the father speaks in answer:
'I shall never mourn the downfall
Of my evil son, Kullervo;
Shall not weep when thou hast perished;
Shall beget a second hero
That will do me better service,
That will think and act in wisdom.'
Kullerwoinen gives this answer:
'Neither shall I mourn thy downfall,
Shall not weep when thou hast perished;
I shall make a second father,
Make the head from loam and sandstone,
554
Make the eyes from swamp-land berries,
Make the beard from withered sea-grass,
Make the feet from roots of willow,
Make the form from birch-wood fungus.'
Thereupon the youth, Kullervo,
To his brother speaks as follows:
'Fare thou well, beloved brother!
Wilt thou weep for me departed,
Shouldst thou hear that I have perished,
Fallen on the field of battle?'
This the answer of the brother:
'I shall never mourn the downfall
Of my brother, Kullerwoinen,
Shall not weep when thou hast perished;
I shall find a second brother '
Find one worthier and wiser!'
This is Kullerwoinen's answer:
'Neither shall I mourn thy downfall,
Shall not weep when thou hast perished;
I shall form a second brother,
Make the head from dust and ashes,
Make the eyes from pearls of ocean,
Make the beard from withered verdure,
Make the form from pulp of birch-wood.'
To his sister speaks Kullervo:
'Fare thou well, beloved sister!
Surely thou wilt mourn my downfall,
Weep for me when I have perished,
When thou hearest I have fallen
In the heat and din of battle,
Fallen from thy race forever!'
But the sister makes this answer:
'Never shall I mourn thy downfall,
Shall not weep when thou hast perished;
I shall seek a second brother,
Seek a brother, purer, better,
One that will not shame his sister!'
Kullerwoinen thus makes answer:
'Neither shall I mourn thee fallen,
Shall not weep when thou hast perished;
I shall form a second sister,
Make the head from whitened marble,
555
Make the eyes from golden moonbeams,
Make the tresses from the rainbow,
Make the ears from ocean-flowers,
And her form from gold and silver.
'Fare thou well, beloved mother,
Mother, beautiful and faithful!
Wilt thou weep when I have perished,
Fallen on the field of glory,
Fallen from thy race forever?'
Thus the mother speaks in answer:
'Canst not fathom love maternal,
Canst not smother her affection;
Bitterly I'll mourn thy downfall,
I would weep if thou shouldst perish,
Shouldst thou leave my race forever;
I would weep in court or cabin,
Sprinkle all these fields with tear-drops,
Weep great rivers to the ocean,
Weep to melt the snows of Northland,
Make the hillocks green with weeping,
Weep at morning, weep at evening,
Weep three years in bitter sorrow
O'er the death of Kullerwoinen!'
Thereupon the wicked wizard
Went rejoicing to the combat;
In delight to war he hastened
O'er the fields, and fens, and fallows,
Shouting loudly on the heather,
Singing o'er the hills and mountains,
Rushing through the glens and forests,
Blowing war upon his bugle.
Time had gone but little distance,
When a messenger appearing,
Spake these words to Kullerwoinen:
'Lo! thine aged sire has perished,
Fallen from thy race forever;
Hasten home and do him honor,
Lay him in the lap of Kalma.'
Kullerwoinen inade this answer:
'Has my aged father perished,
There is home a sable stallion
That will take him to his slumber,
556
Lay him in the lap of Kalma.'
Then Kullervo journeyed onward,
Calling war upon his bugle,
Till a messenger appearing,
Brought this word to Kullerwoinen:
'Lo! thy brother too has perished,
Dead he lies within the forest,
Manalainen's trumpet called him;
Home return and do him honor,
Lay him in the lap of Kalma.'
Kullerwoinen thus replying:
'Has my hero-brother perished,
There is home a sable stallion
That will take him' to his slumber,
Lay him in the lap of Kalma.'
Young Kullervo journeyed onward
Over vale and over mountain,
Playing on his reed of battle,
Till a messenger appearing
Brought the warrior these tidings:
'Lo! thy sister too has perished,
Perished in the crystal fountain,
Where the waters flow in beauty,
Like a silver serpent winding
Through the valley to the ocean;
Home return and do her honor,
Lay her in the lap of Kalma.'
These the words of Kullerwoinen:
'Has my beauteous sister perished,
Fallen from my race forever,
There is home a sable filly
That will take her to her resting,
Lay her in the lap of Kalma.'
Still Kullervo journeyed onward,
Through the fens he went rejoicing,
Sounding war upon his bugle,
Till a messenger appearing
Brought to him these words of sorrow:
'Lo! thy mother too has perished,
Died in anguish, broken-hearted;
Home return and do her honor,
Lay her in the lap of Kalma.'
557
These the measures of Kullervo:
'Woe is me, my life hard-fated,
That my mother too has perished,
She that nursed me in my cradle,
Made my couch a golden cover,
Twirled for me the spool and spindle!
Lo! Kullervo was not present
When his mother's life departed;
May have died upon the mountains,
Perished there from cold and hunger.
Lave the dead form of my mother
In the crystal waters flowing;
Wrap her in the robes of ermine,
Tie her hands with silken ribbon,
Take her to the grave of ages,
Lay her in the lap of Kalma.
Bury her with songs of mourning,
Let the singers chant my sorrow;
Cannot leave the fields of battle
While Untamo goes unpunished,
Fell destroyer of my people.'
Kullerwoinen journeyed onward,
Still rejoicing, to the combat,
Sang these songs in supplication:
'Ukko, mightiest of rulers,
Loan to me thy sword of battle,
Grant to me thy matchless weapon,
And against a thousand armies
I will war and ever conquer.'
Ukko, gave the youth his broadsword,
Gave his blade of magic powers
To the wizard, Kullerwoinen.
Thus equipped, the mighty hero
Slew the people of Untamo,
Burned their villages to ashes;
Only left the stones and ovens,
And the chimneys of their hamlets.
Then the conqueror, Kullervo,
Turned his footsteps to his home-land,
To the cabin of his father '
To his ancient fields and forests.
Empty did he find the cabin,
558
And the forests were deserted;
No one came to give him greeting,
None to give the hand of welcome;
Laid his fingers on the oven,
But he found it cold and lifeless;
Then he knew to satisfaction
That his mother lived no longer;
Laid his hand upon the fire-place,
Cold and lifeless were the hearth-stones;
Then he knew to satisfaction
That his sister too had perished;
Then he sought the landing-places,
Found no boats upon the rollers;
Then he knew to satisfaction
That his brother too had perished;
Then he looked upon the fish-nets,
And he found them torn and tangled;
And he knew to satisfaction
That his father too had perished.
Bitterly he wept and murmured,
Wept one day, and then a second,
On the third day spake as follows:
'Faithful mother, fond and tender,
Why hast left me here to sorrow
In this wilderness of trouble?
But thou dost not hear my calling,
Though I sing in magic accents,
Though my tear-drops speak lamenting,
Though my heart bemoans thine absence.
From her grave awakes the mother,
To Kullervo speaks these measures:
'Thou has still the dog remaining,
He will lead thee to the forest;
Follow thou the faithful watcher,
Let him lead thee to the woodlands,
To the farthest woodland border,
To the caverns of the wood-nymphs;
Kullerwoinen's Victory and Death
There the forest maidens linger,
They will give thee food and shelter,
Give my hero joyful greetings.'
Kullerwoinen, with his watch-dog,
559
Hastens onward through the forest,
Journeys on through fields and fallows;
Journeys but a little distance,
Till be comes upon the summit
Where he met his long-lost sister;
Finds the turf itself is weeping,
Finds the glen-wood filled with sorrow,
Finds the heather shedding tear-drops,
Weeping are the meadow-flowers,
O'er the ruin of his sister.
Kullerwoinen, wicked wizard,
Grasps the handle of his broadsword,
Asks the blade this simple question:
'Tell me, O my blade of honor,
Dost thou wish to drink my life-blood,
Drink the blood of Kullerwoinen?'
Thus his trusty sword makes answer,
Well divining his intentions:
Why should I not drink thy life-blood,
Blood of guilty Kullerwoinen,
Since I feast upon the worthy,
Drink the life-blood of the righteous?'
Thereupon the youth, Kullervo,
Wicked wizard of the Northland,
Lifts the mighty sword of Ukko,
Bids adieu to earth and heaven;
Firmly thrusts the hilt in heather,
To his heart he points the weapon,
Throws his weight upon his broadsword,
Pouring out his wicked life-blood,
Ere be journeys to Manala.
Thus the wizard finds destruction,
This the end of Kullerwoinen,
Born in sin, and nursed in folly.
Wainamoinen, ancient minstrel,
As he hears the joyful tidings,
Learns the death of fell Kullervo,
Speaks these words of ancient wisdom:
'O, ye many unborn nations,
Never evil nurse your children,
Never give them out to strangers,
Never trust them to the foolish!
560
If the child is not well nurtured,
Is not rocked and led uprightly,
Though he grow to years of manhood,
Bear a strong and shapely body,
He will never know discretion,
Never eat. the bread of honor,
Never drink the cup of wisdom.'
~ Elias Lönnrot,
1434:Jubilate Agno: Fragment A
Rejoice in God, O ye Tongues; give the glory to the Lord, and the Lamb.
Nations, and languages, and every Creature, in which is the breath of Life.
Let man and beast appear before him, and magnify his name together.
Let Noah and his company approach the throne of Grace, and do homage to the
Ark of their Salvation.
Let Abraham present a Ram, and worship the God of his Redemption.
Let Isaac, the Bridegroom, kneel with his Camels, and bless the hope of his
pilgrimage.
Let Jacob, and his speckled Drove adore the good Shepherd of Israel.
Let Esau offer a scape Goat for his seed, and rejoice in the blessing of God his
father.
Let Nimrod, the mighty hunter, bind a Leopard to the altar, and consecrate his
spear to the Lord.
Let Ishmael dedicate a Tyger, and give praise for the liberty, in which the Lord
has let him at large.
Let Balaam appear with an Ass, and bless the Lord his people and his creatures
for a reward eternal.
Let Anah, the son of Zibion, lead a Mule to the temple, and bless God, who
amerces the consolation of the creature for the service of Man.
Let Daniel come forth with a Lion, and praise God with all his might through faith
in Christ Jesus.
Let Naphthali with an Hind give glory in the goodly words of Thanksgiving.
Let Aaron, the high priest, sanctify a Bull, and let him go free to the Lord and
Giver of Life.
32
Let the Levites of the Lord take the Beavers of the brook alive into the Ark of the
Testimony.
Let Eleazar with the Ermine serve the Lord decently and in purity.
Let Ithamar minister with a Chamois, and bless the name of Him, which
cloatheth the naked.
Let Gershom with an Pygarg Hart bless the name of Him, who feedeth the
hungry.
Let Merari praise the wisdom and power of God with the Coney, who scoopeth
the rock, and archeth in the sand.
Let Kohath serve with the Sable, and bless God in the ornaments of the Temple.
Let Jehoida bless God with an Hare, whose mazes are determined for the health
of the body and to parry the adversary.
Let Ahitub humble himself with an Ape before Almighty God, who is the maker of
variety and pleasantry.
Let Abiathar with a Fox praise the name of the Lord, who ballances craft against
strength and skill against number.
Let Moses, the Man of God, bless with a Lizard, in the sweet majesty of goodnature, and the magnanimity of meekness.
Let Joshua praise God with an Unicorn -- the swiftness of the Lord, and the
strength of the Lord, and the spear of the Lord mighty in battle.
Let Caleb with an Ounce praise the Lord of the Land of beauty and rejoice in the
blessing of his good Report.
Let Othniel praise God with the Rhinoceros, who put on his armour for the reward
of beauty in the Lord.
Let Tola bless with the Toad, which is the good creature of God, tho' his virtue is
in the secret, and his mention is not made.
Let Barak praise with the Pard -- and great is the might of the faithful and great
is the Lord in the nail of Jael and in the sword of the Son of Abinoam.
33
Let Gideon bless with the Panther -- the Word of the Lord is invincible by him
that lappeth from the brook.
Let Jotham praise with the Urchin, who took up his parable and provided himself
for the adversary to kick against the pricks.
Let Boaz, the Builder of Judah, bless with the Rat, which dwelleth in hardship and
peril, that they may look to themselves and keep their houses in order.
Let Obed-Edom with a Dormouse praise the Name of the Lord God his Guest for
increase of his store and for peace.
Let Abishai bless with the Hyaena -- the terror of the Lord, and the fierceness, of
his wrath against the foes of the King and of Israel.
Let Ethan praise with the Flea, his coat of mail, his piercer, and his vigour, which
wisdom and providence have contrived to attract observation and to escape it.
Let Heman bless with the Spider, his warp and his woof, his subtlety and
industry, which are good.
Let Chalcol praise with the Beetle, whose life is precious in the sight of God, tho
his appearance is against him.
Let Darda with a Leech bless the Name of the Physician of body and soul.
Let Mahol praise the Maker of Earth and Sea with the Otter, whom God has given
to dive and to burrow for his preservation.
Let David bless with the Bear -- The beginning of victory to the Lord -- to the
Lord the perfection of excellence -- Hallelujah from the heart of God, and from
the hand of the artist inimitable, and from the echo of the heavenly harp in
sweetness magnifical and mighty.
Let Solomon praise with the Ant, and give the glory to the Fountain of all
Wisdom.
Let Romamti-ezer bless with the Ferret -- The Lord is a rewarder of them, that
diligently seek him.
Let Samuel, the Minister from a child, without ceasing praise with the Porcupine,
34
which is the creature of defence and stands upon his arms continually.
Let Nathan with the Badger bless God for his retired fame, and privacy
inaccessible to slander.
Let Joseph, who from the abundance of his blessing may spare to him, that
lacketh, praise with the Crocodile, which is pleasant and pure, when he is
interpreted, tho' his look is of terror and offence.
Let Esdras bless Christ Jesus with the Rose and his people, which is a nation of
living sweetness.
Let Mephibosheth with the Cricket praise the God of chearfulness, hospitality,
and gratitude.
Let Shallum with the Frog bless God for the meadows of Canaan, the fleece, the
milk and the honey.
Let Hilkiah praise with the Weasel, which sneaks for his prey in craft, and
dwelleth at ambush.
Let Job bless with the Worm -- the life of the Lord is in Humiliation, the Spirit
also and the truth.
Let Elihu bless with the Tortoise, which is food for praise and thanksgiving.
Let Hezekiah praise with the Dromedary -- the zeal for the glory of God is
excellence, and to bear his burden is grace.
Let Zadoc worship with the Mole -- before honour is humility, and he that looketh
low shall learn.
Let Gad with the Adder bless in the simplicity of the preacher and the wisdom of
the creature.
Let Tobias bless Charity with his Dog, who is faithful, vigilant, and a friend in
poverty.
Let Anna bless God with the Cat, who is worthy to be presented before the
throne of grace, when he has trampled upon the idol in his prank.
Let Benaiah praise with the Asp -- to conquer malice is nobler, than to slay the
35
lion.
Let Barzillai bless with the Snail -- a friend in need is as the balm of Gilead, or as
the slime to the wounded bark.
Let Joab with the Horse worship the Lord God of Hosts.
Let Shemaiah bless God with the Caterpiller -- the minister of vengeance is the
harbinger of mercy.
Let Ahimelech with the Locust bless God from the tyranny of numbers.
Let Cornelius with the Swine bless God, which purifyeth all things for the poor.
Let Araunah bless with the Squirrel, which is a gift of homage from the poor man
to the wealthy and increaseth good will.
Let Bakbakkar bless with the Salamander, which feedeth upon ashes as bread,
and whose joy is at the mouth of the furnace.
Let Jabez bless with Tarantula, who maketh his bed in the moss, which he
feedeth, that the pilgrim may take heed to his way.
Let Jakim with the Satyr bless God in the dance. -Let Iddo praise the Lord with the Moth -- the writings of man perish as the
garment, but the Book of God endureth for ever.
Let Nebuchadnezzar bless with the Grashopper -- the pomp and vanities of the
world are as the herb of the field, but the glory of the Lord increaseth for ever.
Let Naboth bless with the Canker-worm -- envy is cruel and killeth and preyeth
upon that which God has given to aspire and bear fruit.
Let Lud bless with the Elk, the strenuous asserter of his liberty, and the
maintainer of his ground.
Let Obadiah with the Palmer-worm bless God for the remnant that is left.
Let Agur bless with the Cockatrice -- The consolation of the world is deceitful,
and temporal honour the crown of him that creepeth.
36
Let Ithiel bless with the Baboon, whose motions are regular in the wilderness,
and who defendeth himself with a staff against the assailant.
Let Ucal bless with the Cameleon, which feedeth on the Flowers and washeth
himself in the dew.
Let Lemuel bless with the Wolf, which is a dog without a master, but the Lord
hears his cries and feeds him in the desert.
Let Hananiah bless with the Civet, which is pure from benevolence.
Let Azarias bless with the Reindeer, who runneth upon the waters, and wadeth
thro the land in snow.
Let Mishael bless with the Stoat -- the praise of the Lord gives propriety to all
things.
Let Savaran bless with the Elephant, who gave his life for his country that he
might put on immortality.
Let Nehemiah, the imitator of God, bless with the Monkey, who is work'd down
from Man.
Let Manasses bless with the Wild-Ass -- liberty begetteth insolence, but necessity
is the mother of prayer.
Let Jebus bless with the Camelopard, which is good to carry and to parry and to
kneel.
Let Huz bless with the Polypus -- lively subtlety is acceptable to the Lord.
Let Buz bless with the Jackall -- but the Lord is the Lion's provider.
Let Meshullam bless with the Dragon, who maketh his den in desolation and
rejoiceth amongst the ruins.
Let Enoch bless with the Rackoon, who walked with God as by the instinct.
Let Hashbadana bless with the Catamountain, who stood by the Pulpit of God
against the dissensions of the Heathen.
Let Ebed-Melech bless with the Mantiger, the blood of the Lord is sufficient to do
37
away the offence of Cain, and reinstate the creature which is amerced.
Let A Little Child with a Serpent bless Him, who ordaineth strength in babes to
the confusion of the Adversary.
Let Huldah bless with the Silkworm -- the ornaments of the Proud are from the
bowells of their Betters.
Let Susanna bless with the Butterfly -- beauty hath wings, but chastity is the
Cherub.
Let Sampson bless with the Bee, to whom the Lord hath given strength to annoy
the assailant and wisdom to his strength.
Let Amasiah bless with the Chaffer -- the top of the tree is for the brow of the
champion, who has given the glory to God.
Let Hashum bless with the Fly, whose health is the honey of the air, but he feeds
upon the thing strangled, and perisheth.
Let Malchiah bless with the Gnat -- it is good for man and beast to mend their
pace.
Let Pedaiah bless with the Humble-Bee, who loves himself in solitude and makes
his honey alone.
Let Maaseiah bless with the Drone, who with the appearance of a Bee is neither a
soldier nor an artist, neither a swordsman nor smith.
Let Urijah bless with the Scorpion, which is a scourge against the murmurers -the Lord keep it from our coasts.
Let Anaiah bless with the Dragon-fly, who sails over the pond by the wood-side
and feedeth on the cressies.
Let Zorobabel bless with the Wasp, who is the Lord's architect, and buildeth his
edifice in armour.
Let Jehu bless with the Hornet, who is the soldier of the Lord to extirpate
abomination and to prepare the way of peace.
Let Mattithiah bless with the Bat, who inhabiteth the desolations of pride and
38
flieth amongst the tombs.
Let Elias which is the innocency of the Lord rejoice with the Dove.
Let Asaph rejoice with the Nightingale -- The musician of the Lord! and the
watchman of the Lord!
Let Shema rejoice with the Glowworm, who is the lamp of the traveller and mead
of the musician.
Let Jeduthun rejoice with the Woodlark, who is sweet and various.
Let Chenaniah rejoice with Chloris, in the vivacity of his powers and the beauty of
his person.
Let Gideoni rejoice with the Goldfinch, who is shrill and loud, and full withal.
Let Giddalti rejoice with the Mocking-bird, who takes off the notes of the Aviary
and reserves his own.
Let Jogli rejoice with the Linnet, who is distinct and of mild delight.
Let Benjamin bless and rejoice with the Redbird, who is soft and soothing.
Let Dan rejoice with the Blackbird, who praises God with all his heart, and
biddeth to be of good cheer.
~ Christopher Smart,
1435:Scene.--Before the Cavern of the Indian Enchantress.

The Enchantress comes forth.

Enchantress.
He came like a dream in the dawn of life,
He fled like a shadow before its noon;
He is gone, and my peace is turned to strife,
And I wander and wane like the weary moon.
  O, sweet Echo, wake,
  And for my sake
Make answer the while my heart shall break!

But my heart has a music which Echo's lips,
Though tender and true, yet can answer not,
And the shadow that moves in the soul's eclipse
Can return not the kiss by his now forgot;
  Sweet lips! he who hath
  On my desolate path
Cast the darkness of absence, worse than death!

The Enchantress makes her spell: she is answered by a Spirit.

Spirit.
Within the silent centre of the earth
My mansion is; where I have lived insphered
From the beginning, and around my sleep
Have woven all the wondrous imagery
Of this dim spot, which mortals call the world;
Infinite depths of unknown elements
Massed into one impenetrable mask;
Sheets of immeasurable fire, and veins
Of gold and stone, and adamantine iron.
And as a veil in which I walk through Heaven
I have wrought mountains, seas, and waves, and clouds,
And lastly light, whose interfusion dawns
In the dark space of interstellar air.
ANOTHER SCENE
Indian Youth and Lady.

Indian.
And, if my grief should still be dearer to me
Than all the pleasures in the world beside,
Why would you lighten it?

Lady.
               I offer only
That which I seek, some human sympathy
In this mysterious island.

Indian.
              Oh! my friend,
My sister, my beloved!What do I say?
My brain is dizzy, and I scarce know whether
I speak to thee or her.

Lady.
            Peace, perturbed heart!
I am to thee only as thou to mine,
The passing wind which heals the brow at noon,
And may strike cold into the breast at night,
Yet cannot linger where it soothes the most,
Or long soothe could it linger.

Indian.
                 But you said
You also loved?

Lady.
        Loved! Oh, I love. Methinks
This word of love is fit for all the world,
And that for gentle hearts another name
Would speak of gentler thoughts than the world owns.
I have loved.

Indian.
       And thou lovest not? if so,
Young as thou art thou canst afford to weep.

Lady.
Oh! would that I could claim exemption
From all the bitterness of that sweet name.
I loved, I love, and when I love no more
Let joys and grief perish, and leave despair
To ring the knell of youth. He stood beside me,
The embodied vision of the brightest dream,
Which like a dawn heralds the day of life;
The shadow of his presence made my world
A Paradise. All familiar things he touched,
All common words he spoke, became to me
Like forms and sounds of a diviner world.
He was as is the sun in his fierce youth,
As terrible and lovely as a tempest;
He came, and went, and left me what I am.
Alas! Why must I think how oft we two
Have sate together near the river springs,
Under the green pavilion which the willow
Spreads on the floor of the unbroken fountain,
Strewn, by the nurslings that linger there,
Over that islet paved with flowers and moss,
While the musk-rose leaves, like flakes of crimson snow,
Showered on us, and the dove mourned in the pine,
Sad prophetess of sorrows not her own?
The crane returned to her unfrozen haunt,
And the false cuckoo bade the spray good morn;
And on a wintry bough the widowed bird,
Hid in the deepest night of ivy-leaves,
Renewed the vigils of a sleepless sorrow.
I, left like her, and leaving one like her,
Alike abandoned and abandoning
(Oh! unlike her in this!) the gentlest youth,
Whose love had made my sorrows dear to him,
Even as my sorrow made his love to me!

Indian.
One curse of Nature stamps in the same mould
The features of the wretched; and they are
As like as violet to violet,
When memory, the ghost, their odours keeps
Mid the cold relics of abandoned joy.
Proceed.

Lady.
    He was a simple innocent boy.
I loved him well, but not as he desired;
Yet even thus he was content to be:
A short content, for I was

Indian
[aside].
               God of Heaven!
From such an islet, such a river-spring!
I dare not ask her if there stood upon it
A pleasure-dome surmounted by a crescent,
With steps to the blue water. [Aloud.]
It may be
That Nature masks in life several copies
Of the same lot, so that the sufferers
May feel another's sorrow as their own,
And find in friendship what they lost in love.
That cannot be: yet it is strange that we,
From the same scene, by the same path to this
Realm of abandonment -- But speak! your breath
Your breath is like soft music, your words are
The echoes of a voice which on my heart
Sleeps like a melody of early days.
But as you said--

Lady.
         He was so awful, yet
So beautiful in mystery and terror,
Calming me as the loveliness of heaven
Soothes the unquiet sea:and yet not so,
For he seemed stormy, and would often seem
A quenchless sun masked in portentous clouds;
For such his thoughts, and even his actions were;
But he was not of them, nor they of him,
But as they hid his splendour from the earth.
Some said he was a man of blood and peril,
And steeped in bitter infamy to the lips.
More need was there I should be innocent,
More need that I should be most true and kind,
And much more need that there should be found one
To share remorse and scorn and solitude,
And all the ills that wait on those who do
The tasks of ruin in the world of life.
He fled, and I have followed him.

Indian.
                  Such a one
Is he who was the winter of my peace.
But, fairest stranger, when didst thou depart
From the far hills where rise the springs of India?
How didst thou pass the intervening sea?

Lady.
If I be sure I am not dreaming now,
I should not doubt to say it was a dream.
Methought a star came down from heaven,
And rested mid the plants of India,
Which I had given a shelter from the frost
Within my chamber. There the meteor lay,
Panting forth light among the leaves and flowers,
As if it lived, and was outworn with speed;
Or that it loved, and passion made the pulse
Of its bright life throb like an anxious heart,
Till it diffused itself, and all the chamber
And walls seemed melted into emerald fire
That burned not; in the midst of which appeared
A spirit like a child, and laughed aloud
A thrilling peal of such sweet merriment
As made the blood tingle in my warm feet:
Then bent over a vase, and murmuring
Low, unintelligible melodies,
Placed something in the mould like melon-seeds,
And slowly faded, and in place of it
A soft hand issued from the veil of fire,
Holding a cup like a magnolia flower,
And poured upon the earth within the vase
The element with which it overflowed,
Brighter than morning light, and purer than
The water of the springs of Himalah.

Indian.
You waked not?

Lady.
       Not until my dream became
Like a child's legend on the tideless sand,
Which the first foam erases half, and half
Leaves legible. At length I rose, and went,
Visiting my flowers from pot to pot, and thought
To set new cuttings in the empty urns,
And when I came to that beside the lattice,
I saw two little dark-green leaves
Lifting the light mould at their birth, and then
I half-remembered my forgotten dream.
And day by day, green as a gourd in June,
The plant grew fresh and thick, yet no one knew
What plant it was; its stem and tendrils seemed
Like emerald snakes, mottled and diamonded
With azure mail and streaks of woven silver;
And all the sheaths that folded the dark buds
Rose like the crest of cobra-di-capel,
Until the golden eye of the bright flower,
Through the dark lashes of those veind lids,
....disencumbered of their silent sleep,
Gazed like a star into the morning light.
Its leaves were delicate, you almost saw
The pulses
With which the purple velvet flower was fed
To overflow, and like a poet's heart
Changing bright fancy to sweet sentiment,
Changed half the light to fragrance. It soon fell,
And to a green and dewy embryo-fruit
Left all its treasured beauty. Day by day
I nursed the plant, and on the double flute
Played to it on the sunny winter days
Soft melodies, as sweet as April rain
On silent leaves, and sang those words in which
Passion makes Echo taunt the sleeping strings;
And I would send tales of forgotten love
Late into the lone night, and sing wild songs
Of maids deserted in the olden time,
And weep like a soft cloud in April's bosom
Upon the sleeping eyelids of the plant,
So that perhaps it dreamed that Spring was come,
And crept abroad into the moonlight air,
And loosened all its limbs, as, noon by noon,
The sun averted less his oblique beam.

Indian.
And the plant died not in the frost?

Lady.
                    It grew;
And went out of the lattice which I left
Half open for it, trailing its quaint spires
Along the garden and across the lawn,
And down the slope of moss and through the tufts
Of wild-flower roots, and stumps of trees o'ergrown
With simple lichens, and old hoary stones,
On to the margin of the glassy pool,
Even to a nook of unblown violets
And lilies-of-the-valley yet unborn,
Under a pine with ivy overgrown.
And there its fruit lay like a sleeping lizard
Under the shadows; but when Spring indeed
Came to unswathe her infants, and the lilies
Peeped from their bright green masks to wonder at
This shape of autumn couched in their recess,
Then it dilated, and it grew until
One half lay floating on the fountain wave,
Whose pulse, elapsed in unlike sympathies,
Kept time
Among the snowy water-lily buds.
Its shape was such as summer melody
Of the south wind in spicy vales might give
To some light cloud bound from the golden dawn
To fairy isles of evening, and it seemed
In hue and form that it had been a mirror
Of all the hues and forms around it and
Upon it pictured by the sunny beams
Which, from the bright vibrations of the pool,
Were thrown upon the rafters and the roof
Of boughs and leaves, and on the pillared stems
Of the dark sylvan temple, and reflections
Of every infant flower and star of moss
And veined leaf in the azure odorous air.
And thus it lay in the Elysian calm
Of its own beauty, floating on the line
Which, like a film in purest space, divided
The heaven beneath the water from the heaven
Above the clouds; and every day I went
Watching its growth and wondering;
And as the day grew hot, methought I saw
A glassy vapour dancing on the pool,
And on it little quaint and filmy shapes,
With dizzy motion, wheel and rise and fall,
Like clouds of gnats with perfect lineaments...
O friend, sleep was a veil uplift from Heaven--
As if Heaven dawned upon the world of dream--
When darkness rose on the extinguished day
Out of the eastern wilderness.

Indian.
                I too
Have found a moment's paradise in sleep
Half compensate a hell of waking sorrow.
Written at Pisa during the late winter or early spring of 1822.

Note from Mrs. Shelley: 'The following fragments are part of a Drama undertaken for the amusement of the individuals who composed our intimate society, but left unfinished. I have preserved a sketch of the story as far as it had been shadowed in the poet's mind.
An Enchantress, living in one of the islands of the Indian Archipelago, saves the life of a Pirate, a man of savage but noble nature. She becomes enamoured of him; and he, inconstant to his mortal love, for a while returns her passion; but at length, recalling the memory of her whom he left, and who laments his loss, he escapes from the Enchanted Island, and returns to his lady. His mode of life makes him again go to sea, and the Enchantress seizes the opportunity to bring him, by a spirit-brewed tempest, back to her Island.'~1839.
~ Percy Bysshe Shelley, Fragments Of An Unfinished Drama
,
1436:Morte D'Arthur
So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep,
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land.
On one side lay the ocean, and on one
Lay a great water, and the moon was full.
Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,-Tho' Merlin sware that I should come again
To rule once more--but let what will be, be,
I am so deeply smitten thro' the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I row'd across
And took it, and have worn it, like a king:
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seëst, and lightly bring me word."
392
To him replied the bold Sir Bedivere:
"It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro' the helm.
A little thing may harm a wounded man.
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word."
So saying, from the ruin'd shrine he stept
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.
There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled, as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem'd
Better to leave Excalibur conceal'd
There in the many-knotted water-flags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.
Then spake King Arthur to Sir Bedivere:
"Hast thou perform'd my mission which I gave?
What is it thou hast seen, or what hast heard?"
And answer made the bold Sir Bedivere:
"I heard the ripple washing in the reeds,
And the wild water lapping on the crag."
To whom replied King Arthur, faint and pale:
"Thou hast betray'd thy nature and thy name,
Not rendering true answer, as beseem'd
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Thy fealty, nor like a noble knight:
For surer sign had follow'd, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word."
Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud,
"And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost forever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? but were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, 'King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake;
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.'
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost."
So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.
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Then spoke King Arthur, breathing heavily:
"What is it thou hast seen, or what hast heard?"
And answer made the bold Sir Bedivere:
"I heard the water lapping on the crag,
And the long ripple washing in the reeds."
To whom replied King Arthur, much in wrath:
"Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widow'd of the power in his eye
That bow'd the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands."
Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush-beds, and clutch'd the sword,
And strongly wheel'd and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl'd in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the northern sea.
So flash'd and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere.
And lightly went the other to the King.
Then spoke King Arthur, drawing thicker breath:
"Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?"
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And answer made the bold Sir Bedivere:
"Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho' I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I look'd again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere."
And answer made King Arthur, breathing hard:
"My end draws nigh; 't is time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die."
So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro' his tears,
And would have spoken, but he found not words,
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him thro' the place of tombs.
But, as he walk'd, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh'd the King
Muttering and murmuring at his ear, "Quick, quick!
I fear it is too late, and I shall die."
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk'd
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash'd his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang'd round him, as he based
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His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels-And on a sudden, lo! the level lake,
And the long glories of the winter moon.
Then saw they how there hove a dusky barge
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold--and from them rose
A cry that shiver'd to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind, that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.
Then murmur'd Arthur, "Place me in the barge,"
And to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter'd casque, and chafed his hands,
And call'd him by his name, complaining loud
And dropping bitter tears against his brow
Striped with dark blood: for all his face was white
And colourless, and like the wither'd moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash'd with drops
Of onset; and the light and lustrous curls-That made his forehead like a rising sun
High from the daïs-throne--were parch'd with dust;
Or, clotted into points and hanging loose,
Mix'd with the knightly growth that fringed his lips.
So like a shatter'd column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro' the lists at Camelot, and charged
Before the eyes of ladies and of kings.
Then loudly cried the bold Sir Bedivere:
"Ah! my Lord Arthur, whither shall I go?
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Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole ROUND TABLE is dissolved
Which was an image of the mighty world;
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."
And slowly answer'd Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils Himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within Himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seëst--if indeed I go-(For all my mind is clouded with a doubt)
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow'd, happy, fair with orchard-lawns
And bowery hollows crown'd with summer sea,
Where I will heal me of my grievous wound."
So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
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Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look'd one black dot against the verge of dawn,
And on the mere the wailing died away.
~ Alfred Lord Tennyson,
1437:Lucretius
Lucilla, wedded to Lucretius, found
Her master cold; for when the morning flush
Of passion and the first embrace had died
Between them, tho' he loved her none the less,
Yet often when the woman heard his foot
Return from pacings in the field, and ran
To greet him with a kiss, the master took
Small notice, or austerely, for his mind
Half buried in some weightier argument,
Or fancy-borne perhaps upon the rise
And long roll of the hexameter -- he past
To turn and ponder those three hundred scrolls
Left by the Teacher, whom he held divine.
She brook'd it not, but wrathful, petulant
Dreaming some rival, sought and found a witch
Who brew'd the philtre which had power, they said
To lead an errant passion home again.
And this, at times, she mingled with his drink,
And this destroy'd him; for the wicked broth
Confused the chemic labor of the blood,
And tickling the brute brain within the man's
Made havoc among those tender cells, and check'd
His power to shape. He loathed himself, and once
After a tempest woke upon a morn
That mock'd him with returning calm, and cried:
"Storm in the night! for thrice I heard the rain
Rushing; and once the flash of a thunderbolt -Methought I never saw so fierce a fork -Struck out the streaming mountain-side, and show'd
A riotous confluence of watercourses
Blanching and billowing in a hollow of it,
Where all but yester-eve was dusty-dry.
"Storm, and what dreams, ye holy Gods, what dreams!
For thrice I waken'd after dreams. Perchance
We do but recollect the dreams that come
Just ere the waking. Terrible: for it seem'd
A void was made in Nature, all her bonds
338
Crack'd; and I saw the flaring atom-streams
And torrents of her myriad universe,
Ruining along the illimitable inane,
Fly on to clash together again, and make
Another and another frame of things
For ever. That was mine, my dream, I knew it -Of and belonging to me, as the dog
With inward yelp and restless forefoot plies
His function of the woodland; but the next!
I thought that all the blood by Sylla shed
Came driving rainlike down again on earth,
And where it dash'd the reddening meadow, sprang
No dragon warriors from Cadmean teeth,
For these I thought my dream would show to me,
But girls, Hetairai, curious in their art,
Hired animalisms, vile as those that made
The mulberry-faced Dictator's orgies worse
Than aught they fable of the quiet Gods.
And hands they mixt, and yell'd and round me drove
In narrowing circles till I yell'd again
Half-suffocated, and sprang up, and saw -Was it the first beam of my latest day?
"Then, then, from utter gloom stood out the
The breasts of Helen, and hoveringly a sword
Now over and now under, now direct,
Pointed itself to pierce, but sank down shamed
At all that beauty; and as I stared, a fire,
The fire that left a roofless Ilion,
Shot out of them, and scorch'd me that I woke.
"Is this thy vengeance, holy Venus, thine,
Because I would not one of thine own doves,
Not even a rose, were offered to thee? thine,
Forgetful how my rich proemion makes
Thy glory fly along the Italian field,
In lays that will outlast thy deity?
"Deity? nay, thy worshippers. My tongue
Trips, or I speak profanely. Which of these
Angers thee most, or angers thee at all?
Not if thou be'st of those who, far aloof
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From envy, hate and pity, and spite and scorn,
Live the great life which all our greatest fain
Would follow, centred in eternal calm.
"Nay, if thou canst,
Goddess, like ourselves
Touch, and be touch'd, then would I cry to thee
To kiss thy Mavors, roll thy tender arms
Round him, and keep him from the lust of blood
That makes a steaming slaughter-house of Rome.
"Ay, but I meant not thee; I meant riot her
Whom all the pines of Ida shook to see
Slide from that quiet heaven of hers, and tempt
The Trojan, while his neatherds were abroad
Nor her that o'er her wounded hunter wept
Her deity false in human-amorous tears;
Nor whom her beardless apple-arbiter
Decided fairest. Rather, O ye Gods,
Poet-like, as the great Sicilian called
Calliope to grace his golden verse -Ay, and this Kypris also -- did I take
That popular name of thine to shadow forth
The all-generating powers and genial heat
Of Nature, when she strikes thro' the thick blood
Of cattle, and light is large, and lambs are glad
Nosing the mother's udder, and the bird
Makes his heart voice amid the blaze of flowers;
Which things appear the work of mighty Gods.
"The Gods! and if I go my work is left
Unfinish'd -- if I go. The Gods, who haunt
The lucid interspace of world and world,
Where never creeps a cloud, or moves a wind,
Nor ever falls the least white star of mow
Nor ever lowest roll of thunder moans,
Nor sound of human sorrow mounts to mar
Their sacred everlasting calm! and such,
Not all so fine, nor so divine a calm
Not such, nor all unlike it, man may gain
Letting his own life go. The Gods, the Godsl
If all be atoms, how then should the Gods
340
Being atomic not be dissoluble,
Not follow the great law? My master held
That Gods there are, for all men so believe.
I prest my footsteps into his, and meant
Surely to lead my Memmius in a train
Of fiowery clauses onward to the proof
That Gods there are, and deathless. Meant? I meant?
I have forgotten what I meant, my mind
Stumbles, and all my faculties are lamed.
"Look where another of our Gods, the Sun
Apollo, Delius, or of older use
All-seeing Hyperion -- what you will -Has mounted yonder; since he never sware,
Except his wrath were wreak'd on wretched man,
That he would only shine among the dead
Hereafter -- tales! for never yet on earth
Could dead flesh creep, or bits of roasting ox
Moan round the spit -- nor knows he what he sees;
King of the East altho' he seem, and girt
With song and flame and fragrance, slowly lifts
His golden feet on those empurpled stairs
That climb into the windy halls of heaven
And here he glances on an eye new-born,
And gets for greeting but a wail of pain;
And here he stays upon a freezing orb
That fain would gaze upon him to the last;
And here upon a yellow eyelid fallen
And closed by those who mourn a friend in vain,
Not thankful that his troubles are no more.
And me, altho' his fire is on my face
Blinding, he sees not, nor at all can tell
Whether I mean this day to end myself.
Or lend an ear to Plato where he says,
That men like soldiers may not quit the post
Allotted by the Gods. But he that holds
The Gods are careless, wherefore need he care
Greatly for them, nor rather plunge at once,
Being troubled, wholly out of sight, and sink
Past earthquake -- ay, and gout and stone, that break
Body toward death, and palsy, death-in-life,
And wretched age -- and worst disease of all,
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These prodigies of myriad nakednesses,
And twisted shapes of lust, unspeakable,
Abominable, strangers at my hearth
Not welcome, harpies miring every dish,
The phantom husks of something foully done,
And fleeting thro' the boundless universe,
And blasting the long quiet of my breast
With animal heat and dire insanity?
"How should the mind, except it loved them, clasp
These idols to herself? or do they fly
Now thinner, and now thicker, like the flakes
In a fall of snow, and so press in, perforce
Of multitude, as crowds that in an hour
Of civic tumult jam the doors, and bear
The keepers down, and throng, their rags and the
The basest, far into that council-hall
Where sit the best and stateliest of the land?
³Can I not fling this horror off me again,
Seeing with how great ease Nature can smile
Balmier and nobler from her bath of storm,
At random ravage? and how easily
The mountain there has cast his cloudy slough,
Now towering o'er him in serenest air,
A mountain o'er a mountain, -- ay, and within
All hollow as the hopes and fears of men?
"But who was he that in the garden snared
Picus and Faunus, rustic Gods? a tale
To laugh at -- more to laugh at in myself -For look! what is it? there? yon arbutus
Totters; a noiseless riot underneath
Strikes through the wood, sets all the tops quivering -- ;
The mountain quickens into Nymph and Faun,
And here an Oread -- how the sun delights
To glance and shift about her slippery sides,
And rosy knees and supple roundedness,
And budded bosom-peaks -- who this way runs
Before the rest! -- a satyr, a satyr, see,
Follows; but him I proved impossible
Twy-natured is no nature. Yet he draws
342
Nearer and nearer, and I scan him now
Beastlier than any phantom of his kind
That ever butted his rough brother-brute
For lust or lusty blood or provender.
I hate, abhor, spit, sicken at him; and she
Loathes him as well; such a precipitate heel,
Fledged as it were with Mercury's ankle-wing,
Whirls her to me -- ;but will she fling herself
Shameless upon me? Catch her, goatfoot! nay,
Hide, hide them, million-myrtled wilderness,
And cavern-shadowing laurels, hide! do I wish -What? -- ;that the bush were leafless? or to whelm
All of them in one massacre? O ye Gods
I know you careless, yet, behold, to you
From childly wont and ancient use I call -I thought I lived securely as yourselves -No lewdness, narrowing envy, monkey-spite,
No madness of ambition, avarice, none;
No larger feast than under plane or pine
With neighbors laid along the grass, to take
Only such cups as left us friendly-warm,
Affirming each his own philosophy
Nothing to mar the sober majesties
Of settled, sweet, Epicurean life.
But now it seems some unseen monster lays
His vast and filthy hands upon my will,
Wrenching it backward into his, and spoils
My bliss in being; and it was not great,
For save when shutting reasons up in rhythm,
Or Heliconian honey in living words,
To make a truth less harsh, I often grew
Tired of so much within our little life
Or of so little in our little life -Poor little life that toddles half an hour
Crown'd with a flower or two, and there an end -And since the nobler pleasure seems to fade,
Why should I, beastlike as I find myself,
Not manlike end myself? -- our privilege -- ;
What beast has heart to do it? And what man
What Roman would be dragg'd in triumph thus?
Not I; not he, who bears one name with her
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Whose death-blow struck the dateless doom of kings,
When, brooking not the Tarquin in her veins,
She made her blood in sight of Collatine
And all his peers, flushing the guiltless air,
Spout from the maiden fountain in her heart.
And from it sprang the Commonwealth, which breaks
As I am breaking now!
"And therefore now
Let her, that is the womb and tomb of all
Great Nature, take, and forcing far apart
Those blind beginnings that have made me man,
Dash them anew together at her will
Thro' all her cycles -- into man once more,
Or beast or bird or fish, or opulent flower.
But till this cosmic order everywhere
Shatter'd into one earthquake m one day
Cracks all to pieces, -- and that hour perhaps
Is not so far when momentary man
Shall seem no more a something to himself,
But he, his hopes and hates, his homes and fanes
And even his bones long laid within the grave,
The very sides of the grave itself shall pass,
Vanishing, atom and void, atom and void,
Into the unseen for ever, -- till that hour,
My golden work in which I told a truth
That stays the rolling Ixionian wheel,
And numbs the Fury's ringlet-snake, and plucks
The mortal soul from out immortal hell
Shall stand. Ay, surely; then it fails at last
And perishes as I must, for O Thou
Passionless bride, divine Tranquillity,
Yearn'd after by the wisest of the wise
Who fail to find thee, being as thou art
Without one pleasure and without one pain,
Howbeit I know thou surely must be mine
Or soon or late, yet out of season, thus
I woo thee roughly, for thou carest not
How roughly men may woo thee so they win -- ;
Thus -- thus -- the soul flies out and dies in the air
With that he drove the knife into his side.
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She heard him raging, heard him fall, ran in,
Beat breast, tore hair, cried out upon herself
As having fail'd in duty to him, shriek'd
That she but meant to win him back, fell on him
Clasp'd, kiss'd him, wail'd. He answer'd, "Care not thou!
Thy duty? What is duty? Fare thee well!"
~ Alfred Lord Tennyson,
1438:Xantippe
(A Fragment)>/i>
What, have I waked again? I never thought
To see the rosy dawn, or ev'n this grey,
Dull, solemn stillness, ere the dawn has come.
The lamp burns low; low burns the lamp of life:
The still morn stays expectant, and my soul,
All weighted with a passive wonderment,
Waiteth and watcheth, waiteth for the dawn.
Come hither, maids; too soundly have ye slept
That should have watched me; nay, I would not chide-Oft have I chidden, yet I would not chide
In this last hour;--now all should be at peace.
I have been dreaming in a troubled sleep
Of weary days I thought not to recall;
Of stormy days, whose storms are hushed long since;
Of gladsome days, of sunny days; alas!
In dreaming, all their sunshine seem'd so sad,
As though the current of the dark To-Be
Had flow'd, prophetic, through the happy hours.
And yet, full well, I know it was not thus;
I mind me sweetly of the summer days,
When, leaning from the lattice, I have caught
The fair, far glimpses of a shining sea;
And, nearer, of tall ships which thronged the bay,
And stood out blackly from a tender sky
All flecked with sulphur, azure, and bright gold;
And in the still, clear air have heard the hum
Of distant voices; and methinks there rose
No darker fount to mar or stain the joy
Which sprang ecstatic in my maiden breast
Than just those vague desires, those hopes and fears,
Those eager longings, strong, though undefined,
Whose very sadness makes them seem so sweet.
What cared I for the merry mockeries
Of other maidens sitting at the loom?
Or for sharp voices, bidding me return
To maiden labour? Were we not apart,--
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I and my high thoughts, and my golden dreams,
My soul which yearned for knowledge, for a tongue
That should proclaim the stately mysteries
Of this fair world, and of the holy gods?
Then followed days of sadness, as I grew
To learn my woman-mind had gone astray,
And I was sinning in those very thoughts-For maidens, mark, such are not woman's thoughts-(And yet, 'tis strange, the gods who fashion us
Have given us such promptings). . . .
Fled the years,
Till seventeen had found me tall and strong,
And fairer, runs it, than Athenian maids
Are wont to seem ; I had not learnt it well-My lesson of dumb patience--and I stood
At Life's great threshold with a beating heart,
And soul resolved to conquer and attain. . . .
Once, walking 'thwart the crowded market place,
With other maidens, bearing in the twigs
White doves for Aphrodite's sacrifice,
I saw him, all ungainly and uncouth,
Yet many gathered round to hear his words,
Tall youths and stranger-maidens--Sokrates-I saw his face and marked it, half with awe,
Half with a quick repulsion at the shape. . . .
The richest gem lies hidden furthest down,
And is the dearer for the weary search;
We grasp the shining shells which strew the shore,
Yet swift we fling them from us; but the gem
We keep for aye and cherish. So a soul,
Found after weary searching in the flesh
Which half repelled our senses, is more dear,
For that same seeking, than the sunny mind
Which lavish Nature marks with thousand hints
Upon a brow of beauty. We are prone
To overweigh such subtle hints, then deem,
In after disappointment, we are fooled. . .
And when, at length, my father told me all,
That I should wed me with great Sokrates,
I, foolish, wept to see at once cast down
The maiden image of a future love,
Where perfect body matched the perfect soul.
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But slowly, softly did I cease to weep;
Slowly I 'gan to mark the magic flash
Leap to the eyes, to watch the sudden smile
Break round the mouth, and linger in the eyes;
To listen for the voice's lightest tone-Great voice, whose cunning modulations seemed
Like to the notes of some sweet instrument.
So did I reach and strain, until at last
I caught the soul athwart the grosser flesh.
Again of thee, sweet Hope, my spirit dreamed!
I, guided by his wisdom and his love,
Led by his words, and counselled by his care,
Should lift the shrouding veil from things which be,
And at the flowing fountain of his soul
Refresh my thirsting spirit. . .
And indeed,
In those long days which followed that strange day
When rites and song, and sacrifice and flow'rs,
Proclaimed that we were wedded, did I learn,
In sooth, a-many lessons; bitter ones
Which sorrow taught me, and not love inspired,
Which deeper knowledge of my kind impressed
With dark insistence on reluctant brain;-But that great wisdom, deeper, which dispels
Narrowed conclusions of a half-grown mind,
And sees athwart the littleness of life
Nature's divineness and her harmony,
Was never poor Xantippe's. . .
I would pause
And would recall no more, no more of life,
Than just the incomplete, imperfect dream
Of early summers, with their light and shade,
Their blossom-hopes, whose fruit was never ripe;
But something strong within me, some sad chord
Which loudly echoes to the later life,
Me to unfold the after-misery
Urges with plaintive wailing in my heart.
Yet, maidens, mark ; I would not that ye thought
I blame my lord departed, for he meant
No evil, so I take it, to his wife.
'Twas only that the high philosopher,
Pregnant with noble theories and great thoughts,
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Deigned not to stoop to touch so slight a thing
As the fine fabric of a woman's brain-So subtle as a passionate woman's soul.
I think, if he had stooped a little, and cared,
I might have risen nearer to his height,
And not lain shattered, neither fit for use
As goodly household vessel, nor for that
Far finer thing which I had hoped to be. . .
Death, holding high his retrospective lamp,
Shows me those first, far years of wedded life,
Ere I had learnt to grasp the barren shape
Of what the Fates had destined for my life.
Then, as all youthful spirits are, was I
Wholly incredulous that Nature meant
So little, who had promised me so much.
At first I fought my fate with gentle words,
With high endeavours after greater things;
Striving to win the soul of Sokrates,
Like some slight bird, who sings her burning love
To human master, till at length she finds
Her tender language wholly misconceived,
And that same hand whose kind caress she sought,
With fingers flippant flings the careless corn. . .
I do remember how, one summer's eve,
He, seated in an arbour's leafy shade,
Had bade me bring fresh wine-skins. . .
As I stood
Ling'ring upon the threshold, half concealed
By tender foliage, and my spirit light
With draughts of sunny weather, did I mark
An instant, the gay group before mine eyes.
Deepest in shade, and facing where I stood,
Sat Plato, with his calm face and low brows
Which met above the narrow Grecian eyes,
The pale, thin lips just parted to the smile,
Which dimpled that smooth olive of his cheek.
His head a little bent, sat Sokrates,
With one swart finger raised admonishing,
And on the air were borne his changing tones.
Low lounging at his feet, one fair arm thrown
Around his knee (the other, high in air
Brandish'd a brazen amphor, which yet rained
100
Bright drops of ruby on the golden locks
And temples with their fillets of the vine),
Lay Alkibiades the beautiful.
And thus, with solemn tone, spake Sokrates:
' This fair Aspasia, which our Perikles
Hath brought from realms afar, and set on high
In our Athenian city, hath a mind,
I doubt not, of a strength beyond her race;
And makes employ of it, beyond the way
Of women nobly gifted : woman's frail-Her body rarely stands the test of soul;
She grows intoxicate with knowledge; throws
The laws of custom, order, 'neath her feet,
Feasting at life's great banquet with wide throat.'
Then sudden, stepping from my leafy screen,
Holding the swelling wine-skin o'er my head,
With breast that heaved, and eyes and cheeks aflame,
Lit by a fury and a thought, I spake:
' By all great powers around us ! can it be
That we poor women are empirical?
That gods who fashioned us did strive to make
Beings too fine, too subtly delicate,
With sense that thrilled response to ev'ry touch
Of nature's and their task is not complete?
That they have sent their half-completed work
To bleed and quiver here upon the earth?
To bleed and quiver, and to weep and weep,
To beat its soul against the marble walls
Of men's cold hearts, and then at last to sin!'
I ceased, the first hot passion stayed and stemmed
And frighted by the silence: I could see,
Framed by the arbour foliage, which the sun
In setting softly gilded with rich gold,
Those upturned faces, and those placid limbs;
Saw Plato's narrow eyes and niggard mouth,
Which half did smile and half did criticise,
One hand held up, the shapely fingers framed
To gesture of entreaty--' Hush, I pray,
Do not disturb her; let us hear the rest;
Follow her mood, for here's another phase
Of your black-browed Xantippe. . .'
Then I saw
101
Young Alkibiades, with laughing lips
And half-shut eyes, contemptuous shrugging up
Soft, snowy shoulders, till he brought the gold
Of flowing ringlets round about his breasts.
But Sokrates, all slow and solemnly,
Raised, calm, his face to mine, and sudden spake:
' I thank thee for the wisdom which thy lips
Have thus let fall among us : prythee tell
From what high source, from what philosophies
Didst cull the sapient notion of thy words?'
Then stood I straight and silent for a breath,
Dumb, crushed with all that weight of cold contempt;
But swiftly in my bosom there uprose
A sudden flame, a merciful fury sent
To save me; with both angry hands I flung
The skin upon the marble, where it lay
Spouting red rills and fountains on the white;
Then, all unheeding faces, voices, eyes,
I fled across the threshold, hair unbound-White garment stained to redness--beating heart
Flooded with all the flowing tide of hopes
Which once had gushed out golden, now sent back
Swift to their sources, never more to rise. . .
I think I could have borne the weary life,
The narrow life within the narrow walls,
If he had loved me; but he kept his love
For this Athenian city and her sons;
And, haply, for some stranger-woman, bold
With freedom, thought, and glib philosophy. . .
Ah me ! the long, long weeping through the nights,
The weary watching for the pale-eyed dawn
Which only brought fresh grieving : then I grew
Fiercer, and cursed from out my inmost heart
The Fates which marked me an Athenian maid.
Then faded that vain fury ; hope died out;
A huge despair was stealing on my soul,
A sort of fierce acceptance of my fate,-He wished a household vessel--well! 'twas good,
For he should have it! He should have no more
The yearning treasure of a woman's love,
But just the baser treasure which he sought.
I called my maidens, ordered out the loom,
102
And spun unceasing from the morn till eve;
Watching all keenly over warp and woof,
Weighing the white wool with a jealous hand.
I spun until, methinks, I spun away
The soul from out my body, the high thoughts
From out my spirit; till at last I grew
As ye have known me,--eye exact to mark
The texture of the spinning; ear all keen
For aimless talking when the moon is up,
And ye should be a-sleeping; tongue to cut
With quick incision, 'thwart the merry words
Of idle maidens. . .
Only yesterday
My hands did cease from spinning; I have wrought
My dreary duties, patient till the last.
The gods reward me! Nay, I will not tell
The after years of sorrow; wretched strife
With grimmest foes--sad Want and Poverty;-Nor yet the time of horror, when they bore
My husband from the threshold; nay, nor when
The subtle weed had wrought its deadly work.
Alas! alas! I was not there to soothe
The last great moment; never any thought
Of her that loved him--save at least the charge,
All earthly, that her body should not starve. . .
You weep, you weep; I would not that ye wept;
Such tears are idle; with the young, such grief
Soon grows to gratulation, as, 'her love
Was withered by misfortune; mine shall grow
All nurtured by the loving,' or, 'her life
Was wrecked and shattered--mine shall smoothly sail.'
Enough, enough. In vain, in vain, in vain!
The gods forgive me! Sorely have I sinned
In all my life. A fairer fate befall
You all that stand there. . .
Ha! the dawn has come;
I see a rosy glimmer--nay ! it grows dark;
Why stand ye so in silence? throw it wide,
The casement, quick; why tarry?--give me air-O fling it wide, I say, and give me light!
103
~ Amy Levy,
1439:A Hymn In Honour Of Beauty
Ah whither, Love, wilt thou now carry me?
What wontless fury dost thou now inspire
Into my feeble breast, too full of thee?
Whilst seeking to aslake thy raging fire,
Thou in me kindlest much more great desire,
And up aloft above my strength dost raise
The wondrous matter of my fire to praise.
That as I erst in praise of thine own name,
So now in honour of thy mother dear,
An honourable hymn I eke should frame,
And with the brightness of her beauty clear,
The ravish'd hearts of gazeful men might rear
To admiration of that heavenly light,
From whence proceeds such soul-enchanting might.
Thereto do thou, great goddess, queen of beauty,
Mother of love, and of all world's delight,
Without whose sovereign grace and kindly duty
Nothing on earth seems fair to fleshly sight,
Do thou vouchsafe with thy love-kindling light
T' illuminate my dim and dulled eyne,
And beautify this sacred hymn of thine:
That both to thee, to whom I mean it most,
And eke to her, whose fair immortal beam
Hath darted fire into my feeble ghost,
That now it wasted is with woes extreme,
It may so please, that she at length will stream
Some dew of grace into my withered heart,
After long sorrow and consuming smart.
WHAT time this world's great Workmaster did cast
To make all things such as we now behold,
It seems that he before his eyes had plac'd
A goodly pattern, to whose perfect mould
He fashion'd them as comely as he could;
That now so fair and seemly they appear,
As nought may be amended anywhere.
That wondrous pattern, wheresoe'er it be,
Whether in earth laid up in secret store,
Or else in heaven, that no man may it see
With sinful eyes, for fear it to deflore,
Is perfect Beauty, which all men adore;
Whose face and feature doth so much excel
All mortal sense, that none the same may tell.
Thereof as every earthly thing partakes
Or more or less, by influence divine,
So it more fair accordingly it makes,
And the gross matter of this earthly mine,
Which clotheth it, thereafter doth refine,
Doing away the dross which dims the light
Of that fair beam which therein is empight.
For, through infusion of celestial power,
The duller earth it quick'neth with delight,
And lifeful spirits privily doth pour
Through all the parts, that to the looker's sight
They seem to please. That is thy sovereign might,
O Cyprian queen, which flowing from the beam
Of thy bright star, thou into them dost stream.
That is the thing which giveth pleasant grace
To all things fair, that kindleth lively fire,
Light of thy lamp, which, shining in the face,
Thence to the soul darts amorous desire,
And robs the hearts of those which it admire;
Therewith thou pointest thy son's poison'd arrow,
That wounds the life, and wastes the inmost marrow.
How vainly then do idle wits invent,
That beauty is nought else but mixture made
Of colours fair, and goodly temp'rament
Of pure complexions, that shall quickly fade
And pass away, like to a summer's shade;
Or that it is but comely composition
Of parts well measur'd, with meet disposition.
Hath white and red in it such wondrous power,
That it can pierce through th' eyes unto the heart,
And therein stir such rage and restless stour,
As nought but death can stint his dolour's smart?
Or can proportion of the outward part
Move such affection in the inward mind,
That it can rob both sense and reason blind?
Why do not then the blossoms of the field,
Which are array'd with much more orient hue,
And to the sense most dainty odours yield,
Work like impression in the looker's view?
Or why do not fair pictures like power shew,
In which oft-times we nature see of art
Excell'd, in perfect limning every part?
But ah, believe me, there is more than so,
That works such wonders in the minds of men;
I, that have often prov'd, too well it know,
And whoso list the like assays to ken,
Shall find by trial, and confess it then,
That beauty is not, as fond men misdeem,
An outward shew of things, that only seem.
For that same goodly hue of white and red,
With which the cheeks are sprinkled, shall decay,
And those sweet rosy leaves, so fairly spread
Upon the lips, shall fade and fall away
To that they were, even to corrupted clay;
That golden wire, those sparkling stars so bright,
Shall turn to dust; and lose their goodly light.
But that fair lamp, from whose celestial ray
That light proceeds, which kindleth lovers' fire,
Shall never be extinguish'd nor decay;
But when the vital spirits do expire,
Unto her native planet shall retire;
For it is heavenly born and cannot die,
Being a parcel of the purest sky.
For when the soul, the which derived was,
At first, out of that great immortal Spright,
By whom all live to love, whilom did pass
10
Down from the top of purest heaven's height
To be embodied here, it then took light
And lively spirits from that fairest star,
Which lights the world forth from his fiery car.
Which power retaining still or more or less,
When she in fleshly seed is eft enraced,
Through every part she doth the same impress,
According as the heavens have her graced,
And frames her house, in which she will be placed,
Fit for herself, adorning it with spoil
Of th' heavenly riches which she robb'd erewhile.
Thereof it comes that these fair souls, which have
The most resemblance of that heavenly light,
Frame to themselves most beautiful and brave
Their fleshly bower, most fit for their delight,
And the gross matter by a sovereign might
Tempers so trim, that it may well be seen
A palace fit for such a virgin queen.
So every spirit, as it is most pure,
And hath in it the more of heavenly light,
So it the fairer body doth procure
To habit in, and it more fairly dight
With cheerful grace and amiable sight.
For of the soul the body form doth take:
For soul is form, and doth the body make.
Therefore wherever that thou dost behold
A comely corpse, with beauty fair endued,
Know this for certain, that the same doth hold
A beauteous soul, with fair conditions thewed,
Fit to receive the seed of virtue strewed.
For all that fair is, is by nature good;
That is a sign to know the gentle blood.
Yet oft it falls that many a gentle mind
Dwells in deformed tabernacle drown'd,
Either by chance, against the course of kind,
Or through unaptness in the substance found,
Which it assumed of some stubborn ground,
11
That will not yield unto her form's direction,
But is deform'd with some foul imperfection.
And oft it falls, (ay me, the more to rue)
That goodly beauty, albe heavenly born,
Is foul abus'd, and that celestial hue,
Which doth the world with her delight adorn,
Made but the bait of sin, and sinners' scorn,
Whilst every one doth seek and sue to have it,
But every one doth seek but to deprave it.
Yet nathëmore is that fair beauty's blame,
But theirs that do abuse it unto ill:
Nothing so good, but that through guilty shame
May be corrupt, and wrested unto will:
Natheless the soul is fair and beauteous still,
However flesh{"e}s fault it filthy make;
For things immortal no corruption take.
But ye fair dames, the world's dear ornaments
And lively images of heaven's light,
Let not your beams with such disparagements
Be dimm'd, and your bright glory dark'ned quite;
But mindful still of your first country's sight,
Do still preserve your first informed grace,
Whose shadow yet shines in your beauteous face.
Loathe that foul blot, that hellish firebrand,
Disloyal lust, fair beauty's foulest blame,
That base affections, which your ears would bland,
Commend to you by love's abused name,
But is indeed the bondslave of defame;
Which will the garland of your glory mar,
And quench the light of your bright shining star.
But gentle Love, that loyal is and true,
Will more illumine your resplendent ray,
And add more brightness to your goodly hue,
From light of his pure fire; which, by like way
Kindled of yours, your likeness doth display;
Like as two mirrors, by oppos'd reflection,
Do both express the face's first impression.
12
Therefore, to make your beauty more appear,
It you behoves to love, and forth to lay
That heavenly riches which in you ye bear,
That men the more admire their fountain may;
For else what booteth that celestial ray,
If it in darkness be enshrined ever,
That it of loving eyes be viewed never?
But, in your choice of loves, this well advise,
That likest to yourselves ye them select,
The which your forms' first source may sympathize,
And with like beauty's parts be inly deckt;
For, if you loosely love without respect,
It is no love, but a discordant war,
Whose unlike parts amongst themselves do jar.
For love is a celestial harmony
Of likely hearts compos'd of stars' concent,
Which join together in sweet sympathy,
To work each other's joy and true content,
Which they have harbour'd since their first descent
Out of their heavenly bowers, where they did see
And know each other here belov'd to be.
Then wrong it were that any other twain
Should in love's gentle band combined be
But those whom Heaven did at first ordain,
And made out of one mould the more t' agree;
For all that like the beauty which they see,
Straight do not love; for love is not so light
As straight to burn at first beholder's sight.
But they, which love indeed, look otherwise,
With pure regard and spotless true intent,
Drawing out of the object of their eyes
A more refined form, which they present
Unto their mind, void of all blemishment;
Which it reducing to her first perfection,
Beholdeth free from flesh's frail infection.
And then conforming it unto the light,
13
Which in itself it hath remaining still,
Of that first Sun, yet sparkling in his sight,
Thereof he fashions in his higher skill
An heavenly beauty to his fancy's will;
And it embracing in his mind entire,
The mirror of his own thought doth admire.
Which seeing now so inly fair to be,
As outward it appeareth to the eye,
And with his spirit's proportion to agree,
He thereon fixeth all his fantasy,
And fully setteth his felicity;
Counting it fairer than it is indeed,
And yet indeed her fairness doth exceed.
For lovers' eyes more sharply sighted be
Than other men's, and in dear love's delight
See more than any other eyes can see,
Through mutual receipt of beam{"e}s bright,
Which carry privy message to the spright,
And to their eyes that inmost fair display,
As plain as light discovers dawning day.
Therein they see, through amorous eye-glances,
Armies of loves still flying to and fro,
Which dart at them their little fiery lances;
Whom having wounded, back again they go,
Carrying compassion to their lovely foe;
Who, seeing her fair eyes' so sharp effect,
Cures all their sorrows with one sweet aspect.
In which how many wonders do they rede
To their conceit, that others never see,
Now of her smiles, with which their souls they feed,
Like gods with nectar in their banquets free;
Now of her looks, which like to cordials be;
But when her words' embássade forth she sends,
Lord, how sweet music that unto them lends.
Sometimes upon her forehead they behold
A thousand graces masking in delight;
Sometimes within her eyelids they unfold
14
Ten thousand sweet belgards, which to their sight
Do seem like twinkling stars in frosty night;
But on her lips, like rosy buds in May,
So many millions of chaste pleasures play.
All those, O Cytherea, and thousands more
Thy handmaids be, which do on thee attend,
To deck thy beauty with their dainties' store,
That may it more to mortal eyes commend,
And make it more admir'd of foe and friend:
That in men's hearts thou may'st thy throne install,
And spread thy lovely kingdom over all.
Then Iö, triumph! O great Beauty's Queen,
Advance the banner of thy conquest high,
That all this world, the which thy vassals bene,
May draw to thee, and with due fealty
Adore the power of thy great majesty,
Singing this hymn in honour of thy name,
Compil'd by me, which thy poor liegeman am.
In lieu whereof grant, O great sovereign,
That she whose conquering beauty doth captive
My trembling heart in her eternal chain,
One drop of grace at length will to me give,
That I her bounden thrall by her may live,
And this same life, which first fro me she reaved,
May owe to her, of whom I it received.
And you, fair Venus' darling, my dear dread,
Fresh flower of grace, great goddess of my life,
When your fair eyes these fearful lines shall read,
Deign to let fall one drop of due relief,
That may recure my heart's long pining grief,
And shew what wondrous power your beauty hath,
That can restore a damned wight from death.
~ Edmund Spenser,
1440:An Hymn In Honour Of Beauty
AH whither, Love, wilt thou now carry me?
What wontless fury dost thou now inspire
Into my feeble breast, too full of thee?
Whilst seeking to aslake thy raging fire,
Thou in me kindlest much more great desire,
And up aloft above my strength dost raise
The wondrous matter of my fire to praise.
That as I erst in praise of thine own name,
So now in honour of thy mother dear,
An honourable hymn I eke should frame,
And with the brightness of her beauty clear,
The ravish'd hearts of gazeful men might rear
To admiration of that heavenly light,
From whence proceeds such soul-enchanting might.
Thereto do thou, great goddess, queen of beauty,
Mother of love, and of all world's delight,
Without whose sovereign grace and kindly duty
Nothing on earth seems fair to fleshly sight,
Do thou vouchsafe with thy love-kindling light
T' illuminate my dim and dulled eyne,
And beautify this sacred hymn of thine:
That both to thee, to whom I mean it most,
And eke to her, whose fair immortal beam
Hath darted fire into my feeble ghost,
That now it wasted is with woes extreme,
It may so please, that she at length will stream
Some dew of grace into my withered heart,
After long sorrow and consuming smart.
WHAT time this world's great Workmaster did cast
To make all things such as we now behold,
It seems that he before his eyes had plac'd
A goodly pattern, to whose perfect mould
He fashion'd them as comely as he could;
That now so fair and seemly they appear,
As nought may be amended anywhere.
35
That wondrous pattern, wheresoe'er it be,
Whether in earth laid up in secret store,
Or else in heaven, that no man may it see
With sinful eyes, for fear it to deflore,
Is perfect Beauty, which all men adore;
Whose face and feature doth so much excel
All mortal sense, that none the same may tell.
Thereof as every earthly thing partakes
Or more or less, by influence divine,
So it more fair accordingly it makes,
And the gross matter of this earthly mine,
Which clotheth it, thereafter doth refine,
Doing away the dross which dims the light
Of that fair beam which therein is empight.
For, through infusion of celestial power,
The duller earth it quick'neth with delight,
And lifeful spirits privily doth pour
Through all the parts, that to the looker's sight
They seem to please. That is thy sovereign might,
O Cyprian queen, which flowing from the beam
Of thy bright star, thou into them dost stream.
That is the thing which giveth pleasant grace
To all things fair, that kindleth lively fire,
Light of thy lamp, which, shining in the face,
Thence to the soul darts amorous desire,
And robs the hearts of those which it admire;
Therewith thou pointest thy son's poison'd arrow,
That wounds the life, and wastes the inmost marrow.
How vainly then do idle wits invent,
That beauty is nought else but mixture made
Of colours fair, and goodly temp'rament
Of pure complexions, that shall quickly fade
And pass away, like to a summer's shade;
Or that it is but comely composition
Of parts well measur'd, with meet disposition.
Hath white and red in it such wondrous power,
36
That it can pierce through th' eyes unto the heart,
And therein stir such rage and restless stour,
As nought but death can stint his dolour's smart?
Or can proportion of the outward part
Move such affection in the inward mind,
That it can rob both sense and reason blind?
Why do not then the blossoms of the field,
Which are array'd with much more orient hue,
And to the sense most dainty odours yield,
Work like impression in the looker's view?
Or why do not fair pictures like power shew,
In which oft-times we nature see of art
Excell'd, in perfect limning every part?
But ah, believe me, there is more than so,
That works such wonders in the minds of men;
I, that have often prov'd, too well it know,
And whoso list the like assays to ken,
Shall find by trial, and confess it then,
That beauty is not, as fond men misdeem,
An outward shew of things, that only seem.
For that same goodly hue of white and red,
With which the cheeks are sprinkled, shall decay,
And those sweet rosy leaves, so fairly spread
Upon the lips, shall fade and fall away
To that they were, even to corrupted clay;
That golden wire, those sparkling stars so bright,
Shall turn to dust; and lose their goodly light.
But that fair lamp, from whose celestial ray
That light proceeds, which kindleth lovers' fire,
Shall never be extinguish'd nor decay;
But when the vital spirits do expire,
Unto her native planet shall retire;
For it is heavenly born and cannot die,
Being a parcel of the purest sky.
For when the soul, the which derived was,
At first, out of that great immortal Spright,
By whom all live to love, whilom did pass
37
Down from the top of purest heaven's height
To be embodied here, it then took light
And lively spirits from that fairest star,
Which lights the world forth from his fiery car.
Which power retaining still or more or less,
When she in fleshly seed is eft enraced,
Through every part she doth the same impress,
According as the heavens have her graced,
And frames her house, in which she will be placed,
Fit for herself, adorning it with spoil
Of th' heavenly riches which she robb'd erewhile.
Thereof it comes that these fair souls, which have
The most resemblance of that heavenly light,
Frame to themselves most beautiful and brave
Their fleshly bower, most fit for their delight,
And the gross matter by a sovereign might
Tempers so trim, that it may well be seen
A palace fit for such a virgin queen.
So every spirit, as it is most pure,
And hath in it the more of heavenly light,
So it the fairer body doth procure
To habit in, and it more fairly dight
With cheerful grace and amiable sight.
For of the soul the body form doth take:
For soul is form, and doth the body make.
Therefore wherever that thou dost behold
A comely corpse, with beauty fair endued,
Know this for certain, that the same doth hold
A beauteous soul, with fair conditions thewed,
Fit to receive the seed of virtue strewed.
For all that fair is, is by nature good;
That is a sign to know the gentle blood.
Yet oft it falls that many a gentle mind
Dwells in deformed tabernacle drown'd,
Either by chance, against the course of kind,
Or through unaptness in the substance found,
Which it assumed of some stubborn ground,
38
That will not yield unto her form's direction,
But is deform'd with some foul imperfection.
And oft it falls, (ay me, the more to rue)
That goodly beauty, albe heavenly born,
Is foul abus'd, and that celestial hue,
Which doth the world with her delight adorn,
Made but the bait of sin, and sinners' scorn,
Whilst every one doth seek and sue to have it,
But every one doth seek but to deprave it.
Yet nathëmore is that fair beauty's blame,
But theirs that do abuse it unto ill:
Nothing so good, but that through guilty shame
May be corrupt, and wrested unto will:
Natheless the soul is fair and beauteous still,
However flesh{"e}s fault it filthy make;
For things immortal no corruption take.
But ye fair dames, the world's dear ornaments
And lively images of heaven's light,
Let not your beams with such disparagements
Be dimm'd, and your bright glory dark'ned quite;
But mindful still of your first country's sight,
Do still preserve your first informed grace,
Whose shadow yet shines in your beauteous face.
Loathe that foul blot, that hellish firebrand,
Disloyal lust, fair beauty's foulest blame,
That base affections, which your ears would bland,
Commend to you by love's abused name,
But is indeed the bondslave of defame;
Which will the garland of your glory mar,
And quench the light of your bright shining star.
But gentle Love, that loyal is and true,
Will more illumine your resplendent ray,
And add more brightness to your goodly hue,
From light of his pure fire; which, by like way
Kindled of yours, your likeness doth display;
Like as two mirrors, by oppos'd reflection,
Do both express the face's first impression.
39
Therefore, to make your beauty more appear,
It you behoves to love, and forth to lay
That heavenly riches which in you ye bear,
That men the more admire their fountain may;
For else what booteth that celestial ray,
If it in darkness be enshrined ever,
That it of loving eyes be viewed never?
But, in your choice of loves, this well advise,
That likest to yourselves ye them select,
The which your forms' first source may sympathize,
And with like beauty's parts be inly deckt;
For, if you loosely love without respect,
It is no love, but a discordant war,
Whose unlike parts amongst themselves do jar.
For love is a celestial harmony
Of likely hearts compos'd of stars' concent,
Which join together in sweet sympathy,
To work each other's joy and true content,
Which they have harbour'd since their first descent
Out of their heavenly bowers, where they did see
And know each other here belov'd to be.
Then wrong it were that any other twain
Should in love's gentle band combined be
But those whom Heaven did at first ordain,
And made out of one mould the more t' agree;
For all that like the beauty which they see,
Straight do not love; for love is not so light
As straight to burn at first beholder's sight.
But they, which love indeed, look otherwise,
With pure regard and spotless true intent,
Drawing out of the object of their eyes
A more refined form, which they present
Unto their mind, void of all blemishment;
Which it reducing to her first perfection,
Beholdeth free from flesh's frail infection.
And then conforming it unto the light,
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Which in itself it hath remaining still,
Of that first Sun, yet sparkling in his sight,
Thereof he fashions in his higher skill
An heavenly beauty to his fancy's will;
And it embracing in his mind entire,
The mirror of his own thought doth admire.
Which seeing now so inly fair to be,
As outward it appeareth to the eye,
And with his spirit's proportion to agree,
He thereon fixeth all his fantasy,
And fully setteth his felicity;
Counting it fairer than it is indeed,
And yet indeed her fairness doth exceed.
For lovers' eyes more sharply sighted be
Than other men's, and in dear love's delight
See more than any other eyes can see,
Through mutual receipt of beam{"e}s bright,
Which carry privy message to the spright,
And to their eyes that inmost fair display,
As plain as light discovers dawning day.
Therein they see, through amorous eye-glances,
Armies of loves still flying to and fro,
Which dart at them their little fiery lances;
Whom having wounded, back again they go,
Carrying compassion to their lovely foe;
Who, seeing her fair eyes' so sharp effect,
Cures all their sorrows with one sweet aspect.
In which how many wonders do they rede
To their conceit, that others never see,
Now of her smiles, with which their souls they feed,
Like gods with nectar in their banquets free;
Now of her looks, which like to cordials be;
But when her words' embássade forth she sends,
Lord, how sweet music that unto them lends.
Sometimes upon her forehead they behold
A thousand graces masking in delight;
Sometimes within her eyelids they unfold
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Ten thousand sweet belgards, which to their sight
Do seem like twinkling stars in frosty night;
But on her lips, like rosy buds in May,
So many millions of chaste pleasures play.
All those, O Cytherea, and thousands more
Thy handmaids be, which do on thee attend,
To deck thy beauty with their dainties' store,
That may it more to mortal eyes commend,
And make it more admir'd of foe and friend:
That in men's hearts thou may'st thy throne install,
And spread thy lovely kingdom over all.
Then Iö, triumph! O great Beauty's Queen,
Advance the banner of thy conquest high,
That all this world, the which thy vassals bene,
May draw to thee, and with due fealty
Adore the power of thy great majesty,
Singing this hymn in honour of thy name,
Compil'd by me, which thy poor liegeman am.
In lieu whereof grant, O great sovereign,
That she whose conquering beauty doth captive
My trembling heart in her eternal chain,
One drop of grace at length will to me give,
That I her bounden thrall by her may live,
And this same life, which first fro me she reaved,
May owe to her, of whom I it received.
And you, fair Venus' darling, my dear dread,
Fresh flower of grace, great goddess of my life,
When your fair eyes these fearful lines shall read,
Deign to let fall one drop of due relief,
That may recure my heart's long pining grief,
And shew what wondrous power your beauty hath,
That can restore a damned wight from death.
~ Edmund Spenser,
1441:The Happy Harvester
I.
Autumn, like an old poet in a haze
Of golden visions, dreams away his days,
So Hafiz-like that one may almost hear
The singer's thoughts imbue the atmosphere;
Sweet as the dreamings of the nightingales
Ere yet their songs have waked the eastern vales,
Or stirred the airy echoes of the wood
That haunt the forest's social solitude.
His thoughts are pastorals; his days are rife
With the calm wisdom of that inner life
That makes the poet heir to worlds unknown,
All space his empire, and the sun his throne.
As the bee stores the sweetness of the flowers,
So into autumn's variegated hours
Is hived the Hybla richness of the year;
Choice souls imbibing the ambrosial cheer,
As autumn, seated on the highest hills,
Gleans honied secrets from the passing rills;
While from below, the harvest canzonas
Link vale to mountain with a chain of praise.
Foremost among the honoured sons of toil
Are they who overcome the stubborn soil;
Brave Cincinnatus in his country home
Was even greater than when lord of Rome.
Down sinks the sun behind the lofty pines
That skirt the mountain, like the straggling lines
Of Ceres' army looking from the height
On the dim lowlands deepening into night;
Soft-featured twilight, peering through the maze,
Sees the first starbeam pierce the purple haze;
Through all the vales the vespers of the birds
Cheer the young shepherds homeward with their herds;
And the stout axles of the heavy wain
Creak 'neath the fulness of the ripened grain,
As the swarth builders of the precious load,
Returning homewards, sing their Autumn Ode.
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AUTUMN ODE.
God of the Harvest! Thou, whose sun
Has ripened all the golden grain,
We bless Thee for Thy bounteous store,
The cup of Plenty running o'er,
The sunshine and the rain.
The year laughs out for very joy,
Its silver treble echoing
Like a sweet anthem through the woods,
Till mellowed by the solitudes
It folds its glossy wing.
But our united voices blend
From day to day unweariedly;
Sure as the sun rolls up the morn,
Or twilight from the eve is born,
Our song ascends to Thee.
Where'er the various-tinted woods,
In all their autumn splendour dressed,
Impart their gold and purple dyes
To distant hills and farthest skies
Along the crimson west:
Across the smooth, extended plain,
By rushing stream and broad lagoon,
On shady height and sunny dale,
Wherever scuds the balmy gale,
Or gleams the autumn moon:
From inland seas of yellow grain,
Where cheerful Labour, heaven-blest,
With willing hands and keen-edged scythe,
And accents musically blythe,
Reveals its lordly crest:
From clover-fields and meadows wide,
Where moves the richly-laden wain
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To barns well-stored with new-made hay,
Or where the flail at early day
Rolls out the ripened grain:
From meads and pastures on the hills,
And in the mountain valleys deep,
Alive with beeves and sweet-breathed kine
Of famous Ayr or Devon's line,
And shepherd-guarded sheep:
The spirits of the golden year,
From crystal caves and grottoes dim,
From forest depths and mossy sward,
Myriad-tongued, with one accord
Peal forth their harvest hymn.
II.
Their daily labour in the happy fields
A two-fold crop of grain and pleasure yields,
While round their hearths, before their evening fires,
Whore comfort reigns, whence weariness retires,
The level tracts, denuded of their grain,
In calm dispute are bravely shorn again,
Till some rough reaper, on a tide of song,
Like a bold pirate, captivates the throng:
A SONG FOR THE FLAIL.
A song, a song for the good old Flail,
And the brawny arms that wield it,
Hearty and hale, in our yeoman mail,
Like intrepid knights we'll shield it.
We are old nature's peers,
Right royal cavaliers!
Knights of the Plough! for no Golden Fleece we sail,
We're Princes in our own right-our sceptre is the Flail.
A song, a song for the golden grain,
As it wooes the flail's embraces,
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In wavy sheaves like a golden main,
With its bright spray in our faces.
Mirth hastens at our call,
Jovial hearts have we all!
Knights of the Plough! for no Golden Fleece we sail,
We're Princes in our own right-our sceptre is the Flail.
A song, a song for the good old Flail,
That our fathers used before us;
A song for the Flail, and the faces hale
Of the queenly dames that bore us!
We are old nature's peers,
Right royal cavaliers!
Knights of the Plough! for no Golden Fleece we sail,
We're Princes in our own right-our sceptre is the Flail.
III.
Fair was the maid, and lovely as the morn
From starry Night and rosy Twilight born,
Within whose mind a rivulet of song
Rehearsed the strains that from her lips ere long
Welled free and sparkling, as the vocal woods
Repeat the day-spring's sweetest interludes.
Her gentle eyes' serenest depths of blue
Shrined love and truth, and all their retinue;
The health and beauty of her youthful face
Made it the Harem of each maiden grace;
And such perfection blended with her air,
She seemed some stately Goddess moving there:
Beholding her, you thought she might have been
The long-lost, flower-loving Proserpine:
AN AUTUMN CHANGE.
'Oh, dreamy autumn days!
I seek your faded ways,
As one who calmly strays
Through visions of the past;
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I walk the golden hours,
And where I gathered flowers
The stricken leaves in showers
Are hurled upon the blast.'
Thus mused the lonely maid,
As through the autumn glade,
With pensive heart, she strayed,
Regretting Love's delay;
In vain the traitor flies!
To pleading lips and eyes,
Sweet looks, and tender sighs,
He falls an easy prey.
'Oh, dreamy autumn days!
I tread your bridal ways,
As one who homeward strays,
Through realms divinely fair;
I walk Love's radiant hours,
Fragrant with passion flowers,
And blessings fall like dowers
Down the elysian air.'
Thus mused the maiden now,
With sunny heart and brow,
For Love had turned his prow
Towards the Golden Isles,
Where from Pierean springs
The soul of Music sings
Its sweet imaginings,
Through all the Land of Smiles.
IV.
Up the wide chimney rolls the social fire,
Warming the hearts of matron, youth, and sire;
Painting such grotesque shadows on the wall,
The stripling looms a giant stout and tall,
While they whose statures reach the common height
Seem spectres mocking the hilarious night.
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From hand to hand the ripened fruit went round,
And rural sports a pleased acceptance found;
The youthful fiddler on his three-legged stool,
Fancied himself at least an Ole Bull;
Some easy bumpkin, seated on the floor,
Hunted the slipper till his ribs were sore;
Some chose the graceful waltz or lively reel,
While deeper heads the chess battalions wheel
Till some old veteran, compelled to yield,
More brave than skilful, vanquished, quits the field.
As a flushed harper, when the doubtful fight
Favors the prowess of some stately knight,
In stirring numbers of triumphal song
Upholds the spirits of the victor throng,
A sturdy ploughboy, wedded to the soil,
Thus sung the praises of the partner of his toil:
THE SOLDIERS OF THE PLOUGH.
No maiden dream, nor fancy theme,
Brown Labour's muse would sing;
Her stately mien and russet sheen
Demand a stronger wing,
Long ages since, the sage, the prince,
The man of lordly brow,
All honour gave that army brave,
The Soldiers of the Plough.
Kind heaven speed the Plough!
And bless the hands that guide it;
God gives the seedThe bread we need,
Man's labour must provide it.
In every land, the toiling hand
Is blest as it deserves;
Not so the race who, in disgrace,
From honest labour swerves.
From fairest bowers bring rarest flowers,
To deck the swarthy brow
Of those whose toil improves the soil,
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The Soldiers of the Plough.
Kind heaven speed the Plough!
And bless the hands that guide it;
God gives the seedThe bread we need,
Man's labour must provide it.
Blest is his lot, in hall or cot,
Who lives as nature wills,
Who pours his corn from Ceres' horn,
And quaffs his native rills!
No breeze that sweeps trade's stormy deeps,
Can touch his golden prow;
Their foes are few, their lives are true,
The Soldiers of the Plough.
Kind heaven speed the Plough!
And bless the hands that guide it;
God gives the seedThe bread we need,
Man's labour must provide it.
V.
Fast sped the rushing chariot of the Hours.
Without, the Harvest Moon, through fleecy bowers
Of hazy cloudlets, swept her graceful way,
Proud as an empress on her marriage-day;
The admiring planets lit her stately march
With smiles that gleamed along the silent arch,
And all the starry midnight blazed with light,
As if 'twere earth and heaven's nuptial-night;
The cock crowed, certain that the day had broke,
The aged house-dog suddenly awoke,
And bayed so loud a challenge to the moon,
From the old orchard fled the thievish 'coon;
Within, the lightest hearts that ever beat
Still found their harmless pleasures pure and sweet;
The fire still burned on the capacious hearth,
In sympathy with the redundant mirth;
Old graybeards felt the glow of youth revive,
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Old matrons smiled upon the human hive,
Where life's rare nectar, fit for gods to sip,
In forfeit kisses passed from lip to lip.
Be hushed rude Mirth! as merry as the May
Is she who comes to sing her roundelay:
CLAIRE.
Whither now, blushing Claire?
Maid of the sylph-like air,
Blooming and debonair,
Whither so early?
Chasing the merry morn,
Down through the golden corn?
List'ning the hunter's horn
Ring through the barley?
'Flowerets fresh and fair,'
Answered the blushing Claire,
'Fit for my bridal hair,
Bloom 'mongst the barley;
Hark! 'tis the hunter's horn,
Waking the sylvan morn,
And through the yellow corn
Comes my brave Charlie.'
Through the dew-dripping grain
Pressed the heart-stricken swain,
Crushed with a weight of pain,
Drooped like the barley;
Ah! timid shepherd boy!
Man's love should ne'er be coy,
Sweet is Claire's maiden joy,
Kissing her Charlie!
VI.
A pleasant soul as ever trilled a song
Was hers who warbled 'Claire.' All the day long
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Her voice was ringing like a bridal bell;
Gladness and joy leaped up at every swell;
And love was deeper, warmer, for the tone
That clasped the heart like an enchanted zone.
A youth was there more comely than the rest,
One who could turn a furrow with the best,
Compete for manly strength and portly air,
Or wield a scythe with any reaper there.
The spirit of her voice had moved above
The waters of his soul, and waked his song to Love:
BALLAD.
'Come tell me, merry Brooklet, of a gentle Maid I seek,
Thou'lt know her by the freshness of the rose upon her cheek;
Her eyes are chaste and tender, and so serenely bright,
You can read her heart's pure secrets by their warm religious light.'
'The Maid has not come hither,' said the Brooklet in reply;
'I've listened for her footfall ere the stars were in the sky;
The Fountain has been singing of a Maid, with eyes so bright
You may read the cherished secrets of her bosom by their light.'
'Pray tell me, merry Brooklet, what saith her thoughts of one
Who wronged her loving nature ere the setting of the sun?
What say they of yon autumn moon that smiles so mournfully
On the slowly-dying season, and the blasted moorland tree?'
'She sitteth by the Fountain,' the Brook replied again,
'Her heart as pure as heaven, and her thoughts without a stain;
'Oh, fickle moon, and changeful man!' she saith, 'a year ago
All the paths were true-love-lighted where I'm groping now in woe.'
'She sitteth by the Fountain, the gentle mists arise,
And kiss away the tear-pearls that tremble in her eyes,
The Fountain singeth to me that the Maiden in her dream
Shrinks as the vapours claim her as the Oread of the stream.'
Off sped the merry Streamlet adown the sloping vale;
The Shepherd seeks the Fountain, where sits the Maiden pale;
And to the wandering Brooklet, through many a lonely wild,
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The burden of the Fountain was, that Love was reconciled.
VII.
But soon the Morn, on many a distant height,
Fingers the raven locks of lingering Night;
The last dark shadows that precede the day
Have stripped the splendour from the Milky Way;
And Nature seems disturbed by fitful dreams,
As one who shudders when the owlet screams;
The painful burden of the Whippoorwill,
Like a vague Sorrow, floats from hill to hill;
Along the vales the doleful accents run,
Where the white vapours dread the burning sun;
While human voices stir the haunted air,
One sings 'the Plough,' another warbles 'Claire:'
The Happy Harvesters, a lightsome throng,
Dispersing homewards, prove the excellence of Song.
~ Charles Sangster,
1442:Epistle Ii: To A Lady (Of The Characters Of Women )
NOTHING so true as what you once let fall,
"Most Women have no Characters at all."
Matter too soft a lasting mark to bear,
And best distinguish'd by black, brown, or fair.
How many pictures of one Nymph we view,
All how unlike each other, all how true!
Arcadia's Countess, here, in ermin'd pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a Swan.
Let then the Fair one beautifully cry,
In Magdalen's loose hair and lifted eye,
Or drest in smiles of sweet Cecilia shine,
With simpering Angels, Palms, and Harps divine;
Whether the Charmer sinner it, or saint it,
If Folly grow romantic, I must paint it.
Come then, the colours and the ground prepare!
Dip in the Rainbow, trick her off in Air;
Choose a firm Cloud, before it fall, and in it
Catch, ere she change, the Cynthia of this minute.
Rufa, whose eye quick-glancing o'er the Park,
Attracts each light gay meteor of a Spark,
Agrees as ill with Rufa studying Locke,
As Sappho's diamonds with her dirty smock;
Or Sappho at her toilet's greasy task,
With Sappho fragrant at an evening Masque:
So morning Insects that in muck begun,
Shine, buzz, and flyblow in the setting sun.
How soft is Silia! fearful to offend;
The Frail one's advocate, the Weak one's friend:
To her, Calista prov'd her conduct nice;
And good Simplicius asks of her advice.
Sudden, she storms! she raves! You tip the wink,
But spare your censure; Silia does not drink.
All eyes may see from what the change arose,
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All eyes may see--a Pimple on her nose.
Papillia, wedded to her amorous spark,
Sighs for the shades--"How charming is a Park!"
A Park is purchas'd, but the Fair he sees
All bath'd in tears--"Oh odious, odious Trees!"
Ladies, like variegated Tulips, show;
'Tis to their Changes half their charms we owe;
Fine by defect, and delicately weak,
Their happy Spots the nice admirer take,
'Twas thus Calypso once each heart alarm'd,
Aw'd without Virtue, without Beauty charmed;
Her tongue bewitch'd as oddly as her Eyes,
Less Wit than Mimic, more a Wit than wise;
Strange graces still, and stranger flights she had,
Was just not ugly, and was just not mad;
Yet ne'er so sure our passion to create,
As when she touch'd the brink of all we hate.
Narcissa's nature, tolerably mild,
To make a wash, would hardly stew a child;
Has ev'n been prov'd to grant a Lover's pray'r,
And paid a Tradesman once to make him stare;
Gave alms at Easter, in a Christian trim,
And made a Widow happy, for a whim.
Why then declare Good-nature is her scorn,
When 'tis by that alone she can be borne?
Why pique all mortals, yet affect a name?
A fool to Pleasure, yet a slave to Fame:
Now deep in Taylor and the Book of Martyrs,
Now drinking citron with his Grace and Chartres:
Now Conscience chills her, and now Passion burns;
And Atheism and Religion take their turns;
A very Heathen in the carnal part,
Yet still a sad, good Christian at her heart.
See Sin in State, majestically drunk;
Proud as a Peeress, prouder as a Punk;
Chaste to her Husband, frank to all beside,
A teeming Mistress, but a barren Bride.
What then? let Blood and Body bear the fault,
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Her Head's untouch'd, that noble Seat of Thought:
Such this day's doctrine--in another fit
She sins with Poets thro' pure Love of Wit.
What has not fir'd her bosom or her brain?
Caesar and Tallboy, Charles and Charlemagne.
As Helluo, late Dictator of the Feast,
The Nose of Hautgout, and the Tip of Taste,
Critick'd your wine, and analyz'd your meat,
Yet on plain Pudding deign'd at home to eat;
So Philomede, lecturing all mankind
On the soft Passion, and the Taste refin'd,
Th' Address, the Delicacy--stoops at once,
And makes her hearty meal upon a Dunce.
Flavia's a Wit, has too much sense to Pray;
To Toast our wants and wishes, is her way;
Nor asks of God, but of her Stars, to give
The mighty blessing, "while we live, to live."
Then all for Death, that Opiate of the soul!
Lucretia's dagger, Rosamonda's bowl.
Say, what can cause such impotence of mind?
A spark too fickle, or a Spouse too kind.
Wise Wretch! with Pleasures too refin'd to please;
With too much Spirit to be e'er at ease;
With too much Quickness ever to be taught;
With too much Thinking to have common Thought:
You purchase Pain with all that Joy can give,
And die of nothing but a Rage to live.
Turn then from Wits; and look on Simo's Mate,
No Ass so meek, no Ass so obstinate.
Or her, that owns her Faults, but never mends,
Because she's honest, and the best of Friends.
Or her, whose life the Church and Scandal share,
For ever in a Passion, or a Pray'r.
Or her, who laughs at Hell, but (like her Grace)
Cries, "Ah! how charming, if there's no such place!"
Or who in sweet vicissitude appears
Of Mirth and Opium, Ratafie and Tears,
The daily Anodyne, and nightly Draught,
To kill those foes to Fair ones, Time and Thought.
Woman and Fool are two hard things to hit;
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For true No-meaning puzzles more than Wit.
But what are these to great Atossa's mind?
Scarce once herself, by turns all Womankind!
Who, with herself, or others, from her birth
Finds all her life one warfare upon earth:
Shines, in exposing Knaves, and painting Fools,
Yet is, whate'er she hates and ridicules.
No Thought advances, but her Eddy Brain
Whisks it about, and down it goes again.
Full sixty years the World has been her Trade,
The wisest Fool much Time has ever made.
From loveless youth to unrespected age,
No passion gratify'd except her Rage.
So much the Fury still outran the Wit,
The Pleasure miss'd her, and the Scandal hit.
Who breaks with her, provokes Revenge from Hell,
But he's a bolder man who dares be well.
Her ev'ry turn with Violence pursu'd,
Nor more a storm her Hate than Gratitude:
To that each Passion turns, or soon or late;
Love, if it makes her yield, must make her hate:
Superiors? death! and Equals? what a curse!
But an Inferior not dependant? worse.
Offend her, and she knows not to forgive;
Oblige her, and she'll hate you while you live:
But die, and she'll adore you--Then the Bust
And Temple rise--then fall again to dust.
Last night, her Lord was all that's good and great;
A Knave this morning, and his Will a Cheat.
Strange! by the Means defeated of the Ends,
By Spirit robb'd of Pow'r, by Warmth of Friends,
By Wealth of Followers! without one distress
Sick of herself thro' very selfishness!
Atossa, curs'd with ev'ry granted pray'r,
Childless with all her Children, wants an Heir.
To Heirs unknown descends th' unguarded store,
Or wanders, Heav'n-directed, to the Poor.
Pictures like these, dear Madam, to design,
Asks no firm hand, and no unerring line;
Some wandering touches, some reflected light,
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Some flying stroke alone can hit 'em right:
For how should equal Colours do the knack?
Chameleons who can paint in white and black?
"Yet Chloe sure was form'd without a spot--"
Nature in her then err'd not, but forgot.
"With ev'ry pleasing, ev'ry prudent part,
Say, what can Chloe want?"--She wants a Heart.
She speaks, behaves, and acts just as she ought;
But never, never, reach'd one gen'rous Thought.
Virtue she finds too painful an endeavour,
Content to dwell in Decencies for ever.
So very reasonable, so unmov'd,
As never yet to love, or to be lov'd.
She, while her Lover pants upon her breast,
Can mark the figures on an Indian chest;
And when she sees her Friend in deep despair,
Observes how much a Chintz exceeds Mohair.
Forbid it Heav'n, a Favour or a Debt
She e'er should cancel--but she may forget.
Safe is your Secret still in Chloe's ear;
But none of Chloe's shall you ever hear.
Of all her Dears she never slander'd one,
But cares not if a thousand are undone.
Would Chloe know if you're alive or dead?
She bids her Footman put it in her head.
Chloe is prudent--Would you too be wise?
Then never break your heart when Chloe dies.
One certain Portrait may (I grant) be seen,
Which Heav'n has varnish'd out, and made a Queen:
The same for ever! and describ'd by all
With Truth and Goodness, as with Crown and Ball.
Poets heap Virtues, Painters Gems at will,
And show their zeal, and hide their want of skill.
'Tis well--but, Artists! who can paint or write,
To draw the Naked is your true delight.
That robe of Quality so struts and swells,
None see what Parts of Nature it conceals:
Th' exactest traits of Body or of Mind,
We owe to models of an humble kind.
If QUEENSBURY to strip there's no compelling,
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'Tis from a Handmaid we must take a Helen.
From Peer or Bishop 'tis no easy thing
To draw the man who loves his God, or King:
Alas! I copy (or my draught would fail)
From honest Mah'met, or plain Parson Hale.
But grant, in Public Men sometimes are shown,
A Woman's seen in Private life alone:
Our bolder Talents in full light displayed;
Your Virtues open fairest in the shade.
Bred to disguise, in Public 'tis you hide;
There, none distinguish twixt your Shame or Pride,
Weakness or Delicacy; all so nice,
That each may seem a Virtue, or a Vice.
In Men, we various Ruling Passions find;
In Women, two almost divide the kind;
Those, only fix'd, they first or last obey,
The Love of Pleasure, and the Love of Sway.
That, Nature gives; and where the lesson taught
Is but to please, can Pleasure seem a fault?
Experience, this; by Man's oppression curst,
They seek the second not to lose the first.
Men, some to Business, some to pleasure take;
But ev'ry Woman is at heart a Rake:
Men, some to Quiet, some to public Strife;
But ev'ry Lady would be Queen for life.
Yet mark the fate of a whole Sex of Queens!
Pow'r all their end, but Beauty all the means:
In Youth they conquer, with so wild a rage,
As leaves them scarce a subject in their Age:
For foreign glory, foreign joy, they roam;
No thought of peace or happiness at home.
But Wisdom's triumph is a well-tim'd Retreat,
As hard a science to the Fair as Great!
Beauties, like Tyrants, old and friendless grown,
Yet hate repose, and dread to be alone,
Worn out in public, weary ev'ry eye,
Nor leave one sigh behind them when they die.
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Pleasures the sex, as children Birds, pursue,
Still out of reach, yet never out of view;
Sure, if they catch, to spoil the Toy at most,
To covet flying, and regret when lost:
At last, to follies Youth could scarce defend,
It grows their Age's prudence to pretend;
Asham'd to own they gave delight before,
Reduc'd to feign it, when they give no more:
As Hags hold Sabbaths, less for joy than spite,
So these their merry, miserable Night;
Still round and round the Ghosts of Beauty glide,
And haunt the places where their Honour died.
See how the World its Veterans rewards!
A Youth of Frolics, an old Age of Cards;
Fair to no purpose, artful to no end,
Young without Lovers, old without a Friend;
A Fop their Passion, but their Prize a Sot;
Alive, ridiculous, and dead, forgot!
Ah Friend! to dazzle let the Vain design;
To raise the Thought, and touch the Heart be thine!
That Charm shall grow, while what fatigues the Ring,
Flaunts and goes down, an unregarded thing:
So when the Sun's broad beam has tir'd the sight,
All mild ascends the Moon's more sober light,
Serene in Virgin Modesty she shines,
And unobserv'd the glaring Orb declines.
Oh! blest with Temper, whose unclouded ray
Can make tomorrow cheerful as today;
She, who can love a Sister's charms, or hear
Sighs for a Daughter with unwounded ear;
She, who ne'er answers till a Husband cools,
Or, if she rules him, never shows she rules;
Charms by accepting, by submitting sways,
Yet has her humour most, when she obeys;
Let Fops or Fortune fly which way they will;
Disdains all loss of Tickets, or Codille;
Spleen, Vapours, or Smallpox, above them all,
And Mistress of herself, though China fall.
71
And yet, believe me, good as well as ill,
Woman's at best a Contradiction still.
Heav'n, when it strives to polish all it can
Its last best work, but forms a softer Man;
Picks from each sex, to make the Favorite blest,
Your love of Pleasure, our desire of Rest:
Blends, in exception to all general rules,
Your Taste of Follies, with our Scorn of Fools:
Reserve with Frankness, Art with Truth ally'd,
Courage with Softness, Modesty with Pride;
Fix'd Principles, with Fancy ever new;
Shakes all together, and produces--You.
Be this a Woman's Fame: with this unblest,
Toasts live a scorn, and Queens may die a jest.
This Phoebus promis'd (I forget the year)
When those blue eyes first open'd on the sphere;
Ascendant Phoebus watch'd that hour with care,
Averted half your Parents' simple Pray'r;
And gave you Beauty, but deny'd the Pelf
That buys your sex a Tyrant o'er itself.
The generous God, who Wit and Gold refines,
And ripens Spirits as he ripens Mines,
Kept Dross for Duchesses, the world shall know it,
To you gave Sense, Good Humour, and a Poet.
~ Alexander Pope,
1443:A Hymn Of Heavenly Beauty
Rapt with the rage of mine own ravish'd thought,
Through contemplation of those goodly sights,
And glorious images in heaven wrought,
Whose wondrous beauty, breathing sweet delights
Do kindle love in high-conceited sprights;
I fain to tell the things that I behold,
But feel my wits to fail, and tongue to fold.
Vouchsafe then, O thou most Almighty Spright,
From whom all gifts of wit and knowledge flow,
To shed into my breast some sparkling light
Of thine eternal truth, that I may show
Some little beams to mortal eyes below
Of that immortal beauty, there with thee,
Which in my weak distraughted mind I see;
That with the glory of so goodly sight
The hearts of men, which fondly here admire
Fair seeming shews, and feed on vain delight,
Transported with celestial desire
Of those fair forms, may lift themselves up higher,
And learn to love, with zealous humble duty,
Th' eternal fountain of that heavenly beauty.
Beginning then below, with th' easy view
Of this base world, subject to fleshly eye,
From thence to mount aloft, by order due,
To contemplation of th' immortal sky;
Of the soare falcon so I learn to fly,
That flags awhile her fluttering wings beneath,
Till she herself for stronger flight can breathe.
Then look, who list thy gazeful eyes to feed
With sight of that is fair, look on the frame
Of this wide universe, and therein reed
The endless kinds of creatures which by name
Thou canst not count, much less their natures aim;
All which are made with wondrous wise respect,
And all with admirable beauty deckt.
16
First th' earth, on adamantine pillars founded,
Amid the sea engirt with brazen bands;
Then th' air still flitting, but yet firmly bounded
On every side, with piles of flaming brands,
Never consum'd, nor quench'd with mortal hands;
And last, that mighty shining crystal wall,
Wherewith he hath encompassed this All.
By view whereof it plainly may appear,
That still as every thing doth upward tend,
And further is from earth, so still more clear
And fair it grows, till to his perfect end
Of purest beauty it at last ascend;
Air more than water, fire much more than air,
And heaven than fire, appears more pure and fair.
Look thou no further, but affix thine eye
On that bright, shiny, round, still moving mass,
The house of blessed gods, which men call sky,
All sow'd with glist'ring stars more thick than grass,
Whereof each other doth in brightness pass,
But those two most, which ruling night and day,
As king and queen, the heavens' empire sway;
And tell me then, what hast thou ever seen
That to their beauty may compared be,
Or can the sight that is most sharp and keen
Endure their captain's flaming head to see?
How much less those, much higher in degree,
And so much fairer, and much more than these,
As these are fairer than the land and seas?
For far above these heavens, which here we see,
Be others far exceeding these in light,
Not bounded, not corrupt, as these same be,
But infinite in largeness and in height,
Unmoving, uncorrupt, and spotless bright,
That need no sun t' illuminate their spheres,
But their own native light far passing theirs.
And as these heavens still by degrees arise,
17
Until they come to their first Mover's bound,
That in his mighty compass doth comprise,
And carry all the rest with him around;
So those likewise do by degrees redound,
And rise more fair; till they at last arrive
To the most fair, whereto they all do strive.
Fair is the heaven where happy souls have place,
In full enjoyment of felicity,
Whence they do still behold the glorious face
Of the divine eternal Majesty;
More fair is that, where those Ideas on high
Enranged be, which Plato so admired,
And pure Intelligences from God inspired.
Yet fairer is that heaven, in which do reign
The sovereign Powers and mighty Potentates,
Which in their high protections do contain
All mortal princes and imperial states;
And fairer yet, whereas the royal Seats
And heavenly Dominations are set,
From whom all earthly governance is fet.
Yet far more fair be those bright Cherubins,
Which all with golden wings are overdight,
And those eternal burning Seraphins,
Which from their faces dart out fiery light;
Yet fairer than they both, and much more bright,
Be th' Angels and Archangels, which attend
On God's own person, without rest or end.
These thus in fair each other far excelling,
As to the highest they approach more near,
Yet is that highest far beyond all telling,
Fairer than all the rest which there appear,
Though all their beauties join'd together were;
How then can mortal tongue hope to express
The image of such endless perfectness?
Cease then, my tongue, and lend unto my mind
Leave to bethink how great that beauty is,
Whose utmost parts so beautiful I find;
18
How much more those essential parts of his,
His truth, his love, his wisdom, and his bliss,
His grace, his doom, his mercy, and his might,
By which he lends us of himself a sight.
Those unto all he daily doth display,
And shew himself in th' image of his grace,
As in a looking-glass, through which he may
Be seen of all his creatures vile and base,
That are unable else to see his face,
His glorious face which glistereth else so bright,
That th' Angels selves cannot endure his sight.
But we, frail wights, whose sight cannot sustain
The sun's bright beams when he on us doth shine,
But that their points rebutted back again
Are dull'd, how can we see with feeble eyne
The glory of that Majesty Divine,
In sight of whom both sun and moon are dark,
Compared to his least resplendent spark?
The means, therefore, which unto us is lent
Him to behold, is on his works to look,
Which he hath made in beauty excellent,
And in the same, as in a brazen book,
To read enregister'd in every nook
His goodness, which his beauty doth declare;
For all that's good is beautiful and fair.
Thence gathering plumes of perfect speculation,
To imp the wings of thy high-flying mind,
Mount up aloft through heavenly contemplation,
From this dark world, whose damps the soul so blind,
And, like the native brood of eagles' kind,
On that bright Sun of Glory fix thine eyes,
Clear'd from gross mists of frail infirmities.
Humbled with fear and awful reverence,
Before the footstool of his majesty
Throw thyself down, with trembling innocence,
Ne dare look up with corruptible eye
On the dread face of that great Deity,
19
For fear, lest if he chance to look on thee,
Thou turn to nought, and quite confounded be.
But lowly fall before his mercy seat,
Close covered with the Lamb's integrity
From the just wrath of his avengeful threat
That sits upon the righteous throne on high;
His throne is built upon eternity,
More firm and durable than steel or brass,
Or the hard diamond, which them both doth pass.
His sceptre is the rod of righteousness,
With which he bruiseth all his foes to dust,
And the great Dragon strongly doth repress,
Under the rigour of his judgement just;
His seat is truth, to which the faithful trust,
From whence proceed her beams so pure and bright
That all about him sheddeth glorious light:
Light far exceeding that bright blazing spark
Which darted is from Titan's flaming head,
That with his beams enlumineth the dark
And dampish air, whereby all things are read;
Whose nature yet so much is marvelled
Of mortal wits, that it doth much amaze
The greatest wizards which thereon do gaze.
But that immortal light, which there doth shine,
Is many thousand times more bright, more clear,
More excellent, more glorious, more divine,
Through which to God all mortal actions here,
And even the thoughts of men, do plain appear;
For from th' eternal truth it doth proceed,
Through heavenly virtue which her beams do breed.
With the great glory of that wondrous light
His throne is all encompassed around,
And hid in his own brightness from the sight
Of all that look thereon with eyes unsound;
And underneath his feet are to be found
Thunder and lightning and tempestuous fire,
The instruments of his avenging ire.
20
There in his bosom Sapience doth sit,
The sovereign darling of the Deity,
Clad like a queen in royal robes, most fit
For so great power and peerless majesty,
And all with gems and jewels gorgeously
Adorn'd, that brighter than the stars appear,
And make her native brightness seem more clear.
And on her head a crown of purest gold
Is set, in sign of highest sovereignty;
And in her hand a sceptre she doth hold,
With which she rules the house of God on high,
And manageth the ever-moving sky,
And in the same these lower creatures all
Subjected to her power imperial.
Both heaven and earth obey unto her will,
And all the creatures which they both contain;
For of her fullness which the world doth fill
They all partake, and do in state remain
As their great Maker did at first ordain,
Through observation of her high behest,
By which they first were made, and still increast.
The fairness of her face no tongue can tell;
For she the daughters of all women's race,
And angels eke, in beauty doth excel,
Sparkled on her from God's own glorious face,
And more increas'd by her own goodly grace,
That it doth far exceed all human thought,
Ne can on earth compared be to aught.
Ne could that painter (had he lived yet)
Which pictured Venus with so curious quill,
That all posterity admired it,
Have portray'd this, for all his mast'ring skill;
Ne she herself, had she remained still,
And were as fair as fabling wits do feign,
Could once come near this beauty sovereign.
But had those wits, the wonders of their days,
21
Or that sweet Teian poet, which did spend
His plenteous vein in setting forth her praise,
Seen but a glimpse of this which I pretend,
How wondrously would he her face commend,
Above that idol of his feigning thought,
That all the world should with his rhymes be fraught.
How then dare I, the novice of his art,
Presume to picture so divine a wight,
Or hope t' express her least perfection's part,
Whose beauty fills the heavens with her light,
And darks the earth with shadow of her sight?
Ah, gentle Muse, thou art too weak and faint
The portrait of so heavenly hue to paint.
Let angels, which her goodly face behold
And see at will, her sovereign praises sing,
And those most sacred mysteries unfold
Of that fair love of mighty heaven's King;
Enough is me t' admire so heavenly thing,
And being thus with her huge love possest,
In th' only wonder of herself to rest.
But whoso may, thrice happy man him hold,
Of all on earth whom God so much doth grace
And lets his own beloved to behold;
For in the view of her celestial face
All joy, all bliss, all happiness, have place;
Ne aught on earth can want unto the wight
Who of herself can win the wishful sight.
For she, out of her secret treasury,
Plenty of riches forth on him will pour,
Even heavenly riches, which there hidden lie
Within the closet of her chastest bower,
Th' eternal portion of her precious dower,
Which mighty God hath given to her free,
And to all those which thereof worthy be.
None thereof worthy be, but those whom she
Vouchsafeth to her presence to receive,
And letteth them her lovely face to see,
22
Whereof such wondrous pleasures they conceive,
And sweet contentment, that it doth bereave
Their soul of sense, through infinite delight,
And them transport from flesh into the spright.
In which they see such admirable things,
As carries them into an ecstasy,
And hear such heavenly notes, and carollings
Of God's high praise, that fills the brazen sky;
And feel such joy and pleasure inwardly,
That maketh them all worldly cares forget,
And only think on that before them set.
Ne from thenceforth doth any fleshly sense,
Or idle thought of earthly things, remain;
But all that erst seem'd sweet seems now offence,
And all that pleased erst now seems to pain;
Their joy, their comfort, their desire, their gain,
Is fixed all on that which now they see;
All other sights but feigned shadows be.
And that fair lamp, which useth to inflame
The hearts of men with self-consuming fire
Thenceforth seems foul, and full of sinful blame;
And all that pomp to which proud minds aspire
By name of honour, and so much desire,
Seems to them baseness, and all riches dross,
And all mirth sadness, and all lucre loss.
So full their eyes are of that glorious sight,
And senses fraught with such satiety,
That in nought else on earth they can delight,
But in th' aspect of that felicity,
Which they have written in their inward eye;
On which they feed, and in their fastened mind
All happy joy and full contentment find.
Ah, then, my hungry soul, which long hast fed
On idle fancies of thy foolish thought,
And, with false beauty's flatt'ring bait misled,
Hast after vain deceitful shadows sought,
Which all are fled, and now have left thee nought
23
But late repentance through thy follies prief;
Ah cease to gaze on matter of thy grief:
And look at last up to that sovereign light,
From whose pure beams all perfect beauty springs,
That kindleth love in every godly sprite,
Even the love of God, which loathing brings
Of this vile world and these gay-seeming things;
With whose sweet pleasures being so possest,
Thy straying thoughts henceforth for ever rest.
~ Edmund Spenser,
1444:An Hymn Of Heavenly Beauty
Rapt with the rage of mine own ravish'd thought,
Through contemplation of those goodly sights,
And glorious images in heaven wrought,
Whose wondrous beauty, breathing sweet delights
Do kindle love in high-conceited sprights;
I fain to tell the things that I behold,
But feel my wits to fail, and tongue to fold.
Vouchsafe then, O thou most Almighty Spright,
From whom all gifts of wit and knowledge flow,
To shed into my breast some sparkling light
Of thine eternal truth, that I may show
Some little beams to mortal eyes below
Of that immortal beauty, there with thee,
Which in my weak distraughted mind I see;
That with the glory of so goodly sight
The hearts of men, which fondly here admire
Fair seeming shews, and feed on vain delight,
Transported with celestial desire
Of those fair forms, may lift themselves up higher,
And learn to love, with zealous humble duty,
Th' eternal fountain of that heavenly beauty.
Beginning then below, with th' easy view
Of this base world, subject to fleshly eye,
From thence to mount aloft, by order due,
To contemplation of th' immortal sky;
Of the soare falcon so I learn to fly,
That flags awhile her fluttering wings beneath,
Till she herself for stronger flight can breathe.
Then look, who list thy gazeful eyes to feed
With sight of that is fair, look on the frame
Of this wide universe, and therein reed
The endless kinds of creatures which by name
Thou canst not count, much less their natures aim;
All which are made with wondrous wise respect,
And all with admirable beauty deckt.
43
First th' earth, on adamantine pillars founded,
Amid the sea engirt with brazen bands;
Then th' air still flitting, but yet firmly bounded
On every side, with piles of flaming brands,
Never consum'd, nor quench'd with mortal hands;
And last, that mighty shining crystal wall,
Wherewith he hath encompassed this All.
By view whereof it plainly may appear,
That still as every thing doth upward tend,
And further is from earth, so still more clear
And fair it grows, till to his perfect end
Of purest beauty it at last ascend;
Air more than water, fire much more than air,
And heaven than fire, appears more pure and fair.
Look thou no further, but affix thine eye
On that bright, shiny, round, still moving mass,
The house of blessed gods, which men call sky,
All sow'd with glist'ring stars more thick than grass,
Whereof each other doth in brightness pass,
But those two most, which ruling night and day,
As king and queen, the heavens' empire sway;
And tell me then, what hast thou ever seen
That to their beauty may compared be,
Or can the sight that is most sharp and keen
Endure their captain's flaming head to see?
How much less those, much higher in degree,
And so much fairer, and much more than these,
As these are fairer than the land and seas?
For far above these heavens, which here we see,
Be others far exceeding these in light,
Not bounded, not corrupt, as these same be,
But infinite in largeness and in height,
Unmoving, uncorrupt, and spotless bright,
That need no sun t' illuminate their spheres,
But their own native light far passing theirs.
And as these heavens still by degrees arise,
44
Until they come to their first Mover's bound,
That in his mighty compass doth comprise,
And carry all the rest with him around;
So those likewise do by degrees redound,
And rise more fair; till they at last arrive
To the most fair, whereto they all do strive.
Fair is the heaven where happy souls have place,
In full enjoyment of felicity,
Whence they do still behold the glorious face
Of the divine eternal Majesty;
More fair is that, where those Ideas on high
Enranged be, which Plato so admired,
And pure Intelligences from God inspired.
Yet fairer is that heaven, in which do reign
The sovereign Powers and mighty Potentates,
Which in their high protections do contain
All mortal princes and imperial states;
And fairer yet, whereas the royal Seats
And heavenly Dominations are set,
From whom all earthly governance is fet.
Yet far more fair be those bright Cherubins,
Which all with golden wings are overdight,
And those eternal burning Seraphins,
Which from their faces dart out fiery light;
Yet fairer than they both, and much more bright,
Be th' Angels and Archangels, which attend
On God's own person, without rest or end.
These thus in fair each other far excelling,
As to the highest they approach more near,
Yet is that highest far beyond all telling,
Fairer than all the rest which there appear,
Though all their beauties join'd together were;
How then can mortal tongue hope to express
The image of such endless perfectness?
Cease then, my tongue, and lend unto my mind
Leave to bethink how great that beauty is,
Whose utmost parts so beautiful I find;
45
How much more those essential parts of his,
His truth, his love, his wisdom, and his bliss,
His grace, his doom, his mercy, and his might,
By which he lends us of himself a sight.
Those unto all he daily doth display,
And shew himself in th' image of his grace,
As in a looking-glass, through which he may
Be seen of all his creatures vile and base,
That are unable else to see his face,
His glorious face which glistereth else so bright,
That th' Angels selves cannot endure his sight.
But we, frail wights, whose sight cannot sustain
The sun's bright beams when he on us doth shine,
But that their points rebutted back again
Are dull'd, how can we see with feeble eyne
The glory of that Majesty Divine,
In sight of whom both sun and moon are dark,
Compared to his least resplendent spark?
The means, therefore, which unto us is lent
Him to behold, is on his works to look,
Which he hath made in beauty excellent,
And in the same, as in a brazen book,
To read enregister'd in every nook
His goodness, which his beauty doth declare;
For all that's good is beautiful and fair.
Thence gathering plumes of perfect speculation,
To imp the wings of thy high-flying mind,
Mount up aloft through heavenly contemplation,
From this dark world, whose damps the soul so blind,
And, like the native brood of eagles' kind,
On that bright Sun of Glory fix thine eyes,
Clear'd from gross mists of frail infirmities.
Humbled with fear and awful reverence,
Before the footstool of his majesty
Throw thyself down, with trembling innocence,
Ne dare look up with corruptible eye
On the dread face of that great Deity,
46
For fear, lest if he chance to look on thee,
Thou turn to nought, and quite confounded be.
But lowly fall before his mercy seat,
Close covered with the Lamb's integrity
From the just wrath of his avengeful threat
That sits upon the righteous throne on high;
His throne is built upon eternity,
More firm and durable than steel or brass,
Or the hard diamond, which them both doth pass.
His sceptre is the rod of righteousness,
With which he bruiseth all his foes to dust,
And the great Dragon strongly doth repress,
Under the rigour of his judgement just;
His seat is truth, to which the faithful trust,
From whence proceed her beams so pure and bright
That all about him sheddeth glorious light:
Light far exceeding that bright blazing spark
Which darted is from Titan's flaming head,
That with his beams enlumineth the dark
And dampish air, whereby all things are read;
Whose nature yet so much is marvelled
Of mortal wits, that it doth much amaze
The greatest wizards which thereon do gaze.
But that immortal light, which there doth shine,
Is many thousand times more bright, more clear,
More excellent, more glorious, more divine,
Through which to God all mortal actions here,
And even the thoughts of men, do plain appear;
For from th' eternal truth it doth proceed,
Through heavenly virtue which her beams do breed.
With the great glory of that wondrous light
His throne is all encompassed around,
And hid in his own brightness from the sight
Of all that look thereon with eyes unsound;
And underneath his feet are to be found
Thunder and lightning and tempestuous fire,
The instruments of his avenging ire.
47
There in his bosom Sapience doth sit,
The sovereign darling of the Deity,
Clad like a queen in royal robes, most fit
For so great power and peerless majesty,
And all with gems and jewels gorgeously
Adorn'd, that brighter than the stars appear,
And make her native brightness seem more clear.
And on her head a crown of purest gold
Is set, in sign of highest sovereignty;
And in her hand a sceptre she doth hold,
With which she rules the house of God on high,
And manageth the ever-moving sky,
And in the same these lower creatures all
Subjected to her power imperial.
Both heaven and earth obey unto her will,
And all the creatures which they both contain;
For of her fullness which the world doth fill
They all partake, and do in state remain
As their great Maker did at first ordain,
Through observation of her high behest,
By which they first were made, and still increast.
The fairness of her face no tongue can tell;
For she the daughters of all women's race,
And angels eke, in beauty doth excel,
Sparkled on her from God's own glorious face,
And more increas'd by her own goodly grace,
That it doth far exceed all human thought,
Ne can on earth compared be to aught.
Ne could that painter (had he lived yet)
Which pictured Venus with so curious quill,
That all posterity admired it,
Have portray'd this, for all his mast'ring skill;
Ne she herself, had she remained still,
And were as fair as fabling wits do feign,
Could once come near this beauty sovereign.
But had those wits, the wonders of their days,
48
Or that sweet Teian poet, which did spend
His plenteous vein in setting forth her praise,
Seen but a glimpse of this which I pretend,
How wondrously would he her face commend,
Above that idol of his feigning thought,
That all the world should with his rhymes be fraught.
How then dare I, the novice of his art,
Presume to picture so divine a wight,
Or hope t' express her least perfection's part,
Whose beauty fills the heavens with her light,
And darks the earth with shadow of her sight?
Ah, gentle Muse, thou art too weak and faint
The portrait of so heavenly hue to paint.
Let angels, which her goodly face behold
And see at will, her sovereign praises sing,
And those most sacred mysteries unfold
Of that fair love of mighty heaven's King;
Enough is me t' admire so heavenly thing,
And being thus with her huge love possest,
In th' only wonder of herself to rest.
But whoso may, thrice happy man him hold,
Of all on earth whom God so much doth grace
And lets his own beloved to behold;
For in the view of her celestial face
All joy, all bliss, all happiness, have place;
Ne aught on earth can want unto the wight
Who of herself can win the wishful sight.
For she, out of her secret treasury,
Plenty of riches forth on him will pour,
Even heavenly riches, which there hidden lie
Within the closet of her chastest bower,
Th' eternal portion of her precious dower,
Which mighty God hath given to her free,
And to all those which thereof worthy be.
None thereof worthy be, but those whom she
Vouchsafeth to her presence to receive,
And letteth them her lovely face to see,
49
Whereof such wondrous pleasures they conceive,
And sweet contentment, that it doth bereave
Their soul of sense, through infinite delight,
And them transport from flesh into the spright.
In which they see such admirable things,
As carries them into an ecstasy,
And hear such heavenly notes, and carollings
Of God's high praise, that fills the brazen sky;
And feel such joy and pleasure inwardly,
That maketh them all worldly cares forget,
And only think on that before them set.
Ne from thenceforth doth any fleshly sense,
Or idle thought of earthly things, remain;
But all that erst seem'd sweet seems now offence,
And all that pleased erst now seems to pain;
Their joy, their comfort, their desire, their gain,
Is fixed all on that which now they see;
All other sights but feigned shadows be.
And that fair lamp, which useth to inflame
The hearts of men with self-consuming fire
Thenceforth seems foul, and full of sinful blame;
And all that pomp to which proud minds aspire
By name of honour, and so much desire,
Seems to them baseness, and all riches dross,
And all mirth sadness, and all lucre loss.
So full their eyes are of that glorious sight,
And senses fraught with such satiety,
That in nought else on earth they can delight,
But in th' aspect of that felicity,
Which they have written in their inward eye;
On which they feed, and in their fastened mind
All happy joy and full contentment find.
Ah, then, my hungry soul, which long hast fed
On idle fancies of thy foolish thought,
And, with false beauty's flatt'ring bait misled,
Hast after vain deceitful shadows sought,
Which all are fled, and now have left thee nought
50
But late repentance through thy follies prief;
Ah cease to gaze on matter of thy grief:
And look at last up to that sovereign light,
From whose pure beams all perfect beauty springs,
That kindleth love in every godly sprite,
Even the love of God, which loathing brings
Of this vile world and these gay-seeming things;
With whose sweet pleasures being so possest,
Thy straying thoughts henceforth for ever rest.
~ Edmund Spenser,
1445: V - AUERBACH'S CELLAR IN LEIPZIG
CAROUSAL OF JOLLY COMPANIONS

FROSCH

Is no one laughing? no one drinking?
I'll teach you how to grin, I'm thinking.
To-day you're like wet straw, so tame;
And usually you're all aflame.

BRANDER

Now that's your fault; from you we nothing see,
No beastliness and no stupidity.

FROSCH

(Pours a glass of wine over BRANDER'S head.)
There's both together!

BRANDER

Twice a swine!

FROSCH

You wanted them: I've given you mine.

SIEBEL

Turn out who quarrelsout the door!
With open throat sing chorus, drink and roar!
Up! holla! ho!

ALTMAYER

Woe's me, the fearful bellow!
Bring cotton, quick! He's split my ears, that fellow.

SIEBEL

When the vault echoes to the song,
One first perceives the bass is deep and strong.

FROSCH

Well said! and out with him that takes the least offence!
Ah, tara, lara da!

ALTMAYER

Ah, tara, lara, da!

FROSCH

The throats are tuned, commence!

(Sings.)

The dear old holy Roman realm,
How does it hold together?

BRANDER

A nasty song! Fie! a political song
A most offensive song! Thank God, each morning, therefore,
That you have not the Roman realm to care for!
At least, I hold it so much gain for me,
That I nor Chancellor nor Kaiser be.
Yet also we must have a ruling head, I hope,
And so we'll choose ourselves a Pope.
You know the quality that can
Decide the choice, and elevate the man.

FROSCH
(sings)

Soar up, soar up, Dame Nightingale!
Ten thousand times my sweetheart hail!

SIEBEL

No, greet my sweetheart not! I tell you, I'll resent it.

FROSCH

My sweetheart greet and kiss! I dare you to prevent it!

(Sings.)

Draw the latch! the darkness makes:
Draw the latch! the lover wakes.
Shut the latch! the morning breaks

SIEBEL

Yes, sing away, sing on, and praise, and brag of her!
I'll wait my proper time for laughter:
Me by the nose she led, and now she'll lead you after.
Her paramour should be an ugly gnome,
Where four roads cross, in wanton play to meet her:
An old he-goat, from Blocksberg coming home,
Should his good-night in lustful gallop bleat her!
A fellow made of genuine flesh and blood
Is for the wench a deal too good.
Greet her? Not I: unless, when meeting,
To smash her windows be a greeting!

BRANDER (pounding on the table)

Attention! Hearken now to me!
Confess, Sirs, I know how to live.
Enamored persons here have we,
And I, as suits their quality,
Must something fresh for their advantage give.
Take heed! 'Tis of the latest cut, my strain,
And all strike in at each refrain!

(He sings.)

There was a rat in the cellar-nest,
Whom fat and butter made smoother:
He had a paunch beneath his vest
Like that of Doctor Luther.
The cook laid poison cunningly,
And then as sore oppressed was he
As if he had love in his bosom.

CHORUS (shouting)

As if he had love in his bosom!

BRANDER

He ran around, he ran about,
His thirst in puddles laving;
He gnawed and scratched the house throughout.
But nothing cured his raving.
He whirled and jumped, with torment mad,
And soon enough the poor beast had,
As if he had love in his bosom.

CHORUS

As if he had love in his bosom!

BRANDER

And driven at last, in open day,
He ran into the kitchen,
Fell on the hearth, and squirming lay,
In the last convulsion twitching.
Then laughed the murderess in her glee:
"Ha! ha! he's at his last gasp," said she,
"As if he had love in his bosom!"

CHORUS

As if he had love in his bosom!

SIEBEL

How the dull fools enjoy the matter!
To me it is a proper art
Poison for such poor rats to scatter.

BRANDER

Perhaps you'll warmly take their part?

ALTMAYER

The bald-pate pot-belly I have noted:
Misfortune tames him by degrees;
For in the rat by poison bloated
His own most natural form he sees.

FAUST AND MEPHISTOPHELES

MEPHISTOPHELES

Before all else, I bring thee hither
Where boon companions meet together,
To let thee see how smooth life runs away.
Here, for the folk, each day's a holiday:
With little wit, and ease to suit them,
They whirl in narrow, circling trails,
Like kittens playing with their tails?
And if no headache persecute them,
So long the host may credit give,
They merrily and careless live.

BRANDER

The fact is easy to unravel,
Their air's so odd, they've just returned from travel:
A single hour they've not been here.

FROSCH

You've verily hit the truth! Leipzig to me is dear:
Paris in miniature, how it refines its people!

SIEBEL

Who are the strangers, should you guess?

FROSCH

Let me alone! I'll set them first to drinking,
And then, as one a child's tooth draws, with cleverness,
I'll worm their secret out, I'm thinking.
They're of a noble house, that's very clear:
Haughty and discontented they appear.

BRANDER

They're mountebanks, upon a revel.

ALTMAYER

Perhaps.

FROSCH

Look out, I'll smoke them now!

MEPHISTOPHELES (to FAUST)

Not if he had them by the neck, I vow,
Would e'er these people scent the Devil!

FAUST Fair greeting, gentlemen!

SIEBEL

Our thanks: we give the same.
(Murmurs, inspecting MEPHISTOPHELES from the side.)
In one foot is the fellow lame?

MEPHISTOPHELES

Is it permitted that we share your leisure?
In place of cheering drink, which one seeks vainly here,
Your company shall give us pleasure.

ALTMAYER

A most fastidious person you appear.

FROSCH

No doubt 'twas late when you from Rippach started?
And supping there with Hans occasioned your delay?

MEPHISTOPHELES

We passed, without a call, to-day.
At our last interview, before we parted
Much of his cousins did he speak, entreating
That we should give to each his kindly greeting.

(He bows to FROSCH.)

ALTMAYER (aside)

You have it now! he understands.

SIEBEL

A knave sharp-set!

FROSCH

Just wait awhile: I'll have him yet.

MEPHISTOPHELES

If I am right, we heard the sound
Of well-trained voices, singing chorus;
And truly, song must here rebound
Superbly from the arches o'er us.

FROSCH

Are you, perhaps, a virtuoso?

MEPHISTOPHELES

O no! my wish is great, my power is only so-so.

ALTMAYER

Give us a song!

MEPHISTOPHELES

If you desire, a number.

SIEBEL

So that it be a bran-new strain!

MEPHISTOPHELES

We've just retraced our way from. Spain,
The lovely land of wine, and song, and slumber.

(Sings.)

There was a king once reigning,
Who had a big black flea

FROSCH

Hear, hear! A flea! D'ye rightly take the jest?
I call a flea a tidy guest.

MEPHISTOPHELES (sings)

There was a king once reigning,
Who had a big black flea,
And loved him past explaining,
As his own son were he.
He called his man of stitches;
The tailor came straightway:
Here, measure the lad for breeches.
And measure his coat, I say!

BRANDER

But mind, allow the tailor no caprices:
Enjoin upon him, as his head is dear,
To most exactly measure, sew and shear,
So that the breeches have no creases!

MEPHISTOPHELES

In silk and velvet gleaming
He now was wholly drest
Had a coat with ribbons streaming,
A cross upon his breast.
He had the first of stations,
A minister's star and name;
And also all his relations
Great lords at court became.

And the lords and ladies of honor
Were plagued, awake and in bed;
The queen she got them upon her,
The maids were bitten and bled.
And they did not dare to brush them,
Or scratch them, day or night:
We crack them and we crush them,
At once, whene'er they bite.

CHORUS (shouting)

We crack them and we crush them,
At once, whene'er they bite!

FROSCH Bravo! bravo! that was fine.

SIEBEL

Every flea may it so befall!

BRANDER

Point your fingers and nip them all!

ALTMAYER

Hurrah for Freedom! Hurrah for wine!

MEPHISTOPHELES

I fain would drink with you, my glass to Freedom clinking,
If 'twere a better wine that here I see you drinking.

SIEBEL

Don't let us hear that speech again!

MEPHISTOPHELES

Did I not fear the landlord might complain,
I'd treat these worthy guests, with pleasure,
To some from out our cellar's treasure.

SIEBEL

Just treat, and let the landlord me arraign!

FROSCH

And if the wine be good, our praises shall be ample.
But do not give too very small a sample;
For, if its quality I decide,
With a good mouthful I must be supplied.

ALTMAYER (aside)

They're from the Rhine! I guessed as much, before.

MEPHISTOPHELES

Bring me a gimlet here!

BRANDER

What shall therewith be done?
You've not the casks already at the door?

ALTMAYER

Yonder, within the landlord's box of tools, there's one!

MEPHISTOPHELES (takes the gimlet)

(To FROSCH.)

Now, give me of your taste some intimation.

FROSCH

How do you mean? Have you so many kinds?

MEPHISTOPHELES

The choice is free: make up your minds.

ALTMAYER (to FROSCH)

Aha! you lick your chops, from sheer anticipation.

FROSCH

Good! if I have the choice, so let the wine be Rhenish!
Our Fatherl and can best the sparkling cup replenish.

MEPHISTOPHELES

(boring a hole in the edge of the table, at the place where
FROSCH sits)

Get me a little wax, to make the stoppers, quick!

ALTMAYER

Ah! I perceive a juggler's trick.

MEPHISTOPHELES (to BRANDER)

And you?

BRANDER

Champagne shall be my wine,
And let it sparkle fresh and fine!

MEPHISTOPHELES

(bores: in the meantime one has made the wax stoppers, and
plugged the holes with them.)

BRANDER

What's foreign one can't always keep quite clear of,
For good things, oft, are not so near;
A German can't endure the French to see or hear of,
Yet drinks their wines with hearty cheer.

SIEBEL

(as MEPHISTOPHELES approaches his seat)
For me, I grant, sour wine is out of place;
Fill up my glass with sweetest, will you?

MEPHISTOPHELES (boring)

Tokay shall flow at once, to fill you!

ALTMAYER

Nolook me, Sirs, straight in the face!
I see you have your fun at our expense.

MEPHISTOPHELES

O no! with gentlemen of such pretence,
That were to venture far, indeed.
Speak out, and make your choice with speed! With what a vintage can I serve you?

ALTMAYER

With anyonly satisfy our need.

(After the holes have been bored and plugged)

MEPHISTOPHELES (with singular gestures)

Grapes the vine-stem bears,
Horns the he-goat wears!
The grapes are juicy, the vines are wood,
The wooden table gives wine as good!
Into the depths of Nature peer,
Only believe there's a miracle here!

Now draw the stoppers, and drink your fill!

ALL

(as they draw out the stoppers, and the wine which has been
desired flows into the glass of each)

O beautiful fountain, that flows at will!

MEPHISTOPHELES

But have a care that you nothing spill!

(They drink repeatedly.)

ALL (sing)

As 'twere five hundred hogs, we feel
So cannibalic jolly!

MEPHISTOPHELES

See, now, the race is happyit is free!

FAUST

To leave them is my inclination.

MEPHISTOPHELES

Take notice, first! their bestiality
Will make a brilliant demonstration.

SIEBEL

(drinks carelessly: the wine spills upon the earth, and turns to
flame)

Help! Fire! Help! Hell-fire is sent!

MEPHISTOPHELES (charming away the flame)

Be quiet, friendly element!

(To the revellers)

A bit of purgatory 'twas for this time, merely.

SIEBEL

What mean you? Wait!you'll pay for't dearly!
You'll know us, to your detriment.

FROSCH

Don't try that game a second time upon us!

ALTMAYER

I think we'd better send him packing quietly.

SIEBEL

What, Sir! you dare to make so free,
And play your hocus-pocus on us!

MEPHISTOPHELES

Be still, old wine-tub.

SIEBEL

Broomstick, you!
You face it out, impertinent and heady?

BRANDER

Just wait! a shower of blows is ready.

ALTMAYER

(draws a stopper out of the table: fire flies in his face.)
I burn! I burn!

SIEBEL

'Tis magic! Strike
The knave is outlawed! Cut him as you like!
(They draw their knives, and rush upon MEPHISTOPHELES.)

MEPHISTOPHELES (with solemn gestures)

False word and form of air,
Change place, and sense ensnare!
Be here and there!

(They stand amazed and look at each other.)

ALTMAYER

Where am I? What a lovely land!

FROSCH

Vines? Can I trust my eyes?

SIEBEL

And purple grapes at hand!

BRANDER

Here, over this green arbor bending,
See what a vine! what grapes depending!

(He takes SIEBEL by the nose: the others do the same reciprocally,
and raise their knives.)

MEPHISTOPHELES (as above)

Loose, Error, from their eyes the band,
And how the Devil jests, be now enlightened!

(He disappears with FAUST: the revellers start and separate.)

SIEBEL

What happened?

ALTMAYER

How?

FROSCH

Was that your nose I tightened?

BRANDER (to SIEBEL)

And yours that still I have in hand?

ALTMAYER

It was a blow that went through every limb!
Give me a chair! I sink! my senses swim.

FROSCH

But what has happened, tell me now?

SIEBEL

Where is he? If I catch the scoundrel hiding,
He shall not leave alive, I vow.

ALTMAYER

I saw him with these eyes upon a wine-cask riding
Out of the cellar-door, just now.
Still in my feet the fright like lead is weighing.
(He turns towards the table.)

Why! If the fount of wine should still be playing?

SIEBEL

'Twas all deceit, and lying, false design!

FROSCH

And yet it seemed as I were drinking wine.

BRANDER

But with the grapes how was it, pray?

ALTMAYER

Shall one believe no miracles, just say!


~ Johann Wolfgang von Goethe, AUERBACHS CELLAR
,
1446:Sacred And Profane Love
In the dark shadow of the windless pines
Whose gloomy glory lines the obsequies
Of the gaunt Claudian Aqueduct along
The lone Campagna to sepulchral Rome,
A Northern youth, companionless, reclined,
Pondering on records of the Roman Past,
Kingdom, Republic, Empire, longwhile gone.
Hard-by, through marble tomb revivified,
Rippled and bubbled water crystalline,
Inwelling from the far-off Sabine hills.
When lo! upon the tomb's deep-dinted rim
Slowly there broadened on his gaze two shapes,
Material embodiment of those
The great Venetian in resplendent hues
Upon the canvas lastingly portrayed,
Christened by fame Profane and Sacred Love.
One was in rich habiliments arrayed,
With dimpling folds about her rounded limbs,
And heaving corset of embossed brocade,
Compressing beaker for her brimming breasts.
Jewels were in her hair, jewels entwined
Themselves round her columnar throat, and thus
On him she gazed unshrinkingly, and seemed
Sensuous seduction irresistible.
The other in nude innocency clad,
All save veined vineleaf cincture round her waist,
Sate with her gaze averted, and beheld
Only her image trembling in the wave.
Her had he fain accosted, but the dread
Of violating her aloofness checked
The movement of his mind, and held him mute.
So to the One resplendently enrobed,
Familiarly fearless as herself,
He turned, albeit his thought was otherwhere,
As elsewhere his desire, and boldly said:
``If with your earthly seeming be conjoined
Gift and capacity of earthly speech,
Speak to me, earthly, an you will, and break
The all too spacious silence with your voice.''
383
Her curving lips, whose fulness seemed to pledge
Intoxicating kisses, drooped apart,
And to her orbs upsurged volcanic fire,
As she with prompt unhesitating voice,
Commanding more than musical, rejoined.
Whereat that Other ever and anon
Would for a moment turn to him her face,
To note the interpretation of his heart
And wavering of his will, and then once more
Her look averted to the Sabine hills,
And cloudless vault of overarching Heaven.
Profane Love speaks
``I am the Goddess mortals call Profane,
Yet worship me as though I were divine;
Over their lives, unrecognised, I reign,
For all their thoughts are mine.
``I was coeval with the peopled Earth,
And, while it lasts, I likewise shall endure,
For Destiny endowed me at my birth
With every mundane lure.
``Men rear no marble temple to my name,
No statues mould in Minster or in mart,
Yet in their longings silently proclaim
My throne is on their heart.
``Unto the phantom Deities of air
They pay lip homage, carven altars raise,
To these bow down with ceremonial prayer,
And sycophantic praise.
``With them I kneel, but neither praise nor pray,
While tapers burn, hymns float, and organ rolls,
Because I know that there too can I sway
And stupefy their souls.
``Their pompous flatteries are not for me,
My panegyric is the secret sigh:
Wherefore should mortals monuments decree
To Me who cannot die?
384
``I am the fountain of wealth, titles, power,
'Tis I ordain the pedestal and bust,
When there doth toll the inevitable hour,
The hour of death and dust.
``Ruby, and pearl, and diamond, and the ore
Torn from the entrails of the Earth, are mine;
Mine are the cargoes shipped from shore to shore,
Spices, and silks, and wine:
``Wherewith men buy what crafty barter brings,Greater the gain, more hazardous the risks,Toil from the many, coronets from Kings,
And lust from odalisques.
``If such content not, since your hopes aspire
On heights of popularity to tower,
I can conduct you on yet swifter tire
To winning-peak of Power.
``Then without scruple, pity, or restraint,
Cleave you your conquering way; for there is nought,
Of all that worldlings crave and hirelings paint,
But can be seized or bought.
``Myriads from mine and furrow, quay and loom,
Shall congregate to hear you pledge and prate,
Hailing you heaven-sent warder-off of gloom,
And Saviour of the State.
``And lissom sirens, temptingly attired,
With heartless hearts, self-seeking as your own,
By your sonorous phrases will be fired,
And gather round your throne.
``Platform and Senate, Cabinet and Court,
You shall cajole, convert, or overawe;
Whithersoe'er you speciously disport,
Your wordy Will be law.
``But many and many a worshipper have I,
385
So cannot grant monopoly of power:
Others there be who fain would climb as high
As you, and have their hour.
``Then their ambition with your own will shock,
And they awhile on foremost seat may reign:
Men's favour is a quicksand, not a rock,
And veers like gust and vane.
``Then must you with invectives fume and rage
All through the land, denouncing evil times,
With histrionic passion; 'tis a stage
For mountebanks and mimes``Slandering the foes who slander you, and so,
If thousands hate, thousands will hail, your name,
Till you in notoriety shall grow,
The herd confound with Fame.
``Them that o'erwhelm, vindictiveness o'erwhelms,
So nought shall you from Fortune's wheel entice,
Gambling for Self's predominance with Realms
And Empires for your dice.
``If with the years male energy should wane,
Orders and honours on you shall be shed:
Thus will you still in man's remembrance reign,
A halo round your head.
``And when at length the End of all life's ends
Doth with the little lay the mighty down,
And domination finally descends
Graveward without its Crown,
``Processions populous, bedizened hearse,
And mourners ermined shall your dust convey
To pompous tomb, and vying prose and verse
Protract your little day.
``What though your name grow faint, as time recedes,
Like scarce-heard wave upon a far-off shore,
And wax the record of your words and deeds
386
A voice and nothing more,
``You will have drained all that the world can give,
All boons and blandishments of Love Profane,
Success and homage, for which sane men live,
And all the rest is vain.''
She ceased; and, as she ceased, then Sacred Love,
That ever and anon meanwhile had bent
On him her look, and smilingly surmised,
From his vague gaze and inattentive ears,
That he was only waiting for Her voice,
Like to the moon fleeting through fleecy clouds,
Her undissembled beauty on him bared,
And with a voice like sylvan rivulet
That haunts the woodlands, muffled half by leaves,
Serene and slow with silvery clearness spake.
``In the unseen first-fostering of breath
Whose secret is by Science vainly sought,
Uncertain borderland 'twixt Life and Death,
I share the silence of the Mother's thought.
``Her love is not more anxious than is mine,
Together we await the human cry,
For even then I, Sacred Love, divine
If it will grow to voice that may not die.
``And I its foster-mother am, and feed
Its suckling dreams, and watch it waxing strong,
Giving it for its plaything moorland reed,
That it may grow and ripen into Song.
``For Love Profane doth sleeplessly await
Its coming, to mislead it on its way,
Whispering, `Become what Greatness deemeth great,
Till mighty Rulers recognise your sway.'
``I listened tremblingly while Love Profane
Strove to entice you to the worldling's throne,
Along the worldling's way, but strove in vain.
Now hath She gone, and we are here alone.''
387
His gaze that had on Her who thuswise spake
Fastened, since indivisibly intent
Upon the cadence of her voice, quick turned
At these last words, to look for Love Profane.
But lo! its effigy from marble rim
Had vanished, like the face of Roman sway,
Kingship, Republic, Empire; and the flow
Of water welling through the rifled tomb
Was the sole sound he heard, until her voice
Melodiously measured, spake once more.
``Rise and come near to me, and take my hand,
And lay your cheek against my cheek, for sign
That you henceforth will know and understand
That all the children of the Muse are mine.
``Your parent am I, though I seem so young,
It is my birthright never to grow old;
Young shall I keep so long as songs are sung,
By such fresh offspring gladdened and consoled.
``I was beside the font when you were brought
Into the granite-pillared House of Prayer;
Smiled at your loneliness when first you sought
To sing away your load of childish care.
``Rapture maternal fluttered in my heart
When you yourself disdainfully denied
What worldlings prize, and chose the better part,
Wending where now I find you at my side.
``I know your present sorrow, since you fear
I have forsaken you and left you lone,
And Rome has silenced what you held so dear.
Wait! from the unseen seed the flower is grown.
``Rome is the tomb of Heroes, and of Kings,
Consuls, and conquerors, and world-wide sway:
What wonder, should it silence him that sings
Before he learns what he must sing and say?
388
``But you may live and die, a Voice unheard:
I promise not what I can not fulfil:
Only,-in the Beginning was the Word,
It was with God, and it is godlike still.
``But unto you, as unto all my line,
Or strong or weak, resounding or obscure,
I pledge the gifts inalienably mine,
Gifts that content and pleasures that endure:
``Companionship of woodlands, hills, and streams,
And gentle womenkind, to whom you owe
Youth in your heart, and shaping of your dreams,
And these will teach what more you need to know.
``Nature's still fresh society will keep
Your feelings young, as you each April follow
Coy maiden Spring, when she awakes from sleep
In windflower dell and primrose pillowed hollow:
``Watch Autumn wax in splendour day by day,
Then, slowly yielding unto Time's assault,
Her moribund magnificence decay,
To sleep entombed in Winter's icy vault;
``And when the boughs stretch bare and fallows hoar,
And plovers wheel about the moorland wide,
Hear the pinched wind wailing through chink and door,
With piteous prayer to share the warm fireside.
``Nature's capriciousness leaves just the same
Her inmost self; she does nor change nor veer;
Just as the seasons lend, with varying name,
Their contrast to the oneness of the year.
``The Poet's love no base-bred difference knows
Of high and low, the peasant and the peer,
Save that his tenderness more heed bestows
On humble sorrow than luxurious tear.
``Childhood's keen questioning, Youth's gropings blind,
Manhood's ambition, Age's graver part,
389
Alike can move his understanding mind,
And rouse his promptly sympathising heart.
``Here, 'mid the ruins that you now behold,
You will imbibe the meaning of the Past,
Learning to weigh the new by what is old,
The things that perish, and the things that last.
``Instructed thus, keep severed in your mind
The Passing from the Permanent, and prize
Only the precious heirlooms of Mankind,
Thought that ennobles, Art that vivifies.
``Vex not your mind with riddles that beguile
The unwise to wrangle over things unknown.
'Tis not for Song to enrage, but reconcile,
So to the Tower of Babel add no stone.
``But while from futile feuds you dwell apart,
Never forget to render what is due,
In hour of need, from manly hand and heart,
To the male Land whose soil engendered you.
``Should opulence, and ease, and base desire
Deaden effeminate ears to just alarms,
Sound all the clanging octaves of the lyre,
And rouse a nation's manhood unto arms,
``Save only then, no clamorous crowds must mar
The musing silence of secluded days,
Whose course should journey quiet as a star,
That moves alone along Heaven's trackless ways.
``Then will you 'mid deserted Abbey walls
Hear both the matin and the vesper bell,
The girdled Brothers chanting in their stalls,
And see the Prior praying in his cell.
``The Present and the Past shall seem but one,
Kingdoms, and Creeds, and Sceptres, passed away,
Stand out, in retrospection's noonday sun,
As Kingdoms, Creeds, and Sceptres, of to-day.
390
``In the fair hospitable Tuscan Land,
Where Raphael and Donatello wrought,
Sojourn, and ponder till you understand
The masculine restraint themselves were taught``Taught by the disentombed Minervan mind
That, in the days still governing if gone,
Within the rugged Parian block divined
Majestic calmness of the Parthenon.
``And when, departing hence, you wandering wend
Where the brief Attic splendour dawned and shone,
Pray to Athene she to you will lend
The golden curb she lent Bellerophon.
``Nor be the Hill Hellenic sculptors trod
Your one sole haunt, but, let who will condemn,
Kneel at all altars `To the Unknown God,'
Alike at Athens or Jerusalem.
``Siren and seraph, athlete, anchorite,
Saints of the cloister, satyrs of the grove,
In one and all seek meaning and delight,
Reigning Jehovah, abdicated Jove.
``Deem not the Oracles to-day are dumb;
They from their graves the World's course still forecast,
From things long gone expound the things to come,
And prophesy the Future from the Past.
``And not from Gothic shrine and classic urn,
From dome, or spire, or portico alone,
Study the mystery of Art, but learn
From each in turn to apprehend your own.
``Not least from its loved twin, melodious sound,
The universal unseen soul of things,
Whose utterance men invoke when words are found
Powerless to frame their vague imaginings.
``And, when the riper Youth that men call Age
391
Welcomes the closing dispensation, death,
Song that soothes sorrow and makes suffering sage,
Shall linger with you till your farewell breath.
``Not crowded aisle and ceremonial nave
Claim those that have from me life's lesson learned.
Who best have loved them bear them to their grave,
Where they near home lie `quietly inurned.'''
Then, like the cadence of a closing song,
Her soft voice sank to silence, and he felt
Her arms fold round him, and so widened his,
Eager to share in privileged embrace:
When, lo! the vision vanished with the voice,
And all he saw were the calm Sabine hills,
And all he heard, the lisping of the wave
Clear-welling through the rifled marble tomb.
But all She had said sank deep into his heart,
And what She said is truly written here.
~ Alfred Austin,
1447:Monadnoc
Thousand minstrels woke within me,
Our music's in the hills;
Gayest pictures rose to win me,
Leopard-colored rills.
Up!If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;
Up!where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an arial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magicians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dullness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone
Each can only take his own.
Let him heed who can and will,
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile erect
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime grope,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Monadnoc
,
1448:The Charnel Rose: A Symphony
She rose in moonlight, and stood, confronting sea,
With her bare arms uplifted,
And lifted her voice in the silence foolishly:
And her face was small, and her voice was small.
'O moon!' she cried, 'I think how you must tire
Forever circling earth, so silently;
Earth, who is dark and makes you no reply.'
She only heard the little waves rush and fall;
And saw the moon go quietly down the sky.
Like a white figurehead in the seafaring wind,
She stood in the moonlight,
And heard her voice cry, ghostly and thinned,
Over the seethe of foam,
Saying, 'O numberless waters, I think it strange
How you can always shadow her face, and change
And yet never weary of her, having no ease.'
But the sea said nothing, no word at all:
Unquietly, as in sleep, she saw it rise and fall;
And the moon spread a net of silver over the foam.
She lifted her hands and let them fall again,
Impatient of the silence. And in despair,
Hopeless of final answer against her pain,
She said, to the stealthy air,
'O air, far traveller, who from the stars are blown,
Float pollen of suns, you are an unseen sea
Lifting and bearing the words, eternally.
O air, do you not weary of your task?'
- She stood in the silence, frightened and alone,
And heard her syllables ask and ask.
And then, as she walked in the moonlight, so alone,
Lost and small in a soulless sea,
Hearing no voice make answer to her own,
From that infinity, Suddenly she was aware of a low whisper,
A dreadful heartless sound; and she stood still, There in the beach grass, on a sandy hill, -
145
And heard the stars, making a ghostly whisper;
And the soulless whisper of sun and moon and tree;
And the sea, rising and falling with a blind moan.
And as she faded into the night,
A glimmer of white,
With her arms uplifted and her face bowed down;
Sinking, again, into the sleep of sands,
The sea-sands white and brown;
Or among the sea-grass rustling as one more blade,
Pushing before her face her cinquefoil hands;
Or sliding, stealthy as foam, into the sea,
With a slow seethe and whisper:
Too late to find her, yet not too late to see,
Came he, who sought forever unsatisfied,
And saw her enter and shut the darkness,
Desired and swift,
And caught at the rays of the moon, yet found but darkness,
Caught at the flash of his feet, to fill his hands
With the sleepy pour of sands.
'O moon!' he said: 'was it you I followed?
You, who put silver madness into my eyes? -'
But he only heard, in the dark, a stifled laughter,
And the rattle of dead leaves blowing.
'O wind! -' he said - 'was it you I followed?
Your hand I felt against my face? -'
But he only heard, in the dark, a stifled laughter,
And shadows crept past him. with furtive pace,
Breathing night upon him; and one by one
The ghosts of leaves flew past him, seeking the sun.
And a silent star slipped golden down the darkness,
Down the great wall, leaving no trace in the sky,
And years went with it, and worlds. And he dreamed still
Of a fleeter shadow among the shadows running,
Foam into foam, without a gesture or cry,
Leaving him there, alone, on a lonely hill.
I. Part 2
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Evening: in the twilight town
One by one the stars stepped down,
Each to assume his destined place:
And there he saw the destined face.
Her eyes were void, here eyes were deep:
She came like one who moved in sleep:
And when she looked across the night
Beneath, among, those points of light,
Into his heart she shot a pang,
As if a voice within him sang,
Sang and was silent. Down the street,
And lost in darkness, fled the feet;
Ambiguous, the street-lamp's gleam
Mocked at her eyes, and then the dream
From shuttered window, shadowed hall,
Chuckled beyond a lampless wall.
Among the crowding lights he went,
Where faces massed like lillies blent,
And this time plucked and made his own
Above snarled music's undertone:
Breathing the perfume of her hair,
He touched her arm, but suddenly there
As in a dance of shadows fleeing
(His eyes were shut for fear of seeing)
He watched red roses dropt apart
Each to disclose a charnel heart.
Ghostly with powder in the night,
Her hand upon his arm was white:
Her gown was light, and lightly blew,
A gauze of flame it burned him through.
Under the singing lamp she stood,
And smiled in subtly fugitive mood,
From depth to depth of wingless skies
Withdrawing batlike down her eyes:
And in his heart an echo came
Of quick dust quaking under flame.
Pale walls enclosed light shed
A yellow flicker across the bed.
147
Loud steps rang through the street, and then
The hush of night grew deep again.
Two shadows on the wall made one What human walls were here flung down,
The light extinguished as in pain,
The weak light dying in the brain?
Green leaves pushed up through yielding air
Greedy for life she loosed her hair
With conscious and indifferent hands.
. . . High on his cliff, above hard sands,
He saw the moonlit ocean come
In ever-inward rings of foam,
Heard them break to shoot and seethe
Ever inward far beneath:
The ringed horizon rhythmic coming
And in the moonlight silent foaming:
But the dream changed: thick minutes dripped:
Between his fingers a fleet light slipped:
Was gone, was lost:
And on the sand, or in his brain,
He saw red roses fall again:
Rose-wreathed skeletons advanced
And clumsily lifted foot and danced:
And he saw the roses drop apart
Each to disclose a charnel heart.
Whose were these loathed and empty eyes?
Who, falling, in these wingless skies?
This was not she: he rose, withdrew:
One shadow on the wall made two,
The human walls stood up again:
Far in the night, or in his brain,
He heard her whisper, felt her pass,
Shadow of spirit over glass.
I. Part 3
And a silent star slipped golden down the darkness,
Taking his life with it, like a little cloud
Consumed in fire and speed, diffused in darkness:
Tangled and caught together, the days, the years,
His voice, his lifted hands,
148
Were ravelled and sped; where, by the sea, he bowed
And dreamed of the foam that crept back into the sea,
And the wandering leaves that crept back into the tree.
I. Part 4
Roses, he thought, were kin to her,
Pure text of dust; and learning these
He might more surely win to her,
Speak her own tongue to pledge and please.
What vernal kinship, then, was this
That spoke and perished in a breath?
In leaves, she was near enough to kiss,
And yet, impalpable as death.
Spading dark earth, he tore apart
Exquisite roots: she fled from him.
Her stigma, in the crocus heart,
Probed for delicately, would swim
Lazily faint away on air,
Not to be caught or held: she fled
Before him, wavering, everywhere,
A summer's secret behind he shed.
Music? He found it under earth,
Quick veins of fire: he heard her sing.
Upward it broke, a springing mirth,
A fugitive and amazing thing,
It flashed before his crazy feet,
He danced upon it, it would not stay,
His hands against its brightness beat,
But still it broke in light away.
O bird - he cried - if bird you are,
Keep still those frantic wings a while! . . .
Thus dancing for the evening star,
In hope to capture it by guile.
I. Part 5
The moon rose, and the moon set;
And the stars rushed up and whirled and set;
And again they swarmed, after a shaft of sunlight;
And the dark blue dusk closed above him, like an ocean of regret.
149
White trident fires were lit on the tops of towers;
Monstrous and black the towers broke the sky.
The ghostly fountain shot and tumbled in showers;
Gaunt leaves turned down above it, thirstily.
The gold fish, and the fish with fins of silver,
Quivered in lamplight, rose with sinister eye,
And darted into the darkness, silently.
The faces that looked at him were his own faces,
They streamed along the streets, they licked like fire,
Flowed with undulant paces,
Reflected in the darkness stared at him,
Contemplative, despairing,
Swept silently aside, becoming dim,
With a vague impotent gesture at the sky,
Uncontrolled and little caring;
And he watched them with an introspective eye.
To shape this world of leaderless ghostly passions Or else be mobbed by it - there was the question:
Green leaves above him whispered the slow question,
Black ripples on the pool chuckled of passions.
And between the uneasy shoulders of two trees,
Huge, against impalpable gust of blue,
A golden star slid down to leafy seas,
A star he somehow knew.
Youths tripped after him, laughing, but he fled them:
He heard them mock him, in affected tones.
Their lamia mouthes, so smiling, bade him fear them.
His own face leered at him, with timid lust,
Was overwhelmed in night.
He turned aside, and walked in graveyard dust, In the dew-dabbled, clinging dust, And terror seized him, seeing the stones so white;
And the wet grass, frozen and motionless in the moonlight;
And the green-tongued moonlight, crawling in thick dust.
Was it murky vapor, here, that dulled the stars? Or his own guilty breath that clouded heaven? Pale hands struck down with spades.
And it was he, with dew upon his face,
150
Who dug the foul earth in that dripping place,
Turning his back on heaven.
And it was he who found the desired dead;
And kissed the languid head;
While shadows frisked about him in moonlight,
Whirled and capered and leapt,
Caught each other and mimicked lust in the moonlight,
In the dew-wet dust, above the dead who slept.
But this - was it this he rose from and desired?
Black mould of leaves clung wetly about his feet.
He was lost, and alone, and tired,
A mist curled round him coldly, touched his face,
Shadows with eyes were gathering in that place;
And he dreamed of a lamplit street.
But roses fell through the darkness,
They writhed before him out of the mould,
Opened their hearts to pour out darkness,
Darkness of flesh, of lust grown old.
He struggled against them, beat,
Broke them with hands to feel the blood flow warm,
Reeled, when they opened their hearts,
Feeling them with their eyes closed push and swarm,
Thronging about his throat, pressing his mouth,
Beating his temples, choking his breath . . .
Help, you stars! - wet darkness showered upon him.
He was dissolved in a deep cold dream of death.
White fires were lit upon the tops of towers,
The towers shouldered the sky:
The ghostly fountain shot and tumbled in showers,
Gaunt leaves leaned down above it, thirstily.
And he looked with laughter upon the lamplit ripples
Each with its little image of the light,
And thought the minds of men were like black ripples,
Ripples of darkness, darkly huddled in night,
Each of them with its image of lamp or star,
Thinking itself the star.
And it seemed to him, as he looked upon them, laughing,
That he was the star they all in light reflected.
He was the god who had been rejected,
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Stoned and trampled upon a filthy street,
Hung up in lamplight for young men to beat,
Cursed and spat upon; and all for saying
There was no life save life of fast and praying.
Or had he been a beggar, with bare feet?
Or a cruel ascetic, trampling roses down? . . .
Roses are death! he cried. He turned in hatred,
And saw red fires burst up above the town;
And a swarm of faces rising, green with hatred.
And silence descended, on dripping trees:
And dew-spats slowly spat from leaves to stones.
He had walked these gardens, he thought, before.
The fountain chuckled;
The leaves rustled, in whispers, along a shore.
And the moon rose, and the moon set;
And the stars rushed up, and swarmed, and set;
And again they swarmed, after a shaft of sunlight;
And the blue dusk closed above him, like an ocean of regret.
II. Part 1
And at times it seemed,
Walking with her of whom he subtly dreamed,
That her young body was ringed with flame,
Hover of fire,
And that she went and came,
Impalpable fiery blossom of desire,
Into his heart and out of his heart again,
With every breath, and every breath was pain.
And if he touched her hand, she drew away,
Becoming something vast; and stretched her hair
Suddenly, like black rain, across the sun.
Till he grew fearful, seeing her there,
To think that he loved such a one,
Who rose against the sky to shut out day.
But at times it seemed,
Walking with her of whom he subtly dreamed,
(Music beneath the sea)
That she was texture of earth no less than he;
Among the leaves her face
152
Gleamed with familiar grace;
And walking slowly through old gardens,
Among the cool blue cedars,
Spreading her hands in the silent dazzle of sunlight,
Her voice and the air were sweetly married;
Her laughter trembled like music out of the earth;
her body was like the cool blue cedars,
Fragrant in sunlight.
And he quivered, to think that he was the blade, in sunlight,
To flash, and strip these boughs, and spill their fragrance.
Wind hurried the last year's leaves, their shadows hurried,
And clouds blew down the sky.
Where would they be with a year gone by?
Let us be quick: there is time to overcome:
The earth grows old, the moon is already dead,
But you are young, you tremble because you love me,
It is all we have. Let nothing more be said.
What do we care for a star that floats down heaven,
That fiery tear of time?
It spoke to us once, it will not speak again,
It will be no more remembered than last year's rain;
There will be other dusks for us to walk through,
And other stars will float down heaven.
Time is undone: Between our hands it slips,
Goes out between us, the breath upon our lips.
Do not look over your shoulder to see it falling!
Shadows gather and brood, under the trees.
The world grows silent, it listens to hear us walking;
Let the star perish: we wander as we please.
Or is the earth beneath us an old star falling,
Falling through twilight to leafy seas?
The night grows damp: I will take your arm.
Follow the lanterns, lest we come to harm.
IV. Part 6
Twilight: a cold green sky.
Low massed clouds, with dazzling sinister edges,
And a sea gull, falling in high pale sunlight.
153
Dusk, - the encroachment of poisonous shadows,
The leisurely lighting of lamps;
And a gradual silence of restless trees.
Mist of twilight in my heart:
I who was always catching at fire.
Mould of black leaves under my feet;
I, whose star was desire.
Earth spins in her shadow.
Let us turn and go back
To the first of out loves The one who was moonlight and the fall of white roses!
We are struck down, we hear no music.
The moisture of night is in our hands.
Time takes us. We are eternal.
~ Conrad Potter Aiken,
1449:A Poem On The Last Day - Book Iii
The book unfolding, the resplendent seat
Of saints and angels, the tremendous fate
Of guilty souls, the gloomy realms of woe,
And all the horrors of the world below,
I next presume to sing. What yet remains
Demands my last, but most exalted, strains.
And let the Muse or now affect the sky,
Or in inglorious shades for ever lie.
She kindles, she's inflamed so near the goal;
She mounts, she gains upon the starry pole;
The world grows less as she pursues her flight,
And the sun darkens to her distant sight.
Heaven, opening, all its sacred pomp displays,
And overwhelms her with the rushing blaze!
The triumph rings! archangels shout around!
And echoing Nature lengthens out the sound!
Ten thousand trumpets now at once advance;
Now deepest silence lulls the vast expanse;
So deep the silence, and so strong the blast,
As Nature died when she had groan'd her last.
Nor man nor angel moves: the Judge on high
Looks round, and with His glory fills the sky:
Then on the fatal book His hand He lays,
Which high to view supporting seraphs raise;
In solemn form the rituals are prepared,
The seal is broken, and a groan is heard.
And thou, my soul, (O fall to sudden prayer,
And let the thought sink deep!) shalt thou be there?
See on the left, (for by the great command
The throng divided falls on either hand,)
How weak, how pale, how haggard, how obscene!
What more than death in every face and mien!
With what distress, and glarings of affright,
They shock the heart, and turn away the sight!
In gloomy orbs their trembling eye-balls roll,
And tell the horrid secrets of the soul.
25
Each gesture mourns, each look is black with care,
And every groan is loaden with despair.
Reader, if guilty, spare the Muse, and find
A truer image pictured in thy mind.
Shouldst thou behold thy brother, father, wife,
And all the soft companions of thy life,
Whose blended interests levell'd at one aim,
Whose mix'd desires sent up one common flame,
Divided far; thy wretched self alone
Cast on the left, of all whom thou hast known;
How would it wound! What millions wouldst thou give
For one more trial, one day more to live!
Flung back in time an hour, a moment's space,
To grasp with eagerness the means of grace;
Contend for mercy with a pious rage,
And in that moment to redeem an age!
Drive back the tide, suspend a storm in air,
Arrest the sun; but still of this despair.
Mark, on the right, how amiable a grace!
Their Maker's image fresh in every face!
What purple bloom my ravish'd soul admires,
And their eyes sparkling with immortal fires!
Triumphant beauty! charms that rise above
This world, and in bless'd angels kindle love!
To the great Judge with holy pride they turn,
And dare behold the' Almighty's anger burn;
Its flash sustain, against its terror rise,
And on the dread tribunal fix their eyes.
Are these the forms that moulder'd in the dust?
O the transcendent glory of the just!
Yet still some thin remains of fear and doubt
The' infected brightness of their joy pollute.
Thus the chaste bridegroom, when the priest draws nigh,
Beholds his blessing with a trembling eye,
Feels doubtful passions throb in every vein,
And in his cheeks are mingled joy and pain,
Lest still some intervening chance should rise,
Leap forth at once, and snatch the golden prize;
26
Inflame his woe by bringing it so late,
And stab him in the crisis of his fate.
Since Adam's family, from first to last,
Now into one distinct survey is cast;
Look round, vain-glorious Muse, and you whoe'er
Devote yourselves to Fame, and think her fair;
Look round, and seek the lights of human race,
Whose shining acts Time's brightest annals grace;
Who founded sects; crowns conquer'd, or resign'd;
Gave names to nations, or famed empires join'd;
Who raised the vale, and laid the mountain low,
And taught obedient rivers where to flow;
Who with vast fleets, as with a mighty chain,
Could bind the madness of the roaring main:
All lost! all undistinguish'd! nowhere found!
How will this truth in Bourbon's palace sound?
That hour, on which the' Almighty King on high
From all eternity has fix'd His eye,
Whether His right hand favour'd, or annoy'd,
Continued, alter'd, threaten'd, or destroy'd;
Southern or eastern sceptre downward hurl'd,
Gave north or west dominion o'er the world;
The point of time, for which the world was built,
For which the blood of God Himself was spilt,
That dreadful moment is arrived.
Aloft, the seats of bliss their pomp display,
Brighter than brightness this distinguish'd day;
Less glorious, when of old the' eternal Son
From realms of night return'd with trophies won;
Through heaven's high gates when He triumphant rode,
And shouting angels hail'd the victor God.
Horrors, beneath, darkness in darkness, hell
Of hell, where torments behind torments dwell;
A furnace formidable, deep, and wide,
O'er-boiling with a mad sulphureous tide,
Expands its jaws, most dreadful to survey,
And roars outrageous for the destined prey.
The sons of light scarce unappall'd look down,
27
And nearer press Heaven's everlasting throne.
Such is the scene; and one short moment's space
Concludes the hopes and fears of human race.
Proceed who dares!-I tremble as I write;
The whole creation swims before my sight:
I see, I see, the Judge's frowning brow:
Say not, 'tis distant; I behold it now.
I faint, my tardy blood forgets to flow,
My soul recoils at the stupendous woe;
That woe, those pangs, which from the guilty breast,
In these, or words like these, shall be express'd:``Who burst the barriers of my peaceful grave?
Ah, cruel Death! that would no longer save,
But grudged me e'en that narrow dark abode,
And cast me out into the wrath of God;
Where shrieks, the roaring flame, the rattling chain,
And all the dreadful eloquence of pain,
Our only song; black fire's malignant light,
The sole refreshment of the blasted sight.
``Must all those powers Heaven gave me to supply
My soul with pleasure, and bring-in my joy,
Rise up in arms against me, join the foe,
Sense, Reason, Memory, increase my woe?
And shall my voice, ordain'd on hymns to dwell,
Corrupt to groans, and blow the fires of hell?
O! must I look with terror on my gain,
And with existence only measure pain?
What! no reprieve, no least indulgence given,
No beam of hope from any point of heaven?
Ah, Mercy! Mercy! art thou dead above?
Is love extinguish'd in the Source of Love?
``Bold that I am! did Heaven stoop down to hell?
The' expiring Lord of Life my ransom seal?
Have not I been industrious to provoke?
From His embraces obstinately broke?
Pursued, and panted for His mortal hate,
Earn'd my destruction, labour'd out my fate?
And dare I on extinguish'd love exclaim?
28
Take, take full vengeance, rouse the slackening flame;
Just is my lot-but O! must it transcend
The reach of time, despair a distant end?
With dreadful growth shoot forward, and arise,
Where Thought can't follow, and bold Fancy dies?
``NEVER! Where falls the soul at that dread sound?
Down an abyss how dark, and how profound!
Down, down, (I still am falling,-horrid pain!)
Ten thousand thousand fathoms still remain;
My plunge but still begun.-And this for sin?
Could I offend, if I had never been,
But still increased the senseless happy mass,
Flow'd in the stream, or shiver'd in the grass?
``Father of Mercies! why from silent earth
Didst Thou awake, and curse me into birth?
Tear me from quiet, ravish me from night,
And make a thankless present of Thy light?
Push into being a reverse of Thee,
And animate a clod with misery?
``The beasts are happy; they come forth, and keep
Short watch on earth, and then lie down to sleep.
Pain is for man; and O! how vast a pain,
For crimes which made the Godhead bleed in vain,
Annull'd His groans, as far as in them lay,
And flung His agonies and death away!
As our dire punishment for ever strong,
Our constitution too for ever young;
Cursed with returns of vigour, still the same,
Powerful to bear and satisfy the flame;
Still to be caught, and still to be pursued;
To perish still, and still to be renew'd!
``And this, my Help! my God! at Thy decree?
Nature is changed, and hell should succour me.
And canst Thou, then, look down from perfect bliss,
And see me plunging in the dark abyss?
Calling Thee Father in a sea of fire?
Or pouring blasphemies at Thy desire?
With mortals' anguish wilt Thou raise Thy name,
29
And by my pangs Omnipotence proclaim?
``Thou, who canst toss the planets to and fro,
Contract not Thy great vengeance to my woe;
Crush worlds; in hotter flames fallen angels lay:
On me Almighty wrath is cast away.
Call back Thy thunders, Lord, hold-in Thy rage,
Nor with a speck of wretchedness engage:
Forget me quite, nor stoop a worm to blame;
But lose me in the greatness of Thy name.
Thou art all love, all mercy, all Divine;
And shall I make those glories cease to shine?
Shall sinful man grow great by his offence,
And from its course turn back Omnipotence?
``Forbid it! and O! grant, great God, at least
This one, this slender, almost no request:
When I have wept a thousand lives away,
When torment is grown weary of its prey,
When I have raved ten thousand years in fire,
Ten thousand thousand, let me then expire.''
Deep anguish, but too late! The hopeless soul,
Bound to the bottom of the burning pool,
Though loath, and ever loud blaspheming, owns,
He's justly doom'd to pour eternal groans;
Enclosed with horrors, and transfix'd with pain,
Rolling in vengeance, struggling with his chain;
To talk to fiery tempests; to implore
The raging flame to give its burnings o'er;
To toss, to writhe, to pant beneath his load,
And bear the weight of an offended God.
The favour'd of their Judge in triumph move
To take possession of their thrones above;
Satan's accursed desertion to supply,
And fill the vacant stations of the sky;
Again to kindle long-extinguish'd rays,
And with new lights dilate the heavenly blaze;
To crop the roses of immortal youth,
And drink the fountain-head of sacred truth;
30
To swim in seas of bliss, to strike the string,
And lift the voice to their Almighty King;
To lose eternity in grateful lays,
And fill heaven's wide circumference with praise.
But I attempt the wondrous height in vain,
And leave unfinish'd the too lofty strain;
What boldly I begin, let others end;
My strength exhausted, fainting I descend,
And choose a less, but no ignoble, theme,Dissolving elements, and worlds in flame.
The fatal period, the great hour, is come,
And Nature shrinks at her approaching doom;
Loud peals of thunder give the sign, and all
Heaven's terrors in array surround the ball;
Sharp lightnings with the meteors' blaze conspire,
And, darted downward, set the world on fire;
Black rising clouds the thicken'd ether choke,
And spiry flames dart through the rolling smoke,
With keen vibrations cut the sullen night,
And strike the darken'd sky with dreadful light;
From heaven's four regions, with immortal force,
Angels drive-on the wind's impetuous course
To' enrage the flame: it spreads, it soars on high,
Swells in the storm, and billows through the sky:
Here winding pyramids of fire ascend,
Cities and deserts in one ruin blend;
Here blazing volumes, wafted, overwhelm
The spacious face of a far-distant realm;
There, undermined, down rush eternal hills,
The neighbouring vales the vast destruction fills.
Hear'st thou that dreadful crack? that sound which broke
Like peals of thunder, and the centre shook?
What wonders must that groan of Nature tell!
Olympus there, and mightier Atlas, fell;
Which seem'd above the reach of fate to stand,
A towering monument of God's right hand;
Now dust and smoke, whose brow so lately spread
O'er shelter'd countries its diffusive shade.
31
Show me that celebrated spot, where all
The various rulers of the sever'd ball
Have humbly sought wealth, honour, and redress,
That land which Heaven seem'd diligent to bless,
Once call'd Britannia: can her glories end?
And can't surrounding seas her realms defend?
Alas! in flames behold surrounding seas!
Like oil, their waters but augment the blaze.
Some angel say, Where ran proud Asia's bound?
Or where with fruits was fair Europa crown'd?
Where stretch'd waste Libya? Where did India's store
Sparkle in diamonds, and her golden ore?
Each lost in each, their mingling kingdoms glow,
And all, dissolved, one fiery deluge flow:
Thus earth's contending monarchies are join'd,
And a full period of ambition find.
And now whate'er or swims, or walks, or flies,
Inhabitants of sea, or earth, or skies;
All on whom Adam's wisdom fix'd a name;
All plunge and perish in the conquering flame.
This globe alone would but defraud the fire,
Starve its devouring rage: the flakes aspire,
And catch the clouds, and make the heavens their prey;
The sun, the moon, the stars, all melt away;
All, all is lost; no monument, no sign,
Where once so proudly blazed the gay machine.
So bubbles on the foaming stream expire,
So sparks that scatter from the kindling fire.
The devastations of one dreadful hour
The great Creator's six days' work devour.
A mighty, mighty ruin! yet one soul
Has more to boast, and far outweighs the whole;
Exalted in superior excellence,
Casts down to nothing such a vast expense.
Have you not seen the' eternal mountains nod,
An earth dissolving, a descending God?
What strange surprises through all nature ran!
For whom these revolutions, but for man?
32
For him, Omnipotence new measures takes,
For him, through all eternity awakes;
Pours on him gifts sufficient to supply
Heaven's loss, and with fresh glories fill the sky.
Think deeply then, O man, how great thou art;
Pay thyself homage with a trembling heart.
What angels guard, no longer dare neglect;
Slighting thyself, affront not God's respect.
Enter the sacred temple of thy breast,
And gaze, and wander there, a ravish'd guest;
Gaze on those hidden treasures thou shalt find,
Wander through all the glories of thy mind.
Of perfect knowledge, see, the dawning light
Foretells a noon most exquisitely bright!
Here springs of endless joy are breaking forth!
There buds the promise of celestial worth!
Worth, which must ripen in a happier clime,
And brighter sun, beyond the bounds of time.
Thou, minor, canst not guess thy vast estate,
What stores, on foreign coasts, thy landing wait:
Lose not thy claim: let virtue's path be trod;
Thus glad all heaven, and please that bounteous God,
Who, to light thee to pleasures, hung on high
Yon radiant orb, proud regent of the sky;
That service done, its beams shall fade away,
And God shine forth in one eternal day.
~ Edward Young,
1450:The Kalevala - Rune Xxxii
KULLERVO AS A SHEPHERD.
Kullerwoinen, wizard-servant
Of the blacksmith, Ilmarinen,
Purchased slave from Untamoinen,
Magic son with sky-blue stockings.,
With a head of golden ringlets,
In his shoes of marten-leather,
Waiting little, asked the blacksmith,
Asked the host for work at morning,
In the evening asked the hostess,
These the words of Kullerwoinen:
'Give me work at early morning,
In the evening, occupation,
Labor worthy of thy servant.'
Then the wife of Ilmarinen,
Once the Maiden of the Rainbow,
Thinking long, and long debating,
How to give the youth employment,
How the purchased slave could labor;
Finally a shepherd made him,
Made him keeper of her pastures;
But the over-scornful hostess,
Baked a biscuit for the herdsman,
Baked a loaf of wondrous thickness,
Baked the lower-half of oat-meal,
And the upper-half of barley,
Baked a flint-stone in the centre,
Poured around it liquid butter,
Then she gave it to the shepherd,
Food to still the herdsman's hunger;
Thus she gave the youth instructions:
'Do not eat the bread in hunger,
Till the herd is in the woodlands!'
Then the wife of Ilmarinen
Sent her cattle to the pasture,
Thus addressing Kullerwoinen:
'Drive the cows to yonder bowers,
509
To the birch-trees and the aspens,
That they there may feed and fatten,
Fill themselves with milk and butter,
In the open forest-pastures,
On the distant hills and mountains,
In the glens among the birch-trees,
In the lowlands with the aspens,
In the golden pine-tree forests,
In the thickets silver-laden.
'Guard them, thou O kind Creator,
Shield them, omnipresent Ukko,
Shelter them from every danger,
And protect them from all evil,
That they may not want, nor wander
From the paths of peace and plenty.
As at home Thou didst protect them
In the shelters and the hurdles,
Guard them now beneath the heavens,
Shelter them in woodland pastures,
That the herds may live and prosper
To 'the joy of Northland's hostess,
And against the will of Lempo.
'If my herdsman prove unworthy,
If the shepherd-maids seem evil,
Let the pastures be their shepherds,
Let the alders guard the cattle,
Make the birch-tree their protector,
Let the willow drive them homeward,
Ere the hostess go to seek them,
Ere the milkmaids wait and worry.
Should the birch-tree not protect them,
Nor the aspen lend assistance,
Nor the linden be their keeper,
Nor the willow drive them homeward,
Wilt thou give them better herdsmen,
Let Creation's beauteous daughters
Be their kindly shepherdesses.
Thou hast many lovely maidens,
Many hundreds that obey thee,
In the Ether's spacious circles,
Beauteous daughters of creation.
'Summer-daughter, magic maiden,
510
Southern mother of the woodlands,
Pine-tree daughter, Kateyatar,
Pihlayatar, of the aspen,
Alder-maiden, Tapio's daughter,
Daughter of the glen, Millikki,
And the mountain-maid, Tellervo,
Of my herds be ye protectors,
Keep them from the evil-minded,
Keep them safe in days of summer,
In the times of fragrant flowers,
While the tender leaves are whispering,
While the Earth is verdure-laden.
'Summer-daughter, charming maiden,
Southern mother of the woodlands,
Spread abroad thy robes of safety,
Spread thine apron o'er the forest,
Let it cover all my cattle,
And protect the unprotected,
That no evil winds may harm them,
May not suffer from the storm-clouds.
Guard my flocks from every danger,
Keep them from the hands of wild-beasts,
From the swamps with sinking pathways,
From the springs that bubble trouble,
From the swiftly running waters,
From the bottom of the whirlpool,
That they may not find misfortune,
May not wander to destruction,
In the marshes sink and perish,
Though against God's best intentions,
Though against the will of Ukko.
'From a distance bring a bugle,
Bring a shepherd's horn from heaven,
Bring the honey-flute of Ukko,
Play the music of creation,
Blow the pipes of the magician,
Play the flowers on the highlands,
Charm the hills, and dales, and mount
Charm the borders of the forest,
Fill the forest-trees with honey,
Fill with spice the fountain-borders.
'For my herds give food and shelter,
511
Feed them all on honeyed pastures,
Give them drink at honeyed fountains
Feed them on thy golden grasses,
On the leaves of silver saplings,
From the springs of life and beauty,
From the crystal-waters flowing,
From the waterfalls of Rutya,
From the uplands green and golden,
From the glens enriched in silver.
Dig thou also golden fountains
On the four sides of the willow,
That the cows may drink in sweetness,
And their udders swell with honey,
That their milk may flow in streamlets;
Let the milk be caught in vessels,
Let the cow's gift be not wasted,
Be not given to Manala.
'Many are the sons of evil,
That to Mana take their milkings,
Give their milk to evil-doers,
Waste it in Tuoni's empire;
Few there are, and they the worthy,
That can get the milk from Mana;
Never did my ancient mother
Ask for counsel in the village,
Never in the courts for wisdom;
She obtained her milk from Mana,
Took the sour-milk from the dealers,
Sweet-milk from the greater distance,
From the kingdom of Manala,
From Tuoni's fields and pastures;
Brought it in the dusk of evening,
Through the by-ways in the darkness,
That the wicked should not know it,
That it should not find destruction.
'This the language of my mother,
And these words I also echo:
Whither does the cow's gift wander,
Whither has the milk departed?
Has it gone to feed the strangers,
Banished to the distant village,
Gone to feed the hamlet-lover,
512
Or perchance to feed the forest,
Disappeared within the woodlands,
Scattered o'er the hills and mountains,
Mingled with the lakes and rivers?
It shall never go to Mana,
Never go to feed the stranger,
Never to the village-lover;
Neither shall it feed the forest,
Nor be lost upon the mountains,
Neither sprinkled in the woodlands,
Nor be mingled with the waters;
It is needed for our tables,
Worthy food for all our children.'
Summer-daughter, maid of beauty,
Southern daughter of Creation,
Give Suotikki tender fodder,
To Watikki, give pure water,
To Hermikki milk abundant,
Fresh provisions to Tuorikki,
From Mairikki let the milk flow,
Fresh milk from my cows in plenty,
Coming from the tips of grasses,
From the tender herbs and leaflets,
From the meadows rich in honey,
From the mother of the forest,
From the meadows sweetly dripping,
From the berry-laden branches,
From the heath of flower-maidens,
From the verdure. maiden bowers,
From the clouds of milk-providers,
From the virgin of the heavens,
That the milk may flow abundant
From the cows that I have given
To the keeping of Kullervo.
'Rise thou virgin of the valley,
From the springs arise in beauty,
Rise thou maiden of the fountain,
Beautiful, arise in ether,
Take the waters from the cloudlets,
And my roaming herds besprinkle,
That my cows may drink and flourish,
May be ready for the coming
513
Of the shepherdess of evening.
'O Millikki, forest-hostess,
Mother of the herds at pasture,
Send the tallest of thy servants,
Send the best of thine assistants,
That my herds may well be guarded,
Through the pleasant days of summer,
Given us by our Creator.
'Beauteous virgin of the woodlands,
Tapio's most charming daughter,
Fair Tellervo, forest-maiden,
Softly clad in silken raiment,
Beautiful in golden ringlets,
Do thou give my herds protection,
In the Metsola dominions,
On the hills of Tapiola;
Shield them with thy hands of beauty,
Stroke them gently with thy fingers,
Give to them a golden lustre,
Make them shine like fins of salmon,
Grow them robes as soft as ermine.
'When the evening star brings darkness,
When appears the hour of twilight,
Send my lowing cattle homeward,
Milk within their vessels coursing,
Water on their backs in lakelets.
When the Sun has set in ocean,
When the evening-bird is singing,
Thus address my herds of cattle:
'Ye that carry horns, now hasten
To the sheds of Ilmarinen;
Ye enriched in milk go homeward,
To the hostess now in waiting,
Home, the better place for sleeping,
Forest-beds are full of danger;
When the evening comes in darkness,
Straightway journey to the milkmaids
Building fires to light the pathway
On the turf enriched in honey,
In the pastures berry-laden!
'Thou, O Tapio's son, Nyrikki,
Forest-son, enrobed in purple,
514
Cut the fir-trees on the mountains,
Cut the pines with cones of beauty,
Lay them o'er the streams for bridges,
Cover well the sloughs of quicksand,
In the swamps and in the lowlands,
That my herd may pass in safety,
On their long and dismal journey,
To the clouds of smoke may hasten,
Where the milkmaids wait their coming.
If the cows heed not this order,
Do not hasten home at evening,
Then, O service-berry maiden,
Cut a birch-rod from the glenwood,
From the juniper, a whip-stick,
Near to Tapio's spacious mansion,
Standing on the ash-tree mountain,
Drive my wayward, ]owing cattle,
Into Metsola's wide milk-yards,
When the evening-star is rising.
'Thou, O Otso, forest-apple,
Woodland bear, with honeyed fingers,
Let us make a lasting treaty,
Make a vow for future ages,
That thou wilt not kill my cattle,
Wilt not eat my milk-providers;
That I will not send my hunters
To destroy thee and thy kindred,
Never in the days of summer,
The Creator's warmest season.
'Dost thou hear the tones of cow-bells,
Hear the calling of the bugles,
Ride thyself within the meadow,
Sink upon the turf in slumber,
Bury both thine ears in clover,
Crouch within some alder-thicket
Climb between the mossy ledges,
Visit thou some rocky cavern,
Flee away to other mountains,
Till thou canst not hear the cow-bells,
Nor the calling of the herdsmen.
'Listen, Otso of the woodlands,
Sacred bear with honeyed fingers,
515
To approach the herd of cattle
Thou thyself art not forbidden,
But thy tongue, and teeth, and fingers,
Must not touch my herd in summer,
Must not harm my harmless creatures.
Go around the scented meadows,
Amble through the milky pastures,
From the tones of bells and shepherds.
should the herd be on the mountain,
Go thou quickly to the marshes;
Should my cattle browse the lowlands,
Sleep thou then within the thicket;
Should they feed upon the uplands,
Thou must hasten to the valley;
Should the herd graze at the bottom,
Thou must feed upon the summit.
'Wander like the golden cuckoo,
Like the dove of silver brightness,
Like a little fish in ocean;
Ride thy claws within thy hair-foot,
Shut thy wicked teeth in darkness,
That my herd may not be frightened,
May not think themselves in danger.
Leave my cows in peace and plenty,
Let them journey home in order,
Through the vales and mountain by-ways,
Over plains and through the forest,
Harming not my harmless creatures.
'Call to mind our former pledges,
At the river of Tuoni,
Near the waterfall and whirlpool,
In the ears of our Creator.
Thrice to Otso was it granted,
In the circuit of the summer,
To approach the land of cow-bells,
Where the herdsmen's voices echo;
But to thee it was not granted,
Otso never had permission
To attempt a wicked action,
To begin a work of evil.
Should the blinding thing of malice
Come upon thee in thy roamings,
516
Should thy bloody teeth feel hunger,
Throw thy malice to the mountains,
And thy hunger to the pine-trees,
Sink thy teeth within the aspens,
In the dead limbs of the birches,
Prune the dry stalks from the willows.
Should thy hunger still impel thee,
Go thou to the berry-mountain,
Eat the fungus of the forest,
Feed thy hunger on the ant-hills,
Eat the red roots of the bear-tree,
Metsola's rich cakes of honey,
Not the grass my herd would feed on.
Or if Metsola's rich honey
Should ferment before the eating,
On the hills of golden color,
On the mountains filled with silver,
There is other food for hunger,
Other drink for thirsting Otso,
Everlasting will the food be,
And the drink be never wanting.
'Let us now agree in honor,
And conclude a lasting treaty
That our lives may end in pleasure,
May be, merry in the summer,
Both enjoy the woods in common,
Though our food must be distinctive
Shouldst thou still desire to fight me,
Let our contests be in winter,
Let our wars be, on the snow-fields.
Swamps will thaw in days of summer,
Warm, the water in the rivers.
Therefore shouldst thou break this treaty,
Shouldst thou come where golden cattle
Roam these woodland hills and valleys,
We will slay thee with our cross-bows;
Should our arrow-men be absent,
We have here some archer-women,
And among them is the hostess,
That can use the fatal weapon,
That can bring thee to destruction,
Thus will end the days of trouble
517
That thou bringest to our people,
And against the will of Ukko.
'Ukko, ruler in the heavens,
Lend an ear to my entreaty,
Metamorphose all my cattle,
Through the mighty force of magic,
Into stumps and stones convert them,
If the enemy should wander,
Near my herd in days of summer.
'If I had been born an Otso,
I would never stride and amble
At the feet of aged women;
Elsewhere there are hills and valleys,
Farther on are honey-pastures,
Where the lazy bear may wander,
Where the indolent may linger;
Sneak away to yonder mountain,
That thy tender flesh may lessen,
In the blue-glen's deep recesses,
In the bear-dens of the forest,
Thou canst move through fields of acorns,
Through the sand and ocean-pebbles,
There for thee is tracked a pathway,
Through the woodlands on the sea-coast,
To the Northland's farthest limits,
To the dismal plains of Lapland,
There 'tis well for thee to lumber,
There to live will be a pleasure.
Shoeless there to walk in summer,
Stockingless in days of autumn,
On the blue-back of the mountain,
Through the swamps and fertile lowlands.
'If thou canst not journey thither,
Canst not find the Lapland-highway,
Hasten on a little distance,
In the bear-path leading northward.
To the grove of Tuonela,
To the honey-plains of Kalma,
Swamps there are in which to wander,
Heaths in which to roam at pleasure,
There are Kiryos, there are Karyos,
And of beasts a countless number,
518
With their fetters strong as iron,
Fattening within the forest.
Be ye gracious, groves and mountains,
Full of grace, ye darksome thickets,
Peace and, plenty to my cattle,
Through the pleasant days of summer,
The Creator's warmest season.
'Knippana, O King of forests,
Thou the gray-beard of the woodlands,
Watch thy dogs in fen and fallow,
Lay a sponge within one nostril,
And an acorn in the other,
That they may not scent my cattle;
Tie their eyes with silken fillets,
That they may not see my herdlings,
May not see my cattle grazing.
'Should all this seem inefficient,
Drive away thy barking children,
Let them run to other forests,
Let them hunt in other marshes,
From these verdant strips of meadow,
From these far outstretching borders,
Hide thy dogs within thy caverns,
Firmly tie thy yelping children,
Tie them with thy golden fetters,
With thy chains adorned with silver,
That they may not do me damage,'
May not do a deed of mischief.
Should all this prove inefficient,
Thou, O Ukko, King of heaven.
Wise director, full of mercy,
Hear the golden words I utter,
Hear a voice that breathes affection,
From the alder make a muzzle,
For each dog, within the kennel;
Should the alder prove too feeble,
Cast a band of purest copper;
Should the copper prove a failure,
Forge a band of ductile iron;
Should the iron snap asunder,
In each nose a small-ring fasten,
Made of molten gold and silver,
519
Chain thy dogs in forest-caverns,
That my herd may not be injured.
Then the wife of Ilmarinen,
Life-companion of the blacksmith,
Opened all her yards and stables,
Led her herd across the meadow,
Placed them in the herdman's keeping,
In the care of Kullerwoinen.
~ Elias Lönnrot,
1451:"As certain also of your own poets have said"
   (Acts 17.28)
  Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea
And laugh their pride when the light wave lisps "Greece")
To Protus in his Tyranny: much health!

They give thy letter to me, even now:
I read and seem as if I heard thee speak.
The master of thy galley still unlades
Gift after gift; they block my court at last
And pile themselves along its portico
Royal with sunset, like a thought of thee:
And one white she-slave from the group dispersed
Of black and white slaves (like the chequer-work
Pavement, at once my nation's work and gift,
Now covered with this settle-down of doves),
One lyric woman, in her crocus vest
Woven of sea-wools, with her two white hands
Commends to me the strainer and the cup
Thy lip hath bettered ere it blesses mine.

Well-counselled, king, in thy munificence!
For so shall men remark, in such an act
Of love for him whose song gives life its joy,
Thy recognition of the use of life;
Nor call thy spirit barely adequate
To help on life in straight ways, broad enough
For vulgar souls, by ruling and the rest.
Thou, in the daily building of thy tower,
Whether in fierce and sudden spasms of toil,
Or through dim lulls of unapparent growth,
Or when the general work 'mid good acclaim
Climbed with the eye to cheer the architect,
Didst ne'er engage in work for mere work's sake
Hadst ever in thy heart the luring hope
Of some eventual rest a-top of it,
Whence, all the tumult of the building hushed,
Thou first of men might'st look out to the East:
The vulgar saw thy tower, thou sawest the sun.
For this, I promise on thy festival
To pour libation, looking o'er the sea,
Making this slave narrate thy fortunes, speak
Thy great words, and describe thy royal face
Wishing thee wholly where Zeus lives the most,
Within the eventual element of calm.

Thy letter's first requirement meets me here.
It is as thou hast heard: in one short life
I, Cleon, have effected all those things
Thou wonderingly dost enumerate.
That epos on thy hundred plates of gold
Is mine,and also mine the little chant,
So sure to rise from every fishing-bark
When, lights at prow, the seamen haul their net.
The image of the sun-god on the phare,
Men turn from the sun's self to see, is mine;
The Po'er-storied its whole length,
As thou didst hear, with painting, is mine too.
I know the true proportions of a man
And woman also, not observed before;
And I have written three books on the soul,
Proving absurd all written hitherto,
And putting us to ignorance again.
For music,why, I have combined the moods,
Inventing one. In brief, all arts are mine;
Thus much the people know and recognize,
Throughout our seventeen islands. Marvel not.
We of these latter days, with greater mind
Than our forerunners, since more composite,
Look not so great, beside their simple way,
To a judge who only sees one way at once,
One mind-point and no other at a time,
Compares the small part of a man of us
With some whole man of the heroic age,
Great in his waynot ours, nor meant for ours.
And ours is greater, had we skill to know:
For, what we call this life of men on earth,
This sequence of the soul's achievements here
Being, as I find much reason to conceive,
Intended to be viewed eventually
As a great whole, not analyzed to parts,
But each part having reference to all,
How shall a certain part, pronounced complete,
Endure effacement by another part?
Was the thing done?then, what's to do again?
See, in the chequered pavement opposite,
Suppose the artist made a perfect rhomb,
And next a lozenge, then a trapezoid
He did not overlay them, superimpose
The new upon the old and blot it out,
But laid them on a level in his work,
Making at last a picture; there it lies.
So, first the perfect separate forms were made,
The portions of mankind; and after, so,
Occurred the combination of the same.
For where had been a progress, otherwise?
Mankind, made up of all the single men,
In such a synthesis the labour ends.
Now mark me! those divine men of old time
Have reached, thou sayest well, each at one point
The outside verge that rounds our faculty;
And where they reached, who can do more than reach?
It takes but little water just to touch
At some one point the inside of a sphere,
And, as we turn the sphere, touch all the rest
In due succession: but the finer air      
Which not so palpably nor obviously,  
Though no less universally, can touch
The whole circumference of that emptied sphere,
Fills it more fully than the water did;
Holds thrice the weight of water in itself
Resolved into a subtler element.
And yet the vulgar call the sphere first full
Up to the visible heightand after, void;
Not knowing air's more hidden properties.
And thus our soul, misknown, cries out to Zeus
To vindicate his purpose in our life:
Why stay we on the earth unless to grow?
Long since, I imaged, wrote the fiction out,
That he or other god descended here
And, once for all, showed simultaneously
What, in its nature, never can be shown,
Piecemeal or in succession;showed, I say,
The worth both absolute and relative
Of all his children from the birth of time,
His instruments for all appointed work.
I now go on to image,might we hear
The judgment which should give the due to each,
Show where the labour lay and where the ease,
And prove Zeus' self, the latent everywhere!
This is a dream:but no dream, let us hope,
That years and days, the summers and the springs,
Follow each other with unwaning powers.
The grapes which dye thy wine are richer far,
Through culture, than the wild wealth of the rock;
The suave plum than the savage-tasted drupe;
The pastured honey-bee drops choicer sweet;
The flowers turn double, and the leaves turn flowers;
That young and tender crescent-moon, thy slave,
Sleeping above her robe as buoyed by clouds,
Refines upon the women of my youth.
What, and the soul alone deteriorates?
I have not chanted verse like Homer, no
Nor swept string like Terpander, nonor carved
And painted men like Phidias and his friend:
I am not great as they are, point by point.
But I have entered into sympathy
With these four, running these into one soul,
Who, separate, ignored each other's art.
Say, is it nothing that I know them all?
The wild flower was the larger; I have dashed
Rose-blood upon its petals, pricked its cup's
Honey with wine, and driven its seed to fruit,
And show a better flower if not so large:
I stand myself. Refer this to the gods
Whose gift alone it is! which, shall I dare
(All pride apart) upon the absurd pretext
That such a gift by chance lay in my hand,
Discourse of lightly or depreciate?
It might have fallen to another's hand: what then?
I pass too surely: let at least truth stay!

And next, of what thou followest on to ask.
This being with me as I declare, O king,
My works, in all these varicoloured kinds,
So done by me, accepted so by men
Thou askest, if (my soul thus in men's hearts)
I must not be accounted to attain
The very crown and proper end of life?
Inquiring thence how, now life closeth up,
I face death with success in my right hand:
Whether I fear death less than dost thyself
The fortunate of men? "For" (writest thou)
"Thou leavest much behind, while I leave nought.
Thy life stays in the poems men shall sing,
The pictures men shall study; while my life,
Complete and whole now in its power and joy,
Dies altogether with my brain and arm,
Is lost indeed; since, what survives myself?
The brazen statue to o'erlook my grave,
Set on the promontory which I named.
And thatsome supple courtier of my heir
Shall use its robed and sceptred arm, perhaps,
To fix the rope to, which best drags it down.
I go then: triumph thou, who dost not go!"

Nay, thou art worthy of hearing my whole mind.
Is this apparent, when thou turn'st to muse
Upon the scheme of earth and man in chief,
That admiration grows as knowledge grows?
That imperfection means perfection hid,
Reserved in part, to grace the after-time?
If, in the morning of philosophy,
Ere aught had been recorded, nay perceived,
Thou, with the light now in thee, couldst have looked
On all earth's tenantry, from worm to bird,
Ere man, her last, appeared upon the stage
Thou wouldst have seen them perfect, and deduced
The perfectness of others yet unseen.
Conceding which,had Zeus then questioned thee,
"Shall I go on a step, improve on this,
Do more for visible creatures than is done?"
Thou wouldst have answered, "Ay, by making each
Grow conscious in himselfby that alone.
All's perfect else: the shell sucks fast the rock,
The fish strikes through the sea, the snake both swims
And slides, forth range the beasts, the birds take flight,
Till life's mechanics can no further go
And all this joy in natural life is put
Like fire from off thy finger into each,
So exquisitely perfect is the same.
But 'tis pure fire, and they mere matter are;
It has them, not they it: and so I choose
For man, thy last premeditated work
(If I might add a glory to the scheme),
That a third thing should stand apart from both,
A quality arise within his soul,
Which, intro-active, made to supervise
And feel the force it has, may view itself,
And so be happy." Man might live at first
The animal life: but is there nothing more?
In due time, let him critically learn
How he lives; and, the more he gets to know
Of his own life's adaptabilities,
The more joy-giving will his life become.
Thus man, who hath this quality, is best.

But thou, king, hadst more reasonably said:
Let progress end at once,man make no step
Beyond the natural man, the better beast,
Using his senses, not the sense of sense."
In man there's failure, only since he left
The lower and inconscious forms of life.
We called it an advance, the rendering plain
Man's spirit might grow conscious of man's life,
And, by new lore so added to the old,
Take each step higher over the brute's head.
This grew the only life, the pleasure-house,
Watch-tower and treasure-fortress of the soul,
Which whole surrounding flats of natural life
Seemed only fit to yield subsistence to;
A tower that crowns a country. But alas,
The soul now climbs it just to perish there!
For thence we have discovered ('tis no dream
We know this, which we had not else perceived)
That there's a world of capability
For joy, spread round about us, meant for us,
Inviting us; and still the soul craves all,
And still the flesh replies, "Take no jot more
Than ere thou clombst the tower to look abroad!
Nay, so much less as that fatigue has brought
Deduction to it." We struggle, fain to enlarge
Our bounded physical recipiency,
Increase our power, supply fresh oil to life,
Repair the waste of age and sickness: no,
It skills not! life's inadequate to joy,
As the soul sees joy, tempting life to take.
They praise a fountain in my garden here
Wherein a Naiad sends the water-bow
Thin from her tube; she smiles to see it rise.
What if I told her, it is just a thread
From that great river which the hills shut up,
And mock her with my leave to take the same?
The artificer has given her one small tube
Past power to widen or exchangewhat boots
To know she might spout oceans if she could?
She cannot lift beyond her first thin thread:
And so a man can use but a man's joy
While he sees God's. Is it for Zeus to boast,
"See, man, how happy I live, and despair
That I may be still happierfor thy use!"
If this were so, we could not thank our lord,
As hearts beat on to doing; 'tis not so
Malice it is not. Is it carelessness?
Still, no. If carewhere is the sign? I ask,
And get no answer, and agree in sum,
O king, with thy profound discouragement,
Who seest the wider but to sigh the more.
Most progress is most failure: thou sayest well.

The last point now:thou dost except a case
Holding joy not impossible to one
With artist-giftsto such a man as I
Who leave behind me living works indeed;
For, such a poem, such a painting lives.    
What? dost thou verily trip upon a word,      
Confound the accurate view of what joy is
(Caught somewhat clearer by my eyes than thine)  
With feeling joy? confound the knowing how
And showing how to live (my faculty)
With actually living?Otherwise
Where is the artist's vantage o'er the king?
Because in my great epos I display
How divers men young, strong, fair, wise, can act
Is this as though I acted? if I paint,
Carve the young Ph{oe}bus, am I therefore young?
Methinks I'm older that I bowed myself
The many years of pain that taught me art!
Indeed, to know is something, and to prove
How all this beauty might be enjoyed, is more:
But, knowing nought, to enjoy is something too.
Yon rower, with the moulded muscles there,
Lowering the sail, is nearer it than I.
I can write love-odes: thy fair slave's an ode.
I get to sing of love, when grown too grey
For being beloved: she turns to that young man,
The muscles all a-ripple on his back.
I know the joy of kingship: well, thou art king!

"But," sayest thou(and I marvel, I repeat,
To find thee trip on such a mere word) "what
Thou writest, paintest, stays; that does not die:
Sappho survives, because we sing her songs,
And Aeschylus, because we read his plays!"
Why, if they live still, let them come and take
Thy slave in my despite, drink from thy cup,
Speak in my place. Thou diest while I survive?
Say rather that my fate is deadlier still,
In this, that every day my sense of joy
Grows more acute, my soul (intensified
By power and insight) more enlarged, more keen;
While every day my hairs fall more and more,
My hand shakes, and the heavy years increase
The horror quickening still from year to year,
The consummation coming past escape,
When I shall know most, and yet least enjoy
When all my works wherein I prove my worth,
Being present still to mock me in men's mouths,
Alive still, in the praise of such as thou,
I, I the feeling, thinking, acting man,
The man who loved his life so over-much,
Sleep in my urn. It is so horrible,
I dare at times imagine to my need
Some future state revealed to us by Zeus,
Unlimited in capability
For joy, as this is in desire for joy,
To seek which, the joy-hunger forces us:
That, stung by straitness of our life, made strait
On purpose to make prized the life at large
Freed by the throbbing impulse we call death,
We burst there as the worm into the fly,
Who, while a worm still, wants his wings. But no!
Zeus has not yet revealed it; and alas,
He must have done so, were it possible!

Live long and happy, and in that thought die:
Glad for what was! Farewell. And for the rest,
I cannot tell thy messenger aright
Where to deliver what he bears of thine
To one called Paulus; we have heard his fame
Indeed, if Christus be not one with him
I know not, nor am troubled much to know.
Thou canst not think a mere barbarian Jew,
As Paulus proves to be, one circumcised,
Hath access to a secret shut from us?
Thou wrongest our philosophy, O king,
In stooping to inquire of such an one,
As if his answer could impose at all!
He writeth, doth he? well, and he may write.
Oh, the Jew findeth scholars! certain slaves
Who touched on this same isle, preached him and Christ;
And (as I gathered from a bystander)
Their doctrine could be held by no sane man.
NOTES



Form:
unrhyming

1.
The motto is from St. Paul's speech to the philosophers
of Athens, Acts. 17: 28. Cleon and King Protus are both
imaginary characters.

sprinkled isles: the Sporades, near Crete.

4.
tyranny: kingdom. In the Greek sense, tyrant simply
means absolute ruler, and implies no misgovernment or oppressions.

53.
P\;cile: the Portico in Athens.

140.
Terpander: founder of the first Greek School of
music (late seventh century B.C.).

141.
Phidias: famous Greek sculptor who supervised the
construction of the Parthenon, and made the great statue of
Pallas Athene for it. Died 432 B.C. "His friend" was Pericles,
ruler of Athens from 460-429 B.C.

305.
Aeschylus: the earliest of the great writers of Greek tragedy
(525-456 B.C.).



~ Robert Browning, Cleon
,
1452: XXI - WALPURGIS-NIGHT

THE HARTZ MOUNTAINS.

District of Schierke and Elend.

FAUST MEPHISTOPHELES

MEPHISTOPHELES

DOST thou not wish a broomstick-steed's assistance?
The sturdiest he-goat I would gladly see:
The way we take, our goal is yet some distance.

FAUST

So long as in my legs I feel the fresh existence.
This knotted staff suffices me.
What need to shorten so the way?
Along this labyrinth of vales to wander,
Then climb the rocky ramparts yonder,
Wherefrom the fountain flings eternal spray,
Is such delight, my steps would fain delay.
The spring-time stirs within the fragrant birches,
And even the fir-tree feels it now:
Should then our limbs escape its gentle searches?

MEPHISTOPHELES

I notice no such thing, I vow!
'Tis winter still within my body:
Upon my path I wish for frost and snow.
How sadly rises, incomplete and ruddy,
The moon's lone disk, with its belated glow,
And lights so dimly, that, as one advances,
At every step one strikes a rock or tree!
Let us, then, use a Jack-o'-lantern's glances:
I see one yonder, burning merrily.
Ho, there! my friend! I'll levy thine attendance:
Why waste so vainly thy resplendence?
Be kind enough to light us up the steep!

WILL-O'-THE-WISP

My reverence, I hope, will me enable
To curb my temperament unstable;
For zigzag courses we are wont to keep.

MEPHISTOPHELES

Indeed? he'd like mankind to imitate!
Now, in the Devil's name, go straight,
Or I'll blow out his being's flickering spark!

WILL-O'-THE-WISP

You are the master of the house, I mark,
And I shall try to serve you nicely.
But then, reflect: the mountain's magic-mad to-day,
And if a will-o'-the-wisp must guide you on the way,
You mustn't take things too precisely.

FAUST, MEPHISTOPHELES, WILL-O'-THE-WISP

(in alternating song)

We, it seems, have entered newly
In the sphere of dreams enchanted.
Do thy bidding, guide us truly,
That our feet be forwards planted
In the vast, the desert spaces!
See them swiftly changing places,
Trees on trees beside us trooping,
And the crags above us stooping,
And the rocky snouts, outgrowing,
Hear them snoring, hear them blowing!
O'er the stones, the grasses, flowing
Stream and streamlet seek the hollow.
Hear I noises? songs that follow?
Hear I tender love-petitions?
Voices of those heavenly visions?
Sounds of hope, of love undying!
And the echoes, like traditions
Of old days, come faint and hollow.

Hoo-hoo! Shoo-hoo! Nearer hover
Jay and screech-owl, and the plover,
Are they all awake and crying?
Is't the salamander pushes,
Bloated-bellied, through the bushes?
And the roots, like serpents twisted,
Through the sand and boulders toiling,
Fright us, weirdest links uncoiling
To entrap us, unresisted:
Living knots and gnarls uncanny
Feel with polypus-antennae
For the wanderer. Mice are flying,
Thousand-colored, herd-wise hieing
Through the moss and through the heather!

And the fire-flies wink and darkle,
Crowded swarms that soar and sparkle,
And in wildering escort gather!

Tell me, if we still are standing,
Or if further we're ascending?
All is turning, whirling, blending,
Trees and rocks with grinning faces,
Wandering lights that spin in mazes,
Still increasing and expanding!

MEPHISTOPHELES

Grasp my skirt with heart undaunted!
Here a middle-peak is planted,
Whence one seeth, with amaze,
Mammon in the mountain blaze.

FAUST

How strangely glimmers through the hollows
A dreary light, like that of dawn!
Its exhalation tracks and follows
The deepest gorges, faint and wan.
Here steam, there rolling vapor sweepeth;
Here burns the glow through film and haze:
Now like a tender thread it creepeth,
Now like a fountain leaps and plays.
Here winds away, and in a hundred
Divided veins the valley braids:
There, in a corner pressed and sundered,
Itself detaches, spreads and fades.
Here gush the sparkles incandescent
Like scattered showers of golden sand;
But, see! in all their height, at present,
The rocky ramparts blazing stand.
Under the old ribs of the rock retreating
Under the old ribs of the rock retreating

MEPHISTOPHELES

Has not Sir Mammon grandly lighted
His palace for this festal night?
'Tis lucky thou hast seen the sight;
The boisterous guests approach that were invited.

FAUST

How raves the tempest through the air!
With what fierce blows upon my neck 'tis beating!

MEPHISTOPHELES

Under the old ribs of the rock retreating,
Hold fast, lest thou be hurled down the abysses there!
The night with the mist is black;
Hark! how the forests grind and crack!
Frightened, the owlets are scattered:
Hearken! the pillars are shattered.
The evergreen palaces shaking!
Boughs are groaning and breaking,
The tree-trunks terribly thunder,
The roots are twisting asunder!
In frightfully intricate crashing
Each on the other is dashing,
And over the wreck-strewn gorges
The tempest whistles and surges!
Hear'st thou voices higher ringing?
Far away, or nearer singing?
Yes, the mountain's side along,
Sweeps an infuriate glamouring song!

WITCHES (in chorus)

The witches ride to the Brocken's top,
The stubble is yellow, and green the crop.
There gathers the crowd for carnival:
Sir Urian sits over all.

And so they go over stone and stock;
The witch she-s, and-s the buck.

A VOICE

Alone, old Baubo's coming now;
She rides upon a farrow-sow.

CHORUS

Then honor to whom the honor is due!
Dame Baubo first, to lead the crew!
A tough old sow and the mother thereon,
Then follow the witches, every one.

A VOICE

Which way com'st thou hither?

VOICE

O'er the Ilsen-stone.
I peeped at the owl in her nest alone:
How she stared and glared!

VOICE

Betake thee to Hell!
Why so fast and so fell?

VOICE

She has scored and has flayed me:
See the wounds she has made me!

WITCHES (chorus)

The way is wide, the way is long:
See, what a wild and crazy throng!
The broom it scratches, the fork it thrusts,
The child is stifled, the mother bursts.

WIZARDS (semichorus)

As doth the snail in shell, we crawl:
Before us go the women all.
When towards the Devil's House we tread,
Woman's a thousand steps ahead.

OTHER SEMICHORUS

We do not measure with such care:
Woman in thousand steps is theft.
But howsoe'er she hasten may,
Man in one leap has cleared the way.

VOICE (from above)

Come on, come on, from Rocky Lake!

VOICE (from below)

Aloft we'd fain ourselves betake.
We've washed, and are bright as ever you will,
Yet we're eternally sterile still.

BOTH CHORUSES

The wind is hushed, the star shoots by.
The dreary moon forsakes the sky;
The magic notes, like spark on spark,
Drizzle, whistling through the dark.

VOICE (from below)

Halt, there! Ho, there!

VOICE (from above)

Who calls from the rocky cleft below there?

VOICE (below)

Take me, too! take me, too!
I'm climbing now three hundred years,
And yet the summit cannot see:
Among my equals I would be.

BOTH CHORUSES

Bears the broom and bears the stock,
Bears the fork and bears the buck:
Who cannot raise himself to-night
Is evermore a ruined wight.

HALF-WITCH (below)

So long I stumble, ill bestead,
And the others are now so far ahead!
At home I've neither rest nor cheer,
And yet I cannot gain them here.

CHORUS OF WITCHES

To cheer the witch will salve avail;
A rag will answer for a sail;
Each trough a goodly ship supplies;
He ne'er will fly, who now not flies.

BOTH CHORUSES

When round the summit whirls our flight,
Then lower, and on the ground alight;
And far and wide the heather press
With witchhood's swarms of wantonness!

(They settle down.)

MEPHISTOPHELES

They crowd and push, they roar and clatter!
They whirl and whistle, pull and chatter!
They shine, and spirt, and stink, and burn!
The true witch-element we learn.
Keep close! or we are parted, in our turn,
Where art thou?

FAUST (in the distance)

Here!

MEPHISTOPHELES

What! whirled so far astray?
Then house-right I must use, and clear the way.
Make room! Squire Voland comes! Room, gentle rabble,
room!

Here, Doctor, hold to me: in one jump we'll resume
An easier space, and from the crowd be free:
It's too much, even for the like of me.
Yonder, with special light, there's something shining clearer
Within those bushes; I've a mind to see.
Come on! we'll slip a little nearer.

FAUST

Spirit of Contradiction! On! I'll follow straight.
'Tis planned most wisely, if I judge aright:
We climb the Brocken's top in the Walpurgis-Night,
That arbitrarily, here, ourselves we isolate.

MEPHISTOPHELES

But see, what motley flames among the heather!
There is a lively club together:
In smaller circles one is not alone.

FAUST

Better the summit, I must own:
There fire and whirling smoke I see.
They seek the Evil One in wild confusion:
Many enigmas there might find solution.

MEPHISTOPHELES

But there enigmas also knotted be.
Leave to the multitude their riot!
Here will we house ourselves in quiet.
It is an old, transmitted trade,
That in the greater world the little worlds are made.
I see stark-nude young witches congregate,
And old ones, veiled and hidden shrewdly:
On my account be kind, nor treat them rudely!
The trouble's small, the fun is great.
I hear the noise of instruments attuning,
Vile din! yet one must learn to bear the crooning.
Come, come along! It must be, I declare!
I'll go ahead and introduce thee there,
Thine obligation newly earning.
That is no little space: what say'st thou, friend?
Look yonder! thou canst scarcely see the end:
A hundred fires along the ranks are burning.
They dance, they chat, they cook, they drink, they court:
Now where, just tell me, is there better sport?

FAUST

Wilt thou, to introduce us to the revel,
Assume the part of wizard or of devil?

MEPHISTOPHELES

I'm mostly used, 'tis true, to go incognito,
But on a gala-day one may his orders show.
The Garter does not deck my suit,
But honored and at home is here the cloven foot.
Perceiv'st thou yonder snail? It cometh, slow and steady;
So delicately its feelers pry,
That it hath scented me already:
I cannot here disguise me, if I try.
But come! we'll go from this fire to a newer:
I am the go-between, and thou the wooer.

(To some, who are sitting around dying embers:)

Old gentlemen, why at the outskirts? Enter!
I'd praise you if I found you snugly in the centre,
With youth and revel round you like a zone:
You each, at home, are quite enough alone.

GENERAL

Say, who would put his trust in nations,
Howe'er for them one may have worked and planned?
For with the people, as with women,
Youth always has the upper hand.

MINISTER

They're now too far from what is just and sage.
I praise the old ones, not unduly:
When we were all-in-all, then, truly,
Then was the real golden age.

PARVENU

We also were not stupid, either,
And what we should not, often did;
But now all things have from their bases slid,
Just as we meant to hold them fast together.

AUTHOR

Who, now, a work of moderate sense will read?
Such works are held as antiquate and mossy;
And as regards the younger folk, indeed,
They never yet have been so pert and saucy.

MEPHISTOPHELES

(who all at once appears very old)

I feel that men are ripe for Judgment-Day,
Now for the last time I've the witches'-hill ascended:
Since to the lees my cask is drained away,
The world's, as well, must soon be ended.

HUCKSTER-WITCH

Ye gentlemen, don't pass me thus!
Let not the chance neglected be!
Behold my wares attentively:
The stock is rare and various.
And yet, there's nothing I've collected
No shop, on earth, like this you'll find!
Which has not, once, sore hurt inflicted
Upon the world, and on mankind.
No dagger's here, that set not blood to flowing;
No cup, that hath not once, within a healthy frame
Poured speedy death, in poison glowing:
No gems, that have not brought a maid to shame;
No sword, but severed ties for the unwary,
Or from behind struck down the adversary.

MEPHISTOPHELES

Gossip! the times thou badly comprehendest:
What's done has happedwhat haps, is done!
'Twere better if for novelties thou sendest:
By such alone can we be won.

FAUST

Let me not lose myself in all this pother!
This is a fair, as never was another!

MEPHISTOPHELES

The whirlpool swirls to get above:
Thou'rt shoved thyself, imagining to shove.

FAUST

But who is that?

MEPHISTOPHELES

Note her especially,
Tis Lilith.

FAUST

Who?

MEPHISTOPHELES

Adam's first wife is she.
Beware the lure within her lovely tresses,
The splendid sole adornment of her hair!
When she succeeds therewith a youth to snare,
Not soon again she frees him from her jesses.

FAUST

Those two, the old one with the young one sitting,
They've danced already more than fitting.

MEPHISTOPHELES

No rest to-night for young or old!
They start another dance: come now, let us take hold!

FAUST (dancing with the young witch)

A lovely dream once came to me;
I then beheld an apple-tree,
And there two fairest apples shone:
They lured me so, I climbed thereon.

THE FAIR ONE

Apples have been desired by you,
Since first in Paradise they grew;
And I am moved with joy, to know
That such within my garden grow.

MEPHISTOPHELES (dancing with the old one)

A dissolute dream once came to me:
Therein I saw a cloven tree,
Which had a;
Yet,as 'twas, I fancied it.

THE OLD ONE

I offer here my best salute
Unto the knight with cloven foot!
Let him aprepare,
If himdoes not scare.

PROKTOPHANTASMIST

Accursd folk! How dare you venture thus?
Had you not, long since, demonstration
That ghosts can't stand on ordinary foundation?
And now you even dance, like one of us!

THE FAIR ONE (dancing)

Why does he come, then, to our ball?

FAUST (dancing)

O, everywhere on him you fall!
When others dance, he weighs the matter:
If he can't every step bechatter,
Then 'tis the same as were the step not made;
But if you forwards go, his ire is most displayed.
If you would whirl in regular gyration
As he does in his dull old mill,
He'd show, at any rate, good-will,
Especially if you heard and heeded his hortation.

PROKTOPHANTASMIST

You still are here? Nay, 'tis a thing unheard!
Vanish, at once! We've said the enlightening word.
The pack of devils by no rules is daunted:
We are so wise, and yet is Tegel haunted.
To clear the folly out, how have I swept and stirred!
Twill ne'er be clean: why, 'tis a thing unheard!

THE FAIR ONE

Then cease to bore us at our ball!

PROKTOPHANTASMIST

I tell you, spirits, to your face,
I give to spirit-despotism no place;
My spirit cannot practise it at all.

(The dance continues)

Naught will succeed, I see, amid such revels;
Yet something from a tour I always save,
And hope, before my last step to the grave,
To overcome the poets and the devils.

MEPHISTOPHELES

He now will seat him in the nearest puddle;
The solace this, whereof he's most assured:
And when upon his rump the leeches hang and fuddle,
He'll be of spirits and of Spirit cured.

(To FAUST, who has left the dance:)

Wherefore forsakest thou the lovely maiden,
That in the dance so sweetly sang?

FAUST

Ah! in the midst of it there sprang
A red mouse from her mouthsufficient reason.

MEPHISTOPHELES

That's nothing! One must not so squeamish be;
So the mouse was not gray, enough for thee.
Who'd think of that in love's selected season?

FAUST

Then saw I.

MEPHISTOPHELES

What?

FAUST

Mephisto, seest thou there,
Alone and far, a girl most pale and fair?
She falters on, her way scarce knowing,
As if with fettered feet that stay her going.
I must confess, it seems to me
As if my kindly Margaret were she.

MEPHISTOPHELES

Let the thing be! All thence have evil drawn:
It is a magic shape, a lifeless eidolon.
Such to encounter is not good:
Their blank, set stare benumbs the human blood,
And one is almost turned to stone.
Medusa's tale to thee is known.

FAUST

Forsooth, the eyes they are of one whom, dying,
No hand with loving pressure closed;
That is the breast whereon I once was lying,
The body sweet, beside which I reposed!

MEPHISTOPHELES

Tis magic all, thou fool, seduced so easily!
Unto each man his love she seems to be.

FAUST

The woe, the rapture, so ensnare me,
That from her gaze I cannot tear me!
And, strange! around her fairest throat
A single scarlet band is gleaming,
No broader than a knife-blade seeming!

MEPHISTOPHELES

Quite right! The mark I also note.
Her head beneath her arm she'll sometimes carry;
Twas Perseus lopped it, her old adversary.
Thou crav'st the same illusion still!
Come, let us mount this little hill;
The Prater shows no livelier stir,
And, if they've not bewitched my sense,
I verily see a theatre.
What's going on?

SERVIBILIS

'Twill shortly recommence:
A new performance'tis the last of seven.
To give that number is the custom here:
'Twas by a Dilettante written,
And Dilettanti in the parts appear.
That now I vanish, pardon, I entreat you!
As Dilettante I the curtain raise.

MEPHISTOPHELES

When I upon the Blocksberg meet you,
I find it good: for that's your proper place.
Faust

~ Johann Wolfgang von Goethe, WALPURGIS-NIGHT
,
1453:A Dialogue At Fiesole
HE.
Halt here awhile. That mossy-cushioned seat
Is for your queenliness a natural throne;
As I am fitly couched on this low sward,
Here at your feet.
SHE.
And I, in thought, at yours:
My adoration, deepest.
HE.
Deep, so deep,
I have no thought wherewith to fathom it;
Or, shall I say, no flight of song so high,
To reach the Heaven whence you look down on me,
My star, my far-off star!
SHE.
If far, yet fixed:
No shifting planet leaving you to seek
Where now it shines.
HE.
A little light, if near,
Glows livelier than the largest orb in Heaven.
SHE.
But little lights burn quickly out, and then,
Another must be kindled. Stars gleam on,
Unreached, but unextinguished. . . . Now, the song.
HE.
Yes, yes, the song: your music to my verse.
SHE.
In this sequestered dimple of the hill,
Forgotten by the furrow, none will hear:
Only the nightingales, that misconceive
The mid-day darkness of the cypresses
29
For curtained night.
HE.
And they will hush to hear
A sudden singing sweeter than their own.
Delay not the enchantment, but begin.
SHE
(singing).
If you were here, if you were here,
The cattle-bells would sound more clear;
The cataracts would flash and leap
More silvery from steep to steep;
The farewell of a rosier glow
Soften the summit of the snow;
The valley take a tenderer green;
In dewy gorge and dim ravine
The loving bramble-flowers embrace
The rough thorn with a gentler grace;
The gentian open bluer eyes,
In bluer air, to bluer skies:
The frail anemone delay,
The jonquil hasten on its way,
The primrose linger past its time,
The violet prolong its prime;
And every flower that seeks the light,
On Alpine lowland, Alpine height,
Wear April's smile without its tear,
If you were here; if you were here!
If you were here, the Spring would wake
A fuller music in the brake.
The mottled misselthrush would pipe
A note more ringing, rich, and ripe;
The whitethroat peer above its nest
With brighter eye and downier breast;
The cuckoo greet the amorous year,
Chanting its joy without its jeer;
The lark betroth the earth and sky
With peals of heavenlier minstrelsy;
And every wildwood bird rejoice
On fleeter wing, with sweeter voice,
30
If you were here!
If you were here, I too should feel
The moisture of the Springtide steal
Along my veins, and rise and roll
Through every fibre of my soul.
In my live breast would melt the snow,
And all its channels flush and flow
With waves of life and streams of song,
Frozen and silent all too long.
A something in each wilding flower,
Something in every scented shower,
Something in flitting voice and wing,
Would drench my heart and bid me sing:
Not in this feeble halting note,
But, like the merle's exulting throat,
With carol full and carol clear,
If you were here, if you were here.
HE.
Hark! How the hills have caught the strain, and seem
Loth to surrender it, and now enclose
Its cadence in the silence of their folds.
Still as you sang, the verses had the wing
Of that which buoyed them, and your aery voice
Lifted my drooping music from the ground.
Now that you cease, there is an empty nest,
From which the full-fledged melody hath flown.
SHE.
Dare I with you contend in metaphor,
It might not be so fanciful to show
That nest, and eggs, and music, all are yours.
But modesty in poets is too rare,
To be reproved for error. Let me then
Be crowned full queen of song, albeit in sooth
I am but consort, owing my degree
To the real sceptred Sovereign at my side.
But now repay my music, and in kind.
Unfolding to my ear the youngest flower
Of song that seems to blossom all the year;
``Delay not the enchantment, but begin.''
31
HE
(reciting). Yet, you are here; yes, you are here.
There's not a voice that wakes the year,
In vale frequented, upland lone,
But steals some sweetness from your own.
When dream and darkness have withdrawn,
I feel you in the freshening dawn:
You fill the noonday's hushed repose;
You scent the dew of daylight's close.
The twilight whispers you are nigh;
The stars announce you in the sky.
The moon, when most alone in space,
Fills all the heavens with your face.
In darkest hour of deepest night,
I see you with the spirit's sight;
And slumber murmurs in my ear,
``Hush! she is here. Sleep! she is here.''
SHE.
Hark how you bare your secret when you sing!
Imagination's universal scope
Can swift endue this gray and shapeless world
With the designs and colour of the sky.
What want you with our fixed and lumpish forms,
You, unconditioned arbiter of air?
``Yet, you are here; yes, you are here.'' The span
Of nimble fancy leaps the interval,
And brings the distant nearer than the near.
HE.
Distance is nearer than proximity,
When distance longs, proximity doth not.
SHE.
The near is always distant to the mind
That craves for satisfaction of its end;
Nor doth the distance ever feel so far
As when the end is touched. Retard that goal,
Prolonging appetite beyond the feast
That feeds anticipation.
32
HE.
Specious foil!
That parries every stroke before 'tis made.
Yet surfeit's self doth not more surely cloy
Than endless fasting.
SHE.
Still a swifter cure
Waits on too little than attends too much.
While disappointment merely woundeth Hope,
The deadly blow by disenchantment dealt
Strikes at the heart of Faith. O happy you,
The favourites of Fancy, who replace
Illusion with illusion, and conceive
Fresh cradles in the dark womb of the grave.
While we, prosaic victims, prove that time
Kills love while leaving loveless life alive,
You still, divinely duped, sing deathless love,
And with your wizard music, once again,
Make Winter Spring. Yet surely you forgive
That I have too much pity for the flowers
Children and poets cull to fling away,
To be an April nosegay.
HE.
How you swell
The common chorus! Women, who are wronged
So roughly by men's undiscerning word,
As though one pattern served to show them all,
Should be more just to poets. These, in truth,
Diverge from one another nowise less
Than ``women,'' vaguely labelled: children some,
With childish voice and nature, lyric bards,
Weaklings that on life's threshold sweetly wail,
But never from that silvery treble pass
Into the note and chant of manliness.
Their love is like their verse, a frail desire,
A fluttering fountain falling feebly back
Into its shallow origin. Next there are
The poets of contention, wrestlers born,
Who challenge iron Circumstance, and fail:
Generous and strong, withal not strong enough,
33
Since lacking sinewy wisdom, hard as life.
The love of these is like the lightning spear,
And shrivels whom it touches. They consume
All things within their reach, and, last of all,
Their lonely selves; and then through time they tower,
Sublime but charred, and wear on their high fronts
The gloomy glory of the sunlit pine.
But the great gods of Song, in clear white light,
The radiance of their godhead, calmly dwell,
And with immutable cold starlike gaze
Scan both the upper and the under world,
As it revolves, themselves serenely fixed.
Their bias is the bias of the sphere,
That turns all ways, but turns away from none,
Save to return to it. They have no feud
With gods or men, the living or the dead,
The past or present, and their words complete
Life's incompleteness with a healing note.
For they are not more sensitive than strong,
More wise than tender; understanding all,
At peace with all, at peace with life and death,
And love that gives a meaning unto life
And takes from death the meaning and the sting:
At peace with hate, and every opposite.
Were I but one of these-presumptuous thought!Even you, the live fulfilment of such dreams
As these secrete, would hazard well your love
On my more largely loving. 'Twould be you,
Yes, even you, that first would flag and fail
In either of my choosing; you, whose wing
Would droop on mine and pray to be upborne.
And when my pinions did no more suffice
For that their double load, then softly down,
Softly and smoothly as descending lark
That hath fulfilled its rhapsody in Heaven,
And with diminished music must decline
To earthy sounds and concepts, I should curb
Illimitable longings to the range
Of lower aspiration. Were I such!But, since I am notSHE.
34
Am not? Who shall say,
Save she who tests, and haply to her loss?
'Tis better left untested. Strange that you,
Who can imagine whatso thing you will,
Should lack imagination to appraise
Imagination at its topmost worth.
Now wield your native sceptre and extend
Your fancy forth where Florence overbrims
In eddies fairer even than herself.
Look how the landscape smiles complacently
At its own beauty, as indeed it may;
Villa and vineyard each a separate home,
Containing possibilities unseen,
Materials for your pleasure. Now disport!
Which homestead may it please my lord of song
To chalk for his, as those rough Frenchmen did
Who came with bow-legged Charles to justify
Savonarola's scourgeful prophecies?
Shall it be that one gazing in our face,
Not jealous of its beauty, but exposed
To all the wantonness of sun and air,
With roses girt, with roses garlanded,
And balustraded terrace topped with jars
Of clove carnations; unambitious roof,
Italian equivalent to house
Love in a cottage? Why, the very place
For her you once described! Wait! Let me see,
Can I recall the lines? Yes, thus they ran.
Do you remember them? Or are they now
A chronicle forgotten and erased
From that convenient palimpsest, the heart?
In dewy covert of her eyes
The secret of the violet lies;
The sun and wind caress and pair
In the lithe wavelets of her hair;
The fragrance of the warm soft south
Hovers about her honeyed mouth;
And, when she moves, she floats through air
Like zephyr-wafted gossamer.
Hers is no lore of dumb dead books;
Her learning liveth in her looks;
35
And still she shows, in meek replies,
Wisdom enough to deem you wise.
Her voice as soothing is and sweet
As whispers of the waving wheat,
And in the moisture of her kiss
Is April-like deliciousness.
Like gloaming-hour, she doth inspire
A vague, an infinite desire;
And, like the stars, though out of sight,
Filleth the loneliness of night.
Come how she may, or slow or fleet,
She brings the morning on her feet;
Gone, leaves behind a nameless pain,
Like the sadness of a silenced strain.
HE.
A youthful dream.
SHE.
Yet memory can surmise
That young dream fruited to reality,
Then, like reality, was dream no more.
All dreams are youthful; you are dreaming still.
What lovely visions denizen your sleep!
Let me recall another; for I know
All you have written, thought, and felt, and much
You neither thought nor felt, but only sang.
A wondrous gift, a godlike gift, that breathes
Into our exiled clay unexiled lives,
Manlier than Adam, comelier than Eve.
That massive villa, we both know so well,
With one face set toward Settignano, one
Gazing at Bellosguardo, and its rear
Locked from the north by clustered cypresses,
That seem like fixed colossal sentinels,
And tower above its tower, but look not in,
Might be abode for her whom you conceived
In tropes so mystical, you must forgive
If recollection trips.
To dwell with her is calmly to abide
Through every change of time and every flux of tide.
36
In her the Present, Past, and Future meet,
The Father, and the Son, and dovelike Paraclete.
She holdeth silent intercourse with Night,
Still journeying with the stars, and shining with their light.
Her love, illumination; her embrace,
The sweep of angels' wings across a mortal's face.
Her lap is piled with autumn fruits, her brow
Crowned with the blossoming trails that smile from April's bough.
Like wintry stars that shine with frosty fire,
Her loftiness excites to elevate desire.
To love her is to burn with such a flame
As lights the lamp which bears the Sanctuary's name.
That lamp burns on for ever, day and night,
Before her mystic shrine. I am its acolyte.
HE.
The merest foam of fancy; foam and spray.
SHE.
Foam-drift of fancy that hath ebbed away.
See how the very simile rebukes
Man's all unsealike longings! For confess,
While ocean still returns, the puny waves
Of mortal love are sucked into the sand,
Their motion felt, their music heard, no more.
Look when the vines are linking hands, and seem
As pausing from the dance of Spring, or just
Preparing to renew it, round and round,
On the green carpet of the bladed corn,
That spreads about their feet: corn, vine, and fig,
Almond and mulberry, cherry, and pear, and peach,
Not taught to know their place, but left to range
Up to the villa's walls, windows, and doors,
And peep into its life and smile good-day,
A portion of its homeliness and joy:
37
A poet's villa once, a poet's again,
If you but dream it such; a roof for her,
To whom you wrote-I wonder who she wasThis saucy sonnet; saucy, withal sweet,
And O, how true of the reflected love
You poets render to your worshippers.
TRUE AS THE DIAL TO THE SUN.
You are the sun, and I the dial, sweet,
So you can mark on me what time you will.
If you move slowly, how can I move fleet?
And when you halt, I too must fain be still.
Chide not the cloudy humours of my brow,
If you behold no settled sunshine there:
Rather upbraid your own, sweet, and allow,
My looks cannot be foul if yours be fair.
Then from the heaven of your high witchery shine,
And I with smiles shall watch the hours glide by;
You have no mood that is not straightway mine;
My cheek but takes complexion from your eye.
All that I am dependeth so on you,
What clouds the sun must cloud the dial too.
HE.
No man should quarrel with his Past, and I
Maintain no feud with mine. Do we not ripen,
Ripen and mellow in love, unto the close,
Thanks no more to the present than the past?
First love is fresh but fugitive as Spring,
A wilding flower no sooner plucked than faded;
And summer's sultry fervour ends in storm,
Recriminating thunder, wasteful tears,
And angry gleam of lightning menaces.
Give me October's meditative haze,
Its gossamer mornings, dewy-wimpled eves,
Dewy and fragrant, fragrant and secure,
The long slow sound of farmward-wending wains,
When homely Love sups quiet 'mong its sheaves,
Sups 'mong its sheaves, its sickle at its side,
And all is peace, peace and plump fruitfulness.
SHE.
38
Picture of all we dream and we desire:
Autumn's grave cheerfulness and sober bliss,
Rich resignation, humble constancy.
For, prone to bear the load piled up by life,
We, once youth's pasture season at an end,
Submit to crawl. Unbroken to the last,
You spurn the goad of stern taskmaster Time.
Even 'mid autumn harvest you demand
Returning hope and blossom of the Spring,
All seasons and sensations, and at once,
Or in too quick succession. Do we blame?
We envy rather the eternal youth
We cannot share. But youth is pitiless,
And, marching onward, neither asks nor seeks
Who falls behind. Thus women who are wise,
Beside their thresholds knitting homely gear,
Wave wistful salutation as you pass,
And think of you regretfully, when gone:
A soft regret, a sweet regret, that is
Only the mellow fruit of unplucked joy.
Now improvise some other simple strain,
That with harmonious cadence may attune
The vain and hazard discords of discourse.
HE.
When Love was young, it asked for wings,
That it might still be roaming;
And away it sped, by fancy led,
Through dawn, and noon, and gloaming.
Each daintiness that blooms and blows
It wooed in honeyed metre,
And when it won the sweetest sweet,
It flew off to a sweeter:
When Love was young.
When Love was old, it craved for rest,
For home, and hearth, and haven;
For quiet talks round sheltered walks,
And long lawns smoothly shaven.
And what Love sought, at last it found,
A roof, a porch, a garden,
And from a fond unquestioning heart
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Peace, sympathy, and pardon,
When Love was old.
SHE.
Simple, in sooth, and haply true: withal,
Too, too autumnal even for my heart.
I never weary of your vernal note.
Carol again, and sing me back my youth
With the redundant melodies of Spring.
HE.
I breathe my heart in the heart of the rose,
The rose that I pluck and send you,
With a prayer that the perfume its leaves enclose
May kiss, and caress, and tend you:
Caress and tend you till I can come,
To the garden where first I found you,
And the thought that as yet in the rose is dumb
Can ripple in music round you.
O rose, that will shortly be her guest,
You may well look happy, at leaving:
Will you lie in the cradle her snowy breast
Doth rock with its gentle heaving?
Will you mount the throne of her hazel hair,
That waves like a summer billow,
Or be hidden and hushed, at nightfall prayer,
In the folds of her dimpled pillow?
And when she awakes at dawn to feel
If you have been dreaming with her,
Then the whole of your secret, sweet rose, reveal,
And say I am coming thither:
And that when there is silence in earth and sky,
And peace from the cares that cumber,
She must not ask if your leaves or I
Be clasped in her perfumed slumber.
SHE.
Give me your hand; and, if you will, keep mine
Engraffed in yours, as slowly thus we skirt
La Doccia's dark declivity, and make
40
Athwart Majano's pathless pines a path
To lead us onward haply where it may.
Lo! the Carrara mountains flush to view,
That in the noonday were not visible.
Shall we not fold this comfort to our hearts,
Humbly rejoiced to think as there are heights
Seen only in the sunset, so our lives,
If that they lack not loftiness, may wear
A glow of glory on their furrowed fronts,
Until they faint and fade into the night!
~ Alfred Austin,
1454:First Anniversary
Like the vain curlings of the watery maze,
Which in smooth streams a sinking weight does raise,
So Man, declining always, disappears
In the weak circles of increasing years;
And his short tumults of themselves compose,
While flowing Time above his head does close.
Cromwell alone with greater vigour runs,
(Sun-like) the stages of succeeding suns:
And still the day which he doth next restore,
Is the just wonder of the day before.
Cromwell alone doth with new lustre spring,
And shines the jewel of the yearly ring.
'Tis he the force of scattered time contracts,
And in one year the work of ages acts:
While heavy monarchs make a wide return,
Longer, and more malignant than Saturn:
And though they all Platonic years should reign,
In the same posture would be found again.
Their earthy projects under ground they lay,
More slow and brittle than the China clay:
Well may they strive to leave them to their son,
For one thing never was by one king done.
Yet some more active for a frontier town,
Taken by proxy, beg a false renown;
Another triumphs at the public cost,
And will have won, if he no more have lost;
They fight by others, but in person wrong,
And only are against their subjects strong;
Their other wars seem but a feigned contèst,
This common enemy is still oppressed;
If conquerors, on them they turn their might;
If conquered, on them they wreak their spite:
They neither build the temple in their days,
Nor matter for succeeding founders raise;
Nor sacred prophecies consult within,
Much less themself to pèfect them begin;
No other care they bear of things above,
57
But with astrologers divine of Jove
To know how long their planet yet reprieves
From the deservéd fate their guilty lives:
Thus (image-like) an useless time they tell,
And with vain sceptre strike the hourly bell,
Nor more contribute to the state of things,
Than wooden heads unto the viol's strings.
While indefatigable Cromwell hies,
And cuts his way still nearer to the skies,
Learning a music in the region clear,
To tune this lower to that higher sphere.
So when Amphion did the lute command,
Which the god gave him, with his gentle hand,
The rougher stones, unto his measures hewed,
Danced up in order from the quarries rude;
This took a lower, that an higher place,
As he the treble altered, or the bass:
No note he struck, but a new stone was laid,
And the great work ascended while he played.
The listening structures he with wonder eyed,
And still new stops to various time applied:
Now through the strings a martial rage he throws,
And joining straight the Theban tower arose;
Then as he strokes them with a touch more sweet,
The flocking marbles in a palace meet;
But for the most the graver notes did try,
Therefore the temples reared their columns high:
Thus, ere he ceased, his sacred lute creates
Th' harmonious city of the seven gates.
Such was that wondrous order and consent,
When Cromwell tuned the ruling Instrument,
While tedious statesmen many years did hack,
Framing a liberty that still went back,
Whose numerous gorge could swallow in an hour
That island, which the sea cannot devour:
Then our Amphion issued out and sings,
And once he struck, and twice, the powerful strings.
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The Commonwealth then first together came,
And each one entered in the willing frame;
All other matter yields, and may be ruled;
But who the minds of stubborn men can build?
No quarry bears a stone so hardly wrought,
Nor with such labour from its centre brought;
None to be sunk in the foundation bends,
Each in the house the highest place contends,
And each the hand that lays him will direct,
And some fall back upon the architect;
Yet all composed by his attractive song,
Into the animated city throng.
The Commonwealth does through their centres all
Draw the circumference of the public wall;
The crossest spirits here do take their part,
Fastening the contignation which they thwart;
And they, whose nature leads them to divide,
Uphold this one, and that the other side;
But the most equal still sustain the height,
And they as pillars keep the work upright,
While the resistance of opposèd minds,
The fabric (as with arches) stronger binds,
Which on the basis of a senate free,
Knit by the roof's protecting weight, agree.
When for his foot he thus a place had found,
He hurls e'er since the world about him round,
And in his several aspects, like a star,
Here shines in peace, and thither shoots in war,
While by his beams observing princes steer,
And wisely court the influence they fear.
O would they rather by his pattern won
Kiss the approaching, not yet angry Son;
And in their numbered footsteps humbly tread
The path where holy oracles do lead;
How might they under such a captain raise
The great designs kept for the latter days!
But mad with reason (so miscalled) of state
They know them not, and what they know not, hate.
Hence still they sing hosanna to the whore,
And her, whom they should massacre, adore:
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But Indians, whom they would convert, subdue;
Nor teach, but traffic with, or burn the Jew.
Unhappy princes, ignorantly bred,
By malice some, by error more misled,
If gracious heaven to my life give length,
Leisure to time, and to my weaknes strength,
Then shall I once with graver accents shake
Your regal sloth, and your long slumbers wake:
Like the shrill huntsman that prevents the east,
Winding his horn to kings that chase the beast.
Till then my muse shall hollo far behind
Angelic Cromwell who outwings the wind,
And in dark nights, and in cold days alone
Pursues the monster through every throne:
Which shrinking to her Roman den impure,
Gnashes her gory teeth; nor there secure.
Hence oft I think if in some happy hour
High grace should meet in one with highest power,
And then a seasonable people still
Should bend to his, as he to heaven's will,
What we might hope, what wonderful effect
From such a wished conjuncture might reflect.
Sure, the mysterious work, where none withstand,
Would forthwith finish under such a hand:
Foreshortened time its useless course would stay,
And soon precipitate the latest day.
But a thick cloud about that morning lies,
And intercepts the beams of mortal eyes,
That 'tis the most which we determine can,
If these the times, then this must be the man.
And well he therefore does, and well has guessed,
Who in his age has always forward pressed:
And knowing not where heaven's choice may light,
Girds yet his sword, and ready stand to fight;
But men, alas, as if they nothing cared,
Look on, all unconcerned, or unprepared;
And stars still fall, and still the dragon's tail
Swinges the volumes of its horrid flail.
For the great justice that did first suspend
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The world by sin, does by the same extend.
Hence that blest day still counterposèd wastes,
The ill delaying what the elected hastes;
Hence landing nature to new seas is tossed,
And good designs still with their authors lost.
And thou, great Cromwell, for whose happy birth
A mould was chosen out of better earth;
Whose saint-like mother we did lately see
Live out an age, long as a pedigree;
That she might seem (could we the Fall dispute),
T' have smelled the blossom, and not eat the fruit;
Though none does of more lasting parents grow,
Yet never any did them honour so,
Though thou thine heart from evil still unstained,
And always hast thy tongue from fraud refrained;
Thou, who so oft through storms of thundering lead
Hast born securely thine undaunted head,
Thy breast through poniarding conspiracies,
Drawn from the sheath of lying prophecies;
Thee proof behond all other force or skill,
Our sins endanger, and shall one day kill.
How near they failed, and in thy sudden fall
At once assayed to overturn us all.
Our brutish fury struggling to be free,
Hurried thy horses while they hurried thee,
When thou hadst almost quit thy mortal cares,
And soiled in dust thy crown of silver hairs.
Let this one sorrow interweave among
The other glories of our yearly song.
Like skilful looms, which through the costly thread
Of purling ore, a shining wave do shed:
So shall the tears we on past grief employ,
Still as they trickle, glitter in our joy.
So with more modesty we may be true,
And speak, as of the dead, the praises due:
While impious men deceived with pleasure short,
On their own hopes shall find the fall retort.
But the poor beasts, wanting their noble guide,
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(What could they more?) shrunk guiltily aside.
First wingèd fear transports them far away,
And leaden sorrow then their flight did stay.
See how they each his towering crest abate,
And the green grass, and their known mangers hate,
Nor through wide nostrils snuff the wanton air,
Nor their round hoofs, or curlèd manes compare;
With wandering eyes, and restless ears they stood,
And with shrill neighings asked him of the wood.
Thou, Cromwell, falling, not a stupid tree,
Or rock so savage, but it mourned for thee:
And all about was heard a panic groan,
As if that Nature's self were overthrown.
It seemed the earth did from the centre tear;
It seemed the sun was fall'n out of the sphere:
Justice obstructed lay, and reason fooled;
Courage disheartened, and religion cooled.
A dismal silence through the palace went,
And then loud shrieks the vaulted marbles rent,
Such as the dying chorus sings by turns,
And to deaf seas, and ruthless tempests mourns,
When now they sink, and now the plundering streams
Break up each deck, and rip the oaken seams.
But thee triumphant hence the fiery car,
And fiery steeds had borne out of the war,
From the low world, and thankless men above,
Unto the kingdom blest of peace and love:
We only mourned ourselves, in thine ascent,
Whom thou hadst left beneath with mantle rent.
For all delight of life thou then didst lose,
When to command, thou didst thyself dispose;
Resigning up thy privacy so dear,
To turn the headstrong people's charioteer;
For to be Cromwell was a greater thing,
Then ought below, or yet above a king:
Therefore thou rather didst thyself depress,
Yielding to rule, because it made thee less.
For neither didst thou from the first apply
62
Thy sober spirit unto things too high,
But in thine own fields exercised'st long,
An healthful mind within a body strong;
Till at the seventh time thou in the skies,
As a small cloud, like a man's hand, didst rise;
Then did thick mists and winds the air deform,
And down at last thou poured'st the fertile storm,
Which to the thirsty land did plenty bring,
But, though forewarned, o'ertook and wet the King.
What since he did, an higher force him pushed
Still from behind, and yet before him rushed,
Though undiscerned among the tumult blind,
Who think those high decrees by man designed.
'Twas heaven would not that his power should cease,
But walk still middle betwixt war and peace:
Choosing each stone, and poising every weight,
Trying the measures of the breadth and height;
Here pulling down, and there erecting new,
Founding a firm state by proportions true.
When Gideon so did from the war retreat,
Yet by the conquest of two kings grown great,
He on the peace extends a warlike power,
And Israel silent saw him raze the tower;
And how he Succorth's Elders durst suppress,
With thorns and briars of the wilderness.
No king might ever such a force have done;
Yet would not he be Lord, nor yet his son.
Thou with the same strength, and an heart as plain,
Didst (like thine olive) still refuse to reign,
Though why should others all thy labour spoil,
And brambles be anointed with thine oil,
Whose climbing flame, without a timely stop,
Had quickly levelled every cedar's top?
Therefore first growing to thyself a law,
Th' ambitious shrubs thou in just time didst awe.
So have I seen at sea, when whirling winds,
Hurry the bark, but more the seamen's minds,
Who with mistaken course salute the sand,
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And threatening rocks misapprehend for land,
While baleful Tritons to the shipwreck guide,
And corposants along the tackling slide,
The passengers all wearied out before,
Giddy, and wishing for the fatal shore,
Some lusty mate, who with more careful eye
Counted the hours, and every star did spy,
The help does from the artless steersman strain,
And doubles back unto the safer main.
What though a while they grumble discontent,
Saving himself, he does their loss prevent.
'Tis not a freedom, that where all command;
Nor tyranny, where one does them withstand:
But who of both the bounder knows to lay
Him as their father must the state obey.
Thou, and thine house (like Noah's eight) did rest,
Left by the wars' flood on the mountains' crest:
And the large vale lay subject to thy will
Which thou but as an husbandman wouldst till:
And only didst for others plant the vine
Of liberty, not drunken with its wine.
That sober liberty which men may have,
That they enjoy, but more they vainly crave:
And such as to their parents' tents do press,
May show their own, not see his nakedness.
Yet such a Chammish issue still does rage,
The shame and plague both of the land and age,
Who watched thy halting, and thy fall deride,
Rejoicing when thy foot had slipped aside,
That their new king might the fifth sceptre shake,
And make the world, by his example, quake:
Whose frantic army should they want for men
Might muster heresies, so one were ten.
What thy misfortune, they the spirit call,
And their religion only is to fall.
Oh Mahomet! now couldst thou rise again,
Thy falling-sickness should have made thee reign,
While Feake and Simpson would in many a tome,
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Have writ the comments of thy sacred foam:
For soon thou mightst have passed among their rant
Were't but for thine unmovèd tulipant;
As thou must needs have owned them of thy band
For prophecies fit to be Alcoraned.
Accursèd locusts, whom your king does spit
Out of the centre of the unbottomed pit;
Wanderers, adulterers, liars, Munster's rest,
Sorcerers, athiests, jesuits possessed;
You who the scriptures and the laws deface
With the same liberty as points and lace;
Oh race most hypocritically strict!
Bent to reduce us to the ancient Pict;
Well may you act the Adam and the Eve;
Ay, and the serpent too that did deceive.
But the great captain, now the danger's o'er,
Makes you for his sake tremble one fit more;
And, to your spite, returning yet alive
Does with himself all that is good revive.
So when first man did through the morning new
See the bright sun his shining race pursue,
All day he followed with unwearied sight,
Pleased with that other world of moving light;
But thought him when he missed his setting beams,
Sunk in the hills, or plunged below the streams.
While dismal blacks hung round the universe,
And stars (like tapers) burned upon his hearse:
And owls and ravens with their screeching noise
Did make the funerals sadder by their joys.
His weeping eyes the doleful vigils keep,
Not knowing yet the night was made for sleep;
Still to the west, where he him lost, he turned,
And with such accents as despairing mourned:
`Why did mine eyes once see so bright a ray;
Or why day last no longer than a day?'
When straight the sun behind him he descried,
Smiling serenely from the further side.
So while our star that gives us light and heat,
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Seemed now a long and gloomy night to threat,
Up from the other world his flame he darts,
And princes (shining through their windows) starts,
Who their suspected counsellors refuse,
And credulous ambassadors accuse.
`Is this', saith one, `the nation that we read
Spent with both wars, under a captain dead,
Yet rig a navy while we dress us late,
And ere we dine, raze and rebuild their state?
What oaken forests, and what golden mines!
What mints of men, what union of designs!
(Unless their ships, do, as their fowl proceed
Of shedding leaves, that with their ocean breed).
Theirs are not ships, but rather arks of war
And beakèd promontories sailed from far;
Of floating islands a new hatchèd nest;
A fleet of worlds, of other worlds in quest;
An hideous shoal of wood-leviathans,
Armed with three tier of brazen hurricanes,
That through the centre shoot their thundering side
And sink the earth that does at anchor ride.
What refuge to escape them can be found,
Whose watery leaguers all the world surround?
Needs must we all their tributaries be,
Whose navies hold the sluices of the sea.
The ocean is the fountain of command,
But that once took, we captives are on land.
And those that have the waters for their share,
Can quickly leave us neither earth nor air.
Yet if through these our fears could find a pass,
Through double oak, and lined with treble brass,
That one man still, although but named, alarms
More than all men, all navies, and all arms.
Him, in the day, him, in late night I dread,
And still his sword seems hanging o'er my head.
The nation had been ours, but his one soul
Moves the great bulk, and animates the whole.
He secrecy with number hath enchased,
Courage with age, maturity with haste:
The valiant's terror, riddle of the wise,
And still his falchion all our knots unties.
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Where did he learn those arts that cost us dear?
Where below earth, or where above the sphere?
He seems a king by long succession born,
And yet the same to be a king does scorn.
Abroad a king he seems, and something more,
At home a subject on the equal floor.
O could I once him with our title see,
So should I hope that he might die as we.
But let them write is praise that love him best,
It grieves me sore to have thus much confessed.'
Pardon, great Prince, if thus their fear of spite
More than our love and duty do thee right.
I yield, nor further will the prize contend,
So that we both alike may miss our end:
While thou thy venerable head dost raise
As far above their malice as my praise,
And as the Angel of our commonweal,
Troubling the waters, yearly mak'st them heal.
~ Andrew Marvell,
1455:The First Anniversary Of The Government Under O.C.
Like the vain Curlings of the Watry maze,
Which in smooth streams a sinking Weight does raise;
So Man, declining alwayes, disappears.
In the Weak Circles of increasing Years;
And his short Tumults of themselves Compose,
While flowing Time above his Head does close.
Cromwell alone with greater Vigour runs,
(Sun-like) the Stages of succeeding Suns:
And still the Day which he doth next restore,
Is the just Wonder of the Day before.
Cromwell alone doth with new Lustre spring,
And shines the Jewel of the yearly Ring.
'Tis he the force of scatter'd Time contracts,
And in one Year the Work of Ages acts:
While heavy Monarchs make a wide Return,
Longer, and more Malignant then Saturn:
And though they all Platonique years should raign,
In the same Posture would be found again.
Their earthly Projects under ground they lay,
More slow and brittle then the China clay:
Well may they strive to leave them to their Son,
For one Thing never was by one King don.
Yet some more active for a Frontier Town
Took in by Proxie, beggs a false Renown;
Another triumphs at the publick Cost,
And will have Wonn, if he no more have Lost;
They fight by Others, but in Person wrong,
And only are against their Subjects strong;
Their other Wars seem but a feign'd contest,
This Common Enemy is still opprest;
If Conquerors, on them they turn their might;
If Conquered, on them they wreak their Spight:
They neither build the Temple in their dayes,
Nor Matter for succeeding Founders raise;
Nor Sacred Prophecies consult within,
Much less themselves to perfect them begin,
No other care they bear of things above,
But with Astrologers divine, and Jove,
To know how long their Planet yet Reprives
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From the deserved Fate their guilty lives:
Thus (Image-like) and useless time they tell,
And with vain Scepter strike the hourly Bell;
Nor more contribute to the state of Things,
Then wooden Heads unto the Viols strings,
While indefatigable Cromwell hyes,
And cuts his way still nearer to the Skyes,
Learning a Musique in the Region clear,
To tune this lower to that higher Sphere.
So when Amphion did the Lute command,
Which the God gave him, with his gentle hand,
The rougher Stones, unto his Measures hew'd,
Dans'd up in order from the Quarreys rude;
This took a Lower, that an Higher place,
As he the Treble alter'd, or the Base:
No Note he struck, but a new Story lay'd,
And the great Work ascended while he play'd.
The listning Structures he with Wonder ey'd,
And still new Stopps to various Time apply'd:
Now through the Strings a Martial rage he throws,
And joyng streight the Theban Tow'r arose;
Then as he strokes them with a Touch more sweet,
The flocking Marbles in a Palace meet;
But, for he most the graver Notes did try,
Therefore the Temples rear'd their Columns high:
Thus, ere he ceas'd, his sacred Lute creates
Th'harmonious City of the seven Gates.
Such was that wondrous Order and Consent,
When Cromwell tun'd the ruling Instrument;
While tedious Statesmen many years did hack,
Framing a Liberty that still went back;
Whose num'rous Gorge could swallow in an hour
That Island, which the Sea cannot devour:
Then our Amphion issues out and sings,
And once he struck, and twice, the pow'rful Strings.
The Commonwealth then first together came,
And each one enter'd in the willing Frame;
All other Matter yields, and may be rul'd;
But who the Minds of stubborn Men can build?
No Quarry bears a Stone so hardly wrought,
Nor with such labour from its Center brought;
None to be sunk in the Foundation bends,
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Each in the House the highest Place contends,
And each the Hand that lays him will direct,
And some fall back upon the Architect;
Yet all compos'd by his attractive Song,
Into the Animated City throng.
The Common-wealth does through their Centers all
Draw the Circumf'rence of the publique Wall;
The crossest Spirits here do take their part,
Fast'ning the Contignation which they thwart;
And they, whose Nature leads them to divide,
Uphold, this one, and that the other Side;
But the most Equal still sustein the Height,
And they as Pillars keep the Work upright;
While the resistance of opposed Minds,
The Fabrick as with Arches stronger binds,
Which on the Basis of a Senate free,
Knit by the Roofs Protecting weight agree.
When for his foot he thus a place had found,
He hurles e'r since the World about him round,
And in his sev'ral Aspects, like a Star,
Here shines in Peace, and thither shoots a War.
While by his Beams observing Princes steer,
And wisely court the Influence they fear,
O would they rather by his Pattern won.
Kiss the approaching, nor yet angry Son;
And in their numbred Footsteps humbly tread
The path where holy Oracles do lead;
How might they under such a Captain raise
The great Designs kept for the latter Dayes!
But mad with reason, so miscall'd, of State
They know them not, and what they know not, hate
Hence still they sing Hosanna to the Whore,
And her whom they should Massacre adore:
But Indians whom they should convert, subdue;
Nor teach, but traffique with, or burn the Jew.
Unhappy Princes, ignorantly bred,
By Malice some, by Errour more misled;
If gracious Heaven to my Life give length,
Leisure to Times, and to my Weakness Strength,
Then shall I once with graver Accents shake
Your Regal sloth, and your long Slumbers wake:
Like the shrill Huntsman that prevents the East,
139
Winding his Horn to Kings that chase the Beast.
Till then my Muse shall hollow far behind
Angelique Cromwell who outwings the wind;
And in dark Nights, and in cold Dayes alone
Pursues the Monster thorough every Throne:
Which shrinking to her Roman Den impure,
Gnashes her Goary teeth; nor there secure.
Hence oft I think, if in some happy Hour
High Grace should meet in one with highest Pow'r,
And then a seasonable People still
Should bend to his, as he to Heavens will,
What we might hope, what wonderful Effect
From such a wish'd Conjuncture might reflect.
Sure, the mysterious Work, where none withstand,
Would forthwith finish under such a Hand:
Fore-shortned Time its useless Course would stay,
And soon precipitate the latest Day.
But a thick Cloud about that Morning lyes,
And intercepts the Beams of Mortal eyes,
That 'tis the most which we deteremine can,
If these the Times, then this must be the Man.
And well he therefore does, and well has guest,
Who in his Age has always forward prest:
And knowing not where Heavens choice may light,
Girds yet his Sword, and ready stands to fight;
But Men alas, as if they nothing car'd,
Look on, all unconcern'd, or unprepar'd;
And Stars still fall, and still the Dragons Tail
Swinges the Volumes of its horrid Flail.
For the great Justice that did first suspend
The World by Sin, does by the same extend.
Hence that blest Day still counterpoysed wastes,
The ill delaying, what th'Elected hastes;
Hence landing Nature to new Seas it tost,
And good Designes still with their Authors lost.
And thou, great Cromwell, for whose happy birth
A Mold was chosen out of better Earth;
Whose Saint-like Mother we did lately see
Live out an Age, long as a Pedigree;
That she might seem, could we the Fall dispute,
T'have smelt the Blossome, and not eat the Fruit;
Though none does of more lasting Parents grow,
140
But never any did them Honor so;
Though thou thine Heart from Evil still unstain'd,
And always hast thy Tongue from fraud refrain'd,
Thou, who so oft through Storms of thundring Lead
Hast born securely thine undaunted Head,
Thy Brest through ponyarding Conspiracies,
Drawn from the Sheath of lying Prophecies;
Thee proof beyond all other Force or Skill,
Our Sins endanger, and shall one day kill.
How near they fail'd, and in thy sudden Fall
At once assay'd to overturn us all.
Our brutish fury strugling to be Free,
Hurry'd thy Horses while they hurry'd thee.
When thou hadst almost quit thy Mortal cares,
And soyl'd in Dust thy Crown of silver Hairs.
Let this one Sorrow interweave among
The other Glories of our yearly Song.
Like skilful Looms which through the costly threed
Of purling Ore, a shining wave do shed:
So shall the Tears we on past Grief employ,
Still as they trickle, glitter in our Joy.
So with more Modesty we may be True,
And speak as of the Dead the Praises due:
While impious Men deceiv'd with pleasure short,
On their own Hopes shall find the Fall retort.
But the poor Beasts wanting their noble Guide,
What could they move? shrunk guiltily aside.
First winged Fear transports them far away,
And leaden Sorrow then their flight did stay.
See how they each his towring Crest abate,
And the green Grass, and their known Mangers hate,
Nor through wide Nostrils snuffe the wanton air,
Nor their round Hoofs, or curled Mane'scompare;
With wandring Eyes, and restless Ears theystood,
And with shrill Neighings ask'd him of the Wood.
Thou Cromwell falling, not a stupid Tree,
Or Rock so savage, but it mourn'd for thee:
And all about was heard a Panique groan,
As if that Natures self were overthrown.
It seem'd the Earth did from the Center tear;
It seem'd the Sun was faln out of the Sphere:
Justice obstructed lay, and Reason fool'd;
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Courage disheartned, and Religion cool'd.
A dismal Silence through the Palace went,
And then loud Shreeks the vaulted Marbles rent.
Such as the dying Chorus sings by turns,
And to deaf Seas, and ruthless Tempests mourns,
When now they sink, and now the plundring Streams
Break up each Deck, and rip the Oaken seams.
But thee triumphant hence the firy Carr,
And firy Steeds had born out of the Warr,
From the low World, and thankless Men above,
Unto the Kingdom blest of Peace and Love:
We only mourn'd our selves, in thine Ascent,
Whom thou hadst lest beneath with Mantle rent.
For all delight of Life thou then didst lose,
When to Command, thou didst thy self Depose;
Resigning up thy Privacy so dear,
To turn the headstrong Peoples Charioteer;
For to be Cromwell was a greater thing,
Then ought below, or yet above a King:
Therefore thou rather didst thy Self depress,
Yielding to Rule, because it made thee Less.
For, neither didst thou from the first apply
Thy sober Spirit unto things too High,
But in thine own Fields exercisedst long,
An Healthful Mind within a Body strong;
Till at the Seventh time thou in the Skyes,
As a small Cloud, like a Mans hand didst rise;
Then did thick Mists and Winds the air deform,
And down at last thou pow'rdst the fertile Storm;
Which to the thirsty Land did plenty bring,
But though forewarn'd, o'r-took and wet the King.
What since he did, an higher Force him push'd
Still from behind, and it before him rush'd,
Though undiscern'd among the tumult blind,
Who think those high Decrees by Man design'd.
'Twas Heav'n would not that his Pow'r should cease,
But walk still middle betwixt War and Peace;
Choosing each Stone, and poysing every weight,
Trying the Measures of the Bredth and Height;
Here pulling down, and there erecting New,
Founding a firm State by Proportions true.
When Gideon so did from the War retreat,
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Yet by Conquest of two Kings grown great,
He on the Peace extends a Warlike power,
And Is'rel silent saw him rase the Tow'r;
And how he Succoths Elders durst suppress,
With Thorns and Briars of the Wilderness.
No King might ever such a Force have done;
Yet would not he be Lord, nor yet his Son.
Thou with the same strength, and an Heart as plain,
Didst (like thine Olive) still refuse to Reign;
Though why should others all thy Labor spoil,
And Brambles be anointed with thine Oyl,
Whose climbing Flame, without a timely stop,
Had quickly Levell'd every Cedar's top.
Therefore first growing to thy self a Law,
Th'ambitious Shrubs thou in just time didst aw.
So have I seen at Sea, when whirling Winds,
Hurry the Bark, but more the Seamens minds,
Who with mistaken Course salute the Sand,
And threat'ning Rocks misapprehend for Land;
While baleful Tritons to the shipwrack guide.
And Corposants along the Tacklings slide.
The Passengers all wearyed out before,
Giddy, and wishing for the fatal Shore;
Some lusty Mate, who with more careful Eye
Counted the Hours, and ev'ry Star did spy,
The Helm does from the artless Steersman strain,
And doubles back unto the safer Main.
What though a while they grumble discontent,
Saving himself he does their loss prevent.
'Tis not a Freedome, that where All command;
Nor Tyranny, where One does them withstand:
But who of both the Bounders knows to lay
Him as their Father must the State obey.
Thou, and thine House, like Noah's Eight did rest,
Left by the Wars Flood on the Mountains crest:
And the large Vale lay subject to thy Will,
Which thou but as an Husbandman would Till:
And only didst for others plant the Vine
Of Liberty, not drunken with its Wine.
That sober Liberty which men may have,
That they enjoy, but more they vainly crave:
And such as to their Parents Tents do press,
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May shew their own, not see his Nakedness.
Yet such a Chammish issue still does rage,
The Shame and Plague both of the Land and Age,
Who watch'd thy halting, and thy Fall deride,
Rejoycing when thy Foot had slipt aside;
that their new King might the fifth Scepter shake,
And make the World, by his Example, Quake:
Whose frantique Army should they want for Men
Might muster Heresies, so one were ten.
What thy Misfortune, they the Spirit call,
And their Religion only is to Fall.
Oh Mahomet! now couldst thou rise again,
Thy Falling-sickness should have made thee Reign,
While Feake and Simpson would in many a Tome,
Have writ the Comments of thy sacred Foame:
For soon thou mightst have past among their Rant
Wer't but for thine unmoved Tulipant;
As thou must needs have own'd them of thy band
For prophecies fit to be Alcorand.
Accursed Locusts, whom your King does spit
Out of the Center of th'unbottom'd Pit;
Wand'rers, Adult'rers, Lyers, Munser's rest,
Sorcerers, Atheists, Jesuites, Possest;
You who the Scriptures and the Laws deface
With the same liberty as Points and Lace;
Oh Race most hypocritically strict!
Bent to reduce us to the ancient Pict;
Well may you act the Adam and the Eve;
Ay, and the Serpent too that did deceive.
But the great Captain, now the danger's ore,
Makes you for his sake Tremble one fit more;
And, to your spight, returning yet alive
Does with himself all that is good revive.
So when first Man did through the Morning new
See the bright Sun his shining Race pursue,
All day he follow'd with unwearied sight,
Pleas'd with that other World of moving Light;
But thought him when he miss'd his setting beams,
Sunk in the Hills, or plung'd below the Streams.
While dismal blacks hung round the Universe,
And Stars (like Tapers) burn'd upon his Herse:
And Owls and Ravens with their screeching noyse
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Did make the Fun'rals sadder by their Joyes.
His weeping Eyes the doleful Vigils keep,
Not knowing yet the Night was made for sleep:
Still to the West, where he him lost, he turn'd,
And with such accents, as Despairing, mourn'd:
Why did mine Eyes once see so bright a Ray;
Or why Day last no longer than a Day?
When streight the Sun behind him he descry'd,
Smiling serenely from the further side.
So while our Star that gives us Light and Heat,
Seem'd now a long and gloomy Night to threat,
Up from the other World his Flame he darts,
And Princes shining through their windows starts;
Who their suspected Counsellors refuse,
And credulous Ambassadors accuse.
"Is this, saith one, the Nation that we read
"Spent with both Wars, under a Captain dead?
"Yet rig a Navy while we dress us late;
"And ere we Dine, rase and rebuild our State.
"What Oaken Forrests, and what golden Mines!
"What Mints of Men, what Union of Designes!
"Unless their Ships, do, as their Fowle proceed
"Of shedding Leaves, that with their Ocean breed.
"Theirs are not Ships, but rather Arks of War,
"And beaked Promontories sail'd from far;
"Of floting Islands a new Hatched Nest;
"A Fleet of Worlds, of other Worlds in quest;
"An hideous shole of wood Leviathans,
"Arm'd with three Tire of brazen Hurricans;
"That through the Center shoot their thundring side
"And sink the Earth that does at Anchor ride.
'What refuge to escape them can be found,
"Whose watry Leaguers all the world surround?
"Needs must we all their Tributaries be,
"Whose Navies hold the Sluces of the Sea.
"The Ocean is the Fountain of Command,
"But that once took, we Captives are on Land:
"And those that have the Waters for their share,
"Can quickly leave us neither Earth nor Air.
"Yet if through these our Fears could find a pass;
"Through double Oak, & lin'd with treble Brass;
"That one Man still, although but nam'd, alarms
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"More then all Men, all Navies, and all Arms.
"Him, all the Day, Him, in late Nights I dread,
"And still his Sword seems hanging o're my head.
"The Nation had been ours, but his one Soul
"Moves the great Bulk, and animates the whole.
"He Secrecy with Number hath inchas'd,
"Courage with Age, Maturity with Hast:
"The Valiants Terror, Riddle of the Wise;
"And still his Fauchion all our Knots unties.
"Where did he learn those Arts that cost us dear?
"Where below Earth, or where above the Sphere?
"He seems a King by long Succession born,
"And yet the same to be a King does scorn.
"Abroad a King he seems, and something more,
"At Home a Subject on the equal Floor.
"O could I once him with our Title see,
"So should I hope yet he might Dye as wee.
"But let them write his Praise that love him best,
"It grieves me sore to have thus much confest.
"Pardon, great Prince, if thus their Fear or Spight
"More then our Love and Duty do thee Right.
"I yield, nor further will the Prize contend;
"So that we both alike may miss our End:
"While thou thy venerable Head dost raise
"As far above their Malice as my Praise.
"And as the Angel of our Commonweal,
"Troubling the Waters, yearly mak'st them Heal.
~ Andrew Marvell,
1456:The Two Voices
A still small voice spake unto me,
"Thou art so full of misery,
Were it not better not to be?"
Then to the still small voice I said;
"Let me not cast in endless shade
What is so wonderfully made."
To which the voice did urge reply;
"To-day I saw the dragon-fly
Come from the wells where he did lie.
"An inner impulse rent the veil
Of his old husk: from head to tail
Came out clear plates of sapphire mail.
"He dried his wings: like gauze they grew;
Thro' crofts and pastures wet with dew
A living flash of light he flew."
I said, "When first the world began,
Young Nature thro' five cycles ran,
And in the sixth she moulded man.
"She gave him mind, the lordliest
Proportion, and, above the rest,
Dominion in the head and breast."
Thereto the silent voice replied;
"Self-blinded are you by your pride:
Look up thro' night: the world is wide.
"This truth within thy mind rehearse,
That in a boundless universe
Is boundless better, boundless worse.
"Think you this mould of hopes and fears
Could find no statelier than his peers
In yonder hundred million spheres?"
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It spake, moreover, in my mind:
"Tho' thou wert scatter'd to the wind,
Yet is there plenty of the kind."
Then did my response clearer fall:
"No compound of this earthly ball
Is like another, all in all."
To which he answer'd scoffingly;
"Good soul! suppose I grant it thee,
Who'll weep for thy deficiency?
"Or will one beam be less intense,
When thy peculiar difference
Is cancell'd in the world of sense?"
I would have said, "Thou canst not know,"
But my full heart, that work'd below,
Rain'd thro' my sight its overflow.
Again the voice spake unto me:
"Thou art so steep'd in misery,
Surely 'twere better not to be.
"Thine anguish will not let thee sleep,
Nor any train of reason keep:
Thou canst not think, but thou wilt weep."
I said, "The years with change advance:
If I make dark my countenance,
I shut my life from happier chance.
"Some turn this sickness yet might take,
Ev'n yet." But he: "What drug can make
A wither'd palsy cease to shake?"
I wept, "Tho' I should die, I know
That all about the thorn will blow
In tufts of rosy-tinted snow;
"And men, thro' novel spheres of thought
839
Still moving after truth long sought,
Will learn new things when I am not."
"Yet," said the secret voice, "some time,
Sooner or later, will gray prime
Make thy grass hoar with early rime.
"Not less swift souls that yearn for light,
Rapt after heaven's starry flight,
Would sweep the tracts of day and night.
"Not less the bee would range her cells,
The furzy prickle fire the dells,
The foxglove cluster dappled bells."
I said that "all the years invent;
Each month is various to present
The world with some development.
"Were this not well, to bide mine hour,
Tho' watching from a ruin'd tower
How grows the day of human power?"
"The highest-mounted mind," he said,
"Still sees the sacred morning spread
The silent summit overhead.
"Will thirty seasons render plain
Those lonely lights that still remain,
Just breaking over land and main?
"Or make that morn, from his cold crown
And crystal silence creeping down,
Flood with full daylight glebe and town?
"Forerun thy peers, thy time, and let
Thy feet, millenniums hence, be set
In midst of knowledge, dream'd not yet.
"Thou hast not gain'd a real height,
Nor art thou nearer to the light,
Because the scale is infinite.
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"'Twere better not to breathe or speak,
Than cry for strength, remaining weak,
And seem to find, but still to seek.
"Moreover, but to seem to find
Asks what thou lackest, thought resign'd,
A healthy frame, a quiet mind."
I said, "When I am gone away,
‘He dared not tarry,' men will say,
Doing dishonour to my clay."
"This is more vile," he made reply,
"To breathe and loathe, to live and sigh,
Than once from dread of pain to die.
"Sick art thou—a divided will
Still heaping on the fear of ill
The fear of men, a coward still.
"Do men love thee? Art thou so bound
To men, that how thy name may sound
Will vex thee lying underground?
"The memory of the wither'd leaf
In endless time is scarce more brief
Than of the garner'd Autumn-sheaf.
"Go, vexed Spirit, sleep in trust;
The right ear, that is fill'd with dust,
Hears little of the false or just."
"Hard task, to pluck resolve," I cried,
"From emptiness and the waste wide
Of that abyss, or scornful pride!
"Nay—rather yet that I could raise
One hope that warm'd me in the days
While still I yearn'd for human praise.
"When, wide in soul and bold of tongue,
841
Among the tents I paused and sung,
The distant battle flash'd and rung.
"I sung the joyful P¾an clear,
And, sitting, burnish'd without fear
The brand, the buckler, and the spear—
"Waiting to strive a happy strife,
To war with falsehood to the knife,
And not to lose the good of life—
"Some hidden principle to move,
To put together, part and prove,
And mete the bounds of hate and love—
"As far as might be, to carve out
Free space for every human doubt,
That the whole mind might orb about—
"To search thro' all I felt or saw,
The springs of life, the depths of awe,
And reach the law within the law:
"At least, not rotting like a weed,
But, having sown some generous seed,
Fruitful of further thought and deed,
"To pass, when Life her light withdraws,
Not void of righteous self-applause,
Nor in a merely selfish cause—
"In some good cause, not in mine own,
To perish, wept for, honour'd, known,
And like a warrior overthrown;
"Whose eyes are dim with glorious tears,
When, soil'd with noble dust, he hears
His country's war-song thrill his ears:
"Then dying of a mortal stroke,
What time the foeman's line is broke,
And all the war is roll'd in smoke."
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"Yea!" said the voice, "thy dream was good,
While thou abodest in the bud.
It was the stirring of the blood.
"If Nature put not forth her power
About the opening of the flower,
Who is it that could live an hour?
"Then comes the check, the change, the fall,
Pain rises up, old pleasures pall.
There is one remedy for all.
"Yet hadst thou, thro' enduring pain,
Link'd month to month with such a chain
Of knitted purport, all were vain.
"Thou hadst not between death and birth
Dissolved the riddle of the earth.
So were thy labour little-worth.
"That men with knowledge merely play'd,
I told thee—hardly nigher made,
Tho' scaling slow from grade to grade;
"Much less this dreamer, deaf and blind,
Named man, may hope some truth to find,
That bears relation to the mind.
"For every worm beneath the moon
Draws different threads, and late and soon
Spins, toiling out his own cocoon.
"Cry, faint not: either Truth is born
Beyond the polar gleam forlorn,
Or in the gateways of the morn.
"Cry, faint not, climb: the summits slope
Beyond the furthest flights of hope,
Wrapt in dense cloud from base to cope.
"Sometimes a little corner shines,
843
As over rainy mist inclines
A gleaming crag with belts of pines.
"I will go forward, sayest thou,
I shall not fail to find her now.
Look up, the fold is on her brow.
"If straight thy track, or if oblique,
Thou know'st not. Shadows thou dost strike,
Embracing cloud, Ixion-like;
"And owning but a little more
Than beasts, abidest lame and poor,
Calling thyself a little lower
"Than angels. Cease to wail and brawl!
Why inch by inch to darkness crawl?
There is one remedy for all."
"O dull, one-sided voice," said I,
"Wilt thou make everything a lie,
To flatter me that I may die?
"I know that age to age succeeds,
Blowing a noise of tongues and deeds,
A dust of systems and of creeds.
"I cannot hide that some have striven,
Achieving calm, to whom was given
The joy that mixes man with Heaven:
"Who, rowing hard against the stream,
Saw distant gates of Eden gleam,
And did not dream it was a dream;
"But heard, by secret transport led,
Ev'n in the charnels of the dead,
The murmur of the fountain-head—
"Which did accomplish their desire,
Bore and forebore, and did not tire,
Like Stephen, an unquenched fire.
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"He heeded not reviling tones,
Nor sold his heart to idle moans,
Tho' cursed and scorn'd, and bruised with stones:
"But looking upward, full of grace,
He pray'd, and from a happy place
God's glory smote him on the face."
The sullen answer slid betwixt:
"Not that the grounds of hope were fix'd,
The elements were kindlier mix'd."
I said, "I toil beneath the curse,
But, knowing not the universe,
I fear to slide from bad to worse.
"And that, in seeking to undo
One riddle, and to find the true,
I knit a hundred others new:
"Or that this anguish fleeting hence,
Unmanacled from bonds of sense,
Be fix'd and froz'n to permanence:
"For I go, weak from suffering here:
Naked I go, and void of cheer:
What is it that I may not fear?"
"Consider well," the voice replied,
"His face, that two hours since hath died;
Wilt thou find passion, pain or pride?
"Will he obey when one commands?
Or answer should one press his hands?
He answers not, nor understands.
"His palms are folded on his breast:
There is no other thing express'd
But long disquiet merged in rest.
"His lips are very mild and meek:
845
Tho' one should smite him on the cheek,
And on the mouth, he will not speak.
"His little daughter, whose sweet face
He kiss'd, taking his last embrace,
Becomes dishonour to her race—
"His sons grow up that bear his name,
Some grow to honour, some to shame,—
But he is chill to praise or blame.
"He will not hear the north-wind rave,
Nor, moaning, household shelter crave
From winter rains that beat his grave.
"High up the vapours fold and swim:
About him broods the twilight dim:
The place he knew forgetteth him."
"If all be dark, vague voice," I said,
"These things are wrapt in doubt and dread,
Nor canst thou show the dead are dead.
"The sap dries up: the plant declines.
A deeper tale my heart divines.
Know I not Death? the outward signs?
"I found him when my years were few;
A shadow on the graves I knew,
And darkness in the village yew.
"From grave to grave the shadow crept:
In her still place the morning wept:
Touch'd by his feet the daisy slept.
"The simple senses crown'd his head:
‘Omega! thou art Lord,' they said,
‘We find no motion in the dead.'
"Why, if man rot in dreamless ease,
Should that plain fact, as taught by these,
Not make him sure that he shall cease?
846
"Who forged that other influence,
That heat of inward evidence,
By which he doubts against the sense?
"He owns the fatal gift of eyes,
That read his spirit blindly wise,
Not simple as a thing that dies.
"Here sits he shaping wings to fly:
His heart forebodes a mystery:
He names the name Eternity.
"That type of Perfect in his mind
In Nature can he nowhere find.
He sows himself on every wind.
"He seems to hear a Heavenly Friend,
And thro' thick veils to apprehend
A labour working to an end.
"The end and the beginning vex
His reason: many things perplex,
With motions, checks, and counterchecks.
"He knows a baseness in his blood
At such strange war with something good,
He may not do the thing he would.
"Heaven opens inward, chasms yawn,
Vast images in glimmering dawn,
Half shown, are broken and withdrawn.
"Ah! sure within him and without,
Could his dark wisdom find it out,
There must be answer to his doubt,
"But thou canst answer not again.
With thine own weapon art thou slain,
Or thou wilt answer but in vain.
"The doubt would rest, I dare not solve.
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In the same circle we revolve.
Assurance only breeds resolve."
As when a billow, blown against,
Falls back, the voice with which I fenced
A little ceased, but recommenced.
"Where wert thou when thy father play'd
In his free field, and pastime made,
A merry boy in sun and shade?
"A merry boy they call'd him then,
He sat upon the knees of men
In days that never come again.
"Before the little ducts began
To feed thy bones with lime, and ran
Their course, till thou wert also man:
"Who took a wife, who rear'd his race,
Whose wrinkles gather'd on his face,
Whose troubles number with his days:
"A life of nothings, nothing-worth,
From that first nothing ere his birth
To that last nothing under earth!"
"These words," I said, "are like the rest;
No certain clearness, but at best
A vague suspicion of the breast:
"But if I grant, thou mightst defend
The thesis which thy words intend—
That to begin implies to end;
"Yet how should I for certain hold,
Because my memory is so cold,
That I first was in human mould?
"I cannot make this matter plain,
But I would shoot, howe'er in vain,
A random arrow from the brain.
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"It may be that no life is found,
Which only to one engine bound
Falls off, but cycles always round.
"As old mythologies relate,
Some draught of Lethe might await
The slipping thro' from state to state.
"As here we find in trances, men
Forget the dream that happens then,
Until they fall in trance again.
"So might we, if our state were such
As one before, remember much,
For those two likes might meet and touch.
"But, if I lapsed from nobler place,
Some legend of a fallen race
Alone might hint of my disgrace;
"Some vague emotion of delight
In gazing up an Alpine height,
Some yeaming toward the lamps of night;
"Or if thro' lower lives I came—
Tho' all experience past became
Consolidate in mind and frame—
"I might forget my weaker lot;
For is not our first year forgot?
The haunts of memory echo not.
"And men, whose reason long was blind,
From cells of madness unconfined,
Oft lose whole years of darker mind.
"Much more, if first I floated free,
As naked essence, must I be
Incompetent of memory:
"For memory dealing but with time,
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And he with matter, could she climb
Beyond her own material prime?
"Moreover, something is or seems,
That touches me with mystic gleams,
Like glimpses of forgotten dreams—
"Of something felt, like something here;
Of something done, I know not where;
Such as no language may declare."
The still voice laugh'd. "I talk," said he,
"Not with thy dreams. Suffice it thee
Thy pain is a reality."
"But thou," said I, "hast missed thy mark,
Who sought'st to wreck my mortal ark,
By making all the horizon dark.
"Why not set forth, if I should do
This rashness, that which might ensue
With this old soul in organs new?
"Whatever crazy sorrow saith,
No life that breathes with human breath
Has ever truly long'd for death.
"'Tis life, whereof our nerves are scant,
Oh life, not death, for which we pant;
More life, and fuller, that I want."
I ceased, and sat as one forlorn.
Then said the voice, in quiet scorn,
"Behold, it is the Sabbath morn."
And I arose, and I released
The casement, and the light increased
With freshness in the dawning east.
Like soften'd airs that blowing steal,
When meres begin to uncongeal,
The sweet church bells began to peal.
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On to God's house the people prest:
Passing the place where each must rest,
Each enter'd like a welcome guest.
One walk'd between his wife and child,
With measured footfall firm and mild,
And now and then he gravely smiled.
The prudent partner of his blood
Lean'd on him, faithful, gentle, good,
Wearing the rose of womanhood.
And in their double love secure,
The little maiden walk'd demure,
Pacing with downward eyelids pure.
These three made unity so sweet,
My frozen heart began to beat,
Remembering its ancient heat.
I blest them, and they wander'd on:
I spoke, but answer came there none:
The dull and bitter voice was gone.
A second voice was at mine ear,
A little whisper silver-clear,
A murmur, "Be of better cheer."
As from some blissful neighbourhood,
A notice faintly understood,
"I see the end, and know the good."
A little hint to solace woe,
A hint, a whisper breathing low,
"I may not speak of what I know."
Like an Æolian harp that wakes
No certain air, but overtakes
Far thought with music that it makes:
Such seem'd the whisper at my side:
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"What is it thou knowest, sweet voice?" I cried.
"A hidden hope," the voice replied:
So heavenly-toned, that in that hour
From out my sullen heart a power
Broke, like the rainbow from the shower,
To feel, altho' no tongue can prove,
That every cloud, that spreads above
And veileth love, itself is love.
And forth into the fields I went,
And Nature's living motion lent
The pulse of hope to discontent.
I wonder'd at the bounteous hours,
The slow result of winter showers:
You scarce could see the grass for flowers.
I wonder'd, while I paced along:
The woods were fill'd so full with song,
There seem'd no room for sense of wrong;
And all so variously wrought,
I marvell'd how the mind was brought
To anchor by one gloomy thought;
And wherefore rather I made choice
To commune with that barren voice,
Than him that said, "Rejoice! Rejoice!"
~ Alfred Lord Tennyson,
1457:The Author
Accursed the man, whom Fate ordains, in spite,
And cruel parents teach, to read and write!
What need of letters? wherefore should we spell?
Why write our names? A mark will do as well.
Much are the precious hours of youth misspent,
In climbing Learning's rugged, steep ascent;
When to the top the bold adventurer's got,
He reigns, vain monarch, o'er a barren spot;
Whilst in the vale of Ignorance below,
Folly and Vice to rank luxuriance grow;
Honours and wealth pour in on every side,
And proud Preferment rolls her golden tide.
O'er crabbed authors life's gay prime to waste,
To cramp wild genius in the chains of taste,
To bear the slavish drudgery of schools,
And tamely stoop to every pedant's rules;
For seven long years debarr'd of liberal ease,
To plod in college trammels to degrees;
Beneath the weight of solemn toys to groan,
Sleep over books, and leave mankind unknown;
To praise each senior blockhead's threadbare tale,
And laugh till reason blush, and spirits fail;
Manhood with vile submission to disgrace,
And cap the fool, whose merit is his place,
Vice-Chancellors, whose knowledge is but small,
And Chancellors, who nothing know at all:
Ill-brook'd the generous spirit in those days
When learning was the certain road to praise,
When nobles, with a love of science bless'd,
Approved in others what themselves possess'd.
But now, when Dulness rears aloft her throne,
When lordly vassals her wide empire own;
When Wit, seduced by Envy, starts aside,
And basely leagues with Ignorance and Pride;
What, now, should tempt us, by false hopes misled,
Learning's unfashionable paths to tread;
To bear those labours which our fathers bore,
That crown withheld, which they in triumph wore?
When with much pains this boasted learning's got,
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'Tis an affront to those who have it not:
In some it causes hate, in others fear,
Instructs our foes to rail, our friends to sneer.
With prudent haste the worldly-minded fool
Forgets the little which he learn'd at school:
The elder brother, to vast fortunes born,
Looks on all science with an eye of scorn;
Dependent brethren the same features wear,
And younger sons are stupid as the heir.
In senates, at the bar, in church and state,
Genius is vile, and learning out of date.
Is this--oh, death to think!--is this the land
Where Merit and Reward went hand in hand?
Where heroes, parent-like, the poet view'd,
By whom they saw their glorious deeds renew'd?
Where poets, true to honour, tuned their lays,
And by their patrons sanctified their praise?
Is this the land, where, on our Spenser's tongue,
Enamour'd of his voice, Description hung?
Where Jonson rigid Gravity beguiled,
Whilst Reason through her critic fences smiled?
Where Nature listening stood whilst Shakspeare play'd,
And wonder'd at the work herself had made?
Is this the land, where, mindful of her charge
And office high, fair Freedom walk'd at large?
Where, finding in our laws a sure defence,
She mock'd at all restraints, but those of sense?
Where, Health and Honour trooping by her side,
She spread her sacred empire far and wide;
Pointed the way, Affliction to beguile,
And bade the face of Sorrow wear a smile;
Bade those, who dare obey the generous call,
Enjoy her blessings, which God meant for all?
Is this the land, where, in some tyrant's reign,
When a weak, wicked, ministerial train,
The tools of power, the slaves of interest, plann'd
Their country's ruin, and with bribes unmann'd
Those wretches, who, ordain'd in Freedom's cause,
Gave up our liberties, and sold our laws;
When Power was taught by Meanness where to go,
Nor dared to love the virtue of a foe;
When, like a leprous plague, from the foul head
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To the foul heart her sores Corruption spread;
Her iron arm when stern Oppression rear'd;
And Virtue, from her broad base shaken, fear'd
The scourge of Vice; when, impotent and vain,
Poor Freedom bow'd the neck to Slavery's chain?
Is this the land, where, in those worst of times,
The hardy poet raised his honest rhymes
To dread rebuke, and bade Controlment speak
In guilty blushes on the villain's cheek;
Bade Power turn pale, kept mighty rogues in awe,
And made them fear the Muse, who fear'd not law?
How do I laugh, when men of narrow souls,
Whom Folly guides, and Prejudice controls;
Who, one dull drowsy track of business trod,
Worship their Mammon, and neglect their God;
Who, breathing by one musty set of rules,
Dote from their birth, and are by system fools;
Who, form'd to dulness from their very youth,
Lies of the day prefer to gospel truth;
Pick up their little knowledge from Reviews,
And lay out all their stock of faith in news;
How do I laugh, when creatures, form'd like these,
Whom Reason scorns, and I should blush to please,
Rail at all liberal arts, deem verse a crime,
And hold not truth, as truth, if told in rhyme!
How do I laugh, when Publius, hoary grown
In zeal for Scotland's welfare, and his own,
By slow degrees, and course of office, drawn
In mood and figure at the helm to yawn,
Too mean (the worst of curses Heaven can send)
To have a foe, too proud to have a friend;
Erring by form, which blockheads sacred hold,
Ne'er making new faults, and ne'er mending old,
Rebukes my spirit, bids the daring Muse
Subjects more equal to her weakness choose;
Bids her frequent the haunts of humble swains,
Nor dare to traffic in ambitious strains;
Bids her, indulging the poetic whim
In quaint-wrought ode, or sonnet pertly trim,
Along the church-way path complain with Gray,
Or dance with Mason on the first of May!
'All sacred is the name and power of kings;
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All states and statesmen are those mighty things
Which, howsoe'er they out of course may roll,
Were never made for poets to control.'
Peace, peace, thou dotard! nor thus vilely deem
Of sacred numbers, and their power blaspheme.
I tell thee, wretch, search all creation round,
In earth, in heaven, no subject can be found:
(Our God alone except) above whose height
The poet cannot rise, and hold his state.
The blessed saints above in numbers speak
The praise of God, though there all praise is weak;
In numbers here below the bard shall teach
Virtue to soar beyond the villain's reach;
Shall tear his labouring lungs, strain his hoarse throat,
And raise his voice beyond the trumpet's note,
Should an afflicted country, awed by men
Of slavish principles, demand his pen.
This is a great, a glorious point of view,
Fit for an English poet to pursue;
Undaunted to pursue, though, in return,
His writings by the common hangman burn
How do I laugh, when men, by fortune placed
Above their betters, and by rank disgraced,
Who found their pride on titles which they stain,
And, mean themselves, are of their fathers vain;
Who would a bill of privilege prefer,
And treat a poet like a creditor;
The generous ardour of the Muse condemn,
And curse the storm they know must break on them!
'What! shall a reptile bard, a wretch unknown,
Without one badge of merit but his own,
Great nobles lash, and lords, like common men,
Smart from the vengeance of a scribbler's pen?'
What's in this name of lord, that I should fear
To bring their vices to the public ear?
Flows not the honest blood of humble swains
Quick as the tide which swells a monarch's veins?
Monarchs, who wealth and titles can bestow,
Cannot make virtues in succession flow.
Wouldst thou, proud man! be safely placed above
The censure of the Muse? Deserve her love:
Act as thy birth demands, as nobles ought;
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Look back, and, by thy worthy father taught,
Who earn'd those honours thou wert born to wear,
Follow his steps, and be his virtue's heir.
But if, regardless of the road to fame,
You start aside, and tread the paths of shame;
If such thy life, that should thy sire arise,
The sight of such a son would blast his eyes,
Would make him curse the hour which gave thee birth,
Would drive him shuddering from the face of earth,
Once more, with shame and sorrow, 'mongst the dead
In endless night to hide his reverend head;
If such thy life, though kings had made thee more
Than ever king a scoundrel made before;
Nay, to allow thy pride a deeper spring,
Though God in vengeance had made thee a king,
Taking on Virtue's wing her daring flight,
The Muse should drag thee, trembling, to the light,
Probe thy foul wounds, and lay thy bosom bare
To the keen question of the searching air.
Gods! with what pride I see the titled slave,
Who smarts beneath the stroke which Satire gave,
Aiming at ease, and with dishonest art
Striving to hide the feelings of his heart!
How do I laugh, when, with affected air,
(Scarce able through despite to keep his chair,
Whilst on his trembling lip pale Anger speaks,
And the chafed blood flies mounting to his cheeks)
He talks of Conscience, which good men secures
From all those evil moments Guilt endures,
And seems to laugh at those who pay regard
To the wild ravings of a frantic bard.
'Satire, whilst envy and ill-humour sway
The mind of man, must always make her way;
Nor to a bosom, with discretion fraught,
Is all her malice worth a single thought.
The wise have not the will, nor fools the power,
To stop her headstrong course; within the hour,
Left to herself, she dies; opposing strife
Gives her fresh vigour, and prolongs her life.
All things her prey, and every man her aim,
I can no patent for exemption claim,
Nor would I wish to stop that harmless dart
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Which plays around, but cannot wound my heart;
Though pointed at myself, be Satire free;
To her 'tis pleasure, and no pain to me.'
Dissembling wretch! hence to the Stoic school,
And there amongst thy brethren play the fool;
There, unrebuked, these wild, vain doctrines preach.
Lives there a man whom Satire cannot reach?
Lives there a man who calmly can stand by,
And see his conscience ripp'd with steady eye?
When Satire flies abroad on Falsehood's wing,
Short is her life, and impotent her sting;
But when to Truth allied, the wound she gives
Sinks deep, and to remotest ages lives.
When in the tomb thy pamper'd flesh shall rot,
And e'en by friends thy memory be forgot,
Still shalt thou live, recorded for thy crimes,
Live in her page, and stink to after-times.
Hast thou no feeling yet? Come, throw off pride,
And own those passions which thou shalt not hide.
Sandwich, who, from the moment of his birth,
Made human nature a reproach on earth,
Who never dared, nor wish'd, behind to stay,
When Folly, Vice, and Meanness led the way,
Would blush, should he be told, by Truth and Wit,
Those actions which he blush'd not to commit.
Men the most infamous are fond of fame,
And those who fear not guilt, yet start at shame.
But whither runs my zeal, whose rapid force,
Turning the brain, bears Reason from her course;
Carries me back to times, when poets, bless'd
With courage, graced the science they profess'd;
When they, in honour rooted, firmly stood,
The bad to punish, and reward the good;
When, to a flame by public virtue wrought,
The foes of freedom they to justice brought,
And dared expose those slaves who dared support
A tyrant plan, and call'd themselves a Court?
Ah! what are poets now? As slavish those
Who deal in verse, as those who deal in prose.
Is there an Author, search the kingdom round,
In whom true worth and real spirit's found?
The slaves of booksellers, or (doom'd by Fate
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To baser chains) vile pensioners of state;
Some, dead to shame, and of those shackles proud
Which Honour scorns, for slavery roar aloud;
Others, half-palsied only, mutes become,
And what makes Smollett write, makes Johnson dumb.
Why turns yon villain pale? Why bends his eye
Inward, abash'd, when Murphy passes by?
Dost thou sage Murphy for a blockhead take,
Who wages war with Vice for Virtue's sake?
No, no, like other worldlings, you will find
He shifts his sails and catches every wind.
His soul the shock of Interest can't endure:
Give him a pension then, and sin secure.
With laurell'd wreaths the flatterer's brows adorn:
Bid Virtue crouch, bid Vice exalt her horn;
Bid cowards thrive, put Honesty to flight,
Murphy shall prove, or try to prove it right.
Try, thou state-juggler, every paltry art;
Ransack the inmost closet of my heart;
Swear thou'rt my friend; by that base oath make way
Into my breast, and flatter to betray.
Or, if those tricks are vain; if wholesome doubt
Detects the fraud, and points the villain out;
Bribe those who daily at my board are fed,
And make them take my life who eat my bread.
On Authors for defence, for praise depend;
Pay him but well, and Murphy is thy friend:
He, he shall ready stand with venal rhymes,
To varnish guilt, and consecrate thy crimes;
To make Corruption in false colours shine,
And damn his own good name, to rescue thine.
But, if thy niggard hands their gifts withhold,
And Vice no longer rains down showers of gold,
Expect no mercy; facts, well-grounded, teach,
Murphy, if not rewarded, will impeach.
What though each man of nice and juster thought,
Shunning his steps, decrees, by Honour taught,
He ne'er can be a friend, who stoops so low
To be the base betrayer of a foe?
What though, with thine together link'd, his name
Must be with thine transmitted down to shame?
To every manly feeling callous grown,
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Rather than not blast thine, he 'll blast his own.
To ope the fountain whence sedition springs,
To slander government, and libel kings;
With Freedom's name to serve a present hour,
Though born and bred to arbitrary power;
To talk of William with insidious art,
Whilst a vile Stuart's lurking in his heart;
And, whilst mean Envy rears her loathsome head,
Flattering the living, to abuse the dead,
Where is Shebbeare? Oh, let not foul reproach,
Travelling thither in a city-coach,
The pillory dare to name: the whole intent
Of that parade was fame, not punishment;
And that old staunch Whig, Beardmore, standing by,
Can in full court give that report the lie.
With rude unnatural jargon to support,
Half-Scotch, half-English, a declining court;
To make most glaring contraries unite,
And prove beyond dispute that black is white;
To make firm Honour tamely league with Shame,
Make Vice and Virtue differ but in name;
To prove that chains and freedom are but one,
That to be saved must mean to be undone,
Is there not Guthrie? Who, like him, can call
All opposites to proof, and conquer all?
He calls forth living waters from the rock;
He calls forth children from the barren stock;
He, far beyond the springs of Nature led,
Makes women bring forth after they are dead;
He, on a curious, new, and happy plan,
In wedlock's sacred bands joins man to man;
And to complete the whole, most strange, but true,
By some rare magic, makes them fruitful too;
Whilst from their loins, in the due course of years,
Flows the rich blood of Guthrie's 'English Peers.'
Dost thou contrive some blacker deed of shame,
Something which Nature shudders but to name,
Something which makes the soul of man retreat,
And the life-blood run backward to her seat?
Dost thou contrive, for some base private end,
Some selfish view, to hang a trusting friend;
To lure him on, e'en to his parting breath,
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And promise life, to work him surer death?
Grown old in villany, and dead to grace,
Hell in his heart, and Tyburn in his face,
Behold, a parson at thy elbow stands,
Lowering damnation, and with open hands,
Ripe to betray his Saviour for reward,
The Atheist chaplain of an Atheist lord!
Bred to the church, and for the gown decreed,
Ere it was known that I should learn to read;
Though that was nothing, for my friends, who knew
What mighty Dulness of itself could do,
Never design'd me for a working priest,
But hoped I should have been a Dean at least:
Condemn'd, (like many more, and worthier men,
To whom I pledge the service of my pen)
Condemn'd (whilst proud and pamper'd sons of lawn,
Cramm'd to the throat, in lazy plenty yawn)
In pomp of reverend beggary to appear,
To pray, and starve on forty pounds a-year:
My friends, who never felt the galling load,
Lament that I forsook the packhorse road,
Whilst Virtue to my conduct witness bears,
In throwing off that gown which Francis wears.
What creature's that, so very pert and prim,
So very full of foppery, and whim,
So gentle, yet so brisk; so wondrous sweet,
So fit to prattle at a lady's feet;
Who looks as he the Lord's rich vineyard trod,
And by his garb appears a man of God?
Trust not to looks, nor credit outward show;
The villain lurks beneath the cassock'd beau;
That's an informer; what avails the name?
Suffice it that the wretch from Sodom came.
His tongue is deadly--from his presence run,
Unless thy rage would wish to be undone.
No ties can hold him, no affection bind,
And fear alone restrains his coward mind;
Free him from that, no monster is so fell,
Nor is so sure a blood-hound found in Hell.
His silken smiles, his hypocritic air,
His meek demeanour, plausible and fair,
Are only worn to pave Fraud's easier way,
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And make gull'd Virtue fall a surer prey.
Attend his church--his plan of doctrine view-The preacher is a Christian, dull, but true;
But when the hallow'd hour of preaching's o'er,
That plan of doctrine's never thought of more;
Christ is laid by neglected on the shelf,
And the vile priest is gospel to himself.
By Cleland tutor'd, and with Blacow bred,
(Blacow, whom, by a brave resentment led,
Oxford, if Oxford had not sunk in fame,
Ere this, had damn'd to everlasting shame)
Their steps he follows, and their crimes partakes;
To virtue lost, to vice alone he wakes,
Most lusciously declaims 'gainst luscious themes,
And whilst he rails at blasphemy, blasphemes.
Are these the arts which policy supplies?
Are these the steps by which grave churchmen rise?
Forbid it, Heaven; or, should it turn out so,
Let me and mine continue mean and low.
Such be their arts whom interest controls;
Kidgell and I have free and modest souls:
We scorn preferment which is gain'd by sin,
And will, though poor without, have peace within.
~ Charles Churchill,
1458:The Deserted Garden
I know a village in a far-off land
Where from a sunny, mountain-girdled plain
With tinted walls a space on either hand
And fed by many an olive-darkened lane
The high-road mounts, and thence a silver band
Through vineyard slopes above and rolling grain,
Winds off to that dim corner of the skies
Where behind sunset hills a stately city lies.
Here, among trees whose overhanging shade
Strews petals on the little droves below,
Pattering townward in the morning weighed
With greens from many an upland garden-row,
Runs an old wall; long centuries have frayed
Its scalloped edge, and passers to and fro
Heard never from beyond its crumbling height
Sweet laughter ring at noon or plaintive song at night.
But here where little lizards bask and blink
The tendrils of the trumpet-vine have run,
At whose red bells the humming bird to drink
Stops oft before his garden feast is done;
And rose-geraniums, with that tender pink
That cloud-banks borrow from the setting sun,
Have covered part of this old wall, entwined
With fair plumbago, blue as evening heavens behind.
And crowning other parts the wild white rose
Rivals the honey-suckle with the bees.
Above the old abandoned orchard shows
And all within beneath the dense-set trees,
Tall and luxuriant the rank grass grows,
That settled in its wavy depth one sees
Grass melt in leaves, the mossy trunks between,
Down fading avenues of implicated green;
Wherein no lack of flowers the verdurous night
With stars and pearly nebula o'erlay;
Azalea-boughs half rosy and half white
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Shine through the green and clustering apple-spray,
Such as the fairy-queen before her knight
Waved in old story, luring him away
Where round lost isles Hesperian billows break
Or towers loom up beneath the clear, translucent lake;
And under the deep grass blue hare-bells hide,
And myrtle plots with dew-fall ever wet,
Gay tiger-lilies flammulate and pied,
Sometime on pathway borders neatly set,
Now blossom through the brake on either side,
Where heliotrope and weedy mignonette,
With vines in bloom and flower-bearing trees,
Mingle their incense all to swell the perfumed breeze,
That sprung like Hermes from his natal cave
In some blue rampart of the curving West,
Comes up the valleys where green cornfields wave,
Ravels the cloud about the mountain crest,
Breathes on the lake till gentle ripples pave
Its placid floor; at length a long-loved guest,
He steals across this plot of pleasant ground,
Waking the vocal leaves to a sweet vernal sound.
Here many a day right gladly have I sped,
Content amid the wavy plumes to lie,
And through the woven branches overhead
Watch the white, ever-wandering clouds go by,
And soaring birds make their dissolving bed
Far in the azure depths of summer sky,
Or nearer that small huntsman of the air,
The fly-catcher, dart nimbly from his leafy lair;
Pillowed at case to hear the merry tune
Of mating warblers in the boughs above
And shrill cicadas whom the hottest noon
Keeps not from drowsy song; the mourning dove
Pours down the murmuring grove his plaintive croon
That like the voice of visionary love
Oft have I risen to seek through this green maze
(Even as my feet thread now the great world's garden-ways);
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And, parting tangled bushes as I passed
Down beechen allies beautiful and dim,
Perhaps by some deep-shaded pool at last
My feet would pause, where goldfish poise and swim,
And snowy callas' velvet cups are massed
Around the mossy, fern-encircled brim.
Here, then, that magic summoning would cease,
Or sound far off again among the orchard trees.
And here where the blanched lilies of the vale
And violets and yellow star-flowers teem,
And pink and purple hyacinths exhale
Their heavy fume, once more to drowse and dream
My head would sink, from many an olden tale
Drawing imagination's fervid theme,
Or haply peopling this enchanting spot
Only with fair creations of fantastic thought.
For oft I think, in years long since gone by,
That gentle hearts dwelt here and gentle hands
Stored all this bowery bliss to beautify
The paradise of some unsung romance;
Here, safe from all except the loved one's eye,
'Tis sweet to think white limbs were wont to glance,
Well pleased to wanton like the flowers and share
Their simple loveliness with the enamored air.
Thrice dear to them whose votive fingers decked
The altars of First Love were these green ways,
These lawns and verdurous brakes forever flecked
With the warm sunshine of midsummer days;
Oft where the long straight allies intersect
And marble seats surround the open space,
Where a tiled pool and sculptured fountain stand,
Hath Evening found them seated, silent, hand in hand.
When twilight deepened, in the gathering shade
Beneath that old titanic cypress row,
Whose sombre vault and towering colonnade
Dwarfed the enfolded forms that moved below,
Oft with close steps these happy lovers strayed,
Till down its darkening aisle the sunset glow
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Grew less and patterning the garden floor
Faint flakes of filtering moonlight mantled more and more.
And the strange tempest that a touch imparts
Through the mid fibre of the molten frame,
When the sweet flesh in early youth asserts
Its heyday verve and little hints enflame,
Disturbed them as they walked; from their full hearts
Welled the soft word, and many a tender name
Strove on their lips as breast to breast they strained
And the deep joy they drank seemed never, never drained.
Love's soul that is the depth of starry skies
Set in the splendor of one upturned face
To beam adorably through half-closed eyes;
Love's body where the breadth of summer days
And all the beauty earth and air comprise
Come to the compass of an arm's embrace,
To burn a moment on impassioned lips
And yield intemperate joy to quivering finger-tips,
They knew; and here where morning-glories cling
Round carven forms of carefullest artifice,
They made a bower where every outward thing
Should comment on the cause of their own bliss;
With flowers of liveliest hue encompassing
That flower that the beloved body is
That rose that for the banquet of Love's bee
Has budded all the æons of past eternity.
But their choice seat was where the garden wall,
Crowning a little summit, far and near,
Looks over tufted treetops onto all
The pleasant outer country; rising here
From rustling foliage where cuckoos call
On summer evenings, stands a belvedere,
Buff-hued, of antique plaster, overrun
With flowering vines and weatherworn by rain and sun.
Still round the turrets of this antique tower
The bougainvillea hangs a crimson crown,
Wistaria-vines and clematis in flower,
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Wreathing the lower surface further down,
Hide the old plaster in a very shower
Of motley blossoms like a broidered gown.
Outside, ascending from the garden grove,
A crumbling stairway winds to the one room above.
And whoso mounts by this dismantled stair
Finds the old pleasure-hall, long disarrayed,
Brick-tiled and raftered, and the walls foursquare
Ringed all about with a twofold arcade.
Backward dense branches intercept the glare
Of afternoon with eucalyptus shade;
Eastward the level valley-plains expand,
Sweet as a queen's survey of her own Fairyland.
For through that frame the ivied arches make,
Wide tracts of sunny midland charm the eye,
Frequent with hamlet grove, and lucent lake
Where the blue hills' inverted contours lie;
Far to the east where billowy mountains break
In surf of snow against a sapphire sky,
Huge thunderheads loom up behind the ranges,
Changing from gold to pink as deepening sunset changes;
And over plain and far sierra spread
The fulgent rays of fading afternoon,
Showing each utmost peak and watershed
All clarified, each tassel and festoon
Of floating cloud embroidered overhead,
Like lotus-leaves on bluest waters strewn,
Flushing with rose, while all breathes fresh and free
In peace and amplitude and bland tranquillity.
Dear were such evenings to this gentle pair;
Love's tide that launched on with a blast too strong
Sweeps toward the foaming reef, the hidden snare,
Baffling with fond illusion's siren-song,
Too faint, on idle shoals, to linger there
Far from Youth's glowing dream, bore them along,
With purple sail and steered by seraph hands
To isles resplendent in the sunset of romance.
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And out of this old house a flowery fane,
A bridal bower, a pearly pleasure-dome,
They built, and furnished it with gold and grain,
And bade all spirits of beauty hither come,
And wingéd Love to enter with his train
And bless their pillow, and in this his home
Make them his priests as Hero was of yore
In her sweet girlhood by the blue Dardanian shore.
Tree-ferns, therefore, and potted palms they brought,
Tripods and urns in rare and curious taste,
Polychrome chests and cabinets inwrought
With pearl and ivory etched and interlaced;
Pendant brocades with massive braid were caught,
And chain-slung, oriental lamps so placed
To light the lounger on some low divan,
Sunken in swelling down and silks from Hindustan.
And there was spread, upon the ample floors,
Work of the Levantine's laborious loom,
Such as by Euxine or Ionian shores
Carpets the dim seraglio's scented gloom.
Each morn renewed, the garden's flowery stores
Blushed in fair vases, ochre and peach-bloom,
And little birds through wicker doors left wide
Flew in to trill a space from the green world outside.
And there was many a dainty attitude,
Bronze and eburnean. All but disarrayed,
Here in eternal doubt sweet Psyche stood
Fain of the bath's delight, yet still afraid
Lest aught in that palatial solitude
Lurked of most menace to a helpless maid.
Therefore forever faltering she stands,
Nor yet the last loose fold slips rippling from her hands.
Close by upon a beryl column, clad
In the fresh flower of adolescent grace,
They set the dear Bithynian shepherd lad,
The nude Antinous. That gentle face,
Forever beautiful, forever sad,
Shows but one aspect, moon-like, to our gaze,
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Yet Fancy pictures how those lips could smile
At revelries in Rome, and banquets on the Nile.
And there were shapes of Beauty myriads more,
Clustering their rosy bridal bed around,
Whose scented breadth a silken fabric wore
Broidered with peacock hues on creamiest ground,
Fit to have graced the barge that Cydnus bore
Or Venus' bed in her enchanted mound,
While pillows swelled in stuffs of Orient dyes,
All broidered with strange fruits and birds of Paradise.
'Twas such a bower as Youth has visions of,
Thither with one fair spirit to retire,
Lie upon rose-leaves, sleep and wake with Love
And feast on kisses to the heart's desire;
Where by a casement opening on a grove,
Wide to the wood-winds and the sweet birds' choir,
A girl might stand and gaze into green boughs,
Like Credhe at the window of her golden house.
Or most like Vivien, the enchanting fay,
Where with her friend, in the strange tower they planned,
She lies and dreams eternity away,
Above the treetops in Broceliande,
Sometimes at twilight when the woods are gray
And wolf-packs howl far out across the lande,
Waking to love, while up behind the trees
The large midsummer moon lifts-even so loved these.
For here, their pleasure was to come and sit
Oft when the sun sloped midway to the west,
Watching with sweet enjoyment interknit
The long light slant across the green earth's breast,
And clouds upon the ranges opposite,
Rolled up into a gleaming thundercrest,
Topple and break and fall in purple rain,
And mist of summer showers trail out across the plain.
Whereon the shafts of ardent light, far-flung
Across the luminous azure overhead,
Ofttimes in arcs of transient beauty hung
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The fragmentary rainbow's green and red.
Joy it was here to love and to be young,
To watch the sun sink to his western bed,
And streaming back out of their flaming core
The vesperal aurora's glorious banners soar.
Tinging each altitude of heaven in turn,
Those fiery rays would sweep. The cumuli
That peeped above the mountain-tops would burn
Carmine a space; the cirrus-whorls on high,
More delicate than sprays of maiden fern,
Streak with pale rose the peacock-breasted sky,
Then blanch. As water-lilies fold at night,
Sank back into themselves those plumes of fervid light.
And they would watch the first faint stars appear,
The blue East blend with the blue hills below,
As lovers when their shuddering bliss draws near
Into one pulse of fluid rapture grow.
New fragrance on the freshening atmosphere
Would steal with evening, and the sunset glow
Draw deeper down into the wondrous west
Round vales of Proserpine and islands of the blest.
So dusk would come and mingle lake and shore,
The snow-peaks fade to frosty, opaline,
To pearl the doméd clouds the mountains bore,
Where late the sun's effulgent fire had been
Showing as darkness deepened more and more
The incandescent lightnings flare within,
And Night that furls the lily in the glen
And twines impatient arms would fall, and then---and then . . .
Sometimes the peasant, coming late from town
With empty panniers on his little drove
Past the old lookout when the Northern Crown
Glittered with Cygnus through the scented grove,
Would hear soft noise of lute-strings wafted down
And voices singing through the leaves above
Those songs that well from the warm heart that woos
At balconies in Merida or Vera Cruz.
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And he would pause under the garden wall,
Caught in the spell of that voluptuous strain,
With all the sultry South in it, and all
Its importunity of love and pain;
And he would wait till the last passionate fall
Died on the night, and all was still again.
Then to his upland village wander home,
Marvelling whence that flood of elfin song might come.
O lyre that Love's white holy hands caress,
Youth, from thy bosom welled their passionate lays
Sweet opportunity for happiness
So brief, so passing beautiful---O days,
When to the heart's divine indulgences
All earth in smiling ministration pays
Thine was the source whose plenitude, past over,
What prize shall rest to pluck, what secret to discover!
The wake of color that follows her when May
Walks on the hills loose-haired and daisy-crowned,
The deep horizons of a summer's day,
Fair cities, and the pleasures that abound
Where music calls, and crowds in bright array
Gather by night to find and to be found;
What were these worth or all delightful things
Without thine eyes to read their true interpretings!
For thee the mountains open glorious gates,
To thee white arms put out from orient skies,
Earth, like a jewelled bride for one she waits,
Decks but to be delicious in thine eyes,
Thou guest of honor for one day, whose fêtes
Eternity has travailed to devise;
Ah, grace them well in the brief hour they last!
Another's turn prepares, another follows fast.
Yet not without one fond memorial
Let my sun set who found the world so fair!
Frail verse, when Time the singer's coronal
Has rent, and stripped the rose-leaves from his hair,
Be thou my tablet on the temple wall!
Among the pious testimonials there,
102
Witness how sweetly on my heart as well
The miracles of dawn and starry evening fell!
Speak of one then who had the lust to feel,
And, from the hues that far horizons take,
And cloud and sunset, drank the wild appeal,
Too deep to live for aught but life's sweet sake,
Whose only motive was the will to kneel
Where Beauty's purest benediction spake,
Who only coveted what grove and field
And sunshine and green Earth and tender arms could yield--A nympholept, through pleasant days and drear
Seeking his faultless adolescent dream,
A pilgrim down the paths that disappear
In mist and rainbows on the world's extreme,
A helpless voyager who all too near
The mouth of Life's fair flower-bordered stream,
Clutched at Love's single respite in his need
More than the drowning swimmer clutches at a reed--That coming one whose feet in other days
Shall bleed like mine for ever having, more
Than any purpose, felt the need to praise
And seek the angelic image to adore,
In love with Love, its wonderful, sweet ways
Counting what most makes life worth living for,
That so some relic may be his to see
How I loved these things too and they were dear to me.
I sometimes think a conscious happiness
Mantles through all the rose's sentient vine
When summer winds with myriad calyces
Of bloom its clambering height incarnadine;
I sometimes think that cleaving lips, no less,
And limbs that crowned desires at length entwine
Are nerves through which that being drinks delight,
Whose frame is the green Earth robed round with day and night.
And such were theirs: the traveller without,
Pausing at night under the orchard trees,
Wondered and crossed himself in holy doubt,
103
For through their song and in the murmuring breeze
It seemed angelic choirs were all about
Mingling in universal harmonies,
As though, responsive to the chords they woke,
All Nature into sweet epithalamium broke.
And still they think a spirit haunts the place:
'Tis said, when Night has drawn her jewelled pall
And through the branches twinkling fireflies trace
Their mimic constellations, if it fall
That one should see the moon rise through the lace
Of blossomy boughs above the garden wall,
That surely would he take great ill thereof
And famish in a fit of unexpressive love.
But this I know not, for what time the wain
Was loosened and the lily's petal furled,
Then I would rise, climb the old wall again,
And pausing look forth on the sundown world,
Scan the wide reaches of the wondrous plain,
The hamlet sites where settling smoke lay curled,
The poplar-bordered roads, and far away
Fair snowpeaks colored with the sun's last ray.
Waves of faint sound would pulsate from afar
Faint song and preludes of the summer night;
Deep in the cloudless west the evening star
Hung 'twixt the orange and the emerald light;
From the dark vale where shades crepuscular
Dimmed the old grove-girt belfry glimmering white,
Throbbing, as gentlest breezes rose or fell,
Came the sweet invocation of the evening bell.
~ Alan Seeger,
1459:An Athenian Reverie
How the returning days, one after one,
Came ever in their rhythmic round, unchanged,
Yet from each looped robe for every man
Some new thing falls. Happy is he
Who fronts them without fear, and like the gods
Looks out unanxiously on each day's gift
With calmly curious eye. How many things
Even in a little space, both good and ill,
Have fallen on me, and yet in all of them
The keen experience or the smooth remembrance
Hath found some sweet. It scarcely seems a month
Since we saw Crete; so swiftly sped the days,
Borne onward with how many changing scenes,
Filled with how many crowding memories.
Not soon shall I forget them, the stout ship,
All the tense labour with the windy sea,
The cloud-wrapped heights of Crete, beheld far off,
And white Cytaeon with its stormy pier,
The fruitful valleys, the wild mountain road,
And those long days of ever-vigilant toil,
Scarcely with sleepless craft and unmoved front
Escaping robbers, that quiet restful eve
At rich Gortyna, where we lay and watched
The dripping foliage, and the darkening fields,
And over all huge-browed above the night
Ida's great summit with its fiery crown;
And then once more the stormy treacherous sea,
The noisy ship, the seamen's vehement cries,
That battled with the whistling wind, the feet
Reeling upon the swaying deck, and eyes
Strained anxiously toward land; ah, with what joy
At last the busy pier at Nauplia,
Rest and firm shelter for our racking brains:
Most sweet of all, most dear to memory
That journey with Euktemon through the hills
By fair Cleonae and the lofty pass;
Then Corinth with its riotous jollity,
Remembered like a reeling dream; and here
Good Theron's wedding, and this festal day;
33
And I, chief helper in its various rites,
Not least, commissioned through these wakeful hours
To dream before the quiet thalamos,
Unsleeping, like some full-grown bearded Eros,
The guardian of love's sweetest mysteries.
To-morrow I shall hear again the din
Of the loosed cables, and the rowers' chaunt,
The rattled cordage and the plunging oars.
Once more the bending sail shall bear us on
Across the level of the laughing sea.
Ere mid-day we shall see far off behind us,
Faint as the summit of a sultry cloud,
The white Acropolis. Past Sunium
With rushing keel, the long Euboean strand,
Hymettus and the pine-dark hills shall fade
Into the dusk: at Andros we shall water,
And ere another starlight hush the shores
From seaward valleys catch upon the wind
The fragrance of old Chian vintages.
At Chios many things shall fall but none
Can trace the future; rather let me dream
Of what is now, and what hath been, for both
Are fraught with life.
Here the unbroken silence
Awakens thought and makes remembrance sweet.
How solidly the brilliant moonlight shines
Into the courts; beneath the colonnades
How dense the shadows. I can scarcely see
Yon painted Dian on the darkened wall;
Yet how the gloom hath made her real. What sound,
Piercing the leafy covert of her couch,
Hath startled her. Perchance some prowling wolf,
Or luckless footsteps of the stealthy Pan,
Creeping at night among noiseless steeps
And hollows of the Erymanthian woods,
Roused her from sleep. With listening head,
Snatched bow, and quiver lightly slung, she stands,
And peers across that dim and motionless glade,
Beckoning about her heels the wakeful dogs;
Yet Dian, thus alert, is but a dream,
Making more real this brooding quietness.
34
How strong and wonderful is night! Mankind
Has yielded all to one sweet helplessness:
Thought, labour, strife and all activities
Have ebbed like fever. The smooth tide of sleep,
Rolling across the fields of Attica,
Hath covered all the labouring villages.
Even great Athens with her busy hands
And busier tongues lies quiet beneath its waves.
Only a steady murmur seems to come
Up from her silentness, as if the land
Were breathing heavily in dreams. Abroad
No creature stirs, not even the reveller,
Staggering, unlanterned, from the cool Piraeus,
With drunken shout. The remnants of the feast,
The crumpled cushions and the broken wreathes,
Lie scattered in yon shadowy court, whose stones
Through the warm hours drink up the staining wine.
The bridal oxen in their well-filled stalls
Sleep, mindless of the happy weight they drew.
The torch is charred; the garlands at the door,
So gay at morning with their bright festoons,
Hang limp and withered; and the joyous flutes
Are empty of all sound. Only my brain
Holds now in its remote unsleeping depths
The echo of the tender hymenaeos
And memory of the modest lips that sang it.
Within the silent thalamos the queen,
The sea-sprung radiant Cytherean reigns,
And with her smiling lips and fathomless eyes
Regards the lovers, knowing that this hour
Is theirs once only. Earth and thought and time
Lie far beyond them, a great gulf of joy,
Absorbing fear, regret and every grief,
A warm eternity: or now perchance
Night and the very weight of happiness,
Unsought, have turned upon their tremulous eyes
The mindless stream of sleep; nor do they care
If dawn should never come.
How joyously
These hours have gone with all their pictured scenes,
A string of golden beads for memory
35
To finger over in her moods, or stay
The hunger of some wakeful hour like this,
The flowers, the myrtles, the gay bridal train,
The flutes and pensive voices, the white robes,
The shower of sweet-meats, and the jovial feast,
The bride cakes, and the teeming merriment,
Most beautiful of all, most sweet to name,
The good Lysippe with her down-cast eyes,
Touched with soft fear, half scared at all the noise,
Whose tears were ready as her laughter, fresh,
And modest as some pink anemone.
How young she looked, and how her smiling lips
Betrayed her happiness. Ah, who can tell,
How often, when no watchful eye was near,
Her eager fingers, trembling and ashamed,
Essayed the apple-pips, or strewed the floor
With broken poppy petals. Next to her,
Theron himself the gladest goodliest figure,
His honest face ruddy with health and joy,
And smiling like the AEgean, when the sun
Hangs high in heaven, and the freshening wind
Comes in from Melos, rippling all its floor:
And there was Manto too, the good old crone,
So dear to children with her store of tales,
Warmed with new life: how to her old grey face
And withered limbs the very dance of youth
Seemed to return, and in her aged eyes
The waning fire rekindled: little Maeon,
That mischievous satyr with his tipsy wreath,
Who kept us laughing at his pranks, and made
Old Phyrrho angry. Him too sleep hath bound
Upon his rough-hewn couch with subtle thong,
Crowding his brain with odd fantastic shapes.
Even in sleep his little limbs, I think,
Twitch restlessly, and still his tongue gibes on
With inarticulate murmur. Ah, quaint Maeon!
And Manto, poor old Manto, what dim dreams
Of darkly-moving chaos and slow shapes
Of things that creep encumbered with huge burdens
Gloom and infest her through these dragging hours,
Haunting the wavering soul, so near the grave?
But all things journey to the same quiet end
36
At last, life, joy and every form of motion.
Nothing stands still. Not least inevitable,
The sad recession of this passionate love,
Whose panting fires, so soon and with such grief,
Burn down to ash.
Ai! Ai! 'tis a strange madness
To give up thought, ambition, liberty,
And all the rooted custom of our days,
Even life itself for one all pampering dream,
That withers like those garlands at the door;
And yet I have seen many excellent men
Besotted thus, and some that bore till death,
In the crook'd vision and embittered tongue,
The effect of this strange poison, like a scar,
An ineradicable hurt; but Fate,
Who deals more wondrously in this disease
Even than in others, yet doth sometimes will
To make the same thing unto different men
Evil or good. Was not Demetrios happy,
Who wore his fetters with such grace, and spent
On Chione, the Naxian, that shrewd girl,
His fortune and his youth, yet, while she lived,
Enjoyed the rich reward? He seemed like one,
That trod on wind, and I remember well,
How when she died in that remorseless plague,
And I alone stood with him at the pyre,
He shook me with his helpless passionate grief.
And honest Agathon, the married man,
Whose boyish fondness for his pretty wife
We smiled at, and yet envied; at the close
Of each day's labour how he posted home,
And thence no bait, however plumed, could draw him.
We laughed, but envied him. How sweet she looked
That morning at the Dyonisia,
With her rare eyes and modest girlish grace,
Leading her two small children by the palm.
I too might marry, if the faithful gods
Would promise me such joy as Agathon's.
Perhaps some day-but no, I am not one
To clip my wings, and wind about my feet
A net, whose self-made meshes are as stern
37
As they are soft. To me is ever present
The outer world with its untravelled paths,
The wanderer's dream, the itch to see new things.
A single tie could never bind me fast,
For life, this joyous, busy, ever-changing life,
Is only dear to me with liberty,
With space of earth for feet to travel in
And space of mind for thought.
Not so for all;
To most men life is but a common thing,
The hours a sort of coin to barter with,
Whose worth is reckoned by the sum they buy
In gold, or power, or pleasure; each short day
That brings not these deemed fruitless as dry sand.
Their lives are but a blind activity,
And death to them is but the end of motion,
Grey children who have madly eat and drunk,
Won the high seats or filled their chests with gold.
And yet for all their years have never seen
The picture of their lives, or how life looks
To him who hath the deep uneager eye,
How sweet and large and beautiful it was,
How strange the part they played. Like him who sits
Beneath some mighty tree, with half-closed eyes,
At ease rejoicing in its murmurous shade,
Yet never once awakes from his dull dream
To mark with curious joy the kingly trunk,
The sweeping boughs and tower of leaves that gave it,
Even so the most of men; they take the gift,
And care not for the giver. Strange indeed
Are they, and pitiable beyond measure,
Who, thus unmindful of their wretchedness,
Crowd at life's bountiful gates, like fattening beggars;
Greedy and blind. For see how rich a thing
Life is to him who sees, to whom each hour
Brings some fresh wonder to be brooded on,
Adds some new group or studied history
To that wrought sculpture, that our watchful dreams
Cast up upon the broad expanse of time,
As in a never-finished frieze, not less
The little things that most men pass unmarked
38
Than those that shake mankind. Happy is he,
Who, as a watcher, stands apart from life,
From all life and his own, and thus from all,
Each thought, each deed, and each hour's brief event,
Draws the full beauty, sucks its meaning dry.
For him this life shall be a tranquil joy.
He shall be quiet and free. To him shall come
No gnawing hunger for the coarser touch,
No mad ambition with its fateful grasp;
Sorrow itself shall sway him like a dream.
How full life is; how many memories
Flash, and shine out, when thought is sharply stirred;
How the mind works, when once the wheels are loosed,
How nimbly, with what swift activity.
I think, 'tis strange that men should ever sleep,
There are so many things to think upon,
So many deeds, so many thoughts to weigh,
To pierce and plumb them to the silent depth.
Yet in that thought I do rebuke myself,
Too little given to probe the inner heart,
But rather wont, with the luxurious eye,
To catch from life its outer loveliness,
Such things as do but store the joyous memory
With food for solace rather than for thought,
Like light-lined figures on a painted jar.
I wonder where Euktemon is to-night,
Euktemon with his rough and fitful talk,
His moody gesture and defiant stride;
How strange, how bleak and unapproachable;
And yet I liked him from the first. How soon
We know our friends, through all disguise of mood,
Discerning by a subtle touch of spirit
The honest heart within. Euktemon's glance
Betrayed him with its gusty friendliness,
Flashing at moments from the clouded brow,
Like brave warm sunshine, and his laughter too,
So rare, so sudden, so contagious,
How at some merry scene, some well-told tale,
Or swift invention of the winged wit,
It broke like thunderous water, rolling out
In shaken peals on the delighted ear.
39
Yet no man would have dreamed, who saw us two
That first grey morning on the pier at Crete,
That friendship could have forged thus easily
A bond so subtle and so sure between us;
He, gloomy and austere; I, full of thought
As he, yet in adverse mood, at ease,
Lifting with lighter hands the lids of life,
Untortured by its riddles; he, whose smiles
Were rare and sudden as the autumn sun;
I, to whom smiles are ever near the lip
And yet I think he loved me too; my mood
Was not unpleasant to him, though I know
At times I teased him with flickering talk.
How self-immured he was; for all our converse
I gathered little, little, of his life,
A bitter trial to me, who love to learn
The changes of men's outer circumstance,
The strokes that fate has shaped them with, and so,
Fitting to these their present speech and favour,
Discern the thought within. From him I gleaned
Nothing. At least the word, however guarded,
That sought to try the fastenings of his life
With prying hands, how mute and dark he grew,
And like the cautious tortoise at a touch
Drew in beneath his shell.
But ah, how sweet
The memory of that long untroubled day,
To me so joyous, and so free from care,
Spent as I love on foot, our first together,
When fate and the reluctant sea at last
Had given us safely to dry land; the tramp
From grey Mycenae by the pass to Corinth,
The smooth white road, the soft caressing air,
Full of the scent of blossoms, the clear sky,
Strewn lightly with the little tardy clouds,
Old Helios' scattered flock, the low-branched oaks
And fountained resting-places, the cool nooks,
Where eyes less darkened with life's use than mine
Perchance had caught the Naiads in their dreams,
Or won white glimpses of their flying heels.
How light our feet were: with what rhythmic strides
40
We left the long blue gulf behind us, sown
Far out with snowy sails; and how our hearts
Rose with the growth of morning, till we reached
That moss-hung fountain on the hillside near
Cleonae, where the dark anemones
Cover the ground, and make it red like fire.
Could ever grief, I wonder, or fixed care,
Or even the lingering twilight of old age,
Divest for me such memories of their sweet?
Even Euktemon's obdurate mood broke down.
The odorous stillness, the serene bright air,
The leafy shadows, the warm blossoming earth,
Drew near with their voluptuous eloquence,
And melted him. Ah, what a talk we had!
How eagerly our nimble tongues ran on,
With linked wit, in joyous sympathy.
Such hours, I think, are better than long years
Of brooding loneliness, mind touching mind
To leaping life, and thought sustaining thought,
Till even the darkest chambers of grey time,
His ancient seats, and bolted mysteries,
Open their hoary doors, and at a look
Lay all their treasures bare. How, when our thought
Wheeling on ever bolder wings at last
Grew as it seemed too large for utterance,
We both fell silent, striving to recall
And grasp such things as in our daring mood
We had but glimpsed and leaped at; yet how long
We studied thus with absent eyes, I know not;
Our thought died slowly out; the busy road,
The voices of the passers-by, the change
Of garb and feature, and the various tongues
Absorbed us. Ah, how clearly I recall them!
For in these silent wakeful hours the mind
Is strangely swift. With that sharp lines
The shapes of things that even years have buried
Shine out upon the rapid memory,
Moving and warm like life. I can see now
The form of that tall peddler, whose strange wares,
Outlandish dialect and impudent gait
Awoke Euktemon's laughter. In mine ear
Is echoing still the cracking string of gibes,
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They flung at one another. I remember too
The grey-haired merchant with his bold black eyes
And brace of slaves, the old ship captain tanned
With sweeping sea-winds and the pitiless sun,
But best of all that dainty amorous pair,
Whose youthful spirit neither heat nor toil
Could conquer. What a charming group they made?
The creaking litter and the long brown poles,
The sinewy bearers with their cat-like stride,
Dripping with sweat, that merry dark-eyed girl,
Whose sudden beauty shook us from our dreams,
And chained our eyes. How beautiful she was?
Half-hid among the gay Miletian cushions,
The lovely laughing face, the gracious form,
The fragrant lightly-knotted hair, and eyes
Full of the dancing fire of wanton Corinth.
That happy stripling, whose delighted feet
Swung at her side, whose tongue ran on so gaily,
Is it for him alone she wreathes those smiles,
And tunes so musically that flexile voice,
Soft as the Lydian flute? Surely his gait
Proclaimed the lover, and his well-filled girdle
Not less the lover's strength. How joyously
He strode, unmindful of his ruffled curls,
Whose perfumes still went wide upon the wind,
His dust-stained robe unheeded, and the stones
Whose ragged edges frayed his delicate shoes.
How radiant, how full of hope he was!
What pleasant memories, how many things
Rose up again before me, as I lay
Half stretched among the crushed anemones,
And watched them, till a far off jutting ledge
Precluded sight, still listening till mine ears
Caught the last vanishing murmur of their talk.
Only a little longer; then we rose
With limbs refreshed, and kept a swinging pace
Toward Corinth; but our talk, I know not why,
Fell for that day. I wonder what there was
About those dainty lovers or their speech,
That changed Euktemon's mood; for all the way
From high Cleonae to the city gates,
42
Till sunset found us loitering without aim,
Half lost among the dusky-moving crowds,
I could get nothing from him but dark looks,
Short answers and the old defiant stride.
Some memory pricked him. It may be, perchance,
A woman's treachery, some luckless passion,
In former days endured, hath seared his blood,
And dowered him with that cureless bitter humour.
To him solitude and the wanderer's life
Alone are sweet, the tumults of this world
A thing unworthy of the wise man's touch,
Its joys and sorrows to be met alike
With broad-browed scorn. One quality at least
We have in common; we are idlers both,
Shifters and wanderers through this sleepless world,
Albeit in different moods. 'Tis that, I think,
That knit us, and the universal need
For near companionship. Howe'er it be,
There is no hand that I would gladlier grasp,
Either on earth or in the nether gloom,
When the grey keel shall grind the Stygian strand,
Than stern Euktemon's.
~ Archibald Lampman,
1460:Dante At Verona
Behold, even I, even I am Beatrice.
(Div. Com. Purg. xxx.)
OF Florence and of Beatrice
Servant and singer from of old,
O'er Dante's heart in youth had toll'd
The knell that gave his Lady peace;
And now in manhood flew the dart
Wherewith his City pierced his heart.
Yet if his Lady's home above
Was Heaven, on earth she filled his soul;
And if his City held control
To cast the body forth to rove,
The soul could soar from earth's vain throng,
And Heaven and Hell fulfil the song.
Follow his feet's appointed way;—
But little light we find that clears
The darkness of the exiled years.
Follow his spirit's journey:—nay,
What fires are blent, what winds are blown
On paths his feet may tread alone?
Yet of the twofold life he led
In chainless thought and fettered will
Some glimpses reach us,—somewhat still
Of the steep stairs and bitter bread,—
Of the soul's quest whose stern avow
For years had made him haggard now.
Alas! the Sacred Song whereto
Both heaven and earth had set their hand
Not only at Fame's gate did stand
Knocking to claim the passage through,
But toiled to ope that heavier door
Which Florence shut for evermore.
Shall not his birth's baptismal Town
One last high presage yet fulfil,
And at that font in Florence still
His forehead take the laurel-crown?
O God! or shall dead souls deny
The undying soul its prophecy?
Aye, 'tis their hour. Not yet forgot
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The bitter words he spoke that day
When for some great charge far away
Her rulers his acceptance sought.
“And if I go, who stays?”—so rose
His scorn:—“and if I stay, who goes?”
“Lo! thou art gone now, and we stay”
(The curled lips mutter): “and no star
Is from thy mortal path so far
As streets where childhood knew the way.
To Heaven and Hell thy feet may win,
But thine own house they come not in.”
Therefore, the loftier rose the song
To touch the secret things of God,
The deeper pierced the hate that trod
On base men's track who wrought the wrong;
Till the soul's effluence came to be
Its own exceeding agony.
Arriving only to depart,
From court to court, from land to land,
Like flame within the naked hand
His body bore his burning heart
That still on Florence strove to bring
God's fire for a burnt offering.
Even such was Dante's mood, when now,
Mocked for long years with Fortune's sport,
He dwelt at yet another court,
There where Verona's knee did bow
And her voice hailed with all acclaim
Can Grande della Scala's name.
As that lord's kingly guest awhile
His life we follow; through the days
Which walked in exile's barren ways,—
The nights which still beneath one smile
Heard through all spheres one song increase,—
“Even I, even I am Beatrice.”
At Can La Scala's court, no doubt,
Due reverence did his steps attend;
The ushers on his path would bend
At ingoing as at going out;
The penmen waited on his call
At council-board, the grooms in hall.
And pages hushed their laughter down,
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And gay squires stilled the merry stir,
When he passed up the dais-chamber
With set brows lordlier than a frown;
And tire-maids hidden among these
Drew close their loosened bodices.
Perhaps the priests, (exact to span
All God's circumference,) if at whiles
They found him wandering in their aisles,
Grudged ghostly greeting to the man
By whom, though not of ghostly guild,
With Heaven and Hell men's hearts were fill'd.
And the court-poets (he, forsooth,
A whole world's poet strayed to court!)
Had for his scorn their hate's retort.
He'd meet them flushed with easy youth,
Hot on their errands. Like noon-flies
They vexed him in the ears and eyes.
But at this court, peace still must wrench
Her chaplet from the teeth of war:
By day they held high watch afar,
At night they cried across the trench;
And still, in Dante's path, the fierce
Gaunt soldiers wrangled o'er their spears.
But vain seemed all the strength to him,
As golden convoys sunk at sea
Whose wealth might root out penury:
Because it was not, limb with limb,
Knit like his heart-strings round the wall
Of Florence, that ill pride might fall.
Yet in the tiltyard, when the dust
Cleared from the sundered press of knights
Ere yet again it swoops and smites,
He almost deemed his longing must
Find force to yield that multitude
And hurl that strength the way he would.
How should he move them,—fame and gain
On all hands calling them at strife?
He still might find but his one life
To give, by Florence counted vain;
One heart the false hearts made her doubt,
One voice she heard once and cast out.
Oh! if his Florence could but come,
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A lily-sceptred damsel fair,
As her own Giotto painted her
On many shields and gates at home,—
A lady crowned, at a soft pace
Riding the lists round to the dais:
Till where Can Grande rules the lists,
As young as Truth, as calm as Force,
She draws her rein now, while her horse
Bows at the turn of the white wrists;
And when each knight within his stall
Gives ear, she speaks and tells them all:
All the foul tale,—truth sworn untrue
And falsehood's triumph. All the tale?
Great God! and must she not prevail
To fire them ere they heard it through,—
And hand achieve ere heart could rest
That high adventure of her quest?
How would his Florence lead them forth,
Her bridle ringing as she went;
And at the last within her tent,
'Neath golden lilies worship-worth,
How queenly would she bend the while
And thank the victors with her smile!
Also her lips should turn his way
And murmur: “O thou tried and true,
With whom I wept the long years through!
What shall it profit if I say,
Thee I remember? Nay, through thee
All ages shall remember me.”
Peace, Dante, peace! The task is long,
The time wears short to compass it.
Within thine heart such hopes may flit
And find a voice in deathless song:
But lo! as children of man's earth,
Those hopes are dead before their birth.
Fame tells us that Verona's court
Was a fair place. The feet might still
Wander for ever at their will
In many ways of sweet resort;
And still in many a heart around
The Poet's name due honour found.
Watch we his steps. He comes upon
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The women at their palm-playing.
The conduits round the gardens sing
And meet in scoops of milk-white stone,
Where wearied damsels rest and hold
Their hands in the wet spurt of gold.
One of whom, knowing well that he,
By some found stern, was mild with them,
Would run and pluck his garment's hem,
Saying, “Messer Dante, pardon me,”—
Praying that they might hear the song
Which first of all he made, when young.
“Donne che avete” . . . Thereunto
Thus would he murmur, having first
Drawn near the fountain, while she nurs'd
His hand against her side: a few
Sweet words, and scarcely those, half said:
Then turned, and changed, and bowed his head.
For then the voice said in his heart,
“Even I, even I am Beatrice”;
And his whole life would yearn to cease:
Till having reached his room, apart
Beyond vast lengths of palace-floor,
He drew the arras round his door.
At such times, Dante, thou hast set
Thy forehead to the painted pane
Full oft, I know; and if the rain
Smote it outside, her fingers met
Thy brow; and if the sun fell there,
Her breath was on thy face and hair.
Then, weeping, I think certainly
Thou hast beheld, past sight of eyne,—
Within another room of thine
Where now thy body may not be
But where in thought thou still remain'st,—
A window often wept against:
The window thou, a youth, hast sought,
Flushed in the limpid eventime,
Ending with daylight the day's rhyme
Of her; where oftenwhiles her thought
Held thee—the lamp untrimmed to write—
In joy through the blue lapse of night.
At Can La Scala's court, no doubt,
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Guests seldom wept. It was brave sport,
No doubt, at Can La Scala's court,
Within the palace and without;
Where music, set to madrigals,
Loitered all day through groves and halls.
Because Can Grande of his life
Had not had six-and-twenty years
As yet. And when the chroniclers
Tell you of that Vicenza strife
And of strifes elsewhere,—you must not
Conceive for church-sooth he had got
Just nothing in his wits but war:
Though doubtless 'twas the young man's joy
(Grown with his growth from a mere boy,)
To mark his “Viva Cane!” scare
The foe's shut front, till it would reel
All blind with shaken points of steel.
But there were places—held too sweet
For eyes that had not the due veil
Of lashes and clear lids—as well
In favour as his saddle-seat:
Breath of low speech he scorned not there
Nor light cool fingers in his hair.
Yet if the child whom the sire's plan
Made free of a deep treasure-chest
Scoffed it with ill-conditioned jest,—
We may be sure too that the man
Was not mere thews, nor all content
With lewdness swathed in sentiment.
So you may read and marvel not
That such a man as Dante—one
Who, while Can Grande's deeds were done,
Had drawn his robe round him and thought—
Now at the same guest-table far'd
Where keen Uguccio wiped his beard.
Through leaves and trellis-work the sun
Left the wine cool within the glass,—
They feasting where no sun could pass:
And when the women, all as one,
Rose up with brightened cheeks to go,
It was a comely thing, we know.
But Dante recked not of the wine;
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Whether the women stayed or went,
His visage held one stern intent:
And when the music had its sign
To breathe upon them for more ease,
Sometimes he turned and bade it cease.
And as he spared not to rebuke
The mirth, so oft in council he
To bitter truth bore testimony:
And when the crafty balance shook
Well poised to make the wrong prevail,
Then Dante's hand would turn the scale.
And if some envoy from afar
Sailed to Verona's sovereign port
For aid or peace, and all the court
Fawned on its lord, “the Mars of war,
Sole arbiter of life and death,”—
Be sure that Dante saved his breath.
And Can La Scala marked askance
These things, accepting them for shame
And scorn, till Dante's guestship came
To be a peevish sufferance:
His host sought ways to make his days
Hateful; and such have many ways.
There was a Jester, a foul lout
Whom the court loved for graceless arts;
Sworn scholiast of the bestial parts
Of speech; a ribald mouth to shout
In Folly's horny tympanum
Such things as make the wise man dumb.
Much loved, him Dante loathed. And so,
One day when Dante felt perplexed
If any day that could come next
Were worth the waiting for or no,
And mute he sat amid their din,—
Can Grande called the Jester in.
Rank words, with such, are wit's best wealth.
Lords mouthed approval; ladies kept
Twittering with clustered heads, except
Some few that took their trains by stealth
And went. Can Grande shook his hair
And smote his thighs and laughed i' the air.
Then, facing on his guest, he cried,—
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“Say, Messer Dante, how it is
I get out of a clown like this
More than your wisdom can provide.”
And Dante: “'Tis man's ancient whim
That still his like seems good to him.”
Also a tale is told, how once,
At clearing tables after meat,
Piled for a jest at Dante's feet
Were found the dinner's well-picked bones;
So laid, to please the banquet's lord,
By one who crouched beneath the board.
Then smiled Can Grande to the rest:—
“Our Dante's tuneful mouth indeed
Lacks not the gift on flesh to feed!”
“Fair host of mine,” replied the guest,
“So many bones you'd not descry
If so it chanced the dog were I.”
But wherefore should we turn the grout
In a drained cup, or be at strife
From the worn garment of a life
To rip the twisted ravel out?
Good needs expounding; but of ill
Each hath enough to guess his fill.
They named him Justicer-at-Law:
Each month to bear the tale in mind
Of hues a wench might wear unfin'd
And of the load an ox might draw;
To cavil in the weight of bread
And to see purse-thieves gibbeted.
And when his spirit wove the spell
(From under even to over-noon
In converse with itself alone,)
As high as Heaven, as low as Hell,—
He would be summoned and must go:
For had not Gian stabbed Giacomo?
Therefore the bread he had to eat
Seemed brackish, less like corn than tares;
And the rush-strown accustomed stairs
Each day were steeper to his feet;
And when the night-vigil was done,
His brows would ache to feel the sun.
Nevertheless, when from his kin
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There came the tidings how at last
In Florence a decree was pass'd
Whereby all banished folk might win
Free pardon, so a fine were paid
And act of public penance made,—
This Dante writ in answer thus,
Words such as these: “That clearly they
In Florence must not have to say,—
The man abode aloof from us
Nigh fifteen years, yet lastly skulk'd
Hither to candleshrift and mulct.
“That he was one the Heavens forbid
To traffic in God's justice sold
By market-weight of earthly gold,
Or to bow down over the lid
Of steaming censers, and so be
Made clean of manhood's obloquy.
“That since no gate led, by God's will,
To Florence, but the one whereat
The priests and money-changers sat,
He still would wander; for that still,
Even through the body's prison-bars,
His soul possessed the sun and stars.”
Such were his words. It is indeed
For ever well our singers should
Utter good words and know them good
Not through song only; with close heed
Lest, having spent for the work's sake
Six days, the man be left to make.
Months o'er Verona, till the feast
Was come for Florence the Free Town:
And at the shrine of Baptist John
The exiles, girt with many a priest
And carrying candles as they went,
Were held to mercy of the saint.
On the high seats in sober state,—
Gold neck-chains range o'er range below
Gold screen-work where the lilies grow,—
The Heads of the Republic sate,
Marking the humbled face go by
Each one of his house-enemy.
And as each proscript rose and stood
77
From kneeling in the ashen dust
On the shrine-steps, some magnate thrust
A beard into the velvet hood
Of his front colleague's gown, to see
The cinders stuck in the bare knee.
Tosinghi passed, Manelli passed,
Rinucci passed, each in his place;
But not an Alighieri's face
Went by that day from first to last
In the Republic's triumph; nor
A foot came home to Dante's door.
(RESPUBLICA—a public thing:
A shameful shameless prostitute,
Whose lust with one lord may not suit,
So takes by turn its revelling
A night with each, till each at morn
Is stripped and beaten forth forlorn,
And leaves her, cursing her. If she,
Indeed, have not some spice-draught, hid
In scent under a silver lid,
To drench his open throat with—he
Once hard asleep; and thrust him not
At dawn beneath the stairs to rot.
Such this Republic!—not the Maid
He yearned for; she who yet should stand
With Heaven's accepted hand in hand,
Invulnerable and unbetray'd:
To whom, even as to God, should be
Obeisance one with Liberty.)
Years filled out their twelve moons, and ceased
One in another; and alway
There were the whole twelve hours each day
And each night as the years increased;
And rising moon and setting sun
Beheld that Dante's work was done.
What of his work for Florence? Well
It was, he knew, and well must be.
Yet evermore her hate's decree
Dwelt in his thought intolerable:—
His body to be burned,*—his soul
To beat its wings at hope's vain goal.
What of his work for Beatrice?
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Now well-nigh was the third song writ,—
The stars a third time sealing it
With sudden music of pure peace:
For echoing thrice the threefold song,
The unnumbered stars the tone prolong.†
Each hour, as then the Vision pass'd,
He heard the utter harmony
Of the nine trembling spheres, till she
Bowed her eyes towards him in the last,
So that all ended with her eyes,
Hell, Purgatory, Paradise.
“It is my trust, as the years fall,
To write more worthily of her
Who now, being made God's minister,
Looks on His visage and knows all.”
Such was the hope that love dar'd blend
With grief's slow fires, to make an end
Of the “New Life,” his youth's dear book:
Adding thereunto: “In such trust
I labour, and believe I must
Accomplish this which my soul took
In charge, if God, my Lord and hers,
Leave my life with me a few years.”
The trust which he had borne in youth
Was all at length accomplished. He
At length had written worthily—
Yea even of her; no rhymes uncouth
'Twixt tongue and tongue; but by God's aid
The first words Italy had said.
Ah! haply now the heavenly guide
Was not the last form seen by him:
But there that Beatrice stood slim
And bowed in passing at his side,
For whom in youth his heart made moan
Then when the city sat alone Quomodo sedet sola civitas!
—The words quoted by Dante in the Vita Nuova when
he speaks of the death of Beatrice.
Clearly herself: the same whom he
Met, not past girlhood, in the street,
Low-bosomed and with hidden feet;
And then as woman perfectly,
In years that followed, many an once,—
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And now at last among the suns
In that high vision. But indeed
It may be memory might recall
Last to him then the first of all,—
The child his boyhood bore in heed
Nine years. At length the voice brought peace,—
“Even I, even I am Beatrice.”
All this, being there, we had not seen.
Seen only was the shadow wrought
On the strong features bound in thought;
The vagueness gaining gait and mien;
The white streaks gathering clear to view
In the burnt beard the women knew.
For a tale tells that on his track,
As through Verona's streets he went,
This saying certain women sent:—
“Lo, he that strolls to Hell and back
At will! Behold him, how Hell's reek
Has crisped his beard and singed his cheek.”
“Whereat” (Boccaccio's words) “he smiled
For pride in fame.” It might be so:
Nevertheless we cannot know
If haply he were not beguiled
To bitterer mirth, who scarce could tell
If he indeed were back from Hell.
So the day came, after a space,
When Dante felt assured that there
The sunshine must lie sicklier
Even than in any other place,
Save only Florence. When that day
Had come, he rose and went his way.
He went and turned not. From his shoes
It may be that he shook the dust,
As every righteous dealer must
Once and again ere life can close:
And unaccomplished destiny
Struck cold his forehead, it may be.
No book keeps record how the Prince
Sunned himself out of Dante's reach,
Nor how the Jester stank in speech:
While courtiers, used to cringe and wince,
Poets and harlots, all the throng,
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Let loose their scandal and their song.
No book keeps record if the seat
Which Dante held at his host's board
Were sat in next by clerk or lord,—
If leman lolled with dainty feet
At ease, or hostage brooded there,
Or priest lacked silence for his prayer.
Eat and wash hands, Can Grande;—scarce
We know their deeds now: hands which fed
Our Dante with that bitter bread;
And thou the watch-dog of those stairs
Which, of all paths his feet knew well,
Were steeper found than Heaven or Hell.
~ Dante Gabriel Rossetti,
1461:The Dunciad: Book Ii.
High on a gorgeous seat, that far out-shone
Henley's gilt tub, or Flecknoe's Irish throne,
Or that where on her Curlls the public pours,
All-bounteous, fragrant grains and golden showers,
Great Cibber sate: the proud Parnassian sneer,
The conscious simper, and the jealous leer,
Mix on his look: all eyes direct their rays
On him, and crowds turn coxcombs as they gaze.
His peers shine round him with reflected grace,
New edge their dulness, and new bronze their face.
So from the sun's broad beam, in shallow urns
Heaven's twinkling sparks draw light, and point their horns.
Not with more glee, by hands Pontific crown'd,
With scarlet hats wide-waving circled round,
Rome in her Capitol saw Querno sit,
Throned on seven hills, the Antichrist of wit.
And now the queen, to glad her sons, proclaims
By herald hawkers, high heroic games.
They summon all her race: an endless band
Pours forth, and leaves unpeopled half the land.
A motley mixture! in long wigs, in bags,
In silks, in crapes, in garters, and in rags,
From drawing-rooms, from colleges, from garrets,
On horse, on foot, in hacks, and gilded chariots:
All who true dunces in her cause appear'd,
And all who knew those dunces to reward.
Amid that area wide they took their stand,
Where the tall maypole once o'er-looked the Strand,
But now (so Anne and piety ordain)
A church collects the saints of Drury Lane.
With authors, stationers obey'd the call,
(The field of glory is a field for all).
Glory and gain the industrious tribe provoke;
And gentle Dulness ever loves a joke.
A poet's form she placed before their eyes,
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And bade the nimblest racer seize the prize;
No meagre, muse-rid mope, adust and thin,
In a dun night-gown of his own loose skin;
But such a bulk as no twelve bards could raise,
Twelve starveling bards of these degenerate days.
All as a partridge plump, full-fed, and fair,
She form'd this image of well-bodied air;
With pert flat eyes she window'd well its head;
A brain of feathers, and a heart of lead;
And empty words she gave, and sounding strain,
But senseless, lifeless! idol void and vain!
Never was dash'd out, at one lucky hit,
A fool, so just a copy of a wit;
So like, that critics said, and courtiers swore,
A wit it was, and call'd the phantom More.
All gaze with ardour: some a poet's name,
Others a sword-knot and laced suit inflame.
But lofty Lintot in the circle rose:
'This prize is mine; who tempt it are my foes;
With me began this genius, and shall end.'
He spoke: and who with Lintot shall contend?
Fear held them mute. Alone, untaught to fear,
Stood dauntless Curll: 'Behold that rival here!
The race by vigour, not by vaunts is won;
So take the hindmost Hell.' He said, and run.
Swift as a bard the bailiff leaves behind,
He left huge Lintot, and out-stripp'd the wind.
As when a dab-chick waddles through the copse
On feet and wings, and flies, and wades, and hops:
So labouring on, with shoulders, hands, and head,
Wide as a wind-mill all his figure spread,
With arms expanded Bernard rows his state,
And left-legg'd Jacob seems to emulate.
Full in the middle way there stood a lake,
Which Curll's Corinna chanced that morn to make:
(Such was her wont, at early dawn to drop
Her evening cates before his neighbour's shop,)
Here fortuned Curll to slide; loud shout the band,
And Bernard! Bernard! rings through all the Strand.
Obscene with filth the miscreant lies bewray'd,
Fallen in the plash his wickedness had laid:
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Then first (if poets aught of truth declare)
The caitiff vaticide conceived a prayer:
'Hear, Jove! whose name my bards and I adore,
As much at least as any god's, or more;
And him and his if more devotion warms,
Down with the Bible, up with the Pope's arms.'
A place there is, betwixt earth, air, and seas,
Where, from Ambrosia, Jove retires for ease.
There in his seat two spacious vents appear,
On this he sits, to that he leans his ear,
And hears the various vows of fond mankind;
Some beg an eastern, some a western wind:
All vain petitions, mounting to the sky,
With reams abundant this abode supply;
Amused he reads, and then returns the bills
Sign'd with that ichor which from gods distils.
In office here fair Cloacina stands,
And ministers to Jove with purest hands.
Forth from the heap she pick'd her votary's prayer,
And placed it next him, a distinction rare!
Oft had the goddess heard her servant's call,
From her black grottos near the Temple-wall,
Listening delighted to the jest unclean
Of link-boys vile, and watermen obscene;
Where as he fish'd her nether realms for wit,
She oft had favour'd him, and favours yet.
Renew'd by ordure's sympathetic force,
As oil'd with magic juices for the course,
Vigorous he rises; from the effluvia strong
Imbibes new life, and scours and stinks along;
Repasses Lintot, vindicates the race,
Nor heeds the brown dishonours of his face.
And now the victor stretch'd his eager hand
Where the tall Nothing stood, or seem'd to stand;
A shapeless shade, it melted from his sight,
Like forms in clouds, or visions of the night.
To seize his papers, Curll, was next thy care;
His papers light, fly diverse, toss'd in air;
Songs, sonnets, epigrams the winds uplift,
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And whisk them back to Evans, Young, and Swift.
The embroider'd suit at least he deem'd his prey,
That suit an unpaid tailor snatch'd away.
No rag, no scrap, of all the beau, or wit,
That once so flutter'd, and that once so writ.
Heaven rings with laughter: of the laughter vain,
Dulness, good queen, repeats the jest again.
Three wicked imps, of her own Grub Street choir,
She deck'd like Congreve, Addison, and Prior;
Mears, Warner, Wilkins run: delusive thought!
Breval, Bond, Bezaleel, the varlets caught.
Curll stretches after Gay, but Gay is gone,
He grasps an empty Joseph for a John:
So Proteus, hunted in a nobler shape,
Became, when seized, a puppy, or an ape.
To him the goddess: 'Son! thy grief lay down,
And turn this whole illusion on the town:
As the sage dame, experienced in her trade,
By names of toasts retails each batter'd jade;
(Whence hapless Monsieur much complains at Paris
Of wrongs from duchesses and Lady Maries
Be thine, my stationer! this magic gift;
Cook shall be Prior, and Concanen, Swift:
So shall each hostile name become our own,
And we too boast our Garth and Addison.'
With that she gave him (piteous of his case,
Yet smiling at his rueful length of face)
A shaggy tapestry, worthy to be spread
On Codrus' old, or Dunton's modern bed;
Instructive work! whose wry-mouth'd portraiture
Display'd the fates her confessors endure.
Earless on high, stood unabash'd Defoe,
And Tutchin flagrant from the scourge below.
There Ridpath, Roper, cudgell'd might ye view,
The very worsted still look'd black and blue.
Himself among the storied chiefs he spies,
As, from the blanket, high in air he flies,
And oh! (he cried) what street, what lane but knows
Our purgings, pumpings, blanketings, and blows?
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In every loom our labours shall be seen,
And the fresh vomit run for ever green!
See in the circle next, Eliza placed,
Two babes of love close clinging to her waist;
Fair as before her works she stands confess'd,
In flowers and pearls by bounteous Kirkall dress'd.
The goddess then: 'Who best can send on high
The salient spout, far-streaming to the sky;
His be yon Juno of majestic size,
With cow-like udders, and with ox-like eyes.
This China Jordan let the chief o'ercome
Replenish, not ingloriously, at home.'
Osborne and Curll accept the glorious strife,
(Though this his son dissuades, and that his wife
One on his manly confidence relies,
One on his vigour and superior size.
First Osborne lean'd against his letter'd post;
It rose, and labour'd to a curve at most.
So Jove's bright bow displays its watery round
(Sure sign, that no spectator shall be drown'd),
A second effort brought but new disgrace,
The wild meander wash'd the artist's face:
Thus the small jet, which hasty hands unlock,
Spurts in the gardener's eyes who turns the cock.
Not so from shameless Curll; impetuous spread
The stream, and smoking flourish'd o'er his head.
So (famed like thee for turbulence and horns)
Eridanus his humble fountain scorns;
Through half the heavens he pours the exalted urn;
His rapid waters in their passage burn.
Swift as it mounts, all follow with their eyes:
Still happy impudence obtains the prize.
Thou triumph'st, victor of the high-wrought day,
And the pleased dame, soft-smiling, lead'st away.
Osborne, through perfect modesty o'ercome,
Crown'd with the Jordan, walks contented home.
But now for authors nobler palms remain;
Room for my lord! three jockeys in his train;
183
Six huntsmen with a shout precede his chair:
He grins, and looks broad nonsense with a stare.
His honour's meaning Dulness thus express'd,
'He wins this patron, who can tickle best.'
He chinks his purse, and takes his seat of state:
With ready quills the dedicators wait;
Now at his head the dext'rous task commence,
And, instant, fancy feels the imputed sense;
Now gentle touches wanton o'er his face,
He struts Adonis, and affects grimace:
Rolli the feather to his ear conveys,
Then his nice taste directs our operas:
Bentley his mouth with classic flattery opes,
And the puff'd orator bursts out in tropes.
But Welsted most the poet's healing balm
Strives to extract from his soft, giving palm;
Unlucky Welsted! thy unfeeling master,
The more thou ticklest, gripes his fist the faster.
While thus each hand promotes the pleasing pain,
And quick sensations skip from vein to vein;
A youth unknown to Phoebus, in despair,
Puts his last refuge all in Heaven and prayer.
What force have pious vows! The Queen of Love
Her sister sends, her votaress, from above.
As taught by Venus, Paris learn'd the art
To touch Achilles' only tender part;
Secure, through her, the noble prize to carry,
He marches off, his Grace's secretary.
'Now turn to different sports (the goddess cries),
And learn, my sons, the wondrous power of noise.
To move, to raise, to ravish every heart,
With Shakspeare's nature, or with Jonson's art,
Let others aim: 'tis yours to shake the soul
With thunder rumbling from the mustard bowl,
With horns and trumpets now to madness swell,
Now sink in sorrows with a tolling bell;
Such happy arts attention can command,
When fancy flags, and sense is at a stand.
Improve we these. Three cat-calls be the bribe
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Of him whose chattering shames the monkey tribe:
And his this drum whose hoarse heroic bass
Drowns the loud clarion of the braying ass.'
Now thousand tongues are heard in one loud din:
The monkey-mimics rush discordant in;
'Twas chattering, grinning, mouthing, jabbering all,
And noise and Norton, brangling and Breval,
Dennis and dissonance, and captious art,
And snip-snap short, and interruption smart,
And demonstration thin, and theses thick,
And major, minor, and conclusion quick.
'Hold' (cried the queen) 'a cat-call each shall win;
Equal your merits! equal is your din!
But that this well-disputed game may end,
Sound forth, nay brayers, and the welkin rend.'
As when the long-ear'd milky mothers wait
At some sick miser's triple-bolted gate,
For their defrauded, absent foals they make
A moan so loud, that all the guild awake;
Sore sighs Sir Gilbert, starting at the bray,
From dreams of millions, and three groats to pay.
So swells each windpipe; ass intones to ass,
Harmonic twang! of leather, horn, and brass;
Such as from labouring lungs the enthusiast blows,
High sound, attemper'd to the vocal nose,
Or such as bellow from the deep divine;
There, Webster! peal'd thy voice, and, Whitfield! thine.
But far o'er all, sonorous Blackmore's strain;
Walls, steeples, skies, bray back to him again.
In Tottenham fields, the brethren, with amaze,
Prick all their ears up, and forget to graze;
'Long Chancery Lane retentive rolls the sound,
And courts to courts return it round and round;
Thames wafts it thence to Rufus' roaring hall,
And Hungerford re-echoes bawl for bawl.
All hail him victor in both gifts of song,
Who sings so loudly, and who sings so long.
This labour past, by Bridewell all descend,
(As morning prayer, and flagellation end)
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To where Fleet-ditch with disemboguing streams
Rolls the large tribute of dead dogs to Thames,
The king of dikes! than whom no sluice of mud
With deeper sable blots the silver flood.
'Here strip, my children! here at once leap in,
Here prove who best can dash through thick and thin,
And who the most in love of dirt excel,
Or dark dexterity of groping well.
Who flings most filth, and wide pollutes around
The stream, be his the weekly journals bound;
A pig of lead to him who dives the best;
A peck of coals a-piece shall glad the rest.'
In naked majesty Oldmixon stands,
And, Milo-like, surveys his arms and hands;
Then sighing, thus, 'And am I now threescore?
Ah why, ye gods! should two and two make four?'
He said, and climb'd a stranded lighter's height,
Shot to the black abyss, and plunged downright.
The senior's judgment all the crowd admire,
Who but to sink the deeper, rose the higher.
Next Smedley dived; slow circles dimpled o'er
The quaking mud, that closed, and oped no more.
All look, all sigh, and call on Smedley lost;
'Smedley!' in vain, resounds through all the coast.
Then Hill essay'd; scarce vanish'd out of sight,
He buoys up instant, and returns to light:
He bears no token of the sable streams,
And mounts far off among the swans of Thames.
True to the bottom, see Concanen creep,
A cold, long-winded, native of the deep:
If perseverance gain the diver's prize,
Not everlasting Blackmore this denies:
No noise, no stir, no motion can'st thou make,
The unconscious stream sleeps o'er thee like a lake.
Next plunged a feeble, but a desperate pack,
With each a sickly brother at his back:
Sons of a day! just buoyant on the flood,
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Then number'd with the puppies in the mud.
Ask ye their names? I could as soon disclose
The names of these blind puppies as of those.
Fast by, like Niobe (her children gone)
Sits Mother Osborne, stupified to stone!
And monumental brass this record bears,
'These are,-ah no! these were, the gazetteers!'
Not so bold Arnall; with a weight of skull,
Furious he dives, precipitately dull.
Whirlpools and storms his circling arm invest,
With all the might of gravitation bless'd.
No crab more active in the dirty dance,
Downward to climb, and backward to advance.
He brings up half the bottom on his head,
And loudly claims the journals and the lead.
The plunging Prelate, and his ponderous Grace,
With holy envy gave one layman place.
When, lo! a burst of thunder shook the flood,
Slow rose a form, in majesty of mud:
Shaking the horrors of his sable brows,
And each ferocious feature grim with ooze.
Greater he looks, and more than mortal stares:
Then thus the wonders of the deep declares.
First he relates, how sinking to the chin,
Smit with his mien, the mud-nymphs suck'd him in:
How young Lutetia, softer than the down,
Nigrina black, and Merdamante brown,
Vied for his love in jetty bowers below,
As Hylas fair was ravish'd long ago.
Then sung, how, shown him by the nut-brown maids;
A branch of Styx here rises from the shades,
That, tinctured as it runs with Lethe's streams,
And wafting vapours from the land of dreams,
(As under seas Alpheus' secret sluice
Bears Pisa's offerings to his Arethuse,)
Pours into Thames: and hence the mingled wave
Intoxicates the pert, and lulls the grave:
Here brisker vapours o'er the Temple creep,
There, all from Paul's to Aldgate drink and sleep.
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Thence to the banks where reverend bards repose,
They led him soft; each reverend bard arose;
And Milbourn chief, deputed by the rest,
Gave him the cassock, surcingle, and vest.
'Receive (he said) these robes which once were mine,
Dulness is sacred in a sound divine.'
He ceased, and spread the robe; the crowd confess
The reverend Flamen in his lengthen'd dress.
Around him wide a sable army stand,
A low-born, cell-bred, selfish, servile band,
Prompt or to guard or stab, to saint or damn,
Heaven's Swiss, who fight for any god, or man.
Through Lud's famed gates, along the well-known Fleet
Rolls the black troop, and overshades the street,
Till showers of sermons, characters, essays,
In circling fleeces whiten all the ways:
So clouds replenish'd from some bog below,
Mount in dark volumes, and descend in snow.
Here stopp'd the goddess; and in pomp proclaims
A gentler exercise to close the games.
'Ye critics! in whose heads, as equal scales,
I weigh what author's heaviness prevails,
Which most conduce to soothe the soul in slumbers,
My Henley's periods, or my Blackmore's numbers,
Attend the trial we propose to make:
If there be man, who o'er such works can wake,
Sleep's all-subduing charms who dares defy,
And boasts Ulysses' ear with Argus' eye;
To him we grant our amplest powers to sit
Judge of all present, past, and future wit;
To cavil, censure, dictate, right or wrong,
Full and eternal privilege of tongue.'
Three college Sophs, and three pert Templars came,
The same their talents, and their tastes the same;
Each prompt to query, answer, and debate,
And smit with love of poesy and prate.
The ponderous books two gentle readers bring;
The heroes sit, the vulgar form a ring.
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The clamorous crowd is hush'd with mugs of mum,
Till all, tuned equal, send a general hum.
Then mount the clerks, and in one lazy tone
Through the long, heavy, painful page drawl on;
Soft creeping, words on words, the sense compose,
At every line they stretch, they yawn, they doze.
As to soft gales top-heavy pines bow low
Their heads, and lift them as they cease to blow,
Thus oft they rear, and oft the head decline,
As breathe, or pause, by fits, the airs divine;
And now to this side, now to that they nod,
As verse or prose infuse the drowsy god.
Thrice Budgell aim'd to speak, but thrice suppress'd
By potent Arthur, knock'd his chin and breast.
Toland and Tindal, prompt at priests to jeer,
Yet silent bow'd to Christ's no kingdom here.
Who sate the nearest, by the words o'ercome,
Slept first; the distant nodded to the hum.
Then down are roll'd the books; stretch'd o'er 'em lies
Each gentle clerk, and, muttering, seals his eyes,
As what a Dutchman plumps into the lakes,
One circle first, and then a second makes;
What Dulness dropp'd among her sons impress'd
Like motion from one circle to the rest;
So from the midmost the nutation spreads
Round and more round, o'er all the sea of heads.
At last Centlivre felt her voice to fail,
Motteux himself unfinished left his tale,
Boyer the state, and Law the stage gave o'er,
Morgan and Mandeville could prate no more;
Norton, from Daniel and Ostroea sprung,
Bless'd with his father's front and mother's tongue,
Hung silent down his never-blushing head;
And all was hush'd, as Polly's self lay dead.
Thus the soft gifts of sleep conclude the day,
And stretch'd on bulks, as usual, poets lay.
Why should I sing what bards the nightly Muse
Did slumbering visit, and convey to stews;
Who prouder march'd, with magistrates in state,
To some famed round-house, ever open gate!
How Henley lay inspired beside a sink,
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And to mere mortals seem'd a priest in drink;
While others, timely, to the neighbouring Fleet
(Haunt of the Muses!) made their safe retreat?
~ Alexander Pope,
1462:The Princess (Part 2)
At break of day the College Portress came:
She brought us Academic silks, in hue
The lilac, with a silken hood to each,
And zoned with gold; and now when these were on,
And we as rich as moths from dusk cocoons,
She, curtseying her obeisance, let us know
The Princess Ida waited: out we paced,
I first, and following through the porch that sang
All round with laurel, issued in a court
Compact of lucid marbles, bossed with lengths
Of classic frieze, with ample awnings gay
Betwixt the pillars, and with great urns of flowers.
The Muses and the Graces, grouped in threes,
Enringed a billowing fountain in the midst;
And here and there on lattice edges lay
Or book or lute; but hastily we past,
And up a flight of stairs into the hall.
There at a board by tome and paper sat,
With two tame leopards couched beside her throne,
All beauty compassed in a female form,
The Princess; liker to the inhabitant
Of some clear planet close upon the Sun,
Than our man's earth; such eyes were in her head,
And so much grace and power, breathing down
From over her arched brows, with every turn
Lived through her to the tips of her long hands,
And to her feet. She rose her height, and said:
'We give you welcome: not without redound
Of use and glory to yourselves ye come,
The first-fruits of the stranger: aftertime,
And that full voice which circles round the grave,
Will rank you nobly, mingled up with me.
What! are the ladies of your land so tall?'
'We of the court' said Cyril. 'From the court'
She answered, 'then ye know the Prince?' and he:
'The climax of his age! as though there were
One rose in all the world, your Highness that,
726
He worships your ideal:' she replied:
'We scarcely thought in our own hall to hear
This barren verbiage, current among men,
Light coin, the tinsel clink of compliment.
Your flight from out your bookless wilds would seem
As arguing love of knowledge and of power;
Your language proves you still the child. Indeed,
We dream not of him: when we set our hand
To this great work, we purposed with ourself
Never to wed. You likewise will do well,
Ladies, in entering here, to cast and fling
The tricks, which make us toys of men, that so,
Some future time, if so indeed you will,
You may with those self-styled our lords ally
Your fortunes, justlier balanced, scale with scale.'
At those high words, we conscious of ourselves,
Perused the matting: then an officer
Rose up, and read the statutes, such as these:
Not for three years to correspond with home;
Not for three years to cross the liberties;
Not for three years to speak with any men;
And many more, which hastily subscribed,
We entered on the boards: and 'Now,' she cried,
'Ye are green wood, see ye warp not. Look, our hall!
Our statues!--not of those that men desire,
Sleek Odalisques, or oracles of mode,
Nor stunted squaws of West or East; but she
That taught the Sabine how to rule, and she
The foundress of the Babylonian wall,
The Carian Artemisia strong in war,
The Rhodope, that built the pyramid,
Clelia, Cornelia, with the Palmyrene
That fought Aurelian, and the Roman brows
Of Agrippina. Dwell with these, and lose
Convention, since to look on noble forms
Makes noble through the sensuous organism
That which is higher. O lift your natures up:
Embrace our aims: work out your freedom. Girls,
Knowledge is now no more a fountain sealed:
Drink deep, until the habits of the slave,
The sins of emptiness, gossip and spite
727
And slander, die. Better not be at all
Than not be noble. Leave us: you may go:
Today the Lady Psyche will harangue
The fresh arrivals of the week before;
For they press in from all the provinces,
And fill the hive.'
She spoke, and bowing waved
Dismissal: back again we crost the court
To Lady Psyche's: as we entered in,
There sat along the forms, like morning doves
That sun their milky bosoms on the thatch,
A patient range of pupils; she herself
Erect behind a desk of satin-wood,
A quick brunette, well-moulded, falcon-eyed,
And on the hither side, or so she looked,
Of twenty summers. At her left, a child,
In shining draperies, headed like a star,
Her maiden babe, a double April old,
Aglaïa slept. We sat: the Lady glanced:
Then Florian, but not livelier than the dame
That whispered 'Asses' ears', among the sedge,
'My sister.' 'Comely, too, by all that's fair,'
Said Cyril. 'Oh hush, hush!' and she began.
'This world was once a fluid haze of light,
Till toward the centre set the starry tides,
And eddied into suns, that wheeling cast
The planets: then the monster, then the man;
Tattooed or woaded, winter-clad in skins,
Raw from the prime, and crushing down his mate;
As yet we find in barbarous isles, and here
Among the lowest.'
Thereupon she took
A bird's-eye-view of all the ungracious past;
Glanced at the legendary Amazon
As emblematic of a nobler age;
Appraised the Lycian custom, spoke of those
That lay at wine with Lar and Lucumo;
Ran down the Persian, Grecian, Roman lines
Of empire, and the woman's state in each,
How far from just; till warming with her theme
She fulmined out her scorn of laws Salique
728
And little-footed China, touched on Mahomet
With much contempt, and came to chivalry:
When some respect, however slight, was paid
To woman, superstition all awry:
However then commenced the dawn: a beam
Had slanted forward, falling in a land
Of promise; fruit would follow. Deep, indeed,
Their debt of thanks to her who first had dared
To leap the rotten pales of prejudice,
Disyoke their necks from custom, and assert
None lordlier than themselves but that which made
Woman and man. She had founded; they must build.
Here might they learn whatever men were taught:
Let them not fear: some said their heads were less:
Some men's were small; not they the least of men;
For often fineness compensated size:
Besides the brain was like the hand, and grew
With using; thence the man's, if more was more;
He took advantage of his strength to be
First in the field: some ages had been lost;
But woman ripened earlier, and her life
Was longer; and albeit their glorious names
Were fewer, scattered stars, yet since in truth
The highest is the measure of the man,
And not the Kaffir, Hottentot, Malay,
Nor those horn-handed breakers of the glebe,
But Homer, Plato, Verulam; even so
With woman: and in arts of government
Elizabeth and others; arts of war
The peasant Joan and others; arts of grace
Sappho and others vied with any man:
And, last not least, she who had left her place,
And bowed her state to them, that they might grow
To use and power on this Oasis, lapt
In the arms of leisure, sacred from the blight
Of ancient influence and scorn.
At last
She rose upon a wind of prophecy
Dilating on the future; 'everywhere
Who heads in council, two beside the hearth,
Two in the tangled business of the world,
Two in the liberal offices of life,
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Two plummets dropt for one to sound the abyss
Of science, and the secrets of the mind:
Musician, painter, sculptor, critic, more:
And everywhere the broad and bounteous Earth
Should bear a double growth of those rare souls,
Poets, whose thoughts enrich the blood of the world.'
She ended here, and beckoned us: the rest
Parted; and, glowing full-faced welcome, she
Began to address us, and was moving on
In gratulation, till as when a boat
Tacks, and the slackened sail flaps, all her voice
Faltering and fluttering in her throat, she cried
'My brother!' 'Well, my sister.' 'O,' she said,
'What do you here? and in this dress? and these?
Why who are these? a wolf within the fold!
A pack of wolves! the Lord be gracious to me!
A plot, a plot, a plot to ruin all!'
'No plot, no plot,' he answered. 'Wretched boy,
How saw you not the inscription on the gate,
LET NO MAN ENTER IN ON PAIN OF DEATH?'
'And if I had,' he answered, 'who could think
The softer Adams of your Academe,
O sister, Sirens though they be, were such
As chanted on the blanching bones of men?'
'But you will find it otherwise' she said.
'You jest: ill jesting with edge-tools! my vow
Binds me to speak, and O that iron will,
That axelike edge unturnable, our Head,
The Princess.' 'Well then, Psyche, take my life,
And nail me like a weasel on a grange
For warning: bury me beside the gate,
And cut this epitaph above my bones;
~Here lies a brother by a sister slain,
All for the common good of womankind.~'
'Let me die too,' said Cyril, 'having seen
And heard the Lady Psyche.'
I struck in:
'Albeit so masked, Madam, I love the truth;
Receive it; and in me behold the Prince
Your countryman, affianced years ago
To the Lady Ida: here, for here she was,
730
And thus (what other way was left) I came.'
'O Sir, O Prince, I have no country; none;
If any, this; but none. Whate'er I was
Disrooted, what I am is grafted here.
Affianced, Sir? love-whispers may not breathe
Within this vestal limit, and how should I,
Who am not mine, say, live: the thunderbolt
Hangs silent; but prepare: I speak; it falls.'
'Yet pause,' I said: 'for that inscription there,
I think no more of deadly lurks therein,
Than in a clapper clapping in a garth,
To scare the fowl from fruit: if more there be,
If more and acted on, what follows? war;
Your own work marred: for this your Academe,
Whichever side be Victor, in the halloo
Will topple to the trumpet down, and pass
With all fair theories only made to gild
A stormless summer.' 'Let the Princess judge
Of that' she said: 'farewell, Sir--and to you.
I shudder at the sequel, but I go.'
'Are you that Lady Psyche,' I rejoined,
'The fifth in line from that old Florian,
Yet hangs his portrait in my father's hall
(The gaunt old Baron with his beetle brow
Sun-shaded in the heat of dusty fights)
As he bestrode my Grandsire, when he fell,
And all else fled? we point to it, and we say,
The loyal warmth of Florian is not cold,
But branches current yet in kindred veins.'
'Are you that Psyche,' Florian added; 'she
With whom I sang about the morning hills,
Flung ball, flew kite, and raced the purple fly,
And snared the squirrel of the glen? are you
That Psyche, wont to bind my throbbing brow,
To smoothe my pillow, mix the foaming draught
Of fever, tell me pleasant tales, and read
My sickness down to happy dreams? are you
That brother-sister Psyche, both in one?
You were that Psyche, but what are you now?'
'You are that Psyche,' said Cyril, 'for whom
I would be that for ever which I seem,
731
Woman, if I might sit beside your feet,
And glean your scattered sapience.'
Then once more,
'Are you that Lady Psyche,' I began,
'That on her bridal morn before she past
From all her old companions, when the kind
Kissed her pale cheek, declared that ancient ties
Would still be dear beyond the southern hills;
That were there any of our people there
In want or peril, there was one to hear
And help them? look! for such are these and I.'
'Are you that Psyche,' Florian asked, 'to whom,
In gentler days, your arrow-wounded fawn
Came flying while you sat beside the well?
The creature laid his muzzle on your lap,
And sobbed, and you sobbed with it, and the blood
Was sprinkled on your kirtle, and you wept.
That was fawn's blood, not brother's, yet you wept.
O by the bright head of my little niece,
You were that Psyche, and what are you now?'
'You are that Psyche,' Cyril said again,
'The mother of the sweetest little maid,
That ever crowed for kisses.'
'Out upon it!'
She answered, 'peace! and why should I not play
The Spartan Mother with emotion, be
The Lucius Junius Brutus of my kind?
Him you call great: he for the common weal,
The fading politics of mortal Rome,
As I might slay this child, if good need were,
Slew both his sons: and I, shall I, on whom
The secular emancipation turns
Of half this world, be swerved from right to save
A prince, a brother? a little will I yield.
Best so, perchance, for us, and well for you.
O hard, when love and duty clash! I fear
My conscience will not count me fleckless; yet-Hear my conditions: promise (otherwise
You perish) as you came, to slip away
Today, tomorrow, soon: it shall be said,
These women were too barbarous, would not learn;
They fled, who might have shamed us: promise, all.'
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What could we else, we promised each; and she,
Like some wild creature newly-caged, commenced
A to-and-fro, so pacing till she paused
By Florian; holding out her lily arms
Took both his hands, and smiling faintly said:
'I knew you at the first: though you have grown
You scarce have altered: I am sad and glad
To see you, Florian. ~I~ give thee to death
My brother! it was duty spoke, not I.
My needful seeming harshness, pardon it.
Our mother, is she well?'
With that she kissed
His forehead, then, a moment after, clung
About him, and betwixt them blossomed up
From out a common vein of memory
Sweet household talk, and phrases of the hearth,
And far allusion, till the gracious dews
Began to glisten and to fall: and while
They stood, so rapt, we gazing, came a voice,
'I brought a message here from Lady Blanche.'
Back started she, and turning round we saw
The Lady Blanche's daughter where she stood,
Melissa, with her hand upon the lock,
A rosy blonde, and in a college gown,
That clad her like an April daffodilly
(Her mother's colour) with her lips apart,
And all her thoughts as fair within her eyes,
As bottom agates seen to wave and float
In crystal currents of clear morning seas.
So stood that same fair creature at the door.
Then Lady Psyche, 'Ah--Melissa--you!
You heard us?' and Melissa, 'O pardon me
I heard, I could not help it, did not wish:
But, dearest Lady, pray you fear me not,
Nor think I bear that heart within my breast,
To give three gallant gentlemen to death.'
'I trust you,' said the other, 'for we two
Were always friends, none closer, elm and vine:
But yet your mother's jealous temperament-Let not your prudence, dearest, drowse, or prove
733
The Danaïd of a leaky vase, for fear
This whole foundation ruin, and I lose
My honour, these their lives.' 'Ah, fear me not'
Replied Melissa; 'no--I would not tell,
No, not for all Aspasia's cleverness,
No, not to answer, Madam, all those hard things
That Sheba came to ask of Solomon.'
'Be it so' the other, 'that we still may lead
The new light up, and culminate in peace,
For Solomon may come to Sheba yet.'
Said Cyril, 'Madam, he the wisest man
Feasted the woman wisest then, in halls
Of Lebanonian cedar: nor should you
(Though, Madam, ~you~ should answer, ~we~ would ask)
Less welcome find among us, if you came
Among us, debtors for our lives to you,
Myself for something more.' He said not what,
But 'Thanks,' she answered 'Go: we have been too long
Together: keep your hoods about the face;
They do so that affect abstraction here.
Speak little; mix not with the rest; and hold
Your promise: all, I trust, may yet be well.'
We turned to go, but Cyril took the child,
And held her round the knees against his waist,
And blew the swollen cheek of a trumpeter,
While Psyche watched them, smiling, and the child
Pushed her flat hand against his face and laughed;
And thus our conference closed.
And then we strolled
For half the day through stately theatres
Benched crescent-wise. In each we sat, we heard
The grave Professor. On the lecture slate
The circle rounded under female hands
With flawless demonstration: followed then
A classic lecture, rich in sentiment,
With scraps of thunderous Epic lilted out
By violet-hooded Doctors, elegies
And quoted odes, and jewels five-words-long
That on the stretched forefinger of all Time
Sparkle for ever: then we dipt in all
That treats of whatsoever is, the state,
734
The total chronicles of man, the mind,
The morals, something of the frame, the rock,
The star, the bird, the fish, the shell, the flower,
Electric, chemic laws, and all the rest,
And whatsoever can be taught and known;
Till like three horses that have broken fence,
And glutted all night long breast-deep in corn,
We issued gorged with knowledge, and I spoke:
'Why, Sirs, they do all this as well as we.'
'They hunt old trails' said Cyril 'very well;
But when did woman ever yet invent?'
'Ungracious!' answered Florian; 'have you learnt
No more from Psyche's lecture, you that talked
The trash that made me sick, and almost sad?'
'O trash' he said, 'but with a kernel in it.
Should I not call her wise, who made me wise?
And learnt? I learnt more from her in a flash,
Than in my brainpan were an empty hull,
And every Muse tumbled a science in.
A thousand hearts lie fallow in these halls,
And round these halls a thousand baby loves
Fly twanging headless arrows at the hearts,
Whence follows many a vacant pang; but O
With me, Sir, entered in the bigger boy,
The Head of all the golden-shafted firm,
The long-limbed lad that had a Psyche too;
He cleft me through the stomacher; and now
What think you of it, Florian? do I chase
The substance or the shadow? will it hold?
I have no sorcerer's malison on me,
No ghostly hauntings like his Highness. I
Flatter myself that always everywhere
I know the substance when I see it. Well,
Are castles shadows? Three of them? Is she
The sweet proprietress a shadow? If not,
Shall those three castles patch my tattered coat?
For dear are those three castles to my wants,
And dear is sister Psyche to my heart,
And two dear things are one of double worth,
And much I might have said, but that my zone
Unmanned me: then the Doctors! O to hear
The Doctors! O to watch the thirsty plants
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Imbibing! once or twice I thought to roar,
To break my chain, to shake my mane: but thou,
Modulate me, Soul of mincing mimicry!
Make liquid treble of that bassoon, my throat;
Abase those eyes that ever loved to meet
Star-sisters answering under crescent brows;
Abate the stride, which speaks of man, and loose
A flying charm of blushes o'er this cheek,
Where they like swallows coming out of time
Will wonder why they came: but hark the bell
For dinner, let us go!'
And in we streamed
Among the columns, pacing staid and still
By twos and threes, till all from end to end
With beauties every shade of brown and fair
In colours gayer than the morning mist,
The long hall glittered like a bed of flowers.
How might a man not wander from his wits
Pierced through with eyes, but that I kept mine own
Intent on her, who rapt in glorious dreams,
The second-sight of some Astræan age,
Sat compassed with professors: they, the while,
Discussed a doubt and tost it to and fro:
A clamour thickened, mixt with inmost terms
Of art and science: Lady Blanche alone
Of faded form and haughtiest lineaments,
With all her autumn tresses falsely brown,
Shot sidelong daggers at us, a tiger-cat
In act to spring.
At last a solemn grace
Concluded, and we sought the gardens: there
One walked reciting by herself, and one
In this hand held a volume as to read,
And smoothed a petted peacock down with that:
Some to a low song oared a shallop by,
Or under arches of the marble bridge
Hung, shadowed from the heat: some hid and sought
In the orange thickets: others tost a ball
Above the fountain-jets, and back again
With laughter: others lay about the lawns,
Of the older sort, and murmured that their May
Was passing: what was learning unto them?
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They wished to marry; they could rule a house;
Men hated learned women: but we three
Sat muffled like the Fates; and often came
Melissa hitting all we saw with shafts
Of gentle satire, kin to charity,
That harmed not: then day droopt; the chapel bells
Called us: we left the walks; we mixt with those
Six hundred maidens clad in purest white,
Before two streams of light from wall to wall,
While the great organ almost burst his pipes,
Groaning for power, and rolling through the court
A long melodious thunder to the sound
Of solemn psalms, and silver litanies,
The work of Ida, to call down from Heaven
A blessing on her labours for the world.
Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.
Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the nest,
Silver sails all out of the west
Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep.
~ Alfred Lord Tennyson,
1463:The Passing Of Arthur
That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.
For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:
'I found Him in the shining of the stars,
I marked Him in the flowering of His fields,
But in His ways with men I find Him not.
I waged His wars, and now I pass and die.
O me! for why is all around us here
As if some lesser god had made the world,
But had not force to shape it as he would,
Till the High God behold it from beyond,
And enter it, and make it beautiful?
Or else as if the world were wholly fair,
But that these eyes of men are dense and dim,
And have not power to see it as it is:
Perchance, because we see not to the close;-For I, being simple, thought to work His will,
And have but stricken with the sword in vain;
And all whereon I leaned in wife and friend
Is traitor to my peace, and all my realm
Reels back into the beast, and is no more.
My God, thou hast forgotten me in my death;
Nay--God my Christ--I pass but shall not die.'
Then, ere that last weird battle in the west,
There came on Arthur sleeping, Gawain killed
In Lancelot's war, the ghost of Gawain blown
Along a wandering wind, and past his ear
Went shrilling, 'Hollow, hollow all delight!
Hail, King! tomorrow thou shalt pass away.
Farewell! there is an isle of rest for thee.
And I am blown along a wandering wind,
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And hollow, hollow, hollow all delight.'
And fainter onward, like wild birds that change
Their season in the night and wail their way
From cloud to cloud, down the long wind the dream
Shrilled; but in going mingled with dim cries
Far in the moonlit haze among the hills,
As of some lonely city sacked by night,
When all is lost, and wife and child with wail
Pass to new lords; and Arthur woke and called,
'Who spake? A dream. O light upon the wind,
Thine, Gawain, was the voice--are these dim cries
Thine? or doth all that haunts the waste and wild
Mourn, knowing it will go along with me?'
This heard the bold Sir Bedivere and spake:
'O me, my King, let pass whatever will,
Elves, and the harmless glamour of the field;
But in their stead thy name and glory cling
To all high places like a golden cloud
For ever: but as yet thou shalt not pass.
Light was Gawain in life, and light in death
Is Gawain, for the ghost is as the man;
And care not thou for dreams from him, but rise-I hear the steps of Modred in the west,
And with him many of thy people, and knights
Once thine, whom thou hast loved, but grosser grown
Than heathen, spitting at their vows and thee.
Right well in heart they know thee for the King.
Arise, go forth and conquer as of old.'
Then spake King Arthur to Sir Bedivere:
'Far other is this battle in the west
Whereto we move, than when we strove in youth,
And brake the petty kings, and fought with Rome,
Or thrust the heathen from the Roman wall,
And shook him through the north. Ill doom is mine
To war against my people and my knights.
The king who fights his people fights himself.
And they my knights, who loved me once, the stroke
That strikes them dead is as my death to me.
Yet let us hence, and find or feel a way
Through this blind haze, which ever since I saw
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One lying in the dust at Almesbury,
Hath folded in the passes of the world.'
Then rose the King and moved his host by night,
And ever pushed Sir Modred, league by league,
Back to the sunset bound of Lyonnesse-A land of old upheaven from the abyss
By fire, to sink into the abyss again;
Where fragments of forgotten peoples dwelt,
And the long mountains ended in a coast
Of ever-shifting sand, and far away
The phantom circle of a moaning sea.
There the pursuer could pursue no more,
And he that fled no further fly the King;
And there, that day when the great light of heaven
Burned at his lowest in the rolling year,
On the waste sand by the waste sea they closed.
Nor ever yet had Arthur fought a fight
Like this last, dim, weird battle of the west.
A deathwhite mist slept over sand and sea:
Whereof the chill, to him who breathed it, drew
Down with his blood, till all his heart was cold
With formless fear; and even on Arthur fell
Confusion, since he saw not whom he fought.
For friend and foe were shadows in the mist,
And friend slew friend not knowing whom he slew;
And some had visions out of golden youth,
And some beheld the faces of old ghosts
Look in upon the battle; and in the mist
Was many a noble deed, many a base,
And chance and craft and strength in single fights,
And ever and anon with host to host
Shocks, and the splintering spear, the hard mail hewn,
Shield-breakings, and the clash of brands, the crash
Of battleaxes on shattered helms, and shrieks
After the Christ, of those who falling down
Looked up for heaven, and only saw the mist;
And shouts of heathen and the traitor knights,
Oaths, insults, filth, and monstrous blasphemies,
Sweat, writhings, anguish, labouring of the lungs
In that close mist, and cryings for the light,
Moans of the dying, and voices of the dead.
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Last, as by some one deathbed after wail
Of suffering, silence follows, or through death
Or deathlike swoon, thus over all that shore,
Save for some whisper of the seething seas,
A dead hush fell; but when the dolorous day
Grew drearier toward twilight falling, came
A bitter wind, clear from the North, and blew
The mist aside, and with that wind the tide
Rose, and the pale King glanced across the field
Of battle: but no man was moving there;
Nor any cry of Christian heard thereon,
Nor yet of heathen; only the wan wave
Brake in among dead faces, to and fro
Swaying the helpless hands, and up and down
Tumbling the hollow helmets of the fallen,
And shivered brands that once had fought with Rome,
And rolling far along the gloomy shores
The voice of days of old and days to be.
Then spake King Arthur to Sir Bedivere,
And whiter than the mist that all day long
Had held the field of battle was the King:
'Hearest thou this great voice that shakes the world,
And wastes the narrow realm whereon we move,
And beats upon the faces of the dead,
My dead, as though they had not died for me?-O Bedivere, for on my heart hath fallen
Confusion, till I know not what I am,
Nor whence I am, nor whether I be King.
Behold, I seem but King among the dead.'
Then spake the bold Sir Bedivere: 'My King,
King everywhere! and so the dead have kings,
There also will I worship thee as King.
Yet still thy life is whole, and still I live
Who love thee; but who hates thee, he that brought
The heathen back among us, yonder stands,
Modred, unharmed, the traitor of thine house.'
Then spake the King: 'My house hath been my doom.
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But call not thou this traitor of my house
Who hath but dwelt beneath one roof with me.
My house are rather they who sware my vows,
Yea, even while they brake them, owned me King.
And well for thee, saying in my dark hour,
When all the purport of my throne hath failed,
That quick or dead thou holdest me for King.
King am I, whatsoever be their cry;
And one last act of kinghood shalt thou see
Yet, ere I pass.' And uttering this the King
Made at the man: then Modred smote his liege
Hard on that helm which many a heathen sword
Had beaten thin; while Arthur at one blow,
Striking the last stroke with Excalibur,
Slew him, and all but slain himself, he fell.
So all day long the noise of battle rolled
Among the mountains by the winter sea;
Until King Arthur's Table, man by man,
Had fallen in Lyonnesse about their lord,
King Arthur. Then, because his wound was deep,
The bold Sir Bedivere uplifted him,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land:
On one side lay the Ocean, and on one
Lay a great water, and the moon was full.
Then spake King Arthur to Sir Bedivere:
'The sequel of today unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,-Though Merlin sware that I should come again
To rule once more; but, let what will be, be,
I am so deeply smitten through the helm
That without help I cannot last till morn.
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Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I rowed across
And took it, and have worn it, like a king;
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou se st, and lightly bring me word.'
To him replied the bold Sir Bedivere:
'It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten through the helm-A little thing may harm a wounded man;
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word.'
So saying, from the ruined shrine he stept,
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.
There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth-work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seemed
Better to leave Excalibur concealed
There in the many-knotted waterflags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.
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Then spake King Arthur to Sir Bedivere:
'Hast thou performed my mission which I gave?
What is it thou hast seen? or what hast heard?'
And answer made the bold Sir Bedivere:
'I heard the ripple washing in the reeds,
And the wild water lapping on the crag.'
To whom replied King Arthur, faint and pale:
'Thou hast betrayed thy nature and thy name,
Not rendering true answer, as beseemed
Thy f alty, nor like a noble knight:
For surer sign had followed, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again,
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word.'
Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud:
'And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost for ever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? Deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? But were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
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Saying, "King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake.
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills."
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost.'
So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.
Then spoke King Arthur, breathing heavily:
'What is it thou hast seen? or what hast heard?'
And answer made the bold Sir Bedivere:
'I heard the water lapping on the crag,
And the long ripple washing in the reeds.'
To whom replied King Arthur, much in wrath:
'Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widowed of the power in his eye
That bowed the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands.'
Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush beds, and clutched the sword,
And strongly wheeled and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirled in an arch,
Shot like a streamer of the northern morn,
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Seen where the moving isles of winter shock
By night, with noises of the Northern Sea.
So flashed and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandished him
Three times, and drew him under in the mere.
And lightly went the other to the King.
Then spoke King Arthur, drawing thicker breath:
'Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?'
And answer made the bold Sir Bedivere:
'Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not though I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I looked again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandished him
Three times, and drew him under in the mere.'
And answer made King Arthur, breathing hard:
'My end draws nigh; 'tis time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die.'
So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded through his tears,
And would have spoken, but he found not words;
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him through the place of tombs.
But, as he walked, King Arthur panted hard,
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Like one that feels a nightmare on his bed
When all the house is mute. So sighed the King,
Muttering and murmuring at his ear, 'Quick, quick!
I fear it is too late, and I shall die.'
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walked,
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clashed his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clanged round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armd heels-And on a sudden, lo! the level lake,
And the long glories of the winter moon.
Then saw they how there hove a dusky barge,
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms,
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold: and from them rose
A cry that shivered to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.
Then murmured Arthur, 'Place me in the barge.'
So to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she, that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shattered casque, and chafed his hands,
And called him by his name, complaining loud,
And dropping bitter tears against a brow
Striped with dark blood: for all his face was white
And colourless, and like the withered moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dashed with drops
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Of onset; and the light and lustrous curls-That made his forehead like a rising sun
High from the das-throne--were parched with dust;
Or, clotted into points and hanging loose,
Mixed with the knightly growth that fringed his lips.
So like a shattered column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot through the lists at Camelot, and charged
Before the eyes of ladies and of kings.
Then loudly cried the bold Sir Bedivere:
'Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole Round Table is dissolved
Which was an image of the mighty world,
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds.'
And slowly answered Arthur from the barge:
'The old order changeth, yielding place to new,
And God fulfils himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
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But now farewell. I am going a long way
With these thou se st--if indeed I go
(For all my mind is clouded with a doubt)-To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadowed, happy, fair with orchard lawns
And bowery hollows crowned with summer sea,
Where I will heal me of my grievous wound.'
So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Looked one black dot against the verge of dawn,
And on the mere the wailing died away.
But when that moan had past for evermore,
The stillness of the dead world's winter dawn
Amazed him, and he groaned, 'The King is gone.'
And therewithal came on him the weird rhyme,
'From the great deep to the great deep he goes.'
Whereat he slowly turned and slowly clomb
The last hard footstep of that iron crag;
Thence marked the black hull moving yet, and cried,
'He passes to be King among the dead,
And after healing of his grievous wound
He comes again; but--if he come no more-O me, be yon dark Queens in yon black boat,
Who shrieked and wailed, the three whereat we gazed
On that high day, when, clothed with living light,
They stood before his throne in silence, friends
Of Arthur, who should help him at his need?'
Then from the dawn it seemed there came, but faint
As from beyond the limit of the world,
Like the last echo born of a great cry,
Sounds, as if some fair city were one voice
Around a king returning from his wars.
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Thereat once more he moved about, and clomb
Even to the highest he could climb, and saw,
Straining his eyes beneath an arch of hand,
Or thought he saw, the speck that bare the King,
Down that long water opening on the deep
Somewhere far off, pass on and on, and go
From less to less and vanish into light.
And the new sun rose bringing the new year.
~ Alfred Lord Tennyson,
1464:Idylls Of The King: The Passing Of Arthur (Excerpt)
That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.
For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:
"I found Him in the shining of the stars,
I mark'd Him in the flowering of His fields,
But in His ways with men I find Him not.
I waged His wars, and now I pass and die.
O me! for why is all around us here
As if some lesser god had made the world,
But had not force to shape it as he would,
Till the High God behold it from beyond,
And enter it, and make it beautiful?
Or else as if the world were wholly fair,
But that these eyes of men are dense and dim,
And have not power to see it as it is:
Perchance, because we see not to the close;-For I, being simple, thought to work His will,
And have but stricken with the sword in vain;
And all whereon I lean'd in wife and friend
Is traitor to my peace, and all my realm
Reels back into the beast, and is no more.
My God, thou hast forgotten me in my death:
Nay--God my Christ--I pass but shall not die."
Then, ere that last weird battle in the west,
There came on Arthur sleeping, Gawain kill'd
In Lancelot's war, the ghost of Gawain blown
Along a wandering wind, and past his ear
Went shrilling, "Hollow, hollow all delight!
Hail, King! to-morrow thou shalt pass away.
Farewell! there is an isle of rest for thee.
And I am blown along a wandering wind,
And hollow, hollow, hollow all delight."
And fainter onward, like wild birds that change
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Their season in the night and wail their way
From cloud to cloud, down the long wind the dream
Shrill'd; but in going mingled with dim cries
Far in the moonlit haze among the hills,
As of some lonely city sack'd by night,
When all is lost, and wife and child with wail
Pass to new lords; and Arthur woke and call'd,
"Who spake? A dream. O light upon the wind,
Thine, Gawain, was the voice--are these dim cries
Thine? or doth all that haunts the waste and wild
Mourn, knowing it will go along with me?"
This heard the bold Sir Bedivere and spake:
"O me, my King, let pass whatever will,
Elves, and the harmless glamour of the field;
But in their stead thy name and glory cling
To all high places like a golden cloud
For ever: but as yet thou shalt not pass.
Light was Gawain in life, and light in death
Is Gawain, for the ghost is as the man;
And care not thou for dreams from him, but rise-I hear the steps of Modred in the west,
And with him many of thy people, and knights
Once thine, whom thou hast loved, but grosser grown
Than heathen, spitting at their vows and thee.
Right well in heart they know thee for the King.
Arise, go forth and conquer as of old."
Then spake King Arthur to Sir Bedivere:
"Far other is this battle in the west
Whereto we move, than when we strove in youth,
And brake the petty kings, and fought with Rome,
Or thrust the heathen from the Roman wall,
And shook him thro' the north. Ill doom is mine
To war against my people and my knights.
The king who fights his people fights himself.
And they my knights, who loved me once, the stroke
That strikes them dead is as my death to me.
Yet let us hence, and find or feel a way
Thro' this blind haze, which ever since I saw
One lying in the dust at Almesbury,
Hath folded in the passes of the world."
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Then rose the King and moved his host by night,
And ever push'd Sir Modred, league by league,
Back to the sunset bound of Lyonnesse-A land of old upheaven from the abyss
By fire, to sink into the abyss again;
Where fragments of forgotten peoples dwelt,
And the long mountains ended in a coast
Of ever-shifting sand, and far away
The phantom circle of a moaning sea.
There the pursuer could pursue no more,
And he that fled no further fly the King;
And there, that day when the great light of heaven
Burn'd at his lowest in the rolling year,
On the waste sand by the waste sea they closed.
Nor ever yet had Arthur fought a fight
Like this last, dim, weird battle of the west.
A deathwhite mist slept over sand and sea:
Whereof the chill, to him who breathed it, drew
Down with his blood, till all his heart was cold
With formless fear; and ev'n on Arthur fell
Confusion, since he saw not whom he fought.
For friend and foe were shadows in the mist,
And friend slew friend not knowing whom he slew;
And some had visions out of golden youth,
And some beheld the faces of old ghosts
Look in upon the battle; and in the mist
Was many a noble deed, many a base,
And chance and craft and strength in single fights,
And ever and anon with host to host
Shocks, and the splintering spear, the hard mail hewn,
Shield-breakings, and the clash of brands, the crash
Of battleaxes on shatter'd helms, and shrieks
After the Christ, of those who falling down
Look'd up for heaven, and only saw the mist;
And shouts of heathen and the traitor knights,
Oaths, insult, filth, and monstrous blasphemies,
Sweat, writhings, anguish, labouring of the lungs
In that close mist, and cryings for the light,
Moans of the dying, and voices of the dead.
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Last, as by some one deathbed after wail
Of suffering, silence follows, or thro' death
Or deathlike swoon, thus over all that shore,
Save for some whisper of the seething seas,
A dead hush fell; but when the dolorous day
Grew drearier toward twilight falling, came
A bitter wind, clear from the North, and blew
The mist aside, and with that wind the tide
Rose, and the pale King glanced across the field
Of battle: but no man was moving there;
Nor any cry of Christian heard thereon,
Nor yet of heathen; only the wan wave
Brake in among dead faces, to and fro
Swaying the helpless hands, and up and down
Tumbling the hollow helmets of the fallen,
And shiver'd brands that once had fought with Rome,
And rolling far along the gloomy shores
The voice of days of old and days to be.
Then spake King Arthur to Sir Bedivere,
And whiter than the mist that all day long
Had held the field of battle was the King:
"Hearest thou this great voice that shakes the world,
And wastes the narrow realm whereon we move,
And beats upon the faces of the dead,
My dead, as tho' they had not died for me?-O Bedivere, for on my heart hath fall'n
Confusion, till I know not what I am,
Nor whence I am, nor whether I be King.
Behold, I seem but King among the dead."
Then spake the bold Sir Bedivere: "My King,
King everywhere! and so the dead have kings,
There also will I worship thee as King.
Yet still thy life is whole, and still I live
Who love thee; but who hates thee, he that brought
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The heathen back among us, yonder stands,
Modred, unharm'd, the traitor of thine house."
Then spake the King: "My house hath been my doom.
But call not thou this traitor of my house
Who hath but dwelt beneath one roof with me.
My house are rather they who sware my vows,
Yea, even while they brake them, own'd me King.
And well for thee, saying in my dark hour,
When all the purport of my throne hath fail'd,
That quick or dead thou hottest me for King.
King am I, whatsoever be their cry;
And one last act of kinghood shalt thou see
Yet, ere I pass." And uttering this the King
Made at the man: then Modred smote his liege
Hard on that helm which many a heathen sword
Had beaten thin; while Arthur at one blow,
Striking the last stroke with Excalibur,
Slew him, and all but slain himself, he fell.
So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's Table, man by man,
Had fall'n in Lyonnesse about their lord,
King Arthur. Then, because his wound was deep,
The bold Sir Bedivere uplifted him,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land:
On one side lay the Ocean, and on one
Lay a great water, and the moon was full.
Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
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Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,-Tho' Merlin sware that I should come again
To rule once more; but, let what will be, be,
I am so deeply smitten thro' the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I row'd across
And took it, and have worn it, like a king;
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seëst, and lightly bring me word."
To him replied the bold Sir Bedivere:
"It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro' the helm-A little thing may harm a wounded man;
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word."
So saying, from the ruin'd shrine he stept,
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.
There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
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For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth-work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem'd
Better to leave Excalibur conceal'd
There in the many-knotted waterflags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.
Then spake King Arthur to Sir Bedivere:
"Hast thou perform'd my mission which I gave?
What is it thou hast seen? or what hast heard?"
And answer made the bold Sir Bedivere:
"I heard the ripple washing in the reeds,
And the wild water lapping on the crag."
To whom replied King Arthur, faint and pale:
"Thou hast betray'd thy nature and thy name,
Not rendering true answer, as beseem'd
Thy fealty, nor like a noble knight:
For surer sign had follow'd, either hand
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again,
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word."
Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fix'd in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud:
224
"And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost for ever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? Deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? But were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, 'King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake.
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.'
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost."
So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.
Then spoke King Arthur, breathing heavily:
"What is it thou hast seen? or what hast heard?'
And answer made the bold Sir Bedivere:
"I heard the water lapping on the crag,
And the long ripple washing in the reeds."
To whom replied King Arthur, much in wrath:
"Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
225
Laid widow'd of the power in his eye
That bow'd the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands."
Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges, lightly, plunged
Among the bulrush beds, and clutch'd the sword,
And strongly wheel'd and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl'd in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the Northern Sea.
So flash'd and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic wonderful,
And caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere.
And lightly went the other to the King.
Then spoke King Arthur, drawing thicker breath:
"Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?"
And answer made the bold Sir Bedivere:
"Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho' I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
226
But when I look'd again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere."
And answer made King Arthur, breathing hard:
"My end draws nigh; 'tis time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die."
So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro' his tears,
And would have spoken, but he found not words;
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him thro' the place of tombs.
But, as he walk'd, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh'd the King,
Muttering and murmuring at his ear, "Quick, quick!
I fear it is too late, and I shall die."
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk'd,
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash'd his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang'd round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels-And on a sudden, lo! the level lake,
And the long glories of the winter moon.
227
Then saw they how there hove a dusky barge,
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms,
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold: and from them rose
A cry that shiver'd to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.
Then murmur'd Arthur, "Place me in the barge."
So to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she, that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter'd casque, and chafed his hands,
And call'd him by his name, complaining loud,
And dropping bitter tears against a brow
Striped with dark blood: for all his face was white
And colourless, and like the wither'd moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash'd with drops
Of onset; and the light and lustrous curls-That made his forehead like a rising sun
High from the daïs-throne--were parch'd with dust
Or, clotted into points and hanging loose,
Mix'd with the knightly growth that fringed his lips.
So like a shatter'd column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro' the lists at Camelot, and charged
Before the eyes of ladies and of kings.
Then loudly cried the bold Sir Bedivere:
"Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
228
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole Round Table is dissolved
Which was an image of the mighty world,
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."
And slowly answer'd Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seëst--if indeed I go
(For all my mind is clouded with a doubt)-To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow'd, happy, fair with orchard lawns
And bowery hollows crown'd with summer sea,
Where I will heal me of my grievous wound."
So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
229
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look'd one black dot against the verge of dawn,
And on the mere the wailing died away.
But when that moan had past for evermore,
The stillness of the dead world's winter dawn
Amazed him, and he groan'd, ``The King is gone.''
And therewithal came on him the weird rhyme,
"From the great deep to the great deep he goes."
Whereat he slowly turn'd and slowly clomb
The last hard footstep of that iron crag;
Thence mark'd the black hull moving yet, and cried,
"He passes to be King among the dead,
And after healing of his grievous wound
He comes again; but--if he come no more-O me, be yon dark Queens in yon black boat,
Who shriek'd and wail'd, the three whereat we gazed
On that high day, when, clothed with living light,
They stood before his throne in silence, friends
Of Arthur, who should help him at his need?"
Then from the dawn it seem'd there came, but faint
As from beyond the limit of the world,
Like the last echo born of a great cry,
Sounds, as if some fair city were one voice
Around a king returning from his wars.
Thereat once more he moved about, and clomb
Ev'n to the highest he could climb, and saw,
Straining his eyes beneath an arch of hand,
Or thought he saw, the speck that bare the King,
Down that long water opening on the deep
Somewhere far off, pass on and on, and go
From less to less and vanish into light.
And the new sun rose bringing the new year.
230
~ Alfred Lord Tennyson,
1465:The Kalevala - Rune Xx
THE BREWING OF BEER.
Now we sing the wondrous legends,
Songs of wedding-feasts and dances,
Sing the melodies of wedlock,
Sing the songs of old tradition;
Sing of Ilmarinen's marriage
To the Maiden of the Rainbow,
Fairest daughter of the Northland,
Sing the drinking-songs of Pohya.
Long prepared they for the wedding
In Pohyola's halls and chambers,
In the courts of Sariola;
Many things that Louhi ordered,
Great indeed the preparations
For the marriage of the daughter,
For the feasting of the heroes,
For the drinking of the strangers,
For the feeding of the poor-folk,
For the people's entertainment.
Grew an ox in far Karjala,
Not the largest, nor the smallest,
Was the ox that grew in Suomi;
But his size was all-sufficient,
For his tail was sweeping Jamen,
And his head was over Kemi,
Horns in length a hundred fathoms,
Longer than the horns his mouth was;
Seven days it took a weasel
To encircle neck and shoulders;
One whole day a swallow journeyed
From one horn-tip to the other,
Did not stop between for resting.
Thirty days the squirrel travelled
From the tail to reach the shoulders,
But he could not gain the horn-tip
Till the Moon had long passed over.
This young ox of huge dimensions,
335
This great calf of distant Suomi,
Was conducted from Karjala
To the meadows of Pohyola;
At each horn a hundred heroes,
At his head and neck a thousand.
When the mighty ox was lassoed,
Led away to Northland pastures,
Peacefully the monster journeyed
By the bays of Sariola,
Ate the pasture on the borders;
To the clouds arose his shoulders,
And his horns to highest heaven.
Not in all of Sariola
Could a butcher be discovered
That could kill the ox for Louhi,
None of all the sons of Northland,
In her hosts of giant people,
In her rising generation,
In the hosts of those grown older.
Came a hero from a distance,
Wirokannas from Karelen,
And these words the gray-beard uttered:
'Wait, O wait, thou ox of Suomi,
Till I bring my ancient war-club;
Then I'll smite thee on thy forehead,
Break thy skull, thou willing victim!
Nevermore wilt thou in summer
Browse the woods of Sariola,
Bare our pastures, fields, and forests;
Thou, O ox, wilt feed no longer
Through the length and breadth of Northland,
On the borders of this ocean!'
When the ancient Wirokannas
Started out the ox to slaughter,
When Palwoinen swung his war-club,
Quick the victim turned his forehead,
Flashed his flaming eyes upon him;
To the fir-tree leaped the hero,
In the thicket hid Palwoinen,
Hid the gray-haired Wirokannas.
Everywhere they seek a butcher,
One to kill the ox of Suomi,
336
In the country of Karelen,
And among the Suomi-giants,
In the quiet fields of Ehstland,
On the battle-fields of Sweden,
Mid the mountaineers of Lapland,
In the magic fens of Turya;
Seek him in Tuoni's empire,
In the death-courts of Manala.
Long the search, and unsuccessful,
On the blue back of the ocean,
On the far-outstretching pastures.
There arose from out the sea-waves,
Rose a hero from the waters,
On the white-capped, roaring breakers,
From the water's broad expanses;
Nor belonged he to the largest,
Nor belonged he to the smallest;
Made his bed within a sea-shell,
Stood erect beneath a flour-sieve,
Hero old, with hands of iron,
And his face was copper-colored;
Quick the hero full unfolded,
Like the full corn from the kernel.
On his head a hat of flint-stone,
On his feet were sandstone-sandals,
In his hand a golden cleaver,
And the blade was copper-handled.
Thus at last they found a butcher,
Found the magic ox a slayer.
Nothing has been found so mighty
That it has not found a master.
As the sea-god saw his booty,
Quickly rushed he on his victim,
Hurled him to his knees before him,
Quickly felled the calf of Suomi,
Felled the young ox of Karelen.
Bountifully meat was furnished;
Filled at least a thousand hogsheads
Of his blood were seven boatfuls,
And a thousand weight of suet,
For the banquet of Pohyola,
For the marriage-feast of Northland.
337
In Pohyola was a guest-room,
Ample was the hall of Louhi,
Was in length a hundred furlongs,
And in breadth was nearly fifty;
When upon the roof a rooster
Crowed at break of early morning,
No one on the earth could hear him;
When the dog barked at one entrance,
None could hear him at the other.
Louhi, hostess of Pohyola,
Hastens to the hall and court-room,
In the centre speaks as follows:
'Whence indeed will come the liquor,
Who will brew me beer from barley,
Who will make the mead abundant,
For the people of the Northland,
Coming to my daughter's marriage,
To her drinking-feast and nuptials?
Cannot comprehend the malting,
Never have I learned the secret,
Nor the origin of brewing.'
Spake an old man from his corner:
'Beer arises from the barley,
Comes from barley, hops, and water,
And the fire gives no assistance.
Hop-vine was the son of Remu,
Small the seed in earth was planted,
Cultivated in the loose soil,
Scattered like the evil serpents
On the brink of Kalew-waters,
On the Osmo-fields and borders.
There the young plant grew and flourished,
There arose the climbing hop-vine,
Clinging to the rocks and alders.
'Man of good-luck sowed the barley
On the Osmo hills and lowlands,
And the barley grew and flourished,
Grew and spread in rich abundance,
Fed upon the air and water,
On the Osmo plains and highlands,
On the fields of Kalew-heroes.
'Time had travelled little distance,
338
Ere the hops in trees were humming,
Barley in the fields was singing,
And from Kalew's well the water,
This the language of the trio:
'Let us join our triple forces,
Join to each the other's powers;
Sad alone to live and struggle,
Little use in working singly,
Better we should toil together.'
'Osmotar, the beer-preparer,
Brewer of the drink refreshing,
Takes the golden grains of barley,
Taking six of barley-kernels,
Taking seven tips of hop-fruit,
Filling seven cups with water,
On the fire she sets the caldron,
Boils the barley, hops, and water,
Lets them steep, and seethe, and bubble
Brewing thus the beer delicious,
In the hottest days of summer,
On the foggy promontory,
On the island forest-covered;
Poured it into birch-wood barrels,
Into hogsheads made of oak-wood.
'Thus did Osmotar of Kalew
Brew together hops and barley,
Could not generate the ferment.
Thinking long and long debating,
Thus she spake in troubled accents:
'What will bring the effervescence,
Who will add the needed factor,
That the beer may foam and sparkle,
May ferment and be delightful?'
Kalevatar, magic maiden,
Grace and beauty in her fingers,
Swiftly moving, lightly stepping,
In her trimly-buckled sandals,
Steps upon the birch-wood bottom,
Turns one way, and then another,
In the centre of the caldron;
Finds within a splinter lying
From the bottom lifts the fragment,
339
Turns it in her fingers, musing:
'What may come of this I know not,
In the hands of magic maidens,
In the virgin hands of Kapo,
Snowy virgin of the Northland!'
'Kalevatar took the splinter
To the magic virgin, Kapo,
Who by unknown force and insight.
Rubbed her hands and knees together,
And produced a snow-white squirrel;
Thus instructed she her creature,
Gave the squirrel these directions:
'Snow-white squirrel, mountain-jewel,
Flower of the field and forest,
Haste thee whither I would send thee,
Into Metsola's wide limits,
Into Tapio's seat of wisdom;
Hasten through the heavy tree-tops,
Wisely through the thickest branches,
That the eagle may not seize thee,
Thus escape the bird of heaven.
Bring me ripe cones from the fir-tree,
From the pine-tree bring me seedlings,
Bring them to the hands of Kapo,
For the beer of Osmo's daughter.'
Quickly hastened forth the squirrel,
Quickly sped the nimble broad-tail,
Swiftly hopping on its journey
From one thicket to another,
From the birch-tree to the aspen,
From the pine-tree to the willow,
From the sorb-tree to the alder,
Jumping here and there with method,
Crossed the eagle-woods in safety,
Into Metsola's wide limits,
Into Tapio's seat of wisdom;
There perceived three magic pine-trees,
There perceived three smaller fir-trees,
Quickly climbed the dark-green branches,
Was not captured by the eagle,
Was not mangled in his talons;
Broke the young cones from the fir-tree,
340
Cut the shoots of pine-tree branches,
Hid the cones within his pouches,
Wrapped them in his fur-grown mittens
Brought them to the hands of Kapo,
To the magic virgin's fingers.
Kapo took the cones selected,
Laid them in the beer for ferment,
But it brought no effervescence,
And the beer was cold and lifeless.
'Osmotar, the beer-preparer,
Kapo, brewer of the liquor,
Deeply thought and long considered:
'What will bring the effervescence,
Who will lend me aid efficient,
That the beer may foam and sparkle,
May ferment and be refreshing?'
'Kalevatar, sparkling maiden,
Grace and beauty in her fingers,
Softly moving, lightly stepping,
In her trimly-buckled sandals,
Steps again upon the bottom,
Turns one way and then another,
In the centre of the caldron,
Sees a chip upon the bottom,
Takes it from its place of resting,
Looks upon the chip and muses
'What may come of this I know not,
In the hands of mystic maidens,
In the hands of magic Kapo,
In the virgin's snow-white fingers.'
'Kalevatar took the birch-chip
To the magic maiden, Kapo,
Gave it to the white-faced maiden.
Kapo, by the aid of magic,
Rubbed her hands and knees together,
And produced a magic marten,
And the marten, golden-breasted;
Thus instructed she her creature,
Gave the marten these directions.
'Thou, my golden-breasted marten,
Thou my son of golden color,
Haste thou whither I may send thee,
341
To the bear-dens of the mountain,
To the grottoes of the growler,
Gather yeast upon thy fingers,
Gather foam from lips of anger,
From the lips of bears in battle,
Bring it to the hands of Kapo,
To the hands of Osmo's daughter.'
'Then the marten golden-breasted,
Full consenting, hastened onward,
Quickly bounding on his journey,
Lightly leaping through the distance
Leaping o'er the widest rivers,
Leaping over rocky fissures,
To the bear-dens of the mountain,
To the grottoes of the growler,
Where the wild-bears fight each other,
Where they pass a dread existence,
Iron rocks, their softest pillows,
In the fastnesses of mountains;
From their lips the foam was dripping,
From their tongues the froth of anger;
This the marten deftly gathered,
Brought it to the maiden, Kapo,
Laid it in her dainty fingers.
'Osmotar, the beer-preparer,
Brewer of the beer of barley,
Used the beer-foam as a ferment;
But it brought no effervescence,
Did not make the liquor sparkle.
'Osmotar, the beer-preparer,
Thought again, and long debated:
'Who or what will bring the ferment,
Th at my beer may not be lifeless?'
'Kalevatar, magic maiden,
Grace and beauty in her fingers,
Softly moving, lightly stepping,
In her trimly-buckled sandals,
Steps again upon the bottom,
Turns one way and then another,
In the centre of the caldron,
Sees a pod upon the bottom,
Lifts it in her snow-white fingers,
342
Turns it o'er and o'er, and muses:
'What may come of this I know not,
In the hands of magic maidens,
In the hands of mystic Kapo,
In the snowy virgin's fingers?'
'Kalevatar, sparkling maiden,
Gave the pod to magic Kapo;
Kapo, by the aid of magic,
Rubbed the pod upon her knee-cap,
And a honey-bee came flying
From the pod within her fingers,
Kapo thus addressed her birdling:
'Little bee with honeyed winglets,
King of all the fragrant flowers,
Fly thou whither I direct thee,
To the islands in the ocean,
To the water-cliffs and grottoes,
Where asleep a maid has fallen,
Girdled with a belt of copper
By her side are honey-grasses,
By her lips are fragrant flowers,
Herbs and flowers honey-laden;
Gather there the sweetened juices,
Gather honey on thy winglets,
From the calyces of flowers,
From the tips of seven petals,
Bring it to the hands of Kapo,
To the hands of Osmo's daughter.'
'Then the bee, the swift-winged birdling,
Flew away with lightning-swiftness
On his journey to the islands,
O'er the high waves of the ocean;
Journeyed one day, then a second,
Journeyed all the next day onward,
Till the third day evening brought him
To the islands in the ocean,
To the water-cliffs and grottoes;
Found the maiden sweetly sleeping,
In her silver-tinselled raiment,
Girdled with a belt of copper,
In a nameless meadow, sleeping,
In the honey-fields of magic;
343
By her side were honeyed grasses,
By her lips were fragrant flowers,
Silver stalks with golden petals;
Dipped its winglets in the honey,
Dipped its fingers in the juices
Of the sweetest of the flowers,
Brought the honey back to Kapo,
To the mystic maiden's fingers.
'Osmotar, the beer-preparer,
Placed the honey in the liquor;
Kapo mixed the beer and honey,
And the wedding-beer fermented;
Rose the live beer upward, upward,
From the bottom of the vessels,
Upward in the tubs of birch-wood,
Foaming higher, higher, higher,
Till it touched the oaken handles,
Overflowing all the caldrons;
To the ground it foamed and sparkled,
Sank away in sand and gravel.
'Time had gone but little distance,
Scarce a moment had passed over,
Ere the heroes came in numbers
To the foaming beer of Northland,
Rushed to drink the sparkling liquor.
Ere all others Lemminkainen
Drank, and grew intoxicated
On the beer of Osmo's daughter,
On the honey-drink of Kalew.
'Osmotar, the beer-preparer,
Kapo, brewer of the barley,
Spake these words in saddened accents:
'Woe is me, my life hard-fated,
Badly have I brewed the liquor,
Have not brewed the beer in wisdom,
Will not live within its vessels,
Overflows and fills Pohyola!'
'From a tree-top sings the redbreast,
From the aspen calls the robin:
'Do not grieve, thy beer is worthy,
Put it into oaken vessels,
Into strong and willing barrels
344
Firmly bound with hoops of copper.'
'Thus was brewed the beer or Northland,
At the hands of Osmo's daughter;
This the origin of brewing
Beer from Kalew-hops and barley;
Great indeed the reputation
Of the ancient beer of Kalew,
Said to make the feeble hardy,
Famed to dry the tears of women,
Famed to cheer the broken-hearted,
Make the aged young and supple,
Make the timid brave and mighty,
Make the brave men ever braver,
Fill the heart with joy and gladness,
Fill the mind with wisdom-sayings,
Fill the tongue with ancient legends,
Only makes the fool more foolish.'
When the hostess of Pohyola
Heard how beer was first fermented,
Heard the origin of brewing,
Straightway did she fill with water
Many oaken tubs and barrels;
Filled but half the largest vessels,
Mixed the barley with the water,
Added also hops abundant;
Well she mixed the triple forces
In her tubs of oak and birch-wood,
Heated stones for months succeeding,
Thus to boil the magic mixture,
Steeped it through the days of summer,
Burned the wood of many forests,
Emptied all the, springs of Pohya;
Daily did the, forests lesson,
And the wells gave up their waters,
Thus to aid the hostess, Louhi,
In the brewing of the liquors,
From the water, hops, and barley,
And from honey of the islands,
For the wedding-feast of Northland,
For Pohyola's great carousal
And rejoicings at the marriage
Of the Malden of the Rainbow
345
To the blacksmith, Ilmarinen,
Metal-worker of Wainola.
Smoke is seen upon the island,
Fire, upon the promontory,
Black smoke rising to the heavens
From the fire upon the island;
Fills with clouds the half of Pohya,
Fills Karelen's many hamlets;
All the people look and wonder,
This the chorus of the women:
'Whence are rising all these smoke-clouds,
Why this dreadful fire in Northland?
Is not like the smoke of camp-fires,
Is too large for fires of shepherds!'
Lemminkainen's ancient mother
Journeyed in the early morning
For some water to the fountain,
Saw the smoke arise to heaven,
In the region of Pohyola,
These the words the mother uttered:
''Tis the smoke of battle-heroes,
From the beat of warring armies!'
Even Ahti, island-hero,
Ancient wizard, Lemminkainen,
Also known as Kaukomieli,
Looked upon the scene in wonder,
Thought awhile and spake as follows:
'I would like to see this nearer,
Learn the cause of all this trouble,
Whence this smoke and great confusion,
Whether smoke from heat of battle,
Or the bonfires of the shepherds.'
Kaukomieli gazed and pondered,
Studied long the rising smoke-clouds;
Came not from the heat of battle,
Came not from the shepherd bonfires;
Heard they were the fires of Louhi
Brewing beer in Sariola,
On Pohyola's promontory;
Long and oft looked Lemminkainen,
Strained in eagerness his vision,
Stared, and peered, and thought, and wondered,
346
Looked abashed and envy-swollen,
'O beloved, second mother,
Northland's well-intentioned hostess,
Brew thy beer of honey-flavor,
Make thy liquors foam and sparkle,
For thy many friends invited,
Brew it well for Lemminkainen,
For his marriage in Pohyola
With the Maiden of the Rainbow.'
Finally the beer was ready,
Beverage of noble heroes,
Stored away in casks and barrels,
There to rest awhile in silence,
In the cellars of the Northland,
In the copper-banded vessels,
In the magic oaken hogsheads,
Plugs and faucets made of copper.
Then the hostess of Pohyola
Skilfully prepared the dishes,
Laid them all with careful fingers
In the boiling-pans and kettles,
Ordered countless loaves of barley,
Ordered many liquid dishes,
All the delicacies of Northland,
For the feasting of her people,
For their richest entertainment,
For the nuptial songs and dances,
At the marriage of her daughter
With the blacksmith, Ilmarinen.
When the loaves were baked and ready.
When the dishes all were seasoned,
Time had gone but little distance,
Scarce a moment had passed over,
Ere the beer, in casks imprisoned,
Loudly rapped, and sang, and murmured:
'Come, ye heroes, come and take me,
Come and let me cheer your spirits,
Make you sing the songs of wisdom,
That with honor ye may praise me,
Sing the songs of beer immortal!'
Straightway Louhi sought a minstrel,
Magic bard and artist-singer,
347
That the beer might well be lauded,
Might be praised in song and honor.
First as bard they brought a salmon,
Also brought a pike from ocean,
But the salmon had no talent,
And the pike had little wisdom;
Teeth of pike and gills of salmon
Were not made for singing legends.
Then again they sought a singer,
Magic minstrel, beer-enchanter,
Thus to praise the drink of heroes,
Sing the songs of joy and gladness;
And a boy was brought for singing;
But the boy had little knowledge,
Could not praise the beer in honor;
Children's tongues are filled with questions,
Children cannot speak in wisdom,
Cannot sing the ancient legends.
Stronger grew the beer imprisoned
In the copper-banded vessels,
Locked behind the copper faucets,
Boiled, and foamed, and sang, and murmured:
'If ye do not bring a singer,
That will sing my worth immortal,
That will sing my praise deserving,
I will burst these bands of copper,
Burst the heads of all these barrels;
Will not serve the best of heroes
Till he sings my many virtues.'
Louhi, hostess of Pohyola,
Called a trusted maiden-servant,
Sent her to invite the people
To the marriage of her daughter,
These the words that Louhi uttered:
'O my trusted, truthful maiden,
Servant-maid to me belonging,
Call together all my people,
Call the heroes to my banquet,
Ask the rich, and ask the needy,
Ask the blind and deaf, and crippled,
Ask the young, and ask the aged;
Go thou to the hills, and hedges,
348
To the highways, and the by-ways,
Urge them to my daughter's wedding;
Bring the blind, and sorely troubled,
In my boats upon the waters,
In my sledges bring the halting,
With the old, and sick, and needy;
Ask the whole of Sariola,
Ask the people of Karelen,
Ask the ancient Wainamoinen,
Famous bard and wisdom-singer;
But I give command explicit
Not to ask wild Lemminkainen,
Not the island-dweller, Ahti!'
This the question of the servant:
'Why not ask wild Lemminkainen,
Ancient islander and minstrel?'
Louhi gave this simple answer:
'Good the reasons that I give thee
Why the wizard, Lemminkainen,
Must not have an invitation
To my daughter's feast and marriage
Ahti courts the heat of battle,
Lemminkainen fosters trouble,
Skilful fighter of the virtues;
Evil thinking, acting evil,
He would bring but pain and sorrow,
He would jest and jeer at maidens
In their trimly buckled raiment,
Cannot ask the evil-minded!'
Thus again the servant questions:
'Tell me how to know this Ahti,
Also known as Lemminkainen,
That I may not ask him hither;
Do not know the isle of Ahti,
Nor the home of Kaukomieli
Spake the hostess of Pohyola:
'Easy 'tis to know the wizard,
Easy find the Ahti-dwelling:
Ahti lives on yonder island,
On that point dwells Lemminkainen,
In his mansion near the water,
Far at sea his home and dwelling.'
349
Thereupon the trusted maiden
Spread the wedding-invitations
To the people of Pohyola,
To the tribes of Kalevala;
Asked the friendless, asked the homeless
Asked the laborers and shepherds,
Asked the fishermen and hunters,
Asked the deaf, the dumb, the crippled,
Asked the young, and asked the aged,
Asked the rich, and asked the needy;
Did not give an invitation
To the reckless Lemminkainen,
Island-dweller of the ocean.
~ Elias Lönnrot,
1466:The Botanic Garden (Part Vi)
THE LOVES OF THE PLANTS.
CANTO II.
Again the Goddess strikes the golden lyre,
And tunes to wilder notes the warbling wire;
With soft suspended step Attention moves,
And Silence hovers o'er the listening groves;
Orb within orb the charmed audience throng,
And the green vault reverberates the song.
'Breathe soft, ye Gales!' the fair CARLINA cries,
Bear on broad wings your Votress to the skies.
How sweetly mutable yon orient hues,
As Morn's fair hand her opening roses strews;
How bright, when Iris blending many a ray
Binds in embroider'd wreath the brow of Day;
Soft, when the pendant Moon with lustres pale
O'er heaven's blue arch unfurls her milky veil;
While from the north long threads of silver light
Dart on swift shuttles o'er the tissued night!
'Breathe soft, ye Zephyrs! hear my fervent sighs,
Bear on broad wings your Votress to the skies!'-Plume over plume in long divergent lines
On whale-bone ribs the fair Mechanic joins;
Inlays with eider down the silken strings,
And weaves in wide expanse Dædalian wings;
Round her bold sons the waving pennons binds,
And walks with angel-step upon the winds.
So on the shoreless air the intrepid Gaul
Launch'd the vast concave of his buoyant ball.Journeying on high, the silken castle glides
Bright as a meteor through the azure tides;
O'er towns and towers and temples wins its way,
Or mounts sublime, and gilds the vault of day.
Silent with upturn'd eyes unbreathing crowds
Pursue the floating wonder to the clouds;
And, flush'd with transport or benumb'd with fear,
Watch, as it rises, the diminish'd sphere.
-Now less and less!-and now a speck is seen!-
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And now the fleeting rack obtrudes between!With bended knees, raised arms, and suppliant brow
To every shrine with mingled cries they vow.'Save Him, ye Saints! who o'er the good preside;
'Bear Him, ye Winds! ye Stars benignant! guide.'
-The calm Philosopher in ether fails,
Views broader stars, and breathes in purer gales;
Sees, like a map, in many a waving line
Round Earth's blue plains her lucid waters mine;
Sees at his feet the forky lightnings glow,
And hears innocuous thunders roar below.
--Rife, great MONGOLFIER! urge thy venturous flight
High o'er the Moon's pale ice-reflected light;
High o'er the pearly Star, whose beamy horn.
Hangs in the east, gay harbinger of morn;
Leave the red eye of Mars on rapid wing;
Jove's silver guards, and Saturn's dusky ring;
Leave the fair beams, which, issuing from afar;
Play with new lustres round the Georgian star;
Shun with strong oars the Sun's attractive throne,
The sparkling zodiack, and the milky zone;
Where headlong Comets with increasing force
Through other systems bend their blazing course.For thee Cassiope her chair withdraws,
For thee the Bear retracts his shaggy paws;
High o'er the North thy golden orb shall roll,
And blaze eternal round the wondering pole.
So Argo, rising from the southern main,
Lights with new stars the blue etherial plain;
With favoring beams the mariner protects,
And the bold course, which first it steer'd, directs.
Inventress of the Woof, fair LINA flings
The flying shuttle through the dancing strings;
Inlays the broider'd weft with flowery dyes,
Quick beat the reeds, the pedals fall and rise;
Slow from the beam the lengths of warp unwind,
And dance and nod the massy weights behind.Taught by her labours, from the fertile soil
Immortal Isis clothed the banks of Nile;
And fair ARACHNE with her rival loom
Found undeserved a melancholy doom.-
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Five
Sister-nymphs with dewy fingers twine
The beamy flax, and stretch the fibre-line;
Quick eddying threads from rapid spindles reel,
Or whirl with beaten foot the dizzy wheel.
-Charm'd round the busy Fair
five
shepherds press,
Praise the nice texture of their snowy dress,
Admire the Artists, and the art approve,
And tell with honey'd words the tale of love.
So now, where Derwent rolls his dusky floods
Through vaulted mountains, and a night of woods,
The Nymph, GOSSYPIA, treads the velvet sod,
And warms with rosy smiles the watery God;
His ponderous oars to slender spindles turns,
And pours o'er massy wheels his foamy urns;
With playful charms her hoary lover wins,
And wields his trident,-while the Monarch spins.
-First with nice eye emerging Naiads cull
From leathery pods the vegetable wool;
With wiry teeth
revolving cards
release
The tanged knots, and smooth the ravell'd fleece;
Next moves the
iron-band
with fingers fine,
Combs the wide card, and forms the eternal line;
Slow, with soft lips, the
whirling Can
acquires
The tender skeins, and wraps in rising spires;
With quicken'd pace
successive rollers
move,
And these retain, and those extend the
rove
Then fly the spoles, the rapid axles glow;And slowly circumvolves the labouring wheel below.
PAPYRA, throned upon the banks of Nile,
43
Spread her smooth leaf, and waved her silver style.
-The storied pyramid, the laurel'd bust,
The trophy'd arch had crumbled into dust;
The sacred symbol, and the epic song,
(Unknown the character, forgot the tongue,)
With each unconquer'd chief, or fainted maid,
Sunk undistinguish'd in Oblivion's shade.
Sad o'er the scatter'd ruins Genius sigh'd,
And infant Arts but learn'd to lisp and died.
Till to astonish'd realms PAPYRA taught
To paint in mystic colours Sound and Thought.
With Wisdom's voice to print the page sublime,
And mark in adamant the steps of Time.
-Three favour'd youths her soft attention share,
The fond disciples of the studious Fair,
Hear her sweet voice, the golden process prove;
Gaze, as they learn; and, as they listen, love.
The first
from Alpha to Omega joins
The letter'd tribes along the level lines;
Weighs with nice ear the vowel, liquid, surd,
And breaks in syllables the volant word.
Then forms
the next
upon the marshal'd plain
In deepening ranks his dexterous cypher-train;
And counts, as wheel the decimating bands,
The dews of Ægypt, or Arabia's sands,
And then
the third
on four concordant lines
Prints the lone crotchet, and the quaver joins;
Marks the gay trill, the solemn pause inscribes,
And parts with bars the undulating tribes.
Pleased round her cane-wove throne, the applauding crowd
Clap'd their rude hands, their swarthy foreheads bow'd;
With loud acclaim 'a present God!' they cry'd,
'A present God!' rebellowing shores reply'dThen peal'd at intervals with mingled swell
The echoing harp, shrill clarion, horn, and shell;
While Bards ecstatic, bending o'er the lyre,
44
Struck deeper chords, and wing'd the song with fire.
Then mark'd Astronomers with keener eyes
The Moon's refulgent journey through the skies;
Watch'd the swift Comets urge their blazing cars,
And weigh'd the Sun with his revolving Stars.
High raised the Chemists their Hermetic wands,
(And changing forms obey'd their waving hands,)
Her treasur'd gold from Earth's deep chambers tore,
Or fused and harden'd her chalybeate ore.
All with bent knee from fair PAPYRA claim
Wove by her hands the wreath of deathless fame.
-Exulting Genius crown'd his darling child,
The young Arts clasp'd her knees, and Virtue smiled.
So now DELANY forms her mimic bowers,
Her paper foliage, and her silken flowers;
Her virgin train the tender scissars ply,
Vein the green leaf, the purple petal dye:
Round wiry stems the flaxen tendril bends,
Moss creeps below, and waxen fruit impends.
Cold Winter views amid his realms of snow
DELANY'S vegetable statues blow;
Smooths his stern brow, delays his hoary wing,
And eyes with wonder all the blooms of spring.
The gentle LAPSANA, NYMPHÆA fair,
And bright CALENDULA with golden hair,
Watch with nice eye the Earth's diurnal way,
Marking her solar and sidereal day,
Her slow nutation, and her varying clime,
And trace with mimic art the march of Time;
Round his light foot a magic chain they fling,
And count the quick vibrations of his wing.First in its brazen cell reluctant roll'd
Bends the dark spring in many a steely fold;
On spiral brass is stretch'd the wiry thong,
Tooth urges tooth, and wheel drives wheel along;
In diamond-eyes the polish'd axles flow,
Smooth slides the hand, the ballance pants below.
Round the white circlet in relievo bold
A Serpent twines his scaly length in gold;
And brightly pencil'd on the enamel'd sphere
Live the fair trophies of the passing year.
-Here
45
Time's
huge fingers grasp his giant-mace,
And dash proud Superstition from her base,
Rend her strong towers and gorgeous fanes, and shed
The crumbling fragments round her guilty head.
There the gay
Hours
, whom wreaths of roses deck,
Lead their young trains amid the cumberous wreck;
And, slowly purpling o'er the mighty waste,
Plant the fair growths of Science and of Taste.
While each light
Moment
, as it dances by
With feathery foot and pleasure-twinkling eye,
Feeds from its baby-hand, with many a kiss,
The callow nestlings of domestic Bliss.
As yon gay clouds, which canopy the skies,
Change their thin forms, and lose their lucid dyes;
So the soft bloom of Beauty's vernal charms
Fades in our eyes, and withers in our arms.
-Bright as the silvery plume, or pearly shell,
The snow-white rose, or lily's virgin bell,
The fair HELLEBORAS attractive shone,
Warm'd every Sage, and every Shepherd won.Round the gay sisters press the
enamour'd bands
And seek with soft solicitude their hands.
-Ere while how chang'd!-in dim suffusion lies
The glance divine, that lighten'd in their eyes;
Cold are those lips, where smiles seductive hung,
And the weak accents linger on their tongue;
Each roseat feature fades to livid green,-Disgust with face averted shuts the scene.
So from his gorgeous throne, which awed the world,
The mighty Monarch of the east was hurl'd,
To dwell with brutes beneath the midnight storm,
By Heaven's just vengeance changed in mind and form.
-Prone to the earth He bends his brow superb,
Crops the young floret and the bladed herb;
Lolls his red tongue, and from the reedy side
46
Of slow Euphrates laps the muddy tide.
Long eagle-plumes his arching neck invest,
Steal round his arms, and clasp his sharpen'd breast;
Dark brinded hairs in bristling ranks, behind,
Rise o'er his back, and rustle in the wind,
Clothe his lank sides, his shrivel'd limbs surround,
And human hands with talons print the ground.
Silent in shining troops the Courtier-throng
Pursue their monarch as he crawls along;
E'en Beauty pleads in vain with smiles and tears,
Nor Flattery's self can pierce his pendant ears.
Two
Sister-Nymphs to Ganges' flowery brink
Bend their light steps, the lucid water drink,
Wind through the dewy rice, and nodding canes,
(As
eight
black Eunuchs guard the sacred plains),
With playful malice watch the scaly brood,
And shower the inebriate berries on the flood.Stay in your crystal chambers, silver tribes!
Turn your bright eyes, and shun the dangerous bribes;
The tramel'd net with less destruction sweeps
Your curling shallows, and your azure deeps;
With less deceit, the gilded fly beneath,
Lurks the fell hook unseen,-to taste is death!-Dim your slow eyes, and dull your pearly coat,
Drunk on the waves your languid forms shall float,
On useless fins in giddy circles play,
And Herons and Otters seize you for their prey.So, when the Saint from Padua's graceless land
In silent anguish sought the barren strand,
High on the shatter'd beech sublime He stood,
Still'd with his waving arm the babbling flood;
'To Man's dull ear,' He cry'd, 'I call in vain,
'Hear me, ye scaly tenants of the main!'Misshapen Seals approach in circling flocks,
In dusky mail the Tortoise climbs the rocks,
Torpedoes, Sharks, Rays, Porpus, Dolphins, pour
Their twinkling squadrons round the glittering shore;
47
With tangled fins, behind, huge Phocæ glide,
And Whales and Grampi swell the distant tide.
Then kneel'd the hoary Seer, to heaven address'd
His fiery eyes, and smote his sounding breast;
'Bless ye the Lord!' with thundering voice he cry'd,
'Bless ye the Lord!' the bending shores reply'd;
The winds and waters caught the sacred word,
And mingling echoes shouted 'Bless the Lord!'
The listening shoals the quick contagion feel,
Pant on the floods, inebriate with their zeal,
Ope their wide jaws, and bow their slimy heads,
And dash with frantic fins their foamy beds.
Sopha'd on silk, amid her charm-built towers,
Her meads of asphodel, and amaranth bowers,
Where Sleep and Silence guard the soft abodes,
In sullen apathy PAPAVER nods.
Faint o'er her couch in scintillating streams
Pass the thin forms of Fancy and of Dreams;
Froze by inchantment on the velvet ground
Fair youths and beauteous ladies glitter round;
On crystal pedestals they seem to sigh,
Bend the meek knee, and lift the imploring eye.
-And now the Sorceress bares her shrivel'd hand,
And circles thrice in air her ebon wand;
Flush'd with new life descending statues talk,
The pliant marble softening as they walk;
With deeper sobs reviving lovers breathe,
Fair bosoms rise, and soft hearts pant beneath;
With warmer lips relenting damsels speak,
And kindling blushes tinge the Parian cheek;
To viewless lutes aërial voices sing,
And hovering Loves are heard on rustling wing.
-She waves her wand again!-fresh horrors seize
Their stiffening limbs, their vital currents freeze;
By each cold nymph her marble lover lies,
And iron slumbers seal their glassy eyes.
So with his dread Caduceus HERMES led
From the dark regions of the imprison'd dead,
Or drove in silent shoals the lingering train
To Night's dull shore, and PLUTO'S dreary reign
So with her waving pencil CREWE commands
The realms of Taste, and Fancy's fairy lands;
48
Calls up with magic voice the shapes, that sleep
In earth's dark bosom, or unfathom'd deep;
That shrined in air on viewless wings aspire,
Or blazing bathe in elemental fire.
As with nice touch her plaistic hand she moves,
Rise the fine forms of Beauties, Graces, Loves;
Kneel to the fair Inchantress, smile or sigh,
And fade or flourish, as she turns her eye.
Fair CISTA, rival of the rosy dawn,
Call'd her light choir, and trod the dewy lawn;
Hail'd with rude melody the new-born May,
As cradled yet in April's lap she lay.
I.
'Born in yon blaze of orient sky,
'Sweet MAY! thy radiant form unfold;
'Unclose thy blue voluptuous eye,
'And wave thy shadowy locks of gold.
II.
'For Thee the fragrant zephyrs blow,
'For Thee descends the sunny shower;
'The rills in softer murmurs slow,
'And brighter blossoms gem the bower.
III.
'Light Graces dress'd in flowery wreaths
'And tiptoe Joys their hands combine;
'And Love his sweet contagion breathes,
'And laughing dances round thy shrine.
IV.
'Warm with new life the glittering throngs
'On quivering fin and rustling wing
'Delighted join their votive songs,
'And hail thee, GODDESS OF THE SPRING.'
O'er the green brinks of Severn's oozy bed,
49
In changeful rings, her sprightly troop She led;
PAN tripp'd before, where Eudness shades the mead,
And blew with glowing lip his sevenfold reed;
Emerging Naiads swell'd the jocund strain,
And aped with mimic step the dancing train.'I faint, I fall!'at noon
the Beauty cried,
'Weep o'er my tomb, ye Nymphs!'-and sunk and died.
-Thus, when white Winter o'er the shivering clime
Drives the still snow, or showers the silver rime;
As the lone shepherd o'er the dazzling rocks
Prints his steep step, and guides his vagrant flocks;
Views the green holly veil'd in network nice,
Her vermil clusters twinkling in the ice;
Admires the lucid vales, and slumbering floods,
Fantastic cataracts, and crystal woods,
Transparent towns, with seas of milk between,
And eyes with transport the refulgent scene:If breaks the sunshine o'er the spangled trees,
Or flits on tepid wing the western breeze,
In liquid dews descends the transient glare,
And all the glittering pageant melts in air.
Where Andes hides his cloud-wreath'd crest in snow,
And roots his base on burning sands below;
Cinchona, fairest of Peruvian maids
To Health's bright Goddess in the breezy glades
On Quito's temperate plain an altar rear'd,
Trill'd the loud hymn, the solemn prayer preferr'd:
Each balmy bud she cull'd, and honey'd flower,
And hung with fragrant wreaths the sacred bower;
Each pearly sea she search'd, and sparkling mine,
And piled their treasures on the gorgeous shrine;
Her suppliant voice for sickening Loxa raised,
Sweet breath'd the gale, and bright the censor blazed.
-'Divine HYGEIA! on thy votaries bend
Thy angel-looks, oh, hear us, and defend!
While streaming o'er the night with baleful glare
The star of Autumn rays his misty hair;
Fierce from his fens the Giant AGUE springs,
And wrapp'd in fogs descends on vampire wings;
'Before, with shuddering limbs cold Tremor reels,
50
And Fever's burning nostril dogs his heels;
Loud claps the grinning Fiend his iron hands,
Stamps with his marble feet, and shouts along the lands;
Withers the damask cheek, unnerves the strong,
And drives with scorpion-lash the shrieking throng.
Oh, Goddess! on thy kneeling votaries bend
Thy angel-looks, oh, hear us, and defend!'
-HYGEIA, leaning from the blest abodes,
The crystal mansions of the immortal gods,
Saw the sad Nymph uplift her dewy eyes,
Spread her white arms, and breathe her fervid sighs;
Call'd to her fair associates, Youth, and Joy,
And shot all-radiant through the glittering sky;
Loose waved behind her golden train of hair,
Her sapphire mantle swam diffus'd in air.O'er the grey matted moss, and pansied sod,
With step sublime the glowing Goddess trod,
Gilt with her beamy eye the conscious shade,
And with her smile celestial bless'd the maid.
'Come to my arms,' with seraph voice she cries,
'Thy vows are heard, benignant Nymph! arise;
Where yon aspiring trunks fantastic wreath
Their mingled roots, and drink the rill beneath,
Yield to the biting axe thy sacred wood,
And strew the bitter foliage on the flood.'
In silent homage bow'd the blushing maid,Five
youths athletic hasten to her aid,
O'er the scar'd hills re-echoing strokes resound,
And headlong forests thunder on the ground.
Round the dark roots, rent bark, and shatter'd boughs,
From ocherous beds the swelling fountain flows;
With streams austere its winding margin laves,
And pours from vale to vale its dusky waves.
-As the pale squadrons, bending o'er the brink,
View with a sigh their alter'd forms, and drink;
Slow-ebbing life with refluent crimson breaks
O'er their wan lips, and paints their haggard cheeks;
Through each fine nerve rekindling transports dart,
Light the quick eye, and swell the exulting heart.
-Thus ISRAEL's heaven-taught chief o'er trackless lands
51
Led to the sultry rock his murmuring bands.
Bright o'er his brows the forky radiance blazed,
And high in air the rod divine He raised.Wide yawns the cliff!-amid the thirsty throng
Rush the redundant waves, and shine along;
With gourds and shells and helmets press the bands,
Ope their parch'd lips, and spread their eager hands,
Snatch their pale infants to the exuberant shower,
Kneel on the shatter'd rock, and bless the Almighty Power.
Bolster'd with down, amid a thousand wants,
Pale Dropsy rears his bloated form, and pants;
'Quench me, ye cool pellucid rills!' he cries,
Wets his parch'd tongue, and rolls his hollow eyes.
So bends tormented TANTALUS to drink,
While from his lips the refluent waters shrink;
Again the rising stream his bosom laves,
And Thirst consumes him 'mid circumfluent waves.
-Divine HYGEIA, from the bending sky
Descending, listens to his piercing cry;
Assumes bright DIGITALIS' dress and air,
Her ruby cheek, white neck, and raven hair;
Four
youths protect her from the circling throng,
And like the Nymph the Goddess steps along.-O'er Him She waves her serpent-wreathed wand,
Cheers with her voice, and raises with her hand,
Warms with rekindling bloom his visage wan,
And charms the shapeless monster into man.
So when Contagion with mephitic breath
And withered Famine urged the work of death;
Marseilles' good Bishop, London's generous Mayor,
With food and faith, with medicine and with prayer,
Raised the weak head and stayed the parting sigh,
Or with new life relumed the swimming eye.-And now, PHILANTHROPY! thy rays divine
Dart round the globe from Zembla to the Line;
O'er each dark prison plays the cheering light,
Like northern lustres o'er the vault of night.From realm to realm, with cross or crescent crown'd,
Where'er Mankind and Misery are found,
O'er burning sands, deep waves, or wilds of snow,
52
Thy HOWARD journeying seeks the house of woe.
Down many a winding step to dungeons dank,
Where anguish wails aloud, and fetters clank;
To caves bestrew'd with many a mouldering bone,
And cells, whose echoes only learn to groan;
Where no kind bars a whispering friend disclose,
No sunbeam enters, and no zephyr blows,
HE treads, inemulous of fame or wealth,
Profuse of toil, and prodigal of health;
With soft assuasive eloquence expands
Power's rigid heart, and opes his clenching hands;
Leads stern-ey'd Justice to the dark domains,
If not to fever, to relax the chains;
Or guides awaken'd Mercy through the gloom,
And shews the prison, sister to the tomb!Gives to her babes the self-devoted wife,
To her fond husband liberty and life!-The Spirits of the Good, who bend from high
Wide o'er these earthly scenes their partial eye,
When first, array'd in VIRTUE'S purest robe,
They saw her HOWARD traversing the globe;
Saw round his brows her sun-like Glory blaze
In arrowy circles of unwearied rays;
Mistook a Mortal for an Angel-Guest,
And ask'd what Seraph-foot the earth imprest.
-Onward he moves!-Disease and Death retire,
And murmuring Demons hate him, and admire.'
Here paused the Goddess,-on HYGEIA'S shrine
Obsequious Gnomes repose the lyre divine;
Descending Sylphs relax the trembling strings,
And catch the rain-drops on their shadowy wings.
-And now her vase a modest Naiad fills
With liquid crystal from her pebbly rills;
Piles the dry cedar round her silver urn,
(Bright climbs the blaze, the crackling faggots burn),
Culls the green herb of China's envy'd bowers,
In gaudy cups the steamy treasure pours;
And, sweetly-smiling, on her bended knee
Presents the fragrant quintessence of Tea.
~ Erasmus Darwin,
1467:Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.

Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
And grasping give the orbs another whirl.
Turn swiftlier round, O tardy ball!
And sun this frozen side,
Bring hither back the robin's call,
Bring back the tulip's pride.

Why chidest thou the tardy Spring?
The hardy bunting does not chide;
The blackbirds make the maples ring
With social cheer and jubilee;
The redwing flutes his o-ka-lee,
The robins know the melting snow;
The sparrow meek, prophetic-eyed,
Her nest beside the snow-drift weaves,
Secure the osier yet will hide
Her callow brood in mantling leaves;
And thou, by science all undone,
Why only must thy reason fail
To see the southing of the sun?

As we thaw frozen flesh with snow,
So Spring will not, foolish fond,
Mix polar night with tropic glow,
Nor cloy us with unshaded sun,
Nor wanton skip with bacchic dance,
But she has the temperance
Of the gods, whereof she is one,--
Masks her treasury of heat
Under east-winds crossed with sleet.
Plants and birds and humble creatures
Well accept her rule austere;
Titan-born, to hardy natures
Cold is genial and dear.
As Southern wrath to Northern right
Is but straw to anthracite;
As in the day of sacrifice,
When heroes piled the pyre,
The dismal Massachusetts ice
Burned more than others' fire,
So Spring guards with surface cold
The garnered heat of ages old:
Hers to sow the seed of bread,
That man and all the kinds be fed;
And, when the sunlight fills the hours,
Dissolves the crust, displays the flowers.

The world rolls round,--mistrust it not,--
Befalls again what once befell;
All things return, both sphere and mote,
And I shall hear my bluebird's note,
And dream the dream of Auburn dell.

When late I walked, in earlier days,
All was stiff and stark;
Knee-deep snows choked all the ways,
In the sky no spark;
Firm-braced I sought my ancient woods,
Struggling through the drifted roads;
The whited desert knew me not,
Snow-ridges masked each darling spot;
The summer dells, by genius haunted,
One arctic moon had disenchanted.
All the sweet secrets therein hid
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
With wicked ingenuity,
Swift cathedrals in the wild;
The piny hosts were sheeted ghosts
In the star-lit minster aisled.
I found no joy: the icy wind
Might rule the forest to his mind.
Who would freeze in frozen brakes?
Back to books and sheltered home,
And wood-fire flickering on the walls,
To hear, when, 'mid our talk and games,
Without the baffled north-wind calls.
But soft! a sultry morning breaks;
The cowslips make the brown brook gay;
A happier hour, a longer day.
Now the sun leads in the May,
Now desire of action wakes,
And the wish to roam.

The caged linnet in the Spring
Hearkens for the choral glee,
When his fellows on the wing
Migrate from the Southern Sea;
When trellised grapes their flowers unmask,
And the new-born tendrils twine,
The old wine darkling in the cask
Feels the bloom on the living vine,
And bursts the hoops at hint of Spring:
And so, perchance, in Adam's race,
Of Eden's bower some dream-like trace
Survived the Flight, and swam the Flood,
And wakes the wish in youngest blood
To tread the forfeit Paradise,
And feed once more the exile's eyes;
And ever when the happy child
In May beholds the blooming wild,
And hears in heaven the bluebird sing,
"Onward," he cries, "your baskets bring,--
In the next field is air more mild,
And o'er yon hazy crest is Eden's balmier Spring."

Not for a regiment's parade,
Nor evil laws or rulers made,
Blue Walden rolls its cannonade,
But for a lofty sign
Which the Zodiac threw,
That the bondage-days are told,
And waters free as winds shall flow.
Lo! how all the tribes combine
To rout the flying foe.
See, every patriot oak-leaf throws
His elfin length upon the snows,
Not idle, since the leaf all day
Draws to the spot the solar ray,
Ere sunset quarrying inches down,
And half-way to the mosses brown;
While the grass beneath the rime
Has hints of the propitious time,
And upward pries and perforates
Through the cold slab a thousand gates,
Till green lances peering through
Bend happy in the welkin blue.

April cold with dropping rain
Willows and lilacs brings again,
The whistle of returning birds,
And trumpet-lowing of the herds.
The scarlet maple-keys betray
What potent blood hath modest May;
What fiery force the earth renews,
The wealth of forms, the flush of hues;
Joy shed in rosy waves abroad
Flows from the heart of Love, the Lord.

Hither rolls the storm of heat;
I feel its finer billows beat
Like a sea which me infolds;
Heat with viewless fingers moulds,
Swells, and mellows, and matures,
Paints, and flavours, and allures,
Bird and brier inly warms,
Still enriches and transforms,
Gives the reed and lily length,
Adds to oak and oxen strength,
Boils the world in tepid lakes,
Burns the world, yet burnt remakes;
Enveloping heat, enchanted robe,
Wraps the daisy and the globe,
Transforming what it doth infold,
Life out of death, new out of old,
Painting fawns' and leopards' fells,
Seethes the gulf-encrimsoning shells,
Fires garden with a joyful blaze
Of tulips in the morning's rays.
The dead log touched bursts into leaf,
The wheat-blade whispers of the sheaf.
What god is this imperial Heat,
Earth's prime secret, sculpture's seat?
Doth it bear hidden in its heart
Water-line patterns of all art,
All figures, organs, hues, and graces?
Is it Daedalus? is it Love?
Or walks in mask almighty Jove,
And drops from Power's redundant horn
All seeds of beauty to be born?

Where shall we keep the holiday,
And duly greet the entering May?
Too strait and low our cottage doors,
And all unmeet our carpet floors;
Nor spacious court, nor monarch's hall,
Suffice to hold the festival.
Up and away! where haughty woods
Front the liberated floods:
We will climb the broad-backed hills,
Hear the uproar of their joy;
We will mark the leaps and gleams
Of the new-delivered streams,
And the murmuring rivers of sap
Mount in the pipes of the trees,
Giddy with day, to the topmost spire,
Which for a spike of tender green
Bartered its powdery cap;
And the colours of joy in the bird,
And the love in its carol heard,
Frog and lizard in holiday coats,
And turtle brave in his golden spots;
We will hear the tiny roar
Of the insects evermore,
While cheerful cries of crag and plain
Reply to the thunder of river and main.

As poured the flood of the ancient sea
Spilling over mountain chains,
Bending forests as bends the sedge,
Faster flowing o'er the plains,--
A world-wide wave with a foaming edge
That rims the running silver sheet,--
So pours the deluge of the heat
Broad northward o'er the land,
Painting artless paradises,
Drugging herbs with Syrian spices,
Fanning secret fires which glow
In columbine and clover-blow,
Climbing the northern zones,
Where a thousand pallid towns
Lie like cockles by the main,
Or tented armies on a plain.
The million-handed sculptor moulds
Quaintest bud and blossom folds,
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the island floors,
And the tints of heaven reply.

Wreaths for the May! for happy Spring
To-day shall all her dowry bring,
The love of kind, the joy, the grace,
Hymen of element and race,
Knowing well to celebrate
With song and hue and star and state,
With tender light and youthful cheer,
The spousals of the new-born year.
Lo Love's inundation poured
Over space and race abroad!

Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.

Drug the cup, thou butler sweet,
And send the nectar round;
The feet that slid so long on sleet
Are glad to feel the ground.
Fill and saturate each kind
With good according to its mind,
Fill each kind and saturate
With good agreeing with its fate,
Willow and violet, maiden and man.

The bitter-sweet, the haunting air,
Creepeth, bloweth everywhere;
It preys on all, all prey on it,
Blooms in beauty, thinks in wit,
Stings the strong with enterprise,
Makes travellers long for Indian skies,
And where it comes this courier fleet
Fans in all hearts expectance sweet,
As if to-morrow should redeem
The vanished rose of evening's dream.
By houses lies a fresher green,
On men and maids a ruddier mien,
As if time brought a new relay
Of shining virgins every May,
And Summer came to ripen maids
To a beauty that not fades.

The ground-pines wash their rusty green,
The maple-tops their crimson tint,
On the soft path each track is seen,
The girl's foot leaves its neater print.
The pebble loosened from the frost
Asks of the urchin to be tost.
In flint and marble beats a heart,
The kind Earth takes her children's part,
The green lane is the school-boy's friend,
Low leaves his quarrel apprehend,
The fresh ground loves his top and ball,
The air rings jocund to his call,
The brimming brook invites a leap,
He dives the hollow, climbs the steep.
The youth reads omens where he goes,
And speaks all languages the rose.
The wood-fly mocks with tiny noise
The far halloo of human voice;
The perfumed berry on the spray
Smacks of faint memories far away.
A subtle chain of countless rings
The next unto the farthest brings,
And, striving to be man, the worm
Mounts through all the spires of form.

I saw the bud-crowned Spring go forth,
Stepping daily onward north
To greet staid ancient cavaliers
Filing single in stately train.
And who, and who are the travellers?
They were Night and Day, and Day and Night,
Pilgrims wight with step forthright.
I saw the Days deformed and low,
Short and bent by cold and snow;
The merry Spring threw wreaths on them,
Flower-wreaths gay with bud and bell;
Many a flower and many a gem,
They were refreshed by the smell,
They shook the snow from hats and shoon,
They put their April raiment on;
And those eternal forms,
Unhurt by a thousand storms,
Shot up to the height of the sky again,
And danced as merrily as young men.
I saw them mask their awful glance
Sidewise meek in gossamer lids;
And to speak my thought if none forbids.
It was as if the eternal gods,
Tired of their starry periods,
Hid their majesty in cloth
Woven of tulips and painted moth.
On carpets green the maskers march
Below May's well-appointed arch,
Each star, each god, each grace amain,
Every joy and virtue speed,
Marching duly in her train,
And fainting Nature at her need
Is made whole again.

'T was the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.
'Once more,' the old man cried, 'ye clouds,
Airy turrets purple-piled,
Which once my infancy beguiled,
Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,
Shed mocking lustres on shelf of books,
On farmer's byre, on meadow-pipes,
Or on a pool of dancing chips.
I care not if the pomps you show
Be what they soothfast appear,
Or if yon realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,--
If Nature give me joy again,
Of such deceit I'll not complain.'

Ah! well I mind the calendar,
Faithful through a thousand years,
Of the painted race of flowers,
Exact to days, exact to hours,
Counted on the spacious dial
Yon broidered zodiac girds.
I know the pretty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march,--
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple-tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards, and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight,
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage, and probity, and grace!

Poets praise that hidden wine
Hid in milk we drew
At the barrier of Time,
When our life was new.
We had eaten fairy fruit,
We were quick from head to foot,
All the forms we look on shone
As with diamond dews thereon.
What cared we for costly joys,
The Museum's far-fetched toys?
Gleam of sunshine on the wall
Poured a deeper cheer than all
The revels of the Carnival.
We a pine-grove did prefer
To a marble theatre,
Could with gods on mallows dine,
Nor cared for spices or for wine.
Wreaths of mist and rainbow spanned,
Arch on arch, the grimmest land;
Whistle of a woodland bird
Made the pulses dance,
Note of horn in valleys heard
Filled the region with romance.

None can tell how sweet,
How virtuous, the morning air;
Every accent vibrates well;
Not alone the wood-bird's call,
Or shouting boys that chase their ball,
Pass the height of minstrel skill,
But the ploughman's thoughtless cry,
Lowing oxen, sheep that bleat,
And the joiner's hammer-beat,
Softened are above their will.
All grating discords melt,
No dissonant note is dealt,
And though thy voice be shrill
Like rasping file on steel,
Such is the temper of the air,
Echo waits with art and care,
And will the faults of song repair.

So by remote Superior Lake,
And by resounding Mackinac,
When northern storms and forests shake,
And billows on the long beach break,
The artful Air doth separate
Note by note all sounds that grate,
Smothering in her ample breast
All but godlike words,
Reporting to the happy ear
Only purified accords.
Strangely wrought from barking waves,
Soft music daunts the Indian braves,--
Convent-chanting which the child
Hears pealing from the panther's cave
And the impenetrable wild.

One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers,
What sea and land discoursing say
In sidereal years.
He renders all his lore
In numbers wild as dreams,
Modulating all extremes,--
What the spangled meadow saith
To the children who have faith;
Only to children children sing,
Only to youth will spring be spring.

Who is the Bard thus magnified?
When did he sing, and where abide?

Chief of song where poets feast
Is the wind-harp which thou seest
In the casement at my side.

AEolian harp,
How strangely wise thy strain!
Gay for youth, gay for youth,
(Sweet is art, but sweeter truth,)
In the hall at summer eve
Fate and Beauty skilled to weave.
From the eager opening strings
Rung loud and bold the song.
Who but loved the wind-harp's note?
How should not the poet doat
On its mystic tongue,
With its primeval memory,
Reporting what old minstrels said
Of Merlin locked the harp within,--
Merlin paying the pain of sin,
Pent in a dungeon made of air,--
And some attain his voice to hear,
Words of pain and cries of fear,
But pillowed all on melody,
As fits the griefs of bards to be.
And what if that all-echoing shell,
Which thus the buried Past can tell,
Should rive the Future, and reveal
What his dread folds would fain conceal?
It shares the secret of the earth,
And of the kinds that owe her birth.
Speaks not of self that mystic tone,
But of the Overgods alone:
It trembles to the cosmic breath,--
As it heareth, so it saith;
Obeying meek the primal Cause,
It is the tongue of mundane laws:
And this, at least, I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet sire,
Wise Milton's odes of pensive pleasure,
Or Shakspeare, whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse,
The sights and voices ravishing
The boy knew on the hills in Spring,
When pacing through the oaks he heard
Sharp queries of the sentry-bird,
The heavy grouse's sudden whirr,
The rattle of the kingfisher;
Saw bonfires of the harlot flies
In the lowland, when day dies;
Or marked, benighted and forlorn,
The first far signal-fire of morn.
These syllables that Nature spoke,
And the thoughts that in him woke,
Can adequately utter none
Save to his ear the wind-harp lone.
And best can teach its Delphian chord
How Nature to the soul is moored,
If once again that silent string,
As erst it wont, would thrill and ring.

Not long ago, at eventide,
It seemed, so listening, at my side
A window rose, and, to say sooth,
I looked forth on the fields of youth:
I saw fair boys bestriding steeds,
I knew their forms in fancy weeds,
Long, long concealed by sundering fates,
Mates of my youth,--yet not my mates,
Stronger and bolder far than I,
With grace, with genius, well attired,
And then as now from far admired,
Followed with love
They knew not of,
With passion cold and shy.
O joy, for what recoveries rare!
Renewed, I breathe Elysian air,
See youth's glad mates in earliest bloom,--
Break not my dream, obtrusive tomb!
Or teach thou, Spring! the grand recoil
Of life resurgent from the soil
Wherein was dropped the mortal spoil.

Soft on the south-wind sleeps the haze!
So on thy broad mystic van
Lie the opal-coloured days,
And waft the miracle to man.
Soothsayer of the eldest gods,
Repairer of what harms betide,
Revealer of the inmost powers
Prometheus proffered, Jove denied;
Disclosing treasures more than true,
Or in what far to-morrow due;
Speaking by the tongues of flowers,
By the ten-tongued laurel speaking,
Singing by the oriole songs,
Heart of bird the man's heart seeking;
Whispering hints of treasure hid
Under Morn's unlifted lid,
Islands looming just beyond
The dim horizon's utmost bound;--
Who can, like thee, our rags upbraid,
Or taunt us with our hope decayed?
Or who like thee persuade,
Making the splendour of the air,
The morn and sparkling dew, a snare?
Or who resent
Thy genius, wiles, and blandishment?

There is no orator prevails
To beckon or persuade
Like thee the youth or maid:
Thy birds, thy songs, thy brooks, thy gales,
Thy blooms, thy kinds,
Thy echoes in the wilderness,
Soothe pain, and age, and love's distress,
Fire fainting will, and build heroic minds.

For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect;
Chemist to vamp old worlds with new,
Coat sea and sky with heavenlier blue,
New-tint the plumage of the birds,
And slough decay from grazing herds,
Sweep ruins from the scarped mountain,
Cleanse the torrent at the fountain,
Purge alpine air by towns defiled,
Bring to fair mother fairer child,
Not less renew the heart and brain,
Scatter the sloth, wash out the stain,
Make the aged eye sun-clear,
To parting soul bring grandeur near.
Under gentle types, my Spring
Masks the might of Nature's king,
An energy that searches thorough
From Chaos to the dawning morrow;
Into all our human plight,
The soul's pilgrimage and flight;
In city or in solitude,
Step by step, lifts bad to good,
Without halting, without rest,
Lifting Better up to Best;
Planting seeds of knowledge pure,
Through earth to ripen, through heaven endure.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, May-Day
,
1468:I.
I weep for Adonais -he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

II.
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

III.
O, weep for Adonais -he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend; -oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

IV.
Most musical of mourners, weep again!
Lament anew, Urania! -He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country's pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o'er earth; the third among the sons of light.

V.
Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame's serene abode.

VI.
But now, thy youngest, dearest one, has perished -
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies -the storm is overpast.

VII.
To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal. -Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

VIII.
He will awake no more, oh, never more! -
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o'er his sleep the mortal curtain draw.

IX.
O, weep for Adonais! -The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not, -
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne'er will gather strength, or find a home again.

X.
And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
"Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain."
Lost Angel of a ruined Paradise!
She knew not 'twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

XI.
One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

XII.
Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

XIII.
And others came Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp; -the moving pomp might seem
Like pageantry of mist on an autumnal stream.

XIV.
All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

XV.
Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman's horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds: -a drear
Murmur, between their songs, is all the woodmen hear.

XVI.
Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

XVII.
Thy spirit's sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun's domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

XVIII.
Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season's bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

XIX.
Through wood and stream and field and hill and Ocean
A quickening life from the Earth's heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life's sacred thirst;
Diffuse themselves; and spend in love's delight
The beauty and the joy of their renewed might.

XX.
The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning? -the intense atom glows
A moment, then is quenched in a most cold repose.

XXI.
Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

XXII.
He will awake no more, oh, never more!
"Wake thou," cried Misery, "childless Mother, rise
Out of thy sleep, and slake, in thy heart's core,
A wound more fierce than his with tears and sighs."
And all the Dreams that watched Urania's eyes,
And all the Echoes whom their sister's song
Had held in holy silence, cried: "Arise!"
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

XXIII.
She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

XXIV.
Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where'er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

XXV.
In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life's pale light
Flashed through those limbs, so late her dear delight.
"Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!" cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

XXVI.
"'Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

XXVII.
"O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life's waste had fled from thee like deer.

XXVIII.
"The herded wolves, bold only to pursue;
The obscene ravens, clamorous o'er the dead;
The vultures to the conqueror's banner true
Who feed where Desolation first has fed,
And whose wings rain contagion; -how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled! -The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

XXIX.
"The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit's awful night."

XXX.
Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

XXXI.
Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature's naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o'er the world's wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

XXXII.
A pardlike Spirit beautiful and swift -
A Love in desolation masked; -a Power
Girt round with weakness; -it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow; -even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

XXXIII.
His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest's noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter's dart.

XXXIV.
All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another's fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger's mien, and murmured: "Who art thou?"
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain's or Christ's -oh! that it should be so!

XXXV.
What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o'er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart's accepted sacrifice.

XXXVI.
Our Adonais has drunk poison -oh!
What deaf and viperous murderer could crown
Life's early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master's hand is cold, whose silver lyre unstrung.

XXXVII.
Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o'erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt -as now.

XXXVIII.
Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now -
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

XXXIX.
Peace, peace! he is not dead, he doth not sleep -
He hath awakened from the dream of life -
'Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings. -We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

XL.
He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world's slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit's self has ceased to burn,
With sparkless ashes load an unlamented urn.

XLI.
He lives, he wakes -'tis Death is dead, not he;
Mourn not for Adonais. -Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil thy scarf hadst thrown
O'er the abandoned Earth, now leave it bare
Even to the joyous stars which smile on its despair!

XLII.
He is made one with Nature: there is heard
His voice in all her music, from the moan
Of thunder, to the song of night's sweet bird;
He is a presence to be felt and known
In darkness and in light, from herb and stone,
Spreading itself where'er that Power may move
Which has withdrawn his being to its own;
Which wields the world with never-wearied love,
Sustains it from beneath, and kindles it above.

XLIII.
He is a portion of the loveliness
Which once he made more lovely: he doth bear
His part, while the one Spirit's plastic stress
Sweeps through the dull dense world, compelling there
All new successions to the forms they wear;
Torturing th' unwilling dross that checks its flight
To its own likeness, as each mass may bear;
And bursting in its beauty and its might
From trees and beasts and men into the Heavens' light.

XLIV.
The splendours of the firmament of time
May be eclipsed, but are extinguished not;
Like stars to their appointed height they climb,
And death is a low mist which cannot blot
The brightness it may veil. When lofty thought
Lifts a young heart above its mortal lair,
And love and life contend in it, for what
Shall be its earthly doom, the dead live there
And move like winds of light on dark and stormy air.

XLV.
The inheritors of unfulfilled renown
Rose from their thrones, built beyond mortal thought,
Far in the Unapparent. Chatterton
Rose pale, -his solemn agony had not
Yet faded from him; Sidney, as he fought
And as he fell and as he lived and loved
Sublimely mild, a Spirit without spot,
Arose; and Lucan, by his death approved:
Oblivion as they rose shrank like a thing reproved.

XLVI.
And many more, whose names on Earth are dark,
But whose transmitted effluence cannot die
So long as fire outlives the parent spark,
Rose, robed in dazzling immortality.
"Thou art become as one of us," they cry,
"It was for thee yon kingless sphere has long
Swung blind in unascended majesty,
Silent alone amid an Heaven of Song.
Assume thy winged throne, thou Vesper of our throng!"

XLVII.
Who mourns for Adonais? Oh, come forth,
Fond wretch! and know thyself and him aright.
Clasp with thy panting soul the pendulous Earth;
As from a centre, dart thy spirit's light
Beyond all worlds, until its spacious might
Satiate the void circumference: then shrink
Even to a point within our day and night;
And keep thy heart light lest it make thee sink
When hope has kindled hope, and lured thee to the brink.

XLVIII.
Or go to Rome, which is the sepulchre,
Oh, not of him, but of our joy: 'tis nought
That ages, empires, and religions there
Lie buried in the ravage they have wrought;
For such as he can lend, -they borrow not
Glory from those who made the world their prey;
And he is gathered to the kings of thought
Who waged contention with their time's decay,
And of the past are all that cannot pass away.

XLIX.
Go thou to Rome, -at once the Paradise,
The grave, the city, and the wilderness;
And where its wrecks like shattered mountains rise,
And flowering weeds, and fragrant copses dress
The bones of Desolation's nakedness
Pass, till the spirit of the spot shall lead
Thy footsteps to a slope of green access
Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;

L.
And grey walls moulder round, on which dull Time
Feeds, like slow fire upon a hoary brand;
And one keen pyramid with wedge sublime,
Pavilioning the dust of him who planned
This refuge for his memory, doth stand
Like flame transformed to marble; and beneath,
A field is spread, on which a newer band
Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath.

LI.
Here pause: these graves are all too young as yet
To have outgrown the sorrow which consigned
Its charge to each; and if the seal is set,
Here, on one fountain of a mourning mind,
Break it not thou! too surely shalt thou find
Thine own well full, if thou returnest home,
Of tears and gall. From the world's bitter wind
Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become?

LII.
The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments. -Die,
If thou wouldst be with that which thou dost seek!
Follow where all is fled! -Rome's azure sky,
Flowers, ruins, statues, music, words, are weak
The glory they transfuse with fitting truth to speak.

LIII.
Why linger, why turn back, why shrink, my Heart?
Thy hopes are gone before: from all things here
They have departed; thou shouldst now depart!
A light is passed from the revolving year,
And man, and woman; and what still is dear
Attracts to crush, repels to make thee wither.
The soft sky smiles, -the low wind whispers near:
'Tis Adonais calls! oh, hasten thither,
No more let Life divide what Death can join together.

LIV.
That Light whose smile kindles the Universe,
That Beauty in which all things work and move,
That Benediction which the eclipsing Curse
Of birth can quench not, that sustaining Love
Which through the web of being blindly wove
By man and beast and earth and air and sea,
Burns bright or dim, as each are mirrors of
The fire for which all thirst, now beams on me,
Consuming the last clouds of cold mortality.

LV.
The breath whose might I have invoked in song
Descends on me; my spirit's bark is driven
Far from the shore, far from the trembling throng
Whose sails were never to the tempest given;
The massy earth and sphered skies are riven!
I am borne darkly, fearfully, afar;
Whilst, burning through the inmost veil of Heaven,
The soul of Adonais, like a star,
Beacons from the abode where the Eternal are.

Adonais was composed at Pisa during the early days of June, 1821, and printed, with the author's name, at Pisa, 'with the types of Didot,'by July 13, 1821. Part of the impression was sent to the brothers Ollier for sale in London. An exact reprint of this Pisa edition (a few typographical errors only being corrected) was issued in 1829 by Gee & Bridges, Cambridge, at the instance of Arthur Hallan and Richard Monckton Milnes (Lord Houghton). The poem was included in Galignani's edition of Coleridge, Shelley and Keats, Paris, 1829, and by Mrs. Shelley in the Poetical Works of 1839.
~ Percy Bysshe Shelley, Adonais - An elegy on the Death of John Keats
,
1469:SCENE 1.PROLOGUE IN HEAVEN. THE LORD AND THE HOST OF HEAVEN. ENTER THREE ARCHANGELS.

RAPHAEL:
The sun makes music as of old
Amid the rival spheres of Heaven,
On its predestined circle rolled
With thunder speed: the Angels even
Draw strength from gazing on its glance,
Though none its meaning fathom may:--
The worlds unwithered countenance
Is bright as at Creations day.

GABRIEL:
And swift and swift, with rapid lightness,
The adorned Earth spins silently,
Alternating Elysian brightness
With deep and dreadful night; the sea
Foams in broad billows from the deep
Up to the rocks, and rocks and Ocean,
Onward, with spheres which never sleep,
Are hurried in eternal motion.

MICHAEL:
And tempests in contention roar
From land to sea, from sea to land;
And, raging, weave a chain of power,
Which girds the earth, as with a band.--
A flashing desolation there,
Flames before the thunders way;
But Thy servants, Lord, revere
The gentle changes of Thy day.

CHORUS OF THE THREE:
The Angels draw strength from Thy glance,
Though no one comprehend Thee may;--
Thy worlds unwithered countenance
Is bright as on Creation's day.
The sun sounds, according to ancient custom,
In the song of emulation of his brother-spheres.
And its fore-written circle
Fulfils with a step of thunder.
Its countenance gives the Angels strength
Though no one can fathom it.
The incredible high works
Are excellent as at the first day.

GABRIEL:
And swift, and inconceivably swift
The adornment of earth winds itself round,
And exchanges Paradise--clearness
With deep dreadful night.
The sea foams in broad waves
From its deep bottom, up to the rocks,
And rocks and sea are torn on together
In the eternal swift course of the spheres.

MICHAEL:
And storms roar in emulation
From sea to land, from land to sea,
And make, raging, a chain
Of deepest operation round about.
There flames a flashing destruction
Before the path of the thunderbolt.
But Thy servants, Lord, revere
The gentle alternations of Thy day.

CHORUS:
Thy countenance gives the Angels strength,
Though none can comprehend Thee:
And all Thy lofty works
Are excellent as at the first day.

[ENTER MEPHISTOPHELES.]

MEPHISTOPHELES:
As thou, O Lord, once more art kind enough
To interest Thyself in our affairs,
And ask, How goes it with you there below?
And as indulgently at other times
Thou tookest not my visits in ill part,
Thou seest me here once more among Thy household.
Though I should scandalize this company,
You will excuse me if I do not talk
In the high style which they think fashionable;
My pathos certainly would make You laugh too,
Had You not long since given over laughing.
Nothing know I to say of suns and worlds;
I observe only how men plague themselves;--
The little god o the world keeps the same stamp,
As wonderful as on creations day:--
A little better would he live, hadst Thou
Not given him a glimpse of Heavens light
Which he calls reason, and employs it only
To live more beastlily than any beast.
With reverence to Your Lordship be it spoken,
Hes like one of those long-legged grasshoppers,
Who flits and jumps about, and sings for ever
The same old song i the grass. There let him lie,
Burying his nose in every heap of dung.

THE LORD:
Have you no more to say? Do you come here
Always to scold, and cavil, and complain?
Seems nothing ever right to you on earth?

MEPHISTOPHELES:
No, Lord! I find all there, as ever, bad at best.
Even I am sorry for mans days of sorrow;
I could myself almost give up the pleasure
Of plaguing the poor things.

THE LORD:
Knowest thou Faust?

MEPHISTOPHELES:
The Doctor?

THE LORD:
Ay; My servant Faust.

MEPHISTOPHELES:
In truth
He serves You in a fashion quite his own;
And the fools meat and drink are not of earth.
His aspirations bear him on so far
That he is half aware of his own folly,
For he demands from Heaven its fairest star,
And from the earth the highest joy it bears,
Yet all things far, and all things near, are vain
To calm the deep emotions of his breast.

THE LORD:
Though he now serves Me in a cloud of error,
I will soon lead him forth to the clear day.
When trees look green, full well the gardener knows
That fruits and blooms will deck the coming year.

MEPHISTOPHELES:
What will You bet?--now am sure of winning--
Only, observe You give me full permission
To lead him softly on my path.

THE LORD:
As long
As he shall live upon the earth, so long
Is nothing unto thee forbiddenMan
Must err till he has ceased to struggle.

MEPHISTOPHELES:
Thanks.
And that is all I ask; for willingly
I never make acquaintance with the dead.
The full fresh cheeks of youth are food for me,
And if a corpse knocks, I am not at home.
For I am like a cat--I like to play
A little with the mouse before I eat it.

THE LORD:
Well, well! it is permitted thee. Draw thou
His spirit from its springs; as thou findst power
Seize him and lead him on thy downward path;
And stand ashamed when failure teaches thee
That a good man, even in his darkest longings,
Is well aware of the right way.

MEPHISTOPHELES:
Well and good.
I am not in much doubt about my bet,
And if I lose, then tis Your turn to crow;
Enjoy Your triumph then with a full breast.
Ay; dust shall he devour, and that with pleasure,
Like my old paramour, the famous Snake.

THE LORD:
Pray come here when it suits you; for I never
Had much dislike for people of your sort.
And, among all the Spirits who rebelled,
The knave was ever the least tedious to Me.
The active spirit of man soon sleeps, and soon 100
He seeks unbroken quiet; therefore I
Have given him the Devil for a companion,
Who may provoke him to some sort of work,
And must create forever.--But ye, pure
Children of God, enjoy eternal beauty;--
Let that which ever operates and lives
Clasp you within the limits of its love;
And seize with sweet and melancholy thoughts
The floating phantoms of its loveliness.

[HEAVEN CLOSES; THE ARCHANGELS EXEUNT.]

MEPHISTOPHELES:
From time to time I visit the old fellow,
And I take care to keep on good terms with Him.
Civil enough is the same God Almighty,
To talk so freely with the Devil himself.

SCENE 2.MAY-DAY NIGHT. THE HARTZ MOUNTAIN, A DESOLATE COUNTRY. FAUST, MEPHISTOPHELES.

MEPHISTOPHELES:
Would you not like a broomstick? As for me
I wish I had a good stout ram to ride;
For we are still far from the appointed place.

FAUST:
This knotted staff is help enough for me,
Whilst I feel fresh upon my legs. What good
Is there in making short a pleasant way?
To creep along the labyrinths of the vales,
And climb those rocks, where ever-babbling springs,
Precipitate themselves in waterfalls,
Is the true sport that seasons such a path.
Already Spring kindles the birchen spray,
And the hoar pines already feel her breath:
Shall she not work also within our limbs?

MEPHISTOPHELES:
Nothing of such an influence do I feel.
My body is all wintry, and I wish
The flowers upon our path were frost and snow.
But see how melancholy rises now,
Dimly uplifting her belated beam,
The blank unwelcome round of the red moon,
And gives so bad a light, that every step
One stumbles gainst some crag. With your permission,
Ill call on Ignis-fatuus to our aid:
I see one yonder burning jollily.
Halloo, my friend! may I request that you
Would favour us with your bright company?
Why should you blaze away there to no purpose?
Pray be so good as light us up this way.

IGNIS-FATUUS:
With reverence be it spoken, I will try
To overcome the lightness of my nature;
Our course, you know, is generally zigzag.

MEPHISTOPHELES:
Ha, ha! your worship thinks you have to deal
With men. Go straight on, in the Devils name,
Or I shall puff your flickering life out.

IGNIS-FATUUS:
Well,
I see you are the master of the house;
I will accommodate myself to you.
Only consider that to-night this mountain
Is all enchanted, and if Jack-a-lantern
Shows you his way, though you should miss your own,
You ought not to be too exact with him.

FAUST, MEPHISTOPHELES, AND IGNIS-FATUUS, IN ALTERNATE CHORUS:
The limits of the sphere of dream,
The bounds of true and false, are past.
Lead us on, thou wandering Gleam,
Lead us onward, far and fast,
To the wide, the desert waste.

But see, how swift advance and shift
Trees behind trees, row by row,--
How, clift by clift, rocks bend and lift
Their frowning foreheads as we go.
The giant-snouted crags, ho! ho!
How they snort, and how they blow!

Through the mossy sods and stones,
Stream and streamlet hurry down
A rushing throng! A sound of song
Beneath the vault of Heaven is blown!
Sweet notes of love, the speaking tones
Of this bright day, sent down to say
That Paradise on Earth is known,
Resound around, beneath, above.
All we hope and all we love
Finds a voice in this blithe strain,
Which wakens hill and wood and rill,
And vibrates far oer field and vale,
And which Echo, like the tale
Of old times, repeats again.

To-whoo! to-whoo! near, nearer now
The sound of song, the rushing throng!
Are the screech, the lapwing, and the jay,
All awake as if twere day?
See, with long legs and belly wide,
A salamander in the brake!
Every root is like a snake,
And along the loose hillside,
With strange contortions through the night,
Curls, to seize or to affright;
And, animated, strong, and many,
They dart forth polypus-antennae,
To blister with their poison spume
The wanderer. Through the dazzling gloom
The many-coloured mice, that thread
The dewy turf beneath our tread,
In troops each others motions cross,
Through the heath and through the moss;
And, in legions intertangled,
The fire-flies flit, and swarm, and throng,
Till all the mountain depths are spangled.

Tell me, shall we go or stay?
Shall we onward? Come along!
Everything around is swept
Forward, onward, far away!
Trees and masses intercept
The sight, and wisps on every side
Are puffed up and multiplied.

MEPHISTOPHELES:
Now vigorously seize my skirt, and gain
This pinnacle of isolated crag.
One may observe with wonder from this point,
How Mammon glows among the mountains.

FAUST:
Ay--
And strangely through the solid depth below
A melancholy light, like the red dawn,
Shoots from the lowest gorge of the abyss
Of mountains, lightning hitherward: there rise
Pillars of smoke, here clouds float gently by;
Here the light burns soft as the enkindled air,
Or the illumined dust of golden flowers;
And now it glides like tender colours spreading;
And now bursts forth in fountains from the earth;
And now it winds, one torrent of broad light,
Through the far valley with a hundred veins;
And now once more within that narrow corner
Masses itself into intensest splendour.
And near us, see, sparks spring out of the ground,
Like golden sand scattered upon the darkness;
The pinnacles of that black wall of mountains
That hems us in are kindled.

MEPHISTOPHELES:
Rare: in faith!
Does not Sir Mammon gloriously illuminate
His palace for this festival?--it is
A pleasure which you had not known before.
I spy the boisterous guests already.

FAUST:
How
The children of the wind rage in the air!
With what fierce strokes they fall upon my neck!

MEPHISTOPHELES:
Cling tightly to the old ribs of the crag.
Beware! for if with them thou warrest
In their fierce flight towards the wilderness,
Their breath will sweep thee into dust, and drag
Thy body to a grave in the abyss.
A cloud thickens the night.
Hark! how the tempest crashes through the forest!
The owls fly out in strange affright;
The columns of the evergreen palaces
Are split and shattered;
The roots creak, and stretch, and groan;
And ruinously overthrown,
The trunks are crushed and shattered
By the fierce blasts unconquerable stress.
Over each other crack and crash they all
In terrible and intertangled fall;
And through the ruins of the shaken mountain
The airs hiss and howl--
It is not the voice of the fountain,
Nor the wolf in his midnight prowl.
Dost thou not hear?
Strange accents are ringing
Aloft, afar, anear?
The witches are singing!
The torrent of a raging wizard song
Streams the whole mountain along.

CHORUS OF WITCHES:
The stubble is yellow, the corn is green,
Now to the Brocken the witches go;
The mighty multitude here may be seen
Gathering, wizard and witch, below.
Sir Urian is sitting aloft in the air;
Hey over stock! and hey over stone!
'Twixt witches and incubi, what shall be done?
Tell it who dare! tell it who dare!

A VOICE:
Upon a sow-swine, whose farrows were nine,
Old Baubo rideth alone.

CHORUS:
Honour her, to whom honour is due,
Old mother Baubo, honour to you!
An able sow, with old Baubo upon her,
Is worthy of glory, and worthy of honour!
The legion of witches is coming behind,
Darkening the night, and outspeeding the wind--

A VOICE:
Which way comest thou?

A VOICE:
Over Ilsenstein;
The owl was awake in the white moonshine;
I saw her at rest in her downy nest,
And she stared at me with her broad, bright eyne.

VOICES:
And you may now as well take your course on to Hell,
Since you ride by so fast on the headlong blast.

A VOICE:
She dropped poison upon me as I passed.
Here are the wounds--

CHORUS OF WITCHES:
Come away! come along!
The way is wide, the way is long,
But what is that for a Bedlam throng?
Stick with the prong, and scratch with the broom.
The child in the cradle lies strangled at home,
And the mother is clapping her hands.--

SEMICHORUS OF WIZARDS 1:
We glide in
Like snails when the women are all away;
And from a house once given over to sin
Woman has a thousand steps to stray.

SEMICHORUS 2:
A thousand steps must a woman take,
Where a man but a single spring will make.

VOICES ABOVE:
Come with us, come with us, from Felsensee.

VOICES BELOW:
With what joy would we fly through the upper sky!
We are washed, we are nointed, stark naked are we;
But our toil and our pain are forever in vain.

BOTH CHORUSES:
The wind is still, the stars are fled,
The melancholy moon is dead;
The magic notes, like spark on spark,
Drizzle, whistling through the dark. Come away!

VOICES BELOW:
Stay, Oh, stay!

VOICES ABOVE:
Out of the crannies of the rocks
Who calls?

VOICES BELOW:
Oh, let me join your flocks!
I, three hundred years have striven
To catch your skirt and mount to Heaven,--
And still in vain. Oh, might I be
With company akin to me!

BOTH CHORUSES:
Some on a ram and some on a prong,
On poles and on broomsticks we flutter along;
Forlorn is the wight who can rise not to-night.

A HALF-WITCH BELOW:
I have been tripping this many an hour:
Are the others already so far before?
No quiet at home, and no peace abroad!
And less methinks is found by the road.

CHORUS OF WITCHES:
Come onward, away! aroint thee, aroint!
A witch to be strong must anoint--anoint--
Then every trough will be boat enough;
With a rag for a sail we can sweep through the sky,
Who flies not to-night, when means he to fly?

BOTH CHORUSES:
We cling to the skirt, and we strike on the ground;
Witch-legions thicken around and around;
Wizard-swarms cover the heath all over.

[THEY DESCEND.]

MEPHISTOPHELES:
What thronging, dashing, raging, rustling;
What whispering, babbling, hissing, bustling;
What glimmering, spurting, stinking, burning,
As Heaven and Earth were overturning.
There is a true witch element about us;
Take hold on me, or we shall be divided:--
Where are you?

FAUST [FROM A DISTANCE]:
Here!

MEPHISTOPHELES:
What!
I must exert my authority in the house.
Place for young Voland! pray make way, good people.
Take hold on me, doctor, an with one step
Let us escape from this unpleasant crowd:
They are too mad for people of my sort.
Just there shines a peculiar kind of light--
Something attracts me in those bushes. Come
This way: we shall slip down there in a minute.

FAUST:
Spirit of Contradiction! Well, lead on--
Twere a wise feat indeed to wander out
Into the Brocken upon May-day night,
And then to isolate oneself in scorn,
Disgusted with the humours of the time.

MEPHISTOPHELES:
See yonder, round a many-coloured flame
A merry club is huddled altogether:
Even with such little people as sit there
One would not be alone.

FAUST:
Would that I were
Up yonder in the glow and whirling smoke,
Where the blind million rush impetuously
To meet the evil ones; there might I solve
Many a riddle that torments me.

MEPHISTOPHELES:
Yet
Many a riddle there is tied anew
Inextricably. Let the great world rage!
We will stay here safe in the quiet dwellings.
Tis an old custom. Men have ever built
Their own small world in the great world of all.
I see young witches naked there, and old ones
Wisely attired with greater decency.
Be guided now by me, and you shall buy
A pound of pleasure with a dram of trouble.
I hear them tune their instruments--one must
Get used to this damned scraping. Come, Ill lead you
Among them; and what there you do and see,
As a fresh compact twixt us two shall be.
How say you now? this space is wide enough--
Look forth, you cannot see the end of it--
An hundred bonfires burn in rows, and they
Who throng around them seem innumerable:
Dancing and drinking, jabbering, making love,
And cooking, are at work. Now tell me, friend,
What is there better in the world than this?

FAUST:
In introducing us, do you assume
The character of Wizard or of Devil?

MEPHISTOPHELES:
In truth, I generally go about
In strict incognito; and yet one likes
To wear ones orders upon gala days.
I have no ribbon at my knee; but here
At home, the cloven foot is honourable.
See you that snail there?she comes creeping up,
And with her feeling eyes hath smelt out something.
I could not, if I would, mask myself here.
Come now, well go about from fire to fire:
Ill be the Pimp, and you shall be the Lover.
[TO SOME OLD WOMEN, WHO ARE SITTING ROUND A HEAP OF GLIMMERING COALS.]
Old gentlewomen, what do you do out here?
You ought to be with the young rioters
Right in the thickest of the revelry--
But every one is best content at home.

General.
Who dare confide in right or a just claim?
So much as I had done for them! and now--
With women and the people tis the same,
Youth will stand foremost ever,--age may go
To the dark grave unhonoured.

MINISTER:
Nowadays
People assert their rights: they go too far; 280
But as for me, the good old times I praise;
Then we were all in all--twas something worth
Ones while to be in place and wear a star;
That was indeed the golden age on earth.

PARVENU:
We too are active, and we did and do
What we ought not, perhaps; and yet we now
Will seize, whilst all things are whirled round and round,
A spoke of Fortunes wheel, and keep our ground.

AUTHOR:
Who now can taste a treatise of deep sense
And ponderous volume? tis impertinence
To write what none will read, therefore will I
To please the young and thoughtless people try.
MEPHISTOPHELES [WHO AT ONCE APPEARS TO HAVE GROWN VERY OLD]:
I find the people ripe for the last day,
Since I last came up to the wizard mountain;
And as my little cask runs turbid now,
So is the world drained to the dregs.

PEDLAR-WITCH:
Look here,
Gentlemen; do not hurry on so fast;
And lose the chance of a good pennyworth.
I have a pack full of the choicest wares
Of every sort, and yet in all my bundle
Is nothing like what may be found on earth;
Nothing that in a moment will make rich
Men and the world with fine malicious mischief--
There is no dagger drunk with blood; no bowl
From which consuming poison may be drained
By innocent and healthy lips; no jewel,
The price of an abandoned maidens shame;
No sword which cuts the bond it cannot loose,
Or stabs the wearers enemy in the back;
No--

MEPHISTOPHELES:

Gossip, you know little of these times.
What has been, has been; what is done, is past,
They shape themselves into the innovations
They breed, and innovation drags us with it.
The torrent of the crowd sweeps over us:
You think to impel, and are yourself impelled.

FAUST:
What is that yonder?

MEPHISTOPHELES:
Mark her well. It is
Lilith.

FAUST:
Who?

MEPHISTOPHELES:
Lilith, the first wife of Adam.
Beware of her fair hair, for she excels
All women in the magic of her locks;
And when she winds them round a young mans neck,
She will not ever set him free again.

FAUST:
There sit a girl and an old woman--they
Seem to be tired with pleasure and with play.

MEPHISTOPHELES:
There is no rest to-night for any one:
When one dance ends another is begun;
Come, let us to it. We shall have rare fun.

[FAUST DANCES AND SINGS WITH A GIRL, AND MEPHISTOPHELES WITH AN OLD WOMAN.]

FAUST:
I had once a lovely dream
In which I saw an apple-tree,
Where two fair apples with their gleam
To climb and taste attracted me.

THE GIRL:
She with apples you desired
From Paradise came long ago:
With you I feel that if required,
Such still within my garden grow.
...

PROCTO-PHANTASMIST:
What is this cursed multitude about?
Have we not long since proved to demonstration
That ghosts move not on ordinary feet?
But these are dancing just like men and women.

THE GIRL:
What does he want then at our ball?

FAUST:
Oh! he
Is far above us all in his conceit:
Whilst we enjoy, he reasons of enjoyment;
And any step which in our dance we tread,
If it be left out of his reckoning,
Is not to be considered as a step.
There are few things that scandalize him not:
And when you whirl round in the circle now,
As he went round the wheel in his old mill,
He says that you go wrong in all respects,
Especially if you congratulate him
Upon the strength of the resemblance.

PROCTO-PHANTASMIST:
Fly!
Vanish! Unheard-of impudence! What, still there!
In this enlightened age too, since you have been
Proved not to exist!--But this infernal brood
Will hear no reason and endure no rule.
Are we so wise, and is the POND still haunted?
How long have I been sweeping out this rubbish
Of superstition, and the world will not
Come clean with all my pains!--it is a case
Unheard of!

THE GIRL:
Then leave off teasing us so.

PROCTO-PHANTASMIST:
I tell you, spirits, to your faces now,
That I should not regret this despotism
Of spirits, but that mine can wield it not.
To-night I shall make poor work of it,
Yet I will take a round with you, and hope
Before my last step in the living dance
To beat the poet and the devil together.

MEPHISTOPHELES:
At last he will sit down in some foul puddle;
That is his way of solacing himself;
Until some leech, diverted with his gravity,
Cures him of spirits and the spirit together.
[TO FAUST, WHO HAS SECEDED FROM THE DANCE.]
Why do you let that fair girl pass from you,
Who sung so sweetly to you in the dance?

FAUST:
A red mouse in the middle of her singing
Sprung from her mouth.

MEPHISTOPHELES:
That was all right, my friend:
Be it enough that the mouse was not gray.
Do not disturb your hour of happiness
With close consideration of such trifles.

FAUST:
Then saw I--

MEPHISTOPHELES:
What?

FAUST:
Seest thou not a pale,
Fair girl, standing alone, far, far away?
She drags herself now forward with slow steps,
And seems as if she moved with shackled feet:
I cannot overcome the thought that she
Is like poor Margaret.

MEPHISTOPHELES:
Let it be--pass on--
No good can come of it--it is not well
To meet itit is an enchanted phantom,
A lifeless idol; with its numbing look,
It freezes up the blood of man; and they
Who meet its ghastly stare are turned to stone,
Like those who saw Medusa.

FAUST:
Oh, too true!
Her eyes are like the eyes of a fresh corpse
Which no beloved hand has closed, alas!
That is the breast which Margaret yielded to me--
Those are the lovely limbs which I enjoyed!

MEPHISTOPHELES:
It is all magic, poor deluded fool!
She looks to every one like his first love.

FAUST:
Oh, what delight! what woe! I cannot turn
My looks from her sweet piteous countenance.
How strangely does a single blood-red line,
Not broader than the sharp edge of a knife,
Adorn her lovely neck!

MEPHISTOPHELES:
Ay, she can carry
Her head under her arm upon occasion;
Perseus has cut it off for her. These pleasures
End in delusion.Gain this rising ground,
It is as airy here as in a...
And if I am not mightily deceived,
I see a theatre.What may this mean?

ATTENDANT:
Quite a new piece, the last of seven, for tis
The custom now to represent that number.
Tis written by a Dilettante, and
The actors who perform are Dilettanti;
Excuse me, gentlemen; but I must vanish.
I am a Dilettante curtain-lifter.

~ Percy Bysshe Shelley, Scenes From The Faust Of Goethe
,
1470:Resignation Pt 2
But what in either sex, beyond
All parts, our glory crowns?
'In ruffling seasons to be calm,
And smile, when fortune frowns.'
Heaven's choice is safer than our own;
Of ages past inquire,
What the most formidable fate?
'To have our own desire.'
If, in your wrath, the worst of foes
You wish extremely ill;
Expose him to the thunder's stroke,
Or that of his own will.
What numbers, rushing down the steep
Of inclination strong,
Have perish'd in their ardent wish!
Wish ardent, ever wrong!
'Tis resignation's full reverse,
Most wrong, as it implies
Error most fatal in our choice,
Detachment from the skies.
By closing with the skies, we make
Omnipotence our own;
That done, how formidable ill's
Whole army is o'erthrown!
No longer impotent, and frail,
Ourselves above we rise:
We scarce believe ourselves below!
We trespass on the skies!
The Lord, the soul, and source of all,
Whilst man enjoys his ease,
Is executing human will,
In earth, and air, and seas;
70
Beyond us, what can angels boast?
Archangels what require?
Whate'er below, above, is done,
Is done as-we desire.
What glory this for man so mean,
Whose life is but a span!
This is meridian majesty!
This, the sublime of man!
Beyond the boast of pagan song
My sacred subject shines!
And for a foil the lustre takes
Of Rome's exalted lines.
'All, that the sun surveys, subdued,
But Cato's mighty mind.'
How grand! most true; yet far beneath
The soul of the resign'd:
To more than kingdoms, more than worlds,
To passion that gives law;
Its matchless empire could have kept
Great Cato's pride in awe;
That fatal pride, whose cruel point
Transfix'd his noble breast;
Far nobler! if his fate sustain'd
And left to heaven the rest;
Then he the palm had borne away,
At distance Caesar thrown;
Put him off cheaply with the world,
And made the skies his own.
What cannot resignation do?
It wonders can perform;
That powerful charm, 'Thy will be done,'
Can lay the loudest storm.
Come, resignation! then, from fields,
71
Where, mounted on the wing,
A wing of flame, blest martyrs' souls
Ascended to their king.
Who is it calls thee? one whose need
Transcends the common size;
Who stands in front against a foe
To which no equal rise:
In front he stands, the brink he treads
Of an eternal state;
How dreadful his appointed post!
How strongly arm'd by fate:
His threatening foe! what shadows deep
O'erwhelm his gloomy brow!
His dart tremendous! -at fourscore
My sole asylum, thou!
Haste, then, O resignation! haste,
'Tis thine to reconcile
My foe, and me; at thy approach
My foe begins to smile:
O! for that summit of my wish,
Whilst here I draw my breath,
That promise of eternal life,
A glorious smile in death:
What sight, heaven's azure arch beneath,
Has most of heaven to boast?
The man resign'd; at once serene,
And giving up the ghost.
At death's arrival they shall smile,
Who, not in life o'er gay,
Serious and frequent thought send out
To meet him on his way:
My gay coevals! (such there are)
If happiness is dear;
Approaching death's alarming day
72
Discreetly let us fear:
The fear of death is truly wise,
Till wisdom can rise higher;
And, arm'd with pious fortitude,
Death dreaded once, desire:
Grand climacteric vanities
The vainest will despise;
Shock'd, when beneath the snow of age
Man immaturely dies:
But am not I myself the man?
No need abroad to roam
In quest of faults to be chastis'd;
What cause to blush at home?
In life's decline, when men relapse
Into the sports of youth,
The second child out-fools the first,
And tempts the lash of truth;
Shall a mere truant from the grave
With rival boys engage?
His trembling voice attempt to sing,
And ape the poet's rage?
Here, madam! let me visit one,
My fault who, partly, shares,
And tell myself, by telling him,
What more becomes our years;
And if your breast with prudent zeal
For resignation glows,
You will not disapprove a just
Resentment at its foes.
In youth, Voltaire! our foibles plead
For some indulgence due;
When heads are white, their thoughts and aims
Should change their colour too:
73
How are you cheated by your wit!
Old age is bound to pay,
By nature's law, a mind discreet,
For joys it takes away;
A mighty change is wrought by years,
Reversing human lot;
In age 'tis honour to lie hid,
'Tis praise to be forgot;
The wise, as flowers, which spread at noon,
And all their charms expose,
When evening damps and shades descend,
Their evolutions close.
What though your muse has nobly soar'd,
Is that our truth sublime?
Ours, hoary friend! is to prefer
Eternity to time:
Why close a life so justly fam'd
With such bold trash as this? (54)
This for renown? yes, such as makes
Obscurity a bliss:
Your trash, with mine, at open war,
Is obstinately bent,(55)
Like wits below, to sow your tares
Of gloom and discontent:
With so much sunshine at command,
Why light with darkness mix?
Why dash with pain our pleasure?
Your Helicon with Styx?
Your works in our divided minds
Repugnant passions raise,
Confound us with a double stroke,
We shudder whilst we praise;
A curious web, as finely wrought
As genius can inspire,
74
From a black bag of poison spun,
With horror we admire.
Mean as it is, if this is read
With a disdainful air,
I can't forgive so great a foe
To my dear friend Voltaire:
Early I knew him, early prais'd,
And long to praise him late;
His genius greatly I admire,
Nor would deplore his fate;
A fate how much to be deplor'd!
At which our nature starts;
Forbear to fall on your own sword.
To perish by your parts:
'But great your name'-To feed on air,
Were then immortals born?
Nothing is great, of which more great,
More glorious is the scorn.
Can fame your carcass from the worm
Which gnaws us in the grave,
Or soul from that which never dies,
Applauding Europe save?
But fame you lose; good sense alone
Your idol, praise, can claim;
When wild wit murders happiness,
It puts to death our fame!
Nor boast your genius, talents bright;
E'en dunces will despise,
If in your western beams is miss'd
A genius for the skies;
Your taste too fails; what most excels
True taste must relish most!
And what, to rival palms above,
Can proudest laurels boast?
75
Sound heads salvation's helmet seek,(56)
Resplendent are its rays,
Let that suffice; it needs no plume,
Of sublunary praise.
May this enable couch'd Voltaire
To see that-'All is right,'(57)
His eye, by flash of wit struck blind,
Restoring to its sight;
If so, all's well: who much have err'd,
That much have been forgiven;
I speak with joy, with joy he'll hear,
'Voltaires are, now, in heaven.'
Nay, such philanthropy divine,
So boundless in degree,
Its marvellous of love extends
(Stoops most profound!) to me:
Let others cruel stars arraign,
Or dwell on their distress;
But let my page, for mercies pour'd,
A grateful heart express:
Walking, the present God was seen,
Of old, in Eden fair;
The God as present, by plain steps
Of providential care,
I behold passing through my life;
His awful voice I hear;
And, conscious of my nakedness,
Would hide myself for fear:
But where the trees, or where the clouds,
Can cover from his sight?
Naked the centre to that eye,
To which the sun is night.
As yonder glittering lamps on high
76
Through night illumin'd roll;
My thoughts of him, by whom they shine,
Chase darkness from my soul;
My soul, which reads his hand as clear
In my minute affairs,
As in his ample manuscript
Of sun, and moon, and stars;
And knows him not more bent aright
To wield that vast machine,
Than to correct one erring thought
In my small world within;
A world, that shall survive the fall
Of all his wonders here;
Survive, when suns ten thousand drop,
And leave a darken'd sphere.
Yon matter gross, how bright it shines!
For time how great his care!
Sure spirit and eternity
Far richer glories share;
Let those our hearts impress, on those
Our contemplation dwell;
On those my thoughts how justly thrown,
By what I now shall tell:
When backward with attentive mind
Life's labyrinth I trace,
I find him far myself beyond
Propitious to my peace:
Through all the crooked paths I trod,
My folly he pursued;
My heart astray to quick return
Importunately woo'd;
Due resignation home to press
On my capricious will,
How many rescues did I meet,
77
Beneath the mask of ill!
How many foes in ambush laid
Beneath my soul's desire!
The deepest penitents are made
By what we most admire.
Have I not sometimes (real good
So little mortals know!)
Mounting the summit of my wish,
Profoundly plung'd in woe?
I rarely plann'd, but cause I found
My plan's defeat to bless:
Oft I lamented an event;
It turn'd to my success.
By sharpen'd appetite to give
To good intense delight,
Through dark and deep perplexities
He led me to the right.
And is not this the gloomy path,
Which you are treading now?
The path most gloomy leads to light,
When our proud passions bow:
When labouring under fancied ill,
My spirits to sustain,
He kindly cur'd with sovereign draughts
Of unimagin'd pain.
Pain'd sense from fancied tyranny
Alone can set us free;
A thousand miseries we feel,
Till sunk in misery.
Cloy'd with a glut of all we wish,
Our wish we relish less;
Success, a sort of suicide,
Is ruin'd by success:
78
Sometimes he led me near to death,
And, pointing to the grave,
Bid terror whisper kind advice;
And taught the tomb to save:
To raise my thoughts beyond where worlds
As spangles o'er us shine,
One day he gave, and bid the next
My soul's delight resign.
We to ourselves, but through the means
Of mirrors, are unknown;
In this my fate can you descry
No features of your own?
And if you can, let that excuse
These self-recording lines;
A record, modesty forbids,
Or to small bound confines:
In grief why deep ingulf'd? You see
You suffer nothing rare;
Uncommon grief for common fate!
That wisdom cannot bear.
When streams flow backward to their source,
And humbled flames descend,
And mountains wing'd shall fly aloft,
Then human sorrows end;
But human prudence too must cease,
When sorrows domineer,
When fortitude has lost its fire,
And freezes into fear:
The pang most poignant of my life
Now heightens my delight;
I see a fair creation rise
From chaos, and old night:
From what seem'd horror, and despair,
The richest harvest rose;
79
And gave me in the nod divine
An absolute repose.
Of all the plunders of mankind,
More gross, or frequent, none,
Than in their grief and joy misplac'd,
Eternally are shown.
But whither points all this parade?
It says, that near you lies
A book, perhaps yet unperus'd,
Which you should greatly prize:
Of self-perusal, science rare!
Few know the mighty gain;
Learn'd prelates, self-unread, may read
Their Bibles o'er in vain:
Self-knowledge, which from heaven itself
(So sages tell us) came,
What is it, but a daughter fair
Of my maternal theme?
Unletter'd and untravel'd men
An oracle might find,
Would they consult their own contents,
The Delphos of the mind.
Enter your bosom; there you'll meet
A revelation new,
A revelation personal;
Which none can read but you.
There will you clearly read reveal'd
In your enlighten'd thought,
By mercies manifold, through life,
To fresh remembrance brought,
A mighty Being! and in him
A complicated friend,
A father, brother, spouse; no dread
Of death, divorce, or end:
80
Who such a matchless friend embrace,
And lodge him in their heart,
Full well, from agonies exempt,
With other friends may part:
As when o'erloaded branches bear
Large clusters big with wine,
We scarce regret one falling leaf
From the luxuriant vine.
My short advice to you may sound
Obscure or somewhat odd,
Though 'tis the best that man can give,'E'en be content with God.'
Through love he gave you the deceas'd,
Through greater took him hence;
This reason fully could evince,
Though murmur'd at by sense.
This friend, far past the kindest kind,
Is past the greatest great;
His greatness let me touch in points
Not foreign to your state;
His eye, this instant, reads your heart;
A truth less obvious hear;
This instant its most secret thoughts
Are sounding in his ear:
Dispute you this? O! stand in awe,
And cease your sorrow; know,
That tears now trickling down, he saw
Ten thousand years ago;
And twice ten thousand hence, if you
Your temper reconcile
To reason's bound, will he behold
Your prudence with a smile;
A smile, which through eternity
81
Diffuses so bright rays,
The dimmest deifies e'en guilt,
If guilt, at last, obeys:
Your guilt (for guilt it is to mourn
When such a sovereign reigns) ,
Your guilt diminish; peace pursue;
How glorious peace in pains!
Here, then, your sorrows cease; if not,
Think how unhappy they,
Who guilt increase by streaming tears,
Which guilt should wash away;
Of tears that gush profuse restrain;
Whence burst those dismal sighs?
They from the throbbing breast of one
(Strange truth!) most happy rise;
Not angels (hear it, and exult!)
Enjoy a larger share
Than is indulg'd to you, and yours,
Of God's impartial care;
Anxious for each, as if on each
His care for all was thrown;
For all his care as absolute,
As all had been but one.
And is he then so near! so kind! How little then, and great,
That riddle, man! O! let me gaze
At wonders in his fate;
His fate, who yesterday did crawl
A worm from darkness deep,
And shall, with brother worms, beneath
A turf, to-morrow sleep;
How mean! -And yet, if well obey'd
His mighty Master's call,
The whole creation for mean man
82
Is deem'd a boon too small:
Too small the whole creation deem'd
For emmets in the dust!
Account amazing! yet most true;
My song is bold, yet just:
Man born for infinite, in whom
Nor period can destroy
The power, in exquisite extremes,
To suffer, or enjoy;
Give him earth's empire (if no more)
He's beggar'd, and undone!
Imprison'd in unbounded space!
Benighted by the sun!
For what the sun's meridian blaze
To the most feeble ray
Which glimmers from the distant dawn
Of uncreated day?
'Tis not the poet's rapture feign'd
Swells here the vain to please;
The mind most sober kindles most
At truths sublime as these;
They warm e'en me.-I dare not say,
Divine ambition strove
Not to bless only, but confound,
Nay, fright us with its love;
And yet so frightful what, or kind,
As that the rending rock,
The darken'd sun, and rising dead,
So formidable spoke?
And are we darker than that sun?
Than rocks more hard, and blind?
We are; -if not to such a God
In agonies resigned.
83
Yes, e'en in agonies forbear
To doubt almighty love;
Whate'er endears eternity,
Is mercy from above;
What most imbitters time, that most
Eternity endears,
And thus, by plunging in distress,
Exalts us to the spheres;
Joy's fountain head! where bliss o'er bliss,
O'er wonders wonders rise,
And an Omnipotence prepares
Its banquet for the wise:
Ambrosial banquet! rich in wines
Nectareous to the soul!
What transports sparkle from the stream,
As angels fill the bowl!
Fountain profuse of every bliss!
Good-will immense prevails;
Man's line can't fathom its profound
An angel's plummet fails.
Thy love and might, by what they know,
Who judge, nor dream of more;
They ask a drop, how deep the sea!
One sand, how wide the shore!
Of thy exuberant good-will,
Offended Deity!
The thousandth part who comprehends,
A deity is he.
How yonder ample azure field
With radiant worlds is sown!
How tubes astonish us with those
More deep in ether thrown!
And those beyond of brighter worlds
Why not a million more? -
84
In lieu of answer, let us all
Fall prostrate, and adore.
Since thou art infinite in power,
Nor thy indulgence less;
Since man, quite impotent and blind,
Oft drops into distress;
Say, what is resignation? 'T is
Man's weakness understood;
And wisdom grasping, with a hand
Far stronger, every good.
Let rash repiners stand appall'd,
In thee who dare not trust;
Whose abject souls, like demons dark,
Are murmuring in the dust;
For man to murmur, or repine
At what by thee is done,
No less absurd, than to complain
Of darkness in the sun.
Who would not, with a heart at ease,
Bright eye, unclouded brow,
Wisdom and goodness at the helm,
The roughest ocean plough?
What, though I'm swallow'd in the deep?
Though mountains o'er me roar?
Jehovah reigns! as Jonah safe,
I'm landed, and adore:
Thy will is welcome, let it wear
Its most tremendous form;
Roar, waves; rage, winds! I know that thou
Canst save me by a storm.
From the immortal spirits born,
To thee, their fountain, flow,
If wise; as curl'd around to theirs
Meandering streams below:
85
Not less compell'd by reason's call,
To thee our souls aspire,
Than to thy skies, by nature's law,
High mounts material fire;
To thee aspiring they exult,
I feel my spirits rise,
I feel myself thy son, and pant
For patrimonial skies;
Since ardent thirst of future good,
And generous sense of past,
To thee man's prudence strongly ties,
And binds affection fast;
Since great thy love, and great our want,
And men the wisest blind,
And bliss our aim; pronounce us all
Distracted, or resigned;
Resign'd through duty, interest, shame;
Deep shame! dare I complain,
When (wondrous truth!) in heaven itself
Joy ow'd its birth to pain?
And pain for me! for me was drain'd
Gall's overflowing bowl;
And shall one dropp to murmur bold
Provoke my guilty soul?
If pardon'd this, what cause, what crime
Can indignation raise?
The sun was lighted up to shine,
And man was born to praise;
And when to praise the man shall cease,
Or sun to strike the view;
A cloud dishonors both; but man's
The blacker of the two:
For oh! ingratitude how black!
86
With most profound amaze
At love, which man belov'd o'erlooks,
Astonish'd angels gaze.
Praise cheers, and warms, like generous wine;
Praise, more divine than prayer;
Prayer points our ready path to heaven;
Praise is already there.
Let plausive resignation rise,
And banish all complaint;
All virtues thronging into one,
It finishes the saint;
Makes the man bless'd, as man can be;
Life's labours renders light;
Darts beams through fate's incumbent gloom,
And lights our sun by night;
'T is nature's brightest ornament,
The richest gift of grace,
Rival of angels, and supreme
Proprietor of peace;
Nay, peace beyond, no small degree
Of rapture 't will impart;
Know, madam! when your heart's in heaven,
'All heaven is in your heart.'
But who to heaven their hearts can raise?
Denied divine support,
All virtue dies; support divine
The wise with ardour court:
When prayer partakes the seraph's fire,
'T is mounted on his wing,
Bursts thro' heaven's crystal gates, and
Sure audience of its king:
The labouring soul from sore distress
That bless'd expedient frees;
I see you far advanc'd in peace;
87
I see you on your knees:
How on that posture has the beam
Divine for ever shone!
An humble heart, God's other seat! (58)
The rival of his throne:
And stoops Omnipotence so low!
And condescends to dwell,
Eternity's inhabitant,
Well pleas'd, in such a cell?
Such honour how shall we repay?
How treat our guest divine?
The sacrifice supreme be slain!
Let self-will die: resign.
Thus far, at large, on our disease;
Now let the cause be shown,
Whence rises, and will ever rise,
The dismal human groan:
What our sole fountain of distress?
Strong passion for this scene;
That trifles make important, things
Of mighty moment mean:
When earth's dark maxims poison shed
On our polluted souls,
Our hearts and interests fly as far
Asunder, as the poles.
Like princes in a cottage nurs'd,
Unknown their royal race,
With abject aims, and sordid joys,
Our grandeur we disgrace;
O! for an Archimedes new,
Of moral powers possess'd,
The world to move, and quite expel
That traitor from the breast.
88
No small advantage may be reap'd
From thought whence we descend;
From weighing well, and prizing weigh'd
Our origin, and end:
From far above the glorious sun
To this dim scene we came:
And may, if wise, for ever bask
In great Jehovah's beam:
Let that bright beam on reason rous'd
In awful lustre rise,
Earth's giant ills are dwarf'd at once,
And all disquiet dies.
Earth's glories too their splendour lose,
Those phantoms charm no more;
Empire's a feather for a fool,
And Indian mines are poor:
Then levell'd quite, whilst yet alive,
The monarch and his slave;
Not wait enlighten'd minds to learn
That lesson from the grave:
A George the Third would then be low
As Lewis in renown,
Could he not boast of glory more
Than sparkles from a crown.
When human glory rises high
As human glory can;
When, though the king is truly great,
Still greater is the man;
The man is dead, where virtue fails;
And though the monarch proud
In grandeur shines, his gorgeous robe
Is but a gaudy shroud.
Wisdom! where art thou? None on earth,
Though grasping wealth, fame, power,
89
But what, O death! through thy approach,
Is wiser every hour;
Approach how swift, how unconfin'd!
Worms feast on viands rare,
Those little epicures have kings
To grace their bill of fare:
From kings what resignation due
To that almighty will,
Which thrones bestows, and, when they fail,
Can throne them higher still!
Who truly great? The good and brave,
The masters of a mind
The will divine to do resolv'd,
To suffer it resign'd.
Madam! if that may give it weight,
The trifle you receive
Is dated from a solemn scene,
The border of the grave;
Where strongly strikes the trembling soul
Eternity's dread power,
As bursting on it through the thin
Partition of an hour;
Hear this, Voltaire! but this, from me,
Runs hazard of your frown;
However, spare it; ere you die,
Such thoughts will be your own.
In mercy to yourself forbear
My notions to chastise,
Lest unawares the gay Voltaire
Should blame Voltaire the wise:
Fame's trumpet rattling in your ear,
Now, makes us disagree;
When a far louder trumpet sounds,
Voltaire will close with me:
90
How shocking is that modesty,
Which keeps some honest men
From urging what their hearts suggest,
When brav'd by folly's pen.
Assaulting truths, of which in all
Is sown the sacred seed!
Our constitution's orthodox,
And closes with our creed:
What then are they, whose proud conceits
Superior wisdom boast?
Wretches, who fight their own belief,
And labour to be lost!
Though vice by no superior joys
Her heroes keeps in pay;
Through pure disinterested love
Of ruin they obey!
Strict their devotion to the wrong,
Though tempted by no prize;
Hard their commandments, and their creed
A magazine of lies
From fancy's forge: gay fancy smiles
At reason plain, and cool;
Fancy, whose curious trade it is
To make the finest fool.
Voltaire! long life's the greatest curse
That mortals can receive,
When they imagine the chief end
Of living is to live;
Quite thoughtless of their day of death,
That birthday of their sorrow!
Knowing, it may be distant far,
Nor crush them till-to-morrow.
These are cold, northern thoughts, conceiv'd
91
Beneath an humble cot;
Not mine, your genius, or your state,
No castle is my lot:(59)
But soon, quite level shall we lie;
And, what pride most bemoans,
Our parts, in rank so distant now,
As level as our bones;
Hear you that sound? Alarming sound!
Prepare to meet your fate!
One, who writes finis to our works,
Is knocking at the gate;
Far other works will soon be weigh'd;
Far other judges sit;
Far other crowns be lost or won,
Than fire ambitious wit:
Their wit far brightest will be prov'd,
Who sunk it in good sense;
And veneration most profound
Of dread omnipotence.
'Tis that alone unlocks the gate
Of blest eternity;
O! mayst thou never, never lose
That more than golden key! (60)
Whate'er may seem too rough excuse,
Your good I have at heart:
Since from my soul I wish you well;
As yet we must not part:
Shall you, and I, in love with life,
Life's future schemes contrive,
The world in wonder not unjust,
That we are still alive?
What have we left? How mean in man
A shadow's shade to crave!
When life, so vain! is vainer still,
92
'Tis time to take your leave:
Happier, than happiest life, is death,
Who, falling in the field
Of conflict with his rebel will,
Writes vici, on his shield;
So falling man, immortal heir
Of an eternal prize;
Undaunted at the gloomy grave,
Descends into the skies.
O! how disorder'd our machine,
When contradictions mix!
When nature strikes no less than twelve,
And folly points at six!
To mend the moments of your heart,
How great is my delight
Gently to wind your morals up,
And set your hand aright!
That hand, which spread your wisdom wide
To poison distant lands:
Repent, recant; the tainted age
Your antidote demands;
To Satan dreadfully resign'd,
Whole herds rush down the steep
Of folly, by lewd wits possess'd,
And perish in the deep.
Men's praise your vanity pursues;
'Tis well, pursue it still;
But let it be of men deceas'd,
And you'll resign the will;
And how superior they to those
At whose applause you aim;
How very far superior they
In number, and in name!
93
~ Edward Young,
1471:Of The Four Humours In Mans Constitution.
The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew'd their high descent,
Each eldest daughter to each Element.
Choler was own'd by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But 'mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim'd right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir'd,
Pleading her self was most of all desir'd.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav'd to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.
Choler.
To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
67
I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th'high'st degree:
Be he a souldier, I more fence his heart
Then iron Corslet 'gainst a sword or dart.
What makes him face his foe without appal,
To storm a breach, or scale a city wall,
In dangers to account himself more sure
Then timerous Hares whom Castles do immure?
Have you not heard of worthyes, Demi-Gods?
Twixt them and others what is't makes the odds
But valour? whence comes that? from none of you,
Nay milksops at such brunts you look but blew.
Here's sister ruddy, worth the other two,
Who much will talk, but little dares she do,
Unless to Court and claw, to dice and drink,
And there she will out-bid us all, I think,
She loves a fiddle better then a drum,
A Chamber well, in field she dares not come,
She'l ride a horse as bravely as the best,
And break a staff, provided 'be in jest;
But shuns to look on wounds, & blood that's spilt,
She loves her sword only because its gilt.
Then here's our sad black Sister, worse then you.
She'l neither say she will, nor will she doe;
But peevish Malecontent, musing sits,
And by misprissions like to loose her witts:
If great perswasions cause her meet her foe,
In her dull resolution she's so slow,
To march her pace to some is greater pain
Then by a quick encounter to be slain.
But be she beaten, she'l not run away,
She'l first advise if't be not best to stay.
Now let's give cold white sister flegme her right,
So loving unto all she scorns to fight:
If any threaten her, she'l in a trice
Convert from water to congealed ice:
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Her teeth will chatter, dead and wan's her face,
And 'fore she be assaulted, quits the place.
She dares not challeng, if I speak amiss,
Nor hath she wit or heat to blush at this.
Here's three of you all see now what you are,
Then yield to me preheminence in war.
Again who fits for learning, science, arts?
Who rarifies the intellectual parts:
From whence fine spirits flow and witty notions:
But tis not from our dull, slow sisters motions:
Nor sister sanguine, from thy moderate heat,
Poor spirits the Liver breeds, which is thy seat.
What comes from thence, my heat refines the same
And through the arteries sends it o're the frame:
The vital spirits they're call'd, and well they may
For when they fail, man turns unto his clay.
The animal I claim as well as these,
The nerves, should I not warm, soon would they freeze
But flegme her self is now provok'd at this
She thinks I never shot so far amiss.
The brain she challengeth, the head's her seat;
But know'ts a foolish brain that wanteth heat.
My absence proves it plain, her wit then flyes
Out at her nose, or melteth at her eyes.
Oh who would miss this influence of thine
To be distill'd, a drop on every Line?
Alas, thou hast no Spirits; thy Company
Will feed a dropsy, or a Tympany,
The Palsy, Gout, or Cramp, or some such dolour:
Thou wast not made, for Souldier or for Scholar;
Of greazy paunch, and bloated cheeks go vaunt,
But a good head from these are dissonant.
But Melancholy, wouldst have this glory thine,
Thou sayst thy wits are staid, subtil and fine;
'Tis true, when I am Midwife to thy birth
Thy self's as dull, as is thy mother Earth:
Thou canst not claim the liver, head nor heart
Yet hast the Seat assign'd, a goodly part
The sinke of all us three, the hateful Spleen
Of that black Region, nature made thee Queen;
Where pain and sore obstruction thou dost work,
Where envy, malice, thy Companions lurk.
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If once thou'rt great, what follows thereupon
But bodies wasting, and destruction?
So base thou art, that baser cannot be,
Th'excrement adustion of me.
But I am weary to dilate your shame,
Nor is't my pleasure thus to blur your name,
Only to raise my honour to the Skies,
As objects best appear by contraries.
But Arms, and Arts I claim, and higher things,
The princely qualities befitting Kings,
Whose profound heads I line with policies,
They'r held for Oracles, they are so wise,
Their wrathful looks are death their words are laws
Their Courage it foe, friend, and Subject awes;
But one of you, would make a worthy King
Like our sixth Henry (that same virtuous thing)
That when a Varlet struck him o're the side,
Forsooth you are to blame, he grave reply'd.
Take Choler from a Prince, what is he more
Then a dead Lion, by Beasts triumph'd o're.
Again you know, how I act every part
By th'influence, I still send from the heart:
It's nor your Muscles, nerves, nor this nor that
Do's ought without my lively heat, that's flat:
Nay th'stomack magazine to all the rest
Without my boyling heat cannot digest:
And yet to make my greatness, still more great
What differences, the Sex? but only heat.
And one thing more, to close up my narration
Of all that lives, I cause the propagation.
I have been sparings what I might have said
I love no boasting, that's but Childrens trade.
To what you now shall say I will attend,
And to your weakness gently condescend.
Blood.
Good Sisters, give me leave, as is my place
To vent my grief, and wipe off my disgrace:
Your selves may plead your wrongs are no whit less
Your patience more then mine, I must confess
Did ever sober tongue such language speak,
Or honesty such tyes unfriendly break?
Dost know thy self so well us so amiss?
70
Is't arrogance or folly causeth this?
Ile only shew the wrong thou'st done to me,
Then let my sisters right their injury.
To pay with railings is not mine intent,
But to evince the truth by Argument:
I will analyse this thy proud relation
So full of boasting and prevarication,
Thy foolish incongruityes Ile show,
So walk thee till thou'rt cold, then let thee go.
There is no Souldier but thy self (thou sayest,)
No valour upon Earth, but what thou hast
Thy silly provocations I despise,
And leave't to all to judge, where valour lies
No pattern, nor no pattron will I bring
But David, Judah's most heroick King,
Whose glorious deeds in Arms the world can tell,
A rosie cheek Musitian thou know'st well;
He knew well how to handle Sword and Harp,
And how to strike full sweet, as well as sharp,
Thou laugh'st at me for loving merriment,
And scorn'st all Knightly sports at Turnament.
Thou sayst I love my Sword, because it's gilt,
But know, I love the Blade, more then the Hill,
Yet do abhor such temerarious deeds,
As thy unbridled, barbarous Choler breeds:
Thy rudeness counts good manners vanity,
And real Complements base flattery.
For drink, which of us twain like it the best,
Ile go no further then thy nose for test:
Thy other scoffs, not worthy of reply
Shall vanish as of no validity:
Of thy black Calumnies this is but part,
But now Ile shew what souldier thou art.
And though thou'st us'd me with opprobrious spight
My ingenuity must give thee right.
Thy choler is but rage when tis most pure,
But usefull when a mixture can endure;
As with thy mother fire, so tis with thee,
The best of all the four when they agree:
But let her leave the rest, then I presume
Both them and all things else she would consume.
VVhilst us for thine associates thou tak'st,
71
A Souldier most compleat in all points mak'st:
But when thou scorn'st to take the help we lend,
Thou art a Fury or infernal Fiend.
Witness the execrable deeds thou'st done,
Nor sparing Sex nor Age, nor Sire nor Son;
To satisfie thy pride and cruelty,
Thou oft hast broke bounds of Humanity,
Nay should I tell, thou would'st count me no blab,
How often for the lye, thou'st given the stab.
To take the wall's a sin of so high rate,
That nought but death the same may expiate,
To cross thy will, a challenge doth deserve
So shed'st that blood, thou'rt bounden to preserve
Wilt thou this valour, Courage, Manhood call:
No, know 'tis pride most diabolibal.
If murthers be thy glory, tis no less,
Ile not envy thy feats, nor happiness:
But if in fitting time and place 'gainst foes
For countreys good thy life thou dar'st expose,
Be dangers n'er so high, and courage great,
Ile praise that prowess, fury, Choler, heat:
But such thou never art when all alone,
Yet such when we all four are joyn'd in one.
And when such thou art, even such are we,
The friendly Coadjutors still of thee.
Nextly the Spirits thou dost wholly claim,
Which nat'ral, vital, animal we name:
To play Philosopher I have no list,
Nor yet Physitian, nor Anatomist,
For acting these, l have no will nor Art,
Yet shall with Equity, give thee thy part
For natural, thou dost not much contest;
For there is none (thou sayst) if some not best;
That there are some, and best, I dare averre
Of greatest use, if reason do not erre:
What is there living, which do'nt first derive
His Life now Animal, from vegetive:
If thou giv'st life, I give the nourishment,
Thine without mine, is not, 'tis evident:
But I without thy help, can give a growth
As plants trees, and small Embryon know'th
And if vital Spirits, do flow from thee
72
I am as sure, the natural, from me:
Be thine the nobler, which I grant, yet mine
Shall justly claim priority of thine.
I am the fountain which thy Cistern fills
Through warm blew Conduits of my venial rills:
What hath the heart, but what's sent from the liver
If thou'rt the taker, I must be the giver.
Then never boast of what thou dost receive:
For of such glory I shall thee bereave.
But why the heart should be usurp'd by thee,
I must confess seems something strange to me:
The spirits through thy heat made perfect are,
But the Materials none of thine, that's clear:
Their wondrous mixture is of blood and air,
The first my self, second my mother fair.
But Ile not force retorts, nor do thee wrong,
Thy fi'ry yellow froth is mixt among,
Challeng not all, 'cause part we do allow;
Thou know'st I've there to do as well as thou:
But thou wilt say I deal unequally,
Their lives the irascible faculty,
Which without all dispute, is Cholers own;
Besides the vehement heat, only there known
Can be imputed, unto none but Fire
Which is thy self, thy Mother and thy Sire
That this is true, I easily can assent
If still you take along my Aliment;
And let me be your partner which is due,
So shall I give the dignity to you:
Again, Stomacks Concoction thou dost claim,
But by what right, nor do'st, nor canst thou name
Unless as heat, it be thy faculty,
And so thou challengest her property.
The help she needs, the loving liver lends,
Who th'benefit o'th' whole ever intends
To meddle further I shall be but shent,
Th'rest to our Sisters is more pertinent;
Your slanders thus refuted takes no place,
Nor what you've said, doth argue my disgrace,
Now through your leaves, some little time I'l spend
My worth in humble manner to commend
This, hot, moist nutritive humour of mine
73
When 'tis untaint, pure, and most genuine
Shall chiefly take the place, as is my due
Without the least indignity to you.
Of all your qualities I do partake,
And what you single are, the whole I make
Your hot, moist, cold, dry natures are but four,
I moderately am all, what need I more;
As thus, if hot then dry, if moist, then cold,
If this you cann't disprove, then all I hold
My virtues hid, I've let you dimly see
My sweet Complection proves the verity.
This Scarlet die's a badge of what's within
One touch thereof, so beautifies the skin:
Nay, could I be, from all your tangs but pure
Mans life to boundless Time might still endure.
But here one thrusts her heat, wher'ts not requir'd
So suddenly, the body all is fired,
And of the calme sweet temper quite bereft,
Which makes the Mansion, by the Soul soon left.
So Melancholy seizes on a man,
With her unchearful visage, swarth and wan,
The body dryes, the mind sublime doth smother,
And turns him to the womb of's earthy mother:
And flegm likewise can shew her cruel art,
With cold distempers to pain every part:
The lungs she rots, the body wears away,
As if she'd leave no flesh to turn to clay,
Her languishing diseases, though not quick
At length demolishes the Faberick,
All to prevent, this curious care I take,
In th'last concoction segregation make
Of all the perverse humours from mine own,
The bitter choler most malignant known
I turn into his Cell close by my side
The Melancholy to the Spleen t'abide:
Likewise the whey, some use I in the veins,
The overplus I send unto the reins:
But yet for all my toil, my care and skill,
Its doom'd by an irrevocable will
That my intents should meet with interruption,
That mortal man might turn to his corruption.
I might here shew the nobleness of mind
74
Of such as to the sanguine are inclin'd,
They're liberal, pleasant, kind and courteous,
And like the Liver all benignious.
For arts and sciences they are the fittest;
And maugre Choler still they are the wittiest:
With an ingenious working Phantasie,
A most voluminous large Memory,
And nothing wanting but Solidity.
But why alas, thus tedious should I be,
Thousand examples you may daily see.
If time I have transgrest, and been too long,
Yet could not be more brief without much wrong;
I've scarce wip'd off the spots proud choler cast,
Such venome lies in words, though but a blast:
No braggs i've us'd, to you I dare appeal,
If modesty my worth do not conceal.
I've us'd no bittererss nor taxt your name,
As I to you, to me do ye the same.
Melancholy.
He that with two Assailants hath to do,
Had need be armed well and active too.
Especially when friendship is pretended,
That blow's most deadly where it is intended.
Though choler rage and rail, I'le not do so,
The tongue's no weapon to assault a foe:
But sith we fight with words, we might be kind
To spare our selves and beat the whistling wind,
Fair rosie sister, so might'st thou scape free;
I'le flatter for a time as thou didst me:
But when the first offender I have laid,
Thy soothing girds shall fully be repaid.
But Choler be thou cool'd or chaf'd, I'le venter,
And in contentions lists now justly enter.
What mov'd thee thus to vilifie my name,
Not past all reason, but in truth all shame:
Thy fiery spirit shall bear away this prize,
To play such furious pranks I am too wise:
If in a Souldier rashness be so precious,
Know in a General tis most pernicious.
Nature doth teach to shield the head from harm,
The blow that's aim'd thereat is latcht by th'arm.
When in Batalia my foes I face
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I then command proud Choler stand thy place,
To use thy sword, thy courage and thy art
There to defend my self, thy better part.
This wariness count not for cowardize,
He is not truly valiant that's not wise.
It's no less glory to defend a town,
Then by assault to gain one not our own;
And if Marcellus bold be call'd Romes sword,
Wise Fabius is her buckler all accord:
And if thy hast my slowness should not temper,
'Twere but a mad irregular distemper;
Enough of that by our sisters heretofore,
Ile come to that which wounds me somewhat more
Of learning, policy thou wouldst bereave me,
But's not thine ignorance shall thus deceive me:
What greater Clark or Politician lives,
Then he whose brain a touch my humour gives?
What is too hot my coldness doth abate,
What's diffluent I do consolidate.
If I be partial judg'd or thought to erre,
The melancholy snake shall it aver,
Whose cold dry head more subtilty doth yield,
Then all the huge beasts of the fertile field.
Again thou dost confine me to the spleen,
As of that only part I were the Queen,
Let me as well make thy precincts the Gall,
So prison thee within that bladder small:
Reduce the man to's principles, then see
If I have not more part then all you three:
What is within, without, of theirs or thine,
Yet time and age shall soon declare it mine.
When death doth seize the man your stock is lost,
When you poor bankrupts prove then have I most.
You'l say here none shall e're disturb my right,
You high born from that lump then take your flight.
Then who's mans friend, when life & all forsakes?
His Mother mine, him to her womb retakes:
Thus he is ours, his portion is the grave,
But while he lives, I'le shew what part I have:
And first the firm dry bones I justly claim,
The strong foundation of the stately frame:
Likewise the usefull Slpeen, though not the best,
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Yet is a bowel call'd well as the rest:
The Liver, Stomack, owe their thanks of right,
The first it drains, of th'last quicks appetite.
Laughter (thô thou say malice) flows from hence,
These two in one cannot have residence.
But thou most grosly dost mistake to think
The Spleen for all you three was made a sink,
Of all the rest thou'st nothing there to do,
But if thou hast, that malice is from you.
Again you often touch my swarthy hue,
That black is black, and I am black tis true;
But yet more comely far I dare avow,
Then is thy torrid nose or brazen brow.
But that which shews how high your spight is bent
Is charging me to be thy excrement:
Thy loathsome imputation I defie,
So plain a slander needeth no reply.
When by thy heat thou'st bak'd thy self to crust,
And so art call'd black Choler or adust,
Thou witless think'st that I am thy excretion,
So mean thou art in Art as in discretion:
But by your leave I'le let your greatness see
What Officer thou art to us all three,
The Kitchin Drudge, the cleanser of the sinks
That casts out all that man e're eats or drinks:
If any doubt the truth whence this should come,
Shew them thy passage to th'Duodenum;
Thy biting quality still irritates,
Till filth and thee nature exonerates:
If there thou'rt stopt, to th'Liver thou turn'st in,
And thence with jaundies saffrons all the skin.
No further time Ile spend in confutation,
I trust I've clear'd your slanderous imputation.
I now speak unto all, no more to one,
Pray hear, admire and learn instruction.
My virtues yours surpass without compare,
The first my constancy that jewel rare:
Choler's too rash this golden gift to hold,
And Sanguine is more fickle manifold,
Here, there her restless thoughts do ever fly,
Constant in nothing but unconstancy.
And what Flegme is, we know, like to her mother,
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Unstable is the one, and so the other;
With me is noble patience also found,
Impatient Choler loveth not the sound,
What sanguine is, she doth not heed nor care,
Now up, now down, transported like the Air:
Flegme's patient because her nature's tame;
But I, by virtue do acquire the same.
My Temperance, Chastity is eminent,
But these with you, are seldome resident;
Now could I stain my ruddy Sisters face
With deeper red, to shew you her dsgrace,
But rather I with silence vaile her shame
Then cause her blush, while I relate the same.
Nor are ye free from this inormity,
Although she bear the greatest obloquie,
My prudence, judgement, I might now reveal
But wisdom 'tis my wisdome to conceal.
Unto diseases not inclin'd as you,
Nor cold, nor hot, Ague nor Plurisie,
Nor Cough, nor Quinsey, nor the burning Feaver,
I rarely feel to act his fierce endeavour;
My sickness in conceit chiefly doth lye,
What I imagine that's my malady.
Chymeraes strange are in my phantasy,
And things that never were, nor shall I see
I love not talk, Reason lies not in length,
Nor multitude of words argues our strength;
I've done pray sister Flegme proceed in Course,
We shall expect much sound, but little force.
Flegme.
Patient I am, patient i'd need to be,
To bear with the injurious taunts of three,
Though wit I want, and anger I have less,
Enough of both, my wrongs now to express
I've not forgot, how bitter Choler spake
Nor how her gaul on me she causeless brake;
Nor wonder 'twas for hatred there's not small,
Where opposition is Diametrical.
To what is Truth I freely will assent,
Although my Name do suffer detriment,
What's slanderous repell, doubtful dispute,
And when I've nothing left to say be mute.
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Valour I want, no Souldier am 'tis true,
I'le leave that manly Property to you;
I love no thundring guns, nor bloody wars,
My polish'd Skin was not ordain'd for Skarrs:
But though the pitched field I've ever fled,
At home the Conquerours have conquered.
Nay, I could tell you what's more true then meet,
That Kings have laid their Scepters at my feet;
When Sister sanguine paints my Ivory face:
The Monarchs bend and sue, but for my grace
My lilly white when joyned with her red,
Princes hath slav'd, and Captains captived,
Country with Country, Greece with Asia fights
Sixty nine Princes, all stout Hero Knights.
Under Troys walls ten years will wear away,
Rather then loose one beauteous Helena.
But 'twere as vain, to prove this truth of mine
As at noon day, to tell the Sun doth shine.
Next difference that 'twixt us twain doth lye
Who doth possess the brain, or thou or I?
Shame forc'd the say, the matter that was mine,
But the Spirits by which it acts are thine:
Thou speakest Truth, and I can say no less,
Thy heat doth much, I candidly confess;
Yet without ostentation I may say,
I do as much for thee another way:
And though I grant, thou art my helper here,
No debtor I because it's paid else where.
With all your flourishes, now Sisters three
Who is't that dare, or can, compare with me,
My excellencies are so great, so many,
I am confounded; fore I speak of any:
The brain's the noblest member all allow,
Its form and Scituation will avow,
Its Ventricles, Membranes and wondrous net,
Galen, Hippocrates drive to a set;
That Divine Ofspring the immortal Soul
Though it in all, and every part be whole,
Within this stately place of eminence,
Doth doubtless keep its mighty residence.
And surely, the Soul sensitive here lives,
Which life and motion to each creature gives,
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The Conjugation of the parts, to th'braine
Doth shew, hence flow the pow'rs which they retain
Within this high Built Cittadel, doth lye
The Reason, fancy, and the memory;
The faculty of speech doth here abide,
The Spirits animal, from hence do slide:
The five most noble Senses here do dwell;
Of three it's hard to say, which doth excell.
This point now to discuss, 'longs not to me,
I'le touch the sight, great'st wonder of the three;
The optick Nerve, Coats, humours all are mine,
The watry, glassie, and the Chrystaline;
O mixture strange! O colour colourless,
Thy perfect temperament who can express:
He was no fool who thought the soul lay there,
Whence her affections passions speak so clear.
O good, O bad, O true, O traiterous eyes
What wonderments within your Balls there lyes,
Of all the Senses sight shall be the Queen;
Yet some may wish, O had mine eyes ne're seen.
Mine, likewise is the marrow, of the back,
Which runs through all the Spondles of the rack,
It is the substitute o'th royal brain,
All Nerves, except seven pair, to it retain.
And the strong Ligaments from hence arise,
Which joynt to joynt, the intire body tyes.
Some other parts there issue from the Brain,
Whose worth and use to tell, I must refrain:
Some curious learned Crooke, may these reveal
But modesty, hath charg'd me to conceal
Here's my Epitome of excellence:
For what's the Brains is mine by Consequence.
A foolish brain (quoth Choler) wanting heat
But a mad one say I, where 'tis too great,
Phrensie's worse then folly, one would more glad
With a tame fool converse then with a mad;
For learning then my brain is not the fittest,
Nor will I yield that Choler is the wittiest.
Thy judgement is unsafe, thy fancy little,
For memory the sand is not more brittle;
Again, none's fit for Kingly state but thou,
If Tyrants be the best, I le it allow:
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But if love be as requisite as fear,
Then thou and I must make a mixture here.
Well to be brief, I hope now Cholers laid,
And I'le pass by what Sister sanguine said.
To Melancholy I le make no reply,
The worst she said was instability,
And too much talk, both which I here confess
A warning good, hereafter I'le say less.
Let's now be friends; its time our spight were spent,
Lest we too late this rashness do repent,
Such premises will force a sad conclusion,
Unless we agree, all falls into confusion.
Let Sangine with her hot hand Choler hold,
To take her moist my moisture will be bold:
My cold, cold melancholy hand shall clasp;
Her dry, dry Cholers other hand shall grasp.
Two hot, two moist, two cold, two dry here be,
A golden Ring, the Posey VNITY.
Nor jarrs nor scoffs, let none hereafter see,
But all admire our perfect Amity
Nor be discern'd, here's water, earth, air, fire,
But here a compact body, whole intire.
This loving counsel pleas'd them all so well
That flegm was judg'd for kindness to excell.
~ Anne Bradstreet,
1472:VERSES ADDRESSED TO THE NOBLE AND UNFORTUNATE LADY, EMILIA V---,
NOW IMPRISONED IN THE CONVENT OF ---

L'anima amante si slancia fuori del creato, e si crea nell' infinito un Mondo tutto per essa, diverso assai da questo oscuro e pauroso baratro. ~Her own words.
My Song, I fear that thou wilt find but few
Who fitly shall conceive thy reasoning,
Of such hard matter dost thou entertain;
Whence, if by misadventure, chance should bring
Thee to base company (as chance may do),
Quite unaware of what thou dost contain,
I prithee, comfort thy sweet self again,
My last delight! tell them that they are dull,
And bid them own that thou art beautiful.

EPIPSYCHIDION.

Sweet Spirit! Sister of that orphan one,
Whose empire is the name thou weepest on,
In my heart's temple I suspend to thee
These votive wreaths of withered memory.

Poor captive bird! who, from thy narrow cage,
Pourest such music, that it might assuage
The ruggd hearts of those who prisoned thee,
Were they not deaf to all sweet melody;
This song shall be thy rose: its petals pale
Are dead, indeed, my adored Nightingale!
But soft and fragrant is the faded blossom,
And it has no thorn left to wound thy bosom.

High, spirit-wingd Heart! who dost for ever
Beat thine unfeeling bars with vain endeavour,
Till those bright plumes of thought, in which arrayed
It over-soared this low and worldly shade,
Lie shattered; and thy panting, wounded breast
Stains with dear blood its unmaternal nest!
I weep vain tears: blood would less bitter be,
Yet poured forth gladlier, could it profit thee.

Seraph of Heaven! too gentle to be human,
Veiling beneath that radiant form of Woman
All that is insupportable in thee
Of light, and love, and immortality!
Sweet Benediction in the eternal Curse!
Veiled Glory of this lampless Universe!
Thou Moon beyond the clouds! Thou living Form
Among the Dead! Thou Star above the Storm!
Thou Wonder, and thou Beauty, and thou Terror!
Thou Harmony of Nature's art! Thou Mirror
In whom, as in the splendour of the Sun,
All shapes look glorious which thou gazest on!
Ay, even the dim words which obscure thee now
Flash, lightning-like, with unaccustomed glow;
I pray thee that thou blot from this sad song
All of its much mortality and wrong,
With those clear drops, which start like sacred dew
From the twin lights thy sweet soul darkens through,
Weeping, till sorrow becomes ecstasy:
Then smile on it, so that it may not die.

I never thought before my death to see
Youth's vision thus made perfect. Emily,
I love thee; though the world by no thin name
Will hide that love from its unvalued shame.
Would we two had been twins of the same mother!
Or, that the name my heart lent to another
Could be a sister's bond for her and thee,
Blending two beams of one eternity!
Yet were one lawful and the other true,
These names, though dear, could paint not, as is due,
How beyond refuge I am thine. Ah me!
I am not thine: I am a part of thee.

Sweet Lamp! my moth-like Muse has burned its wings
Or, like a dying swan who soars and sings,
Young Love should teach Time, in his own gray style,
All that thou art. Art thou not void of guile,
A lovely soul formed to be blessed and bless?
A well of sealed and secret happiness,
Whose waters like blithe light and music are,
Vanquishing dissonance and gloom? A Star
Which moves not in the moving heavens, alone?
A Smile amid dark frowns? a gentle tone
Amid rude voices? a belovd light?
A Solitude, a Refuge, a Delight?
A Lute, which those whom Love has taught to play
Make music on, to soothe the roughest day
And lull fond Grief asleep? a buried treasure?
A cradle of young thoughts of wingless pleasure?
A violet-shrouded grave of Woe?I measure
The world of fancies, seeking one like thee,
And findalas! mine own infirmity.

She met me, Stranger, upon life's rough way,
And lured me towards sweet Death; as Night by Day,
Winter by Spring, or Sorrow by swift Hope,
Led into light, life, peace. An antelope,
In the suspended impulse of its lightness,
Were less aethereally light: the brightness
Of her divinest presence trembles through
Her limbs, as underneath a cloud of dew
Embodied in the windless heaven of June
Amid the splendour-wingd stars, the Moon
Burns, inextinguishably beautiful:
And from her lips, as from a hyacinth full
Of honey-dew, a liquid murmur drops,
Killing the sense with passion; sweet as stops
Of planetary music heard in trance.
In her mild lights the starry spirits dance,
The sunbeams of those wells which ever leap
Under the lightnings of the soultoo deep
For the brief fathom-line of thought or sense.
The glory of her being, issuing thence,
Stains the dead, blank, cold air with a warm shade
Of unentangled intermixture, made
By Love, of light and motion: one intense
Diffusion, one serene Omnipresence,
Whose flowing outlines mingle in their flowing,
Around her cheeks and utmost fingers glowing
With the unintermitted blood, which there
Quivers, (as in a fleece of snow-like air
The crimson pulse of living morning quiver,)
Continuously prolonged, and ending never,
Till they are lost, and in that Beauty furled
Which penetrates and clasps and fills the world;
Scarce visible from extreme loveliness.
Warm fragrance seems to fall from her light dress
And her loose hair; and where some heavy tress
The air of her own speed has disentwined,
The sweetness seems to satiate the faint wind;
And in the soul a wild odour is felt,
Beyond the sense, like fiery dews that melt
Into the bosom of a frozen bud.
See where she stands! a mortal shape indued
With love and life and light and deity,
And motion which may change but cannot die;
An image of some bright Eternity;
A shadow of some golden dream; a Splendour
Leaving the third sphere pilotless; a tender
Reflection of the eternal Moon of Love
Under whose motions life's dull billows move;
A Metaphor of Spring and Youth and Morning;
A Vision like incarnate April, warning,
With smiles and tears, Frost the Anatomy
Into his summer grave.

            Ah, woe is me!
What have I dared? where am I lifted? how
Shall I descend, and perish not? I know
That Love makes all things equal: I have heard
By mine own heart this joyous truth averred:
The spirit of the worm beneath the sod
In love and worship, blends itself with God.

Spouse! Sister! Angel! Pilot of the Fate
Whose course has been so starless! O too late
Belovd! O too soon adored, by me!
For in the fields of Immortality
My spirit should at first have worshipped thine,
A divine presence in a place divine;
Or should have moved beside it on this earth,
A shadow of that substance, from its birth;
But not as now:I love thee; yes, I feel
That on the fountain of my heart a seal
Is set, to keep its waters pure and bright
For thee, since in those tears thou hast delight.
Weare we not formed, as notes of music are,
For one another, though dissimilar;
Such difference without discord, as can make
Those sweetest sounds, in which all spirits shake
As trembling leaves in a continuous air?

Thy wisdom speaks in me, and bids me dare
Beacon the rocks on which high hearts are wrecked.
I never was attached to that great sect,
Whose doctrine is, that each one should select
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread,
Who travel to their home among the dead
By the broad highway of the world, and so
With one chained friend, perhaps a jealous foe,
The dreariest and the longest journey go.

True Love in this differs from gold and clay,
That to divide is not to take away.
Love is like understanding, that grows bright,
Gazing on many truths; 'tis like thy light,
Imagination! which from earth and sky,
And from the depths of human fantasy,
As from a thousand prisms and mirrors, fills
The Universe with glorious beams, and kills
Error, the worm, with many a sun-like arrow
Of its reverberated lightning. Narrow
The heart that loves, the brain that contemplates,
The life that wears, the spirit that creates
One object, and one form, and builds thereby
A sepulchre for its eternity.

Mind from its object differs most in this:
Evil from good; misery from happiness;
The baser from the nobler; the impure
And frail, from what is clear and must endure.
If you divide suffering and dross, you may
Diminish till it is consumed away;
If you divide pleasure and love and thought,
Each part exceeds the whole; and we know not
How much, while any yet remains unshared,
Of pleasure may be gained, of sorrow spared:
This truth is that deep well, whence sages draw
The unenvied light of hope; the eternal law
By which those live, to whom this world of life
Is as a garden ravaged, and whose strife
Tills for the promise of a later birth
The wilderness of this Elysian earth.

There was a Being whom my spirit oft
Met on its visioned wanderings, far aloft,
In the clear golden prime of my youth's dawn,
Upon the fairy isles of sunny lawn,
Amid the enchanted mountains, and the caves
Of divine sleep, and on the air-like waves
Of wonder-level dream, whose tremulous floor
Paved her light steps;on an imagined shore,
Under the gray beak of some promontory
She met me, robed in such exceeding glory,
That I beheld her not. In solitudes
Her voice came to me through the whispering woods,
And from the fountains, and the odours deep
Of flowers, which, like lips murmuring in their sleep
Of the sweet kisses which had lulled them there,
Breathed but of her to the enamoured air;
And from the breezes whether low or loud,
And from the rain of every passing cloud,
And from the singing of the summer-birds,
And from all sounds, all silence. In the words
Of antique verse and high romance, -- in form,
Sound, colour -- in whatever checks that Storm
Which with the shattered present chokes the past;
And in that best philosophy, whose taste
Makes this cold common hell, our life, a doom
As glorious as a fiery martyrdom;
Her Spirit was the harmony of truth.--

Then, from the caverns of my dreamy youth
I sprang, as one sandalled with plumes of fire,
And towards the lodestar of my one desire,
I flitted, like a dizzy moth, whose flight
Is as a dead leaf's in the owlet light,
When it would seek in Hesper's setting sphere
A radiant death, a fiery sepulchre,
As if it were a lamp of earthly flame.
But She, whom prayers or tears then could not tame,
Passed, like a God throned on a wingd planet,
Whose burning plumes to tenfold swiftness fan it,
Into the dreary cone of our life's shade;
And as a man with mighty loss dismayed,
I would have followed, though the grave between
Yawned like a gulf whose spectres are unseen:
When a voice said:--'O thou of hearts the weakest,
The phantom is beside thee whom thou seekest.'
Then I'Where?'--the world's echo answered 'where?'
And in that silence, and in my despair,
I questioned every tongueless wind that flew
Over my tower of mourning, if it knew
Whither 'twas fled, this soul out of my soul;
And murmured names and spells which have control
Over the sightless tyrants of our fate;
But neither prayer nor verse could dissipate
The night which closed on her; nor uncreate
That world within this Chaos, mine and me,
Of which she was the veiled Divinity,
The world I say of thoughts that worshipped her:
And therefore I went forth, with hope and fear
And every gentle passion sick to death,
Feeding my course with expectation's breath,
Into the wintry forest of our life;
And struggling through its error with vain strife,
And stumbling in my weakness and my haste,
And half bewildered by new forms, I passed,
Seeking among those untaught foresters
If I could find one form resembling hers,
In which she might have masked herself from me.
There,One, whose voice was venomed melody
Sate by a well, under blue nightshade bowers;
The breath of her false mouth was like faint flowers,
Her touch was as electric poison,flame
Out of her looks into my vitals came,
And from her living cheeks and bosom flew
A killing air, which pierced like honey-dew
Into the core of my green heart, and lay
Upon its leaves; until, as hair grown gray
O'er a young brow, they hid its unblown prime
With ruins of unseasonable time.

In many mortal forms I rashly sought
The shadow of that idol of my thought.
And some were fairbut beauty dies away:
Others were wisebut honeyed words betray:
And One was trueoh! why not true to me?
Then, as a hunted deer that could not flee,
I turned upon my thoughts, and stood at bay,
Wounded and weak and panting; the cold day
Trembled, for pity of my strife and pain.
When, like a noonday dawn, there shone again
Deliverance. One stood on my path who seemed
As like the glorious shape which I had dreamed
As is the Moon, whose changes ever run
Into themselves, to the eternal Sun;
The cold chaste Moon, the Queen of Heaven's bright isles,
Who makes all beautiful on which she smiles,
That wandering shrine of soft yet icy flame
Which ever is transformed, yet still the same,
And warms not but illumines. Young and fair
As the descended Spirit of that sphere,
She hid me, as the Moon may hide the night
From its own darkness, until all was bright
Between the Heaven and Earth of my calm mind,
And, as a cloud charioted by the wind,
She led me to a cave in that wild place,
And sate beside me, with her downward face
Illumining my slumbers, like the Moon
Waxing and waning o'er Endymion.
And I was laid asleep, spirit and limb,
And all my being became bright or dim
As the Moon's image in a summer sea,
According as she smiled or frowned on me;
And there I lay, within a chaste cold bed:
Alas, I then was nor alive nor dead:
For at her silver voice came Death and Life,
Unmindful each of their accustomed strife,
Masked like twin babes, a sister and a brother,
The wandering hopes of one abandoned mother,
And through the cavern without wings they flew,
And cried 'Away, he is not of our crew.'
I wept, and though it be a dream, I weep.

What storms then shook the ocean of my sleep,
Blotting that Moon, whose pale and waning lips
Then shrank as in the sickness of eclipse;
And how my soul was as a lampless sea,
And who was then its Tempest; and when She,
The Planet of that hour, was quenched, what frost
Crept o'er those waters, till from coast to coast
The moving billows of my being fell
Into a death of ice, immovable;
And thenwhat earthquakes made it gape and split,
The white Moon smiling all the while on it,
These words conceal:If not, each word would be
The key of staunchless tears. Weep not for me!

At length, into the obscure Forest came
The Vision I had sought through grief and shame.
Athwart that wintry wilderness of thorns
Flashed from her motion splendour like the Morn's,
And from her presence life was radiated
Through the gray earth and branches bare and dead;
So that her way was paved, and roofed above
With flowers as soft as thoughts of budding love;
And music from her respiration spread
Like light,all other sounds were penetrated
By the small, still, sweet spirit of that sound,
So that the savage winds hung mute around;
And odours warm and fresh fell from her hair
Dissolving the dull cold in the frore air:
Soft as an Incarnation of the Sun,
When light is changed to love, this glorious One
Floated into the cavern where I lay,
And called my Spirit, and the dreaming clay
Was lifted by the thing that dreamed below
As smoke by fire, and in her beauty's glow
I stood, and felt the dawn of my long night
Was penetrating me with living light:
I knew it was the Vision veiled from me
So many years -- that it was Emily.

Twin Spheres of light who rule this passive Earth,
This world of love, this me; and into birth
Awaken all its fruits and flowers, and dart
Magnetic might into its central heart;
And lift its billows and its mists, and guide
By everlasting laws, each wind and tide
To its fit cloud, and its appointed cave;
And lull its storms, each in the craggy grave
Which was its cradle, luring to faint bowers
The armies of the rainbow-wingd showers;
And, as those married lights, which from the towers
Of Heaven look forth and fold the wandering globe
In liquid sleep and splendour, as a robe;
And all their many-mingled influence blend,
If equal, yet unlike, to one sweet end;
So ye, bright regents, with alternate sway
Govern my sphere of being, night and day!
Thou, not disdaining even a borrowed might;
Thou, not eclipsing a remoter light;
And, through the shadow of the seasons three,
From Spring to Autumn's sere maturity,
Light it into the Winter of the tomb,
Where it may ripen to a brighter bloom.
Thou too, O Comet beautiful and fierce,
Who drew the heart of this frail Universe
Towards thine own; till, wrecked in that convulsion,
Alternating attraction and repulsion,
Thine went astray and that was rent in twain;
Oh, float into our azure heaven again!
Be there Love's folding-star at thy return;
The living Sun will feed thee from its urn
Of golden fire; the Moon will veil her horn
In thy last smiles; adoring Even and Morn
Will worship thee with incense of calm breath
And lights and shadows; as the star of Death
And Birth is worshipped by those sisters wild
Called Hope and Fearupon the heart are piled
Their offerings,of this sacrifice divine
A World shall be the altar.

               Lady mine,
Scorn not these flowers of thought, the fading birth
Which from its heart of hearts that plant puts forth
Whose fruit, made perfect by thy sunny eyes,
Will be as of the trees of Paradise.

The day is come, and thou wilt fly with me.
To whatsoe'er of dull mortality
Is mine, remain a vestal sister still;
To the intense, the deep, the imperishable,
Not mine but me, henceforth be thou united
Even as a bride, delighting and delighted.
The hour is come:the destined Star has risen
Which shall descend upon a vacant prison.
The walls are high, the gates are strong, thick set
The sentinelsbut true Love never yet
Was thus constrained: it overleaps all fence:
Like lightning, with invisible violence
Piercing its continents; like Heaven's free breath,
Which he who grasps can hold not; liker Death,
Who rides upon a thought, and makes his way
Through temple, tower, and palace, and the array
Of arms: more strength has Love than he or they;
For it can burst his charnel, and make free
The limbs in chains, the heart in agony,
The soul in dust and chaos.

               Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever ploughed that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remained a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet, and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns, and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep,
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam, and tone,
With that deep music is in unison:
Which is a soul within the soulthey seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth, and Sea,
Cradled, and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Washed by the soft blue Oceans of young air.
It is a favoured place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th'Eternal, whose own smile
Unfolds itself, and may be felt, not seen
O'er the gray rocks, blue waves, and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Reared it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were Titanic; in the heart
Of Earth having assumed its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learnd imagery
Has been erased, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.

This isle and house are mine, and I have vowed
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury, to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measured by the pants of their calm sleep.
Be this our home in life, and when years heap
Their withered hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea
Trembles and sparkles as with ecstasy,
Possessing and possessed by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one:or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expired night asleep,
Through which the awakened day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confused in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigured; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbued
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The wingd words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire
I pant, I sink, I tremble, I expire!

Weak Verses, go, kneel at your Sovereign's feet,
And say:'We are the masters of thy slave;
What wouldest thou with us and ours and thine?"
Then call your sisters from Oblivion's cave,
All singing loud: 'Love's very pain is sweet,
But its reward is in the world divine
Which, if not here, it builds beyond the grave.'
So shall ye live when I am there. Then haste
Over the hearts of men, until ye meet
Marina, Vanna, Primus, and the rest,
And bid them love each other and be blessed:
And leave the troop which errs, and which reproves,
And come and be my guest,for I am Love's.
Epipsychidion was composed at Pisa, Jan., Feb., 1821, and published without the author's name, in the following summer, by C. & J. Ollier, London. The poem was included by Mrs. Shelley in the Poetical Works, 1839, both edd.
~ Percy Bysshe Shelley, Epipsychidion
,
1473:Pelleas And Ettarre
King Arthur made new knights to fill the gap
Left by the Holy Quest; and as he sat
In hall at old Caerleon, the high doors
Were softly sundered, and through these a youth,
Pelleas, and the sweet smell of the fields
Past, and the sunshine came along with him.
`Make me thy knight, because I know, Sir King,
All that belongs to knighthood, and I love.'
Such was his cry: for having heard the King
Had let proclaim a tournament--the prize
A golden circlet and a knightly sword,
Full fain had Pelleas for his lady won
The golden circlet, for himself the sword:
And there were those who knew him near the King,
And promised for him: and Arthur made him knight.
And this new knight, Sir Pelleas of the isles-But lately come to his inheritance,
And lord of many a barren isle was he-Riding at noon, a day or twain before,
Across the forest called of Dean, to find
Caerleon and the King, had felt the sun
Beat like a strong knight on his helm, and reeled
Almost to falling from his horse; but saw
Near him a mound of even-sloping side,
Whereon a hundred stately beeches grew,
And here and there great hollies under them;
But for a mile all round was open space,
And fern and heath: and slowly Pelleas drew
To that dim day, then binding his good horse
To a tree, cast himself down; and as he lay
At random looking over the brown earth
Through that green-glooming twilight of the grove,
It seemed to Pelleas that the fern without
Burnt as a living fire of emeralds,
So that his eyes were dazzled looking at it.
Then o'er it crost the dimness of a cloud
Floating, and once the shadow of a bird
523
Flying, and then a fawn; and his eyes closed.
And since he loved all maidens, but no maid
In special, half-awake he whispered, `Where?
O where? I love thee, though I know thee not.
For fair thou art and pure as Guinevere,
And I will make thee with my spear and sword
As famous--O my Queen, my Guinevere,
For I will be thine Arthur when we meet.'
Suddenly wakened with a sound of talk
And laughter at the limit of the wood,
And glancing through the hoary boles, he saw,
Strange as to some old prophet might have seemed
A vision hovering on a sea of fire,
Damsels in divers colours like the cloud
Of sunset and sunrise, and all of them
On horses, and the horses richly trapt
Breast-high in that bright line of bracken stood:
And all the damsels talked confusedly,
And one was pointing this way, and one that,
Because the way was lost.
And Pelleas rose,
And loosed his horse, and led him to the light.
There she that seemed the chief among them said,
`In happy time behold our pilot-star!
Youth, we are damsels-errant, and we ride,
Armed as ye see, to tilt against the knights
There at Caerleon, but have lost our way:
To right? to left? straight forward? back again?
Which? tell us quickly.'
Pelleas gazing thought,
`Is Guinevere herself so beautiful?'
For large her violet eyes looked, and her bloom
A rosy dawn kindled in stainless heavens,
And round her limbs, mature in womanhood;
And slender was her hand and small her shape;
And but for those large eyes, the haunts of scorn,
She might have seemed a toy to trifle with,
And pass and care no more. But while he gazed
The beauty of her flesh abashed the boy,
524
As though it were the beauty of her soul:
For as the base man, judging of the good,
Puts his own baseness in him by default
Of will and nature, so did Pelleas lend
All the young beauty of his own soul to hers,
Believing her; and when she spake to him,
Stammered, and could not make her a reply.
For out of the waste islands had he come,
Where saving his own sisters he had known
Scarce any but the women of his isles,
Rough wives, that laughed and screamed against the gulls,
Makers of nets, and living from the sea.
Then with a slow smile turned the lady round
And looked upon her people; and as when
A stone is flung into some sleeping tarn,
The circle widens till it lip the marge,
Spread the slow smile through all her company.
Three knights were thereamong; and they too smiled,
Scorning him; for the lady was Ettarre,
And she was a great lady in her land.
Again she said, `O wild and of the woods,
Knowest thou not the fashion of our speech?
Or have the Heavens but given thee a fair face,
Lacking a tongue?'
`O damsel,' answered he,
`I woke from dreams; and coming out of gloom
Was dazzled by the sudden light, and crave
Pardon: but will ye to Caerleon? I
Go likewise: shall I lead you to the King?'
`Lead then,' she said; and through the woods they went.
And while they rode, the meaning in his eyes,
His tenderness of manner, and chaste awe,
His broken utterances and bashfulness,
Were all a burthen to her, and in her heart
She muttered, `I have lighted on a fool,
Raw, yet so stale!' But since her mind was bent
On hearing, after trumpet blown, her name
And title, `Queen of Beauty,' in the lists
525
Cried--and beholding him so strong, she thought
That peradventure he will fight for me,
And win the circlet: therefore flattered him,
Being so gracious, that he wellnigh deemed
His wish by hers was echoed; and her knights
And all her damsels too were gracious to him,
For she was a great lady.
And when they reached
Caerleon, ere they past to lodging, she,
Taking his hand, `O the strong hand,' she said,
`See! look at mine! but wilt thou fight for me,
And win me this fine circlet, Pelleas,
That I may love thee?'
Then his helpless heart
Leapt, and he cried, `Ay! wilt thou if I win?'
`Ay, that will I,' she answered, and she laughed,
And straitly nipt the hand, and flung it from her;
Then glanced askew at those three knights of hers,
Till all her ladies laughed along with her.
`O happy world,' thought Pelleas, `all, meseems,
Are happy; I the happiest of them all.'
Nor slept that night for pleasure in his blood,
And green wood-ways, and eyes among the leaves;
Then being on the morrow knighted, sware
To love one only. And as he came away,
The men who met him rounded on their heels
And wondered after him, because his face
Shone like the countenance of a priest of old
Against the flame about a sacrifice
Kindled by fire from heaven: so glad was he.
Then Arthur made vast banquets, and strange knights
From the four winds came in: and each one sat,
Though served with choice from air, land, stream, and sea,
Oft in mid-banquet measuring with his eyes
His neighbour's make and might: and Pelleas looked
Noble among the noble, for he dreamed
His lady loved him, and he knew himself
Loved of the King: and him his new-made knight
526
Worshipt, whose lightest whisper moved him more
Than all the rangd reasons of the world.
Then blushed and brake the morning of the jousts,
And this was called `The Tournament of Youth:'
For Arthur, loving his young knight, withheld
His older and his mightier from the lists,
That Pelleas might obtain his lady's love,
According to her promise, and remain
Lord of the tourney. And Arthur had the jousts
Down in the flat field by the shore of Usk
Holden: the gilded parapets were crowned
With faces, and the great tower filled with eyes
Up to the summit, and the trumpets blew.
There all day long Sir Pelleas kept the field
With honour: so by that strong hand of his
The sword and golden circlet were achieved.
Then rang the shout his lady loved: the heat
Of pride and glory fired her face; her eye
Sparkled; she caught the circlet from his lance,
And there before the people crowned herself:
So for the last time she was gracious to him.
Then at Caerleon for a space--her look
Bright for all others, cloudier on her knight-Lingered Ettarre: and seeing Pelleas droop,
Said Guinevere, `We marvel at thee much,
O damsel, wearing this unsunny face
To him who won thee glory!' And she said,
`Had ye not held your Lancelot in your bower,
My Queen, he had not won.' Whereat the Queen,
As one whose foot is bitten by an ant,
Glanced down upon her, turned and went her way.
But after, when her damsels, and herself,
And those three knights all set their faces home,
Sir Pelleas followed. She that saw him cried,
`Damsels--and yet I should be shamed to say it-I cannot bide Sir Baby. Keep him back
Among yourselves. Would rather that we had
Some rough old knight who knew the worldly way,
527
Albeit grizzlier than a bear, to ride
And jest with: take him to you, keep him off,
And pamper him with papmeat, if ye will,
Old milky fables of the wolf and sheep,
Such as the wholesome mothers tell their boys.
Nay, should ye try him with a merry one
To find his mettle, good: and if he fly us,
Small matter! let him.' This her damsels heard,
And mindful of her small and cruel hand,
They, closing round him through the journey home,
Acted her hest, and always from her side
Restrained him with all manner of device,
So that he could not come to speech with her.
And when she gained her castle, upsprang the bridge,
Down rang the grate of iron through the groove,
And he was left alone in open field.
`These be the ways of ladies,' Pelleas thought,
`To those who love them, trials of our faith.
Yea, let her prove me to the uttermost,
For loyal to the uttermost am I.'
So made his moan; and darkness falling, sought
A priory not far off, there lodged, but rose
With morning every day, and, moist or dry,
Full-armed upon his charger all day long
Sat by the walls, and no one opened to him.
And this persistence turned her scorn to wrath.
Then calling her three knights, she charged them, `Out!
And drive him from the walls.' And out they came
But Pelleas overthrew them as they dashed
Against him one by one; and these returned,
But still he kept his watch beneath the wall.
Thereon her wrath became a hate; and once,
A week beyond, while walking on the walls
With her three knights, she pointed downward, `Look,
He haunts me--I cannot breathe--besieges me;
Down! strike him! put my hate into your strokes,
And drive him from my walls.' And down they went,
And Pelleas overthrew them one by one;
And from the tower above him cried Ettarre,
528
`Bind him, and bring him in.'
He heard her voice;
Then let the strong hand, which had overthrown
Her minion-knights, by those he overthrew
Be bounden straight, and so they brought him in.
Then when he came before Ettarre, the sight
Of her rich beauty made him at one glance
More bondsman in his heart than in his bonds.
Yet with good cheer he spake, `Behold me, Lady,
A prisoner, and the vassal of thy will;
And if thou keep me in thy donjon here,
Content am I so that I see thy face
But once a day: for I have sworn my vows,
And thou hast given thy promise, and I know
That all these pains are trials of my faith,
And that thyself, when thou hast seen me strained
And sifted to the utmost, wilt at length
Yield me thy love and know me for thy knight.'
Then she began to rail so bitterly,
With all her damsels, he was stricken mute;
But when she mocked his vows and the great King,
Lighted on words: `For pity of thine own self,
Peace, Lady, peace: is he not thine and mine?'
`Thou fool,' she said, `I never heard his voice
But longed to break away. Unbind him now,
And thrust him out of doors; for save he be
Fool to the midmost marrow of his bones,
He will return no more.' And those, her three,
Laughed, and unbound, and thrust him from the gate.
And after this, a week beyond, again
She called them, saying, `There he watches yet,
There like a dog before his master's door!
Kicked, he returns: do ye not hate him, ye?
Ye know yourselves: how can ye bide at peace,
Affronted with his fulsome innocence?
Are ye but creatures of the board and bed,
No men to strike? Fall on him all at once,
And if ye slay him I reck not: if ye fail,
529
Give ye the slave mine order to be bound,
Bind him as heretofore, and bring him in:
It may be ye shall slay him in his bonds.'
She spake; and at her will they couched their spears,
Three against one: and Gawain passing by,
Bound upon solitary adventure, saw
Low down beneath the shadow of those towers
A villainy, three to one: and through his heart
The fire of honour and all noble deeds
Flashed, and he called, `I strike upon thy side-The caitiffs!' `Nay,' said Pelleas, `but forbear;
He needs no aid who doth his lady's will.'
So Gawain, looking at the villainy done,
Forbore, but in his heat and eagerness
Trembled and quivered, as the dog, withheld
A moment from the vermin that he sees
Before him, shivers, ere he springs and kills.
And Pelleas overthrew them, one to three;
And they rose up, and bound, and brought him in.
Then first her anger, leaving Pelleas, burned
Full on her knights in many an evil name
Of craven, weakling, and thrice-beaten hound:
`Yet, take him, ye that scarce are fit to touch,
Far less to bind, your victor, and thrust him out,
And let who will release him from his bonds.
And if he comes again'--there she brake short;
And Pelleas answered, `Lady, for indeed
I loved you and I deemed you beautiful,
I cannot brook to see your beauty marred
Through evil spite: and if ye love me not,
I cannot bear to dream you so forsworn:
I had liefer ye were worthy of my love,
Than to be loved again of you--farewell;
And though ye kill my hope, not yet my love,
Vex not yourself: ye will not see me more.'
While thus he spake, she gazed upon the man
Of princely bearing, though in bonds, and thought,
`Why have I pushed him from me? this man loves,
530
If love there be: yet him I loved not. Why?
I deemed him fool? yea, so? or that in him
A something--was it nobler than myself?
Seemed my reproach? He is not of my kind.
He could not love me, did he know me well.
Nay, let him go--and quickly.' And her knights
Laughed not, but thrust him bounden out of door.
Forth sprang Gawain, and loosed him from his bonds,
And flung them o'er the walls; and afterward,
Shaking his hands, as from a lazar's rag,
`Faith of my body,' he said, `and art thou not-Yea thou art he, whom late our Arthur made
Knight of his table; yea and he that won
The circlet? wherefore hast thou so defamed
Thy brotherhood in me and all the rest,
As let these caitiffs on thee work their will?'
And Pelleas answered, `O, their wills are hers
For whom I won the circlet; and mine, hers,
Thus to be bounden, so to see her face,
Marred though it be with spite and mockery now,
Other than when I found her in the woods;
And though she hath me bounden but in spite,
And all to flout me, when they bring me in,
Let me be bounden, I shall see her face;
Else must I die through mine unhappiness.'
And Gawain answered kindly though in scorn,
`Why, let my lady bind me if she will,
And let my lady beat me if she will:
But an she send her delegate to thrall
These fighting hands of mine--Christ kill me then
But I will slice him handless by the wrist,
And let my lady sear the stump for him,
Howl as he may. But hold me for your friend:
Come, ye know nothing: here I pledge my troth,
Yea, by the honour of the Table Round,
I will be leal to thee and work thy work,
And tame thy jailing princess to thine hand.
Lend me thine horse and arms, and I will say
That I have slain thee. She will let me in
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To hear the manner of thy fight and fall;
Then, when I come within her counsels, then
From prime to vespers will I chant thy praise
As prowest knight and truest lover, more
Than any have sung thee living, till she long
To have thee back in lusty life again,
Not to be bound, save by white bonds and warm,
Dearer than freedom. Wherefore now thy horse
And armour: let me go: be comforted:
Give me three days to melt her fancy, and hope
The third night hence will bring thee news of gold.'
Then Pelleas lent his horse and all his arms,
Saving the goodly sword, his prize, and took
Gawain's, and said, `Betray me not, but help-Art thou not he whom men call light-of-love?'
`Ay,' said Gawain, `for women be so light.'
Then bounded forward to the castle walls,
And raised a bugle hanging from his neck,
And winded it, and that so musically
That all the old echoes hidden in the wall
Rang out like hollow woods at hunting-tide.
Up ran a score of damsels to the tower;
`Avaunt,' they cried, `our lady loves thee not.'
But Gawain lifting up his vizor said,
`Gawain am I, Gawain of Arthur's court,
And I have slain this Pelleas whom ye hate:
Behold his horse and armour. Open gates,
And I will make you merry.'
And down they ran,
Her damsels, crying to their lady, `Lo!
Pelleas is dead--he told us--he that hath
His horse and armour: will ye let him in?
He slew him! Gawain, Gawain of the court,
Sir Gawain--there he waits below the wall,
Blowing his bugle as who should say him nay.'
And so, leave given, straight on through open door
Rode Gawain, whom she greeted courteously.
532
`Dead, is it so?' she asked. `Ay, ay,' said he,
`And oft in dying cried upon your name.'
`Pity on him,' she answered, `a good knight,
But never let me bide one hour at peace.'
`Ay,' thought Gawain, `and you be fair enow:
But I to your dead man have given my troth,
That whom ye loathe, him will I make you love.'
So those three days, aimless about the land,
Lost in a doubt, Pelleas wandering
Waited, until the third night brought a moon
With promise of large light on woods and ways.
Hot was the night and silent; but a sound
Of Gawain ever coming, and this lay-Which Pelleas had heard sung before the Queen,
And seen her sadden listening--vext his heart,
And marred his rest--`A worm within the rose.'
`A rose, but one, none other rose had I,
A rose, one rose, and this was wondrous fair,
One rose, a rose that gladdened earth and sky,
One rose, my rose, that sweetened all mine air-I cared not for the thorns; the thorns were there.
`One rose, a rose to gather by and by,
One rose, a rose, to gather and to wear,
No rose but one--what other rose had I?
One rose, my rose; a rose that will not die,-He dies who loves it,--if the worm be there.'
This tender rhyme, and evermore the doubt,
`Why lingers Gawain with his golden news?'
So shook him that he could not rest, but rode
Ere midnight to her walls, and bound his horse
Hard by the gates. Wide open were the gates,
And no watch kept; and in through these he past,
And heard but his own steps, and his own heart
Beating, for nothing moved but his own self,
And his own shadow. Then he crost the court,
And spied not any light in hall or bower,
But saw the postern portal also wide
533
Yawning; and up a slope of garden, all
Of roses white and red, and brambles mixt
And overgrowing them, went on, and found,
Here too, all hushed below the mellow moon,
Save that one rivulet from a tiny cave
Came lightening downward, and so spilt itself
Among the roses, and was lost again.
Then was he ware of three pavilions reared
Above the bushes, gilden-peakt: in one,
Red after revel, droned her lurdane knights
Slumbering, and their three squires across their feet:
In one, their malice on the placid lip
Frozen by sweet sleep, four of her damsels lay:
And in the third, the circlet of the jousts
Bound on her brow, were Gawain and Ettarre.
Back, as a hand that pushes through the leaf
To find a nest and feels a snake, he drew:
Back, as a coward slinks from what he fears
To cope with, or a traitor proven, or hound
Beaten, did Pelleas in an utter shame
Creep with his shadow through the court again,
Fingering at his sword-handle until he stood
There on the castle-bridge once more, and thought,
`I will go back, and slay them where they lie.'
And so went back, and seeing them yet in sleep
Said, `Ye, that so dishallow the holy sleep,
Your sleep is death,' and drew the sword, and thought,
`What! slay a sleeping knight? the King hath bound
And sworn me to this brotherhood;' again,
`Alas that ever a knight should be so false.'
Then turned, and so returned, and groaning laid
The naked sword athwart their naked throats,
There left it, and them sleeping; and she lay,
The circlet of her tourney round her brows,
And the sword of the tourney across her throat.
And forth he past, and mounting on his horse
Stared at her towers that, larger than themselves
In their own darkness, thronged into the moon.
534
Then crushed the saddle with his thighs, and clenched
His hands, and maddened with himself and moaned:
`Would they have risen against me in their blood
At the last day? I might have answered them
Even before high God. O towers so strong,
Huge, solid, would that even while I gaze
The crack of earthquake shivering to your base
Split you, and Hell burst up your harlot roofs
Bellowing, and charred you through and through within,
Black as the harlot's heart--hollow as a skull!
Let the fierce east scream through your eyelet-holes,
And whirl the dust of harlots round and round
In dung and nettles! hiss, snake--I saw him there-Let the fox bark, let the wolf yell. Who yells
Here in the still sweet summer night, but I-I, the poor Pelleas whom she called her fool?
Fool, beast--he, she, or I? myself most fool;
Beast too, as lacking human wit--disgraced,
Dishonoured all for trial of true love-Love?--we be all alike: only the King
Hath made us fools and liars. O noble vows!
O great and sane and simple race of brutes
That own no lust because they have no law!
For why should I have loved her to my shame?
I loathe her, as I loved her to my shame.
I never loved her, I but lusted for her-Away--'
He dashed the rowel into his horse,
And bounded forth and vanished through the night.
Then she, that felt the cold touch on her throat,
Awaking knew the sword, and turned herself
To Gawain: `Liar, for thou hast not slain
This Pelleas! here he stood, and might have slain
Me and thyself.' And he that tells the tale
Says that her ever-veering fancy turned
To Pelleas, as the one true knight on earth,
And only lover; and through her love her life
Wasted and pined, desiring him in vain.
But he by wild and way, for half the night,
535
And over hard and soft, striking the sod
From out the soft, the spark from off the hard,
Rode till the star above the wakening sun,
Beside that tower where Percivale was cowled,
Glanced from the rosy forehead of the dawn.
For so the words were flashed into his heart
He knew not whence or wherefore: `O sweet star,
Pure on the virgin forehead of the dawn!'
And there he would have wept, but felt his eyes
Harder and drier than a fountain bed
In summer: thither came the village girls
And lingered talking, and they come no more
Till the sweet heavens have filled it from the heights
Again with living waters in the change
Of seasons: hard his eyes; harder his heart
Seemed; but so weary were his limbs, that he,
Gasping, `Of Arthur's hall am I, but here,
Here let me rest and die,' cast himself down,
And gulfed his griefs in inmost sleep; so lay,
Till shaken by a dream, that Gawain fired
The hall of Merlin, and the morning star
Reeled in the smoke, brake into flame, and fell.
He woke, and being ware of some one nigh,
Sent hands upon him, as to tear him, crying,
`False! and I held thee pure as Guinevere.'
But Percivale stood near him and replied,
`Am I but false as Guinevere is pure?
Or art thou mazed with dreams? or being one
Of our free-spoken Table hast not heard
That Lancelot'--there he checked himself and paused.
Then fared it with Sir Pelleas as with one
Who gets a wound in battle, and the sword
That made it plunges through the wound again,
And pricks it deeper: and he shrank and wailed,
`Is the Queen false?' and Percivale was mute.
`Have any of our Round Table held their vows?'
And Percivale made answer not a word.
`Is the King true?' `The King!' said Percivale.
`Why then let men couple at once with wolves.
536
What! art thou mad?'
But Pelleas, leaping up,
Ran through the doors and vaulted on his horse
And fled: small pity upon his horse had he,
Or on himself, or any, and when he met
A cripple, one that held a hand for alms-Hunched as he was, and like an old dwarf-elm
That turns its back upon the salt blast, the boy
Paused not, but overrode him, shouting, `False,
And false with Gawain!' and so left him bruised
And battered, and fled on, and hill and wood
Went ever streaming by him till the gloom,
That follows on the turning of the world,
Darkened the common path: he twitched the reins,
And made his beast that better knew it, swerve
Now off it and now on; but when he saw
High up in heaven the hall that Merlin built,
Blackening against the dead-green stripes of even,
`Black nest of rats,' he groaned, `ye build too high.'
Not long thereafter from the city gates
Issued Sir Lancelot riding airily,
Warm with a gracious parting from the Queen,
Peace at his heart, and gazing at a star
And marvelling what it was: on whom the boy,
Across the silent seeded meadow-grass
Borne, clashed: and Lancelot, saying, `What name hast thou
That ridest here so blindly and so hard?'
`No name, no name,' he shouted, `a scourge am I
To lash the treasons of the Table Round.'
`Yea, but thy name?' `I have many names,' he cried:
`I am wrath and shame and hate and evil fame,
And like a poisonous wind I pass to blast
And blaze the crime of Lancelot and the Queen.'
`First over me,' said Lancelot, `shalt thou pass.'
`Fight therefore,' yelled the youth, and either knight
Drew back a space, and when they closed, at once
The weary steed of Pelleas floundering flung
His rider, who called out from the dark field,
`Thou art as false as Hell: slay me: I have no sword.'
Then Lancelot, `Yea, between thy lips--and sharp;
537
But here I will disedge it by thy death.'
`Slay then,' he shrieked, `my will is to be slain,'
And Lancelot, with his heel upon the fallen,
Rolling his eyes, a moment stood, then spake:
`Rise, weakling; I am Lancelot; say thy say.'
And Lancelot slowly rode his warhorse back
To Camelot, and Sir Pelleas in brief while
Caught his unbroken limbs from the dark field,
And followed to the city. It chanced that both
Brake into hall together, worn and pale.
There with her knights and dames was Guinevere.
Full wonderingly she gazed on Lancelot
So soon returned, and then on Pelleas, him
Who had not greeted her, but cast himself
Down on a bench, hard-breathing. `Have ye fought?'
She asked of Lancelot. `Ay, my Queen,' he said.
`And hast thou overthrown him?' `Ay, my Queen.'
Then she, turning to Pelleas, `O young knight,
Hath the great heart of knighthood in thee failed
So far thou canst not bide, unfrowardly,
A fall from HIM?' Then, for he answered not,
`Or hast thou other griefs? If I, the Queen,
May help them, loose thy tongue, and let me know.'
But Pelleas lifted up an eye so fierce
She quailed; and he, hissing `I have no sword,'
Sprang from the door into the dark. The Queen
Looked hard upon her lover, he on her;
And each foresaw the dolorous day to be:
And all talk died, as in a grove all song
Beneath the shadow of some bird of prey;
Then a long silence came upon the hall,
And Modred thought, `The time is hard at hand.'
~ Alfred Lord Tennyson,
1474:Swift as a spirit hastening to his task
Of glory & of good, the Sun sprang forth
Rejoicing in his splendour, & the mask
Of darkness fell from the awakened Earth.
The smokeless altars of the mountain snows
Flamed above crimson clouds, & at the birth
Of light, the Ocean's orison arose
To which the birds tempered their matin lay,
All flowers in field or forest which unclose
Their trembling eyelids to the kiss of day,
Swinging their censers in the element,
With orient incense lit by the new ray
Burned slow & inconsumably, & sent
Their odorous sighs up to the smiling air,
And in succession due, did Continent,
Isle, Ocean, & all things that in them wear
The form & character of mortal mould
Rise as the Sun their father rose, to bear
Their portion of the toil which he of old
Took as his own & then imposed on them;
But I, whom thoughts which must remain untold
Had kept as wakeful as the stars that gem
The cone of night, now they were laid asleep,
Stretched my faint limbs beneath the hoary stem
Which an old chestnut flung athwart the steep
Of a green Apennine: before me fled
The night; behind me rose the day; the Deep
Was at my feet, & Heaven above my head
When a strange trance over my fancy grew
Which was not slumber, for the shade it spread
Was so transparent that the scene came through
As clear as when a veil of light is drawn
O'er evening hills they glimmer; and I knew
That I had felt the freshness of that dawn,
Bathed in the same cold dew my brow & hair
And sate as thus upon that slope of lawn
Under the self same bough, & heard as there
The birds, the fountains & the Ocean hold
Sweet talk in music through the enamoured air.
And then a Vision on my brain was rolled.

As in that trance of wondrous thought I lay
This was the tenour of my waking dream.
Methought I sate beside a public way
Thick strewn with summer dust, & a great stream
Of people there was hurrying to & fro
Numerous as gnats upon the evening gleam,
All hastening onward, yet none seemed to know
Whither he went, or whence he came, or why
He made one of the multitude, yet so
Was borne amid the crowd as through the sky
One of the million leaves of summer's bier.
Old age & youth, manhood & infancy,
Mixed in one mighty torrent did appear,
Some flying from the thing they feared & some
Seeking the object of another's fear,
And others as with steps towards the tomb
Pored on the trodden worms that crawled beneath,
And others mournfully within the gloom
Of their own shadow walked, and called it death
  And some fled from it as it were a ghost,
Half fainting in the affliction of vain breath.
But more with motions which each other crost
Pursued or shunned the shadows the clouds threw
Or birds within the noonday ether lost,
Upon that path where flowers never grew;
And weary with vain toil & faint for thirst
Heard not the fountains whose melodious dew
Out of their mossy cells forever burst
Nor felt the breeze which from the forest told
Of grassy paths, & wood lawns interspersed
With overarching elms & caverns cold,
And violet banks where sweet dreams brood, but they
Pursued their serious folly as of old.
And as I gazed methought that in the way
The throng grew wilder, as the woods of June
When the South wind shakes the extinguished day.
And a cold glare, intenser than the noon
But icy cold, obscured with [[blank]] light
The Sun as he the stars. Like the young moon
When on the sunlit limits of the night
Her white shell trembles amid crimson air
And whilst the sleeping tempest gathers might
Doth, as a herald of its coming, bear
The ghost of her dead Mother, whose dim form
Bends in dark ether from her infant's chair,
So came a chariot on the silent storm
Of its own rushing splendour, and a Shape
So sate within as one whom years deform
Beneath a dusky hood & double cape
Crouching within the shadow of a tomb,
And o'er what seemed the head, a cloud like crape,
Was bent a dun & faint etherial gloom
Tempering the light; upon the chariot's beam
A Janus-visaged Shadow did assume
The guidance of that wonder-winged team.
The Shapes which drew it in thick lightnings
Were lost: I heard alone on the air's soft stream
The music of their ever moving wings.
All the four faces of that charioteer
Had their eyes banded . . . little profit brings
Speed in the van & blindness in the rear,
Nor then avail the beams that quench the Sun
Or that his banded eyes could pierce the sphere
Of all that is, has been, or will be done.
So ill was the car guided, but it past
With solemn speed majestically on . . .
The crowd gave way, & I arose aghast,
Or seemed to rise, so mighty was the trance,
And saw like clouds upon the thunder blast
The million with fierce song and maniac dance
Raging around; such seemed the jubilee
As when to greet some conqueror's advance
Imperial Rome poured forth her living sea
From senatehouse & prison & theatre
When Freedom left those who upon the free
Had bound a yoke which soon they stooped to bear.
Nor wanted here the true similitude
Of a triumphal pageant, for where'er
The chariot rolled a captive multitude
Was driven; althose who had grown old in power
Or misery,all who have their age subdued,
By action or by suffering, and whose hour
Was drained to its last sand in weal or woe,
So that the trunk survived both fruit & flower;
All those whose fame or infamy must grow
Till the great winter lay the form & name
Of their own earth with them forever low,
All but the sacred few who could not tame
Their spirits to the Conqueror, but as soon
As they had touched the world with living flame
Fled back like eagles to their native noon,
Of those who put aside the diadem
Of earthly thrones or gems, till the last one
Were there;for they of Athens & Jerusalem
Were neither mid the mighty captives seen
Nor mid the ribald crowd that followed them
Or fled before . . Now swift, fierce & obscene
The wild dance maddens in the van, & those
Who lead it, fleet as shadows on the green,
Outspeed the chariot & without repose
Mix with each other in tempestuous measure
To savage music. Wilder as it grows,
They, tortured by the agonizing pleasure,
Convulsed & on the rapid whirlwinds spun
Of that fierce spirit, whose unholy leisure
Was soothed by mischief since the world begun,
Throw back their heads & loose their streaming hair,
And in their dance round her who dims the Sun
Maidens & youths fling their wild arms in air
As their feet twinkle; they recede, and now
Bending within each other's atmosphere
Kindle invisibly; and as they glow
Like moths by light attracted & repelled,
Oft to new bright destruction come & go.
Till like two clouds into one vale impelled
That shake the mountains when their lightnings mingle
And die in rain,the fiery band which held
Their natures, snaps . . . ere the shock cease to tingle
One falls and then another in the path
Senseless, nor is the desolation single,
Yet ere I can say where the chariot hath
Past over them; nor other trace I find
But as of foam after the Ocean's wrath
Is spent upon the desert shore.Behind,
Old men, and women foully disarrayed
Shake their grey hair in the insulting wind,
Limp in the dance & strain, with limbs decayed,
Seeking to reach the light which leaves them still
Farther behind & deeper in the shade.
But not the less with impotence of will
They wheel, though ghastly shadows interpose
Round them & round each other, and fulfill
Their work and to the dust whence they arose
Sink & corruption veils them as they lie
And frost in these performs what fire in those.
Struck to the heart by this sad pageantry,
Half to myself I said, "And what is this?
Whose shape is that within the car? & why"-
I would have added"is all here amiss?"
But a voice answered . . "Life" . . . I turned & knew
(O Heaven have mercy on such wretchedness!)
That what I thought was an old root which grew
To strange distortion out of the hill side
Was indeed one of that deluded crew,
And that the grass which methought hung so wide
And white, was but his thin discoloured hair,
And that the holes it vainly sought to hide
Were or had been eyes."lf thou canst forbear
To join the dance, which I had well forborne,"
Said the grim Feature, of my thought aware,
"I will now tell that which to this deep scorn
Led me & my companions, and relate
The progress of the pageant since the morn;
"If thirst of knowledge doth not thus abate,
Follow it even to the night, but I
Am weary" . . . Then like one who with the weight
Of his own words is staggered, wearily
He paused, and ere he could resume, I cried,
"First who art thou?" . . . "Before thy memory
"I feared, loved, hated, suffered, did, & died,
And if the spark with which Heaven lit my spirit
Earth had with purer nutriment supplied
"Corruption would not now thus much inherit
Of what was once Rousseaunor this disguise
Stained that within which still disdains to wear it.
"If I have been extinguished, yet there rise
A thousand beacons from the spark I bore."
"And who are those chained to the car?" "The Wise,
"The great, the unforgotten: they who wore
Mitres & helms & crowns, or wreathes of light,
Signs of thought's empire over thought; their lore
"Taught them not thisto know themselves; their might
Could not repress the mutiny within,
And for the morn of truth they feigned, deep night
"Caught them ere evening." "Who is he with chin
Upon his breast and hands crost on his chain?"
"The Child of a fierce hour; he sought to win
"The world, and lost all it did contain
Of greatness, in its hope destroyed; & more
Of fame & peace than Virtue's self can gain
"Without the opportunity which bore
Him on its eagle's pinion to the peak
From which a thousand climbers have before
"Fall'n as Napoleon fell."I felt my cheek
Alter to see the great form pass away
Whose grasp had left the giant world so weak
That every pigmy kicked it as it lay
And much I grieved to think how power & will
In opposition rule our mortal day
And why God made irreconcilable
Good & the means of good; and for despair
I half disdained mine eye's desire to fill
With the spent vision of the times that were
And scarce have ceased to be . . . "Dost thou behold,"
Said then my guide, "those spoilers spoiled, Voltaire,
"Frederic, & Kant, Catherine, & Leopold,
Chained hoary anarch, demagogue & sage
Whose name the fresh world thinks already old
"For in the battle Life & they did wage
She remained conquerorI was overcome
By my own heart alone, which neither age
"Nor tears nor infamy nor now the tomb
Could temper to its object.""Let them pass"
I cried"the world & its mysterious doom
"Is not so much more glorious than it was
That I desire to worship those who drew
New figures on its false & fragile glass
"As the old faded.""Figures ever new
Rise on the bubble, paint them how you may;
We have but thrown, as those before us threw,
"Our shadows on it as it past away.
But mark, how chained to the triumphal chair
The mighty phantoms of an elder day
"All that is mortal of great Plato there
Expiates the joy & woe his master knew not;
That star that ruled his doom was far too fair
"And Life, where long that flower of Heaven grew not,
Conquered the heart by love which gold or pain
Or age or sloth or slavery could subdue not
"And near [[blank]] walk the [[blank]] twain,
The tutor & his pupil, whom Dominion
Followed as tame as vulture in a chain.
"The world was darkened beneath either pinion
Of him whom from the flock of conquerors
Fame singled as her thunderbearing minion;
"The other long outlived both woes & wars,
Throned in new thoughts of men, and still had kept
The jealous keys of truth's eternal doors
"If Bacon's spirit [[blank]] had not leapt
Like lightning out of darkness; he compelled
The Proteus shape of Nature's as it slept
"To wake & to unbar the caves that held
The treasure of the secrets of its reign
See the great bards of old who inly quelled
"The passions which they sung, as by their strain
May well be known: their living melody
Tempers its own contagion to the vein
"Of those who are infected with itI
Have suffered what I wrote, or viler pain!
"And so my words were seeds of misery
Even as the deeds of others.""Not as theirs,"
I saidhe pointed to a company
In which I recognized amid the heirs
Of Caesar's crime from him to Constantine,
The Anarchs old whose force & murderous snares
Had founded many a sceptre bearing line
And spread the plague of blood & gold abroad,
And Gregory & John and men divine
Who rose like shadows between Man & god
Till that eclipse, still hanging under Heaven,
Was worshipped by the world o'er which they strode
For the true Sun it quenched."Their power was given
But to destroy," replied the leader"I
Am one of those who have created, even
"If it be but a world of agony."
"Whence camest thou & whither goest thou?
How did thy course begin," I said, "& why?
"Mine eyes are sick of this perpetual flow
Of people, & my heart of one sad thought.
Speak.""Whence I came, partly I seem to know,
"And how & by what paths I have been brought
To this dread pass, methinks even thou mayst guess;
Why this should be my mind can compass not;
"Whither the conqueror hurries me still less.
But follow thou, & from spectator turn
Actor or victim in this wretchedness,
"And what thou wouldst be taught I then may learn
From thee.Now listen . . . In the April prime
When all the forest tops began to burn
"With kindling green, touched by the azure clime
Of the young year, I found myself asleep
Under a mountain which from unknown time
"Had yawned into a cavern high & deep,
And from it came a gentle rivulet
Whose water like clear air in its calm sweep
"Bent the soft grass & kept for ever wet
The stems of the sweet flowers, and filled the grove
With sound which all who hear must needs forget
"All pleasure & all pain, all hate & love,
Which they had known before that hour of rest:
A sleeping mother then would dream not of
"The only child who died upon her breast
At eventide, a king would mourn no more
The crown of which his brow was dispossest
"When the sun lingered o'er the Ocean floor
To gild his rival's new prosperity.
Thou wouldst forget thus vainly to deplore
"Ills, which if ills, can find no cure from thee,
The thought of which no other sleep will quell
Nor other music blot from memory
"So sweet & deep is the oblivious spell.
Whether my life had been before that sleep
The Heaven which I imagine, or a Hell
"Like this harsh world in which I wake to weep,
I know not. I arose & for a space
The scene of woods & waters seemed to keep,
"Though it was now broad day, a gentle trace
Of light diviner than the common Sun
Sheds on the common Earth, but all the place
"Was filled with many sounds woven into one
Oblivious melody, confusing sense
Amid the gliding waves & shadows dun;
"And as I looked the bright omnipresence
Of morning through the orient cavern flowed,
And the Sun's image radiantly intense
"Burned on the waters of the well that glowed
Like gold, and threaded all the forest maze
With winding paths of emerald firethere stood
"Amid the sun, as he amid the blaze
Of his own glory, on the vibrating
Floor of the fountain, paved with flashing rays,
"A shape all light, which with one hand did fling
Dew on the earth, as if she were the Dawn
Whose invisible rain forever seemed to sing
"A silver music on the mossy lawn,
And still before her on the dusky grass
Iris her many coloured scarf had drawn.
"In her right hand she bore a crystal glass
Mantling with bright Nepenthe;the fierce splendour
Fell from her as she moved under the mass
"Of the deep cavern, & with palms so tender
Their tread broke not the mirror of its billow,
Glided along the river, and did bend her
"Head under the dark boughs, till like a willow
Her fair hair swept the bosom of the stream
That whispered with delight to be their pillow.
"As one enamoured is upborne in dream
O'er lily-paven lakes mid silver mist
To wondrous music, so this shape might seem
"Partly to tread the waves with feet which kist
The dancing foam, partly to glide along
The airs that roughened the moist amethyst,
"Or the slant morning beams that fell among
The trees, or the soft shadows of the trees;
And her feet ever to the ceaseless song
"Of leaves & winds & waves & birds & bees
And falling drops moved in a measure new
Yet sweet, as on the summer evening breeze
"Up from the lake a shape of golden dew
Between two rocks, athwart the rising moon,
Moves up the east, where eagle never flew.
"And still her feet, no less than the sweet tune
To which they moved, seemed as they moved, to blot
The thoughts of him who gazed on them, & soon
"All that was seemed as if it had been not,
As if the gazer's mind was strewn beneath
Her feet like embers, & she, thought by thought,
"Trampled its fires into the dust of death,
As Day upon the threshold of the east
Treads out the lamps of night, until the breath
"Of darkness reillumines even the least
Of heaven's living eyeslike day she came,
Making the night a dream; and ere she ceased
"To move, as one between desire and shame
Suspended, I said'If, as it doth seem,
Thou comest from the realm without a name,
" 'Into this valley of perpetual dream,
Shew whence I came, and where I am, and why
Pass not away upon the passing stream.'
" 'Arise and quench thy thirst,' was her reply,
And as a shut lily, stricken by the wand
Of dewy morning's vital alchemy,
"I rose; and, bending at her sweet command,
Touched with faint lips the cup she raised,
And suddenly my brain became as sand
"Where the first wave had more than half erased
The track of deer on desert Labrador,
Whilst the fierce wolf from which they fled amazed
"Leaves his stamp visibly upon the shore
Until the second burstsso on my sight
Burst a new Vision never seen before.
"And the fair shape waned in the coming light
As veil by veil the silent splendour drops
From Lucifer, amid the chrysolite
"Of sunrise ere it strike the mountain tops
And as the presence of that fairest planet
Although unseen is felt by one who hopes
"That his day's path may end as he began it
In that star's smile, whose light is like the scent
Of a jonquil when evening breezes fan it,
"Or the soft note in which his dear lament
The Brescian shepherd breathes, or the caress
That turned his weary slumber to content.
"So knew I in that light's severe excess
The presence of that shape which on the stream
Moved, as I moved along the wilderness,
"More dimly than a day appearing dream,
The ghost of a forgotten form of sleep
A light from Heaven whose half extinguished beam
"Through the sick day in which we wake to weep
Glimmers, forever sought, forever lost.
So did that shape its obscure tenour keep
"Beside my path, as silent as a ghost;
But the new Vision, and its cold bright car,
With savage music, stunning music, crost
"The forest, and as if from some dread war
Triumphantly returning, the loud million
Fiercely extolled the fortune of her star.
"A moving arch of victory the vermilion
And green & azure plumes of Iris had
Built high over her wind-winged pavilion,
"And underneath aetherial glory clad
The wilderness, and far before her flew
The tempest of the splendour which forbade
Shadow to fall from leaf or stone;the crew
Seemed in that light like atomies that dance
Within a sunbeam.Some upon the new
"Embroidery of flowers that did enhance
The grassy vesture of the desart, played,
Forgetful of the chariot's swift advance;
"Others stood gazing till within the shade
Of the great mountain its light left them dim.
Others outspeeded it, and others made
"Circles around it like the clouds that swim
Round the high moon in a bright sea of air,
And more did follow, with exulting hymn,
"The chariot & the captives fettered there,
But all like bubbles on an eddying flood
Fell into the same track at last & were
"Borne onward.I among the multitude
Was swept; me sweetest flowers delayed not long,
Me not the shadow nor the solitude,
"Me not the falling stream's Lethean song,
Me, not the phantom of that early form
Which moved upon its motion,but among
"The thickest billows of the living storm
I plunged, and bared my bosom to the clime
Of that cold light, whose airs too soon deform.
"Before the chariot had begun to climb
The opposing steep of that mysterious dell,
Behold a wonder worthy of the rhyme
"Of him whom from the lowest depths of Hell
Through every Paradise & through all glory
Love led serene, & who returned to tell
"In words of hate & awe the wondrous story
How all things are transfigured, except Love;
For deaf as is a sea which wrath makes hoary
"The world can hear not the sweet notes that move
The sphere whose light is melody to lovers-
A wonder worthy of his rhymethe grove
"Grew dense with shadows to its inmost covers,
The earth was grey with phantoms, & the air
Was peopled with dim forms, as when there hovers
"A flock of vampire-bats before the glare
Of the tropic sun, bring ere evening
Strange night upon some Indian isle,thus were
"Phantoms diffused around, & some did fling
Shadows of shadows, yet unlike themselves,
Behind them, some like eaglets on the wing
"Were lost in the white blaze, others like elves
Danced in a thousand unimagined shapes
Upon the sunny streams & grassy shelves;
"And others sate chattering like restless apes
On vulgar paws and voluble like fire.
Some made a cradle of the ermined capes
"Of kingly mantles, some upon the tiar
Of pontiffs sate like vultures, others played
Within the crown which girt with empire
"A baby's or an idiot's brow, & made
Their nests in it; the old anatomies
Sate hatching their bare brood under the shade
"Of demon wings, and laughed from their dead eyes
To reassume the delegated power
Arrayed in which these worms did monarchize
"Who make this earth their charnel.Others more
Humble, like falcons sate upon the fist
Of common men, and round their heads did soar,
"Or like small gnats & flies, as thick as mist
On evening marshes, thronged about the brow
Of lawyer, statesman, priest & theorist,
"And others like discoloured flakes of snow
On fairest bosoms & the sunniest hair
Fell, and were melted by the youthful glow
"Which they extinguished; for like tears, they were
A veil to those from whose faint lids they rained
In drops of sorrow.I became aware
"Of whence those forms proceeded which thus stained
The track in which we moved; after brief space
From every form the beauty slowly waned,
"From every firmest limb & fairest face
The strength & freshness fell like dust, & left
The action & the shape without the grace
"Of life; the marble brow of youth was cleft
With care, and in the eyes where once hope shone
Desire like a lioness bereft
"Of its last cub, glared ere it died; each one
Of that great crowd sent forth incessantly
These shadows, numerous as the dead leaves blown
"In Autumn evening from a popular tree
Each, like himself & like each other were,
At first, but soon distorted, seemed to be
"Obscure clouds moulded by the casual air;
And of this stuff the car's creative ray
Wrought all the busy phantoms that were there
"As the sun shapes the cloudsthus, on the way
Mask after mask fell from the countenance
And form of all, and long before the day
"Was old, the joy which waked like Heaven's glance
The sleepers in the oblivious valley, died,
And some grew weary of the ghastly dance
"And fell, as I have fallen by the way side,
Those soonest from whose forms most shadows past
And least of strength & beauty did abide."
"Then, what is Life?" I said . . . the cripple cast
His eye upon the car which now had rolled
Onward, as if that look must be the last,
And answered. "Happy those for whom the fold
Of
Composed at Lerici on the Gulf of Spezzia in the spring and early summer of 1822 -- the poem on which Shelley was engaged at the time of his death. Published by Mrs. Shelley in the Posthumous Poems of 1824, from a MS. (now in the Bodleian library), whose corrections, omitted words, passages of unrevised improvisation, difficult hand, and long inaccessibility have so far prevented much certainty in the establishment of a text.

Form: terza rima.

The reference to Dante's Divine Comedy in lines 471-76 and to Petrarch's Triumphs in the title (both of which, like The Triumph of Life, are written in terza
rima stanzas) suggests two probable models for the poem.

132-34.
Mary Shelley's text seems impossible, but no textual authority has been
adduced for amending it. Misreading or miswriting of some kind must be
responsible for that apparently parallel, but conflicting, pair, "were there" and
"were neither." W. M. Rossetti makes some sense out of the passage by amending
"or" in 132 to "for" and "were there" in 134 to "whether", and by placing a
semi-colon at the end of 131.

134.
Of Athens or Jerusalem. Commentators assume that the renouncing figures
of which Shelley is thinking are Socrates in Athens and Jesus in Jerusalem. But
the corruption of the text here makes any interpretation doubtful.

190.
Grim Feature: a reminiscence of Paradise Lost, X, 279, where it
represents Death and carries the Latin meaning of "factura" or "creature."

204.
Rousseau. Compare Byron's portrait of Rousseau in Childe Harold's
Pilgrimage, III, lxxvii-lxxxii.

236.
Frederick and Paul, Catherine and Leopold: Frederick the Great of Prussia,
Czar Paul and Catherine the Great of Russia, and Leopold II of the Holy Roman
Empire.

254.
Plato. In the lines which follow, Shelley refers to the legend that Plato in
his old age fell in love with a boy, whose name, Aster, is Greek for a star as
well as for a particular (and short-lived) flower.

261.
The tutor and his pupil: Aristotle and Alexander the Great.

283-84.
The heirs of Caesar's crime from him to Constantine. Julius Caesar's
crime was to undermine the Roman republic and prepare the way for the
Roman emperors ("anarch chiefs" in 286), a procession of which up to
Constantine Shelley now observes.

288.
Gregory and John. "Gregory the Great is appropriate, as the true founder
of the independent political power of the papacy. Which of many Johns is
involved, there is no way of telling" (H. Bloom).

414.
Lucifer: the Morning Star.

421-22.
The soft note in which his dear lament the Brescian shepherd breathes.
"The favourite song, 'Stanco di pascolar le peccorelle, [being weary of pasturing
the little sheep], is a Brescian national air" (Mrs. Shelley's note).

439.
Iris: classical goddess of the rainbow.

472.
Him: Dante in The Divine Comedy.

544.
Here the MS. breaks off.


~ Percy Bysshe Shelley, The Triumph Of Life
,
1475:The Botanic Garden( Part Iii)
The Economy Of Vegetation
Canto III
AGAIN the GODDESS speaks!-glad Echo swells
The tuneful tones along her shadowy dells,
Her wrinkling founts with soft vibration shakes,
Curls her deep wells, and rimples all her lakes,
Thrills each wide stream, Britannia's isle that laves,
Her headlong cataracts, and circumfluent waves.
-Thick as the dews, which deck the morning flowers,
Or rain-drops twinkling in the sun-bright showers,
Fair Nymphs, emerging in pellucid bands,
Rise, as she turns, and whiten all the lands.
I. 'YOUR buoyant troops on dimpling ocean tread,
Wafting the moist air from his oozy bed,
AQUATIC NYMPHS!-YOU lead with viewless march
The winged vapours up the aerial arch,
On each broad cloud a thousand sails expand,
And steer the shadowy treasure o'er the land,
Through vernal skies the gathering drops diffuse,
Plunge in soft rains, or sink in silver dews.YOUR lucid bands condense with fingers chill
The blue mist hovering round the gelid hill;
In clay-form'd beds the trickling streams collect,
Strain through white sands, through pebbly veins direct;
Or point in rifted rocks their dubious way,
And in each bubbling fountain rise to day.
'NYMPHS! YOU then guide, attendant from their source,
The associate rills along their sinuous course;
Float in bright squadrons by the willowy brink,
Or circling slow in limpid eddies sink;
Call from her crystal cave the Naiad-Nymph,
Who hides her fine form in the passing lymph,
And, as below she braids her hyaline hair,
111
Eyes her soft smiles reflected in the air;
Or sport in groups with River-Boys, that lave
Their silken limbs amid the dashing wave;
Pluck the pale primrose bending from its edge,
Or tittering dance amid the whispering sedge.'Onward YOU pass, the pine-capt hills divide,
Or feed the golden harvests on their side;
The wide-ribb'd arch with hurrying torrents fill,
Shove the slow barge, or whirl the foaming mill.
OR lead with beckoning hand the sparkling train
Of refluent water to its parent main,
And pleased revisit in their sea-moss vales
Blue Nereid-forms array'd in shining scales,
Shapes, whose broad oar the torpid wave impels,
And Tritons bellowing through their twisted shells.
'So from the heart the sanguine stream distils,
O'er Beauty's radiant shrine in vermil rills,
Feeds each fine nerve, each slender hair pervades,
The skins bright snow with living purple shades,
Each dimpling cheek with warmer blushes dyes,
Laughs on the lips, and lightens in the eyes.
-Erewhile absorb'd, the vagrant globules swim
From each fair feature, and proportion'd limb,
Join'd in one trunk with deeper tint return
To the warm concave of the vital urn.
II. 1.'AQUATIC MAIDS! YOU sway the mighty realms
Of scale and shell, which Ocean overwhelms;
As Night's pale Queen her rising orb reveals,
And climbs the zenith with refulgent wheels,
Car'd on the foam your glimmering legion rides,
Your little tridents heave the dashing tides,
Urge on the sounding shores their crystal course,
Restrain their fury, or direct their force.
2.'NYMPHS! YOU adorn, in glossy volumes roll'd,
The gaudy conch with azure, green, and gold.
You round Echinus ray his arrowy mail,
Give the keel'd Nautilus his oar and sail;
112
Firm to his rock with silver cords suspend
The anchor'd Pinna, and his Cancer-friend;
With worm-like beard his toothless lips array,
And teach the unwieldy Sturgeon to betray.Ambush'd in weeds, or sepulcher'd in sands,
In dread repose He waits the scaly bands,
Waves in red spires the living lures, and draws
The unwary plunderers to his circling jaws,
Eyes with grim joy the twinkling shoals beset,
And clasps the quick inextricable net.
You chase the warrior Shark, and cumberous Whale,
And guard the Mermaid in her briny vale;
Feed the live petals of her insect-flowers,
Her shell-wrack gardens, and her sea-fan bowers;
With ores and gems adorn her coral cell,
And drop a pearl in every gaping shell.
3. 'YOUR myriad trains o'er stagnant ocean's tow,
Harness'd with gossamer, the loitering prow;
Or with fine films, suspended o'er the deep,
Of oil effusive lull the waves to sleep.
You stay the flying bark, conceal'd beneath,
Where living rocks of worm-built coral breathe;
Meet fell TEREDO, as he mines the keel
With beaked head, and break his lips of steel;
Turn the broad helm, the fluttering canvas urge
From MAELSTROME'S fierce innavigable surge.
-'Mid the lorn isles of Norway's stormy main,
As sweeps o'er many a league his eddying train,
Vast watery walls in rapid circles spin,
And deep-ingulph'd the Demon dwells within;
Springs o'er the fear-froze crew with Harpy-claws,
Down his deep den the whirling vessel draws;
Churns with his bloody mouth the dread repast,
The booming waters murmuring o'er the mast.
III. 'Where with chill frown enormous ALPS alarms
A thousand realms, horizon'd in his arms;
While cloudless suns meridian glories shed
From skies of silver round his hoary head,
Tall rocks of ice refract the coloured rays,
113
And Frost sits throned amid the lambent blaze;
NYMPHS! YOUR thin forms pervade his glittering piles,
His roofs of chrystal, and his glasy ailes;
Where in cold caves imprisoned Naiads sleep,
Or chain'd on mossy couches wake and weep;
Where round dark crags indignant waters bend
Through rifted ice, in ivory veins descend,
Seek through unfathom'd snows their devious track,
Heave the vast spars, the ribbed granites crack,
Rush into day, in foamy torrents shine,
And swell the imperial Danube or the Rhine.Or feed the murmuring TIBER, as he laves
His realms inglorious with diminish'd waves,
Hears his lorn Forum sound with Eunuch-strains,
Sees dancing slaves insult his martial plains;
Parts with chill stream the dim religious bower,
Time-mouldered bastion, and dismantled tower;
By alter'd fanes and nameless villas glides,
And classic domes, that tremble on his sides;
Sighs o'er each broken urn, and yawning tomb,
And mourns the fall of LIBERTY and ROME.
IV. 'Sailing in air, when dark MONSOON inshrouds
His tropic mountains in a night of clouds;
Or drawn by whirlwinds from the Line returns,
And showers o'er Afric all his thousand urns;
High o'er his head the beams of SIRIUS glow,
And, Dog of Nile, ANUBIS barks below.
NYMPHS! YOU from cliff to cliff attendant guide
In headlong cataracts the impetuous tide;
Or lead o'er wastes of Abyssinian sands
The bright expanse to EGYPT'S shower-less lands.
-Her long canals the sacred waters fill,
And edge with silver every peopled hill;
Gigantic SPHINX in circling waves admire;
And MEMNON bending o'er his broken lyre;
O'er furrow'd glebes and green savannas sweep,
And towns and temples laugh amid the deep.
V. 1. 'High in the frozen North where HECCLA glows,
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And melts in torrents his coeval snows;
O'er isles and oceans sheds a sanguine light,
Or shoots red stars amid the ebon night;
When, at his base intomb'd, with bellowing sound
Fell GIESAR roar'd, and struggling shook the ground;
Pour'd from red nostrils, with her scalding breath,
A boiling deluge o'er the blasted heath;
And, wide in air, in misty volumes hurl'd
Contagious atoms o'er the alarmed world;
NYMPHS! YOUR bold myriads broke the infernal spell,
And crush'd the Sorceress in her flinty cell.
2. 'Where with soft fires in unextinguish'd urns,
Cauldron'd in rock, innocuous Lava burns;
On the bright lake YOUR gelid hands distil
In pearly mowers the parsimonious rill;
And, as aloft the curling vapours rise
Through the cleft roof, ambitious for the skies,
In vaulted hills condense the tepid steams,
And pour to HEALTH the medicated streams.
-So in green vales amid her mountains bleak
BUXTONIA smiles, the Goddess-Nymyh of Peak;
Deep in warm waves, and pebbly baths she dwells,
And calls HYGEIA to her sainted wells.
'Hither in sportive bands bright DEVON leads
Graces and Loves from Chatsworth's flowery meads.Charm'd round the NYMPH, they climb the rifted rocks;
And steep in mountain-mist their golden locks;
On venturous step her sparry caves explore,
And light with radiant eyes her realms of ore;
-Oft by her bubbling founts, and shadowy domes,
In gay undress the fairy legion roams,
Their dripping palms in playful malice fill,
Or taste with ruby lip the sparkling rill;
Croud round her baths, and, bending o'er the side,
Unclasp'd their sandals, and their zones untied,
Dip with gay fear the shuddering foot undress'd,
And quick retract it to the fringed vest;
Or cleave with brandish'd arms the lucid stream,
And sob, their blue eyes twinkling in the steam.
-High o'er the chequer'd vault with transient glow
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Bright lustres dart, as dash the waves below;
And Echo's sweet responsive voice prolongs
The dulcet tumult of their silver tongues.O'er their flush'd cheeks uncurling tresses flow,
And dew-drops glitter on their necks of snow;
Round each fair Nymph her dropping mantle clings,
And Loves emerging shake their showery wings.
'Here oft her LORD surveys the rude domain,
Fair arts of Greece triumphant in his train;
LO! as he steps, the column'd pile ascends,
The blue roof closes, or the crescent bends;
New woods aspiring clothe their hills with green,
Smooth slope the lawns, the grey rock peeps between;
Relenting Nature gives her hand to Taste,
And Health and Beauty crown the laughing waste.
VI. 'NYMPHS! YOUR bright squadrons watch with chemic eyes
The cold-elastic vapours, as they rise;
With playful force arrest them as they pass,
And to
pure
AIR betroth the
flaming
GAS.
Round their translucent forms at once they fling
Their rapturous arms, with silver bosoms cling;
In fleecy clouds their fluttering wings extend,
Or from the skies in lucid showers descend;
Whence rills and rivers owe their secret birth,
And Ocean's hundred arms infold the earth.
'So, robed by Beauty's Queen, with softer charms
SATURNIA woo'd the Thunderer to her arms;
O'er her fair limbs a veil of light she spread,
And bound a starry diadem on her head;
Long braids of pearl her golden tresses grac'd,
And the charm'd CESTUS sparkled round her waist.
-Raised o'er the woof, by Beauty's hand inwrought,
Breathes the soft Sigh, and glows the enamour'd Thought;
Vows on light wings succeed, and quiver'd Wiles,
Assuasive Accents, and seductive Smiles.
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-Slow rolls the Cyprian car in purple pride,
And, steer'd by LOVE, ascends admiring Ide;
Climbs the green slopes, the nodding woods pervades,
Burns round the rocks, or gleams amid the shades.
-Glad ZEPHYR leads the train, and waves above
The barbed darts, and blazing torch of Love;
Reverts his smiling face, and pausing flings
Soft showers of roses from aurelian wings.
Delighted Fawns, in wreathes of flowers array'd,
With tiptoe Wood-Boys beat the chequer'd glade;
Alarmed Naiads, rising into air,
Lift o'er their silver urns their leafy hair;
Each to her oak the bashful Dryads shrink,
And azure eyes are seen through every chink.
-LOVE culls a flaming shaft of broadest wing,
And rests the fork upon the quivering string;
Points his arch eye aloft, with fingers strong
Draws to his curled ear the silken thong;
Loud twangs the steel, the golden arrow flies,
Trails a long line of lustre through the skies;
''Tis done!' he shouts, 'the mighty Monarch feels!'
And with loud laughter shakes the silver wheels;
Bends o'er the car, and whirling, as it moves,
His loosen'd bowstring, drives the rising doves.
-Pierced on his throne the slarting Thunderer turns,
Melts with soft sighs, with kindling rapture burns;
Clasps her fair hand, and eyes in fond amaze
The bright Intruder with enamour'd gaze.
'And leaves my Goddess, like a blooming bride,
'The fanes of Argos for the rocks of Ide?
'Her gorgeous palaces, and amaranth bowers,
'For cliff-top'd mountains, and aerial towers?'
He said; and, leading from her ivory seat
The blushing Beauty to his lone retreat,
Curtain'd with night the couch imperial shrouds,
And rests the crimson cushions upon clouds.Earth feels the grateful influence from above,
Sighs the soft Air, and Ocean murmurs love;
Etherial Warmth expands his brooding wing,
And in still showers descends the genial Spring.
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VII. 'NYMPHS OF AQUATIC TASTE! whose placid smile
Breathes sweet enchantment o'er BRITANNIA'S isle;
Whose sportive touch in showers resplendent flings
Her lucid cataracts, and her bubbling springs;
Through peopled vales the liquid silver guides,
And swells in bright expanse her freighted tides.
YOU with nice ear, in tiptoe trains, pervade
Dim walks of morn or evening's silent shade;
Join the lone Nightingale, her woods among,
And roll your rills symphonious to her song;
Through fount-full dells, and wave-worn valleys move,
And tune their echoing waterfalls to love;
Or catch, attentive to the distant roar,
The pausing murmurs of the dashing shore;
Or, as aloud she pours her liquid strain,
Pursue the NEREID on the twilight main.
-Her playful Sea-horse woos her soft commands,
Turns his quick ears, his webbed claws expands,
His watery way with waving volutes wins,
Or listening librates on unmoving fins.
The Nymph emerging mounts her scaly seat,
Hangs o'er his glossy sides her silver feet,
With snow-white hands her arching veil detains,
Gives to his slimy lips the slacken'd reins,
Lifts to the star of Eve her eye serene,
And chaunts the birth of Beauty's radiant Queen.O'er her fair brow her pearly comb unfurls
Her beryl locks, and parts the waving curls,
Each tangled braid with glistening teeth unbinds
And with the floating treasure musks the winds.Thrill'd by the dulcet accents, as she sings,
The rippling wave in widening circles rings;
Night's shadowy forms along the margin gleam
With pointed ears, or dance upon the stream;
The Moon transported stays her bright career,
And maddening Stars shoot headlong from the sphere.
VIII. 'NYMPHS! whose fair eyes with vivid lustres glow
For human weal, and melt at human woe;
Late as YOU floated on your silver shells,
Sorrowing and slow by DERWENT'S willowy dells;
Where by tall groves his foamy flood he steers
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Through ponderous arches o'er impetuous wears,
By DERBY'S shadowy towers reflective sweeps,
And gothic grandeur chills his dusky deeps;
You pearl'd with Pity's drops his velvet sides,
Sigh'd in his gales, and murmur'd in his tides,
Waved o'er his fringed brink a deeper gloom,
And bow'd his alders o'er MILCENA'S tomb.
'Oft with sweet voice She led her infant-train,
Printing with graceful step his spangled plain,
Explored his twinkling swarms, that swim or fly,
And mark'd his florets with botanic eye.'Sweet bud of Spring! how frail thy transient bloom,
'Fine film,' she cried, 'of Nature's fairest loom!
'Soon Beauty fades upon its damask throne!'-Unconscious of the worm, that mined her own!-Pale are those lips, where soft caresses hung,
Wan the warm cheek, and mute the tender tongue,
Cold rests that feeling heart on Derwent's shore,
And those love-lighted eye-balls roll no more!
-HERE her sad Consort, stealing through the gloom
Of
Hangs in mute anguish o'er the scutcheon'd hearse,
Or graves with trembling style the votive verse.
'Sexton! oh, lay beneath this sacred shrine,
When Time's cold hand shall close my aching eyes,
Oh, gently lay this wearied earth of mine,
Where wrap'd in night my loved MILCENA lies.
'So shall with purer joy my spirit move,
When the last trumpet thrills the caves of Death,
Catch the first whispers of my waking love,
And drink with holy kiss her kindling breath.
'The spotless Fair, with blush ethereal warm,
Shall hail with sweeter smile returning day,
Rise from her marble bed a brighter form,
And win on buoyant step her airy way.
'Shall bend approved, where beckoning hosts invite,
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On clouds of silver her adoring knee,
Approach with Seraphim the throne of light,
-And BEAUTY plead with angel-tongue for Me!'
IX. 'YOUR virgin trains on BRINDLEY'S cradle smiled,
And nursed with fairy-love the unletter'd child,
Spread round his pillow all your secret spells,
Pierced all your springs, and open'd all your wells.As now on grass, with glossy folds reveal'd,
Glides the bright serpent, now in flowers conceal'd;
Far shine the scales, that gild his sinuous back,
And lucid undulations mark his track;
So with strong arm immortal BRINDLEY leads
His long canals, and parts the velvet meads;
Winding in lucid lines, the watery mass
Mines the firm rock, or loads the deep morass,
With rising locks a thousand hills alarms,
Flings o'er a thousand streams its silver arms,
Feeds the long vale, the nodding woodland laves,
And Plenty, Arts, and Commerce freight the waves.
-NYMPHS! who erewhile round BRINDLEY'S early bier
On show-white bosoms shower'd the incessant tear,
Adorn his tomb!-oh, raise the marble bust,
Proclaim his honours, and protect his dust!
With urns inverted, round the sacred shrine
Their ozier wreaths let weeping Naiads twine;
While on the top MECHANIC GENIUS stands,
Counts the fleet waves, and balances the lands.
X. 'NYMPHS! YOU first taught to pierce the secret caves
Of humid earth, and lift her ponderous waves;
Bade with quick stroke the sliding piston bear
The viewless columns of incumbent air;Press'd by the incumbent air the floods below,
Through opening valves in foaming torrents flow,
Foot after foot with lessen'd impulse move,
And rising seek the vacancy above.So when the Mother, bending o'er his charms,
Clasps her fair nurseling in delighted arms;
Throws the thin kerchief from her neck of snow,
And half unveils the pearly orbs below;
With sparkling eye the blameless Plunderer owns
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Her soft embraces, and endearing tones,
Seeks the salubrious fount with opening lips,
Spreads his inquiring hands, and smiles, and sips.
'CONNUBIAL FAIR! whom no fond transport warms
To lull your infant in maternal arms;
Who, bless'd in vain with tumid bosoms, hear
His tender wailings with unfeeling ear;
The soothing kiss and milky rill deny
To the sweet pouting lip, and glistening eye!Ah! what avails the cradle's damask roof,
The eider bolster, and embroider'd woof!Oft hears the gilded couch unpity'd plains,
And many a tear the tassel'd cushion stains!
No voice so sweet attunes his cares to rest,
So soft no pillow, as his Mother's breast!-Thus charm'd to sweet repose, when twilight hours
Shed their soft influence on celestial bowers,
The Cherub, Innocence, with smile divine
Shuts his white wings, and sleeps on Beauty's shrine.
XI. 'From dome to dome when flames infuriate climb,
Sweep the long street, invest the tower sublime;
Gild the tall vanes amid the astonish'd night,
And reddening heaven returns the sanguine light;
While with vast strides and bristling hair aloof
Pale Danger glides along the falling roof;
And Giant Terror howling in amaze
Moves his dark limbs across the lurid blaze.
NYMPHS! you first taught the gelid wave to rise
Hurl'd in resplendent arches to the skies;
In iron cells condensed the airy spring,
And imp'd the torrent with unfailing wing;
-On the fierce flames the shower impetuous falls,
And sudden darkness shrouds the shatter'd walls;
Steam, smoak, and dust in blended volumes roll,
And Night and Silence repossess the Pole.'Where were ye, NYMPHS! in those disasterous hours,
Which wrap'd in flames AUGUSTA'S sinking towers?
Why did ye linger in your wells and groves,
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When sad WOODMASON mourn'd her infant loves?
When thy fair Daughters with unheeded screams,
Ill-fated MOLESWORTH! call'd the loitering streams?The trembling Nymph on bloodless fingers hung
Eyes from the tottering wall the distant throng,
With ceaseless shrieks her sleeping friends alarms,
Drops with singed hair into her lover's arms.The illumin'd Mother seeks with footsteps fleet,
Where hangs the safe balcony o'er the street,
Wrap'd in her sheet her youngest hope suspends,
And panting lowers it to her tiptoe friends;
Again she hurries on affection's wings,
And now a third, and now a fourth, she brings;
Safe all her babes, she smooths her horrent brow,
And bursts through bickering flames, unscorch'd, below.
So, by her Son arraign'd, with feet unshod
O'er burning bars indignant Emma trod.
'E'en on the day when Youth with Beauty wed,
The flames surprized them in their nuptial bed;Seen at the opening sash with bosom bare,
With wringing hands, and dark dishevel'd hair,
The blushing Beauty with disorder'd charms
Round her fond lover winds her ivory arms;
Beat, as they clasp, their throbbing hearts with fear,
And many a kiss is mix'd with many a tear;Ah me! in vain the labouring engines pour
Round their pale limbs the ineffectual shower!-Then crash'd the floor, while shrinking crouds retire,
And Love and Virtue sunk amid the fire!With piercing screams afflicted strangers mourn,
And their white ashes mingle in their urn.
XII. 'PELLUCID FORMS! whose crystal bosoms show
The shine of welfare, or the shade of woe;
Who with soft lips salute returning Spring,
And hail the Zephyr quivering on his wing;
Or watch, untired, the wintery clouds, and share
With streaming eyes my vegetable care;
Go, shove the dim mist from the mountain's brow,
Chase the white fog, which floods the vale below;
Melt the thick snows, that linger on the lands,
122
And catch the hailstones in your little hands;
Guard the coy blossom from the pelting shower,
And dash the rimy spangles from the bower;
From each chill leaf the silvery drops repel,
And close the timorous floret's golden bell.
'So should young SYMPATHY, in female form,
Climb the tall rock, spectatress of the storm;
Life's sinking wrecks with secret sighs deplore,
And bleed for others' woes, Herself on shore;
To friendless Virtue, gasping on the strand,
Bare her warm heart, her virgin arms expand,
Charm with kind looks, with tender accents cheer,
And pour the sweet consolatory tear;
Grief's cureless wounds with lenient balms asswage,
Or prop with firmer staff the steps of Age;
The lifted arm of mute Despair arrest,
And snatch the dagger pointed to his breast;
Or lull to slumber Envy's haggard mien,
And rob her quiver'd shafts with hand unseen.
-Sound, NYMPHS OF HELICON! the trump of Fame,
And teach Hibernian echoes JONES'S name;
Bind round her polish'd brow the civic bay,
And drag the fair Philanthropist to day.So from secluded springs, and secret caves,
Her Liffy pours his bright meandering waves,
Cools the parch'd vale, the sultry mead divides,
And towns and temples star his shadowy sides.
XIII. 'CALL YOUR light legions, tread the swampy heath,
Pierce with sharp spades the tremulous peat beneath;
With colters bright the rushy sward bisect,
And in new veins the gushing rills direct;So flowers shall rise in purple light array'd,
And blossom'd orchards stretch their silver shade;
Admiring glebes their amber ears unfold,
And Labour sleep amid the waving gold.
'Thus when young HERCULES with firm disdain
Braved the soft smiles of Pleasure's harlot train;
To valiant toils his forceful limbs assign'd,
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And gave to Virtue all his mighty mind,
Fierce ACHELOUS rush'd from mountain-caves,
O'er sad Etolia pour'd his wasteful waves,
O'er lowing vales and bleating pastures roll'd,
Swept her red vineyards, and her glebes of gold,
Mined all her towns, uptore her rooted woods,
And Famine danced upon the shining floods.
The youthful Hero seized his curled crest,
And dash'd with lifted club the watery Pest;
With waving arm the billowy tumult quell'd,
And to his course the bellowing Fiend repell'd.
'Then to a Snake the finny Demon turn'd
His lengthen'd form, with scales of silver burn'd;
Lash'd with restless sweep his dragon-train,
And shot meandering o'er the affrighted plain.
The Hero-God, with giant fingers clasp'd
Firm round his neck, the hissing monster grasp'd;
With starting eyes, wide throat, and gaping teeth,
Curl his redundant folds, and writhe in death.
'And now a Bull, amid the flying throng
The grisly Demon foam'd, and roar'd along;
With silver hoofs the flowery meadows spurn'd,
Roll'd his red eye, his threatening antlers turn'd.
Dragg'd down to earth, the Warrior's victor-hands
Press'd his deep dewlap on the imprinted sands;
Then with quick bound his bended knee he fix'd
High on his neck, the branching horns betwixt,
Strain'd his strong arms, his sinewy shoulders bent,
And from his curled brow the twisted terror rent.
-Pleased Fawns and Nymphs with dancing step applaud,
And hang their chaplets round the resting God;
Link their soft hands, and rear with pausing toil
The golden trophy on the furrow'd soil;
Fill with ripe fruits, with wreathed flowers adorn,
And give to PLENTY her prolific horn.
XIV. 'On Spring's fair lap, CERULEAN SISTERS! pour
From airy urns the sun-illumined shower,
Feed with the dulcet drops my tender broods,
Mellifluous flowers, and aromatic buds;
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Hang from each bending grass and horrent thorn
The tremulous pearl, that glitters to the morn;
Or where cold dews their secret channels lave,
And Earth's dark chambers hide the stagnant wave,
O, pierce, YE NYMPHS! her marble veins, and lead
Her gushing fountains to the thirsty mead;
Wide o'er the shining vales, and trickling hills
Spread the bright treasure in a thousand rills.
So shall my peopled realms of Leaf and Flower
Exult, inebriate with the genial shower;
Dip their long tresses from the mossy brink,
With tufted roots the glassy currents drink;
Shade your cool mansions from meridian beams,
And view their waving honours in your streams.
'Thus where the veins their confluent branches bend,
And milky eddies with the purple blend;
The Chyle's white trunk, diverging from its source,
Seeks through the vital mass its shining course;
O'er each red cell, and tissued membrane spreads
In living net-work all its branching threads;
Maze within maze its tortuous path pursues,
Winds into glands, inextricable clues;
Steals through the stomach's velvet sides, and sips
The silver surges with a thousand lips;
Fills each fine pore, pervades each slender hair,
And drinks salubrious dew-drops from the air.
'Thus when to kneel in Mecca's awful gloom,
Or press with pious kiss Medina's tomb,
League after league, through many a lingering day,
Steer the swart Caravans their sultry way;
O'er sandy wastes on gasping camels toil,
Or print with pilgrim-steps the burning soil;
If from lone rocks a sparkling rill descend,
O'er the green brink the kneeling nations bend,
Bathe the parch'd lip, and cool the feverish tongue,
And the clear lake reflects the mingled throng.'
The Goddess paused,-the listening bands awhile
Still seem to hear, and dwell upon her smile;
Then with soft murmur sweep in lucid trains
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Down the green slopes, and o'er the pebbly plains,
To each bright stream on silver sandals glide,
Reflective fountain, and tumultuous tide.
So shoot the Spider-broods at breezy dawn
Their glittering net-work o'er the autumnal lawn;
From blade to blade connect with cordage fine
The unbending grass, and live along the line;
Or bathe unwet their oily forms, and dwell
With feet repulsive on the dimpling well.
So when the North congeals his watery mass,
Piles high his snows, and floors his seas with glass;
While many a Month, unknown to warmer rays,
Marks its slow chronicle by lunar days;
Stout youths and ruddy damsels, sportive train,
Leave the white soil, and rush upon the main;
From isle to isle the moon-bright squadrons stray,
And win in easy curves their graceful way;
On step alternate borne, with balance nice
Hang o'er the gliding steel, and hiss along the ice.
~ Erasmus Darwin,
1476:Balin And Balan
Pellam the King, who held and lost with Lot
In that first war, and had his realm restored
But rendered tributary, failed of late
To send his tribute; wherefore Arthur called
His treasurer, one of many years, and spake,
'Go thou with him and him and bring it to us,
Lest we should set one truer on his throne.
Man's word is God in man.'
His Baron said
'We go but harken: there be two strange knights
Who sit near Camelot at a fountain-side,
A mile beneath the forest, challenging
And overthrowing every knight who comes.
Wilt thou I undertake them as we pass,
And send them to thee?'
Arthur laughed upon him.
'Old friend, too old to be so young, depart,
Delay not thou for aught, but let them sit,
Until they find a lustier than themselves.'
So these departed. Early, one fair dawn,
The light-winged spirit of his youth returned
On Arthur's heart; he armed himself and went,
So coming to the fountain-side beheld
Balin and Balan sitting statuelike,
Brethren, to right and left the spring, that down,
From underneath a plume of lady-fern,
Sang, and the sand danced at the bottom of it.
And on the right of Balin Balin's horse
Was fast beside an alder, on the left
Of Balan Balan's near a poplartree.
'Fair Sirs,' said Arthur, 'wherefore sit ye here?'
Balin and Balan answered 'For the sake
Of glory; we be mightier men than all
In Arthur's court; that also have we proved;
For whatsoever knight against us came
Or I or he have easily overthrown.'
'I too,' said Arthur, 'am of Arthur's hall,
26
But rather proven in his Paynim wars
Than famous jousts; but see, or proven or not,
Whether me likewise ye can overthrow.'
And Arthur lightly smote the brethren down,
And lightly so returned, and no man knew.
Then Balin rose, and Balan, and beside
The carolling water set themselves again,
And spake no word until the shadow turned;
When from the fringe of coppice round them burst
A spangled pursuivant, and crying 'Sirs,
Rise, follow! ye be sent for by the King,'
They followed; whom when Arthur seeing asked
'Tell me your names; why sat ye by the well?'
Balin the stillness of a minute broke
Saying 'An unmelodious name to thee,
Balin, "the Savage"--that addition thine-My brother and my better, this man here,
Balan. I smote upon the naked skull
A thrall of thine in open hall, my hand
Was gauntleted, half slew him; for I heard
He had spoken evil of me; thy just wrath
Sent me a three-years' exile from thine eyes.
I have not lived my life delightsomely:
For I that did that violence to thy thrall,
Had often wrought some fury on myself,
Saving for Balan: those three kingless years
Have past--were wormwood-bitter to me. King,
Methought that if we sat beside the well,
And hurled to ground what knight soever spurred
Against us, thou would'st take me gladlier back,
And make, as ten-times worthier to be thine
Than twenty Balins, Balan knight. I have said.
Not so--not all. A man of thine today
Abashed us both, and brake my boast. Thy will?'
Said Arthur 'Thou hast ever spoken truth;
Thy too fierce manhood would not let thee lie.
Rise, my true knight. As children learn, be thou
Wiser for falling! walk with me, and move
To music with thine Order and the King.
Thy chair, a grief to all the brethren, stands
Vacant, but thou retake it, mine again!'
27
Thereafter, when Sir Balin entered hall,
The Lost one Found was greeted as in Heaven
With joy that blazed itself in woodland wealth
Of leaf, and gayest garlandage of flowers,
Along the walls and down the board; they sat,
And cup clashed cup; they drank and some one sang,
Sweet-voiced, a song of welcome, whereupon
Their common shout in chorus, mounting, made
Those banners of twelve battles overhead
Stir, as they stirred of old, when Arthur's host
Proclaimed him Victor, and the day was won.
Then Balan added to their Order lived
A wealthier life than heretofore with these
And Balin, till their embassage returned.
'Sir King' they brought report 'we hardly found,
So bushed about it is with gloom, the hall
Of him to whom ye sent us, Pellam, once
A Christless foe of thine as ever dashed
Horse against horse; but seeing that thy realm
Hath prospered in the name of Christ, the King
Took, as in rival heat, to holy things;
And finds himself descended from the Saint
Arimathan Joseph; him who first
Brought the great faith to Britain over seas;
He boasts his life as purer than thine own;
Eats scarce enow to keep his pulse abeat;
Hath pushed aside his faithful wife, nor lets
Or dame or damsel enter at his gates
Lest he should be polluted. This gray King
Showed us a shrine wherein were wonders--yea-Rich arks with priceless bones of martyrdom,
Thorns of the crown and shivers of the cross,
And therewithal (for thus he told us) brought
By holy Joseph thither, that same spear
Wherewith the Roman pierced the side of Christ.
He much amazed us; after, when we sought
The tribute, answered "I have quite foregone
All matters of this world: Garlon, mine heir,
Of him demand it," which this Garlon gave
28
With much ado, railing at thine and thee.
'But when we left, in those deep woods we found
A knight of thine spear-stricken from behind,
Dead, whom we buried; more than one of us
Cried out on Garlon, but a woodman there
Reported of some demon in the woods
Was once a man, who driven by evil tongues
From all his fellows, lived alone, and came
To learn black magic, and to hate his kind
With such a hate, that when he died, his soul
Became a Fiend, which, as the man in life
Was wounded by blind tongues he saw not whence,
Strikes from behind. This woodman showed the cave
From which he sallies, and wherein he dwelt.
We saw the hoof-print of a horse, no more.'
Then Arthur, 'Let who goes before me, see
He do not fall behind me: foully slain
And villainously! who will hunt for me
This demon of the woods?' Said Balan, 'I'!
So claimed the quest and rode away, but first,
Embracing Balin, 'Good my brother, hear!
Let not thy moods prevail, when I am gone
Who used to lay them! hold them outer fiends,
Who leap at thee to tear thee; shake them aside,
Dreams ruling when wit sleeps! yea, but to dream
That any of these would wrong thee, wrongs thyself.
Witness their flowery welcome. Bound are they
To speak no evil. Truly save for fears,
My fears for thee, so rich a fellowship
Would make me wholly blest: thou one of them,
Be one indeed: consider them, and all
Their bearing in their common bond of love,
No more of hatred than in Heaven itself,
No more of jealousy than in Paradise.'
So Balan warned, and went; Balin remained:
Who--for but three brief moons had glanced away
From being knighted till he smote the thrall,
And faded from the presence into years
Of exile--now would strictlier set himself
29
To learn what Arthur meant by courtesy,
Manhood, and knighthood; wherefore hovered round
Lancelot, but when he marked his high sweet smile
In passing, and a transitory word
Make knight or churl or child or damsel seem
From being smiled at happier in themselves-Sighed, as a boy lame-born beneath a height,
That glooms his valley, sighs to see the peak
Sun-flushed, or touch at night the northern star;
For one from out his village lately climed
And brought report of azure lands and fair,
Far seen to left and right; and he himself
Hath hardly scaled with help a hundred feet
Up from the base: so Balin marvelling oft
How far beyond him Lancelot seemed to move,
Groaned, and at times would mutter, 'These be gifts,
Born with the blood, not learnable, divine,
Beyond MY reach. Well had I foughten--well-In those fierce wars, struck hard--and had I crowned
With my slain self the heaps of whom I slew-So--better!--But this worship of the Queen,
That honour too wherein she holds him--this,
This was the sunshine that hath given the man
A growth, a name that branches o'er the rest,
And strength against all odds, and what the King
So prizes--overprizes--gentleness.
Her likewise would I worship an I might.
I never can be close with her, as he
That brought her hither. Shall I pray the King
To let me bear some token of his Queen
Whereon to gaze, remembering her--forget
My heats and violences? live afresh?
What, if the Queen disdained to grant it! nay
Being so stately-gentle, would she make
My darkness blackness? and with how sweet grace
She greeted my return! Bold will I be-Some goodly cognizance of Guinevere,
In lieu of this rough beast upon my shield,
Langued gules, and toothed with grinning savagery.'
And Arthur, when Sir Balin sought him, said
'What wilt thou bear?' Balin was bold, and asked
30
To bear her own crown-royal upon shield,
Whereat she smiled and turned her to the King,
Who answered 'Thou shalt put the crown to use.
The crown is but the shadow of the King,
And this a shadow's shadow, let him have it,
So this will help him of his violences!'
'No shadow' said Sir Balin 'O my Queen,
But light to me! no shadow, O my King,
But golden earnest of a gentler life!'
So Balin bare the crown, and all the knights
Approved him, and the Queen, and all the world
Made music, and he felt his being move
In music with his Order, and the King.
The nightingale, full-toned in middle May,
Hath ever and anon a note so thin
It seems another voice in other groves;
Thus, after some quick burst of sudden wrath,
The music in him seemed to change, and grow
Faint and far-off.
And once he saw the thrall
His passion half had gauntleted to death,
That causer of his banishment and shame,
Smile at him, as he deemed, presumptuously:
His arm half rose to strike again, but fell:
The memory of that cognizance on shield
Weighted it down, but in himself he moaned:
'Too high this mount of Camelot for me:
These high-set courtesies are not for me.
Shall I not rather prove the worse for these?
Fierier and stormier from restraining, break
Into some madness even before the Queen?'
Thus, as a hearth lit in a mountain home,
And glancing on the window, when the gloom
Of twilight deepens round it, seems a flame
That rages in the woodland far below,
So when his moods were darkened, court and King
And all the kindly warmth of Arthur's hall
Shadowed an angry distance: yet he strove
31
To learn the graces of their Table, fought
Hard with himself, and seemed at length in peace.
Then chanced, one morning, that Sir Balin sat
Close-bowered in that garden nigh the hall.
A walk of roses ran from door to door;
A walk of lilies crost it to the bower:
And down that range of roses the great Queen
Came with slow steps, the morning on her face;
And all in shadow from the counter door
Sir Lancelot as to meet her, then at once,
As if he saw not, glanced aside, and paced
The long white walk of lilies toward the bower.
Followed the Queen; Sir Balin heard her 'Prince,
Art thou so little loyal to thy Queen,
As pass without good morrow to thy Queen?'
To whom Sir Lancelot with his eyes on earth,
'Fain would I still be loyal to the Queen.'
'Yea so' she said 'but so to pass me by-So loyal scarce is loyal to thyself,
Whom all men rate the king of courtesy.
Let be: ye stand, fair lord, as in a dream.'
Then Lancelot with his hand among the flowers
'Yea--for a dream. Last night methought I saw
That maiden Saint who stands with lily in hand
In yonder shrine. All round her prest the dark,
And all the light upon her silver face
Flowed from the spiritual lily that she held.
Lo! these her emblems drew mine eyes--away:
For see, how perfect-pure! As light a flush
As hardly tints the blossom of the quince
Would mar their charm of stainless maidenhood.'
'Sweeter to me' she said 'this garden rose
Deep-hued and many-folded! sweeter still
The wild-wood hyacinth and the bloom of May.
Prince, we have ridden before among the flowers
In those fair days--not all as cool as these,
Though season-earlier. Art thou sad? or sick?
Our noble King will send thee his own leech-Sick? or for any matter angered at me?'
32
Then Lancelot lifted his large eyes; they dwelt
Deep-tranced on hers, and could not fall: her hue
Changed at his gaze: so turning side by side
They past, and Balin started from his bower.
'Queen? subject? but I see not what I see.
Damsel and lover? hear not what I hear.
My father hath begotten me in his wrath.
I suffer from the things before me, know,
Learn nothing; am not worthy to be knight;
A churl, a clown!' and in him gloom on gloom
Deepened: he sharply caught his lance and shield,
Nor stayed to crave permission of the King,
But, mad for strange adventure, dashed away.
He took the selfsame track as Balan, saw
The fountain where they sat together, sighed
'Was I not better there with him?' and rode
The skyless woods, but under open blue
Came on the hoarhead woodman at a bough
Wearily hewing. 'Churl, thine axe!' he cried,
Descended, and disjointed it at a blow:
To whom the woodman uttered wonderingly
'Lord, thou couldst lay the Devil of these woods
If arm of flesh could lay him.' Balin cried
'Him, or the viler devil who plays his part,
To lay that devil would lay the Devil in me.'
'Nay' said the churl, 'our devil is a truth,
I saw the flash of him but yestereven.
And some DO say that our Sir Garlon too
Hath learned black magic, and to ride unseen.
Look to the cave.' But Balin answered him
'Old fabler, these be fancies of the churl,
Look to thy woodcraft,' and so leaving him,
Now with slack rein and careless of himself,
Now with dug spur and raving at himself,
Now with droopt brow down the long glades he rode;
So marked not on his right a cavern-chasm
Yawn over darkness, where, nor far within,
The whole day died, but, dying, gleamed on rocks
Roof-pendent, sharp; and others from the floor,
33
Tusklike, arising, made that mouth of night
Whereout the Demon issued up from Hell.
He marked not this, but blind and deaf to all
Save that chained rage, which ever yelpt within,
Past eastward from the falling sun. At once
He felt the hollow-beaten mosses thud
And tremble, and then the shadow of a spear,
Shot from behind him, ran along the ground.
Sideways he started from the path, and saw,
With pointed lance as if to pierce, a shape,
A light of armour by him flash, and pass
And vanish in the woods; and followed this,
But all so blind in rage that unawares
He burst his lance against a forest bough,
Dishorsed himself, and rose again, and fled
Far, till the castle of a King, the hall
Of Pellam, lichen-bearded, grayly draped
With streaming grass, appeared, low-built but strong;
The ruinous donjon as a knoll of moss,
The battlement overtopt with ivytods,
A home of bats, in every tower an owl.
Then spake the men of Pellam crying 'Lord,
Why wear ye this crown-royal upon shield?'
Said Balin 'For the fairest and the best
Of ladies living gave me this to bear.'
So stalled his horse, and strode across the court,
But found the greetings both of knight and King
Faint in the low dark hall of banquet: leaves
Laid their green faces flat against the panes,
Sprays grated, and the cankered boughs without
Whined in the wood; for all was hushed within,
Till when at feast Sir Garlon likewise asked
'Why wear ye that crown-royal?' Balin said
'The Queen we worship, Lancelot, I, and all,
As fairest, best and purest, granted me
To bear it!' Such a sound (for Arthur's knights
Were hated strangers in the hall) as makes
The white swan-mother, sitting, when she hears
A strange knee rustle through her secret reeds,
Made Garlon, hissing; then he sourly smiled.
'Fairest I grant her: I have seen; but best,
Best, purest? THOU from Arthur's hall, and yet
34
So simple! hast thou eyes, or if, are these
So far besotted that they fail to see
This fair wife-worship cloaks a secret shame?
Truly, ye men of Arthur be but babes.'
A goblet on the board by Balin, bossed
With holy Joseph's legend, on his right
Stood, all of massiest bronze: one side had sea
And ship and sail and angels blowing on it:
And one was rough with wattling, and the walls
Of that low church he built at Glastonbury.
This Balin graspt, but while in act to hurl,
Through memory of that token on the shield
Relaxed his hold: 'I will be gentle' he thought
'And passing gentle' caught his hand away,
Then fiercely to Sir Garlon 'Eyes have I
That saw today the shadow of a spear,
Shot from behind me, run along the ground;
Eyes too that long have watched how Lancelot draws
From homage to the best and purest, might,
Name, manhood, and a grace, but scantly thine,
Who, sitting in thine own hall, canst endure
To mouth so huge a foulness--to thy guest,
Me, me of Arthur's Table. Felon talk!
Let be! no more!'
But not the less by night
The scorn of Garlon, poisoning all his rest,
Stung him in dreams. At length, and dim through leaves
Blinkt the white morn, sprays grated, and old boughs
Whined in the wood. He rose, descended, met
The scorner in the castle court, and fain,
For hate and loathing, would have past him by;
But when Sir Garlon uttered mocking-wise;
'What, wear ye still that same crown-scandalous?'
His countenance blackened, and his forehead veins
Bloated, and branched; and tearing out of sheath
The brand, Sir Balin with a fiery 'Ha!
So thou be shadow, here I make thee ghost,'
Hard upon helm smote him, and the blade flew
Splintering in six, and clinkt upon the stones.
Then Garlon, reeling slowly backward, fell,
And Balin by the banneret of his helm
35
Dragged him, and struck, but from the castle a cry
Sounded across the court, and--men-at-arms,
A score with pointed lances, making at him-He dashed the pummel at the foremost face,
Beneath a low door dipt, and made his feet
Wings through a glimmering gallery, till he marked
The portal of King Pellam's chapel wide
And inward to the wall; he stept behind;
Thence in a moment heard them pass like wolves
Howling; but while he stared about the shrine,
In which he scarce could spy the Christ for Saints,
Beheld before a golden altar lie
The longest lance his eyes had ever seen,
Point-painted red; and seizing thereupon
Pushed through an open casement down, leaned on it,
Leapt in a semicircle, and lit on earth;
Then hand at ear, and harkening from what side
The blindfold rummage buried in the walls
Might echo, ran the counter path, and found
His charger, mounted on him and away.
An arrow whizzed to the right, one to the left,
One overhead; and Pellam's feeble cry
'Stay, stay him! he defileth heavenly things
With earthly uses'--made him quickly dive
Beneath the boughs, and race through many a mile
Of dense and open, till his goodly horse,
Arising wearily at a fallen oak,
Stumbled headlong, and cast him face to ground.
Half-wroth he had not ended, but all glad,
Knightlike, to find his charger yet unlamed,
Sir Balin drew the shield from off his neck,
Stared at the priceless cognizance, and thought
'I have shamed thee so that now thou shamest me,
Thee will I bear no more,' high on a branch
Hung it, and turned aside into the woods,
And there in gloom cast himself all along,
Moaning 'My violences, my violences!'
But now the wholesome music of the wood
Was dumbed by one from out the hall of Mark,
A damsel-errant, warbling, as she rode
36
The woodland alleys, Vivien, with her Squire.
'The fire of Heaven has killed the barren cold,
And kindled all the plain and all the wold.
The new leaf ever pushes off the old.
The fire of Heaven is not the flame of Hell.
'Old priest, who mumble worship in your quire-Old monk and nun, ye scorn the world's desire,
Yet in your frosty cells ye feel the fire!
The fire of Heaven is not the flame of Hell.
'The fire of Heaven is on the dusty ways.
The wayside blossoms open to the blaze.
The whole wood-world is one full peal of praise.
The fire of Heaven is not the flame of Hell.
'The fire of Heaven is lord of all things good,
And starve not thou this fire within thy blood,
But follow Vivien through the fiery flood!
The fire of Heaven is not the flame of Hell!'
Then turning to her Squire 'This fire of Heaven,
This old sun-worship, boy, will rise again,
And beat the cross to earth, and break the King
And all his Table.'
Then they reached a glade,
Where under one long lane of cloudless air
Before another wood, the royal crown
Sparkled, and swaying upon a restless elm
Drew the vague glance of Vivien, and her Squire;
Amazed were these; 'Lo there' she cried--'a crown-Borne by some high lord-prince of Arthur's hall,
And there a horse! the rider? where is he?
See, yonder lies one dead within the wood.
Not dead; he stirs!--but sleeping. I will speak.
Hail, royal knight, we break on thy sweet rest,
Not, doubtless, all unearned by noble deeds.
But bounden art thou, if from Arthur's hall,
To help the weak. Behold, I fly from shame,
A lustful King, who sought to win my love
Through evil ways: the knight, with whom I rode,
37
Hath suffered misadventure, and my squire
Hath in him small defence; but thou, Sir Prince,
Wilt surely guide me to the warrior King,
Arthur the blameless, pure as any maid,
To get me shelter for my maidenhood.
I charge thee by that crown upon thy shield,
And by the great Queen's name, arise and hence.'
And Balin rose, 'Thither no more! nor Prince
Nor knight am I, but one that hath defamed
The cognizance she gave me: here I dwell
Savage among the savage woods, here die-Die: let the wolves' black maws ensepulchre
Their brother beast, whose anger was his lord.
O me, that such a name as Guinevere's,
Which our high Lancelot hath so lifted up,
And been thereby uplifted, should through me,
My violence, and my villainy, come to shame.'
Thereat she suddenly laughed and shrill, anon
Sighed all as suddenly. Said Balin to her
'Is this thy courtesy--to mock me, ha?
Hence, for I will not with thee.' Again she sighed
'Pardon, sweet lord! we maidens often laugh
When sick at heart, when rather we should weep.
I knew thee wronged. I brake upon thy rest,
And now full loth am I to break thy dream,
But thou art man, and canst abide a truth,
Though bitter. Hither, boy--and mark me well.
Dost thou remember at Caerleon once-A year ago--nay, then I love thee not-Ay, thou rememberest well--one summer dawn-By the great tower--Caerleon upon Usk-Nay, truly we were hidden: this fair lord,
The flower of all their vestal knighthood, knelt
In amorous homage--knelt--what else?--O ay
Knelt, and drew down from out his night-black hair
And mumbled that white hand whose ringed caress
Had wandered from her own King's golden head,
And lost itself in darkness, till she cried-I thought the great tower would crash down on both-"Rise, my sweet King, and kiss me on the lips,
38
Thou art my King." This lad, whose lightest word
Is mere white truth in simple nakedness,
Saw them embrace: he reddens, cannot speak,
So bashful, he! but all the maiden Saints,
The deathless mother-maidenhood of Heaven,
Cry out upon her. Up then, ride with me!
Talk not of shame! thou canst not, an thou would'st,
Do these more shame than these have done themselves.'
She lied with ease; but horror-stricken he,
Remembering that dark bower at Camelot,
Breathed in a dismal whisper 'It is truth.'
Sunnily she smiled 'And even in this lone wood,
Sweet lord, ye do right well to whisper this.
Fools prate, and perish traitors. Woods have tongues,
As walls have ears: but thou shalt go with me,
And we will speak at first exceeding low.
Meet is it the good King be not deceived.
See now, I set thee high on vantage ground,
From whence to watch the time, and eagle-like
Stoop at thy will on Lancelot and the Queen.'
She ceased; his evil spirit upon him leapt,
He ground his teeth together, sprang with a yell,
Tore from the branch, and cast on earth, the shield,
Drove his mailed heel athwart the royal crown,
Stampt all into defacement, hurled it from him
Among the forest weeds, and cursed the tale,
The told-of, and the teller.
That weird yell,
Unearthlier than all shriek of bird or beast,
Thrilled through the woods; and Balan lurking there
(His quest was unaccomplished) heard and thought
'The scream of that Wood-devil I came to quell!'
Then nearing 'Lo! he hath slain some brother-knight,
And tramples on the goodly shield to show
His loathing of our Order and the Queen.
My quest, meseems, is here. Or devil or man
Guard thou thine head.' Sir Balin spake not word,
But snatched a sudden buckler from the Squire,
And vaulted on his horse, and so they crashed
39
In onset, and King Pellam's holy spear,
Reputed to be red with sinless blood,
Redded at once with sinful, for the point
Across the maiden shield of Balan pricked
The hauberk to the flesh; and Balin's horse
Was wearied to the death, and, when they clashed,
Rolling back upon Balin, crushed the man
Inward, and either fell, and swooned away.
Then to her Squire muttered the damsel 'Fools!
This fellow hath wrought some foulness with his Queen:
Else never had he borne her crown, nor raved
And thus foamed over at a rival name:
But thou, Sir Chick, that scarce hast broken shell,
Art yet half-yolk, not even come to down-Who never sawest Caerleon upon Usk-And yet hast often pleaded for my love-See what I see, be thou where I have been,
Or else Sir Chick--dismount and loose their casques
I fain would know what manner of men they be.'
And when the Squire had loosed them, 'Goodly!--look!
They might have cropt the myriad flower of May,
And butt each other here, like brainless bulls,
Dead for one heifer!
Then the gentle Squire
'I hold them happy, so they died for love:
And, Vivien, though ye beat me like your dog,
I too could die, as now I live, for thee.'
'Live on, Sir Boy,' she cried. 'I better prize
The living dog than the dead lion: away!
I cannot brook to gaze upon the dead.'
Then leapt her palfrey o'er the fallen oak,
And bounding forward 'Leave them to the wolves.'
But when their foreheads felt the cooling air,
Balin first woke, and seeing that true face,
Familiar up from cradle-time, so wan,
Crawled slowly with low moans to where he lay,
And on his dying brother cast himself
Dying; and HE lifted faint eyes; he felt
One near him; all at once they found the world,
40
Staring wild-wide; then with a childlike wail
And drawing down the dim disastrous brow
That o'er him hung, he kissed it, moaned and spake;
'O Balin, Balin, I that fain had died
To save thy life, have brought thee to thy death.
Why had ye not the shield I knew? and why
Trampled ye thus on that which bare the Crown?'
Then Balin told him brokenly, and in gasps,
All that had chanced, and Balan moaned again.
'Brother, I dwelt a day in Pellam's hall:
This Garlon mocked me, but I heeded not.
And one said "Eat in peace! a liar is he,
And hates thee for the tribute!" this good knight
Told me, that twice a wanton damsel came,
And sought for Garlon at the castle-gates,
Whom Pellam drove away with holy heat.
I well believe this damsel, and the one
Who stood beside thee even now, the same.
"She dwells among the woods" he said "and meets
And dallies with him in the Mouth of Hell."
Foul are their lives; foul are their lips; they lied.
Pure as our own true Mother is our Queen."
'O brother' answered Balin 'woe is me!
My madness all thy life has been thy doom,
Thy curse, and darkened all thy day; and now
The night has come. I scarce can see thee now.
Goodnight! for we shall never bid again
Goodmorrow--Dark my doom was here, and dark
It will be there. I see thee now no more.
I would not mine again should darken thine,
Goodnight, true brother.
Balan answered low
'Goodnight, true brother here! goodmorrow there!
We two were born together, and we die
Together by one doom:' and while he spoke
Closed his death-drowsing eyes, and slept the sleep
With Balin, either locked in either's arm.
41
~ Alfred Lord Tennyson,
1477:I rode one evening with Count Maddalo
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heaped from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepaired, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight. I love all waste
And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be:
And such was this wide ocean, and this shore
More barren than its billows; and yet more
Than all, with a remembered friend I love
To ride as then I rode;for the winds drove
The living spray along the sunny air
Into our faces; the blue heavens were bare,
Stripped to their depths by the awakening north;
And, from the waves, sound like delight broke forth
Harmonising with solitude, and sent
Into our hearts areal merriment.
So, as we rode, we talked; and the swift thought.
Winging itself with laughter, lingered not,
But flew from brain to brain,such glee was ours.
Charged with light memories of remembered hours.
None slow enough for sadness: till we came
Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now
The sun was sinking, and the wind also.
Our talk grew somewhat serious, as may be
Talk interrupted with such raillery
As mocks itself, because it cannot scorn
The thoughts it would extinguish:'twas forlorn,
Yet pleasing, such as once, so poets tell,
The devils held within the dales of Hell
Concerning God, freewill and destiny:
Of all that earth has been or yet may be,
All that vain men imagine or believe,
Or hope can paint or suffering may achieve,
We descanted, and I (for ever still
Is it not wise to make the best of ill?)
Argued against despondency, but pride
Made my companion take the darker side.
The sense that he was greater than his kind
Had struck, methinks, his eagle spirit blind
By gazing on its own exceeding light.
Meanwhile the sun paused ere it should alight,
Over the horizon of the mountains;Oh,
How beautiful is sunset, when the glow
Of Heaven descends upon a land like thee,
Thou Paradise of exiles, Italy!
Thy mountains, seas, and vineyards, and the towers
Of cities they encircle!it was ours
To stand on thee, beholding it: and then,
Just where we had dismounted, the Count's men
Were waiting for us with the gondola.
As those who pause on some delightful way
Though bent on pleasant pilgrimage, we stood
Looking upon the evening, and the flood
Which lay between the city and the shore.
Paved with the image of the sky . . . the hoar
And ary Alps towards the North appeared
Through mist, an heaven-sustaining bulwark reared
Between the East and West; and half the sky
Was roofed with clouds of rich emblazonry
Dark purple at the zenith, which still grew
Down the steep West into a wondrous hue
Brighter than burning gold, even to the rent
Where the swift sun yet paused in his descent
Among the many-folded hills: they were
These famous Euganean hills, which bear,
As seen from Lido thro' the harbour piles,
The likeness of a clump of peakd isles
And thenas if the Earth and Sea had been
Dissolved into one lake of fire, were seen
Those mountains towering as from waves of flame
Around the vaporous sun, from which there came
The inmost purple spirit of light, and made
Their very peaks transparent. 'Ere it fade,'
Said my companion, 'I will show you soon
A better station'so, o'er the lagune
We glided; and from that funereal bark
I leaned, and saw the city, and could mark
How from their many isles, in evening's gleam,
Its temples and its palaces did seem
Like fabrics of enchantment piled to Heaven.
I was about to speak, when'We are even
Now at the point I meant,' said Maddalo,
And bade the gondolieri cease to row.
'Look, Julian, on the west, and listen well
If you hear not a deep and heavy bell.'
I looked, and saw between us and the sun
A building on an island; such a one
As age to age might add, for uses vile,
A windowless, deformed and dreary pile;
And on the top an open tower, where hung
A bell, which in the radiance swayed and swung;
We could just hear its hoarse and iron tongue:
The broad sun sunk behind it, and it tolled
In strong and black relief.'What we behold
Shall be the madhouse and its belfry tower,'
Said Maddalo, 'and ever at this hour
Those who may cross the water, hear that bell
Which calls the maniacs, each one from his cell,
To vespers.''As much skill as need to pray
In thanks or hope for their dark lot have they
To their stern maker,' I replied. 'O ho!
You talk as in years past,' said Maddalo.
''Tis strange men change not. You were ever still
Among Christ's flock a perilous infidel,
A wolf for the meek lambsif you can't swim
Beware of Providence.' I looked on him,
But the gay smile had faded in his eye.
'And such,'he cried, 'is our mortality.
And this must be the emblem and the sign
Of what should be eternal and divine!
And like that black and dreary bell, the soul,
Hung in a heaven-illumined tower, must toll
Our thoughts and our desires to meet below
Round the rent heart and prayas madmen do
For what? they know not,till the night of death
As sunset that strange vision, severeth
Our memory from itself, and us from all
We sought and yet were baffled.' I recall
The sense of what he said, although I mar
The force of his expressions. The broad star
Of day meanwhile had sunk behind the hill,
And the black bell became invisible,
And the red tower looked gray, and all between
The churches, ships and palaces were seen
Huddled in gloom;into the purple sea
The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola
Conveyed me to my lodging by the way.
The following morn was rainy, cold and dim:
Ere Maddalo arose, I called on him,
And whilst I waited with his child I played;
A lovelier toy sweet Nature never made,
A serious, subtle, wild, yet gentle being,
Graceful without design and unforeseeing,
With eyesOh speak not of her eyes!which seem
Twin mirrors of Italian Heaven, yet gleam
With such deep meaning, as we never see
But in the human countenance: with me
She was a special favourite: I had nursed
Her fine and feeble limbs when she came first
To this bleak world; and she yet seemed to know
On second sight her ancient playfellow,
Less changed than she was by six months or so;
For after her first shyness was worn out
We sate there, rolling billiard balls about,
When the Count entered. Salutations past
'The word you spoke last night might well have cast
A darkness on my spiritif man be
The passive thing you say, I should not see
Much harm in the religions and old saws
(Tho' I may never own such leaden laws)
Which break a teachless nature to the yoke:
Mine is another faith'thus much I spoke
And noting he replied not, added: 'See
This lovely child, blithe, innocent and free;
She spends a happy time with little care,
While we to such sick thoughts subjected are
As came on you last nightit is our will
That thus enchains us to permitted ill
We might be otherwisewe might be all
We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek
But in our mind? and if we were not weak
Should we be less in deed than in desire?'
'Ay, if we were not weakand we aspire
How vainly to be strong!' said Maddalo:
'You talk Utopia.' 'It remains to know,'
I then rejoined, 'and those who try may find
How strong the chains are which our spirit bind;
Brittle perchance as straw . . . We are assured
Much may be conquered, much may be endured,
Of what degrades and crushes us. We know
That we have power over ourselves to do
And sufferwhat, we know not till we try;
But something nobler than to live and die
So taught those kings of old philosophy
Who reigned, before Religion made men blind;
And those who suffer with their suffering kind
Yet feel their faith, religion.' 'My dear friend,'
Said Maddalo, 'my judgement will not bend
To your opinion, though I think you might
Make such a system refutation-tight
As far as words go. I knew one like you
Who to this city came some months ago,
With whom I argued in this sort, and he
Is now gone mad,and so he answered me,
Poor fellow! but if you would like to go
We'll visit him, and his wild talk will show
How vain are such aspiring theories.'
'I hope to prove the induction otherwise,
And that a want of that true theory, still,
Which seeks a "soul of goodness" in things ill
Or in himself or others, has thus bowed
His beingthere are some by nature proud,
Who patient in all else demand but this
To love and be beloved with gentleness;
And being scorned, what wonder if they die
Some living death? this is not destiny
But man's own wilful ill.'
              As thus I spoke
Servants announced the gondola, and we
Through the fast-falling rain and high-wrought sea
Sailed to the island where the madhouse stands.
We disembarked. The clap of tortured hands,
Fierce yells and howlings and lamentings keen,
And laughter where complaint had merrier been,
Moans, shrieks, and curses, and blaspheming prayers
Accosted us. We climbed the oozy stairs
Into an old courtyard. I heard on high,
Then, fragments of most touching melody,
But looking up saw not the singer there
Through the black bars in the tempestuous air
I saw, like weeds on a wrecked palace growing,
Long tangled locks flung wildly forth, and flowing,
Of those who on a sudden were beguiled
Into strange silence, and looked forth and smiled
Hearing sweet sounds.Then I: 'Methinks there were
A cure of these with patience and kind care,
If music can thus move . . . but what is he
Whom we seek here?' 'Of his sad history
I know but this,' said Maddalo: 'he came
To Venice a dejected man, and fame
Said he was wealthy, or he had been so;
Some thought the loss of fortune wrought him woe;
But he was ever talking in such sort
As you dofar more sadlyhe seemed hurt,
Even as a man with his peculiar wrong,
To hear but of the oppression of the strong,
Or those absurd deceits (I think with you
In some respects, you know) which carry through
The excellent impostors of this earth
When they outface detectionhe had worth,
Poor fellow! but a humourist in his way'
'Alas, what drove him mad?' 'I cannot say:
A lady came with him from France, and when
She left him and returned, he wandered then
About yon lonely isles of desert sand
Till he grew wildhe had no cash or land
Remaining,the police had brought him here
Some fancy took him and he would not bear
Removal; so I fitted up for him
Those rooms beside the sea, to please his whim,
And sent him busts and books and urns for flowers,
Which had adorned his life in happier hours,
And instruments of musicyou may guess
A stranger could do little more or less
For one so gentle and unfortunate:
And those are his sweet strains which charm the weight
From madmen's chains, and make this Hell appear
A heaven of sacred silence, hushed to hear.'
'Nay, this was kind of youhe had no claim,
As the world says''Nonebut the very same
Which I on all mankind were I as he
Fallen to such deep reverse;his melody
Is interruptednow we hear the din
Of madmen, shriek on shriek, again begin;
Let us now visit him; after this strain
He ever communes with himself again,
And sees nor hears not any.' Having said
These words we called the keeper, and he led
To an apartment opening on the sea
There the poor wretch was sitting mournfully
Near a piano, his pale fingers twined
One with the other, and the ooze and wind
Rushed through an open casement, and did sway
His hair, and starred it with the brackish spray;
His head was leaning on a music book,
And he was muttering, and his lean limbs shook;
His lips were pressed against a folded leaf
In hue too beautiful for health, and grief
Smiled in their motions as they lay apart
As one who wrought from his own fervid heart
The eloquence of passion, soon he raised
His sad meek face and eyes lustrous and glazed
And spokesometimes as one who wrote, and thought
His words might move some heart that heeded not,
If sent to distant lands: and then as one
Reproaching deeds never to be undone
With wondering self-compassion; then his speech
Was lost in grief, and then his words came each
Unmodulated, cold, expressionless,
But that from one jarred accent you might guess
It was despair made them so uniform:
And all the while the loud and gusty storm
Hissed through the window, and we stood behind
Stealing his accents from the envious wind
Unseen. I yet remember what he said
Distinctly: such impression his words made.
'Month after month,' he cried, 'to bear this load
And as a jade urged by the whip and goad
To drag life on, which like a heavy chain
Lengthens behind with many a link of pain!
And not to speak my griefO, not to dare
To give a human voice to my despair,
But live and move, and, wretched thing! smile on
As if I never went aside to groan,
And wear this mask of falsehood even to those
Who are most dearnot for my own repose
Alas! no scorn or pain or hate could be
So heavy as that falsehood is to me
But that I cannot bear more altered faces
Than needs must be, more changed and cold embraces,
More misery, disappointment, and mistrust
To own me for their father . . . Would the dust
Were covered in upon my body now!
That the life ceased to toil within my brow!
And then these thoughts would at the least be fled;
Let us not fear such pain can vex the dead.
'What Power delights to torture us? I know
That to myself I do not wholly owe
What now I suffer, though in part I may.
Alas! none strewed sweet flowers upon the way
Where wandering heedlessly, I met pale Pain
My shadow, which will leave me not again
If I have erred, there was no joy in error,
But pain and insult and unrest and terror;
I have not as some do, bought penitence
With pleasure, and a dark yet sweet offence,
For then,if love and tenderness and truth
Had overlived hope's momentary youth,
My creed should have redeemed me from repenting;
But loathd scorn and outrage unrelenting
Met love excited by far other seeming
Until the end was gained . . . as one from dreaming
Of sweetest peace, I woke, and found my state
Such as it is.
         'O Thou, my spirit's mate
Who, for thou art compassionate and wise,
Wouldst pity me from thy most gentle eyes
If this sad writing thou shouldst ever see
My secret groans must be unheard by thee,
Thou wouldst weep tears bitter as blood to know
Thy lost friend's incommunicable woe.
'Ye few by whom my nature has been weighed
In friendship, let me not that name degrade
By placing on your hearts the secret load
Which crushes mine to dust. There is one road
To peace and that is truth, which follow ye!
Love sometimes leads astray to misery.
Yet think not though subduedand I may well
Say that I am subduedthat the full Hell
Within me would infect the untainted breast
Of sacred nature with its own unrest;
As some perverted beings think to find
In scorn or hate a medicine for the mind
Which scorn or hate have woundedO how vain!
The dagger heals not but may rend again . . .
Believe that I am ever still the same
In creed as in resolve, and what may tame
My heart, must leave the understanding free,
Or all would sink in this keen agony
Nor dream that I will join the vulgar cry;
Or with my silence sanction tyranny;
Or seek a moment's shelter from my pain
In any madness which the world calls gain,
Ambition or revenge or thoughts as stern
As those which make me what I am; or turn
To avarice or misanthropy or lust . . .
Heap on me soon, O grave, thy welcome dust!
Till then the dungeon may demand its prey,
And Poverty and Shame may meet and say
Halting beside me on the public way
"That love-devoted youth is ourslet's sit
Beside himhe may live some six months yet."
Or the red scaffold, as our country bends,
May ask some willing victim, or ye friends
May fall under some sorrow which this heart
Or hand may share or vanquish or avert;
I am preparedin truth with no proud joy
To do or suffer aught, as when a boy
I did devote to justice and to love
My nature, worthless now! . . .
                 'I must remove
A veil from my pent mind. 'Tis torn aside!
O, pallid as Death's dedicated bride,
Thou mockery which art sitting by my side,
Am I not wan like thee? at the grave's call
I haste, invited to thy wedding-ball
To greet the ghastly paramour, for whom
Thou hast deserted me . . . and made the tomb
Thy bridal bed . . . But I beside your feet
Will lie and watch ye from my winding sheet
Thus . . . wide awake tho' dead . . . yet stay, O stay!
Go not so soonI know not what I say
Hear but my reasons . . I am mad, I fear,
My fancy is o'erwrought . . thou art not here. . .
Pale art thou, 'tis most true . . but thou art gone,
Thy work is finished . . . I am left alone!
'Nay, was it I who wooed thee to this breast
Which, like a serpent, thou envenomest
As in repayment of the warmth it lent?
Didst thou not seek me for thine own content?
Did not thy love awaken mine? I thought
That thou wert she who said, "You kiss me not
Ever, I fear you do not love me now"
In truth I loved even to my overthrow
Her, who would fain forget these words: but they
Cling to her mind, and cannot pass away.
'You say that I am proudthat when I speak
My lip is tortured with the wrongs which break
The spirit it expresses . . . Never one
Humbled himself before, as I have done!
Even the instinctive worm on which we tread
Turns, though it wound notthen with prostrate head
Sinks in the dusk and writhes like meand dies?
No: wears a living death of agonies!
As the slow shadows of the pointed grass
Mark the eternal periods, his pangs pass
Slow, ever-moving,making moments be
As mine seemeach an immortality!
'That you had never seen menever heard
My voice, and more than all had ne'er endured
The deep pollution of my loathed embrace
That your eyes ne'er had lied love in my face
That, like some maniac monk, I had torn out
The nerves of manhood by their bleeding root
With mine own quivering fingers, so that ne'er
Our hearts had for a moment mingled there
To disunite in horrorthese were not
With thee, like some suppressed and hideous thought
Which flits athwart our musings, but can find
No rest within a pure and gentle mind . . .
Thou sealedst them with many a bare broad word,
And searedst my memory o'er them,for I heard
And can forget not . . . they were ministered
One after one, those curses. Mix them up
Like self-destroying poisons in one cup,
And they will make one blessing which thou ne'er
Didst imprecate for, on me,death.
                   'It were
A cruel punishment for one most cruel,
If such can love, to make that love the fuel
Of the mind's hell; hate, scorn, remorse, despair:
But mewhose heart a stranger's tear might wear
As water-drops the sandy fountain-stone,
Who loved and pitied all things, and could moan
For woes which others hear not, and could see
The absent with the glance of phantasy,
And with the poor and trampled sit and weep,
Following the captive to his dungeon deep;
Mewho am as a nerve o'er which do creep
The else unfelt oppressions of this earth,
And was to thee the flame upon thy hearth,
When all beside was coldthat thou on me
Shouldst rain these plagues of blistering agony
Such curses are from lips once eloquent
With love's too partial praiselet none relent
Who intend deeds too dreadful for a name
Henceforth, if an example for the same
They seek . . . for thou on me lookedst so, and so
And didst speak thus . . and thus . . . I live to show
How much men bear and die not!
                'Thou wilt tell,
With the grimace of hate, how horrible
It was to meet my love when thine grew less;
Thou wilt admire how I could e'er address
Such features to love's work . . . this taunt, though true,
(For indeed Nature nor in form nor hue
Bestowed on me her choicest workmanship)
Shall not be thy defence . . . for since thy lip
Met mine first, years long past, since thine eye kindled
With soft fire under mine, I have not dwindled
Nor changed in mind or body, or in aught
But as love changes what it loveth not
After long years and many trials.
                  'How vain
Are words! I thought never to speak again,
Not even in secret,not to my own heart
But from my lips the unwilling accents start,
And from my pen the words flow as I write,
Dazzling my eyes with scalding tears . . . my sight
Is dim to see that charactered in vain
On this unfeeling leaf which burns the brain
And eats into it . . . blotting all things fair
And wise and good which time had written there.
'Those who inflict must suffer, for they see
The work of their own hearts, and this must be
Our chastisement or recompenseO child!
I would that thine were like to be more mild
For both our wretched sakes . . . for thine the most
Who feelest already all that thou hast lost
Without the power to wish it thine again;
And as slow years pass, a funereal train
Each with the ghost of some lost hope or friend
Following it like its shadow, wilt thou bend
No thought on my dead memory?
                'Alas, love!
Fear me not . . . against thee I would not move
A finger in despite. Do I not live
That thou mayst have less bitter cause to grieve?
I give thee tears for scorn and love for hate;
And that thy lot may be less desolate
Than his on whom thou tramplest, I refrain
From that sweet sleep which medicines all pain.
Then, when thou speakest of me, never say
"He could forgive not." Here I cast away
All human passions, all revenge, all pride;
I think, speak, act no ill; I do but hide
Under these words, like embers, every spark
Of that which has consumed mequick and dark
The grave is yawning . . . as its roof shall cover
My limbs with dust and worms under and over
So let Oblivion hide this grief . . . the air
Closes upon my accents, as despair
Upon my heartlet death upon despair!'
He ceased, and overcome leant back awhile,
Then rising, with a melancholy smile
Went to a sofa, and lay down, and slept
A heavy sleep, and in his dreams he wept
And muttered some familiar name, and we
Wept without shame in his society.
I think I never was impressed so much;
The man who were not, must have lacked a touch
Of human nature . . . then we lingered not,
Although our argument was quite forgot,
But calling the attendants, went to dine
At Maddalo's; yet neither cheer nor wine
Could give us spirits, for we talked of him
And nothing else, till daylight made stars dim;
And we agreed his was some dreadful ill
Wrought on him boldly, yet unspeakable,
By a dear friend; some deadly change in love
Of one vowed deeply which he dreamed not of;
For whose sake he, it seemed, had fixed a blot
Of falsehood on his mind which flourished not
But in the light of all-beholding truth;
And having stamped this canker on his youth
She had abandoned himand how much more
Might be his woe, we guessed nothe had store
Of friends and fortune once, as we could guess
From his nice habits and his gentleness;
These were now lost . . . it were a grief indeed
If he had changed one unsustaining reed
For all that such a man might else adorn.
The colours of his mind seemed yet unworn;
For the wild language of his grief was high,
Such as in measure were called poetry;
And I remember one remark which then
Maddalo made. He said: 'Most wretched men
Are cradled into poetry by wrong,
They learn in suffering what they teach in song.'
If I had been an unconnected man
I, from this moment, should have formed some plan
Never to leave sweet Venice,for to me
It was delight to ride by the lone sea;
And then, the town is silentone may write
Or read in gondolas by day or night,
Having the little brazen lamp alight,
Unseen, uninterrupted; books are there,
Pictures, and casts from all those statues fair
Which were twin-born with poetry, and all
We seek in towns, with little to recall
Regrets for the green country. I might sit
In Maddalo's great palace, and his wit
And subtle talk would cheer the winter night
And make me know myself, and the firelight
Would flash upon our faces, till the day
Might dawn and make me wonder at my stay:
But I had friends in London too: the chief
Attraction here, was that I sought relief
From the deep tenderness that maniac wrought
Within me'twas perhaps an idle thought
But I imagined that if day by day
I watched him, and but seldom went away,
And studied all the beatings of his heart
With zeal, as men study some stubborn art
For their own good, and could by patience find
An entrance to the caverns of his mind,
I might reclaim him from his dark estate:
In friendships I had been most fortunate
Yet never saw I one whom I would call
More willingly my friend; and this was all
Accomplished not; such dreams of baseless good
Oft come and go in crowds or solitude
And leave no tracebut what I now designed
Made for long years impression on my mind.
The following morning, urged by my affairs,
I left bright Venice.
           After many years
And many changes I returned; the name
Of Venice, and its aspect, was the same;
But Maddalo was travelling far away
Among the mountains of Armenia.
His dog was dead. His child had now become
A woman; such as it has been my doom
To meet with few,a wonder of this earth,
Where there is little of transcendent worth,
Like one of Shakespeare's women: kindly she,
And, with a manner beyond courtesy,
Received her father's friend; and when I asked
Of the lorn maniac, she her memory tasked,
And told as she had heard the mournful tale:
'That the poor sufferer's health began to fail
Two years from my departure, but that then
The lady who had left him, came again.
Her mien had been imperious, but she now
Looked meekperhaps remorse had brought her low.
Her coming made him better, and they stayed
Together at my father'sfor I played,
As I remember, with the lady's shawl
I might be six years oldbut after all
She left him' . . . 'Why, her heart must have been tough:
How did it end?' 'And was not this enough?
They metthey parted''Child, is there no more?'
'Something within that interval which bore
The stamp of why they parted, how they met:
Yet if thine agd eyes disdain to wet
Those wrinkled cheeks with youth's remembered tears,
Ask me no more, but let the silent years
Be closed and cered over their memory
As yon mute marble where their corpses lie.'
I urged and questioned still, she told me how
All happenedbut the cold world shall not know.
Composed at Este after Shelley's first visit to Venice, 1818 (Autumn); first published in the Posthumous Poems, London, 1824 (ed. Mrs. Shelley). Shelley's original intention had been to print the poem in Leigh Hunt's Examiner; but he changed his mind and, on August 15, 1819, sent the MS. to Hunt to be published anonymously by Ollier. This MS., found by Mr. Townshend Mayer, and by him placed in the hands of Mr. H. Buxton Forman, C.B., is described by him at length in Mr. Forman's Library Edition of the poems (vol. iii., p. 107). The date, 'May, 1819,' affixed to Julian and Maddalo in the P.P., 1824, indicates the time when the text was finally revised by Shelley.

Note by Mrs. Shelley: 'From the Baths of Lucca, in 1818, Shelley visited Venice; and, circumstances rendering it eligible that we should remain a few weeks in the neighbourhood of that city, he accepted the offer of Lord Byron, who lent him the use of a villa he rented near Este; and he sent for his family from Lucca to join him.
I Capuccini was a villa built on the site of a Capuchin convent, demolished when the French suppressed religious houses; it was situated on the very overhanging brow of a low hill at the foot of a range of higher ones. The house was cheerful and pleasant; a vine-trellised walk, a pergola, as it is called in Italian, led from the hall-door to a summer-house at the end of the garden, which Shelley made his study, and in which he began the Prometheus; and here also, as he mentions in a letter, he wrote Julian and Maddalo. A slight ravine, with a road in its depth, divided the garden from the hill, on which stood the ruins of the ancient castle of Este, whose dark massive wall gave forth an echo, and from whose ruined crevices owls and bats flitted forth at night, as the crescent moon sunk behind the black and heavy battlements. We looked from the garden over the wide plain of Lombardy, bounded to the west by the far Apennines, while to the east the horizon was lost in misty distance. After the picturesque but limited view of mountain, ravine, and chestnutwood, at the Baths of Lucca, there was something infinitely gratifying to the eye in the wide range of prospect commanded by our new abode.



~ Percy Bysshe Shelley, Julian and Maddalo - A Conversation
,
1478:The Kalevala - Rune Xxiii
OSMOTAR THE BRIDE-ADVISER
Now the bride must be instructed,
Who will teach the Maid of Beauty,
Who instruct the Rainbow-daughter?
Osmotar, the wisdom-maiden,
Kalew's fair and lovely virgin,
Osmotar will give instructions
To the bride of Ilmarinen,
To the orphaned bride of Pohya,
Teach her how to live in pleasure,
How to live and reign in glory,
Win her second mother's praises,
Joyful in her husband's dwelling.
Osmotar in modest accents
Thus the anxious bride addresses;
'Maid of Beauty, lovely sister,
Tender plant of Louhi's gardens,
Hear thou what thy sister teaches,
Listen to her sage instructions:
Go thou hence, my much beloved,
Wander far away, my flower,
Travel on enwrapped in colors,
Glide away in silks and ribbons,
From this house renowned and ancient,
From thy father's halls and court-yards
Haste thee to thy husband's village,
Hasten to his mother's household;
Strange, the rooms in other dwellings,
Strange, the modes in other hamlets.
'Full of thought must be thy going,
And thy work be well considered,
Quite unlike thy home in Northland,
On the meadows of thy father,
On the high-lands of thy brother,
Singing through thy mother's fenlands,
Culling daisies with thy sister.
'When thou goest from thy father
375
Thou canst take whatever pleases,
Only three things leave behind thee:
Leave thy day-dreams to thy sister,
Leave thou kindness for thy mother,
To thy brother leave thy labors,
Take all else that thou desirest.
Throw away thine incantations,
Cast thy sighing to the pine-trees,
And thy maidenhood to zephyrs,
Thy rejoicings to the couches,
Cast thy trinkets to the children,
And thy leisure to the gray-beards,
Cast all pleasures to thy playmates,
Let them take them to the woodlands,
Bury them beneath the mountain.
'Thou must hence acquire new habits,
Must forget thy former customs,
Mother-love must be forsaken,
Thou must love thy husband's mother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Father-love must be forsaken,
Thou must love thy husband's father,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Brother-love must be forsaken,
Thou must love thy husband's brother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits
Must forget thy former customs,
Sister-love must be forsaken,
Thou must love thy husband's sister,
Lower must thy head be bended,
Kind words only must thou utter.
'Never in the course of ages,
Never while the moonlight glimmers,
Wickedly approach thy household,
376
Nor unworthily, thy servants,
Nor thy courts with indiscretion;
Let thy dwellings sing good manners,
And thy walls re-echo virtue.
After mind the hero searches.
And the best of men seek honor,
Seek for honesty and wisdom;
If thy home should be immoral,
If thine inmates fail in virtue,
Then thy gray-beards would be black-dogs
In sheep's clothing at thy firesides;
All thy women would be witches,
Wicked witches in thy chambers,
And thy brothers be as serpents
Crawling through thy husband's mansion;
All thy sisters would be famous
For their evil thoughts and conduct.
'Equal honors must be given
To thy husband's friends and kindred;
Lower must thy head be bended,
Than within thy mother's dwelling,
Than within thy father's guest-room,
When thou didst thy kindred honor.
Ever strive to give good counsel,
Wear a countenance of sunshine,
Bear a head upon thy shoulders
Filled with wise and ancient sayings;
Open bright thine eyes at morning
To behold the silver sunrise,
Sharpen well thine ears at evening,
Thus to hear the rooster crowing;
When he makes his second calling,
Straightway thou must rise from slumber,
Let the aged sleep in quiet;
Should the rooster fail to call thee,
Let the moonbeams touch thine eyelids,
Let the Great Bear be thy keeper
Often go thou and consult them,
Call upon the Moon for counsel,
Ask the Bear for ancient wisdom,
From the stars divine thy future;
When the Great Bear faces southward,
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When his tail is pointing northward,
This is time to break with slumber,
Seek for fire within the ashes,
Place a spark upon the tinder,
Blow the fire through all the fuel.
If no spark is in the ashes,
Then go wake thy hero-husband,
Speak these words to him on waking:
'Give me fire, O my beloved,
Give a single spark, my husband,
Strike a little fire from flintstone,
Let it fall upon my tinder.'
'From the spark, O Bride of Beauty,
Light thy fires, and heat thine ovens,
In the holder, place the torch-light,
Find thy pathway to the stables,
There to fill the empty mangers;
If thy husband's cows be lowing,
If thy brother's steeds be neighing,
Then the cows await thy coming,
And the steeds for thee are calling,
Hasten, stooping through the hurdles,
Hasten through the yards and stables,
Feed thy husband's cows with pleasure,
Feed with care the gentle lambkins,
Give the cows the best of clover,
Hay, and barley, to the horses,
Feed the calves of lowing mothers,
Feed the fowl that fly to meet thee.
'Never rest upon the haymow,
Never sleep within the hurdles,
When the kine are fed and tended,
When the flocks have all been watered;
Hasten thence, my pretty matron,
Like the snow-flakes to thy dwelling,
There a crying babe awaits thee,
Weeping in his couch neglected,
Cannot speak and tell his troubles,
Speechless babe, and weeping infant,
Cannot say that he is hungry,
Whether pain or cold distresses,
Greets with joy his mother's footsteps.
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Afterward repair in silence
To thy husband's rooms and presence,
Early visit thou his chambers,
In thy hand a golden pitcher,
On thine arm a broom of birch-wood,
In thy teeth a lighted taper,
And thyself the fourth in order.
Sweep thou then thy hero's dwelling,
Dust his benches and his tables,
Wash the flooring well with water.
'If the baby of thy sister
Play alone within his corner,
Show the little child attention,
Bathe his eyes and smoothe his ringlets,
Give the infant needed comforts;
Shouldst thou have no bread of barley,
In his hand adjust some trinket.
'Lastly, when the week has ended,
Give thy house a thorough cleansing,
Benches, tables, walls, and ceilings;
What of dust is on the windows,
Sweep away with broom of birch-twigs,
All thy rooms must first be sprinkled,
at the dust may not be scattered,
May not fill the halls and chambers.
Sweep the dust from every crevice,
Leave thou not a single atom;
Also sweep the chimney-corners,
Do not then forget the rafters,
Lest thy home should seem untidy,
Lest thy dwelling seem neglected.
'Hear, O maiden, what I tell thee,
Learn the tenor of my teaching:
Never dress in scanty raiment,
Let thy robes be plain and comely,
Ever wear the whitest linen,
On thy feet wear tidy fur-shoes,
For the glory of thy husband,
For the honor of thy hero.
Tend thou well the sacred sorb-tree,
Guard the mountain-ashes planted
In the court-yard, widely branching;
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Beautiful the mountain-ashes,
Beautiful their leaves and flowers,
Still more beautiful the berries.
Thus the exiled one demonstrates
That she lives to please her husband,
Tries to make her hero happy.
'Like the mouse, have ears for hearing,
Like the hare, have feet for running,
Bend thy neck and turn thy visage
Like the juniper and aspen,
Thus to watch with care thy goings,
Thus to guard thy feet from stumbling,
That thou mayest walk in safety.
'When thy brother comes from plowing,
And thy father from his garners,
And thy husband from the woodlands,
From his chopping, thy beloved,
Give to each a water-basin,
Give to each a linen-towel,
Speak to each some pleasant greeting.
'When thy second mother hastens
To thy husband's home and kindred,
In her hand a corn-meal measure,
Haste thou to the court to meet her,
Happy-hearted, bow before her,
Take the measure from her fingers,
Happy, bear it to thy husband.
'If thou shouldst not see distinctly
What demands thy next attention,
Ask at once thy hero's mother:
'Second mother, my beloved,
Name the task to be accomplished
By thy willing second daughter,
Tell me how to best perform it.'
'This should be the mother's answer:
'This the manner of thy workings,
Thus thy daily work accomplish:
Stamp with diligence and courage,
Grind with will and great endurance,
Set the millstones well in order,
Fill the barley-pans with water,
Knead with strength the dough for baking,
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Place the fagots on the fire-place,
That thy ovens may be heated,
Bake in love the honey-biscuit,
Bake the larger loaves of barley,
Rinse to cleanliness thy platters,
Polish well thy drinking-vessels.
'If thou hearest from the mother,
From the mother of thy husband,
That the cask for meal is empty,
Take the barley from the garners,
Hasten to the rooms for grinding.
When thou grindest in the chambers,
Do not sing in glee and joyance,
Turn the grinding-stones in silence,
To the mill give up thy singing,
Let the side-holes furnish music;
Do not sigh as if unhappy,
Do not groan as if in trouble,
Lest the father think thee weary,
Lest thy husband's mother fancy
That thy groans mean discontentment,
That thy sighing means displeasure.
Quickly sift the flour thou grindest,
Take it to the casks in buckets,
Bake thy hero's bread with pleasure,
Knead the dough with care and patience,
That thy biscuits may be worthy,
That the dough be light and airy.
'Shouldst thou see a bucket empty,
Take the bucket on thy shoulder,
On thine arm a silver-dipper,
Hasten off to fill with water
From the crystal river flowing;
Gracefully thy bucket carry,
Bear it firmly by the handles,
Hasten houseward like the zephyrs,
Hasten like the air of autumn;
Do not tarry near the streamlet,
At the waters do not linger,
That the father may not fancy,
Nor the ancient dame imagine,
That thou hast beheld thine image,
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Hast admired thy form and features,
Hast admired thy grace and beauty
In the mirror of the fountain,
In the crystal streamlet's eddies.
'Shouldst thou journey to the woodlands,
There to gather aspen-fagots,
Do not go with noise and bustle,
Gather all thy sticks in silence,
Gather quietly the birch-wood,
That the father may not fancy,
And the mother not imagine,
That thy calling came from anger,
And thy noise from discontentment.
'If thou goest to the store-house
To obtain the flour of barley,
Do not tarry on thy journey,
On the threshold do not linger,
That the father may not fancy,
And the mother not imagine,
That the meal thou hast divided
With the women of the village.
'If thou goest to the river,
There to wash thy birchen platters,
There to cleanse thy pans and buckets,
Lest thy work be done in neatness,
Rinse the sides, and rinse the handles,
Rinse thy pitchers to perfection,
Spoons, and forks, and knives, and goblets,
Rinse with care thy cooking-vessels,
Closely watch the food-utensils,
That the dogs may not deface them,
That the kittens may not mar them,
That the eagles may not steal them,
That the children may not break them;
Many children in the village,
Many little heads and fingers,
That will need thy careful watching,
Lest they steal the things of value.
'When thou goest to thy bathing,
Have the brushes ready lying
In the bath-room clean and smokeless;
Do not, linger in the water,
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At thy bathing do not tarry,
That the father may not fancy,
And the mother not imagine,
Thou art sleeping on the benches,
Rolling in the laps of comfort.
'From thy bath, when thou returnest,
To his bathing tempt the father,
Speak to him the words that follow:
'Father of my hero-husband,
Clean are all the bath-room benches,
Everything in perfect order;
Go and bathe for thine enjoyment,
Pour the water all-sufficient,
I will lend thee needed service.'
'When the time has come for spinning,
When the hours arrive for weaving,
Do not ask the help of others,
Look not in the stream for knowledge,
For advice ask not the servants,
Nor the spindle from the sisters,
Nor the weaving-comb from strangers.
Thou thyself must do the spinning,
With thine own hand ply the shuttle,
Loosely wind the skeins of wool-yarn,
Tightly wind the balls of flax-thread,
Wind them deftly in the shuttle
Fit the warp upon the rollers,
Beat the woof and warp together,
Swiftly ply the weaver's shuttle,
Weave good cloth for all thy vestments,
Weave of woolen, webs for dresses
From the finest wool of lambkins,
One thread only in thy weaving.
'Hear thou what I now advise thee:
Brew thy beer from early barley,
From the barley's new-grown kernels,
Brew it with the magic virtues,
Malt it with the sweets of honey,
Do not stir it with the birch-rod,
Stir it with thy skilful fingers;
When thou goest to the garners,
Do not let the seed bring evil,
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Keep the dogs outside the brew-house,
Have no fear of wolves in hunger,
Nor the wild-beasts of the mountains,
When thou goest to thy brewing,
Shouldst thou wander forth at midnight.
'Should some stranger come to see thee,
Do not worry for his comfort;
Ever does the worthy household
Have provisions for the stranger,
Bits of meat, and bread, and biscuit,
Ample for the dinner-table;
Seat the stranger in thy dwelling,
Speak with him in friendly accents,
Entertain the guest with kindness,
While his dinner is preparing.
When the stranger leaves thy threshold,
When his farewell has been spoken,
Lead him only to the portals,
Do not step without the doorway,
That thy husband may not fancy,
And the mother not imagine,
Thou hast interest in strangers.
'Shouldst thou ever make a journey
To the centre of the village,
There to gain some needed object,
While thou speakest in the hamlet,
Let thy words be full of wisdom,
That thou shamest not thy kindred,
Nor disgrace thy husband's household.
'Village-maidens oft will ask thee,
Mothers of the hamlet question:
'Does thy husband's mother greet thee
As in childhood thou wert greeted,
In thy happy home in Pohya?'
Do not answer in negation,
Say that she has always given
Thee the best of her provisions,
Given thee the kindest greetings,
Though it be but once a season.
'Listen well to what I tell thee:
As thou goest from thy father
To thy husband's distant dwelling,
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Thou must not forget thy mother,
Her that gave thee life and beauty,
Her that nurtured thee in childhood,
Many sleepless nights she nursed thee;
Often were her wants neglected,
Numberless the times she rocked thee;
Tender, true, and ever faithful,
Is the mother to her daughter.
She that can forget her mother,
Can neglect the one that nursed her,
Should not visit Mana's castle,
In the kingdom of Tuoni;
In Manala she would suffer,
Suffer frightful retribution,
Should her mother be forgotten;
Should her dear one be neglected,
Mana's daughters will torment her,
And Tuoni's sons revile her,
They will ask her much as follows:
'How couldst thou forget thy mother,
How neglect the one that nursed thee?
Great the pain thy mother suffered,
Great the trouble that thou gavest
When thy loving mother brought thee
Into life for good or evil,
When she gave thee earth-existence,
When she nursed thee but an infant,
When she fed thee in thy childhood,
When she taught thee what thou knowest,
Mana's punishments upon thee,
Since thy mother is forgotten!''
On the floor a witch was sitting,
Near the fire a beggar-woman,
One that knew the ways of people,
These the words the woman uttered:
'Thus the crow calls in the winter:
'Would that I could be a singer,
And my voice be full of sweetness,
But, alas! my songs are worthless,
Cannot charm the weakest creature;
I must live without the singing
Leave the songs to the musicians,
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Those that live in golden houses,
In the homes of the beloved;
Homeless therefore I must wander,
Like a beggar in the corn-fields,
And with none to do me honor.'
'Hear now, sister, what I tell thee,
Enter thou thy husband's dwelling,
Follow not his mind, nor fancies,
As my husband's mind I followed;
As a flower was I when budding,
Sprouting like a rose in spring-time,
Growing like a slender maiden,
Like the honey-gem of glory,
Like the playmates of my childhood,
Like the goslings of my father,
Like the blue-ducks of my mother,
Like my brother's water-younglings,
Like the bullfinch of my sister;
Grew I like the heather-flower,
Like the berry of the meadow,
Played upon the sandy sea-shore,
Rocked upon the fragrant upland,
Sang all day adown the valley,
Thrilled with song the hill and mountain,
Filled with mirth the glen and forest,
Lived and frolicked in the woodlands.
'Into traps are foxes driven
By the cruel pangs of hunger,
Into traps, the cunning ermine;
Thus are maidens wooed and wedded,
In their hunger for a husband.
Thus created is the virgin,
Thus intended is the daughter,
Subject to her hero-husband,
Subject also to his mother.
'Then to other fields I hastened,
Like a berry from the border,
Like a cranberry for roasting,
Like a strawberry for dinner;
All the elm-trees seemed to wound me,
All the aspens tried to cut me,
All the willows tried to seize me,
386
All the forest tried to slay me.
Thus I journeyed to my husband,
Thus I travelled to his dwelling,
Was conducted to his mother.
Then there were, as was reported,
Six compartments built of pine-wood,
Twelve the number of the chambers,
And the mansion filled with garrets,
Studding all the forest border,
Every by-way filled with flowers
Streamlets bordered fields of barley,
Filled with wheat and corn, the islands,
Grain in plenty in the garners,
Rye unthrashed in great abundance,
Countless sums of gold and silver,
Other treasures without number.
When my journey I had ended,
When my hand at last was given,
Six supports were in his cabin,
Seven poles as rails for fencing.
Filled with anger were the bushes,
All the glens disfavor showing,
All the walks were lined with trouble,
Evil-tempered were the forests,
Hundred words of evil import,
Hundred others of unkindness.
Did not let this bring me sorrow,
Long I sought to merit praises,
Long I hoped to find some favor,
Strove most earnestly for kindness;
When they led me to the cottage,
There I tried some chips to gather,
Knocked my head against the portals
Of my husband's lowly dwelling.
'At the door were eyes of strangers,
Sable eyes at the partition,
Green with envy in his cabin,
Evil heroes in the back-ground,
From each mouth the fire was streaming,
From each tongue the sparks out-flying,
Flying from my second father,
From his eyeballs of unkindness.
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Did not let this bring me trouble,
Tried to live in peace and pleasure,
In the homestead of my husband
In humility I suffered,
Skipped about with feet of rabbit,
Flew along with steps of ermine,
Late I laid my head to slumber,
Early rose as if a servant,
Could not win a touch of kindness,
Could not merit love nor honor,
Though I had dislodged the mountains,
Though the rocks had I torn open.
'Then I turned the heavy millstone,
Ground the flour with care and trouble,
Ground the barley-grains in patience,
That the mother might be nourished,
That her fury-throat might swallow
What might please her taste and fancy,.
From her gold-enamelled platters,
From the corner of her table.
'As for me, the hapless daughter,
All my flour was from the siftings
On the table near the oven,
Ate I from the birchen ladle;
Oftentimes I brought the mosses
Gathered in the lowland meadows,
Baked them into loaves for eating;
Brought the water from the river,
Thirsty, sipped it from the dipper,
Ate of fish the worst in Northland,
Only smelts, and worthless swimmers,
Rocking in my boat of birch-bark
Never ate I fish or biscuit
From my second mother's fingers.
'Blades I gathered in the summers,
Twisted barley-stalks in winter,
Like the laborers of heroes,
Like the servants sold in bondage.
In the thresh-house of my husband,
Evermore to me was given
Flail the heaviest and longest,
And to me the longest lever,
388
On the shore the strongest beater,
And the largest rake in haying;
No one thought my burden heavy,
No one thought that I could suffer,
Though the best of heroes faltered,
And the strongest women weakened.
'Thus did I, a youthful housewife,
At the right time, all my duties,
Drenched myself in perspiration,
Hoped for better times to follow;
But I only rose to labor,
Knowing neither rest nor pleasure.
I was blamed by all the household,
With ungrateful tongues derided,
Now about my awkward manners,
Now about my reputation,
Censuring my name and station.
Words unkind were heaped upon me,
Fell like hail on me unhappy,
Like the frightful flash of lightning,
Like the heavy hail of spring-time.
I did not despair entirely,
Would have lived to labor longer
Underneath the tongue of malice,
But the old-one spoiled Lay temper,
Roused my deepest ire and hatred
Then my husband grew a wild-bear,
Grew a savage wolf of Hisi.
'Only then I turned to weeping,
And reflected in my chamber,
Thought of all my former pleasures
Of the happy days of childhood,
Of my father's joyful firesides,
Of my mother's peaceful cottage,
Then began I thus to murmur:
'Well thou knowest, ancient mother,
How to make thy sweet bud blossom,
How to train thy tender shootlet;
Did not know where to ingraft it,
Placed, alas! the little scion
In the very worst of places,
On an unproductive hillock,
389
In the hardest limb of cherry,
Where it could not grow and flourish,
There to waste its life, in weeping,
Hapless in her lasting sorrow.
Worthier had been my conduct
In the regions that are better,
In the court-yards that are wider,
In compartments that are larger,
Living with a loving husband,
Living with a stronger hero.
Shoe of birch-bark was my suitor,
Shoe of Laplanders, my husband;
Had the body of a raven,
Voice and visage like the jackdaw,
Mouth and claws were from the black-wolf,
The remainder from the wild-bear.
Had I known that mine affianced
Was a fount of pain and evil,
To the hill-side I had wandered,
Been a pine-tree on the highway,
Been a linden on the border,
Like the black-earth made my visage,
Grown a beard of ugly bristles,
Head of loam and eyes of lightning,
For my ears the knots of birches,
For my limbs the trunks of aspens.'
'This the manner of my singing
In the hearing of my husband,
Thus I sang my cares and murmurs
Thus my hero near the portals
Heard the wail of my displeasure,
Then he hastened to my chamber;
Straightway knew I by his footsteps,
Well concluded be was angry,
'Knew it by his steps implanted;
All the winds were still in slumber,
Yet his sable locks stood endwise,
Fluttered round his bead in fury,
While his horrid mouth stood open;
To and fro his eyes were rolling,
In one hand a branch of willow,
In the other, club of alder;
390
Struck at me with might of malice,
Aimed the cudgel at my forehead.
'When the evening had descended,
When my husband thought of slumber
Took he in his hand a whip-stalk,
With a whip-lash made of deer-skin,
Was not made for any other,
Only made for me unhappy.
'When at last I begged for mercy,
When I sought a place for resting,
By his side I courted slumber,
Merciless, my husband seized me,
Struck me with his arm of envy,
Beat me with the whip of torture,
Deer-skin-lash and stalk of birch-wood.
From his couch I leaped impulsive,
In the coldest night of winter,
But the husband fleetly followed,
Caught me at the outer portals,
Grasped me by my streaming tresses,
Tore my ringlets from my forehead,
Cast in curls upon the night-winds
To the freezing winds of winter.
What the aid that I could ask for,
Who could free me from my torment?
Made I shoes of magic metals,
Made the straps of steel and copper,
Waited long without the dwelling,
Long I listened at the portals,
Hoping he would end his ravings,
Hoping he would sink to slumber,
But he did not seek for resting,
Did not wish to still his fury.
Finally the cold benumbed me;
As an outcast from his cabin,
I was forced to walk and wander,
When I, freezing, well reflected,
This the substance of my thinking:
'I will not endure this torture,
Will not bear this thing forever,
Will not bear this cruel treatment,
Such contempt I will not suffer
391
In the wicked tribe of Hisi,
In this nest of evil Piru.'
'Then I said, 'Farewell forever!'
To my husband's home and kindred,
To my much-loved home and husband;
Started forth upon a journey
To my father's distant hamlet,
Over swamps and over snow-fields,
Wandered over towering mountains,
Over hills and through the valleys,
To my brother's welcome meadows,
To my sister's home and birthplace.
'There were rustling withered pine-trees.
Finely-feathered firs were fading,
Countless ravens there were cawing,
All the jackdaws harshly singing,
This the chorus of the ravens:
'Thou hast here a home no longer,
This is not the happy homestead
Of thy merry days of childhood.'
'Heeding not this woodland chorus,
Straight I journeyed to the dwelling
Of my childhood's friend and brother,
Where the portals spake in concord,
And the hills and valleys answered,
This their saddened song and echo:
'Wherefore dost thou journey hither,
Comest thou for joy or sorrow,
To thy father's old dominions?
Here unhappiness awaits thee,
Long departed is thy father,
Dead and gone to visit Ukko,
Dead and gone thy faithful mother,
And thy brother is a stranger,
While his wife is chill and heartless!'
'Heeding not these many warnings,
Straightway to my brother's cottage
Were my weary feet directed,
Laid my hand upon the door-latch
Of my brother's dismal cottage,
But the latch was cold and lifeless.
When I wandered to the chamber,
392
When I waited at the doorway,
There I saw the heartless hostess,
But she did not give me greeting,
Did not give her hand in welcome;
Proud, alas! was I unhappy,
Did not make the first advances,
Did not offer her my friendship,
And my hand I did not proffer;
Laid my hand upon the oven,
All its former warmth departed!
On the coal I laid my fingers,
All the latent heat had left it.
On the rest-bench lay my brother,
Lay outstretched before the fire-place,
Heaps of soot upon his shoulders,
Heaps of ashes on his forehead.
Thus the brother asked the stranger,
Questioned thus his guest politely:
'Tell me what thy name and station,
Whence thou comest o'er the waters!'
This the answer that I gave him:
Hast thou then forgot thy sister,
Does my brother not remember,
Not recall his mother's daughter
We are children of one mother,
Of one bird were we the fledgelings,
In one nest were hatched and nurtured.'
'Then the brother fell to weeping,
From his eyes great tear-drops flowing,
To his wife the brother whispered,
Whispered thus unto the housewife.
'Bring thou beer to give my sister,
Quench her thirst and cheer her spirits.'
'Full of envy, brought the sister
Only water filled with evil,
Water for the infant's eyelids,
Soap and water from the bath-room.
'To his wife the brother whispered,
Whispered thus unto the housewife:
'Bring thou salmon for my sister,
For my sister so long absent,
Thus to still her pangs of hunger.'
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'Thereupon the wife obeying,
Brought, in envy, only cabbage
That the children had been eating,
And the house-dogs had been licking,
Leavings of the black-dog's breakfast.
'Then I left my brother's dwelling,
Hastened to the ancient homestead,
To my mother's home deserted;
Onward, onward did I wander,
Hastened onward by the cold-sea,
Dragged my body on in anguish,
To the cottage-doors of strangers,
To the unfamiliar portals,
For the care of the neglected,
For the needy of the village,
For the children poor and orphaned.
'There are many wicked people,
Many slanderers of women,
Many women evil-minded,
That malign their sex through envy.
Many they with lips of evil,
That belie the best of maidens,
Prove the innocent are guilty
Of the worst of misdemeanors,
Speak aloud in tones unceasing,
Speak, alas! with wicked motives,
Spread the follies of their neighbors
Through the tongues of self-pollution.
Very few, indeed, the people
That will feed the poor and hungry,
That will bid the stranger welcome;
Very few to treat her kindly,
Innocent, and lone, and needy,
Few to offer her a shelter
From the chilling storms of winter,
When her skirts with ice are stiffened,
Coats of ice her only raiment!
'Never in my days of childhood,
Never in my maiden life-time,
Never would believe the story
Though a hundred tongues had told
Though a thousand voices sang it,
394
That such evil things could happen,
That such misery could follow,
Such misfortune could befall one
Who has tried to do her duty,
Who has tried to live uprightly,
Tried to make her people happy.'
Thus the young bride was instructed,
Beauteous Maiden of the Rainbow,
Thus by Osmotar, the teacher.
~ Elias Lönnrot,
1479:Gotham - Book Ii
How much mistaken are the men who think
That all who will, without restraint may drink,
May largely drink, e'en till their bowels burst,
Pleading no right but merely that of thirst,
At the pure waters of the living well,
Beside whose streams the Muses love to dwell!
Verse is with them a knack, an idle toy,
A rattle gilded o'er, on which a boy
May play untaught, whilst, without art or force,
Make it but jingle, music comes of course.
Little do such men know the toil, the pains,
The daily, nightly racking of the brains,
To range the thoughts, the matter to digest,
To cull fit phrases, and reject the rest;
To know the times when Humour on the cheek
Of Mirth may hold her sports; when Wit should speak,
And when be silent; when to use the powers
Of ornament, and how to place the flowers,
So that they neither give a tawdry glare,
'Nor waste their sweetness in the desert air;'
To form, (which few can do, and scarcely one,
One critic in an age, can find when done)
To form a plan, to strike a grand outline,
To fill it up, and make the picture shine
A full and perfect piece; to make coy Rhyme
Renounce her follies, and with Sense keep time;
To make proud Sense against her nature bend,
And wear the chains of Rhyme, yet call her friend.
Some fops there are, amongst the scribbling tribe,
Who make it all their business to describe,
No matter whether in or out of place;
Studious of finery, and fond of lace,
Alike they trim, as coxcomb Fancy brings,
The rags of beggars, and the robes of kings.
Let dull Propriety in state preside
O'er her dull children, Nature is their guide;
Wild Nature, who at random breaks the fence
Of those tame drudges, Judgment, Taste, and Sense,
Nor would forgive herself the mighty crime
38
Of keeping terms with Person, Place, and Time.
Let liquid gold emblaze the sun at noon,
With borrow'd beams let silver pale the moon;
Let surges hoarse lash the resounding shore,
Let streams meander, and let torrents roar;
Let them breed up the melancholy breeze,
To sigh with sighing, sob with sobbing trees;
Let vales embroidery wear; let flowers be tinged
With various tints; let clouds be laced or fringed,
They have their wish; like idle monarch boys,
Neglecting things of weight, they sigh for toys;
Give them the crown, the sceptre, and the robe,
Who will may take the power, and rule the globe.
Others there are, who, in one solemn pace,
With as much zeal as Quakers rail at lace,
Railing at needful ornament, depend
On Sense to bring them to their journey's end:
They would not (Heaven forbid!) their course delay,
Nor for a moment step out of the way,
To make the barren road those graces wear
Which Nature would, if pleased, have planted there.
Vain men! who, blindly thwarting Nature's plan,
Ne'er find a passage to the heart of man;
Who, bred 'mongst fogs in academic land,
Scorn every thing they do not understand;
Who, destitute of humour, wit, and taste,
Let all their little knowledge run to waste,
And frustrate each good purpose, whilst they wear
The robes of Learning with a sloven's air.
Though solid reasoning arms each sterling line,
Though Truth declares aloud, 'This work is mine,'
Vice, whilst from page to page dull morals creep,
Throws by the book, and Virtue falls asleep.
Sense, mere dull, formal Sense, in this gay town,
Must have some vehicle to pass her down;
Nor can she for an hour insure her reign,
Unless she brings fair Pleasure in her train.
Let her from day to day, from year to year,
In all her grave solemnities appear,
And with the voice of trumpets, through the streets,
Deal lectures out to every one she meets;
Half who pass by are deaf, and t' other half
39
Can hear indeed, but only hear to laugh.
Quit then, ye graver sons of letter'd Pride!
Taking for once Experience as a guide,
Quit this grand error, this dull college mode;
Be your pursuits the same, but change the road;
Write, or at least appear to write, with ease,
'And if you mean to profit, learn to please.'
In vain for such mistakes they pardon claim,
Because they wield the pen in Virtue's name:
Thrice sacred is that name, thrice bless'd the man
Who thinks, speaks, writes, and lives on such a plan!
This, in himself, himself of course must bless,
But cannot with the world promote success.
He may be strong, but, with effect to speak,
Should recollect his readers may be weak;
Plain, rigid truths, which saints with comfort bear,
Will make the sinner tremble and despair.
True Virtue acts from love, and the great end
At which she nobly aims is to amend.
How then do those mistake who arm her laws
With rigour not their own, and hurt the cause
They mean to help, whilst with a zealot rage
They make that goddess, whom they'd have engage
Our dearest love, in hideous terror rise!
Such may be honest, but they can't be wise.
In her own full and perfect blaze of light,
Virtue breaks forth too strong for human sight;
The dazzled eye, that nice but weaker sense,
Shuts herself up in darkness for defence:
But to make strong conviction deeper sink,
To make the callous feel, the thoughtless think,
Like God, made man, she lays her glory by,
And beams mild comfort on the ravish'd eye:
In earnest most, when most she seems in jest,
She worms into, and winds around, the breast,
To conquer Vice, of Vice appears the friend,
And seems unlike herself to gain her end.
The sons of Sin, to while away the time
Which lingers on their hands, of each black crime
To hush the painful memory, and keep
The tyrant Conscience in delusive sleep,
Read on at random, nor suspect the dart
40
Until they find it rooted in their heart.
'Gainst vice they give their vote, nor know at first
That, cursing that, themselves too they have cursed;
They see not, till they fall into the snares,
Deluded into virtue unawares.
Thus the shrewd doctor, in the spleen-struck mind,
When pregnant horror sits, and broods o'er wind,
Discarding drugs, and striving how to please,
Lures on insensibly, by slow degrees,
The patient to those manly sports which bind
The slacken'd sinews, and relieve the mind;
The patient feels a change as wrought by stealth,
And wonders on demand to find it health.
Some few, whom Fate ordain'd to deal in rhymes
In other lands, and here, in other times,
Whom, waiting at their birth, the midwife Muse
Sprinkled all over with Castalian dews,
To whom true Genius gave his magic pen,
Whom Art by just degrees led up to men;
Some few, extremes well shunn'd, have steer'd between
These dangerous rocks, and held the golden mean;
Sense in their works maintains her proper state,
But never sleeps, or labours with her weight;
Grace makes the whole look elegant and gay,
But never dares from Sense to run astray:
So nice the master's touch, so great his care,
The colours boldly glow, not idly glare;
Mutually giving and receiving aid,
They set each other off, like light and shade,
And, as by stealth, with so much softness blend,
'Tis hard to say where they begin or end:
Both give us charms, and neither gives offence;
Sense perfects Grace, and Grace enlivens Sense.
Peace to the men who these high honours claim,
Health to their souls, and to their memories fame!
Be it my task, and no mean task, to teach
A reverence for that worth I cannot reach:
Let me at distance, with a steady eye,
Observe and mark their passage to the sky;
From envy free, applaud such rising worth,
And praise their heaven, though pinion'd down to earth!
Had I the power, I could not have the time,
41
Whilst spirits flow, and life is in her prime,
Without a sin 'gainst Pleasure, to design
A plan, to methodise each thought, each line
Highly to finish, and make every grace,
In itself charming, take new charms from place.
Nothing of books, and little known of men,
When the mad fit comes on, I seize the pen,
Rough as they run, the rapid thoughts set down.
Rough as they run, discharge them on the town.
Hence rude, unfinish'd brats, before their time,
Are born into this idle world of Rhyme,
And the poor slattern Muse is brought to bed
'With all her imperfections on her head.'
Some, as no life appears, no pulses play
Through the dull dubious mass, no breath makes way,
Doubt, greatly doubt, till for a glass they call,
Whether the child can be baptized at all;
Others, on other grounds, objections frame,
And, granting that the child may have a name,
Doubt, as the sex might well a midwife pose,
Whether they should baptize it Verse or Prose.
E'en what my masters please; bards, mild, meek men,
In love to critics, stumble now and then.
Something I do myself, and something too,
If they can do it, leave for them to do.
In the small compass of my careless page
Critics may find employment for an age:
Without my blunders, they were all undone;
I twenty feed, where Mason can feed one.
When Satire stoops, unmindful of her state,
To praise the man I love, curse him I hate;
When Sense, in tides of passion borne along,
Sinking to prose, degrades the name of song,
The censor smiles, and, whilst my credit bleeds,
With as high relish on the carrion feeds
As the proud earl fed at a turtle feast,
Who, turn'd by gluttony to worse than beast,
Ate till his bowels gush'd upon the floor,
Yet still ate on, and dying call'd for more.
When loose Digression, like a colt unbroke,
Spurning Connexion and her formal yoke,
Bounds through the forest, wanders far astray
42
From the known path, and loves to lose her way,
'Tis a full feast to all the mongrel pack
To run the rambler down, and bring her back.
When gay Description, Fancy's fairy child,
Wild without art, and yet with pleasure wild,
Waking with Nature at the morning hour
To the lark's call, walks o'er the opening flower
Which largely drank all night of heaven's fresh dew,
And, like a mountain nymph of Dian's crew,
So lightly walks, she not one mark imprints,
Nor brushes off the dews, nor soils the tints;
When thus Description sports, even at the time
That drums should beat, and cannons roar in rhyme,
Critics can live on such a fault as that
From one month to the other, and grow fat.
Ye mighty Monthly Judges! in a dearth
Of letter'd blockheads, conscious of the worth
Of my materials, which against your will
Oft you've confess'd, and shall confess it still;
Materials rich, though rude, inflamed with thought,
Though more by Fancy than by Judgment wrought
Take, use them as your own, a work begin
Which suits your genius well, and weave them in,
Framed for the critic loom, with critic art,
Till, thread on thread depending, part on part,
Colour with colour mingling, light with shade,
To your dull taste a formal work is made,
And, having wrought them into one grand piece,
Swear it surpasses Rome, and rivals Greece.
Nor think this much, for at one single word,
Soon as the mighty critic fiat's heard,
Science attends their call; their power is own'd;
Order takes place, and Genius is dethroned:
Letters dance into books, defiance hurl'd
At means, as atoms danced into a world.
Me higher business calls, a greater plan,
Worthy man's whole employ, the good of man,
The good of man committed to my charge:
If idle Fancy rambles forth at large,
Careless of such a trust, these harmless lays
May Friendship envy, and may Folly praise.
The crown of Gotham may some Scot assume,
43
And vagrant Stuarts reign in Churchill's room!
O my poor People! O thou wretched Earth!
To whose dear love, though not engaged by birth,
My heart is fix'd, my service deeply sworn,
How, (by thy father can that thought be borne?-For monarchs, would they all but think like me,
Are only fathers in the best degree)
How must thy glories fade, in every land
Thy name be laugh'd to scorn, thy mighty hand
Be shorten'd, and thy zeal, by foes confess'd,
Bless'd in thyself, to make thy neighbours bless'd,
Be robb'd of vigour; how must Freedom's pile,
The boast of ages, which adorns the isle
And makes it great and glorious, fear'd abroad,
Happy at home, secure from force and fraud;
How must that pile, by ancient Wisdom raised
On a firm rock, by friends admired and praised,
Envied by foes, and wonder'd at by all,
In one short moment into ruins fall,
Should any slip of Stuart's tyrant race,
Or bastard or legitimate, disgrace
Thy royal seat of empire! But what care,
What sorrow must be mine, what deep despair
And self-reproaches, should that hated line
Admittance gain through any fault of mine!
Cursed be the cause whence Gotham's evils spring,
Though that cursed cause be found in Gotham's king.
Let War, with all his needy ruffian band,
In pomp of horror stalk through Gotham's land
Knee-deep in blood; let all her stately towers
Sink in the dust; that court which now is ours
Become a den, where beasts may, if they can,
A lodging find, nor fear rebuke from man;
Where yellow harvests rise, be brambles found;
Where vines now creep, let thistles curse the ground;
Dry in her thousand valleys be the rills;
Barren the cattle on her thousand hills;
Where Power is placed, let tigers prowl for prey;
Where Justice lodges, let wild asses bray;
Let cormorants in churches make their nest,
And on the sails of Commerce bitterns rest;
Be all, though princes in the earth before,
44
Her merchants bankrupts, and her marts no more;
Much rather would I, might the will of Fate
Give me to choose, see Gotham's ruin'd state
By ills on ills thus to the earth weigh'd down,
Than live to see a Stuart wear a crown.
Let Heaven in vengeance arm all Nature's host,
Those servants who their Maker know, who boast
Obedience as their glory, and fulfil,
Unquestion'd, their great Master's sacred will;
Let raging winds root up the boiling deep,
And, with Destruction big, o'er Gotham sweep;
Let rains rush down, till Faith, with doubtful eye,
Looks for the sign of mercy in the sky;
Let Pestilence in all her horrors rise;
Where'er I turn, let Famine blast my eyes;
Let the earth yawn, and, ere they've time to think,
In the deep gulf let all my subjects sink
Before my eyes, whilst on the verge I reel;
Feeling, but as a monarch ought to feel,
Not for myself, but them, I'll kiss the rod,
And, having own'd the justice of my God,
Myself with firmness to the ruin give,
And die with those for whom I wish to live.
This, (but may Heaven's more merciful decrees
Ne'er tempt his servant with such ills as these!)
This, or my soul deceives me, I could bear;
But that the Stuart race my crown should wear,
That crown, where, highly cherish'd, Freedom shone
Bright as the glories of the midday sun;
Born and bred slaves, that they, with proud misrule,
Should make brave freeborn men, like boys at school,
To the whip crouch and tremble--Oh, that thought!
The labouring brain is e'en to madness brought
By the dread vision; at the mere surmise
The thronging spirits, as in tumult, rise;
My heart, as for a passage, loudly beats,
And, turn me where I will, distraction meets.
O my brave fellows! great in arts and arms,
The wonder of the earth, whom glory warms
To high achievements; can your spirits bend,
Through base control (ye never can descend
So low by choice) to wear a tyrant's chain,
45
Or let, in Freedom's seat, a Stuart reign?
If Fame, who hath for ages, far and wide,
Spread in all realms the cowardice, the pride,
The tyranny and falsehood of those lords,
Contents you not, search England's fair records;
England, where first the breath of life I drew,
Where, next to Gotham, my best love is due;
There once they ruled, though crush'd by William's hand,
They rule no more, to curse that happy land.
The first, who, from his native soil removed,
Held England's sceptre, a tame tyrant proved:
Virtue he lack'd, cursed with those thoughts which spring
In souls of vulgar stamp, to be a king;
Spirit he had not, though he laugh'd at laws.
To play the bold-faced tyrant with applause;
On practices most mean he raised his pride,
And Craft oft gave what Wisdom oft denied.
Ne'er could he feel how truly man is blest
In blessing those around him; in his breast,
Crowded with follies, Honour found no room;
Mark'd for a coward in his mother's womb,
He was too proud without affronts to live,
Too timorous to punish or forgive.
To gain a crown which had, in course of time,
By fair descent, been his without a crime,
He bore a mother's exile; to secure
A greater crown, he basely could endure
The spilling of her blood by foreign knife,
Nor dared revenge her death who gave him life:
Nay, by fond Pear, and fond Ambition led,
Struck hands with those by whom her blood was shed.
Call'd up to power, scarce warm on England's throne,
He fill'd her court with beggars from his own:
Turn where you would, the eye with Scots was caught,
Or English knaves, who would be Scotsmen thought.
To vain expense unbounded loose he gave,
The dupe of minions, and of slaves the slave;
On false pretences mighty sums he raised,
And damn'd those senates rich, whom poor he praised;
From empire thrown, and doom'd to beg her bread,
On foreign bounty whilst a daughter fed,
He lavish'd sums, for her received, on men
46
Whose names would fix dishonour on my pen.
Lies were his playthings, parliaments his sport;
Book-worms and catamites engross'd the court:
Vain of the scholar, like all Scotsmen since,
The pedant scholar, he forgot the prince;
And having with some trifles stored his brain,
Ne'er learn'd, nor wish'd to learn, the art to reign.
Enough he knew, to make him vain and proud,
Mock'd by the wise, the wonder of the crowd;
False friend, false son, false father, and false king,
False wit, false statesman, and false everything,
When he should act, he idly chose to prate,
And pamphlets wrote, when he should save the state.
Religious, if religion holds in whim;
To talk with all, he let all talk with him;
Not on God's honour, but his own intent,
Not for religion's sake, but argument;
More vain if some sly, artful High-Dutch slave,
Or, from the Jesuit school, some precious knave
Conviction feign'd, than if, to peace restored
By his full soldiership, worlds hail'd him lord.
Power was his wish, unbounded as his will,
The power, without control, of doing ill;
But what he wish'd, what he made bishops preach,
And statesmen warrant, hung within his reach
He dared not seize; Fear gave, to gall his pride,
That freedom to the realm his will denied.
Of treaties fond, o'erweening of his parts,
In every treaty of his own mean arts
He fell the dupe; peace was his coward care,
E'en at a time when Justice call'd for war:
His pen he'd draw to prove his lack of wit,
But rather than unsheath the sword, submit.
Truth fairly must record; and, pleased to live
In league with Mercy, Justice may forgive
Kingdoms betray'd, and worlds resign'd to Spain,
But never can forgive a Raleigh slain.
At length, (with white let Freedom mark that year)
Not fear'd by those whom most he wish'd to fear,
Not loved by those whom most he wish'd to love,
He went to answer for his faults above;
To answer to that God, from whom alone
47
He claim'd to hold, and to abuse the throne;
Leaving behind, a curse to all his line,
The bloody legacy of Right Divine.
With many virtues which a radiance fling
Round private men; with few which grace a king,
And speak the monarch; at that time of life
When Passion holds with Reason doubtful strife,
Succeeded Charles, by a mean sire undone,
Who envied virtue even in a son.
His youth was froward, turbulent, and wild;
He took the Man up ere he left the Child;
His soul was eager for imperial sway,
Ere he had learn'd the lesson to obey.
Surrounded by a fawning, flattering throng,
Judgment each day grew weak, and humour strong;
Wisdom was treated as a noisome weed,
And all his follies left to run to seed.
What ills from such beginnings needs must spring!
What ills to such a land from such a king!
What could she hope! what had she not to fear!
Base Buckingham possess'd his youthful ear;
Strafford and Laud, when mounted on the throne,
Engross'd his love, and made him all their own;
Strafford and Laud, who boldly dared avow
The traitorous doctrine taught by Tories now;
Each strove to undo him in his turn and hour,
The first with pleasure, and the last with power.
Thinking (vain thought, disgraceful to the throne!)
That all mankind were made for kings alone;
That subjects were but slaves; and what was whim,
Or worse, in common men, was law in him;
Drunk with Prerogative, which Fate decreed
To guard good kings, and tyrants to mislead;
Which in a fair proportion to deny
Allegiance dares not; which to hold too high,
No good can wish, no coward king can dare,
And, held too high, no English subject bear;
Besieged by men of deep and subtle arts,
Men void of principle, and damn'd with parts,
Who saw his weakness, made their king their tool,
Then most a slave, when most he seem'd to rule;
Taking all public steps for private ends,
48
Deceived by favourites, whom he called friends,
He had not strength enough of soul to find
That monarchs, meant as blessings to mankind,
Sink their great state, and stamp their fame undone,
When what was meant for all, they give to one.
Listening uxorious whilst a woman's prate
Modell'd the church, and parcell'd out the state,
Whilst (in the state not more than women read)
High-churchmen preach'd, and turn'd his pious head;
Tutor'd to see with ministerial eyes;
Forbid to hear a loyal nation's cries;
Made to believe (what can't a favourite do?)
He heard a nation, hearing one or two;
Taught by state-quacks himself secure to think,
And out of danger e'en on danger's brink;
Whilst power was daily crumbling from his hand,
Whilst murmurs ran through an insulted land,
As if to sanction tyrants Heaven was bound,
He proudly sought the ruin which he found.
Twelve years, twelve tedious and inglorious years,
Did England, crush'd by power, and awed by fears,
Whilst proud Oppression struck at Freedom's root,
Lament her senates lost, her Hampden mute.
Illegal taxes and oppressive loans,
In spite of all her pride, call'd forth her groans;
Patience was heard her griefs aloud to tell,
And Loyalty was tempted to rebel.
Each day new acts of outrage shook the state,
New courts were raised to give new doctrines weight;
State inquisitions kept the realm in awe,
And cursed Star-Chambers made or ruled the law;
Juries were pack'd, and judges were unsound;
Through the whole kingdom not one Pratt was found.
From the first moments of his giddy youth
He hated senates, for they told him truth.
At length, against his will compell'd to treat,
Those whom he could not fright, he strove to cheat;
With base dissembling every grievance heard,
And, often giving, often broke his word.
Oh, where shall hapless Truth for refuge fly,
If kings, who should protect her, dare to lie?
Those who, the general good their real aim,
49
Sought in their country's good their monarch's fame;
Those who were anxious for his safety; those
Who were induced by duty to oppose,
Their truth suspected, and their worth unknown,
He held as foes and traitors to his throne;
Nor found his fatal error till the hour
Of saving him was gone and past; till power
Had shifted hands, to blast his hapless reign,
Making their faith and his repentance vain.
Hence (be that curse confined to Gotham's foes!)
War, dread to mention, Civil War arose;
All acts of outrage, and all acts of shame,
Stalk'd forth at large, disguised with Honour's name;
Rebellion, raising high her bloody hand,
Spread universal havoc through the land;
With zeal for party, and with passion drunk,
In public rage all private love was sunk;
Friend against friend, brother 'gainst brother stood,
And the son's weapon drank the father's blood;
Nature, aghast, and fearful lest her reign
Should last no longer, bled in every vein.
Unhappy Stuart! harshly though that name
Grates on my ear, I should have died with shame
To see my king before his subjects stand,
And at their bar hold up his royal hand;
At their commands to hear the monarch plead,
By their decrees to see that monarch bleed.
What though thy faults were many and were great?
What though they shook the basis of the state?
In royalty secure thy person stood,
And sacred was the fountain of thy blood.
Vile ministers, who dared abuse their trust,
Who dared seduce a king to be unjust,
Vengeance, with Justice leagued, with Power made strong,
Had nobly crush'd--'The king could do no wrong.'
Yet grieve not, Charles! nor thy hard fortunes blame;
They took thy life, but they secured thy fame.
Their greatest crimes made thine like specks appear,
From which the sun in glory is not clear.
Hadst thou in peace and years resign'd thy breath
At Nature's call; hadst thou laid down in death
As in a sleep, thy name, by Justice borne
50
On the four winds, had been in pieces torn.
Pity, the virtue of a generous soul,
Sometimes the vice, hath made thy memory whole.
Misfortunes gave what Virtue could not give,
And bade, the tyrant slain, the martyr live.
Ye Princes of the earth! ye mighty few!
Who, worlds subduing, can't yourselves subdue;
Who, goodness scorn'd, wish only to be great;
Whose breath is blasting, and whose voice is fate;
Who own no law, no reason, but your will,
And scorn restraint, though 'tis from doing ill;
Who of all passions groan beneath the worst,
Then only bless'd when they make others cursed;
Think not, for wrongs like these, unscourged to live;
Long may ye sin, and long may Heaven forgive;
But when ye least expect, in sorrow's day,
Vengeance shall fall more heavy for delay;
Nor think that vengeance heap'd on you alone
Shall (poor amends!) for injured worlds atone;
No, like some base distemper, which remains,
Transmitted from the tainted father's veins,
In the son's blood, such broad and general crimes
Shall call down vengeance e'en to latest times,
Call vengeance down on all who bear your name,
And make their portion bitterness and shame.
From land to land for years compell'd to roam,
Whilst Usurpation lorded it at home,
Of majesty unmindful, forced to fly,
Not daring, like a king, to reign or die,
Recall'd to repossess his lawful throne,
More at his people's seeking than his own,
Another Charles succeeded. In the school
Of Travel he had learn'd to play the fool;
And, like pert pupils with dull tutors sent
To shame their country on the Continent,
From love of England by long absence wean'd,
From every court he every folly glean'd,
And was--so close do evil habits cling-Till crown'd, a beggar; and when crown'd, no king.
Those grand and general powers, which Heaven design'd,
An instance of his mercy to mankind,
Were lost, in storms of dissipation hurl'd,
51
Nor would he give one hour to bless a world;
Lighter than levity which strides the blast,
And, of the present fond, forgets the past,
He changed and changed, but, every hope to curse,
Changed only from one folly to a worse:
State he resign'd to those whom state could please;
Careless of majesty, his wish was ease;
Pleasure, and pleasure only, was his aim;
Kings of less wit might hunt the bubble Fame;
Dignity through his reign was made a sport,
Nor dared Decorum show her face at court;
Morality was held a standing jest,
And Faith a necessary fraud at best.
Courtiers, their monarch ever in their view,
Possess'd great talents, and abused them too;
Whate'er was light, impertinent, and vain,
Whate'er was loose, indecent, and profane,
(So ripe was Folly, Folly to acquit)
Stood all absolved in that poor bauble, Wit.
In gratitude, alas! but little read,
He let his father's servants beg their bread-His father's faithful servants, and his own,
To place the foes of both around his throne.
Bad counsels he embraced through indolence,
Through love of ease, and not through want of sense;
He saw them wrong, but rather let them go
As right, than take the pains to make them so.
Women ruled all, and ministers of state
Were for commands at toilets forced to wait:
Women, who have, as monarchs, graced the land,
But never govern'd well at second-hand.
To make all other errors slight appear,
In memory fix'd, stand Dunkirk and Tangier;
In memory fix'd so deep, that Time in vain
Shall strive to wipe those records from the brain,
Amboyna stands--Gods! that a king could hold
In such high estimate vile paltry gold,
And of his duty be so careless found,
That when the blood of subjects from the ground
For vengeance call'd, he should reject their cry,
And, bribed from honour, lay his thunders by,
Give Holland peace, whilst English victims groan'd,
52
And butcher'd subjects wander'd unatoned!
Oh, dear, deep injury to England's fame,
To them, to us, to all! to him deep shame!
Of all the passions which from frailty spring,
Avarice is that which least becomes a king.
To crown the whole, scorning the public good,
Which through his reign he little understood,
Or little heeded, with too narrow aim
He reassumed a bigot brother's claim,
And having made time-serving senates bow,
Suddenly died--that brother best knew how.
No matter how--he slept amongst the dead,
And James his brother reigned in his stead:
But such a reign--so glaring an offence
In every step 'gainst freedom, law, and sense,
'Gainst all the rights of Nature's general plan,
'Gainst all which constitutes an Englishman,
That the relation would mere fiction seem,
The mock creation of a poet's dream;
And the poor bards would, in this sceptic age,
Appear as false as _their_ historian's page.
Ambitious Folly seized the seat of Wit,
Christians were forced by bigots to submit;
Pride without sense, without religion Zeal,
Made daring inroads on the Commonweal;
Stern Persecution raised her iron rod,
And call'd the pride of kings, the power of God;
Conscience and Fame were sacrificed to Rome,
And England wept at Freedom's sacred tomb.
Her laws despised, her constitution wrench'd
From its due natural frame, her rights retrench'd
Beyond a coward's sufferance, conscience forced,
And healing Justice from the Crown divorced,
Each moment pregnant with vile acts of power,
Her patriot Bishops sentenced to the Tower,
Her Oxford (who yet loves the Stuart name)
Branded with arbitrary marks of shame,
She wept--but wept not long: to arms she flew,
At Honour's call the avenging sword she drew,
Turn'd all her terrors on the tyrant's head,
And sent him in despair to beg his bread;
Whilst she, (may every State in such distress
53
Dare with such zeal, and meet with such success!)
Whilst she, (may Gotham, should my abject mind
Choose to enslave rather than free mankind,
Pursue her steps, tear the proud tyrant down,
Nor let me wear if I abuse the crown!)
Whilst she, (through every age, in every land,
Written in gold, let Revolution stand!)
Whilst she, secured in liberty and law,
Found what she sought, a saviour in Nassau.
~ Charles Churchill,
1480:TO MARY
(ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE SCORE OF ITS CONTAINING NO HUMAN INTEREST)

I.
How, my dear Mary, -- are you critic-bitten
(For vipers kill, though dead) by some review,
That you condemn these verses I have written,
Because they tell no story, false or true?
What, though no mice are caught by a young kitten,
May it not leap and play as grown cats do,
Till its claws come? Prithee, for this one time,
Content thee with a visionary rhyme.

II.
What hand would crush the silken-wingd fly,
The youngest of inconstant April's minions,
Because it cannot climb the purest sky,
Where the swan sings, amid the sun's dominions?
Not thine. Thou knowest 'tis its doom to die,
When Day shall hide within her twilight pinions
The lucent eyes, and the eternal smile,
Serene as thine, which lent it life awhile.

III.
To thy fair feet a wingd Vision came,
Whose date should have been longer than a day,
And o'er thy head did beat its wings for fame,
And in thy sight its fading plumes display;
The watery bow burned in the evening flame,
But the shower fell, the swift Sun went his way
And that is dead.O, let me not believe
That anything of mine is fit to live!

IV.
Wordsworth informs us he was nineteen years
Considering and retouching Peter Bell;
Watering his laurels with the killing tears
Of slow, dull care, so that their roots to Hell
Might pierce, and their wide branches blot the spheres
Of Heaven, with dewy leaves and flowers; this well
May be, for Heaven and Earth conspire to foil
The over-busy gardener's blundering toil.

V.
My Witch indeed is not so sweet a creature
As Ruth or Lucy, whom his graceful praise
Clothes for our grandsonsbut she matches Peter,
Though he took nineteen years, and she three days
In dressing. Light the vest of flowing metre
She wears; he, proud as dandy with his stays,
Has hung upon his wiry limbs a dress
Like King Lear's 'looped and windowed raggedness.'

VI.
If you strip Peter, you will see a fellow
Scorched by Hell's hyperequatorial climate
Into a kind of a sulphureous yellow:
A lean mark, hardly fit to fling a rhyme at;
In shape a Scaramouch, in hue Othello.
If you unveil my Witch, no priest nor primate
Can shrive you of that sin, -- if sin there be
In love, when it becomes idolatry.
THE WITCH OF ATLAS.

I.
Before those cruel Twins, whom at one birth
Incestuous Change bore to her father Time,
Error and Truth, had hunted from the Earth
All those bright natures which adorned its prime,
And left us nothing to believe in, worth
The pains of putting into learnd rhyme,
A lady-witch there lived on Atlas' mountain
Within a cavern, by a secret fountain.

II.
Her mother was one of the Atlantides:
The all-beholding Sun had ne'er beholden
In his wide voyage o'er continents and seas
So fair a creature, as she lay enfolden
In the warm shadow of her loveliness;--
He kissed her with his beams, and made all golden
The chamber of gray rock in which she lay--
She, in that dream of joy, dissolved away.

III.
'Tis said, she first was changed into a vapour,
And then into a cloud, such clouds as flit,
Like splendour-wingd moths about a taper,
Round the red west when the sun dies in it:
And then into a meteor, such as caper
On hill-tops when the moon is in a fit:
Then, into one of those mysterious stars
Which hide themselves between the Earth and Mars.

IV.
Ten times the Mother of the Months had bent
Her bow beside the folding-star, and bidden
With that bright sign the billows to indent
The sea-deserted sand -- like children chidden,
At her command they ever came and went--
Since in that cave a dewy splendour hidden
Took shape and motion: with the living form
Of this embodied Power, the cave grew warm.

V.
A lovely lady garmented in light
From her own beauty -- deep her eyes, as are
Two openings of unfathomable night
Seen through a Temple's cloven roof -- her hair
Darkthe dim brain whirls dizzy with delight,
Picturing her form; her soft smiles shone afar,
And her low voice was heard like love, and drew
All living things towards this wonder new.

VI.
And first the spotted cameleopard came,
And then the wise and fearless elephant;
Then the sly serpent, in the golden flame
Of his own volumes intervolved -- all gaunt
And sanguine beasts her gentle looks made tame.
They drank before her at her sacred fount;
And every beast of beating heart grew bold,
Such gentleness and power even to behold.

VII.
The brinded lioness led forth her young,
That she might teach them how they should forego
Their inborn thirst of death; the pard unstrung
His sinews at her feet, and sought to know
With looks whose motions spoke without a tongue
How he might be as gentle as the doe.
The magic circle of her voice and eyes
All savage natures did imparadise.

VIII.
And old Silenus, shaking a green stick
Of lilies, and the wood-gods in a crew
Came, blithe, as in the olive copses thick
Cicadae are, drunk with the noonday dew:
And Dryope and Faunus followed quick,
Teasing the God to sing them something new;
Till in this cave they found the lady lone,
Sitting upon a seat of emerald stone.

IX.
And universal Pan, 'tis said, was there,
And though none saw him,through the adamant
Of the deep mountains, through the trackless air,
And through those living spirits, like a want,
He passed out of his everlasting lair
Where the quick heart of the great world doth pant,
And felt that wondrous lady all alone,
And she felt him, upon her emerald throne.

X.
And every nymph of stream and spreading tree,
And every shepherdess of Ocean's flocks,
Who drives her white waves over the green sea,
And Ocean with the brine on his gray locks,
And quaint Priapus with his company,
All came, much wondering how the enwombd rocks
Could have brought forth so beautiful a birth;
Her love subdued their wonder and their mirth.

XI.
The herdsmen and the mountain maidens came,
And the rude kings of pastoral Garamant
Their spirits shook within them, as a flame
Stirred by the air under a cavern gaunt:
Pigmies, and Polyphemes, by many a name,
Centaurs, and Satyrs, and such shapes as haunt
Wet clefts,and lumps neither alive nor dead,
Dog-headed, bosom-eyed, and bird-footed.

XII.
For she was beautifulher beauty made
The bright world dim, and everything beside
Seemed like the fleeting image of a shade:
No thought of living spirit could abide,
Which to her looks had ever been betrayed,
On any object in the world so wide,
On any hope within the circling skies,
But on her form, and in her inmost eyes.

XIII.
Which when the lady knew, she took her spindle
And twined three threads of fleecy mist, and three
Long lines of light, such as the dawn may kindle
The clouds and waves and mountains with; and she
As many star-beams, ere their lamps could dwindle
In the belated moon, wound skilfully;
And with these threads a subtle veil she wove
A shadow for the splendour of her love.

XIV.
The deep recesses of her odorous dwelling
Were stored with magic treasuressounds of air,
Which had the power all spirits of compelling,
Folded in cells of crystal silence there;
Such as we hear in youth, and think the feeling
Will never dieyet ere we are aware,
The feeling and the sound are fled and gone,
And the regret they leave remains alone.

XV.
And there lay Visions swift, and sweet, and quaint,
Each in its thin sheath, like a chrysalis,
Some eager to burst forth, some weak and faint
With the soft burthen of intensest bliss
It was its work to bear to many a saint
Whose heart adores the shrine which holiest is,
Even Love's -- and others white, green, gray, and black,
And of all shapesand each was at her beck.

XVI.
And odours in a kind of aviary
Of ever-blooming Eden-trees she kept,
Clipped in a floating net, a love-sick Fairy
Had woven from dew-beams while the moon yet slept;
As bats at the wired window of a dairy.
They beat their vans; and each was an adept,
When loosed and missioned, making wings of winds,
To stir sweet thoughts or sad, in destined minds.

XVII.
And liquors clear and sweet, whose healthful might
Could medicine the sick soul to happy sleep,
And change eternal death into a night
Of glorious dreamsor if eyes needs must weep,
Could make their tears all wonder and delight,
She in her crystal vials did closely keep:
If men could drink of those clear vials, 'tis said
The living were not envied of the dead.

XVIII.
Her cave was stored with scrolls of strange device,
The works of some Saturnian Archimage,
Which taught the expiations at whose price
Men from the Gods might win that happy age
Too lightly lost, redeeming native vice;
And which might quench the Earth-consuming rage
Of gold and bloodtill men should live and move
Harmonious as the sacred stars above;

XIX.
And how all things that seem untameable,
Not to be checked and not to be confined,
Obey the spells of Wisdom's wizard skill;
Time, earth, and firethe ocean and the wind,
And all their shapes -- and man's imperial will;
And other scrolls whose writings did unbind
The inmost lore of Lovelet the profane
Tremble to ask what secrets they contain.

XX.
And wondrous works of substances unknown,
To which the enchantment of her father's power
Had changed those ragged blocks of savage stone,
Were heaped in the recesses of her bower;
Carved lamps and chalices, and vials which shone
In their own golden beams -- each like a flower,
Out of whose depth a fire-fly shakes his light
Under a cypress in a starless night.

XXI.
At first she lived alone in this wild home,
And her own thoughts were each a minister,
Clothing themselves, or with the ocean foam,
Or with the wind, or with the speed of fire,
To work whatever purposes might come
Into her mind; such power her mighty Sire
Had girt them with, whether to fly or run,
Through all the regions which he shines upon.

XXII.
The Ocean-nymphs and Hamadryades,
Oreads and Naiads, with long weedy locks,
Offered to do her bidding through the seas,
Under the earth, and in the hollow rocks,
And far beneath the matted roots of trees,
And in the gnarld heart of stubborn oaks,
So they might live for ever in the light
Of her sweet presence -- each a satellite.

XXIII.
'This may not be,' the wizard maid replied;
'The fountains where the Naiades bedew
Their shining hair, at length are drained and dried;
The solid oaks forget their strength, and strew
Their latest leaf upon the mountains wide;
The boundless ocean like a drop of dew
Will be consumedthe stubborn centre must
Be scattered, like a cloud of summer dust.

XXIV.
'And ye with them will perish, one by one;
If I must sigh to think that this shall be,
If I must weep when the surviving Sun
Shall smile on your decay -- oh, ask not me
To love you till your little race is run;
I cannot die as ye must -- over me
Your leaves shall glance -- the streams in which ye dwell
Shall be my paths henceforth, and so -- farewell!'--

XXV.
She spoke and wept:the dark and azure well
Sparkled beneath the shower of her bright tears,
And every little circlet where they fell
Flung to the cavern-roof inconstant spheres
And intertangled lines of light:a knell
Of sobbing voices came upon her ears
From those departing Forms, o'er the serene
Of the white streams and of the forest green.

XXVI.
All day the wizard lady sate aloof,
Spelling out scrolls of dread antiquity,
Under the cavern's fountain-lighted roof;
Or broidering the pictured poesy
Of some high tale upon her growing woof,
Which the sweet splendour of her smiles could dye
In hues outshining heavenand ever she
Added some grace to the wrought poesy.

XXVII.
While on her hearth lay blazing many a piece
Of sandal wood, rare gums, and cinnamon;
Men scarcely know how beautiful fire is
Each flame of it is as a precious stone
Dissolved in ever-moving light, and this
Belongs to each and all who gaze upon.
The Witch beheld it not, for in her hand
She held a woof that dimmed the burning brand.

XXVIII.
This lady never slept, but lay in trance
All night within the fountain -- as in sleep.
Its emerald crags glowed in her beauty's glance;
Through the green splendour of the water deep
She saw the constellations reel and dance
Like fire-flies -- and withal did ever keep
The tenour of her contemplations calm,
With open eyes, closed feet, and folded palm.

XXIX.
And when the whirlwinds and the clouds descended
From the white pinnacles of that cold hill,
She passed at dewfall to a space extended,
Where in a lawn of flowering asphodel
Amid a wood of pines and cedars blended,
There yawned an inextinguishable well
Of crimson firefull even to the brim,
And overflowing all the margin trim.

XXX.
Within the which she lay when the fierce war
Of wintry winds shook that innocuous liquor
In many a mimic moon and bearded star
O'er woods and lawns -- the serpent heard it flicker
In sleep, and dreaming still, he crept afar--
And when the windless snow descended thicker
Than autumn leaves, she watched it as it came
Melt on the surface of the level flame.

XXXI.
She had a boat, which some say Vulcan wrought
For Venus, as the chariot of her star;
But it was found too feeble to be fraught
With all the ardours in that sphere which are,
And so she sold it, and Apollo bought
And gave it to this daughter: from a car
Changed to the fairest and the lightest boat
Which ever upon mortal stream did float.

XXXII.
And others say, that, when but three hours old,
The first-born Love out of his cradle lept,
And clove dun Chaos with his wings of gold,
And like an horticultural adept,
Stole a strange seed, and wrapped it up in mould,
And sowed it in his mother's star, and kept
Watering it all the summer with sweet dew,
And with his wings fanning it as it grew.

XXXIII.
The plant grew strong and green, the snowy flower
Fell, and the long and gourd-like fruit began
To turn the light and dew by inward power
To its own substance; woven tracery ran
Of light firm texture, ribbed and branching, o'er
The solid rind, like a leaf's veind fan--
Of which Love scooped this boat -- and with soft motion
Piloted it round the circumfluous ocean.

XXXIV.
This boat she moored upon her fount, and lit
A living spirit within all its frame,
Breathing the soul of swiftness into it.
Couched on the fountain like a panther tame,
One of the twain at Evan's feet that sit--
Or as on Vesta's sceptre a swift flame--
Or on blind Homer's heart a wingd thought,--
In joyous expectation lay the boat.

XXXV.
Then by strange art she kneaded fire and snow
Together, tempering the repugnant mass
With liquid love -- all things together grow
Through which the harmony of love can pass;
And a fair Shape out of her hands did flow--
A living Image, which did far surpass
In beauty that bright shape of vital stone
Which drew the heart out of Pygmalion.

XXXVI.
A sexless thing it was, and in its growth
It seemed to have developed no defect
Of either sex, yet all the grace of both,--
In gentleness and strength its limbs were decked;
The bosom swelled lightly with its full youth,
The countenance was such as might select
Some artist that his skill should never die,
Imaging forth such perfect purity.

XXXVII.
From its smooth shoulders hung two rapid wings,
Fit to have borne it to the seventh sphere,
Tipped with the speed of liquid lightenings,
Dyed in the ardours of the atmosphere:
She led her creature to the boiling springs
Where the light boat was moored, and said: 'Sit here!'
And pointed to the prow, and took her seat
Beside the rudder, with opposing feet.

XXXVIII.
And down the streams which clove those mountains vast,
Around their inland islets, and amid
The panther-peopled forests, whose shade cast
Darkness and odours, and a pleasure hid
In melancholy gloom, the pinnace passed;
By many a star-surrounded pyramid
Of icy crag cleaving the purple sky,
And caverns yawning round unfathomably.

XXXIX.
The silver noon into that winding dell,
With slanted gleam athwart the forest tops,
Tempered like golden evening, feebly fell;
A green and glowing light, like that which drops
From folded lilies in which glow-worms dwell,
When Earth over her face Night's mantle wraps;
Between the severed mountains lay on high,
Over the stream, a narrow rift of sky.

XL.
And ever as she went, the Image lay
With folded wings and unawakened eyes;
And o'er its gentle countenance did play
The busy dreams, as thick as summer flies,
Chasing the rapid smiles that would not stay,
And drinking the warm tears, and the sweet sighs
Inhaling, which, with busy murmur vain,
They had aroused from that full heart and brain.

XLI.
And ever down the prone vale, like a cloud
Upon a stream of wind, the pinnace went:
Now lingering on the pools, in which abode
The calm and darkness of the deep content
In which they paused; now o'er the shallow road
Of white and dancing waters, all besprent
With sand and polished pebbles:mortal boat
In such a shallow rapid could not float.

XLII.
And down the earthquaking cataracts which shiver
Their snow-like waters into golden air,
Or under chasms unfathomable ever
Sepulchre them, till in their rage they tear
A subterranean portal for the river,
It fledthe circling sunbows did upbear
Its fall down the hoar precipice of spray,
Lighting it far upon its lampless way.

XLIII.
And when the wizard lady would ascend
The labyrinths of some many-winding vale,
Which to the inmost mountain upward tend
She called 'Hermaphroditus!'and the pale
And heavy hue which slumber could extend
Over its lips and eyes, as on the gale
A rapid shadow from a slope of grass,
Into the darkness of the stream did pass.

XLIV.
And it unfurled its heaven-coloured pinions,
With stars of fire spotting the stream below;
And from above into the Sun's dominions
Flinging a glory, like the golden glow
In which Spring clothes her emerald-wingd minions,
All interwoven with fine feathery snow
And moonlight splendour of intensest rime,
With which frost paints the pines in winter time.

XLV.
And then it winnowed the Elysian air
Which ever hung about that lady bright,
With its aethereal vansand speeding there,
Like a star up the torrent of the night,
Or a swift eagle in the morning glare
Breasting the whirlwind with impetuous flight,
The pinnace, oared by those enchanted wings,
Clove the fierce streams towards their upper springs.

XLVI.
The water flashed, like sunlight by the prow
Of a noon-wandering meteor flung to Heaven;
The still air seemed as if its waves did flow
In tempest down the mountains; loosely driven
The lady's radiant hair streamed to and fro:
Beneath, the billows having vainly striven
Indignant and impetuous, roared to feel
The swift and steady motion of the keel.

XLVII.
Or, when the weary moon was in the wane,
Or in the noon of interlunar night,
The lady-witch in visions could not chain
Her spirit; but sailed forth under the light
Of shooting stars, and bade extend amain
Its storm-outspeeding wings, the Hermaphrodite;
She to the Austral waters took her way,
Beyond the fabulous Thamondocana,

XLVIII.
Where, like a meadow which no scythe has shaven,
Which rain could never bend, or whirl-blast shake,
With the Antarctic constellations paven,
Canopus and his crew, lay the Austral lake
There she would build herself a windless haven
Out of the clouds whose moving turrets make
The bastions of the storm, when through the sky
The spirits of the tempest thundered by:

XLIX.
A haven beneath whose translucent floor
The tremulous stars sparkled unfathomably,
And around which the solid vapours hoar,
Based on the level waters, to the sky
Lifted their dreadful crags, and like a shore
Of wintry mountains, inaccessibly
Hemmed in with rifts and precipices gray,
And hanging crags, many a cove and bay.

L.
And whilst the outer lake beneath the lash
Of the wind's scourge, foamed like a wounded thing,
And the incessant hail with stony clash
Ploughed up the waters, and the flagging wing
Of the roused cormorant in the lightning flash
Looked like the wreck of some wind-wandering
Fragment of inky thunder-smoke -- this haven
Was as a gem to copy Heaven engraven,--

LI.
On which that lady played her many pranks,
Circling the image of a shooting star,
Even as a tiger on Hydaspes' banks
Outspeeds the antelopes which speediest are,
In her light boat; and many quips and cranks
She played upon the water, till the car
Of the late moon, like a sick matron wan,
To journey from the misty east began.

LII.
And then she called out of the hollow turrets
Of those high clouds, white, golden and vermilion,
The armies of her ministering spirits
In mighty legions, million after million,
They came, each troop emblazoning its merits
On meteor flags; and many a proud pavilion
Of the intertexture of the atmosphere
They pitched upon the plain of the calm mere.

LIII.
They framed the imperial tent of their great Queen
Of woven exhalations, underlaid
With lambent lightning-fire, as may be seen
A dome of thin and open ivory inlaid
With crimson silk -- cressets from the serene
Hung there, and on the water for her tread
A tapestry of fleece-like mist was strewn,
Dyed in the beams of the ascending moon.

LIV.
And on a throne o'erlaid with starlight, caught
Upon those wandering isles of ary dew,
Which highest shoals of mountain shipwreck not,
She sate, and heard all that had happened new
Between the earth and moon, since they had brought
The last intelligence -- and now she grew
Pale as that moon, lost in the watery night--
And now she wept, and now she laughed outright.

LV.
These were tame pleasures; she would often climb
The steepest ladder of the crudded rack
Up to some beakd cape of cloud sublime,
And like Arion on the dolphin's back
Ride singing through the shoreless air; -- oft-time
Following the serpent lightning's winding track,
She ran upon the platforms of the wind,
And laughed to hear the fire-balls roar behind.

LVI.
And sometimes to those streams of upper air
Which whirl the earth in its diurnal round,
She would ascend, and win the spirits there
To let her join their chorus. Mortals found
That on those days the sky was calm and fair,
And mystic snatches of harmonious sound
Wandered upon the earth where'er she passed,
And happy thoughts of hope, too sweet to last.

LVII.
But her choice sport was, in the hours of sleep,
To glide adown old Nilus, where he threads
Egypt and Aethiopia, from the steep
Of utmost Axum, until he spreads,
Like a calm flock of silver-fleecd sheep,
His waters on the plain: and crested heads
Of cities and proud temples gleam amid,
And many a vapour-belted pyramid.

LVIII.
By Moeris and the Mareotid lakes,
Strewn with faint blooms like bridal chamber floors,
Where naked boys bridling tame water-snakes,
Or charioteering ghastly alligators,
Had left on the sweet waters mighty wakes
Of those huge forms -- within the brazen doors
Of the great Labyrinth slept both boy and beast,
Tired with the pomp of their Osirian feast.

LIX.
And where within the surface of the river
The shadows of the massy temples lie,
And never are erased -- but tremble ever
Like things which every cloud can doom to die,
Through lotus-paven canals, and wheresoever
The works of man pierced that serenest sky
With tombs, and towers, and fanes, 'twas her delight
To wander in the shadow of the night.

LX.
With motion like the spirit of that wind
Whose soft step deepens slumber, her light feet
Passed through the peopled haunts of humankind,
Scattering sweet visions from her presence sweet,
Through fane, and palace-court, and labyrinth mined
With many a dark and subterranean street
Under the Nile, through chambers high and deep
She passed, observing mortals in their sleep.

LXI.
A pleasure sweet doubtless it was to see
Mortals subdued in all the shapes of sleep.
Here lay two sister twins in infancy;
There, a lone youth who in his dreams did weep;
Within, two lovers linkd innocently
In their loose locks which over both did creep
Like ivy from one stem;and there lay calm
Old age with snow-bright hair and folded palm.

LXII.
But other troubled forms of sleep she saw,
Not to be mirrored in a holy song--
Distortions foul of supernatural awe,
And pale imaginings of visioned wrong;
And all the code of Custom's lawless law
Written upon the brows of old and young:
'This,' said the wizard maiden, 'is the strife
Which stirs the liquid surface of man's life.'

LXIII.
And little did the sight disturb her soul.--
We, the weak mariners of that wide lake
Where'er its shores extend or billows roll,
Our course unpiloted and starless make
O'er its wild surface to an unknown goal:--
But she in the calm depths her way could take,
Where in bright bowers immortal forms abide
Beneath the weltering of the restless tide.

LXIV.
And she saw princes couched under the glow
Of sunlike gems; and round each temple-court
In dormitories ranged, row after row,
She saw the priests asleepall of one sort--
For all were educated to be so.
The peasants in their huts, and in the port
The sailors she saw cradled on the waves,
And the dead lulled within their dreamless graves.

LXV.
And all the forms in which those spirits lay
Were to her sight like the diaphanous
Veils, in which those sweet ladies oft array
Their delicate limbs, who would conceal from us
Only their scorn of all concealment: they
Move in the light of their own beauty thus.
But these and all now lay with sleep upon them,
And little thought a Witch was looking on them.

LXVI.
She, all those human figures breathing there,
Beheld as living spirits -- to her eyes
The naked beauty of the soul lay bare,
And often through a rude and worn disguise
She saw the inner form most bright and fair--
And then she had a charm of strange device,
Which, murmured on mute lips with tender tone,
Could make that spirit mingle with her own.

LXVII.
Alas! Aurora, what wouldst thou have given
For such a charm when Tithon became gray?
Or how much, Venus, of thy silver heaven
Wouldst thou have yielded, ere Proserpina
Had half (oh! why not all?) the debt forgiven
Which dear Adonis had been doomed to pay,
To any witch who would have taught you it?
The Heliad doth not know its value yet.

LXVIII.
'Tis said in after times her spirit free
Knew what love was, and felt itself alone--
But holy Dian could not chaster be
Before she stooped to kiss Endymion,
Than now this lady -- like a sexless bee
Tasting all blossoms, and confined to none,
Among those mortal forms, the wizard-maiden
Passed with an eye serene and heart unladen.

LXIX.
To those she saw most beautiful, she gave
Strange panacea in a crystal bowl:--
They drank in their deep sleep of that sweet wave,
And lived thenceforward as if some control,
Mightier than life, were in them; and the grave
Of such, when death oppressed the weary soul,
Was as a green and overarching bower
Lit by the gems of many a starry flower.

LXX.
For on the night when they were buried, she
Restored the embalmers' ruining, and shook
The light out of the funeral lamps, to be
A mimic day within that deathy nook;
And she unwound the woven imagery
Of second childhood's swaddling bands, and took
The coffin, its last cradle, from its niche,
And threw it with contempt into a ditch.

LXXI.
And there the body lay, age after age,
Mute, breathing, beating, warm, and undecaying,
Like one asleep in a green hermitage,
With gentle smiles about its eyelids playing,
And living in its dreams beyond the rage
Of death or life; while they were still arraying
In liveries ever new, the rapid, blind
And fleeting generations of mankind.

LXXII.
And she would write strange dreams upon the brain
Of those who were less beautiful, and make
All harsh and crooked purposes more vain
Than in the desert is the serpent's wake
Which the sand coversall his evil gain
The miser in such dreams would rise and shake
Into a beggar's lap;the lying scribe
Would his own lies betray without a bribe.

LXXIII.
The priests would write an explanation full,
Translating hieroglyphics into Greek,
How the God Apis really was a bull,
And nothing more; and bid the herald stick
The same against the temple doors, and pull
The old cant down; they licensed all to speak
What'er they thought of hawks, and cats, and geese,
By pastoral letters to each diocese.

LXXIV.
The king would dress an ape up in his crown
And robes, and seat him on his glorious seat,
And on the right hand of the sunlike throne
Would place a gaudy mock-bird to repeat
The chatterings of the monkey.Every one
Of the prone courtiers crawled to kiss the feet
Of their great Emperor, when the morning came,
And kissed -- alas, how many kiss the same!

LXXV.
The soldiers dreamed that they were blacksmiths, and
Walked out of quarters in somnambulism;
Round the red anvils you might see them stand
Like Cyclopses in Vulcan's sooty abysm,
Beating their swords to ploughshares; -- in a band
The gaolers sent those of the liberal schism
Free through the streets of Memphis, much, I wis,
To the annoyance of king Amasis.

LXXVI.
And timid lovers who had been so coy,
They hardly knew whether they loved or not,
Would rise out of their rest, and take sweet joy,
To the fulfilment of their inmost thought;
And when next day the maiden and the boy
Met one another, both, like sinners caught,
Blushed at the thing which each believed was done
Only in fancy -- till the tenth moon shone;

LXXVII.
And then the Witch would let them take no ill:
Of many thousand schemes which lovers find,
The Witch found one,and so they took their fill
Of happiness in marriage warm and kind.
Friends who, by practice of some envious skill,
Were torn apart -- a wide wound, mind from mind!--
She did unite again with visions clear
Of deep affection and of truth sincere.

LXXVIII.
These were the pranks she played among the cities
Of mortal men, and what she did to Sprites
And Gods, entangling them in her sweet ditties
To do her will, and show their subtle sleights,
I will declare another time; for it is
A tale more fit for the weird winter nights
Than for these garish summer days, when we
Scarcely believe much more than we can see.
Composed at the Baths of San Giuliano, near Pisa, August 14-16, 1820; published in Posthumous Poems, ed. Mrs. Shelley, 1824. The dedication To Mary first appeared in the Poetical Works, 1839, 1st ed.

Note by Mrs. Shelley: 'We spent the summer of 1820 at the Baths of San Giuliano, four miles from Pisa. These baths were of great use to Shelley in soothing his nervous irritability. We made several excursions in the neighbourhood. The country around is fertile, and diversified and rendered picturesque by ranges of near hills and more distant mountains. The peasantry are a handsome intelligent race; and there was a gladsome sunny heaven spread over us, that rendered home and every scene we visited cheerful and bright. During some of the hottest days of August, Shelley made a solitary journey on foot to the summit of Monte San Pellegrino -- a mountain of some height, on the top of which there is a chapel, the object, during certain days of the year, of many pilgrimages. The excursion delighted him while it lasted; though he exerted himself too much, and the effect was considerable lsasitude and weakness on his return. During the expedition he conceived the idea, and wrote, in the three days immediately succeeding to his return, the Witch of Atlas.
This poem is peculiarly characteristic of his tastes -- wildly fanciful, full of brilliant imagery, and discarding human interest and passion, to revel in the fantastic ideas that his imagination suggested.'
~ Percy Bysshe Shelley, The Witch Of Atlas
,
1481:A SATYRIC DRAMA TRANSLATED FROM THE GREEK OF EURIPIDES.

SILENUS.
ULYSSES.
CHORUS OF SATYRS.
THE CYCLOPS.

SILENUS:
O Bacchus, what a world of toil, both now
And ere these limbs were overworn with age,
Have I endured for thee! First, when thou fledst
The mountain-nymphs who nursed thee, driven afar
By the strange madness Juno sent upon thee;
Then in the battle of the Sons of Earth,
When I stood foot by foot close to thy side,
No unpropitious fellow-combatant,
And, driving through his shield my winged spear,
Slew vast Enceladus. Consider now,
Is it a dream of which I speak to thee?
By Jove it is not, for you have the trophies!
And now I suffer more than all before.
For when I heard that Juno had devised
A tedious voyage for you, I put to sea
With all my children quaint in search of you,
And I myself stood on the beaked prow
And fixed the naked mast; and all my boys
Leaning upon their oars, with splash and strain
Made white with foam the green and purple sea,--
And so we sought you, king. We were sailing
Near Malea, when an eastern wind arose,
And drove us to this waste Aetnean rock;
The one-eyed children of the Ocean God,
The man-destroying Cyclopses, inhabit,
On this wild shore, their solitary caves,
And one of these, named Polypheme. has caught us
To be his slaves; and so, for all delight
Of Bacchic sports, sweet dance and melody,
We keep this lawless giants wandering flocks.
My sons indeed on far declivities,
Young things themselves, tend on the youngling sheep,
But I remain to fill the water-casks,
Or sweeping the hard floor, or ministering
Some impious and abominable meal
To the fell Cyclops. I am wearied of it!
And now I must scrape up the littered floor
With this great iron rake, so to receive
My absent master and his evening sheep
In a cave neat and clean. Even now I see
My children tending the flocks hitherward.
Ha! what is this? are your Sicinnian measures
Even now the same, as when with dance and song
You brought young Bacchus to Althaeas halls?

CHORUS OF SATYRS:

STROPHE:
Where has he of race divine
Wandered in the winding rocks?
Here the air is calm and fine
For the father of the flocks;--
Here the grass is soft and sweet,
And the river-eddies meet
In the trough beside the cave,
Bright as in their fountain wave.--
Neither here, nor on the dew
Of the lawny uplands feeding?
Oh, you come!a stone at you
Will I throw to mend your breeding;--
Get along, you horned thing,
Wild, seditious, rambling!

EPODE:
An Iacchic melody
To the golden Aphrodite
Will I lift, as erst did I
Seeking her and her delight
With the Maenads, whose white feet
To the music glance and fleet.
Bacchus, O beloved, where,
Shaking wide thy yellow hair,
Wanderest thou alone, afar?
To the one-eyed Cyclops, we,
Who by right thy servants are,
Minister in misery,
In these wretched goat-skins clad,
Far from thy delights and thee.

SILENUS:
Be silent, sons; command the slaves to drive
The gathered flocks into the rock-roofed cave.

CHORUS:
Go! But what needs this serious haste, O father?

SILENUS:
I see a Grecian vessel on the coast,
And thence the rowers with some general
Approaching to this cave.About their necks
Hang empty vessels, as they wanted food,
And water-flasks.Oh, miserable strangers!
Whence come they, that they know not what and who
My master is, approaching in ill hour
The inhospitable roof of Polypheme,
And the Cyclopian jaw-bone, man-destroying?
Be silent, Satyrs, while I ask and hear 85
Whence coming, they arrive the Aetnean hill.

ULYSSES:
Friends, can you show me some clear water-spring,
The remedy of our thirst? Will any one
Furnish with food seamen in want of it?
Ha! what is this? We seem to be arrived
At the blithe court of Bacchus. I observe
This sportive band of Satyrs near the caves.
First let me greet the elder.--Hail!

SILENUS:
Hail thou,
O Stranger! tell thy country and thy race.

ULYSSES:
The Ithacan Ulysses and the king
Of Cephalonia.

SILENUS:
Oh! I know the man,
Wordy and shrewd, the son of Sisyphus.

ULYSSES:
I am the same, but do not rail upon me.--

SILENUS:
Whence sailing do you come to Sicily?

ULYSSES:
From Ilion, and from the Trojan toils.

SILENUS:
How, touched you not at your paternal shore?

ULYSSES:
The strength of tempests bore me here by force.

SILENUS:
The self-same accident occurred to me.

ULYSSES:
Were you then driven here by stress of weather?

SILENUS:
Following the Pirates who had kidnapped Bacchus.

ULYSSES:
What land is this, and who inhabit it?--

SILENUS:
Aetna, the loftiest peak in Sicily.

ULYSSES:
And are there walls, and tower-surrounded towns?

SILENUS:
There are not.--These lone rocks are bare of men.

ULYSSES:
And who possess the land? the race of beasts?

SILENUS:
Cyclops, who live in caverns, not in houses.

ULYSSES:
Obeying whom? Or is the state popular?

SILENUS:
Shepherds: no one obeys any in aught.

ULYSSES:
How live they? do they sow the corn of Ceres?

SILENUS:
On milk and cheese, and on the flesh of sheep.

ULYSSES:
Have they the Bromian drink from the vines stream?

SILENUS:
Ah! no; they live in an ungracious land.

ULYSSES:
And are they just to strangers?hospitable?

SILENUS:
They think the sweetest thing a stranger brings
Is his own flesh.

ULYSSES:
What! do they eat mans flesh?

SILENUS:
No one comes here who is not eaten up.

ULYSSES:
The Cyclops now--where is he? Not at home?

SILENUS:
Absent on Aetna, hunting with his dogs.

ULYSSES:
Knowst thou what thou must do to aid us hence?

SILENUS:
I know not: we will help you all we can.

ULYSSES:
Provide us food, of which we are in want.

SILENUS:
Here is not anything, as I said, but meat.

ULYSSES:
But meat is a sweet remedy for hunger.

SILENUS:
Cows milk there is, and store of curdled cheese.

ULYSSES:
Bring out:--I would see all before I bargain.

SILENUS:
But how much gold will you engage to give?

ULYSSES:
I bring no gold, but Bacchic juice.

SILENUS:
Oh, joy!
Tis long since these dry lips were wet with wine.

ULYSSES:
Maron, the son of the God, gave it me.

SILENUS:
Whom I have nursed a baby in my arms.

ULYSSES:
The son of Bacchus, for your clearer knowledge.

SILENUS:
Have you it now?or is it in the ship?

ULYSSES:
Old man, this skin contains it, which you see.

SILENUS:
Why, this would hardly be a mouthful for me.

ULYSSES:
Nay, twice as much as you can draw from thence.

SILENUS:
You speak of a fair fountain, sweet to me.

ULYSSES:
Would you first taste of the unmingled wine?

SILENUS:
Tis justtasting invites the purchaser.

ULYSSES:
Here is the cup, together with the skin.

SILENUS:
Pour: that the draught may fillip my remembrance.

ULYSSES:
See!

SILENUS:
Papaiapax! what a sweet smell it has!

ULYSSES:
You see it then?--

SILENUS:
By Jove, no! but I smell it.

ULYSSES:
Taste, that you may not praise it in words only.

SILENUS:
Babai! Great Bacchus calls me forth to dance!
Joy! joy!

ULYSSES:
Did it flow sweetly down your throat?

SILENUS:
So that it tingled to my very nails.

ULYSSES:
And in addition I will give you gold.

SILENUS:
Let gold alone! only unlock the cask.

ULYSSES:
Bring out some cheeses now, or a young goat.

SILENUS:
That will I do, despising any master.
Yes, let me drink one cup, and I will give
All that the Cyclops feed upon their mountains.
...

CHORUS:
Ye have taken Troy and laid your hands on Helen?

ULYSSES:
And utterly destroyed the race of Priam.
...

SILENUS:
The wanton wretch! she was bewitched to see
The many-coloured anklets and the chain
Of woven gold which girt the neck of Paris,
And so she left that good man Menelaus.
There should be no more women in the world
But such as are reserved for me alone.--
See, here are sheep, and here are goats, Ulysses,
Here are unsparing cheeses of pressed milk;
Take them; depart with what good speed ye may;
First leaving my reward, the Bacchic dew
Of joy-inspiring grapes.

ULYSSES:
Ah me! Alas!
What shall we do? the Cyclops is at hand!
Old man, we perish! whither can we fly?

SILENUS:
Hide yourselves quick within that hollow rock.

ULYSSES:
Twere perilous to fly into the net.

SILENUS:
The cavern has recesses numberless;
Hide yourselves quick.

ULYSSES:
That will I never do!
The mighty Troy would be indeed disgraced
If I should fly one man. How many times
Have I withstood, with shield immovable.
Ten thousand Phrygians!if I needs must die,
Yet will I die with glory;--if I live,
The praise which I have gained will yet remain.

SILENUS:
What, ho! assistance, comrades, haste, assistance!

[THE CYCLOPS, SILENUS, ULYSSES; CHORUS.]

CYCLOPS:
What is this tumult? Bacchus is not here,
Nor tympanies nor brazen castanets.
How are my young lambs in the cavern? Milking
Their dams or playing by their sides? And is
The new cheese pressed into the bulrush baskets?
Speak! Ill beat some of you till you rain tears--
Look up, not downwards when I speak to you.

SILENUS:
See! I now gape at Jupiter himself;
I stare upon Orion and the stars.

CYCLOPS:
Well, is the dinner fitly cooked and laid?

SILENUS:
All ready, if your throat is ready too.

CYCLOPS:
Are the bowls full of milk besides?

SILENUS:
Oer-brimming;
So you may drink a tunful if you will.

CYCLOPS:
Is it ewes milk or cows milk, or both mixed?--

SILENUS:
Both, either; only pray dont swallow me.

CYCLOPS:
By no means.--
...
What is this crowd I see beside the stalls?
Outlaws or thieves? for near my cavern-home
I see my young lambs coupled two by two
With willow bands; mixed with my cheeses lie
Their implements; and this old fellow here
Has his bald head broken with stripes.

SILENUS:
Ah me!
I have been beaten till I burn with fever.

CYCLOPS:
By whom? Who laid his fist upon your head?

SILENUS:
Those men, because I would not suffer them
To steal your goods.

CYCLOPS:
Did not the rascals know
I am a God, sprung from the race of Heaven?

SILENUS:
I told them so, but they bore off your things,
And ate the cheese in spite of all I said,
And carried out the lambsand said, moreover,
Theyd pin you down with a three-cubit collar,
And pull your vitals out through your one eye,
Furrow your back with stripes, then, binding you,
Throw you as ballast into the ships hold,
And then deliver you, a slave, to move
Enormous rocks, or found a vestibule.

CYCLOPS:
In truth? Nay, haste, and place in order quickly
The cooking-knives, and heap upon the hearth,
And kindle it, a great **** of wood.--
As soon as they are slaughtered, they shall fill
My belly, broiling warm from the live coals,
Or boiled and seethed within the bubbling caldron.
I am quite sick of the wild mountain game;
Of stags and lions I have gorged enough,
And I grow hungry for the flesh of men.

SILENUS:
Nay, master, something new is very pleasant
After one thing forever, and of late
Very few strangers have approached our cave.

ULYSSES:
Hear, Cyclops, a plain tale on the other side.
We, wanting to buy food, came from our ship
Into the neighbourhood of your cave, and here
This old Silenus gave us in exchange
These lambs for wine, the which he took and drank,
And all by mutual compact, without force.
There is no word of truth in what he says,
For slyly he was selling all your store.

SILENUS:
I? May you perish, wretch--

ULYSSES:
If I speak false!

SILENUS:
Cyclops, I swear by Neptune who begot thee,
By mighty Triton and by Nereus old,
Calypso and the glaucous Ocean Nymphs,
The sacred waves and all the race of fishes--
Be these the witnesses, my dear sweet master,
My darling little Cyclops, that I never
Gave any of your stores to these false strangers;--
If I speak false may those whom most I love,
My children, perish wretchedly!

CHORUS:
There stop!
I saw him giving these things to the strangers.
If I speak false, then may my father perish,
But do not thou wrong hospitality.

CYCLOPS:
You lie! I swear that he is juster far
Than Rhadamanthus--I trust more in him.
But let me ask, whence have ye sailed, O strangers?
Who are you? And what city nourished ye?

ULYSSES:
Our race is Ithacan--having destroyed
The town of Troy, the tempests of the sea
Have driven us on thy land, O Polypheme.

CYCLOPS:
What, have ye shared in the unenvied spoil
Of the false Helen, near Scamanders stream?

ULYSSES:
The same, having endured a woful toil.

CYCLOPS:
Oh, basest expedition! sailed ye not
From Greece to Phrygia for one womans sake?

ULYSSES:
Twas the Gods workno mortal was in fault.
But, O great Offspring of the Ocean-King,
We pray thee and admonish thee with freedom,
That thou dost spare thy friends who visit thee,
And place no impious food within thy jaws.
For in the depths of Greece we have upreared
Temples to thy great Father, which are all
His homes. The sacred bay of Taenarus
Remains inviolate, and each dim recess
Scooped high on the Malean promontory,
And aery Suniums silver-veined crag,
Which divine Pallas keeps unprofaned ever,
The Gerastian asylums, and whateer
Within wide Greece our enterprise has kept
From Phrygian contumely; and in which
You have a common care, for you inhabit
The skirts of Grecian land, under the roots
Of Aetna and its crags, spotted with fire.
Turn then to converse under human laws,
Receive us shipwrecked suppliants, and provide
Food, clothes, and fire, and hospitable gifts;
Nor fixing upon oxen-piercing spits
Our limbs, so fill your belly and your jaws.
Priams wide land has widowed Greece enough;
And weapon-winged murder leaped together
Enough of dead, and wives are husbandless,
And ancient women and gray fathers wail
Their childless age;if you should roast the rest--
And tis a bitter feast that you prepare--
Where then would any turn? Yet be persuaded;
Forgo the lust of your jaw-bone; prefer
Pious humanity to wicked will:
Many have bought too dear their evil joys.

SILENUS:
Let me advise you, do not spare a morsel
Of all his flesh. If you should eat his tongue
You would become most eloquent, O Cyclops.

CYCLOPS:
Wealth, my good fellow, is the wise mans God,
All other things are a pretence and boast.
What are my fathers ocean promontories,
The sacred rocks whereon he dwells, to me?
Stranger, I laugh to scorn Joves thunderbolt,
I know not that his strength is more than mine.
As to the rest I care not.When he pours
Rain from above, I have a close pavilion
Under this rock, in which I lie supine,
Feasting on a roast calf or some wild beast,
And drinking pans of milk, and gloriously
Emulating the thunder of high Heaven.
And when the Thracian wind pours down the snow,
I wrap my body in the skins of beasts,
Kindle a fire, and bid the snow whirl on.
The earth, by force, whether it will or no,
Bringing forth grass, fattens my flocks and herds,
Which, to what other God but to myself
And this great belly, first of deities,
Should I be bound to sacrifice? I well know
The wise mans only Jupiter is this,
To eat and drink during his little day,
And give himself no care. And as for those
Who complicate with laws the life of man,
I freely give them tears for their reward.
I will not cheat my soul of its delight,
Or hesitate in dining upon you:--
And that I may be quit of all demands,
These are my hospitable gifts;fierce fire
And yon ancestral caldron, which oer-bubbling
Shall finely cook your miserable flesh.
Creep in!--
...

ULYSSES:
Ai! ai! I have escaped the Trojan toils,
I have escaped the sea, and now I fall
Under the cruel grasp of one impious man.
O Pallas, Mistress, Goddess, sprung from Jove,
Now, now, assist me! Mightier toils than Troy
Are these;I totter on the chasms of peril;--
And thou who inhabitest the thrones
Of the bright stars, look, hospitable Jove,
Upon this outrage of thy deity,
Otherwise be considered as no God!

CHORUS (ALONE):
For your gaping gulf and your gullet wide,
The ravin is ready on every side,
The limbs of the strangers are cooked and done;
There is boiled meat, and roast meat, and meat from the coal,
You may chop it, and tear it, and gnash it for fun,
An hairy goats-skin contains the whole.
Let me but escape, and ferry me oer
The stream of your wrath to a safer shore.
The Cyclops Aetnean is cruel and bold,
He murders the strangers
That sit on his hearth,
And dreads no avengers
To rise from the earth.
He roasts the men before they are cold,
He snatches them broiling from the coal,
And from the caldron pulls them whole,
And minces their flesh and gnaws their bone
With his cursed teeth, till all be gone.
Farewell, foul pavilion:
Farewell, rites of dread!
The Cyclops vermilion,
With slaughter uncloying,
Now feasts on the dead,
In the flesh of strangers joying!

ULYSSES:
O Jupiter! I saw within the cave
Horrible things; deeds to be feigned in words,
But not to be believed as being done.

CHORUS:
What! sawest thou the impious Polypheme
Feasting upon your loved companions now?

ULYSSES:
Selecting two, the plumpest of the crowd,
He grasped them in his hands.--

CHORUS:
Unhappy man!
...

ULYSSES:
Soon as we came into this craggy place,
Kindling a fire, he cast on the broad hearth
The knotty limbs of an enormous oak,
Three waggon-loads at least, and then he strewed
Upon the ground, beside the red firelight,
His couch of pine-leaves; and he milked the cows,
And pouring forth the white milk, filled a bowl
Three cubits wide and four in depth, as much
As would contain ten amphorae, and bound it
With ivy wreaths; then placed upon the fire
A brazen pot to boil, and made red hot
The points of spits, not sharpened with the sickle
But with a fruit tree bough, and with the jaws
Of axes for Aetnean slaughterings.
And when this God-abandoned Cook of Hell
Had made all ready, he seized two of us
And killed them in a kind of measured manner;
For he flung one against the brazen rivets
Of the huge caldron, and seized the other
By the foots tendon, and knocked out his brains
Upon the sharp edge of the craggy stone:
Then peeled his flesh with a great cooking-knife
And put him down to roast. The others limbs
He chopped into the caldron to be boiled.
And I, with the tears raining from my eyes,
Stood near the Cyclops, ministering to him;
The rest, in the recesses of the cave,
Clung to the rock like bats, bloodless with fear.
When he was filled with my companions flesh,
He threw himself upon the ground and sent
A loathsome exhalation from his maw.
Then a divine thought came to me. I filled
The cup of Maron, and I offered him
To taste, and said:Child of the Ocean God,
Behold what drink the vines of Greece produce,
The exultation and the joy of Bacchus.
He, satiated with his unnatural food,
Received it, and at one draught drank it off,
And taking my hand, praised me:Thou hast given
A sweet draught after a sweet meal, dear guest.
And I, perceiving that it pleased him, filled
Another cup, well knowing that the wine
Would wound him soon and take a sure revenge.
And the charm fascinated him, and I
Plied him cup after cup, until the drink
Had warmed his entrails, and he sang aloud
In concert with my wailing fellow-seamen
A hideous discordand the cavern rung.
I have stolen out, so that if you will
You may achieve my safety and your own.
But say, do you desire, or not, to fly
This uncompanionable man, and dwell
As was your wont among the Grecian Nymphs
Within the fanes of your beloved God?
Your father there within agrees to it,
But he is weak and overcome with wine,
And caught as if with bird-lime by the cup,
He claps his wings and crows in doting joy.
You who are young escape with me, and find
Bacchus your ancient friend; unsuited he
To this rude Cyclops.

CHORUS:
Oh my dearest friend,
That I could see that day, and leave for ever
The impious Cyclops.
...

ULYSSES:
Listen then what a punishment I have
For this fell monster, how secure a flight
From your hard servitude.

CHORUS:
O sweeter far
Than is the music of an Asian lyre
Would be the news of Polypheme destroyed.

ULYSSES:
Delighted with the Bacchic drink he goes
To call his brother Cyclops--who inhabit
A village upon Aetna not far off.

CHORUS:
I understand, catching him when alone
You think by some measure to dispatch him,
Or thrust him from the precipice.

ULYSSES:
Oh no;
Nothing of that kind; my device is subtle.

CHORUS:
How then? I heard of old that thou wert wise.

ULYSSES:
I will dissuade him from this plan, by saying
It were unwise to give the Cyclopses
This precious drink, which if enjoyed alone
Would make life sweeter for a longer time.
When, vanquished by the Bacchic power, he sleeps,
There is a trunk of olive wood within,
Whose point having made sharp with this good sword
I will conceal in fire, and when I see
It is alight, will fix it, burning yet,
Within the socket of the Cyclops eye
And melt it out with fireas when a man
Turns by its handle a great auger round,
Fitting the framework of a ship with beams,
So will I, in the Cyclops fiery eye
Turn round the brand and dry the pupil up.

CHORUS:
Joy! I am mad with joy at your device.

ULYSSES:
And then with you, my friends, and the old man,
Well load the hollow depth of our black ship,
And row with double strokes from this dread shore.

CHORUS:
May I, as in libations to a God,
Share in the blinding him with the red brand?
I would have some communion in his death.

ULYSSES:
Doubtless: the brand is a great brand to hold.

CHORUS:
Oh! I would lift an hundred waggon-loads,
If like a wasps nest I could scoop the eye out
Of the detested Cyclops.

ULYSSES:
Silence now!
Ye know the close deviceand when I call,
Look ye obey the masters of the craft.
I will not save myself and leave behind
My comrades in the cave: I might escape,
Having got clear from that obscure recess,
But twere unjust to leave in jeopardy
The dear companions who sailed here with me.

CHORUS:
Come! who is first, that with his hand
Will urge down the burning brand
Through the lids, and quench and pierce
The Cyclops eye so fiery fierce?

SEMICHORUS 1 [SONG WITHIN]:
Listen! listen! he is coming,
A most hideous discord humming.
Drunken, museless, awkward, yelling,
Far along his rocky dwelling;
Let us with some comic spell
Teach the yet unteachable.
By all means he must be blinded,
If my counsel be but minded.

SEMICHORUS 2:
Happy thou made odorous
With the dew which sweet grapes weep,
To the village hastening thus,
Seek the vines that soothe to sleep;
Having first embraced thy friend,
Thou in luxury without end,
With the strings of yellow hair,
Of thy voluptuous leman fair,
Shalt sit playing on a bed!--
Speak! what door is opened?
CYCLOPS:
Ha! ha! ha! Im full of wine,
Heavy with the joy divine,
With the young feast oversated;
Like a merchants vessel freighted
To the waters edge, my crop
Is laden to the gullets top.
The fresh meadow grass of spring
Tempts me forth thus wandering
To my brothers on the mountains,
Who shall share the wines sweet fountains.
Bring the cask, O stranger, bring!

CHORUS:
One with eyes the fairest
Cometh from his dwelling;
Some one loves thee, rarest
Bright beyond my telling.
In thy grace thou shinest
Like some nymph divinest
In her caverns dewy:--
All delights pursue thee,
Soon pied flowers, sweet-breathing,
Shall thy head be wreathing.

ULYSSES:
Listen, O Cyclops, for I am well skilled
In Bacchus, whom I gave thee of to drink.

CYCLOPS:
What sort of God is Bacchus then accounted?

ULYSSES:
The greatest among men for joy of life.

CYCLOPS:
I gulped him down with very great delight.

ULYSSES:
This is a God who never injures men.

CYCLOPS:
How does the God like living in a skin?

ULYSSES:
He is content wherever he is put.

CYCLOPS:
Gods should not have their body in a skin.

ULYSSES:
If he gives joy, what is his skin to you?

CYCLOPS:
I hate the skin, but love the wine within.

ULYSSES:
Stay here now: drink, and make your spirit glad.
CYCLOPS:
Should I not share this liquor with my brothers?

ULYSSES:
Keep it yourself, and be more honoured so.

CYCLOPS:
I were more useful, giving to my friends.

ULYSSES:
But village mirth breeds contests, broils, and blows.

CYCLOPS:
When I am drunk none shall lay hands on me.--

ULYSSES:
A drunken man is better within doors.

CYCLOPS:
He is a fool, who drinking, loves not mirth.

ULYSSES:
But he is wise, who drunk, remains at home.

CYCLOPS:
What shall I do, Silenus? Shall I stay?

SILENUS:
Stayfor what need have you of pot companions?

CYCLOPS:
Indeed this place is closely carpeted
With flowers and grass.

SILENUS:
And in the sun-warm noon
Tis sweet to drink. Lie down beside me now,
Placing your mighty sides upon the ground.

CYCLOPS:
What do you put the cup behind me for?

SILENUS:
That no one here may touch it.

CYCLOPS:
Thievish One!
You want to drink;--here place it in the midst.
And thou, O stranger, tell how art thou called?

ULYSSES:
My name is Nobody. What favour now
Shall I receive to praise you at your hands?

CYCLOPS:
Ill feast on you the last of your companions.

ULYSSES:
You grant your guest a fair reward, O Cyclops.

CYCLOPS:
Ha! what is this? Stealing the wine, you rogue!

SILENUS:
It was this stranger kissing me because
I looked so beautiful.

CYCLOPS:
You shall repent
For kissing the coy wine that loves you not.

SILENUS:
By Jupiter! you said that I am fair.

CYCLOPS:
Pour out, and only give me the cup full.

SILENUS:
How is it mixed? let me observe.

CYCLOPS:
Curse you!
Give it me so.

SILENUS:
Not till I see you wear
That coronal, and taste the cup to you.

CYCLOPS:
Thou wily traitor!

SILENUS:
But the wine is sweet.
Ay, you will roar if you are caught in drinking.

CYCLOPS:

See now, my lip is clean and all my beard.

SILENUS:

Now put your elbow right and drink again.
As you see me drink--...

CYCLOPS:
How now?

SILENUS:
Ye Gods, what a delicious gulp!

CYCLOPS:
Guest, take it;--you pour out the wine for me.

ULYSSES:
The wine is well accustomed to my hand.

CYCLOPS:
Pour out the wine!

ULYSSES:
I pour; only be silent.

CYCLOPS:
Silence is a hard task to him who drinks.

ULYSSES:
Take it and drink it off; leave not a dreg.
Oh that the drinker died with his own draught!

CYCLOPS:
Papai! the vine must be a sapient plant.

ULYSSES:
If you drink much after a mighty feast,
Moistening your thirsty maw, you will sleep well;
If you leave aught, Bacchus will dry you up.

CYCLOPS:
Ho! ho! I can scarce rise. What pure delight!
The heavens and earth appear to whirl about
Confusedly. I see the throne of Jove
And the clear congregation of the Gods.
Now if the Graces tempted me to kiss
I would notfor the loveliest of them all
I would not leave this Ganymede.

SILENUS:
Polypheme,
I am the Ganymede of Jupiter.

CYCLOPS:
By Jove, you are; I bore you off from Dardanus.
...

[ULYSSES AND THE CHORUS.]

ULYSSES:
Come, boys of Bacchus, children of high race,
This man within is folded up in sleep,
And soon will vomit flesh from his fell maw;
The brand under the shed thrusts out its smoke,
No preparation needs, but to burn out
The monsters eye;but bear yourselves like men.

CHORUS:
We will have courage like the adamant rock,
All things are ready for you here; go in,
Before our father shall perceive the noise.

ULYSSES:
Vulcan, Aetnean king! burn out with fire
The shining eye of this thy neighbouring monster!
And thou, O Sleep, nursling of gloomy Night,
Descend unmixed on this God-hated beast,
And suffer not Ulysses and his comrades,
Returning from their famous Trojan toils,
To perish by this man, who cares not either
For God or mortal; or I needs must think
That Chance is a supreme divinity,
And things divine are subject to her power.
CHORUS:
Soon a crab the throat will seize
Of him who feeds upon his guest,
Fire will burn his lamp-like eyes
In revenge of such a feast!
A great oak stump now is lying
In the ashes yet undying.
Come, Maron, come!
Raging let him fix the doom,
Let him tear the eyelid up
Of the Cyclopsthat his cup
May be evil!
Oh! I long to dance and revel
With sweet Bromian, long desired,
In loved ivy wreaths attired;
Leaving this abandoned home--
Will the moment ever come?

ULYSSES:
Be silent, ye wild things! Nay, hold your peace,
And keep your lips quite close; dare not to breathe,
Or spit, or een wink, lest ye wake the monster,
Until his eye be tortured out with fire.

CHORUS:
Nay, we are silent, and we chaw the air.

ULYSSES:
Come now, and lend a hand to the great stake
Withinit is delightfully red hot.

CHORUS:
You then command who first should seize the stake
To burn the Cyclops eye, that all may share
In the great enterprise.

SEMICHORUS 1:
We are too far;
We cannot at this distance from the door
Thrust fire into his eye.

SEMICHORUS 2:
And we just now
Have become lame! cannot move hand or foot.

CHORUS:
The same thing has occurred to us,--our ankles
Are sprained with standing here, I know not how.

ULYSSES:
What, sprained with standing still?

CHORUS:
And there is dust
Or ashes in our eyes, I know not whence.

ULYSSES:
Cowardly dogs! ye will not aid me then?

CHORUS:
With pitying my own back and my back-bone,
And with not wishing all my teeth knocked out,
This cowardice comes of itselfbut stay,
I know a famous Orphic incantation
To make the brand stick of its own accord
Into the skull of this one-eyed son of Earth.

ULYSSES:
Of old I knew ye thus by nature; now
I know ye better.I will use the aid
Of my own comrades. Yet though weak of hand
Speak cheerfully, that so ye may awaken
The courage of my friends with your blithe words.

CHORUS:
This I will do with peril of my life,
And blind you with my exhortations, Cyclops.
Hasten and thrust,
And parch up to dust,
The eye of the beast
Who feeds on his guest.
Burn and blind
The Aetnean hind!
Scoop and draw,
But beware lest he claw
Your limbs near his maw.

CYCLOPS:
Ah me! my eyesight is parched up to cinders.

CHORUS:
What a sweet paean! sing me that again!

CYCLOPS:
Ah me! indeed, what woe has fallen upon me!
But, wretched nothings, think ye not to flee
Out of this rock; I, standing at the outlet,
Will bar the way and catch you as you pass.

CHORUS:
What are you roaring out, Cyclops?

CYCLOPS:
I perish!

CHORUS:
For you are wicked.

CYCLOPS:
And besides miserable.

CHORUS:
What, did you fall into the fire when drunk?

CYCLOPS:
Twas Nobody destroyed me.

CHORUS:
Why then no one
Can be to blame.

CYCLOPS:
I say twas Nobody
Who blinded me.

CHORUS:
Why then you are not blind.

CYCLOPS:
I wish you were as blind as I am.

CHORUS:
Nay,
It cannot be that no one made you blind.

CYCLOPS:
You jeer me; where, I ask, is Nobody?

CHORUS:
Nowhere, O Cyclops.

CYCLOPS:
It was that stranger ruined me:--the wretch
First gave me wine and then burned out my eye,
For wine is strong and hard to struggle with.
Have they escaped, or are they yet within?

CHORUS:
They stand under the darkness of the rock
And cling to it.

CYCLOPS:
At my right hand or left?

CHORUS:
Close on your right.

CYCLOPS:
Where?

CHORUS:
Near the rock itself.
You have them.

CYCLOPS:
Oh, misfortune on misfortune!
Ive cracked my skull.

CHORUS:
Now they escape you--there.

CYCLOPS:
Not there, although you say so.

CHORUS:
Not on that side.

CYCLOPS:
Where then?

CHORUS:
They creep about you on your left.

CYCLOPS:
Ah! I am mocked! They jeer me in my ills.

CHORUS:
Not there! he is a little there beyond you.

CYCLOPS:
Detested wretch! where are you?

ULYSSES:
Far from you
I keep with care this body of Ulysses.

CYCLOPS:
What do you say? You proffer a new name.

ULYSSES:
My father named me so; and I have taken
A full revenge for your unnatural feast;
I should have done ill to have burned down Troy
And not revenged the murder of my comrades.

CYCLOPS:
Ai! ai! the ancient oracle is accomplished;
It said that I should have my eyesight blinded
By your coming from Troy, yet it foretold
That you should pay the penalty for this
By wandering long over the homeless sea.

ULYSSES:
I bid thee weepconsider what I say;
I go towards the shore to drive my ship
To mine own land, oer the Sicilian wave.

CYCLOPS:
Not so, if, whelming you with this huge stone,
I can crush you and all your men together;
I will descend upon the shore, though blind,
Groping my way adown the steep ravine.

CHORUS:
And we, the shipmates of Ulysses now,
Will serve our Bacchus all our happy lives.
Published by Mrs. Shelley, Posthumous Poems, 1824; dated 1819. Amongst the Shelley manuscripts at the Bodleian there is a copy, 'practically complete,' which has been collated by Mr. C.D. Locock. See Examination, etc., 1903, pages 64-70. 'Though legible throughout, and comparatively free from corrections, it has the appearance of being a first draft' (Locock).
~ Percy Bysshe Shelley, The Cyclops
,
1482:Jubilate Agno: Fragment B, Part 2
LET PETER rejoice with the MOON FISH who keeps up the life in the waters by
night.
Let Andrew rejoice with the Whale, who is array'd in beauteous blue and is a
combination of bulk and activity.
Let James rejoice with the Skuttle-Fish, who foils his foe by the effusion of his
ink.
Let John rejoice with Nautilus who spreads his sail and plies his oar, and the Lord
is his pilot.
Let Philip rejoice with Boca, which is a fish that can speak.
Let Bartholomew rejoice with the Eel, who is pure in proportion to where he is
found and how he is used.
Let Thomas rejoice with the Sword-Fish, whose aim is perpetual and strength
insuperable.
Let Matthew rejoice with Uranoscopus, whose eyes are lifted up to God.
Let James the less, rejoice with the Haddock, who brought the piece of money for
the Lord and Peter.
Let Jude bless with the Bream, who is of melancholy from his depth and serenity.
Let Simon rejoice with the Sprat, who is pure and innumerable.
Let Matthias rejoice with the Flying-Fish, who has a part with the birds, and is
sublimity in his conceit.
Let Stephen rejoice with Remora -- The Lord remove all obstacles to his glory.
Let Paul rejoice with the Scale, who is pleasant and faithful!, like God's good
ENGLISHMAN.
Let Agrippa, which is Agricola, rejoice with Elops, who is a choice fish.
56
Let Joseph rejoice with the Turbut, whose capture makes the poor fisher-man
sing.
Let Mary rejoice with the Maid -- blessed be the name of the immaculate
CONCEPTION.
Let John, the Baptist, rejoice with the Salmon -- blessed be the name of the Lord
Jesus for infant Baptism.
Let Mark rejoice with the Mullet, who is John Dore, God be gracious to him and
his family.
Let Barnabus rejoice with the Herring -- God be gracious to the Lord's fishery.
Let Cleopas rejoice with the Mackerel, who cometh in a shoal after a leader.
Let Abiud of the Lord's line rejoice with Murex, who is good and of a precious
tincture.
Let Eliakim rejoice with the Shad, who is contemned in his abundance.
Let Azor rejoice with the Flounder, who is both of the sea and of the river,
Let Sadoc rejoice with the Bleak, who playeth upon the surface in the Sun.
Let Achim rejoice with the Miller's Thumb, who is a delicious morsel for the water
fowl.
Let Eliud rejoice with Cinaedus, who is a fish yellow all over.
Let Eleazar rejoice with the Grampus, who is a pompous spouter.
Let Matthan rejoice with the Shark, who is supported by multitudes of small
value.
Let Jacob rejoice with the Gold Fish, who is an eye-trap.
Let Jairus rejoice with the Silver Fish, who is bright and lively.
Let Lazarus rejoice with Torpedo, who chills the life of the assailant through his
staff.
57
Let Mary Magdalen rejoice with the Place, whose goodness and purity are of the
Lord's making.
Let Simon the leper rejoice with the Eel-pout, who is a rarity on account of his
subtlety.
Let Alpheus rejoice with the Whiting, whom God hath bless'd in multitudes, and
his days are as the days of PURIM.
Let Onesimus rejoice with the Cod -- blessed be the name of the Lord Jesus for a
miraculous draught of men.
Let Joses rejoice with the Sturgeon, who saw his maker in the body and obtained
grace.
Let Theophilus rejoice with the Folio, who hath teeth, like the teeth of a saw.
Let Bartimeus rejoice with the Quaviver -- God be gracious to the eyes of him,
who prayeth for the blind.
Let CHRISTOPHER, who is Simon of Cyrene, rejoice with the Rough -- God be
gracious to the CAM and to DAVID CAM and his seed for ever.
Let Timeus rejoice with the Ling -- God keep the English Sailors clear of French
bribery.
Let Salome rejoice with the Mermaid, who hath the countenance and a portion of
human reason.
Let Zacharias rejoice with the Gudgeon, who improves in his growth till he is
mistaken.
Let Campanus rejoice with the Lobster -- God be gracious to all the CAMPBELLs
especially John.
Let Martha rejoice with the Skallop -- the Lord revive the exercise and excellence
of the Needle.
Let Mary rejoice with the Carp -- the ponds of Fairlawn and the garden bless for
the master.
58
Let Zebedee rejoice with the Tench -- God accept the good son for his parents
also.
Let Joseph of Arimathea rejoice with the Barbel -- a good coffin and a tombstone without grudging!
Let Elizabeth rejoice with the Crab -- it is good, at times, to go back.
Let Simeon rejoice with the Oyster, who hath the life without locomotion.
Let Jona rejoice with the Wilk -- Wilks, Wilkie, and Wilkinson bless the name of
the Lord Jesus.
Let Nicodemus rejoice with the Muscle, for so he hath provided for the poor.
Let Gamaliel rejoice with the Cockle -- I will rejoice in the remembrance of
mercy.
Let Agabus rejoice with the Smelt -- The Lord make me serviceable to the
HOWARDS.
Let Rhoda rejoice with the Sea-Cat, who is pleasantry and purity.
Let Elmodam rejoice with the Chubb, who is wary of the bait and thrives in his
circumspection.
Let Jorim rejoice with the Roach -- God bless my throat and keep me from things
stranggled.
Let Addi rejoice with the Dace -- It is good to angle with meditation.
Let Luke rejoice with the Trout -- Blessed be Jesus in Aa, in Dee and in Isis.
Let Cosam rejoice with the Perch, who is a little tyrant, because he is not liable to
that, which he inflicts.
Let Levi rejoice with the Pike -- God be merciful to all dumb creatures in respect
of pain.
Let Melchi rejoice with the Char, who cheweth the cud.
Let Joanna rejoice with the Anchovy -- I beheld and lo! 'a great multitude!
59
Let Neri rejoice with the Keeling Fish, who is also called the Stock Fish.
Let Janna rejoice with the Pilchard -- the Lord restore the seed of Abishai.
Let Esli rejoice with the Soal, who is flat and spackles for the increase of motion.
Let Nagge rejoice with the Perriwinkle -- 'for the rain it raineth every day.'
Let Anna rejoice with the Porpus, who is a joyous fish and of good omen.
Let Phanuel rejoice with the Shrimp, which is the childrens fishery.
Let Chuza rejoice with the Sea-Bear, who is full of sagacity and prank.
Let Susanna rejoice with the Lamprey, who is an eel with a title.
Let Candace rejoice with the Craw-fish -- How hath the Christian minister
renowned the Queen.
Let The Eunuch rejoice with the Thorn-Back -- It is good to be discovered reading
the BIBLE.
Let Simon the Pharisee rejoice with the Grigg -- the Lord bring up Issachar and
Dan.
Let Simon the converted Sorcerer rejoice with the Dab quoth Daniel.
Let Joanna, of the Lord's line, rejoice with the Minnow, who is multiplied against
the oppressor.
Let Jonas rejoice with the Sea-Devil, who hath a good name from his Maker.
Let Alexander rejoice with the Tunny -- the worse the time the better the
eternity.
Let Rufus rejoice with the Needle-fish, who is very good in his element.
Let Matthat rejoice with the Trumpet-fish -- God revive the blowing of the
TRUMPETS.
Let Mary, the mother of James, rejoice with the Sea-Mouse -- it is good to be at
60
peace.
Let Prochorus rejoice with Epodes, who is a kind of fish with Ovid who is at peace
in the Lord.
Let Timotheus rejoice with the Dolphin, who is of benevolence.
Let Nicanor rejoice with the Skeat -- Blessed be the name of the Lord Jesus in
fish and in the Shewbread, which ought to be continually on the altar, now more
than ever, and the want of it is the Abomination of Desolation spoken of by
Daniel.
Let Timon rejoice with Crusion -- The Shew-Bread in the first place is gratitude to
God to shew who is bread, whence it is, and that there is enough and to spare.
Let Parmenas rejoice with the Mixon -- Secondly it is to prevent the last
extremity, for it is lawful that rejected hunger may take it.
Let Dorcas rejoice with Dracunculus -- blessed be the name of the Lord Jesus in
the Grotto.
Let Tychicus rejoice with Scolopendra, who quits himself of the hook by voiding
his intrails.
Let Trophimus rejoice with the Sea-Horse, who shoud have been to Tychicus the
father of Yorkshiremen.
Let Tryphena rejoice with Fluta -- Saturday is the Sabbath for the mouth of God
hath spoken it.
Let Tryphosa rejoice with Acarne -- With such preparation the Lord's Jubile is
better kept.
Let Simon the Tanner rejoice with Alausa -- Five days are sufficient for the
purposes of husbandry.
Let Simeon Niger rejoice with the Loach -- The blacks are the seed of Cain.
Let Lucius rejoice with Corias -- Some of Cain's seed was preserved in the loins
of Ham at the flood.
Let Manaen rejoice with Donax. My DEGREE is good even here, in the Lord I have
61
a better.
Let Sergius Paulus rejoice with Dentex -- Blessed be the name Jesus for my
teeth.
Let Silas rejoice with the Cabot -- the philosophy of the times ev'n now is vain
deceit.
Let Barsabas rejoice with Cammarus -- Newton is ignorant for if a man consult
not the WORD how should he understand the WORK? -Let Lydia rejoice with Attilus -- Blessed be the name of him which eat the fish
and honey comb.
Let Jason rejoice with Alopecias, who is subtlety without offence.
Let Dionysius rejoice with Alabes who is peculiar to the Nile.
Let Damaris rejoice with Anthias -- The fountain of the Nile is known to the
Eastern people who drink it.
Let Apollos rejoice with Astacus, but St Paul is the Agent for England.
Let Justus rejoice with Crispus in a Salmon-Trout -- the Lord look on the soul of
Richard Atwood.
Let Crispus rejoice with Leviathan -- God be gracious to the soul of HOBBES, who
was no atheist, but a servant of Christ, and died in the Lord -- I wronged him
God forgive me.
Let Aquila rejoice with Beemoth who is Enoch no fish but a stupendous creeping
Thing.
Let Priscilla rejoice with Cythera. As earth increases by Beemoth so the sea
likewise enlarges.
Let Tyrannus rejoice with Cephalus who hath a great head.
Let Gaius rejoice with the Water-Tortoise -- Paul and Tychicus were in England
with Agricola my father.
Let Aristarchus rejoice with Cynoglossus -- The Lord was at Glastonbury in the
62
body and blessed the thorn.
Let Alexander rejoice with the Sea-Urchin -- The Lord was at Bristol and blessed
the waters there.
Let Sopater rejoice with Elacate -- The waters of Bath were blessed by St
Matthias.
Let Secundus rejoice with Echeneis who is the sea-lamprey.
Let Eutychus rejoice with Cnide -- Fish and honeycomb are blessed to eat after a
recovery. -Let Mnason rejoice with Vulvula a sort of fish -- Good words are of God, the cant
from the Devil.
Let Claudius Lysias rejoice with Coracinus who is black and peculiar to Nile.
Let Bernice rejoice with Corophium which is a kind of crab.
Let Phebe rejoice with Echinometra who is a beautiful shellfish red and green.
Let Epenetus rejoice with Erythrinus who is red with a white belly.
Let Andronicus rejoice with Esox, the Lax, a great fish of the Rhine.
Let Junia rejoice with the Faber-Fish -- Broil'd fish and honeycomb may be taken
for the sacrament.
Let Amplias rejoice with Garus, who is a kind of Lobster.
Let Urbane rejoice with Glanis, who is a crafty fish who bites away the bait and
saves himself.
Let Stachys rejoice with Glauciscus, who is good for Women's milk.
Let Apelles rejoice with Glaucus -- behold the seed of the brave and ingenious
how they are saved!
Let Aristobulus rejoice with Glycymerides who is pure and sweet.
Let Herodion rejoice with Holothuria which are prickly fishes.
63
Let Narcissus rejoice with Hordeia -- I will magnify the Lord who multiplied the
fish.
Let Persis rejoice with Liparis -- I will magnify the Lord who multiplied the barley
loaves.
Let Rufus rejoice with Icthyocolla of whose skin a water-glue is made.
Let Asyncritus rejoice with Labrus who is a voracious fish.
Let Phlegon rejoice with the Sea-Lizard -- Bless Jesus THOMAS BOWLBY and all
the seed of Reuben.
Let Hermas rejoice with Lamyrus who is of things creeping in the sea.
Let Patrobas rejoice with Lepas, all shells are precious.
Let Hermes rejoice with Lepus, who is a venomous fish.
Let Philologus rejoice with Ligarius -- shells are all parries to the adversary.
Let Julia rejoice with the Sleeve-Fish -- Blessed be Jesus for all the TAYLERS.
Let Nereus rejoice with the Calamary -- God give success to our fleets.
Let Olympas rejoice with the Sea-Lantern, which glows upon the waters.
Let Sosipater rejoice with Cornuta. There are fish for the Sea-Night-Birds that
glow at bottom.
Let Lucius rejoice with the Cackrel Fish. God be gracious to JMs FLETCHER who
has my tackling.
Let Tertius rejoice with Maia which is a kind of crab.
Let Erastus rejoice with Melandry which is the largest Tunny.
Let Quartus rejoice with Mena. God be gracious to the immortal soul of poor
Carte, who was barbarously and cowardly murder'd -- the Lord prevent the
dealers in clandestine death.
64
Let Sosthenes rejoice with the Winkle -- all shells like the parts of the body are
good kept for those parts.
Let Chloe rejoice with the Limpin -- There is a way to the terrestrial Paradise
upon the knees.
Let Carpus rejoice with the Frog-Fish -- A man cannot die upon his knees.
Let Stephanas rejoice with Mormyra who is a fish of divers colours.
Let Fortunatus rejoice with the Burret -- it is good to be born when things are
crossed.
Let Lois rejoice with the Angel-Fish -- There is a fish that swims in the fluid
Empyrean.
Let Achaicus rejoice with the Fat-Back -- The Lord invites his fishers to the WEST
INDIES.
Let Sylvanus rejoice with the Black-Fish -- Oliver Cromwell himself was the
murderer in the Mask.
Let Titus rejoice with Mys -- O Tite siquid ego adjuero curamve levasso!
Let Euodias rejoice with Myrcus -- There is a perfumed fish I will offer him for a
sweet savour to the Lord.
Let Syntyche rejoice with Myax -- There are shells in the earth which were left by
the FLOOD.
Let Clement rejoice with Ophidion -- There are shells again in earth at sympathy
with those in sea.
Let Epaphroditus rejoice with Opthalmias -- The Lord increase the Cambridge
collection of fossils.
Let Epaphras rejoice with Orphus -- God be gracious to the immortal soul of Dr
Woodward.
Let Justus rejoice with Pagrus -- God be gracious to the immortal soul of Dr
Middleton.
65
Let Nymphas rejoice with Fagurus -- God bless Charles Mason and all Trinity
College.
Let Archippus rejoice with Nerita whose shell swimmeth.
Let Eunice rejoice with Oculata who is of the Lizard kind.
Let Onesephorus rejoice with Orca, who is a great fish.
Let Eubulus rejoice with Ostrum the scarlet -- God be gracious to Gordon and
Groat.
Let Pudens rejoice with Polypus -- The Lord restore my virgin!
Let Linus rejoice with Ozsena who is a kind of Polype -- God be gracious to Lyne
and Anguish.
Let Claudia rejoice with Pascer -- the purest creatures minister to wantoness by
unthankfulness.
Let Artemas rejoice with Pastinaca who is a fish with a sting.
Let Zenas rejoice with Pecten -- The Lord obliterate the laws of man!
Let Philemon rejoice with Pelagia -- The laws and judgement are impudence and
blindness.
Let Apphia rejoice with Pelamis -- The Lord Jesus is man's judgement.
Let Demetrius rejoice with Peloris, who is greatest of Shell-Fishes.
Let Antipas rejoice with Pentadactylus -- A papist hath no sentiment God bless
CHURCHILL.
***
FOR I pray the Lord JESUS that cured the LUNATICK to be merciful to all my
brethren and sisters in these houses.
For they work me with their harping-irons, which is a barbarous instrument,
because I am more unguarded than others.
66
For the blessing of God hath been on my epistles, which I have written for the
benefit of others.
For I bless God that the CHURCH of ENGLAND is one of the SEVEN ev'n the
candlestick of the Lord.
For the ENGLISH TONGUE shall be the language of the WEST.
For I pray Almighty CHRIST to bless the MAGDALEN HOUSE and to forward a
National purification.
For I have the blessing of God in the three POINTS of manhood, of the pen, of
the sword, and of chivalry.
For I am inquisitive in the Lord, and defend the philosophy of the scripture
against vain deceit.
For the nets come down from the eyes of the Lord to fish up men to their
salvation.
For I have a greater compass both of mirth and melancholy than another.
For I bless the Lord JESUS in the innumerables, and for ever and ever.
For I am redoubted, and redoubtable in the Lord, as is THOMAS BECKET my
father.
For I have had the grace to GO BACK, which is my blessing unto prosperity.
For I paid for my seat in St PAUL's, when I was six years old, and took
possession against the evil day.
For I am descended from the steward of the island -- blessed be the name of the
Lord Jesus king of England.
For the poor gentleman is the first object of the Lord's charity and he is the most
pitied who hath lost the most.
For I am in twelve HARDSHIPS, but he that was born of a virgin shall deliver me
out of all.
For I am safe, as to my head, from the female dancer and her admirers.
67
For I pray for CHICHISTER to give the glory to God, and to keep the adversary at
bay.
For I am making to the shore day by day, the Lord Jesus take me.
For I bless the Lord JESUS upon RAMSGATE PIER -- the Lord forward the building
of harbours.
For I bless the Lord JESUS for his very seed, which is in my body.
For I pray for R and his family, I pray for Mr Becher, and I bean for the Lord
JESUS.
For I pray to God for Nore, for the Trinity house, for all light-houses, beacons and
buoys.
For I bless God that I am not in a dungeon, but am allowed the light of the Sun.
For I pray God for the PYGMIES against their feathered adversaries, as a deed of
charity.
For I pray God for all those, who have defiled themselves in matters
inconvenient.
For I pray God be gracious to CORNELIUS MATTHEWS name and connection.
For I am under the same accusation with my Saviour -- -for they said, he is
besides himself.
For I pray God for the introduction of new creatures into this island.
For I pray God for the ostriches of Salisbury Plain, the beavers of the Medway
and silver fish of Thames.
For Charity is cold in the multitude of possessions, and the rich are covetous of
their crumbs.
For I pray to be accepted as a dog without offence, which is best of all.
For I wish to God and desire towards the most High, which is my policy.
68
For the tides are the life of God in the ocean, and he sends his angel to trouble
the great DEEP.
For he hath fixed the earth upon arches and pillars, and the flames of hell flow
under it.
For the grosser the particles the nearer to the sink, and the nearer to purity, the
quicker the gravitation.
For MATTER is the dust of the Earth, every atom of which is the life.
For MOTION is as the quantity of life direct, and that which hath not motion, is
resistance.
For Resistance is not of GOD, but he -- hath built his works upon it.
For the Centripetal and Centrifugal forces are GOD SUSTAINING and DIRECTING.
For Elasticity is the temper of matter to recover its place with vehemence.
For Attraction is the earning of parts, which have a similitude in the life.
For the Life of God is in the Loadstone, and there is a magnet, which pointeth
due EAST.
For the Glory of God is always in the East, but cannot be seen for the cloud of the
crucifixion.
For due East is the way to Paradise, which man knoweth not by reason of his fall.
For the Longitude is (nevertheless) attainable by steering angularly
notwithstanding.
For Eternity is a creature and is built upon Eternity ¥ê¥á¥ó¥á¥â¥ï¥ë¥ç ¥å¥g¥é
¥ó¥ç ¥ä¥é¥á¥â¥ï¥ë¥ç .
For Fire is a mixed nature of body and spirit, and the body is fed by that which
hath not life.
For Fire is exasperated by the Adversary, who is Death, unto the detriment of
69
man.
For an happy Conjecture is a miraculous cast by the Lord Jesus.
For a bad Conjecture is a draught of stud and mud.
For there is a Fire which is blandishing, and which is of God direct.
For Fire is a substance and distinct, and purifyeth ev'n in hell.
For the Shears is the first of the mechanical powers, and to be used on the
knees.
For if Adam had used this instrument right, he would not have fallen.
For the power of the Shears Is direct as the life.
For the power of the WEDGE is direct as it's altitude by communication of
Almighty God.
For the Skrew, Axle and Wheel, Pulleys, the Lever and Inclined Plane are known
in the Schools.
For the Centre is not known but by the application of the members to matter.
For I have shown the Vis Inerti©¡ to be false, and such is all nonsense.
For the Centre is the hold of the Spirit upon the matter in hand.
For FRICTION is inevitable because the Universe is FULL of God's works.
For the PERPETUAL MOTION is in all the works of Almighty GOD.
For it is not so in the engines of man, which are made of dead materials, neither
indeed can be.
For the Moment of bodies, as it is used, is a false term -- bless God ye Speakers
on the Fifth of November.
For Time and Weight are by their several estimates.
For I bless GOD in the discovery of the LONGITUDE direct by the means of
70
GLADWICK.
For the motion of the PENDULUM is the longest in that it parries resistance.
For the WEDDING GARMENTS of all men are prepared in the SUN against the day
of acceptation.
For the Wedding Garments of all women are prepared in the MOON against the
day of their purification.
For CHASTITY is the key of knowledge as in Esdras, Sr Isaac Newton and now,
God be praised, in me.
For Newton nevertheless is more of error than of the truth, but I am of the
WORD of GOD.
For WATER, is not of solid constituents, but is dissolved from precious stones
above.
For the life remains in its dissolvent state, and that in great power.
For WATER is condensed by the Lord's FROST, tho' not by the FLORENTINE
experiment.
For GLADWICK is a substance growing on hills in the East, candied by the sun,
and of diverse colours.
For it is neither stone nor metal but a new creature, soft to the ax, but hard to
the hammer.
For it answers sundry uses, but particularly it supplies the place of Glass.
For it giveth a benign light without the fragility, malignity or mischief of Glass.
For it attracteth all the colours of the GREAT BOW which is fixed in the EAST.
For the FOUNTAINS and SPRINGS are the life of the waters working up to God.
For they are in SYMPATHY with the waters above the Heavens, which are solid.
For the Fountains, springs and rivers are all of them from the sea, whose water is
filtrated and purified by the earth.
71
For there is Water above the visible surface in a spiritualizing state, which cannot
be seen but by application of a CAPILLARY TUBE.
For the ASCENT of VAPOURS is the return of thanksgiving from all humid bodies.
For the RAIN WATER kept in a reservoir at any altitude, suppose of a thousand
feet, will make a fountain from a spout of ten feet of the same height.
For it will ascend in a stream two thirds of the way and afterwards prank itself
into ten thousand agreeable forms.
For the SEA is a seventh of the Earth -- the spirit of the Lord by Esdras.
For MERCURY is affected by the AIR because it is of a similar subtlety.
For the rising in the BAROMETER is not effected by pressure but by sympathy.
For it cannot be seperated from the creature with which it is intimately and
eternally connected.
For where it is stinted of air there it will adhere together and stretch on the
reverse.
For it works by ballancing according to the hold of the spirit.
For QUICK-SILVER is spiritual and so is the AIR to all intents and purposes.
For the AIR-PUMP weakens and dispirits but cannot wholly exhaust.
For SUCKTION is the withdrawing of the life, but life will follow as fast as it can.
For there is infinite provision to keep up the life in all the parts of Creation.
For the AIR is contaminated by curses and evil language.
For poysonous creatures catch some of it and retain it or ere it goes to the
adversary.
For IRELAND was without these creatures, till of late, because of the simplicity of
the people.
72
For the AIR. is purified by prayer which is made aloud and with all our might.
For loud prayer is good for weak lungs and for a vitiated throat.
For SOUND is propagated in the spirit and in all directions.
For the VOICE of a figure compleat in all its parts.
For a man speaks HIMSELF from the crown of his head to the sole of his feet.
For a LION roars HIMSELF compleat from head to tail.
For all these things are seen in the spirit which makes the beauty of prayer.
For all whispers and unmusical sounds in general are of the Adversary.
For 'I will hiss saith the Lord' is God's denunciation of death.
For applause or the clapping of the hands is the natural action of a man on the
descent of the glory of God.
For EARTH which is an intelligence hath a voice and a propensity to speak in all
her parts.
For ECHO is the soul of the voice exerting itself in hollow places.
For ECHO cannot act but when she can parry the adversary.
For ECHO is greatest in Churches and where she can assist in prayer.
For a good voice hath its Echo with it and it is attainable by much supplication.
For the FOICE is from the body and the spirit -- and is a a body and a spirit.
For the prayers of good men are therefore visible to second-sighted persons.
For HARPSICHORDS are best strung with gold wire.
For HARPS and VIOLS are best strung with Indian weed.
For the GERMAN FLUTE is an indirect -- the common flute good, bless the Lord
Jesus BENJIMIN HALLET.
73
For the feast of TRUMPETS should be kept up, that being the most direct and
acceptable of all instruments.
For the TRUMPET of God is a blessed intelligence and so are all the instruments
in HEAVEN.
For GOD the father Almighty plays upon the HARP of stupendous magnitude and
melody.
For innumerable Angels fly out at every touch and his tune is a work of creation.
For at that time malignity ceases and the devils themselves are at peace.
For this time is perceptible to man by a remarkable stillness and serenity of soul.
For the ¨¡olian harp is improveable into regularity.
For when it is so improved it will be known to be the SHAWM.
For it woud be better if the LITURGY were musically performed.
For the strings of the SHAWM were upon a cylinder which turned to the wind.
For this was spiritual musick altogether, as the wind is a spirit.
For there is nothing but it may be played upon in delight.
For the flames of fire may lie blown thro musical pipes.
For it is so higher up in the vast empyrean.
For is so real as that which is spiritual.
For an IGNIS FATUUS is either the fool's conceit or a blast from the adversary.
For SHELL-FIRE or ELECTRICAL is the quick air when it is caught.
For GLASS is worked in the fire till it partakes of its nature.
For the electrical fire is easily obtain'd by the working of glass.
74
For all spirits are of fire and the air is a very benign one.
For the MAN in VACUO is a flat conceit of preposterous folly.
For the breath of our nostrils is an electrical spirit.
For an electrical spirit may be exasperated into a malignant fire.
For it is good to quicken in paralytic cases being the life applied unto death,
For the method of philosophizing is in a posture of Adoration.
For the School-Doctrine of Thunder and Lightning is a Diabolical Hypothesis.
For it is taking the nitre from the lower regions and directing it against the
Infinite of Heights.
For THUNDER is the voice of God direct in verse and musick.
For LIGHTNING is a glance of the glory of God.
For the Brimstone that is found at the times of thunder and lightning is worked
up by the Adversary.
For the voice is always for infinite good which he strives to impede.
For the Devil can work coals into shapes to afflict the minds of those that will not
pray.
For the coffin and the cradle and the purse are all against a man.
For the coffin is for the dead and death came by disobedience.
For the cradle is for weakness and the child of man was originally strong from the
womb.
For the purse is for money and money is dead matter with the stamp of human
vanity.
For the adversary frequently sends these particular images out of the fire to
those whom they concern.
75
For the coffin is for me because I have nothing to do with it.
For the cradle is for me because the old Dragon attacked me in it and overcame
in Christ.
For the purse is for me because I have neither money nor human friends.
For LIGHT is propagated at all distances in an instant because it is actuated by
the divine conception.
For the Satellites of the planet prove nothing in this matter but the glory of
Almighty God.
For the SHADE is of death and from the adversary.
For Solomon said vanity of vanities, vanity of vanities all is vanity.
For Jesus says verity of verities, verity of verities all is verity.
For Solomon said THOU FOOL in malice from his own vanity.
For the Lord reviled not all in hardship and temptation unutterable.
For Fire hath this property that it reduces a thing till finally it is not.
For all the filth wicked of men shall be done away by fire in Eternity.
For the furnace itself shall come up at the last according to Abraham's vision.
For the Convex Heaven of shall work about on that great event.
For the ANTARTICK POLE is not yet but shall answer in the Consummation.
For the devil hath most power in winter, because darkness prevails.
For the Longing of Women is the operation of the Devil upon their conceptions.
For the marking of their children is from the same cause both of which are to be
parried by prayer.
For the laws of King James the first against Witchcraft were wise, had it been of
man to make laws.
76
For there are witches and wizards even now who are spoken to by their familiars.
For the visitation of their familiars is prevented by the Lord's incarnation.
For to conceive with intense diligence against one's neighbour is a branch of
witchcraft.
For to use pollution, exact and cross things and at the same time to think against
a man is the crime direct.
For prayer with musick is good for persons so exacted upon.
For before the NATIVITY is the dead of the winter and after it the quick.
For the sin against the HOLY GHOST is INGRATITUDE.
For stuff'd guts make no musick; strain them strong and you shall have sweet
melody.
For the SHADOW is of death, which is the Devil, who can make false and faint
images of the works of Almighty God.
For every man beareth death about him ever since the transgression of Adam,
but in perfect light there is no shadow.
For all Wrath is Fire, which the adversary blows upon and exasperates.
For SHADOW is a fair Word from God, which is not returnable till the furnace
comes up.
For the ECLIPSE is of the adversary -- blessed be the name of Jesus for Whisson
of Trinity.
For the shadow is his and the penumbra is his and his the perplexity of the the
phenomenon.
For the eclipses happen at times when the light is defective.
For the more the light is defective, the more the powers of darkness prevail.
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For deficiencies happen by the luminaries crossing one another.
For the SUN is an intelligence and an angel of the human form.
For the MOON is an intelligence and an angel in shape like a woman.
For they are together in the spirit every night like man and wife.
For Justice is infinitely beneath Mercy in nature and office.
For the Devil himself may be just in accusation and punishment.
For HELL is without eternity from the presence of Almighty God.
For Volcanos and burning mountains are where the adversary hath most power.
For the angel GRATITUDE is my wife -- God bring me to her or her to me.
For the propagation of light is quick as the divine Conception.
For FROST is damp and unwholsome air candied to fall to the best advantage.
For I am the Lord's News-Writer -- the scribe-evangelist -- Widow Mitchel, Gun
and Grange bless the Lord Jesus.
For Adversity above all other is to be deserted of the grace of God.
For in the divine Idea this Eternity is compleat and the Word is a making many
more.
For there is a forlorn hope ev'n for impenitent sinners because the furnace itself
must be the crown of Eternity.
For my hope is beyond Eternity in the bosom of God my saviour.
For by the grace of God I am the Reviver of ADORATION amongst ENGLISH-MEN.
For being desert-ed is to have desert in the sight of God and intitles one to the
Lord's merit.
For things that are not in the sight of men are thro' God of infinite concern.
78
For envious men have exceeding subtlety quippe qui in -- videant.
For avaricious men are exceeding subtle like the soul seperated from the body.
For their attention is on a sinking object which perishes.
For they can go beyond the children of light in matters of their own misery.
For Snow is the dew candied and cherishes.
For TIMES and SEASONS are the Lord's -- Man is no CHRONOLOGER.
For there is a CIRCULATION of the SAP in all vegetables.
For SOOT is the dross of Fire.
For the CLAPPING of the hands is naught unless it be to the glory of God.
For God will descend in visible glory when men begin to applaud him.
For all STAGE-Playing is Hypocrisy and the Devil is the master of their revels.
For the INNATATION of corpuscles is solved by the Gold-beater's hammer -- God
be gracious to Christopher Peacock and to all my God-Children.
For the PRECESSION of the Equinoxes is improving nature -- something being
gained every where for the glory of God perpetually.
For the souls of the departed are embodied in clouds and purged by the Sun.
For the LONGITUDE may be discovered by attending the motions of the Sun.
Way 2d.
For you must consider the Sun as dodging, which he does to parry observation.
For he must be taken with an Astrolabe, and considered respecting the point he
left.
For you must do this upon your knees and that will secure your point.
For I bless God that I dwell within the sound of Success, and that it is well with
79
ENGLAND this blessed day. NATIVITY of our LORD N.S. 1759.
~ Christopher Smart,
1483:The Last Tournament
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'
For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'
To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
631
And Lancelot won, methought, for thee to wear.'
`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as givenSlid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,
But the sweet body of a maiden babe.
Perchance-who knows?-the purest of thy knights
May win them for the purest of my maids.'
She ended, and the cry of a great jousts
With trumpet-blowings ran on all the ways
From Camelot in among the faded fields
To furthest towers; and everywhere the knights
Armed for a day of glory before the King.
But on the hither side of that loud morn
Into the hall staggered, his visage ribbed
From ear to ear with dogwhip-weals, his nose
Bridge-broken, one eye out, and one hand off,
And one with shattered fingers dangling lame,
A churl, to whom indignantly the King,
`My churl, for whom Christ died, what evil beast
Hath drawn his claws athwart thy face? or fiend?
Man was it who marred heaven's image in thee thus?'
Then, sputtering through the hedge of splintered teeth,
Yet strangers to the tongue, and with blunt stump
Pitch-blackened sawing the air, said the maimed churl,
`He took them and he drave them to his towerSome hold he was a table-knight of thineA hundred goodly ones-the Red Knight, heLord, I was tending swine, and the Red Knight
Brake in upon me and drave them to his tower;
And when I called upon thy name as one
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That doest right by gentle and by churl,
Maimed me and mauled, and would outright have slain,
Save that he sware me to a message, saying,
'Tell thou the King and all his liars, that I
Have founded my Round Table in the North,
And whatsoever his own knights have sworn
My knights have sworn the counter to it-and say
My tower is full of harlots, like his court,
But mine are worthier, seeing they profess
To be none other than themselves-and say
My knights are all adulterers like his own,
But mine are truer, seeing they profess
To be none other; and say his hour is come,
The heathen are upon him, his long lance
Broken, and his Excalibur a straw.''
Then Arthur turned to Kay the seneschal,
`Take thou my churl, and tend him curiously
Like a king's heir, till all his hurts be whole.
The heathen-but that ever-climbing wave,
Hurled back again so often in empty foam,
Hath lain for years at rest-and renegades,
Thieves, bandits, leavings of confusion, whom
The wholesome realm is purged of otherwhere,
Friends, through your manhood and your fealty,-now
Make their last head like Satan in the North.
My younger knights, new-made, in whom your flower
Waits to be solid fruit of golden deeds,
Move with me toward their quelling, which achieved,
The loneliest ways are safe from shore to shore.
But thou, Sir Lancelot, sitting in my place
Enchaired tomorrow, arbitrate the field;
For wherefore shouldst thou care to mingle with it,
Only to yield my Queen her own again?
Speak, Lancelot, thou art silent: is it well?'
Thereto Sir Lancelot answered, `It is well:
Yet better if the King abide, and leave
The leading of his younger knights to me.
Else, for the King has willed it, it is well.'
Then Arthur rose and Lancelot followed him,
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And while they stood without the doors, the King
Turned to him saying, `Is it then so well?
Or mine the blame that oft I seem as he
Of whom was written, 'A sound is in his ears'?
The foot that loiters, bidden go,-the glance
That only seems half-loyal to command,A manner somewhat fallen from reverenceOr have I dreamed the bearing of our knights
Tells of a manhood ever less and lower?
Or whence the fear lest this my realm, upreared,
By noble deeds at one with noble vows,
From flat confusion and brute violences,
Reel back into the beast, and be no more?'
He spoke, and taking all his younger knights,
Down the slope city rode, and sharply turned
North by the gate. In her high bower the Queen,
Working a tapestry, lifted up her head,
Watched her lord pass, and knew not that she sighed.
Then ran across her memory the strange rhyme
Of bygone Merlin, `Where is he who knows?
From the great deep to the great deep he goes.'
But when the morning of a tournament,
By these in earnest those in mockery called
The Tournament of the Dead Innocence,
Brake with a wet wind blowing, Lancelot,
Round whose sick head all night, like birds of prey,
The words of Arthur flying shrieked, arose,
And down a streetway hung with folds of pure
White samite, and by fountains running wine,
Where children sat in white with cups of gold,
Moved to the lists, and there, with slow sad steps
Ascending, filled his double-dragoned chair.
He glanced and saw the stately galleries,
Dame, damsel, each through worship of their Queen
White-robed in honour of the stainless child,
And some with scattered jewels, like a bank
Of maiden snow mingled with sparks of fire.
He looked but once, and vailed his eyes again.
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The sudden trumpet sounded as in a dream
To ears but half-awaked, then one low roll
Of Autumn thunder, and the jousts began:
And ever the wind blew, and yellowing leaf
And gloom and gleam, and shower and shorn plume
Went down it. Sighing weariedly, as one
Who sits and gazes on a faded fire,
When all the goodlier guests are past away,
Sat their great umpire, looking o'er the lists.
He saw the laws that ruled the tournament
Broken, but spake not; once, a knight cast down
Before his throne of arbitration cursed
The dead babe and the follies of the King;
And once the laces of a helmet cracked,
And showed him, like a vermin in its hole,
Modred, a narrow face: anon he heard
The voice that billowed round the barriers roar
An ocean-sounding welcome to one knight,
But newly-entered, taller than the rest,
And armoured all in forest green, whereon
There tript a hundred tiny silver deer,
And wearing but a holly-spray for crest,
With ever-scattering berries, and on shield
A spear, a harp, a bugle-Tristram-late
From overseas in Brittany returned,
And marriage with a princess of that realm,
Isolt the White-Sir Tristram of the WoodsWhom Lancelot knew, had held sometime with pain
His own against him, and now yearned to shake
The burthen off his heart in one full shock
With Tristram even to death: his strong hands gript
And dinted the gilt dragons right and left,
Until he groaned for wrath-so many of those,
That ware their ladies' colours on the casque,
Drew from before Sir Tristram to the bounds,
And there with gibes and flickering mockeries
Stood, while he muttered, `Craven crests! O shame!
What faith have these in whom they sware to love?
The glory of our Round Table is no more.'
So Tristram won, and Lancelot gave, the gems,
Not speaking other word than `Hast thou won?
635
Art thou the purest, brother? See, the hand
Wherewith thou takest this, is red!' to whom
Tristram, half plagued by Lancelot's languorous mood,
Made answer, `Ay, but wherefore toss me this
Like a dry bone cast to some hungry hound?
Lest be thy fair Queen's fantasy. Strength of heart
And might of limb, but mainly use and skill,
Are winners in this pastime of our King.
My hand-belike the lance hath dript upon itNo blood of mine, I trow; but O chief knight,
Right arm of Arthur in the battlefield,
Great brother, thou nor I have made the world;
Be happy in thy fair Queen as I in mine.'
And Tristram round the gallery made his horse
Caracole; then bowed his homage, bluntly saying,
`Fair damsels, each to him who worships each
Sole Queen of Beauty and of love, behold
This day my Queen of Beauty is not here.'
And most of these were mute, some angered, one
Murmuring, `All courtesy is dead,' and one,
`The glory of our Round Table is no more.'
Then fell thick rain, plume droopt and mantle clung,
And pettish cries awoke, and the wan day
Went glooming down in wet and weariness:
But under her black brows a swarthy one
Laughed shrilly, crying, `Praise the patient saints,
Our one white day of Innocence hath past,
Though somewhat draggled at the skirt. So be it.
The snowdrop only, flowering through the year,
Would make the world as blank as Winter-tide.
Come-let us gladden their sad eyes, our Queen's
And Lancelot's, at this night's solemnity
With all the kindlier colours of the field.'
So dame and damsel glittered at the feast
Variously gay: for he that tells the tale
Likened them, saying, as when an hour of cold
Falls on the mountain in midsummer snows,
And all the purple slopes of mountain flowers
Pass under white, till the warm hour returns
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With veer of wind, and all are flowers again;
So dame and damsel cast the simple white,
And glowing in all colours, the live grass,
Rose-campion, bluebell, kingcup, poppy, glanced
About the revels, and with mirth so loud
Beyond all use, that, half-amazed, the Queen,
And wroth at Tristram and the lawless jousts,
Brake up their sports, then slowly to her bower
Parted, and in her bosom pain was lord.
And little Dagonet on the morrow morn,
High over all the yellowing Autumn-tide,
Danced like a withered leaf before the hall.
Then Tristram saying, `Why skip ye so, Sir Fool?'
Wheeled round on either heel, Dagonet replied,
`Belike for lack of wiser company;
Or being fool, and seeing too much wit
Makes the world rotten, why, belike I skip
To know myself the wisest knight of all.'
`Ay, fool,' said Tristram, `but 'tis eating dry
To dance without a catch, a roundelay
To dance to.' Then he twangled on his harp,
And while he twangled little Dagonet stood
Quiet as any water-sodden log
Stayed in the wandering warble of a brook;
But when the twangling ended, skipt again;
And being asked, `Why skipt ye not, Sir Fool?'
Made answer, `I had liefer twenty years
Skip to the broken music of my brains
Than any broken music thou canst make.'
Then Tristram, waiting for the quip to come,
`Good now, what music have I broken, fool?'
And little Dagonet, skipping, `Arthur, the King's;
For when thou playest that air with Queen Isolt,
Thou makest broken music with thy bride,
Her daintier namesake down in BrittanyAnd so thou breakest Arthur's music too.'
`Save for that broken music in thy brains,
Sir Fool,' said Tristram, `I would break thy head.
Fool, I came too late, the heathen wars were o'er,
The life had flown, we sware but by the shellI am but a fool to reason with a fool-
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Come, thou art crabbed and sour: but lean me down,
Sir Dagonet, one of thy long asses' ears,
And harken if my music be not true.
`'Free love-free field-we love but while we may:
The woods are hushed, their music is no more:
The leaf is dead, the yearning past away:
New leaf, new life-the days of frost are o'er:
New life, new love, to suit the newer day:
New loves are sweet as those that went before:
Free love-free field-we love but while we may.'
`Ye might have moved slow-measure to my tune,
Not stood stockstill. I made it in the woods,
And heard it ring as true as tested gold.'
But Dagonet with one foot poised in his hand,
`Friend, did ye mark that fountain yesterday
Made to run wine?-but this had run itself
All out like a long life to a sour endAnd them that round it sat with golden cups
To hand the wine to whosoever cameThe twelve small damosels white as Innocence,
In honour of poor Innocence the babe,
Who left the gems which Innocence the Queen
Lent to the King, and Innocence the King
Gave for a prize-and one of those white slips
Handed her cup and piped, the pretty one,
'Drink, drink, Sir Fool,' and thereupon I drank,
Spat-pish-the cup was gold, the draught was mud.'
And Tristram, `Was it muddier than thy gibes?
Is all the laughter gone dead out of thee?Not marking how the knighthood mock thee, fool'Fear God: honour the King-his one true knightSole follower of the vows'-for here be they
Who knew thee swine enow before I came,
Smuttier than blasted grain: but when the King
Had made thee fool, thy vanity so shot up
It frighted all free fool from out thy heart;
Which left thee less than fool, and less than swine,
A naked aught-yet swine I hold thee still,
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For I have flung thee pearls and find thee swine.'
And little Dagonet mincing with his feet,
`Knight, an ye fling those rubies round my neck
In lieu of hers, I'll hold thou hast some touch
Of music, since I care not for thy pearls.
Swine? I have wallowed, I have washed-the world
Is flesh and shadow-I have had my day.
The dirty nurse, Experience, in her kind
Hath fouled me-an I wallowed, then I washedI have had my day and my philosophiesAnd thank the Lord I am King Arthur's fool.
Swine, say ye? swine, goats, asses, rams and geese
Trooped round a Paynim harper once, who thrummed
On such a wire as musically as thou
Some such fine song-but never a king's fool.'
And Tristram, `Then were swine, goats, asses, geese
The wiser fools, seeing thy Paynim bard
Had such a mastery of his mystery
That he could harp his wife up out of hell.'
Then Dagonet, turning on the ball of his foot,
`And whither harp'st thou thine? down! and thyself
Down! and two more: a helpful harper thou,
That harpest downward! Dost thou know the star
We call the harp of Arthur up in heaven?'
And Tristram, `Ay, Sir Fool, for when our King
Was victor wellnigh day by day, the knights,
Glorying in each new glory, set his name
High on all hills, and in the signs of heaven.'
And Dagonet answered, `Ay, and when the land
Was freed, and the Queen false, ye set yourself
To babble about him, all to show your witAnd whether he were King by courtesy,
Or King by right-and so went harping down
The black king's highway, got so far, and grew
So witty that ye played at ducks and drakes
With Arthur's vows on the great lake of fire.
Tuwhoo! do ye see it? do ye see the star?'
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`Nay, fool,' said Tristram, `not in open day.'
And Dagonet, `Nay, nor will: I see it and hear.
It makes a silent music up in heaven,
And I, and Arthur and the angels hear,
And then we skip.' `Lo, fool,' he said, `ye talk
Fool's treason: is the King thy brother fool?'
Then little Dagonet clapt his hands and shrilled,
`Ay, ay, my brother fool, the king of fools!
Conceits himself as God that he can make
Figs out of thistles, silk from bristles, milk
From burning spurge, honey from hornet-combs,
And men from beasts-Long live the king of fools!'
And down the city Dagonet danced away;
But through the slowly-mellowing avenues
And solitary passes of the wood
Rode Tristram toward Lyonnesse and the west.
Before him fled the face of Queen Isolt
With ruby-circled neck, but evermore
Past, as a rustle or twitter in the wood
Made dull his inner, keen his outer eye
For all that walked, or crept, or perched, or flew.
Anon the face, as, when a gust hath blown,
Unruffling waters re-collect the shape
Of one that in them sees himself, returned;
But at the slot or fewmets of a deer,
Or even a fallen feather, vanished again.
So on for all that day from lawn to lawn
Through many a league-long bower he rode. At length
A lodge of intertwisted beechen-boughs
Furze-crammed, and bracken-rooft, the which himself
Built for a summer day with Queen Isolt
Against a shower, dark in the golden grove
Appearing, sent his fancy back to where
She lived a moon in that low lodge with him:
Till Mark her lord had past, the Cornish King,
With six or seven, when Tristram was away,
And snatched her thence; yet dreading worse than shame
Her warrior Tristram, spake not any word,
But bode his hour, devising wretchedness.
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And now that desert lodge to Tristram lookt
So sweet, that halting, in he past, and sank
Down on a drift of foliage random-blown;
But could not rest for musing how to smoothe
And sleek his marriage over to the Queen.
Perchance in lone Tintagil far from all
The tonguesters of the court she had not heard.
But then what folly had sent him overseas
After she left him lonely here? a name?
Was it the name of one in Brittany,
Isolt, the daughter of the King? `Isolt
Of the white hands' they called her: the sweet name
Allured him first, and then the maid herself,
Who served him well with those white hands of hers,
And loved him well, until himself had thought
He loved her also, wedded easily,
But left her all as easily, and returned.
The black-blue Irish hair and Irish eyes
Had drawn him home-what marvel? then he laid
His brows upon the drifted leaf and dreamed.
He seemed to pace the strand of Brittany
Between Isolt of Britain and his bride,
And showed them both the ruby-chain, and both
Began to struggle for it, till his Queen
Graspt it so hard, that all her hand was red.
Then cried the Breton, `Look, her hand is red!
These be no rubies, this is frozen blood,
And melts within her hand-her hand is hot
With ill desires, but this I gave thee, look,
Is all as cool and white as any flower.'
Followed a rush of eagle's wings, and then
A whimpering of the spirit of the child,
Because the twain had spoiled her carcanet.
He dreamed; but Arthur with a hundred spears
Rode far, till o'er the illimitable reed,
And many a glancing plash and sallowy isle,
The wide-winged sunset of the misty marsh
Glared on a huge machicolated tower
That stood with open doors, whereout was rolled
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A roar of riot, as from men secure
Amid their marshes, ruffians at their ease
Among their harlot-brides, an evil song.
`Lo there,' said one of Arthur's youth, for there,
High on a grim dead tree before the tower,
A goodly brother of the Table Round
Swung by the neck: and on the boughs a shield
Showing a shower of blood in a field noir,
And therebeside a horn, inflamed the knights
At that dishonour done the gilded spur,
Till each would clash the shield, and blow the horn.
But Arthur waved them back. Alone he rode.
Then at the dry harsh roar of the great horn,
That sent the face of all the marsh aloft
An ever upward-rushing storm and cloud
Of shriek and plume, the Red Knight heard, and all,
Even to tipmost lance and topmost helm,
In blood-red armour sallying, howled to the King,
`The teeth of Hell flay bare and gnash thee flat!Lo! art thou not that eunuch-hearted King
Who fain had clipt free manhood from the worldThe woman-worshipper? Yea, God's curse, and I!
Slain was the brother of my paramour
By a knight of thine, and I that heard her whine
And snivel, being eunuch-hearted too,
Sware by the scorpion-worm that twists in hell,
And stings itself to everlasting death,
To hang whatever knight of thine I fought
And tumbled. Art thou King? -Look to thy life!'
He ended: Arthur knew the voice; the face
Wellnigh was helmet-hidden, and the name
Went wandering somewhere darkling in his mind.
And Arthur deigned not use of word or sword,
But let the drunkard, as he stretched from horse
To strike him, overbalancing his bulk,
Down from the causeway heavily to the swamp
Fall, as the crest of some slow-arching wave,
Heard in dead night along that table-shore,
Drops flat, and after the great waters break
Whitening for half a league, and thin themselves,
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Far over sands marbled with moon and cloud,
From less and less to nothing; thus he fell
Head-heavy; then the knights, who watched him, roared
And shouted and leapt down upon the fallen;
There trampled out his face from being known,
And sank his head in mire, and slimed themselves:
Nor heard the King for their own cries, but sprang
Through open doors, and swording right and left
Men, women, on their sodden faces, hurled
The tables over and the wines, and slew
Till all the rafters rang with woman-yells,
And all the pavement streamed with massacre:
Then, echoing yell with yell, they fired the tower,
Which half that autumn night, like the live North,
Red-pulsing up through Alioth and Alcor,
Made all above it, and a hundred meres
About it, as the water Moab saw
Came round by the East, and out beyond them flushed
The long low dune, and lazy-plunging sea.
So all the ways were safe from shore to shore,
But in the heart of Arthur pain was lord.
Then, out of Tristram waking, the red dream
Fled with a shout, and that low lodge returned,
Mid-forest, and the wind among the boughs.
He whistled his good warhorse left to graze
Among the forest greens, vaulted upon him,
And rode beneath an ever-showering leaf,
Till one lone woman, weeping near a cross,
Stayed him. `Why weep ye?' `Lord,' she said, `my man
Hath left me or is dead;' whereon he thought`What, if she hate me now? I would not this.
What, if she love me still? I would not that.
I know not what I would'-but said to her,
`Yet weep not thou, lest, if thy mate return,
He find thy favour changed and love thee not'Then pressing day by day through Lyonnesse
Last in a roky hollow, belling, heard
The hounds of Mark, and felt the goodly hounds
Yelp at his heart, but turning, past and gained
Tintagil, half in sea, and high on land,
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A crown of towers.
Down in a casement sat,
A low sea-sunset glorying round her hair
And glossy-throated grace, Isolt the Queen.
And when she heard the feet of Tristram grind
The spiring stone that scaled about her tower,
Flushed, started, met him at the doors, and there
Belted his body with her white embrace,
Crying aloud, `Not Mark-not Mark, my soul!
The footstep fluttered me at first: not he:
Catlike through his own castle steals my Mark,
But warrior-wise thou stridest through his halls
Who hates thee, as I him-even to the death.
My soul, I felt my hatred for my Mark
Quicken within me, and knew that thou wert nigh.'
To whom Sir Tristram smiling, `I am here.
Let be thy Mark, seeing he is not thine.'
And drawing somewhat backward she replied,
`Can he be wronged who is not even his own,
But save for dread of thee had beaten me,
Scratched, bitten, blinded, marred me somehow-Mark?
What rights are his that dare not strike for them?
Not lift a hand-not, though he found me thus!
But harken! have ye met him? hence he went
Today for three days' hunting-as he saidAnd so returns belike within an hour.
Mark's way, my soul!-but eat not thou with Mark,
Because he hates thee even more than fears;
Nor drink: and when thou passest any wood
Close vizor, lest an arrow from the bush
Should leave me all alone with Mark and hell.
My God, the measure of my hate for Mark
Is as the measure of my love for thee.'
So, plucked one way by hate and one by love,
Drained of her force, again she sat, and spake
To Tristram, as he knelt before her, saying,
`O hunter, and O blower of the horn,
Harper, and thou hast been a rover too,
For, ere I mated with my shambling king,
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Ye twain had fallen out about the bride
Of one-his name is out of me-the prize,
If prize she were-(what marvel-she could see)Thine, friend; and ever since my craven seeks
To wreck thee villainously: but, O Sir Knight,
What dame or damsel have ye kneeled to last?'
And Tristram, `Last to my Queen Paramount,
Here now to my Queen Paramount of love
And loveliness-ay, lovelier than when first
Her light feet fell on our rough Lyonnesse,
Sailing from Ireland.'
Softly laughed Isolt;
`Flatter me not, for hath not our great Queen
My dole of beauty trebled?' and he said,
`Her beauty is her beauty, and thine thine,
And thine is more to me-soft, gracious, kindSave when thy Mark is kindled on thy lips
Most gracious; but she, haughty, even to him,
Lancelot; for I have seen him wan enow
To make one doubt if ever the great Queen
Have yielded him her love.'
To whom Isolt,
`Ah then, false hunter and false harper, thou
Who brakest through the scruple of my bond,
Calling me thy white hind, and saying to me
That Guinevere had sinned against the highest,
And I-misyoked with such a want of manThat I could hardly sin against the lowest.'
He answered, `O my soul, be comforted!
If this be sweet, to sin in leading-strings,
If here be comfort, and if ours be sin,
Crowned warrant had we for the crowning sin
That made us happy: but how ye greet me-fear
And fault and doubt-no word of that fond taleThy deep heart-yearnings, thy sweet memories
Of Tristram in that year he was away.'
And, saddening on the sudden, spake Isolt,
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`I had forgotten all in my strong joy
To see thee-yearnings?-ay! for, hour by hour,
Here in the never-ended afternoon,
O sweeter than all memories of thee,
Deeper than any yearnings after thee
Seemed those far-rolling, westward-smiling seas,
Watched from this tower. Isolt of Britain dashed
Before Isolt of Brittany on the strand,
Would that have chilled her bride-kiss? Wedded her?
Fought in her father's battles? wounded there?
The King was all fulfilled with gratefulness,
And she, my namesake of the hands, that healed
Thy hurt and heart with unguent and caressWell-can I wish her any huger wrong
Than having known thee? her too hast thou left
To pine and waste in those sweet memories.
O were I not my Mark's, by whom all men
Are noble, I should hate thee more than love.'
And Tristram, fondling her light hands, replied,
`Grace, Queen, for being loved: she loved me well.
Did I love her? the name at least I loved.
Isolt?-I fought his battles, for Isolt!
The night was dark; the true star set. Isolt!
The name was ruler of the dark-Isolt?
Care not for her! patient, and prayerful, meek,
Pale-blooded, she will yield herself to God.'
And Isolt answered, `Yea, and why not I?
Mine is the larger need, who am not meek,
Pale-blooded, prayerful. Let me tell thee now.
Here one black, mute midsummer night I sat,
Lonely, but musing on thee, wondering where,
Murmuring a light song I had heard thee sing,
And once or twice I spake thy name aloud.
Then flashed a levin-brand; and near me stood,
In fuming sulphur blue and green, a fiendMark's way to steal behind one in the darkFor there was Mark: 'He has wedded her,' he said,
Not said, but hissed it: then this crown of towers
So shook to such a roar of all the sky,
That here in utter dark I swooned away,
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And woke again in utter dark, and cried,
'I will flee hence and give myself to God'And thou wert lying in thy new leman's arms.'
Then Tristram, ever dallying with her hand,
`May God be with thee, sweet, when old and gray,
And past desire!' a saying that angered her.
`'May God be with thee, sweet, when thou art old,
And sweet no more to me!' I need Him now.
For when had Lancelot uttered aught so gross
Even to the swineherd's malkin in the mast?
The greater man, the greater courtesy.
Far other was the Tristram, Arthur's knight!
But thou, through ever harrying thy wild beastsSave that to touch a harp, tilt with a lance
Becomes thee well-art grown wild beast thyself.
How darest thou, if lover, push me even
In fancy from thy side, and set me far
In the gray distance, half a life away,
Her to be loved no more? Unsay it, unswear!
Flatter me rather, seeing me so weak,
Broken with Mark and hate and solitude,
Thy marriage and mine own, that I should suck
Lies like sweet wines: lie to me: I believe.
Will ye not lie? not swear, as there ye kneel,
And solemnly as when ye sware to him,
The man of men, our King-My God, the power
Was once in vows when men believed the King!
They lied not then, who sware, and through their vows
The King prevailing made his realm:-I say,
Swear to me thou wilt love me even when old,
Gray-haired, and past desire, and in despair.'
Then Tristram, pacing moodily up and down,
`Vows! did you keep the vow you made to Mark
More than I mine? Lied, say ye? Nay, but learnt,
The vow that binds too strictly snaps itselfMy knighthood taught me this-ay, being snaptWe run more counter to the soul thereof
Than had we never sworn. I swear no more.
I swore to the great King, and am forsworn.
For once-even to the height-I honoured him.
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'Man, is he man at all?' methought, when first
I rode from our rough Lyonnesse, and beheld
That victor of the Pagan throned in hallHis hair, a sun that rayed from off a brow
Like hillsnow high in heaven, the steel-blue eyes,
The golden beard that clothed his lips with lightMoreover, that weird legend of his birth,
With Merlin's mystic babble about his end
Amazed me; then, his foot was on a stool
Shaped as a dragon; he seemed to me no man,
But Micha l trampling Satan; so I sware,
Being amazed: but this went by- The vows!
O ay-the wholesome madness of an hourThey served their use, their time; for every knight
Believed himself a greater than himself,
And every follower eyed him as a God;
Till he, being lifted up beyond himself,
Did mightier deeds than elsewise he had done,
And so the realm was made; but then their vowsFirst mainly through that sullying of our QueenBegan to gall the knighthood, asking whence
Had Arthur right to bind them to himself?
Dropt down from heaven? washed up from out the deep?
They failed to trace him through the flesh and blood
Of our old kings: whence then? a doubtful lord
To bind them by inviolable vows,
Which flesh and blood perforce would violate:
For feel this arm of mine-the tide within
Red with free chase and heather-scented air,
Pulsing full man; can Arthur make me pure
As any maiden child? lock up my tongue
From uttering freely what I freely hear?
Bind me to one? The wide world laughs at it.
And worldling of the world am I, and know
The ptarmigan that whitens ere his hour
Woos his own end; we are not angels here
Nor shall be: vows-I am woodman of the woods,
And hear the garnet-headed yaffingale
Mock them: my soul, we love but while we may;
And therefore is my love so large for thee,
Seeing it is not bounded save by love.'
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Here ending, he moved toward her, and she said,
`Good: an I turned away my love for thee
To some one thrice as courteous as thyselfFor courtesy wins woman all as well
As valour may, but he that closes both
Is perfect, he is Lancelot-taller indeed,
Rosier and comelier, thou-but say I loved
This knightliest of all knights, and cast thee back
Thine own small saw, 'We love but while we may,'
Well then, what answer?'
He that while she spake,
Mindful of what he brought to adorn her with,
The jewels, had let one finger lightly touch
The warm white apple of her throat, replied,
`Press this a little closer, sweet, untilCome, I am hungered and half-angered-meat,
Wine, wine-and I will love thee to the death,
And out beyond into the dream to come.'
So then, when both were brought to full accord,
She rose, and set before him all he willed;
And after these had comforted the blood
With meats and wines, and satiated their heartsNow talking of their woodland paradise,
The deer, the dews, the fern, the founts, the lawns;
Now mocking at the much ungainliness,
And craven shifts, and long crane legs of MarkThen Tristram laughing caught the harp, and sang:
`Ay, ay, O ay-the winds that bend the brier!
A star in heaven, a star within the mere!
Ay, ay, O ay-a star was my desire,
And one was far apart, and one was near:
Ay, ay, O ay-the winds that bow the grass!
And one was water and one star was fire,
And one will ever shine and one will pass.
Ay, ay, O ay-the winds that move the mere.'
Then in the light's last glimmer Tristram showed
And swung the ruby carcanet. She cried,
`The collar of some Order, which our King
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Hath newly founded, all for thee, my soul,
For thee, to yield thee grace beyond thy peers.'
`Not so, my Queen,' he said, `but the red fruit
Grown on a magic oak-tree in mid-heaven,
And won by Tristram as a tourney-prize,
And hither brought by Tristram for his last
Love-offering and peace-offering unto thee.'
He spoke, he turned, then, flinging round her neck,
Claspt it, and cried, `Thine Order, O my Queen!'
But, while he bowed to kiss the jewelled throat,
Out of the dark, just as the lips had touched,
Behind him rose a shadow and a shriek`Mark's way,' said Mark, and clove him through the brain.
That night came Arthur home, and while he climbed,
All in a death-dumb autumn-dripping gloom,
The stairway to the hall, and looked and saw
The great Queen's bower was dark,-about his feet
A voice clung sobbing till he questioned it,
`What art thou?' and the voice about his feet
Sent up an answer, sobbing, `I am thy fool,
And I shall never make thee smile again.'
~ Alfred Lord Tennyson,
1484:Idylls Of The King: The Last Tournament (Excerpt)
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"
For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."
To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
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And Lancelot won, methought, for thee to wear."
"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given-Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,
But the sweet body of a maiden babe.
Perchance--who knows?--the purest of thy knights
May win them for the purest of my maids."
She ended, and the cry of a great jousts
With trumpet-blowings ran on all the ways
From Camelot in among the faded fields
To furthest towers; and everywhere the knights
Arm'd for a day of glory before the King.
But on the hither side of that loud morn
Into the hall stagger'd, his visage ribb'd
From ear to ear with dogwhip-weals, his nose
Bridge-broken, one eye out, and one hand off,
And one with shatter'd fingers dangling lame,
A churl, to whom indignantly the King,
"My churl, for whom Christ died, what evil beast
Hath drawn his claws athwart thy face? or fiend?
Man was it who marr'd heaven's image in thee thus?"
Then, sputtering thro' the hedge of splinter'd teeth,
Yet strangers to the tongue, and with blunt stump
Pitch-blacken'd sawing the air, said the maim'd churl,
"He took them and he drave them to his tower-Some hold he was a table-knight of thine-A hundred goodly ones--the Red Knight, he-Lord, I was tending swine, and the Red Knight
Brake in upon me and drave them to his tower;
And when I cal'd upon thy name as one
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That doest right by gentle and by churl,
Maim'd me and maul'd, and would outright have slain,
Save that he aware me to a message, saying,
'Tell thou the King and all his liars, that I
Have founded my Round Table in the North,
And whatsoever his own knights have sworn
My knights have sworn the counter to it--and say
My tower is full of harlots, like his court,
But mine are worthier, seeing they profess
To be none other than themselves--and say
My knights are all adulterers like his own,
But mine are truer, seeing they profess
To be none other; and say his hour is come,
The heathen are upon him, his long lance
Broken, and his Excalibur a straw.' "
Then Arthur turn'd to Kay the seneschal,
"Take thou my churl, and tend him curiously
Like a king's heir, till all his hurts be whole.
The heathen--but that ever-climbing wave,
Hurl'd back again so often in empty foam,
Hath lain for years at rest--and renegades,
Thieves, bandits, leavings of confusion, whom
The wholesome realm is purged of otherwhere,
Friends, thro' your manhood and your fealty,--now
Make their last head like Satan in the North.
My younger knights, new-made, in whom your flower
Waits to be solid fruit of golden deeds,
Move with me toward their quelling, which achieved,
The loneliest ways are safe from shore to shore.
But thou, Sir Lancelot, sitting in my place
Enchair'd to-morrow, arbitrate the field;
For wherefore shouldst thou care to mingle with it
Only to yield my Queen her own again?
Speak, Lancelot, thou art silent: is it well?"
Thereto Sir Lancelot answer'd, "It is well:
Yet better if the King abide, and leave
The leading of his younger knights to me.
Else, for the King has will'd it, it is well."
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Then Arthur rose and Lancelot follow'd him,
And while they stood without the doors, the King
Turn'd to him saying, "Is it then so well?
Or mine the blame that oft I seem as he
Of whom was written, 'A sound is in his ears'?
The foot that loiters, bidden go,--the glance
That only seems half-loyal to command,-A manner somewhat fall'n from reverence-Or have I dream'd the bearing of our knights
Tells of a manhood ever less and lower?
Or whence the fear lest this my realm, uprear'd,
By noble deeds at one with noble vows,
From flat confusion and brute violence,s
Reel back into the beast, and be no more?"
He spoke, and taking all his younger knights,
Down the slope city rode, and sharply turn'd
North by the gate. In her high bower the Queen,
Working a tapestry, lifted up her head,
Watch'd her lord pass, and knew not that she sigh'd.
Then ran across her memory the strange rhyme
Of bygone Merlin, "Where is he who knows?
From the great deep to the great deep he goes."
But when the morning of a tournament,
By these in earnest those in mockery call'd
The Tournament of the Dead Innocence,
Brake with a wet wind blowing, Lancelot,
Round whose sick head all night, like birds of prey,
The words of Arthur flying shriek'd, arose,
And down a streetway hung with folds of pure
White samite, and by fountains running wine,
Where children sat in white with cups of gold,
Moved to the lists, and there, with slow sad steps
Ascending, fill'd his double-dragon'd chair.
He glanced and saw the stately galleries,
Dame, damsel, each thro' worship of their Queen
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White-robed in honour of the stainless child,
And some with scatter'd jewels, like a bank
Of maiden snow mingled with sparks of fire.
He look'd but once, and vail'd his eyes again.
The sudden trumpet sounded as in a dream
To ears but half-awaked, then one low roll
Of Autumn thunder, and the jousts began:
And ever the wind blew, and yellowing leaf
And gloom and gleam, and shower and shorn plume
Went down it. Sighing weariedly, as one
Who sits and gazes on a faded fire,
When all the goodlier guests are past away,
Sat their great umpire, looking o'er the lists.
He saw the laws that ruled the tournament
Broken, but spake not; once, a knight cast down
Before his throne of arbitration cursed
The dead babe and the follies of the King;
And once the laces of a helmet crack'd,
And show'd him, like a vermin in its hole,
Modred, a narrow face: anon he heard
The voice that billow'd round the barriers roar
An ocean-sounding welcome to one knight,
But newly-enter'd, taller than the rest,
And armour'd all in forest green, whereon
There tript a hundred tiny silver deer,
And wearing but a holly-spray for crest,
With ever-scattering berries, and on shield
A spear, a harp, a bugle--Tristram--late
From overseas in Brittany return'd,
And marriage with a princess of that realm,
Isolt the White--Sir Tristram of the Woods-Whom Lancelot knew, had held sometime with pain
His own against him, and now yearn'd to shake
The burthen off his heart in one full shock
With Tristram ev'n to death: his strong hands gript
And dinted the gilt dragons right and left,
Until he groan'd for wrath--so many of those,
That ware their ladies' colours on the casque,
Drew from before Sir Tristram to the bounds,
And there with gibes and flickering mockeries
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Stood, while he mutter'd, "Craven crests! O shame!
What faith have these in whom they sware to love?
The glory of our Round Table is no more."
So Tristram won, and Lancelot gave, the gems,
Not speaking other word than "Hast thou won?
Art thou the purest, brother? See, the hand
Wherewith thou takest this, is red!" to whom
Tristram, half plagued by Lancelot's languorous mood,
Made answer, "Ay, but wherefore toss me this
Like a dry bone cast to some hungry hound?
Let be thy fair Queen's fantasy. Strength of heart
And might of limb, but mainly use and skill,
Are winners in this pastime of our King.
My hand--belike the lance hath dript upon it-No blood of mine, I trow; but O chief knight,
Right arm of Arthur in the battlefield,
Great brother, thou nor I have made the world;
Be happy in thy fair Queen as I in mine."
And Tristram round the gallery made his horse
Caracole; then bow'd his homage, bluntly saying,
"Fair damsels, each to him who worships each
Sole Queen of Beauty and of love, behold
This day my Queen of Beauty is not here."
And most of these were mute, some anger'd, one
Murmuring, "All courtesy is dead," and one
"The glory of our Round Table is no more."
Then fell thick rain, plume droopt and mantle clung,
And pettish cries awoke, and the wan day
Went glooming down in wet and weariness:
But under her black brows a swarthy one
Laugh'd shrilly, crying, "Praise the patient saints,
Our one white day of Innocence hath past,
Tho' somewhat draggled at the skirt. So be it.
The snowdrop only, flowering thro' the year,
Would make the world as blank as Winter-tide.
Come--let us gladden their sad eyes, our Queen's
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And Lancelot's, at this night's solemnity
With all the kindlier colours of the field."
So dame and damsel glitter'd at the feast
Variously gay: for he that tells the tale
Liken'd them, saying, as when an hour of cold
Falls on the mountain in midsummer snows,
And all the purple slopes of mountain flowers
Pass under white, till the warm hour returns
With veer of wind, and all are flowers again;
So dame and damsel cast the simple white,
And glowing in all colours, the live grass,
Rose-campion, bluebell, kingcup, poppy, glanced
About the revels, and with mirth so loud
Beyond all use, that, half-amazed, the Queen,
And wroth at Tristram and the lawless jousts,
Brake up their sports, then slowly to her bower
Parted, and in her bosom pain was lord.
And little Dagonet on the morrow morn,
High over all the yellowing Autumn-tide,
Danced like a wither'd leaf before the hall.
Then Tristram saying, "Why skip ye so, Sir Fool?"
Wheel'd round on either heel, Dagonet replied,
"Belike for lack of wiser company;
Or being fool, and seeing too much wit
Makes the world rotten, why, belike I skip
To know myself the wisest knight of all."
"Ay, fool," said Tristram, "but 'tis eating dry
To dance without a catch, a roundelay
To dance to." Then he twangled on his harp,
And while he twangled little Dagonet stood
Quiet as any water-sodden log
Stay'd in the wandering warble of a brook;
But when the twangling ended, skipt again;
And being ask'd, "Why skipt ye not, Sir Fool?"
Made answer, "I had liefer twenty years
Skip to the broken music of my brains
Than any broken music thou canst make."
Then Tristram, waiting for the quip to come,
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"Good now, what music have I broken, fool?"
And little Dagonet, skipping, "Arthur, the King's;
For when thou playest that air with Queen Isolt,
Thou makest broken music with thy bride,
Her daintier namesake down in Brittany-And so thou breakest Arthur's music, too."
"Save for that broken music in thy brains,
Sir Fool," said Tristram, "I would break thy head.
Fool, I came late, the heathen wars were o'er,
The life had flown, we sware but by the shell-I am but a fool to reason with a fool-Come, thou art crabb'd and sour: but lean me down,
Sir Dagonet, one of thy long asses' ears,
And harken if my music be not true.
"`Free love--free field--we love but while we may:
The woods are hush'd, their music is no more:
The leaf is dead, the yearning past away:
New leaf, new life--the days of frost are o'er:
New life, new love, to suit the newer day:
New loves are sweet as those that went before:
Free love--free field--we love but while we may.'
"Ye might have moved slow-measure to my tune,
Not stood stockstill. I made it in the woods,
And heard it ring as true as tested gold."
But Dagonet with one foot poised in his hand,
"Friend, did ye mark that fountain yesterday
Made to run wine?--but this had run itself
All out like a long life to a sour end-And them that round it sat with golden cups
To hand the wine to whosoever came-The twelve small damosels white as Innocence,
In honour of poor Innocence the babe,
Who left the gems which Innocence the Queen
Lent to the King, and Innocence the King
Gave for a prize--and one of those white slips
Handed her cup and piped, the pretty one,
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'Drink, drink, Sir Fool,' and thereupon I drank,
Spat--pish--the cup was gold, the draught was mud."
And Tristram, "Was it muddier than thy gibes?
Is all the laughter gone dead out of thee?-Not marking how the knighthood mock thee, fool-'Fear God: honour the King--his one true knight-Sole follower of the vows'--for here be they
Who knew thee swine enow before I came,
Smuttier than blasted grain: but when the King
Had made thee fool, thy vanity so shot up
It frighted all free fool from out thy heart;
Which left thee less than fool, and less than swine,
A naked aught--yet swine I hold thee still,
For I have flung thee pearls and find thee swine."
And little Dagonet mincing with his feet,
"Knight, an ye fling those rubies round my neck
In lieu of hers, I'll hold thou hast some touch
Of music, since I care not for thy pearls.
Swine? I have wallow'd, I have wash'd--the world
Is flesh and shadow--I have had my day.
The dirty nurse, Experience, in her kind
Hath foul'd me--an I wallow'd, then I wash'd-I have had my day and my philosophies-And thank the Lord I am King Arthur's fool.
Swine, say ye? swine, goats, asses, rams and geese
Troop'd round a Paynim harper once, who thrumm'd
On such a wire as musically as thou
Some such fine song--but never a king's fool."
And Tristram, "Then were swine, goats, asses, geese
The wiser fools, seeing thy Paynim bard
Had such a mastery of his mystery
That he could harp his wife up out of hell."
Then Dagonet, turning on the ball of his foot,
"And whither harp'st thou thine? down! and thyself
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Down! and two more: a helpful harper thou,
That harpest downward! dost thou know the star
We call the harp of Arthur up in heaven?"
And Tristram, "Ay, Sir Fool, for when our King
Was victor wellnigh day by day, the knights,
Glorying in each new glory, set his name
High on all hills, and in the signs of heaven."
And Dagonet answer'd, "Ay, and when the land
Was freed, and the Queen false, ye set yourself
To babble about him, all to show your wit-And whether he were King by courtesy,
Or King by right--and so went harping down
The black king's highway, got so far, and grew
So witty that we play'd at ducks and drakes
With Arthur's vows on the great lake of fire.
Tuwhoo! do ye see it? do ye see the star?"
"Nay, fool," said Tristram, "not in open day."
And Dagonet, "Nay, nor will: I see it and hear.
It makes a silent music up in heaven,
And I, and Arthur and the angels hear,
And then we skip." "Lo, fool," he said, "ye talk
Fool's treason: is the King thy brother fool?"
Then little Dagonet clapt his hands and shrill'd,
"Ay, ay, my brother fool, the king of fools!
Conceits himself as God that he can make
Figs out of thistles, silk from bristles, milk
From burning spurge, honey from hornet-combs
And men from beasts--Long live the king of fools!"
And down the city Dagonet danced away;
But thro' the slowly-mellowing avenues
And solitary passes of the wood
Rode Tristram toward Lyonnesse and the west.
Before him fled the face of Queen Isolt
With ruby-circled neck, but evermore
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Past, as a rustle or twitter in the wood
Made dull his inner, keen his outer eye
For all that walk'd, or crept, or perch'd, or flew.
Anon the face, as, when a gust hath blown,
Unruffling waters re-collect the shape
Of one that in them sees himself, return'd;
But at the slot or fewmets of a deer,
Or ev'n a fall'n feather, vanish'd again.
So on for all that day from lawn to lawn
Thro' many a league-long bower he rode. At length
A lodge of intertwisted beechen-boughs
Furze-cramm'd, and bracken-rooft, the which himself
Built for a summer day with Queen Isolt
Against a shower, dark in the golden grove
Appearing, sent his fancy back to where
She lived a moon in that low lodge with him:
Till Mark her lord had past, the Cornish King,
With six or seven, when Tristram was away,
And snatch'd her thence; yet dreading worse than shame
Her warrior Tristram, spake not any word,
But bode his hour, devising wretchedness.
And now that desert lodge to Tristram lookt
So sweet, that halting, in he past, and sank
Down on a drift of foliage random-blown;
But could not rest for musing how to smoothe
And sleek his marriage over to the Queen.
Perchance in lone Tintagil far from all
The tonguesters of the court she had not heard.
But then what folly had sent him overseas
After she left him lonely here? a name?
Was it the name of one in Brittany,
Isolt, the daughter of the King? "Isolt
Of the white hands" they call'd her: the sweet name
Allured him first, and then the maid herself,
Who served him well with those white hands of hers,
And loved him well, until himself had thought
He loved her also, wedded easily,
But left her all as easily, and return'd.
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The black-blue Irish hair and Irish eyes
Had drawn him home--what marvel? then he laid
His brows upon the drifted leaf and dream'd.
He seem'd to pace the strand of Brittany
Between Isolt of Britain and his bride,
And show'd them both the ruby-chain, and both
Began to struggle for it, till his Queen
Graspt it so hard, that all her hand was red.
Then cried the Breton, "Look, her hand is red!
These be no rubies, this is frozen blood,
And melts within her hand--her hand is hot
With ill desires, but this I gave thee, look,
Is all as cool and white as any flower."
Follow'd a rush of eagle's wings, and then
A whimpering of the spirit of the child,
Because the twain had spoil'd her carcanet.
He dream'd; but Arthur with a hundred spears
Rode far, till o'er the illimitable reed,
And many a glancing plash and sallowy isle,
The wide-wing'd sunset of the misty marsh
Glared on a huge machicolated tower
That stood with open doors, where out was roll'd
A roar of riot, as from men secure
Amid their marshes, ruffians at their ease
Among their harlot-brides, an evil song.
"Lo there," said one of Arthur's youth, for there,
High on a grim dead tree before the tower,
A goodly brother of the Table Round
Swung by the neck: and on the boughs a shield
Showing a shower of blood in a field noir,
And therebeside a horn, inflamed the knights
At that dishonour done the gilded spur,
Till each would clash the shield, and blow the horn.
But Arthur waved them back. Alone he rode.
Then at the dry harsh roar of the great horn,
That sent the face of all the marsh aloft
An ever upward-rushing storm and cloud
Of shriek and plume, the Red Knight heard, and all,
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Even to tipmost lance and topmost helm
In blood-red armour sallying, howl'd to the King,
"The teeth of Hell flay bare and gnash thee flat!
Lo! art thou not that eunuch-hearted King
Who fain had clipt free manhood from the world-The woman-worshipper? Yea, God's curse, and I!
Slain was the brother of my paramour
By a knight of thine, and I that heard her whine
And snivel, being eunuch-hearted too,
Sware by the scorpion-worm that twists in hell,
And stings itself to everlasting death,
To hang whatever knight of thine I fought
And tumbled. Art thou King?--Look to thy life!"
He ended: Arthur knew the voice; the face
Wellnigh was helmet-hidden, and the name
Went wandering somewhere darkling in his mind.
And Arthur deign'd not use of word or sword,
But let the drunkard, as he stretch'd from horse
To strike him, overbalancing his bulk,
Down from the causeway heavily to the swamp
Fall, as the crest of some slow-arching wave,
Heard in dead night along that table-shore,
Drops flat, and after the great waters break
Whitening for half a league, and thin themselves,
Far over sands marbled with moon and cloud,
From less and less to nothing; thus he fell
Head-heavy; then the knights, who watch'd him, roar'd
And shouted and leapt down upon the fall'n;
There trampled out his face from being known,
And sank his head in mire, and slimed themselves:
Nor heard the King for their own cries, but sprang
Thro' open doors, and swording right and left
Men, women, on their sodden faces, hurl'd
The tables over and the wines, and slew
Till all the rafters rang with woman-yells,
And all the pavement stream'd with massacre:
Then, echoing yell with yell, they fired the tower,
Which half that autumn night, like the live North,
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Red-pulsing up thro' Alioth and Alcor,
Made all above it, and a hundred meres
About it, as the water Moab saw
Come round by the East, and out beyond them flush'd
The long low dune, and lazy-plunging sea.
So all the ways were safe from shore to shore,
But in the heart of Arthur pain was lord.
Then, out of Tristram waking, the red dream
Fled with a shout, and that low lodge return'd,
Mid-forest, and the wind among the boughs.
He whistled his good warhorse left to graze
Among the forest greens, vaulted upon him,
And rode beneath an ever-showering leaf,
Till one lone woman, weeping near a cross,
Stay'd him. "Why weep ye?" "Lord," she said, "my man
Hath left me or is dead"; whereon he thought-"What, if she hate me now? I would not this.
What, if she love me still? I would not that.
I know not what I would"--but said to her,
"Yet weep not thou, lest, if thy mate return,
He find thy favour changed and love thee not"-Then pressing day by day thro' Lyonnesse
Last in a roky hollow, belling, heard
The hounds of Mark, and felt the goodly hounds
Yelp at his heart, but turning, past and gain'd
Tintagil, half in sea, and high on land,
A crown of towers.
Down in a casement sat,
A low sea-sunset glorying round her hair
And glossy-throated grace, Isolt the Queen.
And when she heard the feet of Tristram grind
The spiring stone that scaled about her tower,
Flush'd, started, met him at the doors, and there
Belted his body with her white embrace,
Crying aloud, "Not Mark--not Mark, my soul!
The footstep flutter'd me at first: not he:
Catlike thro' his own castle steals my Mark,
But warrior-wise thou stridest thro' his halls
Who hates thee, as I him--ev'n to the death.
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My soul, I felt my hatred for my Mark
Quicken within me, and knew that thou wert nigh."
To whom Sir Tristram smiling, "I am here.
Let be thy Mark, seeing he is not thine."
And drawing somewhat backward she replied,
"Can he be wrong'd who is not ev'n his own,
But save for dread of thee had beaten me,
Scratch'd, bitten, blinded, marr'd me somehow--Mark?
What rights are his that dare not strike for them?
Not lift a hand--not, tho' he found me thus!
But harken! have ye met him? hence he went
To-day for three days' hunting--as he said-And so returns belike within an hour.
Mark's way, my soul!--but eat not thou with Mark,
Because he hates thee even more than fears;
Nor drink: and when thou passest any wood
Close vizor, lest an arrow from the bush
Should leave me all alone with Mark and hell.
My God, the measure of my hate for Mark
Is as the measure of my love for thee.''
So, pluck'd one way by hate and one by love,
Drain'd of her force, again she sat, and spake
To Tristram, as he knelt before her, saying,
"O hunter, and O blower of the horn,
Harper, and thou hast been a rover too,
For, ere I mated with my shambling king,
Ye twain had fallen out about the bride
Of one--his name is out of me--the prize,
If prize she were--(what marvel--she could see)
Thine, friend; and ever since my craven seeks
To wreck thee villainously: but, O Sir Knight,
What dame or damsel have ye kneel'd to last?"
And Tristram, "Last to my Queen Paramount,
Here now to my Queen Paramount of love
And loveliness--ay, lovelier than when first
Her light feet fell on our rough Lyonnesse,
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Sailing from Ireland."
Softly laugh'd Isolt;
"Flatter me not, for hath not our great Queen
My dole of beauty trebled?" and he said,
"Her beauty is her beauty, and thine thine,
And thine is more to me--soft, gracious, kind-Save when thy Mark is kindled on thy lips
Most gracious; but she, haughty ev'n to him,
Lancelot; for I have seen him wan enow
To make one doubt if ever the great Queen
Have yielded him her love."
To whom Isolt,
"Ah then, false hunter and false harper, thou
Who brakest thro' the scruple of my bond,
Calling me thy white hind, and saying to me
That Guinevere had sinn'd against the highest,
And I--misyoked with such a want of man-That I could hardly sin against the lowest."
He answer'd, "O my soul, be comforted!
If this be sweet, to sin in leading-strings,
If here be comfort, and if ours be sin,
Crown'd warrant had we for the crowning sin
That made us happy: but how ye greet me--fear
And fault and doubt--no word of that fond tale-Thy deep heart-yearnings, thy sweet memories
Of Tristram in that year he was away."
And, saddening on the sudden, spake Isolt,
"I had forgotten all in my strong joy
To see thee--yearnings?--ay! for, hour by hour,
Here in the never-ended afternoon,
O sweeter than all memories of thee,
Deeper than any yearnings after thee
Seem'd those far-rolling, westward-smiling seas,
Watch'd from this tower. Isolt of Britain dash'd
Before Isolt of Brittany on the strand,
Would that have chill'd her bride-kiss? Wedded her?
Fought in her father's battles? wounded there?
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The King was all fulfill'd with gratefulness,
And she, my namesake of the hands, that heal'd
Thy hurt and heart with unguent and caress-Well--can I wish her any huger wrong
Than having known thee? her too hast thou left
To pine and waste in those sweet memories.
O were I not my Mark's, by whom all men
Are noble, I should hate thee more than love."
And Tristram, fondling her light hands, replied,
"Grace, Queen, for being loved: she loved me well.
Did I love her? the name at least I loved.
Isolt?--I fought his battles, for Isolt!
The night was dark; the true star set. Isolt!
The name was ruler of the dark--Isolt?
Care not for her! patient, and prayerful, meek,
Pale-blooded, she will yield herself to God."
And Isolt answer'd, "Yea, and why not I?
Mine is the larger need, who am not meek,
Pale-blooded, prayerful. Let me tell thee now.
Here one black, mute midsummer night I sat,
Lonely, but musing on thee, wondering where,
Murmuring a light song I had heard thee sing,
And once or twice I spake thy name aloud.
Then flash'd a levin-brand; and near me stood,
In fuming sulphur blue and green, a fiend-Mark's way to steal behind one in the dark-For there was Mark: 'He has wedded her,' he said,
Not said, but hiss'd it: then this crown of towers
So shook to such a roar of all the sky,
That here in utter dark I swoon'd away,
And woke again in utter dark, and cried,
'I will flee hence and give myself to God'-And thou wert lying in thy new leman's arms."
Then Tristram, ever dallying with her hand,
"May God be with thee, sweet, when old and gray,
And past desire!" a saying that anger'd her.'
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"`May God be with thee, sweet, when thou art old,
And sweet no more to me!' I need Him now.
For when had Lancelot utter'd aught so gross
Ev'n to the swineherd's malkin in the mast?
The greater man, the greater courtesy.
Far other was the Tristram, Arthur's knight!
But thou, thro' ever harrying thy wild beasts-Save that to touch a harp, tilt with a lance
Becomes thee well--art grown wild beast thyself.
How darest thou, if lover, push me even
In fancy from thy side, and set me far
In the gray distance, half a life away,
Her to be loved no more? Unsay it, unswear!
Flatter me rather, seeing me so weak,
Broken with Mark and hate and solitude,
Thy marriage and mine own, that I should suck
Lies like sweet wines: lie to me: I believe.
Will ye not lie? not swear, as there ye kneel,
And solemnly as when ye sware to him
The man of men, our King--My God, the power
Was once in vows when men believed the King!
They lied not then, who sware, and thro' their vows
The King prevailing made his realm:--I say,
Swear to me thou wilt love me ev'n when old,
Gray-hair'd, and past desire, and in despair."
Then Tristram, pacing moodily up and down,
"Vows! did you keep the vow you made to Mark
More than I mine? Lied, say ye? Nay, but learnt,
The vow that binds too strictly snaps itself-My knighthood taught me this--ay, being snapt-We run more counter to the soul thereof
Than had we never sworn. I swear no more.
I swore to the great King, and am forsworn.
For once--ev'n to the height--I honour'd him.
'Man, is he man at all?' methought, when first
I rode from our rough Lyonnesse, and beheld
That victor of the Pagan throned in hall-His hair, a sun that ray'd from off a brow
Like hillsnow high in heaven, the steel-blue eyes,
The golden beard that clothed his lips with light--
214
Moreover, that weird legend of his birth,
With Merlin's mystic babble about his end
Amazed me; then his foot was on a stool
Shaped as a dragon; he seem'd to me no man,
But Michaël trampling Satan; so I sware,
Being amazed: but this went by--The vows!
O ay--the wholesome madness of an hour-They served their use, their time; for every knight
Believed himself a greater than himself,
And every follower eyed him as a God;
Till he, being lifted up beyond himself,
Did mightier deeds than elsewise he had done,
And so the realm was made; but then their vows-First mainly thro' that sullying of our Queen-Began to gall the knighthood, asking whence
Had Arthur right to bind them to himself?
Dropt down from heaven? wash'd up from out the deep?
They fail'd to trace him thro' the flesh and blood
Of our old kings: whence then? a doubtful lord
To bind them by inviolable vows,
Which flesh and blood perforce would violate:
For feel this arm of mine--the tide within
Red with free chase and heather-scented air,
Pulsing full man; can Arthur make me pure
As any maiden child? lock up my tongue
From uttering freely what I freely hear?
Bind me to one? The wide world laughs at it.
And worldling of the world am I, and know
The ptarmigan that whitens ere his hour
Woos his own end; we are not angels here
Nor shall be: vows--I am woodman of the woods,
And hear the garnet-headed yaffingale
Mock them: my soul, we love but while we may;
And therefore is my love so large for thee,
Seeing it is not bounded save by love."
Here ending, he moved toward her, and she said,
"Good: an I turn'd away my love for thee
To some one thrice as courteous as thyself-For courtesy wins woman all as well
As valour may, but he that closes both
215
Is perfect, he is Lancelot--taller indeed,
Rosier and comelier, thou--but say I loved
This knightliest of all knights, and cast thee back
Thine own small saw, 'We love but while we may,'
Well then, what answer?"
He that while she spake,
Mindful of what he brought to adorn her with,
The jewels, had let one finger lightly touch
The warm white apple of her throat, replied,
"Press this a little closer, sweet, until-Come, I am hunger'd and half-anger'd--meat,
Wine, wine--and I will love thee to the death,
And out beyond into the dream to come."
So then, when both were brought to full accord,
She rose, and set before him all he will'd;
And after these had comforted the blood
With meats and wines, and satiated their hearts-Now talking of their woodland paradise,
The deer, the dews, the fern, the founts, the lawns;
Now mocking at the much ungainliness,
And craven shifts, and long crane legs of Mark-Then Tristram laughing caught the harp, and sang:
"Ay, ay, O ay--the winds that bend the brier!
A star in heaven, a star within the mere!
Ay, ay, O ay--a star was my desire,
And one was far apart, and one was near:
Ay, ay, O ay--the winds that bow the grass!
And one was water and one star was fire,
And one will ever shine and one will pass.
Ay, ay, O ay--the winds that move the mere."
Then in the light's last glimmer Tristram show'd
And swung the ruby carcanet. She cried,
"The collar of some Order, which our King
Hath newly founded, all for thee, my soul,
For thee, to yield thee grace beyond thy peers."
216
"Not so, my Queen," he said, "but the red fruit
Grown on a magic oak-tree in mid-heaven,
And won by Tristram as a tourney-prize,
And hither brought by Tristram for his last
Love-offering and peace-offering unto thee."
He spoke, he turn'd, then, flinging round her neck,
Claspt it, and cried "Thine Order, O my Queen!"
But, while he bow'd to kiss the jewell'd throat,
Out of the dark, just as the lips had touch'd,
Behind him rose a shadow and a shriek-"Mark's way," said Mark, and clove him thro' the brain.
That night came Arthur home, and while he climb'd,
All in a death-dumb autumn-dripping gloom,
The stairway to the hall, and look'd and saw
The great Queen's bower was dark,--about his feet
A voice clung sobbing till he question'd it,
"What art thou?" and the voice about his feet
Sent up an answer, sobbing, "I am thy fool,
And I shall never make thee smile again."
~ Alfred Lord Tennyson,
1485:Earth, Ocean, Air, belovd brotherhood!
If our great Mother has imbued my soul
With aught of natural piety to feel
Your love, and recompense the boon with mine;
If dewy morn, and odorous noon, and even,
With sunset and its gorgeous ministers,
And solemn midnight's tingling silentness;
If Autumn's hollow sighs in the sere wood,
And Winter robing with pure snow and crowns
Of starry ice the gray grass and bare boughs;
If Spring's voluptuous pantings when she breathes
Her first sweet kisses,have been dear to me;
If no bright bird, insect, or gentle beast
I consciously have injured, but still loved
And cherished these my kindred; then forgive
This boast, belovd brethren, and withdraw
No portion of your wonted favor now!

Mother of this unfathomable world!
Favor my solemn song, for I have loved
Thee ever, and thee only; I have watched
Thy shadow, and the darkness of thy steps,
And my heart ever gazes on the depth
Of thy deep mysteries. I have made my bed
In charnels and on coffins, where black death
Keeps record of the trophies won from thee,
Hoping to still these obstinate questionings
Of thee and thine, by forcing some lone ghost,
Thy messenger, to render up the tale
Of what we are. In lone and silent hours,
When night makes a weird sound of its own stillness,
Like an inspired and desperate alchemist
Staking his very life on some dark hope,
Have I mixed awful talk and asking looks
With my most innocent love, until strange tears,
Uniting with those breathless kisses, made
Such magic as compels the charmd night
To render up thy charge; and, though ne'er yet
Thou hast unveiled thy inmost sanctuary,
Enough from incommunicable dream,
And twilight phantasms, and deep noonday thought,
Has shone within me, that serenely now
And moveless, as a long-forgotten lyre
Suspended in the solitary dome
Of some mysterious and deserted fane,
I wait thy breath, Great Parent, that my strain
May modulate with murmurs of the air,
And motions of the forests and the sea,
And voice of living beings, and woven hymns
Of night and day, and the deep heart of man.

There was a Poet whose untimely tomb
No human hands with pious reverence reared,
But the charmed eddies of autumnal winds
Built o'er his mouldering bones a pyramid
Of mouldering leaves in the waste wilderness:
A lovely youth,no mourning maiden decked
With weeping flowers, or votive cypress wreath,
The lone couch of his everlasting sleep:
Gentle, and brave, and generous,no lorn bard
Breathed o'er his dark fate one melodious sigh:
He lived, he died, he sung in solitude.  
Strangers have wept to hear his passionate notes,
And virgins, as unknown he passed, have pined
And wasted for fond love of his wild eyes.
The fire of those soft orbs has ceased to burn,
And Silence, too enamoured of that voice,
Locks its mute music in her rugged cell.

By solemn vision and bright silver dream
His infancy was nurtured. Every sight
And sound from the vast earth and ambient air
Sent to his heart its choicest impulses.
The fountains of divine philosophy
Fled not his thirsting lips, and all of great,
Or good, or lovely, which the sacred past
In truth or fable consecrates, he felt
And knew. When early youth had passed, he left
His cold fireside and alienated home
To seek strange truths in undiscovered lands.
Many a wide waste and tangled wilderness
Has lured his fearless steps; and he has bought
With his sweet voice and eyes, from savage men,
His rest and food. Nature's most secret steps
He like her shadow has pursued, where'er
The red volcano overcanopies
Its fields of snow and pinnacles of ice
With burning smoke, or where bitumen lakes
On black bare pointed islets ever beat
With sluggish surge, or where the secret caves,
Rugged and dark, winding among the springs
Of fire and poison, inaccessible
To avarice or pride, their starry domes
Of diamond and of gold expand above
Numberless and immeasurable halls,
Frequent with crystal column, and clear shrines
Of pearl, and thrones radiant with chrysolite.
Nor had that scene of ampler majesty
Than gems or gold, the varying roof of heaven
And the green earth, lost in his heart its claims
To love and wonder; he would linger long
In lonesome vales, making the wild his home,
Until the doves and squirrels would partake
From his innocuous band his bloodless food,
Lured by the gentle meaning of his looks,
And the wild antelope, that starts whene'er
The dry leaf rustles in the brake, suspend
Her timid steps, to gaze upon a form
More graceful than her own.

His wandering step,
Obedient to high thoughts, has visited
The awful ruins of the days of old:
Athens, and Tyre, and Balbec, and the waste
Where stood Jerusalem, the fallen towers
Of Babylon, the eternal pyramids,
Memphis and Thebes, and whatsoe'er of strange,
Sculptured on alabaster obelisk
Or jasper tomb or mutilated sphinx,
Dark thiopia in her desert hills
Conceals. Among the ruined temples there,
Stupendous columns, and wild images
Of more than man, where marble daemons watch
The Zodiac's brazen mystery, and dead men
Hang their mute thoughts on the mute walls around,
He lingered, poring on memorials
Of the world's youth: through the long burning day
Gazed on those speechless shapes; nor, when the moon
Filled the mysterious halls with floating shades
Suspended he that task, but ever gazed
And gazed, till meaning on his vacant mind
Flashed like strong inspiration, and he saw
The thrilling secrets of the birth of time.

Meanwhile an Arab maiden brought his food,
Her daily portion, from her father's tent,
And spread her matting for his couch, and stole
From duties and repose to tend his steps,
Enamoured, yet not daring for deep awe
To speak her love, and watched his nightly sleep,
Sleepless herself, to gaze upon his lips
Parted in slumber, whence the regular breath
Of innocent dreams arose; then, when red morn
Made paler the pale moon, to her cold home
Wildered, and wan, and panting, she returned.

The Poet, wandering on, through Arabie,
And Persia, and the wild Carmanian waste,
And o'er the arial mountains which pour down
Indus and Oxus from their icy caves,
In joy and exultation held his way;
Till in the vale of Cashmire, far within
Its loneliest dell, where odorous plants entwine
Beneath the hollow rocks a natural bower,
Beside a sparkling rivulet he stretched
His languid limbs. A vision on his sleep
There came, a dream of hopes that never yet
Had flushed his cheek. He dreamed a veild maid
Sate near him, talking in low solemn tones.
Her voice was like the voice of his own soul
Heard in the calm of thought; its music long,
Like woven sounds of streams and breezes, held
His inmost sense suspended in its web
Of many-colored woof and shifting hues.
Knowledge and truth and virtue were her theme,
And lofty hopes of divine liberty,
Thoughts the most dear to him, and poesy,
Herself a poet. Soon the solemn mood
Of her pure mind kindled through all her frame
A permeating fire; wild numbers then
She raised, with voice stifled in tremulous sobs
Subdued by its own pathos; her fair hands
Were bare alone, sweeping from some strange harp
Strange symphony, and in their branching veins
The eloquent blood told an ineffable tale.
The beating of her heart was heard to fill
The pauses of her music, and her breath
Tumultuously accorded with those fits
Of intermitted song. Sudden she rose,
As if her heart impatiently endured
Its bursting burden; at the sound he turned,
And saw by the warm light of their own life
Her glowing limbs beneath the sinuous veil
Of woven wind, her outspread arms now bare,
Her dark locks floating in the breath of night,
Her beamy bending eyes, her parted lips
Outstretched, and pale, and quivering eagerly.
His strong heart sunk and sickened with excess
Of love. He reared his shuddering limbs, and quelled
His gasping breath, and spread his arms to meet
Her panting bosom:she drew back awhile,
Then, yielding to the irresistible joy,
With frantic gesture and short breathless cry
Folded his frame in her dissolving arms.
Now blackness veiled his dizzy eyes, and night
Involved and swallowed up the vision; sleep,
Like a dark flood suspended in its course,
Rolled back its impulse on his vacant brain.

Roused by the shock, he started from his trance
The cold white light of morning, the blue moon
Low in the west, the clear and garish hills,
The distinct valley and the vacant woods,
Spread round him where he stood. Whither have fled
The hues of heaven that canopied his bower
Of yesternight? The sounds that soothed his sleep,
The mystery and the majesty of Earth,
The joy, the exultation? His wan eyes
Gaze on the empty scene as vacantly
As ocean's moon looks on the moon in heaven.
The spirit of sweet human love has sent
A vision to the sleep of him who spurned
Her choicest gifts. He eagerly pursues
Beyond the realms of dream that fleeting shade;
He overleaps the bounds. Alas! alas!
Were limbs and breath and being intertwined
Thus treacherously? Lost, lost, forever lost
In the wide pathless desert of dim sleep,
That beautiful shape! Does the dark gate of death
Conduct to thy mysterious paradise,
O Sleep? Does the bright arch of rainbow clouds
And pendent mountains seen in the calm lake
Lead only to a black and watery depth,
While death's blue vault with loathliest vapors hung,
Where every shade which the foul grave exhales
Hides its dead eye from the detested day,
Conducts, O Sleep, to thy delightful realms?
This doubt with sudden tide flowed on his heart;
The insatiate hope which it awakened stung
His brain even like despair.

While daylight held
The sky, the Poet kept mute conference
With his still soul. At night the passion came,
Like the fierce fiend of a distempered dream,
And shook him from his rest, and led him forth
Into the darkness. As an eagle, grasped
In folds of the green serpent, feels her breast
Burn with the poison, and precipitates
Through night and day, tempest, and calm, and cloud,
Frantic with dizzying anguish, her blind flight
O'er the wide ary wilderness: thus driven
By the bright shadow of that lovely dream,
Beneath the cold glare of the desolate night,
Through tangled swamps and deep precipitous dells,
Startling with careless step the moon-light snake,
He fled. Red morning dawned upon his flight,
Shedding the mockery of its vital hues
Upon his cheek of death. He wandered on
Till vast Aornos seen from Petra's steep
Hung o'er the low horizon like a cloud;
Through Balk, and where the desolated tombs
Of Parthian kings scatter to every wind
Their wasting dust, wildly he wandered on,
Day after day, a weary waste of hours,
Bearing within his life the brooding care
That ever fed on its decaying flame.
And now his limbs were lean; his scattered hair,
Sered by the autumn of strange suffering,
Sung dirges in the wind; his listless hand
Hung like dead bone within its withered skin;
Life, and the lustre that consumed it, shone,
As in a furnace burning secretly,
From his dark eyes alone. The cottagers,
Who ministered with human charity
His human wants, beheld with wondering awe
Their fleeting visitant. The mountaineer,
Encountering on some dizzy precipice
That spectral form, deemed that the Spirit of Wind,
With lightning eyes, and eager breath, and feet
Disturbing not the drifted snow, had paused
In its career; the infant would conceal
His troubled visage in his mother's robe
In terror at the glare of those wild eyes,
To remember their strange light in many a dream
Of after times; but youthful maidens, taught
By nature, would interpret half the woe
That wasted him, would call him with false names
Brother and friend, would press his pallid hand
At parting, and watch, dim through tears, the path
Of his departure from their father's door.

At length upon the lone Chorasmian shore
He paused, a wide and melancholy waste
Of putrid marshes. A strong impulse urged
His steps to the sea-shore. A swan was there,
Beside a sluggish stream among the reeds.
It rose as he approached, and, with strong wings
Scaling the upward sky, bent its bright course
High over the immeasurable main.
His eyes pursued its flight:'Thou hast a home,
Beautiful bird! thou voyagest to thine home,
Where thy sweet mate will twine her downy neck
With thine, and welcome thy return with eyes
Bright in the lustre of their own fond joy.
And what am I that I should linger here,
With voice far sweeter than thy dying notes,
Spirit more vast than thine, frame more attuned
To beauty, wasting these surpassing powers
In the deaf air, to the blind earth, and heaven
That echoes not my thoughts?' A gloomy smile
Of desperate hope wrinkled his quivering lips.
For sleep, he knew, kept most relentlessly
Its precious charge, and silent death exposed,
Faithless perhaps as sleep, a shadowy lure,
With doubtful smile mocking its own strange charms.

Startled by his own thoughts, he looked around.
There was no fair fiend near him, not a sight
Or sound of awe but in his own deep mind.
A little shallop floating near the shore
Caught the impatient wandering of his gaze.
It had been long abandoned, for its sides
Gaped wide with many a rift, and its frail joints
Swayed with the undulations of the tide.
A restless impulse urged him to embark
And meet lone Death on the drear ocean's waste;
For well he knew that mighty Shadow loves
The slimy caverns of the populous deep.

The day was fair and sunny; sea and sky
Drank its inspiring radiance, and the wind
Swept strongly from the shore, blackening the waves.
Following his eager soul, the wanderer
Leaped in the boat; he spread his cloak aloft
On the bare mast, and took his lonely seat,
And felt the boat speed o'er the tranquil sea
Like a torn cloud before the hurricane.

As one that in a silver vision floats
Obedient to the sweep of odorous winds
Upon resplendent clouds, so rapidly
Along the dark and ruffled waters fled
The straining boat. A whirlwind swept it on,
With fierce gusts and precipitating force,
Through the white ridges of the chafd sea.
The waves arose. Higher and higher still
Their fierce necks writhed beneath the tempest's scourge
Like serpents struggling in a vulture's grasp.
Calm and rejoicing in the fearful war
Of wave ruining on wave, and blast on blast
Descending, and black flood on whirlpool driven
With dark obliterating course, he sate:
As if their genii were the ministers
Appointed to conduct him to the light
Of those belovd eyes, the Poet sate,
Holding the steady helm. Evening came on;
The beams of sunset hung their rainbow hues
High 'mid the shifting domes of sheeted spray
That canopied his path o'er the waste deep;
Twilight, ascending slowly from the east,
Entwined in duskier wreaths her braided locks
O'er the fair front and radiant eyes of Day;
Night followed, clad with stars. On every side
More horribly the multitudinous streams
Of ocean's mountainous waste to mutual war
Rushed in dark tumult thundering, as to mock
The calm and spangled sky. The little boat
Still fled before the storm; still fled, like foam
Down the steep cataract of a wintry river;
Now pausing on the edge of the riven wave;
Now leaving far behind the bursting mass
That fell, convulsing ocean; safely fled
As if that frail and wasted human form
Had been an elemental god.

At midnight
The moon arose; and lo! the ethereal cliffs
Of Caucasus, whose icy summits shone
Among the stars like sunlight, and around
Whose caverned base the whirlpools and the waves
Bursting and eddying irresistibly
Rage and resound forever.Who shall save?
The boat fled on,the boiling torrent drove,
The crags closed round with black and jagged arms,
The shattered mountain overhung the sea,
And faster still, beyond all human speed,
Suspended on the sweep of the smooth wave,
The little boat was driven. A cavern there
Yawned, and amid its slant and winding depths
Ingulfed the rushing sea. The boat fled on
With unrelaxing speed.'Vision and Love!'
The Poet cried aloud, 'I have beheld
The path of thy departure. Sleep and death
Shall not divide us long.'

The boat pursued
The windings of the cavern. Daylight shone
At length upon that gloomy river's flow;
Now, where the fiercest war among the waves
Is calm, on the unfathomable stream
The boat moved slowly. Where the mountain, riven,
Exposed those black depths to the azure sky,
Ere yet the flood's enormous volume fell
Even to the base of Caucasus, with sound
That shook the everlasting rocks, the mass
Filled with one whirlpool all that ample chasm;
Stair above stair the eddying waters rose,
Circling immeasurably fast, and laved
With alternating dash the gnarld roots
Of mighty trees, that stretched their giant arms
In darkness over it. I' the midst was left,
Reflecting yet distorting every cloud,
A pool of treacherous and tremendous calm.
Seized by the sway of the ascending stream,
With dizzy swiftness, round and round and round,
Ridge after ridge the straining boat arose,
Till on the verge of the extremest curve,
Where through an opening of the rocky bank
The waters overflow, and a smooth spot
Of glassy quiet 'mid those battling tides
Is left, the boat paused shuddering.Shall it sink
Down the abyss? Shall the reverting stress
Of that resistless gulf embosom it?
Now shall it fall?A wandering stream of wind
Breathed from the west, has caught the expanded sail,
And, lo! with gentle motion between banks
Of mossy slope, and on a placid stream,
Beneath a woven grove, it sails, and, hark!
The ghastly torrent mingles its far roar
With the breeze murmuring in the musical woods.
Where the embowering trees recede, and leave
A little space of green expanse, the cove
Is closed by meeting banks, whose yellow flowers
Forever gaze on their own drooping eyes,
Reflected in the crystal calm. The wave
Of the boat's motion marred their pensive task,
Which naught but vagrant bird, or wanton wind,
Or falling spear-grass, or their own decay
Had e'er disturbed before. The Poet longed
To deck with their bright hues his withered hair,
But on his heart its solitude returned,
And he forbore. Not the strong impulse hid
In those flushed cheeks, bent eyes, and shadowy frame,
Had yet performed its ministry; it hung
Upon his life, as lightning in a cloud
Gleams, hovering ere it vanish, ere the floods
Of night close over it.

The noonday sun  
Now shone upon the forest, one vast mass
Of mingling shade, whose brown magnificence
A narrow vale embosoms. There, huge caves,
Scooped in the dark base of their ary rocks,
Mocking its moans, respond and roar forever.
The meeting boughs and implicated leaves
Wove twilight o'er the Poet's path, as, led
By love, or dream, or god, or mightier Death,
He sought in Nature's dearest haunt some bank,
Her cradle and his sepulchre. More dark
And dark the shades accumulate. The oak,
Expanding its immense and knotty arms,
Embraces the light beech. The pyramids
Of the tall cedar overarching frame
Most solemn domes within, and far below,
Like clouds suspended in an emerald sky,
The ash and the acacia floating hang
Tremulous and pale. Like restless serpents, clothed
In rainbow and in fire, the parasites,
Starred with ten thousand blossoms, flow around
The gray trunks, and, as gamesome infants' eyes,
With gentle meanings, and most innocent wiles,
Fold their beams round the hearts of those that love,
These twine their tendrils with the wedded boughs,
Uniting their close union; the woven leaves
Make network of the dark blue light of day
And the night's noontide clearness, mutable
As shapes in the weird clouds. Soft mossy lawns
Beneath these canopies extend their swells,
Fragrant with perfumed herbs, and eyed with blooms
Minute yet beautiful. One darkest glen
Sends from its woods of musk-rose twined with jasmine
A soul-dissolving odor to invite
To some more lovely mystery. Through the dell
Silence and Twilight here, twin-sisters, keep
Their noonday watch, and sail among the shades,
Like vaporous shapes half-seen; beyond, a well,
Dark, gleaming, and of most translucent wave,
Images all the woven boughs above,
And each depending leaf, and every speck
Of azure sky darting between their chasms;
Nor aught else in the liquid mirror laves
Its portraiture, but some inconstant star,
Between one foliaged lattice twinkling fair,
Or painted bird, sleeping beneath the moon,
Or gorgeous insect floating motionless,
Unconscious of the day, ere yet his wings
Have spread their glories to the gaze of noon.

Hither the Poet came. His eyes beheld
Their own wan light through the reflected lines
Of his thin hair, distinct in the dark depth
Of that still fountain; as the human heart,
Gazing in dreams over the gloomy grave,
Sees its own treacherous likeness there. He heard
The motion of the leavesthe grass that sprung
Startled and glanced and trembled even to feel
An unaccustomed presenceand the sound
Of the sweet brook that from the secret springs
Of that dark fountain rose. A Spirit seemed
To stand beside himclothed in no bright robes
Of shadowy silver or enshrining light,
Borrowed from aught the visible world affords
Of grace, or majesty, or mystery;
But undulating woods, and silent well,
And leaping rivulet, and evening gloom
Now deepening the dark shades, for speech assuming,
Held commune with him, as if he and it
Were all that was; onlywhen his regard
Was raised by intense pensivenesstwo eyes,
Two starry eyes, hung in the gloom of thought,
And seemed with their serene and azure smiles
To beckon him.

Obedient to the light
That shone within his soul, he went, pursuing
The windings of the dell. The rivulet,
Wanton and wild, through many a green ravine
Beneath the forest flowed. Sometimes it fell
Among the moss with hollow harmony
Dark and profound. Now on the polished stones
It danced, like childhood laughing as it went;
Then, through the plain in tranquil wanderings crept,
Reflecting every herb and drooping bud
That overhung its quietness.'O stream!
Whose source is inaccessibly profound,
Whither do thy mysterious waters tend?
Thou imagest my life. Thy darksome stillness,
Thy dazzling waves, thy loud and hollow gulfs,
Thy searchless fountain and invisible course,
Have each their type in me; and the wide sky
And measureless ocean may declare as soon
What oozy cavern or what wandering cloud
Contains thy waters, as the universe
Tell where these living thoughts reside, when stretched
Upon thy flowers my bloodless limbs shall waste
I' the passing wind!'

Beside the grassy shore
Of the small stream he went; he did impress
On the green moss his tremulous step, that caught
Strong shuddering from his burning limbs. As one
Roused by some joyous madness from the couch
Of fever, he did move; yet not like him
Forgetful of the grave, where, when the flame
Of his frail exultation shall be spent,
He must descend. With rapid steps he went
Beneath the shade of trees, beside the flow
Of the wild babbling rivulet; and now
The forest's solemn canopies were changed
For the uniform and lightsome evening sky.
Gray rocks did peep from the spare moss, and stemmed
The struggling brook; tall spires of windlestrae
Threw their thin shadows down the rugged slope,
And nought but gnarld roots of ancient pines
Branchless and blasted, clenched with grasping roots
The unwilling soil. A gradual change was here
Yet ghastly. For, as fast years flow away,
The smooth brow gathers, and the hair grows thin
And white, and where irradiate dewy eyes
Had shone, gleam stony orbs:so from his steps
Bright flowers departed, and the beautiful shade
Of the green groves, with all their odorous winds
And musical motions. Calm he still pursued
The stream, that with a larger volume now
Rolled through the labyrinthine dell; and there
Fretted a path through its descending curves
With its wintry speed. On every side now rose
Rocks, which, in unimaginable forms,
Lifted their black and barren pinnacles
In the light of evening, and its precipice
Obscuring the ravine, disclosed above,
'Mid toppling stones, black gulfs and yawning caves,
Whose windings gave ten thousand various tongues
To the loud stream. Lo! where the pass expands
Its stony jaws, the abrupt mountain breaks,
And seems with its accumulated crags
To overhang the world; for wide expand
Beneath the wan stars and descending moon
Islanded seas, blue mountains, mighty streams,
Dim tracts and vast, robed in the lustrous gloom
Of leaden-colored even, and fiery hills
Mingling their flames with twilight, on the verge
Of the remote horizon. The near scene,
In naked and severe simplicity,  
Made contrast with the universe. A pine,
Rock-rooted, stretched athwart the vacancy
Its swinging boughs, to each inconstant blast
Yielding one only response at each pause
In most familiar cadence, with the howl,
The thunder and the hiss of homeless streams
Mingling its solemn song, whilst the broad river
Foaming and hurrying o'er its rugged path,
Fell into that immeasurable void,
Scattering its waters to the passing winds.

Yet the gray precipice and solemn pine
And torrent were not all;one silent nook
Was there. Even on the edge of that vast mountain,
Upheld by knotty roots and fallen rocks,
It overlooked in its serenity
The dark earth and the bending vault of stars.
It was a tranquil spot that seemed to smile
Even in the lap of horror. Ivy clasped
The fissured stones with its entwining arms,
And did embower with leaves forever green  
And berries dark the smooth and even space
Of its inviolated floor; and here
The children of the autumnal whirlwind bore
In wanton sport those bright leaves whose decay,
Red, yellow, or ethereally pale,
Rivals the pride of summer. 'T is the haunt
Of every gentle wind whose breath can teach
The wilds to love tranquillity. One step,
One human step alone, has ever broken
The stillness of its solitude; one voice  
Alone inspired its echoes;even that voice
Which hither came, floating among the winds,
And led the loveliest among human forms
To make their wild haunts the depository
Of all the grace and beauty that endued
Its motions, render up its majesty,
Scatter its music on the unfeeling storm,
And to the damp leaves and blue cavern mould,
Nurses of rainbow flowers and branching moss,
Commit the colors of that varying cheek,
That snowy breast, those dark and drooping eyes.

The dim and hornd moon hung low, and poured
A sea of lustre on the horizon's verge
That overflowed its mountains. Yellow mist
Filled the unbounded atmosphere, and drank
Wan moonlight even to fulness; not a star
Shone, not a sound was heard; the very winds,
Danger's grim playmates, on that precipice
Slept, clasped in his embrace.O storm of death,
Whose sightless speed divides this sullen night!  
And thou, colossal Skeleton, that, still
Guiding its irresistible career
In thy devastating omnipotence,
Art king of this frail world! from the red field
Of slaughter, from the reeking hospital,
The patriot's sacred couch, the snowy bed
Of innocence, the scaffold and the throne,
A mighty voice invokes thee! Ruin calls
His brother Death! A rare and regal prey
He hath prepared, prowling around the world;  
Glutted with which thou mayst repose, and men
Go to their graves like flowers or creeping worms,
Nor ever more offer at thy dark shrine
The unheeded tribute of a broken heart.

When on the threshold of the green recess
The wanderer's footsteps fell, he knew that death
Was on him. Yet a little, ere it fled,
Did he resign his high and holy soul
To images of the majestic past,
That paused within his passive being now,        
Like winds that bear sweet music, when they breathe
Through some dim latticed chamber. He did place
His pale lean hand upon the rugged trunk
Of the old pine; upon an ivied stone
Reclined his languid head; his limbs did rest,
Diffused and motionless, on the smooth brink
Of that obscurest chasm;and thus he lay,
Surrendering to their final impulses
The hovering powers of life. Hope and Despair,
The torturers, slept; no mortal pain or fear    
Marred his repose; the influxes of sense
And his own being, unalloyed by pain,
Yet feebler and more feeble, calmly fed
The stream of thought, till he lay breathing there
At peace, and faintly smiling. His last sight
Was the great moon, which o'er the western line
Of the wide world her mighty horn suspended,
With whose dun beams inwoven darkness seemed
To mingle. Now upon the jagged hills
It rests; and still as the divided frame    
Of the vast meteor sunk, the Poet's blood,
That ever beat in mystic sympathy
With Nature's ebb and flow, grew feebler still;
And when two lessening points of light alone
Gleamed through the darkness, the alternate gasp
Of his faint respiration scarce did stir
The stagnate night:till the minutest ray
Was quenched, the pulse yet lingered in his heart.
It pausedit fluttered. But when heaven remained
Utterly black, the murky shades involved  
An image silent, cold, and motionless,
As their own voiceless earth and vacant air.
Even as a vapor fed with golden beams
That ministered on sunlight, ere the west
Eclipses it, was now that wondrous frame
No sense, no motion, no divinity
A fragile lute, on whose harmonious strings
The breath of heaven did wandera bright stream
Once fed with many-voicd wavesa dream
Of youth, which night and time have quenched forever  
Still, dark, and dry, and unremembered now.

Oh, for Medea's wondrous alchemy,
Which wheresoe'er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
From vernal blooms fresh fragrance! Oh, that God,
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
He bears, over the world wanders forever,  
Lone as incarnate death! Oh, that the dream
Of dark magician in his visioned cave,
Raking the cinders of a crucible
For life and power, even when his feeble hand
Shakes in its last decay, were the true law
Of this so lovely world! But thou art fled,
Like some frail exhalation, which the dawn
Robes in its golden beams,ah! thou hast fled!
The brave, the gentle and the beautiful,
The child of grace and genius. Heartless things    
Are done and said i' the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
Lifts still its solemn voice:but thou art fled
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers, who are, alas!
Now thou art not! Upon those pallid lips
So sweet even in their silence, on those eyes
That image sleep in death, upon that form
Yet safe from the worm's outrage, let no tear
Be shednot even in thought. Nor, when those hues
Are gone, and those divinest lineaments,
Worn by the senseless wind, shall live alone
In the frail pauses of this simple strain,
Let not high verse, mourning the memory
Of that which is no more, or painting's woe
Or sculpture, speak in feeble imagery
Their own cold powers. Art and eloquence,
And all the shows o' the world, are frail and vain
To weep a loss that turns their lights to shade.
It is a woe "too deep for tears," when all
Is reft at once, when some surpassing Spirit,
Whose light adorned the world around it, leaves
Those who remain behind, not sobs or groans,
The passionate tumult of a clinging hope;
But pale despair and cold tranquillity,
Nature's vast frame, the web of human things,
Birth and the grave, that are not as they were.
Composed at Bishopsgate Heath, near Windsor Park, 1815 (autumn).
Note by Mrs. Shelley: 'Alastor is written in a very different tone from Queen Mab. In the latter, Shelley poured out all the cherished speculations of his youth -- all the irrepressible emotions of sympathy, censure, and hope, to which the present suffering, and what he considers the proper destiny, of his fellow-creatures, gave birth. Alastor, on the contrary, contains an individual interest only. A very few years, with their attendant events, had checked the ardour of Shelley's hopes, though he still thought them well grounded, and that to advance their fulfilment was the noblest task man could achieve.
This is neither the time nor the place to speak of the misfortunes that chequered his life. It will be sufficient to say that, in all he did, he at the time of doing it believed himself justified to his own conscience; while the various ills of poverty and loss of friends brought home to him the sad realities of life. Physical suffering had also considerable influence in causing him to turn his eyes inward; inclining him rather to brood over the thoughts and emotions of his own soul than to glance abroad, and to make, as in Queen Mab, the whole universe the object and subject of his song. In the Spring of 1815 an eminent physician pronounced that he was dying rapidly of a consumption; abscesses were formed on his lungs, and he suffered acute spasms. suddenly a complete change took place; and, though through life he was a martyr to pain and debility, every symptom of pulmonary disease vanished. His nerves, which nature had formed sensitive to an unexampled degree, were rendered still more susceptible by the state of his health.
As soon as the peace of 1814 had opened the Continent, he went abroad. He visited some of the more magnificent scenes of Switzerland, and returned to England from Lucerne, by the Reuss and the Rhine. The river-navigation enchanted him. In his favourite poem of Thalaba, his imagination had been excited by a description of such a voyage. In the summer of 1815, after a tour along the southern coast of Devonshire and a visit to Clifton, he rented a house on Bishopgate Heath, on the borders of Windsor Forest, where he enjoyed several months of comparative health and tranquil happiness. The later summer months were warm and dry. Accompanied by a few friends, he visited the source of the Thames, making a voyage in a wherry from Winsdor to Crickdale. His beautiful stanzas in the churchyard of Lechlade were written on that occasion. Alastor was composed on his return. He spent his days under the oak-shades of Windsor Great Park; and the magnificent woodland was a fitting study to inspire the various descriptions of forest-scenery we find in the poem.
None of Shelley's poems is more characteristic than this. The solemn spirit that reigns throughout, the worship of the majesty of nature, the broodings of a poet's heart in solitude -- the mingling of the exulting joy which the various aspects of the visible universe inspires with the sad and struggling pangs which human passion imparts -- give a touching interest to the whole. The death which he had often contemplated during the last months as certain and near he here represented in such colours as had, in his lonely musings, soothed his soul to peace. The versification sustains the solemn spirit which breathes throughout: it is peculiarly melodious. The poem ought rather to be considered didactic than narrative: it was the outpouring of his own emotions, embodied in the purest form he could conceive, painted in the ideal hues which his brilliant imagination inspired, and softened by the recent anticipation of death.'

~ Percy Bysshe Shelley, Alastor - or, the Spirit of Solitude
,
1486: Ahana

Ahana
(Ahana, the Dawn of God, descends on the world where amid the strife and trouble of mortality the Hunters of Joy, the
Seekers after Knowledge, the Climbers in the quest of Power are toiling up the slopes or waiting in the valleys. As she stands on the mountains of the East, voices of the Hunters of Joy are the first to greet her.)
Vision delightful alone on the hills whom the silences cover,
Closer yet lean to mortality; human, stoop to thy lover.

Wonderful, gold like a moon in the square of the sun where thou strayest
Glimmers thy face amid crystal purities; mighty thou playest
Sole on the peaks of the world, unafraid of thy loneliness. Glances
Leap from thee down to us, dream-seas and light-falls and magical trances;
Sun-drops flake from thy eyes and the heart's caverns packed are with pleasure
Strange like a song without words or the dance of a measureless measure.

Tread through the edges of dawn, over twilight's grey-lidded margin;
Heal earth's unease with thy feet, O heaven-born delicate virgin.

Children of Time whose spirits came down from eternity, seizing
Joys that escape us, yoked by our hearts to a labour unceasing,
Earth-bound, torn with our longings, our life is a brief incompleteness.

Thou hast the stars to sport with, the winds run like bees to thy sweetness.

Art thou not heaven-bound even as I with the earth? Hast thou ended
All desirable things in a stillness lone and unfriended?
Only is calm so sweet? is our close tranquillity only?
Cold are the rivers of peace and their banks are leafless and lonely.

Heavy is godhead to bear with its mighty sun-burden of lustre.

Art thou not weary of only the stars in their solemn muster,
Sky-hung the chill bare plateaus and peaks where the eagle rejoices
In the inhuman height of his nesting, solitude's voices
Making the heart of the silence lonelier? strong and untiring,
Deaf with the cry of the waterfall, lonely the pine lives aspiring.

Two are the ends of existence, two are the dreams of the Mother:

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Pondicherry, c. 1910 - 1920

Heaven unchanging, earth with her time-beats yearn to each other, -
Earth-souls needing the touch of the heavens peace to recapture,
Heaven needing earth's passion to quiver its peace into rapture.

Marry, O lightning eternal, the passion of a moment-born fire!
Out of thy greatness draw close to the breast of our mortal desire!
Is he thy master, Rudra the mighty, Shiva ascetic?
Has he denied thee his world? In his dance that they tell of, ecstatic,
Slaying, creating, calm in the midst of the movement and madness,
Stole there no rhythm of an earthly joy and a mortal sadness?
Wast thou not made in the shape of a woman? Sweetness and beauty
Move like a song of the gods in thy limbs and to love is thy duty
Graved in thy heart as on tablets of fate; joy's delicate blossom
Sleeps in thy lids of delight; all Nature hides in thy bosom
Claiming her children unborn and the food of her love and her laughter.

Is he the first? was there none then before him? shall none come after?
He who denies and his blows beat down on our hearts like a hammer's,
He whose calm is the silent reply to our passion and clamours!
Is not there deity greater here new-born in a noble
Labour and sorrow and struggle than stilled into rapture immobile?
Earth has beatitudes warmer than heaven's that are bare and undying,
Marvels of Time on the crest of the moments to Infinity flying.

Earth has her godheads; the Tritons sway on the toss of the billows,
Emerald locks of the Nereids stream on their foam-crested pillows,
Dryads peer out from the branches, Naiads glance up from the waters;
High are her flame-points of joy and the gods are ensnared by her daughters.

Artemis calls as she flees through the glades and the breezes pursue her;
Cypris laughs in her isles where the ocean-winds linger to woo her.

Here thou shalt meet amid beauty forgotten the dance of the Graces;
Night shall be haunted for ever with strange and delicate faces.

Music is here of the fife and the flute and the lyre and the timbal,
Wind in the forests, bees in the grove, - spring's ardent cymbal
Thrilling, the cry of the cuckoo; the nightingale sings in the branches,
Human laughter is heard and the cattle low in the ranches.

Frankly and sweetly she gives to her children the bliss of her body,
Breath of her lips and the green of her garments, rain-pourings heady
Tossed from her cloud-carried beaker of tempest, oceans and streamlets,
Dawn and the mountain-air, corn-fields and vineyards, pastures and hamlets,

Ahana

479

Tangles of sunbeams asleep, mooned dream-depths, twilight's shadows,
Taste and scent and the fruits of her trees and the flowers of her meadows,
Life with her wine-cup of longing under the purple of her tenture,
Death as her gate of escape and rebirth and renewal of venture.

Still must they mutter that all here is vision and passing appearance,
Magic of Maya with falsehood and pain for its only inherence.

One is there only, apart in his greatness, the End and Beginning, -
He who has sent through his soul's wide spaces the universe spinning.

One eternal, Time an illusion, life a brief error!
One eternal, Master of heaven - and of hell and its terror!
Spirit of silence and purity rapt and aloof from creation, -
Dreaming through aeons unreal his splendid and empty formation!
Spirit all-wise in omnipotence shaping a world but to break it, -
Pushed by what mood of a moment, the breath of what fancy to make it?
None is there great but the eternal and lonely, the unique and unmated,
Bliss lives alone with the self-pure, the single, the forever-uncreated.

Truths? or thought's structures bridging the vacancy mute and unsounded
Facing the soul when it turns from the stress of the figures around it?
Solely we see here a world self-made by some indwelling Glory
Building with forms and events its strange and magnificent story.

Yet at the last has not all been solved and unwisdom demolished,
Myth cast out and all dreams of the soul, and all worship abolished?
All now is changed, the reverse of the coin has been shown to us; Reason
Waking, detecting the hoax of the spirit, at last has arisen,
Captured the Truth and built round her its bars that she may not skedaddle,
Gallop again with the bit in her teeth and with Fancy in the saddle.

Now have the wise men discovered that all is the craft of a superMagic of Chance and a movement of Void and inconscient Stupor.

Chance by a wonderful accident ever her ripples expanding
Out of a gaseous circle of Nothingness, implacably extending
Freak upon freak, repeating rigidly marvels on marvels,
Making a world out of Nothing, started on the arc of her travels.

Nothingness born into feeling and action dies back to Nothing.

Sea of a vague electricity, romping through space-curves and clothing
Strangely the Void with a semblance of Matter, painfully flowered
Into this giant phenomenon universe. Man who has towered
Out of the plasm and struggled by thought to Divinity's level,

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Man, this miniature second creator of good and of evil,
He too was only a compost of Matter made living, organic,
Forged as her thinking tool by an Energy blind and mechanic.

Once by an accident queer but quite natural, provable, simple,
Out of blind Space-Nought lashed into life, wearing Mind as its wimple,
Dupe of a figment of consciousness, doped with behaviour and feature,
Matter deluded claimed to be spirit and sentient creature.

All the high dreams man has dreamed and his hopes and his deeds, his soul's greatness
Are but a food-seeking animal's acts with the mind for their witness, -
Mind a machine for the flickers of thought, Matter's logic unpremissed, -
Are but a singular fireworks, chemistry lacking the chemist,
Matter's nervous display; the heart's passion, the sorrow and burning
Fire of delight and sweet ecstasy, love and its fathomless yearning,
Boundless spiritual impulses making us one with world-being,
Outbursts of vision opening doors to a limitless seeing,
Gases and glands and the genes and the nerves and the brain-cells have done it,
Brooded out drama and epic, structured the climb of the sonnet,
Studied the stars and discovered the brain and the laws of its thinking,
Sculptured the cave-temple, reared the cathedral, infinity drinking
Wrought manufacturing God and the soul for the uplift of Nature, -
Science, philosophy, head of his mystical chemical stature,
Music and painting revealing the godhead in sound and in colour,
Acts of the hero, thoughts of the thinker, search of the scholar,
All the magnificent planning, all the inquiry and wonder
Only a trick of the atom, its marvellous magical blunder.

Who can believe it? Something or someone, a Force or a Spirit
Conscious, creative, wonderful shaped out a world to inherit
Here for the beings born from its vast universal existence, -
Fields of surprise and adventure, vistas of light-haunted distance,
Play-routes of wisdom and vision and struggle and rapture and sorrow,
Sailing in Time through the straits of today to the sea of tomorrow.

Worlds and their wonders, suns and their flamings, earth and her nations,
Voyages endless of Mind through the surge of its fate-tossed creations,
Star upon star throbbing out in the silence of infinite spaces,
Species on species, bodies on bodies, faces on faces,

Ahana

481

Souls without number crossing through Time towards eternity, aeons
Crowding on aeons, loving and battle, dirges and paeans,
Thoughts ever leaping, hopes ever yearning, lives ever streaming,
Millions and millions on trek through the days with their doings and dreaming,
Herds of the Sun who move on at the cry of the radiant drover, -
Countless, surviving the death of the centuries, lost to recover,
Finished, but only to begin again, who is its tireless creator,
Cause or the force of its driving, its thinker or formless dictator?
Surely no senseless Vacancy made it, surely 'twas fashioned
By an almighty One million-ecstasied, thousand-passioned.

Self-made? then by what self from which thought could arise and emotion,
Waves that well up to the surface, born from what mysteried ocean?
Nature alone is the fountain. But what is she? Is she not only
Figure and name for what none understands, though all feel, or a lonely
Word in which all finds expression, spirit-heights, dumb work of Matter, -
Vague designation filling the gaps of our thought with its clatter?
Power without vision that blunders in man into thinking and sinning?
Rigid, too vast inexhaustible mystery void of a meaning?
Energy blindly devising, unconsciously ranging in order?
Chance in the march of a cosmic Insanity crossing the border
Out of the eternal silence to thought and its strangeness and splendour?
Consciousness born by an accident until an accident end her?
Nought else is she but the power of the Spirit who dwells in her ever,
Witness and cause of her workings, lord of her pauseless endeavour.

All things she knows, though she seems here unseeing; even in her slumber
Wondrous her works are, design and its magic and magic of number,
Plan of her mighty cosmic geometry, balance of forces,
Universe flung beyond universe, law of the stars and their courses,
Cosmos atomic stretched to the scale of the Infinite's measure.

Mute in the trance of the Eternal she sleeps with the stone and the azure.

Now she awakes; for life has just stirred in her, stretching first blindly
Outward for sense and its pleasure and pain and the gifts of the kindly
Mother of all, for her light and her air and the sap from her flowing,
Pleasure of bloom and inconscient beauty, pleasure of growing.

Then into mind she arises; heart's yearning awakes and reflection
Looks out on struggle and harmony, - conscious, her will of selection

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Studies her works and illumines the choice of her way; last, slowly
Inward she turns and stares at the Spirit within her. Holy
Silences brood in her heart and she feels in her ardent recesses
Passions too great for her frame, on her body immortal caresses.

Into the calm of the Greatness beyond her she enters, burning
Now with a light beyond thought's, towards Self and Infinity turning,
Turned to beatitude, turned to eternity, spiritual grandeur,
Power without limit, ecstasy imperishable, shadowless splendour.

Then to her mortals come, flashing, thoughts that are wisdom's fire-kernel;
Leaping her flame-sweeps of might and delight and of vision supernal
Kindle the word and the act, the Divine and humanity fusing,
Illuminations, trance-seeds of silence, flowers of musing, -
Light of our being that yet has to be, its glory and glimmer
Smiting with sunrise the soul of the sage and the heart of the dreamer.

Or is it all but a vain expectation and effort ungrounded,
Wings without body, sight without object, waters unsounded,
Hue of a shimmer that steals through some secret celestial portal,
Glory of a gleam or a dream in an animal brief-lived and mortal?
Are they not radiances native to heaven's more fortunate ether,
Won when we part from this body, this temporal house of a nether
Mystery of life lived in vain? Upon earth is the glory forbidden,
Nature for ever accursed, frustrated, grief-vexed, fate-ridden?
Half of the glory she dreamed of forgotten or lost in earth's darkness,
Half of it mangled and missed as the death-wheels whirl in their starkness,
Cast out from heaven a goddess rebellious with mind for her mirror,
Cursed with desire and self-will and doomed to self-torture and error,
Came she to birth then with God for her enemy? Were we created
He unwilling or sleeping? did someone transgress the fated
Limits he set, outwitting God? In the too hasty vision
Marred of some demiurge filmed there the blur of a fatal misprision,
Making a world that revolves on itself in a circuit of failure,
Aeons of striving, death for a recompense, Time for our tenure?
Out of him rather she came and for him are her cry and her labour;
Deep are her roots in him; topless she climbs, to his greatness a neighbour.

All is himself in her, brooding in darkness, mounting the sun-ways;
Air-flight to him is man's journey with heaven and earth for the runways.

He is the witness and doer, he is the loved and the lover,

Ahana

483

He the eternal Truth that we look in ourselves to discover.

All is his travel in Time; it is he who turns history's pages,
Act and event and result are the trail that he leaves through the ages;
Form and idea are his signs and number and sound are his symbols,
Music and singing, the word and its rhythm are Divinity's cymbals,
Thunder and surge are the drums of his marching. Through us, with urges
Self-ward, form-bound, mute, motionless, slowly inevitably emerges
Vast as the cosmos, minute as the atom, the Spirit eternal.

Often the gusts of his force illumining moments diurnal
Flame into speech and idea; transcendences splendid and subtle
Suddenly shoot through the weft of our lives from a magical shuttle;
Hid in our hearts is his glory; the Spirit works in our members.

Silence is he, with our voices he speaks, in our thoughts he remembers.

Deep in our being inhabits the voiceless invisible Teacher;
Powers of his godhead we live; the Creator dwells in the creature.

Out of his Void we arise to a mighty and shining existence,
Out of Inconscience, tearing the black Mask's giant resistance;
Waves of his consciousness well from him into these bodies in Nature,
Forms are put round him; his oneness, divided by mind's nomenclature,
High on the summits of being ponders immobile and single,
Penetrates atom and cell as the tide drenches sand-grain and shingle.

Oneness unknown to us dwells in these millions of figures and faces,
Wars with itself in our battles, loves in our clinging embraces,
Inly the self and the substance of things and their cause and their mover
Veiled in the depths which the foam of our thoughts and our life's billows cover,
Heaves like the sea in its waves; like heaven with its star-fires it gazes
Watching the world and its works. Interned in the finite's mazes,
Still shall he rise to his vast superconscience, we with him climbing;
Truth of man's thought with the truth of God's spirit faultlessly timing,
That which was mortal shall enter immortality's golden precincts,
Hushed breath of ecstasy, honey of lotus depths where the bee sinks,
Timeless expanses too still for the voice of the hours to inveigle,
Spaces of spirit too vast for the flight of the God-bearing eagle, -
Enter the Splendour that broods now unseen on us, deity invading,
Sight without error, light without shadow, beauty unfading,
Infinite largeness, rapture eternal, love none can sever,

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Life, not this death-play, but a power God-driven and blissful for ever.

"No," cry the wise, "for a circle was traced, there was pyloned a limit
Only we escape through dream's thin passages. None can disclaim it;
All things created are made by their borders, sketched out and coded;
Vain is the passion to divinise manhood, humanise godhead.

None can exceed himself; even to find oneself hard for our search is:
Only we see as in night by a lustre of flickering torches.

To be content with our measure, our space is the law of our living.

All of thyself to thy manhood and Nature and Circumstance giving,
Be what thou must be or be what thou canst be, one hour in an era.

Knowing the truth of thy days, shun the light of ideal and chimera:
Curb heart's impatience, bind thy desires down, pause from self-vexing."
Who is the nomad then? who is the seeker, the gambler risking
All for a dream in a dream, the old and the sure and the stable
Flung as a stake for a prize that was never yet laid on the table?
Always the world is expanding and growing from minute to minute;
Playing the march of the adventure of Time with our lives for her spinet
Maya or Nature, the wonderful Mother, strikes out surprising
Strains of the spirit disprisoned; creation heavenward rising
Wrestles with Time and Space and the Unknown to give form to the Formless.

Bliss is her goal, but her road is through whirlwind and death-blast and storm-race.

All is a wager and danger, all is a chase and a battle.

Vainly man, crouched in his corner of safety, shrinks from the fatal
Lure of the Infinite. Guided by Powers that surround and precede us
Fearful and faltering steps are our perishing efforts that lead us
On through the rooms of the finite till open the limitless spaces
And we can look into all-seeing eyes and imperishable faces.

But we must pass through the aeons; Space is a bar twixt our ankles,
Time is a weight that we drag and the scar of the centuries rankles:
Caught by the moments, held back from the spirit's timelessness, slowly
Wading in shallows we take not the sea-plunge vastly and wholly.

Hard is the way to the Eternal for the mind-born will of the mortal
Bound by the body and life to the gait of the house-burdened turtle.

Here in this world that knows not its morrow, this reason that stumbles
Onward from error to truth and from truth back to error while crumbles
All that it fashioned, after the passion and travail are ended,

Ahana

485

After the sacrifice offered when the will and the strength are expended,
Nothing is done but to have laid down one stone of a road without issue,
Added our quota of evil and good to an ambiguous tissue.

Destiny's lasso, its slip-knot tied by delight and repining,
Draws us through tangles of failure and victory's inextricable twining.

In the hard reckoning made by the grey-robed accountant at even
Pain is the ransom we pay for the smallest foretaste of heaven.

Ignorance darkens, death and inconscience gape to absorb us;
Thick and persistent the Night confronts us, its hunger enormous
Swallowing our work and our lives. Our love and our knowledge squandered
Lie like a treasure refused and trod down on the ways where we wandered;
All we have done is effaced by the thousands behind us arriving.

Trapped in a round fixed for ever circles our thought and our living.

Fiercely the gods in their jealousy strike down the heads that have neighboured
Even for a moment their skies; in the sands our achievements are gravured.

Yet survives bliss in the rhythm of our heart-beats, yet is there wonder,
Beauty's immortal delight, and the seals of the mystery sunder.

Honied a thousand whispers come, in the birds, in the breezes,
Moonlight, the voices of streams; with a hundred marvellous faces
Always he lures us to love him, always he draws us to pleasure
Leaving remembrance and anguish behind for our only treasure.

Passionate we seek for him everywhere, yearn for some sign of him, calling,
Scanning the dust for his footprints, praying and stumbling and falling;
Nothing is found and no answer comes from the masks that are passing.

Memories linger, lines from the past like a half-faded tracing.

He has passed on into silence wearing his luminous mantle.

Out of the melodied distance a laugh rings pure-toned, infantile,
Sole reminder that he is, last signal recalling his presence.

There is a joy behind suffering; pain digs our road to his pleasance.

All things have bliss for their secret; only our consciousness falters
Fearing to offer itself as a victim on ecstasy's altars.

Is not the world his disguise? when that cloak is tossed back from his shoulders,
Beauty looks out like a sun on the hearts of the ravished beholders.

Mortals, your end is beatitude, rapture eternal his meaning:
Joy, which he most now denies, is his purpose: the hedges, the screening

486

Pondicherry, c. 1910 - 1920

Were but the rules of his play; his denials came to lure farther.

These too were magic of Maya, smiles of the marvellous Mother.

Oh, but the cruelty! oh, but the empty pain we go rueing!
Edges of opposite sweetness, calls to a closer pursuing.

All that we meet is a symbol and gateway; cryptic intention
Lurks in a common appearance, smiles from a casual mention:
Opposites hide in each other; in the laughter of Nature is danger,
Glory and greatness their embryos form in the womb of her anger.

Why are we terrified? wherefore cry out and draw back from the smiting -
Blows from the hands of a lover to direr exactions exciting,
Fiery points of his play! Was he Rudra only the mighty?
Whose were the whispers of sweetness, whose were the murmurs of pity?
Something opposes our grasp on the light and the sweetness and power,
Something within us, something without us, trap-door or tower,
Nature's gap in our being - or hinge! That device could we vanquish,
Once could we clasp him and hold, his joy we could never relinquish.

Then we could not be denied, for our might would be single and flawless.

Sons of the Eternal, sovereigns of Nature absolute and lawless,
Termlessly our souls would possess as he now enjoys and possesses,
Termlessly probe the delight of his laughter's lurking recesses,
Chasing its trail to the apex of sweetness and secrecy. Treasured
Close to the beats of Eternity's heart in a greatness unmeasured,
Locked into a miracle and mystery of Light we would live in him, - seated
Deep in his core of beatitude ceaselessly by Nature repeated,
Careless of Time, with no fear of an end, with no need for endeavour
Caught by his ecstasy dwell in a rapture enduring for ever.

What was the garden he built when the stars were first set in their places,
Soul and Nature together mid streams and in cloudless spaces
Naked and innocent? Someone offered a fruit of derision,
Knowledge of good and of evil, cleaving in God a division.

Though He who made all said, "It is good; I have fashioned perfection,"
"No, there is evil," someone whispered, "'tis screened from detection."
Wisest he of the beasts of the field, one cunning and creeping;
"See it," he said, "be wise; you shall be as the gods are, unsleeping,
They who know all." And they ate. The roots of our being were shaken;
Hatred and weeping and wrath at once trampled a world overtaken,
Terror and fleeing and anguish and shame and desires unsated;

Ahana

487

Cruelty stalked like a lion; Revenge and her brood were created.

Out to the desert he drove the rebellious. Flaming behind them
Streamed out the sword of his wrath and it followed leaping to find them,
Stabbing at random. The pure and the evil, the strong and the tempted,
All are confounded in punishment; justly is no one exempted.

Virtuous? yes, there are many, but who is there innocent? Toiling
Therefore we seek, but find not that Eden. Planting and spoiling,
"This is the garden," we say, "lo, the trees and this is the river."
Vainly redeemers came, not one has availed to deliver.

Never can Nature go back to her careless and childlike beginning,
Laugh of the babe and the song of the wheel in its delicate spinning,
Smile of the sun upon flowers and earth's beauty, life without labour
Plucking the fruits of the soil and rejoicing in cottage and arbour.

Once we have chosen to be as the gods, we must follow that motion.

Knowledge must grow in us, might like a Titan's, bliss like an ocean,
Calmness and purity born of the spirit's gaze on the Real,
Rapture of his oneness embracing the soul in a clasp hymeneal.

Was it not he once in Brindavan? Woods divine to our yearning,
Memorable always! O flowers, O delight on the tree-tops burning,
Grasses his herds have grazed and crushed by his feet in the dancing,
Yamuna flowing with song, through the greenness always advancing,
You unforgotten remind; for his flute with its sweetness ensnaring
Sounds in our ears in the night and our souls of their teguments baring
Hales us out naked and absolute, out to his woodlands eternal,
Out to his moonlit dances, his dalliance sweet and supernal,
And we go stumbling, maddened and thrilled to his dreadful embraces,
Slaves of his rapture to Brindavan crowded with amorous faces,
Luminous kine in the green glades seated, soft-eyed gazing,
Flowers on the branches distressing us, moonbeams unearthly amazing,
Yamuna flowing before us, laughing low with her voices,
Brindavan arching o'er us where Shyama sports and rejoices.

Inly the miracle trembles repeated; mist-walls are broken
Hiding that country of God and we look on the wonderful token,
Clasp the beautiful body of the Eternal; his flute-call of yearning
Cries in our breast with its blissful anguish for ever returning;
Life flows past us with passionate voices, a heavenly river,
All our being goes back as a bride of his bliss to the Giver.
488

Pondicherry, c. 1910 - 1920

Even an hour of the soul can unveil the Unborn, the Everlasting,
Gaze on its mighty Companion; the load of mortality casting,
Mind hushes stilled in eternity; waves of the Infinite wander
Thrilling body and soul and its endless felicity squander;
All world-sorrow is finished, the cry of the parting is over;
Ecstasy laughs in our veins, in our heart is the heart of the Lover.

As when a stream from a highl and plateau green mid the mountains
Draws through broad lakes of delight the gracious sweep of its fountains,
Life from its heaven of desire comes down to the toil of the earth-ways;
Streaming through mire it pours still the mystical joy of its birthplace,
Green of its banks and the green of its trees and the hues of the flower.

Something of child-heart beauty, something of greatness and power,
Dwell with it still in its early torrent laughter and brightness,
Call in the youth of its floods and the voice of the wideness and whiteness.

But in its course are set darkness and fall and the spirit's ordeal.

Hating its narrowness, forced by an ardour to see all and be all,
Dashed on the inconscient rocks and straining through mud, over gravel,
Flows, like an ardent prisoner bound to the scenes of his travail,
Life, the river of the Spirit, consenting to anguish and sorrow
If by her heart's toil a loan-light of joy from the heavens she can borrow.

Out of the sun-rays and moon-rays, the winds' wing-glimmer and revel,
Out of the star-fields of wonder, down to earth's danger and evil
Headlong cast with a stridulant thunder, the doom-ways descending,
Shuddering below into sunless depths, across chasms unending,
Baulked of the might of its waters, a thread in a mountainous vastness,
Parcelled and scanted it hurries as if storming a Titan fastness,
Carving the hills with a sullen and lonely gigantic labour.

Hurled into strangling ravines it escapes with a leap and a quaver,
Breaks from the channels of hiding it grooves out and chisels and twistens,
Angry, afraid, white, foaming. A stony and monstrous resistance
Meets it piling up stubborn limits. Afflicted the river
Treasures a scattered sunbeam, moans for a god to deliver,
Longing to lapse through the plain's green felicity, yearning to widen
Joined to the ocean's shoreless eternity far-off and hidden.

High on the cliffs the Great Ones are watching, the Mighty and Deathless,
Soaring and plunging the roadway of the Gods climbs uplifted and breathless;

Ahana

489

Ever we hear in the heart of the peril a flute go before us,
Luminous beckoning hands in the distance invite and implore us.

Ignorant, circled with death and the abyss, we have dreamed of a human
Paradise made from the mind of a man, from the heart of a woman,
Dreamed of the Isles of the Blest in a light of perpetual summer,
Dreamed of the joy of an earthly life with no pain for incomer.

Never, we said, can these waters from heaven be lost in the marshes,
Cease in the sands of the desert, die where the simoom parches;
Plains are beyond, there are hamlets and fields where the river rejoices
Pacing once more with a quiet step and with amical voices:
Bright amid woodlands red with the berries and cool with the breezes
Glimmer the leaves; all night long the heart of the nightingale eases
Sweetly its burden of pity and sorrow. There amid flowers
We shall take pleasure in arbours delightful, leng thening the hours,
Time for our servitor waiting our fancy through moments unhasting,
Under the cloudless blue of those skies of tranquillity resting,
Lying on beds of lilies, hearing the bells of the cattle
Tinkle, and drink red wine of life and go forth to the battle,
Fight and unwounded return to our beautiful home by the waters,
Fruit of our joy rear tall strong sons and radiant daughters.

Then shall the Virgins of Light come down to us clad in clear raiment
Woven from sunbeam and moonbeam and lightnings, limitless payment
Bring of our toil and our sorrow, carrying life-giving garlands
Plucked by the fountains of Paradise, bring from imperishable star-lands
Hymn-words of wisdom, visions of beauty, heaven-fruit ruddy,
Wine-cups of ecstasy sending the soul like a stream through the body.

Fate shall not know; if her spies come down to our beautiful valley,
They shall grow drunk with its grapes and wander in woodl and and alley.

There leaps the anger of Rudra? there will his lightnings immortal
Circle around with their red eye of cruelty stabbing the portal?
Fearless is there life's play; I shall sport with my dove from his highlands,
Drinking her laughter of bliss like a god in my Grecian islands.

Life in my limbs shall grow deathless, flesh with the God-glory tingle,
Lustre of Paradise, light of the earth-ways marry and mingle.

These are but dreams and the truth shall be greater. Heaven made woman!
Flower of beatitude! living shape of the bliss of the Brahman!
Art thou not she who shall bring into life and time the Eternal?

490

Pondicherry, c. 1910 - 1920

Body of the summer of the Gods, a sweetness virginal, vernal,
Breathes from thy soul into Nature; Love sits dreaming in thy bosom,
Wisdom gazes from thy eyes, thy breasts of God-rapture are the blossom.

If but the joy of thy feet once could touch our spaces smiting
Earth with a ray from the Unknown, on the world's heart heaven's script writing,
All then would change into harmony and beauty, Time's doors shudder
Swinging wide on their hinges into Eternity, other
Voices than earth's would be fire in our speech and make deathless our thinking.

One who is hidden in Light would grow visible, multitudes linking,
Lyres of a single ecstasy, throbs of the one heart beating,
Wonderful bodies and souls in the spirit's identity meeting
Even as stars in sky-vastness know their kindred in grandeur.

Yet may it be that although in the hands of our destiny stands sure
Fixed to its hour the Decree of the Advent, still it is fated
Only when kindling earth's bodies a mightier Soul is created.

Far-off the gold and the greatness, the rapture too splendid and dire.

Are not the ages too young? too low in our hearts burns the fire.

Bringest thou only a gleam on the summits, a cry in the distance,
Seen by the eyes that are wakened, heard by a spirit that listens?
Form of the formless All-Beautiful, lodestar of Nature's aspirance,
Music of prelude giving a voice to the ineffable Silence,
First white dawn of the God-Light cast on these creatures that perish,
Word-key of a divine and eternal truth for mortals to cherish,
Come! let thy sweetness and force be a breath in the breast of the future
Making the god-ways alive, immortality's golden-red suture:
Deep in our lives there shall work out a honeyed celestial leaven,
Bliss shall grow native to being and earth be a kin-soil to heaven.

Open the barriers of Time, the world with thy beauty enamour.

Trailing behind thee the purple of thy soul and the dawn-moment's glamour,
Forcing the heart of the Midnight where slumber and secrecy linger,
Guardians of Mystery, touching her bosom with thy luminous finger,
Daughter of Heaven, break through to me moonlike, mystic and gleaming;
Tread through the margins of twilight, cross over borders of dreaming.

Vision delightful alone on the peaks whom the silences cover,
Vision of bliss, stoop down to mortality, lean to thy lover.
Ahana

491

AHANA
Voice of the sensuous mortal, heart of eternal longing,
Thou who hast lived as in walls, thy soul with thy senses wronging!
But I descend at last. Fickle and terrible, sweet and deceiving,
Poison and nectar one has dispensed to thee, luring thee, leaving.

We two together shall capture the flute and the player relentless.

Son of man, thou hast crowned thy life with the flowers that are scentless,
Chased the delights that wound. But I come and midnight shall sunder.

Lo, I come, and behind me Knowledge descends and with thunder
Filling the spaces Strength, the Angel, bears on his bosom
Joy to thy arms. Thou shalt look on her face like a child's or a blossom,
Innocent, free as in Eden of old, not afraid of her playing,
When thy desires I have seized and devoured like a lioness preying.

Thou shalt not suffer always nor cry to me lured and forsaken:
I have a snare for his footsteps, I have a chain for him taken.

Come then to Brindavan, soul of the joyous; faster and faster
Follow the dance I shall teach thee with Shyama for slave and for master.

Follow the notes of the flute with a soul aware and exulting;
Trample Delight that submits and crouch to a sweetness insulting.

Then shalt thou know what the dance meant, fathom the song and the singer,
Hear behind thunder its rhymes, touched by lightning thrill to his finger,
Brindavan's rustle shalt understand and Yamuna's laughter,
Take thy place in the Ras1 and thy share of the ecstasy after.
1 The dance-round of Krishna with the cowherdesses in the moonlit groves of Brindavan, type of the dance of Divine Delight with the souls of men liberated in the world of
Bliss secret within us.
Poems from Manuscripts
Circa 1912 - 1913
~ Sri Aurobindo, - Ahana
,
1487:A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.

First Sailor. Has he not led us into these waste seas
  For long enough?

Second Sailor.  Aye, long and long enough.

First Sailor. We have not come upon a shore or ship
  These dozen weeks.

Second Sailor.  And I had thought to make
  A good round Sum upon this cruise, and turn
  For I am getting on in lifeto something
  That has less ups and downs than robbery.

First Sailor. I am so tired of being bachelor
  I could give all my heart to that Red Moll
  That had but the one eye.

Second Sailor.    Can no bewitchment
  Transform these rascal billows into women
  That I may drown myself?

First Sailor.     Better steer home,
  Whether he will or no; and better still
  To take him while he sleeps and carry him
  And drop him from the gunnel.

Second Sailor.       I dare not do it.
  Weret not that there is magic in his harp,
  I would be of your mind; but when he plays it
  Strange creatures flutter up before ones eyes,
  Or cry about ones ears.

First Sailor.     Nothing to fear.

Second Sailor. Do you remember when we sank that
     galley
  At the full moon?

First Sailor.  He played all through the night.

Second Sailor. Until the moon had set; and when I looked
  Where the dead drifted, I could see a bird
  Like a grey gull upon the breast of each.
  While I was looking they rose hurriedly,
  And after circling with strange cries awhile
  Flew westward; and many a time since then
  Ive heard a rustling overhead in the wind.

First Sailor. I saw them on that night as well as you.
  But when I had eaten and drunk myself asleep
  My courage came again.

Second Sailor.    But thats not all.
  The other night, while he was playing it,
  A beautiful young man and girl came up
  In a white breaking wave; they had the look
  Of those that are alive for ever and ever.

First Sailor. I saw them, too, one night. Forgael was
     playing,
  And they were listening ther& beyond the sail.
  He could not see them, but I held out my hands
  To grasp the woman.

Second Sailor.  You have dared to touch her?

First Sailor. O she was but a shadow, and slipped from
  me.

Second Sailor. But were you not afraid?

First Sailor.          Why should I fear?

Second Sailor. Twas Aengus and Edain, the wandering
     lovers,
  To whom all lovers pray.

First Sailor.     But what of that?
  A shadow does not carry sword or spear.

Second Sailor. My mother told me that there is not one
  Of the Ever-living half so dangerous
  As that wild Aengus. Long before her day
  He carried Edain off from a kings house,
  And hid her among fruits of jewel-stone
  And in a tower of glass, and from that day
  Has hated every man thats not in love,
  And has been dangerous to him.

First Sailor.          I have heard
  He does not hate seafarers as he hates
  Peaceable men that shut the wind away,
  And keep to the one weary marriage-bed.

Second Sailor. I think that he has Forgael in his net,
  And drags him through the sea,

First Sailor        Well, net or none,
  Id drown him while we have the chance to do it.

Second Sailor. Its certain Id sleep easier o nights
  If he were dead; but who will be our captain,
  Judge of the stars, and find a course for us?

First Sailor. Ive thought of that. We must have Aibric
     with us,
  For he can judge the stars as well as Forgael.

                 [Going towards Aibric.]

  Become our captain, Aibric. I am resolved
  To make an end of Forgael while he sleeps.
  Theres not a man but will be glad of it
  When it is over, nor one to grumble at us.

Aibric. You have taken pay and made your bargain for it.

First Sailor. What good is there in this hard way of
     living,
  Unless we drain more flagons in a year
  And kiss more lips than lasting peaceable men
  In their long lives? Will you be of our troop
  And take the captains share of everything
  And bring us into populous seas again?

Aibric. Be of your troop! Aibric be one of you
  And Forgael in the other scale! kill Forgael,
  And he my master from my childhood up!
  If you will draw that sword out of its scabbard
  Ill give my answer.

First Sailor.  You have awakened him.

                 [To Second Sailor.]

  Wed better go, for we have lost this chance.

                 [They go out.]

Forgael. Have the birds passed us? I could hear your
     voice,
  But there were others.

Aibric.        I have seen nothing pass.

Forgael. Youre certain of it? I never wake from sleep
  But that I am afraid they may have passed,
  For theyre my only pilots. If I lost them
  Straying too far into the north or south,
  Id never come upon the happiness
  That has been promised me. I have not seen them
  These many days; and yet there must be many
  Dying at every moment in the world,
  And flying towards their peace.

Aibric.          Put by these thoughts,
  And listen to me for a while. The sailors
  Are plotting for your death.

Forgael.          Have I not given
  More riches than they ever hoped to find?
  And now they will not follow, while I seek
  The only riches that have hit my fancy.

Aibric. What riches can you find in this waste sea
  Where no ship sails, where nothing thats alive
  Has ever come but those man-headed birds,
  Knowing it for the worlds end?

Forgael.           Where the world ends
  The mind is made unchanging, for it finds
  Miracle, ecstasy, the impossible hope,
  The flagstone under all, the fire of fires,
  The roots of the world.

Aibric.        Shadows before now
  Have driven travellers mad for their own sport.

Forgael. Do you, too, doubt me? Have you joined their
     plot?

Aibric. No, no, do not say that. You know right well
  That I will never lift a hand against you.

Forgael. Why should you be more faithful than the rest,
  Being as doubtful?

Aibric.     I have called you master
  Too many years to lift a hand against you.

Forgael. Maybe it is but natural to doubt me.
  Youve never known, Id lay a wager on it,
  A melancholy that a cup of wine,
  A lucky battle, or a womans kiss
  Could not amend.

Aibric.     I have good spirits enough.

Forgael. If you will give me all your mind awhile
  All, all, the very bottom of the bowl
  Ill show you that I am made differently,
  That nothing can amend it but these waters,
  Where I am rid of lifethe events of the world
  What do you call it?that old promise-breaker,
  The cozening fortune-teller that comes whispering,
  You will have all you have wished for when you have
     earned
  Land for your children or money in a pot.-
  And when we have it we are no happier,
  Because of that old draught under the door,
  Or creaky shoes. And at the end of all
  How are we better off than Seaghan the fool,
  That never did a hands turn? Aibric! Aibric!
  We have fallen in the dreams the Ever-living
  Breathe on the burnished mirror of the world
  And then smooth out with ivory hands and sigh,
  And find their laughter sweeter to the taste
  For that brief sighing.

Aibric.       If you had loved some woman

Forgael. You say that also? You have heard the voices,
  For that is what they sayall, all the shadows
  Aengus and Edain, those passionate wanderers,
  And all the others; but it must be love
  As they have known it. Now the secrets out;
  For it is love that I am seeking for,
  But of a beautiful, unheard-of kind
  That is not in the world.

Aibric.        And yet the world
  Has beautiful women to please every man.

Forgael. But he that gets their love after the fashion
  Loves in brief longing and deceiving hope
  And bodily tenderness, and finds that even
  The bed of love, that in the imagination
  Had seemed to be the giver of all peace,
  Is no more than a wine-cup in the tasting,
  And as soon finished.

Aibric.      All that ever loved
  Have loved that waythere is no other way.

Forgael. Yet never have two lovers kissed but they
  believed there was some other near at hand,
  And almost wept because they could not find it.

Aibric. When they have twenty years; in middle life
  They take a kiss for what a kiss is worth,
  And let the dream go by.

Forgael.          Its not a dream,
  But the reality that makes our passion
  As a lamp shadownono lamp, the sun.
  What the worlds million lips are thirsting for
  Must be substantial somewhere.

Aibric.          I have heard the Druids
  Mutter such things as they awake from trance.
  It may be that the Ever-living know it
  No mortal can.

Forgael.  Yes; if they give us help.

Aibric. They are besotting you as they besot
  The crazy herdsman that will tell his fellows
  That he has been all night upon the hills,
  Riding to hurley, or in the battle-host
  With the Ever-living.

Forgael.      What if he speak the truth,
  And for a dozen hours have been a part
  Of that more powerful life?

Aibric,          His wife knows better.
  Has she not seen him lying like a log,
  Or fumbling in a dream about the house?
  And if she hear him mutter of wild riders,
  She knows that it was but the cart-horse coughing
  That set him to the fancy.

Forgael.        All would be well
  Could we but give us wholly to the dreams,
  And get into their world that to the sense
  Is shadow, and not linger wretchedly
  Among substantial things; for it is dreams
  That lift us to the flowing, changing world
  That the heart longs for. What is love itself,
  Even though it be the lightest of light love,
  But dreams that hurry from beyond the world
  To make low laughter more than meat and drink,
  Though it but set us sighing? Fellow-wanderer,
  Could we but mix ourselves into a dream,
  Not in its image on the mirror!

Aibric.            While
  Were in the body thats impossible.

Forgael. And yet I cannot think theyre leading me
  To death; for they that promised to me love
  As those that can outlive the moon have known it,
  Had the worlds total life gathered up, it seemed,
  Into their shining limbsIve had great teachers.
  Aengus and Edain ran up out of the wave
  Youd never doubt that it was life they promised
  Had you looked on them face to face as I did,
  With so red lips, and running on such feet,
  And having such wide-open, shining eyes.

Aibric. Its certain they are leading you to death.
  None but the dead, or those that never lived,
  Can know that ecstasy. Forgael! Forgael!
  They have made you follow the man-headed birds,
  And you have told me that their journey lies
  Towards the country of the dead.

Forgael.            What matter
  If I am going to my death?for there,
  Or somewhere, I shall find the love they have
     promised.
  That much is certain. I shall find a woman.
  One of the Ever-living, as I think
  One of the Laughing Peopleand she and I
  Shall light upon a place in the worlds core,
  Where passion grows to be a changeless thing,
  Like charmed apples made of chrysoprase,
  Or chrysoberyl, or beryl, or chrysclite;
  And there, in juggleries of sight and sense,
  Become one movement, energy, delight,
  Until the overburthened moon is dead.

                 [A number of Sailors entcr hurriedly.]

First Sailor. Look there! there in the mist! a ship of spice!
  And we are almost on her!

Second Sailor.     We had not known
  But for the ambergris and sandalwood.

First Sailor. NO; but opoponax and cinnamon.

Forgael [taking the tiller from Aibric]. The Ever-living have
  kept my bargain for me,
  And paid you on the nail.

Aibric.        Take up that rope
  To make her fast while we are plundering her.

First Sailor. There is a king and queen upon her deck,
  And where there is one woman therell be others.
Aibric. Speak lower, or theyll hear.

First Sailor.            They cannot hear;
  They are too busy with each other. Look!
  He has stooped down and kissed her on the lips.

Second Sailor. When she finds out we have better men
     aboard
  She may not be too sorry in the end.

First Sailor. She will be like a wild cat; for these queens
  Care more about the kegs of silver and gold
  And the high fame that come to them in marriage,
  Than a strong body and a ready hand.

Second Sailor. Theres nobody is natural but a robber,
  And that is why the world totters about
  Upon its bandy legs.

Aibric.        Run at them now,
  And overpower the crew while yet asleep!

                 [The Sailors go out.]

[Voices and thc clashing of swords are heard from the
  other ship, which cannot be seen because of the sail.]

A Voice. Armed men have come upon us! O I am slain!

Another Voice. Wake all below!

Another Voice.  Why have you broken our sleep?

First Voice. Armed men have come upon us! O I am
     slain!

Forgael [who has remained at the tiller]. There! there they
  come! Gull, gannet, or diver,
  But with a mans head, or a fair womans,
  They hover over the masthead awhile
  To wait their Fiends; but when their friends have
     come
  Theyll fly upon that secret way of theirs.
  Oneand onea couplefive together;
  And I will hear them talking in a minute.
  Yes, voices! but I do not catch the words.
  Now I can hear. Theres one of them that says,
  How light we are, now we are changed to birds!
  Another answers, Maybe we shall find
  Our hearts desire now that we are so light.
  And then one asks another how he died,
  And says, A sword-blade pierced me in my sleep.-
  And now they all wheel suddenly and fly
  To the other side, and higher in the air.
  And now a laggard with a womans head
  Comes crying, I have run upon the sword.
  I have fled to my beloved in the air,
  In the waste of the high air, that we may wander
  Among the windy meadows of the dawn.
  But why are they still waiting? why are they
  Circling and circling over the masthead?
  What power that is more mighty than desire
  To hurry to their hidden happiness
  Withholds them now? Have the Ever-living Ones
  A meaning in that circling overhead?
  But whats the meaning? [He cries out.] Why do you
     linger there?
  Why linger? Run to your desire,
  Are you not happy winged bodies now?

                 [His voice sinks again.]

  Being too busy in the air and the high air,
  They cannot hear my voice; but whats the meaning?

        [The Sailors have returned. Dectora is with them.]

Forgael [turning and seeing her]. Why are you standing
  with your eyes upon me?
  You are not the worlds core. O no, no, no!
  That cannot be the meaning of the birds.
  You are not its core. My teeth are in the world,
  But have not bitten yet.

Dectora.       I am a queen,
  And ask for satisfaction upon these
  Who have slain my husband and laid hands upon me.

     [Breaking loose from the Sailors who are holding her.]

  Let go my hands!

Forgael.     Why do you cast a shadow?
  Where do you come from? Who brought you to this
     place?
  They would not send me one that casts a shadow.

Dectora. Would that the storm that overthrew my ships,
  And drowned the treasures of nine conquered nations,
  And blew me hither to my lasting sorrow,
  Had drowned me also. But, being yet alive,
  I ask a fitting punishment for all
  That raised their hands against him.

Forgael.               There are some
  That weigh and measure all in these waste seas
  They that have all the wisdom thats in life,
  And all that prophesying images
  Made of dim gold rave out in secret tombs;
  They have it that the plans of kings and queens
  But laughter and tearslaughter, laughter, and tears;
  That every man should carry his own soul
  Upon his shoulders.

Dectora.     Youve nothing but wild words,
  And I would know if you will give me vengeance.

Forgael. When she finds out I will not let her go
  When she knows that.

Dectora. What is it that you are muttering
  That youll not let me go? I am a queen.

Forgael. Although you are more beautiful than any,
  I almost long that it were possible;
  But if I were to put you on that ship,
  With sailors that were sworn to do your will,
  And you had spread a sail for home, a wind
  Would rise of a sudden, or a wave so huge
  It had washed among the stars and put them out,
  And beat the bulwark of your ship on mine,
  Until you stood before me on the deck
  As now.

Dectora.  Does wandering in these desolate seas
  And listening to the cry of wind and wave
  Bring madness?

Forgael.  Queen, I am not mad.

Dectora.              Yet say
  That unimaginable storms of wind and wave
  Would rise against me.

Forgael.       No, I am not mad
  If it be not that hearing messages
  From lasting watchers, that outlive the moon,
  At the most quiet midnight is to be stricken.

Dectora. And did those watchers bid you take me
  captive?

Forgael.  Both you and I are taken in the net.
  It was their hands that plucked the winds awake
  And blew you hither; and their mouths have
     promised
  I shall have love in their immortal fashion;
  And for this end they gave me my old harp
  That is more mighty than the sun and moon,
  Or than the shivering casting-net of the stars,
  That none might take you from me.

Dectora [first trembling back from the mast where the harp is,
  and then laughing]. For a moment
  Your raving of a message and a harp
  More mighty than the stars half troubled me,
  But all thats raving. Who is there can compel
  The daughter and the granddaughter of kings
  To be his bedfellow?

Forgael.     Until your lips
  Have called me their beloved, Ill not kiss them.

Dectora. My husband and miy king died at my feet,
  And yet you talk of love.

Forgael.        The movement of time
  Is shaken in these seas, and what one does
  One moment has no might upon the moment
  That follows after.

Dectora.     I understand you now.
  You have a Druid craft of wicked sound
  Wrung from the cold women of the sea
  A magic that can call a demon up,
  Until my body give you kiss for kiss.

Forgael. Your soul shall give the kiss.

Dectora.            I am not afraid,
  While theres a rope to run into a noose
  Or wave to drown. But I have done with words,
  And I would have you look into my face
  And know that it is fearless.

Forgael.          Do what you will,
  For neither I nor you can break a mesh
  Of the great golden net that is about us.

Dectora. Theres nothing in the world thats worth a
  fear.

[She passes Forgael and stands for a moment looking into
his face.]

  I have good reason for that thought.

[She runs suddenly on to the raiscd part of the poop.]

  And now
  I can put fear away as a queen should.

[She mounts on to the hulwark and turns towards
Forgael.]

  Fool, fool! Although you have looked into my face
  You do not see my purpose. I shall have gone
  Before a hand can touch me.

Forgael [folding his arms].   My hands are still;
  The Ever-living hold us. Do what you will,
  You cannot leap out of the golden net.

First Sailor. No need to drown, for, if you will pardon
     us
  And measure out a course and bring us home,
  Well put this man to death.

Dectora.          I promise it.

First Sailor. There is none to take his side.

Aibric.          I am on his side,
  Ill strike a blow for him to give him time
  To cast his dreams away.

[Aibric goes in front of Forgael with drawn sword. For-
gael takes the harp.]

First Sailor.       No otherll do it.

[The Sailors throw Aibric on one side. He falls and lies
upon the deck. They lift their swords to strike Forgael,
who is about to play the harp. The stage begins to
darken. The Sailors hesitate in fear.]

Second Sailor. He has put a sudden darkness over the
  moon.

Dectora. Nine swords with handles of rhinoceros horn
  To him that strikes him first!

First Sailor.       I will strike him first.

[He goes close up to Forgael with his sword lifted.]

[Shrinking back.] He has caught the crescent moon out
  of the sky,
  And carries it between us.

Second Sailor.       Holy fire
  To burn us to the marrow if we strike.

Dectora. Ill give a golden galley full of fruit,
  That has the heady flavour of new wine,
  To him that wounds him to the death.

First Sailor.          Ill do it.
  For all his spells will vanish when he dies,
  Having their life in him.

Second Sailor.    Though it be the moon
  That he is holding up between us there,
  I will strike at him.

The Others.      And I! And I! And I!

               [Forgael plays the harp.]

First Sailor [falling into a dream suddenly. But you were
  saying there is somebody
  Upon that other ship we are to wake.
  You did not know what brought him to his end,
  But it was sudden.

Second Sailor.  You are in the right;
  I had forgotten that we must go wake him.

Dectora. He has flung a Druid spell upon the air,
  And set you dreaming.

Second Sailor.    How can we have a wake
  When we have neither brown nor yellow ale?

First Sailor. I saw a flagon of brown ale aboard her.

Third Sailor. How can we raise the keen that do not
     know
  What name to call him by?

First Sailor.      Come to his ship.
  His name will come into our thoughts in a minute.
  I know that he died a thousand years ago,
  And has not yet been waked.

Second Sailor [beginning to keen]. Ohone! O! O! O!
  The yew-bough has been broken into two,
  And all the birds are scattered.

All the Sailors. O! O! O! O!

               [They go out keening.]

Dectora. Protect me now, gods that my people swear by.

[Aibric has risen from the deck where he had fallen. He
has begun looking for his sword as if in a dream.]

Aibric. Where is my sword that fell out of my hand
  When I first heard the news? Ah, there it is!

[He goes dreamily towards the sword, but Dectora runs at
it and takes it up before he can reach it.]

Aibric [sleepily]. Queen, give it me.

Dectora.          No, I have need of it.

Aibric. Why do you need a sword? But you may keep it.
  Now that hes dead I have no need of it,
  For everything is gone.

A Sailor [calling from the other ship]. Come hither, Aibric,
  And tell me who it is that we are waking.

Aibric [half to Dectora, half to himself]. What name had
  that dead king? Arthur of Britain?
  No, nonot Arthur. I remember now.
  It was golden-armed Iollan, and he died
  Broken-hearted, having lost his queen
  Through wicked spells. That is not all the tale,
  For he was killed. O! O! O! O! O! O!
  For golden-armed Iollan has been killed.

                      [He goes out.]
[While he has been speaking, and through part of what
follows, one hears the wailing of the Sailors from the
other ship. Dectora stands with the sword lifted in
front of Forgael.]

Dectora. I will end all your magic on the instant.

[Her voice hecomes dreamy, and she lowers the sword
slowly, and finally lets it fall. She spreads out her hair.
She takes off her crown and lays it upon the deck.]

  This sword is to lie beside him in the grave.
  It was in all his battles. I will spread my hair,
  And wring my hands, and wail him bitterly,
  For I have heard that he was proud and laughing,
  Blue-eyed, and a quick runner on bare feet,
  And that he died a thousand years ago.
  O; O! O! O!

          [Forgael changes the tune.]

  But no, that is not it.
  They killed him at my feet. O! O! O! O!
  For golden-armed Iollan that I loved-
  But what is it that made me say I loved him?
  It was that harper put it in my thoughts,
  But it is true. Why did they run upon him,
  And beat the golden helmet with their swords?

Forgael. Do you not know me, lady? I am he
  That you are weeping for.

Dectora.       No, for he is dead.
  O! O! O! O! for golden-armed Iollan.

Forgael. It was so given out, but I will prove
  That the grave-diggers in a dreamy frenzy
  Have buried nothing but my golden arms.
  Listen to that low-laughing string of the moon
  And you will recollect my face and voice,
  For you have listened to me playing it
  These thousand years.

[He starts up, listening to the birds. The harp slips from
his hands, and remains leaning against the bulwarks
behind him.]

  What are the birds at there?
  Why are they all a-flutter of a sudden?
  What are you calling out above the mast?
  If railing and reproach and mockery
  Because I have awakened her to love
  By magic strings, Ill make this answer to it:
  Being driven on by voices and by dreams
  That were clear messages from the Ever-living,
  I have done right. What could I but obey?
  And yet you make a clamour of reproach.

Dcctora [laughing]. Why, its a wonder out of reckoning
  That I should keen him from the full of the moon
  To the horn, and he be hale and hearty.

Forgael. How have I wronged her now that she is merry?
  But no, no, no! your cry is not against me.
  You know the counsels of the Ever-living,
  And all that tossing of your wings is joy,
  And all that murmurings but a marriage-song;
  But if it be reproach, I answer this:
  There is not one among you that made love
  by any other means. You call it passion,
  Consideration, generosity;
  But it was all deceit, and flattery
  To win a woman in her own despite,
  For love is war, and there is hatred in it;
  And if you say that she came willingly

Dectora. Why do you turn away and hide your face,
  That I would look upon for ever?

Forgael.            My grief!

Dectora. Have I not loved you for a thousand years?

Forgael. I never have been golden-armed Iollan.

Vectora. I do not understand. I know your face
  Better than my own hands.

Forgael.          I have deceived you
  Out of all reckoning.

Tectora.          Is it not tme
  That you were born a thousand years ago,
  In islands where the children of Aengus wind
  In happy dances under a windy moon,
  And that youll bring me there?

Forgael.          I have deceived you;
  I have deceived you utterly.

Dectora.          How can that be?
  Is it that though your eyes are full of love
  Some other woman has a claim on you,
  And Ive but half!

Forgael.     O no!

Dectora.          And if there is,
  If there be half a hundred more, what matter?
  Ill never give another thought to it;
  No, no, nor half a thought; but do not speak.
  Women are hard and proud and stubborn-hearted,
  Their heads being turned with praise and flattery;
  And that is why their lovers are afraid
  To tell them a plain story.

Forgael.          Thats not the story;
  But I have done so great a wrong against you,
  There is no measure that it would not burst.
  I will confess it all.

Dectora.       What do I care,
  Now that my body has begun to dream,
  And you have grown to be a burning sod
  In the imagination and intellect?
  If something thats most fabulous were true
  If you had taken me by magic spells,
  And killed a lover or husband at my feet
  I would not let you speak, for I would know
  That it was yesterday and not to-day
  I loved him; I would cover up my ears,
  As I am doing now. [A pause.] Why do you weep?

Forgael. I weep because Ive nothing for your eyes
  But desolate waters and a battered ship.

Dectora. O why do you not lift your eyes to mine?

Forgael. I weepI weep because bare nights above,
  And not a roof of ivory and gold.

Dectora. I would grow jealous of the ivory roof,
  And strike the golden pillars with my hands.
  I would that there was nothing in the world
  But my belovedthat night and day had perished,
  And all that is and all that is to be,
  All that is not the meeting of our lips.

Forgael. You turn away. Why do you turn away?
  Am I to fear the waves, or is the moon
  My enemy?

Dectora.  I looked upon the moon,
  Longing to knead and pull it into shape
  That I might lay it on your head as a crown.
  But now it is your thoughts that wander away,
  For you are looking at the sea. Do you not know
  How great a wrong it is to let ones thought
  Wander a moment when one is in love?

[He has moved away. She follows him. He is looking out
over the sea, shading his eyes.]

  Why are you looking at the sea?

Forgael.            Look there!

Dectora. What is there but a troop of ash-grey birds
  That fly into the west?

Forgael.       But listen, listen!

Dectora. What is there but the crying of the birds?

Forgael. If youll but listen closely to that crying
  Youll hear them calling out to one another
  With human voices

Dectora.     O, I can hear them now.
  What are they? Unto what country do they fly?

Forgael. To unimaginable happiness.
  They have been circling over our heads in the air,
  But now that they have taken to the road
  We have to follow, for they are our pilots;
  And though theyre but the colour of grey ash,
  Theyre crying out, could you but hear their words,
  There is a country at the end of the world
  Where no childs born but to outlive the moon.

[The Sailors comc in with Aibric. They are in great
excitement.]

First Sailor. The hold is full of treasure.

Second Sailor.         Full to the hatches.

First Sailor. Treasure on treasure.

Third Sailor.          Boxes of precious spice.

First Sailor. Ivory images with amethyst eyes.

Third Sailor. Dragons with eyes of ruby.

First Sailor.            The whole ship
  Flashes as if it were a net of herrings.

Third Sailor. Lets home; Id give some rubies to a
  woman.

Second Sailor. Theres somebody Id give the amethyst
  eyes to.

Aibric [silencing thcm with agesture]. We would return to
  our own country, Forgael,
  For we have found a treasure thats so great
  Imagination cannot reckon it.
  And having lit upon this woman there,
  What more have you to look for on the seas?

Forgael. I cannotI am going on to the end.
  As for this woman, I think she is coming with me.

Aibric. The Ever-living have made you mad; but no,
  It was this woman in her womans vengeance
  That drove you to it, and I fool enough
  To fancy that shed bring you home again.
  Twas you that egged him to it, for you know
  That he is being driven to his death.

Dectora. That is not true, for he has promised me
  An unimaginable happiness.

Aibric. And if that happiness be more than dreams,
  More than the froth, the feather, the dust-whirl,
  The crazy nothing that I think it is,
  It shall be in the country of the dead,
  If there be such a country.

Dectora.            No, not there,
  But in some island where the life of the world
  Leaps upward, as if all the streams o the world
  Had run into one fountain.

Aibric.          Speak to him.
  He knows that he is taking you to death;
  Speakhe will not deny it.

Dectora.          Is that true?

Forgael. I do not know for certain, but I know.
  That I have the best of pilots.

Aibric.        Shadows, illusions,
  That the Shape-changers, the Ever-laughing Ones,
  The Immortal Mockers have cast into his mind,
  Or called before his eyes.

Dectora.          O carry me
  To some sure country, some familiar place.
  Have we not everything that life can give
  In having one another?

Forgael.       How could I rest
  If I refused the messengers and pilots
  With all those sights and all that crying out?

Dectora. But I will cover up your eyes and ear?,
  That you may never hear the cry of the birds,
  Or look upon them.

Forgael.     Were they but lowlier
  Id do your will, but they are too hightoo high.

Dectora. Being too high, their heady prophecies
  But harry us with hopes that come to nothing,
  Because we are not proud, imperishable,
  Alone and winged.

Forgael.     Our love shall be like theirs
  When we have put their changeless image on.

Dectora. I am a woman, I die at every breath.

Aibric. Let the birds scatter, for the tree is broken,
  And theres no help in words. [To the Sailors.]

  To the other ship,
  And I will follow you and cut the rope
  When I have said farewell to this man here,
  For neither I nor any living man
  Will look upon his face again.

                 [The Sailors go out.]

Forgael [to Dectora], Go with him,
  For he will shelter you and bring you home.

Aibric [taking Forgaels hand]. Ill do it for his sake.

Dectora. No. Take this sword
  And cut the rope, for I go on with Forgael.

Aibric [half falling into the keen]. The yew-bough has been
  broken into two,
  And all the birds are scatteredO! O! O!
  Farewell! farewell! [He goes out.]

Dectora. The sword is in the rope
  The ropes in twoit falls into the sea,
  It whirls into the foam. O ancient worm,
  Dragon that loved the world and held us to it,
  You are broken, you are broken. The world drifts
     away,
  And I am left alone with my beloved,
  Who cannot put me from his sight for ever.
  We are alone for ever, and I laugh,
  Forgael, because you cannot put me from you.
  The mist has covered the heavens, and you and I
  Shall be alone for ever. We twothis crown
  I half remember. It has been in my dreams.
  Bend lower, O king, that I may crown you with it.
  O flower of the branch, 0 bird among the leaves,
  O silver fish that my two hands have taken
  Out of the running stream, O morning star
  Trembling in the blue heavens like a white fawn
  Upon the misty border of the wood,
  Bend lower, that I may cover you with my hair,
  For we will gaze upon this world no longer.

Forgael [gathering Dectoras hair about him]. Beloved, hav-
  ing dragged the net about us,
  And knitted mesh to mesh, we grow immortal;
  And that old harp awakens of itself
  To cry aloud to the grey birds, and dreams,
  That have had dreams for father, live in us.
  
~ William Butler Yeats, The Shadowy Waters - The Shadowy Waters
,
1488:First Sailor. Has he not led us into these waste seas
  For long enough?

Second Sailor.  Aye, long and long enough.

First Sailor. We have not come upon a shore or ship
  These dozen weeks.

Second Sailor.  And I had thought to make
  A good round Sum upon this cruise, and turn -
  For I am getting on in life - to something
  That has less ups and downs than robbery.

First Sailor. I am so tired of being bachelor
  I could give all my heart to that Red Moll
  That had but the one eye.

Second Sailor.    Can no bewitchment
  Transform these rascal billows into women
  That I may drown myself?

First Sailor.     Better steer home,
  Whether he will or no; and better still
  To take him while he sleeps and carry him
  And drop him from the gunnel.

Second Sailor.       I dare not do it.
  Were't not that there is magic in his harp,
  I would be of your mind; but when he plays it
  Strange creatures flutter up before one's eyes,
  Or cry about one's ears.

First Sailor.     Nothing to fear.

Second Sailor. Do you remember when we sank that
     galley
  At the full moon?

First Sailor.  He played all through the night.

Second Sailor. Until the moon had set; and when I looked
  Where the dead drifted, I could see a bird
  Like a grey gull upon the breast of each.
  While I was looking they rose hurriedly,
  And after circling with strange cries awhile
  Flew westward; and many a time since then
  I've heard a rustling overhead in the wind.

First Sailor. I saw them on that night as well as you.
  But when I had eaten and drunk myself asleep
  My courage came again.

Second Sailor.    But that's not all.
  The other night, while he was playing it,
  A beautiful young man and girl came up
  In a white breaking wave; they had the look
  Of those that are alive for ever and ever.

First Sailor. I saw them, too, one night. Forgael was
     playing,
  And they were listening there& beyond the sail.
  He could not see them, but I held out my hands
  To grasp the woman.

Second Sailor.  You have dared to touch her?

First Sailor. O she was but a shadow, and slipped from
  me.

Second Sailor. But were you not afraid?

First Sailor.          Why should I fear?

Second Sailor. "Twas Aengus and Edain, the wandering
     lovers,
  To whom all lovers pray.

First Sailor.     But what of that?
  A shadow does not carry sword or spear.

Second Sailor. My mother told me that there is not one
  Of the Ever-living half so dangerous
  As that wild Aengus. Long before her day
  He carried Edain off from a king's house,
  And hid her among fruits of jewel-stone
  And in a tower of glass, and from that day
  Has hated every man that's not in love,
  And has been dangerous to him.

First Sailor.          I have heard
  He does not hate seafarers as he hates
  Peaceable men that shut the wind away,
  And keep to the one weary marriage-bed.

Second Sailor. I think that he has Forgael in his net,
  And drags him through the sea,

First Sailor        Well, net or none,
  I'd drown him while we have the chance to do it.

Second Sailor. It's certain I'd sleep easier o' nights
  If he were dead; but who will be our captain,
  Judge of the stars, and find a course for us?

First Sailor. I've thought of that. We must have Aibric
     with us,
  For he can judge the stars as well as Forgael.

                 [Going towards Aibric.]

  Become our captain, Aibric. I am resolved
  To make an end of Forgael while he sleeps.
  There's not a man but will be glad of it
  When it is over, nor one to grumble at us.

Aibric. You have taken pay and made your bargain for it.

First Sailor. What good is there in this hard way of
     living,
  Unless we drain more flagons in a year
  And kiss more lips than lasting peaceable men
  In their long lives? Will you be of our troop
  And take the captain's share of everything
  And bring us into populous seas again?

Aibric. Be of your troop! Aibric be one of you
  And Forgael in the other scale! kill Forgael,
  And he my master from my childhood up!
  If you will draw that sword out of its scabbard
  I'll give my answer.

First Sailor.  You have awakened him.

                 [To Second Sailor.]

  We'd better go, for we have lost this chance.

                 [They go out.]

Forgael. Have the birds passed us? I could hear your
     voice,
  But there were others.

Aibric.        I have seen nothing pass.

Forgael. You're certain of it? I never wake from sleep
  But that I am afraid they may have passed,
  For they're my only pilots. If I lost them
  Straying too far into the north or south,
  I'd never come upon the happiness
  That has been promised me. I have not seen them
  These many days; and yet there must be many
  Dying at every moment in the world,
  And flying towards their peace.

Aibric.          Put by these thoughts,
  And listen to me for a while. The sailors
  Are plotting for your death.

Forgael.          Have I not given
  More riches than they ever hoped to find?
  And now they will not follow, while I seek
  The only riches that have hit my fancy.

Aibric. What riches can you find in this waste sea
  Where no ship sails, where nothing that's alive
  Has ever come but those man-headed birds,
  Knowing it for the world's end?

Forgael.           Where the world ends
  The mind is made unchanging, for it finds
  Miracle, ecstasy, the impossible hope,
  The flagstone under all, the fire of fires,
  The roots of the world.

Aibric.        Shadows before now
  Have driven travellers mad for their own sport.

Forgael. Do you, too, doubt me? Have you joined their
     plot?

Aibric. No, no, do not say that. You know right well
  That I will never lift a hand against you.

Forgael. Why should you be more faithful than the rest,
  Being as doubtful?

Aibric.     I have called you master
  Too many years to lift a hand against you.

Forgael. Maybe it is but natural to doubt me.
  You've never known, I'd lay a wager on it,
  A melancholy that a cup of wine,
  A lucky battle, or a woman's kiss
  Could not amend.

Aibric.     I have good spirits enough.

Forgael. If you will give me all your mind awhile -
  All, all, the very bottom of the bowl -
  I'll show you that I am made differently,
  That nothing can amend it but these waters,
  Where I am rid of life - the events of the world -
  What do you call it? - that old promise-breaker,
  The cozening fortune-teller that comes whispering,
  "You will have all you have wished for when you have
     earned
  Land for your children or money in a pot.-
  And when we have it we are no happier,
  Because of that old draught under the door,
  Or creaky shoes. And at the end of all
  How are we better off than Seaghan the fool,
  That never did a hand's turn? Aibric! Aibric!
  We have fallen in the dreams the Ever-living
  Breathe on the burnished mirror of the world
  And then smooth out with ivory hands and sigh,
  And find their laughter sweeter to the taste
  For that brief sighing.

Aibric.       If you had loved some woman -

Forgael. You say that also? You have heard the voices,
  For that is what they say - all, all the shadows -
  Aengus and Edain, those passionate wanderers,
  And all the others; but it must be love
  As they have known it. Now the secret's out;
  For it is love that I am seeking for,
  But of a beautiful, unheard-of kind
  That is not in the world.

Aibric.        And yet the world
  Has beautiful women to please every man.

Forgael. But he that gets their love after the fashion
  "Loves in brief longing and deceiving hope
  And bodily tenderness, and finds that even
  The bed of love, that in the imagination
  Had seemed to be the giver of all peace,
  Is no more than a wine-cup in the tasting,
  And as soon finished.

Aibric.      All that ever loved
  Have loved that way - there is no other way.

Forgael. Yet never have two lovers kissed but they
  believed there was some other near at hand,
  And almost wept because they could not find it.

Aibric. When they have twenty years; in middle life
  They take a kiss for what a kiss is worth,
  And let the dream go by.

Forgael.          It's not a dream,
  But the reality that makes our passion
  As a lamp shadow - no - no lamp, the sun.
  What the world's million lips are thirsting for
  Must be substantial somewhere.

Aibric.          I have heard the Druids
  Mutter such things as they awake from trance.
  It may be that the Ever-living know it -
  No mortal can.

Forgael.  Yes; if they give us help.

Aibric. They are besotting you as they besot
  The crazy herdsman that will tell his fellows
  That he has been all night upon the hills,
  Riding to hurley, or in the battle-host
  With the Ever-living.

Forgael.      What if he speak the truth,
  And for a dozen hours have been a part
  Of that more powerful life?

Aibric,          His wife knows better.
  Has she not seen him lying like a log,
  Or fumbling in a dream about the house?
  And if she hear him mutter of wild riders,
  She knows that it was but the cart-horse coughing
  That set him to the fancy.

Forgael.        All would be well
  Could we but give us wholly to the dreams,
  And get into their world that to the sense
  Is shadow, and not linger wretchedly
  Among substantial things; for it is dreams
  That lift us to the flowing, changing world
  That the heart longs for. What is love itself,
  Even though it be the lightest of light love,
  But dreams that hurry from beyond the world
  To make low laughter more than meat and drink,
  Though it but set us sighing? Fellow-wanderer,
  Could we but mix ourselves into a dream,
  Not in its image on the mirror!

Aibric.            While
  We're in the body that's impossible.

Forgael. And yet I cannot think they're leading me
  To death; for they that promised to me love
  As those that can outlive the moon have known it, '
  Had the world's total life gathered up, it seemed,
  Into their shining limbs - I've had great teachers.
  Aengus and Edain ran up out of the wave -
  You'd never doubt that it was life they promised
  Had you looked on them face to face as I did,
  With so red lips, and running on such feet,
  And having such wide-open, shining eyes.

Aibric. It's certain they are leading you to death.
  None but the dead, or those that never lived,
  Can know that ecstasy. Forgael! Forgael!
  They have made you follow the man-headed birds,
  And you have told me that their journey lies
  Towards the country of the dead.

Forgael.            What matter
  If I am going to my death? - for there,
  Or somewhere, I shall find the love they have
     promised.
  That much is certain. I shall find a woman.
  One of the Ever-living, as I think -
  One of the Laughing People - and she and I
  Shall light upon a place in the world's core,
  Where passion grows to be a changeless thing,
  Like charmed apples made of chrysoprase,
  Or chrysoberyl, or beryl, or chrysclite;
  And there, in juggleries of sight and sense,
  Become one movement, energy, delight,
  Until the overburthened moon is dead.

                 [A number of Sailors enter hurriedly.]

First Sailor. Look there! there in the mist! a ship of spice!
  And we are almost on her!

Second Sailor.     We had not known
  But for the ambergris and sandalwood.

First Sailor. NO; but opoponax and cinnamon.

Forgael [taking the tiller from Aibric]. The Ever-living have
  kept my bargain for me,
  And paid you on the nail.

Aibric        Take up that rope
  To make her fast while we are plundering her.

First Sailor. There is a king and queen upon her deck,
  And where there is one woman there'll be others.
Aibric. Speak lower, or they'll hear.

First Sailor.            They cannot hear;
  They are too busy with each other. Look!
  He has stooped down and kissed her on the lips.

Second Sailor. When she finds out we have better men
     aboard
  She may not be too sorry in the end.

First Sailor. She will be like a wild cat; for these queens
  Care more about the kegs of silver and gold
  And the high fame that come to them in marriage,
  Than a strong body and a ready hand.

Second Sailor. There's nobody is natural but a robber,
  And that is why the world totters about
  Upon its bandy legs.

Aibric.        Run at them now,
  And overpower the crew while yet asleep!

                 [The Sailors go out.]

[Voices and the clashing of swords are heard from the
  other ship, which cannot be seen because of the sail.]

A Voice. Armed men have come upon us! O I am slain!

Another Voice. Wake all below!

Another Voice.  Why have you broken our sleep?

First Voice. Armed men have come upon us! O I am
     slain!

Forgael [who has remained at the tiller]. There! there they
  come! Gull, gannet, or diver,
  But with a man's head, or a fair woman's,
  They hover over the masthead awhile
  To wait their Fiends; but when their friends have
     come
  They'll fly upon that secret way of theirs.
  One - and one - a couple - five together;
  And I will hear them talking in a minute.
  Yes, voices! but I do not catch the words.
  Now I can hear. There's one of them that says,
  "How light we are, now we are changed to birds!'
  Another answers, "Maybe we shall find
  Our heart's desire now that we are so light.'
  And then one asks another how he died,
  And says, "A sword-blade pierced me in my sleep.-
  And now they all wheel suddenly and fly
  To the other side, and higher in the air.
  And now a laggard with a woman's head
  Comes crying, "I have run upon the sword.
  I have fled to my beloved in the air,
  In the waste of the high air, that we may wander
  Among the windy meadows of the dawn.'
  But why are they still waiting? why are they
  Circling and circling over the masthead?
  What power that is more mighty than desire
  To hurry to their hidden happiness
  Withholds them now? Have the Ever-living Ones
  A meaning in that circling overhead?
  But what's the meaning? [He cries out.] Why do you
     linger there?
  Why linger? Run to your desire,
  Are you not happy winged bodies now?

                 [His voice sinks again.]

  Being too busy in the air and the high air,
  They cannot hear my voice; but what's the meaning?

        [The Sailors have returned. Dectora is with them.]

Forgael [turning and seeing her]. Why are you standing
  with your eyes upon me?
  You are not the world's core. O no, no, no!
  That cannot be the meaning of the birds.
  You are not its core. My teeth are in the world,
  But have not bitten yet.

Dectora.       I am a queen,
  And ask for satisfaction upon these
  Who have slain my husband and laid hands upon me.

     [Breaking loose from the Sailors who are holding her.]

  Let go my hands!

Forgael.     Why do you cast a shadow?
  Where do you come from? Who brought you to this
     place?
  They would not send me one that casts a shadow.

Dectora. Would that the storm that overthrew my ships,
  And drowned the treasures of nine conquered nations,
  And blew me hither to my lasting sorrow,
  Had drowned me also. But, being yet alive,
  I ask a fitting punishment for all
  That raised their hands against him.

Forgael.               There are some
  That weigh and measure all in these waste seas -
  They that have all the wisdom that's in life,
  And all that prophesying images
  Made of dim gold rave out in secret tombs;
  They have it that the plans of kings and queens
  But laughter and tears - laughter, laughter, and tears;
  That every man should carry his own soul
  Upon his shoulders.

Dectora.     You've nothing but wild words,
  And I would know if you will give me vengeance.

Forgael. When she finds out I will not let her go -
  When she knows that.

Dectora. What is it that you are muttering -
  That you'll not let me go? I am a queen.

Forgael. Although you are more beautiful than any,
  I almost long that it were possible;
  But if I were to put you on that ship,
  With sailors that were sworn to do your will,
  And you had spread a sail for home, a wind
  Would rise of a sudden, or a wave so huge
  It had washed among the stars and put them out,
  And beat the bulwark of your ship on mine,
  Until you stood before me on the deck -
  As now.

Dectora.  Does wandering in these desolate seas
  And listening to the cry of wind and wave
  Bring madness?

Forgael.  Queen, I am not mad.

Dectora.              Yet say
  That unimaginable storms of wind and wave
  Would rise against me.

Forgael.       No, I am not mad -
  If it be not that hearing messages
  From lasting watchers, that outlive the moon,
  At the most quiet midnight is to be stricken.

Dectora. And did those watchers bid you take me
  captive?

Forgael.  Both you and I are taken in the net.
  It was their hands that plucked the winds awake
  And blew you hither; and their mouths have
     promised
  I shall have love in their immortal fashion;
  And for this end they gave me my old harp
  That is more mighty than the sun and moon,
  Or than the shivering casting-net of the stars,
  That none might take you from me.

Dectora [first trembling back from the mast where the harp is,
  and then laughing]. For a moment
  Your raving of a message and a harp
  More mighty than the stars half troubled me,
  But all that's raving. Who is there can compel
  The daughter and the granddaughter of kings
  To be his bedfellow?

Forgael.     Until your lips
  Have called me their beloved, I'll not kiss them.

Dectora. My husband and my king died at my feet,
  And yet you talk of love.

Forgael.        The movement of time
  Is shaken in these seas, and what one does
  One moment has no might upon the moment
  That follows after.

Dectora.     I understand you now.
  You have a Druid craft of wicked sound
  Wrung from the cold women of the sea -
  A magic that can call a demon up,
  Until my body give you kiss for kiss.

Forgael. Your soul shall give the kiss.

Dectora.            I am not afraid,
  While there's a rope to run into a noose
  Or wave to drown. But I have done with words,
  And I would have you look into my face
  And know that it is fearless.

Forgael.          Do what you will,
  For neither I nor you can break a mesh
  Of the great golden net that is about us.

Dectora. There's nothing in the world that's worth a
  fear.

[She passes Forgael and stands for a moment looking into
his face.]

  I have good reason for that thought.

[She runs suddenly on to the raised part of the poop.]

  And now
  I can put fear away as a queen should.

[She mounts on to the hulwark and turns towards
Forgael.]

  Fool, fool! Although you have looked into my face
  You do not see my purpose. I shall have gone
  Before a hand can touch me.

Forgael [folding his arms].   My hands are still;
  The Ever-living hold us. Do what you will,
  You cannot leap out of the golden net.

First Sailor. No need to drown, for, if you will pardon
     us
  And measure out a course and bring us home,
  We'll put this man to death.

Dectora.          I promise it.

First Sailor. There is none to take his side.

Aibric.          I am on his side,
  I'll strike a blow for him to give him time
  To cast his dreams away.

[Aibric goes in front of Forgael with drawn sword. For-
gael takes the harp.]

First Sailor.       No other'll do it.

[The Sailors throw Aibric on one side. He falls and lies
upon the deck. They lift their swords to strike Forgael,
who is about to play the harp. The stage begins to
darken. The Sailors hesitate in fear.]

Second Sailor. He has put a sudden darkness over the
  moon.

Dectora. Nine swords with handles of rhinoceros horn
  To him that strikes him first!

First Sailor.       I will strike him first.

[He goes close up to Forgael with his sword lifted.]

[Shrinking back.] He has caught the crescent moon out
  of the sky,
  And carries it between us.

Second Sailor.       Holy fire
  To burn us to the marrow if we strike.

Dectora. I'll give a golden galley full of fruit,
  That has the heady flavour of new wine,
  To him that wounds him to the death.

First Sailor.          I'll do it.
  For all his spells will vanish when he dies,
  Having their life in him.

Second Sailor.    Though it be the moon
  That he is holding up between us there,
  I will strike at him.

The Others.      And I! And I! And I!

               [Forgael plays the harp.]

First Sailor [falling into a dream suddenly. But you were
  saying there is somebody
  Upon that other ship we are to wake.
  You did not know what brought him to his end,
  But it was sudden.

Second Sailor.  You are in the right;
  I had forgotten that we must go wake him.

Dectora. He has flung a Druid spell upon the air,
  And set you dreaming.

Second Sailor.    How can we have a wake
  When we have neither brown nor yellow ale?

First Sailor. I saw a flagon of brown ale aboard her.

Third Sailor. How can we raise the keen that do not
     know
  What name to call him by?

First Sailor.      Come to his ship.
  His name will come into our thoughts in a minute.
  I know that he died a thousand years ago,
  And has not yet been waked.

Second Sailor[beginning to keen]. Ohone! O! O! O!
  The yew-bough has been broken into two,
  And all the birds are scattered.

All the Sailors. O! O! O! O!

               [They go out keening.]

Dectora. Protect me now, gods that my people swear by.

[Aibric has risen from the deck where he had fallen. He
has begun looking for his sword as if in a dream.]

Aibric. Where is my sword that fell out of my hand
  When I first heard the news? Ah, there it is!

[He goes dreamily towards the sword, but Dectora runs at
it and takes it up before he can reach it.]

Aibric [sleepily]. Queen, give it me.

Dectora.         No, I have need of it.

Aibric. Why do you need a sword? But you may keep it.
  Now that he's dead I have no need of it,
  For everything is gone.

A Sailor [calling from the other ship]. Come hither, Aibric,
  And tell me who it is that we are waking.

Aibric [half to Dectora, half to himself]. What name had
  that dead king? Arthur of Britain?
  No, no - not Arthur. I remember now.
  It was golden-armed Iollan, and he died
  Broken-hearted, having lost his queen
  Through wicked spells. That is not all the tale,
  For he was killed. O! O! O! O! O! O!
  For golden-armed Iollan has been killed.

                      [He goes out.]
[While he has been speaking, and through part of what
follows, one hears the wailing of the Sailors from the
other ship. Dectora stands with the sword lifted in
front of Forgael.]

Dectora. I will end all your magic on the instant.

[Her voice becomes dreamy, and she lowers the sword
slowly, and finally lets it fall. She spreads out her hair.
She takes off her crown and lays it upon the deck.]

  This sword is to lie beside him in the grave.
  It was in all his battles. I will spread my hair,
  And wring my hands, and wail him bitterly,
  For I have heard that he was proud and laughing,
  Blue-eyed, and a quick runner on bare feet,
  And that he died a thousand years ago.
  O; O! O! O!

          [Forgael changes the tune.]

  But no, that is not it.
  They killed him at my feet. O! O! O! O!
  For golden-armed Iollan that I loved-
  But what is it that made me say I loved him?
  It was that harper put it in my thoughts,
  But it is true. Why did they run upon him,
  And beat the golden helmet with their swords?

Forgael. Do you not know me, lady? I am he
  That you are weeping for.

Dectora.       No, for he is dead.
  O! O! O! O! for golden-armed Iollan.

Forgael. It was so given out, but I will prove
  That the grave-diggers in a dreamy frenzy
  Have buried nothing but my golden arms.
  Listen to that low-laughing string of the moon
  And you will recollect my face and voice,
  For you have listened to me playing it
  These thousand years.

[He starts up, listening to the birds. The harp slips from
his hands, and remains leaning against the bulwarks
behind him.]

  What are the birds at there?
  Why are they all a-flutter of a sudden?
  What are you calling out above the mast?
  If railing and reproach and mockery
  Because I have awakened her to love
  By magic strings, I'll make this answer to it:
  Being driven on by voices and by dreams
  That were clear messages from the Ever-living,
  I have done right. What could I but obey?
  And yet you make a clamour of reproach.

Dectora [laughing]. Why, it's a wonder out of reckoning
  That I should keen him from the full of the moon
  To the horn, and he be hale and hearty.

Forgael. How have I wronged her now that she is merry?
  But no, no, no! your cry is not against me.
  You know the counsels of the Ever-living,
  And all that tossing of your wings is joy,
  And all that murmuring's but a marriage-song;
  But if it be reproach, I answer this:
  There is not one among you that made love
  by any other means. You call it passion,
  Consideration, generosity;
  But it was all deceit, and flattery
  To win a woman in her own despite,
  For love is war, and there is hatred in it;
  And if you say that she came willingly -

Dectora. Why do you turn away and hide your face,
  That I would look upon for ever?

Forgael.            My grief!

Dectora. Have I not loved you for a thousand years?

Forgael. I never have been golden-armed Iollan.

Vectora. I do not understand. I know your face
  Better than my own hands.

Forgael.          I have deceived you
  Out of all reckoning.

Tectora.          Is it not time
  That you were born a thousand years ago,
  In islands where the children of Aengus wind
  In happy dances under a windy moon,
  And that you'll bring me there?

Forgael.          I have deceived you;
  I have deceived you utterly.

Dectora.          How can that be?
  Is it that though your eyes are full of love
  Some other woman has a claim on you,
  And I've but half!

Forgael.     O no!

Dectora.          And if there is,
  If there be half a hundred more, what matter?
  I'll never give another thought to it;
  No, no, nor half a thought; but do not speak.
  Women are hard and proud and stubborn-hearted,
  Their heads being turned with praise and flattery;
  And that is why their lovers are afraid
  To tell them a plain story.

Forgael.          That's not the story;
  But I have done so great a wrong against you,
  There is no measure that it would not burst.
  I will confess it all.

Dectora.       What do I care,
  Now that my body has begun to dream,
  And you have grown to be a burning sod
  In the imagination and intellect?
  If something that's most fabulous were true -
  If you had taken me by magic spells,
  And killed a lover or husband at my feet -
  I would not let you speak, for I would know
  That it was yesterday and not to-day
  I loved him; I would cover up my ears,
  As I am doing now. [A pause.] Why do you weep?

Forgael. I weep because I've nothing for your eyes
  But desolate waters and a battered ship.

Dectora. O why do you not lift your eyes to mine?

Forgael. I weep - I weep because bare night's above,
  And not a roof of ivory and gold.

Dectora. I would grow jealous of the ivory roof,
  And strike the golden pillars with my hands.
  I would that there was nothing in the world
  But my beloved - that night and day had perished,
  And all that is and all that is to be,
  All that is not the meeting of our lips.

Forgael. You turn away. Why do you turn away?
  Am I to fear the waves, or is the moon
  My enemy?

Dectora.  I looked upon the moon,
  Longing to knead and pull it into shape
  That I might lay it on your head as a crown.
  But now it is your thoughts that wander away,
  For you are looking at the sea. Do you not know
  How great a wrong it is to let one's thought
  Wander a moment when one is in love?

[He has moved away. She follows him. He is looking out
over the sea, shading his eyes.]

  Why are you looking at the sea?

Forgael.            Look there!

Dectora. What is there but a troop of ash-grey birds
  That fly into the west?

Forgael.       But listen, listen!

Dectora. What is there but the crying of the birds?

Forgael. If you'll but listen closely to that crying
  You'll hear them calling out to one another
  With human voices

Dectora.     O, I can hear them now.
  What are they? Unto what country do they fly?

Forgael. To unimaginable happiness.
  They have been circling over our heads in the air,
  But now that they have taken to the road
  We have to follow, for they are our pilots;
  And though they're but the colour of grey ash,
  They're crying out, could you but hear their words,
  "There is a country at the end of the world
  Where no child's born but to outlive the moon.'

[The Sailors come in with Aibric. They are in great
excitement.]

First Sailor. The hold is full of treasure.

Second Sailor.         Full to the hatches.

First Sailor. Treasure on treasure.

Third Sailor.          Boxes of precious spice.

First Sailor. Ivory images with amethyst eyes.

Third Sailor. Dragons with eyes of ruby.

First Sailor.            The whole ship
  Flashes as if it were a net of herrings.

Third Sailor. Let's home; I'd give some rubies to a
  woman.

Second Sailor. There's somebody I'd give the amethyst
  eyes to.

Aibric [silencing them with agesture]. We would return to
  our own country, Forgael,
  For we have found a treasure that's so great
  Imagination cannot reckon it.
  And having lit upon this woman there,
  What more have you to look for on the seas?

Forgael. I cannot - I am going on to the end.
  As for this woman, I think she is coming with me.

Aibric. The Ever-living have made you mad; but no,
  It was this woman in her woman's vengeance
  That drove you to it, and I fool enough
  To fancy that she'd bring you home again.
  'Twas you that egged him to it, for you know
  That he is being driven to his death.

Dectora. That is not true, for he has promised me
  An unimaginable happiness.

Aibric. And if that happiness be more than dreams,
  More than the froth, the feather, the dust-whirl,
  The crazy nothing that I think it is,
  It shall be in the country of the dead,
  If there be such a country.

Dectora.            No, not there,
  But in some island where the life of the world
  Leaps upward, as if all the streams o' the world
  Had run into one fountain.

Aibric.          Speak to him.
  He knows that he is taking you to death;
  Speak - he will not deny it.

Dectora.          Is that true?

Forgael. I do not know for certain, but I know.
  That I have the best of pilots.

Aibric.        Shadows, illusions,
  That the Shape-changers, the Ever-laughing Ones,
  The Immortal Mockers have cast into his mind,
  Or called before his eyes.

Dectora.          O carry me
  To some sure country, some familia'r place.
  Have we not everything that life can give
  In having one another?

Forgael.       How could I rest
  If I refused the messengers and pilots
  With all those sights and all that crying out?

Dectora. But I will cover up your eyes and ear?,
  That you may never hear the cry of the birds,
  Or look upon them.

Forgael.     Were they but lowlier
  I'd do your will, but they are too high - too high.

Dectora. Being too high, their heady prophecies
  But harry us with hopes that come to nothing,
  Because we are not proud, imperishable,
  Alone and winged.

Forgael.     Our love shall be like theirs
  When we have put their changeless image on.

Dectora. I am a woman, I die at every breath.

Aibric. Let the birds scatter, for the tree is broken,
  And there's no help in words. [To the Sailors.]

  To the other ship,
  And I will follow you and cut the rope
  When I have said farewell to this man here,
  For neither I nor any living man
  Will look upon his face again.

                 [The Sailors go out.]

Forgael [to Dectora], Go with him,
  For he will shelter you and bring you home.

Aibric [taking Forgael's hand]. I'll do it for his sake.

Dectora. No. Take this sword
  And cut the rope, for I go on with Forgael.

Aibric [half falling into the keen]. The yew-bough has been
  broken into two,
  And all the birds are scattered - O! O! O!
  Farewell! farewell! [He goes out.]

Dectora. The sword is in the rope -
  The rope's in two - it falls into the sea,
  It whirls into the foam. O ancient worm,
  Dragon that loved the world and held us to it,
  You are broken, you are broken. The world drifts
     away,
  And I am left alone with my beloved,
  Who cannot put me from his sight for ever.
  We are alone for ever, and I laugh,
  Forgael, because you cannot put me from you.
  The mist has covered the heavens, and you and I
  Shall be alone for ever. We two - this crown -
  I half remember. It has been in my dreams.
  Bend lower, O king, that I may crown you with it.
  O flower of the branch, 0 bird among the leaves,
  O silver fish that my two hands have taken
  Out of the running stream, O morning star
  Trembling in the blue heavens like a white fawn
  Upon the misty border of the wood,
  Bend lower, that I may cover you with my hair,
  For we will gaze upon this world no longer.

Forgael [gathering Dectora's hair about him]. Beloved, hav-
  ing dragged the net about us,
  And knitted mesh to mesh, we grow immortal;
  And that old harp awakens of itself
  To cry aloud to the grey birds, and dreams,
  That have had dreams for father, live in us.
The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps behind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.
~ William Butler Yeats, A Dramatic Poem
,
1489:Rose Mary
Of her two fights with the Beryl-stone
Lost the first, but the second won.
PART I
“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
219
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.
A thousand years it lay in the sea
With a treasure wrecked from Thessaly;
Deep it lay 'mid the coiled sea-wrack,
But the ocean-spirits found the track:
A soul was lost to win it back.
The lady upheld the wondrous thing:—
“Ill fare”(she said) “with a fiend's-faring:
But Moslem blood poured forth like wine
Can hallow Hell, 'neath the Sacred Sign;
And my lord brought this from Palestine.
“Spirits who fear the Blessed Rood
Drove forth the accursed multitude
That heathen worship housed herein,—
Never again such home to win,
Save only by a Christian's sin.
“All last night at an altar fair
I burnt strange fires and strove with prayer;
Till the flame paled to the red sunrise,
All rites I then did solemnize;
And the spell lacks nothing but your eyes.”
Low spake maiden Rose Mary:—
“O mother mine, if I should not see!”
“Nay, daughter, cover your face no more,
But bend love's heart to the hidden lore,
And you shall see now as heretofore.”
Paler yet were the pale cheeks grown
As the grey eyes sought the Beryl-stone:
Then over her mother's lap leaned she,
And stretched her thrilled throat passionately,
And sighed from her soul, and said, “I see.”
Even as she spoke, they two were 'ware
220
Of music-notes that fell through the air;
A chiming shower of strange device,
Drop echoing drop, once, twice, and thrice,
As rain may fall in Paradise.
An instant come, in an instant gone,
No time there was to think thereon.
The mother held the sphere on her knee:—
“Lean this way and speak low to me,
And take no note but of what you see.”
“I see a man with a besom grey
That sweeps the flying dust away.”
“Ay, that comes first in the mystic sphere;
But now that the way is swept and clear,
Heed well what next you look on there.”
“Stretched aloft and adown I see
Two roads that part in waste-country:
The glen lies deep and the ridge stands tall;
What's great below is above seen small,
And the hill-side is the valley-wall.”
“Stream-bank, daughter, or moor and moss,
Both roads will take to Holy Cross.
The hills are a weary waste to wage;
But what of the valley-road's presage?
That way must tend his pilgrimage.”
“As 'twere the turning leaves of a book,
The road runs past me as I look;
Or it is even as though mine eye
Should watch calm waters filled with sky
While lights and clouds and wings went by.”
“In every covert seek a spear;
They'll scarce lie close till he draws near.”
“The stream has spread to a river now;
The stiff blue sedge is deep in the slough,
But the banks are bare of shrub or bough.’
“Is there any roof that near at hand
Might shelter yield to a hidden band?”
“On the further bank I see but one,
And a herdsman now in the sinking sun
Unyokes his team at the threshold-stone.”
“Keep heedful watch by the water's edge,—
Some boat might lurk 'neath the shadowed sedge.”
“One slid but now 'twixt the winding shores,
221
But a peasant woman bent to the oars
And only a young child steered its course.
“Mother, something flashed to my sight!—
Nay, it is but the lapwing's flight.—
What glints there like a lance that flees?—
Nay, the flags are stirred in the breeze,
And the water's bright through the dart-rushes.
“Ah! vainly I search from side to side:—
Woe's me! and where do the foemen hide?
Woe's me! and perchance I pass them by,
And under the new dawn's blood-red sky
Even where I gaze the dead shall lie.”
Said the mother: “For dear love's sake,
Speak more low, lest the spell should break.”
Said the daughter: “By love's control,
My eyes, my words, are strained to the goal;
But oh! the voice that cries in my soul!”
“Hush, sweet, hush! be calm and behold.”
“I see two floodgates broken and old:
The grasses wave o'er the ruined weir,
But the bridge still leads to the breakwater;
And—mother, mother, O mother dear!”
The damsel clung to her mother's knee,
And dared not let the shriek go free;
Low she crouched by the lady's chair,
And shrank blindfold in her fallen hair,
And whispering said, “The spears are there!”
The lady stooped aghast from her place,
And cleared the locks from her daughter's face.
“More's to see, and she swoons, alas!
Look, look again, ere the moment pass!
One shadow comes but once to the glass.
“See you there what you saw but now?”
“I see eight men 'neath the willow bough.
All over the weir a wild growth's spread:
Ah me! it will hide a living head
As well as the water hides the dead.
“They lie by the broken water-gate
As men who have a while to wait.
The chief's high lance has a blazoned scroll,—
He seems some lord of tithe and toll
With seven squires to his bannerole.
222
“The little pennon quakes in the air,
I cannot trace the blazon there:—
Ah! now I can see the field of blue,
The spurs and the merlins two and two;—
It is the Warden of Holycleugh!”
“God be thanked for the thing we know!
You have named your good knight's mortal foe.
Last Shrovetide in the tourney-game
He sought his life by treasonous shame;
And this way now doth he seek the same.
“So, fair lord, such a thing you are!
But we too watch till the morning star.
Well, June is kind and the moon is clear:
Saint Judas send you a merry cheer
For the night you lie in Warisweir!
“Now, sweet daughter, but one more sight,
And you may lie soft and sleep to-night.
We know in the vale what perils be:
Now look once more in the glass, and see
If over the hills the road lies free.”
Rose Mary pressed to her mother's cheek,
And almost smiled but did not speak;
Then turned again to the saving spell,
With eyes to search and with lips to tell
The heart of things invisible.
“Again the shape with the besom grey
Comes back to sweep the clouds away.
Again I stand where the roads divide;
But now all's near on the steep hillside,
And a thread far down is the rivertide.”
“Ay, child, your road is o'er moor and moss,
Past Holycleugh to Holy Cross.
Our hunters lurk in the valley's wake,
As they knew which way the chase would take:
Yet search the hills for your true love's sake.”
“Swift and swifter the waste runs by,
And nought I see but the heath and the sky;
No brake is there that could hide a spear,
And the gaps to a horseman's sight lie clear;
Still past it goes, and there's nought to fear.”
“Fear no trap that you cannot see,—
They'd not lurk yet too warily.
223
Below by the weir they lie in sight,
And take no heed how they pass the night
Till close they crouch with the morning light.”
“The road shifts ever and brings in view
Now first the heights of Holycleugh:
Dark they stand o'er the vale below,
And hide that heaven which yet shall show
The thing their master's heart doth know.
“Where the road looks to the castle steep,
There are seven hill-clefts wide and deep:
Six mine eyes can search as they list,
But the seventh hollow is brimmed with mist:
If aught were there, it might not be wist.”
“Small hope, my girl, for a helm to hide
In mists that cling to a wild moorside:
Soon they melt with the wind and sun,
And scarce would wait such deeds to be done
God send their snares be the worst to shun.”
“Still the road winds ever anew
As it hastens on towards Holycleugh;
And ever the great walls loom more near,
Till the castle-shadow, steep and sheer,
Drifts like a cloud, and the sky is clear.”
“Enough, my daughter,” the mother said,
And took to her breast the bending head;
“Rest, poor head, with my heart below,
While love still lulls you as long ago:
For all is learnt that we need to know.
“Long the miles and many the hours
From the castle-height to the abbey-towers;
But here the journey has no more dread;
Too thick with life is the whole road spread
For murder's trembling foot to tread.”
She gazed on the Beryl-stone full fain
Ere she wrapped it close in her robe again:
The flickering shades were dusk and dun
And the lights throbbed faint in unison
Like a high heart when a race is run.
As the globe slid to its silken gloom,
Once more a music rained through the room;
Low it splashed like a sweet star-spray,
And sobbed like tears at the heart of May,
224
And died as laughter dies away.
The lady held her breath for a space,
And then she looked in her daughter's face:
But wan Rose Mary had never heard;
Deep asleep like a sheltered bird
She lay with the long spell minister'd.
“Ah! and yet I must leave you, dear,
For what you have seen your knight must hear.
Within four days, by the help of God,
He comes back safe to his heart's abode:
Be sure he shall shun the valley-road.”
Rose Mary sank with a broken moan,
And lay in the chair and slept alone,
Weary, lifeless, heavy as lead:
Long it was ere she raised her head
And rose up all discomforted.
She searched her brain for a vanished thing,
And clasped her brows, remembering;
Then knelt and lifted her eyes in awe,
And sighed with a long sigh sweet to draw:—
“Thank God, thank God, thank God I saw!”
The lady had left her as she lay,
To seek the Knight of Heronhaye.
But first she clomb by a secret stair,
And knelt at a carven altar fair,
And laid the precious Beryl there.
Its girth was graved with a mystic rune
In a tongue long dead 'neath sun and moon:
A priest of the Holy Sepulchre
Read that writing and did not err;
And her lord had told its sense to her.
She breathed the words in an undertone:—
“None sees here but the pure alone.”
“And oh!” she said, “what rose may be
In Mary's bower more pure to see
Than my own sweet maiden Rose Mary?”
BERYL-SONG
We whose home is the Beryl,
Fire-spirits of dread desire,
225
Who entered in
By a secret sin,
'Gainst whom all powers that strive with ours are sterile,—
We cry, Woe to thee, mother!
What hast thou taught her, the girl thy daughter,
That she and none other
Should this dark morrow to her deadly sorrow imperil?
What were her eyes
But the fiend's own spies,
O mother,
And shall We not fee her, our proper prophet and seër?
Go to her, mother,
Even thou, yea thou and none other,
Thou, from the Beryl:
Her fee must thou take her,
Her fee that We send, and make her,
Even in this hour, her sin's unsheltered avower.
Whose steed did neigh,
Riderless, bridleless,
At her gate before it was day?
Lo! where doth hover
The soul of her lover?
She sealed his doom, she, she was the sworn approver,—
Whose eyes were so wondrous wise,
Yet blind, ah! blind to his peril!
For stole not We in
Through a love-linked sin,
'Gainst whom all powers at war with ours are sterile,—
Fire-spirits of dread desire,
We whose home is the Beryl?
PART II
“PALE Rose Mary, what shall be done
With a rose that Mary weeps upon?”
“Mother, let it fall from the tree,
And never walk where the strewn leaves be
Till winds have passed and the path is free.”
“Sad Rose Mary, what shall be done
With a cankered flower beneath the sun?”
“Mother, let it wait for the night;
226
Be sure its shame shall be out of sight
Ere the moon pale or the east grow light.”
“Lost Rose Mary, what shall be done
With a heart that is but a broken one?”
“Mother, let it lie where it must;
The blood was drained with the bitter thrust,
And dust is all that sinks in the dust.”
“Poor Rose Mary, what shall I do,—
I, your mother, that lovèd you?”
“O my mother, and is love gone?
Then seek you another love anon:
Who cares what shame shall lean upon?”
Low drooped trembling Rose Mary,
Then up as though in a dream stood she.
“Come, my heart, it is time to go;
This is the hour that has whispered low
When thy pulse quailed in the nights we know.
“Yet O my heart, thy shame has a mate
Who will not leave thee desolate.
Shame for shame, yea and sin for sin:
Yet peace at length may our poor souls win
If love for love be found therein.
“O thou who seek'st our shrift to-day,”
She cried, “O James of Heronhaye—
Thy sin and mine was for love alone;
And oh! in the sight of God 'tis known
How the heart has since made heavy moan.
“Three days yet!” she said to her heart;
“But then he comes, and we will not part.
God, God be thanked that I still could see!
Oh! he shall come back assuredly,
But where, alas! must he seek for me?
“O my heart, what road shall we roam
Till my wedding-music fetch me home?
For love's shut from us and bides afar,
And scorn leans over the bitter bar
And knows us now for the thing we are.”
Tall she stood with a cheek flushed high
And a gaze to burn the heart-strings by.
'Twas the lightning-flash o'er sky and plain
Ere labouring thunders heave the chain
From the floodgates of the drowning rain.
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The mother looked on the daughter still
As on a hurt thing that's yet to kill.
Then wildly at length the pent tears came;
The love swelled high with the swollen shame,
And their hearts' tempest burst on them.
Closely locked, they clung without speech,
And the mirrored souls shook each to each,
As the cloud-moon and the water-moon
Shake face to face when the dim stars swoon
In stormy bowers of the night's mid-noon.
They swayed together, shuddering sore,
Till the mother's heart could bear no more.
'Twas death to feel her own breast shake
Even to the very throb and ache
Of the burdened heart she still must break.
All her sobs ceased suddenly,
And she sat straight up but scarce could see.
“O daughter, where should my speech begin?
Your heart held fast its secret sin:
How think you, child, that I read therein?”
“Ah me! but I thought not how it came
When your words showed that you knew my shame:
And now that you call me still your own,
I half forget you have ever known.
Did you read my heart in the Beryl-stone?”
The lady answered her mournfully:—
“The Beryl-stone has no voice for me:
But when you charged its power to show
The truth which none but the pure may know,
Did naught speak once of a coming woe?”
Her hand was close to her daughter's heart,
And it felt the life-blood's sudden start:
A quick deep breath did the damsel draw,
Like the struck fawn in the oakenshaw:
“O mother,” she cried, “but still I saw!”
“O child, my child, why held you apart
From my great love your hidden heart?
Said I not that all sin must chase
From the spell's sphere the spirits of grace,
And yield their rule to the evil race?
“Ah! would to God I had clearly told
How strong those powers, accurst of old:
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Their heart is the ruined house of lies;
O girl, they can seal the sinful eyes,
Or show the truth by contraries!”
The daughter sat as cold as a stone,
And spoke no word but gazed alone,
Nor moved, though her mother strove a space
To clasp her round in a close embrace,
Because she dared not see her face.
“Oh!” at last did the mother cry,
“Be sure, as he loved you, so will I!
Ah! still and dumb is the bride, I trow;
But cold and stark as the winter snow
Is the bridegroom's heart, laid dead below!
“Daughter, daughter, remember you
That cloud in the hills by Holycleugh?
'Twas a Hell-screen hiding truth away:
There, not i' the vale, the ambush lay,
And thence was the dead borne home to-day.”
Deep the flood and heavy the shock
When sea meets sea in the riven rock:
But calm is the pulse that shakes the sea
To the prisoned tide of doom set free
In the breaking heart of Rose Mary.
Once she sprang as the heifer springs
With the wolf's teeth at its red heart-strings.
First 'twas fire in her breast and brain,
And then scarce hers but the whole world's pain,
As she gave one shriek and sank again.
In the hair dark-waved the face lay white
As the moon lies in the lap of night;
And as night through which no moon may dart
Lies on a pool in the woods apart,
So lay the swoon on the weary heart.
The lady felt for the bosom's stir,
And wildly kissed and called on her;
Then turned away with a quick footfall,
And slid the secret door in the wall,
And clomb the strait stair's interval.
There above in the altar-cell
A little fountain rose and fell:
She set a flask to the water's flow,
And, backward hurrying, sprinkled now
229
The still cold breast and the pallid brow.
Scarce cheek that warmed or breath on the air,
Yet something told that life was there.
“Ah! not with the heart the body dies!”
The lady moaned in a bitter wise;
Then wrung her hands and hid her eyes.
“Alas! and how may I meet again
In the same poor eyes the selfsame pain?
What help can I seek, such grief to guide?
Ah! one alone might avail,” she cried—
“The priest who prays at the dead man's side.”
The lady arose, and sped down all
The winding stairs to the castle-hall.
Long-known valley and wood and stream,
As the loopholes passed, naught else did seem
Than the torn threads of a broken dream.
The hall was full of the castle-folk;
The women wept, but the men scarce spoke.
As the lady crossed the rush-strewn floor,
The throng fell backward, murmuring sore,
And pressed outside round the open door.
A stranger shadow hung on the hall
Than the dark pomp of a funeral.
'Mid common sights that were there alway,
As 'twere a chance of the passing day,
On the ingle-bench the dead man lay.
A priest who passed by Holycleugh
The tidings brought when the day was new.
He guided them who had fetched the dead;
And since that hour, unwearièd,
He knelt in prayer at the low bier's head.
Word had gone to his own domain
That in evil wise the knight was slain:
Soon the spears must gather apace
And the hunt be hard on the hunters' trace;
But all things yet lay still for a space.
As the lady's hurried step drew near,
The kneeling priest looked up to her.
“Father, death is a grievous thing;
But oh! the woe has a sharper sting
That craves by me your ministering.
“Alas for the child that should have wed
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This noble knight here lying dead!
Dead in hope, with all blessed boon
Of love thus rent from her heart ere noon,
I left her laid in a heavy swoon.
“O haste to the open bower-chamber
That's topmost as you mount the stair:
Seek her, father, ere yet she wake;
Your words, not mine, be the first to slake
This poor heart's fire, for Christ's sweet sake!
“God speed!” she said as the priest passed through,
“And I ere long will be with you.”
Then low on the hearth her knees sank prone;
She signed all folk from the threshold-stone,
And gazed in the dead man's face alone.
The fight for life found record yet
In the clenched lips and the teeth hard-set;
The wrath from the bent brow was not gone,
And stark in the eyes the hate still shone
Of that they last had looked upon.
The blazoned coat was rent on his breast
Where the golden field was goodliest;
But the shivered sword, close-gripped, could tell
That the blood shed round him where he fell
Was not all his in the distant dell.
The lady recked of the corpse no whit,
But saw the soul and spoke to it:
A light there was in her steadfast eyes,—
The fire of mortal tears and sighs
That pity and love immortalize.
“By thy death have I learnt to-day
Thy deed, O James of Heronhaye!
Great wrong thou hast done to me and mine;
And haply God hath wrought for a sign
By our blind deed this doom of thine.
“Thy shrift, alas! thou wast not to win;
But may death shrive thy soul herein!
Full well do I know thy love should be
Even yet—had life but stayed with thee—
Our honour's strong security.”
She stooped, and said with a sob's low stir,—
“Peace be thine,—but what peace for her?”
But ere to the brow her lips were press'd,
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She marked, half-hid in the riven vest,
A packet close to the dead man's breast.
'Neath surcoat pierced and broken mail
It lay on the blood-stained bosom pale.
The clot hung round it, dull and dense,
And a faintness seized her mortal sense
As she reached her hand and drew it thence.
'Twas steeped in the heart's flood welling high
From the heart it there had rested by:
'Twas glued to a broidered fragment gay,—
A shred by spear-thrust rent away
From the heron-wings of Heronhaye.
She gazed on the thing with piteous eyne:—
“Alas, poor child, some pledge of thine!
Ah me! in this troth the hearts were twain,
And one hath ebbed to this crimson stain,
And when shall the other throb again?”
She opened the packet heedfully;
The blood was stiff, and it scarce might be.
She found but a folded paper there,
And round it, twined with tenderest care,
A long bright tress of golden hair.
Even as she looked, she saw again
That dark-haired face in its swoon of pain:
It seemed a snake with a golden sheath
Crept near, as a slow flame flickereth,
And stung her daughter's heart to death.
She loosed the tress, but her hand did shake
As though indeed she had touched a snake;
And next she undid the paper's fold,
But that too trembled in her hold,
And the sense scarce grasped the tale it told.
“My heart's sweet lord,” ('twas thus she read,)
“At length our love is garlanded.
At Holy Cross, within eight days' space,
I seek my shrift; and the time and place
Shall fit thee too for thy soul's good grace.
“From Holycleugh on the seventh day
My brother rides, and bides away:
And long or e'er he is back, mine own,
Afar where the face of fear's unknown
We shall be safe with our love alone.
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“Ere yet at the shrine my knees I bow,
I shear one tress for our holy vow.
As round these words these threads I wind,
So, eight days hence, shall our loves be twined,
Says my lord's poor lady, JOCELIND.”
She read it twice, with a brain in thrall,
And then its echo told her all.
O'er brows low-fall'n her hands she drew:—
“O God!” she said, as her hands fell too,—
“The Warden's sister of Holycleugh!”
She rose upright with a long low moan,
And stared in the dead man's face new-known.
Had it lived indeed? She scarce could tell:
'Twas a cloud where fiends had come to dwell,—
A mask that hung on the gate of Hell.
She lifted the lock of gleaming hair
And smote the lips and left it there.
“Here's gold that Hell shall take for thy toll!
Full well hath thy treason found its goal,
O thou dead body and damnèd soul!”
She turned, sore dazed, for a voice was near,
And she knew that some one called to her.
On many a column fair and tall
A high court ran round the castle-hall;
And thence it was that the priest did call.
“I sought your child where you bade me go,
And in rooms around and rooms below;
But where, alas! may the maiden be?
Fear nought,—we shall find her speedily,—
But come, come hither, and seek with me.”
She reached the stair like a lifelorn thing,
But hastened upward murmuring,
“Yea, Death's is a face that's fell to see;
But bitterer pang Life hoards for thee,
Thou broken heart of Rose Mary!”
BERYL-SONG
We whose throne is the Beryl,
Dire-gifted spirits of fire,
Who for a twin
233
Leash Sorrow to Sin,
Who on no flower refrain to lour with peril,—
We cry,—O desolate daughter!
Thou and thy mother share newer shame with each other
Than last night's slaughter.
Awake and tremble, for our curses assemble!
What more, that thou know'st not yet,—
That life nor death shall forget?
No help from Heaven,—thy woes heart-riven are sterile!
O once a maiden,
With yet worse sorrow can any morrow be laden?
It waits for thee,
It looms, it must be,
O lost among women,—
It comes and thou canst not flee.
Amen to the omen,
Says the voice of the Beryl.
Thou sleep'st? Awake,—
What dar'st thou yet for his sake,
Who each for other did God's own Future imperil?
Dost dare to live
`Mid the pangs each hour must give?
Nay, rather die,—
With him thy lover 'neath Hell's cloud-cover to fly,—
Hopeless, yet not apart,
Cling heart to heart,
And beat through the nether storm-eddying winds together?
Shall this be so?
There thou shalt meet him, but mayst thou greet him? ah no !
He loves, but thee he hoped nevermore to see,—
He sighed as he died,
But with never a thought for thee.
Alone!
Alone, for ever alone,—
Whose eyes were such wondrous spies for the fate foreshown!
Lo! have not We leashed the twin
Of endless Sorrow to Sin,—
Who on no flower refrain to lour with peril,—
Dire-gifted spirits of fire,
We whose throne is the Beryl?
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PART III
A SWOON that breaks is the whelming wave
When help comes late but still can save.
With all blind throes is the instant rife,—
Hurtling clangour and clouds at strife,—
The breath of death, but the kiss of life.
The night lay deep on Rose Mary's heart,
For her swoon was death's kind counterpart:
The dawn broke dim on Rose Mary's soul,—
No hill-crown's heavenly aureole,
But a wild gleam on a shaken shoal.
Her senses gasped in the sudden air,
And she looked around, but none was there.
She felt the slackening frost distil
Through her blood the last ooze dull and chill:
Her lids were dry and her lips were still.
Her tears had flooded her heart again;
As after a long day's bitter rain,
At dusk when the wet flower-cups shrink,
The drops run in from the beaded brink,
And all the close-shut petals drink.
Again her sighs on her heart were rolled;
As the wind that long has swept the wold,—
Whose moan was made with the moaning sea,—
Beats out its breath in the last torn tree,
And sinks at length in lethargy.
She knew she had waded bosom-deep
Along death's bank in the sedge of sleep:
All else was lost to her clouded mind;
Nor, looking back, could she see defin'd
O'er the dim dumb waste what lay behind.
Slowly fades the sun from the wall
Till day lies dead on the sun-dial:
And now in Rose Mary's lifted eye
'Twas shadow alone that made reply
To the set face of the soul's dark sky.
Yet still through her soul there wandered past
Dread phantoms borne on a wailing blast,—
Death and sorrow and sin and shame;
And, murmured still, to her lips there came
Her mother's and her lover's name.
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How to ask, and what thing to know?
She might not stay and she dared not go.
From fires unseen these smoke-clouds curled;
But where did the hidden curse lie furled?
And how to seek through the weary world?
With toiling breath she rose from the floor
And dragged her steps to an open door:
'Twas the secret panel standing wide,
As the lady's hand had let it bide
In hastening back to her daughter's side.
She passed, but reeled with a dizzy brain
And smote the door which closed again.
She stood within by the darkling stair,
But her feet might mount more freely there,—
'Twas the open light most blinded her.
Within her mind no wonder grew
At the secret path she never knew:
All ways alike were strange to her now,—
One field bare-ridged from the spirit's plough,
One thicket black with the cypress-bough.
Once she thought that she heard her name;
And she paused, but knew not whence it came.
Down the shadowed stair a faint ray fell
That guided the weary footsteps well
Till it led her up to the altar-cell.
No change there was on Rose Mary's face
As she leaned in the portal's narrow space:
Still she stood by the pillar's stem,
Hand and bosom and garment's hem,
As the soul stands by at the requiem.
The altar-cell was a dome low-lit,
And a veil hung in the midst of it:
At the pole-points of its circling girth
Four symbols stood of the world's first birth,—
Air and water and fire and earth.
To the north, a fountain glittered free;
To the south, there glowed a red fruit-tree;
To the east, a lamp flamed high and fair;
To the west, a crystal casket rare
Held fast a cloud of the fields of air.
The painted walls were a mystic show
Of time's ebb-tide and overflow;
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His hoards long-locked and conquering key,
His service-fires that in heaven be,
And earth-wheels whirled perpetually.
Rose Mary gazed from the open door
As on idle things she cared not for,—
The fleeting shapes of an empty tale;
Then stepped with a heedless visage pale,
And lifted aside the altar-veil.
The altar stood from its curved recess
In a coiling serpent's life-likeness:
Even such a serpent evermore
Lies deep asleep at the world's dark core
Till the last Voice shake the sea and shore.
From the altar-cloth a book rose spread
And tapers burned at the altar-head;
And there in the altar-midst alone,
'Twixt wings of a sculptured beast unknown,
Rose Mary saw the Beryl-stone.
Firm it sat 'twixt the hollowed wings,
As an orb sits in the hand of kings:
And lo! for that Foe whose curse far-flown
Had bound her life with a burning zone,
Rose Mary knew the Beryl-stone.
Dread is the meteor's blazing sphere
When the poles throb to its blind career;
But not with a light more grim and ghast
Thereby is the future doom forecast,
Than now this sight brought back the past.
The hours and minutes seemed to whirr
In a clanging swarm that deafened her;
They stung her heart to a writhing flame,
And marshalled past in its glare they came,—
Death and sorrow and sin and shame.
Round the Beryl's sphere she saw them pass
And mock her eyes from the fated glass:
One by one in a fiery train
The dead hours seemed to wax and wane,
And burned till all was known again.
From the drained heart's fount there rose no cry,
There sprang no tears, for the source was dry.
Held in the hand of some heavy law,
Her eyes she might not once withdraw,
237
Nor shrink away from the thing she saw.
Even as she gazed, through all her blood
The flame was quenched in a coming flood:
Out of the depth of the hollow gloom
On her soul's bare sands she felt it boom,—
The measured tide of a sea of doom.
Three steps she took through the altar-gate,
And her neck reared and her arms grew straight:
The sinews clenched like a serpent's throe,
And the face was white in the dark hair's flow,
As her hate beheld what lay below.
Dumb she stood in her malisons,—
A silver statue tressed with bronze:
As the fabled head by Perseus mown,
It seemed in sooth that her gaze alone
Had turned the carven shapes to stone.
O'er the altar-sides on either hand
There hung a dinted helm and brand:
By strength thereof, 'neath the Sacred Sign,
That bitter gift o'er the salt sea-brine
Her father brought from Palestine.
Rose Mary moved with a stern accord
And reached her hand to her father's sword;
Nor did she stir her gaze one whit
From the thing whereon her brows were knit;
But gazing still, she spoke to it.
“O ye, three times accurst,” she said,
“By whom this stone is tenanted!
Lo! here ye came by a strong sin's might;
Yet a sinner's hand that's weak to smite
Shall send you hence ere the day be night.
“This hour a clear voice bade me know
My hand shall work your overthrow:
Another thing in mine ear it spake,—
With the broken spell my life shall break.
I thank Thee, God, for the dear death's sake!
“And he Thy heavenly minister
Who swayed erewhile this spell-bound sphere,—
My parting soul let him haste to greet,
And none but he be guide for my feet
To where Thy rest is made complete.”
Then deep she breathed, with a tender moan:—
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“My love, my lord, my only one!
Even as I held the cursed clue,
When thee, through me, these foul ones slew,—
By mine own deed shall they slay me too!
“Even while they speed to Hell, my love,
Two hearts shall meet in Heaven above.
Our shrift thou sought'st, but might'st not bring:
And oh! for me 'tis a blessed thing
To work hereby our ransoming.
“One were our hearts in joy and pain,
And our souls e'en now grow one again.
And O my love, if our souls are three,
O thine and mine shall the third soul be,—
One threefold love eternally.”
Her eyes were soft as she spoke apart,
And the lips smiled to the broken heart:
But the glance was dark and the forehead scored
With the bitter frown of hate restored,
As her two hands swung the heavy sword.
Three steps back from her Foe she trod:—
“Love, for thy sake! In Thy Name, O God!”
In the fair white hands small strength was shown;
Yet the blade flashed high and the edge fell prone,
And she cleft the heart of the Beryl-stone.
What living flesh in the thunder-cloud
Hath sat and felt heaven cry aloud?
Or known how the levin's pulse may beat?
Or wrapped the hour when the whirlwinds meet
About its breast for a winding-sheet?
Who hath crouched at the world's deep heart
While the earthquake rends its loins apart?
Or walked far under the seething main
While overhead the heavens ordain
The tempest-towers of the hurricane?
Who hath seen or what ear hath heard
The secret things unregister'd
Of the place where all is past and done,
And tears and laughter sound as one
In Hell's unhallowed unison?
Nay, is it writ how the fiends despair
In earth and water and fire and air?
Even so no mortal tongue may tell
239
How to the clang of the sword that fell
The echoes shook the altar-cell.
When all was still on the air again
The Beryl-stone lay cleft in twain;
The veil was rent from the riven dome;
And every wind that's winged to roam
Might have the ruined place for home.
The fountain no more glittered free;
The fruit hung dead on the leafless tree;
The flame of the lamp had ceased to flare;
And the crystal casket shattered there
Was emptied now of its cloud of air.
And lo! on the ground Rose Mary lay,
With a cold brow like the snows ere May,
With a cold breast like the earth till Spring,
With such a smile as the June days bring
When the year grows warm with harvesting.
The death she had won might leave no trace
On the soft sweet form and gentle face:
In a gracious sleep she seemed to lie;
And over her head her hand on high
Held fast the sword she triumphed by.
'Twas then a clear voice said in the room:—
“Behold the end of the heavy doom.
O come,—for thy bitter love's sake blest;
By a sweet path now thou journeyest,
And I will lead thee to thy rest.
“Me thy sin by Heaven's sore ban
Did chase erewhile from the talisman:
But to my heart, as a conquered home,
In glory of strength thy footsteps come
Who hast thus cast forth my foes therefrom.
“Already thy heart remembereth
No more his name thou sought'st in death:
For under all deeps, all heights above,—
So wide the gulf in the midst thereof,—
Are Hell of Treason and Heaven of Love.
“Thee, true soul, shall thy truth prefer
To blessed Mary's rose-bower:
Warmed and lit is thy place afar
With guerdon-fires of the sweet Love-star
Where hearts of steadfast lovers are:—
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“Though naught for the poor corpse lying here
Remain to-day but the cold white bier,
But burial-chaunt and bended knee,
But sighs and tears that heaviest be,
But rent rose-flower and rosemary.”
BERYL-SONG
We, cast forth from the Beryl,
Gyre-circling spirits of fire,
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,—
Woe! must We behold this mother
Find grace in her dead child's face, and doubt of none other
But that perfect pardon, alas! hath assured her guerdon?
Woe! must We behold this daughter,
Made clean from the soil of sin wherewith We had fraught her,
Shake off a man's blood like water?
Write up her story
On the Gate of Heaven's glory,
Whom there We behold so fair in shining apparel,
And beneath her the ruin
Of our own undoing!
Alas, the Beryl!
We had for a foeman
But one weak woman;
In one day's strife,
Her hope fell dead from her life;
And yet no iron,
Her soul to environ,
Could this manslayer, this false soothsayer imperil!
Lo, where she bows
In the Holy House!
Who now shall dissever her soul from its joy for ever
While every ditty
Of love and plentiful pity
Fills the White City,
And the floor of Heaven to her feet for ever is given?
Hark, a voice cries “Flee!”
Woe! woe! what shelter have We,
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Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,
Gyre-circling spirits of fire,
We, cast forth from the Beryl?
~ Dante Gabriel Rossetti,
1490:class:Classics

BOOK THE TWELFTH

The Trojan War

Priam, to whom the story was unknown,
As dead, deplor'd his metamorphos'd son:
A cenotaph his name, and title kept,
And Hector round the tomb, with all his brothers, wept.
This pious office Paris did not share;
Absent alone; and author of the war,
Which, for the Spartan queen, the Grecians drew
T' avenge the rape; and Asia to subdue.
A thousand ships were mann'd, to sail the sea:
Nor had their just resentments found delay,
Had not the winds, and waves oppos'd their way.
At Aulis, with united pow'rs they meet,
But there, cross-winds or calms detain'd the fleet.
Now, while they raise an altar on the shore,
And Jove with solemn sacrifice adore;
A boding sign the priests and people see:
A snake of size immense ascends a tree,
And, in the leafie summit, spy'd a nest,
Which o'er her callow young, a sparrow press'd.
Eight were the birds unfledg'd; their mother flew,
And hover'd round her care; but still in view:
'Till the fierce reptile first devour'd the brood,
Then seiz'd the flutt'ring dam, and drunk her blood.
This dire ostent, the fearful people view;
Calchas alone, by Phoebus taught, foreknew
What Heav'n decreed; and with a smiling glance,
Thus gratulates to Greece her happy chance:
O Argives, we shall conquer: Troy is ours,
But long delays shall first afflict our pow'rs:
Nine years of labour, the nine birds portend;
The tenth shall in the town's destruction end.

The serpent, who his maw obscene had fill'd,
The branches in his curl'd embraces held:
But, as in spires he stood, he turn'd to stone:
The stony snake retain'd the figure still his own.

Yet, not for this, the wind-bound navy weigh'd;
Slack were their sails; and Neptune disobey'd.
Some thought him loth the town should be destroy'd,
Whose building had his hands divine employ'd:
Not so the seer; who knew, and known foreshow'd,
The virgin Phoebe, with a virgin's blood
Must first be reconcil'd: the common cause
Prevail'd; and pity yielding to the laws,
Fair Iphigenia the devoted maid
Was, by the weeping priests, in linnen-robes array'd;
All mourn her fate; but no relief appear'd;
The royal victim bound, the knife already rear'd:
When that offended Pow'r, who caus'd their woe,
Relenting ceas'd her wrath; and stop'd the coming blow.
A mist before the ministers she cast,
And, in the virgin's room, a hind she plac'd.
Th' oblation slain, and Phoebe, reconcil'd,
The storm was hush'd, and dimpled ocean smil'd:
A favourable gale arose from shore,
Which to the port desir'd, the Graecian gallies bore.

The House of Fame

Full in the midst of this created space,
Betwixt Heav'n, Earth, and skies, there stands a place,
Confining on all three, with triple bound;
Whence all things, tho' remote, are view'd around;
And thither bring their undulating sound.
The palace of loud Fame, her seat of pow'r,
Plac'd on the summet of a lofty tow'r;
A thousand winding entries long and wide,
Receive of fresh reports a flowing tide.
A thousand crannies in the walls are made;
Nor gate, nor bars exclude the busie trade.
'Tis built of brass, the better to diffuse
The spreading sounds, and multiply the news:
Where eccho's in repeated eccho's play:
A mart for ever full, and open night and day.
Nor silence is within, nor voice express,
But a deaf noise of sounds, that never cease.
Confus'd and chiding, like the hollow roar
Of tides, receding from th' insulted shore,
Or like the broken thunder heard from far,
When Jove at distance drives the rouling war.
The courts are fill'd with a tumultuous din
Of crouds, or issuing forth, or entring in:
A thorough-fare of news: where some devise
Things never heard, some mingle truth with lies;
The troubled air with empty sounds they beat,
Intent to hear, and eager to repeat.
Error sits brooding there, with added train
Of vain credulity, and joys as vain:
Suspicion, with sedition join'd, are near,
And rumours rais'd, and murmurs mix'd, and panique fear.

Fame sits aloft, and sees the subject ground,
And seas about, and skies above; enquiring all around.

The Goddess gives th' alarm; and soon is known
The Grecian fleet descending on the town.
Fix'd on defence, the Trojans are not slow
To guard their shore, from an expected foe.
They meet in fight: by Hector's fatal hand
Protesilaus falls, and bites the strand:
Which with expence of blood the Grecians won;
And prov'd the strength unknown of Priam's son.
And to their cost the Trojan leaders felt
The Grecian heroes; and what deaths they dealt.

The Story of Cygnus

From these first onsets, the Sigaean shore
Was strew'd with carcasses, and stain'd with gore:
Neptunian Cygnus troops of Greeks had slain;
Achilles in his carr had scour'd the plain,
And clear'd the Trojan ranks: where-e'er he fought,
Cygnus, or Hector, through the fields he sought:
Cygnus he found; on him his force essay'd:
For Hector was to the tenth year delay'd.
His white-main'd steeds, that bow'd beneath the yoke,
He chear'd to courage, with a gentle stroke;
Then urg'd his fiery chariot on the foe;
And rising shook his lance; in act to throw.
But first he cry'd, O youth, be proud to bear
Thy death, ennobled by Pelides' spear.
The lance pursu'd the voice without delay,
Nor did the whizzing weapon miss the way;
But pierc'd his cuirass, with such fury sent,
And sign'd his bosom with a purple dint.
At this the seed of Neptune: Goddess-born,
For ornament, not use, these arms are worn;
This helm, and heavy buckler, I can spare;
As only decorations of the war:
So Mars is arm'd for glory, not for need.
'Tis somewhat more from Neptune to proceed,
Than from a daughter of the sea to spring:
Thy sire is mortal; mine is ocean's king.
Secure of death, I shou'd contemn thy dart,
Tho' naked; and impassible depart:
He said, and threw: the trembling weapon pass'd
Through nine bull-hides, each under other plac'd,
On his broad shield; and stuck within the last.
Achilles wrench'd it out; and sent again
The hostile gift: the hostile gift was vain.
He try'd a third, a tough well-chosen spear;
Th' inviolable body stood sincere,
Though Cygnus then did no defence provide,
But scornful offer'd his unshielded side.

Not otherwise th' impatient hero far'd,
Than as a bull incompass'd with a guard,
Amid the Circus roars, provok'd from far
By sight of scarlet, and a sanguine war:
They quit their ground, his bended horns elude;
In vain pursuing, and in vain pursu'd:

Before to farther fight he wou'd advance,
He stood considering, and survey'd his lance.
Doubts if he wielded not a wooden spear
Without a point: he look'd, the point was there.
This is my hand, and this my lance, he said;
By which so many thousand foes are dead,
O whither is their usual virtue fled!
I had it once; and the Lyrnessian wall,
And Tenedos, confess'd it in their fall.
Thy streams, Caicus, rowl'd a crimson-flood;
And Thebes ran red with her own natives' blood.
Twice Telephus employ'd their piercing steel,
To wound him first, and afterward to heal.
The vigour of this arm was never vain:
And that my wonted prowess I retain,
Witness these heaps of slaughter on the plain.
He said; and, doubtful of his former deeds,
To some new tryal of his force proceeds.
He chose Menoetes from among the rest;
At him he launch'd his spear, and pierc'd his breast:
On the hard earth the Lycian knock'd his head,
And lay supine; and forth the spirit fled.

Then thus the hero: Neither can I blame
The hand, or jav'lin; both are still the same.
The same I will employ against this foe,
And wish but with the same success to throw.
So spoke the chief; and while he spoke he threw;
The weapon with unerring fury flew,
At his left shoulder aim'd: nor entrance found;
But back, as from a rock, with swift rebound
Harmless return'd: a bloody mark appear'd,
Which with false joy the flatter'd hero chear'd.
Wound there was none; the blood that was in view,
The lance before from slain Menoetes drew.

Headlong he leaps from off his lofty car,
And in close fight on foot renews the war.
Raging with high disdain, repeats his blows;
Nor shield, nor armour can their force oppose;
Huge cantlets of his buckler strew the ground,
And no defence in his bor'd arms is found,
But on his flesh, no wound or blood is seen;
The sword it self is blunted on the skin.

This vain attempt the chief no longer bears;
But round his hollow temples and his ears
His buckler beats: the son of Neptune, stunn'd
With these repeated buffets, quits his ground;
A sickly sweat succeeds, and shades of night;
Inverted Nature swims before his sight:
Th' insulting victor presses on the more,
And treads the steps the vanquish'd trod before,
Nor rest, nor respite gives. A stone there lay
Behind his trembling foe, and stopp'd his way:
Achilles took th' advantage which he found,
O'er-turn'd, and push'd him backward on the ground,
His buckler held him under, while he press'd,
With both his knees, above his panting breast.
Unlac'd his helm: about his chin the twist
He ty'd; and soon the strangled soul dismiss'd.

With eager haste he went to strip the dead:
The vanish'd body from his arms was fled.
His sea-God sire, t' immortalize his frame,
Had turn'd it to a bird that bears his name.

A truce succeeds the labours of this day,
And arms suspended with a long delay.
While Trojan walls are kept with watch and ward;
The Greeks before their trenches mount the guard;
The feast approach'd; when to the blue-ey'd maid
His vows for Cygnus slain the victor paid,
And a white heyfer on her altar laid.
The reeking entrails on the fire they threw,
And to the Gods the grateful odour flew.
Heav'n had its part in sacrifice: the rest
Was broil'd, and roasted for the future feast.
The chief-invited guests were set around!
And hunger first asswag'd, the bowls were crown'd,
Which in deep draughts their cares, and labours drown'd.

The mellow harp did not their ears employ:
And mute was all the warlike symphony:
Discourse, the food of souls, was their delight,
And pleasing chat prolong'd the summer's night.
The subject, deeds of arms; and valour shown,
Or on the Trojan side, or on their own.
Of dangers undertaken, fame atchiev'd,
They talk'd by turns; the talk by turns reliev'd.
What things but these could fierce Achilles tell,
Or what cou'd fierce Achilles hear so well?
The last great act perform'd, of Cygnus slain,
Did most the martial audience entertain:
Wondring to find a body free by Fate
From steel; and which cou'd ev'n that steel rebate:
Amaz'd, their admiration they renew;
And scarce Pelides cou'd believe it true.

The Story of Caeneus

Then Nestor thus: what once this age has known,
In fated Cygnus, and in him alone,
These eyes have seen in Caeneus long before;
Whose body not a thousand swords cou'd bore.
Caeneus, in courage, and in strength, excell'd;
And still his Othrys with his fame is fill'd:
But what did most his martial deeds adorn
(Though since he chang'd his sex) a woman born.

A novelty so strange, and full of Fate,
His list'ning audience ask'd him to relate.
Achilles thus commends their common sute:
O father, first for prudence in repute,
Tell, with that eloquence, so much thy own,
What thou hast heard, or what of Caeneus known:
What was he, whence his change of sex begun,
What trophies, join'd in wars with thee, he won?
Who conquer'd him, and in what fatal strife
The youth, without a wound, cou'd lose his life?

Neleides then: Though tardy age, and time,
Have shrunk my sinews, and decay'd my prime;
Though much I have forgotten of my store,
Yet not exhausted, I remember more.
Of all that arms atchiev'd, or peace design'd,
That action still is fresher in my mind,
Than ought beside. If reverend age can give
To faith a sanction, in my third I live.

'Twas in my second cent'ry, I survey'd
Young Caenis, then a fair Thessalian maid:
Caenis the bright, was born to high command;
A princess, and a native of thy land,
Divine Achilles; every tongue proclaim'd
Her beauty, and her eyes all hearts inflam'd.
Peleus, thy sire, perhaps had sought her bed,
Among the rest; but he had either led
Thy mother then; or was by promise ty'd;
But she to him, and all, alike her love deny'd.

It was her fortune once to take her way
Along the sandy margin of the sea:
The Pow'r of ocean view'd her as she pass'd,
And, lov'd as soon as seen, by force embrac'd.
So Fame reports. Her virgin-treasure seiz'd,
And his new joys, the ravisher so pleas'd,
That thus, transported, to the nymph he cry'd;
Ask what thou wilt, no pray'r shall be deny'd.
This also Fame relates: the haughty fair,
Who not the rape ev'n of a God cou'd bear,
This answer, proud, return'd: To mighty wrongs
A mighty recompence, of right, belongs.
Give me no more to suffer such a shame;
But change the woman, for a better name;
One gift for all: she said; and while she spoke,
A stern, majestick, manly tone she took.
A man she was: and as the Godhead swore,
To Caeneus turn'd, who Caenis was before.

To this the lover adds, without request,
No force of steel shou'd violate his breast.
Glad of the gift, the new-made warrior goes;
And arms among the Greeks, and longs for equal foes.

The Skirmish between the Centaurs and Lapithites

Now brave Perithous, bold Ixion's son,
The love of fair Hippodame had won.
The cloud-begotten race, half men, half beast,
Invited, came to grace the nuptial feast:
In a cool cave's recess the treat was made,
Whose entrance, trees with spreading boughs o'er-shade
They sate: and summon'd by the bridegroom, came,
To mix with those, the Lapythaean name:
Nor wanted I: the roofs with joy resound:
And Hymen, Io Hymen, rung around.
Rais'd altars shone with holy fires; the bride,
Lovely her self (and lovely by her side
A bevy of bright nymphs, with sober grace),
Came glitt'ring like a star, and took her place.
Her heav'nly form beheld, all wish'd her joy;
And little wanted; but in vain, their wishes all employ.

For one, most brutal, of the brutal brood,
Or whether wine, or beauty fir'd his blood,
Or both at once, beheld with lustful eyes
The bride; at once resolv'd to make his prize.
Down went the board; and fastning on her hair,
He seiz'd with sudden force the frighted fair.
'Twas Eurytus began: his bestial kind
His crime pursu'd; and each as pleas'd his mind,
Or her, whom chance presented, took: the feast
An image of a taken town express'd.

The cave resounds with female shrieks; we rise,
Mad with revenge to make a swift reprise:
And Theseus first, What phrenzy has possess'd,
O Eurytus, he cry'd, thy brutal breast,
To wrong Perithous, and not him alone,
But while I live, two friends conjoyn'd in one?

To justifie his threat, he thrusts aside
The crowd of centaurs; and redeems the bride:
The monster nought reply'd: for words were vain,
And deeds cou'd only deeds unjust maintain;
But answers with his hand, and forward press'd,
With blows redoubled, on his face, and breast.
An ample goblet stood, of antick mold,
And rough with figures of the rising gold;
The hero snatch'd it up, and toss'd in air
Full at the front of the foul ravisher.
He falls; and falling vomits forth a flood
Of wine, and foam, and brains, and mingled blood.
Half roaring, and half neighing through the hall,
Arms, arms, the double-form'd with fury call;
To wreak their brother's death: a medley-flight
Of bowls, and jars, at first supply the fight,
Once instruments of feasts; but now of Fate;
Wine animates their rage, and arms their hate.

Bold Amycus, from the robb'd vestry brings
The chalices of Heav'n; and holy things
Of precious weight: a sconce that hung on high,
With tapers fill'd, to light the sacristy,
Torn from the cord, with his unhallow'd hand
He threw amid the Lapythaean band.
On Celadon the ruin fell; and left
His face of feature, and of form bereft:
So, when some brawny sacrificer knocks,
Before an altar led, an offer'd ox,
His eyes-balls rooted out, are thrown to ground;
His nose, dismantled, in his mouth is found;
His jaws, cheeks, front, one undistinguish'd wound.

This, Belates, th' avenger, cou'd not brook;
But, by the foot, a maple board he took;
And hurl'd at Amycus; his chin it bent
Against his chest, and down the centaur sent:
Whom sputtring bloody teeth, the second blow
Of his drawn sword, dispatch'd to shades below.

Grineus was near; and cast a furious look
On the side-altar, cens'd with sacred smoke,
And bright with flaming fires; The Gods, he cry'd,
Have with their holy trade our hands supply'd:
Why use we not their gifts? Then from the floor
An altar stone he heav'd, with all the load it bore:
Altar, and altar's freight together slew,
Where thickest throng'd the Lapythaean crew:
And, at once, Broteas and Oryus flew.
Oryus' mother, Mycale, was known
Down from her sphere to draw the lab'ring moon.

Exadius cry'd, Unpunish'd shall not go
This fact, if arms are found against the foe.
He look'd about, where on a pine were spread
The votive horns of a stag's branching head:
At Grineus these he throws; so just they fly,
That the sharp antlers stuck in either eye:
Breathless, and blind he fell; with blood besmear'd;
His eye-balls beaten out, hung dangling on his beard.
Fierce Rhoetus, from the hearth a burning brand
Selects, and whirling waves; 'till, from his hand
The fire took flame; then dash'd it from the right,
On fair Charaxus' temples, near the sight:
The whistling pest came on, and pierc'd the bone,
And caught the yellow hair, that shrivel'd while it shone.

Caught, like dry stubble fir'd; or like seerwood;
Yet from the wound ensu'd no purple flood;
But look'd a bubbling mass of frying blood.
His blazing locks sent forth a crackling sound;
And hiss'd, like red hot ir'n within the smithy drown'd.

The wounded warrior shook his flaming hair,
Then (what a team of horse could hardly rear)
He heaves the threshold stone, but could not throw;
The weight itself forbad the threaten'd blow;
Which dropping from his lifted arms, came down
Full on Cometes' head; and crush'd his crown.
Nor Rhoetus then retain'd his joy; but said,
So by their fellows may our foes be sped;
Then, with redoubled strokes he plies his head:
The burning lever not deludes his pains:
But drives the batter'd skull within the brains.

Thus flush'd, the conqueror, with force renew'd,
Evagrus, Dryas, Corythus, pursu'd:
First, Corythus, with downy cheeks, he slew;
Whose fall, when fierce Evagrus had in view,
He cry'd, What palm is from a beardless prey?
Rhoetus prevents what more he had to say;
And drove within his mouth the fi'ry death,
Which enter'd hissing in, and choak'd his breath.
At Dryas next he flew: but weary chance,
No longer wou'd the same success advance.
For while he whirl'd in fiery circles round
The brand, a sharpen'd stake strong Dryas found;
And in the shoulder's joint inflicts the wound.
The weapon stuck; which, roaring out with pain,
He drew; nor longer durst the fight maintain,
But turn'd his back, for fear; and fled amain.
With him fled Orneus, with like dread possess'd,
Thaumas, and Medon wounded in the breast;
And Mermeros, in the late race renown'd,
Now limping ran, and tardy with his wound.
Pholus, and Melaneus from fight withdrew,
And Abas maim'd, who boars encountring slew:
And Augur Asbolos, whose art in vain,
From fight dissuaded the four-footed train,
Now beat the hoof with Nessus on the plain;
But to his fellow cry'd, Be safely slow,
Thy death deferr'd is due to great Alcides' bow.

Mean-time strong Dryas urg'd his chance so well,
That Lycidas, Areos, Imbreus fell;
All, one by one, and fighting face to face:
Crenaeus fled, to fall with more disgrace:
For, fearful, while he look'd behind, he bore,
Betwixt his nose, and front, the blow before.
Amid the noise, and tumult of the fray,
Snoring, and drunk with wine, Aphidas lay.
Ev'n then the bowl within his hand he kept,
And on a bear's rough hide securely slept.
Him Phorbas with his flying dart transfix'd;
Take thy next draught, with Stygian waters mix'd,
And sleep thy fill, th' insulting victor cry'd;
Surpriz'd with death unfelt, the centaur dy'd;
The ruddy vomit, as he breath'd his soul
Repass'd his throat, and fill'd his empty bowl.

I saw Petraeus' arms employ'd around
A well-grown oak, to root it from the ground.
This way, and that, he wrench'd the fibrous bands;
The trunk was like a sappling, in his hands,
And still obey'd the bent: while thus he stood,
Perithous' dart drove on; and nail'd him to the wood;
Lycus, and Chromis fell, by him oppress'd:
Helops, and Dictis added to the rest
A nobler palm: Helops, through either ear
Transfix'd, receiv'd the penetrating spear.
This Dictis saw; and, seiz'd with sudden fright,
Leapt headlong from the hill of steepy height;
And crush'd an ash beneath, that cou'd not bear his weight.

The shatter'd tree receives his fall; and strikes,
Within his full-blown paunch, the sharpen'd spikes.
Strong Aphareus had heav'd a mighty stone,
The fragment of a rock; and wou'd have thrown;
But Theseus, with a club of harden'd oak,
The cubit-bone of the bold centaur broke;
And left him maim'd; nor seconded the stroke.
Then leapt on tall Bianor's back (who bore
No mortal burden but his own, before);
Press'd with his knees his sides; the double man,
His speed with spurs increas'd, unwilling ran.
One hand the hero fastn'd on his locks;
His other ply'd him with repeated strokes.
The club rung round his ears, and batter'd brows;
He falls; and lashing up his heels, his rider throws.

The same Herculean arms, Nedymnus wound;
And lay by him Lycotas on the ground,
And Hippasus, whose beard his breast invades;
And Ripheus, haunter of the woodl and shades:
And Thereus, us'd with mountain-bears to strive,
And from their dens to draw th' indignant beasts alive.

Demoleon cou'd not bear this hateful sight,
Or the long fortune of th' Athenian knight:
But pull'd with all his force, to disengage
From Earth a pine, the product of an age:
The root stuck fast: the broken trunk he sent
At Theseus; Theseus frustrates his intent,
And leaps aside; by Pallas warn'd, the blow
To shun (for so he said; and we believ'd it so).
Yet not in vain th' enormous weight was cast;
Which Crantor's body sunder'd at the waist:
Thy father's 'squire, Achilles, and his care;
Whom conquer'd in the Polopeian war,
Their king, his present ruin to prevent,
A pledge of peace implor'd, to Peleus sent.

Thy sire, with grieving eyes, beheld his Fate;
And cry'd, Not long, lov'd Crantor, shalt thou wait
Thy vow'd revenge. At once he said, and threw
His ashen-spear; which quiver'd, as it flew;
With all his force, and all his soul apply'd;
The sharp point enter'd in the centaur's side:
Both hands, to wrench it out, the monster join'd;
And wrench'd it out; but left the steel behind;
Stuck in his lungs it stood: inrag'd he rears
His hoofs, and down to ground thy father bears.
Thus trampled under foot, his shield defends
His head; his other hand the lance portends.
Ev'n while he lay extended on the dust,
He sped the centaur, with one single thrust.
Two more his lance before transfix'd from far;
And two, his sword had slain, in closer war.
To these was added Dorylas, who spread
A bull's two goring horns around his head.
With these he push'd; in blood already dy'd,
Him fearless, I approach'd; and thus defy'd:
Now, monster, now, by proof it shall appear,
Whether thy horns are sharper, or my spear.
At this, I threw: for want of other ward,
He lifted up his hand, his front to guard.
His hand it pass'd; and fix'd it to his brow:
Loud shouts of ours attend the lucky blow.
Him Peleus finish'd, with a second wound,
Which thro' the navel pierc'd: he reel'd around;
And dragg'd his dangling bowels on the ground.
Trod what he drag'd; and what he trod, he crush'd:
And to his mother-Earth, with empty belly, rush'd.

The Story of Cyllarus and Hylonome

Nor cou'd thy form, o Cyllarus, foreflow
Thy Fate (if form to monsters men allow):
Just bloom'd thy beard: thy beard of golden hue:
Thy locks, in golden waves, about thy shoulders flew.
Sprightly thy look: thy shapes in ev'ry part
So clean, as might instruct the sculptor's art;
As far as man extended: where began
The beast, the beast was equal to the man.
Add but a horse's head and neck; and he,
O Castor, was a courser worthy thee.
So was his back proportion'd for the seat:
So rose his brawny chest; so swiftly mov'd his feet.
Coal-black his colour, but like jett it shone;
His legs, and flowing tail were white alone.
Belov'd by many maidens of his kind;
But fair Hylonome possess'd his mind;
Hylonome, for features, and for face,
Excelling all the nymphs of double race:
Nor less her blandishments, than beauty, move;
At once both loving, and confessing love.
For him she dress'd: for him, with female care
She comb'd, and set in curls, her auburn hair.
Of roses, violets, and lillies mix'd,
And sprigs of flowing rosemary betwixt,
She form'd the chaplet, that adorn'd her front:
In waters of the Pegasaean fount,
And in the streams that from the fountain play,
She wash'd her face; and bath'd her twice a-day.
The scarf of furs, that hung below her side,
Was ermin, or the panther's spotted pride;
Spoils of no common beast: with equal flame
They lov'd: their silvan pleasures were the same:
All day they hunted: and when day expir'd,
Together to some shady cave retir'd:
Invited to the nuptials, both repair:
And, side by side, they both engage in war.

Uncertain from what hand, a flying dart
At Cyllarus was sent; which pierc'd his heart.
The jav'lin drawn from out the mortal wound,
He faints with stagg'ring steps; and seeks the ground:
The fair within her arms receiv'd his fall,
And strove his wand'ring spirits to recall:
And while her hand the streaming blood oppos'd,
Join'd face to face, his lips with hers she clos'd.
Stifled with kisses, a sweet death he dies;
She fills the fields with undistinguish'd cries;
At least her words were in her clamour drown'd;
For my stunn'd ears receiv'd no vocal sound.
In madness of her grief, she seiz'd the dart
New-drawn, and reeking from her lover's heart;
To her bare bosom the sharp point apply'd;
And wounded fell; and falling by his side,
Embrac'd him in her arms; and thus embracing dy'd.

Ev'n still methinks, I see Phaeocomes;
Strange was his habit, and as odd his dress.
Six lions' hides, with thongs together fast,
His upper part defended to his waist:
And where man ended, the continued vest,
Spread on his back, the houss and trappings of a beast.
A stump too heavy for a team to draw
(It seems a fable, tho' the fact I saw);
He threw at Pholon; the descending blow
Divides the skull, and cleaves his head in two.
The brains, from nose, and mouth, and either ear,
Came issuing out, as through a colendar
The curdled milk; or from the press the whey,
Driv'n down by weight above, is drain'd away.

But him, while stooping down to spoil the slain,
Pierc'd through the paunch, I tumbled on the plain.
Then Chthonyus, and Teleboas I slew:
A fork the former arm'd; a dart his fellow threw.
The jav'lin wounded me (behold the scar,
Then was my time to seek the Trojan war;
Then I was Hector's match in open field;
But he was then unborn; at least a child:
Now, I am nothing). I forbear to tell
By Periphantas how Pyretus fell;
The centaur by the knight: nor will I stay
On Amphix, or what deaths he dealt that day:
What honour, with a pointless lance, he won,
Stuck in the front of a four-footed man.
What fame young Macareus obtain'd in fight:
Or dwell on Nessus, now return'd from flight.
How prophet Mopsus not alone divin'd,
Whose valour equal'd his foreseeing mind.

Caeneus transform'd to an Eagle

Already Caeneus, with his conquering hand,
Had slaughter'd five the boldest of their band.
Pyrachmus, Helymus, Antimachus,
Bromus the brave, and stronger Stiphelus,
Their names I number'd, and remember well,
No trace remaining, by what wounds they fell.

Laitreus, the bulki'st of the double race,
Whom the spoil'd arms of slain Halesus grace,
In years retaining still his youthful might,
Though his black hairs were interspers'd with white,
Betwixt th' imbattled ranks began to prance,
Proud of his helm, and Macedonian lance;
And rode the ring around; that either hoast
Might hear him, while he made this empty boast:
And from a strumpet shall we suffer shame?
For Caenis still, not Caeneus, is thy name:
And still the native softness of thy kind
Prevails; and leaves the woman in thy mind;
Remember what thou wert; what price was paid
To change thy sex; to make thee not a maid:
And but a man in shew; go, card and spin;
And leave the business of the war to men.

While thus the boaster exercis'd his pride,
The fatal spear of Caeneus reach'd his side:
Just in the mixture of the kinds it ran;
Betwixt the neather beast, and upper man:
The monster mad with rage, and stung with smart,
His lance directed at the hero's heart:
It struck; but bounded from his harden'd breast,
Like hail from tiles, which the safe house invest.
Nor seem'd the stroke with more effect to come,
Than a small pebble falling on a drum.
He next his fauchion try'd, in closer fight;
But the keen fauchion had no pow'r to bite.
He thrust; the blunted point return'd again:
Since downright blows, he cry'd, and thrusts are vain,
I'll prove his side; in strong embraces held
He prov'd his side; his side the sword repell'd:
His hollow belly eccho'd to the stroke,
Untouch'd his body, as a solid rock;
Aim'd at his neck at last, the blade in shivers broke.

Th' impassive knight stood idle, to deride
His rage, and offer'd oft his naked side;
At length, Now monster, in thy turn, he cry'd,
Try thou the strength of Caeneus: at the word
He thrust; and in his shoulder plung'd the sword.
Then writh'd his hand; and as he drove it down,
Deep in his breast, made many wounds in one.

The centaurs saw, inrag'd, th' unhop'd success;
And rushing on in crowds, together press;
At him, and him alone, their darts they threw:
Repuls'd they from his fated body flew.
Amaz'd they stood; 'till Monichus began,
O shame, a nation conquer'd by a man!
A woman-man! yet more a man is he,
Than all our race; and what he was, are we.
Now, what avail our nerves? th' united force,
Of two the strongest creatures, man and horse;
Nor Goddess-born; nor of Ixion's seed
We seem (a lover built for Juno's bed);
Master'd by this half man. Whole mountains throw
With woods at once, and bury him below.
This only way remains. Nor need we doubt
To choak the soul within; though not to force it out:
Heap weights, instead of wounds. He chanc'd to see
Where southern storms had rooted up a tree;
This, rais'd from Earth, against the foe he threw;
Th' example shewn, his fellow-brutes pursue.
With forest-loads the warrior they invade;
Othrys, and Pelion soon were void of shade;
And spreading groves were naked mountains made.
Press'd with the burden, Caeneus pants for breath;
And on his shoulders bears the wooden death.
To heave th' intolerable weight he tries;
At length it rose above his mouth and eyes:
Yet still he heaves; and, strugling with despair,
Shakes all aside, and gains a gulp of air:
A short relief, which but prolongs his pain;
He faints by fits; and then respires again:
At last, the burden only nods above,
As when an earthquake stirs th' Idaean grove.
Doubtful his death: he suffocated seem'd,
To most; but otherwise our Mopsus deem'd,
Who said he saw a yellow bird arise
From out the piles, and cleave the liquid skies:
I saw it too, with golden feathers bright;
Nor e'er before beheld so strange a sight.
Whom Mopsus viewing, as it soar'd around
Our troop, and heard the pinions' rattling sound,
All hail, he cry'd, thy country's grace and love!
Once first of men below, now first of birds above.
Its author to the story gave belief:
For us, our courage was increas'd by grief:
Asham'd to see a single man, pursu'd
With odds, to sink beneath a multitude,
We push'd the foe: and forc'd to shameful flight,
Part fell, and part escap'd by favour of the night.

The Fate of Periclymenos

This tale, by Nestor told, did much displease
Tlepolemus, the seed of Hercules:
For, often he had heard his father say,
That he himself was present at the fray;
And more than shar'd the glories of the day.

Old Chronicle, he said, among the rest,
You might have nam'd Alcides at the least:
Is he not worth your praise? The Pylian prince
Sigh'd ere he spoke; then made this proud defence.
My former woes in long oblivion drown'd,
I wou'd have lost; but you renew the wound:
Better to pass him o'er, than to relate
The cause I have your mighty sire to hate.
His fame has fill'd the world, and reach'd the sky
(Which, oh, I wish, with truth, I cou'd deny!);
We praise not Hector; though his name, we know,
Is great in arms; 'tis hard to praise a foe.

He, your great father, levell'd to the ground
Messenia's tow'rs: nor better fortune found
Elis, and Pylos; that a neighb'ring state,
And this my own: both guiltless of their fate.

To pass the rest, twelve, wanting one, he slew;
My brethren, who their birth from Neleus drew,
All youths of early promise, had they liv'd;
By him they perish'd: I alone surviv'd.
The rest were easie conquest: but the fate
Of Periclymenos, is wondrous to relate.
To him, our common grandsire of the main
Had giv'n to change his form, and chang'd, resume again.

Vary'd at pleasure, every shape he try'd;
And in all beasts, Alcides still defy'd:
Vanquish'd on Earth, at length he soar'd above;
Chang'd to the bird, that bears the bolt of Jove:
The new-dissembled eagle, now endu'd
With beak, and pounces, Hercules pursu'd,
And cuff'd his manly cheeks, and tore his face;
Then, safe retir'd, and tour'd in empty space.
Alcides bore not long his flying foe;
But bending his inevitable bow,
Reach'd him in air, suspended as he stood;
And in his pinion fix'd the feather'd wood.
Light was the wound; but in the sinew hung
The point, and his disabled wing unstrung.
He wheel'd in air, and stretch'd his vans in vain;
His vans no longer cou'd his flight sustain:
For while one gather'd wind, one unsupply'd
Hung drooping down, nor pois'd his other side.
He fell: the shaft that slightly was impress'd,
Now from his heavy fall with weight increas'd,
Drove through his neck, aslant, he spurns the ground,
And the soul issues through the weazon's wound.

Now, brave commander of the Rhodian seas,
What praise is due from me, to Hercules?
Silence is all the vengeance I decree
For my slain brothers; but 'tis peace with thee.

Thus with a flowing tongue old Nestor spoke:
Then, to full bowls each other they provoke:
At length, with weariness, and wine oppress'd,
They rise from table; and withdraw to rest.

The Death of Achilles

The sire of Cygnus, monarch of the main,
Mean-time, laments his son, in battel slain,
And vows the victor's death; nor vows in vain.
For nine long years the smother'd pain he bore
(Achilles was not ripe for Fate before):
Then when he saw the promis'd hour was near,
He thus bespoke the God, that guides the year:
Immortal offspring of my brother Jove;
My brightest nephew, and whom best I love,
Whose hands were join'd with mine, to raise the wall
Of tott'ring Troy, now nodding to her fall,
Dost thou not mourn our pow'r employ'd in vain;
And the defenders of our city slain?
To pass the rest, could noble Hector lie
Unpity'd, drag'd around his native Troy?
And yet the murd'rer lives: himself by far
A greater plague, than all the wasteful war:
He lives; the proud Pelides lives, to boast
Our town destroy'd, our common labour lost.
O, could I meet him! But I wish too late:
To prove my trident is not in his Fate!
But let him try (for that's allow'd) thy dart,
And pierce his only penetrable part.

Apollo bows to the superior throne;
And to his uncle's anger, adds his own.
Then in a cloud involv'd, he takes his flight,
Where Greeks, and Trojans mix'd in mortal fight;
And found out Paris, lurking where he stood,
And stain'd his arrows with plebeian blood:
Phoebus to him alone the God confess'd,
Then to the recreant knight, he thus address'd.
Dost thou not blush, to spend thy shafts in vain
On a degenerate, and ignoble train?
If fame, or better vengeance be thy care,
There aim: and, with one arrow, end the war.

He said; and shew'd from far the blazing shield
And sword, which, but Achilles, none cou'd wield;
And how he mov'd a God, and mow'd the standing field.
The deity himself directs aright
Th' invenom'd shaft; and wings the fatal flight.

Thus fell the foremost of the Grecian name;
And he, the base adult'rer, boasts the fame.
A spectacle to glad the Trojan train;
And please old Priam, after Hector slain.
If by a female hand he had foreseen
He was to die, his wish had rather been
The lance, and double ax of the fair warriour queen.
And now the terror of the Trojan field,
The Grecian honour, ornament, and shield,
High on a pile, th' unconquer'd chief is plac'd,
The God that arm'd him first, consum'd at last.
Of all the mighty man, the small remains
A little urn, and scarcely fill'd, contains.
Yet great in Homer, still Achilles lives;
And equal to himself, himself survives.

His buckler owns its former lord; and brings
New cause of strife, betwixt contending kings;
Who worthi'st after him, his sword to wield,
Or wear his armour, or sustain his shield.
Ev'n Diomede sat mute, with down-cast eyes;
Conscious of wanted worth to win the prize:
Nor Menelaus presum'd these arms to claim,
Nor he the king of men, a greater name.
Two rivals only rose: Laertes' son,
And the vast bulk of Ajax Telamon:
The king, who cherish'd each with equal love,
And from himself all envy wou'd remove,
Left both to be determin'd by the laws;
And to the Graecian chiefs transferr'd the cause.

----------------------------------------------------------------------
~ Ovid, BOOK THE TWELFTH

,
1491:class:Classics

BOOK THE THIRD

The Story of of Cadmus

When now Agenor had his daughter lost,
He sent his son to search on ev'ry coast;
And sternly bid him to his arms restore
The darling maid, or see his face no more,
But live an exile in a foreign clime;
Thus was the father pious to a crime.
The restless youth search'd all the world around;
But how can Jove in his amours be found?
When, tir'd at length with unsuccessful toil,
To shun his angry sire and native soil,
He goes a suppliant to the Delphick dome;
There asks the God what new appointed home
Should end his wand'rings, and his toils relieve.
The Delphick oracles this answer give.

"Behold among the fields a lonely cow,
Unworn with yokes, unbroken to the plow;
Mark well the place where first she lays her down,
There measure out thy walls, and build thy town,
And from thy guide Boeotia call the land,
In which the destin'd walls and town shall stand."

No sooner had he left the dark abode,
Big with the promise of the Delphick God,
When in the fields the fatal cow he view'd,
Nor gall'd with yokes, nor worn with servitude:
Her gently at a distance he pursu'd;
And as he walk'd aloof, in silence pray'd
To the great Pow'r whose counsels he obey'd.
Her way thro' flow'ry Panope she took,
And now, Cephisus, cross'd thy silver brook;
When to the Heav'ns her spacious front she rais'd,
And bellow'd thrice, then backward turning gaz'd
On those behind, 'till on the destin'd place
She stoop'd, and couch'd amid the rising grass.

Cadmus salutes the soil, and gladly hails
The new-found mountains, and the nameless vales,
And thanks the Gods, and turns about his eye
To see his new dominions round him lye;
Then sends his servants to a neighb'ring grove
For living streams, a sacrifice to Jove.
O'er the wide plain there rose a shady wood
Of aged trees; in its dark bosom stood
A bushy thicket, pathless and unworn,
O'er-run with brambles, and perplex'd with thorn:
Amidst the brake a hollow den was found,
With rocks and shelving arches vaulted round.

Deep in the dreary den, conceal'd from day,
Sacred to Mars, a mighty dragon lay,
Bloated with poison to a monstrous size;
Fire broke in flashes when he glanc'd his eyes:
His tow'ring crest was glorious to behold,
His shoulders and his sides were scal'd with gold;
Three tongues he brandish'd when he charg'd his foes;
His teeth stood jaggy in three dreadful rowes.
The Tyrians in the den for water sought,
And with their urns explor'd the hollow vault:
From side to side their empty urns rebound,
And rowse the sleeping serpent with the sound.
Strait he bestirs him, and is seen to rise;
And now with dreadful hissings fills the skies,
And darts his forky tongues, and rowles his glaring eyes.

The Tyrians drop their vessels in the fright,
All pale and trembling at the hideous sight.
Spire above spire uprear'd in air he stood,
And gazing round him over-look'd the wood:
Then floating on the ground in circles rowl'd;
Then leap'd upon them in a mighty fold.
Of such a bulk, and such a monstrous size
The serpent in the polar circle lyes,
That stretches over half the northern skies.
In vain the Tyrians on their arms rely,
In vain attempt to fight, in vain to fly:
All their endeavours and their hopes are vain;
Some die entangled in the winding train;
Some are devour'd, or feel a loathsom death,
Swoln up with blasts of pestilential breath.

And now the scorching sun was mounted high,
In all its lustre, to the noon-day sky;
When, anxious for his friends, and fill'd with cares,
To search the woods th' impatient chief prepares.
A lion's hide around his loins he wore,
The well poiz'd javelin to the field he bore,
Inur'd to blood; the far-destroying dart;
And, the best weapon, an undaunted heart.

Soon as the youth approach'd the fatal place,
He saw his servants breathless on the grass;
The scaly foe amid their corps he view'd,
Basking at ease, and feasting in their blood.
"Such friends," he cries, "deserv'd a longer date;
But Cadmus will revenge or share their fate."
Then heav'd a stone, and rising to the throw,
He sent it in a whirlwind at the foe:
A tow'r, assaulted by so rude a stroke,
With all its lofty battlements had shook;
But nothing here th' unwieldy rock avails,
Rebounding harmless from the plaited scales,
That, firmly join'd, preserv'd him from a wound,
With native armour crusted all around.
With more success, the dart unerring flew,
Which at his back the raging warriour threw;
Amid the plaited scales it took its course,
And in the spinal marrow spent its force.
The monster hiss'd aloud, and rag'd in vain,
And writh'd his body to and fro with pain;
He bit the dart, and wrench'd the wood away;
The point still buried in the marrow lay.
And now his rage, increasing with his pain,
Reddens his eyes, and beats in ev'ry vein;
Churn'd in his teeth the foamy venom rose,
Whilst from his mouth a blast of vapours flows,
Such as th' infernal Stygian waters cast.
The plants around him wither in the blast.
Now in a maze of rings he lies enrowl'd,
Now all unravel'd, and without a fold;
Now, like a torrent, with a mighty force
Bears down the forest in his boist'rous course.
Cadmus gave back, and on the lion's spoil
Sustain'd the shock, then forc'd him to recoil;
The pointed jav'lin warded off his rage:
Mad with his pains, and furious to engage,
The serpent champs the steel, and bites the spear,
'Till blood and venom all the point besmear.
But still the hurt he yet receiv'd was slight;
For, whilst the champion with redoubled might
Strikes home the jav'lin, his retiring foe
Shrinks from the wound, and disappoints the blow.

The dauntless heroe still pursues his stroke,
And presses forward, 'till a knotty oak
Retards his foe, and stops him in the rear;
Full in his throat he plung'd the fatal spear,
That in th' extended neck a passage found,
And pierc'd the solid timber through the wound.
Fix'd to the reeling trunk, with many a stroke
Of his huge tail he lash'd the sturdy oak;
'Till spent with toil, and lab'ring hard for breath,
He now lay twisting in the pangs of death.

Cadmus beheld him wallow in a flood
Of swimming poison, intermix'd with blood;
When suddenly a speech was heard from high
(The speech was heard, nor was the speaker nigh),
"Why dost thou thus with secret pleasure see,
Insulting man! what thou thy self shalt be?"
Astonish'd at the voice, he stood amaz'd,
And all around with inward horror gaz'd:
When Pallas swift descending from the skies,
Pallas, the guardian of the bold and wise,
Bids him plow up the field, and scatter round
The dragon's teeth o'er all the furrow'd ground;
Then tells the youth how to his wond'ring eyes
Embattled armies from the field should rise.

He sows the teeth at Pallas's command,
And flings the future people from his hand.
The clods grow warm, and crumble where he sows;
And now the pointed spears advance in rows;
Now nodding plumes appear, and shining crests,
Now the broad shoulders and the rising breasts;
O'er all the field the breathing harvest swarms,
A growing host, a crop of men and arms.

So through the parting stage a figure rears
Its body up, and limb by limb appears
By just degrees; 'till all the man arise,
And in his full proportion strikes the eyes.

Cadmus surpriz'd, and startled at the sight
Of his new foes, prepar'd himself for fight:
When one cry'd out, "Forbear, fond man, forbear
To mingle in a blind promiscuous war."
This said, he struck his brother to the ground,
Himself expiring by another's wound;
Nor did the third his conquest long survive,
Dying ere scarce he had begun to live.

The dire example ran through all the field,
'Till heaps of brothers were by brothers kill'd;
The furrows swam in blood: and only five
Of all the vast increase were left alive.
Echion one, at Pallas's command,
Let fall the guiltless weapon from his hand,
And with the rest a peaceful treaty makes,
Whom Cadmus as his friends and partners takes;
So founds a city on the promis'd earth,
And gives his new Boeotian empire birth.

Here Cadmus reign'd; and now one would have guess'd
The royal founder in his exile blest:
Long did he live within his new abodes,
Ally'd by marriage to the deathless Gods;
And, in a fruitful wife's embraces old,
A long increase of children's children told:
But no frail man, however great or high,
Can be concluded blest before he die.

Actaeon was the first of all his race,
Who griev'd his grandsire in his borrow'd face;
Condemn'd by stern Diana to bemoan
The branching horns, and visage not his own;
To shun his once lov'd dogs, to bound away,
And from their huntsman to become their prey,
And yet consider why the change was wrought,
You'll find it his misfortune, not his fault;
Or, if a fault, it was the fault of chance:
For how can guilt proceed from ignorance?

The Transformation of Actaeon into a Stag

In a fair chace a shady mountain stood,
Well stor'd with game, and mark'd with trails of blood;
Here did the huntsmen, 'till the heat of day,
Pursue the stag, and load themselves with rey:
When thus Actaeon calling to the rest:
"My friends," said he, "our sport is at the best,
The sun is high advanc'd, and downward sheds
His burning beams directly on our heads;
Then by consent abstain from further spoils,
Call off the dogs, and gather up the toils,
And ere to-morrow's sun begins his race,
Take the cool morning to renew the chace."
They all consent, and in a chearful train
The jolly huntsmen, loaden with the slain,
Return in triumph from the sultry plain.

Down in a vale with pine and cypress clad,
Refresh'd with gentle winds, and brown with shade,
The chaste Diana's private haunt, there stood
Full in the centre of the darksome wood
A spacious grotto, all around o'er-grown
With hoary moss, and arch'd with pumice-stone.
From out its rocky clefts the waters flow,
And trickling swell into a lake below.
Nature had ev'ry where so plaid her part,
That ev'ry where she seem'd to vie with art.
Here the bright Goddess, toil'd and chaf'd with heat,
Was wont to ba the her in the cool retreat.

Here did she now with all her train resort,
Panting with heat, and breathless from the sport;
Her armour-bearer laid her bow aside,
Some loos'd her sandals, some her veil unty'd;
Each busy nymph her proper part undrest;
While Crocale, more handy than the rest,
Gather'd her flowing hair, and in a noose
Bound it together, whilst her own hung loose.
Five of the more ignoble sort by turns
Fetch up the water, and unlade the urns.

Now all undrest the shining Goddess stood,
When young Actaeon, wilder'd in the wood,
To the cool grott by his hard fate betray'd,
The fountains fill'd with naked nymphs survey'd.
The frighted virgins shriek'd at the surprize
(The forest echo'd with their piercing cries).
Then in a huddle round their Goddess prest:
She, proudly eminent above the rest,
With blushes glow'd; such blushes as adorn
The ruddy welkin, or the purple morn;
And tho' the crowding nymphs her body hide,
Half backward shrunk, and view'd him from a side.
Surpriz'd, at first she would have snatch'd her bow,
But sees the circling waters round her flow;
These in the hollow of her hand she took,
And dash'd 'em in his face, while thus she spoke:
"Tell, if thou can'st, the wond'rous sight disclos'd,
A Goddess naked to thy view expos'd."

This said, the man begun to disappear
By slow degrees, and ended in a deer.
A rising horn on either brow he wears,
And stretches out his neck, and pricks his ears;
Rough is his skin, with sudden hairs o'er-grown,
His bosom pants with fears before unknown:
Transform'd at length, he flies away in haste,
And wonders why he flies away so fast.
But as by chance, within a neighb'ring brook,
He saw his branching horns and alter'd look.
Wretched Actaeon! in a doleful tone
He try'd to speak, but only gave a groan;
And as he wept, within the watry glass
He saw the big round drops, with silent pace,
Run trickling down a savage hairy face.
What should he do? Or seek his old abodes,
Or herd among the deer, and sculk in woods!
Here shame dissuades him, there his fear prevails,
And each by turns his aking heart assails.

As he thus ponders, he behind him spies
His op'ning hounds, and now he hears their cries:
A gen'rous pack, or to maintain the chace,
Or snuff the vapour from the scented grass.

He bounded off with fear, and swiftly ran
O'er craggy mountains, and the flow'ry plain;
Through brakes and thickets forc'd his way, and flew
Through many a ring, where once he did pursue.
In vain he oft endeavour'd to proclaim
His new misfortune, and to tell his name;
Nor voice nor words the brutal tongue supplies;
From shouting men, and horns, and dogs he flies,
Deafen'd and stunn'd with their promiscuous cries.
When now the fleetest of the pack, that prest
Close at his heels, and sprung before the rest,
Had fasten'd on him, straight another pair,
Hung on his wounded haunch, and held him there,
'Till all the pack came up, and ev'ry hound
Tore the sad huntsman grov'ling on the ground,
Who now appear'd but one continu'd wound.
With dropping tears his bitter fate he moans,
And fills the mountain with his dying groans.
His servants with a piteous look he spies,
And turns about his supplicating eyes.
His servants, ignorant of what had chanc'd,
With eager haste and joyful shouts advanc'd,
And call'd their lord Actaeon to the game.
He shook his head in answer to the name;
He heard, but wish'd he had indeed been gone,
Or only to have stood a looker-on.
But to his grief he finds himself too near,
And feels his rav'nous dogs with fury tear
Their wretched master panting in a deer.

The Birth of Bacchus

Actaeon's suff'rings, and Diana's rage,
Did all the thoughts of men and Gods engage;
Some call'd the evils which Diana wrought,
Too great, and disproportion'd to the fault:
Others again, esteem'd Actaeon's woes
Fit for a virgin Goddess to impose.
The hearers into diff'rent parts divide,
And reasons are produc'd on either side.

Juno alone, of all that heard the news,
Nor would condemn the Goddess, nor excuse:
She heeded not the justice of the deed,
But joy'd to see the race of Cadmus bleed;
For still she kept Europa in her mind,
And, for her sake, detested all her kind.
Besides, to aggravate her hate, she heard
How Semele, to Jove's embrace preferr'd,
Was now grown big with an immortal load,
And carry'd in her womb a future God.
Thus terribly incens'd, the Goddess broke
To sudden fury, and abruptly spoke.

"Are my reproaches of so small a force?
'Tis time I then pursue another course:
It is decreed the guilty wretch shall die,
If I'm indeed the mistress of the sky,
If rightly styl'd among the Pow'rs above
The wife and sister of the thund'ring Jove
(And none can sure a sister's right deny);
It is decreed the guilty wretch shall die.
She boasts an honour I can hardly claim,
Pregnant she rises to a mother's name;
While proud and vain she triumphs in her Jove,
And shows the glorious tokens of his love:
But if I'm still the mistress of the skies,
By her own lover the fond beauty dies."
This said, descending in a yellow cloud,
Before the gates of Semele she stood.

Old Beroe's decrepit shape she wears,
Her wrinkled visage, and her hoary hairs;
Whilst in her trembling gait she totters on,
And learns to tattle in the nurse's tone.
The Goddess, thus disguis'd in age, beguil'd
With pleasing stories her false foster-child.
Much did she talk of love, and when she came
To mention to the nymph her lover's name,
Fetching a sigh, and holding down her head,
"'Tis well," says she, "if all be true that's said.
But trust me, child, I'm much inclin'd to fear
Some counterfeit in this your Jupiter:
Many an honest well-designing maid
Has been by these pretended Gods betray'd,
But if he be indeed the thund'ring Jove,
Bid him, when next he courts the rites of love,
Descend triumphant from th' etherial sky,
In all the pomp of his divinity,
Encompass'd round by those celestial charms,
With which he fills th' immortal Juno's arms."

Th' unwary nymph, ensnar'd with what she said,
Desir'd of Jove, when next he sought her bed,
To grant a certain gift which she would chuse;
"Fear not," reply'd the God, "that I'll refuse
Whate'er you ask: may Styx confirm my voice,
Chuse what you will, and you shall have your choice."
"Then," says the nymph, "when next you seek my arms,
May you descend in those celestial charms,
With which your Juno's bosom you enflame,
And fill with transport Heav'n's immortal dame."
The God surpriz'd would fain have stopp'd her voice,
But he had sworn, and she had made her choice.

To keep his promise he ascends, and shrowds
His awful brow in whirl-winds and in clouds;
Whilst all around, in terrible array,
His thunders rattle, and his light'nings play.
And yet, the dazling lustre to abate,
He set not out in all his pomp and state,
Clad in the mildest light'ning of the skies,
And arm'd with thunder of the smallest size:
Not those huge bolts, by which the giants slain
Lay overthrown on the Phlegrean plain.
'Twas of a lesser mould, and lighter weight;
They call it thunder of a second-rate,
For the rough Cyclops, who by Jove's comm and
Temper'd the bolt, and turn'd it to his hand,
Work'd up less flame and fury in its make,
And quench'd it sooner in the standing lake.
Thus dreadfully adorn'd, with horror bright,
Th' illustrious God, descending from his height,
Came rushing on her in a storm of light.

The mortal dame, too feeble to engage
The lightning's flashes, and the thunder's rage,
Consum'd amidst the glories she desir'd,
And in the terrible embrace expir'd.

But, to preserve his offspring from the tomb,
Jove took him smoaking from the blasted womb:
And, if on ancient tales we may rely,
Inclos'd th' abortive infant in his thigh.
Here when the babe had all his time fulfill'd,
Ino first took him for her foster-child;
Then the Niseans, in their dark abode,
Nurs'd secretly with milk the thriving God.

The Transformation of Tiresias

'Twas now, while these transactions past on Earth,
And Bacchus thus procur'd a second birth,
When Jove, dispos'd to lay aside the weight
Of publick empire and the cares of state,
As to his queen in nectar bowls he quaff'd,
"In troth," says he, and as he spoke he laugh'd,
"The sense of pleasure in the male is far
More dull and dead, than what you females share."
Juno the truth of what was said deny'd;
Tiresias therefore must the cause decide,
For he the pleasure of each sex had try'd.

It happen'd once, within a shady wood,
Two twisted snakes he in conjunction view'd,
When with his staff their slimy folds he broke,
And lost his manhood at the fatal stroke.
But, after seven revolving years, he view'd
The self-same serpents in the self-same wood:
"And if," says he, "such virtue in you lye,
That he who dares your slimy folds untie
Must change his kind, a second stroke I'll try."
Again he struck the snakes, and stood again
New-sex'd, and strait recover'd into man.
Him therefore both the deities create
The sov'raign umpire, in their grand debate;
And he declar'd for Jove: when Juno fir'd,
More than so trivial an affair requir'd,
Depriv'd him, in her fury, of his sight,
And left him groping round in sudden night.
But Jove (for so it is in Heav'n decreed,
That no one God repeal another's deed)
Irradiates all his soul with inward light,
And with the prophet's art relieves the want of sight.

The Transformation of Echo

Fam'd far and near for knowing things to come,
From him th' enquiring nations sought their doom;
The fair Liriope his answers try'd,
And first th' unerring prophet justify'd.
This nymph the God Cephisus had abus'd,
With all his winding waters circumfus'd,
And on the Nereid got a lovely boy,
Whom the soft maids ev'n then beheld with joy.

The tender dame, sollicitous to know
Whether her child should reach old age or no,
Consults the sage Tiresias, who replies,
"If e'er he knows himself he surely dies."
Long liv'd the dubious mother in suspence,
'Till time unriddled all the prophet's sense.

Narcissus now his sixteenth year began,
Just turn'd of boy, and on the verge of man;
Many a friend the blooming youth caress'd,
Many a love-sick maid her flame confess'd:
Such was his pride, in vain the friend caress'd,
The love-sick maid in vain her flame confess'd.

Once, in the woods, as he pursu'd the chace,
The babbling Echo had descry'd his face;
She, who in others' words her silence breaks,
Nor speaks her self but when another speaks.
Echo was then a maid, of speech bereft,
Of wonted speech; for tho' her voice was left,
Juno a curse did on her tongue impose,
To sport with ev'ry sentence in the close.
Full often when the Goddess might have caught
Jove and her rivals in the very fault,
This nymph with subtle stories would delay
Her coming, 'till the lovers slip'd away.
The Goddess found out the deceit in time,
And then she cry'd, "That tongue, for this thy crime,
Which could so many subtle tales produce,
Shall be hereafter but of little use."
Hence 'tis she prattles in a fainter tone,
With mimick sounds, and accents not her own.

This love-sick virgin, over-joy'd to find
The boy alone, still follow'd him behind:
When glowing warmly at her near approach,
As sulphur blazes at the taper's touch,
She long'd her hidden passion to reveal,
And tell her pains, but had not words to tell:
She can't begin, but waits for the rebound,
To catch his voice, and to return the sound.

The nymph, when nothing could Narcissus move,
Still dash'd with blushes for her slighted love,
Liv'd in the shady covert of the woods,
In solitary caves and dark abodes;
Where pining wander'd the rejected fair,
'Till harrass'd out, and worn away with care,
The sounding skeleton, of blood bereft,
Besides her bones and voice had nothing left.
Her bones are petrify'd, her voice is found
In vaults, where still it doubles ev'ry sound.

The Story of Narcissus

Thus did the nymphs in vain caress the boy,
He still was lovely, but he still was coy;
When one fair virgin of the slighted train
Thus pray'd the Gods, provok'd by his disdain,
"Oh may he love like me, and love like me in vain!"
Rhamnusia pity'd the neglected fair,
And with just vengeance answer'd to her pray'r.

There stands a fountain in a darksom wood,
Nor stain'd with falling leaves nor rising mud;
Untroubled by the breath of winds it rests,
Unsully'd by the touch of men or beasts;
High bow'rs of shady trees above it grow,
And rising grass and chearful greens below.
Pleas'd with the form and coolness of the place,
And over-heated by the morning chace,
Narcissus on the grassie verdure lyes:
But whilst within the chrystal fount he tries
To quench his heat, he feels new heats arise.
For as his own bright image he survey'd,
He fell in love with the fantastick shade;
And o'er the fair resemblance hung unmov'd,
Nor knew, fond youth! it was himself he lov'd.
The well-turn'd neck and shoulders he descries,
The spacious forehead, and the sparkling eyes;
The hands that Bacchus might not scorn to show,
And hair that round Apollo's head might flow;
With all the purple youthfulness of face,
That gently blushes in the wat'ry glass.
By his own flames consum'd the lover lyes,
And gives himself the wound by which he dies.
To the cold water oft he joins his lips,
Oft catching at the beauteous shade he dips
His arms, as often from himself he slips.
Nor knows he who it is his arms pursue
With eager clasps, but loves he knows not who.

What could, fond youth, this helpless passion move?
What kindled in thee this unpity'd love?
Thy own warm blush within the water glows,
With thee the colour'd shadow comes and goes,
Its empty being on thy self relies;
Step thou aside, and the frail charmer dies.

Still o'er the fountain's wat'ry gleam he stood,
Mindless of sleep, and negligent of food;
Still view'd his face, and languish'd as he view'd.
At length he rais'd his head, and thus began
To vent his griefs, and tell the woods his pain.
"You trees," says he, "and thou surrounding grove,
Who oft have been the kindly scenes of love,
Tell me, if e'er within your shades did lye
A youth so tortur'd, so perplex'd as I?
I, who before me see the charming fair,
Whilst there he stands, and yet he stands not there:
In such a maze of love my thoughts are lost:
And yet no bulwark'd town, nor distant coast,
Preserves the beauteous youth from being seen,
No mountains rise, nor oceans flow between.
A shallow water hinders my embrace;
And yet the lovely mimick wears a face
That kindly smiles, and when I bend to join
My lips to his, he fondly bends to mine.
Hear, gentle youth, and pity my complaint,
Come from thy well, thou fair inhabitant.
My charms an easy conquest have obtain'd
O'er other hearts, by thee alone disdain'd.
But why should I despair? I'm sure he burns
With equal flames, and languishes by turns.
When-e'er I stoop, he offers at a kiss,
And when my arms I stretch, he stretches his.
His eye with pleasure on my face he keeps,
He smiles my smiles, and when I weep he weeps.
When e'er I speak, his moving lips appear
To utter something, which I cannot hear.

"Ah wretched me! I now begin too late
To find out all the long-perplex'd deceit;
It is my self I love, my self I see;
The gay delusion is a part of me.
I kindle up the fires by which I burn,
And my own beauties from the well return.
Whom should I court? how utter my complaint?
Enjoyment but produces my restraint,
And too much plenty makes me die for want.
How gladly would I from my self remove!
And at a distance set the thing I love.
My breast is warm'd with such unusual fire,
I wish him absent whom I most desire.
And now I faint with grief; my fate draws nigh;
In all the pride of blooming youth I die.
Death will the sorrows of my heart relieve.
Oh might the visionary youth survive,
I should with joy my latest breath resign!
But oh! I see his fate involv'd in mine."

This said, the weeping youth again return'd
To the clear fountain, where again he burn'd;
His tears defac'd the surface of the well,
With circle after circle, as they fell:
And now the lovely face but half appears,
O'er-run with wrinkles, and deform'd with tears.
"Ah whither," cries Narcissus, "dost thou fly?
Let me still feed the flame by which I die;
Let me still see, tho' I'm no further blest."
Then rends his garment off, and beats his breast:
His naked bosom redden'd with the blow,
In such a blush as purple clusters show,
Ere yet the sun's autumnal heats refine
Their sprightly juice, and mellow it to wine.
The glowing beauties of his breast he spies,
And with a new redoubled passion dies.
As wax dissolves, as ice begins to run,
And trickle into drops before the sun;
So melts the youth, and languishes away,
His beauty withers, and his limbs decay;
And none of those attractive charms remain,
To which the slighted Echo su'd in vain.

She saw him in his present misery,
Whom, spight of all her wrongs, she griev'd to see.
She answer'd sadly to the lover's moan,
Sigh'd back his sighs, and groan'd to ev'ry groan:
"Ah youth! belov'd in vain," Narcissus cries;
"Ah youth! belov'd in vain," the nymph replies.
"Farewel," says he; the parting sound scarce fell
From his faint lips, but she reply'd, "farewel."
Then on th' wholsome earth he gasping lyes,
'Till death shuts up those self-admiring eyes.
To the cold shades his flitting ghost retires,
And in the Stygian waves it self admires.

For him the Naiads and the Dryads mourn,
Whom the sad Echo answers in her turn;
And now the sister-nymphs prepare his urn:
When, looking for his corps, they only found
A rising stalk, with yellow blossoms crown'd.

The Story of Pentheus

This sad event gave blind Tiresias fame,
Through Greece establish'd in a prophet's name.

Th' unhallow'd Pentheus only durst deride
The cheated people, and their eyeless guide.
To whom the prophet in his fury said,
Shaking the hoary honours of his head:
"'Twere well, presumptuous man, 'twere well for thee
If thou wert eyeless too, and blind, like me:
For the time comes, nay, 'tis already here,
When the young God's solemnities appear:
Which, if thou dost not with just rites adorn,
Thy impious carcass, into pieces torn,
Shall strew the woods, and hang on ev'ry thorn.
Then, then, remember what I now foretel,
And own the blind Tiresias saw too well."

Still Pentheus scorns him, and derides his skill;
But time did all the prophet's threats fulfil.
For now through prostrate Greece young Bacchus rode,
Whilst howling matrons celebrate the God:
All ranks and sexes to his Orgies ran,
To mingle in the pomps, and fill the train.
When Pentheus thus his wicked rage express'd:
"What madness, Thebans, has your souls possess'd?
Can hollow timbrels, can a drunken shout,
And the lewd clamours of a beastly rout,
Thus quell your courage; can the weak alarm
Of women's yells those stubborn souls disarm,
Whom nor the sword nor trumpet e'er could fright,
Nor the loud din and horror of a fight?
And you, our sires, who left your old abodes,
And fix'd in foreign earth your country Gods;
Will you without a stroak your city yield,
And poorly quit an undisputed field?
But you, whose youth and vigour should inspire
Heroick warmth, and kindle martial fire,
Whom burnish'd arms and crested helmets grace,
Not flow'ry garlands and a painted face;
Remember him to whom you stand ally'd:
The serpent for his well of waters dy'd.
He fought the strong; do you his courage show,
And gain a conquest o'er a feeble foe.
If Thebes must fall, oh might the fates afford
A nobler doom from famine, fire, or sword.
Then might the Thebans perish with renown:
But now a beardless victor sacks the town;
Whom nor the prancing steed, nor pond'rous shield,
Nor the hack'd helmet, nor the dusty field,
But the soft joys of luxury and ease,
The purple vests, and flow'ry garlands please.
Stand then aside, I'll make the counterfeit
Renounce his god-head, and confess the cheat.
Acrisius from the Grecian walls repell'd
This boasted pow'r; why then should Pentheus yield?
Go quickly drag th' impostor boy to me;
I'll try the force of his divinity."
Thus did th' audacious wretch those rites profane;
His friends dissuade th' audacious wretch in vain:
In vain his grandsire urg'd him to give o'er
His impious threats; the wretch but raves the more.

So have I seen a river gently glide,
In a smooth course, and inoffensive tide;
But if with dams its current we restrain,
It bears down all, and foams along the plain.

But now his servants came besmear'd with blood,
Sent by their haughty prince to seize the God;
The God they found not in the frantick throng,
But dragg'd a zealous votary along.

The Mariners transform'd to Dolphins

Him Pentheus view'd with fury in his look,
And scarce with-held his hands, whilst thus he spoke:
"Vile slave! whom speedy vengeance shall pursue,
And terrify thy base seditious crew:
Thy country and thy parentage reveal,
And, why thou joinest in these mad Orgies, tell."

The captive views him with undaunted eyes,
And, arm'd with inward innocence, replies,

"From high Meonia's rocky shores I came,
Of poor descent, Acoetes is my name:
My sire was meanly born; no oxen plow'd
His fruitful fields, nor in his pastures low'd.
His whole estate within the waters lay;
With lines and hooks he caught the finny prey,
His art was all his livelyhood; which he
Thus with his dying lips bequeath'd to me:
In streams, my boy, and rivers take thy chance;
There swims, said he, thy whole inheritance.
Long did I live on this poor legacy;
'Till tir'd with rocks, and my old native sky,
To arts of navigation I inclin'd;
Observ'd the turns and changes of the wind,
Learn'd the fit havens, and began to note
The stormy Hyades, the rainy Goat,
The bright Taygete, and the shining Bears,
With all the sailor's catalogue of stars.

"Once, as by chance for Delos I design'd,
My vessel, driv'n by a strong gust of wind,
Moor'd in a Chian Creek; a-shore I went,
And all the following night in Chios spent.
When morning rose, I sent my mates to bring
Supplies of water from a neighb'ring spring,
Whilst I the motion of the winds explor'd;
Then summon'd in my crew, and went aboard.
Opheltes heard my summons, and with joy
Brought to the shore a soft and lovely boy,
With more than female sweetness in his look,
Whom straggling in the neighb'ring fields he took.
With fumes of wine the little captive glows,
And nods with sleep, and staggers as he goes.

"I view'd him nicely, and began to trace
Each heav'nly feature, each immortal grace,
And saw divinity in all his face,
I know not who, said I, this God should be;
But that he is a God I plainly see:
And thou, who-e'er thou art, excuse the force
These men have us'd; and oh befriend our course!
Pray not for us, the nimble Dictys cry'd,
Dictys, that could the main-top mast bestride,
And down the ropes with active vigour slide.
To the same purpose old Epopeus spoke,
Who over-look'd the oars, and tim'd the stroke;
The same the pilot, and the same the rest;
Such impious avarice their souls possest.
Nay, Heav'n forbid that I should bear away
Within my vessel so divine a prey,
Said I; and stood to hinder their intent:
When Lycabas, a wretch for murder sent
From Tuscany, to suffer banishment,
With his clench'd fist had struck me over-board,
Had not my hands in falling grasp'd a cord.

"His base confederates the fact approve;
When Bacchus (for 'twas he) begun to move,
Wak'd by the noise and clamours which they rais'd;
And shook his drowsie limbs, and round him gaz'd:
What means this noise? he cries; am I betray'd?
Ah, whither, whither must I be convey'd?
Fear not, said Proreus, child, but tell us where
You wish to land, and trust our friendly care.
To Naxos then direct your course, said he;
Naxos a hospitable port shall be
To each of you, a joyful home to me.
By ev'ry God, that rules the sea or sky,
The perjur'd villains promise to comply,
And bid me hasten to unmoor the ship.
With eager joy I launch into the deep;
And, heedless of the fraud, for Naxos stand.
They whisper oft, and beckon with the hand,
And give me signs, all anxious for their prey,
To tack about, and steer another way.
Then let some other to my post succeed,
Said I, I'm guiltless of so foul a deed.
What, says Ethalion, must the ship's whole crew
Follow your humour, and depend on you?
And strait himself he seated at the prore,
And tack'd about, and sought another shore.

"The beauteous youth now found himself betray'd,
And from the deck the rising waves survey'd,
And seem'd to weep, and as he wept he said:
And do you thus my easy faith beguile?
Thus do you bear me to my native isle?
Will such a multitude of men employ
Their strength against a weak defenceless boy?

"In vain did I the God-like youth deplore,
The more I begg'd, they thwarted me the more.
And now by all the Gods in Heav'n that hear
This solemn oath, by Bacchus' self, I swear,
The mighty miracle that did ensue,
Although it seems beyond belief, is true.
The vessel, fix'd and rooted in the flood,
Unmov'd by all the beating billows stood.
In vain the mariners would plow the main
With sails unfurl'd, and strike their oars in vain;
Around their oars a twining ivy cleaves,
And climbs the mast, and hides the cords in leaves:
The sails are cover'd with a chearful green,
And berries in the fruitful canvass seen.
Amidst the waves a sudden forest rears
Its verdant head, and a new Spring appears.

"The God we now behold with open'd eyes;
A herd of spotted panthers round him lyes
In glaring forms; the grapy clusters spread
On his fair brows, and dangle on his head.
And whilst he frowns, and brandishes his spear,
My mates surpriz'd with madness or with fear,
Leap'd over board; first perjur'd Madon found
Rough scales and fins his stiff'ning sides surround;
Ah what, cries one, has thus transform'd thy look?
Strait his own mouth grew wider as he spoke;
And now himself he views with like surprize.
Still at his oar th' industrious Libys plies;
But, as he plies, each busy arm shrinks in,
And by degrees is fashion'd to a fin.
Another, as he catches at a cord,
Misses his arms, and, tumbling over-board,
With his broad fins and forky tail he laves
The rising surge, and flounces in the waves.
Thus all my crew transform'd around the ship,
Or dive below, or on the surface leap,
And spout the waves, and wanton in the deep.
Full nineteen sailors did the ship convey,
A shole of nineteen dolphins round her play.
I only in my proper shape appear,
Speechless with wonder, and half dead with fear,
'Till Bacchus kindly bid me fear no more.
With him I landed on the Chian shore,
And him shall ever gratefully adore."

"This forging slave," says Pentheus, "would prevail
O'er our just fury by a far-fetch'd tale:
Go, let him feel the whips, the swords, the fire,
And in the tortures of the rack expire."
Th' officious servants hurry him away,
And the poor captive in a dungeon lay.
But, whilst the whips and tortures are prepar'd,
The gates fly open, of themselves unbarr'd;
At liberty th' unfetter'd captive stands,
And flings the loosen'd shackles from his hands.

The Death of Pentheus

But Pentheus, grown more furious than before,
Resolv'd to send his messengers no more,
But went himself to the distracted throng,
Where high Cithaeron echo'd with their song.
And as the fiery war-horse paws the ground,
And snorts and trembles at the trumpet's sound;
Transported thus he heard the frantick rout,
And rav'd and madden'd at the distant shout.

A spacious circuit on the hill there stood.
Level and wide, and skirted round with wood;
Here the rash Pentheus, with unhallow'd eyes,
The howling dames and mystick Orgies spies.
His mother sternly view'd him where he stood,
And kindled into madness as she view'd:
Her leafy jav'lin at her son she cast,
And cries, "The boar that lays our country waste!
The boar, my sisters! Aim the fatal dart,
And strike the brindled monster to the heart."

Pentheus astonish'd heard the dismal sound,
And sees the yelling matrons gath'ring round;
He sees, and weeps at his approaching fate,
And begs for mercy, and repents too late.
"Help, help! my aunt Autonoe," he cry'd;
"Remember, how your own Actaeon dy'd."
Deaf to his cries, the frantick matron crops
One stretch'd-out arm, the other Ino lops.
In vain does Pentheus to his mother sue,
And the raw bleeding stumps presents to view:
His mother howl'd; and, heedless of his pray'r,
Her trembling hand she twisted in his hair,
"And this," she cry'd, "shall be Agave's share,"
When from the neck his struggling head she tore,
And in her hands the ghastly visage bore.
With pleasure all the hideous trunk survey;
Then pull'd and tore the mangled limbs away,
As starting in the pangs of death it lay,
Soon as the wood its leafy honours casts,
Blown off and scatter'd by autumnal blasts,
With such a sudden death lay Pentheus slain,
And in a thousand pieces strow'd the plain.

By so distinguishing a judgment aw'd,
The Thebans tremble, and confess the God.

----------------------------------------------------------------------
~ Ovid, BOOK THE THIRD

,
1492:And the font took them: let our laurels lie!
Braid moonfern now with mystic trifoly
Because once more Goito gets, once more,
Sordello to itself! A dream is o'er,
And the suspended life begins anew;
Quiet those throbbing temples, then, subdue
That cheek's distortion! Nature's strict embrace,
Putting aside the past, shall soon efface
Its print as wellfactitious humours grown
Over the trueloves, hatreds not his own
And turn him pure as some forgotten vest
Woven of painted byssus, silkiest
Tufting the Tyrrhene whelk's pearl-sheeted lip,
Left welter where a trireme let it slip
I' the sea, and vexed a satrap; so the stain
O' the world forsakes Sordello, with its pain,
Its pleasure: how the tinct loosening escapes,
Cloud after cloud! Mantua's familiar shapes
Die, fair and foul die, fading as they flit,
Men, women, and the pathos and the wit,
Wise speech and foolish, deeds to smile or sigh
For, good, bad, seemly or ignoble, die.
The last face glances through the eglantines,
The last voice murmurs, 'twixt the blossomed vines,
Of Men, of that machine supplied by thought
To compass self-perception with, he sought
By forcing half himselfan insane pulse
Of a god's blood, on clay it could convulse,
Never transmuteon human sights and sounds,
To watch the other half with; irksome bounds
It ebbs from to its source, a fountain sealed
Forever. Better sure be unrevealed
Than part revealed: Sordello well or ill
Is finished: then what further use of Will,
Point in the prime idea not realized,
An oversight? inordinately prized,
No less, and pampered with enough of each
Delight to prove the whole above its reach.
"To need become all natures, yet retain
"The law of my own natureto remain
"Myself, yet yearn . . . as if that chestnut, think,
"Should yearn for this first larch-bloom crisp and pink,
"Or those pale fragrant tears where zephyrs stanch
"March wounds along the fretted pine-tree branch!
"Will and the means to show will, great and small,
"Material, spiritual,abjure them all
"Save any so distinct, they may be left
"To amuse, not tempt become! and, thus bereft,
"Just as I first was fashioned would I be!
"Nor, moon, is it Apollo now, but me
"Thou visitest to comfort and befriend!
"Swim thou into my heart, and there an end,
"Since I possess thee!nay, thus shut mine eyes
"And know, quite know, by this heart's fall and rise,
"When thou dost bury thee in clouds, and when
"Out-standest: wherefore practise upon men
"To make that plainer to myself?"
                 Slide here
Over a sweet and solitary year
Wasted; or simply notice change in him
How eyes, once with exploring bright, grew dim
And satiate with receiving. Some distress
Was caused, too, by a sort of consciousness
Under the imbecility,nought kept
That down; he slept, but was aware he slept,
So, frustrated: as who brainsick made pact
Erst with the overhanging cataract
To deafen him, yet still distinguished plain
His own blood's measured clicking at his brain.
To finish. One declining Autumn day
Few birds about the heaven chill and grey,
No wind that cared trouble the tacit woods
He sauntered home complacently, their moods
According, his and nature's. Every spark
Of Mantua life was trodden out; so dark
The embers, that the Troubadour, who sung
Hundreds of songs, forgot, its trick his tongue,
Its craft his brain, how either brought to pass
Singing at all; that faculty might class
With any of Apollo's now. The year
Began to find its early promise sere
As well. Thus beauty vanishes; thus stone
Outlingers flesh: nature's and his youth gone,
They left the world to you, and wished you joy.
When, stopping his benevolent employ,
A presage shuddered through the welkin; harsh
The earth's remonstrance followed. 'T was the marsh
Gone of a sudden. Mincio, in its place,
Laughed, a broad water, in next morning's face,
And, where the mists broke up immense and white
I' the steady wind, burned like a spilth of light
Out of the crashing of a myriad stars.
And here was nature, bound by the same bars
Of fate with him!
         "No! youth once gone is gone:
"Deeds, let escape, are never to be done.
"Leaf-fall and grass-spring for the year; for us
"Oh forfeit I unalterably thus
"My chance? nor two lives wait me, this to spend,
"Learning save that? Nature has time, may mend
"Mistake, she knows occasion will recur;
"Landslip or seabreach, how affects it her
"With her magnificent resources?I
"Must perish once and perish utterly.
"Not any strollings now at even-close
"Down the field-path, Sordello! by thorn-rows
"Alive with lamp-flies, swimming spots of fire
"And dew, outlining the black cypress' spire
"She waits you at, Elys, who heard you first
"Woo her, the snow-month through, but ere she durst
"Answer 't was April. Linden-flower-time-long
"Her eyes were on the ground; 't is July, strong
"Now; and because white dust-clouds overwhelm
"The woodside, here or by the village elm
"That holds the moon, she meets you, somewhat pale,
"But letting you lift up her coarse flax veil
"And whisper (the damp little hand in yours)
"Of love, heart's love, your heart's love that endures
"Till death. Tush! No mad mixing with the rout
"Of haggard ribalds wandering about
"The hot torchlit wine-scented island-house
"Where Friedrich holds his wickedest carouse,
"Parading,to the gay Palermitans,
"Soft Messinese, dusk Saracenic clans
"Nuocera holds,those tall grave dazzling Norse,
"High-cheeked, lank-haired, toothed whiter than the morse,
"Queens of the caves of jet stalactites,
"He sent his barks to fetch through icy seas,
"The blind night seas without a saving star,
"And here in snowy birdskin robes they are,
"Sordello!here, mollitious alcoves gilt
"Superb as Byzant domes that devils built!
"Ah, Byzant, there again! no chance to go
"Ever like august cheery Dandolo,
"Worshipping hearts about him for a wall,
"Conducted, blind eyes, hundred years and all,
"Through vanquished Byzant where friends note for him
"What pillar, marble massive, sardius slim,
"'T were fittest he transport to Venice' Square
"Flattered and promised life to touch them there
"Soon, by those fervid sons of senators!
"No more lifes, deaths, loves, hatreds, peaces, wars!
"Ah, fragments of a whole ordained to be,
"Points in the life I waited! what are ye
"But roundels of a ladder which appeared
"Awhile the very platform it was reared
"To lift me on?that happiness I find
"Proofs of my faith in, even in the blind
"Instinct which bade forego you all unless
"Ye led me past yourselves. Ay, happiness
"Awaited me; the way life should be used
"Was to acquire, and deeds like you conduced
"To teach it by a self-revealment, deemed
"Life's very use, so long! Whatever seemed
"Progress to that, was pleasure; aught that stayed
"My reaching itno pleasure. I have laid
"The ladder down; I climb not; still, aloft
"The platform stretches! Blisses strong and soft,
"I dared not entertain, elude me; yet
"Never of what they promised could I get
"A glimpse till now! The common sort, the crowd,
"Exist, perceive; with Being are endowed,
"However slight, distinct from what they See,
"However bounded; Happiness must be,
"To feed the first by gleanings from the last,
"Attain its qualities, and slow or fast
"Become what they behold; such peace-in-strife,
"By transmutation, is the Use of Life,
"The Alien turning Native to the soul
"Or bodywhich instructs me; I am whole
"There and demand a Palma; had the world
"Been from my soul to a like distance hurled,
"'T were Happiness to make it one with me:
"Whereas I must, ere I begin to Be,
"Include a world, in flesh, I comprehend
"In spirit now; and this done, what 's to blend
"With? Nought is Alien in the worldmy Will
"Owns all already; yet can turn itstill
"LessNative, since my Means to correspond
"With Will are so unworthy, 't was my bond
"To tread the very joys that tantalize
"Most now, into a grave, never to rise.
"I die then! Will the rest agree to die?
"Next Age or no? Shall its Sordello try
"Clue after clue, and catch at last the clue
"I miss?that 's underneath my finger too,
"Twice, thrice a day, perhaps,some yearning traced
"Deeper, some petty consequence embraced
"Closer! Why fled I Mantua, then?complained
"So much my Will was fettered, yet remained
"Content within a tether half the range
"I could assign it?able to exchange
"My ignorance (I felt) for knowledge, and
"Idle because I could thus understand
"Could e'en have penetrated to its core
"Our mortal mystery, yetfoolforbore,
"Preferred elaborating in the dark
"My casual stuff, by any wretched spark
"Born of my predecessors, though one stroke
"Of mine had brought the flame forth! Mantua's yoke,
"My minstrel's-trade, was to behold mankind,
"My own concern was just to bring my mind
"Behold, just extricate, for my acquist,
"Each object suffered stifle in the mist
"Which hazard, custom, blindness interpose
"Betwixt things and myself."
               Whereat he rose.
The level wind carried above the firs
Clouds, the irrevocable travellers,
Onward.
   "Pushed thus into a drowsy copse,
"Arms twine about my neck, each eyelid drops
"Under a humid finger; while there fleets,
"Outside the screen, a pageant time repeats
"Never again! To be deposed, immured
"Clandestinelystill petted, still assured
"To govern were fatiguing workthe Sight
"Fleeting meanwhile! 'T is noontide: wreak ere night
"Somehow my will upon it, rather! Slake
"This thirst somehow, the poorest impress take
"That serves! A blasted bud displays you, torn,
"Faint rudiments of the full flower unborn;
"But who divines what glory coats o'erclasp
"Of the bulb dormant in the mummy's grasp
"Taurello sent?" . . .
           "Taurello? Palma sent
"Your Trouvere," (Naddo interposing leant
Over the lost bard's shoulder)"and, believe,
"You cannot more reluctantly receive
"Than I pronounce her message: we depart
"Together. What avail a poet's heart
"Verona's pomps and gauds? five blades of grass
"Suffice him. News? Why, where your marish was,
"On its mud-banks smoke rises after smoke
"I' the valley, like a spout of hell new-broke.
"Oh, the world's tidings! small your thanks, I guess,
"For them. The father of our Patroness,
"Has played Taurello an astounding trick,
"Parts between Ecelin and Alberic
"His wealth and goes into a convent: both
"Wed Guelfs: the Count and Palma plighted troth
"A week since at Verona: and they want
"You doubtless to contrive the marriage-chant
"Ere Richard storms Ferrara." Then was told
The tale from the beginninghow, made bold
By Salinguerra's absence, Guelfs had burned
And pillaged till he unawares returned
To take revenge: how Azzo and his friend
Were doing their endeavour, how the end
O' the siege was nigh, and how the Count, released
From further care, would with his marriage-feast
Inaugurate a new and better rule,
Absorbing thus Romano.
           "Shall I school
"My master," added Naddo, "and suggest
"How you may clothe in a poetic vest
"These doings, at Verona? Your response
"To Palma! Wherefore jest? 'Depart at once?
"A good resolve! In truth, I hardly hoped
"So prompt an acquiescence. Have you groped
"Out wisdom in the wilds here?thoughts may be
"Over-poetical for poetry.
"Pearl-white, you poets liken Palma's neck;
"And yet what spoils an orient like some speck
"Of genuine white, turning its own white grey?
"You take me? Curse the cicala!"
                 One more day,
One eveappears Verona! Many a group,
(You mind) instructed of the osprey's swoop
On lynx and ounce, was gatheringChristendom
Sure to receive, whate'er the end was, from
The evening's purpose cheer or detriment,
Since Friedrich only waited some event
Like this, of Ghibellins establishing
Themselves within Ferrara, ere, as King
Of Lombardy, he 'd glad descend there, wage
Old warfare with the Pontiff, disengage
His barons from the burghers, and restore
The rule of Charlemagne, broken of yore
By Hildebrand.
       I' the palace, each by each,
Sordello sat and Palma: little speech
At first in that dim closet, face with face
(Despite the tumult in the market-place)
Exchanging quick low laughters: now would rush
Word upon word to meet a sudden flush,
A look left off, a shifting lips' surmise
But for the most part their two histories
Ran best thro' the locked fingers and linked arms.
And so the night flew on with its alarms
Till in burst one of Palma's retinue;
"Now, Lady!" gasped he. Then arose the two
And leaned into Verona's air, dead-still.
A balcony lay black beneath until
Out, 'mid a gush of torchfire, grey-haired men
Came on it and harangued the people: then
Sea-like that people surging to and fro
Shouted, "Hale forth the carrochtrumpets, ho,
"A flourish! Run it in the ancient grooves!
"Back from the bell! Hammerthat whom behoves
"May hear the League is up! Peallearn who list,
"Verona means not first of towns break tryst
"To-morrow with the League!"
               Enough. Now turn
Over the eastern cypresses: discern!
Is any beacon set a-glimmer?
               Rang
The air with shouts that overpowered the clang
Of the incessant carroch, even: "Haste
"The candle 's at the gateway! ere it waste,
"Each soldier stand beside it, armed to march
"With Tiso Sampier through the eastern arch!"
Ferrara's succoured, Palma!
               Once again
They sat together; some strange thing in train
To say, so difficult was Palma's place
In taking, with a coy fastidious grace
Like the bird's flutter ere it fix and feed.
But when she felt she held her friend indeed
Safe, she threw back her curls, began implant
Her lessons; telling of another want
Goito's quiet nourished than his own;
Palmato serve himto be served, alone
Importing; Agnes' milk so neutralized
The blood of Ecelin. Nor be surprised
If, while Sordello fain had captive led
Nature, in dream was Palma subjected
To some out-soul, which dawned not though she pined
Delaying, till its advent, heart and mind
Their life. "How dared I let expand the force
"Within me, till some out-soul, whose resource
"It grew for, should direct it? Every law
"Of life, its every fitness, every flaw,
"Must One determine whose corporeal shape
"Would be no other than the prime escape
"And revelation to me of a Will
"Orb-like o'ershrouded and inscrutable
"Above, save at the point which, I should know,
"Shone that myself, my powers, might overflow
"So far, so much; as now it signified
"Which earthly shape it henceforth chose my guide,
"Whose mortal lip selected to declare
"Its oracles, what fleshly garb would wear
"The first of intimations, whom to love;
"The next, how love him. Seemed that orb, above
"The castle-covert and the mountain-close,
"Slow in appearing?if beneath it rose
"Cravings, aversions,did our green precinct
"Take pride in me, at unawares distinct
"With this or that endowment,how, repressed
"At once, such jetting power shrank to the rest!
"Was I to have a chance touch spoil me, leave
"My spirit thence unfitted to receive
"The consummating spell?that spell so near
"Moreover! 'Waits he not the waking year?
"'His almond-blossoms must be honey-ripe
"'By this; to welcome him, fresh runnels stripe
"'The thawed ravines; because of him, the wind
"'Walks like a herald. I shall surely find
"'Him now!'
     "And chief, that earnest April morn
"Of Richard's Love-court, was it time, so worn
"And white my cheek, so idly my blood beat,
"Sitting that morn beside the Lady's feet
"And saying as she prompted; till outburst
"One face from all the faces. Not then first
"I knew it; where in maple chamber glooms,
"Crowned with what sanguine-heart pomegranate blooms,
"Advanced it ever? Men's acknowledgment
"Sanctioned my own: 't was taken, Palma's bent,
"Sordello,recognized, accepted.
                 "Dumb
"Sat she still scheming. Ecelin would come
"Gaunt, scared, 'Cesano baffles me,' he 'd say:
"'Better I fought it out, my father's way!
"'Strangle Ferrara in its drowning flats,
"'And you and your Taurello yonder!what's
"'Romano's business there?' An hour's concern
"To cure the froward Chief!induce return
"As heartened from those overmeaning eyes,
"Wound up to persevere,his enterprise
"Marked out anew, its exigent of wit
"Apportioned,she at liberty to sit
"And scheme against the next emergence, I
"To covet her Taurello-sprite, made fly
"Or fold the wingto con your horoscope
"For leave command those steely shafts shoot ope,
"Or straight assuage their blinding eagerness
"In blank smooth snow What semblance of success
"To any of my plans for making you
"Mine and Romano's? Break the first wall through,
"Tread o'er the ruins of the Chief, supplant
"His sons beside, still, vainest were the vaunt:
"There, Salinguerra would obstruct me sheer,
"And the insuperable Tuscan, here,
"Stay me! But one wild eve that Lady died
"In her lone chamber: only I beside:
"Taurello far at Naples, and my sire
"At Padua, Ecelin away in ire
"With Alberic. She held me thusa clutch
"To make our spirits as our bodies touch
"And so began flinging the past up heaps
"Of uncouth treasure from their sunless sleeps
"Within her soul; deeds rose along with dreams,
"Fragments of many miserable schemes,
"Secrets, more secrets, thenno, not the last
"'Mongst others, like a casual trick o' the past,
"How . . . ay, she told me, gathering up her face,
"All left of it, into one arch-grimace
"To die with . . .
         "Friend, 't is gone! but not the fear
"Of that fell laughing, heard as now I hear.
"Nor faltered voice, nor seemed her heart grow weak
"When i' the midst abrupt she ceased to speak
"Dead, as to serve a purpose, mark!for in
"Rushed o' the very instant Ecelin
"(How summoned, who divines?)looking as if
"He understood why Adelaide lay stiff
"Already in my arms; for 'Girl, how must
"'I manage Este in the matter thrust
"'Upon me, how unravel your bad coil?
"'Since' (he declared) ''t is on your browa soil
"'Like hers there!' then in the same breath, 'he lacked
"'No counsel after all, had signed no pact
"'With devils, nor was treason here or there,
"'Goito or Vicenza, his affair:
"'He buried it in Adelaide's deep grave,
"'Would begin life afresh, now,would not slave
"'For any Friedrich's nor Taurello's sake!
"'What booted him to meddle or to make
"'In Lombardy?' And afterward I knew
"The meaning of his promise to undo
"All she had donewhy marriages were made,
"New friendships entered on, old followers paid
"With curses for their pains,new friends' amaze
"At height, when, passing out by Gate St. Blaise,
"He stopped short in Vicenza, bent his head
"Over a friar's neck,'had vowed,' he said,
"'Long since, nigh thirty years, because his wife
"'And child were saved there, to bestow his life
"'On God, his gettings on the Church.'
                     "Exiled
"Within Goito, still one dream beguiled
"My days and nights; 't was found, the orb I sought
"To serve, those glimpses came of Fomalhaut,
"No other: but how serve it?authorize
"You and Romano mingle destinies?
"And straight Romano's angel stood beside
"Me who had else been Boniface's bride,
"For Salinguerra 't was, with neck low bent,
"And voice lightened to music, (as he meant
"To learn, not teach me,) who withdrew the pall
"From the dead past and straight revived it all,
"Making me see how first Romano waxed,
"Wherefore he waned now, why, if I relaxed
"My grasp (even I!) would drop a thing effete,
"Frayed by itself, unequal to complete
"Its course, and counting every step astray
"A gain so much. Romano, every way
"Stable, a Lombard House nowwhy start back
"Into the very outset of its track?
"This patching principle which late allied
"Our House with other Houseswhat beside
"Concerned the apparition, the first Knight
"Who followed Conrad hither in such plight
"His utmost wealth was summed in his one steed?
"For Ecelo, that prowler, was decreed
"A task, in the beginning hazardous
"To him as ever task can be to us;
"But did the weather-beaten thief despair
"When first our crystal cincture of warm air
"That binds the Trevisan,as its spice-belt
"(Crusaders say) the tract where Jesus dwelt,
"Furtive he pierced, and Este was to face
"Despaired Saponian strength of Lombard grace?
"Tried he at making surer aught made sure,
"Maturing what already was mature?
"No; his heart prompted Ecelo, 'Confront
"'Este, inspect yourself. What 's nature? Wont.
"'Discard three-parts your nature, and adopt
"'The rest as an advantage!' Old strength propped
"The man who first grew Podest among
"The Vicentines, no less than, while there sprung
"His palace up in Padua like a threat,
"Their noblest spied a grace, unnoticed yet
"In Conrad's crew. Thus far the object gained,
"Romano was establishedhas remained
"'For are you not Italian, truly peers
"'With Este? Azzo better soothes our ears
"'Than Alberic? or is this lion's-crine
"'From over-mounts' (this yellow hair of mine)
"'So weak a graft on Agnes Este's stock?'
"(Thus went he on with something of a mock)
"'Wherefore recoil, then, from the very fate
"'Conceded you, refuse to imitate
"'Your model farther? Este long since left
"'Being mere Este: as a blade its heft,
"'Este required the Pope to further him:
"'And you, the Kaiserwhom your father's whim
"'Foregoes or, better, never shall forego
"'If Palma dare pursue what Ecelo
"'Commenced, but Ecelin desists from: just
"'As Adelaide of Susa could intrust
"'Her donative,her Piedmont given the Pope,
"'Her Alpine-pass for him to shut or ope
"''Twixt France and Italy,to the superb
"'Matilda's perfecting,so, lest aught curb
"'Our Adelaide's great counter-project for
"'Giving her Trentine to the Emperor
"'With passage here from Germany,shall you
"'Take it,my slender plodding talent, too!'
"Urged me Taurello with his half-smile
                     "He
"As Patron of the scattered family
"Conveyed me to his Mantua, kept in bruit
"Azzo's alliances and Richard's suit
"Until, the Kaiser excommunicate,
"'Nothing remains,' Taurello said, 'but wait
"'Some rash procedure: Palma was the link,
"'As Agnes' child, between us, and they shrink
"'From losing Palma: judge if we advance,
"'Your father's method, your inheritance!'
"The day I was betrothed to Boniface
"At Padua by Taurello's self, took place
"The outrage of the Ferrarese: again,
"The day I sought Verona with the train
"Agreed for,by Taurello's policy
"Convicting Richard of the fault, since we
"Were present to annul or to confirm,
"Richard, whose patience had outstayed its term,
"Quitted Verona for the siege.
                "And now
"What glory may engird Sordello's brow
"Through this? A month since at Oliero slunk
"All that was Ecelin into a monk;
"But how could Salinguerra so forget
"His liege of thirty years as grudge even yet
"One effort to recover him? He sent
"Forthwith the tidings of this last event
"To Ecelindeclared that he, despite
"The recent folly, recognized his right
"To order Salinguerra: 'Should he wring
"'Its uttermost advantage out, or fling
"'This chance away? Or were his sons now Head
"'O' the House?' Through me Taurello's missive sped;
"My father's answer will by me return.
"Behold! 'For him,' he writes, 'no more concern
"'With strife than, for his children, with fresh plots
"'Of Friedrich. Old engagements out he blots
"'For aye: Taurello shall no more subserve,
"'Nor Ecelin impose.' Lest this unnerve
"Taurello at this juncture, slack his grip
"Of Richard, suffer the occasion slip,
"I, in his sons' default (who, mating with
"Este, forsake Romano as the frith
"Its mainsea for that firmland, sea makes head
"Against) I stand, Romano,in their stead
"Assume the station they desert, and give
"Still, as the Kaiser's representative,
"Taurello licence he demands. Midnight
"Morningby noon to-morrow, making light
"Of the League's issue, we, in some gay weed
"Like yours, disguised together, may precede
"The arbitrators to Ferrara: reach
"Him, let Taurello's noble accents teach
"The rest! Then say if I have misconceived
"Your destiny, too readily believed
"The Kaiser's cause your own!"
                And Palma's fled.
Though no affirmative disturbs the head,
A dying lamp-flame sinks and rises o'er,
Like the alighted planet Pollux wore,
Until, morn breaking, he resolves to be
Gate-vein of this heart's blood of Lombardy,
Soul of this bodyto wield this aggregate
Of souls and bodies, and so conquer fate
Though he should livea centre of disgust
Evenapart, core of the outward crust
He vivifies, assimilates. For thus
I bring Sordello to the rapturous
Exclaim at the crowd's cry, because one round
Of life was quite accomplished; and he found
Not only that a soul, whate'er its might,
Is insufficient to its own delight,
Both in corporeal organs and in skill
By means of such to body forth its Will
And, after, insufficient to apprise
Men of that Will, oblige them recognize
The Hid by the Revealedbut that,the last
Nor lightest of the struggles overpast,
Will, he bade abdicate, which would not void
The throne, might sit there, suffer he enjoyed
Mankind, a varied and divine array
Incapable of homage, the first way,
Nor fit to render incidentally
Tribute connived at, taken by the by,
In joys. If thus with warrant to rescind
The ignominious exile of mankind
Whose proper service, ascertained intact
As yet, (to be by him themselves made act,
Not watch Sordello acting each of them)
Was to secureif the true diadem
Seemed imminent while our Sordello drank
The wisdom of that golden Palma,thank
Verona's Lady in her citadel
Founded by Gaulish Brennus, legends tell:
And truly when she left him, the sun reared
A head like the first clamberer's who peered
A-top the Capitol, his face on flame
With triumph, triumphing till Manlius came.
Nor slight too much my rhymesthat spring, dispread,
Dispart, disperse, lingering over head
Like an escape of angels! Rather say,
My transcendental platan! mounting gay
(An archimage so courts a novice-queen)
With tremulous silvered trunk, whence branches sheen
Laugh out, thick-foliaged next, a-shiver soon
With coloured buds, then glowing like the moon
One mild flame,last a pause, a burst, and all
Her ivory limbs are smothered by a fall,
Bloom-flinders and fruit-sparkles and leaf-dust,
Ending the weird work prosecuted just
For her amusement; he decrepit, stark,
Dozes; her uncontrolled delight may mark
Apart
   Yet not so, surely never so
Only, as good my soul were suffered go
O'er the lagune: forth fare thee, put aside
Entrance thy synod, as a god may glide
Out of the world he fills, and leave it mute
For myriad ages as we men compute,
Returning into it without a break
O' the consciousness! They sleep, and I awake
O'er the lagune, being at Venice.
                 Note,
In just such songs as Eglamor (say) wrote
With heart and soul and strength, for he believed
Himself achieving all to be achieved
By singerin such songs you find alone
Completeness, judge the song and singer one,
And either purpose answered, his in it
Or its in him: while from true works (to wit
Sordello's dream-performances that will
Never be more than dreamed) escapes there still
Some proof, the singer's proper life was 'neath
The life his song exhibits, this a sheath
To that; a passion and a knowledge far
Transcending these, majestic as they are,
Smouldered; his lay was but an episode
In the bard's life: which evidence you owed
To some slight weariness, some looking-off
Or start-away. The childish skit or scoff
In "Charlemagne," (his poem, dreamed divine
In every point except one silly line
About the restiff daughters)what may lurk
In that? "My life commenced before this work,"
(So I interpret the significance
Of the bard's start aside and look askance)
"My life continues after: on I fare
"With no more stopping, possibly, no care
"To note the undercurrent, the why and how,
"Where, when, o' the deeper life, as thus just now.
"But, silent, shall I cease to live? Alas
"For you! who sigh, 'When shall it come to pass
"'We read that story? How will he compress
"'The future gains, his life's true business,
"'Into the better lay whichthat one flout,
"'Howe'er inopportune it be, lets out
"'Engrosses him already, though professed
"'To meditate with us eternal rest,
"'And partnership in all his life has found?'"
'T is but a sailor's promise, weather-bound:
"Strike sail, slip cable, here the bark be moored
"For once, the awning stretched, the poles assured!
"Noontide above; except the wave's crisp dash,
"Or buzz of colibri, or tortoise' splash,
"The margin 's silent: out with every spoil
"Made in our tracking, coil by mighty coil,
"This serpent of a river to his head
"I' the midst! Admire each treasure, as we spread
"The bank, to help us tell our history
"Aright: give ear, endeavour to descry
"The groves of giant rushes, how they grew
"Like demons' endlong tresses we sailed through,
"What mountains yawned, forests to give us vent
"Opened, each doleful side, yet on we went
"Till . . . may that beetle (shake your cap) attest
"The springing of a land-wind from the West!"
Wherefore? Ah yes, you frolic it to-day!
To-morrow, and, the pageant moved away
Down to the poorest tent-pole, we and you
Part company: no other may pursue
Eastward your voyage, be informed what fate
Intends, if triumph or decline await
The tempter of the everlasting steppe.
I muse this on a ruined palace-step
At Venice: why should I break off, nor sit
Longer upon my step, exhaust the fit
England gave birth to? Who 's adorable
Enough reclaim a - no Sordello's Will
Alack!be queen to me? That Bassanese
Busied among her smoking fruit-boats? These
Perhaps from our delicious Asolo
Who twinkle, pigeons o'er the portico
Not prettier, bind June lilies into sheaves
To deck the bridge-side chapel, dropping leaves
Soiled by their own loose gold-meal? Ah, beneath
The cool arch stoops she, brownest cheek! Her wreath
Endures a montha half-monthif I make
A queen of her, continue for her sake
Sordello's story? Nay, that Paduan girl
Splashes with barer legs where a live whirl
In the dead black Giudecca proves sea-weed
Drifting has sucked down three, four, all indeed
Save one pale-red striped, pale-blue turbaned post
For gondolas.
       You sad dishevelled ghost
That pluck at me and point, are you advised
I breathe? Let stay those girls (e'en her disguised
Jewels i' the locks that love no crownet like
Their native field-buds and the green wheat-spike,
So fair!who left this end of June's turmoil,
Shook off, as might a lily its gold soil,
Pomp, save a foolish gem or two, and free
In dream, came join the peasants o'er the sea.)
Look they too happy, too tricked out? Confess
There is such ****rd stock of happiness
To share, that, do one's uttermost, dear wretch,
One labours ineffectually to stretch
It o'er you so that mother and children, both
May equitably flaunt the sumpter-cloth!
Divide the robe yet farther: be content
With seeing just a score pre-eminent
Through shreds of it, acknowledged happy wights,
Engrossing what should furnish all, by rights!
For, these in evidence, you clearlier claim
A like garb for the rest,grace all, the same
As these my peasants. I ask youth and strength
And health for each of you, not moreat length
Grown wise, who asked at home that the whole race
Might add the spirit's to the body's grace,
And all be dizened out as chiefs and bards.
But in this magic weather one discards
Much old requirement. Venice seems a type
Of Life'twixt blue and blue extends, a stripe,
As Life, the somewhat, hangs 'twixt nought and nought:
'T is Venice, and 't is Lifeas good you sought
To spare me the Piazza's slippery stone
Or keep me to the unchoked canals alone,
As hinder Life the evil with the good
Which make up Living, rightly understood.
Only, do finish something! Peasants, queens,
Take them, made happy by whatever means,
Parade them for the common credit, vouch
That a luckless residue, we send to crouch
In corners out of sight, was just as framed
For happiness, its portion might have claimed
As well, and so, obtaining joy, had stalked
Fastuous as any!such my project, baulked
Already; I hardly venture to adjust
The first rags, when you find me. To mistrust
Me!nor unreasonably. You, no doubt,
Have the true knack of tiring suitors out
With those thin lips on tremble, lashless eyes
Inveterately tear-shot: there, be wise,
Mistress of mine, there, there, as if I meant
You insult!shall your friend (not slave) be shent
For speaking home? Beside, care-bit erased
Broken-up beauties ever took my taste
Supremely; and I love you more, far more
Than her I looked should foot Life's temple-floor.
Years ago, leagues at distance, when and where
A whisper came, "Let others seek!thy care
"Is found, thy life's provision; if thy race
"Should be thy mistress, and into one face
"The many faces crowd?" Ah, had I, judge,
Or no, your secret? Rough apparelgrudge
All ornaments save tag or tassel worn
To hint we are not thoroughly forlorn
Slouch bonnet, unloop mantle, careless go
Alone (that's saddest, but it must be so)
Through Venice, sing now and now glance aside,
Aught desultory or undignified,
Then, ravishingest lady, will you pass
Or not each formidable group, the mass
Before the Basilic (that feast gone by,
God's great day of the Corpus Domini)
And, wistfully foregoing proper men,
Come timid up to me for alms? And then
The luxury to hesitate, feign do
Some unexampled grace!when, whom but you
Dare I bestow your own upon? And hear
Further before you say, it is to sneer
I call you ravishing; for I regret
Little that she, whose early foot was set
Forth as she 'd plant it on a pedestal,
Now, i' the silent city, seems to fall
Toward meno wreath, only a lip's unrest
To quiet, surcharged eyelids to be pressed
Dry of their tears upon my bosom. Strange
Such sad chance should produce in thee such change,
My love! Warped souls and bodies! yet God spoke
Of right-hand, foot and eyeselects our yoke,
Sordello, as your poetship may find!
So, sleep upon my shoulder, child, nor mind
Their foolish talk; we 'll manage reinstate
Your old worth; ask moreover, when they prate
Of evil men past hope, "Don't each contrive,
"Despite the evil you abuse, to live?
"Keeping, each losel, through a maze of lies,
"His own conceit of truth? to which he hies
"By obscure windings, tortuous, if you will,
"But to himself not inaccessible;
"He sees truth, and his lies are for the crowd
"Who cannot see; some fancied right allowed
"His vilest wrong, empowered the losel clutch
"One pleasure from a multitude of such
"Denied him." Then assert, "All men appear
"To think all better than themselves, by here
"Trusting a crowd they wrong; but really," say,
"All men think all men stupider than they,
"Since, save themselves, no other comprehends
"The complicated scheme to make amends
"Evil, the scheme by which, thro' Ignorance,
"Good labours to exist." A slight advance,
Merely to find the sickness you die through,
And nought beside! but if one can't eschew
One's portion in the common lot, at least
One can avoid an ignorance increased
Tenfold by dealing out hint after hint
How nought were like dispensing without stint
The water of lifeso easy to dispense
Beside, when one has probed the centre whence
Commotion 's borncould tell you of it all!
"Meantime, just meditate my madrigal
"O' the mugwort that conceals a dewdrop safe!"
What, dullard? we and you in smothery chafe,
Babes, baldheads, stumbled thus far into Zin
The Horrid, getting neither out nor in,
A hungry sun above us, sands that bung
Our throats,each dromedary lolls a tongue,
Each camel churns a sick and frothy chap,
And you, 'twixt tales of Potiphar's mishap,
And sonnets on the earliest **** that spoke,
Remark, you wonder any one needs choke
With founts about! Potsherd him, Gibeonites!
While awkwardly enough your Moses smites
The rock, though he forego his Promised Land
Thereby, have Satan claim his carcass, and
Figure as Metaphysic Poet . . . ah,
Mark ye the dim first oozings? Meribah!
Then, quaffing at the fount my courage gained,
Recallnot that I prompt yewho explained . . .
"Presumptuous!" interrupts one. You, not I
'T is brother, marvel at and magnify
Such office: "office," quotha? can we get
To the beginning of the office yet?
What do we here? simply experiment
Each on the other's power and its intent
When elsewhere tasked,if this of mine were trucked
For yours to either's good,we watch construct,
In short, an engine: with a finished one,
What it can do, is all,nought, how 't is done.
But this of ours yet in probation, dusk
A kernel of strange wheelwork through its husk
Grows into shape by quarters and by halves;
Remark this tooth's spring, wonder what that valve's
Fall bodes, presume each faculty's device,
Make out each other more or less precise
The scope of the whole engine 's to be proved;
We die: which means to say, the whole 's removed,
Dismounted wheel by wheel, this complex gin,
To be set up anew elsewhere, begin
A task indeed, but with a clearer clime
Than the murk lodgment of our building-time.
And then, I grant you, it behoves forget
How 't is doneall that must amuse us yet
So long: and, while you turn upon your heel,
Pray that I be not busy slitting steel
Or shredding brass, camped on some virgin shore
Under a cluster of fresh stars, before
I name a tithe o' the wheels I trust to do!
So occupied, then, are we: hitherto,
At present, and a weary while to come,
The office of ourselves,nor blind nor dumb,
And seeing somewhat of man's state,has been,
For the worst of us, to say they so have seen;
For the better, what it was they saw; the best
Impart the gift of seeing to the rest:
"So that I glance," says such an one, "around,
"And there 's no face but I can read profound
"Disclosures in; this stands for hope, thatfear,
"And for a speech, a deed in proof, look here!
"'Stoop, else the strings of blossom, where the nuts
"'O'erarch, will blind thee! Said I not? She shuts
"'Both eyes this time, so close the hazels meet!
"'Thus, prisoned in the Piombi, I repeat
"'Events one rove occasioned, o'er and o'er,
"'Putting 'twixt me and madness evermore
"'Thy sweet shape, Zanze! Therefore stoop!'
                       "'That's truth!'
"(Adjudge you) 'the incarcerated youth
"'Would say that!'
         "Youth? Plara the bard? Set down
"That Plara spent his youth in a grim town
"Whose cramped ill-featured streets huddled about
"The minster for protection, never out
"Of its black belfry's shade and its bells' roar.
"The brighter shone the suburb,all the more
"Ugly and absolute that shade's reproof
"Of any chance escape of joy,some roof,
"Taller than they, allowed the rest detect,
"Before the sole permitted laugh (suspect
"Who could, 't was meant for laughter, that ploughed cheek's
"Repulsive gleam!) when the sun stopped both peaks
"Of the cleft belfry like a fiery wedge,
"Then sank, a huge flame on its socket edge,
"With leavings on the grey glass oriel-pane
"Ghastly some minutes more. No fear of rain
"The minster minded that! in heaps the dust
"Lay everywhere. This town, the minster's trust,
"Held Plara; who, its denizen, bade hail
"In twice twelve sonnets, Tempe's dewy vale."
"'Exact the town, the minster and the street!'"
"As all mirth triumphs, sadness means defeat:
"Lust triumphs and is gay, Love 's triumphed o'er
"And sad: but Lucio 's sad. I said before,
"Love's sad, not Lucio; one who loves may be
"As gay his love has leave to hope, as he
"Downcast that lusts' desire escapes the springe:
"'T is of the mood itself I speak, what tinge
"Determines it, else colourless,or mirth,
"Or melancholy, as from heaven or earth."
"'Ay, that 's the variation's gist!'
                   "Indeed?
"Thus far advanced in safety then, proceed!
"And having seen too what I saw, be bold
"And next encounter what I do behold
"(That's sure) but bid you take on trust!"
                       Attack
The use and purpose of such sights! Alack,
Not so unwisely does the crowd dispense
On Salinguerras praise in preference
To the Sordellos: men of action, these!
Who, seeing just as little as you please,
Yet turn that little to account,engage
With, do not gaze at,carry on, a stage,
The work o' the world, not merely make report
The work existed ere their day! In short,
When at some future no-time a brave band
Sees, using what it sees, then shake my hand
In heaven, my brother! Meanwhile where's the hurt
Of keeping the Makers-see on the alert,
At whose defection mortals stare aghast
As though heaven's bounteous windows were slammed fast
Incontinent? Whereas all you, beneath,
Should scowl at, bruise their lips and break their teeth
Who ply the pullies, for neglecting you:
And therefore have I moulded, made anew
A Man, and give him to be turned and tried,
Be angry with or pleased at. On your side,
Have ye times, places, actors of your own?
Try them upon Sordello when full-grown,
And thenah then! If Hercules first parched
His foot in Egypt only to be marched
A sacrifice for Jove with pomp to suit,
What chance have I? The demigod was mute
Till, at the altar, where time out of mind
Such guests became oblations, chaplets twined
His forehead long enough, and he began
Slaying the slayers, nor escaped a man.
Take not affront, my gentle audience! whom
No Hercules shall make his hecatomb,
Believe, nor from his brows your chaplet rend
That's your kind suffrage, yours, my patron-friend,
Whose great verse blares unintermittent on
Like your own trumpeter at Marathon,
You who, Plata and Salamis being scant,
Put up with tna for a stimulant
And did well, I acknowledged, as he loomed
Over the midland sea last month, presumed
Long, lay demolished in the blazing West
At eve, while towards him tilting cloudlets pressed
Like Persian ships at Salamis. Friend, wear
A crest proud as desert while I declare
Had I a flawless ruby fit to wring
Tears of its colour from that painted king
Who lost it, I would, for that smile which went
To my heart, fling it in the sea, content,
Wearing your verse in place, an amulet
Sovereign against all passion, wear and fret!
My English Eyebright, if you are not glad
That, as I stopped my task awhile, the sad
Dishevelled form, wherein I put mankind
To come at times and keep my pact in mind,
Renewed me,hear no crickets in the hedge,
Nor let a glowworm spot the river's edge
At home, and may the summer showers gush
Without a warning from the missel thrush!
So, to our business, nowthe fate of such
As find our common natureovermuch
Despised because restricted and unfit
To bear the burthen they impose on it
Cling when they would discard it; craving strength
To leap from the allotted world, at length
They do leap,flounder on without a term,
Each a god's germ, doomed to remain a germ
In unexpanded infancy, unless . . .
But that 's the storydull enough, confess!
There might be fitter subjects to allure;
Still, neither misconceive my portraiture
Nor undervalue its adornments quaint:
What seems a fiend perchance may prove a saint.
Ponder a story ancient pens transmit,
Then say if you condemn me or acquit.
John the Beloved, banished Antioch
For Patmos, bade collectively his flock
Farewell, but set apart the closing eve
To comfort those his exile most would grieve,
He knew: a touching spectacle, that house
In motion to receive him! Xanthus' spouse
You missed, made panther's meat a month since; but
Xanthus himself (his nephew 't was, they shut
'Twixt boards and sawed asunder) Polycarp,
Soft Charicle, next year no wheel could warp
To swear by Csar's fortune, with the rest
Were ranged; thro' whom the grey disciple pressed,
Busily blessing right and left, just stopped
To pat one infant's curls, the hangman cropped
Soon after, reached the portal. On its hinge
The door turns and he enters: what quick twinge
Ruins the smiling mouth, those wide eyes fix
Whereon, why like some spectral candlestick's
Branch the disciple's arms? Dead swooned he, woke
Anon, heaved sigh, made shift to gasp, heart-broke,
"Get thee behind me, Satan! Have I toiled
"To no more purpose? Is the gospel foiled
"Here too, and o'er my son's, my Xanthus' hearth,
"Portrayed with sooty garb and features swarth
"Ah Xanthus, am I to thy roof beguiled
"To see thethethe Devil domiciled?"
Whereto sobbed Xanthus, "Father, 't is yourself
"Installed, a limning which our utmost pelf
"Went to procure against to-morrow's loss;
"And that's no twy-prong, but a pastoral cross,
"You 're painted with!"
            His puckered brows unfold
And you shall hear Sordello's story told.


~ Robert Browning, Sordello - Book the Third
,
1493:O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

            Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous fingering
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'Mong lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I weed
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A virgin light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle bosom of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than beI care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my bosom, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burstthat I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!my spirit fails
Dear goddess, help! or the wide-gaping air
Will gulph mehelp!"At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His bosom grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonderspast the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the bosom of a hated thing.

What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue
O let me slake it at the running springs!
Upon my ear a noisy nothing rings
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all hoar,
Bursts gradual, with a wayward indolence.

Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goeshe stopshis bosom beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

O did he ever live, that lonely man,
Who lov'dand music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrtle branches, 'gainst his head
Brushing, awakened: then the sounds again
Went noiseless as a passing noontide rain
Over a bower, where little space he stood;
For as the sunset peeps into a wood
So saw he panting light, and towards it went
Through winding alleys; and lo, wonderment!
Upon soft verdure saw, one here, one there,
Cupids a slumbering on their pinions fair.

After a thousand mazes overgone,
At last, with sudden step, he came upon
A chamber, myrtle wall'd, embowered high,
Full of light, incense, tender minstrelsy,
And more of beautiful and strange beside:
For on a silken couch of rosy pride,
In midst of all, there lay a sleeping youth
Of fondest beauty; fonder, in fair sooth,
Than sighs could fathom, or contentment reach:
And coverlids gold-tinted like the peach,
Or ripe October's faded marigolds,
Fell sleek about him in a thousand folds
Not hiding up an Apollonian curve
Of neck and shoulder, nor the tenting swerve
Of knee from knee, nor ankles pointing light;
But rather, giving them to the filled sight
Officiously. Sideway his face repos'd
On one white arm, and tenderly unclos'd,
By tenderest pressure, a faint damask mouth
To slumbery pout; just as the morning south
Disparts a dew-lipp'd rose. Above his head,
Four lily stalks did their white honours wed
To make a coronal; and round him grew
All tendrils green, of every bloom and hue,
Together intertwin'd and trammel'd fresh:
The vine of glossy sprout; the ivy mesh,
Shading its Ethiop berries; and woodbine,
Of velvet leaves and bugle-blooms divine;
Convolvulus in streaked vases flush;
The creeper, mellowing for an autumn blush;
And virgin's bower, trailing airily;
With others of the sisterhood. Hard by,
Stood serene Cupids watching silently.
One, kneeling to a lyre, touch'd the strings,
Muffling to death the pathos with his wings;
And, ever and anon, uprose to look
At the youth's slumber; while another took
A willow-bough, distilling odorous dew,
And shook it on his hair; another flew
In through the woven roof, and fluttering-wise
Rain'd violets upon his sleeping eyes.

At these enchantments, and yet many more,
The breathless Latmian wonder'd o'er and o'er;
Until, impatient in embarrassment,
He forthright pass'd, and lightly treading went
To that same feather'd lyrist, who straightway,
Smiling, thus whisper'd: "Though from upper day
Thou art a wanderer, and thy presence here
Might seem unholy, be of happy cheer!
For 'tis the nicest touch of human honour,
When some ethereal and high-favouring donor
Presents immortal bowers to mortal sense;
As now 'tis done to thee, Endymion. Hence
Was I in no wise startled. So recline
Upon these living flowers. Here is wine,
Alive with sparklesnever, I aver,
Since Ariadne was a vintager,
So cool a purple: taste these juicy pears,
Sent me by sad Vertumnus, when his fears
Were high about Pomona: here is cream,
Deepening to richness from a snowy gleam;
Sweeter than that nurse Amalthea skimm'd
For the boy Jupiter: and here, undimm'd
By any touch, a bunch of blooming plums
Ready to melt between an infant's gums:
And here is manna pick'd from Syrian trees,
In starlight, by the three Hesperides.
Feast on, and meanwhile I will let thee know
Of all these things around us." He did so,
Still brooding o'er the cadence of his lyre;
And thus: "I need not any hearing tire
By telling how the sea-born goddess pin'd
For a mortal youth, and how she strove to bind
Him all in all unto her doting self.
Who would not be so prison'd? but, fond elf,
He was content to let her amorous plea
Faint through his careless arms; content to see
An unseiz'd heaven dying at his feet;
Content, O fool! to make a cold retreat,
When on the pleasant grass such love, lovelorn,
Lay sorrowing; when every tear was born
Of diverse passion; when her lips and eyes
Were clos'd in sullen moisture, and quick sighs
Came vex'd and pettish through her nostrils small.
Hush! no exclaimyet, justly mightst thou call
Curses upon his head.I was half glad,
But my poor mistress went distract and mad,
When the boar tusk'd him: so away she flew
To Jove's high throne, and by her plainings drew
Immortal tear-drops down the thunderer's beard;
Whereon, it was decreed he should be rear'd
Each summer time to life. Lo! this is he,
That same Adonis, safe in the privacy
Of this still region all his winter-sleep.
Aye, sleep; for when our love-sick queen did weep
Over his waned corse, the tremulous shower
Heal'd up the wound, and, with a balmy power,
Medicined death to a lengthened drowsiness:
The which she fills with visions, and doth dress
In all this quiet luxury; and hath set
Us young immortals, without any let,
To watch his slumber through. 'Tis well nigh pass'd,
Even to a moment's filling up, and fast
She scuds with summer breezes, to pant through
The first long kiss, warm firstling, to renew
Embower'd sports in Cytherea's isle.
Look! how those winged listeners all this while
Stand anxious: see! behold!"This clamant word
Broke through the careful silence; for they heard
A rustling noise of leaves, and out there flutter'd
Pigeons and doves: Adonis something mutter'd,
The while one hand, that erst upon his thigh
Lay dormant, mov'd convuls'd and gradually
Up to his forehead. Then there was a hum
Of sudden voices, echoing, "Come! come!
Arise! awake! Clear summer has forth walk'd
Unto the clover-sward, and she has talk'd
Full soothingly to every nested finch:
Rise, Cupids! or we'll give the blue-bell pinch
To your dimpled arms. Once more sweet life begin!"
At this, from every side they hurried in,
Rubbing their sleepy eyes with lazy wrists,
And doubling overhead their little fists
In backward yawns. But all were soon alive:
For as delicious wine doth, sparkling, dive
In nectar'd clouds and curls through water fair,
So from the arbour roof down swell'd an air
Odorous and enlivening; making all
To laugh, and play, and sing, and loudly call
For their sweet queen: when lo! the wreathed green
Disparted, and far upward could be seen
Blue heaven, and a silver car, air-borne,
Whose silent wheels, fresh wet from clouds of morn,
Spun off a drizzling dew,which falling chill
On soft Adonis' shoulders, made him still
Nestle and turn uneasily about.
Soon were the white doves plain, with necks stretch'd out,
And silken traces lighten'd in descent;
And soon, returning from love's banishment,
Queen Venus leaning downward open arm'd:
Her shadow fell upon his breast, and charm'd
A tumult to his heart, and a new life
Into his eyes. Ah, miserable strife,
But for her comforting! unhappy sight,
But meeting her blue orbs! Who, who can write
Of these first minutes? The unchariest muse
To embracements warm as theirs makes coy excuse.

O it has ruffled every spirit there,
Saving love's self, who stands superb to share
The general gladness: awfully he stands;
A sovereign quell is in his waving hands;
No sight can bear the lightning of his bow;
His quiver is mysterious, none can know
What themselves think of it; from forth his eyes
There darts strange light of varied hues and dyes:
A scowl is sometimes on his brow, but who
Look full upon it feel anon the blue
Of his fair eyes run liquid through their souls.
Endymion feels it, and no more controls
The burning prayer within him; so, bent low,
He had begun a plaining of his woe.
But Venus, bending forward, said: "My child,
Favour this gentle youth; his days are wild
With lovehebut alas! too well I see
Thou know'st the deepness of his misery.
Ah, smile not so, my son: I tell thee true,
That when through heavy hours I used to rue
The endless sleep of this new-born Adon',
This stranger ay I pitied. For upon
A dreary morning once I fled away
Into the breezy clouds, to weep and pray
For this my love: for vexing Mars had teaz'd
Me even to tears: thence, when a little eas'd,
Down-looking, vacant, through a hazy wood,
I saw this youth as he despairing stood:
Those same dark curls blown vagrant in the wind:
Those same full fringed lids a constant blind
Over his sullen eyes: I saw him throw
Himself on wither'd leaves, even as though
Death had come sudden; for no jot he mov'd,
Yet mutter'd wildly. I could hear he lov'd
Some fair immortal, and that his embrace
Had zoned her through the night. There is no trace
Of this in heaven: I have mark'd each cheek,
And find it is the vainest thing to seek;
And that of all things 'tis kept secretest.
Endymion! one day thou wilt be blest:
So still obey the guiding hand that fends
Thee safely through these wonders for sweet ends.
'Tis a concealment needful in extreme;
And if I guess'd not so, the sunny beam
Thou shouldst mount up to with me. Now adieu!
Here must we leave thee."At these words up flew
The impatient doves, up rose the floating car,
Up went the hum celestial. High afar
The Latmian saw them minish into nought;
And, when all were clear vanish'd, still he caught
A vivid lightning from that dreadful bow.
When all was darkened, with Etnean throe
The earth clos'dgave a solitary moan
And left him once again in twilight lone.

He did not rave, he did not stare aghast,
For all those visions were o'ergone, and past,
And he in loneliness: he felt assur'd
Of happy times, when all he had endur'd
Would seem a feather to the mighty prize.
So, with unusual gladness, on he hies
Through caves, and palaces of mottled ore,
Gold dome, and crystal wall, and turquois floor,
Black polish'd porticos of awful shade,
And, at the last, a diamond balustrade,
Leading afar past wild magnificence,
Spiral through ruggedest loopholes, and thence
Stretching across a void, then guiding o'er
Enormous chasms, where, all foam and roar,
Streams subterranean tease their granite beds;
Then heighten'd just above the silvery heads
Of a thousand fountains, so that he could dash
The waters with his spear; but at the splash,
Done heedlessly, those spouting columns rose
Sudden a poplar's height, and 'gan to enclose
His diamond path with fretwork, streaming round
Alive, and dazzling cool, and with a sound,
Haply, like dolphin tumults, when sweet shells
Welcome the float of Thetis. Long he dwells
On this delight; for, every minute's space,
The streams with changed magic interlace:
Sometimes like delicatest lattices,
Cover'd with crystal vines; then weeping trees,
Moving about as in a gentle wind,
Which, in a wink, to watery gauze refin'd,
Pour'd into shapes of curtain'd canopies,
Spangled, and rich with liquid broideries
Of flowers, peacocks, swans, and naiads fair.
Swifter than lightning went these wonders rare;
And then the water, into stubborn streams
Collecting, mimick'd the wrought oaken beams,
Pillars, and frieze, and high fantastic roof,
Of those dusk places in times far aloof
Cathedrals call'd. He bade a loth farewel
To these founts Protean, passing gulph, and dell,
And torrent, and ten thousand jutting shapes,
Half seen through deepest gloom, and griesly gapes,
Blackening on every side, and overhead
A vaulted dome like Heaven's, far bespread
With starlight gems: aye, all so huge and strange,
The solitary felt a hurried change
Working within him into something dreary,
Vex'd like a morning eagle, lost, and weary,
And purblind amid foggy, midnight wolds.
But he revives at once: for who beholds
New sudden things, nor casts his mental slough?
Forth from a rugged arch, in the dusk below,
Came mother Cybele! alonealone
In sombre chariot; dark foldings thrown
About her majesty, and front death-pale,
With turrets crown'd. Four maned lions hale
The sluggish wheels; solemn their toothed maws,
Their surly eyes brow-hidden, heavy paws
Uplifted drowsily, and nervy tails
Cowering their tawny brushes. Silent sails
This shadowy queen athwart, and faints away
In another gloomy arch.

             Wherefore delay,
Young traveller, in such a mournful place?
Art thou wayworn, or canst not further trace
The diamond path? And does it indeed end
Abrupt in middle air? Yet earthward bend
Thy forehead, and to Jupiter cloud-borne
Call ardently! He was indeed wayworn;
Abrupt, in middle air, his way was lost;
To cloud-borne Jove he bowed, and there crost
Towards him a large eagle, 'twixt whose wings,
Without one impious word, himself he flings,
Committed to the darkness and the gloom:
Down, down, uncertain to what pleasant doom,
Swift as a fathoming plummet down he fell
Through unknown things; till exhaled asphodel,
And rose, with spicy fannings interbreath'd,
Came swelling forth where little caves were wreath'd
So thick with leaves and mosses, that they seem'd
Large honey-combs of green, and freshly teem'd
With airs delicious. In the greenest nook
The eagle landed him, and farewel took.

It was a jasmine bower, all bestrown
With golden moss. His every sense had grown
Ethereal for pleasure; 'bove his head
Flew a delight half-graspable; his tread
Was Hesperan; to his capable ears
Silence was music from the holy spheres;
A dewy luxury was in his eyes;
The little flowers felt his pleasant sighs
And stirr'd them faintly. Verdant cave and cell
He wander'd through, oft wondering at such swell
Of sudden exaltation: but, "Alas!
Said he, "will all this gush of feeling pass
Away in solitude? And must they wane,
Like melodies upon a sandy plain,
Without an echo? Then shall I be left
So sad, so melancholy, so bereft!
Yet still I feel immortal! O my love,
My breath of life, where art thou? High above,
Dancing before the morning gates of heaven?
Or keeping watch among those starry seven,
Old Atlas' children? Art a maid of the waters,
One of shell-winding Triton's bright-hair'd daughters?
Or art, impossible! a nymph of Dian's,
Weaving a coronal of tender scions
For very idleness? Where'er thou art,
Methinks it now is at my will to start
Into thine arms; to scare Aurora's train,
And snatch thee from the morning; o'er the main
To scud like a wild bird, and take thee off
From thy sea-foamy cradle; or to doff
Thy shepherd vest, and woo thee mid fresh leaves.
No, no, too eagerly my soul deceives
Its powerless self: I know this cannot be.
O let me then by some sweet dreaming flee
To her entrancements: hither sleep awhile!
Hither most gentle sleep! and soothing foil
For some few hours the coming solitude."

Thus spake he, and that moment felt endued
With power to dream deliciously; so wound
Through a dim passage, searching till he found
The smoothest mossy bed and deepest, where
He threw himself, and just into the air
Stretching his indolent arms, he took, O bliss!
A naked waist: "Fair Cupid, whence is this?"
A well-known voice sigh'd, "Sweetest, here am I!"
At which soft ravishment, with doating cry
They trembled to each other.Helicon!
O fountain'd hill! Old Homer's Helicon!
That thou wouldst spout a little streamlet o'er
These sorry pages; then the verse would soar
And sing above this gentle pair, like lark
Over his nested young: but all is dark
Around thine aged top, and thy clear fount
Exhales in mists to heaven. Aye, the count
Of mighty Poets is made up; the scroll
Is folded by the Muses; the bright roll
Is in Apollo's hand: our dazed eyes
Have seen a new tinge in the western skies:
The world has done its duty. Yet, oh yet,
Although the sun of poesy is set,
These lovers did embrace, and we must weep
That there is no old power left to steep
A quill immortal in their joyous tears.
Long time in silence did their anxious fears
Question that thus it was; long time they lay
Fondling and kissing every doubt away;
Long time ere soft caressing sobs began
To mellow into words, and then there ran
Two bubbling springs of talk from their sweet lips.
"O known Unknown! from whom my being sips
Such darling essence, wherefore may I not
Be ever in these arms? in this sweet spot
Pillow my chin for ever? ever press
These toying hands and kiss their smooth excess?
Why not for ever and for ever feel
That breath about my eyes? Ah, thou wilt steal
Away from me again, indeed, indeed
Thou wilt be gone away, and wilt not heed
My lonely madness. Speak, my kindest fair!
Isis it to be so? No! Who will dare
To pluck thee from me? And, of thine own will,
Full well I feel thou wouldst not leave me. Still
Let me entwine thee surer, surernow
How can we part? Elysium! who art thou?
Who, that thou canst not be for ever here,
Or lift me with thee to some starry sphere?
Enchantress! tell me by this soft embrace,
By the most soft completion of thy face,
Those lips, O slippery blisses, twinkling eyes,
And by these tenderest, milky sovereignties
These tenderest, and by the nectar-wine,
The passion""O lov'd Ida the divine!
Endymion! dearest! Ah, unhappy me!
His soul will 'scape usO felicity!
How he does love me! His poor temples beat
To the very tune of lovehow sweet, sweet, sweet.
Revive, dear youth, or I shall faint and die;
Revive, or these soft hours will hurry by
In tranced dulness; speak, and let that spell
Affright this lethargy! I cannot quell
Its heavy pressure, and will press at least
My lips to thine, that they may richly feast
Until we taste the life of love again.
What! dost thou move? dost kiss? O bliss! O pain!
I love thee, youth, more than I can conceive;
And so long absence from thee doth bereave
My soul of any rest: yet must I hence:
Yet, can I not to starry eminence
Uplift thee; nor for very shame can own
Myself to thee. Ah, dearest, do not groan
Or thou wilt force me from this secrecy,
And I must blush in heaven. O that I
Had done it already; that the dreadful smiles
At my lost brightness, my impassion'd wiles,
Had waned from Olympus' solemn height,
And from all serious Gods; that our delight
Was quite forgotten, save of us alone!
And wherefore so ashamed? 'Tis but to atone
For endless pleasure, by some coward blushes:
Yet must I be a coward!Horror rushes
Too palpable before methe sad look
Of JoveMinerva's startno bosom shook
With awe of purityno Cupid pinion
In reverence veiledmy crystaline dominion
Half lost, and all old hymns made nullity!
But what is this to love? O I could fly
With thee into the ken of heavenly powers,
So thou wouldst thus, for many sequent hours,
Press me so sweetly. Now I swear at once
That I am wise, that Pallas is a dunce
Perhaps her love like mine is but unknown
O I do think that I have been alone
In chastity: yes, Pallas has been sighing,
While every eve saw me my hair uptying
With fingers cool as aspen leaves. Sweet love,
I was as vague as solitary dove,
Nor knew that nests were built. Now a soft kiss
Aye, by that kiss, I vow an endless bliss,
An immortality of passion's thine:
Ere long I will exalt thee to the shine
Of heaven ambrosial; and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy.
My happy love will overwing all bounds!
O let me melt into thee; let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringlyO dearth
Of human words! roughness of mortal speech!
Lispings empyrean will I sometime teach
Thine honied tonguelute-breathings, which I gasp
To have thee understand, now while I clasp
Thee thus, and weep for fondnessI am pain'd,
Endymion: woe! woe! is grief contain'd
In the very deeps of pleasure, my sole life?"
Hereat, with many sobs, her gentle strife
Melted into a languor. He return'd
Entranced vows and tears.

             Ye who have yearn'd
With too much passion, will here stay and pity,
For the mere sake of truth; as 'tis a ditty
Not of these days, but long ago 'twas told
By a cavern wind unto a forest old;
And then the forest told it in a dream
To a sleeping lake, whose cool and level gleam
A poet caught as he was journeying
To Phoebus' shrine; and in it he did fling
His weary limbs, bathing an hour's space,
And after, straight in that inspired place
He sang the story up into the air,
Giving it universal freedom. There
Has it been ever sounding for those ears
Whose tips are glowing hot. The legend cheers
Yon centinel stars; and he who listens to it
Must surely be self-doomed or he will rue it:
For quenchless burnings come upon the heart,
Made fiercer by a fear lest any part
Should be engulphed in the eddying wind.
As much as here is penn'd doth always find
A resting place, thus much comes clear and plain;
Anon the strange voice is upon the wane
And 'tis but echo'd from departing sound,
That the fair visitant at last unwound
Her gentle limbs, and left the youth asleep.
Thus the tradition of the gusty deep.

Now turn we to our former chroniclers.
Endymion awoke, that grief of hers
Sweet paining on his ear: he sickly guess'd
How lone he was once more, and sadly press'd
His empty arms together, hung his head,
And most forlorn upon that widow'd bed
Sat silently. Love's madness he had known:
Often with more than tortured lion's groan
Moanings had burst from him; but now that rage
Had pass'd away: no longer did he wage
A rough-voic'd war against the dooming stars.
No, he had felt too much for such harsh jars:
The lyre of his soul Eolian tun'd
Forgot all violence, and but commun'd
With melancholy thought: O he had swoon'd
Drunken from pleasure's nipple; and his love
Henceforth was dove-like.Loth was he to move
From the imprinted couch, and when he did,
'Twas with slow, languid paces, and face hid
In muffling hands. So temper'd, out he stray'd
Half seeing visions that might have dismay'd
Alecto's serpents; ravishments more keen
Than Hermes' pipe, when anxious he did lean
Over eclipsing eyes: and at the last
It was a sounding grotto, vaulted, vast,
O'er studded with a thousand, thousand pearls,
And crimson mouthed shells with stubborn curls,
Of every shape and size, even to the bulk
In which whales arbour close, to brood and sulk
Against an endless storm. Moreover too,
Fish-semblances, of green and azure hue,
Ready to snort their streams. In this cool wonder
Endymion sat down, and 'gan to ponder
On all his life: his youth, up to the day
When 'mid acclaim, and feasts, and garlands gay,
He stept upon his shepherd throne: the look
Of his white palace in wild forest nook,
And all the revels he had lorded there:
Each tender maiden whom he once thought fair,
With every friend and fellow-woodlander
Pass'd like a dream before him. Then the spur
Of the old bards to mighty deeds: his plans
To nurse the golden age 'mong shepherd clans:
That wondrous night: the great Pan-festival:
His sister's sorrow; and his wanderings all,
Until into the earth's deep maw he rush'd:
Then all its buried magic, till it flush'd
High with excessive love. "And now," thought he,
"How long must I remain in jeopardy
Of blank amazements that amaze no more?
Now I have tasted her sweet soul to the core
All other depths are shallow: essences,
Once spiritual, are like muddy lees,
Meant but to fertilize my earthly root,
And make my branches lift a golden fruit
Into the bloom of heaven: other light,
Though it be quick and sharp enough to blight
The Olympian eagle's vision, is dark,
Dark as the parentage of chaos. Hark!
My silent thoughts are echoing from these shells;
Or they are but the ghosts, the dying swells
Of noises far away?list!"Hereupon
He kept an anxious ear. The humming tone
Came louder, and behold, there as he lay,
On either side outgush'd, with misty spray,
A copious spring; and both together dash'd
Swift, mad, fantastic round the rocks, and lash'd
Among the conchs and shells of the lofty grot,
Leaving a trickling dew. At last they shot
Down from the ceiling's height, pouring a noise
As of some breathless racers whose hopes poize
Upon the last few steps, and with spent force
Along the ground they took a winding course.
Endymion follow'dfor it seem'd that one
Ever pursued, the other strove to shun
Follow'd their languid mazes, till well nigh
He had left thinking of the mystery,
And was now rapt in tender hoverings
Over the vanish'd bliss. Ah! what is it sings
His dream away? What melodies are these?
They sound as through the whispering of trees,
Not native in such barren vaults. Give ear!

"O Arethusa, peerless nymph! why fear
Such tenderness as mine? Great Dian, why,
Why didst thou hear her prayer? O that I
Were rippling round her dainty fairness now,
Circling about her waist, and striving how
To entice her to a dive! then stealing in
Between her luscious lips and eyelids thin.
O that her shining hair was in the sun,
And I distilling from it thence to run
In amorous rillets down her shrinking form!
To linger on her lily shoulders, warm
Between her kissing breasts, and every charm
Touch raptur'd!See how painfully I flow:
Fair maid, be pitiful to my great woe.
Stay, stay thy weary course, and let me lead,
A happy wooer, to the flowery mead
Where all that beauty snar'd me.""Cruel god,
Desist! or my offended mistress' nod
Will stagnate all thy fountains:tease me not
With syren wordsAh, have I really got
Such power to madden thee? And is it true
Away, away, or I shall dearly rue
My very thoughts: in mercy then away,
Kindest Alpheus for should I obey
My own dear will, 'twould be a deadly bane."
"O, Oread-Queen! would that thou hadst a pain
Like this of mine, then would I fearless turn
And be a criminal.""Alas, I burn,
I shuddergentle river, get thee hence.
Alpheus! thou enchanter! every sense
Of mine was once made perfect in these woods.
Fresh breezes, bowery lawns, and innocent floods,
Ripe fruits, and lonely couch, contentment gave;
But ever since I heedlessly did lave
In thy deceitful stream, a panting glow
Grew strong within me: wherefore serve me so,
And call it love? Alas, 'twas cruelty.
Not once more did I close my happy eyes
Amid the thrush's song. Away! Avaunt!
O 'twas a cruel thing.""Now thou dost taunt
So softly, Arethusa, that I think
If thou wast playing on my shady brink,
Thou wouldst bathe once again. Innocent maid!
Stifle thine heart no more;nor be afraid
Of angry powers: there are deities
Will shade us with their wings. Those fitful sighs
'Tis almost death to hear: O let me pour
A dewy balm upon them!fear no more,
Sweet Arethusa! Dian's self must feel
Sometimes these very pangs. Dear maiden, steal
Blushing into my soul, and let us fly
These dreary caverns for the open sky.
I will delight thee all my winding course,
From the green sea up to my hidden source
About Arcadian forests; and will shew
The channels where my coolest waters flow
Through mossy rocks; where, 'mid exuberant green,
I roam in pleasant darkness, more unseen
Than Saturn in his exile; where I brim
Round flowery islands, and take thence a skim
Of mealy sweets, which myriads of bees
Buzz from their honied wings: and thou shouldst please
Thyself to choose the richest, where we might
Be incense-pillow'd every summer night.
Doff all sad fears, thou white deliciousness,
And let us be thus comforted; unless
Thou couldst rejoice to see my hopeless stream
Hurry distracted from Sol's temperate beam,
And pour to death along some hungry sands."
"What can I do, Alpheus? Dian stands
Severe before me: persecuting fate!
Unhappy Arethusa! thou wast late
A huntress free in"At this, sudden fell
Those two sad streams adown a fearful dell.
The Latmian listen'd, but he heard no more,
Save echo, faint repeating o'er and o'er
The name of Arethusa. On the verge
Of that dark gulph he wept, and said: "I urge
Thee, gentle Goddess of my pilgrimage,
By our eternal hopes, to soothe, to assuage,
If thou art powerful, these lovers pains;
And make them happy in some happy plains.

He turn'dthere was a whelming soundhe stept,
There was a cooler light; and so he kept
Towards it by a sandy path, and lo!
More suddenly than doth a moment go,
The visions of the earth were gone and fled
He saw the giant sea above his head.

(line 31): The reference is of course not to the story of Hero and Leander but to the tears of Hero in Much Ado About Nothing, shed when she was falsely accused; and Imogen must, equally of course, be Shakespeare's heroine in Cymbeline, though she is not the only Imogen of fiction who has swooned. For Pastorella see Faerie Queene, Book VI, Canto II, stanza I. et seq.

(line 168): For the three occasions which Endymion had seen Diana, refer to the account given to Peona; beginning with line 540, Book I, -- to the passage about the well, line 896, Book I, -- and to the passage in which he hurried into the grotto, line 971, Book I.

(line 430): In the draft, Endymion was described as The mortal Latmian.

(line 434): It was a peculiarly happy piece of poetic realism to translate Ariadne's relations with Bacchus into her becoming a vintager; and I presume this was Keats's own thought, as well as the idea immediately following, that the God of Orchards conciliated Love with a gift of pears when paying his addresses to Pomona.

(line 676) Hesperan, I presume, not Hesprean as invariably accented by Milton. The precise value of 'capable' as used here is of course regulated by past and not by present custom. In this case it simply stands for receptive, able to receive, as in Hamlet (Act III, Scene IV).

(lines 689-92) Endymion conjectures whether his unknown love is one of the Hours, or one of the nymph Pleione's daughters by Atlas, transferred to heaven as the Pleiades.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book II
,
1494:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.

Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all weed-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,ere their death, oer-taking
The surgy murmurs of the lonely sea.

And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter hoar. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.Ah, well-a-day,
Why should our young Endymion pine away!

Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of virgin bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

"O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinxdo thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

"O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly 'mong myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completionsbe quickly near,
By every wind that nods the mountain pine,
O forester divine!

"Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown
By all the echoes that about thee ring,
Hear us, O satyr king!

"O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledgesee,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereala new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknownbut no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgottenout of memory:
Fair creatures! whose young children's children bred
Thermopyl its heroesnot yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruitsthey danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its bodily tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'Mong shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little Mercury.
Some were athirst in soul to see again
Their fellow huntsmen o'er the wide champaign
In times long past; to sit with them, and talk
Of all the chances in their earthly walk;
Comparing, joyfully, their plenteous stores
Of happiness, to when upon the moors,
Benighted, close they huddled from the cold,
And shar'd their famish'd scrips. Thus all out-told
Their fond imaginations,saving him
Whose eyelids curtain'd up their jewels dim,
Endymion: yet hourly had he striven
To hide the cankering venom, that had riven
His fainting recollections. Now indeed
His senses had swoon'd off: he did not heed
The sudden silence, or the whispers low,
Or the old eyes dissolving at his woe,
Or anxious calls, or close of trembling palms,
Or maiden's sigh, that grief itself embalms:
But in the self-same fixed trance he kept,
Like one who on the earth had never stept.
Aye, even as dead-still as a marble man,
Frozen in that old tale Arabian.

Who whispers him so pantingly and close?
Peona, his sweet sister: of all those,
His friends, the dearest. Hushing signs she made,
And breath'd a sister's sorrow to persuade
A yielding up, a cradling on her care.
Her eloquence did breathe away the curse:
She led him, like some midnight spirit nurse
Of happy changes in emphatic dreams,
Along a path between two little streams,
Guarding his forehead, with her round elbow,
From low-grown branches, and his footsteps slow
From stumbling over stumps and hillocks small;
Until they came to where these streamlets fall,
With mingled bubblings and a gentle rush,
Into a river, clear, brimful, and flush
With crystal mocking of the trees and sky.
A little shallop, floating there hard by,
Pointed its beak over the fringed bank;
And soon it lightly dipt, and rose, and sank,
And dipt again, with the young couple's weight,
Peona guiding, through the water straight,
Towards a bowery island opposite;
Which gaining presently, she steered light
Into a shady, fresh, and ripply cove,
Where nested was an arbour, overwove
By many a summer's silent fingering;
To whose cool bosom she was used to bring
Her playmates, with their needle broidery,
And minstrel memories of times gone by.

So she was gently glad to see him laid
Under her favourite bower's quiet shade,
On her own couch, new made of flower leaves,
Dried carefully on the cooler side of sheaves
When last the sun his autumn tresses shook,
And the tann'd harvesters rich armfuls took.
Soon was he quieted to slumbrous rest:
But, ere it crept upon him, he had prest
Peona's busy hand against his lips,
And still, a sleeping, held her finger-tips
In tender pressure. And as a willow keeps
A patient watch over the stream that creeps
Windingly by it, so the quiet maid
Held her in peace: so that a whispering blade
Of grass, a wailful gnat, a bee bustling
Down in the blue-bells, or a wren light rustling
Among seer leaves and twigs, might all be heard.

O magic sleep! O comfortable bird,
That broodest o'er the troubled sea of the mind
Till it is hush'd and smooth! O unconfin'd
Restraint! imprisoned liberty! great key
To golden palaces, strange minstrelsy,
Fountains grotesque, new trees, bespangled caves,
Echoing grottos, full of tumbling waves
And moonlight; aye, to all the mazy world
Of silvery enchantment!who, upfurl'd
Beneath thy drowsy wing a triple hour,
But renovates and lives?Thus, in the bower,
Endymion was calm'd to life again.
Opening his eyelids with a healthier brain,
He said: "I feel this thine endearing love
All through my bosom: thou art as a dove
Trembling its closed eyes and sleeked wings
About me; and the pearliest dew not brings
Such morning incense from the fields of May,
As do those brighter drops that twinkling stray
From those kind eyes,the very home and haunt
Of sisterly affection. Can I want
Aught else, aught nearer heaven, than such tears?
Yet dry them up, in bidding hence all fears
That, any longer, I will pass my days
Alone and sad. No, I will once more raise
My voice upon the mountain-heights; once more
Make my horn parley from their foreheads hoar:
Again my trooping hounds their tongues shall loll
Around the breathed boar: again I'll poll
The fair-grown yew tree, for a chosen bow:
And, when the pleasant sun is getting low,
Again I'll linger in a sloping mead
To hear the speckled thrushes, and see feed
Our idle sheep. So be thou cheered sweet,
And, if thy lute is here, softly intreat
My soul to keep in its resolved course."

Hereat Peona, in their silver source,
Shut her pure sorrow drops with glad exclaim,
And took a lute, from which there pulsing came
A lively prelude, fashioning the way
In which her voice should wander. 'Twas a lay
More subtle cadenced, more forest wild
Than Dryope's lone lulling of her child;
And nothing since has floated in the air
So mournful strange. Surely some influence rare
Went, spiritual, through the damsel's hand;
For still, with Delphic emphasis, she spann'd
The quick invisible strings, even though she saw
Endymion's spirit melt away and thaw
Before the deep intoxication.
But soon she came, with sudden burst, upon
Her self-possessionswung the lute aside,
And earnestly said: "Brother, 'tis vain to hide
That thou dost know of things mysterious,
Immortal, starry; such alone could thus
Weigh down thy nature. Hast thou sinn'd in aught
Offensive to the heavenly powers? Caught
A Paphian dove upon a message sent?
Thy deathful bow against some deer-herd bent,
Sacred to Dian? Haply, thou hast seen
Her naked limbs among the alders green;
And that, alas! is death. No, I can trace
Something more high perplexing in thy face!"

Endymion look'd at her, and press'd her hand,
And said, "Art thou so pale, who wast so bland
And merry in our meadows? How is this?
Tell me thine ailment: tell me all amiss!
Ah! thou hast been unhappy at the change
Wrought suddenly in me. What indeed more strange?
Or more complete to overwhelm surmise?
Ambition is no sluggard: 'tis no prize,
That toiling years would put within my grasp,
That I have sigh'd for: with so deadly gasp
No man e'er panted for a mortal love.
So all have set my heavier grief above
These things which happen. Rightly have they done:
I, who still saw the horizontal sun
Heave his broad shoulder o'er the edge of the world,
Out-facing Lucifer, and then had hurl'd
My spear aloft, as signal for the chace
I, who, for very sport of heart, would race
With my own steed from Araby; pluck down
A vulture from his towery perching; frown
A lion into growling, loth retire
To lose, at once, all my toil breeding fire,
And sink thus low! but I will ease my breast
Of secret grief, here in this bowery nest.

"This river does not see the naked sky,
Till it begins to progress silverly
Around the western border of the wood,
Whence, from a certain spot, its winding flood
Seems at the distance like a crescent moon:
And in that nook, the very pride of June,
Had I been used to pass my weary eves;
The rather for the sun unwilling leaves
So dear a picture of his sovereign power,
And I could witness his most kingly hour,
When he doth lighten up the golden reins,
And paces leisurely down amber plains
His snorting four. Now when his chariot last
Its beams against the zodiac-lion cast,
There blossom'd suddenly a magic bed
Of sacred ditamy, and poppies red:
At which I wondered greatly, knowing well
That but one night had wrought this flowery spell;
And, sitting down close by, began to muse
What it might mean. Perhaps, thought I, Morpheus,
In passing here, his owlet pinions shook;
Or, it may be, ere matron Night uptook
Her ebon urn, young Mercury, by stealth,
Had dipt his rod in it: such garland wealth
Came not by common growth. Thus on I thought,
Until my head was dizzy and distraught.
Moreover, through the dancing poppies stole
A breeze, most softly lulling to my soul;
And shaping visions all about my sight
Of colours, wings, and bursts of spangly light;
The which became more strange, and strange, and dim,
And then were gulph'd in a tumultuous swim:
And then I fell asleep. Ah, can I tell
The enchantment that afterwards befel?
Yet it was but a dream: yet such a dream
That never tongue, although it overteem
With mellow utterance, like a cavern spring,
Could figure out and to conception bring
All I beheld and felt. Methought I lay
Watching the zenith, where the milky way
Among the stars in virgin splendour pours;
And travelling my eye, until the doors
Of heaven appear'd to open for my flight,
I became loth and fearful to alight
From such high soaring by a downward glance:
So kept me stedfast in that airy trance,
Spreading imaginary pinions wide.
When, presently, the stars began to glide,
And faint away, before my eager view:
At which I sigh'd that I could not pursue,
And dropt my vision to the horizon's verge;
And lo! from opening clouds, I saw emerge
The loveliest moon, that ever silver'd o'er
A shell for Neptune's goblet: she did soar
So passionately bright, my dazzled soul
Commingling with her argent spheres did roll
Through clear and cloudy, even when she went
At last into a dark and vapoury tent
Whereat, methought, the lidless-eyed train
Of planets all were in the blue again.
To commune with those orbs, once more I rais'd
My sight right upward: but it was quite dazed
By a bright something, sailing down apace,
Making me quickly veil my eyes and face:
Again I look'd, and, O ye deities,
Who from Olympus watch our destinies!
Whence that completed form of all completeness?
Whence came that high perfection of all sweetness?
Speak, stubborn earth, and tell me where, O Where
Hast thou a symbol of her golden hair?
Not oat-sheaves drooping in the western sun;
Notthy soft hand, fair sister! let me shun
Such follying before theeyet she had,
Indeed, locks bright enough to make me mad;
And they were simply gordian'd up and braided,
Leaving, in naked comeliness, unshaded,
Her pearl round ears, white neck, and orbed brow;
The which were blended in, I know not how,
With such a paradise of lips and eyes,
Blush-tinted cheeks, half smiles, and faintest sighs,
That, when I think thereon, my spirit clings
And plays about its fancy, till the stings
Of human neighbourhood envenom all.
Unto what awful power shall I call?
To what high fane?Ah! see her hovering feet,
More bluely vein'd, more soft, more whitely sweet
Than those of sea-born Venus, when she rose
From out her cradle shell. The wind out-blows
Her scarf into a fluttering pavilion;
'Tis blue, and over-spangled with a million
Of little eyes, as though thou wert to shed,
Over the darkest, lushest blue-bell bed,
Handfuls of daisies.""Endymion, how strange!
Dream within dream!""She took an airy range,
And then, towards me, like a very maid,
Came blushing, waning, willing, and afraid,
And press'd me by the hand: Ah! 'twas too much;
Methought I fainted at the charmed touch,
Yet held my recollection, even as one
Who dives three fathoms where the waters run
Gurgling in beds of coral: for anon,
I felt upmounted in that region
Where falling stars dart their artillery forth,
And eagles struggle with the buffeting north
That balances the heavy meteor-stone;
Felt too, I was not fearful, nor alone,
But lapp'd and lull'd along the dangerous sky.
Soon, as it seem'd, we left our journeying high,
And straightway into frightful eddies swoop'd;
Such as ay muster where grey time has scoop'd
Huge dens and caverns in a mountain's side:
There hollow sounds arous'd me, and I sigh'd
To faint once more by looking on my bliss
I was distracted; madly did I kiss
The wooing arms which held me, and did give
My eyes at once to death: but 'twas to live,
To take in draughts of life from the gold fount
Of kind and passionate looks; to count, and count
The moments, by some greedy help that seem'd
A second self, that each might be redeem'd
And plunder'd of its load of blessedness.
Ah, desperate mortal! I ev'n dar'd to press
Her very cheek against my crowned lip,
And, at that moment, felt my body dip
Into a warmer air: a moment more,
Our feet were soft in flowers. There was store
Of newest joys upon that alp. Sometimes
A scent of violets, and blossoming limes,
Loiter'd around us; then of honey cells,
Made delicate from all white-flower bells;
And once, above the edges of our nest,
An arch face peep'd,an Oread as I guess'd.

"Why did I dream that sleep o'er-power'd me
In midst of all this heaven? Why not see,
Far off, the shadows of his pinions dark,
And stare them from me? But no, like a spark
That needs must die, although its little beam
Reflects upon a diamond, my sweet dream
Fell into nothinginto stupid sleep.
And so it was, until a gentle creep,
A careful moving caught my waking ears,
And up I started: Ah! my sighs, my tears,
My clenched hands;for lo! the poppies hung
Dew-dabbled on their stalks, the ouzel sung
A heavy ditty, and the sullen day
Had chidden herald Hesperus away,
With leaden looks: the solitary breeze
Bluster'd, and slept, and its wild self did teaze
With wayward melancholy; and r thought,
Mark me, Peona! that sometimes it brought
Faint fare-thee-wells, and sigh-shrilled adieus!
Away I wander'dall the pleasant hues
Of heaven and earth had faded: deepest shades
Were deepest dungeons; heaths and sunny glades
Were full of pestilent light; our taintless rills
Seem'd sooty, and o'er-spread with upturn'd gills
Of dying fish; the vermeil rose had blown
In frightful scarlet, and its thorns out-grown
Like spiked aloe. If an innocent bird
Before my heedless footsteps stirr'd, and stirr'd
In little journeys, I beheld in it
A disguis'd demon, missioned to knit
My soul with under darkness; to entice
My stumblings down some monstrous precipice:
Therefore I eager followed, and did curse
The disappointment. Time, that aged nurse,
Rock'd me to patience. Now, thank gentle heaven!
These things, with all their comfortings, are given
To my down-sunken hours, and with thee,
Sweet sister, help to stem the ebbing sea
Of weary life."

         Thus ended he, and both
Sat silent: for the maid was very loth
To answer; feeling well that breathed words
Would all be lost, unheard, and vain as swords
Against the enchased crocodile, or leaps
Of grasshoppers against the sun. She weeps,
And wonders; struggles to devise some blame;
To put on such a look as would say, Shame
On this poor weakness! but, for all her strife,
She could as soon have crush'd away the life
From a sick dove. At length, to break the pause,
She said with trembling chance: "Is this the cause?
This all? Yet it is strange, and sad, alas!
That one who through this middle earth should pass
Most like a sojourning demi-god, and leave
His name upon the harp-string, should achieve
No higher bard than simple maidenhood,
Singing alone, and fearfully,how the blood
Left his young cheek; and how he used to stray
He knew not where; and how he would say, nay,
If any said 'twas love: and yet 'twas love;
What could it be but love? How a ring-dove
Let fall a sprig of yew tree in his path;
And how he died: and then, that love doth scathe,
The gentle heart, as northern blasts do roses;
And then the ballad of his sad life closes
With sighs, and an alas!Endymion!
Be rather in the trumpet's mouth,anon
Among the winds at largethat all may hearken!
Although, before the crystal heavens darken,
I watch and dote upon the silver lakes
Pictur'd in western cloudiness, that takes
The semblance of gold rocks and bright gold sands,
Islands, and creeks, and amber-fretted strands
With horses prancing o'er them, palaces
And towers of amethyst,would I so tease
My pleasant days, because I could not mount
Into those regions? The Morphean fount
Of that fine element that visions, dreams,
And fitful whims of sleep are made of, streams
Into its airy channels with so subtle,
So thin a breathing, not the spider's shuttle,
Circled a million times within the space
Of a swallow's nest-door, could delay a trace,
A tinting of its quality: how light
Must dreams themselves be; seeing they're more slight
Than the mere nothing that engenders them!
Then wherefore sully the entrusted gem
Of high and noble life with thoughts so sick?
Why pierce high-fronted honour to the quick
For nothing but a dream?" Hereat the youth
Look'd up: a conflicting of shame and ruth
Was in his plaited brow: yet his eyelids
Widened a little, as when Zephyr bids
A little breeze to creep between the fans
Of careless butterflies: amid his pains
He seem'd to taste a drop of manna-dew,
Full palatable; and a colour grew
Upon his cheek, while thus he lifeful spake.

"Peona! ever have I long'd to slake
My thirst for the world's praises: nothing base,
No merely slumberous phantasm, could unlace
The stubborn canvas for my voyage prepar'd
Though now 'tis tatter'd; leaving my bark bar'd
And sullenly drifting: yet my higher hope
Is of too wide, too rainbow-large a scope,
To fret at myriads of earthly wrecks.
Wherein lies happiness? In that which becks
Our ready minds to fellowship divine,
A fellowship with essence; till we shine,
Full alchemiz'd, and free of space. Behold
The clear religion of heaven! Fold
A rose leaf round thy finger's taperness,
And soothe thy lips: hist, when the airy stress
Of music's kiss impregnates the free winds,
And with a sympathetic touch unbinds
Eolian magic from their lucid wombs:
Then old songs waken from enclouded tombs;
Old ditties sigh above their father's grave;
Ghosts of melodious prophecyings rave
Round every spot where trod Apollo's foot;
Bronze clarions awake, and faintly bruit,
Where long ago a giant battle was;
And, from the turf, a lullaby doth pass
In every place where infant Orpheus slept.
Feel we these things?that moment have we stept
Into a sort of oneness, and our state
Is like a floating spirit's. But there are
Richer entanglements, enthralments far
More self-destroying, leading, by degrees,
To the chief intensity: the crown of these
Is made of love and friendship, and sits high
Upon the forehead of humanity.
All its more ponderous and bulky worth
Is friendship, whence there ever issues forth
A steady splendour; but at the tip-top,
There hangs by unseen film, an orbed drop
Of light, and that is love: its influence,
Thrown in our eyes, genders a novel sense,
At which we start and fret; till in the end,
Melting into its radiance, we blend,
Mingle, and so become a part of it,
Nor with aught else can our souls interknit
So wingedly: when we combine therewith,
Life's self is nourish'd by its proper pith,
And we are nurtured like a pelican brood.
Aye, so delicious is the unsating food,
That men, who might have tower'd in the van
Of all the congregated world, to fan
And winnow from the coming step of time
All chaff of custom, wipe away all slime
Left by men-slugs and human serpentry,
Have been content to let occasion die,
Whilst they did sleep in love's elysium.
And, truly, I would rather be struck dumb,
Than speak against this ardent listlessness:
For I have ever thought that it might bless
The world with benefits unknowingly;
As does the nightingale, upperched high,
And cloister'd among cool and bunched leaves
She sings but to her love, nor e'er conceives
How tiptoe Night holds back her dark-grey hood.
Just so may love, although 'tis understood
The mere commingling of passionate breath,
Produce more than our searching witnesseth:
What I know not: but who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet?

"Now, if this earthly love has power to make
Men's being mortal, immortal; to shake
Ambition from their memories, and brim
Their measure of content; what merest whim,
Seems all this poor endeavour after fame,
To one, who keeps within his stedfast aim
A love immortal, an immortal too.
Look not so wilder'd; for these things are true,
And never can be born of atomies
That buzz about our slumbers, like brain-flies,
Leaving us fancy-sick. No, no, I'm sure,
My restless spirit never could endure
To brood so long upon one luxury,
Unless it did, though fearfully, espy
A hope beyond the shadow of a dream.
My sayings will the less obscured seem,
When I have told thee how my waking sight
Has made me scruple whether that same night
Was pass'd in dreaming. Hearken, sweet Peona!
Beyond the matron-temple of Latona,
Which we should see but for these darkening boughs,
Lies a deep hollow, from whose ragged brows
Bushes and trees do lean all round athwart,
And meet so nearly, that with wings outraught,
And spreaded tail, a vulture could not glide
Past them, but he must brush on every side.
Some moulder'd steps lead into this cool cell,
Far as the slabbed margin of a well,
Whose patient level peeps its crystal eye
Right upward, through the bushes, to the sky.
Oft have I brought thee flowers, on their stalks set
Like vestal primroses, but dark velvet
Edges them round, and they have golden pits:
'Twas there I got them, from the gaps and slits
In a mossy stone, that sometimes was my seat,
When all above was faint with mid-day heat.
And there in strife no burning thoughts to heed,
I'd bubble up the water through a reed;
So reaching back to boy-hood: make me ships
Of moulted feathers, touchwood, alder chips,
With leaves stuck in them; and the Neptune be
Of their petty ocean. Oftener, heavily,
When love-lorn hours had left me less a child,
I sat contemplating the figures wild
Of o'er-head clouds melting the mirror through.
Upon a day, while thus I watch'd, by flew
A cloudy Cupid, with his bow and quiver;
So plainly character'd, no breeze would shiver
The happy chance: so happy, I was fain
To follow it upon the open plain,
And, therefore, was just going; when, behold!
A wonder, fair as any I have told
The same bright face I tasted in my sleep,
Smiling in the clear well. My heart did leap
Through the cool depth.It moved as if to flee
I started up, when lo! refreshfully,
There came upon my face, in plenteous showers,
Dew-drops, and dewy buds, and leaves, and flowers,
Wrapping all objects from my smothered sight,
Bathing my spirit in a new delight.
Aye, such a breathless honey-feel of bliss
Alone preserved me from the drear abyss
Of death, for the fair form had gone again.
Pleasure is oft a visitant; but pain
Clings cruelly to us, like the gnawing sloth
On the deer's tender haunches: late, and loth,
'Tis scar'd away by slow returning pleasure.
How sickening, how dark the dreadful leisure
Of weary days, made deeper exquisite,
By a fore-knowledge of unslumbrous night!
Like sorrow came upon me, heavier still,
Than when I wander'd from the poppy hill:
And a whole age of lingering moments crept
Sluggishly by, ere more contentment swept
Away at once the deadly yellow spleen.
Yes, thrice have I this fair enchantment seen;
Once more been tortured with renewed life.
When last the wintry gusts gave over strife
With the conquering sun of spring, and left the skies
Warm and serene, but yet with moistened eyes
In pity of the shatter'd infant buds,
That time thou didst adorn, with amber studs,
My hunting cap, because I laugh'd and smil'd,
Chatted with thee, and many days exil'd
All torment from my breast;'twas even then,
Straying about, yet, coop'd up in the den
Of helpless discontent,hurling my lance
From place to place, and following at chance,
At last, by hap, through some young trees it struck,
And, plashing among bedded pebbles, stuck
In the middle of a brook,whose silver ramble
Down twenty little falls, through reeds and bramble,
Tracing along, it brought me to a cave,
Whence it ran brightly forth, and white did lave
The nether sides of mossy stones and rock,
'Mong which it gurgled blythe adieus, to mock
Its own sweet grief at parting. Overhead,
Hung a lush screen of drooping weeds, and spread
Thick, as to curtain up some wood-nymph's home.
"Ah! impious mortal, whither do I roam?"
Said I, low voic'd: "Ah whither! 'Tis the grot
Of Proserpine, when Hell, obscure and hot,
Doth her resign; and where her tender hands
She dabbles, on the cool and sluicy sands:
Or 'tis the cell of Echo, where she sits,
And babbles thorough silence, till her wits
Are gone in tender madness, and anon,
Faints into sleep, with many a dying tone
Of sadness. O that she would take my vows,
And breathe them sighingly among the boughs,
To sue her gentle ears for whose fair head,
Daily, I pluck sweet flowerets from their bed,
And weave them dyinglysend honey-whispers
Round every leaf, that all those gentle lispers
May sigh my love unto her pitying!
O charitable echo! hear, and sing
This ditty to her!tell her"so I stay'd
My foolish tongue, and listening, half afraid,
Stood stupefied with my own empty folly,
And blushing for the freaks of melancholy.
Salt tears were coming, when I heard my name
Most fondly lipp'd, and then these accents came:
Endymion! the cave is secreter
Than the isle of Delos. Echo hence shall stir
No sighs but sigh-warm kisses, or light noise
Of thy combing hand, the while it travelling cloys
And trembles through my labyrinthine hair."
At that oppress'd I hurried in.Ah! where
Are those swift moments? Whither are they fled?
I'll smile no more, Peona; nor will wed
Sorrow the way to death, but patiently
Bear up against it: so farewel, sad sigh;
And come instead demurest meditation,
To occupy me wholly, and to fashion
My pilgrimage for the world's dusky brink.
No more will I count over, link by link,
My chain of grief: no longer strive to find
A half-forgetfulness in mountain wind
Blustering about my ears: aye, thou shalt see,
Dearest of sisters, what my life shall be;
What a calm round of hours shall make my days.
There is a paly flame of hope that plays
Where'er I look: but yet, I'll say 'tis naught
And here I bid it die. Have not I caught,
Already, a more healthy countenance?
By this the sun is setting; we may chance
Meet some of our near-dwellers with my car."

This said, he rose, faint-smiling like a star
Through autumn mists, and took Peona's hand:
They stept into the boat, and launch'd from land.
ENDYMION.
A Romance.

"The stretched metre of an antique song." ~
Shakspeare's Sonnets.
INSCRIBED,
With Every Feeling Of Pride and Regret
and With "A Bowed Mind,"
To the Memory of
The Most English of Poets Except Shakspeare,
THOMAS CHATTERON.
------------------------

(line 144): A lovely allusion to the story of Apollo's nine years' sojourn on earth as the herdsman of Admetus, when banished from Olympus for killing the Cyclops who had forged the thunder-bolts wherewith AEsculapius had been slain.

(line 232): It was the Hymn to Pan beginning here that the young poet when engaged in the composition of Endymion was induced to recite in the presence of Wordsworth, on the 28th of December 1817, at Haydon's house. Leigh Hunt records that the elder poet pronounced it "a very pretty piece of paganism."

(line 319): Doubtless meant to refer specially to the Elgin marbles.

(line 347): The reference here is to the passage from the second Book of the Argonautica of Apollonius Rhodius, beginning at verse 674 ... which Shelley had in mind when (Prose Works, Vol. 3, p. 56) he alluded to the Apollo "so finely described by Apollonius Rhodius when the dazzling radiance of his beautiful limbs suddenly shone over the dark Euxine."

__ note found before the Preface of Endymion, in the Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. ...,

'In Woodhouse's copy of Endymion there is a note against the passage "so I will begin" &c., line 39, Book I, to the effect that the poem was begun in the spring of 1817 and finished in the winter of 1817-18; and in the title-page he has inserted April before 1818. The statement corresponds with Keats's own record of May 1817, that he was busying himself at Margate with the commencement of Endymion.'

PREFACE.
Knowing within myself the manner in which this Poem has been produced, it is not without a feeling of regret that I make it public.
What manner I mean, will be quite clear to the reader, who must soon perceive great inexperience, immaturity, and every error denoting a feverish attempt, rather than a deed accomplished. The two first books, and indeed the two last, I feel sensible are not of such completion as to warrant their passing the press; nor should they if I thought a year's castigation would do them any good; -- it will not: the foundations are too sandy. It is just that this youngster should die away: a sad thought for me, if I had not some hope that while it is dwindling I may be plotting, and fitting myself for verses fit to live.
This may be speaking too presumptuously, and may deserve a punishment: but no feeling man will be forward to inflict it: he will leave me alone, with the conviction that there is not a fiercer hell than the failure in a great object. This is not written with the least atom of purpose to forestall criticisms of course, but from the desire I have to conciliate men who are competent to look, and who do look with a zealous eye, to the honor of English literature.
The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness, and all the thousand bitters which those men I speak of must necessarily taste in going over the following pages.
I hope I have not in too late a day touched the beautiful mythology of Greece, and dulled its brightness: for I wish to try once more, before I bid it farewell.
Teignmouth, April 10, 1818.
[footnote] Woodhouse notes -- "[for I wish to try once more,] This alluded to his then intention of writing a poem on the fall of Hyperion. He commenced this poem: but, thanks to the critics who fell foul of this work, he discontinued it. The fragment was published in 1820." by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book I
,
1495:class:Classics

BOOK THE NINTH

The Story of Achelous and Hercules

Theseus requests the God to tell his woes,
Whence his maim'd brow, and whence his groans arose
Whence thus the Calydonian stream reply'd,
With twining reeds his careless tresses ty'd:
Ungrateful is the tale; for who can bear,
When conquer'd, to rehearse the shameful war?
Yet I'll the melancholy story trace;
So great a conqu'ror softens the disgrace:
Nor was it still so mean the prize to yield,
As great, and glorious to dispute the field.
Perhaps you've heard of Deianira's name,
For all the country spoke her beauty's fame.
Long was the nymph by num'rous suitors woo'd,
Each with address his envy'd hopes pursu'd:
I joyn'd the loving band; to gain the fair,
Reveal'd my passion to her father's ear.
Their vain pretensions all the rest resign,
Alcides only strove to equal mine;
He boasts his birth from Jove, recounts his spoils,
His step-dame's hate subdu'd, and finish'd toils.

Can mortals then (said I), with Gods compare?
Behold a God; mine is the watry care:
Through your wide realms I take my mazy way,
Branch into streams, and o'er the region stray:
No foreign guest your daughter's charms adores,
But one who rises in your native shores.
Let not his punishment your pity move;
Is Juno's hate an argument for love?
Though you your life from fair Alcmena drew,
Jove's a feign'd father, or by fraud a true.
Chuse then; confess thy mother's honour lost,
Or thy descent from Jove no longer boast.

While thus I spoke, he look'd with stern disdain,
Nor could the sallies of his wrath restrain,
Which thus break forth. This arm decides our right;
Vanquish in words, be mine the prize in fight.

Bold he rush'd on. My honour to maintain,
I fling my verdant garments on the plain,
My arms stretch forth, my pliant limbs prepare,
And with bent hands expect the furious war.
O'er my sleek skin now gather'd dust he throws,
And yellow sand his mighty muscles strows.
Oft he my neck, and nimble legs assails,
He seems to grasp me, but as often fails.
Each part he now invades with eager hand;
Safe in my bulk, immoveable I stand.
So when loud storms break high, and foam and roar
Against some mole that stretches from the shore;
The firm foundation lasting tempests braves,
Defies the warring winds, and driving waves.

A-while we breathe, then forward rush amain,
Renew the combat, and our ground maintain;
Foot strove with foot, I prone extend my breast,
Hands war with hands, and forehead forehead prest.
Thus have I seen two furious bulls engage,
Inflam'd with equal love, and equal rage;
Each claims the fairest heifer of the grove,
And conquest only can decide their love:
The trembling herds survey the fight from far,
'Till victory decides th' important war.
Three times in vain he strove my joints to wrest,
To force my hold, and throw me from his breast;
The fourth he broke my gripe, that clasp'd him round,
Then with new force he stretch'd me on the ground;
Close to my back the mighty bur then clung,
As if a mountain o'er my limbs were flung.
Believe my tale; nor do I, boastful, aim
By feign'd narration to extol my fame.
No sooner from his grasp I freedom get,
Unlock my arms, that flow'd with trickling sweat,
But quick he seized me, and renew'd the strife,
As my exhausted bosom pants for life:
My neck he gripes, my knee to earth he strains;
I fall, and bite the sand with shame, and pains.

O'er-match'd in strength, to wiles, and arts I take,
And slip his hold, in form of speckled snake;
Who, when I wreath'd in spires my body round,
Or show'd my forky tongue with hissing sound,
Smiles at my threats: Such foes my cradle knew,
He cries, dire snakes my infant hand o'erthrew;
A dragon's form might other conquests gain,
To war with me you take that shape in vain.
Art thou proportion'd to the Hydra's length,
Who by his wounds receiv'd augmented strength?
He rais'd a hundred hissing heads in air;
When one I lopt, up-sprung a dreadful pair.
By his wounds fertile, and with slaughter strong,
Singly I quell'd him, and stretch'd dead along.
What canst thou do, a form precarious, prone,
To rouse my rage with terrors not thy own?
He said; and round my neck his hands he cast,
And with his straining fingers wrung me fast;
My throat he tortur'd, close as pincers clasp,
In vain I strove to loose the forceful grasp.

Thus vanquish'd too, a third form still remains,
Chang'd to a bull, my lowing fills the plains.
Strait on the left his nervous arms were thrown
Upon my brindled neck, and tugg'd it down;
Then deep he struck my horn into the sand,
And fell'd my bulk among the dusty land.
Nor yet his fury cool'd; 'twixt rage and scorn,
From my maim'd front he tore the stubborn horn:
This, heap'd with flow'rs, and fruits, the Naiads bear,
Sacred to plenty, and the bounteous year.

He spoke; when lo, a beauteous nymph appears,
Girt like Diana's train, with flowing hairs;
The horn she brings in which all Autumn's stor'd,
And ruddy apples for the second board.

Now morn begins to dawn, the sun's bright fire
Gilds the high mountains, and the youths retire;
Nor stay'd they, 'till the troubled stream subsides,
And in its bounds with peaceful current glides.
But Achelous in his oozy bed
Deep hides his brow deform'd, and rustick head:
No real wound the victor's triumph show'd,
But his lost honours griev'd the watry God;
Yet ev'n that loss the willow's leaves o'erspread,
And verdant reeds, in garlands, bind his head.

The Death of Nessus the Centaur

This virgin too, thy love, O Nessus, found,
To her alone you owe the fatal wound.
As the strong son of Jove his bride conveys,
Where his paternal lands their bulwarks raise;
Where from her slopy urn, Evenus pours
Her rapid current, swell'd by wintry show'rs,
He came. The frequent eddies whirl'd the tide,
And the deep rolling waves all pass deny'd.
As for himself, he stood unmov'd by fears,
For now his bridal charge employ'd his cares,
The strong-limb'd Nessus thus officious cry'd
(For he the shallows of the stream had try'd),
Swim thou, Alcides, all thy strength prepare,
On yonder bank I'll lodge thy nuptial care.

Th' Aonian chief to Nessus trusts his wife,
All pale, and trembling for her heroe's life:
Cloath'd as he stood in the fierce lion's hide,
The laden quiver o'er his shoulder ty'd
(For cross the stream his bow and club were cast),
Swift he plung'd in: These billows shall be past,
He said, nor sought where smoother waters glide,
But stem'd the rapid dangers of the tide.
The bank he reach'd; again the bow he bears;
When, hark! his bride's known voice alarms his ears.
Nessus, to thee I call (aloud he cries)
Vain is thy trust in flight, be timely wise:
Thou monster double-shap'd, my right set free;
If thou no rev'rence owe my fame and me,
Yet kindred should thy lawless lust deny;
Think not, perfidious wretch, from me to fly,
Tho' wing'd with horse's speed; wounds shall pursue;
Swift as his words the fatal arrow flew:
The centaur's back admits the feather'd wood,
And thro' his breast the barbed weapon stood;
Which when, in anguish, thro' the flesh he tore,
From both the wounds gush'd forth the spumy gore
Mix'd with Lernaean venom; this he took,
Nor dire revenge his dying breast forsook.
His garment, in the reeking purple dy'd,
To rouse love's passion, he presents the bride.

The Death of Hercules

Now a long interval of time succeeds,
When the great son of Jove's immortal deeds,
And step-dame's hate, had fill'd Earth's utmost round;
He from Oechalia, with new lawrels crown'd,
In triumph was return'd. He rites prepares,
And to the King of Gods directs his pray'rs;
When Fame (who falshood cloaths in truth's disguise,
And swells her little bulk with growing lies)
Thy tender ear, o Deianira, mov'd,
That Hercules the fair Iole lov'd.
Her love believes the tale; the truth she fears
Of his new passion, and gives way to tears.
The flowing tears diffus'd her wretched grief,
Why seek I thus, from streaming eyes, relief?
She cries; indulge not thus these fruitless cares,
The harlot will but triumph in thy tears:
Let something be resolv'd, while yet there's time;
My bed not conscious of a rival's crime.
In silence shall I mourn, or loud complain?
Shall I seek Calydon, or here remain?
What tho', ally'd to Meleager's fame,
I boast the honours of a sister's name?
My wrongs, perhaps, now urge me to pursue
Some desp'rate deed, by which the world shall view
How far revenge, and woman's rage can rise,
When weltring in her blood the harlot dies.

Thus various passions rul'd by turns her breast,
She now resolves to send the fatal vest,
Dy'd with Lernaean gore, whose pow'r might move
His soul anew, and rouse declining love.
Nor knew she what her sudden rage bestows,
When she to Lychas trusts her future woes;
With soft endearments she the boy commands,
To bear the garment to her husband's hands.

Th' unwitting hero takes the gift in haste,
And o'er his shoulders Lerna's poison cast,
As first the fire with frankincense he strows,
And utters to the Gods his holy vows;
And on the marble altar's polish'd frame
Pours forth the grapy stream; the rising flame
Sudden dissolves the subtle pois'nous juice,
Which taints his blood, and all his nerves bedews.
With wonted fortitude he bore the smart,
And not a groan confess'd his burning heart.
At length his patience was subdu'd by pain,
He rends the sacred altar from the plain;
Oete's wide forests echo with his cries:
Now to rip off the deathful robe he tries.
Where-e'er he plucks the vest, the skin he tears,
The mangled muscles, and huge bones he bares
(A ghastful sight!), or raging with his pain,
To rend the sticking plague he tugs in vain.

As the red iron hisses in the flood,
So boils the venom in his curdling blood.
Now with the greedy flame his entrails glow,
And livid sweats down all his body flow;
The cracking nerves burnt up are burst in twain,
The lurking venom melts his swimming brain.

Then, lifting both his hands aloft, he cries,
Glut thy revenge, dread Empress of the skies;
Sate with my death the rancour of thy heart,
Look down with pleasure, and enjoy my smart.
Or, if e'er pity mov'd a hostile breast
(For here I stand thy enemy profest),
Take hence this hateful life, with tortures torn,
Inur'd to trouble, and to labours born.
Death is the gift most welcome to my woe,
And such a gift a stepdame may bestow.
Was it for this Busiris was subdu'd,
Whose barb'rous temples reek'd with strangers' blood?
Press'd in these arms his fate Antaeus found,
Nor gain'd recruited vigour from the ground.
Did I not triple-form'd Geryon fell?
Or did I fear the triple dog of Hell?
Did not these hands the bull's arm'd forehead hold?
Are not our mighty toils in Elis told?
Do not Stymphalian lakes proclaim thy fame?
And fair Par thenian woods resound thy name?
Who seiz'd the golden belt of Thermodon?
And who the dragon-guarded apples won?
Could the fierce centaur's strength my force withstand,
Or the fell boar that spoil'd th' Arcadian land?
Did not these arms the Hydra's rage subdue,
Who from his wounds to double fury grew?
What if the Thracian horses, fat with gore,
Who human bodies in their mangers tore,
I saw, and with their barb'rous lord o'erthrew?
What if these hands Nemaea's lion slew?
Did not this neck the heav'nly globe sustain?
The female partner of the Thunderer's reign
Fatigu'd, at length suspends her harsh commands,
Yet no fatigue hath slack'd these valiant hands.
But now new plagues pursue me, neither force,
Nor arms, nor darts can stop their raging course.
Devouring flame thro' my rack'd entrails strays,
And on my lungs and shrivel'd muscles preys.
Yet still Eurystheus breathes the vital air.
What mortal now shall seek the Gods with pray'r?

The Transformation of Lychas into a Rock

The hero said; and with the torture stung,
Furious o'er Oete's lofty hills he sprung.
Stuck with the shaft, thus scours the tyger round,
And seeks the flying author of his wound.
Now might you see him trembling, now he vents
His anguish'd soul in groans, and loud laments;
He strives to tear the clinging vest in vain,
And with up-rooted forests strows the plain;
Now kindling into rage, his hands he rears,
And to his kindred Gods directs his pray'rs.
When Lychas, lo, he spies; who trembling flew,
And in a hollow rock conceal'd from view,
Had shun'd his wrath. Now grief renew'd his pain,
His madness chaf'd, and thus he raves again.

Lychas, to thee alone my fate I owe,
Who bore the gift, the cause of all my woe.
The youth all pale, with shiv'ring fear was stung,
And vain excuses falter'd on his tongue.
Alcides snatch'd him, as with suppliant face
He strove to clasp his knees, and beg for grace:
He toss'd him o'er his head with airy course,
And hurl'd with more than with an engine's force;
Far o'er th' Eubaean main aloof he flies,
And hardens by degrees amid the skies.
So showry drops, when chilly tempests blow,
Thicken at first, then whiten into snow,
In balls congeal'd the rolling fleeces bound,
In solid hail result upon the ground.
Thus, whirl'd with nervous force thro' distant air,
The purple tide forsook his veins, with fear;
All moisture left his limbs. Transform'd to stone,
In ancient days the craggy flint was known;
Still in the Eubaean waves his front he rears,
Still the small rock in human form appears,
And still the name of hapless Lychas bears.

The Apotheosis of Hercules

But now the hero of immortal birth
Fells Oete's forests on the groaning Earth;
A pile he builds; to Philoctetes' care
He leaves his deathful instruments of war;
To him commits those arrows, which again
Shall see the bulwarks of the Trojan reign.
The son of Paean lights the lofty pyre,
High round the structure climbs the greedy fire;
Plac'd on the top, thy nervous shoulders spread
With the Nemaean spoils, thy careless head
Rais'd on a knotty club, with look divine,
Here thou, dread hero, of celestial line,
Wert stretch'd at ease; as when a chearful guest,
Wine crown'd thy bowls, and flow'rs thy temples drest.

Now on all sides the potent flames aspire,
And crackle round those limbs that mock the fire
A sudden terror seiz'd th' immortal host,
Who thought the world's profess'd defender lost.
This when the Thund'rer saw, with smiles he cries,
'Tis from your fears, ye Gods, my pleasures rise;
Joy swells my breast, that my all-ruling hand
O'er such a grateful people boasts command,
That you my suff'ring progeny would aid;
Tho' to his deeds this just respect be paid,
Me you've oblig'd. Be all your fears forborn,
Th' Oetean fires do thou, great hero, scorn.
Who vanquish'd all things, shall subdue the flame.
That part alone of gross maternal frame
Fire shall devour; while what from me he drew
Shall live immortal, and its force subdue;
That, when he's dead, I'll raise to realms above;
May all the Pow'rs the righteous act approve.
If any God dissent, and judge too great
The sacred honours of the heav'nly seat,
Ev'n he shall own his deeds deserve the sky,
Ev'n he reluctant, shall at length comply.
Th' assembled Pow'rs assent. No frown 'till now
Had mark'd with passion vengeful Juno's brow,
Mean-while whate'er was in the pow'r of flame
Was all consum'd; his body's nervous frame
No more was known, of human form bereft,
Th' eternal part of Jove alone was left.
As an old serpent casts his scaly vest,
Wreathes in the sun, in youthful glory drest;
So when Alcides mortal mold resign'd,
His better part enlarg'd, and grew refin'd;
August his visage shone; almighty Jove
In his swift carr his honour'd offspring drove;
High o'er the hollow clouds the coursers fly,
And lodge the hero in the starry sky.

The Transformation of Galanthis

Atlas perceiv'd the load of Heav'n's new guest.
Revenge still rancour'd in Eurystheus' breast
Against Alcides' race. Alcmena goes
To Iole, to vent maternal woes;
Here she pours forth her grief, recounts the spoils
Her son had bravely reap'd in glorious toils.
This Iole, by Hercules' commands,
Hyllus had lov'd, and joyn'd in nuptial bands.
Her swelling womb the teeming birth confess'd,
To whom Alcmena thus her speech address'd.

O, may the Gods protect thee, in that hour,
When, 'midst thy throws, thou call'st th' Ilithyan Pow'r!

May no delays prolong thy racking pain,
As when I su'd for Juno's aid in vain.

When now Alcides' mighty birth drew nigh,
And the tenth sign roll'd forward on the sky,
My womb extends with such a mighty load,
As Jove the parent of the bur then show'd.
I could no more th' encreasing smart sustain,
My horror kindles to recount the pain;
Cold chills my limbs while I the tale pursue,
And now methinks I feel my pangs anew.
Seven days and nights amidst incessant throws,
Fatigu'd with ills I lay, nor knew repose;
When lifting high my hands, in shrieks I pray'd,
Implor'd the Gods, and call'd Lucina's aid.
She came, but prejudic'd, to give my Fate
A sacrifice to vengeful Juno's hate.
She hears the groaning anguish of my fits,
And on the altar at my door she sits.
O'er her left knee her crossing leg she cast,
Then knits her fingers close, and wrings them fast:
This stay'd the birth; in mutt'ring verse she pray'd,
The mutt'ring verse th' unfinish'd birth delay'd.
Now with fierce struggles, raging with my pain,
At Jove's ingratitude I rave in vain.
How did I wish for death! such groans I sent,
As might have made the flinty heart relent.

Now the Cadmeian matrons round me press,
Offer their vows, and seek to bring redress;
Among the Theban dames Galanthis stands,
Strong limb'd, red hair'd, and just to my commands:
She first perceiv'd that all these racking woes
From the persisting hate of Juno rose.
As here and there she pass'd, by chance she sees
The seated Goddess; on her close-press'd knees
Her fast-knit hands she leans; with chearful voice
Galanthis cries, Whoe'er thou art, rejoyce,
Congratulate the dame, she lies at rest,
At length the Gods Alcmena's womb have blest.
Swift from her seat the startled Goddess springs,
No more conceal'd, her hands abroad she flings;
The charm unloos'd, the birth my pangs reliev'd;
Galanthis' laughter vex'd the Pow'r deceiv'd.
Fame says, the Goddess dragg'd the laughing maid
Fast by the hair; in vain her force essay'd
Her grov'ling body from the ground to rear;
Chang'd to fore-feet her shrinking arms appear:
Her hairy back her former hue retains,
The form alone is lost; her strength remains;
Who, since the lye did from her mouth proceed,
Shall from her pregnant mouth bring forth her breed;
Nor shall she quit her long-frequented home,
But haunt those houses where she lov'd to roam.

The Fable of Dryope

She said, and for her lost Galanthis sighs;
When the fair consort of her son replies;
Since you a servant's ravish'd form bemoan,
And kindly sigh for sorrows not your own,
Let me (if tears and grief permit) relate
A nearer woe, a sister's stranger fate.

No nymph of all Oechaloa could compare
For beauteous form with Dryope the fair;
Her tender mother's only hope and pride
(My self the offspring of a second bride),
This nymph, compress'd by him who rules the day,
Whom Delphi, and the Delian isle obey,
Andraemon lov'd; and blest in all those charms
That pleas'd a God, succeeded to her arms.

A lake there was, with shelving banks around,
Whose verdant summit fragrant myrtles crown'd.
Those shades, unknowing of the fates, she sought;
And to the Naiads flow'ry garlands brought;
Her smiling babe (a pleasing charge) she prest
Between her arms, and nourish'd at her breast.
Not distant far a watry lotos grows;
The Spring was new, and all the verdant boughs,
Acorn'd with blossoms, promis'd fruits that vye
In glowing colours with the Tyrian dye.
Of these she cropt, to please her infant son,
And I my self the same rash act had done,
But, lo! I saw (as near her side I stood)
The violated blossoms drop with blood;
Upon the tree I cast a frightful look,
The trembling tree with sudden horror shook.
Lotis the nymph (if rural tales be true)
As from Priapus' lawless lust she flew,
Forsook her form; and fixing here became
A flow'ry plant, which still preserves her name.

This change unknown, astonish'd at the sight,
My trembling sister strove to urge her flight;
Yet first the pardon of the Nymphs implor'd,
And those offended Sylvan pow'rs ador'd:
But when she backward would have fled, she found
Her stiff'ning feet were rooted to the ground:
In vain to free her fasten'd feet she strove,
And as she struggles only moves above;
She feels th' incroaching bark around her grow,
By slow degrees, and cover all below:
Surpriz'd at this, her trembling hand she heaves
To rend her hair; her hand is fill'd with leaves;
Where late was hair, the shooting leaves are seen
To rise, and shade her with a sudden green.
The Child Amphisus, to her bosom prest,
Perceiv'd a colder and a harder breast,
And found the springs, that n'er 'till then deny'd
Their milky moisture, on a sudden dry'd.
I saw, unhappy, what I now relate,
And stood the helpless witness of thy fate;
Embrac'd thy boughs, the rising bark delay'd,
There wish'd to grow, and mingle shade with shade.

Behold Andraemon, and th' unhappy sire
Appear, and for their Dryope enquire;
A springing tree for Dryope they find,
And print warm kisses on the panting rind;
Prostrate, with tears their kindred plant bedew,
And close embrac'd, as to the roots they grew;
The face was all that now remain'd of thee;
No more a woman, nor yet quite a tree:
Thy branches hung with humid pearls appear,
From ev'ry leaf distills a trickling tear;
And strait a voice, while yet a voice remains,
Thus thro' the trembling boughs in sighs complains.

If to the wretched any faith be giv'n,
I swear by all th' unpitying Pow'rs of Heav'n,
No wilful crime this heavy vengeance bred,
In mutual innocence our lives we led.
If this be false, let these new greens decay,
Let sounding axes lop my limbs away,
And crackling flames on all my honours prey.
Now from my branching arms this infant bear,
Let some kind nurse supply a mother's care;
Yet to his mother let him oft be led,
Sport in her shades, and in her shades be fed;
Teach him, when first his infant voice shall frame
Imperfect words, and lisp his mother's name,
To hail this tree, and say with weeping eyes,
Within this plant my hapless parent lies;
And when in youth he seeks the shady woods,
Oh, let him fly the chrystal lakes and floods,
Nor touch the fatal flow'rs; but warn'd by me,
Believe a Goddess shrin'd in ev'ry tree.
My sire, my sister, and my spouse farewel!
If in your breasts or love, or pity, dwell,
Protect your plant, nor let my branches feel
The browzing cattle, or the piercing steel.
Farewel! and since I cannot bend to join
My lips to yours, advance at least to mine.
My son, thy mother's parting kiss receive,
While yet thy mother has a kiss to give.
I can no more; the creeping rind invades
My closing lips, and hides my head in shades:
Remove your hands; the bark shall soon suffice,
Without their aid, to seal these dying eyes.
She ceas'd at once to speak, and ceas'd to be;
And all the nymph was lost within the tree:
Yet latent life thro' her new branches reign'd,
And long the plant a human heat retain'd.

Iolaus restor'd to Youth

While Iole the fatal change declares,
Alcmena's pitying hand oft wip'd her tears.
Grief too stream'd down her cheeks; soon sorrow flies,
And rising joy the trickling moisture dries,
Lo Iolaus stands before their eyes.
A youth he stood; and the soft down began
O'er his smooth chin to spread, and promise man.
Hebe submitted to her husband's pray'rs,
Instill'd new vigour, and restor'd his years.

The Prophecy of Themis

Now from her lips a solemn oath had past,
That Iolaus this gift alone shou'd taste,
Had not just Themis thus maturely said
(Which check'd her vow, and aw'd the blooming maid).

Thebes is embroil'd in war. Capaneus stands
Invincible, but by the Thund'rer's hands.
Ambition shall the guilty brothers fire,
Both rush to mutual wounds, and both expire.
The reeling Earth shall ope her gloomy womb,
Where the yet breathing bard shall find his tomb.
The son shall bath his hands in parents' blood,
And in one act be both unjust, and good.
Of home, and sense depriv'd, where-e'er he flies,
The Furies, and his mother's ghost he spies.
His wife the fatal bracelet shall implore,
And Phegeus stain his sword in kindred gore.
Callirhoe shall then with suppliant pray'r
Prevail on Jupiter's relenting ear.
Jove shall with youth her infant sons inspire,
And bid their bosoms glow with manly fire.

The Debate of the Gods

When Themis thus with prescient voice had spoke,
Among the Gods a various murmur broke;
Dissention rose in each immortal breast,
That one should grant, what was deny'd the rest.
Aurora for her aged spouse complains,
And Ceres grieves for Jason's freezing veins;
Vulcan would Erichthonius' years renew,
Her future race the care of Venus drew,
She would Anchises' blooming age restore;
A diff'rent care employ'd each heav'nly Pow'r:
Thus various int'rests did their jars encrease,
'Till Jove arose; he spoke, their tumults cease.

Is any rev'rence to our presence giv'n,
Then why this discord 'mong the Pow'rs of Heav'n?
Who can the settled will of Fate subdue?
'Twas by the Fates that Iolaus knew
A second youth. The Fates' determin'd doom
Shall give Callirhoe's race a youthful bloom.
Arms, nor ambition can this pow'r obtain;
Quell your desires; ev'n me the Fates restrain.
Could I their will controul, no rolling years
Had Aeacus bent down with silver hairs;
Then Rhadamanthus still had youth possess'd,
And Minos with eternal bloom been bless'd.
Jove's words the synod mov'd; the Pow'rs give o'er,
And urge in vain unjust complaint no more.
Since Rhadamanthus' veins now slowly flow'd,
And Aeacus, and Minos bore the load;
Minos, who in the flow'r of youth, and fame,
Made mighty nations tremble at his name,
Infirm with age, the proud Miletus fears,
Vain of his birth, and in the strength of years,
And now regarding all his realms as lost,
He durst not force him from his native coast.
But you by choice, Miletus, fled his reign,
And thy swift vessel plow'd th' Aegean main;
On Asiatick shores a town you frame,
Which still is honour'd with the founder's name.
Here you Cyanee knew, the beauteous maid,
As on her father's winding banks she stray'd:
Caunus and Byblis hence their lineage trace,
The double offspring of your warm embrace.

The Passion of of Byblis

Let the sad fate of wretched Byblis prove
A dismal warning to unlawful love;
One birth gave being to the hapless pair,
But more was Caunus than a sister's care;
Unknown she lov'd, for yet the gentle fire
Rose not in flames, nor kindled to desire,
'Twas thought no sin to wonder at his charms,
Hang on his neck, and languish in his arms;
Thus wing'd with joy, fled the soft hours away,
And all the fatal guilt on harmless Nature lay.

But love (too soon from piety declin'd)
Insensibly deprav'd her yielding mind.
Dress'd she appears, with nicest art adorn'd,
And ev'ry youth, but her lov'd brother, scorn'd;
For him alone she labour'd to be fair,
And curst all charms that might with hers compare.
'Twas she, and only she, must Caunus please,
Sick at her heart, yet knew not her disease:
She call'd him lord, for brother was a name
Too cold, and dull for her aspiring flame;
And when he spoke, if sister he reply'd,
For Byblis change that frozen word, she cry'd.
Yet waking still she watch'd her strugling breast,
And love's approaches were in vain address'd,
'Till gentle sleep an easy conquest made,
And in her soft embrace the conqueror was laid.
But oh too soon the pleasing vision fled,
And left her blushing on the conscious bed:
Ah me! (she cry'd) how monstrous do I seem?
Why these wild thoughts? and this incestuous dream?
Envy herself ('tis true) must own his charms,
But what is beauty in a sister's arms?
Oh were I not that despicable she,
How bless'd, how pleas'd, how happy shou'd I be!
But unregarded now must bear my pain,
And but in dreams, my wishes can obtain.

O sea-born Goddess! with thy wanton boy!
Was ever such a charming scene of joy?
Such perfect bliss! such ravishing delight!
Ne'er hid before in the kind shades of night.
How pleas'd my heart! in what sweet raptures tost!
Ev'n life it self in the soft combat lost,
While breathless he on my heav'd bosom lay,
And snatch'd the treasures of my soul away.

If the bare fancy so affects my mind,
How shou'd I rave if to the substance join'd?
Oh, gentle Caunus! quit thy hated line,
Or let thy parents be no longer mine!
Oh that in common all things were enjoy'd,
But those alone who have our hopes destroy'd.
Were I a princess, thou an humble swain,
The proudest kings shou'd rival thee in vain.
It cannot be, alas! the dreadful ill
Is fix'd by Fate, and he's my brother still.
Hear me, ye Gods! I must have friends in Heav'n,
For Jove himself was to a sister giv'n:
But what are their prerogatives above,
To the short liberties of human love?
Fantastick thoughts! down, down, forbidden fires,
Or instant death extinguish my desires.
Strict virtue, then, with thy malicious leave,
Without a crime I may a kiss receive:
But say shou'd I in spight of laws comply,
Yet cruel Caunus might himself deny,
No pity take of an afflicted maid
(For love's sweet game must be by couples play'd).
Yet why shou'd youth, and charms like mine, despair?
Such fears ne'er startled the Aeolian pair;
No ties of blood could their full hopes destroy,
They broke thro' all, for the prevailing joy;
And who can tell but Caunus too may be
Rack'd and tormented in his breast for me?
Like me, to the extreamest anguish drove,
Like me, just waking from a dream of love?
But stay! Oh whither wou'd my fury run!
What arguments I urge to be undone!
Away fond Byblis, quench these guilty flames;
Caunus thy love but as brother claims;
Yet had he first been touch'd with love of me,
The charming youth cou'd I despairing see?
Oppress'd with grief, and dying by disdain?
Ah no! too sure I shou'd have eas'd his pain!
Since then, if Caunus ask'd me, it were done;
Asking my self, what dangers can I run?
But canst thou ask? and see that right betray'd,
From Pyrrha down to thy whole sex convey'd?
That self-denying gift we all enjoy,
Of wishing to be won, yet seeming to be coy.
Well then, for once, let a fond mistress woo;
The force of love no custom can subdue;
This frantick passion he by words shall know,
Soft as the melting heart from whence they flow.
The pencil then in her fair hand she held,
By fear discourag'd, but by love compell'd
She writes, then blots, writes on, and blots again,
Likes it as fit, then razes it as vain:
Shame, and assurance in her face appear,
And a faint hope just yielding to despair;
Sister was wrote, and blotted as a word
Which she, and Caunus too (she hop'd) abhorr'd;
But now resolv'd to be no more controul'd
By scrup'lous virtue, thus her grief she told.

Thy lover (gentle Caunus) wishes thee
That health, which thou alone canst give to me.
O charming youth! the gift I ask bestow,
Ere thou the name of the fond writer know;
To thee without a name I would be known,
Since knowing that, my frailty I must own.
Yet why shou'd I my wretched name conceal?
When thousand instances my flames reveal:
Wan looks, and weeping eyes have spoke my pain,
And sighs discharg'd from my heav'd heart in vain;
Had I not wish'd my passion might be seen,
What cou'd such fondness and embraces mean?
Such kisses too! (Oh heedless lovely boy)
Without a crime no sister cou'd enjoy:
Yet (tho' extreamest rage has rack'd my soul,
And raging fires in my parch'd bosom roul)
Be witness, Gods! how piously I strove,
To rid my thoughts of this enchanting love.
But who cou'd scape so fierce, and sure a dart,
Aim'd at a tender, and defenceless heart?
Alas! what maid cou'd suffer, I have born,
Ere the dire secret from my breast was torn;
To thee a helpless vanquish'd wretch I come,
'Tis you alone can save, or give my doom;
My life, or death this moment you may chuse.
Yet think, oh think, no hated stranger sues,
No foe; but one, alas! too near ally'd,
And wishing still much nearer to be ty'd.
The forms of decency let age debate,
And virtue's rules by their cold morals state;
Their ebbing joys give leisure to enquire,
And blame those noble flights our youth inspire:
Where Nature kindly summons let us go,
Our sprightly years no bounds in love shou'd know,
Shou'd feel no check of guilt, and fear no ill;
Lovers, and Gods act all things at their will:
We gain one blessing from our hated kin,
Since our paternal freedom hides the sin;
Uncensur'd in each other's arms we lye,
Think then how easie to compleat our joy.
Oh, pardon and oblige a blushing maid,
Whose rage the pride of her vain sex betray'd;
Nor let my tomb thus mournfully complain,
Here Byblis lies, by her lov'd Caunus slain.

Forc'd here to end, she with a falling tear
Temper'd the pliant wax, which did the signet bear:
The curious cypher was impress'd by art,
But love had stamp'd one deeper in her heart;
Her page, a youth of confidence, and skill,
(Secret as night) stood waiting on her will;
Sighing (she cry'd): Bear this, thou faithful boy,
To my sweet partner in eternal joy:
Here a long pause her secret guilt confess'd,
And when at length she would have spoke the rest,
Half the dear name lay bury'd in her breast.

Thus as he listned to her vain command,
Down fell the letter from her trembling hand.
The omen shock'd her soul. Yet go, she cry'd;
Can a request from Byblis be deny'd?

To the Maeandrian youth this message's born,
The half-read lines by his fierce rage were torn;
Hence, hence, he cry'd, thou pandar to her lust,
Bear hence the triumph of thy impious trust:
Thy instant death will but divulge her shame,
Or thy life's blood shou'd quench the guilty flame.
Frighted, from threatning Caunus he withdrew,
And with the dreadful news to his lost mistress flew.
The sad repulse so struck the wounded fair,
Her sense was bury'd in her wild despair;
Pale was her visage, as the ghastly dead;
And her scar'd soul from the sweet mansion fled;
Yet with her life renew'd, her love returns,
And faintly thus her cruel fate she mourns:
'Tis just, ye Gods! was my false reason blind?
To write a secret of this tender kind?
With female craft I shou'd at first have strove,
By dubious hints to sound his distant love;
And try'd those useful, tho' dissembled, arts,
Which women practise on disdainful hearts:
I shou'd have watch'd whence the black storm might rise;

Ere I had trusted the unfaithful skies.
Now on the rouling billows I am tost,
And with extended sails, on the blind shelves am lost.
Did not indulgent Heav'n my doom foretell,
When from my hand the fatal letter fell?
What madness seiz'd my soul? and urg'd me on
To take the only course to be undone?
I cou'd my self have told the moving tale
With such alluring grace as must prevail;
Then had his eyes beheld my blushing fears,
My rising sighs, and my descending tears;
Round his dear neck these arms I then had spread,
And, if rejected, at his feet been dead:
If singly these had not his thoughts inclin'd,
Yet all united would have shock'd his mind.
Perhaps, my careless page might be in fault,
And in a luckless hour the fatal message brought;
Business, and worldly thoughts might fill his breast,
Sometimes ev'n love itself may be an irksome guest:
He cou'd not else have treated me with scorn,
For Caunus was not of a tygress born;
Nor steel, nor adamant has fenc'd his heart;
Like mine, 'tis naked to the burning dart.

Away false fears! he must, he shall be mine;
In death alone I will my claim resign;
'Tis vain to wish my written crime unknown,
And for my guilt much vainer to atone.
Repuls'd and baffled, fiercer still she burns,
And Caunus with disdain her impious love returns.
He saw no end of her injurious flame,
And fled his country to avoid the shame.
Forsaken Byblis, who had hopes no more;
Burst out in rage, and her loose robes she tore;
With her fair hands she smote her tender breast,
And to the wond'ring world her love confess'd;
O'er hills and dales, o'er rocks and streams she flew,
But still in vain did her wild lust pursue:
Wearied at length, on the cold earth she fell,
And now in tears alone could her sad story tell.
Relenting Gods in pity fix'd her there,
And to a fountain turn'd the weeping fair.

The Fable of Iphis and Ian the

The fame of this, perhaps, thro' Crete had flown:
But Crete had newer wonders of her own,
In Iphis chang'd; for, near the Gnossian bounds
(As loud report the miracle resounds),
At Phaestus dwelt a man of honest blood,
But meanly born, and not so rich as good;
Esteem'd, and lov'd by all the neighbourhood;
Who to his wife, before the time assign'd
For child-birth came, thus bluntly spoke his mind.
If Heav'n, said Lygdus, will vouchsafe to hear,
I have but two petitions to prefer;
Short pains for thee, for me a son and heir.
Girls cost as many throes in bringing forth;
Beside, when born, the titts are little worth;
Weak puling things, unable to sustain
Their share of labour, and their bread to gain.
If, therefore, thou a creature shalt produce,
Of so great charges, and so little use
(Bear witness, Heav'n, with what reluctancy),
Her hapless innocence I doom to die.
He said, and common tears the common grief display,
Of him who bad, and her who must obey.

Yet Telethusa still persists, to find
Fit arguments to move a father's mind;
T' extend his wishes to a larger scope,
And in one vessel not confine his hope.
Lygdus continues hard: her time drew near,
And she her heavy load could scarcely bear;
When slumbring, in the latter shades of night,
Before th' approaches of returning light,
She saw, or thought she saw, before her bed,
A glorious train, and Isis at their head:
Her moony horns were on her forehead plac'd,
And yellow shelves her shining temples grac'd:
A mitre, for a crown, she wore on high;
The dog, and dappl'd bull were waiting by;
Osyris, sought along the banks of Nile;
The silent God: the sacred crocodile;
And, last, a long procession moving on,
With timbrels, that assist the lab'ring moon.
Her slumbers seem'd dispell'd, and, broad awake,
She heard a voice, that thus distinctly spake.
My votary, thy babe from death defend,
Nor fear to save whate'er the Gods will send.
Delude with art thy husband's dire decree:
When danger calls, repose thy trust on me:
And know thou hast not serv'd a thankless deity.
This promise made, with night the Goddess fled;
With joy the woman wakes, and leaves her bed;
Devoutly lifts her spotless hands on high,
And prays the Pow'rs their gift to ratifie.

Now grinding pains proceed to bearing throes,
'Till its own weight the burden did disclose.
'Twas of the beauteous kind, and brought to light
With secrecy, to shun the father's sight.
Th' indulgent mother did her care employ,
And past it on her husb and for a boy.
The nurse was conscious of the fact alone;
The father paid his vows as for a son;
And call'd him Iphis, by a common name,
Which either sex with equal right may claim.
Iphis his grandsire was; the wife was pleas'd,
Of half the fraud by Fortune's favour eas'd:
The doubtful name was us'd without deceit,
And truth was cover'd with a pious cheat.
The habit show'd a boy, the beauteous face
With manly fierceness mingled female grace.

Now thirteen years of age were swiftly run,
When the fond father thought the time drew on
Of settling in the world his only son.
Ian the was his choice; so wondrous fair,
Her form alone with Iphis cou'd compare;
A neighbour's daughter of his own degree,
And not more bless'd with Fortune's goods than he.

They soon espous'd; for they with ease were join'd,
Who were before contracted in the mind.
Their age the same, their inclinations too;
And bred together, in one school they grew.
Thus, fatally dispos'd to mutual fires,
They felt, before they knew, the same desires.
Equal their flame, unequal was their care;
One lov'd with hope, one languish'd in despair.
The maid accus'd the lingring day alone:
For whom she thought a man, she thought her own.
But Iphis bends beneath a greater grief;
As fiercely burns, but hopes for no relief.
Ev'n her despair adds fuel to her fire;
A maid with madness does a maid desire.
And, scarce refraining tears, Alas, said she,
What issue of my love remains for me!
How wild a passion works within my breast,
With what prodigious flames am I possest!
Could I the care of Providence deserve,
Heav'n must destroy me, if it would preserve.
And that's my fate, or sure it would have sent
Some usual evil for my punishment:
Not this unkindly curse; to rage, and burn,
Where Nature shews no prospect of return.
Nor cows for cows consume with fruitless fire;
Nor mares, when hot, their fellow-mares desire:
The father of the fold supplies his ewes;
The stag through secret woods his hind pursues;
And birds for mates the males of their own species chuse.

Her females Nature guards from female flame,
And joins two sexes to preserve the game:
Wou'd I were nothing, or not what I am!
Crete, fam'd for monsters, wanted of her store,
'Till my new love produc'd one monster more.
The daughter of the sun a bull desir'd,
And yet ev'n then a male a female fir'd:
Her passion was extravagantly new,
But mine is much the madder of the two.
To things impossible she was not bent,
But found the means to compass her intent.
To cheat his eyes she took a different shape;
Yet still she gain'd a lover, and a leap.
Shou'd all the wit of all the world conspire,
Shou'd Daedalus assist my wild desire,
What art can make me able to enjoy,
Or what can change Ian the to a boy?
Extinguish then thy passion, hopeless maid,
And recollect thy reason for thy aid.
Know what thou art, and love as maidens ought,
And drive these golden wishes from thy thought.
Thou canst not hope thy fond desires to gain;
Where hope is wanting, wishes are in vain.

And yet no guards against our joys conspire;
No jealous husb and hinders our desire;
My parents are propitious to my wish,
And she herself consenting to the bliss.
All things concur to prosper our design;
All things to prosper any love but mine.
And yet I never can enjoy the fair;
'Tis past the pow'r of Heav'n to grant my pray'r.
Heav'n has been kind, as far as Heav'n can be;
Our parents with our own desires agree;
But Nature, stronger than the Gods above,
Refuses her assistance to my love;
She sets the bar that causes all my pain;
One gift refus'd, makes all their bounty vain.
And now the happy day is just at hand,
To bind our hearts in Hymen's holy band:
Our hearts, but not our bodies: thus accurs'd,
In midst of water I complain of thirst.
Why com'st thou, Juno, to these barren rites,
To bless a bed defrauded of delights?
But why shou'd Hymen lift his torch on high,
To see two brides in cold embraces lye?

Thus love-sick Iphis her vain passion mourns;
With equal ardour fair Ian the burns,
Invoking Hymen's name, and Juno's pow'r,
To speed the work, and haste the happy hour.

She hopes, while Telethusa fears the day,
And strives to interpose some new delay:
Now feigns a sickness, now is in a fright
For this bad omen, or that boding sight.
But having done whate'er she could devise,
And empty'd all her magazine of lies,
The time approach'd; the next ensuing day
The fatal secret must to light betray.
Then Telethusa had recourse to pray'r,
She, and her daughter with dishevel'd hair;
Trembling with fear, great Isis they ador'd,
Embrac'd her altar, and her aid implor'd.

Fair queen, who dost on fruitful Egypt smile,
Who sway'st the sceptre of the Pharian isle,
And sev'n-fold falls of disemboguing Nile,
Relieve, in this our last distress, she said,
A suppliant mother, and a mournful maid.
Thou, Goddess, thou wert present to my sight;
Reveal'd I saw thee by thy own fair light:
I saw thee in my dream, as now I see,
With all thy marks of awful majesty:
The glorious train that compass'd thee around;
And heard the hollow timbrels holy sound.
Thy words I noted, which I still retain;
Let not thy sacred oracles be vain.
That Iphis lives, that I myself am free
From shame, and punishment, I owe to thee.
On thy protection all our hopes depend.
Thy counsel sav'd us, let thy pow'r defend.

Her tears pursu'd her words; and while she spoke,
The Goddess nodded, and her altar shook:
The temple doors, as with a blast of wind,
Were heard to clap; the lunar horns that bind
The brows of Isis cast a blaze around;
The trembling timbrel made a murm'ring sound.

Some hopes these happy omens did impart;
Forth went the mother with a beating heart:
Not much in fear, nor fully satisfy'd;
But Iphis follow'd with a larger stride:
The whiteness of her skin forsook her face;
Her looks embolden'd with an awful grace;
Her features, and her strength together grew,
And her long hair to curling locks withdrew.
Her sparkling eyes with manly vigour shone,
Big was her voice, audacious was her tone.
The latent parts, at length reveal'd, began
To shoot, and spread, and burnish into man.
The maid becomes a youth; no more delay
Your vows, but look, and confidently pay.
Their gifts the parents to the temple bear:
The votive tables this inscription wear;
Iphis the man, has to the Goddess paid
The vows, that Iphis offer'd when a maid.

Now when the star of day had shewn his face,
Venus and Juno with their presence grace
The nuptial rites, and Hymen from above
Descending to compleat their happy love;
The Gods of marriage lend their mutual aid;
And the warm youth enjoys the lovely maid.

----------------------------------------------------------------------
~ Ovid, BOOK THE NINTH

,
1496:Pauline, A Fragment of a Question
Plus ne suis ce que j'ai t,
Et ne le saurois jamais tre.
Marot.

Non dubito, quin titulus libri nostri raritate sua quamplurimos alliciat ad legendum: inter quos nonnulli obliqu opinionis, mente languidi, multi etiam maligni, et in ingenium nostrum ingrati accedent, qui temeraria sua ignorantia, vix conspecto titulo clamabunt Nos vetita docere, hresium semina jacere: piis auribus offendiculo, prclaris ingeniis scandalo esse: . . . . adeo conscienti su consulentes, ut nec Apollo, nec Mus omnes, neque Angelus de coelo me ab illorum execratione vindicare queant: quibus et ego nunc consulo, ne scripta nostra legant, nec intelligant, nec meminerint: nam noxia sunt, venenosa sunt: Acherontis ostium est in hoc libro, lapides loquitur, caveant, ne cerebrum illis excutiat. Vos autem, qui qua mente ad legendum venitis, si tantam prudenti discretionem adhibueritis, quantam in melle legendo apes, jam securi legite. Puto namque vos et utilitatis haud parum et voluptatis plurimum accepturos. Quod si qua repereritis, qu vobis non placeant, mittite illa, nec utimini. Nam et ego vobis illa non Probo, sed Narro. Ctera tamen propterea non respuite . . . . . Ideo, si quid liberius dictum sit, ignoscite adolescenti nostr, qui minor quam adolescens hoc opus composui.

Hen. Corn. Agrippa, De Occult. Philosoph. in Prfat.
London: January 1833.V. A. XX .

1833.

Pauline, mine own, bend o'er methy soft breast
Shall pant to minebend o'er methy sweet eyes,
And loosened hair and breathing lips, and arms
Drawing me to theethese build up a screen
To shut me in with thee, and from all fear;
So that I might unlock the sleepless brood
Of fancies from my soul, their lurking-place,
Nor doubt that each would pass, ne'er to return
To one so watched, so loved and so secured.
But what can guard thee but thy naked love?
Ah dearest, whoso sucks a poisoned wound
Envenoms his own veins! Thou art so good,
So calmif thou shouldst wear a brow less light
For some wild thought which, but for me, were kept
From out thy soul as from a sacred star!
Yet till I have unlocked them it were vain
To hope to sing; some woe would light on me;
Nature would point at one whose quivering lip
Was bathed in her enchantments, whose brow burned
Beneath the crown to which her secrets knelt,
Who learned the spell which can call up the dead,
And then departed smiling like a fiend
Who has deceived God,if such one should seek
Again her altars and stand robed and crowned
Amid the faithful! Sad confession first,
Remorse and pardon and old claims renewed,
Ere I can beas I shall be no more.
I had been spared this shame if I had sat
By thee for ever from the first, in place
Of my wild dreams of beauty and of good,
Or with them, as an earnest of their truth:
No thought nor hope having been shut from thee,
No vague wish unexplained, no wandering aim
Sent back to bind on fancy's wings and seek
Some strange fair world where it might be a law;
But, doubting nothing, had been led by thee,
Thro' youth, and saved, as one at length awaked
Who has slept through a peril. Ah vain, vain!
Thou lovest me; the past is in its grave
Tho' its ghost haunts us; still this much is ours,
To cast away restraint, lest a worse thing
Wait for us in the dark. Thou lovest me;
And thou art to receive not love but faith,
For which thou wilt be mine, and smile and take
All shapes and shames, and veil without a fear
That form which music follows like a slave:
And I look to thee and I trust in thee,
As in a Northern night one looks alway
Unto the East for morn and spring and joy.
Thou seest then my aimless, hopeless state,
And, resting on some few old feelings won
Back by thy beauty, wouldst that I essay
The task which was to me what now thou art:
And why should I conceal one weakness more?
Thou wilt remember one warm morn when winter
Crept aged from the earth, and spring's first breath
Blew soft from the moist hills; the black-thorn boughs,
So dark in the bare wood, when glistening
In the sunshine were white with coming buds,
Like the bright side of a sorrow, and the banks
Had violets opening from sleep like eyes.
I walked with thee who knew'st not a deep shame
Lurked beneath smiles and careless words which sought
To hide it till they wandered and were mute,
As we stood listening on a sunny mound
To the wind murmuring in the damp copse,
Like heavy breathings of some hidden thing
Betrayed by sleep; until the feeling rushed
That I was low indeed, yet not so low
As to endure the calmness of thine eyes.
And so I told thee all, while the cool breast
I leaned on altered not its quiet beating:
And long ere words like a hurt bird's complaint
Bade me look up and be what I had been,
I felt despair could never live by thee:
Thou wilt remember. Thou art not more dear
Than song was once to me; and I ne'er sung
But as one entering bright halls where all
Will rise and shout for him: sure I must own
That I am fallen, having chosen gifts
Distinct from theirsthat I am sad and fain
Would give up all to be but where I was,
Not high as I had been if faithful found,
But low and weak yet full of hope, and sure
Of goodness as of lifethat I would lose
All this gay mastery of mind, to sit
Once more with them, trusting in truth and love
And with an aimnot being what I am.
Oh Pauline, I am ruined who believed
That though my soul had floated from its sphere
Of wild dominion into the dim orb
Of selfthat it was strong and free as ever!
It has conformed itself to that dim orb,
Reflecting all its shades and shapes, and now
Must stay where it alone can be adored.
I have felt this in dreamsin dreams in which
I seemed the fate from which I fled; I felt
A strange delight in causing my decay.
I was a fiend in darkness chained for ever
Within some ocean-cave; and ages rolled,
Till through the cleft rock, like a moonbeam, came
A white swan to remain with me; and ages
Rolled, yet I tired not of my first free joy
In gazing on the peace of its pure wings:
And then I said "It is most fair to me,
"Yet its soft wings must sure have suffered change
"From the thick darkness, sure its eyes are dim,
"Its silver pinions must be cramped and numbed
"With sleeping ages here; it cannot leave me,
"For it would seem, in light beside its kind,
"Withered, tho' here to me most beautiful."
And then I was a young witch whose blue eyes,
As she stood naked by the river springs,
Drew down a god: I watched his radiant form
Growing less radiant, and it gladdened me;
Till one morn, as he sat in the sunshine
Upon my knees, singing to me of heaven,
He turned to look at me, ere I could lose
The grin with which I viewed his perishing:
And he shrieked and departed and sat long
By his deserted throne, but sunk at last
Murmuring, as I kissed his lips and curled
Around him, "I am still a godto thee."
Still I can lay my soul bare in its fall,
Since all the wandering and all the weakness
Will be a saddest comment on the song:
And if, that done, I can be young again,
I will give up all gained, as willingly
As one gives up a charm which shuts him out
From hope or part or care in human kind.
As life wanes, all its care and strife and toil
Seem strangely valueless, while the old trees
Which grew by our youth's home, the waving mass
Of climbing plants heavy with bloom and dew,
The morning swallows with their songs like words,
All these seem clear and only worth our thoughts:
So, aught connected with my early life,
My rude songs or my wild imaginings,
How I look on themmost distinct amid
The fever and the stir of after years!
I ne'er had ventured e'en to hope for this,
Had not the glow I felt at His award,
Assured me all was not extinct within:
His whom all honour, whose renown springs up
Like sunlight which will visit all the world,
So that e'en they who sneered at him at first,
Come out to it, as some dark spider crawls
From his foul nets which some lit torch invades,
Yet spinning still new films for his retreat.
Thou didst smile, poet, but can we forgive?
Sun-treader, life and light be thine for ever!
Thou art gone from us; years go by and spring
Gladdens and the young earth is beautiful,
Yet thy songs come not, other bards arise,
But none like thee: they stand, thy majesties,
Like mighty works which tell some spirit there
Hath sat regardless of neglect and scorn,
Till, its long task completed, it hath risen
And left us, never to return, and all
Rush in to peer and praise when all in vain.
The air seems bright with thy past presence yet,
But thou art still for me as thou hast been
When I have stood with thee as on a throne
With all thy dim creations gathered round
Like mountains, and I felt of mould like them,
And with them creatures of my own were mixed,
Like things half-lived, catching and giving life.
But thou art still for me who have adored
Tho' single, panting but to hear thy name
Which I believed a spell to me alone,
Scarce deeming thou wast as a star to men!
As one should worship long a sacred spring
Scarce worth a moth's flitting, which long grasses cross,
And one small tree embowers droopingly
Joying to see some wandering insect won
To live in its few rushes, or some locust
To pasture on its boughs, or some wild bird
Stoop for its freshness from the trackless air:
And then should find it but the fountain-head,
Long lost, of some great river washing towns
And towers, and seeing old woods which will live
But by its banks untrod of human foot,
Which, when the great sun sinks, lie quivering
In light as some thing lieth half of life
Before God's foot, waiting a wondrous change;
Then girt with rocks which seek to turn or stay
Its course in vain, for it does ever spread
Like a sea's arm as it goes rolling on,
Being the pulse of some great countryso
Wast thou to me, and art thou to the world!
And I, perchance, half feel a strange regret
That I am not what I have been to thee:
Like a girl one has silently loved long
In her first loneliness in some retreat,
When, late emerged, all gaze and glow to view
Her fresh eyes and soft hair and lips which bloom
Like a mountain berry: doubtless it is sweet
To see her thus adored, but there have been
Moments when all the world was in our praise,
Sweeter than any pride of after hours.
Yet, sun-treader, all hail! From my heart's heart
I bid thee hail! E'en in my wildest dreams,
I proudly feel I would have thrown to dust
The wreaths of fame which seemed o'erhanging me,
To see thee for a moment as thou art.
And if thou livest, if thou lovest, spirit!
Remember me who set this final seal
To wandering thoughtthat one so pure as thou
Could never die. Remember me who flung
All honour from my soul, yet paused and said
"There is one spark of love remaining yet,
"For I have nought in common with him, shapes
"Which followed him avoid me, and foul forms
"Seek me, which ne'er could fasten on his mind;
"And though I feel how low I am to him,
"Yet I aim not even to catch a tone
"Of harmonies he called profusely up;
"So, one gleam still remains, although the last."
Remember me who praise thee e'en with tears,
For never more shall I walk calm with thee;
Thy sweet imaginings are as an air,
A melody some wondrous singer sings,
Which, though it haunt men oft in the still eve,
They dream not to essay; yet it no less
But more is honoured. I was thine in shame,
And now when all thy proud renown is out,
I am a watcher whose eyes have grown dim
With looking for some star which breaks on him
Altered and worn and weak and full of tears.
Autumn has come like spring returned to us,
Won from her girlishness; like one returned
A friend that was a lover, nor forgets
The first warm love, but full of sober thoughts
Of fading years; whose soft mouth quivers yet
With the old smile, but yet so changed and still!
And here am I the scoffer, who have probed
Life's vanity, won by a word again
Into my own lifeby one little word
Of this sweet friend who lives in loving me,
Lives strangely on my thoughts and looks and words,
As fathoms down some nameless ocean thing
Its silent course of quietness and joy.
O dearest, if indeed I tell the past,
May'st thou forget it as a sad sick dream!
Or if it lingermy lost soul too soon
Sinks to itself and whispers we shall be
But closer linked, two creatures whom the earth
Bears singly, with strange feelings unrevealed
Save to each other; or two lonely things
Created by some power whose reign is done,
Having no part in God or his bright world.
I am to sing whilst ebbing day dies soft,
As a lean scholar dies worn o'er his book,
And in the heaven stars steal out one by one
As hunted men steal to their mountain watch.
I must not think, lest this new impulse die
In which I trust; I have no confidence:
So, I will sing on fast as fancies come;
Rudely, the verse being as the mood it paints
I strip my mind bare, whose first elements
I shall unveilnot as they struggled forth
In infancy, nor as they now exist,
When I am grown above them and can rule
But in that middle stage when they were full
Yet ere I had disposed them to my will;
And then I shall show how these elements
Produced my present state, and what it is.
I am made up of an intensest life,
Of a most clear idea of consciousness
Of self, distinct from all its qualities,
From all affections, passions, feelings, powers;
And thus far it exists, if tracked, in all:
But linked, in me, to self-supremacy,
Existing as a centre to all things,
Most potent to create and rule and call
Upon all things to minister to it;
And to a principle of restlessness
Which would be all, have, see, know, taste, feel, all
This is myself; and I should thus have been
Though gifted lower than the meanest soul.
And of my powers, one springs up to save
From utter death a soul with such desire
Confined to clayof powers the only one
Which marks mean imagination which
Has been a very angel, coming not
In fitful visions but beside me ever
And never failing me; so, though my mind
Forgets not, not a shred of life forgets,
Yet I can take a secret pride in calling
The dark past up to quell it regally.
A mind like this must dissipate itself,
But I have always had one lode-star; now,
As I look back, I see that I have halted
Or hastened as I looked towards that star
A need, a trust, a yearning after God:
A feeling I have analysed but late,
But it existed, and was reconciled
With a neglect of all I deemed his laws,
Which yet, when seen in others, I abhorred.
I felt as one beloved, and so shut in
From fear: and thence I date my trust in signs
And omens, for I saw God everywhere;
And I can only lay it to the fruit
Of a sad after-time that I could doubt
Even his beinge'en the while I felt
His presence, never acted from myself,
Still trusted in a hand to lead me through
All danger; and this feeling ever fought
Against my weakest reason and resolve.
And I can love nothingand this dull truth
Has come the last: but sense supplies a love
Encircling me and mingling with my life.
These make myself: I have long sought in vain
To trace how they were formed by circumstance,
Yet ever found them mould my wildest youth
Where they alone displayed themselves, converted
All objects to their use: now see their course!
They came to me in my first dawn of life
Which passed alone with wisest ancient books
All halo-girt with fancies of my own;
And I myself went with the talea god
Wandering after beauty, or a giant
Standing vast in the sunsetan old hunter
Talking with gods, or a high-crested chief
Sailing with troops of friends to Tenedos.
I tell you, nought has ever been so clear
As the place, the time, the fashion of those lives:
I had not seen a work of lofty art,
Nor woman's beauty nor sweet nature's face,
Yet, I say, never morn broke clear as those
On the dim clustered isles in the blue sea,
The deep groves and white temples and wet caves
And nothing ever will surprise me now
Who stood beside the naked Swift-footed,
Who bound my forehead with Proserpine's hair.
And strange it is that I who could so dream
Should e'er have stooped to aim at aught beneath
Aught low or painful; but I never doubted:
So, as I grew. I rudely shaped my life
To my immediate wants; yet strong beneath
Was a vague sense of power though folded up
A sense that, though those shades and times were past,
Their spirit dwelt in me, with them should rule.
Then came a pause, and long restraint chained down
My soul till it was changed. I lost myself,
And were it not that I so loathe that loss,
I could recall how first I learned to turn
My mind against itself; and the effects
In deeds for which remorse were vain as for
The wanderings of delirious dream; yet thence
Came cunning, envy, falsehood, all world's wrong
That spotted me: at length I cleansed my soul.
Yet long world's influence remained; and nought
But the still life I led, apart once more,
Which left me free to seek soul's old delights,
Could e'er have brought me thus far back to peace.
As peace returned, I sought out some pursuit;
And song rose, no new impulse but the one
With which all others best could be combined.
My life has not been that of those whose heaven
Was lampless save where poesy shone out;
But as a clime where glittering mountain-tops
And glancing sea and forests steeped in light
Give back reflected the far-flashing sun;
For music (which is earnest of a heaven,
Seeing we know emotions strange by it,
Not else to be revealed,) is like a voice,
A low voice calling fancy, as a friend,
To the green woods in the gay summer time:
And she fills all the way with dancing shapes
Which have made painters pale, and they go on
Till stars look at them and winds call to them
As they leave life's path for the twilight world
Where the dead gather. This was not at first,
For I scarce knew what I would do. I had
An impulse but no yearningonly sang.
And first I sang as I in dream have seen
Music wait on a lyrist for some thought,
Yet singing to herself until it came.
I turned to those old times and scenes where all
That's beautiful had birth for me, and made
Rude verses on them all; and then I paused
I had done nothing, so I sought to know
What other minds achieved. No fear outbroke
As on the works of mighty bards I gazed,
In the first joy at finding my own thoughts
Recorded, my own fancies justified,
And their aspirings but my very own.
With them I first explored passion and mind,
All to begin afresh! I rather sought
To rival what I wondered at than form
Creations of my own; if much was light
Lent by the others, much was yet my own.
I paused again: a change was comingcame:
I was no more a boy, the past was breaking
Before the future and like fever worked.
I thought on my new self, and all my powers
Burst out. I dreamed not of restraint, but gazed
On all things: schemes and systems went and came,
And I was proud (being vainest of the weak)
In wandering o'er thought's world to seek some one
To be my prize, as if you wandered o'er
The White Way for a star.
             And my choice fell
Not so much on a system as a man
On one, whom praise of mine shall not offend,
Who was as calm as beauty, being such
Unto mankind as thou to me, Pauline,
Believing in them and devoting all
His soul's strength to their winning back to peace;
Who sent forth hopes and longings for their sake,
Clothed in all passion's melodies: such first
Caught me and set me, slave of a sweet task,
To disentangle, gather sense from song:
Since, song-inwoven, lurked there words which seemed
A key to a new world, the muttering
Of angels, something yet unguessed by man.
How my heart leapt as still I sought and found
Much there, I felt my own soul had conceived,
But there living and burning! Soon the orb
Of his conceptions dawned on me; its praise
Lives in the tongues of men, men's brows are high
When his name means a triumph and a pride,
So, my weak voice may well forbear to shame
What seemed decreed my fate: I threw myself
To meet it, I was vowed to liberty,
Men were to be as gods and earth as heaven,
And Iah, what a life was mine to prove!
My whole soul rose to meet it. Now, Pauline,
I shall go mad, if I recall that time!
Oh let me look back ere I leave for ever
The time which was an hour one fondly waits
For a fair girl that comes a withered hag!
And I was lonely, far from woods and fields,
And amid dullest sights, who should be loose
As a stag; yet I was full of bliss, who lived
With Plato and who had the key to life;
And I had dimly shaped my first attempt,
And many a thought did I build up on thought,
As the wild bee hangs cell to cell; in vain,
For I must still advance, no rest for mind.
'Twas in my plan to look on real life,
The life all new to me; my theories
Were firm, so them I left, to look and learn
Mankind, its cares, hopes, fears, its woes and joys;
And, as I pondered on their ways, I sought
How best life's end might be attainedan end
Comprising every joy. I deeply mused.
And suddenly without heart-wreck I awoke
As from a dream: I said "'Twas beautiful,
"Yet but a dream, and so adieu to it!"
As some world-wanderer sees in a far meadow
Strange towers and high-walled gardens thick with trees,
Where song takes shelter and delicious mirth
From laughing fairy creatures peeping over,
And on the morrow when he comes to lie
For ever 'neath those garden-trees fruit-flushed
Sung round by fairies, all his search is vain.
First went my hopes of perfecting mankind,
Nextfaith in them, and then in freedom's self
And virtue's self, then my own motives, ends
And aims and loves, and human love went last.
I felt this no decay, because new powers
Rose as old feelings leftwit, mockery,
Light-heartedness; for I had oft been sad,
Mistrusting my resolves, but now I cast
Hope joyously away: I laughed and said
"No more of this!" I must not think: at length
I looked again to see if all went well.
My powers were greater: as some temple seemed
My soul, where nought is changed and incense rolls
Around the altar, only God is gone
And some dark spirit sitteth in his seat.
So, I passed through the temple and to me
Knelt troops of shadows, and they cried "Hail, king!
"We serve thee now and thou shalt serve no more!
"Call on us, prove us, let us worship thee!"
And I said "Are ye strong? Let fancy bear me
"Far from the past!" And I was borne away,
As Arab birds float sleeping in the wind,
O'er deserts, towers and forests, I being calm.
And I said "I have nursed up energies,
"They will prey on me." And a band knelt low
And cried "Lord, we are here and we will make
"Safe way for thee in thine appointed life!
"But look on us!" And I said "Ye will worship
"Me; should my heart not worship too?" They shouted
"Thyself, thou art our king!" So, I stood there
Smilingoh, vanity of vanities!
For buoyant and rejoicing was the spirit
With which I looked out how to end my course;
I felt once more myself, my powersall mine;
I knew while youth and health so lifted me
That, spite of all life's nothingness, no grief
Came nigh me, I must ever be light-hearted;
And that this knowledge was the only veil
Betwixt joy and despair: so, if age came,
I should be lefta wreck linked to a soul
Yet fluttering, or mind-broken and aware
Of my decay. So a long summer morn
Found me; and ere noon came, I had resolved
No age should come on me ere youth was spent,
For I would wear myself out, like that morn
Which wasted not a sunbeam; every hour
I would make mine, and die.
               And thus I sought
To chain my spirit down which erst I freed
For flights to fame: I said "The troubled life
"Of genius, seen so gay when working forth
"Some trusted end, grows sad when all proves vain
"How sad when men have parted with truth's peace
"For falsest fancy's sake, which waited first
"As an obedient spirit when delight
"Came without fancy's call: but alters soon,
"Comes darkened, seldom, hastens to depart,
"Leaving a heavy darkness and warm tears.
"But I shall never lose her; she will live
"Dearer for such seclusion. I but catch
"A hue, a glance of what I sing: so, pain
"Is linked with pleasure, for I ne'er may tell
"Half the bright sights which dazzle me; but now
"Mine shall be all the radiance: let them fade
"Untoldothers shall rise as fair, as fast!
"And when all's done, the few dim gleams transferred,"
(For a new thought sprang up how well it were,
Discarding shadowy hope, to weave such lays
As straight encircle men with praise and love,
So, I should not die utterly,should bring
One branch from the gold forest, like the knight
Of old tales, witnessing I had been there)
"And when all's done, how vain seems e'en success
"The vaunted influence poets have o'er men!
"'T is a fine thing that one weak as myself
"Should sit in his lone room, knowing the words
"He utters in his solitude shall move
"Men like a swift windthat tho' dead and gone,
"New eyes shall glisten when his beauteous dreams
"Of love come true in happier frames than his.
"Ay, the still night brings thoughts like these, but morn
"Comes and the mockery again laughs out
"At hollow praises, smiles allied to sneers;
"And my soul's idol ever whispers me
"To dwell with him and his unhonoured song:
"And I foreknow my spirit, that would press
"First in the struggle, fail again to make
"All bow enslaved, and I again should sink.
"And then know that this curse will come on us,
"To see our idols perish; we may wither,
"No marvel, we are clay, but our low fate
"Should not extend to those whom trustingly
"We sent before into time's yawning gulf
"To face what dread may lurk in darkness there.
"To find the painter's glory pass, and feel
"Music can move us not as once, or, worst,
"To weep decaying wits ere the frail body
"Decays! Nought makes me trust some love is true,
"But the delight of the contented lowness
"With which I gaze on him I keep for ever
"Above me; I to rise and rival him?
"Feed his fame rather from my heart's best blood,
"Wither unseen that he may flourish still."
Pauline, my soul's friend, thou dost pity yet
How this mood swayed me when that soul found thine,
When I had set myself to live this life,
Defying all past glory. Ere thou camest
I seemed defiant, sweet, for old delights
Had flocked like birds again; music, my life,
Nourished me more than ever; then the lore
Loved for itself and all it showsthat king
Treading the purple calmly to his death,
While round him, like the clouds of eve, all dusk,
The giant shades of fate, silently flitting,
Pile the dim outline of the coming doom;
And him sitting alone in blood while friends
Are hunting far in the sunshine; and the boy
With his white breast and brow and clustering curls
Streaked with his mother's blood, but striving hard
To tell his story ere his reason goes.
And when I loved thee as love seemed so oft,
Thou lovedst me indeed: I wondering searched
My heart to find some feeling like such love,
Believing I was still much I had been.
Too soon I found all faith had gone from me,
And the late glow of life, like change on clouds,
Proved not the morn-blush widening into day,
But eve faint-coloured by the dying sun
While darkness hastens quickly. I will tell
My state as though 'twere none of minedespair
Cannot come near usthis it is, my state.
Souls alter not, and mine must still advance;
Strange that I knew not, when I flung away
My youth's chief aims, their loss might lead to loss
Of what few I retained, and no resource
Be left me: for behold how changed is all!
I cannot chain my soul: it will not rest
In its clay prison, this most narrow sphere:
It has strange impulse, tendency, desire,
Which nowise I account for nor explain,
But cannot stifle, being bound to trust
All feelings equally, to hear all sides:
How can my life indulge them? yet they live,
Referring to some state of life unknown.
My selfishness is satiated not,
It wears me like a flame; my hunger for
All pleasure, howsoe'er minute, grows pain;
I envyhow I envy him whose soul
Turns its whole energies to some one end,
To elevate an aim, pursue success
However mean! So, my still baffled hope
Seeks out abstractions; I would have one joy,
But one in life, so it were wholly mine,
One rapture all my soul could fill: and this
Wild feeling places me in dream afar
In some vast country where the eye can see
No end to the far hills and dales bestrewn
With shining towers and towns, till I grow mad
Well-nigh, to know not one abode but holds
Some pleasure, while my soul could grasp the world,
But must remain this vile form's slave. I look
With hope to age at last, which quenching much,
May let me concentrate what sparks it spares.
This restlessness of passion meets in me
A craving after knowledge: the sole proof
Of yet commanding will is in that power
Repressed; for I beheld it in its dawn,
The sleepless harpy with just-budding wings,
And I considered whether to forego
All happy ignorant hopes and fears, to live,
Finding a recompense in its wild eyes.
And when I found that I should perish so,
I bade its wild eyes close from me for ever,
And I am left alone with old delights;
See! it lies in me a chained thing, still prompt
To serve me if I loose its slightest bond:
I cannot but be proud of my bright slave.
How should this earth's life prove my only sphere?
Can I so narrow sense but that in life
Soul still exceeds it? In their elements
My love outsoars my reason; but since love
Perforce receives its object from this earth
While reason wanders chainless, the few truths.
Caught from its wanderings have sufficed to quell
Love chained below; then what were love, set free,
Which, with the object it demands, would pass
Reason companioning the seraphim?
No, what I feel may pass all human love
Yet fall far short of what my love should be.
And yet I seem more warped in this than aught,
Myself stands out more hideously: of old
I could forget myself in friendship, fame,
Liberty, nay, in love of mightier souls;
But I begin to know what thing hate is
To sicken and to quiver and grow white
And I myself have furnished its first prey.
Hate of the weak and ever-wavering will,
The selfishness, the still-decaying frame . . .
But I must never grieve whom wing can waft
Far from such thoughtsas now. Andromeda!
And she is with me: years roll, I shall change,
But change can touch her notso beautiful
With her fixed eyes, earnest and still, and hair
Lifted and spread by the salt-sweeping breeze,
And one red beam, all the storm leaves in heaven,
Resting upon her eyes and hair, such hair,
As she awaits the snake on the wet beach
By the dark rock and the white wave just breaking
At her feet; quite naked and alone; a thing
I doubt not, nor fear for, secure some god
To save will come in thunder from the stars.
Let it pass! Soul requires another change.
I will be gifted with a wondrous mind,
Yet sunk by error to men's sympathy,
And in the wane of life, yet only so
As to call up their fears; and there shall come
A time requiring youth's best energies;
And lo, I fling age, sorrow, sickness off,
And rise triumphant, triumph through decay.
And thus it is that I supply the chasm
'Twixt what I am and all I fain would be:
But then to know nothing, to hope for nothing,
To seize on life's dull joys from a strange fear
Lest, losing them, all 's lost and nought remains!
There 's some vile juggle with my reason here;
I feel I but explain to my own loss
These impulses: they live no less the same.
Liberty! what though I despair? my blood
Rose never at a slave's name proud as now.
Oh sympathies, obscured by sophistries!
Why else have I sought refuge in myself,
But from the woes I saw and could not stay?
Love! is not this to love thee, my Pauline?
I cherish prejudice, lest I be left
Utterly loveless? witness my belief
In poets, though sad change has come there too;
No more I leave myself to follow them
Unconsciously I measure me by them
Let me forget it: and I cherish most
My love of Englandhow her name, a word
Of hers in a strange tongue makes my heart beat!
Pauline, could I but break the spell! Not now
All's feverbut when calm shall come again,
I am prepared: I have made life my own.
I would not be content with all the change
One frame should feel, but I have gone in thought
Thro' all conjuncture, I have lived all life
When it is most alive, where strangest fate
New-shapes it past surmisethe throes of men
Bit by some curse or in the grasps of doom
Half-visible and still-increasing round,
Or crowning their wide being's general aim.
These are wild fancies, but I feel, sweet friend,
As one breathing his weakness to the ear
Of pitying angeldear as a winter flower,
A slight flower growing alone, and offering
Its frail cup of three leaves to the cold sun,
Yet joyous and confiding like the triumph
Of a child: and why am I not worthy thee?
I can live all the life of plants, and gaze
Drowsily on the bees that flit and play,
Or bare my breast for sunbeams which will kill,
Or open in the night of sounds, to look
For the dim stars; I can mount with the bird
Leaping airily his pyramid of leaves
And twisted boughs of some tall mountain tree,
Or rise cheerfully springing to the heavens;
Or like a fish breathe deep the morning air
In the misty sun-warm water; or with flower
And tree can smile in light at the sinking sun
Just as the storm comes, as a girl would look
On a departing lovermost serene.
Pauline, come with me, see how I could build
A home for us, out of the world, in thought!
I am uplifted: fly with me, Pauline!
Night, and one single ridge of narrow path
Between the sullen river and the woods
Waving and muttering, for the moonless night
Has shaped them into images of life,
Like the uprising of the giant-ghosts,
Looking on earth to know how their sons fare:
Thou art so close by me, the roughest swell
Of wind in the tree-tops hides not the panting
Of thy soft breasts. No, we will pass to morning
Morning, the rocks and valleys and old woods.
How the sun brightens in the mist, and here,
Half in the air, like creatures of the place,
Trusting the element, living on high boughs
That swing in the windlook at the silver spray
Flung from the foam-sheet of the cataract
Amid the broken rocks! Shall we stay here
With the wild hawks? No, ere the hot noon come,
Dive we downsafe! See this our new retreat
Walled in with a sloped mound of matted shrubs,
Dark, tangled, old and green, still sloping down
To a small pool whose waters lie asleep
Amid the trailing boughs turned water-plants:
And tall trees overarch to keep us in,
Breaking the sunbeams into emerald shafts,
And in the dreamy water one small group
Of two or three strange trees are got together
Wondering at all around, as strange beasts herd
Together far from their own land: all wildness,
No turf nor moss, for boughs and plants pave all,
And tongues of bank go shelving in the lymph,
Where the pale-throated snake reclines his head,
And old grey stones lie making eddies there,
The wild-mice cross them dry-shod. Deeper in!
Shut thy soft eyesnow lookstill deeper in!
This is the very heart of the woods all round
Mountain-like heaped above us; yet even here
One pond of water gleams; far off the river
Sweeps like a sea, barred out from land; but one
One thin clear sheet has overleaped and wound
Into this silent depth, which gained, it lies
Still, as but let by sufferance; the trees bend
O'er it as wild men watch a sleeping girl,
And through their roots long creeping plants out-stretch
Their twined hair, steeped and sparkling; farther on,
Tall rushes and thick flag-knots have combined
To narrow it; so, at length, a silver thread,
It winds, all noiselessly through the deep wood
Till thro' a cleft-way, thro' the moss and stone,
It joins its parent-river with a shout.
Up for the glowing day, leave the old woods!
See, they part, like a ruined arch: the sky!
Nothing but sky appears, so close the roots
And grass of the hill-top level with the air
Blue sunny air, where a great cloud floats laden
With light, like a dead whale that white birds pick,
Floating away in the sun in some north sea.
Air, air, fresh life-blood, thin and searching air,
The clear, dear breath of God that loveth us,
Where small birds reel and winds take their delight!
Water is beautiful, but not like air:
See, where the solid azure waters lie
Made as of thickened air, and down below,
The fern-ranks like a forest spread themselves
As though each pore could feel the element;
Where the quick glancing serpent winds his way,
Float with me there, Pauline!but not like air.
Down the hill! Stopa clump of trees, see, set
On a heap of rock, which look o'er the far plain:
So, envious climbing shrubs would mount to rest
And peer from their spread boughs; wide they wave, looking
At the muleteers who whistle on their way,
To the merry chime of morning bells, past all
The little smoking cots, mid fields and banks
And copses bright in the sun. My spirit wanders:
Hedgerows for methose living hedgerows where
The bushes close and clasp above and keep
Thought inI am concentratedI feel;
But my soul saddens when it looks beyond:
I cannot be immortal, taste all joy.
O God, where do they tendthese struggling aims?
What would I have? What is this "sleep" which seems
To bound all? can there be a "waking" point
Of crowning life? The soul would never rule;
It would be first in all things, it would have
Its utmost pleasure filled, but, that complete,
Commanding, for commanding, sickens it.
The last point I can trace isrest beneath
Some better essence than itself, in weakness;
This is "myself," not what I think should be:
And what is that I hunger for but God?
My God, my God, let me for once look on thee
As though nought else existed, we alone!
And as creation crumbles, my soul's spark
Expands till I can say,Even from myself
I need thee and I feel thee and I love thee.
I do not plead my rapture in thy works
For love of thee, nor that I feel as one
Who cannot die: but there is that in me
Which turns to thee, which loves or which should love.
Why have I girt myself with this hell-dress?
Why have I laboured to put out my life?
Is it not in my nature to adore,
And e'en for all my reason do I not
Feel him, and thank him, and pray to himnow?
Can I forego the trust that he loves me?
Do I not feel a love which only one . . .
O thou pale form, so dimly seen, deep-eyed!
I have denied thee calmlydo I not
Pant when I read of thy consummate power,
And burn to see thy calm pure truths out-flash
The brightest gleams of earth's philosophy?
Do I not shake to hear aught question thee?
If I am erring save me, madden me,
Take from me powers and pleasures, let me die
Ages, so I see thee! I am knit round
As with a charm by sin and lust and pride,
Yet though my wandering dreams have seen all shapes
Of strange delight, oft have I stood by thee
Have I been keeping lonely watch with thee
In the damp night by weeping Olivet,
Or leaning on thy bosom, proudly less,
Or dying with thee on the lonely cross,
Or witnessing thine outburst from the tomb.
A mortal, sin's familiar friend, doth here
Avow that he will give all earth's reward,
But to believe and humbly teach the faith,
In suffering and poverty and shame,
Only believing he is not unloved.
And now, my Pauline, I am thine for ever!
I feel the spirit which has buoyed me up
Desert me, and old shades are gathering fast;
Yet while the last light waits, I would say much,
This chiefly, it is gain that I have said
Somewhat of love I ever felt for thee
But seldom told; our hearts so beat together
That speech seemed mockery; but when dark hours come,
And joy departs, and thou, sweet, deem'st it strange
A sorrow moves me, thou canst not remove,
Look on this lay I dedicate to thee,
Which through thee I began, which thus I end,
Collecting the last gleams to strive to tell
How I am thine, and more than ever now
That I sink fast: yet though I deeplier sink,
No less song proves one word has brought me bliss,
Another still may win bliss surely back.
Thou knowest, dear, I could not think all calm,
For fancies followed thought and bore me off,
And left all indistinct; ere one was caught
Another glanced; so, dazzled by my wealth,
I knew not which to leave nor which to choose,
For all so floated, nought was fixed and firm.
And then thou said'st a perfect bard was one
Who chronicled the stages of all life,
And so thou bad'st me shadow this first stage.
'T is done, and even now I recognize
The shift, the change from last to pastdiscern
Faintly how life is truth and truth is good.
And why thou must be mine is, that e'en now
In the dim hush of night, that I have done,
Despite the sad forebodings, love looks through
Whispers,E'en at the last I have her still,
With her delicious eyes as clear as heaven
When rain in a quick shower has beat down mist,
And clouds float white above like broods of swans.
How the blood lies upon her cheek, outspread
As thinned by kisses! only in her lips
It wells and pulses like a living thing,
And her neck looks like marble misted o'er
With love-breath,a Pauline from heights above,
Stooping beneath me, looking upone look
As I might kill her and be loved the more.
So, love meme, Pauline, and nought but me,
Never leave loving! Words are wild and weak,
Believe them not, Pauline! I stained myself
But to behold thee purer by my side,
To show thou art my breath, my life, a last
Resource, an extreme want: never believe
Aught better could so look on thee; nor seek
Again the world of good thoughts left for mine!
There were bright troops of undiscovered suns,
Each equal in their radiant course; there were
Clusters of far fair isles which ocean kept
For his own joy, and his waves broke on them
Without a choice; and there was a dim crowd
Of visions, each a part of some grand whole:
And one star left his peers and came with peace
Upon a storm, and all eyes pined for him;
And one isle harboured a sea-beaten ship,
And the crew wandered in its bowers and plucked
Its fruits and gave up all their hopes of home;
And one dream came to a pale poet's sleep,
And he said, "I am singled out by God,
"No sin must touch me." Words are wild and weak,
But what they would express is,Leave me not,
Still sit by me with beating breast and hair
Loosened, be watching earnest by my side,
Turning my books or kissing me when I
Look uplike summer wind! Be still to me
A help to music's mystery which mind fails
To fathom, its solution, no mere clue!
O reason's pedantry, life's rule prescribed!
I hopeless, I the loveless, hope and love.
Wiser and better, know me now, not when
You loved me as I was. Smile not! I have
Much yet to dawn on you, to gladden you.
No more of the past! I'll look within no more.
I have too trusted my own lawless wants,
Too trusted my vain self, vague intuition
Draining soul's wine alone in the still night,
And seeing how, as gathering films arose,
As by an inspiration life seemed bare
And grinning in its vanity, while ends
Foul to be dreamed of, smiled at me as fixed
And fair, while others changed from fair to foul
As a young witch turns an old hag at night.
No more of this! We will go hand in hand,
I with thee, even as a childlove's slave,
Looking no farther than his liege commands.
And thou hast chosen where this life shall be:
The land which gave me thee shall be our home,
Where nature lies all wild amid her lakes
And snow-swathed mountains and vast pines begirt
With ropes of snowwhere nature lies all bare,
Suffering none to view her but a race
Or stinted or deformed, like the mute dwarfs
Which wait upon a naked Indian queen.
And there (the time being when the heavens are thick
With storm) I'll sit with thee while thou dost sing
Thy native songs, gay as a desert bird
Which crieth as it flies for perfect joy,
Or telling me old stories of dead knights;
Or I will read great lays to theehow she,
The fair pale sister, went to her chill grave
With power to love and to be loved and live:
Or we will go together, like twin gods
Of the infernal world, with scented lamp
Over the dead, to call and to awake,
Over the unshaped images which lie
Within my mind's cave: only leaving all,
That tells of the past doubt. So, when spring comes
With sunshine back again like an old smile,
And the fresh waters and awakened birds
And budding woods await us, I shall be
Prepared, and we will question life once more,
Till its old sense shall come renewed by change,
Like some clear thought which harsh words veiled before;
Feeling God loves us, and that all which errs
Is but a dream which death will dissipate.
And then what need of longer exile? Seek
My England, and, again there, calm approach
All I once fled from, calmly look on those
The works of my past weakness, as one views
Some scene where danger met him long before.
Ah that such pleasant life should be but dreamed!
But whate'er come of it, and though it fade,
And though ere the cold morning all be gone,
As it may be;tho' music wait to wile,
And strange eyes and bright wine lure, laugh like sin
Which steals back softly on a soul half saved,
And I the first deny, decry, despise,
With this avowal, these intents so fair,
Still be it all my own, this moment's pride!
No less I make an end in perfect joy.
E'en in my brightest time, a lurking fear
Possessed me: I well knew my weak resolves,
I felt the witchery that makes mind sleep
Over its treasure, as one half afraid
To make his riches definite: but now
These feelings shall not utterly be lost,
I shall not know again that nameless care
Lest, leaving all undone in youth, some new
And undreamed end reveal itself too late:
For this song shall remain to tell for ever
That when I lost all hope of such a change,
Suddenly beauty rose on me again.
No less I make an end in perfect joy,
For I, who thus again was visited,
Shall doubt not many another bliss awaits,
And, though this weak soul sink and darkness whelm,
Some little word shall light it, raise aloft,
To where I clearlier see and better love,
As I again go o'er the tracts of thought
Like one who has a right, and I shall live
With poets, calmer, purer still each time,
And beauteous shapes will come for me to seize,
And unknown secrets will be trusted me
Which were denied the waverer once; but now
I shall be priest and prophet as of old.
Sun-treader, I believe in God and truth
And love; and as one just escaped from death
Would bind himself in bands of friends to feel
He lives indeed, so, I would lean on thee!
Thou must be ever with me, most in gloom
If such must come, but chiefly when I die,
For I seem, dying, as one going in the dark
To fight a giant: but live thou for ever,
And be to all what thou hast been to me!
All in whom this wakes pleasant thoughts of me
Know my last state is happy, free from doubt
Or touch of fear. Love me and wish me well.
Richmond: October 22, 1832.


~ Robert Browning, Pauline, A Fragment of a Question
,
1497:class:Classics

BOOK THE FIFTH

The Story of Perseus continu'd

While Perseus entertain'd with this report
His father Cepheus, and the list'ning court,
Within the palace walls was heard aloud
The roaring noise of some unruly crowd;
Not like the songs which chearful friends prepare
For nuptial days, but sounds that threaten'd war;
And all the pleasures of this happy feast,
To tumult turn'd, in wild disorder ceas'd:
So, when the sea is calm, we often find
A storm rais'd sudden by some furious wind.
Chief in the riot Phineus first appear'd,
The rash ringleader of this boist'rous herd,
And brandishing his brazen-pointed lance,
Behold, he said, an injur'd man advance,
Stung with resentment for his ravish'd wife,
Nor shall thy wings, o Perseus, save thy life;
Nor Jove himself; tho' we've been often told
Who got thee in the form of tempting gold.
His lance was aim'd, when Cepheus ran, and said,
Hold, brother, hold; what brutal rage has made
Your frantick mind so black a crime conceive?
Are these the thanks that you to Perseus give?
This the reward that to his worth you pay,
Whose timely valour sav'd Andromeda?
Nor was it he, if you would reason right,
That forc'd her from you, but the jealous spight
Of envious Nereids, and Jove's high decree;
And that devouring monster of the sea,
That ready with his jaws wide gaping stood
To eat my child, the fairest of my blood.
You lost her then, when she seem'd past relief,
And wish'd perhaps her death, to ease your grief
With my afflictions: not content to view
Andromeda in chains, unhelp'd by you,
Her spouse, and uncle; will you grieve that he
Expos'd his life the dying maid to free?
And shall you claim his merit? Had you thought
Her charms so great, you shou'd have bravely sought
That blessing on the rocks, where fix'd she lay:
But now let Perseus bear his prize away,
By service gain'd, by promis'd faith possess'd;
To him I owe it, that my age is bless'd
Still with a child: Nor think that I prefer
Perseus to thee, but to the loss of her.

Phineus on him, and Perseus, roul'd about
His eyes in silent rage, and seem'd to doubt
Which to destroy; 'till, resolute at length,
He threw his spear with the redoubled strength
His fury gave him, and at Perseus struck;
But missing Perseus, in his seat it stuck.
Who, springing nimbly up, return'd the dart,
And almost plung'd it in his rival's heart;
But he for safety to the altar ran,
Unfit protection for so vile a man;
Yet was the stroke not vain, as Rhaetus found,
Who in his brow receiv'd a mortal wound;
Headlong he tumbled, when his skull was broke,
From which his friends the fatal weapon took,
While he lay trembling, and his gushing blood
In crimson streams around the table flow'd.

But this provok'd th' unruly rabble worse,
They flung their darts, and some in loud discourse
To death young Perseus, and the monarch doom;
But Cepheus left before the guilty room,
With grief appealing to the Gods above,
Who laws of hospitality approve,
Who faith protect, and succour injur'd right,
That he was guiltless of this barb'rous fight.

Pallas her brother Perseus close attends,
And with her ample shield from harm defends,
Raising a sprightly courage in his heart:
But Indian Athis took the weaker part,
Born in the chrystal grottoes of the sea,
Limnate's son, a fenny nymph, and she
Daughter of Ganges; graceful was his mein,
His person lovely, and his age sixteen.
His habit made his native beauty more;
A purple mantle fring'd with gold he wore;
His neck well-turn'd with golden chains was grac'd,
His hair with myrrh perfum'd, was nicely dress'd.
Tho' with just aim he cou'd the javelin throw,
Yet with more skill he drew the bending bow;
And now was drawing it with artful hand,
When Perseus snatching up a flaming brand,
Whirl'd sudden at his face the burning wood,
Crush'd his eyes in, and quench'd the fire with blood;
Thro' the soft skin the splinter'd bones appear,
And spoil'd the face that lately was so fair.

When Lycabas his Athis thus beheld,
How was his heart with friendly horror fill'd!
A youth so noble, to his soul so dear,
To see his shapeless look, his dying groans to hear!
He snatch'd the bow the boy was us'd to bend,
And cry'd, With me, false traytor, dare contend;
Boast not a conquest o'er a child, but try
Thy strength with me, who all thy pow'rs defy;
Nor think so mean an act a victory.
While yet he spoke he flung the whizzing dart,
Which pierc'd the plaited robe, but miss'd his heart:
Perseus defy'd, upon him fiercely press'd
With sword, unsheath'd, and plung'd it in his breast;
His eyes o'erwhelm'd with night, he stumbling falls,
And with his latest breath on Athis calls;
Pleas'd that so near the lovely youth he lies,
He sinks his head upon his friend, and dies.

Next eager Phorbas, old Methion's son,
Came rushing forward with Amphimedon;
When the smooth pavement, slippery made with gore,
Trip'd up their feet, and flung 'em on the floor;
The sword of Perseus, who by chance was nigh,
Prevents their rise, and where they fall, they lye:
Full in his ribs Amphimedon he smote,
And then stuck fiery Phorbas in the throat.
Eurythus lifting up his ax, the blow
Was thus prevented by his nimble foe;
A golden cup he seizes, high embost,
And at his head the massy goblet tost:
It hits, and from his forehead bruis'd rebounds,
And blood, and brains he vomits from his wounds;
With his slain fellows on the floor he lies,
And death for ever shuts his swimming eyes.
Then Polydaemon fell, a Goddess-born;
Phlegias, and Elycen with locks unshorn
Next follow'd; next, the stroke of death he gave
To Clytus, Abanis, and Lycetus brave;
While o'er unnumber'd heaps of ghastly dead,
The Argive heroe's feet triumphant tread.

But Phineus stands aloof, and dreads to feel
His rival's force, and flies his pointed steel:
Yet threw a dart from far; by chance it lights
On Idas, who for neither party fights;
But wounded, sternly thus to Phineus said,
Since of a neuter thou a foe hast made,
This I return thee, drawing from his side
The dart; which, as he strove to fling, he dy'd.
Odites fell by Clymenus's sword,
The Cephen court had not a greater lord.
Hypseus his blade does in Protenor sheath,
But brave Lyncides soon reveng'd his death.
Here too was old Emathion, one that fear'd
The Gods, and in the cause of Heav'n appear'd,
Who only wishing the success of right,
And, by his age, exempted from the fight,
Both sides alike condemns: This impious war
Cease, cease, he cries; these bloody broils forbear.
This scarce the sage with high concern had said,
When Chromis at a blow struck off his head,
Which dropping, on the royal altar roul'd,
Still staring on the crowd with aspect bold;
And still it seem'd their horrid strife to blame,
In life and death, his pious zeal the same;
While clinging to the horns, the trunk expires,
The sever'd head consumes amidst the fires.

Then Phineus, who from far his javelin threw,
Broteas and Ammon, twins and brothers, slew;
For knotted gauntlets matchless in the field;
But gauntlets must to swords and javelins yield.
Ampycus next, with hallow'd fillets bound,
As Ceres' priest, and with a mitre crown'd,
His spear transfix'd, and struck him to the ground.

O Iapetides, with pain I tell
How you, sweet lyrist, in the riot fell;
What worse than brutal rage his breast could fill,
Who did thy blood, o bard celestial! spill?
Kindly you press'd amid the princely throng,
To crown the feast, and give the nuptial song:
Discord abhorr'd the musick of thy lyre,
Whose notes did gentle peace so well inspire;
Thee, when fierce Pettalus far off espy'd,
Defenceless with thy harp, he scoffing cry'd,
Go; to the ghosts thy soothing lessons play;
We loath thy lyre, and scorn thy peaceful lay:
And, as again he fiercely bid him go,
He pierc'd his temples with a mortal blow.
His harp he held, tho' sinking on the ground,
Whose strings in death his trembling fingers found
By chance, and tun'd by chance a dying sound.

With grief Lycormas saw him fall, from far,
And, wresting from the door a massy bar,
Full in his poll lays on a load of knocks,
Which stun him, and he falls like a devoted ox.
Another bar Pelates would have snach'd,
But Corynthus his motions slily watch'd;
He darts his weapon from a private stand,
And rivets to the post his veiny hand:
When strait a missive spear transfix'd his side,
By Abas thrown, and as he hung, he dy'd.

Melaneus on the prince's side was slain;
And Dorylas, who own'd a fertile plain,
Of Nasamonia's fields the wealthy lord,
Whose crowded barns, could scarce contain their board.
A whizzing spear obliquely gave a blow,
Stuck in his groin, and pierc'd the nerves below;
His foe behld his eyes convulsive roul,
His ebbing veins, and his departing soul;
Then taunting said, Of all thy spacious plain,
This spot thy only property remains.
He left him thus; but had no sooner left,
Than Perseus in revenge his nostrils cleft;
From his friend's breast the murd'ring dart he drew,
And the same weapon at the murderer threw;
His head in halves the darted javelin cut,
And on each side the brain came issuing out.

Fortune his friend, in deaths around he deals,
And this his lance, and that his faulchion feels:
Now Clytius dies; and by a diff'rent wound,
The twin, his brother Clanis, bites the ground.
In his rent jaw the bearded weapon sticks,
And the steel'd dart does Clytius' thigh transfix.
With these Mendesian Celadon he slew:
And Astreus next, whose mother was a Jew,
His sire uncertain: then by Perseus fell
Aethion, who cou'd things to come foretell;
But now he knows not whence the javelin flies
That wounds his breast, nor by whose arm he dies.

The squire to Phineus next his valour try'd,
And fierce Agyrtes stain'd with paricide.

As these are slain, fresh numbers still appear,
And wage with Perseus an unequal war;
To rob him of his right, the maid he won,
By honour, promise, and desert his own.
With him, the father of the beauteous bride,
The mother, and the frighted virgin side;
With shrieks, and doleful cries they rend the air:
Their shrieks confounded with the din of war,
With dashing arms, and groanings of the slain,
They grieve unpitied, and unheard complain.
The floor with ruddy streams Bellona stains,
And Phineus a new war with double rage maintains.

Perseus begirt, from all around they pour
Their lances on him, a tempestuous show'r,
Aim'd all at him; a cloud of darts, and spears,
Or blind his eyes, or whistle round his ears.
Their numbers to resist, against the wall
He guards his back secure, and dares them all.
Here from the left Molpeus renews the fight,
And bold Ethemon presses on the right:
As when a hungry tyger near him hears
Two lowing herds, a-while he both forbears;
Nor can his hopes of this, or that renounce,
So strong he lusts to prey on both at once;
Thus Perseus now with that, or this is loth
To war distinct:, but fain would fall on both.
And first Chaonian Molpeus felt his blow,
And fled, and never after fac'd his foe;
Then fierce Ethemon, as he turn'd his back,
Hurried with fury, aiming at his neck,
His brandish'd sword against the marble struck
With all his might; the brittle weapon broke,
And in his throat the point rebounding stuck.
Too slight the wound for life to issue thence,
And yet too great for battel, or defence;
His arms extended in this piteous state,
For mercy he wou'd sue, but sues too late;
Perseus has in his bosom plung'd the sword,
And, ere he speaks, the wound prevents the word.

The crowds encreasing, and his friends distress'd,
Himself by warring multitudes oppress'd:
Since thus unequally you fight, 'tis time,
He cry'd, to punish your presumptuous crime;
Beware, my friends; his friends were soon prepar'd,
Their sight averting, high the head he rear'd,
And Gorgon on his foes severely star'd.
Vain shift! says Thescelus, with aspect bold,
Thee, and thy bugbear monster, I behold
With scorn; he lifts his arm, but ere he threw
The dart, the heroe to a statue grew.
In the same posture still the marble stands,
And holds the warrior's weapons in its hands.
Amphyx, whom yet this wonder can't alarm,
Heaves at Lyncides' breast his impious arm;
But, while thus daringly he presses on,
His weapon and his arm are turn'd to stone.
Next Nileus, he who vainly said he ow'd
His origin to Nile's prolifick flood;
Who on his shield seven silver rivers bore,
His birth to witness by the arms he wore;
Full of his sev'n-fold father, thus express'd
His boast to Perseus, and his pride confess'd:
See whence we sprung; let this thy comfort be
In thy sure death, that thou didst die by me.
While yet he spoke, the dying accents hung
In sounds imperfect on his marble tongue;
Tho' chang'd to stone, his lips he seem'd to stretch,
And thro' th' insensate rock wou'd force a speech.

This Eryx saw, but seeing wou'd not own;
The mischief by your selves, he cries, is done,
'Tis your cold courage turns your hearts to stone.
Come, follow me; fall on the stripling boy,
Kill him, and you his magick arms destroy.
Then rushing on, his arm to strike he rear'd,
And marbled o'er his varied frame appear'd.

These for affronting Pallas were chastis'd,
And justly met the death they had despis'd.
But brave Aconteus, Perseus' friend, by chance
Look'd back, and met the Gorgon's fatal glance:
A statue now become, he ghastly stares,
And still the foe to mortal combat dares.
Astyages the living likeness knew,
On the dead stone with vengeful fury flew;
But impotent his rage, the jarring blade
No print upon the solid marble made:
Again, as with redoubled might he struck,
Himself astonish'd in the quarry stuck.

The vulgar deaths 'twere tedious to rehearse,
And fates below the dignity of verse;
Their safety in their flight two hundred found,
Two hundred, by Medusa's head were ston'd.
Fierce Phineus now repents the wrongful fight,
And views his varied friends, a dreadful sight;
He knows their faces, for their help he sues,
And thinks, not hearing him, that they refuse:
By name he begs their succour, one by one,
Then doubts their life, and feels the friendly stone.
Struck with remorse, and conscious of his pride,
Convict of sin, he turn'd his eyes aside;
With suppliant mein to Perseus thus he prays,
Hence with the head, as far as winds and seas
Can bear thee; hence, o quit the Cephen shore,
And never curse us with Medusa more,
That horrid head, which stiffens into stone
Those impious men who, daring death, look on.
I warr'd not with thee out of hate or strife,
My honest cause was to defend my wife,
First pledg'd to me; what crime cou'd I suppose,
To arm my friends, and vindicate my spouse?
But vain, too late I see, was our design;
Mine was the title, but the merit thine.
Contending made me guilty, I confess;
But penitence shou'd make that guilt the less:
'Twas thine to conquer by Minerva's pow'r;
Favour'd of Heav'n, thy mercy I implore;
For life I sue; the rest to thee I yield;
In pity, from my sight remove the shield.

He suing said; nor durst revert his eyes
On the grim head: and Perseus thus replies:
Coward, what is in me to grant, I will,
Nor blood, unworthy of my valour spill:
Fear not to perish by my vengeful sword,
From that secure; 'tis all the Fates afford.
Where I now see thee, thou shalt still be seen,
A lasting monument to please our queen;
There still shall thy betroth'd behold her spouse,
And find his image in her father's house.
This said; where Phineus turn'd to shun the shield
Full in his face the staring head he held;
As here and there he strove to turn aside,
The wonder wrought, the man was petrify'd:
All marble was his frame, his humid eyes
Drop'd tears, which hung upon the stone like ice.
In suppliant posture, with uplifted hands,
And fearful look, the guilty statue stands.

Hence Perseus to his native city hies,
Victorious, and rewarded with his prize.
Conquest, o'er Praetus the usurper, won,
He re-instates his grandsire in the throne.
Praetus, his brother dispossess'd by might,
His realm enjoy'd, and still detain'd his right:
But Perseus pull'd the haughty tyrant down,
And to the rightful king restor'd the throne.
Weak was th' usurper, as his cause was wrong;
Where Gorgon's head appears, what arms are strong?
When Perseus to his host the monster held,
They soon were statues, and their king expell'd.

Thence, to Seriphus with the head he sails,
Whose prince his story treats as idle tales:
Lord of a little isle, he scorns to seem
Too credulous, but laughs at that, and him.
Yet did he not so much suspect the truth,
As out of pride, or envy, hate the youth.
The Argive prince, at his contempt enrag'd,
To force his faith by fatal proof engag'd.
Friends, shut your eyes, he cries; his shield he takes,
And to the king expos'd Medusa's snakes.
The monarch felt the pow'r he wou'd not own,
And stood convict of folly in the stone.

Minerva's Interview with the Muses

Thus far Minerva was content to rove
With Perseus, offspring of her father Jove:
Now, hid in clouds, Seriphus she forsook;
And to the Theban tow'rs her journey took.
Cythnos and Gyaros lying to the right,
She pass'd unheeded in her eager flight;
And chusing first on Helicon to rest,
The virgin Muses in these words address'd:

Me, the strange tidings of a new-found spring,
Ye learned sisters, to this mountain bring.
If all be true that Fame's wide rumours tell,
'Twas Pegasus discover'd first your well;
Whose piercing hoof gave the soft earth a blow,
Which broke the surface where these waters flow.
I saw that horse by miracle obtain
Life, from the blood of dire Medusa slain;
And now, this equal prodigy to view,
From distant isles to fam'd Boeotia flew.

The Muse Urania said, Whatever cause
So great a Goddess to this mansion draws;
Our shades are happy with so bright a guest,
You, Queen, are welcome, and we Muses blest.
What Fame has publish'd of our spring is true,
Thanks for our spring to Pegasus are due.
Then, with becoming courtesy, she led
The curious stranger to their fountain's head;
Who long survey'd, with wonder, and delight,
Their sacred water, charming to the sight;
Their ancient groves, dark grottos, shady bow'rs,
And smiling plains adorn'd with various flow'rs.
O happy Muses! she with rapture cry'd,
Who, safe from cares, on this fair hill reside;
Blest in your seat, and free your selves to please
With joys of study, and with glorious ease.

The Fate of Pyreneus

Then one replies: O Goddess, fit to guide
Our humble works, and in our choir preside,
Who sure wou'd wisely to these fields repair,
To taste our pleasures, and our labours share,
Were not your virtue, and superior mind
To higher arts, and nobler deeds inclin'd;
Justly you praise our works, and pleasing seat,
Which all might envy in this soft retreat,
Were we secur'd from dangers, and from harms;
But maids are frighten'd with the least alarms,
And none are safe in this licentious time;
Still fierce Pyreneus, and his daring crime,
With lasting horror strikes my feeble sight,
Nor is my mind recover'd from the fright.
With Thracian arms this bold usurper gain'd
Daulis, and Phocis, where he proudly reign'd:
It happen'd once, as thro' his lands we went,
For the bright temple of Parnassus bent,
He met us there, and in his artful mind
Hiding the faithless action he design'd,
Confer'd on us (whom, oh! too well he knew)
All honours that to Goddesses are due.
Stop, stop, ye Muses, 'tis your friend who calls,
The tyrant said; behold the rain that falls
On ev'ry side, and that ill-boding sky,
Whose lowring face portends more storms are nigh.
Pray make my house your own, and void of fear,
While this bad weather lasts, take shelter here.
Gods have made meaner places their resort,
And, for a cottage, left their shining court.

Oblig'd to stop, by the united force
Of pouring rains, and complaisant discourse,
His courteous invitation we obey,
And in his hall resolve a-while to stay.
Soon it clear'd up; the clouds began to fly,
The driving north refin'd the show'ry sky;
Then to pursue our journey we began:
But the false traitor to his portal ran,
Stopt our escape, the door securely barr'd,
And to our honour, violence prepar'd.
But we, transform'd to birds, avoid his snare,
On pinions rising in the yielding air.

But he, by lust and indignation fir'd,
Up to his highest tow'r with speed retir'd,
And cries, In vain you from my arms withdrew,
The way you go your lover will pursue.
Then, in a flying posture wildly plac'd,
And daring from that height himself to cast,
The wretch fell headlong, and the ground bestrew'd
With broken bones, and stains of guilty blood.

The Story of the Pierides

The Muse yet spoke; when they began to hear
A noise of wings that flutter'd in the air;
And strait a voice, from some high-spreading bough,
Seem'd to salute the company below.
The Goddess wonder'd, and inquir'd from whence
That tongue was heard, that spoke so plainly sense
(It seem'd to her a human voice to be,
But prov'd a bird's; for in a shady tree
Nine magpies perch'd lament their alter'd state,
And, what they hear, are skilful to repeat).

The sister to the wondring Goddess said,
These, foil'd by us, by us were thus repaid.
These did Evippe of Paeonia bring
With nine hard labour-pangs to Pella's king.
The foolish virgins of their number proud,
And puff'd with praises of the senseless crowd,
Thro' all Achaia, and th' Aemonian plains
Defy'd us thus, to match their artless strains;
No more, ye Thespian girls, your notes repeat,
Nor with false harmony the vulgar cheat;
In voice or skill, if you with us will vye,
As many we, in voice or skill will try.
Surrender you to us, if we excell,
Fam'd Aganippe, and Medusa's well.
The conquest yours, your prize from us shall be
The Aemathian plains to snowy Paeone;
The nymphs our judges. To dispute the field,
We thought a shame; but greater shame to yield.
On seats of living stone the sisters sit,
And by the rivers swear to judge aright.

The Song of the Pierides

Then rises one of the presumptuous throng,
Steps rudely forth, and first begins the song;
With vain address describes the giants' wars,
And to the Gods their fabled acts prefers.
She sings, from Earth's dark womb how Typhon rose,
And struck with mortal fear his heav'nly foes.
How the Gods fled to Egypt's slimy soil,
And hid their heads beneath the banks of Nile:
How Typhon, from the conquer'd skies, pursu'd
Their routed godheads to the sev'n-mouth'd flood;
Forc'd every God, his fury to escape,
Some beastly form to take, or earthly shape.
Jove (so she sung) was chang'd into a ram,
From whence the horns of Libyan Ammon came.
Bacchus a goat, Apollo was a crow,
Phaebe a cat; die wife of Jove a cow,
Whose hue was whiter than the falling snow.
Mercury to a nasty Ibis turn'd,
The change obscene, afraid of Typhon, mourn'd;
While Venus from a fish protection craves,
And once more plunges in her native waves.

She sung, and to her harp her voice apply'd;
Then us again to match her they defy'd.
But our poor song, perhaps, for you to hear,
Nor leisure serves, nor is it worth your ear.
That causeless doubt remove, O Muse rehearse,
The Goddess cry'd, your ever-grateful verse.
Beneath a chequer'd shade she takes her seat,
And bids the sister her whole song repeat.
The sister thus: Calliope we chose
For the performance. The sweet virgin rose,
With ivy crown'd she tunes her golden strings,
And to her harp this composition sings.

The Song of the Muses

First Ceres taught the lab'ring hind to plow
The pregnant Earth, and quickning seed to sow.
She first for Man did wholsome food provide,
And with just laws the wicked world supply'd:
All good from her deriv'd, to her belong
The grateful tri butes of the Muse's song.
Her more than worthy of our verse we deem,
Oh! were our verse more worthy of the theme.

Jove on the giant fair Trinacria hurl'd,
And with one bolt reveng'd his starry world.
Beneath her burning hills Tiphaeus lies,
And, strugling always, strives in vain to rise.
Down does Pelorus his right hand suppress
Tow'rd Latium, on the left Pachyne weighs.
His legs are under Lilybaeum spread,
And Aetna presses hard his horrid head.
On his broad back he there extended lies,
And vomits clouds of ashes to the skies.
Oft lab'ring with his load, at last he tires,
And spews out in revenge a flood of fires.
Mountains he struggles to o'erwhelm, and towns;
Earth's inmost bowels quake, and Nature groans.
His terrors reach the direful king of Hell;
He fears his throws will to the day reveal
The realms of night, and fright his trembling ghosts.

This to prevent, he quits the Stygian coasts,
In his black carr, by sooty horses drawn,
Fair Sicily he seeks, and dreads the dawn.
Around her plains he casts his eager eyes,
And ev'ry mountain to the bottom tries.
But when, in all the careful search, he saw
No cause of fear, no ill-suspected flaw;
Secure from harm, and wand'ring on at will,
Venus beheld him from her flow'ry hill:
When strait the dame her little Cupid prest
With secret rapture to her snowy breast,
And in these words the flutt'ring boy addrest.

O thou, my arms, my glory, and my pow'r,
My son, whom men, and deathless Gods adore;
Bend thy sure bow, whose arrows never miss'd,
No longer let Hell's king thy sway resist;
Take him, while stragling from his dark abodes
He coasts the kingdoms of superior Gods.
If sovereign Jove, if Gods who rule the waves,
And Neptune, who rules them, have been thy slaves;
Shall Hell be free? The tyrant strike, my son,
Enlarge thy mother's empire, and thy own.
Let not our Heav'n be made the mock of Hell,
But Pluto to confess thy pow'r compel.
Our rule is slighted in our native skies,
See Pallas, see Diana too defies
Thy darts, which Ceres' daughter wou'd despise.
She too our empire treats with aukward scorn;
Such insolence no longer's to be born.
Revenge our slighted reign, and with thy dart
Transfix the virgin's to the uncle's heart.

She said; and from his quiver strait he drew
A dart that surely wou'd the business do.
She guides his hand, she makes her touch the test,
And of a thousand arrows chose the best:
No feather better pois'd, a sharper head
None had, and sooner none, and surer sped.
He bends his bow, he draws it to his ear,
Thro' Pluto's heart it drives, and fixes there.

The Rape of Proserpine

Near Enna's walls a spacious lake is spread,
Fam'd for the sweetly-singing swans it bred;
Pergusa is its name: and never more
Were heard, or sweeter on Cayster's shore.
Woods crown the lake; and Phoebus ne'er invades
The tufted fences, or offends the shades:
Fresh fragrant breezes fan the verdant bow'rs,
And the moist ground smiles with enamel'd flow'rs
The chearful birds their airy carols sing,
And the whole year is one eternal spring.

Here, while young Proserpine, among the maids,
Diverts herself in these delicious shades;
While like a child with busy speed and care
She gathers lillies here, and vi'lets there;
While first to fill her little lap she strives,
Hell's grizly monarch at the shade arrives;
Sees her thus sporting on the flow'ry green,
And loves the blooming maid, as soon as seen.
His urgent flame impatient of delay,
Swift as his thought he seiz'd the beauteous prey,
And bore her in his sooty carr away.
The frighted Goddess to her mother cries,
But all in vain, for now far off she flies;
Far she behind her leaves her virgin train;
To them too cries, and cries to them in vain,
And, while with passion she repeats her call,
The vi'lets from her lap, and lillies fall:
She misses 'em, poor heart! and makes new moan;
Her lillies, ah! are lost, her vi'lets gone.

O'er hills, the ravisher, and vallies speeds,
By name encouraging his foamy steeds;
He rattles o'er their necks the rusty reins,
And ruffles with the stroke their shaggy manes.
O'er lakes he whirls his flying wheels, and comes
To the Palici breathing sulph'rous fumes.
And thence to where the Bacchiads of renown
Between unequal havens built their town;
Where Arethusa, round th' imprison'd sea,
Extends her crooked coast to Cyane;
The nymph who gave the neighb'ring lake a name,
Of all Sicilian nymphs the first in fame,
She from the waves advanc'd her beauteous head,
The Goddess knew, and thus to Pluto said:
Farther thou shalt not with the virgin run;
Ceres unwilling, canst thou be her son?
The maid shou'd be by sweet perswasion won.
Force suits not with the softness of the fair;
For, if great things with small I may compare,
Me Anapis once lov'd; a milder course
He took, and won me by his words, not force.

Then, stretching out her arms, she stopt his way;
But he, impatient of the shortest stay,
Throws to his dreadful steeds the slacken'd rein,
And strikes his iron sceptre thro' the main;
The depths profound thro' yielding waves he cleaves,
And to Hell's center a free passage leaves;
Down sinks his chariot, and his realms of night
The God soon reaches with a rapid flight.

Cyane dissolves to a Fountain

But still does Cyane the rape bemoan,
And with the Goddess' wrongs laments her own;
For the stoln maid, and for her injur'd spring,
Time to her trouble no relief can bring.
In her sad heart a heavy load she bears,
'Till the dumb sorrow turns her all to tears.
Her mingling waters with that fountain pass,
Of which she late immortal Goddess was;
Her varied members to a fluid melt,
A pliant softness in her bones is felt;
Her wavy locks first drop away in dew,
And liquid next her slender fingers grew.
The body's change soon seizes its extreme,
Her legs dissolve, and feet flow off in stream.
Her arms, her back, her shoulders, and her side,
Her swelling breasts in little currents glide,
A silver liquor only now remains
Within the channel of her purple veins;
Nothing to fill love's grasp; her husb and chaste
Bathes in that bosom he before embrac'd.

A Boy transform'd to an Eft

Thus, while thro' all the Earth, and all the main,
Her daughter mournful Ceres sought in vain;
Aurora, when with dewy looks she rose,
Nor burnish'd Vesper found her in repose,
At Aetna's flaming mouth two pitchy pines
To light her in her search at length she tines.
Restless, with these, thro' frosty night she goes,
Nor fears the cutting winds, nor heeds the snows;
And, when the morning-star the day renews,
From east to west her absent child pursues.

Thirsty at last by long fatigue she grows,
But meets no spring, no riv'let near her flows.
Then looking round, a lowly cottage spies,
Smoaking among the trees, and thither hies.
The Goddess knocking at the little door,
'Twas open'd by a woman old and poor,
Who, when she begg'd for water, gave her ale
Brew'd long, but well preserv'd from being stale.
The Goddess drank; a chuffy lad was by,
Who saw the liquor with a grutching eye,
And grinning cries, She's greedy more than dry.

Ceres, offended at his foul grimace,
Flung what she had not drunk into his face,
The sprinklings speckle where they hit the skin,
And a long tail does from his body spin;
His arms are turn'd to legs, and lest his size
Shou'd make him mischievous, and he might rise
Against mankind, diminutives his frame,
Less than a lizzard, but in shape the same.
Amaz'd the dame the wondrous sight beheld,
And weeps, and fain wou'd touch her quondam child.
Yet her approach th' affrighted vermin shuns,
And fast into the greatest crevice runs.
A name they gave him, which the spots exprest,
That rose like stars, and varied all his breast.

What lands, what seas the Goddess wander'd o'er,
Were long to tell; for there remain'd no more.
Searching all round, her fruitless toil she mourns,
And with regret to Sicily returns.
At length, where Cyane now flows, she came,
Who cou'd have told her, were she still the same
As when she saw her daughter sink to Hell;
But what she knows she wants a tongue to tell.
Yet this plain signal manifestly gave,
The virgin's girdle floating on a wave,
As late she dropt it from her slender waste,
When with her uncle thro' the deep she past.
Ceres the token by her grief confest,
And tore her golden hair, and beat her breast.
She knows not on what land her curse shou'd fall,
But, as ingrate, alike upbraids them all,
Unworthy of her gifts; Trinacria most,
Where the last steps she found of what she lost.
The plough for this the vengeful Goddess broke,
And with one death the ox, and owner struck,
In vain the fallow fields the peasant tills,
The seed, corrupted ere 'tis sown, she kills.
The fruitful soil, that once such harvests bore,
Now mocks the farmer's care, and teems no more.
And the rich grain which fills the furrow'd glade,
Rots in the seed, or shrivels in the blade;
Or too much sun burns up, or too much rain
Drowns, or black blights destroy the blasted plain;
Or greedy birds the new-sown seed devour,
Or darnel, thistles, and a crop impure
Of knotted grass along the acres stand,
And spread their thriving roots thro' all the land.

Then from the waves soft Arethusa rears
Her head, and back she flings her dropping hairs.
O mother of the maid, whom thou so far
Hast sought, of whom thou canst no tidings hear;
O thou, she cry'd, who art to life a friend,
Cease here thy search, and let thy labour end.
Thy faithful Sicily's a guiltless clime,
And shou'd not suffer for another's crime;
She neither knew, nor cou'd prevent the deed;
Nor think that for my country thus I plead;
My country's Pisa, I'm an alien here,
Yet these abodes to Elis I prefer,
No clime to me so sweet, no place so dear.
These springs I Arethusa now possess,
And this my seat, o gracious Goddess, bless:
This island why I love, and why I crost
Such spacious seas to reach Ortygia's coast,
To you I shall impart, when, void of care,
Your heart's at ease, and you're more fit to hear;
When on your brow no pressing sorrow sits,
For gay content alone such tales admits.
When thro' Earth's caverns I a-while have roul'd
My waves, I rise, and here again behold
The long-lost stars; and, as I late did glide
Near Styx, Proserpina there I espy'd.
Fear still with grief might in her face be seen;
She still her rape laments; yet, made a queen,
Beneath those gloomy shades her sceptre sways,
And ev'n th' infernal king her will obeys.

This heard, the Goddess like a statue stood,
Stupid with grief; and in that musing mood
Continu'd long; new cares a-while supprest
The reigning of her immortal breast.
At last to Jove her daughter's sire she flies,
And with her chariot cuts the chrystal skies;
She comes in clouds, and with dishevel'd hair,
Standing before his throne, prefers her pray'r.

King of the Gods, defend my blood and thine,
And use it not the worse for being mine.
If I no more am gracious in thy sight,
Be just, o Jove, and do thy daughter right.
In vain I sought her the wide world around,
And, when I most despair'd to find her, found.
But how can I the fatal finding boast,
By which I know she is for ever lost?
Without her father's aid, what other Pow'r
Can to my arms the ravish'd maid restore?
Let him restore her, I'll the crime forgive;
My child, tho' ravish'd, I'd with joy receive.
Pity, your daughter with a thief shou'd wed,
Tho' mine, you think, deserves no better bed.

Jove thus replies: It equally belongs
To both, to guard our common pledge from wrongs.
But if to things we proper names apply,
This hardly can be call'd an injury.
The theft is love; nor need we blush to own
The thief, if I can judge, to be our son.
Had you of his desert no other proof,
To be Jove's brother is methinks enough.
Nor was my throne by worth superior got,
Heav'n fell to me, as Hell to him, by lot:
If you are still resolv'd her loss to mourn,
And nothing less will serve than her return;
Upon these terms she may again be yours
(Th' irrevocable terms of fate, not ours),
Of Stygian food if she did never taste,
Hell's bounds may then, and only then, be past.

The Transformation of Ascalaphus into an Owl

The Goddess now, resolving to succeed,
Down to the gloomy shades descends with speed;
But adverse fate had otherwise decreed.
For, long before, her giddy thoughtless child
Had broke her fast, and all her projects spoil'd.
As in the garden's shady walk she stray'd,
A fair pomegranate charm'd the simple maid,
Hung in her way, and tempting her to taste,
She pluck'd the fruit, and took a short repast.
Seven times, a seed at once, she eat the food;
The fact Ascalaphus had only view'd;
Whom Acheron begot in Stygian shades
On Orphne, fam'd among Avernal maids;
He saw what past, and by discov'ring all,
Detain'd the ravish'd nymph in cruel thrall.

But now a queen, she with resentment heard,
And chang'd the vile informer to a bird.
In Phlegeton's black stream her hand she dips,
Sprinkles his head, and wets his babling lips.
Soon on his face, bedropt with magick dew,
A change appear'd, and gawdy feathers grew.
A crooked beak the place of nose supplies,
Rounder his head, and larger are his eyes.
His arms and body waste, but are supply'd
With yellow pinions flagging on each side.
His nails grow crooked, and are turn'd to claws,
And lazily along his heavy wings he draws.
Ill-omen'd in his form, the unlucky fowl,
Abhorr'd by men, and call'd a scrieching owl.

The Daughters of Achelous transform'd to Sirens

Justly this punishment was due to him,
And less had been too little for his crime;
But, o ye nymphs that from the flood descend,
What fault of yours the Gods cou'd so offend,
With wings and claws your beauteous forms to spoil,
Yet save your maiden face, and winning smile?
Were you not with her in Pergusa's bow'rs,
When Proserpine went forth to gather flow'rs?
Since Pluto in his carr the Goddess caught,
Have you not for her in each climate sought?
And when on land you long had search'd in vain,
You wish'd for wings to cross the pathless main;
That Earth and Sea might witness to your care:
The Gods were easy, and return'd your pray'r;
With golden wing o'er foamy waves you fled,
And to the sun your plumy glories spread.
But, lest the soft enchantment of your songs,
And the sweet musick of your flat'ring tongues
Shou'd quite be lost (as courteous fates ordain),
Your voice and virgin beauty still remain.

Jove some amends for Ceres lost to make,
Yet willing Pluto shou'd the joy partake,
Gives 'em of Proserpine an equal share,
Who, claim'd by both, with both divides the year.
The Goddess now in either empire sways,
Six moons in Hell, and six with Ceres stays.
Her peevish temper's chang'd; that sullen mind,
Which made ev'n Hell uneasy, now is kind,
Her voice refines, her mein more sweet appears,
Her forehead free from frowns, her eyes from tears,
As when, with golden light, the conqu'ring day
Thro' dusky exhalations clears a way.
Ceres her daughter's rape no longer mourn'd,
But back to Arethusa's spring return'd;
And sitting on the margin, bid her tell
From whence she came, and why a sacred well.

The Story of Arethusa

Still were the purling waters, and the maid
From the smooth surface rais'd her beauteous head,
Wipes off the drops that from her tresses ran,
And thus to tell Alpheus' loves began.

In Elis first I breath'd the living air,
The chase was all my pleasure, all my care.
None lov'd like me the forest to explore,
To pitch the toils, and drive the bristled boar.
Of fair, tho' masculine, I had the name,
But gladly wou'd to that have quitted claim:
It less my pride than indignation rais'd,
To hear the beauty I neglected, prais'd;
Such compliments I loath'd, such charms as these
I scorn'd, and thought it infamy to please.

Once, I remember, in the summer's heat,
Tir'd with the chase, I sought a cool retreat;
And, walking on, a silent current found,
Which gently glided o'er the grav'ly ground.
The chrystal water was so smooth, so clear,
My eye distinguish'd ev'ry pebble there.
So soft its motion, that I scarce perceiv'd
The running stream, or what I saw believ'd.
The hoary willow, and the poplar, made
Along the shelving bank a grateful shade.
In the cool rivulet my feet I dipt,
Then waded to the knee, and then I stript;
My robe I careless on an osier threw,
That near the place commodiously grew;
Nor long upon the border naked stood,
But plung'd with speed into the silver flood.
My arms a thousand ways I mov'd, and try'd
To quicken, if I cou'd, the lazy tide;
Where, while I play'd my swimming gambols o'er,
I heard a murm'ring voice, and frighted sprung to shore.

Oh! whither, Arethusa, dost thou fly?
From the brook's bottom did Alpheus cry;
Again, I heard him, in a hollow tone,
Oh! whither, Arethusa, dost thou run?
Naked I flew, nor cou'd I stay to hide
My limbs, my robe was on the other side;
Alpheus follow'd fast, th' inflaming sight
Quicken'd his speed, and made his labour light;
He sees me ready for his eager arms,
And with a greedy glance devours my charms.
As trembling doves from pressing danger fly,
When the fierce hawk comes sousing from the sky;
And, as fierce hawks the trembling doves pursue,
From him I fled, and after me he flew.
First by Orchomenus I took my flight,
And soon had Psophis and Cyllene in sight;
Behind me then high Maenalus I lost,
And craggy Erimanthus scal'd with frost;
Elis was next; thus far the ground I trod
With nimble feet, before the distanc'd God.
But here I lagg'd, unable to sustain
The labour longer, and my flight maintain;
While he more strong, more patient of the toil,
And fir'd with hopes of beauty's speedy spoil,
Gain'd my lost ground, and by redoubled pace,
Now left between us but a narrow space.
Unweary'd I 'till now o'er hills, and plains,
O'er rocks, and rivers ran, and felt no pains:
The sun behind me, and the God I kept,
But, when I fastest shou'd have run, I stept.
Before my feet his shadow now appear'd;
As what I saw, or rather what I fear'd.
Yet there I could not be deceiv'd by fear,
Who felt his breath pant on my braided hair,
And heard his sounding tread, and knew him to be near.
Tir'd, and despairing, O celestial maid,
I'm caught, I cry'd, without thy heav'nly aid.
Help me, Diana, help a nymph forlorn,
Devoted to the woods, who long has worn
Thy livery, and long thy quiver born.
The Goddess heard; my pious pray'r prevail'd;
In muffling clouds my virgin head was veil'd,
The am'rous God, deluded of his hopes,
Searches the gloom, and thro' the darkness gropes;
Twice, where Diana did her servant hide
He came, and twice, O Arethusa! cry'd.
How shaken was my soul, how sunk my heart!
The terror seiz'd on ev'ry trembling part.
Thus when the wolf about the mountain prowls
For prey, the lambkin hears his horrid howls:
The tim'rous hare, the pack approaching nigh,
Thus hearkens to the hounds, and trembles at the cry;
Nor dares she stir, for fear her scented breath
Direct the dogs, and guide the threaten'd death.
Alpheus in the cloud no traces found
To mark my way, yet stays to guard the ground,
The God so near, a chilly sweat possest
My fainting limbs, at ev'ry pore exprest;
My strength distill'd in drops, my hair in dew,
My form was chang'd, and all my substance new.
Each motion was a stream, and my whole frame
Turn'd to a fount, which still preserves my name.
Resolv'd I shou'd not his embrace escape,
Again the God resumes his fluid shape;
To mix his streams with mine he fondly tries,
But still Diana his attempt denies.
She cleaves the ground; thro' caverns dark I run
A diff'rent current, while he keeps his own.
To dear Ortygia she conducts my way,
And here I first review the welcome day.

Here Arethusa stopt; then Ceres takes
Her golden carr, and yokes her fiery snakes;
With a just rein, along mid-heaven she flies
O'er Earth, and seas, and cuts the yielding skies.
She halts at Athens, dropping like a star,
And to Triptolemus resigns her carr.
Parent of seed, she gave him fruitful grain,
And bad him teach to till and plough the plain;
The seed to sow, as well in fallow fields,
As where the soil manur'd a richer harvest yields.

The Transformation of Lyncus

The youth o'er Europe and o'er Asia drives,
'Till at the court of Lyncus he arrives.
The tyrant Scythia's barb'rous empire sway'd;
And, when he saw Triptolemus, he said,
How cam'st thou, stranger, to our court, and why?
Thy country, and thy name? The youth did thus reply:
Triptolemus my name; my country's known
O'er all the world, Minerva's fav'rite town,
Athens, the first of cities in renown.
By land I neither walk'd, nor sail'd by sea,
But hither thro' the Aether made my way.
By me, the Goddess who the fields befriends,
These gifts, the greatest of all blessings, sends.
The grain she gives if in your soil you sow,
Thence wholsom food in golden crops shall grow.

Soon as the secret to the king was known,
He grudg'd the glory of the service done,
And wickedly resolv'd to make it all his own.
To hide his purpose, he invites his guest,
The friend of Ceres, to a royal feast,
And when sweet sleep his heavy eyes had seiz'd,
The tyrant with his steel attempts his breast.
Him strait a lynx's shape the Goddess gives,
And home the youth her sacred dragons drives.

The Pierides transform'd to Magpies

The chosen Muse here ends her sacred lays;
The nymphs unanimous decree the bays,
And give the Heliconian Goddesses the praise.
Then, far from vain that we shou'd thus prevail,
But much provok'd to hear the vanquish'd rail,
Calliope resumes: Too long we've born
Your daring taunts, and your affronting scorn;
Your challenge justly merited a curse,
And this unmanner'd railing makes it worse.
Since you refuse us calmly to enjoy
Our patience, next our passions we'll employ;
The dictates of a mind enrag'd pursue,
And, what our just resentment bids us, do.

The railers laugh, our threats and wrath despise,
And clap their hands, and make a scolding noise:
But in the fact they're seiz'd; beneath their nails
Feathers they feel, and on their faces scales;
Their horny beaks at once each other scare,
Their arms are plum'd, and on their backs they bear
Py'd wings, and flutter in the fleeting air.
Chatt'ring, the scandal of the woods they fly,
And there continue still their clam'rous cry:
The same their eloquence, as maids, or birds,
Now only noise, and nothing then but words.

----------------------------------------------------------------------
~ Ovid, BOOK THE FIFTH

,
1498:BOOK THE FIRST

The Creation of the World

Of bodies chang'd to various forms, I sing:
Ye Gods, from whom these miracles did spring,
Inspire my numbers with coelestial heat;
'Till I my long laborious work compleat:
And add perpetual tenour to my rhimes,
Deduc'd from Nature's birth, to Caesar's times.
Before the seas, and this terrestrial ball,
And Heav'n's high canopy, that covers all,
One was the face of Nature; if a face:
Rather a rude and indigested mass:
A lifeless lump, unfashion'd, and unfram'd,
Of jarring seeds; and justly Chaos nam'd.
No sun was lighted up, the world to view;
No moon did yet her blunted horns renew:
Nor yet was Earth suspended in the sky,
Nor pois'd, did on her own foundations lye:
Nor seas about the shores their arms had thrown;
But earth, and air, and water, were in one.
Thus air was void of light, and earth unstable,
And water's dark abyss unnavigable.
No certain form on any was imprest;
All were confus'd, and each disturb'd the rest.
For hot and cold were in one body fixt;
And soft with hard, and light with heavy mixt.

But God, or Nature, while they thus contend,
To these intestine discords put an end:
Then earth from air, and seas from earth were driv'n,
And grosser air sunk from aetherial Heav'n.
Thus disembroil'd, they take their proper place;
The next of kin, contiguously embrace;
And foes are sunder'd, by a larger space.
The force of fire ascended first on high,
And took its dwelling in the vaulted sky:
Then air succeeds, in lightness next to fire;
Whose atoms from unactive earth retire.
Earth sinks beneath, and draws a num'rous throng
Of pondrous, thick, unwieldy seeds along.
About her coasts, unruly waters roar;
And rising, on a ridge, insult the shore.
Thus when the God, whatever God was he,
Had form'd the whole, and made the parts agree,
That no unequal portions might be found,
He moulded Earth into a spacious round:
Then with a breath, he gave the winds to blow;
And bad the congregated waters flow.
He adds the running springs, and standing lakes;
And bounding banks for winding rivers makes.
Some part, in Earth are swallow'd up, the most
In ample oceans, disembogu'd, are lost.
He shades the woods, the vallies he restrains
With rocky mountains, and extends the plains.

And as five zones th' aetherial regions bind,
Five, correspondent, are to Earth assign'd:
The sun with rays, directly darting down,
Fires all beneath, and fries the middle zone:
The two beneath the distant poles, complain
Of endless winter, and perpetual rain.
Betwixt th' extreams, two happier climates hold
The temper that partakes of hot, and cold.
The fields of liquid air, inclosing all,
Surround the compass of this earthly ball:
The lighter parts lye next the fires above;
The grosser near the watry surface move:
Thick clouds are spread, and storms engender there,
And thunder's voice, which wretched mortals fear,
And winds that on their wings cold winter bear.
Nor were those blustring brethren left at large,
On seas, and shores, their fury to discharge:
Bound as they are, and circumscrib'd in place,
They rend the world, resistless, where they pass;
And mighty marks of mischief leave behind;
Such is the rage of their tempestuous kind.
First Eurus to the rising morn is sent
(The regions of the balmy continent);
And Eastern realms, where early Persians run,
To greet the blest appearance of the sun.
Westward, the wanton Zephyr wings his flight;
Pleas'd with the remnants of departing light:
Fierce Boreas, with his off-spring, issues forth
T' invade the frozen waggon of the North.
While frowning Auster seeks the Southern sphere;
And rots, with endless rain, th' unwholsom year.

High o'er the clouds, and empty realms of wind,
The God a clearer space for Heav'n design'd;
Where fields of light, and liquid aether flow;
Purg'd from the pondrous dregs of Earth below.

Scarce had the Pow'r distinguish'd these, when streight
The stars, no longer overlaid with weight,
Exert their heads, from underneath the mass;
And upward shoot, and kindle as they pass,
And with diffusive light adorn their heav'nly place.
Then, every void of Nature to supply,
With forms of Gods he fills the vacant sky:
New herds of beasts he sends, the plains to share:
New colonies of birds, to people air:
And to their oozy beds, the finny fish repair.

A creature of a more exalted kind
Was wanting yet, and then was Man design'd:
Conscious of thought, of more capacious breast,
For empire form'd, and fit to rule the rest:
Whether with particles of heav'nly fire
The God of Nature did his soul inspire,
Or Earth, but new divided from the sky,
And, pliant, still retain'd th' aetherial energy:
Which wise Prometheus temper'd into paste,
And, mixt with living streams, the godlike image cast.

Thus, while the mute creation downward bend
Their sight, and to their earthly mother tend,
Man looks aloft; and with erected eyes
Beholds his own hereditary skies.
From such rude principles our form began;
And earth was metamorphos'd into Man.

The Golden Age

The golden age was first; when Man yet new,
No rule but uncorrupted reason knew:
And, with a native bent, did good pursue.
Unforc'd by punishment, un-aw'd by fear,
His words were simple, and his soul sincere;
Needless was written law, where none opprest:
The law of Man was written in his breast:
No suppliant crowds before the judge appear'd,
No court erected yet, nor cause was heard:
But all was safe, for conscience was their guard.
The mountain-trees in distant prospect please,
E're yet the pine descended to the seas:
E're sails were spread, new oceans to explore:
And happy mortals, unconcern'd for more,
Confin'd their wishes to their native shore.
No walls were yet; nor fence, nor mote, nor mound,
Nor drum was heard, nor trumpet's angry sound:
Nor swords were forg'd; but void of care and crime,
The soft creation slept away their time.
The teeming Earth, yet guiltless of the plough,
And unprovok'd, did fruitful stores allow:
Content with food, which Nature freely bred,
On wildings and on strawberries they fed;
Cornels and bramble-berries gave the rest,
And falling acorns furnish'd out a feast.
The flow'rs unsown, in fields and meadows reign'd:
And Western winds immortal spring maintain'd.
In following years, the bearded corn ensu'd
From Earth unask'd, nor was that Earth renew'd.
From veins of vallies, milk and nectar broke;
And honey sweating through the pores of oak.

The Silver Age

But when good Saturn, banish'd from above,
Was driv'n to Hell, the world was under Jove.
Succeeding times a silver age behold,
Excelling brass, but more excell'd by gold.
Then summer, autumn, winter did appear:
And spring was but a season of the year.
The sun his annual course obliquely made,
Good days contracted, and enlarg'd the bad.
Then air with sultry heats began to glow;
The wings of winds were clogg'd with ice and snow;
And shivering mortals, into houses driv'n,
Sought shelter from th' inclemency of Heav'n.
Those houses, then, were caves, or homely sheds;
With twining oziers fenc'd; and moss their beds.
Then ploughs, for seed, the fruitful furrows broke,
And oxen labour'd first beneath the yoke.

The Brazen Age

To this came next in course, the brazen age:
A warlike offspring, prompt to bloody rage,
Not impious yet...

The Iron Age

Hard steel succeeded then:
And stubborn as the metal, were the men.
Truth, modesty, and shame, the world forsook:
Fraud, avarice, and force, their places took.
Then sails were spread, to every wind that blew.
Raw were the sailors, and the depths were new:
Trees, rudely hollow'd, did the waves sustain;
E're ships in triumph plough'd the watry plain.

Then land-marks limited to each his right:
For all before was common as the light.
Nor was the ground alone requir'd to bear
Her annual income to the crooked share,
But greedy mortals, rummaging her store,
Digg'd from her entrails first the precious oar;
Which next to Hell, the prudent Gods had laid;
And that alluring ill, to sight display'd.
Thus cursed steel, and more accursed gold,
Gave mischief birth, and made that mischief bold:
And double death did wretched Man invade,
By steel assaulted, and by gold betray'd,
Now (brandish'd weapons glittering in their hands)
Mankind is broken loose from moral bands;
No rights of hospitality remain:
The guest, by him who harbour'd him, is slain,
The son-in-law pursues the father's life;
The wife her husb and murders, he the wife.
The step-dame poyson for the son prepares;
The son inquires into his father's years.
Faith flies, and piety in exile mourns;
And justice, here opprest, to Heav'n returns.

The Giants' War

Nor were the Gods themselves more safe above;
Against beleaguer'd Heav'n the giants move.
Hills pil'd on hills, on mountains mountains lie,
To make their mad approaches to the skie.
'Till Jove, no longer patient, took his time
T' avenge with thunder their audacious crime:
Red light'ning plaid along the firmament,
And their demolish'd works to pieces rent.
Sing'd with the flames, and with the bolts transfixt,
With native Earth, their blood the monsters mixt;
The blood, indu'd with animating heat,
Did in th' impregnant Earth new sons beget:
They, like the seed from which they sprung, accurst,
Against the Gods immortal hatred nurst,
An impious, arrogant, and cruel brood;
Expressing their original from blood.

Which when the king of Gods beheld from high
(Withal revolving in his memory,
What he himself had found on Earth of late,
Lycaon's guilt, and his inhumane treat),
He sigh'd; nor longer with his pity strove;
But kindled to a wrath becoming Jove:

Then call'd a general council of the Gods;
Who summon'd, issue from their blest abodes,
And fill th' assembly with a shining train.
A way there is, in Heav'n's expanded plain,
Which, when the skies are clear, is seen below,
And mortals, by the name of Milky, know.
The ground-work is of stars; through which the road
Lyes open to the Thunderer's abode:
The Gods of greater nations dwell around,
And, on the right and left, the palace bound;
The commons where they can: the nobler sort
With winding-doors wide open, front the court.
This place, as far as Earth with Heav'n may vie,
I dare to call the Louvre of the skie.
When all were plac'd, in seats distinctly known,
And he, their father, had assum'd the throne,
Upon his iv'ry sceptre first he leant,
Then shook his head, that shook the firmament:
Air, Earth, and seas, obey'd th' almighty nod;
And, with a gen'ral fear, confess'd the God.
At length, with indignation, thus he broke
His awful silence, and the Pow'rs bespoke.

I was not more concern'd in that debate
Of empire, when our universal state
Was put to hazard, and the giant race
Our captive skies were ready to imbrace:
For tho' the foe was fierce, the seeds of all
Rebellion, sprung from one original;
Now, wheresoever ambient waters glide,
All are corrupt, and all must be destroy'd.
Let me this holy protestation make,
By Hell, and Hell's inviolable lake,
I try'd whatever in the godhead lay:
But gangren'd members must be lopt away,
Before the nobler parts are tainted to decay.
There dwells below, a race of demi-gods,
Of nymphs in waters, and of fawns in woods:
Who, tho' not worthy yet, in Heav'n to live,
Let 'em, at least, enjoy that Earth we give.
Can these be thought securely lodg'd below,
When I my self, who no superior know,
I, who have Heav'n and Earth at my command,
Have been attempted by Lycaon's hand?

At this a murmur through the synod went,
And with one voice they vote his punishment.
Thus, when conspiring traytors dar'd to doom
The fall of Caesar, and in him of Rome,
The nations trembled with a pious fear;
All anxious for their earthly Thunderer:
Nor was their care, o Caesar, less esteem'd
By thee, than that of Heav'n for Jove was deem'd:
Who with his hand, and voice, did first restrain
Their murmurs, then resum'd his speech again.
The Gods to silence were compos'd, and sate
With reverence, due to his superior state.

Cancel your pious cares; already he
Has paid his debt to justice, and to me.
Yet what his crimes, and what my judgments were,
Remains for me thus briefly to declare.
The clamours of this vile degenerate age,
The cries of orphans, and th' oppressor's rage,
Had reach'd the stars: I will descend, said I,
In hope to prove this loud complaint a lye.
Disguis'd in humane shape, I travell'd round
The world, and more than what I heard, I found.
O'er Maenalus I took my steepy way,
By caverns infamous for beasts of prey:
Then cross'd Cyllene, and the piny shade
More infamous, by curst Lycaon made:
Dark night had cover'd Heaven, and Earth, before
I enter'd his unhospitable door.
Just at my entrance, I display'd the sign
That somewhat was approaching of divine.
The prostrate people pray; the tyrant grins;
And, adding prophanation to his sins,
I'll try, said he, and if a God appear,
To prove his deity shall cost him dear.
'Twas late; the graceless wretch my death prepares,
When I shou'd soundly sleep, opprest with cares:
This dire experiment he chose, to prove
If I were mortal, or undoubted Jove:
But first he had resolv'd to taste my pow'r;
Not long before, but in a luckless hour,
Some legates, sent from the Molossian state,
Were on a peaceful errand come to treat:
Of these he murders one, he boils the flesh;
And lays the mangled morsels in a dish:
Some part he roasts; then serves it up, so drest,
And bids me welcome to this humane feast.
Mov'd with disdain, the table I o'er-turn'd;
And with avenging flames, the palace burn'd.
The tyrant in a fright, for shelter gains
The neighb'ring fields, and scours along the plains.
Howling he fled, and fain he wou'd have spoke;
But humane voice his brutal tongue forsook.
About his lips the gather'd foam he churns,
And, breathing slaughters, still with rage he burns,
But on the bleating flock his fury turns.
His mantle, now his hide, with rugged hairs
Cleaves to his back; a famish'd face he bears;
His arms descend, his shoulders sink away
To multiply his legs for chase of prey.
He grows a wolf, his hoariness remains,
And the same rage in other members reigns.
His eyes still sparkle in a narr'wer space:
His jaws retain the grin, and violence of his face

This was a single ruin, but not one
Deserves so just a punishment alone.
Mankind's a monster, and th' ungodly times
Confed'rate into guilt, are sworn to crimes.
All are alike involv'd in ill, and all
Must by the same relentless fury fall.
Thus ended he; the greater Gods assent;
By clamours urging his severe intent;
The less fill up the cry for punishment.
Yet still with pity they remember Man;
And mourn as much as heav'nly spirits can.
They ask, when those were lost of humane birth,
What he wou'd do with all this waste of Earth:
If his dispeopl'd world he would resign
To beasts, a mute, and more ignoble line;
Neglected altars must no longer smoke,
If none were left to worship, and invoke.
To whom the Father of the Gods reply'd,
Lay that unnecessary fear aside:
Mine be the care, new people to provide.
I will from wondrous principles ordain
A race unlike the first, and try my skill again.

Already had he toss'd the flaming brand;
And roll'd the thunder in his spacious hand;
Preparing to discharge on seas and land:
But stopt, for fear, thus violently driv'n,
The sparks should catch his axle-tree of Heav'n.
Remembring in the fates, a time when fire
Shou'd to the battlements of Heaven aspire,
And all his blazing worlds above shou'd burn;
And all th' inferior globe to cinders turn.
His dire artill'ry thus dismist, he bent
His thoughts to some securer punishment:
Concludes to pour a watry deluge down;
And what he durst not burn, resolves to drown.

The northern breath, that freezes floods, he binds;
With all the race of cloud-dispelling winds:
The south he loos'd, who night and horror brings;
And foggs are shaken from his flaggy wings.
From his divided beard two streams he pours,
His head, and rheumy eyes distill in show'rs,
With rain his robe, and heavy mantle flow:
And lazy mists are lowring on his brow;
Still as he swept along, with his clench'd fist
He squeez'd the clouds, th' imprison'd clouds resist:
The skies, from pole to pole, with peals resound;
And show'rs inlarg'd, come pouring on the ground.
Then, clad in colours of a various dye,
Junonian Iris breeds a new supply
To feed the clouds: impetuous rain descends;
The bearded corn beneath the burden bends:
Defrauded clowns deplore their perish'd grain;
And the long labours of the year are vain.

Nor from his patrimonial Heaven alone
Is Jove content to pour his vengeance down;
Aid from his brother of the seas he craves,
To help him with auxiliary waves.
The watry tyrant calls his brooks and floods,
Who rowl from mossie caves (their moist abodes);
And with perpetual urns his palace fill:
To whom in brief, he thus imparts his will.

Small exhortation needs; your pow'rs employ:
And this bad world, so Jove requires, destroy.
Let loose the reins to all your watry store:
Bear down the damms, and open ev'ry door.

The floods, by Nature enemies to land,
And proudly swelling with their new command,
Remove the living stones, that stopt their way,
And gushing from their source, augment the sea.
Then, with his mace, their monarch struck the ground;
With inward trembling Earth receiv'd the wound;
And rising streams a ready passage found.
Th' expanded waters gather on the plain:
They float the fields, and over-top the grain;
Then rushing onwards, with a sweepy sway,
Bear flocks, and folds, and lab'ring hinds away.
Nor safe their dwellings were, for, sap'd by floods,
Their houses fell upon their houshold Gods.
The solid piles, too strongly built to fall,
High o'er their heads, behold a watry wall:
Now seas and Earth were in confusion lost;
A world of waters, and without a coast.

One climbs a cliff; one in his boat is born:
And ploughs above, where late he sow'd his corn.
Others o'er chimney-tops and turrets row,
And drop their anchors on the meads below:
Or downward driv'n, they bruise the tender vine,
Or tost aloft, are knock'd against a pine.
And where of late the kids had cropt the grass,
The monsters of the deep now take their place.
Insulting Nereids on the cities ride,
And wond'ring dolphins o'er the palace glide.
On leaves, and masts of mighty oaks they brouze;
And their broad fins entangle in the boughs.
The frighted wolf now swims amongst the sheep;
The yellow lion wanders in the deep:
His rapid force no longer helps the boar:
The stag swims faster, than he ran before.
The fowls, long beating on their wings in vain,
Despair of land, and drop into the main.
Now hills, and vales no more distinction know;
And levell'd Nature lies oppress'd below.
The most of mortals perish in the flood:
The small remainder dies for want of food.

A mountain of stupendous height there stands
Betwixt th' Athenian and Boeotian lands,
The bound of fruitful fields, while fields they were,
But then a field of waters did appear:
Parnassus is its name; whose forky rise
Mounts thro' the clouds, and mates the lofty skies.
High on the summit of this dubious cliff,
Deucalion wafting, moor'd his little skiff.
He with his wife were only left behind
Of perish'd Man; they two were human kind.
The mountain nymphs, and Themis they adore,
And from her oracles relief implore.
The most upright of mortal men was he;
The most sincere, and holy woman, she.

When Jupiter, surveying Earth from high,
Beheld it in a lake of water lie,
That where so many millions lately liv'd,
But two, the best of either sex, surviv'd;
He loos'd the northern wind; fierce Boreas flies
To puff away the clouds, and purge the skies:
Serenely, while he blows, the vapours driv'n,
Discover Heav'n to Earth, and Earth to Heav'n.
The billows fall, while Neptune lays his mace
On the rough sea, and smooths its furrow'd face.
Already Triton, at his call, appears
Above the waves; a Tyrian robe he wears;
And in his hand a crooked trumpet bears.
The soveraign bids him peaceful sounds inspire,
And give the waves the signal to retire.
His wri then shell he takes; whose narrow vent
Grows by degrees into a large extent,
Then gives it breath; the blast with doubling sound,
Runs the wide circuit of the world around:
The sun first heard it, in his early east,
And met the rattling ecchos in the west.
The waters, listning to the trumpet's roar,
Obey the summons, and forsake the shore.

A thin circumference of land appears;
And Earth, but not at once, her visage rears,
And peeps upon the seas from upper grounds;
The streams, but just contain'd within their bounds,
By slow degrees into their channels crawl;
And Earth increases, as the waters fall.
In longer time the tops of trees appear,
Which mud on their dishonour'd branches bear.

At length the world was all restor'd to view;
But desolate, and of a sickly hue:
Nature beheld her self, and stood aghast,
A dismal desart, and a silent waste.

Which when Deucalion, with a piteous look
Beheld, he wept, and thus to Pyrrha spoke:
Oh wife, oh sister, oh of all thy kind
The best, and only creature left behind,
By kindred, love, and now by dangers joyn'd;
Of multitudes, who breath'd the common air,
We two remain; a species in a pair:
The rest the seas have swallow'd; nor have we
Ev'n of this wretched life a certainty.
The clouds are still above; and, while I speak,
A second deluge o'er our heads may break.
Shou'd I be snatcht from hence, and thou remain,
Without relief, or partner of thy pain,
How cou'dst thou such a wretched life sustain?
Shou'd I be left, and thou be lost, the sea
That bury'd her I lov'd, shou'd bury me.
Oh cou'd our father his old arts inspire,
And make me heir of his informing fire,
That so I might abolisht Man retrieve,
And perisht people in new souls might live.
But Heav'n is pleas'd, nor ought we to complain,
That we, th' examples of mankind, remain.
He said; the careful couple joyn their tears:
And then invoke the Gods, with pious prayers.
Thus, in devotion having eas'd their grief,
From sacred oracles they seek relief;
And to Cephysus' brook their way pursue:
The stream was troubled, but the ford they knew;
With living waters, in the fountain bred,
They sprinkle first their garments, and their head,
Then took the way, which to the temple led.
The roofs were all defil'd with moss, and mire,
The desart altars void of solemn fire.
Before the gradual, prostrate they ador'd;
The pavement kiss'd; and thus the saint implor'd.

O righteous Themis, if the Pow'rs above
By pray'rs are bent to pity, and to love;
If humane miseries can move their mind;
If yet they can forgive, and yet be kind;
Tell how we may restore, by second birth,
Mankind, and people desolated Earth.
Then thus the gracious Goddess, nodding, said;
Depart, and with your vestments veil your head:
And stooping lowly down, with losen'd zones,
Throw each behind your backs, your mighty mother's bones.

Amaz'd the pair, and mute with wonder stand,
'Till Pyrrha first refus'd the dire command.
Forbid it Heav'n, said she, that I shou'd tear
Those holy reliques from the sepulcher.
They ponder'd the mysterious words again,
For some new sense; and long they sought in vain:
At length Deucalion clear'd his cloudy brow,
And said, the dark Aenigma will allow
A meaning, which, if well I understand,
From sacrilege will free the God's command:
This Earth our mighty mother is, the stones
In her capacious body, are her bones:
These we must cast behind. With hope, and fear,
The woman did the new solution hear:
The man diffides in his own augury,
And doubts the Gods; yet both resolve to try.
Descending from the mount, they first unbind
Their vests, and veil'd, they cast the stones behind:
The stones (a miracle to mortal view,
But long tradition makes it pass for true)
Did first the rigour of their kind expel,
And suppled into softness, as they fell;
Then swell'd, and swelling, by degrees grew warm;
And took the rudiments of human form.
Imperfect shapes: in marble such are seen,
When the rude chizzel does the man begin;
While yet the roughness of the stone remains,
Without the rising muscles, and the veins.
The sappy parts, and next resembling juice,
Were turn'd to moisture, for the body's use:
Supplying humours, blood, and nourishment;
The rest, too solid to receive a bent,
Converts to bones; and what was once a vein,
Its former name and Nature did retain.
By help of pow'r divine, in little space,
What the man threw, assum'd a manly face;
And what the wife, renew'd the female race.
Hence we derive our nature; born to bear
Laborious life; and harden'd into care.

The rest of animals, from teeming Earth
Produc'd, in various forms receiv'd their birth.
The native moisture, in its close retreat,
Digested by the sun's aetherial heat,
As in a kindly womb, began to breed:
Then swell'd, and quicken'd by the vital seed.
And some in less, and some in longer space,
Were ripen'd into form, and took a sev'ral face.
Thus when the Nile from Pharian fields is fled,
And seeks, with ebbing tides, his ancient bed,
The fat manure with heav'nly fire is warm'd;
And crusted creatures, as in wombs, are form'd;
These, when they turn the glebe, the peasants find;
Some rude, and yet unfinish'd in their kind:
Short of their limbs, a lame imperfect birth:
One half alive; and one of lifeless earth.

For heat, and moisture, when in bodies join'd,
The temper that results from either kind
Conception makes; and fighting 'till they mix,
Their mingled atoms in each other fix.
Thus Nature's hand the genial bed prepares
With friendly discord, and with fruitful wars.

From hence the surface of the ground, with mud
And slime besmear'd (the faeces of the flood),
Receiv'd the rays of Heav'n: and sucking in
The seeds of heat, new creatures did begin:
Some were of sev'ral sorts produc'd before,
But of new monsters, Earth created more.
Unwillingly, but yet she brought to light
Thee, Python too, the wondring world to fright,
And the new nations, with so dire a sight:
So monstrous was his bulk, so large a space
Did his vast body, and long train embrace.
Whom Phoebus basking on a bank espy'd;
E're now the God his arrows had not try'd
But on the trembling deer, or mountain goat;
At this new quarry he prepares to shoot.
Though ev'ry shaft took place, he spent the store
Of his full quiver; and 'twas long before
Th' expiring serpent wallow'd in his gore.
Then, to preserve the fame of such a deed,
For Python slain, he Pythian games decred.
Where noble youths for mastership shou'd strive,
To quoit, to run, and steeds, and chariots drive.
The prize was fame: in witness of renown
An oaken garl and did the victor crown.
The laurel was not yet for triumphs born;
But every green alike by Phoebus worn,
Did, with promiscuous grace, his flowing locks adorn.

The Transformation of Daphne into a Lawrel

The first and fairest of his loves, was she
Whom not blind fortune, but the dire decree
Of angry Cupid forc'd him to desire:
Daphne her name, and Peneus was her sire.
Swell'd with the pride, that new success attends,
He sees the stripling, while his bow he bends,
And thus insults him: Thou lascivious boy,
Are arms like these for children to employ?
Know, such atchievements are my proper claim;
Due to my vigour, and unerring aim:
Resistless are my shafts, and Python late
In such a feather'd death, has found his fate.
Take up the torch (and lay my weapons by),
With that the feeble souls of lovers fry.
To whom the son of Venus thus reply'd,
Phoebus, thy shafts are sure on all beside,
But mine of Phoebus, mine the fame shall be
Of all thy conquests, when I conquer thee.

He said, and soaring, swiftly wing'd his flight:
Nor stopt but on Parnassus' airy height.
Two diff'rent shafts he from his quiver draws;
One to repel desire, and one to cause.
One shaft is pointed with refulgent gold:
To bribe the love, and make the lover bold:
One blunt, and tipt with lead, whose base allay
Provokes disdain, and drives desire away.
The blunted bolt against the nymph he drest:
But with the sharp transfixt Apollo's breast.

Th' enamour'd deity pursues the chace;
The scornful damsel shuns his loath'd embrace:
In hunting beasts of prey, her youth employs;
And Phoebe rivals in her rural joys.
With naked neck she goes, and shoulders bare;
And with a fillet binds her flowing hair.
By many suitors sought, she mocks their pains,
And still her vow'd virginity maintains.
Impatient of a yoke, the name of bride
She shuns, and hates the joys, she never try'd.
On wilds, and woods, she fixes her desire:
Nor knows what youth, and kindly love, inspire.
Her father chides her oft: Thou ow'st, says he,
A husb and to thy self, a son to me.
She, like a crime, abhors the nuptial bed:
She glows with blushes, and she hangs her head.
Then casting round his neck her tender arms,
Sooths him with blandishments, and filial charms:
Give me, my Lord, she said, to live, and die,
A spotless maid, without the marriage tye.
'Tis but a small request; I beg no more
Than what Diana's father gave before.
The good old sire was soften'd to consent;
But said her wish wou'd prove her punishment:
For so much youth, and so much beauty join'd,
Oppos'd the state, which her desires design'd.

The God of light, aspiring to her bed,
Hopes what he seeks, with flattering fancies fed;
And is, by his own oracles, mis-led.
And as in empty fields the stubble burns,
Or nightly travellers, when day returns,
Their useless torches on dry hedges throw,
That catch the flames, and kindle all the row;
So burns the God, consuming in desire,
And feeding in his breast a fruitless fire:
Her well-turn'd neck he view'd (her neck was bare)
And on her shoulders her dishevel'd hair;
Oh were it comb'd, said he, with what a grace
Wou'd every waving curl become her face!
He view'd her eyes, like heav'nly lamps that shone,
He view'd her lips, too sweet to view alone,
Her taper fingers, and her panting breast;
He praises all he sees, and for the rest
Believes the beauties yet unseen are best:
Swift as the wind, the damsel fled away,
Nor did for these alluring speeches stay:
Stay Nymph, he cry'd, I follow, not a foe.
Thus from the lyon trips the trembling doe;
Thus from the wolf the frighten'd lamb removes,
And, from pursuing faulcons, fearful doves;
Thou shunn'st a God, and shunn'st a God, that loves.
Ah, lest some thorn shou'd pierce thy tender foot,
Or thou shou'dst fall in flying my pursuit!
To sharp uneven ways thy steps decline;
Abate thy speed, and I will bate of mine.
Yet think from whom thou dost so rashly fly;
Nor basely born, nor shepherd's swain am I.
Perhaps thou know'st not my superior state;
And from that ignorance proceeds thy hate.
Me Claros, Delphi, Tenedos obey;
These hands the Patareian scepter sway.
The King of Gods begot me: what shall be,
Or is, or ever was, in Fate, I see.
Mine is th' invention of the charming lyre;
Sweet notes, and heav'nly numbers, I inspire.
Sure is my bow, unerring is my dart;
But ah! more deadly his, who pierc'd my heart.
Med'cine is mine; what herbs and simples grow
In fields, and forrests, all their pow'rs I know;
And am the great physician call'd, below.
Alas that fields and forrests can afford.
No remedies to heal their love-sick lord!
To cure the pains of love, no plant avails:
And his own physick, the physician falls.

She heard not half; so furiously she flies;
And on her ear th' imperfect accent dies,
Fear gave her wings; and as she fled, the wind
Increasing, spread her flowing hair behind;
And left her legs and thighs expos'd to view:
Which made the God more eager to pursue.
The God was young, and was too hotly bent
To lose his time in empty compliment:
But led by love, and fir'd with such a sight,
Impetuously pursu'd his near delight.

As when th' impatient greyhound slipt from far,
Bounds o'er the glebe to course the fearful hare,
She in her speed does all her safety lay;
And he with double speed pursues the prey;
O'er-runs her at the sitting turn, and licks
His chaps in vain, and blows upon the flix:
She scapes, and for the neighb'ring covert strives,
And gaining shelter, doubts if yet she lives:
If little things with great we may compare,
Such was the God, and such the flying fair,
She urg'd by fear, her feet did swiftly move,
But he more swiftly, who was urg'd by love.
He gathers ground upon her in the chace:
Now breathes upon her hair, with nearer pace;
And just is fast'ning on the wish'd embrace.
The nymph grew pale, and in a mortal fright,
Spent with the labour of so long a flight;
And now despairing, cast a mournful look
Upon the streams of her paternal brook;
Oh help, she cry'd, in this extreamest need!
If water Gods are deities indeed:
Gape Earth, and this unhappy wretch intomb;
Or change my form, whence all my sorrows come.
Scarce had she finish'd, when her feet she found
Benumb'd with cold, and fasten'd to the ground:
A filmy rind about her body grows;
Her hair to leaves, her arms extend to boughs:
The nymph is all into a lawrel gone;
The smoothness of her skin remains alone.
Yet Phoebus loves her still, and casting round
Her bole, his arms, some little warmth he found.
The tree still panted in th' unfinish'd part:
Not wholly vegetive, and heav'd her heart.
He fixt his lips upon the trembling rind;
It swerv'd aside, and his embrace declin'd.
To whom the God, Because thou canst not be
My mistress, I espouse thee for my tree:
Be thou the prize of honour, and renown;
The deathless poet, and the poem, crown.
Thou shalt the Roman festivals adorn,
And, after poets, be by victors worn.
Thou shalt returning Caesar's triumph grace;
When pomps shall in a long procession pass.
Wreath'd on the posts before his palace wait;
And be the sacred guardian of the gate.
Secure from thunder, and unharm'd by Jove,
Unfading as th' immortal Pow'rs above:
And as the locks of Phoebus are unshorn,
So shall perpetual green thy boughs adorn.
The grateful tree was pleas'd with what he said;
And shook the shady honours of her head.

The Transformation of Io into a Heyfer

An ancient forest in Thessalia grows;
Which Tempe's pleasing valley does inclose:
Through this the rapid Peneus take his course;
From Pindus rolling with impetuous force;
Mists from the river's mighty fall arise:
And deadly damps inclose the cloudy skies:
Perpetual fogs are hanging o'er the wood;
And sounds of waters deaf the neighbourhood.
Deep, in a rocky cave, he makes abode
(A mansion proper for a mourning God).
Here he gives audience; issuing out decrees
To rivers, his dependant deities.
On this occasion hither they resort;
To pay their homage, and to make their court.
All doubtful, whether to congratulate
His daughter's honour, or lament her fate.
Sperchaeus, crown'd with poplar, first appears;
Then old Apidanus came crown'd with years:
Enipeus turbulent, Amphrysos tame;
And Aeas last with lagging waters came.
Then, of his kindred brooks, a num'rous throng
Condole his loss; and bring their urns along.
Not one was wanting of the wat'ry train,
That fill'd his flood, or mingled with the main:
But Inachus, who in his cave, alone,
Wept not another's losses, but his own,
For his dear Io, whether stray'd, or dead,
To him uncertain, doubtful tears he shed.
He sought her through the world; but sought in vain;
And no where finding, rather fear'd her slain.

Her, just returning from her father's brook,
Jove had beheld, with a desiring look:
And, Oh fair daughter of the flood, he said,
Worthy alone of Jove's imperial bed,
Happy whoever shall those charms possess;
The king of Gods (nor is thy lover less)
Invites thee to yon cooler shades; to shun
The scorching rays of the meridian sun.
Nor shalt thou tempt the dangers of the grove
Alone, without a guide; thy guide is Jove.
No puny Pow'r, but he whose high comm and
Is unconfin'd, who rules the seas and land;
And tempers thunder in his awful hand,
Oh fly not: for she fled from his embrace
O'er Lerna's pastures: he pursu'd the chace
Along the shades of the Lyrcaean plain;
At length the God, who never asks in vain,
Involv'd with vapours, imitating night,
Both Air, and Earth; and then suppress'd her flight,
And mingling force with love, enjoy'd the full delight.
Mean-time the jealous Juno, from on high,
Survey'd the fruitful fields of Arcady;
And wonder'd that the mist shou'd over-run
The face of day-light, and obscure the sun.
No nat'ral cause she found, from brooks, or bogs,
Or marshy lowlands, to produce the fogs;
Then round the skies she sought for Jupiter,
Her faithless husband; but no Jove was there:
Suspecting now the worst, Or I, she said,
Am much mistaken, or am much betray'd.
With fury she precipitates her flight:
Dispels the shadows of dissembled night;
And to the day restores his native light.
Th' Almighty Leacher, careful to prevent
The consequence, foreseeing her descent,
Transforms his mistress in a trice; and now
In Io's place appears a lovely cow.
So sleek her skin, so faultless was her make,
Ev'n Juno did unwilling pleasure take
To see so fair a rival of her love;
And what she was, and whence, enquir'd of Jove:
Of what fair herd, and from what pedigree?
The God, half caught, was forc'd upon a lye:
And said she sprung from Earth. She took the word,
And begg'd the beauteous heyfer of her lord.
What should he do? 'twas equal shame to Jove
Or to relinquish, or betray his love:
Yet to refuse so slight a gift, wou'd be
But more t' increase his consort's jealousie:
Thus fear, and love, by turns, his heart assail'd;
And stronger love had sure, at length, prevail'd:
But some faint hope remain'd, his jealous queen
Had not the mistress through the heyfer seen.
The cautious Goddess, of her gift possest,
Yet harbour'd anxious thoughts within her breast;
As she who knew the falshood of her Jove;
And justly fear'd some new relapse of love.
Which to prevent, and to secure her care,
To trusty Argus she commits the fair.

The head of Argus (as with stars the skies)
Was compass'd round, and wore an hundred eyes.
But two by turns their lids in slumber steep;
The rest on duty still their station keep;
Nor cou'd the total constellation sleep.
Thus, ever present, to his eyes, and mind,
His charge was still before him, tho' behind.
In fields he suffer'd her to feed by Day,
But when the setting sun to night gave way,
The captive cow he summon'd with a call;
And drove her back, and ty'd her to the stall.
On leaves of trees, and bitter herbs she fed,
Heav'n was her canopy, bare earth her bed:
So hardly lodg'd, and to digest her food,
She drank from troubled streams, defil'd with mud.
Her woeful story fain she wou'd have told,
With hands upheld, but had no hands to hold.
Her head to her ungentle keeper bow'd,
She strove to speak, she spoke not, but she low'd:
Affrighted with the noise, she look'd around,
And seem'd t' inquire the author of the sound.

Once on the banks where often she had play'd
(Her father's banks), she came, and there survey'd
Her alter'd visage, and her branching head;
And starting, from her self she wou'd have fled.
Her fellow nymphs, familiar to her eyes,
Beheld, but knew her not in this disguise.
Ev'n Inachus himself was ignorant;
And in his daughter, did his daughter want.
She follow'd where her fellows went, as she
Were still a partner of the company:
They stroak her neck; the gentle heyfer stands,
And her neck offers to their stroaking hands.
Her father gave her grass; the grass she took;
And lick'd his palms, and cast a piteous look;
And in the language of her eyes, she spoke.
She wou'd have told her name, and ask'd relief,
But wanting words, in tears she tells her grief.
Which, with her foot she makes him understand;
And prints the name of Io in the sand.

Ah wretched me! her mournful father cry'd;
She, with a sigh, to wretched me reply'd:
About her milk-white neck, his arms he threw;
And wept, and then these tender words ensue.
And art thou she, whom I have sought around
The world, and have at length so sadly found?
So found, is worse than lost: with mutual words
Thou answer'st not, no voice thy tongue affords:
But sighs are deeply drawn from out thy breast;
And speech deny'd, by lowing is express'd.
Unknowing, I prepar'd thy bridal bed;
With empty hopes of happy issue fed.
But now the husb and of a herd must be
Thy mate, and bell'wing sons thy progeny.
Oh, were I mortal, death might bring relief:
But now my God-head but extends my grief:
Prolongs my woes, of which no end I see,
And makes me curse my immortality!
More had he said, but fearful of her stay,
The starry guardian drove his charge away,
To some fresh pasture; on a hilly height
He sate himself, and kept her still in sight.

The Eyes of Argus transform'd into a Peacock's Train

Now Jove no longer cou'd her suff'rings bear;
But call'd in haste his airy messenger,
The son of Maia, with severe decree
To kill the keeper, and to set her free.
With all his harness soon the God was sped,
His flying hat was fastned on his head,
Wings on his heels were hung, and in his hand
He holds the vertue of the snaky wand.
The liquid air his moving pinions wound,
And, in the moment, shoot him on the ground.
Before he came in sight, the crafty God
His wings dismiss'd, but still retain'd his rod:
That sleep-procuring wand wise Hermes took,
But made it seem to sight a sherpherd's hook.
With this, he did a herd of goats controul;
Which by the way he met, and slily stole.
Clad like a country swain, he pip'd, and sung;
And playing, drove his jolly troop along.

With pleasure, Argus the musician heeds;
But wonders much at those new vocal reeds.
And whosoe'er thou art, my friend, said he,
Up hither drive thy goats, and play by me:
This hill has browz for them, and shade for thee.
The God, who was with ease induc'd to climb,
Began discourse to pass away the time;
And still betwixt, his tuneful pipe he plies;
And watch'd his hour, to close the keeper's eyes.
With much ado, he partly kept awake;
Not suff'ring all his eyes repose to take:
And ask'd the stranger, who did reeds invent,
And whence began so rare an instrument?

The Transformation of Syrinx into Reeds

Then Hermes thus: A nymph of late there was
Whose heav'nly form her fellows did surpass.
The pride and joy of fair Arcadia's plains,
Belov'd by deities, ador'd by swains:
Syrinx her name, by Sylvans oft pursu'd,
As oft she did the lustful Gods delude:
The rural, and the woodl and Pow'rs disdain'd;
With Cynthia hunted, and her rites maintain'd:
Like Phoebe clad, even Phoebe's self she seems,
So tall, so streight, such well-proportion'd limbs:
The nicest eye did no distinction know,
But that the goddess bore a golden bow:
Distinguish'd thus, the sight she cheated too.
Descending from Lycaeus, Pan admires
The matchless nymph, and burns with new desires.
A crown of pine upon his head he wore;
And thus began her pity to implore.
But e'er he thus began, she took her flight
So swift, she was already out of sight.
Nor stay'd to hear the courtship of the God;
But bent her course to Ladon's gentle flood:
There by the river stopt, and tir'd before;
Relief from water nymphs her pray'rs implore.

Now while the lustful God, with speedy pace,
Just thought to strain her in a strict embrace,
He fill'd his arms with reeds, new rising on the place.
And while he sighs, his ill success to find,
The tender canes were shaken by the wind;
And breath'd a mournful air, unheard before;
That much surprizing Pan, yet pleas'd him more.
Admiring this new musick, Thou, he said,
Who canst not be the partner of my bed,
At least shall be the confort of my mind:
And often, often to my lips be joyn'd.
He form'd the reeds, proportion'd as they are,
Unequal in their length, and wax'd with care,
They still retain the name of his ungrateful fair.

While Hermes pip'd, and sung, and told his tale,
The keeper's winking eyes began to fail,
And drowsie slumber on the lids to creep;
'Till all the watchman was at length asleep.
Then soon the God his voice, and song supprest;
And with his pow'rful rod confirm'd his rest:
Without delay his crooked faulchion drew,
And at one fatal stroke the keeper slew.
Down from the rock fell the dissever'd head,
Opening its eyes in death; and falling, bled;
And mark'd the passage with a crimson trail:
Thus Argus lies in pieces, cold, and pale;
And all his hundred eyes, with all their light,
Are clos'd at once, in one perpetual night.
These Juno takes, that they no more may fail,
And spreads them in her peacock's gaudy tail.

Impatient to revenge her injur'd bed,
She wreaks her anger on her rival's head;
With Furies frights her from her native home;
And drives her gadding, round the world to roam:
Nor ceas'd her madness, and her flight, before
She touch'd the limits of the Pharian shore.
At length, arriving on the banks of Nile,
Wearied with length of ways, and worn with toil,
She laid her down; and leaning on her knees,
Invok'd the cause of all her miseries:
And cast her languishing regards above,
For help from Heav'n, and her ungrateful Jove.
She sigh'd, she wept, she low'd; 'twas all she cou'd;
And with unkindness seem'd to tax the God.
Last, with an humble pray'r, she beg'd repose,
Or death at least, to finish all her woes.
Jove heard her vows, and with a flatt'ring look,
In her behalf to jealous Juno spoke,
He cast his arms about her neck, and said,
Dame, rest secure; no more thy nuptial bed
This nymph shall violate; by Styx I swear,
And every oath that binds the Thunderer.
The Goddess was appeas'd; and at the word
Was Io to her former shape restor'd.
The rugged hair began to fall away;
The sweetness of her eyes did only stay,
Tho' not so large; her crooked horns decrease;
The wideness of her jaws and nostrils cease:
Her hoofs to hands return, in little space:
The five long taper fingers take their place,
And nothing of the heyfer now is seen,
Beside the native whiteness of the skin.
Erected on her feet she walks again:
And two the duty of the four sustain.
She tries her tongue; her silence softly breaks,
And fears her former lowings when she speaks:
A Goddess now, through all th' Aegyptian State:
And serv'd by priests, who in white linnen wait.

Her son was Epaphus, at length believ'd
The son of Jove, and as a God receiv'd;
With sacrifice ador'd, and publick pray'rs,
He common temples with his mother shares.
Equal in years, and rival in renown
With Epaphus, the youthful Phaeton
Like honour claims; and boasts his sire the sun.
His haughty looks, and his assuming air,
The son of Isis could no longer bear:
Thou tak'st thy mother's word too far, said he,
And hast usurp'd thy boasted pedigree.
Go, base pretender to a borrow'd name.
Thus tax'd, he blush'd with anger, and with shame;
But shame repress'd his rage: the daunted youth
Soon seeks his mother, and enquires the truth:
Mother, said he, this infamy was thrown
By Epaphus on you, and me your son.
He spoke in publick, told it to my face;
Nor durst I vindicate the dire disgrace:
Even I, the bold, the sensible of wrong,
Restrain'd by shame, was forc'd to hold my tongue.
To hear an open slander, is a curse:
But not to find an answer, is a worse.
If I am Heav'n-begot, assert your son
By some sure sign; and make my father known,
To right my honour, and redeem your own.
He said, and saying cast his arms about
Her neck, and beg'd her to resolve the doubt.

'Tis hard to judge if Clymene were mov'd
More by his pray'r, whom she so dearly lov'd,
Or more with fury fir'd, to find her name
Traduc'd, and made the sport of common fame.
She stretch'd her arms to Heav'n, and fix'd her eyes
On that fair planet that adorns the skies;
Now by those beams, said she, whose holy fires
Consume my breast, and kindle my desires;
By him, who sees us both, and clears our sight,
By him, the publick minister of light,
I swear that Sun begot thee; if I lye,
Let him his chearful influence deny:
Let him no more this perjur'd creature see;
And shine on all the world but only me.
If still you doubt your mother's innocence,
His eastern mansion is not far from hence;
With little pains you to his Leve go,
And from himself your parentage may know.
With joy th' ambitious youth his mother heard,
And eager, for the journey soon prepar'd.
He longs the world beneath him to survey;
To guide the chariot; and to give the day:
From Meroe's burning sands he bends his course,
Nor less in India feels his father's force:
His travel urging, till he came in sight;
And saw the palace by the purple light.

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~ Ovid, BOOK THE FIRST

,
1499:BOOK THE ELEVENTH

The Death of Orpheus

Here, while the Thracian bard's enchanting strain
Sooths beasts, and woods, and all the listn'ing plain,
The female Bacchanals, devoutly mad,
In shaggy skins, like savage creatures, clad,
Warbling in air perceiv'd his lovely lay,
And from a rising ground beheld him play.
When one, the wildest, with dishevel'd hair,
That loosely stream'd, and ruffled in the air;
Soon as her frantick eye the lyrist spy'd,
See, see! the hater of our sex, she cry'd.
Then at his face her missive javelin sent,
Which whiz'd along, and brusht him as it went;
But the soft wreathes of ivy twisted round,
Prevent a deep impression of the wound.
Another, for a weapon, hurls a stone,
Which, by the sound subdu'd as soon as thrown,
Falls at his feet, and with a seeming sense
Implores his pardon for its late offence.
But now their frantick rage unbounded grows,
Turns all to madness, and no measure knows:
Yet this the charms of musick might subdue,
But that, with all its charms, is conquer'd too;
In louder strains their hideous yellings rise,
And squeaking horn-pipes eccho thro' the skies,
Which, in hoarse consort with the drum, confound
The moving lyre, and ev'ry gentle sound:
Then 'twas the deafen'd stones flew on with speed,
And saw, unsooth'd, their tuneful poet bleed.
The birds, the beasts, and all the savage crew
Which the sweet lyrist to attention drew,
Now, by the female mob's more furious rage,
Are driv'n, and forc'd to quit the shady stage.
Next their fierce hands the bard himself assail,
Nor can his song against their wrath prevail:
They flock, like birds, when in a clustring flight,
By day they chase the boding fowl of night.
So crowded amphitheatres survey
The stag, to greedy dogs a future prey.
Their steely javelins, which soft curls entwine
Of budding tendrils from the leafy vine,
For sacred rites of mild religion made,
Are flung promiscuous at the poet's head.
Those clods of earth or flints discharge, and these
Hurl prickly branches sliver'd from the trees.
And, lest their passion shou'd be unsupply'd,
The rabble crew, by chance, at distance spy'd
Where oxen, straining at the heavy yoke,
The fallow'd field with slow advances broke;
Nigh which the brawny peasants dug the soil,
Procuring food with long laborious toil.
These, when they saw the ranting throng draw near,
Quitted their tools, and fled, possest with fear.
Long spades, and rakes of mighty size were found,
Carelesly left upon the broken ground.
With these the furious lunaticks engage,
And first the lab'ring oxen feel their rage;
Then to the poet they return with speed,
Whose fate was, past prevention, now decreed:
In vain he lifts his suppliant hands, in vain
He tries, before, his never-failing strain.
And, from those sacred lips, whose thrilling sound
Fierce tygers, and insensate rocks cou'd wound,
Ah Gods! how moving was the mournful sight!
To see the fleeting soul now take its flight.
Thee the soft warblers of the feather'd kind
Bewail'd; for thee thy savage audience pin'd;
Those rocks and woods that oft thy strain had led,
Mourn for their charmer, and lament him dead;
And drooping trees their leafy glories shed.
Naids and Dryads with dishevel'd hair
Promiscuous weep, and scarfs of sable wear;
Nor cou'd the river-Gods conceal their moan,
But with new floods of tears augment their own.
His mangled limbs lay scatter'd all around,
His head, and harp a better fortune found;
In Hebrus' streams they gently roul'd along,
And sooth'd the waters with a mournful song.
Soft deadly notes the lifeless tongue inspire,
A doleful tune sounds from the floating lyre;
The hollows banks in solemn consort mourn,
And the sad strain in ecchoing groans return.
Now with the current to the sea they glide,
Born by the billows of the briny tide;
And driv'n where waves round rocky Lesbos roar,
They strand, and lodge upon Methymna's shore.

But here, when landed on the foreign soil,
A venom'd snake, the product of the isle
Attempts the head, and sacred locks embru'd
With clotted gore, and still fresh-dropping blood.
Phoebus, at last, his kind protection gives,
And from the fact the greedy monster drives:
Whose marbled jaws his impious crime atone,
Still grinning ghastly, tho' transform'd to stone.

His ghost flies downward to the Stygian shore,
And knows the places it had seen before:
Among the shadows of the pious train
He finds Eurydice, and loves again;
With pleasure views the beauteous phantom's charms,
And clasps her in his unsubstantial arms.
There side by side they unmolested walk,
Or pass their blissful hours in pleasing talk;
Aft or before the bard securely goes,
And, without danger, can review his spouse.

The Thracian Women transform'd to Trees

Bacchus, resolving to revenge the wrong,
Of Orpheus murder'd, on the madding throng,
Decreed that each accomplice dame should stand
Fix'd by the roots along the conscious land.
Their wicked feet, that late so nimbly ran
To wreak their malice on the guiltless man,
Sudden with twisted ligatures were bound,
Like trees, deep planted in the turfy ground.
And, as the fowler with his subtle gins,
His feather'd captives by the feet entwines,
That flutt'ring pant, and struggle to get loose,
Yet only closer draw the fatal noose;
So these were caught; and, as they strove in vain
To quit the place, they but encreas'd their pain.
They flounce and toil, yet find themselves controul'd;
The root, tho' pliant, toughly keeps its hold.
In vain their toes and feet they look to find,
For ev'n their shapely legs are cloath'd with rind.
One smites her thighs with a lamenting stroke,
And finds the flesh transform'd to solid oak;
Another, with surprize, and grief distrest,
Lays on above, but beats a wooden breast.
A rugged bark their softer neck invades,
Their branching arms shoot up delightful shades;
At once they seem, and are, a real grove,
With mossy trunks below, and verdant leaves above.

The Fable of Midas

Nor this suffic'd; the God's disgust remains,
And he resolves to quit their hated plains;
The vineyards of Tymole ingross his care,
And, with a better choir, he fixes there;
Where the smooth streams of clear Pactolus roll'd,
Then undistinguish'd for its sands of gold.
The satyrs with the nymphs, his usual throng,
Come to salute their God, and jovial danc'd along.
Silenus only miss'd; for while he reel'd,
Feeble with age, and wine, about the field,
The hoary drunkard had forgot his way,
And to the Phrygian clowns became a prey;
Who to king Midas drag the captive God,
While on his totty pate the wreaths of ivy nod.

Midas from Orpheus had been taught his lore,
And knew the rites of Bacchus long before.
He, when he saw his venerable guest,
In honour of the God ordain'd a feast.
Ten days in course, with each continu'd night,
Were spent in genial mirth, and brisk delight:
Then on th' eleventh, when with brighter ray
Phosphor had chac'd the fading stars away,
The king thro' Lydia's fields young Bacchus sought,
And to the God his foster-father brought.
Pleas'd with the welcome sight, he bids him soon
But name his wish, and swears to grant the boon.
A glorious offer! yet but ill bestow'd
On him whose choice so little judgment show'd.
Give me, says he (nor thought he ask'd too much),
That with my body whatsoe'er I touch,
Chang'd from the nature which it held of old,
May be converted into yellow gold.
He had his wish; but yet the God repin'd,
To think the fool no better wish could find.

But the brave king departed from the place,
With smiles of gladness sparkling in his face:
Nor could contain, but, as he took his way,
Impatient longs to make the first essay.
Down from a lowly branch a twig he drew,
The twig strait glitter'd with a golden hue:
He takes a stone, the stone was turn'd to gold;
A clod he touches, and the crumbling mold
Acknowledg'd soon the great transforming pow'r,
In weight and substance like a mass of ore.
He pluck'd the corn, and strait his grasp appears
Fill'd with a bending tuft of golden ears.
An apple next he takes, and seems to hold
The bright Hesperian vegetable gold.
His hand he careless on a pillar lays.
With shining gold the fluted pillars blaze:
And while he washes, as the servants pour,
His touch converts the stream to Danae's show'r.

To see these miracles so finely wrought,
Fires with transporting joy his giddy thought.
The ready slaves prepare a sumptuous board,
Spread with rich dainties for their happy lord;
Whose pow'rful hands the bread no sooner hold,
But its whole substance is transform'd to gold:
Up to his mouth he lifts the sav'ry meat,
Which turns to gold as he attempts to eat:
His patron's noble juice of purple hue,
Touch'd by his lips, a gilded cordial grew;
Unfit for drink, and wondrous to behold,
It trickles from his jaws a fluid gold.

The rich poor fool, confounded with surprize,
Starving in all his various plenty lies:
Sick of his wish, he now detests the pow'r,
For which he ask'd so earnestly before;
Amidst his gold with pinching famine curst;
And justly tortur'd with an equal thirst.
At last his shining arms to Heav'n he rears,
And in distress, for refuge, flies to pray'rs.
O father Bacchus, I have sinn'd, he cry'd,
And foolishly thy gracious gift apply'd;
Thy pity now, repenting, I implore;
Oh! may I feel the golden plague no more.

The hungry wretch, his folly thus confest,
Touch'd the kind deity's good-natur'd breast;
The gentle God annull'd his first decree,
And from the cruel compact set him free.
But then, to cleanse him quite from further harm,
And to dilute the relicks of the charm,
He bids him seek the stream that cuts the land
Nigh where the tow'rs of Lydian Sardis stand;
Then trace the river to the fountain head,
And meet it rising from its rocky bed;
There, as the bubling tide pours forth amain,
To plunge his body in, and wash away the stain.
The king instructed to the fount retires,
But with the golden charm the stream inspires:
For while this quality the man forsakes,
An equal pow'r the limpid water takes;
Informs with veins of gold the neighb'ring land,
And glides along a bed of golden sand.

Now loathing wealth, th' occasion of his woes,
Far in the woods he sought a calm repose;
In caves and grottos, where the nymphs resort,
And keep with mountain Pan their sylvan court.
Ah! had he left his stupid soul behind!
But his condition alter'd not his mind.

For where high Tmolus rears his shady brow,
And from his cliffs surveys the seas below,
In his descent, by Sardis bounded here,
By the small confines of Hypaepa there,
Pan to the nymphs his frolick ditties play'd,
Tuning his reeds beneath the chequer'd shade.
The nymphs are pleas'd, the boasting sylvan plays,
And speaks with slight of great Apollo's lays.
Tmolus was arbiter; the boaster still
Accepts the tryal with unequal skill.
The venerable judge was seated high
On his own hill, that seem'd to touch the sky.
Above the whisp'ring trees his head he rears,
From their encumbring boughs to free his ears;
A wreath of oak alone his temples bound,
The pendant acorns loosely dangled round.
In me your judge, says he, there's no delay:
Then bids the goatherd God begin, and play.
Pan tun'd the pipe, and with his rural song
Pleas'd the low taste of all the vulgar throng;
Such songs a vulgar judgment mostly please,
Midas was there, and Midas judg'd with these.

The mountain sire with grave deportment now
To Phoebus turns his venerable brow:
And, as he turns, with him the listning wood
In the same posture of attention stood.
The God his own Parnassian laurel crown'd,
And in a wreath his golden tresses bound,
Graceful his purple mantle swept the ground.
High on the left his iv'ry lute he rais'd,
The lute, emboss'd with glitt'ring jewels, blaz'd
In his right hand he nicely held the quill,
His easy posture spoke a master's skill.
The strings he touch'd with more than human art,
Which pleas'd the judge's ear, and sooth'd his heart;
Who soon judiciously the palm decreed,
And to the lute postpon'd the squeaking reed.

All, with applause, the rightful sentence heard,
Midas alone dissatisfy'd appear'd;
To him unjustly giv'n the judgment seems,
For Pan's barbarick notes he most esteems.
The lyrick God, who thought his untun'd ear
Deserv'd but ill a human form to wear,
Of that deprives him, and supplies the place
With some more fit, and of an ampler space:
Fix'd on his noddle an unseemly pair,
Flagging, and large, and full of whitish hair;
Without a total change from what he was,
Still in the man preserves the simple ass.

He, to conceal the scandal of the deed,
A purple turbant folds about his head;
Veils the reproach from publick view, and fears
The laughing world would spy his monstrous ears.
One trusty barber-slave, that us'd to dress
His master's hair, when leng then'd to excess,
The mighty secret knew, but knew alone,
And, tho' impatient, durst not make it known.
Restless, at last, a private place he found,
Then dug a hole, and told it to the ground;
In a low whisper he reveal'd the case,
And cover'd in the earth, and silent left the place.

In time, of trembling reeds a plenteous crop
From the confided furrow sprouted up;
Which, high advancing with the ripening year,
Made known the tiller, and his fruitless care:
For then the rustling blades, and whisp'ring wind,
To tell th' important secret, both combin'd.

The Building of Troy

Phoebus, with full revenge, from Tmolus flies,
Darts thro' the air, and cleaves the liquid skies;
Near Hellespont he lights, and treads the plains
Where great Laomedon sole monarch reigns;
Where, built between the two projecting strands,
To Panomphaean Jove an altar stands.
Here first aspiring thoughts the king employ,
To found the lofty tow'rs of future Troy.
The work, from schemes magnificent begun,
At vast expence was slowly carry'd on:
Which Phoebus seeing, with the trident God
Who rules the swelling surges with his nod,
Assuming each a mortal shape, combine
At a set price to finish his design.
The work was built; the king their price denies,
And his injustice backs with perjuries.
This Neptune cou'd not brook, but drove the main,
A mighty deluge, o'er the Phrygian plain:
'Twas all a sea; the waters of the deep
From ev'ry vale the copious harvest sweep;
The briny billows overflow the soil,
Ravage the fields, and mock the plowman's toil.

Nor this appeas'd the God's revengeful mind,
For still a greater plague remains behind;
A huge sea-monster lodges on the sands,
And the king's daughter for his prey demands.
To him that sav'd the damsel, was decreed
A set of horses of the Sun's fine breed:
But when Alcides from the rock unty'd
The trembling fair, the ransom was deny'd.
He, in revenge, the new-built walls attack'd,
And the twice-perjur'd city bravely sack'd.
Telamon aided, and in justice shar'd
Part of the plunder as his due reward:
The princess, rescu'd late, with all her charms,
Hesione, was yielded to his arms;
For Peleus, with a Goddess-bride, was more
Proud of his spouse, than of his birth before:
Grandsons to Jove there might be more than one,
But he the Goddess had enjoy'd alone.

The Story of Thetis and Peleus

For Proteus thus to virgin Thetis said,
Fair Goddess of the waves, consent to wed,
And take some spritely lover to your bed.
A son you'll have, the terror of the field,
To whom in fame, and pow'r his sire shall yield.

Jove, who ador'd the nymph with boundless love,
Did from his breast the dangerous flame remove.
He knew the Fates, nor car'd to raise up one,
Whose fame and greatness should eclipse his own,
On happy Peleus he bestow'd her charms,
And bless'd his grandson in the Goddess' arms:

A silent creek Thessalia's coast can show;
Two arms project, and shape it like a bow;
'Twould make a bay, but the transparent tide
Does scarce the yellow-gravell'd bottom hide;
For the quick eye may thro' the liquid wave
A firm unweedy level beach perceive.
A grove of fragrant myrtle near it grows,
Whose boughs, tho' thick, a beauteous grot disclose;
The well-wrought fabrick, to discerning eyes,
Rather by art than Nature seems to rise.
A bridled dolphin oft fair Thetis bore
To this her lov'd retreat, her fav'rite shore.
Here Peleus seiz'd her, slumbring while she lay,
And urg'd his suit with all that love could say:
But when he found her obstinately coy,
Resolv'd to force her, and comm and the joy;
The nymph, o'erpowr'd, to art for succour flies
And various shapes the eager youth surprize:
A bird she seems, but plies her wings in vain,
His hands the fleeting substance still detain:
A branchy tree high in the air she grew;
About its bark his nimble arms he threw:
A tyger next she glares with flaming eyes;
The frighten'd lover quits his hold, and flies:
The sea-Gods he with sacred rites adores,
Then a libation on the ocean pours;
While the fat entrails crackle in the fire,
And sheets of smoak in sweet perfume aspire;
'Till Proteus rising from his oozy bed,
Thus to the poor desponding lover said:
No more in anxious thoughts your mind employ,
For yet you shall possess the dear expected joy.
You must once more th' unwary nymph surprize,
As in her cooly grot she slumbring lies;
Then bind her fast with unrelenting hands,
And strain her tender limbs with knotted bands.
Still hold her under ev'ry different shape,
'Till tir'd she tries no longer to escape.
Thus he: then sunk beneath the glassy flood,
And broken accents flutter'd, where he stood.

Bright Sol had almost now his journey done,
And down the steepy western convex run;
When the fair Nereid left the briny wave,
And, as she us'd, retreated to her cave.
He scarce had bound her fast, when she arose,
And into various shapes her body throws:
She went to move her arms, and found 'em ty'd;
Then with a sigh, Some God assists ye, cry'd,
And in her proper shape stood blushing by his side.
About her waiste his longing arms he flung,
From which embrace the great Achilles sprung.

The Transformation of Daedalion

Peleus unmix'd felicity enjoy'd
(Blest in a valiant son, and virtuous bride),
'Till Fortune did in blood his hands imbrue,
And his own brother by curst chance he slew:
Then driv'n from Thessaly, his native clime,
Trachinia first gave shelter to his crime;
Where peaceful Ceyx mildly fill'd the throne,
And like his sire, the morning planet, shone;
But now, unlike himself, bedew'd with tears,
Mourning a brother lost, his brow appears.
First to the town with travel spent, and care,
Peleus, and his small company repair:
His herds, and flocks the while at leisure feed,
On the rich pasture of a neighb'ring mead.
The prince before the royal presence brought,
Shew'd by the suppliant olive what he sought;
Then tells his name, and race, and country right,
But hides th' unhappy reason of his flight.
He begs the king some little town to give,
Where they may safe his faithful vassals live.
Ceyx reply'd: To all my bounty flows,
A hospitable realm your suit has chose.
Your glorious race, and far-resounding fame,
And grandsire Jove, peculiar favours claim.
All you can wish, I grant; entreaties spare;
My kingdom (would 'twere worth the sharing) share.

Tears stop'd his speech: astonish'd Peleus pleads
To know the cause from whence his grief proceeds.
The prince reply'd: There's none of ye but deems
This hawk was ever such as now it seems;
Know 'twas a heroe once, Daedalion nam'd,
For warlike deeds, and haughty valour fam'd;
Like me to that bright luminary born,
Who wakes Aurora, and brings on the morn.
His fierceness still remains, and love of blood,
Now dread of birds, and tyrant of the wood.
My make was softer, peace my greatest care;
But this my brother wholly bent on war;
Late nations fear'd, and routed armies fled
That force, which now the tim'rous pigeons dread.
A daughter he possess'd, divinely fair,
And scarcely yet had seen her fifteenth year;
Young Chione: a thousand rivals strove
To win the maid, and teach her how to love.
Phoebus, and Mercury by chance one day
From Delphi, and Cyllene past this way;
Together they the virgin saw: desire
At once warm'd both their breasts with am'rous fire.
Phoebus resolv'd to wait 'till close of day;
But Mercury's hot love brook'd no delay;
With his entrancing rod the maid he charms,
And unresisted revels in her arms.
'Twas night, and Phoebus in a beldam's dress,
To the late rifled beauty got access.
Her time compleat nine circling moons had run;
To either God she bore a lovely son:
To Mercury Autolycus she brought,
Who turn'd to thefts and tricks his subtle thought;
Possess'd he was of all his father's slight,
At will made white look black, and black look white.
Philammon born to Phoebus, like his sire,
The Muses lov'd, and finely struck the lyre,
And made his voice, and touch in harmony conspire.
In vain, fond maid, you boast this double birth,
The love of Gods, and royal father's worth,
And Jove among your ancestors rehearse!
Could blessings such as these e'er prove a curse?
To her they did, who with audacious pride,
Vain of her own, Diana's charms decry'd.
Her taunts the Goddess with resentment fill;
My face you like not, you shall try my skill.
She said; and strait her vengeful bow she strung,
And sent a shaft that pierc'd her guilty tongue:
The bleeding tongue in vain its accents tries;
In the red stream her soul reluctant flies.
With sorrow wild I ran to her relief,
And try'd to moderate my brother's grief.
He, deaf as rocks by stormy surges beat,
Loudly laments, and hears me not intreat.
When on the fun'ral pile he saw her laid,
Thrice he to rush into the flames assay'd,
Thrice with officious care by us was stay'd.
Now, mad with grief, away he fled amain,
Like a stung heifer that resents the pain,
And bellowing wildly bounds along the plain.
O'er the most rugged ways so fast he ran,
He seem'd a bird already, not a man:
He left us breathless all behind; and now
In quest of death had gain'd Parnassus' brow:
But when from thence headlong himself he threw,
He fell not, but with airy pinions flew.
Phoebus in pity chang'd him to a fowl,
Whose crooked beak and claws the birds controul,
Little of bulk, but of a warlike soul.
A hawk become, the feather'd race's foe,
He tries to case his own by other's woe.

A Wolf turn'd into Marble

While they astonish'd heard the king relate
These wonders of his hapless brother's fate;
The prince's herdsman at the court arrives,
And fresh surprize to all the audience gives.
O Peleus, Peleus! dreadful news I bear,
He said; and trembled as he spoke for fear.
The worst, affrighted Peleus bid him tell,
Whilst Ceyx too grew pale with friendly zeal.
Thus he began: When Sol mid-heav'n had gain'd,
And half his way was past, and half remain'd,
I to the level shore my cattle drove,
And let them freely in the meadows rove.
Some stretch'd at length admire the watry plain,
Some crop'd the herb, some wanton swam the main.
A temple stands of antique make hard by,
Where no gilt domes, nor marble lure the eye;
Unpolish'd rafters bear its lowly height,
Hid by a grove, as ancient, from the sight.
Here Nereus, and the Nereids they adore;
I learnt it from the man who thither bore
His net, to dry it on the sunny shore.
Adjoyns a lake, inclos'd with willows round,
Where swelling waves have overflow'd the mound,
And, muddy, stagnate on the lower ground.
From thence a russling noise increasing flies,
Strikes the still shore; and frights us with surprize,
Strait a huge wolf rush'd from the marshy wood,
His jaws besmear'd with mingled foam, and blood,
Tho' equally by hunger urg'd, and rage,
His appetite he minds not to asswage;
Nought that he meets, his rabid fury spares,
But the whole herd with mad disorder tears.
Some of our men who strove to drive him thence,
Torn by his teeth, have dy'd in their defence.
The echoing lakes, the sea, and fields, and shore,
Impurpled blush with streams of reeking gore.
Delay is loss, nor have we time for thought;
While yet some few remain alive, we ought
To seize our arms, and with confederate force
Try if we so can stop his bloody course.
But Peleus car'd not for his ruin'd herd;
His crime he call'd to mind, and thence inferr'd,
That Psamathe's revenge this havock made,
In sacrifice to murder'd Phocus' shade.
The king commands his servants to their arms;
Resolv'd to go; but the loud noise alarms
His lovely queen, who from her chamber flew,
And her half-plaited hair behind her threw:
About his neck she hung with loving fears,
And now with words, and now with pleading tears,
Intreated that he'd send his men alone,
And stay himself, to save two lives in one.
Then Peleus: Your just fears, o queen, forget;
Too much the offer leaves me in your debt.
No arms against the monster I shall bear,
But the sea nymphs appease with humble pray'r.

The citadel's high turrets pierce the sky,
Which home-bound vessels, glad, from far descry;
This they ascend, and thence with sorrow ken
The mangled heifers lye, and bleeding men;
Th' inexorable ravager they view,
With blood discolour'd, still the rest pursue:
There Peleus pray'd submissive tow'rds the sea,
And deprecates the ire of injur'd Psamathe.
But deaf to all his pray'rs the nymph remain'd,
'Till Thetis for her spouse the boon obtain'd.
Pleas'd with the luxury, the furious beast,
Unstop'd, continues still his bloody feast:
While yet upon a sturdy bull he flew,
Chang'd by the nymph, a marble block he grew.
No longer dreadful now the wolf appears,
Bury'd in stone, and vanish'd like their fears.
Yet still the Fates unhappy Peleus vex'd;
To the Magnesian shore he wanders next.
Acastus there, who rul'd the peaceful clime,
Grants his request, and expiates his crime.

The Story of Ceyx and Alcyone

These prodigies affect the pious prince,
But more perplex'd with those that happen'd since,
He purposes to seek the Clarian God,
Avoiding Delphi, his more fam'd abode,
Since Phlegyan robbers made unsafe the road.
Yet could he not from her he lov'd so well,
The fatal voyage, he resolv'd, conceal;
But when she saw her lord prepar'd to part,
A deadly cold ran shiv'ring to her heart;
Her faded cheeks are chang'd to boxen hue,
And in her eyes the tears are ever new.
She thrice essay'd to speak; her accents hung,
And falt'ring dy'd unfinish'd on her tongue,
And vanish'd into sighs: with long delay
Her voice return'd, and found the wonted way.

Tell me, my lord, she said, what fault unknown
Thy once belov'd Alcyone has done?
Whither, ah, whither, is thy kindness gone!
Can Ceyx then sustain to leave his wife,
And unconcern'd forsake the sweets of life?
What can thy mind to this long journey move?
Or need'st thou absence to renew thy love?
Yet, if thou go'st by land, tho' grief possess
My soul ev'n then, my fears will be the less.
But ah! be warn'd to shun the watry way,
The face is frightful of the stormy sea:
For late I saw a-drift disjointed planks,
And empty tombs erected on the banks.
Nor let false hopes to trust betray thy mind,
Because my sire in caves constrains the wind,
Can with a breath their clam'rous rage appease,
They fear his whistle, and forsake the seas:
Not so; for once indulg'd, they sweep the main;
Deaf to the call, or hearing, hear in vain;
But bent on mischief bear the waves before,
And not content with seas, insult the shore,
When ocean, air, and Earth, at once ingage,
And rooted forests fly before their rage:
At once the clashing clouds to battel move,
And lightnings run across the fields above:
I know them well, and mark'd their rude comport,
While yet a child within my father's court:
In times of tempest they comm and alone,
And he but sits precarious on the throne:
The more I know, the more my fears augment;
And fears are oft prophetick of th' event.
But if not fears, or reasons will prevail,
If Fate has fix'd thee obstinate to sail,
Go not without thy wife, but let me bear
My part of danger with an equal share,
And present, what I suffer only fear:
Then o'er the bounding billows shall we fly,
Secure to live together, or to die.

These reasons mov'd her warlike husband's heart,
But still he held his purpose to depart:
For as he lov'd her equal to his life,
He would not to the seas expose his wife;
Nor could be wrought his voyage to refrain,
But sought by arguments to sooth her pain:
Nor these avail'd; at length he lights on one,
With which so difficult a cause he won:
My love, so short an absence cease to fear,
For by my father's holy flame I swear,
Before two moons their orb with light adorn,
If Heav'n allow me life, I will return.

This promise of so short a stay prevails;
He soon equips the ship, supplies the sails,
And gives the word to launch; she trembling views
This pomp of death, and parting tears renews:
Last with a kiss, she took a long farewel,
Sigh'd with a sad presage, and swooning fell:
While Ceyx seeks delays, the lusty crew,
Rais'd on their banks, their oars in order drew
To their broad breasts, the ship with fury flew.

The queen recover'd, rears her humid eyes,
And first her husb and on the poop espies,
Shaking his hand at distance on the main;
She took the sign, and shook her hand again.
Still as the ground recedes, contracts her view
With sharpen'd sight, 'till she no longer knew
The much-lov'd face; that comfort lost supplies
With less, and with the galley feeds her eyes;
The galley born from view by rising gales,
She follow'd with her sight the flying sails:
When ev'n the flying sails were seen no more,
Forsaken of all sight she left the shore.

Then on her bridal bed her body throws,
And sought in sleep her wearied eyes to close:
Her husband's pillow, and the widow'd part
Which once he press'd, renew'd the former smart.

And now a breeze from shoar began to blow,
The sailors ship their oars, and cease to row;
Then hoist their yards a-trip, and all their sails
Let fall, to court the wind, and catch the gales:
By this the vessel half her course had run,
Both shoars were lost to sight, when at the close
Of day a stiffer gale at east arose:
The sea grew white, the rouling waves from far,
Like heralds, first denounce the watry war.

This seen, the master soon began to cry,
Strike, strike the top-sail; let the main-sheet fly,
And furl your sails: the winds repel the sound,
And in the speaker's mouth the speech is drown'd.
Yet of their own accord, as danger taught
Each in his way, officiously they wrought;
Some stow their oars, or stop the leaky sides,
Another bolder, yet the yard bestrides,
And folds the sails; a fourth with labour laves
Th' intruding seas, and waves ejects on waves.

In this confusion while their work they ply,
The winds augment the winter of the sky,
And wage intestine wars; the suff'ring seas
Are toss'd, and mingled, as their tyrants please.
The master would command, but in despair
Of safety, stands amaz'd with stupid care,
Nor what to bid, or what forbid he knows,
Th' ungovern'd tempest to such fury grows:
Vain is his force, and vainer is his skill;
With such a concourse comes the flood of ill;
The cries of men are mix'd with rattling shrowds;
Seas dash on seas, and clouds encounter clouds:
At once from east to west, from pole to pole,
The forky lightnings flash, the roaring thunders roul.

Now waves on waves ascending scale the skies,
And in the fires above the water fries:
When yellow sands are sifted from below,
The glittering billows give a golden show:
And when the fouler bottom spews the black
The Stygian dye the tainted waters take:
Then frothy white appear the flatted seas,
And change their colour, changing their disease,
Like various fits the Trachin vessel finds,
And now sublime, she rides upon the winds;
As from a lofty summit looks from high,
And from the clouds beholds the nether sky;
Now from the depth of Hell they lift their sight,
And at a distance see superior light;
The lashing billows make a loud report,
And beat her sides, as batt'ring rams a fort:
Or as a lion bounding in his way,
With force augmented, bears against his prey,
Sidelong to seize; or unapal'd with fear,
Springs on the toils, and rushes on the spear:
So seas impell'd by winds, with added pow'r
Assault the sides, and o'er the hatches tow'r.

The planks (their pitchy cov'ring wash'd away)
Now yield; and now a yawning breach display:
The roaring waters with a hostile tide
Rush through the ruins of her gaping side.
Mean-time in sheets of rain the sky descends,
And ocean swell'd with waters upwards tends;
One rising, falling one, the Heav'ns and sea
Meet at their confines, in the middle way:
The sails are drunk with show'rs, and drop with rain,
Sweet waters mingle with the briny main.
No star appears to lend his friendly light;
Darkness, and tempest make a double night;
But flashing fires disclose the deep by turns,
And while the lightnings blaze, the water burns.

Now all the waves their scatter'd force unite,
And as a soldier foremost in the fight,
Makes way for others, and an host alone
Still presses on, and urging gains the town;
So while th' invading billows come a-breast,
The hero tenth advanc'd before the rest,
Sweeps all before him with impetuous sway,
And from the walls descends upon the prey;
Part following enter, part remain without,
With envy hear their fellows' conqu'ring shout,
And mount on others' backs, in hopes to share
The city, thus become the seat of war.

An universal cry resounds aloud,
The sailors run in heaps, a helpless crowd;
Art fails, and courage falls, no succour near;
As many waves, as many deaths appear.
One weeps, and yet despairs of late relief;
One cannot weep, his fears congeal his grief,
But stupid, with dry eyes expects his fate:
One with loud shrieks laments his lost estate,
And calls those happy whom their fun'rals wait.
This wretch with pray'rs and vows the Gods implores,
And ev'n the skies he cannot see, adores.
That other on his friends his thoughts bestows,
His careful father, and his faithful spouse.
The covetous worldling in his anxious mind,
Thinks only on the wealth he left behind.

All Ceyx his Alcyone employs,
For her he grieves, yet in her absence joys:
His wife he wishes, and would still be near,
Not her with him, but wishes him with her:
Now with last looks he seeks his native shoar,
Which Fate has destin'd him to see no more;
He sought, but in the dark tempestuous night
He knew not whither to direct his sight.
So whirl the seas, such darkness blinds the sky,
That the black night receives a deeper dye.

The giddy ship ran round; the tempest tore
Her mast, and over-board the rudder bore.
One billow mounts, and with a scornful brow,
Proud of her conquest gain'd, insults the waves below;
Nor lighter falls, than if some giant tore
Pindus and Athos with the freight they bore,
And toss'd on seas; press'd with the pond'rous blow,
Down sinks the ship within th' abyss below:
Down with the vessel sink into the main
The many, never more to rise again.
Some few on scatter'd planks, with fruitless care,
Lay hold, and swim; but while they swim, despair.

Ev'n he who late a scepter did command,
Now grasps a floating fragment in his hand;
And while he struggles on the stormy main,
Invokes his father, and his wife's, in vain.
But yet his consort is his greatest care,
Alcyone he names amidst his pray'r;
Names as a charm against the waves and wind;
Most in his mouth, and ever in his mind.
Tir'd with his toil, all hopes of safety past,
From pray'rs to wishes he descends at last;
That his dead body, wafted to the sands,
Might have its burial from her friendly hands,
As oft as he can catch a gulp of air,
And peep above the seas, he names the fair;
And ev'n when plung'd beneath, on her he raves,
Murm'ring Alcyone below the waves:
At last a falling billow stops his breath,
Breaks o'er his head, and whelms him underneath.
That night, his heav'nly form obscur'd with tears,
And since he was forbid to leave the skies,
He muffled with a cloud his mournful eyes.

Mean-time Alcyone (his fate unknown)
Computes how many nights he had been gone.
Observes the waining moon with hourly view,
Numbers her age, and wishes for a new;
Against the promis'd time provides with care,
And hastens in the woof the robes he was to wear:
And for her self employs another loom,
New-dress'd to meet her lord returning home,
Flatt'ring her heart with joys, that never were to come:

She fum'd the temples with an od'rous flame,
And oft before the sacred altars came,
To pray for him, who was an empty name.
All Pow'rs implor'd, but far above the rest
To Juno she her pious vows address'd,
Her much-lov'd lord from perils to protect,
And safe o'er seas his voyage to direct:
Then pray'd, that she might still possess his heart,
And no pretending rival share a part;
This last petition heard of all her pray'r,
The rest, dispers'd by winds, were lost in air.

But she, the Goddess of the nuptial bed,
Tir'd with her vain devotions for the dead,
Resolv'd the tainted hand should be repell'd,
Which incense offer'd, and her altar held:
Then Iris thus bespoke: Thou faithful maid,
By whom thy queen's commands are well convey'd,
Haste to the house of sleep, and bid the God
Who rules the night by visions with a nod,
Prepare a dream, in figure, and in form
Resembling him, who perish'd in the storm;
This form before Alcyone present,
To make her certain of the sad event.

Indu'd with robes of various hue she flies,
And flying draws an arch (a segment of the skies):
Then leaves her bending bow, and from the steep
Descends, to search the silent house of sleep.

The House of Sleep

Near the Cymmerians, in his dark abode,
Deep in a cavern, dwells the drowzy God;
Whose gloomy mansion nor the rising sun,
Nor setting, visits, nor the lightsome noon;
But lazy vapours round the region fly,
Perpetual twilight, and a doubtful sky:
No crowing cock does there his wings display,
Nor with his horny bill provoke the day;
Nor watchful dogs, nor the more wakeful geese,
Disturb with nightly noise the sacred peace;
Nor beast of Nature, nor the tame are nigh,
Nor trees with tempests rock'd, nor human cry;
But safe repose without an air of breath
Dwells here, and a dumb quiet next to death.

An arm of Lethe, with a gentle flow
Arising upwards from the rock below,
The palace moats, and o'er the pebbles creeps,
And with soft murmurs calls the coming sleeps.
Around its entry nodding poppies grow,
And all cool simples that sweet rest bestow;
Night from the plants their sleepy virtue drains,
And passing, sheds it on the silent plains:
No door there was th' unguarded house to keep,
On creaking hinges turn'd, to break his sleep.

But in the gloomy court was rais'd a bed,
Stuff'd with black plumes, and on an ebon-sted:
Black was the cov'ring too, where lay the God,
And slept supine, his limbs display'd abroad:
About his head fantastick visions fly,
Which various images of things supply,
And mock their forms; the leaves on trees not more,
Nor bearded ears in fields, nor sands upon the shore.

The virgin ent'ring bright, indulg'd the day
To the brown cave, and brush'd the dreams away:
The God disturb'd with this new glare of light,
Cast sudden on his face, unseal'd his sight,
And rais'd his tardy head, which sunk again,
And sinking, on his bosom knock'd his chin;
At length shook off himself, and ask'd the dame,
(And asking yawn'd) for what intent she came.

To whom the Goddess thus: O sacred rest,
Sweet pleasing sleep, of all the Pow'rs the best!
O peace of mind, repairer of decay,
Whose balms renew the limbs to labours of the day,
Care shuns thy soft approach, and sullen flies away!
Adorn a dream, expressing human form,
The shape of him who suffer'd in the storm,
And send it flitting to the Trachin court,
The wreck of wretched Ceyx to report:
Before his queen bid the pale spectre stand,
Who begs a vain relief at Juno's hand.
She said, and scarce awake her eyes could keep,
Unable to support the fumes of sleep;
But fled, returning by the way she went,
And swerv'd along her bow with swift ascent.

The God, uneasy 'till he slept again,
Resolv'd at once to rid himself of pain;
And, tho' against his custom, call'd aloud,
Exciting Morpheus from the sleepy crowd:
Morpheus, of all his numerous train, express'd
The shape of man, and imitated best;
The walk, the words, the gesture could supply,
The habit mimick, and the mein bely;
Plays well, but all his action is confin'd,
Extending not beyond our human kind.
Another, birds, and beasts, and dragons apes,
And dreadful images, and monster shapes:
This demon, Icelos, in Heav'n's high hall
The Gods have nam'd; but men Phobetor call.
A third is Phantasus, whose actions roul
On meaner thoughts, and things devoid of soul;
Earth, fruits, and flow'rs he represents in dreams,
And solid rocks unmov'd, and running streams.
These three to kings, and chiefs their scenes display,
The rest before th' ignoble commons play.
Of these the chosen Morpheus is dispatch'd;
Which done, the lazy monarch, over-watch'd,
Down from his propping elbow drops his head,
Dissolv'd in sleep, and shrinks within his bed.

Darkling the demon glides, for flight prepar'd,
So soft, that scarce his fanning wings are heard.
To Trachin, swift as thought, the flitting shade,
Thro' air his momentary journey made:
Then lays aside the steerage of his wings,
Forsakes his proper form, assumes the king's;
And pale, as death, despoil'd of his array,
Into the queen's apartment takes his way,
And stands before the bed at dawn of day:
Unmov'd his eyes, and wet his beard appears;
And shedding vain, but seeming real tears;
The briny waters dropping from his hairs.
Then staring on her with a ghastly look,
And hollow voice, he thus the queen bespoke.

Know'st thou not me? Not yet, unhappy wife?
Or are my features perish'd with my life?
Look once again, and for thy husb and lost,
Lo all that's left of him, thy husband's ghost!
Thy vows for my return were all in vain,
The stormy south o'ertook us in the main,
And never shalt thou see thy living lord again.
Bear witness, Heav'n, I call'd on thee in death,
And while I call'd, a billow stop'd my breath.
Think not, that flying fame reports my fate;
I present, I appear, and my own wreck relate.
Rise, wretched widow, rise; nor undeplor'd
Permit my soul to pass the Stygian ford;
But rise, prepar'd in black, to mourn thy perish'd lord.

Thus said the player-God; and adding art
Of voice and gesture, so perform'd his part,
She thought (so like her love the shade appears)
That Ceyx spake the words, and Ceyx shed the tears;
She groan'd, her inward soul with grief opprest,
She sigh'd, she wept, and sleeping beat her breast;
Then stretch'd her arms t' embrace his body bare;
Her clasping arms inclose but empty air:
At this, not yet awake, she cry'd, O stay;
One is our fate, and common is our way!

So dreadful was the dream, so loud she spoke,
That starting sudden up, the slumber broke:
Then cast her eyes around, in hope to view
Her vanish'd lord, and find the vision true:
For now the maids, who waited her commands,
Ran in with lighted tapers in their hands.
Tir'd with the search, not finding what she seeks,
With cruel blows she pounds her blubber'd cheeks;
Then from her beaten breast the linnen tare,
And cut the golden caul that bound her hair.
Her nurse demands the cause; with louder cries
She prosecutes her griefs, and thus replies.

No more Alcyone; she suffer'd death
With her lov'd lord, when Ceyx lost his breath:
No flatt'ry, no false comfort, give me none,
My shipwreck'd Ceyx is for ever gone:
I saw, I saw him manifest in view,
His voice, his figure, and his gestures knew:
His lustre lost, and ev'ry living grace,
Yet I retain'd the features of his face;
Tho' with pale cheeks, wet beard, and dropping hair,
None but my Ceyx could appear so fair:
I would have strain'd him with a strict embrace,
But thro' my arms he slipt, and vanish'd from the place:

There, ev'n just there he stood; and as she spoke,
Where last the spectre was she cast her look:
Fain would she hope, and gaz'd upon the ground,
If any printed footsteps might be found.

Then sigh'd, and said: This I too well foreknew,
And my prophetick fears presag'd too true:
'Twas what I begg'd, when with a bleeding heart
I took my leave, and suffer'd thee to part;
Or I to go along, or thou to stay,
Never, ah never to divide our way!
Happier for me, that all our hours assign'd
Together we had liv'd; ev'n not in death disjoin'd!
So had my Ceyx still been living here,
Or with my Ceyx I had perish'd there:
Now I die absent, in the vast profound;
And me, without my self, the seas have drown'd.
The storms were not so cruel: should I strive
To leng then life, and such a grief survive;
But neither will I strive, nor wretched thee
In death forsake, but keep thee company.
If not one common sepulchre contains
Our bodies, or one urn our last remains,
Yet Ceyx and Alcyone shall join,
Their names remember'd in one common line.

No farther voice her mighty grief affords,
For sighs come rushing in betwixt her words,
And stop'd her tongue; but what her tongue deny'd,
Soft tears, and groans, and dumb complaints supply'd.

'Twas morning; to the port she takes her way,
And stands upon the margin of the sea:
That place, that very spot of ground she sought,
Or thither by her destiny was brought,
Where last he stood: and while she sadly said,
'Twas here he left me, lingring here delay'd
His parting kiss, and there his anchors weigh'd.

Thus speaking, while her thoughts past actions trace,
And call to mind, admonish'd by the place,
Sharp at her utmost ken she cast her eyes,
And somewhat floating from afar descries:
It seems a corps a-drift to distant sight,
But at a distance who could judge aright?
It wafted nearer yet, and then she knew,
That what before she but surmis'd, was true:
A corps it was, but whose it was, unknown,
Yet mov'd, howe'er, she made the cause her own.
Took the bad omen of a shipwreck'd man,
As for a stranger wept, and thus began.

Poor wretch, on stormy seas to lose thy life,
Unhappy thou, but more thy widow'd wife;
At this she paus'd: for now the flowing tide
Had brought the body nearer to the side:
The more she looks, the more her fears increase,
At nearer sight; and she's her self the less:
Now driv'n ashore, and at her feet it lies,
She knows too much in knowing whom she sees:
Her husband's corps; at this she loudly shrieks,
'Tis he, 'tis he, she cries, and tears her cheeks,
Her hair, and vest; and stooping to the sands,
About his neck she cast her trembling hands.

And is it thus, o dearer than my life,
Thus, thus return'st thou to thy longing wife!
She said, and to the neighbouring mole she strode,
(Rais'd there to break th' incursions of the flood).

Headlong from hence to plunge her self she springs,
But shoots along, supported on her wings;
A bird new-made, about the banks she plies,
Not far from shore, and short excursions tries;
Nor seeks in air her humble flight to raise,
Content to skim the surface of the seas:
Her bill tho' slender, sends a creaking noise,
And imitates a lamentable voice.
Now lighting where the bloodless body lies,
She with a fun'ral note renews her cries:
At all her stretch, her little wings she spread,
And with her feather'd arms embrac'd the dead:
Then flick'ring to his palid lips, she strove
To print a kiss, the last essay of love.
Whether the vital touch reviv'd the dead,
Or that the moving waters rais'd his head
To meet the kiss, the vulgar doubt alone;
For sure a present miracle was shown.
The Gods their shapes to winter-birds translate,
But both obnoxious to their former fate.
Their conjugal affection still is ty'd,
And still the mournful race is multiply'd:
They bill, they tread; Alcyone compress'd,
Sev'n days sits brooding on her floating nest:
A wintry queen: her sire at length is kind,
Calms ev'ry storm, and hushes ev'ry wind;
Prepares his empire for his daughter's ease,
And for his hatching nephews smooths the seas.

Aesacus transform'd into a Cormorant

These some old man sees wanton in the air,
And praises the unhappy constant pair.
Then to his friend the long-neck'd corm'rant shows,
The former tale reviving others' woes:
That sable bird, he cries, which cuts the flood
With slender legs, was once of royal blood;
His ancestors from mighty Tros proceed,
The brave Laomedon, and Ganymede
(Whose beauty tempted Jove to steal the boy),
And Priam, hapless prince! who fell with Troy:
Himself was Hector's brother, and (had Fate
But giv'n this hopeful youth a longer date)
Perhaps had rival'd warlike Hector's worth,
Tho' on the mother's side of meaner birth;
Fair Alyxothoe, a country maid,
Bare Aesacus by stealth in Ida's shade.
He fled the noisy town, and pompous court,
Lov'd the lone hills, and simple rural sport.
And seldom to the city would resort.
Yet he no rustick clownishness profest,
Nor was soft love a stranger to his breast:
The youth had long the nymph Hesperie woo'd,
Oft thro' the thicket, or the mead pursu'd:
Her haply on her father's bank he spy'd,
While fearless she her silver tresses dry'd;
Away she fled: not stags with half such speed,
Before the prowling wolf, scud o'er the mead;
Not ducks, when they the safer flood forsake,
Pursu'd by hawks, so swift regain the lake.
As fast he follow'd in the hot career;
Desire the lover wing'd, the virgin fear.
A snake unseen now pierc'd her heedless foot;
Quick thro' the veins the venom'd juices shoot:
She fell, and 'scap'd by death his fierce pursuit;
Her lifeless body, frighted, he embrac'd,
And cry'd, Not this I dreaded, but thy haste:
O had my love been less, or less thy fear!
The victory, thus bought, is far too dear.
Accursed snake! yet I more curs'd than he!
He gave the wound; the cause was given by me.
Yet none shall say, that unreveng'd you dy'd.
He spoke; then climb'd a cliff's o'er-hanging side,
And, resolute, leap'd on the foaming tide.
Tethys receiv'd him gently on the wave;
The death he sought deny'd, and feathers gave.
Debarr'd the surest remedy of grief,
And forc'd to live, he curst th' unask'd relief.
Then on his airy pinions upward flies,
And at a second fall successless tries;
The downy plume a quick descent denies.
Enrag'd, he often dives beneath the wave,
And there in vain expects to find a grave.
His ceaseless sorrow for th' unhappy maid,
Meager'd his look, and on his spirits prey'd.
Still near the sounding deep he lives; his name
From frequent diving and emerging came.

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~ Ovid, BOOK THE ELEVENTH

,
1500:BOOK THE SIXTH

The Transformation of Arachne into a Spider

Pallas, attending to the Muse's song,
Approv'd the just resentment of their wrong;
And thus reflects: While tamely I commend
Those who their injur'd deities defend,
My own divinity affronted stands,
And calls aloud for justice at my hands;
Then takes the hint, asham'd to lag behind,
And on Arachne' bends her vengeful mind;
One at the loom so excellently skill'd,
That to the Goddess she refus'd to yield.
Low was her birth, and small her native town,
She from her art alone obtain'd renown.
Idmon, her father, made it his employ,
To give the spungy fleece a purple dye:
Of vulgar strain her mother, lately dead,
With her own rank had been content to wed;
Yet she their daughter, tho' her time was spent
In a small hamlet, and of mean descent,
Thro' the great towns of Lydia gain'd a name,
And fill'd the neighb'ring countries with her fame.

Oft, to admire the niceness of her skill,
The Nymphs would quit their fountain, shade, or hill:
Thither, from green Tymolus, they repair,
And leave the vineyards, their peculiar care;
Thither, from fam'd Pactolus' golden stream,
Drawn by her art, the curious Naiads came.
Nor would the work, when finish'd, please so much,
As, while she wrought, to view each graceful touch;
Whether the shapeless wool in balls she wound,
Or with quick motion turn'd the spindle round,
Or with her pencil drew the neat design,
Pallas her mistress shone in every line.
This the proud maid with scornful air denies,
And ev'n the Goddess at her work defies;
Disowns her heav'nly mistress ev'ry hour,
Nor asks her aid, nor deprecates her pow'r.
Let us, she cries, but to a tryal come,
And, if she conquers, let her fix my doom.

The Goddess then a beldame's form put on,
With silver hairs her hoary temples shone;
Prop'd by a staff, she hobbles in her walk,
And tott'ring thus begins her old wives' talk.

Young maid attend, nor stubbornly despise
The admonitions of the old, and wise;
For age, tho' scorn'd, a ripe experience bears,
That golden fruit, unknown to blooming years:
Still may remotest fame your labours crown,
And mortals your superior genius own;
But to the Goddess yield, and humbly meek
A pardon for your bold presumption seek;
The Goddess will forgive. At this the maid,
With passion fir'd, her gliding shuttle stay'd;
And, darting vengeance with an angry look,
To Pallas in disguise thus fiercely spoke.

Thou doating thing, whose idle babling tongue
But too well shews the plague of living long;
Hence, and reprove, with this your sage advice,
Your giddy daughter, or your aukward neice;
Know, I despise your counsel, and am still
A woman, ever wedded to my will;
And, if your skilful Goddess better knows,
Let her accept the tryal I propose.

She does, impatient Pallas strait replies,
And, cloath'd with heavenly light, sprung from her odd disguise.

The Nymphs, and virgins of the plain adore
The awful Goddess, and confess her pow'r;
The maid alone stood unappall'd; yet show'd
A transient blush, that for a moment glow'd,
Then disappear'd; as purple streaks adorn
The opening beauties of the rosy morn;
Till Phoebus rising prevalently bright,
Allays the tincture with his silver light.
Yet she persists, and obstinately great,
In hopes of conquest hurries on her fate.
The Goddess now the challenge waves no more,
Nor, kindly good, advises as before.
Strait to their posts appointed both repair,
And fix their threaded looms with equal care:
Around the solid beam the web is ty'd,
While hollow canes the parting warp divide;
Thro' which with nimble flight the shuttles play,
And for the woof prepare a ready way;
The woof and warp unite, press'd by the toothy slay.

Thus both, their mantles button'd to their breast,
Their skilful fingers ply with willing haste,
And work with pleasure; while they chear the eye
With glowing purple of the Tyrian dye:
Or, justly intermixing shades with light,
Their colourings insensibly unite.
As when a show'r transpierc'd with sunny rays,
Its mighty arch along the heav'n displays;
From whence a thousand diff'rent colours rise,
Whose fine transition cheats the clearest eyes;
So like the intermingled shading seems,
And only differs in the last extreams.
Then threads of gold both artfully dispose,
And, as each part in just proportion rose,
Some antique fable in their work disclose.

Pallas in figures wrought the heav'nly Pow'rs,
And Mars's hill among th' Athenian tow'rs.
On lofty thrones twice six celestials sate,
Jove in the midst, and held their warm debate;
The subject weighty, and well-known to fame,
From whom the city shou'd receive its name.
Each God by proper features was exprest,
Jove with majestick mein excell'd the rest.
His three-fork'd mace the dewy sea-God shook,
And, looking sternly, smote the ragged rock;
When from the stone leapt forth a spritely steed,
And Neptune claims the city for the deed.

Herself she blazons, with a glitt'ring spear,
And crested helm that veil'd her braided hair,
With shield, and scaly breast-plate, implements of war.
Struck with her pointed launce, the teeming Earth
Seem'd to produce a new surprizing birth;
When, from the glebe, the pledge of conquest sprung,
A tree pale-green with fairest olives hung.

And then, to let her giddy rival learn
What just rewards such boldness was to earn,
Four tryals at each corner had their part,
Design'd in miniature, and touch'd with art.
Haemus in one, and Rodope of Thrace
Transform'd to mountains, fill'd the foremost place;
Who claim'd the titles of the Gods above,
And vainly us'd the epithets of Jove.
Another shew'd, where the Pigmaean dame,
Profaning Juno's venerable name,
Turn'd to an airy crane, descends from far,
And with her Pigmy subjects wages war.
In a third part, the rage of Heav'n's great queen,
Display'd on proud Antigone, was seen:
Who with presumptuous boldness dar'd to vye,
For beauty with the empress of the sky.
Ah! what avails her ancient princely race,
Her sire a king, and Troy her native place:
Now, to a noisy stork transform'd, she flies,
And with her whiten'd pinions cleaves the skies.
And in the last remaining part was drawn
Poor Cinyras that seem'd to weep in stone;
Clasping the temple steps, he sadly mourn'd
His lovely daughters, now to marble turn'd.
With her own tree the finish'd piece is crown'd,
And wreaths of peaceful olive all the work surround.

Arachne drew the fam'd intrigues of Jove,
Chang'd to a bull to gratify his love;
How thro' the briny tide all foaming hoar,
Lovely Europa on his back he bore.
The sea seem'd waving, and the trembling maid
Shrunk up her tender feet, as if afraid;
And, looking back on the forsaken strand,
To her companions wafts her distant hand.
Next she design'd Asteria's fabled rape,
When Jove assum'd a soaring eagle's shape:
And shew'd how Leda lay supinely press'd,
Whilst the soft snowy swan sate hov'ring o'er her breast,

How in a satyr's form the God beguil'd,
When fair Antiope with twins he fill'd.
Then, like Amphytrion, but a real Jove,
In fair Alcmena's arms he cool'd his love.
In fluid gold to Danae's heart he came,
Aegina felt him in a lambent flame.
He took Mnemosyne in shepherd's make,
And for Deois was a speckled snake.

She made thee, Neptune, like a wanton steer,
Pacing the meads for love of Arne dear;
Next like a stream, thy burning flame to slake,
And like a ram, for fair Bisaltis' sake.
Then Ceres in a steed your vigour try'd,
Nor cou'd the mare the yellow Goddess hide.
Next, to a fowl transform'd, you won by force
The snake-hair'd mother of the winged horse;
And, in a dolphin's fishy form, subdu'd
Melantho sweet beneath the oozy flood.

All these the maid with lively features drew,
And open'd proper landskips to the view.
There Phoebus, roving like a country swain,
Attunes his jolly pipe along the plain;
For lovely Isse's sake in shepherd's weeds,
O'er pastures green his bleating flock he feeds,
There Bacchus, imag'd like the clust'ring grape,
Melting bedrops Erigone's fair lap;
And there old Saturn, stung with youthful heat,
Form'd like a stallion, rushes to the feat.
Fresh flow'rs, which twists of ivy intertwine,
Mingling a running foliage, close the neat design.

This the bright Goddess passionately mov'd,
With envy saw, yet inwardly approv'd.
The scene of heav'nly guilt with haste she tore,
Nor longer the affront with patience bore;
A boxen shuttle in her hand she took,
And more than once Arachne's forehead struck.
Th' unhappy maid, impatient of the wrong,
Down from a beam her injur'd person hung;
When Pallas, pitying her wretched state,
At once prevented, and pronounc'd her fate:
Live; but depend, vile wretch, the Goddess cry'd,
Doom'd in suspence for ever to be ty'd;
That all your race, to utmost date of time,
May feel the vengeance, and detest the crime.

Then, going off, she sprinkled her with juice,
Which leaves of baneful aconite produce.
Touch'd with the pois'nous drug, her flowing hair
Fell to the ground, and left her temples bare;
Her usual features vanish'd from their place,
Her body lessen'd all, but most her face.
Her slender fingers, hanging on each side
With many joynts, the use of legs supply'd:
A spider's bag the rest, from which she gives
A thread, and still by constant weaving lives.

The Story of Niobe

Swift thro' the Phrygian towns the rumour flies,
And the strange news each female tongue employs:
Niobe, who before she married knew
The famous nymph, now found the story true;
Yet, unreclaim'd by poor Arachne's fate,
Vainly above the Gods assum'd a state.
Her husband's fame, their family's descent,
Their pow'r, and rich dominion's wide extent,
Might well have justify'd a decent pride;
But not on these alone the dame rely'd.
Her lovely progeny, that far excell'd,
The mother's heart with vain ambition swell'd:
The happiest mother not unjustly styl'd,
Had no conceited thoughts her tow'ring fancy fill'd.

For once a prophetess with zeal inspir'd,
Their slow neglect to warm devotion fir'd;
Thro' ev'ry street of Thebes who ran possess'd,
And thus in accents wild her charge express'd:
Haste, haste, ye Theban matrons, and adore,
With hallow'd rites, Latona's mighty pow'r;
And, to the heav'nly twins that from her spring,
With laurel crown'd, your smoaking incense bring.
Strait the great summons ev'ry dame obey'd,
And due submission to the Goddess paid:
Graceful, with laurel chaplets dress'd, they came,
And offer'd incense in the sacred flame.

Mean-while, surrounded with a courtly guard,
The royal Niobe in state appear'd;
Attir'd in robes embroider'd o'er with gold,
And mad with rage, yet lovely to behold:
Her comely tresses, trembling as she stood,
Down her fine neck with easy motion flow'd;
Then, darting round a proud disdainful look,
In haughty tone her hasty passion broke,
And thus began: What madness this, to court
A Goddess, founded meerly on report?
Dare ye a poor pretended Pow'r invoke,
While yet no altars to my godhead smoke?
Mine, whose immediate lineage stands confess'd
From Tantalus, the only mortal guest
That e'er the Gods admitted to their feast.
A sister of the Pleiads gave me birth;
And Atlas, mightiest mountain upon Earth,
Who bears the globe of all the stars above,
My grandsire was, and Atlas sprung from Jove.
The Theban towns my majesty adore,
And neighb'ring Phrygia trembles at my pow'r:
Rais'd by my husband's lute, with turrets crown'd,
Our lofty city stands secur'd around.
Within my court, where-e'er I turn my eyes,
Unbounded treasures to my prospect rise:
With these my face I modestly may name,
As not unworthy of so high a claim;
Seven are my daughters, of a form divine,
With seven fair sons, an indefective line.
Go, fools! consider this; and ask the cause
From which my pride its strong presumption draws;
Consider this; and then prefer to me
Caeus the Titan's vagrant progeny;
To whom, in travel, the whole spacious Earth
No room afforded for her spurious birth.
Not the least part in Earth, in Heav'n, or seas,
Would grant your out-law'd Goddess any ease:
'Till pitying hers, from his own wand'ring case,
Delos, the floating island, gave a place.
There she a mother was, of two at most;
Only the seventh part of what I boast.
My joys all are beyond suspicion fix'd;
With no pollutions of misfortune mix'd;
Safe on the Basis of my pow'r I stand,
Above the reach of Fortune's fickle hand.
Lessen she may my inexhausted store,
And much destroy, yet still must leave me more.
Suppose it possible that some may dye
Of this my num'rous lovely progeny;
Still with Latona I might safely vye.
Who, by her scanty breed, scarce fit to name,
But just escapes the childless woman's shame.
Go then, with speed your laurel'd heads uncrown,
And leave the silly farce you have begun.

The tim'rous throng their sacred rites forbore,
And from their heads the verdant laurel tore;
Their haughty queen they with regret obey'd,
And still in gentle murmurs softly pray'd.

High, on the top of Cynthus' shady mount,
With grief the Goddess saw the base affront;
And, the abuse revolving in her breast,
The mother her twin-offspring thus addrest.

Lo I, my children, who with comfort knew
Your God-like birth, and thence my glory drew;
And thence have claim'd precedency of place
From all but Juno of the heav'nly race,
Must now despair, and languish in disgrace.
My godhead question'd, and all rites divine,
Unless you succour, banish'd from my shrine.
Nay more, the imp of Tantalus has flung
Reflections with her vile paternal tongue;
Has dar'd prefer her mortal breed to mine,
And call'd me childless; which, just fate, may she repine!

When to urge more the Goddess was prepar'd,
Phoebus in haste replies, Too much we've heard,
And ev'ry moment's lost, while vengeance is defer'd.
Diana spoke the same. Then both enshroud
Their heav'nly bodies in a sable cloud;
And to the Theban tow'rs descending light,
Thro' the soft yielding air direct their flight.

Without the wall there lies a champian ground
With even surface, far extending round,
Beaten and level'd, while it daily feels
The trampling horse, and chariot's grinding wheels.
Part of proud Niobe's young rival breed,
Practising there to ride the manag'd steed,
Their bridles boss'd with gold, were mounted high
On stately furniture of Tyrian dye.
Of these, Ismenos, who by birth had been
The first fair issue of the fruitful queen,
Just as he drew the rein to guide his horse,
Around the compass of the circling course,
Sigh'd deeply, and the pangs of smart express'd,
While the shaft stuck, engor'd within his breast:
And, the reins dropping from his dying hand,
He sunk quite down, and tumbled on the sand.
Sipylus next the rattling quiver heard,
And with full speed for his escape prepar'd;
As when the pilot from the black'ning skies
A gath'ring storm of wintry rain descries,
His sails unfurl'd, and crowded all with wind,
He strives to leave the threat'ning cloud behind:
So fled the youth; but an unerring dart
O'ertook him, quick discharg'd, and sped with art;
Fix'd in his neck behind, it trembling stood,
And at his throat display'd the point besmear'd with blood

Prone, as his posture was, he tumbled o'er,
And bath'd his courser's mane with steaming gore.
Next at young Phaedimus they took their aim,
And Tantalus who bore his grandsire's name:
These, when their other exercise was done,
To try the wrestler's oily sport begun;
And, straining ev'ry nerve, their skill express'd
In closest grapple, joining breast to breast:
When from the bending bow an arrow sent,
Joyn'd as they were, thro' both their bodies went:
Both groan'd, and writhing both their limbs with pain,
They fell together bleeding on the plain;
Then both their languid eye-balls faintly roul,
And thus together brea the away their soul.
With grief Alphenor saw their doleful plight,
And smote his breast, and sicken'd at the sight;
Then to their succour ran with eager haste,
And, fondly griev'd, their stiff'ning limbs embrac'd;
But in the action falls: a thrilling dart,
By Phoebus guided, pierc'd him to the heart.
This, as they drew it forth, his midriff tore,
Its barbed point the fleshy fragments bore,
And let the soul gush out in streams of purple gore.
But Damasichthon, by a double wound,
Beardless, and young, lay gasping on the ground.
Fix'd in his sinewy ham, the steely point
Stuck thro' his knee, and pierc'd the nervous joint:
And, as he stoop'd to tug the painful dart,
Another struck him in a vital part;
Shot thro' his wezon, by the wing it hung.
The life-blood forc'd it out, and darting upward sprung,

Ilioneus, the last, with terror stands,
Lifting in pray'r his unavailing hands;
And, ignorant from whom his griefs arise,
Spare me, o all ye heav'nly Pow'rs, he cries:
Phoebus was touch'd too late, the sounding bow
Had sent the shaft, and struck the fatal blow;
Which yet but gently gor'd his tender side,
So by a slight and easy wound he dy'd.

Swift to the mother's ears the rumour came,
And doleful sighs the heavy news proclaim;
With anger and surprize inflam'd by turns,
In furious rage her haughty stomach burns:
First she disputes th' effects of heav'nly pow'r,
Then at their daring boldness wonders more;
For poor Amphion with sore grief distrest,
Hoping to sooth his cares by endless rest,
Had sheath'd a dagger in his wretched breast.
And she, who toss'd her high disdainful head,
When thro' the streets in solemn pomp she led
The throng that from Latona's altar fled,
Assuming state beyond the proudest queen;
Was now the miserablest object seen.
Prostrate among the clay-cold dead she fell,
And kiss'd an undistinguish'd last farewel.
Then her pale arms advancing to the skies,
Cruel Latona! triumph now, she cries.
My grieving soul in bitter anguish drench,
And with my woes your thirsty passion quench;
Feast your black malice at a price thus dear,
While the sore pangs of sev'n such deaths I bear.
Triumph, too cruel rival, and display
Your conqu'ring standard; for you've won the day.
Yet I'll excel; for yet, tho' sev'n are slain,
Superior still in number I remain.
Scarce had she spoke; the bow-string's twanging sound
Was heard, and dealt fresh terrors all around;
Which all, but Niobe alone, confound.
Stunn'd, and obdurate by her load of grief,
Insensible she sits, nor hopes relief.

Before the fun'ral biers, all weeping sad,
Her daughters stood, in vests of sable clad,
When one, surpriz'd, and stung with sudden smart,
In vain attempts to draw the sticking dart:
But to grim death her blooming youth resigns,
And o'er her brother's corpse her dying head reclines.
This, to asswage her mother's anguish tries,
And, silenc'd in the pious action, dies;
Shot by a secret arrow, wing'd with death,
Her fault'ring lips but only gasp'd for breath.
One, on her dying sister, breathes her last;
Vainly in flight another's hopes are plac'd:
This hiding, from her fate a shelter seeks;
That trembling stands, and fills the air with shrieks.
And all in vain; for now all six had found
Their way to death, each by a diff'rent wound.
The last, with eager care the mother veil'd,
Behind her spreading mantle close conceal'd,
And with her body guarded, as a shield.
Only for this, this youngest, I implore,
Grant me this one request, I ask no more;
O grant me this! she passionately cries:
But while she speaks, the destin'd virgin dies.

The Transformation of Niobe

Widow'd, and childless, lamentable state!
A doleful sight, among the dead she sate;
Harden'd with woes, a statue of despair,
To ev'ry breath of wind unmov'd her hair;
Her cheek still red'ning, but its colour dead,
Faded her eyes, and set within her head.
No more her pliant tongue its motion keeps,
But stands congeal'd within her frozen lips.
Stagnate, and dull, within her purple veins,
Its current stop'd, the lifeless blood remains.
Her feet their usual offices refuse,
Her arms, and neck their graceful gestures lose:
Action, and life from ev'ry part are gone,
And ev'n her entrails turn to solid stone;
Yet still she weeps, and whirl'd by stormy winds,
Born thro' the air, her native country finds;
There fix'd, she stands upon a bleaky hill,
There yet her marble cheeks eternal tears distil.

The Peasants of Lycia transform'd to Frogs

Then all, reclaim'd by this example, show'd
A due regard for each peculiar God:
Both men, and women their devoirs express'd,
And great Latona's awful pow'r confess'd.
Then, tracing instances of older time,
To suit the nature of the present crime,
Thus one begins his tale.- Where Lycia yields
A golden harvest from its fertile fields,
Some churlish peasants, in the days of yore,
Provok'd the Goddess to exert her pow'r.
The thing indeed the meanness of the place
Has made obscure, surprizing as it was;
But I my self once happen'd to behold
This famous lake of which the story's told.
My father then, worn out by length of days,
Nor able to sustain the tedious ways,
Me with a guide had sent the plains to roam,
And drive his well-fed stragling heifers home.
Here, as we saunter'd thro' the verdant meads,
We spy'd a lake o'er-grown with trembling reeds,
Whose wavy tops an op'ning scene disclose,
From which an antique smoaky altar rose.
I, as my susperstitious guide had done,
Stop'd short, and bless'd my self, and then went on;
Yet I enquir'd to whom the altar stood,
Faunus, the Naids, or some native God?
No silvan deity, my friend replies,
Enshrin'd within this hallow'd altar lies.
For this, o youth, to that fam'd Goddess stands,
Whom, at th' imperial Juno's rough commands,
Of ev'ry quarter of the Earth bereav'd,
Delos, the floating isle, at length receiv'd.
Who there, in spite of enemies, brought forth,
Beneath an olive's shade, her great twin-birth.

Hence too she fled the furious stepdame's pow'r,
And in her arms a double godhead bore;
And now the borders of fair Lycia gain'd,
Just when the summer solstice parch'd the land.
With thirst the Goddess languishing, no more
Her empty'd breast would yield its milky store;
When, from below, the smiling valley show'd
A silver lake that in its bottom flow'd:
A sort of clowns were reaping, near the bank,
The bending osier, and the bullrush dank;
The cresse, and water-lilly, fragrant weed,
Whose juicy stalk the liquid fountains feed.
The Goddess came, and kneeling on the brink,
Stoop'd at the fresh repast, prepar'd to drink.
Then thus, being hinder'd by the rabble race,
In accents mild expostulates the case.
Water I only ask, and sure 'tis hard
From Nature's common rights to be debar'd:
This, as the genial sun, and vital air,
Should flow alike to ev'ry creature's share.
Yet still I ask, and as a favour crave,
That which, a publick bounty, Nature gave.
Nor do I seek my weary limbs to drench;
Only, with one cool draught, my thirst I'd quench.
Now from my throat the usual moisture dries,
And ev'n my voice in broken accents dies:
One draught as dear as life I should esteem,
And water, now I thirst, would nectar seem.
Oh! let my little babes your pity move,
And melt your hearts to charitable love;
They (as by chance they did) extend to you
Their little hands, and my request pursue.

Whom would these soft perswasions not subdue,
Tho' the most rustick, and unmanner'd crew?
Yet they the Goddess's request refuse,
And with rude words reproachfully abuse:
Nay more, with spiteful feet the villains trod
O'er the soft bottom of the marshy flood,
And blacken'd all the lake with clouds of rising mud.

Her thirst by indignation was suppress'd;
Bent on revenge, the Goddess stood confess'd.
Her suppliant hands uplifting to the skies,
For a redress, to Heav'n she now applies.
And, May you live, she passionately cry'd,
Doom'd in that pool for ever to abide.

The Goddess has her wish; for now they chuse
To plunge, and dive among the watry ooze;
Sometimes they shew their head above the brim,
And on the glassy surface spread to swim;
Often upon the bank their station take,
Then spring, and leap into the cooly lake.
Still, void of shame, they lead a clam'rous life,
And, croaking, still scold on in endless strife;
Compell'd to live beneath the liquid stream,
Where still they quarrel, and attempt to skream.
Now, from their bloated throat, their voice puts on
Imperfect murmurs in a hoarser tone;
Their noisy jaws, with bawling now grown wide,
An ugly sight! extend on either side:
Their motly back, streak'd with a list of green,
Joyn'd to their head, without a neck is seen;
And, with a belly broad and white, they look
Meer frogs, and still frequent the muddy brook.

The Fate of Marsyas

Scarce had the man this famous story told,
Of vengeance on the Lycians shown of old,
When strait another pictures to their view
The Satyr's fate, whom angry Phoebus slew;
Who, rais'd with high conceit, and puff'd with pride,
At his own pipe the skilful God defy'd.
Why do you tear me from my self, he cries?
Ah cruel! must my skin be made the prize?
This for a silly pipe? he roaring said,
Mean-while the skin from off his limbs was flay'd.
All bare, and raw, one large continu'd wound,
With streams of blood his body bath'd the ground.
The blueish veins their trembling pulse disclos'd,
The stringy nerves lay naked, and expos'd;
His guts appear'd, distinctly each express'd,
With ev'ry shining fibre of his breast.

The Fauns, and Silvans, with the Nymphs that rove
Among the Satyrs in the shady grove;
Olympus, known of old, and ev'ry swain
That fed, or flock, or herd upon the plain,
Bewail'd the loss; and with their tears that flow'd,
A kindly moisture on the earth bestow'd;
That soon, conjoyn'd, and in a body rang'd,
Sprung from the ground, to limpid water chang'd;
Which, down thro' Phrygia's rocks, a mighty stream,
Comes tumbling to the sea, and Marsya is its name.

The Story of Pelops

From these relations strait the people turn
To present truths, and lost Amphion mourn:
The mother most was blam'd, yet some relate
That Pelops pity'd, and bewail'd her fate,
And stript his cloaths, and laid his shoulder bare,
And made the iv'ry miracle appear.
This shoulder, from the first, was form'd of flesh,
As lively as the other, and as fresh;
But, when the youth was by his father slain,
The Gods restor'd his mangled limbs again;
Only that place which joins the neck and arm,
The rest untouch'd, was found to suffer harm:
The loss of which an iv'ry piece sustain'd;
And thus the youth his limbs, and life regain'd.

The Story of Tereus, Procne, and Philomela

To Thebes the neighb'ring princes all repair,
And with condolance the misfortune share.
Each bord'ring state in solemn form address'd,
And each betimes a friendly grief express'd.
Argos, with Sparta's, and Mycenae's towns,
And Calydon, yet free from fierce Diana's frowns.
Corinth for finest brass well fam'd of old,
Orthomenos for men of courage bold:
Cleonae lying in the lowly dale,
And rich Messene with its fertile vale:
Pylos, for Nestor's City after fam'd,
And Troezen, not as yet from Pittheus nam'd.
And those fair cities, which are hem'd around
By double seas within the Isthmian ground;
And those, which farther from the sea-coast stand,
Lodg'd in the bosom of the spacious land.

Who can believe it? Athens was the last:
Tho' for politeness fam'd for ages past.
For a strait siege, which then their walls enclos'd,
Such acts of kind humanity oppos'd:
And thick with ships, from foreign nations bound,
Sea-ward their city lay invested round.

These, with auxiliar forces led from far,
Tereus of Thrace, brave, and inur'd to war,
Had quite defeated, and obtain'd a name,
The warrior's due, among the sons of Fame.
This, with his wealth, and pow'r, and ancient line,
From Mars deriv'd, Pandions's thoughts incline
His daughter Procne with the prince to joyn.

Nor Hymen, nor the Graces here preside,
Nor Juno to befriend the blooming bride;
But Fiends with fun'ral brands the process led,
And Furies waited at the Genial bed:
And all night long the scrieching owl aloof,
With baleful notes, sate brooding o'er the roof.
With such ill Omens was the match begun,
That made them parents of a hopeful son.
Now Thrace congratulates their seeming joy,
And they, in thankful rites, their minds employ.
If the fair queen's espousals pleas'd before,
Itys, the new-born prince, now pleases more;
And each bright day, the birth, and bridal feast,
Were kept with hallow'd pomp above the rest.
So far true happiness may lye conceal'd,
When, by false lights, we fancy 'tis reveal'd!

Now, since their nuptials, had the golden sun
Five courses round his ample zodiac run;
When gentle Procne thus her lord address'd,
And spoke the secret wishes of her breast:
If I, she said, have ever favour found,
Let my petition with success be crown'd:
Let me at Athens my dear sister see,
Or let her come to Thrace, and visit me.
And, lest my father should her absence mourn,
Promise that she shall make a quick return.
With thanks I'd own the obligation due
Only, o Tereus, to the Gods, and you.

Now, ply'd with oar, and sail at his command,
The nimble gallies reach'd th' Athenian land,
And anchor'd in the fam'd Piraean bay,
While Tereus to the palace takes his way;
The king salutes, and ceremonies past,
Begins the fatal embassy at last;
The occasion of his voyage he declares,
And, with his own, his wife's request prefers:
Asks leave that, only for a little space,
Their lovely sister might embark for Thrace.

Thus while he spoke, appear'd the royal maid,
Bright Philomela, splendidly array'd;
But most attractive in her charming face,
And comely person, turn'd with ev'ry grace:
Like those fair Nymphs, that are describ'd to rove
Across the glades, and op'nings of the grove;
Only that these are dress'd for silvan sports,
And less become the finery of courts.

Tereus beheld the virgin, and admir'd,
And with the coals of burning lust was fir'd:
Like crackling stubble, or the summer hay,
When forked lightnings o'er the meadows play.
Such charms in any breast might kindle love,
But him the heats of inbred lewdness move;
To which, tho' Thrace is naturally prone,
Yet his is still superior, and his own.
Strait her attendants he designs to buy,
And with large bribes her governess would try:
Herself with ample gifts resolves to bend,
And his whole kingdom in th' attempt expend:
Or, snatch'd away by force of arms, to bear,
And justify the rape with open war.
The boundless passion boils within his breast,
And his projecting soul admits no rest.

And now, impatient of the least delay,
By pleading Procne's cause, he speeds his way:
The eloquence of love his tongue inspires,
And, in his wife's, he speaks his own desires;
Hence all his importunities arise,
And tears unmanly trickle from his eyes.

Ye Gods! what thick involving darkness blinds
The stupid faculties of mortal minds!
Tereus the credit of good-nature gains
From these his crimes; so well the villain feigns.
And, unsuspecting of his base designs,
In the request fair Philomela joyns;
Her snowy arms her aged sire embrace,
And clasp his neck with an endearing grace:
Only to see her sister she entreats,
A seeming blessing, which a curse compleats.
Tereus surveys her with a luscious eye,
And in his mind forestalls the blissful joy:
Her circling arms a scene of lust inspire,
And ev'ry kiss foments the raging fire.
Fondly he wishes for the father's place,
To feel, and to return the warm embrace;
Since not the nearest ties of filial blood
Would damp his flame, and force him to be good.

At length, for both their sakes, the king agrees;
And Philomela, on her bended knees,
Thanks him for what her fancy calls success,
When cruel fate intends her nothing less.

Now Phoebus, hastning to ambrosial rest,
His fiery steeds drove sloping down the west:
The sculptur'd gold with sparkling wines was fill'd,
And, with rich meats, each chearful table smil'd.
Plenty, and mirth the royal banquet close,
Then all retire to sleep, and sweet repose.
But the lewd monarch, tho' withdrawn apart,
Still feels love's poison rankling in his heart:
Her face divine is stamp'd within his breast,
Fancy imagines, and improves the rest:
And thus, kept waking by intense desire,
He nourishes his own prevailing fire.

Next day the good old king for Tereus sends,
And to his charge the virgin recommends;
His hand with tears th' indulgent father press'd,
Then spoke, and thus with tenderness address'd.

Since the kind instances of pious love,
Do all pretence of obstacle remove;
Since Procne's, and her own, with your request,
O'er-rule the fears of a paternal breast;
With you, dear son, my daughter I entrust,
And by the Gods adjure you to be just;
By truth, and ev'ry consanguineal tye,
To watch, and guard her with a father's eye.
And, since the least delay will tedious prove,
In keeping from my sight the child I love,
With speed return her, kindly to asswage
The tedious troubles of my lingring age.
And you, my Philomel, let it suffice,
To know your sister's banish'd from my eyes;
If any sense of duty sways your mind,
Let me from you the shortest absence find.
He wept; then kiss'd his child; and while he speaks,
The tears fall gently down his aged cheeks.
Next, as a pledge of fealty, he demands,
And, with a solemn charge, conjoyns their hands;
Then to his daughter, and his grandson sends,
And by their mouth a blessing recommends;
While, in a voice with dire forebodings broke,
Sobbing, and faint, the last farewel was spoke.

Now Philomela, scarce receiv'd on board,
And in the royal gilded bark secur'd,
Beheld the dashes of the bending oar,
The ruffled sea, and the receding shore;
When strait (his joy impatient of disguise)
We've gain'd our point, the rough Barbarian cries;
Now I possess the dear, the blissful hour,
And ev'ry wish subjected to my pow'r.
Transports of lust his vicious thoughts employ,
And he forbears, with pain, th' expected joy.
His gloting eyes incessantly survey'd
The virgin beauties of the lovely maid:
As when the bold rapacious bird of Jove,
With crooked talons stooping from above,
Has snatcht, and carry'd to his lofty nest
A captive hare, with cruel gripes opprest;
Secure, with fix'd, and unrelenting eyes,
He sits, and views the helpless, trembling prize.

Their vessels now had made th' intended land,
And all with joy descend upon the strand;
When the false tyrant seiz'd the princely maid,
And to a lodge in distant woods convey'd;
Pale, sinking, and distress'd with jealous fears,
And asking for her sister all in tears.
The letcher, for enjoyment fully bent,
No longer now conceal'd his base intent;
But with rude haste the bloomy girl deflow'r'd,
Tender, defenceless, and with ease o'erpower'd.
Her piercing accents to her sire complain,
And to her absent sister, but in vain:
In vain she importunes, with doleful cries,
Each unattentive godhead of the skies.
She pants and trembles, like the bleating prey,
From some close-hunted wolf just snatch'd away;
That still, with fearful horror, looks around,
And on its flank regards the bleeding wound.
Or, as the tim'rous dove, the danger o'er,
Beholds her shining plumes besmear'd with gore,
And, tho' deliver'd from the faulcon's claw,
Yet shivers, and retains a secret awe.

But when her mind a calm reflection shar'd,
And all her scatter'd spirits were repair'd:
Torn, and disorder'd while her tresses hung,
Her livid hands, like one that mourn'd, she wrung;
Then thus, with grief o'erwhelm'd her languid eyes,
Savage, inhumane, cruel wretch! she cries;
Whom not a parent's strict commands could move,
Tho' charg'd, and utter'd with the tears of love;
Nor virgin innocence, nor all that's due
To the strong contract of the nuptial vow:
Virtue, by this, in wild confusion's laid,
And I compell'd to wrong my sister's bed;
Whilst you, regardless of your marriage oath,
With stains of incest have defil'd us both.
Tho' I deserv'd some punishment to find,
This was, ye Gods! too cruel, and unkind.
Yet, villain, to compleat your horrid guilt,
Stab here, and let my tainted blood be spilt.
Oh happy! had it come, before I knew
The curs'd embrace of vile perfidious you;
Then my pale ghost, pure from incestuous love,
Had wander'd spotless thro' th' Elysian grove.
But, if the Gods above have pow'r to know,
And judge those actions that are done below;
Unless the dreaded thunders of the sky,
Like me, subdu'd, and violated lye;
Still my revenge shall take its proper time,
And suit the baseness of your hellish crime.
My self, abandon'd, and devoid of shame,
Thro' the wide world your actions will proclaim;
Or tho' I'm prison'd in this lonely den,
Obscur'd, and bury'd from the sight of men,
My mournful voice the pitying rocks shall move,
And my complainings eccho thro' the grove.
Hear me, o Heav'n! and, if a God be there,
Let him regard me, and accept my pray'r.

Struck with these words, the tyrant's guilty breast
With fear, and anger, was, by turns, possest;
Now, with remorse his conscience deeply stung,
He drew the faulchion that beside her hung,
And first her tender arms behind her bound,
Then drag'd her by the hair along the ground.
The princess willingly her throat reclin'd,
And view'd the steel with a contented mind;
But soon her tongue the girding pinchers strain,
With anguish, soon she feels the piercing pain:
Oh father! father! would fain have spoke,
But the sharp torture her intention broke;
In vain she tries, for now the blade has cut
Her tongue sheer off, close to the trembling root.
The mangled part still quiver'd on the ground,
Murmuring with a faint imperfect sound:
And, as a serpent writhes his wounded train,
Uneasy, panting, and possess'd with pain;
The piece, while life remain'd, still trembled fast,
And to its mistress pointed to the last.

Yet, after this so damn'd, and black a deed,
Fame (which I scarce can credit) has agreed,
That on her rifled charms, still void of shame,
He frequently indulg'd his lustful flame,
At last he ventures to his Procne's sight,
Loaded with guilt, and cloy'd with long delight;
There, with feign'd grief, and false, dissembled sighs,
Begins a formal narrative of lies;
Her sister's death he artfully declares,
Then weeps, and raises credit from his tears.
Her vest, with flow'rs of gold embroider'd o'er,
With grief distress'd, the mournful matron tore,
And a beseeming suit of gloomy sable wore.
With cost, an honorary tomb she rais'd,
And thus th' imaginary ghost appeas'd.
Deluded queen! the fate of her you love,
Nor grief, nor pity, but revenge should move.

Thro' the twelve signs had pass'd the circling sun,
And round the compass of the Zodiac run;
What must unhappy Philomela do,
For ever subject to her keeper's view?
Huge walls of massy stone the lodge surround,
From her own mouth no way of speaking's found.
But all our wants by wit may be supply'd,
And art makes up, what fortune has deny'd:
With skill exact a Phrygian web she strung,
Fix'd to a loom that in her chamber hung,
Where in-wrought letters, upon white display'd,
In purple notes, her wretched case betray'd:
The piece, when finish'd, secretly she gave
Into the charge of one poor menial slave;
And then, with gestures, made him understand,
It must be safe convey'd to Procne's hand.
The slave, with speed, the queen's apartment sought,
And render'd up his charge, unknowing what he brought.
But when the cyphers, figur'd in each fold,
Her sister's melancholy story told
(Strange that she could!) with silence, she survey'd
The tragick piece, and without weeping read:
In such tumultuous haste her passions sprung,
They choak'd her voice, and quite disarm'd her tongue.
No room for female tears; the Furies rise,
Darting vindictive glances from her eyes;
And, stung with rage, she bounds from place to place,
While stern revenge sits low'ring in her face.

Now the triennial celebration came,
Observ'd to Bacchus by each Thracian dame;
When, in the privacies of night retir'd,
They act his rites, with sacred rapture fir'd:
By night, the tinkling cymbals ring around,
While the shrill notes from Rhodope resound;
By night, the queen, disguis'd, forsakes the court,
To mingle in the festival resort.
Leaves of the curling vine her temples shade,
And, with a circling wreath, adorn her head:
Adown her back the stag's rough spoils appear,
Light on her shoulder leans a cornel spear.

Thus, in the fury of the God conceal'd,
Procne her own mad headstrong passion veil'd;
Now, with her gang, to the thick wood she flies,
And with religious yellings fills the skies;
The fatal lodge, as 'twere by chance, she seeks,
And, thro' the bolted doors, an entrance breaks;
From thence, her sister snatching by the hand,
Mask'd like the ranting Bacchanalian band,
Within the limits of the court she drew,
Shading, with ivy green, her outward hue.
But Philomela, conscious of the place,
Felt new reviving pangs of her disgrace;
A shiv'ring cold prevail'd in ev'ry part,
And the chill'd blood ran trembling to her heart.

Soon as the queen a fit retirement found,
Stript of the garlands that her temples crown'd,
She strait unveil'd her blushing sister's face,
And fondly clasp'd her with a close embrace:
But, in confusion lost, th' unhappy maid,
With shame dejected, hung her drooping head,
As guilty of a crime that stain'd her sister's bed.
That speech, that should her injur'd virtue clear,
And make her spotless innocence appear,
Is now no more; only her hands, and eyes
Appeal, in signals, to the conscious skies.
In Procne's breast the rising passions boil,
And burst in anger with a mad recoil;
Her sister's ill-tim'd grief, with scorn, she blames,
Then, in these furious words her rage proclaims.

Tears, unavailing, but defer our time,
The stabbing sword must expiate the crime;
Or worse, if wit, on bloody vengeance bent,
A weapon more tormenting can invent.
O sister! I've prepar'd my stubborn heart,
To act some hellish, and unheard-of part;
Either the palace to surround with fire,
And see the villain in the flames expire;
Or, with a knife, dig out his cursed eyes,
Or, his false tongue with racking engines seize;
Or, cut away the part that injur'd you,
And, thro' a thousand wounds, his guilty soul pursue.
Tortures enough my passion has design'd,
But the variety distracts my mind.

A-while, thus wav'ring, stood the furious dame,
When Itys fondling to his mother came;
From him the cruel fatal hint she took,
She view'd him with a stern remorseless look:
Ah! but too like thy wicked sire, she said,
Forming the direful purpose in her head.
At this a sullen grief her voice supprest,
While silent passions struggle in her breast.

Now, at her lap arriv'd, the flatt'ring boy
Salutes his parent with a smiling joy:
About her neck his little arms are thrown,
And he accosts her in a pratling tone.
Then her tempestuous anger was allay'd,
And in its full career her vengeance stay'd;
While tender thoughts, in spite of passion, rise,
And melting tears disarm her threat'ning eyes.
But when she found the mother's easy heart,
Too fondly swerving from th' intended part;
Her injur'd sister's face again she view'd:
And, as by turns surveying both she stood,
While this fond boy (she said) can thus express
The moving accents of his fond address;
Why stands my sister of her tongue bereft,
Forlorn, and sad, in speechless silence left?
O Procne, see the fortune of your house!
Such is your fate, when match'd to such a spouse!
Conjugal duty, if observ'd to him,
Would change from virtue, and become a crime;
For all respect to Tereus must debase
The noble blood of great Pandion's race.

Strait at these words, with big resentment fill'd,
Furious her look, she flew, and seiz'd her child;
Like a fell tigress of the savage kind,
That drags the tender suckling of the hind
Thro' India's gloomy groves, where Ganges laves
The shady scene, and rouls his streamy waves.

Now to a close apartment they were come,
Far off retir'd within the spacious dome;
When Procne, on revengeful mischief bent,
Home to his heart a piercing ponyard sent.
Itys, with rueful cries, but all too late,
Holds out his hands, and deprecates his fate;
Still at his mother's neck he fondly aims,
And strives to melt her with endearing names;
Yet still the cruel mother perseveres,
Nor with concern his bitter anguish hears.
This might suffice; but Philomela too
Across his throat a shining curtlass drew.
Then both, with knives, dissect each quiv'ring part,
And carve the butcher'd limbs with cruel art;
Which, whelm'd in boiling cauldrons o'er the fire,
Or turn'd on spits, in steamy smoak aspire:
While the long entries, with their slipp'ry floor,
Run down in purple streams of clotted gore.

Ask'd by his wife to this inhuman feast,
Tereus unknowingly is made a guest:
Whilst she her plot the better to disguise,
Styles it some unknown mystick sacrifice;
And such the nature of the hallow'd rite,
The wife her husb and only could invite,
The slaves must all withdraw, and be debarr'd the sight.

Tereus, upon a throne of antique state,
Loftily rais'd, before the banquet sate;
And glutton like, luxuriously pleas'd,
With his own flesh his hungry maw appeas'd.
Nay, such a blindness o'er his senses falls,
That he for Itys to the table calls.
When Procne, now impatient to disclose
The joy that from her full revenge arose,
Cries out, in transports of a cruel mind,
Within your self your Itys you may find.
Still, at this puzzling answer, with surprise,
Around the room he sends his curious eyes;
And, as he still inquir'd, and call'd aloud,
Fierce Philomela, all besmear'd with blood,
Her hands with murder stain'd, her spreading hair
Hanging dishevel'd with a ghastly air,
Stept forth, and flung full in the tyrant's face
The head of Itys, goary as it was:
Nor ever so much to use her tongue,
And with a just reproach to vindicate her wrong.

The Thracian monarch from the table flings,
While with his cries the vaulted parlour rings;
His imprecations eccho down to Hell,
And rouze the snaky Furies from their Stygian cell.
One while he labours to disgorge his breast,
And free his stomach from the cursed feast;
Then, weeping o'er his lamentable doom,
He styles himself his son's sepulchral tomb.
Now, with drawn sabre, and impetuous speed,
In close pursuit he drives Pandion's breed;
Whose nimble feet spring with so swift a force
Across the fields, they seem to wing their course.
And now, on real wings themselves they raise,
And steer their airy flight by diff'rent ways;
One to the woodland's shady covert hies,
Around the smoaky roof the other flies;
Whose feathers yet the marks of murder stain,
Where stampt upon her breast, the crimson spots remain.
Tereus, through grief, and haste to be reveng'd,
Shares the like fate, and to a bird is chang'd:
Fix'd on his head, the crested plumes appear,
Long is his beak, and sharpen'd like a spear;
Thus arm'd, his looks his inward mind display,
And, to a lapwing turn'd, he fans his way.
Exceeding trouble, for his children's fate,
Shorten'd Pandion's days, and chang'd his date;
Down to the shades below, with sorrow spent,
An earlier, unexpected ghost he went.

Boreas in Love

Erechtheus next th' Athenian sceptre sway'd,
Whose rule the state with joynt consent obey'd;
So mix'd his justice with his valour flow'd,
His reign one scene of princely goodness shew'd.
Four hopeful youths, as many females bright,
Sprung from his loyns, and sooth'd him with delight.

Two of these sisters, of a lovelier air,
Excell'd the rest, tho' all the rest were fair.
Procris, to Cephalus in wedlock ty'd,
Bless'd the young silvan with a blooming bride:
For Orithyia Boreas suffer'd pain,
For the coy maid sued long, but sued in vain;
Tereus his neighbour, and his Thracian blood,
Against the match a main objection stood;
Which made his vows, and all his suppliant love,
Empty as air and ineffectual prove.

But when he found his soothing flatt'ries fail,
Nor saw his soft addresses cou'd avail;
Blust'ring with ire, he quickly has recourse
To rougher arts, and his own native force.
'Tis well, he said; such usage is my due,
When thus disguis'd by foreign ways I sue;
When my stern airs, and fierceness I disclaim,
And sigh for love, ridiculously tame;
When soft addresses foolishly I try,
Nor my own stronger remedies apply.
By force and violence I chiefly live,
By them the lowring stormy tempests drive;
In foaming billows raise the hoary deep,
Wri the knotted oaks, and sandy desarts sweep;
Congeal the falling flakes of fleecy snow,
And bruise, with ratling hall, the plains below.
I, and my brother-winds, when joyn'd above,
Thro' the waste champian of the skies we rove,
With such a boist'rous full career engage,
That Heav'n's whole concave thunders at our rage.
While, struck from nitrous clouds, fierce lightnings play,

Dart thro' the storm, and gild the gloomy day.
Or when, in subterraneous caverns pent,
My breath, against the hollow Earth, is bent,
The quaking world above, and ghosts below,
My mighty pow'r, by dear experience, know,
Tremble with fear, and dread the fatal blow.
This is the only cure to be apply'd,
Thus to Erechtheus I should be ally'd;
And thus the scornful virgin should be woo'd,
Not by intreaty, but by force subdu'd.

Boreas, in passion, spoke these huffing things,
And, as he spoke, he shook his dreadful wings;
At which, afar the shiv'ring sea was fan'd,
And the wide surface of the distant land:
His dusty mantle o'er the hills he drew,
And swept the lowly vallies, as he flew;
Then, with his yellow wings, embrac'd the maid,
And, wrapt in dusky clouds, far off convey'd.
The sparkling blaze of Love's prevailing fire
Shone brighter as he flew, and flam'd the higher.
And now the God, possess'd of his delight,
To northern Thrace pursu'd his airy flight,
Where the young ravish'd nymph became his bride,
And soon the luscious sweets of wedlock try'd.

Two lovely twins, th' effect of this embrace,
Crown their soft labours, and their nuptials grace;
Who, like their mother, beautiful, and fair,
Their father's strength, and feather'd pinions share:
Yet these, at first, were wanting, as 'tis said,
And after, as they grew, their shoulders spread.
Zethes and Calais, the pretty twins,
Remain'd unfledg'd, while smooth their beardless chins;
But when, in time, the budding silver down
Shaded their face, and on their cheeks was grown,
Two sprouting wings upon their shoulders sprung,
Like those in birds, that veil the callow young.
Then as their age advanc'd, and they began
From greener youth to ripen into man,
With Jason's Argonauts they cross'd the seas,
Embark'd in quest of the fam'd golden fleece;
There, with the rest, the first frail vessel try'd,
And boldly ventur'd on the swelling tide.

----------------------------------------------------------------------
~ Ovid, BOOK THE SIXTH

,

IN CHAPTERS [300/393]



  178 Poetry
   58 Fiction
   36 Integral Yoga
   31 Occultism
   25 Psychology
   25 Christianity
   15 Philosophy
   13 Mythology
   10 Mysticism
   7 Yoga
   7 Philsophy
   5 Baha i Faith
   3 Sufism
   2 Theosophy
   2 Islam
   2 Hinduism
   1 Education
   1 Alchemy


   44 Sri Aurobindo
   41 Percy Bysshe Shelley
   27 William Wordsworth
   24 Carl Jung
   20 H P Lovecraft
   17 Saint Augustine of Hippo
   16 Nolini Kanta Gupta
   14 John Keats
   12 Ovid
   10 Aleister Crowley
   7 Saint John of Climacus
   7 Ralph Waldo Emerson
   7 Johann Wolfgang von Goethe
   7 Jalaluddin Rumi
   6 William Butler Yeats
   6 Saint Teresa of Avila
   5 The Mother
   5 Sri Ramakrishna
   5 Solomon ibn Gabirol
   5 Rudolf Steiner
   5 Lucretius
   5 Baha u llah
   5 Anonymous
   4 Robert Browning
   4 James George Frazer
   4 Edgar Allan Poe
   3 Walt Whitman
   3 Satprem
   3 Rabindranath Tagore
   3 Nirodbaran
   3 Jorge Luis Borges
   2 Vyasa
   2 Swami Krishnananda
   2 Saint John of the Cross
   2 Saint Hildegard von Bingen
   2 Plato
   2 Muhammad
   2 Lewis Carroll
   2 Jordan Peterson
   2 Friedrich Schiller
   2 Friedrich Nietzsche
   2 Al-Ghazali
   2 Aldous Huxley


   41 Shelley - Poems
   27 Wordsworth - Poems
   20 Lovecraft - Poems
   14 Keats - Poems
   12 Metamorphoses
   10 Mysterium Coniunctionis
   10 City of God
   8 The Practice of Psycho therapy
   8 The Confessions of Saint Augustine
   7 The Ladder of Divine Ascent
   7 The Bible
   7 Emerson - Poems
   6 Yeats - Poems
   6 The Synthesis Of Yoga
   6 Savitri
   6 Faust
   6 Collected Works of Nolini Kanta Gupta - Vol 01
   5 The Secret Doctrine
   5 Of The Nature Of Things
   5 Magick Without Tears
   4 The Way of Perfection
   4 The Gospel of Sri Ramakrishna
   4 The Golden Bough
   4 The Archetypes and the Collective Unconscious
   4 Poe - Poems
   4 Essays On The Gita
   4 Collected Works of Nolini Kanta Gupta - Vol 02
   4 Collected Poems
   4 Browning - Poems
   3 Whitman - Poems
   3 Vedic and Philological Studies
   3 Twelve Years With Sri Aurobindo
   3 The Secret Of The Veda
   3 Tagore - Poems
   3 Essays In Philosophy And Yoga
   3 Essays Divine And Human
   3 Crowley - Poems
   3 Collected Works of Nolini Kanta Gupta - Vol 07
   2 Words Of Long Ago
   2 Vishnu Purana
   2 Thus Spoke Zarathustra
   2 The Study and Practice of Yoga
   2 The Perennial Philosophy
   2 Theosophy
   2 The Interior Castle or The Mansions
   2 The Human Cycle
   2 The Divine Comedy
   2 The Book of Certitude
   2 The Alchemy of Happiness
   2 The 7 Habits of Highly Effective People
   2 Schiller - Poems
   2 Rumi - Poems
   2 Quran
   2 Maps of Meaning
   2 Liber ABA
   2 Knowledge of the Higher Worlds
   2 Kena and Other Upanishads
   2 Collected Works of Nolini Kanta Gupta - Vol 05
   2 Alice in Wonderland
   2 Aion


0 0.01 - Introduction, #Agenda Vol 1, #The Mother, #Integral Yoga
  One day, we were like this first man in the great, stridulant night of the Oyapock. Our heart was beating with the rediscovery of a very ancient mystery - suddenly, it was absolutely new to be a man amidst the diorite cascades and the pretty red and black coral snakes slithering beneath the leaves. It was even more extraordinary to be a man than our old confirmed tribes, with their infallible equations and imprescriptible biologies, could ever have dreamed. It was an absolutely uncertain 'quantum' that delightfully eluded whatever one thought of it, including perhaps what even the scholars thought of it. It flowed otherwise, it felt otherwise. It lived in a kind of flawless continuity with the sap of the giant balata trees, the cry of the macaws and the scintillating water of a little fountain. It 'understood' in a very different way. To understand was to be in everything. Just a quiver, and one was in the skin of a little iguana in distress. The skin of the world was very vast.
  To be a man after rediscovering a million years was mysteriously like being something still other than man, a strange, unfinished possibility that could also be all kinds of other things. It was not in the dictionary, it was fluid and boundless - it had become a man through habit, but in truth, it was formidably virgin, as if all the old laws belonged to laggard barbarians. Then other moons began whirring through the skies to the cry of macaws at sunset, another rhythm was born that was strangely in tune with the rhythm of all, making one single flow of the world, and there we went, lightly, as if the body had never had any weight other than that of our human thought; and the stars were so near, even the giant airplanes roaring overhead seemed vain artifices beneath smiling galaxies. A man was the overwhelming Possible. He was even the great discoverer of the Possible.

00.05 - A Vedic Conception of the Poet, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The Mind and the Body are held together by means of the Life, the mid-world. The Divine Mind by raising the body-consciousness into itself gathers up too, by that act, the delight of life and releases the fountain of immortal Bliss. That is the work and achievement of the gods as poets.
   Where then is the birth of the Poets? Ask it of the Masters. The Poets have seized and mastered the Mind, they have the perfect working and they fashion the Heaven.

0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
   In 1856 Ramkumar breathed his last. Sri Ramakrishna had already witnessed more than one death in the family. He had come to realize how impermanent is life on earth. The more he was convinced of the transitory nature of worldly things, the more eager he became to realize God, the fountain of Immortality.
   --- THE FIRST VISION OF KALI
  --
   The love of Radha is the precursor of the resplendent vision of Sri Krishna, and Sri Ramakrishna soon experienced that vision. The enchanting ing form of Krishna appeared to him and merged in his person. He became Krishna; he totally forgot his own individuality and the world; he saw Krishna in himself and in the universe. Thus he attained to the fulfilment of the worship of the Personal God. He drank from the fountain of Immortal Bliss. The agony of his heart vanished forever. He realized Amrita, Immortality, beyond the shadow of death.
   One day, listening to a recitation of the Bhagavata on the verandah of the Radhakanta temple, he fell into a divine mood and saw the enchanting form of Krishna. He perceived the luminous rays issuing from Krishna's Lotus Feet in the form of a stout rope, which touched first the Bhagavata and then his own chest, connecting all three — God, the scripture, and the devotee. "After this vision", he used to say, "I came to realize that Bhagavan, Bhakta, and Bhagavata — God, Devotee, and Scripture — are in reality one and the same."

01.02 - Sri Aurobindo - Ahana and Other Poems, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   far-off fountains
   Flows down mighty and broad like a war-horse

01.02 - The Creative Soul, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Let each take cognisance of the godhead that is within him for self is Godand in the strength of the soul-divinity create his universe. It does not matter what sort of universe he- creates, so long as he creates it. The world created by a Buddha is not the same as that created by a Napoleon, nor should they be the same. It does not prove anything that I cannot become a Kalidasa; for that matter Kalidasa cannot become what I am. If you have not the genius of a Shankara it does not mean that you have no genius at all. Be and become yourselfma gridhah kasyachit dhanam, says the Upanishad. The fountain-head of creative genius lies there, in the free choice and the particular delight the self-determination of the spirit within you and not in the desire for your neighbours riches. The world has become dull and uniform and mechanical, since everybody endeavours to become not himself, but always somebody else. Imitation is servitude and servitude brings in grief.
   In one's own soul lies the very height and profundity of a god-head. Each soul by bringing out the note that is his, makes for the most wondrous symphony. Once a man knows what he is and holds fast to it, refusing to be drawn away by any necessity or temptation, he begins to uncover himself, to do what his inmost nature demands and takes joy in, that is to say, begins to create. Indeed there may be much difference in the forms that different souls take. But because each is itself, therefore each is grounded upon the fundamental equality of things. All our valuations are in reference to some standard or other set up with a particular end in view, but that is a question of the practical world which in no way takes away from the intrinsic value of the greatness of the soul. So long as the thing is there, the how of it does not matter. Infinite are the ways of manifestation and all of them the very highest and the most sublime, provided they are a manifestation of the soul itself, provided they rise and flow from the same level. Whether it is Agni or Indra, Varuna, Mitra or the Aswins, it is the same supreme and divine inflatus.

01.04 - The Secret Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  Our golden fountain of the world's delight,
  An immortality cowled in the cape of death,

01.05 - The Yoga of the King - The Yoga of the Spirits Freedom and Greatness, #Savitri, #Sri Aurobindo, #Integral Yoga
  The fountain of its needed Ignorance,
  Archmason of the limits by which it lives.

0 1962-07-11, #Agenda Vol 03, #The Mother, #Integral Yoga
   You have few contacts with external realities. Your true life is there. It comes down a bit here (Mother points to the upper forehead), and goes like that (gesture above and around the head). It extends beyond your body, and is very active and steady. Then from time to time theres a cascade, a lovely, shimmering cascade (gesture). You know, like a luminous fountain. Its VERY pretty, showering down like raindrops. And then here (the upper forehead) it starts moving.
   Ah, its good, its interesting.

0 1963-11-20, #Agenda Vol 04, #The Mother, #Integral Yoga
   But you cant imagine, its wonderful! Immediately there comesclear, simple, effortlessly, without seeking for itexactly what has to be done or said or written: the whole tension stops, its over. And then, if you need paper, the paper is there; if you need a fountain pen, you find just the one you need; if you need (theres no seeking: above all dont seek, dont try to seek, youll just make another mess)its there. And thats a fact of EVERY MINUTE. You have the field of experience every second. For instance, youre dealing with a servant who doesnt do things properly or as you think they should be done, or youre dealing with a stomach that doesnt work the way youd like it to and it hurts: its the same method, there is no other. You know, at times situations get so tense that you feel as if youre about to faint, the body cant stand it any more, its so tense; or else theres a pain, something wrong, things arent sorting themselves out, and theres a tension; so immediately you stop everything: Lord, You, its up to You. At first there comes a peace, as if you were entirely outside existence, and then its gone the pain goes, the dizziness disappears. And what is to happen happens automatically. And, you see, its not in meditation, not in actions of terrestrial importance: its the field of experience you have ALL the time, without interruptionwhen you know how to put it to use. And for everything: when something hurts, for instance, when things resist or grate or howl inside there, instead of your saying, Oh, how it hurts! you call the Lord in there: Come in here, and then you stay calm, not thinking of anythingyou simply stay still in your sensation. And more than a thousand times, you know, I was almost bewildered: Look! The pain is gone! You didnt even notice how it went. So people who want to lead a special life or have a special organization to have experiences, thats quite silly the greatest possible diversity of experiences is at your disposal every minute, every minute. Only you must learn not to have a mental ambition for great things. Just the other day, I was shown in such a clear way a very small thing I had done (I, its the body speaking), a very small things that had been done by the Lord in this body (thats a long sentence!), and I was shown the terrestrial consequence of that very small thingit was visible, I mean, as my hand is visible to my eyesand the terrestrial correspondence. Then I understood.
   We are given everythingEVERYTHING. All the difficulties that have to be overcome, all of them (and the more capable we are, that is, the more complex the instrument is, the more numerous the difficulties are), all the difficulties, all the opportunities to overcome them, all the possible experiences, and limited in time and space so they can be innumerable. And it has repercussions and consequences all over the earth (I am not concerned with what goes on in the universe because, for the time being, that isnt my work). But it is certain (because it has been said so and I know it) that what goes on on the earth has repercussions throughout the universe. Sitting there, you live the everyday life with its usual insignificance, its unimportance, its lack of interest and its a WONDERFUL field of experiences, of innumerable experiences, not only innumerable but as varied as can be, from the most subtle to the most material, without leaving your body. Only, you should have RETURNED to it. You cannot have authority over your body without having left it.

0 1967-08-30, #Agenda Vol 08, #The Mother, #Integral Yoga
   Strangely, there are no doors, no windows, no ceiling or floor, all that is self-existent and does not appear to be subject to the law of gravity, that is, there isnt the earths magnetic attraction, yet what you write with (laughing) looks like a fountain pen! What you write on looks like paper; the documents are placed in what look like filing cabinets. You do feel that the substance isnt the same, but the appearance is very close. And I am still wondering about that appearance: is it because of our ordinary cerebral function that we put the appearance upon things, or is it really like that?
   I meet almost everyone there. I told you that you are there quite regularly, and we work. As for you, you dont remember. There are others who remember, but their memory is (Mother twists her finger slightly) just slightly off, that is, not identically what I saw. And when they tell me, my impression is, yes, its because of the transcription in their brain. The objective reality of the material world stems from the fact that if you see the same object ten times over, ten times it looks like itself, with differences that are logical, or that may be, for instance, differences of wear and tear but there too its like that! If you study carefully, even in the physical world no two people see things in exactly the same way. There, it may be more pronounced, but it seems to be a similar phenomenon.
  --
   Take writing, for instance: I havent noticed in detail, but when you write over there, you seem to write much more easily. I dont know how to explain it it takes much less time. And things are noted down on paper, but is it paper? It looks like paper, but things are noted down much more directly. Its perhaps the similarity, like when, for example, you use a fountain pen or a pencil: its not exactly a fountain pen or a pencil, its something that looks like it and is (what should I say?) the prototype or principle of that object. But what I mean is that if we were still at the time of the quill or the twig that you dip into ink, I would probably see it like that! Its the ESSENCE or principle of the thing, which in the memory, is translated as a similarity.
   But its an action. I am aware of the time only when I return, because I have made it a habit to look at the time when I come back to the material consciousness (there is a watch beside my bed and I look at it), and thats how I can say, It lasted an hour or It lasted two hours. But there, you dont have the sense of time at all, its not the same sense at allwhat matters is the CONTENT of the action, and during those hours, many, many things are done, so many. I meet you very regularly, but many others too, and I am at many places at the same time! And when someone tells me, Oh, I saw you last night, you did this and that, then somewhere up above I say, Oh, its true indeed. Theres a tiny (same gesture of twist), tiny little difference, but the essence of the thing is the same.

03.04 - The Other Aspect of European Culture, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   And Europe in accepting or embracing Asia comes back to the fountain-head of her own inner being and nature.
   "A. E."

03.04 - The Vision and the Boon, #Savitri, #Sri Aurobindo, #Integral Yoga
  O radiant fountain of the world's delight
  World-free and unattainable above,

03.09 - Art and Katharsis, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The uplifting power of Art is inherent in its nature, for Art itself is the outcome of an uplifted nature. Art is the expression of a heightened consciousness. The ordinary consciousness in which man lives and moves is narrow, limited, obscure, faltering, unhappyit is the abode of all that is evil and ugly; it is inartistic. The poetic zeal, enthusiasm or frenzy, when it seizes the consciousness, at once lifts it high into a state that is characterised by wideness and depth and a new and fresh exhilarating intensity of perception and experience. We seem to arrive at the very fountain-head, where things take birth and are full of an unspoilt life and power and beauty and light and harmony. A line burdened with the whole tragedy of earthly existence such as Shakespeare's:
   And in this harsh world draw thy breath in pain...

03.11 - Modernist Poetry, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   A poeta true poetdoes not compose to exemplify a theory; he creates out of the fullness of an inner experience. It may be very true that the modern poetic spirit is seeking a new path, a new organisation, a "new order", as it were, in the poetic realm: the past forms and formulae do not encompass or satisfy its present inner urge. But solution of the problem does not lie in a sort of mechanical fabrication of novelties. A new creation is new, that is to say, fresh and living, not because of skilful manipulation of externals, but because of a new, a fresh and living inspiration. The fountain has to be dug deep and the revivifying waters released.
   It is a simple truth that we state and it is precisely this that we have missed in the present age. Chaucer created a new poetic world, Shakespeare created another, Milton yet a third, the RomanticsWordsworth, Coleridge, Shelley, Keats and Byroneach of them has a whole world to his credit. But this they achieved, not because of any theory they held or did not hold, but because each of them delved deep and struck open an unfathomed and unspoilt Pierian spring. And this is how it should be. In this age, even in this age of modernism, a few poets have actually shown how or what that can be,a Tagore, a Yeats or A.E., by the bulk of their work, others of lesser envergure, in brief scattered strophes and stanzassuch lines, for example, from Eliot

04.01 - The March of Civilisation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Ancient Greece, the fountainhead of European civilisationof the world culture reigning today, one can almost sayfound itself epitomised in the Periclean Age. The lightgrace, harmony, sweet reasonableness that was Greece, reached its highest and largest, its most characteristic growth in that period. Earlier, at the very beginning of her life cycle, there came indeed Homer and no later creation reached a higher or even as high a status of creative power: but it was a solitary peak, it was perhaps an announcement, not the realisation of the national glory. Pericles stood as the guardian, the representative, the emblem and nucleus of a nation-wide efflorescence. Not to speak of the great names associated with the age, even the common peoplemore than what was normally so characteristic of Greecefelt the tide that was moving high and shared in that elevated sweep of life, of thought and creative activity. Greece withdrew. The stage was made clear for Rome. Julius Caesar carried the Roman genius to its sublimest summit: but it remained for his great nephew to consolidate and give expression to that genius in its most characteristic manner and lent his name to a characteristic high-water mark of human civilisation.
   Greece and Rome may be taken to represent two types of culture. And accordingly we can distinguish two types of elevation or crest-formation of human consciousness one of light, the other of power. In certain movements one feels the intrusion, the expression of light, that is to say, the play of intelligence, understanding, knowledge, a fresh outlook and consideration of the world and things, a revaluation in other terms and categories of a new consciousness. The greatest, at least, the most representative movement of this kind is that of the Renaissance. It was really a New Illumination: a flood of light poured upon the mind and intellect and understanding of the period. There was a brightness, a brilliance, a happy agility and keenness in the movements of the brain. A largeness of vision, a curious sensibility, a wide and alert consciousness: these are some of the fundamental characteristics of this remarkable New Birth. It is the birth of what has been known as the scientific outlook, in the- broadest sense: it is the threshold of the modern epoch of humanity. All the modern European languages leaped into maturity, as it were, each attaining its definitive form and full-blooded individuality. Art and literature flooded in their magnificent creativeness all nations and peoples of the whole continent. The Romantic Revival, starting somewhere about the beginning of the nineteenth century, is another outstanding example of a similar phenomenon, of the descent of light into human consciousness. The light that descended into human consciousness at the time of the Renaissance captured the higher mind and intelligence the Ray touched as it were the frontal lobe of the brain; the later descent touched the heart, the feelings and emotive sensibility, it evoked more vibrant, living and powerful perceptions, created varied and dynamic sense-complexes, new idealisms and aspirations. The manifestation of Power, the descent or inrush of forcemighty and terriblehas been well recognised and experienced in the great French Revolution. A violence came out from somewhere and seized man and society: man was thrown out of his gear, society broken to pieces. There came a change in the very character and even nature of man: and society had to be built upon other foundations. The past was gone. Divasa gatah. Something very similar has happened again more recently, in Russia. The French Revolution brought in the bourgeois culture, the Russian Revolution has rung in the Proletariate.

04.03 - To the Heights III, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   All my heart melts into a fountain of gratitude
   And tears rush to the eyes
  --
   And melts into a fountain of tears!
   October 2, 1932

05.03 - Of Desire and Atonement, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   None is truly weak, not even any limb or element in him. One has only to open to the Universal Power, the Divine Mother; she is the origin and fountain-head of all strength and energy and she can make the mute speak and the lame leap over the mountains.
   There is no error that cannot be repaired and even turned to advantage.

05.23 - The Base of Sincerity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Once this centre has been aspectedin whatever manner, to whatever degree, even faintly and feeblyone has always to come back to it, as the mariner to the pole-star, try to connect all external happenings as well as one's inner movements with this fountain-head. That is to say, one must think, feel or do nothing that is contrary to the truth it is, that is not in accord with its rhythm and law: indeed one must always endeavour to think only that thought, feel only that feeling, do only that act which is the spontaneous and inevitable outcome and expression of that innermost and topmost reality.
   That is the definition of sincerity: to be transparent and single-pointed to your soul-consciousness, to your deity. And that also is the only way by which there can be realised in you, the highest and largest, the most intimate and absolute harmony you are capable of and that is demanded of you. The perfect organisation of the individual life can be obtained in and through the harmony inherent in the central reality, in the natural order of its activities. In the scheme or pattern laid out in the inmost consciousness, each element has its own orbit and its own quantum of energy, each force its allotted function: the will in each is exactly commensurable with what should be the expression in it of the total reality, each is the whole and rounded articulation of an aspect or figure put forth by the central truth in its self-display. As in a musical theme, each note has a definite pitch, amplitude, tone which give it its perfect form in order to constitute a common pattern the highest pitch, the largest amplitude or the most vibrant tone is not needed, not only not needed, would be a bar on the contraryeven so, the individual man when he attains perfection realises in himself a harmony which gives the true expression of all his limbs, the fullest and fairest expression of each and every one as demanded by the divine role destined for him.

07.01 - The Joy of Union; the Ordeal of the Foreknowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  The fountain's plash in the white stone-bound pool,
  The thoughtful noontide's brooding solemn trance,

09.01 - Towards the Black Void, #Savitri, #Sri Aurobindo, #Integral Yoga
  Doer of her works and fountain of her words,
  Invulnerable by Time, omnipotent,

09.02 - The Journey in Eternal Night and the Voice of the Darkness, #Savitri, #Sri Aurobindo, #Integral Yoga
  She saw the undying fountains of her life,
  She knew herself eternal without birth.

1.00 - Main, #The Book of Certitude, #Baha u llah, #Baha i
  The first duty prescribed by God for His servants is the recognition of Him Who is the Dayspring of His Revelation and the fountain of His laws, Who representeth the Godhead in both the Kingdom of His Cause and the world of creation. Whoso achieveth this duty hath attained unto all good; and whoso is deprived thereof hath gone astray, though he be the author of every righteous deed. It behoveth every one who reacheth this most sublime station, this summit of transcendent glory, to observe every ordinance of Him Who is the Desire of the world. These twin duties are inseparable. Neither is acceptable without the other. Thus hath it been decreed by Him Who is the Source of Divine inspiration.
  They whom God hath endued with insight will readily recognize that the precepts laid down by God constitute the highest means for the maintenance of order in the world and the security of its peoples. He that turneth away from them is accounted among the abject and foolish. We, verily, have commanded you to refuse the dictates of your evil passions and corrupt desires, and not to transgress the bounds which the Pen of the Most High hath fixed, for these are the breath of life unto all created things. The seas of Divine wisdom and Divine utterance have risen under the breath of the breeze of the All-Merciful. Hasten to drink your fill, O men of understanding! They that have violated the Covenant of God by breaking His commandments, and have turned back on their heels, these have erred grievously in the sight of God, the All-Possessing, the Most High.
  --
  Beware lest ye be hindered by the veils of glory from partaking of the crystal waters of this living fountain. Seize ye the chalice of salvation at this dawntide in the name of Him Who causeth the day to break, and drink your fill in praise of Him Who is the All-Glorious, the Incomparable.
  We have made it lawful for you to listen to music and singing. Take heed, however, lest listening thereto should cause you to overstep the bounds of propriety and dignity. Let your joy be the joy born of My Most Great Name, a Name that bringeth rapture to the heart, and filleth with ecstasy the minds of all who have drawn nigh unto God. We, verily, have made music as a ladder for your souls, a means whereby they may be lifted up unto the realm on high; make it not, therefore, as wings to self and passion. Truly, We are loath to see you numbered with the foolish.
  --
  How great the blessedness that awaiteth the king who will arise to aid My Cause in My kingdom, who will detach himself from all else but Me! Such a king is numbered with the companions of the Crimson Ark-the Ark which God hath prepared for the people of Baha. All must glorify his name, must reverence his station, and aid him to unlock the cities with the keys of My Name, the omnipotent Protector of all that inhabit the visible and invisible kingdoms. Such a king is the very eye of mankind, the luminous ornament on the brow of creation, the fountainhead of blessings unto the whole world. Offer up, O people of Baha, your substance, nay your very lives, for his assistance.
  O Emperor of Austria! He Who is the Dayspring of God's Light dwelt in the prison of Akka at the time when thou didst set forth to visit the Aqsa Mosque. Thou passed Him by, and inquired not about Him by Whom every house is exalted and every lofty gate unlocked. We, verily, made it a place whereunto the world should turn, that they might remember Me, and yet thou hast rejected Him Who is the Object of this remembrance, when He appeared with the Kingdom of God, thy Lord and the Lord of the worlds. We have been with thee at all times, and found thee clinging unto the Branch and heedless of the Root. Thy Lord, verily, is a witness unto what I say. We grieved to see thee circle round Our Name, whilst unaware of Us, though We were before thy face. Open thine eyes, that thou mayest behold this glorious Vision, and recognize Him Whom thou invokest in the daytime and in the night season, and gaze on the Light that shineth above this luminous Horizon.
  --
  'Verily, there is none other God besides Me, the One, the Incomparable, the Omniscient, the All-Informed.'" This is a station which God hath assigned exclusively to this sublime, this unique and wondrous Revelation. This is a token of His bounteous favour, if ye be of them who comprehend, and a sign of His irresistible decree. This is His Most Great Name, His Most Exalted Word, and the Dayspring of His Most Excellent Titles, if ye could understand. Nay more, through Him every fountainhead, every Dawning-place of Divine guidance is made manifest. Reflect, O people, on that which hath been sent down in truth; ponder thereon, and be not of the transgressors.
  144

1.00 - PROLOGUE IN HEAVEN, #Faust, #Johann Wolfgang von Goethe, #Poetry
  Turn off this spirit from his fountain-head;
  To trap him, let thy snares be planted,

1.01 - Archetypes of the Collective Unconscious, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  and enlightener, the speaking fountainhead of his soul. Here is
  the source of the hieratic language of Zarathustra, for that is the

1.01 - BOOK THE FIRST, #Metamorphoses, #Ovid, #Poetry
  With living waters, in the fountain bred,
  They sprinkle first their garments, and their head,

1.01 - DOWN THE RABBIT-HOLE, #Alice in Wonderland, #Lewis Carroll, #Fiction
  Alice opened the door and found that it led into a small passage, not much larger than a rat-hole; she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway. "Oh," said Alice, "how I wish I could shut up like a telescope!
  I think I could, if I only knew how to begin."

1.01 - Necessity for knowledge of the whole human being for a genuine education., #The Essentials of Education, #unset, #Zen
  These issues remind us that all education and all teaching must spring from the fountain of real knowledge of human nature. In the Waldorf schools, we are attempting to create such an art of education, solidly based on true understanding of the human being, and this educational conference is about the educational methods of Waldorf education.
  Knowledge of human nature! I can hear people saying how far we have come in our knowledge of human nature in our time! I must reply that, although we have made extraordinary advances in our knowledge of the human physical body, human beings are really body, soul, and spirit. The worldview at the foundation of Waldorf education that is, anthroposophical spiritual science consists equally of knowledge of the human body, the human soul, and the human spirit, being careful to avoid any imbalance.

1.01 - NIGHT, #Faust, #Johann Wolfgang von Goethe, #Poetry
  To health in thy dewy fountains ba the me!
  Ah, me! this dungeon still I see.

1.01 - The Dark Forest. The Hill of Difficulty. The Panther, the Lion, and the Wolf. Virgil., #The Divine Comedy, #Dante Alighieri, #Christianity
  "Now, art thou that Virgilius and that fountain
  Which spreads abroad so wide a river of speech?"

1.01 - To Watanabe Sukefusa, #Beating the Cloth Drum Letters of Zen Master Hakuin, #unset, #Zen
  In contrast to these terrible tales of retri bution, there are also accounts of children who thanks to heaven's miraculous intervention were enabled to carry out acts of great filial devotion: the story of a rare medicinal stone suddenly appearing in the garden of a son who needed it to cure an ailing father; of midwinter ice breaking up and fresh carp leaping into the arms of a son whose stepmo ther had a craving for minced fish; of a poor man whose shovel struck a cauldron filled with gold as he was about to bury his child alive to ensure his mother would be adequately fed; of bamboo shoots emerging in midwinter for a son anxious to feed them to his mother; of a carp-filled fountain gushing up in the garden of a son who wanted to satisfy his mother's yearning for fine water and minced fish.
  But even if you don't perform acts of filial devotion like these, of a caliber that elicits heavenly intervention, I devoutly hope you do not commit acts of an unfilial nature that will bring punishment down upon you. A person who ignores or refuses to acknowledge what takes place right under his nose and insists on merely doing as he pleases must be either a stupid man or an evil one.

1.02 - BOOK THE SECOND, #Metamorphoses, #Ovid, #Poetry
  And Ida, spight of all her fountains, dry.
  Eryx and Othrys, and Cithaeron, glow,
  --
  With running fountains, and with springing grass.
  No tracks of Heav'n's destructive fire remain,

1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
  maternal pain, grief and loss, deep water, and the dark woods; the fountain in the forest (water and woods
  in their alternative aspect), by contrast, brings to mind sanctuary, peace, rebirth, and replenishment.
  --
  Thou didst cleave the fountain and the flood: thou driedst up mighty rivers.
  The day is thine, the night also is thine: thou has prepared the light and the sun.
  --
  and tell you how to find the Water of Life. It flows from a fountain in the courtyard of an enchanted
  castle.349 But you will never get in unless I give you an iron rod and two loaves of bread. With the rod
  --
  told him where to find the fountain with the enchanted water, but she said he must make haste to get out
  of the castle before the clock struck twelve.
  --
  quarter to twelve. He sprang up in a fright, and ran to the fountain and took some of the water in a cup
  which was lying nearby, and then hurried away. The clock struck just as he reached the iron gate, and it

1.02 - On the Knowledge of God., #The Alchemy of Happiness, #Al-Ghazali, #Sufism
  Let us notice, also, the daily necessities of man, his need of food, of clothing and of a dwelling; his need of rain, clouds, wind, heat and cold : and that he needs the weaver, the cotton-spinner, the clothier and the fuller to provide him with clothing; and that each one of these has need of so many instruments, and of so many trades, like those of the blacksmith, the farmer, the carpenter, the dyer, and the tanner; and besides, their need of iron, lead, wood and the like. Notice at the same time, the adaptation of these workmen to their instruments, and of the instruments to the trades, and how each art has given rise to several others, and the mind is astonished and distracted. The adaptation of all these instruments comes from the pure grace and perfect mercy of God, and from the fountain of his benevolence. Moreover, God's creating prophets, sending them to us, and leading us to their law and to love them, is a perfume of His universal beneficence. He proclaims himself, "My mercy surpasses my anger," and the Prophet has said: "Verily, God is more full of compassion to his servants, than the affectionate mother to her nursing child."
  It has been shown that man from his own existence, knows the existence of his creator, that from his analysis of the materials of which his body is composed and of its distinctive characters he understands the almighty power of God, that from the uses, the arrangement and the combination of his organs, he knows the omniscient wisdom of God, and that his clemency and compassion extend to [45] all. He knows, also, that these many mercies and bounties are bestowed upon him without his seeking or care, from God's rich and overflowing grace. Now in this way it is possible that the knowledge of the soul should become the key to the knowledge of God. For just as from a survey of your own being and attributes, you have in a contracted form learned the being and attributes of God, it is also possible to understand how the freedom and the holiness of God, bear a resemblance to the freedom of your soul.
  --
  "God created man in his own image." What does this mean, and how is it known to be true ? Know, beloved, that the sovereign recognizes no other person except the sovereign himself. If the Lord had not appointed you to be sovereign over the body as over a kingdom, if he had not confided to you the affairs of its government, and had not given you this brief copy as a model, how would you have been able to comprehend the sovereign, who is independent of reasoning and of place, and who cannot be known by argument or hypothesis or in any other way? Thanks and praises be given to him who is without beginning and eternal, to him who is unceasingly beneficent, to him who made you sovereign over yourself, who subjected your body to you for a kingdom, who made your heart to be an empyreal throne, and made the animal spirit which is the fountain of the heart, to be a seraphic messenger. He appointed the brain to be the throne, and the treasury of the imagination to be the Preserved Tablet. He made the cupola of the brain, which is the source of the nerves and the mine of the faculties, to be like the vault of heaven and the stars. He appointed the fingers and the pen to serve the elemental qualities of nature, and subjected them to your order. He made you more excellent and noble than all other creatures, and to exercise rule over all possible things. He has bidden you to beware and not to be heedless of your soul, which is your kindom and dominion: for to be regardless of your soul, is to be regardless of your Creator and Benefactor.
  [50]

1.02 - Prayer of Parashara to Vishnu, #Vishnu Purana, #Vyasa, #Hinduism
  Viṣṇu as creator, creates himself; as preserver, preserves himself; as destroyer, destroys himself at the end of all things. This world of earth, air, fire, water, ether, the senses, and the mind; all that is termed spirit[34], that also is the lord of all elements, the universal form, and imperishable: hence he is the cause of creation, preservation, and destruction; and the subject of the vicissitudes inherent in elementary nature[35]. He is the object and author of creation: he preserves, destroys, and is preserved. He, Viṣṇu, as Brahmā, and as all other beings, is infinite form: he is the supreme, the giver of all good, the fountain of all happiness[36].
  Footnotes and references:

1.02 - The Divine Teacher, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
  Thus the figure of Krishna becomes, as it were, the symbol of the divine dealings with humanity. Through our egoism and ignorance we are moved, thinking that we are the doers of the work, vaunting of ourselves as the real causes of the result, and that which moves us we see only occasionally as some vague or even some human and earthly fountain of knowledge, aspiration, force, some Principle or Light or Power which we acknowledge and adore without knowing what it is until the occasion arises that forces us to stand arrested before the Veil.
  The Divine Teacher

1.02 - The Human Soul, #The Interior Castle or The Mansions, #Saint Teresa of Avila, #Christianity
  3.: In a state of grace the soul is like a well of limpid water, from which flow only streams of clearest crystal. Its works are pleasing both to God and man, rising from the River of Life, beside which it is rooted like a tree. Otherwise it would produce neither leaves nor fruit, for the waters of grace nourish it, keep it from withering from drought, and cause it to bring forth good fruit. But the soul by sinning withdraws from this stream of life, and growing beside a black and fetid pool, can produce nothing but disgusting and unwholesome fruit. Notice that it is not the fountain and the brilliant sun which lose their splendour and beauty, for they are placed in the very centre of the soul and cannot be deprived of their lustre. The soul is like a crystal in the sunshine over which a thick black cloth has been thrown, so that however brightly the sun may shine the crystal can never reflect it.
  4.: O souls, redeemed by the Blood of Jesus Christ, take these things to heart; have mercy on yourselves! If you realize your pitiable condition, how can you refrain from trying to remove the darkness from the crystal of your souls? Remember, if death should take you now, you would never again enjoy the light of this Sun. O Jesus! how sad a sight must be a soul deprived of light! What a terrible state the chambers of this castle are in! How disorderly must be the senses-the inhabitants of the castle-the powers of the soul its magistrates, governors, and stewards-blind and uncontrolled as they are! In short, as the soil in which the tree is now planted is in the devil's domain, how can its fruit be anything but evil? A man of great spiritual insight once told me he was not so much surprised at such a soul's wicked deeds as astonished that it did not commit even worse sins. May God in His mercy keep us from such great evil, for nothing in this life merits the name of evil in comparison with this, which delivers us over to evil which is eternal.
  5.: This is what we must dread and pray God to deliver us from, for we are weakness itself, and unless He guards the city, in vain shall we labour to defend it.20' The person of whom I spoke21' said that she had learnt two things from the vision granted her. The first was, a great fear of offending God; seeing how terrible were the consequences, she constantly begged Him to preserve her from falling into sin. Secondly, it was a mirror to teach her humility, for she saw that nothing good in us springs from ourselves but comes from the waters of grace near which the soul remains like a tree planted beside a river, and from that Sun which gives life to our works. She realized this so vividly that on seeing any good deed performed by herself or by other people she at once turned to God as to its fountain head-without whose help she knew well we can do nothing-and broke out into songs of praise to Him. Generally she forgot all about herself and only thought of God when she did any meritorious action.
  6.: The time which has been spent in reading or writing on this subject will not have been lost if it has taught us these two truths; for though learned, clever men know them perfectly, women's wits are dull and need help in every way. Perhaps this is why our Lord has suggested these comparisons to me; may He give us grace to profit by them!

1.02 - THE QUATERNIO AND THE MEDIATING ROLE OF MERCURIUS, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [9] B C D E represent the outside, A is the inside, as it were the origin and source from which the other letters flow, and likewise the final goal to which they flow back,41 F G stands for Above and Below. Together the letters A B C D E F G clearly signify the hidden magical Septenary. The central point A, the origin and goal, the Ocean or great sea, is also called a circulus exiguus, very small circle, and a mediator making peace between the enemies or elements, that they may love one another in a meet embrace.42 This little inner circle corresponds to the Mercurial fountain in the Rosarium, which I have described in my Psychology of the Transference. The text calls it the more spiritual, perfect, and nobler Mercurius,43 the true arcane substance, a spirit, and goes on:
  For the spirit alone penetrates all things, even the most solid bodies.44 Thus the catholicity of religion, or of the true Church, consists not in a visible and bodily gathering together of men, but in the invisible, spiritual concord and harmony of those who believe devoutly and truly in the one Jesus Christ. Whoever attaches himself to a particular church outside this King of Kings, who alone is the shepherd of the true spiritual church, is a sectarian, a schismatic, and a heretic. For the Kingdom of God cometh not with observation, but is within us, as our Saviour himself says in the seventeenth chapter of St. Luke.45

1.02 - The Stages of Initiation, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
  It is pre-eminently a question of cultivating this courage and this fearlessness in the inmost depths of thought-life. The student must learn never to despair over failure. He must be equal to the thought: I shall forget that I have failed in this matter, and I shall try once more as though this had not happened. Thus he will struggle through to the firm conviction that the fountain-head of strength from which he may draw is inexhaustible. He struggles ever onward to the spirit which will uplift him and support him, however weak and impotent his earthly self may have proved. He must be capable of pressing on to the future undismayed by any experiences of the past. If the student has acquired these faculties up to a certain point, he is then ripe to hear the real names of things, which are the key to higher knowledge. For initiation consists in this very act of learning to call the things of the world by those names which they bear in the spirit of their divine authors. In these, their names, lies the mystery of things. It is for this reason that the initiates speak a different language from the uninitiated, for the former know the names by
   p. 78

1.037 - Preventing the Fall in Yoga, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
  Avirati is a sudden flare-up of buried desires in a very vehement manner, pouncing on anything and everything that is in front. It may be even an inanimate object it may be a fountain pen, a wristwatch, a transistor, or it may be a donkey. It does not matter what it is, because the desire that has been kept suppressed for years together wants only an immediate satisfaction, even through the silliest object possible. This condition of avirati (avirati means the absence of virati, which is the same as rati) attachment, affection, craving, and longing for the smallest satisfaction available will completely divert the attention of the mind from the original ideal. Even a little stream can draw the entire mass of water of a large river with a force that can burst all boundaries and devastate everything that is around. This is what we call 'the fall' in yoga. When a person reaches this state, he has fallen. We talk of a fall and hear of these things happening in the Epics and Puranas, where the mind has come back to the original condition from where it wanted to rise; only it is in a worse state.
  All of these virulent flare-ups are to be guarded against before they actually happen. It is better to prevent the rise of a disease by prophylactics, etc., rather than to try to treat the disease when it has already come up in a violent form. This is only to present before the mind of the seeker the possibilities of impediments and the nature of the difficulties that may arise. The teacher also prescribes methods of remedying them in a proper manner.

1.03 - BOOK THE THIRD, #Metamorphoses, #Ovid, #Poetry
  The fountains fill'd with naked nymphs survey'd.
  The frighted virgins shriek'd at the surprize
  --
  There stands a fountain in a darksom wood,
  Nor stain'd with falling leaves nor rising mud;
  --
  Still o'er the fountain's wat'ry gleam he stood,
  Mindless of sleep, and negligent of food;
  --
  To the clear fountain, where again he burn'd;
  His tears defac'd the surface of the well,

1.03 - THE ORPHAN, THE WIDOW, AND THE MOON, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [23] The alchemists also represented the eclipse as the descent of the sun into the (feminine) Mercurial fountain,160 or as the disappearance of Gabricus in the body of Beya. Again, the sun in the embrace of the new moon is treacherously slain by the snake-bite (conatu viperino) of the mother-beloved, or pierced by the telum passionis, Cupids arrow.161 These ideas explain the strange picture in Reusners Pandora,162 showing Christ being pierced with a lance by a crowned virgin whose body ends in a serpents tail.163 The oldest reference to the mermaid in alchemy is a quotation from Hermes in Olympiodorus: The virginal earth is found in the tail of the virgin.164 On the analogy of the wounded Christ, Adam is shown in the Codex Ashburnham pierced in the side by an arrow.165
  [24] This motif of wounding is taken up by Honorius of Autun in his commentary on the Song of Songs.166 Thou hast wounded my heart, my sister, my spouse; thou hast wounded my heart with one of thy eyes, and with one hair of thy neck (DV).167 The sponsa says (1 : 4): I am black, but comely, and (1 : 5) Look not upon me because I am black, because the sun hath scorched me. This allusion to the nigredo was not missed by the alchemists.168 But there is another and more dangerous reference to the bride in 6 : 4f.: Thou art beautiful, O my love, as Tirzah, comely as Jerusalem, terrible as an army with banners. Turn away thine eyes from me, for they have overcome me . . . 10: Who is this that looketh forth as the rising dawn [quasi aurora consurgens],169 fair as the moon, bright as the sun, terrible as an army with banners?170 The bride is not only lovely and innocent, but witch-like and terrible, like the side of Selene that is related to Hecate. Like her, Luna is all-seeing, an all-knowing eye.171 Like Hecate she sends madness, epilepsy, and other sicknesses. Her special field is love magic, and magic in general, in which the new moon, the full moon, and the moons darkness play a great part. The animals assigned to herstag, lion, and cock 172are also symbols of her male partner in alchemy. As the chthonic Persephone her animals, according to Pythagoras, are dogs,173 i.e., the planets. In alchemy Luna herself appears as the Armenian bitch.174 The sinister side of the moon plays a considerable role in classical tradition.

1.03 - The Tale of the Alchemist Who Sold His Soul, #The Castle of Crossed Destinies, #Italo Calvino, #Fiction
  The first interpretation that this sequence called to mind, if we continued attri buting an aura of voluptuousness to the fountain, was that our fellow guest had had amorous relations with a nun in a wood. Or else that he had offered her copious drink, since the fountain, if you examined it closely, seemed to pour from a little cask set on top of a grape press. But the melancholy stare of the man's face seemed lost in speculations from which not only carnal passions but even the most venial pleasures of table and cellar had to be excluded. Lofty meditations must have been his, though his worldly appearance left no doubt that they were still addressed to the Earth and not to Heaven. (And so another possible interpretation was eliminated: that the card depicted a holy-water stoup.)
  The most probable hypothesis that occurred to me was that the card stood for the fountain of Life, the supreme goal of the alchemist's search, and that our companion was, in fact, one of those scholars who scrutinize alembics and crucibles (like the complicated vessel that his royally clad figure held in its hand), trying to wrest from Nature her secrets, and especially that of the transformation of metals.
  We could believe that, from his earliest youth (this was the meaning of the portrait with adolescent features, which could at the same time allude also to the elixir of long life) he had had no other passion (the fountain remained nevertheless an amorous symbol) save the manipulation of the elements, and for years he had waited to see the yellow king of the mineral world precipitate in the depths of his cauldron. And in this quest he had finally sought the counsel and aid of those women sometimes encountered in forests, experts in philters and magic potions, devoted to the arts of witchcraft and foretelling the future (like the woman he indicated, with superstitious reverence, as The Popess).
  The card that came next, The Emperor, could naturally refer to a prophecy of the forest witch: You will become the most powerful man in the world.

1.040 - Re-Educating the Mind, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
  In the beginning stages, for the purpose of novitiates absolutely unfamiliar with this subject, what is prescribed is a conceptual form of the ideal that one would regard as the highest possible, and this is the philosophy behind the worship of the gods of religions. It is not the worship of many gods, but the worship of any aspect of the one God, which can be taken as the means to the realisation of that all-inclusive background of these various manifestations called 'gods'. Sometimes, especially in the field of pure psychic science and occultism, any object is taken for the purpose of concentration, provided the will is strong enough. The object of meditation or concentration need not necessarily be a deity in the sense of a divine being it can be anything. It can be even a candlestick, or even a fountain pen or a pencil; the only condition is that we should not think of anything else except that pencil in front of us.
  But the nature of the mind is such, the mind is made in such a way, that it cannot go on thinking continuously of any absurd object. A leaf from a tree cannot become the object of attraction for the mind, because the mind cannot see any value or significance in a leaf, or a pen or a pencil, though a very scientific attitude would find significance in anything. Even a pencil is as important as a deity if we understand the background of it and the way in which it is constituted. But the ordinary mind cannot understand it. It requires the foisting of certain characteristics which are regarded as beautiful, magnificent and capable of fulfilling the wishes of the person concentrating. No one concentrates without a purpose.

1.044 - Smoke, #Quran, #unset, #Zen
  25. How many gardens and fountains did they leave behind?
  26. And plantations, and splendid buildings.

1.04 - ALCHEMY AND MANICHAEISM, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  Learn therefore, O Mind, to practise sympathetic love in regard to thine own body, by restraining its vain appetites, that it may be apt with thee in all things. To this end I shall labour, that it may drink with thee from the fountain of strength,233 and, when the two are made one, that ye find peace in their union. Draw nigh, O Body, to this fountain, that with thy Mind thou mayest drink to satiety and hereafter thirst no more after vanities. O wondrous efficacy of this fount, which maketh one of two, and peace between enemies! The fount of love can make mind out of spirit and soul, but this maketh one man of mind and body.234

1.04 - Body, Soul and Spirit, #Theosophy, #Alice Bailey, #Occultism
  recipient. If, therefore, the being of the recipient consisted only of the physical body and the ether-body, sensation could not exist. The activity by which sensation becomes a fact differs essentially from the operations of the life-force. By that activity an inner experience is called forth from these operations. Without this activity there would be a mere life-process, such as one observes in plants. If one tries to picture how a human being receives impacts from all sides, one must think of him at the same time as the source of the above-mentioned activity which streams out toward every point from which he received these impacts. Sensations respond in all directions to the impacts. This fountain of activity is to be called the sentient-soul. (It is the same as that which in theosophical literature is called "Kama.") This sentient-soul is just as real as the physical body. If a man stand before me and I disregard his sentient-soul by thinking of him as merely a physical body, it is exactly as if I were to call up in my mind, instead of a painting-merely the canvas.
  A similar statement has to be made in

1.04 - BOOK THE FOURTH, #Metamorphoses, #Ovid, #Poetry
  And a new fountain plays amid the sky.
  The berries, stain'd with blood, began to show
  --
  And sought fresh fountains in a foreign soil:
  The pleasure lessen'd the attending toil,

1.04 - On blessed and ever-memorable obedience, #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  fragrance. Then the great man allowed us to uncover the coffin in which he had been placed, and when this was done we all saw that fragrant myrrh was flowing like two fountains from his precious feet. Then that teacher said to all: Look! The sweat of his toils and labours have been offered as myrrh to God and truly accepted.
  The fathers of that place told us of many triumphs of this most saintly Menas, and amongst others the following: Once the superior wanted to test his God-given patience. In the evening Menas came to the abbots cell, and having prostrated before the abbot, asked him as usual to give him instruction. But the abbot left him lying on the ground till the hour of the Office, and only then blessed him; and having rebuked him for being fond of self-display and for being impatient, he ordered him to get up. The holy man knew Menas would bear all this courageously, and therefore he made this scene for the edification of all. A disciple of Saint Menas confirmed what was told us about his director, and added: I was inquisitive to know whether sleep overcame him while he lay prostrate before the abbot. But he assured me that while lying on the ground he had recited by heart the whole psalter.

1.04 - On Knowledge of the Future World., #The Alchemy of Happiness, #Al-Ghazali, #Sufism
  If you wish, O student of the mysteries of God, to learn the essential facts about death, you must know that there are in man two kinds of spirit, one of which is of the nature of the spirit in animals and which we call animal spirit, and the other is of the nature of the spirit of angels, which we call human spirit. The fountain of the animal spirit is in that heart which is in the left side of the breast, and is a piece of flesh. It is a delicate exhalation from the humors within the animal. Its constitution is fixed in certain [75] proportions, just as is that of oxymel, which is composed of honey and vinegar that on being mixed, while they lose their own flavor, acquire a new, delicate and useful flavor, So also, by the blending of the various elements of the body, a delicate exhalation is the result, which finds its home in the heart. It gains other delicate qualities from the heart, and from thence the blood channels, which are the veins of pulsation, are supplied. The exhalation passes by their means to the brain and from thence flows to all the members. It is exceedingly hot, but in its passage to the brain, it loses some of its heat and becomes tepid. By the distribution of this spirit through the body, the eye sees, the ear hears, the tongue tastes, the nose smells, and the rest of the organs are endowed with their proper movements and perform their appropriate functions....
  So long as the spirit works in equilibrium, it is capable of delicate operations and effects; but so soon as excess of heat or cold destroys the equilibrium, the exhaled fluid is diminished, and it becomes incapable of movement and sensation....

1.04 - The Conditions of Esoteric Training, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
  The above conditions are calculated to render the student strong enough to fulfill the further demands made on him during this training. If he fail in these conditions he will hesitate before each new demand, and without them he will lack that faith in man which he must possess. For all striving for truth must be founded on faith in and true love for man. But though this is the foundation it is not the source of all striving for truth, for such striving can only flow from the soul's own fountain-head of strength. And the love of man must gradually widen to a love for all living creatures, yes, for all existence. Through failure to fulfill the condition here given, the student will lack the perfect love for everything that fashions and creates, and the inclination to refrain from all destruction as such. He must so train himself that not only in his actions but also in his words, feelings, and thoughts he will never destroy anything for the sake of destruction. His joy must be in growth and life, and he must only lend his hand to destruction, when he is also able, through and by means of destruction, to promote new life. This does not mean that the student must simply look on while evil runs riot, but rather
   p. 127

1.04 - The Divine Mother - This Is She, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  There was a period when the Mother was in a state of almost continuous trance. It was a very trying phase, indeed. She would enter Sri Aurobindo's room with a somnolent walk and go back swaying from side to side leaving us in fear and wonder about the delicate balancing. Sri Aurobindo would watch her intently till she was out of sight, but it was a matter of surprise how she maintained her precarious balance. Sometimes in the midst of doing his hair, her hand would stop moving at any stage; either the comb remained still, or the ribbon tied to his plaits got loose. While serving meals too, the spoon would stand still or the knife would not cut and Sri Aurobindo had to, by fictitious coughs or sounds, draw her out. Fifteen minutes' work thus took double the time and then she would hasten in order to make up for it. Such trance moods were more particularly manifest at night during the collective meditation below, and in that condition she would come to Sri Aurobindo's room with a heap of letters, reports, account-books, etc., to read, sign or answer during Sri Aurobindo's walking time. But her pious intention would come to nothing, for no sooner did she begin than the trance overtook her. Sri Aurobindo took a few extra rounds and sat in his chair watching the Mother while she with the book open, pen in hand, had travelled into another world from whose bourne it was perhaps difficult to return. He would watch her with an indulgent smile and try all devices to bring her down to earth. We would stand by, favoured spectators of the delectable scene. When at last the Mother did wake up, Sri Aurobindo would say with a smile, "We haven't made much progress!" She would then take a firm resolve, and finish all work in a dash or go back if the trance was too heavy. Once Sri Aurobindo saw that she was writing on the book with her fountain pen unopened. He kept on watching. Suddenly she realised her mistake and Sri Aurobindo broke into a gracious smile. During the time of meditation too, her condition was most extraordinary. Someone coming for pranam would remain standing before her trance-mood for fifteen to thirty minutes, another had her hand on his bowed head for a pretty long time; all was unpredictable. There was an exceptional circumstance when Sri Aurobindo intervened in the Mother's work. On her way from Sri Aurobindo's room to the collective meditation below, she went for a while to her room to take some rest, as it was probably too early to go down. But once she sat down, time and space vanished and she was deep in trance, while below the crowd was waiting till it was about 1 a.m. Sri Aurobindo, on being informed, sent word that all should disperse and go home. The Mother, on waking up, prepared herself to go to the meditation when she was told what had happened.
  After the meditation, the last lap of her service to Sri Aurobindo was to be done. Here too when the trance was upon her we were kept waiting till the early hours of the morning. Purani whose duty started at 2 a.m. often found us awake and relished our anomalous situation!

1.04 - The Qabalah The Best Training for Memory, #Magick Without Tears, #Aleister Crowley, #Philosophy
  Honest, you needn't worry; it works on ball-bearings, and there's always those "Thirteen fountains of Magnificent Oil flowing down the Beard of Macroprosopus" in case it creaks a little at first. But seriously, all the mathematics you need is simple Addition and Multiplication.
  "Yeah!" you rudely reply. "That's what you think; but you haven't got very far in the Qabalah!"

1.05 - AUERBACHS CELLAR, #Faust, #Johann Wolfgang von Goethe, #Poetry
  O beautiful fountain, that flows at will!
  MEPHISTOPHELES

1.05 - BOOK THE FIFTH, #Metamorphoses, #Ovid, #Poetry
  The curious stranger to their fountain's head;
  Who long survey'd, with wonder, and delight,
  --
  Cyane dissolves to a fountain
  But still does Cyane the rape bemoan,
  --
  Her mingling waters with that fountain pass,
  Of which she late immortal Goddess was;

1.05 - CHARITY, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  This identity out of the One into the One and with the One is the source and fountainhead and breaking forth of glowing Love.
  Eckhart

1.05 - Solitude, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  What is the pill which will keep us well, serene, contented? Not my or thy great-grandfa thers, but our great-grandmo ther Natures universal, vegetable, botanic medicines, by which she has kept herself young always, outlived so many old Parrs in her day, and fed her health with their decaying fatness. For my panacea, instead of one of those quack vials of a mixture dipped from Acheron and the Dead Sea, which come out of those long shallow black-schooner looking wagons which we sometimes see made to carry bottles, let me have a draught of undiluted morning air. Morning air! If men will not drink of this at the fountain-head of the day, why, then, we must even bottle up some and sell it in the shops, for the benefit of those who have lost their subscription ticket to morning time in this world. But remember, it will not keep quite till noon-day even in the coolest cellar, but drive out the stopples long ere that and follow westward the steps of Aurora. I am no worshipper of Hygeia, who was the daughter of that old herb-doctor
  sculapius, and who is represented on monuments holding a serpent in one hand, and in the other a cup out of which the serpent sometimes drinks; but rather of Hebe, cupbearer to Jupiter, who was the daughter of Juno and wild lettuce, and who had the power of restoring gods and men to the vigor of youth. She was probably the only thoroughly sound-conditioned, healthy, and robust young lady that ever walked the globe, and wherever she came it was spring.

1.05 - The Ascent of the Sacrifice - The Psychic Being, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
     As in the works of knowledge, so in dealing with the workings of the heart, we are obliged to make a preliminary distinction between two categories of movements, those that are either moved by the true soul or aid towards its liberation and rule in the nature and those that are turned to the satisfaction of the unpurified vital nature. But the distinctions ordinarily laid down in this sense are of little use for the deep or spiritual purpose of Yoga. Thus a division can be made between religious emotions and mundane feelings and it can be laid down as a rule of spiritual life that the religious emotions alone should be cultivated and all worldly feelings and passions must be rejected and fall away from our existence. This in practice would mean the religious life of the saint or devotee, alone with the Divine or linked only to others in a common God-love or at the most pouring out the fountains of a sacred, religious or pietistic love on the world outside. But religious emotion itself is too constantly invaded by the turmoil and obscurity of the vital movements and it is often either crude or narrow or fanatical or mixed with movements that are not signs of the spirit's perfection. It is evident besides that even at the best an intense figure of sainthood clamped in rigid hieratic lines is quite other than the wide ideal of an integral Yoga. A larger psychic and emotional relation with God and the world, more deep and plastic in its essence, more wide and embracing in its movements, more capable of taking up in its sweep the whole of life, is imperative.
     A wider formula has been provided by the secular mind of mall of which the basis is the ethical sense; for it distinguishes between the emotions sanctioned by the ethical sense and those that are egoistic and selfishly common and mundane. It is the works of altruism, philanthropy, compassion, benevolence, humanitarianism, service, labour for the well-being of man and all creatures that are to be our Ideal; to shuffle off the coil of egoism and grow into a soul of self-abnegation that lives only or mainly for others or for humanity as a whole is the way of man's inner evolution according to this doctrine. Or if this is too secular and mental to satisfy the whole of our being, since there is a deeper religious and spiritual note there that is left out of account by the humanitarian formula, a religio-ethical foundation can be provided for it -and such was indeed its original basis. To the inner worship of the Divine or the Supreme by the devotion of the heart or to the pursuit of the Ineffable by the seeking of a highest knowledge can be added a worship through altruistic works or a preparation through acts of love, of benevolence, of service to mankind or to those around us. It is indeed by the religio-ethical sense that the law of universal goodwill or universal compassion or of love and service to the neighbour, the Vedantic, the Buddhistic, the Christian ideal, was created; only by a sort of secular refrigeration extinguishing the fervour of the religious element in it could the humanitarian ideal disengage itself and become the highest plane of a secular system of mental and moral ethics. For in the religious system this law of works is a means that ceases when its object is accomplished or a side issue; it is a part of the cult by which one adores and seeks the Divinity or it is a penultimate step of the excision of self in the passage to Nirvana. In the secular ideal it is promoted into an object in itself; it becomes a sign of the moral perfection of the human being, or else it is a condition for a happier state of man upon earth, a better society, a more united life of the race. But none of these things satisfy the demand of the soul that is placed before us by the integral Yoga.

1.05 - THE HOSTILE BROTHERS - ARCHETYPES OF RESPONSE TO THE UNKNOWN, #Maps of Meaning, #Jordan Peterson, #Psychology
  thee from the fountain of strength and, when the two are made one, that ye find peace in their union.
  Draw nigh, O Body, to this fountain, that with thy Mind thou mayest drink to satiety and hereafter thirst
  no more after vanities. O wondrous efficacy of this fount, which maketh one of two, and peace between
  --
  a shining fountain, from which four streams flowed, watering the whole world. Over the fountain stood
  a great tree with many branches and twigs, but it looked like an old tree, for it had no bark and no
  --
  Thou didst cleave the fountain and the flood: thou driedst up mighty rivers. The day is thine, the night also is thine:
  385

1.05 - The Magical Control of the Weather, #The Golden Bough, #James George Frazer, #Occultism
  There is a fountain called Barenton, of romantic fame, in those
  "wild woods of Broceliande," where, if legend be true, the wizard
  --
  sometimes observed of dipping a cross in the fountain of Barenton to
  procure rain, for this is plainly a Christian substitute for the old
  --
  drought they throw into the basin of the fountain an ancient stone
  image of the saint that stands in a sort of niche from which the

1.06 - BOOK THE SIXTH, #Metamorphoses, #Ovid, #Poetry
  The Nymphs would quit their fountain, shade, or hill:
  Thither, from green Tymolus, they repair,
  --
  Whose juicy stalk the liquid fountains feed.
  The Goddess came, and kneeling on the brink,

1.06 - On remembrance of death., #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  Insensibility of heart dulls the mind, and abundance of food dries the fountains of tears. Thirst and vigil afflict the heart, and when the heart is afflicted the waters flow. The things we have said will seem cruel to epicures and incredible to the indolent; but a man of action will readily test them, and he who has found them out by experience will smile at them. But he who is still seeking will become more gloomy.
  Just as the Fathers lay down that perfect love knows no sin, so I for my part declare that a perfect sense of death is free from fear.

1.077 - The Unleashed, #Quran, #unset, #Zen
  41. The righteous will be amidst shades and fountains.
  42. And fruits as they desire.

1.07 - A MAD TEA-PARTY, #Alice in Wonderland, #Lewis Carroll, #Fiction
  Once more she found herself in the long hall and close to the little glass table. Taking the little golden key, she unlocked the door that led into the garden. Then she set to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high; then she walked down the little passage; and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains.

1.07 - BOOK THE SEVENTH, #Metamorphoses, #Ovid, #Poetry
  Ye wat'ry Pow'rs of fountain, stream, and lake;
  Ye sylvan Gods, and Gods of night, awake,
  --
  Thro' wand'ring banks, back to their fountain head;
  Transformed the prospect of the briny deep,
  --
  Our fountains too a dire infection yield,
  For crowds of vipers creep along the field,

1.07 - Bridge across the Afterlife, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  with one or more of the fountains of the universal force
  that are still sealed to it. 3. To speak again to the world

1.07 - On mourning which causes joy., #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  Greater than baptism itself is the fountain of tears after baptism, even though it is somewhat audacious to say so. For baptism is the washing away of evils that were in us before, but sins committed after baptism are washed away by tears. As baptism is received in infancy, we have all defiled it, but we cleanse it anew with tears. And if God in His love for mankind had not given us tears, few indeed and hard to find would be those in a state of grace.2
  Groanings and sorrows cry to the Lord. Tears shed from fear intercede for us; but tears of all-holy love show us that our prayer has been accepted.
  --
  In the case of tears as in everything else our good and just Judge will certainly take into consideration the strength of our nature. For I have seen small tear-drops shed with difficulty like drops of blood, and I have also seen fountains of tears poured out without difficulty. And I judged those toilers more by their toil than by their tears, and I think that God does too.
  Theology will not suit mourners, for it is of a nature to dissolve their mourning. For the theologian is like one who sits in a teachers seat, whereas the mourner is like one who spends his days on a dung heap and in rags. That is why David, so I think, although he was a teacher and was wise, replied to those who questioned him when he was mourning: How shall I sing the Lords song in a strange land?2 that is to say, the land of passions.
  --
  Do not trust your fountains of tears before your soul has been perfectly purified. For wine cannot be trusted when it is drawn straight from the vats.
  No one will dispute that all our tears according to God are profitable. But we shall only know at the time of our death what the profit is.
  --
  There are material substances which dry the fountains of our tears, and there are others which give birth to mud and reptiles in them. From the former Lot had illicit intercourse with his daughters, and from the latter the devil fell from heaven.5
  Our enemies are so wicked that they turn even the mothers of virtues into the mothers of vices, and those things which make for humility, they make into a cause for pride. Frequently the very setting and sight of our dwellings are of a nature to rouse our mind to compunction. Let Jesus, Elijah and John who prayed alone convince you of this. I have often seen tears provoked in cities and crowds to make us think that crowds do us no harm and so draw nearer to the world. For this is the aim of the evil spirits.

1.07 - The Infinity Of The Universe, #Of The Nature Of Things, #Lucretius, #Poetry
  To come on undefiled fountains there,
  To drain them deep; I joy to pluck new flowers,

1.07 - THE MASTER AND VIJAY GOSWAMI, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  As Vijay had brought medicine with him, the Master asked a devotee to give him some water. He was indeed a fountain of infinite compassion. He had arranged for Vijay's boat fare, since the latter was too poor to pay it. Vijay, Balaram, M., and the other devotees left for Calcutta in a country boat.
  Monday, January 1, 1883

1.08 - The Depths of the Divine, #Sex Ecology Spirituality, #Ken Wilber, #Philosophy
  :::For the sense of being which in calm hour arises, we know not how, in the Soul, is not diverse from things, from space, from light, from time, from man, but one with them and proceeds obviously from the same source whence their life and being also proceed. . . . Here is the fountain of action and of thought. Here are the lungs of that inspiration which giveth man wisdom. . . . We lie in the lap of immense intelligence, which makes us receivers of its truth and organs of its activity. When we discern justice, when we discern truth, we do nothing of ourselves, but allow a passage to its beams. . . .
  :::The relations of the Soul to the divine spirit are so pure that it is profane to seek to interpose helps. It must be that when God speaketh he should communicate, not one thing, but all things; should fill the world with his voice; should scatter forth light, nature, time, souls, from the center of the present thought; and new date and new create the whole. Whenever a mind is simple and receives a divine wisdom, old things pass away-means, teachers, texts, temples fall; it lives now and absorbs past and future into the present hour. All things are made sacred by relation to it-one as much as another. All things are dissolved to their center by their cause, and in the universal miracle petty and particular miracles disappear.
  --
  For the Over-Soul is also experienced as the World Soul, since self and world are here finding a "common fountain, common source."8 The Over-Soul (or World Soul) is an initial apprehension of the pure Witness or aboriginal Self, which starts to emerge, however haltingly, as an experiential reality at this psychic stage.9 (We will see how Emerson treats this Witness in a moment.)
  With the Over-Soul, the World Soul, it is not that individuality disappears, but that-once again-it is negated and preserved in a deeper and wider ground, a ground that conspicuously includes all of nature and its glories. This cosmic consciousness is sometimes referred to as "nature mysticism," but that is a somewhat misleading term. For this psychic-level mysticism embraces not just nature but also culture, and calling it "nature mysticism" confuses it with a merely biocentric regression, an ecocentric indissociation, and this is not at all what Emerson has in mind (as we will see).

1.08 - The Historical Significance of the Fish, #Aion, #Carl Jung, #Psychology
  of water from the fountain of life. 34
  30 Namely Piscis Austrinus, the "Southern Fish," which merges with Pisces and
  --
  sponding to the "fish from the fountain" mentioned in a
  50 Especially noteworthy is the cult of the dove and the fish in the Syrian area.
  --
  pi$ibv pi^a, piovds el p.ovabuv, kt\. ( fountain of fountains, source of
  sources, root of roots, monad of monads art thou.) 56 The foun-

1.09 - BOOK THE NINTH, #Metamorphoses, #Ovid, #Poetry
  And to a fountain turn'd the weeping fair.
  The Fable of Iphis and Ian the

1.09 - Legend of Lakshmi, #Vishnu Purana, #Vyasa, #Hinduism
  From the ocean, thus churned by the gods and Dānavas, first uprose the cow Surabhi, the fountain of milk and curds, worshipped by the divinities, and beheld by them and their associates with minds disturbed, and eyes glistening with delight. Then, as the holy Siddhas in the sky wondered what this could be, appeared the goddess Vārunī (the deity of wine), her eyes rolling with intoxication. Next, from the whirlpool of the deep, sprang the celestial Pārijāta tree, the delight of the nymphs of heaven, perfuming the world with its blossoms. The troop of Āpsarasas, the nymphs of heaven, were then produced, of surprising loveliness, endowed with beauty and with taste. The cool-rayed moon next rose, and was seized by Mahādeva: and then poison was engendered from the sea, of which the snake gods (Nāgas) took possession. Dhanwantari, robed in white, and bearing in his hand the cup of Amrita, next came forth: beholding which, the sons of Diti and of Danu, as well as the Munis, were filled with satisfaction and delight. Then, seated on a full-blown lotus, and holding a water-lily in her hand, the goddess Śrī, radiant with beauty, rose from the waves. The great sages, enraptured, hymned her with the song dedicated to her praise[7]. Viśvavasu and other heavenly quiristers sang, and Ghritācī and other celestial nymphs danced before her. Ga
  gā and other holy streams attended for her ablutions; and the elephants of the skies, taking up their pure waters in vases of gold, poured them over the goddess, the queen of the universal world. The sea of milk in person presented her with a wreath of never-fading flowers; and the artist of the gods (Viswakermā) decorated her person with heavenly ornaments. Thus bathed, attired, and adorned, the goddess, in the view of the celestials, cast herself upon the breast of Hari; and there reclining, turned her eyes upon the deities, who were inspired with rapture by her gaze. Not so the Daityas, who, with Viprachitti at their head, were filled with indignation, as Viṣṇu turned away from them, and they were abandoned by the goddess of prosperity (Lakṣmī.)
  --
  Thus, Maitreya, in former times the goddess Śrī conferred these boons upon the king of the gods, being pleased by his adorations; but her first birth was as the daughter of Bhrigu by Khyāti: it was at a subsequent period that she was produced from the sea, at the churning of the ocean by the demons and the gods, to obtain ambrosia[11]. For in like manner as the lord of the world, the god of gods, Janārddana, descends amongst mankind (in various shapes), so does his coadjutrix Śrī. Thus when Hari was born as a dwarf, the son of Aditī, Lakṣmī appeared from a lotus (as Padmā, or Kamalā); when he was born as Rāma, of the race of Bhrigu (or Paraśurāma), she was Dharaṇī; when he was Rāghava (Rāmacandra), she was Sītā; and when he was Kṛṣṇa, she became Rukminī. In the other descents of Viṣṇu, she is his associate. If he takes a celestial form, she appears as divine; if a mortal, she becomes a mortal too, transforming her own person agreeably to whatever character it pleases Viṣṇu to put on. Whosoever hears this account of the birth of Lakṣmī, whosoever reads it, shall never lose the goddess Fortune from his dwelling for three generations; and misfortune, the fountain of strife, shall never enter into those houses in which the hymns to Śrī are repeated.
  Thus, Brahman, have I narrated to thee, in answer to thy question, how Lakṣmī, formerly the daughter of Bhrigu, sprang from the sea of milk; and misfortune shall never visit those amongst mankind who daily recite the praises of Lakṣmī uttered by Indra, which are the origin and cause of all prosperity.

1.09 - Saraswati and Her Consorts, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  The association of a river with the poetical inspiration occurs also in the Greek mythology; but there the Muses are not conceived of as rivers; they are only connected in a not very intelligible fashion with a particular earthly stream. This stream is the river Hippocrene, the fountain of the Horse, and to account for its name we have a legend that it sprang from the hoof of the divine horse Pegasus; for he smote the rock with his hoof and the waters of inspiration gushed out where the mountain had been thus smitten. Was this legend merely a Greek fairy tale or had it any special meaning? And it is evident that if it had any meaning, it must, since it obviously refers to a psychological phenomenon, the birth of the waters of inspiration, have had a psychological meaning; it must have been an attempt to put into concrete figures certain psychological facts.
  We may note that the word Pegasus, if we transliterate it into the original Aryan phonetics, becomes Pajasa and is obviously connected with the Sanskrit pajas, which meant originally force,
  --
   the stroke of the God Indra when he smote the Python who coiled across their fountains and sealed up their outflow. It seems impossible to suppose that one river only in all this sevenfold outflowing acquired a psychological significance while the rest were associated only with the annual coming of the rains in the
  Punjab. The psychological significance of Saraswati carries with it a psychological significance for the whole symbol of the Vedic waters.2

1.09 - Talks, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  Now at this fountainhead of wisdom and yogic illumination we had the rare opportunity to drink day arid night for a number of years. If we could not get more it was not because he had closed the channel, but rather that our small vessels could not contain more. One can then understand that next to his; silent human-divine Presence, his talks were the most coveted feature of our close association with him.
  Yet they came so unexpectedly, for Sri Aurobindo, as we had come to know and see him during the Darshan, had succeeded in building in our minds a picture of him high-poised as his Life Divine, far-moving as his Synthesis of Yoga, unapproachable, except perhaps by the gods, not at all close and intimate like his Essays on the Gita or accessible to our mortal longings. Of course, few of us had the extraordinary good fortune of knowing his human side through his inestimable correspondence, on the strength of which I wrote to him, "You thrashed me for calling you grave and austere at the Darshan time. But see, when we go to the Mother, how seraphically she smiles, while your noble Self being near, appears still far away at some Olympian height. It is difficult to discern the gravity or the jollity of a face at such a height. I suppose our conception of the gods was formed from the vision of such a figure." He replied, "Neither gravity nor jollity, but a large, easy, quiet, amiable condition. The gods can't be amiable?" And it was this amiable aspect that came to the forefront in our talks. We came to know much later that Sri Aurobindo used to hold "table-talks" in the pre-Ashram days, with his few young followers. But I believe ours were an advance on those talks by the ease, the informality, the natural diversity and intimacy of communication due to the exceptional circumstances in which they were held. Sri Aurobindo had no need of vocal self-expression, either in our time or before. It is my conviction that the interchange with us was an act of compassion to entertain us in return for the medical attendance we had been called upon to render him. I may add here that any personal service offered to the Divine, however small, brings an ample reward.

1.10 - BOOK THE TENTH, #Metamorphoses, #Ovid, #Poetry
  By thee oft water'd at the fountain's head:
  His horns with garlands, now, by thee were ty'd,

1.10 - Laughter Of The Gods, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  The old ide fixe that Sri Aurobindo was an anchorite who did not know how to smile or laugh is by now dead. A new fixed notion may swing to the other extreme that he smiled or laughed too much for a yogi. But a sensible estimate, after a reading of his letters, talks and creative works, will confirm the view that his Yoga instead of drying up the fountain of laughter made it flow like the Ganges. For his consciousness grew as vast as the universe; it sounded the uttermost depths and heights of existence. He read the "wonder-book of Common things" as well as the supernal mysteries of God and found the very rasa which is at the root of things. His love and compassion flowed towards all men and creatures like a life-giving ocean. He said in one of his letters: "It is only divine Love which can bear the burden I have to bear, that all have to bear who have sacrificed everything else to the one aim of uplifting earth out of its darkness towards the Divine. The Gallio-like 'Je m'en fiche'-ism (I do not care) would not carry me one step; it would certainly not be divine. It is quite another thing that enables me to walk unweeping and unlamenting towards the goal." In his own Ashram which is composed, on the one hand, of unlettered villagers and, on the other, of the intellectual lite, with what patience and forbearance, love and sympathy he, like a grand patriarch, guided and led us all towards the goal! Humour that springs from a heart of sympathy made him smile at our follies and foibles and the numerous eccentricities of our human nature. The readers of Talks with Sri Aurobindo must have observed how Sri Aurobindo threw aside his mantle of gravity and enjoyed with us pure fun and frolic, as if we had been his close playmates. In the preceding chapter we have already touched upon one instance. In the period after the accident to his right leg, when he failed to carry out Dr. Manilal's instructions about hanging the leg, he would exclaim as if out of fear, "Oh, Manilal is coming, I must hang my leg." And one of us, piqued by his fear, would remark, "Sir, you seem to be afraid of Dr. Manilal." When Manilal arrived and enquired about the leg, he replied, "The leg is still hanging."
  Yogis and great men there were, who used to joke with their disciples and friends; but it seems to me that there was always a barrier of awe and reverence between them. And though Sri Aurobindo allowed us to forget that and we cut jokes with him on equal terms, the sense of his being our Guru was there.

1.10 - The Secret of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  The history of the Veda is one of the most remarkable & paradoxical phenomena of human experience. In the belief of the ancient Indians the three Vedas, books believed to be inspired directly from the source of all Truth, books at any rate of an incalculable antiquity and of a time-honoured sanctity, were believed to be the repositories of a divine knowledge. The man who was a Veda knower, Vedavid, had access to the deepest knowledge about God and existence. He knew the one thing that was eternally true, the one thing thoroughly worth knowing. The right possession of the ancient hymns was not supposed to be possible by a superficial reading, not supposed to result directly even from a mastery of the scholastic aids to a right understanding,grammar, language, prosody, astronomy, ritual, pronunciation,but depended finally and essentially on explanation by a fit spiritual teacher who understood the inner sense that was couched in the linguistic forms & figures of the Scriptures. The Veda so understood was held to be the fountain, the bedrock, the master-volume of all true Hinduism; that which accepted not the Veda, was and must be instantly departure from the right path, the true truth. Even when the material & ritualistic sense of the Veda had so much dominated & hidden in mens ideas of it its higher parts that to go beyond it seemed imperative, the reverence for this ancient Scripture remained intact. At the time when the Gita in its modern form was composed, we find this double attitude dominant. There is a strong censure of the formalists, the ritualists, who constantly dispute about the Veda and hold it as a creed that there is no other truth and who apply it only for the acquisition of worldly mastery and enjoyments, but at the same time the great store of spiritual truth in the old sacred writings and their high value are never doubted or depreciated. There is in all the Vedas as much utility to the Brahma-knower as to one who would drink there is utility in a well flooded with water on all its sides. Krishna speaking as God Himself declares I alone am He who is to be known by all the Vedas; I am He who made Vedanta and who know the Veda. The sanctity and spiritual value of the Vedas could not receive a more solemn seal of confirmation. It is evident also from this last passage that the more modern distinction which grew upon the Hindu mind with the fading of Vedic knowledge, the distinction by which the old Rigveda and Sama and Yajur are put aside as ritualistic writings, possessing a value only for ceremonial of sacrifice, and all search for spiritual knowledge is confined to the Vedanta, was unrecognised & even unknown to the writer of the Gita. To him the Vedas are writings full of spiritual truth; the language of the line Vedaish cha sarvair aham eva vedyo, the significance of the double emphasis in the etymological sense of knowledge in Vedavid, the knower of the book of knowledge as well as in vedair vedyo are unmistakable. Other means of knowledge even more powerful than study of the Vedas the Gita recognises; but in its epoch the Veda even as apart from the Upanishads still held its place of honour as the repository of the high and divine knowledge; it still bore upon it the triple seal of the Brahmavidya.
  When was this traditional honour first lost or at least tarnished and the ancient Scripture relegated to the inferior position it occupies in the thought of Shankaracharya? I presume there can be little doubt that the chief agent in this work of destruction was the power of Buddhism. The preachings of Gautama and his followers worked against Vedic knowledge by a double process. First, by entirely denying the authority of the Veda, laying a violent stress on its ritualistic character and destroying the general practice of formal sacrifice, it brought the study of the Veda into disrepute as a means of attaining the highest good while at the same time it destroyed the necessity of that study for ritualistic purposes which had hitherto kept alive the old Vedic studies; secondly, in a less direct fashion, by substituting for a time at least the vernacular tongues for the old simple Sanscrit as the more common & popular means of religious propaganda and by giving them a literary position and repute, it made a general return to the old generality of the Vedic studies practically impossible. For the Vedas were written in an ancient form of the literary tongue the real secret of which had already been to a great extent lost even to the learned; such knowledge of it as remained, subsisted with difficulty by means of a laborious memorising and a traditional scholarship, conservative indeed but still slowly diminishing and replacing more & more real knowledge by uncertainty, disputed significance and the continuously increasing ingenuities of the ritualist, the grammarian and the sectarian polemical disputant. When after the fall of the Buddhistic Mauryas, feeble successors of the great Asoka, first under Pushyamitra and his son and afterwards under the Guptas, Hinduism revived, a return to the old forms of the creed and the old Vedic scholarship was no longer possible. The old pre-Buddhistic Sanscrit was, to all appearance, a simple, vigorous, living language understood though not spoken by the more intelligent of the common people just as the literary language of Bengal, the language of Bankim Chandra, is understood by every intelligent Bengali, although in speech more contracted forms and a very different vocabulary are in use. But the new Sanscrit of the revival tended to be more & more a learned, scholarly, polished and rhetorical tongue, certainly one of the most smooth, stately & grandiose ever used by human lips, but needing a special & difficult education to understand its grammar, its rhetoric, its rolling compounds and its long flowing sentences. The archaic language of the Vedas ceased to be the common study even of the learned and was only mastered, one is constrained to believe with less & less efficiency, by a small number of scholars. An education in which it took seven years to master the grammar of the language, became inevitably the grave of all true Vedic knowledge. Veda ceased to be the pivot of the Hindu religion, and its place was taken by the only religious compositions which were modern enough in language and simple enough in style to be popular, the Puranas. Moreover, the conception of Veda popularised by Buddhism, Sanscrit as the more common & popular means of religious propaganda and by giving them a literary position and repute, it made a general return to the old generality of the Vedic studies practically impossible. For the Vedas were written in an ancient form of the literary tongue the real secret of which had already been to a great extent lost even to the learned; such knowledge of it as remained, subsisted with difficulty by means of a laborious memorising and a traditional scholarship, conservative indeed but still slowly diminishing and replacing more & more real knowledge by uncertainty, disputed significance and the continuously increasing ingenuities of the ritualist, the grammarian and the sectarian polemical disputant. When after the fall of the Buddhistic Mauryas, feeble successors of the great Asoka, first under Pushyamitra and his son and afterwards under the Guptas, Hinduism revived, a return to the old forms of the creed and the old Vedic scholarship was no longer possible. The old pre-Buddhistic Sanscrit was, to all appearance, a simple, vigorous, living language understood though not spoken by the more intelligent of the common people just as the literary language of Bengal, the language of Bankim Chandra, is understood by every intelligent Bengali, although in speech more contracted forms and a very different vocabulary are in use. But the new Sanscrit of the revival tended to be more & more a learned, scholarly, polished and rhetorical tongue, certainly one of the most smooth, stately & grandiose ever used by human lips, but needing a special & difficult education to understand its grammar, its rhetoric, its rolling compounds and its long flowing sentences. The archaic language of the Vedas ceased to be the common study even of the learned and was only mastered, one is constrained to believe with less & less efficiency, by a small number of scholars. An education in which it took seven years to master the grammar of the language, became inevitably the grave of all true Vedic knowledge. Veda ceased to be the pivot of the Hindu religion, and its place was taken by the only religious compositions which were modern enough in language and simple enough in style to be popular, the Puranas. Moreover, the conception of Veda popularised by Buddhism, a Scripture of ritual and of animal sacrifice, persisted in the popular mind even after the decline of Buddhism and the revival of great philosophies ostensibly based on Vedic authority. It was under the dominance of this ritualistic conception that Sayana wrote his great commentary which has ever since been to the Indian Pundit the one decisive authority on the sense of Veda. The four Vedas have definitely taken a subordinate place as karmakanda, books of ritual; and to the Upanishads alone, in spite of occasional appeals to the text of the earlier Scriptures, is reserved that aspect of spiritual knowledge & teaching which alone justifies the application to any human composition of the great name of Veda.
  But in spite of this great downfall the ancient tradition, the ancient sanctity survived. The people knew not what Veda might be; but the old idea remained fixed that Veda is always the fountain of Hinduism, the standard of orthodoxy, the repository of a sacred knowledge; not even the loftiest philosopher or the most ritualistic scholar could divest himself entirely of this deeply ingrained & instinctive conception. To complete the degradation of Veda, to consummate the paradox of its history, a new element had to appear, a new form of intelligence undominated by the ancient tradition & the mediaeval method to take possession of Vedic interpretation. European scholarship which regards human civilisation as a recent progression starting yesterday with the Fiji islander and ending today with Haeckel and Rockefeller, conceiving ancient culture as necessarily primitive culture and primitive culture as necessarily half-savage culture, has turned the light of its Comparative Philology & Comparative Mythology on the Veda. The result we all know. Not only all vestige of sanctity, but all pretension to any kind of spiritual knowledge or experience disappears from the Veda. The old Rishis are revealed to us as a race of ignorant and lusty barbarians who drank & enjoyed and fought, gathered riches & procreated children, sacrificed and praised the Powers of Nature as if they were powerful men & women, and had no higher hope or idea. The only idea they had of religion beyond an occasional sense of sin and a perpetual preoccupation with a ritual barbarously encumbered with a mass of meaningless ceremonial details, was a mythology composed of the phenomena of dawn, night, rain, sunshine and harvest and the facts of astronomy converted into a wildly confused & incoherent mass of allegorical images and personifications. Nor, with the European interpretation, can we be proud of our early forefa thers as poets and singers. The versification of the Vedic hymns is indeed noble and melodious,though the incorrect method of writing them established by the old Indian scholars, often conceals their harmonious construction,but no other praise can be given. The Nibelungenlied, the Icelandic Sagas, the Kalewala, the Homeric poems, were written in the dawn of civilisation by semi-barbarous races, by poets not superior in culture to the Vedic Rishis; yet though their poetical value varies, the nations that possess them, need not be ashamed of their ancient heritage. The same cannot be said of the Vedic poems presented to us by European scholarship. Never surely was there even among savages such a mass of tawdry, glittering, confused & purposeless imagery; never such an inane & useless burden of epithets; never such slipshod & incompetent writing; never such a strange & almost insane incoherence of thought & style; never such a bald poverty of substance. The attempt of patriotic Indian scholars to make something respectable out of the Veda, is futile. If the modern interpretation stands, the Vedas are no doubt of high interest & value to the philologist, the anthropologist & the historian; but poetically and spiritually they are null and worthless. Its reputation for spiritual knowledge & deep religious wealth, is the most imposing & baseless hoax that has ever been worked upon the imagination of a whole people throughout many millenniums.
  Is this, then, the last word about the Veda? Or, and this is the idea I write to suggest, is it not rather the culmination of a long increasing & ever progressing error? The theory this book is written to enunciate & support is simply this, that our forefa thers of early Vedantic times understood the Veda, to which they were after all much nearer than ourselves, far better than Sayana, far better than Roth & Max Muller, that they were, to a great extent, in possession of the real truth about the Veda, that that truth was indeed a deep spiritual truth, karmakanda as well as jnanakanda of the Veda contains an ancient knowledge, a profound, complex & well-ordered psychology & philosophy, strange indeed to our modern conception, expressed indeed in language still stranger & remoter from our modern use of language, but not therefore either untrue or unintelligible, and that this knowledge is the real foundation of our later religious developments, & Veda, not only by historical continuity, but in real truth & substance is the parent & bedrock of all later Hinduism, of Vedanta, Sankhya, Nyaya, Yoga, of Vaishnavism & Shaivism&Shaktism, of Tantra&Purana, even, in a remoter fashion, of Buddhism & the later unorthodox religions. From this quarry all have hewn their materials or from this far-off source drawn unknowingly their waters; from some hidden seed in the Veda they have burgeoned into their wealth of branchings & foliage. The ritualism of Sayana is an error based on a false preconception popularised by the Buddhists & streng thened by the writers of the Darshanas,on the theory that the karma of the Veda was only an outward ritual & ceremony; the naturalism of the modern scholars is an error based on a false preconception encouraged by the previous misconceptions of Sayana,on the theory of the Vedas [as] not only an ancient but a primitive document, the production of semi-barbarians. The Vedantic writers of the Upanishads had alone the real key to the secret of the Vedas; not indeed that they possessed the full knowledge of a dialect even then too ancient to be well understood, but they had the knowledge of the Vedic Rishis, possessed their psychology, & many of their general ideas, even many of their particular terms & symbols. That key, less & less available to their successors owing to the difficulty of the knowledge itself & of the language in which it was couched and to the immense growth of outward ritualism, was finally lost to the schools in the great debacle of Vedism induced by the intellectual revolutions of the centuries which immediately preceded the Christian era.

1.11 - BOOK THE ELEVENTH, #Metamorphoses, #Ovid, #Poetry
  Then trace the river to the fountain head,
  And meet it rising from its rocky bed;

1.12 - BOOK THE TWELFTH, #Metamorphoses, #Ovid, #Poetry
  And in the streams that from the fountain play,
  She wash'd her face; and bath'd her twice a-day.

1.1.2 - Commentary, #Kena and Other Upanishads, #Sri Aurobindo, #Integral Yoga
  this spiritual or essential which is the source and fountain, the
  knower, constituent and true valuer of all the rest.
  --
  all the world and attracting all to it as to a fountain of joy and
  love and self-fulfilment in the universe.
  --
  to a fountain of its ecstasies.
  * *

1.12 - The Office and Limitations of the Reason, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
  Meanwhile, the intellect performs its function; it leads man to the gates of a greater self-consciousness and places him with unbandaged eyes on that wide threshold where a more luminous Angel has to take him by the hand. It takes first the lower powers of his existence, each absorbed in its own urge, each striving with a blind self-sufficiency towards the fulfilment of its own instincts and primary impulses; it teaches them to understand themselves and to look through the reflecting eyes of the intelligence on the laws of their own action. It enables them to discern intelligently the high in themselves from the low, the pure from the impure and out of a crude confusion to arrive at more and more luminous formulas of their possibilities. It gives them self-knowledge and is a guide, teacher, purifier, liberator. For it enables them also to look beyond themselves and at each other and to draw upon each other for fresh motives and a richer working. It streng thens and purifies the hedonistic and the aesthetic activities and softens their quarrel with the ethical mind and instinct; it gives them solidity and seriousness, brings them to the support of the practical and dynamic powers and allies them more closely to the strong actualities of life. It sweetens the ethical will by infusing into it psychic, hedonistic and aesthetic elements and ennobles by all these separately or together the practical, dynamic and utilitarian temperament of the human being. At the same time it plays the part of a judge and legislator, seeks to fix rules, provide systems and regularised combinations which shall enable the powers of the human soul to walk by a settled path and act according to a sure law, an ascertained measure and in a balanced rhythm. Here it finds after a time that its legislative action becomes a force for limitation and turns into a bondage and that the regularised system which it has imposed in the interests of order and conservation becomes a cause of petrifaction and the sealing up of the fountains of life. It has to bring in its own saving faculty of doubt. Under the impulse of the intelligence warned by the obscure revolt of the oppressed springs of life, ethics, aesthetics, the social, political, economic rule begin to question themselves and, if this at first brings in again some confusion, disorder and uncertainty, yet it awakens new movements of imagination, insight, self-knowledge and self-realisation by which old systems and formulas are transformed or disappear, new experiments are made and in the end larger potentialities and combinations are brought into play. By this double action of the intelligence, affirming and imposing what it has seen and again in due season questioning what has been accomplished in order to make a new affirmation, fixing a rule and order and liberating from rule and order, the progress of the race is assured, however uncertain may seem its steps and stages.
  But the action of the intelligence is not only turned downward and outward upon our subjective and external life to understand it and determine the law and order of its present movement and its future potentialities. It has also an upward and inward eye and a more luminous functioning by which it accepts divinations from the hidden eternities. It is opened in this power of vision to a Truth above it from which it derives, however imperfectly and as from behind a veil, an indirect knowledge of the universal principles of our existence and its possibilities; it receives and turns what it can seize of them into intellectual forms and these provide us with large governing ideas by which our efforts can be shaped and around which they can be concentrated or massed; it defines the ideals which we seek to accomplish. It provides us with the great ideas that are forces (ides forces), ideas which in their own strength impose themselves upon our life and compel it into their moulds. Only the forms we give these ideas are intellectual; they themselves descend from a plane of truth of being where knowledge and force are one, the idea and the power of self-fulfilment in the idea are inseparable. Unfortunately, when translated into the forms of our intelligence which acts only by a separating and combining analysis and synthesis and into the effort of our life which advances by a sort of experimental and empirical seeking, these powers become disparate and conflicting ideals which we have all the difficulty in the world to bring into any kind of satisfactory harmony. Such are the primary principles of liberty and order, good, beauty and truth, the ideal of power and the ideal of love, individualism and collectivism, self-denial and self-fulfilment and a hundred others. In each sphere of human life, in each part of our being and our action the intellect presents us with the opposition of a number of such master ideas and such conflicting principles. It finds each to be a truth to which something essential in our being responds,in our higher nature a law, in our lower nature an instinct. It seeks to fulfil each in turn, builds a system of action round it and goes from one to the other and back again to what it has left. Or it tries to combine them but is contented with none of the combinations it has made because none brings about their perfect reconciliation or their satisfied oneness. That indeed belongs to a larger and higher consciousness, not yet attained by mankind, where these opposites are ever harmonised and even unified because in their origin they are eternally one. But still every enlarged attempt of the intelligence thus dealing with our inner and outer life increases the width and wealth of our nature, opens it to larger possibilities of self-knowledge and self-realisation and brings us nearer to our awakening into that greater consciousness.

1.12 - The Sacred Marriage, #The Golden Bough, #James George Frazer, #Occultism
  lake, or a fountain. In other versions he is a serpent or dragon who
  takes possession of the springs of water, and only allows the water

1.13 - BOOK THE THIRTEENTH, #Metamorphoses, #Ovid, #Poetry
  Their fountains dry'd, the weeping Naiads mourn'd,
  The trees stood bare, with searing cankers burn'd,
  --
  Like them, fallacious, like their fountains, cold.
  More warping, than the willow, to decline
  --
  A hundred streams from various fountains run,
  And on my head at once come rushing down.

1.14 - FOREST AND CAVERN, #Faust, #Johann Wolfgang von Goethe, #Poetry
  A blessing drawn from supernatural fountains!
  In night and dew to lie upon the mountains;

1.15 - Index, #Aion, #Carl Jung, #Psychology
  Mary: as fountain, 116; in Gnostic
  symbolism, 202, 204, 205; in Pistis

1.15 - On incorruptible purity and chastity to which the corruptible attain by toil and sweat., #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  Someone told me of an extraordinarily high degree of purity. He said: A certain man,2 on seeing a beautiful body, thereupon glorified the Creator, and from that one look he was moved to the love of God and to a fountain of tears. And it was wonderful to see how what would have been a cause of destruction for one was for another the supernatural cause of a crown. If such a person always feels and behaves in the same way on similar occasions, then he has risen immortal before the general resurrection.
  Let us be guided by the same rule in singing melodies and songs. For lovers of God are moved to holy gaiety, to divine love and to tears both by worldly and by spiritual songs; but lovers of pleasure to the opposite.
  --
  Hear yet another trick and villainy of that deceiver, all you who wish to be confirmed in purity, and look out for it. One who had experience of this craftiness told me that the demon of sensuality very often hid himself completely, and while a monk was sitting or conversing with women, he would suggest to him extreme piety, and perhaps even a fountain of tears, and would put into his mind the
  1 At the time when the struggle in the blood rages (St. Isaac the Syrian).

1.16 - PRAYER, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  Now prayer, in its general notion, may be defined to be an elevation of the mind to God, or more largely and expressly thus: prayer is an actuation of an intellective soul towards God, expressing, or at least implying, an entire dependence on Him as the author and fountain of all good, a will and readiness to give Him his due, which is no less than all love, all obedience, adoration, glory and worship, by humbling and annihilating the self and all creatures in His presence; and lastly, a desire and intention to aspire to an union of spirit with Him.
  Hence it appears that prayer is the most perfect and most divine action that a rational soul is capable of. It is of all actions and duties the most indispensably necessary.

1.17 - AT THE FOUNTAIN, #Faust, #Johann Wolfgang von Goethe, #Poetry
  object:1.17 - AT THE fountain
  author class:Johann Wolfgang von Goethe
  --
  XVII - AT THE fountain
  MARGARET and LISBETH With pitchers.

1.17 - The Seven-Headed Thought, Swar and the Dashagwas, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  This secret well of honey is drunk by all those who are able to see Swar and they pour out its billowing fountain of sweetness in manifold streams together, tam eva visve papire svardr.so bahu sakam sisicur utsam udrin.am. These many streams poured out together are the seven rivers poured down the hill by Indra after slaying Vritra, the rivers or streams of the Truth, r.tasya dharah.; and they represent, according to our theory, the seven principles of conscious being in their divine fulfilment in the Truth and
  In the Upanishads and Puranas there is no distinction between Swar and Dyaus; therefore a fourth name had to be found for the world of Truth, and this is the Mahar discovered according to the Taittiriya Upanishad by the Rishi Mahachamasya as the fourth Vyahriti, the other three being Swar, Bhuvar and Bhur, i.e. Dyaus, Antariksha and Prithivi of the Veda.

1.20 - RULES FOR HOUSEHOLDERS AND MONKS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  I shall become a yogi and dwell in Love's mountain cave; I shall be lost in yoga beside the fountain-head of Bliss.
  I shall appease my hunger for Knowledge with the fruit of Truth;

1.20 - The Hound of Heaven, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  Then the Rishi speaks of the great and ancient example which men are called upon to repeat, the example of the Angirases, the achievement of Sarama. "Here the stone was set in motion whereby the Navagwas chanted the hymn for the ten months, Sarama going to the Truth found the cows, the Angiras made all things true. When in the dawning of this vast One (Usha representing the infinite Aditi, mata devanam aditer ankam) all the Angirases came together with the cows (or rather, perhaps by the illuminations represented in the symbol of the cows or Rays); there was the fountain of these (illuminations) in the supreme world; by the path of the Truth Sarama found the cows." Here we see that it is through the movement of Sarama going straight to the Truth by the path of the Truth, that the seven seers, representing the seven-headed or seven-rayed thought of Ayasya and Brihaspati, find all the concealed illuminations and by force of these illuminations they all come together, as we have been already told by Vasishtha, in the level wideness, samane urve, from which the Dawn has descended with the knowledge (urvad janat gat, v. 2) or, as it is here expressed, in the dawning of this vast One, that is to say, in the infinite consciousness. There, as Vasishtha has said, they, united, agree in knowledge and do not strive together, sangatasah. sam janate na yatante mithas te, that is to say, the seven become as one, as is indicated in another hymn; they become the one seven-mouthed Angiras, an image corresponding to that of the seven-headed thought, and it is this single unified Angiras who makes all things true as the result of Sarama's discovery (verse 7). The harmonised, united, perfected Seer-Will corrects all falsehood and crookedness and turns all thought, life, action into terms of the Truth. In this hymn also the action of Sarama is precisely that of the Intuition
  The Hound of Heaven

1.21 - WALPURGIS-NIGHT, #Faust, #Johann Wolfgang von Goethe, #Poetry
  Wherefrom the fountain flings eternal spray,
  Is such delight, my steps would fain delay.
  --
  Now like a fountain leaps and plays.
  Here winds away, and in a hundred

1.23 - Conditions for the Coming of a Spiritual Age, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
  These ideas are likely first to declare their trend in philosophy, in psychological thinking, in the arts, poetry, painting, sculpture, music, in the main idea of ethics, in the application of subjective principles by thinkers to social questions, even perhaps, though this is a perilous effort, to politics and economics, that hard refractory earthy matter which most resists all but a gross utilitarian treatment. There will be new unexpected departures of science or at least of research,since to such a turn in its most fruitful seekings the orthodox still deny the name of science. Discoveries will be made that thin the walls between soul and matter; attempts there will be to extend exact knowledge into the psychological and psychic realms with a realisation of the truth that these have laws of their own which are other than the physical, but not the less laws because they escape the external senses and are infinitely plastic and subtle. There will be a labour of religion to reject its past heavy weight of dead matter and revivify its strength in the fountains of the spirit. These are sure signs, if not of the thing to be, at least of a great possibility of it, of an effort that will surely be made, another endeavour perhaps with a larger sweep and a better equipped intelligence capable not only of feeling but of understanding the Truth that is demanding to be heard. Some such signs we can see at the present time although they are only incipient and sporadic and have not yet gone far enough to warrant a confident certitude. It is only when these groping beginnings have found that for which they are seeking, that it can be successfully applied to the remoulding of the life of man. Till then nothing better is likely to be achieved than an inner preparation and, for the rest, radical or revolutionary experiments of a doubtful kind with the details of the vast and cumbrous machinery under which life now groans and labours.
  A subjective age may stop very far short of spirituality; for the subjective turn is only a first condition, not the thing itself, not the end of the matter. The search for the Reality, the true self of man, may very easily follow out the natural order described by the Upanishad in the profound apologue of the seekings of Bhrigu, son of Varuna. For first the seeker found the ultimate reality to be Matter and the physical, the material being, the external man our only self and spirit. Next he fixed on life as the Reality and the vital being as the self and spirit; in the third essay he penetrated to Mind and the mental being; only afterwards could he get beyond the superficial subjective through the supramental Truth-Consciousness to the eternal, the blissful, the ever creative Reality of which these are the sheaths. But humanity may not be as persistent or as plastic as the son of Varuna, the search may stop short anywhere. Only if it is intended that he shall now at last arrive and discover, will the Spirit break each insufficient formula as soon as it has shaped itself and compel the thought of man to press forward to a larger discovery and in the end to the largest and most luminous of all. Something of the kind has been happening, but only in a very external way and on the surface. After the material formula which governed the greater part of the nineteenth century had burdened man with the heaviest servitude to the machinery of the outer material life that he has ever yet been called upon to bear, the first attempt to break through, to get to the living reality in things and away from the mechanical idea of life and living and society, landed us in that surface vitalism which had already begun to govern thought before the two formulas inextricably locked together lit up and flung themselves on the lurid pyre of the world-war. The vital lan has brought us no deliverance, but only used the machinery already created with a more feverish insistence, a vehement attempt to live more rapidly, more intensely, an inordinate will to act and to succeed, to enlarge the mere force of living or to pile up a gigantic efficiency of the collective life. It could not have been otherwise even if this vitalism had been less superficial and external, more truly subjective. To live, to act, to grow, to increase the vital force, to understand, utilise and fulfil the intuitive impulse of life are not things evil in themselves: rather they are excellent things, if rightly followed and rightly used, that is to say, if they are directed to something beyond the mere vitalistic impulse and are governed by that within which is higher than Life. The Life-power is an instrument, not an aim; it is in the upward scale the first great subjective supraphysical instrument of the Spirit and the base of all action and endeavour. But a Life-power that sees nothing beyond itself, nothing to be served except its own organised demands and impulses, will be very soon like the force of steam driving an engine without the driver or an engine in which the locomotive force has made the driver its servant and not its controller. It can only add the uncontrollable impetus of a high-crested or broad-based Titanism, or it may be even a nether flaming demonism, to the Nature forces of the material world with the intellect as its servant, an impetus of measureless unresting creation, appropriation, expansion which will end in something violent, huge and colossal, foredoomed in its very nature to excess and ruin, because light is not in it nor the souls truth nor the sanction of the gods and their calm eternal will and knowledge.

1.25 - On the destroyer of the passions, most sublime humility, which is rooted in spiritual feeling., #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  13. May your soul not be a pond of the river of life, a pond which is sometimes full and sometimes dried up from the heat of glory and exaltation, but may it become a fountain of dispassion ever welling up into a river of poverty.1
  14. Know, beloved, that the valleys shall stand deep in corn2 and spiritual fruit. This valley is a soul low and humble among the mountains, that is, it is filled with labours and virtues, and always remains lowly and steadfast. David did not say, I have fasted, I have kept vigil, or I have lain on the bare earth, but I humbled myself, and soon the Lord saved me.3
  --
  The mother of the fountain is the deep sea, and the fountain of discernment is humility.

1.25 - Vanni Fucci's Punishment. Agnello Brunelleschi, Buoso degli Abati, Puccio Sciancato, Cianfa de' Donati, and Guercio Cavalcanti., #The Divine Comedy, #Dante Alighieri, #Christianity
  For if him to a snake, her to fountain,
  Converts he fabling, that I grudge him not;

1.27 - On holy solitude of body and soul., #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  69. He who is chained up in prison fears the judge who sentences him, but the hermit in his cell brings forth fear of the Lord; and the tribunal is not so terrifying to the former as the throne of the Judge is to the latter. You need great fear for solitude, excellent man, because nothing else is so effective in dispelling despondency. The convict is continually looking to see when the judge will come to the prison; and the true worker wonders when the angel of death will come. A burden of sorrow oppresses the former, but the latter has a fountain of tears.
  70. Bring out the staff of patience, and the dogs will soon stop their insolence. Patience is a labour that does not crush the soul and never wavers under interruptions, laudable or the reverse. The patient man is a faultless worker, who turns his faults into victories. Patience is the limitation of suffering that is accepted day by day. Patience lays aside all excuses and all attention to herself. The worker3 needs patience more than his food because the one brings him a crown, while the other may bring ruin. The patient man has died long before he is placed in the tomb, having made his cell his tomb. Hope engenders patience and so does mourning; but he who has neither is a slave to despondency.

1.28 - Describes the nature of the Prayer of Recollection and sets down some of the means by which we can make it a habit., #The Way of Perfection, #Saint Teresa of Avila, #Christianity
  on an excellent road, and will come without fail to drink of the water of the fountain, for they will
  journey a long way in a short time. They are like one who travels in a ship, and, if he has a little

1.30 - Concerning the linking together of the supreme trinity among the virtues., #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  7. Love, by reason of its nature, is a resemblance to God, as far as that is possible for mortals; in its activity it is inebriation of the soul; and by its distinctive property it is a fountain of faith, an abyss of patience, a sea of humility.
  8. Love is essentially the banishment of every kind of contrary thought for love thinks no evil.1
  --
  35. Love bestows prophecy; love yields miracles; love is an abyss of illumination; love is a fountain of firein the measure that it bubbles up, it inflames the thirsty soul. Love is the state of angels. Love is the progress of eternity.
  36. Tell us, fairest of virtues, where thou feedest thy flock, where thou restest at noon.1 Enlighten us, quench our thirst, guide us, take us by the hand; for we wish at last to soar to thee. Thou rulest over all. And now thou hast ravished my soul. I cannot contain thy flame. So I will go forward praising thee. Thou rulest the power of the sea, and stillest the surge of its waves and puttest it to death. Thou hast humbled the proud the proud thoughtlike a wounded man. With the arm of thy power thou hast scattered thy enemies,2 and thou hast made thy lovers invincible.

1.31 - Continues the same subject. Explains what is meant by the Prayer of Quiet. Gives several counsels to those who experience it. This chapter is very noteworthy., #The Way of Perfection, #Saint Teresa of Avila, #Christianity
  glad is it merely to find itself near the fountain that, even before it has begun to drink, it has had
  its fill. There seems nothing left for it to desire. The faculties are stilled and have no wish to move,

1.32 - Expounds these words of the Paternoster Fiat voluntas tua sicut in coelo et in terra. Describes how much is accomplished by those who repeat these words with full resolution and how well, #The Way of Perfection, #Saint Teresa of Avila, #Christianity
  find ourselves at the end of our journey and shall be drinking of living water from the fountain I
  have described. Unless we make a total surrender of our will to the Lord, and put ourselves in His

1.3.4.04 - The Divine Superman, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  What then is the self that thou hast to transcend and what is the self that thou hast to become? For it is here that thou shouldst make no error; for this error, not to know thyself, is the fountain of all thy grief and the cause of all thy stumbling.
  That which thou hast to transcend is the self that thou appearest to be, and that is man as thou knowest him, the apparent

1.35 - The Tao 2, #Magick Without Tears, #Aleister Crowley, #Philosophy
  From 1905 to 1918 the Tao Teh King was my continual study. I constantly recommended it to my friends as the supreme masterpiece of initiated wisdom, and I was as constantly disappointed when they declared that it did not impress them, especially as my preliminary descriptions of the book had aroused their keenest interest. I thus came to see that the fault lay with Legge's translation, and I felt myself impelled to undertake the task of presenting Lao Tze in language informed by the sympathetic understanding which initiation and spiritual experience had conferred on me. During my Great Magical Retirement on Aesopus Island in the Hudson River during the summer of 1918, I set myself to this work, but I discovered immediately that I was totally incompetent. I therefore appealed to an Adept named Amalantrah, which whom I was at that time in almost daily communication. He came readily to my aid, and exhibited to me a codex of the original, which conveyed to me with absolute certitude the exact significance of the text. I was able to divine without hesitation or doubt the precise manner in which Legge had been deceived. He had translated the Chinese with singular fidelity, yet in almost every verse the interpretation was altogether misleading. There was no need to refer to the text from the point of view of scholarship. I had merely to paraphrase his translation in the light of actual knowledge of the true significance of the terms employed. Any one who cares to take the trouble to compare the two versions will be astounded to see how slight a remodeling of a paragraph is sufficient to disperse the obstinate obscurity of prejudice, and let loose a fountain and a flood of living light; to kindle the gnarled prose of stolid scholarship into the burgeoning blossom of lyrical flame.
  I completed my translation within three days, but during the last twenty years I have constantly reconsidered every sentence. The manuscript has been lent to a number of friends, scholars who have commended my work, and aspirants who have appreciated its adequacy to present the spirit of the Master's teaching. Those who had been disappointed with Legge's version were enthusiastic about mine. This circumstance is in itself sufficient to assure me that Love's labour has not been lost, and to fill me with enthusiastic confidence that the present publication will abundantly contri bute to the fulfillment of my True Will for which I came to earth. Let us wring from labour and sorrow the utmost of which humanity is capable. Fulfill my Will to open the portals of spiritual attainment to my fellowmen, to bring them to the enjoyment of that realization of Truth, beneath all veils of temporal falsehood, which has enlightened mine eyes and filled my mouth with song.

1.36 - Human Representatives of Attis, #The Golden Bough, #James George Frazer, #Occultism
  the dim light of the Corycian cave. In all these copious fountains,
  with their glad promise of fertility and life, men of old saw the

1.42 - Treats of these last words of the Paternoster Sed libera nos a malo. Amen. But deliver us from evil. Amen., #The Way of Perfection, #Saint Teresa of Avila, #Christianity
  absorbs the soul and gives it to drink abundantly of the fountain of living water which I told you
  was at the end of the road. It seems, sisters, that the Lord's will has been to teach us what great

1.439, #Talks, #Sri Ramana Maharshi, #Hinduism
  the fountain pen with the cap and put it in its case: He closed the
  notebook and put it aside; He removed the spectacles, folded them

1.43 - The Holy Guardian Angel is not the Higher Self but an Objective Individual, #Magick Without Tears, #Aleister Crowley, #Philosophy
  You will doubtless have read in many Eastern stories of the destruction of dryads or Nats by the cutting down of the tree in which they have made their habitation. A nymph, similarly, would be destroyed if her fountain were to dry up.
  Now, can an angel of this sort ever go wrong, by which one must mean, can he ever be untrue to his own nature? I do not see how one can imagine this to happen; for they are so completely creatures of the elements of which they are composed that they must be regarded as completely devoid of will in any intelligible sense of the word. Their actions in fact are merely re-actions.

1.56 - The Public Expulsion of Evils, #The Golden Bough, #James George Frazer, #Occultism
  great square, where stood the golden urn, like a fountain, that was
  used for the sacrifice of the fermented juice of the maize. Here
  --
  and fountains, saying that their maladies would come out of them.
  Then they took great torches of straw, bound round with cords. These

1.63 - Fear, a Bad Astral Vision, #Magick Without Tears, #Aleister Crowley, #Philosophy
  Life is to be a continuous vibration of ecstasy; and so it is for the Adept, whenever his work allows him time to consider the matter, consciously; and even when his work pre-empts his attention, is an eternal fountain of pure joy springing, a crystal fragrance of reverberation light from the most inmost caverns of the Heart. It secretly informs one's dullest thought with sparkling wine, radiant in the Aethyr see well! the least excuse, since it is always there, and champing at its bit, to turn the dreary cart-horse drudge into proud Pegasus himself!
  This is where I want to have you, with us who are come thus far, in a state utterly detached from the Ego, so that you appear the plain Jane Wolfe[122] "doing your duty in that state of life to which it has pleased God to call you" and consequently unremarked like a Rosicrucian, "wearing the habit of the country in which you are travelling" but trembling with interior illumination, so that the first relaxation of the constant conscious burden of Jane Wolfe, Soror Estai is automatically released, a pillar of Creative Light.

17.11 - A Prayer, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   "The sadhaka, whose body is graced in quality and movement should contemplate on Parvati. She will swiftly pierce the three knots from the lowermost centre (Muladhara) upward, open the lotuses and awaken the dense intense bliss laden with consciousness, she will come forth from the fountain of nectar that flows from the nectared home of the vibrating heaven and shine like the impetuous lightning.
   "May the embodied form of Parvati grant us the abode and status of Shiva which is the crown of bliss and is constantly sought for by the highest scriptures, Shruti; that the crescent moon illuminates, that presides over all the worlds, that eliminates the sufferings of the devotees. May She constanly bestow on us all the blessed things.

18.04 - Modern Poems, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   And in its body of a flooding fountain
   Shall achieve a full-throated cadence.

1.82 - Epistola Penultima - The Two Ways to Reality, #Magick Without Tears, #Aleister Crowley, #Philosophy
  It is, of course, much safer if you are in a position to pursue in the Indian Jungles, provided that your health will stand the climate and also, I must say, unless you have a really sound teacher on whom you can safely rely. But then, if we once introduce a teacher, why not go to the fountain-head and press towards the Knowledge and conversation of the Holy Guardian Angel?
  In any case your Indian teacher will ultimately direct you to seek guidance from that source, so it seems to me that you have gone to a great deal of extra trouble and incurred a great deal of unnecessary danger by not leaving yourself in the first place in the hands of the Holy Guardian Angel.

1914 07 19p, #Prayers And Meditations, #The Mother, #Integral Yoga
   O Lord, Thou art the omnipotent Master of Thy own manifestation; grant to these instruments that they may escape from frames too narrow, from limits too fixed and mediocre. All the riches of human possibility are needed to translate even one atom of Thy infinite Force. Open the doors that are closed, make the sealed fountains spring forth, that the floods of Thy eloquence and Thy beauty may overspread the world. Let there be amplitude and majesty, nobility and grace, charm and grandeur, variety and strength: for it is the will of the Lord to manifest.
   O my sweet Master, Thou art the sovereign Ruler of our destinies; Thou art the omnipotent Master of Thy own manifestation.

1954-02-03 - The senses and super-sense - Children can be moulded - Keeping things in order - The shadow, #Questions And Answers 1954, #The Mother, #Integral Yoga
  That depends. For example, children who have no order, who cant keep their things carefully but lose or spoil themthere are three reasons for this. Most often it is a child who lacks vitality. When it is like that, when it cant keep its things care fully and all is in disorder around it, this is always a sign of a lack of vitality; it does not have sufficient vitality to take interest in these outer things. The second reason is that it lacks interest in material life, the life of things, and that it has no discipline, doesnt discipline itself. For instance, children when they undress throw their clothes all over the place; or else, when they have finished playing, they leave their toys lying about; when they have written out their homework, everything is littered all around: the fountain-pen on one side, the notebook on another, the reader on a third, and then all these get lost. Unfortunately thats how it is with the great majority of the children here at the school, they lose everything. I have found books reduced to pulp because they had spent the whole night on a flower-pot and it had rained the next morning! When they were found, they were like gruel. But that is rare. Pencils too I have a collection of fountain-pens and pencils picked up thus, having been lost. These are absolutely undisciplined natures, those who have no method and within themselves they dont have any method. And into the bargain they despise thingsso, as Sri Aurobindo says, they are not worthy of having them. People who dont know how to deal with things carefully, dont deserve to have them. Sri Aurobindo has often written on this subject in his letters. He has said that if you dont know how to take care of material things, you have no right to have them. Indeed this shows a kind of selfishness and confusion in the human being, and it is not a good sign. And then later when they grow up, some of them cannot keep a cupboard in order or a drawer in order. They may be in a room which looks very tidy and very neat outwardly, and then you open a drawer or a cupboard, it is like a battlefield! Everything is pell-mell. You find everything in a jumble; nothing is arranged. These are people with a poor little head in which ideas lie in the same state as their material objects. They have not organised their ideas. They havent put them in order. They live in a cerebral confusion. And that is a sure sign, I have never met an exception to this rule: people who dont know how to keep their things in ordertheir ideas are in disorder in their heads, always. They exist together, the most contradictory ideas are put together, and not through a higher synthesis, dont you believe it: simply because of a disorder and an incapacity to organise their ideas. You dont need to speak even for ten minutes with people if you can manage to enter their room and open the drawers of their tables and look into their cupboard. You know in what state they are, dont you?
  On the other hand, there was someone (I shall tell you who afterwards) who had in his room hundreds of books, countless sheets of paper, notebooks and all sorts of things, and so you entered the room and saw books and papers everywherea whole pile, it was quite full. But if you were unfortunate enough to shift a single little bit of paper from its place, he knew it immediately and asked you, Who has touched my things? You, when you come in, see so many things that you feel quite lost. And yet each thing had its place. And it was so consciously done, I tell you, that if one paper was displaced for instance, a paper with notes on it or a letter or something else which was taken away from one place and placed in another with the idea of putting things in orderhe used to say, You have touched my things; you have displaced them and created a disorder in my things. That of course was Sri Aurobindo! That means you must not confuse order with poverty. Naturally if you have about a dozen books and a very limited number of things, it is easier to keep them in order, but what one must succeed in doing is to put into order and a logical, conscious, intelligent ordera countless number of things. That asks for a capacity of organization.

1.ac - The Disciples, #Crowley - Poems, #Aleister Crowley, #Philosophy
  Among the fountains and the trees
  That fringed his garden's glowing border,

1.ac - The Interpreter, #Crowley - Poems, #Aleister Crowley, #Philosophy
  That nurtured my life at his fountains from the hour of my
  birth;

1.ac - The Quest, #Crowley - Poems, #Aleister Crowley, #Philosophy
  The sacred fountain that is whirled
  From depths beyond that older world

1.at - If thou wouldst hear the Nameless (from The Ancient Sage), #unset, #Arthur C Clarke, #Fiction
   Original Language English If thou would'st hear the Nameless, and wilt dive Into the Temple-cave of thine own self, There, brooding by the central altar, thou May'st haply learn the Nameless hath a voice, By which thou wilt abide, if thou be wise, As if thou knewest, tho' thou canst not know; For Knowledge is the swallow on the lake That sees and stirs the surface-shadow there But never yet hath dipt into the abysm, The Abysm of all Abysms, beneath, within The blue of sky and sea, the green of earth, And in the million-millionth of a grain Which cleft and cleft again for evermore, And ever vanishing, never vanishes, To me, my son, more mystic than myself, Or even than the Nameless is to me. And when thou sendest thy free soul thro' heaven, Nor understandest bound nor boundlessness, Thou seest the Nameless of the hundred names. And if the Nameless should withdraw from all Thy frailty counts most real, all thy world Might vanish like thy shadow in the dark. 'And since -- from when this earth began -- The Nameless never came Among us, never spake with man, And never named the Name' -- Thou canst not prove the Nameless, O my son, Nor canst thou prove the world thou movest in, Thou canst not prove that thou art body alone, Nor canst thou prove that thou art spirit alone, Nor canst thou prove that thou art both in one: Thou canst not prove thou art immortal, no Nor yet that thou art mortal -- nay my son, Thou canst not prove that I, who speak with thee, Am not thyself in converse with thyself, For nothing worthy proving can be proven, Nor yet disproven: wherefore thou be wise, Cleave ever to the sunnier side of doubt, And cling to Faith beyond the forms of Faith She reels not in the storm of warring words, She brightens at the clash of 'Yes' and 'No', She sees the Best that glimmers thro' the Worst, She feels the Sun is hid but for a night, She spies the summer thro' the winter bud, She tastes the fruit before the blossom falls, She hears the lark within the songless egg, She finds the fountain where they wail'd 'Mirage'! [2490.jpg] -- from The Oxford Book of English Mystical Verse, Edited by D. H. S. Nicholson / Edited by A. H. E. Lee <
1.bv - When I see the lark beating, #unset, #Arthur C Clarke, #Fiction
   English version by Craig E. Bertolet Original Language Provencal When I see the lark beating Its wings in joy against the rays of the sun That it forgets itself and lets itself fall Because of the sweetness that comes to its heart, Alas! Such great envy then overwhelms me Of all those whom I see rejoicing, I wonder that my heart, at that moment, Does not melt from desire. Alas! How much I thought I knew About love, and how little I know, Because I cannot keep myself from loving The one from whom I will gain nothing. She has all my heart, and my soul, And herself and the whole world; And when she left, nothing remained But desire and a longing heart. I have never had power over myself Nor been by own man from the very hour When she let me see into her eyes, Into a mirror that pleases me so much. Mirror, since I saw myself in you, I have been slain by deep sighs, That I have lost myself just as the handsome Narcissus did in the fountain. I despair of ladies; I will never trust them again; As I used to defend them Now I shall abandon them, Because I see no one who does any good for me Against her who destroys and confounds me, I fear and distrust them all, Because I know very well that they are all alike. She really shows herself to be a woman in this, My lady, for which I condemn her; Because she does not want what she should want, And what she shouldn't do, she does. I have fallen on an evil grace, And I have indeed acted like the fool on the bridge And I do not know how this happened to me, Unless I tried to climb too high on the mountain. Mercy is indeed lost, And I never knew it, Because she, who ought to have most of it, Has none, and where will I look for it? Ah! It would never seem, when looking at her, That she would let this love-sick wretch, Who will never be well without her, To die, without helping him. Since these things will never bring me good from my lady, Neither prayers, pity, nor the rights I have, Nor is it a pleasure to her That I love her, I will never tell her again. Thus I part from her and give her up. She has slain me, and through death I will respond, And I go away, since she does not ask me to stay, Wretched, into exile, I know not where. Tristan, you will have nothing more from me, For I go away, wretched, I know not where. I will withdraw from singing and renounce it, And I hide myself from joy and love.

1f.lovecraft - At the Mountains of Madness, #Lovecraft - Poems, #unset, #Zen
   bottle with its pictorial and instructional carton, a broken fountain
   pen, some oddly snipped fragments of fur and tent-cloth, a used

1f.lovecraft - Celephais, #Lovecraft - Poems, #unset, #Zen
   gardens, of fountains that sing in the sun, of golden cliffs
   overhanging murmuring seas, of plains that stretch down to sleeping

1f.lovecraft - Medusas Coil, #Lovecraft - Poems, #unset, #Zen
   fountain-head of all horror on this earth, and the symbolism shewed
   only too clearly how integral a part of it Marceline was. I think it

1f.lovecraft - Pickmans Model, #Lovecraft - Poems, #unset, #Zen
   fiendish subject that made it such an immortal fountain-head of all
   panicnot that, nor the dog face with its pointed ears, bloodshot eyes,

1f.lovecraft - Poetry and the Gods, #Lovecraft - Poems, #unset, #Zen
   lone nymphs with disordered hair weep beside fountains that are no
   more, and pine over rivers turned red with the blood of mortals. Ares

1f.lovecraft - The Call of Cthulhu, #Lovecraft - Poems, #unset, #Zen
   track down the cult to its fountain-head.
   Inspector Legrasse was scarcely prepared for the sensation which his

1f.lovecraft - The Doom That Came to Sarnath, #Lovecraft - Poems, #unset, #Zen
   likewise fountains, which cast scented waters about in pleasing jets
   arranged with cunning art. Outshining all others was the palace of the

1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Zen
   silver-basined fountains of prismatic spray in broad squares and
   perfumed gardens, and wide streets marching between delicate trees and
  --
   marvellous city of marble walls and silver fountains seen below
   terraces in the sunset. Of these things, however, he learned nothing;
  --
   fountains bubbled. Carter knew his way, and edged down through darker
   streets to the river, where at an old sea-tavern he found the captains
  --
   gods. And there are fountains, pools, and basins there to reflect the
   frequent blaze of the tripods on the high balcony, all of onyx and
  --
   black marble, the basalt-bottomed lagoons and tiled fountains with
   luminous fish, the tiny temples of iridescent singing birds atop carven
  --
   fountains sang, while the perfume of rare blossoms spread like a veil
   over that incredible garden. No other human presence was there, and
  --
   silver-basined fountains, and wide streets with blossom-laden urns and
   ivory statues in gleaming rows. And when night comes they climb tall
  --
   balustraded steps to the city of broad squares and prismatic fountains,
   you need only to turn back to the thoughts and visions of your wistful
  --
   city of broad squares and prismatic fountains, you need only to turn
   back to the thoughts and visions of your wistful boyhood.
  --
   Stars swelled to dawns, and dawns burst into fountains of gold,
   carmine, and purple, and still the dreamer fell. Cries rent the aether

1f.lovecraft - The Dreams in the Witch House, #Lovecraft - Poems, #unset, #Zen
  town and getting some coffee at a soda fountain, he dragged himself
  into the public library and browsed aimlessly among the lighter

1f.lovecraft - The Loved Dead, #Lovecraft - Poems, #unset, #Zen
   smoking frenzies of Phlegethons fountains . . . stifling fumes of
   murderous gases . . . grotesque remnants of smashed and shredded

1f.lovecraft - The Moon-Bog, #Lovecraft - Poems, #unset, #Zen
   wistful naiads from the haunted fountains of the bog. I do not know how
   long I gazed at this sight from the lonely turret window before I

1f.lovecraft - The Mound, #Lovecraft - Poems, #unset, #Zen
   gold-and-copper palace behind a gardened and fountained park, and was
   for some time subjected to close, friendly questioning in a vaulted
  --
   fountain of data, and as such had enjoyed a privileged status. Others,
   deemed less necessary, might receive rather different treatment. He
  --
   fountained park, and the Spaniard was given his liberty because of the
   vital outer-world information he still had to impart. He was told to

1f.lovecraft - The Quest of Iranon, #Lovecraft - Poems, #unset, #Zen
   crystal fountains. Often I played in the gardens and waded in the
   pools, and lay and dreamed among the pale flowers under the trees. And

1f.lovecraft - The Whisperer in Darkness, #Lovecraft - Poems, #unset, #Zen
   from numberless hidden fountains in the shadowy woods.
   The nearness and intimacy of the dwarfed, domed hills now became

1f.lovecraft - The White Ship, #Lovecraft - Poems, #unset, #Zen
   the streams, clear and cool the fountains, and stately and gorgeous the
   temples, castles, and cities of Sona-Nyl. Of that land there is no
  --
   cool fountains of silver, where purl with ravishing music the scented
   waters that come from the grotto-born river Narg. And the cities of

1f.lovecraft - Through the Gates of the Silver Key, #Lovecraft - Poems, #unset, #Zen
   time, and to the bubbling of the courtyard fountain beyond
   half-curtained, fanlighted windows. As the hours wore on the faces of

1f.lovecraft - Under the Pyramids, #Lovecraft - Poems, #unset, #Zen
   much Egyptology before coming to this land which is the fountain of all
   darkness and terror! This second spell of fainting filled my sleeping

1.fs - Pompeii And Herculaneum, #Schiller - Poems, #Friedrich Schiller, #Poetry
  Fill from the fountain the Etruscan urn!
  On the winged sphinxes see the tripod. Ho!

1.fs - The German Art, #Schiller - Poems, #Friedrich Schiller, #Poetry
  Purer wells and richer fountains,
   Streams our poet-art;

1.hs - Naked in the Bee-House, #unset, #Arthur C Clarke, #Fiction
   English version by Coleman Barks Original Language Persian/Farsi Being humble is right for you now. Don't thrash around showing your strength. You're naked in the bee-house! It doesn't matter how powerful your arms and legs are. To God, that is more of a lie than your weakness is. In his doorway your prestige and your physical energy are just dust on your face. Be helpless and completely poor. And don't try to meet his eye! That's like signing a paper that honors yourself. If you can take care of things, do so! But when you're living at home with God, you neither sew the world together with desires nor tear it apart with disappointments. In that place existence itself is illusion. All that is, is one. Lost in that, your personal form becomes a vast, empty mosque. When you hold on to yourself, you're a fire-worshipping temple. Dissolve, and let everything get done. When you don't, you're an untrained colt, full of erratic loving and biting. Loyal sometimes, then treacherous. Be more like the servant who owns nothing and is neither hungry nor satisfied, who has no hopes for anything, and no fear of anyone. An owl living near the king's palace is considered a bird of misfortune, ragged and ominous. But off in the woods, sitting alone, its feathers grow splendid and sleek like the Phoenix restored. Musk should not be kept near water or heat. The dampness and the dryness spoil its fragrance. But when the musk is at home in the musk bladder, fire and wetness mean nothing. In God's doorway your guilt and your virtue don't count. Whether you're Muslim, or Christian, or fire-worshipper, the categories disappear. You're seeking, and God is what is sought, the essence beyond any cause. External theological learning moves like a moon and fades when the sun of experience rises. We are here for a week, or less. We arrive and leave almost simultaneously. To be is not to be. The Qur'an says, "They go hastening, with the Light running on before them." Clear the way! Muhammed says, "How fine!" A sigh goes out, and there is union. Forget how you came to this gate, your history. Let that be as if it had not been. Do you think the day plans its course by what the rooster says? God does not depend on any of his creatures. Your existence or non-existence is insignificant. Many like you have come here before. When the fountain of light is pouring, there's no need to urge it on! That's like a handful of straw trying to help the sun. "This way! Please, let this light through!" The sun doesn't need an announcer. The lamp you carry is your self-reliance. The sun is something else! Half a sneeze might extinguish your lantern, whereas all a winter's windiness cannot put That out. The road you must take has no particular name. It's the one composed of your own sighing and giving up. What you've been doing is not devotion. Your hoping and worrying are like donkeys wandering loose, sometimes docile, or suddenly mean. Your face looks wise at times, and ashamed at others. There is another way, a pure blankness where those are one expression. Omar once saw a group of boys on the road challenging each other to wrestle. They were all claiming to be champions, but when Omar, the fierce and accomplished warrior, came near, they scattered. All but one, Abdullah Zubair. Omar asked, "Why didn't you run?" "Why should I? You are not a tyrant, and I am not guilty." When someone knows his own inner value, he doesn't care about being accepted or rejected by anyone else. The prince here is strong and just. Stand wondering in his presence. There is nothing but That. [1841.jpg] -- from The Hand of Poetry: Five Mystic Poets of Persia, with Lectures by Inayat Khan, Translated by Coleman Barks <
1.hs - The Great Secret, #Hafiz - Poems, #unset, #Zen
  An Eternal fountain!

1.is - Love, #unset, #Arthur C Clarke, #Fiction
   English version by Anonymous Incited by something external Is like a small lamp Whose flame is fed with oil, Or like a stream fed by rains, Where flows stop when the rains cease. But love whose object is God is like A fountain gushing forth From the earth. Its flow never ceases, For He Himself is the source of this love And also its food, Which never grows scarce. [1831.jpg] -- from Poetry for the Spirit: Poems of Universal Wisdom and Beauty, Edited by Alan Jacobs

1.jk - A Galloway Song, #Keats - Poems, #John Keats, #Poetry
  An mossie fountains --
  A[h] goud hair'd Marie yeve I pray

1.jk - A Song About Myself, #Keats - Poems, #John Keats, #Poetry
    And fountains
    And ghostes

1.jk - A Thing Of Beauty (Endymion), #Keats - Poems, #John Keats, #Poetry
  An endless fountain of immortal drink,
  Pouring unto us from the heaven's brink.

1.jk - Endymion - Book I, #Keats - Poems, #John Keats, #Poetry
  An endless fountain of immortal drink,
  Pouring unto us from the heaven's brink.

1.jk - Endymion - Book II, #Keats - Poems, #John Keats, #Poetry
  Until it reached a splashing fountain's side
  That, near a cavern's mouth, for ever pour'd
  --
  In the fountain's pebbly margin, and she stood
  'Mong lilies, like the youngest of the brood.
  --
  Of a thousand fountains, so that he could dash
  The waters with his spear; but at the splash,
  --
  O fountain'd hill! Old Homer's Helicon!
  That thou wouldst spout a little streamlet o'er
  --
  Will stagnate all thy fountains:tease me not
  With syren wordsAh, have I really got

1.jk - Endymion - Book III, #Keats - Poems, #John Keats, #Poetry
  In courteous fountains to all cups outreach'd;
  And plunder'd vines, teeming exhaustless, pleach'd

1.jk - Endymion - Book IV, #Keats - Poems, #John Keats, #Poetry
  Two fan-like fountains,thine illuminings
      For Dian play:

1.jk - Epistle To My Brother George, #Keats - Poems, #John Keats, #Poetry
  Is the clear fountains' interchanging kisses,
  As gracefully descending, light and thin,

1.jk - Hyperion, A Vision - Attempted Reconstruction Of The Poem, #Keats - Poems, #John Keats, #Poetry
  In neighbourhood of fountains (by the noise
  Soft-showering in mine ears), and (by the touch

1.jk - Ode. Written On The Blank Page Before Beaumont And Fletchers Tragi-Comedy The Fair Maid Of The In, #Keats - Poems, #John Keats, #Poetry
  With the noise of fountains wondrous,
  And the parle of voices thund'rous;

1.jk - On Receiving A Curious Shell, #Keats - Poems, #John Keats, #Poetry
   When it flutters in sun-beams that shine through a fountain?
  Hast thou a goblet for dark sparkling wine?

1.jk - Otho The Great - Act V, #Keats - Poems, #John Keats, #Poetry
  And panting fountains quivering with deep glows!
  Yes this is dark is it not dark?

1.jk - Sleep And Poetry, #Keats - Poems, #John Keats, #Poetry
      Of nymphs in woods, and fountains; and the shade
      Keeping a silence round a sleeping maid;
  --
      Taste their pure fountains. First the realm I'll pass
      Of Flora, and old Pan: sleep in the grass,

1.jk - Song Of Four Faries, #Keats - Poems, #John Keats, #Poetry
  To the torrid spouts and fountains,
  Underneath earth-quaked mountains;

1.jlb - Limits, #Borges - Poems, #Jorge Luis Borges, #Poetry
  You will not be seen going down to that fountain
  Neither by white sun nor by yellow moon.

1.jr - Ah, what was there in that light-giving candle that it set fire to the heart, and snatched the heart away?, #unset, #Arthur C Clarke, #Fiction
  English version by A. J. Arberry Original Language Persian/Farsi & Turkish Ah, what was there in that light-giving candle that it set fire to the heart, and snatched the heart away? You who have set fire to my heart, I am consumed, O friend; come quickly, quickly! The form of the heart is not a created form, for the beauty of God manifested itself from the cheek of the heart. I have no succour save in his sugar, I have no profit save in his lip. Remember him who one dawn released this heart of mine from the chain of your tress. My soul, the first time I saw you my soul heard something from your soul. When my heart drank water from your fountain it drowned in you, and the torrent snatched me away. [1493.jpg] -- from Mystical Poems of Rumi: Volume 1, Translated by A. J. Arberry

1.jr - A World with No Boundaries (Ghazal 363), #unset, #Arthur C Clarke, #Fiction
   English version by Kabir Helminski Original Language Persian/Farsi & Turkish With every breath the sound of love surrounds us, and we are bound for the depths of space, without distraction. We've been in orbit before and know the angels there. Let's go there again, Master, for that is our land. Yet we are beyond all of that and more than angels. Out beyond duality, we have a home, and it is Majesty. That pure substance is different from this dusty world. What kind of place is this? We once came down; soon we'll return. A new happiness befriends us as we work at offering our lives. Muhammad, the jewel of the world, is our caravan's chosen guide. The sweetness we breathe on the wind is from the scent of his hair, and the radiance of our thought is from the light of his day. His face once caused the moon to split in two. She couldn't endure the sight of him. Yet how lucky she was, she who humbly received him. Look into your heart and see the splitting moon within each breath. Having seen that vision, how can you still dream? When the wave of "Am I not?" struck, it wrecked the body's ship; when the ship wrecks again, it will be the time of union. The Human Being, like a bird of the sea, emerged from the ocean of the soul. Earth is not the final place of rest for a bird born from the sea. No, we are pearls of that ocean; all of us live in it; and if it weren't so, why would wave upon wave arrive? This is the time of union, the time of eternal beauty. It is the time of luck and kindness; it is the ocean of purity. The wave of bestowal has come. The roar of the sea is here. The morning of happiness has dawned. No, it is the light of God. Whose face is pictured here? Who is this shah or prince? Who is this ancient intelligence? They are all masks . . . and the only remedy is this boiling ecstasy of the soul. A fountain of refreshment is in the head and the eyes -- not this bodily head but another pure spiritual one. Many a pure head has been spilled in the dust. Know the one from the other! Our original head is hidden, while this other is visible. Beyond this world is a world that has no boundaries. Put your water skin away, brother, and draw some wine from our cask! The clay jug of perception has such a narrow spout. The sun appeared from the direction of Tabriz, and I said, "This light is at once joined with all things, and yet apart from everything." [2295.jpg] -- from Love is a Stranger: Selected Lyric Poetry by Jelaluddin Rumi and Kabir, Translated by Kabir Helmiski <
1.jr - come, #Rumi - Poems, #Jalaluddin Rumi, #Poetry
   English version by Nader Khalili Original Language Persian/Farsi & Turkish come let's fall in love again let's turn all the dirt in this world to shiny gold come let's be a new spring a love reborn find our aroma from the essence of all who emit heavenly fragrance like a fresh tree bloom and spread all the blessings right from inside [2079.jpg] -- from Rumi: fountain of Fire, Translated by Nader Khalili <
1.jr - Did I Not Say To You, #Rumi - Poems, #Jalaluddin Rumi, #Poetry
  mirage of annihilation I am the fountain of life?
  Even though in anger you depart a hundred thousand years

1.jr - look at love, #unset, #Arthur C Clarke, #Fiction
   English version by Nader Khalili Original Language Persian/Farsi & Turkish look at love how it tangles with the one fallen in love look at spirit how it fuses with earth giving it new life why are you so busy with this or that or good or bad pay attention to how things blend why talk about all the known and the unknown see how the unknown merges into the known why think separately of this life and the next when one is born from the last look at your heart and tongue one feels but deaf and dumb the other speaks in words and signs look at water and fire earth and wind enemies and friends all at once the wolf and the lamb the lion and the deer far away yet together look at the unity of this spring and winter manifested in the equinox you too must mingle my friends since the earth and the sky are mingled just for you and me be like sugarcane sweet yet silent don't get mixed up with bitter words my beloved grows right out of my own heart how much more union can there be [2079.jpg] -- from Rumi: fountain of Fire, Translated by Nader Khalili <
1.jr - Seeking the Source, #unset, #Arthur C Clarke, #Fiction
   English version by Nader Khalili Original Language Persian/Farsi & Turkish a voice out of this world calls on our souls not to wait any more get ready to move to the original home your real home your real birth place is up here with the heavens let your soul take a flight like a happy phoenix you've been tied up your feet in the mud your body roped to a log break loose your ties get ready for the final flight make your last journey from this strange world soar for the heights where there is no more separation of you and your home God has created your wings not to be dormant as long as you are alive you must try more and more to use your wings to show you're alive these wings of yours are filled with quests and hopes if they are not used they will wither away they will soon decay you may not like what I'm going to tell you you are stuck now you must seek nothing but the source [2079.jpg] -- from Rumi: fountain of Fire, Translated by Nader Khalili <
1.jr - Two Kinds Of Intelligence, #Rumi - Poems, #Jalaluddin Rumi, #Poetry
  This second knowing is a fountainhead
  from within you, moving out.

1.jwvg - The Wanderer, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
  Show to me the fountain
  'Whence thou drinkest,
  --
  To the fountain
  Whence I drink.
  --
  Springs the fountain
  Whence I drink.

1.kbr - Poem 15, #Songs of Kabir, #Kabir, #Sufism
  Alas! the true fountain of life is beside you, and you have set up a stone to worship.
  Kabr says: "I may never express how sweet my Lord is. Yoga and the telling of beads, virtue and vicethese are naught to Him."

1.lb - Lament for Mr Tai, #Li Bai - Poems, #Li Bai, #Poetry
  Wine-maker there by Yellow fountains,
  Eternal Spring thats still your vintage.

1.lovecraft - Fact And Fancy, #Lovecraft - Poems, #unset, #Zen
  While reedy music by the fountain rings;
  To whom the waves a Nereid tale confide

1.lovecraft - Nemesis, #Lovecraft - Poems, #unset, #Zen
  I have drunk of the fog-foetid fountains                    
   That ooze down to the marsh and the main;                  

1.lovecraft - The Poe-ets Nightmare, #Lovecraft - Poems, #unset, #Zen
  Each day his fountain pen was wont to drop
  An ode or dirge or two about the shop,

1.ms - Clear Valley, #unset, #Arthur C Clarke, #Fiction
   English version by W. S. Merwin Original Language Japanese The water that can't be muddied with any stick is deeper than depth The sky and the water are a single deepening blue If you really want to find the source of the Sixth Patriarch's fountain don't look for it on the one bank or the other or in the middle of the stream [2206.jpg] -- from Sun at Midnight: Muso Soseki - Poems and Sermons, Translated by W. S. Merwin / Translated by Soiku Shigematsu <
1.pbs - Adonais - An elegy on the Death of John Keats, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And will no more reply to winds or fountains,
  Or amorous birds perched on the young green spray,
  --
  Back to the burning fountain whence it came,
  A portion of the Eternal, which must glow
  --
  Cease, ye faint flowers and fountains, and thou Air
  Which like a mourning veil thy scarf hadst thrown
  --
  Here, on one fountain of a mourning mind,
  Break it not thou! too surely shalt thou find

1.pbs - A Fragment - To Music, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Silver key of the fountain of tears,
  Where the spirit drinks till the brain is wild;

1.pbs - Alastor - or, the Spirit of Solitude, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The fountains of divine philosophy
  Fled not his thirsting lips, and all of great,
  --
  Of that still fountain; as the human heart,
  Gazing in dreams over the gloomy grave,
  --
  Of that dark fountain rose. A Spirit seemed
  To stand beside himclothed in no bright robes
  --
  Thy searchless fountain and invisible course,
  Have each their type in me; and the wide sky

1.pbs - Arethusa, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Shepherding her bright fountains.
  She leapt down the rocks,
  --
  And now from their fountains
  In Ennas mountains,

1.pbs - A Vision Of The Sea, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  In fountains spout oer it. In many a spire
  The pyramid-billows with white points of brine

1.pbs - Bigotrys Victim, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Yet, yet will I draw from the purest of fountains,
  Though a fiercer than tiger is there.
  --
  They came to the fountain to draw from its stream
  Waves too pure, too celestial, for mortals to see;

1.pbs - Chorus from Hellas, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   A new Peneus rolls his fountains
     Against the morning star.

1.pbs - Epipsychidion, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  That on the fountain of my heart a seal
  Is set, to keep its waters pure and bright
  --
  And from the fountains, and the odours deep
  Of flowers, which, like lips murmuring in their sleep
  --
  And many a fountain, rivulet, and pond,
  As clear as elemental diamond,
  --
  The fountains of our deepest life, shall be
  Confused in Passion's golden purity,

1.pbs - Epipsychidion (Excerpt), #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And many a fountain, rivulet and pond,
  As clear as elemental diamond,
  --
  The fountains of our deepest life, shall be
  Confus'd in Passion's golden purity,

1.pbs - Fragment Of A Satire On Satire, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  From the sweet fountains of our Nature flow
  These bitter waters; I will only say,

1.pbs - Fragments Of An Unfinished Drama, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Spreads on the floor of the unbroken fountain,
  Strewn, by the nurslings that linger there,
  --
  One half lay floating on the fountain wave,
  Whose pulse, elapsed in unlike sympathies,

1.pbs - From, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Here, on one fountain of a mourning mind,
  Break it not thou! too surely shalt thou find

1.pbs - From Vergils Fourth Georgic, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And led him through the deeps untrampled fountains
  He went in wonder through the path immortal

1.pbs - Hellas - A Lyrical Drama, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  There are two fountains in which spirits weep
  When mortals err, Discord and Slavery named,
  --
  The fountain in the desert whence the earth
  Shall drink of freedom, which shall give it strength
  --
  A new Peneus rolls his fountains
   Against the morning star.

1.pbs - Homers Hymn To Venus, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Feeding his herds among the mossy fountains
  Of the wide Idas many-folded mountains,--

1.pbs - Julian and Maddalo - A Conversation, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  As water-drops the sandy fountain-stone,
  Who loved and pitied all things, and could moan

1.pbs - Letter To Maria Gisborne, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Struck from the inmost fountains of my brain,
  With little skill perhaps;or how we sought

1.pbs - Loves Philosophy, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The fountains mingle with the river
  And the rivers with the ocean,

1.pbs - Mont Blanc - Lines Written In The Vale of Chamouni, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   Like snakes that watch their prey, from their far fountains,
   Slow rolling on; there, many a precipice

1.pbs - On The Dark Height of Jura, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  On the mist of the tempest which hangs o'er the fountain,
  Whilst a wreath of dark vapour encircles his head.

1.pbs - Orpheus, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The fountain of this rivulet, whose gush
  Cannot be seen, hid by a rayless night

1.pbs - Prince Athanase, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  From fountains pure, nigh overgrown and lost,
  The spirit of Prince Athanase, a child,
  --
  The waterfalls were voicelessfor their fountains
  Were changed to mines of sunless crystal now,

1.pbs - Prometheus Unbound, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Nor yon volcano's flaming fountains,
   Nor any power above or under
  --
  Like fountain-vapours when the winds are dumb,
  That climb up the ravine in scattered lines.
  --
  At the fountain-lighted caves,
  While our music, wild and sweet,
  --
  By the forest, lakes, and fountains,
  Through the many-folded mountains;
  --
  Of fountain-gazing roses fills the water,
  Flows from thy mighty sister.
  --
  And paved with veind emerald, and a fountain
  Leaps in the midst with an awakening sound.
  --
  Which twinkle on the fountain's brim, and make
  Strange combinations out of common things,
  --
  Within a fountain in the public square,
  Where I lay like the reflex of the moon
  --
   The billows and fountains
   Fresh music are flinging,
  --
   My cloven fire-crags, sound-exulting fountains
  Laugh with a vast and inextinguishable laughter.
  --
   Is loosened into living fountains,
  My solid oceans flow, and sing, and shine:

1.pbs - Queen Mab - Part V., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   From the full fountain of its boundless love,
   Forever stifled, drained and tainted now.

1.pbs - Rosalind and Helen - a Modern Eclogue, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
     O'er this fair fountain hung the sky,
     Now spangled with rare stars. The snake,
  --
     And the birds, that in the fountain dip
     Their plumes, with fearless fellowship
  --
     Wasting the fountain-stone away.
     And in that dark and evil day

1.pbs - Scenes From The Faust Of Goethe, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And now bursts forth in fountains from the earth;
  And now it winds, one torrent of broad light,
  --
  It is not the voice of the fountain,
  Nor the wolf in his midnight prowl.

1.pbs - Song. Cold, Cold Is The Blast When December Is Howling, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  She bedewed it with tears, then she hung o'er the fountain,
  And leaving it, cast it a prey to the wind.

1.pbs - Song. -- Fierce Roars The Midnight Storm, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Swift rolls the fountain--
  See! o'er yon rocky height,

1.pbs - Song. To [Harriet], #unset, #Arthur C Clarke, #Fiction
  Ah! sweet is the moonbeam that sleeps on yon fountain,
  And sweet the mild rush of the soft-sighing breeze,

1.pbs - The Cenci - A Tragedy In Five Acts, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Which is their fountain. I would pledge my soul
  That she is guiltless.

1.pbs - The Cyclops, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Bright as in their fountain wave.--
  Neither here, nor on the dew
  --
  You speak of a fair fountain, sweet to me.
  ULYSSES:
  --
  Who shall share the wines sweet fountains.
  Bring the cask, O stranger, bring!

1.pbs - The Irishmans Song, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The stars may dissolve, and the fountain of light
  May sink into ne'er ending chaos and night,

1.pbs - The Pine Forest Of The Cascine Near Pisa, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And waked to music all the fountains,
  And breathed upon the rigid mountains,

1.pbs - The Revolt Of Islam - Canto I-XII, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   Which there collects the strength of all its fountains,
    Comes forth, whilst with the speed its frame doth quiver,
  --
   The waves, the fountains, and the hush of night
    These were his voice, and well I understood
  --
    With music and with light, their fountains flowed
   In poesy; and her still and earnest face,
  --
   Involve in fire which not the loosened fountain
    Of broadest floods might quench, shall all the kinds
  --
    The fountains of her feeling, swift and deep,
   Seemed to suspend the tumult of their flow;
  --
   The dawn flowed forth, and from its purple fountains
    I drank those hopes which make the spirit quail,
  --
   The gray sea-shore, the forests and the fountains,
   Are haunts of happiest dwellers;man and woman,
  --
   Beside the fountain in the market-place
    Dismounting, I beheld those corpses stare
  --
   A fountain round and vast, in which the wave
    Imprisoned, boiled and leaped perpetually,
  --
   'Below, the fountain's brink was richly paven
    With the deep's wealth, coral, and pearl, and sand
  --
    The eagle, and the fountain, and the air;
   Another frenzy camethere seemed a being
  --
   Even in the fountains of my life:a long
    And wondrous vision wrought from my despair,
  --
    From the swift lights which might that fountain pave.
   She would mark one, and laugh, when that command
  --
    A Nautilus upon the fountain played,
   Spreading his azure sail where breath of Heaven
  --
   And sympathy, fountains of hope and fear;
  Justice, and truth, and time, and the world's natural sphere.
  --
   And oft from that bright fountain's shadowy waves
    They would make human throngs gather and rise
  --
    For hope whose fountain can be thus profound,
   Even thrond Evil's splendid impotence,
  --
   Above the Highestand those fountain-cells,
    Whence love yet flowed when faith had choked all other,
  --
    Return not to their fountainEarth and Heaven,
   The Ocean and the Sun, the Clouds their daughters,
  --
    Near the great fountain in the public square,
   Where corpses made a crumbling pyramid
  --
   Gray mists poured forth from the unresting fountains
    Of darkness in the North:the day was dying:
  --
   Of marble radiance, to that mighty fountain;
    And where the flood its own bright margin laves,
  --
   O'er the bright whirlpools of that fountain fair,
  Whose shores receded fast, whilst we seemed lingering there;
  --
   Tumultuous floods from their ten thousand fountains,
    The thunder of whose earth-uplifting roar

1.pbs - The Triumph Of Life, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   The birds, the fountains & the Ocean hold
   Sweet talk in music through the enamoured air.
  --
   Heard not the fountains whose melodious dew
   Out of their mossy cells forever burst
  --
   Floor of the fountain, paved with flashing rays,
   "A shape all light, which with one hand did fling

1.pbs - The Two Spirits - An Allegory, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Its aery fountains.
  Some say when nights are dry and clear,

1.pbs - The Witch Of Atlas, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Within a cavern, by a secret fountain.
  II.
  --
   'The fountains where the Naiades bedew
  Their shining hair, at length are drained and dried;
  --
  Under the cavern's fountain-lighted roof;
   Or broidering the pictured poesy
  --
   All night within the fountain -- as in sleep.
  Its emerald crags glowed in her beauty's glance;
  --
   Couched on the fountain like a panther tame,
  One of the twain at Evan's feet that sit--

1.pbs - To A Skylark, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  What objects are the fountains
    Of thy happy strain?

1.pbs - To Constantia, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The rose that drinks the fountain dew
  In the pleasant air of noon,

1.pbs - To Jane - The Invitation, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And waked to music all their fountains,
  And breathed upon the frozen mountains,

1.pbs - With A Guitar, To Jane, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And the many-voiced fountains;
  The clearest echoes of the hills,

1.poe - Al Aaraaf- Part 2, #Poe - Poems, #unset, #Zen
     fountains were gushing music as they fell
     In many a star-lit grove, or moon-lit dell;

1.poe - Alone, #Poe - Poems, #unset, #Zen
  From the torrent, or the fountain,
  From the red cliff of the mountain,

1.poe - The Forest Reverie, #Poe - Poems, #unset, #Zen
  That from new fountains overflow,
  With the earlier tide

1.poe - To One In Paradise, #Poe - Poems, #unset, #Zen
      A fountain and a shrine,
     All wreathed with fairy fruits and flowers,

1.rb - Cleon, #Browning - Poems, #Robert Browning, #Poetry
   They praise a fountain in my garden here
   Wherein a Naiad sends the water-bow

1.rbk - Epithalamium, #unset, #Arthur C Clarke, #Fiction
   English version by T. Carmi Original Language Hebrew 'Bound by affection, may your joy increase, as you are wed today in love and gladness; be glad and rejoice in the Lord your God. 'Bridegroom, delight in your glorious marriage chambers; excel in beauty among your companions; may your heart rejoice in the wife of your youth. 'Your radiant face, O bride, shall glow like wine; your enemies shall be as nothing; My parapet, your love is sweeter than wine.' Like one drinking wine or hearing the song of a swallow or a crane, I shall revel in the Holy One! 'I shall crown My dove with grace and kindness, as once I did when I revealed Myself in the flame of the consuming fire; for you have ravished My heart, My sister, My bride. 'Your fountains are a place of running water; I have shaken all your tormentors from you; My treasured one, lift up your eyes and look about you. 'I shall shower her who comes up from the wilderness with favours; I shall envelop My cornerstone with clouds of glory; I have likened your neck to an ivory tower.' Like one drinking wine or hearing the song of swallows or a crane, I shall revel in the Holy One! 'Arise, My beloved, and be married in love; give hymns and thanks to your King; sing and make music in My bridal chamber: "under the apple tree You have awakened me!"' [1835.jpg] -- from The Penguin Book of Hebrew Verse, Edited by T. Carmi

1.rb - Pauline, A Fragment of a Question, #Browning - Poems, #Robert Browning, #Poetry
  And then should find it but the fountain-head,
  Long lost, of some great river washing towns

1.rb - Sordello - Book the Third, #Browning - Poems, #Robert Browning, #Poetry
  It ebbs from to its source, a fountain sealed
  Forever. Better sure be unrevealed

1.rb - The Glove, #Browning - Poems, #Robert Browning, #Poetry
  Or catlike couched hard by the fountain
  To waylay the date-gathering negress:

1.rt - Brahm, Viu, iva, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  Cascades the primeval blazing fountain,
     Fragmenting silence,

1.rt - Broken Song, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  Is crushed by heedless clamour, like a fountain under a stone.
  The song and Baraj Lal's feelings go separate ways,

1.rt - Stray Birds 61 - 70, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  WHERE is the fountain
  that throws up these flowers

1.rwe - Art, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Let spouting fountains cool the air,
  Singing in the sun-baked square;

1.rwe - Friendship, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  The fountains of my hidden life
  Are through thy friendship fair.

1.rwe - May-Day, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Cleanse the torrent at the fountain,
  Purge alpine air by towns defiled,

1.rwe - Ode To Beauty, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  I drank at thy fountain
  False waters of thirst;

1.rwe - Quatrains, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  And fountain of the rains.
  EXCELSIOR.

1.rwe - The Enchanter, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Gives beauty to the lake and fountain,
  Spies oversea the fires of the mountain;

1.rwe - Woodnotes, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Thou askest in fountains and in fires,
  He is the essence that inquires.

1.sdi - Have no doubts because of trouble nor be thou discomfited, #unset, #Arthur C Clarke, #Fiction
   English version by Edward B. Eastwick Original Language Persian/Farsi Have no doubts because of trouble nor be thou discomfited; For the water of life's fountain springeth from a gloomy bed. Ah! ye brothers of misfortune! be not ye with grief oppressed, Many are the secret mercies which with the All-bounteous rest. [bk1sm.gif] -- from The Gulistan of Sadi: The Rose Garden, Translated by Edward B. Eastwick <
1.shvb - Columba aspexit - Sequence for Saint Maximin, #unset, #Arthur C Clarke, #Fiction
   English version by Barbara Newman Original Language Latin A dove gazed in through a latticed window: there balm rained down on her face, raining from lucent Maximin. The heat of the sun blazed out to irradiate the dark: a bud burst open, jewel-like, in the temple of the heart (limpid and kind his heart). A tower of cypress is he, and of Lebanon's cedars -- rubies and sapphires frame his turrets -- a city passing the arts of all other artisans. A swift stag is he who ran to the fountain -- pure wellspring from a stone of power -- to water sweet-smelling spices. O perfumers! you who dwell in the luxuriance of royal gardens, climbing high when you accomplish the holy sacrifice with rams: Among you this architect is shining, a wall of the temple, he who longed for an eagle's wings as he kissed his foster-mother Wisdom in Ecclesia's garden. O Maximin, mountain and valley, on your towering height the mountain goat leapt with the elephant, and Wisdom was in rapture. Strong and sweet in the sacred rites and the shimmer of the altar, you rise like incense to the pillar of praise -- where you pray for your people who strive toward the mirror of light. Praise him! Praise in the highest! [1826.jpg] -- from Symphonia: A Critical Edition of the Symphonia armonie celstium revelationum, by Hildegard of Bingen / Translated by Barbara Newman <
1.shvb - O ignis Spiritus Paracliti, #unset, #Arthur C Clarke, #Fiction
   English version by Ivan M. Granger Original Language Latin O Holy Spirit of Fire, life in the life of all life, holy are you, enlivening all things. Holy are you, a healing balm to the broken. Holy are you, washing blistered wounds. O Holy Breath, O Fire of Life, O Sweetness in my breast infusing my heart with the fine scent of truth. O Pure fountain through which we know God unites strangers and gathers the lost. O Heart's Shield, guarding life and hope, joining the many members into one body; Belt of Truth, wrap them in beauty. Protect those ensnared by the enemy, and free the worthy from their fetters. O Great Way that runs through all, from the heights, across the earth, and in the depths, you encompass all and unify all. From you the clouds stream and the ether rises; from your stones precious water pours, springs well and birth waterways, and the earth sweats green with life. And eternally do you bring forth knowledge by the breath of wisdom. All praise to you, you who are the song of praise and the joy of life, you who are hope and the greatest treasure, bestowing the gift of Light. <
1.sig - Thou art One, #unset, #Arthur C Clarke, #Fiction
   English version by Bernard Lewis Original Language Hebrew Thou art One, the beginning of all computation, the base of all construction. Thou art One, and in the mystery of Thy Oneness the wise of heart are astonished, for they know not what it is. Thou art One, and Thy Oneness neither diminishes nor increases, neither lacks nor exceeds. Thou art One, but not as the One that is counted or owned, for number and change cannot reach Thee, nor attribute, nor form. Thou art One, but my mind is too feeble to set Thee a law or a limit, and therefore I say: "I will take heed to my ways, that I sin not with my tongue." Thou art One, and Thou art exalted high above abasement and falling -- not like a man, who falls when he is alone. [1568.jpg] -- from The Heart and the fountain: An Anthology of Jewish Mystical Experiences, by Joseph Dan <
1.sig - Thou art the Supreme Light, #unset, #Arthur C Clarke, #Fiction
   English version by Bernard Lewis Original Language Hebrew Thou art the supreme light, and the eyes of the pure soul shall see Thee, and clouds of sin shall hide Thee from the eyes of sinners. Thou art the light hidden in this world and revealed in the world of beauty, "In the mount of the Lord it shall be seen." Thou art the eternal light, and the inward eye yearns for Thee and is astonished -- she shall see but the utmost part of them, and shall not see them all. [1568.jpg] -- from The Heart and the fountain: An Anthology of Jewish Mystical Experiences, by Joseph Dan <
1.sig - Thou Livest, #unset, #Arthur C Clarke, #Fiction
   English version by Bernard Lewis Original Language Hebrew Thou livest, but not from determined time or known epoch. Thou livest, but not with soul or breath, for Thou art soul of the soul. Thou livest, but not as the life of man that is like vanity, its end in moths and worms. Thou livest, and whoever attains Thy secret will find eternal delight -- "and eat, and live for ever." [1568.jpg] -- from The Heart and the fountain: An Anthology of Jewish Mystical Experiences, by Joseph Dan <
1.sig - Who can do as Thy deeds, #unset, #Arthur C Clarke, #Fiction
   English version by Bernard Lewis Original Language Hebrew Who can do as Thy deeds, when under the throne of Thy glory Thou madest a place for the spirits of Thy saints? There is the abode of the pure souls, that are bound in the bundle of life. Those who are tired and weary, there will they restore their strength. There shall the weary be at rest, for they are deserving of repose. In it there is delight without end or limitation, for that is the world-to-come. There are stations and visions for the souls that stand by the mirrors assembled, to see the face of the Lord and to be seen, Dwelling in the royal palaces, standing by the royal table, Delighting in the sweetness of the fruit of the Intelligence, which yields royal dainties. This is the repose and the inheritance, whose good and beauty are without limit, and "surely it floweth with milk and honey; and this is the fruit of it." [1568.jpg] -- from The Heart and the fountain: An Anthology of Jewish Mystical Experiences, by Joseph Dan <
1.sig - You are wise (from From Kingdoms Crown), #unset, #Arthur C Clarke, #Fiction
   English version by Peter Cole Original Language Hebrew You are wise, and wisdom is a fountain and source of life welling up from within you, and men are too coarse to know you. You are wise, and prime to all that's primeval, as though you were wisdom's tutor. You are wise, but your wisdom wasn't acquired and didn't derive from another. You are wise, and your wisdom gave rise to an endless desire in the world as within an artist or worker -- to bring out the stream of existence from Nothing, like light flowing from sight's extension -- drawing from the source of that light without vessel, giving it shape without tools, hewing and carving, refining and making it pure: He called to Nothing -- which split; to existence -- pitched like a tent; to the world -- as it spread beneath sky. With desire's span He established the heavens, as His hand coupled the tent of the planets with loops of skill, weaving creation's pavilions, the links of His will reaching the lowest rung of creation -- the curtain at the outermost edge of the spheres... [2610.jpg] -- from The Poetry of Kabbalah: Mystical Verse from the Jewish Tradition, Edited by Peter Cole <
1.sjc - Song of the Soul That Delights in Knowing God by Faith, #unset, #Arthur C Clarke, #Fiction
   English version by Antonio T. de Nicolas Original Language Spanish Well I know the fountain that runs and flows, though it is night! This eternal fountain is hidden deep. Well I know where it has its spring, Though it is night! In this life's dark night, Faith has taught where this cold fountain lies, Though it is night! Its origin I cannot know, it has none, And I know all origins come from it, Though it is night! And I know there can be nothing more fair, The heavens and earth drink there, Though it is night! And I know it has no bed, And I know no one can cross its depths, Though it is night! Its clarity is never clouded, And I know all light shines from it, Though it is night! I know her streams swell so abundantly, They water people, heaven and even hell, Though it is night! The current born of this fountain I know to be wide and mighty, Though it is night! And from these two another stream flows, And I know neither comes before, Though it is night! I know Three in only one water live, And each the other feeds, Though it is night! This eternal fountain is hiding from sight Within this living bread to give us life, Though it is night! He calls all creatures to this light, And of this water they drink, though in the dark, Though it is night! This living fountain I desire, I see it here within this living bread, Though it is night! [bk1sm.gif] -- from St. John of the Cross: Alchemist of the Soul: His Life, His Poetry (Bilingual), His Prose, by Antonio T. de Nicolas <
1.sjc - The Fountain, #unset, #Arthur C Clarke, #Fiction
  object:1.sjc - The fountain
  author class:Saint John of the Cross
  --
   English version by Willis Barnstone Original Language Spanish How well I know that flowing spring in black of night. The eternal fountain is unseen. How well I know where she has been in black of night. I do not know her origin. None. Yet in her all things begin in black of night. I know that nothing is so fair and earth and firmament drink there in black of night. I know that none can wade inside to find her bright bottomless tide in black of night. Her shining never has a blur; I know that all light comes from her in black of night. I know her streams converge and swell and nourish people, skies and hell in black of night. The stream whose birth is in this source I know has a gigantic force in black of night. The stream from but these two proceeds yet neither one, I know, precedes in black of night. The eternal fountain is unseen in living bread that gives us being in black of night. She calls on all mankind to start to drink her water, though in dark, for black is night. O living fountain that I crave, in bread of life I see her flame in black of night. [1508.jpg] -- from To Touch the Sky: Poems of Mystical, Spiritual & Metaphysical Light, Translated by Willis Barnstone <
1.snk - You are my true self, O Lord, #unset, #Arthur C Clarke, #Fiction
   English version by Ivan M. Granger You are my true self, O Lord. My pure awareness is your consort. My breath, my body are your handmaids. I am your holy ground. My every action is an offering to you. My rest is my melting into you. Every step I take circles you. Every word I speak is a song for you. Whatever work I do, that work is worship of you, O fountain of Bliss! [2720.jpg] -- from This Dance of Bliss: Ecstatic Poetry from Around the World, Edited by Ivan M. Granger <
1.snt - How are You at once the source of fire, #unset, #Arthur C Clarke, #Fiction
   English version by George A. Maloney, S.J. Original Language Greek How are You at once the source of fire, how also the fountain of dew? How at once burning and sweetness, how a remedy for all disease? How do You make gods of us men, how do You make darkness light? How do You make one reascend from Hell, how do You make us mortals imperishable? How do You draw darkness to light, how do You triumph over night? How do You illumine the heart? how do You transform me entirely? How do You become one with men, how do You make them sons of God? [bk1sm.gif] -- from Hymns of Divine Love: Songs of praise by one of the great mystics of all church history, by Symeon the New Theologian / Channeled by Gearoge A. Maloney, S.J. <
1.wby - A Dramatic Poem, #Yeats - Poems, #William Butler Yeats, #Poetry
    Had run into one fountain.
  Aibric.          Speak to him.

1.wby - Meditations In Time Of Civil War, #Yeats - Poems, #William Butler Yeats, #Poetry
  And not a fountain, were the symbol which
  Shadows the inherited glory of the rich.

1.wby - The Gift Of Harun Al-Rashid, #Yeats - Poems, #William Butler Yeats, #Poetry
  Sat down upon the fountain's marble edge,
  One hand amid the goldfish in the pool;
  --
  And yet herself can seem youth's very fountain,
  Being all brimmed with life?'

1.wby - The Shadowy Waters - The Shadowy Waters, #Yeats - Poems, #William Butler Yeats, #Poetry
    Had run into one fountain.
  Aibric.          Speak to him.

1.wby - The Tower, #Yeats - Poems, #William Butler Yeats, #Poetry
  The fountain leap, and at dawn
  Drop their cast at the side

1.wby - The Wanderings Of Oisin - Book I, #Yeats - Poems, #William Butler Yeats, #Poetry
  The Immortals moved among the fountains
  By rivers and the woods' old night;

1.whitman - Ashes Of Soldiers, #Whitman - Poems, #unset, #Zen
   Give me exhaustlessmake me a fountain,
   That I exhale love from me wherever I go, like a moist perennial dew,

1.whitman - Passage To India, #Whitman - Poems, #unset, #Zen
   Thou moral, spiritual fountain! affection's source! thou reservoir!
   (O pensive soul of me! O thirst unsatisfied! waitest not there?

1.whitman - Song Of The Exposition, #Whitman - Poems, #unset, #Zen
   Ended, deceas'd, through time, her voice by Castaly's fountain;
   Silent through time the broken-lipp'd Sphynx in Egyptsilent those

1.ww - 0- The White Doe Of Rylstone, Or, The Fate Of The Nortons - Dedication, #Wordsworth - Poems, #unset, #Zen
  Even to the fountain-head of peace divine."

1.ww - 4- The White Doe Of Rylstone, Or, The Fate Of The Nortons, #Wordsworth - Poems, #unset, #Zen
  Converging walks, and fountains gay,
  And terraces in trim array--              

1.ww - A Complaint, #Wordsworth - Poems, #unset, #Zen
  A fountain at my fond heart's door,
  Whose only business was to flow;

1.ww - A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine, #Wordsworth - Poems, #unset, #Zen
        From Hebrew fountains sprung;
       That gives this ragged group to cast

1.ww - A Poet's Epitaph, #Wordsworth - Poems, #unset, #Zen
  Or fountain in a noon-day grove;
  And you must love him, ere to you

1.ww - Book Eighth- Retrospect--Love Of Nature Leading To Love Of Man, #Wordsworth - Poems, #unset, #Zen
  Sprang out of fountains, there abounding most,
  Where sovereign Nature dictated the tasks
  --
  For spring or fountain, which the traveller finds,
  When through the region he pursues at will

1.ww - Book Eleventh- France [concluded], #unset, #Arthur C Clarke, #Fiction
  Or, if that fountain be in truth no more,
  Then, near some other spring--which, by the name

1.ww - Book Fifth-Books, #Wordsworth - Poems, #unset, #Zen
  As generous as a fountain; selfishness
  May not come near him, nor the little throng

1.ww - Book First [Introduction-Childhood and School Time], #unset, #Arthur C Clarke, #Fiction
  Or fountain, listen to the grave reports
  Of dire enchantments faced and overcome

1.ww - Book Second [School-Time Continued], #unset, #Arthur C Clarke, #Fiction
  Or shady fountains, while among the leaves
  Soft airs were stirring, and the mid-day sun
  --
  Came from yon fountain?" Thou, my Friend! art one    
  More deeply read in thy own thoughts; to thee
  --
  The fluttering breezes, fountains that run on
  Murmuring so sweetly in themselves, obeyed

1.ww - Book Tenth {Residence in France continued], #Wordsworth - Poems, #unset, #Zen
  Who from the fountain of Thy grace dost fill
  The veins that branch through every frame of life,

1.ww - Book Twelfth [Imagination And Taste, How Impaired And Restored ], #unset, #Arthur C Clarke, #Fiction
  As at a fountain; and on winter nights,
  Down to this very time, when storm and rain

1.ww - Hart-Leap Well, #Wordsworth - Poems, #unset, #Zen
  Down to the very fountain where he lies.
  "I'll build a pleasure-house upon this spot,
  --
  A basin for that fountain in the dell!
  And they who do make mention of the same,
  --
  And near the fountain, flowers of stature tall
  With trailing plants and trees were intertwined,--
  --
  You see the stones, the fountain, and the stream;    
  But as to the great Lodge! you might as well
  --
  Lulled by the fountain in the summer-tide;      
  This water was perhaps the first he drank
  --
  Till trees, and stones, and fountain, all are gone."  
  "Grey-headed Shepherd, thou hast spoken well;

1.ww - Laodamia, #Wordsworth - Poems, #unset, #Zen
   The paths which we had trodthese fountains, flowers:
   My new-planned cities, and unfinished towers.

1.ww - Ode on Intimations of Immortality, #Wordsworth - Poems, #unset, #Zen
  Are yet the fountain-light of all our day,
  Are yet a master-light of all our seeing;
  --
  And 0, ye fountains, Meadows, Hills, and Groves,
  Forebode not any severing of our loves!

1.ww - Ruth, #Wordsworth - Poems, #unset, #Zen
  By spouts and fountains wild--
  Such small machinery as she turned          

1.ww - Song Of The Wandering Jew, #Wordsworth - Poems, #unset, #Zen
  THOUGH the torrents from their fountains
  Roar down many a craggy steep,

1.ww - The Excursion- IV- Book Third- Despondency, #Wordsworth - Poems, #unset, #Zen
  Of craggy fountain; what he hopes for wins,
  Or learns, at least, that 'tis not to be won:

1.ww - The Excursion- V- Book Fouth- Despondency Corrected, #Wordsworth - Poems, #unset, #Zen
  A stream, which, from the fountain of the heart
  Issuing, however feebly, nowhere flows
  --
  From a clear fountain flowing, he looks round
  And seeks for good; and finds the good he seeks:

1.ww - The Excursion- VII- Book Sixth- The Churchyard Among the Mountains, #Wordsworth - Poems, #unset, #Zen
  Within the soul, fountains of grace divine;
  And doth commend their weakness and disease

1.ww - The Fountain, #Wordsworth - Poems, #unset, #Zen
  object:1.ww - The fountain
  author class:William Wordsworth
  --
  And from the turf a fountain broke
  And gurgled at our feet.
  --
  Beside this fountain's brink.
  `My eyes are dim with childish tears,
  --
  We rose up from the fountain-side;
  And down the smooth descent

1.ww - The Recluse - Book First, #Wordsworth - Poems, #unset, #Zen
  Those little fountains, sparkling in the sun,
  Betray their occupation, rising up

1.ww - The Sparrow's Nest, #Wordsworth - Poems, #unset, #Zen
  A heart, the fountain of sweet tears;
     And love, and thought, and joy.

1.ww - The Two April Mornings, #Wordsworth - Poems, #unset, #Zen
  `No fountain from its rocky cave
  E'er tripped with foot so free;

1.ww - To-- On Her First Ascent To The Summit Of Helvellyn, #Wordsworth - Poems, #unset, #Zen
  Thine are all the coral fountains
  Warbling in each sparry vault

1.ww - Written In A Blank Leaf Of Macpherson's Ossian, #Wordsworth - Poems, #unset, #Zen
       Such Milton, to the fountain head
       Of glory by Urania led!

1.ww - Written in March, #Wordsworth - Poems, #unset, #Zen
   There's life in the fountains;
   Small clouds are sailing,

2.01 - Habit 1 Be Proactive, #The 7 Habits of Highly Effective People, #Stephen Covey, #unset
  Samuel Johnson observed: "The fountain of content must spring up in the mind, and he who hath so little knowledge of human nature as to seek happiness by changing anything but his own disposition, will waste his life in fruitless efforts and multiply the grief he proposes to remove."
  Knowing that we are responsible -- "response-able" -- is fundamental to effectiveness and to every other habit of effectiveness we will discuss.

2.01 - Mandala One, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  (6) The Maruts, great givers who are born to us in the coming of knowledge, feed the waters and make them a milk full of the brightness of clarified butter and lead about the master of plenty like a galloping horse that he may rain his bounty and milk the loud unwasting fountain.
  (7) Great ones, full of creative knowledge and rich with manifold lustres, moving swiftly, strong in your own strength like hills, Maruts, you devour like the trunked beasts the pleasant woods of earth when you have yoked your strength to the ruddy herd of the lightnings.

2.02 - Habit 2 Begin with the End in Mind, #The 7 Habits of Highly Effective People, #Stephen Covey, #unset
  For a three-day period, I watched every conceivable situation where service was called for. I always found that service was delivered in a very impressive, excellent way. But it was always also very personalized. For instance, in the swimming area I asked the attendant where the drinking fountain was. He walked me to it.
  But the thing that impressed me the very most was to see an employee, on his own, admit a mistake to his boss. We ordered room service, and were told when it would be delivered to the room. On the way to our room, the room service person spilled the hot chocolate, and it took a few extra minutes to go back and change the linen on the tray and replace the drink. So the room service was about fifteen minutes late, which was really not that important to us.

2.02 - The Ishavasyopanishad with a commentary in English, #Isha Upanishad, #unset, #Zen
  preference is the perennial well & fountain, evolution meaning
  simply the wider and wider revelation of Brahman, the universal

2.03 - THE ENIGMA OF BOLOGNA, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [74] Aldrovanduss interpretation is essentially alchemical, as we can see from the treatise of Bernardus Trevisanus (Count of the March and Trevis, 140690).187 He tells the parable188 of an adept who finds a clear spring set about with the finest stone and secured to the trunk of an oak-tree, the whole surrounded by a wall. This is the Kings bath in which he seeks renewal. An old man, Hermes the mystagogue, explains how the King had this bath built: he placed in it an old oak, cloven in the midst.189 The fountain was surrounded by a thick wall, and first it was enclosed in hard, bright stone, then in a hollow oak.190
  [75] The point of the parable, evidently, is to bring the oak into connection with the bath. Usually this is the nuptial bath of the royal pair. But here the Queen is missing, for it is only the King who is renewed. This unusual version191 of the motif suggest that the oak, as the feminine numen, has taken the place of the Queen. If this assumption is correct, it is particularly significant that the oak is first said to be cloven and later to be hollow. Now it seems to be the upright trunk or stock of the fountain,192 now a living tree casting a shadow, now the trough of the fountain. This ambiguity refers to the different aspects of the tree: as the stock, the oak is the source of the fountain, so to speak; as the trough it is the vessel, and as the protecting tree it is the mother.193 From ancient times the tree was mans birthplace;194 it is therefore a source of life. The alchemists called both the vessel and the bath the womb.195 The cloven or hollow trunk bears out this interpretation.196 The Kings bath is itself a matrix, the tree serving as an attribute of the latter. Often, as in the Ripley Scrowle,197 the tree stands in the nuptial bath, either as a pillar or directly as a tree in whose branches the numen appears in the shape of a mermaid (= anima) with a snakes tail.198 The analogy with the Tree of Knowledge is obvious.199 The Dodonian oak was the abode of an oracle, the anima here playing the role of prophetess.200 The snake-like Mercurius appears as a tree numen in Grimms fairytale of The Spirit in the Bottle.201
  [76] The tree has a remarkable relation to the old man in the Turba:

2.05 - Apotheosis, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  they and the inexhaustible world fountain are the same.
  The call of the Great Father Snake was alarming to the child;
  --
  play there from a remarkable fountain. Phoenix marrow, dragon
  liver, and other meats are tasted; the peaches and the wine be

2.05 - On Poetry, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Disciple: He speaks of a fountain breaking all the barriers and rushing towards the sea in Ananda.
   Sri Aurobindo: But why did he adopt that symbol? Did the experience come in that symbolic form?

2.05 - Universal Love and how it leads to Self-Surrender, #Bhakti-Yoga, #Swami Vivekananda, #Hinduism
  His body, His manifestation. How then may we hurt any one? How then may we not love anyone? With the love of God will come, as a sure effect, the love of everyone in the universe. The nearer we approach God, the more do we begin to see that all things are in Him. When the soul succeeds in appropriating the bliss of this supreme love, it also begins to see Him in everything. Our heart will thus become an eternal fountain of love. And when we reach even higher states of this love, all the little differences between the things of the world are entirely lost; man is seen no more as man, but only as God; the animal is seen no more as animal, but as God; even the tiger is no more a tiger but manifestation of God. Thus in this intense state of Bhakti, worship is offered to every one, to every life, and to every being.
  Knowing that Hari, the Lord, is in every being, the wise have thus to manifest unswerving love towards all beings.

2.06 - ON THE RABBLE, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  You flow for me almost too violently, fountain of
  pleasure. And often you empty the cup again by wanting to fill it. And I must still learn to approach you more

2.06 - WITH VARIOUS DEVOTEES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  "When the devotee develops raga-bhakti, passionate love of God, he realizes Him. But one loses vaidhibhakti, formal devotion, as easily as one gains it. This is formal devotion: so much japa, so much meditation, so much sacrifice and homa, so many articles of worship, and the recitation of so many mantras, before the Deity. Such devotion comes in a moment and goes in a moment. Many people say: 'Well, friend, we have lived on havishya for so many days! How many times we have worshipped the Deity at our home! And what have we achieved?' But there is no falling away from raga-bhakti. And who gets this passionate love for God? Those who have performed many meritorious deeds in their past births, or those who are eternally perfect. Think of a dilapidated house, for instance: while clearing away the undergrowth and rubbish one suddenly discovers a fountain fitted with a pipe. It has been covered with earth and bricks, but as soon as they are removed the water shoots up.
  Sign of a true devotee

2.07 - The Release from Subjection to the Body, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  We say then to the mind "This is a working of prakriti, this is neither thyself nor myself; stand back from it." We shall find, if we try, that the mind has this power of detachment and can stand back from the body not only in idea, but in act and as it were physically or rather vitally. This detachment of the mind must be streng thened by a certain attitude of indifference to the things of the body; we must not care essentially about its sleep or its waking, its movement or its rest, its pain or its pleasure, its health or ill-health, its vigour or its fatigue, its comfort or its discomfort, or what it eats or drinks. This does not mean that we shall not keep the body in right order so far as we can; we have not to fall into violent asceticisms or a positive neglect of the physical frame. But we have not either to be affected in mind by hunger or thirst or discomfort or ill-health or attach the importance which the physical and vital man attaches to the things of the body, or indeed any but a quite subordinate and purely instrumental importance. Nor must this instrumental importance be allowed to assume the proportions of a necessity; we must not for instance imagine that the purity of the mind depends on the things we eat or drink, although during a certain stage restrictions in eating and drinking are useful to our inner progress; nor on the other hand must we continue to think that the dependence of the mind or even of the life on food and drink is anything more than a habit, a customary relation which Nature has set up between these principles. As a matter of fact the food we take can be reduced by contrary habit and new relation to a minimum without the mental or vital vigour being in any way reduced; even on the contrary with a judicious development they can be trained to a greater potentiality of vigour by learning to rely on the secret fountains of mental and vital energy with which they are connected more than upon the minor aid of physical aliments. This aspect of self-discipline is however more important in the Yoga of self-perfection than here; for our present purpose the important point is the renunciation by the mind of attachment to or dependence on the things of the body.
  Thus disciplined the mind will gradually learn to take up towards the body the true attitude of the Purusha. First of all, it will know the mental Purusha as the upholder of the body and not in any way the body itself; for it is quite other than the physical existence which it upholds by the mind through the agency of the vital force. This will come to be so much the normal attitude of the whole being to the physical frame that the latter will feel to us as if something external and detachable like the dress we wear or an instrument we happen to be carrying in our hand. We may even come to feel that the body is in a certain sense non-existent except as a sort of partial expression of our vital force and of our mentality. These experiences are signs that the mind is coming to a right poise regarding the body, that it is exchanging the false viewpoint of the mentality obsessed and captured by physical sensation for the viewpoint of the true truth of things.

2.09 - THE NIGHT SONG, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  Night has come; now all fountains speak more loudly.
  And my soul too is a fountain.
  Night has come; only now all the songs of lovers
  --
  Night has come; now all fountains speak more loudly.
  And my soul too is a fountain.
  Night has come; now all the songs of lovers awaken.

2.1.03 - Man and Superman, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  The Self is an immortal and unseizable essence and substance of all things, it is a pure omnipresent omniscient omnipotent existence. It appears to our experience when we emerge from the subconscient as a mysterious Void or Nihil, indeterminable yet from it all things and forms are, inconscient yet flowering into consciousness, inert yet manifesting enormous energies, lifeless yet the parent of life, insensible yet a fountain of pain and pleasure. This impossibility, this universal contradiction is unreal and born of our ignorance; yet that ignorance is not ours, but a result of the inconscience which was imposed on itself as a veil by the involved Self and Spirit. For if that
  Inconscience were not there, the evolutionary emergence of the

2.12 - The Way and the Bhakta, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
  N THE eleventh chapter of the Gita the original object of the teaching has been achieved and brought up to a certain completeness. The comm and to divine action done for the sake of the world and in union with the Spirit who dwells in it and in all its creatures and in whom all its working takes place, has been given and accepted by the Vibhuti. The disciple has been led away from the old poise of the normal man and the standards, motives, outlook, egoistic consciousness of his ignorance, away from all that had finally failed him in the hour of his spiritual crisis. The very action which on that standing he had rejected, the terrible function, the appalling labour, he has now been brought to admit and accept on a new inner basis. A reconciling greater knowledge, a diviner consciousness, a high impersonal motive, a spiritual standard of oneness with the will of the Divine acting on the world from the fountain light and with the motive power of the spiritual nature, - this is the new inner principle of works which is to transform the old ignorant action. A knowledge which embraces oneness with the Divine and arrives through the Divine at conscious oneness with all things and beings, a will emptied of egoism and acting only by the comm and and as an instrumentation of the secret
  Master of works, a divine love whose one aspiration is towards a close intimacy with the supreme Soul of all existence, accomplished by the unity of these three perfected powers an inner all-comprehending unity with the transcendent and universal
  --
  To this question Krishna replies with an emphatic decisiveness. "Those who found their mind in Me and by constant union, possessed of a supreme faith, seek after Me, I hold to be the most perfectly in union of Yoga." The supreme faith is that which sees God in all and to its eye the manifestation and the non-manifestation are one Godhead. The perfect union is that which meets the Divine at every moment, in every action and with all the integrality of the nature. But those also who seek by a hard ascent after the indefinable unmanifest Immutable alone, arrive, says the Godhead, to Me. For they are not mistaken in their aim, but they follow a more difficult and a less complete and perfect path. At the easiest, to reach the unmanifest Absolute they have to climb through the manifest Immutable here. This manifest Immutable is my own all-pervading impersonality and silence; vast, unthinkable, immobile, constant, omnipresent, it supports the action of personality but does not share in it. It offers no hold to the mind; it can only be gained by a motionless spiritual impersonality and silence and those who follow after it alone have to restrain altogether and even draw in completely the action of the mind and senses. But still by the equality of their understanding and by their seeing of one self in all things and by their tranquil benignancy of silent will for the good of all existences they too meet me in all objects and creatures. No less than those who unite themselves with the Divine in all ways of their existence, sarva-bhavena, and enter largely and fully into the unthinkable living fountainhead of universal things, divyam purus.am acintya-rupam, these seekers too who climb through this more difficult exclusive oneness towards a relationless unmanifest Absolute find in the end the same Eternal. But this is a less direct and more arduous way; it is not the full and natural movement of the spiritualised human nature.
  And it must not be thought that because it is more arduous, therefore it is a higher and more effective process. The easier way of the Gita leads more rapidly, naturally and normally to

2.16 - The Integral Knowledge and the Aim of Life; Four Theories of Existence, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  Mind and life themselves cannot grow into their fullness except by the opening up of the larger and greater consciousness to which mind only approaches. Such a larger and greater consciousness is the spiritual, for the spiritual consciousness is not only higher than the rest but more embracing. Universal as well as transcendent, it can take up mind and life into its light and give them the true and utmost realisation of all for which they are seeking: for it has a greater instrumentality of knowledge, a fountain of deeper power and will, an unlimited reach and intensity of love and joy and beauty. These are the things for which our mind, life and body are seeking, knowledge, power and joy, and to reject that by which all these arrive at their utmost plenitude is to shut them out from their own highest consummation. An opposite exaggeration demanding only some colourless purity of spiritual existence nullifies the creative action of the spirit and excludes from us all that the Divine manifests in its being: it leaves room only for an evolution without sense or fulfilment, - for a cutting off of all that has been evolved is the sole culmination; it turns the process of our being into the meaningless curve of a plunge into Ignorance and return out of it or erects a wheel of cosmic Becoming with only an escape-issue. The intermediary, the supraterrestrial aspiration cuts short the fulfilment of the being above by not proceeding to its highest realisation of oneness and diminishes it below by not allowing a proper amplitude of sense to its presence in the material universe and its acceptance of life in an earthly body. A large relation of unity, an integration, restores the balance, illumines the whole truth of being and links together the steps of Nature.
  In this integration the supracosmic Reality stands as the supreme Truth of being; to realise it is the highest reach of our consciousness. But it is this highest Reality which is also the cosmic being, the cosmic consciousness, the cosmic will and life: it has put these things forth, not outside itself but in its own being, not as an opposite principle but as its own self-unfolding and self-expression. Cosmic being is not a meaningless freak or phantasy or a chance error; there is a divine significance and truth in it: the manifold self-expression of the spirit is its high sense, the Divine itself is the key of its enigma. A perfect selfexpression of the spirit is the object of our terrestrial existence.

2.2.03 - The Science of Consciousness, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
   expression which seem to us to indicate them; but it is still more limited by the possibility of error in our observation and still more in our interpretation. Errors of wrong attri bution, exaggeration, diminution, false [?evidence], false valuation, crop up at every turn; indeed, the whole observation may be nothing but error, the interpretation purely personal and mistaken. Comparison with ourselves may be a fruitful fountain of mistakes; there is no doubt a general similarity in the mass of human reactions, but the differences and variations are also marked and striking; there is here no source of certitude.
  A direct experiential and experimental psychology seems to be demanded if psychology is to be a science and not merely a mass of elementary and superficial generalisations with all the rest guesswork or uncertain conclusion or inference. We must see, feel, know directly what we observe; our interpretations must be capable of being sure and indubitable; we must be able to work surely on a ground of sure knowledge.

2.21 - Towards the Supreme Secret, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
  "He comes to know Me," says the Gita, "who and how much I am and in all the reality and principles of my being, yavan yas casmi tattvatah.." This integral knowledge is the knowledge of the Divine present in the individual; it is the entire experience of the Lord secret in the heart of man, revealed now as the supreme Self of his existence, the Sun of all his illumined consciousness, the Master and Power of all his works, the divine fountain of all his soul's love and delight, the Lover and Beloved of his worship and adoration. It is the knowledge too of the Divine extended in the universe, of the Eternal from whom all proceeds and in whom all lives and has its being, of the Self and Spirit of the cosmos, of Vasudeva who has become all this that is, of the Lord of cosmic existence who reigns over the works of Nature. It is the knowledge of the divine Purusha luminous in his transcendent eternity, the form of whose being escapes from the thought of the mind but not from its silence; it is the entire living experience of him as absolute Self, supreme Brahman, supreme Soul, supreme Godhead: for that seemingly incommunicable Absolute is at the same time and even in that highest status the originating Spirit of the cosmic action and Lord of all these existences. The soul of the liberated man thus enters by a reconciling knowledge, penetrates by a perfect simultaneous delight of the transcendent Divine, of the Divine in the individual and of the Divine in the universe into the Purushottama, mam visate tadanantaram. He becomes one with him in his self-knowledge and self-experience, one with him in his being and consciousness and will and worldknowledge and world-impulse, one with him in the universe and in his unity with all creatures in the universe and one with him beyond world and individual in the transcendence of the eternal Infinite, sasvatam padam avyayam. This is the culmination of the supreme bhakti that is at the core of the supreme knowledge.
  And it then becomes evident how action continual and unceasing and of all kinds without diminution or abandonment of any part of the activities of life can be not only quite consistent with a supreme spiritual experience, but as forceful a means of reaching this highest spiritual condition as bhakti or knowledge.

2.2.4 - Taittiriya Upanishad, #Kena and Other Upanishads, #Sri Aurobindo, #Integral Yoga
  that is the fountain of bliss; for when the Spirit that is within us
  findeth his refuge and firm foundation in the Invisible Bodiless

2.24 - The Message of the Gita, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
  "This Yoga of love will give you a highest potential force for spiritual largeness and unity and freedom. But it must be a love which is one with God-knowledge. There is a devotion which seeks God in suffering for consolation and succour and deliverance; there is a devotion which seeks him for his gifts, for divine aid and protection and as a fountain of the satisfaction of desire; there is a devotion that, still ignorant, turns to him for light and knowledge. And so long as one is limited to these forms, there may persist even in their highest and noblest
  Godward turn a working of the three gunas. But when the Godlover is also the God-knower, the lover becomes one self with the Beloved; for he is the chosen of the Most High and the elect of the Spirit. Develop in yourself this God-engrossed love; the heart spiritualised and lifted beyond the limitations of its lower nature will reveal to you most intimately the secrets of God's immeasurable being, bring into you the whole touch and influx and glory of his divine Power and open to you the mysteries of an eternal rapture. It is perfect love that is the key to a perfect knowledge.

2 - Other Hymns to Agni, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  9. He is a fountain with a hundred streams that is never exhausted, with his illumined consciousness he is the father
  and accorder of all that must be spoken; he takes his rapture
  --
  like a fountain in the desert to longing men, O ancient king,
  O Fire.
  --
  lap of the two secret ones in the midst of the fountain-source
  the hidden seat of the being.

30.04 - Intuition and Inspiration in Art, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   Again, if in Rabindranath we get at the fountainhead of some of the deepest, purest inspiration, we see on the other hand an effort and aspiration for intuition in Madhusudan.
   Intuition and inspiration do not necessarily mean the same thing always and everywhere. Both differ in kind and degree - ranging from the subtlest to the grossest, from the highest to the lowest. If we want to make a differentiation between them, we have to look to the source from where they originate; otherwise by itself neither can claim superiority.

30.15 - The Language of Rabindranath, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   The similarity between Saratchandra and Tagore is that both are progressive, rather very progressive, speedy, rather very speedy, but there is a dissimilarity in the manner of their progressiveness and speed. Tagore's Muse moves speedily but in a zigzag way, observing all sides, throwing out various judgments and opinions, scattering flashes all around. Here are all the playful lines of a baroque painting at its best. Saratchandra goes straight to his goal - as straight as it is possible for a romantic soul to be. He allows himself, we may say, a curvilinear path, as that of an arrow heading direct towards its goal. There is a vibration lent to it by the drive of a flashing Damascus blade. It is flexible and yet firm. The flow of Tagore can be compared to that of a fountain - it is rich in sounds and hues. Saratchandra's is the light-pinioned bird that flies in the sky in silence. We find in Bankim a wide calm, happiness, clarity and beauty. In Tagore it is a tapestry woven by the free outpourings of the mind and the heart. In Saratchandra it is the dynamic simplicity of a vitality meaning business.
   I spoke of Rabindranath's ornamentation. But we must bear in mind that this ornament is not an ostentatious one. Not in the least heavy, loaded, luxurious like that which an old-world beauty carried on her limbs; it is as light as the jewellery which a belle puts on to-day. The tapestry of myriad forms has been wrought in gold threads, made thin and fine and almost tenuous and yet firmly holding together. This embroidery is beauteousness itself, for it is a work subtle and refined and meant to be beautiful. It is a beauty requiring no outer grandeur, no wrought-out gold and satin of volubility and rhetoric. It bears in its own limbs, as it were, the glow of an inherent grace and charm.

30.17 - Rabindranath, Traveller of the Infinite, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   However, due to the unique quality of the aspiration, curiosity and seeking which we have mentioned as being in his heart, two qualities are perceptible in his poetical style. First, the Style, the speed, the swing of rhyme and rhythm and the cadence of tune. Starting from 'Nirjharer Swapna Bhanga', the awakening of the fountain, 'My heart dances to-day', and 'Lo, he comes, he comes with rapture', to 'the restless, irresistible flutterings of the wings', of 'Balaka', the same style shows itself in a fast and almost merry stepping. A restlessness for an uninterrupted forward march of the soul and the inner consciousness to proceed ever still more, still further, still higher is the nature of the divine flame residing in the heart. So the delight of journeying incessantly, without a halt anywhere in any shelter, journeying for the sake of journeying - this becomes the aim and ideal of man's life. The Vedic Mantra - 'caraiueti','move, move on' - was therefore so dear to Tagore. Is there such a thing as a definite and fixed ideal? We surpass the aim of today and another appears on the horizon. Today's high precipice is left behind as a foothill. A higher precipice looms ahead, and behind it rears one still higher, thus an unending range. There is no stopping, never say there is 'no further'.
   The message of the poet's heart runs:
  --
   It is an interesting study how the upward urge of aspiration, the basic note of consciousness runs like a golden thread through all different modes and manners and reveals itself under various names and forms. To begin from the beginning with 'The Awakening of the fountain':
   I shall rush from peak to peak,
  --
   Tagore, as it appears to me, never again reached such heights of bold imageries and in such an amplitude of melody. Enchanting moods and manners, figures and symbols, diverse and varied, were there, every one of them with its own speciality, beauty and gracefulness but it is doubtful whether they possess the sense of vastness and loftiness and epic sweep and grandeur to that extent as here. The urge, the movement that finds expression here is not concerned merely with the aspiration of human beings or individuals; here is expressed in a profound, grandiose voice the aspiration of the inert soil and the mute earth; not merely in conscious beings but also in the subconscient world there vibrates an intense, passionate, vast, upward longing. A sleepless march proceeds towards the light from the bottom of the entire creation - not only it is finely and adequately expressed but that reality has assumed its own form as it were in word and rhythm, as a living embodiment. In 'The Awakening of the fountain' we notice the lisping of this grand message, although the . fountain there is a mere symbol or an image, and the significance too is to a considerable extent of the nature of an oration or discourse, nevertheless fundamentally the poet's dream remains the same. So, we can say, what commenced with the ' fountain', with the cry of a chord and the invocation of a single limb, has become a full-fledged orchestral symphony in 'Balaka': the wheel has come full circle.
   ***

WORDNET



--- Overview of noun fountain

The noun fountain has 4 senses (first 1 from tagged texts)
                  
1. (2) fountain ::: (a structure from which an artificially produced jet of water arises)
2. spring, fountain, outflow, outpouring, natural spring ::: (a natural flow of ground water)
3. fountain, jet ::: (an artificially produced flow of water)
4. fountain, fount ::: (a plumbing fixture that provides a flow of water)


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun fountain

4 senses of fountain                          

Sense 1
fountain
   => structure, construction
     => artifact, artefact
       => whole, unit
         => object, physical object
           => physical entity
             => entity

Sense 2
spring, fountain, outflow, outpouring, natural spring
   => geological formation, formation
     => object, physical object
       => physical entity
         => entity

Sense 3
fountain, jet
   => flow, flowing
     => change of location, travel
       => movement, motion
         => happening, occurrence, occurrent, natural event
           => event
             => psychological feature
               => abstraction, abstract entity
                 => entity

Sense 4
fountain, fount
   => plumbing fixture
     => fixture
       => artifact, artefact
         => whole, unit
           => object, physical object
             => physical entity
               => entity


--- Hyponyms of noun fountain

2 of 4 senses of fountain                      

Sense 1
fountain
   => drinking fountain, water fountain, bubbler

Sense 2
spring, fountain, outflow, outpouring, natural spring
   => Fountain of Youth
   => geyser
   => hot spring, thermal spring


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun fountain

4 senses of fountain                          

Sense 1
fountain
   => structure, construction

Sense 2
spring, fountain, outflow, outpouring, natural spring
   => geological formation, formation

Sense 3
fountain, jet
   => flow, flowing

Sense 4
fountain, fount
   => plumbing fixture




--- Coordinate Terms (sisters) of noun fountain

4 senses of fountain                          

Sense 1
fountain
  -> structure, construction
   => airdock, hangar, repair shed
   => altar
   => arcade, colonnade
   => arch
   => area
   => balcony
   => balcony
   => bascule
   => boarding
   => body
   => bridge, span
   => building, edifice
   => building complex, complex
   => catchment
   => coil, spiral, volute, whorl, helix
   => colonnade
   => column, pillar
   => corner, quoin
   => cross
   => deathtrap
   => defensive structure, defense, defence
   => door
   => entablature
   => erection
   => establishment
   => false bottom
   => floor, level, storey, story
   => fountain
   => guide
   => house of cards, cardhouse, card-house, cardcastle
   => housing, lodging, living accommodations
   => hull
   => jungle gym
   => lamination
   => landing, landing place
   => lookout, observation tower, lookout station, observatory
   => masonry
   => memorial, monument
   => mound, hill
   => obstruction, obstructor, obstructer, impediment, impedimenta
   => partition, divider
   => platform, weapons platform
   => porch
   => post and lintel
   => prefab
   => projection
   => public works
   => sail
   => set-back, setoff, offset
   => shelter
   => shoebox
   => signboard, sign
   => stadium, bowl, arena, sports stadium
   => superstructure
   => supporting structure
   => tower
   => transept
   => trestlework
   => vaulting
   => ways, shipway, slipway
   => wellhead
   => wind tunnel
   => honeycomb
   => balance, equilibrium, equipoise, counterbalance

Sense 2
spring, fountain, outflow, outpouring, natural spring
  -> geological formation, formation
   => aquifer
   => beach
   => cave
   => cliff, drop, drop-off
   => delta
   => diapir
   => folium
   => foreshore
   => ice mass
   => lakefront
   => massif
   => monocline
   => mouth
   => natural depression, depression
   => natural elevation, elevation
   => oceanfront
   HAS INSTANCE=> Pillars of Hercules
   => range, mountain range, range of mountains, chain, mountain chain, chain of mountains
   => relict
   => ridge, ridgeline
   => ridge
   => shore
   => slope, incline, side
   => spring, fountain, outflow, outpouring, natural spring
   => talus, scree
   => vein, mineral vein
   => volcanic crater, crater
   => wall
   => water table, water level, groundwater level

Sense 3
fountain, jet
  -> flow, flowing
   => fountain, jet
   => ebb, reflux
   => backflow, backflowing
   => airflow, air flow, flow of air
   => current, stream
   => freshet, spate
   => overflow, runoff, overspill
   => dripping, drippage
   => discharge, outpouring, run
   => flux, fluxion
   => seepage, ooze, oozing
   => drip, trickle, dribble
   => emission
   => flush, gush, outpouring
   => rush, spate, surge, upsurge

Sense 4
fountain, fount
  -> plumbing fixture
   => fountain, fount
   => shower
   => sink
   => toilet, can, commode, crapper, pot, potty, stool, throne
   => urinal
   => water faucet, water tap, tap, hydrant




--- Grep of noun fountain
drinking fountain
fountain
fountain grass
fountain of youth
fountain pen
fountainhead
soda fountain
water fountain



IN WEBGEN [10000/609]

Wikipedia - Ammonia fountain -- A type of chemical demonstration
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Wikipedia - History of fountains in the United States -- none
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Wikipedia - List of fountains in Bern -- Wikipedia list article
Wikipedia - List of fountains in Bratislava -- Wikipedia list article
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Wikipedia - List of fountains in Naples -- Wikipedia list article
Wikipedia - List of fountains in Paris -- Wikipedia list article
Wikipedia - List of fountains in Rome -- Wikipedia list article
Wikipedia - List of fountains in the Kansas City metropolitan area -- Wikipedia list article
Wikipedia - Manneken Pis -- Brass sculpture and fountain by JM-CM-)rome Duquesnoy the Elder
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Wikipedia - The Fountain of Madness -- 1921 film
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Wikipedia - The Fountain of Youth (film) -- 1958 film
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Pete Fountain ::: Born: July 3, 1930; Died: August 6, 2016; Occupation: Clarinetist;
Ben Fountain ::: Born: 1958; Occupation: Fiction writer;
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https://www.goodreads.com/book/show/27426598-the-fountain
https://www.goodreads.com/book/show/29103028.The_Queen_s_Poisoner__Kingfountain___1_
https://www.goodreads.com/book/show/29861209-a-death-at-fountains-abbey
https://www.goodreads.com/book/show/32597356-soda-fountain-christmas
https://www.goodreads.com/book/show/33124971-cursed-by-the-fountain-of-youth
https://www.goodreads.com/book/show/3482575-the-key-and-the-fountain
https://www.goodreads.com/book/show/352391.The_Fountain
https://www.goodreads.com/book/show/36062930-the-fountain-in-the-forest
https://www.goodreads.com/book/show/36599225-the-fountain
https://www.goodreads.com/book/show/379259.The_Fountains_of_Neptune
https://www.goodreads.com/book/show/391413.The_Fountain
https://www.goodreads.com/book/show/41858524-fountain-dead
https://www.goodreads.com/book/show/42276316-fresh-from-the-fountain
https://www.goodreads.com/book/show/43220998-the-fountains-of-silence
https://www.goodreads.com/book/show/44662220-sophia-freeman-and-the-mysterious-fountain
https://www.goodreads.com/book/show/45012353-compassion-fountain
https://www.goodreads.com/book/show/5900386-red-skirt-cool-fountain
https://www.goodreads.com/book/show/6019827-light-fountain
https://www.goodreads.com/book/show/60281.A_Fountain_Filled_with_Blood
https://www.goodreads.com/book/show/6446303-aim-straight-at-the-fountain-and-press-vaporize
https://www.goodreads.com/book/show/664307.Hecate_s_Fountain
https://www.goodreads.com/book/show/813101.Fountain_of_Secrets
https://www.goodreads.com/book/show/916809.Fountain_of_Dreams
https://www.goodreads.com/book/show/917642.The_Fountain
https://www.goodreads.com/book/show/972535.Three_Hands_in_the_Fountain
https://www.goodreads.com/book/show/99173.Fountain_of_Age
https://www.goodreads.com/author/show/1032201.Edwin_Fountain
https://www.goodreads.com/author/show/17149118.Ele_Fountain
https://www.goodreads.com/author/show/18127872.Lora_Fountain
https://www.goodreads.com/author/show/19275325.Jaime_Fountaine
https://www.goodreads.com/author/show/27731.Lawrence_La_Fountain_Stokes
https://www.goodreads.com/author/show/3375965.Carrie_Fountain
https://www.goodreads.com/author/show/363096.Nev_Fountain
https://www.goodreads.com/author/show/383340.Tim_Fountain
https://www.goodreads.com/author/show/5053446.Nora_Fountain
https://www.goodreads.com/author/show/7079.Ben_Fountain
https://www.goodreads.com/author/show/7341763.Michael_Fountain
https://www.goodreads.com/author/show/754641.Henry_Fountain
https://www.goodreads.com/author/show/821917.Anne_Fountain
Goodreads author - Carrie_Fountain
Goodreads author - Tim_Fountain
Goodreads author - Ben_Fountain
https://familypedia.wikia.org/wiki/Fountain_County,_Indiana
https://religion.wikia.org/wiki/Fountain_of_Life
The Fountain and the Cure for Altitude Sickness
dedroidify.blogspot - fountain-music-video-together-we-will
Occultopedia - fountain_of_youth
https://tvtropes.org/pmwiki/pmwiki.php/Film/TheFountain
https://tvtropes.org/pmwiki/pmwiki.php/Film/ThreeCoinsInTheFountain
https://tvtropes.org/pmwiki/pmwiki.php/ImageLinks/FountainOfExpies
https://tvtropes.org/pmwiki/pmwiki.php/Laconic/FountainOfExpies
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheFountainhead
https://tvtropes.org/pmwiki/pmwiki.php/Main/FountainOfExpies
https://tvtropes.org/pmwiki/pmwiki.php/Main/FountainOfMemes
https://tvtropes.org/pmwiki/pmwiki.php/Main/FountainOfYouth
https://tvtropes.org/pmwiki/pmwiki.php/Music/Fountainhead
https://tvtropes.org/pmwiki/pmwiki.php/Music/FountainsOfWayne
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/ProperCareAndFeedingForYourFountain
http://tvtropes.org/pmwiki/pmwiki.php/Webcomic/ProperCareAndFeedingForYourFountain
https://en.wikiquote.org/wiki/File:Buckingham_Fountain_1.jpg
https://en.wikiquote.org/wiki/File:BuckinghamFountain_ChicagoIL.jpg
https://en.wikiquote.org/wiki/File:Duchamp_Fountaine.jpg
https://en.wikiquote.org/wiki/File:Fountain_(04).JPG
https://en.wikiquote.org/wiki/File:Fountain_of_Eternal_Life_crop.jpg
https://en.wikiquote.org/wiki/File:LOC_Court_of_Neptune_Fountain_by_Roland_Hinton_Perry_-_5.jpg
https://en.wikiquote.org/wiki/File:Marcel_Duchamp,_1917,_Fountain,_photograph_by_Alfred_Stieglitz.jpg
https://en.wikiquote.org/wiki/Henry_Fountain_Ashurst
https://en.wikiquote.org/wiki/The_Fountain
https://en.wikiquote.org/wiki/The_Fountainhead
https://en.wikiquote.org/wiki/The_Fountainhead_(film)
Box of Moon Light(1996) - Al Fountain, a middle-aged electrical engineer, is on the verge of a mid-life crisis, when he decides to take his time coming home from a business trip, rents a car, and heads out looking for a lake he remembers from his childhood. But his wandering takes him into the life of Kid, a free-spirited yo...
Pirates Of The Caribbean: On Stranger Tides(2011) - Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too.
The Shaggy Dog(2006) - Dave Douglas is a district attorney who has just prosecuted a group of activists, led by Dr. Kozak who have broken into the pharmaceutical corporation Grant & Strictland after they accused them of animal experimentation while trying to find a Fountain of Youth. The activists have also stolen a sacre...
Monkey Business (1952) ::: 7.0/10 -- Approved | 1h 37min | Comedy, Sci-Fi | 5 September 1952 (USA) -- A chemist finds his personal and professional life turned upside down when one of his chimpanzees finds the fountain of youth. Director: Howard Hawks Writers: Ben Hecht (screenplay), Charles Lederer (screenplay) | 2 more credits
Pirates of the Caribbean: On Stranger Tides (2011) ::: 6.6/10 -- PG-13 | 2h 16min | Action, Adventure, Fantasy | 20 May 2011 (USA) -- Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too. Director: Rob Marshall Writers:
The Fountain (2006) ::: 7.2/10 -- PG-13 | 1h 37min | Drama, Mystery, Romance | 22 November 2006 (USA) -- As a modern-day scientist, Tommy is struggling with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. Director: Darren Aronofsky Writers:
The Fountainhead (1949) ::: 7.1/10 -- Approved | 1h 54min | Drama, Romance | 2 July 1949 (USA) -- An uncompromising, visionary architect struggles to maintain his integrity and individualism despite personal, professional and economic pressures to conform to popular standards. Director: King Vidor Writers:
https://camphalfbloodroleplay.fandom.com/wiki/The_Sanctuary/Liberi_Superum/Fountain_and_Garden
https://dnd4.fandom.com/wiki/Fountain_of_flame
https://elderscrolls.fandom.com/wiki/Blood_Fountain
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https://elderscrolls.fandom.com/wiki/Raid_on_the_Fountainhead
https://eq2.fandom.com/wiki/Ossuary:_Sanguine_Fountains_(Heroic)
https://eq2.fandom.com/wiki/The_Fountain_of_Life
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https://forgottenrealms.fandom.com/wiki/Fountains_of_Memory
https://forgottenrealms.fandom.com/wiki/J._Paul_LaFountain
https://goldensun.fandom.com/wiki/Lucky_Medal_Fountains
https://harrypotter.fandom.com/wiki/The_Fountain_of_Fair_Fortune
https://harrypotter.fandom.com/wiki/The_Fountain_of_Fair_Fortune_(pub)
https://humanscience.fandom.com/wiki/Fountainhead
https://ikariam.fandom.com/wiki/Building:Ambrosia_Fountain
https://kushowa.fandom.com/wiki/Kushowa_Reacts_to_SML_Movie:_Fountain_Of_Youth!
https://marvel.fandom.com/wiki/Fountain_of_Youth
https://memory-alpha.fandom.com/wiki/Ablutionary_fountain
https://memory-alpha.fandom.com/wiki/David_LaFountaine
https://memory-alpha.fandom.com/wiki/Fountain
https://memory-alpha.fandom.com/wiki/Fountain_Street
https://memory-alpha.fandom.com/wiki/Particle_fountain_(anomaly)
https://memory-alpha.fandom.com/wiki/Particle_fountain_(technology)
https://nanatsu-no-taizai.fandom.com/wiki/Fountain_of_Youth
https://nintendo.fandom.com/wiki/Fountain_of_Dreams
https://non-aliencreatures.fandom.com/wiki/Fountain_Creature
https://pirates.fandom.com/wiki/Fountain_of_Youth
https://primal.fandom.com/wiki/Energy_Fountain
https://space-channel-5.fandom.com/wiki/Fountain_Square
https://starwars.fandom.com/wiki/Bombing_of_Fountain_Palace
https://tardis.fandom.com/wiki/Fountain_Corporation
https://tardis.fandom.com/wiki/Fountain_of_Youth
https://tardis.fandom.com/wiki/Fountain_Programme
https://tardis.fandom.com/wiki/Nev_Fountain
https://tardis.fandom.com/wiki/The_Fountains_of_Forever_(comic_story)
https://tardis.fandom.com/wiki/Vivian_(The_Fountains_of_Forever)
https://unnaturalhistory.fandom.com/wiki/Fountain_of_Truth
https://wasteland.fandom.com/wiki/Fountain_of_Dreams
https://wowwiki-archive.fandom.com/wiki/Dalaran_fountain
https://wowwiki-archive.fandom.com/wiki/Strange_Fountain
Futari wa Precure: Splash☆Star -- -- Toei Animation -- 49 eps -- Original -- Action Comedy Magic Fantasy Shoujo -- Futari wa Precure: Splash☆Star Futari wa Precure: Splash☆Star -- During the summer festival five years ago, two girls met at a mysterious tree and saw two glowing spheres. Now, these two girls--Saki Hyuuga, ace pitcher on the school softball team; and Mai Mishou, who prefers sketching over stargazing--are chosen by the spirits of flowers (Flappy) and birds (Choppy) to restore the Seven Fountains and save their worlds from Dark Autumn. Together, they are the NEW Pretty Cure. -- -- (Source: ANN) -- TV - Feb 5, 2006 -- 10,195 7.14
Houkago no Pleiades (TV) -- -- Gainax -- 12 eps -- Original -- Magic Space -- Houkago no Pleiades (TV) Houkago no Pleiades (TV) -- The sky is the limit in Houkago no Pleiades. With telescope in hand, Subaru is set to go to the observation room of her school in order to get a view of that night's meteor shower. What she least expects is that behind the observatory door was not the starry skies, but a lavish garden, complete with a resplendent fountain and a mysterious young boy with long red hair. -- -- But the garden soon disappeared, as if Subaru was only imagining things. All that remains of that brilliant sight is an odd, bouncing blob creature that leads her to another magical door, occupied by other girls in magical witch-like costumes. Revelations start hitting Subaru one after the other: one of the girls in the room is her childhood friend Aoi, the little blob is actually an alien of a species called the Pleiadians trying to return home, and Subaru has been selected by him to become the newest member of their group! -- -- Now Subaru's dreams of the stars have come true in the wildest way, as she and her friends attempt to gather pieces of the Pleiadian spacecraft engine to return the being to his home. But they're not the only ones after the engine parts, and they have no idea why! -- 31,426 6.71
Houkago no Pleiades (TV) -- -- Gainax -- 12 eps -- Original -- Magic Space -- Houkago no Pleiades (TV) Houkago no Pleiades (TV) -- The sky is the limit in Houkago no Pleiades. With telescope in hand, Subaru is set to go to the observation room of her school in order to get a view of that night's meteor shower. What she least expects is that behind the observatory door was not the starry skies, but a lavish garden, complete with a resplendent fountain and a mysterious young boy with long red hair. -- -- But the garden soon disappeared, as if Subaru was only imagining things. All that remains of that brilliant sight is an odd, bouncing blob creature that leads her to another magical door, occupied by other girls in magical witch-like costumes. Revelations start hitting Subaru one after the other: one of the girls in the room is her childhood friend Aoi, the little blob is actually an alien of a species called the Pleiadians trying to return home, and Subaru has been selected by him to become the newest member of their group! -- -- Now Subaru's dreams of the stars have come true in the wildest way, as she and her friends attempt to gather pieces of the Pleiadian spacecraft engine to return the being to his home. But they're not the only ones after the engine parts, and they have no idea why! -- -- Licensor: -- Sentai Filmworks -- 31,426 6.71
https://commons.wikimedia.org/wiki/Category:Fountains
https://commons.wikimedia.org/wiki/Category:Fountains_in_Ludwigshafen_am_Rhein
https://commons.wikimedia.org/wiki/Category:Fountains_in_Moscow
https://commons.wikimedia.org/wiki/Category:Fountains_in_Vienna
https://commons.wikimedia.org/wiki/Category:Hebe_Fountain,_Roseburg,_Oregon_(replica)
https://commons.wikimedia.org/wiki/Category:The_fountain;_with_jets_of_new_meanings_(1870)
https://commons.wikimedia.org/wiki/Category:Triton_Fountain_(Valletta)
https://commons.wikimedia.org/wiki/Category:"Vdohnovenie"_("Inspiration")_fountain,_also_known_as_Fountain_of_Arts
https://commons.wikimedia.org/wiki/Category:W.C.T.U._Fountain_(Anacortes,_Washington)
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https://commons.wikimedia.org/wiki/File:Court_of_the_tomb-mosque_of_Farag_ibn_Barquq._In_the_Eastern_Cemetery._A_fountain_for_ablution,_shaded_by_two_trees,_stands_in_the_centre_of_the_court,_which_is_surrounded_by_a_colonnade._The_(NYPL_b10607452-80806).tiff
https://commons.wikimedia.org/wiki/File:Fountain_Golden_spike_
https://commons.wikimedia.org/wiki/File:Fountain_of_Indolence_by_J._M._W._Turner.jpg
https://commons.wikimedia.org/wiki/File:!!_Kitchen_Garden_fountain_sculpture_as_part_of_San_Anton_Palace.jpg
https://commons.wikimedia.org/wiki/File:Piazza_Fountain_operating_2.ogv
https://commons.wikimedia.org/wiki/File:Rehoboth_WCTU_Fountain_(Sussex_County,_Delaware).jpg
https://commons.wikimedia.org/wiki/File:Seymour_Square_Fountain_from_Blenheim_War_Memorial,_Blenheim,_New_Zealand.jpg
https://commons.wikimedia.org/wiki/File:Space_fountain.svg
https://commons.wikimedia.org/wiki/File:!!_The_Lady_fountain_at_San_Anton_Palace.jpg
https://commons.wikimedia.org/wiki/File:The_Triton_Fountain.jpg
https://commons.wikimedia.org/wiki/File:Vdohnovenie_(Inspiration)_fountain_in_Moscow_Russia_2018_June.jpg
https://commons.wikimedia.org/wiki/File:WCTU_fountain_at_the_Monroe_County_Courthouse_in_good_weather.jpg
https://commons.wikimedia.org/wiki/File:WCTU_fountain_at_the_Monroe_County_Courthouse.jpg
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Albert Jennings Fountain
Andrew Fountaine
Andrew Fountaine (art collector)
Andrew Fountaine (disambiguation)
Annie C. Stewart Memorial Fountain
Archibald Fountain
Ashgabat Fountain
A Short Drink from a Certain Fountain
Atomic fountain
Barmaley Fountain
Bellfountain
Bethesda Terrace and Fountain
Brewer Fountain
Breyman Fountain
Bucket Fountain
Buckingham Fountain
ButtMillet Memorial Fountain
Buxton Memorial Fountain
Carter Memorial Fountain
Centenary of Women's Suffrage Commemorative Fountain
Chain fountain
Charles Fountaine
Charles Frederic Swigert Jr. Memorial Fountain
Cherry Hill Fountain
Chiming Fountain
Chris Fountain
Coins in a fountain
Coins in the Fountain
Columbus Fountain
Confederate Memorial Fountain (Helena, Montana)
Confederate Memorial Fountain in Hopkinsville
Court of Neptune Fountain
Crawford Market Fountain
Cyril Fountain
Da Ponte Fountain
Deluge Fountain
Diana Fountain, Green Park
Diana the Huntress Fountain
Dragon Fountain
Drinking fountain
Drinking fountains in Philadelphia
Drowning in the Fountain of Youth
Dr. Samuel Mitchel Smith and Sons Memorial Fountain
Drumheller Fountain
Dupont Circle Fountain
Dylan des Fountain
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Erskine Memorial Fountain
Evliya elebi: The Fountain of Youth
First Chinese Baptist Church of Fountain Valley
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Fountain Creek Regional Park and Nature Center
Fountaindale, New South Wales
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Fountaingrove Lake
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Fountain of Campo das Hortas
Fountain of Cybele (Madrid)
Fountain of Diana
Fountain of Dreams
Fountain of Eternal Life
Fountain of Life
Fountain of Light
Fountain of Monteoliveto, Naples
Fountain of Neptune
Fountain of Neptune, Bologna
Fountain of Neptune (Madrid)
Fountain of Passeio Alegre
Fountain of Qayt Bay
Fountain of Rua das Taipas
Fountain of Samson, Kyiv
Fountain of San Maurizio, Siena
Fountain of So Joo (Melgao)
Fountain of So Miguel
Fountain of the Great Lakes
Fountain of the Idol
Fountain of the Lions (Porto)
Fountain of the Pear Tree Canals
Fountain of the Rosello
Fountain of the Spinacorona
Fountain of the Tritons
Fountain of the Virtues
Fountain of Time
Fountain of Valle Giulia
Fountain of Wealth
Fountain of Youth
Fountain of Youth (album)
Fountain of Youth Archaeological Park
Fountain of Youth Stakes
Fountain Paint Pot
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Fountain Park, St. Louis
Fountain pen
Fountain pen ink
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Fountain Prairie, Wisconsin
Fountain Run, Kentucky
Fountains Abbey
Fountains and ponds of Stockholm
Fountains Creek
Fountains Fell
Fountains in Portland, Oregon
Fountains of Rome (symphonic poem)
Fountains of Ruhans
Fountains of Wayne
Fountains of Wayne (album)
Fountain Springs
Fountain Springs, Pennsylvania
Fountain square
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Fountain Studios
Fountain-Tallman Soda Works
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Fountain Valley, California
Fountain Valley massacre
Fountainview Academy
Fountain Way
Fountain, Wisconsin
Four Lions Fountain
Frank E. Beach Memorial Fountain
Friendship Fountain
Gefion Fountain
German Fountain
Gumti Water Fountain
Harford Fountain
Hatfield Fountain
Heron's fountain
Hogan's Fountain Pavilion
Hopeless Fountain Kingdom
Hopeless Fountain Kingdom Tour
Horse Show Fountain
IBM WebFountain
Jane Fountain
John Fountaine
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Kugel fountain
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Lawrence La Fountain-Stokes
Lion Fountain (Floriana)
List of fountains in Bern
List of fountains in Naples
List of fountains in Paris
List of fountains in Rome
List of fountains in the Kansas City metropolitan area
Littlefield Fountain
Little Fountain, U.S. Virgin Islands
Lorelei Fountain
Lovejoy Fountain Park
Madison Square Park Fountain
Magic Fountain
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Magic Fountain of Montjuc
Margaret Fountaine
Mark Fountain
Mary Schenley Memorial Fountain
Medici Fountain
Mehmed Paa Sokolovi's Fountain
Mercury fountain
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Michele LaFountain
Mooney Memorial Fountain
Mulji Jetha Fountain
Multimedia Fountain Roshen
Musical fountain
Nanofountain probe
National Humane Alliance fountains
Naypyidaw Water Fountain Garden
New Fountain, Texas
Our Lady of the Fountains (La Brigue)
Parnas fountain
Peace Fountain
Pete Fountain
Pirene (fountain)
Poets' Fountain
Probasco Fountain
Revson Fountain
Rich Fountain, Missouri
Robba Fountain
Robert Fountain
Rock Creek (Fountain Creek tributary)
Rondebosch Fountain
Russell Alger Memorial Fountain
Saint Ingemo Fountain
Salmacis (fountain)
So Bento Fountain
Sebil (fountain)
Senator Fountain
Sentosa Musical Fountain
Shaftesbury Memorial Fountain
Shemanski Fountain
Shrob ou shouf fountain
Skidmore Fountain
Soda fountain
Solar-powered fountain
Space fountain
Sprague Fountain
Stewart's Fountain Classics
St Lawrence and Mary Magdalene Drinking Fountain
Swann Memorial Fountain
Tan Kim Seng Fountain
Temperance fountain
Temperance Fountain (Washington, D.C.)
The Dubai Fountain
The Fountain
The Fountain (comics)
The Fountainhead
The Fountainhead (film)
The Fountain Hills Times
The Fountain Hopper
The Fountain House (Doylestown, Pennsylvania)
The Fountain Inn, Gloucester
The Fountain in the Park
The Fountain (magazine)
The Fountain of Bakhchisarai (ballet)
The Fountain of Bakhchisaray
The Fountain of Lamneth
The Fountain of Life
The Fountain of Life (film)
The Fountain of Life (painting)
The Fountain of Madness
The Fountain of Youth (film)
The fountain on the Theater Square
The Fountains of Paradise
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There is a fountain filled with blood
The Sacred Fountain
The Stone Flower Fountain
Thomas Fountain Blue
Three Coins in the Fountain
Three Coins in the Fountain (film)
Three Coins in the Fountain (song)
Three Fountains Abbey
Tillandsia 'Red Fountain'
Tim Fountain
Trevi Fountain
Tritons' Fountain
Twelve Mile Crossing at Fountain Walk
Tyler Davidson Fountain
Victoria Centennial Fountain
Victoria Fountain
Wallace fountain
Wellington Fountain
West Davis StreetFountain Place Historic District
Westfield Fountain Gate
White Memorial Fountain
William Coleman Memorial Fountain
Wimmer's Fountain
Woman's Christian Temperance Union Fountain
Woman's Christian Temperance Union Fountain (Shenandoah, Iowa)
Wood Fountain at IUPUI
Wrocaw Fountain



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Savitri -- Savitri extended toc
Savitri Section Map -- 1 2 3 4 5 6 7 8 9 10 11 12
authors -- Crowley - Peterson - Borges - Wilber - Teresa - Aurobindo - Ramakrishna - Maharshi - Mother
places -- Garden - Inf. Art Gallery - Inf. Building - Inf. Library - Labyrinth - Library - School - Temple - Tower - Tower of MEM
powers -- Aspiration - Beauty - Concentration - Effort - Faith - Force - Grace - inspiration - Presence - Purity - Sincerity - surrender
difficulties -- cowardice - depres. - distract. - distress - dryness - evil - fear - forget - habits - impulse - incapacity - irritation - lost - mistakes - obscur. - problem - resist - sadness - self-deception - shame - sin - suffering
practices -- Lucid Dreaming - meditation - project - programming - Prayer - read Savitri - study
subjects -- CS - Cybernetics - Game Dev - Integral Theory - Integral Yoga - Kabbalah - Language - Philosophy - Poetry - Zen
6.01 books -- KC - ABA - Null - Savitri - SA O TAOC - SICP - The Gospel of SRK - TIC - The Library of Babel - TLD - TSOY - TTYODAS - TSZ - WOTM II
8 unsorted / add here -- Always - Everyday - Verbs


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last updated: 2022-05-08 17:53:46
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